Chapter 1: Fire 772
Chapter Text
Follow the typhoon, as it rolls in off the Great Western Ocean.
The clouds, black and hot and laden with water blot out the sun. They roll and boil, whipping up the sea. A small low-lying coral reef is swamped as it rolls over it, as happens whenever a great storm strikes. There, ahead is a sizable island, and the winds rise up over it, howling across the jagged valleys and smoking volcanoes, screaming into the wyld-pockets and battering the lies of the princes of chaos. And now the front of the typhoon has sunk down, down the slopes of the island and onto the smaller body that lies next to the larger isle.
There is a city there, a city once-white, now covered with paint in many colours. In the gloom many of the exotic paints glow fluorescent colours, giving it a strange dream-like air. The wind whips the trees and tears up plants. A city of pirates, scholars, priests and traders. The city of Saata.
Focus in on the ancient spires of Windswift College, where they have folded up the semaphore towers before the typhoon hit, and follow the winds through to the circular form of the Jade Carnation which lies just on the edge of the college district. The Jade Carnation, pleasure palace and place of decadent indulgence, spoken highly of and whispered as to what the affairs might happen in.
It is dark inside. It always is, when there’s a show going on. Many-coloured paper lanterns hang over the stage, their light reflected down by brass mirrors. Reflected onto the singer. The beautiful, red-haired singer whose voice sends a shiver down the back of all the listeners of this packed place.
For her audience, Tenne Cinnamon sings. It’s a crooning melody, this one; a seductively mocking warning about the dangers of women. To be sure, the singer should probably carry a warning label, and the lilt to her voice and the lazy smirk on her painted lips as she sings is clear proof that she knows it. Knows it and owns it; swaying around the stage and glancing coyly at certain members of the audience with lidded eyes.
They’re not all Tengese, the women she looks at. The cult that meets here has expanded - a select few, carefully chosen members added to the group of women who worship the fell and beautiful goddess Nululi in its cellars. They’re not Tengese, but they’re close enough - respectable enough - that they haven’t raised hackles among the existing members of the cult. Though of course, that might be due to the heady, decadent influence of their high priestess.
Up in the best seats sits Hui Cha Golden Child, Hui Cha Little River, and their associates. There’s discussions going on here; women doing as Hui Cha women have always done, and discussing money. Moving numbers around. Making promises - and promises like this are kept, because when they get broken people wind up dead. Behind closed doors, of course. Nothing that House Sinasana, the rulers of Saata, need to know about.
But the conversations come to an end when a second woman sashays on stage; Tengese-looking, dark-eyed, dark haired, in a tiny slip of a midnight dress. Soft-featured, curvy, sinuous. And even the lights seem to look at the world through hooded eyes now, as the singer Sesha joins Cinnamon with a trail of her long black nails down her arm.
The music shifts. There’s a tension in it now, a yearning. The musicians are good at what they do - personally trained by Cinnamon herself - and they apply themselves to their instruments with fervour as the two women begin their number. The words are slow - lyrics of invitation, of challenge and a call to compete - but the chords come faster and faster; racing the pulse and quickening the breath.
And then they begin to dance.
Cinnamon alone sent shivers down the spine. She and Sesha together are intoxicating. Their movements flow and ripple as they come together in feigned combat, undulating against one another and breaking apart with looks of longing. The whole room feels heated, the air is thick with sex and incense. Everyone watching is drunk on it. Drunk on them.
Inside, the watchers gasp; they exhale; they sigh. Intoxicated by the figures on stage.
And outside the wind howls. It moans. It gushes down onto the angled rooftops, and soaks those outside.
Thunder booms over Saata. Lightning lashes down and kisses one of the towers in the Perfect College of Holy Mati, setting the roof ablaze. The gongs and chimes of the many temples are struck, to placate the wind spirits and thunder gods who might spend their fury on the works of men.
People cover mirrors when storms come. This displeases the demon lord Hermione, who finds her comfortable spots for spying upon the city are greatly restricted. But now things are better than they used to be. Her mother - mother, she tastes the word on her forked tongue and finds it still strange - has thinned the walls between Here and There. And Hermione who is a creature of There, a thing of mirrors and reflections and echoes, can welcome guests into the mirrors where she dwells.
Guests such as her little brother Ogin, who she has had a fond spot for ever since she escaped from Hell pretending to be his reflection. He quickly discovered that mirrors were like pools he could crawl into with effort, and now he escapes from his watchers to play with her. Or as he is doing right now, eating stolen rice cakes while he listens to her stories with big moon-silver eyes. Iris sits behind him, as a little girl who’s braiding his hair.
“So what story do you want today, little brother?” she hisses, mirroring his form for a moment before reverting to the form that’s now hers and hers alone, with the Tairan eyes and highland cheekbones of her mother. She reaches forward with her hair to tickle him, grinning wickedly. It still sends a little thrill of happiness through her quicksilver heart to use the proof of her new family, and to say the words aloud. “Something more about Hell? A lesson on alchemy?”
Ogin shakes his head, and cinnabar eyes flash.
“Or,” Hermione drawls tantalisingly, “do you want to hear what I told our mother about my time in An Teng?” She leans forward, her grin widening. “Do you want to hear about sorcery?”
Ogin solemnly, gravely bites into a rice cake, and nods. Thunder booms outside, strangely echoed within the mirror world as reflected sound drifts in from the false-window moments later.
“Well, it started off after your full big brother Rathan initiated up in the mountains,” Hermione says, slithering into her dragon-skin and coiling up around him. She’s still deciding who her own full siblings are. She’s Keris’s daughter, of course, but she needs another parent too, like all her new siblings. And she doesn’t want Lilunu. But it would be nice to have a full sibling who she can get along with like Rathan and Nara and Ogin do.
Ogin wraps his tails around hers, and the feeling of skin contact still nearly takes her breath away. He stares up at her and tilts her head, prompting her to keep going.
“Right. Well, Mother came back here and asked me where I was in the Trials, and we worked out that I was stuck on the Trial of Fear. You know that one?”
Ogin nods. Though he never likes admitting when he doesn’t know something, so that might not be trustworthy. Well, she can explain anyway.
“I needed to face my fears, not just acknowledge them,” she tells him. “So Mother used a word game to say that I should go strike at the Unquestionable through their servant, Peer Deveh. But without actually telling me, because she has to pretend she doesn’t hate him!”
Iris blows out a smiling dragon face and a book with turning pages, and Hermione nods. “Yes, Iris helped. She turned the pages for me in Mother’s notes on aaaaall the things she knew about him. She knows more now, of course.” She puffs out her chest. “I went and spied on him and brought lots of ssssecrets back.”
Ogin nods, and breaks up a rice cake. This one has been drawn on in icing. It seems to technically make it art, at least by Iris’s standards, because Iris takes the half he offers her and gleefully bites down into it.
“Mama doesn’t like Deveh,” Ogin opines.
Iris exhales a flame shaped like a question mark, tilts her head, and then exhales a second one. Hermione thinks it’s her seconding Ogin’s unspoken question, and then asking too what she actually did.
“He’s dull,” Hermione scoffs dismissively. “He’s ssso proud of being a puppet for the Whispering Pyre. And he tries to kill all his emotions and be as passionless as her, even though he’s so obviously pining for attention from her souls!” She laughs, high and mocking. “Mother’s right, he’s a pathetic little thing. And I snuck around without him noticing, watching from mirrors, hiding from sssight. Never being near enough for him to detect. Like you taught me, little brother!” She lowers her head to nuzzle his hair, and Iris eagerly takes the opportunity to bury her fingers in Hermione’s silvery mane, stroking and petting and exhaling little happy intertwined dragons. Hermione enjoys it for a while, and then shakes her mane out from the braids that have mysteriously appeared in it - when did Iris get so fast at that? - and smirks.
“But I didn’t just spy on him and come back with secrets, no. Can you guess what else I did?”
Ogin tilts his head. “Something clever,” he ventures. Which of course is true, but is also the most risk-averse answer.
Iris is nowhere near so restrained, and produces a stream of rapidly flickering fire that includes explosions, burning flowers, a mountain being eaten by a dragon and an army that all falls over when a giant cat jumps on them.
Hermione preens, and allows herself to feel very smug. “Well, you’re both sort of right,” she says. “It was clever. And there were explosions. I found out that he was trying to build a manse, and figured out where it was, up in the High Lands, beside a great lake that reflected the sky and a mountain so high it had ice and snow at the top! And he was using mirrors to gather the power he needed for it - which of course is a good way to be powerful, but really stupid when I’m there. Because I was clever enough to work out what he was doing and sabotage it! I trickled mercury through his oh-so-precious mirrors and poisoned a few of his empty-men so their hands would shake as they worked, and swapped some components out for quicksilver fakes, and you know what? You know what?”
She shivers at the memory. How good it had felt to spite him. To ruin his plans. To destroy his beautiful half-built manse. And not just to spite him, but to finally vent some of the hatred she felt for the Unquestionable, to at last strike back at what she was afraid of and win. To face her fears and defy them.
It had felt beautiful.
“They didn’t even realise it had gone wrong until it was too late,” she says rapturously, her red eyes half-lidded as she remembers the stupidity of the men and women Deveh had hollowed out. Mother wouldn’t have hollowed people out like that. She’d have left them their wits and their initiative, and they’d have been faster to react, quicker to realise something was wrong. Still not quick enough, against Hermione, but it would still have been better, because Mother was better than Deveh and so was Hermione. “They tried to stop it, but they didn’t know how, because I was smarter and cleverer and quicker. And I swam out into the lake as it exploded, and all the work he’d put into it was gone in an instant, with nothing to show what had happened.”
Iris nods so violently her head might fall off, and breathes out a picture of a giant cat along with a question mark.
“No. No cats were involved,” Hermione says.
A sad face is what she gets in response.
Ogin offers Hermione a rice cake. “A prize,” he says.
She takes it with a courteous flourish and snaps it down. It’s sort of tasteless, although the icing is nice. Sweet, like her flowers.
“That’s not the only reward I got,” she boasts. “Mother says I’m ready for the last Trial now. Sacrifice. Or Choice. I have to choose something that’s holding me back, something I’m better off without but don’t want to let go of.” She scowls, flowing back into her girl-form and fidgeting. “I haven’t decided yet. Mother said it’s important. It changes you. It’s not something to do lightly, she says - even though Rathan basically did, and he’s fine. I know hers and Rathan’s and Oula’s, but none of them really feel like me.” She pauses, huffing. “Well, maybe Mother’s. She left who she was in Nexus behind. I wouldn’t mind leaving behind who I was in Hell, when I was still Lilunu’s daughter.”
A moment later she remembers her audience and looks at Iris apprehensively. Iris crosses her arms, and wags her finger disapprovingly at Hermione. For someone who is basically a toddler and has a prominent obsession with cats, Iris can be very preachy. But Hermione generously forgives her for that. It’s easy to forgive the first person who ever touched you and who is always generous with her hugs and kisses and her willingness to fall asleep on your lap.
Ogin, for his part, is considering things in his wide-eyed, grave way. “You don’t like Lily, but not in the way that Mama doesn’t like Deveh,” he contributes. “She just thinks he’s bad in every way. You’re all mixed up about Lily.”
Hermione feels her hair lash angrily as her back straightens. Rage curdles in an instant, displacing pride and achievement.
“She promised me things she never meant!” she hisses. “She left me trapped in mirrors where I couldn’t touch anything! She didn’t care! I’m not mixed up about her! I’m Keris’s daughter, not hers!”
Ogin considers this as he chews on a fragment of rice cake. “People have two mummies. Or a mummy and a daddy,” he says eventually. “You can have two.”
Hermione bristles. “I don’t want her as my mother after the way she lied to me,” she hisses. “I’ll find a better other mother! One as good as Keris!”
Ogin frowns at that. “Lily is really nice,” he points. “She’s always been nice to me and Kali. She is our,” he focuses, “godmother. Which means we have three mummies and she gives us lots of presents and doesn’t make us go to bed early unlike mama.”
Iris bundles onto Hermione, knocking her over and pinning her down. Her eyes - Lilunu’s eyes - gaze down at Hermione, big and puppy-like. She breathes out a little tiny flame Lilunu, along with several sad faces. Hermione knows what her sister means - and she’s watched jealously as Lilunu spoils Iris and the twins.
“Well she was never like that with me,” she mutters, turning away. “With me, she just shouted at me and said I was being cruel and sent me away. And never did anything to protect me from Orabilis. I had to hide from him on my own.” For a moment the hurt and spiteful bitterness are enough to make her tremble. Those early days, not long after being born, when she’d first realised what Orabilis would do to her if he saw her as she really was... they had been terrible. Terrifying. Hell was vast, and it hadn’t held any safe places for a young dragon with a grudge in her heart. “I didn’t see any of that niceness,” she spits.
Ogin crawls over to beside Hermione, lying next to her and intertwining her fingers with his. His motions scatter rice-cake crumbs over both of them.
“Zana said that Lily is scared too,” he says softly. “Mama and Zana were talking and they thought I was having a nap but I wasn’t. And Zana said that Lily is scared too.”
Hermione huffs as spite changes targets with quicksilver speed. “Well yeah, obviously,” she says. “None of the Unquestionable respect her, really. Only Mother. And...” she gulps. “Orabilis chained up one of her other souls. Lela. Antifasi knows a little bit about her.” She shivers. “He wants to chain her up too. And Lilunu couldn’t stop him if he got the others to agree.”
For all that she’s trapped in mirrors, Hermione can at least see danger coming and run away, or spit poison at it - verbal or otherwise. Her twin is blind and deaf and mute and helpless. She wouldn’t even be able to scream.
Ogin looks at her with big silver eyes. She can see herself in them. “Orabilis is the real baddy,” he says. “He hurts Lily.”
Thinking little of it, Hermione nods - but Iris blows an exclamation mark in her face and gestures at him. Then a sad Lilunu face with a big scary mean face looming over her. And then a little dragon - which is probably supposed to be a Hermione-dragon rather than an Iris-dragon - holding hands with the Lilunu face and jumping up and down on the mean one, shooting sparkly rainbow-lights from her nose.
Hermione takes a moment to work through that.
“... you think hating her is stopping me from hurting him?” she guesses. A mixture of excitement and unease fills her. “That... this should be my Sacrifice?”
It feels right. It feels like... like something big enough to Sacrifice. But just turning around and forgiving Lilunu? Accepting her as a mother after she failed to be one? Hermione doesn’t want to let her off the hook like that.
Except... isn’t that not-wanting-to the exact kind of thing she needs for it to be a Sacrifice?
“I- I don’t know,” she says, drawn to the alluring idea of sorcery, in her grasp right now, but repelled by the price. “I need to talk to Mother about this...”
Iris blows an encouraging face, and hugs her again. Ogin joined in, wrapping his tails around her waist and making her shiver happily.
“... but if you’re right... thank you.”
A hundred miles and more to the west, the storm rifles through the mountains of Shuu Mua, tearing at the ground and ripping up bamboo forests in its fury. Wind-bears snarl.
The storm has sunk its fingers deep into Zen Daiwye, and its new patron spirit watches in sadness as this land knows its first typhoon. The air itself screams as wind rushes through the knife-edged, needle-tipped limestone formations along the edges of the valley; the rain-sculpted peaks and narrow canyons acting like vast columns of flutes all around. Though this is the first time the hammer of the skies has struck them, the locals here have superstitions about the wailing, and huddle fearfully in their huts and communal buildings.
Evedelyl, Wild-Mother of the Daiwye, flattens her ears against her skull against the noise. Her hearing isn’t as acute as her beloved daughter’s, but the storm is still painfully loud. Spotting another shift from the upper slopes, her great legs lumber into motion and carry her to the boulder-catchers. Planting her lioness paws firmly, she gathers the net in two firm hands and braces.
The boulders hit it like siege weaponry from on high, smashing into the tightly-woven ropes. Some cords snap - but they’re meant to. The breaking absorbs much of the impact of the rocks, and the looser strands that lay slack stretch out until they’re taut, bringing the worst of the rockfall to a halt. Evedelyl grunts as the weight pulls her a few metres forward, then eases off. The soil will continue spilling down the slope, drowning a few fields, but the deadly rocks have been halted.
Shaking her sodden mane and gathering up her long, drenched skirts, she retreats back down the slope and resumes her scanning of the hilltops.
The boulders form mounds, stacked up by tiny demons who scamper around, rolling them together. The little creatures are no more than a hand in height, but they’re strong for their size and a few of them can lift fallen branches and plant them in the ground. They weave fibres into ropes, and create more catching-nets for their mother-maker.
Within the buildings down below, the men and women of this isolated valley pray to their new deities - gods and goddesses that Evedelyl has patiently taught them of. To laughing Eko and dark-eyed Calesco, they ask for freedom from fear and soothing dreams; from the Lord of the Waters and the Sound that Sunders they ask for respite from the lashing rain and howling wind; and the rulers of Swamp and Isles hear pleas for safe crops and gifts of beauty once the madness without has passed.
Another boulder rumbles and thunders and is caught by Evedelyl. She strains, feeling her tiredness, the ache in her muscles.
But they are praying to her. She can hear them. She can feel them; their fear, their worry. And she draws strength from their devotion. So she catches the next one. And the next one. And the next.
And miles and miles and miles to the Horizon, on the edge of the Wailing Fen, the storm hasn’t arrived yet. Not quite. But it’s rushing in quickly, looming on the horizon.
Two sisters are there, in this twisted landscape where the light is a little green and there’s always ice in the humid swamp, tinted blue, and savage red monkeys gibber in the trees. It feels like... home.
This land is scarred. It’s scarred from millennia-ago blasphemy and a monster whose scream still echoes for those who can hear it. It’s scarred from centuries of pirate raiders who plunder its shores and pillage its resources without ever staying to build on cursed land.
And most recently, it’s scarred from a demon of brass and green fire who tore into the cannibal tribes who originate from these hellish wetlands. The Zu Tak have drawn back defensively for typhoon season, mooring their raft-towns close to the shore to avoid the storms as they always do and clustering around their settlements in case the monsters come back. They pray to their ancestors; the Greater Dead who empower them and drive them ever outwards to raid and conquer new lands. They pray for protection, for strength, for the destruction of their foes.
It isn’t helping.
Sooooo, Eko indicates, tracing her toe in the ground. She has some complaints for her darling baby sister cutie-pie. Some really pressing complaints. Like, to name one, she counts off on her fingers, she thinks her baby sister kind of hogged all the fun with the last village. There was hardly any left for poor Eko.
“The village before last, you went after some of the children,” Calesco huffs. “We agreed to avoid the innocents and only kill the Dead.”
Okay, first of all, Eko protests with an upraised finger, those totally weren’t kids. They were, like, almost as old as mama was when she first came to Hell. Which when you think about it is way older than poor little Eko who’s not even five yet, so really if it’s an age thing then they were picking on her. And also they were trying to stab her, which was rude, and anyway they’d probably been raiding and killed people so they weren’t innocents either, so there.
Also, she adds, holding up another finger, her adorable darling imouto-chan has really not holding up her end of the conversational ribbon on this sisterly outing. Eko’s been having to carry all the talking and sororal bonding by herself; it’s very unfair.
Calesco stares at her. “What are you talking about?”
Well, Eko motions with sage big-sisterly wisdom, this is just the two of them going out into the woods - well, the marshes - to camp out and share a tent together and tell stories around the fireplace and do fun sisterly bonding activities like running and murder and modelling new types of ribbon-fashion away from the critical eyes of annoying little brothers. It’s basically a camping trip. And they’re meant to also be having deeply emotional conversations where they spill all their deepest secrets to each other in the sanctity of the trusting sisterly lack of judgement and grow closer by doing so!
Except Calesco’s mostly just been complaining about the weather and how well Eko is doing at the murder bits and reciting poetry all night, and while Eko totally supports her best friend introducing her to new hobbies, she feels like she has to raise the point that it’s getting a bit repetitive.
Calesco glares at her sister. And despite herself, a giggle escapes her. “You’re ridiculous,” she says, trying to scowl again.
It’s true, Eko nods tragically. One of the deeply held shameful secrets she’s been keeping close to her heart is that she’s afraid mama might have passed down her love of ridiculous flashy finishing mid-air moves to Eko. And she knows it’s not as efficient a way of murdering giant undead monsters, but it’s just so much fun! But if grandma finds out about it she’ll be all sarcastic and mean. It’s a big worry, really, she finishes with a grave nod.
“Utterly ridiculous. You are silly!”
Well she needs to do something to lighten her little sister’s spirits, Eko points out as she taps her nose. And it’s working, see! Calesco’s not worrying at all about the big horrible meanie Dead grandmother they’re about to pounce on! She just needed a bit of big sister advice and the right smidgen of ridiculousness to forget all her broodiness and get ready for another fun fight. Eko takes a proud bow. It’s really no bother to help out, she explains humbly. Anything for her darling Cally.
Calesco sighs. “I wonder how everyone else is doing,” she says, stretching out in the tree, legs crossed. “It looks like rain. It’s probably hit them already.”
Eko kicks at the ground, blowing her cheeks out in a pout behind the mask. Mama’s probably sitting out in it deliberately so she can be cold and wet and miserable on purpose, she grouses.
“That’s the third time today you’ve criticised her out of the blue,” Calesco says, giving her a funny look. “And you spent a whole hour the other week complaining about how it’s apparently her fault this place doesn’t have any proper ribbons. Loosing barbs at mother is usually my job, not yours; what’s prompting this?”
Eko crosses her arms. Oh no. They are not getting into this. It’s Eko’s job to protect her darling baby sister from any worry or concern or anything to do with how Eko saw things in mama’s dream-nightmare from the nasty eaters that she wants to forget but can’t let go of. So there! Calesco just needs to go be happy!
Calesco stares at her. “That... Eko, that was months ago,” she says. “You’re still angry about that?” She searches her memory for the last time her sister had clung to a single emotion for so long. Never, that she can recall. Except maybe...
“Was it that bad? As bad as...” she glances around fearfully and lowers her voice a little, “... as Big Mother?”
She’s pretty sure they’re not talking about this, Eko indicates with a flap of her hand that’s distinctly snippy. Why is Calesco insisting on sharing the misery that Eko is trying to protect her from?
Putting her hands on her hips, Calesco stares her down. “I thought you said this was meant to be a trip to bond and have deep emotional conversations and spill our deepest secrets?” she needled. “And you wanted me to stop being broody - well now you’re the one who’s brooding.” She smirked triumphantly at the scored point, then eyed Eko’s mulish stance and sighed.
“What if I said that as your,” she rolled her eyes, “‘precious little sister’, I wanted to help my big sis feel better? So that she isn’t too distracted to protect me from all the nasty ghosts?”
Eko’s mask twists into a scowl. That’s a dirty move, she accuses.
The smirk comes back out. Calesco puts her hands together and resorts to dire measures. “Please?” she asks sweetly. “I’m worried about you, big sis.”
That... that is not fair! Not fair at all! That’s the base treachery and vile perfidy that Eko would expect of Zanara! Or Rathan! To be betrayed in this way is more than she can take! Eko covers her face with her hands, weeping piteously.
After a few moments of extravagant grief, she peeks between her fingers. And finds Calesco staring at her, arms crossed.
With a silent sigh, Eko collapses to the ground. Calesco just isn’t going to let it go, is she? Bah. Bah, she gestures tetchily. Fine.
Yes, Eko is furious at mama. And scared for her. And wants to hug her, but can’t.
Eko... Eko saw Mama’s life before grandmother showed up. There was a lot of people hurting her. Hurting her body and hurting her spirit. She got made to do lewd things. That she didn’t want to do.
Eko swallows, jittering back at forwards, arms wrapped around herself. Did... did Calesco know, she asks? That Eko wasn’t mama’s oldest? That Mama lost Rathan’s big brother or sister?
A complicated expression crosses Calesco’s face. After a moment, she unslings her bow from her back and sits down next to her sister; bow on her lap.
“... I knew,” she admits. Her tone is studiously neutral. “Not at first. But when the whole mess with Kuha happened, the pain made something open up. I dreamed about it - all the pain and love she was forgetting. Mostly Gull. But Rat, too. And the... the baby was part of both.”
There’s nothing but silence from Eko as she sways back and forth.
“I- I didn’t say anything at first because she wasn’t hurting anyone with it,” Calesco says defensively, her words catching a little. “She was lying - to herself more than anyone else - but she was doing it to cover up her pain. She was so, so hurt back then. And I didn’t blame her for that, for wanting to focus on us instead of... them.” She frowns, her lip starting to tremble. “But then she started playing as Cinnamon and using all the things she learned back then w-without admitting it, a-and it was like she was d-denying that Gull and the baby ever existed, and it was a lie that was hurting them; hurting their memories, and that was wrong and I just got s-so angry a-and...”
There are tears spilling down her face, and her voice is getting choked. She hugs her knees, trembling, as the guilt comes back.
“I didn’t want her to get so hurt,” she whispers. “I wanted to hurt her, to make her admit the truth, to make her learn. But I never wanted that. A-and she wasn’t angry at me, b-but...”
Why couldn’t she be allowed to forget it, Eko mimes with a tiny, sad flick of her hand. What’s wrong with that?
Calesco shakes her head minutely and takes a few minutes to get herself back under control. “If she wanted to leave all that behind, I’d have let her,” she sniffs. “But she wasn’t. She was - is - doing the same things now as Cinnamon as she did back then. Forgetting it is fine, but I won’t let her be a hypocrite. I won’t let her lie about the ugliness of the world while she’s spreading it and benefiting from it herself. I won’t.”
But why? Eko meets her sister’s eyes mournfully; one pair set behind a veil, the other behind a mask.
Mama and Gull were bad for each other. They kept on hurting each other. Gull always let Mama down and used her for her money; Mama hurt Gull when she got angry. She throws her hands in the air. They were poisonous for each other, she insists, mask in a snarl. And then there was that awful, awful Chen! He was even worse!
“I know.” Calesco sounds defeated, and tearful, and tired. “I know. It’s awful, and I wish I could cover it with lies, but... then it would just happen again.”
She shuffles closer and her arm transitions into a wing as she wraps it around her elder sister’s shoulders. With an unsteady breath, she lays her head on Eko’s shoulder.
“Sisters?” she murmurs quietly.
Eko wraps a gloved, lacy, only-somewhat-blood-splattered-arm back around Calesco. They’re always going to be sisters, no matter what, she insists hotly. Eko is the world’s best big sister, and she’s not going to the fact she is still furious at Mama for putting herself in a place where all of them could have gotten killed... she’s not going to let that get between her and her darling baby sister.
Plus, next year Eko is definitely going to have to take a break to look after her new re-babied sister and make sure Haneyl gets raised properly in the ways of fun and also in the ways of fashion and catering and proper manners and not-being-lewd!
“You say that,” Calesco smiles, humour returning to the little scene, “but you’re really just going to beg sugar off her until you can’t eat any more without being sick.”
Eko has never done that, she tells her baby sister archly. She is never sick from eating too much sugar. At least when it comes in its proper form, i.e. tiny cakes and fizzy drinks.
“Of course not,” Calesco gently mocks. Then she lets out a quick, heavy sigh; like she’s forcing all the emotion of the difficult talk out and blowing it away. She stands, slinging her bow back across her shoulder.
“Anyway,” she continues more briskly. “I thought we had a ghost to hunt down? You better get up and get to it, or I’ll take all the action this time as well, big sister. I’ll bet you the next sweet food we find that I get the kill.”
Eko crosses her arms. Such impudence! Such rudeness! Some meanness from someone who should be sweet and innocent. Firstly, Calesco is on. Secondly, for being so rude as to imply Eko isn’t the best stabber... that’s a tickling as punishment!
“You’ll have to catch me first!” yells Calesco over her shoulder, already three steps away from Eko and taking to the air with great heavy wingbeats. Wise to her sister’s ways, she was already getting ready for take-off as she gave the challenge.
The laughter and taunting and faux-angry threats of the two demon lords are small in the great wasteland of tainted marsh and fetid swamp. But they make this corner of the Wailing Fen a little warmer, while they last.
Back in Zen Daiwye, lightning strike the madly whipping trees. Ancient growths a few months old burn.
And in the light a glass temple on the valley slopes, domed with sparkling cerulean crystal, twinkles in the sullen gloom.
Its resident is scared of the thunder. As she is scared of most things.
At least her existence is more comfortable now. No longer is she confined to a single glass-walled shrine, where she must huddle in fear of those who can break her rules and invade her space and shout at her. Now she has a temple all to herself; a safe home of half a dozen rooms the size of the whole world within her Greater Self.
The lady who brought her here let her pick the anchor of her home from a handful of Hellish wonders made from the materials of the Desert and the Spheres, and choose where her temple would be set, and how it should be filled with books and toys and instruments. She put a lot of locks on the doors and windows, too. All on the insides.
The little girl - who is not a little girl, and yet is - knows the lady. Her mother-Self has made laws in the past about how the lady isn’t allowed to hurt or change her. Some of them, the lady has broken; mostly recently in claiming the little girl herself.
She tries not to dwell on that. Last time she did, it hurt to think about, and made her cry, and almost made her angry. She doesn’t like crying, and she likes being angry even less. When she gets angry she hurts people and then she gets scared of herself.
Flinching at another roll of thunder, she focuses her attention on other things instead. Like the serfs the lady left her to be friends; a collection of strange little beings who are playing with her fox, and who have so far left her alone when she wants to be alone, and read with her when she wanted to read. They are, she has decided, probably not threats to her. At least, not physically.
Fear is something squirming in her gut. It always is. But every time the sky growls at her, the squirming feeling gets more sickening, more scary. Her armour isn’t shutting out the noise! And every time it booms, Kalaska swears she can hear her precious things, her precious laws, her rules cracking. She said that the sky isn’t allowed to do that! She said it isn’t! But it keeps on doing it even though she doesn’t want it to and that makes her all hot and tight and jittery.
Again, she looks over at the others; the loud and unpredictable and scary serfs who might not be able to hurt her physically, but they might laugh at her or say mean things about her when she’s not there or she might get angry and hurt them and then lady Keris will be angry at her and she’s even more powerful than Kalaska is so what can she do then?
No, it’s better to stay here. Away from them as they play with her fox. She wants to hug Huli, but he’s with the serfs and the thought of going over and saying things to them makes her so nervous she feels like she’s going to be sick.
She hates being sick.
Maybe if she hid under the covers of her bed, she wouldn’t have to hear the sky. It couldn’t hurt her then.
Something moves in the corner of her eye, and she flinches; her arms coming up defensively as she whips around to look at it. It’s not one of the serfs, though. It’s a little six-legged cat made of black ink, with many-coloured eyes and a rainbow flame on the end of its tail. Pulling itself out of the wall, it steps carefully across the bed and exhales a plume of fire in the shape of a little girl hugging a six-legged cat.
She knows this creature. It’s lady Keris’s familiar. It’s weaker than her, but it’s still scary. It’s not a serf, which means that the rules that say weak things aren’t allowed to hurt her don’t work on it. It eats art, and the Kalaska looks fearfully at the beautiful painting of the foxes in the city that hangs on the wall, checking for any bite marks.
And lady Keris can see through its eyes. Is that why it’s here? Is lady Keris checking to see if she’s done something wrong that she’ll be punished for? She hasn’t! She hasn’t done anything here! She’s been good!
The not-a-serf edges closer and nuzzles her hand like Huli does. It breathes out another pair of shapes; a cloud with lightning coming out of it and a scared-looking face, then climbs onto her lap. Its tail flicks from side to side lazily, and it blinks up at her with the same ever-shifting eyes as lady Keris’s frighteningly powerful teacher.
And then it flows into another shape, tail lengthening and becoming bushy, ears morphing, two of its legs vanishing into its body as it grows slightly. And...
“Y-y-you’re a f-fox,” Kalaska whispers in a tiny noise. Her voice is rusty and awkward from disuse.
The creature - Iris, she remembers; lady Keris called it Iris - breathes out a smiling face, and reaches up to lick her cheek.
It can be a fox. But it can not be a fox. But given it wanted to be a fox now, maybe it... she, maybe? Lady Keris called it a ‘she’. Maybe she wants to be... nice? Because foxes are nice.
“I... d-do you eat anything, l-l-little fox?” she tried.
The little fox-Iris tilts her head and looks around, her bushy tail still swaying from side to side. She spies the bowl of plums on the bedside table and nods eagerly, gesturing towards them and giving Kalaska another friendly lick.
Another roll of thunder booms. For some reason that’s making her feel all hot and angry inside, the little serfs don’t seem to care! They’re just playing with Huli while one of them cooks food and it smells nice but she can’t just go over there and ask them for it, she can’t!
“W-we...” Her throat is too dry. She stares helplessly at the Iris-fox, hoping she understands that they’re going to go to bed and eat plums there and hide from the thunder.
Iris nods, and they snuggle under the blankets together. The sounds are muffled, but still make her flinch. It’s not as bad, though, because Iris licks the tears away from her face and nuzzles into her neck and is warm and smooth when petted. She’s very appreciative of the plums, too, as Kalaska feeds them to her one by one.
The bowl is almost empty when there’s a light tug on the blanket.
“Um, miss Kalaska?” a soft voice says. It’s one of the dark ones that look like they’re Seresa’s serfs. They’re quiet, at least, compared to the flower-ones who argue about books all the time or the clay ones who play music or act out scenes from plays.
“Miss Kalaska?” the voice repeats. She doesn’t know which one it is. “I was talking to Miki and she said you might be hiding over here ‘cause the thunder’s hurting your ears like it does szels, and then the food finished cooking so I volunteered to come over and ask if you wanted any and also if you wanted the cliffhopper wool Torom had in his pouch. He says it’s what orvens stuff in their ears when they have to go the Spires, ‘cause it’s noisy there too.”
There’s a pause, as the serf waits for an answer that the girl doesn’t give them.
“... well, um,” they say as she stares at the underside of the blanket. “I’ll just leave the plate here on the table, and the wool next to it, and you can, um, do what you want.” There’s a faint rattle and then another awkward pause - broken by a particularly loud thunderclap - and then the serf starts to retreat.
Being outside isn’t like she dreamed it would be when she was younger. Kalaska remembers those first letters from Haneyl, which seemed to full of nice things. But Haneyl isn’t here. And when she got those letters, she was younger and... and it was just her and Seresa. Things were better then.
She was stupid to think the Outside was any less scary than home.
But still the plate vanishes under the blankets.
And there is another world, and another storm. Blue-black lightning tears through the sky, earthing itself violently into lakes and blowing chunks out of stone.
“No, stupid, take me that way! Giddy up!”
A bulky young man strides through the storm, a little girl on his shoulders. She pulls on his dreadlocks to guide him, or at least tries.
“Vali, I’m wet all through! Why is your home so rainy!”
“Yours rains just as much!”
“Yes, but mine is warm!”
“You wanna go inside, then? Or I could go dragon and take you above the clouds!”
“No!” More yanking on brass-beaded dreadlocks. “You take ages to turn into a dragon! I’m not waiting in the cold for that long! And I don’t want to go inside either; it’s all dark! Take me that way! That way that way that way!”
The young man turns, and the little girl stuffs her hair in her ears and clings to his forehead as he leans forward into a runner’s crouch. With an explosive boom, he shoots forward, leaping from a lip of basalt to clear a vast chasm between two spires and skidding across the stone where he lands. The little girl’s scream of delight accompanies his enormous leap, and she untangles her arms from around his forehead as they touch down; her brother absorbing the impact with his legs and a half-crouch to keep her from being jarred or thrown off.
“Now up, up! I wanna get to the top and look around!”
Vali was having fun. A lot of fun, actually. Having his big sister be a little sister was great. They got to do stuff together, and she was all small and tiny and needed his protection.
With a snarl, he pulls up on a ledge, and leaps up an overhang. Carrying her like this is a great weight for his training.
And he doesn’t have to think about the bit when he woke up and heard that Zanara had torn out her heart. Not when she is here with him, and even if she isn’t... isn’t the she he wants her to be.
“Vali, stop, stop, stop! I want to see the lake!”
“The lake?”
She yanks at his hair to direct his head towards the broad mountaintop lake. They’re close enough to the edge of the Ruin that there’s an oversized cow skull so big there’s a little village huddling under it, and beside the skull is a lake that’s lit by the half-submerged island. Oh yeah. He remember this place. That used to be a sky island, until it got too weak to fly and fell into the lake. But now it’s there, insulated by the water, and so it constantly crackles with trapped lighting that means this whole lake is lit by blue light.
“There, stupid!”
He chuckles. “You’re such a little brat.”
“I am not! You’re the brat, stupid! And you’re going to take me to the lake!”
“Maybe I should make you walk.”
That produces a sudden gasp. “You wouldn’t do that! I’m all tiny! My legs are short! And it’s wet and I’m hungry!”
“Fine, fine,” he says, changing course before she starts drumming on his head with her tiny little fists. “What d’you wanna eat? I could yell for Iosoto if you want; he’s a good fisher.”
“These are your people,” she says accusingly. “Make them feed us!”
“Yeah, they don’t do stuff just ‘cause I tell them to,” he informs her. “This is their spot; as long as they aren’t breaking my rules, they can do what they want. But I guess we can go see if any of ‘em want to give us some food in return for something.” He nods firmly. “And if they don’t, I’ll challenge someone to a duel for your dinner. That’s a promise!”
“That’s stupid!”
Yes, Vali thinks. On the other hand, there’s real downsides to your big sister being your little sister. She’s way less able to be chill than usual. She isn’t willing to just sit back; she’s always asking questions, or wanting to do things, or constantly having to show people she’s in charge. Her passions are smaller, pettier, less beautiful in their grand ambitions. Honestly - and thinking like this is annoying, so he doesn’t bother to do it much - she reminds him more of Aiko now. Only pushier.
The lakeside town does not prove to have anyone feeling charitable in it, but there’s a dobormin who feels cocky enough to accept Vali’s challenge of a best-two-out-of-three arm-wrestling contests for a meal. It takes a bit of effort, and he has to take a few of his chains off and go up from a quarter of his power to 40% after he loses the first bout, but soon enough Haneyl is gorging herself on a brass bowl of noodles roughly the size of her entire torso, and lambasting the cook for how he made it.
Vali waits for her to finish, and finds his thoughts drifting back to his mum. And what happened on Shuu Mua after... after what happened to Haneyl.
The mazes were bad enough, really annoying and impossible to solve just by powering up enough and smashing them. He could have got out of them fine, but getting in, through to the middle... they kept turning him aside there. He’d known his mum was being hurt, and all his strength hadn’t been enough to stop it.
But then he’d found out what had happened in there, and what mum had been hiding from everyone, and that had been even worse.
In the time since, it was... he’d found out a lot about what happened. Mostly from Cally, a bit from Eko, and he asked Lilunu some questions and she actually said a lot. Which was just to be expected, because she was super cool and made of dragons. He didn’t blame mum for anything she’d done in the past to stay alive. That was just what you did. Nexan law meant nothing; people who said you didn’t have the right to do whatever it took to stay alive oughta die and see how they liked it.
He picks up a pebble, and crushes it into sand, lightning cracking over his biceps.
But what mum did to Gull was wrong. Gull had been her wife. They’d lived together and shared everything and they were priestesses anyway so they were married as far as anyone had been concerned. And after she died, mum didn’t go on a proper quest for revenge or get back at the one who killed her wife. She just pretended Gull hadn’t existed. Which... he didn’t even have words for.
“Vali!” Haneyl calls, distracting him from his dark thoughts. “I’m full and my tummy hurts! Take me swimming!”
He levers himself up and dusts the sand off his hands. Mum’s honouring Gull now, at least. He’s still going to remember it, and watch her to make sure it doesn’t ever happen again, but it’s a start.
And he has a little big sister to look after. Like he promised to.
“Sure thing,” he says, striding over to pick her up. “I can teach you to punch spark eels!”
“... what? Hey! No! I don’t wanna go swimming if there are big things with teeth in there! Put me down right now! I’m ordering you!”
“Nah. You said you wanted to go swimming, so swimming is where we’re going!” Grinning, Vali totes the squirming ball of arms and legs and complaining up onto his shoulders and heads down to the lake.
Maybe once she’s stopped yelling, he’ll tell her he was joking.
... or not. He said he’d protect her, after all. Not that he wouldn’t tease her a bit.
“When I get big again, you’re not going to get away with this! You’re going to regret this!” Haneyl screams, pounding on his head with her little hands. “I hate Zanara! I hate them I hate them I hate them for doing this to me!”
Dropping the teasing act for the moment, Vali swung her down and hugged her. It was never good when she started thinking about Zanara and about... what had happened. He’d been trying to keep her distracted, and for the most part he’d been succeeding, but every so often the memories would power up enough to break out of where she had them locked away.
“It’s okay,” he told her, wrapping his big arms around her too-little form and squeezing gently. “You’ll get better and then punch ‘em. Or whatever else you wanna do as payback. Me and mum and Rathan’ll all back you up on it.”
“I don’t understand,” she snivels into his shoulder. “Why?”
He shrugs. “‘Cause Rathan’s all about, y’know, balance and debts and boring exact payback stuff that he works out with scales and stuff, and mum was really, really mad at them, and ‘cause you’re my sister. Even when you’re being a brat. And that means I gotta punch anyone who hurts you.” He winks at her, though she doesn’t see it due to having her face buried in his clothes. “Believe it!”
“Stupid. Stupid stupid stupid.” If he wasn’t soaked, she’d be getting his clothes wet from her tears. But he is, so it doesn’t matter. “Why’d she do it, you idiot?”
Oh. Right. That’s a harder one. Vali scowls thoughtfully.
“Dunno,” he says after a moment. “Mum said they had two reasons. One of them wanted to get the poison out of you, and the other one wanted to get the mercury-stuff.” He pauses. “You want me to hold ‘em down while you beat it out of them once you’re big again?”
“Mmm hmm.” It’s a little snotty sound.
“Then that’s what we’ll do,” Vali says simply. He feels the vow etch itself into his bones.
She just stays there for a while, a warm little body held against him until she’s cried out. Then, “Let’s go visit the monkey and see if he has any presents for me.”
“Whatever you say, little sis.”
The last song draws to a halt in the Jade Carnation. Tenné Cinnamon holds Sesha in a low dip; one hand wound in her hair, the other hooked around her waist to support the graceful curve of her spine. They stand frozen in tableau; displayed in a moment of intimacy for the hungry eyes of all their onlookers, and so heated is the atmosphere between them that every breath in the room is caught.
And then the moment breaks. Cinnamon pulls her co-singer upright again, and Sesha unwinds her hands from where they were buried in that long red hair with its silver feathers, and they take their bows to the audience as the cheers and applause start to build.
“Well, that was fun,” Sesha - Seresa - purrs in her ear. “And look how red miss Li Xua is in the face after watching that. She’s a cherry. I wonder how she’s going to feel after her... initiation. We will have fun with that, won’t we? It’ll be nice to have fun with a lady who isn’t Tengese.” She licks her lips. “Otherwise, it’s like going to a tea house and only sampling one mix.”
“Hush, you,” Keris whispers, amused. “Wait your turn. We still need to get her used to the Tengese girls - and them to her.” Her sensitive ears twitch as the applause continues. The room is built with an ear for acoustics, and from here on the stage Keris can hear everything. The couples whispering to one another about what they plan to do tonight. The business talk half-forgotten from the boxes up above. The rumours circulating through the stacks, the beat of hearts and the sting of palms raised in furious praise.
Praise of her. Envy of her. Want of her.
It’s delicious.
They don’t cheer her name like they do in Hell. They don’t know her real name, for one, and for two her club isn’t that kind of establishment. But the whispers, the “How did she do that?”, the “Did you hear how high she went?”, the “Venus bless me, I want her dress”?
They’re just as good.
She spreads her hands wide, and lowers them. Like magic, the noise quietens. Except no, this is better than magic, because there is no magic in this; no trick of essence, no hypnotic pull on their minds, no help or flexing of metaphysical muscle.
This is just pure, raw beauty and charisma. Silencing an entire room. Spellbinding them to whatever she’s going to say next.
“I’m glad you enjoyed the performance,” Cinnamon says. Her voice is rich and warm and smooth; unstrained by the exhaustive performance she’s just put on, and quiet laughter ripples out at her tongue-in-cheek understatement.
“For those who can’t bear to wait until my next showcase night here, I’m glad to announce that they’ll have an opportunity before then,” Cinnamon continues, her voice rising teasingly but leaving them hanging as she delays the payoff. Whispers start - speculation, guesses, bets. She flashes a gorgeous smile to the room at large.
“Sinasana Mei-Fang has booked me for a special performance at the Anubalim at the Red Rice Festival a week from today. So, my lords and ladies, if you wish for more of me... do try to be there.” She winks flirtatiously, and a hundred hearts skip a beat. With one final bow, the curtain closes, leaving her and Sesha in relative privacy.
“That should make Mei-Fang happy,” Keris murmurs. “Free advertising. Always fun when you have people baying for invitations; it lets you drive the price up high.”
“I do like high prices.” Seresa stretches. “Money is just a way of getting time to yourself to enjoy one’s self. And,” she traces her fingers along Keris’s jaw, “because you charge the rich a lot, you can give charity performances to the poor and let them have some fun. And of course, you like being watched...” There’s an amused lilt in her voice.
Keris nips at her fingers with a smirk. “Aren’t I a bleeding heart?” she retorts as she leads them backstage. “Everybody wins. They get the time of their lives; good food, sweet music, an experience they’ll never forget. And I... I hear everything up there. So many rumours and mutterings. The word on the streets and the whispers of the rich.” She grins, teeth gleaming. “That fat old abbot in the monastery might think he’s got his finger on Saata’s pulse, but I’ll have a web to rival his soon. Just you wait, Sesha. You’ll see.”
“I can hardly wait,” the demon lord purrs. “Now, Cinnamon, darling, I do believe it’s time for you to go and get changed for the performance this evening. Li Xua deserves the best. After all, she’s going to be pledging her soul to you.”
“That’s not all.”
“Oh, of course not. You’ll mark her with your dark investiture and grant her the power of a demon. But we need to make this fun, don’t we?”
The storm passes from Saata, and what is left is the repairs. Hard work, to bring things back into order and leave them ready for what comes next - for there will be more typhoons this year. This is life in the Anarchy.
“That sounds like way too much work for me,” Rathan observes, stretching out and overlooking the sodden, swampy ground. “I know you like building things, Oulie, but we have people for that. Let’s go do sorcery instead. Mama’s still refusing to teach me to destroy people with magic, but I’m pretty sure we don’t need her for that.”
“I can get her notes!” Oula chirps happily. “I’ll just tell that Rala girl to make me some copies. I think there was a weather control in there somewhere, and some kind of wood hand claw thing...” She hops closer and kisses him on the cheek. “It’ll be fun! A nice romantic getaway where we can work together~”
“Then it’s a plan. We’ll just... mmm. Take a trip to the Isle of Gulls, or maybe one of the smaller uninhabited islands around Shuu Mua. Somewhere where no one will make a big deal about a tiny bit of magic maybe going out of control,” he decides.
“I mean...” Oula said, twining a lock of hair around her finger. “We could always go back home instead. I’m sure I could be a good influence on your sister and make sure she grows up less... everything, this time.”
“Do you want to be anywhere near Haneyl when we’re showing off that we have sorcery and she doesn’t?” He raises his eyebrows. “Really, Oulie? Are you sure about that?”
She pauses. “She might not remember?” she tries. “Urgh, fine. But I miss being back home, so you’re going to have to give me extra cuddles to make up for it!”
“We’ll go home for the end of the year,” Rathan agrees. “Mama’s heading back for Calibration as usual, so we’ll get a ride back with her if we feel like going to Hell. Even if we don’t get the sorcery finished. There’s always next year.”
“Well then, my handsome prince,” Oula breathes, slinking her arms around his neck and pressing into him. “Take me away to your sorcerer’s tower~”
She pauses as something occurs to her. “Oh!” she says. “We can go back to the lighthouse out west. Aunty will like our initiative if we volunteer to check up on it, and it’s out of the way and in the middle of the sea like you said, so we can do all the testing we want there. It’ll be a surprise for her!”
Rathan gives her a look. “And you’re not going to threaten any of the gods there with sorcery?” he asks. “Or make sure that nymph boy is a bit too close to the targets?”
She kisses him. Doesn’t answer the question, though.
“Fine,” he sighs, and makes a mental note to watch her around the drinks. Mercury in wine isn’t a good combination, and is a bit of an overreaction to a little harmless flirting. But it’s a good idea, and it’s one mama will buy. Rathan is... well, it’s not that he doesn’t love his mother, but he kind of wants a break from her for a bit. Looking after her is exhausting. And he’s not all that happy about... all the stuff that came out about her past. What she did, and... what she didn’t do.
Her debts from that time aren’t squared, good or bad, and she was hiding them.
Of course, she’s watching him. She knows him, as well as nearly anyone. “You’re not happy,” Oula says. “Did I do something wrong?” Her voice gains a sharper note. “Did someone else?”
“You’re fine, Oulie,” he soothes, kissing her on the nose. “I was just thinking about what happened to mama, that’s all.”
“I’ve been thinking about that a lot,” she confesses. “She nearly died! If she dies, you die! And maybe I do too! Except it wouldn’t be worth living if I survived and you didn’t!”
He hugs her. “It’s alright,” he soothes. “She’s not going to fall for something like that again. I’m not going to leave you. But...”
He pauses, wondering if it’s a good idea to spill out his feelings on what happened to his girlfriend. He can trust Oulie with anything, of course, just like she does with him. But just because he can doesn’t mean it’s always a good idea.
Of course, she knows him well enough to read the hesitation, and touches his face softly, stroking upwards through his hair to wrap her fingers round one of his horns.
“You’re not happy because of her,” she says softly. “No... you’re not happy at her? Why?” Her pupils shift into knives again and her tone goes sharp and cutting. “What aren’t you telling me? What else happened up there?”
“It’s not about what happened then,” he tries. “It’s... just about some of the things which came out. Things that happened before we were born.”
“Like what?” She tilts her head. “Like how Auntie wound up working for Hell?”
“Sort of,” he said. “Anyway, we should go see her and ask-”
“Rathan!” Oula pulled back and stamped her foot in frustration. “Stop avoiding me! You’re trying to change the subject! I can tell! Tell me whatever it is so I can make it better!”
Rathan made a face. But with his girlfriend in a mood like this, there wasn’t much he could do except capitulate. It was kind of a pain how determined she got sometimes.
“The fae made her relive her past,” he admitted with a sigh. “All the way back from when she first came to Nexus. Some of the things she did before we came along were things she was hiding. I don’t... I’m not happy with her about some of them.” He paused. “... quite a lot of them, actually.”
“Oh.” Oula shifts atop him, moving to rest her head against his shoulder. Her hand casually squeezes his. “She never talks about her past. Not really. She just says she was a great thief and she lived... you know. Kind of like the kids do back home.”
His mouth twists a little. “She was lying.” He hesitated. “Well. Kind of lying. Okay, not exactly lying. But... doing that thing where she tells the truth in a way that makes people come to the wrong conclusions.” He sighs. “She talks like it was just her and my father. But it wasn’t. She had a gang - she had a boss, like a kid working for a noble. And not a kerub-noble. A bardeer or something.”
His delicate hands curl into fists. “And she had a wife, too, and the debts between them were horribly out of balance - both ways!” His voice rises. “And she never spoke about her! She let the other gang members who betrayed her go without getting payback! She... she did things that were wrong.”
She’s there, petting his hand, holding him tight with her hands and hair. “Shhh, shhh. She was married? But... she never mentioned that.”
His shoulders slump. “She died. A few months before grandma came to Keris. Her name was Gull.” Bit by bit, she drags it out of him - what they were like to each other, how they’d loved each other, how they’d hurt each other. How it had ended.
“... and she’d never even said her name until the fae dragged it all up. Even afterwards, she tried not to! In Hell, when she was recovering! She flinched away from talking about it! She has a debt!” He stamps, hard, and water crashes.
Blinking, Rathan looks around at bone-dry soil surrounding a frothing moat around them.
Oh. Whoops. He must have pulled all the water out of the rain-swamped ground and whirlpooled it around him in his agitation. Relaxing his grip on it, he lets the moat settle and gingerly hops off the new island onto solid ground, offering Oula his hand to help her over.
Oula has listened to all that, and she frowns. “That doesn’t sound like something she’d do,” she says slowly. “That’s... something Eko would do, but not Aunty Keris.”
“Eko and Calesco,” Rathan says sullenly. “Calesco knew. She set it off. And Eko was hiding it from the rest of us; keeping it locked down where mama never thought about it.” He glowers in a vaguely eastward direction. “They have some payback coming too,” he mutters darkly.
“Well, we could always declare war on them and invade them,” Oula says, after some consideration. “Speaking as your general, we could sack the Meadows and... hmm. You can’t really make the Ruin any worse than it is, can you?”
He huffs a laugh. “We’ll talk about that when we go back,” he says. “For now, I just want to get away from mama for a bit. Cool my head. See if she starts balancing her debts.”
“Then a holiday away is a good idea. And we don’t need to share whatever things we invent until she acts better,” Oula declares, with a sneaky kiss to his neck.
“Yes,” Rathan agrees. “And we don’t want to see anything of those two. Stupid Eko. Stupid Calesco.”
But when the history books were written on RY 772 in the Anarchy, there was only really one thing that would matter. One event whose importance would only be recognised later on, in dribs and drabs, but the consequences would be seen immediately the next year.
Ratana, of the line of Waen, is not in the line of the heirs for her teaching. She is a lesser student, a servant of great Waen who cares for her host-body and sweeps her temple and polishes her shrine and sheds blood for her great-great-great-great grandmother.
Kneeling by the door to the shrine, Ratana hears the raised voices inside.
“Fools! What are you playing at? What are you running from - and what nonsense tale are you bringing this time?”
That was Malee being scolded, from a more favoured line of the family and the teachings alike. Cruel, mean, and keen to rub her superiority in her face, as the stormy winds blew overhead, whipping the pungent swamp grass. Ratana was glad she was being yelled at. She leaned at the bone-curtain, listening to hear what tale Malee had brought to their ancestor.
It’s something about the attacks, she knows that much. It’s been a hard year for the clans. First the assaults in Earth - she’d heard rumours of a terrible new demon from out of the Fen; some monster of green fire and brassy skin, that had burnt villages and sunk entire war-barges. And more recently...
... well. She’d heard the whispers, too. Some new horror - something even worse than the brass monster. Something that had already struck at one of the cousin-clans last year, in Ca Map.
“Do you think to excuse your brother’s cowardice?” That’s Waen, her voice thickening, her rage such that her vessel is melting. Ratana tries not to think about what will happen if... if the rot takes Sanoh. If she might be next as a host. She can only hope that Elder Waen will not consider her pretty enough to wear.
She listens closer, pricking her ears to hear the terrified babbling of her cousin. Something about... demons? Yes, wind-demons. Two of them. Ratana shivers. Two demons, destroying an entire war party? It sounds impossible.
And yet... Malee speaks so vividly; words stumbling over each other in her fear, about a red wind swathed in ribbons that had cut through their brave warriors like a typhoon, and a white wind veiled in shadows that had pierced the hearts of their ancestors with arrow after terrible arrow.
She doesn’t sound like she’s lying. She doesn’t even sound like she’s afraid of grandmother Waen. She sounds more terrified of what she barely escaped from, in Ratana’s opinion, than the furious ancestor in front of her.
Malee’s protests rise to a peak. But they are silenced. They are silenced by that scream that Ratana knows too well. It’s the sound of a woman’s souls being drawn out of her lungs, screamed out as food for their ancestor. Elder Waen must have had enough of this failure.
This is not the first of her daughterhood she has eaten over the past few weeks. Nor the fifth. She has been killing her own clan, so insistent - so furious - that they report failure after failure. That the Lesser Grandmothers she sent after this unknown threat have not returned. Ratana has heard the hissed furious curses directed at weak men and conniving daughters.
Thunder cracks overhead. Rain lashes the ground, flooding the land below the raised-on-sticks huts. But under the thunder, she knows the Elder is eating the body. Drinking its blood, to strengthen her host. Taking what remained of... of Malee’s life.
Swallowing through a dry throat, Ratana backs away from the door. Elder Waen doesn’t believe the reports about the wind-demons. No mere hellspawn could cause such devastation, she’s said. The ravings of her descendants are pathetic excuses to disguise their own incompetence.
Ratana’s not so sure. Oh, Elder Waen’s right that no normal hellspawn could do that. A single Lesser Grandmother could deal with a pair of brutish monster-apes or squirming worm-deer. But she can’t help but think... what if... they aren’t mere hellspawn?
What if they’re stronger?
Like... Lesser Grandmother stronger. A pair of Hellish lords - or ladies, she supposes. Come to bedevil them.
She knows better than to say it - to even think it - near Elder Waen. But that many terrified people coming back, talking about laughing massacres and agonising light... they can’t all be lying, can they? Not all the exact same way.
And if they are real, these wind-demons... Malee’s warband had only been a few hours away.
How long until they come here?
“Oh, little Ratana. Come in!”
Of course she obeys. Elder Waen is there, crouched over Malee’s body, mouth red not with lip-paint or ochre, hands red not with henna. The half-eaten heart is still in her grip. Her hair - so carefully washed, so carefully cared for by Ratana - falls in front of her face like a veil. “Find the Taeng girl and tell her that she gets Malee’s duties and rights. And tell her that she is to fix this for me, or she’s mine.”
Taeng is a mother, nearly dead herself, a ghost-calling witch. She will not appreciate being ordered around by Ratana, even if her mouth is merely echoing Elder Waen’s words.
“At once, Elder.” It’s the only safe thing to say. She grovels briefly, backs out of the room as hastily as she can without giving offence, and tries to work out how to break the news to Taeng without getting a curse put on her out of spite. Maybe if she phrases it as a promotion? No, that’s stupid, Taeng will see through it in an instant. A way to climb the ranks, though, and prove herself to Elder Waen?
... maybe. If she acts servile and stupid enough, and Taeng is in a good mood.
She leaps down from the shrine into one of the underlying boats, and starts poling herself towards Taeng’s family compound.
Lightning flashes. It hurts her eyes. She can’t help but think of all the people who have gone into Elder Waen’s hands. The things she’s done to try to survive that meant she had to harden her heart. It hurts.
There is no thunderboom.
That wasn’t lightning.
She smells the blood before she reaches Taeng’s compound. It’s staining the swamp water; drenching the stilt houses - the whole compound is a charnel house. She hurries through the rooms, trembling with fear, trying to find someone - anyone. There are no bodies. Just clothes and weapons lying around, empty. In the shrine she finds Taeng, or... what was probably Taeng. Her amulets and tokens, at least.
They obviously didn’t help.
There’s a ghost there, too - or what’s left of one. Most of its chest is gone, and it’s... decaying; the corpus so shredded she can’t even tell who it was, dissolving into sludge even as she watches. Wide-eyed, hands over her mouth, Ratana tries not to hyperventilate. She backs out of the room, back out of the compound, back towards the boat. Every creak of wood, every gust of wind draws a flinch. But nothing appears to cuts her apart or shoot her through the eye. No terrible laughing demon of wind blows up to end her life and flense her soul.
She can’t help but feel like she’s being watched, though, as she poles herself frantically back to Elder Waen and tries not to sob with fear. There! Something dark in the sky, seen for a moment as lightning flashes. There! The men’s place where they go to take firedust and do whatever men do when they’re strung out... it’s falling. Falling apart. Flashes of light, red and white, like swamp-wisps flickering - and each flicker in the rain looks like a person until it’s gone.
A body goes flying out a wall, and then there’s a flicker and the body is in two pieces. Whispering prayers under her breath and trying to keep her breathing even, Ratana poles her way through the clammy waters of the swamp until she finally butts up against the stilts. She clambers up, tears leaking from her eyes. Elder Waen... is probably going to kill her. She’ll want the strength for this fight, and even if she believes the wind-demons have come, she’ll be so furious that she’ll lash out at the closest target.
Ratana... doesn’t want to die.
But if it’s a choice between Elder Waen and the wind-demons, at least she knows what the former will do.
She takes a step towards the shrine, and something sharp pricks against the small of her back.
“Don’t make a sound,” says a voice from behind her. It’s a girl, a bit older than her, with an accent she doesn’t recognise that has a faint rasp under the clear alto. “Turn around slowly, and tell me where your grandmother-elder is.”
She turns, slowly, tears leaking from her eyes. Lost entirely in the rain.
The demon is shorter than her. It’s the first thing she notices, and it’s so surreal she doesn’t know how to feel about it. She’s dressed in black and red clothing the likes of which Ratana has never seen before, and has many black wings sprouting from her back. Her bow is a monstrous thing, strung with a deep red string that seems to leave a crimson haze in the air around it.
But that’s not what Ratana is looking at. None of that is what Ratana is looking at.
She looks at the demon’s pale face in the gloom, so much paler than the golden skin of her people; that heart-shaped face, those deep red eyes, that ever-moving black hair that frames it, and swallows.
It never occurred to her that demons might be beautiful.
“Eko,” the demon says in a slightly raised voice, though Ratana can tell by the tone that it’s not addressed to her. “I think I’ve found what we’re looking for. Finish up and get over here. The elder,” she adds, this time definitely to Ratana. “Where is she?” Her bow is trained on Ratana’s heart, so close that she can see the arrowhead is a vicious-looking thing of amber.
Ratana can’t answer. She can barely breathe; caught between terror and... and something else.
Piercing red eyes narrow, and then soften slightly. The demon lowers the bow, and her hair settles a little from writhing like a nest of snakes.
“I can see your heart,” she says. “There’s still some good within you. You know your elder is a monster. Tell us where she is. I won’t harm you; don’t be afraid.”
Ratana points up, silently. Up at the shrine. She... she’s terrified. She doesn’t want to die, and death awaits her in every direction. If she just doesn’t say a word at all, maybe she might not cover her in her dark wings.
Her dark wings. She looks at the demon. Or maybe not a demon. Maybe...
... maybe this is Death herself. Black-winged, beautiful; the crow who croaks in the marshes when a grandmother’s time passes.
There’s a giggle from beside her, and she barely stifles a shriek. A thing is perched on the tops of the stilts that poke through the house deckboards, hopping merrily from one to the other. It’s swathed in ribbons and silks - bright arterial reds and shining whites speckled with blood-splatter, with silvery-grey gloves that stop even a hint of skin showing. And its face! Its face is a demonic leering grin, too wide for any natural creature, haloed by ribbons that writhe and move just like Death’s dark hair.
It cocks its head at her and giggles again, and Ratana can’t help but feel like it’s plucking every thought she’s having right out of her head, and finding them funny. She can hear... nothing. No sounds of bells, no horns. No one trying to raise the alarm. Nothing but the storm. But...
“How... many did you take?” she asks Death. In a whisper.
It’s the nightmare figure in silks and ribbons who answers, but she doesn’t use words. She just tilts that smiling face, and her meaning is clear.
Enough.
“Sh-she’s in there,” Ratana whispers, pointing again. “You can’t...”
The Demon hops down to stand next to Death, swaying in place as if to a song. They don’t look like they care very much about what can and can’t be done.
“Stay here,” says Death, not unkindly. “This won’t take long.”
Ratana stays frozen by the perfect confidence in her raspy voice for a long moment as they disappear inside. But she can’t... she can’t just stay and cower. Something drives her up to the shrine despite herself. Up to bear witness to the end.
Something strikes. The entire building gives way, the poles tumbling, and it falls down into the water-fattened pools below. She goes under, and is carried away by the burst-banks river. Somehow, maybe because her grandmother was watching over her, she manages to grab onto one of the boats, which carries her free from the debris. Bleeding from her scalp, she manages to lever herself up into the boat. And sees what is going on.
Elder Waen has torn her host apart, and now she looms, waist-high in the water, nine armed and tarry and black, red eyes burning against the dark sky.
The demon dances across the surface of the water, skipping on liquid like it’s solid earth. And dances is the right word; she’s showing off, her image flickering from place to place and lashing in to avoid the great swipes of the hulking Elder.
She cannot see death. But she knows she must be near.
Everything is sound and horror and fury. She’s never seen Elder Waen fight before, but it’s an even more terrible sight than she could have imagined. And yet... the Demon laughs delightedly as she slips past blow after blow, never quite where Waen’s blows or curses land.
The same can’t be said of Waen. The Demon has a knife; a curving thing with a white blade and a black hilt and a red tassel, and it leaves bleeding gashes up the elder’s arms and across her waist. Streams of blood pour from them like red gusts of wind, regardless of how little sense it makes for an Elder Grandmother to bleed. And with each cut, Waen seems a little thinner, a little weaker, a little... less.
The waves kicked up by Waen’s flailing jostle the boat and nudge Ratana’s head up. And she sees where Death has gone, and why she can see the fight so clearly.
Death is above them, wings outstretched. But she’s not dark anymore. She’s speckled with light; a hundred thousand tiny points of white piercing through her dark clothes like stars in the night sky, enough to light the river like a full moon. There’s a shining arrow of white light the length of a spear nocked and drawn on her monstrous bow, and red eyes look down in judgement from where they’re scattered across her wings.
She dips lower in the sky, great wings beating, her writhing hair wrapped around the bowstring to help her arm pull it back. Her dark garb is fraying around the bright-glinting stars, and as Ratana watches she gathers the shadows around her like a tattered cloak.
“Ghost of the Zu Tak,” Death calls, and her voice holds terrible promise. “Bear witness to your sins, and see!”
The Demon dances back, still laughing, still skipping across the surface of the waters.
And Death casts off her cape of shadow, and looses.
The arrow does not scream. It does not wail. But it is let go and it is a plane of death, something that divides one thing from another. Light from shadow. Life from death.
Elder Waen’s head from her neck.
The light that accompanies it is impossible pain. It feels like the lightning bolts: the way they made her think of all her cousins who Elder Waen had eaten. The people she’d refused to help because she was scared. The rituals she’s taken part in.
But it’s so much worse than just thinking about it. It feels like doing them all over again, and each one stabs her heart with pain and shame and horror. Ratana screams - or thinks she screams, it hurts too much to be sure. Through the tears in her eyes, she can barely make out Death - blindingly white now; a star come to earth, glowing and radiant and unearthly.
She hears Waen’s screams, even through the pain. For all that Ratana’s done, she’s only a young servant, not even yet fully grown. If this light of Lady Death is punishing her for her sins, how much more must it be hurting the dying Elder? She is old, and the things she’s done are beyond counting.
Some part of her mind clings to that, as she seizes and writhes in agony. The thought that it could be worse than this is an awful, impossible comfort.
And then it’s over, and the light fades - cloaked again in shadow, stifled at the source - and Ratana collapses back into the boat without even the energy to raise her head.
She lies there, limp and numb and giddy from the sudden cessation of pain, for she’s not sure how long. Until the boat rocks slightly, and someone kneels down beside her.
Lady Death looks down at her with dark clothes and dark hair once more. The Demon peers over her shoulder, still grinning but with a vaguely sulky slump to its shoulders.
“I... you killed. Her.” Ratana screws her eyes shut. “Everyone.”
“Everyone who deserved it,” Death replies calmly. There’s no guilt there. But why would there be? Death comes to everyone eventually, and it’s not for those she chooses to argue. “But not you,” she adds. “Do you know why?”
Her jaw aches. Hands, too. She’s bleeding, she realises; bleeding from where her nails tore into her own palms. She remembers leading sacrifices... victims... to the Elder’s chamber. “N-no,” she croaks.
“You’ve done wrong,” Death tells her, and the judgement chills her bones. “But you’re not lost. Not yet. You still regret the things you do, even without my light. There’s hope for you to atone.”
The Demon behind her nods cheerfully. They’re letting Ratana go so she can tell others what happened here, she realises. So she can spread the word and speak of Lady Death, and of the doom that comes for the Grandmothers.
“You know better, now,” Death tells her, and lays a cool hand on her forehead. “Be better. Do what’s right.”
Ratana sits there, shivering, cold in the warm Fire rain. Death looks down at her, and must be satisfied at what she sees. She leans down and presses a kiss - cold, burning, blissful agony - to Ratana’s forehead.
“Remember,” she murmurs, and draws an oilcloak around Ratana’s shoulders.
Then, with the beating of great wings, she’s gone - and the Demon with her.
This... this has changed everything. For her. But not just for her. Her family, her clan... they will maybe never recover.
Her ancestor is gone. At the hands of Death herself. Death who dwells in the stars, and descends with her judgement.
Beautiful death herself.
Chapter 2: Calibration 772
Chapter Text
Calibration 2, 772 RY
Hell's mad green sun shines down upon the sprawling palace-city of the Conventicle Malfeasant, and she sits upon his lap. This is not how things are done in Calibration in Hell, but this year it is different and Lilunu can sit down and relax with her love.
That is because this year, the responsibility for handling the entertainment of the second day of Calibration lies upon the new Mistress of Ceremonies, Keris Dulmeadokht. And the entertainment given to the peers of Hell and the demon princes is one of her own design.
The majority of it is not dissimilar to the spectacles of years past. This is, after all, Keris's first Calibration organising the festivities, and it's best not to rock the boat too much, too soon. So there are great gladiatorial matches in the arenas where blood is spilled on silver sand for bloodthirsty audiences. There are praise-choirs of human slaves who sing paeans of prayer and worship to the Yozis and their souls. There are great banquets of decadent food, drink and recreational substances.
But there are other things, too, that bear more of her personal touch. The vast demonic choirs - angyalkae foremost among their number but by no means alone - play great symphonies composed by Keris, her Coadjutor and her youngest Progeny soul Zanara. Ornate stages host plays and performances that mock and degrade the great powers of Creation, and ancient stories from before the rebellion of the gods are retold to flatter the mighty deeds of the Unquestionable in aeons past. Citizens and peers are invited to flaunt their athletic prowess in a series of fiercely competitive races and contests of strength, and the victors are awarded prizes to the cheers of the crowds.
All of these things have costs, of course, and behind each banquet are hundreds of hours of reviewing recipes and sourcing ingredients and assigning chefs and planning routes and timings to get the food from kitchen to table. Behind each performance are countless screams of audition and rehearsal, and every gladiatorial match needs equipment and careful calculation of odds - both for the betting and to ensure the fiercest fighters don't clash too soon, but only come together as the sets narrow down and the finals draw near.
Keris Maryam Dulmeadokht is thoroughly sick of paperwork. But looking upon her work with Zanara by her side, she feels justifiably proud of the end result of all those late nights spent reviewing documents and forms.
Zanara leans back in her plush chair, shadow-tiger Iris curled up in her lap, and counts out the beats of the music with one hand. Her mismatched eyes, one red and one green, are bright, almost feverish; her expression, frantic. "They're not matching the beats, Keris, they're not perfectly on time," she frets.
"It'll be fine," Keris reassures her, although the strain around her eyes suggests that she herself is not entirely calm. Her hair rises up around her and makes several sharp, precise motions towards the chorus that's lagging by a flicker of a heartbeat, where a watching demon relays her order to the conductor.
Other eyes all across the Conventicle are trained on her box. There's a watcher for each block or entertainment, and all of them wait for her semaphore-signals as she orchestrates the chaos of the revelry and troubleshoots issues as they arise. A constant stream of runners pass by the dragon aides she has at the base of her tower. Her sharp ears pick up another problem in the making, a banquet course delayed, and a quick word to the aide in the box with her has a message sent down to change the order of the meal to give the cooks extra time.
Sparing a moment to squeeze her eyes shut, Keris massages her forehead. Gods. She's already got a headache forming. Having to juggle so many activities, remember so many plans, keep track of everything that's happening so that she can adapt around obstacles as they crop up... it's not good for her to be pushing herself like this, she knows. She can do it, but only barely, and only with the help of her caste mark flaring on her forehead. It's as exhausting as a marathon, twice over. Thinking this hard, thinking this smart, is not good for her. She's not Sasi. She's not built to be clever in more than quick flashes.
And there's another day of this in four screams, too. Urgh. It's going to be hard enough giving her boast at the Althing tomorrow - it'll be a miracle if she's even conscious on the fifth.
Miraculously, things end without a cataclysm, and Keris heads off. Now she has costuming to get to, because she's got a new outfit to wear for when she gives an aria before the demon princes and even as she heads down to the changing rooms there are people asking her questions and checking with her and reporting to her and aaaaaaaaah-
This particular costume looks more like spiderweb than fabric. It's almost entirely composed of white silk cords, woven and split and twisted around each other into a pattern that will, when fit snugly over the exact shape of Keris's body, pull taut to cover her from neck to ankle in a net leotard of six-fold symmetry. Hexagonal panels of jewel-studded fabric fill some of the gaps between the silken cords - enough to give her modesty and draw interesting asymmetric designs up her flanks and across her stomach - but much of her skin is still bare.
Keris is smugly aware of how very good it looks when it's on. Unfortunately, that same snug fit, and the fact that it's basically hexagonal fishnet, means getting it on is an exercise in toes and fingers getting caught, silk cords needing to be tugged or adjusted to sit right, and general annoyance and frustration. Matters aren't eased when one of Lilunu's servants comes in, looking for her judgement as to how to handle Quintus, one of Ipithymia's souls who's gotten riotously drunk and, well, the last time he did that, someone got eaten. Keris has to pause while she considers how to handle this, and by the time the little green-foam creature is gone, now she's running late.
All the candles in her room start to burn black, all at once. Devouring light. Not shedding it. But she can see her own face in the mirror, still.
No. Not her face. The face of the darkness. Smiling back at her.
Keris stiffens. She's flattered Unquestionable and danced for fetich souls today, but she hadn't expected one to make an appearance in her dressing room, much less this one. But then, if she had, the Contrary One would not be here. Such is her nature.
"My lady," she says, bowing low. "I am honoured by your visit."
Noh steps from the mirror, her robes flowing around her, her jet-black hair trailing in her wake fluttering behind her like strange wings. That white mask of comic mirth stares at Keris, the only part of Noh she can see. Everything else is merely heard.
"I saw you dance today," she says, voice soft and husky. Not the same voice she had before. "You tie yourself up in bondage as ornamentation. Now you tie yourself up in bondage," a delicate hand moving in thick sleeves, "as ornamentation. A choice; one you make. Or one which is made for you."
"If it is my choice to don, my lady, then I may slip free whenever I wish," Keris offers nervously. "I would rather be the one choosing than have the choice made for me."
The Calibration of last year flashes through her mind without her permission. The deliberate sabotage of her and Sasi's trip across the Desert. The way their late arrival had been the final capstone of a scheme to rob her love of the Southwestern Division. The humiliation of accepting her own directorship of the Anarchy under the smug eyes of the Blue Glass Maiden as Deveh took An Teng under his crystalline thumb.
She keeps the still-smouldering anger off her face. Mostly. "Better to make the bonds my own," she finishes darkly, "and own them."
Noh pauses. That small, delicate hand brushes Keris's jaw, and leaves a cold, sticky, clinging residue there that seems to sap all the heat from her bones. "To be a slave is an indignity. To be captive is suffering. To obey is agony," she whispers. "To bear the subjugation of another is to be subjugated."
Her fingers run down Keris's neck, and brush against the ropes. And the cold spreads, gnawing away at the harness she had half-way on. Keris can hear the cloying blackness as if it's something solid, something physical which is taking bites of the costume and replicating, spreading, spreading...
Slightly panicked - not just at whatever unknown magic Noh is working but also at the potential loss of what was quite an expensive outfit necessary to a performance she's already running behind on getting to - Keris takes a nervous half-step back and brings her left hand up to grab at the fine silken filigree, trying to assess the damage.
The darkness has taken it, devoured it. And in its place all that remains is cold, clinging physical shadow, holding her as tight as an infant's caul.
"I would never wear marks of my bondage proudly," Noh says, voice distant. Her voice is coming now from over Keris's left shoulder, but that's not where she can hear her body. "I would have died free, if they had let me."
The darkness is total. Keris can hear nothing, see nothing, feel nothing, taste nothing. It is in her mouth and it is in her eyes and in her ears and it is drowning her, forcing its way down her throat and-
And it is just the absence of light, and she can hear Noh once more.
"It is unfortunate that the sweet boy Rathan was not here. His need to be loved is a chain upon his soul, but he is quite the charmer. And Eko is an interesting conversationalist. A shame."
The candles go out, no longer burning black. And Keris is - she thinks - alone in the darkness.
Her skin prickles. So cold, so clammy, so clinging. Her over-sensitive skin can feel that Noh's residue coats her from neck to toe, as close as a second skin - and as thin, too.
Nothing of the ropes remain. Did... did she take offence to seeing them, Keris wonders? Skimming her fingers ever-so-gently across the residue, she shudders. It feels... honestly, it reminds her a lot of when Sasi becomes the light-hating shadow and crawls onto her body to cling to her beneath her clothes.
That always feels icky and cold and vaguely dirty, too. Not that she'd ever say so.
But minor discomforts are less important than the main order of the day here, which is that the outfit she was supposed to be wearing for the aria that she's already running late for is entirely gone, and Noh has left her this... wafer-thin form-fitting shadow membrane instead. Perhaps she wants Keris to go out wearing it as a sign of her influence or something. Perhaps she wants Keris to reject it and go out naked as a sign that she rejects all forms of bondage and entrapment. Perhaps she was just here to see if she could talk to Eko and Rathan again and got mad at seeing Keris wearing ropes.
An entire college of scholars could probably debate the finer points of this question for years without reaching a conclusion, but happily, Keris is able to shortcut it. Divining the intentions of the Contrary One is the next best thing to impossible, so rather than try, she makes the pragmatic decision that she came into this dressing room to change outfits, and changed outfits she has. Perhaps not into the one she intended to change into - and she's going to have to write off the loss of all that jewel-studded woven silk, urgh - but she's changed now, and running behind, and getting out of this membrane would take more precious time.
Also, if she can get out of it without tearing it, it'll probably be valuable for something. An exotic ingredient, maybe, or a component of sorcery. She's sure she can find some use for it.
That can wait until later, though. For now, Keris makes haste out of the dressing room and towards her next appointment, already making mental revisions to her aria to suit the dark new outfit.
Calibration 3, 772 RY
Great symphonies resound through the Conventicle Malfeasant. It is the third day of Calibration and the Unquestionable are in attendance to review the reports of the green sun princes.
But one of the minds behind the great entertainment is not in attendance, for by the laws of Hell they are neither a green sun prince nor a demon prince nor a demon lord. Dressed in their white robe, but with the hood down and the mask tucked up, Nara wanders through the lush gardens cultivated by Lilunu’s own hand, and lets the warm wind blow through his reddish-blond hair.
Yesterday went... okay, he decides. More of it had to be farmed out to lesser talents than he’s happy with, but he’d acted in a few of the satirical performances, and he’d been the conductor of one of the largest choirs. The attention had been wonderful - and Lilunu had congratulated him and smothered him in praise for his contributions. It’s enough to be content with, and tomorrow will be better.
Zana’s still fretting over the acts that hadn’t gone so well, of course, but Zana’s been fretting a lot lately. It’s why they’ve been spending more time as him lately, and it’s why he’s here now, alone at Calibration when both of them can exist at once. Normally they spend this time together, but she’s just too much of a pain right now, so he’s doing his best to avoid her.
He comes to a small glade, where the metal plants with their verdigris leaves have been cleared out and a small pavilion set up. Human slaves stand here as a prayer chorus, their veneration here so present that each word makes the air ripple and distant ambrosia can be smelled. Nara knows what that is, because Lilunu let him have some, fiercely expensive that it is. The food of the gods must be stolen from Heaven and smuggled to Hell.
Settling in front of them and blinking languidly with four eyes from an otherwise-human face, he basks in the feel of their eyes on him. It’s not as sweet as it might be - they don’t know who he is beyond a demon with enough rank to be here, and their worship is impersonal and shared with the other revellers, but it’s still as intoxicating as any drug. Sprawling out on a divan, he considers the future.
Well, the rest of Calibration is spoken for, and that’ll be fun. After that, it might be a good idea to head back to the Isles. He’s been gone for a long time, and he’s learned a lot about governance and leadership from Lilunu that he wants to implement back home. And not only that, but things are going to start getting interesting. Rathan and Vali are both furious about Chir and the stuff mama was hiding, while Eko is furiously defending the way she’d hidden it, and Calesco’s making no apology for it coming out the way it did. Things are taking shape for a war - a really big one, not just the little things born from squabbles and petty insults.
Zanara has no real stakes in the argument. But it’s something they can profit from. The only risk is Haneyl getting angry at them - but she’s still little, so there’s not much she can do directly, and Vali’s probably not going to start a war on a third front just to avenge his sister. Or at least, Nara’s pretty sure they can talk him out of it if he tries.
A sixth sense warns him, and he’s on his feet, hood back up, and idly ambling away from the pavilion like he’s just passing through, no, certainly not snacking on prayer. It’s just as well, because he can taste the stagnant cold blood on the air, like a wave washing before it. In the mirror-sheen of a polished tree branch, he can see the newcomer into this little glade, a horned woman with pale pink hair, dressed in paper robes. She almost looks a little like Rathan’s girlfriend Oula, but her snow-sparkling skin is far paler than Oula’s and her horns are more bull-like.
“You! Servant!” It’s directed at him. He can taste the intent; he is a servant, one she has seen hanging around Lilunu, and thus he can be nothing more than another obedient flunky. Sliding his mask onto his face, he turns and bows wordlessly, obedient as expected.
“Entertain me,” she says simply. There are other women trailing behind him that he’d missed in her wash of power; each one nearly identical to her. That one has no horns and wider eyes, this one dresses in black and carries a reaper daiklaive, that one there has blue hair and dresses like a Realm-style maid - but they still have fundamentally the same face. “You’re one of the girl’s entertainers,” she says, sprawling out on the divan he had occupied previously. One of the other women immediately kneels before her and slips her high platformed sandals off, massaging her feet, while the one in black starts to knead her shoulders. “I have just walked out of a very boring meeting which simple minds like yours couldn’t hope to understand - and it wasn’t even half-way done! - and I need something to take my mind off things.”
She glares at him. “Go on. Ent-er-tain me,” she says, as if talking to a simpleton.
Bowing again, Zanara motions at the praise choir to change their song, feeling out the woman and trying to decide what she wants. Hmm. Yes. Drama. Passion. Turbulent emotions clashing, a story of great heroes and terrible villains, or else something else unique and vibrant.
... well, he was just thinking about one such tale. And if he abstracts it a little, what’s the harm in telling her the shape of the story without its details?
So, to the praise-songs of the mortal chorus, Nara begins to dance. He sketches out the conflict and the cast - a mighty queen of a growing nation, her shameful past revealed. Her eldest child and a younger sister by the same father, who knew of the sordid deeds of her youth and helped her hide them, and her proud sons, who fly into a rage at discovering this new side of their noble mother. Another of her daughters struck down by sickness in her shock over the truth laid bare, and-
“I can’t believe you!”
... ah. That would be the last member of the cast. Who he was trying to avoid, and does not appear happy about him airing their family drama.
Zana is there, an imperfect princess of the Dynasty. Her scarlet robes have an inappropriate cut and the shades of red are not quite what are legally required; only half her hair is in the perfect hime cut that it should be and the other half is shaved short at the sides; her tiara is of hellish brass and vitriol-corrupted jade. One eye the red of Rathan’s moon; the other the same bright green as Haneyl’s fire. A trail of painted silver tears running down her left cheek, the same side that she’s ruined her dynastic hairstyle.
The Unquestionable is sitting up, in something which seems split between outrage and interest. She didn’t expect this, but doesn’t seem to realise exactly what is going on and isn’t sure if it’s part of the entertainment.
And the last child of the mighty queen, Nara introduces his other half, adapting smoothly to the interruption. The twins who set the beautiful plot in motion with the theft that led to the queen’s lies being stripped away, who now war with each other - for while neither regrets their deed, one feels guilty and the other does not.
Zana will take the bait. He knows she will. They’re two halves of a whole, and Zanara can never resist something pretty. And what could be prettier than disguising the argument she came to have as a performance for an Unquestionable, and speaking truth that sounds like a lie to one of the very demon princes they’re hiding their nature from?
Her hand collides with his face, a loud slap against his mask. It stings. “You didn’t even care about her,” she rages. “It is your self-same greed, your desire to steal your older sister’s silver that set this in motion! Yes, she was cursed by that theft, but it was her nature to take it. And you only care to take that cursed treasure for yourself! To flaunt such a theft!”
Their minds briefly touch, for even at Calibration they are not really two separate people. More than one, less than two. Both of them are masks they wear to act out roles for the world. Nara only lets people call them a boy because Zana feels female when they act like her; truly, he’d rather change as the whim took them. If Nara insisted, all of Zana’s memories are free for the borrowing, and vice versa - but he doesn’t insist. Not now, not when she’s already pissy about something that had to be done.
“She is sick because of you. Because of us,” Zana fumes, giving away she’d been rummaging through his thoughts at the same time. “And you don’t even have the decency to feel bad! Even when our hands,” she lifts up her palm, to show the red blood she’s drawn from her own hand with her nails, “are still crimson with what we did to her!”
“She is sick, but she will recover,” he returns smoothly, his body language shifting smoothly from dancer to actor. “And the curse no longer grips her in its clutches. Was that not why you wished to take it from her, dearest sister? You were as eager as I to take what she had rightfully stolen. Does your heart cry out now to return it to her, and see her consumed?” He plays the oily, remorseless tone of the tale’s villain well, the twin who cares not for the harm their scheming caused. Hanny will get better. And the Silver Forest is better off with them anyway. It’s not like they didn’t know what taking it from their sister would involve, so getting squeamish now is just melodrama.
Not surprising melodrama. They are, after all, a melodramatic soul. But the act’s getting a bit stale from where he’s standing. Zana should just take Eko’s advice for once and move on.
That earns him a filthy glare when Zana’s dance happens to leave her back facing the audience. But she lashes back, taking on a little more of the role of the guilt-ridden princess. She breaks into song, her will coaxing the human slave prayers into becoming her backing chorus, and her words are a flashing silver knife in her upper registers. Accusing, blaming, regretting the necessity as she wrings her self-bloodied hands together.
He sets a tenor countertone as he parries her weeping and mocks her regret, and sings of the plot to come. Of the war their brothers think to wage for the disgraced queen’s throne, of the sisters who knew and defend their mother’s right to it. “Strife will come and spears will be drawn,” he sings, “and we have much to gain. And yet you sit and weep vain tears for our mother and sister’s pain.”
Because yes, the tale was a sad one. Mama’s past was painful, and Haneyl’s death was a terrible thing to do. But in its sorrow it was beautiful, and he knows Zana sees that too. It was a bittersweet tragedy in which suffering made mama and Haneyl shine all the brighter - and they’ll go on to perform bigger and better acts in future. But there’s another play in the works now, and Zana’s so obsessively focused on how they wrote the last one that she’s missing it. If it takes off before they can prepare, they’ll be left on the sidelines of it all, ignored as their siblings battle!
But Zana just doesn’t seem to want to let it go. Her lines ignore his sensible refutations, and she banishes his concerns from her presence with cutting words. When they’re Zana, they’re better with words and scripts and the like than when they’re him, and she’s using that against him.
She slaps him again, and doesn’t pull the blow this time. With a wail, she falls to her knees, tearing her robes open to bare her chest at him, back arched. “So go ahead!” she calls out. “Go ahead, brother! Why not tear out my heart too, and crush it in your hands! Why not? You care not about her. No guilt, no sorrow, no grief for you! So be it! Take my womanly heart from my bosom and crush it!”“
This is the same place their argument has ended every time they’ve had it. And he wants to leave her there, retreat and storm off and go back to avoiding her, but now he can’t. Now they’re performing, and the role he’s carved for himself - the role she reinforced by playing into the guilty princess - is one that must act out its part. She-they can be annoyingly clever sometimes. She must have planned this to trap him.
With an angry growl that’s only slightly exaggerated, he grabs her by the hair. “Very well!” he roars. “If you have become nothing but a chain of weakness around me, I will cast you aside as well! For it was my sister’s mind that birthed our plan to rob our sister so, and if you cannot remember that, there is nothing of my sister left!”
And with that, he plunges his hand into her chest and tears out her heart, to an agonised scream and fatal jerk.
... it’s stageplay, of course. She’d palmed a pomegranate and concealed it in the robes she’d pulled open, and it’s a simple bit of sleight-of-hand to palm it in turn as he mimes ripping her heart loose from her breast, crushing it to leave her skin stained red and raising his clenched fist to drip red juice into his mouth while she slumps limp and discarded to the floor.
But.
Where to take the play now?
He stares at his “bloody” hands for a moment, using the shocked realisation of what his character has done to buy himself a moment to think and check on their audience’s reaction. The Unquestionable and her attendants look suitably enthralled, although the one in black with the reaper daiklaive can be heard to audibly whisper “Wait, that’s not really her heart. What a cop out.”
((Goddamnit now I’ve gotten fond of Ohasei’s edgy SI.))
((Hahaha. That’s what she wants you to do~))
What to do. What to do? He can feel Zana waiting for his next move too, slumped on the ground as the “murdered” sister. If he leaves it here, or seems pleased at her death, that’ll be... bad.
What was this scene? The prince of the tale had to kill her, because Nara had played up his villainy too much not to. This, then, is a possible ending to their argument. One where they stay torn between their guilt and their annoyance at it until it rips them apart. And... he doesn’t want that. He could never want that. The roles that Zanara plays may conflict sometimes, they may resent and lash out at the feelings that pool in one part of their mind or the other, but they could never want to change themselves. To tear a part of themself off and discard it... no. Never.
He falls to his knees. There are subtler ways to go about this ending, but his read on their patron tells him that she’s not one to care overmuch about realism or originality.
“What have I done?” he whispers, grief choking his words. “What have I done? Is this what she felt? My sister of the same womb? Is this the guilt that clawed within her, which I mocked so callously? Woe. Woe, that we had but shared a heart, that I could feel her pain and understand! Would that my greed had not blinded my heart of justice!”
He claws within his robes, throwing his head back dramatically. “As I took your heart, dear sister, let you take mine! That my wicked deed might be avenged, and my sinful debt... be paid.”
There’s enough pomegranate left to crush it under his robe and form a growing red stain over his heart. His robes cooperate eagerly with the mummery - Lilunu’s craft is ever a perfect tool for an artist’s hand. With an overexaggerated wrench, he tears his heart free from his robes and places it in the limp hand of his sister, surviving just long enough to bow to his watcher before slumping over her cooling body.
((So yes, Zanara's conclusion is that while they’re not entirely sure of the conclusion to their row, they are committed to not letting it drive a rift between them. And also a certain ironic amusement in that Zana is now the one who wants them to pay back their debts, while Nara is feeling possessive over their new charms and did it out of greed.))
There is a shocked pause, and then the Unquestionable is on her feet, clapping so loudly the air booms. Her attendants copy her perfectly in total unison, so their hands move together. “Beautiful,” she cries out, “just beautiful!”
Zana tugs Nara up, and hand-in-hand, Zanara takes their bows, luxuriating in the praise and applause. Their fight can go on hold at least until the curtain falls. And indeed, Nara’s next thought is one that Zana also feels so strongly that it burns past their pretend separation. This Unquestionable, whose ten thousand subtly-different faces can be seen in all the metal around her, now envies them. Not Keris. Them. It’s sickly sweet in the air, a laser-like focus in the eyes.
((Ohasei’s most prized trait is her Followers N/A, her countless daughters. She has just started to envy Zanara for being better actors than her progeny.))
“I will commend you to the girl Lilunu next time I see her,” the Unquestionable says, with a flap of her hand. “Though a word of advice. It’s really best to warn the audience before you kill off a major character, let alone two. Also, I feel the work would have been improved by some forbidden love between the siblings.”
“Incest is hot,” agrees the blue-haired attendant.
“Your critique is as gracious as it is generous, queen of a thousand honours,” says Zana, curtseying with all the dignity of a great Dynastic lady despite her torn clothing.
“We will heed your wise advice, and treasure your approval,” finishes Nara, with a low bow and a suggestive arm around his other half’s waist.
They manage to escape the demon prince and her hungry, envious gaze - which manages to feel slightly dirty as well as really good - and hide themselves down by a river, in a little crook of a mirror-tree. Zana lies down, her head on Nara’s lap, and picks at the scab on her palm. “Ouch. This is going to be a pain until I can get Keris to fix it up,” she grumbles. “The sacrifices for art. And my robe is ruined. Anyway. You wanna talk?”
“I suppose,” sighs Nara, nudging her over so he can start on braid her hair into a multicoloured rainbow-plait. “You know, we can be guilty about Hanny and get ready for whatever the boys are going to do. We can be sad without being nothing but sad.”
“I... I asked about how she’s doing,” Zana says in a tiny voice. “Keris said that... she’s really miserable whenever th-the topic comes up. That she’s little and... I don’t want my big sister hating me. I... you know how things were when we were little. She’s not my blood sister, but she’s still my big sister and she was the one who looked after me and she taught me how to paint and Keris didn’t have much time for us and... I can’t handle it if she hates me. And that’s... that’s even if she isn’t trying to get it back.” She touches her chest, just left of centre. “The envious heart.”
Nara’s expression flickers as he feels her worry through their touch. “She won’t,” he argues, a little too forcefully. “She’ll be really mad, and she’ll demand something - maybe even doing the same to one of us so we have to spend a year reforming. But then it’ll be back to normal.”
It sounds... less convincing, spoken out loud like that.
“Besides...” he adds, trying to sound confident. “You know how she is. She burns hot, but it doesn’t last forever. She doesn’t hold grudges over things. And... she’ll see that it was poisoning her. She was miserable before. She’ll feel better with it gone.”
Zana’s mismatched eyes meet his. “You’re lying to yourself,” she says softly. “Trying to get her to let go of something that she thinks belongs to her and got stolen is like... like trying to get us to accept something as being ugly when it could be pretty. It’s an ugly thought, I know. And everything is prettier this way around. But to her, everything seems ugly when someone’s stolen something from her and won’t give it back.”
Nara bites his lip. “If... if we made her something. A gift. Not something small, a big one - something like the bow mama made for Cally. That might... she’s willing to trade things. Sometimes. If they’re worth the same.”
“What can be worth part of who you are?” Zana asks. “She... I’m going to tell her I did it for her. That I love her.” Her hands crumple in his robes. “Even if it makes her hate me. I c-couldn’t let her get sicker and sicker. She was getting so mean and so unstable and... and...”
Zana rolls over, and starts to sob softly into his lap. Nara folds himself down with the flexibility of an inhuman spine, hugging her to his chest as she cries.
((Heh. I wonder if Nara’s really even been thinking about “what if Haneyl hates us forever?”))
((He has not. Because, sigh...))
“If it gets that bad, mama will step in,” he consoles her, trying to sound certain. Her fears have bridged the gap to him, though, and now they’re not so much in two minds about what’s happened. “She won’t let her hate us. It’d be ugly. The world can’t be that ugly. This one, maybe, but not our world. It’s not allowed to be.”
By the time she’s all cried out, her make-up is a mess and she’s red and botchy. He feels a tickle in his head as she pushes through the barrier between them and looks through his eyes. He doesn’t mind that. Appearances are important.
“I’m a mess, aren’t I?” she says sadly.
“Kind of,” he agrees sympathetically. “And not even the pretty kind. Your mascara didn’t run down in teartracks, it just kind of smeared. And your cheeks are too flushed. The red’s oversaturated.”
“Fuck.” She wriggles in his lap, slipping out of her torn robes to dump them beside her on the little beach. “Realm fashion looks great, but it’s such a pain, and all that red really limits your options for secondary palettes.” She stretches out cat-like on top of her robes beside him, basking in the green sunlight.
“Careful, dearest sister,” he teases, remembering the Unquestionable’s words. “My ‘forbidden love’ might overcome me if you flaunt yourself so shamelessly.” His hands come up to feign clawing at her and he puts on an exaggerated leer.
It’s supposed to be a joke. She’s meant to snort, and say something scathing and funny about the demon they’ve just performed for.
But she doesn’t.
“I mean, you’re him-me anyway,” she says, sounding a little too thoughtful for his liking. “And, I mean, it’s not like I’m really your sister. Maybe... uh. Maybe we could try kissing and see how it feels. You know, to practice. For other people.”
Nara freezes. “Wh-what?”
She rolls over onto her side, resting a hand on his stomach. “I’m saying if you want to kiss me, I... I’ve wondered what it’d be like. Not with you, with anyone. Or... I mean, I’ve,” her face manages to turn a bit redder, “I’ve, uh... you know?”
"You know?”
Zana is by now a similar shade to her robes. “It d-doesn’t matter, and-”
“Oh. Oh! The... um. On-your-own thing.”
“Yes. Um. I mean, if we both...”
“Yeah, but... I mean...” Flustered, leaning back to get some space, he tries to marshal his thoughts. His whole scene’s been thrown off, and this... this isn’t something he’d thought about. How long had she been keeping this hidden from where their minds joined? “Mama would... we couldn’t...”
Zana flinches back, hands going to her face. “Oh dragons,” she moans. “I... I think you’re a bit more Rathan and we all know it took him so long to realise Oula had the hots for him and I’m more Haneyl and we know how she is and I think Keris said girls mature faster than boys and dragons I’m so embarrassed and...” She crosses her arms in front of her. “I... I m-mean it when I d-don’t call Keris ‘Mama’ because she’s not my mother, Dulmea is. And we’re both Zanara and... and Zanara can play with themselves if they want and Keris doesn’t get to say anything and... I mean, if you wanted to! We both have to be okay with it obviously!” She swallows. “I just... I had the idea... remember Haneyl and Kuha fighting or Calesco and Kuha or Calesco and all her break-ups and... it might... hurt less if it was... just us. And I’ve been… things have sucked since we had to do that. And I… I wanted to be happy. It's not fair how happy Rathan and Oula get to be!”
“I-I-” Nara stutters, feeling his face burn. “I’m not... reacting badly. Or, or mad, or anything, you don’t have to panic, just. This is a lot.” He’s acutely aware of where she’s lying on him all of a sudden. And her bared skin has a gravity that it didn’t have a second ago, which is more frightening than attractive. His eyes pull towards her, but his mind baulks at the thought.
As if feeling the first threads of panic, Zana hastily grabs her discarded robes and scrambles up off his lap, wrapping the stiff fabric around herself like a blanket. They stare at each other for a moment, awkwardness hanging heavy in the air.
Nara clears his throat. “I... you... we’re both really pretty, but I hadn’t really thought about...” He can feel her fear and reaches around wildly for a way to reassure her and- “I m-mean I’ve touched myself before and you know I’m only a ‘him’ to make you happy so... um, I... don’t know where I’m going with this. I mean we do love ourselves but I don't know if it means like that and...”
“Okay. Okay.” She feels like a high minor arpeggio, rising and falling on the far side of the keyboard in rapid, anxious rhythm. “Okay, just... um...”
She bites her lip, and reaches out tentatively to cup his cheek. They both close their eyes as they let division briefly end, and sit as one being again, cupping their own cheek as their hearts beat in time.
Zanara tilts their heads and considers, toeing furrows in the dirt with one body and picking anxiously at a nail with the other. There’s curiosity in the thought of... of knowing themselves like that. But there’s embarrassment too. They’re too nervous - too ashamed, Makers, they’re acting like Eko - to try it right now.
“We might be able to get he-us more comfortable with she-us, though,” they muse out loud in two voices. “It’d be really ugly if he-we start blushing and stammering around she-us after this. Especially when we’re trying to perform. Quick-changes between scenes would get awkward and awful.”
One head with four eyes turns to critically regard another head with two.
“And she-us still looks like a fright,” they sigh. “Urgh, why couldn’t Keris-mama make us a prettier crier? We’d have made us better.”
They take their hand off their face and pretend once more that they're not one person with two bodies. Or from another point of view, let their own identities re-emerge. Both are true, depending on who's asking. Not really one person, not exactly two.
“I’ll go for a swim to wash my makeup off,” Zana decides. “I need to cool down anyway after that dance, and I’m all sticky from the pomegranate juice. You can wait on the bank and keep an eye out.”
Nara reaches out and takes her hand. But not to do anything. To stop her. “I... um. Just thought of something. Actually, I think we did.”
Zana nods. “We did. I-we're thinking the same thing you-we are,” she agrees.
“That Unquestionable. How she said...” his already red cheeks only feel hotter, “that... uh. What she said. And... she’s a part of the Sphere of Speech.”
“I know,” Zana says, sounding uneasy. “I think I felt some of this before, but she... she might have made it easier to say. Because did you feel how she envied us? She might... um. Have laid that out. As a curse. To show us up. To teach us a lesson, as she’d see it. I don't think she understood. She thought we really were brother and sister, not... what we are. It's a cruelty from her.”
Nara nods. “That... uh. Was what I thought. So I think if we talk about this later, it’s a while later. And maybe we get mama to check us over to make sure there isn’t any lingering curse-magic.”
“... good idea,” Zana decides. “And yeah. Not until after Calibration. We don’t want her distracted tomorrow.”
“Yeah,” Nara agrees.
But he still watches as she strips off and runs out into the water.
Calibration 5, 772 RY
It is the last day of Calibration, and Keris Dulmeadokht is exhausted. She is shattered. Her head aches and her feet hurt from too much dancing and she feels like she's losing her voice. The third day was the grand ceremony where she had to report on everything she'd done, then a fete, then meetings, and then she'd had to prep for the fourth day - and yesterday she was on her feet all the time and feels spread as thin as butter. And she hasn't been able to relax today either, as she runs around helping Lilunu and sparkling at parties and doing ten thousand little things and being called in for divisional meetings and bleargh. She feels bleargh.
She can't help thinking of the third day and her presentation and her boasting. Did it go alright? Had she managed to suppress the rumours about how she'd nearly died which would have hurt her perfect record? Certainly, she had emphasised that the chaos prince of Chir she had slain had been named the Blue Star, and had once been a hateful Chosen of Venus herself, fallen and corrupted by the fae. She had made much - though little in the way of specifics - of her takeover of Ca Map, the floating platform-city that broke a Realm fleet in decades past. The ruin brought to the ancestor-worshipping tribes of the Zu Tak drew approval from those in the audience who hate the Dead, and while she hadn't named her identities in Saata, she'd bragged about her consolidation of power as Little River and her now-firm grip on one of the major pirate factions, as well as the tendrils she's wormed into several others through Cinnamon.
She hadn't mentioned the treasure-trove she and Asarin had found in the dragon-crawler, high in the mountains of Shuu Mua. Nor the horrifically illegal sorcerer corps she's been training from among her own First Circle demons, nor the new valley carved out there full of Keris's people. And she'd certainly kept quiet about her cousin, vanished away in the night to work for Jupiter as a Chosen of the Maiden of Secrets. But despite all that, it's been a good year. A successful year. She had plenty of things to boast about.
If only she'd been less frazzled for the boasting itself.
And so she sits in the lap of luxury, tucked away in the corner of the room, nursing a wine and trying to just settle herself. To calm herself. To get over how frazzled and sick and nervous she feels, and how she just wants to lock herself in her room for a day or two and not have to talk to anyone.
Least of all Sasi or Testolagh, who are also at the same party. Together. She saw them down on the dance floor; Testolagh, coldly handsome with an outfit Sasi must have picked for him which hugs his form in soft black velvet trimmed with warm brass, something which nearly is a uniform yet flatters his form. And Sasi, in deep red with her hime cut trimmed to perfection, the cut-outs from her robe flaunting she's wearing nothing underneath.
She suspects - no, she knows Sasi's been asking for her. She knows Sasi is looking for her. And she knows what her girlfriend will want. What Testolagh will want. But Keris can't. She just... she can't. She and Testolagh tried, and it didn't work - or rather, it worked far, far too well. Testolagh's masochism and her spiteful envy had turned her into someone awful, someone who'd taken pleasure in hurting and degrading him and binding him in his own oaths. Keris doesn't want to be that kind of person. But Testolagh does. And Sasi... Sasi has far too much of the Dragon in her not to get off on that kind of degeneracy and sin. She loves Testolagh, but Keris is willing to bet money that she'd enjoy watching her proud, honourable, stubborn lover torn down from his oh-so-virtuous perch and reduced to a plaything begging to be twisted and defiled.
Hearing Sasi's voice approaching, Keris shifts backstage and huddles further into the corner, making no sound and staying perfectly still as her lover sweeps in, looking gorgeous and alluring and tipsy and horny and eager. Keris looks at her with longing, but doesn't speak up as Sasi scans the room, brushes over the parts out of sight with a tickle of unseen hands, asks a few questions of the revellers and fails to notice her lover tucked away in the corner. Of course she does. She doesn't know for certain Keris is there, and backstage like this, Keris isn't part of the narrative. Sasi's story tonight will be one of searching for her girlfriend all over and failing to find her until she sulkily goes back to her man.
Drifting out of the room once Sasi's gone, Keris stays backstage for a while as she liberates another few glasses of wine from oblivious servants and heads back the way Sasi had come from. She probably won't double-check places she's already been. It isn't until she's found herself another little nook to hide from sight that she lets herself become part of the performance again, and that only to confiscate the instrument of a demonic servant and take over playing herself.
Closing her eyes as she plays, she looks through Iris’s, a couple of kilometres away in Lilunu’s palace at the heart of the Conventicle. Her familiar is with her twins, and the three of them are being given a painting lesson by the little agyakerub who entered Lilunu’s service last year. It’s going... well, Ogin is very intently staring between the bowl of Hellish fruit and his easel, where a fairly good rendition of it is taking shape very slowly as he tries to get every line perfect. Kali is enthusiastically finger-daubing a variety of colours onto her painting by the handful. And Iris is in her little-girl form, and appears - from the way her viewpoint keeps leaning right up to her portrait and then rearing back again to reveal a blank canvas - to be doing lots of quick likenesses of the bowl and kerub one after another, and then eating them every time the canvas gets full.
... at least they’re having fun, Keris thinks, and lets the vision go.
It is while she hides behind a role as a mere musician-servant that a woman catches her eye.
No. Say it for what it it is. Erembour, That Which Calls To The Shadows, catches her eye. Erembour, whose skin is Calibration's midnight sky and whose eyes shine like the full moon of Creation. Erembour, whose velvet-night hair is picked out by strands of glowing white and whose robes are glowing silver. Erembour, whose beauty is said to equal that of Venus and Luna.
Keris, dry-mouthed, can believe it. She has seldom seen her in the Conventicle, and she doesn't know why - but even from a distance, she was lovely. In this less formal situation, she is something too beautiful to be human, too perfect to be real. Her faint smile is cryptic, and the crowd parts around her, yet does not flee. She is Unquestionable and they fear to offend her, but she is too lovely to stay away from. Lovelier than Ululaya; lovelier too - and Keris cannot believe she's saying this - than Lilunu.
And there is something oddly familiar about her, too.
She stares, for a while. The nook she's chosen, and the musical accompaniment she's taken over, give her a good vantage point to watch from as Erembour talks to one demon, smiles at another. Dances, briefly, in a whirl of silver robes and dark skin and white hair.
It's that which makes Keris realise the familiarity. Calesco. Erembour reminds her of Calesco. Not in personality - the sinful temptation of the Unquestionable could not be further from Calesco's piercing compassion. But the mix of darkest night and bright white light, the inhuman beauty of her features and movements. The way that shadows around her beckon with aching temptation. All of those remind Keris of her daughter, so far away right now, in Saata for the Calibration festivals.
Without really thinking about it, she finds her music changing, shifting, climbing the scale into the wordless, accusing heartfelt song of Calesco's essence. It's a melody of piercing starlight cloaked in darkness, of painful Compassion veiled in sweet-scented lies - and perhaps it's similar enough in the lower registers to Erembour's own inner melody that it catches her ear, because her attention shifts to Keris.
She doesn't do anything, or say anything - not until the piece is complete, at least. She just stands there attentively, silvery eyes locked on Keris, a quixotic smile beckoning her over.
Entranced by the slight curve of those lips, Keris rises, gesturing an angyalka servant to take up playing again. She doesn't beeline straight to Erembour - she doesn't want to seem too eager - but she takes only a brief detour to the nearest tray of drinks to select a few. She remixes them as she gravitates towards the Unquestionable, combining three drinks in carefully eyeballed ratios into a clean glass and adding a pinch or two of this and that from her Domain and a droplet of her own blood before giving the final mix a quick shake.
"My lady," she says with a sweeping bow, offering the finished concoction. "Please, with my compliments."
(Mixology enhanced by Flavour Without Boundaries for a subtle social attack intended to gain her approval.)
Erembour's sleeves are long, so long that she holds the glass in the fabric when she takes it, rather than let them slide out from her robe.
"Such a thoughtful gift," she says, amusement clear. Her voice is low and slightly husky, her accent isn't exactly one Keris has heard before. She takes a sip, and rolls it around her mouth. "Quite lovely. Though you do surprise me, Keris." There's a little roll to her 'r' sound. "To think I'd find the new Mistress of Ceremonies here, serving drinks and playing music in such a minor room in this party. I do hope that child Lilunu didn't send you here in a moment of pique."
"No, no," Keris says hastily. "No, my lady Lilunu has been very supportive of my efforts this Calibration." She smiles self-effacingly. "I simply wished for a brief rest from the festivities to collect my thoughts. I hope you have enjoyed the revelries this year?"
Erembour chuckles. "I seldom attend these things. Calibration has a special meaning for the Ultimate Darkness himself, and most years I am called to honour him. But he bade me attend this year, for his heart was disquieted." She looks at Keris over the top of her drink. "I happened to catch you in that gorgeous shadow-membrane dress. Such a performance. I was very," and there it is again, the rolled r that makes it sound like she's caressing the word, "appreciative of what I got to see."
Keris swallows, pleasurable tingles going down her spine. "I'm glad my efforts were appreciated, my lady," she husks, her own voice dropping half an octave. "Perhaps I might entertain you further?"
Wait. Shit. She hadn't meant to say that. Had she? Too much of her brain is caught up in the gleam of Erembour's eyes, in the dark promise of her lips. In the rolling huskiness of her voice and the shapely form beneath those robes.
"My lady need only request her pleasure," Keris whispers, hardly hearing her own words, "and I would be honoured to meet it."
"A pleasure, for me?" She sounds like such an ingenue. "Perhaps... you might do a little thing for me. And then you might meet me in the gardens outside - or rather, the tunnels that lead down from the Micotxi fountains." Erembour favours her with another smile, and walks away. Through the back of her robes, Keris sees a rat tail poking out, but she's more distracted by the sway of her hips.
Any question of 'What favour?' doesn't even make it to her lips, because she read the demon princess's intent in her smile. There is a serf-servant of Lilunu on the grounds of this party-palace, named Metriculon, who serves Ligier in secret; a spy for the mad green sun. Erembour wants his head delivered to her, down in the catacombs. The heady lust, the desire to please, the thrill of what Erembour's lush decadence offers seizes Keris's mind, leaving it hard to think of anything else.
She's moving out of the room almost before she's finished registering Erembour's intent, the rush of purpose intoxicating her wits entirely. It's not even a question of the sinful promise layered within Erembour's smile. After all the heartsick, exhausted, stressful weariness she's endured today, just the sense of having something to do, of being excited to do it, is enough to have Keris's heart pounding and her blood rushing and a smile coming to her face. What's one serf against that? Ligier has innumerable spies. He probably won't even notice this one missing.
Metriculon is easy enough to find. Keris touches base with one of her dragon aides - this may be one of the days Lilunu is in charge of, but Keris's support staff are still involved - and looks over the records to find where the demon in question is assigned. Then it's as simple as drifting over there and giving a curt order to a seemingly-randomly-chosen demon in passing to go take a message on a course that will lead him past the Micotxi fountains, and an alluring song as he passes that draws him into the shadows of the tunnels.
Where a figure melts out of the wall and decapitates him as soon as he steps out of the light of Ligier and into the darkness. Poor thing. Just an unfortunate servant waylaid by a predator on one of the ten thousand errands necessary to keep the festivals running. Perhaps an enemy of Ligier's recognised him and committed a crime of opportunity. Perhaps it was simply bad luck. Certainly, there's nothing to suggest it was premeditated. Who could have predicted his passing through that courtyard at that precise time?
Beaming proudly as the body falls limply to the ground, Keris catches the head in her hair, turns, and presents it to the shadows with an elegant curtsy.
The shadows call to her, their music drifting out from the catacombs, and like a woman entranced Keris follows the sound, somehow knowing where to go. Down here in the dark places below the demon city, Ligier does not care to shine, and with the spider-man's head in her hand she follows the song. Down basalt stairways littered with debris and past polluted stinking canals of Kimbery laden with waste from the Conventicle Malfeasant that glows faintly. There are scurrying things down here. Not rats. Wolves, bats, owls, and their eyes gleam with uncanny awareness. And then there are the other creatures, the misfits, the freaks and the monsters, the things that are neither man nor beast nor demon. They dance in the shadows.
The shadows do not move like they should. They curl and coil, and are seldom always the same shape.
And in the end Keris finds herself in a vast hollow chamber so large it has its own clouds. It shouldn't be able to fit, and she's sure she didn't go this far down, and yet here it is and here she is.
Erembour's horn calls her. Erembour waits for her, in this dim chamber, sprawled out upon steeped pillows. Her eyes glow like the moon, with nothing to reflect.
"My lady," says Keris, blushing and presenting the head, still dripping gore. Her head is swimming, but the excitement and eagerness to please has overwhelmed the ennui and exhaustion of the day, and she's captivated by the dark lady's spell. "Have I pleased you?"
"Oh, you are just a treat," purrs Erembour. "Toss that disgusting thing aside, and come sit with me."
Keris obeys, and owls come bearing things to clean herself with, while a wolf trots up with a tray of drinks in its mouth. She takes it gratefully. Here, in the gloom, Erembour is even more fair than she had been in the light of the Conventicle. Keris knows that secret of the Ebon Dragon herself, but that power is a pale reflection of Erembour's allure.
"I wonder," Erembour murmurs, "why you did this for little old me? When you could have," she pauses, "refused." There it is, that rolled r. "But the darkness called to you, and you came to me. You are, they say, Lilunu's pet, and she is Ligier's, and yet you murdered one of his spies without a second thought. More than that, you enjoyed it. I can hear how it makes your breath hitch. Your toes curl." She traces a finger along the back of Keris's hand. "The hair on the back of your neck rise."
Keris shivers. "L-Lord Ligier..." Her head is swimming, and the faintest trace of guilt encircles her throat for a moment, but... it's not like Ligier is clan, and this didn't hurt Lilunu at all. "L-Lord Ligier has m-many spies, a-and... and he won't miss this one, and I was so tired and... and Sasi w-wanted me to do stuff and I didn't want to but I wanted to do this and it f-felt good an' you're so lovely an' it was exciting an' easy an' not hard talking stuff where I gotta... gotta say no to things an' be 'sponsible an' stuff..."
There's warmth wrapped around her. The skin all the way up her arm is tingling along the path Erembour's finger followed, up to the back of her neck where it now rests, drawing her into the beautiful woman's shoulder. Her breasts are soft against Keris's own, and her hands are gentle, and her scent surrounds them both in a bubble of indulgence where nothing else matters, where all responsibilities are put aside and Keris need do nothing but relax and indulge.
"There is a darkness inside you, Keris," Erembour purrs, her tongue embracing her name as her hands embrace her body. "A melancholy, sad darkness that longs to revel in my shadows. To give in. To succumb. I can feel our kinship. The Nameless One had many things to say about you, and I am glad I decided to come looking to see what of you drew her interest. And you are such a pretty little thing; thief, murderess, nightwalking harlot. I wish I had found you earlier, for you are so many things I love. Give into the shadows, Keris. Embrace them."
Whimpering into the soft skin and inhuman beauty of That Which Calls to the Shadows, Keris's arms and hair come up and wrap around her voluptuous, hedonistic form.
And embrace the shadows Keris Dulmeadokht does.
Embrace them, and far, far more.
Erembour is, so it is said, one of the finest instructors in the many arts of love, and Keris can believe it. And Erembour has velvet soft ropes and somehow she knows that right now Keris doesn't want to have to make decisions or choices or be responsible for anything. So she both strips away Keris's responsibilities and with her kisses sears the knowledge of how to do that to others into her.
In the aftermath, rope-burned and tearful, Keris lies in the arms of a demon princess and lets out far more than she ever meant to about Chir and about Sasi and Testolagh and her fears and lusts. She pours them out into Erembour's dark, expectant hollowness until she's spent.
"So this is some of the darkness within you, Keris," Erembour purrs into her ear. "So beautiful. That proud, rigid Testolagh likes to be hurt; you feel devoured by the hungers of Sasimana. And those dark moments in the arms of the fae haunt you still. To feel so trapped, so close to death, so ensnared in your doom. Gorgeous. And your past - if you had come to me when you came to Hell, what a wonder I would have made of you. Well, of these dark things, your situation with beautiful Sasimana and handsome Testolagh are most within my field of expertise. Do you wish for my council - and perhaps my instruction, too?"
Trembling, limp, weak-limbed and small in the shadows' embrace, Keris nods meekly.
"That which you fear imprisons you. You desire it, and desire them. You fear to let yourself go and treat Testolagh as he wishes; you fear that Sasimana's lusts are more than you can handle. But from what you have said, you have bedded them together and separately. I think, perhaps, that which you fear with them is not exactly them. It is everything else that has been weighing down on them. You feel that to bed them like this is not melancholy decadence, it is labour that weighs you down. And that is what you fear."
She runs long, silver-clawed fingers down Keris's side; her rat-tail wraps around Keris's thigh.
"Perhaps it is that rooted fear that gets in the way, and you must either discard it or resolve it otherwise."
"But that means facing them," Keris whispers, her voice hoarse from talking and sobbing and screaming with pleasure. "And I don't want to face them yet. I don't want to go back out there, into the light."
"Their desires are the desires of the dark; the ones that hide within their hearts. The desires demons do not reveal under Ligier's light, but they dance and revel in when my music sounds out." She caresses Keris's face. "You came into my darkness to bare your heart and live without restraints. Maybe you should lead them down similar paths. Share the unshackled melancholy joy we shared. Make a dark place where the light does not shine and let them face those desires. As it is, the names of those lusts go unspoken.
"And if you would like my aid in letting them taste those dark desires, you need only ask." A kiss. "You pretty little thing."
((Advice Erembour is, ah, a little prone to “OK, but have you tried corrupting them?” as a solution to problems. It’s mixed in with the actually good advice that maybe Keris should talk things like how they handle Testolagh’s masochism and dealing with how Sasi might get if she saw how Keris and Testolagh were when they got unchained.))
((Surprisingly useful!))
((Keris isn’t agreeing to the “corrupt them” thing, but is kind of giving tacit permission to be briefly made a creature of darkness that doesn’t have to think about such hard difficult choices for a while.))
"Please," Keris breathes. It's not exactly a request for her aid. More of a plea. "Let me stay a while, m'lady. W'th you."
"My darkness is a home to all the cast-out things of Hell," Erembour tells her fondly. "You will be a treasure within it."
Reaching over, she recovers her great silver horn, and takes a deep breath. Its sound is something deep and sonorous, that fills Keris's skull. The darkness swirls and dances, both in this hollow room and behind Keris's eyes. The demons and creatures who had been watching them dance to its sound, and it goes on and on and on.
Keris rises up to her knees without conscious thought, voice keening as her bones crack and shudder. It hurts and it feels wrong, but the wrongness is right in its own way. Her jaw hurts and her skull hurts and her spine is cracking and breaking. Her thumbs are twisting and her wrists are shifting and cracking and black hair is forcing its way through her skin, becoming a thick sleek coat interspersed by feathers. She tilts forwards onto all fours, her weight feeling better that way, and a pain in her backside is - she knows - a tail forcing its way out. Something strange is happening to her chest, but she's not sure what in among all the rest of the pain. Her screams are now something between a shriek and a yowl.
And still the horn goes on and on and on and on, and it captures Keris and sweeps her up and makes her dance and dance and dance among the other night beasts and creatures. Her waltz is sometimes on four legs and somethings on two, but it's sad and melancholy. The shadows dance with her, and so do the rain, and in the centre is always That Which Calls To The Shadows, the conductor of this mad symphony.
It's only when Erembour ceases to blow that she is allowed to slump down. There is spilled wine on the floor, and in her reflection, she can see what she has become.
She's not human anymore, whatever she's become. There's some human left in her, but there's just as much of owls, and of cats. Her eyes are huge, taking up a quarter of her face, and her nose has become a hooked, fused beak under which a fanged mouth grins. Pointed ears sit high on her head, nestled amidst a mane of black feathers that extends back, back, back - her hair transformed into a hundred feathery ribbons.
Her neck has changed too - her whole spine. She can tilt her head back ninety degrees to look forward from all fours as easily as when she's upright, and her spine - already unnaturally flexible through the gifts of the Silver Forest - is now so pliable that she can arch backward a hundred and eighty degrees to touch the back of her head to her heels.
Six breasts hang from her chest, like the nipples of a cat, and soft dark fur covers her upper body. Not black, like her feathers, but an impossibly deep red, like blood spilled in tar. Her hands are paws, with velvet-smooth pads and lethal claws hidden within, but her feet are vicious four-clawed talons, covered with the black down that her fur blends into at the waist. Three claws forward, one behind; there's nothing human about the structure of her feet now. Nor her knees, which have become digitigrade, allowing her to walk easily on all fours, paws and talons clicking together across the floor.
From her spine, four wings have forced their way out - two at her shoulderblades, two at her hips. They're not large enough to let her fly, but they have claws too; hooked talons at the joint where they bend that are perfect for catching and ripping through flesh. Her twin tails - sleek, short-furred and striped like her daughter's - lash eagerly in the anticipation of prey, and a purr rumbles up from her throat.
Folding her wings against her flanks, the owl-cat creature pads over to Erembour's side and rubs her chimerical head against a naked thigh in gratitude. Because it's not just her body that's changed.
There's no tension, like this. No stress. No worries.
Only the joy of the night, and the thrilling thought of the hunt.
Erembour sprawls back in amusement. "Almost none of your kind have been so willing to accept they are one of my creatures," she murmurs, shifting her legs so they're wrapped around the chimerical monstrosity. "How long will you be wiling to stay? There is so much I can teach you. My adorable little student."
The owl-cat purrs again, and then makes a strange, half-growling, half-cheeping noise. Perhaps she can no longer talk. She does seem to understand, though, and catches Erembour's fingers in her mouth, letting sharp little fangs prick at - but not break - the demon princess's skin. Her tail lashes, and her wings spread to beat a couple of times in the sheer giddy excitement of a hunting lesson down here in the dark.
Oh, she certainly hunts down here. She hunts and kills down in the dark, and she couples with Erembour when the mood strikes her, and she is not the Mistress of Ceremonies. She is barely Keris.
There's no sense of time down here, even less than Hell usually, because the tomescu are barely audible, and the owl-cat barely knows what the muffled screams are to count them. But she's slept several times, and hunted in the brightly lit - too brightly lit - paradise in her dreams, too.
But one time she dreams of a place that does not exist in her dream-paradise. There are too many beings here, beneath a sunless, starless, moonless sky, in a city of low white stone lit by glowing painted buildings and burning torches. Drums and gongs sound, fireworks replace the missing stars, and the air is thick with the scent of food and smoke and firedust.
And the crowd screams for the night-dancer. "Black Shawl!" they call for her. "Black Shawl!"
The owl-cat winces from the volume, though she seems to have no body nor physicality, and her viewpoint shifts, flitting through the streets like a night bird. She settles upon a verdigris copper statue, and sees the whirling black figure upon a temporary stage set into the frontage of a building.
The dancer plays the trickster moon, in the story of the world’s creation. Barely clad, her nakedness is only covered by mist-thin veils and black body paint. Her face is painted as the crescent moon, a silver arc cupping her jaw. Her motions are sinuous and constantly elliptical, never moving in straight lines. Every step follows an arc; every gesture paints a curve in the air. The Sun is on the stage too, but he is clearly a man in yellow body paint bedecked with brass jewelry. Save when the dancer comes near him, and then he stands a radiant figure in gold. This is how her dance spreads around her, and wraps everything up in her story. The cloth and paper props become images from when the world was young, the dancers in demon masks become true monsters, and the coiling shadows of the night’s dance hide that this is just a street in a bustling town.
Wide-eyed, the owl-cat watches this tale that she knows not to be true, and yet in this moment she believes it. More than that, she can see how the shadows have taken the crowd and brought them to believe it too, and they have claimed the musicians so they sing like men possessed and play instruments with skill that is not their natural right.
But that is the magic of the moon, and in the Calibration gloom her dance is a reverent thing, of love for the earth-queen Gaia who she sees below her. Gaia is there on stage too, in blues and greens and while at first she looks like a Saatan girl in body paint, when she enters the moon’s story she is the crashing tides and roaring flame and howling wind. The moon flirts with her, seduces her, orbits her endlessly and together they turn against the demons and send them falling from the stage, never to return (but where did the bursts of green flame come from?).
Victorious, the moon embraces Gaia and they kiss and their passion sweeps through the crowd like a wave. Women gasp and moan as the passion infects them too; men holler and cheer to see such a sight, not understanding what the moon’s trick is. And their kiss ends and they leave the stage hand in hand, as the Sun - just a man in paint, once more - proclaims their victory.
But the watcher follows the moon and Gaia to backstage, and watches the moon pin Gaia up against the wall. "Oh, my Lui," she whispers to her, and for all that she’s short she’s strong. "You were marvellous."
"I was only human, my Black Shawl," Lui whispers back. "You are not. I can never match you." She giggles. "Did you see how everyone was watching? Women were throwing their hair ornaments onto stage!"
"Of course they were," and the moon’s long black hair traps each of Lui’s limbs in turn. "They want to be in my place."
"They want to be in my place. Don’t pretend otherwise."
"Well, in that case," the moon says, "let’s get your pay and then we can go back to your place. And I can clean your body."
"I wish I was like you and could just conjure up the costume," Lui says, sounding dreamy. She gasps, as the moon’s hair shifts adventurously. "But you’re my shadow lover, and I am only human. I never thought I’d be in a real spirit tale."
The moon kisses her deeply, smearing her lip paint. "You drew my attention, and I fell in love with you. I might be a spirit but a beautiful woman like you is hard to find."
Ah, yes. The watching owl-cat knows the moon, though her name is hard to call to mind. But the moon is part of her, warm darkness and cold light, and so in a sense it is her who takes this dancer-girl to bed and makes her scream out prayers to her Black Shawl.
And when she wakes, she is in the arms of Erembour, who is also kin to the moon-girl, and she makes her pet scream just like the moon played with her dancer.
Chapter 3: Early Air 773
Chapter Text
There is a voice in her head which does not like this way of being. The many-coloured hair woman with the long fingers in her dreams wants her to cut away this form and return to who she was, but she - Keris, that’s the name she uses - doesn’t want to. She knows she could any time. But she also knows that turning back will make her unhappy and overworked and... and she will turn back, she will, but just not until the people she doesn’t want to see are gone.
But instead they come for her. She smells them, tasting the air through the sewer-reek, and she stalks them. She won’t - she can’t - hurt them, but maybe she wants to frighten them away. Or maybe she wants to see them again. The ever-changing one who’s so terribly strong, and the one who smells of the desert and the shadows just like Erembour and of cold blood and hunger and other things and-
“Keris!” The silver-haired one is looking directly at her, eyes cutting straight through the darkness. “What happened to you?”
She gives a happy mewling hoot, and leaps - her wings spreading to give her a few seconds of gliding time that extend her jump. From the wall, from the roof, from a gutter outcropping she rebounds, lightning-fast and lithe and playful, and cannons into the desert-shadow-coldblood, crowing triumphantly as she pushes her down to the yummy-smelling squishiness of the floor and licks at her face and neck and the low neckline of her chest. Her wings spread and flap excitedly as she backs up and turns to the powerful-ever-changing one, trilling and purring, tails flicking from side to side, and dares to dart in and nuzzle her thigh with her soft-furred cheek and her hard beak and her sharp little fangs.
For some reason, the target of her affections is - while smelling of relief - also not pleased to be on her back in the sewers.
And then the ever-changing one picks her up by the scruff of her neck. “Keris,” she says, eyes painfully bright green. She sounds scared. Scared and angry. “What are you doing? What... if she did this to you...”
She exhales, green flame licking around her as the other one pulls herself to her feet and makes upset noises.
“Keris. Lead us to Erembour. Now.”
Mewling pitifully, the owl-cat shrinks in on herself, pawing at the strong one’s wrist to be let down, to be let go, to be released.
But the ever-changing woman is having none of it. She shakes her roughly by the scruff of the neck and repeats her demand, and the weight of her stare is enough that the owl-cat’s wings furl. Her feather-ribbons curl in around herself and her tails dip down between her legs as she leads the way off through the tunnels, not bounding joyously through the dark as she has been since coming down here, but padding meekly along with shoulders hunched and head low.
Retracing her steps back through the dark, following some unnoticed instinct that tells her where the shadows lead. Back towards the vast, dark-clouded dome where she became what she is now and began her hunt. Erembour waits there, dressed in her silver robes for once, hands folded up her sleeves.
“Lilunu,” she says, sitting at her little table. “I was wondering when you’d show up. And Peer Sasimana, such a pleasure.”
“Erembour,” Lilunu says, green light shining through the cracks in her petrifying skin. “You stole my Keris. And you have turned her into this... this thing that can’t even talk.”
“Wine? For you two? Keris likes wine.” She crocks a finger towards the owl-cat, calling her to her side.
The pale-haired woman isn’t saying anything, lips locked together, reeking of fear. And also the sewers.
The owl-cat keens, wings spreading, claws and talons digging into the black stone of the floor. She wants to go to her dark lady, who has wine and maybe some meat and who’ll pet her and then let her go hunt again once she’s eaten. But... but she doesn’t want to leave the ever-changing woman’s side. She’s stronger than the dark lady, and angry, and claiming. And the pale woman is scared, and she shouldn’t be scared, not while the owl-cat is there, because she’s... she’s the pale one’s protector. Abandoning her when she’s scared would be wrong, on a level that twists her gut.
Circling indecisively between the three women, the owl-cat blinks huge eyes against the bright green light and waits uncertainly for someone to tell her what to do.
They’re shouting at each other - well, ever-changing is shouting at Erembour, Erembour is calmly answering back and silver-hair is saying nothing at all. But ever-changing is using many voices. It makes the owl-cat’s ears hurt and it makes everything hard to understand.
There is one thing that gets through the haze and the pain, though, and that’s when Erembour says, “No, on the contrary, I did nothing she didn’t want. She can leave any time she wants. What she wanted was an escape from the burning light of responsibility - and you two might ask why she found her heart filled with darkness that drew her to me?”
And she can hear the hissing, crackling noise and everything is snarled up inside ever-changing and worse she can hear the toxic, blightful green light escaping from the cracks in her stone skin.
It’s too much. She screams - the high, mournful cry of an owl mixed with the rasping yowl of a cat and the piercing shriek of a woman - and dives between the word-duelling women. Her left paw comes up on reflex to rest on ever-changing’s breast, pulling at the painful-bad light that’s hurting her and it’s the owl-cat’s job to protect them both from things that hurt them and to take the burdens of toxic-light-power that tax ever-changing too much and to look after small-things that pale-one can’t nurture and... and...
With a sibilant hiss, silver feathers slide out through dark red fur and black down. Digitigrade legs and lashing tails fuse together into a long serpentine body of pure, lethal muscle, and hook-jointed wings fuse back into an expanding torso as she puts on bulk, shoulders spreading, ribcage swelling. Black-feathered ribbons split into bone-white hair, owl-like eyes and beak shrink back into the feral cast of a human face.
The lamia coils around Nemone Sasimana and the demon princess Lilunu, the former wrapped securely in her tail, the latter in an apologetic embrace. She squeezes both gently - Lilunu’s rage interrupted for a moment by the transformation she has heard about but never seen before.
Keris Maryam Dulmeadokht turns to Erembour, ignoring the blood dripping from between her feathers.
“Unquessstionable One,” she says respectfully, forming an honouring-mudra with her hands and giving a slight bow from the waist. “I thank you for allowing me to ssstay in your domain for a time, but I’m afraid my lady callsss, and I am her creature before all othersss.”
Lilunu burns, radiating toxic essence as the burning pits that should be her eyes lock on Keris and-
Indigo joins the green, and then colourless white. And she stuffs a fist into her mouth, breathing into it, as the stone flakes away and leaves skin again.
“Keris,” Sasi says, holding her, and this close Keris can see the hints of tarry shadows at the edge of her eyes which tell her she’s been crying, really crying, not fake-crying. “Is that... you?”
“It’sss me,” Keris reassures her. “I’m sssorry, my lady, my love. I could have come back sssooner. I... I jussst...”
She bites her lip with sharp silver teeth, her feathers rustling. She’s bigger than Lilunu like this. Even her human parts. Her upper body grows to be a match for Testolagh’s size when she takes this form, and her lower body is five or six horselengths.
“I wanted to ssstop thinking for a while,” she admits, the words strangely soft and sad in contrast to the enormous, feral creature she’s become.
“Well, then matters are resolved,” Lilunu says, voice as taut as a wire under strain, “and in future, my lady Erembour, you will not take my Mistress of Ceremonies from me during Calibration which is the time of year I need her most.”
“Oh, little Lilunu, so brightly burning, so lacking in understanding,” Erembour says, stepping back away from the glow. “There is darkness in your heart too, even when you wear the light of the King. It sings to me. If you just accepted it - but you are too young, too heated. If you ever want tuition, you need only come to me - and the same might be said for you, Sasimana. I know you hear my call.
“And you two should speak to Keris. She is beautiful to me, for what she was and what she is, and perhaps she can shield your eyes from blinding light and so shed you of unneeded enlightenment. She understands more than you.
“Fare well, Keris. And if you ever want to come back to my arms, you are welcome.” That silver gaze looks Keris up and down. “Come wearing that form if you wish. I adore your taste in colours.”
Keris bows again, respectful but shallow, to a lady not her own. She dares not speak, let alone acknowledge the invitation. Lilunu is already upset enough - and now that they know she could have done this at any time, she knows she’s going to get scolded.
“And rightly so,” says Dulmea, sounding equally angry. “Really, child. What were you thinking?”
Keris doesn’t have an answer to that besides the obvious - she wasn’t, and didn’t want to be. She doesn’t try to give one. Better to wait and take her reprimands like a woman. Serpent. Thing.
With Keris to carry them, it is much faster getting back to the surface. And not much is said, although Lilunu in one snapped remark reveals that it has been over two weeks since Calibration.
And now they’re away from Erembour Sasi is falling apart because she has been down in the sewers of Hell and she has unspeakable things on her and she’s feeling ill because of being too close to an angry Lilunu ruled by the King so her Pyrian nature is having to fight off Green Sun Wasting and Lilunu is likewise overcome by her post-rage headaches and hurts and Keris, well... the stench of the sewers is being overpowered by blood as they move. There’s quite a lot of it now, trickling from under Keris’s feathers as her body angrily rejects what Erembour did to it. Mingled with Pekhijira like this, she knows her own mind, and she doesn’t dislike the form she took. It was pretty, in a way, and when they’re separate again her snake-self might try to replicate such beasts within the Rim of her inner world. But it’s no longer the time for such things, and so she pushes them out, blood seeping from her pores wherever she forces another twisting of her flesh or mind or spirit through her skin.
There really is quite a lot of blood. And it’s really starting to hurt. Maybe this was another reason she didn’t want to change back in a hurry.
When they get back to the Conventicle, Lilunu refuses to let either of them out of her sight, and drags them into an ice bath which she flops into. She’s still running hot and her descent into it is accompanied by steam down in this natural-looking grotto where Szorenic branches sprout from the walls. Sasi sinks gingerly into the freezing water, clearly suffering but not wanting to gainsay Lilunu and willing to accept washing with freezing water if she can get clean.
Keris, of course, doesn’t feel the cold, but does feel the glares she’s getting from the other two women in the bath.
Pinching the bridge of her nose, Lilunu stares at her. “Just fucking tell me what you were doing,” she demands, with coarseness Keris has never heard from her before. Coiled up - and even like this, her serpentine form is occupying a full third of the impressively large bath - Keris winces again.
“Um,” she says. “I, uh. It wass a lot of thingsss.”
Her bloodstained feathers are staining the water around her a ruddy crimson, and ice is forming between the tines of her feathers. Her hair shifts nervously, knotting along its length - but although she’s nervous and guilty, the oppressive tension of her responsibilities and the bone-weary dread at the thought of talking to Sasi and Testolagh are gone, lifted away like morning fog burned off by the sun. The stress-knots in her shoulders have been replaced with languid looseness, and the clenched fists around her throat and heart and belly are nowhere to be found. She feels... she feels like she can do this.
Huh. It seems like that long spell down in the dark did her a world of good. Not that she’s going to say it like that, for fear of being burned to a crisp by sheer force of anger. Bad enough that Dulmea caught the thought, her music turning sharp and scolding in rebuke.
“Um,” Keris restarts, and takes a breath, closing her eyes and letting the conjoining of herself and her other-self go. She feels the twin-strand of her selfhood unwind and divide against, feels her face shift back to normal, her body shrink, her tail diminish and split into legs.
... there’s still quite a lot of blood on her. And while she’s never uncomfortable in water, she feels the cold more with bare skin than with feathers.
“I... I wanted to escape,” she says hoarsely. At least turning back seems to have given both women another breath of relief - proof positive that she really is back to her normal form, with no new additions or changes. “To... to get away from, um. Not just my Calibration duties. I-it was stressful, but I think I could have handled those, if it that were all. But it was my first Calibration, and I didn’t do very well in the Althing - I heard people whispering about Chir. N-not the details, not how badly I was hurt, but... that I almost died to raksha. That I was weak. And that... that made me remember... what they did.” Compulsively, she runs a hand along her legs and across her stomach, hugs herself with her, clenches the fingers of her right hand. Reminds herself that they’re all there. That her body is whole.
Swallowing, she licks dry lips nervously. “A-and... there was, um.” Her eyes flicker to Sasi. “Some. Personal stuff. As well. That I wanted to... to avoid.” Her shoulders hunch. “And then Erembour was there, and she... I was being polite, offered to entertain her, and she invited me into the shadows and she was beautiful, and she listened to... to things I would have felt ashamed at telling you. Like that. I was so stressed and stretched-out that I felt like admitting it to you would... would prove I wasn’t...”
Her gaze lingers on Sasi for a moment, then moves to meet Lilunu’s gaze.
“... worthy,” she mumbles, and looks down again, arms coming up to hug herself.
“You didn’t think to say anything! You didn’t say where you were going! You just vanished and-” It’s Sasi who explodes, sudden rage from nowhere, and just as suddenly it’s gone. “Erembour can hide things - herself, other things - in the shadows of the Dragon. The Ultimate Darkness,” she says, voice so brittle it sounds like it might shatter at a flick. “I tried to scry for you. I couldn’t find you. Iris couldn’t reach you. Your painting went black. Lilunu came to me and suggested I try to divine where your piercing is. Nothing. It was like you’d stopped existing. If... if,” her throat hitches, “if Zanara hadn’t been fine, we’d have thought you were dead!”
The word echoes. Then,
“Claudia mentioned she’d seen you speaking with Erembour,” Lilunu says, huddled in on herself, crushing ice to slush with her hands. “That was a clue you were alive. And Sasimama - sweet Sasimana - managed to commune with the Ultimate Darkness in a manner I didn’t know my princes and princesses could do, and found that yes, she saw glimpses of you within the Shadow of All Things. Only then did we come to find you and found you’d been turned into a beast and she was acting like you were hers and you’re not.” Steam explodes, the water suddenly uncomfortably hot, and Sasi yelps in the sudden green-lit humidity. “You’re not hers, Keris, you’re mine and no one else gets to have you because you’re the only thing they let me have and-”
She bites back what she was saying, clamping her mouth shut, and she simmers as Sasi scrambles out of the once-ice-bath. Keris can see the gleaming rainbow tears in Lilunu’s eyes. She scrambles across the bath to kneel, head bowed, the back of her neck bared, her own tears pricking at her eyes. “I’m sorry,” she whimpers. “I’m sorry, I’m so sorry, my lady, I’m yours, Sasi, I’m so sorry, please, please, don’t cry-”
Her hair reaches out, tangling around Sasi’s hands, resting placatingly on Lilunu’s knees, stroking at Sasi’s cheeks and shoulders, wiping at Lilunu’s tears. Her hands pluck mournful melodies from the air, and her voice hitches as apologies spill out.
“She said you abandoned me. She said you wanted to be like that? Why?” weeps Lilunu. “Why would you want to be a... a monster like that?”
“I’m so-” Keris chokes, crying in earnest now. “I didn’t, I wouldn’t, my lady, never. I’d never abandon you, I couldn’t abandon you, you’re clan, I’ll serve you and support you and help you and your souls be healthy no matter what, I swear-”
She cuts off with a shocked hiccup, the force of her vow taking even her by surprise as it carves itself into her bones. Her eyes go wide and she collapses from her kneeling submission into Lilunu’s lap from the dizzying combination of pain and oathsworn self-bondage, hair tightening around Sasi’s hands and pulling her closer reflexively.
“You. You mean it.” Lilunu’s nails turn to grey stone from the base up, digging into Keris’s head as she holds her tight, and from her position Keris can see the scale-like ridges under the skin of her thighs. “But that doesn’t mean... that doesn’t change...” She trails off. Because it does, clearly, change things for her. “I... I didn’t mean to drive you to a breakdown. I’m sorry, I’m so so sorry, you’re my Keris and I know it was selfish wanting you to be my Mistress of Ceremonies so I’d get to see you more and wouldn’t have to work so hard at Calibration and you can quit and-and-and-”
Lilunu has other things to say, but Keris is a little distracted now from the way Lilunu is holding her so firmly into her lap.
Squirming a little, she throws a pleading glance at Sasi - not least because she needs to apologise properly to her as well, and also because she can’t get a word in edgeways to insist that she has absolutely no intention whatsoever of quitting her post as Mistress of Ceremonies if this is the kind of workload Lilunu has to shoulder alone without her, that would go completely against the oath she literally just swore-
... and not at all because it’s very distracting being pressed into the lap of a naked woman as inhumanly gorgeous as Lilunu who Keris definitely doesn’t want to start thinking that way about because Lilunu is her mentor and also arguably metaphysically related to her as one of the parents of her Second Birth and also she doesn’t want to die horribly in green fire, but this position is making it very hard not to think things of that nature nonetheless...
Sasi, cruel woman that she is, does nothing to help, and eventually Keris is let go enough to be pulled up into an only-somewhat-less-awkward tight embrace. Lilunu like this reminds her a... a lot of Hermione, Keris thinks as her mind wanders. And indeed, she’s seeing red in her irises and she can smell the sickly-sweet scent of cinnabar blossoms.
It’s... exactly what Hermione was like when she lost Zanyi.
In the rather foggy space of her brain not running around in circles and screaming, Keris has space to blearily wonder about that. She’s never seen Lilunu this... this jealous, before. And she’s unusually stable, too. Down in the catacombs her skin had been fracturing, she’d been leaking toxic essence - she was on the brink of hurting herself. But she seems to be riding this wave of possessiveness. Is that because Hermione is so much healthier than her other souls, content and well-looked-after in Creation as she is? Is it because Hermione’s initiation as a sorceress and a shaper of essence has left her - and Lilunu - better able to handle surges of Szorenic essence?
... is it just coincidence and Keris should really shut up and stop letting her oath force her into obsessing over ways to help Lilunu and enjoy being hugged and fussed over? Yes, that sounds like a good idea. She manages to get out a firm refusal to Lilunu’s offer of resigning her post, and then gets dragged back into a newly teary, even more constrictive hug that - she tests - Keris’s full strength isn’t even enough to shift. In fact, it’s actually making her ribs deform a little with mercurial flexibility.
Whimpering a little as her cheeks burn bright red, Keris keeps a grip on Sasi to make sure she doesn’t run off before Keris can properly say sorry to her, and pats what bits of Lilunu seem safe as she makes consoling noises.
Fortunately, Lilunu’s exhaustion starts to hit and after only a bit more hugging and kisses for Keris, she leaves to go lie down and get over her headache and fatigue. That just leaves Keris and Sasi here in the once-icy bath, that’s now a steamy grotto where the drips of condensation falling down from the metallic branches are a constant background noise.
Sasi doesn’t say anything. She just stares at Keris, her butterfly-kisses mind-hands constantly on Keris’s skin as if she wants to feel if she tries to leave again.
Shifting closer, Keris lays her head on Sasi’s lap and looks up at her plaintively.
“I was never going to stay down there forever,” she murmurs. “I just... didn’t want to be me for a while. I was always going to come back to you.”
“Am I the ‘personal stuff’ you wanted to avoid?” Hurt.
“I- that...”
Keris makes a face and feels quietly, fervently thankful that the two weeks down there in the dark were as restorative as they were. This is the exact conversation she fled the surface to avoid the first time.
“You aren’t,” she says, with a weary sigh. “I love you. I always will. But... Testolagh. Was.”
She plants a soft kiss on Sasi’s thigh, then shifts up and cuddles into her side. Erembour’s advice echoes in her mind. Some of it... well, she’s not going to draw them both into the shadows and corrupt them. But she was right about the rest. That bedding Testolagh has become labour, that she’s worried about Sasi’s lusts. That she fears what weighs down on them, and how it might twist her.
“I know what we talked about, last year,” Keris confesses. “And we tried. But it didn’t work. It didn’t work, Sasi, and I think... I think we need to talk about it, and why it’s not going to. Things got... nasty, between us. That’s part of why I stayed down there. I didn’t want to face him here.”
“I’ve talked with him about... well, about you,” Sasi says, a mind-hand cupping Keris’s cheek. “I thought - he thought - things were working a bit better between you. I was looking forwards to sharing you. At least when it’s the three of us. I know you thought when we talked earlier that you didn’t want to try to be closer to him during the year, but... is it so bad that you can’t let go and just enjoy this short period a year we have together?”
For the space of a heartbeat, Keris feels herself start to soften. Sasi’s so lovely and hopeful, and her words make sense. It’s not that long a time, and it would make her so happy, and would it really be so bad-
Keris closes her eyes and pulls away. Not far, just a few inches. But far enough that Sasi’s phantom touch is no longer stroking her lips. She closes her eyes and takes a couple of deep breaths. This. This is what she was afraid of. Sasi is so, so good at talking people into things. Especially at talking her into things, because Keris adores her so much, with her whole heart, and Sasi has so much of the Dragon in her. So much of the same dark allure as Erembour.
If she lets Sasi in like that, she’ll find herself back in Love Unchained with Testolagh before the end of Air.
So Keris Dulmeadokht closes her eyes, and Tenné Cinnamon opens them with a professional smile. Her love for Sasi wails in her heart at the shift in tone - her love should never be treated like work! - but Sirelmiya is not in charge here, and the mask of Cinnamon is a shield against a lover’s blandishments.
“I know this is disappointing,” says Cinnamon gently, and she can see Sasi notice the shift in register, hear the minute uptick of her heart and the faint widening of her eyes as she finds her footing unstable on this new social ground and scrambles to understand what’s changed. “But more happened this year than I think he told you, and my perspective of our last tryst wasn’t the same as his. Can you sit for a while and listen to why I’m worried?” Reaching up, she cups Sasi’s cheek in return. “You won’t lose me, I promise that, and we might talk about doing a few things together with him. But I need you to understand why I’m hesitating - and I need you not to try and talk me into it until I’ve explained. That was what I was avoiding, these last two weeks.” A polished smile, tinted with humour. “You’re very persuasive, darling.”
Whatever Sasi really feels is swiftly locked away under her look of heartbreaking concern. “Keris, has he been lying to me? It’s not like him, but for you to be hurt in this way...”
“No, no,” Cinnamon says swiftly. Much as she might dislike Testolagh on a personal level, she doesn’t want to break Sasi’s heart or cause strife between them. “No. It’s the other way around, Sasi. Just... listen, alright? Our last tryst, I took him to Love Unchained; it’s the shrine to pleasure I told you about, hidden in a cliffside ruin and decorated with all my arts. We spoke, and we dallied, but it was unsatisfying - it didn’t excite me. And... I took it further.”
In a low, calming voice, she explains. Everything. How she’d ridden him to the edge and then denied him release - provoked him, taunted him, tricked him into swearing oaths that held back his pleasure. How she’d brought him low, tormented him - tortured him, and laughed about it. The things she’d done to him, the things she’d threatened to do to him, the way she’d enjoyed it so much. How ruining and degrading and hurting him had been exciting, been fun. How the thought of breaking the proud, honourable man and making him a mindless, bestial sex slave had felt like the best idea in the world.
“I was closer, that night, to being one of Erembour’s creatures than I ever was these past two weeks, Sasi,” she finishes in low tones. “I was revelling in the thought of his corruption. I wanted to do it. And he doesn’t deserve that, Sasi, and neither do I. I don’t like what I became when I was with him. He brought out the worst in me - and though I love you dearly...”
Only Cinnamon’s distance lets her continue. Cinnamon’s distance, and the memory of Gull and the vows she swore to Venus. To help bring serenity. Sasi needs to know this. It might hurt her, but she’ll be unhappier if she never learns it. Just like confronting her about Kalaska was the right thing to do.
“... although I love you, darling, I fear that you’d fall into the same trap. You adore the pleasures of life, and there’s a lot of the Dragon in you. I fear that with you there, I might not be able to stop.”
Sasi’s face is shocked, appalled, maybe even a little horrified. It’s an expression Cinnamon never wanted to see directed at her. And yet there’s a taste in the air and a rush of blood that hints at arousal. The story Sasi had just heard affected her - in both ways, Cinnamon thinks.
“That’s... awful, Keris,” she says softly. “I... no. I don’t... I don’t want that for him. I know you don’t love him like I do, but...” She closes her eyes. “That’s awful. And I would stop you. I wouldn’t let you do that to him. He’s my Testolagh. He means too much to me to... he’s Aiko’s father, he was there for me when I was at my most fragile, I do love him. I think, my darling, you’re assuming that I feel the same way about him and - have you ever wanted to do that to me? To break me down like that?”
“No.” The reply is instant and firm. “No, never to you. You’re like me, darling. Our morals are...” Cinnamon shrugs. “Flexible. Testolagh is stubborn and honourable and proud, with a hardened heart, and I am his opposite in all of those things. That difference grates on both of us. And, well.” A rueful smile. “You know how spiteful I can be when people look down on me.”
She strokes Sasi’s hand. “I would never hurt you out of spite or a desire to see you suffer. There’s nothing in you that I want to ruin or make lesser. You’re safe from that, I promise - and I believe you when you say you’d never do that to Testolagh yourself. I just... I think it might be for the best if he and I stay separate. Or, if we do come together to please you at Calibration, that it be brief and strictly controlled.”
Sasi pulls her in, wrapping her in her embrace. “I understand. I think you’re too hard on yourself, Keris, and I think you’ve been worrying about this all year, but I do understand. And I don’t look down on you for this. There are things both of us enjoy that the gods tell us men and women shouldn’t. Testolagh, too.” She kisses Keris on the lips. “I do want both of you. Last time, the three of us, in your lovely manse on Ipithymia, was so much fun. I thought we were really getting along. If we... if we stay like that, I think it’ll work fine, yes?”
Letting Cinnamon slip away, Keris nods tentatively. “Al-alright. But I mean it, Sasi, I’ll want... I’ll want rules, and arrangements ahead of time to know what we’re doing, and that kind of thing. Each time. I don’t trust myself to play freeform, not with this, and I know I’d find ways to squirm around the edges of a single promise, in time. That’s why I ended it with him instead of swearing an oath not to go that far again.”
“Of course, my darling. I can see how much this means to you. You really seem scared of yourself, and I’m not sure I’ve ever seen this from you before.” Sasi shifts Keris slightly, so she’s sitting on her lap, and the two of them rest together for a bit in the warm, steamy baths.
Then;
“So, how was she? Did you learn anything interesting?” Sasi catches Keris’s expression. “Darling, she’s famed as a teacher in the arts of love.”
That draws a bark of laughter from Keris, and she drops her head back onto Sasi’s shoulder. “Yeah. Yeah, she deserves to be. I don’t think I’ve ever felt that wrecked after sex.” She shivers at the memory. “Especially that one thing with the- remind me to try that out on you, you’ll love it. But we talked, too. She had some... pretty good advice, about this stuff. I mean, between the stuff about how I should just lure you both into the dark and revel in it. She said it wasn’t you two I was scared of, it was the stuff weighing us all down. And that I should... well, basically that I should talk to you about it, though she didn’t put it quite in those terms.”
She stretches languidly. “I think I learned a few things about temptation, too. And I know it scared you, and I really am sorry, but being one of her hunting-beasts for a while was... it took a lot of stress off my mind. I’m not going to do it again, not when it hurt Lilunu so much. But it wasn’t an awful experience. Though if I’d been thinking more clearly when I let her change me, I’d have sent a message to you first. That part I do regret.”
“That’s good, at least.” Sasi gives an evil smirk. “I’m jealous, my love. Erembour seems oddly evasive of the Conventicle - perhaps because she hates Ligier so much. To think you got to enjoy her pleasures before me. Though going down into the sewers was not a pleasure. In fact, it was disgusting. You owe me quite a bit for that.”
Keris’s squeak comes from Sasi’s wandering hands.
“How about you put some of that learning to use and try luring me down into the dark just a little bit? Maybe not the full corruption meal, but just a starter. Just you, me, and whatever wicked teachings you acquired from That Which Calls To The Shadows?”
“Oh? Just a starter, hmm?” Keris considers, and then gives Sasi a wicked smirk. “Well, why don’t we work on a new play together? You liked Elanora, didn’t you? And I can include you in the credits for this one when it’s performed next year.”
Of course, those are only her words. In her smile is a wealth of sinful promise and veiled intent. It won’t be just any play, the husk to her voice and the set of her lips say. It’ll be something focused on the Dragonblooded - no, the Imperial Family itself. A play that mocks and degrades them, that foretells their abasement and humiliation and willing enslavement to the Yozis. Keris would never be able to write such a play herself, she hasn’t the knowledge required - so it’ll be Sasi who’s responsible for a performance that would be thrice-blasphemous on the Blessed Isle, Sasi who so utterly violates and profanes the taboos of the Realm.
And for every line she writes, every page of the manuscript she finishes, she’ll be rewarded richly. Won’t she?
Pink rises on Sasi’s cheeks. “You’re just trying to get me to do your job as Mistress of Ceremonies!” she protests, but Keris can hear the hitch in her breath that tells her she’s already caught her. “And that’s delicious. I accept. We need to get started right away!”
Keris grins. “Well, you did imply you wanted to help with how stressed I was,” she purrs. “Shall we, then?”
Five days later, the mad frenzy that seemed to take up Sasi ebbs away somewhat, in the sticky depths of Sasi’s bedchambers. There are papers all over the floors and the bed, written first in ink and then when they ran out, in colourless fire burned into flash-forged paper.
Sasi yawns, sags, and slumps back onto the papers on the bed. “Going to, need. Some reworking of the second scene,” she says wearily. “Just... a few hours.”
Keris tucks her in and starts again to gather the notes from the last frantic, desperate cycle of writing. It was... interesting watching it from the outside. Five days, ten screams - that’s what her allure seems to be able to captivate someone for. Sasi doesn’t even seem to realise that this came from the outside, that it wasn’t just her idea for a play. And she’s really, really into it.
There’s far, far too much content here for just one play. With Sasi’s writing speed and the inspiration, she’s been producing tens of pages an hour.
It is also, without exception, utterly filthy. There’s so much here that it’s not at its best, but... Keris flips through the pages. Wow. Wow. She’s... she’s not sure she could put all this on in the Conventicle without some eyebrows getting raised. She definitely couldn’t put it on in Saata. Maybe not even as a private cult thing.
Sasi’s pen has spilled her raw, uncontrolled id onto the page, creating a patchwork, inconsistent, and - Keris admits it - really kind of hot first draft of the decline and fall of the Scarlet Dynasty into self-inflicted decadence. Until they’re so seeking hedonistic pleasure that they throw open the gates to Hell so the delights of Malfeas can possess them. The mighty of the Realm, rutting with demons in the street. The Imperial Court turned into a brothel where the workers won’t accept coin; the temples turned into places of penance for the Yozis. Decadence and mindless addiction. Pictures in the margins for what the actors should be doing at any given time.
More than pictures. She’s been using Keris and her Gales and her blood-construct fakes as her models and inspiration for the past five days.
Keris whistles softly. She’ll need to do some heavy editing on this to cut it down and streamline it. Many of the scenes interrupt the plot to go on side-tangents of this character or that disgracing themselves, and it’s clear that Sasi was paying less attention to a coherent narrative than to getting everything out onto the page, spilling all her darkest fantasies out onto paper, leaving nothing and nobody out. Keris doesn’t recognise many of the names, but the way they’re written makes her certain Sasi does. She wouldn’t be at all surprised if the cast of this play made up a respectable portion of everyone her lover ever knew in the Imperial Court - those few who were kind, and those far more numerous who were cruel. This fantasy is vengeful as much as it is lustful.
Honestly, there’s enough here that Keris could probably make it a series of plays instead of just one - a cycle occurring in parallel, with each play following a different House and casts that only overlap at the edges. Yes, and that would encourage anyone who watched one of them to go watch the others, because they’d hear about the events of the other plays going on in the background, but not see them first-hand. And of course, once you’d watched one, you’d know for all the rest where the narrative eventually led. The fun would be in getting there.
That said, she’s going to have to do most of the editing herself - and either strip out the worst of Sasi’s dark fantasies or else perform them only on the Street of Golden Lanterns. Because there’s no way she’s letting Zanara be involved in this kind of moral filth, and she can’t put them on in the Conventicle. Unless... perhaps two versions of the cycle with the same general plot? One that’s only as sexualised as Elanora, and the other... well, the other for Ipithymia?
Keris shakes her head. She can think about that later. She has an entire year to edit these, that’ll be plenty of time. For now, she can give Sasi a massage so she doesn’t wake up sore.
She sees to her sleeping, exhausted girlfriend, and tries to lie down and go to sleep herself. But she’s not tired enough. Her mind is too awake, her body too stiff. And maybe a bit turned on from reading Sasi’s work all together.
Settling down, she tries to meditate to calm herself, and she’s barely surprised when she opens her eyes to find herself at the gates to Sirelmiya’s temple. Of course her mind drifts there, and to the cat-woman creature who’s there in her luxurious robes, sweeping the yard with a humble brush.
She can’t help but chuckle as she sees her Thirteenth soul. Part cat, part bird, part woman - perhaps that’s why Erembour’s horn twisted her as it did. Although Sirelmiya is far less jumbled and monstrous a mix. Her parts are separate and clearly defined - a woman’s upper body, a tigress’s haunches and the great white wings of an eagle, rather than the twisted mishmash of parts Keris had become.
Her chuckle draws the demoness’s attention, and Keris bows at the temple gates and then steps in, smiling fondly at the great statues flanking the entrance - beautiful Sasi and aggravating Ney. She gives Sirelmiya a hug, folding herself into the giant chimera-priestess.
“It’s lovely to see you again, your majesty,” deep-voiced Sirelmiya says. “And just as lovely to see you spend the past five days venerating Sasimana.”
“She was well-pleased by the end of it,” Keris agrees. “If a little exhausted. She’s sleeping soundly now, though, and she’ll feel nice and relaxed when she wakes up. How have you been?”
“It’s been very quiet with no one around,” Sirelmiya observes, putting her brush aside and leading Keris through into the temple. There is a blue-skinned hungry one in white robes waiting for her, and Sirelmiya orders her to prepare tea for them. The handsome man bows, and obeys. “Almost a little too quiet. Life is a little dull without the children fighting. Haneyl has been coming here often, but I prefer her when she is older.”
Keris nods sadly. “Chir was awful. I mean, she’s adorable like this, but I do miss her being grown-up.” She resolves to track her daughter down and give her a cuddle when she’s done here. And, uh. Also check with Dulmea on exactly how much her children knew about her time with Erembour. She remembers hunting in here, but she’s pretty sure she’d stuck mostly to the Rim to avoid the painful light of the moon and stars.
At least Kali and Ogin were safely being babysat by Lilunu and her attendants over Calibration. They’ve probably been relishing the opportunities they’ve had to get up to mischief.
The tea comes. It is a fiery brew, with spirits added in, and burns as it goes down. “Your majesty,” Sirelmiya says, holding her bowl-sized cup in one hand. “Forgive any impertinence, but I do not understand why you chose to deceive Sasimana with the shape of your mind. You became someone she did not expect, to deny her delights she desired. And then used that beautiful secret taught to you by Erembour to deflect her away from thoughts along the same direction. Would it not be wiser to love her and Testolagh alike, and teach them the submission they both desire from you?”
Keris considers this for a while. It’s a talk she’s had with Sirelmiya before, and one her soul has never really understood - and perhaps can’t understand, by her nature. Still, she can give it another try with what she’s learned in recent days.
“I could do that,” Keris admits. “But Sasi - and far more Testolagh - don’t have someone like you within them, my loving soul. Like I told Sasi, if I let myself fall into that kind of relationship with them, I would start to hurt them more than pleasure them - Testolagh for sure, and Sasi by hurting him. And that... that would risk hurting her love of me. Better to keep Testolagh at arm’s length and deny Sasi some of what she wants than to indulge her with something that would poison our bond.”
She plucks a thread from the hem of her robe and holds it up to demonstrate. “It’s lovely, and woven together with others it can make a cord that can hold up a heart. But if I put all that weight on just one thread, it’ll snap. What Sasi wants isn’t the same as what’s good for her. I have to hurt her feelings a little by denying her this, in order to help her. And,” she adds, more to herself than Sirelmiya, “given what she poured into that play, I should probably try to get her to understand that indulging her darker lusts is bad for her. Erembour wasn’t wrong when she said that a lot of her darkness lived in Sasi. More than what lives within me.”
“I do not understand.” Sirelmiya pauses. “But she worries me. Calesco comes to me sometimes, to speak of the desires she does not like and does not want others to know. They are not unlike those lusts Sasimana wrote down in the play, but Sasimana’s are more extreme. If the darkness in Calesco is Erembour’s darkness, then that would explain some of it.”
Sirelmiya pauses and lets out an undignified squeak. “Uh! Do not let Calesco know I mentioned that.”
Keris laughs. “My lips are sealed. Just, uh, never give me the details.” She smiles. “I’m glad she has you to talk to. She’s seemed happier since you came to be.”
Well. Mostly. With a few notable exceptions. That Keris isn’t thinking about.
“I do not know how to handle Sasimana - rather, to teach her not to desire these dark things,” Sirelmiya says sadly. “That is not something known to me. And you are scared of her in a way you are not scared of Ney. You would not have pretended to be Cinnamon within your own head around him.”
“I’m not scared of hurting him. He... he doesn’t matter less, but...” Keris searches for words. “He’s less vulnerable. Sasi’s been hurt so badly. You heard what she said about Testolagh - she broke, before I ever Exalted, and he helped put her back together. I could hurt her so much more if I’m not careful - and not in a way that teaches her. Just in a way that would break her apart again.”
“Do you think this game with the plays is good for her?” An honest question. “She likes writing them. I think she would have done this even without Erembour’s technique. She liked Elanora a lot. Perhaps you could bring her to Saata for a season and have her write the entertainment for Cinnamon’s club? And star in it too. It is no doubt less stressful than being in the Realm, which... well, one can see she hates it and lusts for it.”
“I want to get her out of the Realm, I’m just not sure I can. I’m not even totally sure what she’s doing there,” Keris huffs. “I guess... she did take that sabbatical up to the northeast with Aiko, a couple of years ago. I mean, that was when she was still in charge of An Teng, but there’s precedent for it.” She rubs her nose and chews a hair tendril thoughtfully. “I’ll float the idea to her, see if I can convince her to take some time off. I should probably avoid any more plays based around the Realm, because, uh, that seems to be where her darkness comes out. But some light-hearted stuff in the Jade Carnation might be good for her. Comedies and romances, maybe. Maybe a drama with a happy ending for a festival.”
They talk of some other minor things before Sirelmiya brings up something which has been clearly nagging at her for a while.
“I do not like Cinnamon,” she admits. “This personality-face of yours you use for the service of Venus. It is dishonest. Not the face, the service of Venus at all. I do not believe you should give your worship to such a thing.”
Keris is silent for a long time, staring off over the temple walls at the distant circling clouds of the Rim in thought.
“I don’t like Venus very much, nowadays,” she says, at length. “I think I did, once. Or I thought I did, or I wanted to. But she did no more than any of the other gods as I grew miserable in her service, and I found no peace or joy as one of her priestesses. But...”
She shrugs. “That kind of doesn’t matter. I made my vows. I can’t un-make them. And I’ve been reminded - by Calesco and by Vali - that promises are important, and that trying to forget that part of my life was wrong. Besides, I don’t have to like the bitch to work for her - and the work is important. I might not trust Venus to have a hand in my own life, but being a Joyful Priestess is about more than that - it’s about more even than love, or sex. It’s... it’s smoothing over the rough edges of a community. Bringing peace to a united people. That’s a service that matters, regardless of who its patron is.”
She chuckles mirthlessly. “And maybe Rathan and Calesco would say I spread enough suffering that I have a duty to balance it out with some serenity, to keep the scales even.”
“In my heart, I know serenity is a lie.” Sirelmiya sips her tea. “But as Calesco says, a beautiful lie can be better than a cutting truth.”
And that really is the heart of it, Keris thinks. Her fulfilment and happiness in service to Venus may have proven a lie, but the lie itself has value still. She lied to Sasi to shelter her, and she lies to the world to be safe. If all the world were painful truths, there wouldn’t be much world left.
She swirls her own tea, still barely touched, around in its cup.
“I’m glad you see it my way,” she says.
Chapter 4: Air 773
Chapter Text
After such an... exciting start to Air, Keris decides to take things easier. She makes sure to devote plenty of time to the twins and Haneyl so they don’t feel neglected. Aiko already left with Testolagh, as he has her this season when it’s going to be cooler in the Deep South. And Zanara has sent off on a grand project to re-design all of Haneyl’s wardrobe as an apology present. And also probably an excuse to get experimental. Zanara’s fashion is often a little too cutting edge for comfort, sometimes literally.
However, her easy-going decision lasts about a week. Sasi leaves fairly soon, and while she has some editing to do for the plays, it isn’t as fun without Sasi there as an author and someone willing to get distracted with her.
As a result, Keris takes her new-found energy and re-motivated spirit and applies it to the politics of Hell. Among her other meetings is starting the initial steps for a longer scheduling of Sasi’s play on the Street of Golden Lanterns. Ipithymia doesn’t come to negotiate in person, but she does send her soul Claudia. Claudia is not what Keris had expected from a soul of that street of vice and pleasure. She’s a tall, south-eastern-looking woman with golden eyes and a patchwork of crude tattoos on her dark skin; a big, rough-featured woman, with a mohawk and the lean muscles of a killer. She carries a bone-headed spear with her, and a cloak made from stitched-together scraps of skin.
Still, for such a feral-looking woman, she’s nothing less than courteous when she sits down in the gardens of the Conventicle to listen to Keris’s offer.
“... so it’s a question of how much your Greater Self desires my involvement,” Keris is saying over a bottle of - very expensive - wine. “I’ll be glad to offer a little input over the casting and directors, of course, but my duties in the Conventicle are time-consuming. If Lady Ipithymia wants me personally involved, the performances will be better, but I will have to ask for a larger percentage of the profits from each showing.” She tilts her head and smiles winningly. “And of course, while Elanora’s tale has proven very popular, it’s not the only work I can offer the Street of Golden Lanterns. Peer Sasimana and I have another work underway at present - an entire series of plays, in fact, which are much more... favourable to your lady’s tastes, shall we say, than Elanora’s damnation.”
Claudia’s eyes gleam as she looks at Keris over the top of her generously filled wine-glass. “If it is up to the quality of your past work, my lady would be fascinated. How complete is the work? Might you be able to demonstrate a scene or two to me - understanding, of course, that this is an early draft?”
“Well, the first draft is complete, but it requires a lot of editing yet,” Keris says. “We intend to split it into a cycle of ten plays, all occurring simultaneously, charting the downfall of the Realm and the corruption of the Great Houses of the Scarlet Dynasty.”
She withdraws a thin sheaf of papers from her hair and slides it across the table. “This is from halfway through the Fall of Tepete. See what you think.” It’s one of the bits she’s had a chance to edit and enforce some plot on, but she’s done little thus far to tone down the inner darkness Sasi poured into the script. She’s also left the lurid illustrations in place.
Claudia recovers a little pair of gold-rimmed glasses from her jacket, and begins to leaf through the pages. Her eyebrows rise as she proceeds. “Yes, I believe my lady will be very interested in the final product,” she says, when she’s done. “What Elanora teased, this flaunts. And such a ten play cycle is something I think has great promise for sales upon the Street. While I don’t believe it’s in a finalised enough state to immediately offer a contract for its performance, we might be able to come to an arrangement about right of first refusal and exclusivity if that option is taken...”
“I’m willing to offer exclusivity on the unabridged cycle,” Keris demures, “but I do wish to perform a... shall we say a less enthusiastically vulgar version next year at the Calibration festivals. Even with much of the sexual content omitted, the plot of the cycle is, after all, the downfall of the Realm and its willing submission to the Yozis. However, that will likely condense the full ten-play cycle into... perhaps four, one for each contender to the Throne, which tease more than they flaunt, as you put it. If Lady Ipithymia is willing to consider the abridged cycle a separate product, I would be happy to come to such an arrangement. And of course,” she smiles. “Seeing the shorter version might well convince the lords and ladies of Hell to pay for the full experience.”
“Hmm.” Claudia considers this. “As my lady has always said, exclusivity is a very... valuable commodity to the right buyer. But then again, so too might such a thing function to advertise the full version to the discerning. I might have to seek further instructions if right-of-first-refusal is not on the table. Unless...” she gives Keris an arch look, “I can offer anything further to persuade you to perhaps seek another play for the Althing and grant Ipithymia exclusivity? Everything, Peer Dulmeadokht, has a price - and it can be a mighty high one, but it is still for sale.”
Keris purses her lips. She’s awfully tempted, but her possessiveness makes her loathe to sell such rights so early. She needs this for the Althing! “I wouldn’t want to so casually turn down an exclusive arrangement with Unquestionable Ipithymia,” she demures. “But as Mistress of Ceremonies, my duty is to provide the very best entertainment to the nobility of Hell at the Calibration Festivals. Something like this is a near-guaranteed success - you see my dilemma.”
She finishes off the glass of wine with a long sip and feeds Iris a grape as the little ink-dragon sneaks her head out from under a long sleeve and begs plaintively. Reading is not something her familiar has learned yet, so she’s not too worried about her looking at the scripts. She seems much more interested in the snack bowls, and begs shamelessly for a taste of the demon lord’s drink.
“I don’t think we need to decide immediately,” Keris decides, pulling her greedy little dragon back onto her arm. “There is, after all, much work to do on the rough draft before it can be condensed into either cycle - abridged or unabridged. Perhaps we can set another meeting to discuss this after you have spoken with your lady and I’ve produced more material - including samples of the same acts from both cycles - for her to judge the differences between the two? And I’ll refrain from looking for other offers until then.”
“Perhaps that might be prudent,” Claudia says thoughtfully. “And I think, if it is possible, for the next meeting I might be able to bring some other important citizens and demon lords in my lady’s service, who would be greatly interested in this. Your case would be helped if you could perhaps show a few scenes from the plays - yourself and a troupe of actors demonstrating, perhaps? If you could guarantee that, I could offer a payment to assist in the production of such an early performance.”
“I’ll have a selection of scenes ready,” Keris agrees amiably, already mentally crossing out a few of the more extreme ones towards the end of the draft. But she can certainly show quite a few of the earlier scenes, and the sin and degeneracy even of the middle acts should be enough to earn her a great deal of interest, especially if she picks just one scene from the last act to give a taste of the finale. “My aide will convey the details to you once I’ve looked over the current state of the drafts. And perhaps offer you a choice of which scenes you’d like to see,” she adds with a grin.
Claudia nods to her, a recognition that she’s playing the game as it is meant to be done. “That’ll do very nicely,” she says. “Incidentally, Peer Dulmeadokht, once this meeting is over, we might want to talk about possible contracts for services I can render in Creation. I am aware that you are a director of one of the south-western regions, and I may be able to offer some profitable options you might wish to take.”
“Oh? Well, I’d be overjoyed to take a break from editing and talk to someone like-minded,” Keris says. “And I could go for a sparring match if you’re interested. It’s rare I get to test myself against other spear-users, and yours is a gorgeous piece of work.”
“I saw you fight against that woman Kasteen,” Claudia says, showing a hint of incisor as she smiles. “I would be fascinated to see this. And perhaps - to put our bodies on the line as a wager of that spar?”
“A scar as a wager?” Keris raises an eyebrow. “Or a night? I’d be open to either...” Her eyes flick up and down Claudia’s muscled form. “... but I must say the latter sounds more fun.”
“Oh, I’d be up for either, but I was there for the aftermath of your fight with Kasteen too,” Claudia says shamelessly. “Those stakes are entirely acceptable for me, win or lose.”
“A night, then,” Keris purrs. “And the winner makes the rules; the loser submits. My sparring halls are a short walk away. Shall we go now, or would you rather some time to prepare?” There’s a glint in her eye now, and an edge of gleeful challenge. It’s been way too long since she got to spar for stakes that matter, but which don’t go as high as ‘death’. And honestly, Claudia’s not wrong. Win or lose, this is going to be enjoyable.
“I will go and report to my lady and inform her of the arrangement and the quality of your play even in these rough stages,” Claudia says, saluting her with her glass of wine. “She pays me very well for what I do for her, and I never break my contracts. I’ll return when I’m free and then we’ll have our fun. I’ll send a messenger with a contract for this duel and the terms for the victor.”
“I look forward to our next meeting, then,” Keris says, eyes alight and hair flicking playfully from side to side. “Until then, my lady Claudia.”
“Until then, Peer Dulmeadohkt.”
She leaves, with a graceful bow and a kiss of Keris’s hand, and leaves golden lip paint on the back of Keris’s hand.
“You like her,” Dulmea observes. She’s still somewhat chilly, but she’s softened a bit now that Keris isn’t showing any signs of wanting to become an unthinking animal again.
“I know what to expect from her, she’s reputed to be excellent with a spear, she’s hot, and she’s refreshingly direct after so much Hellish politics,” Keris replies happily. “Also, I’m pretty sure the play impressed her more than she let on, so she’s probably going to advise Ipithymia to give me a good deal. Urgh. This’ll mean more editing to do, though.”
She yawns, mouth opening slightly wider than a jaw without quicksilver flexibility should be able to, and rubs at her eyes. “S’not as bad as paperwork and,” she snorts, “accounting ledgers.” She’s still reviewing the costs of this Calibration and the feedback reports on her days’ festivities compared to Lilunu’s. “But even editing gets tiring after a while. And I can’t let Zanara near any of this stuff, because... like... even if I only let them at the first few acts where it’s not so bad, they’d demand to see the rest. And no way in Hell am I exposing them to all of that.”
“Do you think you’ll summon her for your own operations? If so, keeping on her good side is of high importance,” Dulmea advises. “But do take care not to feel that she is something you cannot discard. And child, consider this advice - perhaps it might be a good idea to look for her friendship. I do not think you can trust her, but she is reputed to be honourable, if only within coin-honour. And you need more people who will support you - within reason - in the affairs of Hell.”
((Oh Dulmea. She’s so despairing of Keris making friends rather than fuckbuddies that she’s like “have you tried friends-with-benefits?”))
“Yes. And Eko stole Asarin.” Keris pouts. “But Claudia was one of the citizens I was thinking of trying to get onto friendly terms with. She’s said to always think in terms of creditor and debtor, but... I mean, after those roles have swapped places a few times and everyone’s always paid on time, that can basically be the next best thing to friendly. I might try talking to Zsofika again, too. And I wanna find... whatshername, that one soul of Iasestus who’s not unbearable, the alchemist. Tereki! She sounds interesting. And she wrote this piece on a ranking system for souls that I want to ask her about, because it sounds a lot like the kind of difference I noticed between normal people and souls like Kerisa, or... uh, Maryam.”
It’s four screams before she gets the messenger back, with apologies from Claudia due to having to handle an emergency for her lady, and an arrangement for the match. But Keris isn’t letting that time go to waste. She puts some time burning off some of the softness from too many parties. Kali is very eager to help mama get back in shape, and it’s... it’s very pleasant having her daughter with her, mimicking her spear moves and her katas. She’ll have to see if she can make this a regular thing with Kali. The little girl is for once well-behaved and listens and doesn’t run around screaming when she’s exercising with mama.
Maybe she’ll try to include Kali in her morning work-out routines, she thinks, looking at her dozing daughter who’s exhausted herself with practising the one spear strike mama showed her over and over again until she’s doing remarkably well at it for a toddler.
But that’s not the only thing Keris does. She also makes use of her authority as Mistress of Ceremonies to get one of the arenas opened up for her personal use, just her and Claudia. It’s one of the more feature-filled ones, rather than just an open circle, built around an outcropping of Szoreny. Mirrored roots and quicksilver pools are everywhere, turning the battleground into a hall of mirrors - and just to make things more fun, the scenes reflected aren’t always real.
Claudia shows up in armour made from the scaled skin of some great behemoth, trimmed with the woven hair of goddesses and gods who pledged their immortal lives to her. Her spear is painted afresh in gold tracing, picking out the scrimshawing, and her bracers are lined with dragon-teeth. She radiates a lazy, sexual power in her strength and muscular grace.
“Well-chosen, Peer Dulmeadokht,” are her greeting words. “This isn’t some pansy-ass dustbowl arena. This is a hunt!”
“And a fine one,” grins Keris. She’s in her armour, lance in hand, the gleaming moonsilver moving smooth and lithe around her. This will be a good test run for her ideas of how to improve it - she’s in a place where she can probably take a couple of months off at the Nests to do so once the Calibration paperwork is finished.
“So, the rules are simple enough.” She gestures to the quicksilver stream dividing the arena roughly in two. “One-minute prep time to conceal ourselves where we stay on our respective sides of the river. When the call goes out, we’re free to hunt each other to our heart’s content. Whoever comes out on top wins.”
“Yesss,” Claudia growls, her eyes gleaming and her teeth bared. “Alright then. Let’s get this started!”
With a cocky salute, Keris turns and retreats into the tangle. She has an advantage here to balance Claudia’s nose - this is vegetation, and it doesn’t slow or hinder her at all. Not only that, but her silver armour blends into the quicksilver trees perfectly. She’s just one mirror among many.
The call goes out, and the hunt begins. It’s quiet at first, as the pair stalk each other through the crazed arena of mirrors and reflections. Hunting by sight is all but pointless here - they’re tracking sound, scent and movement amidst the jutting roots and pools. Iris sails out on silent wings, circling the arena as she jumps into reflections and scouts for her mama’s target. In the end it’s Keris who finds Claudia first, staying silent and quiet in her blind spot for a good ten seconds or so to make sure she has the right one amidst the reflection before rocketing forward with a sudden deadly thrust.
It misses. Barely. Claudia has centuries of experience in battle and hunting both, and the faintest hint of movement in a reflection at the corner of her vision sends her ducking and rolling. Then it’s a clash of spear against spear, and it’s wonderful. Claudia’s style is savage and direct and makes use of her teeth as much as her spear, while Keris’s Friagem Serpent is whirling and circular and evasive. They clash and part and come together again, and for a little while it seems like neither has the upper hand.
But Keris proves faster - and more than that, her reach is superior. Her lance leaps into her hair like a living thing, and suddenly she’s fighting with a range advantage that Claudia just can’t equal, whipping her Lance around in whirling deflections and sudden thrusts that put Claudia off-balance before trading it back to her hands and darting in to make good on the openings in the hyena’s guard. It’s not always safe or successful - more than once, she finds that a seeming stumble was actually a feint, and gets a bloodied lip or a badly bruised rib for her trouble. Nonetheless, sheer speed and swift reach seem to be carrying the day against brute force and muscle.
When it ends, it’s sudden. Their last engagement left Claudia with a gash over one eye, and the blood trickling down into her vision makes her misjudge which Keris is real as they re-engage. Her bone-headed spear shatters the truck of a jutting Szorenic root, and Keris hits her full in the stomach, winding her and knocking her down. A swipe from the twirling butt of the Lance knocks her spear out of her hand, and then the tip is resting under Claudia’s jaw and there are hair tendrils pinning down her limbs. Keris leans down low, pressing her armoured form against Claudia’s, and grins through bloodied lips as their breath fans together.
“That’s my win,” she whispers triumphantly. “Good fight, my lady Claudia.”
Claudia lets out a thin whine, breath coming hard and fast. “I yield,” she groans, clearly winded. “You’re good. You were holding back against Kasteen, weren’t you? And...” She wheezes for a bit, as Keris lifts the spear away. “There are... few people... fond of this style of spearplay. There’s some Snake in your style, isn’t there?”
“Friagem Serpent - it’s a hybrid of Snake and Air Dragon,” Keris agrees, stepping off her and giving her a hand up. “Learned it in my first few months in Hell. Though I know pure Snake as well. What was that you were using? An animal style - I’m guessing Hyena? I haven’t seen many animal styles that use polearms before.”
“Golden Hyena,” Claudia says, swiping away blood from her mouth with her thumb. “My personal style. I know Hyena, obviously, but I won this spear off Marcellus a long time ago and it was too valuable to sit around unused, so I invented a way to adapt Hyena to it. And to be able to wield it even when I take on my beast skin.”
“Oh, now that I’d like to see,” Keris says eagerly as they leave the arena. “And, huh. Where’s Hyena commonly used? Because some of your moves were reminding me of the Lionesses - a mercenary band I hired from Terema; they’re outcasts from the Brides of Ahlat down in Harbourhead.”
“Wherever men see the queen of beasts, they learn from them,” Claudia says. “But... ah, I know Harbourhead. It is one of the regions where I can escape from this prison, when the blood of a hyena and a lamb mix on dry earth. They fear me there, say witches learn from me and my shape-shifting hyena daughters.” She flashes bloodied teeth. “They’re right.”
Keris chuckles. “So I’ve heard.” Then she sobers as she remembers the monstrous hyena-like form of her mother’s ghost, and affects casual curiosity. “I heard a few tribe names from them that you might recognise. Zwiswayo, Samatar...” A microscopic pause. “Daiwye.”
“The names ring a bell,” Claudia admits. “There was a Daiwye woman a century or so ago who killed one of the witches I’d granted power and a beast-skin to. She turned down my gift, and tried to fight me. She impressed me, so I only ate one of her hands and let her go.”
“Sounds like a story.” Keris’s eyes glint hungrily, but she suppresses the surge of curiosity. She can plumb her for more details later - if she seems too eager now, the tale will come at a cost. “But for now, I think you have a forfeit to pay me back in bed.”
“Of course, my lady,” the hulking, bruised woman says, with a wry smile. “My pride is hurting - as is my body - but I keep to my deals. Do you have a destination in mind? That charming tower my greater self gave you? Your townhouse, or mine? Right here in the middle of the arena? You beat me fair and square.”
Keris perks up. “Well I was going to take you back to my townhouse,” she muses. “But you’re right. My Tower on the Street seems a much more pleasant place for this. And I think you’ll like the Pulsing Floor.” She smirks. “Perhaps even enough to come back.”
“At the very least, I’ll want a rematch next Calibration.” She gives Keris a rueful look. “The next scream might change the stakes - or it might not.”
“We’ll see,” hummed Keris. “Alright, Iris, off you go. Time for you to stay with Lilunu.”
The little dragon rises up off her left arm, opens her mouth and exhales a plume of varicoloured fire in the shape of a pile of sweets.
“Iris,” Keris warns. “I’m not in the mood for you being difficult right now.”
Repeating her demand, Iris coils back around her arm and contrives, from where she rests her head on the back of Keris’s hand, to look smug. She knows Keris can’t do kissy grown-up things while she’s still there, the little brat.
Claudia looks down at Iris with a soft smile on her lips. “She seems to want something,” she observes. “Dragonette, so you want sweet things, hmm? But I think the question is what you will give me?”
Iris tilts her head, and exhales a question mark.
“I’m far from an altruist. If you want something from me, you’ll have to give up something in return.”
“Alright, enough.” Keris clenches her fist and pulls inward from her skin with a flex of metaphysical muscle. Iris has just enough time to get out a distressed complaint that lightly singes a nearby root before being tugged into Keris’s inner world and spat out of her eggshell in the Isles.
She’s going to hear about that later, Keris thinks ruefully. Iris is always sulky when she’s grounded. But letting her think extorting her mama to give her privacy is acceptable will lead to having to pay huge fees in sweets whenever she wants alone-time with anyone.
“Sorry about that,” she says to Claudia smoothly, recovering her composure. “Now then. Come along.”
Her time under Erembour felt wonderful. But there’s a special delight to leading a woman whose frames ripples with muscles to her tower, especially when the woman was good enough to land a blow on her - but not good enough to win. Oh, that feels delicious. They take the exit to the Street from the All-Thing, and through golden-lit streets Keris leads Claudia, her hair serving to leash her trophy.
It’s not far to the set-back shape of the Topless Tower, but Keris gets a sedan chair anyway so she can relax and see to both her and Claudia’s wounds. She needs them both in excellent shape for what comes next.
The Topless Tower awaits, gaudy gold and studded with amethysts on top. Keris leads Claudia in, counting the stairs. First the Golden Floor, where everything is auric, even the feathers of the demon-birds that stuff the beds. She glances out the windows, taking a relaxing moment to overlook the gardens where a purified inlet of Kimbery surfaces and golden flowers bloom on brass trees. But then she’s leading Claudia up the stairs. The noise of this prosperous thoroughfare fades, and the noise of the market which adjoins a breach in the mountain-sized walls of Hell on the outer layer replaces it. Woven carpets of great fineness and the exotic skins of demon-beasts decorate the walls.
“I see this room has shifted since I last came here,” Claudia observes. “It is quite to my taste.”
But the Veiled Floor is not their destination. No, the next floor up is the Pulsing Floor; not a floor Keris has spent much time in with Sasi, because her lover doesn’t like the atmosphere. This is almost a living thing; the air is thick with the mug of sweat and sex, the curtains are woven hair, and ivory archways resemble bones. Outside lies a chained behemoth whose pained mass fills the horizon, meat and blood that Ipithymia harvests for her entertainments. This is a place of skin. The walls are warm and damp to the touch, the floor sticky, the beds covered in velvety flesh.
“Would you rather go back downstairs?” Keris hums smugly. “Or does this floor satisfy your tastes?” There’s a wealth of promise of what else Claudia might be tasting soon in the last word, throaty and low.
“This is the heart of the Street,” Claudia says, voice oddly soft. “Under the gold; under the beauty; meat pounding meat, at least if you ask Quintus - my brother. The gold is just how we keep score, he says. Do you agree with him, or does the smell and the fleshiness just do things for you?” She cracks her fingers. “Or maybe you have a plan? You’re interesting, Keris. You’re sharper than you act in the Conventicle. I think, perhaps, you depict yourself like my greater self, but you’re maybe a bit more kin to me under the perfumes and the smiles.”
Keris gives her a piercing look, the smugness fading into thoughtful regard for a moment. It’s an interesting - and uncommonly perceptive - question. But perhaps Claudia is well-suited to ask it. Most who see her probably think of her as a feral, brutish beast, all muscle and no brain. They’d probably be thrown to see her sitting courteously at a table with gold-rimmed spectacles on her nose, reading through documents and negotiating with a sharp intellect and a thorough understanding of value in trade.
After five years as an Exalt, Keris has learned to stop judging by appearances.
“Perhaps I am,” she murmurs. “And I do have a plan, yes. I make use of this floor for my alchemy, and the access to the distillery district’s ingredients. I have some nice little brews tucked away in here that will make our pleasure much more enjoyable.” She taps Claudia under her chin. “And I want to get a look at that hyena-form of yours, once I’ve had my pleasure, and I’m sure you’ll be hungry. There’s good food around this entrance to my Tower. But first...”
She pushes Claudia up against the wall, unnaturally strong for such a small woman, and slides one knee between the other woman’s thighs.
“First, I think I’m going to ride you till you scream.”
It’s the hint of stiffness in her armour that she’d noticed when fighting Claudia that leads Keris to decide she probably shouldn’t spend all of the Season of Air indulging herself, no matter how she might self-justify that she was making contacts and swaying people. To remove herself from some of the temptations of the Conventicle, therefore, she leaves Zanara in Lilunu’s hands to handle their temper-tantrums that their fashion projects aren’t going well and decamps to the Nests along with the twins and a few of her chosen servants.
“Some tinkering, maybe seeing if I can do anything about the armour, and of course, some time away from Hellish politics will do me good,” Keris tells Rounen, who she’s brought along to handle auditing her work and also because she can trust him to be responsible while also not having too much of a nervous breakdown if Kali messes up his papers.
“Of course, ma’am. Though I have arranged for a messenger relay to keep in contact with Unquestionable Lilunu and to reassure her that you’re not about to disappear on her,” her aide says primly, idly petting Ogin as the little boy plays with a new toy Keris bought him.
Keris winces. But it’s a fair point, and not one she can argue with after what she’d done by disappearing into Erembour’s caverns for half a moon. “Yes, that’s... good thinking. Thank you, Rounen. Remind me if I go more than a couple of days without sending her a message, will you? I might even ask her advice on how to go about fixing the armour.”
She returns her attention to the heavy moonsilver plate, chewing a hair tendril. It’s been getting more and more recalcitrant about attuning to her essence, and - much as she hates to admit it - there may be no easy fix here. When she’d first recovered it from Yamal Icewind’s tomb, it had been in a bad way, and she’d given it over to Hellish artisans to be dipped in vitriol and imbued with a new animating akuma-mind to replace the long-dead least god, or whatever other moonborn spirit had once resided in the artifact and acknowledged its mistress’s commands.
But while it’s served her well for several years now, it’s always been... stubborn. Maybe it’s because she doesn’t use it very often, maybe the artisans weren’t up to the task, or maybe there’s just some inherent incompatibility between armour, spirit and wearer, but it’s been getting steadily more stubborn and less obedient from battle to battle.
Keris sighs wearily. “I may just have to draw the animating spirit out and replace it,” she grumbles. “Which will be a bitch. But... I guess I can at least get some of its old functions back into working order if I’m overhauling it that much anyway. Hmm. Rounen? Where did I pack the shadowsuit Noh gave me at Calibration? I might be able to repurpose that into an inner lining to bind the new spirit into.”
Rounen, of course, has the lists of where everything has been packed. “The third set of baggage, packed - as I recall - in the same compartment as your samples of oilgleam cloth, within the lead-lined box.”
“Excellent,” Keris crows. “Hah. Told you it was a good idea to keep things like that around. Okay, good, then...” She dithers for a moment. “Hmm. I should probably take some reference texts if I’m going to be working with Ophidian materials...”
A few rounds of checking and rechecking that they have all of the books Keris thinks she might need - which end only when Rounen notes that her Tower will allow her to take a short trip back to her townhouse if she remembers any she truly can’t do without - they’re all packed up and ready to move out. Kali and Ogin ride in their mother’s hair, gleefully trying to get at the baggage and find out how much they can pull out of any of the weatherproof bags, but Keris is able to restrain them from causing too much chaos as they set off for the Nests of Paricehet.
It is sometimes a stark reminder what Hell is like when she leaves the pleasant confines of the Conventicle. There is a war going on in the way, and they have to detour around the carnage, devastation, and flashes of essence-weaponry in the sky. The lights scare Ogin, and he’s very clingy and nervous until they’re far past it.
The Nests haven’t changed much since she was last here - god, has it been years? The strange puzzle-form buildings are in a certain configuration, and the air is heavy with the stale blood of the Ellogean ichor it is built over.
WHY ARE YOU HERE? spell out a cluster of the black and white birds of the Paricehet as she arrives. DO YOU BRING MORE CREATURES TO EAT?
Fortunately, Keris thought ahead, and did in fact take a detour to the warzone to capture a score or so of aggressive demons and poison them into unconsciousness. At her nod, the limp bodies are shoved out of one of the carts and onto the ground.
“I’m here to make use of the Nests for the rest of the season,” she calls up to the flock. “I’ll be making use of several configurations, so you’re free from your side of our trade agreement until I leave again.”
IT IS YOUR RIGHT the birds spell out, before flocking out en masse.
“I don’t like them as much as I did when I was a child,” Rounen says softly. “Maybe it’s because I now have eyes.”
“Or maybe it’s because you wrote down most of their stories,” Keris teases. “I recall those made you quite popular back in the Swamp. Now, come on. I need this place set up as a vitriol workshop if I’m going to examine the alloying of my armour and boil the spirit out.”
“As you wish, ma’am.”
To solve the strange puzzle at the heart of this place is what is required to reshape it into a structure that works in vitriol, and the mechanisms and gears and sliding stones shift as it moves. Ogin watches with wide, wide eyes, and Keris makes a mental note that she’ll need to keep him away from the control-puzzle. It shouldn’t work for him as he isn’t attuned here, but she tries not to underestimate her son’s ability to find ways to get into trouble.
Something which has only redoubled with the introduction of vitriol to this place.
The alchemy-Nests are as she remembers them, with the path from the hearthroom leading out to the top of a tower. All around her are low buildings full of Cecelynite glass stills and extractors, shallow trays of bubbling vitriol, fume pipes and boiling-towers and lenses and chilling flasks...
“... Rounen,” Keris groans quietly. “We probably need to put leashes on the twins. I want someone assigned to each of them every hour of the day. This place is an accident waiting to happen.”
“Ma’am, if you knew you were going to be doing vitriolic alchemy, one more impertinent than I might wonder why you didn’t leave them in the care of Unquestionable Lilunu.” He leaves the question hanging. “As your loyal aide, of course, I will not do so - but it might be an idea to make sure that there is a szulo for each of them.”
“I left them alone with her for two weeks,” she mutters. “I don’t want to fall into the habit of never being there for them.”
Like Sasi had with Aiko, she doesn’t say. It’s a cruel thing to think - she knows Sasi would like nothing better than to be there for her daughter. But it’s still something lurking in the back of her mind whenever her work conflicts with her parenting.
“You’re right,” she sighs. “Two szulok. And maybe a Gale. I can look after them until then - I’ll be spending the first few days just doing a proper examination of my armour with the tools I have here.” She claps. “Speaking of which. Let’s get started.”
The examination confirms her worst fears. The akuma-spirit within the armour - not truly sapient, but about as smart as a cat or a fox - has developed disharmonies with its moonsilver home. A consequence, Keris thinks, of slight errors in the initial vitriol-alloying that built up over time. It’s unfixable at this point - she can salvage the alloying, but the spirit is a write-off. It’ll have to go.
“Okay,” she summarises after examining the last few samples in the longer-brewing reaction flasks and circling the locations where over-saturation of the vitriol to delicate moving parts has damaged joints and introduced friction to the smooth articulation of the plates. Behind her, Kali laughs delightedly as she tries to escape the long-furred embrace of a felid ape to see the sunshine.
“I’ll need to add fresh material to the weakened parts of the armour to fix the stiffness. That’ll be normal silver rather than true moonsilver. But that’s fine, it’ll still be... yeah, it won’t even be one part in twenty compared to the rest. It shouldn’t weaken the armour as long as it’s properly alloyed, and I can transmute it to keep the essence as aligned as possible. Getting the spirit out will be trickier, but with the right reagents in a weak solution and a banishing ritual I can do it without damaging anything further.”
She purses her lips. “That leaves what to put in its place.”
“Mum, have you considered making it really yours?” Vali suggests from inside her head. He’s seldom been paying attention to the outside world and she’s thankful for that, but smithing is one of the things he really enjoys. He might have taken time away from hanging out with tiny-Haneyl to watch. “Right now, it’s not really yours, and I think that’s why you don’t use it much. It’s just armour you wear. Not like your spear, which you think of as yours. Haneyl even talks about it as if it’s yours and she doesn’t want it.”
Keris hums thoughtfully and brings a hair tendril up to tap at her lips. “The problem is, it’s expensive,” she says, thinking out loud. “My Lance is mine because I keep it constantly bound to me. But my armour - it takes even more essence than my Lance to keep it tied to me. Too much for day-to-day. And I always have my Lance on me, I can’t wear my armour around all the time.”
She bites at the hair tendril and chews, mulling it over. “But... maybe that’s because it’s not enough like me. I mean, it’s moonsilver. It should be able to change shape. Maybe I’d be able to bring down the cost - at least for a resting state - if it was already half-anchored in my essence. One of my demons...”
Her eyes widen fractionally. “Or one of my Gales. No, not a Gale, that’d be too clever; I’d go nuts. But... hah. A Fang, though. That could work. That could very well work. Make the armour an extension of Pekhijira and it’ll watch my back for me! And I can patch up the weak bits with Pekhijirite silver to make the link stronger!”
She pauses, and sighs. “Of course, that does mean rendering a Fang down into chalcanth. Urgh. This is going to suck. Even if I make it painless and give it a new body in the armour, I’m gonna feel guilty about this. Also probably get punched in the face. Still... yeah, yeah. I can make a lining out of Noh’s shadowsuit and try to enhance the aspects of independence and freedom-from-bondage, then infuse the chalcanth into it as I patch up the...”
Tailing off into muttering, she wanders over to the nearest table, surroundings forgotten, and dives back into planning.
She makes good progress over the days and weeks despite the requirements of childcare. It’s nice to have them around, even if it is both scary and aggravating sometimes. But she has the safety of a pocket world for them to live in, and when her self-imposed “morning” comes, she takes her little feather and tires her out with katas and exercises with mama. And it helps. It really helps. She’s never seen Kali quite so well behaved, not since she was just a tiny baby who lay there and didn’t try to escape.
It’s during one of these false-morning exercise routines that thunder without lightning strikes the landscape not too far from the manse, collapsing a hillock-sized mass of twisted basalt down into the underlayers of Hell. Kali bursts into tears at the noise, and by the time she’s got her girl calmed down, Kimbery has flooded the pit in a tumultuous, swirling whirlpool full of loathsome things and vile hissing acids and many-coloured poisons.
Furious - and not a little scared herself, since rearrangements to the landscape on that scale run a very real risk of destabilising the Nests - Keris tucks Kali away in the pocket-world of her collar, grabs her Lance and marches over to investigate. Her armour is stewing in a weak solution of vitriol, birch bark and gold dust to excise the animating spirit, and will be there for another day and a half before she can remove it, so she’s going unprotected. But it’s not like there’s much in Kimbery that can drag itself out onto solid ground and still threaten her, so she’s not too worried. Most likely, this was some kind of cover-collapse sinkhole - she just needs to check for any signs it might happen again.
It’s as she sits overlooking the sinkhole, sketching out the landscape so she can see if it progresses or changes over the next few days, that the hissing indigo waters start to effervesce, throwing out red fumes. They part, and from the depths rises a figure, carried on the sparkling red mist.
“Well, hello there,” they say, and thunder booms and the waters fizz more violently.
Tall, even lanky, and androgynous; there’s something about this stranger that reminds Keris a bit of Zanara. Maybe it’s their eyes, which are mismatched; one is a socket filled with silver flame while the other has an iris the colour of cherry blossoms. Their hair is a mess of many-coloured strands, pinned back with a cinnabar blossom. They wear a patchwork robe of demon-skin, but Keris can’t tell if they’re a flat-chested woman or a muscular man. There might be curves under the baggy garment, but it’s not clear. Their skin is pale, as pale as Rat’s was when he was dead, and stained many colours around their hands. And over one shoulder, they have a ludicrously-sized starmetal grand daiklaive with a broad head that’s encrusted with layer upon layer of crystals and acid-blotches and something which can only be chalcanth stains.
Keris can taste the cloyingly thick cinnabar blossoms in the air, and smell the stink of mercury. And the serpent hisses in the back of her head at the sight of a rival.
((Szorenic essence, Enlightenment 9))
She yelps, and backs up a hasty dozen paces, only barely keeping a slew of startled profanity from slipping out. Okay! Not a sinkhole! An Unquestionable’s landscape-form! That’s great! Just peachy! Perfectly fine!
Once her heart has settled somewhat from the rapid pace it accelerated to at the demon prince’s sudden appearance, Keris ventures back towards... them, she’s just going to use Zanaran pronouns for this androgynous being. Their name comes to her as she examines them. Khereon Ul - yes, this is the Alchemist of Souls. She’s read some of their essays - in fact, she’s gone to some lengths to get her hands on a few of them down, because this strange, intimidating creature is an alchemist almost without rival, and has a keen interest in the nature of the soul that parallels and exceeds her own.
“Unquestionable One,” Keris greets them, bowing low. “I’m honoured by your presence. And delighted to meet you in person - I’ve studied your work at some length. Your text on the chalcanth properties of the different orders of being was brilliant.”
They beam at her. “Oh, wonderful! You are a learned individual!” they say. Once again, thunder rumbles overhead and the waters boil. It is, Keris has read, part of their nature. They radiate a manic energy with every gesture, sort of like Zanara does when they’ve read about a new kind of art and really want to talk about it with Keris. “I was hoping I’d find you.”
“Aiming this is always a little temperamental,” they add.
“And of course, it was a disgrace that Ligier and his little cabal,” sudden rage, and sudden absence, “didn’t invite me to join from the start. It took far too long for me to be informed that my greater self had been welcomed into this unprecedented mingling of Primordial natures. Which is what I have been interested in for so long. Some of the others,” again, a hiss, “denied me this understanding! For no reason!”
“I’m sure they failed to understand the depths of your research, honoured one,” Keris returns diplomatically. Something in the way their intonation shifts from statement to statement makes her think of Zana and Nara trading off sentences. Just... squashed into a single body. “Though, may I ask... you were hoping to find me?” She puts on a flattered smile. “Has my reputation preceded me?”
“But of course.” They clap their hands together. “You are Keris Dulmeadokht! Mistress of Ceremonies! Particularly well placed to see everything about the confluence and inter-mingling of essential natures from your position at the right hand of the Conventicle Malfeasant!”
“And - might I be so bold to add?” they add, “a quite wonderful specimen yourself! I heard from esteemed Kagami that you were the very first to take our nature into you! Such a marvel! Such a quicksilver-sharp mind - and an alchemist too!”
Hidden under Keris’s sleeve, Iris shifts uneasily. Keris feels the faint tickling pressure turn around on her forearm and slither up and over her shoulder to hide on the small of her back, where Iris curls up in as tiny a ball as she can form. She’s scared of this demon. Very scared. That spot is her favoured hiding place when she wants nothing to notice her, now that she’s too big to fit under Keris’s hair.
“I flatter myself that I’ve achieved some expertise in the art,” Keris says humbly, inwardly deciding that her work with Lilunu’s chakra knots and crippled souls are topics she is going to avoid even if it takes outright lying to the face of an Unquestionable to do so. “And the Silver Forest... I find much in his nature that harmonises with my own.”
“Of course you do!” Khereon Ul says brightly. “Oh, such wonders we will make together! Such boundaries we will dissolve. For that is the greatest work of our King, you know; theion to, the universal solvent, that which makes the rebus and the magnus opus possible. Of all the things he ever did, none rival that - and it was Gaia’s foolish vanity that it was not part of the world from the start. Idiot child, draped in the borrowed fineries of others. I’m quite jealous that in her stupidity she stumbled upon such a marvel that would not be rivaled until the genesis of the Conventicle and creatures such as yourself!”
“But where are my manners?” they correct themselves. “Yes, indeed, I am Khereon Ul, the Alchemist of Souls, and the most talented alchemist in all the worlds that are, were, and shall be.” They touch down on the rock, bare-footed, and the stone starts to squirm and change, becoming other than it was. Some drips like wax, some melts, and some bubbles up into tiny mountains. “Fourth Soul of Szoreny, and four is a mystic number, the number of the virtues - and I am most virtuous in my temperance, my scholarly conviction, my boundary-breaking valour and my compassion for all life.”
They hold out their hand for Keris to kiss.
Hesitating for only a heartbeat, Keris takes it in her left hand and dips her head to kiss it, feeling the strange texture of the demon prince’s essence under her fingertips as she does. With her eyes shifting to slits, the sensation is actually painful. That little touch is like dragging sandpaper across her lips. And she can feel the pores encrusted with the residue of strange compounds, taste the demon-blood on their hands when she inhales - but deeper, deeper, and her po-like sense of touch can feel that this Khereon Ul is not one branch. They’re two. At least two, maybe more. All twisted together. Twisted together so finely the bark has fused and they look almost seamless. Almost. And their branch is covered in scar tissue. Endless, endless scar tissue. It’s like the difference between a tree in the wild and one that’s been pruned to be a bonsai, but not like the bonsai that Haneyl grows that are worked from the inside. One wired into shape and cut and cut and cut endlessly so nothing exists where it should not and nothing is permitted to grow without the overseer’s design.
Suppressing a shudder, Keris corrects her earlier decision. Not only is she keeping the details of Lilunu’s treatments from this being, she’s also going to do her level best to keep them far, far away from anything she cares about at all. Especially the twins. She has a horrible premonition of the interest Khereon Ul might take in infant akuma who harmoniously blend Heavenly and Hellish essence. Yes, they’re staying shut in the collar-sanctum for as long as this cauldron-pit is within sight of the Nests, tantrums be damned. She’ll send them back to the Conventicle if she has to.
But if she’s going to keep them safe, that means distracting the demon prince with something shiny so they don’t go looking for things to study. “As I said, Unquestionable One, your visit honours me,” she says. “And I would be delighted to work alongside you - although if you have no projects in mind, might I request that I finish the one I came to the Nests to work on? I have a delicate set of reactions underway at the moment, and you might be interested in what I’m doing with them.”
Khereon Ul seems to exist in a nearly perpetual state of being perked up, but they managed to perk up even more. “Oh, that sounds fascinating!” they say gleefully as the sky rumbles overhead. “Do you have notes? What manner of material are you working with?”
“This way, this way,” Keris says, inviting them to follow her to her working lab. It’s on the opposite side of the Nests to the low-slung building she’s staying in and the open space she exercises with Kali in, which was originally to keep the twins from getting into mischief with her notes, but she’s fervently thankful for it now. “So, not long after Exalting - in fact, before I even visited Hell for the first time - I raided a Solar tomb in Nexus and recovered a suit of moonsilver plate armour that belonged to a Lunar of the High First Age. It was vitriol-treated while I was instructed in various skills for my duty to the Reclamation, but the alchemists who did the job performed poorly...”
She talks quickly and at length as she shows Khereon Ul through the Nests, showing him the armour soaking in its vitriol-solution bath and the white-haired Fang in a tank of pure, high-grade theion to, eyes closed in dreamless slumber. She’s almost completely dissolved, with only her head, upper torso and most of her right arm remaining, and the dark liquid is full of swirling currents of silver-grey, which shift constantly with predatory grace. The patterns shift from serpentine coils to abstract shapes that remind Keris of watchful eyes as she passes, and her gut stirs uneasily at the reminder that the Fang is still alive in there, reduced to a liquefied soul awaiting a new body.
“Now, these are the notes and texts I’ve been working with,” she says as they enter the lab room. She quirks a grin. “You may recognise some of them.” Indeed, the very text on chalcanth properties she’d complimented Khereon Ul for is sitting, well-thumbed, on a lab bench next to the calculations for how to render down a Splintered Gale formed through the gifts of the Silent Wind - for such a thing is not a demon, and needs a process all its own to be properly distilled.
The silver fire in one eye glows even brighter. “To dissolve a reflection of one’s self and use it as a reagent; such sweet ecstasy,” they exhale softly. “To make weapons from aspects of yourself is far from rare - oh, many of my souls have been honoured to be ascended into tools of one kind or another, but this is something new. Marvellous! Marvellous!” They start to giggle, high-pitched and melodic.
“If you want to keep this up to date, I’d infuse it with more of those aspect-facets at least once a decade,” they add almost casually. “If you can’t stop the decay of the ideoform from vitriol dissolution, I can foresee that the diverging signature of your own nature will lead to pathological tendencies in the armour. You might want to look for that.”
“Oh, but look at this! Have you considered finding a moon-chosen and alloying them with the armour? That might be a way to tame the meso-thermic tendencies of lunargent under the new moon,” they interject on what they had been saying.
“I’ve had two encounters with moon-chosen to date, and my takeaway from both of them is that catching them is more trouble than it’s worth,” Keris grumbles. “I lost an orichalcum plate that I had plans for to the first one. But, hmm. I hadn’t thought about drift in the animating spirit. Then again, that’s what happened to this one - and that in only five years, so maybe I should have been...”
She scribbles a note to herself to that effect. Once-a-decade maintenance to re-imbue her armour with a fresh Fang is something she can live with, but she’ll need to keep an eye on it to make sure it’s not drifting faster than expected. On the plus side, that idle comment proves that Khereon Ul definitely can help her with this project - and that her project will definitely hold their attention.
“What I wanted your opinion on is actually the other ingredient I had planned for this, honoured one. I was visited at Calibration by the Contrary One, who, ah... took exception to one of my outfits and exchanged it for one of her own. It was my thought that - see here, this shadow-skin still carries an echo of her power - if I can concentrate the aspects of independence and freedom-from-bondage in this and then infuse my Fang into it, I might be able to lay the groundwork for later letting it animate the armour independently to me, as a construct-servant. I’m fairly sure the armour could do something like that back when it was worn by a moon-chosen, so the structures are there to support it. Just degraded.” She runs a hand through her hair. “But that might accelerate the ideoform decay, or at least make it more wilful. Not that it’s not wilful enough already.” She adds the last in a mutter, rubbing her jaw ruefully where Fang had clocked her before being drugged unconscious.
“Now, that’s probably not a wise idea, given the-” begins Khereon Ul, before trailing off.
“No no no see that would work it wouldn’t work for me, but your nature is already containing elements of the Contrary One and her nature is Will, you see! It is intent, self-shaping against the expediencies of a formless world. There is a resonance within your quadruphasic soulform mimicry that resembles her existence already, and more than that, there’s a harmonious channel that enables more!” they blurt out all without breathing.
“Of course that will make it more contrary and independent, but if you’re seeing to mimic the nature of a demon lord in part as a monument to your nature, why, that might work out better! That is the fundamental flaw of the gods, you know,” they say, clearly getting distracted. “We had to make them wilful so that they would not be subsumed by the stories of chaos, for will is the barrier to tale-twisting, but will is a double-edged blade - as you likely know if you’ve ever dealt with the Contrary One! So it would be best to geas this armour so it cannot turn on you, and stay vigilant for its betrayal and prune its psyche - but such prunings are often fascinating elements to add into a brew, so really you have only benefits!”
“It’s an echo of my po, and I have wound up getting into fights with her before,” Keris muses, lifting herself up to sit on the edge of the table and thinking out loud as she tries to untangle the jargon Khereon Ul is using. It’s not beyond her understanding, but she has to concentrate to parse it. “So it’s a choice. Making it more independent will stabilise it, but it’ll make it less a tool and more a true extension of my po, one that I’ll have to put effort into keeping in line. But we have been getting along better since Taira... oh. Oh, I wonder what would happen if we... wait, no, there wouldn’t be a direct connection, so the fusion wouldn’t reach the armour. Oh, except no, I was planning on reactivating the self-compression that allows it to take on a lesser form, and if I made that into a tattoo-aspect it would be connecting with me! That might actually work! Ah...”
Khereon Ul is looking even more interested. Keris reviews what she blurted out.
... there’s probably enough there to give a fair amount away. Well, this at least doesn’t reference Lilunu or her children at all. “Ah... my po takes form in my dreams as a great silver-feathered serpent. We’ve fought, in the past, and more recently come to an agreement that’s allowed me to take on her nature. It’s how I was able to externalise an aspect of her into a lesser form with the gifts of the Silent Wind, instead of myself - and I’ve embraced her enough that I can join with her in body as well, as easily as I can become wind or other peers can become shadows or devil-tyrants or stage-garments. If the armour was joined with me in tattoo-form, do you think such a fusion would let the spirit-fraction inhabiting it conjoin with my po?”
“Faaaaascinating,” Khereon Ul purrs. “And where did you learn these things? Was it from that dear child, the Conventicle Malfeasant?”
Pain spikes at Keris’s hip where Iris has just lifted her head and sunk her teeth into Keris in terrified warning not to let this topic go any further. “No, no,” she deflects hastily. “My lady Lilunu has taught me acupuncture and geomancy and beautiful artistry, but this was inwardly formed... around the time I took the Silver Forest into myself, actually. Bare days after. Perhaps your Greater Self’s nature unlocked the reflections between my original human souls.” That thought seems to please the demon prince, and Keris quickly capitalises on the diversion. “Of course, I couldn’t ask you to judge how my transformation would affect the armour without a demonstration - would you like to see it? We should leave the Nests if so, I’d need a clear space.”
They clap swiftly. “Oh, that would be just lovely! I want to see this very much! The human po is such a silly thing, so very...” they sniff, “limited. Optimised for its purpose, of course, but barely functional for anything that a real self-aware being needs.”
Their cherry-blossom eye’s pupil comes apart, and drifts through the eye before reforming. “Oh, but if you have managed to transmute it into a real soul, like a real person would have, that would say fascinating things about the uses of human souls when transmuted by extended exposure to truly colossal amounts of the essential nature of the titans. I wonder how many souls I could easily obtain...”
“No, no, can’t get distracted. Po-form, yes? Chop-chop!”
Keris nods, hops off the desk, and leads the way back outside to a clear space - still on the other side of the Nests. She briefly swallows her voice as she goes, sending a glance and a quick flick of fingers to a distant Rounen that order him to keep the twins safely in the collar-sanctum, and to keep that in their living quarters, and to not come out while the Unquestionable is still here. It’s quick enough and silent enough that Khereon Ul doesn’t seem to notice or care, and they’re shortly back out on the edge of the blood-lake the Nests sit in, on the solid ground between her manse and the cauldron-crater.
“Right then,” Keris says, and hesitates. Well, there’s no use ruining some perfectly good lab clothes for this, and it’s not like there’s much point in body modesty around someone whose interest in sex probably only extends as far as the exotic ingredients one can gather from it. “This tends to do a number on whatever I’m wearing, so I’ll just...”
She strips off quickly, rolls her shoulders, and closes her eyes against the eager mismatched stare. Reaching into herself, she brushes against the uneasy, frightened hissing of her other-self. Pekhijira is scared, because Keris is scared. Khereon Ul is brilliant, and if things were different she’d be more genuinely happy to see them, but with her children here the demon prince is a fearful threat. And even disregarding the twins, she can’t ignore the fact that this being is a monster - a monster who talks casually of pruning her souls as it prunes its own.
But a smile offers more safety than shield or spear here. Coaxing her serpent-nature to the surface, Keris lets the transformation takes her, and begins to grow.
The silver fire is so bright and so wide, it’s singing their mismatched hair; their other pupil has torn itself apart and there is no sign of it in that wide, wide eye.
“Marvellous,” they exhale. “Marvellous. This is not the nature of the titans, but it descends from them in a way I do not understand yet. But I will. I can see the devil-serpent, looking out from behind the fog. A self-aware ripple in the cauldron that is your self. Not a human po, no-no, far from it.” A soft moan. “Formed from such power, but - ah! Built up. A crystal from a rich alchemical soup, around the seed-culture of a po.”
“It is... something not unlike me. A reflection of primordial glory.”
“Marvellous...”
“Ssshe wasss not alwaysss ssstrong enough for thisss,” Keris agrees, slithering around Khereon Ul in a half-circle to let them see how she moves, the rippling power in her tail. “Or asss great within me. Only asss I grew did ssshe - from the ssstrength of a demon lord to what you now sssee.”
If Khereon Ul smiles any wider, their head might fall off. “I can see that. Oh, I can see that.” They titter. “Yes, yes. The alloying and reaction of the essential nature of the titans, within the cauldron of a human soul, moderated by the greatest of all catalysts - exaltation!”
“Do you know of any of your peers we can induct into this? I wish to see more-more-more! Yes! More transmutation of disparate powers into these pseudo-demon princes, unattached to any one titan! Like the inverse of that Lilunu girl, attached to many! And yet enabled by her! There must be more peers who can undergo essential catalysis!”
“I know of none who are ssso clossse to their lower ssselves thusss far,” Keris hisses tantalisingly. “But assss Missstresss of Ceremoniesss, I will meet many of my peersss. I would be happy to keep my eyesss open and my earsss sssharp for any I could teach.”
“Do so. Yes. Do so.” Khereon Ul hugs themselves, rocking back and forth on their heels. “Oh, my my my. This is the start of a wonderful friendship!”
Keris lets the strands of her being separate again, shrinking back down to her human self, her hair curving around her as a veil to give her modesty.
And smiles.
She wasn’t intending to win an Unquestionable’s backing when she came here, but it seems she very much has. And with this kind of excitement, they’ll probably let their obvious interest in Lilunu slide for a while, especially if she can coax another Infernal into embracing their own po. They’re definitely not going to be thinking about her precious babies. And if that puts her alone under the eyes of a crazed demon prince... well, it’s not a position she’s unused to.
“I think so too,” she lies warmly. “I’m so glad I met you, Khereon Ul. I think we’re going to learn many things together.”
For all the assistance that Khereon Ul gave, Keris made her excuses sooner than she’d have planned, and made her way back to the Althing to prepare for her return to the Anarchy. She wanted her kids away from that mismatched gaze, and she wasn’t prepared to spend more time in Hell working on her armour with their attention.
Maybe she’d be able to make some time to finish it off later this year.
Of course, Lilunu is standing in the way there. She’s feeling neglected and simply must have Keris to help her host a guest. Fossyi, the Necrophore King, lame and... suspicious. Widely known to be a necromancer and dabbler in necrotic sorcery, and guarded only from the law of Cecelyne by his status as an Unquestionable.
A month ago, such an ominous reputation might well have unnerved her, but after smiling into the madly enthused face of Khereon Ul, Keris is feeling very resistant to being spooked. And the interests of the dark and sickly demon prince remind her of something she has stashed away, prompting her to retrieve it from the vault in her mother’s Tower where it’s been languishing since she crushed it into its current shape.
Naturally, Lilunu can’t resist the opportunity to play dress-up with her student, and so Keris is waiting at her side in a tight black dress of clinging shadow-fabric, over which heavy necklaces, armbands and belted chains of dull grey Malfean lead present a layer of grave ceremony and regal duty. In her hands she carries a box of the same, a depiction of the crone-faced millipede she’d fought in Ca Map carved into the sides that wraps around to stare up from the lid with hateful eyes.
Wheezing, limping, using his war club as a crutch, Fossyi makes an unceremonial appearance. One side of him is withered and grey tinged, and his breath rattles in his chest. His cloak of insects chitter and click, catching the light that shines down through the great stained glass that covers one wall. His hair shifts slightly, and Keris realises it’s a mass of antennas.
He reminds her of her uncle. Not as he is now; crotchety and often grouchy but still a loving part of her family, enjoying his retirement. He reminds her of Xasan when she first met him, overweight and grey faced and barely holding on to the will to live with the loss of his hand.
Fossyi ignores the fanfare and shrugs away the servants sent to help him. “Lilunu,” he says, voice rusty. “You’re looking better than last time, lass.” There’s a hint of a rough Northern accent in his words.
“Your infernal highness,” Keris says, curtseying deeply at Lilunu’s side. “May I offer you anything? I hope your journey was pleasant.” Internally, the medic in her is taking in his symptoms with fascination as she dispenses small talk and pleasantries that he seems to care as little for as the servants. As Mistress of Ceremonies, she’s a perfect hostess, but as Yuula’s student she’s itching to get her hands on him for a better examination.
He glances over at her, and makes a faint ‘khuh’ noice at the back of his throat. His skin, which reflects light like a beetle’s shell, is painted with ceremonial red paint in a language Keris doesn’t recognise.
“Fossyi,” Lilunu says, with a little warmth in her voice, and claps her hand. The room reforms, shrinking down in volume considerably and folding crystalline seats out of the ground. “Thank you for coming to see me. It’s a shame you couldn’t make it at Calibration.”
“You know I’m not going to face Orabilis and his stuck-up ways,” Fossyi says in his rough voice. “There’s no need beating around the bush with such lies.”
“I wouldn’t say that.”
“Well, of course you wouldn’t,” Fossyi says, sitting down with some relief.
“Fossyi often comes to see me in the year when I’m normally lonely or bored,” Lilunu explains to Keris. “He’s a grouchy old bear, but once you get through his shell, he’s fun enough.”
“Lying again,” Fossyi says. “What you see is what you get, lass, and you keep on with this view of things that is just a dream.” He snorts. “So this is your pet they let you keep this time?”
“Keris isn’t my pet,” Lilunu protests.
“If she had a tail, it’d be wagging.”
Despite herself, Keris can feel something starting to form that’s less polished smile and more genuine grin. ‘Grouchy old bear’ might be an informal way of putting it, but she doesn’t get the feelings of callous pride or casual malice from him that characterise her interactions with many other demon princes. While he’s technically insulting her, it’s hard to be offended by comments about her devotion to her lady. It reminds her again of her uncle - the tone is very much like Xasan when he’s being crotchety at her. And she can’t help but feel somewhat fond of self-proclaimed foes of Orabilis.
“Lord Fossyi,” she says, forgoing the curtsy this time. “I’ve read some of your texts on the categorisation of souls - I would love to see your collection someday, if it’s as grand as it sounds. And I have a gift for you that you might enjoy.” She offers the lead box, cracking the lid to show the jet black gem within, gleaming wetly as if it’s freshly torn from the chest of the Zu Tak Grandmother whose soul is trapped within.
“One of the Greater Dead who I ran into in the Southwest of Creation,” she explains. “She had some skill in necromantic sorcery herself - I had to break two of her spells as I pinned her down and carved out her heart.”
That draws his attention, and his dark eyes light up as he falls upon the crystal. “Mmm, mmm. See that sheen?” he lectures. “See the lustre, the hue? Clear indications that this spectre was indeed of the Greater Dead, and more than that, it attained that rank through the veneration of a cult. Notice the smoothness, the cleanness of shape? You wouldn’t see that if it had majorly embraced our dearly departed relatives. And each of the Rivers leaves its own marks. See that colouration? Ain’t got the variance that you’d get if this ghost was a sin-eater.” He takes the box in his good hand, laying it down on his lap, and pulls out a shadowcaul glove from a pocket and slips it on, before examining it more closely. “Ah, no, I reckon I was wrong,” he says. “Look at this flaw down the centre. That’s a mark that the whispers of the Neverborn were in this one’s head, but not too much. If I want to work this into something, I’ll need to cut it to excise that flaw.”
“The Zu Tak are ancestor worshippers who’ve been proving themselves a nuisance,” Keris offers, sensing an opportunity. “They have quite a number of the Greater Dead supporting them - enough to field three or four along with a major raiding party. If I come across any more specimens like this, I’d be willing to sell them to you.”
Carefully, delicately, Fossyi puts the soul gem back in its box, and closes it back up. Only then does he lean back in his seat, idly rubbing his withered arm with his good hand. “Do y’know where they’re getting the power for all this, gal?” he enquires. “These... Zu Tak? How many of them are there? I haven’t heard of them before, and if there’s so many prayer-fed Greater Dead, they have to be one of the great nations of Creation. But then why don’t I know of them?”
Keris shakes her head. “Quite the opposite, your highness. They’re savages, scattered up and down the coast of the Wailing Fen. From what I’ve heard, they’re cannibals who turned to ancestor-worship in order to survive... well, the Wailing Fen, which is as close to the lands of Hell as you can get in Creation. Not a good place for mortals to dwell. They live in villages among the swamp and send out their great rafts and outrigger canoes to pillage and raid the islands of the Anarchy, dosing their men up on drugs that kill them young and backing up their forces with necromancers and undead Grandmothers like,” she nods at the box, “that one. I couldn’t guess at their full number or exactly how long they’ve been doing this, but it’s been long enough for a fair few of them to become this strong.”
She pauses, lips twisting. “I suspect they may have the backing of a deathlord,” she admits in a quieter tone. “I can’t prove it, and I have nothing specific I can point to. But I have trouble believing that so many powerful ghosts would work together like they seem to without an even stronger one ruling the lot of them. And they’re very, very aggressive in trying to expand. A lord of death urging them on from below would explain how fanatical they seem.”
Fossyi shakes his head, antenna clattering as he does. “No. A ghost fat on mortal prayer-cults needs that prayer to stay strong. They’ll starve and wither if people stop praying to them.” His fingers click on his knee as he taps away. “If they were eating up the stuff of the Fen, that’d be one thing. But I’d see Hell-stuff in the gem if that were true, and it isn’t.” He looks directly at Keris. “Bring me more of these soul gems if you can find them. This is a puzzle I want to get to the bottom of. And,” he gives an unamused grin, “I dare say you want to know how they’re getting so many Greater Dead if they’re in your Directorate, gal.”
“I would, yes,” Keris agrees frankly. “Thank you, highness.”
“And now,” he adds, “I think I want some of those drinks and food you offered, gal. Me and the lass have some catching up to do, and it’s... what’s the words that arse Orabilis likes so much? ‘Matters of the Unquestionable’. Something of that ilk, then. So bugger off.”
Lilunu catches Keris’s eyes, with a minuscule roll of her own and a quirk of her lips. “Be a dear and help out in that manner, would you, Keris?” she says elegantly.
“Of course, my lady,” Keris agrees with another curtsey, and sashays off to rustle up some refreshments. The feeling of obeying Lilunu’s command is a warm, pleasing rush that spreads out from her pierced tongue and tingles its way down each limb and settles deep in her core.
Fossyi stays for nearly a scream, and then limps off to one of those strange buildings that Lilunu calls up from the ground to house one of the Unquestionable. It seems he’s going to be in residence for a while. Keris is called back by her mistress to help work on the embroidery on a new set of lingerie while Lilunu weaves.
“He’s quite the character, isn’t he?” she says mildly, as her shuttle click-clacks from left to right. The air here smells of the perfumed oil that Lilunu works into her fabrics and the green light that sparkles through the stained-glass roof into this white-painted workroom is soft and gentle. There’s an infrequent stream of lesser demonic servants coming in, bringing Lilunu things or informing her of events in the Conventicle Malfeasant.
“I see what you meant when you called him ‘grouchy’,” Keris says. “He’s very... informal, compared to other Unquestionable who stand on ceremony. But I think I like him for it.”
“I think he’s lonely,” Lilunu says. “He lives out on the blasted heath around Oramus, you know. Not many visitors there. Even the Silent Wind hesitates to blow there, though some of that is because of the music that drifts through that space. But it makes him a little... odd, even by the standards of some of my peers.”
Keris shivers. “I’ve heard of that place. They say there are things that squirm out from His Broken Wings. Things that shouldn’t exist. That couldn’t, if His wounds didn’t let them in.”
“He, ah.” Lilunu is clearly looking for a way to say this. “Orabilis’s law is ill-maintained there and even his eyes fear to go there, for they do not wish to see such sights. Fossyi has reason to avoid the law, not just for what it lays even on the Unquestionable, but for the rumours - only rumours, I must add - that he teaches the forbidden arts of necromancy to students. Even serfs.” She pauses in her weaving. “In that way, he is very much a soul of the Ebon Dragon,” she says drily. “None of them seem to believe that laws should have any hold on them if they don’t want to follow them.”
Keris winces a little. “Well,” she says quickly, casting around for escape routes to change the subject away from that particular minefield, “uh, speaking of... characters among the Unquestionable, I met Khereon Ul at the Nests last month. Well, I say ‘met’.” She wrinkles her nose. “I was trying to get my armour working and they, ah, opened one of their cauldron-whirlpools nearby. They definitely live up to their reputation as an alchemist, but I had to leave before finishing my work.”
“Oh?” Lilunu seems vaguely interested. “They don’t seem to wish to meet with me. Or, rather, when they were going to attend once, I mentioned it to Orabilis and he informed me that he suspected that Khereon Ul was only doing it out of politeness and would probably cancel when they found another distraction. Which happened, of course.”
A moment of extremely fast internal calculation passes at blinding speed. “They’re... very enthusiastic about their work,” Keris agrees. “I, um...”
She trails off, biting her lip and second-guessing herself. Her instinct is to keep Lilunu and Khereon Ul as far apart as she possibly can. But... is this really the way to do it? To keep Lilunu ignorant of the demon prince’s madness? To follow Orabilis’s example - Orabilis, who wants her chained and powerless?
Her hesitation lasts a moment too long, and then it’s a moot point as Lilunu glances up and catches the uneasy, conflicted look written all over Keris’s face.
“Keris.” Lilunu twists around, crocking her finger at her. “You know something. Tell me.”
The command is undeniable. It grips Keris’s whole body like a fist clenched around her, and her tongue starts moving almost without her involvement.
“My lady, avoid them at any cost, please,” are her first words, stumbling over themselves to get out as fast as possible. “They... they scare me. They’re manic, insane, obsessed with radical alchemy and unique soul structures, and their envy of the- the secrets meant only for the Yozis that deal with new entrants to the Reclamation is second only to the envies of their Greater Self. I’m pretty sure they’re fixated on you, personally, for... for your compound nature. They were two Unquestionable once - maybe more, but something happened to fuse them together so closely I could barely sense the seam and everything over that was scar tissue, layers and layers and layers of it, like they’d cut and cut and cut away at themselves. They spoke of boiling down their own souls to make tools of them - or, or just to experiment - like it was nothing. They sought me out specifically because I’m yours. When they tried to steer the conversation towards you, they looked almost crazed-”
She slams her teeth together, cutting off the stream of babble, and takes a couple of deep breaths while Lilunu is rocking back, startled.
“I- I drew their focus off you for the moment, I think,” she adds, as reassuring as she can be under the circumstances. “I’m enough of a curiosity that they want very, very much to study me, and I managed to hide Iris and the twins and everything I’ve learned from you. My armour got them interested, and that led to me showing them my po and my lamia-form, and that really fascinated them. I think they’ll... well, they won’t forget about you, but they won’t do anything rash that would drive Lord Ligier into a murderous rage until they decide I’ve stopped being a novelty. You’ll be safe from their attentions for a while yet as long as they don’t run into you at Calibration or something.”
There is a hush, which is not a silence. A hush is the noise of people trying not to make any noise. Then, “I see.” Lilunu gestures Keris over, and wraps her arms around her, bringing her into a hug. “Poor you,” she murmurs. “You must have been so scared. And yet you were willing to...” What she was about to say is cut off. “You were willing to deflect an Unquestionable. For me. No matter how scared you were. Knowing that they were in their rights to do all kinds of things to you if they caught you leading them away from what they wanted.”
She strokes Keris’s hair. “No one else would do that for me.”
“You’re my lady,” Keris mumbles, snuggling into her arms. “And I- I was pretty sure they wouldn’t try too hard to hurt me. They want to study me. They can’t do that nearly as well if I’m dead. I showed them what they wanted to see and pretended to be as... as obsessed with their passions as them, and they believed it without thinking twice.”
She swallows, trembling a little. “I-it was the twins I was scared for. Th-that’s why I left early. I was getting a lot done with their help, b-but having the twins at the Nests while they were there was just... it was t-too risky. I can finish my armour another time. Alone. With nobody else at risk.”
“Mmm.” Lilunu holds Keris, the strength of a tornado and a wildfire compressed into soft, uncalloused hands. “If you want, I can work on your armour myself while you’re gone. I’m often bored in the year, and getting to work on something like that which will protect you from threats in Creation would be my pleasure.” She cups Keris’s face, her rainbow eyes tinged indigo as she looks at Keris. “But you need to promise you won’t get into any fights without your armour, got it? You need to stay safe! Not get yourself into danger all the time! And definitely not get trapped by any fae or any bitchy silver-haired demonesses, you understand?!”
A watery giggle escapes. “‘kay,” Keris mumbles. “I mean, yes, my lady. I promise. No... no fighting fae, or Zu Tak ghosts, or getting trapped anywhere. I’ll stay safe in Saata and let Testolagh and the Baisha do the fighting for me. And... and I’d be honoured by your help with my armour. I can take you through what I’ve done so far before I go back.”
“Just as well. I was getting bored weaving,” Lilunu says cheerfully. “By the way, have you finished your embroidery?”
“Ah.” Keris blushes. “Just a little longer my lady. I’m almost done.”
“Take it. As a gift. It won’t fit you, but I’ve got,” Lilunu rolls her eyes, “so many pairs that they’d probably just sit in a wardrobe somewhere. A lot of my weaving is just to kill the time and make myself feel useful between Calibrations and when I’m not bearing a third-soul waiting to be sent out again. Make a gift of it to someone you think is worthy of wearing my work.”
“I will, my lady.” Keris holds it up, pursing her lips and considering it. “Actually... with a couple of minor adjustments, this will probably fit Haneyl when she finishes recovering from... her own experience at Chir. I’ll give it to her with your compliments, my lady. She’ll be overjoyed.”
“Dear me, yes.” Lilunu flicks Keris on the nose. “One might think your children have stolen all your fair share of height.”
Betrayed, Keris pouts. “It’s very unfair,” she complains. “They’re all too tall. And Kali will probably be the same way. Ogin too, if he takes after his older brother.”
Lilunu laughs at that. “Come on, then. Let’s see what you’ve been working on.”
Chapter 5: Water 773
Chapter Text
It’s nice to be back in the world. It’s maybe a bit blasphemous to think it, but it is nice. Kali is delighted to get to play under a yellow sun again, Keris gets to see her mortal family, and as an added benefit she’s five days away from Khereon Ul. It’s not that they’re her enemy. It’s just that their friendship is terrifying.
But there’s something which comes before everything else. Something which - annoyingly - she only thought of after the fact, so she’s missed the anniversary by a couple of weeks, but waiting a whole year until the 21st of Falling Air comes around again would be even worse.
Keris reaches out and lights the incense sticks she’s placed around the charcoal hand-drawn picture of Gull. She’s set up this little memorial shrine in the Jade Carnation, because... it just feels right. It’s the club owned by Cinnamon, but Cinnamon is Keris’s most... most her face, more than Little River, and more than that it feels like it’s what Gull would have wanted. The Jade Carnation is a nobby club that wouldn’t have let Gull or Kit in the front door and would have chased them away if they’d started rummaging in their trash. Well, actually Keris has set up a soup kitchen out back because of exactly those memories, but - doesn’t matter. It’s a nobby club, but it’s built off things she learned from Gull. How to be a joyful priestess, how to dance, how to sing, and of course it’s paid for with stolen money and Gull was the one who taught her to pick locks and lift purses.
There’s really no better monument to... Keris swallows. Her mentor. Her lover. Her wife. No ceremony, but a Nexan marriage didn’t need one of those. If you lived together and bedded together and acted like you were married, you were.
Her eyes blur with tears, and she tries to think of something to say to this charcoal sketch of a woman who’s been dead a long long time. Whose death, pretty directly, led Keris to that very bad cell, and from there to the service of Hell.
“You taught me summa the mos’ important lessons I ever had, Gull,” she whispers. She doesn’t speak with the mingled accent that’s natural to her nowadays, the mingling of Nexan twang, Firetongue staccato and the rolling wash of Lintha-dialect Old Tongue. She speaks instead in the low-class Firewander drawl that she’d used when Gull had lived. The street-syllables roll off her tongue with the barest hint of effort, their shape still familiar to her mouth.
“Wi’out you pickin’ me an’ Rat up off the street after that job went bad, we’d’ve never got anywhere, I reckon. We’d’ve died on the streets whenever our luck finally ran dry. But you took us in an’ taught me how to steal an’ how to dance an’ all your little magics. You were one’a the best pickpockets I ever seen, Gull. I can’t even count how many times that kept me fed. An’ the little magics and tricks you taught me, I still know ‘em today. They were the base I used for everythin’ else. All the grand Sorcery I do nowadays. All that came from you.”
She takes a wavering breath around the lump in her throat, and sniffs back tears. Then presses a gentle kiss to the charcoal lips of the picture, so soft that it doesn’t even smudge the lines.
“I miss you, Gull,” she whispers. “I’m so sorry I let you die.”
The candles don’t burn blue. There’s no sacred aura around the incense. The hand-drawn portrait doesn’t come to life and condemn or forgive. There’s just Keris, and her sorrow. The good, and the bad.
She knows she could forget all this. Forget Gull. Just like - so Dulmea says - she forgot all the bad of Rat, all their fights, all the hate she still can’t fully recall but for what patchy fragments Chir brought back. She could cut it out of her life. Let this shrine be the last time she ever thinks of her.
But she doesn’t. Gull deserves better than that. Nobody but Keris even knew she died, and she doubts there’s more than a handful of people in the world who remember her name. She won’t consign Gull’s memory to oblivion like that. Not when she did so much for Keris.
No, she’ll sit here and hold a memorial for a woman who was, yes, flawed. Flawed and weak and selfish, but also clever and warm and kind. Who’d shone with beauty and grace before the drugs broke down her body, and whose dances had enticed gods and pleasured spirits. Who’d looked at two ragged, dirty, terrified street rats and seen potential in them. Who’d been right, too, because both those snot-nosed kids had been Chosen by peerless shards of world-shaking power and Exalted above mere mortal men.
And next year she’ll do the same. For as long as she lives. Because Gull was the making of Keris Dulmeadokht, long before she used that name, and she was the only person Kit Firewander ever had who hadn’t betrayed or abandoned her in the end.
Keris stays there, listening to her memories and waiting while the incense burns down. Praying that Gull has better luck in her next life, that she lives long and lovely and loved.
She knows Calesco is in the room with her, perched on one of the stools at the back, but this isn’t a moment for her children. It’s a moment for her mentor.
With a whispered prayer that Venus keep up her fucking end of the bargain and give her reborn faithful servant some of the serenity she never found in her last life, Keris claps her hands to scare away ghosts, and wipes her tears. She leaves the handkerchief with its stains as an offering of her love.
There’s a little sniffle from the back of the room. “That was beautiful, mama,” Calesco says softly.
“Thank you.” Her voice - accent back to normal - is a little thick from holding back tears, but she swallows past the lump in her throat and ignores it. “Do you want to light a stick of incense for her and make your own prayer?”
Calesco nods, and makes her own offer; a stick of incense and a pair of badly tarnished and scratched coins that... Keris boggles slightly.
“Yes. Somehow they made it all the way from Nexus,” Calesco says softly, brushing the Council’s seal on the back of the larger copper coin. “I got them as payment during Calibration and it... seemed like a good offering.”
The words stick in Keris’s throat. She hadn’t been able to afford coins for Gull’s eyes, what with the Council’s oil costs for a murder victim taking everything she had. And Calesco knows this old, tiny, petty pain.
“Thank you,” she whispers again, and takes a long, shuddering breath. Bowing to the shrine, she sits down on the floor, listening to the sounds of life in the building above. It isn’t a large room she’s put Gull’s shrine in. She has no plans to expand it or make the memorial something grand or gaudy. It’s a humble little thing at the end of a corridor that was probably meant to be a small storeroom, or maybe a bunkroom just large enough to fit a cot and a locked chest. It was going unused for anything besides holding some spare chairs before Keris claimed it, and she’s filled it with nothing but the modest shrine and a couple of kneeling mats, one of which she takes now.
“So,” she says. “Did you just come to pay your respects to Gull, or did you want to talk to me as well?” She smiles gently. “You did well covering for me while I was away. There were a few issues built up, but nothing I couldn’t handle by sitting them down for a formal talk or two.” She doesn’t mention Little River by name - habits die hard, and it costs her nothing to be cautious even here.
Calesco settles herself down, smoothing down her black, grey and violet kimono. No, wait. That isn’t violet. It’s a very deep blue, and that’s not like Calesco. “Did you hear what I did at Calibration?” she asks. “I danced the role of the Moon at the performance at Weavers-and-Yellow-Dog.” She looks inquisitively at her mother.
“I, um.” Keris clears her throat awkwardly. “I’m aware, yes. I was watching.”
“You were?” Calesco frowns. “How? You... you were in another City.”
“I had a... call it a dream, while I was deep in the darkness. The details can wait. But yes, I saw. You danced beautifully. Transformed the stage.”
“Oh.” Calesco swallows. “I... I really enjoyed it. I love dancing, mama. I... I think it’s what I’m always going to remember of Lui. Even if my love didn’t last too long past Calibration. She touched my life. I... I loved it. To entertain. To be Black Shawl upon the stage.” Her eyes twinkle like distant stars. “It was... it didn’t hurt anyone. It was beautiful.”
“Yes,” Keris agrees softly, not entirely surprised that Calesco’s affair with the girl from the vision hadn’t even lasted out the rest of the month. “That’s the best thing about the arts. They can bring joy without causing pain. Beauty without sorrow.” She waits for a moment. “So you want to do more of that sort of thing?”
“Yes, but that’s not only it.” Calesco takes a deep breath, hands on her thighs. “Mother, I hurt you. I hurt you and I threatened the lives of my brothers and sisters and my own life and the lives of all the keruby and the other demons. I don’t regret it, because you had to be made to accept your debt to Gull. But I did wrong, in the name of doing right. And... and I have a duty. To use my talents for better causes. To try to spread happiness, to make up for the misery I can so easily cause. To be more than a dilettante demon lord, flitting through the land, taking my own pleasures wherever I desire.”
She kowtows to her mother, pressing her forehead to the mat.
“Mother, please take me as your student. I wish to become a joyful priestess of Venus. To take up the blue, and swear the same oaths you did.”
Keris stays perfectly still for several seconds. Then, very slowly and carefully, she rises to her feet, turns towards the door, thinks better of it, wavers for a moment, and finally steps over to lock it.
Then she kneels back down again, still without a word. Her hair twitches and lashes behind her, the movement of the long locks filling the small room. She starts speaking several times, cutting off each beginning before she gets more than a syllable out. Turbulent expressions pour across her face, and her hands fist on her knees.
“... you understand that this is not a light request,” she says eventually. “Taking up the blue and swearing the vows of a Joyful Priestess is a one-way process, you can’t un-swear them. It’s not poetry or calligraphy or studying the winds; a passing fascination isn’t enough. It’s not something you can get tired of or move on from.”
“I know,” Calesco says in a tiny voice.
Keris’s jaw works. “You understand,” she says in a strained voice, “that Venus is not a kind goddess to serve. The work is important, yes, and I offer her what she is due in prayer, but I cannot say that I like her. I made my vows at fifteen, bright-eyed and hopeful, and in her service I watched every little bit of peace and happiness in my life leave it. You’re not even three yet, for all that you look and behave like someone five or six times that. You’d be swearing yourself to lifelong service having barely lived any length of time outside it.”
“I understand if you feel I need to prove myself and learn more as your student before I take the oaths,” Calesco says, brow still pressed to the ground. “I want to be your student. I will take the oaths when you feel I am ready.”
“You...” Keris looks away, towards the shrine, half frustrated and half desperate. “You understand, Calesco, that there are some things I couldn’t teach you, even if I wanted to - which I don’t. The Joyful Priestesses are an order of harlots as part of how we follow Venus. There are secrets and rituals which can only be passed on firsthand, through sex. There is nothing that will make me do that with you - to you. And there are other secrets I don’t know, I was only ever half-trained. Gull and Liho got me far enough to take my vows, but they didn’t know everything either, and the older I got the less they trained me. After Rat disappeared, Liho lost interest and Gull started falling apart.”
She squeezes her eyes shut, feeling tears prick at them for entirely different reasons to her earlier crying. “I understand you want to help people, Calesco, and I’m proud of you for wanting to, but this... why should I let you do this? I’m not saying you’re not deserving, and I’m not saying you wouldn’t be great in Venus’s blue, but why should I let you do this to yourself? There are better ways of penance, there are other ways to help people...”
“But none of them carry on Gull’s legacy,” Calesco says softly, and the love in her voice, the guarded trust in Keris’s better nature and the tragic hope for a way to honour and carry forward the kind heart of the woman who first taught her, almost breaks Keris right there and then.
She bows her head for a long time, taking deep, slow breaths as tears roll down her cheeks. Calesco stays prone, forehead pressed against the mat, waiting for a judgement.
Minutes tick by in silence.
“... okay,” Keris whispers at last. “Okay. I’ll... teach you what I can. And see if there are others among the keruby who would learn, who I can teach that they might then teach you in turn.”
Calesco takes a deep breath, and looks up. She rises back to her knees, palms on her thighs, and bows a bow Keris remembers being taught by Gull. “I want to say you won’t regret it,” she says huskily, “but I think we’ll probably both regret it at some point. But I’ll try to make you proud of me. And,” she swallows, the tips of her hair turning white from the turbulent emotions within her, “thank you. Not just for accepting me. But also for, uh. For thinking of that and deciding to train keruby.”
She blinks heavily.
“I remember something Gull told you once. She told you that it wasn’t good to be a priestess alone. That she was glad you were there. I remembered that when I was thinking about this. That it’s not good to be a priestess alone. I’m not just doing it for her memory, mother. I’m also doing it for you. And if you start training keruby too, I think... I think it’ll be better for you too.”
Keris wipes her face clean of tears and fixes Calesco with a burning glare. “Yeah. Maybe. But you’re probationary until such a time as I say otherwise. If I think for a moment you’re not taking it seriously, you’re out. You do exactly as I tell you and don’t bug me for the higher secrets, ever. I’ll teach you them - or train others to teach you - when you’re ready, and not before.” She’s trembling like she’s fresh out of a fight for her life, and her stomach’s as snarled up as a ship in her sargasso fields. “If... mm. We can... we can have you take the formal oath of apprenticeship - not the blue proper, just the one not to reveal any secrets of your initial training and all that - on your birthday. Water’s not a great season for it, but the night before the new moon of Crowning isn’t bad, and it being your birthday will give it weight. Until then, you can work on some basic skills and practice the right mindset.”
“You’re terrified, mama,” Calesco says softly. “Is there... is there something about the training process I don’t know? Something bad?”
Clenching her fists to steady them - Gull always said steady hands were the best tool of pickpocket and priestess alike - Keris shakes her head minutely. She’s not sure if she’s answering Calesco’s question or rejecting it. “J-just memories,” she stutters. “Too many memories. And I... I wanted better than this life for you. For all of you.”
Calesco doesn’t rise, but she reaches out with her hair to wrap it around Keris’s legs and hold her. She’s a bit touchier than she was when she was younger, but she’s still Keris’s least tactile child - less so than even Eko - so it always comes as a surprise. “I think the way to honour Gull,” she says, “would be to take the good parts and make something better. You always preferred the priest parts of the job. So did she. And the worst parts of selling yourself was when you needed coin to survive. I don’t need coin to survive. I could live in luxury if I wanted. I want to help people by doing this.”
With her eyes fixed on Gull’s shrine, Keris’s nod is a tiny thing, tremulous and timid.
But it’s there.
Up in the mountains west of Saata, the sky is always a deeper shade of blue. The Water air is pleasantly cool, even a little chilly. But maybe that’s just in contrast to the still humid and hot Saata. There’s wyld-stained snow on the tallest mountains visible over the top of the valley, and the wind whistles down the riverbed and makes the brightly coloured painted wooden windchimes clatter and the wind-flutes sing.
“Gods above, below and around,” Ali says, looking around. “It’s not quite home, but there’s more of home here than I ever thought I’d see on the other side of the world.” The little forge-goddess has followed him here and sits on his shoulder.
“It’s uncanny, I tell you, how much the houses look like Baisha,” Xasan agrees. He works his shoulders. “‘Course, Keris says she... kinda dreamed this place into being, so I guess she wanted to make a place that feels homey.” He glances sideways at the third and fourth members of their group.
Evedeyl, sitting down and still towering over all of them, her tail lashing idly in the breeze which blows through her mane of hair. She’s been up here nearly since this valley came into existence, and she’s the most visible - and most impressive - of their new pantheon, the mother-goddess who’s as tall as the trees and who somehow knows when there’s a difficult birth to show up and lay her blessings of strength on the mother. Her long flowing over-robe is pinned with little flowers and sacrifices. She merely shrugs. But the fourth of them, Vali, beams widely.
“Yeah, mum did a really good job with this place. It’s like your home in Taira, but it’s also like she took bits from home-home and made them exist out here.” He gestures over at the valley cliffs and the knife-edged limestone needle formations that line them. “That’s all me, y’know. But that only makes sense, right? This is meant to be a home for all of us. So it’s got bits of all our homes. Even,” he shields his eyes, glancing up the valley at the blue-glass reflection of Kalaska’s temple-fortress. “Even those of us who don’t know what a real home is.”
“I wouldn’t mind living up here, if this is the worst the weather gets. Permanently, I mean,” Ali says. “Back home there’d have been snow on the ground at this time of year. You don’t have to tell Keris, but her estate is just too hot. And... I don’t know, but we saw kids in the villages we headed through. It might be good for Hany to grow up with more children around her who are her own age. So she doesn’t have the burden of always being the eldest around.”
Evedeyl clears her throat. “There are many children here, yes,” she says. “In fact, not long ago, the first child was born who was conceived after this place came into being.”
“Huh.” Ali blinks. “I guess... yeah, the timeframe sort of fits.” His mind seems to spiral back to his worries. “I just don’t want Keris to feel like we’re abandoning her. Even if the climate feels better up here and things are... simpler. I bet the people here will always need a blacksmith. But family needs family, and Keris... well, she’s been alone for so long. I don’t want to betray her.”
Vali claps him on the shoulder. He’s really quite proud of his uncle. He’s a good man, for all that he’s nervous and always worried. “I reckon she’ll understand. After all, she’ll be coming up here plenty.” He shuffles. “Not sure if Hany will like it here so much,” he admits. “She’s gotten real used to life with Mum.”
“Yeah. That she has.” Ali sighs. “I... I know it’s been really hard for Hany, growing up without a mother. She’s really taken to Keris.”
“As is proper,” Xasan booms. “That’s what a sister is for. To be the mother if the child's mother passes away.”
Vali tries not to look guilty or feel bad. Because he remembers the truth. He remembers Aunty Zanyi. But he isn’t subject to Fate, which dares to tell him what to do or what to remember. And trying to remind Uncle Ali and Great Uncle Xasan about her never lasts.
“I guess she could do it like Aiko does,” he says. “Be up here for most of the year, and spend some of it down with Mum.”
Ali pulls a face. “She’s my daughter,” he mutters. “I... she’s still just a baby, really. I know she likes to act like she’s big and mature, but she’s just a little girl. And Keris is busy so often. I’m just not sure it’d be good for her to be moved around so much.”
Evedelyl’s dress rustles as she leans back. “It is important to keep the children safe,” she remarks. “But you should take care not to stifle them. Hanilyia would miss her friends in Saata if she moved here for good. And she is a clever girl who,” she smiled, “may wish to attend a temple-college when she is older.”
Ali blanches at that. “But those places... the students get in fights and they drink and commit crimes and...”
“If anyone starts a fight with Hany, I’ll beat them up for her!” Vali says. Then pauses. “Unless she wants to beat them up herself,” he adds. “Haneyl would.”
Evedelyl rests a massive hand on his head. “I am sure Hanilyia has more sense than that,” she reassures Ali. “And it will be years before she makes that decision. There is no need to worry about it yet.”
“I’m still not fine with her going to one of those places,” Ali grumbled. “But... yes. She might not want to go to one anyway. And right now, we were looking for a place to build a family place.” He rubs his hand against his short-trimmed beard, looking around. “What are you looking for, Vali?”
Vali cocks his head thoughtfully. “Well, you’ll want a forge,” he says thoughtfully. “And so will Mum, for when she’s up here and wants to play with silver. Plus me, even if I,” he flexes, “don’t need one to work with metal. And Mum really liked the waterwheel on your old house in Baisha. I was looking through her eyes when she looked at it, and she took lots of notes and sketches. I bet I could make something like that if I put my all into it.”
He nods firmly. “So somewhere on the river with enough space for everyone to fit, plus a few workshops. Either a good stretch of solid bank, or an island in the middle where Mum can feel safe.”
“Gods, yes,” Ali says firmly. “I used to have to carry the water back home, and it was bad enough when we were up against the river. Normally that’s a woman’s job, but... well.”
Xasan wrapped a comforting arm around his shoulders. “Enough dwelling on the past. So, I guess we wander up and down the valley. I like the idea of something on an island.” He nodded. “More secure.”
“There are a number of places that might serve well,” Evedelyl says placidly. “Most of them are in the middle of the valley where the river widens, but there are few closer to the mountain the river springs from.”
“Right! I’ll go check up there!” Vali cheers, and bolts to his feet. Ali and Xasan have enough time to shield their eyes against the flash of light as he explodes into motion, though the thunderous boom still leaves them wincing.
Over the next few days, they consider several locations Vali finds, and eventually settle on a rocky island that looks like it was left here by a landslide long ago. Which never happened, due to the way this place was made. Still, it’s an island of solid rock that has sunk into the soft earth of the valley, rising up out of it and parting the river in two. The ground is less marshy here, and it’s towards the top of the valley, where the terrain is a little rougher and so the farming villages are some way away.
Vali spends some time examining it from all angles, and eventually nods. “There are a couple of cracks in the foundations,” he proclaims. “But I can fix those up with a bit of fire and then get building. Hey, uncle. You know how the old house was, right? I wanna do something that feels the same. But bigger.”
“Big enough for me?” Evedeyl says. It’s unclear whether she’s teasing, given her soft voice doesn’t change much.
“Yeah!” Vali insists, striking his palm with his fist. “I’ll make sure it works for everyone! Our family home!”
He looks around at the banks, frowning. “But I guess first I gotta get some roads set up here. I’m gonna need a bunch of wood and stone to build this, and I can’t carve the island up for it without making it smaller. Stone here doesn’t regrow the way it does back home.” The wrinkle of his nose echoes his mother’s when she’s feeling disdainful. Rock that can’t put the effort into healing when it got hurt isn’t really worth the name, in his opinion. “And I should probably get a work crew together so I’m not doing it all myself.”
“The people of the valley have little time free to help with construction,” Evedelyl gently notes. “They have their own families to look after.”
Vali’s jaw sets stubbornly. “Then I’ll do enough of their work that they’re free to help me with mine!” he declares. “Or else I’ll build the whole thing by myself!”
Ali opens his mouth to try to explain that this isn’t how it works, then closes it again as he remembers that his nephew may be able to make it work that way anyway.
It’s a good-sized island, about a hundred and twenty metres long and half that at its widest point. The waters have worn away the rock - or seem to have done so - to make it a rough triangle pointing upstream, and the broader downstream end creates a sheltered patch of calm water where the swift current isn’t quite as fierce. That’ll make a good dock for any little boats they need, Vali decides. And a fishing spot for Xasan and Rathan, too.
The river isn’t as wide here as it is further down the valley, but there’s still a good twenty to thirty metres separating it from the banks on each side, the north bank closer than the south. They’re near the top of the valley, where the water is deep and the current is strong. He’ll have to make a bridge - maybe two, with ways to pull them up from the island side for defence. The house can go on the downstream end of the island, next to the dock, and the narrower upstream end can have a garden for Haneyl and workshops for him and Mum and uncle Ali. Probably a good idea to put a wall around the edge of the island, too, just in case of floods.
But that can come later. Right now he needs roads. The foot of the mountain at the top of the valley is only ten minutes walk away, and the nearest village is three times that in the other direction - Feixi, if he’s remembering right. It’s one of the smaller villages, too, so he’ll have to work extra hard to get the people there to come help him out.
Evedelyl rises to the task of road-making, though, using her size and weight to stamp out paths of packed dirt from the closest point on the north bank. Vali fixes the cracks in the rocky foundation with the application of a bit of lightning and clears away the scrubby plants that were growing over the top, while Ali and Xasan tell him about how their old home was structured.
“Hey,” he interrupts only once. “Uncle? Did the old forge have a name? This island should have a name. Something to call it, like Mum has Silver Lotus in Saata.”
Ali laughs at that. “I... I guess we never felt like we needed it. Everyone knew it was the place where we lived, the ahangar.” He drops back into the Tairan dialect for ‘smith’. “Ali the Ahangar, like my father before me.”
Vali nods. “Ahangar Island, then. That’ll be what we call this new home.”
“Hmmph. It needs a better name than that,” Xasan grumbles. “This is where these people’s gods are going to be living. Where powerful spirits will dwell. The old temple above Baisha didn’t name itself after a smith, and that’s not how you name a holy place.”
“S’not like they’ll know what it means,” Vali says practically. “And it should be something from Baisha. Besides, smiths are the best. They make stuff. You don’t get much better than that. Those sun gods sure don’t.”
“The Sun burns chaos away from the world and brings light and order,” Xasan says harshly. “He is the chief of the gods for a reason; the mightiest warrior and the slayer of great beasts and wicked things. You might not like him, boy, but you are my kin and you will show him the honour he deserves!”
Vali folds his arms. “I’m not gonna listen to anyone trying to tell me what to do,” he says stubbornly. “Anyway, Mum was the one who burnt all the chaos away from here. And she was the one who killed that blue star guy who was in charge. And she’s the most mighty warrior I know. I don’t see why I should respect the Sun when she’s the one who did all that stuff instead of him.”
Spots of anger rise on Xasan’s cheeks. “That doesn’t change things. If you honour your mother for this valley, then you should honour the Sun for his protection of the whole world.” He pauses. “And you don’t show your mother the proper respect, either,” he adds, bringing up an old topic he’s expounded on before.
“As long as he keeps making his light burn us whenever we don’t have stuff protecting us, I’m not respecting him,” says Vali. “Kali likes him enough for three people anyway. And I do respect Mum!” He pauses, considering. “When she’s not being dumb and listening to Haneyl or Zanara or Eko or Calesco too much, I mean. But I respect her most of the time!”
Before Xasan can respond, Ali is between the two of them, a hand on each shoulder. “I think we can just hold off on a formal naming until we can do the proper ceremonies and Keris is there to agree and everything,” he says quickly. “And people are probably hungry after this morning’s work. Why don’t we see about some food and put this conversation aside?”
Man and boy glower at each other for a moment, but reluctantly agree. “Okay, but I’m gonna go up and visit Kalaska,” Vali says. “She might want some too, and I promised to look out for her.”
“That’s... that’s fine,” Ali says weakly, shoulders relaxing in relief.
“You are a good boy,” Evedelyl says, reaching down to pat the top of Vali’s head with a finger. “She is a scared and difficult child. She does not accept my attempts to reach out to her. Perhaps you may have more luck.”
The temple of Kalaska sits on a slight rise that juts out from the mountain slope, out of the way of snowmelt runoff and somewhat protected from avalanches by relative elevation. The sheer drop behind it and to either side mean it can only be approached from a diagonal uphill angle, and a miniature gatehouse with thick blue-glass walls and sturdy gates sits in front of the crystal-domed square building and the five rooms within it. There are a lot of locks and deadbolts on the doors and windows of this little shrine. Few have been opened more than once or twice. It’s not a place of perfect safety, for a great enough force could shatter the walls and break open the glittering dome. But to do that would undoubtedly rouse its occupant to a rare state of fury, and that might spell an attacker’s doom where the gatehouse gauntlet would not. These walls are as much to keep the inside in as the outside out, by the resident’s own design.
Vali knocks twice on the gate and waits, looking over the building with a sceptical eye. Glass isn’t really his kind of material. It’d look much better in metal or stone. And while Mum has obviously helped with the design, he can tell she let Kalaska have her way with a lot of the basic layout. It looks and feels more secure than it is.
Not that it’s going to get attacked here, of course. So it doesn’t really matter.
The sound of an inner door opening comes from behind the gates. Apparently the gatehouse room isn’t occupied most of the time. “Who’s there?” someone yells from inside. Sounds like one of his brother’s orvens. “Friend or foe?”
“It’s me,” he calls back, hefting the basket by his side. “Vali. I’ve got food.”
“Okay, but you didn’t say whether you’re friend or foe! I asked you that!” the orven calls back.
“He says he has food, obviously he’s a friend!” snaps someone who from the crackle in her voice is clearly a szirom.
“Not all people with food are friends!”
“All Valis are!”
“I’m a friend!” shouts Vali, unwilling to be patient for the ten-minute wait it’ll take them to work this out on their own. “Let me in already!”
“Okay, he says he’s telling the truth. So we can let him in,” says the szirom.
“He could be lyin- ow! You hit me!”
“You hit me too by stopping us getting food! Open the damn door, Veni! It’s just- ow!”
“I’m opening it, but not because you hit me! And Vali, you gotta promise to leave if you’re not actually a friend!”
He eventually makes it in with most of the food, leaving the szirom and orven bickering good-naturedly over some flatbread in the gatehouse. The main temple is a simple domed square that the gatehouse leads into one corner of. It’s divided into five inside; one middle room under the dome and four corner rooms; the furthest of them Kalaska’s.
There’s a lot more art in here than there was last time he saw the place. Not all that surprising, since Mum left some agyas here. They’ve taken to their new princess’s tastes, and pictures of foxes hang from the glass walls, while books and scrolls litter the floor and shelves; a sure sign of szirom presence if there ever was one. Two mezes are napping on a szulo in the first room, and a dreamy looking agya is muttering lines of poetry as they try to find a good rhyming couplet. Vali leaves them to it, and heads through to the rear rooms, looking for Kalaska.
Vali is not self reflective at the best of times. He leaves that to people like Rathan, who have shiny metal in their blood to help with that sort of things. But even he is a little worried by the writing in the glass walls.
It says things like “Keris can’t vanish on me” and “Where has she gone?” and “What is she playing at?” and “Lady Lilunu is scaring me when she’s like this but she’s not allowed to hurt me!”. Over and over and over again, overwriting the words that had previously been here. And he can’t even read everything that’s here, but he thinks the other language is high realm.
“Kalaska?” he asks, advancing through into the centre room where the light through the blue-glass dome paints everything a hundred shades from indigo to cerulean and knocking on the door of the furthest quarter. “Cuz? You in there?”
The glass in here is shattered. No. Not shattered. Growing inwards in huge jagged spikes, as vicious and breakable as any of Calesco’s amber.
For some reason it brings to mind the image of a turtle shell with spikes on the inside.
Vaguely cautious now, but undaunted - it’s not like some scary glasswork can frighten him off - Vali advances into the room, peering around, stooping down to look under the furniture. Or what’s left of it. It belatedly occurs to him that he could have asked the keruby what had been going on, but he’s in here now, and turning back would be a waste of time.
There is a sounds like nails on slate behind him. Only worse. And oddly resonant.
He looks up. And up. At the ceiling, where Kalaska hangs. Or something that’s nearly her. Neck twisted around like an owl’s. Arms and legs far too long for her body, and gnarled and bestial. Made of that same splintered glass. She’s clinging to the roof by her talon toes.
She stares at him, eyes burning brilliant blue behind her veil of grey hair.
And the screeching noise of nails is her carving something into the roof with her claws.
GET
OUT
Vali huffs. Growing up with Eko, Haneyl, Calesco and Zanara leaves a person decidedly hard to spook, especially by demonic-looking girls looking creepy and aggressive. He has demonic-looking girls being creepy or aggressive at him about five days a week when his whole family is together. And the pressure trying to force him to feel scared, to obey, to flee the room, only firms his resolve.
“If you’re having a tantrum, it can wait,” he says up to her, putting the basket down and planting his hands on his hips. “I brought you a picnic, so you can come down and eat it with me.”
She isn’t up on the ceiling anymore. She’s gone in less than the blink of an eye, and in the gleaming, sparkly glass fortress, Vali doesn’t exactly find it easy to find her again.
But she finds him. He only realises that after the fact, of course. Something razor sharp and red hot grabs him from behind, and he barely registers the sparks of claws scraping against his skin and breaking through before he’s flying. But not in the good way. In the kind of way that ends in him slamming into one of the sharp walls at high speed, cracking brittle glass under his bulk, before coming to a very painful stop.
He coughs up blood, and pulls himself up on one arm. Other one isn’t working so well, for some reason. Both of the two Kalaskas he can see in his oddly blurred visions seem horrified, and curl in on themselves, wrapping those monstrous claws wet with his blood around them.
If she says something, he can’t hear. His ears are ringing.
Still, he’s not one to let little things like stab wounds or broken arms or concussions stop him, and he shakes the dizziness away as best he can, forcing himself to his feet and shrugging off some of his chains. Lightning crackles around him, and he can feel the brass and basalt scabbing over his side.
“What-” he coughs, more confused than angry - though far from pleased. “What was that for?” And where did it come from? Kalaska had never shown any signs she could fight before.
She doesn’t respond, huddled in on herself. He can taste metal in his mouth as he slowly pulls himself up again. Ow. Ow. This is just like Calesco’s amber. He’s going to need someone with a fine hand and a pair of tweezers to help get this out, or it’ll hurt for weeks until his body manages to wrap it up in brass and crush it into his kind of stone.
Huddled up like she is, she looks far too much like his little big sister when she’s remembering too much about Zanara. Wincing, he stumbles over to her, kneeling down without getting so close that he won’t have any warning if she tries to hit him again.
“Hey,” he says, big-brother instincts coming naturally from time spent with the twins. “Don’t cry, it’s not that bad. I’m tougher than I look, you know.”
He’s almost fast enough. Almost wary enough. He sees it coming this time. Realises she can move between points without passing through the places in-between.
But it’s not a little girl who lashes out this time. It’s something much bigger and fox headed and entirely made of glass and crystal with those same vicious claws, and it’s right in front of him.
He manages to get his arms up, but the sheer force behind the blow sends him flying through the wall.
Fortunately, the sheer power and the helplessness of being tossed like this is liberating. And with a roar, his body expands and hardens, lightning and clouds rising in a previously clear sky.
His wings stop his fall, and he roars his triumph to the storm.
But the rival... but Kalaska doesn’t follow him out. She’s a dragon! Like him and Haneyl! It’s great! She should come out and fight him and their war can shake the world and... where is she?
No! No! This isn’t fair! He can already feel himself slipping, denied his release, his battle against an equal!
He swoops down, his curled brass horns and great brass wings crackling with blue-black arcs of lightning, and headbutts the tiny hole his pathetic human body had left in the wall. But it gets no bigger. Quite the opposite, in fact. Spikes of glass are sewing it shut, forming a lattice of those jagged amber-like barbs to block the way in. The whole temple is growing them. Like an animal curling up in a ball of protective spines. The gate slams open, and for a moment he hopes- but no. All that comes out are the keruby and the two szulok set to look after them, hurrying the whole group away as the gullet of the temple chokes on a thousand vicious fangs.
Roaring with anger and denial, Vali circles once, twice. He tries to ram the rearmost section again, splintering the fragile glass separating him from his rival. But nothing fights back against him. There’s no resistance to dig in his heels against and lean into. Just thick walls and glass claws and silence.
With a mournful bellow, he loses his grip on his freedom and it peels away, leaving him to glide down toward the bank of the river and fall the last few metres as a bleeding human once more.
It’s Evydeyl who finds him, drifting down the river in a cloud of red, and who lifts him out by the scruff of his neck.
“What was that, child?” she demands.
When Vali looks up, his shoulders are slumped but his eyes are bright and sparking.
“She’s a dragon too,” is all he says.
“You tried to fight her.” It’s not a question. It’s also very disappointed.
“She started it! She hit me first! Twice!”
“Vali, she is a scared child.” Evydeyl is angry with him. She’s never been that before. “You charged in on her, and didn’t listen to her warning. She always gives a warning. It’s one of her rules.” Yes. She’s angry, and that’s a growl in her voice.
“Didn’t feel very scared when she hit me through a wall,” he mutters, sullen. But there’s a hint of shame there as well. Maybe he’d been a little bit hasty. Just a bit, though! And she’d still overreacted!
“You might be younger than her, but you are much more mature. Or at least you are meant to be!” she snaps. “I don’t even know how long it will be until she lets her keruby back in. She’s slightly opening up to them, coming to trust them around her a bit. Then she had a very bad spell just after Calibration and backslid a lot and so help me, Vali, if she decides she can’t trust us, Keris’s souls, it’ll all be your fault!”
She pinches her brow.
“So help me. If you go near her before I say you can, I’ll tell Keris and I’ll have her ground you within home until Kalaska says you can come out. And that might be years. If I ever,” there’s ice on her breath, “catch you upsetting her, Keris will know everything that happened today. And do you think she’ll be happy with you? Do you?”
“... no,” he mutters, glowering at the ground. His side is still hurting - and it’s scabbed over, so that glass isn’t coming out without him reopening the wound. He holds in a cough, refusing to show weakness while he’s being scolded.
“We’ll see where things go from here,” she says darkly, then sighs. “And look at you. Come on, let’s try to get as many of those splinters out before they scab over. You being in pain and hurting yourself more isn’t good either.”
Grumbling, Vali trudges after her, with one last look over his shoulder at the falsely-fragile glittering dome of the temple on the heights.
Mid-morning in the Jade Carnation; the quietest time of the day. The floor is shut and the windows shuttered to keep out the rising heat. There’s only a few oil lamps alight, and they gleam off the polished mirrors scattered around the place. A figure in black sits elegantly at one of the tables, a plate of cold scraps from the kitchen in front of her. If she was playing to type, she’d be drinking some sticky expensive cocktail, but actually what she has in front of her is a clay cup of goat’s milk, sweetened with honey.
Calesco sighs, and pokes around the remnants of yesterday’s late-night service on her plate, crossing and uncrossing her legs. It’s already early Falling Water - ironically the driest season in Saata, so the city is alive with the sound of construction even more than usual - and her time as Cinnamon’s student has been... not exactly what she’d expected.
It’s not that she’d expected to dive right into... into the kind of thing pirate lords paid Cinnamon for a night of. Or even deep occult secrets of spirit-hosting that - she now realises - her mother had used to let her ride Kuha’s body in Malra, without letting on where she’d learned them. But she’d expected... oh, something. Little bits of magical theory, tips on how to use her looks or charm to guide people’s thoughts, even just some philosophy to study on the duty of the Joyful Priestesses and what their charter from Venus was.
Instead, Cinnamon has her... scouting out rumours and gossiping.
“Before you loose an arrow, Student,” she’d said, strict and formal in a way that Calesco’s mother never is around her daughter, “you sight your target. You pick the shaft you’re going to use. You aim. A priestess’s work is much the same. You need to know what people’s problems are before you can fix them, and you need to keep in mind how fixing one disharmony can amplify others. Resolve the vicious rumours about a pirate lord, and he may double down on his persecution of a rival’s businesses. The best way to see things coming is to know everything that’s going on.”
So gossip it is. Gossip-gathering, and working in the new little shrine that Cinnamon has raised in the courtyard. And by ‘working’, she means ‘sweeping it’ and ‘polishing anything made of metal in it until it shines’. And of course, watching the begging bowl she’s set up there and selling the mystically-powerless-but-pretty little prayer strips she’d prepared.
She’d known going into this that her mother’s experience as a priestess was equally that of a conwoman and a beggar and a street entertainer. But this really is making it clear that she considers this sort of thing to be an intrinsic part of the vocation.
The fact that drunken guests tip remarkably well when Calesco asks them for donations somehow makes it worse. Because Cinnamon has declared her new student Black Shawl is being paid in those donations she can gather, and nothing else.
Voices drift in through the kitchen door, coming up from the extensive cellars. One is Cinnamon. The other is female, Tengese, eager...
“... a good idea, yes,” her teacher is saying. “I suggest you think more deeply on it. Study the birds in your garden, watch how they fly, how they move. See how different breeds have wings of different shapes, and how they fly differently - some swift and darting, others strong and slow. Consider even bats and insects - do not limit yourself, my dear. Draw them, paint them, in honour of Lady Nululi, and pray to her for guidance on how to incorporate them into your image of your truest self.”
“Yes... yes, I will! Ah, my princess! She shows me what I might be in my dreams. My demon-self will be so beautiful...”
Ah. Scarlet Blossom, then. She’s the furthest ahead in the Evocation of the True Self Cinnamon has been leading the pacted members of Nululi’s cult through. Though the wings are new. Apparently she’s still not happy with the shape she envisions for herself once free from the laws of the gods and Immaculate Faith.
This isn’t something that Calesco likes. It’s a side of mother that isn’t reflected in her. If she had her way, there wouldn’t be cults like this. Not with their hierarchy, their rules, the way that mother twists them into people that they wouldn’t have wanted to be when they started.
Yet that happens anyway. Even without intending it. Because Calesco is starting to hear the whisper of prayers when she listens for them. And the thing about the voices she hears is that she recognises them. Even now, as she turns her mind that way, she can hear one. The words are indistinct, but the soft-spoken, softly-accented voice is Adelia’s. It brings a faint smile to Calesco as she recognises her first love after Kuha, the quiet, eloquent poet-dedicate of the literature-goddess Alka. It’s poetry she’s praying with now, and though Calesco can’t make out the words themselves, the meter and rhythm tell her that Adelia hasn’t lost any of her talent or passion since they parted.
She’s trying to make out the details of the prayer when Keris interrupts, walking in alone and sitting down across from with a sigh. And it is Keris now, not Cinnamon; her courtesan-manners have dropped away like a casually discarded shawl as her movements shift back to a more predatory grace than Cinnamon’s alluring sway.
“I like her,” Keris says, pulling a cup of tea from her hair and sipping, “and her true-form does look like it’s going to be interesting, but gods does she go on a bit. How are you, sweetie? Good day?”
Calesco shrugs.
Keris eyes her for a moment, takes another, longer sip from her tea, sighs again, and pulls Cinnamon’s manners back over herself. Calesco’s reminded of her own shadow - how she cloaks herself in this lie or that so easily and effortlessly, changing faces as easily as expressions. Mother does the same thing. Just inside her own head, and with personalities instead of appearances. Small wonder she birthed a soul whose nature was lies-hiding-truth. It’s all she ever does, day-in, day-out.
“So then, Student,” Cinnamon says. “Have your studies gone well?”
“I polished all the brass in the shrine again,” Calesco says softly. “And,” she drops a half-full pouch on the table. It’s a mix of coins and paper notes of all denominations, from realm jade scrip to silver and bronze to one actual obol. She doesn’t like touching obols, because the jade doesn’t quite burn her, but it’s definitely unpleasantly warm.
An obol is eight months wages for a peasant in the Realm. And the almost-certainly-a-Dynast-on-holiday who dropped it in the collection just tossed it away. It makes her angry - even angrier than the fact that that man also pinched her bottom and tried to get her alone for a ‘prayer session’ where she could ‘bless him’.
She stayed calm and smiled and teased because that’s what mother wanted of her, but she is still angry about that.
Cinnamon eyes her thoughtfully as she counts out the money, lingering on the obol. Something in her expression implies she knows or guesses what happened in that particular encounter.
“I did warn you about the uglier parts of this job, Student,” she says softly. “There are times - many times - when a priestess must smile and pay service to people they privately despise. You need to find a way to come to terms with that, because it’s only going to get more frequent as you learn more.”
Calesco forces herself to smile. “But teacher,” she says, as sweet as her honey, “this sacrifice on my behalf helps me find those who oppose serenity wherever they are. That man, for example, will have pushed his attentions on other pretty priestesses before. And those women won’t have been like me.”
Rolling her eyes, Cinnamon tips her cup towards Calesco in acknowledgement of the point. She still hasn’t stopped trying to get Calesco to rethink this path, but so far Calesco is holding her own against the pressure to give up.
“If you insist,” Cinnamon says, and raises her voice a little. “In that case, if Sesha would like to come the rest of the way upstairs and join us, you can tell us the latest news from Saata.”
A squeak, followed by footsteps and some quiet grumbling, comes from the direction of the flight leading down to the pantries. With a hint of a pout and a distinctly Sasi-like flounce, Seresa emerges and collapses into one of the lounge chairs with a bottle of wine she’s secured. “Darlings, you two can be so un-fun sometimes,” she protests.
“Find some better material,” Keris says sweetly. “So then, Student? What’s going on in our lovely, peaceful city? Sesha, I assume you’ve heard things as well.”
“War, treachery, bloodshed, infidelity and hedonism,” Seresa says happily, taking a gulp from her bottle of wine. “I’m having several affairs, three men and one woman tried to get me to become their mistress last week, and two of the men then fought a duel over me. This really is a delightful city, and now I don’t have to pretend to be you - unlike last season. And,” she shoots a dirty glance at Calesco, “I don’t have that one viciously murdering my good vibes.”
Calesco rolls her eyes with Eko-ish verbosity, explaining her low, low opinion of that stupid drunk.
“Hey! I’m not drunk yet. Or stupid,” Seresa grumbles back.
“Two men fought a duel over me back in Nexus, once,” Keris reminisces fondly. “Only I was there, and both of them were so distracted by my beauty that one of them missed and the other stabbed himself in the leg. And then I had to sew him up before the auction started. And then the auction got attacked by an Anathema.” She considers that for a moment, and frowns. “Actually, that whole day was more trouble than it was worth in a lot of ways. Moving on. Calesco?”
Calesco rolls her shoulders, pushing a globule of cold mango chutney around her plate. “Two things you might be most interested in, I think. I’ve put time into following them up, though... well, one of them is very secretive. You know your friend, Ba-le?” Keris nods. “She was born a Baltoo before she eloped. She was the heiress. It’s some of their sworn men who were too deep in their cups when you had me serving. They got very talkative. And getting quite seditious about the Sinasana kin-stealers and ‘that spoiled slut’ who betrayed them and opened her legs for the Sinasana.” Calesco meets her mother’s eyes. “I think there’s something going on there. They’re really holding a grudge. They think they’ll get their revenge, I think.”
Keris purses her lips, lethal calculation taking over for a moment. “Hmm. Might wanna nip that one in the bud,” she muses. “I’m renting Shining Foam from her. And I don’t particularly want the satrap going on a rampage to avenge an attack. At least not an undirected one. Maybe a quiet tip in someone’s ear to bring it to her attention early... mm. Good eye on that one, well done. The other?”
“It... wasn’t entirely what you asked me to do, but I think it might interest you,” Calesco admits. “I’ve been looking into the Devout College of the Wild Orchid, one of the old temples that dates back to the Blue Monkey Shogunate. They, uh...” she glances at Seresa, “they sounded from a distance a bit like they had some common ancestry with your calling. So I was wondering if they had anything they remembered that you might not have learned.”
She is taking her oath seriously. Mother won’t respect her if she doesn’t. So she can’t say much when that stupid tarry indulgent hag is here.
There’s a glint of pride as Keris leans forward, Cinnamon once again. “Interesting,” she hums. “I’ll admit, my teachers weren't much for history, but it’s supposed to go back at least a hundred years. I’d be surprised if a cousin-branch of the same school of thought was all the way out here, but not shocked.”
In the lounge chair, Seresa has already tuned out, bored by the discussion of history and philosophy. Quick and subtle, Keris glances over at her and winks. Yes, Calesco thinks. She’s definitely scored points with that one. And hopefully she’ll be privy to whatever mother’s conclusions are after taking a look at the temple.
“Going back to the Raaran Ge for a moment,” Keris says, annoyance surfacing, “have there been any more developments in their war with the Padua family, or is that little clusterfuck still at a rolling boil?”
“Nothing has changed,” Calesco says. “Though I heard some rumours that the Sinasana might lay down the law soon because of that brawl in Makor Square last Saturnday.”
Keris growls. “Uuuurgh. I swear to- what was Eko thinking?” She thumps the table. “If this spills over into the Hui Cha, I am going to ground her to the Ruin for a year. No, worse, I’ll... I’ll...” she makes a sharp, aborted gesture, unable to come up with a punishment dire enough. “Something. She says she doesn’t even remember why she started it in the first place, can you believe that?! Or how. Though I bet it had something to do with the assassinations they’re accusing each other of.”
Calesco sighs, a sweetly melancholy sound. “She was hinting before Calibration that she had a surprise for you that she was sure was going to make you happy. She might have chosen to forget when it didn’t.”
“Why would I be happy about a war she started without telling me she was going to start it?” Keris demands. “Urgh. Well, whatever. I at least managed to use it to calm Pale Branch down. No offence, darling, you did well, but she was getting a bit distressed at Little River acting ‘off’. I told her I’d been planning something for the Raaran Ge that the sudden war threw off, and that calmed her down.”
Seresa giggles. “It’s funny, but I’m pretty sure Sasi has come into my bedchambers annoyed about you starting big cataclysmic things without her being told. And then I had to help her vent all that stress and worry,” she purrs, kicking off her slippers and wiggling her toes at Keris.
“That-” Keris starts, raising a finger, “was... completely different. Because, uh. My things were justified, and she just... didn’t have all the information. And there wasn’t time to tell it to her, because she doesn’t do so well with having stuff sprung on her. Unlike me and Eko.” She nods, secure in her logic.
The look from Seresa and Calesco’s dark eyes are oddly similar.
“It is her nature to cause chaos and disruption, and now the Sphere of Speech makes her seek out melodrama,” Calesco says. “She is both the murderer and the fantasist.”
“Mmm. Well, she’s grounded until I decide I’m no longer pissed at her,” Keris replies. “I’m not going to complain about her causing chaos or being melodramatic, but I’d like to be read in on the plays before she stages them. See if you can get her to understand that whenever she next comes up with a ‘surprise present’ for me.”
“She’ll only ever understand anything if she feels it’s more fun that way,” Calesco says. “I know my big sister. She takes after her mother.”
Huffing, Keris changes the subject. “Well, while we’re on the topic of older siblings and people I’m pissed at,” she says, “my ship is running supplies to that little project around the coast of the mainland this season. Your brother requested it.” She pinches her nose, grimacing. “I’ve been generous with the captain so far, but if she keeps screwing up I’m honestly not sure how much longer I can justify keeping her on. Even she can’t screw up a freight-hauling job, but so far she’s two-for-two on abject failure when it comes to important work.”
“I’m surprised you tolerate so much failure,” Seresa says idly. “Sasi would have replaced her. Has she actually ever succeeded at anything?”
Keris’s nose wrinkles, and she doesn’t answer for a moment. “She gets one more chance,” she says at length. “That’s all.”
Calesco smiles a little maliciously. “Maybe she’ll screw up again in front of Rathan, and he’ll handle the situation for you. Won’t it be nice to keep your hands clean? And no one will blame him. It’s what he does.” It’s letting out more of her light than perhaps she should, but she’s been hearing a little too much about what a good boy Rathan is from mother over the past couple of months and it’s getting on her nerves.
“Perhaps he won’t need to,” Keris says darkly. “I’d say she’s at less threat from Rathan than from the Priest onboard my ship. It’s been getting as impatient with her as I have. And I don’t have nearly so tight a leash on it as I do on her.”
“Ah, lovely, no one to blame who’s on your side,” Calesco says.
Seresa sighs. She gets irked when Calesco fails to be sufficiently reverential of the monsters who rule the demon realm, so Calesco of course works in these barbs whenever she can.
“No one to fob off my work at Shining Foam on, either,” says Keris, letting the barb pass by. “So I should probably get back to reviewing journeymen hires. And I believe you have more prayer strips to write for tomorrow’s sales, hmm?”
“One last thing, in private, mother,” Calesco says. She glances down her nose at Seresa as she rises, but in the end they go upstairs rather than try to dislodge her from the comfy chair. “Are any keruby... interested? You said you’d start looking...”
“I made an announcement,” Keris confirms. “There’ve been a few potentials - most of the first surge of responses weren’t really serious, but a few have stuck with it. Including one name you might recognise.” She raises an eyebrow. “Is Marchioness Anyuu of the Salt Raiders a familiar name?”
Anger flares in her, cold and bright and sharp. “That murdering vicious savage! Her? Her?”
“I was surprised too,” Keris says. “But she does seem serious. She officially passed over leadership of her gang - well, she, uh, tossed her black ribbon to her runner-captains and let them fight for it - and made a pretty convincing case for genuinely wanting to turn her life around. Said to give you her... regards or apologies, I’m not sure which. And also asked me to say hello to someone called Shi, who she seemed to think I knew.”
“The name doesn’t ring a bell,” Calesco says, thinking. “I...” Her hands ball into fists. “If you train her and you... you don’t... you accept her... then you’ll teach her and then she might teach me and...” She trails off, stomach churning. “Mother, is this some kind of... of cruel test to make sure I don’t go through with it!?”
“Honestly, no,” Keris says. “Like I said, I was as surprised as you when she came to sign up. She said...”
She grimaces at the memory of her talk with the szilf. Anyuu was one of Eko’s oldest cronies, the leader of one of the largest gangs in the Ruin and a honey-thieving thorn in Calesco’s side that went back years. Eko had not been pleased to find her answering a “lewd, shameless invitation to degeneracy”, and had demanded an explanation even more stridently than Keris.
“She said that the Quicksilver Betrayal had made her think about things,” Keris says, quoting the embroidered-up gang boss’s words. “About fighting with each other and stealing from each other and where it gets you. She said she wanted to give peace a chance. That it seemed like a better way.”
“She’s a szilf! She... she has to be pulling some kind of prank!” Calesco insists. Insists, because if it’s true then Anyuu is making a determined effort to change and better herself in the face of no one ever expecting that of her and if that’s true, that’s really admirable and more than a little...
... hot.
Oh crap. This is what happens when she doesn’t have a crush. She’s so vulnerable to people doing really impressive things. And that’s why Anyuu therefore is just pulling some cruel szilf joke!
“I believe that’s my place to judge, not yours, Student.” The easy-going mother is gone in an instant and Cinnamon is back in her place, strict and formal. “If you are so concerned, however, you may speak to fellow students of your temple in matters of philosophy, so long as you keep it civil. I will summon her tonight, and you can take your own measure of her intentions.”
Calesco screws her eyes shut, accepting the reprimand. She’s emotionally compromised right now and she needs to go out and find a new crush somewhere in the city before this thing can solidify, and that means avoiding Anyuu until she’s found someone else. “I overspoke, my teacher,” she says. “There is no need to summon her on my behalf. Especially when you would have to cancel your performance tonight at sunset to do that.”
“Mmm.” Cinnamon dips her head. “Back to your prayer strips, then. I expect two boxes before you go to bed for the night.” Calesco winces. It’s not more than she can do, but it’ll mean a choice between finding a new crush, and sleep.
“Are you sure you don’t want me to further investigate the Wild Orchid college, my teacher?” she tries with a tiny bit of desperation.
“It’s not going anywhere,” Cinnamon says placidly, with a hint of sadistic satisfaction. “And your daily chores are more important. Prayer strips, then bed. You can look into it further when you’re all caught up and have some time free.”
“Yes, teacher.” Calesco swallows. Until she took up this role, she hadn’t realised how hard her mother worked. She’s living two lives, one as Cinnamon and one as Little River, and maybe an extra one as Keris Dulmeadokht. And sure, Gales and her use of Calesco and Seresa as body doubles for things that a Gale isn’t enough for helps, but she’s still living three lives. She only sleeps a few hours a night when she’s in Saata Proper, taking her naps in the baths. She gets a bit more rest when she’s in her estate and not having to be up until the early hours of the morning being Cinnamon, but then her Keris-life expands with sorcery and arcane research and demonology.
She doesn’t think her mother realises how much she’s changed over the past few years, since she wound up with her own Directorate.
“By the way, mother,” she says, shifting back to their normal relationship. “I didn’t want to talk about it in front of Seresa because she’d blab if anyone asked her, but how are you handling the problems with the Hui Cha?”
Keris leans back and stretches in another quicksilver shift of demeanour. “Eh, like I said, I managed to talk Pale Branch down. She wasn’t exactly a problem, she was just getting nervous at how Little River had seemed off. You’re good, and you did really well, but you can’t play Tengese as well as I can. I can’t play Tengese that well without cheating with Zanara’s petals. All I had to do there was reassure her that I was off because of the stupid Padua war. And as for the blue sea masters...”
She rolls her eyes expressively. “That stupidity was just men being men. Jade Fox and Peaceful Wave got into a pissing war over spice trading rights. Nothing that couldn’t be solved by sitting them down and making some pointed comments about getting along, they were just being stubborn idiots about it”
“Well, that is what those triad murderers need you for,” Calesco says, wrapping a lock of hair around one of Keris’s strands. “They only keep you on as the Golden Crown because you keep them from killing each other. And I spied on them when I was being you. Jade Fox was telling one of his men who was grumbling that it might not be how they used to do things, but Little River has them all making more money than before because fighting the other blue sea masters is expensive.”
Keris contrives to look both very smug and very proud. “Good girl,” she praises. “And yes. I need to start seriously pushing for them to take over trade across the rest of the Anarchy. The more money they’re making from merchant fleets, the less they’ll want to risk on wars.”
“I don’t like all of that,” Calesco says darkly. “There’s a lot of slavery. And the sugar and tobacco trades are murderous and based on human lives being spent for coin. There are things more important than money.” But there’s no convincing Keris there. Haneyl might be crippled and still healing, but her mother’s greed is still a powerful force. At least when her big sister is better, it’ll Haneyl being sent out to do those awful, awful things in the name of profit rather than her.
Keris lays a gentle hand on hers. “I don’t intend to let slavery flourish in the Anarchy,” she soothed. “There are limits to what I can do, but I won’t stop targeting it until it’s rooted out and gone. Now go on. You’ve got work to do, and so do I.”
“Yes, mother.” Calesco stretches, and works out her writing hand. “And mother. You might want to go back and be Little River for a bit at your estate. Spend some more time with the twins and Atiya, and make sure Aiko’s room is aired out. She’s expected back in a couple of weeks. You’ve worked hard almost all season.”
She’s not being selfish. Her mother deserves some time with the children. The fact that Calesco will get a lighter hand and be able to catch up on her sleep is entirely coincidental.
Keris smiles. She’s a brutal taskmaster to her students, but when her children express worry for her, she folds much more easily. “Alright,” she says fondly, “if you insist. I’ll finish the last round of journeymen hires for Shining Foam, then head back the day after tomorrow. Maybe look into repairing the west wing.”
Calesco nods, clasps Keris’s forearm with a lock of hair, and then heads up the narrow and winding back-staircases to her cramped garret room (“This is how I lived when I was studying so you should too,” her mother had said) at the back of the Jade Carnation.
There’s barely enough room to stand upright, and half the space in the room is taken up by her bed-slash-folding-table. Outside, it’s raining gently, and she stares out through a crack in the shutters for a while at the hazy, rain-veiled city of Saata before lighting a candle and getting to work on her prayer strips.
As the season draws to a close, the demon lord Haneyl is feeling ill at ease.
It’s not because she’s hungry, because she’s just eaten very well. It’s not because she’s bored, because she has a good book. It’s not even because she’s lonely because she has her new friend Mata here. Mata is very special because she came to Haneyl from the Meadows and wanted to be her friend. She was a mez back then, with a really large white mask and she didn’t seem to like that. But she said her Happening needed her to get to work for Haneyl, so she did! And now her white mask has turned into white petals and her black tar has turned into black petals and she had purple fire! She’s very quiet and soft for a szirom still and that makes her a good friend when Haneyl feels wobbly or off.
But even hugging Mata isn’t helping. Not with the thoughts she’s having now.
“Mata!” she demands. “Tell... tell me a story! A really happy one! Where nothing... where nobody dies or anything!” Stories don’t make the bad thoughts go away, but they can help bury them under nicer thoughts, she’s found. Except... except sometimes even happy stories have things in them that make Haneyl think of the bad thoughts again, and she can’t stop her mind circling around them like a drain in a sink, and if she lingers on them too long it makes her fires go even dimmer and food stop tasting good and- and- and-
“Now!” she demands, stamping her food and blinking away tears. “Mata! Stories!”
“Uh... uh...” and Mata’s stammering sets off the bad thoughts again because the stammering, shy, female szirom who should be reading to her should be white with green fire, not black and white with purple!
Everything is wrong!
Covering her face with her hands and curling into a ball on her throne, Haneyl lets out a muffled wail of frustration. She’s trembling, and her tummy hurts, and she feels sick and anxious and... and...
the lazy satisfaction of seeing Elly on her knees by the desk as she goes through the accounts, the numbers in the ledger adding up and up and up to-
-burn with envy at the sight of that perfumed popinjay flaunting his wealth and access to the far southern coast, when she deserves those riches more, SHE should-
-have supper with mama and the twins, feeding little Kali scraps of meat and tickling Ogin under the chin with a sense of patronising fondness for how young and innocent they are and how much they still have to grow-
“Make it stop!”
Haneyl’s scream is tear-muffled. “Make it stop make it stop I don’t want to think about that make it go away!”
“Make what stop?” Mata asks, shrinking back. “I hadn’t even started the story yet.”
“I-I-I-” Haneyl hyperventilates. “G-go... go get Eko! Get Eko and make her come here and tell me how to make this stop! Something’s happening in my head and I don’t want it to and it’s bad and I don’t like it and I want it to go away!”
Mata runs, and she’s gone. But now Haneyl is left all alone with her thoughts.
Except that’s sort of the problem. It’s not that she’s all alone with her thoughts. It’s like there’s someone else in here with her, thinking things she never thought and knowing things she doesn’t know.
And the thing is about that? Haneyl knows intimately about that kind of infection. It’s what she does. Her seeds, growing inside others, cultivating their thoughts.
There are thoughts growing inside her now. They’re thoughts growing inside her - and worse, they don’t feel like her. The other her - the Older Her - from the memories is... different. She’s lazy, in an arrogant, smug sort of way. She’s angry-hungry, like a fire that wants to eat everything around her all the time. She’s still proud of being a princess, like Haneyl is, but... the tone is different. She thinks about Mother, but she thinks about things Mother has taught her that Haneyl doesn’t remember, and sees being a Dynast as... as something else that Haneyl doesn’t have enough memories to understand! And she thinks about doing stuff with Elly and Rounen - who are grown-ups now! - and lots of other people! She’s different to Haneyl! As different as Haneyl is from her siblings! And that means...
She forces her mind away from that thought again, squeezing her eyes shut and gesturing for music and a plate of food. It doesn’t help very much. The music is the kind of thing that would normally make her feel happy or eager to go out and have adventures, but now the sound washes over her like she’s a rock it can’t soak into. And the food just tastes like ash in her mouth. Hot tears seep down her face as she shakes.
Hey, hey hey hey comes Eko’s familiar expressive gestures, as she drops in through a window and sweeps Haneyl up in a ribbony hug. Why is her adorable little imouto-chan so sad? It’s cute and moe but also not right for Haneyl to be crying like this.
She smells of sweeties and blood. Did Zanara show up here again, her hugs inquire.
“I- I-” Haneyl sniffles, clinging to her sister’s silvery-grey dress and sobbing into her armpit. “S-stuff keeps... in my head... I-I’m’memb’ring stuff f-from the older me a-a-and it doesn’t f-feel like me th-thinking it a-and it’s like she’s infecting me li-like I do t-to stuff with me seeds a-and...”
She looks up at Eko through tear-blurred eyes. “A-am I going to die when she comes back?” she whispers, giving voice to her deepest fear - the one she can’t quite get away from, no matter how hard she tries. “She... she’s not like me at all, s-so when I grow up again, a-am I just going to... to stop?”
In her mind’s eye, the abyss looms. The terrifying black void of oblivion - worse than pain, worse than fear, simple non-existence. Everything she is, snuffed out and gone from the world. Never experiencing anything ever again. No more food. No more hugs. No more stories. Nothingness.
She whimpers again and buries her face back in what passes for Eko’s chest to hide, clinging to her like a limpet.
Eko freezes for just a moment. But the way she is, her stillness is very noticeable.
Haneyl is her adorable baby sister no matter what way she is, Eko gestures with her free hand. And she remembers the first time Haneyl was this small. She was just as cute then. Not like when she grew up to be all... Eko catches herself. Her head falls. She should not have said that, should not have said that, her slumped shoulders say.
“To be all what?” Haneyl demands. “Tell me! Tell me tell me tell me tell me tell me-”
Sadly, Eko interrupts her before she can get to the seventh repetition by putting a gloved hand over her mouth. Glaring, Haneyl bites her.
“You have to make me feel better!” Haneyl orders. “That’s what you said you were a big sister for! Well I don’t feel better! I’m scared!” She feels herself tearing up again. “And you still haven’t to-told me if I’m going to d-die when I grow back up and now you’re hiding things and you have to tell me!”
It’s all very complicated, Eko gestures, rubbing her hand. It hurt her as much as it hurt Haneyl to bite her. Her mouth is sore.
See, when Eko and Rathan and Haneyl were little the first time around, Eko was a lot more stupid and had a lot more problems focusing on things. So she can’t remember everything. But she was still Eko. And so that’s why Haneyl is still Haneyl even if she can’t remember everything.
Forgetting, Eko explains, is how life works. As long as you feel like you, you’re still you. And Haneyl now, she adds, has an advantage that big Haneyl didn’t have. She doesn’t remember having the nasty bad poison-metal in her. Haneyl got confused and took in the poison-metal because she thought it was a tree, but the poison-metal tree is actually a metaphor for divergent time-like points in phase space measuring configuration-states of the branching all-histories and so it envies all the states it could be in, but isn’t. And that was very bad for big Haneyl’s state of mind. Little Haneyl is a lot better, like they were when they were kids.
Eko tilts her head at her. Doesn’t she feel better now that big sister Eko has cleared everything up, her expression asks.
Haneyl blinks at her. She doesn’t feel much better. Mostly she feels confused.
“What’s a... a... turning-away... like-a-clock bit... map?” she hazards, trying to make sense of the more confusing gestures. “You mean I’m... I’m not going to be the Older Me I remember being?”
Eko sits back, hugging herself as much as she’s hugging Haneyl. Eko... did a thing that’s sort of like what happened to Haneyl, in reverse, but if you could go backwards in time, that’d be like going forwards through the same thing Haneyl suffered, she tries again to explain. She paused, one hand on the other glove. Can Haneyl keep a secret, she enquiries?
Wide-eyed, Haneyl nods. She squirms free long enough to order everyone out of her throne room, and waits until they’re all gone before burrowing back onto her sister’s lap.
“I won’t tell,” she whispers. “What is it?”
Eko pauses, mask twisted up into a mortified look. And then tugs off the glove. Showing the hand underneath.
The hands made of ribbons, scrawled over in bloodstained writing. The ribbons, entwined with veins that slowly pulse with cold, stagnant blood. The flickering, sickly light mixed in with that. The wet, painful-looking texture.
Eko did this to herself, she gestures with that hand that isn’t what Eko is meant to look like. She drank the coldblood of the holographic universal narrative principle, knowing what it would do to her. She let it change her. Did she kill the old Eko when she did it? She doesn’t think so, but maybe the old Eko would disagree. Eko is now a lot more able to be serious, able to focus better, but there are side effects and they can be very bad. Like what happened to her body.
She puts the glove back on.
Little Haneyl doesn’t have the poison-metal tree in her, but the memories of Big Haneyl do, and... and Big Haneyl didn’t go into it with Eko’s understanding. The side effects were really, really bad for her. Eko filtered the blood of the holographic narrative principle so only her body would get changed in ways Eko didn't intend. But Big Haneyl let the poison-metal into her mind.
And, she taps Haneyl’s brow, that’s not there any more.
With a quiet gasp, Haneyl takes in the... the effects of what Eko did to herself under the gloves and clothes. She throws her arms around her and tries to hug as much as possible.
“Does it hurt?” she asks in a tiny voice. “Can... can you make it better?”
No, Eko shrugs, and she wouldn’t if she could. The cold blood helps her think more slowly. Lets her be someone other than just her Other Mama. Takes the edge off her mood-swings and allows her to go out and pretend to be someone who doesn't hurt things just by touching them. But it’s part of her now. Getting rid of it would be like taking Calesco’s shadows away. You can’t, and trying would be very bad.
Haneyl, Eko informs her dryly, is very lucky that her other Mama is Mama’s good friend Sasimana. Eko and Calesco aren’t so lucky.
Haneyl sniffs again and wipes away her tears on her arm. “S-so... I had something like that in me. But now it’s gone. And... and when I grow back up... I won’t stop being me? Y-you promise?”
Eko hugs her baby sister. If Big Haneyl tries to forget being Eko’s tiny cute imouto-chan, then Eko will stab her and make tiny cute imouto-chan come back again. Big Haneyl had a duty to tiny Haneyl, because she could have just stayed asleep in her tree for a year. But she wanted to be tiny cute imouto-chan - probably because she’s adorable - and that means she has a responsibility to who Haneyl is now.
She boops Haneyl on the nose. Maybe Haneyl just wanted to learn how to be not-sick and not-lewd again, she suggests.
“Huh?” Haneyl tilts her head. The poison-metal that Older Her stupidly ate was making her sick, she knows that, but... “What’s ‘lewd’?”
Good heavens is this the time Eko really had somewhere else to be, goodbye tiny cute imouto-chan. That’s probably what Eko gestures, anyway. The last bit is pretty hard to understand as she accelerates away leaving the wall hangings flapping in her wake.
Staring after her, Haneyl wonders what that was about for a moment, before shaking her head and letting it go. She understands the important stuff. She’s not going to die when she grows up and gets her memories back. She’s just going to understand what a stupid dummy Older-Her was, and grow up to be an Older Herself.
“Mata!” she calls. “Everyone! Come back in! I still want storytime! And then...”
She thinks of vein-entwined ribbons and sickly light pulsing under the wet texture of painful flesh. Of the shameful cringe to her big sister’s shoulders as she bared part of herself she didn’t like to make Haneyl feel better.
“And then we’re doing some baking! Lots and lots of baking! Of really sweet tiny cakes!”
Chapter 6: Earth 773
Chapter Text
Hundreds of kilometres to the west of Saata rises the structure of an ancient lighthouse-manse from the blue-green waters. This close to the edge of the world, sometimes the wyldtide brings strange sea-life on currents from the trackless waters of unreality. But this structure has survived a long, long time, weathering typhoons and hurricanes, and it has had many inhabitants. First, the lighthouse keepers of long ago, who saw to its maintenance. Then, when those men perished, the birds came in their cawing masses, living in the stone tower and turning it into their nests, re-painting it in guano and feathers.
But now new inhabitants have come. First, they starved shovelling the centuries of guano, taking it away to sell it. And now this marble structure, well-weathered and aged, is a nest of demons.
Striding around the gravelling cove, the demon lord Rathan wanders from here to there and makes sure the hellspawn and creatures of his mother who serve him are doing their jobs. There, a few mercurial artisans are working with mercury and marble to reinforce long-eroded foundations. There, brutish creatures turn cranes to hoist stone up to the tower where more demons are working on patching holes in the walls. There, his brother’s drudges sullenly handle shovels to shift more of the bird-poo into barrels for transport and sale.
And from the water emerges a figure of beauty; pink-haired, silver-horned, her eyes blinking in the sun before focusing - as they always do - on him. Draped only in the silvery skin of her dolphin-form, Oula pulls herself half out of the water and he hurries over to see what she’s found.
“They’re right!” she says, eyes gleaming in delight. “The old jade polestone got washed away, but it’s down in the silt about five hundred metres that way!” She points out to sea. “The black jade’s warping the local geomancy around it. We can’t lift it out yet because the manse isn’t reinforced yet and a springback could ruin it, but...”
Aware that he’s smiling adoringly, Rathan listens to her excitedly plan out how to retrieve the sunken component, interjecting here and there with a word or two but letting her have her way with the conversation more often than not. This is Oulie’s project, not his, after all. Mama put him in charge of the work crews and keeping the island safe from prying eyes, but the geomantic work is firmly Oula’s authority, with even Rathan himself serving as a support sorcerer under her command.
All around the island, demons are working. And they’re following Oulie’s orders, even if some of them - the hellish ones - think that they’re following his orders conveyed through her.
Gods, Hell is so stupid sometimes. Why would you put a demon lord in charge of something that’s not really their thing? He’s not an architect, and his knowledge of manse-building is just some of the theory. Oulie’s studied with Mama under Lady Lilunu, learning the ways that the flows of essence are like that of the body and that there’s really not much difference between the body of a god-being and Creation. He’s glad he isn’t having to oversee this. It’d be so much effort and he wouldn’t make as good a job of it as his smart, ambitious, brilliant girlfriend.
He realises he’s zoned out slightly when she sticks a hand out at him. “Rathan! Towel!”
“Sorry, Oulie,” he says, handing her one and watching her dry herself off. She knows he’s looking, and puts on a bit of a show for him, but enough demons are nearby that she keeps it tame. Nobody else is allowed to look at her bare. Only him.
“Did you hear the orcamen while you were down there?” he asks as she finishes finger-combing her hair. “They’ve been passing by more often since Water. I think next year I might go and try meeting with them.” Maybe he can work on an orca form of his own for the occasion. Oula can turn herself into a dolphin, and he knows Haneyl and Vali can both take on draconic shapes. A horned orca would be the perfect equivalent for him; he’s wanted to be one ever since he was little.
“Yes,” she says, holding up her towel defensively with her hair as she does up her breastband. “I think they might be the same group we heard early in Air, but heading the other way. They might head down to the far south-west in Air, and head further north now. Maybe it’s some kind of migration for things that only grow in the southwest in the cooler parts of the year.”
“Worth making friends with, then,” he hums, and leans forward to kiss her on the cheek. “Not that they could ever displace you, my pretty dolphin.”
“Oh, my darling,” she says, her pupils only narrowing slightly. “I’d only have to worry if they were pink orcas.”
He kisses her again, and they start back up towards the lighthouse. “So, with the polestone accounted for, that moves our timetable up,” he says, gallantly offering an arm for her to hold as they ascend the steps. “We’ve got all the raw stone and materials, and the cladding repairs are underway. How badly warped is the geomancy?”
“As bad as we feared,” Oula says, squeezing his arm. “If not slightly worse. So I don’t think a small adjustment of the geomancy will be enough to redirect the flow back to this manse. There’s a place nearly a kilometre away that’s a proto-demesne, but there’s still too much flow pooling here for it to be easier to build a new one on that site.” Her damp skirts flick around her, and he coaxes the water out. “I think something bigger will be needed, if we don’t want to get stuck here for years. If not more.”
That sounds, Rathan reflects, entirely too much like mama saying she’s had ‘a really good idea that isn’t too risky’. “How much bigger?” he asks warily. “And will it risk a demesne exploding? Because I’m all for learning new things, but that really doesn’t sound like fun.”
“I mean,” Oula gives a hair shrug. “What I’m really thinking about is some real magic. Coaxing the dragon-lines like you would the flow of a river, damming the flow to that quasi-demesne and channelling it all into the manse to reaffirm its previous strength.” She catches his expression. “Obviously I’ll want your help, and probably Aunty Keris too. Sorcery is more powerful in trios. Or if we can’t get her, we can get her to summon Asarin to help us, maybe.”
Taking her hand, Rathan squeezes it thoughtfully as they make their way into the restored structure. It’s already looking much better than it did when they got here; the centuries of guano have been cleaned off the white stone walls and the rooms within patched up and refurbished.
“An Emerald Working, then,” he says at length. “Okay. It still sounds risky, but I trust your expertise. And,” he grinned at her, “I bet you have a whole heap of new orders for me to give, if we’re going to be reinforcing the manse to handle a dragon line being diverted back into it.”
Oula raises a warning hand as they step through into what she’s been calling the war-chamber. It isn’t one, not exactly, but it’s the former-and-future hearthstone chamber and the only demons allowed into it are ones who descend from Keris. Nothing of Hell is allowed in here, and Ipa and Bhui are two hungry ones who handle the administrative documents here as well as being willing to kill and eat any overly curious hellspawn. Compared to the rest of the structure, it’s been made much more comfortable with pink wall-hangings to keep out the breeze and soft woven rugs of swamp kat-fur.
“I can’t say I can do it for sure,” Oula confesses. “I know I saw it in some of Aunty’s books, but I might have to send someone back to pick them up because I don’t have these texts here.” She stretches, working her shoulders. “At the very least, next month is going to be a lot of research and small-scale experimentation. Which almost certainly probably won’t go wrong.”
He winces. “Do you really have to put so many qualifiers on that?”
“You know what Aunty says; ‘power is never safe’.” Oula shrugs. “I don’t think I’ll blow up the manse. But if I do, Aunty says that I’m powerful enough and have enough anchors that I’ll reform in her like your sister did.”
That assurance makes Rathan visibly relax. “Okay. Good. I don’t think I’d want you doing this if there was a risk of losing you.” He pulls her into a quick hug, exploiting his height advantage to nuzzle her hair between her horns. “Draw up a list of the texts you want and I’ll send a courier back to Saata to get them. And until they get here,” he smiles, “we can relax for a bit and enjoy ourselves.”
Oula claps her hands. “Oh, wonderful! I’ll go get changed. And you,” she boops him on the nose, “are going to go do your paperwork and your daily reports. Including the patrol reports. And the summaries we’re sending Aunty Keris. You have done those, haven’t you?”
“Most of them,” Rathan lies, thinking of the pile of paperwork he’s been slacking on. It’s fine. He remembers roughly what he’s been doing for the past couple of weeks, and it doesn’t matter if the daily reports aren’t written on the day when they’re delivered in bundles. “I can have them finished soon.”
“Then you should go and do that while I get ready for our date this evening, shouldn’t you?” she tells him archly, pressing herself against him. “Because I’m in a good mood and you don’t want us getting distracted by Aunty Keris sending a messenger midway through the date wondering if everything’s okay and worried that her son isn’t talking to her.”
She pauses.
“Again,” she adds meaningfully.
Sighing, Rathan gives his girlfriend one last kiss and then makes his way through to his personal office, from which he runs the work crews and deals with disruptive influences. Count Mele is in there, his boots propped up on the desk as he flips through a book of probably-racy woodcuts. Both Cala and Noi are there with him, with that very specific wariness of two artisans in love with the same person around each other. Noi is brushing his hair while Cala sketches her love in the chair, but they always have half an eye on each other.
“What’s up?” Mele asks, not bothering to get up. “Are you back already?”
“Paperwork to do,” Rathan sighs. “Oulie’s still annoyed about mama interrupting our date last month.” He lets himself fall into the comfortable chair he spent quite a bit of effort obtaining for his desk, and pulls a stack of papers over, the outline of his daily reports already written in by the dragon aides that prepared them. These are easy enough to do, just boring. Moonday before last, cladding repair on the manse exterior. Mercuryday, more of the same. Venusday, same again. Marsday, sail out to intercept that elemental and gently deflect him off to the south. He only bothers with a few sentences for each day; not much around here is interesting enough to need more, and mama won’t care about the lack of detail even if Rounen will.
“What’s our fleet looking like?” he asks idly as he scrawls line after line of effortlessly pretty handwriting. “Have we found a new grove to get timber for repairs yet?”
Mele perks up. “I’ve taken it on myself to prepare us for a raid of an island southwards. They’ll have tropical woods, and we can take what we need. We leave the day after tomorrow; myself as captain, and some of the more,” he flaps his hand, “expendable hellspawn as brute muscle. If we sail for a few days, we’ll be safe from anyone following us back and, well, the High Queen does like her maps.”
“She does,” Rathan agrees, smiling. “Oh, speaking of maps - Cala, Noi; you were right. Oula found the polestone sunk about half a kilometre northwest. She says the geomancy’s tangled around it, so she’ll probably want to talk to you about how to get it out of the silt it’s buried in without risking a springback collapse.”
“She’s one hell of a woman,” Mele says admiringly, idly reaching out almost seemingly without thinking to take Noi’s hand and kiss him, and swinging his legs down to step over to pet Cala. “She always was, even when we were kids - but now she’s the greatest treasure in your collection, my prince.”
“That’s my Oulie,” Rathan agrees happily. “As sharp as a knife and as pretty as a pearl.” He sets the sheaf of daily reports aside and pulls the summary sheet over. This one will take more thought, because quite a bit of progress has happened in the past three weeks, and the report for this half-moon will need to include Oula’s plan to divert the dragon lines with a Working. “Which means I need to treat her as well as she deserves to be, which means getting my work done,” he finishes distractedly. “Even when it’s a drag.”
Mele yawns. “I don’t know why you give her quite so much latitude,” he observes, his ivory fingers tickling under Cala’s neck and drawing her closer to him with a mewl that ends up with her half on his lap back in his seat. “You’re the prince; she’s only a duchess. A few well-chosen words and a kiss, and she wouldn’t be pushing you to get work done this late in the day.” He pulls in Noi, kissing the artisan.
“I’m trying to brush my hair,” the other man said, smiling.
“I’m just so overcome by seeing you like this. Both of you,” he purrs to his two lovers. “And,” he adds to Rathan, “if you shortened her leash a bit, she wouldn’t be such a bully to my darlings when they’re working on things. She’s really not very nice to you, is she Cala?”
Cala glances between her lover and her prince, and clearly considers what to say. “She can be a bit mean sometimes. I mean, she’s a duchess so you wouldn’t expect her to be as gentle as some others, but she... well, she says some very hurtful things sometimes.”
That gets Rathan to look up, eyebrow raised. “Oulie was mama’s first student,” he says, tone edging on warning. “She isn’t the kind of woman you leash. And she works hard for me, so it’s only fair that I put in some work for her when it matters. Though,” he sighs, a flicker of red light shining from his hair, “I will ask her to be nicer. I’m sure she’s just a bit stressed at the pressure of handling this repair project - mama asked her to get it done by the year’s end if she can, and these are dangerous forces to be playing with.”
“Oh, no doubt, no doubt. I know everyone’s on edge having to put up with,” Mele catches his eyes, “the hellspawn. They’re such... beasts.”
Rathan nods. “They’re a pain. But they’re useful, so we’ll put up with them for as long as we have to. They don’t need to know how things really work to help get the manse repaired.”
“No doubt. But I’ll be glad when they’re not here, stinking up the place,” Mele says drily.
Rathan continues on with his work, perhaps being a bit more cursory than he would have on other days, and stores it in the big heavy safe with the complicated locking mechanism Vali made.
“Have fun, your highness,” Noi calls out, the meaning clear in his voice and also that he’s glad to have the prince out of the way for his own fun.
Whistling, Rathan heads through and up into some of the more repaired rooms in the tower that the keruby have occupied, and up to his personal bedchambers. Where he finds that Oula is still in the bath.
“You know,” she says as he climbs in with her, “I am willing to bet that you just rushed through everything.”
“Would I do that?” he asks innocently, his eyes gleaming with his light.
“Of course you would, you goof,” she tells him fondly, leaning in for the kiss.
The next day she makes him rewrite the bits which weren’t done to her standards.
It is dawn as the sun rises over the eastern horizon on Saata, and the birds are singing.
“Mama! Mama! Mama! Mama!”
The dawn chorus is a thing of peace and tranquillity. Brightly coloured birds of paradise greet the rising sun, as they have for thousands of years before. The sprawling city itself is in its most quiescent, though Saata never truly sleeps.
“Mama! Mama! Mama! Mama! Mama! Mama! Mama! Mama! Mama! Mama! Mama! Mama! Mama!”
In the case of Keris, in her estate in the south of the island, she has her very own dawn chorus and her very own bird, who’s perching heavily on her chest and shouting her name over and over again with no signs of tiring.
“Mama-”
“Yes, yes, Kali, I know,” Keris groans, aching and feeling like she really could have done with a few hours more. “It’s morning. Go back to sleep. And don’t wake your brother or sister.”
“But mamaaaaaaaa!” Kali protests. “It’s only the best day ever! The bestest best day ever!”
“Mmn.” Keris cracks an eye open, unwilling to get up and commit to dawn exercise just yet. “And why is that, little feather?”
“Mama!” Kali is shocked. Shocked and appalled. Maybe even horrified that her mama can forget something like this. “Mama today is the day Aiko comes back and that means it is the bestest best day! She could be here now while you’re asleep!” Her daughter, much like Eko on sugar, is positively vibrating with the amount of coiled-up energy inside her.
“Honeyyy,” Keris groans, rolling over and burying her face in her pillow. “It’s dawn and mama was up late last night, I doubt Aiko will be arriving until after breakfast at the earliest. Give me another hour?”
Two little talons hop up her back, and her daughter pecks her sharply on the back of the head. “If they’re going to get here after breakfast then we gotta do our morning dances and go eat as quick as possible!” Kali demands. “Come on, mama, or they’ll take ages to get here!”
Keris sighs, and reluctantly accepts that she’s not getting any more sleep this morning. “Fine, fine,” she grumbles. “Go back to your room and get dressed in your practice clothes. I’ll be along in a minute.”
Kali pops into a tiger cub and dashes out the door in a patter of feet, slamming it behind her, and Keris is left alone in the grey light of the dawn. Slowly, she pulls herself out of bed. Washes her face. Gets dressed in a light practice gi and tells the staff to prepare breakfast for her and Kali.
Her daughter’s very finite supplies of patience are entirely exhausted by the time she’s mid-way through the process, so she has a very bouncy Kali constantly interrupting. It’s a relief to take her daughter outside and away from everyone else.
The outside of her estate has seen a few new changes this year, and the Earth growth is really kicking in and growing vibrantly.
“Alright, warm-ups,” Keris yawns. “Five times round the garden, then do your stretches. And remember: it’s not a race, you don’t have to beat yesterday’s time. Off you go.”
“But mama!” Kali protests. “If I don’t do better than last time, that means I lose! To yesterday-me!”
“You can compete with your actual practice, but warm-ups are just warm-ups,” Keris says. “If you do it too fast, you don’t warm up right. And that means you lose to muscle cramps.” That draws a little gasp from the girl, and she runs off in a hurry.
Keris, for her part, conceals a yawn and starts to stretch herself. She was up so late because she had to head over to Shuu Mua to see the hand-over of the Baisha’s grand plunder into a hidden warehouse, and then the sight of everything Captain Neride had managed to take had led her to forget about the time.
But such wonders! Jade, jadedust, hearthstone slurry and the alchemical products of Ta Vuzi. She’d hit one of the treasure ships and its convoy, sinking the ships and looting the tribute from that satrapy, and now they’re hers. All hers.
It scares her a little, beneath the possessive glee. That the Realm draws such expensive tributes from what is - as far as she can tell - a relatively unimportant satrapy that the Dynasts of the Blessed Isle think little of. The spoils of Ta Vuzi are wealth beyond imagining for most mortals, her secret warehouse is stacked wall-to-wall with goods worth their weight or more in silver, and this was a single tribute convoy among hundreds of satrapies and holdings the Realm keeps in its grasp. Sasi’s words about its weakness come back to her, but... how is this weakness? How can an empire this mighty fall?
At least Neride is starting to deliver, though. That talk Rathan gave her must have done some good, because Keris was getting ready to bring her wrath down if the sea-krait demoness had failed once more. This captured plunder is enough to buy her another season, and if she performs well against the Zu Tak during hurricane season, she’ll clear her slate of fuck-ups as far as Keris is concerned. And maybe next year she can take the Baisha down to Ta Vuzi and scout the sea lanes for more tribute ships before the Realm get wise and start giving them stronger convoys-
“Mama! Mama, I’m done!”
“Alright, go get your spear,” Keris says distractedly, mind still half on Ta Vuzi. It’s actually a weighted bamboo rod, because Kali can be a little hard on her practice weapons and bamboo is cheap, but it’s enough for her to get the forms down with. “And show me your stance.”
Kali bounds into place, wearing her adorable gold-yellow practice gi with her two long braids folded behind her back, her spear in neutral guard and her weight carefully centred. She’s beaming sunnily, delighted to be doing this with mama and even more delighted that she’s seeing Aiko again. She’s been looking forward to this day for weeks.
Hmm. Keris will need to stop Kali going in too hard against Aiko. The last thing she needs is for Kali to decide she needs to show her how much she’s learned about spears by hitting her.
“Very good,” Keris praises. She’s not just being nice, either. Kali takes naturally to anything athletic. “Now, high guard, and...”
She starts off with a series of telegraphed strikes for Kali to block, painfully slow and weak by her own standards but quick enough that her daughter has to focus to keep up with the rhythm and strong enough to jar her hands if she blocks wrong. Kali throws herself into the exercise with fierce determination, circling as she backs away with much-improved footwork from last month. She’s obviously been practicing both her movements and also paying attention to footwork and spear at the same time.
“Good,” Keris repeats, “and now your attack.”
Kali’s attacking form is a little sloppier. On the defensive, she risks rapped knuckles if she doesn’t get it right, but when she’s the one striking she has a tendency to get more enthusiastic about swinging and stabbing her practice spear as hard as she can than about precision and form. Yes, Keris decides. Definitely going to need to have a talk with her about not trying to practice with Aiko. Kali’s attacks don’t pose any threat to Keris even if they land, but Aiko is nowhere near as resilient.
Still, the practice takes up time and drains away some of Kali’s near-boundless reserves of energy, and by the time they can hear temple bells drifting over, Keris is feeling very satisfied and quite proud of her daughter. And Kali is clearly proud of herself, too, because after she bows to her mother, she throws herself forward and hugs Keris’s leg while making happy little noises.
“Mama mama mama let’s go eat! Food foodity food food! What’s for breakfast! Is it nice?”
“I don’t know,” Keris says, swinging her little feather onto her shoulders. “I suppose it’s whatever the Qamardokht sisters made for us today. Let’s go find out, shall we? Is Ogin up yet, or do we need to go get him out of bed?”
“I woke him up because Aiko’s coming today! He threw a pillow at me and told me to go wake you up!” Kali beams.
Keris chuckles. “Well, let’s go find him, then. Do you think he’s still feeling grumpy?” She’s been paying more attention to the nature of her children ever since Lilunu showed her how they behaved outside her view, and she hasn’t yet been able to determine exactly how their connection works. Certainly they always seem to be roughly aware of the other’s condition - awake or asleep; healthy, sick or hurt. And they can find each other even when one is hiding or they haven’t seen each other in hours. But asking how they do it yields nothing but a cryptic head-tilt from Ogin or an “I just know, mama!” from Kali. Keris has been trying to narrow it down by seeing where the limits of their knowledge are, but it’s difficult to work out what’s a magical connection and what’s just Kali and Ogin knowing each other very well.
Ogin is in the room he shares with his sister, head buried under the pillows and some tails escaping out from under the light linen sheets. The noise he makes when Kali bounds over and jumps on his bed, singing about how Aiko is coming, can best be described as “Mrrrngrh!”
“Sorry moonbeam,” Keris says, catching Kali as she goes for another bounce. “I tried to wear her out with exercise, but she’s too happy.”
“Mama! The sun is up! That means we have to play!” Kali protests at Mama The Traitor.
A tousled, white-haired head emerges from under the pillows. “‘ning Ma,” Ogin says, silver eyes heavy and sleep-gritted. Keris scoops him up in her hair with a blanket still wrapped around him, and cuddles him close.
“Morning, sweetie. Kali, why don’t you bounce downstairs and start on breakfast without us? That way you can have eaten and dressed properly if Aiko gets here early, and Ogin and I can get cleaned up while you’re watching for her and her daddy. Have you picked out which outfit you’re wearing to meet her in?”
Kali’s expression indicates that no, she hadn’t even thought of that, and so she charges off into the twins’ walk-in closet.
Ogin looks up at mama with both hope and disappointment. “Want to go back to sleep,” he grumbles.
“I know, moonbeam,” Keris says sympathetically. “But Aiko is arriving today, so I’d like you to get washed up and dressed and have breakfast before she does. You can have a nap somewhere quiet once you’re ready and I’ll get Kali out into the gardens.”
It takes quite a bit of chiding and hassling to get Ogin out of bed and dressed in an adorable little outfit Keris thinks he looks perfect in. He’s a lot like his brother Rathan in that way. And then Mama has to stop Kali from pulling open all the drawers and trying everything on because don’t you see Mama she has to be the best for Aiko!
By the time everyone is down at eating, there’s been enough noise that quite a bit of the rest of the house is barely more awake than Ogin.
Keris eventually resorts to taking Kali back out into the gardens to run around with her dog. The dog is a recent development; Kali found a feral stray wandering around the estate grounds a few days ago and aggressively adopted it, which it seems to have taken to happily enough. Keris is a little more concerned about the situation. This is the second wild animal Kali has adopted, and the last one - a spiny rat - spent two weeks as “the bestest friend in the world” before some internal balance in Kali’s brain shifted from one side to the other and it went from pet to prey.
The fact that Kali’s newest friend has been dubbed “Breakfast” - ostensibly because she found it early in the morning - does not give Keris high hopes for this one’s survival.
Still, Keris finds things for her to do this Saturnday, and it’s just before lunch that Rounen reports that there’s a low, fast, wave-skimming magic cloud approaching.
Keris sighs. “It’d be easier to meet him up in Saata proper,” she grumbles. “That man is incapable of being subtle, but at least that way he could arrive by boat rather than flying into the cove on a magic cloud.”
“Yes, ma’am,” Rounen says. “Just as you say.”
Aiko is far from the perfect little princess she is when she’s in Sasi’s hands. She’s dressed in a somewhat travel-stained smock and sandals, and her hair is a windblown mess. She’s even darker from her tan than usual, and her green eyes are ablaze. “Aunty Keris!” she cheers as she and Testolagh pick their way up the path, waving with her free hand.
“Aiko!” Keris greets, jogging over to sweep her up in a hug with a grunt of effort. For all that Aiko is a little girl, she weighs as much as her brass-scaled dragon form - and that’s now the size of a wolf. Keris has to add a few hair tendrils to keep her weight supported. “Look at you!” she coos. “You’ve grown again! Soon you’ll be catching up to me at this rate. And is that a new bracelet? It’s very pretty.”
“Keris,” Testolagh says with a nod as she fusses over Aiko. “You look well. How are things?”
“Ticking over nicely,” Keris returns, nodding back and leading them back up the path from the shore to where Kali is busily instructing Breakfast in how to play fetch. “I’m developing my cover identities and stabilising their income and influence, so there’s been nothing flashy. But it’s been going well. How about you? What’s the latest news from the Anarchy? Will you be staying long in Saata?”
“Longer than usual,” he says, as Kali squeals happily and charges in to grab the barely-lowered-to-the-ground Aiko and drag her off to meet her new pet. “There’s some things I need to get done in Saata. I need more ships, and more than that, I need sailors. So,” he shrugs, “I’ve heard a lot about the pirates of Saata, so I thought I’d hire some.”
He smiles.
“I’ll make sure they’re loyal to me. Once they sign on.”
“Mm. Well, just remember the rules: keep the demon stuff deniable enough that word doesn’t get back to Triumphant Air,” Keris tells him. “They haven’t heard anything yet; you’re safe down in the Anarchy as long as you don’t go completely overboard. As for hirelings... I’d suggest looking among the Raaran Ge families. Rounen can probably brief you on which ones are looking for work.”
“Makes sense,” Testolagh says. “No, Kali, don’t pull Aiko around like that. She’s been travelling since early morning and she’s tired and needs to eat.” Keris catches her foster-daughter’s slightly grateful look.
Lunch follows, and an appreciative Aiko seriously tells Keris that the food is always better here than when she’s with Daddy. Testolagh chuckles at that, and concedes it’s true, and things pass with nothing of great import going on.
However, in the heat of the early afternoon, everyone is feeling sleepy, and Keris takes Aiko and the twins with her to the baths to help them cool down. The reflected sunlight bounces off the water, dancing over the paintings on the ceiling, and Keris lets herself relax slightly. Things are always easier when Testolagh isn’t there. He hasn’t said anything about how she vanished at the start of the year despite the fact Sasi must have been worried, but she’s sure that conversation is lurking there in her future.
But for now, she has three small children in the nice, cool stone and with warm air around her. Ogin happily dozes by the side of the baths, and Kali scolds Breakfast as she washes her pet. Aiko has the most of Keris’s attention here, because she needs her black hair combed and brushed and cleaned out of sea-salt.
She relaxes into Keris, just enjoying the maternal company. Keris might not be her mother, but she can be something for her that Testolagh can’t.
“What happened when I wasn’t here?” Aiko asks. She always speaks maturely for her age, and she can be startlingly insightful for a four-and-a-half-year old.
“Well, let me see,” she muses. “Rathan is off at sea, and Eko and Zanara are back in my inner world. But Calesco is doing stuff in the city, and Vali is up in the mountains building us all a house. He’s found an island up in the valley I made, and he’s going to put a room in it that can be yours if you want to visit us there. Kali has a new pet, which you saw, and Ogin’s taken up paper folding ever since he learned how to make little paper boats. Atiya has some new dolls, and I think Rounen has a present for you that he’s not telling me about, so it’ll be a surprise for you.”
She tickles Aiko under the chin, making the little girl giggle. “What about you? What have you and your daddy been up to down in the Anarchy? Do you have any good stories?”
Aiko twists around, so she’s looking Keris in the face. “Daddy made a brand new island and I helped him do it properly,” she says, sounding very, very pleased with herself. “I made him put a beach in! The sand is black and it’s hot and steams because the island is also a volcano. Also, more lakes! And I told him that he needed mangroves because I remembered what you said about how mangroves stop the waves washing away the land!” She sighs, sounding remarkably like her mother. “He would have done it wrong without me.”
“Very good!” Keris praises. “Yes, that’s right. And they’re also a very rich habitat full of fish and plants and animals. And they protect against storms. You did very well making him listen to you there. And a beach, too, my my.” She whistles, long and low. “Is it very far from the first island he made? Why does he need a whole new island, anyway?”
“Daddy says,” Aiko reports, “that he’s making islands outside the world. Outside the maps. And there’s new people living there when he makes the island. Mother taught me to draw maps and understand them so I help him with maps. I asked him how he can be making islands outside the maps when they’re on his maps and he said they’re only on his maps.”
“Really now?” says Keris, who has certain opinions vis-a-vis other people having access to more accurate maps than she does. “Well, he’s right that maps are very nice things to have, especially when they show things other people’s maps don’t. Maybe your daddy could share his maps with me as a present, like I share my ship with him?”
“They’re back in Daddy’s home,” Aiko says informatively. “That’s another island he made. It’s a big one. He made it even bigger when there was a wild storm but he tamed the wild storm and made the island bigger, he said. He has a very big black fortress there.”
Iris has been listening with draconic glee, and wiggles out of Keris’s arm, coiling around Aiko and poking her head up at Keris. She breathes out a flame-dragon coiled around an island.
Keris glances down at her. “Iris,” she chides gently. “You already have an island of your own. You can go get Yaleena to give you piggybacks around it whenever you want.”
Iris considers this, and counters with a dragon coiled around two islands.
Keris rolls her eyes. “Ask Zanara,” she says, deliberately misunderstanding what Iris really wants. “They dote on you, and with Yaleena arguing for you I’m sure you can negotiate one of the Isles being dedicated to you.”
“Mama mama mama mama!” explodes Kali, rushing over. “I want an island too! A big one! With lots of tasty things on it! And a big pond! And a mansion and there’ll be caves for Ogin and I can have a flying cat!”
Iris nods wisely, and adds a flying cat to her now-three islands.
Keris sighs. “If I find another wyldpool, and if I decide to paint an island into shape with it,” she says, “I will consider letting you help design it. And make sure to include lots of tasty things, and a big pond, and some caves, and maybe some flying cats. As for the mansion...” She taps Kali on the nose. “Your big brother is busy making one for us up in the valley, so you can wait to see that one before demanding another.”
Aiko has been considering something. “Aunty Keris?” she asks hesitantly.
“Yes, sweetie?”
“I thought you said that Big Sister Haneyl would be back when I got back. At Calibration. I thought you said that. I,” she inhales, “I miss her.”
Keris winces. “I know, honey. I do too. She...” Keris pauses for a moment. Aiko is a worrier, and prone to fretting. Best to start by softening the blow.
“I want to be clear,” she starts. “Haneyl is completely fine; nothing bad is going to happen to her and she’s not going anywhere and you haven’t done anything wrong. But she got hurt up in Chir at the same time I did, so she’s having to recover in my inner world for a lot longer than usual. It’s like when you or your friends get poorly, and you don’t feel very good and have to stay in bed for a few days, but once it’s over you’re back on your feet like normal. Haneyl has to stay within me for a longer time than that, but she’ll be back just the same in a few more months, and she’ll make sure to hug you and tell you how much she’s missed you too.”
“But I haven’t even got any messages from her,” Aiko says in a tiny voice. “Did I upset her? Is she not my big-sister-friend anymore?”
“No, sweetie. But...” how to phrase this... “in order to get better, she’s put a lot of herself in a seed to regrow. It’s like your big sister is mostly-asleep, and only has a little bit of herself running around as a little girl - nearly as little as you. Her big-Haneyl-ness is sleepy all the time, so she has trouble remembering stuff from outside my inner world. Every time she tries, it’s like when Kali wakes you and Ogin up at the crack of dawn and all you want to do is go ‘blaargh’ and pull a pillow over your head and go back to sleep. It doesn’t mean you don’t still love her-”
“I love you too, Aiko!” cheers Kali, hugging her.
“... and it doesn’t mean Haneyl doesn’t love you,” Keris resumes. “Just that she’s too sleepy-poorly to do letter writing. She’s asked about you a few times, but if she tries to wake up her big-Haneylness and think too hard, she gets all wobbly and falls asleep and wakes up grumpy.”
Aiko gives a little sniffle, and nods. Keris isn’t really lying, either. Haneyl really is unwell. She goes to sleep and doesn’t wake up if she spends too long outside the Swamp. It’s been painful and distressing for Keris to see her brave, clever daughter reduced down to this state. But it’s also not fair on Aiko. The little girl really does love her big half-sister.
She cuddles the little girl close, and lets Kali bracket her on the other side. “Well, I’ll tell you what,” she soothes. “She’ll be getting better in Wood, so we have a few months to plan out a really good party to welcome her back. Why don’t you help me work out what she’ll like, and that way we can be sure she’ll have lots of hugs and thank-yous waiting for you when you next see her. Does that sound good?”
“Yes,” Aiko says softly, a sound almost lost by Kali’s cheer of “Party!” and prompt grabbing of her trying-to-nap brother and her “Gin Gin Gin we’re having a party!”
That night, Keris sleeps with Aiko snuggled up against her because the little girl always gets a bit worried for the first days after moving. And she dreams of Aiko’s mother. In a torn-open palace open to the sky, the walls bedecked in heart-red banners, she meets Sasi and there she knows her and helps her feel loved.
In the aftermath, the two of them tucked under a torn-down banner as a bedsheet, Sasi lights up a dream cigarillo. She exhales red smoke. “I’ve missed you, my love,” she says.
“Me too,” Keris groans. “Urgh, work is dull at the moment. My students are all incompetent.” She pauses. “Well, two or three are minimally competent. And show some promise. But still.”
She sighs, nuzzling into the crook of Sasi’s neck. “Aiko arrived today though, so that’s improved things. She says hello, and that she loves you very much, and that her daddy made a new island from a wyldpool down in the Anarchy and she made sure he did it right, with mangroves and a beach and everything. Apparently he’d have gotten it wrong without her help.” She chuckles. “She looked just like you when she said that.”
Sasi beams. “I’m so glad she’s back with you,” she says warmly, kissing Keris’s cheek. “I know Tessie would never let her get hurt, but I’m still not comfortable with her being so close to the edge of the world. I’m... that’s a burden off my back that she’s with you and she has all your demon lords to help keep her safe.”
“She’s missing Haneyl,” Keris says sadly. “But like I told her, Haneyl will be coming back in Wood. I’m planning to take everyone back up into the mountains to celebrate, so Aiko will be safe as houses there. I Shaped that valley while I was injured and scared; it’s built for defensibility.” She kisses Sasi’s cheek. “How about you? How’s it going on your end?”
“I could name most of the people who now are working for me, knowingly or not, and you wouldn’t recognise them.” Sasi pauses. “However, I do have a new underling. As in, the Althing had me pick up someone new who was chosen on the Isle and she’s been placed in my directorate. You’ll probably meet her next Calibration. Amiri Magenta. From a lesser house, barely more than a patrician house - and goodness, does she have some resentment about that.” She pauses. “Do make sure to keep that name a secret. She’s kept up her mortal life; I covered up any signs of her Second Breath and disposed of the witness.”
Keris blinks: “Huh. Right, yeah, we’re division heads. We have subordinates.” She shrugs. “Testolagh feels more like an ally than an asset, you know? And, like, he’s older than I am. In both senses. Yours is a baby. Gods, she must still be no stronger than a demon lord.”
“Testolagh should be a division head.” Sasi’s expression is wry. “Something like nearly a quarter of us are. If you’re not one, you’re either new, bad at leading people - like your friend Naan - or say the wrong thing and anger the wrong people. Like him.”
“Yeah,” says Keris awkwardly. Talking about Testolagh with Sasi - especially his flaws and position in the Althing - is never exactly comfortable. “Oh! Speaking of subordinates, Neride’s actually been somewhat competent this season. Actually, I wanted to talk to you about that. Have you ever heard of Ta Vuzi?”
Sasi closes her eyes, eyelids twitching as she searches her memories. “... in the north-western Anarchy, just below the Wailing Fen, held by House Ragara, exports are beastman slaves, alchemical reagents, low grade jade and hearthstones.”
“That’s the one. Well, Neride intercepted one of their tribute ships and its convoy, killed everyone, grabbed the tithe, sunk the ships, and brought everything back to me. And Sasi, there’s a fortune here. The alchemical reagents alone... and the jade? And the hearthstone slurry? I don’t even know what I’m gonna do with the last one.”
Keris hesitates, and chews a hair-tendril.
“But... I looked up how they make it. I don’t... Rounen wasn’t able to find much in the way of details, but apparently they’ve got these giant ‘dragon-drinker’ machines that pump... something down into the ground, and up comes this, this slurry of hearthstone fragments and essence tokens, and the whole region is sick and diseased and polluted and dying because of it. I don’t even want to imagine what they’ve done to the geomancy to make pseudo-hearthstone fragments form under giant artificial crane... tower... things, the book wasn’t clear and there weren’t any pictures, but whatever’s going on there cannot be good for the place. Right?”
She props herself up on her elbows above Sasi and barrels on before her lover can answer. “So, like... I was thinking, the sources Rounen found say the drinkers are all falling apart, they’re not manse-tough and while they’re pumping slurry out of the local geomancy I don’t think they’re hooked into it, so there wouldn’t be any demesne explosions if they got destroyed - or at least there haven’t been from the ones that have broken so far, and Lilunu’s taught me enough that I can check before doing anything. And I’m fast and I have the King’s fire by way of Haneyl, so if I wanted to I don’t think they could do much to stop me just... swimming there for a season and going around burning them all down over the course of a few nights. By the time news hit the capital of the first few going down, I’d have taken half the rest out - I know I could get them all before they could defend any enough to keep me out.”
Pausing again, Keris glances at Sasi to make sure she’s following. Her face is neutral, but her lips are pursed.
“It’d be obviously demonic,” she continues, “but there’d be nothing that pointed back to me, and I could lay false trails leading into the Fen or whatever. They can’t rebuild the drinkers or they’d have repaired them already, and without the drinkers there’s nothing there of value they can’t get other places cheaper. It’d kill the place as a satrapy and let the land start healing besides. But.” She holds up a hair tendril.
“But, and it’s a big ‘but’... I dunno what would happen next. Like, environmentally I can guess, and I know the Realm would pull out. But, like... I’d have knocked out the main industry of the place and then all their dickhead rulers would leave. I dunno how the locals would take it. I dunno what their society would do. I dunno if it would make their lives better or if they’d just... disintegrate like a gang whose boss had been knifed. And they’re right under the Wailing Fen and I do not want the Zu Tak to swarm into Ta Vuzi and start rebuilding just after I’ve finished punching them back into the swamps. And you’re way better at politics and predicting big stuff like that than me. So... what do you think?”
Sasi listens, and she’s very much Nemone Sasimana at this moment, not just Sasi. “I don’t think it would end well. For one, Keris, if House Ragara can’t take their tribute in reagents and hearthstone slurry, they’ll take it in slaves. There are always buyers. But more than that, I know the textbook of how to control these kinds of poor places. Put local patsies in charge, raise up a hated minority so they’re reliant on the patronage of the satrap, and make people complicit in what happens. I’m not totally informed on the facts on the ground, but this won’t be a place like the satrapies of the southern coast. I think you’re very much right when you say they’d disintegrate like a gang whose leader is killed, turning on each other to fight over the scraps. All to try to keep the favour of the Realm. And you know more about the Zu Tak, but as I recall they’re necromancers and that kind of horrible bloody fighting will only make them stronger.
“Keris, it sounds like an ugly place, but your doubt is healthy - it tells me you’re thinking about such things. And I am proud of you for that.”
Keris blushes, but then wrinkles her nose. “I don’t want to just leave them there, though. I mean, ignoring everything else, that collapse is going to happen eventually anyway whenever the dragon drinkers run dry, and in the time between now and then they’ll supply the Realm with... a lot of money. Like. A lot. I filled a warehouse with the haul from that tribute ship.”
She blows out an irritated sigh. “I think I could force the Realm to pull out if I did bring down the drinkers. The Anarchy’s basically cut off from the Blessed Isles - and even Triumphant Air - by the Hook... it’s just too far to be worth getting slaves from. It’d be too easy for me to intercept their ships; they can’t reach all the way out to the edge of Creation. If it was An Teng I couldn’t fend them off, but they’d have to get a fleet out from Triumphant Air, round the bulb of the Hook, past Ca Map and through some pretty pirate-infested waters to accompany it. And that still wouldn’t stop me just slitting the ship’s belly open from underneath and then leading any Water Aspects that chased me into the Fen.”
Falling silent for a moment, Keris chews a hair tendril. “But even if they ignored the locals wanting their favour and pulled out because it wasn’t worth the cost... that still leaves the place collapsing. They’re doomed if I do hit it, and the Realm keeps profiting if I don’t.”
“Fundamentally, my dear, you’d need to put something in place that could catch the edifice when it tumbles,” Sasi opines. “You’d want locals who are in a position to take advantage of the disorder and put a new regime in place. People sworn to our masters who respect the rightful rulers of the world. And it might be a solid idea to spread the worship of a demon lord or demon prince with a solid grasp of geomancy and a fondness for fixing broken lands, so the miracles they - and you - bring will be justly adored.”
Keris adopts a very thoughtful look and falls into deep thought for a moment. “That’s a good point,” she muses slowly. “A very good point... hmm. And something to catch whoever the Realm are using as - what did you call them? Local patsies, hated minority... yeah, whoever they are, they’ll probably want to flee the country really quickly after the Realm pulls out. If I can be there with boats for them, I can get them all into my service and take them to a new island somewhere. Two assets for the price of one. Urgh, I don’t know enough, that’s the problem. You said beastman slaves - I guess there are a lot of beastmen there, then? Rounen’s notes didn’t mention... well, they might have done, I kind of skimmed them. Rrrgh.” Her hair rustles in frustration. “Fine, I’ll do nothing for now. And see if I can find out more about the place. Maybe send...”
She pauses, rapidly marking off all six of her eldest children in rapid succession - too likely to do her own thing, busy with ocean manses, probably going to want time with her businesses after she recovers, too likely to murder everyone in charge, no concept of subtlety, too young.
“... someone,” she finishes. “I’ll maybe send someone to investigate. Elly, perhaps. She’s pretty trustworthy. Or, hell, just wear a false face and hire someone from the Raaran Ge to take a poke around.”
“A wise idea. They’re the local remnants of the gens of the Blue Monkey Shogunate, aren’t they?” Sasi smiles. “You should be looking to be getting some Dragonblooded underlings anyway. You’ve been using your child-souls in their place, but there’s some things a dragonchild is much better. Especially in the face of other dragonchildren.”
“I’m trying, I just... want to make sure they’re loyal,” Keris grouches. “I can’t trust coin-hire Dragonblooded with anything important, and that limits how much I can use them for anything. They’re too strong to kill easily if they find out stuff about my children and react badly, or start thinking about outing me to a higher bidder. That means I can’t just employ established dragons, I need to find some I can get on my side with, like...” She waves a hand vaguely. “Gratitude. Love. Genuine loyalty, you know what I mean.”
Sasi sighs. She obviously has different opinions on these things, but she doesn’t want to be fighting with her girlfriend in her dreams. “By the way, I’ve been writing more,” she says, clearly trying to change the topic. “It’s been... cathartic.”
“Oh?” Keris perks up, a slight mercenary glint coming to her eyes. “Do tell! I’m always happy to hear your work. And see drafts. Not that I’m trying to exploit you, love, but the script you wrote me back in Air is wildly more popular than Elanora in the bidding I’m getting for performance rights. You have real talent as a playwright.”
“Well, I could always give you a demonstration,” Sasi says, a wicked little glint in her eye. “I’ve even managed to get one of my cults with a few Lower Deliberative members in it to act out a few scenes from my work I did for you last Air. It’s really hot.”
“... o-oh?” Keris suppresses a wince. She hadn’t realised that little corruptive nudge she’d given Sasi at Calibration would take so well. And while she’s making a lot of profit from the play in Hell, acting out scenes from it on the Blessed Isles...
“Scenes from the early acts, or... more towards the end?” she asks hesitantly.
“Oh, don’t worry, it’s a private little group,” Sasi reassures her. “This kind of thing would be totally unacceptable in public. Or even in most parties. The Order would have people who took part in these kinds of Yozi-worshipping rituals put to the elements, so by having them do it - well, it’d be a death sentence to let others find out.”
“I’m well aware,” Keris mumbles. “I did the editing on that script, remember?”
She rolls over, tipping them onto their sides and snuggling back into Sasi’s embrace with a happy wriggle as Sasi’s arms close around her. It’s nice, being able to have these dreams with her loves. She doesn’t do it often - maybe three or four times a season - but it makes the loneliness recede a bit, being able to connect and talk and cuddle when it feels like it’s been too long.
Also the sex. The sex is really good. Gales are good for when she just wants some physical release, but they’re not Chosen.
“I love you,” Sasi murmurs into her ear. “I wish Tessie knew how to do this, but at least I have you.”
“I love you too,” Keris murmurs back, and turns in her embrace to pull her in for another kiss.
Shining Foam Upon A Babbling Brook sits in the hills above the coast-hugging city of Saata proper, on the lands held by the Sinasana family. Its neighbourhood is largely worthless ruins, part-plundered for stone and entirely stripped of any ancient wonders long ago. But around it, there are signs of life that were not there before. When Little River moved in, she renovated old buildings as dormitories for her workers. And some of the workers brought their families with them, and other people showed up to sell food to the young people who lived there. And now some of the cleared spaces are starting to show up with crops, as the kitchen gardens of the local workers start to bear fruit.
It isn’t as fast as Sinasana Ba-le would have liked, but there’s now a village forming around Shining Foam. And the recent recruitment of new journeymen and students has seen a surge in the local population. Little Bird has made her own arrangements with Ba-le and now she’s leasing an old apartment block she’s renovating herself. It’s a sign of this old part of the city coming back to life.
But Shining Foam still isn’t making money, and hasn’t yet. And while Elly has been busy obfuscating the books and concealing expenditures and laundering Keris’s hellish money through it to look like laundered Hui Cha money pretending to be income, it can’t go on like this forever.
Hence the new journeymen. Who have, unknowingly, handed themselves over to a hellish tyrant. They call her that when they think she can’t hear them, not knowing how very true the description is.
For their teacher is a demon princess, and a teacher of demons besides. If the young, unproven journeymen who jumped at a chance to earn their masteries under the instruction of a Water Dragon had been given a chance to talk to Keris Dulmeadokht’s past students - the ice-horned demoness named Oula, the infernal-sworn woman called Kuha, even the demon lord Calesco who Saata knows as Black Shawl - they might have been told about the uncharacteristic harshness a normally-kind woman brings to tutelage. But then, Little River’s reputation is not one of kindness, and these men and women put themselves in her hands regardless. Perhaps they only have themselves to blame.
On one particular morning late in Earth, there’s certainly lots of blame being laid. And a lot of regrets, too. It’s an evaluation day of their efforts with wax-casting, and Little River is critiquing what they’ve produced.
“Sloppy,” she says, examining a talisman meant to bring good luck and fortunate winds to a ship captain. “You’ve lost most of the detail here and here. Intricate detail is difficult to carry through a casting. You were overambitious, and spent so much time on the wax carving that you weren’t able to finish the piece when the silver lost precision. Next.”
This piece is a sword pommel in the shape of a wolf’s head. It gets a cursory inspection and a frown. “Inadequate forming in the wax. And a poor grasp of proportions - you mis-sized the lower jaw in the wax. Again; the transfer from wax to mould to silver will reduce the fine detail and amplify your mistakes. Your waxwork was rushed, and it shows. Next.”
The only person in the courtyard who has yet to be criticised is Little River’s daughter Atiya, only a week away from her third birthday. Every time her mother critiques a piece, she hands it to the little girl, who holds it in a cotton cloth so that none of her skin touches the metal and minutely inspects it for the flaws Little River has so mercilessly pointed out.
Atiya is not a normal child. Oh, she is named in an archaic way, like she was one of the old Tengese royalty. Oh, her mother is a child of dragons and so maybe she will be too. But she’s strange in other ways.
Her appearance; paler than other children, and never tanning, only burning, so she’s as pale as an aristocrat back in the old country. Her eyes are so dark that it almost looks like her pupil takes up her whole eye, and her too-straight, too-smooth hair is a midnight sky.
And her mannerisms. Her collection of dolls is extensive, and each one is always dressed in a particular way that changes based on the time of day. She rarely speaks, and when she does, it’s a flat monotone. Her answers to questions are... strange, and often not at all answering what she was asked. She rarely responds to her name when it’s called out, and her mother has to come over into her sight line when she wants her attention. When the children of the families living around Shining Foam try to play with her, she doesn’t respond.
With all this and her looks, her mother’s keen ears can hear the rumours and mutterings. ‘Ghost child’, ‘touched by the Pale Mistress’, ‘Calibration babe’. Even the outcasts and strangers of the Tengese have a keen sense of the normal, and they wonder if Atiya has been influenced by something abnormal.
Eventually Little River finishes her scathing review of her students’ efforts, and dismisses them to work on refining their wax casting techniques with simpler examples. Retiring to the shade of the tree where Atiya has grown bored of their examples and gone back to playing with her dolls, she hovers nearby for a moment. Two of the dolls in play she knows - Lady Green is easy to identify, currently in a light green dress since it’s the morning, and Hissy the Snake is currently in a blue-and-green diamond-patterned skin. The third one, though - a male doll with broad shoulders and a black coat - she doesn’t recognise. Rounen must have acquired it for her, or just given it to her as a present. Her aide has something of an eye for things her youngest child will like.
“Atiya, darling?” she says, waiting for a pause to interject into and crouching to get the little girl’s attention. “That’s a nice new doll you have. Would you like to introduce me to him?”
“He’s ‘Pector.” She realises after a moment that he looks like one of the House Sinasana customs inspectors, and her daughter didn’t quite get what Rounen was probably saying when was introduced. “He has a black coat.”
“I see,” says Little River, nodding seriously. “Do Lady Green and Hissy like him?” It’s not an idle question. Atiya’s dolls are far from a cohesive unit, and there are quite a few bitter grudges and rivalries among them, which her daughter seems to enjoy keeping track of. Even if some of the reasons for enmity can be decidedly... strange.
Atiya considers this. Then, “Lunch?”
“Of course. Do you want rice and bean paste like usual?”
Atiya doesn’t look at her, but does say, “‘s.”
Little River sends a servant off to get meals for both of them, and Keris Dulmeadokht sits back with one ear keeping idle track of her students and watches her daughter play.
She’s concerned about Atiya. That much is easy - if a little galling - to admit. For all of Fleshweaver Xia’s expertise, something in the process of Atiya’s creation must have gone wrong to have her turn out like this. It’s... painful to think like that, because it’s not like she loves her daughter any less for her differences, and thinking of them as ‘flaws’ feels cruel.
Perhaps ‘difficulties’ is a better description. Or indeed ‘Bans’. Atiya seems to have something of a demon’s nature in her in the limits to her behaviour, just as an angyalka must play the strands of Time and an amphelisia cannot bear laughter or cease their constant murmuring. In Atiya’s case, there are textures she cannot stand - smooth metal, certain types of fabric - and she’s averse to direct eye contact. She’s willing to touch other people, but only in certain ways, and she hates it when her rules are ignored. In some ways she reminds Keris of Kalaska, and she tries as best she can to accept and support both girls’ needs and eccentricities.
It’s hard, though. Neither is good at communicating what they think or feel, which means that all too often she learns of a new Ban by accidentally breaking it and setting off a meltdown. One trait of Kerisa’s that has definitely carried over is her stubbornness, and Atiya is incredibly resistant to being calmed down when she’s upset. She doesn’t throw loud, passionate tantrums like the twins do, but the bleak depressions where she clams up and refuses to talk or acknowledge anyone at all are even worse than screams and broken property, in their own way. Perhaps this is just who she is, or perhaps it’s a facet of the dark blessing Noh laid on her at her birth. Keris has no way of telling the difference.
It’s not that Atiya is unhappy here at the moment, sitting in the shade, playing with her dolls. She doesn’t tell stories or anything, but there’s clearly some kind of narrative going on there. And though she isn’t very open with her affections, it’s different with Rounen. Her aide is... well, there are mutterings that maybe he’s her real father, given the way she’ll immediately walk over to him and sit by him whenever he shows up.
Or maybe it’s just that none of Keris’s daughters are ‘normal’, but maybe a younger Calesco would have been more like Atiya. She’s certainly night and day to Kali, who’s just as gregarious and willing to talk at length to total strangers as ever.
One thing she does have in common with her siblings is a love of music. In fact, Atiya is turning out to be one of the most musical in the family as an audience. She doesn’t like singing or playing herself, but she rivals Ogin in how sensitive she is to a single missed key or poorly-tuned instrument. Keris gently starts humming a melody as their meals arrive and Atiya eats her lunch in careful order; three spoonfuls of rice followed by one of bean paste each time. Once she’s contentedly occupied with that, Keris lets her attention drift back to her students.
They are an ungrateful lot. Okay, yes, Little River is something of a harsh taskmistress - she’s also heard ‘slave-driver’ and ‘devil-smith’, the last of which is amusingly accurate. But they are improving. And they’re improving fast. The practice castings sitting in the wooden bucket where Atiya discarded them aren’t great, but two weeks ago her students wouldn’t even have been able to attempt designs that advanced.
And while she’s willing to overlook insults directed at her that are muttered outside of Little River’s hearing, she’s not nearly so tolerant of insults directed at her daughter. Atiya has nothing to do with her standards of work, or her students’ mediocrity. The first and only smith to voice a poor opinion of her had turned around to find Little River looming behind him, and after his ejection the rest of them have treated her with careful politeness even when they think her mother is absent.
It’ll be a while yet before they get up to the level where she’s happy to sponsor them for accreditation of mastery at a temple. But there are a few who stand out from the crowd as having potential; two men and a woman with more natural smarts than the rest and a natural knack for craftsmanship that sees them advance at a quicker and easier pace than their fellows.
Grey Dog and Falling Ox - well, those two men come together. Both as best friends, and also as... well, more than friends. She’s spied on them and knows that they’re trying to avoid the marriages their families have arranged for them. Not get out of them exactly, just... put them off. It’s probably why these two who might arguably be able to get their own shop together have come all this way out away from the main body of the city. Grey Dog is one of the ones who plays the fiddle during the evenings; his lover has an impressive baritone. And then there’s Li Yuan. Not Tengese, and she’d been one of Little River’s charity cases; a single mother who she’d expected to wash out of her training and just find a job for her - because Keris sure as hell wasn’t going to put a woman with a young infant out on the streets even if Little River would be expected to be more cutthroat. But she has a natural talent, one which clearly wasn’t going appreciated at her old workshop where she only maintained the furnaces and made the wax negatives.
These three are the ones Keris is thinking of offering further tutelage to. Oh, all her journeymen are pacted to her, sworn to her service when they began their employment at her smithy and given silver dragon-head tattoos to show their status. But for these three, she’s seriously considering investing more power in them as she did for Pale Branch. She won’t go through with it until they hit the limits of mortal skill from her teachings, and that will be some time yet. But she’s been watching them, and they seem trustworthy enough to deserve such a gift even without the loyalty she’s been drilling into all her students.
Not that she’s going to stop doing that. There’s an icy shard of gratitude in the heart of every journeyman in Shining Foam, whispering how fortunate they are for her tutelage, and fleshy seeds accompany them in many of the whinier men and women.
Now, when lunch is over, she thinks she’s going to have them run around the compound. It’s not sadism. They just need to build up their endurance in the heat and humidity. Totally different from sadism. They might disagree, but that’s why she’s the teacher and they’re not.
Keris has other students. Other, far less human students.
“No!” she snaps at the szilf currently demonstrating a dance in what will someday be the front courtyard of a blue-walled temple. “You’re still putting too much swing into your hips. And that dip to flash your cleavage was not part of the form. The Flower-and-Wine Steps are to draw a spirit out of their sanctum by honouring and flattering them, not flirting and flashing thigh. This is one of the basic forms, Anyuu, if you can’t control your nature enough to master this, you’re not going to succeed as a Priestess. Now, again. From the top.”
But then again, keruby are very human. And Keris is no softer on them, in this temple being built in the near-Meadows, closer to the City than Sirelmiya’s temple. It’s close enough that when she stands on top of the dome - or at least what the dome will be when it’s finished - she can see the Swamp and the Ruin at the same time.
And this temple is very special for one reason; it’s a place for adults. The silence-wards that have been laid down, woven from Ekoan cloth and painted with blood, stop any of the music of this place escaping. And one of the duties of the would-be initiates is to keep all child-keruby out. Without exception.
Marchioness Anyuu of the Ruin-Meadow border hills sets her jaw, backs up to the edge of the marked-out proto-courtyard, lifts her arms into the practiced starting pose, and starts again as Keris plays. This time she sticks to the steps as Keris taught them.
“... better,” Keris allows. “Work on that last flourish - you want to project more of an air of sincerity and respect, at least on the outside. Try widening your eyes a bit more and toning the smile down a little - think ‘shy flattery’. Gods love it when they think you’re so overawed by their power and rank that you can’t help peeking up from between your lashes at them.” She pauses, considering that. “Actually, so do most humans. One of the ways this dance works for both. Now, come sit down and give me your hand.”
Anyuu is a szilfa, and she’s old. Admittedly, old by kerub standards isn’t all that old, but she’s older than the hills and the mountains of this landscape. Older than Rathan and Haneyl. OIder, too, than Firisutu. One of those irritating early keruby who are proof that Eko was the first one to make lesser demons. Her shawls are red-and-white checked, her mask is an exaggerated blue-lipped priestess-harlot, and though she might be hiding it, Keris can tell much of what she’s doing has her blushing.
Her arms are heavily tattooed - a carryover of the ribbon-embroidery she’d had as a gang boss before committing herself to this path after the Quicksilver Betrayal made her re-evaluate her life choices. Keris takes her hand and pulls back her sleeve, turning it palm up.
“Review time,” she says briskly. “Why do we study hand massage?”
Anyuu inhales. She holds her hands out in front of herself, turning over and over her dark skin, looking at the once-embroidered tattoos of Old Realm characters on each knuckle. “The... the hands are the out-stretched greeting,” she says, voice trembling slightly. “They’re the second thing people look to, after the face. They’re the second impression, and you said that m-many people judge a joyful priestess on seeing her... her profession, so we must make a good second impression. And it’s also easy. And poor health in the hands is a s-sign of weak extremities.”
Keris inclines her head in a slight nod. “Very good. They also contain all of the essential basics of our style of massage, making them a good teaching tool both for you, and for any clients who need to be gently introduced to the physical side of our duties. Hand.”
Anyuu obediently returns her hand to Keris’s grip, and Keris briefly clasps it between her own. The close-to-human nature of keruby helps her here, and her thumb traces a seemingly-idle path up and back along Anyuu’s inner wrist while the fingers of her other hand apply light pressure to three points on the back and sides of her palm.
“Now, what did I just do, and why?” she asks.
Anyuu frowns, wiggling her fingers. “You... hid the ache in my left hand from where I got stabbed by that bitch Moli.”
Keris nods. “That’s a general pain reliever. It’s not a long-lasting effect, and it’s weak, but it’s quick and easy to apply, and a client won’t always consciously register the difference. Their body will notice, though, and associate you with the discomfort going away. That’ll incline them to trust you more when you touch them in future. Particularly effective for labourers or people who do a lot of work with their hands - drudges, for instance.”
She reached into a pocket and took out a thin silver bracelet. “Now,” she said, fastening it onto her left wrist, “show me what you’d use to distract me and focus me on my right hand while you snuck this off my left.”
Anyuu gulps, but gamely takes her hand after only a minor pause and starts on the Fourteen Fingers, which... isn’t what Keris would have chosen, but fits the criteria she gave. She pays attention as Anyuu meticulously works each joint in turn; distal, proximal and knuckle. She makes one or two comments for improvement, but in general Anyuu’s doing fairly well and there isn’t much to criticise beyond simply practicing more to refine her familiarity with the techniques.
She notices Anyuu filch the bracelet, of course, but it’s a good subtle theft, and it would take a very sharp-eyed or suspicious human to spot it if they weren’t prepared.
“Alright, I think you’ve earned a short breather,” Keris says once they’re finished. “Do you have any questions you want to ask?”
Anyuu considers her options. “Where’d you learn all this stuff?” she goes for. Keris has been doling out information piece-by-piece, never giving her everything she asks for, not least because she’s a szilf and they have problems not-using any information they have in their mockery.
But the other thing is something that Anyuu can’t know. She speaks like she was born in Firewander. It’s even more Nexan-sounding than Keris these days. And it’s so strange that these demons so perfectly could be someone she’d known in Nexus. Hell, there were always the rumours that some of the nuns and monks at the Immaculate temple she’d used to go to as a kid used to be with the gangs. Keris hadn’t believed it at the time, ‘cause what kind of gang kid would go straight and become a boring, ill-fed nun?
“Nexus,” she says. The bare minimum of an answer. Anyuu hasn’t earned anything about Gull yet. “That’s where my branch of the order was based. Might still be; I haven’t been back in a while.”
“Nexus,” Anyuu says, trying the word on her mouth. “Where the fuck’s that? You dun’ talk about it much here. Is it more like the Spires or the Swamp?”
It is a reminder that not all keruby are like Rounen or Oula, absorbing things from her like a sponge. This old, old kerub has spent her whole life in this tiny world. She doesn’t know about Nexus; she probably doesn’t really know anything about Malfeas, or other demons, or anything that she didn’t learn here. She was a gang boss, after all, so maybe she saw some plays that mentioned things of the outside world, but her keruby treat knowledge of Creation as an interesting flavour. Hell, even the more knowledgeable ones tend to have minor freak-outs when they get outside and find the sky is blue during the day, the moon is white, and there’s a super bright super-moon that creates the day.
“There’s a great set of islands in the middle of Creation, like the City, with a small sea around them and an ocean to one side,” Keris explains, after a moment’s thought. “On the other side, where the Meadows would be, there are two great rivers running from far inland that meet and mingle and then join the inner sea. Nexus is - or was - the greatest of Creation’s cities, on the banks where those two rivers meet and join together. There are a few that rival it in size, but none in character.” She scowls. “Or there weren’t. It went downhill after I left.”
“Putting the Isles in the middle of the world?” Anyuu pulls a face. “That ain’t right. That’d put Zanara in charge.”
“Yeah, a lot of people in Creation don’t much like the Blessed Isles being in charge,” Keris agrees wryly. “Unfortunately, they’ve got a bunch of legions and naval fleets to make their case for why they should be. But that’s the domain of Lady Mars, not Venus, so it’s not our concern as priestesses.” She claps sharply. “Up, and show me your stretches. You’re still not flexible enough, I want a hundred hamstring stretches on each leg. Set the bar at the second interval.”
“Yes boss!” she declares instantly, flipping to her feet with almost insultingly casual ease.
Keris watches her as she stretches, and she catches herself trying not to think about Gull. Yes. Her feelings about her teacher, her lover, her wife are still all mixed up. She’s so used to training her mind not to think about her that she has built-in habits of avoiding such thoughts.
Would Gull be proud of her now? And how did she feel when she started teaching Rat and Kit as her first two students? Were they really her first students? Or had she been hiding that from Keris? She...
Keris’s stomach lurches, as she realises that she’s fast approaching the age Gull had been when she met Kit for the first time. She’d been... what, thirty? Thirty. A scary number.
It feels like a milestone, and one she’s not entirely comfortable passing. She has children now - a large and ever-growing brood. She owns businesses, she has students. She’s setting up a temple that she’ll be in charge of, and she gives orders that she never even sees carried out, so detached is she from the outer fringes of her influence. And that’s not even going into her positions in Hell. Head of the Lower South-Western Division, Mistress of Ceremonies... as much as it makes her uneasy, there’s no real denying that she’s an adult now. A grown-up. No longer a kid, or even a reckless young woman with nothing to tie her down. She has responsibilities now. Chains of duty and obligation that bind her as surely as any set of manacles.
And she knows well from Gull that falling into such things before you’re ready for them can have tragic consequences.
She watches as Anyuu tries faithfully to do her stretches, but she’s shaking from exhaustion by the end.
Well, maybe there’s some advantages to being the teacher.
Chapter 7: Early Wood 773
Chapter Text
Early in Wood, Keris takes her extensive brood and heads up to Zen Daiwye. She wants her family around her for Haneyl’s recovery, and that means sending messages out to recall Rathan and bring everyone together.
There’s an odd air of deja vu as she leads her family up the hidden paths and secret tunnels up through the highlands of Shuu Mua. It’s a much faster route than the first time Asarin led her up to the lost city of Kokunga a year ago, because the Great Mother’s blessings ease their path and guide them down hidden routes. But it’s the same basic direction, and now the dragon-crawler can be seen through some now-cleared vegetation as they take the path up the cliff face.
She still needs to do something with everything she got from the dragon-crawler. And with the dragon-crawler itself. It passed out of mind with the stress of her injuries, and she secured it, but it’s not doing any good just sitting here. Vali’s said that the people she made are avoiding the old ruins, so they’re secure for now, but people are people and might still want to plunder things.
Oh well. Problems for later. Right now, she needs to pick her way through the landscape to see the new mansion that Vali’s been building.
Vali’s made more progress than she’d expected. The island he’s found is high in the valley, nestled in the middle of the river with swift currents on either side. Her son has raised a large compound on the downstream side; four large wings are connected to each other with a trio of smaller ones huddled in the courtyard between them. She can see a temporary bridge connecting the island to the south bank of the river as they approach, and he’s constructed a simple dock that the biggest wing fronts onto.
Inside, it’s... less impressive. Vali’s raised the external structure with admirable speed, but inside the house is largely unfurnished. A few of the ground-floor rooms in the east wing have sleeping mats, boxes and improvised furniture laid out, but it’s clear that people have basically been camping out here rather than living. The walls are bare, there’s no furnishings, the water tank on the roof is empty and unconnected to anything and there’s no art anywhere in the compound besides a few lightning-etched pictures of dragons burnt into the wooden walls in the bits of the west wing Vali’s claimed as his own rooms.
Still, it’s an amazing canvas for Keris and her children to paint on - and once Keris walks through to see the rest of the island, she sees that Vali’s laid the foundations for workshops and forges up the south bank, and has left the northern bank mostly untouched. When she asks, he says it’s because the soil isn’t as rocky, so Haneyl can set up some gardens there once she’s better.
“Vali, this is amazing,” she praises, hugging him. “Well done. I’m really proud of you.”
He just grunts at that. He seems out of sorts, though it’s not until she talks to Evedelyl that she gets the full story.
“I... see,” she says, once her maternal soul finishes recounting things. Running a hand down her face, she groans. “Okay. Okay. Fine. This isn’t unsalvageable. Has she let her keruby back in yet?”
“She held out for nearly a month, but I think,” Evedeyl says, cross-legged on the floor and still towering over Keris, “I think she was missing having people cook for her so she let them back in.”
“Right.” Keris relaxes a little. “Okay, that’s good. I wasn’t looking forward to trying to coax her out if she hadn’t.” She chews a hair tendril thoughtfully. “Mmm. Okay, I’ll go up and be very respectful of her rules and apologise on Vali’s behalf - I’ll get him to write a letter so she knows it’s not just me saying it. Maybe bring her some better food, too.”
The thought occurs to Keris that maybe it wasn’t just Kalaska missing people cooking food for her that got her to let people back in. She wonders whether it matched up with Sasi getting the news that Aiko was back with Keris, safe and enjoying herself.
If so... well, Evedelyl might not know why Kalaska had such a bad patch after Calibration, but Keris can’t help but notice the correlation to her going missing in Erembour’s catacombs. She’d hoped that by treating Kalaska well, she might help Sasi’s mental health. Instead, it seems to be more the other way around.
... well. Maybe she is doing her love some good, she just can’t see the results very well in their infrequent dream-meetings. It’s a nicer thought than the idea she might be doing no good at all.
“Alright, I’ll go up later,” she says. “For now, decorating time! Calesco, pick out some rooms for yourself and think about how you want them to look. Maybe the top floor of the east wing? I think I saw a balcony up there you could fly from. Evedelyl, can you watch the children and tell me when you see Rathan coming upriver? And I...”
She cracks her knuckles.
“I am going to start decorating this place. Starting with a few kordroma to give us some fabrics.”
When Xasan sees the highlander-inspired stylings for the first time, he gets misty-eyed.
“What do you think, uncle?” Keris asks, bouncing on the balls of her feet. After a month’s hard work, the house has been transformed. Thick rugs cover the floors, while drapes and wall hangings break up the wooden walls. At the moment they’re mostly plain things whose patterns are simple blocks of colour, but there’ll be plenty of time to add more intricate artwork and embroidery to them in the months and years to come. Keris has dredged out and smashed up a few of the more wrecked spoils she’s taken to turn them into furniture, and all the rooms on the ground floor are populated enough not to feel empty, though many still have no specific purpose. There are bedrooms claimed for every family member - Eko and Zanara having given their opinions from behind Keris’s eyes, and Haneyl’s rooms being put closest to the planned gardens. The top floor of the east wing still looks a bit barren, apart from Calesco’s suite, but it’s out of the way so it’s not as noticeable.
And everywhere, there are nods to Keris’s heritage. Harbourite colour schemes accompany masks and spears mounted on the walls. Paintings of Nexus are dotted here and there, along with more Hellish art that Zanara has contributed in breaks from whatever project they’re working so hard on in the Isles. Keris even went delving into the Rim and negotiated with her po, and came out again with an Infinite Resplendence Amulet like the one she used to wear, before her children started stealing it as an anchor to Creation. This one is a lesser type, but still more than enough to anchor a Sanctum that takes form as a trio of huge, tent-like rooms that even Evedelyl is comfortable in. Its entrance is at the centre of the island, in the shrine where Keris has placed the priceless statue of Mela she recovered from Eshtock. The power in that will be enough to protect the whole valley, once she has time to set up some potent sorcerous wards.
Xasan swallows. “It feels like home,” he says, sounding stuffed up. “It’s made of stone, but it still feels like... like home. Like this might be a new place for the Daiwye. Maybe not how they were in the old days, but the clan will live on.”
Keris smiles fondly. “I’m glad you like it.” She hugs him, then pulls back, smile turning teasing. “So, out of interest... have you actually caught anything in all that time you’ve spent fishing from the docks? Because I haven’t seen much fish in our meals yet.”
“I caught some,” he protests. “I just don’t know what these ones like. And there’s a lot of river-shrimp and other bug-things in there and they don’t bite like a proper fish!”
“I’m sure you’ll get the hang of it,” Keris grins. “Eventually. Do you think you’ll be staying up here, or splitting time like Ali wants to?”
Xasan doesn’t look comfortable. “I don’t know, Keris,” he concedes. “I... I didn’t have a plan. Hell, I didn’t think I’d live this long. I didn’t want to moulder in Baisha, but Ali was there and it’s not right for family to leave a widower there on his own. If something had happened to him, it would have left Hanily on her own. Family doesn’t do that. But now she’s got you. And I don’t know what I want to do. I don’t want to be a lonely old man who outlived his whole clan.”
“Well...” Keris says, hesitantly. “You’ve still got us. And the people here... they’re not exactly highlanders, but the herders up on the slopes feel like it. You could teach, or share stories of the old land, or... well, there’s a lot of things you could do. Like you said, the clan will live on. And I know we disagree about some things, but I don’t want the old ways to die out.”
She hugs him again. “Stay here for the hot season,” she suggests. “Meet the people, try things out. See if you can find something you want to do. And... don’t lose sleep over it. Tomorrow’s the new moon.” Haneyl hadn’t regrown on the anniversary itself, so Keris was assuming it would happen then. “We’ll be seeing her soon, so there’s a party to get ready for.”
“Aye,” says Xasan, with a sigh. “Aye. It’s just...” He leans back on the seat, looking over the river. “I gave the best years of my life in the service of a shah, and then his daughter, Keris. I was a kalantar. I commanded men. Even back in Baisha, I tried to be kalantar. But it’s peaceful up here. I don’t know if they need me.”
“I’d suggest my Lionesses,” Keris says wryly. “But...” Even after several years, relations between her uncle and Nandi are... tense. Even disregarding the Lionesses’s all-female roster, the clan rivalries there don’t seem to have faded.
“I don’t know,” Xasan says. “Maybe I’ll spend some time walking the valley. See if there’s any man who’s getting on who’d be interested in an old battered soldier to spend his later years with. Maybe I might see if you can magic me up those cattle I said I’d buy with the shah’s wages when I went back home. But somehow I don’t think a herd will be enough to keep me interested. Not now. Not after everything I’ve seen.”
Keris nods. She knows the feeling. For all that she’d love to cast off all her responsibilities and retire here to live in peace... she doesn’t think she could. Not really. Not after matching wits with dragon-children, entertaining Unquestionable, deceiving demons and fighting fae lords. Her life is scary, and certainly there will always be times she has to retreat and hide from it for a while. But she couldn’t leave it behind, either. Her oaths are as yet unfulfilled, and she’d be bored by a rural village life.
Xasan lets out a barking laugh. “Still, there’s worse ways to spend your older years than somewhere warm where your niece is the local goddess. I’ll see what Ali does. The boy’s the son I never had, even if he isn’t the son I wanted.”
It doesn’t happen on the anniversary. Nor on the next day. It hurts Haneyl to see Mama so sad and disappointed, even if she tries to hide it. It makes her feel like Mama doesn’t want her, until Mama sweeps her up in her arms and hugs her and kisses her.
But on the day before the new moon, Haneyl starts to feel the tree calling her. It calls her with a force she can barely resist, like a white-jade needle tugged towards the Pole of Earth. And she can feel the Big Haneyl thoughts thinking through her. It takes her a while to realise that this is one and the same.
The tree was Big Haneyl all along. And she was asleep. Asleep and dreaming as she healed. But now she’s calling the missing part of her, the missing awareness back. And the little sapling is just an extension of the sprawling mass of roots underground.
She holds onto Mama. She’s scared. All her fears are becoming real. And Mama is excited-scared-eager, and she calls Eko and Zanara in and the Big Haneyl thoughts are so hot and angry on seeing Zanara that the tree’s branches flare up.
This... this might be the end for her. For who she is now. Because she’s using all her strength to exist for a little bit longer, and she’s already getting tired. One moment where she can talk to them all as she is now, before Big Haneyl calls her back and wakes up and... and she isn’t sure if she’ll wake up as part of that or whether Big Haneyl won’t be her.
Haneyl swallows, and looks between Mama and her sisters anxiously.
“Mama?” she says, timidly. “I-I’m scared.” She can’t articulate why. She doesn’t have the energy to try and get all the complicated words out, and she’s too scared of voicing them, anyway.
But maybe Eko said something, because Mama cuddles her close in her arms and her hair and looks at her, so close and intense it’s like she’s staring right through her. And then she gently kisses Haneyl on the forehead and tucks Haneyl into the crook of her neck.
“I love you, my little princess,” she says, and Haneyl can feel her voice vibrating through her chest, can taste her sincerity with the root-fingers she’s sunk into Mama’s skin to cling tighter. “I love you so much, and I’ve loved our time together this past year with you as,” she tickles Haneyl’s nose, “an adorable little sweetheart. And I know you’re scared. I know it feels like there’s a difference between you and her. I’ve felt the same thing, you know. Whenever I make my Gales, they’re like little-mes. And sometimes, if a Gale-me is doing stuff on her own for a long time, it feels scary to come back and join together again. I feel like I’m going to get swallowed up in the big-me and just stop.”
She strokes Haneyl’s hair with her own, and Haneyl nods, sniffing. That is what it feels like. Mama gets it.
“But then when we do join up again,” Mama murmurs, “we’ve both been apart for the same amount of time. And I remember being both of us equally. You’ve been doing things for a whole year, sweetie. You’ve climbed mountains with Vali and invented new cake recipes with Eko and you held that big tournament for your farisyya that you built a whole new jousting field for. And big-you has been asleep for all that time. It’s scary to wake up, but she’s not a different person. She’s you, and you’re her, and the you that you’ll be together will be both of you. You won’t be gone. I promise.”
She kisses Haneyl’s forehead again. “I love you, Haneyl. So, so much.”
And it does help. It helps to know that Mama does something like that and splits bits of herself off and feels scared when the small bit is becoming part of the whole again. Because Mama is big and brave and strong, and that means if she can do it, Haneyl can certainly do it because she’s her daughter!
She turns, and walks towards the tree. She can’t refuse it, not now, not when the branches are reaching out for her and the grasses are waving under her feet to almost pull her towards the growth and even her legs feel that pull. But she has her pride. She is a princess, and she’d rather die than be pulled kicking and screaming by her body rebelling against her. If she is going to stop existing, then she won’t be a baby as she meets her end.
The faces on the fruits of the tree are all looking at her, with eyes that burn with pale green fire. The lesser trees around it are reaching out with hungry hands, their branches covered in flame. She’s so so glad that Mama said that there was probably going to be a natural disaster because that had happened the last time she’d grown up, and made sure that everyone was in a safe place, whether in the City or the Meadows or the Isles.
She loves her land. She’s gotten to know it in the past year so well. The wilds of the Deep Swamp, the bright flowers of the border with the Isles, the tangled gloomy growths by the Meadows, and the bright and happy garden-buildings by the City. And she loves her people. The sziroms, who are her friends, and their grown-up versions who look after her. Her knights, her sail-backed lizards, her friendly kats and all the other demon and akuma breeds that live here. She doesn’t want them to be hurt. And maybe this way they won’t be.
These thoughts allow her to distract herself from the fact her body is walking for her. Walking to her end. And with her last bit of will, she places her palm on the trunk of the grand tree, and holds it there even as the tree starts to pull her in.
“If you don’t look after my stuff,” she says, trying to keep the shake out of her voice, “I’m going t-to tear my way out of you and take over.”
A tug, and her flesh comes apart and she’s part of the Many-Faced Tree.
There is a rejoining in which time means nothing. Perhaps it takes a moment. Perhaps it takes a hundred years. Perhaps it is a lifetime and a year and a day, all experienced and remembered at once. She is a seed coughed out on the muddy ground, she is a flame in the shape of a girl that burns with passionate fury, she is a merchant princess lounging at a desk covered in ledgers. She is a child asking her mother why the sky is black, a demon sinking roots into a Tengese woman to ensure a birth, a nameless thing hiding in the swamps from the red and brown thing-that-looks-like-her. She is fighting, she is fucking, she is bleeding out from a carved-open ribcage as she struggles to breathe. She is all these things and a thousand more, a shattered mosaic of moments in time all flying together and forming a picture greater than the sum of its parts.
Time snaps back into being.
She is whole.
She is naked.
She is underground, buried in rich soil amidst grasping roots.
She is very, very angry.
High Princess Haneyl Kerisdokht of the Swamps of Krisity tears her way free of the earth , hair blazing, nails and fangs lengthening, flowers growing around her neck as her eyes become reptilian. The dragon is within her, and for once she feels no shame, no self-consciousness, no desire to hide this ugly, monstrous part of herself. No, right now the dragon seems entirely appropriate to how she is feeling. Her eyes light on the figures waiting for her, and most especially the smallest one, with two-tone hair and mismatched eyes.
“You,” she snarls, liquid green fire dripping from her lengthening muzzle. “You did this to me.”
“I know,” and she can taste the fear in the air from here, from her, from two-tone hair. “I know I did. It w-was making you sick! Are... are you feeling any better? Without the mercury in your heart?”
Oh, the mercury. The mercury which was hers, which belonged to her, which she earned and owned and which the two-tone hair stole from her. She very nearly vomits fire across them for that, and the only thing that stops her is that it would be too fast. Instead she throws back her head and roars her rage to the sky, petal-ruff flaring. The crocodilian screech echoes off the trees, and she lunges towards the little shaking figure, her powerful talons digging into the soil as she moves her great bulk-
Someone steps into her way. Someone gets in the way of her vengeance...
“Haneyl,” the interloper says softly. “I promised little-you that you’d still be in there somewhere. Will you make me a liar? Is she really gone?”
She...
Her charge comes to a halt a few feet away from the long-red-hair - mama. From Mama. Her tail lashes furiously, stripping away the undergrowth that’s sprung up around her tree while she’s been sleeping. She growls, a low bass rumble of discontent.
No. She isn’t gone. She remembers being little. She remembers Mama’s last words to little-her, how scared she’d been and how they’d made her feel better, bolder, braver as she walked towards her sleeping-self. But that doesn’t matter right now! What matters is revenge!
“I can see you thinking again,” Mama says, stepping forward to lay a cautious hand on the tip of her nose. “I do that, too. Stop thinking when I get too angry. Haneyl, before... what happened, you were angry and twisted up and envious. The mercury was poisoning you. And you hated Rathan for learning Sorcery before you, and you hated me for how he broke through first, and you hated... you hated a lot, baby. I couldn’t help you then. But right now... right now you’re standing on the edge of a Choice. You have two things you could give up. Your mercury. Or your little sibling.”
She gulps.
“I can’t influence your Choice. It has to be yours, and yours alone. But Haneyl, baby. Please. Think about what you want to Sacrifice.”
She rests her hand for a moment longer above Haneyl’s terrible crocodilian jaws.
And then, at a quiet, shaky-voiced word from Zanara, and with an effort of will that leaves her trembling in almost-physical pain, she steps aside.
Her head is aching. Because she’s thinking now and she can feel that she’s thinking differently than she remembers. The hunger is gnawing inside and the horrible ache in her chest of missing something that was hers, should be hers. And there’s the rush of heat, the rage and the power and the knowledge that Mama is stronger than her and is scary and that that thing Zanara is a peer and a threat. And then there’s that petal-delicate shell of worry and fear and concern and that cringing sensation that she might be doing things wrong.
But that’s all there is. There isn’t that cloying, sweet hatred, that delicious envy that’s so sweet on the tongue, that was like everything sweet and meaty and which drove her on. That rich fuel that drove her on-on-on. That made her shake and tremble and which hurt when she wasn’t the best. It’s not there. And she remembers it being there, but little-her doesn’t remember it being there.
She’s not thinking and feeling like she used to think. Her thoughts are growing in a different soil.
... and it’s all Zanara’s fault standing there with something that should be hers! is what she nearly snarls. Nearly.
Lifting a limb, without thinking she rubs the silvery scar on her chest. Just over her heart.
“You don’t understand,” she tries. Demands. “It’s mine. It’s part of me. She can just give it back and I’ll let it go and-”
“I will not let you poison yourself again.”
It’s not one of Vali’s oaths. But the words are like stone nonetheless. They echo out across the Swamp. They make the ground tremble and the sky heave. A thundering deluge of rain falls, briefly filling the sky with a few seconds of brutally heavy rain as the clouds above burst open and release all their moisture in an instant. As quickly as it starts, it’s gone, leaving the ground wet mud and water beading on every surface.
Keris’s face is implacable.
“I will not let you poison yourself again,” she repeats, more softly. “It was hurting you, Haneyl. I cannot watch you die a second time. And it would have killed you. You can choose to give it up, or...” she closes her eyes in pain, “y-you can choose to resent Zanara for it forever. But you cannot choose to take back what you lost. Sorcery is about moving on. About leaving behind what was holding you back. Not clinging to the past.”
“No, really, you don’t understand.” It’s a desperate, begging plea escaping from Haneyl, as she shrinks back down. “I can feel where it should be. You still have it! But I can feel the hole in my chest! If I don’t have it I’ll never be as good as I was before! I’ll never be able to push myself as far! It’s not there and it makes my skin crawl knowing it’s not there and she can just give it back and you do it and...”
Inside her chest. Inside the hollow space; something echoing out. Not a voice. But patterns of thought, built up over a year. A year of childish detox - and yes, detox, because little-Haneyl is think-feeling that she sounds pathetic and how dare that brat look down on her! She’s just part of her and she doesn’t get to say that!
She’s just part of her. Just like her seeds are part of their hosts.
Haneyl throws back her head and laughs. She ignores the worried sounds from the others. They don’t understand this either. Little-her was scared of being taken over from the inside by her, but really, that was her purpose. Just the other way around. To be that time of thinking without the heartsap that’s making her beg and plead to have it back. To be re-absorbed and take her over from the inside.
She laughs and laughs and laughs, and she ignores the hands that are patting at her and the hair that’s trying to hug her, and when she finally stops laughing she is human again, looking up with tears running down her cheeks. The world looks different. She can see the ripples of her mother’s declaration still echoing off the Cloud Wall, and the beads of water shimmering on the trees hold a myriad of secrets. Eko and Zanara look utterly different and yet exactly the same, and Mama’s worried voice in her ear holds layers of meaning that were never there before.
She’s seeing the world she grew up in through new eyes. Perhaps they’re the eyes of little-her, she thinks. New eyes for a new rebirth.
“Haneyl,” her mother whispers from where she’s cradling Haneyl’s head in her lap. From her hushed tone, she can already tell what just happened.
“Zanara’s always been a garbage sibling made up of the stuff I don’t want any more,” she says, elation in her voice. “I don’t want - I choose not to want - it anymore.”
She feels her mother relax. She must have been terrified. Mama’s never dealt well with her children fighting. Reunited and awake once more, Haneyl can remember how she’d screamed when Zanara had turned on her and carved her open.
But she’s not screaming now. She’s crying, but she’s crying with happiness and pride, and her arms come around to hug Haneyl hard enough that her newly-reformed ribs creak.
“I’m so proud of you,” Mama sobs. “So, so proud, baby, my baby, my Haneyl, come here...”
Zana’s crying too, and rushes forward to get in on the embrace only to flinch at the last second, still guilty and unwilling to impose on Haneyl’s personal space. Rolling her eyes, Haneyl reaches out, hooks her with an arm and pulls her in.
“You get one,” she says, trying to sound magnanimously tolerant and not really succeeding because she’s still too elated. “One hug. I’m still not happy about you carving my heart out, even if I don’t want the stupid quicksilver.”
“I just wanted you to be well,” Zanara blubbers. “You were there for me when I was little and it was turning you into someone bad and...” The rest is lost in tears.
Eko catches Haneyl’s eye. There’s a nervousness there. The unspoken question as to whether Haneyl remembers her confession as to what she’s done to herself. Haneyl gives a slow, subtle nod. She remembers. She remembers what Eko has done to herself, and she also remembers that Eko exposed that secret shame and bared her skin to make her little sister feel better when she was panicking and scared.
With a quick check to make sure Mama and Zanara are busy bawling into her, she brings a silent lock of hair up to her lips and covers them. She’ll keep Eko’s secret. She’s earned that much and more.
Eko’s mask twists into a grin. Poor Haneyl, her mocking posture indicates. She’s lost all her tan. Now she looks much more like Mama’s good friend Sasi and much less like Mama.
“Urgh,” she mutters. “Shut up, stupid Eko. We were having a moment and you ruined it.” She looks down at her porcelain-pale skin in disgust. “Look at this! I mean, I still look good, but I had a really good tan going and now it’s gone. And I lost my tattoos.” She growls in annoyance. “Mama, you better teach me some really good spells to make up for this. And give me a better sorcery name than you did Rathan and Oula.”
Her Mama presses a teary kiss to her temple. “I already did,” she whispers. “Haneyl Azhgardna, I name you.” And this invocation has Sorcery behind it, has the scent of foreign power and life-in-all-things that Haneyl recognises from the Salinan texts she’s studied. “Who grows new life from fire-touched soil, and tames it with human hands.”
“Hmm.” She considers it. “We’ll see. And-” What she had been about to say is lost in her yawn. “Urgh. Regenerating really takes it out of you. Come on, everyone. We’re going to my hot springs. I need to rest and clean myself up. Then I’ll need to reassure my devoted subjects that, yes, I am back. And then you, mama, are going to need to summon me because I have so much catching up on and incidentally I bet you don’t even have some grand achievement for the Althing because I haven’t been here to remind you to do your job and-”
Picking her up with a grunt and a cradle of hair, Mama stuffs a cake in her mouth to shut her up. It’s the first thing she’s eaten in this new rebirth, and Mama obviously put some effort into making it good - sweet honey twines around spice and the subtleties of the texture sing out how much she’s loved, how much effort went into this and how happy her family is to see her again.
She wolfs it down in moments, and Mama feeds her as she starts off towards the hot springs, cuddling her close the whole way.
“In Lilunu’s name I call you! By the mark she made on me I summon you! In your own name I open the way for you! Come now, oh Flower Maiden, oh Orchid Dragon! Come now, Seventh Soul of mine! Come to me, Haneyl Azhgardna!”
In the open courtyard before the shrine of Ahangar Island, Iris rears up from Keris’s arm. Her wings spread wide, and she throws back her head with a high, clear call. Rainbow fire coruscates around her, and the occult flame she holds in her front talons blazes huge and wild.
In front of her, the skin of the world gapes open like a jagged pair of green-burning jaws. Tangled vines and drifting veils of pollen choke the opening, obscuring everything on the other side - but they don’t hinder the tall, pale figure that steps through. The green jade jewellery left abandoned in Chir a year ago is waiting for her, and she carefully puts it on before looking around.
“Hmm. I’m not sure I like what you’ve done with the-” is about all she manages before she gets hit by several ballistic small children, a ballistic Vali, and an only-slightly-more-sedate Rathan.
The sheer relief and jubilance of the twins, Aiko, Hanily, Vali and an aura-flaring Rathan all put together brings Keris back to tears of happiness - which turn to tearful laughter when Evedelyl can’t help herself and sweeps the lot of them off their feet in a titanic embrace. Haneyl is stuck in the middle of it all, caught halfway between lapping up the adoration and protesting her inability to breathe. Even Atiya looks pleased to see her again, focusing on the big celebratory ball and only wrinkling her nose a little at the noise.
“So,” she says, picking up a very happy Aiko. “We’ve agreed that Zanara gets this one thing. Because I was really ill before they did their thing. But this isn’t a precedent!”
“You sure you don’t want me to hold them down while you punch them a few times anyway?” Vali asks, draping his arms over her shoulders from behind. “Because I did promise.”
“Urgh, you’ve bulked up even more,” Keris hears Haneyl mutter. “I thought my memories were exaggerating. Mama! Make him stop growing! He’s meant to be my little brother!”
“If I could, I would!” Keris calls over, grinning. “He keeps refusing!”
Haneyl considers this. “Vali, I order you to get taller and bulkier!” She glances at her mother. “Worth a try.”
Still laughing, Keris shakes her head. She’s already tried that, and-
“Okay sis!” Vali grins obnoxiously. “If it’ll make you feel better, I will! Oh! I’ll turn into a dragon, that’s both!”
“No!” three or four people shout, as well as a “you’re still grounded!” from Keris. Vali huffs sulkily.
Kali, meanwhile, has had enough of being ignored. “Hanny! Hanny Hanny Hanny Hanny! Look at me look at me look at how big I am now, there are fishes here Hanny, and Vali said there were gardens for you over there and I helped dig all the rocks out, it took aaaaages and there was a rabbit and I caught it and it was yummy!”
Haneyl shifts Aiko to a hip and picks up Kali, staggering slightly under their combined weight. She sits down, one girl on each knee. “That’s very good, Kali. Haven’t you got big? You must have been eating very well.” She glances at Keris. “Now I’m back, maybe your hunting powers can join mine and I can teach you how to cook. Because while raw rabbit can be nice when you’re on the run, it’s even better when you cook it with plenty of spices.”
Kali is delighted at this prospect, and Aiko leans into Haneyl’s shoulder to get away from the cheering. “I’m glad you’re back,” she whispers, clinging to her arm and looking up through her messy fringe. “I missed you.”
Haneyl sniffles. “I missed you too, baby sister. I bet tiny me and you would have had a lot of fun if I could have come out and played.”
Iris slithers into Aiko’s hands, and breathes out two little girls holding hands.
“Yes, that’s true, Iris came in and played with tiny me. And she stole a lot of things I was baking, didn’t you, you little pesky dragon?”
A flame of a grinning face is the answer she gets.
Of course, there are more relatives to greet. And one of them is her cousin, who announces to her face, “You can be Hany. I don’t mind. You should call me Hanilyia now.”
“Oh? You think you’re big enough to demand your full name?” Haneyl asks.
“Yes! After all, I am older than you.” Hanilyia puts her hands on her hips and scowls up at her cousin. “I have to look after all these babies.”
“I’m not a baby! You’re the one who sits in on my lessons,” Aiko counters.
“Ignore the baby, I’m the oldest one of our gen-er-a-shun, so that means you need to call me Older Cousin.”
Haneyl exhales. “I might compromise on Hanilyia. Might. I’m not calling you Older Cousin.”
Keris can see the little smile on Hanilyia’s face that tells her that the little girl started with an outrageous demand to make it more likely that Haneyl concedes where it actually matters.
“Hany, don’t talk to your cousin like that.”
“Daddy, it’s Hanilyia!”
“Yes, Hanily.”
“Ha-nil-yia!”
Her laughter is under control, but Keris still has to cover a smile of her own at that exchange. Hanily is shaping up to be as clever as her mother, if not more so. She sidles over to where Calesco and Atiya are staying out of the way of the too-enthusiastic bits of the reunion, the latter on her big sister’s lap, and sits down next to them.
“Are we waiting for her to get some space from the cuddle pile?” she asks. “Good plan. I’m not sure Evedelyl isn’t gearing up to crush them all in another hug.”
“It’s very loud,” Calesco says. “And Haneyl is milking it for everything she can. Atiya doesn’t like the noise, and neither do I.”
“My quiet girls,” Keris says. “Though I think it probably won’t be long before Ogin comes over to join you.” Her son is currently clamped onto Haneyl’s ankle, but his hair is plugging his ears against Kali’s loud yelling. “Tell you what; I’ll try to break the cluster up and get people inside to start bringing food out for our lunch. You can go welcome her back while there’s some breathing space.” She kisses them both on the forehead, then jogs off to rope the more enthusiastic family members into helping mama bring food out for big sis Hanny to get better with. She keeps one ear on Haneyl as she shepherds her excitable babies inside, though, and hears Calesco stand and make her way over to her sister as the door shuts.
“Mama is glad you’re back,” Calesco says softly. “She’s so bad at paperwork and managing things. And she’s been making me do it when I have to cover for her.”
Haneyl pauses, and Keris can hear her happy little sigh. She slings an arm around Calesco’s shoulders. “Missed you too, baby sis.”
“That’s not what I was saying.”
“Yes,” and Haneyl kisses her on the cheek, “but it’s what you meant.” And with that said, she saunters off.
Chapter 8: Late Wood 773
Chapter Text
The blue-grey-green sea does not ripple as Keris sprints along the coastline, following the jagged curve of the Hook. She is a breath over the waters, a fast-moving figure whose hair streams behind her and if any of the junks following this coastline notice this strange sight she is gone before they can investigate.
She is south of the Wailing Fen now, and following the flat coastline of Ta Vuzi, a sad and melancholy satrapy - or so she’s heard. She can see the odd, wading-bird-like figures of the dragon-drinkers, under a hazy grey sky, rising up from sodden grey-green land that isn’t sure if it’s water or solid soil. And the same confusion extends to the algae-choked sea, spreading out from fat, broad, lazy river deltas. Low, wet villages huddle next to fishing docks, raised up on bamboo stilts. Fat mosquitoes and biting insects spread out through the air.
The landscape here isn’t sick in the same way as the Wailing Fen is, but it’s still not well. She can taste it. Something is missing.
But she’s heading here along the coastline of Ta Vuzi, heading down to the easten side, where the bulbous headland of the Hook curves back in, because she’s looking for the Righteous Deer Monastery. With a very certain goal in mind.
She’s here to investigate this place, this satrapy from which the Realm extracts jade and hearthstones and alchemical reagents and leaves poisoned soil and fouled water and a dying, fractious populace in return. She’s here to investigate, to claim a staging point from which she can work her dark designs, and to please her masters by pandering to their delight for perversions of the Immaculate Faith and the worship of the traitor-gods who cast them down.
That it allows her to test the feasibility of a personal goal is an added benefit that Keris is hardly going to turn down when the opportunity offers itself to her so neatly.
She doesn’t stop until she’s getting peckish, and at that point a sizable city is visible ahead of her, black smoke rising up from its fires. Stepping ashore for a few moments to pull out her maps and check it, Keris is fairly sure this must be the capital, Qui Don. The Dictator rules here, but his authority doesn’t spread far beyond the city - and in truth, doesn’t even spread through most of the capital either. The satrap, Ragara Eilka, is the real power here, and the Dictator has no authority over the Realm-owned docks or free-port.
Qui Don sprawls over the landscape, up and down the broad La Ne river delta. The heart of the city is built around a more solid island there, with an ancient Shogunate fortress at its heart. Keris can see the gleam of ancient air-cooling units from atop it. Around it, lies the Realm freeport, built in their style, whitewashed and red-clay-tile roofed. There are other clusters of Realm-style, always built around one ancient Shogunate structure or another, many walled off as little fortresses in their own right. They stand in sharp contrast to the city around it which spreads across the little islands and river banks. House-boats and stilt houses form streets on the silt-clogged, shallow delta, tied together by reed and bamboo bridges. Small boats poled by nearly-naked figures travel between housing clusters in the muggy, sweltering humidity. Insects buzz, and the whole area smells of improper sanitation and something vaguely oily and metallic.
And most of the people Keris sees are beast-blooded, in one way or another. Many are of mixed blood and only limited animal traits; men with deer horns and cat-like eyes, women with dull bird-plumage in their hair and the knees of a dog. But there are more obvious beastmen; turtle-men with brightly painted patterns on their shells, gatormen working at the docks, and bird men who perch on the roofs of stilt-houses. The markets are alive with cries both human and animal.
Eyeballing a few of the local residents, Keris pauses in the shade of a convenient grove of trees to pull a shadow-guise over herself, turning her hair brown again and shortening it down to merely her waist as well as switching her silver feathers out for dull black. After a moment’s thought - and with a half-apologetic wince to Dulmea at the memory of Erembour’s transformation - she throws in a pair of cat ears the same colour as her hair.
Disguise set, she saunters into town, keeping her head down, her shoulders hunched and a wary ear out for the local gossip. Time to see how badly off this satrapy really is.
It reminds her of Nexus. But not in a good way, like Saata. It reminds her of the Nexus that she hasn’t romanticised; the grinding day-labour of Nighthammer, the ruinous poverty of Firewander, the slums slung out on the river in barge-towns. And unlike Nexus, there isn’t the feeling that the people here are just waiting for their next big break. They might mutter that they’re going to make it big, but that’s just a dream to make the day-to-day life less crushing. Something to say when your children are sick or you have to go to the money lender again. And that’s how things were in Nexus, that’s true, but...
... Keris doesn’t have the words to explain how it’s different. Nexus was polluted with Nighthammer’s coal-smoke and the way that Nexan rice was oddly gritty, but the sickness in this land isn’t just fumes and vapours. It’s in the soil, and in the tarry-tasting water in some canals, and the way the bird-men sitting at their clay furnaces are boiling the water over their kilns.
Maybe it’s the way that they seem to be looking up to the Realm and their white buildings. Like a beaten dog, looking up at a cruel master and wishing he’d set them on another mangy cur so he’ll be happy with them. There are little fighting pits here, and men fight beasts and each other, roaring for the raucous violence.
The rain comes in, hammering down on wooden roofs and off canvas awnings. It takes some of the smoke out of the air, and carries oil-slicks over the top of the cloudy water. They know about rain like this, because many of the streets connecting boats have coverings, and the stilt-raised paths might sway, but the river rushes underneath. Keris watches a trio of children, one with little velvet-covered horn stubs and two with cat-like faces throwing cords into the rushing river underneath to try to snag bits of debris and pull them out again.
Uncomfortable with the memories this ailing city is drawing up, she uses the cover of the rain to move on down the coast, shedding her disguise as she goes. Her initial impression wasn’t wrong. And neither was Sasi. The people here want the Realm around. They’re like a gang boss’s girlfriend so beaten-down that they make excuses for what it’s doing to them. It...
... it reminds Keris of Maryam. Of how she’d been with the ghost of her mother. And that’s never something she likes thinking about.
She’s glad for the rain as she makes her way down the coast. It means the capital disappears quickly as she puts distance behind her, and cleanses the greasy feel from her skin.
She pays more attention to the coastline from there, and doesn’t just hug it. She pauses in places, making sketches of the skeletal-bird-like things that bob up and down. She plays with her white-jade leyothier, and frowns when she sees what’s happening to the dragon lines. And she stops over in some of the small towns and villages in the broad river valley which funnels down to the capital.
In many ways, things aren’t so bad there. Keris likes cities, but she can’t deny that in many ways they’re a repository for human misery. The family-less, the lost, the desperate, the dreamers all flock there and many of them get chewed up and spat out. Out away from that expanse, the air is somewhat cleaner, though there’s still sourness in the soil. Sprawling sugar and cotton and rice plantations dominate the lowlands, ruled over by beast-blooded lords and clan patriarchs. They’re almost always mammalian; deermen, bearmen, bunnymen, catmen and dogmen and blends thereof. But the workers in the fields are much more mixed; there’s birdmen and lizardmen there. That’s just how things are, in this flat landscape dotted with rural estates and Immaculate shrines. Oh, there are many shrines. It reminds her of the Scavenger Lands, but maybe even more so. Every small village has a shrine painted in the dragons’ five colours, and monks and nuns are a frequent sight on the landscape.
There’s beauty here, too. She spends a few hours up a tree, above a field of yellow wildflowers which gently slopes down to a river. There are swamps that Haneyl would take delight in, and the whole coastline reminds her a bit of the border between the Swamp and the Isles. The people here love their brightly-painted buildings, their chequered woven jackets, their long skirts that billow around them. There’s music in the little villages, and delicious spicy foods made from the wild deer and the crayfish and lobsters and crabs that are as common as mud here.
But she can tell the whole landscape is crumbling. Washed away by the sea at a rate of - gods, metres a year, maybe. It can’t last, and the very geomancy is sick too, just like the mud is poisoned and there’s always smoke in the air.
“It’s even worse than I thought,” she comments sadly to Dulmea as she surfaces from an offshore dive spent tasting the mud at different intervals out to work out how long ago it had subsided into the sea. “And I don’t think there are any easy fixes, either. It’s like...” She gropes for an example. “Like... like what all those years of drugs and stimulants have done to Peaceful Wave’s body, or the Despot’s over in Ca Map. Like mercury building up, just... layer on layer on layer of progressive damage. And I can’t put root-fingers into a landscape or just dose it with an alchemical cure-all. I don’t think there are any easy fixes here. They’ve beaten the land so badly it’ll take decades to recover. Centuries, for the dragon lines.”
“From what I understand of your lessons with Lady Lilunu, the proximity of the Wailing Fen to the north makes this land already... frail,” Dulmea says, thinking out loud. “I wonder if ancient maps would say that the Fen was smaller and has been spreading south as the geomancy here weakens.”
“Shit,” Keris hisses. “It might have been. Urgh, but there’s no cleansing that... hmm. Though, I wonder. If it was possible to get rid of Gorol’s scream completely, I reckon the High First Age would’ve done it... but maybe the bits outside the area they couldn’t get rid of can be fixed? I’d have to do some more checking... I wonder if you can hear that scream throughout, or if there’s a fixed border to it?” She taps her lips. “Hmm. Something to check. Knowing more about that place will help me keep the Zu Tak safely under a lid, and while I’m all for a source of Hellish ingredients, I don’t much want it taking over the whole Hook. Not even the Unquestionable would. It’s hard to rule a swamp where no-one lives.”
“I think some of them would like that,” Dulmea says softly. “After all, it is a weak place in the world. I dare say it would be easier for our masters to enter Creation there. And if it is larger, and weaker...”
“As a staging point it’s great,” Keris allows. “But you don’t want a whole house made of front doors and cloakrooms. Some would be fine with a swamp full of primitive savages - the Shashalme, maybe Khereon Ul for all the ingredients, others like that. But I rather think more of them wouldn’t.”
She purses her lips. “Though... hmm.” She doesn’t continue out loud, but Dulmea is as attuned to her thoughts as her senses, and reads the flicker-fast chain of musings that go by. She’s already brought Hermione out of Hell, but Hermione hitched a ride with her - and was one of the healthier of her souls, too. Perhaps a wound in the world like this might serve to bring something more of Lilunu’s nature through - another soul, or even a brief manifestation...
“Do not think of such things,” Dulmea warns her. “Her souls - they are demon lords, and Hermione is a useful ally. That is one thing. But at least secure Ligier’s permission before trying this. Please.”
“I know, I know, I won’t do anything rash,” Keris placates her. “If nothing else I’d want to take my time to be sure it wouldn’t hurt her. Anyway, thoughts for later. Does this coastline look familiar, or did we already pass the prominence the monastery was meant to be on? Because I still think that inlet back there looked like the one down the coast from it on the map.”
“We haven’t got that far, and the monastery itself is on a jutting out bit out to sea,” Dulmea says, sounding slightly over-weary. “We need to head further on - and I think it would be a good idea for you to find a place to sleep tonight if we don’t find it by late afternoon. The last thing we need is for you to run past it in the dark.”
“Fine,” grumbles Keris. “But if it turns out I was right and we get all the way to the inside of the Hook without finding it, I’m saying I told you so!”
((Roll me Cog+Travel))
((/r 3d10s7c10 #KerisAttemptingToNavigate))
((Keris rolled 0 <3; 3; 3> #KerisAttemptingToNavigate))
((oh my god keris))
Nearly a week later, Keris actually finds the monastery. It should have been a day or so. But she managed to get lost in the jagged coastline and missed it, and continued too far along the interior of the Hook. She only realised her mistake when she got as far as Dhouta, and that was far, far too far - outside Ta Vuzi entirely.
Dulmea is not saying anything. Keris already got the I Told You So phase out of the way.
“On the plus side,” Keris says , determined to find a bright side as they finally lay eyes on the stone walls atop the rocky promontory, “I’ve got a really good sense of how badly they’ve been fucking up the coast now. Like, not just in the cities, but all the way down the- huh. Wow.” She comes to a stop, eyeing the layout of Righteous Deer from without. “That... is not what I was expecting from a monastery. Like, even the one on Triumphant Air wasn’t this fortified. That looks more like the Lookshyian fort from Saha.”
Keris has seen the landscape around the area in far more depth than she planned to. She’s seen how it’s crumbling, washed away by the sea as earth’s integrity gives way. She’s swam out and found ruins in the shallow waters; she’s even seen artificial island-settlements of beast-blooded sailors living in old towers surrounded by floating house-boats and thinner fishing boats.
And that means she knows for a fact that this fortress wasn’t originally a coastal one. It was probably once in a commanding location over this flat landscape, with ancient weapons to annihilate anything that it could see. But now it rises up from its solid foundations, which have remained solid even as the land around it is claimed by the sea.
The temple-nunnery is shaped like a five-pointed star, with the white walls decorated with red geometric patterns picked out with traces of gold leaf. There’s a gantry visible on the western side, as people up on bamboo scaffolding apply a fresh coat of paint. Orange banners flap in the wind, waving in the onshore breeze. Old essence-weapon towers have been turned into bell towers, where heavy bronze bells sit in place. And that’s the thing she sees about it; it’s massive and blocky and thick-walled, but it’s lost many of the weapons it was intended for. There are only ballistas set up on the sea-ward facing walls, not any of the crackling essence weapons that were intended, and while there are nuns up on the walls, they’re only in the armoured buff-jacket-robes she’s seen for war-nuns before.
At the other end of the half-flooded isthmus that leads to the temple, there’s a small town with low walls, surrounded by rice fields to one side and swamp-cotton on the other. Keris thinks it’s called Bha Qun, if her map is correct.
She makes for the town first, calling for Zanara as she does. Her youngest soul is still in her inner world after Haneyl’s recovery, busying themselves reforming the Isles into a theocracy. But now they come to the mirror within her mind and look through her eyes at the project Keris has set herself.
“Alright,” Keris whispers as she finds a good spot to observe the town and pick a disguise from. “You remember what we talked about. The important thing here isn’t just making it pretty, it’s a proof of concept to see if it works.”
“Yeah yeah, I know.” It’s Zana, almost vibrating in eagerness. “Getting them to accept it matters more than making it as pretty as it can be. Oh, but Keris, you will let me help design the next ones, right?”
“If this works, you can be more creative with them, yes,” Keris agrees. “Now focus.”
It’s a simple enough concept - and one that neatly kills two birds with one stone. The demon princes of Hell love to hear tell of the Immaculate Faith corrupted and perverted into infernalism, and an entire monastery of devout nuns brought into Yozi Worship will delight them. It might objectively be a petty achievement compared to the seeds Keris is laying in Saata to push the Hui Cha into controlling trade throughout the Anarchy, but it will pander more to their grudges against the children of the Dragons - and Keris will be able to play it off as creating a staging point to ruin Ta Vuzi, too.
And it will be that. But there’ll also be a hidden goal, secret to everyone beyond her innermost circle. Because if she can corrupt these Immaculates into the worship of two specific Yozis - two Dragons who were crippled in the great war against demonkind, their names forgotten and unmourned - then it will be proof that she can subvert the Immaculate Faith to worship Lilunu’s souls in turn, as “Lost Dragons” who made a noble sacrifice to eternally guard the prison of the Yozis.
That’s something she can get a lot of use out of, in future.
“I’m thinking dreams,” Keris murmurs, watching the half-hearted, world-weary bustle of the little town with sharp eyes. Her previous disguise should do to blend in here and pick up the local gossip. “If I scope out the monastery and get a feel for the most influential nuns, I can go to each of them in dreams and corrupt them with visions of the dragons left behind. Make them really want to weep and mourn and pay their respects to the cast-down crippled kin of the five they worship, who fell during the War. Once I get enough of them thinking that way, I just have to arrange for someone to voice it and everyone can speak up to say they’ve received the visions too.”
“Mmm.” Zana hums to herself, thinking. “Do you want to work from the top down, or the bottom up? The leaders here will have more power and influence to direct their followers, but they might be more able to notice that something is up. You’d need to make sure they don’t realise something is up, or don’t tell if they do realise.”
“Well, I do have that lovely little gift Erembour taught me,” Keris says smugly. “So... yes, I think we start with the higher-ups. They’ll also be the most senior, so the younger ones will trust them more when they say this is legitimate dragon-worship. And...” she purses her lips thoughtfully. “What do you think about sending them visions of an ancient lost icon to the Forgotten Dragons hidden in the swamps, once enough of them are onboard?”
“‘An image of the Yozis is, in a sense, still a Yozi’,” Zana quotes maliciously. “And you’re becoming akin to them. Do you want to forge an ancient fen-preserved wooden idol of yourself as Gaia, granting life to your eldest and youngest progeny?”
Keris’s eyes glint. “Oh, darling. You come up with the best ideas. Get me a sheet of concept sketches drawn up while I do some spying, and we’ll make it tonight or tomorrow.”
The people in the nearby settlement are a taciturn lot; rangy fishermen with deer horns and tired cat-eyed woman back from the rice fields. They don’t say much. Keris hears from a grumbling pair of women washing clothes in the river that since the abbess is some relative of the satrap, she should do something to get the taxes lowered and it’s an offence the salt-rate they’re paying, but the only other thing she gets is the woman’s name; Humble Mouse. She moves on to the monastery itself, maintaining the cat-eared, crow-feathered disguise of a native and adding to it by dropping out of the story altogether. Lurking unobtrusively backstage in simple clothes, she’s nothing but a local stagehand at the edge of the scene, out of sight and out of mind.
But Keris is watching, from her point of view near the players of this drama. She watches the nuns go about their daily business, and she listens, too, to what they say and do when they think they’re unobserved.
She watches them. The monastery itself is too small for the fortress it dwells in, like a hermit crab in a too big shell, and so much of it has been closed off. Courtyards have been turned into gardens, or fields; much of the structure is bare and stripped. Even half of the central citadel, which is the main body of the temple, is sealed off in this way. In its day, this must have been a fortress holding thousands; now, at most a few hundred nuns are here.
Most of them are locals. Cat-woman, deer-women, the blurred beast-blooded so common in Ta Vuzi. Many of them seem young, of marriageable age; some are barely older than Hanily. Those are mostly the ones in the fields. The older ones are disproportionately fewer in number. Perhaps they leave the nunnery when they get to a certain age.
“Or perhaps they took heavy losses a few years back on a Wyld Hunt,” Dulmea suggests.
This way, however, she gets more knowledge of the leadership. Humble Mouse, the abbess, is a woman with Dynastic features who looks to be in her late fifties. She’s in good shape for that age, though, and Keris can feel that she’s enlightened her essence even if she isn’t a dragonchild. The treasurer is Grey Gull, even older, with skin like parchment; the chief cellarer in charge of the supplies and the fields is one-eyed Gentle Wave; the chief of the library and scriptosium Serenity is surprisingly young for such a role but has divine blood. And then there’s Discipline, a wall of a woman who heads up the local wyld hunt and is training nuns out in one of the bare courtyards.
Unfortunately, her surreptitious raid on the library reveals that all the monastery records that might give her an idea as to the balance of alliances and arguments between these five women are written in High Realm. Which she cannot read. And neither can Dulmea, Eko or Zanara, even if the latter can speak it a bit.
“Damn,” Keris mutters in low tones. “Well... fuck. There goes my first resort. Urgh, and spying on their meetings probably won’t help much either. I bet they’ll speak High Realm there, too.”
She retreats back out to the sealed-off parts of the fortress to consider her next move. Looking into reflections to see the price they’d each sell themselves for would give her a good idea of what drove them, but it would be costly and exhausting to do, and leave her weak and listless for dream-crafting. Playing a junior nun and interacting with them to take the measure of their behaviour towards their underlings might shed some light for a lesser cost, though there’ll be a limit to what they’ll show of themselves to their lessers. A villager might give a different view, but that has the same problem - and they don’t seem to interact much with the monastery - certainly not to the point of coming up here.
Maybe it would be quickest and easiest to just dive in and start sending them dreams in no particular order, trusting the corruptive power of her blandishments to carry her scheme regardless of strategy.
“Bah. Stupid unreadable High Realm babble,” Keris grumbles, watching Discipline run the fitter-looking nuns through their training. “Stupid unfair Realm leadership. Why couldn’t they put someone local in charge who speaks Firetongue?” She sighs, slips out of her hiding place and steps back on-stage again. But not as herself. No, this time she coughs out blood onto a stolen habit and takes the role of a junior nun - just one among many, a faceless member of the supporting cast who the eye skims over in favour of the main characters.
“Well then,” she mutters, “let’s meet our ruling Sisters.”
No one looks at a nun with a broom. She’s just standing there sweeping, and the most she gets is a “Make sure you see to the prayer hall and do it properly, the last girl skimped on the corners”.
Discipline is the first of the senior women she interacts with, because she’s the easiest to find. She’s loud enough that she can be heard from outside the temple. Keris called her a wall of a woman, but honestly that’s maybe an underestimate. She’s like this fortress itself, packed down into someone who might as well have been hewn from the rock. She takes un-nunly pride in that body she’s clearly cultivated, and given that she’s demonstrating to the juniors that her punches can break thin slabs of stone, it’s really no surprise. She’s loud and demanding, but Keris has seen women like this before. Hells, Haneyl is like this; she expects the best of her people, but Keris sees her order a girl who’s got too heated on the training fields to spend three hours in solo meditation after she breaks another girl’s fingers.
The head librarian Serenity is her precise opposite; pale-haired and pale, flinching, reclusive, with hands stained nearly up to the elbow from the inks she works with. Of course she takes pride in her superlative understanding of history. Her libraries are tombs of the written word, and there’s strange hanging sacks that Keris only realises are full of sawdust and rice when she gets conscripted to help change one. The one they’re replacing is notably damp; they’re thaumaturgical dehumidifiers trying to keep the paper in here dry. For all her flinching shyness, Serenity is a bully to the likewise-reclusive underlings she has, and wields the ability to remove their exemptions from certain other duties other nuns have to perform like a club.
Gentle Wave is proof of Keris’s suspicions; an old scarred veteran of the wyld hunt given a sinecure as the head cellarer due to her injuries. She’s of the generation that the temple lacks women of that age, so clearly a hunt went wrong. She’s missing an eye and several fingers, and there’s scars visible on her limbs that look like she got hit by the splash of a metody. She’s morose, and clearly unhappy with her back-end role; she takes pride in her faith, rather than her position in the temple, and she’s a grumbler.
Grey Gull doesn’t seem to be making all the decisions; watching her in private, she seems to mostly nap in her chair and seems half-senile. Her doe-eyed assistant Azure Rabbit makes half the decisions for her, and she’s a local; Keris can read her work and notes that the temple is paying more for its purchases from one clan than the others around here.
And finally there’s Humble Mouse, the clearly-Dynastic head of the temple. Another failed dragonchild like Sasi, Keris suspects, who still takes pride in her - low - position in House Ragara. She’s an odd woman; on one hand. she genuinely seems to be trying to do her best here, in this lonely, remote island-fortress far from where she was born. But on the other hand, her contempt for the locals is clear whenever she’s talking with one of the outsider senior staff in private. It’s just a worn-down exhaustion with how they keep on doing things they shouldn’t; they worship local gods, they hold heretical beliefs, they make images of the dragons, they - she’s clearly irked at this -worship the Scarlets as the Dragons’ Embodiment in Creation. She, as she sees it, wants to help them become better people and they keep on refusing to do it.
Keris looks at this woman - this aging woman, who’s as old as Sasi but looks far older and must have failed her family’s expectations just like Sasi did. This devout woman whose painfully earnest faith is clear her in her every action, who feels lost and ignored and isolated in this petty out-of-the-way monastery that the Realm doesn’t care about or likely even remember most days of the year. This compassionate woman who genuinely is trying, in her own way, to help the people here despite the contempt she has for them. This tired, exhausted woman who life has ground down by pitting her virtues against an uncaring world.
What have the Dragons ever done for Humble Mouse? What has the Realm? What have they given her, except for strict and rigid laws about images and philosophy and rituals that she rubs herself raw trying to hold to and teach? What have they done to pay back the debt of her worship, her heartbreakingly sincere devotion? Keris remembers feeling like that. Remembers wanting nothing more than to pledge herself to them; those five coiled figures who hold up the world on their wings. Remembers the long slow slide into resentful disillusionment when they never, ever answered.
What was it Sasi had said? She’d found another dragon, who welcomed her and gave her the powers those five would not.
Keris looks at Humble Mouse, and with a terrible, inhuman ease, she falls in love.
She’ll show this woman a better way. She’ll give her something to believe in that will answer.
Within her head, Keris hears Sirelmiya purr in satisfaction.
Humble Mouse is dreaming. She’s dreaming, and she’s vaguely aware that she’s dreaming, but she keeps moving through the swamps because it’s what she was doing already when the thought came to her, and because even if this is a dream, she’d rather dream of something - anything - other than the swamps of Ta Vuzi. But no matter how far she goes, she can’t seem to find the monastery, or the town, or even the shore. The swamps just go on and on, the landscape rolling in gently feminine curves that aren’t at all like what she sees from Righteous Deer’s windows.
And then she gets to a point where the landscape starts to rise, and rise, and rise. And when it gets too steep for her to go any further, she finds a clearing free of trees, and looks up.
What looms above her, titanic in scale, silhouetted against the sun, is only a woman in the sense that a typhoon is a movement of water. Humble Mouse has heard of the great statue of the Lap, far across the Firepeaks on the coast of the Inner Sea. This figure would make that great statue look like an insect’s toy.
Her every breath is a typhoon, and her hair sublimates into lightning-lit thunderclouds that fill the sky. Her eyes are seas, and her breasts are mountain ranges. The trackless deserts of the South are spread across her belly, and between her legs lies a rainforest, hot and moist and full of life. Tattoos are carved across her naked skin - sinuous shapes that are not images of the Dragons, but which sing out their natures as clearly as if they were before her in truth. They cling to her, as mighty as hurricanes but small against the vastness of this being, their titan-mother.
This is no petty local god.
This is Gaia herself.
((OK, roll it vs MDV 4. Or, rather, uh, MDV 0 from TLA.))
((hahaha))
((Okay, what’s my pool? Per+Pres?))
((So, I think you need to activate AFB separately since it’s an enhancement to image crafting.))
((Sure. So, hmm. Do I have Styles that count for this? Exotic Beauty, heh? Or... huh, actually Prince of Hell might qualify here, just for how Keris is appearing as a being of sheer overwhelming might and power. And she is going for “terrified awe” of Gaia.))
((Yes, for both.))
((AFB is Per+Politics to create adoration of Gaia-Keris. 5+2+3 Exotic Beauty+3 TLA-enhanced stunt=13. General “terrified awe” is Per+Pres is 5+5+3 Prince of Hell+3 TLA-stunt=16. And her MDV is 0 so I barely need any Excellency use, but... yeah, why not, I’ll chuck 5 Malfeas ExSux into that main roll to really slam it home. :V))
((/r 13d10s7c10 #GaiaKerisAFB))
((Keris rolled 8 <9; 10; 3; 2; 5; 8; 2; 1; 8; 4; 8; 2; 10> #GaiaKerisAFB))
((/r 16d10s7c10 +5 #TerrifiedAwe))
((Keris rolled 10 <2; 3; 4; 4; 1; 2; 8; 6; 6; 6; 6; 10; 3; 8; 3; 7> #TerrifiedAwe))
((Ok, yeah, at this point she’s basically incoherent putty in religious devotion in your hands))
Humble Mouse - Ragara Uya - falls to her knees. Hands digging into the ground. Barely breathing. She drops her gaze; terrified, awed, adoring. Not daring to look upon the titan, yet unable to imagine disobeying whatever Her will might be.
But as she drops her gaze, she sees that the clearing she has come to is occupied. Occupied by the very titan she has just gazed upon - the woman-shaped mingling of the elements whose every movement holds the ferocity of wildfires and the strength of earthquakes. She is smaller, yes, barely any larger than a mortal woman. But size means nothing to this being. Less than nothing.
This Gaia is not simply reclining in the heavens, though. She is dancing. And with her dances another. Gaia is crashing tides and howling wind and the growth of forests, but her lover is dark and pale and silver, and she matches Gaia step for step, arc for arc and kiss for kiss. With heartfelt reverence and love, the seductive moon orbits the queen of earth, and Humble Mouse watches them embrace and kiss and fall to passion, feeling like a voyeur but too trapped in religious wonder to look away.
And from their union, two more dragons are born that Ragara Uya knows nothing of.
One is black. Not black like Daana’d, but blacker still - an absence of light, an emptiness that holds light and reflects nothing from it. He coils around his mother, nuzzling her affectionately, and then with a flick of his tail he propels himself over to the moon, who kisses him on the forehead and casts him up, up, up into the flat white expanse of the sky, where he spreads his wings and becomes the night against which the stars and moon can be seen.
The other is no colour, and every colour, and all the colours that could not be. He lays his head on his mother’s breast with wisdom beyond his years, and she strokes his head once before passing him to the moon, who again kisses him on the forehead before throwing him out, out, out towards the unformed edge of the world. And there he folds his wings around to become the border of the unreal that holds back the wyldtide.
Gaia kisses Luna once more. And then she turns. Eyes like oceans pin Uya with infinite depth, and the earth-mother bestows on her a secret smile.
She has a task for the abbess, that wise and knowing smile whispers. Gaia misses her two forgotten children, and mourns that her descendants have forgotten them. She would be pleased if Uya were to leave them offerings, and to remind them that their mother loves them still. It would be an act of great favour, and of devotion, if Uya would do this for her - secretly, and safely, so that those who saw her sons forgotten do not stamp out their memory a second time.
“I...” the abbess stammers. Loving the titan. Fearing her. Filled with awe and filled with terror so close in kinship that they’re just one thing. “All-Mother! C-command me!”
Gaia crosses the clearing in a single step, and takes Uya by the shoulders. Her hands have the strength of landslides and volcanoes in them, but she is gentle.
“Pray for my sons,” she commands; ten thousand voices speaking as one. “Pray to my lost dragons, honour their memory, and guard it that they are not forgotten again. Do this, my priestess, and you will be blessed.”
The midnight-black dragon curls around her, holding her close, sinking under her skin and she knows she has been blessed by it. She knows she must adore it, venerate it, as the All-Mother commands. And she knows that she wants to. She longs to obey, to offer veneration to these two. And her heart weeps for these two, to be forgotten.
Keris wakes late the next morning. It’s already humid and muggy, and she feels unpleasantly damp under her skin for a bit. She takes it easy, drinking tea with Nara in the near-Isles in a pleasant little cafe that feels like the Jade Carnation on absinthe. And then she wanders back to the looming temple, to find things all a-flutter.
“The abbess says she had a vision! That she saw the Mother of Dragons! She’s been in the temple since dawn, praying,” whispers a fish-scaled initiate as she scrubs at identical robes in a long washing trough.
Gathering herself, Keris reinforces her twin-layered disguise again - the role of a junior nun over the shadow-seeming of a local - and slips into the temple. This is where the tricky bit will be. She’s given the abbess a fervent mania to worship the forgotten children of Gaia. What she needs to do now is make sure Humble Mouse doesn’t blab to anyone who might raise alarm bells until Keris can get them, too.
She made sure to emphasise how Gaia’s sons were forgotten once, and must be kept secret so their memory is not suppressed again. But she’s still going to keep a close eye on the woman until the five-day manic period has passed.
When she emerges from her seclusion, she immediately sends for the chief librarian. She wants her to find if there’s any records of the Night Dragon and the Border Dragon. Keris’s breath almost comes out in a scream - but no, Humble Mouse is talking about outside threats. Of the forces of darkness seeking to suppress this. That she wants to see if there’s any evidence of this being hidden in the histories or concealed, and so there’s a need to ensure that only the right people know about it. Certainly not - she whispers to Serenity - letting the locals know yet. They might misunderstand.
Serenity nods her agreement, convinced by her abbess’s words.
Keris mutters inaudible curses to herself at the close shave, and resolves to visit Serenity’s dreams next. She is, after all, looking into this. Naturally, Gaia might be expected to respond - and perhaps to reveal a few more hints. Perhaps the existence - though not the form or the location - of an ancient idol to her forgotten sons? It’ll exhaust her to do it tonight, given how draining the abbess’s dream was, but it’s probably best to get Serenity converted as soon as possible. Then she can take a breather of a week or so before going after the other three, who are unlikely to be drawn in quite so soon.
The shy, retiring woman is even easier. Keris might be aching and sore, but the conspiratorial logic of secret lore that only she gets to know is something Serenity can’t resist, especially when Gaia herself entrusts her with finding and cataloguing it.
Keris spins her lies about ancient temples where her forgotten children were honoured, of how the Zu Tak heretics and the Lintha have been purging all traces of their existence, and how it is righteous that these images of her self-sacrificing sons see the light again. And she buys it all.
With two senior nuns down and three locked out of the conspiracy for now, Keris takes a breather, and elects - after some careful monitoring of the monastery until Humble Mouse’s manic period is over - to do some exploring of the local area to find a good place to put her idol. Somewhere it can reasonably feel like it’s been preserved for many centuries without being discovered, only recently unearthed to give Gaia cause to send the omen-dreams.
((OK, so you’re trying to disguise evidence with a Cog + Occult + geology/geomancy kinda style roll to fake it being revealed by coastal erosion.))
((Sweet. Hmm. Does Passing Off Blame work here? Blah blah blah... act of depravity, so yes, hah, this is Yozi-worship that’s corrupting the emulation of the Immaculate Dragons, which qualifies.))
((Oh Keris. It’s her favourite act of depravity.))
((So, 3+5+3 Temple-as-Body Style+2 stunt+10 Szoreny ExD {toxic gifts, adoring fans, attention of others, weakening his foes, this is basically Szorenic as shit) for 23 dice, then. Tee hee. And Cog+Subterfuge for Passing Off Blame is 3+5+3 Silver Willow+2 stunt=13 to add to the Difficulty, which I’ll also enhance with 5 Szoreny ExSux.))
((/r 23d10s7c10 #HidingUnholyIcons))
((Keris rolled 6 <2; 4; 6; 4; 3; 9; 1; 5; 5; 5; 3; 4; 6; 4; 5; 5; 10; 8; 5; 8; 5; 8; 3> #HidingUnholyIcons))
((/r 13d10s7c10 +5 #BlamingCoastalErosion))
((Keris rolled 13 <4; 7; 6; 3; 7; 3; 8; 9; 8; 8; 7; 5; 9> #BlamingCoastalErosion))
((... holy shit))
It’s nice to go for a walk in the countryside, Keris thinks to herself ironically as she squelches through the sodden bayous. When she stops, she often sinks up to the knee. Mud is meant to be good for the skin, in which case her legs are going to be gorgeous.
She’s definitely not stuck for choice when it comes to places to hide evidence. However, she strikes the jackpot when she finds part of an ancient building drowned in mud and sunk down, clearly recently revealed by a landslide. She just needs to make and design the gift she’s going to leave for them to find here and she doubts anyone will ever know it wasn’t here all along.
“Alright Zanara,” Keris says as she finishes poking around the place. “I think this will do, so let’s see what you have for me.”
It’s an impressive spread that her artist-soul has come up with. With several days of design time and a trip as Nara down into the Dream through the Undersea to look at the Gaia-dream Keris crafted for the abbess, they’ve sketched out nearly a hundred potential designs and painstakingly narrows them down to ten core concepts. All are strongly influenced by the aesthetics of the Great Mother, which Keris doesn’t particularly want to include in this project - the added skill isn’t worth the risk of the Yozi elements being recognised - but each is still a strong idea for the idol she wants.
“Mm. This one, I think,” she says, tapping the sixth design. “I like the balance of abstraction and realism in the dragons. And Gaia’s pose is a little scarier than the others without being too scary. I want them to remember she’s a titan, and that it’s her sons they’re worshipping primarily.”
“I mean, they’re going to love you regardless,” Zana says bluntly, twirling her brush between her long fingers. “It’s an image of you. You’re gonna make them Yozi-sick with adoration.”
((Ok, so, you have 2 auto-sux from Zanara’s design work on your crafting and making the statue. Make it cool and you could get a sweet stunt from it.))
((Also, which of your, uh, many art-and-craft charms will you be using?))
((Hmm. While it’d be cool to boost it with Pelagic Muse Artistry, I don’t think the increased pool is worth the semi-obvious Yozi aesthetics, and I’m not trying to give them derangements anyway. So, hmm... I’ll break down some living things for Destruction Begets Creation, then use Flesh-Weaving Tendrils and Adoring Fans Biomagnification to make a gorgeous idol of Gaia and her two forgotten children; the Night Dragon spreading dark wings over her and the Border Dragon coiled around her to protect her from the wyldtide.))
“Yes, but it’s the principle of the thing,” Keris argues. “Now then. Let’s see about materials.”
There’s more than enough wood around for the fen-preserved wooden artefact she wants to create. But wood alone isn’t enough. Oh, Keris is able to collect enough wood from the small alder and willow trees around that she can fuse it all together into a big enough statue, but for the level of detail she wants, she needs more than soft woods. She ends up hunting down a few deer and wild pigs, as well as an aging bull gaur that’s as briefly surprised to see her as she is to stumble across it, and dismembering them all to get at the bones. These she stretches out and laces through the wood she’s stacked up along with spiderwebs she gathers from the ever-present insect life, transforming the simple deadfall into a material that’s part wood, part bone, with sticky silk twining its fibres together.
It’s a substance that would be impossible to make without something that could mimic the way her root-fingers can tease organic matter through itself and merge wood fibre into bone fibre into silk strand as if they were never separate at all. Part plant, part animal, part something in-between, it feels very appropriate to make a statue of Gaia out of.
It also, more importantly, holds fine detail exceedingly well without fragmenting or warping at all. Delighted, Keris roughs out the general form of a dancing woman built to a greater scale than mortal men. The sinuous shape of the Night Dragon drapes itself across her shoulders, rearing up and spreading his wings above her, while the scarred scales of the Border Dragon are wrapped around her hips, his battered wings encircling her against the Wyld without.
That done, Keris takes a moment to flex her fingers out and gets started on colour and detail.
((Hee hee. I do like Keris’s wood-bone-silk material. The kind of thing you need a stomach bottle bug or Flesh-Weaving Tendrils to produce. Remind me to come up with a name for it. So, that’s a Cog+Expression roll?))
((Cog + (lower of Expression and Occult for how exotic the material is), Diff 4))
((Sweet. So... hmm. Temple-as-Body would apply to this, since she’s deliberately going for Gaia’s image evoking landscape-forms. It’s a newly developed style by Lilunu, but it is also Hellish... ehhh, anyone who gets close enough to recognise a Yozi-tinted Style in the cult idol will already have clocked the Night and Border Dragons as TED and Oramus, I’ll risk it. So that’s 5+5+3 Temple-as-Body+2 stunt+10 Kimmy ExD=25.))
((Enhancing with Flesh-Weaving Tendrils to make working the material applicable, AFB to make it an ADORE ME memetic hazard, and Destruction Begets Creation to add (Resources dots) autosux for the various living creatures Keris slaughtered to get the bones she used, which is... probably Res 3 for several deer, pigs and a bison? Plus those two autosux from Zanara.))
((Yes.))
((Eyyyy. And the AFB roll is Per+Pol is 5+2+3 Exotic Beauty+2 stunt+7 Szoreny ExD {false friend, attention of others, respect of others}=19.))
((/r 25d10s7c10 +5 #StatueOfGaia))
((Keris rolled 20 <1; 9; 7; 10; 9; 8; 2; 8; 9; 7; 2; 6; 2; 4; 10; 1; 9; 5; 6; 5; 9; 10; 1; 4; 6> #StatueOfGaia))
((/r 19d10s7c10 #LoveMeAndAdoreMe))
((Keris rolled 13 <7; 10; 8; 1; 4; 2; 10; 8; 2; 6; 6; 9; 1; 1; 7; 1; 9; 10; 7> #LoveMeAndAdoreMe))
((christ, keris))
((it is a very impressive statue))
((even Keris kind of wants to worship at it))
((Zanara is in gleeful fits, and insists on getting several paintings of it before Keris hides it in the ruined building.))
Part of the art is making it look old. Hinting that once it was painted, but now isn’t. Apply just traces of ruined paint, and let the curves and the artistry be softened by time. Forge it well enough that if Keris had known how to do this in Nexus, she could have lived as well as Wet-Fingered Mako, who forged old artwork and made it look like it’d been found in the Nexan underlayers.
Honestly, she’s just showing off with the fabric here. Sculpted fabric which looks like it could be picked up by the wind any moment, which waves in an unseen breeze.
It’s so good it takes Keris’s breath away. Because it’s clearly her face on this statue of Gaia. If she hadn’t known she was a fucking gorgeous woman, she’d have fallen in love with herself now and here. As it is, it’s just a reminder of how she’s probably the hottest thing in this whole wet and miserable satrapy.
“It is...” she whispers, her chest feeling tight, “gods, almost a pity I have to hide this away in a filthy old ruin like this. Hell, I’m tempted to make something else for them and keep it.”
“Keris,” Zana says. “You can do this any time you like. Hell, you know what you should do? Make a new identity as an artist in Saata, and get paid to make beautiful artwork. You can have Cinnamon buy something from her and put it in pride of place. Actually! Even better, when you’re not being her, I can be her! So make sure she’s got some pretty duality themes!”
Keris huffs a laugh. “Maybe. I mean... there’s already Two Opal, so they’d have to be different to that. And when you’re in Hell with Lilunu I’d have to have an excuse for them not showing up much, because two faces is already a strain. Something about... I dunno, long periods of seclusion or travel whenever they feel like they need to find new inspiration, or...”
She belatedly realises that if she’s already planning personality traits, the ‘maybe’ she started with is probably superfluous. “Okay, fine,” she concedes. “We’ll talk about it when we’re home. For now, though...” She lifts the statue with a grunt. It’s heavy, but lighter than its size makes it seem. “I’m thinking... just here, where the mud’s piled in through the window. I can have it half-submerged with only the top bit protruding.” A strike with a knife sends the sloping pile of mud up in green flames, consuming the lot, and Keris gets the statue set up where it was as more starts falling into the half-buried room from the interior of the hillside it faces. The thickness of the mud makes it slow going, but within an hour or so it’ll be a slope again, with the idol submerged in it up to the waist.
Now all she needs to do is send three or four more dreams - each with slightly more hints as to the existence and location of the statue - and wait for the nuns to find it.
It goes so well that Keris spends half a day paranoid and terrified that she’s being played for a fool. But no. The one she was most scared of, the old scarred veteran Gentle Wave, takes to the visions like a fish to water and finds a new purpose there. And she’s one of the junior nuns who’s brought by the seniors to excavate the statues they’ve seen in their visions from ‘Gaia’ and she can hear the gasps at the beauty of the statue and the reverential tears of the other women. They have seen the face of the All-Mother, and they love her for that.
The nuns bring a boat up, and carefully carry it back to the temple-fortress. In their holy place, they erect a statue of two Yozis and Keris, and they pray to the three of them with voices cracked with adoration and devotion and sorrow that such things have been forgotten. Keris can hear the distant murmurs of the prayers in stereo.
“What will you do now?” Dulmea asks. She sounds very pleased, not least because Keris is very much doing her job and for once it’s not only coincidental to benefiting herself. “And what will you have them do? The junior nuns have seen you, and your image has been burned into their minds.”
“One more dream,” Keris says. “Humble Mouse again. But this time I’m going to talk to her. Not as Gaia, as a servant-spirit. But the Mother of Dragons is wounded. Ta Vuzi is a bleeding cancer on her back. The Night Dragon looks down on it but can’t touch the land he hangs over, the Border Dragon faces out and can’t unfold his wings to heal his mother’s wounds. A little imagery and a message from a nature spirit and I can get her reporting on the state of the land and where the dragon lines are most damaged. And that’ll tell me where the dragon drinkers are, and where the most active mining is going on. Where they’re getting their profits.”
That night, in the dream, Humble Mouse sees the swamps of Ta Vuzi in black and white. And red. Red, where the landscape itself is bleeding. Red trails in the water. Red from the animals that lie stacked up in piles. Red bleeding from the wounded sun in the sky and red oozing from the mine-marred uplands.
“Our Mother is wounded,” a voice hisses from the star-speckled night sky.
“Our Mother is ravaged,” a second hisses from the distant edge of the world.
“She bleeds where men have tortured her,” “twisted her,” “tormented her.” They blend together, the sibilant whisper and the echoing rumble. Both male. Both furious. Both helpless.
“We cannot help her,” they say. “We have our duties.” “We are weak, our power wanes.” “We have been forgotten.”
The blood runs down past Humble Mouse. So much blood. More blood than any body could hold. More than any army. More than any sea. It wells up from beneath the dragon-drinkers, and in the whirlpools it forms she can see how the dragon lines have been mutilated into great spirals carved into Gaia’s flesh. How they must hurt. What agony She must feel.
“We cannot help her,” the Night Dragon repeats.
“So this duty falls to you,” the Border Dragon commands.
“Your people hurt her so.” “It is your sin to bear.” “Your sin to fix.” “Your sin to atone for.”
The whole swamp is pouring blood now. It comes up to her knees. Up to her waist. Up to her chest. Soon she’ll drown in it.
“Find where she is bleeding.” “Find where she is hurt.” “Learn what must be done to heal her.” “Learn what must be set to rights.”
The tide of gore is up to her neck. The current threatens to wash her away entirely. But even as the roar of the red flood fills her ears, she still feels those voices in her bones.
“Allies will come.” “Those who can salve her.” “Those who can save her.” “Find them.” “Aid them.” “Tell them what you know.”
And then she’s drowning, flailing, swept away by the endless lifeblood of a tortured titan, their last words still reverberating in her mind as she wakes.
“This duty is yours. Do not fail us.”
She obeys. Of course she does. And - Keris feels, as she watches - she thinks the woman appreciates having a cause. Having a purpose.
“She’s not the only one,” Zana remarks from within Keris’s head. “You don’t like this ugly little place either. It’s not pretty, what’s happened here.”
“No,” Keris thinks grimly as she re-dons her skin and washes the blood off herself in the sea. “The kind of people who did this... it reminds me of Deveh. Or the Joyful Wave viscounty. Twisting the landscape into their own idea of what it should be, just for... for profit, even though it hurts the land and makes it sicken and die and be worth less. Thinking only of themselves.” Her nose wrinkles. “It’s ugly.” She sighs. “And it’s going to take a lot of work to fix.”
“Haneyl would be really mixed about this. Because on one hand she’s greedy enough to do this, but she’d also be super nettled about the damage to the swamps,” Zana observes.
“Mmm. Well.” Keris sighs. “I’ll set... something up to collect information. Maybe a kerub to gather reports every so often, a witch or something. Probably not a full-time resident. And I may think about... ugh, I don’t want to assign Haneyl to this place, it’ll take way too long to fix and she’s too valuable. Maybe some Hellish demon who’s good with geomancy, if I introduce them carefully. I’ll ask Lilunu if she knows anyone and meet them to talk it over in Air.”
She claps her hands and stands, shaking herself dry. “Anyway. I think this has taken nicely. One more week of observation to check on how they’re going about the spying business, and then I think we can head home.”
Zana hums to herself happily. “Nearly time to go and see Lilunu anyway,” she says. “And maybe this year you won’t run off and get her all upset.”
“I know, I know,” Keris groans. “I said I was sorry. And I promise. It won’t happen again.”
“Oh, I mean, I bet you learned a lot from Erembour. She’s famous for being, like, just the prettiest,” Zana says with an audible shrug. “So if you learned new art, Lilunu will just have to cope, y’know?”
“Maybe. But I don’t want to hurt her like that again.”
“It’s not good for her to be sad,” Zana agrees. “Not good for the surrounding area, either. She’s kinda hard on the landscape when she gets in a temper! Oh! On your way back, you should get her a local present from here!”
“Hah. You’re right.” Keris considers for a moment. “Well, I can grab a bunch of the local clothes so she can see how those chequered patterns and weaving styles differ from An Teng. And I’ve already got some lovely sketches of the landscape. And, I mean, I do have that haul from the tribute ship.” Keris considers a moment longer, then nods. “I’m sure I could part with some of it to give her some hearthstone-slurry to play with. If nothing else, it’ll be a novelty for her. And I’d love to see what she makes of it.” She taps her lips thoughtfully. “Maybe another sculpture with that bone-web-wood stuff, too. That might have some real potential as a material. Yeah, I’ll do a miniature copy of the idol for her, and also just make some stock of the stuff for her to try carving and shaping.”
And with her mood picking back up, she sets out to do just that.
Chapter 9: Fire 773
Chapter Text
A hurricane roars outside. The waves rolling up from the south are laden with the heat of the season of Fire, and outside they slam into the restored structure of the manse. It holds. Of course it does.
After all, Oula thinks, inhaling the smell of the sea-oil circle painted on her brow, she was the one who repaired its design.
There are three of them, equidistant around the hearthstone chamber. Each one dressed in undyed cotton, purified of external influence. Sea water drying on their skin. Her, in the western position, leading this ritual. Rathan, dashing and handsome. And behind the third position there is a carefully stationed mirror, such that Hermione stands in the mirror where she would be if she was there to complete the circle. In the reflection, all three are where they should be. It will hold. Oula’s calculations are flawless.
The ritual circles she has been working on are painted on the floor with squid ink. Pearls and salt contain and channel the energies. No fires are lit in here, because Fire would disrupt the balance of energies.
Oula claps her hands. “Are you ready?” she asks the other two.
“Yes, Oulie,” Rathan says.
“Yesss, Oula,” Hermione says from her mirror.
Three sorcerers. Ready for a great working. One that will change the fabric of Creation. They are going to reach into the world, and coax the dragon lines back to the positions they held once, long ago. It would have been easier with five sorcerers, but three is a number that still has power in lunar matters, and the moon has always held powers over the tides of Creation. And so that is what they will do.
Rathan represents the moon, for he is one - a far more handsome one than Creation’s. Oula’s heart, sitting in the box at his hip, beats faster as she thinks of him. Hermione represents the Elemental Dragons, for again she is a dragon and though quicksilver is not one of the elements of Creation, it is still something of primal power, the first material which can become other things.
And she? She is the Sorcerer. She will call upon the Moon and the Dragons. The tides will flow, and Water shift, called back to this place. The proto-demenses around here will obey her will, and coalesce in this place. This vessel she has built for it. This bowl which will hold water’s nature.
Some might say that it is blasphemy for a demon such as herself to invoke two demon lords in this facsimile of ancient Shogunate sorcery. Those people are fools. There is power in the living world, which remembers such things. There is power in a demon lord, and only fools deny it. And more than that, there is power in reflection. Both her beloved Rathan and Hermione are creatures of reflections, and by positioning them like this, they reflect each other. And a reflection of a reflection can reflect in turn.
She claps her hands three times, and exhales. Letting the power within her stir. Calling it forth, from deep inside. The power that is the world’s, but which she can evoke. It rises from the depths and falls upon her, and it’s the same thing in the end. Her tattoos start to glow, shedding their reds and pinks and silvery light over the walls of the manse. So too do her irises, glowing the red of the moon.
Rathan and Hermione follow her lead, and clap three times, calling up their own power. She can feel how much stronger they are. Rathan’s gentle light is a column of his moonlight rising up from him; Hermione is a tangled branching network of silver light which blossoms into cinnabar red at the tips.
“I am the dragon who controlsss all the elementsss,” Hermione announces. “They are within me.”
“I am the moon, master of the tides,” Rathan declares. “Water flows where I will.”
“I am the sorceress,” Oula says. “And I ask the dragons and the moon to listen to my sacred plea. To hear my song, and call the tides.”
And she lifts her head to the sky and starts to sing.
Outside, the waves build. And build. And built. The hurricane screams, howling as the geomancy of the world is twisted asunder.
Lightning strikes. Again and again, until the sky is nearly white with blinding light. Whenever they pause for a moment, a deep blue glow filters out of the depths of the ocean. The water is dragged towards the manse tower like iron filings pulled towards a lodestone. It builds up around the tower, rising and rising until there’s a bowl of water blocking out all sight of the manse from elsewhere.
Ten miles away, it starts to rain strange silver fish, creatures falling from the sky in riotous omen weather. They die, choking, in the salt water. They were never meant to swim in this ocean.
Fifty miles away, Fate glitches, and a village woman finds three copies of her husband sleeping in their bed. All swear blind that they’re the real one. She tricks them into a series of tasks to prove it, and for the next two weeks she’s a very happy woman indeed who never has to gather water or wash clothing. She’s somewhat irked when two of them pop out of existence on the next full moon.
A hundred miles away, a fisherman who had been desperately trying to grab fish before the hurricane reached him is pulled out to sea by an inexorable force. A freak wave nearly overturns his boat, and carries him all the way to the Jati Isles, far to the south east.
The storm hammers into Oula’s will. On one side, she has the moon; on the other, a dragon. She will not be defeated! She is guiding the dragon lines into a place they once occupied. They will be at home here! This is how they are meant to be! Her voice rises even above the sound of the thunder, cutting through it as her tattoos extend out of her body and spread through the air. Her horns burn with white light. The moon is a totem behind her; the sea embraces her; her hair moves like living waves. Her eyes are solid red now, and her veins thick and black with living metal. She no longer stands on the ground, carried aloft by her raw power.
She has offered the tides a home! And they will obey!
Through her raw throat, she screams one last word in Old Realm, and brings her hands down.
Every light in the room dies at once. Hermione’s mirror cracks. The ritual circles collapse inwards. There is a sense of a great and terrible crushing pressure, and the entire structure shakes.
And slowly, slowly, slowly, the centre of the room starts to pulse with a deep blue glow.
With a thud, Oula collapses to her knees, and then onto all fours.
“Ow,” she croaks. “Ow.”
There is a clatter as Rathan pulls himself upright. “Is… is this it?” he manages, exhaustion radiating from every word. “I… well. It didn’t blow up.”
Hermione breaks into high, tittering laughter. “Oh Yozis, I hurt all over.”
“I know how you feel,” Rathan says. “It… it feels like my whole body was a tube and then so much water used me as a pipe. Ow.” He stumbles over to Oula, and lifts her head off the ground. She leans against his thighs, letting out a faint exhausted and yet satisfied hum. “How are you feeling, my little sorceress?”
“Li’ I’m ‘mazing,” Oula mumbles into his crotch. “Also li’ I cou’d slee’ for a wee’.” She considers this. “Or two. Mayb’ three.”
Rathan shakes his head. Already, he can see something start to crystallise at the top of the plinth. “Let’s get you to bed. Me and Hermione can make sure everything’s cleaned away for now.”
“I also want to go to bed,” Hermione points out.
“Yes, but let’s just give it an hour or two to make sure everything’s stable,” Rathan suggests. “Come on, little sis.”
A faint blush emerges on Hermione’s cheeks. “Well, since you ask me sssso nicely…”
“That’s the spirit.” He ruffles Oula’s hair. “You did a hero’s job today, my great and mighty dark empress.”
“Mmm. Tha’ nice…”
Dark clouds fill the western horizon, bringing an early dusk. The storm hasn’t reached Shuu Mua yet, but it will, soon. And Little River will of course be delighted to offer the hospitality of her estate to those guests who don’t wish to take the long ride back to Saata proper in the middle of what looks to be a hurricane.
After all, her estate might not be the most expensive on the island, but it’s clearly much improved over how it was when she bought it. Warn golden oil lanterns glow from inside intricately painted paper screens. The wall-paintings are clearly Tengese, but there’s an edge to them which can only be a product of Saata. Fine silverwork and delicate curiosities have their places in the southern wing of the building, and her chefs are truly astonishing.
The lady is talking to them - and just making sure everything is on schedule - when her aide Rounen enters. He glances over the cooks, every man or woman there either a disguised demon or a cultist, and verifies that the location is secure.
“Ma’am,” he says to Little River. “News from Rathan.”
Little River nods, and leads him out of the kitchens and into a pantry where they have more privacy. Her staff are loyal, but they can’t share what they don’t know even by accident. “What news?” she says, checking over her outfit. It’s a layered dress of overlapping greens and blues and violets, all thin and wispy linens that collectively give her modesty without the bite of heat or humidity. And the colours mingle together like the hues of the deepest oceans.
He slides a note written on rice paper out from the sleeve of his elegant robe. “Prince Rathan reports that Oula has successfully brought the manse back to life, having coalesced the local dragon lines back to the reinforced node. He says it’s holding strong, and that the manse is already starting to form a hearthstone seed-cluster. In light of that, he’s leaving Mele in charge of the location and ensuring its safety, and he’s taking Oula and Lady Hermione back to Zen Daiwye as the three of them are exhausted.” He clears his throat. “That’s largely the sum total of it, ma’am, apart from a few instructions he has for me. For example, he wants a telescope and instructed me to order Elly to buy him one.”
Keris perks up. “That’s fantastic news!” she says, delighted. “Send him his telescope - in fact, make that a present from me, and send Oula and Hermione something as well. Ask Elly for a list of suggestions that I can pick from tomorrow evening. And draft a commendation for them all. That manse is going to be very, very useful for us.” She claps her hands and rubs them together, feeling the vague tiredness of the schmoozing she’s been doing all week evaporate away like morning dew under the sun. “Excellent work. And well done for bringing me this immediately; it’s definitely important enough. Thank you, Rounen. Oh, and while I have you here, I checked the nursery ten minutes ago and Atiya wasn’t there - do you know where she went? I assume she went to find somewhere quiet away from the other children, but there are too many places for me to search while I’m busy handling the guests.”
“No, ma’am. I’ve was checking with the on-duty message-watcher.” Rounen inhales, clearly worried. “It’s not like the young lady to vanish like that. She’s not like the twins, who personally I am very glad they are with your brother up in Zen Daiwye. We would not be able to keep Kali from showing her face and then there would be capital-Q Questions about why Cinnamon’s daughter is here.”
Keris winces. “Damn right. Well, Rathan can handle them if they’re causing Ali trouble.” She sighs. “Tell the staff to keep an eye out for her, then. And have a look around yourself; she likes you. I need to go find Ba-le and make sure my little tip about the Baltoo mutterings reached her.”
He nods. “As you wish, ma’am,” he says, and elegantly proceeds off.
Keris rechecks her dress, dons Little River’s rigid mannerisms again and grabs some wine on her way out through the kitchens. She’s had a very successful season of being seen and making waves at the Fire parties, both as Little River and as Cinnamon, but the enjoyment is starting to wear a bit thin. Not that she’s exactly looking forward to the intense stress of Calibration preparations and her two days of festivities... but after that will be Air, when she’ll have a relaxing season in Hell after most of her peers have returned to Creation. A season that she can spend pottering around, talking to Lilunu in her free time, working on projects and generally enjoying the lack of pressure and deadlines.
It’ll be nice. Though she may have to leave the twins in Creation this year until she’s sure Khereon Ul won’t come knocking at her door again. Lilunu will miss them, but... Keris doesn’t want them exposed to that monster, ever.
She steps back through the doors, and though it’s always loud to her, being in the same room as her well-dressed, rich, and arguably-mostly-criminals guests is a whole other level. Jade Fox is here, the sober-looking crime lord with his well-connected wife at his arm. Sea Eagle isn’t here, but his weather-witch niece is, which is probably for the best. The old man doesn’t like non-Tengese. And there’s people from the Ladies, though they think they’re just here because they were invited as Hui Cha women to Little River’s party. But it’s not just the Hui Cha. There’s Raraan Ge of all kinds, members of House Sinasana that Little River knows through Ba-le, there’s priests and merchants and in the centre of the room on the stage there’s Piu, dancing for Little River as a living work of art.
From what she can hear, everyone’s enjoying themselves and no fights have broken out yet. Little River hasn’t put out any really strong drinks yet, and the food - a menu made over the course of a weekend between her and Haneyl - is good enough that people are filling up. She’ll only put out the harder drinks once people have food in their stomachs.
Stomachs like the stomach of the Immaculate abbot Bei Ta, who’s occupying the buffet table and vocally blessing everyone around him merrily. “Sextes Jylis clearly smiles upon such a wonderful use of the bounty of his crops,” he pontificates, “and so I really should honour his blessings on the land by having another one of those little samosas. They’re delicious!”
“Now, Iris,” Little River murmurs, bringing her left hand up to her mouth. “You stay right there, young lady, do you understand me? No going and making friends with the abbot. I will reward you later if you stay good and quiet.”
She’s tempted to send her familiar off to find her daughter, but very, very few people are aware that Little River’s magical tattoo can leave her skin entirely, and it’s not a fact she’s especially willing to share in mixed company. So instead - giving the abbot a respectful and seemingly coincidental berth - she goes looking for people she knows, giving her ward Piu an approving nod as she passes and keeping an ear on the party gossip.
Ironically, it’s while she’s looking for the older woman Little River knows that she finds the little girl. A hastily stifled laugh catches her attention as she passes the Flying Fox Lounge, and curiosity has her poke her head into the shaded room. What she finds, to her surprise, is a number of high society men and women clustered at the far end of the room, sitting and standing around two of the luxurious armchairs that have been pulled together, seat to seat.
Sitting in the sheltered nook with backrests and armrests securely boxing her in on every side is Hui Cha Atiya, surrounded by a dozen dolls and thrice as many little suits and dresses. Her eyes are fixed on the little figures and she isn’t looking up, but as Little River walks up to the group, the woman whose laugh had caught her attention asks something and Atiya shakes her head firmly.
“She can’t wear the green,” she mumbles, not looking up at the adults who are listening avidly. “‘Cause... ‘cause she’s meant to be the warm colours and the green’s not... not warm enough so they don’t like each other.” She raps her knuckles together twice. “And the stripes are different ways, and you can’t have that, the stripes haveta be like each other or it... looks bad.”
Beneath Little River, Keris blinks in confusion. She’s... giving a fashion lesson?
There’s a general murmuring among Atiya’s audience - Keris suspects her daughter isn’t actually aware of how many people are there. They seem to have picked up on her dislike of loud noises, so they’re making an effort to be quiet and not crowd around her too much. With the way she’s determinedly avoiding any risk of eye contact she may not have realised she’s talking to more than one or two people. But the fact that she’s talking at all is a surprise. Normally it’s a struggle to get more than a short sentence out of her... though, Keris admits, she has always been fairly willing to expound on the lives and clothes of her dolls. Albeit only in a quiet mumble.
“What should I be wearing?” asks - a moment’s thought, yes, that’s Kalto Sha, of the Kalto family - a woman whose hair is artfully curled and whose dress really isn’t covering up very much. She’s trying to cover up a laugh.
Atiya glances over at her, avoiding her face, taking in the slinky red garment with the white immodesty panels of sheer fabric. “I don’t like the red and white,” she says. “It looks like hurting. Pink is better. It’s like flowers.” She pays attention back to her dolls, and recovers one. “Like Liloula. Hannel made her for me. She looks like Oula.”
Whoops. Keris needs to have that talk about secrets soon. “Hello, darling,” she says, sliding into the group and sitting lightly on one of the pushed-together armrests. “I see you’re telling these ladies and gentlemen all about clothes. Do mine look nice enough for today?”
“Yes.” She doesn’t look at Little River. “You’re always blue like over there.” She points out towards the windows that overlook the ocean.
Her mother smiles. “I’m glad you like it, dear.” She trades some quiet greetings with the group as Atiya starts to change one of her boy-dolls into a new suit, carefully rooting through little hand-sewn jackets until she finds exactly the one she wants to match the rest of the outfit she has in mind.
“I must say,” Little River murmurs in an undertone to Sha, “I’m a little surprised to find my daughter with such an attentive audience. May I ask how this came about?”
Sha smiles. “The little girl showed up, and took over this corner with her dolls. Yola asked her what she was doing, and then she started explaining that it was getting dark because of the storm so she had to change their colours. She has really interesting reasons for why these colours work better with the storm coming in. She says she has to get them changed so the colours aren’t so loud. And then she said that Mala’s embroideries told a pretty story, and then she made up a story about what they all meant.” Sha looks Little River up and down. “I’d say she’s going to have your eye for fashion. You look fantastic in that.”
Little River allows herself a faint smirk. “My thanks. And please don’t take Atiya’s criticisms harshly. She’s rather too young to appreciate yours.” She offers a hand. “We haven’t been properly introduced. Hui Cha Little River.” It’s a pointless introduction; they both know who the other is - but it’s how things are supposed to be done.
“Sha, of Kalto.” She grins at Little River. “I had thought of heading home before hurricane season, but it came early this year. Such a shame I have to stay in Saata. Home is Shuu Kath, just north of the Jati Isles.”
Little River nods. “I know it, yes. In fact, I had investments in a trade route that ran around the south coast of Shuu Mua until fairly recently; they would have passed close by. What is it like there? You’ve far less protection from the typhoons off the great ocean, I imagine.”
She spreads her hands. “That’s life. At least we’re not Shuu Ranfa. Have you seen that place? The Wyld Coast there is a nightmare. It seems to take the brunt of every wyldstorm. Me, I think it’s the gods judging them for digging all the jade out of their mountains. You have to leave some in the earth, or raksha will steal the land because there’s no longer good honest jade to scare them off.”
Little River pauses. “Shuu Ranfa... that’s the Bakalong family, yes? I’ve had one or two conversations with their heir.” Who had, if she recalls right, been interesting. He’d been that sorcerer-historian - the one she’d remembered partly for the scent of demons on him that marked him as a very illegal summoner, and partly for his theories of ancient sunken islands as big as Shuu Mua on the seabed of the Anarchy.
“Oh, that poor boy. He was being considered as a marriage prospect for me, you know, until he was chosen by the dragons. Not so lucky. His mother is a monster. I know people say it’s just an argument over fishing rights, but no - his mother’s a monster and his great aunt is a vicious pirate.” She sighs. “He’s too soft for that family.”
“He did seem rather more interested in ancient history and sunken islands than in politics,” Little River smiles. She glances over and finds her little girl fisting one hand in her dress as she stares intently at the newly dressed General Mo-ro and explains something about him being... cute? Oh. Wait. No. That’s her attempt to pronounce ‘execute’.
“Speaking of politics,” she adds, and waits for Atiya to finish a sentence before leaning back in. “Atiya, darling, can you say that again? I’d like to hear too.”
“He is a bad person and has failed Princess Beanie. So she took his toys away from him and now he is being ‘cuted,” Atiya mumbles.
“How terrible,” says Little River gravely. The avid listeners appear to be delighted at this turn of events, and she’s not sure whether to inform them that Atiya doesn’t quite understand what execution entails. As far as Keris can tell, she seems to think it involves being subjected to very tight hugs, lots of shaking around and very loud noises.
... Keris suspects she can probably blame Kali’s overenthusiastic hugging for that misconception.
“What did he fail her at?” she adds, partly out of genuine curiosity. Last she heard, General Mo-ro was in rather high favour among Atiya’s dolls.
“He didn’t expect am bush by ‘Ko’s dolls,” Atiya explains.
“Well, that was foolish of him, wasn’t it?” Little River nodded. “Incompetence like that from a general definitely deserves a punishment. Though maybe execution is a little too much.”
She glances around the watching adults. This turn from fashion to political drama appears wildly entertaining, and there are a lot more smiles and laughs being badly hidden. Keris considers her next move. Until that talk with Atiya about secrets, she can’t really let this go... but on the other hand, everyone’s clearly curious now, and refusing to let her daughter talk about a subject as harmless as her dolls would be suspicious.
... ah, of course. There’s one doll associated with a raft of political drama, infighting and ruthless competition that Keris has already thoroughly vetted, and that’s the one fed purely by what Atiya’s heard at Shining Foam.
“Speaking of failures,” she says slyly, “how is Miss Foamy doing with her journeymen? Are they still being very naughty?”
“They learned more ‘bout making things,” Atiya says solidly. She pauses, and seems to turn her attention back to her dolls.
“Oh?” Little River glances around conspiratorially, and leans in. “And what have they been learning?”
“They’ve been learning ‘broidery. Like when Hanny lets me watch her ‘broider. It’s making little shapes with thread. And adding new colours to things that are only one colour. It’s bad to be only one colour. I like trees and stars.” She offers up one of Miss Foamy’s dresses for consideration. “She shouts at them when they don’t ‘broider right. Everything has to be right or it’s wrong. And then she drops them inna river.”
Her mother’s eyebrow arches up. “Really?” she says. “That sounds very strict of her. I hope it teaches them not to get it wrong again.”
There’s a round of quiet coughs from the onlookers, and one or two people have to briefly turn away. Little River’s reputation as a teacher has spread beyond her forge. As has her propensity for taking her daughter along when she’s teaching.
“Embroidery certainly is very pretty, isn’t it?” she adds. “The way the branches spread out over the shoulders of her dress there looks very good. Who’s best at it, of her students? And who’s the worst?”
“Mr Patches is good. He has to patch himself up because Kali tore him up. Gold Hat isn’t good. He can’t take his hat off,” opines Atiya.
Keris nods wisely and lets some of the other adults start asking questions with a graceful incline of her head, drawing back a little from the conversation but staying close enough that she’s no more than a glance away if Atiya wants her. She keeps an eye on her little girl as the nobles coax titbit after titbit about the ruthlessly competitive fashion academy of Miss Foamy out of her, watching for any signs that she’s distressed by the attention or is starting to reach the limits of her willingness to talk. Her body language isn’t normal, but it’s consistent - she starts fidgeting rhythmically with her hands and her dolls when she wants quiet time, and her terse replies get even terser.
But no, she seems perfectly content. Her short and piecemeal answers are just how Atiya talks. Kali will cheerfully latch onto anyone willing to listen - or stay still, or pass within five feet of her - and babble at them about whatever she’s currently thinking until they pry her off and escape, but Atiya is more cautious in conversation. She tends to give a little information and then stop, and wait to be prompted for more. Keris isn’t sure why. Maybe she thinks other people won’t keep up if she doesn’t check they’re still following her every so often. Or maybe she just doesn’t like it when one person talks for a long time without interruption, the same way she intently divides up her meals and eats a bit from each part of the dish in careful order.
And of course, Little River has other people who want to talk to her. Some of them were people she didn’t even know before, or hadn’t really talked with, like Kalto Sha. Hui Cha Atiya and her awkward, serious mannerisms have broken the ice and some people are using this chance to get close to the hostess with the opening of talking about her adorable and funny daughter.
She introduces herself and socialises and makes small talk, and by the time Atiya starts to show signs that she’s getting tired, Little River’s circle of acquaintances has expanded quite some way. Both Ba-le and Pale Branch have drifted through to see what’s going on in this relaxation lounge, and Little River finds herself with a helper as she calls a much-mourned end to the storytelling and starts gathering up an increasingly uncomfortable Atiya and her various dolls and clothes.
“So this is where you’ve been hiding,” Ba-le murmurs to Little River. “And hiding away some of the more interesting guests, too!” She bounces up and down in her soft slippers. “Did this little lady escape from the nursery?”
“She’s not a great fan of loud noises,” Little River answers, tucking Atiya’s head into her shoulder after making sure she won’t be touching skin and won’t have any hair in her face. The three-year old’s little head lolls against her collarbone, too tired to really stay upright. “What with all the other children in there while people were partying, she gathered up her dolls and came down here to get away from them. And now she’s going to bed, since she’s tired herself out. Right, darling?”
Atiya mumbles something sleepy into the layers of the dress and shifts to better block out the light from the lamps.
“I’ve been holding off having children myself because I wanted to avoid the toddler phase. And the baby phase,” Ba-le admits. “But she looks like she’s just heading out of the worst bits, and she looks awfully sweet.”
“It’s stressful,” Little River admits. “But worth it. And of course she’s a great help in disciplining my students at Shining Foam.” A faintly competitive gleam enters her eye. “They’re getting to a reasonable standard. Not enough to make my mark on Saata yet, but a little more expansion and investment and I’ll have the best smithy in the city. As I’m sure you’ve seen from the value of the area.”
“I am rather pleased about the news that’s coming out and the developments there, it’s true,” Ba-le says shamelessly. “Took you a bit longer than I’d liked to get up and running, but in the next few years, well.” She smiles. “That’s when the fun starts.”
“A slow start sets good groundwork for the future,” Little River says placidly. “In any case, most of my journeymen will be ready for their mastery tests soon. I’ll look into acquiring a temple’s backing next year and getting them fully licensed.”
“Mastering off your journeymen?” Ba-le says. “Why would you do that? They’ll go off and start rival temple-shops.”
“Not if they can profit more by staying at mine,” Little River says, smiling slyly. “And a smithy with a group of masters that can cooperate - with apprentices of their own - can take on much, much larger projects. The kind of projects that would normally be split over multiple shops, or else be commissioned far in advance and take a season’s output or more. If Shining Foam maintains a stable of masters, it will have the capacity and the reputation to take on grand commissions faster and more cohesively than anyone else can get them done.” She smiles a reptilian smile. “And my students might call be a slavedriver, but they’ll work together without squabbling under my wing. I know how to mediate high-strung tempers.”
Ba-le looks her up and down, one eyebrow raised. “So you’re thinking the subsidiary shops will stay loyal?” she asks. “You don’t think small. And, hmm, I suppose you’re going to front them the money for set up.”
“As long as they stay on the land I’m renting from you,” Little River smiles. “My particular expertise is hair ornaments, but each of my students is specialising in something different. There’s enough separate niches that each shop will be distinct, and enough similarities that competition will push them all to improve. Given time, Shining Foam will be where all the best shops are clustered - and once that reputation is established, well.” She hikes Atiya a little higher where she’s slipping down, and smirks. “At that point it will be a self-sustaining cycle. And I can pull them all back for any grand commissions that a single shop couldn’t manage alone.”
“Have you found a divine sponsor yet?” Ba-le asks. “If you’re looking to make a new temple-complex, you’ll want to get that started early. Maybe someone down on their luck.”
But before they can talk any more about that, Atiya starts to grouse and Keris’s attention is pulled away.
“It’s not a decision I intend to make lightly,” she says as she leaves Ba-le at the entrance to her personal family wing. “I’ll put thought into it over Calibration and the start of the new year. Until next time, Ba-le.”
“Until next year,” she says as Keris heads off.
“You know,” Haneyl says, wet and steaming slightly as the wind and rain blows around her, “I am once again wondering why the fuck I volunteered to help you with this.”
“Because you’re my sweet and charming big sister,” Calesco says, carefully sorting through her lockpicks with her hair as she works at the trapdoor in the temple’s highest tower. “Oh wait, you’re not. Yes, why are you helping?”
Haneyl clutches her drenched clothing around her, and glowers out at the storm-wracked city. Gusts of rain and wind hammer down on the white stone, washing away some of the filth that the city brings, and for once there isn’t smoke in the air. The rain gives a strange, dream-like air to the luminescent paint. “I could be in my nice warm bed.”
“No you couldn’t. It’d be someone else’s bed.”
“Any bed with me in it becomes mine. Are you done yet?”
“Nearly,” Calesco says, working the lock.
“Can you ‘nearly’ faster?”
“Nagging me won’t hurry it up.” With a click, she gets the final tumbler and the lock opens. Unfortunately, the trapdoor does not. “I think it’s barred.”
“Oh, for fuck’s sake.” Haneyl shimmies in next to her, working her sodden grey hair in to work at the wood. “I am not spending a moment out here longer than I have to. I’ll just fix the wood afterwards.”
In a few moments, the bar comes away, but Haneyl holds it and only lets go next time thunder booms. The clatter is lost in the noise.
“Nicely done.”
“Just get us inside.”
Calesco easily lifts the heavy trapdoor, and the two demon lord sisters break into the drafty storage room in the temple’s topmost tower.
“Hmm,” she says critically. “Well, it looks like we’re in the right place. Remind me to do something nice for Mother later. I might not have known how to disable that alarm ward last year.” She glances around the storeroom quickly, but as expected there’s nothing for Calibration being kept here. “Remember, we’re not here to hurt anyone. Nothing that won’t heal. Just... enough to put them off their game until after the festivals.”
Haneyl wrings out her hair, pulling off her outer layers of clothes as she fuels up her body heat. She really starts steaming as she dries herself from the inside out. “I didn’t want to go pick a fight with these ladies in the first place,” she says, rolling her shoulders. “And you’ll want to do something about being soaked yourself, unless you want to leave wet footprints all over the place. Urgh, this has ruined my hair.”
Calesco huffs, pulls her shadow over herself to lie that she’s dry, and leans against her sister’s warmth. “At least you can warm yourself back up,” she points out. “I’m used to it being even hotter than you like it, and I don’t have any fire of my own. Come on, share.”
Haneyl looks around. “It’s dark enough you can shed your shadows here,” she says. “That’ll speed things up, and we can talk while we wait.”
Looking around - and pulling the shutters tighter over a couple of windows - Calesco shakes her hair out and lets the layers of shadowy, tarry lie slip away. Her dark skin peels away to leave porcelain paleness behind it, and her black hair washes out to white. There’s a faint glow from the depths of the strands, but her light radiates no further than a soft shine where what little light is there in this small, cold attic room catches it. Her starlight is veiled in the gloom.
Most of the water went with her second layer of shadow, leaving her only slightly damp. Still, the storeroom is far from warm, and once she’s done making sure the window is solidly covered, Calesco marches right back over to Haneyl and shoves in under her arm. She’s the smallest of their mother’s souls - well, she’s still got a bit of height on Zanara, but they’ll overtake her soon - and Haneyl is nearly as tall as Vali with none of Eko’s coltish slimness, so there’s plenty of space for her to get tucked up close and enjoy the way Haneyl throws off heat like a hearthplace.
“This is like my garret back at the Jade Carnation,” she says quickly, before Haneyl can get the wrong idea about her wanting to cuddle or something. “Freezing cold and drafty. So while we wait and you dry us out, you were telling me about whatever family you’ve been bankrupting and buying into bondage?”
Her big sister cuddles her. “So, I’ve been getting back up to speed. And fortunately, Elly is an excellent help, and identified the Abhang family of Raraan Ge as a target. They’re one of the larger Raraan Ge families, and have holdings on quite a few islands. And control Pahullah, too.” She pauses. “Have you come across any of them in your work?”
“Abhang, Abhang...” Calesco frowns. “Yes, I think so. There’s a girl from their family who’s come to a few of Black Shawl’s performances. And keeps visiting the Jade Carnation to buy prayer strips every week or so. Malila, or Malena... something like that. Sort of dull.” She sighs happily. “Not like my Wistful Ruby.”
“She’s cute?” Haneyl perks up. “What’s she like?”
Calesco shivers happily. “Oh, she’s gorgeous. She’s from Shuu Misaa, and she has so many stories about scaling the sea cliffs there - she loves climbing, and she could probably half-draw my bow if she ever really tried. She says she wants to try climbing Mount Rasna one day, just with a line and pitons she takes with her.” Her smile turns wicked. “She was ever so awed by my wings. She said abseiling and freefalling down from cliffs into deep water is the closest mortals like her can ever get to flight - but I took her up to see the stars.”
Haneyl grins wickedly. “Strong fingers, then?” She chuckles. “Good on you, little sis. But where was I? Yes. The Abhang family lost a lot of money when they lost their holdings on Alahi with that slave rebellion. They’re in a lot of debt. I’m securing as much of it as I can, because it’s secured in their land. Farms, plantations, mines; all over the western Anarchy.” Her eyes gleam bright green. “And when I have their debts, that’s one step to getting my hands on the family. But even their land will be a help.”
“I passed through Alahi briefly a couple of years ago,” Calesco says, going distant for a moment. “While I was working with Testolagh, back before he carved that island out of a wyld zone. There was so much suffering there. So much misery.” Her hair rustles, and the soft, muted glow brightens, prickling at the eyes. “It was evil. But he wouldn’t let me interfere. He didn’t care what those... those monsters were doing to the people they had enslaved.”
“Look, Testolagh isn’t a kind person. Mama says that. So does Mother,” Haneyl says with a shrug. “And the whole place is in civil war now. I’ve seen what it’s done to the sugar futures in the Daimyo-and-Yellow. Sugar has shot up since... before.” One hand shifts, running over the silvery scar on the left-centre of her chest, between her breasts.
Calesco winces. “Does it still hurt?” she asks, fearing the answer but driven to ask anyway, like touching a hot stove to feel it burn. Zanara’s actions weren’t her doing, but she’d capitalised on it to hurt her mother, and it’s hard not to feel a little guilty still.
Haneyl rubs it thoughtfully. “It aches sometimes,” she says frankly. “And I can’t fix it. I don’t think I ever can.”
“Why not?” Calesco asks hesitantly.
“It’s not a scar in my flesh. I’ve tried to re-weave my flesh around it. Even cut it out and tried to grow it back. But the new flesh grows back with it in. I think it’s a scar in my spirit. Or... not even a scar. Part of who I am now. So I can’t ‘fix’ it any more than I can,” she taps the embers in her hair, “sew these up.
“There’s a reason I was furious about it. I can still feel a part of me missing. It wasn’t a good part for me, but...” she shrugs. “This scar is what remains of it. It’s a marker of my loss.”
Silence falls, but for the rain hammering on the roof, as Calesco considers that.
“... is it like Sorcery?” she asks after a while. “You have to give something up for that. This was your Sacrifice, wasn’t it? Will it be the same way if I learn, whatever I Choose to give up?”
“No, I don’t think it’s quite the same. I think it’s... like my fire, like I said. But in reverse.” She stretches out her long legs. “We’re funny things, you know. I’ve been thinking about it. Getting used to thinking differently because I don’t have any quicksilver in me anymore. I started it. And everyone else copied me. We’re not meant to be mixed up like we are. Eko and Rathan started off like how they’re meant to be. Just of the Silent Wind, and just of the Demon Sea. And I think for a moment, when I was really small, I was just of the Hungry Swamp. But I think I found fire, at the roots of the world. And,” she shows her teeth, “I ate it. Of course I did. I didn’t know not to. But the fire got in me, and I grew into me along with it. And once I did it, you did it too, and mama seemed to learn we were better as hybrids.
“But remember Asarin? She can’t do anything like that. She’s nothing but the Sphere of Speech. Never able to be anything but stagnant blood. Stuck in that awful staid boring love melodrama with that idiot. She’s still a goddamn virgin. At five thousand years old.” Haneyl rolls her eyes. “Ridiculous. Utterly ridiculous.”
“Tell it to someone who doesn’t have to put up with Eko’s stories about her ‘bestie’,” Calesco says with a roll of her eyes. “Hmm. Come to think of it, her keruby couldn’t even mature until she took the Elloge’s nature into herself. Was it you who taught mother about hybrids, I wonder, or was it mother working it out that led to you?” She tilts her head thoughtfully. “Eko and Rathan were still babies back then, and I wasn’t even born yet. Maybe you should ask Dulmea what mother was doing just before your birth.”
“Maybe.” Outside, thunder booms. “How did you get the shadow, anyway? Vali came out of that crater like he is, and... well, Zanara seems to be made of bits of me and Rathan that we shed as we grew up. And Rathan copied me and tried to eat Szoreny, but he’s always been cold so the Mirror Tree wasn’t so volatile in him.”
Calesco shifts on their seat, uncomfortable but unwilling to move away from Haneyl’s warmth. She stays quiet, and doesn’t answer.
“Okay,” Haneyl says, after a long pause. “So come on, I just shared my baby story. What’s yours?”
Huddling in on herself, Calesco’s hair curls around her, and she wraps herself in shadows.
“I didn’t get born from mother like you did,” she says, and her voice is bitter. Scared. “My first memory is falling. Falling, and screaming, and blazing with light. I crashed down into the tar of the Meadows, and I wrapped them around myself and stained my feathers with their tint as my first ever blanket.”
She folds her arms around herself. “Haven’t you noticed? You and Vali are dragons. Rathan’s probably going to be an orca or a dolphin or an eel. Eko loves ribbons so much there’s no way she won’t mimic them with whatever shape she’s hiding inside herself. I don’t know what Zanara will be, but it’ll probably be the same - something long and slender. Like this you’re mother’s daughter, but as a dragon you’re a child of the snake.”
She pauses. Haneyl can feel her brooding.
“But I’m not,” she spits. “My true form is wings and light and pain. And not the beast’s kind of wings. I come from a different womb.”
“So?” Haneyl is surprisingly blunt. “Look, our keruby say a lot about us. More than we like, really. And look at Rounen and Saji. Rounen hates his dragon form. Saji’s dragon-form burnt down everything around it and she has to hide it within flesh. Only Elly likes hers. I might not hate the dragon as much as you hate what you are under all the lies, but I get it. I’m not Vali. Being the dragon means I’m an always-hungry monster who can’t think when I get too hungry. You think I’m going to hate you because your nature deep down hurts people? When... when I was young, I hurt a lot of my friends with the first big forest fire. Killed some of them. I didn’t mean to. But... it happened.
“It’s what I said about how I was the best for being the first to learn how to mix these things. You’re not just the light. And haven’t been since you fell in that tar. Trust me, you wouldn’t be thinking like you do now if you didn’t have the Ultimate Darkness wrapped around you. That’s you, just as much as the Silent Wind is. You’re still my baby sister even if Mama’s actually your dad.”
Calesco snorts. But after a moment longer, her tense posture relaxes, and she leans back into Haneyl’s warmth.
“... thanks, sis.”
They sit together longer in the damp warmth, slowly drying off. “You know,” Haneyl says, combing Calesco’s hair out with her fingers. “It’s funny. I don’t have my tan back properly yet, and so... when you’re like this, and I’m like this. We really do look quite a bit more alike than normal. Your hair is lighter than mine, and you’re even paler. But still. We’ve both got something about the shape of our faces we get from Mama.”
Calesco leans her head on Haneyl’s shoulder and holds a smaller mirror - part of her thief’s toolkit - out with her hair. Framed in the tiny glint of silver, she can see what Haneyl means. It’s obvious they’re only half-siblings, but... it’s also clear that they share a parent.
“She’ll get all soft and clingy if you tell her that,” she jibes, trying to downplay the contented feeling that comes over her. “And probably insist on us modelling for half a dozen paintings before she lets us go.”
Calesco remembers too late that Haneyl doesn’t exactly consider such things a downside. Mother is very vain - so vain that she expresses it through Haneyl, Rathan and Zanara. “And well she should, because we’re probably the prettiest things on two legs in this city,” her big sister says. “I know you like to downplay it, but you’re gorgeous. Nearly as pretty as me.”
“Well...” Calesco can’t help but preen a little. “I am getting pretty famous as Black Shawl. People are starting to leave love letters for me at the Jade Carnation. Some of them are actually rather sweet. Of course,” her fond smile fades into an annoyed sniff, “other people are needlessly stuck-up and haughty about it. Like this lot.” She gestures below with a flick of her hair. “Refusing to let me learn anything about them - either as Black Shawl or even under other faces. They’re as secretive as Mother.”
“Aww, poor Cali,” Haneyl says playfully, checking her clothes and finding them mostly dry. She pulls her shift back on. “I’m entirely behind you taking things from stuck up people who aren’t me, but it’s another way you’re my little sister, you know.”
“Hmph.” Calesco pats herself down and pulls a lie back over herself, reshaping her sash to her customary veil. “We’re not taking anything. Just changing a few things here. Sabotaging a few of the Calibration performance props... maybe giving their lead dancer a really visible rash. Nothing that will hurt her or that she won’t recover from. Just enough that they won’t be able to field her in the festivals, even with makeup on.” She smiles viciously. “Serves them right for being such stuffy obstructionists about things.”
“Poor you,” Haneyl says, frowning as she sees how creased her clothes are. Roots get to work smoothing things down. “Let’s get this over and done with then. And then once we’re done, we can go out to a lounge. You can think of it as research on your rivals and I can watch the pretty people.”
Haneyl does in fact drag her little sister off to an expensive lounge they’re done. In light of Calesco’s preferences, the dancers dressed mostly in feathers and body paint on stage are all women. Calesco sort of wishes Haneyl hadn’t done that for her.
“... and she thinks she’s fine, but the next time she puts strain on that ankle, she’s going to twist it and it’s going to take her out until after Calibration,” Haneyl grins, shelling pistachios systematically and popping them into her mouth. “Is that what you were looking for?”
Calesco nods, a smile flickering across her face as she tries to avoid looking at the stage. If Ruby knew she was at a place like this... and none of the women on stage live up to her love, even though they are all gorgeous. A blush shades her cheeks at the thought of Ruby wearing so little, and she focuses on her drink.
“Y-yes,” she stutters. “Yes, that’s perfect. And I... well, I had my way with their props department. It looks like they use weighted wooden mock props for rehearsals so they don’t risk damaging the expensive ones - so I sabotaged some of the more expensive ones. Their transcendent spear of the Sun has a notch cut most of the way through the shaft just under the head, so it’ll break off the first time it hits anything in their mock duels. And a couple of the chain links holding up the great disc of the Moon they dance in front of are barely hanging on. It’ll be terribly embarrassing for them when the whole thing falls out of its frame from a strong gust of wind.”
Outside, the thunder booms. It doesn’t drown out Haneyl’s laugh. “That’s going to be so funny! I might have to go to their play this Calibration! It sounds like a great comedy!”
“It will, won’t it?” Calesco grins smugly. “And they’ll feel embarrassed enough in the aftermath that they’ll be a lot more willing to listen to me when I tell them I want to help them out. They’ll make a good addition to that side of Mother’s work, from what little I’ve been able to find already.”
She sips at her drink, her mind going back to their earlier conversation. “Hey,” she says. “You got distracted before you told me much about,” she drops her voice, “Sorcery. About getting it and... what’s it like? You’ve been studying it, right? What have you learned how to do?” She bites her lip. “Rathan may have got it first, but he’s a pain to talk to - and even if I wanted to put up with him patting himself on the back, he’s been out on the other side of the mainland for most of the year. And Mother’s been teaching me more about occultism and spirits and... I don’t know. I can’t ask her to teach me about it. I don’t get to choose my lessons as her student. So you’re the only one who can tell me.”
Haneyl swirls her rum. “I mean, I’m not much of a sorceress yet,” she admits. “I can’t even,” she lowers her voice, “summon anything. I managed to get Mama to dig out something made of jade so I can learn that boat spell she used in Taira. It seemed useful - and something I could actually get my head around first.” She sips. “I don’t think Mama quite understands not everyone has her weird sense of intuition. It’s the Eko in her.”
“Oh, tell me about it!” Calesco bursts out. “She has such high standards as a teacher, but some of her explanations are awful. It’s like she expects you to just get the ideas about how trap wards and lock magics work the first time she explains them! And when you ask her to repeat it or simplify what she said a bit, she looks at you like she’s disappointed that you didn’t pick it up from a sentence!” She shakes her head. “Or, no, worse than that, like... like she’s confused that you didn’t. Urgh. It’s the worst.”
“Dragons,” Haneyl winces. “That bad? I thought it was just that I was so new to it that I hadn’t learned things like how to read that notation she invented that’s... well, it looks a bit like the Salinian things in some of the books, but there’s bits of random Rivertongue and some symbols I think she invented herself.”
Calesco groans. “The wavey-branchy ones? Yeah. She did. And sometimes she puts Firetongue bits - in both dialects - in among the Old Realm. It’s like she just uses whatever word best fits the concept she wants across... what, half a dozen scripts, if you count Salinan symbols? And then just relies on how she thinks that way to translate them when she rereads them later. I honestly don’t know how Rounen hasn’t tried to strangle her. Or Sasimana, for that matter.”
Her sister groans. “I... kinda hoped that you’d get it better ‘cause of the...” she waves her hand, “... you’re Eko’s sister and all. But no. It’s all her. So real question is; how do we train Mama to be a more disciplined thinker?”
“Well step one would require training her to have discipline,” grumbles Calesco. “So it may be a lost cause from the start.”
“You might be right.” Hanyel taps her fingers on the soft leather seats. “But this is important. Legitimately so.” She looks sideways at Calesco. “You know how she thinks, right? She really wants her own school of sorcery. She doesn’t want to be a queen, but she does very much want to be the mother of the Kerisian school. Or at least a legacy or something like that. She’s really pushing this sorcery thing. But she’s bad at teaching. Let’s look at who she’s trained. I’m just starting out. Hermione... she seems to have just left to do her own thing and told her to read books. And Rathan is just mostly stumbling through with trial and error. The only one she’s actually, really put a lot of time and effort into training is Oula. And I think Oula’s trained Rathan more than Mama has.”
There’s more than a little resentment in the way she says that name.
Calesco hums. “That’s not quite it. She does teach. She did a bunch of tutoring for Hermione and Yuu and some of the others while you were, uh, out of action. It’s more like...” She thinks for a moment. “It’s like she teaches up to her students making their Choice, and then she stops. Oh. Oh, of course.”
She leans back and snaps her fingers. “She’s thinking of it like mastery. Like becoming a sorcerer is the bit you need to be taught, and after that you can set up independently and develop on your own. And... you know, I wonder how she learned? I know Sasimana tutored her through initiating, and she learned from Malek when we were in Taira, but I don’t think I’ve ever seen her really studying under anyone to learn new spells. Mother does tend to learn just by reading and practicing on her own. She probably doesn’t realise the rest of us can’t do that.”
“And she hoards her texts,” Haneyl grumbles. “Which is right, of course, but not from me! I... oh.” She brings her palm up to her face. “Of course. Rounen will have transcribed her copies, and he’s scrupulous about keeping notes. He should have things I can ‘borrow’. Or, you know. Borrow.”
“There are some things she keeps even from him,” Calesco warns. “The Joyful Priestess stuff. But not much of that is Sorcery - well, not the kind you cast, anyway. It’s mostly ritual things, from what I’ve seen so far. Workings, rather than distinct spells.” She taps her lips. “I think we need... urgh, I hate to say it, but we probably need to pull Rathan and Oula and Hermione on board. And then go confront her and hammer it into her head that we still need to be taught after we’ve become sorcerers. And that she needs to work out a single script for her sorcery texts and stick to it, though,” she rolls her eyes, “that might be beyond her. Maybe we’ll just have to wait until she teaches a dragon aide who can translate her scribbling for that part.”
She offers her hand to Haneyl. “I can help you translate her weird mish-mash of notation if you help me study for my initiation on the side,” she offers. “I don’t get it perfectly, but I’ve see enough of it in the stuff she’s had me studying under Cinnamon that I’ve got the hang of deciphering it. And I want to learn to cast. On my schedule, not hers.”
Haneyl takes her hand and sighs. “The worst thing is, I think might have to go to Oula even if Mama gets her act together,” she says reluctantly. “And she’s a catty bitch at the best of times, but she’s also Mama’s favourite student and the one who’s advanced enough that Mama puts her in charge of that thing she’s doing at the manse. Her. Not Rathan. Even though she’s not even one of us.”
“She’s weak,” Calesco says simply. It’s not an insult. It’s a statement of fact - almost gentle. “She’s not like us. She doesn’t have the strength of...” she pauses, aware of their surroundings, “... lordship, to support her. If anyone outside the family found out about what she can do, she’d be marked for death. Mother doesn’t dote on her because she’s more talented, she dotes on her because she’s more at risk.”
She tilts her head, an allowance granted. “And, okay, also because she’s kind of a suck-up. Mother looks at her and Rathan and sees... well, herself. And Rathan’s father. She sees herself in us, too, but we don’t have that tinge of regret attached. She looks at Oula and wants to arm her against mistakes that Mother already made.”
“That’s all very well,” Haneyl says darkly, “but she’s going to be really smug if we have to ask for her help. So maybe we just put that to the back of the queue for now and see how we can handle things together.” She bites her lower lip. “And maybe I’ll see if Elly’s interested. Mama likes her too. And at the very least, it’d be nice to be able to hear from her when I’m travelling overseas.” There’s audible fondness there.
“What’s...” Calesco pauses. She knows Haneyl doesn’t have romantic feelings. Not like she does for Ruby, the way she’s swept up in a wave of adoration and devotion and heartfelt connection every time she sees her love. It doesn’t make sense to her, though she takes Haneyl’s word for it. But the way she talks about Elly...
“What is she to you?” she asks. “Because she sounds like more than just a friend, but you’ve said you don’t love her. Well, not like that, anyway.”
“She’s my best friend,” Haneyl says simply. “So of course she’s more than a friend. I’ve known her almost all my life and even when I was ill, she stayed loyal and did a really good job handling everything for me. She’s...” she waves a hand in the air, trying to explain it without having the words. “Huh. I should see if there’s a hungry one or dragon aide who’s interested in serving you. A gay man, preferable, so the two of you won’t have either falling for the other. I know your adult keruby... you keep them at a distance. But it’s good to have someone you can totally rely on, no matter what. Who’s always there for you.”
A faint smile forms, and Calesco squeezes Haneyl’s hand gently.
“I’d like that,” she says. “A dragon aide, maybe. Someone who can run the Meadows for me, and who... understands about hiding what you really look like, underneath.”
“Hmm.” Haneyl stretches. “Maybe I’ll see if there are any ex-mezes who want to return to your service. You know some of them with big masks have started moving to the Swamp and trying to become sziroms? My new friend when I was a child again was one who’d done that, who was so close to growing up that her petal-face was all white. Do you know Mata?”
Calesco cocks her head. “Mata, Mata... the one with the moth mask, with those flared wings? I was getting worried about her. She made the jump to sziromhood?” She sighs in relief. “That’s good. My little ones don’t deserve the pain of their masks breaking. I’ll have to make it known that they can escape it that way, if they want to.”
“She’s... still sort of mez-like. Very shy and retiring, and a dreamer,” Haneyl observes. “I’d be willing to bet a talent she becomes a dragon aide. I’m going to give her a title when she grows up. She was there for me when I needed help and was very vulnerable. And was quite the little brat sometimes, when I was hurting. I’ll find her some niche of my territory that needs managing, and give her a nice stable sinecure.”
She sips her drink. “It’s a reminder that our keruby aren’t quite as distinct as they seem. And that makes sense, doesn’t it? It’s just like what I was saying in the tower. There’s power in mixing things that weren’t meant to be mixed.”
“Except,” Calesco says archly as she finished off her own, “for notation scripts.”
Sunlight sparkles off the waves in an isolated part of the southwestern sea. West of Shuu Mua and north of the Sunfall Isles, this empty patch of ocean sees few signs of life and even fewer passing ships. From horizon to horizon there is not so much as a smudge of land in sight, and for a year and a half, the only things to pass through this spot have been fish shoals and the occasional pod of whales.
But this seemingly deserted area is not as empty as it seemed.
The shadows of the waves grow longer and longer as the sun dips low in the sky. This is the last day of Fire, and the fading light seems to sigh like a weary man unshouldering his load after an unbearably long day of work. Lower and lower it dips, as the sunbeams fade from bright gold noon to the deep red of dusk.
And then, finally, to darkness.
Far to the east and south, people light lamps and huddle around fires. Across the Sunfall Isles, in the highlands of Shuu Mua, amidst the crowded streets of Saata and the scattered provinces of the Jati Isles, there remain the lights of men to beat back the starless, moonless night.
But not here. Here, the blackness is total. No illumination comes from the heavens, and nothing shines upon the waves. So complete is the darkness that there is no visible difference between the sea and the air above it.
So there is nothing to reveal what happens next to the naked eye.
It begins with a deep and sonorous groan from down in the depths; a metallic creaking and rumbling from the pitch blackness of the seabed. Then a bubbling and rushing as something rising from the deep pushes the ocean aside in its ascent. And finally comes a crashing and splashing and pouring of water as something gargantuan surfaces, brine pouring off its every harsh line, an enormous hulking form of black metal hidden under the lightless blanket of Calibration.
Within the brutalist structure, deep blue light blooms under black metal visors. Long-dormant automata rise, shake out the stiffness from ten long years of inactivity and begin their assigned patrols along deserted corridors. Systems shift into diagnostic mode, running checks that have been run once a decade for centuries, precisely as their orders demand.
But this time, something has changed. There is essence flowing into the ancient manse that was not there last time it woke and raised its terrible bulk from the seabed. The instruments and readings confirm it. The Second Sister has been restored, and for the first time since the Balorian Crusade, the Mother is operating at greater-than-half power.
The automata are passionless. They make no judgements. They have no wants. They follow the rules and protocols laid down centuries ago by the Shogunate engineers who built this vast blunt edifice.
But nonetheless, as they carry out the essential maintenance to ensure that all things function as they should... there is a sense of anticipation in the dark.
Perhaps someday soon their long and lonely vigil will be over.
Chapter 10: Calibration 773
Chapter Text
In the days before Calibration, everything is all a rush within Hell. Keris has been hard at work here since before the start of Descending Fire, and so she’s really had the chance to watch all the other princes of the green sun trickle back for Calibration. One of the things she’s noted is that Sasi’s and her experience with the sandstorm means most people try to arrive more than five days before the start. Just in case they get diverted in the Endless Desert.
They’re mostly acting like it’s going to be a holiday. Bastards. She knows that isn’t quite true because they’re going to have meetings and stuff and the grand presentations, but she’s feeling more than a little resentful.
Sasi is already back, along with her new subordinate. Amiri Magenta, Keris recalls her name is. She’s a small, doll-like woman with firmin-dark hair, and she’s wide-eyed and shocked to be seeing Hell for the first time. Keris is at Lilunu’s right hand when the newcomer is introduced to her for the first time and that’s a thing to realise; that she’s now an institution of Hell. After that, Keris surrenders Aiko to Sasi’s custody, and goes back to rehearsal after rehearsal, hammering her actors into shape for their own good.
And of course, quite notable, Testolagh arrives only two days before the start, on the Baisha. Keris forces herself to take some time off from her work to get the debriefing from him and Neride.
“A grand triumph,” Neride says, with obvious pride and no small amount of relief. “Between myself and Prince Testolagh, we rolled up several key hurricane-ports of the Zu Tak and crushed them. Three flotillas destroyed, and Prince Testolagh slew those of the Greater Dead. Losses from our marines have been very slight indeed. We’ll get them replaced easily.”
“Excellent,” Keris says, relaxing. She’d been worried, given Neride’s past performance. “How would you gauge the impact to the Zu Tak as a whole? Do they still have enough power-projection to act as an oceanic power in the Anarchy?”
“I couldn’t say, your highness,” Neride says. “I don’t know how many humans there are there.”
Testolagh clears his throat, idly rubbing his thumb over a new scar down the back of his left arm. “From what it looks like to me, the Wailing Fen is a shithole,” he says. “I’d raid other people if I had to live there, even if I didn’t have Greater Dead telling me to do so. But given those bands are mostly young men, we have to have put a big dent in how many there are there.”
Keris nods thoughtfully. “Very well. Neride, I was beginning to have my doubts, but this is a great success. At worst, the Zu Tak have been dealt a crushing blow here - at best, they’ve been crippled as a faction. Testolagh, good work. The Unquestionable always like to hear accounts of grand duels and the slaying of powerful foes and so on.” She claps her hands. “I’ll keep an eye on the savages over the course of the next year, but assuming they don’t bounce back, I think we can call our campaign against the Dead concluded. I’ll confer with the other division heads before deciding what next to devote the Baisha to doing.”
“Of course, your highness.”
“Fine by me,” Testolagh says with a shrug. “I swear, I’ve never seen so many greater dead as I did around there.”
“Yes...” Keris frowns, remembering Fossyi’s words back in Air. “I want to investigate that, at some point. They should not be capable of supporting that many Greater Dead with that small a cult. And it is just a cult. They’re not tainted or drawing power from further down. Something strange is going on.” She purses her lips, then shakes her head. “But it’s not something the Baisha need concern itself with. Thank you, Testolagh, Neride. Well done.”
Neride bows. “Yes, your highness.” She slithers out.
With a nod, Testolagh waits until the snake demon is gone. “Do you know where Sasimana is?” he asks. “She’s back, yes?”
“She got back a week and a half ago,” Keris tells him. “Aiko’s with her, and, ah... Rounen?”
“The schedule Peer Sasimana provided you marks her as ‘in meetings’ for the duration of this morning, ma’am,” her aide offers up promptly. “With a note that she will be taking lunch in her townhouse if you are free. Which you are not.”
Keris sighs. “Right, the arena reviews. Fine. Testolagh, give her my apologies?”
“I will.” He pauses. “You’re feeling... better?” he asks a little tentatively. “I know you... well, what happened last year at the end of Calibration, happened. And Sasimana said you were wobbly from the stress of having to do this. Have you talked to Lilunu as to prevent that happening again?”
“... I’m fine now,” Keris says, grateful that he at least waited for Neride to leave before bringing up her... episode. She nods to Rounen, who bows and retreats, and then hops up from her desk to pour herself a glass of wine.
“What happened last year was... well, it was a lot of things,” she says, swirling the dark red liquid and staring down into it. “Some of it was the workload, yes. But it was also my first Calibration, and I wasn’t quite recovered from the battle I had up in the mountains, so I was doing it handicapped. This year, only one of those things is true. It won’t be fun, but I can handle it.” She glances up, catching his eye. “And better me being stressed for a couple of days than Lilunu having to handle all five on her own. Her health around Calibration is improving now that she’s not stretched so thin.”
“Well, you know your own mind,” Testolagh says. His attitude reminds her a bit of Vali. That’s settled for him. “Anything else, my director?”
“Nothing else,” Keris says. “Except to say hello to Aiko for me when you see her.”
He nods his farewell, and leaves Keris alone.
It’s just over a full scream before Keris has some time free, and she has Mehuni send a message inviting Sasi and Testolagh over to her townhouse for the talk that she avoided last year. She doesn’t do it happily, or even all that willingly. But as much as she might not want to have this discussion - even as much as she might like to run away and hide from it again - Keris knows that it’s something she needs to have.
If she doesn’t have it here and now, on her own turf, ahead of Calibration... then she’s going to wind up being ambushed by it during or after, when she’s already stressed and worn down. In this situation, making the first move is her best and safest bet.
As such, when Peers Nemone and Matachim arrive at Peer Dulmeadokht’s residence, they are shown in by the staff and led through the palace of white marble walls and fluted pillars, along a corridor decorated with grand landscape murals on one side that lies open to the grounds on the other. The lady of the estate is waiting for them in a covered veranda that offers stunning views over the Lake of Singing Shoals and the tamed Szorenic grove to one side of it. A generous feast is laid out on the low, round table surrounded by cushions, and she’s made up and dressed in an elegant, asymmetrical, ankle-length variant of her favourite red dress.
“Sasi, Testolagh,” she greets them, warmly but with a touch of Cinnamon’s remove. “I’m glad you could come. How is Aiko?”
“She is very happy and doing very well,” Sasi beams, leaning in to kiss Keris. “It amazes me how big she’s getting every time I see her again. And she had a lot of stories for Daddy and me about what she’s been doing. She says that Haneyl is teaching her and Atiya embroidery?”
“Atiya is very enthusiastic about fashion,” Keris agrees, kissing her back. “And in fact rather charmed a number of pirate nobles from the Raaran Ge and a few other Saatan partygoers not long before I came back to Hell. Who knew the lives of dolls could be so enthralling?”
“Aiko likes her because she’s less naughty than Kali and Ogin,” Sasi says with a smile.
“Not,” Keris says drily, “a difficult achievement. Anyway, please, sit down, eat.” She takes a moment to breathe and centre herself as they get seated, listening to the musical chirping and splashing of the strange breeds of fish that inhabit the lake and watching the light of the green sun reflect off the mirrored branches of the grove. They start the meal with the same kind of light and simple conversation, but Keris knows she has to bring up the reason they’re here sooner or later.
“So,” she starts, once they’ve finished the first course and as her servants carry the empty dishes away. “I invited you here because we need to talk about...” she gestures, “the three of us. The talk I avoided last year with, ah, some slightly foolish actions.”
“You? Foolish?” Sasi’s tone is utterly convincing as to her complete disbelief and lack of comprehension as to how anyone could ever possibly believe Keris capable of being unwise.
Testolagh on the other hand grimaces. “Go on.”
Keris closes her eyes. She loves Sasi. Testolagh loves Sasi. And while Testolagh and Keris do not love each other, they are tied together nonetheless by their shared feelings for this wonderful, if sometimes overly sarcastic, woman.
And that is not a stable system. Strife and conflict and jealousy will inevitably make themselves felt. So if Keris wants to keep Sasi - and if she wants to help Sasi’s life be less plagued by stress and pain - she must bring balance and harmony to the triad. This is not just something necessary to keep her relationship and help her love. It’s also her duty, both to Gull and to Venus. Had she done this in Nexus, perhaps she wouldn’t have lost the first and second loves of her life.
She refuses to lose the third.
Keris closes her eyes, and Tenné Cinnamon opens them.
“I told Sasi about our last tryst in Love Unchained,” she says, professional distance acting as a shield. “And while it was enjoyable for both of us, I don’t like the person I became back then. I think perhaps your pride might have rebelled a little too, in the cold light of day the next morning. My worry - which I shared with Sasi in the aftermath of Calibration last year - was that if the two of us... treated her, as she put it, that we might fall into the same spiral. So I want us to talk about this and make sure that doesn’t happen - and I will want to talk about every group tryst we have in future, rather than making one set of rules and assuming that will be enough. It won’t.”
He nods. “Makes sense,” Testolagh says, folding his hands over each other on the table before him. “I... liked what we had, but Sasimana says you didn’t find it so enjoyable and just pretended otherwise for my benefit. I can understand that, and it does explain how things... changed after that.”
Sasi shoots a glance at Keris. It is quite a meaningful one.
Keris stares back. She doesn’t swallow her voice, but there’s nonetheless something distinctively Ekoan about her veiled incredulity that Sasi didn’t tell him. Or, not even that. She actively lied to him. Simply not telling him would let Keris fill him in now. This...
If it were someone else, someone like Lilunu, Keris would call her out on her misrepresentation. She’s determined not to lie to Lilunu any more than she absolutely has to, after confessing to her about Khereon Ul’s attentions - not even by omission. But Testolagh... isn’t clan. Him not knowing the truth may not be entirely fair on him, but it’s not hurting her or Sasi, either.
Slowly, she nods. But her eyes promise Sasi that they will be talking about this later.
“I don’t have anything against you personally,” she says smoothly, adopting Cinnamon’s professional veneer again with a smile. “Believe me, it’s nothing to do with inadequacy in your skills. I’m just more comfortable with women, most of the time.” All true enough, even if Ney blurs the line a little. But they don’t need to know about Ney. Neither of them do, because knowing about Ney would send Sasi into a terrified meltdown. “But I’m willing to make exceptions to treat Sasi - and since we’re all here for Calibration, I think she deserves a treat before we go our separate ways.”
Again, he nods. “I understand. It... makes sense, given how you seemed sort of uncomfortable and not really into it most of the times. I wish you’d say something.” He meets her eyes. “I wouldn’t want to make a woman who prefers other women bed me.”
“It’s not your fault,” Sasi interjects smoothly. “I... thought it would work. And it didn’t.”
“I’m not averse to men,” Keris says, soothingly. “And it’s-”
She pauses. Yeah, no, going into her past as a harlot with Testolagh cannot possibly improve the situation here. “It’s not like it wasn’t pleasurable,” she says instead. “Just, yes. We didn’t click. So.” She pauses for a moment to finish cleaning her plate. The view gives her a little more breathing space as a marlin-like fish springs from the lake’s surface in a glittering, beautiful leap.
“So,” she says again, “I think we can just... chat, over our desserts, about what acts we would be comfortable with, and what we can avoid so everyone has a good time, and decide when to come together. We need not necessarily...” she searches for a word briefly, “... focus on each other, if the night is for Sasi to enjoy. Well. Perhaps a little, for her to watch.” Her smile at Sasi is knowing.
The talk is very adult and sensible, and... not something Keris has ever done before, now that she thinks about it. Her past relationships have always been chaotic things. Full of passion and often not exactly between peers. And her and Sasi... well, uh, their mutual tastes line up fairly well.
But after the dinner, Sasi lingers after Testolagh leaves.
“Thank you very much, my love,” she murmurs, holding Keris closely. “For everything you did this evening.”
Keris takes a shaky breath, letting Cinnamon drain away. “Better to tackle it properly now than do it on the fly later,” she says. “But,” and she pulls away, frowning, “why did you lie to him? If he doesn’t know what we’re trying to avoid, he’s not going to be much help dodging it.”
“Keris,” Sasi says, guiding her head onto her broader shoulders, “do you think he’d have understood ‘I enjoyed it a lot, I was really into it, but I don’t like being someone who likes this’? It would have hurt him, made him feel judged - and that would only be when he’s got his head around it. I’ve talked with him and I can be who he wants. A little less soft shadow, and a little more... grinding sand. It’s simpler this way for us as a trio.”
She strokes Keris’s hair. “I didn’t lie exactly. You do prefer girls. I just put the truth in a way he understands better.”
“I’m not sure...” Keris starts, and then gives up with a sigh. “Well. I suppose you do know him better. And know him better,” she adds, chuckling. “And this works well enough for keeping me from going too far. As long as I have a list of things I’m allowed to do that I don’t stray outside of - and as long as we work it out each time to keep things fresh and so I don’t start finding loopholes - it’ll serve. You can grind his sand while I keep a little distance.” She leans up to kiss Sasi. “And I do want to treat you. You deserve it, with all the hard work you’re doing on the Isles.”
“You’re already a treat.” Sasi sighs. “If only the plays had been ready this year. Oh well. We have more time to polish the scripts for next Calibration. I want to help you with that next year.”
“Please do,” Keris sighs. “I’ve promised Ipithymia a month of my time in Air to get the last three scripts finished and whip some of her actors into shape. And I’ll probably be spending a good chunk of Fire on training the leads.”
“Mmm.” Sasi leans her head on Keris’s. “I’m tired, Keris,” she admits. “Coming back, only seeing my daughter for a little bit a few times a year... she’s so big already and I’m missing so much of her life.”
Keris kisses her on the temple. “I make sure to talk to her about you,” she says. “And I’ve finished that spell I was working on before last Calibration. The one to mimic what Lilunu did to tie my painting to me. If you wanted... I could create one of you, and take it back with me. It wouldn’t have an inner world like mine does, but you could meditate into it and see and talk through it, and I could put it somewhere she could always get to it when she wanted you.” She bites her lip. “It’d be a sympathetic link, so... if you think it would risk discovery, I wouldn’t want to put you in danger. But it’s far less obvious than a Messenger. And it lets you see, as well as talk.”
“That’d be nice.” She pauses. “I may see you next year, though. I’m going to be requesting your services as an assassin for a mission this year. You might even be able to bring Aiko over for a few weeks.” There’s hope in her voice.
“Oh?” A thrill of mingled interest and fear ripples through Keris. “An assassination on the Isles themselves? Who and where? Someone important, if you’re requesting me. A dragonblood?”
“This one goes high enough that I’m presenting it as a mission proposition to the Unquestionable,” Sasi says. “Yes. One of the Imperial Ministers. Ledala Ama, the Wise Minister of the Office of Foreseen Cataclysms. She’s showing a lot of interest in rumours of the Anathema from across the world. Most of what she’s picking up is about the Dead Princes, but I worry she’ll put together something about what we are too.”
Keris hums. “I can’t guarantee killing a dragon quietly,” she warns. “But I can disguise myself like I did in Eshtock. I’ll look forward to seeing you - and hopefully this can earn you some time to take another sabbatical.” She grins. “What do you say? Some nice time off in the South West, blue seas and sun, acting in the Jade Carnation as one of Cinnamon’s starring performers, seeing Aiko every day?”
There’s a sigh. “You do like the thought of turning the granddaughter of the Scarlet Empress into a common dancing girl,” Sasi teases. “Does it do something for you?”
“What can I say?” Keris teases back, pulling Sasi down onto the cushions and walking her fingers up her side. “Perhaps I just enjoy seeing you on a stage where you belong.”
“Well, I’m looking forward to seeing you on the stage in a couple of days,” Sasi whispers, between kisses. “So maybe that’s why we’re so good together. We belong in the same place.”
There isn’t much time for personal things in the rush of getting things ready before. But in the last few hours before Calibration starts, Keris manages to finagle a few things such that she can stop by the new townhouse of Amiri Magenta with a few of Lilunu’s best tailors in tow. It’s perfectly innocuous. She’s just the Voice of the Conventicle Malfeasant, making sure the newcomer looks her best at the grand talk.
Magenta’s townhouse is one Keris registered a few times before. It belonged to... oh, what was his name? Big, skinny guy. Easterner. She’d seen him meeting with Orange Blossom when she worked for her. No, the name is gone. But it’s a tall, skinny almost tree-like structure made from shiny black glass, with rooms hanging down from the branches which fork off from the tower. There’s new fresh growth here, though; hints of red and silver, and green veins that glow from within. Keris remembers Lilunu mentioning that the townhouses adapt to match their owners, which makes an odd kind of sense. At the very least, it’s quite Lilunu.
Amiri Magenta greets her senior with mild surprise, dressed in a soft morning robe in gentle teals. “To what do I owe the honour of this visit from Lilunu’s Voice?” she asks courteously, her High Realm accent very clear in her less-practised Old Realm.
“This is your first Calibration, isn’t it?” Keris replies, gesturing at her entourage. “My lady cares deeply about her beloved peers, and while her duties over Calibration are time-consuming, she and I wish to help all newcomers to the Althing settle in.” She smiles warmly, tilting her head. “Peer Sasimana may have already given you a general idea of what to expect, but if you wish, I can share my side of things and allow you the use of the Conventicle’s tailors.”
((Using Kindness Expects Repayment to offer information from a seasoned expert and PRETTY CLOTHES from Lilunu’s own staff for her first Calibration speech.))
Magenta is a small, weak creature to Keris’s sight; her flame barely stronger than her own children. And in the glinting of her eyes, Keris sees she’s mirror-brightness and burning green rage, with a hint of wispy shadow and hunger.
She sees the same glint in Magenta’s eyes, and more than that, she sees the other woman’s flinch back. “I would welcome such advice, if freely offered from such an esteemed elder peer of mine,” Magenta says placidly, no mark in her voice of that little twitch.
There’s more to her, though; Keris can see gleaming ghost-echoes of Magenta, a devil-queen whose burning soul envelops her.
((Enlightenment 7, dominant aspects Szoreny and Malfeas, hints of TED and Metagaos. Envious; no. Pride in her status as an Exalt.))
She leads Keris in to her dressing room, and the tailors get to work. It’s very much like a side of Sasi Keris has seen before; the tendency to treat the help as animate furniture and so be willing to talk when she’s in the middle of a fitting or suchlike.
Of course, Keris feels she wears that little shard of gratitude-ice very well, but that’s just her.
“So, how much has Sasimana told you about the Calibration festivities?” Keris asks, settling into a lounge chair with a bowl of cherries as she directs the tailors with flicks of her hair and nods or shakes of her head. “I recall I was busy enough with missions and training in my first few months that I had little preparation, but there’s no use in repeating what you already know.”
“Quite a bit, Lady Dulmeadokht,” Magenta says, as the servants measure her arm lengths. “It is a grand spectacle, as well as how our masters evaluate our services over the past year. And of course, it’s a chance to socialise that’s even more weighty and fine than the galas and feasts during Calibration in the Imperial City.”
“Indeed,” Keris nods. “And I do hope you enjoy my work; the second and fourth day of the festivities are mine to arrange as Mistress of Ceremonies. But the centrepoint of our time here is, of course, the Althing itself, where we boast of what we have done in our masters’ service and, I’m afraid to say, often seek to one-up one another with our triumphs. I understand you came to Sasi later in the year? Many of our peers had few solid achievements in their first Calibration speeches, simply for lack of time.”
Magenta gives a not entirely pleasant smile. “Oh, I wouldn’t say that,” she murmurs. “Lady Dulmeadokht, with all due respect, I have been quite deliberate in my efforts to... revenge myself on certain individuals. There have been quite a few tragic deaths. And some of them have opened up quite considerable opportunities for advancement for myself, even for a poor, benighted individual such as myself from a lesser house and who has not been blessed by the Immaculate Dragons.”
For all that it’s coming out of the mouth of this seemingly cultured Dynast, Keris can hear the tightness of rage under her calm tone. This is not a woman like Sasi, broken by becoming a demon. This is a woman who’s snatched at offered power with both hands, and is now letting out decades of spite and bitterness and anger on the people who scorned her and made her feel worthless.
“Oh?” Keris gives her a razor smile, allowing a slither of quicksilver fellow-feeling to emerge from amidst Zanara’s blossoms. “Very well done, then. And that will go down very well with the Althing. The Unquestionable adore stories about the downfall and humiliation of the great powers of Creation; the gods, their Chosen and the servants of the Scarlet Throne. Tell them of the deaths of those who thought to claim Creation as their own, retell how they suffered as they died, and you will get a pleased response from most.”
“Thank you, esteemed elder,” Magenta says, unable to bow as the many-handed tailor wraps her up in silk measuring cords.
Keris gets the odd feeling that she... might not realise how old Keris actually is. From what Sasi mentioned, her new underling is around Keris’s age.
It’s a weird feeling - even more so to realise that Magenta is obviously watching what she says. And while that might be something Sasi-like, a careful calculated veneer over her real feelings over which she presents whatever will advance her goals...
... that’s not the feeling Keris gets. Indeed, that Sasi-like political skill and those inscrutable machinations feel more like what she expects Keris is doing. She’s not watching her words to get the maximum effect out of them. She’s watching them because she doesn’t want to offend the powerful, beautiful, influential peer who showed up on her doorstep for reasons unknown.
Or to put it another way, she feels like Keris does whenever Noh shows up to talk to her or Ligier summons her to a meeting.
Getting her head around that is enough effort that Keris falls back on small talk, asking about Magenta’s first impressions of Hell, what parts of the Conventicle she’s already visited and her time with Sasi on the Blessed Isles. All the while, the tailors work, assembling a selection of pieces that Keris approves or rejects largely by reflex, asking Magenta’s opinions of the best as they chat.
“If I might be so impolite,” Magenta murmurs politely, “might I ask a question?” Keris nods. “In that case, I was just wondering that... well, I have not observed such a blend of tastes and smells from any save the Conventicle Malfeasant herself. Even Elder Sasimana herself partakes less of disparate Yozis than yourself, and you two are of a likeness of authority and power. How would one achieve such a thing?”
Keris tilts her head. Thinking about it... well, perhaps that’s true. She’s drunk deeply from the gifts of the King, the Silent Wind, the Swamp, the Sea and most recently the Silver Forest. And on top of that, she’s picked up a few tricks from both Dragons, as well as the nature of the Sphere of Speech that Eko grafted into her.
Plus there’s Pekhijira, of course.
Wow. Maybe she should pay more attention to what her own essence-melody sounds like, if it’s this obvious she’s... well, being compared to Lilunu herself is certainly a statement. And most of the other peers Keris has tasted do seem to focus mostly on two or three - or at most four or five - Yozis.
“Success,” she says after a moment’s consideration. “And stress. Different peers pick up the gifts of the All-Makers in different ways, you understand - Sasimana identifies the precise gift she wishes to learn and studies it until she can replicate it, while Peer Matachim was taught how to wield the King’s fire by Ligier himself. In my case, I’ve found that I tend to earn the powers of the Yozis more instinctually - it’s very difficult for me to choose what I learn, but things come to me when I need them most, or when I’ve been acting heavily in line with them for some time.”
She grins, inviting Magenta to smile back. “My mission record, in that light, probably speaks for itself. Sasimana and I were instrumental in the assassination of a deathknight of Thorns several years ago, and the subsequent downfall of Nexus’s Council of Entities. Since then, I’ve turned my hand to assassinations, sabotage, political games, sowing mistrust and conflicts between the powers of Creation, cult-making, trade...” She shrugs. “It really comes down to experience. The All-Makers gave you a seed. The more time and effort you put into nurturing and working on it, the taller and stronger it will grow.” An artful pause as Keris glances up and down her own diminutive height. “Figuratively speaking, I mean.”
“Of course, wise elder.” Hmm. Now Keris isn’t sure whether the other woman is making fun of her. Sasi had to have mentioned her actual age, right? “So in your case, it developed with mere age? I had observed that the experience of Lady Sasimana teaching to hide myself in my shadow is not how dragonchildren learn things.”
“Well...” Keris’s smile turns strained. “I also made certain... choices, early in my career, which I believe sped my development considerably. But since the first of them was to run with the Silent Wind and open my eyes to the full might of her soul, as you tasted the strength and flavour of mine, that’s... not a path I would recommend.”
Even the tailors freeze for a moment, before Keris clears her throat sharply and they jump back into action. It’s not a secret that Keris is known as the Wind-Kissed in parts of Hell - she’s even heard it whispered openly outside the walls of the Conventicle. But it’s also not something that people tend to bring up directly, on account of being too terrified to talk about it. Half-consciously, Keris lifts her hand - her right hand; she has no intention of touching an open connection to Adorjan with her left - to trace the scar running down the line of her jaw.
“... that said,” she adds, shaking off the memories, “prayer is another way to touch the minds of the All-Makers, and a much safer one at that. If you’re a skilled enough priestess to get a response. Much of what I know of the Lintha was a gift from Kimbery, in return for a sacrifice and a heartfelt plea - and in the wake of that communion, I found that the gifts of the Sea came a little easier to me.”
“I...” Magenta clears her throat. “I see. Perhaps, if you do not consider this rude, I might be able to be of some use to you in the Realm, and in return you might instruct me in certain of these means to achieve more power.”
Keris gives her a warm smile. “Certainly,” she agrees. “I’d be glad to have a contact on the Isles - and I might perhaps introduce you to Pelepese Anadala, the Sea Spider, who sits on the Enlightened Board of the Warm Oceans and coordinates the efforts against the Realm’s navies.”
Magenta smiles sweetly. “Of course, respected elder.”
Keris raises an eyebrow at her, but then the tailors are done, and she beckons Magenta to rise, don her new outfit, and look at herself in the mirrors.
“Well?” Keris asks. “What do you think?”
Magenta is small and doll-like and dark, like the firmin that is her coadjutor, and so Keris hasn’t forced bright colours on her that wouldn’t suit. Instead, her dress is a layered thing of shifting greys and blacks and whites, with silvered panels mixed in among the complex patterns. Each layer is separate, with patterns of open panels that show the layers below down to the black undergown, and the effect as she moves is to create a shifting, disorienting pattern of shades that is as deceptive as it is unsettling - like mirrors reflecting mirrors into eternity, the angles changing just enough to throw off an onlooker’s eye.
The wardrobe Keris brought along of course included jewellery, and so Malfean emeralds with hearts of Ligierian fire add spots of colour at Magenta’s neck and ears and waist and wrists, honouring the third Yozi she has partaken of in power and serving as a subtle mirror to the fury lurking under the mirror-brightness of her mind. Iris raises her head off Keris’s hand to give an appreciative coo and a puff of enthusiastic rainbow flame.
“Ah! What’s that?” Trust her scene-hogging familiar to ruin the moment.
Iris, for her part decides to answer the question, and exhales an iris-shaped flame.
Keris sighs wearily. “Thank you, Iris. Magenta, this is my familiar, gifted to me by my lady Lilunu. Iris, if you try to eat any of the artwork in Peer Amiri’s townhouse, I will ban you from candied fruit for a week. And keep you on me so you can’t beg any from Lilunu.”
Iris exhales a pouting face, to which Keris replies with an eyeroll and a stern look. “If you can say hello politely, you may do so,” she says, and surprisingly, Iris does, squirming off her arm in dragon form and flying over to perch on Magenta’s wrist, then shifting into her six-legged tiger form and licking her thumb with a friendly blink. Her tails flick languidly from side to side, tipped with the occult flame that her dragon-form holds in one claw.
“I see. Such a strange little creature.” Magenta’s eyes gleam green. “It’s like she’s part of you,” she observes.
“She is,” Keris agrees. “She’s a sweet little thing, and helpful. If occasionally gluttonous.” Having completed her examination of the new person, Iris hops down to the seats and starts innocently edging around the corner of Keris’s vision towards the bowl of cherries. “Now then, I think I’ve taken up enough of your time that the Althing will be starting soon. So if you’re happy with your outfit, would you care to accompany me to the centre of the Conventicle? You may have to put up with my distraction - there are always issues to solve when running the festivities - but I can point out the best of the revelries to you as we go.”
“Of course, wise elder,” she says humbly in response.
They are heading through the streets of the Conventicle as Calibration comes. It’s immediately obvious. The tomescu scream, but more than that, there’s a change to the way the air feels. A slight breeze starts up, and auroras ripple through the sky, showing glimpses of Creation. As the scream dies away, a grand symphony begins as Lilunu starts to conduct her opening score, and the whole dome reverberates with music that brings tears to Magenta’s eyes.
Not to Keris’s, though. She’s heard this time and time again in rehearsals. And that means she has somewhere to be.
Five days away from Hell, the starless, moonless sky stretches from horizon to horizon. Calibration has come and now five days darkness will rule.
Up in the cooler mountains of Shuu Mua, the hidden valley of Zen Daiwye is ablaze with light and life. From the newly built temple-house near the higher reaches of the valley where the gods of these people live, the lights of the bonfires in the streets of the little villages can be seen. Down in White Stone - named for the big rock that the village is built around - they’re burning the fields and grassfires sweep across the lands.
There are no stars, and the demon lord Rathan is looking at where they are not. He has a lovely and highly expensive telescope that his kind and generous little sister Haneyl grudgingly paid for, with finely ground lenses made by a Raraan Ge artisan. Humming happily to himself, he makes notes on where the Treasure Trove should be. With this lens, he can see the holes in the sky where the stars should be. Sometimes he can see glimpses of Hell. The sky over Cecelyne, the darkened sand, and sometimes glimpses of distant green.
It’s fascinating.
“Rathaaaaan,” comes a voice from behind him, and a shapely form presses up against his back, standing up on tiptoe to hook elbows over his shoulders and wrap a pair of shell-patterned arms around his chest. “There are parties going on further down the valley, Ratty, and you said you’d take me to one. Are you really going to spend all day staring at the sky instead of me?”
“We will, we will,” he says softly. He wonders whether there’s some kind of numerological meaning to the pattern of stars he sees glimpses of green behind. “But this is important research, Oulie.”
She sighs, and he feels her forehead thump into his back, the lengths of her spiralling horns pressing up against him - though thankfully not their curved-back points. “Couldn’t you at least be doing something interesting?” she mutters. “Like alchemy? Urgh, fine.” She pulls away and marches around him, wearing a short robe that stops scandalously high on her thighs and bares most of her back. She’s put Sea-silver rings around her horns, and her eyes and lips are painted.
“Fine,” she repeats, dragging a chair around and sinking down onto it in a deliberately tantalising pose across from his telescope. “I’ll sit here, and you can stare at the sky and explain to me what’s so interesting up there.” Her pupils flicker into loving hearts for a moment. “I do like hearing you show off how smart you are. And,” she smirks, “I’ve taught you enough Sorcery that it’s your turn to teach me something.”
He meets her eyes. “I have a cunning idea,” he says, after glancing around and checking the mirrors. “Why don’t you go and entertain Hermione for a bit instead? That way, she won’t be feeling neglected when we need some... private time.”
Oula purses her lips, and he can see her weighing the neglect of right now against the threat of another interruption from an eager little sister who - as he has not forgotten - had declared her intent to marry him before mama adopted her instead.
Thankfully, the latter proves more dire. “Urgh,” Oula grumbles, getting up again. “You’re too clever for your own good sometimes, you know that? Kiss first! Then you can get back to staring at the stupid broken sky.” She glances upwards and huffs. “Figures that this realm would only get the colour right when it’s not working,” she adds acidly.
“I remember when the sky was just like this back home,” Rathan says, almost more to himself than anyone else. “Back when it was just me in the sky. Before Calesco started filling it with her stars. We’d sometimes see cracks in the sky then, too. They’d show the world outside. I wonder if back home is constantly in a state of cosmological calibration.”
“Well, you can...” starts Oula, beginning to lift her chin for her kiss, but then paused, interest caught by the question. “Huh. Hmm. I mean... Aunty said that she’s not a creature of Fate - and neither are you. Or me, even, though it can capture me where it just tries to push you out unless you’re anchored against it.” She tilts her head thoughtfully, her pink hair twisting around itself as she considers the question. “I guess that means she makes her own Fate. Maybe that means it’s constantly changing and calibrating for whatever she does? Or... I don’t know, what’s Creation’s Calibration for?”
“Some of the texts said that it’s about the world cleaning out the... the detritus of the year. And that Fate is most powerful at the start of the year and weakest at the end. So maybe,” Rathan purses his lips, “I wonder. The books say that unlike Calesco’s stars or Hell’s stars, the stars of Creation are where the gods write their plans. So maybe they’re taking them down now so they can update them. Maybe in Heaven they’re having planning sessions now, just like mama has in Hell.”
“Seems pretty stupid to me,” Oula says doubtfully. “Why would you write your plans all over the sky where anyone could look at them? Aunty barely writes her plans down at all. Putting them up in the stars is just begging for someone to read them and get the jump on you.”
“Presumably it’s important to Creation’s functioning, given they have to take it down and repair it once a year.” Rathan sniffs. “Given how much better you and the other keruby are than the serfs in hell, I can only presume that the Primordials did a sub-standard job when making the world, and the gods are probably doing worse maintaining it. You know, I borrowed Rounen’s reports and read the one he gets periodically from the Isle of Gulls. The keruby there have replaced more gods, amusingly enough. Do you have any ambitions towards goddesshood, or would you rather avoid such entanglements?”
Oula hums. “I would do well as a goddess, wouldn’t I? Hmm. But it would probably take time away from you, and alchemy, and learning sorcery. I mean, I wouldn’t want to do a terrible job at it like Creation’s gods do.” She tosses her hair. “I’d prefer a subordinate in a divine role - a higher-ranking one with others reporting to them. Then I’d be able to check on things but not have all my time taken up with paperwork like dragon aides enjoy.”
Rathan looks away from his telescope. “Yes, you’re right. I don’t like the idea of you being subordinate to anyone else.”
Her pupils become little hearts again, and she leans up to kiss him before sashaying off to find Hermione, hips swaying as she goes.
Ah, wonderful. A little peace and quiet. He uses the time well, and plots out much of the missing houses of Jupiter, but by the time his eyes start to ache he’s had enough astronomy for now and climbs down out of the tower, looking for everyone else.
The top floor of Ahangar House’s east wing is still largely empty, which isn’t too surprising. It’s the largest building of the compound, and the only three-storey one, so its uppermost rooms have gone largely untouched save for Calesco claiming a suite under one of its towers and Rathan taking the other. Still, it’s no longer bare walls and floorboards. Thick rugs muffle the sound of his feet as he traipses downstairs, smiling at the pictures adorning the walls.
One of the things you got used to in this family was mama sketching you all the time, and she’d been so happy to have a clan home that she’d stuck her sketches and pictures on every patch of wall that wasn’t occupied by a door, a drape or a window. A lot of the older ones have ended up near the top of the house, and he pauses halfway down the stairs to admire one of himself, looking about Hanily’s age, in a very fetching captain’s outfit at the helm of a ship. Probably done around when Vali was born, if he were to guess. Maybe a little later.
Shaking his head fondly, he continues down into the warm open space of the main hall; a two-floor space that looked straight out onto the dock and abutted the kitchens. Hanging drapes billowed down from the high ceiling and wall hangings ran down the full height of the walls, tucked in near the floor to give the space the feeling of a great tent within a greater building. The furniture in here was all sturdy and comfortable; built to be knocked around and tossed over by scuffles and jumped onto, and the rugs that covered the floor were three layers deep to make any fall a soft landing.
Ogin and Atiya were curled up in a hanging chair, intently working on sewing something into a doll’s coat. Rathan elected to leave them to it, looking instead for the others. He could see Xasan through the curtained arch that led to the kitchen, but Ali and Hanily - and more worryingly Kali - were nowhere to be found.
He heard a faint noise of distress from Atiya, and when he turned to face her, she was averting her face from him.
“Atiya?” he asked, puzzled. Oh, wait. “Am I wearing the wrong thing?”
“You put the wrong eyes in,” she whispers faintly. “And you’re wrong!”
Oh, Rathan thinks. Of course. He’d half-forgotten the changes that he underwent at Calibration - and there’d been no mirror up in the tower, so he hadn’t been reminded. Kneeling down, he gentled his voice.
“I’m sorry we didn’t warn you, Atiya,” he says, calling on a little of his aura. “When the sky goes black at Calibration, we change what we look like - it’s the rules of the world. It happened last year too, but you were probably too little to remember. There’s nothing wrong with it, it’s just like wearing a different outfit at the right time of year.”
“Kali’n’me don’t change,” Ogin states. But his question is implicit. He doesn’t like asking questions.
“Well, the way it works is that Mama has two types of babies,” Rathan says, smiling innocently. “Some of us are her soul babies. We come from her inner world, so this one doesn’t let us stay here and tries to push us out if we don’t have things that protect us. But because we’re here on this world’s rules, we change when it does. And then she has her body babies, like you and Kali and Atiya. You’re meant to be in this world, so you don’t have to worry about the sunlight burning you, and you stay the same shape when the world changes.”
“Kali doesn’t stay the same shape,” Ogin points out, his attitude such that he’s caught his big brother in an utterly devastating trick.
“Ah,” says Rathan cunningly, “but Kali doesn’t change when the world does. She changes when she wants to. The world doesn’t get to tell her when to change or not. But I can’t do this whenever I want - it only happens when the sky turns black and the moon and stars disappear.”
Ogin frowns. He doesn’t like that answer.
Atiya, on the other hand, tilts her head. “So people have ‘Braytun looks,” she decides.
“Eko and me and Hanny and Calesco and Vali and Zanara,” Rathan confirms. “But it’s a big and important secret, so you need to be clever and not let anyone outside the family know about it.”
“Oula said she has a pretty dress for ‘Braytun,” Atiya said.
“She does,” Rathan agrees, remembering how short the skirt had been. “That’s clothes, though, not changing what her eyes or hair look like. But a lot of people do dress up differently for Calibration.”
“You’re dressing up different,” Atiya decides, the problem resolved in her head. She goes back to her embroidery. Her and Ogin have taken very well to Haneyl’s lessons, and Atiya in particular seems to adore something she doesn’t have to wear her glasses for. She looks odd without them on.
Chuckling, Rathan leaves them to it, and slips into the kitchen, where Xasan is putting together a flatbread wrap full of something. “Uncle,” he says. “I don’t suppose you know where Kali is? Or the girls? I promised Oulie I’d take her to one of the Calibration festivals down the valley.”
Xasan pauses, mid-way loading it up with spiced mutton. “Ali took Hanily and Kali down to one of the villages. I saw Oula going up to the mirror room with some wine.”
“I thought it seemed a bit quiet,” Rathan grins. “Are you going to spend it here in the house with Ogin and Atiya? We can do some fishing later if you feel like it.”
“I was going to see how Ali said the parties were. I don’t want to take the trip all the way down if it’s not for me.” Xasan sniffs. “Plus, it’s bad luck to travel too much at this time of year. It’s not like Ali to be so adventurous.”
“I think he was feeling a bit lonely without much company here,” Rathan says. Then considers. “Also, Hanily might have convinced Kali to help pester him into it. Did he say which one he was going to?”
“He just took a boat downstream. I think he might have been going to check out a few.” Xasan shakes his head. “You know how he doesn’t like Hanily spending too long up here as the oldest child around.”
“Mmm. Well, I’ll tell you what Oulie and I see when we visit,” Rathan offers. He steals a bit of mutton for himself, and idly snacks on it - ach, too much Swamp spice - as he wanders over into the south wing, where the mirror room sits on the furthest side of the docks, a mirrored path leading out through the one small window to the water for when Hermione wants to go swimming.
Oula is not in the room. Not directly. But when he looks in the wall-to-ceiling mirror, he sees her sitting in the reflection along with a young girl with slit-pupiled red eyes, long white hair that moves without a wind, and who has a hint of a scaled tale escaping from the back of her robes. They’re reading together.
“Hello girls,” he says with a friendly grin, walking up to the mirror and through it with a ripple of quicksilver. “How’s my favourite dragon-sister?”
A faint blush rises on Hermione’s cheeks despite her best efforts to be otherwise. She knows what he’s like, and yet she still can’t help but beam at being placed above Haneyl. “My two favourite people are here,” she purrs. “How nice.”
“And it’s just as nice for us,” Rathan returns, giving her a hug. She cuddles into him happily, still not quite accustomed to physical touch. Before his girlfriend can get too upset at him, he presses a kiss to the back of her hand and winks at her. “So, Oulie, what have you two been reading together?”
Oula smiles at him. “It’s a philosophical text by a mid-600s Raraan Ge sorcerer. Jash of Baltoo. Aunty Keris found a copy of it, stole it, and she wants me to read it and tell her if there’s anything worthwhile in it.”
“Is there?”
“I’m not yet sure. It’s very, very dense.”
“He’ssssss a bad writer,” Hermione agrees. “Very boring.”
“Well,” says Rathan, clapping his hands. “Why don’t you take a break from that, Oulie, and come with me to one of the festivals? Ali took Hanily and Kali out to visit a few of them, and I know you wanted to see what they were doing in White Stone. Hermione, you’re welcome to come along if you want, or you could keep Ogin and Atiya company.” He’s making a little gamble here, but he suspects she’ll stay. Festivities aren’t as much fun from behind a reflection, and Hermione is very fond of his little brother. And Ogin praises her to Atiya, so Hermione seems broadly tolerant of her.
Hermione considers this. “I’ll be the sssstrongest one here and have to keep everyone safe,” she decides, beaming.
Rathan beams back. “You will, yes. Especially with Vali off down the valley somewhere.” He rolls his eyes. Vali’s attempt at arguing that Kalaska should be pulled in for family bonding had been unanimously vetoed, and he’d reacted by stomping off and declaring he was going to find some goblins to punch.
Well, at least it’ll make the valley safer with Evedelyl having gone back to mama’s inner world before she left for Hell. Vali can punch whatever he finds trying to sneak into the valley. Rathan has a date.
“Make sure Ogin doesn’t wander off somewhere,” he orders, giving Hermione another hug. “And remember to have some fun yourself! We’ll bring you back some festival food and a present.”
“It needsss to be bigger than the ones you get for Ogin and Atiya,” Hermione says insistently.
“I’ll make sure,” Oula agrees as she pulls him out of the room.
Before she can get him out of the house, though, a clamour goes up. And this one isn’t Xasan, or the children still intently bent over their stitching. No, this comes from the inner courtyard of the compound, on the island-side of the wing, and takes the form of a chorus of screeches, shrieks, whistles, rattling and beating wings.
Oula gives Rathan an imploring look, which he returns with a sympathetic but firm reply, and with an aggrieved sigh she follows him the wrong way out of the building and onto the stone-tiled courtyard dotted around with flowerbed basins and three largeish huts.
The nearest one of the three has wire-mesh panels covering three of its four walls, a storm of feathers and colour inside it, and a very harried woman trying to calm down her flock.
“No, no, please, just sleep. This isn’t your first Calibration. I mean, some of you are older. Just... why aren’t you sleeping?” Rathan hears Kuha beg her birds.
Pursing his lips, Rathan whistles - soft at first, then gradually louder, letting his aura of moonlight expand in its simplest and most fundamental form: the tidal pull of beauty. It takes a moment for it to wash over the clamouring flock, but after a moment they settle, perched on the hanging bars and stands and clinging to the mesh, their feathers still ruffled and anxious.
Two dozen pairs of glittering eyes framed by vivid plumage fix on him, and the noise dies down. In her search for new flying mounts, Kuha has disdained the owls she’d once ridden and gone instead for smarter birds. Now, the bright blues and greens of cerulean magpies and long-tailed cockatoos fill the aviary. Kuha’s had great success in training them to follow commands, but apparently the work she’s done on their nerves isn’t as solid as she’d thought.
“Having trouble?” Rathan asks sympathetically, still holding every eye captive. As long as they’re focused on him, they can’t panic at the black skies above. “Did you already try the curtains?”
“I’ve even tried closing the shutters and covering up their cages with curtains. It just makes them even more scared. I don’t... I don’t understand. Maybe it’s something about this landscape not feeling right to them,” Kuha says plaintively. Her clothing is streaked with white from spending time around scared birds. “The older ones were not so scared when we were in Saata, Rathansyra.”
He frowns. Mama’s not going to like that if it’s true. She wants a flight corps, and if they’re this rowdy when they’re little, the giant ones she means to create from these proofs-of-concept will be deadly to be around every year.
“We might need to dose them with something to keep them calm,” he says reluctantly, Drugging birds is never particularly safe, but if they keep flustering like they obviously have been, they’ll hurt themselves or each other. “Or... hmm. You’ve taken a few of them into mama’s sanctums, right? Did they take that badly? If we could move them into the shrine-rooms, that might stop them screaming at the landscape.”
“I haven’t tried it yet, Rathansyra. They were too scared for me to try. Birds often take ill or act strange at Year End, but,” she spreads her hands. “I do not know. Perhaps they can tell that this land is younger than it looks.”
“Well,” Rathan stretches. “I can probably walk them in there without any of them flying off, as long as none of them...” he glances at Kuha’s - rather nice, under the stains - clothing. “... uh, get too close. If it doesn’t work I can just walk them back into the cages.”
Rathan distinctly hears Oula’s aggrieved noise.
“Oh, thank you, Rathansyra. It is my thought that if this does not work, we may need to see if we can take a few of them outside the valley into the parts of the world which are not so young, and see if we must keep the aviary there,” Kuha says, looking up - and up - at him.
He runs a hand through his hair, nodding absently and pulling Oula into a cuddle as Kuha carefully unlatches the door of the aviary. “Mama won’t like that much, but it’ll be better having it outside the valley than risking them every year. Actually...” he grimaces. “We might have to do that anyway. Mama probably can’t afford to make a big enough sanctum to hold them all when they’re big. Hmm. Oulie, we should go out on a date in Air to look for building sites past the dragon-crawler.” He pauses. “And also remind mama to actually salvage the dragon-crawler,” he adds. “She hasn’t done anything with it yet, and I want to see if there are any more books in it.”
“It is one of her less admirable traits,” Oula says a little cattily. “She likes having more than doing.”
Kuha purses her lips. “Do not say such things about Kerishyra, Oula!”
Rathan doesn’t bother pointing out that the barb was aimed as much at him as it was at mama. Oulie is still exhausted from all the work she did over Fire at the Second Sister, and he’s maybe not been pampering her quite as much as she deserves, in his distraction. A nice long romantic date at the festivals - and some careful obliviousness to any and every other pretty young man or woman there - is a little overdue.
“Well, let’s get them all into the sanctum so we can get going,” he says, and starts walking them backwards as Kuha swings the door open. Entranced by the pull of his aura, the birds follow, pouring out of the door in a stream of vivid colour and fluttering from perch to perch or hopping along the ground after him. He leads them across the open yard and over to the shrine where the coiled blue-jade statue of Mela sits, and lifts the broad curtain that covers the outside of the shrine’s back wall.
Behind it is not the white wood of the shrine, but rather the inside of an enormous tent, big enough for Evedelyl - who stands level with treetops - to fit inside with ease. There are a couple of enormous bits of furniture for her to use - an armchair big enough to fit all of his siblings at once, a table twice the length and breadth of the average four-poster bed - and then all else is piles of furs, enormous cushions and folded felts. There are almost no hard surfaces to be seen; everything is fabrics and textiles. Giant curtain-covered openings lead out of the tent-like space into the other rooms in this sanctum, all of which are folded into the lesser clothes-amulet his mother set around the throat of the statue of her that stands at the back of the shrine.
The birds are still too enthralled to be panicking as they were, but something about the tent rooms at least seems to calm them compared to the newly-wrought landscape outside. Maybe it’s because this little world at least isn’t lying about being artificial.
“I guess you’ll be volunteering to explain to Aunty Keris that birds crapped all over her tent,” Oula pointed out, arms crossed as she leaned against the wall.
Rathan waves an idle hand. “I can just summon a couple of drudges to clean everything,” he says. “Or maybe try to tweak the tent itself - I mean, the amulet-clothes clean themselves when she reforms them, so the tent should be able to do the same-”
“Uh, Rathansyra,” Kuha coughs, recognising the signs of him starting to get lost in theory talk. “I am sure you know about the magics Kerishyra uses to make her god-spaces, but... could you let the birds go? If they do not like it in here, we will need to take them back to the cages.”
Rathan brings his hands together, and claps once. His light pulls in on itself, and the birds no longer move like creatures possessed. Some spread their wings and take flight, still agitated, but the magpies mostly seem to flock to nooks and crannies, looking for nesting places.
“Alright!” he says. “Well, glad to help, Kuha, and if you could try to stop them making a mess I’d appreciate it. But now Oulie and I have a date to go on.”
Kuha sighs. “I wish I was back in Saata,” she says, with a slightly excessive sigh. “The parties during Year End are very fun and there are many people who want to to get laid and are not asking questions about who will be there and who will not be there when the sun rises again.” She shoots a sidelong glance at Oula. “Oh well. I will just have to do what Kerishyra wants and work hard in her service without getting the personal pleasures I desire.”
“I’m sure she’ll trust you with a big project eventually,” Oula says back sweetly. “She does recognise talent and loyalty, after all.”
“I am sorry that you do not understand why the birds matter to her,” Kuha shoots back. “I understand why she did not explain such things to you. The birds do not like silver-metal-water. It makes them sick and die.”
“It’s called mercury,” Oula returns. “But I suppose I’m not surprised a substandard student like you would get that wrong.”
“Oulie, didn’t you want to see more than one of the festivals?” Rathan interrupts before the verbal spat can get any more heated, kissing her temple just next to the base of her horn. “Is it really worth getting into a fight here when we could be dancing instead?”
Oula immediately clings to him, shutting Kuha out of her view of the world. “Yes, let’s go!” she says quickly, snuggling up to him.
They set out down towards White Stone on one of the small riverboats, carried swiftly away from the wooden dock and the welcoming silhouette of Ahangar House by the swift current, and a short while later Rathan guides them gently in to a sheltered spot by the bank and ties the boat up, then offers a gallant hand to help Oula out. The festivals are already in full swing in the village, with a big fire burning to ward off the night and the sound of singing to scare away goblins and ghouls.
“So, shall we start with dancing, or food?” Rathan asks, wrapping an arm around Oula’s shoulders. “I’ll follow your lead, my lady love.”
Adjusting the sit of her Realm-esque yukata, Oula revels in the attention she gets as a horned girl in the company of one of the gods of this land. “Well, I was waiting so long, some food sounds nice,” she says to him.
“Food it is, then,” says Rathan, flashing a polished - though not pearly - smile at the villagers who greet him. “Hello everyone! I and my beautiful lady Oula are here to join the festivals! We ask for your hospitality, and whatever food you think is best for the occasion!”
They had clearly been expecting him - or at least one of his siblings - because the general mood to his appearance is like what he’s seen in Saata when mama shows up deliberately late for a performance as Cinnamon. A distinct mix of ‘he’s finally here’ and ‘thank the gods he showed up’.
But because of that, there’s a village of people waiting for him, the prettiest of all their divinities. And the village is larger than it would be at other times of year, because it’s a tradition of these people that the herders and pastoralists who normally dwell up on the hillsides come down to the villages for Calibration. For meeting with family, and of course, for safety from goblins and other fae creatures.
Rathan hasn’t yet worked out exactly how a place that Mama made less than two years ago has traditions per se, and where said traditions came from, but that’s something he’s very curious about.
Regardless, the village is a somewhat disorganised little place of bamboo-wattle clay-tiled houses, that look vaguely Nexan, vaguely Saatan, and vaguely Baishan. There’s clay pits down by the river where a good amount of the ceramics made in the valley come from, and that’s why they have tiles here in White Stone while some of the smaller villages just use wood or tarred fabrics. The streets have been laid out with rushes to soak up water and hold together in the Fire rains, and there are little painted icons hanging from the walls. Including, he notes with smug pride, the six-sided snowflake symbol that he taught them he likes. Ah, it’s good to be a god. Or, well, better than a god, but worshipped as one.
And look, there are little children to offer him with a garland of flowers. That doesn’t actually go over his head due to his horns, so he gives it to Oula.
He keeps an eye out for his family as they eat - and then put off dancing a little longer while they digest and get roped into telling stories. Soon Oula is busy telling them about the birth of Vali, where she’d first met Keris and he’d helped calm the seas in the wake of his brother’s explosive entrance to the world, and Rathan sits back and listens with a loving smile on his face, glancing around for any sign of Ali, Hanily or Kali every so often before returning to watching Oulie. She’s getting into the story enough to start gesturing as she talks, which is always adorable.
The long-legged, graceful kats that inhabit the valley flock around him, too, especially the sea-kats who clamber out of the river, lured to him. He leans back, stroking one between the ears, and catches a glimpse of his uncle through the crowds. He’s smiling, and looks much less worried. That almost certainly means that Hanily and Kali are either well-behaved or he thinks they’re somewhere safe and are being well-behaved and they’re... well, not. But at least Ali looks like he’s shed some of his normal burdens, down in this village that looks a lot like Baisha. There are some of the Lionesses too, but at least one he’s seen looks like she’s going native.
Hmm. Mama might be feeling mixed about that. Because on one hand, she’s paying for them, but on the other hand Mama will be a sucker for stories that are like his grandparents but end more happily.
“Rathan!” Ah. It’s Oula, and she’s finished storytelling. Rising to his feet, he takes her hand and kisses the tips of her fingers, letting his lips linger for a moment and enjoying her blush.
And then, to the beat of the music, he takes her by the hands, whirls her into the crowd, and together they dance the night away.
To the east, in the pirate-city of Saata, the merchant princess Xisa Faso strides through the thronging streets. It is the Great Calibration Festival, and for one such as her - the head of the Seventh Blossom trading conglomerate, as well as the up-and-coming Mangrove & Bonfire financial syndicate - it is five days of indulgence, revelry, and lavish displays.
At least in theory. For in truth she is the demon lord Haneyl Azhgardna Kerisdokht, the Flower Maiden, and Xisa Faso is not present in the city. Haneyl has only five days a year when she looks like she does, able to pass completely as human, and it’d be a damned inconvenience if some of her associates noticed that certain traits she normally excuses as her aspect markings as missing. So Xisa Faso is deep in prayer as a flesh-sculpted dragon aide takes her place being publicly devout and generous from a distance, and that means Haneyl is hitting the streets. Her hair is braided back and bound in jungle-flowers, she wears a gilded mask, and her clothing would be called inappropriate if it wasn’t for the fact that sheer silks with immodesty panels were common dress for partygoers in Saata during Calibration.
Trailing in her wake - a proper two steps behind - is Elly sculpted into a false identity that won’t compromise her position in Saatan society if she’s caught out. And if Haneyl does say so, her best friend looks utterly ravishing in her low-cut gown and wolf-mask.
Overhead, fireworks burst in many colours. The temples are doing their best to scare off demons and ghosts through firecrackers and loud music. It may work for ghosts. Haneyl can’t see any. But it’s sure as fuck not working against her, because she’s just standing there in the crowd watching priests atop a papier-mache elephant float blow their horns and swing incence-laden thuribles around, only adding to the smoke in the streets.
There are many things happening in Saata tonight; many parties being hosted by the higher class, many plays being performed on open-air and indoor stages, many prayers being sung by choirs of priests.
Haneyl is here for only two, and happily, they’re on at different times, so she doesn’t need to choose. Right now she’s making her way through the streets to the traditional performance of the Triumph of the Gods put on by the Devout College of the Wild Orchid.
It promises to be quite the entertaining show, though not for the reasons its cast might expect.
((/r 4d10s7c10 -2 #WildOrchidPerformance))
((EarthScorpion rolled 3 <9; 1; 10; 10> #WildOrchidPerformance))
((... holy shit))
((The triumph of “it’ll be alright on the night” apparently.))
It begins so-so. The props are clearly not up to the standards expected of the great performances of Saata, and they’ve clearly improvised with things recovered from dusty old collections of the temple. Some of the famed dancers of this house of courtesans are missing, struck down by illnesses or accidents. The role of Alnia is being danced by a young pink-haired initiate, and she’s not even the understudy; she’s the understudy’s understudy. Zanih is a man well-past his prime, squeezing into clothes meant for a young man. The customary instruments are lacking, and they’ve cut a few songs.
And yet they’re making it work. Alnia is sparkling, under paper lanterns. Zanih brings an old man’s regrets to a role meant for someone in the prime of youth, and it gives the whole thing a melancholy air that’s an annoyingly good re-interpretation of an antique dance.
Despite herself, Haneyl finds herself actually enjoying things. She’s watched much worse things, and they’re doing it in the face of so much adversity that she’s finding it entertaining. Elly is watching with wide eyes as she snacks on Saatan kebabs from a vendor.
“I’d expect you to be more irked at how they’re managing it despite everything,” she says softly to Haneyl as the play moves to its tragic conclusion.
“I would be, but it was Calesco’s thing, not mine,” Haneyl says casually. It’s Calibration, there’s plenty of parties to go to, and she wasn’t invested in sabotaging this place anyway. It’s an old slowly dying temple, preserved in its refusal to change and yet suffocated by it. Her little sister is the one obsessed about it. “I wonder if she’s up on one of the rooftops watching things.”
“I hope she isn’t,” Elly says. “She’ll be sulky if she knows she failed, and your sister shares her misery with others.”
“You said I do that,” Haneyl says mildly.
“Yes, but,” Elly squeezes her hand with her pale, long-nailed hand. “She isn’t you.”
“Oh, you,” Haneyl says, touched despite knowing how Elly is. To reward her friend, she pulls her in for a deep kiss.
((OK. So, uh.))
((This is a triumph of a performance))
((against massive adversity))
((and sabotaged by demon lords but they don't let that stop them))
((HMM))
((oh my god if one of them Exalts I'm going to laugh))
((and then swear a lot))
And thus she isn’t quite looking at the stage as Alnia gives her final aria. Her love, dead. Her faith, betrayed. The cruel Moton seeking her hand. In such a world, how can one live, love, endure? No, better to leave it as a self-sacrifice to the gods, so that they might triumph against evil. She raises her knife, cursing the evil of men such as Moton.
The midday sun rises in Calibration, and shines down upon Saata. Shining down on the city, in a column of sunlight. It shines on Alnia. Lifts her up above the stage, to the shoulder level of the other actors, and her hair flows around her like a marital veil. Her back arches, her mouth open in a silent scream, her eyes like staring into the sun.
The sunlight has a shape, and with four arms he holds her closely. Whispers something in her ear. Lowers her to the ground, as the noon sun falls from the sky and rests upon her brow.
Across the city, every single temple bell and gong sounds out.
((...))
((son of a bitch))
((I was considering whether to do it))
((and then I realised))
((o look a young woman from a dying order of holy courtesans))
((I really hate you sometimes))
Jerking away from Elly, Haneyl stares up at the girl, frozen. Her eyes aren’t blazing green at Calibration, but the King’s power still burns within them, and she can sense the strength of the sun-flame in the young girl’s heart. It’s as strong as hers. This girl is a rival.
A rival and a Solar. Here. In Saata.
Fuck. This is the worst time for this! If mama were here... urgh! But she’s not! She’s five damn days across the Desert! And the only other person in the city is Cali, and who knows if she’s even watching this? Although if she is, Haneyl has no doubt she’ll have fallen in love with the girl on sight, which means that she’s going to do something stupid if she’s here, and if not she’ll do something differently stupid when she finds out about this and... urgh!
With the imperial will of a sorceress and a Dynastic lady, Haneyl forces her racing thoughts under control. She has three choices, and she sees them arrayed like potential moves on a Gateway board; three paths and an instant to pick between them.
The first option is to do nothing. This young girl is a noon sun, like the woman Mama described from Malra. Not a fighter. The city is crawling with Dragonblooded, and most of them are armed. Even with the pathetic state of the local Immaculate temple, she’ll be dead before she can get out of the city without help. It’ll even hurt the temple’s reputation enough that mama can easily take it over when she returns.
She’d dearly like to do that. There’s just one problem, and her name is Calesco. If she saw this happen and fell in love, she’ll act to stop the girl’s death, and everything will be ruined.
The second is to get the girl to safety. Rescuing her here would let mama flip her pretty easily when she gets back, and a young Solar is nothing to scoff at. The problem with that is that it’s horrifyingly risky, because of the aforementioned Dragonblooded. And while Haneyl has a decent alibi for Xisa Faso right now, being recognised will spell ruin.
The third path is to help her indirectly. A distraction, a noise, a covert means of guidance - something subtle to help her escape without taking a direct hand. But Haneyl isn’t her mother, and that route still offers substantial risk for far less reward. If she’s going to stick her neck out for this girl, she wants to be paid for it, thank you.
If she knew where Calesco was, she could pick in an instant. As it is, she flips her hood up just in case and rolls forward onto the balls of her feet, waiting to see which way the crowd goes and how smart the newborn sun-child is. If it takes her too long to realise the danger of her new position, she’s not worth the investment.
One thing Haneyl very much sees here is that Saata is not truly Immaculate. Not at all. The onlookers don’t curse at the newly sun-chosen woman. They don’t hate her. And she doesn’t hate herself, either. She spreads her arms, and gives some inane comment about sharing peace and being good to each other and blah-blah-blah.
There’s a sniffle next to Haneyl, and a dark-skinned woman in deep lilacs wipes her eyes. “She’s so beautiful,” obviously-Calesco breathes. “She’s learned so much from adversity. We hurt her and she’s become so much better because of it.”
“That’s great, because House Sinasana is going to hurt her as soon as they catch wind of this,” Haneyl mutters back, relaxing. At least her options have narrowed to one now. “And the Steel Dragon Society, and probably some of the Raaran Ge too. Get up there and whisper in her ear that she needs to get into hiding until we can play this off as... I don’t know, a clever stage illusion or something. Take her to...” she narrows her eyes, thinking fast, “the Seventh Blossom office two blocks towards the docks. You can get in through the back door, it’s empty over Calibration, and it has guest rooms for clients - you can use it to remind her of the position she’s in while she lies low. Then mama can talk to her about where to go from here when she gets back.”
Calesco clasps her hands together. “If she can’t endure this, she doesn’t deserve such a gift,” she says, adoration audible in her voice. “But she will endure. And I won’t go near her when she’s like this. Neither will you. We are wretched creatures of darkness. I can see the line of your tan from the side that was facing her when she flared. You’re darker than Vali on one side now. If we go closer, we will truly burn.”
Haneyl hisses in rage. This is a perfect opportunity to lay the groundwork with a powerful new asset! And the stupid laws of the stupid gods are interfering!
“Elly, paper,” she snarls quietly, and scrawls a quick message on the sheet provided. Wrapping it round a handful of coins - in part for the quality of the performance and in part to get it noticed - she beckons one of the stagehands over and drops into their hands.
“For Alnia,” she smiles, hiding her fury behind a pleasant face. “I truly enjoyed her performance. Could you see that she gets this?”
She waits just long enough for a nod before whirling around and stalking away, baring her teeth at the ground. She’s in a run-something-down-and-rip-its-throat-out mood now, and she’s not going to have the chance for a while. And mama’s probably going to freak out over this even though it wasn’t Haneyl’s fault at all!
Tugging Calesco along, she glances over her shoulder and follows her sister’s gaze to the actress as she receives the hastily-written warning.
She doesn’t visibly blanch, but she smiles and slips backstage, likely vanishing into the warren-like ancient temple.
“Well,” sighs Haneyl, “I suppose that’s the best we can do. And we can get some favour by saying we were the first to warn her, later on.” She eyes Calesco fiercely. “If you go after her in the next few nights, make sure she likes us,” she says fiercely. “And don’t tell her too much. Adami took the truth of mama’s powers well, but she might not. Don’t get all love-stupid and blow our cover to someone we know nothing about.”
Calesco sighs dreamily. “Of course I won’t. The sun burns through my lies when she’s so intense. I don’t want to hurt her like that. Not when there are ways to hurt her that’ll make her even stronger. More beautiful. To think we allowed her to become so wonderful by trying to ruin their play.”
This is probably, Haneyl thinks, a romance that is going to go rather more starlight than is healthy. Must be the Dragon in her, wanting to oppose that kind of sunlight. Haneyl would much rather eat the girl or infect and cultivate her, but it’s not like she didn’t already know that love makes people act crazy. And her siblings are all crazy in their own ways anyway.
“Maybe take a few days to calm down and think more clearly before that,” she suggests, suppressing the urge to roll her eyes. If her sister leads off with antagonism, there’s an unacceptably high risk of golden fire getting thrown around and investments being ruined. And... also of Calesco making a powerful enemy and getting hurt. Not that it wouldn’t be her own fault. “She’ll probably have a lot to do, and you have your own performance to worry about.”
Calesco pats her arm. “Don’t worry,” she beams at her older sister. “I need to know everything about her first. What she likes, what she doesn’t. Her name. Oh! And I’ll need to talk to her under false faces first before I even tell her my name.”
Haneyl nods wearily. “Right. Yes. Urgh. I need a bath to calm down from this. I’ll be at your show tomorrow. Elly!” She begins to turn back to her townhouse, but stops, a sudden thought striking her. “Oh, and Cali?”
“Yes?”
“You get to be the one who explains this to mama. Loose an arrow about it. Tonight.”
“She’ll just interfere.” Calesco looks at the expression on her sister’s face, frowning mulishly. “She didn’t tell us immediately when she started sleeping with a sun-child! And she told me not to tell her about my relationships!”
“And how do you think she’ll react when she gets back and finds out we kept it from her?” Haneyl hisses. “Besides, if you don’t tell her, I will. And you know she’ll be furious then.”
Somehow. She still doesn’t know Infallible Messenger, and Rathan and Oula are both up in Zen Daiwye, and neither she nor Elly can leave the city now, not when they need to keep a lid on this. But she’ll find a way, even if she has to juggle algarel grenades for a couple of weeks while Elly makes the trek up to the valley, because this is the kind of thing they need mama to have plans for before she gets back. If it gets sprung on her while she’s still wound up from Calibration stress, she’ll have a meltdown and they’ll waste valuable time.
“Promise me,” Haneyl orders, narrowing her eyes. She hazards a shot in the dark. “ She’s your teacher, not just your mother. This is relevant to your lessons.”
That brings Calesco up short. Haneyl still doesn’t know much about exactly what mama’s teaching her at the Jade Carnation, but she does know that Joyful Priestesses are meant to bring harmony to the community, and a newly chosen sun-child seems pretty fucking disharmonious to Saata from where she’s standing. She watches Calesco’s lips thin, and assesses the muleish nod that follows.
“I’ll do what I have to,” Calesco mutters.
“See that you do,” mutters Haneyl, and stalks off with Elly at her heel. She needs a long bath. And, apparently, a mirror to check the damage to her complexion. She may love her little sisters, but she’ll be damned if she’s going to go around looking like Zanara with half her face pale and the other half nut-brown. Some rapid tanning or flesh-sculpting may be in order to even herself out.
“That was quite notable,” Elly says softly, offering her a kebab.
“That,” Haneyl grumbles, snatching it and biting half of it off in one snap of too-blunt teeth, “was a disaster, and one that was - again - entirely Calesco’s fault.”
She sighs, disposing of the rest of the kebab in a few more mouthfuls. She’s too stressed to even really taste it.
“Come on, Elly. I’m too tired to do anything else today. Let’s go home.”
It was not until Calibration had passed that the sun truly rose in Creation. And five days away from that place, Keris feels the ending of that time as a full-body shudder. Zanara’s androgynous fused self blurs and separates into Zana with a full-back tattoo of robed Nara, and in Lilunu’s sky great auroras of omen weather blaze - a new trick she’s learned and is using to mark the end of this time.
Then, comes clean-up and Keris’s obligations to Ipithymia.
But before that, Lilunu summons Keris to her chambers to drink wine and collapse with exhaustion.
Feet dragging, head throbbing, eyes aching, Keris stumbles in wearing only the underlayers of the elaborate and exceedingly heavy silver-and-sea-pearl outfit she’d made her last aria in. She’s tired enough that her hair is trailing behind her rather than held up in a braid or a train, half-in and half-out of its complex updo. Zanara follows her, holding a dozen or so of the sixty six coral pins that had held it in place and catching the remainder as Keris tiredly pulls them out one by one and tosses them behind her.
She mumbles a greeting to Lilunu and manages a smile that’s interrupted when her shins bump into a low chaise. Blinking at it for a moment, she considers something, tilts her head, and flexes her hair.
A shower of long, beautifully carved hair pins clatter to the floor, prompting an outraged noise from Zanara, and Keris sighs with relief as the tension on her scalp eases. Then, without further ado, she tilts forward and lets herself fall face-first onto the chaise.
“I can’t believe this, this is outrageous treatment of pretty things, just go run around if you’re tired,” a grumbling comes from Zana.
“No,” Lilunu warns Iris, who’s curled up in the wineglass she’s trying to pour a drink into with her mouth open. “Bad Iris. I won’t give you the label if you don’t behave.”
“M’too tired to run,” mumbles Keris into the furniture. “M’lady, did the Unquestionable enjoy the private performances?” They’d been a new innovation this Calibration, born from feedback of Third Circles growing bored or missing things they wanted to see in previous years. This time, Keris had ordered a team of demons on her staff assigned to each demon prince to produce a plan of suggestions for what major performances they might enjoy, as well as planning out some private showings to suit each Unquestionable’s personal tastes.
She gets a big glass of blue wine pressed into her hand, and a pat on the head. “Keris, they loved you,” Lilunu tells her, long nails scrabbling away at the label to pass to the insistently begging Iris.
“Mmn. Tha’s good.” A hair tendril dips into the glass without Keris lifting her head out of the cushions, and the wine level drops rapidly. “An’ you feel better than you used to in Air?”
“You are always a help, Keris, in relieving my worries.” Lilunu tuts at Zana. “Zana, dear, just ignore the pins. Sit down and have some wine too. Just as soon as I get this... stupid label... off...”
Keris extracts herself from the chaise with a groan and reaches across to press a finger to the bottle. A ripple spreads out from the point she touches, and the glass becomes ice, which the label pulls away from cleanly. Iris makes a happy sound and pounces, shoving her head onto the paper and starting to excitedly chew on the blue-skinned demon mascot.
“Oh no,” Keris mumbles in an incredibly unconvincing tone of distress. “The bottle’s gonna melt now, we better use the rest of the wine up quickly before it does.”
A hair tendril lifts her empty wine glass up and wiggles it hopefully.
“I get some before she drinks it all!” Zana interjects, collapsing onto a seat and folding her legs up under her. She looks oddly Eko-ish as she rocks from side to side. “Why are you two so tired? I feel like I could dance for days after this! So many people looking at my stuff!”
“You and attention are like Kali and sunlight,” Keris grumbles. “Calibration for us is like a marathon for you.”
“Urgh now that sounds like effort,” Zana says, cradling her wine. “I was sort of pissed that we decided to be one person this year but we probably had our reasons even if I’d been looking forwards to getting to chat to Nara without us getting in my way.”
“Maybe next year,” Keris consoles her, patting her shoulder with a hair tendril without moving from where she’s half-leaning on Lilunu. “M’sure you’ll have great new shows to talk about him with by then, too.”
Zana’s smile is oddly smug, even by her standards. “Oh, I hope so.”
Lilunu shakes out her hair, which has darkened all the way to indigo with only a few streaks of red. She looks around. “Are things private?” she asks, the words almost drowned out by the music drifting through the door.
Keris yawns, blinks dazedly for a moment, but pushes herself upright after only a momentary exhausted pause. Closing her eyes, she listens carefully as she circles the room, searching for any eavesdroppers or hidden watchers.
“Looks like it,” she says after cracking a door open and shooing away the servants outside it. “Nobody else in a place to listen in. You need something, my lady?”
She sits there, as she sometimes does, indigo-hair streaked with white sea-foam. Looking older than she usually does, and maybe in the first trimester. “I know no one knows where Hermione is this moment,” Lilunu says, holding her wine. “But I do hope that she is well.”
Keris stills. Thinks carefully. Walks back to sit down on the chaise across from Lilunu, demure and inscrutable.
“I would also hope that my lady’s souls are as well and content as can be,” she says. “If you haven’t felt her absence tear at you, I’m sure she’s found a home somewhere her nature doesn’t pain her. And...” she pauses to consider again. “... I would also hope that she has overcome her resentment of you, and perhaps come to realise that her insults when she was young were childish, and not truly meant.”
“It hurts when they die,” Lilunu says, more to herself than Keris. “And I haven’t felt that. So yes.” She meets Keris with her eyes, pearly-pale. “You mean that?”
“If there’s anything I’ve learned these past few years, my lady,” says Keris with a frank grin, “it’s demons, and children.” She glances at Zanara. “And demon children,” she adds with a nod. “She was bitter and spiteful when I met her here, but I could tell she cared about you under the venom. If she didn’t care, she wouldn’t have felt so strongly about your status.”
She leans forward and takes Lilunu’s hand. “It’s been years, my lady, and she’s either settled somewhere or been moving - and staying safe enough that you haven’t felt her die - the whole time. Either way, I think she’ll have grown up enough to move past her resentment and admit that she loves her mother. I only hope that one day you might see her again so she can tell you so.”
She looks up through her lashes. “And I promised to help your souls however I could,” she adds. “So if I should ever run across her by chance or the Yozis’ design, you have my word I will take care of her.”
“That’s... that’s good. That’s good.” Lilunu inhales sharply. “At least one of my souls can be happy.”
“Perhaps more can be, in time,” Keris says, bright and hopeful. “I... did have a thought on that note, if I may, my lady. Your dominating soul, Divisa, is that part of you that draws from the King; the part that rules and is accustomed to command. When I danced for her, and she gave me orders, you noted that she was uncommonly lucid and even-tempered. I thought... perhaps, if she were to be given some say in the arrangements for her youngest siblings, like Antifasi, the responsibility and authority might help her overcome her bestial side more often? And Bruleuse is one of your healthier souls, and he has things to nurture. It would be worth a try, at least, to see if letting your souls exercise their natures helped their conditions.”
“She is full of spite and hatred,” Lilunu says, ashamedly, slowly. “I... I could not rely on her always feeling well. They suffer enough because of me; I will not let that bit of me hurt them more.”
“Hmm.” Keris frowns. “I see. Still, the idea might be pursued - with Bruleuse at least, or... hmm.” She quirks a wry smile. “I’m afraid I still don’t know many of your other souls, my lady. I can’t say which others might be able to exercise their natures safely to see if my theory has merit.”
“I know you want to help them, Keris,” Lilunu says, sounding more miserable. “But I am misshapen. Malformed. The great healers of the Unquestionable have tried to help them. They cannot. And... there are things about me forbidden to you. I can’t allow you to get hurt by trying to help me and falling in Orabilis’s domain! I mean that, Keris! Don’t you dare risk yourself digging into things forbidden to you! That’s an order!”
“Of course, of course,” Keris throws her hands up, backpedalling. “I wouldn’t dare offend the End of All Wisdom by claiming the right to knowledge meant only for the Yozis.” She ducks her head shamefacedly. “I know lady Yuula has a talent for healing that I may never equal, but... demon princes don’t age or change or grow. Humans do. I just hoped that maybe my nature might let me see a solution from another angle. That’s what we princes of the Green Sun are for, right? Tools to help the Unquestionable do what their prison prevents them from doing themselves.”
She gets a light slap on her hand. “You need to stop putting yourself in danger, Keris,” Lilunu says, pulling out a delicately embroidered handkerchief and blotting her eyes. The fabric singes and melts. “Why do you think so lowly of yourself and what you mean to me that you keep on putting yourself in such danger? And on that note!”
“I don’t... think lowly of myself,” Keris defends, looking at Zanara for support. “And I don’t put myself in danger!” She pauses. “Deliberately.” Another pause. “Often.”
“I mean, you kinda do,” Zana points out. “Like, in both ways. You don’t think as well of yourself as you deserve. And as for the rest, well, speaking as someone who’d pop out of existence if you died, I want you to be plenty safe. And the new missions you got this year sound dangerous.”
“Yes, they do,” Lilunu agrees. “And that’s why I said ‘on that note’. I had a little hint that they were going to step up what they wanted of you, which was why I so easily agreed to help with your armour.”
Keris perks up, her hair lifting off the floor and swishing from side to side eagerly. “It’s finished? It’s ready? You did it?”
“Of course I did. And I’m very hurt that you would doubt me in such a way!” Lilunu holds that expression for about three seconds, before she breaks into giggles. “Oh! Your face! And I think I’m already tipsy! I really should have eaten more today! Oh well!”
“Can I see?” Keris is breathless with anticipation, bouncing up and down in her seat like her daughter in a sunbeam. “Can I see it, my lady? Please?”
“Well, I suppoo~ooo~oose...” Lilunu pauses. “Once we finish this wine.”
Lilunu seems to rather enjoy Keris’s eager anticipation, and more than that, hold off on fulfilling it. Maybe it’s a petty cruelty, but on the other hand they do have a bottle of very good wine they need to finish before the transmuted ice bottle melts.
Only then does the somewhat tipsy party head out into Lilunu. And this time, unlike normal, they head down. Lilunu’s workrooms are normally light and airy and up in the high places of the Conventicle Malfeasant, but she takes Keris and Zana to an elegant green crystal lift that reflects light from up high down the column, and it sinks down, down, down, into a vaulted chamber that is...
... ah. Keris recognises this. It’s one of Ligier’s workrooms like she saw on his layer. But what is this doing down here?
When she asks, Lilunu blinks at her. “Keris, of course I wanted a lovely forge like this,” she says. “But the first one got flattened when my form shifted. So he made me the next one below me, down in the catacombs, so I won’t accidentally crush it! And he made sure there’s all these conduits so his light comes down here!”
“That’s amazing,” Keris says in wonder. “But what- oh! Those towers, with the mirrored chimneys! That’s what they’re for!” She slams a fist into her hand. “I’d wondered, but they’re too small for me to get down without effort and I never had time to try.”
Zana is looking around with wide eyes. “I can’t believe you kept this pretty place from me!” she accuses Lilunu.
“A girl needs some secrets,” is the lofty response. “And...” Lilunu pauses by something draped in white velvet. “You know, I had all these plans for how I would present you with this, but I didn’t have time to really put them into effect. Also, I was worried my other princes and princesses would get jealous and while I have time to make these gorgeous things for you, I don’t have time to make them for everyone and it didn’t seem just fair...”
Keris spares a moment in her excitement to hug her. “I understand, and I don’t need any kind of grand ceremony, my lady. I’ll love anything you see fit to give me, however you give it.”
She falls silent, biting her lip and shifting her weight from side to side, literally trembling in anticipation. Lilunu waits, eyebrow slightly quirked, that mischief in her many-coloured eyes again.
“... but please can I see your work?” Keris finally cracks. “Please please please, my lady? Don’t leave me and Zana in suspense like this!”
“Oh no, really, I’m enjoying the show and taking notes. Mother is really making an act of torturing you,” Zana says. For all her attitude, it’s somewhat less convincing. Again, she’s showing hints of something Eko-like, namely how Eko acts when she’s bored but not bored enough to run off or start stabbing things.
Bereft of explicit support, Keris resorts to turning pleading eyes on Lilunu, lacing her fingers together under her chin and widening her eyes without blinking to add a sheen of shimmering tears to her gaze as she looks up through her lashes beseechingly.
Humming the grand opening theme to the Althing’s ceremonies, Lilunu carefully - painfully slowly - undoes the ties holding on the white velvet, and pauses on the last one.
Then with a smile, she snaps her fingers and the fabric goes up in rainbow flames.
Through the fire stands Keris’s armour, reforged and remade. And she’s wildly, wildly different. Her helmet is Pekhjira’s face with a crest of swept-back feathers, and even when the rainbow flame dies out, the armour still scatters rainbows even under the monochrome green light of Ligier. It looks like something half-way between a heroic statue like the ancient armour in the Daimyo-and-Yellow, and an anatomy textbook of a flayed human. There are scales there in the patterning of the harder plates, and more metal feather-weave in the armour’s camail.
Keris reaches out and touches her armour. She’s warm to the touch. Keris swears she can feel a heartbeat. Swears she can feel the metal breathe.
“Oh,” she whispers reverently. “Oh, my lady. She’s beautiful.” Tracing her left hand across the silver, she can feel the life within it, the pulsing soul - a Fang of her own po - coiled within.
Trance-like, she coaxes the suit open and steps into it from behind, the metal closing around her like the petals of a flower. There’s resistance at first, as she walks around the room slowly, feeling out the range of motion of the reforged joints, touching her toes, working through forms. Reaching out to it with the light of her soul.
And then, faster than the old akuma-spirit ever had, the Fang within the armour recognises her as its other half, and reaches back.
Iris breathes out fire that wraps around Keris, not burning her, and sinks into the left arm. It’s notably asymmetrical there already, and only becomes more so, her left arm cracking to reveal many-coloured fire-veins underneath and even the style of the armoured glove becoming more talon-like.
The scales have become silver feathers now that it’s on her - and as Keris tests it further, she finds that her other half responds to her very soul. A flurry of lightning-fast strikes at the air send ribbons of red light flowing back from her gauntlets and a cape of crimson wind forming about her shoulders. Breaking apart a block of wood and consuming it in green fire causes the feathers along her arms to turn to stony, brass-carapaced plates that green fire glows under. It’s as though her armour is an echo of Lilunu herself; it’s always the same in form but its surface shifts as Keris calls on the different gifts of the All-Makers she’s imbibed.
Her left arm always bears the touch of Iris, though. And whenever she lets it settle, the fluid-form plates become a layer of silver feathers.
“This is incredible,” she whispers. “And... the tattoos...”
It takes a moment of searching. But... yes, there it is. She can sense the tie to her soul, the lingering link between the armour-spirit and Pekhijira. This armour is no doubt a sympathetic link to her soul just as her painting is - but that doesn’t matter if it never falls into an enemy’s hands. And it won’t. Because all she need do is reach inside herself and pull...
It feels like when she merges with her lower soul. Or an echo, at least. A lesser echo. Maybe it’s just that there’s less raw material to work with. Because rather than swelling into immensity, she feels the closeness deep within but doesn’t grow. Instead, the mass of metal sinks into her flesh and bones, soaking in like water into fabric. Until it’s all gone, and what remains is silver and rainbows under Keris’s skin, spelling out words in her own script that tell of her legend.
Zana sticks her fingers in her mouth, and wolf-whistles.
Nude and unashamed, Keris admires herself, turning this way and that in front of the mirror as an indulgent Lilunu looks on. The tattoos are extensive, running across her skin in the flowing wind-branch-wave lines of kymaaeran patterning, accentuating her curves and muscles in a way that cradles the geometry of her body and guards her veins and arteries. Rainbows play off silver where abstract, stylised designs bud off the lines like leaves from the vine - designs, Keris realises after a moment, that represent the gifts of the All-Makers she’s taken into herself. Or at least the ones that are always with her, like her steel-hard skin and uncanny balance. Experimentally, she draws Zanaran petals around herself to assume her perfect social camouflage - and yes, the designs shift and change as petal-patterns take their place among the tattoos.
Feathers are still a common element in the kymaaeran lines, and her left arm still looks strange, with rainbows refracting more visibly from the silver and space among the tattoos for Iris to settle. No longer is she the only tattoo resting on the back of Keris’s hand - though this form of her armour doesn’t cover up her dusky skin, the designs are densely packed, and the only place she doesn’t have any is her face. Even her neck and hands bear traceries of silver - and no doubt when she calls more on more of her powers, the complexity of the designs will increase.
“Well, Iris?” she murmurs, curious as to her familiar’s opinion of tattoos she can’t just shred. “What do you think?”
Iris swims around the new shapes on Keris’s skin, sometimes passing over them and sometimes under. She nibbles on one, but it doesn’t get damaged.
Rearing her head up, she nods, and exhales a picture of Lilunu, then a smile, then an arm and a picture of Keris’s mansion in Creation.
“Oh really?” says Keris, greatly amused. “This is your palace now? Your palace your mama made for you?”
Iris tilts her head, concentrating, then breaths out the mansion as it was before Keris renovated it, then as it is now, and connects them with a line. And also a picture of a cat.
Keris grins at Lilunu. “I think she’s saying this counts as renovations to her home,” she says. “Although I don’t think I was in quite as bad a state as Silver Lotus, young lady. You take that back.” She taps the back of Iris’s head chidingly, and misses as the dragon ducks back into her skin, nibbling on another strand of silver happily and exhaling rainbow fire on it. The colours swirl around and into the silver, momentarily brightening the inner glow of the tattoos on her hand and wrist.
“It’s wonderful, my lady,” Keris enthuses, spinning around and then darting in to hug Lilunu again. “And I can feel the cost of supporting it is less like this - much less. I can easily maintain it when it’s this cheap.” She purses her lips, summoning out Ascending Air in a flicker of red lightning and a shift from silver lines into jagged scarlet bolts around her wrists and forearms. A testing swipe at the back of her right hand has her humming thoughtfully. “Far less protective than the full armour, though. Reduced protection in exchange for a lessened burden on my reserves. I can live with that, especially since I can externalise it so quickly.” She demonstrates a few times, calling the armour out and then returning it under her skin.
“The only potential problem I can see,” she admits carefully, “would be people getting the wrong idea. I can probably play off Cinnamon having got some extensive new body art from a divine patron, and the Hellish aspect to the designs is obscure enough that only really talented occultists are going to catch it, but... less talented ones might just see the moonsilver tattoos and think ‘Lunar Anathema’. This is a great form to keep it in if I have it under clothes or I’m doing jobs outside of Saata, but for my public faces it could get tricky.”
“I am wonderful, aren’t I?” Lilunu tells her, her hands already busy with pencil and sketching paper. “Although... Zana? Can you tell what Keris doesn’t seem to have realised yet?”
Zana considers this, and nods. “The most aesthetically pleasing option,” she opines, looking Keris up and down with a stylist’s eye, “would be something that allows intermediate gradations. Something that allows a full range of creativity in one’s plumage.”
Lilunu pauses her sketching to wrap an arm around Zana’s shoulders and happily kiss her on the cheek as her hair shifts to take on scab-red streaks. “You’re exactly right! The armour wanted that! I made sure to ask her!”
((Zana worked it out on the logic of “what would be the most aesthetic option?” There is a reason Lilunu so willingly went for accepting her as a daughter.))
((They are very much alike, although in some ways their relationship is more “irresponsible aunt” / “hipster drama club troubled child”.))
“An intermediate...” Keris frowns, shifting the armour between states again. And again. And again. Try as she might, she can’t access this new form; there’s no notch between the two. She can pull it under her skin, and she can push it out to form armour, but if there’s a halfway point it’s not one she can find, and the shift doesn’t stop halfway no matter how quickly she terminates the push or pull. Stymied, she scowls, flexes tattooed fingers in thought, and sends a wordless query inwards.
The response comes back so quickly it feels like the armour was waiting for her to ask. It’s startlingly clear, and also shockingly derisive. She can practically hear the Fang - and Pekhijira herself - scoffing at her stupidity. Of course there’s no halfway point. Clothing isn’t halfway between tattoos and armour. Feathers aren’t a midpoint between skin and shell. They’re their own thing, with their own direction. Duh.
Keris blinks. And then, tentatively, closes her eyes and tries pushing sideways instead. An inner sensation gives way under the light mental pressure, and she finds that instead of pushing or pulling she can spin, turning the metal round herself in ten thousand tiny strands and weaving it into form.
Moonsilver shifts against itself like silk. Keris opens her eyes. A great feathered silver cloak is settled on her shoulders, needing no tie or buckle to hold itself together at her neck, for it extrudes from her collarbone and upper back, flaring out at the bottom even as it clings to her arms and shoulders. Despite being woven moonsilver, it feels as light as a feather.
“... oh,” Keris murmurs. She pulls, and the metal sinks into her skin. Pushes out, to form hard armour. Tugs and spins, to weave it anew into a form-fitting tiger-dress whose folds and ruffles all reflect different rainbow hues, and whose bodice extrudes from her very pores.
A delighted grin forms. This must be how Calesco feels about her sash. Though, she notes, there are still those feathers around her ribcage and collar - just trimming now, but present nonetheless. It seems as though Pekhijira’s presence in the armour makes it form them reflexively whenever she’s not pressing it into some other form with her magic.
“A silent, feathered hunter,” Keris murmurs, stroking down the side of her bodice and rearranging her skirts. “Strigida, I name you. My silver predator of the night.”
With a delighted clap, Lilunu beams. “Such a good name.”
Zana, by contrast, is giving a more considered look. “So. Can I borrow it?” she begs.
Keris immediately hugs her dress to herself, respinning it into a closely-wrapped sari trimmed with feathers and embroidered with rainbow glyphs. “No stealing my armour as an anchor!” she snaps. “Mine!” There’s a jealous hiss to her voice as she darts behind Lilunu for protection.
“Wasn’t going to steal it,” Zana grumbles. “Just wanted to show you how to wear her better.”
“Zana, you don’t know everything I put in there,” Lilunu informs her archly.
“I could work it out better! And she’s too pretty to go to waste on not-being-worn-by-me-at-least-sometimes!”
“You can do sketches to show me,” Keris allows. “But no wearing her!” She examines her left arm. With Strigida acting as a sari and her arms bare, it’s not showing the odd effects of Iris - although there’s still a varicoloured flare at her left shoulder. “This is going to be Cinnamon’s. A new artefact-garment she got given by a divine patron or something. Like Calesco’s sash.”
“... wait.” Zana looks mulish. “You let Calesco be Cinnamon! And Seresa too! So they’ll get to wear her!”
“Calesco has her sash, so she won’t get ideas about not giving her back,” Keris points out. “And I very much doubt Seresa will want to risk wearing her for too long. Strigida’s a bit too snappish for her tastes.”
“Hmph!” Zana balls her hand into a fist, and punches her other hand. “Lilunu! Teach me how to make pretty things like this! I want to be able to make something this beautiful! And also make everyone want to come to me and beg to be wearing my designs on the battlefield!”
Lilunu admires her nails. “I don’t know. Maybe you have to show your value to the Reclamation and by helping Keris,” she teases.
“I do!” Zana protests. “I do, I help her with Calibration and I said we should have an identity in Saata to be a pretty artist and Keris hasn’t made it yet! I helped her make the nunnery pretty too! And make that bone-wood-silk stuff she made the statue out of!”
“That was my idea, actually,” Keris points out. “And so was giving Lilunu some of it, before you try to claim credit for that part.”
“I still helped!”
“Well,” and now there’s a little bit of malice in Lilunu’s expression. “Maybe next year, you can make a personal report to me as if you’re one of my princesses and I’ll evaluate your performance as if you were one of them. And if you impress me, I’ll teach you some of Hell’s arts of forging.”
Zana’s eyes boggle. “That’s... that’s extortion!” she whines. “You can’t do that!”
“Think of it as practice,” Keris says, smugness bubbling up as the tables turn on her irreverent daughter. “After all, we’re trying to get you promoted to lesser-peer status, and you’ll probably have to make reports then. To me, at the very least. This is a good learning experience for you.”
Zana works her jaw uselessly, caught in the horrible and previously unprecedented situation of having to work to get something she wanted, and worse, being trapped by Lilunu who is completely acting against character and not just showering her in prizes and rewards. She turns pleading eyes to Lilunu, but that only seems to make Lilunu smile broader.
“Surely you’re not claiming you can’t do something pretty enough to impress Lilunu, are you?” Keris prods slyly, sliding out from behind Lilunu and radiating self-satisfaction.
“You... you’re just saying that! You want me to... to go and tell you that of course I can do it and you want to trick me into accepting that you two can be mean and demanding and work me like a dog when I’m trying to make the world prettier and this is ugly!”
The two older women just look at Zana, as if they’d rehearsed this.
“I mean of course I can, but I know what you’re doing! I just want you to know I know what you’re doing and... and I know you’re feeding my envious heart and showing me all these beautiful things and telling me I can’t have them but then not teaching me how to make them even when I ask!”
The silence continues.
“... you two suck,” Zana fumes.
((Oh Lilunu. Spending more time around Zanara does make her a bit more prone to... you know, not quite being so spoiling and putting her foot down with them, because she gets to see some of Zanara's less charming traits.))
Keris breaks down into giggles first, which immediately breaks Lilunu’s composure and sets her off. Zana does get a kiss on the forehead though, and an only-somewhat-condescending pat on the head.
“It’s for your own good, darling,” Keris tells her fondly. “You need to be challenged a bit to push beyond your limits and do your best work.”
“You’re treating me like Haneyl or Rathan,” Zana pouts.
“Both of whom have holdings in Creation~” Keris teases. “Rathan and Oula are running the lighthouse-manse for me, and Haneyl has all her businesses and land and hirelings. Don’t you want something like that too?”
“I mean I was fine just getting everything I wanted here in Hell, but apparently you two have decided that you don’t love me anymore and I now need to slave like an overworked donkey to get something little.”
Lilunu takes these accusations which are not exactly grounded in reality, and nods. “Precisely,” she says, sea-foam-like hair falling around her.
“Urgh!”
“So, Keris,” Lilunu says, linking arms with her. “I think we’ll leave little Zana to go back to your townhouse and start thinking about the great and wonderful things she’s going to do for me - and for you, because I’ll be counting whatever she does in your report next year - and now you can do the much more important thing of taking me to your workroom so I can watch you play around with that wood-bone material that makes those gorgeous statues.” She looks arch. “Or are you too tired for that?”
Keris rolls her shoulders and cracks her neck. “For you, my lady,” she says bravely, offering her arm, “no task is too great.”
Lilunu’s other hand cups Keris’s chin, and scritches under her chin - almost like one would for a well-behaved pet. “Good girl,” she murmurs as they leave the fuming Zana behind.
Chapter 11: Air 774
Chapter Text
A flare of light in the shadowed room of the Conventicle. “It’s kind of funny,” a mid-tone voice says, from the robed, veiled figure leaning against the wall. Their southern accent is hard to pin down. “I think we’ve exchanged maybe five words before.”
But should she believe it? How much else of Veil is lies? Because to the pricking of Keris’s eyes, they taste like a blend of blood-soaked battles, the tang of chaos, and freshly hewn dirt, and they’re no stronger than a mortal.
Keris came here to the Conventicle to meet with the head of the Southern Directorate of the Reclamation, but apparently they wanted to play with her. Keris doesn’t know their name; they just go by Veil. She doesn’t know whether they’re male or female either, because at previous Althing assemblies it’s always been a different person meeting in the seat. But she knows they’re a Fiend, and they’re old for an Infernal. The Tenth Seat in the Althing, and still on their first incarnation - as far as anyone can tell. Which makes them the second Fiend ever chosen by Hell.
“I suppose the Fire Mountains are too much of a natural barrier,” Keris replies, leaning back in the hanging seat she’s chosen. “The South and the Anarchy don’t interact much directly, so we’re not on any committees together. And yet,” she tilts her head, “you put in a request for my services. I know why Peer Sasimana did - I was her subordinate before she moved; she knows my work. But I’m curious about your reasons.”
“Maybe I just want to be your friend,” Veil says in their mid-tone voice. “And that means budgeting with the wealth of my directorate to hire you at a surcharge. No, you wouldn’t believe that. So maybe the answer is more that you’re the assassin and thief with the best record in the Althing and I want to see how well earned it is. Or maybe it’s that the work that needs to be done is on the edge of your territory and I don’t have anyone in position because my people are much more concentrated along the coastline.”
Veil is certainly right about the first option’s believability. If they were that reckless with their division’s funds, they wouldn’t still be division head. But the second and third sound plausible. Keris is well aware that her mission record is, at a technical level, perfect. She’s never been assigned a mission she hasn’t succeeded - and in most cases she’s succeeded beyond the scope of the requirements.
“The edge of my territory,” she says, thoughtfully. “Away from the coast. So, just east of the mountains - Gem?” She leans forward in the hanging chair, feeling it swing under her. “What exactly do you want me to do for you?”
Veil leans back into the wall, sinking into the shadows, and Keris hears the rustle of their presence as they appear on the other side of the room. Always keeping a certain distance from Keris. “I need chaos and disruption in the spine of trade along the Fire Mountains,” they say simply. “For the major trading points between Gem and the Inner Sea to be thrown into anarchy. The deaths of leaders, destruction of dams, the madness of heirs. All things you’ve done before.”
Keris purses her lips. “Not a single job, then,” she says thoughtfully. “You’re talking about a season of work, across a dozen or more nations. Maybe more.”
“But far less targeted than your usual work - and there are no satraps and few dragon-children there,” Veil observes. “I know what you did in Taira, and how Malra is crumbling in the face of their child empress.”
The only outward reaction Keris gives to that is a slow blink, though inside there’s a jolt. Ney never talks about work in the dreams they share once a season or so, and neither does she, so she hadn’t actually followed up on the consequences of her terrorising the naib. It’s not exactly a surprise to hear that she sent him into a paranoia spiral bad enough to cripple his nation - and in fact the cold vicious envy in her belly croons happily at the thought - but there’s a hint of worry for her father and half-sister as well.
She conceals it under Zanaran petals of etiquette, and laces her fingers together, tapping one bare foot on the demon-fur rug. This isn’t the only request she’s had. Sasi has contracted her for an assassination as well - a single hit on a Dynastic minister deep inside the Blessed Isles. This job will mean another season spent outside of Saata, which will strain her identities there...
... but on the other hand, it’ll also solidly reinforce her mission record. And Veil will owe her. Not to mention the opportunities she’ll have while in the South to follow up on a few leads there and generally enrich herself.
“I’m open to the proposal,” Keris says after a moment’s thought. “I have other commitments early in the year, but unless something unexpected and serious arises or I get contrary orders from the Unquestionable, I’m open to taking the job in Earth or Wood, pending a discussion of payment. I will want as much information on my targets as you can gather in advance, though. I don’t want to spend longer than a season away from the Anarchy, and research and prep work are always the most time-consuming parts of a kill.”
Veil claps their hands together, a short, oddly muted sound. “Of course, of course. I have preliminary location information - including full briefing data on the target cities - and initial suggestions here, and I will ensure you have the contacts of agents of mine in those cities. I am so pleased to be working with you, if you do accept. My friend.” Their accent has shifted to something more Eastern.
Keris holds out her hand - her left hand - to shake. “A pleasure,” she agrees with an easy smile. To the brief, fleeting touch, Keris can only feel the weakness, and the Maiden of Battles, the earth, and chaos.
Interesting, she thinks as Veil leaves. Very interesting. And annoying. She feels the lure of sweet-scented mercurial envy rising, but squashes it. Petty spite against another division head isn’t what she needs here. Anyway, she’ll be paid handsomely for this job, and it won’t be terribly difficult. Time-consuming, but not difficult. And there are probably a few things of her own she can use it for. Certainly if she’ll be in the general area of Gem it’d be almost criminal not to see if she can plunder its treasuries, and while she’s not going anywhere near the Lap itself, she’s heard good things about the wealth of the lands around it.
Of course, two major assassination missions in one year will remind everyone that she’s lethal, just when her peers and masters were starting to relax and underestimate her as the pretty, decorative Mistress of Ceremonies.
The time away from Saata is still a concern, too. Keris has promised Air to Ipithymia to finish the scripts of the Scarlet Surrender Cycle - with an assassination on the Isles and a season spent on the other side of the Firepeaks, plus her usual preparations for Calibration, that’s more than half the year she’ll be spending outside her Direction. And Anadala has asked something of her too; he’d kept her back after the meeting with Sasi’s new underling and requested she make sure Triumphant Air sends an all-calm report back to the Realm at the end of the year to convince the Navy to pull back to the Isles.
“It’s gonna be difficult to do all three,” she murmurs to herself as she pads through the Conventicle’s halls towards Lilunu’s workshop. “But I really don’t want to turn down official requests from division heads. Even one rejected mission will spoil my record, let alone a failed one.”
“It is hard to be the best,” Dulmea says softly, without a trace of humility or hesitancy. “And-”
But her voice slows to a deep crawl, as the world bleeds to red and white. Watching the world lose all colour, Keris feels the rush. And there! Ahead of her, a ripple in the air seen as distortions of the world. Emanating from a suddenly cracking tower seen through the window! And as the ripple creeps through the air like a lit trail of wet firedust, things around it explode. Elegant paintings. The lacquered paths of the building. The bones of a courtier-serf in its way. It’s crawling towards Keris and she reallyreallyreallydoesn’twantogethitbyit-
She darts out of the way, hair sweeping to the side so as not to get caught as it passes. Her eyes flash green as she tracks the moving... thing? What is this? A venting of Lilunu’s chakras? She’d thought her lady was free of those - it hasn’t been that long since Calibration - but maybe something got her wound up again. Ascending Air slips into Keris’s hands as she spins and keeps pace with the distortion, maintaining a wary distance.
The things destroyed by it ring like a bell. A bell of crystal and colourless fire. And yes - it’s sound that’s doing this. The note that brought the destruction lives on in those things, and around them other things are starting to crack and reverberate with the same note. Outpacing the shockwave with a lightning-flash blast of speed and a shockwave of her own, Keris shivers as the last echoes die away. Pyrian. This is a Pyrian creature. A Pyrian creature in a Conventicle tower, destroying parts of the Conventicle.
Keris’s lips thin. She suspects she knows what this is.
Wary of another blast, she darts towards the now cracked and fractured tower, eyeing the spiderwebbing fissures in the walls with concern as she ducks inside through a door that hangs open from one hinge. Perhaps she should go and get Lilunu... but if she does, she has no guarantee that the situation here won’t worsen in the time it takes. Better to try and fix the problem now.
Silently, she slips through the tower’s rooms, starting at the bottom and working up as each proves empty - or at least devoid of survivors. As she reaches the top, the whole tower is singing. The noise is everywhere. Singing out louder and louder, sending out more waves of sound. She can’t dodge them all. Not without exhausting herself.
Cursing under her breath, she ignites the embers of her soul and her caste mark flares to life on her forehead; a green-burning empty circle lightning the room in Ligerian green.
All the sound around her stops dead. The bone-breaking pulses of sound continue beyond her soul’s reach, but die instantly at the edge of the circle of silence, muted by the power within her.
After a few wary heartbeats to make sure her invocation of deadly hush in the heart of the Demon City hasn’t drawn any unwanted attention from its progenitor, Keris continues forward again, this time with slightly less wariness but equal hurry. She can mute the cruel resonating chimes that are still echoing past her. Others, more vulnerable, can’t.
At the top of the tower is an egg-shaped space, and like an egg it’s been cracked. The crystal walls are akin to Keris’s burning soul, but the sound broke out through some flaw, some weakness, and made things in the world reverberate with it. Something that lives in the music. To hear it is to become it.
But the main vessel for that note is here; broken-limbed, shattered, like a cracked and dropped pop held together by the thinnest surface layer. Wingbones broken, limbs broken, tail broken. And those bits of the singer which are whole are only whole due to the care it takes. The slightest mistake, and another bone will break.
“Look who it is,” the dragon says, pausing and twisting one colourless eye towards Keris. His scales are silvery-blue and gleam in the light of the interior flames. “It’s her plaything. Come to shut me up, have you, hushbringer?”
Keris’s heart cries out at the broken state of another of Lilunu’s souls. What agony he must be in, to feel his bones break constantly - as her arm breaks every time she absorbs a knot for her lady.
Also he’s insulting her, but after Hermione and Divisa, she’s come to expect that not all of Lilunu’s souls will be as kind as Bruleuse. Flowers and mercury twine together behind her eyes, reflecting the shape of this crippled dragon’s feelings.
He expects her to break. Break, or fail him. Everything always does. He envies her, though it doesn’t exactly feel personal; maybe he envies everything. And she can see his pride in his artistry. He doesn’t need to make his music beautiful. He does anyway.
“I came to find the source of the chimes, my lord,” she says. “I don’t believe we have been introduced.” She bows low. “It is my honour.”
“No it isn’t.” He pours contempt into his tone. “Unless you think it honourable to shut up your lady’s desire to make her vision real.”
Flattery, it appears, is not the way to this dragon’s heart. “What vision?” Keris asks, dropping some of the niceties. “Or which? She has shaped the Conventicle to beauty - tell me of what else she envisions. I am her servant, and I have sworn to help her in any way I can.”
“Ha! No, she wouldn’t tell you what Keramos is,” he - Keramos - says. His lips curl back, to show cracked crystal fangs. “There is a part of her that wants to remake Hell. All they let her have is her own flesh, and so she cuts it and tattoos it and pierces it to make this place. But she would see the whole world made beautiful. The order of Hell is not what she desires in her dreams.”
Keris approaches him, lowering herself to sit - and putting herself at his level as she does, so he need not look up at her. “I have often thought that the Conventicle is the most beautiful part of Hell,” she agrees. “And I have used her arts in Creation to build temples and manors as she shapes her own flesh.”
“She is weak. She will break,” Keramos says. “For I break because she does. Her vision will never come to pass. And so I break things I dislike.”
“I wish to help her,” Keris says. “To strengthen her, and to aid her souls. She’s prohibited me from digging into secrets that Orabilis forbids to peers, but I still want to help. She is strong. I’ve seen her crush demon lords with a word, when her power was settled. I just need to find a way to bring it out.”
He looks at her with those withering eyes. “Foolish girl.”
A stir of irritation flares. She is, Keris thinks as her hair lashes behind her, getting thoroughly sick of people putting down her desire to help Lilunu. Even Lilunu does it! And now Lilunu’s souls are dismissing her? Lilunu is clan, she’s hurt, she cares about Keris, and if one more person sneers at Keris’s vow to help her, there’s going to be bloodshed.
“It would not,” she responds, teeth clenched, “be the first impossible thing I have done. Dismiss me if you want. Call me foolish if that’s what you think. But I am going to help Lilunu and heal you and your siblings even if I have to invent a whole new branch of healing to do it.”
“You think you’re telling the truth. I have no reason to care what you think,” he says, with none of Lilunu’s guarded phrasing or politeness.
“I am telling the truth,” Keris growls, rising. “And I’ll prove it, someday. Until then...”
She bows, anger in every motion. “My lord Keramos,” she says formally, in clipped tones. “I’m glad to have met you.”
Because I’m going to make you eat those words and then flaunt it in your face when you’re better, she doesn’t add.
“I’m sure you’ve done your job to let Lilunu run here in a panic to seal my prison up again,” he says sourly. “Go on. Walk away.”
Glaring at him, Keris digs into her hair. “I said I would heal you and I will,” she snaps. “I know I can’t do that now - if it were that easy you would already be healthy. But I can’t heal you with no information either, and if I walk away now I’ll still have none. So, my lord Keramos. As a medic, may I examine you? I will be gentle, and you may stop me at any time - if you are truly so blind to hope that you refuse to even try for a better state of affairs.”
“Do as you will. Your kind do - Lilunu says as much,” he says harshly.
Marching forward, Keris pulls her medical kit out of her hair and starts looking Keramos over, touching him as carefully as possible and mapping out his twisted, fractured skeleton, tasting the brittleness of the bone with delicate root-tendrils, assessing the state of muscle and skin. Where his bones are broken, she gently teases them together, and where his nerves are aflame with pain she soothes and pacifies - temporary treatments, but a short-lived relief from agony. Iris peels off her hand as she works, and wings her way around to breathe out a greeting near her much bigger brother’s face.
One eye the size of Iris herself focuses on the little dragon. “Oh, so you’re rubbing your flight in my face,” he says sourly.
Iris considers this statement, and shakes her head, instead breathing out an image of two cats playing around with some string. She leans in, and nudges the string-fire-image towards Keramos with her nose.
“Iris,” Keris warns absently. “No distracting me while I’m working.”
Iris of course ignores her, and pops into the little girl form she uses to play with the twins and Aiko. Behind Keris’s back, she picks up some of the shattered crystal that’s fallen from the walls, and licks it.
Rolling her eyes, Keris finishes up her diagnosis, completing the sketch of Keramos’s skeleton - with notation of lengths and sizes beside it - and running a few final tests on his muscle tone and wing membranes before stepping back with another bow.
He is weaker than he could be, Keris thinks. It’s hard to say, because he’s so very fragile - and very large. If he was human-sized he would be prone to breaking bones, but as a giant crystalline dragon he cannot walk without hairline fractures. But that just makes him even weaker. His muscles are atrophied, his scale-tone reduced. And just lying here, barely able to move, cannot be doing anything for his clearly-vile temper.
“Thank you, my lord,” she says, compassion softening her tone again from the sharp irritation it had taken on. “I will let you know as soon as I make progress in aiding you.”
That only draws a snort from him. “Go, then. And take that little pest with you.” Iris by this point has made a little card stack from fallen crystal, her forked tongue sticking out as she puts the top two pieces together.
Ushering Iris back to her skin, Keris takes her leave. It’s not strictly speaking illegal for her to meet Lilunu’s souls... but at the same time, Lilunu hasn’t introduced her to this one despite ample opportunity. And given her reaction to Keris’s suggestions, she’s starting to think Lilunu isn’t planning to introduce her to many. Her shame and her fear of Keris endangering herself are holding her back.
As such, it’s probably best if Keris doesn’t get caught talking to one, even if she’s not technically speaking doing anything wrong.
As she slinks off, skin blending into the background, she sees Lilunu and some of Ligier’s construction-automata heading this way. There is a shock of white in Lilunu’s hair, and one eye burns with colourless fire.
Yes, definitely best to keep away from this and make it look like she’s been a good girl busying herself with her other work.
“It’s nice to have you to myself. You’ve been busy on your own projects recently,” Lilunu says. She’s at her farm for the first time in a while, although it has changed since last time. Keris has made sure that the human slaves are moved away from here, and she’s procured plenty of fruits and seeds from Creation. Lilunu has clearly been entertaining herself by trying to work out how to grow Creation’s crops under an eternal green sun, with somewhat mixed successes. Keris politely doesn’t comment on where she can see some of the fruits from the Anarchy have clearly been hybridised with things from Hell. “And look how well my mangoes are doing!”
Keris plucks a ripe fruit from the tree, weighs it for a moment and takes a bite. Her eyebrows raise. This is definitely one of the success stories. The rest of the mango disappears quickly.
“Delicious, my lady,” she says, licking juice from her fingers and flicking Iris away as she tries to steal some for herself. “I’ll warn you: I may have to steal some of these and take them home for Haneyl to make a meal out of. They’re better than the Saatan kind.”
Lilunu beams at that, and claps her hands. “If you find any more seeds or kinds of fruit, bring them here! This is awfully fun! It’s the way they don’t grow right even when I try my hardest! But I’m going to make those darn bananas work, just you see!”
Iris licks at Keris’s palms, tasting the mango juice on them, and nods approvingly.
Hiding a smile, Keris agrees. Lilunu is always happiest when she’s enthusiastic and determined about things, and the banana trees have been driving her to rants that are honestly sort of adorable to watch. It reminds Keris of Haneyl’s approach to architecture, but from the other side.
“I could always bring my daughter back with me for next Calibration if you need advice,” she teases, and holds her hands up at Lilunu’s haughty, mock-offended look. “Not that I don’t think you can do it! Perhaps just to taste-test your - assuredly successful - banana plantation.”
“Calling on the Hungry Swamp is cheating!” Lilunu says, ignoring that some of her successful plants show exactly the signs of such meddling.
“Of course,” Keris placates, giggling. Then she sobers. “Actually, my lady, I did have a... a thought, of something you might look into. If it interested you, I mean - I wouldn’t presume to try to tell you where to spend your time.”
“Oh?” Lilunu says, her gown shushing behind her as she twirls her parasol and ambles down the paths between the orchards.
Keris follows, staying by her side and just a little behind, arranging herself at Lilunu’s right so that Iris can twine around her mother’s fingers.
“Eko decided to show up a few times over Calibration to help me ‘de-stress’,” she says dryly, “and dragged Asarin along with her. Among other things,” like Eko demanding to spend the year with her ‘bestie’; a request Keris still hasn’t decided whether or not to grant, “we talked about the spoils Asarin took home from, uh, Chir. Or the city just outside Chir. And it made me think.”
Keris warms up to her topic as she continues, hair flicking as she gestures to make her point. “Asarin was with me for the whole raid on that city. She saw the Shogunate materials we recovered there, she got a good look at my fighting style - she certainly knew my name and my face. If I’d bound her, rather than just summoning her, she’d still know those things, and the binding would have expired when she came back to Hell. And I asked her, while we were up there, about other people who’ve summoned her in the past, and she told me some stories about them!
“I know the Priests of Cecelyne keep records of which citizens are summoned across the Desert,” she goes on, “so I thought: is there a reason why the Reclamation couldn’t have a sort of... a meeting, when citizens allied with the Reclamation returned to Malfeas, to ask them about their summoner? Their name and what they look like and what capabilities they showed and what they summoned a demon lord for? Because it would be really useful if I could see someone powerful in Creation and have Rounen look up their description and get a dossier on who they are and what they’re like.” She grins impishly. “And I know you enjoy meeting people in the middle of the year when most of us peers are out in Creation.”
Lilunu looks somewhat awkward. “That would largely... I’m not sure how much I should be saying, but... no. No, it’s not a secret, it’s just not talked about. But the Minister of Tales, Vigilabo, has that under his jurisdiction. He does not always reach out to people in time, but I have heard from the others that few of them look at his blue-rimmed invitations kindly - for his authority is under the Desert’s law, and he is one of her souls.”
Keris winces. “Ah. Damn. I thought there must be a reason I hadn’t already heard of it being done.” She chews a hair-tendril thoughtfully. “May I ask... is it his jurisdiction alone, as with Orabilis? I don’t want to get in trouble for going around asking if any citizens I know get bound and I’m not allowed to ask them about it when they get back.”
Lilunu pauses. “As long as you do not claim you have authority to do so, you should be fine,” she says firmly. “You are a peer. You are outside many of the lesser laws of Hell. But as for the others... well. The Endless Desert does not like people to think of how one can spend time outside of this prison-realm through slavery and obedience to the traitors who cast her and the other All-Makers into this place.”
“Right,” Keris agrees, wincing again. “Thank you, my lady. Even if I only find out a few faces from asking around, it’ll be useful.” She shakes her head, dismissing the topic. “Now, about those bananas. How are they misbehaving?”
They pass another hour or so in their stroll through the gardens, with Lilunu detailing the woes of stubborn Creation fruit that won’t grow properly even in expensive soil imported from its native lands. But eventually, Keris’s other duties call, and she takes her leave to return to her townhouse and await her afternoon meeting.
And while she waits, she reviews her secret little project. Her secret little project that she can’t risk getting Lilunu’s help with, because it would reveal far too much of her hand - most notably her premeditated murder of a Pyrian citizen and her intent to render down the demon lord’s bound essence, which sits in a safe behind her desk in a faceted crystal the size of a hen’s egg, whose surface shines green when the light falls on it at some angles and purple at others.
“Okay,” says Keris, settling down and ignoring the whimpering scream from within the gem. Four years of imprisonment have not reduced Lei Mei to madness - yet - but they haven’t done her mind much good either.
“So, setting aside the malice question,” she continues with a glance at Zanara, “since that’s probably going to take alchemical dissolution and some careful refining to boil the consciousness off to avoid a spear that hates me and wants me to die. I like this elinvar-scales-over-moonsilver-core idea, but how are we going to reshape the chain-linked segments it’s in at the moment without basically just disassembling the whole spear down to raw materials and remaking it from scratch?”
“I mean, that might be necessary,” Nara says, mask off and brow furrowed in his focus. His face looks entirely human, and a lot like a less pretty Rathan - though Keris can see quite a bit of Ogin in the shape of his face. “Maybe some engraving and... mmm, acupuncture-like shifting of the essence-flows in the moonsilver to coax it into a new shape without reforging it?”
Keris hums thoughtfully, pulling her spear out of nowhere with a flicker of red lightning around her wrists. She twirls it twice, and splits it apart into its chain form, snapping it twice across the room and watching how the chain-links that connect the segments of its haft behave.
“That could work,” she muses. “Hmm. Okay, we’re going to be using a chalcanth bath to alloy this,” she raps the gem with a knuckle and gets a whispered scream of hatred, “to the spear anyway. If we increase the vitriol concentration a little, we might be able to sort of... half-dissolve the moonsilver and have it resolidify along a shape that better matches its new essence-form. And with the engraving, we can probably get the elinvar in a state where it can easily fragment into scales... hmm. Acupuncture. Acupuncture for a spear. Okay. Well, she’s going to be a snake when she’s done, that’s pretty much inevitable, so I’ll take a look at some chakra diagrams of serpents and maybe get Pekhijira’s advice.”
She nods, checks the hourglass, and withdraws the spear, packing Lei Mei’s gem back into its lead safe. “Alright, Claudia will be here in a few minutes. Mask and robe on if you’re staying, out if you’re not. And you still don’t get to look at the scripts.”
Nara rolls his eyes at his mother. “Well, I’m going over to Lilunu’s, then,” he says. “She might be a stinking traitor just like you, but at least she appreciates me enough to let me help her with stuff.” He jams his hands up his sleeves, and slopes off like a sulking teenager.
Sighing, Keris watches him go, then gets up to search for her books of animal and demon anatomy along with the beautiful handwritten tome that Lilunu gave her. It takes a bit of searching in the massive floor-to-ceiling bookshelf that dominates one wall of her office, but soon she’s sat down again with her spear on her desk and all three open as references, using Lilunun principles to map acupuncture points onto mortal and demonic serpent physiology and then translating those across to her spear.
The whole process is pretty inexact and involves an uncomfortable amount of guesswork, so she’s honestly rather pleased when Mehuni clears his throat from the corridor and announces that Claudia is here.
“Send her in,” Keris calls, withdrawing her spear again. Scripts, scripts, where are her... ah, top left hand drawer, neatly arranged and bound. Thank you, Rounen.
This time Claudia is wearing a gloriously tacky gold lamé jacket that narrows down to a wasp-like waist over a - Keris narrows her eyes. Yes, that’s definitely a highlander dress, even if it’s in golds and greens. And of course, she has her cloak of patchwork skin over her shoulders.
“Hmm. Quite the nice little office,” Claudia opines as she walks in. “You clearly work in here as one of your main places. You’ve hammered your personality into things.”
Keris looks around, considering. Perhaps she has, though she’s never really thought about it before. The wall to her right is one giant bookcase, and the one to her left hosts a huge window overlooking the flower gardens and an aquarium full of Southwestern fish and brightly coloured aquatic plants. The wall behind her desk has a number of cabinets and lockboxes for more secure storage, an extensive weapon display rack, a master calendar blocking out all her appointments and a couple of Lilunu’s larger paintings - a grand landscape piece of a great battle between demons done entirely in shades of green and red, and a self-portrait of the Conventicle itself, which updates itself every time Lilunu changes her architecture. The far wall, which Keris faces, has Rounen’s desk by the door opposite a chaise lounge for visitors, and a folding screen that cuts both off from the corner where she hosts comfortable discussions over drinks. One of her own paintings of Creation takes pride of place above the low table and tea-set there; complimenting the window view with a landscape shot of Saata and the Southwestern sea from high on the slopes above the city.
Her own desk next to the aquarium is fairly small. She’d tried sitting behind it to get things done and almost driven herself mad with boredom and distraction after only a few days, and a week into her role as Mistress of Ceremonies she’d remodelled completely. Now, the open space of the room between her own desk and the entrance is a loose obstacle course of pedestal tables that vary from waist- to chest-height, each holding a pile or two of reports on this topic or that. It lets Keris get paperwork done on her feet when sitting behind a desk is too frustrating and she needs to be active, assessing priorities with a glance at how they’re laid out across the pedestals and sorting them by area across the great raised map of the Southwest in the corner opposite the tea table. The stacks on the finance and scheduling tables are somewhat higher than usual today, and Keris chooses to ignore the amused glance Claudia gives a particularly precarious one.
“Why don’t we have some tea,” she says, standing with the scripts and moving around her desk to the tea corner, “and talk about what I’ve got for your lady.”
Fabric shushing around her legs, Claudia takes a seat. “I’m sure you’ll pick the tea well,” she says.
Keris smirks and heats the water for a gingery, invigorating brew. “I’ll refrain from any alchemy in these drinks,” she taunts. “At least until after we have our next spar.”
“Such kindness,” Claudia murmurs.
“So,” Keris says, stacking up the scripts. Properly bound and piled on top of each other, they make a respectable pile, but one still reduced from the sheer volume of paper Sasi had output over the course of five days. “These four in red are the Abridged Cycle, and the ten bound in gold,” she grins, “are the Unabridged Cycle.” Each script has its title written - in the gold and red lettering respectively - under the unifying logo of the Scarlet Surrender Cycle - or ‘The Decline and Fall of the Scarlet Realm’, to give the saga its full title.
“Take a look,” Keris says. “The scenes I showed you last time were mostly from the Fall of Tepete and the Abasement of Sesusu. Comparing between the red and gold editions should give you a good idea of what you’re getting.”
Claudia recovers her little spectacles from a pocket, and starts to flip through. “So how have things been with you?” she asks conversationally as she reads scenes of Sasi’s id poured out onto the page and barely pulled back by Keris’s editing. “Did you have fun last year?”
“It was busy,” Keris says honestly. “And this year looks set to be busier, but yes. I got a lot done professionally, and,” she smiles, “more personally, I remember our last encounter fondly.”
“Do you indeed?” Claudia leafs through. “My lady has acquired a new dragon-child who she wishes to make a grand appearance in some work. Do you think this work would be of such stature to be worthy of his presentation?”
“A dragon-child would certainly make things more authentic,” Keris says. “And... may I be blunt, Claudia?”
“You? Blunt? Surely you jest.” It’s unclear whether she’s joking.
“I’ve spent almost a year on editing this, on and off, and Sasimana helped write the first draft,” Keris says, ignoring the jibe. “We both know it’s going to be good. Given the subject matter, your lady will love it just for how it mocks and degrades the Realm - and the debauchery in it will please her further. And the writing is, if I may say so myself, very good. With a decent cast of skilled actors, it’ll be a success. With a few dragon-children playing major parts and a lead as good as I am for some of the central roles, it’ll be fucking amazing.”
“A lead as good as you are?” Claudia smiles. “Are you volunteering?”
Keris raises an eyebrow. “For Calibration, certainly, but that will be a performance in the Conventicle, as part of the celebrations I’m in charge of arranging. On the Street? For free?” She chuckles, and sips her tea. “No. I know my worth as an actress, and it doesn’t come cheap. Elanora was one thing - this would be much more of a commitment. If Ipithymia wants me to star in the Unabridged Cycle, I’ll want to be paid.”
“Oh, now, if you were willing to commit to a season-long headline on the Street, quite wonderful things could happen.” Claudia’s golden eyes meet Keris’s. “My lady has the capacity to throw a great deal of resources behind you and your work in Creation. Quite exceptional amounts. You are, after all, perhaps the most junior Director with only a single subordinate among your peers - and the Sixth Seat is reputed to be a troublesome, disobedient man. Someone that the North-Western director was glad to be rid of. You get so little, Keris, compared to the vast riches that the Blessed Isle, the East or the South receive. The support that I - and through me, my lady - could provide you would be... very significant.”
“Hmm.” Keris tilts her head. It’s an attractive offer. Too attractive. Claudia does nothing for free, and a pitch like this means she’s expecting to get a lot in return.
Keris can’t quite see exactly what Claudia is getting from this - but she knows her own worth is vast. Colossal. Something that could beggar emperors. And Claudia is sure Keris will accept eventually; it’s just a question of raising how much she’s offering until it meets Keris’s price. She gets the feeling Claudia has a lot of leeway in how much she can afford to pay and still make out like a bandit.
Well, it can’t hurt to ask. “You’re offering a lot up front, before we even start haggling over price,” she says, sipping her tea again. “What are you getting out of this, Claudia? You’re not just acting on your lady’s orders - she pays you for your service. What do you get for negotiating this deal with me, and why does it make you so eager for me to sign?”
Claudia pauses, and puts down her documents. “Keris,” she says, peering over the top of her spectacles, “in case you don’t recall, my lady was very impressed with your first play - and then for the past couple of years you have put a lot of effort into making a name for yourself as an entertainer par excellence in the service of Lilunu. My lady greatly enjoys the finest things in life, and you have shown to her that you are one of them. A rare and precious jewel she wishes to display in her grandest theatres and finest and most exclusive clubs. I live only to please my lady.”
She pauses, for just a heartbeat.
“And pleasing her in this way, getting your services for such an exclusive period, would make me ludicrously wealthy even by my standards.”
Keris raises an eyebrow, tilts her head, and then smiles. “You’re getting a commission for recruiting me,” she says. “Or perhaps a cut of my earnings? Well now. That does change things.” She leans forward, propping her elbows on the table and resting her chin in her hands. “Tell me more about these vast riches.”
“You’re no real stranger to selling your body, are you?” Claudia says. “I know the look in your eyes, and your taste. And I suspect you are well aware of what some of the mighty of Hell would pay for just one night with you. Therefore, consider that a small percentage of the net of such earnings is a remarkably large amount for a humble citizen such as myself.”
“A fair point.” Keris leans back and observes Claudia for a moment, foot tapping. “How much of my earnings would I get from my work on the Street, if I signed? Backing for my division would be great, and very welcome, but I’d like to see some of the profit the mighty of Hell would pay me if I’m to be a jewel among golden lanterns. I don’t doubt your lady will take the biggest cut, so what’s mine?”
“Why, that would be part of the negotiations with my lady,” Claudia says smoothly. “My own arrangement with her is quite separate. But you have taken plenty of,” she looks Keris up and down, “delights with the Topless Tower she granted you the leasehold of, in payment for that prior performance. She can be most generous in her payments, as you have already seen.”
“Mmm. One more question, then. And you’ll forgive me for asking it, because it’s the question you would ask.” Keris sets down her cup and laces her fingers together. “Why should I commit now, to your offer? I doubt I’ll have time for a season on the Street this year, after all, so even if I agreed it would be a delayed arrangement - next year, after the first airing of the plays. Why shouldn’t I wait until then for Ipithymia to renew her offer, and negotiate with her directly, minus your commission? What can I only get from you, that I should sign my body over here and now?”
“Well, for one, my friend,” Claudia smiles, “you get my services in the negotiation, because I stand to lose a veritable fortune if you walk away here and now - and as a peer, until you sign her contract, you can do just that. And for two, if you agree to this, I’ll cut you in on three percent of your gross. Paid directly to you.”
“Tempting,” Keris muses. “But I doubt that’s half your take, and it’s certainly not more than half. Ten percent, I’m guessing she promised you? I could call in a favour with, oh, a few different people to help me negotiate, and see how much of that ten percent I could get directly.” She smiles back, winding her hair around her finger. “I do like you, Claudia, so I’m inclined to agree. But you wouldn’t want charity even if I were inclined to give it, and Ipithymia will like these,” she raps the stack of scripts, “enough that I suspect she’ll be inclined to be generous. What can I only get from you?”
“Oh, Keris,” and that’s a little chuckle, the kind of laugh one makes when someone walks straight into a prepared ploy. “I thought you’d have asked something about where I got this dress. How I know these styles so very well.”
Keris stills. Her eyes rake over Claudia again. “I had noticed the highlander style,” she murmurs. “But I’ve seen them before. Pretty fashion is nice, but I’m more than able to make my own dresses.” She arches an eyebrow, anticipation bubbling light and eager through her veins. “Except it’s not the fashion you’re offering, is it?”
“I’ve spent a lot of time in those highlands,” Claudia says. “And you practically vibrated when trying to find out more about the Daiwye clan. You even have something of their nose and chin about you.”
“Yes,” Keris admits softly. To another friend she might talk about her mother - but not Claudia. Keris likes her, but she also knows her nature. Anything she tells the Lambskin Hyena will, by her very nature, be for sale.
“For this? Everything I have about them, everything I know about them - and the skins and souls I’ve taken from them, to do with as you see fit,” Claudia offers. “To wear for your own purposes - or you could burn them if you wanted. It’d be a waste, but they’d be yours.”
“Done.” It’s fast; it’s too fast, and she’s giving away how much she values this, how much she craves her heritage, but the word is out before she can even think about it and Keris doesn’t care what social advantage she might be sacrificing by saying it. “Done. We’ll talk details later, but you’ve got your contract. Next year, after the first Cycle airs at Calibration.”
Claudia offers her hand, they shake on it, and then the matter returns to the scripts. It only re-emerges at the end.
“Once we get the contracts signed for this play, I’ll draw up the arrangements for your headline act on the Street,” Claudia says. “We’ll need to discuss terms, arranged services, periods of work, guarantees, and the like. Potentially, a contract could be signed that would be purely for acting in your cycle - but to maximise your earnings and the favours you’ll accrue from my lady, I’d recommend that you accept a more generous and far-reaching arrangement. After all, speaking as someone who headlines a few times a decade, it’s a way to make connections and meet people for later business advantages like no other.”
Keris looks at the paintings on the wall beside them - the family portrait especially, which depicts her children in stylised forms that look more like abstract designs of their colours and themes than people. She thinks about the motion that Ligier is working on; the coming vote, still years away, that will decide whether her souls are lesser peers or subject to the cruel laws of the Endless Desert.
The vote that the Unquestionable will have a say in, and she will not. Except through those of them she can convince to side with her.
“Yes,” she says quietly. “I suppose it is.”
Claudia misses - or chooses to not point out - Keris’s soft words. “Well, there’s going to be a lot of reading, negotiations, and meetings in our future,” she says instead. “Though if you’re looking for a bout - well, we can have one in the next scream or two, or save it for afterwards as our little treat. Same stakes as before?”
That pulls Keris out of her contemplative mood and back to happier shores. “I don’t know,” she grins. “Are you sure you can bear up under another session like last time? I recall you begging quite prettily for me to stop tormenting you once or twice. If you’re this eager to go through it again, maybe I really did give you a new fetish.”
“Oh, sweetie, I’ve been training - and I’ve prepared.” Claudia rolls her shoulders. “Are you sure you don’t want to see everything I’ve set up for you?”
Keris cracks her knuckles. A bout with Claudia will be just the thing to test some of her guesses about her spear’s redesign.
“Bring it on,” she says.
Some might say that her bravado was overly cocky, because Claudia turns out to have been training and preparing for this fight all year and this time she wins. But Keris doesn’t have any real complaints about being the demon lord’s pet for a scream. And scream she does.
Early in Descending Air, Keris arrives back in Saata feeling refreshed and looking forward to the year ahead.
This lasts about until she steps into the Jade Carnation, and gets promptly dragged into a backroom by a bushy-haired, tanned-darker-than-her Haneyl, who recounts quite a tale while directing glares at a sullen Calesco. Of a sunchild who was chosen in Calibration, and vanished in the first days of Air with no signs of violence. And that now there’s a magistrate sniffing around Saata.
“But you should have known all this,” Haneyl concludes. “Because she said she’d tell you. And Rathan went and fucked off with Oula, and you never got around to teaching me Infallible Messenger!”
“I said I’d do what I had to do,” Calesco says back icily.
“And what you had to do was tell mama that there was a fucking sun-child in the city, who then vanished without a trace or any sign of violence! And now there’s a fucking magistrate here snooping around!” Haneyl snaps, the flames in her hair flaring to light up the room.
“What... how...” Keris stutters, twisting her hands in her hair and resisting the urge to scream. “I leave for a season! One season! Fucking...” She bares her teeth. “Fine, the sun-child’s gone. We will be talking about that later,” she says, glaring at Calesco, “but current problems first. The magistrate. What do you have on him? Her? Do we have a name?”
“He came mid-way through Air, and he’s been a pain in my fucking ass since then,” Haneyl says darkly. “He’s called Ragara Midari.”
Keris blanches.
“Say that again,” she says, eyes wide and terrified. Her hair spasms behind her, then wraps around herself as Strigida shifts from a feathered cape into full armour in terrified reflex. “That name. You’re sure?”
“Entirely sure,” Haneyl says. “The man’s a shark. And the parties in Saata seem half-empty sometimes. A lot of people are finding reasons to not-be-here. And someone from the Raraan Ge tried to have him assassinated three days ago. He killed the assassin, found out who hired them, and called them out for a duel outside the Temple of Mahka. Cut them down with a single blow, that’s what the stories say. I didn’t see it myself because I’m not going anywhere near a magistrate if I can avoid it. He might see I’m not human.”
“Fuck,” Keris moans, her voice modulated a little by the armour. “Fuck fuck fuck fuck fuck. You’re right, he’s a shark. He’s the one who was on Triumphant Air when Ligier sent me after Danadu Mara. I barely beat him then, and that was on neutral turf where I didn’t have anything to hide besides Ali and Zanyi. He’s like...” she shakes her head, trembling. “Like Ney, but cruel and not lazy and Dynastic.”
She collapses into a chair, pulling Strigida’s helmet back under her skin but leaving the rest of the armour out. It’s comforting to have it there, a barrier between her and the rest of the world.
“Okay,” she says. “Okay. Okay. You’re right to avoid him. Keep your distance, keep your businesses ticking over, keep him from having any reason to notice us. If he’s here for the sun-child, he’s probably focusing on her temple, we just need to... not stand out. Calesco, you saw fit not to give me advanced warning about this, and you’re the only one apart from me who can hide her essence. Run the Jade Carnation for me, and keep things low-key. As for me...”
She presses her lips together. “I wish I could stay, and send you two away. But it’s hard enough running Little River and Cinnamon normally. I can’t do it at all with a magistrate looking around. And I can’t run our businesses like Haneyl can. So I think Little River needs to announce she’s leaving on a... a trip down south looking for more funds or something, I’ll work out exactly how to phrase it to the Hui Cha later. And Cinnamon can leave a little after that to do a tour of the Anarchy. I was meaning to plant some spies around the big ports anyway, this just... makes it more pressing.”
Meeting first Haneyl, then Calesco’s eyes, Keris bites her lip. “I want you two safe. But I think I need both of you to stay here and run cover or we’ll get caught. Will you promise to flee back into me if he catches you? I’d rather blow our cover in Saata entirely than risk him killing you.”
Haneyl looks outright rebellious. “He is not taking everything I’ve worked so hard for,” she snaps. “That one,” she nods at Calesco, “can make herself useful and body-guard me. And I’m going to get myself a dragonblooded mercenary ‘for protection’. They’re for hire, even if they’re more expensive than I want.”
Keris’s lips thin. “Fine, but... just...” She leans forward and pulls Strigida under her skin to hug Haneyl close. “Be careful, okay?”
Sitting back, she lets out a shaky sigh. “Okay. What else... you said Rathan’s away. Eko... decided to stay in Hell. Well, actually she argued me into letting her spend a season with Asarin instead of the year she wanted and then fucking hid and ignored my Messengers to come back until I had to leave, which...” She bares her teeth, and shoots Calesco another irritated look. “... I will talk to her about whenever I next see her as well, but it’s probably for the best that she’s not here. Zanara, any project you were thinking of for Lilunu that takes place in or around Saata is vetoed until the magistrate is gone.” She turns back to Haneyl. “That leaves Vali. Is he still up in Zen Daiwye?”
The two sisters let out a nearly identical exasperated sigh.
“My little brother has, according to the latest message from Zen Daiwye, run off to become a pirate,” Haneyl says, her tone clipped.
“He’s such an idiot,” Calesco adds. “I checked up on him and he’s still angry about being told off for fighting Kalaska. So he’s going to show us all by becoming a pirate lord.”
“Oh, for...” Keris pinches the bridge of her nose. “No, you know what? Fine. As long as he’s away from Saata, he can run around... punching other pirates, I guess? Whatever. He’s safe, he’s not in town to get Midari’s attention, and he’s probably having fun: that’ll do fine.”
She lets her head fall forward into her hands, and groans again. “Gods. And to think I was hoping for a quiet, peaceful year back home.”
“And I wanted my own Raraan Ge family,” Haneyl sulks. “But I’m not going to make any moves on them when that bastard could stop me getting what should be mine. I... it’s so awful! I don’t even know what’ll draw his attention! What he’s even looking for! And incidentally mama you owe me for all the work I put into correcting your records and laundering your income and training some underlings to run things for you and keeping the real books off site.”
“Get through this year,” Keris tells her fervently, “and I will reward you handsomely enough that you’ll have trouble deciding what to do with all the presents I shower you with. Seriously, you seem to be,” another annoyed look at Calesco, “one of the only two grown-up children I have right now who is not in some kind of trouble. Speaking of which...”
She turns to Zanara. “You wanted to make a big performance for Lilunu. Well, I want you away from Saata, so give me some ideas.”
“I could probably assassinate someone in a really pretty way,” Zanara says from behind their blank mask. A little too eagerly.
“No,” says Keris flatly. “More mysterious deaths or disappearances? With a magistrate around? Absolutely not. Something else.”
“Well, you’re letting Haneyl take over a Raraan Ge house so I should get one too!” Nara flips straight to.
“Neither of you is taking over a Raraan Ge house,” Keris says, shooting that one down without even pausing for breath. “Again, magistrate. The Raraan Ge aren’t all in Saata, but they’re still way too close. No, you’re getting outside of Saatan waters. Hmm.” She purses her lips. “Tell you what. You’re good at getting into people’s heads and working out how they think, and I need some good intel on Ta Vuzi. I know the capital and what they’re doing to the city, and I have a foothold in the Righteous Deer monastery, but I don’t know enough about the political scene and the people. Go there, play beastman, snoop around and don’t get caught, and I’ll count that as a season of service for the Lower South-West. And give a glowing report to Lilunu about how much information you brought back.”
“But that’s a miserable wet swamp,” Nara whines.
“An important miserable wet swamp that we’re intending to make prettier,” Keris coaxes. That doesn’t seem to appeal, so she sighs. “And you can choose something pretty to do in Earth while I’m travelling around on tour as Cinnamon.”
“Urgh. Fine.”
It’s perhaps a sign of how tired and stressed Haneyl is that she doesn’t automatically spring to defence of a swamp.
“We just need to keep our heads down and stay out of the way,” Keris says, already feeling the tension and fear settle into her bones. “And wait for him to leave. In a couple of seasons, this will all be over.”
“Are you going to assassinate him?” That’s Calesco, blunt like only she can be.
“No. All that would do is get the Realm to send another - one with more backup. Maybe even a full Brotherhood.” Keris shakes her head. “We keep our heads down, we wait for him to finish his work here and go. And then this will just be a bad memory, and we can go back to normal life.”
Chapter 12: Early Water 774
Chapter Text
Unfortunately for the demon lord Calesco, the Midnight Whisper who comes to young beautiful women in the witching hour, a normal life means the cruel and savage tyrant who rules her life is back in Saata. For now at least. And she has things to say to her compassion.
At length.
“... irresponsible and selfish,” Keris rants, pacing back and forth in the private cellar of the Jade Carnation they occupy. The statue of Nululi stands in silent repose, hands folded behind her and a stern expression on her face. At this time of day, none of the cult ladies are in attendance, and the only demon present is the penury courtesan Nyquan, who was snacking on a jar of coins when Keris pulled Calesco in and is now surreptitiously trying to wedge himself further behind a pillar while wishing he was anywhere else.
Calesco isn’t actually sure her mother has noticed he’s here yet. She certainly hasn’t acknowledged him at any point in her tirade.
“Haneyl told you to alert me, and you didn’t just refuse, Calesco. You told her you would, to her face, and then pretended you’d done it for nearly two weeks before she realised you’d lied to her. She might have caught Rathan before he left if she’d gone to him earlier! And now there’s a fucking magistrate in the city! And we have no idea where the Solar is! You didn’t just put yourself in danger, you risked Haneyl, Elly, everyone who works for them, everyone who works for Cinnamon, everyone in the Hui Cha - all of the people connected to us are going to die if that man digs up our presence here! Because you were besotted with a girl enough to not even tell me about an Exaltation in my back garden!”
Keris’s feet twist on the carpet as she spins again, arms chopping at the air, hair lashing. The scars on her face stand out stark white against her dark, anger-flushed skin. “What have you got to say for yourself?”
Calesco takes a deep breath. Then, “I wished her to have serenity,” she says. “And I owed her a debt for my actions against her. My service was my duty to her.” Another pause. “As a client.”
There’s a moment of silence as Keris absorbs that. Her jaw ticks, and a spasm ripples along her hair, terminating in a subtle flick at the ends that sends a needle flying across the room to embed itself in the wooden panelling just to the right of Nyquan’s pillar. There’s a startled squeak, and a morbidly curious gold-horned head is quickly yanked back behind cover.
“Client privilege,” says Keris after a moment. Her hair is puffed out like a cat’s tail, but not rearing up above her shoulders yet. “You’re invoking client privilege. That is loopholing, Calesco, and you know it. You also know how I feel about abusing the letter of the rules to compromise their spirit. You didn’t keep it from me because it was your duty as a priestess-trainee, you went looking for a way a priestess-trainee could keep it from me and claim it was duty.”
Calesco indeed knows how her mother feels about it. She feels it’s fair game whenever she does it. However, she’s on thin enough ice right now that she isn’t going to say that out loud.
Instead, she folds her hands together. “After she vanished, nothing would have changed even when you came running back. Haneyl couldn’t find her. And you, mother, are not Ney. You told us all before you left that you had important things you needed to do in Hell. You would have gained nothing and lost much if you had come running back. Especially,” she emphasis, “if you came back, knives out, consumed by fear for us.”
Keris’s lips thin, and her eyes narrow, but Calesco knows her mother and the way Keris’s hair drops a little from its puffed-up state tells her that she’s scored a point.
“That doesn’t explain why you sent me nothing,” Keris says, quieter but not quite willing to let go of her anger yet. “Not even a heads-up that there’d been some developments and that I should come in quietly. Nothing about the magistrate - who very much was a threat I should have come running back for. Gods, Calesco, Ragara Midari...”
Her hair contracts again, wrapping around her, and the feathered cape she’s turned her armour into over Calibration flows out to coat her skin in a thick, protective layer of moonsilver.
“... he scares me,” Keris admits. “He’s like Ney. But an enemy.”
Calesco swallows. Now things have let down the tensions, she can be more honest. “He scares Haneyl too. A lot,” she says. “She hasn’t even made jokes about sleeping with him.”
“Yeah. Think about that. Think about the fact that in Triumphant Air I went up against him with Rathan’s innocence and blame-shifting, Haneyl and Zanara’s artistry in warping wood and flesh to fake a narrative, Dulmea’s experience and your lies, when he didn’t even know he had an opponent, and he still almost saw through my frame job. If I’d arrived even a couple of days later, he’d have wrapped up Danadu Mara before I could have done a thing about it. And now this man is here. In our city. Where we have secrets to protect.”
Keris shivers. “And you didn’t tell me, Calesco. Both you and Haneyl were in danger, and I didn’t even know.”
“But this is Saata,” Calesco says. “And even Ney couldn’t unpick all the sins of this city. And we’re not even poking him. There are many, many high class bordellos in Saata - and he hasn’t even shown his face here. Not even when on a break.”
Sighing, Keris stops pacing and flops down at the feet of Nululi’s statue, leaning back against its legs and tipping her head back to look up at her lady’s face.
“I’m still not happy with you right now,” she says. “I won’t be for quite a while. Nyquan, stop hiding and fetch me a drink, would you? I’m not going to do any more shouting.” She shoots a glance at Calesco. “Unless there are any more nasty surprises you’ve been waiting to drop on me?”
Calesco winces. That Keris is referencing Chir so bluntly is definitely a sign that she’s pissed, even if her overt rage seems to have burnt out. She usually avoids the subject of Calesco’s knife in the back in the fae city entirely - or awkwardly forgives her for it when it does come up.
Harsh truths are her nature, though. “Not of the same league,” she says. “But your Saatan Ladies are getting ambitious. You’ve been neglecting them. And, well...” She explains the situation, how some of them have been looking for power in places outside of Keris’s cult. Trying to advance their promised spiritual development faster. To secure more occult lore for them and their sisters in demon-worship.
Fortunately, Keris’s only reaction to that is to wrinkle her nose and sigh. “Yeah,” she says. “I wish I could say I was surprised, but I’m... really not. Scarlet Blossom, right? And probably Smiling Steel, and I bet Second Harmony’s recovered some of that ambition she had when she tried to muscle in on us.”
She rolls her head against the statue’s legs, tilting it to the side and pursing her lips. “Well,” she muses, “I guess I’ve been meaning to let them meet their lady for a while now. I’ll let them know that they’ve proved themselves enough, and that if they free up a couple of weeks over Calibration I’ll have them taken safely to Hell and presented to their lady, or...” she waves a hand, “whatever. I’ll dress it up a bit, but yeah. Testolagh always spends as little time as possible in Hell, I can have him bring them back on the Baisha if they can’t free up much time, or bring them back myself if they can. Then present them to Lilunu and... well, after meeting her I very much doubt they’ll dare look for power elsewhere.”
“Are you sure that’s a good idea?” Calesco asks, in a way that leaves no doubt that she thinks it’s a bad idea. “What if one of them tries to back out when she realises what’s going on? Hell is... a lot.”
That’s not the real reason she doesn’t like this. She hates Hell, and she hates its rulers. She doesn’t like the gods, but her mother’s masters are even crueller and more callous. She doesn’t want even these Hui Cha ladies actively being brought into its knowing service. And that’s what it would be. Right now the demons they consort with might as well be gods and elementals.
Keris shrugs unconcernedly. “They already know Nululi’s a demon princess; that’s been no secret for a while. I’ll keep them inside until we get to the Conventicle, and the only demons they’ll meet will be my house staff and Lilunu. If any of them get cold feet on the way there, it’s a long walk back - and after they meet Lilunu, they’ll be too awed and overwhelmed for second thoughts.”
Calesco sighs. Her feelings about Lilunu are... complicated. Because she’s a princess of Hell. She’s spoiled, indulgent, and cruel in her thoughtlessness. She owns slaves. She takes nice things from the exploited masses of Hell, and uses them for petty fripperies. The wealth that Lilunu blows on her art and her entertainment and just one Calibration party could make life better for uncounted demons. Everyone in Saata could live like princes easily with the wealth she tosses around on her... her foolishness.
She should hate Lilunu.
And yet. Lilunu doesn’t mean to do any wrong. She’s foolish, but she’s ignorant in her unthinking cruelty. There’s no malice in her beauty. And so Calesco is more charitable to her than Lilunu deserves. And her mother loves Lilunu.
... Keris’s feelings there are complicated too. Calesco barely avoids wincing openly. If nothing else, Keris loves Lilunu enough to assume others will, just as much as she does. Granted she’s probably not wrong, in the case of mortals, but it’s still a blind spot. One fed by Keris’s fierce belief that Lilunu is more than the spoilt idle princess Calesco frankly thinks she is, and that she deserves more respect than she gets from the other demon princes.
It’s going to cause trouble someday, Calesco has no doubt. But talking her mother out of it is futile. Enough that she hasn’t even bothered trying.
“I guess I’ll have to leave Strigida with you when I go,” Keris murmurs, sitting up with a sigh. The armoured carapace melts back into her skin, reforming into tattoos. “Or just keep it as a feathered cape whenever I wear it as Cinnamon and make you a copy out of normal silver. We’ll see.”
Calesco can’t help but smile at that. Her mother has been very clear that Haneyl never gets to touch Strigida. And Calesco thinks she can have fun with moonsilver-tattoos as her lie-veils. What mother doesn’t have to know about won’t concern her.
“Huh,” Keris grunts, pausing mid-stride. “Actually. I know you’re not one to be impressed by armour that changes shape,” she nods at Calesco veil. “But... Haneyl didn’t even comment. I’m not sure she even noticed, beyond a glance.” She frowns. “Shit. She really has been stressed this past season, hasn’t she?”
With a sigh, Calesco fiddles with one lock of hair. “She isn’t like me or Eko,” she says. “She doesn’t thrive at the edge of a knife. She knuckles down and works hard and cuts back on all her indulgences, but it burns her down. Isn’t it amazing that she’s spent nearly an entire season on her feet rather than on her back?” Calesco inhales. “Uh, that just slipped out.”
Keris throws a disapproving glance at her, which shifts into faint distraction.
Except, wait. No. It’s not distraction. It’s discomfort, quickly swallowed and hidden under a well-faked pretence of wandering thoughts.
Which means her mother is hiding something. Something that just came up, something related to what Calesco just said. Something she specifically doesn’t want Calesco knowing, or she wouldn’t have hidden her reaction.
Calesco feels her cheeks warm up. Okay. Okay. So her mother either slept with someone she’s embarrassed about, or she’s going to sleep with someone or... or...
“A whole season on her feet rather than her back,” she says slowly, teasing out the words to see what her mother says. She crosses her arms and gives her a glare.
Keris’s jaw clenches minutely. The rest of her face stays impassive, but Calesco is watching the hair and the hands. And those tell the real story. Locks twisting into knots at the ends of her braid, her fingers curling slightly around phantom knife hilts. The faintest bend to her knees, shifting weight forward onto the balls of her feet.
Defensive tells.
Inhaling, Calesco forces down the nearly-overwhelming compulsion to cut through her mother’s lies with sharp and bright words. This is a situation for oozing softness. “As your apprentice,” she says, lowering her voice, “do you... have a long-duration contract that will require me to mind the Carnation for you?”
A moment passes.
Then Keris’s shoulders slump.
“It won’t be this year,” she says. “But yes. Claudia came to me and offered a season-long contract on the Street of Golden Lanterns, and... on the balance of things, I decided it would be best to accept.” She avoids Calesco’s eyes. “There are financial reasons to do it. Ipithymia offered a lot of funding for the Lower South West, and... Claudia has records of the Daiwye clan. But more importantly, it’ll let me get in close with Unquestionable. Probably quite a lot of Unquestionable. And I’m still not confident about our chances in the vote on your status.”
“Hell means nothing to me. Less than nothing,” Calesco says. “You don’t need to do this to yourself for me. For us. We can leave that place behind.” She inhales, feeling suddenly and strangely tight in the chest. “You... you don’t need to be Kit again. Not... not for any reason.” Her eyes are stinging.
“Hell has Sasi,” Keris says softly, and needs say nothing more. There are two ways to parse the sentence, and Calesco knows her mother didn’t mean the nice one. She can almost hear the word “hostage” trailing those three words.
“S-Sasi is soft. Pliable. Mother, you could break her loyalty to Hell, you could.” She’s begging and she’s not entirely sure why. Just that her thoughts are all in a whir and it hurts her and she doesn’t want to see her mother hurt in this way and this is all her fault for making her accept her history with Gull but she wasn’t meant to do something like this and... and...
“Eventually, yes,” Keris agrees. “But not soon. Not soon enough. And Hell has Lilunu as well, and her I can’t convince and steal away.” She pauses again, head tilting... but lets the thought go, for now. “It’s okay, Calesco. It’s just work. It won’t... it won’t be like it was in Nexus.” Her lips twitch. “I’ll be a lot better paid, for one. And I’ll have some choice in my clients, too. And it’ll just be for a season.”
Her arms come around Calesco gently, pulling her into a hug. She hadn’t even noticed Keris coming over.
“Don’t blame yourself,” Keris murmurs. “It’s not your fault.”
“It is. You’re doing this for me and I don’t want it and... and,” she lets out a shuddery gasp, sparkling white tears soaking into her veil, “and Eko wouldn’t want it either. Or Vali. And if Rathan knew he wouldn’t want you to do it. And... and what if the Street gets her hooks into you and then a new sister shows up and she starts making you someone I don’t want you to be but I can’t want a sister dead and-and-and...”
“Trust me to stay safe,” Keris says firmly. “And trust me to care for my family. I know adding any more of you would unbalance me, so I won’t let her do that.” She smiles, self-effacing. “I can guard my mind, you know. I know I don’t always, but I can. Besides.” She taps her scar. “If she gets too pushy about trying to change me, I’ll remind her that her brother doesn’t want me on his layer for a reason. Ipithymia’s not stupid. She wants me for a season, not forever.”
She claps. “Now. If I’m going to be spending a lot of time away from the Carnation over the next couple of years, I need to leave it in better shape. I have been neglecting it a bit, and part of that is how it’s getting by on headline acts. My staff need training. Serious training. I’m going to pick the ones who cover the most hours and put them through hell for a season, like I did at Shining Foam. Maybe two, if I take the best of them on tour. Want to come with me and pick out our young trainees, Black Shawl?”
Calesco takes a shuddering breath, wiping her wet veil on her sleeve. “I... give me a moment to clean myself up. And remember, quite a few of your girls have children. I know I’ve made sure that the Carnation offers its people childcare, but remember that.”
“I know,” Keris nods. “Hmm. Actually, speaking of Kit. We’ve got the soup kitchen and the childcare, but I bet there are little things we can do, too. Like... stools behind anything with a counter, so they can sit down instead of standing their whole shift. Quick and easy snacks for them to grab while they’re working - stuff they can bolt down quickly, and time to do it. Maybe cots in a back room somewhere for when you’re dead on your feet and need to crash for an hour and make up time later.” She taps her lips. “Good shoes, too. I remember hating mine when I was on my feet all day, and sandals are easy and quick to size. Giving them all something comfortable to wear for their shift will make them look better and feel better. Mama, could you write this stuff down? Yeah, I know, it’s just easier if I can talk out loud. Thanks. Okay, what else...”
Listening to her mother prattle on about the thousand tiny inconveniences of waiting tables and working bars and how they might be remedied, Calesco concentrates on making herself look presentable.
At least the Carnation can be kind to those who work there. Even if they are about to be put through unexpected hell by a slavedriver of a teacher.
Hundreds of miles to the west of Saata, close to where the world broke down into madness and fluid chaos, the demon lord Rathan was getting some time away from his slave-driving mother and the general slave-driving attitudes of people who kept on wanting him to do things. Well, technically Oula was there, but what she wanted to do didn’t count as ‘slave-driving’ because what she mostly wanted him to do was her.
Sprawled out on a rock under the warm sun, he listens to the message from his mother and shakes his head.
“Well, looks like they’re in it over there. I guess I’m just going to have to keep on being on holiday. No Dragonblooded magistrates will be able to notice us if we’re over here.”
Oula gives him a sharp look. “You’re not thinking of helping Aunty Keris?”
“She can help herself. She gets over-confident if there’s too many of us around. And Haneyl spent most of last year lazing around, so it’s her turn to get worked to the bone by mama.”
Oula considers that for a moment, and tips her head. “I suppose you have a point,” she agrees. Shifting over, she lays her head in his lap, her pupils shifting to little hearts. “Does that mean we have the rest of the year off on holiday, then? What shall we do~?”
Rathan smiles down at her. “Well, obviously we can spend time together,” he says, stroking a few pink strands of hair out of her face. “But I think I’d like to do some studying, too. You mentioned you want to do some more sorcery. And...” he looks out at the sea, “I’ve been thinking. Haneyl has a dragon form. So does Vali. So does Kalaska, apparently, and she’s not even one of us. Even you have your - lovely - dolphin form. So I might have a form like that I can take. An orca. I want to see if I’m right.”
“You could be a dolphin, you know,” she points out, rolling her eyes. “I don’t know why you’d want to be something other than a dolphin. Which is, I hasten to add, better in every way than anything Mele can do.”
“No, I want to be an orca.” He sighs wistfully. “They’re so pretty. And if I was a dolphin, Haneyl would just use being bigger as an excuse to bully me.” A thought occurs to him, and he cocks his head. “Didn’t you mention something about wanting to try making another spell?”
Oula grins. “Aunty Keris is really into the way the Saatan temples do things. So I’m going to make a new spell for her. Something to prove to her that I’m her disciple, not just her student. And also to show up your sister.” She balls her fists. “Haneyl is more driven than you - sorry, Rathie, but it’s true - so I need to keep her under me so I’m always Aunty Keris’s best student. And unlike her I don’t have the advantage of being born a demon lord.”
He leans down to kiss her on the forehead. “You’re beautiful and brilliant enough that you don’t need crutches like that,” he praises. “Alright then. I’ll work on seeing if I have an orca form, and you can plan out your spell. Do you want any help?” He raises his hands quickly at her raised eyebrow, grinning. “Not that I think you’re incapable! I know you’re better than me. But it was fun making the Rime-Winged Gull with you.”
“I need to make it on my own,” Oula says fiercely. “As my mastery project, as Aunty Keris would put it.”
“Alright then.” Rathan kisses her again. “In that case, we can keep sailing for another month or two and then find a nice island to put in at when you get to the point of doing testing. And I can talk to the orcamen tribes some more. I bet I can learn a lot from studying how their bodies work, and they’ll probably be sympathetic to how I’m an orca god whose,” he sniffs, tears coming to his eyes, “cruel and envious swamp-dragon sister locked me in this two-legger form and sealed away my power.”
Her look is adoring, playful, and carries just a hint of eye-rolling. “We can maybe find a small isle nearby where I can build us a holiday home,” she suggests. “It’d be so much easier if we could get Aunty Keris to give us a sorcerer’s sanctum, but I guess we’ll just have to rough it.” Her tone of voice is deliberately mocking Sasi and her accent. “Sleeping under the same seaweed sheets. Waking up with the sun.” She snuggles up to him. “Me having to wear your robes because all my other clothes are wet.”
“Mmm. Sounds like fun.” Rathan pulls her fully onto his lap, and leans back against his rock. Life is good. And looks to stay good for the next few months. A nice change from the last couple of years, even if things are getting a bit hairy over in Saata.
He just hopes his little brother is having a good time off on his own holiday.
Vali is not having a good time. Not one bit.
It had started so well. He’d run away from Zen Daiwye, which is basically like running away from home. After only getting a bit lost, he made his way to the coast, and then lied that he was a sailor looking for work and signed on with a ship. Of course, they thought they were keeping him for years and years, but he didn’t feel like there was any need to tell them how wrong they were. He’d worked his way down the coast and then across to the island to the south of Shuu Mua, that he doesn’t know the name of. Then a pirate ship had pulled into port, and it had been a way better boat and the captain had been wearing a really badass coat and hat.
So of course Vali had challenged him to a duel, and won, and now he was the captain. And also had the coat and hat. And he’d made them turn their flag into a dragon. All important things for being a pirate.
Only - just like mum before him - he’s finding that being an actual pirate captain is really hard work.
“How hard is it to work out where we are?” he yells at his first mate, who has at least earned his respect for being tough enough to stand up to him about stuff, even if most of it is boring. “We’ve passed two islands in the last two days! Just find which ones they are on the map!”
“Captain, we’ve just been followin’ your orders,” the first mate says, hands folded behind his back. “You’re the captain. And a mighty powerful spirit too.”
Vali’s orders have mostly, so far, consisted of sailing around trying to find ships to plunder. It’s a lot harder than mum always made it look. “Fine,” he huffs. “Just... figure out where we are. And find us a port! We probably need to put in for supplies soon.” That’s definitely something he remembers mum complaining about.
“Course, capt’n. As you say!” He salutes him, and wanders off back to the pointy end of the boat.
Vali turns back to the wheel, grips it piratically for a bit, and then gets bored and hands it over to the helmsman. With a flash of light and a thundering boom, he leaps up to the crow’s nest and glowers out at the horizon.
He’ll show his family. He’ll show them all. He’s not going to stay at home and get put down and insulted for the Kalaska thing anymore. If they’re not going to let it go, he’ll just have to show them how good he is without their stupid rules. Do something awesome. Find something super valuable. Beat up some great enemy. And then make sure they know it was all him, so they have to beg him to come back and stop telling him off.
All he needs to do is find something to set himself against.
Ascending Water comes and goes, and the days of Resplendent Water follow it. And in them, the staff of the Jade Carnation are of divided mind. On the one hand, their employer is wonderful. Rich and high-society Cinnamon may be, but she seems to have someone on her staff who’s worked the floors of bars and casinos before, because she’s instituted a host of little changes that improve their lives in a myriad of ways. Free meals for each shift, and time to eat them during breaks. An in-house medical staff who give regular check-ups, and refer any recurrent bruises to the dark-skinned foreign women who work as bouncers and security for the club. A barracks near the club with clean, dry, mould-free beds and discount rent for her workers. Even Maiden’s Tea for all her workers - not just the women who work in the bedrooms, but anyone who wants it. Yes, in terms of job perks and caring for her employees, Tenné Cinnamon is a fantastic boss.
But when it comes to job training, she is brutal. For the past season she’s been forcing everyone who works with customers directly through an accelerated course of study in the arts of love, seduction and flattery. She drills them on how to judge what a client likes, picking out those who like slender girls from those whose eyes stray to broad-chested boys and zeroing in on the ones they best appeal to. She teaches them to project sincerity and earnestness until even the most jaded customer believes they genuinely like him for who he is, despite the coin he’s paying for attendance. She instructs them on how to tempt and tantalise, offering things that the proud nobles of Saata would normally think beneath them with enough allure that they go the extra mile - and spend the extra money - on the Carnation’s full range of delights.
While they learn fast, there’s only so much they can take. And so, halfway through Rising Air, Keris decides to give them a break for a few days by going to visit her family up in Zen Daiwye.
((Keris is getting them trained up in MBD and then pushing them to 3 dots of Cerulean Paramour so she can start on their Abilities once it’s mastered.))
It is perhaps a sign of how long Keris has spent in Saata by this point that the uplands feel cool. She finds herself reaching for a shawl to wrap around her shoulders because she’s feeling a bit chilly.
And of course, Evedelyl is here to make sure she wears that shawl rather than try to tough it out.
“Is there any word from Vali?” her towering soul asks, concern clear in her motherly tone. “I don’t know what he’s doing, running away like this!”
“Calesco checked up on him,” Keris groans. “He complained about everyone being ‘completely unfair about the Kalaska thing’ and tried to punch her out of the dream. Apparently he’s trying to become a pirate lord. I asked Rathan to keep an eye out, but honestly, there’s not much in the Sunset Sea that can stand up to him and he can get away if he finds himself in serious trouble. And as long as he’s sailing around trying to be a pirate, he’s not at risk from the magistrate and won’t go knocking on Kalaska’s temple anymore. I think it’ll be best to just let him work it out of his system - though I’ll see if I can run into him when I’m sailing around the Anarchy in Earth.”
She tucks her hair back. “Apart from my wayward son, how is everyone? Is Kalaska back to where she was before Vali poked his head in? Sasi’s looking forward to taking a break after this assassination I have in Water, I think.”
“Some days better, some days worse,” Evedleyl says gravely. “She seems back to almost normal around her keruby, but Vali has wounded her ability to trust anyone more powerful than her, or even an equal. And she did not extend much trust there in the first place.”. She draws a big breath. “She knows Vali is a reflection of you. He hurt her ability to trust you either.”
Keris swears, low and bitter. “Okay. Okay, I’ll... go and see her, I suppose. Rrrgh.” Her fists clench, and her hair lashes angrily. “Damn Vali for this. Seriously, it was the worst... urgh. Maybe... maybe if I tell her about Pekhijira. How there’s part of me that’s scared and wants to hide away from the world all the time as well. Maybe that will help. And I brought back some Cecelynite and Pyrian hearthstones for her fox to eat, so that might at least win me an audience.”
She drags a hand down her face. “If it comes to it, I’ll force Vali to apologise to her properly and let her set a punishment. We can’t make her trust us - only show that we’re serious about respecting her boundaries and asking her to. And I think she’s happier here with her keruby than she would be in Sasi’s inner world, at least.”
“In that sense, you’re right.” Evedleyl exhales a deep, rumbling sigh. “The keruby talk to me. They hear her muttering and read her scrawls. She is not so surprised to have directed such violence against another demon lord. They say she has done so many times before.”
“... do they now,” Keris murmurs. “Interesting. I’ll ask Seresa about that when I’m back in Saata, if I can corner her.” Sasi’s more indulgent soul has been avoiding Keris ever since she started training her staff at the Carnation, possibly out of fear that Keris will apply the same slavedriver intensity to making her improve.
She shakes the thought off as they come around the riverbend to Ahangar House. “Well, that can wait,” she adds. “Are Ali and Hanily home, at this time of day? What’s Kuha up to?”
“Kuha has taken Meji with her and the two of them are examining the countryside east of here,” Evedleyl says, clearly more happy to be changing topics. She catches Keris’s look. “The hungry one,” she prods her. “He has red skin and white hair, and was once a szel. They’re looking for nesting sites that they can move the birds to, preferably before next Calibration. The end of the year drove the birds mad, she says.”
“Damn,” Keris mutters. “Yeah, I remember, vaguely. Rounen gave me a report on it. Something about the valley not being real enough and them being smart enough to work it out?” She lets Evedelyl pick her up and cross the stepping stones to the island with four or five great strides. “Alright, I’ll tell Rounen to remind me to look at the place once they’ve picked something out and got a structure set up. Then with a bit of luck we can mutate the birds bigger next year and get our flight corps up and airborne.”
She hops down, cocking an ear, and trots over to the sound of ironwork she can hear from the forge without waiting for Evedelyl to address her brother. “Ali! Hanily! Come give me a hug, I just got in from Saata and I’m all cold and tired!”
Hanily is sitting outside the forge, kicking her legs as she reads a book. From the paper and the general style Keris is sure it’s szirom-written, which means it’s likely low in things a little girl should be learning, but rich in dramatic duels, explosions and praise for Haneyl. She’s momentarily almost off balance that her niece - who looks so much like her - got something as expensive as a book as a present, but of course, sziroms consider books about as common and important to have as food.
“Aunty Keris, you’re back!” she cheers. “Are we going back to play with the twins and Aiko?”
“Not today, sweetie,” Keris says, picking her up and twirling her around. “Aiko’s off with her daddy and the twins are back in Saata - I’m just here for a quick visit. How are you? Having fun? Learning a lot?” She raises a teasing eyebrow. “Sweeping out the forges enough?”
Hanily rolls her eyes. “There’s always too much sweeping,” she says in a weary tone. “But daddy is being a lot more easygoing about it since he started going on walks with Hilthr. So that’s good. It lets me read more. Do you know that if you grind up flowers really fine and mix it with scorchberry juice, it makes something that goes ‘boom!’ if you set some Valiant sparkbronze on it? I want to try it and see if I can blow up a swamp dragon!”
Keris freezes. Not because her niece is apparently getting ideas about playing with explosives from the szirom books she’s reading - although, uh, that probably is something she should do something about - but rather because...
“Hilthr?” she asks, carefully keeping her feelings off her face. “Who’s that, honey? I don’t think we’ve met yet.”
Hanily pulls a face. “She’s a lady from one of the villages,” she informs her aunt. “He met her at the Calibration party stuff. She’s got a baby boy but no husband. He cries a lot. Daddy and her are going on walks.”
“I... ah... huh. Okay. Okay,” Keris says, feeling dizzy and faintly sick. “How... where...” She pauses, hair fluttering. “I’ll... I’ll be sure to ask him about that.” She ducks into the forge before Hanily can reply, looking for her brother.
Ali is at the forge, working on what looks like part of a fence. Right now he has a cherry red piece of metal held in a vice, and is slowly twisting it so there’s a spiral in the bar.
“Ali!” Keris calls once he’s put it back into the forge to heat. “Good to see you again!” She swallows down a dry throat. “What’s this I hear about you going on walks with a lady?”
He finishes what he’s doing, and only then more than grunts at her. His brow is drenched, and he ladles water from a nearby barrel onto himself to cool off.
“Oh. What’s the matter, Keris? Nice to see you.” He deliberately pauses. “And yes. Hilthr is her name. She’s really sweet. And a widow.” He gives Keris a meaningful look, that speaks volumes about the fact that he, unlike his sister, won’t sleep with a married woman.
She fidgets, uncertain and off-put by the quiet judgement. “Are you... I mean, I’m happy if you’re happy, but... is Hanily alright with it, and is it... are you sure you’re ready to...”
She can’t tell him what she really objects to. She can’t tell him about the fact that Hilthr may be a widow - albeit one whose husband may never have existed outside the Shaped history of this place - but Ali is not a widower. But without being able to bring up Zanyi, her hesitance trips over itself and goes in circles and makes her stumble with clumsy words.
“I know I’ve always been single since as long as you’ve known me,” he says. “But you brought us here to live, Hanily and me. To live, not just to be your charity cases. And Hanily deserves to have a mother around. Hilthr is kind, and sweet, and she’s a weaver. The best in the village, I’d say.” He pauses. “I’ll always have time for you. I’m not going to vanish. You’re still family.”
Keris worries her lip and knots her hair. Ali seems happy. Ali seems happy, and he wants a normal life, and... and Zanyi won’t ever come back and have that with him, and he doesn’t even remember her, but she remembers him and this will hurt her when she finds out, but making him stay single his whole life for a wife he thinks died years ago would be cruel, but...
She pulls on Cinnamon like a protective coat, and smiles up at him, wrapping her arms around him in a hug.
“I’m glad you’re happy, Ali,” her mouth says as she buries her head in his chest. “And I know you’ll always be there for me. I guess I just... didn’t really expect it.”
He hugs her back, and behind her smiling mask she squirms. “Okay!” she says a little too loudly, pulling back. “I can see you’ve still got work to do, and I’m tired from the trip up, so I’m just going to... to turn in early and get some sleep, and tomorrow we can go out and you can introduce me to her and I can visit Kalaska and everything. Love you!”
Beating a hasty retreat, Keris escapes up onto the roof of the compound and secrets herself away in the water tank, ignoring the izsangols that clean the river water that’s pumped up here. Curling around herself, she gnaws on her lip until it nearly breaks skin and tries to figure out what to do.
Because her brother is... is courting again. Her family is changing shape. But there’s one member left out who won’t know, and who deserves to. And who she can’t risk contacting by any means that can be tracked.
“Mama?” she whispers, barely audible. “If I’m really careful to avoid anything about work or what I’m doing or anything professional... would you get mad if I sent Zanyi a dream to let her know? She deserves to know. It’s her family too.”
“Of course I would,” Dulmea says, but there’s a weariness to her tone. “She is an agent of Heaven, Keris, and you are a - mostly - loyal servant of Hell. But since you’re going to do it anyway because you consider her family, let’s talk first about what you’re going to say and at what point you’re going to pull out of the dream.”
“I’ll... I’ll only tell her about Ali. That he’s met someone and... that he seems happy. Oh, and Hanily. Just stuff about how she’s doing and that she’s grown so much and she’s reading and, um.” Keris shifts in the water, her hair cocooning her. “I won’t tell her about making the valley, or where we are. Or about anything I’ve done for Hell, or anything going on in Saata, or Sasi.”
“And if she asks about your children? As she is likely to?”
Keris’s eyebrows draw together. “Um...” On the one hand, she shouldn’t talk about what they’re doing if it intersects with her work. On the other hand... can it hurt to say that Calesco is still playing the romantic lover in the night to a succession of girls, or that Kali is putting adorable levels of enthusiasm into her morning exercises with mama?
“Child...”
“I’ll make sure not to let any details about what they’re doing slip! General stuff only. Like that they’re happy, or a bit stressed, or that I’m a bit annoyed at them at the moment. Nothing she could get anything useful from.” Keris pouts sulkily. “Not that I think she’d use it. She said she was trusting me with Ali and Hanily. And if she’d told anyone what she already knew when she disappeared, we’d have seen a heavenly legion dropped on Saata by now.”
“I don’t want you doing this,” Dulmea says. “I just want to lay my objections here. And... try to be sensible insofar as you are capable of doing that when family comes up.”
Wrapping her arms around herself, Keris gives her mother a mental embrace.
“I promise, mama. I’ll try.”
Then she closes her eyes, and lets her flesh come apart into dreams.
Darkness, without form. But by now Keris is practiced at this. She can still feel the pressure of the water and her embrace, and so water surrounds her skin. A graceful flick of hair extracts her from her curled-up position, and her feet find the bottom of a tank that’s there because she expects it to be.
She surfaces into a world of night. Red and white stars glimmer over the valley whose distant slopes are nothing but shadowy backdrops across a river of tar, and where everything is painted red, white and black. The wind ruffles Keris’s hair with a whisper of distant laughter as she stands on the roof of Ahangar House, under the moonless heavens of her inner world.
Down below, movement follows sound. Hanily, running around the yard, playing with a fem and two orvens. It’s not her real niece, but it’s a perfect likeness of her, a lone splash of colour in a monochrome-and-scarlet world, replaying memories Keris has seen from this very spot.
It’s a small dream she’s built this time. A family home on an island in a painted valley with no identifying features, under heavens that hold no recognisable stars. But it’s enough to give Zanyi a look at how fast her daughter is growing, from a distance.
Keris winds up the tension in the structure of the dream, and releases it to seek out its subject.
Time passes. Keris isn’t sure exactly how much, because a dream has a fleeting-at-best association with time, but it feels longer than usual. She lodges in her target, though, and that’s when she becomes truly aware once more.
Zanyira is looking... well. She’s looking well. Her hair has regrown back to shoulder length, she’s more toned, and she’s wearing a long silk nightdress that looks a bit like some of the pieces that Keris has seen in Sasi’s wardrobe.
But in this world that’s red and black and white, her eyes are soft and gentle green and shine like emeralds. “Hi, Keris,” she says, leaning against a wall. “So you have missed me, little cousin.”
Keris had thought she was prepared for seeing her again. She’s not. Before she knows it, she’s lunged over to hug Zanyi tightly. In fact, from the way her cousin makes little wheezing noises and scrabbles at her shoulders, she perhaps hugs her a little tighter than necessary.
“Of course I missed you,” she sniffs, loosening her grip a bit. “I mean, you... y-you ran off and left me as head of the family. Stupid. Should’ve known I’m not suited for that kind of thing.” She draws back, looking Zanyi over carefully. “You’re...” she hesitates. “... well? Your heart’s still fine? No injuries?” A brief, tense pause. “The, um. The birth went okay?”
“Oh yes. It’s always easier when you’re chosen, trust me,” Zanyi says, with the voice of long experience. “He came out like a pea from a pod. His name is Darius. Named for my father - your uncle. And Kiss, you should know that our bodies don’t bruise or break that easily. Everything got fixed up when I remembered who I was.”
“Well excuse me for worrying!” Keris pouts. “Okay, so. We both have to be careful what we say, obviously - but if we’re just sharing family news that’s not at all job-related, it’s just personal time, right? And, uh. It’s family news I’ve got.” She nods down towards the yard, where Hanily and the keruby are playing something that involves a lot of kicking a leather ball around and trying to hit each other with sticks. Or possibly hit each other’s sticks with sticks, since very few of the blows seem aimed to connect. “Good news first. Hanily’s getting ever-bigger and ever-brighter.” She pauses, and frowns. “And ever-brattier. I heard her trying to make a bet with Haneyl about how old she’d be when she overtook me, last year.”
“You mean my daughter hasn’t done so already?” Zanyi asks with a faint smile.
Keris glares. “I am not,” she emphasises, “that short. She’s still only up to my, uh,” she drops her voice and coughs. “... shoulder. Chin. Area.”
“There, there,” Zanyi reassures her. “Let’s be honest, Kiss. You could be taller if you wanted to be. But you like acting offended when people you love jibe at your height.”
“Hmph,” Keris grumbles, although she doesn’t actually refute the statement. “Anyway. The other thing...”
She sighs, and screws her eyes shut so she doesn’t have to watch Zanyi’s face change.
“Ali... met someone.”
“Oh.” Complicated expressions flash across Zanyi’s face. Sorrow, acceptance, anger - and relief. “It was going to happen sooner or later.”
“It’s recent,” Keris reassures her, one eye cracked open. “This Calibration just gone, apparently. She sounds... nice. Not as clever or witty as you, but someone he can be happy with.” She bites her lip. “I’m sorry, Zanyi. I mean, I know it was going to... but it must still hurt. And, well. I thought you deserved to know.”
She spreads her hands, acceptance the mask she wears. “He’s still a good man. And he deserves to get to live a life not weighed down by a sick wife, or with his memories hiding me away so he thinks he’s been single since I - probably died in childbirth, yes?” She wraps her arms around Keris, clearly not as okay with it as she’s trying to act. “It’s like you and your dad,” she says. “You said he had a new life and you wanted to let him have it. It’s the same for me. Always is, really. It’s why they try to find us before we get too old.”
Keris wraps her up in another embrace, this one less forceful, and lets her sniffle for a while.
“The twins are doing well,” she says, to break the silence and give Zanyi something else to think about. “I’ve started Kali on morning exercises with mama to let some of her energy out, and she’s much better behaved for it. And some meditation in the evening with Ogin, when he feels like it. They’re not causing nearly as much mischief now. Atiya’s doing well, too. Very focused on fashion. Her dolls have more outfits than some nobles do.”
“That’s nice,” Zanyi tells her. “Let me tell you; training isn’t easy when you have a newborn to look after. And training is never easy when they’re getting you back up to speed. It was the same for you, I bet.”
“My first few months of training were certainly Hellish,” Keris tells her with a straight face.
“I think I remember you saying that, yes,” her cousin says. She looks around the dream. “Is this a new trick? I’ve never seen you do this before.”
“It doesn’t look nearly as impressive from the outside,” says Keris drily. “And I don’t need it very often. I never really had to send you a dream when I could just stick my head in at the townhouse in Saata. But it’s nice to be able to talk to someone properly instead of just trading messengers - and a dream is private. No chance of listening ears.”
She prods Zanyi in the side. “And quit trying to worm secrets out of me. I said no talking about work. Keep going like this and I’ll decide I’m still offended that you broke into my lab at Silver Lotus.”
“I’m just... concerned, because I’ve seen this trick before. Or something a lot like it.” Zanyi meets her eyes, and shakes her head. “Poor Marus.”
Try as she might, Keris can’t hide the flinch. And Zanyi’s sharp, sharp eyes are on her, perhaps because with her new understanding she knows Keris’s powers have some connection to the Silent Wind - and Keris thinks she sees something behind the simple recognition of the name. Zanyi doesn’t say anything about it, though. “Well, I’m sure you won’t be using it for those purposes,” she says lightly. “How’s Xasan doing, anyway?”
“Good!” Keris clears her throat. “Yes. Good. He’s, um, been spending time out and about. Fishing, drinking. Quite a few arguments with the Lionesses. I think he’s found a place for himself, one he can be happy with as he gets older. And, well. You know Xasan. He’s not fully happy unless he can be a bit grumpy at things sometimes.”
“Hah! You’re not wrong!”
They talk further of family and inconsequential things, under the bright and crimson stars in this shadow-valley with the wind always blowing. Below them, the little girl runs and plays in the three-colour yard, and demonic companions come out to join her and return inside. The sun never rises, and the sky never brightens, but eventually they feel the dawn approaching nonetheless, and run out of shallow things to talk about.
“Will I see you again?” Keris asks, looking at Zanyi sidelong. It’s a question she’s been sidling up to for a while but not quite daring to voice. “Outside dreams, I mean. We all miss you - those of us who remember you. And things are... tense, with us on different sides, but if we’re careful we don’t necessarily have to be enemies. If I got along with Ney, I can certainly make a space for meeting family on neutral ground.”
“I... don’t know.” Zanyi purses her lips. “It’ll be hard. I’m not in the South West at the moment, and questions will be asked if I show up in another Department’s area of operations. And neither of us want questions asked. Things are even more complicated right now, because the Realm is dying and - though I’m not asking you to confirm anything - I’d bet you a talent your lot are pushing hard for that. Between the Solars and the Abyssals, everyone is working overtime to try to handle the damage they’re doing to Fate.” Again, the look Keris gets is something of Zanyi knowing - but not saying - that Hell is also fucking around there.
Keris shrugs helplessly. “I know. Well, I mean.” A complicated expression crosses her face. “I still don’t see how the Realm can fail. But I know things are a mess right now, with fucking Solars and the Dead and all.” She hisses, short and sharp and angry. “And I know we can’t talk about work, but I do understand how division politics can be a bitch. Just...” she sighs. “If we ever do run into each other, for whatever reason. By choice or... or on mission. You know I won’t hurt you, right?”
Zanyi looks at Keris, and suddenly looks a lot older than her. “Don’t make a promise you can’t keep,” she says sadly. Then she grins. “You might need to break my leg so I can’t run after you, and given how you fight a broken leg is a few weeks of desk duty for me so I’m getting off light.”
Keris tips her head. “I won’t hurt you beyond what you can heal from, then,” she allows. “I don’t want you to fear me.”
She wraps Zanyi in one last hug, and kisses her cheeks.
“I won’t send you dreams again,” she says softly. “Not unless it’s news like this - big family stuff that’s outside work. I know that too much contact would be a bad idea for... a lot of reasons. But... I do hope we get to a place we can meet on friendly terms, someday.”
“I hope so,” Zanyi says. She pats Keris on the hand. “And if I wind up near Saata, I might stop by at your mansion or club. I’ll... uh, try to send warning.”
“I’d appreciate that,” Keris chuckles, and taps her on the nose. “See you there, then, Zanyi.”
And she lets the dream dissolve.
Chapter 13: Late Water 774
Chapter Text
A Scarlet Scandal
The mid-Water wind blows from the south. It fills the sails of countless vessels, coming from the richest lands under the dominion of the Realm. And the wealth, the tribute, the satrapal plunder of the hot lands of the south mostly enters the lands of the fractured Blessed Isles through the gateway of Arjuf.
Arjuf! Jewel of the southern Realm! Centre of commerce and wealth! Second largest city in the lands of the Scarlets! The wealth that flows through here makes Saata look like a provincial market town. The townhouses of the Dynasts here are palaces that could rival and exceed anything of the pirate princes. But there is none of the Saatan anarchy here. Even from the sea, the enforced homogeneity of the city screams out at the world. Repeated district designs are separated by internal walls, manned by well-dressed keepers of the peace in shining armour. The streets are clean, scrubbed by chain gangs. No one gets to build a thing in the city limits without the geomancers’ say-so. There are no slums here. Only tenements planned and built by the Terrestrial masters of this city. The living quality may be no better than a slum, but the building won’t be hurting the geomancy of this city.
Keris Dulmeadokht hates it at first sight, as she walks off a ship with stolen papers and past a Keeper of the Peace who’s lecturing the other sailors about how they’re only allowed in sea-facing districts and they must keep their passes with them at all times. Once off, she ducks into an alley and now she’s a Keeper of the Peace herself. She strolls straight past several more checkpoints, heading towards one of the slightly less grand palaces right next to the river, beside a grand arched steel bridge that’s a glorious red and is even now being re-painted by work crews.
For all the nonchalant confidence in her gait, she’s on edge in a way she’s rarely ever been before. Nothing around her is making hostile moves, but a stifling pressure seems to hem her in on every side. She can almost picture the might of the Realm as a vast, looming hammer hanging above her in the sky, just waiting to crash down with terrible force.
And speaking of looming... she slows as she crosses the bridge, looking northeast, and comes almost to a stop in awe.
It’s not that she’s never seen the Imperial Mountain. On some days you can see it from Saata. You can certainly see it from Nexus and An Teng. But she’s never seen it from this close. Close enough that the blueness of the air at lower altitudes doesn’t hide its flanks and make its snowy peak look like it floats a hundred miles above Creation’s soil. Close enough that she can see slight details on its impossible slopes. Close enough that she could reach it in a single day, were it safe for her to run there.
At the highest point, something glints among the whitecaps. Sunlight off the ruins of Meru.
... the bridge crew are starting to notice her stalled progress. Keris shakes her head slightly and resumes her walk, glaring at one man who hastily turns back to the girder he’s painting with huddled shoulders.
She has an address to follow, and she identifies which one of the slightly-less-lavish palatial structures she’s meant to be meeting Sasi in. She slips in over the wall, scales the structure, and finds a luxurious room prepared for her, just like the message said it would be. She’s a little early because she didn’t get as lost as she feared, so she has about a day to relax, recover from her trip, and - as the note says - enjoy the Yozi-cultist servants waiting on her hand and foot.
After scaring the living daylights out of two of them by popping out of the bedroom with no warning - perhaps a little mean of her, but it helps dissipate some stress, so she forgives herself - Keris orders herself some fruit and tells them to draw her a bath, then goes looking around this place that Sasi has made for herself.
It is, to be honest, actually a relief to see it. She’s been worried for months - years now, in fact - about Sasi’s presence here in the Realm’s seat of power. Wandering the halls of this residence that would put many Saatan palaces to shame is physical proof that Sasi is, if not safe here, at least successful enough and unconcerned enough for her safety to live in wealth and comfort and keep a staff of Yozi cultists around her who haven’t been discovered despite the law-men walking the streets outside. The hissing presence at the back of Keris’s mind will never fully lower its guard while she stands on the Blessed Isles, but she can at least think of this as a safehouse, a place where she need not fear danger at any second.
The next day, Sasi arrives - and not alone. Far from alone. Because with her is a mid-height woman, with short, snow-white hair spiked up, an almost brusque black-and-white gown, and a cold and utterly artificial sculpted beauty.
Keris recognises her. She’s been at Althings since Keris came to Hell. She calls herself Glorious. Director of the Omphalos - which is to say, the Blessed Isle. First Crown of the Reclamation’s Third Seat. First of the Glass Spiders.
Not one, but two directors have come to talk to her.
Glorious strides into the sitting room, heading to the Gateway table that was set up by the servants as ornamentation. “Ah, Director,” she says to Keris, with a hint of warmth. “Wonderful to see you. So you play?”
“Poorly,” Keris admits with a rueful smile. “I’m more an assassin than a military commander, and Gateway pieces aren’t usually open to being coaxed into turning on their players.”
“Hmm.” And it’s such a calculated noise. Keris can hear the unspoken snub.
Sasi, of course, breezes in - but ah, she’s not Sasi right now. She’s Director Sasimana in front of her peer - and likely rival, because Glorious was the Director here first before Sasi got moved here. “Keris,” she says, radiant in soft teal embroidered with High Realm characters. “How was your trip? How are you finding Arjuf?”
“My trip was fine,” Keris says, giving Sasi a much more genuine smile. “And Arjuf is a novelty. This is the first time I’ve set foot on the Blessed Isles, and the satrapies I’ve spent time in weren’t as structured as this.” She’ll save her actual opinion of the place for later, in private. Or maybe not, since Sasi might take offence at Keris insulting her birthplace, even if she doesn’t like the people in charge much nowadays. “So,” she continues, shifting to mirror Sasi’s professionalism and directing her words to Sasi, not Glorious, “I’m sure you have the prep work I asked for. Run me through why I’m here, and leave nothing out. I’m not leaving anything in a job this important to improvisation unless I have to.”
Glorious doesn’t glance at the Gateway board, but the pieces start moving as the air ripples around her. “The briefing documents are being transferred by Director Sasimana and is her concern,” she says. There’s something about her accent - it’s not Sasi’s High Realm. “I’m not here for that. I’m here because the situation has changed since the contract was agreed at Calibration. Does the name Sesus Nagezzar mean anything to you?”
Keris closes her eyes with a faint frown as cover to prod Dulmea about it. Surprisingly, she does recognise the name. Nothing else, and no details about it, but she’s pretty sure she’s heard it before at least once. Possibly while Sasi was talking to her about work.
“Vaguely,” she says, as Dulmea returns the mental equivalent of a shrug. “I’ve definitely heard the name, but little beyond that.” She opens her eyes and raises an eyebrow at the other Director. “What kind of mess has he caused, and how is it going to impact the contract?”
“Nagezzar is one of the most prominent figures in organised crime, corruption, and blackmail - certainly outside of Sesusu,” Sasi says. “He is a grandson of the Third Scarlet, but on his first campaign as a young man he was rendered lame. As one of the Sinisi, he was always a man of vast appetites, but since his laming his habits turned into an obsession. But he was still kin to the Third, and had something of the Dowager Emperor’s mindset. He turned his indulgence into a crime empire - the Shadow Court, it’s called.”
She settles herself down, sweeping her robes around her. “Ledala Ama is a very straight-laced, boring Ledala-sort. Temperate, balanced, religious - her obsessions are the Ledala obsessions of knowledge, not of the flesh. The fact that she will be attending a somewhat risque bathhouse is already out of character. The fact that Nagezzar - that Slug of a man - is attending at the same time? Deeply suspicious.”
Keris purses her lips, nodding slowly. “Do we know what they’re plotting together on?”
Glorious lifts up one hand, the gateway pieces revolving around it. And just for a moment, Keris can hear unearthly melodies drifting across from her. “No one knows everything that man could have heard,” she says. “For Minister Ledaal Ama to deign to meet with him? It must be something big. These are the terms I’m offering; for a doubling of the contract fee, eliminate Nagezzar, and recover any information he has his hands on which might pertain to us. The same clauses about secrecy also apply to him.”
“Eliminate one of the greatest crime lords on the Blessed Isles and recover his secrets,” Keris says flatly. “In parallel to the minister I’m already assassinating. Without giving us away, and without alerting either of them before I strike to the point that they can escape - which means either completing one kill quietly enough that the other doesn’t notice before I hit them, or going after both of them at once and fighting two-on-one odds. It’s not beyond me, but twice the targets means rather more than twice the work, Director Glorious, and I was given no prior warning of this change to the contract we agreed on. Especially given that Nagezzar will be a lot more familiar with the tricks of my trade than Ledala Ama will be - and I’m not fool enough to think a dragonchild isn’t a threat just because he’s lame and fat.”
Glorious tilts her head. “What is your price?” she asks, cutting past all the bullshit. Cutting past it to such a degree that Keris hears the little micro-tension in Sasi, who had clearly been looking to negotiate more and probably wheedle Keris a bit.
((PoEU on how much it’s worth to her. Also IEI and WWOF for good measure.))
This short-haired woman is Keris’s superior whose raw presence makes her want to cringe back; her crystalline brightness trapping impossible light and a few stains of other tastes. The light from her gleams in the metal in the room hints at her power in the Realm in her reflections; her sheer influence exerted over the government of the Realm. But there’s no envy here, not at Keris. And so really here, she considers this job something she can pay Keris an emperor’s ransom to do and it’ll be done.
((E10, SWLIHN primary, Oramus secondary, traces of TED, Cece, Malfeas. No envy, proudest trait her Influence 4 over the Thousand Scales (the Realm Bureaucracy). It’s worth Resources 5 to her.))
((hot damn))
Jumping off that inner sense of value, Keris names a figure, and a short but vicious haggling session ensues, concluding in an agreement for three or four times the original contract price in a yet-to-be-decided form. She may have need of funds down in the Anarchy, but in case her spree of robberies for Director Veil in the South proves unexpectedly fruitful, Keris makes sure to leave open a way to take the payment in artefacts or manses or similar non-liquid forms.
Leaning back in her chair feeling fairly satisfied with the value of her services, she nods. “Alright then. So both my targets will be meeting in a bathhouse. Director Sasimana, you have the details? Walk me through them.”
“Good. That’s agreed,” Glorious says. “I have to be on the other side of the Isle tomorrow, so I’ll leave this in your hands as this is your project, Sasimana. Director Dulmeadokht, it was... pleasant to exchange some words with you. You have a most peculiar melody.”
“... so I’ve been told,” says Keris bemusedly, and gives the base minimum of a respectful nod as Glorious leaves. She waits until the Defiler is out of earshot before raising an eyebrow at Sasi.
“So I’m guessing you knew my opinions on people changing the job at the last second when this came up,” she says drily. “Was it that recent that you couldn’t get me a warning, or did she throw her weight around?”
“Both,” Sasi admits, letting down her guard. “She’s... not someone I can get on the bad side of, but this was something I only picked up in the past week,” she says, wrapping her mind-hands around Keris’s waist. “The Slug was a presence on the periphery of court when I was a girl. Someone talked about as a warning and an example of what happened if you let yourself go. But he’s only grown fatter since then. I don’t think you’ll have much problem securing the kill between his incapacity and his habits. Though remember not to use plant-based poisons on him.”
Keris nods thoughtfully, moving into her embrace and hugging her back. “I’m still not going to underestimate him. He’s a crime lord. If he was an easy target, he’d be dead already. What about the minister?”
“No soldier or nun; still not to be underestimated,” Sasi says seriously. She produces several thick binders from her shadow, and naturally Keris goes for the maps first. “We can get started, and break for lunch. How are you liking the townhouse, by the way? It belongs to Ledala Maka, who’s one of my people, and she’s more than willing to contribute a townhouse she barely uses to the righteous cause.”
“It’s, ah... nice?” Keris shrugs. “I feel better for seeing it, at least. I’ve been... really worried about you here, and I know half of what I was picturing was silly, but, like. It helps to see you’re in a nice fancy rich place like this, and that you feel safe enough to have Yozi cultists here in the middle of a big Realm city. Means you probably aren’t in the kind of danger I’ve been scared about sometimes.”
She wrinkles her nose. “Although,” she adds. “Are all Realm cities like this? So...” A hair tendril waves vaguely. “Square and samey?”
Sasi rests her hand on Keris’s. “The Ministry of Perfected Geomancy tries to ensure that important cities are properly designed, but Arjuf is special. The Ledala have put the profits of the southern trade into this city for hundreds of years. It’s not just about the geomancy. It’s also about having a city that dominates the Caracal River. The walls here would make taking this city a nightmare, and laying siege to it is nearly impossible. And,” she sniffs, archly, “it’s very Ledala to make sure they know everything about people’s comings and goings.”
“It’s awful,” Keris huffs. “Nexus is - was - much better. Saata, too. Everything here feels like... like a bonsai tree wrapped in so much wire it has to grow in straight lines and right angles. Bleh.” She cocks her head. “Wait, special? Is this a big city, then? I mean, it’s bigger and richer than Saata, but I figured that was just a not-in-the-far-Threshold thing.”
“It’s the second-largest city in the Realm,” Sasi says. “Arjuf is the gateway to the South. If you were even to look at Myion, you wouldn’t be so impressed.” She catches Keris’s blank look. “That’s in the West, on Daoshin; the ancestral holding of the Cadaca.”
The names don’t mean much to Keris - the Great Houses of the Realm never have - and so her only reaction is a “huh” of interest. Second-largest in the Realm? So this is only one step down from the capital. One of the greatest cities of Creation, standing up there with Nexus and the Imperial City.
“Anyway,” she says, shaking the diversion off. “Let’s get down to details. Tell me as much about this bathhouse as you can, and when the targets will be there.”
“First let’s sit down and have a meal together. And I’ll provide a more detailed briefing on the targets and the location,” Sasi says.
After an excellent meal, Sasi takes Keris to the attics and starts to set up her briefing presentation, fishing things out of her shadow as papers and maps and documents float around her. “So, a little more on your targets - including some things Glorious might not know so I wasn’t going to say in front of her,” Sasi begins, hands folded behind her. “Let’s begin with the main one; Ledala Ama. Or Ledaal Ama, if you are to use the - tch - uncouth Low form of the name. “A member of a branch family of House Ledala, Ama is the youngest of her three siblings, but the only one chosen by the dragons. Her mother was mortal, and died young; her father Otomo never remarried. After her brother died in a duel and her sister was assassinated, Otomo clung to his remaining child becoming sour and possessive. He cowed his shy, withdrawn, and bookish daughter, driving her on with crushing pressure to prove herself to not be a failure.
“Because of her psychologically abusive father, Ama is constantly trying to prove herself. That served her father well, who in his latter years took great pride in his daughter’s rise into the Empress’s confidence. Shortly after her elevation to the status of an Imperial Minister, he died in his sleep - young, for a Dynast in seemingly good health, but not exceptionally so. For her part, she had an intense love-hate relationship with her father, but even more than that despised herself for not being strong enough to stand up to him.
“Even after his death, the same obsessive drive still holds her in thrall. Keris, the Minister of the Office of Foreseen Cataclysms is a dangerous woman. Part of why the Fourth Scarlet promoted her so high is that she is no great fan of social events and feels no great affection for her broader family. Normally, she stays within the high-end security measures in her personal estate, an ancient war-manse guarded by both automata and the numerous dragon-child bodyguards she is entitled to as an Imperial Minister. Not something you want to risk yourself on, I’m sure.”
“Not if I have any choice about it,” Keris agrees, wincing at the thought. “Minister of Foreseen Cataclysms. As opposed to Unforeseen Cataclysms, I guess? We’d fall into the latter - what kind of thing does she deal with?”
“Ah, perhaps it is not the best translation.” Sasi looks pensive. “She is a minister tasked by the Empress with foreseeing potential threats to the Scarlet Realm, so that the Scarlet may best act to avoid and mitigate them. So, for example, one thing she does is identifying regions where it is known little is known about them, because those places are locations in the world where the Lunar Anathema - or, now, the Solars - might gain power. She has authority over the Imperial Astrological Society, and - well, I know for a fact that she was nearly dismissed when she did not predict that there was a risk that Thorns might fall to the Dead.”
“So, a reclusive, anti-social woman who’s married to her work and is paranoid both by upbringing and by job description,” Keris summarises. “And she’s going to a seedy bathhouse to meet a crime lord of vice and degeneracy. Yeah, I can see why you’re suspicious.” She considers it. “You think she thinks he knows something about another upcoming problem for the Realm? A problem that might be us?”
Sasi inclines her head in acknowledgement. “The ranks of those who serve the true masters of the world are not... flawless in their devotion,” she says delicately. “There are those who waver, and more than that, there are those who hear things they shouldn’t. Enough that they might take fright. And have. And there are those who can put together rumours. The Realm has spent a long time looking for Anathema - mostly moon-Chosen, but these days they also look for the sun princes and the dead princes. And while it is the policy of Glorious that her directorate pretends to be Solar Anathema, we... don’t exactly glow yellow.”
Keris wrinkles her nose. “I guess keeping our spot at the table secret was only ever going to last for so long,” she admits. “And once we’re known, it’ll be harder to keep our hand concealed. Star-chosen can summon citizens and interrogate them.” She pauses, running over her acquaintances in her head. She’s pretty sure nobody who Heaven can summon know precise details about her identities in Creation. Asarin and a couple of others would be able to say she was in Saata, though, and a description of what she looks like could lead Heaven to Cinnamon.
Fuck. Probably a good idea to lay in some plans to sacrifice that identity if necessary, even if it’d hurt like hell. On the other hand, Asarin’s fairly obscure, and while Keris has a solid measure of fame in the Reclamation and on the stage, her personal life and friendships aren’t as well-known.
“Alright,” she says. “Go on.”
“Ama is a deeply religious woman, obsessed with cleanliness - both spiritually and physically. That is one of the few things that draw her out of her fortress-home. However, normally she goes to Immaculate temple-baths. To go to a pleasure-house, especially one attended by sorts such as Nagezzar, is not something she would normally do. She will likely be out of sorts there. Moreover, she will be wanting to hide her presence at such a place, and while her bodyguards are mostly loyal to her, she will minimise the risk that another minister has bought one of her men. Her demeanour is reserved and awkward, sometimes cripplingly insecure and sometimes tending on megalomania. When she speaks, it is in fits and starts, jumping between ideas as they strike her. Intellectually, a genius, trained in the Heptagram - though not a sorceress - and with the full archives of House Ledala to put things together. She is a great threat to us, Keris.”
“Mmm,” Keris nods, thinking hard. “Okay, levers. She has issues with her father, even well after his death. Can’t see a way to exploit that crack, but it’s there. Obsessed with cleanliness, she’ll be ashamed and off-balance while she’s in this place. Sometimes insecure, sometimes ambitious to a fault, jumps all over the place - like a combination of Haneyl and Eko but more awkward than either. Dangerously smart, but not a sorceress. Dragonblooded, but not trained as a soldier or a nun.” She taps her lips. “She’ll have fewer bodyguards than normal, but still some, and they’ll be Dragonblooded as well. Where does she get them? Legion drop-outs, ex-monks, Lost Eggs? Will she have them go in with her? How much is she likely to trust them?”
“She will likely only take her two most trusted bodyguards with her - Ledala Iki, her cousin who’s been in her service since she was a girl, and Itadi Amado, a former legionary assigned to the Guardians of the Imperial Ministers. Iki - she trusts implicitly, though my agents inform me that Iki resents her subordinate position. Amado is a professional and a member of a lesser house. As best I can tell, he’s resolutely apolitical; the Guardians are rewarded very well by the Thousand Scales if they reach the end of their time.” Sasi taps her index fingers together. “I’m not sure why Ama trusts him over her other bodyguards.”
“Hmm. Okay. I’ll work them out later.” Getting up, Keris starts to pace, flicking one of Ascending Air’s curving blades out into her hand and flipping it over and over on itself as she thinks. “Nagezzar, then. My other target. Grandson of the Third Scarlet, lamed in his youth, crime lord, vice lord, king of the Realm’s seedy underbelly. If you tell me he’ll be unprotected, I’ll laugh. What am I in for?”
“What has not been said about Nagezzar - the Slug? Born to the highest blood in the Realm, grandson of the Third Scarlet - but crippled in his first battle before even the age of twenty. A failure in his grandfather’s eyes, and the eyes of the Third’s faction at court, when he had been raised to believe that he would be the old man’s protege. Cast aside. Left to stew in bitterness.” There’s a tone to Sasi’s voice, the kind she’s using when she’s hiding things.
Keris looks at her for a long, thoughtful moment.
“Do you know him?” she asks, bluntly. “Did you know him before?”
“Nagezzar is one of the most powerful crime lords in the Realm,” Sasi says in a level tone. “Where other crime lords might have their influence in a city or a prefecture, Nagezzar’s name and bloodline lets him operate in the highest levels of society. Every year, young debutantes are brought into his orbit. Pulled into his debt. Offered a taste of what he can do as a friend. Many don’t progress past that stage. He doesn’t get anything major on them. But others get pulled into his roots.”
The other blade of Ascending Air flickers out into Keris’s hand, and her hair rustles. “So that’s a yes, then,” she says with lethal, silken calm. “He got his hooks into you. Another grandchild of another Scarlet - another disappointment, even. Just like him.”
And he warped her, she fills in silently. Sasi has been an indulgent soul for as long as Keris has known her. When things get hard or when she gets stressed, she runs and throws herself into sex and drugs and booze. Is Nagezzar who she learned that from? Is he the one who taught her such unhealthy habits? The one who pushed her into using them to excess, playing with her until they were her only escape from pain?
“He hurt you,” she says, and there’s a hiss at the back of her throat, a faint chiming from her hair as her feathers rattle together.
((Prodding Sasi in the “Keris (My Invincible Protector)” Principle; Keris has worked out or guessed that Negazzar hurt her in the past and immediately reacted by wanting to murder him for revenge, not just money.))
((Oh Sasi. She likes it when Keris gets protective.))
“Not me personally. Not too badly. But one of my closest girlhood friends got in far too deep,” Sasi says, face totally neutral. “It ruined her life. And matters did not… end well for her.”
“... we are going to come back to that ‘not too badly’ qualifier later,” Keris promises in dark tones. “But fine. He dies. Painfully. What’ll be defending him? Is he a sorcerer? He’s a Wood Aspect, and from his job he sounds more focused on corruption and manipulation than defending himself. I can’t believe he won’t have bodyguards - and unlike Ledala, he won’t be ashamed to be seen in this place. What kind of defences does he have against people with stories like yours trying to have him killed?”
Sasi pauses, shuffling documents with her mind-hands. “There will certainly be bodyguards - bought dragonblooded, mortals, the guests who will jump to his defence. But in many ways, what keeps him safe isn’t force of arms. He has blackmail on enough people that he’s untouchable. The last time a magistrate tried to make a move against him, the magistrate,” she cleared her throat, “fell on her own blade. Even I don’t know what actually happened. It’s just accepted that she killed herself, because no one wants to look too closely. He’s a sorcerer, if only a dabbler - but he certainly has sorcerers on payroll. And in his debt.
“You might be wondering why we don’t just make use of him. But - and this is why he is a problem - there is… a certain moral core there. He wants revenge on the Realm. But he wants revenge, I think, by making it come to him. Making it have to show him respect. Making it beg him for assistance. He’s not someone we can use, but he’s a rival who operates in the same spaces as us. And he’d revel in making the Realm throw him a triumph for revealing the existence of hellish Anathema - and goodness knows what the Star-Chosen would do with him as an asset. If he isn’t one already.”
“Hmm,” Keris grunts, flipping her kris end over end again and catching it with its point idly balanced on a fingertip. “So his main defence doesn’t work on us because I don’t care what I break by killing him. Fine. That still leaves a lot of lesser defences. Not many easy flaws to exploit in him - not in his head, anyway. Most of his will be physical. Fat. Lame. Maybe drugs in his system, if he uses any that aren’t plant-based for the sake of actually feeling the effects.”
She wheels on her heel and goes back to pacing, head down, hair flicking from side to side like a cat’s tail just before it pounces. The bone-porcelain knives of a fourth-century Realm treasure flash and leap in her hands like living things, their curving blades seeming to undulate like bending fabric instead of brittle china as she parries and cuts at the air.
“... what do you want this to be, Sasi?” she asks eventually, looking up. “Obviously the truth is out. How subtle are we going? Where’s the line to be drawn? What’s going to kill Ledala Ama and Sesusu Negazzar? A Lunar Anathema that flees back into the harbour? A Dragonblooded assassin hired by some player in the fight for the Throne? If I can pull off having them both found dead with no sign of who killed them, do we even want to leave it open, or is there a faction we want to frame? What’s the story we’re telling here?”
“I would like it as quiet as possible,” Sasi says simply. “If there’s no overt assassination of the Slug, people will tear into each other trying to control his crime empire. Failing that, make it look like an internal threat, from a dragon-child. I don’t want to give the Realm an external enemy to unite against. Likewise, if you can silently kill the minister, the bathhouse will cover it up and make it look like natural causes.”
“Mmm. Okay, so as silent as possible. Do you even want the bodies found, or should they just disappear?”
“Too perfect a disappearance will ask questions. But there’s a balance there to be had to get your job done.” Sasi raises one thin eyebrow. “And I suspect you’ll want to hang around the bathhouse longer, so you’ll want more time. Given what you had me collect to make your daughter, I suspect you’re already thinking of reagents for flesh-forging more dragon-blooded children.”
Keris grins unapologetically. “You got me. So, the site, then. Tell me about this seedy bathhouse. Where is it, what’s it called, who runs it, who owns it, how big is it, the layout - as much as possible. It’s the best place to make the kill, but I need to know every inch of it if I can.” She hums to herself. “And yeah, I’ll insert myself as a servant there a few days or weeks in advance to get the lay of the place in person and collect some materials. I can use Elloge to be an unimportant bath attendant easily, though it’ll be better if I have a proper cover identity.”
“First, the location. The meeting will be occurring in the Cerulean Blessing bathhouse, located in the hills over the town of Kaoda. Kaoda is east of here, past the Dragonswrath Desert, located in the Halcyon prefecture. Precision geomancy has turned that land into a picturesque paradise of emerald hills and shining silver beaches, and it makes for a favoured vacation spot for much of the Dynasty’s more contemplative scions, who in turn have cultivated a rich artistic tradition in the locals. Kaoda itself is famed for its hot springs. Quite the resort, and it’s close enough to Arjuf that one can travel there to take a few weeks holiday for a brief constitutional.”
Nodding, Keris commits the location to memory - which is to say, asks Dulmea to write it down for her - and makes a note to get a look at a map of the place. “Right.”
“The Cerulean Blessing is run by Ahana Nuri. She is firmly in the pocket of the Slug, and this bathhouse’s reputation is somewhat tarnished. It is only tarnished because rumour is it that she has more than a little talent for covering up shameful events. Cadaca Su drowned in the baths here five years ago, but there was no indication of foul play, despite the beliefs of some of her friends. While it is a pleasure house, there is superficial respect shown to the Immaculate faith and so a small shrine is maintained on the northern side of the compound, kept notably distant from the main body of the resort. Likely so the few monks and nuns present at the shrine do not have to see anything they would be obliged to condemn.”
“Huh. I see.” Keris purses her lips. “So, Ama can die in a way they can cover up, and they will. How will Nuri react to Nagezzar’s death?”
“Panic, fear, worry that she’ll be eliminated by other members of his organisation or by his blackmail targets for having got her hands on his secrets,” Sasi says, with a hint of cruelty. “Such a shame.”
“I more mean what will she do, but alright, I guess it doesn’t matter,” Keris says. “I’ll make it messy, then, but contained. Paint the walls with him in a private room or something.” She flicks Ascending Air back into un-being around her wrists, and cracks her knuckles. “Targets, location, constraints, clean-up. That just leaves timing. When is this meeting set for? How long do I have to prepare?”
“The Slug left the Imperial City ten days ago. Ama has not left her mansion, but there are signs of activity and preparation for moving. It’s likely that given how Ama can be, she will schedule the meeting for the night of the fourteenth when the moon will be fullest and the risk of Dead or demonic spies least.”
“Twelve days,” Keris murmurs, twisting her interlaced fingers this way and that. “Well then.”
She rolls her shoulders and cracks her neck.
“Better check out this bathhouse while I have time.”
Sasi smiles. “The bathhouse has an excellent reputation. I quite enjoyed my time there. Fine masseurs, an excellent mechanism that mixes cool river-water with the hot springs to set the baths to a pleasant temperature, a good selection of spirits and wines, and of course plenty of very friendly assistants and courtesans who are very much the Slug’s people. There are lots of ways for people to move around unseen in the Cerulean Blessing, between the access tunnels, the staff corridors, and the upper levels of the buildings. Do try to enjoy yourself, my love.”
It is raining in Halcyon when Keris arrives. Not the heavy rain that hammers Saata in the rainy season, but a light, almost misty drizzle that matches the fog that clings to the mountainsides during this season.
But even the fog is sculpted, engineered to aid in the beauty of this landscape, in the hills of Halcyon up from the justly famous beaches. It is seldom so thick as to obscure the gorse, the heather, the groves of cherry trees whose perfumed wood burns in the braziers. Instead, it adds a note of romance and mystery to the landscape, and as Keris approaches the bathhouse-resort it seems to float above the hills as if enchanted by some sorcerer.
She checks in with the invitation offered to her by Sasi, wearing a false face. The lady Kaora is a Nexan merchant princess extended an invitation to the Cerulean Blessing by Cadaca Moi, who unfortunately has been unable to attend himself due to family matters. Sasi assures Keris that the cover story is loaded with the implications that Moi is getting his mistress out of the way when his wife is around, and that’s far from uncommon for foreign guests at the blessing. Certainly, the staff show no surprise to see a Scavenger Lander here, and in fact assure her that her High Realm is very good and her Low Realm is nearly flawless.
Their flattery is a joke. Keris - out of desperation to try to avoid having to have Sasi cram the knowledge of the language into her mind using the gifts of the Principle of Hierarchy - has found a way to borrow knowledge from those she’s infected with her Haneylian seeds. Stolen words occupy her forebrain, pulling her thoughts into languages she’s never learned. It works enough to be a foreign merchant who can talk in Low Realm with a Nexan accent and knows a few words of High Realm.
“... and this is your suite,” the attendant tells her, showing her around a place that’s nearly half the size of her bedroom at home. “If you need anything or have any questions, just ask.”
“Thank you,” she says, which is a phrase that’s seen a lot of use in the past half-hour or so of being shown round. “I will.”
She waits until he leaves, then flops across the bed and considers what she’s learned. Her tour may have been standard, but what was meant to show a mortal guest around has revealed considerably more to someone who can hear through wooden walls with ease, lick traces of scent and sweat off the walls with subtle finger-mouths and sense the prides and envies of the staff and guests as she leeches on their expectations of how she might behave.
It was certainly informative. But now she has a bit of a headache, so it’s time to lie down and evaluate her findings.
((Retroactive dramatic Investigation action to scope out the place with hearing, taste rolls that can get me a man’s eye colour from a drop of his sweat, WWOF/FtFF on the staff to get a general sense of the kind of people they are and the kind of person they expect me to be, etc.))
“Well, well, well,” Dulmea says inside her head. “You’re in, child. And this is an interesting place. It could almost be a Hellish bathhouse, if it wasn’t for the aesthetics. The dragonchildren here might as well be citizens. And the staff are serfs in all but name. I’ve worked in such places before. If you are careful, this will be well within your skills.”
The sound of mandolins drifts in through the paper screens. The bathhouse here is tall, and feels to Keris’s senses like it’s almost a demense. The blending of fire and water here is deliberately cultivated. The structure is built into the hillside, with the resort above the surface and the servants and the less sightly aspects set back into ancient caves. It reminds her of Triumphant Air in that way, where the poorer people lived in the magma tubes. The baths lie at the centre of the compound, a cascading series of pools that mix the mineral-rich boiling water from the spring with cooler river-water from an aqueduct. Around it are set structures. Some of them, boringly staid and respectable. Others, rather more discrete in their salacious tastes. It might be the middle of the day, but Keris can hear what is going on in some of them, and taste the opiate-smoke and burning coca leaf (to name but a few of the alchemical diversions) on the air.
The staff, for their part, are... hmm. Maybe jaded isn’t the right word, but it isn’t exactly the wrong one, either. They’re very used to entertaining the every whim of spoiled hedonists, mortal and dragon-child alike. They’re not sure what Keris is going to ask of them, but at least she’s not a dragon-child so she’ll probably be less demanding if she isn’t perfectly satisfied.
“Well, I’ve been here half an hour and I’ve already seen a dozen different ways to stage an ‘accident’,” Keris murmurs under her breath. “With so much pipework around and how hot the springwater is, it’d be pretty easy to set up a fatal steamburst or boil someone alive in their bath. Or add a paralytic to a tub to drown someone. I could probably get something toxic and mineral-based into the food or drugs pretty easily, if a target isn’t wearing poison-detecting rings while they’re stripped down.”
She stretches, languidly melting back onto the forgiving mattress. “And then there are the people options. I saw masseuses, that’d be an easy way to get access to someone while they were naked and unarmed - I could even take my needles in openly. I could leave an explosive under someone’s bed as a maid, or garrotte them as a bath attendant. Plus, Sasi said Negazzar’s hated. It’d probably take barely a nudge from, uh, Erembour’s gifts, to get someone to go after him. Or I could even pretend to be the kind of person he likes to target myself.”
She rolls over, lying on her stomach and kicking her legs up behind her to tread the air with curling toes. “I think... we’ve got a week or two until they arrive. For now we’ll scope out the bathhouse as thoroughly as possible, including the back ways and servant corridors and secret rooms at night while most of the staff are asleep. Maybe play servant a few times to see how easily I can move around as one and grab some samples from the Dragonblooded here. I won’t lock myself into a precise method for the kill until the targets arrive and I can judge what’ll work best on them.”
“If the Slug is as lame as Sasimana reports, he won’t easily be able to escape such a malfunction in the baths,” Dulmea agrees. “But it is best not to monofocus yet. Some very interesting ideas there, child. And,” there is a wry note to her tone, “no doubt you are looking at some of the features here and considering how to steal them for the Jade Carnation.”
“If I was on Triumphant Air I could get hot springs,” Keris mutters sulkily. “Stupid Immaculates stealing the good places. But yeah, the piping work here is really advanced, I definitely need to steal the... well, not the boiler design, since they don’t have one, but the way they pump it to guestrooms. And I don’t know how they’re separating off their drug-rooms from the neighbouring areas, but the opium smoke wasn’t spreading anywhere near as much as it should have. Air pressure, maybe? Some kind of pumping system that draws it away? I’ll have to look into that, too. I guess it’s the same sort of thing whether you’re piping water in or drug smoke out.”
“Perhaps, child, you might to visit the baths so you can look at the mechanisms for the purpose of seeing how easy it would be to tamper with them and also act to relieve that headache of yours,” Dulmea suggests.
“A fine idea,” Keris agrees, and heaves herself upright. “But first...”
One thorough check of her room for listening-holes and spy-points later, Keris saunters off towards the baths contemplatively, catching a servant partway there and ordering some light wine and cherries as a snack. She takes her time as she goes, admiring - well, evaluating - the art the resort is plastered in and listening to the rushing of water through the walls as she finds a bath that’s not too crowded to exacerbate her headache, but has a few other people she can watch to see how things work.
She notices fairly quickly that the artwork varies quite radically depending on where you are in the resort. The buildings for more puritanical guests go for abstract intricate artwork of geometric patterns that evoke rivers and flames. On the other hand, the more - ahem - salacious places don’t respect the aniconism of the Immaculate Faith, and damn near approach the art styles Keris was using in Love Unchained. The dragon-child artist behind this must have known exactly what they were doing. Keris sort of wants to have a chat with them.
Though of course, those buildings and sections are often much more sealed off, and Keris’s little jade guest-necklace isn’t enough to get her into them. She can hear the structure of the rooms and the patterns of the paint, but she’s missing the full experience. That’d cost substantially more, because there are certain places in the report that only the five-jade guests are allowed into, and Keris’s cover is only a red jade guest. Which is to say, still costing vast sums, but the kind of vast sums that might be spent on impressing a visiting merchant and-slash-or getting your mistress out of the way of your wife.
So, she has the choice here of what kind of bath she will make her first appearance at. One of the more puritanical ones? The ones which seem closest to the ‘default’? Or one of the ones that are distinctly closer to the risque end of the spectrum?
After some consideration, she decides to start at the risque end of the spectrum. Negazzar will certainly be spending his time in the lewder areas, and from what Sasi said about how he wants to hurt the Realm by making it come to him... Keris wouldn’t put it past him to try and force Ama to approach him in such a place for their talk. It’s the kind of petty, vicious humiliation Keris might go for in such a position.
It is still early in the day, so she presents herself at the Bath of a Hundred Delights. The attendants are somewhat surprised, she can tell, but then they hear her Nexan accent and it all makes sense to them. They’re not sure if she’s a depraved Nexan or she just doesn’t understand the context, but it doesn’t matter to them. She gets led into a private area where she’s offered her choice of washing, waxing, and other pre-bath beauty treatments. The windows are shuttered closed and the air is perfumed, and statues of cavorting onis and fire ducks gleam in bronze. Keris can hear the water rumble in the pipes behind the, the force of the water pressure making the statues slowly shift and move.
She plays the spoilt but fairly personable merchant princess, with enough demands that the attendants can tell she’s used to luxury but none that are particularly strenuous, difficult or unreasonable. A wash and a foot rub relax her while she lets her attention drift about the room, guessing at the kind of force behind those moving statues, the way a gear might be sabotaged to send a great bronze arm crashing down on someone’s head or a wing snap out into a throat with terrible force. While they wash her hair and scrub her back, she listens to the way sound travels through the pipes from where it’s pumped in, pinpointing the places where boiling water runs closest to the walls.
There’s a lot to work with here, for sure. No shortage of method. The problem will be witnesses.
((/r 10d10s7c10 #ISpyInTheBathhouse))
((Keris rolled 2 <2; 9; 7; 1; 6; 5; 1; 5; 2; 6> #ISpyInTheBathhouse))
((/r 18d10s7c10 #LookingForPreBathSabotagePoints))
((Keris rolled 3 <1; 5; 5; 7; 6; 2; 2; 4; 2; 7; 8; 2; 2; 1; 2; 4; 5; 3> #LookingForPreBathSabotagePoints))
((Bleh.))
She can hear that it’s hot water driving the statues, and there’s gears and valves going on. How hot? Exactly how does it work? She’s not sure. The attendants are just making too much noise and she’s sort of sleepy. And they certainly don’t let her get up and start poking the machinery. They’re... quite careful in guiding her back. She suspects that too-curious people have probably gotten hurt - or damaged the moving statues - by meddling with them.
Once she’s cleaned, she’s guided into a larger central mixed-sex bath, where pre-mixed water cascades down from one wall into a wide and shallow pool. There are more statues here, though they don’t move, instead holding bowls of burning perfumed oil that light up the blue-and-golden tiles that decorate the floor and ceiling. One wall is open to the elements, looking out over the misty valley, and there’s a man there leaning on the balcony and smoking a pipe. A couple of women lounge in the pool, sharing a bottle of wine, while another man sits cross-legged under the waterfall with a younger man’s head at his groin. Behind a paper screen, servants play languid music.
Sleepy-eyed from the footrub and sulky at being shooed away from the clever mechanisms that she can’t work out, Keris looked over this... this... oh, fine, this admittedly gorgeous bath where people are having fun and it’s all pretty and clever and better than her Jade Carnation even though it’s the Realm’s and it’s owned by the Slug asshole who hurt Sasi and is just awful and...
Mercury blooms in her heart, cold and sweetly bitter.
((EH Principle formed: “I’ll Kill the Slug in His Own Pretty Bathhouse”))
((/r 19d10s7c10 +4 #MercuryFuelledSpiteInvestigation))
((Keris rolled 16 <1; 8; 10; 6; 2; 5; 8; 5; 10; 6; 10; 8; 8; 7; 3; 7; 5; 5; 1> #MercuryFuelledSpiteInvestigation))
((Much better.))
Keris looks around, and driven by her hateful envy, it’s all laid clean to her. The water flow is pre-mixed here, but not too far up-stream. The aqueduct carrying the cold water has a branch running to each bath, but each pool is built around its own channel of the hot-water springs. Could she just cut the cold water? No. There’s enough water in these baths to dilute down a hot addition such that anyone could get out in time. Something more would have to go wrong. Maybe a breach to the hot springs themselves, so that vast bubbling cauldron underground turns into a geyser. Presumably there are geomancers or other people who maintain it to keep a proper flow and stop such a disaster happening. And-
“Ah, hello!” It’s one of the two women with the wine, something slightly southern in her look and her coal-black hair. She’s a young flame, but a flame none-the-less to her watery friend. “You look new!” Keris’s stolen High Realm thoughts aren’t in good shape, but she’s pretty sure that’s what she said. “I’m Cadaca Heisi, and this is my friend,” and there’s the twist of her lips, “Pelepese Seheca.”
((Heisi - Fire aspected, E3. Seheca, Water aspected, E2.))
“Ah, hallo,” she responds awkwardly, caught flat-footed for a second but recovering swiftly. “I are- am - Ahangara Kaora. I come first time this bath to... uh...”
She pauses, makes a briefly frustrated face at the awkward syllables and grammar, and switches to Low Realm. “I’m sorry. My High Realm still isn’t very good. This is my first time here, yes. Lovely to meet you.”
Seheca laughs in a somewhat superior manner. “You’re lucky you’re cute,” she says, flipping back her wet pale blue hair, “because otherwise I might have to duel you for making such a butchery of the tongue.”
Heisi elbows her in the ribs. “Stop that!”
“Honesty is of the dragons.”
“Stop scaring off the pretty girl.” She gives Keris a startlingly vivacious smile. “Care to share a drink? Where are you from, and are you here with company?”
“Well, I’ll never say no to a drink with a pair of beautiful, dragon-graced ladies,” Keris flirts back, with an admiring look at both Dynastic women. “And you can probably tell I’m from Nexus, though it’s been a few years since I was there. Lately I’ve been staying with Cadaca Moi over in Arjuf, who gifted me with an invitation here but was,” she smiles, “sadly unable to attend with me due to pressing family matters.”
“Oh, Moi. I vaguely know him. He’s my second cousin once removed,” Heisi says, offering Keris a little cup of rice wine.
“Wasn’t he the one who got drunk at that party and duelled Sesusu Ali?”
“No, no, that was Sui. Moi was the one who fell off his horse at that hunting meet in Scarlet.”
“Oh yes! Right into a cowpat!” Seheca laughs behind her hand, locking eyes with Keris. “What a buffoon of a man. Though perhaps I shouldn’t say that, if he’s the one paying for you to be here. He’s in trade, isn’t he?” she asks her companion.
“Yes, very much so. Especially the relic trade from the Scavenger Lands.” Heisi gives Keris a somewhat tipsy, but still evaluating glance. “Are you a scavenger lord?”
“Solely a merchant princess nowadays,” Keris deflects, accepting the wine. “I have a few stories of my scavenger days, but honestly, most of them were spent wading through mud and finding few relics. The finds we did make were the start of my career, though.” She smiles fondly, thinking back to those days in Matasque with Sasi - years ago, now. She’d been so very young, back then.
“Ah ha.” Heisi nods. “So have you only just arrived? How are you liking things here? We’ve been here a week, because - well, I just find Water such a depressing season, so I really do need a constitutional away from my husband.”
“What she said. I also need a constitutional away from her husband,” Seheca says dryly.
“My, what a surprise,” Keris gasps, raising a hand to her mouth in faux shock. “I was in dire need of a constitutional away from... well, not my husband.” She smiles slyly. “Truly, it’s amazing how many constitutionals young ladies find they need away from men. You’d think there was something wrong with their gender.” She blinks innocently. “Or perhaps it’s just that women make for better company?”
The conversation takes a pretty predictable path from thereon in, and within a few minutes, Heisi is kissing her. She tastes faintly of ash, and she’s warm to the touch like she’s running a fever. “My room, your room, Sehe’s room, or right here?” she breathes hungrily.
“I don’t see any reason to move if you don’t,” Keris murmurs back, hiking herself into the little flame’s lap. Zanyi... might have had the barest hint of a point. While she might stomp and scowl about being small, it’s very nice to be able to comfortably use her partners as furniture. She drags a hand through Heisi’s hair, stroking and massaging in ways that have the taller woman’s eyes flickering shut and a low groan arising. Meanwhile, Keris’s toe traces up the inside of Seheca’s thigh, and she winks invitingly at the Water dragon as Heisi tugs her into another kiss.
If there were more people here, or the environment wasn’t already basically one of sex and indulgence, she might hesitate. But if two Dragonblooded like her, she’ll be able to use their status as cover - perhaps even getting invited into more secure areas - and Heisi is clearly turned on at the thought of staying right where they are.
She’s not a bad kisser, either. Not a bad kisser at all.
In the end, they do wind up going back to Seheca’s room. But only to get dressed for dinner, and in the end Keris doesn’t sleep in her own bed that night.
Still, it’s an informative little experience, and not just because it’s the first time Keris has really spent around a ‘regular’ Dynast, rather than Sasi who is very special in her own way. Seheca has a prefecture position under Heisi’s husband; Heisi works (Keris suspects) in House Cadaca’s intelligence bureau. These two know that this place has links to the Slug, and reading between the lines, Keris can tell he has his hooks into them, albeit shallowly. They come here a little more than they can afford, and stay in better rooms. They’re cheating on their husbands, and Heisi’s husband doesn’t know even if Seheca’s does (and doesn’t care). Seheca has a thing for gambling and has some debts because of it. Small things, not enough that he can be said to control them, but enough that he could put pressure on them if he wanted.
And yes, Heisi mentions in passing. If she’s interested, she could get Kaora a rather exclusive invitation to some of the more... out there parties for Dynastic guests who move in the right circles. Especially if she has any entertaining stories or exotic skills that could make her a more fascinating guest.
Keris of course makes all the right noises of interest, and mentions - and demonstrates - some of the exotic acupuncture she picked up on her travels, and the pleasurable uses it can be put to. And of course that starts off round... something, Keris has sort of lost count at this point, but it makes for a very entertaining morning nonetheless.
“Child,” Dulmea nags - sorry, reminds her with a distinct feeling of foot-tapping as Keris leans out over the balcony, admiring the sunny day and really wishing she wasn’t so limited by what she could show these dragon-children. “Do you have a further plan for these two, or are you intending to spend the whole day in bed?”
“I was making sure they are very fond of me,” Keris says. “Very very fond, so that a naughty little suggestion will be enough to get them to invite me into the more restricted areas of the bathhouse, and so that another naughty little suggestion will more easily convince them to swear I was with them all night when the Slug’s found boiled in a bathtub - because I was just off with a handsome young man from the staff, but if anyone finds out that I can’t be accounted for, suspicion might fall on me, and wouldn’t that be terrible?” She stretches in the sun, and wonders how Kali is doing. “Just preparing my safety net, mama. It’s good to have assets in place, right?”
“Yes,” Dulmea says, a bit more warmly. “I sometimes judge you, child, but you are not me. You find paths I would not thought of.”
She pauses.
“But I do think you might want to do other things today,” she chides.
Keris does in fact listen to Dulmea. Eventually. She emerges before noon for a nice relaxing massage. And that means she has doe-eyed girls to fawn over her and pay attention to her stiff back, which is a great burden of her job. How in the world will she deal with it?
Of course, while she lies there, she’s more than able to chat to the workers here. She learns some of their names, she gets some gossip - because she is an excellent listener and they find themselves opening up to her like she isn’t a client - and she picks up a lot of little things that’ll come in handy later. Many of the workers here are slaves, imported from overseas for their exotic looks and for the tastes of the clients, so her imperfect grasp of the local languages won’t stand out. The one she’s talking to is a northerner, and the woman Mayna seems very accepting of her place in life - and gets to keep a share of the tips. Mayna expects to earn her freedom within a decade, and Keris notes that this makes the client-facing, tip-earning slaves much more loyal to the house than she’d expect normally. She also picks up importantly that there’s internal ranking systems for the workers here, and only the blue-belts are allowed to serve important dynasts like the Slug.
She pretends to fall asleep, and gets left alone to rest in the room with only the hidden musicians for company. That gives her the chance to silently get up to the walls, and examine the structure. She studies where the pipes are flowing, hears them clank and shift as the water pressure changes, and notes the presence of certain key valves. She learns a lot, but she needs more.
Keris would have wondered why they had all these accessible valves in the roof, because it seems like such a design flaw - but she’d got her answer when she left a Gale to be her at lunch, and headed down into the hillside and its hollow caves and many pipes wearing a false face. It was so easy to get the staff to open up to her when they thought she was one of them, and she had lurked backstage to overhear their grumbling complaints. The hot water from the springs was used for underfloor heating in the bathhouse, but that meant that there had to be maintenance valves all over the place so that the pipes could be cleaned out of the caked layer of minerals that built up inside the lead heating pipes. And wearing the face of one of the thaumaturgists, she’d overseen the cleaning of a pipe and realised that there was a defect in the design.
“Yes,” Dulmea says thoughtfully. “If the pins weren’t put back in, if there was a pressure surge then the valve would burst and flood the room with scalding water. Of course, there’s someone in the flow rooms to monitor such a thing and stop it, but if they failed to do their job, child...”
In a mental map room inside Keris’s soul, the plan is taking shape for how the Slug will die. She still isn’t as solidified down about what she’ll do for the imperial minister - who was, after all, her original target. Over the next couple of days, between taking her delights in the resort and making herself known as a somewhat silly, hedonistic foreigner, she blends in as the staff and starts to hunt down information about who’s staying where.
The first problem she runs into is the highly anonymised system that the serving staff are exposed to. They don’t actually know the names of the guests until check in, and even then a lot of the guests use false names. Now, it must be said that real names tend to leak between the serving staff overhearing drunken dynasts, but there’s still an effort made for secrecy. Keris has to go rather deeper and avoid the watchful eyes of a wizened old god dressed in a robe made of steam to break into the offices of Ahana Nuri, the proprietor of this place. From backstage, she’s a predator who blends into the background as she reads the notes over the woman’s shoulder and then borrows it, only returning it when she’s made a full copy. Sasi will probably want a copy of it, because it has the real names of the people who’ve stayed here this season, and when.
With the file in hand and disguised as a maid, she scouts out the places where her targets will be staying. The Slug has a place he always stays here - a well-protected empress-grade suite that’s surrounded by other rooms for his entourage. Not a good place to go for a kill - there’s too many dragon-children there in close proximity.
But aha, the minister has been reserved a fine suite at the top of the eagle tower. It’s the most elevated structure here and highest up the hillside, as well as closest to the immaculate shrine. There are notes here saying that she wants a place she can mediate where the wind blows around her, and where she won’t be bothered by other people’s noise. As a result, while the floor below has plenty of guards, the minister herself only has rooms booked for her two personal guards on the top floor, which adjoin hers.
It wouldn’t be easy for most people to scale the building and get to the top floor. They’ve made sure there’s no easy path of gutters and pipes to climb, and the building deliberately has an overhang for the VIP suite which would make it even harder to get to without passing through the lower floors. That isn’t a problem for Keris, though, and she takes a look around as she assists the other maids in replacing the mats and airing out the fine rooms of their slightly musty smell. The floors up here are all nightingale floors which sing out when pressure is put on them, and the hot water pipes don’t reach this far up so the place is heated by hot air from fires lower in the building. There is a dumbwaiter that brings food up from the lower floors and she thinks she could fit up that shaft, but honestly running up the side of the building is easier.
Very satisfied, she slips out, and returns to relax with two Dynasts who think they’re taking advantage of a silly foreigner who’s weak to their ploys. And maybe she is growing a little fond of them. They’re cute, horny, and just here to relax on holiday. And about her age, which is a little odd to think about. They were born within a few years of her, even if their lives have been so different.
And one last thing. On the day the Slug arrives, Keris disguises herself as a pretty and off-duty maid and goes to search out a certain woman who’s usually on duty in the evening. Her name is Three Oaks, and she’s one of the spirit-talker thaumaturgists who help guide the hot-springs foxes and get those tamed water elementals to direct the water to where it’s needed. She manages to isolate the woman in the cramped, smoky bar where the off-duty workers drink to forget.
“Hello,” she says with affected shyness. Her accent still shows through, but she puts a little of her mother tongue into it and it comes out more Harbourite than purely Nexan. “Can I buy you a drink?”
“Ah.” The woman looks tiredly over at the newcomer. “I don’t know you. New purchase?”
“Yes.” Keris ducks her head. “I’m... still very new. And I’ve seen you around. You look confident. Like you know what you’re doing.”
“Hah. My contract got bought... Dragons, ten years ago. My education left me with debts and I needed a job like this to pay for it. So yes, I know this place well.” she says sourly.
“It sounds cruel, to chain you into service just for wanting an education,” Keris sympathises, and there’s tar-shadow lacing her words now, a heaviness to her gaze as she affects a sympathetic look. Wouldn’t it be nice to get some petty revenge? it whispers. Wouldn’t you just love to take a cheap shot at them you could explain away as a mishap? A surge that damaged the pipes, an elemental gone awry. Something to frustrate them like they frustrate you.
“Let me buy you that drink,” she says out loud, letting that first wash of shadow sink in and ready her for more detailed instruction. “You can tell me all about my new life and how to cope.”
“Ha! Won’t say no to that,” Three Oaks says bluntly. “One thing you girls will learn is you get tips from the nobs. We don’t get that in the backrooms.”
“I’ll be working in the green massage rooms, they said,” Keris says, ducking her head. “I, uh. Came recommended.”
Poor girl, the shadows whisper. Maybe a pressure surge that shut off the heating to that row would give her a break, if she needed one. Only if she needed it, but some nobs like going for the new girls. Like breaking them in.
There’s a faint hint of a wince there. “Just take care, then. There’s going to be someone ... unusually important around soon, and him and his friends like to play rough.”
A shy smile and a nod, as Keris gestures to the bar. “I will,” she promises. “It’s... nice to know I have a friend to look out for me, if I’m to stay here.”
The conversation goes on, Keris layering up the shadow-born mind-whispers, setting signals and code words and little things she can say or do to activate this woman in her service. And... it’s still a thrill to do this. Maybe it’s something from how Erembour taught her this trick, but it always feels sort of naughty. A dark, shared secret.
She walks away from the bar with a secret agent in the flow room. One who won’t act immediately, but who’ll stew a little longer, resent her boss a little more. Feel a little worse about how this bathhouse takes sweet girls and boys and chews them up and spits them out.
Until the cute little mouse from the massage row happens to stumble into her and babble about how she’s been booked to give the Slug a session. And then Three Oaks will act.
“Child, of all your talents that is the one I am perhaps most jealous of,” Dulmea observes. “It would have made my job so much easier back in the day if I could have done that.”
“Does that mean you forgive me for how I learned it?” Keris asks hopefully, perking up.
That only produces a weary sigh. “My forgiveness would only increase the chance you would do such a thing again. But, child, I will say that now that you have it, it behoves you to put it to good use in your service to the ones you owe your allegiance to. And, of course,” Dulmea sniffs, “in the name of elegance and cleanness in your kills.”
“Well then. He arrives today,” Keris says, heading back up to Heisi’s room. She hasn’t used Kaora’s since she got here - the two Dynast girls seem to delight in keeping her from spending the night there. “We’ll go over the plan twice more to be sure. Then sleep. We’ve got a big job to pull tomorrow.”
But before the fun starts, she gets called over to the balcony to look out over the misty landscape.
“Look down there! All those lights, visible in the mist,” Heisi says.
There is no mist for Keris, not with her eyes. From the balcony of the other woman’s room, she can fully see the caravan of carriages winding their way up the steep hillside. She doesn’t need to see the House mons to know who they belong to, or who this is. This is the Slug, and his many, many men. Flunkies. Mercenaries. Reason enough not to attack them on route, certainly. She wouldn’t want to do it, and shamelessly Keris considers herself one of the most lethal people in the whole world.
“Wha-who is that?” she gasps, playing the foreigner. “There are so many. Surely that’s not one group?”
Heisi beams in that very Sasi-like way whenever someone is amazed at something she considers normal. “That’s a certain very influential, very powerful man. Sesusu Nagezzar, the grandson of the Third Scarlet. I like to consider him a friend.”
“Because no one would want him to be their enemy,” Seheca says a little tersely. “Just stay on his good side, and for all that is holy, don’t draw attention to his bad leg.”
Ahangara Kaora’s eyes widen. “The man they call the Slug? I’ve heard of him. That’s really him? In person? Here?”
Heisi chuckles, squeezing her hand. “You’re jolly cute when you’re impressed,” she murmurs to the mortal.
“He’s a very impressive person,” the Hellish Scourge murmurs back. “I do hope I get to meet him.”
Quicksilver drips in her tone, unheard by the young dragons on either side, as she stares down at the approaching lights.
“I really have heard so much about his work.”
The Slug’s personality is as expansive as his waistline. When he laughs, the pine trees dance and rain falls from the spouted roofs. When he is irked, people move to placate him in the same way that men might try to soothe an upset volcano god. Now that he is here, everything in this place seems to revolve around him. The parties during the evenings are held to his tempo, and everyone is either trying to meet with him or avoid his attention. The servants are caught between terror and delight, because they know the man and know what he can do - but he tips in real jade.
Keris watches him from a distance, this man who’s as potent as a weak demon lord and whose power smells of poppies and lush vegetation and leafmould. His skin is faintly tinged with green, not the mark of some illness but of his dragon’s blood, but his beard is a little too sparse and his hair thinning. If he were mortal, she would estimate him as being in his mid thirties, the kind of man whose habits and hobbies are putting stress on his body and ageing him prematurely. This man who takes pride in the fact that there is very little that happens in the Imperial City - and much of the Realm beside that - without him hearing about it. He’s grotesque, someone who’s nothing like the quiet smiles and small motions that Sasi uses when she’s trying to be very formal. And yet Dulmea points out the certain kinship between the two, much to Keris’s disquiet. He is certainly a face the Realm wears to the world; the face that Testolagh sees when he remarks about Dynasts and their lack of morals.
((Enlightenment 5, Wood Aspected, Pride in his Contacts 5, does not envy Keris.))
((Yikes.))
In many ways - his appetites, his obesity, his spies and the falseness of his jovial mannerisms - he reminds Keris of Bei Tua, the abbot of the Red Cherry Monastery of the Immaculate Faith in Saata. But Bei Tua, for all that he has the blood of one of Mercury’s divine servants running in his veins, is weaker than Keris’s target, and the unpleasantness under the laughter and compliments is far better hidden and far less repulsive than the Slug’s, more in the line of vice and corruption than suicides and ruined lives.
Keris keeps track of what he likes. Of what he indulges in. Of the services the bathhouse offers that he enjoys. Soft-spoken words and feigned shyness hold her friends back from introducing Kaora’s talents to his circle, for the moment. She doesn’t want to kill him until her main target is here as well. But she uses the time to gather information, to see how he operates, and to take stock of what she’s up against should things go wrong.
Thankfully - fortunately - he shows no specific awareness of Keris’s particular level of awareness. He seems aware that she’s watching him, but - well, that’s hardly something unique, is it?
Socially he doesn’t seem to really actively be doing much. Oh, he’s being a crime boss and people are coming in and meeting with him, and so on. He’s making gifts to people here to get them in his debt, and on and so forth. But he’s also spending most of his time indulging. This really does seem to be a holiday for him.
Physically, he’s a little better in shape than he looks. But that’s not saying much. He’s tough but out of shape, and if he was a soldier a century ago, these days the most he can manage is some light martial arts mostly for self-defence. Enough that a mortal assassin might get a nasty surprise; not much to Keris.
“Okay,” she murmurs to Dulmea after a day or two of observation. “So yes, I don’t think I have to worry about running into some big political plot he’s running here. And if I can get him onto a massage table, I can paralyse him and let the geyser do its work. I don’t doubt he could shrug off a single knife wound, but all that fat will only make boiling water cook his organs faster. And if it does go wrong, I can just break his neck and he probably won’t be able to stop me - though I’d prefer for it to look like it’s purely the bathhouse’s fault, so they’re more desperate to cover it up or panic.”
“Then we are simply waiting for the final actor in this play,” Dulmea observes, her tea cup clinking.
The Imperial Minister Ledala Ama arrives literally on the 14th, the day of the full moon. It is clear that she doesn’t want to spend any more time here than she has to. And while the Slug showed up with a big array of carriages, Keris only notices the three horses climbing the path up to the bathhouse because she’s been waiting for the woman to show. Dulmea has been worrying that there’s been some change of plans. But no, there’s the minister and her two expected guards.
Today is a very misty day, with only the peaks of the hills emerging from the mist. The lights of the villages down below shine out through gloom even at mid-day. It’s Keris’s kind of day.
“Alright,” she breathes, watching from Seheca’s balcony. “So, we kill the Slug in a massage room, and the minister in her bed.” She purses her lips. “Wait until she retires, break her neck in her room where it won’t be noticed - the Slug stays up late for parties, so she should turn in before him. Then kill him, and use the chaos to get at those documents Sasi wants. I don’t think I can steal them first; the security around his quarters is too good. But if he’s dead on the other side of the bathhouse, his bodyguards will be too busy running around panicking to guard his safe as much.” She taps her lips. “Ideally I’d want to get invited in there first to see if I can sneak a look at where he keeps things.”
“If he even keeps paper documents,” Dulmea says, reminding Keris again of something they’ve argued over. Dulmea doesn’t believe a man like this would keep anything in paper if he could avoid it - and anything in paper has a good chance of being lies.
“Sasi asked for his documents,” Keris reminds her. “How she interprets them is up to her, but they’re all I can steal. She didn’t ask for him alive to interrogate, and I can’t rip memories out of people’s heads like she can. If she wanted more, she should have worded the contract better.”
“Just mind that this does not meddle with the cleanness of the kill,” Dulmea councils.
“I know, I know,” Keris mutters. “I’ll take this as the best-case. Now.” She cracks her knuckles. “I’ll leave a Gale here while the girls are at the baths to keep my alibi intact. And then I think we should go greet the new guest, don’t you?”
“Indeed, child.”
Alibi in place - that place being in the baths with Heisi - Keris slips out. In the clinging mist, it’d be hard to see her if she was merely human and she’s far from human. No one sees her scale the Tangerine Halls guest rooms, and she runs between the bunting and the decorative vines between the buildings. The Eagle Tower rises over the rest of the compound, and she takes the path she’d prepared and practised up it, avoiding the eyes of the bathhouse gods. The security doesn’t even notice her pass the penultimate floor, and soon enough she’s perched up on the roof, ear pressed to the clay tiles listening to the voices underneath.
“... I hate this. I really do. I’m sure I’ll be kept awake by the noise.” An older voice, and maybe slightly petulant. Or at least ill-at-ease. “I hate travel, but meeting with that man is worse. It’s the worst!”
“Of course, lady,” a man says, with a tone that maybe hints that he’s humouring her a little. Itadi Amado, probably - the former legionary. “It’ll only be a few days.”
“A few is a few too many. Damn this man and his refusal to just meet in the Imperial City.”
“Ama, do you want to cancel the meeting for tonight?” That one must be Ledala Iki, the one who’s been in Ama’s service since she was a girl.
“No, no! Don’t be so foolish! It’d be inauspicious to discuss the matters I’m going to discuss with that man without the full moon to safeguard us. I... I just... it’s that damnable band down below! They’re making so much noise I can’t even meditate!”
Keris purses her lips, looking down. It’s one of the outdoor baths that’s causing the problem; a band is playing for the guests enjoying the warm water.
Rolling her eyes, she descends. Honestly. This is basically just proof that this place - for all that it’s annoyingly pretty - is an utter trash establishment that would be better left burnt to the ground and salted so its stupid fat smug owner’s face could be better rubbed in the ashes. If Keris were making a bathhouse, she’d have a section in the booking form for guests to explain their special needs like a sensitivity to noise in, so they could be properly accommodated.
... or, well, Rounen would have a section in the booking. Point is, it would be there, and she’d do better about accommodating them, which would be better than this bathhouse, which is why Sesus Nagezzar is a stupid terrible person, so there.
In the time it takes her to finish this internal rant, Keris scales the tower back down, dons a shadow-guise of one of the staff, slips upstream from the bath causing the problem, and turns a few key valves and flow-wheels. A few moments later, and she’s halfway back up the tower when the flush of cold water hits the noisy guests, prompting squeals and shrieks and a hasty retreat elsewhere.
Immensely satisfying. And that will also back up the narrative of the plumbing being faulty when a valve breach in the massage rooms leads to the tragic death by scalding of the Slug.
The noise down below falls silent. Ledala Ama has her peace and quiet. And so her bodyguards leave her, one watching the door to her room while the other gets something to eat. The woman seats herself down on the platform, in among the clouds, and breathes a sigh of relief. She is dressed in a light robe, nothing more, and her blue jade daiklaive rests on her lap. Eyes closed, she rubs her fingers over the dragon-sculpture on the crossguard, whispering prayers to Mela, and with every repetition she sinks deeper into meditation.
The mist swirls around her. The light of the full moon overhead appears in strange glimpses, casting down a filtered silvery light and moonlit halos. Owls hoot out in the valley, and nightingales sing.
There is a demon behind her.
No. There isn’t. Because a demon would be one thing. Something that would be suffering in the full moonlight. Something that might have a scent, have a tell, have something that might give away its presence. But the thing behind her which silently drops onto a nightingale floor and just as silently paces up is a predator with no scent and no sound, whose shape is a translucent shimmer in the air
It doesn’t even breathe.
There’s no wonder she doesn’t notice its arms reaching out - too many arms, too thin and too sinuous. How can one see such a monster coming when it refuses to give off any spoor of its presence? And then it’s there, tentacles that feel like hair enveloping her limbs and two fleshy arms around her neck. She tries to scream and there is no sound. Not even the pounding of her heart in her ears. Not even the rasp of her breath.
The wind silently rises around her and lightning crawls over her skin as she tries to call upon the power of her dragon’s blood. She has her sword, and sheathed though it is she is trained for moments like this! Screaming for help but making no sound, she gets one hand onto her sword and smashes at the arm around her neck.
Or tries, at least. Because the other thinner limbs have her arms and they’re on her wrists, locking onto pressure points and wrenching her joints against one another. Her blade drops from numb fingers. The silence is terrifying. No breath. No screams. No heartbeat. And the inexorable pressure. Only the growing glow of her soul, the pale blue light rising and rising is proof she’s still alive. That and the pain of lungs demanding air that isn’t coming and of muscles fighting against someone stronger than her. There’s a little analytical bit of her mind that’s wondering who sent this thing, who it is that’s going to be responsible for her death? Some murderous moon-child? One of the dead princes who serve the lords of death? Or maybe the thing she was here to talk about-
She struggles, and the thing behind her respects her for it. Loves her, even. In that choked and silent moment, caught in their deadly embrace, the monster that’s strangling the life out of her adores her for her desperate will to survive, the ferocity of her struggle, the determination with which she clings to life. It loves her with the sweet and innocent feeling of a mad titan who kills whatever she touches, and it loves the death it sends her to with the dark adoration of a dragon who embraces the doomed and the damned.
It loves her. But that doesn’t stop it killing her.
Her soul surges out, crackling like a-
The light dies. Her neck breaks, green fire erupting under her skin. She dies.
Breathing heavily, Keris inhales the scent of burned flesh and the acrid stink of Hell, and tries to still the trembling in her arms. That had nearly gone wrong. She’d fought with such vigour at the end. She had to love her to have the strength to kill Ama. And even then she’d nearly gotten away. Nearly flared her soul to draw the attention of everyone down there. Nearly failed because if she’d done that, word would definitely have gotten to the Slug. And now she has to cover up what happened here as best she can, when she doesn’t have a nice clean corpse like she planned.
She shivers in the cold air of the evening, despite the heat of the green-burning empty circle on her forehead. Dragonblooded truly are terrifying. The gifts of the King call them weak, but Keris knows better. No demon lord would have pushed her so close to a loss like that, not without being dedicated to war and battle in a way that Ama wasn’t. Her masters in Hell might resent it, but Gaia’s Chosen rule Creation for a reason.
For a few moments, she sits and shudders and lets herself settle. Dulmea’s music is hushed and soothing, and her mother lets her regain her poise in silence.
Then she bends over the corpse, brushing a tender kiss over its lips, and slides her root-tendrils into the charred ruin of its throat to repair the damage.
“Too close,” she whispers inwardly. “That was way too fucking close.”
“Yes. It was, child.” Dulmea isn’t condemning her. It’s a simple statement of fact. “You did well, despite that. Now, get your work done here, because the sands are pouring down the hourglass and you must see the Slug dead before her corpse is found.”
“Yes.” Keris works fast, repairing the damage Ligier’s flames did as much as possible and at least concealing what isn’t. In all the commotion and chaos of the Slug’s death, it’s unlikely anyone will check - and if they do, well, an assassination with burns on the inside of the throat is well within the capability of a Dragonblooded assassin, and that’s no shocking thing in a place like this.
((Passing Off Blame to obscure the signs and make it look like a heart attack.))
Keris knows how to work with flesh, and dead meat is easier in many ways than living flesh. She closes up the damage to the skin, drains blood away from where her grip left bruises, takes bone from the hips and shifts it up to the spine where fire consumed bits, weaves the spinal cord back together - and stills the heart, leaving a clot spun from cooling blood in it. And as a final act of the artist, she positions the body of Ledala Ama back cross-legged, hand on her lap, resting on her blade’s pommel. It pains her to leave it behind, because it’s a beautiful, ancient weapon, but she needs this scene to be perfect.
And then she is gone, slipping down from the tower like a ghost. One target down.
The by-now familiar halls of the bathhouse sparkle beautifully. From offstage, Keris stands back, and watches the Slug put away his second dinner. Sprawled out on a chaise-longue, he dines off jade plates and with ivory-handled cutlery. He eats like a man with too much Metagaos in his nature - in fact, Keris thinks with a slight internal wince, he eats like a ravenous Haneyl.
It repulses her. He isn’t a man who’s ever starved. He didn’t grow up on the streets. He’s a Dynast who was born into luxury. Her seething envy builds and builds as she watches him put away a meal that could have fed two, packing away delicate little shapings of rice and meat and saffron-dyed sauce several at a time. She can smell how good the cook is, too - she saw the man in her scouting, a god-blooded with debts to pay who’s putting his skills into feeding the most pricey guests.
She watches the madam of the place, Ahana Nuri, come to him, and tell him that his favourite girl is off ill today. She watches him glower, watches Nuri recoil. Keris made sure the girl came down with a stomach bug. She’ll be fine in a day or two. But it means the Slug will be petulant. The stage is set for her to step on and be the tasty morsel he just can’t resist.
“My lord,” she says, stepping in once Nuri has left under the same servant’s shadow-guise she spoke to Three Oaks in. Rather than a shy little mouse newly come to the bathhouse, though, her mannerisms here are confident and seductive as she stands half-veiled in the shadows cast by the candles in the lee of the door. “If you wish to take your pleasure after your meal,” she says silkily, bowing low, “I would be honoured to offer you a massage. I will be waiting in the second massage room on the Cherry row if you choose to make use of my services.”
“Well, you’re a pretty one, aren’t you?” He’s clearly looking her up and down, deep-set eyes squinting into the shadows. And his High Realm is the same rarefied version as Sasi’s, and that’s the only reason Keris can even pick out what he’s saying. “Sit with me, girl. Entertain me while I finish eating.”
Keris bows again, and slinks closer, sitting down close enough to brush his thigh and fluttering her eyelashes up at him. “May I have your hand, my lord?” she asks. “To give you a sample of my arts.”
That gets a more-alert-than-he-seems look, that reminds a bit of Ney when he’s looking deeper than she feels comfortable. “A hand masseuse?” he asks, dropping into Rivertongue for her. She notes he talks - well, not like a native, but specifically like a Lookshyan. “The arts of the Fivefold Weaving Petal?”
Genuinely taken aback, Keris stares. “I... was not aware my techniques were known on the Blessed Isles, my lord,” she says. “That is not the name I was taught them by, but I believe they are related, yes.” Recovering her composure, she pastes on a sultry smile. “And hands are not the only thing I am trained to work on, of course.”
“I’ll have to send compliments to Nuri that she managed to get her hands on a devotee of Venus Blue-Veil,” the Slug says, in-between mouthfuls. “Hrrrm. Do well, and I’ll take you out of her hands. And if you impress me, you’ll be free a damn sight sooner than you’d be free here, because I could do with another one of you.”
It’s a good thing that Keris is as good as she is, because it means she can give a hand massage largely on reflex as she deals with the shock of being recognised as a Joyful Priestess almost on sight by this man - who is apparently every bit as dangerous as Sasi warned. Yeesh. On the plus side, his pudgy hands have plenty to work on, even if it’s difficult to precisely stimulate his pressure points through the flab, and he takes to her attentions well. Obviously this is a man who’s used to having massages, and knows how to work with the masseuse.
His plate is nearly clear by the time he’s done, and with a clap of his hands, he calls six muscular shirtless slaves to lift up his seat - with him on it. “You, girl. Lead on,” he orders. “I need to clean myself up after this meal anyway. I have someone I need to meet this evening, so a massage and a bath will get me ready for that.”
“Of course, my lord,” she says obediently, and leads the way. She calculated her path in advance, and lo and behold, it takes her within sight of the flow rooms enough to coincidentally catch Three Oaks’ eye and throw her a terrified glance as they turn the last corner towards the room Keris has pre-emptively sabotaged. Inside, the table and oils are all set up, and Keris starts getting ready with a smile.
“Please, my lord,” she says. “If you would disrobe to whatever level comforts you and lie on the table, I will work out all of those... aches and pains from work.”
The Slug sheds his thin robe, tossing it over one of the slaves as if he’s an animate coat rack, and is helped from his seat to the massage table by the others. Keris notes that his torso has more muscle under it than she might have thought - though it’s hard to see under just how fat he is. He might be lame, but he obviously does work out his upper body. She suspects if he just ate less, she might even find him attractive. Up close, she can tell from his bone structure that before he put on so much weight, he was probably a dashing figure of a man.
And if he was less dangerously smart, she could almost certainly fix up his leg for him. But this is a man who’s been lame like this for a century. People will have tried to compromise him before. And he’s still around. No wonder the local Hellish directors want this man removed from the board.
Soft music starts to play from the house musicians behind the paper screen walls, and Keris gets to work, ears alert for the change of pressure in the pipes she knows will be coming. She needs him relaxed, and so relaxed he won’t notice she paralysed him before that happens.
“You must work hard, my lord,” she murmurs, “to carry such strain in your shoulders. Despite all my arts, this may still twinge.”
She’s not entirely lying. Oh, he certainly indulges himself to more than his fair degree, but there are stress knots all up his shoulders and the column of his neck. Possibly, she thinks with an internal cringe, from whatever he’s here to talk to discuss with a minister in secret.
Her fingers start slipping towards the paralysis points, and she smiles. A man like this has a mind like gears and clockwork. A mind that’s always working and ticking and thinking, even when he’s trying to relax.
She knows how to distract minds like that. You just toss them a puzzle. And while her nerves are afire and her throat is dry and her shoulders are tense, the cold sweet pool of quicksilver deep in her belly just can’t resist this touch, when he has him in her very hands.
“May I tell you a story, my lord?” she asks, as sweet and fragrant as cinnabar flowers. “It will take your mind off any discomfort I cause. But to make a game of it... you must tell me how the story ends.”
He laughs a deep belly laugh, lying there prone before her. She can see scars on him, too young to be battle wounds. People have tried to kill him before. “You lot do like your storytelling, don’t you? Hmm. Go ahead, then.”
Keris bares her teeth in a grin behind him, the fear in her blood turning to adrenaline. Oh, her mama will scold her for this later, but this rush, this moment... it’s like being in the heart of battle, locked in combat with her spear singing loud and foes on every side. It makes her feel alive.
“Once, my lord,” she purrs, her clever fingers working, “there was a girl, of low birth and little consequence. Her father was busy and her mother was lame, and she ran out from her household day after day, gathering birds and beasts in the fields to adopt. Until one day, the slavers came to her valley, and burned the fields, and her house, and her life. And though she tried to run from them, they caught her, and carried her away.”
He makes a vaguely inquisitive, mostly uninterested noise and shifts on the table, and for a moment she worries he might notice the slight delay in his muscles obeying his will - but no. If he feels it at all, he puts it down to lethargy.
“Once,” Keris continues, working down over his back, “there was a girl, a slave to a Nexan lady, who hated her mistress and her chores and the gilded house she lived in. One day, she found a crack in its walls to squeeze through, and again she ran, and this time she escaped. But she found there were no servant’s cots on the streets, no leftovers from rich women’s meals, no shelter from the elements, and perhaps she was worse off than she had been before.”
She doesn’t wait for a response this time. He can already see the shape of this story, the identity of the girl. The puzzle she’s posing is how it gets from here to her.
“Once,” she says, “there was a street rat, who often went hungry and dirty and cold. But she was fast and nimble, and running took her far. She snatched food from market stalls and ran from the owners, she spat in the face of rivals and ran from beatings. Until plague came to Nexus, and she could not run from that. So she ran to a bad, bad man and swore to serve him as his thief, and he took her under his wing and sheltered her from the sickness.”
That draws another laugh from him. “So you’re used to serving bad men, are you girl? Well, I’m the worst in the whole damn Realm. The most wretched disappointment to his family name. Born a man rather than the woman they wanted, trained as a soldier and then maimed so he’s useless in a fight, and now the lord of vice and crime and decadence in the Imperial City. You couldn’t find someone worse in all the Dynasty.”
“Once,” Keris pronounces deliberately, “there was a girl, who served an awful man. But this man was not one who did awful things to serve a greater good, no, his only thoughts were for his coffers and control. The girl ran hither and to across the city, doing his bidding and learning from his other servants. Until she found out one awful secret too many, one monstrous thing done without cause, and slew him in the night. But she was a fool for it, because as awful as he was, his holdings had protected her, and as she ran from the wreckage of his empire she cursed herself for ruining what life she’d had.”
That gets his attention. And not in such a good way. She feels him tense under her hands, though she’s played such a melody across his muscles by now that it doesn’t go very far. It’s no doubt strange, to hear a servant so baldly confess to killing their master. But then, it also adds to the puzzle.
“Once,” Keris says softly, “there was a girl, who had destroyed her own income and safety in her ignorance. She dwelt in poverty, and ran from those who held grudges against her, and stewed in her bitterness, until one day she decided to lash out at the woman from her childhood, her once-mistress, and put an end to her as well. But though the girl had spent a lifetime running away, she was not so skilled at charging in. She was caught, her intent divined, and the mercenaries of Nexus carried her away.”
Under her hands, Sesusu Nagezzar listens intently. She has him now. This is not the way he expected the story to go, and the terrible might and focus of his mind is set, for this brief moment, on unravelling entirely the wrong mystery.
“Once,” and her voice is barely a breath now, “there was a girl alone in a cell of stone, with nowhere left to run to. My puzzle is this, my lord. What became of her?”
He closes his eyes, considering things. “Hmm. So you aren’t looking for a job, because if you were, you wouldn’t be bragging to me that you’d killed a former master. Unless, of course, you think I would consider that a selling point. The obvious answer is that this led to your enslavement and your employment here - but no, not that, either. This story is not at an end, as you depict it.” He hums to himself. “But the fact that I can’t read you like a book is in itself suspicious. There are very few people I can’t read...”
This is how terrifying the man is. For all her power, for all her cunning, for how she has veiled her intent in Metagaoyin petals in the same way a predator hides in the foliage, he is iterating in on her purpose. He is creeping up against her enchantments, worrying at them - and worrying her, because it is true; there are very few beings that could keep a secret from a man such as this, and few of them are friends to the Scarlet Dynasty.
“Where,” he asks her, “did this girl learn the Venusian arts to such an extent? Because it doesn’t make sense that she learned such skill as a masseuse on the streets of Nexus.”
“He is trying to lure just a little more evidence from you, because he is nearly there, child,” Dulmea chides, voice like a knife.
But Keris only smiles. Because she can hear the rumbling groan of pressurised water approaching, the surge of pressure coming down the pipes. She has enough time for perhaps one more comment. Just one.
“From the broken woman,” she whispers, “for whom she killed her master.”
Perhaps there’s an instant of realisation, as that genius mind puts together the pieces and squares the circle with his own crimes. Perhaps not. Keris doesn’t know; she’s leaping back, darting swift and silent out of the room as the water hits her sabotaged valve. Her weapon of choice, placed directly above the man they call the Slug, who lies fat and nude and helpless on the massage table.
He screams as the scalding hot water hits him. Screams, but doesn’t move. Can’t. Because while she hasn’t cut his tendons and severed his spine, she’s done the next best thing. Her focus on his pressure points and the little needles she added have activated the same bodily flows that stop a sleeping person from rising and moving just because they dream and put his muscles to sleep. And while pain does a remarkable job of waking someone, what he needed was instant motion when the first gout hit.
Still, he makes a heroic effort of it. He manages to roll off the table, scalded and screaming, as hot water gushes down on him, and green light like sunlight through the branches flares as he calls upon his verdant soul. Fortune is on his side, and he lands on his front, so can cover his face from the heat. It’s still spraying down on him, on his lobster red form, the skin blistering and sloughing off. And still he fights. Still, he struggles. Tries to drag himself away. On one scalded arm, protecting his eyes with the other one. A near-impossible task for a man of his size. And yet he tries.
His fingers slip. He cooks like a boiled ham. He can’t find purchase. Only his dragon’s blood is keeping him going, and now it’s spreading out to fill the room.
Some purchase! He pulls. Slowly. Agonisingly slowly. Dying each second he can’t escape.
And it’s not enough. Because the broken pipe gives way from the roof, and before it was a jet, now it’s a surge of water. Of broken ceiling tiles and pipes. All of them collapsing onto him. A large chunk of the ceiling hits him in the head. Maybe it kills him. Maybe it just knocks him out. But death is waiting for him, either way.
Keris sees the anima banner go out, and breathes a sigh of relief. He nearly managed it. She had been just about to go in to secure the kill. But now she has to make herself scarce, because people are screaming - the slaves, the house servants, not under the main body of the boiling water but still splashed by it, and the hammering of feet tell her that his bodyguards are coming running.
Stepping backstage, Keris vanishes off into the halls, towards the late Nagezzar’s private rooms. They were too well-guarded to get her information before. But now, she has her opening.
“... and, well, here’s what I found,” Keris says, passing the jadesteel box to Sasi. “A talented sorcerer made this for him, it’s pretty clear. You can feel the power in it. Plus, it melted the lockpick I stuck in it and tried to kill me. I wasn’t going to try to unpick the spells on my own, but...” she shrugs. “Maybe you can have some luck with it.”
“Ah, the Slug’s black box of secrets,” Sasi says, patting it. “There always were rumours about it, but I always thought it was a little more metaphorical.” She places it on one of the chintzy little tables she has, covered in similar ornaments, and settles back down onto her over-cushioned seat. “Well, darling, you had fun, didn’t you? There are circles of court running around in a panic trying to cover up that an Imperial Minister had a heart attack and died at a somewhat disreputable pleasure house - and the Slug died that very same night in the same place from being scalded to death. Everyone is having a lot of fun speculating who was behind it - and other people are having fun positioning themselves to take Ledala Ama’s place.” She raises her pale eyebrows. “I do hope you weren’t too bored, being trapped in that bathhouse for days while they questioned people and investigated what happened. I was worried for a moment you’d been caught, until you sent me that dream.”
“Oh, I found my own entertainment while I was there,” Keris hums, pleased with herself. She got scolded for that last touch with the Slug by Dulmea, but Sasi’s cold, appreciative satisfaction at the song Keris composed for her about it and illustrated with a chorus of shadow-play images made it all the more worth it.
“Yes, my first night there, I got approached by a couple of pretty young things - Cadaca Heisi and Pelepese Seheca. Baby dragons, Fire and Water. They’re only serf-strong, but they’re cute little things, and they thought they’d spend the two weeks passing the little mortal merchant back and forth and,” Keris’s teeth flash in a grin, “blowing her mind with the pleasures a pair of Dynasts could bring to the bedroom.”
She chuckles. “Well, they made for a wonderful alibi - Ahangara Kaora was in bed with both of them at the time of the deaths - and they were so adorable that I decided they were worth some investment. So I made a few little suggestions of the kind you might remember, about how unfair it was that certain books were banned when you just need to be sensible about what you take from them to get all sorts of useful and fun lessons. And, well, to cut a long story short they’ve both decided that the infamous city of Saata in the South-West is a good place to go looking for more, with access to the wealth of the Anarchy and the support of the Realm if needed but a bit more distance from the All-Seeing Eye’s humourless critics. Entirely their own idea, of course.”
Sasi touches Keris on the cheek. “That... was your own choice?” she asks gently. “You didn’t feel pressured by them and their games? I’ve heard of those two and their fondness for pretty young maids.”
Keris gives her a flat look. “Sasi. Come on. You know my heart is yours, but they were cute and flirty and Dynastic. The Realm might stomp all over the Threshold and ruin lives and try to kill us, but damn if they don’t breed their nobles pretty.”
She pauses. “... also, I’m not gonna lie, it was kind of funny watching them think they had me all bedazzled and awed and overwhelmed by how utterly amazing they were in bed and how charismatic and lovely they were and yada yada yada. I mean, they weren’t bad by any stretch, but they weren’t you, and they had absolutely no idea who they were in bed with.” She smirks. “You know how I like being the only one in on a joke.”
That earns her a wry look. “I was worried a pair of women your own age would steal you away from an old hag like me,” Sasi says with obviously false distress. She’s blatantly fishing for compliments.
Keris sweeps her up in her arms and hair and spins her around. “Never,” she croons. “You’re my stolen princess, too beautiful and brilliant for the Realm to keep. Your soul’s stronger than they’ll ever be, your heart is bigger, and you’re smarter and more learned than any of the stuffy teachers they’ve ever studied under.” She steals a kiss, and starts towards the bedroom. “They’re just girls. You’re my children’s mother, and I’ll always, always protect you.”
That earns her a Sasi bounding into her lap and a long kiss. “Well,” Sasi says, when she comes up for air, “if you do happen to steal the girls, I’m not sure we need to let Glorious know about it until it’s a fait accomplis. After all, if it happens in the South West, it’s in your portfolio, isn’t it? And it’ll tweak her irritating little nose.”
“I’m glad you agree,” Keris purrs, and proceeds to show her appreciation.
Once the appreciation is quite soundly shown, Sasi snuggles up to her. “How much longer can you stay in the Realm?” she asks Keris quietly. “How long until you have to be back in the Anarchy?”
“Urgh.” Keris grimaces. “Uh... honestly, I can’t stay long. I need to be back in early Earth for Cinnamon’s big departure on tour of the Anarchy - that’ll get her out of Midari’s way, and also let me seed some proper spy rings. Which,” she adds, “neatly ties into my next point: I was too busy over Fire and Calibration to find time, but I’ve had the spell to mimic what Lilunu did with my painting ready for a while. Sasi, my darling,” she sneaks another kiss onto Sasi’s nose. “Will you let me paint you? You’ll be able to fling your awareness into it through meditation like mine, though it won’t contain a world or let you feel people touching it. I can hang it in Aiko’s room when she’s with me and maybe let Testolagh take it back down south when she’s with him. It wouldn’t be as good as being there in person, but it’ll let you see more of her - and talk to me in more than just infrequent dreams.”
Sasi nods. “Then that’s agreed. We’ll head off to the beaches for a week together, me and you in the country estate of one of my patsies. Our holiday together, and,” she runs a hand down Keris’s thigh, “part of my reward for you. You can paint me, we can spend time together, and we can only do a little bit of work when we can’t avoid it.”
“Agreed,” says Keris happily, and kisses her again to start another round of celebrations.
Chapter 14: Earth 774
Chapter Text
As the year starts to heat up in the early weeks of Ascending Earth, Calesco is worried about her big sister.
Oh, not worried compared to how she was worried about her as she grew sicker and sicker from mercury poisoning. But she’s perpetually tired and grumpy and she’s losing weight and her eyes are dim. She’s been working so hard since Calibration, and six months of hard work with none of her customary breaks doing something she doesn’t really want to be doing is clearly wearing on her. Calesco can see their mother in her, the struggle to stay focused and attentive on just one thing.
Looking out over the city, Haneyl sighs extravagantly as she reads Rounen’s carefully obfuscated records of its finances, making corrections and suggestions in the margins in dark green ink. “You know,” she says, head on one hand, “Mama’s probably out of the Gulf of Strife right now. She’s probably all the way in the Lower Anarchy. Maybe she’s in Sui Basa. I liked Sui Basa when I went there. There’s just enough chaos in the air that it always rains warm, slightly sweet rain, and the locals are beastmen. Or maybe she’s still in Sui Zhiro. I remember the coffee-vendors in the port streets who sold this amazing blend with coca leaves. They’d drink it when we talked about the redbush trade.” She sighs again. “Rathan got scammed by street orphans there. It was hilarious.”
Calesco’s mouth twitches. “Did he complain about them taking advantage of him even though he looked all vulnerable and harmless and innocent?” she asks, amused.
Haneyl chuckles, her eyes momentarily lighting up. “Of course. It was his own damn fault. They told him he was special and clearly important and their good friend, and so they could tell him about a secret old ruin up in the hills above the city. He dragged us both up there. There was nothing there.”
“I hope you mocked him soundly about how looking innocent and vulnerable sometimes just means looking like an easy mark,” Calesco smirks. “How much did he lose?”
“I mean, nothing he couldn’t easily afford. But it made him look stupid and-” Haneyl’s usually quite slim reserves of patience have clearly worn thin. “I’ll tell you what! What does Mama think she’s playing at? She spent all Air away,” that gets Calesco a glare, “and then she’s back for a little bit, then take a working holiday in the Isles off with Mother, then comes back - but noooooooo. She went and killed two big Realm figures, but she can’t just kill this one fucking stupid magistrate who’s been sniffing around the city for months. No, she heads off on another working holiday leaving all of this in our hands!”
Calesco leans over and takes her sister’s hand. She doesn’t say anything. She just holds Haneyl’s hand, her fingers stroking over Haneyl’s overheated skin. She feels feverish, despite her eyes being dimmer than they should be. A sign that she’s guttering, Calesco automatically diagnoses. Forcing essence and energy through her body to keep going and leaving the flames at her core depleted.
“She’s trying to do three things at once,” she says, at length. Neutrally, for the moment, because helping Haneyl matters more here than airing her own thoughts. So she tucks Calesco’s starlit words away under Black Shawl’s shadowy veils, and thinks about what Haneyl needs.
Hah. Listen to her. She’s starting to sound like her mother does when she talks about Cinnamon as if she’s a different person.
“Mother doesn’t want to shit where she eats by killing a magistrate right here in her home city,” she says. “And she also wants her spies spread all through the Anarchy so she can boast about extending her grasp at Calibration - and more importantly so that she knows where everything is and what everyone’s doing. And on top of that, she’s still chasing her stupid perfect mission record with the Althing so she can say she’s never turned down a mission and never failed to deliver.”
She squeezes Haneyl’s hand. “With the Realm assassination in Water and whatever awful things she’s doing in the South in Wood, she’s not got much time to spend this year on doing things for her own division. And that’s just made her more stubbornly insistent to do something impressive like ‘spread spies all through the Anarchy’ so she can look competent and trustworthy for the Unquestionable. So,” she concludes, “yes. She’s being stupid. And dumping too much on us - and especially on you. You’re having to hold everything together here, and it’s not fair of her to make you.”
“Urgh,” Haneyl grumbles into the table, “I could do with another month or so of being tiny. It’s so much easier being a kid. I’m not even in the mood to do much more than snuggle with Elly and Rounen. I... I just need something to do that isn’t this stupid, boring stuff to try to hide from the fucking stupid Magistrate and whatever he’s up to. Which I don’t even know because I don’t want to prod him. And Mama could have killed him already and we could all be getting on with our lives, but nooooooooo...”
“Well,” Calesco shrugs. “We can always hope one of the other attempts gets lucky. Luckier than the idiots who tried the month before last, I mean.”
“Mmm.” Haneyl mumbles a few more incoherent things, then props her chin up on the table. “I need something new to do. I’ll go crazy if I don’t. I’m bored and stressed and burning out.”
Calesco taps her lips thoughtfully. “Well... I mean... if you’re just looking for something new that’ll take the edge off and get your fire back up...” she suggests, “I may have an idea. Why not spend a night at the Jade Carnation? Not as a client in the boxes. As a guest star, on stage. Some, hmm, exotic visitor from the Anarchy.”
That gets her a glare from her sister. “You’re just trying to get me to also do your job,” Haneyl fumes. But... there’s a certain life in her voice that wasn’t there before.
“Well, if you’re saying you’re not up to it,” Calesco returns with artful airiness, “I suppose I can’t blame you. It does take a lot of effort to hold the stage, and it’s exhausting to do, and you have so much... paperwork and so on to do... honestly, you’re right, I don’t know why I even offered.” Her lips curve into a challenging grin. “I’m not even sure you’re up to our professional standards, after all. You’d probably need to audition.”
“You’re goading me.”
“Am I?” Calesco sips at her tea. “Maybe I am. Doesn’t mean it’s not true, though.”
“You’re goading me and... and you’re wrong, there’s no one in this damn place who’s as good as me - you and Seresa don’t count, you’re cheating with the Ebon Dragon and shadows and stuff - and and and if I’m a guest we’re going to need to talk about my contract and my share of the fees.” Haneyl pulls a face. “So shameless, the way you’re selling your older sister’s body. Disgraceful.”
Calesco grins again behind her teacup. “Well, if you really, really want to. But I’ll still require an audition. After all, I can’t just let any riffraff walk into mother’s prized establishment after she left it in my care to go gallivanting off around the Anarchy on some mad ambitious quest.”
“Technically I own this building and the lease,” Haneyl points out. “Mama just rents it from me.”
“Eh,” Calesco shrugs. “Semantics.” She looks over her sister with a critical eye, considering. She’s sitting up straighter than she was when they sat down together. Emoting more. And while she might be scowling about it, Calesco can see she’s looking forward to showing off.
Yes, she can call this one a win.
Of course, as soon as it seemed like Haneyl was perking up, she huffs again and slumps back over her paperwork. “I still think it’d be better if someone killed that magistrate,” she grumbled. “And if it’s not going to be mama, someone else oughta get their act together and get him out of everyone’s hair.” She works her wrist. “Maybe I’ll put it in my prayers to the Yozis, asking for him to wind up dead,” she says, perhaps a little louder than she intended because it’s possible Calesco wasn’t meant to hear it.
“Haneyl,” Calesco snaps. “No trying to... trying to get mother to be ordered to murder people! More people. And stop trying to find a way to get him killed here!” She rolls her eyes and huffs. “Honestly. At least wait until something draws him away from Saata and kill him then. Except not actually in person, because he’s a Dragonblood who’s had a lot of powerful people try to murder him in the past, so he’s ready for that sort of thing.”
“Look, Mama has orders to weaken the Realm’s power down here, so if every magistrate who comes to Saata winds up dead, it’ll only help our masters,” Haneyl protests half-heartedly. She sounds too tired to really argue the point, though.
“Or it’ll get them to send a Wyld Hunt,” Calesco huffs. “A proper one. I know you hate him, but that’s no excuse to be stupid.”
Haneyl sneers, but doesn’t respond, and Calesco leans back in her chair, watching her sister. Haneyl believes in the Yozis. Really believes in them, as much as Sasimana does. She thinks the souls of the Yozis - well, most of them; not even Haneyl can look up to enslaving brutes like Iasestus - are perfect and without flaw. She idolises Ligier, and accepts that monster Orabilis’s authority. She thinks they deserve to rule the world, despite the scale of suffering they’d lay upon their lessers.
Once upon a time, Calesco would have challenged that. Even now, it’s difficult not to speak out against it. Her very nature, the piercing light inside her, wants nothing more than to furiously denounce her sister, to chastise her for her callous worship of monstrous gods, to make her see the lives they’d ruin if they were ever let out of their prison. The lives they ruin even from within it.
But...
a realm of dreams and shadows, cast only in white and black and red
a tar-soaked smiling sister and a mother’s silent treachery
eleven crippled dragons, and a pact to free them
... yes, best not to challenge Haneyl. Not yet. Calesco can corrupt people and tempt them into sin, but shifting their most deeply-held beliefs to support her is more Zanara’s thing - and they’re almost as bad as Haneyl about admiring the demon princes. That half her siblings are loyalists means even Mother has doubts about breaking away from the Reclamation.
But Eko is on Calesco’s side, and so is Vali, even if he’s too straightforward to tell yet. And Mother cares more for Lilunu than any of the other ancient monsters who call themselves Unquestionable. Calesco will win in the end. She just has to keep Haneyl from catching on until then. To lie, so as to hide the painful truth.
That’s something she can tolerate, for the moment.
Haneyl’s pen makes a few more apathetic scratches, then she puts it down. “Come on, little sis,” Haneyl says, rising to her tip-toes and stretching. “I’m hungry. And I’m going to cook, because I deserve some me time and something nice. What are you feeling like for dinner?”
Calesco rises, stretching. “It’s getting dark,” she says, glancing out of the window. “So... Fragrant Blossom, I think.” She grins. “We have a date tonight. She’s going to show me some of her weaving. The kind that goes under the clothes. But if you want to make me a snack before that, something sweet.”
“Awww, come on.” Haneyl nudges her in the shoulder. “You’re going to be getting plenty of exercise tonight, so you need to keep your strength up. And I was thinking... hmm. Thick rice noodles with prawns, fishcake, puffed tofu, and cockles, in a coconut broth garnished with lemon and mango. Oh, and there should be pork belly in the pot downstairs for the guest meals, so I can use that too. Something that’ll give you the fuel to keep your girlfriend up all night.” She tilts her head. “And maybe... oh, maybe some candied mango baked in lemongrass for dessert... hmm. Or something with honey and coconut milk...”
Calesco perks up. “Oh! And the... what was the thing you made back at your welcome-back party, the sort of creamy sweet meringue goop with the spicy burn to it?”
“Hmm... not sure I have time to make that if you’re heading out this evening, but maybe I can do it for dinner tomorrow.” She pokes Calesco in the chest. “Maybe you can actually learn to make it yourself if you like it so much. I don’t get how you can pick up so many talents from all your girlfriends, but cooking isn’t one of them.” Haneyl flashes a grin at her. “Is it just that you don’t find cooking sexy, because it reminds you too much of your big sister?”
“Maybe I just know I can always rely on you to feed me when I’m hungry,” teases Calesco. “While if I want poetry or paper-folding, I have to do it myself.”
“They wouldn’t be as good at it as me anyway,” Haneyl retorts casually, as the two of them head down towards the kitchens of the Jade Carnation.
Gentle rain falls constantly on the dark slate roofs, pouring from the elaborately carved gutters and funnelled into the canals that run through Sui Basa. Outside, naked children sail little boats, learning to coax the currents with their childish songs. Strangers to the city do not brave the rain, and instead hurry to-and-fro with umbrellas and oiled leather when they cannot stay under the covered awnings or the hulking mass of the freeport. And the high and mighty of this wyld-twisted place have come to the palace for entertainment.
The high aristocracy here are dog-headed men and women, taller than a mortal man and loping on their bestial legs. The most powerful of them, the Autokrator, is no longer human - he and certain of his court have supped deep from the glasses of the raksha and become wyldworking sorcerer lords of the madness outside the world. The air has just the faintest tang of chaos to it, for the princes of the wyld are far from rare in this place. Yet in the silk-curtained palace of the Autokrator, they watch the courtesan Cinnamon as she puts on a grand presentation for her, and at the end of each song they howl to the sky and hammer their ornamental bronze bracers together in praise for the exotic beauties and pretty men who have come from over the wine-deep sea bearing music and dance.
Twisting and turning gracefully across the stage, Cinnamon’s silk-and-satin sleeves trace wide, fluttering arcs around her as she spins. A black, backless halterneck top gives a tantalising glimpse at her collarbones and bares her belly, while layered skirts flare out with her every movement, hinting at her shapely legs through the fine fabric. Striking orange patterns trace across the garments, and white tassels dance and sway from the bottom of her camisole and the outer layers of her skirts, standing out starkly in contrast against the translucent black.
Above the curving neckline, she wears a half-veil of lace so fine it looks like little more than a shadow cast across her mouth and jaw. Copper tassels dangle from its upper edge where it crosses her nose, disguising the scar there and masking the redness of her lips. Her eyes are dark and captivating, kohl-lined and daubed an arresting bronze, while a row of copper coin-charms kiss her forehead from her headpiece.
She holds two fans as she dances, made from long, yellow-tipped black tyrant lizard feathers, and they snap open and fold closed with agile flicks of her wrists as she claims the stage for her own. Barefoot and bangled, her dance sets off a hundred tiny chimes from the bracelets and charms that adorn her as she performs a blessing-paean to the canine lords of this place, before sinking into a final bow and donning her cast-off cloak of silver feathers to accept their baying adulation.
The Autokrator rises, his features covered by an elaborate jewelled bird-mask that seems to be weeping diamonds, banging his gloved hands together. “Bravo! Bravo!” he applauds. Keris can feel his weakness against her face, a chaos-flame slightly less potent than her own children. “You dance better than the courtesans beyond the Thui Kai gates, and they are beasts of living water! You honour my court, spiced lady!”
((E5, Chaos aspected))
“Mighty lord, you honour this humble one,” she murmurs, her voice carrying across the applause as it dies down. “It is my privilege to perform for your majesties.” She looks up through dark lashes, her gaze heavy with hidden promise as it sweeps across her audience. Men gulp and women shiver where it passes, and a sultry smirk curves Cinnamon’s painted lips behind her veil.
Behind the mask of the performer, Keris is feeling more analytical, though similarly satisfied. She’s been the highlight of this performance, obviously, but her trainees were the warm-up acts, and they did reasonably well. She’s certainly beaten a fair amount of skill into them in the arts of love and seduction, and now that they’ve mastered those, their education in more general performance is coming along nicely. From her place on stage, she can hear all the gossip, and while most of it is about her - the envy is as delightful as ever to feel - some among the seats are whispering about her troupe as a whole with thoughts of convincing them to stay.
The Autokrator is listening to his audience too, and with a florid gesture he raises his hand. “For such magnificent entertainment, I am inclined to grant an exotic beauty such as yourself a boon,” he says. “Ask of me what you will.”
Like a flower turning to face the sun, that little wary part of Keris’s brain knows that for all it seems to be carte blanc, if she is overgreedy she will offend him. And while she could kill him easily, that’s not why she’s here.
((PoEU tells her this service from him is worth high-end Resources 4/low end Res 5))
She curtsies low, fluttering her lashes at him. “Mighty lord Autokrator, a property of my own in your glorious city would please me greatly, to staff with my students that they might perform for you when I have continued on my way, and welcome me back should I make another tour.”
That elaborate mask shows no reaction, but he seems pleased at that. “Marvellous, marvellous! My people will come arrange that with you soon. And now, I think, an encore?”
Rising from her curtsey, Cinnamon spreads her arms, wide sleeves hanging down like wings, and snaps her fans open once more.
The next day a very peculiar man comes to help arrange the transfer of the land to Cinnamon Tenné. Well, not a man. A god, collared and clearly bound into the service of the Autokrator. His eyes are wise and full of sorrow, his salt-and-pepper beard a little wild, his robes decorated in archaic Firetongue worn and fraying at the hem.
“His puissant majesty grants you a small estate just outside the walls, with bluegrass fields and a small village paying you tribute,” he informs Cinnamon. “I am instructed to take you and any of your companions who wish to accompany you there.”
“Aki, Herran,” Cinnamon says, and two of her more promising students snap to attention. “With me, please. Bishaaro, a guard of three should do.” The leader of the Lioness contingent she has along with her nods, motioning to two of her subordinates. Cinnamon smiles to the bound god as the tall, muscular, dark-skinned women adopt a loose guard around her, tall Aki and lithe-limbed Herran. “Lead on, sir. And please, tell me what you can about my new estate.”
The walls of Sui Basa are made of strange blue-tinged stone that Keris doesn’t recognise, and everywhere the rain washes down, forcing the visitors to hide beneath oilcloth and in oilcoats. As they pass through the walls, the god explains something of the history of this estate - the last one who owned it losing a fight to the Autokrator and the man taking possession of all his lands, and how he’s been parcelling out bits to allies and as rewards.
On the other side of the walls, the weather is different - no longer raining - and looking up, Keris sees there’s a line in the sky matching where the walls are which is like someone drew a knife through the clouds and cut away the storm-blackness. The marks of chaos still lie heavy on this, though, in the polluted waters which flow out through culverts and the blue grass that grows from the flat, storm-eroded landscape. The sun is hidden by clouds, but the heat is thick and humid and so present you might think you can chew it.
The estate itself is perhaps a quarter of an hour’s walk from the walls, in a little rise of land, penned off by low stone walls. It’s nothing as fancy as her estate back in Saata, and in fact not much of the buildings - says the god - are above the surface of the land. Instead, they dig down into the hillsides, forming snug underground places where the essence of earth protects the inhabitants from the wyldstorms that frequently wash up to Sui Basa from the edge of the world.
“If I might ask,” Cinnamon says idly as she’s led through the subterranean chambers, warmly lit by oil lamps and candles, “how did you come to the Autokrator’s service, divine one? I was surprised to see a god in a wyld-court.”
“It is not by my choice, lady,” he says, running his fingers along the ring of his collar. “It is the latest indignity laid upon me. Once I was a god of great mechanisms of the Shogunate, serving Mahustra himself. I dwelt in Heaven. But the fall of Creation has lessened me, and this Autokrator fae-beast sought my knowledge. He laid this collar on me, chaining me into his service, and so here I am, stuck as a menial to serve a soul-eater like him, fearing for the time when he decides to eat me and unable to raise a hand against him or try to escape.”
“How terrible,” gasps Cinnamon, tracing the metal with her left hand. “Would that I could help you... ah, but I would fear to anger him, especially when he has rewarded me so handsomely.”
Inwardly, she’s already calculating. She can sense that his freedom would be worth everything to him, and a divinity in her debt is always useful. A divinity already used to serving enemies of Creation, who hates the fae more than he might hate demons... that could be very useful indeed. She’s been needing a divine patron for the Jade Carnation, and a god whose past experience includes the great mechanisms of the Shogunate would be a valuable ally.
((/r 14d10s7c10 #What'sThisCollar))
((Keris rolled 2 <6; 3; 3; 2; 1; 10; 1; 1; 4; 2; 2; 6; 3; 3> #What'sThisCollar))
She can feel the chaos magic in the collar, which isn’t a thing she’s really made a study of. The mutable nature confuses her. But she suspects she could get it off him. Certainly, the Autokrator isn’t powerful enough to be a sorcerer of the Sapphire Circle, so she suspects she can find a way around it.
“Of course,” she lowers her voice thoughtfully, “if you were to escape, at a time when I was known to be fully occupied elsewhere, I’m certain my ship would not notice a stowaway as we sailed on from this place.” The undertone is entirely affected; Aki and Herran are loyal to her and the Lionesses wouldn’t sell her out to a bunch of fae-lords. But it gets his attention, and Keris’s eyes flicker to a mirror as they pass it, reading the price of his soul as she makes her offer.
She can see it in his reflection; this is a man with many, many enemies. Not just the ones here, though there are dog-faced lords of Sui Basa in the crowd around him. One who could keep him safe from those people who want his head would get his loyalty.
((Heartwood’s Patronage - his price is “safety from the many people who are after him”))
“My ship has many guards, and I would be sure to assure the Autokrator that they had searched it and found no trace of his missing slave,” she murmurs. “And my home in Saata is safe from the perils of the Anarchy.”
“Is that so?” he says innocently. “I would lay ten thousand blessings on such a kindly and devout woman. Or,” he looks her up and down, “perhaps you are one chosen by the gods. Because even the dragon-children who dance for the Autokrator do not impress him as much as you did.”
Keris smiles, and wraps her silver-feathered cloak around herself, and makes no answer. But her painted eyes rest heavy on him as they complete the tour, and she nods in satisfaction at the fullness of her new domain.
“Aki, Herran,” she says. “The two of you have been performing well, and learning quickly.” She raises a finger. “I will not award mastery yet. But I would not let this estate lie fallow, either. So, if one or both of you wishes to take... a test of readiness for mastery, if you like, I will offer to let you start setting up a branch of the Jade Carnation here on my behalf. I will, of course, supply you with the aid you will need. But it would still be a difficult labour. Are you up to it?”
Herran has always been the more confident one of the two, and it’s no surprise she’s immediately willing to do this. “Of course, high priestess,” she says with a very satisfied smile. She’s one of the girls who applied to the Jade Carnation because her previous dance hall didn’t have the chances for promotion she thought she deserved, with a god-blooded dancer getting all the best roles.
“I would prefer to be fully initiated and ranked as master before being entrusted with such responsibility,” Aki says, after seeing that she doesn’t need to volunteer herself. Keris found her as a streetwalker visiting the soup kitchen at the back of the club, and decided to take a chance on her because she’d been smart when they’d chatted for a bit. But she was always so lacking in self-assuredness, afraid to take risks for fear she’d lose the much-improved life she has under Cinnamon.
Keris nods. “Herran will take responsibility for this branch, then,” she says. “But I would like you to remain with her, Aki.” Stepping closer, she rests a gentle hand on the tall woman’s cheek. “You have potential to excel, and I think a little pressure will bring it out of you. We’ll remain here for a few days more as I arrange for some support for you.” A dragon aide and a fleshless flame, at minimum, she thinks. Perhaps a couple of penury courtesans as well. “Herran, I know you’ll live up to my expectations. Excel, and the next time I pass through Sui Basa, you might earn your tattoo.”
And, of course, this will also give her a window into the goings-on in this far-southern city. Her quarters on the ship already have a number of enchanted paintings wrapped in canvas, linked to spies in previous ports - some bought with miraculous healing, others with vengeance or personal wishes of their own. Many who were already part of infernal cults - for Keris has been contacting the network of Danadu Mara on this grand tour of the Anarchy, flashing her caste mark under false faces to demon-sworn worshippers and introducing herself as Hell’s chief voice in the Anarchy, a sworn princess of green-burning Ligier. Like their hidden bishop on Triumphant Air, they’re all too willing to accept a brand and a painting through which they can speak secrets to her every week and report on the affairs and movements of their territories.
“Of course, master,” Herran says, bowing to her. Then she beams, and kisses Cinnamon on the mouth. “Thank you thank you thank you!”
Keris chuckles and kisses her back. “Don’t be too thankful. This won’t be an easy task by any measure, and you’ll be working to impress aristocracy with wyld-magics of their own. Listen to Aki’s advice and don’t be reckless or over-commit. You’re laying the foundations of a branch, not trying to build the Carnation in full.”
“All hail our masters,” Aki says, hand on where her loyalty-tattoo is hidden under her clothes.
Cinnamon stays in Sui Basa longer than planned. Of course, she had things to do to set up her new estate. Reaching out to sources of strange furnishings and exotic art in the city, instructing her disciples, setting up twisted altars to hide elements of her place she doesn’t want others to find, and of course, demonology to make sure there’s the needed assistants. Dragon aides for the minutiae, hungry ones for the administration, a fleshless flame for entertainment, a penury courtesan or two.
And of course, she entertained the first of her guests there. Phelome Vitri is the daughter of the Autokrator by one of his many mistresses, and a wyld-weatherworker of some repute in the city. Keris had seen her in the audience at the play, a graceful woman with greyhound-like traits and streaks of wyld-colours in her mane. She came looking for Cinnamon out of curiosity, and there she ran face-first into Keris’s blandishments. This is a woman looking for occult power, and Cinnamon can grant that in return for a pledge of loyalty. In this wyld-ruled city, demonic power is something an ambitious woman has no concern about when it comes at a much lower price than a raksha would ask for, and now Phelome wears her soul-deep brand openly.
But she can’t say she isn’t glad to be watching Sui Basa and its eternal rain vanish into the sea haze as she sails back into the sunlight, away from this wyld-twisted land so close to the edge of the world.
Wrapping oilcloth canvas around the framed portrait of Herran she made before leaving - inert for now, but lively and talkative when the ambitious young woman drops into deep meditation to inhabit it - Keris tucks it away with the rest, sparing a moment as always to wish she could have brought Sasi’s with her. But alas, she sent that off to Aiko and Testolagh with an anyaglo-mounted szilf-courier as soon as she arrived back in the Southwest from her mission on the Blessed Isles. At least the little girl will get to see her mother more often. And having access to Testolagh’s grounding influence might take some stress off Sasi’s shoulders.
“So,” she says, no longer needing to veil her words behind subtlety as she turns to the other occupant of her private quarters. Unlike Phelome, this one isn’t here to sleep with her. “I don’t think I ever got your name, given how rushed we were last night.”
The god bows to her, younger now than he looked with the collar on though still with traces of silver at his temples, and with a certain roguish handsomeness. “I am Ludvo, pretty Cinnamon, and you cannot possibly understand my gratitude for freeing me from that place.”
She smiles. It had only been moderately difficult to leave a Gale in an obvious, visible place and sneak out to shatter his collar with a Sapphire counterspell, and from there, hiding him on the ship had gone perfectly. She’d been so clearly uninvolved that the Autokrator hadn’t even bothered to ask her if she knew where his pet god had gone.
“Ludvo,” she croons. “So, tell me about yourself. You got your start in the Shogunate, yes? I’ve seen traces of their great mechanisms in ruins; they look like mighty wonders.”
“Oh, the years are beyond counting,” he says, leaning on the rail. “I wish I could talk about fair Amiri or the wonders of the hanging gardens of Ko Zukob, but this fallen age barely understands what was lost and my memory has been buried under thousands of years. I remember the grinding mechanisms of the great harvesting machines and the sight of air-ships so thick as to look like a sudden rain-cloud.”
“A pity,” Keris sighs mournfully. “Though any stories you do have, I would be eager to hear. I pride myself,” she flicks her hair with a brilliant smile, “on being more educated than most as to the wonders of ages past.”
She looks him up and down, assessing. His frayed robes don’t become him, but she can see that they were once of good quality, and if outfitted properly he would look nicely respectable, though perhaps an odd fit for the sensuality of the Carnation. “Tell me, Ludvo,” she says. “Have you ever been to Saata, on the coast of Shuu Mua, gateway to the Anarchy?”
“Oh, never, though I have heard of the many temples of that place.”
Keris nods. “Well, as you may have heard from my discussion with Herran, I am the owner of a pleasure-house there; the Jade Carnation,” she says. “It is beautiful and rich, and successful - but as of yet, it has no patron god to grant it temple status. There are no Shogunate mechanisms there, but you might find it suits you nicely - and I would be a generous ally to a divine backer who knew to turn a blind eye to certain... irregularities in its affairs.”
He cracks his knuckles. “God of a house full of pretty girls and handsome boys - though I’m sure they are but stars compared to the sun-like radiance that is your beauty, Miss Cinnamon. And a house of pretty girls and handsome boys that is seemingly spreading across the region, giving me plenty of chances to travel to ensure things are working properly - which will allow me to look for things that help bring back my old memories, with your assistance. And probably my own subordinates soon enough.
“Miss Cinnamon, it sounds like a hard, thankless job, but I think I’m willing to make such a sacrifice for you.” He shoots her a dazzling smile.
“Mmm. I’m sure you are. Of course,” she adds with affected casualness, “Saata is Immaculate. They take a dim view there of things that I think you’re willing to be more flexible on, hmm? Especially if it gets you protection from someone who is - as you said - beyond any Dragonblood.”
“Oh, of course, of course.” He pauses. “Might I have the honour of knowing which of the greatest of gods has chosen you?”
“Come now,” Keris chuckles. She flicks her hair again, the silver feathers chiming, and draws her moonsilver cape further around her shoulders. “I’m sure you’ve drawn your own conclusions already. But I won’t confirm anything just yet. Not until I’ve had a little more assurance that I can trust you, Ludvo. Creation is a dangerous place these days, after all.” She pauses. “That said, another thing frowned on in Saata is demonology, even by those who can safely bind the serfs of Hell to obedience. I hope you have no great objections to the same? I can certainly promise that I’m no friend of chaos-kin or the fae, who you do have reason to hate.”
“Sorcerers bind demons. It’s what they do,” he says with an easy shrug. “Better binding a demon than an elemental - or reaching for the forbidden arts to trap someone like me. Like the Autokrator did. Literally a son of a bitch.”
Keris snorts. “Quite. Well then, Ludvo. I think we will be good friends. Stay true to me and I’ll stay true to you, and protect you from any other foes who might wish to chain you. Betray me... well, I’m sure you can imagine any number of dire threats, so I won’t do you the discourtesy of voicing them.” She claps. “Now, shall I introduce you to my little fledglings? If you’re to be a patron to them, you should know the details of their work.”
“Of course, of course. When we get back to Saata, I’ll file the applications and the paperwork for recognition as your divine sponsor and patron, so you won’t have to worry about a thing, my priestess.” He nudges her. “And of course, I’m sure you won’t mind if I maintain my current role. But trust me, Miss Cinnamon, you’re offering me a much better deal than that stuck-up asshole Khyres, so I’ll just keep an eye on him for you.”
She smiles. Yes, this was a lucky find. He’s already indebted to her, with gleaming mercury streaks on his soul and a shard of grateful ice in his heart whispering reminders of how she freed him. A little longer, and a few more assurances, and he’ll be her creature, loving and loyal and unwilling to ever betray her.
“I’m glad we understand each other,” she smiles. “Come on then. Let’s go meet the girls.”
The sky is blue from horizon to horizon, and the wine-deep sea reflects its majesty. After a couple of years, Rathan is now used to Creation’s sky, and its blueness and its unpredictable weather.
What he isn’t used to is the heat. It’s only Earth and it’s already hotter than he’d like. He’s a creature of icy waters under a sunless sky. Not - not all this! If he freezes a bit of the sea, it melts away like the ice was dropped in a hot drink. And at this time of day, it’s so very bright, too.
Which is why he’s in this shaded cave on the inner ring of this coral atoll. It’s cooler in here, and darker, and in its own right it’s very interesting. This atop rises up from the bottom of the sea in a very jagged way. He’s far enough west that the waters here are very deep indeed; it’s not like the shallow sargasso-choked waters close to the Hook. He’s out of the sun, and closer to dark, cold waters, and that means he can work on harmonising with himself. And focusing, generally, on unlocking the no-doubt incredibly cool hidden form he’s sure he has.
It’s going... well, it’s going. He knows the form is there. He’s felt it in his meditations, he’s seen hints of it in his scrying rituals, he’s cast auguries and read the patterns of its presence in his occult signature. But where mama apparently saw fit to let Haneyl and Vali just spontaneously unlock their own hidden forms by getting cross enough or hurt enough, Rathan’s is proving trickier.
That’s why he’s been working with the tribes of orcamen who frequent these waters. Being able to call glimmers of his true self out in the light of his flaring soul has done wonders to convince them of his divinity, and they’ve been generous in providing gifts for him to overcome his cruel sisters’ curse that locks him in this two-legger shape. At the moment he wears a necklace of discarded orca-teeth, two sharkskin bracelets wrapped thrice around his arms so that they fit, and a coral spearhead that lies in his lap, his fingers held in mudra just above it. Apart from a loincloth, they’re all he’s wearing. He’s trying to build an exact picture in his mind of the orca-form that lies within him, and these holy relics, given to him by the matriarchs of three different pods, are helping him hold the image in his mind’s eye.
The nagging of time pressures is always a bit of a worry. Between his presence and the magical experimentation that Oula is engaging in, he’s getting a little concerned about the state of the world. Even back in Shuu Mua, they’d be fine. But this close to the edge of the world, a demon lord and a demonic sorceress are fraying it. And that’s useful right now. Oula can draw on the hints of chaos creeping in through the cracks in the world; he finds his auguries easier when there are auroras in the sky overhead.
But he doesn’t want to damage the world enough this becomes a wyld zone. He’d probably get blamed for that, and that’d be awful. It wouldn’t even be his fault! It’d be Creation’s fault for being so frayed around the edges. But he’d have to spend effort he doesn’t want to spend to avoid being blamed if this whole island collapses into a wyld zone - and anyway he wants to keep it intact. It’s lovely, for all that it’s low coral with no fresh water and mostly scrubby seagrass growing on the shallow atoll that gets flooded whenever the typhoons hit. It’s close enough to the edge of the world that he thinks Mama would be very interested in building more things west of here out of raw chaos.
No, wait, he can’t get distracted.
Deeper. He exhales, and tries to shut out the sensations from his body. The body he wears right now, that is. Because he knows he has another one. He can’t worry about what his mother is up to or whether the world is crumbling. Those things will pull him out of his meditative state.
There’s something blocking him, and he’s not sure what. He knows the orca is there, he just can’t figure out the path to transition into it. However much he commands his flesh to grow and swell and change, it remains stubbornly as it is. No matter how hard he visualises his other-self, it remains just that - a vision. Mantras, meditation, even a few experiments with mind-altering hallucinogens of the kind mama uses... none of them have been working.
After another half hour of futile effort, he sighs in disgust and gets up, hooking the coral spearhead onto a tie to hang from his hip and walking out of the cave. The heat hits him like a wall, and he grimaces, turning his sulky stroll into a quick dash for the water’s edge. A flat dive takes him below the surface, and he gratefully sinks down into the sapphire heart of the atoll; the protected pool separated by the reef from the rest of the sea.
The water is incredibly clear. Rays of sunlight lance down from high above, picking out the pink-tinged coral walls. Shoals of shimmering fish gleam like gems in the depths. There are sea-plants growing out from the walls, casting long shadows as the light dims and dims. There’re no ancient secrets here, no relics of a lost war, no ruins that this is built atop of. It’s nice, honestly. It’s just the beauty of the oceans. Just little coral, building this fragile atoll ring atop the slumbering volcano below. For it is slumbering, not dead - but it sleeps deeply indeed.
Down and down he goes. A particularly brave tiger shark swims over to take a look at him, but it knows he’s not food. It’s just awed by his presence, and he pauses for a moment, long hair moving around him, to pet its stubby nose. There’s a long scar down one of its flanks which had to come from orca teeth, and he nods in approval; both in the toughness of this shark to survive and the fact that the orcas will hunt such a thing.
Six limbs extend out from his back as he swims; silver coral branches that bend and flex like fingers. With powerful strokes, they propel him through the water like a squid, and he savours the feeling of the water rushing past him, swimming a couple of laps around the atoll until the frustration has worn off and the sunlight above is fading. Then he heads back up. Oula will be waiting.
But as he rises, his perspective lurches in surprise. Above the atoll, the wind has died. The surface of the atoll’s interior has stilled, and the angle of the sunlight renders it a vast mirror, above and below. Looking up as he ascends, Rathan can see the shoals of fish tightening against the oncoming dark, the dark fronds of sea-plants, the sandy seabed...
... and a shape that is vast and pink and horned, rushing towards him with tremendous speed. And more than that. The atoll is pulsing. There’s a sound echoing through the water, sending the fish scattering, the tiger shark retreating , the crustaceans burrowing under the sand down below.
Ba-dump
Ba-dump
Ba-dump
A heartbeat. A vast heartbeat, echoing through the whole atoll, sending concentric ripples inward from the coral walls in perfect rings. In the reflection, a red glow shines from within the huge shape, and understanding dawns on Rathan in a flash of insight.
Of course. He never should have tried to change his form at all. That’s the domain of Haneyl and Vali. Why would he need to change his flesh, when his blood can already reach past it?
The ripples meet at the centre of the pool, and the mirror-surface fractures. From the other side of the reflection, a torrent of mercury pours into the world, falling in a straight stream downward and meeting Rathan as he rises. It wraps around him, engulfs him, and he curls up at its heart as it gains solidity and definition. His senses migrate forward as liquid metal becomes rubbery hide, as silver fades to pinks and pearls.
With an ear-splitting call that sets glass and ice ringing for a mile around, Rathan breaches the surface, rising twenty metres into the air before coming down again with a colossal splash that swamps the coral walls. He presses his lips together and blows, and feels a plume of spray exit his blowhole, feels seawater sluicing around his antlers - their familiar weight rendered strange and novel again by the sheer increase in size. Feels his flippers, his fin, the long serpentine length of his tail.
He did it! He really did it! He’s an orca! He’s an orca!
... he... can’t get a good look at himself. Urgh.
Something is splashing in the shallows, so small compared to him. But its mass of writhing hair is a similar shade to what of his hide he can see, and its silver horns gleam in the sunlight.
Experimentally, he tries a whistle - which comes out more like a squeak, but it’s a very orca-y squeak! - and a couple of friendly clicks, propelling himself closer with a single lazy beat of his tail and twisting to turn that momentum into a curving arc past the shallows that doesn’t risk grounding himself.
“Oula!” he calls. “Oula, is that you? Look! Come out and see!”
She pauses, shielding her eyes against the sun, one hand going to her chest to sit above the hollow her heart had come from. “Rathan?” she calls out, half in surprise and half in amazement. And another half in adoration, because Oula can always find more space for love. “Is that you?”
“It’s me!” he calls, rolling over in glee and blowing out another plume of sea-spray. “I can’t see what I look like, tell me! Wait, no! Put on your dolphin skin and come swim with me! I can use the surface as a mirror!” He breathes in - and in, and in, and in, his lungs are so big like this! - and then dives, sinking back down underwater and calling on the waves and ripples still careening around the inner ring from his jump to calm.
“Wait a moment!” she calls out, stripping off what little she wears as he surfaces. “I want to get a good look at you first!”
She does swim out to him, but only as half a dolphin; her upper half she doesn’t sculpt. It means she has hands to reach out and run them over his skin, her silver tail fighting the currents he’s stirring up just by his presence.
“The water around you feels like children dancing,” she observes, as she brushes around where his horns spout from his skull, holding onto them so she isn’t swept away.
Rathan clicks again, sensing her in a way that isn’t quite hearing but isn’t touch, either. Is this what mama and Eko mean when they talk about hearing the shape of things? No, probably not, but it’s fascinating nonetheless, and he’s definitely going to spend some time playing with the new sense in the near future.
For now, though...
The surface of the water above him stills at his command, even as the water around him spins in a lazy whirlpool-sheath around his form. He angles his flippers in a way that feels as natural as walking, turns on his side and looks up at the mirror-like surface he’s reflected in.
He’s beautiful.
With Oula clinging to his horns as a reference, he guesses that he’s somewhere between thirty-five and forty metres long - shorter than Haneyl or Vali, but with more bulk and a rack of silver antlers that are each easily twice the length of a grown man. His forward body is orca-like; the characteristic rounded head and eyepatch of the cetaceans he loves so much - but behind his fin, his body stretches out and out and out in an elongated, tapering silhouette that looks almost serpentine. Instead of the black and white of Creation’s orcas, his upper hide is a beautifully dappled pattern of coral hues from pale pinks to deep reds, while his underbelly, eye- and saddle-patches are creamy pearl. A flex of will sends silver coral-branch limbs extending out from his back, and he gently caresses Oula’s side with one before retracting them.
Yes, he’s certainly beautiful. But what about dangerous?
Rising slightly in the water, he opens his mouth and beholds a set of jaws that would probably make a siaka back away. Diving again, he gently shakes Oula loose, then builds up speed with a few hard strokes of his tail and turns to gouge his antlers along the seabed, tearing great rents in the bedrock. The water listens to him more in this form, too, with less of a delay in answering his will, and he whips his cloak of vortexes and whirlpool-eddies into a frenzy to prove it.
Circling back to where Oula was watching him wide-eyed, he flares his fins and curls his tail to bring himself to a halt in front of her, letting her rest one tiny hand on his beak. She’s so small like this. So dainty and delicate and pretty.
“What do you think?” he whispers, his voice echoing softly off the coral.
“You’re gorgeous - and so strong,” Oula purrs. “It’ll stop your brother and sisters being so uppity because they think they’re stronger than you. And of course, you’re much more beautiful than them. Haneyl’s a big slathering beast, and Vali’s a clumsy brute. Nowhere near as beautiful as you. You... hmm. You actually have something of the Serpent Queen about you.” She tilts her head. “And of course, we need to see if you can just partially transform, so you can be my gorgeous merman.”
“Later,” Rathan promises. “For now, though...”
He turns his attention to the reef walls of the atoll. Unfortunately, it’s a closed one, with no open route in or out - and he doesn’t want to turn back in case he’s too tired to do this a second time.
“... help me figure out how to get out into the open ocean. I want to do some proper swimming with you. And find some orcamen to show off to.”
Rootless Cap Map sits under the sweltering sun. Below, the driftwood isle anchored to ancient pillars jutting from the sea floor; a city of scum and slave markets. Above, the city-watchtower of antiquity, floating with no visible means of support, where the masters of the depravity below avoid the horrors of a place where rum is cheaper than clean water. And on top of it all, Tuyet Alka, who in his youth found the secret to lift this place from the seabed, built it into something that broke Saata’s monopoly as a harbour off the Fen, and in his antiquity made a deal with demons to extend his life.
The Despot of Ca Map has two problems, and he is considering them as he stares out over the sparkling blue-green waters to the west. Actually, he has many problems, but that’s just part of the burdens of power. But the two problems foremost in his mind are called Nara and Zana.
He’s got his renewed youth, and those dangerous demon broads have got leverage over him. Fair’s fair. A man will do a lot for a woman who can make him young again, and he ain’t a fucking idiot. He knows well that she’ll cut off the supply of the drugs that keep him young if he pisses her off. But that’s just the thing. He’s got his deal with her. Not a pair of brats who are only in their mid-teens and showed up with the lady’s crest claimin’ to speak for her in all regards.
Which he ain’t buying.
Oh, sure, they’re demons. Powerful ones too, more powerful than the other familiars that the demon lady Kyten gave him. But they ain’t her, and his contract is with her.
And these two uppity brats have been fucking with his people. They’re screwing with the balance of power in his city. The ones willing to work with them - and he’s bettin’, sellin’ their souls - are doing nicely. The ones who aren’t willing are havin’ bad things happen to them. Getting bumped off by rivals who’ve got investments of demonic power. Or worse. Like turning into fish mutants.
This is still his fucking city, and while he owes Kyten big time for the extra years he’s getting out of this, he can’t be lettin’ her servants run wild over this place. Especially when the Nara one, in that weird-ass white robe, comes to him and demands things. Demands things! Of him! The fucking cheek.
“No way,” he says, turning back around from his position at the window. He meets the eye-holes of Nara’s mask. “I ain’t doing that just on your say so, and if yer boss were here, that’d be one thing, but she ain’t. I ain’t even sure the orders are coming from her. So let me lay down what’s gonna happen.” He rubs his red jade ring, feeling the pulse of the tie to his bound djinn within, and knowing that he might have to call on it if this turns south. He doesn’t want to confront this powerful demon but a man’s gotta do what he’s gotta do, or else he’ll have no power at all here. “You’re gonna stop screwing with my people. Sure, you can bribe them, as long as it doesn’t disturb the balance of power, and sure, if a couple of them are dumb enough to sell you their souls, then you can take a couple. But stop makin’ my pirate lords fight each other, and stop turnin’ the ones who won’t deal with you into freaky demon mutants.”
Nara looks up at him, bouncing up and down on his toes. “Now, now, Tuyet,” he says. “Don’t be so hasty. Maybe we’ve been going a bit far, but we can still be very useful to you. Of course we’re willing to work with you to make sure that your throne is safe. And of course,” there’s a slightly unctuous note in his voice, “if you want some more power from us, you just have to ask…”
Gods, that brat knows how tempting the offer is. But that’s just why he has to turn it down. Because this is his fucking city and if he starts trading away authority to a pair of brats who say sorry rather than ask for permission, it won’t be any longer. He built this city from nothing, and no one else gets to have it. He has to draw his hard line, or else it’ll be washed away by the tides little by little.
“Listen to me, kid. This is my city and I ain’t gonna let you-”
Three weeks pass.
“So so so, my dear Despot.” It’s the girl this time, those mismatched eyes looking at him like he’s a piece of meat. She’s waiting for him, sprawled at his working desk, wearing mismatched silk stockings and a light airy robe in a thousand subtly different shades. “Did you sleep well?”
He can’t help but shudder.
“You didn’t? Poor darling.” She examines her delicately painted nails. “Whatever could be the matter?”
He stood up to them, for all the good it did him. And they took it personally. Someone telling them ‘no’ isn’t something they’re used to, not when they’re actually trying.
So they took it out on him.
The two of them have shown him such things. Such terrible things. Since they showed him the truth he has dreamed of drifting in the deep sea. Encountering the ancient, bizarre horrors that have lived there since before man. It wouldn’t be so bad if it was only his nightmares where he saw them. Gods, if only. Nervously, he glances over to the window. The window that looks down over his city, and below that, the water.
The water which no longer hides things from him. That reveals, as clear as glass, the squirming, coiling, writhing masses that live down in the dark. That surround his city. Waiting.
He tried to stay strong. For days. But they kept on showing him more and more. More obscene art containing truths he hadn’t ever wanted to see. He has stared at vistas of Hell itself under a burning green sun. Of course he hadn’t wanted to see such things. Hadn’t asked for it. But they hadn’t cared. Fuckers had crept in and redecorated. Corrupted bits of his personal artwork. Hidden it in his reports from the lower city. His skull still aches from the insight into hellish geometries from the poem that’d been worked into a report on smugglers.
“I…” his throat aches to say this. “I… would like your help. In keeping m’throne safe. From… from others.”
Zana admires her nails, fanning them out to show them to him. He shudders to see that it’s his face she’s been painting on, becoming more and more demonic. “Oh? What changed your mind?”
“Cut the fucking crap, you know what you did! Now… make me stop seeing them things under the water!”
“Can’t.” She gives him her prettiest smile. “They’re down there. Waiting. Lurking. And insight, freely given, can’t be withdrawn.” She leans in. “If you had to learn more things, you couldn’t forget them either. But we’re friends, aren’t we! No need for that!”
He understands the threat for what it is.
“Of course,” he croaks, and her smile is beatific poison.
Chapter 15: Early Wood 774
Chapter Text
Blood on the Sand
Late in Earth, a number of quite specialised figures in the affairs of Hell receive invitations to the Conventicle Malfeasant. The Pearl Blade, Ikani, is unable to make this meeting as they are currently bound in the service of the Exalted of Creation. But the others accept such a prestigious invitation issued in the name of Unquestionable Lilunu.
In a shady mirror-walled room filled with sweet melodies that drift down from the ceiling, they have gathered. Keen-bladed Zsofika, long hair spilling around her, whose kite-bearers form serried ranks outside. Shabby Tzale, wearing his stone mask, the tools of a hunter propped against his chair. Smiling Claudia, whose golden eyes are alive with a certain more knowledge of what is going on here. Viscero the Wasteland Khan, his sand-mouse slumbering behind him. And these are just the demon lords; there are two angalkae housemistresses whose elegant grace conceals the weapons in their hair, a single representative of the teodozjia, a tall and thin csinostaj who sits below her parasol with a bowl-full of ice on her lap, and many more.
Killers. Assassins. Saboteurs. For so many to be gathered in such a room on the behalf of an Unquestionable - well, some know of the green sun princes, while others only have heard rumours of the terrifyingly potent new servants of Hell who can command others and lead them into Creation.
They don’t have to wait long. Only a few minutes after the last arrival, a pair of hidden doors open in the mirrored wall, revealing a brief glimpse at a corridor of woven gold and brass branches before closing again without any hint of a seam.
The figure that walks through it, in those few seconds, is one that some of them know, and all of them respect. She wears a heavy suit of armour plate that moves as though it’s weightless - moonsilver armour, whose surface is a beautiful shifting mural of feathers and waves and petals. Over it is a red surcoat cut with black in the wind-and-arrow-storm motif of Adorjan, an empty circle taking centre place in the patterns.
Her helmet is off. Her scarlet hair cascades down behind her, silver feathers and ornaments among its locks, loose and flowing a few inches above the floor behind her like the train of a bride’s wedding dress.
On her forehead, an empty circle burns in green.
The conversation dies down at her arrival, and even the music of the angyalkae quietens. Without a word, the newcomer strides up to a podium and takes her place behind it, armoured hands resting lightly on the wooden surface. For a moment, she regards the murderers arrayed before her.
“Some of you are no doubt wondering,” she says, “why you have been summoned here today.” Her gaze sweeps over the lesser demons in the room, the citizens and serfs who were commanded to come without care for explanation. “Others,” and here her eyes stray to Claudia and Zsofika, “already have some idea. I will be brief. The Director of the Burning Sands, head of the Reclamation’s actions in the South of Creation, has commanded that chaos and disruption be sown along the trade routes that border the Fire Mountains of the Direction’s western border, and that the nations and cities along them be thrown into anarchy. You have all been brought here to contribute to that task, under my leadership.”
Tzale taps his stone mask. “Well, I can be a-guessin’,” he says, sounding incongruously like a Scavenger Lands hick. “Way of the world is, one man always wants another dead. And, milady, by the looks of things you’re wanting a lot of people dead, and from the fact that all us be here, there’s gonna be no small number of mighty people ‘mong them. Dragonchildren an’ more.”
“Could be an interesting hunt,” Zsofika agrees. It is a little uncanny how much she looks like the woman on stage; similarly long red hair, skin darker but not too different, something even almost related looking about their eyes. But then again, Keris knows that Zsofika is the progenitor of the angyalkae - and in a real sense she is Keris’s ancestor too, for how much of Dulmea is within her.
“And one that should be well-funded by the treasuries of Hell,” Claudia says firmly.
“The Directorate of the South is paying handsomely for your services,” Keris says. “And any bounty you claim from the targets in the course of your missions will be yours to keep. You’re right about the targets, though. They range from mortal kings with elemental pacts to the children of traitor-gods to Dragonblooded of the Scarlet Realm. You’ll be given some leeway in your objectives - anarchy is our goal, the exact form can afford some flexibility - but I expect results equal to the pay you’re getting.” That said pay is coming out of Veil’s vaults and not hers changes nothing. Keris has been hired for this job, her reputation rides on doing it well.
Vicero laughs at that. He’s a windblown figure, handsome and noble in bearing, and his mirth is infectious. “Give me three hundred demon riders of my horde, and I’ll sack their cities and burn their caravans!” he boasts. “My men are as fast as the Wind and as savage as Her too!”
Keris’s smile is like the blade of a knife. “In good time, my friend,” she says. “I’ll give you your riders, but I’ll need preparation to bring them all out of Hell for you. And there are some targets I want hit with precision - a needle, rather than a sabre.”
“I am sure,” Zsofika says, her hair jangling with the bells in it as she shrugs. “Give me interesting prey and unleash me from this prison, and I will work my way down whatever list of targets you give me.”
“Of course,” Keris grants with a nod. “And lady Claudia, lord Tzale?” She leans forward on the podium, crossing her arms, her hair coiling behind her as she quirks an eyebrow at the pair. “I trust you have no objections to this work?”
Tzale makes a noise sort of like rocks being crushed. Keris thinks he’s clearing his throat. “A job’s a job, an’ gettin’ me out of here with no binding is a mighty good down payment. We can talk fees for targets later.”
Claudia gives Keris a knowing look. “It’s certainly in my interests to get a season or two out of here in the south. We might want to talk privately about other matters as well as my prices.”
That knife-like smile spreads again. “Well then.” With a snap of Keris’s fingers, two dragon aides emerge and begin to hand out sheafs of paper. “Your initial targets are detailed on these documents, along with the information the Southern Directorate has gathered on them - more than enough for most of you to come up with plans of attack. I’ve left room for you to be creative with your approaches, but these have been selected for your skillsets and preferred killing styles. Details of payment are also included.”
She lifts a hand, and the attention of the room swings back to her as if pulled by gravity. “I must warn you,” she adds, “not to discuss your assignments with the others here. Should any of you be captured, unlikely as it is, we do not want information on other targets leaking. Some of you will be working in concert, or within the same cities - a handful have even been assigned to cooperate against a single target. In those situations, share information freely. But otherwise, prioritise secrecy. Lords, ladies,” she addresses this to the four demon lords, “I will meet with each of you separately to discuss your approach - your rank and power will give you much more leeway to act on your own initiative in following your orders.”
((Hmm. Roll me Per + Expression for how well you sold them on that - not just the speech, also the whole get up and use of Lilunu as a vector, etc.))
((5+5+3 Prince of Hell style+2 stunt+10 Szoreny ExD {attention of others, flashy, melodramatic, respect of others}=25. Enhancing with Attention-Holding Grace, My Dark Lady and a couple of tactical uses of Go Get It on the demon lords.))
((/r 25d10s7c10 #We'reOffToKillKings))
((Keris rolled 19 <5; 5; 4; 8; 4; 8; 7; 10; 4; 3; 7; 7; 2; 1; 8; 9; 10; 8; 2; 9; 1; 9; 9; 10; 10> #We'reOffToKillKings))
Keris makes her exit, and then immediately goes to listen in on them. The reactions are - well, overwhelmingly positive. The simple fact that she’s invited them in as honoured guests to the Conventicle and offered contracts and systems of payment are well ahead of the ordinary. There are plenty of people who’d just have bound them to tasks. She, by contrast, is offering employment and payment.
Claudia, of course, is smiling with a certain feral edge when she has a discussion of the missions that also serves as a dinner date. And Claudia is definitely dressed for the latter, in a carefully tailored northern-style silk suit in black and gold that makes it abundantly clear she’s wearing nothing under the jacket. “I’ve never seen such a soft-sell from one of you green sun princes,” she observes over the fruity mango-and-coriander starter that Lilunu all-but-demanded that Keris use the plants she’s been growing to see how other people like them. “You could force any of us to do that - well, not me, but that’s because we have a non-binding contract signed already. But any of the others. And it would have been much cheaper for you.”
“Technically,” Keris says, not without a hint of smugness, “it would be much cheaper for Veil. I managed to argue them into some expenses for this that don’t entirely come out of my pay. But yeah, I could probably have got more out of the job if I’d been thinking just in terms of short-term cash. But...”
She nods at Vicero, who’s gesturing loudly and pulling a number of smiling, laughing lesser demons into his orbit at another table. “This way, I build some nice, friendly relationships with three other demon lords and a number of pet assassins and killers. I’ll have uses for many of them in the future - both in Creation and also maybe here in Hell. It smooths things over a lot if they decide they like working for me.”
“Rivals for my services? I’m not sure I’m a fan of that.”
“Ah, don’t worry about it,” Keris winks at her. “I’ll save the best for you. Speaking of which, I assume you’ve looked over your packet?” She tilts her head, a lazy grin forming. “I hear Cahzor is an old haunt of yours. Are you looking forward to seeing it again?”
Claudia gives her a lazy grin. “There are some pretty hyena-kin ladies waiting for my visit,” she says affably. “Even more than you are. You should come by; you like old ruins and ancient statues, and Cahzor is nothing but. I could give you something of a tour and put you in contact with various important people there in return for a few friendly services.”
“Mmm, well, I’ll be starting up near the Lap,” Keris demures. “But I’ll drop in on you at some point over the season and take you up on that.” She takes a considerate bite of the mango starter and hums thoughtfully. “Hmm. This actually turned out fairly well.”
“It is rather well done, yes.” The courses pass, and in passing Claudia mentions over the well-marinated demon-meat, “Your co-star is taking to his lines - and his training - very well. He’s taken responsibility for the troupe. You’ll be spending time with him - and them - for a couple of months at the end of the year, yes?”
“Some intensive training to touch him up on any points he’s lacking in, yes. Though it won’t be enough to make up for a lack of any talent - I expect him to be delivered with some level of expertise already there.” Keris downs half a cup of wine and wags her finger at Claudia. “I’m teaching him the plays and performance-mastery, not how to act from scratch. You want that, you’ll have to pay me more.”
“Darling,” Claudia says, with an extravagant eye-roll, “he’s a Dynast and he’s been in the hands of my lady and her servants on the Street for over a year now. You’re putting so much effort into this Direction-wide killing spree you might need to be careful he doesn’t know your work better than you do.”
“Tch, rude,” Keris grins. “Well, maybe I’ll take the scripts along as reading material, just to keep myself fresh on them.”
“I’d advise it,” Claudia says, much more seriously. “You don’t want to trigger any of my lady’s penalty clauses by failing to meet the requirements. Especially given you didn’t go for the - admittedly steep - financial penalty options.”
Keris winces. “Yes, well. The penalty clauses won’t come up, because I’m not dumb enough to trip them. Don’t worry, I’ll be good and practiced when opening day comes around.” She stretches as the plates before them are removed again and dessert is put in their place. “But that’s a problem for a season from now,” she adds. “For now, we’ve got - as you said - a ‘Direction-wide killing spree’ to attend to. So, while I attend to this trifle, why don’t you regale me with some of your ideas for how you’re going to get me my tithe of heads?”
“A counter-offer.” Claudia stretches. “Why don’t we leave that for next scream or so, and instead talk about the terms for the contract for our mutual plans for this evening?”
“Oh?” Keris reviews her itinerary for the evening, finds it pleasantly empty of things that can’t be rescheduled, and smiles. “And what would I be getting from such a contract, to entice me to enter negotiations?”
“I am offering a chance to relax, de-stress, and think about things other than your work,” Claudia says. One of her feet - now bare, after she slipped off her shoe - tangles with Keris’s leg. “And of course, I have plenty of incentive to impress you and try to get you in a favourable state of mind so you’ll give me the better assignments in the upcoming contract negotiations, so I might be uncommonly generous in an attempt to get the upper hand later.”
Keris chuckles. “Well then. If it’s uncommon generosity on offer, I suppose I’ll let you have this one.”
“Mama mama mama mama mama mama mama mama mama mama!” The greeting call of the wild Kali is a very familiar sound to Keris, and it comes in many varieties. In this particular instance, Keris can tell that Kali is stroppy with her because she hasn’t been here to see Kali do something that she considers to be very impressive, and thus she has been betrayed grievously in a way she will never ever forgive for at least a minute. Kali is holding up a crude charcoal sketch and is presenting it for examination.
Lilunu looks up from her seat where she’s helping Ogin colour in one of her sketches. Ogin is filthy because he’s been allowed to lie on the paper and that means he’s got chalk and charcoal all over his fur. He is much better than his sister at colouring in between the lines.
“Keris,” Lilunu says. “You’re back later than expected.” There’s a quirk to her lips. “Did you have fun?”
Lilunu is, Keris feels, sometimes a very bad lady. Her smile indicates that she knows just how much Keris is aching from her evening spent with Claudia.
Levelling a pout at the smirking demon princess, Keris stoops to scoop Kali up and bounce her in her arms, accepting the drawing in a hair-tendril for inspection.
“Well now!” she praises, eyeing the piece and translating the scribbles with practiced maternal expertise. “This is very pretty, little feather! There’s Ogin with all his tails, and this is Lili and you as kitties, yes? And what’s this you’re both chasing?”
Kali beams at her mother. “Magoli the Rat Queen! She’s a demon lord who’s a lady and me an’ Lili are eating her all up!”
“O-oh?” That’s... somewhat alarming. Keris throws a quick glance at Lilunu to check that this bout of fictional citizen-cannibalism isn’t a new development, then drops a kiss on Kali’s forehead. “Well, that explains why you’re both kitties, then. You’re very good at beating up rats as a kitty, aren’t you?”
“Mama!” Kali crosses her arms and gives her best scowly face. “Rats are easy, mama! Birds are harder! Me’n’Lili had bird! She made me cook it! Well, her cooky people cook it! The best bird is smoking and still bloody! I told her that, mama! She didn’t listen! Make her listen, mama! Mama!”
Chuckling, Keris approaches Lilunu and bows, keeping Kali perched upright in her arms as she does so. “My lady,” she says with faux solemnity, “though I am loyal to you in all things, I regret to say that I’ve been informed of a grave error you’ve been making in your choice of kitchen staff. I’m sorry to bring you this news, but I’m told they’ve repeatedly failed to properly prepare ‘bird’ to the proper recipe.”
“I know,” Lilunu says mournfully, cuddling Ogin and resting her chin on the top of his head. “I just can’t manage to eat half-raw bird that I’ve breathed fire on so the feathers are still smouldering. I even tried, but it,” she looks vaguely nauseated, “I just can’t, Keris.”
“Well, we all have our flaws,” Keris consoles her. “Maybe that’s just a special Kali-meal for little feathers who run around all day, hmm?” She kisses her son on the forehead and kneels down to look up at him. “Hello moonbeam,” she says fondly. “You know, if you keep getting your pretty white fur all mucky with paint and charcoal, I’m going to start thinking you either don’t like the colour or that you do like having baths all the time.” Hoisting Kali up so that she can pop into hawk-chick form and hop across to Lilunu’s lap to nest among her brother’s tails, she tickles Ogin under the chin playfully. “Can I see what you’ve been drawing, or is it a secret picture?”
Ogin looks gravely up at his mother, and leans back to reveal that he’s been... huh. Keris tilts her head. He’s been colouring in one of Lilunu’s drawings, only... not really. Not in any conventional sense. He’s instead been doing tiny dots with the very finely tipped chalks he’s been provided with. He hasn’t been mixing the colours, except when he’s been smudging things together by leaning on the surface. He’s been instead just changing the ratio of the different colours so from a distance everything blends into different shades smoothly.
“Oh!” Keris gasps. “Well. Isn’t this lovely? This way you can make colour and patterns, can’t you?” And indeed, the patterns the dots make - some arranged in short, parallel lines of three in a row, others forming tiny interlocking spirals, others in dense clumps separated by looser spacing - give the painting a feeling of texture and depth from a distance, tricking the eye into seeing distinct types of fur on the three great cats Lilunu has drawn nuzzling up to a dragon. “Very clever of you, Ogin. I might have to copy this for my own paintings.”
“I saw the dotty art in ‘Sarin’s things that Eko showed me,” Ogin says, beaming at the praise. “It makes my hand hurt to do it a lot. You and Lilunu like it.”
“We do,” Keris agrees, and kisses his hand. “Poor you, making such sacrifices for your art. Still, I’m sure Aunty Lili has some treats for us all as a reward?”
“Yes, I do,” Lilunu says effusively, her eyes tinging to a deep indigo. “But first, you two need to go off with the servants to get cleaned up and,” she sighs, “Mama and Lili need to talk about a very boring work thing which is much less fun than bathtime.”
“Yaaaaaaay!” Kali cheers, because she likes baths.
Keris sighs happily as her twin terrors are carried off by a szulok, and waves indulgently when Kali escapes halfway down the corridor and scampers back around the corner to wave bye-bye properly for the endless yawning impossible gulf of time that will be the half-hour or so it’ll take her to be washed up and have a proper swim in the bathtub. Then she sits herself down beside Lilunu and claims Ogin’s drawing to see if she can repair some of the smudge-damage from his fur and restore the dots he’s ruined.
“I did have rather a lot of fun, as it happens,” she says impishly. “This time I had lady Claudia at my mercy again, instead of the other way around. Oh, and your mangoes were a great success, even before I told people who’d grown them.”
Lilunu lets out a self-satisfied squeak at that news. “Oh, that’s wonderful! Do you think the mortals in Creation would consider me the Peasant-Queen if they tasted my crops?”
“I don’t think mortal queens do much farming, my lady,” Keris says, smiling fondly at Lilunu’s lingering naivety about the world beyond Hell. “But I’m sure they’d think they were grown by divine hands instead. They really were very good. This was the batch you fed solely on Creation-water, wasn’t it?”
“Of course it was,” Lilunu says brightly. Unfortunately, she really hasn’t improved at lying as much as she thinks she has. Or possibly Keris has just gotten better faster than Lilunu can have improved. After all, when one is the mother figure to Ogin and Hermione and Hanily, it’s basically the equivalent of training with weighted clothing when it comes to detecting childish attempts at deception.
Rather than respond, Keris raises a sceptical eyebrow. “Solely on Creation-water?” she prods. “No sneaky touches of Metagaoyin power to hurry things along, or anything else?”
Traces of cerulean blue creep into Lilunu’s bangs. “Ar-are you questioning me?” she blusters.
“I would never, my lady!” says Keris innocently, with a teasing look that says otherwise. “I’m sure your purely natural gardening techniques would the envy of all Creation, to grow such perfect fruit.”
“Y-yes! Precisely! Not that there would be anything wrong with easing things along with the bountiful power of the ones who made Creation in the first place and so Creation is just a reflection of their glory - not that I have!” Lilunu pauses for breath. “Stop looking at me like that, Keris!”
Obediently, Keris drops her eyes to the floor, leaving the smirk where it is. A ripple of pleasure flows back from the opal piercing in her tongue, shivering down her spine and making her squirm in her seat.
She hears Lilunu’s hands go to her mouth. “I didn’t mean it as an order like that!” the Unquestionable crown princess of Hell blurts out. “I mean, you can look at me, I... okay, yes, maybe I cheated a little bit, but Keris it’s haaaaaard and it’s not fair how Creation plants don’t grow properly in just green light!”
Tapping her lip thoughtfully, Keris looks up. “Well...” she says slowly, tilting her head. “I might actually have a solution for that. When I hit the naib in Malra, he had these spelled rooms he’d made look like other bits of Creation. An office that looked like it was in the middle of a jungle, a trophy room that felt like it was on a snowy mountaintop above the clouds, that sort of thing.” She grins. “And I nabbed most of the spell he used for it from his records. I bet if I learned it and got my hands on a set of armour or a carving or something in green jade, I could make you a little set of greenhouses that felt just like they were in Creation so the plants could do better there. That wouldn’t be cheating, after all - it’d just be levelling the playing field so you had a fair try, with the same advantages as Creation’s farmers. Right?”
Lilunu clasps her hands together. “That sounds like fun! Building a little world for me! Or three! Or more! Oh, Keris! Can you at least show me how you do it! I love the idea and I do wish I could learn such a fun little magic but...” she sighs. “No, it’s not a talent for me. But it is one that you can procure for me, my Voice.” And there’s a certain husky fondness in Lilunu’s words when she says ‘my’.
That thrum of pleasure ripples out from her tongue bar again, and Keris swallows with a dry throat. “I’ll, ah. I’ll make sure to study it as soon as I get the chance, my lady,” she promises. “And of course you can watch me make them. It might not be until next year, though, given...” She gestures vaguely. “The rest of this one is pretty packed.”
Lilunu’s hand - big, warm-feeling - rests on Keris’s right shoulder, and those ever-changing rainbow eyes look deeply into hers. “I know I don’t tell you this enough,” Lilunu says, her voice almost painful in its sincerity, “but I am so, so proud of you, Keris. When you came to me you were an illiterate, ignorant feral child with hardly any skills that weren’t hurting or hiding.” She takes Keris’s other hand, and in her left hand Keris can feel the seething, unstable surge of the titans that exists just under her skin. “I don’t even remember why I decided to give you more time than the others. I think I was just bored, maybe. Or maybe just that you reciprocated and treated me as more than just the errand-girl of the others.
“But you’ve grown so much. You’re an artist and a performer. You help me so much with my duties. You do lovely little things for me. You,” her voice thickens, “you made me the godmother to your children and I’ll always take good care of them and now you’re doing all this! Leading many demon lords in a big organised thing to further the goals of our masters. Helping your peers like that. I’ve always been a bit worried about you and how you don’t seem to want to be friends with many of the others, but you’re trying now. I wish I could give you one of my princes to look after and care and nurture their talents because I know you’d be amazing at it, but, well, many of the others think your Directorate is an unimportant backwater. But I know you’ll always, always try to make me proud. Won’t you?”
Keris rocks back on her heels, winded. She tries to speak, and chokes up. She tries again, and can’t. There’s a lump in her throat that stops her from making a sound, an ache in her heart and a stinging in her eyes that forces her to squeeze them shut and press a hand to her chest to keep from bursting into outright sobs.
It’s been four years since Malra. Since she met her birth mother, the ghost of Maryam, and suffered under her tongue and her terrible strangling grip. The marks still remain. The words still cut, when she thinks back on them.
But that only makes this - this praise, this pride, this love and affection from a mentor who’s almost-but-not-quite a mother-figure - that only makes this validation stronger.
“I-I will,” Keris gasps between quick little shallow breaths that hold back hysterics. “A-a-an’ I’m proud too. I’m... m’really happy I reached out t’you, an’ helped you an’ got to know you a-and...” She sways forward, her hair curling in unconsciously to embrace her lady. “I’m really glad I met you, Lilunu.” Her oath wells up again from where it’s carved on her bones. She can’t not reiterate it. “I’ll always do what’s best for you, my lady. I promise.”
Lilunu just holds her there, chin on top of Keris’s head, sometimes warm and sometimes cold and always changing but always her.
It breaks the fragile control Keris has over her tears, and she clings for a long, long time, crying into the hollow of Lilunu’s neck, pressing herself into the demon princess’s shifting, alien warmth.
Eventually, she sniffs and looks up.
“Thank you,” she whispers, her voice hoarse. “For everything. So... so much of what I am now is ‘cause of you. Dulmea and Sasi and you.” Her arms, wrapped around Lilunu’s waist, squeeze gratefully. “Thank you. You’re one of the only ones I’d trust to watch the twins while I’m off in the South.”
“Don’t get yourself hurt out there in the hot deserts of the south,” Lilunu says softly to her, holding her close. “Oh, I didn’t want to cry in front of the twins. But it’s going just be you out there, without your darling souls there to help you and keep an eye on you, and you’ve never been there before. What if there’s something horrible that tries to eat you?”
Keris sniffs again, and musters a watery smile. “In Chir, they got me ‘cause of Haneyl going down,” she says. “I was tired and stressed and stretched out thin and I got caught between my Bans from the Demon Sea when Zanara hurt her to get the poison metal out. Then the fae used the gap while my guard was down to get into my head.” She lets her head tilt forward again to rest on Lilunu’s collarbone. “This time, I’m going in fresh, and I’m not real close to anyone on my team ‘cept Claudia. And even with her, if she goes down she’ll just reform here in Hell. Anything tries to eat me in the Desert, it’ll break its teeth on Strigida and then I’ll skin it alive and bring you its hide as a canvas.”
“Just don’t be overconfident,” Lilunu tells her firmly.
Knocking the opal tongue-bar against her teeth with a faintly audible clack, Keris nods.
“As you command,” she murmurs into soft warm skin that contains a power to rival the greatest princes of the Demon Realm. “My lady.”
“Now, come on, Keris. I was so worried about what you might be doing in the south and what the deserts might be like there so I’ve prepared lots of outfits for you and you need to model them for the twins!” Lilunu’s chatter is somewhat reassuring in its mundanity - and so is the fact she clearly wants a chance to dress Keris up again.
Smiling to herself, Keris lets Lilunu stand her up and lead her off to the wardrobes. Spending an afternoon being used like one of Atiya’s dolls to model a several dozen different outfits is no great hardship - it’s certainly a better way for Lilunu to destress than bleeding off chakra knots. And while it might be physically tiring to model so many clothes in so many different poses, the love and care and thoughtfulness Lilunu pours into her efforts to make sure Keris is well-dressed and properly outfitted is heartwarming.
Plus, Keris has to admit.
She does like looking good.
It’s always nice to be under a yellow sun again, Keris thinks as she perches atop a low sirocco roof, idly eating a handful of cherries. All around her, whitewashed buildings nestle close to one another, in an oddly cramped city. When she gazes out over the broad river valley ahead of her, she sees endless fields and as the valley rises into the hills, neat terraces and orchards. This is a tamed land, a domesticated land.
And, of course, the building she’s sitting on lies in the lap of a nearly five-mile high statue built by the ancients. As does the city itself. A colossal headless statue sits with its hands folded in its lap, for she is in the Lapland, breadbasket of the South and one of the most fertile lands in all the world. The magic in this place lies so thick that she can always feel phantasmal cool stone and soft leaves in her left hand.
“Aye, this is t’place,” Tzale says, rolling his huntsman’s shoulders as he crouches beside her, stone mask concealed by his tan cloak. “I’ve done m’work here before, lady. The Realm has its eyes on this place.”
They certainly do. Keris has read the briefing notes in depth. The Scarlets have always known the temptations of such a wealthy province, and so this prefecture has three co-equal satraps who rule without any pretence of local government. The inhabitants of the Lap are indentured from the age of thirteen to forty-three to work for the Realm, and the risk of disruption to such a crucial food supply is so great that these serfs are treated with a far softer touch than many other places. Immaculate temples are everywhere, and many of the locals consider themselves to be part of the metropolitan Realm.
Subtly, the motions hidden by the feathered cloak of Strigida, she clenches her fists tight enough to whiten her knuckles, then relaxes them again. It’s fine. This is fine. It’s not the first job she’s pulled on Realm turf, and this isn’t even on the Blessed Isles. The Lap is important, yes, but it’s still just a satrapy, and she’s been through the second largest city in the Realm without getting caught. This’ll be just like Arjuf. In and out. Quick and surgical and simple.
... it would be a lot easier to reassure herself of that if she’d actually assassinated the minister and the Slug in Arjuf itself, and not a little holiday town a couple of days down the coast.
“You may do it again soon, then,” she says, bringing her attention sharply back to the here and now. The Golden Triumvirate look to the eye of a Yozi-trained assassin like a uniquely unstable and exploitable chink in the Realm’s armour. They all hate each other so much that one murder may well turn the other pair to infighting, and tie the Realm up for months sorting things out - let alone the fact that these endless fields and countless workers no doubt take backbreaking amounts of administration to organise. One shocking death sending ripples through the government could fuck up the Dynasty’s food supply something fierce.
“I’m going to scope out the satraps,” Keris says. “Just scouting for now, so don’t bring out your knives just yet. Instead, I want you to do some stalking. The local grain goddess, Granias - she’s powerful, given all these fields and all this worship, but supposedly she preaches for the Immaculates. Don’t be seen, and don’t kill her yet, but see if you can track down some place to find her that isn’t in blatant sight of the entire 12th Legion.”
She pauses, and smiles a lethal smile. “And Tzale? Keep your knives sharp and your bolts keen, and stick to the shadows for the moment. I don’t know who we’re going to kill yet, but I guarantee someone big is going to die by the time we leave.”
From the sound of it, Tzale is chewing something. He nods slowly. “Right you are, lady,” he says, and slips off the roof, disappearing in moments.
Keris, meanwhile, takes on the guise of a native Laplander and blends into the background of the crowds. She’s careful, this time, to avoid notice - just another middle-aged man in serf attire, unremarkable and plain. The eye skips over her, and she avoids checkpoints and places that ask for papers. Agenete was years ago, but she hasn’t forgotten how the Realm works, nor how it catches the unwary off-guard.
The layout of the city is... okay, she gets lost a couple of times. It doesn’t matter, she’s got plenty of time, and she works out where she’s going in time. Twice she sheds her shadow-guise and takes on a new one, better suited to blend into the social class of her surroundings. Up, up, up she climbs, up through the valley called the Verdant Triangle, sheltered between the great statue’s legs and replete with orchards and vineyards. She’s tempted to dally there, but her mission drives her on, and soon she’s in the Lap Proper, the steep district where the Penitent’s legs meet its body and the government buildings lie.
Her lips perhaps twitch a little when she hears locals call it the Crotch.
The nice thing about Realm cities is that the way they’re planned out and ordered means it’s fairly easy to find the general area of the important stuff, and it doesn’t take long for Keris to find the satraps. It’s mostly a matter of scaling a wall and melting into the brickwork like a chameleon, then edging around the main palace - carefully avoiding the side that faces the Immaculate Temple - until she gets lucky with one of the high office-y looking windows.
She’d intended to start with the youngest satrap; the one who was supposedly a patsy of his House who smoothed over the Lap’s troubles... but instead, it’s the oldest Keris has found; Cadaca Sijip, the hardheaded old woman who Veil’s notes say is temperate and cautious and conservative about how she spends the Lap’s funds. The angles... aren’t really good for an entrance, at least not without breaking the window and alerting the people below. Keris could kill her here, but it’d be loud and messy and Dulmea would scold her for sloppiness.
Unfortunately, with sealed windows laden with alarm wards and a desk that’s side-on to them so that the view is in Sijip’s peripherals, Keris is also limited in how much information she can gather. Waiting for the woman to leave and then sneaking in won’t work if she can’t jimmy a window open. Idly chewing on a hair tendril, Keris lets her gaze drift to the reflections in the glass, evaluating the woman’s character and what price binds her loyalty to the Realm.
Sijip is old for a Dynast. If she was mortal, Keris would probably pin her in her early forties, which Keris thinks means she’s probably late in her second century, or maybe mid if she’s lived a hard life. She can smell the hair dye that’s keeping her hair scarlet red, and in her personal quarters she isn’t wearing the full mask-like white make-up that many Dynasts like and so she can see the crows feet. She’s talking to herself in High Realm, and Keris screws her eyes shut and gulps down some basic High Realm knowledge from her seed-bearers down in the Anarchy.
“... and Ragara is shipping mercenaries down from Medoa, are they?” she mutters to herself, scribbling something down. “Note to self - they probably won’t be hiring from the Lap but they might also try to hire people and ship them north on the grain ships. And Ledala is being fucking useless. What the hell are they doing? Useless house...”
Keris isn’t all so interested in this Realm political mumbo-jumbo. But she can see the reflections of the woman’s mind and hear the echoes of her desires, and they are all but screaming out one thing; she wants the other satraps dead. She wants to rule this place alone. She wants to be in charge without anyone to hold her back. Her reflected desires are enough to damn her three times over.
‘Holy shit,’ she blurts out, thankfully non-verbally. ‘Holy shit, mama, are you seeing this? Uh. Actually, are you seeing this? But if you are, are you seeing this?’
“I do not understand everything, but I understand enough.” Dulmea hums melodically to herself. “How very interesting. A woman with so much ambition here.”
Outside, the seagulls cry out. The wind from the north carries the scent of the ocean to Keris. Even the sea here smells different to the Anarchy and especially the waters around Saata.
Slowly, carefully, taking care not to hurry and be spotted, Keris reverses her path, climbing back down the structure, blending back into the crowds, retreating back into the crowded poorer districts of the city. Only when she’s sure she’s away and clean does she let herself relax.
“... okay,” she murmurs. “So. She wants the other two dead. She wants the other two dead and the figurehead king gone and no replacements so she can rule this place all on her own. She wants to rule this place without even the Realm holding her back, holy shit, if I can give her this...”
She bites her lip and nods firmly. “I need to talk to Veil,” she decides. “And Sasi, so she has a heads-up before news hits the Realm. Chaos is one thing, flipping the Lap is another. I doubt she can hold it against the Realm if I give her what she wants, but it’ll be a hell of a distraction, and Orange Blossom was pissed about the thing in Malra. This’ll be an order of magnitude bigger than that. Though... heh.” Keris grins. “I don’t see any reason to wait for Veil to get here before doing it. After all, she’ll still be loyal to the Reclamation if I’m the one who gives her what she wants, and of course I’ll oblige my fellow Director by having her work with Veil’s people.”
“To decide to kill two Dynasts is not like you, child,” Dulema observes. There is a certain wryness in her voice. “Did you get a taste for it at that bathhouse?”
“I only need to kill one Dynast,” Keris points out. “Tzale can handle the other one. And come on, mama, I wouldn’t go after a dragonchild for kicks, but this is the Lap. Two kills to twist the Scarlet Throne’s breadbasket against it. Even if they take it back, it’ll cost them time and men - and then they’ll have to appoint three new satraps, and I bet that’ll take fucking forever. Tell me that’s not elegant.”
“Almost too elegant and valuable to spend on this task for someone else,” Dulmea says thoughtfully. “An open rebellion now would spend credit that you could use later to aid Sasimana in her crucial task - not to mention the benefits you could obtain by controlling the satrap of the Lap.” Her mother definitely feels like she is giving Keris a judging eye. “After all, I hear your thoughts, and I know you are greatly fascinated by the local geomancy and just how much power flows through it.”
“... you have a point,” Keris mutters thoughtfully. “Hmm. I think...”
She falls silent, musing. Her fingers tap, one-two-three-four, one-two-three-four, on her knee.
“You’re right about it helping Sasi later,” she decides eventually. “And she’s not going anywhere for another few decades, probably. I can afford to wait. No-one knows about this right now. I can fob Tzale off with... oh, I dunno, one of the Immaculate monks up at the temple, that should set the whole city in a tizzy without pushing over the house of cards in the satrap’s office.”
“And?”
“And, fine, yes, that way I could get her in secret later without letting on to Veil that it was me. Fake it out as a Lunar or something if they investigate. That’d let me get at the dragon lines of the Lap without having to let the Reclamation in too.” Keris wrinkles her nose. “Hell if I’m gonna claim this place and then just turn it over to the Southern Division. But I do think I should tell Sasi. I don’t know enough about what she’s doing to know when to deploy this. And for all that she’s loyal to the Yozis, she’s not much of a fan of the other Directors. She’ll understand keeping quiet about this until it’s the right time to use it best, without any squabbling.”
Pausing doubtfully as a thought strikes her, Keris purses her lips. “Well... I might not tell her everything, just in case,” she concedes. “Just that I think I can flip the Lap at the highest levels. She might guess who, but she won’t know for sure, and that way she can’t spill if she gets, uh... overly tipsy.”
“A wise idea,” Dulmea says approvingly. But then again, one of the reasons Dulmea and Keris have always got on so well is that they both like keeping secrets.
Keris dreams up the Lap-esque statue of Sasi - only now she’s seen the real thing so can shape her dream flesh to make it more realistic - and explains the broad details of the situation to her girlfriend that night.
“You’re not telling me everything,” Sasi says, reminding Keris that yes, Sasi is better at this than her in many ways.
“Well no,” says Keris. “This is as hot as the Lookshyian documents I found for Orange Blossom on the Eshtock mission, and I traded her a mission-equivalent favour for them - one I still haven’t cashed in. I’m not telling you who, or exactly how, or when. But I’m entirely serious when I say I can flip the Lap. I don’t know if it’ll flip all the way, and I very much doubt it’ll stay flipped, but I can at least provoke it to try to declare independence from the Realm, and give it a pretty good justification that the people doing it can use to convince the 12th Legion not to just turn around and kill them all for trying. It’ll be up to them to succeed, but it’ll cause havoc no matter what happens, and it’ll definitely force the Realm to appoint a bunch of new leadership positions, which I bet will take ages.”
She cracks her knuckles. “The problem is... I mean, I’m good. I’m really, really good. But I’m not the only person like me, Sasi. There are Sun-children and Moon-chosen who are as good as I am, at least in any one area. This crack in the Lap’s armour, it’s not going anywhere soon, but... if someone else like me has a reason to squirm into the city and look where I looked and think like I thought, it’ll be there for them to see it too.”
Folding her hands on her lap, Sasi thinks things through and comes to a conclusion. “If you’re looking for something short term that will please Veil and might,” she smiles, “also help me, I do have a suggestion that I am willing to put some effort into persuading you is a good idea. My love, kill the sea captains of the vessels that trade with the Realm. Even if your assassins can’t kill dragon-children, if only dragon-children can helm a ship to the Lap without winding up dead, it will cause heavy disruption to the number of ships that dock here and free traders will avoid this area.”
Keris ponders this. “... and it’ll also fray the close trade ties and give my little firedust cache more ideas about how independence would feel,” she murmurs. “Alright, I’m willing to be convinced.” She smiles a lazy smile, running the tips of her toes up Sasi’s thigh.
“And, once you’re done laying out all your arguments,” she adds, giving a filthy lilt to the words before dropping back to a more serious tone, “give some thought to when would be best to play this card, okay? I don’t know what you’re doing, so I don’t know when a sudden knife to the Realm’s belly would be best - but if I let anyone else know about this, it’ll turn into squabbling between Glorious and Veil and a bunch of Unquestionable getting involved at cross purposes and... well, you know what it’ll be like.”
She leans in to kiss Sasi chastely on the lips. “I trust you to think of when this would serve the Reclamation’s interests best,” she murmurs. “And to use it to let you finish up your task and come home.”
“Things are slowly deteriorating in the Realm,” Sasi tells her. “Sinisi, Ragara and Sesusu are allied; Cadaca and my m- Princess Nemone have found some level of common feeling because Sinisi’s matriarch loathes the Order. And Pelepese has eyes only for the West. If trade routes here in the South are disrupted, the other Houses will lash out at them - and with Vanefa granted the merchant fleet by the Empress, Pelepese is desperate for coin. These tensions, if you help ensure they escalate, will definitely help me. And,” she runs her fingers along Keris’s arm, “also give me visible successes that I can use to get more budget to hire you. Without Glorious getting involved.”
Keris nods, catching her fingers and bringing them up to her lips. “I think I’m convinced,” she hums. “Though I won’t say no to some more persuasion...”
She wakes up smiling the next morning, and sets to work.
The first month passes in a blur of places, names, and targets. By the time the season is turning to Ruling Wood, Keris has turned her back on the wealthy city of Antefar on the southern edge of the Flowing Dune Sea where wyld-tainted sands move like water, and is heading even further south.
It’s been an eventful few weeks. In the Lap, her lesser demons are waiting as assassins, killing ship captains when her Messengers order them to rouse from inactivity, then fading back into hiding once they’ve reaped a bloody harvest. The demon lords Vicero and Zsofika, she turned loose on the arid soil of Dregi, harrying the Barzaran cities of the south and stalking the mountain passes that allow trade with the Lap at the head of an army of kite flutes. Other killers are hidden in smaller settlements along the Pave, watching their targets and waiting for the order to come by opalescent fireball to attack, long after Keris has come and gone.
And now the Flowing Dune Sea has fallen back into naval war at her unseen machinations. Two Antefaran princes of the coin and the high priest of the Cult of the Len Swell in Ramabah Minah have fallen prey to Tzale’s weapons, which leave no mark of blade or bolt but mimic instead other causes both strange and natural. Keris’s corruptive whispers have sparked paranoia over the deaths and turned the two great coastal cities of this dry and wyld-touched sea against each other again; the year-and-a-half-long war reigniting just as peace was being considered.
And now she sets her course to ancient Cahzor, where her good friend Claudia awaits her, having gone ahead to carry out her orders while Keris worked her way slowly south.
It is unpleasantly hot. The only relief she has is when she runs, for the air that lies low on the flame coloured rocks of this parched landscape shimmers with constant heat hazes. And it’s such a dry heat! She’s always thirsty - and usually hungry too, when crossing the expanses between places where water can be found.
This land is old, and tired, and parched. It’s cracked in many places, the soil dry and blowing away as dust. In places there are petrified forests where bone dry wood has turned to something that’s nearly stone.
She stops at a village, built in the ruins of some ancient fortress, to get food and water and directions. Here, there’s more life; men and women in faded blue garments, working the dusty soil. In the heat of the day they put down their hoes and drink flower-wine under the cover of the cool stone buildings.
“It reminds me of the Ruin,” Dulmea observes. “Eko would like this place, I believe.”
“I should’ve summoned a szel,” Keris mutters, fanning herself with her hair. “If there’s one thing keruby are always good at, it’s playing guide. Least as long as you can get them to quit pranking you.” Pulling a bottle of water out of her hair, she shakes it and listens disheartened to the mostly-empty slosh from within. Draining it, she passes it back inside and flips her feathered hood back up.
“Fill that back up for me, please? And remind me where Claudia said she was meeting us; I still can’t keep all those ‘Zor-whatever’ names straight.”
There is a weary sigh from inside her head. “Across the mountains, then we meet Claudia in Zortwileg. Which is, if you remember, a town located between the legs of the ninth statue from the east, on the northern valley wall. Which is a set of directions more akin to Malfeas than Creation, I must confess.”
“Off on our way, then,” Keris murmurs, stretching. She’s flush with enough cash right now - the products of her progress down the Firepeak Pave - that she doesn’t grumble about paying the villagers for her food, and treats herself to a small meal before setting off again. Strigida’s cape form keeps the sun off her, at least - and even now, Keris still can’t hold in the glee and happiness that bubbles up whenever she thinks on her pretty new armour. But gods, she’s actually missing the humidity of the Southwest. Her affinity with her po means it doesn’t bother her like it used to, but this baking dryness... it makes her eyes sting and her skin feel dried out and caked with dust.
The path is well-enough trod and the necessary waystation-towns common enough that despite her nature even Keris doesn’t manage to get lost. And it is around sunset when she finally crests the rise of a hill and sees a city to the south.
Cahzor! Cahzor, called by some the Dowager-Empress of the Fire Mountains, Cahzor Once-Mighty, Cahzor who once had legendary tales told of it!
Cahzor is a city in the same way that Malfeas itself is, though it pales in comparison to Hell. But still, Cahzor is a valley. Cahzor is a landscape. For Cahzor fills the valley to the south, a sea of sandy stone and dusty roads and ruined towers shepherded between the defaced giant statues that line the walls, each one a mile in height. Their heads are above the level of the dam which blocks the western edge of this valley; there is nowhere one can stand in this city-landscape without seeing them. The giant statues that once guarded Saata’s harbour are nothing in comparison.
Yet someone carved off the faces of the statues they did not decapitate, and not one remains intact. Whosoever wrought these icons has been forgotten by time through the efforts of long-ago men, scrubby trees growing out of the neck stumps of some of the vast statues in their place.
And the city down below, watched over by its faceless guardians, is built to a colossal scale. A glimpse of a distant landship, sailing along a raised highway, tells Keris how terrifyingly massive the structures in the centre of the city are. There are apartment blocks taller than any building in Nexus. There are sparkling, jagged glass towers just like Chiaroscuro, but the buildings of yellow stone cluster around their waists like children around their mother. And even when the buildings are lesser in their scale, there are so many of them, sprawling across this broad valley.
But Keris can see more, a voice in her head that sounds like Haneyl whispering the truth to her. Those scattered few patches of green aren’t gardens or parks.
They’re fields.
And if they’re fields, then this is truly not a city. This is a ruin. A parched ruin that sprawls across an entire valley, where settlements squat among the decay. Keris pulls out her telescope, and takes a closer look.
So many buildings; windowless, vacant under the ruddy sunset. Dead. Down in the valley, where the heat haze shimmers as thick as water, the grand towers are half-devoured by the sand that’s blowing up from the endless deserts to the east. The only people she sees are tiny ant-like figures, clustered around what little vegetation there is. The canals are dry and only sandships sail there; the riverbed now only carries sand up from the expanse.
Shivers go up her spine, and she whistles long and slow as she looks up and down the valley. The ruins extend as far as she can see, and further still beyond that. Once, this was a single city the size of a kingdom. The faceless statues seem to scream in mute horror from their posts, and Keris wagers she can hazard a guess at who wore the visage the Shogunate put so much effort into wiping from the world - perhaps not by name, but certainly by rank. A Solar of the High First Age once ruled this city, and the level of arrogance and vanity on display marks her as one of the cold gold monsters who Yamal could never equal.
She shudders, and turns her telescope to the mouth of the valley, counting across one, two, three, four, five...
“That one,” she murmurs. “Or, well. The one opposite it, on this side. Three to our right; we’re not far off.”
She arrives just before the light dies, and walks through dusty, fast-cooling streets until she finds the temple of Beth-Hawal, once a spinner-goddess who has absorbed the other ill-paid jobs in this isolated town until she rules it near-absolutely. She is city-mother, hearth-goddess, spinner goddess, and more for it.
And she is waiting at her shrine with the faded red curtains, a one-eyed woman of faded, tired beauty, to obediently show Keris into her sanctum, where Claudia waits for her.
“I hope your travel wasn’t too bad,” Claudia says affably, lounging on clearly brought-from-elsewhere fineries that outshine the goddess’s lessened sanctum. She pats the cushions opposed to her, and gives the goddess a few sharp orders to prepare refreshments that she hurries to obey. “Do you like her? I granted her some investments long ago so I’d have a home away from home when I had reason to stop by here.”
“I’ve let myself get too used to the humidity of the Anarchy,” Keris sighs, slumping gratefully into the lounge chair. “This dryness is exhausting. But apart from that, the journey was fine. Antefar went marvellously, and I made off with a small fortune from the princes of the coin, so I was in a good mood for the run.” She accepts a drink from the goddess as she returns with a polite nod. “You come here often, then?”
Claudia breaks into cackling laughter, her broad shoulders shaking. Blotting at her eyes with a handkerchief, she barely manages to get herself under control. “Darling,” she tells Keris with a slightly patronising note in her voice, “this whole city is lousy with infernalists. The people here have a great fondness for borrowing beyond their means, and that means I’m always there to offer credit for flesh. Men, women, gods; they’re all alike in Cahzor. I was city father here for a while, actually, after that idiot sold himself to me fully. I sold the title on because one of the local godlings paid me very handsomely for it with a full hundred elementals who followed me back to the Street, but this is one of my favourite places in Creation. And of course, the wildlife is very agreeable. It’s a lovely place for hyenas like me.”
“It’s nice to have strongholds, I suppose,” Keris allows, narrowing her eyes in brief warning at the patronising tone. “Though, actually, did you ever see it at its height? From the architecture I’m guessing it was strong all through the Shogunate, even if those statues got put up by some child of the Sun. And the size of this place...” She shakes her head in wonder. “It must have been incredible. Fuck alone knows how they fed it all. Even if this whole region was as fertile as the Lap, just getting enough food to feed however many a city this size would have housed in and up the valley every day... I can’t imagine it.”
Claudia shrugs. “It was dying the first time I saw it. In the late Shogunate - remember, I told you the story of my birth. Though that was still before the First Scarlet scorched the river-plain to the east of here.”
They pause as the drinks arrive. “But once, yes, this land wasn’t so damn dry. The desert to the east had a great river flowing through it, which used to terminate all the way in the Lap. Did you see the river there? Even that is lessened from what it once was. The Shogunate - and from what I’ve read, the Solar princes before them - had vast sorcerous conveyances to move water-heavy clouds from south-western typhoons and hold onto their rain until they dumped it on the south. You operate in the Anarchy, don’t you? Maybe there’s still some traces of the old cloud-herding workings there to be found. Or maybe the Wyld washed them all away.”
Keris straightens, almost gaping for a moment before quickly getting her expression under control. A Directional-scale weather shunt? The mind boggles at the sheer scale. Every time she hears something new about the heights of the First Age, it seems like it surprises her yet again. And maybe also scares her just a little bit.
... though... could something like her Carving of Mela support that kind of vast weather control system? Perhaps not on its own, but Keris is willing to bet it could form a major node in one.
“I’ll... have to look out for them,” she says, clearing her throat. “But enough about ancient history. Tell me about the more recent past. What have you been doing here, and what’s left that you need me for?”
“Oh, you know how it is,” Claudia says, with mock humility. “As it is, the deyha here were de facto - if not de juro - ruling Zorgranzar, with that self-important little worm who called himself Sugun having to pay them off. I came to the chief of the deyha, whispered to her that she could rule instead, and gave her the power she asked for. Which was, in her case, asking me to sire a child on her, which,” Claudia smiles at Keris, “the things I do for you, mmm?
“Anyway, the deyha are mine, so I’ve just got them raiding the trade routes that pass across the dam and its ancient hag-dragonchild, forcing them to Zorgranzar. Which they wanted to do anyway. There’s only one issue, which is a new one - there’s a new alternative to Cahzor’s routes out in the sands to the east.”
“Oh?” Keris asks. Then frowns. “Wait, what? It’s all barren out there; I saw some of it on the way in. Tiny little subsistence-towns, sure, but there shouldn’t be anywhere big enough to rival Cahzor.”
“The Rock of Amwal - Amwalton - call it what you will, but it’s a new trading port for sandships at the base of one of those stubby plateaus you probably saw coming in. And it’s water rich,” Claudia says, sipping her wine. “And, if you credit the tales, gods-blessed. Maybe even moon-blessed...”
“Ah.” That changes things. “So we’ve got a little Chosen making a pest of themselves and sapping the chaos you’re causing to get rich. And I assume you want me to get rid of them?”
“I mean, I don’t really care.” Claudia is so refreshingly blunt when she’s being a pain in the ass. “You hired me to handle Cahzor. I am doing so. But the Rock of Amwal is outside Cahzor. As a friend, though, I thought I’d pass you this information for the price of a kiss.”
Keris chuckles, and leans in to kiss Claudia... on the cheek. “My my,” she teases smugly. “Such a low price for a tip on a rival Chosen! Either you’re planning to butter me up for something, or you weren’t specific enough with your terms.”
“Now, now, the further negotiations come later. Namely, your interest in a cool, soft bed in a pleasant place - and what you’re willing to offer to get me to share mine,” Claudia says, flashing a grin of her blocky bone-crushing teeth.
“Oh? Come now. I think my company is worth more than merely a bed.” Keris grins. “But you can add to your side of the bargain with some more information on this Amwalton place...”
It is dark out on the desert sands. Dark in a way that Keris is seldom used to. She’s a child of Nexus, and makes her home in Saata - and those are two cities that consider nightfall a mere irritation in that it costs more to do business when you have to burn things for light. But here, there’s nothing at all that isn’t from the too-clear sky. Just the stars overhead, and the crescent moon.
And the blue-tinged glow of a lighthouse of the sands, guiding ships in to the Rock of Amwal.
Wary of the risks of being seen, Keris is veiled in shadow, looking like a Chiaroscuran and tasting like a child of the moon, though one of equal strength to her true nature. She’s left the feathers in her hair, too, and altogether makes for a respectable moon-daughter, cloaked in Strigida’s cape of feathers and armed with her Lance as she is.
“Alright,” she murmurs, circling closer to the light, listening to the faint sounds of activity in the hush of the desert night. “My goal here... I don’t want to commit to a kill when it’s not my primary goal, not with a maybe-established Chosen. All I need to do here is disrupt the place, put trade off coming here for a few months so my contract with Veil is secured, and make sure any resident Chosen aren’t going to fix things before the end of the season. Right, mama?”
“It would be best not to be caught at all,” Dulmea agrees. “And it is wise to avoid giving Peer Veil more than they asked for.”
“I’m not, though,” Keris grumbles. “They contracted me for chaos and disruption all the way down the Way. If this place can serve as an alternate route past Cahzor, merchant caravans can skip past all the mayhem and raiding Claudia’s causing over there. And with how much I charged for this job, you just know Veil’s gonna be looking for ways to say ‘oh, but things stayed normal here all season, I’m gonna reduce your pay for that’. I’m not duelling a sun-child for free or anything, but I need to at least knock this place down a few notches as a trade stop for a couple of months.” She twines a lock of hair around her finger thoughtfully. “And if it is someone like the naib of Malra getting a foothold here, they’ll fix any petty sabotage pretty quickly. Hmm. I’ll see if I can get a look at ‘em before picking my approach.”
“You? Learning caution? Will the blessings of the Yozis never cease?”
Pouting at this harsh and completely unjust assault on her character, Keris shifts her cloak further up her shoulders and slips in towards the settlement. Shadowing around the little trade stop, she familiarises herself with the basic layout of the place, then goes flitting up the side of the rock in search of the water source that’s maintaining this little oasis-town.
She’s seen a lot of little towns on her way across the south, and though it takes her a bit of time to get exactly what feels wrong about the settlement at the foot of the plateau, she knows instantly there aren’t enough people breathing.
“This isn’t a real town,” she mutters to herself. “It’s a caravan stop with fake buildings around it.” Fake buildings, she realises when she takes a closer look, that are set up such that people just have to swing the gates closed and it turns into a wall that defends the narrow pathway that’s dug into the side of the plateau and what seems to be a cargo elevator like she saw in the Nexan docks. Only for carrying things up to an outcropping a third of the way up the plateau.
“Now where are the real places, if these are just fancy walls?” she muses. “Hmm. Up on the plateau, maybe?” Fortunately, Keris isn’t limited to sneaking up the elevator shaft. A quick dash up the vertical side of the rock is all she needs to get to the outcropping and look around further.
There are fields up here, on the top of the plateau. Fields which are well-watered, and lush in a way she hasn’t seen in weeks. And it’s not just that they’re leaving water on the land. This place has been engineered, with the same techniques she’s seen in the scrabble-hard societies around it. But here, they have a wealth of water to put them to full use. Plenty of low stone walls separating small fields, stopping the wind carrying off the soil and shielding the irrigation channels from direct sunlight for most of the day. A mix of many kinds of plants; no water-thirsty rice or cotton when they can grow herby, small-leaved things. Those desert potatoes she’s had which poke out narrow leaved woody stems and hoard their water in their fat tubers. Thin-leaved pines shielding the more sensitive plants, which smell of sweet cedar perfumes. And all of this, growing on and around the ruins of what has to be an ancient Shogunate monastery. Keris recognises the architecture and it’s kin to the Immaculate temples she’s seen on places like Triumphant Air.
But still, hardly any people. Just a few in huts to watch the animals, she guesses. And yet they’re growing a good amount of food atop this plateau.
Poking around, Keris finds that some of the ruins are old stone staircases that lead down into the rock - and these places are both recently maintained and painted, and that the stone has been polished by feet. She suspects that this means that most of the farmers who work up here live down in the rock, and the surface dwellers are just up to watch their sheep and other such animals.
“This almost feels like your valley,” Dulmea observes.
She’s not wrong. There’s a tingle of moonlight on Keris’s left arm - more than should coming from the actual moon, given its phase, now that she thinks about it
“It does, yeah...”
A twinge of unease curls in Keris’s belly - a rarity when she’s on the job. The familiarity makes her uncomfortable with the thought of killing these people. But if they’re down in the rock...
She cracks her knuckles. Welp. If they’re busy fixing their fake little trading fort down at the base of the plateau, they won’t have time to interfere with her plans for the season. And if they’re showing clear signs of a recent severe attack, they won’t be able to steal as much trade by presenting themselves as a favourable alternative route to Cahzor. If there really is a Moon-Chosen here, the noise will draw them out and Keris can either flee into the desert or press the attack, looking like an elder of their own kind. And if they don’t come out... well, she’ll have wrecked the lower settlement and accomplished her goal for the night. Either way, it’s a win.
But first... first she wants a better look at this place. They’re on the wrong side of the South for highlanders or Tairan influence to have stretched this far, but Keris’s curiosity has been caught by the comparison to her valley, and after weeks of work for the Reclamation, she feels she’s owed a little diversion to indulge it. She can break things on the way out, just like in Malra. And just like in Malra, there might be some pretty things inside to steal...
Slipping backstage behind the world, Keris slinks her way down. There’s a simple wooden door down here, not locked - and why would it be? What if one of the shepherds up top needed to come inside. The door is just to keep the sand out if there’s a sandstorm, given that the edges around it are padded with cloth. But past it, and Keris is momentarily taken aback.
This plateau is hollow - and softly glowing silver orbs illuminate the place within. Which is nothing like anything she’s seen before. Once, Keris has to assume this was... this was something like a reservoir or a water tank or something. She can see the vast columns that are part of the walls, the ancient Shogunate alloys making up the gantries. There’s plenty of water down below, a fortune of it in this barren landscape! That’s where the water for the fields up top is coming from! And she can hear the nature of this place; the air sings with water’s song, but now influenced by the moon. There are tides in the water far below.
But that’s almost not what she’s most amazed by. What she’s amazed by are the tent-like houses built atop the old gantries and extending out from them on wooden supports. There are rope bridges slung between the settlements, criss-crossing the inside like spider’s webs. Even in the dim moonlight she can see the beautifully woven cloth roofs that never have to worry about weather, the painted wooden or scrap metal walls, the sounds of maybe a couple of thousand people living here. In this water rich place, safe from the badlands outside, never worrying about raiders. She looks at this collection of rafter-villages, and compare them to the grating, drudging life out in the dying city of Cahzor.
Letting out a slow, whistling breath, Keris darts along the wall in the uppermost shadows, hair darting out to taste the ancient alloys that hold up this hidden paradise. There’s... there’s honestly too much to extract herself, and if she told Veil of this place, the inhabitants would be butchered and the rock either collapsed to extract the valuable material or, more likely, taken over wholesale and used as a base for the corruption of the region. While Keris might consider subverting it from the Moon-Chosen that obviously controls it if it were in her territory, Veil can go fuck themselves. Keris has no reason to let on that it’s here for the moment.
She dips lower, exploring the rope bridges and the gantry-houses. The architecture is genuinely incredible, and she pauses here and there to rough out quick sketches of the way they’ve propped the angled support beams on alloy juts protruding from the rock, and the nailless wooden joinery that holds each house together. Then it’s down, down, further down towards the water. She’s thirsty, and dusty, and she wants a look at the wealth of this secret stone oasis.
The water laps at the stone, like it must have for a long lone time, but the stone here is not eroded. Keris can feel the power of the manse - and this close, she can also hear the more recent adjustments that have properly harnessed the moon-power. It must have formed over many years, Keris suspects; this water manse having moonlight fall on the plateau and slowly shifting its nature.
This must be why they have that trading port, Keris thinks in a voice that somehow sounds a bit like Haneyl and a bit like Calesco. They have water, plenty of it, and whatever they get from the surface - but they must need other things. Would they starve without trade? They’d probably suffer.
“I guess it is a bit like my valley,” she admits to Dulmea, slipping into the water with barely a ripple to wash her armour clean. “I’d like it if I had places like this. Secret fortress places that nobody else knew about. I guess I could dig into the rock in places outside the valley? Find some of those big jutting-up standalone cliffs that are all over Shuu Mua and convert them. Hey, I could even make it so you can only get in by bird; have them be skyrider places for Kuha’s flight corps!”
“Do you have the time?” Dulmea says dryly. “You’re already trying to live three lives.”
“Mean!” Keris complains, more playful than actually insulted. “And I’m preparing for Cinnamon to step back, once my Gulls are trained up. Hopefully Zanara does a good job whipping them the rest of the way into shape. And I don’t need to be the one doing most of the work there - I can give the job to Kuha and Vali and they can go scout out places together.”
“Ah yes, your wandering lost son,” Dulmea says. Vali is not in her good books right now. “Surely the pick for anything that needs responsibility. And- what was that?”
Keris feels it too, the... it’s not exactly a noise, but it’s a tingle. A tingle of attention from something in the water, and the pressure of an irregular wave.
Calling upon Metagaos, she blends seamlessly into the wall she’s floating next to, stepping backstage again to be nothing more than an oddly-shaped bit of scenery as she casts out her senses for the source of the feeling and its taste.
The moon shines below her, and Keris realises what it was. There are fish living in this water. Fish made of water with bones of moonlight. They’re swarming to where she was. She’s not sure if they’re hostile or not, but they’re definitely too curious.
“Pretty!” Keris coos inwardly. “Look, mama, they’re all made of water and moonlight. Elementals?” She checks with a flash of green eyes. “Yes, but... very weak. Weaker than most keruby. And moon-corrupted. They must have been living in the water as it slowly got tinted with moonlight, and then the manse got adjusted over the top of them. Maybe they’re like my golden automata now; bound to serve this place’s master.” She watches them flit this way and that in confusion, smiling. “It’s a pity Ogin isn’t here, I bet he’d like them.”
“Your children would try to eat them,” Dulmea observes. “Except for possibly Rathan, who would be very hurt that there are fish devoted to a moon other than himself.”
“Eating things is a form of liking them,” Keris points out with a grin. “But fair enough. Come on. Enough swimming.”
Slipping out of the pool, she darts up to a support strut between two of the vast, ancient pillars that hold up the roof of this place and shakes herself dry, pulling Strigida beneath her skin and skimming the water off her skin with her hair before spinning it out once more as a cloak of silver feathers. “Where do you think the Chosen is? I want to pin them down before acting.” The gantries and pillars made by the Shogunate so long ago are gorgeous, and the tent-houses are cunning in how they’re constructed and supported, but none of them seem lavish or ornate enough for a chieftain. Peering around and listening to the small sounds of the settlement - fussy babies refusing to go to sleep, ardent couples working on making new ones, late sleepers sharing drinks before turning in - Keris scans the little self-contained paradise for anything that looks like a nerve centre or leader’s home.
There is someone up and moving, someone newly awoken. Woken up, no less, by a whispering voice that sounds like moonlit waves. Keris has problems exactly understanding the local dialect, but she knows enough to hear the words of warning. That there is a stranger in the water who should not be there, a stranger in peculiar moon-but-not-moon armour.
And as she focuses in and listens in to the waking up - woman, definitely a woman - she can hear her moonlight power. She’s weak compared to Keris, but not all that weak.
((Lunar essence, E7))
“How the-” Keris mutters, brow creasing. “I was backstage! How’d it... argh. Stupid gods. Probably knows when things go into its pool or something. Or has weird moon-eyes like Illana did. Annoying.” She blows out an irritated huff, keeping an ear on the moon-daughter. “Hmm. Well, I always intended to scope her out and draw her out. And she’s weak. Stronger than a demon lord, but relatively weak. Illana didn’t like her chances of facing down a Dragonblood.”
Pursing her lips, she arranges herself on the support strut, leaning against the huge pillar with borderline-offensive informality for someone invading a secret fortress. “She’ll think I’m another Lunar,” she muses, “and I do want her distracted. I was just gonna smash up her little fort outside, but... I wonder if I could send her off on a wild goose chase out into the Desert instead? Maybe steal something of hers and leg it.” She glowers. “Like Illana. And my plate.”
“I’m not sure why you ask me such things,” Dulmea says archly, “when you’re already decided that you want to steal something.”
“It’s a carefully considered tactical choice to distract a rival Chosen and send her off chasing phantoms for the greater good of my mission and the glory of the Yozis,” Keris says with injured innocence, looking as devout and sincere as she can in a purely mental conversation. “Also, I want your help spotting anything shiny she’s carrying.”
Quickly, she checks her disguise - silver-feathered cloak, fine travelling clothes still beaded with water from her dip in the lake, Chiaroscuran features and silver feathers in her black hair, the lie of Lunar essence over her Hellish melody - and pulls out her sketchbook to continue her drawing of the gantries while she waits for the Lunar to get out of bed and investigate.
The familiar little thrill is starting up again in her belly. It’s not quite the same near-sexual glee as spiting the naib of Malra, but the wicked sensation of strolling into a peer’s stronghold and tweaking their nose is still there at heart. And this time, her family isn’t nearby for the blowback to fall upon. She can escape in an instant if this Lunar turns out more dangerous than expected, but until then... Keris can have some fun.
Keris tracks the sound of the woman - sandaled, dressed in just loose clothing she’d thrown on... ah, no. There’s the faint jingle of jade that can only be a jade breastplate she’s slipped on, and more than that, there’s little tapping sounds of moonsilver. Something long. A polearm of sorts from the pattern of the knocks and scrapes; something that’s a little clumsy when one is making one’s way down narrow stairs.
Under the dim light, the first thing Keris’s eyes see is the arc of a war-scythe. This isn’t an overgrown farming tool; this is more like an even chunkier halberd or even a long-bladed axe. The woman herself is dressed in loose pink soft clothing that look like something she might wear to train, her dark hair roughly tied back, and over the top of it she has what can only be a Shogunate-manufacture jade breastplate probably found in this place. She holds her weapon competently, and her eyes carefully examine the shadows, gleaming with unnatural light.
Still perched up on the support strut, in fairly plain view but out of line of sight for someone peering down at the pool, Keris takes the opportunity to examine the woman with the eye of a master spearwoman, as well as the scythe she’s carrying - a monstrous thing, now that Keris has a better look at it, with a curving silver blade that reminds her of the greatsword from Malra.
This woman isn’t a complete novice with it, that’s clear just from how she’s carrying it. But Keris knows just enough about scythe-fighting to know that it’s tricky, specialised and entirely unlike fighting with a spear - or even a halberd, really. She’s tried it herself, and the stances and forms for spearwork leave dangerous openings when used with a weapon whose centre of gravity sits so far forward and whose blade is angled entirely differently.
This woman is good. Not her-good, of course, but no one in all the world is (Keris thinks modestly). But still, she’s clearly in shape and had some formal training, and given that it isn’t anything like the styles Keris has seen in the bandits and raiders around here, it stands out. In her footsteps Keris can hear the cheering of the people here. She is their leader or their holy woman, the one who brings salvation.
((Physique 3-4, Melee 4, an unknown-to-Keris style at 2 dots which clearly pertains to the war scythe. Her most prized background is her Followers 4, representing the people here who all follow and look up to her))
She’s looking around at the bottom of the pool, but her gaze is starting to scan the surrounding gantries, and she’ll see Keris up on the strut soon. Adjusting her stance to be a little more tauntingly relaxed, Keris roughs out the basic shape of the scythe with a few strokes of her pencil and begins to add the simple silhouette of the woman holding it, doodling an exaggerated expression of surprise on her face for her own amusement. She’s just finished the feet, with a couple of notes on her balanced stance and how it’s compensating for the scythe’s further-forward balance point, when the woman notices her.
Just to add insult to injury, Keris gives her a little wave with the pencil and smirks.
Those uncanny eyes catch Keris, and what they see apparently semi-satisfies her, because she hefts her war-scythe up onto her shoulder. “It’s rude to show up in someone else’s territory unannounced,” she says, her accent a thick local peasant one. This close Keris can see she looks to be in her early 30s, but given that she’s relatively weak that probably means that was about how old she was when the moon blessed her. “Do y’have an introduction, stranger?”
“Me?” Keris replies, pitching her voice quiet enough that the woman can just about hear her, but will have to strain to do it. “Why, I’m just a wandering artist, passing through. You’ve got some lovely architecture in here, so I thought I’d let myself in and do some sketching.” She can’t help a mocking grin. “Lovely stance, by the way. Just hold that pose for me, there’s a dear.”
The woman bends her knees, and leaps up to Keris’s strut in one great bound. The ground kicks up dust where she lands, and a little silver ring of light spreads out from her impact. “I asked if there was an introduction for y’, stranger,” she says, her other hand going back to her war-scythe. “That weren’t an introduction from someone I know, and that don’t please me.”
“Oh, come now,” says Keris, though while the smile stays in place, she tenses under it. “Threats, this quickly? Children today have no manners.”
She stands, snapping the sketchbook closed and tucking it away behind her back, into her hair. “But if you insist, I’ll play. I’m Plover.” A name so meaninglessly generic as to be useless. “And you are the lady of this lovely little two-toned manse. May I ask your name?”
“Ishmela,” the woman says warily. She tracks Keris’s hands, with - huh, are those rectangular pupils? “And I don’t care if you’re older than me. This is my territory. I’ve laid claim to it. These are my people. I protect this holy place. The spirits here recognise me as their speaker and their guardian. And,” her brow lights up, with an empty silver ring, “I’m tellin’ you here and now, stranger, to leave and if you want to talk, we can do it down at the foot of the Rock.”
“La, la,” Keris drawls as she tips her head in mock thought, on the basis that it was exceptionally annoying when Ney did it and will thus probably have the same effect here. “Well, we’ve introduced ourselves now, and we’re no longer strangers, so... yes, I’d be happy to accept your offer of hospitality. Shall I make my own way there, or do you feel up to giving me a tour as we head down?” Her own caste mark alights, green hidden under a similar silver ring, as she meets Ishmela’s gaze with a challenging smile.
Yes. Yes, that Neyism definitely produces an irritated twitch from the woman. “I asked you to leave, stranger. Now I’m tellin’ you to.”
The moon is a grin in the sky, peeking over the Rock. The sand hisses across the desert, picked up by the low wind. In the gloom, Keris can see the hint of moonlight that falls on Ishmela’s form, more than the surroundings. And her eyes light up with strange colours, like the moon seen through high hazy skies.
“So let me lay out the situation here. You ain’t welcome in my town, Plover,” Ishmela says, polearm resting on her shoulder. “And you don’t have no manners.”
“Tch,” Keris tuts. “And here I came out of the goodness of my heart to do you a favour. Laa, I wonder why I make the effort to help you young things, sometimes. And speaking of manners, I’d say you’re the one being rude by talking to a guest like this without offering refreshments.”
There’s that twitch again. It’s getting to be a really fun twitch. Honestly, Keris can see why Ney does this so much.
“Still,” she chirps, clapping her hands, “if you don’t want my warning, I suppose there’s not much a harmless little thing like me can do to force it on you. I’ll just make a few more readings of the land around here and be on my merry way.”
“My shahan-ya sent no word of you - and you’re not someone I know. There are ways of doing these things,” the other woman growls. “And you protect what’s yours. Even a child knows that. So I’ll take your warning and that’ll call us even for you breakin’ in and threatening me and mine.”
“Mou,” Keris pouts. “No interest in fun and games at all. Well, if you insist. You see, Ishy,” the woman twitches visibly at the shortening of her name, and Keris’s grin spreads, “there’s a sorcerer of some kind coming south down the Pave from the Lap; a demon summoner who’s been attacking towns and ransacking smaller settlements. La, la, they’re quite the troublesome sort. I really couldn’t say what they’re looking for, but they just refuse to give up! Anyway, I’ve been staying just ahead of them, so they might show up... oh, anytime after I move on. But this is a very well-guarded place you have here! I’m sure you can fend them off no problem. And if you happen to slay their leader, I’ll be very grateful!” She winks, and blows a kiss at the looming woman.
((Enhanced with Fox Tongue Rumour for extra trickery.))
The woman tenses up at that, and her eyes boggle slightly as she tries to see if the stranger ahead of her is lying - and no, they don’t seem to be. Her knuckles whiten around her silver weapon, a gash in the light which reflects the moon more than it should. “You brought that kind of trouble to my door?” she growls in her thick accent.
“Me?” Keris cocks her head innocently. “I think that’s a bit mean, Ishy. I’m just a fragile little bird trying to stay ahead of a big bad demonologist. I’m hardly responsible for whatever they do. I even brought you warning!” She smirks, standing. “But I really will be very grateful if you take care of them, should they come this way.”
“You’re going to stay and clean up this mess,” Ishmela tells her, voice low. “And when that’s done, maybe then we’ll be even and we can start again. But you’re not leavin’ after pulling demons to my door and going ‘it’s your problem now’.”
Keris raises an eyebrow. “First you tell me I’m not welcome and have to go, now you’re telling me I can’t leave and have to stay? La, la. Make your mind up, Ishy, a girl could get confused. Besides,” she adds, stretching languidly and turning to walk away. Her stance is deceptively casual, her hearing hyperfocused on the woman she’s turned her back on, every muscle primed for rapid movement as she tosses her parting shot over her shoulder. “I’d love to know how you plan to keep me here.”
She looks Keris up and down, and there is a faint chime of moonlight she isn’t quite sensitive enough to properly discern. “You think you’re such a quick witted one, don’t you?” Ishmela says. “Maybe you’re looking for a contest of sorts. Where if I win, you gotta stay and do what’s proper. And if you win, you can leave and I won’t look for payback for the ways you’ve wronged me since we met.”
Keris slows to a halt, and spins on one foot to look back at her, smiling. “Oh? Well, that seems a little weighted in your favour, don’t you think? After all, it’s not like you can stop me from leaving.” She grins, a flash of white in the night, and tosses her hair. Silver feathers catch the moonlight and gleam for a moment.
“But I suppose I could be a wise and magnanimous mentor for a young pup like you, if you insisted. Will you offer anything else, if I win?” Something in her voice implies that if the answer is ‘no’, she’ll make up her own price.
Ishmela purses her lips. And then she touches the simple necklace around her neck; silver, with what looks like a jade coin threaded onto it. “I’ll wager my amulet,” she says. “It’s got a goddess’s luck woven into it.”
Keris feels the tendrils of silvery want and need reach out from the thing, tangling around her mind and trying to make her see the trinket as holding incomparable value, encouraging her to desire it above all else. She breaks into giggles. She can’t help it. It’s the same trick she can call on the Hungry Swamp to perform, and the audacity of this woman trying to pull it on her... it’s just too funny. Her high peal of laughter echoes across the moonlit sands for a moment before she gets herself under control and wipes a tear from her eye.
“No,” she purrs. “I don’t think so. But that’s okay! I’ll just choose my own trophy. Maybe one of your cute little moon-fish from that pond? Or maybe that sharp-eyed little spirit who went and woke you...”
Keris honestly has to congratulate Ishmela. She doesn’t posture anymore. She doesn’t pose. She just explodes into motion, body swelling up in the white-red-and-black world of Keris’s slowed perceptions into a goat-headed figure, digitigrade legs pushing her on as she stretches up to three metres tall, her loose pink clothing torn by the sudden expansion. And she’s swinging with her scythe - but not, Keris notes as she watches it inch through the air, with the blade. She doesn’t want to kill Plover; just give her a good beating.
Unfortunately, Plover was expecting her attack - and with mercurial cunning, deceived her as to the target of her theft. As she’d said it, even Keris had believed she wanted to make off with one of the interesting little spirits that had found her hiding backstage, but the quicksilver clouds clear from her mind as the world slows and she remembers her true goal.
The scythe.
Leaning back with inhuman flexibility to let the blade pass over her, Keris spares a millisecond to fondly remember her fight against Kasteen - ah, poor stupid Kasteen, who’d also been so easy to fool - as her foot whips up as a counterbalance and angles for Ishmala’s wrists. A few hard blows should weaken her grip enough to kick the scythe free and leave her disarmed and defenceless.
And fair’s fair. She wasn’t planning to hurt Plover too badly, so Keris won’t hurt her. Much.
Keris’s foot slams into the goat-headed woman’s bicep, drawing a bleat-scream from her, and now she’s inside the reach of the long polearm. She hadn’t truly expected Plover to react so quickly, and from the way she’s moving? Yeah, Keris doesn’t think Ismela’s really ever fought someone who aggressively got up close, not like this.
But the other woman is still bigger than her, much bigger, and her moon-twisted form bulges with inhuman strength.
Keris has fought bigger opponents before, though, and Kasteen is still fresh in her memory. She stays close, the wide, fanning movements of her hair and cloak misdirecting Ishmala as to what her next move is. Even her precise position is hard to pick out as Strigida shifts and swirls around her, and she jabs out with vicious blows that target joints and nerve centres along Ishmala’s arms.
Up so close, Ismela can’t swing her weapon. Instead, with a kiai, she slams her goat-head into this mocking, taunting liar-bird.
Or tries, at least.
Because as she screws her eyes shut for the impact, Plover leans to the side, and jabs one fist up into her armpit, then lashes out with a taloned foot at the lower joint of her transformed legs and somehow turns the motion of the headbutt into something that ends with her face-first in the sandy dust.
She rolls over and over, trying to escape a finishing blow that never comes. And when she catches sight of the rude bitch, she sees her with her own scythe over one shoulder, a smug grin on her face.
“Well, it’s been fun, Ishy!” she chirps. “I’ll take this as my prize. Good luck with the settlement! I’ll put in a good word for you with my allies next time I see them!”
Blowing a kiss, she spins on her heel again and bolts, her silver-feathered cloak billowing out behind her as she heads off south at speeds no mortal could reach.
The furious scream that echoes through the night is a sign that no, Ishmela does not appreciate being enlightened of her worldly possessions and shown the deception that is the thought that a person can truly own something. It is a raw bellow of fury and hatred.
Claudia, however, finds the story hilarious.
“That is a beautiful thing,” she says admiringly, taking a look at it. “That could easily buy you a fiefdom in Hell. I’d take it off your hands for a very good price, because I know certain people who make an art of collecting moonsilver weapons.”
“Ah ah ah!” Keris tuts, pulling it back quickly with a hiss. “Mine. No, I have plans for this baby. I stole another moonsilver weapon of this scale in Malra, while I was terrorising that Solar lord Orange Blossom’s been dealing with in the heart of his sanctum. I’m thinking I can do something fun with the pair of them.”
She almost elaborates - and gets as far as opening her mouth to detail her plans - but then notices the interested gleam in Claudia’s eye, and grins. “Ahhh, but, no free preview of what that is. You’ll have to wait and see, unless you think you can provide something that’ll help me do it in return.”
Claudia shrugs, brushing her tailored cloth-of-gold jacket. “I do have something that you might find very useful if you’re working on building more cults, like you bragged about at Calibration,” she says idly, with an almost casual air. “Something that a sorceress like you could find very useful. And I can get you it for a very good price given how you helped distract that pesky Lunar.”
“Oh?” Spinning the scythe a few more times to test its balance, Keris brought its butt down onto the floor and leaned against it. “I’m listening. What are you offering, and what’ll it cost me? Just the juicy details on what I have planned for this lovely thing?”
The smile of the demon lord in front of her is the smile of the hyena she is in truth. “There are spells to twist a man’s mind against itself. To build a spy within the higher soul - or within a god’s nature - that is a twisted reflection of the original, someone who serves their sorcerous master. Who watches from behind the eyes, and can be commanded to come forth and report on what they have seen. I have used it many times before, when someone thought that it seemed like a price they were more willing to pay than letting me devour their flesh. And I could teach you that. For the death of a few petty gods in Cahzor, and your companionship in my bed.”
Keris’s eyes gleam as she imagines the uses for that. Something like her Wave-and-Fire Rite - but which didn’t need one of her demons to become a permanent coadjutor, which she could cast overnight on someone from whatever area she wanted monitored, and gain a loyal spy hiding under the surface of a local.
“I think,” she smiles, reaching out to trace her fingers down Claudia’s cheek, “you have yourself a deal, my friend.”
Chapter 16: Late Wood 774
Chapter Text
She winds up staying in Cahzor a few days longer than planned, what with everything she has to get done for Claudia, but as she heads south from that parched place she’s feeling pretty content, all things considered.
Maybe it’s the collection of pretty little soul-gems from the gods she murdered for Claudia. They really weren’t very impressive, but they’re a nice little collection that she can find a use for - or maybe give it to her friends. And of course, the real treasure is the slim spell-tome Claudia gave her in payment. It’s written on human skin, and written in her own hand. Claudia writes in an elegant script, in ink that sparkles with the gold leaf mixed in with it.
And the contents of the spellbook are quite an interesting little viewpoint. It’s not from any school of sorcery that Keris has worked in before; this is something purely native to the Demon City. And rather than being some grand overarching theory, Claudia has detailed her knowledge of the spell almost heuristically and anecdotally. Here, a variant which works on mortals. Here, the modifications she’s found she needed to lay this on godblooded - and a fascinating little tangent of the god-seed that lies within a god’s child. Here, notes on the application of the spell on dragonblooded; there, speaking of its use on demons.
But there’s a common theme here, and that is to Claudia, this spell entails scraping out a little sliver of the soul of the target and storing it in a vessel. And then nurturing it with your own will and power, breaking it to heel and taming it as you would a wild hound, feeding it raw meat - as she describes the gifts of demonic power - and teaching it to obey you. Only to slide that sliver back into the mind of the subject, and let their own psyche betray them from within.
((Claudia’s version of The Willworker’s Watchdog is called Imbuing the Golden Hellhound. It has an Anchor of a Demonic Ally/Pact (she uses her relationship to Ipithymia herself) and while the watchdog is in control, the target’s shadow takes the form of a demonic hound.))
((Heh. Paradigmically valid for Keris, who is very good at soul stuff and whose Sorcery makes heavy use of Ally and Pact anchors.))
Her work for Veil has almost come to an end, with chaos sown down the length of the Anam Way from the ship captains being murdered in the Lap to the demon hordes raiding the mountain passes and lowland plains of Dregi under Zsofika and Vicero to the naval war on the Flowing Dune Sea and the mayhem stirred in Cahzor. Now she has only one target left. One last city to throw into chaos and disarray. One last city to find some profit in as she destabilises it.
The jewel of the South. The treasure vault of the Fire Mountains. The volcanic cradle that holds the wealth of empires.
The rich and scalding city-state of Gem.
From what she’s heard, Haneyl would love this city. Well, no, she’d hate the city and its parched dryness. But she’d love the wealth there. The fortunes mined out of this dead volcano, enough that even in Nexus Keris had heard of the legendary wealth of Gem. And so Keris is more than a little anxious to see how many of the myths are true.
She’s pretty sure the city isn’t carved out of one titanic jewel, but she saw buildings in the ruins of Cahzor that seemed to be made of coloured crystal so she’s willing to be persuaded otherwise.
Sadly, Gem turns out not, in fact, to live up to the legends - at least not at first glance. Keris sees it from a good way off; an enormous lone mountain jutting up on the horizon as she makes her way down from the north, surrounded by arid farms scratching as much food as they can out of the dry soil. Following the road down and around to wind up the southern slope of the mountain, she winces as she sees the caldera a third of the way up the side of the mountain. It must have been a horrifically violent eruption to make this gouge in the great spire; one that tore a great crater out of the volcano’s flank and vomited out enough rock and magma to turn what had once been a steep slope into something shallow enough for a cart to traverse.
But the city in it isn’t carved out of gemstone or paved in gold or decorated with the riches of a thousand nations. It’s all squat, baked stone buildings huddled down low, few rising more than a storey above the ground, the bulk of their interiors dug down underground with only the entrances up top. It’s packed full of people; her early morning arrival means the sun hasn’t fully risen yet and the entrance to the city at the lip of the caldera is a bustling chaos of merchants and animals and stables and warehouses that reminds her pleasantly of Nexus.
This hive of grunt work, however, is not Keris’s target. That would be the palace she can see sprawled right up against the base of the mountain, shaded by the vast height of Rankar Peak, glittering from afar.
That looks more like what she’s heard from the stories of Gem.
“How interesting,” Dulmea observes in her head. “Nowhere within your soul resembles this place. No, what this reminds me is Hell. Namely, in fact, the palace of the citizen lord Zjai, who built his fortress within a open cyst on the six hundred and ninth layer. He too dug great wealth from that place, and claimed ideas above his station.”
“Claimed?” Keris asks distractedly, making her way through the caravan docks and goods warehouses into the city proper. “What happened to him? Wait, no, let me guess... uh... offended the Priests or an Unquestionable with his hubris? Got so rich that his wealth attracted armies to pillage his fortress to the bedrock?” She slides through the gap between two wagons, ducks an ornery austrech’s peck and finds herself on a wide paved road that leads right down the centre of the caldera, which is almost as packed full of carts and people and livestock as the loading district. Her head is on a swivel, simultaneously keeping track of two groups of marching mercenaries and half a dozen locals who are paying more attention to their surroundings than a normal civilian should. “... dug too deep and broke through into the Demon Sea, which flooded the cyst and drowned everyone?”
“Child, you ask what happened to him,” Dulmea says, in a tone that almost sounds mildly disappointed. “That answer would be; I did.”
“Oh right.” Keris blushes. “Sorry mama. I, um...” Sometimes forgets that Dulmea used to be an active assassin, rather than just a housemistress and teacher of students like Teveya, she doesn’t say. Unfortunately, Dulmea is monitoring her thoughts, and so catches it anyway.
“You always seem to forget how old I am, child,” Dulmea says. “And how long I lived before I wound up in my retirement within you. Even as a housemistress, some targets required me to take the field. Fewer, yes, but I have never gone so long without a mission since I joined with you.”
Keris pauses. “... do you miss it?” she asks, cocking her head. “I mean... obviously I still go out into the field. Like now. But, like, with the Zu Tak. I didn’t really do much there. Testolagh and Neride did it on my orders. And Haneyl and Calesco are handling the magistrate and running the Jade Carnation for me, and a lot of what the Hui Cha are doing is trade and pirate stuff that I hear about and talk the blue sea masters into cooperating on and give orders - well, suggestions - about and then... other people do it, far away, where I don’t ever see the results. Do you wish you were still in the field more? Do you want me to summon your Chords for things?”
“You know it too, child,” Dulmea says. “It was one of the things that first let me see you as a daughter; that you know the thrill of the hunt and the kill. And you too grow a little bored of just paperwork. This is why you took this contract for Veil, is it not?”
“Heh.” Keris smiles. “Yeah, I suppose so. Okay, so we have a contact in this city! Tereki’s pet infernalist, right? An alchemist or an assayer or something else starting with ‘a’. Where can I find her?”
A weary sigh follows, and Dulmea provides the instructions to find Hinna an-Reswah; by day a prosperous assayer and alchemist, by night one of the Despot’s sorcerers who chooses to conceal herself from the masses, and in truth an infernalist pacted with Keris’s alchemist acquaintance, Tereki.
Hinna is a woman in her late thirties, wearing the formal black and white outfit of one of the Despot’s assayers, an elaborate golden bindi that covers most of her forehead, and a lot of makeup and hair dye. She’s surprised and suspicious to see Keris when she steps into the secret lab connected to the back room of her assayer’s office and finds the Infernal waiting there, but less so than she would have been had she been given no warning of her coming.
It perhaps helps that Keris interrupts her instinctive response by baring her caste mark. She’s not worried that she has the wrong woman. The stomach bottle bug trapped in a circle of tin in the corner is one hint, and the shrine to Tereki she’s sitting next to when Hinna enters is a rather larger one.
“Hinna an-Reswah,” Keris says. “Your lady warned you of my arrival?”
“Yes, but...” She tilts her head back as the small woman who has a burning green brand on her forehead. “I didn’t expect someone who looked like you,” she manages.
Keris raises a judgemental eyebrow and stands, her hair spreading out around her. “Oh?” she says mildly as the air fills with menace. “And what did you expect from what Tereki told you?”
Her eyes flash green as she reads this woman and takes her measure. She’s weak - but stronger than most petty demons Keris has met; as strong as Oula. She’s also no longer human, and Keris rather suspects that her thick makeup and hair dye is there to disguise a telltale youthfulness and inhumanity rather than the starting signs of age. She envies Keris’s power, the stolen strength of the gods that she’s snatched as an Anathema, and she’s proud of her own success in claiming similar power for herself; the strength of agelessness and the Emerald Circle.
((E4, ascended sorceress, corrupted Solar aspect. Envies Keris, proud of her status as a sorceress.))
“Someone who looked more like a hired killer and less like one of the Despot’s mistresses,” Hinna admits, cringing back but apparently having decided that lying will lead to nothing good.
For a moment there’s a lethal silence, and then the Anathema standing in her lab laughs, the tension breaking in an instant. Her cloak of silver feathers turns fluid, spreading out across her body before solidifying again into a formidable suit of heavy armour, feathered and intimidating, with a monstrous face that’s both serpentine and feline and rainbow light bleeding through the cracks on its left arm like veins of multicoloured fire.
“More like this, you mean?” the demonic figure hisses, pulling a lethal spear from the air in a crackle of bloody lightning. Then it’s gone again, and the armour disappears, flowing back out into the feathered cape it started as. “I can kill for hire, Hinna an-Reswah. I have been sowing chaos and disorder down the length of the Pave this whole past season. But it helps to not look the part. Now I am here, to throw Gem into turmoil as I have so many other cities on the orders of our masters - and if I look like a mistress of the Despot, it will be easy to get close to him, no?”
“Rankar is a lecherous fool who keeps many mistresses and beds even more pretty slave girls,” Hinna says bitterly. “And you have completed the Great Work, in the external mode. No doubt the blessings he has others lay on him will mean nothing to you. You could visit him as a traveling sorceress or find a way to be given to him at court and he should cease to pay attention to anything else in the room.”
Keris smiles cruelly. “Good,” she says. “I’ll handle that, then. And visit the vaults while I’m at it. But I want more chaos than just the Despot alone. Tell me of this city. It’s run by the Great Houses, yes? Which is the most powerful? Which would cause the most shock and instability if its leader were to die under strange circumstances?”
“That would be House Iblan, led by that tight fisted crone Bana,” Hinna says, a slow and unpleasant smile creeping over her face. “They have the monopoly on the coin mint,” she says, with the attitude of a woman tossing raw meat to a tigress.
Keris’s eyes light up at that, and she hums with interest. Tzale didn’t get to kill anyone in Cahzor, and the head of a Great House would satisfy him very nicely - even more so if Keris sets him on whoever among the Iblans runs the city’s mint as well; a double-strike will no doubt spark a furious set of power grabs and wars over influence within the decapitated House.
And that will leave Keris primed to sneak up to the Despot and... apply some influence to him. Nothing overt - and not a kill, either. Madness and paranoia, in the case of someone like Rankar VII, will be far more useful to her cause than death.
“Iblan Bana,” she sounds out, then nods and pins Hinna with a piercing look. “Where can she be found? And who among her family runs the mint? You’re a sorceress, too - you know the palace. Tell me everything you know of Rankar’s habits and slave girls, as well as how he spends his time.”
Hinna needs little encouragement to spill the details, not when she can see the ruin coming for people she personally detests. She’s positively eager to share, and for almost half an hour she answers the questions the Anathema snaps out, volunteers information unasked, suggests how each of the various Great Houses might respond to the first among their number being thrown into turmoil even as their lord becomes unstable.
It wins her an evaluative look from this petite woman who bears the stolen fire of the gods upon her brow, once the question-and-answer session comes to a close.
“... you’re uncommonly helpful,” Keris says, looking her up and down. “And powerful and driven, to have initiated into sorcery on your own. I can see why Tereki values you so much.” She purses her lips. “You understand that Gem will be thrown into turmoil by this, yes? I don’t doubt your ability to come out ahead, especially since few people know about your position as a sorceress of Rankar’s court, but if you were to consider uprooting and leaving this dry and dusty place, I would welcome such a skilled alchemist and infernalist in my Directorate. Especially if you have contacts among the rest of your order. I’ve encountered other alchemists seeking to steal the powers of the gods - or their aftermath, at least - and I’d be willing to reward being put in touch with more.”
“Your... directorate?” she asks cautiously.
Keris smiles. “Oh yes. I hold rank in the courts of Hell - higher rank than your Tereki, by some measures. I am the chief servant of the princes of the demon realm in my region, where I enact their will and consolidate power in their name.”
She can read the price of this woman’s loyalty in the reflections she casts in the glass and polished metal of the alchemical lab all around them. Power is what she seeks - the power of an Anathema, like the light of the sun and moon that was stolen by demons who possess the bodies of righteous men to bedevil the Realm. Keris can’t give her that - Exaltations aren’t so easily handed out - but she doesn’t need to hand Hinna what she wants to tempt her with it.
“Which means,” she goes on, “that I have resources I could grant to a skilled alchemist who is already sworn to one of my allies, should she choose to move to my territory and do the occasional task for me. Rare alchemical reagents, demonic backing, spell-lore, pacts for spirit-magic...” She smiles, letting the ravenous greed of Metagaos extend hungry roots through her words and into Hinna’s mind. “Think about it. I mean to return there as soon as I’ve finished destabilising Gem, and I’d be happy to have company who knew their way around an alchemist’s lab to trade theory with on the way.”
((8 sux on 25 dice wtf))
Hinna stares at Keris hungrily, gnawing on her fingertip as she thinks. Keris’s keen ears can hear the sound no human would make; painted metal teeth scraping against cloth-padded metal under her gloves.
“I will need to think about this,” she says slowly. “Understand I am... cautious in such matters, and I have my husband and my children and my gathered research to think of.” She pauses, eyes narrowed slightly. “Of course, if you are even mightier in the courts of hell than Tereki, then you would be able to put your own potent demonic servants at my disposal. And I would need their aid in certain matters, not least in the transport of my assets to elsewhere in Creation. Perhaps... if you were sign such a contract with me, granting me the right to bind certain of your lesser servants, then that would be a good proof of your bona fides.”
Keris purses her lips. Sasi can summon her citizens, but she’s not willing to extend that to anyone else just yet. But...
“My rank allows me to summon many of the lesser serfs of Hell - certainly all of the commonly-known breeds you may have heard of,” she says. “I’m... open to signing a temporary contract that will extend that authority to you, and bind us as allies. Maybe for a season; long enough to work out a more comprehensive and long-lasting pact if you favour working with me, and for you to settle somewhere less ravaged by the fall of a Great House if you choose to go your own way.”
It is that moment Keris realises the existence of a new and potent form of torture; namely, giving someone everything they have ever wanted while they also know they shouldn’t just say ‘Yes’ immediately. She can see the deep and abiding spiritual pain in Hinna’s eyes.
“That would be very generous,” she says, trying desperately not to sound too eager. “That offer is extremely tempting, and you can trust that I will of course be most open to any later offer you make me.”
“Very well,” says Keris, and extends her hand. The air thickens, and her caste mark pulses on her forehead, traceries extending from it to form a miniature halo akin to the grand wheel of names that hangs behind her when her soul flares totemic. ”For the aid you have given me in preparing the downfall of Gem in the service of our infernal masters, Hinna an-Reswah, I offer you alliance until the moon sets on the season of Wood and ushers in the months of Fire. You will share my authority to call on the serfs of Hell in their countless multitudes, and may invoke my rank to anchor those spells that call on greater powers than you alone possess.”
Rainbow light refracts off her cloak of silver feathers, and tongues of opal fire fall from the circlet that’s extended out from the empty ring to crown her, splashing onto the mantle and running down it in glowing veins to her left hand, outstretched and burning with heatless many-coloured flame.
“In return,” Keris adds, the reverb of sorcery no longer echoing audibly through her voice but with no less finality, “you will travel with me when I leave this city, answer my questions truthfully when I put them to you, and consider the benefits of a more permanent pact with a clear and open mind.”
Her hand doesn’t waver as the dragon tattoo lifts its head from where it rests on the back of her palm and stares at Hinna with unsettling intelligence, eyes full of the same opal fire that plays around her fingers.
“Have we a bargain, sorceress?” the Anathema says.
“Of course!” she blurts out. “Master!”
She’s maybe playing it up a little thick, but she seizes Keris’s extended hand nonetheless, and the opal flame doesn’t burn her. Instead it flares, spiralling up and around her arm and leaping from her shoulder to her bindi, knocking it from her brow and spiralling in to the half-filled circle of a Twilight-caste that’s engraved into the living gold skin of her forehead. Keris feels the sorcerous power settle heavy on them both, binding them together until the season’s end, and as she lets go, the burning rainbow light within Hinna’s facsimile of a caste mark settles down to the same prismatic reflection that Strigida has; a subtle play of colour when the light hits it rather than a burning brand.
Keris smiles like a sated predator, and nods to where the bindi fell. “Congratulations, then,” she says softly. “And that’s a pretty symbol on your forehead, but best left covered for now. I’ll let you put your makeup back on and make your preparations,” she stretches, “while I go and scout out the Despot’s palace and House Iblan.”
She hums happily to herself as she crosses the room, looking around appreciatively at the wealth of alchemical equipment on display. Hinna wasn’t wrong to demand help transporting it; it really is a very nice lab. Nice enough that Keris is already looking forward to the discussions on theory they can have on their way back to Hell and the South West after her business in Gem is concluded.
“And thank you, Hinna,” she adds from the door. “You’ve been very helpful. I promise, you won’t regret this at all.”
Hinna had a lot of information about the Despot. One thing stands out to Keris in particular, though; Rankar VII has a thing for pretty young women. And this is a quite rapacious appetite, to the extent that she knows for certain that if this man was chosen by Hell, he’d spring right into the arms of Metagaos.
One of the ways he sates these hungers is through a tradition - of sorts - in the city, where certain of his agents keep an eye out for attractive women. The slaves they notice are ones he’ll make an offer for, while freewomen willing to present themselves to him and submit to his attentions can make handsome sums in the gifts he offers, or even achieve elevation to the status of one of his mistresses until he tires of them. Which he does often, in time.
One of his agents has found one such woman, and quite a beautiful and forward one. She’s Chiaroscuran, with black hair that has silver feather-ornaments woven into it, and calls herself Blushing Plover. She wishes, she says, to dance for the Despot, and to play for him, and to sing for his pleasure.
That’s not a Chiaroscuran name and she’s a long way from home - but many people in Gem go by false names and claim origins other than their birthplace. That’s not exactly an immediate bar. So a letter is sent to the cheap lodging house where this Blushing Plover has made her residence, and she is commanded to attend the Despot’s palace, to make herself known to the harem-mistress and be readied for the next time the Despot fancies an idle distraction.
When she shows herself, it’s with charm and flattery and a shy smile that’s most certainly a lie but a good enough one to veil whatever it’s hiding. She’s pretty, that’s for sure, and she has two large fans that - upon close inspection - are not bladed or metal-tipped or poisoned in any way.
Blushing Plover feels vaguely insulted that they checked, but also vindicated and proud of herself for guessing they would and choosing her props accordingly. She tests her wiles on the harem-mistress, smiling and batting her eyes, and while the older woman has undoubtedly had many, many hopefuls try to worm their way into her good graces before, Keris likes to think she was a little more successful than most.
But she’s not here for flunkies. She’s here for the man in charge.
There are clothes here. Clothes, Dulmea cynically observes, that are like how the pirate lords of Saata primp and prepare their parrots for the fancier’s contests. But here, the birds on display are women, and the judge is the lord and master of this city who sits in his sanctuary of gold and gem-encrusted walls while outside people pay him for the privilege of water.
“This is a man who your friend Claudia would know well,” her mother tells Keris, as she looks over the offered outfits, all mist-thin silks and muslin dyed with expensive dyes that fade with the least exposure to sunlight. How many women before her have been dressed up in these garments to be paraded before the Despot?
“Would she?” Keris murmurs internally as she selects an assortment of colourful reds, oranges and yellows. “From what Hinna told me, he might be too careful to make a deal with a demon lord like her. He seems like he prefers to have the power in any deal he makes.” Inspecting a bejewelled golden bangle closely, she wrinkles her nose and tosses it over her shoulder. None of these are fake, and the sheer wealth of choices almost takes the fun out of picking out the most expensive ones. She goes for a set of ruby-studded wrist and ankle bracelets in delicate tumbaga, sneaking them out from another girl’s hoarded set without her noticing, and nods approvingly at how they match her fans.
“Unfortunately,” she adds with a grin, “here he doesn’t have a choice.”
“Not know him personally,” Dulmea says, “but know his type. This is just like how Claudia paraded her actors in front of you, picking them out - ready to be more meat for the Street.”
“Mmm. Well, I’m experienced enough with those.” Keris snapes one of her fans open, and the golden peacock eyes amidst the warm shades seem to track her as she spins and twists it before snapping it shut again. “So, his madness. Paranoia, do you think? I don’t want to make it too obvious that it was me who did it, but if I just make him a little more delusional, a little more convinced everyone’s plotting against him - and maybe paint some mood swings across his mind as well. That should be enough to send Gem into chaos before the end of the season, right, mama?”
“You have been evasive about how long you want to work on him,” Dulmea says. “I know you are impatient to get back to Saata and see your children again, but it is better to do a job well than quickly.”
That is a long topic of disagreement between them.
“It’s just as important not to miss my job there,” Keris argues, as she has every time this has come up over the past three months. “This is a fixed-term contract; I’m here for Wood, no more. If I stay past that, I’ll be neglecting my other duties. Calesco’s dream last month said the magistrate’s fucked off back home, and I need to get back early and show my face at enough of the Fire parties before going to Hell and starting on the Calibration festivities.” She pauses meaningfully. “This year’s going to be the first showings of the Scarlet Surrender Cycle. That’ll take a lot of preparation.”
“And a man of his importance will likely have been targeted by honeypots before,” Dulmea says yet again. “You cannot be too good - or too quick - when working here, because we know he has dragonchildren in his employ and serving as bodyguards. I know you want to go home, but just - do not rush.”
“I know, mama,” Keris sighs. “I won’t try anything funny for at least a few days. Let him get used to me being harmless, and strike only when he’s lowered his guard.”
“Thank you, child,” Dulmea says, with the feeling of a nod of acknowledgement.
She spends several days in the harem, getting to know the other women - Asti, who’s been trying to win this chance for months, the dreamstone-polisher Teocha who doesn’t exactly want to be here, the swaggering daughter of a love-goddess Oqa whose has her mother’s looks - and waiting for the Despot to decide he wants a new girl. And then on Saturnday the call comes and they’re bathed and cleaned and dressed up by the slaves and sent out to meet the man who will decide their fate. The Despot might choose them - or grant them to one of his favoured subordinates, or simply dismiss them. Or worse; there are dark rumours about some girls who are never seen again after an invite to the palace who are whispered to have offended him in some way.
The room he chooses to view them in is a display of unspeakable wealth, especially in Gem. The floor of the room is covered in finely cut aquamarines, set in as little square tiles, and more than that save for certain raised areas it’s flooded too. The walls are painted with scenes of a pastoral, green landscape where rivers run freely and the ceiling is lit by a huge glowstone serving as a cool, gentle facsimile of the burning sun.
They are lined up, like a cattle auction, and then the Despot makes his appearance, carried in by a litter born by burly slaves. The Despot of Gem, Rankar VII, is not exactly an unhandsome man, though he’s into his early middle years and Keris’s trained eye can see the weight sitting on a man who was no doubt more dashing in his youth but too little exercise and too much food has weighed on him. There is a scar over one eyebrow - likely a product of the same more active youth Keris suspected - and if the clothing granted to the girls was lavish, he made them look like beggars before him. An extravagant overcoat of polished gems wired together with silver wire and chains gleams under the glowstone, and his robes are extortionate purple from dyes that must have come all the way from the sea.
Blushing Plover is a flickering candleflame amidst the cool blues and greens of rivers and forests, reds and oranges and yellows wrapped around her in in shades that grow lighter and brighter as they rise towards her shoulders. Her black hair is piled up on top of her head in an artfully messy up-do that gives the impression of smoke rising from the fire of her clothes, silver feathers glinting among it like flecks of ash. Tumbaga rings her wrists and ankles, and her fans twitch and shift in her hands as she waits to be called on by this mortal man who holds such power. She gazes at him from under fluttering kohl-brushed lashes, henna around her eyes and reddening her lips, and takes the measure of Rankar VII, Despot of Gem, absolute ruler of the South’s most precious jewel.
((IEI ping on him and any attendants he has standing around to see if he’s got Enlightened backup, and the usual envy-ping that will undoubtedly return his ridiculous wealth and status as his proudest trait, lol.))
((Rankar VII is enlightened, Enlightenment 1, but there’s something odd about the flavour of the power in him. Part divine, part earth-aspected. Keris thinks he's probably enlightened himself by purchasing blessings from deities and earth elementals. She suspects that basically, by buying blessings from prayers to those beings, eventually his body's chakra gates opened from “natural use” in that state. So his essence pattern is sort of a mix of “scars” from old blessings.))
((His bodyguards are a mix. They’re mostly mortal, but there’s a few low Enlightenment figures among them - mostly divine or elemental aspects - and one bright and clear Enlightenment 4 Air aspected presence, who’s lavishly dressed in jade armour.))
((And yes, Rankar does not envy Keris, and his proudest trait is his Influence 5 (Gem).))
((Mwaa haa.))
One by one, they are called up to perform for the Despot’s pleasure, and the other girls...
... they try. That’s the best Keris can say about them. They aren’t bad. Teocha gives a decently solid performance that would be acceptable on any normal stage, even if it does lack passion. Astli is in fine form, and equals Oqa in her blue finery.
But all of them pale next to the candleflame that gracefully slides out and begins to burn, flickering and flaring and swaying with hypnotic allure. There’s a heat to Blushing Plover’s movements, a beat to the jingle of her bracelets as she stamps and spins and sings. Her fans snap out and curl through the air like tongues of flame rising from a bonfire, their golden eyes captivating her audience as they dance amidst crimson folds - but more captivating are the red-lidded eyes of the woman herself, which stay fixed on the Despot throughout her whole performance.
Nobody moves, as her dance comes to an end. Nobody breathes. They’re all watching her, entranced, ignoring everyone else in the room. If someone were to walk across the hall and stab the Despot right now, it might take even his guards a moment to notice - and that only because it blocked their view.
Well, after that, it’s only going to end one way - and even the other women aren’t particularly surprised when the Despot just orders them sent back to the harem without a second thought. Even the proud godblooded Oqa doesn’t say a word - though perhaps that’s more out of fear of the rumours.
They’re not even out of the room when Rankar claps in delight. “Well, I think I’ve just found a living dreamstone the size of my heart,” he praises her, “for you are definitely a dream and you have captured my heart!”
“I’m honoured to be so favoured, my lord,” Plover said, bowing low and incidentally flashing him an excellent look down her chest wrappings. “And I promise I’ll make all your dreams come true.” She looks up through her lashes again, and winks.
That draws a barking laugh from the man, which makes his shoulders shake. One of his advisers leans over and whispers something in his ear. Of course, Keris hears everything. He’s being briefed about the abnormalities in her background.
“All the way from Chiaroscuro, eh?” he asks, looking her up and down. “Must’ve been quite a trip.”
“Oh yes, my lord,” Plover agrees breathily. “I could tell you all about it, if you wish.” Luckily, she has actually made the journey down the Pave more or less honestly, even if she was sowing chaos in her wake, and can therefore spin a fairly good lie of a normal journey to seek wealth and fortune if required.
He looks her up and down again, this time his eyes more shrewd and somewhat less lewd. Then he claps his hands three times, and the slaves hoist his litter up. “Then we will walk up to the Room of Infinite Dreams, and along the way you can entertain me with your tales,” he commands.
Blushing Plover rises, and pads along by the side of his litter, smiling, fluttering her eyelashes and keeping a wary ear out for anything dangerous. The bright clear presence of the blue-jade-clad Air Aspect behind her is one such threat, but she’s equally wary of others; things in and around the palace that might alert him to her nature. Szorenic mercury coils and curls in her mind, ready to deceive even herself as to her true nature should she need to lie with perfect innocence.
She feels the eyes of the Air Aspect on her as she spins her tale, watchful and keen.
((Hah. I know this game. He’s watchin’ me. He’s watchin’ me for LIES.))
The tale of Blushing Plover is an enthralling and beguiling one, rife with drama and passion. It all started with her childhood friend who disappeared - but in truth was slain by wicked criminals! And then she fell in with a Venusian cult who taught her the ways of pleasure, but ah, there was betrayal within that, too, and Plover narrowly escaped as one of her teachers turned on the group and sold them out to an old enemy.
Aye, that was a dark time, and with powerful men and women in the city after her, she fled her sundered home and swore to make her fortune elsewhere in the South. In lavish detail, she paints a picture of her trek through the Lap where she marvelled at the scale of the great statue, but found no-one worthy of her among the dashing ship captains who filled the docks. Then she’d headed south - through Dregi, where she saw a rockfall near bury a pass she’d walked through not an hour prior, and across the Flowing Dune Sea where she barely managed to sneak across from Ramabah Minah to Antefar as their naval war lulled, only for it to flare up again and trap her in the city for almost a week, watching marines get press-ganged back into service! And Cahzor, ah, dusty Cahzor had been simply awful for her complexion, dry and dead and starved of wealth - not like beautiful, glittering Gem...
A lot of it, she doesn’t actually need to lie about. Keris is a gifted storyteller, and describing the grand sights and glorious vistas she’s seen on her way south is something that requires no word of a lie - and though the Despot has no doubt heard of them before, if not seen them himself, it’s likely been years since he laid eyes on the things she describes with such life-like detail. The parts about Plover’s more personal past have just enough truth from Keris’s real childhood in them that a touch of quicksilver deception fools her into believing them for as long as it takes to say them, sneaking titbits of falsehood past the watching Dragonblood.
Which isn’t to say it’s all perfectly truthful, of course. Blushing Plover is trying to impress a man of wealth and power, and it’s clear to an experienced eye that she’s stretching the truth in places, bending it in others, dramaticising and exaggerating for effect. But these aren’t the lies of a spy or saboteur; merely a performer trying to seem more alluring than perhaps she truly is.
She hears the little whisper from the dragonchild, and hears his voice emanate from just inside the ear of the Despot.
“Truth. Or at least, little lies only to entertain.”
There is a little smile on his face from there onward. And soon they are there in the so-called Room of Infinite Dreams. It is well-named, because the walls are painted in psychedelic patterns of pastel and aquamarine and orange, and the bed in the centre of the room is embedded with dreamstones. They fill the air with the scent - and it is a scent that Keris knows well. Dreamstones make her tingle in a way just like dreamdust.
With care, the slaves deposit the Despot on the bed, where he arranges himself for her. The bodyguards do not leave. They are seemingly well-used to this part of their duties.
Plover gasps in delight, her attention briefly diverted from the Despot to spin and look around in not-entirely unfeigned wonder - the awe of a simple Chiaroscuran girl introduced to more wealth than she’s ever imagined before, a reaction to flatter Rankar’s pride in his wealth and power. Then she turns her attention back to him, and flits closer to sit on the bed next to him, toying with the candlefire layers of gauzy fabric she wears and fluttering her eyelashes up at him.
“What would my lord like from me?” she murmurs. “Another dance? A dream?” Her wandering fingers tug at one of the ties around her waist, and her voice drops a few notes to something huskier. “Or something else?”
Rankar VII invites this snake into his bed, and that seals his fate, poor man.
Keris spends a couple of weeks as Rankar’s mistress, with the man deliriously - and she uses the word quite deliberately - in lust with his new mistress. She honestly considers it a holiday and a treat for herself after nearly a season in the heat and the dryness of the South. For this is a place where indoor gardens grow in the light of glowstones and the sorcerers of the Despot ensure there is always running water here. And a man with wealth like this always has presents and trinkets for the woman who can bring him delight such that he has never known before.
If she gets bored and needs some her time, she can just leave a Gale in his company. He doesn’t notice the difference. And such breaks let her oversee her other plans.
There are enough slaves in the palace that it’s almost pitifully easy for her to draw her shadow over herself to join their ranks and then step backstage. They’re already treated like animate furniture, and with Elloge’s encouragement, nobody notices Keris as she surveys the palace and builds up a mental map of the place, narrowing in on the location of the vaults and the valuables. She visits Hinna once or twice as well, checking on her progress in packing up and preparing to leave town. And Tzale... well, Tzale is preparing to assassinate the head of House Iblan and the Master of the Mint. Keris has warned him not to go ahead until she gives the word - but this won’t be like the Lap, where she changed targets at the last minute. This time, he’ll get his promised kills.
“A couple of weeks more,” she tells Veil in a Messenger to a pre-arranged demonic scribe the other Director keeps for such things. “Then I’ll collapse Gem and give you or whatever flunky you send a full report. It’s been a good season, there’s chaos up and down the Pave. You’ll get the full details once I’m done - and I’ll want the second half of my payment, too.”
A response comes back soon to the Gale Keris had left waiting as a messenger. “You really are as good as they say,” says the lilting, north-western voice of a woman. It’s probably Veil, but you can never be quite sure. “I’m having to handle an unexpected issue up on the coast, so I’ve tasked Raziyr Gham with conveying the payment to you and he’ll take any notes you want to give me about complications or suchlike. I’ve been keeping an eye on things so I know you’ve done most of what you said already, but we can catch up fully next time we’re in the same place.” She clears her throat. “He’s the 17th seat, and he’s in the Coxati area, so send a message to arrange the meet-up when you’re done.”
Keris doesn’t really recognise the name in more than passing, and raises an eyebrow at the ‘issue on the coast’. Perhaps her little favour for Sasi hitting the ship captains in the Lap is paying dividends. Hopefully it’s that, or something unrelated, and not the firedust cache she found in the Lap’s Triarchy. That one, she wants to save.
Then it’s back to flattering the Despot - who is actually a fairly skilled lover as well as an attentive patron who showers her in gifts - and waiting for the proper moment. He’s getting more and more infatuated with her - and more jealous, too. She’s been helping that along. Nothing magical, not quite, but just some little nudges here and there. Guiding him into thinking about how his guards get to see her bare every time they watch. About how his Dragonblooded bodyguard has seen as much of her as he has, in her dances and in his bed.
It shouldn’t be long, she thinks, before he decides he wants privacy. And then she can start whispering subtle poisons in his ear to ramp up his suspicion and paranoia.
Kit could never have done something like this. Hell, the Keris of a couple of years ago couldn’t have, either.
But the thing is; Keris has accepted who - and what - she was. And she’s hated slavers almost as long as she’s lived. She’s watched the way the Despot is, watched as he uses them as furniture and as mute tongueless things in the background who cannot speak his secrets.
So she works away at the ruler of mighty Gem. First with her little mundane ploys, and as she fans the flames of lust she lets her demonic nature take its toll on him.
These couple of weeks are bad news for the great and mighty of Gem, for the Despot - already paranoid and watchful - has let his caution go and is erratic and unpredictable. He has been like this before, when he suspects that someone is acting against him, and so they pull back and wait and watch to see where his knife falls. But Rankar VII has a madness in him that was not there before. Something dripped into his ear, tarry and thick, by his new mistress. And she grants him a little painting of her in a locket that he looks at often; a painting he shows no others. A shame, for a scholar of the occult might have noticed the sinister geometries in this painting done with such finery and precision that the painter must have used a brush whose tip was a single hair in width.
Rankar suspects everyone, except the snake in his boudoir whose kisses intoxicate and whose body is the vessel which injects strange alchemical reagents and demonic reagents into him, whose tongue drips with silvery lies and whose lips stain his soul with their shadows.
It’s engaging, delicate work, and she makes her mother proud with the attention to detail she pays while setting it up. But eventually the time comes to make her move. A week before the end of Wood, she lets Tzale off his leash, and prepares her sweet departure. Hinna points her to a slave-trader of the right build and gender, and Keris kills the woman one night with a quick snap of the neck, and hides the body in the shining rooms of her necklace-sanctum. There she works on it with flesh-weaving tendrils, reshaping the face and bone structure, healing the broken neck, staving off the progression of decay and keeping the corpse fresh, until she has a nearly perfect copy of Blushing Plover in her hands. She dresses the body in the same beautiful candle-flame outfit she wore on her first meeting with the Despot, and - not without a flicker of regret - cuts its throat and plants the knife in its heart.
She leaves it in Plover’s boudoir at noon. It won’t be found soon - Rankar is jealous of his mistress’s attention, and the guards at the door aren’t allowed inside on pain of painful death. He visits often, but his paranoia has been mounting, and it likely won’t be for at least a few hours yet that he’ll tear himself from his investigations into treachery among the Great Houses and come to seek comfort in her arms. Especially since the news of Iblan Bana and the Master of the Mint both dying under strange circumstances will arrive sometime this afternoon.
That gives Keris Dulmeadokht plenty of time to send Hinna a warning that today is the day to leave, and to make her way down to the grand treasure vaults of the richest city in the South.
((Scene of the MURDER enhanced by Passing Off Blame to suggest a killer who had access to her rooms and possibly some kind of authority over or familiarity with the guards at the entrance.))
((/r 22d10s7c10+4 #MurderMostFoul))
((/r 18d10s7c10 #WhoCouldHaveDoneThis))
((Keris rolled 18 <1; 2; 5; 9; 10; 2; 10; 7; 5; 1; 6; 10; 1; 1; 5; 4; 3; 9; 9; 10; 6; 10> #MurderMostFoul))
((Keris rolled 9 <3; 8; 1; 10; 1; 2; 8; 5; 10; 8; 3; 6; 10; 1; 1; 6; 5; 4> #WhoCouldHaveDoneThis))
She can’t help but hum happily to herself when she thinks of all the webs of lies and the people she’s primed to be suspects for her own murder. She’s willing to bet that even Ney couldn’t unravel this mess!
... not necessarily bet very much, but that’s because she doesn’t know what other tricksy little horrible things he’s picked up while she’s been away.
And now she has something else to focus on; the thrill of her racing heart as she silently paces along the routes she’s already researched down into the treasure vaults of Gem. She can hear how frightfully thick the spells are, and how many ancient bound spirits watch over the fortunes in this place. Wardings, cast time and time again, reusing the old ritual markings which seems to make the spells stronger and more durable.
It would mean a lot more if she hadn’t ‘borrowed’ Rankar’s token, leaving him with a false mirror-image in its place, and hadn’t rewoven her flesh with root and shadow-guise so she looks and feels just like him too. So as far as the old spells were concerned, she is him.
Still, she’s being a dutiful and obedient daughter at the moment, and so she doesn’t drop her guard or allow herself to get sloppy now that she’s nearing the end of her scheme. She’s careful, she keeps her senses on alert, and she even grits her teeth and sharpens her hearing - thankful for the quiet this far down in the palace - until she can hear the precise forms and essence-melodies of the wards and spells.
That such peerless hearing also lets her pick out the artefacts and objects of power in the vaults... well, that’s a pleasant bonus.
These are the vaults of Gem; immense, rough-hewn, dug into the raw volcanic rock itself. The walls have been layered in hammered bronze, and then upon the bronze precious metals and gems have been embedded in truly vast amounts. Of course Gem’s word is always good. If it ever came to it and they needed to honour their debts, they could pull down these decorations - and Despots can sleep safer knowing a disloyal servant can’t steal these things.
But not all the wealth here is made illiquid in that fashion. And in its time Gem has secured a fortune. There are fine, well-cut gems hewn from its own mines with such fire and lustre that they almost bring tears to Keris’s eyes. There is silver - silver in huge amounts, cast into ingots with the Rankarite seal on it. And there are other things; treasures from Gem’s wars, plunder, wonders bought by the masters of this place on a whim. This is wealth far beyond that which even the vaults of House Sinasana that Keris has heard of could possibly hold.
Quicksilver blooms in her belly like a sweetly fragrant flower, and for the first time she feels true, genuine envy towards the Despot for the wealth he hoards - for this makes the trinkets and baubles he showered her with pale in comparison. Moving quickly but unhurriedly with professional rigour, Keris cases the vaults from top to bottom, looking for things of power, opening the door of her collar-sanctum next to the stacks of silver ingots, marking the gems and plunder that she’ll need to find a buyer for as lower-priority than the cash she can directly fund her activities with.
((/r 14d10s7c10+4 #StealStealStealFromGem))
((Keris rolled 11 <5; 4; 8; 6; 7; 8; 9; 8; 2; 8; 2; 5; 3; 9> #StealStealStealFromGem
She moves through the vault like a silent wind, though rather than taking lives she takes things of value. She grabs any weapon or armour of jade, jamming it into her hidey-hole as she strains to toss all the silver she can inside. She knows her time is short.
But she still freezes when she realises that what she had thought was a valuable suit of jade and orichalcum armour is no such thing. It is a golem of sorts, a broken automaton of past ages. And it is beautiful in its faceless, four-armed, graceful nature, as if someone had looked at the lines of a cat and made a killing machine from it. One of its arms is but a shattered stump and she can hear the damage to its internals, but this is too sophisticated to be anything of the Shogunate she’s seen before. Which means it must be truly, truly ancient.
She leaves that until last. That, and the long-bladed, acid-pitted spear whose curving blade reflects Ululaya’s light and sings with the praise-hymns of the Red Moon. There are extra seals and wards on both, especially the spear, and she shovels the rest of the pile of silver ingots into the inner chamber of her sanctum before turning to them as her mental timer ticks down.
It’s painful to leave the rest. Part of her - the dumb part, the memory of Kit Firewander, the part without Dulmea - wails that there are other stacks of silver ingots deeper into the vaults, other treasures, countless gems embedded in the walls. It protests that nobody’s come yet, that she might have hours still to plunder this place, that by going now she’s losing things.
Keris strangles that voice in its crib. It’s been right before, when she’s dallied on a theft longer than her first impulse to go and been rewarded for it. Far more often, she’s dallied after her instincts tell her to get out, and wound up running for her life. She’s doing this one by the book - she doesn’t know what kind of chaos is going on above ground, nor how long it will buy her, nor what kind of silent wards she might have tripped that could notify someone that “Rankar” is visiting the vaults when he’s upstairs attending to business.
She scoops the maimed golem up and deposits it just inside the door to her sanctum, grabs the spear from its cradle of wards, tosses it in, dismisses the glowing door of flickering light projected out from the adamants, and legs it. Very, very carefully.
The rush of envy fulfilled has her suppressing an orgasmic moan as she goes.
She’s not really over the rush and still frankly as high as the few wisps of cloud in the too-blue sky when she finds Tzale, and tells him his part in this is done. He’s free in Creation now.
He tips his wide brimmed hat that protects his masked face from the sun to her. “Pleasure workin’ for you, lady,” he says in his broad rustic woodsman’s voice. “Wouldn’t mind workin’ fer you ‘gain. I’ll be aheadin’ up ta Cahzor, a’cos milady Claudia’s hired me fer a job or two. Will ye be coming with me?”
“No, I’ve got other business before I head back,” Keris says. “Send a report on your season here to my townhouse when you return to Hell. I’ll mention your name favourably to the Althing this Calibration. And well done, Tzale. Good work.” She’s heard the gossip already spreading about the death of the Master of the Mint, although Iblan Bana’s death doesn’t appear to have become common knowledge yet. “Give Claudia my regards.”
He smiles at the prospect of praise in such a prime venue. “Much obliged, lady. Not sure when I’ll be back, but I’m sure I will be sooner or later, when that damn star-chosen with the bolas catches up with me again. Fer someone so low rankin’, he sure packs a wallop. With luck he’ll have got himself a promotion an’ my knives will be able to pierce his skin. Best o’luck ta you.”
Keris waves him off, and goes to find Hinna. She was packed and ready to go when Keris visited her two days ago, and no doubt she’s already heard the rumours starting to spread, warned as she was by Keris’s quiet message at noon.
Hinna is out - closing out some last affairs, her daughter informs her. Keris takes the girl in. She can see something of her mother in her, but that skin so pale as to be nearly lilac and those dark eyes? Not to mention the fact she’s as potent as a young kerub and the brassy hiss of the power of the Demon King that radiates off her. Demonblooded, for sure.
“When will she be back?” Keris asks. “And what has she told you? It’s alright,” she smiles disarmingly. “I’m her business partner; you can trust me.”
“Before dinner, I expect. And she has told me...” she considers her words, “that you are a powerful ally, the woman with the angyalka-hair.”
“Mmm, yes,” Keris steps closer, leaning against the wall and studying the girl - in her late teens, from the look of it, approaching full adulthood but not quite there yet. “As you’re part neomah,” she adds, and draws a sweet chord from the air with an idle draw of her fingers. “So, while I wait, tell me about yourself. Your mother’s talents, I know - but I’m sure you have things you can do too, no?”
She’s friendly and open and interested, and it’s hard to think ill of her, this confident and powerful woman who deals with Hinna as an equal, if not a superior. It doesn’t take long before the girl is talking eagerly, all but offering up her life story to the Hell-touched stranger.
The girl seems... amazed at the attention she’s getting, and shyly she brings out some of the chimeric creations she has apparently made herself. A bird with the scaled body and head of a wall-lizard. A songmouse. Something that isn’t quite a kitten and isn’t quite a puppy.
“Alright,” Keris admits at this last one, resisting the urge to squeal at how cute it is, “this is good work.” She’s honestly tempted to steal it for one of her children. Not Kali, because it would be criminal to let an animal this adorable become another Breakfast, Lunch or Supper, but Hanily or Aiko or Atiya might like it. “You know,” she adds, artfully casual, “your mother is considering an offer to work with me in matters of alchemy, but I do have some genesis projects planned as well. Things that use this kind of skill, at a larger scale. I could use an assistant, if your mother chooses to work with me and you find yourself at a loose end. Or even if she doesn’t.”
Those dark eyes go wide - wider than any normal human eye could, and the pupil expands nearly to fill the whole eye. “I... I haven’t been trained formally, my lady. This is only what I’ve taught myself to do,” the girl Simya says in a small voice. “I wouldn’t want to disappoint a mighty lady like yourself.”
“Oh, training is easy,” Keris says, brushing that off. “It’s trustworthiness, initiative and potential I’m interested in, and you seem like a good investment in those.” She smiles again, and there’s something terribly alluring about it from where she’s leaning against the wall in the shade. “You don’t have to answer right away. But consider it. I can make sure you’re taught more of the arts of weaving flesh and creating life if you choose to ask for an apprenticeship - and I can be sure that if you do, you intend to be loyal, and to put that clever mind to work on my projects. After all,” she tickles the puppy-kitten under the chin, “if you have the drive to do these all on your own, I’m sure you can come up with creative solutions to any problem I set you, once you’re trained.”
“Th-then if mother says it is acceptable, I would be more than happy,” she says very quickly, but also softly.
“Excellent,” Keris purrs. “Now, why don’t you tell me more about how you married bird and lizard like that...”
Her work in Gem done, Keris moves on. On to the final place, where she gets her all-important payment.
A hundred miles west from Gem begin the foothills of the Firepeaks, and Keris follows them up through the steep pass of the Giant’s Fingers and along ridges and cliffs to the capital of saudari Etiyadi Fire-in-Earth. She finds it lying in a great valley, sheltered from the punishing rays of the late-Wood sun by the mountains around it, with a vast black-sloped, orange-crowned volcano at the far end and a city nestled at its base where the mountain slope meets the rich green farms of the valley.
It reminds Keris a little of her own valley of Zen Daiwye, though without a single river winding down the length of the valley - instead, there are several smaller ones that cut across it diagonally from the peaks around it and branch out into great irrigation networks. But while Zen Daiwye is cool and lightly farmed, Etiyadi’s domain is hot and lush and almost overflowing with life. Keris can feel the thriving plants around her, the sheer richness of the volcanic soil they grow in and the effort and investment that’s been put into cultivating them. She can feel, too, the hum of bubbling power from the peak of the volcano, and the demesne that resides there - a natural pooling of Fire essence mixed into the mountain rock. This is probably the greatest volcano within three or four hundred miles.
Probably not a good idea to go near it, she decides. Luckily, her meeting is arranged outside the city, on one of the farms that borders the edge of the valley and is hedged off from prying eyes.
She has exchanged words with Raziyr Gham. She doesn’t recognise his accent, but he says he’ll be here around noon.
But it’s early afternoon when a man in extravagant green silk robes woven with Malfean brass rides up, mounted on a steed that Keris can see even from a distance is a chimeric creature of horse and demonflesh. He leads a caravan with silken roofs.
“Lady Dulmeadokht,” he says. Up closer, she thinks he’s northwestern, or at least northern. “Sorry, got a little lost.”
She frowns. Partly at the fact that he’s late, and partly at his steed. “Peer Gham,” she says. “Is it safe to have that thing here? It’s clearly demonic. Are the locals used to hellspawn or something?”
“Oh, they’re unimportant,” he says flippantly. “And Kusaha here is much more convenient than a mortal steed. She doesn’t need water or fodder, and can run all day without needing rest.”
Keris’s frown deepens, but she shrugs. “Fine,” she says, turning to go back into the farmhouse, which the cultists have vacated for the morning to give their masters privacy. “So, you have my payment, and I have a report for you to take back to Veil. What’s the trouble up on the coast they’re dealing with, by the way? Anything related to my time in the Lap, or something further east?”
“Oh, I didn’t bother to ask them. I never get a straight answer from Veil anyway. They’re terribly obsessed with their constant shapeshifting and their nonsense. It’s enough to make your belly ache, trying to understand what they’re currently up to.” Raziyr shrugs. “Maybe they’re over in Paragon again, or maybe Raam. I didn’t much appreciate getting my marching orders from them, honestly. I’m working on transforming desert out in the Burning Sands into an extension of Metagaos to bring lush fertility to this gods-forsaken place, and I’m in a quite instrumental phase. You know, if I can get the area retaining moisture better, why, it’ll start all kinds of feedback cycles that’ll encourage more rain and more humidity - and of course, unweave the destiny for these lands that the gods have placed on it. And tens of miles of lush rainforest in the middle of a ring of Cecelynian sand is something that needs a fair bit of oversight, you know. So I’m in something of a rush.”
For a long moment, Keris blinks at him. “And... what happens when Heaven notices you unweaving tens of miles of Fate and creating a lush rainforest out in the middle of the desert?” she asks, then shakes her head. “No, never mind, not my business.” If he wants to get himself killed by star-chosen assassins, he’s welcome to. “My payment?”
He swings a leg off his chimeric beast, and strides over to the caravan, opening the silk ties. “It’s all in here. The vehicle is here, yours to keep and take. It holds the payment in coin Veil’s agents sent me. I presume that’s all correct. And they told me to tell you that the other part of the arrangement has all been seen to.”
Keris pokes her head into the caravan to check, and sifts through a couple of the crates inside that are, as promised, full to the brim with gold and silver. She suppresses the squealing noise she instinctively wants to make, and nods seriously.
“Alright. Here’s my report.” She hands it over. “The Lap has been losing experienced captains all season - a few of my assassins there have one or two kills left, then they’ll return to Hell or roam free as they wish, leaving no traces. That’ll create some tension with the Realm, so Veil will want to watch for that. I restarted the naval war between Antefar and Ramabah Minah on the Flowing Dune Sea and sank a Dheajense galleon near Antefaran territory that might pull them in as well. And Gem is likely to see the Despot killed and replaced by one of the Great Houses in a coup within the next month or so, possibly before the end of the season - his paranoia’s hit a boiling point and he’s been driven almost to madness by a theft from his vaults and the murder of his favourite mistress. If Veil wants to exert some influence over the new Despot, they’ll want to move soon to have someone take a hand in the coup. Dregi, Cahzor and the other smaller settlements I hit are written up in the report, but those are the three Veil will want to hear about in case of complications.”
He blinks. “I beg your pardon?”
“Oh, and the demon lord Tzale chose to remain unbound, so he may linger for a while,” she adds. “But Veil employed me to cause chaos and disruption down the length of the Fire Mountains, and he’ll pursue that even without orders, so I’ll call that one a freebie for them. The others who chose not to return to Hell at the conclusion of their contracts are detailed in the report. Just get that to Veil, and tell them the job is a success, and that if they want to steer the fall-out in Gem they probably have a grace period of a month at most before someone murders Rankar. Maybe as little as a week, depending on how he takes the assassination of his mistress.”
Cocking her head and smiling, Keris raises an eyebrow. “Was I unclear? I thought Veil sent you to take my report on the job.”
“Oh, no, no, it’s all fine. War between Antefar and Ramabag Minah, trouble in Gem, murders in the Lap... I have it all down.” He pauses, and coughs. “It is hot out here, isn’t it? Would you like to have a drink with me?”
Keris blinks slowly. “If... you’re paying? Why, is there more you need to tell me from Veil?” She pauses, something niggling at her, and re-examines him.
Oh. Right. Not a business drink.
... well, she’s said yes now, so she might as well get a drink and possibly a meal out of it. And it’s not like a peer in another Directorate with a crush on her will hurt, even if she has no intention of letting this go anywhere. If nothing else, she might be able to wheedle a few more things about what Veil’s been up to out of him, maybe get more of a read on her annoying fellow Director.
This is a man who reeks of the Endless Desert and the Hungry Swamp, with only a small note of Pyrian sharpness between the two. Lifeless desert and fecund swamp; an odd combination she thinks. But as she talks to him and he makes more inexpert passes at her, she understands him better.
This is a man who hates the natural world. He hates Creation as it stands. He has a vision of a new world, a world under his sweeping laws, a world of - as he says - demonic evolution, where new men shaped by the better landscapes he crafts will not show the weaknesses and the failings of the current men. He is hungry to change the world, desperate to plunder it of the resources he will pull from the sand-choked south to make the better world he dreams of. And he is a Malefactor, not a Defiler, because he sees the world as a top-down leader. His laws will hammer nature into shape; he will endure the hazards and calamities thrown at him in the name of his vision. He has little concern for the smaller things, the little things - and that is where the Pyre finds its place in his mind.
He is entirely unprepared, the poor man, for the alluring charm of Hell’s Mistress of Ceremonies. She stores the cart with her payment away in her sanctum and he stables his demonic steed in the farmhouse, and they walk into Etiyadi’s capital, where he plies her with expensive drinks brewed from the rich fruits of these mountains. She’s beautiful in the shade of the teahouse, and in his lust for her sweet, tempting innocence he winds up spilling more than he perhaps intends about his activities with the Southern Directorate - for she seems interested and fascinated, and has thoughts of her own on demonic ecosystems and the shaping of landscapes that mirror his ironclad certainty. He finds himself promising to deliver her report to Veil with all due haste, so that he can dispense with his current orders and hurry back to his lands to work uninterrupted - and he looks forward to talking to her again, this petite but powerful woman, when Calibration comes around.
“What a fool of a man,” Dulmea says contemptuously in her head. “He will never make Director, for all that he so clearly longs for it. Even your foe Deveh is better suited to that position.”
“He’s sloppy,” Keris agrees with an inward sneer as she eventually extracts herself from his promises to talk to her again come Calibration. His assurances of the great strides he’ll make over Fire that he’ll tell her all about when next they meet run wearily long, but she eventually waves him off on his chimeric steed, her payment safe in her necklace. “He doesn’t think things through. He thinks he can just do blatantly, obviously demonic stuff and ignore the risks of anyone noticing. He misses details - he doesn’t even know where his Director is. Not because they’re compartmentalising information. He just hasn’t bothered to check, or remember. I’m not sure he’s even considered the fact that his rainforest-and-desert ring out in the middle of the Burning Sands is a giant fucking target for Heaven to notice.” She wrinkles her nose. “Forget Director. I’ll be surprised if he’s even still around two Calibrations from now. Deveh at least picked somewhere he can camouflage most of the villages he’s brainwashing.”
“Still, child, he is not your subordinate - and the only thing you will have to watch out for is Veil trying to dump him on you if you ask for their help in obtaining a new subordinate,” Dulmea says drily. “I suspect that being sent to meet you was a punishment duty he did not realise was a punishment.”
“Technically, what I asked for was backing in expanding my division,” Keris replies. “Hmm. Maybe I should ask for a couple of Dragonblooded instead of a junior Infernal. That might give me more leeway in getting someone useful who I can drop in the Anarchy to start building secondary powerbases down there. Saata’s mostly under control with just me, and I don’t think I’d trust someone I hadn’t raised to run my affairs there, but a couple of coin-hire Reclamation-loyal infernalists to extend my reach into the Anarchy would be really helpful.”
“A wise choice,” Dulmea agrees. “Not least because you can claim credit for the deeds of an infernalist underling at the All-Thing, but a green sun prince will take credit for their own deeds.”
“The thought had occurred to me,” Keris grins in sudden elation. “And did you see! Did you see my pay? So much money, mama! I’m rich!”
“You will make your daughter jealous,” Dulmea says with a sigh. “Your daughters. And probably Rathan too.”
“Oh, it’s fine,” Keris dismisses. “I picked out presents from Gem for them all. And Rathan will get that red-moon spear as a replacement for the Pershwan daiklave. He can probably pull it away from Ululaya and aspect it to himself with a few months of work.” She claps. “Yes. This has been a good season. And two new subordinates already!” Hinna, Simya and the men of the family are accompanying her on agata-back, complete with an entire career’s load of luggage and several carefully hidden pet-carriers. “Speaking of Gem, I don’t think you said, mama. How do you think I did?” She bounces on her heels and beams, eager for praise.
“I am very proud of you, child,” Dulmea says warmly. “In just a season, you have spread chaos and devastation and confusion in this region - and no one knows it was you. Few will even be able to make a connection that many of these things were the acts of demons. This is the height of the art of the Artful Melody school, my student. And I am so very proud of you for this.”
Keris’s sigh is the happy sound of a daughter praised by her mother for a difficult job well-done. And if she’d had any doubts about her work this season, this makes it all worthwhile.
“And I’m sure that when we go over the notes I’ve made, we will be able to find improvements that can be made for the next time you are asked to do something like this,” Dulmea adds.
It is raining in Saata when Keris gets back home just a day before the new moon, and it is lovely. The skies are pouring down monsoon rains upon the city, momentarily washing away the filth and the smoke, and in the humidity and the sound of falling water, she feels alive.
“Oh it’s a long waaaay,” she sings, dancing through the door to her townhouse residence and spinning around to make her skirts flare out, “toooo the Laplands! It’s a long long waaaay to the sea! It’s a long waaaay! To your waiting hands! But that’s alriiiiight! By meeeee!”
Giggling hysterically, she lets herself collapse, dizzy and more than a little drunk, onto a chaise lounge, and realises only a few seconds later that it squeaked. Another couple of seconds thought puts together that the soft warm squishiness under her head is not, in fact, a cushion, and she cracks an eye open and looks up at a dark face peering down at her over a generous chest.
“Oh,” she mumbles. “Hi Seresa. M’back.”
“Oh, look at you,” Seresa says, concern on her features. “You look exhausted. And you’re drunk, too. Have you been working hard all season?” She sits up slightly, letting Keris rest her head on her soft lap. “You must be exhausted.”
“Very hard,” Keris nods sadly. “I had to... to find a thing in the Lap, an’ then not use the thing ‘cause it’d’ve kicked off a naval war with the Realm, an’ then find another thing to start a naval war that I did use, but not in the Lap, an’ then I was playing a little mistress to the Despot who was, just, the worst, but I killed myself an’ made him crazy and stole so much money, seriously, so much, an’ there was a Moon-Chosen who tried to hit me with her scythe but I stole it instead, and it was hot and I got sand everywhere, an’ Veil’s an asshole.” She yawns, her jaw almost unhinging to stretch wider than any mortal’s could. “Mmph. Remind me next time to ask for more money. An’ it didn’t have Sasi. My job in the Realm had Sasi. S’unfair, making me go away from home an’ kill people all season an’ not even giving me a Sasi to cuddle.”
Seresa wraps her up in a warm, sweet-smelling hug that’s soft and giving and clinging. “They ask too much of you,” she says, a little hitch in her voice. “I was so worried about you, being out there all alone. So many of the people I know are parts of you and if something happened to you, they’d be gone too. Our masters work Sasimana too hard and they work you too hard here and I do worry, I do! About both of you!”
Keris reaches up with a limb that is probably a hair tendril and pats her on the cheek. “Don’t worry,” she soothes, only slightly slurred. “S’fine. I wasn’ in any danger. Mos’ dang’rous thing I fought out there was th’baby Lunar, and she was,” she snorts, “just a baby. No chance of me going an’ dying on you. See? Feel.” She takes Seresa’s hand with the probably-a-hair-tendril and pulls it to pat Keris on the stomach. “No new scars. M’not banged up at all.” Another yawn splits her face. “... could do with less work, though,” she concedes. “Mmph. So tiiiiired. Work work work blah blah blah. And urgh. Had to play pretty and dumb and bat my eyes at that Despot. Foul slave-owning fucker. Felt dirty.” She sniffs, her celebratory mood turning maudlin.
Running her fingers along Keris’s probably-hair, Seresa pets her. “Work is overrated,” she tells Keris. “You deserve so many nice things for everything you’ve done. And more than that, I feel just awful that I wasn’t helping you. You’ve been serving our masters so much better than I have. They should be so very pleased with you next Calibration.”
“Mmm.” Keris turns her head sideways, snuggling into Sas- into Seresa’s softness. “That’ll be nice.” She sniffs again. “I’ve got the Scarlet Surrender plays this Calibration. Should’ve given you a role. But, bleh. That’d let everyone know about us peers having souls, an’ then things’d get all hard an’ complicated an’ I’ve not got stuff ready for that yet and bluuurgh.” She rolls her head back and thuds it softly against Seresa’s belly. “Why’re things so hard? Why’ve I gotta do all the organisey stuff so we don’t get trapped? S’loads of work an’ all I get out of it is not-dying. No money or pretty stuff or anything.”
“Things are hard because too much of the world is hard,” Seresa murmurs, lulling, soothing. She looks sympathetically down at Keris, still Tengese in her facial features even if she is too dark to be one of them - anchored as she is in Keris’s ties to the Hui Cha - but in the gloom something about her gentle beauty makes Keris think of some of Sasi’s expressions. “Our masters demand hard actions, but when they are pleased - and they will be pleased with you - avoid hardness. Embrace softness and pleasure, Keris. You deserve it.”
“Went drinkin’, didn’t I?” Keris mutters, somewhat muffled, into Seresa’s belly button. “Mmwhat else’m’I doin’ tha’s soft an’ not-hard?”
“I am here for you, Lady Keris,” Seresa murmurs, soft and giving. “If you want love, if you want someone in your arms, if you want pleasure then I will be delighted to give it to you.” The shadows sing along to her words, slow, languid music that comes from the inky blackness in the room. “Let me comfort you, let me attend to you, let me ease your burdens. Because they are all too heavy, my lady, and you have carried them on your own for too long. Shed the things that constrain you, shed the weights that obscure your enjoyment, and I will treat you as the princess you are.”
Keris hesitates. She’s never taken this step with Seresa before - it’s always felt vaguely uncomfortable, like sleeping with a flatter, less human, less complex version of Sasi - a version that’s only Sasi as a tipsy hedonistic drunk, with none of her keen brilliance or Dynastic poise.
But tonight Keris is tired, and weary, and stressed, and a little drunk, and still feels a bit dirty from having to play mistress to a petty slaver for two weeks.
And so, like a reed bending in the wind, she folds, and closes her eyes, and tips her chin up to be kissed and caressed and comforted.
The next few days pass in a haze of inebriated, lusty decadence, as - like a dam breaking - all the stress of the past season comes rushing out and finds an easy passage through Seresa’s bed. She’s not Sasi, but she’s a close second-best and with her Keris feels needed and wanted and she doesn’t judge her or want anything from her that can’t easily be provided with her flesh.
It’s only on the third of the new month that Keris wakes up, feeling horribly hungover, and realises she’s spent the past few days naked and often in a narcotic haze. And right now she’s lying here in the bed of her girlfriend’s soul. Who is also here, similarly naked and also sleeping on her arm.
And gods, it felt amazing.
“Mmmrrgh,” she mumbles, picks herself up with three limbs, aims herself roughly for the bathroom, and totters face-first into the wall.
A few moments later, another “mmmrrgh” comes from the thick carpet, sounding rather more muffled, and a shuffling noise announces the Director of the Lower South West’s departure from the bedroom. The sound of running water echoes out from the bathroom for a while, then there’s a quiet splash, and silence returns to the house.
Almost an hour after that, a considerably more awake Keris trudges blearily back out of the bathroom, looking a lot cleaner and only squinting a little bit at the hateful rays of the Daystar that pierce the curtains to assail her eyes with burning radiance.
“... fuck,” she mumbles, belatedly groping at her neck and then canvassing the bedside cupboards. A minute or two of searching turns up her collar, which she still hasn’t extracted her loot from.
Putting it back on, she goes downstairs to see if any of her children are home.
She finds that the kitchens are currently occupied by Haneyl, who is making - oh, that’s lunch. “Mama,” she says brightly, immediately pushing a plate of flatbreads, chutney, mango and stewed banana into her hands. “Are you feeling refuelled yet?”
“... actually? Yes,” Keris admits. “Oh, and I got you something.” Tapping her collar and opening a door of red light against one of the walls, she disappears inside for a few minutes and comes out with a cloth bag the size of her fist, which she tosses to Haneyl in return for a new plate - the one she went in with already having been emptied. Haneyl immediately upends the bag on the kitchen counter, eyes gleaming at the prospect of a gift, and a huge septagon-cut emerald tumbles out alongside half a dozen smaller gems, all gleaming in the midday light.
“Love from Gem,” Keris says, pressing a kiss to her daughter’s cheek and applying herself to her second plate. “I’ll tell you all about it later, but long story short, I’m a lot richer than I was three months ago, and you’ll have a lot more money to play with when you get fed up with my Directoring and take over and fix my budgets for the foreseeable future. How’ve you been? Calesco said the magistrate left?”
She only gets happy noises from her daughter for quite a bit. Haneyl has even forgotten about the cooking as she admires the lustre and the hue of these brilliant gemstones - and the emeralds most of all. But eventually Keris manages to get her to calm down. “Yes,” Haneyl says, still not all there as she tries to remove the floury fingerprints she left on the gemstone. “Yes, the magistrate. Yes. Someone - who wasn’t me or Calesco, by the way - tried to kill him. Well, actually a lot of people tried to kill him, but one actually got through. He spent a week in bed, as best I can tell, and then left on a ship for the sake of his life. Calesco’s been looking into what he’s been up to. She thinks his secret project was setting up a network of informants and spies, but he had to leave with it only half done. She’s been Black Shawling things, like you told her to.
“I, on the other hand,” Haneyl says proudly, hand on her chest, “have been Emerald Lotus-ing things up. I’m actually headlining at the club right now, mama. New identity, of course. And while working there, I’ve utterly compromised Abhang Zuti - the heir to the Abhang family of the Raraan Ge. He’s quite the gambler, and has even more debts than he had before, which he’s been borrowing from my people.” She smiles wickedly. “He’s been spending a lot on me so he can spend a lot in me.”
Keris wrinkles her nose. “Do you have to put it that way?” she complains. “But, well well. Headlining. I’ll want to see your routine - I’m sure it’s fabulous. And, mm. That spy network will be a pain. I’ll talk to Calesco about it.”
She wraps Haneyl up in a hug. “I’ve very proud of you two for being responsible and careful and holding down the city while I was away,” she says, holding her gaze. “And I’m very glad you’re safe. Well done, sweetheart. And thank you.”
“I’ll send you my bill,” Haneyl says airily. It’s probably a joke. Probably. Maybe. “By the way, Calesco wanted to see you yesterday, but I told her you were refuelling with Seresa and so she grumped off. She doesn’t understand the need for self-care in that way. So she’ll probably be in a mood with you when you do find her.”
Keris sighs. “Alright. I’ll go looking.” She kisses Haneyl on the forehead, and steals the last of the lunch she’d been preparing. “Enjoy your emeralds, darling.”
“Oh, and by the way,” Haneyl calls after her. “Rathan sent a message gloating that he can turn into some kind of giant whale. It’s probably just some silly pink thing, but you’ll need to prepare your amazed face or he’ll sulk for weeks about it.”
“I’ll be sure to!” Keris calls over her shoulder, laughing.
Chapter 17: Fire 774
Chapter Text
The green expanse of the hot humid hell of the Southwestern jungle stretches out as far as the eye can see. Closer to the great rivers, the landscape has been tamed, first by the locals, then by the southern reaches of the Blue Monkey Shogunate’s expansion and then - when those proud dragons left - the people who had lived there all along again. But further away from the rivers, where the land rises into highlands, fewer people dwell - and the ones who do are harder folk, to live in this place.
For in these hills, monsters reign. Not just the hulking tree-bears, the armoured shield-crawlers and the vicious terror-birds that eat man and large mammal alike. No, in these hills, there are stranger things. Draconic creatures that fly through the air, or screech in the night, or lurk in the rivers. Shambling monstrosities, part flesh and part crystal, born - it is said - when the local animals feed in the wrong place. Trees that move, walk, breathe and hunt. Things barely seen in the night sky, whose glowing eyes kill.
Naturally, the demon lord Vali heads straight for where the most disturbing and alarming rumours come from. And as he hacks his way through the ancient growth forest with his blade, followed in his wake by chattering and playful brass-and-lightning children, he can’t help but feel he’s on the right path.
Yeah! Being a pirate sucks! Only a loser would want to be a pirate lord! You have to be responsible for stuff and people want you to tell them the right thing to do and there aren’t ships full of plunder in the right place and all that kind of junk! No, he’d ditched the ship in Gotkong, part of the Kadu Empire. Well, okay, actually the crew had mutinied and voted that he wasn’t the captain anymore, and since he’d been voted off he’d had to respect that ‘cause they’d said they didn’t want to do what he said and he couldn’t change that.
Didn’t matter. Now he’s an explorer! He’s going to find stuff! Explore places people haven’t been before and draw pictures and he’ll show his family the pictures and then not let them see them anymore and that’ll show them! Mum will be super sorry when he has maps and won’t let her have them! And he’ll find treasure and beat up giant local animals and then make friends with the ones who realise that he’s super cool and make badass armour from the ones who don’t! And he’ll... he’ll find ruins and he’ll explore them and they’ll have all kinds of really deadly traps and they’ll probably hurt like hell but that doesn’t matter; he’ll just train and get better and overcome them!
He doesn’t need to be a pirate! Yeah! Pirates are just worse explorers anyway.
“Hey, Vali,” says Boto, one of the new fems he’s made for some company on his trip. The kid is riding a wild deer he befriended along the way, and the animal is already starting to grow brass on its horns. “I went up ahead and there’s a super big... thingie up ahead.”
“Thingie?” Vali asks, distracted from his reverie.
“Well, I mean, the land goes down, and there’s a lot of misty spray and it’s pretty loud and there’s water falling over the edge and that’s what’s loud. It’s going down into a lake. Only, like, a lake that’s lower than everything else around it. That’s what the thingie is going down into!”
“A waterfall?”
“Yeah, that’s a really good name for a thing where water falls!” Boto says brightly.
Working his shoulders, Vali pushes on, leaving a trail of torn vegetation behind him and it’s gotten hot enough by the time he can see the roaring waterfall he’s taken off the armoured jacket he made himself from various animals that tried to attack him.
Boto’s description did not, as it turns out, really capture the oddity of what he’s seeing. This isn’t just a dip in the land where a waterfall exists; this is a weirdly circular depression. In fact, he decides as he approaches it, feeling at the rock, this has been made. Long enough ago that the glassy lip has broken down and wild vegetation is growing up to totally cover the steep slopes that lead down to the lake, but this is not a natural formation.
And his eyes widen as he sees what’s down below! A great sea-beast sinuously ripples through the lake; its sky-blue head, embedded with crystals, pokes out for a moment before sinking back down. Flying reptiles, some feathered and some not, flock around niches in the steep walls. Lifeforms that seem to be half plant and half living crystal graze on the rock around the edge, cutting away at it with beams of coherent light.
“This is...” For once, Vali is lost for words. He’s never seen anything like this before in Creation. Creation can be really boring sometimes with the landscape and the plants and the animals and... well. A lot of things in Creation are boring, really. But not this!
“Huh?” Boto isn’t really paying him too much attention, having just kludged together a net and is now moving slowly towards the nearest little crystal thing, his lightning face sparking hungrily.
Vali continues to try to think up the right words, even as there’s some yelps as the keruby discover that the local biocrystalline lifeforms don’t like being grabbed.
“It’s almost like home,” he manages. It’s not right. But it’s less wrong than anything else he can think up.
Of course he gets to work immediately. He’s no Zanara, but honestly in his opinion that just means his pictures are better at looking like the real world than anything his younger sibling does. Art has gotta look like things. Otherwise, what’s the point?
With a few sketches done from the ring, it’s time to descend the slopes. Probably punch some things too. And let his little friends make pals with the flying bird reptile thingies. Because then they can ride them and get him aerial views of what’s going on here.
Maybe the giant lake snake will try to eat him. It’s big enough that if it tries to fight him, he’s pretty sure he can go dragon. And that’d be awesome. Lightning drips from his hair in fat sparks at just the thought of getting to fight a lake snake when he’s a dragon.
It is almost noon on the third day of investigating the strange depression and the waterfall that pours into a lake but doesn’t emerge out the other side when three of the fems come swooping in on their newly befriended steeds that they’re calling rainbow birds. “Vali, Vali, Vali!” calls out Yosoca, throwing herself off her bird even before it comes to a stop. She hits the ground hard, but rolls over and over and dusts herself off, bouncing up and down on her toes. So she’s fine.
“What’s up?” he asks her.
“Well...”
“We found-”
“Shut up shut up shut up,” she snaps at her companion, “I got here first so I get to tell him!”
“Tell me what?” asks Vali.
“We were racing and we were going really fast so then we thought that the coolest one would be the one who goes through the waterfall so we went behind the waterfall and Vali Vali Vali there’s buildings and stuff behind there hidden behind the waterfall Vali!”
“Behind the waterfall?” he asks, eyes widening in glee. Of course! Speaking as the one who made the Spires, all kinds of cool stuff can be put behind waterfalls! And they keep Eko away from those places, because she finds them too loud! Damn, why didn’t he realise that Creation could be as clever as him?
“Yeah yeah yeah!”
And so he and his demons begin setting up a path to get behind the waterfall. Vali tears down trees and shapes them into planks, drying them so they’re as tough as stone with the binding force of his lightning. The femkeruby get to making tools, and with their tools they make more tools and by the time they have enough planks to work with, they’re already stringing up rope gantries. For even though these femkeruby have never seen the Spires, working in such conditions is fundamental to their nature - and anyway, this is way more fun than just walking after Vali.
On the fourth day of construction, they have a proper descending wood-and-vine-rope system of gantries and rope points, passing under the overhang of the waterfall. And when Vali follows the path down, listening to the excited babbling of lighter-than-him fems who have already seen what was down here, he finds a hidden wonder.
A city, ancient beyond belief. Only the inhuman massive bleakness of the vast stone towers and ramparts have allowed it to survive the battering of millennia of water - and even then, the structures closest to the waterfall are smoothed beyond recognition and half-flooded. The light doesn’t reach too far, picking out the nameless stone labyrinth full of strangely geometric buildings, but there are patches of light elsewhere in it. The light is not a flame, but instead is a soft blue glow, of some peculiar bio-luminescence. The buildings it reveals are far from equal in size, with a honeycomb-like arrangement of covered paths surrounding cubes, spheres, pyramidal stepped roofs, and other such forms. At some places there are raised bridges, linking buildings outside of the hexagonal roads, but time has taken its toll on them and many are now broken. And atop other places, gnarled vegetation has entirely subsumed the structures, and then withered and died - perhaps from lack of light, perhaps for some other reason as yet unknown.
Vali’s reaction is simple; he cracks his knuckles.
“Oh fuck the hell yes,” he breathes.
It is typhoon season on sinful, ecstatically corrupt Saata and that means that the pirate lords and priests who make up society spend the season socialising, revelling, and planning assassinations against one another. When the weather is like this, warfare cannot be conducted on the waves and thus a quieter war is in full force. The firedust rockets here are words and whispers, knives are used more often than cutlasses and machetes, and the flags of war are silken garments.
Take for one the merchant princess Xisa Faso. She arrived back from distant parts only right at the end of Wood, and immediately threw herself with almost manic energy into a season of parties, galas, and fetes, dressed in a truly novel and eye-wateringly cutting edge array of fine garments. Somewhere, a merchant princess - who was in all regards very much a minor third-rank in those matters - had managed to secure the talent of some incredibly talented and mysterious tailor and the fact that she wore a different example of these incredibly rare and high fashion garments to each party was considered to be an incredibly effective flex that saw her invited even to parties of the first rank on the Saatan social scene.
Indeed, when Hui Cha Little River is invited to one of Xisa Faso’s suddenly higher status parties, the high society of this city of scoundrels are both amused and delighted that the Hui Cha matriarch’s cripplingly shy and odd daughter Atiya talks at length at the intricate detailing on Xisa Faso’s mist-thin overgown and how perfectly the panelling hugs her form.
Of course, such an elevation in status is followed by a number of very public and high profile affairs, and that only reinforces the view of Xisa Faso as both a maneater and almost certainly the bastard of some Dynast who’s inherited her sire’s tastes in those concerns.
They’re almost right. Most of those things are indeed true of the demon lady Haneyl, whose false face in Saata Xisa Faso is doing very nicely indeed.
Little River is caught in the cruel trap of clashing impulses. On the one hand, she’s very proud of her daughter for creating such beautiful work. On the other hand, she can’t express that, since Little River is a stiff, uptight Tengese noble who disapproves of such loose women, even if Xisa Faso is her landlady for her city residence. On the first hair tendril, she has to deal with the fact that Haneyl’s outfits are in fact better than hers, and that Xisa Faso is upstaging Little River’s own schmoozing. And on the second hair tendril, Haneyl clearly knows it, and is directing the occasional smug smirk at her whenever Atiya starts on a new lecture about her colour choices.
It doesn’t help matters that she can hear more than a few people sniggering in the corners at how the infamously stuck-up Golden Crown’s own daughter is forcing her to smile and make nice with a woman she at minimum disapproves of for all her affairs.
Haneyl can’t hear them, but seems to have divined their existence anyway, judging by the smugness of her smirk.
“Have you heard the rumours about Atali Manon?” Xisa Faso asks Little River, lowering her voice slightly - but still far from enough that she can’t be overheard by everyone who’s positioned themselves here to be able to hear such conversations. “Of the Atali family? They say she’s taken a rather... peculiar turn?” Her tone, that of a gossip-monger. And actually sounding remarkably like her first cousin once removed to Keris’s ears.
“Quite shocking,” Little River agrees, pursing her lips. Zanara has been a busy little thing these past few seasons. After bringing the Despot of Ca Map back into line, they’d taken over teaching the Gulls while Keris was off on her mission in the South - and they’d returned to Saata with an artbook made in emulation of Lilunu’s. This one, however, was a themed artbook of the deep sea and the ocean creatures of the Anarchy that all but dripped corruptive magic to Keris’s eye, maddening and mutating anyone who read it for too long.
So naturally the fucking thing had “gone missing” within a week of Zanara proudly showing it to Keris, and while she’d told Elly to task a couple of younger fogsventkae to track it down, they’d had no luck in doing so. To make matters... not better or worse, but more, the whole thing had apparently galvanised Zanara, and they’d promptly whipped up a new identity as a portrait artist and started doing paintings for some of the wealthier middle class city residents. Atali Manon was their latest project, and Keris rather suspected Zanara had taken inspiration from her stories of what she’d done over Wood. Particularly the new spell she’d learned from Claudia. The woman was acting strangely nowadays, and voicing support for much “prettier” views and causes, as Zanara would describe them.
“One wonders,” she adds with a disapproving sniff, “what she’s gotten herself into. Perhaps some bad influence from the south, or a break with her family.”
“Well, I heard she has a new circle of friends,” Ba-le interjects, drifting over with a broad grin on her face and not even a pretence she hasn’t been listening in. “It couldn’t happen to a nicer lady. She was one of my seniors when I was at temple, and she was a vicious thing back then. If she’s come down with a case of typhoon season nerves, I hope she doesn’t recover.”
“I certainly won’t complain about all the protective talismans and wards against typhoons and Calibration ills that Shining Foam has been producing,” Little River returns with a smile. “Business has been booming - as I’m sure you’re aware, my friend.” Little Bird has proved a capable administrator for her silver smithy, and the sun-over-riverbend stamp of Shining Foam is becoming a hallmark for reliable, good-quality silverwork throughout Saata.
What’s more, her gamble with her apprentices has paid off. Oh yes, her students remember their teacher - and while they might bitch about what a slavedriver she was to them during training, they respect her for the skill she taught them, and they’ve stayed close as they’ve set up their own shops as masters. Their different specialisations have made them distinct enough not to compete too much, and their sharing of work for big projects has let them steal mass-scale commissions from larger shops despite barely having started out.
It’s getting to the point where the Shining Foam complex is getting more keen young silversmiths applying, because they know she’ll let them gain mastery within a few years if they stay loyal, instead of keeping them at journeyman rank for as long as possible to eke as much profit out of them as she can. And as a result, the area around the forge - Ba-le’s land - has been flourishing.
Ba-le beams proudly. Little River knows for a fact that her new dress was paid for by her rent, and it stings somewhat. Not as much as it might have, because Little River put Ba-le in touch with one of her dressmakers and thus the rent in fact came back to Keris’s pockets, but it still irks her slightly. “Of course, of course. And your backer, that esteemed man Jade Fox, has been looking to rent some farmland there. By his word,” and Ba-le’s smile indicates she doesn’t trust said word at all, “he wants to ensure his younger daughters have a place to live that’s closer to the colleges, but which won’t expose them to the sins of our dear city.”
“Mmm. Perhaps it’ll only be a few decades before the heart of Saata moves up to those slopes,” Little River smiles. “And until then, I’m sure Jade Fox’s girls will be quite safe there.” She sips at her drink. “Speaking of the sins of our dear city, and avoiding them - will you both be attending my party at Silver Lotus for the Falling Stars Festival next week? I don’t believe either of you have been since the repairs to the north wing were completed.”
Technically Haneyl has, in fact, been there since the work finished. But Xisa Faso hasn’t - and Keris is quite eager to show off the new look of her estate. Hui Cha Pink Sunrise had been a real find - Little Bird’s cousin, who’d never been given much authority or trusted with any big projects before, but who’d turned out to be nearly as capable as her demon-blessed cousin in arranging work crews and repairs to the slumping walls and stonework of Silver Lotus’s northern wing. Having it finished means the decrepit near-ruin Little River had bought from Lucky Wolf with only the central section inhabitable is now beginning to thrive, with four wings in good repair and only the west wing still ruined. It’s a sign of strength and wealth, and one that won’t go unnoticed by visiting party-goers.
Maybe it’ll even pull their attention away from Haneyl’s seemingly endless supply of dazzling new wardrobe pieces, Keris thinks with a sulky stab of envy.
“Oh, darling,” Xisa Faso tells her mother with a superior air. “I’d love to, but unfortunately I’m already invited as a guest of Xusu Malina to the festival going on in the Anubalim. And the Sinasana parties there are the most famous in the city.”
Little River has heard of Xusu Malina. She’s from the Xusu family - not Raraan Ge, but spice-traders with elemental blood - and she’s a very striking woman with pale blue skin and sea-foam white hair. Her mother, famously, was a sea nymph. She can only imagine what her daughter’s intentions towards that woman are, though she doesn’t really want to.
Ba-le looks like the cat that got the cream. “Indeed, indeed. But don’t worry, Little River. I’ve heard that people are calling your plans for that festival second best, which is quite the compliment.”
A muscle ticks along Little River’s jaw for a moment, barely hidden, and she manages a polite smile. “I see. Well, I do hope you enjoy it - and you must visit some other time, so I can extend hospitality to you.”
Iris, catching onto her arm-mama’s mood, bares her teeth at them from the back of Little River’s wrist and retreats up her sleeve in a huff.
Luckily, Keris is saved from any more slights by the entertainment - which is the main reason she came to this particular party, in fact, Xisa Faso’s newfound status aside. Haneyl decided to hire the Jade Carnation to provide entertainment, and the girls and boys are demonstrating the work of two seasons training from Cinnamon and Zanara under Black Shawl’s guidance. Turning from the conversation, Little River folds her hands behind her back and watches neutrally, keeping an ear on the crowd’s reactions to the new talent her fledglings are displaying.
((/r 10d10s7c10+1 #GullsOnStage))
((EarthScorpion rolled 8 <5; 10; 4; 10; 9; 10; 6; 1; 4; 2> #GullsOnStage))
The response is incredibly gratifying, because her Gulls are giving a performance that’s better than any she’s seen before and she’s the one who trained them. The little edge of fear from knowing they’re in front of pirate lords who could theoretically have them all killed if they’re bored must be pushing them to excel. Not a voice is off-key, not a step is off the mark. It’s the kind of performance one would expect from the spirit-blooded dancers at the Anubalim. Maybe even - daring to think it - some of the dragonchildren who are the most famed entertainers in the city.
Little River doesn’t crack a proud smile or start smugly lording it over all the nearby partygoers, but only because Little River has no official connection to the Jade Carnation and therefore no reason to do so. Internally, Keris is crowing. More so because it’s the Duel of the Dragon and Monkey - one of the last dances from the opera based on the Blue Monkey Shogunate she wrote.
Well, technically she more oversaw it being written than wrote it herself. Cinnamon set a lot of the authentic history bits as training tasks during her season of travel and training, focusing more on overseeing their dramatisation and choreographing. But the end result is an opera whose total running time would be half a day or more, which you can pick up more or less anywhere and get an enthralling performance that appeals to uneducated viewers for the passion and beauty of it, while offering anyone with a knowledge of history a treat as they pick out the real events that the abstract dances and memorable songs reference.
Whoever’s playing the role of the Third Scarlet is doing particularly well, Keris notes, and nudges Dulmea to make a reminder for her to get his name from Calesco later. The operas as a whole strike a careful note that doesn’t cast the Realm as villains, but still honours the noble, brave and ultimately doomed struggle of the Blue Monkey Shogunate in their rise, their war against the Scarlet Dynasty and their eventual fall. The Third Scarlet, on the rare occasions he appears on stage, is a particularly tricky one that needs a lot of charisma - but this boy is pulling it off in spades, giving credit to the Dragonblooded lords who oppose him while still making it clear why they failed. She’ll have to mark him as a good casting choice for some of the earlier operas during the rise of the Blue Monkey, and their battles against the ancestors of the Raraan Ge.
She has reduced some of the Raraan Ge in the audience to tears. Actual, real tears. Well, okay, mostly it’s just Catali Meda and he infamously idealises the old Shogunate and brags about his ancestry and ties to them, but definitely some of the Raraan Ge lords in the audience at this party are watching with keen attention.
“Surprisingly tasteful fare from a pleasure-house,” Little River comments quietly to her companions. “I had heard their performances were more along the lines of debauchery than history. And they’re better performers than I’d been given to believe.” She purses her lips again. “I might have to consider... mm. Well. We’ll see.”
“I had been hoping to see Emerald Lotus here,” Xisa Faso says, shaking her head. “I heard she headlined all last season and was the most beautiful woman who’d ever been on stage there.”
Waiting for a moment when Ba-le is looking at the stage, Keris shoots her daughter a wordless look of deep exasperation and a subtle eyeroll. “Perhaps you should see if you can hire her for a private show, then,” she says tartly. “No doubt it would be well within your tastes. And budget.” Indeed, Xisa Faso is doing quite nicely for herself, having weathered the disruption Ragara Midari caused with barely a ripple - or at least with far less of a bump than the many, many people who’d fled Saata for the duration of his stay.
“I wish I could, but she seems to have moved on,” Xisa says with a pout. “I’d love to have her at one of my parties. Probably not the kind of thing you’d be interested in, though, Little River. You’d probably consider them ‘a little risque’.”
“A little more than a little, I suspect,” Little River says stiffly. “And I have a few more faces here I’d like to talk to before people start slipping away. Xisa Faso. Ba-le.” She inclines her head politely. “A pleasure.”
She leaves them to watch the rest of the play - partly because there are, in fact, a few more faces she wants to schmooze with, and partly because Black Shawl’s subtle glance and slightly inclined head from the wings of the stage communicated that she had news of how the Jade Carnation’s new god was doing in the recent series of performances they’d been putting on. Sliding backstage to become just one pirate lady among many, Keris makes her way through the crowds and into a dark corner hidden by the curtains, where Calesco is already blending into almost unnoticeably.
“I see my big sister is being utterly shameless,” Calesco grouches. She may be taking it a little personally. She was trying to raise Black Shawl’s profile here, but she keeps on being shown up by Haneyl’s efforts this season.
“I know,” Keris grumps. “She was going on about how Emerald Lotus was so amazing as a headliner and how she was sorry she’d missed her and how she’d been the most beautiful woman to ever grace a stage when I got away. Bleh.” She wrinkles her nose. “Alright, what do you have for me? Fantastic work, by the way. They’re doing an incredible job - I genuinely didn’t think they could perform to this level, even having taught them. You should be proud of this. Especially... who’s playing the Third Scarlet?”
Calesco bows her head. “That’s Phuu. He was one of the men from the Pink Fox Club. They’ve been doing incredibly well. I’m,” her voice softens, “very proud of them all.”
“You really should be. Definitely give him more leading roles. He’d be fantastic as one of the Raraan Ge lords who fought the early Shogunate in the Blue Sun Ascendant.” Which hadn’t been her choice of title for the rise of the Blue Monkey Shogunate, but she hadn’t been able to find a good enough excuse to reject it when Herran had come up with it. Stupid clever students exploiting her fondness for them. “And our new divine sponsor? How’s he been fitting in? Any trouble?”
“Ludvo is a self-indulgent fool who’s already offered his ‘divine favours’ to quite a few of the boys and girls who want a blessing,” Calesco says acidly. “But he’s doing his job. I don’t have to like him. And he’s holding up to his end of the bargain to provide some of our demons with unpaid divine jobs. Well, of course he is. It means he doesn’t have to do a lot of the work.”
Keris shrugs. “Well, self-indulgent I can tolerate as long as he’s giving us cover. It’s helped the Carnation? Having an official god and shrine and all that?”
“Yes. It gives us,” she clearly means the demons, “cover for being here, and he’s pushing back hard at anyone trying to muscle in on our turf around the place.”
“Good.” Quietly, Keris catches Calesco’s hand and squeezes it fondly. “Very proud of you for such good work. Give the girls and boys my - Cinnamon’s - congratulations. And something nice as a bonus; your pick.”
“Of course, mama.” Calesco shuffles in place. “I think we’re in a lot better place than the start of the year,” she says carefully, and then shakes her head, a black strand of hair escaping from under her veil. There’s a single white hair in it. “I can’t believe I’m coming up on my two year anniversary as your student.”
“Speaking of which...” Keris starts, and then hums contemplatively. “Well. We can talk about that later. But I may have some new things for you to do next year. Bigger plans I’ve held off on up until now.”
“Way of Blue things, or... other things?” Calesco asks carefully.
Keris’s smile is a flash of white in the dark shadows. “A little of both. But for you... call it a trial for priestesshood. Your second anniversary might mark the next big step in your training. Perhaps even your official vows.”
“I should be pleased,” Calesco says drily. “And yet I can’t help but feel afraid. Oh, and another thing. I heard that there’s someone from Triumphant Air in town. I looked into them because I was worried it was tied to that dratted magistrate, but no, it doesn’t seem to be. They’re just looking to hire some famed dancers and entertainers to put on a grand show for an inspection of the shipyards there by an important figure in the Navy.”
“Interesting...” Keris muses. “Alright. We’ll talk later. Love you, sweetheart.”
Squeezing Calesco’s hand again before stepping backstage, she slides back out into the crowd to make her reappearance as Little River and talk to the people who need talking to. She has introductions to make, conversations to have and a flag to show at as many events as possible before she leaves for Hell.
And this is the last chance she’s going to get for a while to be a relaxed member of the audience in a big show like this, rather than the performer who all the pressure is on.
A few days later, as storms rage outside, a much more serious and less playful event is occurring among certain high-ranking women in the Hui Cha. Not Little River, though, of course not. That woman is far too uptight and too traditional in her own way to be part of this. And a dragonchild like her doesn’t understand the need for power.
Not like the members of the Cult of Nululi.
And it is a momentous day for them.
The statue of Nululi has been moved back to stand against the wall, her hands laced together, looking upon the work in the centre of the room with a proud maternal smile. Two intricate circles have been laid out in opal dust and powdered silver, linked by many curving lines of crushed pearl and coral, brine and mercury, wax and clay, paint and white sand, all braided together over and under one another without ever truly mixing.
Small icons decorate the borders of the two great circles, the lines of opal and silver dust parting to loop around them and include them in the arcane geometries. Many are tiny icons sacred to Nululi - an opal cat, a woman of rainbow-painted white stone, a locket containing her picture - but there are also other things. A childhood toy of Scarlet Blossom’s marks the point on one circle furthest from its partner, while the opposing point holds a soft-shelled egg the size of two clenched fists. A favourite ring and a sheaf of property deeds mark things one circle’s occupant cares deeply about, while an angled eyeless mask of chitin and a Spirebronze and Seashell necklace are placed reverently on the other.
In one circle stands Scarlet Blossom, nude and quivering with eager anticipation, her hands fisting and clutching at her bare thighs as Cinnamon paints careful lines of oily paint across her body. In the other, Baroness Deldelia of the Isles reclines in her clamshell, a pair of her dragonfly wolves perched on her shoulders. She’s humanoid above the waist, though she has six arms instead of two and compound eyes like those of a dragonfly. Beneath the waist, though, she resembles an enormous dragonfly nymph, her abdomen soft and segmented and legless. Her skin gleams wetly even out of the water as she is, and her clamshell - the size of a small rowboat - has been polished to a gleaming shine.
Scarlet Blossom’s fellow cultists watch from the edge of the room as Cinnamon works, whispering to one another in fascination and awe. This is to be a great working; a blending of their fellow sister and this demon - a noble of the hellish realm from which she hails, who has volunteered to become one with Scarlet Blossom, to sacrifice her flesh to enhance the human woman’s and take up residence in her mind as an adviser and guide. A miraculous transformation made possible by the power and grace of the demon princess they worship.
Deldelia trembles slightly; a mix of exhilaration and, yes, fear. She knows what this entails. That she is giving up corporeal form. That once this work is done, she will exist as a voice in the head, a second personality which rarely emerges. And yet, this position will also have a power of its own, something more than a baroness in the Sea. More than that, it is power not just for her, but for her breed.
It is known that the keruby see favour above and beyond the other demon-breeds of the All-Queen. Often, this is good - even desirable, because it means that their silliness and their whimsy is diverted into their unending petty power struggles and games to please the royalty, which leaves everyone else free to do the things which actually have to be done. But that means that all the highest nobility are keruby too, and the favour of the royals almost always falls upon them. This way, the All-Queen will see what an anaxari can do!
Tenné Cinnamon - or rather, High Queen Keris, as Deldelia knows her to be in truth - finishes painting the occult markings on the skin of her host-to-be, and begins adorning her with the various unguents and jewelleries that the rite will consume. Deldelia has spoken to Scarlet Blossom, of course - the High Queen insisted that they know each other well before taking this permanent step, and while the mortal is a little over-devout, it’s nothing that a resident of the Isles isn’t used to. She’s otherwise tolerable company, and shows a particular fondness for familiars - both the living tattoo painted upon her skin, and Deldelia’s own dragonfly wolves, who will be well-looked after when passed over to her care.
Still, Deldelia can’t help but hesitate for a moment when the High Queen turns to her and steps over the intricate lines of precious reagents to start inking the last preparations for the ritual on her soft skin.
“Are you still sure you’re willing to do this?” she asks in low tones. “I won’t say that backing out at this late a stage would be without cost, but I’d rather waste a few hours of set-up and the ingredients we can’t recycle than have the ritual fail. If you aren’t committed to this, you’ll be risking your life and hers. If you have any doubts, no blame will fall on your head for voicing them.”
“I’m scared, but I know what I’m doing,” she tells the All-Queen. Her fear is mixed with ambition. “I will proceed.”
Keris nods - and nods with a hint of a proud smile. She finishes the paints, steps back, and gestures to the Ladies, beginning to lead them in song. Some of them are flagging a little - it’s been six hours of work since sunset, and while most of the ritual work has been Cinnamon’s, she’s included them as assistants and a chorus of singers to bid the two-to-become-one the best of luck in their joint transformation. Spreading her arms and hair wide, Cinnamon begins to incant in Old Realm; a language the Ladies don’t understand - but which Deldelia does.
She calls on Nululi - and her true name, Lilunu. She invokes her authority as High Queen and origin of Deldelia’s world, and as the princess of Hell to whom Scarlet Blossom has pacted herself. She invokes the Chrysalis that the Queen Regent Dulmea bore to her own ascendance, and imbues Deldelia with a fragment of that titanic power and potential. And then, blazing with regal majesty, she commands the anaxari to become the seed of metamorphosis, and transform the mortal before her into something both demon and human, and yet neither.
The watching chorus of singers - coached on lines they do not truly understand - marvel as the demon’s form breaks apart. The air within her circle ripples like a heat haze, until she’s more a smear in the air of dragonfly wings and compound eyes and colour that splits and parts and flows across the gap between the circles, following the channels laid out in strange and expensive materials. The dust catches fire, burning with rainbow light. The icons and keepsakes melt, or burn, or sublimate. For a moment, within Scarlet Blossom’s circle, she and Deldelia face one another despite the space within the ring being far too small for both of them, and clasp one another’s hands.
And then the indistinct form of the demon settles around the woman and solidifies and hardens into a great segmented shell the colour of a dragonfly cocoon, with six arms held in mudra and a head thrown back in ecstasy or pain. The fires retract in burning patterns across the floor, withdrawing from the now-empty circle into the one around the cocoon, and then run inwards and up the hardened, colour-stained shell, sinking into it at every joint and seam.
The last few wisps soak inside, and then there is nothing left. Nothing save the silent, still statue and the twin dog-sized dragonfly wolves who hover down to perch on it, folding their wings and retracting their spear-like heads to doze and await their mistress’s emergence.
“Is... did it succeed?” Little Bird asks, eyes wide. There’s some fear there, too. Amazement, but she’s scared. And so are the other Ladies, seeing this transformation for the first time.
“It is up to them now,” Cinnamon tells them, moving among them, touching a hand here, brushing a kiss across a cheek there. “Scarlet Blossom is strong, and desires this with all her heart. Deldelia is committed to joining with her. Have faith that they will find a balance between themselves, my darlings, and that Nululi will grace them with life anew together, more beautiful than they were apart.”
The reassurance is plenty successful, for over the time she’s led them into her cult she’s helped shape their beliefs and their thoughts. Smiling Steel, the one who reminds her quite a bit of Anyuu, nods at that reassurance. “Bless Nululi, who blesses us,” she says firmly.
Of course, the difference between Anyuu and Smiling Steel is that Anyuu took it on herself to try to change. Smiling Steel is a vicious killer who joined the cult in part to try to ensure that the Pale Mistress didn’t get her soul on death and the gentling of her around her fellow cult members is something that it took Cinnamon to shape and cultivate.
She’s one of the ones Calesco warned was getting dissatisfied and ambitious - and thus she’s one of the ones Keris primarily addresses her next words to.
“Praise Nululi, for her gifts to us all,” she agrees. “And thank her, too, for she has offered an opportunity to you who have shared this ritual with me and our sister Scarlet Blossom tonight. You have all knelt in worship to our lady, studied her teachings, made yourselves beautiful in her image. Now, those of you who can steal some time away for yourselves over Calibration may go one step further.”
She smiles, and her smile is directed especially towards Smiling Steel and Second Harmony; two of the ringleaders among the cultists who have been getting ideas about worshipping other patrons in pursuit of power.
“My darlings,” Cinnamon purrs. “Nululi is no distant, untouchable idol. She is far from us, yes, across the Endless Desert that separates Creation and Hell. But I have allies who can traverse that deadly expanse, and bear us to the demon realm where our princess resides in splendour beyond mortal excess - a city that dwarfs Saata, made beautiful by her design. She invites you; all of you, to attend her this Calibration and meet her face-to-face, to show your devotion to her teachings and impress her with your artistry.
((Eating the cost to combo Go Get It on the two main problems who aren’t currently being dissolved into soup in a hellish cocoon of infernal sorcery. Also general enhancement against all of them from Keris’s various social enhancers like My Dark Lady and so on.))
((/r 15d10s7c10+5 #GoGetItSmilingSteel))
((Keris rolled 14 <1; 7; 7; 3; 10; 6; 3; 7; 10; 7; 4; 9; 6; 4; 5> #GoGetItSmilingSteel))
((/r 15d10s7c10+5 #GoGetItSecondHarmony))
((Keris rolled 11 <1; 9; 2; 8; 2; 8; 5; 3; 7; 3; 6; 7; 3; 8; 1> #GoGetItSecondHarmony))
((/r 15d10s7c10 #YourDarkLady'sOffer))
((Keris rolled 11 <3; 10; 4; 6; 10; 8; 9; 5; 5; 2; 9; 3; 9; 9; 10> #YourDarkLady'sOffer))
((hahaha, GUD ROLLS))
Cinnamon’s words are thorned barbs that sink into the minds of the two ringleaders, snarling them up with alluring temptation. And what a temptation this is that the demon priestess is making. The Ladies who meet here have known delights they never knew before, had their minds opened with sins of the flesh and of the mind alike, have let their consciousnesses expand with the alchemical compounds offered for their strange rituals. And they have heard what Cinnamon has said; that these are just a fleeting touch of what she experienced in her own tutelage in Hell, that the delights her - their - masters offer can be so much more, that Nululi is the most beautiful woman in the world and would break their hearts if they just looked upon her.
None resist. If they were of a mind to resist, they wouldn’t have been dragged down so deeply into the circles of carefully cultivated wickedness and affront to the Golden Lord offered by the courtesan Cinnamon. And in fact, Cinnamon now must face up to the fact that all her little pets want to attend Hell this year, which will be a nightmare to cover up. One or two might find an excuse, if carefully arranged; she can’t make them all vanish.
The next twenty five hours are a... somewhat taxing ordeal for which parenting a gaggle of rambunctious, cunning and stubborn young children have prepared Keris well. She grows very used to the words “next year” and “our duties here in Saata”, and armours herself against the pleading pouts and tear-filled eyes of her darlings, who are all simultaneously deploying all the wiles she’s taught them in their separate attempts at getting to go.
On the plus side, she’s also feeling rather pampered from all the shameless bribery they’re using to sway her to their various sides. And it’s not all competition. Some of them quickly group up into factions, reasoning that two or three can argue to go together better than they could each argue apart. So at least her little over-successful pitch has fostered some more bonding between her ladies.
... yeah, she might be clutching at straws to find a silver lining there. It’s the best she can come up with, especially once the time approaches for Scarlet Blossom to hatch - and undoubtedly add her own pleas to the growing pile that’s giving Keris a headache.
“It’s not your fault,” Seresa reassures her, straddling in bed in her own very special attempts to coax away Keris’s worries and concerns about this. “Of course they want the delights of Hell. I want them. They wouldn’t be as good as you, my lady, but they’d be a very close second. And,” she leans in to kiss Keris on the nose, “you’ve done such a good job of bringing them to faith in our masters. Sasimana will be so proud of you! Just like I am!”
Keris huffs, pretending to try to hide a pleased smile without moving her hand from its place between Seresa’s legs. “Yeah. Well, Scarlet Blossom will be out in a few hours, and she’ll add her voice to the group... but I think her, Smiling Steel, Second Harmony and one other are our best bets for who to take. That’ll leave more than half the cult here, and get our main troublemakers rapped on the knuckles. I’m just trying to decide between Golden Child, Little Bird and Shy Doe for the last. Golden Child and Little Bird are more senior, and they make a good case that they deserve it... but they’re also pretty loyal and in no danger of straying. Shy Doe balked at demon-worship when she first joined, and even if you lured her into it... mmm, I dunno. My gut tells me to top her heart up full of devotion before her nerve can start to give way.
“Maybe you need to give her some personal attention,” Seresa murmurs to her. “Maybe take her with you? Or give her a full time penury courtesan. They’re awfully cute.”
“Hmm,” Keris says noncommittally. “Or take her along and leave Golden Child and Little Bird in charge of the cult in my absence. I’m sure you can talk them into being mollified by that, can’t you Seresa? Get them to see it as a sign of my trust in them, and promise them that they’ll see my lady next year - and have time to make her many beautiful presents, so she’ll be well pleased with their offerings.”
“I like the idea of leaving Little Bird,” Seresa agrees. “She’s good at handling boring things. And, hmm. Golden Child has her own estate - and her own reputation. If she starts building a reputation for inviting women who like other girls for extended - and very discreet - parties over Calibration, it’ll be easier to hide the absences if there are people who will swear they saw the missing woman at that party.”
That... wasn’t something Keris expected from Seresa. It’s remarkably well thought out and thinking longer term. Of course, no doubt Seresa intends to be at said extended parties, but Golden Child’s estate is inconveniently far from Saata proper. It would be natural for someone to travel out there several days before Calibration, to avoid getting caught out by an inconvenient storm, and not come back for several days later as she sobered up.
“Clever,” she praises, raising an eyebrow. “Alright. See to it. Make...” She purses her lips. “If you can, see if you can get her to think it was her idea. She’ll be a lot more content to stay back and start setting this up if she’s claimed the idea as her own contribution to the cult. And,” the corner of her mouth quirks up as her fingers work a sweet reward, “have fun at the parties she throws, which I’m sure will be a great burden for you.”
“Darling,” Seresa says, kissing away the pursed lips, “I’m a demon lord, remember. I intend to be offering my blessings for their faithful worship. I’m just awfully kind compared to those dry and boring gods.”
“Oh, I can tell,” purrs Keris. “Why don’t you demonstrate?”
Alas, Seresa is only able to make her case for about an hour. Then it’s downstairs again, to gather up her pets, gently scold Golden Child and Forest Child for getting a little too pushy in pleading for their places, and setting up a ritual ceremony to welcome Scarlet Blossom out after her day in the cocoon. Keris is tense. She knows the risks here. If Scarlet Blossom dies, it’ll hit the cult hard. Very hard. She’ll have to do a lot of damage control, and with her schedule as strained as it is right now, it might even lead to her slipping up and letting the cult dissolve - or at least handing it over almost entirely to Seresa for several seasons.
There is an air of nervous tension in the air, despite Cinnamon’s attempts to reassure. Everyone knows what their cult leader said; that this ritual is not entirely safe, and might result in death if Scarlet Blossom’s will is not strong enough. Yet she is one of the strongest of them. If she cannot achieve transcendence, who of them can?
Ahead of schedule, the cocoon cracks. Keris’s stomach falls. No, no, this is too early. But she hasn’t heard any of the characteristic sounds of a mishap. Maybe she’s just taken well to it. Please. Please let her have taken well to it.
((/r 7d10s7c10 #DoTheyLive))
((EarthScorpion rolled 6 <7; 7; 10; 8; 2; 9; 4> #DoTheyLive))
This is what - who - emerges from this chrysalis; not a human, no. But something that can pass as human, or at least as something kin to a human. The face the newborn wears is Scarlet Blossom’s. Her eyes are insectoid compound eyes that gleam Rathan’s red. Below, her body has been twisted; she has six arms, three sprouting from each shoulder. And from her thighs down, her legs are covered in chitin, such that it almost looks like she is wearing boots. An illusion which does not last when one sees the extra joints in her legs and the clawed feet. She’s gained a good half a metre in height; Scarlet Blossom wasn’t a tall woman even for a Tengese woman, but this newborn is breaking two metres in height.
“All-Queen,” the creature breathes reverently to Keris, looking up at her with those new eyes.
Keris is on her immediately; listening for a heartbeat (yes, mostly human there), and already mapping out her rebuilt chakra nodes which are neither human nor anaxari. But they sound stable, and as the seconds tick by there’s no sign of flesh sloughing from bones or a catastrophic corporeal rip.
“Scarlet Blossom?” she asks, helping the new creature stand and balance on her new legs. “Deldelia?”
Eyelids flicker over the new compound eyes, closing horizontally rather than vertically. “Yes... yes, All-Queen... Cinnamon.” The creature sways unsteadily. “You... I am Scarlet Blossom, yes. And... and Deldelia is in my head. But I remember... I remember my land. And my dragonfly wolves. Which were hers. But now they’re ours. Mine.”
The two giant dragonflies settle on her shoulders, extending their eyeless spear-like heads to nuzzle her - though much slower than the arrow-like speed with which they can launch them forward at foes. Their glittering emerald wings quiver as she strokes them, and Keris smiles. Good. Deldelia will be pleased that her... pets? Familiars? She’ll be pleased that they’re looked after, regardless.
The time for weaving Scarlet Blossom’s new flesh into a disguise that resembles her previous, mortal form can come later. For now, Tenné Cinnamon turns and spreads her arms wide.
“Sisters!” she says, her voice joyful and delighted. “Darlings! Our Scarlet Blossom has transformed, and transcended! Come, let us welcome her back into the fold, and rejoice with her at the new form she now wears as her own! Praise Nululi!”
This is the promise Cinnamon has made to them, the promise of transcendence, of shedding humanity and becoming an immortal creature such as this. This promise is realised now, and the Ladies look upon their reborn compatriot and know that truly, it is possible.
Keris hasn’t told them that Deldelia can take control any time she orders it, or that as one of her demon-progeny through Rathan, she can command obedience. It would only concern them. And she doesn’t plan to do that anyway. It’s just an option that’s there, should she need it.
Scarlet Blossom has what she wanted, anyway. For she is the first of the cult to achieve transcendence, and this means the power she gets from this is not purely spiritual. She’s not just Hui Cha Aranya’s subordinate now; she outranks even Golden Child in this cult now.
“Yes, rejoice,” she says, quieter now, as the cult gathers round Scarlet Blossom, touching and stroking and exploring her new body. A smile plays about her lips, knowing and mysterious. “And may we all be so ascended by Nululi’s grace, if that is our desire.”
In the days before her planned return to Hell, Keris returns to the hidden highland valley of Zen Daiwye. She has things to do there before she sets off. For one, she wants to see her brother - whose courtship of the local woman Hilthr is continuing, she discovers, and that they’re planning the wedding for next year.
“We know you’re going to want to be here,” Ali explains to her, “and you’re always away in Air, so we’re thinking something later.”
Keris bites down on her first response, which is to pointlessly try to explain Zanyi, and her second, which is to protest that this feels a bit too soon. She can’t help but squirm, though. But she knows that Ali knows how keen for family she is, how welcoming, how much Eko and Evedelyl are parts of her. If this were any other situation - if this were Xasan finding a husband who loved him - she would be all over this, eagerly supporting him finding happiness.
To Ali, it’s been eight years since Hanily’s mother died. If she baulks at him looking for love with another woman, he’ll want to know why. And he’ll conclude - he’ll be forced to conclude - that it’s either a problem she has with Hilthr, or a problem she has with him.
It wouldn’t be betraying him, not truly. Nor would accepting this marriage be a betrayal of Zanyi, not when she’s accepted him moving on. But it’s close enough on both counts that Keris can feel the pressure of her Bans squeezing her between them, like a vice pressing in on her ribs and making it hard to breathe. She empties her cup of rice wine to hide the creeping, crawling discomfort, and has her face schooled into a grateful smile by the time she puts it down.
“That sounds great, Ali,” she says in an only-somewhat-strangled tone. “Maybe, uh, sometime in Water? I’ll probably be gone over Earth as well. I’ll be sure to bring a present, of course. Any hints of what you might want?”
“I... have no idea,” he says, a little bit of tension leaving the air that Keris hadn’t been able to see before. “You’ve already given me so much. There’s no need to make everything so grand. I suppose I’ll talk it over with Hilthr. But... could you talk it over with Hanilyia? She doesn’t quite seem to be okay with it. I think some of it is that she doesn’t want another baby around the place, and Hilthr has her son.”
“Of course.” Keris promises, then pauses. “Uh, though... what about Aiko? Has there been any - well, any more - competition there?”
Ali nods. “That’s one way of putting it,” he says wearily. “Aiko is a lovely little girl, but Hanily... well, they sometimes get on, but they rub each other the wrong way sometimes. Especially after you told Aiko’s tutors that Hanily could also join in.”
Ah yes. The tutors. Keris suppresses a wince at that. Sasi had been insistent that Aiko needed tutors to ensure she learned what she needed to. It seemed to be a Dynast thing. But Hanily had begged Keris to be able to join in and she’d given in and told the tutors to do that. She’d thought that’d be the end of it. Apparently not.
Ali reads her expression. “The problem is, well, Hanily really likes the tutoring,” he says awkwardly. “I mean, the Tairan side of our family was always known for being priests as well as smiths, you know, learned people. And you’re so clever too, and she’s a lot like you. She’s soaking things up like a cloth, and she’ll ask me questions about things she learned in the lessons that I’ve never ever heard of. And I don’t think Aiko likes that. She said that Hanily gets more attention than her and always asks questions when she’s trying to listen.”
“I’m quick, not clever,” Keris says ruefully. “Hanily’s got all my wits and her mother’s - uh, and your - intelligence on top of that. She’s as clever as Sasi, I think. Reminds me of when Eko was little.” She sighs. “I’ll go talk to her. To both of them, I suppose, but I’m taking Aiko back to Hell to see her mother, so I can have some private talks with her on the way. Where is she?”
“The orchard,” Ali responds, nodding off towards the upriver end of the island. “She’s been running off there whenever I bring up the wedding. Some of, ah, your little petal cherubs have helped her make a treehouse up near the nose of the flood wall.”
Keris heads off to investigate, ducking through the fruit trees that Haneyl has transplanted from elsewhere on the island and brought to full growth. Sure enough, up near the upriver nose of the island, she finds a large, broad-limbed apple tree with a characteristic szirom-hide up in its boughs, high enough to peek over the wall and woven together from branches and mud, with an entrance only a child could fit through. Darting up, Keris finds a window pointed upriver, and sits herself down beside it. Hanily is inside, sulkily picking an apple apart on the low, uneven table that amounts to just a flat surface tied to the most stable part of the floor.
She doesn’t outwardly react to Keris’s arrival, instead focusing on the apple she’s dissecting, and Keris half-leans against the outer wall of the hide and waits for her to decide she’s ready to talk.
“You’re back. Are you gonna tell me off too?” is what she gets from her niece as an opener.
“Well, maybe for abusing that poor apple, if you don’t plan on eating it,” Keris says gently. “But I haven’t heard of anything else you need telling off for. Why don’t you tell me your side of things, if you’ve been getting scolded? It sounds like you’ve been having a hard time.”
“I’m bored,” Hanily says grumpily. “Things were more fun when we lived with you in your mansion. And my cousins aren’t around. And there’s only Aiko. And she’s stuck up and she whines when I ask questions. And doesn’t like it when I show I’m cleverer than her. Also Daddy shouted at me about the stuff I did with some of the sziroms with the coal and the fire and the boiling off the stuff from the plants they grew and it’s not like I meant to set that tree on fire and anyway the sziroms say setting trees on fire helps them.”
Keris bites her lip as she considers that. “The kind of Swamp-trees sziroms are used to are helped by fire,” she agrees. “Some Creation trees are as well, but not all of them. What were you aiming to make? Food? I know sziroms like their cooking ingredients.”
“Somethin’ I could toss in the river to make stuff explode and make a big splash like they said they do to fish without sitting around being boring holding a rod,” is the mumbled answer she gets.
“Ah,” Keris says, wincing internally. Kerub-explosives and safety are... probably a talk she needs to have with Hanily, but not today. “Well, maybe next time, just remember to do it out on one of the riverbanks where there aren’t any trees nearby,” she suggests. “And from behind a dirt wall. I can give you some tips, if you want. In fact...” she purses her lips, considering. “I might be able to put together some tutoring for you in basic alchemy, if that kind of thing interests you.” One of Tereki’s nimble-handed dogs, perhaps. Hinna had been using them as alchemy assistants, and they could instruct her in some rigorous safety measures in between helping her make things burn pretty colours.
There’s something else that’s nagging at her, though. “Do you get bored very often, with stuff like fishing and chores and...” Keris thinks back to Nexus, to the little irritations and frictions that didn’t go away even at the best of times. “And having to stop what you’re doing to have a meal because you’re not allowed to just have it later or eat it while you’re focused on something? Or having people explain stuff you already know to you, and go on and on about how to do it ‘right’ or ‘safely’ when you know it already and just want to get started?”
That gets Hanily looking up sharply from her dissected apple, in among the demon-made confines of her treehouse. “Yeah! How did you know?”
Closing her eyes, Keris runs a hand down her face and signs. “I... had a lot of the same things, when I was your age. Well, maybe a little older than you.” When she’d been Hanily’s age, she’d been barely a year out of Kasseni’s grasp, newly friends with Rat and still mostly focused on where her next meal was coming from. It wasn’t until a few years later that they’d gotten secure enough for her restlessness and impulsiveness and concentration issues to start rearing their head enough to stand out.
“In some ways I still do have them,” she admits. “I’ve learned how to deal with them as I’ve grown up, but they’re still there. I’m bad at staying organised and I hate doing paperwork. I get bored if I work on one thing for too long, and it gets harder and harder to concentrate on it instead of switching to something else or taking breaks to fiddle with things or slacking off as my thoughts wander. I hate being told stuff I already know when I can’t just interrupt and push the conversation forward.”
Her mouth quirks in a half-fond, half-bitter smile. “Sound familiar? Rat - Rathan and Nara and Ogin’s father - called it being kitten-headed. Like Kali - the bit that gets bored and frustrated waiting around doing nothing and distracted by shiny objects and that wants to pounce on things straight away. He was,” she chuckles sadly, “an asshole like that. Not wrong, though.”
“You mean... it’s not just me?” Hanily is looking at her wide-eyed. “It’s not just that... that Aiko gets angry because she can just sit there doing really boring arithmetic exercises but that’s boring and I want to know from the tutors why numbers work that way?”
“Oh, no, yeah, that’s definitely not just you,” Keris snorts. “Remind me to tell you about how her mother tried to teach me Sorcery at some point. Her way of doing it is all arithmetic and exercises and memorising stuff and I nearly bit through my inkbrush while she was trying to make me do it like that. She got me as far as making it work, but I had to go off and find my own way of casting before I could actually use it.”
Chewing on a hair tendril absently, she traces the family tree back as she thinks out loud. “Ali doesn’t have it, and I don’t think your mother did either,” she says slowly. “But I do. Ali takes very much after your grandfather on our side - I think maybe this came from, um, Maryam. Your grandmother from the highlands - Xasan’s sister. She had that kind of restless impulsiveness, too.” She sighs again, closing her eyes and letting her head drop against the woven branches of the wall. “And sometimes did really dumb things without thinking them through that cost her a lot.”
“Oh.” Hanilyia slides over, offering Keris some of the dissected apple. “What was she like? Daddy never talks about her.”
“That... well...” Keris bites her lip. “There are two halves to her story. I’ll tell you the second half someday, I promise, but not until you’re older, okay? We don’t talk about it because it hurts to think about, and it makes us sad. But, well. I suppose I can tell you what I know about the first half of her story. I don’t remember her very well myself - I was younger than you when I lost her. But she was born up in the highlands of Harbourhead to the Daiwye tribe, and came east to Taira with Xasan as a mercenary after the Daiwye were scattered...”
It’s not too painful to talk about, as long as she doesn’t focus on what became of Maryam, and it seems to help Hanily to know that her grandmother had been a hotheaded, fearless young woman who’d pushed to join the Shah’s armies and who’d thought nothing of the risks. Keris hesitates a little before telling her of how frustrated and confined Maryam had felt, confined to a rural village with a leg that had never healed right, but she goes ahead and shares it anyway because it parallels and validates a lot of what Hanily is feeling right now - and again, she nods and goes quiet and seems oddly comforted to know that it’s not just her; that two generations of women before her have felt the same things she’s been feeling for months when in similar situations.
And she’s positively delighted to hear stories about her aunt, her father and her birth mother as children. Keris perhaps embellishes a little, claiming more memory of Zanyi as a child than she actually has and laundering stories of her wit, her brilliance and her mischievous teasing through the adventures of a boy and his cousin trying respectively to stop and secretly support his little sister sneaking into the forge or bringing home everything from baby mice to injured birds to grass snakes to dump in her mother’s lap. By the end of it she’s hanging out of the little window and laughing, her resentment of Aiko entirely forgotten.
But a darkness still remains. “Daddy told you he’s getting married?” she asks, leaning out the window.
“Yeah,” Keris sighs. “I do understand how you feel, Hanily. I remember Zanyi, and I loved her a lot, so I’m not all that comfortable with him getting married to someone else - even if she’s gone. And I know you don’t want another baby around the place when it’s already boring up here and you don’t get enough attention. But she does make him happy, from what I’ve seen. She cares about him, and I want him to have someone to love and cuddle and go on long icky walks with and be sickeningly sweet to.”
She wraps her left arm around Hanily’s shoulder, letting Iris rise up off it to lick her niece’s cheek. “I know it’s not fair that you have to have this stranger come into your family without getting to say anything about it, but I think of it like... like accepting that what he wants isn’t always going to be the same as what I want, and that I’d rather he be happy and have his own life than go along doing nothing but what I think is best. You’re allowed to have feelings about it, and I wouldn’t ask you to pretend you don’t. Just... think about what you want for him.”
“You’re the only one who told me anything about my mama,” Hanily fumes. “I barely even know her name. Daddy never ever talks about her! I didn’t know anything about what she was like when she was my age. And then she died when I was a baby and I never ever knew her and...” Her voice cracks. “It’s like something is missing. And I don’t think about it normally, but... but when Daddy started talking about marrying someone new...” She sucks in a breath. “Hilthr is nice. Her baby is very loud. But it’s like something is missing and I don’t know what!”
“Okay, come here.” Keris sends her hair sweeping around to the door of the treehouse and pulls Hanily out, carrying her round into Keris’s arms for a hug. “I know, sweetheart,” she murmurs, kissing Hanily’s forehead. “I know what it’s like to miss something you can barely remember. I know what it’s like to wish you knew more about your family but not having any way to find it out. I know what it’s like to feel there’s a piece of you missing that you can’t fill in or replace.” She squeezes the little girl in her arms - eight years old, and already up to Keris’s chest, bigger and more mature every time Keris sees her. “And you’re not wrong, there are...”
She bites her lip, and stops. Hanily looks up and scowls, tears glinting in the corners of her eyes.
“There are what? What is it you’re not telling me? You’re not like everyone else, you tell me things! Tell me tell me tell me!”
Keris groans. Urgh. Why does she have to be weak to her children having faith in her? So annoying. But... this is causing Hanily distress. Maybe... maybe she can be careful and sort of walk around the edges of the issue with some clever wording.
“There are things that are... hard to talk about,” she says carefully. “Look, you know I’m magic, don’t you? And that Fate doesn’t have a very good hold on me. I don’t fit into the weave of Creation like you and Xasan and Ali do. If...” She picks her words carefully. “If there was something I could tell you, but which you couldn’t remember. Something that would... would melt out of your memory gradually after I told you it, because it’s a bit of knowledge that can’t properly exist in this world.”
Hanily is frowning - straining, pushing against the sapping grasp of Fate on the minds of mortals. Keris abandons the hypothetical and goes for damage control.
“Okay, fine, no ‘if’. There is a secret like that. I think part of what you’re feeling is that you’re a very, very clever girl - cleverer than me, and just as quick-thinking. You’re circling the edge of the hole, because you’re clever enough to tell that it’s there, but you can’t get at anything that was in it, because it’s gone. And it’s making this whole thing with Ali getting remarried worse, because you have a gap in your life that your mother should have fit into as well, so they’re building on each other. But if I tell you what it is, I’m worried it’ll melt away again and that you’ll forget me explaining this, and we’ll just be right back at the start with you feeling unhappy. And I don’t want to do that. Everything I’ve told you so far is true. Do you think you can be content with that, and try to hold onto the knowledge that there’s a secret I can’t tell you until I work out how to stop you forgetting it?”
((/r 6d10s7c10 #ThinkyThink))
((EarthScorpion rolled 4 <9; 9; 5; 8; 2; 9> #ThinkyThink))
“You have a secret there,” Hanily says slowly. “And I can’t remember what the secret is.” She bites her lower lip, brow furrowed. “I bet if I asked Rathan, or... or any of the others, they’d know the secret, because they’re like gods. But... but mortals can’t remember it, right? And I... I bet that the keruby and the others can’t remember because they’re spirits but they’re also basically just people and I can trick them and the szels like Mari say I’m nearly as clever as them and cleverer than anyone else who isn’t made of ribbons.”
Keris chuckles. “Very smart. Yes. Aiko and the twins don’t remember either, I don’t think. Hermione knows, and she tried to tell you and Ali and Ogin at least twice that I know of because she got annoyed about you forgetting it. I had to ask her to stop eventually, because it was making everyone upset. You... might have held onto that bit. Remember back in Water last year, when Vali and Xasan were out here building this place? Just after he came out but before he set off for the valley, when he and Hermione were all frustrated and sulky for a week and Calesco was snapping at them both.”
Hanily screws her eyes shut. “No. I... I don’t remember,” she says slowly. “Argh!”
Hugging her again, Keris kisses her on the forehead. “If I find a way for you to hold onto the memory, I’ll tell you then,” she says. “I promise. Until then, can you trust me when I say it’s not something that’ll hurt you or our family? I wish you could remember - you deserve to - but I haven’t been able to find a way to cheat the forgetting yet.”
“O-okay,” Hanily says, hugging back. She stays there, holding on. “I... will everyone be coming back next year? It’s still boring up here in this valley. And,” she nuzzles against Keris, “you seem to find Saata much more fun, aunty.”
“There’ll be more of us here next year, yes,” Keris agrees. “And I’ll spend some more time around, and and take you to visit Saata a few times, and draw up a better tutoring schedule for you that’s less boring and is better for,” she tickles Hanily, drawing a squeal and some childish slapping at her hand, “a kitten-headed student like me.”
She hoists Hanily up on her shoulders. “Now! Tell you what. Oula told me she has something to show off - some big project she’s been working on that she wants to present to me as her teacher. Do you want to come along and watch? If I’m going to be helping tutor you, you should get a look at me being a teacher to see what you’re in for, no?”
In her room in Ahangar House, Oula looks at herself in the mirror. She’s going to be giving a big speech and demonstration in front of Aunty Keris and everyone else. Not just Rathan, who of course would never look down on her. But Aunty Keris has got all her other sorcerers here for this. Hermione is going to be here, and Haneyl, and even the uninitiated students like Yuu and Elly. Aunty Keris is going to make this a big deal for the first student to achieve mastery, and she knows if she mucks this up, not only will it be mortifying, but she just knows that Haneyl and Hermione will be right on her tail to try to be the first one to be recognised as a master.
And she can’t allow that. She’s Aunty Keris’s prodigy, her disciple, her first student. She can’t let anyone else beat her to this!
And that means she needs to look her best!
She picks out her favourite shorts - tight-fitting things of coarse, pale pink cotton and silver stitching that come down to mid-thigh, show off her legs and hug her hips. Then, with the help of her hair, she laces herself into a deep red corset that emphasises her chest and cinches her waist to a level that would be profoundly uncomfortable for a human but is merely a mild squeeze for an artisan. A loose, translucent halter neck top of soft undyed muslin goes on over that; thin enough that her figure is clearly visible through it, but billowy enough that it looks like she’s not trying. It leaves her upper back and shoulders bare, to better show off the intricate tattoo of her love, and softens the deep red of her corset beautifully.
Blowing a kiss at herself in the mirror, she sheathes her black lightning machete to her left hip and puts her hair up in an artfully messy half-bun, and makes sure her make-up is perfect.
It is, of course.
Barefoot, with the silver necklace that marks her as Keris’s student prominently gleaming on her collarbone, she pats the hilt of her machete and nods to herself. She won’t be needing it today. This demonstration is for a different weapon - and a different anchor. And it’ll go perfectly, and she’ll be well-rewarded and get to stick it to Haneyl and Hermione as the first master among Aunty’s students, and then Rathan will pamper and praise her all evening.
Cracking her knuckles, Oula walks downstairs and steps out to take her place in front of the crowd gathered around the shrine in the middle of the yard.
Aunty Keris has worked hard for this. Well, probably not all that hard, and odds are she told other people to do the actual set up, but still, it feels special. There may not be all too many people in attendance, but there are not-quite-wood-not-quite-bone statues here that Aunty seems to have themed around what she feels best signifies a sorceress. There’s a lavish velvet-curtained stage for her, and of course, there are more than a few other statues which are made up like people Aunty doesn’t like and seem to constitute target dummies for testing.
Keris is waiting for her, and hugs her and kisses her on the cheek. She has something to say herself, something about her first student and what she feels this ‘mastery’ means both for her and the school as a whole.
“Students and apprentices of the Kerisian School of Sorcery,” she announces, turning away from Oula to spread her hands and hair wide from the middle of the stage. The talking among the audience dies down as everyone focuses on her. “Family,” she adds with a smile at Hanily and Aiko, who’ve also demanded to be present, “and perhaps future initiates. Almost three years ago, Duchess Oula Montressa took the first step in expanding my school beyond myself. In the heart of Hell, she opened her eyes and took the Third Breath, gaining her name and the power to Shape essence to her will. For almost three years she has been my student, and today she intends to claim mastery. Will anyone say she has not earned this through her own efforts?”
Nobody speaks up, although both Haneyl and Hermione look sulky. Aunty had insisted on including that line, and Oula suspects it’s more meant as a warning rule to head off strife between them than as a lack of faith for her. If the chance to object is part of the ceremony like this, it’s a formal way to stop the race to mastery from devolving into cheating or sabotaging each other’s projects.
“Oula Montressa has created a new spell that honours the nature of what our school means to her, as I made the Wave-and-Fire Rite to honour the strength of bonds between spirit and mortal and how they empower us all,” Keris says. “She will demonstrate this spell for us today, and share it freely with our school - for together we’re stronger than we are apart, and as a master it will be her duty to protect and teach those who follow in her footsteps. This is a joyous day, as will be every day when our school gains a new master, because what benefits one of us, benefits us all.”
Clasping her hands together, Keris bows to her students, who bow back to her. She nods at Oula, and hops off the stage, joining the onlookers.
“Student Oula Montressa,” she says. “The stage is yours.”
With a bow - maybe she should have worn a long skirt so she could sweep onto the stage - Oula takes her position.
“Yes, my master, High Queen Keris Dulmeadokht,” Oula says elegantly. “Fellow students, though I will be leaving your illustrious ranks, I merely tread the path that each of you will in time walk.” She gives her sweetest smile, and moves along. She’s quite aware that while she could well be Aunty Keris’s favourite student, she’s also not a demon lord and both Haneyl and Hermione can be vindictive. She hasn’t quite found the line which is ‘too far’ and inconveniently no one is telling her exactly where that line is, but she does remember the explosion when her Rathan learned sorcery.
“For my mastery project, I would like to speak about the work I have done to demonstrate the power of Aunty Keris’s teaching and the potency of our nascent art of sorcery. But before I explain the backing theory, I would first like to present to you all the product of my work over the past year.”
With a flourish, she raises her forearm, to show to them all the beautifully stylised tattoo of a keris blade along the inside of her wrist. This was all her own work, done with the same knowledge imparted to her by Aunty Keris and Lady Lilunu in Hell. The need to do this herself had limited where she could put it, and she might have preferred to be able to hide it a little better, but needs must.
Resting her hand on it, she exhales and lets the world swirl around her. She can feel the connections, not just of her to the world - which is normal - but from her to her master, and from her master to the other students as well. It’s that strength she draws upon, that power woven into this hierarchy of souls and spirits and students and learning. This shared practice, strengthened by each one of them added to the web. Hermione isn’t even part of Keris, and yet she’s here, unknowingly providing something that Oula can call upon.
Her hair moves around her as if underwater; the tattoos on her back and her arm glow with the light of Rathan’s red moon and reflect Creation’s sun like the Undersea. With a final breath, she pulls all the threads around her and weaves them together, condensing them down into the tattoo on her forearm. The mould for her casting.
And then she draws her weapon from the tattoo. A long-bladed keris, made of a spectrum of red, with an edge that shines with rainbow tones. As it moves through the air it sings like Aunty Keris’s fingers when she plays the strands of time - but this music is coming from the keris as it resonates with the nature of all things around it.
Aunty Keris sits up, eyes widening with interest, and Oula sees the green flash in her eyes and the way she cocks her head, listening intently. The children are very impressed, ooo-ing and ahh-ing appreciatively, and even Haneyl and Hermione are paying close attention.
“The name of this spell?” Aunty Keris asks.
“This is, for the appreciation of the students of the Kerisian school of sorcery, the potent art of the Will-Writ Wave of Rainbow Hue,” Oula announces. The name is the one bit she couldn’t perfect. “And if you observe,” she steps to the nearest demonstration statue, and plunges it into the wood-bone material, “the effects.”
The transformation of the statue is immediate. The blended materials slough apart, the bone rotting away rapidly while the wood sprouts up in new life, taking shape as something which is almost, not quite, a rose vine. At the top of it, a single bud forms, and opens up with petals which are coloured in many shades.
“As observed, the nature of essence is to cycle through the world,” Oula explains. “And thus this blade is a tool which induces that. The bone you wove into this, Aunty Keris, is dead and returns to the earth as nutrient-rich slurry, while the wood harnesses the newly released earth and comes forth as new life. The same would occur to a living being. During testing on animals, I observed that such creatures of blended essential natures simply decompose and enrich the soil fertility. However, on testing on a wild water elemental I had Rathan capture for me, the ceruleanfish simply burst into sea-foam, with a notable surge of water essence in the ambient area which caused an intense rainstorm for a few minutes. Further testing would be required to document its full effects on harder-to-obtain forms of mono-aspected lifeform, but it is my belief that for creatures such as demons, it would likely result in localised omen weather themed around the progenitor-Yozi.”
“What anchor does this require to fuel the casting?” Hermione asks, even as Haneyl speaks up with “How well does it function in combat?”
Keris stays silent, looking thoughtfully at the newly-grown rose and crouching down to touch the slurry sinking into the ground with her left hand.
Oula flips the blade around, tossing it up, and catches it in her hair. “Princess Haneyl, it is a knife as fine as any made of jade.” She brushes her hand against the sheathed machete at her hip. “It is the equal of this weapon,” she adds smugly. “And Lady Hermione, look around. I drew on the strength of our teachings, on the understanding that Aunty Keris has imbued us with. It is proof that her teachings are correct and proper, and we can call on the cycle of the world and aid it along.”
“What would you expect,” asks Keris thoughtfully, rubbing her fingers together, “the effects to be should this weapon destroy a ghost or necrotic construct? Based on the theory behind it, would the released necrotic essence risk opening a shadowland if a strong enough creature of Death was slain - and would you expect it to have any effect on a ghost’s chances of being drawn towards Lethe?”
“For the question of,” Oula purses her lips, “the Dead, I believe a minor spectre will be directed to Lethe, as that is the ‘natural’ flow of such a being. However, it might be able to resist such a fate, in the same way that a powerful demon might be able to avoid it. I am afraid that the consequences on a very powerful Dead being are beyond my expertise and understanding, as well as my capacity to perform field testing on. It is the case of such a powerful one where there might be a risk of some unforeseen or unexpected pollution with necrotic essence; more minor ones pass down the existing natural conduits in the world.”
Keris nods, apparently having been expecting something akin to that. Beside her, Hanily thrusts her hand into the air and waves it.
“What happens if you hit another spell with it?” she asks eagerly, earning an amused look from Keris. “Does it make all the essence in the spell break down so it explodes everywhere in the caster’s face?”
“To hit a spell someone else was casting, she’d have to be right next to them, Hanily,” Keris points out, covering a smile. “If it exploded, she’d get hit too.”
“Oh.” Hanily shrugs. “I still wanna know!” Beside her, Aiko pouts, and Oula recognises the envy in her expression of wanting to ask a clever question of her own but not being able to think of one.
“On testing, it was discovered that while there was some minor effect on summoned fog, it does not unravel the spell on a large enough scale or quickly enough to have any major effect,” Oula announces, feeling very smug that her scrupulous research has allowed her to field these unexpected questions from Aunty Keris’s niece, who does rather remind her of a szel - albeit one who can vocalise.
Keris seems impressed, too, raising her eyebrows and nodding approvingly. “Very well then,” she says loudly. “If there are no further questions?”
Aiko thinks rapidly, then hastily raises her hand. “Do you have all the rules and instructions for the spell written down properly?” she asks, jutting her chin out. “If everyone else is going to learn it, it needs to be...” she hesitates, “... documented right.”
“As part of my mastery project, I will be submitting all the associated documentation and research workings to Aunty Keris,” Oula announces proudly.
“... let’s just talk about that for a moment,” Haneyl says quickly. She shoots a glance at Rathan, who gives a little nod at that.
“Hmm?” Keris raises an eyebrow. “You have an objection to sharing mastery projects with the school as a whole? The point of them is that they’re made for the school, after all.”
“Yeah!” Yuu chirps. “Like I’m sure Keris documented everything about her Wave-and-Fire Rite and wrote it all up properly in a way we can understand!”
Keris’s expression doesn’t actually change, but it does assume a slightly fixed quality, and a hint of colour tinges her cheeks.
Haneyl works her shoulders. “This isn’t about you, Oula,” she tells her in a slightly superior tone. “Your knife spell is very nice. It’s about mama and the fact that her note-taking, note-storing, and willingness to share research materials are-”
“What Haneyl is trying to say,” Rathan interrupts, stepping in front of his sister, “is while we love you dearly, mama, it is true that you’re sometimes a bit disorganised and your notes aren’t kept in best order. And you do have a tendency - with clearly the best intentions - to stash anything you find that might be useful in either your private office, or leave it with grandmother. And while of course we know why you’re doing it to keep it available for you, it makes it very hard for the rest of us to learn.”
Keris opens her mouth, raises a finger, hesitates and then cringes in the way that means Queen Dulmea is adding her own voice to the matter. She drops the finger and pouts, before lifting her head again with a distressingly cunning gleam in her eyes.
“In that case,” she says, “If I officially recognise the Rainbow Wave as sufficient for Oula Montressa to pass her test of mastery and make her a full member of the Kerisian School, her first official duty,” she smirks, as wicked and sadistic as she ever was at her worst as a tutor, “will be for Master Oula Montressa to confer with the students and senior masters of the school and devise a formalised and agreed-on notation for the school to use in all its official records. And then to transcribe a full copy of the current archive into a sorcerous library housed here, at Ahangar House, in the shrine’s sanctum.”
Oula barely keeps herself from gaping. That.. that. is going to be seasons of work. Maybe even years of work. She’ll have to study the weird mish-mash of scripts Aunty writes in and translate them into something flexible enough to cover any possible spell but precise enough to detail the essence-shaping of each working exactly, and she’ll have to talk to Rathan and Haneyl and Hermione and get them all to agree to it. And then she’ll have to sort through the whole cluttered mess of notes and research materials and tomes Aunty has scattered across three or four different places and get a dragon aide to help her transcribe them all into her new sorcerous language.
And she can’t even turn it down because if she doesn’t take this job, Aunty will give it to the others. And as difficult as it’s going to be, it’ll also give her first access to all of Aunty’s notes as she copies them and let her define the language and notation that every practitioner of the school will use for as long as it exists.
“And you’re going to actually abide by whatever we agree on?” Haneyl asks her mother warningly, not caring at all about Oula’s plight.
“Yes, yes, I’ll...” Keris trails off into muttering something that sounds suspiciously like ‘have Rounen learn it and write my notes up for me’, but ends it on a begrudging nod.
“And you’ll be better about keeping on teaching people even once they pass the Trials and not just leaving people to muddle through on their own, if this is to be a proper School?” Haneyl continues in the same tone.
“I... I mean, you’ll have all the notes?” Keris says, cocking her head. “Why, has that been a problem? Once you’ve passed the Trials, it’s just a matter of finding spells to-”
Her gaze falls on Hanily, and for some reason that stops her mid-sentence. She glances back at Haneyl with a strangely searching look, and then nods slowly.
“... right,” she says, distantly. “Yes. Yes, okay. More tutelage on spells after you pass the Trials, too.”
Rathan steps back slightly, and places a hand on his sister’s shoulder. “That’s good, mama,” he says. “We want to make this school of sorcery work, right? And that means we all need to work together and help each other. Thank you.”
Keris’s feathers settle - literally, Oula notices, from where they had fluffed out in her hair - and she shakes herself before returning her attention to Oula where it belongs, this being her mastery ceremony.
“Well then!” she says, hopping back up on the stage. “Oula Montressa, do you accept this station and your first duty as a master of the Kerisian School?”
“Of course I do, my... actually, how do I address you as a fellow master, Aunty?” she enquires, just to poke at Haneyl who was being very rude to Aunty Keris back then.
“‘Aunty’ or my name will do most of the time,” Keris smiles, evidently catching her train of thought. “But when we’re being formal at school ceremonies like this, we will call each other ‘Master’ in recognition of our shared title. And on that note, Master Montressa...”
She gestures at the other practice dummies, still woefully unstabbed, and the Rainbow Wave still humming in Oula’s hair. “We have a celebration to hold! Give us some entertainment, and then we can all go eat!”
“Of course, Master Dulmeadokht,” Oula says, inclining her head respectfully, demonstrating its use again. She brushes the little tree that grew from the next statue. “As a note, incidentally, I’d just like to talk a little more about the tattoo. I made the inks for it from a weapon I ritually destroyed, and used some of the metal to make the pigment. It’s covered in depth in my notes, because I understand that some people would prefer another weapon, but in summary it is the memory-fragment of the metal in the ink that ‘knows’ what shape to form.”
“Interesting,” Keris purses her lips. “Will each caster need to create their own ink, and can they freely break down other weapons for it to get a different shape? Are there any limits on what kind of weapons it could form - a hammer, say, or even a bow?”
“In order, no, the sorcerer themselves would not need to make the ink, but they would need to have it made for them. It’s a fairly easy work of alchemy, something any of my kin could be capable of doing for them. You’d need a properly trained tattoo artist for this, too; again, anyone trained in Temple-as-Body Style could do it.” Oula pauses. “And as for the weapons, I believe there are two limits. Firstly, I believe a bow could be made, but this would not come with arrows. Secondly, I don’t believe our school is yet strong enough for grander weapons. Theoretically it could scale up to some two-handed great weapon, but I don’t think there is yet the mystical strength in the oaths and learning of our school to support an item of such power.”
“How am I meant to use it?” Hermione hisses unhappily from her mirror. “It won’t do me much good from inside a mirror.”
“Inside, no,” Keris says with a smile, reaching through the glass to stroke the serpent-dragon’s crest of scales. She shifts into her human form in response, her hair lifting up to cling to Keris’s hand and keep it there. “But one of the projects I’ve been preparing for is a way to get you out of that mirror in full, in a golem-body you can inhabit. I found something this Wood just gone that I think will make the perfect skeleton for it. It might even be something you could base a mastery project on, if you took over from me.”
Hermione’s eyes widen, and her hair immediately latches onto Keris’s hand in a desperate hug. “I can’t wait to see! I’ve been thinking about golem bodies as a prosthetic body for me and of course you’re so clever you’re already ahead of me!”
Keris leans in to kiss her on the forehead. “I’ll show you it after Calibration - I’m going to have Lilunu take a look at it to see if she can offer any suggestions that definitely aren’t for any wayward souls she definitely doesn’t know the location of,” she says, winking. “I’m, uh... pretty sure some of the notes I stole from the naib had stuff about how he was making those divine golem things he had everywhere in his stupid gaudy pyramid fortress, so you can help Oula with her work to formalise a spell-language for us and research those until I’m back.”
That gets an eager nod, and Oula breathes a sigh of relief. “I suppose you’ll get everything handed over to me soon,” she tells Keris. “You’re leaving for Hell this Sunday, yes?”
“Yeah yeah, I’ll dump it in the shrine-sanctum,” Keris says. “Well. Most of it. All the Emerald stuff. I’m not releasing the higher Circles yet, since some people,” she looks meaningfully over at Haneyl, who is playfully arguing with Rathan and Hanily, “might try something ambitious or curious like down-converting my sanctum-making spell to see if they can make it work with Emerald, and wind up losing a hand when the answer turns out to be ‘no’.”
“I wouldn’t put myself at risk,” Haneyl protests. “For one, hands grow back. And for two, I’m not my little brother.”
“Granted, but I’m still keeping the higher Circles to myself for now,” Keris says firmly. “... speaking of which... I wonder where he’s gotten to?”
Deep in the bowels of a city built long, long ago, Vali lifts his burning torch up and examines the latest set of wall sculptures.
“Wouldya look at that?” he breathes, waving the light source back and forth. In the flickering firelight, the pictures of primordial creatures - plants, giant reptiles, strange vegetative mechanisms – seem to dance and move. They’re rendered with such fidelity as to amaze him, and he’s already broken off some chunks that he’s left in a cache to take back to show Mum. “It’s more of the landscapes. There’s almost no humans in any of these things. Just a few, in the distance. And they scale things weird. Things are being drawn as big or small as how important they are. It’s all really not-like-life even when the sculptures themselves are super real looking.”
He already has some conclusions about this place. This city was not built by humans. Everything is built to a scale larger than even him, and he’s a big guy. The stairs that wrap around the exterior of perfectly cubical buildings make his legs ache to climb. The fems with him have to scale them one at a time, pulling themselves up the oversized steps. The writing on the walls is a strange system that seemed to mostly use dots and lines. He’s worked out a few patterns that resemble Old Realm characters, but the rest? Nothing he knows.
They’ve ventured down the broad streets, past the waterlogged sections close to the waterfall, and now the roar of the falling river is a constant but distant noise in the background. There are places here where petrified trees stand in perfect ranks, but Vali suspects they’ve always been petrified. Places where the stone was coaxed to grow as sculpture. Because they’ve also found places which had clearly once been gardens, and there everything is wrecked and the soil burned or torn up. But there are tools in the burned soil, like someone had been maybe trying to grow food there before the fires had come.
And there are places here too where the artwork in the city is less sophisticated, less advanced, and in those places the older sculptures have been broken down and vandalised. There are traces of flaking paint on some of them, but the artwork atop the old sculptures is itself too old to be read.
“Creeps me the fuck out,” Yosoca says, with a shudder. The little kerub is on edge. They all are, because their partner-animals refused to go any deeper in. There’s something there which scares the animals even more than the keruby.
Vali isn’t scared. He’s exhilarated.
“Come on,” he gleefully shouts, leading the gaggle of keruby into a towering pyramidal spire that rises above the other cubical buildings almost high enough to scrape the cavern roof. This building is not like the others! It’s taller, and that makes it special. Plus, it’s tall and that means he has to climb it.
Weirdly, for all its square-based pyramidal external structure, the interior is dominated by circles. Or, rather, by helices. Vali calls on his own lightning as the ceiling is above what his torch can illuminate, and in the sudden sharp brightness he can see that there are two helical staircases that wind around each other, each stopping on alternate floors around the central atrium. There’s a dead - petrified - tree in the centre of the room, and in place of leaves it has perfect replicas made of crystal.
Something about his lightning wakes the tree, and the leaves light up, flickering in a way that doesn’t look healthy at all. A crackling voice starts and stops, but it’s speaking a language which he doesn’t recognise. There’s something a little Old Realm about it, but only in the same way that there are bits of High Realm that resemble Old Realm. And it’s definitely not High Realm.
“Cool,” Vali breathes, bounding over to the tree. “Hey, tree! Can you understand me?”
The voice crackles out again, repeating the same phrase before cutting out mid-way through and staring again.
“Can! You! Understand! Me!”
Speaking slowly and loudly doesn’t seem to help. He tries other languages from Rivertongue - Firetongue, the bits of Seatongue he’s learned. When he tries Old Realm, the tree brightens something.
“Langu-. -nised. Loa-. -ror. -ror. -ror,” the voice says in Old Realm, and then the light goes out.
“I think you broke it,” Boto says helpfully.
“Nah, it was broken when we got here.,” Vali says firmly. He stretches, cracking his fingers. “I’m gonna see if I can fix it at all. C’mon you guys, give me a hand.”
((/r 10d10s7c10 #NoToolsNoUnderstandingFixingAttempt))
((EarthScorpion rolled 3 <3; 2; 5; 5; 8; 7; 5; 7; 3; 3> #NoToolsNoUnderstandingFixingAttempt))
It doesn’t go well. There’s nothing in this tree that even resembles the Shogunate stuff in the dragon armour that mama stole for him and which are super cool. When he breaks off a branch, the interior is seemingly homogeneous stone, and when he shatters one of the crystal leaves there’s traces of orichalcum inside - but to what end, he can’t understand. His keruby have no more luck, although Boto tries eating some of the chipped off trunk.
“Urgh,” he says, spitting it straight back out of his lightning-filled face. “That’s weird.”
“What does it taste like?” Vali asks, immediately interested.
“I dunno ‘bout taste, but it’s not stone at all! It’s like weird ancient wood. But there’s some stoniness in it too. It ain’t good. Not good at all.”
Well, there’s clearly nothing more to be gained here, Vali decides. The stupid tree’s broken, and wasn’t any use even when it was slightly less broken. Instead, he decides to start poking around the double helix staircase, and looking at the rooms. Sure, the doors are locked, but that’s really no problem. It’s only stone.
The chokingly thick dust is lit up by the lightning roiling from his arms. The keruby poke their heads around where the door had been, while he tosses the broken door over the edge where it lands with a smash.
“Oh hey, there’s an old body in here,” Yosoca says a little more cheerfully.
“Cool. Wanna poke it?” Boto asks. There’s still a quaver of fear in his voice, though.
“... I mean this is really Vali’s thing so he should be the first one to do the poking,” Yosoca says, also sounding like she’s trying to be brave.
Vali waves away some of the dust, and checks inside. The room itself is small, and dominated by the crystal coffin inside it. Or something that’s shaped like a coffin, at least, wrapped in old dead stony tree-roots And at the base, cradled in the roots and drowned in murky brown-tinted fluid, is something which looks... huh.
“That looks like the big flying lizard-things outside,” Vali says, stepping in and waving his torch over the strange thing. “I mean, not quite. Those things were bigger. I dunno. Do you think the tree was trying to heal it, like they do in the Swamp? Or trying to eat it, like they do in the Swamp? Or trying to put parasites inside it to control it, like they do in the Swamp?”
“What’s the swamp, boss?” chorus several of the keruby.
Oh right. He made them here. “It’s where my big sister lives. She does stuff with trees that shape flesh. You haven’t seen any trees like that yet. Unless this tree was one of them. Dunno.”
He tries breaking into more rooms, and finds a similar arrangement in each of them. One coffin, sometimes full, sometimes empty, per room. One tree wrapped around the coffin in almost every room, except in a few where it’s retracted and leaving the coffin exposed. And all kinds of creatures there, in the full ones. Usually reptilian, ish. Kinda. Sometimes bird-like. Sometimes other things, more like the things living in the lake. Sometimes ape-like. A few, human. Or human-like.
“Boss, I’m scared,” whines Boto. The keruby are clustering around Vali more and more closely, as he breaks into room after room.
“Nah, it’s fine,” Vali says, patting the fem’s brass helmet. “It’s okay to be scared, but being a real hero is fighting your fear and overcoming it. Fear’s good, because it means you got something to set yourself against, and it’s you.”
“But Vali, there’s weird dead bodies everywhere and you said trees eat people...”
“Also there’s lots of trees outside,” chimes in one of the other keruby.
“‘S’all good,” Vali says. “But I’m bored of all these rooms. They’re all the same. Let’s go outside and look for anything else to adventure about. I wanna find something cool like a new sword or something before we have to go back and rest. Or some dragon-faced armour. That’d be great!”
They head back out into the darkness, and as they make their way down oversized streets and picked their way through the buildings, a few signs of life make themselves known. Not in the conventional sense, not exactly, but life nonetheless. For in the shadow of the perfectly geometric buildings deep in the cavern, there are traces of life in the crystal-and-stone not-trees. One flickers as they made their way past it, then another. They find a statue in the middle of a square which is a great prayer-wheel like structure made of gold banded with orichalcum, slowly turning and as it turns a droning chant rises, so low pitched it is barely audible.
“Vali, I really really don’t like this,” whines one of the keruby.
“Shh, it’s super cool,” Vali says. “Just a bit further. Gotta fight your fear, after all.”
They come to a sprawling hexagonal structure, connected to the buildings around it by roots that rise out of its own hexagonal windows. This is another structure too vast for the few torches they have remaining, and Vali has to let out another flash of lightning to understand its scale. Dragons! How vast must this cavern be to contain something like this! They can see the waterfall and what distant grey light creeps in through it, and it is small indeed. The landscape overhead exists over the top of this hollow space, completely unaware.
With good cheer, Vali scales the tangled roots, followed by much less cheerful keruby, and makes his way onto the roof of the structure. And what he finds up there is that the hexagon is hollow on the inside. And what lies down at the bottom there is another pit, just as the lake outside is a pit in the landscape.
And in this pit there is light. Not much, but it shines from the edge of the leaves.
And in this pit, there is movement. Not much, but there are things down there, creatures like those seen outside with gold and crystal apparatuses attached to their spines and heads.
And in this pit, there are voices.
Voices in the same language he heard in the pyramidal tower.
Something crawls out of the pit, breaking the nerves of his keruby and sending them scattering. A spider made from twisted vines, its head bird-like, its eyes reptilian and floating in suspension within tanks mounted in the crystal deathmask of its head. Golden wires run from the head back into the bulk of its plant-like body.
Vali brings up his arms, ready for a fight.
And it opens its mouth, and in its mouth is another head, one that is perfectly smooth and featureless - but it has a mouth. And it opens that mouth and says, in heavily accented Old Realm that Vali has to frown to parse, “Demon. Why do you come here. To this place. Have you not taken enough?”
Vali considers this. “I’m an explorer,” he says brightly. “I’m looking for stuff that’s cool!”
“Which of the Primordial Titans do you serve?”
Ah ha. There, Vali’s on firmer ground. “None of them,” he says firmly. “They don’t get to tell me what to do.”
There is a long, long silence.
“This is the domain of Shaper Kalathais the Magnificent, Flesh-Sculptor Supreme, Last and Greatest Lord of Manath Kule, Final Redoubt of Civilisation,” the crystal mask eventually intones. “This one was wrought to serve him. Do you come as an ambassador, demon?”
That’s a hard question for Vali to answer. Is an ambassador technically a kind of explorer? Vali’s read a few books about this kind of thing and he’s aware that explorers sometimes have to talk to locals, who apparently didn’t count as having discovered the land first even though they were already living there. That bit hadn’t made much sense, so Vali had skipped ahead to the fun parts of the books with exploding manses and giant boulder traps. “I guess so,” he decides. “I mean, I’m kind of making it up as I go, but my mum and Evedelyl will get super mad at me if I go and punch you and it turned out I wasn’t meant to.”
“What is an Evedelyl?” the creature enquires, precisely enunciating the last word in its weird accent the same way he’d said it.
“Also sort of my mum, but, like technically she’s the part of mum that’s super mum-like. Well, half-of her. The other part is my grandmother.” Vali scratches his chin. “What happens now?”
There is another long pause.
“You are an intruder to the domain of Shaper Kalathais,” the spider decides, just as he’s starting to consider prodding it. “You will be taken to the testing pits and you will fight the war-creatures of the Shaper.”
Vali nods. That seems perfectly sensible. “Okay, sure. Do I talk to your boss after that?”
The spider-creature tilts its head. “You are now a test subject of Shaper Kalathais.” It tells him. “He will decide your fate.”
Oh. So he’s a prisoner. And they want to make him fight weird monsters.
Okay. He can work with that.
Being an explorer is much better than being a pirate.
Chapter 18: Calibration 774
Chapter Text
There is someone waiting for Keris as she makes her way through the gate from Ipithymia to the Conventicle.
Dressed in an ichor-stained Shogunate-style ballgown, bandaged hands poking out from under the long sleeves, her mask in an expression of the cat that not only got the cream but also stole the cow, Eko Kerisdokht awaits her mother. Part of the reason she’s so stained is that she’s sprawled out atop a wrecked hellstrider chassis. Its body is rent open in many many places, it’s missing both legs, and it only has one arm.
Hi mama, Eko gestures casually. Look what she earned for her mercenary work this year. Her very own hellstrider chassis remnants thingie. Well, and a bunch of other stuff that her bestie paid her for her assassination and mercenary work, but Eko-chan is just taking after the best Daiwye traditions of selling her services to powerful lords. How’s mama doing and how’s her year been?
Keris’s response to this reasonable and entirely justified introduction is to - very unfairly - lunge forward and wrap her faithful, loving, hard-working daughter up in a cocoon of hair and branch-limbs from which even Vali would struggle to escape.
“You,” she seethes, glancing around to check there are no eavesdroppers nearby, “are in big trouble, missy, and if you think-”
She trails off, staring at the hellstrider. Her forehead creases, though not in the very impressed appreciation that Eko’s deeds deserve. “Did...” she says, bewildered, “did you set this thing up and lug it through the Conventicle and splay it out by the Ipithymia gate just so you could be lounging on top of it when I came through?”
Of course not, Eko’s hurt and offended wiggling states. It’s big and heavy, mama.
She got Lilunu’s people to do the movement and the set up stuff so Eko could show off how she’s spent the entire year slaving away to help mama.
“You promised me you’d be away for a season and then ran away and deliberately avoided me when it was time to go back to Creation,” Keris hisses. “I’ve been worried sick all year! No, you don’t get out of this by dropping...” she paused, looking the carcass over, “... an admittedly very pretty hellstrider at my feet. If I let you get away with that, you’ll just take it as permission to do that kind of thing more in future. No, you, young miss...” she pulls from within her, and an outraged Eko dissolves into streams of wind and ribbons and blood that seep into her hair and vanish, to reform in the Ruin.
“... are grounded,” Keris finishes firmly. “Until such a time as I decide otherwise. And don’t for a moment think I believe mercenary work for one hellstrider is the only thing you’ve been doing this whole year! I will be asking Asarin to confirm!”
Belatedly, she realises that she’s standing in front of a vivisected hellstrider and scolding thin air with her hair held out in front of her, and hastily rearranges herself to look less stupid. There’s nobody around to see, but it’s still not a good look for the Mistress of Ceremonies to be yelling at nothing like a crazy person. Even if the voices in her head are, in fact, yelling back. Or at least miming angrily.
“Eko’s in trouble,” Nara sing-songs, already pacing around the dissected strider to take it in. All thoughts of his baggage that he’s been lugging from the route they took through the Topless Tower has been abandoned. “Wow, she really made a mess of this. Not just the whole last year, I mean. But this thing is a mess too.”
“Yeah,” Keris agrees, grimacing as she looks it over with the eye of a medic and killer. She can trace the battle damage on it - that long slice across its neck definitely came from Eko’s knife, and so did the rents and gashes that lie open and exposed on its torso. The missing legs and arm, though... Keris is less sure about those. She crouches to examine it further, dabbing at the edges of the worst wounds and licking the strange fluids off her finger, trying to estimate how long it’s been dead.
((Reaction+... uh, Occult? Investigation? Basically trying to work out how long it’s been dead. Enhanced by Metagaos taste.))
Hmm. She can taste the rot, though there’s still a hint of cold inside it that tells her that someone had it put on ice soon after death. Destruction. Whatever the word is for a killing machine made from demon flesh. She’s pretty sure it’s been dead and on ice for several seasons now, maybe as long as since late Water.
Suspicions confirmed, she directs a maternal glare inward and huffs. “When you’re ready to give me a report on what you’ve been doing with the rest of your year, you can be ungrounded,” she tells her complaining daughter. “And I expect a proper report, so you better not forget it and then decide you’re ready to tell me everything and make something up. I will be checking.”
She pauses.
“... you can also earn back some goodwill by pointing me at whatever servants Lilunu had bring this thing here, because now I have to haul it back to my townhouse.”
Eko snippily, huffily and silently informs that her traitor mama is getting no help at all for this, and she can just sit and rot! There’s the sound of door slamming as she exits Dulmea’s tower.
“She is very displeased, child,” Dulmea unnecessarily informs Keris.
“I’m very displeased,” Keris retorts. “She ran away from home! Without telling me! Or letting me know where she was going or what she was doing! Urgh. Just like Vali. That’s a third of my souls being rebellious brats! What did I do to deserve this?” She holds up a finger, cutting her mother off before she can make some sarcastic comment. “I was good this year! I did two whole assassination jobs and a lot of spying, really well! This kind of brattiness is clearly not something I deserve.”
“She clearly thought she was doing this to help you,” Dulmea says gently. “Just like you do things for Lady Lilunu without telling her and sometimes doing precisely what you were told not to do.”
“That...” Keris starts, and then trails off into grumbling. “You... well... urgh, fine. Tell her I’ll reconsider her grounding once Calibration is over. I’m keeping her in that long just for worrying me so much! But I’ll spend time with her while she’s human-form and pretty, and praise her for the hellstrider, and give her some proper cuddles - and a proper check-up to make sure she’s not hurt.” She looks over the massive splayed-open thing again. “And, uh, possibly ask her what she thinks I should do with it, because I’m not sure how much use it is without its legs except as raw materials. Hmm. Maybe I could use it for that armour I was considering for Keramos, to help him move around without breaking his bones? It’s not the right shape, but as cut open as it is, it’ll need stitching up no matter what I do with it. Reshaping it to fit a dragon wouldn’t be much harder than normal repairs. And I do have his measurements somewhere.”
“You know more of these kinds of arts than I, child,” Dulmea says. “Perhaps when Haneyl arrives with your Ladies, you can discuss it with her and Zanara, since the three of you are the ones who know about the occult arts of demonflesh.”
Nodding happily, Keris waves at Nara to pick his bags back up, and goes off in search of some porters.
“It’s lovely to see you back,” Lilunu says, when Keris shows up to say she’s arrived. She wraps her up in a hug and kisses her on both cheeks. “Things are so much more boring without my Keris around. Looking forwards to the festivals this year?”
Keris beams up at her, hugging back tightly. “I think I’ve got something good lined up,” she says playfully. “But you’re still not allowed any sneak peek previews! I want it to be a surprise for you as well as everyone else, my lady!” She purses her lips, considering the subordinates of the Street of Golden Lanterns she left the Scarlet Surrender rehearsals in the hands of. “Has anything leaked? What’s the word in the Conventicle about this year’s festivities?”
((/r 18d10s7c10 #ScarletSurrenderCycleSecret))
((Keris rolled 7 <8; 5; 1; 2; 9; 5; 1; 5; 2; 6; 10; 4; 1; 7; 7; 1; 7; 4> #ScarletSurrenderCycleSecret))
((/r 6d10s7c10 #Lilunu’sIdlePrying))
((EarthScorpion rolled 6 <3; 7; 10; 5; 10; 7> #Lilunu’sIdlePrying))
“I didn’t peek at all,” Lilunu says brightly. Keris is certain she’s lying. “But all your orders and things were very hush-hush and I know you’ve got something going on with the Street of Golden Lanterns, and it gives me such a headache to go there after,” she glowers, “last time. And Ipithymia is teasing that there’s something very big happening this year, building everyone up to a hype! My guests keep on asking what the big surprise is!”
“Good, good,” Keris claps happily and rubs her hands together. “It’s going to be a good surprise, I think. The audiences will love it. And I promise the stuff I’m putting on in the Conventicle is nothing that’ll be too, uh...” she searches for the right word, “... Streetly. On a completely different note,” she adds, looking as guileless as possible, “do you know if Sasi’s back yet?”
“She is, yes,” Lilunu says, giving Keris a knowing look. “I suppose you’ll want to be taking Miss Aiko to see her. Looking forward to seeing your mother again?”
Aiko, who has been standing shyly at the back of the room, nods. “Yes, my lady,” she says quietly.
“Aiko has been very good all year,” Keris praises warmly, and continues in a noticeable more hesitant tone. “As I’m, ah. Sure the twins have been?” She steels herself for whatever laundry list of mischief her adorable scamps have gotten up to in Lilunu’s care.
“Why ask a question when you already know the answer?” Lilunu says. She’s smiling, but there’s something about her eyes that suggests it’s not quite a joke. “They are adorable, but they really are a lot of effort.”
Keris groans, covering her face with her hands. But there’s a hint of amusement there as well. It’s adorable to see Lilunu playing with Kali and Ogin, and her heart warms every time it happens... but it’s also kind of fun, as the person who has the mother the pair of them, to see someone else experience what they’re like at their worst, as well as their best.
“Well, um, I’ll take Aiko along to her mother so they can cuddle and Aiko can tell her all about the things she learned and did this year,” she says. “And then I’ll come pick the twins up and tell you all about my year. I have a new art project I’d like to ask you about that might interest you, and,” she winks, “some presents from the grand treasury of Gem.”
“Oh, wonderful!” Lilunu says happily. “I always do so enjoy your visits. And as for the matter of your mortal guests who’ll be arriving later, I’ve already prepared accommodation for them based on that message you sent me. You said they were a present for me too! But not to keep! I don’t understand that bit.”
“It’s another surprise,” says Keris slyly. “You wouldn’t want to spoil the performance by finding out too soon, would you?”
So why’s it okay when mama does it but not when Eko does, a sulky not-voice gestures at the back of her mind. Keris doesn’t outwardly react, but does feel guilty enough to send a moderately apologetic feeling back at her eldest.
“I mean I sort of do. You do keep a lot of secrets, my Keris,” Lilunu says.
Keris pouts. “Enough to make it an order, my lady?” It’s a risky move - ideally, Lilunu will decide she doesn’t want to command obedience from her favourite student, but there’s always the possibility...
“And what if I do?” Lilunu asks, a little passion in her voice. Keris realises too late that she shouldn’t have played that game when there were two silver locks in Lilunu’s hair and her eyes were tinging to blue. “My Keris, I think you’re being a naughty little girl. And a little impudent. So yes, my order,” she relishes the words, “is that you tell me about the surprises you have planned for me.”
Crap.
“It’s a cult!” Keris squeaks, her opal tongue-piercing flaring and sending shivers of pleasure down her spine as she instinctively obeys. “I- I, um, I’ve been spreading Yozi cults through the Southwest and corrupting places like that Immaculate monastery last year to the worship of the Yozis, but I wanted you to have something too, and I know prayer is good for spirits! So I lured some of the high society ladies of Saata into worshipping the goddess Nululi and gradually tugged them into sharing and supporting their visions of what would make Saata more beautiful and worshipping a statue of you and little icons of opal cats and other things sacred to you, and they’re designing their idealised forms that they want to transform themselves into and Scarlet Blossom was the first to transcend humanity with the Wave-and-Fire Rite this Fire so I decided some of them were ready to come meet you in person!” She gulps. “Um. Also a couple of them were getting a bit over-ambitious and starting to think of worshipping other things like elementals and stuff, so I wanted them to meet you so they’d get knocked out of that mindset and devote themselves properly to you - uh, and the Yozis through you-”
She sucks in a quick breath, but the command doesn’t let up and the dizzying tingles keep rippling through her body. She hasn’t told her lady everything she was asked about yet.
“And-and-and the big surprise with Ipithymia is a set of plays about the corruption and downfall of the Scarlet Realm, it’s a big cycle that I got Sasi to write after that thing with Erembour by tempting her with the dragon’s shadow to spill her darkest desires out all over the page and Sasi writes really fast and she’s really smart so she produced tonnes of stuff because she was manic for five whole days doing it, so I divided them up and spent a whole year editing them whenever I could find the time and got an unabridged cycle with all the really Streety stuff and an abridged cycle that focuses less on all the really detailed depravity and sin and more on the overall fall of the Realm and I sold the first one to Ipithymia and said I’d headline it for a season if she’d provide her actors and the funding to put the abridged version on at Calibration ‘cause that’s the kind of thing the Unquestionable love and between Sasi’s raw desires and writing and my editing and acting it’s gonna be really really really good.”
She coughs, shivering as the pleasure ebbs away and leaves her all loose and gooey. “Um. S-so yeah. My lady.”
Lilunu beams. “See. That wasn’t so hard, was it, you silly girl?” She rubs her finger along Keris’s jaw. “And you, doing all that for me? You’re so sweet sometimes.”
Then she seems to catch herself, and remember where she is. “Uh. Um. Thank you, my Keris. And, uh. Oh. Now I’m spoiled on the surprise. Silly me. Oh well.”
Her big reveal ruined, Keris pouts. It’s somewhat let down by the fact she can’t help but turn her face into Lilunu’s hand a little and purr like her daughter.
“W-well, um, we can at least surprise your cult with a big dramatic thing,” she says shakily. “And, uh. I should probably get Aiko to her mother now, so I’ll see you again as soon as I’ve dropped her off, I’ll just be going now!”
Scooping up the confused little girl - who thankfully doesn’t seem to have followed most of the discussion except that Aunty Keris was keeping secrets from Lady Lilunu but they weren’t bad secrets and that Lady Lilunu isn’t angry about it now that she’s ‘fessed up - Keris beats a hasty retreat and hopes her blush will have receded somewhat by the time she reaches Sasi’s townhouse.
“Aunty Keris,” Aiko asks thoughtfully, as they pass through the outer gate of Sasi’s estates. “Why were you acting like a happy Kali around her highness?”
“Well, because Lilunu is my mentor and my lady and I look up to her a lot and want her to be happy,” Keris says. “And, well. I guess I’m Kali’s mother, so we act kind of the same sometimes when we’re happy.”
“That makes sense.” Aiko tugs on Keris’s dress. “Do I look alright?” she says, presenting herself for inspection. “Will mother be happy when she sees me?”
Keris considers her. Her little dress is clean and tidy, her adorable little satchel has some of the tests and lessons she’s done especially well in over the year to show Sasi. Her hair...
“Maybe I’ll just quickly fix your hair before we go in, shall I?” Keris offers. “I know I like it better this way,” which is to say, a little messy, with a stubborn fringe and uneven lengths that it’s grown out to, “but your mother likes it more when you’ve got it in a pretty Realm princess hairstyle, so let’s get you all nice and tidy before you see her.”
Her own hair moves through Aiko’s, combing it out straight and opening tiny microfang-lined mouths on the end of strands to bite through individual hairs and return Aiko’s slightly shaggy locks to an even, ruler-straight finish. “There we go,” Keris tells her, kissing her forehead. “Perfect.”
Unfortunately, they can’t see the Lady Sasimana immediately, they are informed by the waiting butler. She is... entertaining guests, and while of course they will send word to her immediately, it will take her a little while to be ready and presentable.
Aiko sighs, as she sits down on a too-high chair for the food brought for her and Keris. “Mama and her parties,” she tells Keris, sounding weary beyond her years. “I suppose you didn’t send a message ahead to say we were coming. So she organised a party for adults today.”
Keris winces. “Sorry, sweetheart,” she says, kissing her on the temple again. “Well, while we’re here... Ali told me you and Hanily have been arguing, back in Zen Daiwye. Do you want to tell me your side of it?”
Aiko inhales sharply, the melancholy leaving her immediately to be replaced with fuming irritation. “She’s always making noise and can’t sit down and distracts me!” she announces. “And she likes rubbing in that she’s older and... and she likes rubbing in that she’s cleverer too and that’s not fair because these are meant to be my tutors that mother got for me but she’s trying to steal them!”
“One of the things I’ll be doing next year is moving Hanily partly out of your lessons to get her own tutors,” Keris says, stroking her hair. “She’ll still sit in on some of the lecture bits, but then she’ll go off and leave you alone while you stay with them and do your exercises, so you’ll have more time with them than she does. And you know,” she taps Aiko’s nose, “she might have more raw cleverness, but you’re a lot better at sitting still and doing things right than she is. Smartness is something you’re just born with, but I know she’s jealous of how dedicated you can be and how hard you work on getting things just right and following all the rules, even though you’re younger than her. Some of her making noise and being distracting is that she finds it really hard to concentrate on things and focus, which you’re really, really good at, because you’ve practiced it a lot.” She smiles ruefully. “And both of you are better than me, because I don’t have either of those things.”
Aiko crosses her arms and glowers up at Keris. “There’s no need to lie to me to try to make me feel better,” she snappishly informs her foster-aunt, sounding a lot like her mother. “You’re really clever, Aunty Keris. Everyone knows it. Pretending you’re not is just rude!”
Keris blinks. “I’m... really not,” she says, thrown a little off-balance. “I’m just powerful, so I can cheat. But without my magic - or compared to other people as powerful as me, like your mother - I’m only sort of average in natural cleverness. I’m good at tricking people, and I know a lot of things about occult stuff, but that’s because I have a knack for it and I’ve studied it a lot and my kittenheadedness doesn’t get in the way of my learning. But ask your mother - I’m terrible when it comes to organising things or understanding how money works. You’re better than me at Gateway, and your Aunty Seresa understands stuff about politics that makes my head hurt.”
“Hmm.” Aiko doesn’t sound convinced. “Aunty Seresa’s been showing up more in Zen Daiwye, you know. She said you’d given her permission and she always brings me presents. But her and Grandmother Evedelyl don’t seem to like each other much.”
“I... didn’t explicitly tell her she couldn’t,” Keris says, privately deciding to have a talk with Seresa about that. “What kinds of presents does she bring you? And what do you do together?”
“All kinds of things from Saata. New books - I like those. Paintings. Nice food. She usually tells me I don’t need to go to my tutors and then we go on trips along the valley or she takes me riding.” Aiko bites her lip. “And when she’s there she sometimes makes herself look like mother and lets me sleep in her bed,” she says in a tiny voice. “And it’s like mother’s really there.”
“Oh, sweetheart.” Keris’s heart breaks at the compound pain in those last words, and wraps Aiko up in a hug, lifting her with a grunt of effort into her lap. Her inhuman physiology is heavy enough that Keris’s leg immediately goes numb, but it lets her better cuddle the little girl and drop kisses into her hair and promise that Sasi doesn’t want to be away from her and will see her soon.
“Has her painting helped?” she asks, once Aiko doesn’t seem as close to sniffling anymore. “Being able to talk to her in the picture whenever she looks through it?”
“A bit,” Aiko says. “But... it’s not her. I can see it. It doesn’t burn like her. It doesn’t feel like her. In the way that a drawing isn’t her.” She snuggles up to Keris. “I can feel you now. All hot and burny and wet and planty and things like that. But the painting isn’t her.”
“I know,” Keris says sadly. Her spell might emulate the painting Lilunu made of her, but it’s at best a pale imitation of what her demon princess wrought. Keris’s painting is Keris, its flesh was her flesh; even Sasi’s senses can only distinguish them by the fact that one is flat and the other three-dimensional. While her mind is on the subject, she sends Iris flitting inward from her left arm and then out onto her painting a few kilometres away in Lilunu’s palace. She looks through her other self’s eyes - in pride of place in the central chamber - long enough to see Iris take wing in search of Lilunu to tell her Keris will be held up at Sasi’s for a while. And also to get cuddled a lot, no doubt.
“I’m glad Seresa has been there for you, then,” Keris says gently, and she really is. From the sound of it, bar being a little bit of a bad influence in things like slacking off school, Seresa has been acting as a very good aunt to Aiko - and without being asked to or even seeking acclaim for it. It’s a reminder that Sasi’s indulgent side is also her compassion; the quiet enjoyment she takes in little acts of altruism that make people’s lives better without ever being recognised or thanked.
“She’s nice. Even if she smells of wine all the time,” Aiko says.
Keris chuckles. “Have you been spending time with anyone else up there besides Seresa and Hanily and your tutors? I know you and my brother get along well. You’re both serious in the same way.” And chronic worriers, though she doesn’t say that bit out loud.
“I like Ali,” Aiko admits. “He isn’t like Hanily. He’s teaching me how to fish. Him and Mister Xasan.”
“Oh?” Keris says playfully, tickling her a little. “Xasan isn’t too grumpy? He’s a bit of a grouch to me, you know, and I’m his niece.”
Aiko considers this. “He says what he wants, and explains things. He’s not so bad.”
“I suppose it isn’t,” Keris concedes, amused at the image of big grumpy Xasan and tiny little Aiko fishing in companionable silence. She pauses as the picture of the docks at Ahangar House reminds her of something.
“And what about the glass temple up on the mountain?” she asks carefully. “Have you been anywhere near that?”
That gets an emphatic shake of her head. “Evedelyl says no one is allowed to go there unless she says so and she’s there with them,” Aiko whispers. “And I’m not bad. She says people could get really hurt if they go there without her.”
Relieved, Keris nods. “That’s probably a good idea, and you’re a good girl for obeying the rules,” she says firmly. “Vali broke them by going up there when he wasn’t meant to, and he got hurt, and it wasn’t the fault of... of the person who lives in the temple. It was his.” She frowns. “And Hanily is... technically at least stretching them if she’s going up to get books from the sziroms there. Do you know if she’s been going up, or if the keruby have been coming down?” she checks, taking shameless advantage of her foster daughter’s dutiful tale-telling nature.
“There are sziroms living up there?” Aiko asks, wide-eyed. “I thought Hanily was getting them from the ones that live in the woods near the house. You mean she’s going to be in trouble?”
“I don’t know,” Keris says, frowning as she tries to think back to what Hanily’s said about her szirom friends. Had there been anything to hint at them specifically being the temple keruby? She’d managed to make explosives with a szirom recipe, and Keris isn’t sure all the ingredients for that kind of basic alchemy are available in the valley, which would imply a smuggling route into her inner world. If anyone in Zen Daiwye has something like that set up, it’s certainly most likely to be the temple keruby - but she can’t be certain. Prita could be another culprit, after all, even if Keris doesn’t think Aiko’s szel friend would sell explosives to her arch rival.
“I’ll have to ask them when I get back next year,” she decides. “Until then, don’t tell her anything, okay? If she has been going up to the temple then yes, she is going to be in trouble - but if she hasn’t, and you let slip there are sziroms up there, I’ll have to consider you partly involved if she goes up to explore because of that. So it’s just our secret that the person whose temple it is has some keruby to keep them company, okay?”
Aiko nods. “Our secret,” she says, shuffling off of Keris’s lap and going back to her cooling food.
She’s finished by the time Sasi makes herself known, and Keris can see the signs of a hasty clean-up and see that her girlfriend is moving stiffly and gingerly.
“Aiko,” she declares joyfully, wrapping her daughter up in a hug and holding her close. “Oh, I’ve missed you so much!” Mind-hands pull Keris into the hug. “And you too, my love! Both of you! You should have said you were due back today! I’d have gotten Mara to delay!”
“Sorry,” Keris apologises. “In all the rush and hassle of leaving it slipped my mind to warn you. Kiss!” She drops one on Sasi’s cheek, at the corner of her mouth. “Oh, and I have some pretty things for you from the treasure vaults of Gem. Nearly as gorgeous as you, although,” she sighs dramatically and faux-swoons, “flawless diamonds just can’t compare with the radiance of your smile, my love.”
Aiko clings to both of them, sniffly once again.
“Well, I can tell someone was having fun,” Sasi tells Keris archly. “And you’re always so good with your presents. But none of them will be as good as bringing yourself and my darling Aiko back to me.”
“She’s been beautifully behaved all year,” Keris praises. “Very patient and diligent in her studies, which she’s done very well in.”
“My little girl,” Sasi says delightedly. “Oh, and look at you two! All tired from the road. What route did you take to get back to the Conventicle?”
“Ah, well,” Keris rubs the back of her head. “We crossed the Desert in remarkably good time-”
“We saw an oasis in the distance but I said it might be a trap because the Endless Desert doesn’t like giving water to people like that and Aunty Keris agreed so we didn’t go there,” Aiko puts in softly, and Keris nods.
“Apart from that little hurdle, we crossed the Desert in good time, and arrived on one of the outermost layers,” she agrees. “And then we took a lightbridge one layer over and hired a palanquin for Aiko to sit in like a little princess while we trotted a little way along the Desert-shore to the end of the Street of Golden Lanterns, and took a shortcut right back to the Conventicle’s doors through my tower there. Aiko,” she added, “stayed in the palanquin while we went through Ipithymia. The well-soundproofed palanquin.”
“Sounds like an easy crossing,” Sasi says. “I ran into a glass-storm on my way in, but since I was on my own it wasn’t a problem. Still, come on, let’s go to my baths and we can talk and you two can wash the sand out of your hair.”
Despite her best efforts to stay awake for as much mother-daughter time as possible, Aiko winds up dozing off in the baths after a long day of Desert travel. Keris and Sasi lift her out of the pool into the safe care of a demon servant to brush her hair dry, and then have the relative privacy to talk while keeping an eye on her.
“So,” Keris murmurs from Sasi’s lap, “I don’t know how much you’ve heard about the Calibration festivities this year, but the play you wrote for me is going to be headlining. The one,” she plants a kiss under Sasi’s jaw, “you were so dedicated to writing out in full for me after the mess with Erembour. It took quite a bit of editing, but I think you’ll enjoy what came of it. Both versions.”
Sasi shivers in delight. “That’s really wonderful,” she whispers into Keris’s ear, followed by a kiss to the tender flesh there. “And very, very hot. You’re going to be out there, in public, acting out all my darkest fantasies. I... I wish I’d held some things back. Or,” she kisses Keris again, “you should have told me about this. I’d have been more than willing to be your co-star. Imagine the fun we could have had together.”
Her meaning creeps into Keris’s mind, carried on that one word, paragraphs of alluring fantasy narrated in the dark places behind Keris’s eyes.
((/r 24d10s7c10 #WittySoulSatoriEnhancedTemptation))
((EarthScorpion rolled 15 <3; 6; 1; 10; 3; 9; 1; 2; 5; 9; 8; 1; 7; 2; 6; 7; 9; 4; 2; 8; 9; 10; 9; 10> #WittySoulSatoriEnhancedTemptation))
Keris’s mouth goes dry, and she shivers. “W-well, u-um,” she squeaks, “I- I considered it? But most of the really, um... most of the really out-there stuff is in the Unabridged Cycle. The,” she clears her throat and tries to settle her voice. “So, uh, I separated the raw scripts you gave me out into two cycles; red and gold. The gold cycle is ten plays, one for each House’s fall - I did some editing and tweaked a few things around so each gets corrupted in a distinct way. The red cycle is four plays, and it’s a lot more condensed - it cuts out a lot of them, um,” she blushes, “graphic detail and darkest fantasies, and focuses more on the fall of the Realm as a whole than the depravities that befall each individual character.”
She brightens as she gets into talking about her masterpiece, shifting around to straddle Sasi’s lap and beaming. “But, see, the red plays and the gold plays still follow the same basic plot, and each play in the Abridged Cycle references things that are happening in other parts of the Realm - including hints at stuff in the Unabridged Cycle that don’t get shown on-stage. It’s all cross-referenced, so if you see one, you’ll want to see the others to find out what they were teasing about - and once you’ve seen the red plays, you’ll want to see the gold ones to dig into the really naughty stuff. And once you’ve seen all of them, it’s better when you see them again because you’re like ‘hah, I know what’s actually happening in the Sinisi palace’ when someone makes a joke about it in the Cadaca play. I sold the gold plays to Ipithymia and they’re going to be playing in Wood, so the Abridged Cycle this Calibration is like an advertisement for it.”
Pulling back, Keris smiles wickedly up at her impressed-looking lover. “And,” she draws out, “I didn’t tell you because I didn’t want you to commit yourself if you were overworked - and I’m worried about you bleeding yourself with Elloge like you did during Elenora. But... there are a few roles in the red plays that are... flexible. We have actors for them if necessary, but if you don’t mind familiarising yourself with the script over the next few weeks and standing in on last rehearsals, there is space for you to take some minor or not-so-minor roles in the red cycle, if you wanted. But that would take you away from Aiko, especially for the bigger roles, since we’re going to be rehearsing like mad - this’ll probably be nearly all you see of me until Calibration. You can choose not to without any problems, I organised things on the assumption you’d want to focus on her.”
Sasi seems torn, caught between some kind of reluctance and obvious attraction to the idea. “Do you really think you can manage this without me?” she asks.
“Yes,” Keris says firmly. “Absolutely. Ipithymia has a pet Dragonblood who’s going to be taking the male lead roles, and there are a bunch of dedicated demons - and more than a few Street-sublimati - taking the others. You’d make it better in some of the major secondary roles, but like I said - I planned this assuming you’d want to spend time with Aiko. And you’ll be credited as the writer, so you’ve already contributed the most important part and are getting a reputation boost from it.”
She leans forward again and kisses Sasi’s cheek. “If you’ve got any doubts at all, don’t do it,” she orders. “You don’t get enough time with Aiko - talking through your painting just isn’t the same for her as having you all to herself in person - and I only left the offer open in case you felt really offended that I didn’t let you take part. But don’t think you have to do this for my sake. I’m Lilunu’s Mistress of Ceremonies, remember? Putting on a big grand show is what I’m good at. You can watch from the audience and admire what I've done with all your hard work. And,” she hints, “make sure to clap really hard so that everyone follows along and gives me proper applause.”
“Well, if you don’t feel like I’m letting you down by not helping out, that'll be fine,” she tells Keris, holding her close. “I’ll help by taking care of the twins more, instead. I want to help you and be useful, when you’re always working so hard every Calibration and I’m spending it relaxing.”
“That would be...” Keris felt the urge to sheepishly rub the back of her head again, “... very helpful, yes. Lilunu didn’t say anything, but I think she’s getting a bit, uh, strained, after babysitting them for two seasons.”
“Oh dear. They do take after you, don’t they?”
“Hey, what do you mean by th-”
The question is silenced by Sasi’s lips, who then proceeds to put thoughts of that question entirely out of Keris’s head.
There is an open space, lavish, ornate, with towering dragon-clawed pillars and signs of ferocious wealth everywhere. Precious metals and jade gleam in the light. It claims to be the Imperial throne room, where the famed seat of the Scarlets is located, and it has the throne, it has the look.
But while the wall behind the throne is as it should be, the other walls are entirely missing. There is no ceiling. From where the walls should be, tens of thousands of demons watch, leering and hollering and jeering. And while the light is golden, it comes from the great braziers placed atop the pillars, burning with a flame the colour of the metal.
For the past few hours, this room has seen and been so many things. It has been a boat, sailing back from An Teng. It has been bedchambers, a brothel, the back alley where a sordid murder takes place, and many more. In the short time the watchers have been here for, weeks and months have passed inside the open space. Yet if one were to ask the ones within the room, it has always been the Imperial Throne Room and has never been anything else. And the demons watching it would agree, for they have been captivated by the events they have seen.
Captivated, indeed, by the fall of the Imperial Household, and with it the ruination of the Realm.
There is so much blood on the floor, for the wild dogs of the Dynasty have fallen on each other in rabid rage and ripped each other to wet shreds. The Imperial Treasurer had been murdered. He was the first to go, an old grudge settled by those who hate his tight-fisted ways. The generals of the legions have fought each other to the death, each after the throne. Not one has survived, and few indeed lasted to this moment for they became Gateway pieces in the war of the Houses, to be spent as their new masters see fit. General Saloy Hin got the closest, and his corpse lies touching the throne itself, his outstretched hand touching the tip of Pasiap’s tail.
In among this bloodshed, giggling Dynasts who have given themselves to their new masters cavort and relish in the ruin of that which they once held dear. They have lost themselves to pleasure, accepting the yoke of the Yozis, and they wear the blandishments of their new status with pride in their self-degradation. They have turned this self-made charnel house into a house of pleasure, and each demon that arrives is someone to beg for more favour, more power, more investments of potency. They could have stood, they could have fought, they could have tried to stop it - but it was their moral character which was the weakness through which the Realm fell, not the strength of their sword arms. Of course they present themselves to the demons. They have lived their lives thinking only of their self-centred pleasure and lusting for power, and demons offered them both. So they rolled over and accepted what their new masters offered, and consider themselves to be wise for doing so.
The lights that cover the stage dim, and the cavorting Dynasts fall still, a frozen tableau under shadows that are never usually present in Hell. Only one spotlight remains, and from behind one of the dragon-clawed pillars, a woman steps out into it. Her hair is red, she wears green jade armour, and though she has only a passing resemblance to the Fourth Scarlet’s youngest daughter, no-one amongst the captivated audience fails to recognise her as Vanefa. Her blood is purer, her morals stronger than the rest of her Dynasty, and she alone remains uncorrupted and alive among the once-proud Princes of Earth.
She looks at the laughing, maddened infernalists who have defiled this innermost chamber of the Imperial Palace, and weeps. Her elder sister is among the corpses; proud Nemone rejected the offers of the demons she summoned and tried to lay her claim to the throne. Her body lies among the pile, throat slit by her mother’s last consort, Caho. The Air Aspect is on all fours next to her crumpled form, his eyes closed in bliss as he submits to the attentions of a monstrous demon lord - a greater patron than the absent woman at whose feet he’d once sat.
Vanefa weeps to see the ruin that has come to her family, and against the still and silent tableau of the vacant throne and the charnel house of debauchery around it, she gives a tragic soliloquy of grief and loss. The Realm is fallen, she sings, and there is nothing to be salvaged from it. None remain in all the Dynasty who can be called righteous men, and no institution remains free of the Yozis’ control. The dark influence of the infernalists will soon spread out from the once-Blessed Isles, tainting and tempting all it touches, and it will only be a matter of years before all Creation has fallen under their sway.
She risked this perilous infiltration in the hopes of finding allies who might help her reclaim the throne for the champions of Creation and purge the wickedness from the greatest empire of men. But wickedness is inherent to human nature, and now she sees there was never any chance of saving it. To err and fall is human. To rule, the Yozis’ right.
Her voice climbs high up the register as she disavows her place among these fallen heroes and gives up her name in shame, swearing to walk the world in the hopes of finding some sanctuary beyond the dark doom that will follow on her heels. And she slips behind the pillar again, to flee the Profaned Isles and vanish from the pages of history.
The curtain falls, as the Realm itself as fallen, and for the first time in hours, the watching demons are released from the spell that has held them so entranced.
Freed from the captivating enchantment of the great spectacle, the demonic onlookers and the green sun princes remember when and where they are. It is the fifth and final day of Calibration, and in the Conventicle Malfeasant the last play in the Red Scarlet Surrender Cycle has reached its end. Each play, a multi-hour spectacle, presented for the elucidation and enjoyment of the mighty of Hell.
The curtain rises again, and now the actors are lined up for a bow. There are many lesser demons and sublimati in service to the Street of Golden Lanterns, a scattering of demon lords who are enjoying impressive paychecks for their participation in this show. Ipithymia’s own Dragonblooded toy-boy, Tepete Anaro, played Caho and a number of other male leads.
And at the centre of the bowing line is the star of the show. Peer Keris Maryam Dulmeadokht of the Althing Infernal, Mistress of Ceremonies and Director of the Lower Southwest. She leads the cast in their bows, the first respectful to the galleries of the Unquestionable, the second formal to the box of the watching Priest, the third extravagant to the wild applause of the crowds.
And they truly are wild. Keris Dulmeadokht has had an exhausting Calibration, but a spectacular one. Each of her plays have hit the revellers of the Conventicle Malfeasant like a lightning bolt, and the raw genius of the plots, the intimate detail of the characters, the polished talent of the acting, have been all anyone’s been able to talk about throughout the five days of festivities. Even on the one day without a play, when the boasting of the Infernal Exalted took place on the sixth scream, the Wind-Kissed stepped forward and claimed an assassination on the Blessed Isles of both an Imperial Minister and the Slug himself, strife sown in the Lap, a naval war restarted on the Flowing Dune Sea and a coup triggered against the Despot’s throne in Gem. And all that on top of outmanoeuvring a Realm magistrate come to her home city in the southwest and a new spy network spread through the Anarchy!
Yes, this has definitely been a year’s end that has seen the youngest Director’s star rise. And as she soaks in the praise and envy and adulation of thousands of watching eyes, she can hear them talk about her and the masterpiece she’s put on for their pleasure.
The roar of approval is actively painful to Keris. It’s too much; to have tens of thousands of voices all cheering and all those hands clapping and hollering. A part of her almost wishes Lilunu had made a more exclusive place for this, rather than the greatest amphitheatre in all the Conventicle. But once she knew what was going on, she’d wanted to show off her Keris to as many in Hell as she could.
And there she is, in the best seats in the house, next to Ligier. Her eyes are alight with glee and glowing so brightly; her cheeks are flushed; her applause comes not just from her body for Keris can hear the landscape itself pulsing in time with her hands. Ligier himself is smiling broadly, looking greatly amused at the whole thing. She’s certain he’s very happy with her too, because with this providing a huge chunk of the entertainment for the year, Lilunu will have had less to do - and that means more time for him.
She takes in the individual boxes granted to the green sun princes, looking for the reactions of her peers. Naan is sprawled up in his box, shirtless and possibly naked and - ah, yes, he has the company of two neomah. Well, he certainly seems to have been inspired. By contrast, Deveh is there. It surprised her that he attended all of these, but then again she realised yesterday that it made an odd amount of sense. To his view of the world, she’s putting on a play that shows the Realm as wretched and degraded and to be improved by worshipping the Yozis. He’s giving polite applause, with no sign of his usual sneer.
Her eyes drift over to some of the other boxes. Orange Blossom is watching her hungrily, and she resists the urge to specifically wave to her ex. Raziyr Gham’s box is empty - although it’s not his box anymore, is it? He didn’t even last two seasons from meeting her. Sloppy. Yala Prince-Eater, who she vaguely knows because she’s the 30th seat and so sits next to her in the Althing, is on her feet, hollering praise, still wrapped in the ever-bleeding hide of a great fae beast that leaves her clothes underneath stained and rotten. Kasteen - hah, isn’t in her box. She’s in Balanodo’s, and she’s glaring at Keris with so much wrapped up hatred and maybe just a hint of desire. And then there’s Amiri Magenta, who has an oddly guarded expression on her face. She’s clapping, of course, but she’s a cipher.
She catches sight of her children seated with Sasi, and forces down the urge to cringe. It’s only Haneyl, Zana and Nara, and those three are open-minded. Zana looks trapped between reverent admiration for what has gone into this and bitter, acrid jealousy that Keris didn’t let her do more, while Nara has his mask off and is simply basking in the admiration of the crowd for this work. Haneyl... seems to just be having a really good time, although the fact that Keris has heard her work her way through a three-course meal’s worth of snacks over the course of the performance is probably helping matters.
And Sasi-
Oh, Sasi. Her eyes are leaking shadowy tears, and she’s fully on her feet, flushed and nearly bawling. It looks like this hit her hard, all the emotions of seeing this on stage.
Raising her hands, Keris waits for the clapping to come to an end, which takes a while. As it tails off, she steps forward from the line, and the lights swing to centre on her.
“I give thanks!” she says loudly, the magics of the stage casting her voice out clearly to every ear within the vast stadium. “I give thanks to the Yozis, who rule us all and in whose service we all labour!”
Another round of cheering. She waits for it to subside, and then motions to Lilunu’s box, the lights following her gesture.
“I give thanks to my lady Lilunu,” she calls, “for allowing me to perform this tale for you on this grand stage, as her Voice and her Mistress of Ceremonies!”
Lilunu beams down at her, and Keris feels a happy tingle at the open joy and delight on her face as the applause turns her way, Ligier looking proudly magnanimous beside her.
“I give thanks to Unquestionable Ipithymia, who funded this great work and provided her actors for your pleasure!” Keris continues, and the lights swing back to the stage, where the Gilded Idol herself has stepped out to take Keris’s place in the centre of the line. She’s smirking, entirely aware of what’s coming next.
“The second cycle of Gold Plays will air this Earth on the Street of Golden Lanterns,” Keris declares, “expanded from four plays to ten, with far more detail on the fall and degradation of the Dynasts to Hell’s worship! Only on Ipithymia will they be seen - and I will be headlining their performances once again. I hope to see you there.”
She hears the ripple of excitement go around the grand arena at that. The four plays they’ve seen so far were fantastic - what, then, must the ten held back be like? Already there’s a storm of whispering and mutters, plans from demon lords and citizens to book attendance as soon as possible so as to get the best seats in the house while they’re still free, seasons in advance of the shows starting.
“And lastly!” Keris calls, before they get too deep into it, “I’d like to thank the author of these plays! I did not write them alone, and couldn’t have produced them without her help! Peer Sasimana, for the scripts that became this cycle of plays to honour our masters’ victory, I thank you!”
The lights swing to Sasi’s box, and the crowds roar in praise. And oh, the sweetly surprised look on Sasi’s face at Keris’s open offer of adulation is wonderful to watch.
The curtains fall again as the encore comes to a close, and Keris is left, exhausted, to pull herself back to her dressing room where she can collapse and possibly sleep for a couple of screams before Sasi tracks her down and jumps her.
In her dressing room, Keris washes off her theatrical make-up - all exaggerated and pronounced so it can be seen by people sitting far away - and stares at herself in the mirror. She’s still riding the wave of the end of the play, but now...
Her eyes have bags under them, and her skin looks paler than usual despite her literally inhuman constitution. Tiredness drags at her, and one of her eyes is bloodshot. This Calibration and the month of dress frantic rehearsals leading up to it have been a titanic amount of work - enough that she’s barely seen Sasi, Lilunu or her children after that first day, nor been back to her townhouse. In fact she’s seen essentially nobody outside of the cast of the play, the attendants at her Tower on the Street of Golden Lanterns, and Claudia - and even Claudia was flagging towards the end of the month at the amount of proxy work she was doing on Ipithymia’s behalf.
Make that four screams of sleep before Sasi can “thank” her for giving her authorial billing in the credits. Maybe five. But it’s over now, and the end of Calibration is close enough that, frankly, Keris for once feels quite comfortable in deciding Lilunu can handle any crises that suddenly come up.
“Well, it’s your fault for being a disgusting lewd individual who willingly did all this,” a petulant, Nexan-accented voice observes from inside her head.
“Talk like that and I might reconsider letting you back out when I’m back in Creation,” Keris says, her tiredness not enough to stop her quirking a smile. Her initial temper at Eko’s disappearance has settled, and... well, it is a very pretty hellstrider. Maybe it’s time for an olive branch. “Did- mmph.” She breaks off for a moment as a yawn breaks her composure. “Did you have a look at the golem-thingy from Gem? You said you were gonna poke at it between trolling the festivals with Yuu.”
“Oh, don’t act like you’re innocent in all this, Keris,” Eko sneers. “You’re keeping me prisoner in here after I did all this to help you, and now look at you! You’re neglecting all of us, so you can get this attention on the stage. Like you’re Nara.”
Keris sighs, and closes her eyes. She opens them within her inner world, up on the wall of the Inner City that faces the Ruin. Eko is sitting there, her back to Keris so that only her coal-black hair is visible, legs hanging off the side and kicking sulkily.
“Eko...” Keris says, half plaintive and half annoyed. “Look, this is for all of you. You know why I’m doing this. The more sway I’ve got over Hell, the more I can swing the vote in your favour. And I know you did a lot to help me, but let’s not pretend it wasn’t also for you - and you didn’t even give me any warning. Or word. I went looking for you at the end of Air and you were gone, you didn’t even leave me a note. I was terrified! Yes, I do stuff Lilunu doesn’t know about sometimes, but I try not to scare her like that when I do. And I apologise when it does happen.”
“All for us. Yeah, don’t lie to me, Mama. I’m in here, because you’re keeping me prisoner. You’re getti- you’re really enjoying this! You’re doing this for you!” Eko snaps, whirling on her mother.
How rare it is to see Eko face-to-face; how rare it is to look on her daughter’s Calibration form. She isn’t swathed in layer upon layer of bandages or hiding what she is under a mask.
Instead, what Keris sees is a face that’s... mostly hers. Eko was coltish during Calibration when she was younger; now she really looks like she could be Keris’s sister, though she can also see the marks of Adorjan’s human form there. Long black hair that’s knotting itself in anger, a snarl that twists Keris’s own beauty into contempt, grey eyes just like Keris’s own, marked with thick red eyeliner. She’s wearing a modest, but sleeveless white dress that’s actually clean for once, and her skin - a few shades paler than Keris’s own - is covered in sleeves of beautifully elegant red and black tattoos and white scarification, forming words and wind-shapes. The same patterns run down her legs and even onto her bare, dusty feet.
“I’m too tired to fight, Eko, please can we just...” Keris trudges forward and sits down on the edge of the Wall a few feet away. She knows what Eko’s really angry about. It’s not the “lewdness” of the performance. It’s not even, really, Keris scolding her for something she’d done to help.
It’s the lost opportunity. Eko only has five days a year like this, and Keris... Keris has kept her in the Domain this Calibration. Will continue to keep her here until they’re back in Creation, because as guilty as she feels about it, she doesn’t trust Eko not to run off again and repeat the same trick this Air if she’s let out in Hell. Especially in this mood.
But it means that Eko’s precious five days with her voice and flesh have been spent in here without any of her siblings, instead of out in Hell with her best friend Asarin and the twins and Sasi to talk to. She has Yuu here, which is something. But it’s still a loss.
“I’m sorry,” Keris concedes. “I overreacted, and I was angrier than you really deserved. I am sorry for stealing this Calibration from you, sweetheart. But can you understand why I did?”
“No!” Eko screams at her. “No, I don’t! And you don’t get to Rathan-guilt me into thinking I was wrong for wanting to help you! Except ‘parently I was wrong to want to help you!”
And with that said, she lets herself drop from the wall, and falls into the Ruin, dashing off and kicking up dust as she goes.
Keris drops her head into her hands and groans, long and loud. Eko is as bad as Vali at admitting when she’s done something wrong - especially in a mixed-up situation like this where she’s not the only one at fault. Keris does still feel justified in grounding her for that stunt in Air... but she feels guilty about slapping aside all Eko’s hard work, too.
Even if she still hasn’t confessed anything about what she was doing in Earth, Wood and Fire, since the hellstrider only accounts for at most two seasons of work.
Rising out of meditation, Keris opens her eyes again and rubs them with the heels of her hands, trying to massage away some of the heavy aching weight. Maybe if she just lets Eko cool down on her own until she gets back to Creation, she’ll have gotten over it by the time Keris resummons her? She’s capable of holding grudges, but it takes her a lot of effort. This might not be important enough.
It’s the best she’s got.
A knock at the door of her dressing room makes her groan again, and she calls something garbled that approximates a “c’min” over her shoulder. Sasi will just have to accept that, as appreciative as Keris is of the heated looks she threw across the arena while being applauded, neither the flesh nor the spirit is in any state for bedroom activities right now. A spot of makeup she’d missed catches her attention, and she swats at it irritably with the cloth as the door opens and her visitor enters.
Her guest is not Sasi. It is a statuesque woman, and that descriptor is appropriate because she looks to be made of living gold. She has to stoop to get under the door, and she would have to even if she didn’t have the horns of a ram. Four arms jangle with priceless bracelets and gleam with rings; obsidian teeth gleam in a broad smile under solid black eyes. She wears little, but everything she dons is priceless in the ways that only the mightiest in Hell can afford. And incongruously, she has a bouquet of flowers held in two of her arms. Except these flowers are of the demon city; the stems are brass and the petals are emeralds.
This is Ipithymia, the Street of Golden Lanterns, the Gilded Idol.
Keris’s body attempts a sudden surge of adrenaline to flush her exhaustion from her system and leave her alert and prepared for anything this demon princess of vice and corruption might be here for. Unfortunately, it ran through its available supply of those three screams ago, and has similarly depleted her stocks of deeply hidden reserves of willpower, second, third, fourth and fifth winds, desperate last-hurdle efforts and relieved bursts of energy that come from completing a mighty task.
She manages to straighten in her chair and widen her eyes as she spins around, tries to stand and feels her knees buckle before she gets fully out of the seat, and finishes with a bow that mostly works from her seated position. It’s all she has left to offer at this point.
“Your infernal highness,” she greets, trying to keep her words from slurring. This isn’t the first time she’s been in a room with her backer - she’s been there for the credits of the other plays - but it’s the first time they’ve really had a chance to speak. Everything before now, either Claudia has been acting as a proxy or Keris has had to dash off to another rehearsal or scheduled meeting to arrange details of the festivities or mid-Calibration crisis or preparation for the next play.
She certainly wasn’t expecting their first conversation to come now, in her dressing room, with flowers.
“Well, look at ya,” Ipithymia almost purrs. “You’ve been dancin’ and puttin’ everything you got into this so hard that you’re almost conked out here and now. And I’m delighted with you for all this, little Keris. There’s plenty more gifts for you from other people, but I’m here to give you my regards in person.” She gestures slightly with the flowers, but that’s a thin disguise that even Keris in her exhausted state can see through. “I got a feeling we’re gonna both me making a lot of money next year, and my Claudia’s going to be really annoyingly smug ‘bout this whole thing.”
Her presence is like a boiling fog, cooking Keris alive from the sudden passions she raises. And yet this spiritual heat is all too alluring.
“Well, that’s no good,” she hears Ipithymia say through the mental fog. Those golden fingers brush her brow, and like that all her tiredness is gone. “I can’t be havin’ you too out of it to enjoy your just rewards for all the advertisin’ you’ve been doing for our new venture,” Ipithymia says with her black-toothed smile.
The leaden weight and bone-deep aches all over her body lift away abruptly, and Keris gasps like she’s just surfaced from deep water, her hair spasming at the sudden cessation of fatigue. It feels like Ipithymia’s touch alone has reinvigorated her, restoring all the energy she’s spent over the past five days...
... except no, Keris realises. That’s not quite it. There’s no buzz of energy or restored strength in her limbs. Just an absence of the heavy stifling tiredness that made it impossible to move or think clearly. She hasn’t been granted rest, she’s had exhaustion removed. From what she knows of the Street of Golden Lanterns, she’s willing to bet it can be given back.
Still, it’s nice to be able to meet Ipithymia’s gaze without feeling like her hair is tied to a dozen cannonballs pulling her head down to rest on her chair’s backrest, and it’s nicer still to be able to think clearly around one of the most dangerous and subversive powers among the royalty of Hell. Ipithymia is to the Unquestionable what Cinnamon is to Keris’s faces - but Ipithymia has been using the tactics of vice and allure for much, much longer. She tastes like a rival. Like a threat.
((E9, Malfean essence, doesn’t envy Keris. Proudest trait is her Influence N/A in the affairs of Hell, as the foremost centre of vice and decadence in the Demon City.))
“Th-thank you, your highness,” Keris murmurs, ducking her head shyly and looking up through her lashes. “I’m glad my efforts pleased you. And I look forward to headlining for you later this year, of course. I expect to be very,” she pauses for a moment, and goes for a hint of cheek, “satisfied with my time on the Street.”
“Oh, from what I’ve seen, little sweetling, I’m gonna be the one who’s satisfied,” Ipithymia says, her voice slightly husky in a way that gets all the hair on the back of Keris’s neck standing on end. “Ten plays a month for a season, plus all the other work you’re doin’ for me. Yeah, I’m gonna be very pleased. And,” she leans in a little closer, the lush heat of her breath that’s almost too sweet tickling Keris’s face, “I wonder how I can show you how happy I am for that show you just put on?”
((/r 14d10s7c10+6 #Temptation))
((EarthScorpion rolled 13 <10; 1; 4; 8; 6; 8; 8; 6; 8; 6; 2; 7; 3; 3> #Temptation))
((Jesus))
((Yeah so she just threw 13 successes of UMI at Keris, which as an Emotion will temporarily for the remainder of a scene create a 4-dot principle of Lust towards her, and costs 3WP to resist.))
((I literally don’t think Keris has 3WP at the moment.))
((Yeah, she’d have to social perfect or hard-invoke a Principle to stop it.))
Keris’s mouth goes dry, and she feels herself flush deep red. Erembour was perhaps more beautiful - but Ipithymia is no less tempting in her dark promises. And this is just a brief reward, right? Not two weeks of disappearing.
“Well,” she whispers, her own voice going husky and low, “you’re Unquestionable, highness. So obviously it’d be illegal for me to refuse s-such a,” she manages to gulp, shivers running down her back, “r-request from you. Even if I wanted to.”
Afterwards, Keris can barely remember Ipithymia’s reward. She is drunk, not on wine but on lust, and the Gilded Idol is an intoxicating presence. Her memories of what happened afterwards are scattered fragments of lips and kisses and gold-skinned delights.
Ipithymia leaves her in a sticky mess on the floor, and wanders to search for new entertainment, leaving her garments behind with a flippant comment about them being a gift. The moment she leaves Keris’s presence, the heated passion that had been the only thing keeping her upright departs and the exhaustion - not only from the play, but from what she’s been doing - all hits at once.
She’s out before she even registers Ipithymia is gone.
She wakes up in the apartment that Lilunu assigned to her when she accepted the role of Mistress of Ceremonies, and the call of the demon set to watch her brings Sasi running.
“Oh, Keris, thank goodness you finally woke up,” she says, wrapping her up in a soft hug. “It’s been almost a day - and Lady Lilunu was worried, until I reassured her that it was just exhaustion.” She kisses her on the brow. “You really should have taken better care of yourself - and yes, now I know how you must have felt when we were doing the Elanora thing.”
“Mmmrrgh,” Keris complains blearily. She doesn’t feel rested, exactly. The fatigue is still there, deep in her bones. But it’s lessened. It feels more like she’s at the end of a long day of hard work; awake enough to spend an evening doing something that isn’t strenuous before settling down for a well-earned rest but far from peak condition. “How, mmph. How long was I out for? Enough for Calibration to end?”
“Almost a day,” Sasi repeats, testing her brow. “Yes, Calibration is over. I’m... I’m sorry I wasn’t fast enough to get down to your changing room. I really did run! But Ipithymia got there first and... well. By the time I arrived, she was already between your legs. It was quite a little spectacle.” She kissed Keris on the nose. “Thank you for that. For letting me watch.”
Keris blinks and blushes, trying to remember if she’d actually known Sasi was there at the time. It’s all a haze, but from what little she does remember, the answer is quite possibly “no”. She pats Sasi’s cheek and kisses her on the other rather than try to explain that, and then wiggles her hand. “Help m’up? And... aww. Drat.” If Calibration’s over, Eko will be back to ribbon-form. Which means she’s probably sulking even harder now.
Sigh. Children are hard. Parenting is hard. Work is hard.
Sasi isn’t hard, though. Sasi is nice and soft. She pulls Keris upright in her bed, and Keris giggles a little as she flops into Sasi’s chest, wrapping her arms around her.
“M’still pretty tired,” she yawns. “Mmph. But. Wanna see the babies ‘fore I go back t’sleep. An’ Lilunu. Help me there? How-” another yawn, “-they been?”
“Ogin thinks I am a cheat because I can keep track of him and don’t let him get away with things,” Sasi says, cradling Keris. “He is a very clever, but very wilful and disobedient little boy. Kali seems to go along with all his plans, you know. It’s so funny to be looking after your children, rather than the other way around. But the twins are in bed now. I had to line the walls with shadowcloth, but I found how to get Kali to sleep.
“And Keris, remember? At the start of the scream after next, we have the Directorial meeting. I was afraid you were going to miss it if you kept on sleeping. I’ve already asked about rescheduling but we can’t because some of the other Directors will have to leave very soon.”
Keris makes an upset noise at the back of her throat, and pouts. “Babies,” she demands, shuffling to get out of bed and leaning on Sasi for support. “Babies an’ Lilunu an’ then a bath. I can sleep faster inna bath an’ be up again ‘fore the end of the scream.” Another yawn interrupts the last syllable, and she wrinkles her nose in irritation. “Mmph. But I wanna see my babies firs’. Eko’s being all stroppy and pissed ‘cause she’s pretty mad about bein’ grounded, an’... an’...”
She blinks up at Sasi, losing her train of thought for a moment, and smiles goofily. “Heh. I’m pretty tired, Eko’s pretty mad... you’re just pretty. My pretty.” She nuzzles into Sasi’s neck. “Did you like my presents, pretty lady? Not just the Gem stuff. The, mm, big you-wrote-this thing at the end there. All those demons clappin’ for you.”
“I loved it, my love,” Sasi tells her adoringly. “You put it all on stage. And I can’t wait to see the full version. I’ve taken Earth off, and one of the things I’ll be doing is catching all the plays in the Gold Cycle. Even the Red Cycle was,” she exhales, “so hot, Keris, you can’t believe how much it meant to me.”
Purring happily, Keris kisses her on the cheek again, and toddles - with Sasi’s help - down to see Lilunu and her babies before an underwater power nap.
This year, there is a council of thirteen in the depths of Hell. Thirteen princes of the green sun, the favoured hunting hounds of the lords of the demon city Malfeas. On top of one of the great spires of the Conventicle Malfeasant a round table of fine Metagaoyin hardwood inlaid with polished brass has been set up, and around it are thrones for the chosen of Hell.
In all honesty, Keris had sort of wondered why they didn’t do this already. Sasi had vaguely mentioned that things hadn’t ended well when there had only been five directors. But the new Director of the Frozen Wastes, Demitrea of the North, had requested this of Lilunu and Keris had been there to advise that she approve it. After all, she was a little curious to meet all her peers - especially in a year when there were three new appointees.
Demitrea, Director of the Frozen Wastes
The new Northern director is someone who looks like she belongs in furs and armour carrying the orichalcum two-handed axe that rests against her seat. She’s a big woman with pale blue hair tied back into braids, little war-trophies woven into it and brassy curling scarification visible on her hands, neck and collarbone. She doesn’t look at home in the fine silks she is wearing, and Keris’s fingers itch with the urge to take her aside and re-tailor her into something that fits her body type. Keris had been a little surprised to find she was a Malefactor, but when she spoke the power and authority she cloaked herself in was more obvious. This is a woman used to leading others, up in the frozen lands of the far north. Even the thrum of the Demon King’s power and the hiss of the grinding Endless Desert she can taste has a cold note to it.
Chimala Hainux, Director of the Boreal Forests
Next to Demitrea is a short man, green hair shaved to stubble, whose entire torso is covered in demonic ink tattoos that writhe and move under his skin. Sometimes the inked demons crawl out as living images. A miniature blood ape sees Keris looking and gestures rudely at her. His brass cuffs and short belt-like skirt made from the shattered remnants of broken blades catch the soft green light from overhead, the reflections playing over his features. She admires the new North-Eastern director’s thick thighs and stocky shoulders and the little crease of flesh where his hips met his torso. Maybe she’ll get to know him better - if only to find out where he got such tattoos, though she should probably keep Iris away from such playmates. This is a man who reeks of the Hungry Swamp and the Black Boar, but there’s just a little of the hot dry air of the Desert mixed in with them.
Orange Blossom, Director of the Verdant Eternity
Keris glances over her ex. She looks absolutely unfairly goddamn gorgeous in figure-hugging deep cherry red and a blue so dark it’s nearly black, that devil-tiger iconography she likes so much picked out in golden thread. It plays off against her dark skin beautifully, but then again, even when times had been bad with her Keris had never been able to fault her sense of style. Those are new hearthstone bracers she wears, too, of High First Age design, and Keris can hear the occult mechanisms chiming in the pins she wears in her short dark hair. Gods, it isn’t fair. More powerful magical trinkets she’s plundered from the Scavenger Lands. And the sounds of the Demon Sea are strong in her, reinforced by the Hungry Swamp and the Ebon Dragon.
Ochimos Havi, Director of the Sea of Dreams
The last of the new directors. Keris has seldom seen such a forgettable man as the one now responsible for the South-East. Oh, he isn’t un-handsome. But it is such a generic handsomeness that it sort of becomes meaningless. There should be some flaws, something that gives him a little character. Instead, he has a face as bland as a background figure in a temple painting, and a smile that is too genuine-looking to be anything but fake. He dresses just like he looks, in the least overt, most bland way one of the Infernal Exalted can dress: fine silks that look like he’s taken a piece from four or five other people’s robes from last year. She makes sure to take note of his smell, though. Cold stale Ellogean blood and Metagaoyin flowers, underlaid by the smell of the deep Sea. She’ll remember that.
Veil, Director of the Burning Sands
As far as Keris can tell, Veil never changes, which is to say that part of being Veil is always changing. This time they are a huge, blocky seemingly male figure, but the voice that comes out from behind the many layers of delicate black muslin that covers their face is young and female-sounding. And of course, their taste to Keris’s other senses is that of the Black Boar, mixed with elemental Air and a hint of Malfeas. She still can’t pierce their lies and it is still really fucking annoying.
Deveh, Director of Blood and Salt
Keris wrinkles her nose at the sight of her rival south-western director. He wears a white robe draped over his bare shoulders, baring a torso covered in interlocking circular tattoos that she recognises as marks sacred to the Principle of Hierarchy. Around his neck, on a silver chain, he has something she can hear the shriek of in her bones; a fragment of the shattered crystals. And she knows his hearing is as sensitive as hers. He must like it to wear something like that. And for all his desire for the perfect order of the Principle, Her chimes in his essential self are still cut through with the silence of Adorjan.
Ximmin Cutlass, Director of the Endless Waters
The western director had paused by Keris before the meeting, looked her up and down with admiring eyes, and praised her effusively for showing everyone that Kasteen couldn’t find her arse with both hands. He drips with jewels and precious things; every finger with a mystically potent ring, his front teeth replaced with diamonds, his long sea-coat a beautifully embroidered piece of art with gold thread depicting sea monsters attacking a ship. His firewands are pearl-handled and his eponymous cutlass is sheathed in the hollowed-out fang of a great beast. He cares as much for his appearance; his olive hair perfumed and coiffed and woven with brightly coloured feathers, his skin made up to perfection. His hand had felt very familiar to Keris when she shook it, because she could feel a lot of herself in him; Kimbery’s push-and-pull intertwined with the ever-hungry bite of Metagaos, flavoured with mercurial envy. Some of it was directed towards her. A dangerous man, yes, and one who took pride in his vast wealth.
Ku Shikom, Director of the Storm-Wracked Tides
The next figure is one of the most cryptic around the table. Keris had heard that they are one of the most skilled war-sorcerers of all the green sun princes, and she can believe it. A slight figure, three jewelled half-real blades float over their masked head, and they wear a fist-sized chunk of crudely-cut adamant around their neck so laden with spell workings that the light around it bends. Propped against their seat is a sorcerer’s staff of pure jade, willingly desecrated with vitriol. Behind their mask, Keris can see that their skin is Malfean brass, covered with glowing green graven sigils. They are the only Slayer among the thirteen, but Sasi has spoken of them with respect. A sorcerer-tyrant who now rules over the ancient cities where once they had been a slave.
Glorious, Director of the Omphalos
She is not as she was the last time Keris saw her. Glorious is akin to a statue now, even her hair made of strange flexible stone, and there are scales on her angular features. When she moves, hints of impossible light shine through the cracks in her skin. She wears no clothes, but she is not nude; the stone scales covering her body leave her sexless. Ephemeral wings made from the auroras of the far cosmos leak from her back like the tail of a comet. She sits bolt upright, hands folded in front of her on the table, eyes closed - and in her can be heard the mix of Pyrian pure notes and the reedy melodies of the Dragon Beyond the World. Keris wonders why she has chosen to come looking like this. A message? A threat?
Nemone Sasimana, Director of the Scarlet Succession
Keris’s girlfriend is celebrating the success of the Scarlet Surrender Cycle. Or at least she should be. But Keris knows what she’s like, and thus doesn’t understand why Sasi is dressed up so proper. She’s every inch the perfect Dynastic princess, in fine snow-white robes trimmed with sable fur from the creeping demons who lurk in the shadows of Hell. Her face is a mask of perfectly done make-up, and she’s barely showing any more flesh than Eko, for goodness sake. It doesn’t make any sense; Keris had made sly playful comments about how Sasi could look like one of their characters, and Sasi had seemed receptive to the idea. But now she’d come looking like this. The hiss of Desert sands twine around the dark shadows of the Ebon Dragon within her, tinged with the rich scents of the All-Hunger Blossom and the stagnant blood of Elloge - and all of it is framed by the chime of Pyrian perfection.
Chrysanthemum, Director of Heavenly Affairs
The second of the special directors is responsible for the heavenly city Yu Shan and the star-chosen who serve them. She is an interesting one, a woman from the near East who Keris had barely seen before. Compared to all the finery of the princes around her, she looks like a humble village priestess, though her robes are well-made and hand-embroidered like some that Keris had seen in An Teng. She carries no weapons, and her jet-black hair is very straight and very well-shaped. But her eyes... in her orange eyes burns a fierce intelligence that she clearly takes great pride in. And in among the clarity of the Principle of Hierarchy and the divinity of Cecelyne there is a gnawing Metagaoyin hunger.
Geasa, Director of Ash and Sorrows
Keris has worked with the director responsible for the Underworld and the special question of the lords of death before, back when he’d been one of Sasi’s underlings and she’d been under Orange Blossom. Tall, toned and dressed only in tight black trousers and a prayer-embroidered shawl wrapped around his shoulders, he could have been a very handsome man. And from some points of view he is, but Keris can see the marks his shadow war has left on him. Scars over his torso, some of them livid red and others an unnatural pale as if caused by frostburn. His red eyes are bloodshot and ringed by heavy bags. An unhealthy pallor greys his skin. The red winds of his taste are tinged with the brother-dragons of Oramus and the Shadow of All Things, all to get more tools to hunt the dead. She knows he is a man haunted by a past with even more tragedy than her own, and unlike her he hasn’t found any peace.
Keris Maryam Dulmeadokht, Director of the Madness-Washed Shores
And of course, herself, responsible for the lower south-west. Keris is riding high on the success of her plays and her bragging at the Althing boasts, and despite her exhaustion, she exudes lazy satisfaction from every inch of her bearing. It isn’t hard to see, either. Thousands of sequins cover her skin in swirling patterns; each no bigger than her little fingernail. Szorenic cinnabar, Metagaoyin resins, Malfean emerald, Desert-glass, the unmelting ice of the Demon Sea: all these and more contribute to the rainbows that play across her skin; the translucent colours make it abundantly clear that they are applied directly to her skin with nothing underneath. Her essence, she knows, is a whirlwind of flavours: cutting winds and toxic water laced with mercury, fire and spores, all undercut by stagnant blood and the shadow-stone blend of two dragons. And even on top of that, her soul bears the taste of the strange rainbow-essence her left arm has absorbed from her lady’s chakra knots, along with the choking fog and silver of her po.
Thirteen damned souls, first among the princes of the green sun.
“So then,” Keris says, breaking the heavy silence as they all regard one another - allies on one hand, rivals on the other. “All thirteen of us, here in one place. I think this is the first time this has happened since before I first came to Hell.”
Demitrea brings her hands together and rises. “Yes! Indeed!” Her Old Realm is heavily accented and a little stilted in its formality. “Brothers and sisters, ruling-chiefs of the Directions, we are the foremost servants of our masters! We are their hands within Creation, the instruments of vengeance! And thus, as the ruling-chiefs, it is right and proper that we meet each year, here, to settle our disputes, resolve our conflicts, and share knowledge and goals for the greater good! Each of us has been invested with twofold power, first with the burning soul that raised us up from our lowest point, and second with this authority! We are the exarchs of the lands five days from here, and so we should be sure to join our forces for this purpose! This is why I spoke to righteous Lilunu, and had her grant me dispensation for this!”
She has more to say, with words that burn with cold fire; she speaks with her thick accent like a czarina. Keris recalls that she is the second seat, though the second incarnation of that, and she remembers Orange Blossom mentioning before that the first Malefactor was a born leader. Perhaps Demitrea feels the weight of her predecessor, to herself rise to a major Directional directorship and then immediately seek to do this. And yet she has to consider the woman’s choice of garment; these silks she does not look altogether comfortable in.
But those are secondary thoughts for Keris, as she listens to the woman’s voice that rises and falls like the wind, and speaks of long experience in cajoling and bringing people together. She’s sure that Demitrea has been in a similar place before.
“We certainly do more together than we do apart,” Keris says smoothly. “As I’m sure Glorious, Sasimana and Veil would agree. Cooperation strengthens us all.”
She nods respectfully at the three Directors she names, one by one. The assassinations they hired her for this past year are still fresh in everyone’s memories. And if she glances over at Deveh, isolationist and unwilling to share intelligence from his Direction even with peers like Anadala, who deals with Realm naval affairs for Glorious... well, it’s only a glance.
Ku Shikom clears their throat. “That is not wrong,” they observe, their mask looking around the hall, “but I am not entirely clear how much we gain with all thirteen of us in one room. I am not adverse to cooperation here, but I am not sure how much assistance, say, Peer Havi over there can be in my work,” they say, inclining their head over to the South Eastern director.
Ochimos Havi gives an easy shrug. “I don’t mind getting to meet you all,” he says. “Even if we don’t get much done, this is only, what a day? Maybe next year if this is a thing, we can get it scheduled into Calibration rather than tagging on the end.”
Demitrea perks up at that. “Exactly! This is what we should do; resolve our differences here, and from here we will go to face the new year’s dawn.”
“Hmm. Bravely presented,” Chrysanthemum says, her voice surprisingly high pitched and girlish. She glances over at the centre of the table, and a crystalline note rings out. From light spins a map of Creation in perfect, flawless crystal; to the side, a map of the Heavenly City. “And yet this is the world that we will claim. That we are working to claim.” She looks over her peers, one by one, and little crystalline figures form, each one dressed in a perfect representation of the current garb of the appropriate Director. The regional Directors take their place on the map, the special Directors are slightly to the side - save her, who stands atop the summit of the Heavenly City Yu Shan. “So, go on.”
Keris can see that Demitrea has been shaken slightly by this little display from the Director of Heavenly Affairs. It rubbed in that she didn’t arrange for a centrepiece map like this to be set up - and just as much, she’s been knocked off balance by this overt show of both primordial power and perhaps more notably the fact that Chrysanthemum can from memory lay out this crystal replica of Creation and at a glance copy and recreate the appearances of each peer in turn.
“The Realm.”
Heads turn to Keris as she speaks up again, and a lock of her hair reaches out lazily to lift her own figure from the board and bring it back to her left hand. Rainbow colour swirls up through the crystal as she rubs her thumb down its long, smooth hair, and she flips it back to another hair tendril with a flick of her fingers, placing it back down in the Lap.
“We are all of us in different parts of Creation, but we surround - and straddle - a behemoth,” she says, pursing her lips. Demitrea might think she’s doing this for her sake. She’s not. Keris has a single ally at this table, and her name is Sasi - they’re all sharks here, and while she feels sympathetic for the less experienced Director being shown up, she doesn’t feel it strongly enough to help if she’s not getting anything out of it for herself.
But she does stand to get something out of this. She stands to get a measure more safety.
“When you’re a dozen men surrounding a lion, you don’t charge it head on, spear or no spear,” she continues. “You surround it. And then you keep it turning. When it lunges for those of you on one side of the ring, those on the other stab it in the flanks. The Realm lost captains in the Lap this Wood. Good, experienced captains; people they trusted. Men and women who sailed food from the Dynasty’s breadbasket to all the hungry mouths it feeds.”
Her hair slides her little statuette - now opal, not Pyrian crystal - back to the seas of the Anarchy, and moves Demitrea’s, Chimala’s and Ku Shikom’s a little closer to the shores of the Inner Sea.
“They paid attention to that,” she adds casually. “Not all their focus. But some. The Realm has many eyes, but it can’t focus all its attention on every Direction at once. What would it be worth if we Directors could ask for a distraction on the other side of Creation just when we need attention drawn away from our own affairs? How much would one of us be willing to pay - or be paid - to provide that service?”
Ximmin Cutlass slaps his thighs and laughs, the boisterous dandy clearly taken by the idea. And yet Keris remembers that he considers himself in debt to her, and that she is in a sense if not an ally at least someone whose interests seem to line up with his. And of course, he’s the Western director and won’t want to alienate her for no reason. “A sound idea,” he declares. Straightening up, he draws a knife and taps one of the western islands with it. “Pay me to make trouble for House Peleps and the Navy, to start shit in their colonies and ruin their satrapies, and I’m your man.” With his other hand he rubs his fingers against his thumb, and the intent is clear; if you want trouble in the West, you’ll need to pay him.
Sasi clears her throat, but does not rise. “It is important,” she says, “that we have these personal ties. We must be able to ask each other for these forms of help, and whether through alliance or payment see these things done. Our masters require us to be willing to take these steps. After all, I am sure that they are watching us even now. If we cannot cooperate, cannot work together, cannot act to further their goals - why, I am sure that there are others below us who would be willing to assure them that they can do these things if we cannot or will not.”
Geasa grunts. “I’m not interested in this Realm stuff,” he says. “But get in contact with me if the Dead are making trouble. Help me out with dealing with them, and we’ll get on fine.”
That draws in a fresh flurry of conversation, with both Chimala Hainux and Ochimos Havi asking questions about his work and the kind of help he’d need. It gives Keris some time to look at the others, and notice who hasn’t been talking.
Which is to say, it’s the eldest ones who’ve been keeping quiet. Orange Blossom and Glorious were both in that very first circle of the first five, and Keris can only presume it ended poorly. Veil, of course, is being cryptic as always, but she’s already seen that they’re willing to approach other Directors as needed. She suspects Veil has probably got existing contacts with more directors than just her and doesn’t consider this meeting all that important. And then there’s Chrysanthemum, who spoke up to knock Demitrea off balance and is watching Keris directly, those fiercely intelligent orange eyes burning with something hard and sharp.
There’s almost something that reminds Keris of her cousin about Chrysanthemum, but her eyes - her eyes are more like Rathan’s when he goes all cold and analytic. Or like Rat’s when he saw a mark.
Letting the corner of her mouth quirk up in her best imitation of a gossip-witch half smile, Keris hesitates a moment - she’s still mentally worn out from Calibration, and can only spare so much energy - before directing her gaze down to the crystal map again. She can see the reflection of Chrysanthemum’s face in the colourless crystal - and more than that, she can see hints at her heart’s fiercest desire.
Perhaps Chrysanthemum put more of herself than she meant to into the shining crystal map she created. Because Keris can see the woman’s heart-price in it, and it is terrible. The stars fall from the skies. The sun burns to a red ember. And Keris sees Chrysanthemum raise a bloodied heart to the barren sky in mocking salute, a terrible and beautiful Chrysanthemum who looks more like one of the Unquestionable than who she is right now.
((Her price - “To supplant the gods”))
What does it say that this is the price of the woman’s loyalty? Do the Unquestionable know that this is what it takes to make this woman loyal to anything?
When Keris meets her eyes again, it’s with a half-smile playing around her lips that’s just a little more genuine. It’s a price she can never meet - but she doesn’t need to be able to meet it to use it. And whether the Unquestionable know or not, it’s useful information. She knows something about Chrysanthemum now. Something she’s willing to bet most people don’t, and which she strongly suspects Chrysanthemum would rather keep secret - at least the extent of her ambitions, if not their flavour.
Letting her gaze wander from the Heavenly Director’s glare, Keris takes in the other Directors. Six of them, she already knows. Sasi, her ally and love. Glorious, Sasi’s stuck-up rival on the Blessed Isles. Ximmin Cutlass, who owes his seat here to Keris’s humiliation of Kasteen. Geasa, who hates the Dead and worked with her on the mission that killed Rat in Matasque. Orange Blossom, her bitchy, wealthy ex. And Deveh, the asshole who stole An Teng out from under her girlfriend and is generally just the worst.
But the other six she doesn’t know. And while she’s fairly clear on the terms of her own relationships to the five she knows, Keris is less aware of the interplay between the others. So, like the other older Directors, she sits back and watches, retrieving her little opal statuette and twisting it between her fingers as she takes in the play of conversation and tries to map out who among these infernal princes are allies, who are rivals, who might form voting blocs out of common interest and who might join forces to oppose those factions.
The meeting might not have been useful in the way that Demitrea thought it would be, but Keris certainly draws some use from it. Though frankly she’d have had to be blind to miss some of these things. Like how, for example, Demitrea and Ochimos clearly have some history together, and she’s getting strong ‘exes-but-Demitrea-is-trying-to-act-like-things-are-back-to-normal’ vibes. Then there are the more subtle political webs - Glorious does speak up a few times, notably to back up Ku Shikom on a point. Some kind of tie, or... she almost sounds a bit mentor-like there. Likewise, she notices that both Chimala and Ochimos cede to Orange Blossom when she makes a point, and given both their directorates border hers and she’s frankly the biggest and richest and knowing what she’s like - yeah. They’re in her debt. She’d bet on it.
And one last thing. Glorious doesn’t seem to hate Deveh’s guts. But she doesn’t remember them interacting before, so... huh. Either she missed it completely, or possibly Glorious has decided that since Sasi has Keris as her ally in the South West, Deveh is a counterbalance there. Wonderful. Just wonderful.
But any discussion comes to an end, when the doors to this meeting chamber swing open. Every last one of the directors feels it; the crushing pressure, the dryness in the air, the heat and the smell of cinnamon carried on the wind. And a thousand voices cry out in reverence; hail Iudicavisse! Hail the Blue Glass Maiden, highest of holies, the voice of all that is sacred! Hail Iudicavisse, whose will is law and whose touch is taboo! Hail Iudicavisse, too sacred for the lesser beings of Hell to gaze upon; hail Iudicavisse, ancient of days, judge of the end times!
The fetich soul of Cecelyne stands in the door, upon a carpet of silver sand that rolls under her shoes, and none pay attention to the girlish form she wears. They only see her eyes; azure and ancient and wicked, laden with cruelty and cynicism. She is flanked by two Priests, who tower over her - but they stand back from her, and their blue-fire-filled hoods are nothing compared to those bright eyes.
“We are so pleased to see our Directors conferring in this way,” she says, the unseen choir echoing her words. Her steps are softened by the sand as she paces a path around the table, so that the Directors are hemmed in by a path of silver sand. “For our goals are mighty and mortal hands will be hard-pushed to handle the gravity of the deeds we ask of you. In our service, we ask for fidelity, dedication and above all success.
“Success. Yes, success. For this is the thing that we Unquestionable have our... concerns about. There are questions about whether some of the Directorates are excessively focussed on benefiting their members rather than on serving our goals. On getting the minimum done to alleviate our attention. But the title of Director comes with a greater obligation to us. We grant you so much power, so much authority. It would be terrible if you were not to use it to the best of your capacities.”
Her pacing comes to a stop, and she looks over the table.
“By the end of next Calibration, one of you shall be here no longer,” she declares, with the force of law behind her words. “We will look for a lack of faith, a weakness of character and a lack of success in your efforts. We will account for what you should have been able to achieve with the assets available to you, and see who falls below these standards. There are plenty of young pups among the green sun princes who desire your roles. We will be watching them too, to see who would serve us better.
“And so speaks Iudicavisse; the least successful of you will be stripped of your Directorship and shamed in the eyes of Hell. For your authority is not freely granted, and borrowed crowns are merely borrowed. But the most successful shall taste the sweet nectar of our generosity. For is that not the proper order of things; to reward success and to punish failure?”
Iudicavisse smiles.
“We will see twelve of you in one year’s time.”
And with that said, she turns on her heel and proceeds out, trailed by her priests, and the doors slam behind her.
But while the Directors meet and the eyes of the Unquestionable are turned towards that hall out of curiosity and fear of ambitious underlings, there is another meeting occurring. One that happens in an obscure hall in the Conventicle, where Unquestionable Lilunu has taken up her seat upon a throne, attended only by her kerub servants.
As usual she is a figure of elegance; her sheer silk jacket in arterial red, revealing an intricately embroidered chemise underneath, her stockings woven from dreams that shimmer and reflect the imaginings of others in the room, her long skirt stitched together from the shadows of Hell’s catacombs. Pearls from the Demon Sea gleam red from her necklace, her rings, and her stretched-out earlobes.
Before her kneels Zanara; Nara a prostrated statue, beside him Zana who sighs in envy at her mother’s incredible grasp of the aesthetics that Zana adores.
“Well, since we have a little time to ourselves,” and is that a smile on Lilunu’s lips, “here you are, my Zanara. Ready for your report.” She inspects her long nails. “I will be fascinated to know why I had to cover up that little incident with you entering a hydra-like war form on the third day of Calibration. It was just a small miracle that it happened during the reports of my green sun princes to the Unquestionable when all eyes were turned there. Which was... informative in its own right.”
“Just a little experiment we weren’t able to try out last Calibration, mother,” Zana says, smiling up innocently and batting her eyelashes.
“We didn’t expect it to have such a sudden effect,” Nara fills in as his other half briefly becomes a painting chalked out on the floor.
“It won’t happen again,” Zanara finishes, rising back up with hair that better mimics Lilunu’s on one side and imitates Dulmea’s bioluminescent glow on the other. “We promise we’ll be more careful next time.”
Lilunu leans on her hand, elbow on the seat of her throne. “Was it a successful experiment?” she asks, with a kindly smile. “One you were happy with the results of?”
“Yes!” Zana bounces on her heels happily. “Oh, mother, it was amazing, taking on that form! We were one, but many as well - we had ten heads and could think and see and move with all of them! We’re not quite a dragon, we think-”
“I-we don’t think mama gave us enough of the Realm for that, because she-our parent is you, but my-our parent was Rat,” Nara put in, stone shifting from one flesh to the other. “But she-we thinks it’s more that Haneyl and Vali have the purity of focus of dragons, while we prefer to be many things, without committing to any of them.”
“But we’re a hydra,” Zana finishes, “which is a cousin to dragons, and we can look at ourself and know we’re beautiful.”
Lilunu laughs at that. “That’s the perfect world,” she says. “One where you can look at yourself - and everything around you - and see nothing but beauty. It’s the fate I would create for Creation, too, if I but had the power and the freedom to do so.”
“We’ve worked hard to make that so this year,” Nara says, throwing an arm about Zana’s stone neck. “And our report begins with Ta Vuzi. Mama has told you about Ta Vuzi, lady Lilunu, but we can tell you more. It’s a sickly, poisoned land where the dragon lines have been sucked dry by parasites for hundreds of years. The Realm’s grip on it is weakening, and even as we were there, a rebellion broke out among the beastmen underclasses they oppress. We snuck through the swamps and bayous without being seen, learning their ways, studying their leaders. We talked to the clans and tribes and know who among gator and turtle are favoured by their overlords, and who suffer the hatred of their fellow clans unjustly. We wormed our way onto the ships of the condormen traders and stole the river-maps of the deltas and wetlands they hide in.”
He smiles. It’s sweet, slow and sapping, his brother Rathan’s beauty over a fragrant poisoned undertone. “And most of all we know Ragara Elika. She’s a fascinating woman, ladyship - a satrap of the old school, who gathers sorcerers around her for purposes the Realm doesn’t care to question, and views the beastmen of her malarial swamps as nothing more than animals.”
“Oh, really?” Lilunu asks. “She is? What is your opinion on her, then, my Zanara? A threat? Something that could be brought into our service?”
Nara turns to look at Zana, and petrifies into a reed-sculpture grown into human form from a wide clay pot. Zana cocks her head and considers.
“She summons demons who often escape to roam free, and surrounds herself with outcastes and disreputable Dynasts,” she muses. “She cares nothing for the land she rules, only for the output of the dragon drinkers and her sorcery projects in her air-chilled fortress.” She smiles, slow and shudderingly sweet like her other half. “All she wants, in her heart of hearts, is the peace and freedom to carry out her experiments with impunity. Mother, I think that if we offered to guarantee a flow of goods to the Realm and provide her materials for her research and a blind eye to its results, she’d happily stamp any form we put in front of her while we ruled Ta Vuzi in truth. She only tolerates the dragon-drinker reports because their output justifies her being left alone. If she didn’t need to bother with them to ensure a supply, or if the Realm could no longer replace her with another, she’d serve whoever funded her pursuits.”
“Well, well,” Lilunu says lightly. “Isn’t that a thing?” She hums to herself lyrically. “Continue.”
“We spent Earth in Ca Map,” Zana says happily. “Ah, Ca Map. It’s an ugly place, mother, full of slavery and decay and pointless cruelty - but the great floating weapon platforms up above the Undercity are wonderfully pretty, and the plots and plans of the pirate lords are a performance that never stops. We had so much fun in that den of piracy and villainy, and by the time we left, we’d corrupted so, so many of the pirate nobles who reside there into seeing things in a more pleasing light. Now they tell us what they see among the ships that pass through the docks, and keep an ear on the word of the sea lanes for us.”
She sighs with affected regret. “The Despot tried to spurn our orders, though - even called us uppity brats and ignored the letter that Keris sent us with! But,” and she giggles, high and disturbing, “we played with him, and slipped poems into his reports, redecorated his rooms while he was at work - even redesigned his office to better teach him our truths.” She winks and sticks her tongue out a little. “He knows where he stands now. How valuable our help is in keeping his throne safe from others. And whenever he looks out the window, he sees the things coiling and writhing under the water, clear as glass, and knows he dare not ever descend to a ship to try and flee our reach.”
“Oh my.” Lilunu giggles too. “That’s the kind of thing that certain of my souls would no doubt approve of. Especially Bruleuse, in his most vindictive. But then again, Keris can be such an artist when she wants to be, so it’s only natural you have the same talent.”
Zana beams, and clasps her hands to her chest. Her hair rises up behind her, and she solidifies into the soundboard of a sculpted harp, with strings running down to her spine from the raised arch of her hair. Nara, now tentacle-haired, bows in thanks beside her as happy music begins to play on the lifelike instrument his other half has become.
“We made use of that talent in Wood, your majesty,” he says. “While mama was off on her work in the South, we taught and trained the mortals she’s raising into courtesan-performers, and planted another Carnation-cutting in Sha Deze to match the one she set up in Sui Basa. Soon her little brothel-dancers will be ready to fly free and bring back pillow talk to her from across the Anarchy, as well as planting whispers in the ears of lords to spurn trade with the Realm.”
He licks his lips and laces his hands together, his fingers as tentacle-like as his locks. “And we took inspiration from the pretty book you made for Keris, and made an artbook of our own. Like we showed the Despot of Ca Map, it has all the creatures of the deep seas of the Anarchy - the normal ones everyone knows, and the hidden ones they can only see if they know what beauty truly is. And the more they study and understand that beauty, the more their flesh will shift to emulate it. We gave it to an artist in Saata who was looking for inspiration, and he set sail on a ship bound for the Jati Isles with the idea to show it to others. Who knows where it is now? But wherever it is, it’ll be making whoever has it prettier.”
“Aww. I’d have liked to have seen that.” Lilunu pauses, tilting her head. “I’ve written more books, you know. I’ll have to give you one.”
The harp music plays an excited chord, and Zana spins herself back out of it, Nara sinking and slumping down to become the moulded figure on the cover of a huge tome bound in skin and inscribed with strange paints and inks.
“Really?” she chirps, and doesn’t even wait for a response as her hair flicks excitedly. “Oh, thank you thank you, mother! We’ll put it to the prettiest of uses! Because we’re a proper portrait artist in Saata now! Our name is Tenth Rainbow, and we’ve painted ever so many pieces for the merchant middle class of Saata. And we’re coming to the attention of higher and higher figures in the Saatan social circles! Why, Atali Manon of the Raraan Ge commissioned near the middle of Fire, and we provided her with a beautiful piece in her townhouse. And ever since we painted it, she’s been a much prettier person! It hangs in her room and she goes to sleep studying it every day, seeing more and more depth in the expression and body language we gave her, becoming more and more like the person we drew, not the person she was.”
“And lastly, of course,” Nara joins in as they focus and bring both of their bodies into play at once, holding hands and speaking as one, “we helped at Calibration with the rehearsals and music and arrangements for the Scarlet Surrender Cycle. So, your majesty, mother. Are you pleased with our report?”
Lilunu has apparently had all the propriety she can manage for now, because she rushes to her feet to sweep both Zanaras up in a hug. “Of course I am. Honestly, you’ve worked harder than a good number of my princes. Some of them just don’t try anything more than the basics! Not like my Keris! She’s such a hard worker! And you take after her there!”
“Maybe the others spend more time on their backs than doing business,” Mani suggests wickedly. He’s wearing a large neomah mask over his blonde hair and yellow shawls, exaggeratedly lusty and flirtatious. “Or they just don’t have the imagination that Lady Keris does, poor things.”
“They must not care enough about their service if they don’t make an effort for the boasting every year,” Yanu sniffs, his purple flames burning in the eyesockets of the automaton Lilunu gifted him; all sleek wood and moulded leaves decorated with intricate artwork that’s been charred as if by fire.
“Let’s not throw insults, now,” Gora cautions, his aura of radiant calm settling the fiery diva before he can get too heated. Saya leans on his shoulder, her stubby dragon-wings fluttering, and Tise hides a laugh behind her tattooed hand, sharing fond giggles with dark-draped Kyrie.
Lilunu raises a finger, and her maids and pages fall silent. And then she laughs. “Too true. You see, Zanara? I have these little ones to refill my inner tanks of Kerisium when she’s not around. They speak their mind just like she does, and make me laugh too.”
“We’re still your favourite though, aren’t we?” Zana asks, turning a little pirouette in Lilunu’s arms and ducking her chin with a forlornly plaintive look. “I’m glad you have them to keep your company - and I recognise some of Gora’s artwork around the place, very pretty stuff - but if anyone deserves a look at your artbooks, it’s got to be us. We still have the concept sketches of our deep sea artbook, because we knew you’d ask.”
“Of course, of course.” Lilunu kisses her on the brow. “You are my daughter,” she says, voice thick with emotion and eyes a deep indigo, “and other-you is my precious Keris’s child.” She coughs, embarrassed, and retreats to her throne, lighter blue tones creeping into her hair and mixing with cinnabar red. “And that is partly why I wanted to tell you something, Zanara. Or at least... at least say something. There is a certain impatience in the air,” she says, choosing her words very, very carefully.
Zana blinks up at her, frowns a little, then nods. She drapes herself across Nara’s sculpted wooden shoulders and sinks into them, becoming a vivid tattoo wound around him, her face coming apart into a pattern of mismatching eyes tattooed all the way up the right-hand side of his face. Nara tilts his head, unconcerned by the way the way some of his new body art blinks and focuses on its own, and waits for Lilunu to continue in quiet, accepting silence.
“There are those among the Unquestionable, especially the later-arrivals, who feel that they are not seeing the results they hoped for when they signed onto this project. Especially given that,” she looks decidedly uncomfortable, “they are latecomers to making personal contacts with the green sun princes for certain off-the-books tasks that are not strictly allowed. Though so common that I cannot do anything to prevent them.”
“It’s understandable that their highnesses must feel frustrated under such conditions,” Nara agrees, bland innocence in every word. “Though of course those who took a chance on the Reclamation in its infancy deserve to have their wise judgement rewarded.”
“There are,” and now Lilunu looks so uncomfortable she almost looks in pain, “some who feel that the tempo must be increased. Up to - aha - allegro, or even faster. And while I do not question their judgement, I wonder if they look upon their domains here in Hell and think of Creation as small and easy to conquer. For it took me a long time to realise too that while Creation is dwarfed by any of the outer layers, there really are an awful lot of things in it for something so small. And many dangerous treacherous foes within it; the moon-chosen, the star-born, the dragon-children. I do not want to see any of my darling princes dead.”
The statement leads its inverse hanging in the air; there are those who do not care.
Nara nods thoughtfully. “I’m sure your brave princes and princesses will be careful, and that their skill will serve them well, ladyship,” he says. “Especially mama, who’s smarter than to get stuck in a fight she can’t win or be seen by people who might harm her. But,” he tilts his head, “on another note, did you know my sister Eko spent all of last year in Hell, with her friend Asarin? I’m sure that must have been very interesting for her, and she must have learned a lot and done many things - even if she scared mama a bit by disappearing so suddenly. I haven’t been able to spend that long in Hell myself, so I’m still not familiar with many of the great names and infernal highnesses of its many layers. Could you tell me of some, so I’ll know more about who we serve?”
“Oh, of course I would,” Lilunu says, beaming - and Yozis, Keris wasn’t wrong when she complained to Zanara about how bad Lilunu is at deception, was she? “For example-”
That’s when the doors swing open, and Keris stroppily marches in. She looks in a good venting mood.
“Well, that wasn’t a total waste of time,” she declares to the room at large. The swirling patterns of sequins covering her skin glint and gleam in the light, translucent colours hinting at the bare flesh underneath. “But I’m pretty sure Demitrea stormed off to smash something to bits, and I for one don’t fucking blame her. If the last attempt at a Director’s meeting back when there were only five of them ended like this, I can see why they stopped.” She throws herself down on a servant’s bench and sprawls out, grumbling under her breath.
“Oh dear. Did it not go well?” Lilunu asks, and Keris might be too irked to hear it, but Zanara knows no one who is actually innocent sounds that innocent. The meeting happened in the Conventicle. Of course Lilunu could have been watching all along.
“It was going fine,” Keris huffs, “despite Chrysanthemum trying to throw Demitrea off before we were two minutes in and Veil not giving a single fuck because they’ve got back-channels to everyone who matters and Deveh being Deveh. But I spoke up about how we could tackle the Realm better as a group, and Ximmin and Sasi supported me, and I think Chimala and Ochimos were interested.”
Her hair gestures viciously in a mute, frustrated jab at nothing.
“And then her infernal majesty, honoured Iudicavisse, in her great wisdom and keen foresight and holy authority, came in and declared that one of us is getting knocked off the Council of Thirteen next year - probably in public, at the boasting, in front of everyone, so as to properly shame them for failing to live up to the expectations of our fair and glorious masters - and they’ll be replaced by an underling. And on the other side, whoever’s done best will get richly rewarded and showered with praise and wealth and acclaim. Which, I mean, I’m not too worried about me or Sasi, but you can imagine what that did to everyone’s willingness to cooperate and help their neighbours.”
She rolls over to lie on her back, but doesn’t open her eyes. “I’m sure,” she adds, with all but the faintest bite of sarcasm hidden under her flowery words, “that the Blue Glass Maiden acts only for the good of the Yozis and that I’m just too small and ignorant to understand her wisdom in this matter, and obviously I accept her judgement, but I fear she may have slightly overestimated the character of we once-mortal princes in being able to overcome petty rivalries to work towards a common goal.”
Or more likely, she doesn’t need to say, Iudicavisse estimated it perfectly, and knew exactly what she was doing to a coalition that was just starting to see the virtues of easing their internal rivalries.
“She is... one of the original five brought into this,” Lilunu says, wincing. “And this is Hell. She proposed it, and it was agreed by the councils of the Unquestionable. So yes, that decision will be enforced.”
“Uuuurgh.” Keris sighs. “Well, since we’ll be judged on loyalty and performance, hah,” the flat syllable leaves no doubt as to how far she trusts that claim, compared to ‘whichever choice will fracture the council furthest’, “I think me’n’Sasi are safe, like I said. We’re both loyal as anything, and we’ve proven it over and over, and we’re doing pretty well with basically no assets.” She glances at Zanara. “Uh, that most of the Unquestionable know about. Unfortunately, that means Glorious and Deveh are safe for the same reason.” And of course it’s just because of faithfulness, and not at all because the four of them hate each other and both pairs that share a Direction are at each other’s throats.
“No, I think the ones who’ve gotta watch their backs are Ximmin and Orange Blossom,” Keris continues. “They’ve got two of the biggest Directorates and... ah, how to put it... Bloss has always been a bit more concerned with her treasure coffers than her targets in Hell’s service, and we might be playing polite about it, but it’s not hard to see she’s got Chimala and Ochimos in her debt. Probably half of why they were so keen to sign onto more cooperation between the rest of us; it’d mean they’d need to go to her less. And Ximmin’s a fop. I mean, I like him, but he’s new, he’s more concerned with wealth and looking good than with doing his job, and...” she wrinkles her nose, “I’m sure Kasteen will be trying to do something very, very impressive to take the seat she lost back from him.”
She has a horrible feeling it’ll be Ximmin, no matter how great an effort he puts in. It’ll basically come down to a question of whether Iudicavisse wants to slap down Orange Blossom’s consolidation of a voting block more than she wants to hem Keris in between two Directors who loathe her and turn the West into a charnel house of brutish violence that’ll draw the Navy’s attention to the existence of the Infernal Exalted within a year of Kasteen taking the seat. Keris isn’t sure which way she’ll fall on that, but she makes a note to start laying in preparations for an unfriendly pirate fleet attacking the Hui Cha every time they venture north of the Hook, just in case.
“You should just focus on doing your job as well as you can,” Lilunu says. She pauses. “Though would it be so awful to not be a director anymore?” she asks, sounding genuinely curious. “You’d still be my mistress of ceremonies.”
“... I dunno,” Keris sighs. “I mean. On the one hand, I wouldn’t shed a tear about having less paperwork. But the only peer I really trust enough to take orders from is Sasi.” She dangles her head off the bench to look upside-down at Lilunu. “You’re my lady. I don’t like being beholden to anyone else.”
Lilunu glances at Zanara. “I do wish you’d get on better with your peers,” she mildly chides Keris.
“Ximmin likes me!” Keris protests, missing the quiet nod Zanara gives back. “And Sasi, and I’m pretty sure Magenta likes me, even if she was weirdly quiet and stilted for half our lessons last Calibration. Bloss and Veil and Testolagh are assholes, but I can work with them fine. Demitrea looked grateful to me for helping her out when Chrysanthemum tried to throw her off. Sigil and Yala,” she names the pair who sit on either side of her during the boasting, “are both fine with me. I just...” she shrugs. “I don’t trust many of them to be giving orders. Way too many of my peers don’t have the right ideas about subtlety and not being noticed. I don’t wanna get ordered to do something that’ll run me up against a Wyld Hunt that I’ll have no choice but to go loud to escape from.”
“My poor Keris,” Lilunu says mournfully. “Well, you’ll be pleased to hear that my Zanara has given me their report and I am delighted with them. So they’ll be getting that forging instruction they wanted.” She pauses, and gives Zanara a sky-blue glance. “And new missions for next year, of course.”
“Well, I guess that’s something, then.” Rolling upright again, Keris smiles at Zanara. “Well done, sweetheart. For what it’s worth, my lady, I’m very happy with their performance as their Director, too. And my maids and pages! Mani, I love the mask and dare not imagine the routine that comes with it. Tise, I see you’ve expanded your tattoos, good for you. Yanu - is that a new body you have there? It looks great. Kyrie, always nice to see you, I hope you’re well. Saya, Gora, I’m happy to see you two are still hanging off each other and being adorable. I trust you’ve all been keeping Lilunu happy while I’ve been away?”
“Of course we are,” the keruby chorus together.
Mani grins demonically. “We serve as her substitutes when she can’t have you. The amount of dress-up and dressmaker’s doll purposes we serve is such a dreadful burden. We’re so weighed down.”
“Ignore that crude one, Lady Keris,” Tise retorts. “We all love Lady Lilunu and being her dressmaker’s dummy is no great burden. And I happen to like being her canvas too.”
“As someone who’s experienced both, I can’t blame you, but I’m still impressed,” Keris teases. “But as it happens, I brought some substitute dolls for my lady to play with this Calibration. They’ve been awed by the beauties of the Demon Realm and brought to tears by the grandeur of the Calibration festivals, and now I have the four of them all lined up in a pretty row, waiting to see their demon princess Nululi. Are you ready to blow their minds, my lady? I know you’ve been looking forward to putting on a bit of a show.”
Lilunu claps. “New toys for me?” she asks slyly. “This is why I love you, Keris.”
Keris chuckles. “Remember to call me your Cinnamon, though,” she cautions. “No reason to let our real names leak, if the worst should happen. After all, these toys aren’t yours to keep forever; I need them back in Saata by the middle of Rising Air to spread your word and worship.”
She hops up, and heads back to the doors in a much better mood than she’d come in with. “I’ll be just a few minutes, and I’ll knock before I enter,” she promises. “In case you want to do any last-minute preening for their first look at you.”
And with a cheeky wink, she slips out of the hall, and is gone.
This is a waiting room.
It’s an embarrassingly trivial thought to be stuck on, but it’s one that keeps echoing around Hui Cha Shy Doe’s head. Hell is... too much to think about. Beyond, in the most literal sense, her wildest dreams. The great ship Lady Cinnamon had pick them up from Golden Child’s estate was beyond any vessel she’d ever seen before, the strange vistas she’d glimpsed from it on the five-day trip away from the warm shores of Creation had been terrifying in their cold and alien grandeur. The city of Princess Nululi was a world unto itself, glorious enough to make the palaces of the gods pale in envy, and the celebrations put on just to celebrate the end of the year...
She’s just a girl. Just a simple mortal girl, unprepared for such things. She can barely even remember the details of the white-hot plays and revelries that had scorched her mind and inflamed her heart with their beauty. All that remains is the all-over ecstasy of worship and adoration and awe.
But this. This place she can wrap her head around, barely. The walls are banded agate, with murals of silvery wire pressed into grooves to form ornate trees from which hang many rich red fruits - in truth, carved nuggets of cinnabar. The seat she waits in is the equal of a pirate lord’s throne, painted in swirling colours with velvet upholstery. There’s a jug of wine sitting on the table that the other three are drinking. Shy Doe managed only a few sips before the decadent flavour lavishing her tongue forced her to sit down and concentrate on her breathing.
If she dropped any king of Creation into this space, placed a single seat on a dais and removed the rest, she’d call it the grand hall of a palace without a second’s hesitation.
And this is a waiting room.
None of them are speaking all that much. She can see it in the eyes of Smiling Steel and Second Harmony. They might be bigger and scarier than her back in Saata, but they’re as scatter-brained from everything they’ve seen, everything they’ve done as she is. She’s only experienced a little of this before, and that was in the most ecstatic parts of the rituals Lady Cinnamon led them in, when they were high on Cinnamon’s strange drugs and there were demons and their magic and-
Those rituals? They were just there to give them a taste of the delights of Hell.
And then there’s Scarlet Blossom. Scarlet Blossom is not showing the same too-stimulated expression they’re all wearing. But she’s not talking because, once again, she’s communing with the ascension spirit within her. Her demon-self. Shy Dove thinks back to the ritual again.
She’s not sure how to feel about it. Before... before, she’d have called it horrifying. The way the demon-baroness had smeared and coalesced around Scarlet Blossom into a chitinous shell. The way she has three pairs of arms now, and those huge dragonfly things with spearlike heads on folding necks. She’d ordered them to attack a dead pig, and they’d buzzed up to it and just launched their heads forward like arrows, piercing deep into its flesh with such brutal force! And her eyes are so strange now, and she’s so tall, and so strange...
... but Shy Doe can’t feel disgusted about it. Just the thought of rejecting Blossom for how she looks now makes her heart hurt and tears come to her eyes. How... how could she hurt her sister like that? It would be the cruellest thing, when Blossom is so happy, to feel revulsion or attack her love of her new form! No, it’s strange, and Shy Doe is a little unsettled by it still, but that’s just... that’s just change. She’s not good with change. She’s never been good with it. Once she gets used to how Blossom is now, it’ll be fine.
And she can’t help but wonder, staring at how rapturous Blossom looks when she talks to her demon-self. What would it be like to have someone so trusted as an essential part of you? What must it be like to be so happy about how you were? Scarlet Blossom is still planning her idealised form, still wants more changes to her no-longer-human body, but far fewer now. She’s so content in what she is, so blissful in her ascension.
Shy Doe has never felt so comfortable in her own skin. Maybe... maybe this ritual could give her that.
Maybe Cinnamon thinks so to, and that’s why she chose Shy Doe, above even Golden Child and Little Bird, to be allowed to come here.
And then the door swings open - and it is Cinnamon. She feels it, knows it in a way that she never has before. It’s like a movement in the air, a wave of unseen pressure that washes over them and makes them all gasp, even Scarlet Blossom. But she’s never seen Cinnamon like this before. Cinnamon naked; that she has been blessed to have seen. Cinnamon in little more than body paint, that she’s seen not infrequently. But this...
Their cult priestess wears only sequins - sequins in a hundred different colours and of a dozen different materials, swirling and coiling across her skin in hypnotic patterns that have no trace of a straight line among them. It’s obvious she’s wearing nothing beneath them, though they’re clustered tightly enough to give her the barest hint of modesty. Though there are many shades among the almost scale-like texture they give her skin, they’re grouped together, like with like, dark greys shifting to mirror-bright silver in one arc next to another that starts in so deep a violet as to be almost black before shading up to pearly pastel pinks. One spiralling convergence of colours radiates out from her right breast, another - Shy Doe can’t see it well - seems to come to a point on her lower back.
Her hair is unbound. Utterly unbound, free of any tie or braid or decoration. Shy Doe knew it moved, of course - and she’s seen the similarities with the harpist-demons Cinnamon sets to play music for their rituals. No doubt one of their kind resides in Cinnamon’s head, perhaps placed there by Princess Nululi, advising her and filling her days with delightful song. But in Saata, Cinnamon keeps it discreet. Subtle. A single tendril here, a slender lock there. Most of the time it stays in a great braid behind her, richly decorated and kept carefully still.
Not here. It billows around her, endlessly drifting and shifting, floating in the air as if she’s underwater and it’s borne up on the currents. The scars on her cheek and nose stand out pale white against her dusky skin, and Shy Doe realises that she must normally tone them down with make-up. For the first time, here in the heart of the Demon Realm, it occurs to her to wonder how Cinnamon got them.
But it’s not the outfit or the hair that are the biggest change, exactly. They’re shocking, but not unheard of. It’s something subtler than that.
In Saata, this would be risqué, boundary-pushing, attention-grabbing. It would be going out on a limb, taking a risk, something reserved for the most special occasions. In Saata, Cinnamon would wear a costume like this as a performance, or a challenge, or a temporary reprieve from society’s mores.
Here, she wears it, and the nearly physical mantle of authority that accompanies it, like they’re natural. Normal. Like they’re her due.
All thought of that or any other subject, however, is wiped from her mind by Cinnamon’s next words.
“She’s ready for you,” Nululi’s priestess says softly. Behind her teeth, her tongue bar glows with opal light, and her words hold a reverb Shy Doe feels in her bones. “Follow me.”
The next room is not a waiting room. It is far grander than that. It is as if someone had hollowed out a great shell, and laid a glass floor over the pearly nacre. There are no straight lines anywhere, just organic curves that look grown. And there are decorations and murals and barely any of them register in the face of the unseen pressure in the room.
There is a woman sitting on a throne, where all the organic lines of the room lead to. Shy Doe cannot look at her. Not yet.
So instead she looks at the younger woman - not much more than a girl - sitting next to her. Sitting on something that Shy Doe realises is a petrified demonic figure, forever frozen in position. She meets the mismatched gaze - one eye a cutting red, the other an unnaturally bright green - and sees the smile on the white-painted lips and takes in the hair, half-red and half oilslick tentacles like one might see on seafood. She can’t meet that gaze. It reads her, knows her, considers her... amusing.
There is a woman sitting on a throne. Now Shy Doe looks at her.
Red, is her first dumb thought, as she hears the others gasp or whimper or simply stare in mute silence. Red hair, like Cinnamon’s own, flows down the woman’s back in a rich wave, and a sheer silk jacket hugs her figure in arterial red of a brighter hue. Red stitching winds over the chemise beneath it in patterns of embroidery that Shy Doe feels a sudden, violent surge of longing to run her fingers over, and red pearls gleam in her ears, at her collarbone and on her fingers. Her skirt is velvet black, and doesn’t quite cover a pair of legs that make Shy Doe shudder and bite back a moan as her knees go weak. Stockings hug them, but these are not red either. She cannot put a colour to them at all, save that of fantasy, for in their shimmer she sees things that make her mouth go dry, starting with her own head between those sinful thighs.
And to think, not a moment ago she imagined Cinnamon was the pinnacle of beauty. No. This is majesty made flesh, and Cinnamon is a reflection of her. Not a pale reflection, no - in Cinnamon’s tongue burns the opal fire that fills this woman’s eyes, in her confidence and beauty are the wordless ecstasies of her lady’s slightest smile. But the priestess is not the goddess. Just by looking, Shy Doe can see that. And when Cinnamon sashays forward to kneel at the foot of the throne, Shy Doe can see in the proud, welcoming smile bestowed upon her that all Cinnamon’s arts, all her graces, all her beauties and temptations - they all come from this woman.
This demon-goddess.
Princess Nululi.
“My lady,” Cinnamon says, ducking her head in a submissive and almost shy gesture that none of them have ever seen from her before. “I have brought four of your cultists from Saata before you. Scarlet Blossom, who has transcended humanity. Smiling Steel, who chose you over the cruel gods of Creation. Second Harmony, who knew your arts before she knew your worship. And Shy Doe, who embraced your beauty despite her fear. I hope they satisfy you in their acceptance of your truths.”
Princess Nululi does not respond for a few long moments, her eyes flowing between shades - a brilliant, burning green, into swirling silver and red, into a flat and light-eating grey. “My priestess,” she says, and somehow - impossibly - she’s speaking in archaic Tengese, such that she sounds like a noble from the old country. “You have brought me such beautiful things. Such willing supplicants who wish to embrace the beauty I offer, and take it into themselves.”
“Shall I tell you of their deeds, my lady?” Cinnamon says eagerly. “They have acted in your name in Saata, to further our goals and spite the gods and heretics. Or,” she smiles slyly, glancing back over her shoulder, “would you have them tell you themselves? Or demonstrate their skills in dance and song?”
The other woman, the younger one - the one, Shy Dove realises with sudden shock, who has more than a little of Nululi’s features in her - smiles broadly. “I might council that they earn whatever gifts you decide to give them,” she says.
Princess Nululi considers that, and smiles. “Yes, let them earn it with their own skills,” she declares, sitting back in her throne.
Instant paralysing terror overcomes Shy Doe - they have to perform? Now? Without any time to prepare? For a demon goddess? But as she stutters and freezes up, Scarlet Blossom is already stepping forward, all six of her arms clasped together in three signs of prayer, to start reciting some kind of poetry.
Shy Doe doesn’t really register exactly what Blossom is saying. She’s vaguely aware that Smiling Steel steps forward after a while and starts to dance, and that Second Harmony sings, but her mind is racing in terrified, frantic circles, trying to think of what she can possibly offer.
It’ll... it’ll have to be the sitar. It’s her best instrument. And... and there are a few ballads she’s been working on, but nothing she’s sure about yet, nothing good enough or practiced enough to try here. What does she know... what does she know that she can offer to grand, beloved Nululi, what can she manage for sure, even locked up in terror as she is?
“C-Cinnamon?” she whispers, voice shaking, and somehow Cinnamon hears her, skirting around Second Harmony as she sings and resting a comforting hand on Shy Doe’s shoulder. “C-c-could I... could I have a sitar, p-please?”
Cinnamon smiles, kisses her on the forehead, and disappears towards the door. Shy Doe doesn’t see what she does or where she goes - even the thought of turning away from Nululi is impossible to fathom - but she’s back what feels like a split second or an eternity later, casually placing perhaps the finest instrument Shy Doe has ever held in her life in her hands as though it’s nothing.
Second Harmony is just finishing her song, so it can’t have been that long. Mustering up all her courage, Shy Doe steps forward.
“M-m-my princess,” she squeaks. “This, um, this is a song from the old country th-that my mother used to play for me. A- a lullaby.”
In all the warmest, sweetest, safest memories of her childhood, this lullaby, sung in her mother’s soft voice, is there.
“I-it’s called The River Has No End.”
((/r 11d10s7c10 #ShyDoePerformance))
((Shy Doe rolled 8 <1; 8; 8; 2; 7; 7; 8; 4; 8; 10; 5> #ShyDoePerformance))
The terrible attention of the princess is turned upon her. Eyes that never stay constant watch her, listen to her performance, hear her children’s song oh gods what is she doing, what was she thinking, why.
Her fingers finish their work, and she hears a noise. It is thunder. It is her doom. She’s offended the princess and-
Princess Nululi is clapping. And smiling. “How sweet! How adorable!” she says. She taps the air, and it hums back the same melody she could feel. “I could feel the heart you were putting into the melody!”
The relief is so intense she almost faints. And then almost faints again, because Princess Nululi is applauding her, she impressed her princess, the goddess gave her praise. She can feel her face flaming, and Cinnamon’s proud smile is there as well, and it’s almost too much to bear. She barely resists the urge to cover her face with her hands and squeak.
“What a charming gift you brought to me, Cinnamon,” the goddess... no, the great one says. She holds out her hand. “They may kiss my hand. And when they have done that, I want you to take them away and reward them appropriately.”
Shy Doe’s knees do buckle now, at the heated promise in that order, and the thought of touching - of kissing - one so grand as this. She can’t manage to stand up again - and neither can the others, from the sound of it - but Shy Doe is not as proud as they are, nor as blinded by false vanity or delusion. So she cannot stand? So what? She played a children’s song for a princess of Hell, and kind Nululi smiled upon her and called it sweet. There is nothing humiliating about being on her knees in front of her princess. To crawl is natural for a creature as petty as a mortal in the presence of the divine.
On her hands and knees, head bowed, with tears of worshipful awe trickling down her cheeks, Shy Doe is first to approach the throne. And because she’s the first to cast away her pride and understand her place, she is the first to kiss Nululi’s hand, and is allowed to linger there a moment, lips pressed to smooth flesh, and feel fingers with the strength of mountains stroke her hair just once before she pulls away.
She feels something slip into her, sink into her, and as she leans back, that lock of hair that Nululi touched is no longer black, as it once was. It is now a streak that gleams many colours in the light, like spilled oil on a puddle. And that is just a touch of something more profound. Because she can feel that there is something in her that wasn’t there before, and she doesn’t know what it is or why the colours look so strange or-
“I’ve changed my mind, my Cinnamon,” the princess declares, once they have all kissed her hand. “Take the others away for their reward. But this one. This one already wears my colours so prettily. I want to mark her further as mine. You won’t mind if I take her away to my studios and decorate her prettily, do you?”
The question somehow doesn’t feel like it’s directed just at Cinnamon. It feels like Princess Nululi is asking her personally too.
“Oh yes please,” Shy Doe breathes, barely aware of her exact words in the rush to agree. She can feel the envy of the other three, but she doesn’t care, because Nululi likes her, she wants her - her; little mousy quiet Shy Doe! - above each of those greater, richer, more forceful women! And Cinnamon will agree she should go with the princess, Cinnamon will approve of her pleasing Nululi further, and... and...
... Cinnamon isn’t speaking.
Shy Doe turns, terror and confusion mingling in a moment of heartbreaking insecurity - has she done something wrong? Does Cinnamon think she’s not good enough, not worthy enough to go with Nululi to her studios? But Cinnamon doesn’t look disapproving. Her expression is one of naked shock. She’s staring at Nululi’s hand and Shy Doe’s new lock of iridescent hair like they both just grew lips and sung her an opera.
But a split second later - a second in which Nululi’s attention also falls on her - she shakes herself and the surprise is gone. Her smile is as controlled and pleasant as ever.
“I think that would be a very good idea,” she agrees. “But my lady, if I could have a word in private first, I might offer some advice on, ah...” she glances at Shy Doe and lowers her voice, though not quite enough to prevent her from overhearing, “... keeping it to something she can proudly show in Saata, and which she won’t have to hide in fear of a Wyld Hunt.”
The others leave, Cinnamon speaks with the princess, too soft to hear, and then the servants of the princess take her. She... she recognises some of these breeds. They are servants of Cinnamon back in Saata. But they take her to the baths and they bathe her and exfoliate her and anoint her with oil and massage her until she feels as weak and soft as fresh dough.
And then she is taken to a place where the walls are white and bare, but all over them are paintings and sketches and notes and hanging sets of tools she doesn’t even recognise. Princess Nululi is waiting for her there, changed into a different set of clothing but Shy Dove couldn’t tell anyone what she’s wearing now because it doesn’t register. Not very much does.
“Let me look at you,” the demon princess murmurs, pacing around her, prodding and poking and where she pokes Shy Dove feels something inside well up, but she can’t answer its call. “Oh, very nice. I recognise my... my Cinnamon’s handiwork there,” the princess observes, brushing her fingertips over the initiation tattoo of the cult. “That’s sunk into you and you’ve taken very nicely to it. It’s so nice to see people who are loyal to my Cinnamon. She doesn’t have enough friends, you know.”
Shy Dove has no idea what to say to that because it’s such... such an impossibility. But now she’s being manhandled onto a table and she definitely recognises the tools of the piercer and the tattoo artist. She’s seen Cinnamon’s handiwork on some of the others, especially Golden Child who wears the greatest signs of the enlightenment that the priestess offers and - gods! Of course this is where Lady Cinnamon learned such terribly potent arts that can free the mind and grant power to mortals!
But if Lady Cinnamon learned her arts from this master, what will Princess Nululi do to her?
Shy Dove realises with a start she doesn’t fear this. She... she didn’t have much to be proud of with how she is now. She’d never been much and she’d been too scared to even accept the blessings of the Ladies until the demon lady Seresa had visited her. Scared enough that she might have even told others, which just shows how worthless she was.
“Stop that,” Princess Nululi murmurs, not unkindly. “You’re such a swirling mess of ugly colours.” Needles jab into her back, and Shy Dove finds she can’t move. She’s been paralysed with a master’s display of the acupuncturist’s art. “But those ugly colours mar the beauty that’s already within this stone. I’ll just have to chip away and shape what’s already here, and it’ll be a masterpiece.” She can hear charcoal scratching on paper, as the princess works with terrible speed. “Yes, yes, a few opal anchors in the flesh there, and then... hmm... oh, where was that book of Tengese art she got me?”
Unable to move, pinned like a bug as this powerful, beautiful, confident demon princess treats her like a found piece of jade to be shaped into a thing of wonder does something for Shy Dove that she didn’t even know before, and she finds the thoughts come less and less often. Why think when she’s here, in the hands of something beyond the gods? And wrapped in this euphoric, opiate-like bliss of religious awe, she barely feels the first needle of the demon princess’s art.
Time passes. How much, she couldn’t say.
When she rises out of that wonderful state where the pain and the pleasure were one and the same, she finds she is standing, supported by two of the lesser demons. And another holds up a full-length mirror so she can see what she has become. What the demon princess has made of her.
A river flows across her skin - a river without end, perhaps inspired by the lullaby she played for the princess. Its waters hold no trace of blue; instead they’re swirling currents of sea green and deep-ocean indigo and gold-fringed waves that cup her breasts and twine around her shoulder and wind across her back in lazy meandering loops. On them sail treasure ships and pleasure yachts, in them swim mythical beasts and jewelled fish, around them are Tengese blessings - there’s no room for surprise that Nululi knows such things - for wealth, good fortune and prosperity.
And she realises - she’s taller by an inch or two, too. Not because she’s grown. Because she’s standing straighter, without the faint slump to her spine or inward-drawn shoulders that mark her usual posture. She’s not huddled in on herself, and somehow even more than the tattoo and the lock of oilslick-iridescent hair, that simple change in body language makes frightened, flinching little Shy Doe look like a completely different person.
“My my,” Cinnamon’s voice comes from somewhere behind her, warm and richly amused. When did she arrive? Was she here while Nululi worked? No, she’s visible in the mirror, over by the door, looking Shy Doe up and down appreciatively. “You really had your way with her, my lady, didn’t you?”
“Look at her,” the demon princess says happily. “Her posture is better, and she doesn’t have all those poisonous feelings directed at herself. And of course, that lock of hair looks just wonderful on her. How are you feeling, little one?” she asks Shy Dove.
“I feel content, mistress,” Shy Doe says. There’s no stutter or hesitation. Why would there be? She’s beautiful, and favoured in the eyes of her beloved patron. “I feel blessed. I feel like I could sing an opera or dance for days, if it would please you.”
“That’s wonderful! I saw the misery twisted up in your vital lines, and I couldn’t leave it there. And don’t worry,” she reassures Cinnamon, “I’m not some clumsy bumbler who did something foolish like excise her ability to feel miserable. I just smoothed away the self-loathing and left beauty in its place.”
Beauty. Yes. Shy Doe can feel the beauty in her flesh as she examines herself in the mirror. Not just her tattoo, or even her newfound confidence. She can feel dance and song and the temple her body has become. She can feel poetry and prose and the pinpricks of the tattooist’s art at her fingertips. Nululi hasn’t just gifted her a prettier outward guise or a lovelier sense of self. She’s given her the skill to make beauty for others, too. What warm compassion from her princess. Shy Doe smiles dreamily at her reflection, tracing one of the curving lines across her belly. She’ll have to help her faithful sisters with their own designs when she returns.
“My Cinnamon,” the demon princess says, stooping slightly to rest her brow on her faithful priestess’, “you have done so well to bring me these darling girls. I was curious when I started to hear whispers from beyond, but I knew their voices already before I had even met them. Their faith is so strong, it makes me stronger too. This little one will aid you in bringing beauty to Creation. And I would not have met her if it hadn’t been for you. So, my faithful priestess, my servant, mine - I am so proud of you for this. I know you have other things to do and other duties, but... I understand now why the others want their faith spread. And I will not let down their trust in me. Make them beautiful for me, my priestess. Spread my vision among my faithful. And when you can, bring them to me. This has brightened my entire season, to meet this charming little one and to get to work like this on mortal flesh.”
“My lady,” says Cinnamon, and there’s such love in her voice, such utmost devotion, that it breaks Shy Doe from her trance and turns her to look. Cinnamon is down on one knee, cradling Nululi’s left hand between her own, and Nululi looks down on her with tenderness that makes the heart ache to see. What must she have been, Shy Doe wonders, before Nululi reshaped her as she reshaped the weak, self-loathing girl who lay down on her table not an hour or two ago? How did she come to Nululi’s palace in the first place? Willingly, no doubt, for her lady to be so fond of her.
“My lady,” Cinnamon repeats, looking up. “It is only the least that you deserve. I’ll bring the others to you when I can. And I’ll spread your worship further, to bolster your strength and bring you joy.”
And at the mirror, Shy Doe promises herself, deep in her heart of hearts.
She’ll be there to help.
On the innermost layer of Hell, the sun hangs low overhead. Ligier’s eye falls eternally on his own domain, and what it sees is grand boulevards and towering spires whose peaks fall just short of the green sun who is lord of this place. Here, the light is gentle and soft, for there is no poverty, no disorder, and the crown prince of Hell’s vision for all things is made clear.
And if it feeds on the resources drained from other layers and pumps its fumes into the catacombs to haze other skies within Hell, that is none of Unquestionable Ligier’s concern.
It is certainly none of the concern of Princess Haneyl Kerisdokht, who is here as his guest. She paid a fortune in gifts for this chance - a loss that still sticks in her craw - and all her work in prototyping and experimenting with fashion in the social scene in Saata was merely using the failed designs she had considered and rejected for this meeting.
She is terrified. Of course she is. All this effort has been to set up this moment, and she knows that if she fails here, she will ruin not only her chances, but also might harm mother’s plans.
But the chances for gain...
She inspects herself once again in the grand polished brass mirror in this waiting room. Will he like it? Will he laugh at her as a provincial rube?
Hopefully not. She’s managed to salvage some of the - rather tacky - outfits she wore during her quicksilver-poisoned madness, and tight-fitting leggings of exotic leather cling to her legs above high-heeled, knee-length boots that have ornately hilted knives strapped to the outer shins. Her jacket is feathered tyrant lizard hide, again close-fitting so as to show off her figure, and the choli under it is so heavily embroidered with flowers and flames that the patterns cover every inch of it that shows, leaving only her midriff and a hint of cleavage unadorned.
Among the precious jewellery she wears, prominently displayed on one wrist, she’s made sure to include the brass-and-emerald bracelet that Ligier gave to her mother in the days before she’d grown enough to leave her inner world. She’s had to adjust the size, but it’s still a masterful work, and if it’s a little childish in its simple design... well, it has sentimental value. And, more importantly, shows loyalty, and an appreciation of Lord Ligier’s gifts.
Her stomach grumbles with hunger as she waits, but that is an unwelcome distraction. He will be looking for the fire in her, not the gnawing vegetation. She will be strong. Also, she already ate the food she brought with her.
Eventually, her name is called, and she makes her appearance before the crown prince of Hell.
The architecture is nothing like anything she or Mama would build. It doesn’t resemble Lilunu’s tastes, either. Everything is precise angles, in this vast temple-like space of black basalt, mirror-polished brass, and gold. The geometry of the space has been calculated such that all the lines of perspective lead towards the great throne that sits atop a miniature stepped pyramid - for each line is a ray of green fire that emanates from the sun that sits atop it. The path that leads to it is one of those lines, a light-bridge that reaches over a pit from which music emanates. Haneyl can vaguely see the automata that dwell down there, whose voices are raised in paean to Ligier and whose orchestral notes are a brazen, forceful exaltation of the green sun.
Ligier’s eyes fall onto her, and she feels the heat and the pressure of his nature, feels her skin draw tight under that attention. In the middle of all this ornamentation, he is almost offensively simple; shirtless, to show off his smith’s body, and his long skirt-like garment sits low enough on his hips that the full force of his lean strength is revealed.
“Little Haneyl,” he calls out, his voice soft yet perfectly audible from the other side of this immense room. “You may approach my throne.”
She swallows, reminds herself that she’s a princess, and approaches. A respectful distance from the foot of his throne, she goes down on one knee, one fist on the ground to keep her balance, her unbound hair falling down fetchingly over one shoulder with her green ember blossoms burning in it just so. Her other fist, bracelet adorned, she lays across her chest over her heart.
“Lord Ligier,” she says. “Thank you for giving me this audience. I wish to make an offering, and beg a boon.”
“You have spent a fortune on securing this audience,” Ligier observes, leaning on one arm of his throne. “It piqued my curiosity. Go on - but, ah. One question first.” His eyes flash like the sun so close overhead. “Are you here representing your greater self, who is barred from my layer, or representing yourself?”
“Myself, my lord,” Haneyl swears. “I make this request independently of my mother’s agreements with you.”
“Go on,” Ligier says. Is that interest in his eyes, or possibly just surprise at her audacity?
She deliberately fuels her passion, her sense of drama, and tries to put her grumbling stomach and her sense that no this is a mistake you’re only a demon lord you shouldn’t be so blatant out of mind. She feels the embers in her hair burn brighter, and smells smoke.
“Your imperial majesty, this past year I have brought the Abhang family of the Raraan Ge under my control, all in the name of Hell,” she declares. “I own them; their debts, their mortgages, the heir longs for me. Alone, this would not be something worthy of your attention. They were once mighty, long ago, but now they are a half-broken shell of what they once were. Their blood is so weak they have no living dragon children, and they are reduced to holdings on islands down the line of the South West, to even further south than the Jati Isles. But your majesty, it is one of those islands that I came to speak to you of.”
She wets her lips; they’re bone dry from her heat and from the force of Ligier’s stare.
“For one of the isles I own the mortgage for is named Nisi Pulo, and it is half-consumed by the ever-changing Wyld. It is so far south that it is struck by the hunger of the madness of the chaos outside the world every new moon. Creation’s hold on it is very tenuous, and it is ingested with chaos beasts.
“Your imperial majesty, I remember what you asked of my mother up in the north-west, when I was much younger than I am now.”
Ligier chuckles at that. “So you want a loan of Wyldeater to collect more fuel for my forges?” he asks, amusement clear in his voice.
Haneyl swallows. It would be so easy to say yes. But, “No, your majesty. If I were only looking to raid that land, I would have done so already so that I could have presented the products of that hunt to you as an offering. But,” she resists the urge to wring her hands together, “your majesty knows the art of capturing the fruits of the Wyld, to draw on it as one would a manse, to chain chaos and make it something you can own.”
She exhales a wispy puff of flame.
“I desire the knowledge of that art. And with it, I will bring into being chaos-eaters across these far southwestern lands, and from the fire and root will come wyldstone that I can offer to you, your majesty.”
There is a long silence.
“Such burning ambition,” Ligier observes, voice soft and far less magnanimous than his previous tone. “Burning ambition and gnawing greed.”
“It is my nature,” Haneyl says, throat dry. “And I know your arrangement with my greater self. Your foes would inflict... indignities upon me. You offer me status, power, and generous recompense for bringing you what you desire. And from my very first days, I have worn your flame. Service to you in this way is what my nature demands of me.”
“I suppose it does,” Ligier says contemplatively.
She waits, hands on her thighs as the crown prince of Hell contemplates her offer.
“Little Haneyl,” Ligier says, leaning forwards, “will you pact with me to this end, knowing that deception on your part will bring harsh punishments upon you just as faithful service will bring lavish reward?”
Her hands tighten on her knees. She’s not deceiving him. She really does intend to do this. But... but if she can’t, then she’ll have to endure his suspicions that she was untrue - or worse yet, admit to failing him. Or go running to mama or Rathan for help. She can barely stomach the thought. But... but the rewards if she doesn’t fail - which she won’t, obviously, because she’s the best of mama’s children, and with the knowledge Lord Ligier is offering she’ll have all the tools she needs...
“I will,” she swears, keeping the wavering of her voice hidden beneath the fires of ambition. “You can trust in me, my lord. I am your loyal servant.”
She feels the heat burn for a moment, a glyph in green fire resting above her heart, before it sinks into her core. She can feel it there, lurking, quiescent, waiting to release its terrible energies. “Then rise, and approach me, my servant,” Ligier intones. “My hidden servant in Creation. We expect great things of you, little Haneyl.”
She pushes herself up to her feet and steps forward, almost timidly. “Thank you, my lord,” she says shakily. “I- I won’t let you down. I’ll get you results.”
His eyes take her in, burning brighter than hers ever have, staring through her and leaving her feeling naked before him. Not that she’d mind that, because - just look at him! But that too bright gaze feels like he can see that part of her. “That is your oath,” the heart of the Demon City says. “Now, come, my servant. Let us dine, and speak further of this matter in more privacy. For if you can give me everything you promise, you will be favoured like few others in my service.”
Chapter 19: Early Air 775
Chapter Text
A peculiar mania has seized Keris Dulmeadokht, as she sweats away in a forge borrowed from the Conventicle Malfeasant. She has not slept in three days, and her face is scorched red from how long she has spent in front of the flames. Her hands are covered in basalt and brassy scars from where acid has splashed and burned her. Her hair is mostly pinned back, but some is wrapped in demon leather and handles various arcane implements. She is drenched in sweat, and it gleams on her dark skin in the light of the hungry green flames.
She is barely blinking now. Her mind is filled with the silvery shape in front of her, and the image in her mind of what it is becoming.
Her spear floats in a tank of vitriol. It’s barely recognisable as a spear. Within the tank, layers and folds of liquid are held in careful equilibrium by membranes of oil and delicate tools fashioned from metody. The elinvar casing of her spearshaft has been dissolved into a pale brown acid solution that forms a hollow cylinder around its moonsilver skeleton. That in turn has been immersed in the bubbling purple-green azoth that was once the demon lord Lei Mei, separated from the elinvar solution by rare oils derived from Black Boar that will resist vitriol’s contamination and affect no change on the substances they’re holding apart.
Three days and three nights have gone into breaking down the jewelled heart of the demon-serpent Keris slew in Malra into liquid form and boiling off the lion’s share of her memory and consciousness. Somewhere in Hell, the demon prince Enali will be mute with hollow pain at the final death of his Messenger Soul, but Keris cares nothing for him. Her world has become the intricate balancing of fractioning chambers and distillations and reagents and oils and layers - for the elinvar solution cannot mix with the azoth-bath of the moonsilver yet, or her project will be ruined, and the azoth must maintain Lei Mei’s will and occult knowledge as much as possible, but be purged of her consciousness and her hatred of Keris.
Under her hands and hair, the moonsilver chains hidden within her spear have softened in the azoth enough to be moulded. From a simple chain of razored links, Keris fashioned a snake’s skeleton, delicately guiding concentrations of azoth to accrete at its planned-out chakra points. Now she carves delicate traceries on the leaf-shaped spearhead to give her creation eyes, and moulds the flexible moonsilver ligaments between each vertebra that will let it stretch up to ten yards or bend itself into knots. They need different azoth concentrations from the hard, angled vertebrae next to them, and this means yet more oil layers, yet more precise balancing of acid gradients to keep balanced, all suspended in solution, all done without disturbing the layer of elinvar solution that will need to coalesce onto the skeleton as delicate, razor-sharp scales once the azoth has all been absorbed.
When she started, the cylinder of azoth surrounding the moonsilver core of her spear was almost a foot thick. Now, it’s no thicker than her wrist - the moonsilver is drinking it in, absorbing the demonic essence within the acid and forming exotic alloys of fluid lunar metal and potent transformative liquid that need perfectly calibrated temperatures to occur. The many avian bodies of the Paricehet perch on every surface nearby, laying every second of Keris’s genius bare as their keen gazes analyse her work.
Inch by inch, fraction by fraction, the azoth bath seeps into the serpentine skeleton of silver, until it’s entirely gone. And then Keris goes in with new tools to wick away the oil that now coats the silver and expose it to the dissolved elinvar. The neutral fluid around that, separated by yet more oil, begins to bubble and boil as she raises the temperature, beginning the process of boiling off the liquid and letting the star-wood accumulate back onto the shaft around grain-crystals that will reform it with its natural grain in a thousand lethal scales, anchoring each one to the skeleton beneath.
She adds the base powder coat, and lets the precipitation start.
Slowly, the elinvar builds up, the grain of the wood reforming according to the minute currents Keris stirs in the liquid. Each time the layers build up around each crystallisation grain to the thickness of a wafer, Keris places another layer across the surface and brushes another thin dusting of powdered base to begin another cycle of reaction and precipitation.
She loses track of time, loses track of her hunger and her tiredness and her burns from acid and flame. Nothing exists outside the gradually diminishing cylinder of pale brown vitriol in its clear suspension fluid and the thickening form of the spear at its heart. There’s music somewhere, setting a steady pace in time with her heart for her to work to, but she’s only peripherally aware even of that. Sweat trickles down her brow, and gets wiped away by the sound of feathers and talons before it can fall into the acid bath.
Finally - finally - it’s done. She draws the finished product up through the oil that is now all that coats it, up through the suspension fluid that it now floats alone in, and as planned they combine to form a clear varnish over the outermost surface of scales. The form of the thing, the moonsilver bones at its centre and its elinvar flesh and scales, is complete.
Now all that remains is to see if it lives.
((/r 25d10s7c10 +10 #ViperaForging))
((Keris rolled 23 <1; 7; 9; 3; 8; 8; 5; 6; 1; 2; 9; 6; 4; 10; 8; 3; 3; 7; 3; 9; 8; 9; 4; 8; 1> #ViperaForging))
When Keris reaches out to touch her new spear, there is no pain. Not at first. But the reason there is no pain is that the scales are so sharp that they slice clean through Keris’s steel-hard skin. And then the spear moves like a living thing, coiling around her hand and digging in. Just like she does when she wraps someone up in her snake-form.
And there is a rattle, not quite a rattlesnake’s buzz but a chime of metal against metal. Not warning, either. Covetous. Bloodthirsty.
“Shit!” she swears, instinctively letting go. This does absolutely nothing to help, as the spear already has her, and she swears again, grabbing it to try and pull it off. All that does is get her other hand sliced up; whatever resistance Iris’s scales have to heat and acid offer no defence against these razor-edged scales. Cursing, spinning, Keris bares her teeth, hisses back and slams the body of her newly-forged weapon against the stone floor of the Nests; once, twice, thrice, until its grip loosens and she can grab it on either end with her hair and pull it taut.
It does not pull taut. It stretches the full six metres she can spread her hair apart, and then stretches further, making a loop of itself that tries to lasso her head and get her neck caught in its scales. Keris grabs its midsection - stupid, stupid, she knew her Lance could extend out to ten metres, she put a lot of work into this serpent-spear’s ligaments to let it do the same - and wrestles it off, then catches it with another lock of hair and forces it out into a curved bow that finally pushes its extending as far as it can go.
It doesn’t let her do so without protest. It wriggles and wrestles and snaps at her, lashing its spearhead towards her face as if it can reach, rattling and hissing and trying to overcome the steel-wire bonds of her hair to taste her blood again. The blade-head splits open down the centre, stretching open like jaws, jagged on the inside with recurved teeth. It snaps at her, dripping molten silver and vitriol from that vicious array. Furious, and more than a little worried that she’s botched this project entirely, Keris slams it into the ground again, thrice more, and thrice more over, until it’s stopped squirming and the spearhead is dipping in a stunned daze from the unnaturally flexible socket.
“I am in charge here,” she snarls, balling up her bleeding, mutilated palms. That’ll be a lot of root-hair work later to heal. Some of the damage is deep enough that not all of her fingers are responding. “You understand?” The damage - and the pain - only fuel the anger in her words. “You want blood, I’ll give you blood. I beat you, so you know you’ll get far more with me than on your own. But you obey me. No hissy fits. No gouging my hands. I wield you. Now behave.”
It snaps at her again, trying to sink its fangs into her so it can drink its fill. She can feel the malice and outrage radiating off this spear. It’s hungry. It’s angry. And it’s young, too; it’s startlingly immature for something made from a centuries-old demon lord. Like Ogin throwing a tantrum over a confiscated toy, it hates her because she’s trying to take away the delicious blood it’s drinking. It doesn’t feel like the sharp, bright pyrian notes of Lei Mei’s existence; this is a psychic presence that reeks of vitriol, blood and venom. And more than a little bit, it smells like Keris herself.
“Behave,” Keris growls, flaring her anima and forcing her essence into it. She refuses to give this up as a failure. Not after all this effort. A vicious, bratty weapon that wants blood is something she can deal with. She just has to make sure it doesn’t want her blood specifically, and that it obeys her when it matters. “I’m stronger. I’m more skilled. I can give you what you want, you can kill bigger things in my hands than you ever could alone, but I am in charge, now behave.”
It is not easy to hammer this... this thing into submission. It is possible she put a little too much of herself into it. Or maybe it’s because the spear is glutted on her blood already, and as she tries to force it to obey her it wraps around her forearms, scraping against the bone and tearing tendons. If she was merely human, she’d be crippled for life by what this is doing to her - and that would only be if she didn’t bleed out in moments.
But eventually, finally, the spear concedes that she is bigger, meaner, and both able and willing to hurt it more than it can hurt her if it keeps feeding from her veins. Her corrosive essence rushes into it, filling it to the brim and forcing it into harmony. And the spear slips back into the form that looks almost like a regular weapon. Not tame. Not even really asleep. Just... quiescent.
Keris sinks to her knees; her protective equipment torn to shreds as badly as her forearms, coated in her own blood and sweat. Woozily, she’s pretty sure she’s hurting worse right now than she did after giving birth. And that’s oddly appropriate, isn’t it?
“Wh’re y’all lookin’ a’?” she slurs, looking up at the countless - because her vision’s swimming a bit too much to count them right now - forms of the Paricehet perched around her. They’re still just staring, and thinking back she’s pretty sure they were helping with some of the process, wiping her brow to make sure her sweat didn’t contaminate the mixture and moving base powders and crystallisation grains into her reach when she needed them. Maybe as a favour in return for the eyes and tongues she’s given them. Maybe just to see their Nests used for a project truly worthy of the wonders they used to forge here.
WE HAVE NOT SEEN SUCH WEAPONS MADE IN A LONG TIME, the birds spell out. BUT WE LIKE TO SEE THE DEMON LORDS SUFFERING. FORGE MORE WEAPONS WITH MORE, MIGHTIER AZOTH.
Right. Crap. Witnesses. “S’long as y’don’t tell anyone’m doin’ it,” she replies. “Can’t make anythin’ if the Unquestionable c’m’after me for killin’ their souls.”
Picking herself up, she picks up the spear with a lock of hair and leans on it. For all its practically-Szorenic flexibility when it was trying to strangle her, it’s perfectly stiff and solid now. The spearhead is solid once more, with no signs of the jaws within. Her arms hang limp, and she sighs in relief as another two hair-tendrils hit pressure points in her shoulders to numb the pain. “I’m gonna go fix myself up from... all that,” she mumbles, as much to herself as to the watching birds. “I’ll clean up after a nap.”
Even as she knits her severed nerves back together with roots - oh, now it decides to start hurting, great, very helpful - she realises she’s only seen cuts this clean a few times. The scales of her new spear slide through flesh like the obsidian scalpels the best surgeons in the Saata colleges use.
“You cut very cleanly, don’t you?” Keris mumbles. “Bet I could use your scales for surgery, if I needed to. Or fleshcrafting, if your smarts came through.”
A faint, eager rattle. Oh, it likes that idea. Not so much the surgery, but the fleshcrafting. It likes that idea a lot.
“You need a name,” Keris decides, weaving her muscles and tendons back together. “You’re more than just a tool now, you’re a living thing. Weapon, but also creature. Something more than just a relic - I’ve seen Hellish artefacts with minds of their own before, but none that take it to your degree. Not able to move on their own or attack their wielders.”
She hums to herself, annoyance fading quickly now that it’s accepted her dominance and she’s seen how well she’s succeeded.
“Vipera,” she decides. “You’re not a snake whose venom paralyses. You don’t want to cause a quick death from neurotoxin, do you? You want your prey to bleed. That’ll be your name. My bloodletter. My viper. And I’ll feed you your prey, as long as you remember who’s boss. That suit you?”
The hiss-rattle is... not apologetic, but anticipatory and vaguely affectionate. She has made something that might well be akin to one of the cursed weapons she heard about in Nexan folk tales. The kind of thing that the workers for scavenger lords told tales about when drunk; weapons that took control of their user to kill and kill without end, or which drove men mad with their limitless lust for blood. Back in the day she’d half thought those tales were drunken men competing to scare street rats.
But while there may be malice in every inch of it, the demon-spear seems more placid now that its hunger has been sated and its birth pangs are fading. It likes its new name, and it likes her promises of ample prey and bloodshed. The spearhead bends and brushes her shoulder with the feather-light kiss of a blade, the razor-sharp edge tracing lightly over her skin with deliberate care that shaves away strands of vellus hair without leaving so much as a scrape.
“Good,” she murmurs, petting it as a reward, and yawns. Her skin is sewn up - though still criss-crossed with thin lines of brass where the wafer-thin scales dragged deep - and the bone-deep exhaustion from her days of work is hitting hard.
Collapsing back along the cot in her workroom that she usually uses here at the Nests, Keris falls asleep.
Dark wings descend.
Keris dreams of Saata, but a Saata painted in blacks and reds. And in place of the statue in the Daimyo-and-Yellow, there’s a statue of Calesco in red marble.
“Mother,” the statue says, voice laden with anger and fear. “You are going to have to return to Creation. I can’t find Vali. My arrows return to me having failed to seek him out, and even when I seek him as a night-dream, I can’t find him. The last time I found him was before Calibration. You’ll know if he’s dead, or really dead, but if not then something is hiding him and he could never hide himself like this before. I wish I had better news, but I do not.”
The dream dissolves into a blurred mix of shadows and crimson, and Keris jolts awake in bed and sits bolt upright, breathing hard. The visuals of the dream are fading a little, but the message is crystal clear.
Vali missing, and beyond the range of scrying.
Fuck.
“... which means I’m going to need to rush back and find him. I know I usually hang around for most of Air to help clean up after the festivities, and I know you were hoping to see some more of me after I was tied up in rehearsals for most of Fire, but he’s been gone for almost a year now, and he was good about checking in with Calesco for most of that but now he’s just dropped off the map. I know he’s not dead, but... I’m worried.” Back in proper clothes, with her new spear wound around her waist as a belt, Keris gives Lilunu a pleading look. “I’m really sorry to abandon you so soon in the year, my lady, but I don’t want to delay on this. It’s going to be hard enough just finding and following his trail, and the longer he’s unaccounted for...”
Lilunu obviously isn’t exactly happy, but she nods. “Of course you must see to your son,” she says firmly. She is robed in pure white, but the thread and embroidery is an ever-changing rainbow that seems to almost shimmer above the surface. Keris recognises Zana’s threadwork in it - and more than that, her colour choices. “Especially since something that could conceal him has to be powerful - perhaps one of the gods’ chosen.”
Keris hugs her. “I’ll... well, you won’t really see much of me, but I’ll be in Hell for Earth, and I can see you just before my term on the Street starts and maybe for a bit after. And I’ll be back in Fire like usual, I promise,” she swears. “I’ll bring you a present, too. And some more of your Ladies. I’ll tell you all about them in Earth and you can pick which ones you want me to bring.”
“I’ll keep her safe, anyway,” Nara says confidently, running a tentacle-hand casually through his floppy red-blond hair. He gets a somewhat surprised look from both of them. “What? Lady Lilunu is her-our mother so of course we’ll help her clean up. Aaaaaaaaand also she owes us smithing tuition for all the work you two slave-drivers made us do last year.”
Keris kisses him on the forehead. “Alright. I suppose I’ll feel safer if I know you’re safe, at least. I’ll be taking the twins back home, though,” she adds to Lilunu. “Much as I’m sure you’ll be distraught to part with them after they’ve been so well behaved. And thank you again, so much, for looking after them while I was on missions.” She grins. “I knew I made a good decision when I asked you to be their godmother.”
“I can’t say I won’t be a little happier if they’re a bit older next time you leave me with them,” Lilunu says. She gives Keris a faux-pitiful look. “I’m ill, you know. Having to deal with those two little troublemakers for too long can’t be good for my health.”
“If you need me to attend to your health, my lady, I’m always happy to help,” Keris reassures her. “And I’ll make sure they - well, I’ll try to make sure they take it easier on you next time they stay with you. Though I’m afraid I can only promise I’ll try, when it comes to curbing Kali’s enthusiasm.”
“I do love them,” Lilunu hastens to reassure her. “They’re just... a bit much for a season. Or two.”
“I understand,” Keris says. “Sometimes they can be a bit much for me, too. Zanara!” She points at her youngest soul. “Be good for Lilunu, and learn a lot. And,” she sighs, “wish me luck in finding your brother and dragging him out of whatever mess he’s in. Mehuni is packing my things as we speak, so I’ll be leaving before the end of this scream.”
Nara flips his hair. “I guess you’ll just have to deal with how he isn’t well behaved like me,” he says pompously.
Below the world, in dark forgotten places…
The worm struggles in his grasp, its rows and rows of leech-teeth gnashing and writhing up front. But Vali holds on tight, digging in his fingers into its pulpy flesh to stop it escaping despite the layers of slime. Its crystalline, gem-like eyes swivel madly, trying to get loose to what has a hold on it. It screeches, a wet, awful sound as he tightens his grip. Vali is, at heart, a smith, just like his uncle, his grandfather and so many going back in that line, and his body is made to crush stone and iron.
With a final grunt he tightens even more, and like an oversqueezed fruit out comes a rush of blue-white blood and the organs of the slimy, wriggling beast. But he has its grip on it, and he squeezes and squeezes until it’s a wet pile of torn flesh and viscera.
Tossing the corpse to the ground, covered in blood that mostly isn’t his own, his scars gleaming like metal in the low light, he throws up one arm with exhausted pride. “Too weak!” he roars. “Too weak for me! You said you would send me your best today! What was that, Kalathais?” His gesture takes in the bodies in the sand. “What was that?!”
Once, this must have been a grand fighting arena. Something made for tens of thousands of souls to watch. The high, high walls are thick with dust and worn by time, but there are so many things shown fighting here. Very few of them are human. And in the ancient dioramas, there are two suns in the sky, accepting the bloody sacrifices of this pit. Was this entire city once above the ground before something sunk it below the surface, or was this simply stylised - or a copy of something more ancient?
There are certainly no suns above him now, not underground. What there are are crystalline eye-orbs that always watch him when they take him to the killing pits, watching from all angles, taking in everything he does. And there is one of those not-trees growing from one of the boxes of the stands, and in its hum it speaks.
“Satisfactory combat dance this morn,” it says in the twisted, accented, ancient Old Realm. “Demon Vali, you will live until next morn you fight for this one. Then you may die, if your combat dance disappoints mine eyes.”
This is how Shaper Kalathais communicates, and this is what it says every time. It throws its flesh-woven constructs against him, telling him that if his ‘combat dance’ is not satisfactory, he will die - and every fight thus far, it has considered him satisfactory.
“I’ll get out eventually,” Vali swears, his orange eyes burning like coals. His fists clench, and he feels the new basalt and brass scar tissue crisscrossed over them pull at his skin. “You know I will. And when I do, Kalathais, I’m coming for you!”
Fat sparks crackle through his hair and trace lazy arcs across his arms and shoulders. The ancient thing behind this place still has him trapped, but he’s stronger today than he was yesterday. The enemies he’s fighting are getting stronger, each one using countermeasures devised from the last, but he’s powering up too. Trapped in this helpless captivity, battered and beaten every day by the fights and the tests and the mechanisms, feeling the malice from the old, hateful mind of the Shaper focused on picking him apart and wearing him down to nothing... it’s hard, it’s painful, it’s terrifying, but it’s also exhilarating.
If it had been Haneyl here, it would be working. But Vali isn’t his sister. He starts out weak where she starts out strong, but he doesn’t wear down. The longer he’s kept under pressure, the stronger he gets. And the rush from being contained like this has been longer-lasting than anything he can remember before. He’s on his own. Nobody is coming for him - nobody even knows where he is. He doesn’t know where he is. Calesco’s the only one who’s been poking her nose into his business, and she’s either not sent him any dreams lately or can’t find him.
But he doesn’t need them. Sooner or later, he’ll have ramped up enough to go dragon. And then Shaper Kalathais will get to see his true power.
“You hear me? I’m coming for you!” he roars at the tree, and feels the phantom grasp of whatever ancient mechanism moves him around against his will close like a stifling blanket as space bends and shifts around him.
Once again, he re-appears in the gaol they have for him. It is something he hates. To the onlooker, it looks like a single pillar, surrounded by a pit, and he is left atop the pillar. But he can feel the demon-hating power of the spire. It is like a crushing weight on him, down underground in the darkness. There are essence-walls that stop him even throwing himself off the pillar. And all around the edges of the pit, there are stone automata that always watch him. Sometimes in the night they chatter to one another, in voices like birds and snakes.
As he has on every other night he’s been here, he rolls his shoulders and walks determinedly away from the centre of the pillar where he emerged, gritting his teeth in a snarl against the oppressive pressure and locking eyes with one of the automata, chosen at random. Step by step, he pushes himself forward until his hands meet the greasy-feeling essence-wall at the edge of the pillar, which stings and smarts where it touches his scabbing cuts.
Dropping his weight, Vali plants his feet and pushes.
The essence wall doesn’t waver. It never does. But it’s a force to set himself against. Something to make sure he doesn’t rest and lose any power to monotony and idleness. Crushed under the oppressive weight of the demon-wards, forcing himself against the unforgiving barrier like this, he’s advancing almost as fast down here as he is up in the arena. He sleeps at the edge of the pit every night, sitting upright and leaning back against the field so that even unconscious he’s not letting up the pressure.
The mechanisms chitter in alarm, as they do every time. They are scared of him. The voice which speaks through them, Shaper Kalathais, does not seem to fear him. But his servants, his mouthpieces do.
Hunkering down a bit more, Vali rams it with one shoulder, and digs into the floor with his heels to force himself against it harder as he roots around with his now-free hands for what he’s managed to take from this last fight. Hmm. A dozen teeth, some tendony-ligamenty blood-slick viscera that had been harder to tear through than the rest of the leech’s tissues and should serve as rope, and one of its crystalline eyes, about the size of his fist. Not much to work with. But, hmm, maybe enough to make a spiked meteor hammer he can surprise his next opponent with. Or some barbed knuckle dusters that’ll be good for a few blows and a crude knapped hand-axe. Kalathais is constantly coming up with new counters to how he fights, and that means he’s fighting even when he’s not fighting - and fighting twice even when he is. Every trophy he can rip off an opponent or scavenge from the decaying arena during a fight is something he can craft into a weapon for next time here on the pillar. Every weapon he crafts lets him beat another opponent and tear some more materials from their corpse.
And all the while, he powers up. He’s fighting physically in the arena. He’s working mentally on the pillar. He’s labouring spiritually under the tests and the demon-wards. All are battles. All offer resistance. All are things to set himself against and get stronger.
Soon, he thinks. Soon.
There is a late season storm in Saata when Keris comes back home. The winds whip up the fear in her heart. The luminescent paint decorating the white stone buildings of the city wavers in the light, looking oddly unreal and hallucinatory.
Calesco seemed to know that she was coming, and is waiting for her in the private areas of the Jade Carnation.
“Well, you took a long time to get here. What, did you have to drag yourself away from your habits in Hell?” she snaps. But she’s not even trying to conceal the fact she’s scared and worried and is hurting.
Her snappish words are nothing but light and noise and fluffed-up feathers, and Keris pulls her into a quick, fierce hug and kisses her on both cheeks and her forehead as soon as she touches down on Cissidy.
“I got back across the Desert as fast as I could,” she says in a flurry of hair and feathers and silks. “When did he miss his- well, when did you confirm him gone? And where was he last? I can track him by heart-trail but it’ll be easier if I don’t have to do it all the way from Zen Daiwye.”
“I don’t know,” Calesco all-but-snivels into her mother’s shoulder. “Last time I saw him, he was bragging about how he was going to become an explorer. And before that, he was grumping that his pirates had voted him out of being their leader in Gotkong. So I think he has to be east of there, unless he got lost again.”
That’s still a lot of ground to cover, goes unspoken between them. But...
“Gotkong is a good start,” Keris says, gentle and maternal and reassuring. “That’ll cut at least a week off my search if I don’t have to follow his trail all along his sea voyage. And,” her hand drops to her belt, and Vipera gives a low hiss-rattle from where she’s wrapped around Keris’s waist, “I have a newly-born spear I’m going to test out on whatever’s keeping him captive. Give me Strigida back and I’ll head straight to Gotkong as fast as I can swim.” She glances up at the angle of the late-afternoon sun, judging, and nods decisively. “I can be there by dawn, probably. Tomorrow morning at the latest. Then I’ll pick up his trail there.”
Calesco nods, still wobbly. Keris hasn’t seen her like this, since... well, since she had that little breakdown at the thought of Keris working on the Street and the thought of gaining a new sibling who’d change who Keris was if she got affected by it. She’s seen a bit of Calesco she isn’t sure she’s ever shown much before, but her daughter really doesn’t like the thought of her family changing - and especially not her mother.
“Hey,” Keris soothes, squeezing her. “He’s Vali. He’s too tough to hurt, okay? And I would have felt it if he’d... if anything too bad had happened. He hasn’t been sent back to my inner world and he isn’t gone. Hell, for all we know, he just found some old Blue Monkey Shogunate ruin or something that still has wards over it, and he’s too busy exploring and salvaging dragon statues to have noticed your dreams can’t reach him.”
She kisses Calesco’s forehead again and takes the cloak of silver feathers from her, sending her essence questing inward to mingle with the Fang-mind of the armour and welcome it back into union with its mother-self. “He’ll be fine, and I’ll send you a Messenger the first dusk or dawn after finding him, okay? So that you know he’s safe and you can let everyone else know too. You did well to tell me as soon as you found out, and now I’m here and I can fix things.”
Calesco sniffs, but nods. “Wh-what else... is there anything else I can do to help?” she asks, obviously trying to be brave.
“Hold down the fort here for the rest of Air,” Keris says, stroking her hair. “Look after the twins. Pass on some orders to Neride to have the Baisha make itself useful - tell them to go scout westward for more of those lighthouse-manses or start acting on the intel we have from Ca Map to kill off slave ships or something.”
Calesco frowns, vulnerability turning to a momentary gleam of determination, and Keris decides she can probably start preparing for the scope of the mission Keris has decided to send her on this year, too. She can go over the details later, once Vali is safe, but an overview will be enough for Calesco to get started.
“You can also start arranging...” She wrinkles her nose. “Ach, I’d hoped to have longer to talk to you about this. Start arranging a contract for the Gulls to go and perform on Triumphant Air, if they’re still looking for entertainers for that big thing you mentioned last Fire. Your test for full priestesshood will begin by arranging and performing a major contract for the Carnation, and then I have a follow-up mission for you that’ll test your skill with the mysteries and lore of our order.”
“Once your time in Triumphant Air is up - I’ll like you to check in with Danadu Mara while you’re there, in passing - you’ll be going on to the Scavenger Lands to look for the remnants of the Joyful Priesthood there and recover what you can of the higher mysteries and secret ways to be brought back to Saata. I was only half-trained by Gull, and she was only half-trained herself by the standards of what we used to be. We need to restore the things we lost over the years, and that,” Keris taps Calesco on the nose, “is a task you’re well-suited to, my darling. It’ll be a big job, and it’ll be quite the trip, even by ribbon-horse. But I know you’re clever and stealthy and skilled. You can do it.”
“I... I hope so.” Calesco wipes her eyes with a lock of hair. “I’m... I’m not normally like this! I just had a bad breakup over Calibration and... and then there’s this mess with Vali and... and Haneyl’s already left to the Deep South and... and...”
Keris pulls her back into her arms, and hums, low and soft. Her fingers pull the simple, happy melodies of the Meadows from the air, and she sways gently, rocking Calesco from side to side and swaddling her in her hair and her cloak. Calesco is one of the only children she can do this to without any awkwardness - most of them she has to get to bend down now to kiss them on the forehead, but Calesco is still as slight and petite as Keris is, and her head can rest on Keris’s shoulder easily as Keris soothes her.
“Vali will be fine,” Keris murmurs. “Haneyl will be fine as well, and she’ll probably come back bragging about some great new hunt or business deal. You’ll find another girl you like; someone pretty or brave or strong or smart to visit in the night and sing pretty poetry to. The magistrate is gone, and you’ll pass your priestess trials with flying colours, and everything will be alright. I promise, Calesco. It’ll be alright. Trust in me. I’ll make everything better.”
“Okay. Okay.” Calesco inhales sharply. “Do you need something to eat? Are you going to need to grab something to travel with? A kerub so you don’t get lost?”
“Hey!” Keris pouts, looking faintly injured. “I’m not that bad. But, uh. Though I’ll be following Vali’s trail for most of it... hmm. No, it’s fine, I can stop and summon an orven once the sun sets to get me to Gotkong. I will take something to eat, though. Actually, can you - are there any of those box lunches for the Carnation staff left? I’ll take a couple of those, if there are any that didn’t get eaten. Or... eh, make it four. I’m hungry. Oh, and I should go grab a couple of my maps from Silver Lotus before I set off.”
“There’s late-shift dinner being served in the kitchens now,” Calesco tells her. “I wish you didn’t have to rush off when you’ve probably dragged everyone with you across Hell, but... but please find him, mama. He’s my little brother! And he’s... he’s one of the best parts of you!”
“I know, honey.” Keris squeezes her. “So are you. I’ll bring him back soon. Promise.”
While Keris makes her way south, back on the shore of Shuu Mua which faces Saata, among the rice farms that feed the city, there is a demon summoning in the storm.
Some might ask; is the demon engaging in summoning, or is a demon being summoned? To which the answer is “Yes”.
With a cut of her hand, Oula tears open a hole in the world, showing a darker stormy sky lit by blue-black lightning, and from thence emerges a shadowy figure, hooded and robed. Or at least to the eyes of the unlearned. For Oula is close enough to see that the substance of the cloth is dense cloud, and under the hood she can see the Valiant lightning that crackles in the shape of a dragon’s skull.
The newcomer clears his throat. “Well, look at y’,” he says, rough-voiced and hoarse. “Who’d’ve thought back in the day you’d be a fancy-pants duchess hob-nobbing with the royals - and fuckin’ one of them - and havin’ powerful magics like this?”
“Kero,” Oula says, a certain smile on her lips. “I heard you’d become a tolkvajka. It suits you.”
“It’d suit you better,” he growls. “You’re the one who stole my gang from me. Which set ya up to become…” his hand takes her in, “this.”
“If you’d have been better, you’d have been able to stop me,” Oula tells him. There’s no point in lying. She’d usurped his gang out from under him by being smarter and better with people. And he’d been in the area of the Spires when it’d formed and turned into a fem, and now - look at him. A fleeting, ephemeral thing, cloud and lightning, who had to steal the vital thunder from others to survive. “And you’d have never been able to win Prince Rathan’s heart, or become the All-Queen’s favoured disciple, or her equal as a sorcerous master.”
“You took that chance from me,” he growls.
“Stop deluding yourself. And I didn’t summon you to reminisce over old times.” Oula rests her hand on her machete. “I’m here to offer you a chance, Kero. Work for me, and maybe you’ll be able to make something of yourself. I have a job for you.”
“What kinda job?”
“It is quite simple.” She looks him up and down, taking in how pathetic her former rival is now. “Even for you, pathetic and weak as you are.”
“I was great. I was great before you took everything from me. And then I ended up as a fem and I became even greater. And this is what it left me. This... this cloud-shadow of what I was. While you flaunt that you’re basically-royalty. Hob-nobbing with them.”
“Oh, I do more than just hob-nobbing with my darling Rathan,” Oula says smugly. “And you’re a sneak-thief. So here is the deal. You work for me. You steal what I order you to. When I give you an order, you obey.”
“So you want to grind me down? Treat me as a slave?” Kero spits.
Oula smiles. “Would a slave be so honoured?” she asked, rather than answer. “Aunty Keris - oh, sorry, the High Queen - has not yet seen fit to call on your kind to serve. You would be the first. In my service, your name will be mentioned in the highest councils. You will be honoured - if you are good enough. If you can succeed.”
Kero crams his hands into the storm-sleeves. “You were already cruel. But this is worse.”
“Is it?” Oula spreads her hands. “But of course, if you don’t want this, you can leave. I can find others.”
“You’re cruel. You took my gang. And now you’re giving me something I can’t ever pay back.”
“Is that a yes or no?” Because yes, she remembers her time as his second-in-command and it’s so sweet to put him in this position. It is delicious. But it’s not just that. He was a wave-cherub before he was a fem, back when they were kids back on the Sea, and she’s willing to bet there’s a little bit of justice still in his heart. A little bit of nobility and justice embedded in his clouded heart. She can use that.
“Of course it’s a yes, damn you!”
Oula sets the rest of the arrangements in place, taking him on her anyaglo to meet Duchess Ellyssivera. She’ll provide the basic framework for Kero to work within, the knowledge of the human world - and of course, because Elly is a hungry one, Oula will have to pay her for any assistance she provides. But Oula happens to have plenty of assets to work with. Just the knowledge of one spell will be able to buy her any assistance she needs.
Before she heads back to Shuu Mua to resume work on her mastery project on cataloguing and handling the messy, unstructured library of their sorcerous school - which is already going to be a work of years - she pauses to take a meal with Duchess Ellyssivera.
The two women have a... peculiar relationship. They’re rivals, of course. Rivals both as kerub-duchesses back home, and also as the trusted subordinates of their respective monarchs and of Keris herself. And yet there’s also a certain edge of understanding, and more than that, enforced peace.
If nothing else, Oula can trust that Ellyssivera will not make a move on her Rathan, and that is something she is in a position to be concerned about because... well, with her looks and her brains and her nature, if she fell for Oula’s love, she’d have to be worried. But Ellyssivera is Princess Haneyl’s, now and forever. And that removes the tension in their relationship that makes Oula want to gouge someone’s eyes out just thinking about it.
Which is just as well, really, because Ellyssivera could - and would - tear her throat out with her teeth if they ever got into a real fight.
So up in a private room in part of Ellyssivera’s holdings, the two women share a bottle of wine over a sizeable meal, served by mortal cultists.
“I appreciate you looking after Kero while he’s in my service, of course,” Oula says, emphasising who he’s working for just in case Ellyssivera gets any ideas about poaching. “But perhaps I could convince you to give him more aid than you might if you were doing it just for pay.” She has an ace up her sleeve, and her smile shows it.
Bright green eyes flick down to her throat, set in a face that still has more than a little Eko about it. “What do you want?” Ellyssivera asks. From someone else, it would be brusque and dismissive, but that is just how she is. It’s not even a fogsventka thing, though they are the least garrulous of Princess Haneyl’s keruby.
“Kero is going to be stealing certain items for me - sorcerous texts, mostly. I know you fogsventkae can sniff out things of value. I want you to assign a few members of your pack that aren’t on urgent assignments to helping him locate the most precious texts they can find for him to steal. In return...” Oula’s smile widens. “Aunty Keris told you to get her new pet human set up in Saata, didn’t she? The alchemist from Gem. I can lend you a few afternoons of my expertise in alchemy and Lady Lilunu’s arts to work out what she can do for you - and for Haneyl - that will benefit you most. You can sniff out precious things, but not if she hasn’t made them yet. My help will help you and your princess profit much, much more from her, and you know it.”
“Your bargain benefits you overwhelmingly. A few afternoons are far from the demon-months of pack time you are asking for from me,” Elly says, pausing to swallow most of a grilled fish in a single bite.
Urgh. This is the annoying thing about negotiating with Haneyl’s creatures. “It would give you months more value from the alchemist, though - and it would be pack members without duties,” Oula says, but it’s not a serious attempt at a counterpoint and they both know it. “But fine. Ongoing consultancy on alchemical matters in your dealings with - what’s her name again?”
“Hinna an-Reswah,” Ellyssivera says. “Does the All-Queen know you are doing this?”
“Of course,” says Oula sunnily. “I’m operating on her orders.” Which is true. Sort of. Aunty Keris ordered her to catalogue the school’s sorcerous library, and getting the assistance of some fogsventkae in hunting down resources to do it with will help her accomplish that task. “So, for each consultation with your pack members on locating and evaluating sorcerous texts for Kero to steal, I’ll pay with an alchemical consultation on how Princess Haneyl can benefit from an-Reswah’s services and the quality of what she’s producing.”
Of course, they get to bargaining and that was probably a mistake, because Ellyssivera comes out on top. Oh yes, Oula has heard the rumours. Ellyssivera is very used to coming out on top, in the shameless loveless depravity of the affairs - and she uses that word deliberately - of Haneyl’s court. What an awful wretched place, where everyone is twisted around Haneyl’s little finger who takes and discards lovers on a whim. And Ellyssivera is just below the princess, with similar tastes.
Maybe she’s just venting. After all, she’s paying more in traded lore, lessons, and her services than she wanted to. The fogsventka in front of her bargains hard. But what can you expect from someone from that kind of a place?
“You don’t like me,” Ellyssivera says, after they’ve signed their contract. There’s something almost Ekoan about the soft, direct way she says that.
“Whatever do you mean?” Oula returns reflexively, heavy with false sweetness. “You serve Haneyl, and I have my beloved Rathan. You’re a student in the same school I’m a master of. We both work for Aunty Keris. None of that makes us rivals, so why would I not like you?” She smiles her prettiest, most cutting smile, feeling the quicksilver beat in her veins. Her words are all true. She’s Rathan’s partner, while Ellyssivera is Haneyl’s servant. Oula is a master, Ellyssivera is just a student. She’s Aunty Keris’s protege - almost her daughter - while Ellyssivera just works for her. Oula was the first kerub to ever mature, while Ellyssivera wasn’t even the first szirom to do so. In almost every conceivable way, Oula is the better of the two of them.
Except.
Except for the bitter, secret truth of the fogsventka who calls herself ‘Ellyssivera’ that Oula knows but which few others remember. That Oula herself only knows by chance, because she was curious and driven even as a child, and asked her big brother all about the world she’d been born into and the others he called his siblings.
Her sweet smile gains a note of sour poison, and she sips at her tea to cover it.
“You’re being very childish,” Ellyssivera says, voice soft and almost - disgustingly, painfully - kind.
Oula’s eyes narrow sharply. “What do you know?” she demands, in a much more normal tone of voice. This is more quiet smugness than usual for Ellyssivera. And she’s never brought anything like this up before. “Or think you know?” she adds absently, just to cover herself. “Why do you suddenly care whether I like you or not?”
“You don’t think other people watch you,” Ellyssivera says. “You don’t think people notice how you have no pack. That you drive people away. That you have no court despite the fact you are a duchess, for you spend almost all your time in Creation. You are a master of the All-Queen’s sorcery school, and will marry Prince Rathan. This is what you hold close instead of companionship. In that, you are much like the All-Queen. She has no pack of equals, either, but she has clan. The royalty, and us; we are her brood. You do not have that. It must be lonely.
“And I am one of the few who approaches your status in the All-Queen’s eyes. Myself, Rounen, Anyuu. She holds you half a step above the rest of us, but not so far that you are out of sight.”
Jaw set stubbornly, Oula dismisses the preachy drivel. How like a fogsventka to make everything about ‘packs’ and ‘companionship’. As if Haneyl’s dragon aides are any different to the constant war for status and peerage in the Sea. As if Oula cares what other people think of her. She doesn’t need a court when she’s attached to Rathan’s, and she doesn’t care about ‘driving people away’ when the ones that matter to her are close.
“I have my Rathan,” she huffs. “And I have Aunty Keris. I don’t need anyone else.”
A name prods at the back of her mind insistently, and she wavers for a moment.
“Though, if you’re going to prattle on at me about this either way, you can at least talk in specifics. You’ve been back to Aunty Keris’s inner world more than me, and I bet you’ve been nosing around the Sea for trade. How’s Yuutu?”
The other duchess looks at her flatly, then gives a one shouldered shrug. “I see him whenever I’m back home,” she says. “Your older brother and I go a long way back.”
“Oh, I’m well aware.” Oula smiles like a knife. “He used to tell me all sorts of stories about his old friend in Princess Eko’s first troupe. How Shi,” her voice is razor-precise in the pronunciation, “always liked dancing around in the gardens, before the Swamp bloomed.”
That draws a bark of laughter from Ellyssivera. “Is that what you’re worried about?” she - Shi - asks. “It isn’t a secret. It just doesn’t matter.”
Oula scoffs at that. Doesn’t matter. As if. Even when she’d been a kid; the First Ten - that first troupe of Eko’s, older even than Prince Rathan - had held importance among keruby disproportionate to their stature. It had been a weapon in squabbles as she’d grown up - who could trace their big-siblings back to the First Ten or the royals in the fewest steps. She’d been awoken by Yuutu not long after he’d stopped being a szel and started being a he; one of the first generation after he’d learned that he could tell the Sea of an injustice and a little sibling would come from the waters to make the world a better place.
Among the vicious jockeying for position of dragon aides and the knife-pupilled envy of artisans and the competitive status-seeking of tidal raiders? In the Swamp and Sea, at least, the importance of the First Ten will only have grown. She knows as much; some of the keruby she’s summoned have reacted just the way she’d expected to talk of Yuu in the Kerisian School or Anyuu in her temple or Yuutu still back in the Sea.
And Ellyssivera - once Shi, before Princess Haneyl renamed her - says it’s unimportant that she holds that status; a rank that can’t be gained or won or taken from her? Oula feels the mercury in her blood chill at the thought, and sips sourly at her tea to cover her reaction.
“It doesn’t matter,” Ellyssivera repeats. “Shi was just another szel. No different really from any other szel Eko made. She just happened to get lost in the Swamp and turned into something new. It might have happened to someone else first and we never found out because they got eaten. Princess Haneyl called me Ellyssivera instead because she had - and has - no time for comedy based on someone mishearing ‘Shi’ as ‘she’. Everything that I’ve done that really mattered, I did as Ellyssivera. So if someone wanted to take my pack, they could if they could defeat me, and the fact that I used to be Shi wouldn’t change that.”
“No different, except you were the first of the szels,” Oula spits. “You and your troupe. Like I was first. First of us to become Aunty Keris’s student. First of us to mature. First of us to grasp Sorcery. Being first matters.”
Her words wash over the pale... the pale lump in front of her. “The fact that you know the most sorcery matters more than the fact that you were first. The fact that Prince Rathan loves you matters more than the fact you were the first kerub to grow up.” Ellyssivera pauses, a faint smile on her lips. “And acting like your firsts that you accomplished by your own hand are equally important to the fact that I was made before the Directions will only make you unhappy.
“Even Rounen does not think that it is all that important. And to be more fragile than my delicate rival blossom is not very attractive.”
Flushing cold with rage at the insult, Oula stands with a jerk that sends her chair clattering away. “Get Kero his targets,” she grits out. “And I’ll see you for an alchemical consultation whenever you’ve produced something useful.”
“I do not understand why you are so angry,” Ellyssivera says, voice quiet. She stays seated, though her eyes narrow. “I had no choice in being made first. Princess Haneyl knows that I was Shi, but gave me a new name because she thought it was a better name. And if I do not consider being older than you makes me better than you, how am I a threat to you and yours position?”
Oula doesn’t answer. Can’t, really. She can’t put into words that this wilfully ignorant lump will understand, not when she’s sitting there and saying with one breath that she doesn’t understand why Oula is getting angry and then mocking her for some imagined unhappiness born from not having friends with the next.
Unhappiness. Hah. Call it what she really means - weakness. Ellyssivera thinks she’s weak. Just because she spends her time doing important work in Creation instead of languishing back in the Sea. Just because her gang - her tide-mates and younger siblings, the ones who’d chosen to follow her over Kero because she’d been a better general and a better leader - got whittled down by attrition and defection after her focus shifted from leading her gang to helping her love. Just because Ellyssivera is only half a step behind her, not on achievement alone, but because she was Haneyl’s first friend and so she’s her best friend; the one who’ll never risk losing status in the endless struggles for status of the Swamp.
Oula stalks off towards the door with her fists clenched, brine stinging in her eyes. Ellyssivera’s just jealous. Jealous and full of hungry one ignorance. She’s seeing everything through her stupid pack mentality and projecting, that’s all. Oula’s not lonely. She’s not fucking fragile.
She’s not weak. And she’s not going to listen to insults veiled by flower petals that pretend mockery isn’t a threat to her position.
Behind her, she hears a sigh - and then the sound of Ellyssivera moving onto Oula’s food.
Chapter 20: Late Air 775
Chapter Text
Down in the Anarchy, the monsoon rains are sweeping in from the west, carrying the wyld-woven rain which will fall as far west as the eastern Fire Mountains. The sudden fall in temperatures that Calibration’s passage brings causes widespread precipitation, as the hot air from the seas cools and sheds its burden. Thick clouds wrap the sky, dark grey and heavy, and sometimes they fall until the waves are covered with little splash marks.
Keris Dulmeadokht heads further east into the Anarchy than she’s ever really been before, searching for her son. Gotkong is the clue Calesco mentioned, and so the wave cherub Fari is her guide to that place. She didn’t visit it on her tour of the Anarchy, but she heard about it.
Gotkong - the Gotkong Tyranny, technically - dominates the isle of Shuu Mutai in the eastern Anarchy. Strictly speaking it’s a fiefdom of the overall Kadu Empire - not really much of an empire in her opinion - but in practice Gotkong has outgrown Kadu. Formed by a cadet branch of the royal family of Kadu around eighty years ago, Gotkong is wealthy, and exports rice to many of the islands of the western Anarchy. She has heard tales of the exports of the ludicrously expensive agarwood, a fragrant wood formed from certain rare trees that are infected by a fungus that produces a scented perfume that smells unlike anything else. A tree’s worth of wood might only produce enough oil to fill a thimble. Interestingly she also heard that Gotkong has largely shed the influence of the Immaculate Orthodoxy under the influence of its current Tyrant, Kamed II, who has converted to the Toloic Way, a faith that has spread from the lands east of the Hook which teaches that all the gods - even the Incarnae - are aspects of the divine being whose form is the sky.
When she arrives it is raining in Dagal, the capital of the Gotkong Tyranny. The rain is warm and soft, and patters down on the triangular rooftops and red-clay tiles of the city. The buildings here are built with heavy overhangs which form little streets under the cover of the larger buildings, while the centres of what would be the roads in other cities are fast-flowing streams. The air is rich with the smell of the wetlands this city is built upon.
The centre of the city is built taller, on a rocky promontory that is almost a peninsula, and that is where the Tyrant’s citadel is, half-built into the stone foundations. The rock there has been carved by many hands, shaped into a vast wall of intricate carvings. Some of them are so old that the warm rain has washed away all their features, while even now fresh sculptures are being added to the elaborate decorations.
Normally, Keris would be curious about such a rich record of artistic history. But she’s on a mission, driven by fear and wound tight by rage. She ignores the statues, pays no attention to the red-tiled roofs of the city proper, leaves even little Fari waiting a short distance off-shore, and turns her attention instead to searching every inch of the docks. Vali was here. If he left, in all likelihood he did so by ship. And that means the bloodstained sinews of her heartstrings will be here to mark his path.
All she needs is to find one, and she can follow the trail from there.
Down by the docks, she finds what she is looking for. There is a heart-red splatter across the entryway to a dive bar, where the stones of the quayside are cracked and splintered.
Even if she didn’t know from the tremble of her heart, no ordinary human could shatter stone like this. Her delinquent son probably got into a bar brawl here. Or got drunk and showed off what he could do to the stones.
Rolling her eyes to hide the misty sheen of relief, Keris reaches down and brushes the mark with her left hand. It dissipates, as she’d expected, and leaves her with the impression of the next one. Idly, without really paying attention, her right hand snaps back to catch the hand reaching for the lustrous silver feathers in her hair, squeezing just hard enough to make bones protest and leave deep bruises without crippling a pickpocket’s livelihood. There’s a gratifying yelp.
“When did this happen?” Keris asks , without looking round. The hand tugs frantically against a grip like a vice, to no avail. “These cracks. A big man with orange eyes made them, yes? How long ago?”
It’s a dirty street kid, barely dressed in an overly large smock which was probably stolen. They’re almost androgynous between the dirt and the ragged haircut. “Stop, you’re hurting me,” she says shrilly, trying to pull away. Her efforts accomplish absolutely nothing, and aren’t helped when Iris wriggles up her sleeve and pokes her head out from Keris’s wrist to investigate, prompting a shriek. Keris sighs and relaxes her grip slightly, pulling out a pair of silver coins. The girl’s eyes rivet on them, although they still dart back fearfully to the inky dragon now trying to nibble at her ragged sleeve.
“How long ago?” Keris repeats. “Bar fights don’t crack stone around here too often, I’d guess. And the man who did it; he’s memorable.”
“‘Fore ‘Bration,” the girl says, wide eyed. “And I heard it was a giant. A giant dragon-kin who got drunk and fought everyone who’d show up in return for beer and he even fought a pirate lord dragon-kin and it was that fight that broke that stone.”
Rolling her eyes again - that definitely sounds like Vali - Keris hands over one of the coins and slips root-tendrils into the girl’s hand to massage away the bruises before they form. “When did he leave?” she asks. “Before Calibration? Before Falling Fire?”
“Aye,” the wide-eyed girl says. Her accent is a little odd to Keris, and it takes a moment for her to place it. It’s a much more Seatongue than she’s used to, and more so than she’d expect this far East in the Anarchy. “It was all afore the year-end. Afore the second fire moon, too.”
Flipping her the other coin - and plucking a feather for her as well - Keris lets her go. So. She’s at least a month behind, possibly as much as two. It’s looking more and more likely that Vali’s disappearance happened over Calibration, like she’d first suspected. The question is how, and why, and what could catch him, and whether it had something to do with his more human form at the time.
Not something she can answer here. Tugging her familiar back to her skin and leaving the little street rat to enjoy her newfound wealth, Keris heads back into the harbour to pick up Fari and follow the trail she’s found. She can see the ribbons on the wind, a trail of scarlet painted through the air in two dimensions, and though the little wave-cherub she has with her looks a little exasperated at the fact that Keris is talking again about things that don’t make any sense, they set off again. The trail leads her from port to port, heading away from the Anarchy proper and up into the sweltering river deltas of the ancient kingdoms that make up the lands to the east. They stood strong against the Blue Monkey Shogunate, and they stood strong against the Realm. There are no satraps here in these hot and humid lands, and the moon-sacred temples hint at why.
But her path leads her away from the sprawling cities of the river delta, away from the silver-bedecked priests, away from their silks and beautiful music. Up into the highlands, where the authority of the river princes is weak - and beyond them where it falls away entirely.
She knows she’s on the right track when she finds the already-overgrown remnants of a path seemingly carved out by lightning, folded around a trail of glassy red-stained footsteps.
The rain hammers down on a twisted landscape. Keris stands at the classy rim of an overly round crater, under a storm that hurts her ears and hits the leaves with force enough to tear many from the trees. The strange crystal lifeforms in this place do not seem to care, and some are wreathed in steam from the rain flash-boiling as it hits them.
“This sure is miserable, boss,” Fari whines, cowering beneath a leaf she’s using to try to shield herself from the rain. “This is Spires-bad weather, and I’m not a fem. I’m not stupid enough to be out in it. I don’t even like the Spires! I prefer running trading routes to the Swamp where it’s warm!”
Keris glances back at her. Small Fari might be, but she’s still an orven, and Keris has seen wave cherubs fight farisyya on a somewhat-even footing. For all their diminutive size, they’re fighting-demons, and a less scrupulous sorceress might use them for the same purposes as blood apes. Perhaps in some ways even more so, because the child-like figure of nacre with a cape of brine and a seashell scalp doesn’t look dangerous. They’re easy to underestimate. Dangerously so.
On the other hand, whatever is lurking at the end of this path might well be strong enough to have imprisoned Vali.
“I’m leading,” Keris says, and extends her hair back. “Here. Climb onto my back and you can have some shelter from the rain. If we run into anything, drop off me while I take point on it, and if you see an opening, clobber it. Remember; whatever lives here has taken Vali hostage. Iris, that means you too. No scouting ahead to look for pretty pictures. Stay close. And don’t eat anything.”
There’s a prickly grumble from her left arm and a set of sharp teeth sulkily chew on her thumb, but Iris doesn’t challenge her. And she feels the little kerub jump on her back immediately, nodding eagerly. “I’m a princess-sea-cataphract so I need to help save the trapped prince,” Fari agrees. “Even if the prince is Vali. Who comes from another cold, wet, too noisy place. A lot like here.”
Vipera leaps into her hands with an eager rattling hiss, anticipating a taste of fresh blood, and Keris advances down into the crater at a cautious jog, wary of what might be lurking there. The crystal things don’t notice her, or else snap at her once before losing track of the figure that vanishes into the steam around them and is gone before they realise they missed. There’s nothing in the crater itself. Or the lake. But Keris’s hearing, much-abused by the pounding din of the storm, is still enough to pick up the hollow echoes behind the crashing spray of the waterfall; the resonating sound of an empty space behind it.
She darts up from the depths of the lake and breaches it with a flashing leap, like a salmon swimming upstream from the sea. In the damp, rocky darkness behind it, she lands, hair spread, feathers raised, spear at the ready.
Silence and stillness, save for the water’s sound. And a smear of red, like the first footstep out of a pool of blood, leading deeper in.
The smothering embrace of the tunnels beckons.
Keris takes its hand and lets it lead her in.
There is a collection of scaffolding above her as she makes her way into the caves, crude but well made - but in these humid conditions, the greenwood is starting to moulder. And as she runs up the wall to look closely, she can see that the metal bands holding it together have been welded in place.
“Fems did this,” Fari says confidently. “They build this kind of thing in the Spires, and only they can do the lightning-welding like this.”
Keris nods, and follows the path further in to what is hidden behind this waterfall; this ancient, water-softened city, this stone testament to geometry, this remnant of a lost world that hides in the darkness behind deafeningly loud water. She moves carefully, but she doesn’t linger or tarry. On any other day she’d be fascinated by these long-eroded carvings, this inhuman architecture and alien sculpture – and Iris certainly strains against her grip, wanting to go and glut herself on the artistry of ancient times. But clan-loyal possessiveness, not art or curiosity, rules Keris now. She sees, she notes, some distant part of her marks for later. But she keeps going, spending only what care and sacrificing only what speed is necessary to keep those ahead from noticing her approach.
She finds the path of fems - and of her son. It doesn’t even require the blood-red trail of Adorjan to follow him. Vali has forged a path through this place, randomly breaking open the doors to ancient buildings to take a look inside, and some of the ancient sculptures have had bits pried off. Or in some cases, clearly gnawed on by hungry femkeruby.
The looming cyclopean architecture seems to grow taller and taller, the vast plazas between cubic buildings and interconnected cylinders stark and barren and littered with long-dead plants - or places where once they grew. Did this ceiling light up like a sun once, or did sorcery retreat this location below the earth? Iris flits out to investigate the gaping doorways, sharing her sight so Keris can look through her eyes and see what’s to either side of the path without changing course. She trails her left hand across things as she goes; feeling strange vistas of tactile information as she caresses the stonework and rubs long-petrified leaves to dust between her fingers.
She doesn’t slow. She doesn’t stop. The vital pulse of the stone is not like anything she’s felt before, and it puts her on edge as she moves.
Except, no, she realises with a sudden pang of recollection. Back in that market in... where was it? Terema! Where she created Cinnamon, except this was earlier! The strange regrowing stone trinket she found and never managed to find a use for.
It feels like that.
Hackles raised - what does this mean, to find this same essence-texture again on the other side of Creation? - Keris hastens her advance. She’s getting close now, very close. The fem-signs are getting more recent, as well as narrowing down. She’s nearing the end of the trail; the bits where they had the least time to build, where they hadn’t got around to settling in when whatever happened... happened.
... come to think of it...
“Fari,” Keris murmurs. “You know fems. If something scary happened down here and Vali disappeared, where would they have gone? Back up outside, into the jungle? Or would they have stayed down here in the caves?” There hadn’t been any up in the scaffolding around the waterfall... but then, there wouldn’t have been. Keruby are good at surviving. If something had attacked them, they’d know better than to stick around the places they’d built up, where hunters would know to look for them.
Fari hums to herself, adjusting the set of her little sabre - which admittedly is more of a machete, but she refuses to accept that. “I think you can trust a fem to do the dumbest thing possible,” she opines. “But, mmm. I mean, if stuff got too scary, they’re not as brave as us - as we’re the best - so they might’ve just run back home and hidden in some cave in the Spires.”
Keris hums to herself. ‘Mama?’ she asks internally. ‘If you have any bodies out there, could you ask around? We might find Vali before you find them, but it’s worth a try just in case.’
“I will see what I can do,” Dulmea says, before sighing, “though the Spires are a warren and fems are so anarchic even by the standards of the keruby that they will no doubt oppose my investigations just because I am the one asking questions.”
‘Well... do what you can,’ Keris says. ‘Thanks, mama.’
Out loud, she spins Vipera through a blurring arc, and lets Ascending Air drop into her hair-tendrils.
“Ready, girls?” she murmurs, half to Vipera, half to Strigida and a little bit to Fari. In response, she gets a hiss, a rattle of feathers and a determined “yeah!”
“Then let’s go.”
Shouldering her way through the last door, she finds what must be the end of the trail. The place where whatever occurred here took place. The structure is beyond vast; a colossal hexagon so big that Keris can barely believe the echoes that paint it in her mind’s eye. From the top, as she runs up it, she can see the grey light of the distant waterfall, minuscule in comparison to this enormous root-covered block of stone.
The roof, when she reaches it, is soaked in blood that hisses and dissolves into dissipating vapour where she treads.
And the hexagon is hollow. Only a pit lies within, so deep that Keris cannot hear the bottom.
She melts into the stonework, still like a predator, and creeps to the edge in utter silence.
Vali is down there, on a lightwall-rimmed hexagon. Only - this is not Vali as she has seen before. His arms are covered in living brass, which sparks and drips with fat blue-black beads of living lightning. The goatish-horns of his dragon form have pushed their way out of his skull, and his jaw is halfway lengthened to a muzzle. He’s naked, but the scales forcing their way out from under his skin and the tail that twitches mean he isn’t really nude.
And he strains against the lightwall. Despite the sizzle of flesh. Despite the way its glowing radiance arcs against him. Iris keens on her arm, distressed by the sight of her big dragon-brother trapped so.
“Vali.”
Keris’s world narrows to a point. Absently, her hair draws Fari in, pulling her back to the safety of the Sea as her anima begins to flare in a crimson-and-silver cyclone. She takes a pace back, then two, then three, right up to the outer edge of the hexagon.
Then, with an explosive burst of thunder, she accelerates forward, trailing afterimages behind her, and shatters the ancient stone with the force of her kick-off as she leaps. The world dangles under her, silver legs over the glowing and freezing cold blue lake that rings the spire far below. There is a feeling of cobwebs, alarm wards and spells and all kinds of workings she can feel through her arm, and she tears through them as though they were nothing more than the spider silk they feel like.
The glowing forcefield passes under her legs and she drops in a cat-like crouch, her inhumanly flexible bones taking all the force of the impact.
Then comes Vali’s harrumph. “I... I was gonna get out of this place myself, mum,” he mutters, breathing heavily. “Didn’t need you getting stuck too. Or need you to rescue me. Should be keeping everyone else safe.”
Keris registers the words on some level, but is too busy pinning him down and checking him over, snarling and hissing quietly, to parse them. After the first pass yields at least no open wounds, enough language returns to hiss again, this time with words. A distressed Iris is nuzzling Vali, babbling half-formed fire-shapes.
“You disssappeared and we were worried,” she half-scolds, half-justifies, Pekhijira underlying her voice as she wraps him in a clingy hug. “Next time break out faster. Everyone else is fine. Who did this? What happened?”
Vali starts to explain while alarms scream in the background, but Keris is too distracted by her continued medical examination of her recalcitrant son. Every limb broken and healed at least once, fingers broken recently, healed skull fracture, and for all he’s being brave he’s hurting badly. Even she’d want to go lie down for a day or so if she was in this state.
But before she can really register much more, there’s a tug, and she feels thick, cloying, blanket-like essence wrap around her. Through her left hand she feels that it’s trying to drag her away, though space, and-
She flexes her howling anima, and high, cruel laughter echoes on the air as the River of All Torments flows once again in memory; enough to flense the ancient mechanisms that are trying to move her and her son against their will and shred the blanket of essence wrapping around them. For just a moment, the world is ice, and fire, and razors. No small thing, no foe to target; it seems the city itself is the thing that the razors scrape against and the ice frosts over and the fire burns. Not much, not dreadfully, but when that moment passes the stone itself is blackened and covered in patches of frost and long nail-like scratches.
There is silence; shocked silence. The air itself thins for a moment, in the sudden fog from flash-boiled steam. And then;
“Ah an old memory, and not one of darling reminiscence,” one of the smoking voice-crystals says. “This one remembers thy death, Adrián, and returned thou cannot have. But a memory echo of thine eyes lights up my city, from an ambience that is not thine. Why?”
Fingers curling and uncurling like claws, hair whipping from side to side, Keris rounds on it and produces a noise that has no business coming from anything mammalian. Red wind whips around her in a soundless screaming vortex, mirrored shards of fractured silver spinning through it like a blizzard of razors.
“I asssk the quesstionsss here,” she hisses. “Who are you? What are you? Why do you think you can torture my son? Tell me before I rip your temple apart and demand answers from your bonesss!”
“Greater being, stranger, this city has been mine since before thine antecedents were sealed away,” the speaking crystal says. “Depart if thou must, for thou have ruined this study of mine into this anomaly being which stumbled across my city. This does not please me, but thine essence is strange and it is mine affable hope that thou will reveal certain facets of thy nature in thine egress.”
Keris’s laughter is as high and cruel as the memory of Adrián’s. “Depart?” she repeats. “Depart? After you broke my son’s bones, held him from his clan, caged him and tortured him and studied him? Oh no.” She shakes her head, prowling around Vali’s hulking, glowering form as she paces off restless energy. Her voice wobbles, made unstable by the sheer tide of fury welling up behind it from within. “No, no, no. I’m not leaving. Not until I’ve ripped apart this city and hunted you down and mounted your skin on my fucking spear as a banner!”
“Mine entities will battle thee. I do not wish for thine intemperance to ruin all that I have achieved here, but I doubt that will be so. And my entities can in time rebuild from iniquitous rapacity,” the voice states.
“Vali?” Keris hisses. “What is it? Where is it?” It’s old, whatever it is. She hasn’t heard language this archaic since Noh gave her prophecy over Atiya.
“I don’t know,” Vali growls, eyes whipping around past the glowing field. “I tried to find him, mum, I really did. Well, I mean, I tried to get him to fight me! But he just teleported me around an’ then made me fight everything he could make for testin’ them and testin’ me. He’s real interested in mixin’ natures and also in dragons - so he isn’t all bad! - but I really wanna punch him the face. An’ everything he does is through those speaky rocks and the stuff he makes which is part livin’ and part crystal.”
Keris bares her teeth in frustration, swiping at the shredded wards. “Then I’ll tear the whole damn city down!” she screams. “I’ll collapse this place on his head! I’ll burn it all to ash with the King’s fire! How will you rebuild from tha-”
Something interrupts her. A tremor through her very bones. A heat beneath muscle and skin as her skeleton heats to the point of pain. Carven oaths throb in soul-bound warning.
Her stagger goes unnoticed; disguised under the violence flailing of her frustrated motions. But her attention is suddenly more focused inward and backward than out. Only for a moment though, for overhead the essence-wall is closing in, seeking to close the top into a hemisphere. No, more than that, it’s also shrinking in! How small can it get?
Pulling Vipera from her waist in a gleeful whip-line of violence, Keris aims at the side of the essence wall and attacks it. “Vali!” she yells. “It’s trying to crush us! Are you gonna let it?”
“Of course not!” he roars - but she can hear the exhaustion in his voice. How long has he been fighting for, pushing himself on with only the knowledge of his captivity to drive him on
He will be strong. Very, very strong. But maybe tired enough that he can’t use that strength.
And they’re closing in. Hard, tough, and very strong - strong enough that Vipera only scratches it, before the scratches close over in more light. And Keris’s heels squeak against the stone as she’s pushed back and back and back, until she’s pushed against Vali and-
She is pushed against Vali. Which is to say, his back is against hers, and he can brace himself. Now he is trapped. And now he can truly grow.
((/r 9d10s7c10 #ExhaustedValiEndurAth))
((EarthScorpion rolled 5 <6; 3; 10; 4; 8; 7; 7; 4; 6> #ExhaustedValiEndurAth))
Lightning roars and thunder snarls, and the light-wall shatters as the wyrm rises, its mother riding it as it howls its triumphant fury to the sky.
“FREE AT LAST!”
Dust and smoke rise in dark plumes that vanish into the fathomless upper reaches of the underground cavern.
“What will you send against me now, Kalathais?!”
The great hexagonal prison lies in shattered ruins. Freezing blue fluid oozes with sinister intent from the rubble, crystallising on the debris and hissing into vivid cyan steam where it runs into the cooling pools of lava that dot the wreckage.
“All rock flows! All stones break! All mountains crumble!”
The once-proud central pillar is strewn in a dozen pieces where it has fallen; its impact breached a retaining wall that the glowing lake now pours through into the lower levels of the city. Fragments of staring crystal eyes and crystalline trees lie in piles of white ash, and lightning arcs and spits from rocks that fight against conducting it.
“Down there, Vali! Aim at the dome! Topple the spires!”
Broken buildings and shattered streets line a path of destruction hundreds of yards long, razed across the underground city like a plough furrow torn through a child’s toy city sculpted in the dirt. Dust and grit carpet it in a thick blanket, turned into gooey mud by the blood and fluids seeping from corpses of crystal-grafted monstrosities and engineered beasts. Their broken bodies litter the ground, lightning burns and crushed torsos and countless bleeding wounds attesting their killers’ power.
“Mum, I can’t- my power! I’m at my limit! My body is betraying me! Hold on!”
And at the end of the ruined trail of brutal devastation, standing atop the corpse of an enormous spider with a crystal eye and legs of dark-tinted glass, is a woman. Her spear is drenched in cyan blood, which disappears beneath its elinvar scales as it hisses to itself in not-yet-sated satisfaction. Her feathered armour gleams like arterial blood on silver in the light of her howling soul. Her red hair streams out like a banner behind her, blown by a wind that nothing else can feel.
“It’s okay, Vali. Come back within me. You’ve done enough.”
Behind her, the outline of a dragon is imprinted into the stone street, the last few dozen yards of collapsing structures showing clearly where it fell from the sky and landed with such force as to shake the ground. A man lies in its place; muscular and scarred, and as her streaming hair passes over him, his body blurs to incoherency and is drawn into the strands like mist.
“Now come face me! Kalathais!”
Keris Maryam Dulmeadokht looks out over the hidden city in this great cavern, whirls her spear, and shouts challenge at its master.
But there is no response. Not down here, where the stones have been shattered by the unchained demon lord, where the lights have died and where the crystals no longer glow. It is not just this shattered street, cut open like a disembowelled man, which is lightless. The great geometric structures visible over the higher reaches have also gone dark.
But there is some light. Not up, not around, but down. A dying glimmer of a crystal, fed by weakly pulsing nutrient veins. And Keris recognises something of what is down there. It is something akin to the structure of a plant and the pressure differentials in it, just wrought as much in stone and crystal as it is in vegetation. So there is still life down there. Not in the guts of the city, not exactly. But in the roots of it.
“Dragon King,” she mutters, baring her teeth. It’s a guess, but it’s her best and only guess at this point. The architecture is nothing like what she saw in Taira; that grand pyramidal architecture proudly basking in the sun couldn’t be further from this geometric underground city. But the fusions of stone and vegetation and the way the crystal trees and nutrient veins look grown remind her of the strange hunk of broken carving she’d bought in Terema and all but forgotten about. It had been regrowing and repairing itself like a living thing too, despite being made of stone.
Vali had mentioned something about the master of this city - Kalathais, the voice within the crystal - creating lifeforms and testing their fighting abilities and experimenting on dragons. The last part sounds like it fits a Dragon King, but Keris is uncomfortably aware that she never actually got around to finding out much more about their race.
Her bones throb again, another pulse of deep-rooted heat from the oaths carved into them. Whatever that part of her is thinking, though, Keris can’t figure it out yet. And within her, she can sense Vali is close to passing out, and won’t wake for hours, if not days, once he does.
“Fuck it, then,” she mutters. “Let’s find where you’re hiding, master Kalathais.”
Whipping Vipera back into her compact form, she lets the living spear wrap around her waist as a belt and follows the sound-texture of the light in the nutrient roots. Down in the depths somewhere, something must be feeding these things. Keris is quite eager to have some words with it, whatever it is.
The root-area is strange. Newer, definitely. Newer and in some ways cruder, but there’s many more signs of more recent use and change in this place, compared to the abstract geometric structures of the places head. Root-tunnels that wind around where they need to go rather than following some abstract grid. Far less dust, but signs of where feet have worn away the stone with route after route over the long years. And while the crystal lighting is damaged, it is not so damaged as to leave the area in total blankness. The capillary-tubes have suffered from Vali - and from long decay, Keris thinks - but they are still providing nutrient flow to the mechanisms and systems.
Keris finds a vast door down the corridors, half-open and unable to close because an overturned crystal tube is stuck between the entries. What lies on the inside is a great almost-cylindrical space, covered with tessellating hexagons on the walls. The light is dim and blue, and Keris can see the hooks on the edge of each of the hexagons. She wonders what they are for, until she looks up and sees that there are places in the walls where the hexagons have been removed as tubules - and other places where they are half-retracted.
“Those’re his specimen jars,” Vali slurs within her head. “Sometimes, they’d have a fightin’ pit where one’ve th’walls would open and he’d let out some new fightin’ monster f’me to beat up.”
Keris peeks in through the nearest one. It’s made of crystal, but the floor of the tube is covered in soil and across it scuttle hand-sized ant-like creatures with crystal rods in each of their heads. The next one; something that looks like it was once a cow, before the parasitic plants on its back had subsumed it like one of Haneyl’s creatures. Next one; no soil, only a pure crystal geometric lifeform. And so on and so forth, example after example of test specimens.
Only... Keris pauses at one of the tubes. There is a small, river-dragon-like creature in here. But not exactly. It has river-dragon like scales and the general colour and hue of a water elemental, but ah! Its eyes are as sharp and keen as adamant, and its lower body extends out like a dragon’s, the scales there more grey than blue.
Earth, yet water. And seemingly mostly hale.
((E2, Earth/Water aspected))
“A blend of two natures,” she murmurs, wiping condensation off the outside of the tube and tapping it lightly to better hear the shape of the creature within. “The tubes are like Malek’s plant-manse, but this... it’s married two elements. Like the Twins. Like Haneyl and the rest of- Iris! No!”
Her familiar blows a cheerful bunch of fire-raspberries from the other side of the crystal pane, and flits down to investigate the creature, licking it curiously and then trying to chew on the ridged scales on its forehead when it doesn’t react. It definitely notices her teeth, and tries to snap at her; something Kali’s well-intentioned but overly-enthusiastic pettings have left her well equipped to dodge.
“Iris!” Keris hisses. “Get back out here right now!”
Jumping back up out of the creature’s reach and fastening herself to the window, still on the wrong side, Iris babbles a smeared series of fire-pictures, including what seem to be rocks, rivers, dragons and for some reason a cake.
“I know it’s got two natures!” Keris hisses. “And I don’t care if you’re hungry! Get back out here, young lady! Or I’ll tell Lilunu you were naughty!”
This series of fire pictures contains a lot more shocked and angry faces, as well as a big mean lady with jagged teeth and long hair that’s probably meant to be Keris looming over a little dragon that’s sharing a cake with a larger one. Even disregarding the disobedience, Keris is vaguely insulted at the depiction. Her head isn’t that big.
“I’ll tell Lilunu you were naughty and ban you from sweets for a month, now get out here!” she hisses, and this terrible threat gets Iris to capitulate. Keris pulls her back into her inner world before she can protest further, and continues onward with narrowed eyes, one hand resting lightly on Vipera. She’s starting to understand what her hindbrain is telling her now, but turns away from the answer, unwilling to accept it. Not while the bloodlust still roars in her ears and the stubborn urge for vengeance still beats in her heart.
“Can you hear me down here, I wonder?” she says. Calmer now, there’s only a faint hint of a snarl to her tone, and though she trails her left hand along the wall as she goes, she leaves no further gouges in it, and holds back from transmuting it awry. “Kalathais. Is that your name, or a title? You said you remembered Adrián. How old are you? What are you? Dragon King? A survivor of the war, reincarnated over and over but too much of a coward to leave your little cave?”
“Thou can be heard by this one, stranger being, for this is not part of mine ambience that thou have amputated,” the voice says over the crystal resonance. “And thou have found the place where mine experiments are kept for study, until it is time to release them. But this one has studied thine encounters and techniques as thou marched through my hallways. Dragon King, thou calls this one, and this is a name long-ascribed to our kind by the slave race, for the form of a dragon is power and the title of king is power. But you - titanic syzygy, aligned one, I see that thine essential nature is the superset of the demon lord you came for.”
A sigh, an exhalation felt through the filtration systems.
“Such a marvel. I have seen those peculiar demon-childer who accompanied thine abnormal demon lord, before escaping down reality-fractures that led not to Hell. It was thine essence that was their route, I do not doubt. Not quite of Hell and the titans, not exactly. And yet thine armour is hell-tainted and yet shows some kinship to the work of the latter years of the Great Deliberative, before the mortal five-dragons rose up against the scions of mine ultimate sire. I am of clutch five, marked katechon, of my brood, and so by the time-count of Calibrations I had seen more than ten thousand before the first of your once-kin were wrought, but time is a river and bears away many memories of latter days.
“And yet - thine essential nature is something new. Oh, how I would study thee in curious reverence.”
Keris’s cautious prowl shifts between steps into a more confident saunter. Her hips roll as she walks, and her hair sways behind her like the sinuous tail of a serpent. Like a predator scenting weakness, she latches onto the words, and capitalises on them.
“I am new,” she agrees. “New enough that you can’t work me out. But you’ve seen my son’s power at its height, and it laid waste to the surface of your city. You’ve seen me kill a few of your little pets without effort, and you’ve seen that you can’t remove me from this place by force. I don’t doubt you can teleport yourself around to avoid me, but if I’m vengeful enough to stay down here long enough, I can wreck or burn or smash every place you have hidden away to run to, and you know it.”
She cracks her knuckles. “And you tortured my son. For weeks. So I am feeling pretty fucking vengeful right now. But I’m an occultist as well, and your two-tone dragon back there was interesting. So let’s see if you can give me something that’ll please me enough that I can be talked down from popping you out of this cavern like an oyster from its shell and roasting you over a pit of coals. What are you doing down here? Why did you make those things? How did you harmonise two types of essence in a single living thing?”
“It is not a simple thing, but I have worked on the art of the ambience and its donning for mine extended life, stranger-being,” the voice says. “Such learning is an art of mine, even if the weaklings of my race have given up in their futile depression and accepted the non-thought of death. Sometimes I call them back into a new ambience, but they are wearisome in their attachment to ancient sentiment. And such sentimentality is hard to excise, in the face of the need for a coming race to wipe such old feelings no longer needed.”
A noise, like a finger on crystal, and Keris realises that the shaper is humming.
“Did thine intellect give rise to such a demon lord that is not a creature of Hell, stranger being? For from thine expressions thou are interested in mine arts and in the blending of essential natures thy curiosity rests.” Keris can hear the shift in his voice, the hint of familiarity in the more casual phrasing of his ancient, peculiar Old Realm. “And though thine actions have wrought much chaos on mine enterprises, knowledge rests above what might merely be the work of a few centuries to repair.”
Her bones pulse again. Hotter this time. Hot enough to hurt. Keris grinds her teeth and swears inwardly.
She can’t pretend anymore. She knows which oath is compelling her. She swore to serve Lilunu. To support her, to help her, to tend to her souls until they were healthy no matter what.
No matter what.
They were easy words when she swore them. Now, though, they’re iron chains around her limbs. This ancient being, this Dragon King, has spent thousands of years studying the harmonising of essence and the shaping of flesh. Arts that Keris - perhaps the foremost genius in such things among her peers, and close to the top of the field even among those of the Unquestionable who care for it - can see she has yet to master to this extent.
This creature behind the crystal voice, this Kalathais, could help Lilunu. If she can talk it round, it can be of service in healing her souls, in stabilising her temperamental essence, in making her healthier. And Keris is good at talking things round, especially with the threat of horrible bloody murder backing her up. The way it’s offering knowledge and learning, it clearly knows it has little choice besides.
But it can’t help Lilunu if it’s dead.
‘Vali...’ she says inwardly, knowing he understands how important promises are but unwilling to voice this one. If he’s promised to avenge his imprisonment on his captor, she’ll be caught between two oaths and forced to defend a target she wants dead from a son she loves dearly. The very thought of the betrayal makes her wince.
“I don’t trust him,” Vali says mulishly, roused from where he’d been slipping into a doze by the prospect of working with his captor.
‘I don’t either,’ Keris replies. ‘But if he can help Lilunu... do I have a choice? I promised to help her. And I can help her with what he knows.’
“I’ve never even seen him. Or them. Or it. I dunno. Maybe they just want you to think about it while they get ready to send some real nasty killing things after you!”
‘If that happens, then I’ll beat them too! And then pull this place down around its ears! If it breaks its promise to help me learn what it knows, then I’ll be freed from mine not to kill it. But as long as it’s willing to help, I have to leave it alive.’ Keris bites her lip. ‘Can you accept that, darling? For Lilunu’s sake?’
“Can’t we just kill him and take his stuff?” Vali tries plaintively.
‘He won’t have written everything down,’ she says, feeling the bitter, impotent anger settle low in her stomach. ‘If I could find his notes, they’d be of some help. But not enough. It’s his experience I need, not just the fraction he’s written down to reference it better.’ She scowls. ‘But once he outlives his usefulness, Vali, you can do whatever you want. I promise.’
“I’ll hold you to that,” he says. “Or at least, I dunno. Lock him in some fighting pits and make him fight anyone who wants to fight him. Rathan’ll probably get on my back if he thinks I’m being,” somehow his eye roll is nearly audible, “disproportionate if he’s been too helpful. An’ I don’t think he wanted me dead. I think he found me too interesting to want me dead. An’ that’s kinda scary, isn’t it?”
“Yes,” Dulmea agrees. “This is... interesting, child. Might I assume that you do not intend to tell our masters about this being?”
‘He’s been down here for ten thousand years, and I don’t think he’s going to leave,’ Keris says, which while not a direct answer is enough of one for Dulmea to huff. ‘Honestly, I could probably spill everything about the Reclamation and us Infernals to him pretty safely; it’s not like he’s going to be talking to anyone else. I mean, I won’t tell him everything. Nothing more than I have to for Lilunu. But I could. I don’t think he’s a risk as far as information leaks go.’
Out loud, she looks up, having apparently been deep in thought for several minutes.
“You’re offering service,” she says bluntly. “Tutelage. Sharing your knowledge and experience with me in return for being left alive. And also for getting to study me and try to work out what I am.”
“Thou art a servant of the titans, now chained in Theion - ah, no, Malfeas’s bowels,” the remote voice says. “I have laboured within thine antecedents in antiquity - most notably when my kind were tasked to work for them in making the race of man. It is no great strangeness for this one to labour in the service of the titans - and of course, mine own interests would benefit from the assistance of one who might work to create new life. Such as thine own demonic progeny, though mine interests diverge.”
“Something like that,” she says, coming to a stop. “And my name is Keris Dulmeadokht. So, if we’re going to negotiate...”
She tosses her hair and puts a hand on her hip, posing arrogantly.
“... show me to somewhere I can see you.”
Someone arrives for her, and they are someone Keris did not expect. A perfectly sculpted statuesque beauty, well over two metres tall, with features which could have been chiselled by a master artist. They are totally bald - no, more than that, hairless - and androgynous. Their garments are like nothing Keris has ever seen before - no, that’s not right. These tight-fitting conical bands of geometric patterns resemble the carvings on the walls upstairs, including the fact they are made of living stone.
“This one stands before the stranger-being, and invites thine excellency to accompany this one to the audience room,” they say. “By the will of Shaper Kalathais the Magnificent, Flesh-Sculptor Supreme, Last and Greatest Lord of Manath Kule, Final Redoubt of Civilisation, this is mine eminent master’s will.”
Keris raises an eyebrow. But, well, she’s already seen constructs here, and it’s not like this is much different in principle from someone like Rounen - or perhaps Haneyl’s mud-men or Dulmea’s chell, depending on how sapient it is.
Still. No need to let him out-title her.
“Keris Maryam Dulmeadokht, Princess of the Green Sun and High Queen of Krisity, Mistress of Ceremonies and Founder of Zen Daiwye, accepts your master’s invitation at her convenience,” she replies formally.
Strigida ripples and teases out around her in a hundred strands, and she’s left wearing an elegant form-fitting bodice of silver feathers with elbow-length gloves, billowing layered skirts and a short train. Despite the extravagance of the outfit, her collarbone is still covered by an armoured shoulder piece, and the bodice is solid metal under the feathers. It doesn’t give the protection of her full plate, but it’s more than enough to stop any attempt at a sneak attack long enough for her to extrude the silver back out into a hardened shell.
With an idle wave of a hand, she gestures for the strange being to show her the way. “Lead on, then.”
Keris’s eyes gleam green as the servant leads on. They are... a weak creature, as strong as an adult kerub, but their nature is peculiar. Not quite a god, not quite only of the sun, and not an equitable blend, either. But she’s been tasting that reek all over this place ever since she got here.
(E3, an odd-blend of essence that’s sort of Solar and sort of Divine that Keris hadn’t ever seen before she came to this place)
((Iiiiinteresting...))
The path the odd being leads her down rises back up to the main body of the city.
“He must want you away from the valuable breakable things,” Dulmea observes.
What Keris is led to is what must once have been a beautiful garden. It is still beautiful, but there are too many gaps where living plants should have been, too many places where crystal decorations have been rearranged and do not quite match. Rich gold decorates the black stone, in wavering organic traceries, and there are planes of pale green essence-light that form couches clearly made for being larger than Keris or any other human.
“This one is Chatelaine Kalathais-ku-a, Grown Progeny of the Shaper. This one is mine eminent master’s mouthpiece for dealing and handling with those of the slave race and the Exalted,” they explain, settling down upon one of the light-couches. Planty spiders scuttle up, carrying golden trays upon which are blocks which Keris can smell are made of nutritious material, and glasses of sugared water.
“Do all progeny of the Shaper bear his name like that?” Keris asks. It’s partly idle curiosity, but she’s also probing, trying to understand this creature and the extent to which it’s an independent being with its own will - and wants.
((Just trying to size up whether this is a loyal independent creature - something like Rounen, who could potentially betray Keris - or something more like an intelligent construct such as Orabilis’s Eyes.))
“This one, and its kin, are testaments to the Shaper’s glory. This one might not be able to maintain its ego self through the waters of death, but this one is a great glory to the master’s skill - such that since this one opened its eyes, its life and stability has endured through the assumption of multiple worn-out ambiences,” says the creature which looks human, but Keris now is sure is not.
While not quite an answer to the question Keris had asked, it’s more than enough to answer her real query. Any hope of getting some seeded allies among Kalathais’s servants is sunk before launching, if they’re all - from the sound of it - spirit-things that have eternal reincarnated life only through the Shaper’s arts. The distinction between earned loyalty and engineered obedience is basically negligible at that point; either way, Keris isn’t going to sway them.
Kalathais himself, however... well, that might be another matter entirely.
“Alright then,” Keris says, taking a glass from the tray. “If you’re a mouthpiece, I assume the Shaper can speak through you.” She sips with casual disregard for the possibility of poison. “So speak, Kalathais. What have you to offer? And how much is it worth to you?”
((Firing PoEU, WWOF and HP to see if they can reach him through his mouthpiece.))
“This one is the host for the Shaper’s meeting with the stranger-being,” Chatelaine Kalathais-ku-a says calmly. “Shaper Kalathais the Magnificent, Flesh-Sculptor Supreme, Last and Greatest Lord of Manath Kule, Final Redoubt of Civilisation is greatly occupied with other matters - not least the damage that the stranger-being inflicted to the Shaper’s ambience - and while the Shaper is observing these matters, know that Kalathais-ku-a will hear the words intended for the Shaper and repeat them to this one’s master should the master’s attention waver at any point.”
There is something Keris is missing. She is sure of it. Something she doesn’t quite understand about the relationship of the Shaper to all of this. But she can’t quite put her finger on it.
This strange being, that wears a human form but is not human; maybe it has the clues she needs. She can see in the reflections in the crystals that it is socially adept - more so than she is - but there is no envy in its eyes.
((/r 17d10s7c10 #ObservingTheMouthpiece))
((Keris rolled 7 <2; 6; 6; 2; 7; 2; 10; 5; 9; 1; 9; 1; 1; 8; 6; 3; 8> #ObservingTheMouthpiece))
((Proudest trait; Politics 5. Does not envy Keris.))
((/r 13d10s7c10 -4 #Heartwood'sPatronage))
((Keris rolled 0 <5; 2; 8; 5; 2; 7; 1; 3; 3; 8; 4; 1; 8> #Heartwood'sPatronage))
And unfortunately, that same adroitness with words makes its reflected desires hard to read. Keris has a headache from all the stupid crystals anyway. She didn’t screw up. She’s just tired.
“I’m not apologising for fair retribution,” she growls. “If your Shaper didn’t want his city wrecked, he shouldn’t have held my son hostage.” The unspoken threat that the wreckage can continue should Keris be pushed too far is a hovering presence in the air. “But,” she continues, “let’s say I’m interested in the deal I’m being offered. I broke a good chunk of your city, yes. But I’m letting you off for what you did to Vali, and you were keeping him because you were curious about him. If you work for me, you get to study me whenever I’m here. So how much is that curiosity worth to you? Because I have a project that I want your help with. A big one.”
Her questions are half for real, and half rhetorical. She can’t quite penetrate the crystalline surface of this mouthpiece for a distant master, but her sense of value and trade is still good. And she got a good long look at how much of the city she wrecked, how scared the things here were of her and Vali once they broke free - and how curious this ancient being is.
Her head reels somewhat, as Kimbery’s toxic waters flood the dark places of her mind trying to fill her with understanding of this strange place, where labour and time have very little value at all - because a century to this ancient being is like a season to a mortal man - but the value of knowledge and wisdom is beyond diamonds.
((The cost of the repairs here are considered to be only about Resources 2 - annoying, but nothing major. If the stone here is like the Tairan stone, it can regrow - and workers can be grown and there is always more time. By contrast, Keris’s assistance here is at least Resources 4, maybe more if she proves to be more than a curiosity.))
“I have in mind...” Keris pauses, considering her wording. Sharing too much is a risk, but as she told Dulmea, it’s unlikely Kalathais is in a position to share anything he learns. And if she’s going to learn anything of use to Lilunu here, she needs to broach at least the basics of the problem.
“... I have in mind an artificial spirit,” she says. “A being not just of one nature, but of many - akin to an attempt at making a dragon of all five elements, not just one. Or a demon prince of many Yozis, not one alone. But the essence-harmonisation is causing problems. You’ve seen me. A titanic syzygy, as you put it. This being is meant to be something similar; an attempt at going beyond the limits I fall short at. But where I can fraction and express the nature of the titans I partake of as healthy souls, my... project, cannot. Theirs are sickly and maimed; weak in flesh and conflicted in spirit. I mean to heal them. Can your knowledge help?”
“This one cannot speak for master, but your inquiry would be something he might be able to contribute about. The Shaper has carried out extensive inquiries into the nature of the secondborn children of the Elemental Dragons of Gaia, seeking to understand their nature.” The not-human tilts its head. “The Shaper instructs this one to convey that Shaper Kalathais the Magnificent, Flesh-Sculptor Supreme, Last and Greatest Lord of Manath Kule, Final Redoubt of Civilisation has many interests in the nature of exotic flesh and the procuring of strange specimens, but the Shaper would know; what access does the stranger-being have to the archives of either Heaven or Hell?”
“Heaven? Very little. Hell? Rather more.” A lot more, actually, but Keris isn’t going to share exactly how much leeway she has as the Voice of Lilunu and a loyalist who has provided Orabilis with several favours. It’s not enough to get away with things known only to the Yozis, but it’s enough to toe the line very, very closely indeed without much more than warning remarks from Hell’s Censor. “Why?”
“This location is isolated, and the Shaper is lacking in knowledge of more recent innovations,” says Chatelaine Kalathais-ku-a. “The procuring of certain forms of information garnered in my master’s isolation would be of great interest to the Shaper - and the archives of the ones who wrought the world and of those who took it from them would have such knowledge.”
“It wouldn’t be the first time I ran collection errands as payment,” Keris says, darkly amused. “But I still haven’t heard a promise to help me with my work, and I’m the one with the upper hand here. You’ve convinced me to hear you out, but I haven’t forgiven you yet. ‘Might be able to’ and ‘greatly occupied with other matters’ aren’t enough to stay my wrath forever.”
She leans forward, wrapping a loose lock of hair around the Chatelaine’s neck and pulling it in towards her. She’s not sure this thing can feel fear - and even less sure that the Shaper behind it can - but she has nothing to lose by applying pressure, and the dismissiveness with which she’s being treated is starting to rankle.
“My name,” she murmurs, tightening the tendril just to the point of giving the engineered creature breathing trouble, “is Keris. Not ‘stranger-being’, not ‘slave-race’, not ‘Exalt’. I’m allowing this... talking by proxy, because I can’t be bothered to hunt down who I’m speaking to myself. Yet. But Shaper Kalathais has enough time, and few enough visitors, that I expect his full attention. Am I understood?”
((Okay, so Keris is making the deliberately threatening point that Kalathais hasn’t actually promised her anything in return for “stop levelling the city” yet, and that she’s still pissed enough about Vali’s treatment and the way she’s been diverted to a flunky who Kalathais doesn’t claim to even be paying full attention to that she is not averse to restarting her rampage until pacified further.))
((This is an intentional power move to force the Shaper to give her at least the respect afforded to an equal, driven in part by the still-very-much-present-to-Principle-reading rage from earlier, backed up by Attention Holding Grace to make him pay attention to her.))
((/r 19d10s7c10 +5 #ShowMeSomeRespect))
((Keris rolled 13 <5; 9; 8; 5; 6; 2; 2; 5; 6; 8; 7; 7; 9; 4; 4; 1; 4; 10; 3> #ShowMeSomeRespect))
((/r 16d10s7c10 #PayAttentionToMe))
((Keris rolled 7 <8; 1; 5; 5; 8; 7; 1; 8; 7; 5; 1; 5; 1; 1; 10; 6> #PayAttentionToMe))
Down here, below the world, in this ancient city there is a creature which is lively and vivacious. Her hair is a scarlet slash; her silver garb reflects scenes not shown around her.
“Do not break mine extension-limb,” the crystals in the corners of the garden say. “Being Keris, strange one, know that thou have inconvenienced my ambience in a way which will take a slave-race lifetime to fully repair, and mine attention is drawn to dealing with preventing it being aggravated in further ways. But thine essential nature is a rare and beautiful thing, and thine anger is a perilous thing. Chatelaine, step back, though I had thought better of thy capabilities.”
Keris’s hair uncoils from its place around the chatelaine’s neck, allowing it to retreat beyond her reach. Her smile is a razor of white in the odd light of the crystalline radiance.
“Now that’s more like it,” she purrs. “And preventative repairs are something I can understand, and allow. I won’t object to your distraction, as long as I’m talking to the person in charge.”
She sips at her glass again, leisurely. “My spirit. The compound one of many natures, who struggles with harmonisation, and whose lesser souls are sickly. Can your knowledge help them, or not?”
“Mine abilities are beyond many of the demon princes and the gods, let alone lesser beings. If I cannot ascertain a way to provide some assistance, thine entity is likely fundamentally flawed,” the crystals hum. That sends a spike of anxiety through Keris’s heart, but she controls it and nods calmly.
“And you’re willing to teach me the arts of life-crafting I’ve seen here? The fusing of living flesh and crystal, the way you make stone grow like plants?”
That draws a chuckle. “In dearly-departed days, even the slave-race could be taught the fundamentals of it - and those sun-chosen among them who mine ultimate sire chose to grant his favour to - why, they took techniques my kind devised and laid claim to them. That would be no great challenge for one such as myself.”
Envy pricks at Keris’s fingers, though she keeps it from curdling in her heart, and her hair stirs behind her.
“And you’re ancient,” she says, the hunger bleeding through into her voice. “You said so yourself. You remember the days before the Primordials were cast down. You saw my race created. You’ve been perfecting the art of ambience almost since its creation, and I doubt you spent all that time down here.” Keris has only a rough idea of what the art of ambience is, but she’s already guessed it has something to do with how Kalathais almost seems to inhabit the city as a whole, and it’s ancient enough that it must recall the earliest days of the Dragon Kings as a race. “Would you share that knowledge, too? Tell me of the history of the world through the eyes of one outside the biases of Hell and Heaven, or what of it you remember?”
“So full of questions, for one so small and short-lived,” the voice muses. “I have told your kind time and time again of the nature of memory, and that one does not remember things as facts and dates over such an existence - but there are things I could offer for thine enlightenment. Given reason to.”
“Then I had better give you reason to,” Keris says with another razor smile. But she keeps her hair to herself this time. Threats won her Kalathais’s attention, but won’t be enough to secure its help. For that... she focuses on the crystals, ignoring the chatelaine this time, and probes the mind behind them, feeling out its pride, its envy. Its desires.
((WWOF and HP again.))
((/r 18d10s7c10 #KalathaisEnvySight))
((Keris rolled 11 <10; 2; 10; 7; 10; 10; 2; 2; 7; 2; 1; 1; 4; 5; 9; 2; 2; 5> #KalathaisEnvySight))
((/r 9d10s7c10 #KalathaisPrice))
((Keris rolled 6 <2; 8; 10; 1; 8; 9; 7; 2; 2> #KalathaisPrice))
Ah. The crystals are so much more... reflective than the creature in front of her. They reveal the desires of the master of this place.
And this is what they are: the Shaper longs day and night to create a true newborn Dragon King. Whatever the Chatelaine is, it is not exactly the same nature of being as the master of this place. A failed experiment, maybe, but not exactly what the master desired.
And that insight tells her something else; it is the knowledge of the occult and the obscure that the master is proudest of. It might not know enough to envy Keris yet, but its own intellect is vast and inhuman in its breadth.
((No envy. Proudest trait - Occult 5 and a lot of 3 dot styles across a huge range of obscure topics relating to the soul, flesh, and the interactions of the two. The Shaper’s Price is “Enabling it to be able to make more true dragon kings”.))
And as her eyes gleam green, she sees the same mix of divine and solar essences that saturate the creature before her - only it fills the buildings. It is in the conduits and the veins and the crystals. And this presence is as strong as a demon lord.
“Ah,” Dulmea breathes. “The Shaper is this city, or at least this complex. And if the Chatelaine is also akin to it, then it wears this nearly human body just like the Shaper wears this city. A race that occupies flesh and crystal bodies it makes for itself - perhaps making them and wearing them as you and Zanara treat clothing.”
((E6, aspected in that blend of divine and solar that Keris is starting to recognise as “Dragon King”.))
Raw excitement courses through Keris’s veins, and she only just keeps her voice level. This is something new. Something fascinating. Something unlike any form of life she’s seen before. The rush and thrill of discovery makes her heart pound and her muscles tense, and ideas spark and coruscate across her mind at how she might use these arts for her clan.
“You’ve seen my caste mark,” she says, tapping her forehead. “And you probably know who Gorol was. But I’m no akuma. I stand equal to the Chosen of the Sun in power, with free will and free choice of allegiances. You’ve seen that I have been the genesis of demon lords, and the crafting of living tools,” she strokes her hand down Strigida’s feathers and along Vipera’s scales, getting a soft rattle and a hiss from her battle-companions, “is also an art I’ve practised. I know of the attempts of Hell’s Unquestionable to create a demon princess who unifies the titans’ powers in a single being, not formed naturally from the mind of a Yozi but engineered through artifice. I’ve had dealings with Fossyi, the Collector of Souls, whose records and libraries no doubt hold much detail on even your ancient kind. Among all of Hell, there are few who surpass me in the occult matters of flesh and spirit, and the mixing of natures and transfer of ambiences is of,” she smiles wryly, “particular interest to me. If there is any human in Creation, Hell and Heaven combined who can understand your lessons and contribute to your studies, I am she.”
Her smile becomes a smirk. “And of course, my mind isn’t the only reason you want me. I’ve stolen from literally under the noses of Dragonblooded and sun-chosen alike, and gotten away with all that I aimed for and more. I’ve recovered fragments and lessons from the High First Age that most would think didn’t exist anymore, and learned from them. I’ve walked into wyld zones and slain raksha freeholds as strong as a demon prince with a full septarch of souls behind them. I have the raw might to spin Vali out from my mind along with half a dozen siblings, and in time I can grasp the highest circles of sorcery. If there is any field which you understand in theory but fall short of in practice, my aid could help you achieve it.”
She drains the glass, and cocks an eyebrow. “And you want to create more of your kind. Right? That’s why you want to know if I was Vali’s genesis. That’s why you want to know if I can access Hell’s libraries, or Heaven’s. That’s why you want to know if I’m willing to deliver information you can’t reach from here - like what might be found in the Dragon King ruins of my homeland Taira, east of the Summer Mountains, where men build on the bases of great pyramids raised by their once-masters.
((/r 15d10s7c10 +5 #GoGetIt))
((Keris rolled 13 <3; 1; 9; 6; 8; 9; 2; 10; 9; 3; 5; 7; 4; 4; 9> #GoGetIt))
((/r 15d10s7c10 x2 #HDT))
((Keris rolled 14 <1; 1; 4; 5; 10; 8; 6; 10; 9; 5; 8; 6; 1; 3; 5> #HDT))
((/r 20d10s7c10 #SuchSweetCorruption))
((Keris rolled 16 <7; 9; 10; 9; 3; 6; 2; 10; 5; 9; 10; 9; 4; 7; 10; 4; 5; 1; 10; 5> #SuchSweetCorruption))
The scent of flowers drifts through this dead, crystalline garden. It spreads out like grasping hands, wrapping around the crystals that speak - and from them, it seeps into the conduit-veins that carry the lifeblood of the Shaper around this place. How tempting, how alluring an offer from the strange being. Such pleasures of knowledge were already alluring to the ancient being, but now this impulse is fed and nourished to blossom with full force within its mind.
And the offers! If the scent is alluring, the tainted words of the stranger carry their own wicked desires. To work with a being who can steal the secrets they have so long desired - perhaps even from the very libraries of Heaven itself! Such arrogance in those words - and such confidence! And to get new research materials, new topics, new ideas. The price of cooperation seems to low; the chances to gain so very high.
And the Shaper has been down here in the darkness for so very long. The light of the sun is something that it turned its back on, no longer looking at the magnificent radiance of the father-figure to its entire race. In the darkness below the world, sweet, tantalising corruption can sink in. Erembour’s song was something it heard long ago, and though it turned its back and did not dance to the melodies of the Ebon Dragon, something lodged in its heart. A nostalgia, a melancholy, a dream of long-lost days played on by the prospect of working with this abomination-wonder of and against the natural order.
“Strange being - ah, Keris, such is the... potential that thine intellect and novelty might bring to mine enterprise that a gainsaid fool would be I if such chances were not taken in delightful glee,” the voice of the Shaper says. It pauses, and then adds, “Mine apologies for the study of thine extension are of course profuse.”
Keris nods graciously. “I will call the matter settled on my part by the damage I have done to your ambience, and I will keep Vali from pursuing the matter for as long as we work together. And once I have stepped outside to share the news of his safety with my own aide back at the seat of my power, I can spare some time to tarry here and begin our collaboration. After all,” she flashes a sinful smirk. “I appear to have a lot of studying to do, and there’s little point in me leaving without a list of what you want, no?”
“A deal; equitable, of utility, and with prospects that could benefit mine own intent as well as thine ambitions,” muses the ancient being. “Of potential, indeed; thusly, acceptance would seem to be in both our interests.”
Spearing a pair of the nutritious blocks of what passes for food down here on a hair tendril, Keris leans back in her chair, crosses her legs and smirks. Ancient and brilliant Kalathais might be, but it was woefully defenceless against socialites. Probably the reason it had the chatelaine to speak for it to people like her. But one little threat and it had dropped its protective buffer, and now she had a genius, if eccentric, fleshcrafter and occultist dancing on her strings.
... huh. An old, eccentric fleshcrafter and occultist.
That gave her an idea...
To sleep, perchance to dream...
Malek Qaja opens her eyes to a solid wall of grey. She blinks and focuses, and it resolves into a less solid - but still overwhelmingly grey - mass of rainforest foliage, all cast in monochrome shades from bone-white to pitch-black.
But even discounting the lack of colour, this is like no forest she has seen in decades.
The heat and humidity are oppressive; a physical one-two combo that punches the air from the lungs and brings sweat out within seconds, like a soaked, oppressive blanket swaddling every inch of skin. Steam drifts in thin clouds through the densely packed trunks of bamboo, rubber, kapok, walking palm, potbelly - two dozen species or more in just what’s immediately ahead of her. Half a dozen scents fight for primacy; moisture and soil and rotting wood and the floral aroma of ripe fruit and wildflowers.
The sound here is strange, though. There’s a muffled rustling susurrus underlying everything, the soft sound of moving air and distant echoes that does nothing more than add texture to the uncanny muteness of the jungle. But cut through it are sharp stabbing silences, which though noiseless nonetheless have texture. Malek can tell, somehow, that the trickling pattern of absences in the whispering wind is the un-sound of running water somewhere close. A sudden gap in the ambient hum is the high anti-tones of a bird crying somewhere off to her right, high and shrill. Its voiceless overture is answered by a symphony of other jungle beasts, each suppressing the jungle’s muffled background in a different way. Monkey howls make her ears ring as they still the humid air, insect clicks and chitters ricochet off her eardrums in bursts of empty percussion, frogs and giant rodents croak and huff and snort in all their inaudible affects, and from somewhere behind her comes the rumbling inverted growl of a prowling greatcat.
But among all the transposed sounds of the rainforest, there’s one that’s natural. The clearing of a throat.
The woman who made it, when Malek turns to see her, is a lone splash of vibrant red in this monochrome jungle world. She sits seiza under a strange tree, a stone trunk from which grow crystal leaves in geometric patterns, and in front of her is a low table balanced incongruously over a surface root thicker than her head. The fine white china tea set arranged atop it has finely-inked patterns of tiny dancing demons decorating each cup and saucer.
Malek knows this woman. She’s met her before, five years ago; a dangerous young thing who was nonetheless easy enough to extract a favour from.
She wasn’t expecting to ever see her again, though.
Nevertheless, a lady is never anything other than composed, especially in the face of a demonic monster invading her dreams. For one, she suspects said demonic lady crammed into the shape of a small Tairan woman can smell fear.
“Well, fancy meeting you here, darling,” she says, behind the long and jaded mask she has from a lifespan of what very tedious people might call sin and debauchery. “I do believe you might be lost. These are my dreams, not yours.”
“Oh?” Keris Dulmeadokht, demon princess and mother of demon lords, affects a pout. “And there was me thinking they looked so familiar. They match my surroundings in the waking world more than yours, after all.” Her hair is a vibrant slash of blood-red hue in a world washed clean of colour as it curls around and pats the low seat opposite her. “Do sit down, Lady Qaja. The tea is excellent, I promise. And we have things to talk about.”
“Tea? No spirits?” Malek enquires. She’s sure that this monster in human skin will only let her go when she feels like it - but said monster is still something she can deal with. And to have such a creature reach out to her is... interesting.
And the arrogance roiling off it. It is crystallising on the grey and black trees, a crawling redness that expands over the world, mixed with a lush health to the jungle plants that speaks of… respect, and perhaps even a pinch of partiality. This being is supremely confident, but also - ah, yes. She doesn’t consider Malek a threat; she’s not here to fight - or kill. No, she is still wary, but not at the physical level. She respects Malek for her genius; her wariness is that reserved for a brilliant mind, mixed with a faint fringe of fondness.
And that means she wants her. One way or another. Well, that is a state of affairs that Malek Qaja is both entirely used to and generally comfortable with. Being wanted is so much safer.
“Some spirits would probably help our little chat go more smoothly,” she says from behind her jaded mask.
“I suppose I’m only here in spirit, so more spirits are easy enough to provide,” the demoness smiles, and another lock of scarlet hair rises up to pluck a jet-black fruit from the branches of a neighbouring tree. Its soft skin tears apart with succulent ease under the strands, and from the hollow within spills out a fine crimson alcohol, strong enough that Malek can smell it from several paces away. A china vessel held in a third lock of hair - the creature still hasn’t moved her arms, folded neatly in her lap - catches the booze, and dips twice to add it to each cup. The red swirls into the black surface of the tea, the colours mixing together in a spiral but staying visibly separate. “Now please, sit. Drink with me.”
The dream seat is not as comfortable as it could have been. For all its texture, there is something almost sharp about it, like a knife’s blade wrapped in silk. But Malek has sat in worse places, and she half-sprawls on the fallen log, treating it as a chaise lounge. “It’s my dream, darling, and I’ll sit how I want.” She takes a sip, and tastes the coppery blood at the back of the over-ripe sweetness and the kick of alcohol. “Now why would you come looking for little old me after so long? It’s been, what, five years?”
“Almost,” Keris agrees. “And whispers have come to my ears that the war is turning against the dear naib back there in Taira. Although if we’re reminiscing, I should let you know that Lei Mei is... well,” her smile sharpens, “she’s been dealt with, shall we say, more permanently than just being locked in a heart-gem. You need not fear her anymore.”
Something moves in the branches of the stone-and-crystal tree with a hiss and a metallic rattle; a wood-and-silver thing akin to a serpent - and yet not. Its mistress sips at her tea, humming thoughtfully. “But the shahbanu is closer to your doorstep, and Malra must be starting to feel tiring with so little there that’s novel. While on my doorstep... well.” She spreads her arms, indicating the explosion of monochrome life all around her. “This is just a sample of what lurks in the depths of the Silent Crescent - and believe me, there are stranger things than this little scene in its heart. Trees that walk like men, creatures as much crystal as flesh, roots of stone that feed living ruins. Demesnes deep in the tangled jungle that I doubt any mortal man who still lives has set eyes on. And it happens that I’ve had my attention drawn this way but find myself without the time to pursue it as far as I’d like. My budget could stretch to fund someone else’s explorations, though.”
“Well, now.” Ah of course this demonic witch has her attention. There are few words as delectable as “funded explorations” - and the witch is flaunting the fact that what looks like a Dragon King percolation distillation tree is directly behind her. She was such a tempting little thing when she first met her, and like a fine wine she’s only improved with age. “Now you have my interest...”
Of course, she’s not working for this Keris - not yet, not permanently. Taym will just have to understand that a lady has needs, like research specimens, fresh wood genesis samples, and of course stealing the secrets of the draconic forebears of man. Their ruins in Taira have been stripped dreadfully bare. It’s disgraceful. How is a free-spirited young woman - young, no matter what uncouth people say! - meant to find what she needs in ruins that were picked bare centuries ago?
She doesn’t get things entirely her own way, of course - somewhere in the past half-decade the lethal young monster has learned how to bargain - but after half an hour or so the two of them are chatting much more amicably, and the hints that Keris is dropping have become ever-more tantalising.
“Oh, certainly,” Keris is saying. “I completely understand the aggravation of finding a site has been plundered by clumsy fools - I had a particularly frustrating experience with a promising Shogunate city that a wyld zone had taken over, leaving virtually nothing intact. But I can promise that the sites here are, if not pristine, at least untouched by man since, oh, as far back as the Anathemic Wars that the Shogunate waged, in many cases. Two thousand years or so, say. And I can also promise that there’s a wealth of treasures in them to be found, though you may have to deal with some of the feral wildlife inhabiting them to find it.” She chuckles. “I don’t doubt your capabilities, but I will of course be willing to provide aid in dealing with them in place of a portion of your funding, should you wish to work in peace.”
“Hmm.” Malek tilts her head, as if this is only just occurring to her. “Of course, travel across Creation - to the sweltering and mysterious far south west, no less! - is always such a bother. A dangerous, expensive bother that would probably entail leaving my very delicate operations alone for a year - or more!”
From the way the demoness’s smile widens, she was waiting for that. “Well, as it happens,” she says, “one of my darling children is on an errand this year and might well be able to accompany you most of the way as she returns. You remember my daughter Calesco? If you can arrange to arrive in the Scavenger Lands by early Wood, she should be finishing up her tasks there and intending to return. It would be a simple thing for you to join her on her way back.”
“I will of course require transport for my daughter, some handmaidens, a few guards, some specialists, and my luggage bearers,” Malek says instantly. “Shermine can handle my affairs back in Taira.”
“Yes, yes,” Keris sighs. “I’ll leave that to Calesco’s discretion; she’s more than capable. But,” she finishes her tea and sets the cup down with a click, then holds out her hand, “can I take that as your acceptance of a research trip to collaborate with me?”
“Well, I’ll have to make sure that Taym isn’t a,” she sighs, “a dreadful bore about things.” And then she drinks the rest of her cup. “And your beau may ask some inconvenient questions. It really is his thing, you know. I don’t know what you see in that annoying man.”
It’s a short in the dark, but from some of the things that that annoying man Ney Adami has said when he asked questions over years - yes, she suspects there’s a candle burning between the two. Which suits her fine. If that annoying man is between the legs of a hellish witch, he’s less likely to be asking unhelpful questions about her own work and the source of certain things she requires.
Keris’s smile is small, smug and entirely too self-satisfied to be anything other than confirmation. “Well, I might be able to distract him a little,” she muses, her eyes glinting playfully. “But mine and my daughter’s responsibility for your transport starts only when you meet her in the Scavenger Lands. And honestly, if you can’t find an excuse to leave Ney chasing his tail for a while as you go off on a research trip, you aren’t the woman I think you are.” Her hand remains outstretched, an offer that might be a demonic trap, the way out of her dream-prison or perhaps just simple courtesy.
Malek hopefully swirls the cup she just emptied, looking for anything more she might have missed - but no. Well, she does owe this witch. And keeping on her good side means keeping on the good side of someone who took out a demon lord for her on a whim - to acquire their soul, really.
Anyway, a year overseas with beaches and jungles and fresh test subjects sounds like an awfully good idea.
“Well, I really was getting a trifle bored in Taira, darling,” she says, taking the witch’s hand. “And no doubt Pardis will be delighted. She really does need to experience more of the world, anyway.”
Scarred red lips brush the back of her hand, and a warm chuckle sounds in her ears as the reds and blacks and whites of the world bleed and blur and drip like an oil painting left out in the rain. The last words of the dream still echo in her ears as she wakes.
“Then I’ll see you next year, Lady Qaja. Until then, best wishes. And good luck.”
Malek sits upright in bed, gasping, with sweat pouring off her brow. Shaking her head, she staggers over to her drink cabinet and pours herself something stiff to wash the taste of blood from her mouth. The dream is still bright and solid in her memory, vivid enough that she can still feel Keris’s kiss on the back of her hand.
Well. She is too tired to deal with this shit right now. She’ll set the affairs in process in the morning.
Chapter 21: Early Water 775
Chapter Text
It is raining outside. The season of Air this year has been far wetter than it should have been and it looks like it’s keeping going into early Water. There have been clay-slides up on the slopes of Shuu Mua, ruining fields and smashing villages, and the river in Zen Daiwye has never been this high.
In Little River’s estate in Silver Lotus, one of the additions in the renovations last year was an exotic glass-ceilinged solarium. The Golden Crown of the Hui Cha spent a fortune on this, and some might ask why because during the hotter parts of the year, it practically becomes a furnace. But right now, the rain hammers down on the glass and gives a wonderful view of the wyld-infused storm that is hammering down overhead.
Keris has called all her family in Saata here for a little talk. Haneyl is still down in the far south west, but under her standing instructions Elly and Saji are here in her stead. Eko is likewise absent due to being grounded, and in contrast her standing instructions have been ignored, because they are that Yuu is to be invited to disrupt things and be a nuisance.
Rounen clears his throat. “Now, let us go over the agenda for this meeting he begins. Firstly, I would like to make it fully clear that I am here chairing this meeting serving in my role as Lady Keris’s adjunct, rather than my role as Duke of the Near Swamp. This should resolve any questions of potential conflicts of interest. The first item on the agenda will be discussion of the Great Census of our homeland, followed by discussion of the mission that Princess Calesco will be conducting on Triumphant Air. After that, there is,” he sighs, “some vague mention of issues in the Sea, though unfortunately her Majesty did not respond to my requests to provide me with a fully itemised list of agenda items for this meeting, so no doubt things will ramble on for a bit after that. Following that, there will be other affairs. Are there any questions before we begin?”
A general murmur from the gathered family members indicates that there might be, which is cut short by Keris planting a boot on the table and sweeping an accusing finger across her assembled children. “First on the agenda, then,” she says, with narrowed eyes. “Firisutu and Evedelyl have been complaining to me all season that your citizens are being complete fucking brats about cooperating in the Census. Eko’s been outright sabotaging it, the Spires are refusing to tell ‘the gold-plated nob’ how many people live there because they think accurate numbers are a tool of oppression, the Sea’s apparently having a fucking war or something and Firi tells me the Meadow villages are very politely pretending the census-takers are there to buy honey and going mysteriously deaf whenever they’re asked any other questions. So I want messages from all of you telling your lands to shut up and quit fucking around, because I want some goddamn numbers on how many citizens are living in me. Got it?”
Elly raises her hand. “The Swamp has a full and complete census available,” she reports.
“Well, kinda. Sorta,” Saji points out, her current kat body sprawled out on the table in front of Haneyl’s chair. “It’s mostly tax stuff. Land holdings, how much people gotta pay Hany, nobility fees, you know.”
“That is what matters.”
“I’m just sayin’ that people who don’t pay tax aren’t covered.”
“Yeah, no, I want records on them too,” Keris says. “Actually, I maybe want records on them more, because if they’re canny enough to dodge Haneyl’s attempts to tax them, they’re probably canny enough to be useful. Write up some orders I can pass in that Haneyl’s governors will listen to. And Rathan, what the fuck is going on in the Sea and why am I getting reports from Evedelyl about blockades over some charter and a war among your lords? I told her to get me someone I could yell at and she said Yuutu was being cagy about whoever started it and the orven gangs weren’t being kept in check enough by the adults to even map out consistent sides.”
Rathan yawns, looking up from his book, chair tilted back and his feet on the table. “That’s not really my problem. I’m not going to tell my nobles what to do. If they want to fight over territory, that’s their prerogative.”
“You are going to at least tell them to be more damn cooperative,” Keris tells him, waving a hair tendril in his direction. “And Calesco... yours aren’t being pests about it, but could you please jot down a couple of notes asking them not to feign deafness? They’re not sabotaging things, but they’re not exactly going along with them either. I think they’ve just started being passive-aggressive to anyone coming in from the Ruin until they cause enough trouble for the magistrates to put them in the stocks.”
Calesco crosses her arms. “I can write something telling them to consider it, but I’m not going to enforce arbitrary diktats on them this way. They have the right to refuse anything that makes them uncomfortable.”
“And people have to negotiate with my counts if they want anything from them,” Rathan adds, flapping a hand at his mother. “I don’t want them to expect that I’ll just take over and make them do things. Things just work this way. I don’t want to infringe on their domains.”
This is more than a little irksome to Keris. Calesco is being a pain, albeit a principled pain. Meanwhile Rathan is just being... lazy. Especially since the last thing she heard from Firisutu was that one of the big reasons for the war in the Sea was something about artisan-stealing between nobles.
“Look,” she growls. “I’m not asking for unmitigated authority or new rules being set, it’s just a census. I want to know how many people are in your Directions. Hell, you should want to know how many people are in your Directions, they’re your citizens. Write up some notes to them to just... stop such being a pain because it’s Firisutu doing it.” She gives Calesco a pleading look. “That’s hardly about them being uncomfortable, it’s just this dumb grudge they’ve all got against him.”
She shakes her head, moving on before they can come up with new arguments. “Anyway, that’s something you can just write a few letters for. More importantly, Calesco’s leaving tomorrow, so this is a chance for everyone to say goodbye - and for your travelling companions to get to know you. Rathan, you told Mele he’s chartering the Carnation performers up to Triumphant Air, right?”
“Yes, yes,” Rathan said, eyes drifting back down to his book. Overhead, lightning flashes, casting the shadows of raindrops across the room. “I mentioned it, at least. I have been a bit busy, mama. You know, what with helping Oula and the fact that I’m preparing to head off to the far south west because you asked me to. I’m very busy, you know?”
Keris scowls at him, annoyed by his lax attitude but unable to come up with a way to make him drop it. “Well,” she grumbles, turning her attention to Calesco instead, “I’m sending Fari with you as well. She’s small and fierce and a good navigator for when you go on from Triumphant Air, and she’ll be a bodyguard people don’t expect in case anyone gets close. I’ve arranged for some contacts among Lelabet’s cultists to take you along the southern coast and up to the Yanaze. Eko deigned to talk to me for long enough to offer you Velvet again as a steed for any legs where the cultist ships fall through. And I’ve also found you a dragon aide. Iroi!”
She beckons at the door, and it slides open to admit an androgynous, pale-skinned dragon aide with dirty-blonde hair and mud-brown eyes. He issues a shy wave and a brief bow to Calesco, smiling awkwardly in a stark contrast to Rounen’s stiff formality.
Calesco looks him up and down. “I’m not complaining that you found me someone to do the paperwork,” she says to her mother acerbically, “but don’t I get some kind of say in this?”
This being Calesco, Keris is fairly sure she’s complaining for the sake of complaining.
“Actually, miss, this was at my request,” Iroi says, raising his hand halfway as if asking permission to speak. “Princess Haneyl sent out an announcement that she was looking for someone to offer you the support you need to run your lands, and, well,” he ducks his head with a sheepish smile. “Do you remember the lessons you used to run? Mostly for your mezes, but there were sziroms and agyas and even a few szels there, too. You probably don’t remember me very well, but I wanted to repay you for the help you gave me when I was first settling in the Swamp and ducking through the tree border to learn.”
“Oh. Oh!” Calesco frowns for a moment, then tilts her head. “You were the ex-agya Iroi, yes? Not the sziromborn Iroi?”
“Sometimes I wonder if we need to remind the keruby that they can have names which aren’t four letters long,” Rathan says dryly.
“Huh?” says Vali, who hasn’t been paying attention the entire meeting.
“That’s right, miss,” Iroi agrees cheerfully, apparently failing to hear Rathan’s sardonic advice. “So when the High Queen said you needed help to copy whatever materials you find on your pilgrimage and to organise your return, I volunteered to go with you.” He bounces on his heels. “I’ll be very helpful, I assure you. Especially if what Duke Rounen has told me about the Lady Qaja you’ll be escorting back is true.”
Calesco smiles wryly, glancing at her mother and Rounen. “Are you trying to show me what I’ve been missing by not having an aide all these years?” she asks.
Keris shrugs agreeably. “Aides are very useful. I don’t know what I’d do without mine.” Rounen beams and puffs out his chest, buffing his nails on his blue-and-green-patterned, Atiya-approved jacket. “Anyway, you know your mission. Put on a good show in Triumphant Air, get in touch with Danadu Mara and remind him who he’s loyal to while you’re there. I wove some of his cults into my spy networks last year on my tour of the Anarchy, but there are others that are still reporting just to him or operating mostly independently, and I want to fold them into my network.”
She taps her lips, considering. “Having more places I can look in on in places like Gotkong to say ‘reward so-and-so for helping me out’ or ‘gather this-and-that to be sent back to me’ would be nice, but the main thing I want from him is some eyes in the Realm’s activities, so tell him getting me some is his new heart’s desire if he knows what’s good for him. Then move onto the Scavenger Lands, find the lore for your priestess trials, and bring Malek and her group back.” She grins, remembering Malek’s youngest daughter. “Try not to strangle Pardis if she’s overenthusiastic about having missed you,” she teases. “You can hardly blame the poor girl.”
Calesco only scowls at that reminder. She wasn’t happy about Keris telling her she had to escort them back. Not least because if it wasn’t for that, Calesco and her fellow demons could simply have returned back to Keris when their work in the Scavenger Lands were done. This will - as she acerbically told her mother - add months to her trip.
Ever vulnerable to her children’s unhappiness, Keris visibly softens. “It won’t be too bad,” she promises. “Malek will be polite, and Pardis will have matured a bit; it’s been five years since you last had to put up with her. And it might not just be lore and copied texts you’re bringing back; there are tools of worship and sacred items that I’ll look very favourably on if you can find some. Iroi will help organise everything, and Malek will be a big help to our occult works here.”
She clears her throat, turning to Rounen. “And speaking of our occult works, how is Hinna settling in? I’m going to be folding her girl into some of my lessons; there are things I’ve learned about fleshcrafting recently that she’d make a good assistant for.”
Rounen flips through his notes professionally while the rain hammers down outside. “Ms an-Reswah has been sited in a small location just south of the Anubalim. Working with certain members of Duchess Ellyssivera’s pack, I have arranged for her to be registered with a small third rate alchemist’s temple which is sufficiently in debt that we could secure control over their loans for an acceptable cost. In light of that we have used our influence with the Hui Cha to obtain her a few contracts as an assayer, making her financially dependent on assets under Little River’s influence. This is, of course, only a temporary measure - in the long term, I recommend that we move her out of Saata to an island controlled by an ally of ours chosen to turn a blind eye to her practice of demonology. As it is, we will have to keep an eye on her to ensure she is not getting,” he sniffs, “sloppy with her practice in Saata where this is one of the few things that House Sinasana does not tolerate.”
“Good enough for the moment,” Keris nods. “Elly, I know Haneyl has a couple of Raraan Ge families in her debt and is working on flipping more; I’m willing to put Hinna on one of the Maula Isles under her influence, as long as you pick up the associated costs of supplying her with materials and prioritise my orders for her. Get me a couple of suggestions by the next time we have a family meeting.”
“I will need to verify with Princess Haneyl as to the state of control and of their faith in the true masters of the world,” Elly says.
“Oh, come on, the longer she spends in Saata, the more risk there is she gets found out,” Saji counters instantly. “And we don’t wanna let her get too settled here. She might want to stay. Just find her some job that means she’s gotta travel a bit, Elly. Hells, just get her to look into books or something like this. She’s a sorcerer. Sorcerers dig books.”
“Actually,” Keris says, thoughtfully, “there’s a project I have on the backburner that could use some moonsilver. I haven’t had time to look for some yet, but Hinna is an assayer by trade, and a sorceress to boot. Hmm.” She taps her lip. “Alright, don’t consider it high priority, but if you need something to occupy her and can find me...” she runs some rapid mental calculations, “... three to four dirham-weight ingots of untainted moonsilver by Earth, I’ll pay you a quarter again what they’re worth from my Hellish funds. Normal market price plus a flat bonus if takes until the year’s end.”
That draws an inhalation from Elly. “That is a vast sum. I am not sure that much raw moonsilver exists in the Anarchy, at least in the markets, but will any forged or pre-made works of artifice be usable - or must be be raw?”
“... I’ll allow some forged, especially if it’s armour - this is going to be reworked into a carapace - but at least a third should be raw,” Keris says, after some thought. “I’m aware it’s a tall order. As I said, don’t consider it high priority. If you can’t find any in the markets, I’ll pay handsomely for potential locations to go digging for raw ore deposits. Vali,” she snaps her fingers in front of him to distract him from the wire he’s started twisting into little model dragons. “If you want to go out exploring again once I go back to Hell in Earth, that’s something you might look for. Moonsilver deposits,” she repeats, catching him up on the bit of the conversation he’d been zoned out for. “I need three or four dirham-weights to help Hermione with how she’s stuck behind mirrors.”
Vali scratches his head. “I dunno how you forge moonsilver,” he says. “I mean, I made some silver back home in Rathan’s place...”
“You melted a lot of my ice,” Rathan grouches.
“... but I don’t think that was moonsilver. I think I tasted some little bit of wyld-ness in your armour before you went and reforged it, though. So maybe there’s some to be found all the way near the edge of the world,” he suggests.
“Mmm. Well, put that down in the minutes as a long-term project,” Keris orders with a nod at Rounen, and then stalls for a moment. “Uh. Right. What, um. What else was there?”
An awkward silence descends as everyone either tries and fails to come up with another topic that needs to be discussed or shrinks back in their chair waiting for someone else to talk first.
Keris breaks the deadlock by snapping her fingers. “Right! Zen Daiwye! Evedelyl’s inside me doing the Census, so I’m going to be spending more time there giving sorcery lessons to the School members - that includes you, Vali, I think you’re actually pretty close to being ready for your Choice after that ordeal in the Silent Crescent. Rounen, remind me that I need to walk back Cinnamon’s presence for a season or so, maybe fake a leg injury or something. And we’ve got Ali’s wedding coming up, so those of you who won’t be halfway across the ocean by then, make sure you’re free to attend.” She smirks. “Also remember to congratulate Xasan on his new flock. He’s very proud of them. Especially the bellwether. He’s named her Ayeeyo.”
“Do try to stop Kali eating Uncle Xasan’s sheep,” Rathan says with a roll of his eyes. “He’ll probably get upset if she starts dragging in whole ewes back to the house. By her teeth. While human shaped.”
“Sheep are still probably a bit big for her,” Keris points out, amused. Then pauses to think about it, a hint of concern briefly crossing her face before she reassures herself with a nod. “Yeah. Yeah, still too big. Although, she’s turning five soon. Gods, they’re growing up so fast...”
She sighs, collapsing back into her seat and letting her head fall back against the backrest to stare up at the pounding rain streaming in rivers down the angled glass of the roof. Five years. It’s been five years since her children were born - five years, indeed, since the first keruby matured, and now Oula and Rounen and Elly and Saji are intrinsic parts of meetings like this, while Iroi may barely remember a time before dragon aides and hungry ones roamed the Swamp and pontiffs preached in the Isles.
Somewhere in the background, the meeting is still moving on; Saji suggests energetic little Kali might have fun being an assistant-shepherdess-slash-sheepcat and Vali chimes in with something about the Zen Daiwye goats up on the valley slopes not being so easily herded. Keris lets it slide past her, overcome by wistful reminiscence and feeling suddenly very old. She’s not even thirty yet, but by the history of her inner world, she’s ancient, and right now she really feels it.
Calesco’s warm gloved hands wrap around hers. “Mother?” she asks softly, lowering her voice under the creative hubbub of the others. “Are you feeling well? Are you worried about... next season?”
Keris’s nose wrinkles, and her shoulders stiffen. She can feel Calesco picking it up through her hands, the way her fingers automatically shift to rub taut tendons and tense muscles back to loose calm. “I’ve been trying not to think about it until I’m there,” she murmurs back, not shifting her gaze away from the endlessly changing patterns of water flowing over their heads. “Anticipation’s as bad as the thing itself, and if I psyche myself out before I get there, I might not have the nerve to walk into it. ‘Sides, it’s way too late to back out at this point.” She sighs, squeezing her eyes shut. “And it’s only for a season. And it’ll help a lot.”
Those small, warm hands put pressure on the pads of her hand, working at the callouses. “I have to remind myself that the task you ask of me is lesser than the task you ask of yourself,” Calesco murmurs. “I will not be back when you arrive back, but if you need me, I can always return to you.”
“I know, sweetheart.” Keris drops her gaze from the roof and pulls Calesco in to kiss her on the forehead. “And I’ll have Anyuu if I need the counsel of the House of Joy. I’ll visit you in a dream as soon as I’m back in Creation so you know I’ve safely returned.” She smiles. “And I will try, very hard, not to do anything stupid while I’m on the Street.”
“Let’s be fair,” Calesco says, her own smile bittersweet. “This family is very good at doing stupid things. Just look at my idiot brother who you managed to bring back alive.”
“That,” Keris says with a self-effacing head tilt, “is why I only promised to try.”
There are certain things in Saata proper that she has to sort out before she can take some time off to train sorcerers. For example, in the affairs of the Hui Cha, Peaceful Wave and Lucky Wolf are simmering with rage because one of Peaceful Wave’s captains has defected to Lucky Wolf - and taken the trade routes and sea maps he specialised in with him. Now Lucky Wolf has a share of the spice trade he didn’t have before, and Peaceful Wave is angry - and his mother in law, Charitable Peach, is coldly furious. There has been bloodshed and clashes both in the ports and on the high seas.
Matters are not being helped, it must be said, by Pale Branch, who is ‘interpreting her husband’s orders’ and poaching from both of them while they are distracted. Nor are they being aided by Sea Eagle, who is taking bribes from both sides on the implication that he might speak to Little River in their favour.
It’s the kind of problem that has no easy, single solution. Just a lot of tea and talking and a few subtle but chilling threats, and sorting things out so that Lucky Wolf agrees to give Peaceful Wave a generous gift in thanks for allowing his captain to seek his fortunes in Lucky Wolf’s fleet, and laundering some more of her depleting Hellish wealth so that Lucky Wolf can afford such a gift, and convincing Peaceful Wave to accept the gift with implications that a prayer to Riyaah MuHiitiyah in the wake of such demonstrated magnanimity might be rewarded with the goddess sending one of her dreams of where a wrecked-but-salvageable ship might be found tangled in her sacred mangroves, and sending a Messenger to the dragon aide Molian on the Isle of Gulls to take stock of the tattered fleet of Realm ships that have been anchored there for years, held in reserve until their reappearance under new banners won’t lead magistrates or nosy Sinasana to tie them to the great tribute fleet sunk en route to the Realm...
By the end of it, Keris is sick and fucking tired of these idiot men and their idiot squabbles, and even Little River’s patience has been tested enough that she gives Pale Branch a thinly veiled warning about not stirring up trouble just as the waters are starting to calm again. But Sea Eagle, old and canny and malicious, has profited enough that Little River decides to take a little more time to address his part in the clusterfuck, and so she invites him to a performance of The Golden Lotus Flowering Across The Ocean’s Waves in a respectable theatre in the Tengese quarter, dressing in her favourite black cheongsam with the pink flower patterning standing out. The twin blades of Ascending Air are sheathed together across the small of her back, and Atiya gives her a nod of approval as Little River models for her before setting out.
Sea Eagle is looking more prosperous, but also older. His beard is even whiter, and he’s losing enough hair on top now that he covers up his balding pate with an old fashioned cap decorated with hand-painted prayers to the gods. He has freshly prepared warding strips against demons worn through his pierced ears, and even his robe - Keris inhales, impressed - is a masterpiece, better done than the slightly faded hard-enduring things she associates with him. Whoever made that for him was a master of Jupiter’s Embroidery Style. The outer layer of the robe is a soft pale white, but from the hint of translucency she can see there is a second layer between the outer layer and the lining, and it’s intricately embroidered with interlocked patterns of flames, waves, vines, clouds and mountains, decorated themselves with prayer patterns.
There is enough power radiating from this garment - made to pain and drive away demons - that Keris is very glad that Rounen isn’t accompanying her, nor any of her children. She suspects Rounen would genuinely suffer from being near it, and even her children would flinch away. But Keris herself isn’t a demon, and so even if this demon-warding robe has plenty of power, and even though its five-hued elemental nature reaches out for her, it cannot touch her.
“My daughter will no doubt be heartbroken I didn’t bring her along with me,” she comments, after the necessary greetings and pleasantries and small talk are out of the way. They’re sat up in one of the boxes, but neither of them are really paying much attention to the unfolding tale of the brave Tengese mariners who set out to establish a kingdom overseas that was free of the Realm’s oppressive heel. “She has a deep love of fashion and tailoring, and those robes are some of the finest I have seen since arriving in this city.”
The old man, sitting here in the theatre box, plenty of his men behind him, nods. “Have you ever looked with green eyes at something so fine before?” he enquires. The veiled words; I know you will want to know where I got something like this.
“Indeed.” The Golden Crown sips at her tea, provided by her own attendants. Unlike Sea Eagle, she hasn’t brought any leg-breakers. It’s no secret that she doesn’t need them. “They must be an artist of peerless skill. Enough that I might strongly consider commissioning a piece from them for the Fire festivals.” Equally unspoken goes the question: if I pressure you, how far will you go to hide them from me?
“Oh, no, no; a man needs his own custom tailors,” Sea Eagle deflects. “And you are quite the famous aesthete. Surely you would not be dissatisfied with the work of your own people, who are of quite admirable and consummate skill. My own dear daughter doesn’t dress as well - or as expensively - as you.”
Graceful Wren; another name dropped, another blade left with the edge pointed towards Keris. Graceful Wren, his daughter the weather-witch, is becoming a mild problem in the affairs of the Hui Cha women. Her allies have their own elemental familiars, her forecasts predict the insurance costs better than Little River’s people can, and she stands apart from both Little River’s people and from Charitable Peach’s. And given that she’s the old man’s preferred child, Keris isn’t sure how much she knows, but she doesn’t want to press her too hard.
“My confidence in my subordinates remains as firm as ever,” Little River says, her voice tranquil steel. “But we, the Hui Cha, are all a family, and while we may squabble at times, it is important to remind ourselves that we are all of one accord. Branching out from my usual tailors to show support for my brothers among the blue sea masters would be a fitting symbol of such - especially considering your own efforts to demonstrate our close bond over these past few months.”
She sips at her tea, but her eyes bore into him from over the rim, the tempest over her calm smile leaving no doubt as to her feelings on his initiative in claiming he could sway her opinions in the mediation between his allies and rivals.
“And you have done very well in making my own efforts in the name of unity seem paltry and pale,” he says, utterly shamelessly. “Though I would look to the work of Strong Ox’s people,” he is giving no more than the nominal pretence that Pale Branch speaks for her senile husband, by now only kept alive with the help of Keris’s medical aid given discreetly, “in incautiously creating the next point of conflict. Perhaps you should step in to ward off any... disputes over Ox’s people taking from both sides when they were busy.”
I know you do not care because Pale Branch owes everything to you, but I am not the only one who has noticed this, he is saying.
Little River purses her lips, her expression that of a woman who has bitten into a lemon and hidden most - but not quite all - of her reaction to the sour taste. She turns her attention to the play for a few moments, enjoying the archaic Tengese lyrics as the Hui-Cha-to-be battle against the rage of a tempest on their journey down the Gulf of Strife; the last of a string of challenges the Pale Mistress has put in their way.
“Your wisdom is a boon to our people,” she answers eventually, “just as Strong Ox, venerable and successful, gifted us with his vision and insight before my arrival, to the benefit of all. While we now walk more in unity than divided, it is understandable that he might think back fondly on the days where the other blue sea masters recognised him as their foremost authority, though they are now past.” Her eyes flick back to him, and up to his hat and the balding pate it hides. “I will mourn him when the Violet Lady takes his hand, just as I will all of the keen-eyed visionaries who led our family into this new age of cooperation and prosperity. And if necessary, I will remind them that we benefit more by pulling together than by pulling apart.”
They return to silence for a moment, as the layered meanings of that little speech sink in. You are not long for this world, and I will outlive you all, the dragon wrapped in a woman’s skin is saying - and this is both cruelty and reassurance, for the old man knows she will not move against him when she can simply wait for him to die a natural death. And in the same breath, she is promising to rein in Pale Branch, yet also delivering a warning in silk-shrouded claws that he should not step so far out of line in future, for fear of her wrath in arenas she has made no promises of non-aggression to him in.
“Some speak of new ages of prosperity and cooperation, and surely that is of a thing of value and virtue,” he says eventually, picking each word with care. “Yet could it not be said that there is a virtue to the old ways; ones that predate even the Hui Cha, ones which run in our blood and have done since men were first made? Is that not so, oh Golden Crown of An Teng?”
Superficially respectful to her. Perhaps a little too respectful, to compare her to a High Queen in this way - and yet did not she know what she was doing when she guided them to pick that title for the guiding woman at the top of the triad?
“The balance of honouring old traditions while adapting to meet each new decade as it comes; the respect for our origins sharing space with the changes we have made to adapt and thrive far from our homeland,” Little River replies, gesturing lazily at the stage, where the first exiles from An Teng now set foot on the foreign shores of Saata. “These are affairs that have ever been the concern of we who lead our people - men such as you, who take the fight to the sea and storm, and keep to the old ways that see our fleets safely back to port each year while allowing innovation where it strengthens us.” She blinks, long and slow, and her eyes slide to a few of the women among his bodyguards - women who would not traditionally have been permitted to serve in Tengese crews, but whom Sea Eagle has allowed to fight alongside the men, to great success.
“And women such as me, to hold our temples and territories on land, and keep our histories, and tend to our culture - bowing our heads enough that the Realm will not crush us, but never so much that they can break our spirit,” she continues. “These roles have carried us through cataclysm and catastrophe of ages past, and no doubt our children’s children will face the same burdens long after we pass the torch on to them as our successors.”
Graceful words, and complimentary ones, too. But nonetheless ones that remind him that the power on land rests in the hands of the women of the Hui Cha, and that the very traditions he holds dear put the reins of culture firmly in female hands.
That gets her a simple nod from the man, who tucks his hands up his sleeves and who seems deep in thought. “I have heard,” he says, after the play comes to an end, “that there is a tale from the same actors of the last High Queen, and her ignominious fate. Yet that is surely fantasy and tales for children, for the old tales say she vanished and was never seen again. Perhaps I should make some small contribution to this company to enable them to put it on, though. For it may just be a tale for children, but perhaps your own Atiya might enjoy such a tale. After all, is she not named in the style of the queens of old?”
Little River goes very still. And the old man’s eyes narrow on her, for she goes still not in the way of someone lost in thought or struck by sudden nostalgia, but in the way of a shutter slid down over something wished unseen. Her mouth curves faintly, and her eyes seem very far away as she stares down at the setpiece where the dramatic last duel of the performance took place with mock weapons and mummer’s words. As if, perhaps, seeing a different duel, against a different backdrop, with a different outcome.
“Yes,” she says quietly, settling back in her seat and lacing her fingers together over her lap. The beautiful blades slanted across the small of her back shift imperceptibly lower into peaceful display, their polished hilts gleaming as the lights of the theatre come back up. “A fine idea. She might well indeed.”
The whole matter does not conclude with that, but after a polite and well-guarded chatter in a tea shop owned by Sea Eagle, Little River says her goodbyes and goes on with much to think about.
“That is a dangerous man, and more so for a mortal,” Dulmea observes in her head. “And yet the fact that you come out ahead of him is a sign of how much you have grown.”
“Thank you, mama,” Keris replies happily. “And did you catch that bit at the end? He thinks he knows something. And I think I know what he thinks he knows.”
“Well, that has always been something at the back of your mind, has it not, child?” Dulmea enquires rhetorically. “Though on that note, you really will have to go and arrange that meeting with Tranquil Pool to speak about Atiya’s education. Assuming, of course, you have not changed your mind about having your daughter brought up in the more classical Tengese way of the traditionalists like Jade Fox - and his wife - would recommend?”
“No,” Keris sighs. “It’s the best choice for her. Whatever I decide about... her future,” she avoids direct reference to the dark prophecy hanging over her daughter’s head - the tenebral fate laid down by the heart of the Dragon’s Shadow, which even four years on Keris has made little progress in deciphering the meaning of. “She’s Tengese by blood and upbringing, and a structured, traditional education will give her the kind of support she likes having - consistent rules, ways things are meant to be that she can insist on, patterns that don’t change which she can feel comfortable with. Whether she sticks with her daydreams of becoming a tailor to the rich and famous or grows up to take the throne of An Teng, it’ll help her either way.”
She purses her lips. “And I may have to look into whether Sea Eagle has shared any of those ideas of his. Because he wasn’t talking about Atiya there, not really. He was talking about me. About Little River as a lost heir to the golden throne. And he’s tricky and sly, but there are others just as smart in Saata. Whatever path of conclusions he took to get to that point, others might be able to follow it too.”
“Well, you will need to be careful about arranging lessons for Atiya,” Dulmea points out. “If you leave it up to Rounen too much, there will be... further rumours that he is the girl’s real father.”
“Yeah,” Keris sighs. “Well. Such are the perils of parenthood.”
This year, Calesco is not here for the little annual ritual at Gull’s shrine in Cinnamon’s club. But Keris is not alone here. This year, she has all three of her youngest children with her, dressed up nicely - even Kali, though she has managed to somehow get dirt on her face already - and each holding a little candle.
Keris isn’t entirely sure why she felt the need to bring her children into this. It isn’t that she doesn’t have her reasons. But the complicated feelings are so thickly stacked that she can’t even unravel them. Some of it certainly is that she doesn’t want Gull to think that Keris is embarrassed about her. She is a messy, complicated part of Keris’s history, but she’s the reason Keris is who she is now and almost certainly the reason that she is still alive.
Clearing her throat, Keris considers how to explain Gull to the children, as part of reminding the dead woman that she is still remembered and that she is still loved and missed. Memories are the libations of the dead, and shared memories can be offered even after the offerer is gone. And she doesn’t want to insult Gull by letting her be forgotten.
“Come here, sweethearts,” she says, kneeling on the thick mat in front of the modest shrine and its little charcoal sketch. A pinch of her finger lights the incense, and the scent of cinnamon threads out into the air - not the painfully expensive kind that only Bags would use, but a good-quality stick of incense Keris found in the markets and haggled viciously for. The kind Gull would have used herself, and bragged about finding for its price.
“Sit down with me, come on. We’re paying our respects.”
Focused on Gull’s smile, she doesn’t see the glances the trio of four year olds - almost five, in the twins’ case - throw at her, each other and the shrine. She hears them, though, and waits patiently for one of them to ask. Ogin won’t, she knows - he’s too perfectionist, too unwilling to admit he doesn’t understand something. And while Kali is energetic and impatient, she’s also the most empathetic of the little group, and she can tell this is important to mama somehow - in a way that matters enough to not disturb by jumping up on tables or knocking things off shelves.
Which means the one who’s probably going to be the first to break the silence is...
“The lady in the picture,” Atiya says thoughtfully. “What kind of jacket and shawl is that? It’s new.”
... of course Atiya notices that the cut of the jacket and the cloak over the top aren’t like the ones she sees in Saata. Keris had drawn Gull as she remembered her from that last Air, and clothes for a Nexan cold season aren’t like anything one would see in tropical Saata.
Keris gently brushes her fingers over the back of Atiya’s hand; a form of contact her daughter appreciates as much as an outright hug with none of the discomfort the latter can cause. “That’s a very good question, Atiya,” she praises. “She’s wearing the outfit of a Joyful Priestess - a servant of Venus Joybringer in a city called Nexus, far, far away. Do you remember who Venus is?”
Atiya looks deeply thoughtful for a moment. “The blue one,” she eventually decides, content that this is enough to singularly identify her subject with perfect accuracy.
“One of the star ladies,” Ogin adds, secure in his knowledge of this matter. “Like the yellow sun man. And the moon lady. But for the stars.” He pauses. “The yellow wind lady is another one,” he finishes, with the faintest trace of uncertainty hidden as if saying it confidently will rule out any possibility of error.
Keris smiles.
“That’s exactly right, both of you,” she says. “This lady’s name was Gull, and she was a servant of Venus, so she wore the pretty blue jacket and shawl to tell people that. They’re heavier than anything you’ve seen, because Nexus - the city she lived in - is a lot colder than Saata, because it’s so far to the north of us. You remember how we looked at the big map of the world and how the different-coloured dragons were on each side? And we’re very close to the red one, which is all hot and fiery? Well, Nexus is closer to the blue one, up between the green and white ones. It’s not so close that everything is cold all the time, but it’s close enough that people have to dress warmer. Gull was born there, and she lived her whole life in Nexus, serving Venus and helping people in her name.”
Kali is distracted by staring at the candle she’s holding. Being trusted with fire is a very important thing for Kali. And she sounds almost hypnotised by it as she says slowly, “Rafie and Calley said me’n’Ogin were born in the cold. Was that in Necks Us?”
“It wasn’t, but it was a lot closer to Nexus,” Keris says. “In fact, there’s a very big river that goes a long, long way from down near the Summer Mountains to where Nexus is, where it meets another big river and then flows into the sea. You and Ogin were born in a kingdom along that river as it makes its way towards Nexus. And that goes back to Gull again.”
She looks at the picture wistfully, and tries to work out how to phrase this delicately.
“See,” she says, slowing down a little and picking her words with care, “back when mama was your age, or just a little older, I got taken along that river to Nexus from where I was born. And I was very sad about it, because I didn’t want to go, and my mama and papa couldn’t come with me, and neither could uncle Ali, so I was all alone. But when I was in Nexus, I made a friend, and one year when I got very sick, my friend got help to make me better. And the help he got was from Gull, here. She was older than me, and she knew a lot of things I didn’t, and she’d vowed to help people be happy and joyful, so she taught me things and let me live with her and shared what she had.”
Belatedly, Keris realises she’s blinking back tears, and her voice is a little choked up.
“She... she was really good to me,” she says. “And I owe her so, so much. And I wish I could have done as much for her in return, because the thing about Gull was, she spent so much time making other people happy, she didn’t have enough left over to be happy for herself. And one day, the Violet Lady came to her and said that she’d spent all her years working in her sister’s service, and now it was time to pass on and be born again into a happier life as a reward.”
This gets a chorus of three little indrawn breaths. The children know about the Violet Lady, having had the talk about what dying means after the passing of a couple of pets and an elderly resident of Little River’s estate. They know that death is what comes at the end of a life, when a person leaves the world behind and goes on to become part of the wind and clouds and soil and sea, and that a little bit of them-ness will be born again as someone else, to practice the lessons they learned in their life.
But it’s still a sad thing when someone goes away forever, and the people left behind have to go on with their lives without them.
“They say,” Ogin says, mimicking the tones of a Saatan priest near perfectly, “‘the Violet Lady cuts the threads of a man’s life, and hands her to Mercury Ashen-Wing, who carries the soul to the Lethe where it is cleaned, and then bears it to the Violet Child. Only then are they born again.’.”
Kali nods. “I don’t know what Ogin’s talking about,” she says proudly.
“I don’t think yellow and purple look good next to each other,” Atiya agrees.
Keris stifles a very inappropriate fit of giggling that would not be at all respectful to Gull’s...
... to Gull’s...
... Keris stares at the picture for a moment, taken aback. What in the name of the Blue Lady is she talking about? Joyful laughter at a child’s innocent honesty being disrespectful to Gull’s memory? Has the money-stink gone to her head and made her a Bag from head to toe? Has she forgotten everything she ever did with the woman who taught her?
She shakes her head, tears slipping down her cheeks, and lets the laughter come. It’s a little wet, and a more than a little bittersweet, but it’s honest and happy and free - and isn’t that a far better tribute to Gull than any solemn recitation of her virtues like she was some fancy rich woman with a parcel of sycophantic heirs trying to lavish her memory with praise to get a chunk of inheritance?
“Nothing’s wrong,” she sniffs, as two worried children pile into her lap and a third urgently clings to her hand. “Nothing’s wrong, sweethearts, you just reminded me that Gull wouldn’t want me crying over her all the time. The important thing...” She gulps. “The important thing is that I loved her a lot, and she loved me a lot, and I lost her too soon. Too soon to spend all the time I wanted with her. Too soon to make her as happy as she made me. So once every year, on the day she died, I come here and remember her, and thank her, and pray to her spirit to wish her a good and peaceful life wherever she’s been reborn. And I want to introduce you to her, and tell you a little bit about her, so that you can remember her too. Because she’s family, even if she died before you were born, and she would have loved all of you, too. A lot.”
The children are too young to understand all this, exactly. But Ogin tilts his head, and then Kali asks “You said my daddy and Ogin’s daddy died before we were born too. Was she Atiya’s daddy?”
Atiya looks up sharply at that, clearly torn between wanting to know who her daddy was and being evidently unsure about whether Gull’s clothes - drawn with care to be true to the quality of the best that could be found on the streets of Nexus, and thus several economic stations below what Little River’s daughter is used to - live up to her standards.
“No, little feather,” Keris says gently. “Atiya’s daddy did die before you were born, but it wasn’t Gull. That,” she strokes Atiya’s hand again, “is a talk that Atiya and I can have some other day, when we’re not paying Gull our respects. But Gull didn’t have any children. She cared for many other people, and she was part of our family in her heart, but she didn’t have one by blood. But we know that blood isn’t what makes a family a family, don’t we? And one of the things that does is sharing stories. So why don’t I tell you some things about Gull, and you can ask questions about what she was like, hmm? We can start,” she smiles, “with how her hair was magic, and glowed.”
Three sets of eyes go very, very wide at that revelation.
Knowing what will be going on next season, Keris makes very sure to make plenty of time for her babies. And big brother Vali, who has been summoned back out after what would be for anyone else an unhealthily short time for recuperation, also wants to make time for them.
Keris is concerned for Vali. Anyone should be more... hurt by what had happened in Kalathais’s city. And while he is a little wary, that mostly means he just wants to be in Creation so he can keep an eye out for the babies as a big brother should. Right now he is playing Gateway with Ogin, in the private quarters that Cinnamon keeps in the Jade Carnation.
“And my fireman moves to capture your woodman,” Vali says, moving across the grid to take the piece. Vali plays a better Gateway game than Keris. It doesn’t feel fair.
Ogin frowns at that, head propped up on his arms as he considers what to do next.
“You could attack his airmen,” she offers, seeing a vulnerability on the board. “See, they’re undefended!”
Ogin tilts his head and studies the board, his finger moving as he traces possible moves out. After a few moments of contemplation, he gives his mother a pitying look and shakes his head.
“His airmen aren’t important enough, mama,” he says gravely. “They’d just be a waste of moves and let his firemen get further.” Vali grins, apparently unconcerned that his mother is helping his opponent, and shrugs.
Keris is left pouting somewhat, which is only made worse when Kali tries to help, hopping over to perch on her lap.
“S’okay, mama,” she chirps, wings fluttering happily. “‘Gin doesn’t need your help, so you don’t gotta keep trying! And Gateway’s boring anyway!”
“Sa,” the voice comes over from where Atiya and Rounen are sat together. She is sitting on his lap, the slate on her knees, the little cotton gloves Keris gave her protecting her fingers from the feeling of the chalk. Atiya copies the character out again. “Sa.”
“Sa,” Rounen agrees. “And this is the next one, ‘se’.” He writes it for her on the slate. “Se.” He is teaching her the Low Realm characters, which are shared with Rivertongue.
“Se,” Atiya sounds out. Her dark eyes screw up in concentration. “It doesn’t look like a ‘se’. It is too pointy. It is a wavy sound. Seeee. Seee. Like the sea.”
“Yes, but that is the shape used for ‘se’,” Rounen agrees. “If you used something else, people won’t understand you.”
“Se. Se. Se,” Atiya says, copying it out.
“And this one is?” Rounen asks, writing another one.
Atiya screws her forehead up in concentration. “One of the Rs. R... Re?”
“Ro.”
That draws a little harumph from Atiya. It sounds like she’s maybe getting a bit tired of letters. And all the children are learning at different rates. Ogin can perfectly copy out any character, even if he reads more slowly and has to sound things out, while Kali is cheerfully illiterate and kitten-brained about her learning. It would be nice if she could get them learning together. But that’s not possible now, and it’s going to be even less possible in future. Which is something she is going to need to have a talk with them about.
“Alright then, little feather,” Keris says to Kali, and stands up with her bird-shaped daughter clinging to her hip with two strong little talons. The change in orientation doesn’t bother Kali at all - as a bird, her talons are strong enough that she can hop her way up trees and a good number of walls with some wing-flutters to help her with each jump - and Keris tolerates the little sharp prickles as she climbs her way up to Keris’s shoulder to perch there.
Cinnamon’s quarters are up near the top of the Jade Carnation. Not as high as Calesco’s attic garret, but still smaller than many would perhaps guess for such a famous - and wealthy - lady. Though perhaps that’s unfair to say, because part of the feeling of enclosed space is due to how she’s decorated it, with wall hangings and drapes and billowing tapestries covering the ceiling, giving the tent-like experience of Evedelyl’s sanctum up in Zen Daiwye or Ney’s lodgings in far-off Malra. Straight lines are few and far between in this place of rich fabrics and soft curves, and nestled among them, in a hammock on which she lounges with one bare leg poking out from under a blanket at a carefree angle, is the demon lady Seresa, the Mother of Shadows, in all her curvaceous glory.
In a marked departure from her usual provocative attire, she wears a casual sarong and a sleeveless, backless top, and is frowning down at a book in between sips of wine. Keris refills it for her as she leans against the hammock knot, and Kali cheerfully jumps onto her lap to see if the book has any pictures.
“Hi Serry!”
It does not have pictures, especially not the kind of pictures Kali likes which are brightly coloured and strongly defined, or else are Mama’s super-realistic things. It has a lot of dense text, and that is why Seresa seems to believe it is easier to get through it when she is pleasantly buzzed. In her case, it may even be true.
“Hello, my darling little Kali,” she says, letting the book fall to her lap as she hugs the bird one-handedly and snuggles her up to her chin. “Have you come to save me from this cruel, torturous, wicked, malicious, vicious ordeal that your mother has put me through?”
“No!” Kali says happily.
“Ah, don’t be so dramatic,” Keris smiles, petting Kali’s head and smoothing out a few tousled feathers. With a pop of smoke, she’s replaced by the tiger cub, who snaps happily at the hair tendril and kneads Seresa’s chest and belly with her front paws.
“You’ve been improving a lot,” Keris continues, pouring herself a glass of wine and sipping it leisurely. “And squabbling with the others less.” It’s true, too. For all that Seresa’s relationship with Oula is still... tense, she’s been far less snooty about Elly, Yuu, Rala and the other keruby that Keris has been teaching. Though that might be because they’re less, ah, competitive than Oula, to be fair.
“Anyway, the real ordeal hasn’t begun yet,” she adds. “Are you sure you’ll be able to handle the Carnation without me or Calesco here, next season?”
“Of course I’ll be fine, darling. There’s nothing to worry about. Especially since you will be loaning me that tasty young man Rounen and maybe a hungry one pack to handle all the dull parts, right?” Seresa has eyes that are not so much puppy dog as sultry cat. “And I’ll be a perfect you when I have to, after you have that unfortunate broken ankle that just requires me to sit around when Cinnamon needs to be seen.”
“Yeah. Yeah.” Keris sighs. “I just worry. I hadn’t realised how much I’d come to depend on Calesco.” She taps her lip. “What about the lessons?”
The lessons are a recent topic, and one that’s been... fraught. Atiya is the daughter of Little River, and therefore needs a proper tutor, and proper lessons on how to conduct herself in society. Which is why, after consulting with Jade Fox’s wife and a few other older women among the Hui Cha, Little River ordered her mediator and primary facilitator Little Bird to find a set of proper tutors for Atiya who could be trusted teach her to a level befitting her place in society without aggravating her eccentricities or upsetting her. In turn, the cult leader Cinnamon, when Little Bird brought this opportunity to her, advised her after some thought that attempting to sway the daughter of the Golden Crown to the worship of Nululi would be dangerous at such a young age, and that it was best to follow the spirit, as well as the letter, of her request.
But that’s only Atiya sorted out. The twins’ tutoring, by contrast, has been proceeding mostly through scattered family members pitching in with inconsistent results, and consequently they’re far from the level Aiko was at their age. As Cinnamon’s children, they too have a place in society - but finding tutors willing to handle the energetic sun-bright shapeshifter and the eerie, legless, many-tailed moon-child is difficult, much less tutors both willing and capable.
And then, of course, there’s the other problem with hiring tutors for any of her children. The reason she hasn’t done so already.
Purring ferociously, Kali snuggles up to warm, soft Seresa and twists her head to look up to Mama. “Are we going back with Atiya to the Big House today?” she asks. “There’s a rat who’s really rude who I want to eat! Also, I want Dinner!”
Yeah, Keris sighs to herself. That’s the one.
“Not just yet, little feather,” she says, tickling her daughter under the chin. “We’ll be staying in Saata for the rest of this week. Another three sleeps.”
She keeps half an ear on Atiya’s writing lessons as she speaks. Ogin’s game against Vali can be paused without either of them getting upset, but Atiya gets very distressed at having to change tack midway through something without finishing it properly, even if that just means reaching a stopping point and formally packing it away. It sounds like it’ll still be a few minutes yet before she gets through this batch of characters, so Keris leans against the wall and waits, letting Kali nip at her fingers and purr contentedly.
While she waits for Atiya to tire, she chats with Seresa about the text she’s trying to read, offering clarifications and explanations of the parts Seresa is struggling with. But she is interrupted by a flicker of movement in one of the many mirrors in the room. “Mother!” demands the echo of a voice. “You’re finished with Seresa, aren’t you? Look what I found!”
Kali pokes her head up slightly at the sound of Hermione’s voice, though hopefully her little feather will remember that you cannot get into mirrors in this place and will not run head-first into another one. Just in case, Keris scoops her into her hair - with an accompanying pop and, after a moment, a surprisingly strong little hand latching onto her upper arm long enough for Kali to pull herself up onto her mother’s shoulders with a cheer. Keris pats her on the knee and crouches down next to one of the full-length mirrors, careful not to unbalance her passenger.
“Hello, sweetheart,” she says, kissing her fingers and pressing them to the mirror where Hermione has claimed her reflection’s lap. “What do you have to show me? Fantastic progress, or a fun problem?”
“Oh, so you’re just assuming that I have a problem that I can’t solve on my own?” Hermione fumes, her mood as mercurial as ever. “I bet you wouldn’t say that to Rathan!”
Keris womanfully resists a sigh. “Back when Oula first matured,” she says, adding another mental tally mark next to a story that Hermione has heard at least a dozen times and never gotten tired of, especially lately, “he was so overwhelmed by her flirting with him that he begged me to come and protect him from her terrifying and formidable girliness. There was stuttering. And blushing. She rendered him speechless at least twice. Believe me, silverling, I am well accustomed to Rathan running to me for help with problems he can’t solve.” She pauses deliberately. “Often involving his sisters ganging up on him and making him wear dresses.”
She reaches out to tap the glass over Hermione’s nose. “But if you were bringing me a problem,” she adds, “I would assume it was because you wanted to solve it with me, the same way Kali likes to exercise with me, or Ogin likes watching me work on things. You’re very smart and very quick-witted, and I like sharing that with you.”
Hermione puffs up her chest, her hair curling around mirror-Keris’s neck protectively - and Keris isn’t sure whether she can feel the pressure on her own neck, the weight of a shadow. “Uh huh! Of course I am! I’m much smarter than Rathan! And I’ve found lots and lots and lots and lots and lots of things in the mirror world. I’ve been going five layers deep, you know! Reflections of reflections of reflections of reflections of reflections of the Naib’s notes! The nice thing is that it means that the writing is the normal way around! Which is probably the wrong way around for you, but it’s right for me! But there’s so many different ways it could’ve would’ve been written but wasn’t!”
Translation, Keris immediately thinks; Hermione is finding huge amounts of things, but can’t find anything useful. Kali chooses this moment to interrupt with a more pressing question. “How can a reflection have a reflection?” she asks, batting a hair tendril down at where Hermione’s head is in the reflection to get her attention. “Or a reflection of a reflection of a...” She stops, frowning. Possibly having confused herself, or lost track of the number of reflections involved.
“It’s a clever mirror thingy, Kali,” Keris explains, pressing a kiss to her ankle, and then leans in to Hermione. This is a delicate time for her, after her and Rathan’s meltdown and argument over trying to decipher the naib’s Whispering Jewel. She’s been cagy about exactly what her project with the naib’s notes is, and Keris hasn’t been able to nail down exactly what spell she’s trying to reconstruct or learn, but if she’s failing to make progress, she could take it very badly. Careful handling is in order.
“Five layers deep is impressive,” Keris chooses to go with. “Last time you showed me your findings you’d only gone to three.” She tilts her head, thinking back to that discussion. “But the triple-reflections still weren’t getting you the paradigm changes you wanted, if I remember right. Have you found a broader mix of schools in the five-layer depths?” She’s actually genuinely curious about that. The first-layer reflections of a Devonian ritual all seem to be Devonian themselves, but the third-layer reflections were coming back as Salinan or Silurian versions of the same spell. Might fifth-layer rituals be even more obscure schools? Perhaps even a warped version of Hermione’s chosen spell written in the language of the infant Kerisian school?
“A lot of the stuff stopped making sense,” Hermione complains. “And lots more are written in languages which don’t exist. Or at least I can’t find someone who speaks them so I can steal their reading skills with my special eyes.” She harrumphs. “I bet Antifasi could find what she needed,” she scowls. “Stupid Lilunu. Making us both not really tied to reality. But I was thinking I’d be able to find a way to make people into reflections in the reflections of reflections of reflections of reflections of reflections of a spell to get rid of mortals bodies so they can walk around unseen!”
Keris blinks, parses the number of “reflections” in that sentence, and then raises her eyebrows. “You’re talking about something like my- no, you’re not. You’re talking about the inverse - hah, the reflection - of my mirror-world trick. Instead of making reflections into pocket worlds that people with bodies can enter, you want to make people with bodies into reflections that exist in mirror-worlds. Like stepping into immateriality, but becoming an image instead.”
She snaps her fingers. “And it’ll mean you can do it anywhere. Not just places my mirror-worlds touch. You could open up... gates into mirrors that anyone could step through.” Raw excitement rushes through her for a moment as she works through the implications of that. “Hermione, if you can work this out, you... gods, that would make you a perfect one-woman extraction team. If we really needed someone broken out of, I don’t know, a jail we couldn’t assault openly or something... a big puddle might be enough, depending. Then you could just lead them somewhere safe in reflections. The guards would be powerless to stop it - probably wouldn’t even notice, with your stealth. That’s brilliant!”
Hermione’s red eyes are gleeful, and her general expression is almost excessively smug. “Of course it is! It’s my idea! Not Rathan’s! He said he’s nearly as good with mirrors as I am and he’s not!”
“I can see why it’s taking you a while,” Keris muses, letting the barb slip past unargued. There’s no real point. Hermione will get tired of holding a grudge against Rathan eventually - he’s a hard person to stay angry at - and until she’s had time to work the spite out of her system, trying to rein her in will only make her dig her heels in more.
Besides, it’s an interesting problem. “You’re using that immateriality spell in the notes as the base, right? But... the number of reflections multiply each layer you go down. There must be thousands and thousands of fifth-layer ones; no wonder most of them are gibberish. Still...”
She purses her lips. “Seresa, get over here. This is a good case example for you to study. Hermione’s trying to alter a spell by seeking the reflections of reflections of it in deeper mirror realms and then reconstruct a working copy from the alternate ways it could be in reflected states of being it isn’t. What’s she going to have to do once she finds a suitable mirror-copy - or copies - to use as a base to bring back into her working space?” She quickly raises a finger at Hermione. “No answering for her. I know you know; you’re an adept and it’s your project. Seresa’s still an aspirant. She needs to learn from her teachers. You can give hints, but no more.”
Seresa looks up from her book, and flows - which is definitely the right word for that boneless motion - over to Keris. Her warm hands rest on Keris’s shoulders. “Mirrors always distort what’s there, and have you seen how awful just a pair of two mirrors make things look after a while?” she muses. “How good are the mirrors she is using? Oh, and of course,” she chuckles, “the reflections get dark very quickly. So the things she finds will need light to be read.”
“Good questions,” Keris nods. “Assume that Hermione has solved the issue of finding the recursive reflection she wants- actually,” she breaks off, turning to Hermione, “how are you solving the light issue?”
Hermione smugly lifts her hair and strokes reflection-Keris’s left arm. “Iris has been helping,” she says happily. “Also, your mirror worlds taught me how touch works. So I’ve been sorting the reflections in the fifth layer that way and bringing the promising ones back up to the third layer to examine them. It’s light enough to read there as long as my source mirrors are really high quality and in a very bright room - so I’ve been getting some of the Zen Daiwye keruby to use lightstone and bursts of Valiant fire from your inner world to make quick bursts of light that the mirrors stretch out longer.”
“Very resourceful,” Keris compliments her. “Okay, so Seresa, once she’s got her source script, then what?”
“You were right about the warping,” Hermione adds. “The reflection-notes I bring up are from maybe-worlds far removed from this one. A single-depth reflection is just a way this world could have been, but a second-level reflection is a way that a way this world could have been could have been, and this world is just one among hundreds of them. A bush can only cast a few shapes of shadow on the ground behind it, but there are loads of things that could cast a similar shadow that aren’t the bush itself. So if the reflection-notes I get assume the world works in a way the real one doesn’t, they’re useless until-”
“Hermione,” Keris warns gently. “No giving her the answer, remember? She can’t learn like that.”
“I mean, isn’t that when you’d just start trying things and seeing how they fail?” Seresa says, with a little yawn. “Or hand them off to Marenolo for that kind of boring thing. He likes that kind of plodding, methodical checking.”
“This kind of attitude is why you’re not a sorceress yet, you know,” Hermione snipes, frowning. “Obviously, I’ll just have to express the Ideal of the reflection-spell I find and then find the right five inversions to translate it back to the logic of this world without changing what it does. Which is just a matching puzzle working out which set of reflections will have the warpings they make to the effects of the spell cancel out.” She sniffs haughtily. “If you jump right into testing things without understanding them or make other people do all the hard work for you, no wonder you’re still lagging behind.”
“Hermione, be nice,” Keris murmurs, shooting her a pleading look. “But she’s not wrong about doing the work, Seresa. You’ve got the potential and the strength for sorcery; I know you can do it, you just need to keep chasing the answer until it’s in your hands instead of giving up as soon as it gets hard. Moving straight to trying to cast gibberish-spells based on the logic of other worlds would be dangerous; you’d want to at least evaluate them first.”
“I’ve been reading this book for hours,” Seresa pointed out. “My brain is all fuzzled, darling. And... actually, what time is it? I have the opening evening performance downstairs.”
Keris sighs, but nods. “It’s... ah, mama?” Her eyes go far away for a moment as Dulmea consults her clock, and then nods. “A quarter-bell to the nineteenth hour. So yes, you should probably head downstairs. Just...” she squeezes Seresa’s shoulder encouragingly, “you’re doing really well, okay? Just try to push that little bit further each session, and you’ll have it pretty soon. You’ve definitely been improving. And I’m really glad I have you here to help with things.”
“I’m glad you’re here too, Serry!” Kali pipes up, kicking her heels into Keris’s breasts from her position on her shoulders. Complex discussions of sorcerous theory go rather above her head, but being happy the people she loves are around is something she understands perfectly. “Have fun doing dancing and stuff!”
Seresa wraps Kali up in her arms, and kisses her on the brow. “Of course I will, sweetling.” She taps her own head. “This mind isn’t made for this hard thinking, but dancing and singing is what I enjoy.”
Kali nods gravely, full of understanding. “I know how to dance! I can show you some of the ones the keruby taught me!”
“Maybe later,” Keris suggests. Atiya and Rounen are packing the slate away, and Vali is ruffling Ogin’s hair in a way that suggests one of them has won. She squeezes Seresa’s shoulder again and winks at Hermione.
“Alright, darlings,” she says, raising her voice to be heard, and claims the hammock Seresa was using, sitting in it as a sling-seat. “Over here, please. We’re going to have another lesson. An important one.”
Ogin pulls himself upright, and wanders over to help Atiya choose which dolls she wants to take with her to listen to this. This always takes longer than anyone would expect, but eventually she is content. With a blank look, she offers her hand to Rounen and lets him guide her over to where Keris is.
“Will you be needing myself or Prince Vali?” Rounen enquires softly.
“No, I’ll handle this,” she murmurs back. Rounen bows and leaves, and Keris sits down cross-legged in front of her children. Atiya sits primly with her dolls arranged carefully around her like an honour guard, Ogin relaxes down with his tails coiled around him in a spiral, while Kali sprawls out on the floor, lying on her back and looking up at her mother from upside-down.
“Alright, darlings,” Keris repeats, trying and failing to think through what she’s going to say. Well, winging it has worked up until now, so... “This is an important talk, and it’s about secrets and faces. What can you tell me about the different faces mama has?”
Ogin clears his throat. “Mama has many not real faces,” he lectures. “Mama-Cinnamon sings and dances in this club and is very pretty. Mama-Little-River makes silver things and people are scared of her. Mama-Keris is Lili’s favourite. Mama-Cinnamon and Mama-Keris look like each other but they don’t dress in the same way and don’t act like each other so they’re different faces.”
Atiya considers this. “Mama wears different things when she wants to. She calls herself different things. Atiya’s mama is called Little River. The rules say I have to call you that.”
“Also also!” Kali adds excitedly, rolling over and waving a hand in the air, “I dunno if you gotta name for it, but when we were staying with Lili I asked her if you could be a kitty like me an’ her can be kitties and she said you can be a snake and I had a dream where you were a snake and we chased a big bird through the air and you had feathers so you could fly and Lili said I was right an’ you were a feathery snake! So feathery-snakey-mama is another face too!”
There’s a short pause, in which Atiya glances at Ogin to see how seriously she should take this. At his minute nod, she levels Keris with a vaguely betrayed look that she wasn’t made aware of her mother’s ability to be a snake.
“Also she said you can be a wind an’ a dream,” Kali adds thoughtfully. “But I don’t see how you could be those things ‘cause they don’t got bits like heads or bottoms or tummies, an’ even snakes with no legs have them.”
“... that’s, uh, sort of right,” Keris says. “We can talk about mama being a snake later. It’s mama-Little-River and mama-Cinnamon that we need to talk about right now. See, there are people who would be very upset that I’m using different faces to trick them, and we’d be in danger - people might try to hurt us - if anyone found out mama-Cinnamon and mama-Little-River were the same person. And if anyone found out about mama-Keris at all, it would be even worse. So what we’re going to do is, we’re going to practice some rules for which mama goes where, and we’re going to split up Cinnamon and Little River’s lives a bit more. You’ll still be able to do whatever you like in secret Keris places, but we’re going to be better about having Little River stuff happen in Little River places and Cinnamon stuff in Cinnamon places.”
“What?” Kali demands.
Atiya is the fastest to process this. “This is mama-Cinnamon’s place. I have some dolls here. And the gull girls and boys are nice to me.” She screws up her face. “I’m not going. No! No!”
Fuck. Keris had been hoping not to have this fight, even though she’d known it would come up.
“Atiya, princess, we can move your dolls, and there are lots of people who’ll be nice to you in Little River places-” she starts.
“No!” Atiya interrupts her, eyebrows drawing together in a scowl. “No no no! You’re going to make me stop coming here! And make it so Kali and Ogin can’t see me at the big house!”
“Honey, no, it’ll be like a game-” Keris tries, but now the twins are starting to realise what this new commandment means, and are expressing their own displeasure.
“Yeah!” Kali agrees. “Mama mama mama don’t make me give up my ickle Tia!”
“I don’t wanna leave home,” Ogin snivels.
“You’ll still be able to see each other,” Keris says, adding a touch of sternness to her voice in the hopes of getting the rapidly-deteriorating conversation back under control, “but this is for the good of the family. I want us all to be safe, and that means making sure mean horrible people can’t-”
“You’re a mean horrible person!” Atiya objects. In any other situation, Keris would be delighted at the level of participation she’s showing in the conversation. As it is, although there’s little similarity in posture, the stubborn set of Atiya’s shoulders brings back vivid memories of Kerisa’s absolute refusal to listen to reason when it came to the subject of her parents, and the prospect of a fight like that makes Keris want to go hide under a chair.
“You wanna take my ‘Tia away an’ make us stop having sun at the big house an’ say we can’t swim at the beach,” Kali protests, big tiger-cub eyes looking up with heartbreak that hasn’t shifted into an angry tantrum yet, and is all the more cutting for it. “We’ve been being good, why are you being all mean?”
“G-girls...” Keris stutters, cringing. She knows this is the right thing to do, she knows it’s the only way to be safe - that letting them keep running around with no regard for the layers of subterfuge that protect them would be the betrayal, not a brief bout of hurt feelings. But that still doesn’t make it any easier to see their accusing looks. “Ogin,” she appeals, hoping that at least he will come around to her side. “Moonbeam, you understand, don’t you? It’s because we can’t let people see the secrets we’re keeping so we’re all protected.”
“But it’s my home and my room and she’s my sister,” Ogin wails, eyes streaming and nose a snotty disaster.
“You made Gin cry!” Kali announces unnecessarily.
“I know, I know,” Keris reassures them, trying to gather them into her lap and make her case again. “Babies, I know it’s a big change, but it won’t be as big as it sounds, you’ll still see each other and have your own rooms and everything...”
But despite all her attempts to talk them round, the tears come out, and then the tantrums, and she’s a horrible awful cruel evil mean mama who’s ripping them away from their homes and splitting them up because she hates them and wants them to suffer. Ogin won’t stop crying, and refuses contact no matter how much Keris tries to cuddle him better. Atiya’s protests morph into bleak, sullen silence as she refuses to talk until things aren’t so horrible. Kali, roused to defence of her brother and her little sister, screams at Keris and tries to bite her hand and ankles.
Eventually, Keris lays down the new rules as an ultimatum, and leaves them with a szulo they can complain to about how terrible a mother she is. The demon can give her babies the soothing cuddles they won’t accept from her, and she’s at least fairly sure they’ll obey her - Kali and Ogin because the same thrashing pain at the thought of betraying clan that lives in her heart lives in theirs, and Atiya because she follows the rules her mother sets down even when she doesn’t like them.
But they’re going to be mad at her about this for a while. A long while, potentially. Probably not forever. Eventually they’ll adapt to the new way of living, and make new friends - Keris is already planning to introduce Atiya to Pale Branch’s twins. But it might be months of Atiya’s silent, black depression, Ogin’s tears, Kali’s aggressive scowls.
“Fuck,” Keris groans, closing a door behind her. She blinks. She hadn’t actually paid attention to where she was going, beyond ‘away from her quarters’. But her feet have carried her back to Gull’s shrine.
She leans back against the door and slides down it, hugging her legs and blinking back tears that must have started at some point on the way here.
She hadn’t even had the chance to talk to them about their new tutors.
Keris looks up at the charcoal sketch of Gull from her huddled position at the foot of the door and sniffs. Had Gull ever felt this young and unsure of what she was doing, back when she’d first taken a pair of street rats under her wing?
“Kids are hard, Gull,” she whispers in a croaky voice, just in case there’s any wisdom to be had here. “F’you’ve got any tips for me, I could really use ‘em right now.”
There is no response. Of course not. The candlelight plays over the charcoal sketch, but it is only a black and white sketch. It has no depth, no colour.
“Yeah.” Her sigh is sad and quiet. “I thought not. Guess I gotta work it out myself.”
Chapter 22: Late Water 775
Chapter Text
Doom has come to Maza. Awful, blood-glutted Maza, whose sugar plantations have made its lords and landowners rich. Whose gods bless the death of slaves if they get their expensive sacrifices paid for by blood money. Whose Despot is mad with paranoia and whose nobles avoid court after he impaled his once favoured daughter and left her out for the goddesses.
But now the harbour burns and demons come from the sea and a terrible prince of hell burns with fury as he lays waste to so-called warriors who have only ever raised their blades against beaten slaves.
Yet even the prince of Hell answers to a higher power, one whose wisdom and strength will lead the forces of demonity to victory! A victory where they will take all the sugar and free all the slaves and get lots of tasty blood. Yes, the high admiral in chief of this demon force is the one, the only, Princess Aiko!
Said princess tilts her head. “Prita,” she says fastidiously. “That’s not really true, though.”
It totally is and princess admiral Aiko-dono should listen to her sworn shinobi, Prita-chan!
“Aunty Keris is the one in charge of the Anarchy,” Aiko says; a born stickler for accuracy. “That’s why Daddy has to do what she says when she gives him missions.” She considers Prita, who is kneeling with her knife offered hilt-first and her hood pulled low over her eyes in an imitation of whatever role she’s playing.
Aiko doesn’t let the bizarre dramatics throw her. Having a szel for a best friend quickly accustomises you to absurdity and stagecraft. She puts her hands on her hips and tries to mimic the exasperated-but-nice sigh Aunty Keris gives when she’s about to give in and spoil her children.
“We can get you some sugar, though,” she allows. “Come on. We’ll make the galley demons get us some.”
Prita waves her hands around in glee. She hopes that Aiko’s daddy doesn’t burn down all the sugar on the island, though. Oh, unless he caramelises it. Mmm, caramel.
Steeling her shoulders, Aiko starts towards the door. Then pauses, considers, and turns to her friend.
“How do I look?”
Prita gives her a slow up-and-down look, stroking her chin thoughtfully. Aiko is wearing a deep blue shalwar, the wide trousers cinched at the waist and narrowing to cuffed ankles with green slashes of colour trailing down the outsides of her legs. Her kameez reverses the colours; bright green like Daddy’s fire with dark blue triangles scattered up her tummy. And over them she has a dark brown leather jacket and boots, which she’s still not wholly sure about, but which match the ones that Daddy is wearing, and also make her a little bit taller.
In deference to Daddy and Aunty Keris’s lessons on how to be safe and protect herself, she has a short blunt practice sword belted at her waist that she’s rather proud of the look of. In deference to Mother’s opinions on how young ladies should behave, she takes it off for her lessons with her tutors and to talk to Mother’s portrait. Her hand strays to it as Prita’s silent regard continues, but relaxes when Prita finally snaps her fingers and rushes off and dives under the bed, emerging with a triangular hat that Aiko vaguely remembers her stealing from one of the ships Daddy attacked the week before last.
“... why do I need a hat?” Aiko asks, frowning. “The galley is inside. We won’t need to go outside at all.”
Because, Prita explains extravagantly, how will people respect the admiral in chief princess boss lady if she doesn’t have a hat? Prita worked herself to the bone to steal Aiko that hat!
“You said you took it off someone Captain Neride had already stabbed,” Aiko points out, but accepts the hat anyway to forestall an argument. “Okay, come on. Let’s get some snacks in case Daddy’s back from fighting on the island, too.”
Aunty Keris’s ship is very big and very pretty and thrums with power in every room and corridor. Despite that, though, it’s still a sea ship, and that means things are packed tightly to fit as much as possible in. The lavish cabin that Aiko and Daddy stay in, near the back of the ship, is spacious enough to not feel cramped, but Aiko has seen some of the crew members have to squeeze against the walls and shuffle past each other when they’re going different ways down a corridor.
For a little girl and a szel, however, there’s plenty of space, especially when the crew flatten themselves against the walls rather than get in their way. Aiko’s burning green eyes can see the brightness in them, and for all that the blood apes and rovarbor are looming giants who stand head, shoulders and ribs above her, they’re dimmer even than Prita, let alone Aiko herself. And that means they have to do what she says, just like big bright demons like Cousin Eko defer to Mother and can’t lift a hand to hurt her.
It has been an... interesting season with Daddy. And Mother is coming to collect her soon and she’s going to Hell with Aunty Keris and thanks to Prita, Aiko now knows the Big Secret about Aunty Keris and Mother.
It is definitely the Big Secret. It has to use capital letters because it is so big and so secret
“How is Operation Ribbon going?” she whispers to Prita as they make their way along the lower deck past bulkhead-sealed rooms full of humming, pulsing machinery and stockpiled weapons. She makes sure to keep her voice low. They’ve given the Big Secret a special code name so nobody can guess what they’re talking about, but Eko and Aunty Keris have taught her about sneaky undercover things, and one of the big important parts is not letting anyone know anything they don’t totally need to.
That’s probably why the Big Secret is a Big Secret in the first place. Aiko isn’t entirely sure what the difference is, but while Mother and Daddy are openly in love, what Prita calls the doki-doki feelings Mother and Aunty Keris have for each other are a hidden thing that they don’t talk about, and they both must have an important reason for keeping them that way. Probably it’s part of a big clever plan. She isn’t totally sure whether or not Daddy knows, and hasn’t asked because she doesn’t want to give it away if he doesn’t - or let Mother know that Prita accidentally spilled the beans by telling her. But if it’s important to keep it secret, she’s determined to help, and that means keeping any of the lesser demons on the crew from starting to suspect.
Her main worry isn’t that, though. Honestly, that part is pretty easy, because most of the crew don’t actually spend much time with Aunty Keris and have never met Mother at all. No, Aiko’s main worry is whether Mother and Aunty Keris know they both have feelings for each other. Because if they don’t, and both of them are keeping their feelings secret separately, it might be because it’s like the play Prita shared with her about the scarab and the Meadow-kat who were both in love with each other but were scared of being rejected if they confessed! If that’s how it is, she needs to get Mother and Aunty Keris to tell each other about their feelings so they can be happy and in love together and Aunty Keris can be another mama and maybe also fall in love with Daddy!
But if they do already know, then there are things she’s missing about the big plan that means it has to be secret. And either way, she has to make sure they don’t realise she’s spoiled things by finding out about the secret from Prita accidentally mentioning it, or they’ll be cross with her for being nosy like Ogin and Hanily.
It’s a big problem, Aiko reflects with a sigh, and raises an eyebrow at Prita for her report. And then exasperatedly repeats her question when Prita apologetically shrugs that she’d been distracted and hadn’t heard it the first time.
Prita proudly declares that she has been sneaking around the City and also Rounen the Boring’s library and spending money on bribes to get samples of the All-Queen’s handwriting. Then they can take it to a clay-kerub who works for Prita-chan, and make a forged love letter confession for Aiko’s mama, so then their doki-doki feelings will be in the open and they can hold hands in public!
“I still think we need to get Haneyl’s help,” Aiko murmurs, stopping as a blood ape carrying a barrel comes out of a storeroom and blocks the corridor. Putting her hands on her hips, she clears her throat loudly and glares at it until it apologetically ducks back into the storeroom to let them past, then keeps quiet for a few more paces until they’re back out of hearing range. “She’s Aunty Keris and Mother’s daughter. She must know about their feelings for each other! And she’d definitely know if they knew!”
Prita shakes her head sadly. She knows Aiko loves her big sister. But Princess Haneyl is a cruel tyrant who taxes everyone.
“I’m not sure that’s-”
Everyone! Prita jabs her thumb at herself. Even poor innocent Prita who never did anything wrong ever! But no, she has to pay horrible mean taxes on her smuggling! Also Haneyl is a disgraceful woman according to Eko so odds are she even makes her sisters pay tax so Aiko has to watch out too!
“I mean, it’s for a good cause, so-” Aiko begins, entirely willing to give up some of her pocket money if it gets her elder sister to help her put together a romantic plan for Mother and Aunty Keris. But she gets no further, because as they skirt around the vent chimneys for the engine room on the deck below, the Priest steps out of the shrine, sand falling from its robes and blue fires burning in its eyes.
Aiko straightens up and puts on her politest expression. The Priest is very powerful - not as powerful as Daddy, but still very strong - and it’s also an official bestowed with the power to set judgements under the Law of Cecelyne - like how Mother is a priestess of Cecelyne. Aiko always makes sure to be on her best behaviour around it, and curtseys now, tugging Prita down to do the same.
“Good afternoon, your Holiness,” she says.
“Lady Aiko.” The Priest’s voice is hollow and echoing, but - Aiko thinks - a little bit feminine in pitch. Not that Priests have genders as far as she can tell. But it makes her think of Mother whenever it talks. “Your familiar has been disrupting the crew as they cavort and gamble between shifts. On your orders?”
Aiko shoots a panicky look at Prita. Disrupting the crew? Oh, it probably means how Prita has been checking none of them are threats to Operation Ribbon. But that means it has been on her orders, sort of! Though... though she’d say so either way, because Prita is just a serf under the laws of Hell, while Aiko won’t be punished as badly even if... even if she’s done something wrong.
“Y-yes,” she says, swallowing, her stiff posture shrinking down as she fidgets and tugs at her fingers. “Am... am I in trouble?”
The blackened bones of its fingers click together. Tap tap tapping. “As long as such activities do not obstruct the will of those mightier than you, you will not be in trouble.” It pauses, faceless head sweeping between them. “When it does, you shall be.”
Aiko gulps again. “I’ll remember,” she promises in a whisper, mouth dry. Then, belatedly, presses her hands together in the Mudra of Infernal Glory that Mother painstakingly taught her until she knew it by heart. “Praise be to the Yozis, from whom all descends and all is due,” she recites dutifully.
The priest trails its bony fingers over her forehead. Its touch is dry, desiccating, and just slightly too hot. “Praise be,” it says, “and blessings be to you, Lady Aiko, child of two who have kissed the feet of the very peak of the Descending Hierarchy.”
Aiko shivers as it turns away, sweeping down the corridor the way she and Prita came from towards its own unknowable purposes. Gathering her composure again, she grabs Prita by the hand and tugs her onward, past the shrine, past the entrance to the hold, and into the cramped-but-bigger-than-most-rooms-onboard galley. There are four demons at work here, three of them washing dishes and taking out ingredients and putting things away while the fourth - a tomescu who’s stronger and less tomescu-y than most of his breed - whirls and chops and dices and flips things in pans. The three assistants all stand up straight as Aiko comes in, but Ra-Fhe-Ka is too absorbed in his cooking to even notice.
“Get Prita something sugary,” Aiko orders the blue-skinned demon putting ingredients back in the cupboards. “And me some rice balls and bean paste.” She skipped her mid-morning snack, so there should still be some left. What to get Daddy, though? It has to be something that will keep, since she doesn’t know when he’ll be back.
The demons scurry to obey. The demons on Aunty Keris’s ship are far more obedient than the demons up in Zen Daiwye. If she told those demons to do something like this, they’d probably say “Why?”, expect to be paid, or try to barter her into helping out. She eventually decides on a glass of fruit juice, some cold sliced meats and a covered bowl of soup for Daddy, and gets it put on a tray that Prita carries for her. Then they set out towards the Bridge.
Getting there means going through the hold, and Aiko looks around with interest to see what new things have been added since the last time she was here. The huge open space is the biggest on the ship, accessible from the outside via sliding roof doors that open onto the top deck. They’re closed at the moment, but if she were to climb up the stacked barrels and crates of this-and-that, she’d almost be able to touch the ceiling in some places.
Aiko is too heavy to try climbing like that herself, of course. But Prita, being Prita, dances up a couple of the stacks with Daddy’s tray balanced effortlessly on her head or the fingers of whichever hand she has out for balance, poking her nose into new boxes and exclaiming silently over the occasional interesting find, darting behind things to hide whenever the demons sorting crates in here turn to look her way.
Much to Prita’s disappointment, sugar is not of interest to Daddy. Or, rather, while it is, it is not for this vessel but instead for some of the other ships he has plundered from the harbour.
No, this ship holds within it the wealth of many noble estates and the despot himself. There are works of art, paid for by blood-sugar, some old enough to date back to the Blue Monkey Shogunate that Rounen has read to Aiko about. There are fine silken dresses and plundered robes; there are jewels and amber and books and carpets. For Maza is rich and its estates elaborate and thus there are many pretty things and valuable things within the houses of its lords.
The lords need them no longer, for the fire of the mad green sun of Hell has consumed them and burned them to shadows. And all the pursuit of wealth of these Raraan Ge aristocrats has earned them ten thousand years of torment.
For Sasimana is gentle, and Keris is kind, but Testolagh is neither and his fires have burned brightly with wrothful ire at the sight of Maza.
By the time they reach the bridge, Prita has acquired a fancy bejewelled golden sceptre that she twirls expertly in her free hand, along with a short lace cape that Aiko is pretty sure is meant to be a long veil to be hung from a wide-brimmed hat against the hot southeastern sun.
“You’re going to have to give those back when Daddy catches you with them, you know,” she points out. Prita’s response is an injured look at the implication that anyone but her bestest best friend Aiko-chan would ever know she has them.
“I’ll tell him if you don’t,” Aiko insists. “Those are part of Daddy’s mission for Aunty Keris. They’re different from food and pillows.” She puts her hands on her hips and summons up her sternest stern look. “You can have them for now, but put them back on our way back to the cabin.”
Princess Aiko should treat her loyal shinobi better when she does so many things worthy of reward, Prita’s sulky motions mumble as Aiko knocks and then opens the door. The giant windows at the front of the bridge look out at the burning docks and ravaged fields of the Mazan capital, bright afternoon sun pouring down through the tinted windows that dim it just enough that it doesn’t bother those infernal creatures whose nature is vulnerable to the holy rays.
Creatures like the eleven hairless bodies that mutter and fidget and flutter between the controls of this grand and terrible vessel to the tune of a single nervous mind, checking and rechecking every instrument as twenty-two hands keep the ship steady in the bay.
“Hello Mister Helmsman,” says Aiko, once she’s sure he knows she’s there and won’t startle. “I have some food for Daddy, do you think he’ll be back soon?”
“Lord T-T-Testolagh did not tell me when he would be back, but the fires spreading across the h-h-hillside look like him,” stammers one of the bodies. It opens its mouth and something pings over to another body by the crystal viewdisc.
“Just stay still and stay safe! I saw arrows and firedust when the m-men in brass stood against your father and he burned them all!”
Aiko pouts. “I wanted to go out on deck with a parasol and wait for him,” she complains. “With a picnic. The fighting isn’t near here anymore, is it?” She gestures at the docks, where indeed most of the moving figures are demons busily looting the buildings for anything valuable, rather than soldiers of Maza fighting back.
“O-o-out of the question! A stay arrow could hit you! Or a wave knock you overboard! Or we could have to submerge and you can’t sw-swim! Or we could be attacked by the Zu Tak, or a Realm Fleet, or water elementals, or...”
He’s losing his touch, Prita winks surreptitiously. He doesn’t usually get to the really silly catastrophising until a couple of excuses later. Clearly that means it’s safe to go outside and play!
“I’ll wait until Daddy gets back,” Aiko concedes. “But he’ll probably say it’s fine when he gets back. Can I open my cabin windows, though? It’s hot.”
This gets some more stuttering, but Aiko eventually gets a compromise that she’s allowed to have the windows open as long as the door is open too, so a crew member can rush in and close them should some sudden unexpected disaster force them to go underwater to escape before Daddy gets back. Content with her winnings for the day, she proceeds back through the hold - forcing Prita to give up her stolen spoils - and along to her cabin, where she lays out the tray for Daddy on a table and finishes her last rice ball.
Something chimes in her pocket, and she perks up. No need to look for something to do, at least. She checks the time on her little clockwork watch, then rushes over to the painting of Mother that Aunty Keris made for her, remembering at the last second to take her sword off and put it on the practice rack where it’s meant to be.
Then she waits. It doesn’t take long. The beautiful, statuesque woman in the painting stirs from where she sits on an expensive loveseat in a Dynastic-looking townhouse lounge, blinks twice, and looks down at her daughter.
“Oh, Aiko,” Sasimana says warmly. “It is lovely to see you. You’re still travelling by ship, I see. I would have thought that you’d be home again by now.”
“Daddy found out some more things about Maza,” Aiko reports. “He wouldn’t tell me what, but they made him go from very angry at them to...” she pauses, considering her words, “... very angrier. So we’re staying another two weeks so he can be ‘thorough’. We already got the despot’s palace, so now we’re going around to make sure we get all the ports and plantations as well. He’s out setting one on fire at the moment, but Mister Helmsman thinks he’ll be back before the sun sets, so Prita and I got him some food for when he comes back because he’ll be tired.”
The eyes of the painted expression of her mother narrow. “You should be safe at home with Keris,” she says. “Not within sight of a battle. Are you scared, darling?”
Aiko shakes her head. “No, Mother!” Prita raises a judgemental eyebrow from where she’s sitting out of the painting’s sightline, and Aiko’s shoulders come up defensively. “I mean... I was a bit, at the start. I had a nightmare where bad people got onto the ship and chased me all along the deck and down into the hold and Daddy never came back. But he hasn’t been hurt at all, and nobody’s ever got onto the ship, and I’m not even allowed up on deck even when they’ve already taken over the city and there’s nobody even fighting back anymore. So now it’s fine.”
She’s stretching the truth a little bit. She does feel a bit anxious that this time might be the one time something goes wrong and Daddy gets hurt, and each time they attack a new port there’s the worry that there might be a fleet waiting that’s guessed their pattern and is hiding just so it can spring out and trap them in a shallow harbour where they can’t get away. But those are just silly fears like the Helmsman’s, and there was no fleet this time, so it’s actually fine even if her tummy takes a bit to catch up and be sure of that. And Aunty Keris would say that means she’s telling the actual truth even if she’s leaving one or two bits out that disagree a little but aren’t really important.
Sasi sighs, her image looking her daughter up and down like she can see the falsehoods. “I wish I could hold you close and keep you safe and far away from anything that would ever want to hurt you,” she says sadly. And then she pauses. “Just as a small question, Aiko, does Aunty Keris know exactly where you are and what Daddy is doing?”
“Um... she gave Daddy this mission,” says Aiko hesitantly. “So she knows we’re at Maza? And probably that he’s fighting all the sugar lords here.” She twists her fingers together, feeling the familiar nervousness rise. Has she done something wrong? Is she making Mother think Aunty Keris has done something wrong? She can’t risk that, it would put Operation Ribbon at risk if Mother was mad at Aunty Keris because she thought Aiko was in danger!
“She gave Captain Neride a lot of orders about looking after me, though!” she adds hastily. “And told me where the safest bits on the ship are, and Daddy makes sure to leave guards here even when he’s off fighting people! I really am safe!”
“Oh, I don’t want to worry you, darling,” her mother reassures her. “But I worry about you so much, so far away from me, and not even with Keris and her twins. I don’t ever want you to be lonely surrounded by people who aren’t there just for you. So you will keep yourself safe, won’t you? Because I’m coming back to the South West so me, you, and Aunty Keris can all travel to Hell together and I’ve missed you so, so much my sweet little baby girl!”
“I’ve missed you too,” Aiko says, staring up at the painting and wishing it felt like Mother, instead of just flat canvas and a faint whisper of inner brightness no stronger than Aiko herself. “I... I played all of Dance of the Water Spirits yesterday without a single mistake, and my tutors say I’m doing very well especially on my languages, and Daddy says my sword practice is improving, and the Priest gave me a blessing today! I’ll show you when you come get me! Um, except the blessing. But you can ask the Priest about that if you don’t believe me!”
“Oh, my Aiko,” her mother says, tarry blackness welling up at the corners of her eyes. “I am always so proud of you, so tall already and so clever and so conscientious. My little princess. And even at times like this you’re so happy and it makes my heart soar to see you. It makes it clear to me that everything I do for you is always, always worth it.”
Aiko sniffles a little, and smiles up at her. “Prita says hello, too,” she says. “She borrowed some of the things Daddy took from the despot’s palace to play with, but I made her put them back, so it wasn’t stealing because nobody even noticed they were gone. And she’s helping me wi-”
She trips over her words, realising a moment too late that of course she can’t talk about Operation Ribbon to Mother! Luckily, arguing with Hanily has given her practice at switching verbal direction quickly when she’s about to make a mistake. “With my schoolwork,” she finishes hastily. “Aunty Keris has been trying to do more teaching about occult things, so she had Rounen have Rala give me some books and question sheets to work through while I was with Daddy. They’re fun!” She beams proudly. “I’ve been doing well on them, even if they’re confusing sometimes.”
Of course, Hanily gets better marks when Aunty Keris does sorcery tutoring and asks questions about occult things. She seems to understand the way Keris explains things better. But Aiko isn’t thinking about her, because she fills out the question sheets wrong, bouncing all over the place from random question to random question instead of going through them in order, and anyway Aiko’s marks in other subjects are higher. Especially languages. And history. And the politics and economics lessons Mother thinks are important for a young lady to know.
Aiko is aware that Mother does not, in fact, particularly approve of Prita. But there’s nothing of that in her face as she says hello to Prita and asks questions of Aiko and what she’s studying and so on.
The conversation wanders this way and that, and despite Aiko’s hopes, Daddy doesn’t finish in time to get back before Mother’s hour of painting-time is up. But before she goes, Aiko works up her nerve and puts on her sneakiest, cleverest expression of innocence, and asks the crucial question they need for the next phase of Operation Ribbon.
“Mother?” she says, as Prita finishes explaining how Aiko’s diet deserves more sweet things in it and then ducks back out of sight of the frame. “I was reading a book about plants yesterday and I wanted to know - what’s your favourite kind of flower?”
Sasi laughs at that. “Is my darling trying for a surprise present?” she teases. “Well, call me a little cliché, but I’ve always liked plum blossoms.”
Plum blossoms. Aiko nods intently, committing that to memory.
Now she just has to look up what plum blossoms look like, and get some.
Five days across the Desert, in a Hellish city shaped to a vision of beauty that mirrored its architect’s flesh, a demon who knows very well what plum blossoms look like is revealing a surprise of their own for their mother-and-idol. The demon lord Zanara demonstrates the cunning trick weapon they have crafted with their newly-learned knowledge of the forge to the Conventicle Malfeasant, showing off how the blades interlock and separate in a seamless transition between one and two forms. Lilunu applauds and praises them, delighted at their ingenuity.
But despite her enthusiastic compliments, their attention is drawn elsewhere. At the edge of hearing, on the fringes of thought, Zanara can hear a distant song calling to them. Alluring and seductive, it has been growing louder and louder for hours, and more and more they cannot help but obsess over the hypnotic melody, even to the detriment of that which they would normally yearn for.
Now, as they sheath their blade in trance-like absent-mindedness, the song finally becomes clear. It’s their mother’s voice. Keris, singing to them from across the Desert; a melody that will not be sung for five days, yet whose notes reach back to pull Zanara to her from the past.
And so, deaf to the worried questions and then understanding silence of the demon princess, the Artist wraps the Art around her as a desert shawl and turns to walk across the silver sands under the infinite black sky.
The walk takes days. The Desert has a cold, alien majesty to it, and Zana is given ample time to admire it as she trudges across the plains. Past soaring cliffs of pale sandstone that wall off an entire horizon she walks, and sketches how their pitted, crumbling faces scream that nothing stands eternal against the weathering of time. Along a great chasm that sand pours endlessly into she walks, and composes poems about how it split the land in twain. Over crystallised plains of gleaming glass she walks, and dances with the jagged blue outcroppings whipped up by a glass-storm’s molten fury.
Her feet hurt. Her stomach protests, for she runs through her rations on the fourth day; her plans for this summoning fall short of the reality of the endless march. Nara is with her and around her, a fur-lined burnoose against the Desert’s chill, a half-mask protecting the left side of her face from the whipping wind-borne sand.
The Desert cannot stop her journey. She has been called by the song that echoes across the dunes and through the valleys, a beckoning thread that reels her in like a fish made captive to the line. But it wants to. She can feel its hatred. Its bitterness. Its spite. The Desert cannot stop her, cannot throw any obstacle in her path that will delay her passage to her summoning, but it vents its endless malice in the little ways of pebbles in her shoes and wind that always drives sand at her face and temperatures always a little too hot or a little too cold for comfort.
For five days, Zanara walks across a Desert that stretches to the ends of everything, and practices their art to occupy their thoughts and resist the mind-numbing song and fill the resentful hours with pleasure pried from Cecelyne’s stark and silver grandeur.
Until finally, on the eve of the fifth day, they are pulled to a crevice between two great upright stones lodged in the side of a hill, where a curtain of billowing red hair hides a tear in the universe.
On the other side of the veil is silence. Silence within her own head and silence within her own limbs so they are no longer forced along to someone else’s movements. She stumbles, and sags to her knees. Her hips are aching and she’s pretty sure she’s got blisters.
“Wow! She came out of thin air!” she hears, and the admiration is a balm to pained joints.
“Yes, Hanily, she did.” That’s definitely Keris, and warm, strong arms are there for her and soft hair too. “Oh, my baby, you’re here and you’re fine and how did it feel being summoned?”
“F’all demons have to do that whenever they’re summoned, m’not surprised the stories say they’re angry and violent all th’time,” Zana mumbles, collapsing gratefully into being cradled and only belatedly remembering to arrange herself into an appropriately aesthetic swooning pose at Nara’s internal nudge. “S’a really long walk.”
Keris sweeps her up in her arms and hair, and she might not be her mother, but it’s nice to be mothered like this. “Come on, let’s get you to the baths and you can scrub off all the sand and that metallic stink of Cecelyne.”
“This is weird sand, Aunty Keris,” Hanily says loudly. “It’s silver and it is very floaty and fine. Why’s it like this?”
“That’s because this is the sand of Cecelyne, the Endless Desert, whose expanses the crippled bodies of the Yozis were imprisoned on the far side of,” says Keris, her voice falling into - urgh, so boring - the lecturing tone she’s obviously been making more use of, to have it so practiced. “Her body takes the form of a desert of silver sand under a black sky, which has no sun and whose stars are demons flung into the firmament for crimes against the laws of the demon realm...”
With the steady voice of her Greater Self in her ears and the reassuring strength of her arms and hair around her, Zana drifts off to sleep. Nara’s strength is as spent as hers, lent to her to carry them across the long journey, and the darkness of slumber is alluring now that her labour is complete.
When she wakes, it’s... later. Daylight - somewhere around noon, going by the steeply angled rays of the sun cutting through the windows. Maybe a few hours, then, or maybe more than a day. The sunshine doesn’t irritate her skin, and she finds the reason locked around her neck; the beautiful collar of orichalcum and adamant that Keris has created a sanctum within before, now repurposed to reflect the ugly demands of Fate. She strokes it happily and looks around. It looks like she’s in her room at Ahangar House. Not alone, either. There are voices coming from downstairs.
“... but if you started summoning someone, and they sent a Messenger as soon as they felt the summoning but before they started walking, then the Messenger would still take five days and it’d arrive a bit before them and it could tell you not to do the summoning, so-”
“Hanily, it still wouldn’t work. You can’t... it just doesn’t work like that, okay? If it did, people would be doing it.”
“People are stupid, though!”
“Not all people, and there’ve been a lot of very clever people summoning demons for a very long time. Believe me, lots of other people have thought this was weird and interesting too.”
“But have you tried it?” Hanily continues with what, as a professional, Zana can instantly recognise as faux-reasonableness.
This is boring Zana. She is already bored. “Keris,” she calls out. “Where are you? And is Haneyl here and can she make me breakfast in bed because I’m still exhausted! If she’s not here, I guess your cooking is mostly as good!”
The voices stop, and a moment later a tray of chopped fruit, sweetbread and skewers pokes into the room, followed by a fussy Keris.
“Zanara!” she exclaims, setting the tray on Zana’s legs and bussing kisses across both her cheeks and her forehead. “Oh, sweetheart, I’m so sorry. I didn’t think the trip would be so hard on you, but you’re human enough that you need to eat and sleep and you didn’t have a walking-palanquin like Alveua’s. Are you feeling alright? You’ve been asleep all morning. Here, I made this up ten minutes ago, so it’s still nice and tasty.”
“Hi Zana!” Hanily adds, bouncing into the room after Keris. Traces of fruit juice and crumbs around her mouth lead Zana to guess that Keris has probably been making breakfasts all morning and eating each one as they start to dry out and go stale and get cold. “Hey, just to check, when Aunty summoned you, did you have to go right away, or did you have time to do something first? If Aunty’s Messenger back on the Venusday before last had told you to-”
“Hanily, please.” Keris closes her eyes tiredly and pinches the bridge of her nose. “Please, just... talk about this later. With someone else. I am begging you.”
Zana can’t help but giggle. “Is she Rathan-ing at you?” she asks Keris. “And no, Hanily, once I heard the song I really couldn’t think about much else.”
“Aww.” Hanily jumps up on the bed next to her and steals a slice of fruit while Zana digs in. “‘Cause the thing about how it grabs you from five days ago is really neat, and I bet you could use it to, like, send messages back in time. Oh! Or maybe if it were a First Circle and you could have one guy summon it if, like, a battle went well, and then you could try to summon it the day before the battle but if it had gone well it’d already be travelling so you wouldn’t get it and you’d know to go ahead with the battle-”
“You’d summon it successfully before the battle every time, and then fail to summon it afterwards if it went well,” Keris points out, and Hanily wrinkles her nose in a way that makes her look eerily like her aunt when disgruntled by something.
“Oh. Right. Well, you know. Something like that. It’d totally work!”
“Speaking of work,” Keris sighs, slapping Hanily’s hand with a hair tendril as she goes for another piece of fruit, “you have tutors waiting. I let you stay up late to watch the summoning, and I let you sleep in and skip your morning classes to say hello to Zana. Which you have now done. So now it’s time for you to get back to your lessons, and I better hear that you’ve been well-behaved for the rest of the week, young lady.”
“Aunty Keris,” Hanily whines, “I’m always well behaved!”
She sounds a lot like her younger cousins.
“Go,” say Keris in the Maternal Aunty Voice of Doom, and chases a pouting Hanily out. Then settles back into an armchair beside the bed and watches Zana gulp down the contents of the breakfast tray as fast as she can without looking ugly.
“Also on the topic of work,” she adds in a quieter tone, “is what you’ll be doing next season while I’m back in Hell. Do you think you’re up to a briefing, or do you want to wait until this evening?” She pauses, her eyes going unfocused. “Uh, tomorrow morning, rather,” she adds. “I need to make a quick appearance as Little River back in Saata this evening, so I’ll be going there and back for most of this afternoon and tonight.”
“I think I’ll take the day off,” Zana yawns. She grins. “I have a pretty little trick for when you’re going to be briefing us, and I need to be in good shape for it.” She scowls at the hanging Nara mask on the door. “‘Specially when tha’ asshole made me carry him all the way. He’s going to have to make it up to me, and I know how.”
“Alright, sweetie.” Keris kisses her on the forehead. “Hermione and the twins are in Saata, but Hanily’s here, and she’ll probably pop in again between her lessons to pester you. Lock the door if you don’t want her asking lots of questions. I’ve got to leave in an hour or so, but I’ll be back tomorrow and I’ll take you into Saata once you’ve recovered. Just focus on resting up and feeling better.”
Zana hears Keris go, and lets a little more time pass to give her time to leave hearing range. Then she concentrates on her her-ness, screwing her eyes shut. She focuses on her breathing.
Something slithers by the door, and she hears the key turn in the lock. Footsteps approach, and then someone flops down in the bed next to her.
“Y’know,” Nara says, lying next to her. “Your bitching about the walk is kinda unfair. I’m hurting too. I wasn’t even existing and I dreamt I stumbled across a desert under a sunless sky. At least you got to walk across a real desert.”
“I also got real sand in my eyes and mouth and and real stones in my shoes and really fell down two real sand dunes and a real rocky bluff that the slope disguised until it was too late,” Zana retorts without opening her eyes. “You might have dreamt about walking the desert, but I’m the one who still has bruised shins and sandburn.”
Nara giggles girlishly. “I had a real interesting chat about that with Antifasi before we left, y’know?” he says. “She’s worked out how to find us when we’re not close to her. And,” he pats her patronisingly on the face, “I guess she just wants to talk to me more because I’m just more loveable and cuter than you.”
Zana considers snapping at his hand, but honestly she’s feeling full enough from breakfast and sore enough from the walk and warm enough in bed that it’s not worth the effort. “What’d she say?” she asks instead. “Trying to steal you away from me? Hermione had that crush on Rathan before Keris adopted her. Guess it’d make sense that her twin would be the same way.”
Despite her words, she’s not worried. Nara is Nara and Zana is Zana. Antifasi is a sweet little thing, but she’s no threat, and if she likes the Art more than the Artist, well, Zana’s always had less of a need to be the centre of attention than her other half.
“She sees so much,” he says, worming his hand down to hold hers. “So much that it’s nearly useless. But she’s getting better at handling things. Because Lilunu is getting stronger, I think. She used to only be able to pick us out if one of us was holding her hand. Now she can focus on us when we’re in the Conventicle. And yes.” His giggle shakes the bed. “She is Hermione’s twin, and she likes me. More than she likes you. But she knows Hermione isn’t in Hell anymore, because she’s looked for her sister and seen her everywhere in the Demon City.
“I think that’s why she’s better at focusing on us, now. But that’s not all. She says she can speak to some of the green sun princes and they can hear her, because they can hear things that aren’t real. Mama isn’t one of the ones who can hear her. But we can.”
Zana considers that for a while, her eyes still closed. Then, “Do you think we can get Keris to learn more gifts of the Dragon Beyond the World, then? Like Eko did?”
“I... think we probably pushed that about as far as we can get away with it,” Nara says tactfully. “Mama will not be happy. At all. I mean. If we talked her into it, that’d be one thing, but...” she feels him shrug. “We both know Eko is secretly her favourite,” he says bitterly.
“Mmm.” She reaches up and pats his face blindly, stroking his currently-feather-like hair. “We’re still the prettiest, though. And we’re good at talking people into things.” She yawns. “Something... mm... to think about. Does Antifasi like how pretty we are, now she can wander? And how pretty we’ve helped make Mother?”
There is a tremble of uncertainty in Nara’s voice that wasn’t there before. “She isn’t telling me something, but she likes what we - and Mama - do for Lady Lilunu. And...” He trails off.
“What?” Zana asks.
“She sort of suggested that she’s not just talking to me when I don’t exist. That... um.” Nara swallows. “That she’s talking to the others. The other heads. The ones we never let exist. And that. Um. They were her friends before we knew they existed.”
Zana draws a sharp breath, and opens her eyes. Nara lies in front of her, his face made up with delicate lines and contours, decorated with powder and lipstick, his hair a tousled mess of pale feathers, his pupils strange curving lines at mirrored diagonals.
“Is she... speaking their names?” she whispers, trying to both think and not think about the other selves they never talk about. “Empowering them?”
“I... think we’re safe,” he breathes, but there’s doubt there. “Safer, maybe. Because if she speaks their names, their names are not spoken.
“But the names she gave them. They’re, uh. The same names we know not to think of them by. And she says they told her those names before... um. We thought of them.”
Zana shivers. Keris hadn’t thought much of Antifasi when they’d first met her. Oh, she’d liked her, and pitied her, and thought she was cute. But she obviously hadn’t thought of her as a threat, as something dangerous in the ways that Divisa or even Hermione could be.
Zanara, even back then, had understood more of the Dragon Who Was Not A Dragon. Had sensed the parts of Antifasi that lay outside the world that existed; the parts that in their non-being took many forms, of which none were the little girl with teeth and tails and blind seer’s eyes. Nara had spoken with her in formless communion, and Zana had translated for Keris and Lilunu’s benefit, but both of them had felt the thrum of power in the deaf-mute child and heard the chords of cosmic knowledge echoing out of the Beyond.
A sweet-natured creature, yes. But not one without horror in her nature.
And now she was reaching out to the other eight heads of the hydra, naming them with names that were not to be known, befriending them as her companions of choice on her dream-quests into realms Beyond.
“Keep an eye on her, when we go back to Hell,” Zana murmurs, shifting closer and tucking her head into Nara’s chest. “Keris will underestimate her, because she’s a child, and Hermione’s twin. But we can’t be so careless.” She pauses, and lifts her head to meet Nara’s strange, wave-pupilled eyes. “Antifasi could be the most dangerous of Lilunu’s souls. Or the most useful. Which one... might depend on us.”
Nara laughs at that, but there’s an edge of bitterness to his sound. “Better us than Vali,” he says, holding her close. “Imagine what kind of a mess he could make of that. Given what he did to Kalaska.”
Zana shivers at the thought. It’s hard to put those thoughts out of mind, though she tries her best to busy herself with other things.
The next day dawns bright and sunny, but is soon overtaken by heavy rains sweeping in from the south. These rains are more than a little tainted by the madness of chaos, and across Saata where the water falls on fruit it turns into many coloured biting flies that hum and buzz in the warm rains.
Keris glowers out the window, feeling the stickiness in the air cling to her left hand. “I’ve never seen a wyldstorm this early in the year in Saata,” she grouses. “Not one like this, at least. I hope Haneyl is doing all right on her own, so far down south.”
“She’ll be fine, Keris.”
“Will she, Zana? Will she? Who knows what horrors could be crawling in from the edge of the world?”
“You worry too much.”
Keris turned around, shooting an exasperated look at her child. “I worry about all of you when you’re not at home,” she chides. The demon lord on the sofa tilts their head, two-tone hair shifting over brocaded shoulders.
“That must get tiring.”
“Tell me about it,” Keris mutters, and gently bonks her head against the glass. “Well, fuck it. Whatever. I wanted to talk to you about Earth. I need you to put on a performance. The kind of performance I put on last Wood on the Firepeak Pave.”
“Can we show our trick first? Because Zana wants to be here too.”
Keris hesitates. “I... suppose...” She trails off, blinking. “What do you mean, Zana? You’re Zana.”
Her tenth soul lifts their hands to their face... and removes it. The mask and wig, so intricate that it can - and has - fool even Keris’s senses ripples as Nara gives her a wicked smile, and then fountains up as he sets it down next to him on the sofa, until his sister-self is there as well, cackling.
For her part, Keris stares, and then groans. “If there’s any way you can teach the twins that,” she mutters despairingly, “then for the love of Lilunu, don’t.”
“Oh, mama,” Nara says with a wicked grin, “The twins are much better at pretending to be two people than we are.”
Keris pauses again, and opens her mouth to question, but then shakes her head. “Right. We can... get back to whatever you mean by that later. For now, your job. I’m leaving you, with one of mama’s Chords as your assistant, in charge of a few important deaths that need to happen in Earth. You’ll be my Mistress of Assassins, and I’m trusting you to handle the office with professionalism and grace.”
“Also Eko is too scatterbrained and forgetful, Rathan is lazy and doesn’t like getting his hands dirty, Haneyl’s off down south and is bad at staying on one task, Calesco’s gone north and doesn’t like killing people who don’t deserve it, and Vali’s Vali,” Zana interjects. “So you don’t really have much choice.”
Keris’s lips twitch in something that’s half smile, half grimace. “... also that, yes. But it is a post that suits you. What is an assassination if not a performance? You just need to make sure it’s a private one that the public only see the first layer of - whatever the cover for their death is. Can you do it?”
Nara leans forward. “But how d’you feel about it?” he asks, the Nexan accent thick in his voice. He sounds... he sounds like Rat did when Rat felt like a she. Not just in pitch. Also in intonation. “Because yer the one tellin’ us to do it and what if yer gonna start freakin’ out because we’re killing people?”
Zana, her legs crossed in front of her, her hair half green and half Gull-blue, doesn’t say anything. But she nods in support.
Keris makes a small, jerky, abortive motion with one hand, then folds her arms, almost hugging herself. Her hair flicks agitatedly, lashing from side to side with enough force to imperil nearby furniture as she turns back to the window, staring out at the muggy sky and falling showers of change-rain.
“It’s...” she says softly. “... fuck, I dunno. It’s not the first time I’ve sent my children out to kill. I sent Eko and Calesco against the Zu Tak. That was killing. And yeah, they were all cannibal death-worshippers, but Calesco told me about that girl she met. That there were kids in those villages. That they were worshipping the Dead to survive that hellish swamp. Is this any better?”
She doesn’t seem to need a response, and doesn’t wait for one. “I guess... I’m an assassin. Mama’s an assassin. And you, Zana, Nara; you’ve got the right mindset to be an assassin, too, if you see it as an art. More Zana than Nara; you don’t need the attention in the same way. But you can both... step back from the people involved and look at what the performance needs. Even if what it needs is a dead body that used to be a person.”
She sighs, and turns back. “I dunno how I feel about it. Conflicted. But I won’t freak out. This job needs doing, and you’re the best to do it.”
Zana beams at that, but Nara is on his feet. He’s only slightly taller than Keris, and he hugs her, resting his head on her shoulder. Neither of them say anything, letting the silence be filled by the noise of the storm outside.
Keris cuddles him for a while, sniffing a little and letting her sweet, understanding, beautiful child comfort her as she remembers Rat, and the path she’d taken into killing-for-hire after losing him. But eventually she pulls back, rubs her eyes quickly, and refocuses on the point.
“You’re going to be working on information from Pelepese Anadala,” she says. “Our friend in the Central Directorate, who’s so helpfully labelled some key players in the Realm’s assets in the near Southwest. Most of your targets aren’t the big players themselves; they’re people one or two steps down. Not Dragonblooded, but enlightened mortals who hold local positions and report to them, handle trade, manage businesses, keep an eye on the natives, that sort of thing.”
“The Rounens,” Zana says, with a wicked smirk. Keris snorts.
“I suppose, yes. People who a First Circle can kill, certainly. I’ll be leaving you some bound demons to use as assassins, though there are one or two you might want to attend to personally. And you may also be working in a more limited capacity with Amiri Magenta, who’s agreed to identify some other mutually-beneficial targets that both she and we profit from getting rid of.”
Keris folds her hands together and levels them both with a stare. “Oula has agreed to help you out with the odd Infallible Messenger, though most of her time will still be dedicated to sorcerous research. But that does mean you’ll be in at least sporadic contact with two of my peers. I know attention is tempting, but I’d like you to try your level best to avoid them realising your true nature. It’s unlikely that you’ll have any face-to-face meetings with either of them, but if you do...” She taps the collar they wear. “Use that to hide your true nature and the taste of your essence, if you can. I am going to introduce Magenta to my souls, and you may be one of the first I introduce her to, but I don’t want to do it now. And I don’t trust Anadala to know at all, just yet.”
Zanara is conflicted, which is to say that Nara’s face falls, while Zana grins easily, her expression oddly reminding Keris of Lilunu when she sees a chance for mild merriment at Keris’s expense. “Oh. That does sound like fun,” Zana observes. “I’ll be sure to make up a false line of descent for us. Oh! And maybe some forged tomes of demonology! Just enough that some poor saps will offer us worship and-”
“Do you gotta always make all this identity stuff so complicated?” grouses Nara.
That earns him a confused look from Zana. “Yes?” she says, as if talking to a child.
“I’ve also,” Keris says, before they can get too involved in an argument, “been working on a gift for you. A gift to demonstrate how I trust you in this matter, and to help you with it.” She smiles proudly as both heads swivel towards her. The curiosity in Zanara’s mirrored expressions is proof that Keris’s hard work over the last week or so of nights has paid off, and her surprise hasn’t been spoiled.
Nara nods confidently. “It’ll be pretty armour to keep us safe,” he says.
Zana huffs. “I rather hope not. I wanted a cult of assassins and spies!”
“That’s boring!”
“Armour is boring!”
Keris gets the odd feeling that this is like one of the arguments she has in her own head with herself. Just out loud.
She rolls her eyes, and flicks her fingers.
And from the tea laid out on the low table in front of the couch, two tendrils of liquid rise. Not tea, these slender protrusions, but rather dark water mixed with streaks of silvery mercury and patinas of iridescent oil, stretching out through the reflections on the liquid’s surface.
The ichor takes form, flowing and reforming from simple bulging tentacles to liquid serpents - or perhaps heads of a watery hydra, connected in whatever deep, fathomless place the tea is providing a gateway to. They wrap gently around Zana and Nara’s necks like scarves, pressing their flanks against the demon lord’s mouths to shush them, and for all their fluid makeup there is a solidity and strength to them that is easy to feel.
“It took me a while to learn this,” Keris says into the silence. “It didn’t come naturally like most of my gifts do. I sat in pools of water every night these past two weeks and meditated on Kimbery’s nature, praying to her and dreaming of Her depths, sacrificing sculptures of the monstrous tentacled things that dwell down there until She taught me how to call on the waters of my soul in emulation of them.”
There is a pause. Zana and Nara look at each other. Then;
“Thank you, thank you, thank you,” they say in perfect unison, throwing themselves around Keris’s neck and hugging her close. “You went and did this for us! Just for us! Our own heads!”
“Did you do this knowin’ we were a hydra-” begins Nara.
“Shuddit!” Zana elbows him.
“No! We did this and it’s amazing and she needs to know that we’re at least as good as Rathan in having our own giant monster form! I gotta know if she knew all along or just was such a perfect mama to find us this gift, just like she got us the mercury poison last year!”
Keris blinks. “I... wait, that was you? I heard something about a hydra last Calibration, but I thought that was some demon prince’s pet breaking loose while they were- right, of course,” she breaks off, mind racing ahead of her words. “Gora was the one who gave me the report, and... Lilunu knew, didn’t she? She knew and she got him to tell me so I wouldn’t catch her in the lie. Because you wanted it to be a surprise? And what’s this about mercury poison?”
Zana’s expression is one of utmost honesty. “We thought you knew about the poison?” she says. “We dreamed of it seeping from your hands into us last year, when you were traveling up and down the south. The red petals stained your hands and stained ours too.”
“Look,” Nara gestures, brushing his hands over the sugar bowl.
Keris hears what he does, how one of the rough lumps of sugar now sings the sound of the wind through the boughs of Szoreny. She pops it in her mouth, letting the toxic haze of cloying envy sink into her flesh - and knows immediately that while her flesh is inured to such poisons, that would have made a mortal sick for weeks.
Zana smiles, mismatched eyes bright with merriment. “You didn’t know? And that isn’t even the best part,” she imparts. “Touch something like that cup, say, and the poison will leak into anyone who uses it. Dosing then again and again. Or maybe not a cup. Maybe a warrior’s sword.”
“Or his pillow,” Nara adds.
“Or his holy icon of the gods he wears around his neck,” they say in unison.
The sweet taste on her tongue is nothing compared to the sweet taste of vicious humour, and Keris laughs at the well-deserved smugness in their joint expressions. It would have been nice to know this last Wood when she’d apparently developed the power - she can already tell that half a year is going to go down as one of the more embarrassing records for how long she’s gone without realising she’s gained a new gift of the Makers - but she’s hardly complaining now.
“Congratulations, then,” she says, and withdraws the ichor hydra heads into the teacups with another wave of her fingers. “Drink up, and this gift will be yours too. And you can tell me about this hydra form you’ve gained. How’d you do it? Rathan will probably want to take notes, given how much trouble he had with his orca form.”
Her two little demons have expressions such that it looks like butter wouldn’t melt in their mouths.
“Just like Rathan said, it really was a big step forward,” Nara begins.
“Far from easy. The means were long and hard,” Zana agrees.
“I had to delve into depths I’d never needed to before,” Nara says.
“And I had to accept and welcome in parts of us that I hadn’t managed to,” Zana says. She shrugs. “Some of the things we tried left a bad taste in my mouth, but that was just experimenting. It was nothing you’ve never done,” she hastened to add.
Nara rests his hand on hers. “We haven’t managed to do it since. Not properly. Like Haneyl, we’re pretty loud and messy when we become one.”
“As long as you’re being safe,” Keris says, frowning. “Vali always exhausts himself when he changes, and Calesco’s starlight form is as painful to her as everyone else. I don’t want you hurting yourself chasing this.”
“Trust us,” Zanara says, “we take care to be safe.”
“It’s not something we want to risk too often,” Zana says, her mood changing slightly and becoming more sombre. “I’m not in control, and neither is Nara. And ‘we’ is much larger than either him or I. We... that is, him and I greatly enjoyed it. But...”
“... if we took that form too often, we’d forget that we’re separate people. Or maybe only one of us would come back,” Nara says softly. “Zanara is a patchwork thing. We like how we are right now, but there’s depths in us that are much uglier than me or her like to let on.” He holds his mother’s hand. “To become the hydra, we have to accept everything we are. Give up on pretending we’re not the same person. Become one.”
“It’s like you and the snake,” Zana says, taking Keris’s other hand. “But the snake started as a human soul. It’s always been part of you. It’s depths are part of you.”
“Kimbery’s depths are ugly and hateful. Metagaos’s are monstrous and hungry. And Szoreny...”
“Szoreny reflects how things could be, not just what they are,” Zana says. “So for us to accept everything we are, we’d have to accept everything we could be, too. And we chose to be just Zana...”
“... and just Nara.” Nara takes a breath. “Before you get too scared, though, it’s not exactly dangerous. Not using it just once. But overuse could make us into someone we don’t want to be.”
Zana spreads her hands. “Vali and Rathan long for their monster forms. Haneyl and Calesco fear theirs. I’m a girl-”
“Okay, no, Zay, that doesn’t work,” Nara objects. “I’m not exactly male. You can’t turn everything into a gender binary.”
“But the aesthetics of duality!”
“What she is trying to say,” Nara says with a glare, “is we both long to be the hydra again yet fear what overuse of it would do to us. We’re serious when we say we’re not in control. It’s neither of us. And both of us.”
“It’s a severely altered state of consciousness,” Zana concludes. “Maybe we’d be better if we could practice more but being a giant rampaging hydra is not exactly...” She looks for the right word. “Conducive to training.”
“... fair point, that,” Keris admits. “I was going to suggest it with supervision from me or one of your siblings, but you’re right, that kind of thing around Saata would raise... awkward questions. Well, maybe you’ll be able to get bits of the hydra out through the waters of the Isles, and find out that way. Drink up and find out.”
She watches indulgently as they pounce on the teacups she’d summoned her own Pekhijira-heads from - and hadn’t that been an interesting surprise; discovering that rather than mimicry-tentacles of abyssopelagic horrors, her ichor-constructs came out looking like watery extrusions of her po? Though not as autonomous as Pekhijira, thankfully. If they’d been under the snake’s actual control, one or more would probably have bitten her by now.
She pours herself a cup, sipping at it quietly while Zanara leans against each other and integrates the gift of Kimbery she’s bestowed on the part of herself they represent. The teapot, she leaves open. No doubt they’ll want to practice their new trick as soon as they’ve figured out how it works.
Nara whines, slipping off his chair. He slams his fists into the ground, a wet, crackling sound coming from his body. There’s a twist to his neck as his back arches. He whimpers, he curls up, and then he thrusts out one of his hands, colours shifting under the skin as his arm stretches out and out and out, becoming more like a ichor tentacle. He screams, his voice heavy with panic.
“En, stop being a needy little bitch,” Zana says, sipping more of her tea.
Keris puts her tea down quickly and hovers over him. It’s likely, she knows, that this is a performance - a cry for attention, something he’s doing deliberately or allowing to happen to get her to fuss over him like he wants.
But it also might not be, and even if it is, she’s happy to dote on her children when they ask, whatever form their requests might take.
“Reach out, sweetheart,” she whispers, stroking his hair. “It’s not a power to sculpt flesh or create tendrils, it’s a power to open gates to where they already exist. You’re opening it in your blood, inside your body, and that’s not how it wants to work. Reach out and find liquid, and open it there. Grant them passage nearby and call them out through it.”
“It hurts,” he whimpers, gratefully holding onto her with desperate, hungry desire for skin contact, to be held and loved.
“It really doesn’t,” Zana says archly. A bead of sweat rolls down her brow. “Look at him making a fuss. But my sire g-goes through much worse when the energies of the Yozis course through her. This... this barely is a tickle!”
The strain in her voice puts the lie to her words, and Keris reaches out with a hair tendril to draw her into a hug, still whispering advice and soothing nothings to Nara. It’s rare that she sees the process of her souls absorbing new gifts, and this one is probably all the more painful for how it’s not one naturally budded from her connection to the Yozis.
“Not long now, darling,” she murmurs. “Just ride it out and feel for the gate to the Isles that’s waiting in the water.”
Nara reaches out with a clumsy hand that’s already lengthening to a tentacle in its own right, and manages to knock over the teapot. But from the spilled steaming hot liquid comes a thick cluster of things that almost look like they could be knotted ropes. Right until they open their eyes. And their maws. The heads are almost snakes, but not quite. They are creatures of the deep sea. But they are also roots and vines.
Zana rises imperiously, barely hiding the shake in her limbs, and stares at the mirror on the far side of the room. “Come!” she orders imperiously, and from the glass bursts similar heads, these ones with glassy, silvery scales and many coloured petals sprouting from their skin. And she raises her other hand, and they are joined by vicious, sucker-covered tentacles that writhe and twist and coil with the many heads, until there is no divide between the two.
“Good!” Keris whoops. “Good, yes, perfect! My clever darlings. You’ve got it - and you’ve improved it!” She scoops Nara up in her arms and lays a kiss on Zana’s forehead. “Summoning them from mirrors, of course you’d adapt it like that. My brilliant little artiste. My pretty little creative soul.”
“It was... obvious,” Zana says, wheezing, her make-up smeared from sweat and tears. “It... we’re made out of discarded bits and pieces. From you. No one else could do it. But-”
She yells as one of the tentacles grabs her by the waist and hefts her up. Nara cackles.
“I’ll kill you! You got slime over my clothes!” she snarls at him.
Laughing, Keris drags them both in for a cuddle, and an reaffirmation of her faith in how well they’ll do this coming season.
(How well they’ll do at killing in her name.)
In the high lands of Zen Daiwye, a wedding is not a minor concern. If a couple just want the recognition of marriage, they don’t go to the lavishness of a wedding. They say the words and live and love together and they are married. No, a wedding is something else; something grander, something for and by the whole community.
And how much grander must things be when the groom is the mortal brother of a goddess? Anyone with any connection at all to the couple wants to be there, and they want to bring their whole family and as many of their clan as they can justify. They want to make offerings to the gods so the gods favour them. But just as importantly, the gods want to impress the mortals and each other too, so there are just as many gifts flowing the other way. One might even forgive the couple for thinking that their wedding has been lost among the week of festivities.
The godshome that the divinities call Ahangar House is the setting for the festival, and an encampment has sprung up on the banks of the river to either side of it, hosting the attendees who overflow even the many guest rooms of its expansive buildings. There are garlands strung across the walkways atop the dams that block the river, funnelling its waters through the three waterwheels that drive the smithy tools and water pumps and other sundry mechanisms of the house proper. There are new murals on the flood walls that ring the island, both within and without. A patterned banner billows in the wind on the highest point of the tallest roof; white for truth and potential to come, red for joy and just harmony, green for growth and fertility and blue for the bonds of kin and clan.
The wide yard in front of the house hosts the core of the festivities. Long tables off to one side hold food and drink aplenty, and people mill around and eat and laugh and swap stories and give gifts. Some stroll through the orchard, under the shade of the trees where there can be found the privacy to kiss and cuddle for those who are already married and nostalgic - and to trade romantic promises for those who are not. Others make their way into the great tent-like space inside the sanctum of the shrine, two rooms of which have been emptied out into the third to clear space for music and dancing that the keruby cannot get at.
Keris Maryam Dulmeadokht, Green Sun Princess and High Queen among the gods of Zen Daiwye, emerges from this last space, flushed and beaming after an hour of dancing and song. She’s not yet tired, but she was starting to draw so much attention that nobody else was using the dance floor, and so a tactful retreat to the buffet seems in order so that others can use the space for what it’s meant for.
With half an ear behind her as the music changes and the dancing starts up again in her absence, she runs into Rathan and Oula on their way in as she leaves, gives them quick hugs in passing, blesses a baby that a proud father shows her - a year old tomorrow! - shoos an ambitious fem away from trying to get through the open tent flap, and runs almost literally slap bang into Hilthr over the fruit skewers.
Awkwardness settles over them both like snow. They have tried to talk before, but it has only worked when Ali was there. Keris’s words were trite and empty, fed by Metagaoyin blossoms - a barrier made worse because Hilthr does not see her as family.
She sees Keris as her mother-goddess.
And so if Keris lets herself be who Hilthr wants her to be, she will be never anything else. But it is much easier to be a mother-goddess than the younger sister of the groom.
At least Zanara has been easy and open in a way that Keris can’t be. They are a two-faced deity of beauty and art and music, so they casually, playfully walked in and redesigned everything they found unaesthetic. And that includes the dress of the bride. Hilthr is delighted with this, because Zanara took the flax-and-wild-silk work it was before, and refined it. Now it shimmers with colours they couldn’t make her before, and wild silk has never been more graceful in its rustic elegance.
Hilthr is delighted with this. The art deity descending to give you the most beautiful wedding dress anyone in the valley has ever seen is the way the world is meant to work. The mother-goddess trying to talk with you over food isn’t.
“Scarlet lady,” Hilthr says, bowing her head.
Argh, why do so many valley people not want to use her name? They’ve talked themselves into believing that using her name directly is rude. Despite her requests to the contrary! At least the mountain and hillsiders haven’t talked themselves into that habit!
“Hilthr,” Keris replies, trying her best to smile as the nagging voice of clan-loyalty whispers zanyi, zanyi, zanyi at the back of her mind. “Having fun, I hope?” She searches for a topic, and lands on the only other thing that she and her brother’s new wife-to-be have in common. “How has Hanily been? And where, too - I haven’t seen her since the ball game yesterday morning. Has she been getting along better with you?”
“Oh, yes. Scarlet lady. She is with the young gods outside.” She pauses. “I have tried my best, I really have.”
This is not strictly true, and Keris knows it. Hilthr does not know how to handle her new husband’s strange, fey child who would rather play with the spirits and the gods than other children her own age - and who looks so much like her mother-goddess. And Hanily is not exactly putting much effort into getting on with her new step-mother.
It is almost like she has some of the same objections to this woman that Keris has. Only Hanily cannot express them in words.
“I believe you,” Keris assures her anyway, and Hilthr visibly relaxes at the absolution offered by the goddess. “I had a talk with her and asked her to give you a chance, last year. Has she at least stopped being actively... difficult?” She picks up a fruit skewer and nibbles on it, more to have something to do with her hands than for hunger’s sake.
Hilthr sighs at that. “She just goes off and does what she wishes. Whenever the great gods - your children - are around she vanishes for days. Other times, she just lives with the little child gods.” She looks appealingly up at Keris. “She pushes poor Ali around. She listens to Xasan more than her father.”
Keris winces. “She... might get that partly from me. Uh, not the pushing Ali around. The vanishing, and the nomadic urge. Or, well. From her grandmother. But spending time with me probably hasn’t helped.” She sighs. “I doubt I’ll be able to get her to stop entirely. If she’s got wanderlust in her blood like her grandmother, she’ll itch whenever she’s stuck in one place for too long. But I’ll talk to her about spending more time at home, and try to set up a schedule so you know when she’ll be down in the village with you and when she’ll be up here with Xasan and her tutors.”
Or, she doesn’t say, with her kerub friends. Keris suddenly remembers the szirom-hide at the far end of the orchard, and only now does it occur to her to wonder how it got there and why Hanily seemed so comfortable in it. Has she been sleeping in kerub-dens that often? It... wouldn’t entirely surprise her if she had. Fuck. She’d thought Ali had a handle on raising Hanily - she’d thought that besides making sure she had tutors and lessons that interested her, Hanily was one of the few children in her orbit who didn’t need as much time spent parenting her. But it sounds like Ali isn’t proving as capable of handling his daughter as she’d thought.
“Thank you, scarlet lady,” Hilthr says, dropping a small curtsey and scurrying away before Keris can try to interact with her as... well. As a fellow human.
Sighing, mood ruined, Keris decides she might as well get her auntly duties done before it slips her mind, and heads off outside to see if she can find her niece. She’s not among the gaggle of children - both human and kerub - playing a ball game on the riverbank, though. Some quick questioning reveals she went back into the festival ‘three points ago’, which tells Keris very little, for some food and a place to read.
Doubling back inside, Keris checks on Hanily’s szirom-hide in the orchard. Again, there’s no Hanily, though a cuddling couple sitting under a tree nearby tell her that they saw her run off towards the house just after they sat down. That turns out to be a third near-miss; Xasan grumpily tells her that Hanily slammed into his kitchen for just long enough to grab a skipping rope and one of his hiking sticks before running off again, this time to the east bank of the river.
If Keris didn’t know any better, she’d be starting to think her niece was avoiding her. But Hanily wasn’t particularly cross with her the last time she saw her, and it doesn’t sound like a deliberate pattern of avoidance. She’s just... being Hanily. And probably planning something clever and potentially chaotic with the walking stick and the skipping rope.
Mustering up her patience, Keris heads back out of Ahangar House for the second time, crosses the dam, and resolves that if she can’t find Hanily this time, she’ll give up and just go back to the festivities. Maybe make a speech and try to get the valley-dwellers to use her damn name again. It’d be a long shot, but surely it’s worth a try, right?
“There she is!”
Blinking, Keris turns. It appears that she has not found Hanily in this latest attempt at following her trail.
Rather, Hanily has found her.
Now that she has eyes on her niece, Keris can see the traces of kerub in her. Someone else would have thought that the flowers in her hair are just a little girl thing, but Keris can see that they’re szirom-petals given to her as a gift. Dozens of szel-ribbon bracelets are tied around her forearms, some tightly, others loose enough to all but slip off. The grey cloak she has for warmth over her little dress is both clearly of Zanara’s weaving and also a copy of an orven’s water cape done in cloth. And finally - and this may be of the most concern - her belt knife sheath has been patched up by a fem, and she has little brass knee guards on both legs that look scuffed and dented from use.
Behind her, dressed rather more simply, is a magistrate who looks a mix of afraid, embarrassed, and determined. Her pale eyes are made owl-like by the soot-mascara around them, and her wing-tip claw-hands are relatively short and mostly clean. She’s young to being a magistrate, Keris judges; either just matured or just transitioned from a witch. But what stands out to Keris is that she’s dressed in local valley styles. Which means she’s either local to the area or has put un-magistrate-like effort into blending in at the wedding.
“Hanily,” Keris says, opening her arms for a hug. “Here I am, yes. I’ve been looking for you all over. Who’s this?”
Hanily squares up to Keris, and then bows, hands on her thighs. Keris is utterly mystified as to how she learned that bow, because she never taught her that spirit placating bow. It’s not a secret of the Blue Way, but Keris only taught Calesco and her other trainees that, because she only thought they’d need it.
“Respected Aunty,” Hanily says in accented but clear Old Realm, “this is Xiana, once-mez, born-orven, who wants you to judge on behalf of her friend who had his...” She frowns, and says “heart” in Riverspeak before continuing, “stolen by a bad man.”
Keris opens her mouth, closes it again, stares in bewilderment for a moment, and then opts to turn her attention to Xiana and figure out where the hell Hanily learnt a priest’s gesture at some later date. “Your friend,” she says, staying in Riverspeak for Hanily’s benefit. “An artisan? What happened?”
The magistrate Xiana’s story is... not the easiest to follow. For one, she’s so nervous and so angry that the story doesn’t come in strict chronological order. But with some clarification, the story comes out as this.
Xiana, as a mez, was one of the feral keruby who have made their way into Zen Daiwye and live up on the hills and migrate around. Or, in the case of Xiana’s group, live in a dug-out hill near one of the villages and move their hives around the fields to help with the farming and produce honey they can sell. Apparently, though Keris hadn’t realised it, Evedelyl is a weak point in the world where Keris’s demons can more easily escape to. She can’t exactly summon them, but their escape conditions occur around her with uncanny commonness.
“I worked that out with the szels,” Hanily says proudly.
But not all of the feral keruby are the nomads or the recluses. Some of them are sociable enough to approach the villagers on their own turf, and some of them get adopted by human parents who either lack children or take a liking to the little ones. That’s not alien to Keris. After all, she fostered both Rounen and Oula that way. And Xiana’s friend Dirim was an orven who got fostered by a pair of childless women.
“They’re lesbian because they kiss each other,” Hanily contributes happily.
“Okay...” says Keris, sorting this out. “And he matured into an artisan - I’m guessing it was you he fell in love with?”
“Yes, my queen,” Xiana says. She is tall and will be graceful one day, but still hasn’t filled out after her maturation and so is all elbows and knees and a hint of clumsiness from her sudden growth.
“And then this Alam tidal raider stole it. How? Actually, why was he even in Zen Daiwye, and how did he know there was an artisan’s heart to steal?”
This sets off another confused and rambling explanation, Xiana’s voice shaking with anger as she recounts the tale. From what Keris can put together, Alam - lord Alam, in fact; one of Mele’s ennobled captains who was given a minor title for bravery and daring in a sea raid to seize ships for Mele’s fleet - had been in Zen Daiwye to source some rare materials through the smuggling routes into her inner world that are so prevalent here. He’d heard at the Glass Temple that an orven had entered a pearl a month prior, and managed to delay Xiana with some haggling over honey-prices with the Temple keruby so he could go and be the first person Dirim saw upon hatching.
“I was going to give him a hatching gift,” Xiana says, her voice cracking with anguish and rage. “I- I spent all month on it. It was my Happening. He loved me, he grew up for me, and I was going to accept his heart and give him presents and grow up too. Even if I had to find a whole new way to grow up to make him happy.”
Miserably, jerkily, feathers fluffed with fury, she shows the gifts she prepared. A lacquered hair comb, a wooden hand mirror with a fine dark polish and a pattern of bees and moonflowers painted across the back in silver, a worn but well-cared for set of black-backed tarot cards. They’re paltry gifts by the standards of a princess of Hell, but for a rural kerub, she must have worked hard and spent quite a few favours or trades for things this fine - and the cards are likely her own prized possession, given mezes and how obsessed they are with scrying. Something as important to her as Dirim’s heart would be to him.
“And you realised your Happening was a lie,” Keris finishes, heart sinking, “and your eyes opened, and you grew up. I see.” She purses her lips, glancing back at Ahangar House. The wedding festivities are still in progress. But the actual ceremony of handfasting isn’t until this afternoon. She really should tell Xiana to wait until tomorrow and go back to mingle and try to socialise with Hilthr some more and awkwardly talk to Ali about why his daughter has gone so feral and how it might be sort of Keris’s fault...
... or, on the other hand...
“I will judge this case for you, Xiana,” Keris declares, and the magistrate perks up immediately, a vicious light of satisfaction in her eyes. Keris raises a finger. “But not without hearing Alam’s side of the story. I need to hear from both parties and give him a chance to defend himself if I’m going to make a fair judgement. Kuhan precedent, through Calesco.”
She pauses, as the sound of an eight-year old trying very hard not to shout demands when she knows she technically shouldn’t intrudes on the conversation.
“... and yes, Hanily, you can come too.”
“Just as well, really,” she hears Hanily mutter under her breath. “T’keruby say I’m the Keris priestess, so I gotta be here. ‘Least aunty is being fair.”
Xiana grips her hand fervently, forgetting propriety and nervousness alike in her passion and sudden hope.
“Thank you, my queen,” she says with young, raw conviction. “I swear, you won’t regret this.”
Two and a half hours later, Keris is regretting this.
“To summarise,” she says, rapping sharply on the table that’s been pressed into service as a court. They’ve all decamped to Dirim’s mothers’ house for the hearing, and Amaya and Nahid are huddled together by the fire, staring wide-eyed at the Scarlet Lady who has descended from the godshome to make judgement on their adoptive son’s predicament. Xiana and lord Alam are setting the air across the table afire with the fury in their stares, and Dirim fidgets uncomfortably opposite Keris, looking between his love and his childhood friend with evident distress.
“Xiana’s argument is that Alam committed a wrong by claiming Dirim’s heart before he could choose who to give it to and then desiring to take him from his mothers,” Keris says. “Additionally, this matter of acting deliberately to ruin her Happening.”
Calesco’s white light gleams in Xiana’s eyes, and a smile of terrible, innocent cruelty spreads across her face as she nods. “Yes,” she breathes. “Justice Vela’s first axiom was that the ruin of a long-held hope with malicious intent was wrong. Meadow law demands punishment. He is no fit-”
“Meadows law has no place here!” Alam bursts out, unable to remain silent against these accusations any further. He thumps the table, then flinches at the sharp whistle from the far wall, where Hanily is sitting on the grain chest and watching.
“No interrupting!” she orders. “Aunty will get to you when it’s your turn!”
“... thank you, Hanily,” sighs Keris. “Xiana, those are the only charges?”
“He also acted to delay me at the Glass Temple, and had his crew assault me,” she lists, turning her smile on Keris as it stretches too wide for a human face. Keris shakes her head.
“I’m not making rulings on trade, and the first one either qualifies as a trade dispute or gets folded into him taking Dirim’s heart before he could offer it to you. That’s not a separate charge. And you attacked him first. Justified by emotion, maybe, but you can’t ask me to punish someone for winning a fight you picked. If you try to make it about how you were defending Dirim’s right to choose, that gets folded into the first charge again.”
Xiana scowls, and Keris turns to Alam. The tidal raider is a handsome sort - all of them are - with intricate engravings of orcas and ships etched up the ivory skin of his right arm and neck. He clears his throat, shooting a murderous glare over the table at Xiana before pasting a genteel smile on for Keris.
“As I was saying, majesty, Meadow law simply doesn’t apply here. We are not in the Meadows. Nor did the purported infraction take place there, nor, indeed, does any person in this room reside there. Shall we be shackled to the whims of Princess Eko, or indeed the decrees of the Serpent Queen, simply because someone,” he shoots another poisonous look at Xiana, “chooses to invoke whichever legal code they think will most advantage them? I acted with no thought of the little mez, and had no idea she would react so... unstably, to my taking Dirim under my wing. My thoughts were solely towards his wellbeing - a child could not have kept a grown artisan happy, and magistrates are not a breed given over to tenderness.”
Keris purses her lips, but can’t actually deny that, given her experiences with Vela. “And the other charges she has laid against you?”
Alam spreads his hands, one of them - quite coincidentally, Keris is sure - brushing over the back of Dirim’s folded hands. “What charges? Majesty, this magistrate has already sought rulings at the Glass Temple and had her case rejected, and then at Queen Dulmea’s court. Who, I will reiterate, ruled that as Dirim is quite happy in my care, no wrong has been committed.”
Xiana hisses, her feathers fluffing, but Alam only looks down his nose at her in contempt. “Quite frankly, she has been pursuing me doggedly with intent to ignore and overturn as many prior rulings as necessary to find one that will judge in her favour. If she felt truly that your regent’s judgement was flawed, would she not have told you of it when she brought the case before you, instead of pretending that you were the first to hear her so-called plight? Your majesty, this is not a case of artisan-theft, it is one of harassment, jurisdiction-shopping and defiance of royal judgement, and I would like her banished back to the Meadows where she can enforce her laws in the land they are written for.”
“You lying, two-faced-” Xiana snarls, and is hit square in the forehead by a fruit pit.
“No interruptions!” Hanily reminds her. “Show some respect for High Queen Aunty!”
Keris sighs.
“Alright. Dirim. Amaya. Nahid. You’ve been very quiet while we’ve been distangling this. Can you state your thoughts as simply as possible, please?”
Amaya looks Nexan to Keris’s eyes, with her dark hair shot though with grey. She’s a little older than her wife, or maybe just hasn’t aged as well. She squeezes Nahid’s hand. “We... we hadn’t a clue about any of this, Scarlet Lady. We took Dirim in as family because he was a sweet little boy who saved our chickens from a kat and wanted to help us, and he might be a child god but a child god is still a child.”
Nahid runs her free hand through her pale green hair. “With a n- a human child, well, people say they grow up so quickly, but not like this! He’s still our son and we want what’s best for him, but...” Her helpless gesture is almost Ekoan in how it describes how impossible it is to know what’s best for a divine child. “It is a matter of the gods.”
All eyes are on Dirim now, and he does not look like this is a good place for him. “I,” he begins, and wets his lips. “I loved Xiana. I grew up for her. But. Um. I love Alam now. I can’t - I won’t! - leave him.” He turns to Xiana. “Why won’t you just let us be happy together? Just me and him!”
Conflict rages on Xiana’s face for a moment - love, hurt, anger, wild desperation. And then her expression firms in resolve, and smooths out once again into that innocent, sadistic smile.
“Just him and you?” she says, caressing each word with a husky lilt that sets immediate alarm bells ringing in Keris’s head. “What an interesting word. ‘Just’. My queen, despite what this one claims, I would have accepted Queen Dulmea’s ruling. But I investigated first, to be sure that, even if my happiness had been ruined, Dirim’s would be assured. And do you know what I found?”
She doesn’t wait for a reply, ignoring Alam’s sudden stiff posture and attempt to interject as she speaks directly to Dirim, each word as piercing as an amber-tipped arrow.
“It won’t be just you and him, Dirim. Because he already has a husband. Another artisan, called Joff, who waits for him back on Count Mele’s fleet to the west of Shuu Mua. He’s sent two letters down to him by fem-courier in the fortnight he’s been here, one of them since claiming your heart. And from what the fem I questioned said? It didn’t mention you. It was all just sweet nothings that made his first husband swoon, and mope that he’d been ‘delayed by something’. He didn’t just forget to mention it, either. You must have Joff’s heart somewhere, no?” she asks sweetly, switching targets to Alam with a gleeful smile. “Why aren’t you wearing it? Are you ashamed of him? Or did you just not want your new darling to know you were attached?”
Time slows as Dirim’s pupils blow wide and then narrow into knives. In the heartbeat before the danger strikes, Keris allows herself an inner wince. She’s definitely regretting this. This whole mess is reflecting bits of her souls - and herself - that she didn’t really want to see. Not only the dependent, messy, unsettling love of artisans, and how easily they can get into relationships that remind her rather too much of Gull or Orange Blossom. But also... well, if Xiana’s known this since not long after Dulmea’s ruling, she clearly hasn’t mentioned it before. She’s been holding onto it, waiting specifically for a chance like this to drive the knife home and use Dirim’s murderous love against the man who stole his heart. It’s an entirely too Calescoid tactic for Keris’s liking - and one that also reminds her of Gull, in an even less comfortable context.
A brief blur of violence, and Keris has Dirim bound in her hair. He strains against the bonds, silver tears leaking from his eyes, wordless snarls escaping his lips.
Xiana looks mildly disappointed. And Alam...
Irked, but not too surprised. And the defensive posture of his arms, Keris reckons he’d have taken the stab on the back of his arms and it wouldn’t have gone deep enough to really hurt. Tidal raiders are tough.
“This is irrelevant to the case,” he says, his voice controlled. He directs his gaze at Keris. “Majesty, you yourself keep multiple paramours. This is an immaterial factor.”
“Immaterial?” snarls Dirim.
“Oh no, do go on,” Xiana says, a very Calescoid smile on her face - but her pale eyes are hateful.
“Wait, no, hold on,” stutters Keris, caught off guard by this sudden shift to target her. “That’s different. My lovers are-” She hesitates. Human? Not true, and not something she wants to make precedent either; one law for artisans and another for everyone else. Aware of each other? Also not true; she’s keeping Ney a secret. Happy with her taking other partners? She’s never actually outright discussed it with Ney, even if she’s sure he’d understand…
Her hesitation lasts just a little too long.
“Your majesty, such practices are both engaged in and condoned by multiple members of the royalty,” Alam continues. From his tone and mode of address, he has to be used to making his case in lawsuits. “You yourself, Princess Haneyl, Prince Vali - all of you engage in concubinage. And that is just the high royalty. If one looks at the nobility, such practice is commonplace. Duchess Ellysievera, Viscount Mele, Cardinal Oyoi... why, indeed, I myself have previously maintained two artisans with success, until one was won from me in a duel.” He rests one hand on his chest. “Dirim is furious with me, but this is a lover’s spat, not a matter for your exalted court - and not a matter for the vexatious litigation of an upstart magistrate. Your majesty, there is no precedent for you to have to involve yourself in this common practice. Dismiss this case, and we can return to the wedding.”
Hanily, of course, is watching this combination of relationship drama and litigation drama (and now violence) with wide eyes. And Keris is uncomfortably aware that her own love life as well as the love lives of her children are getting bared in front of her niece as evidence in a lawsuit.
‘Mama,’ she thinks. ‘Can you dig up the records of the judgement you passed when Xiana brought this in front of your court? I want them as a reference before I make a final judgement here.’
A chord of melody sounds out, and Dulmea’s presence is there. “Let me see, child. Oh. Oh yes. This case. I shall have the records recovered for you, but as I recall, the artisan wished to remain with his love, so I saw no reason to rule otherwise.”
While Keris consults with Dulmea, Alam continues with his rhetoric, expanding on his well-practiced and well cited precedent. Keris decides not to let him know that she misses most of it. She’s already half made up her mind, and it would only hurt his feelings.
“Okay,” she says as she returns her attention to Creation. “I’ve heard the arguments of both sides and reviewed the prior case. You’ve both had your say in front of me, and Dirim and his parents have spoken. So here’s what we’re going to do. First of all...”
A hair tendril - one of the ones not still restraining Dirim - whips out and plucks the varnished, silver-chased box from Alam’s hip, extracts the warm, beating heart from within it, and drops it in Dirim’s hand. So fast and unexpected does Keris do it that nobody has time to object, or even process, until it’s done. Alam belatedly jerks his hand out towards the artisan, but checks the motion as he realises its futility. Xiana, for her part, rivets her attention on her childhood friend and the silvery-red organ he holds, her body swaying but her head and blown-wide eyes held perfectly still.
Dirim gasps a little as his heart falls into his hand, and twitches as Keris gently releases him. He brings his hand up, staring at the heart, his breathing becoming quick and shallow. It’s not good for him to hold it himself, Keris knows, but it won’t harm him to do so as long as it’s not in his possession for very long.
“Dirim,” she says. “Alam no longer holds your heart. Have your feelings for him changed?”
He blinks slowly, shoulders hunching as the anxiety of being the centre of attention returns.
“I-I,” he stutters. “I don’t... I don’t love him anymore, n-no...” He trails off, and Keris waits expectantly, prompting him to continue with a wave of her hand. He bites his lip, looking guiltily between Alam and Xiana. “But... but I was so happy when I gave him my heart,” he whimpers. “I remember being in love with him. It was... wonderful.” His eyes become hearts briefly, before shifting back to knives. “Until he betrayed me-”
“Right, yes, we heard.” Keris sighs, thinking things over further. She’d sort of hoped that in the absence of a love, Dirim would snap back to thinking clearly - but he’s still too young to have brought his heart-locked emotions under control, and with only one love in his past, he lacks the experience to be objective in comparing prospects.
He can’t solve this for her and remove it from her responsibility. And this is by no means going to be the only case where this sort of problem comes up. She is, Keris glumly acknowledges, going to need to make a ruling.
“Then the case is finalised, and I will make my judgement,” she says. “Queen Dulmea, who watches from her seat within my lands, will serve as witness to my decision here.” A casual gesture through her hair opens a rift long enough for a bar of Dulmea’s music to be heard.
There is a furiously silent gesture within her head, as Eko makes her objection to the idea that anything Mama does can be considered to be justified or justice.
Letting that pass, Keris straightens up and clears her throat, taking a brief moment to carefully consider her wording. “Being a case concerning the welfare and wellbeing of young or compromised artisans who cannot themselves make fair or unbiased choices in their own self-interest about the holder of their hearts, my decree is thus: that in contested cases where two or more lovers dispute ownership of an artisan’s heart and the artisan cannot decide between them, greater weight goes to the claimant with greater existing ties to the artisan of friendship and care, and lesser weight is given to the claimant who has existing partners with whom their attention and affection will be split, be they artisan or otherwise.”
With every word, what little colour exists in Alam’s skin drains further from it. With every drop of horror that falls across his face, another shade of shining hope radiates out from Xiana’s.
“With both factors standing in Xiana’s favour, as a childhood friend who laboured long and hard on Dirim’s hatching-gift and has no prior relationships, my decree is that she is best suited to care for Dirim’s heart,” Keris continues. “I will not address the charge of Vela’s First being broken; should it apply, the loss of his lover and any consequences of this ruling will stand as Alam’s punishment, should it not then they are simply the resolution of the case at hand. This new law will apply for the first moon after a newborn artisan’s hatching, and be formalised in the usual manner by the Sea courts. And let it be named...”
She pauses, old pain welling up, and blinks away a tear before it can fall.
“... let it be named Rat’s Law, for Prince Rathan’s father, who showed the best of both these ideals when it came to his romance with me. So I have spoken, and so it will be.”
“Yesssss,” Xiana exults, pumping her fist. She pauses and clears her throat. “Uh. I mean, um. All-Queen, I am thankful that justice has prevailed and... thank you!”
Alam has an ugly expression on his face, but forces the snarl down and inclines his head. “I accept the judgement of the All-Queen’s wisdom,” he says. “I will not seek to contest it in any way.”
Dirim takes a deep breath. “Will you be alright?” he asks Alam. None of the previous love nor of the jealous rage is there. He’s just conversationally present.
“You care?” Alam asks bitterly.
“You were my first love,” the younger man says, “and that’s all in the past, but still.” He shrugs. “We really had nothing in common except love, but love is still something precious and beautiful.”
“You’d still love me if that one,” he shoots a sullen look at Xiana, “hadn’t gone shopping for jurisdictions.”
“Yes,” Dirim says simply. “I loved you because you held my heart. And it was beautiful, and you ruined it because you already had a love. But now I don’t care anymore. You shouldn’t have done that, but,” he shrugs, “it’s not my problem.”
“I... I am ruined,” Alam says, his head hanging. “I will accept this judgement, but it will destroy me. If I go back to the Sea...” He shudders, evidently unwilling to think of the rage that his fellow tidal raiders would vent on him for such a universal ruling against their favoured practices.
Manfully, he controls himself and squares his shoulders. “I... must hasten to attend to my Joff’s safety,” he says. “When news of this reaches the fleet, I will no doubt lose my captaincy, and others might blame him for my missteps. I will...” his face twists, “... seek out Duchess Oula, and ask to enter her service. She, at least, will bear me no ill-will over this judgement. Indeed, I do not doubt she will be gleeful over it,” he adds with bitter resignation.
Keris hears Xiana’s whispered “She is famously wise.” But she says nothing, as the tidal raider makes his exit.
But she does, however, decide that now is the time to make herself discrete when Dirim gives his heart to Xiana, and things start with heated kisses and only get more heated from thereon in. It’s not suitable for Hanilyia, who is watching with wide eyes, or for Amaya and Nahid, who no more wish to see their son’s affairs than Keris does hers.
“Aww,” Hanily says as Keris leads her out. She jams her hands up her sleeves. “But basically I am the best priestess in the whole world. I like those two! And really they got a happy ending all thanks to me. And you, I s’pose.”
“You were a very good priestess, yes,” says Keris, patting her on the head. “And you can remind me later to tell Xiana she’s a baroness of Zen Daiwye now, since someone’s going to have to enforce this new law.”
She considers her niece as they amble back towards the house. “Have you... been doing this sort of thing a lot, Hanily? Keris-priestess stuff, and dealing with keruby problems?”
“Yep!” Hanily beams up at Keris. “I got the grey eyes just like you. And see, the thing ‘bout keruby is they’re all different in their own way, but they realised I don’t have that kind of stuff going on so I can just do the explaining and the talking. Plus it’s easier to talk to my cousins - who are all important to them - if I’m there. And also on the other side I help the humans if they need to talk to the keruby ‘cause I learned the language some of them talk and know their ways and how to tell them to stop chasing pets.”
“Is that what you’ve been doing when you’ve been off sleeping in mez-burrows and living out of szirom-hides?” Keris asks, veiling the seriousness of the question behind mirror-bright light-hearted interest. “You’ve certainly picked up an impressive hoard of gifts and trinkets.”
“Some of it,” Hanily says. “Specially when I go up to Uncle Xasan’s. Lots of people go to his place to get him to stop fights and stuff, and then the keruby realised I was there and so I could do judgement things without being made to do chores like Uncle Xasan makes them do before he’ll hear them.” Keris nods thoughtfully, and makes small talk for the rest of the way back to Ahangar House. But internally, she dwells.
She’s been failing Hanily. Part of that isn’t her fault; she hadn’t realised that her niece had gotten so far out from under her father’s thumb. But Keris can’t get the way Hanily had been rapt with attention as Keris’s love life had been laid bare as legal evidence out of her head. What other dirty secrets has she learned, serving as an untrained priestess and adjudicator for the keruby? What facts of adult life has she been exposed to, living rough with feral gangs of kids and running around negotiating with spirits?
People have been pointing out the similarities between aunt and niece for years, from appearance to attitude to even their shared date of birth. Hanily had almost been given her name, and she’s every bit as quick-witted and curious as Keris herself.
But Keris doesn’t want Hanily to be a copy of herself in miniature. Yes, she’s comfortable with who she is nowadays, but the road to get here was hard and long and painful, and she wouldn’t wish it on her niece for all the wealth in the world. It’s flattering when Hanily emulates her to some extent, but this... this has gone too far. She’s been treating Hanily more like her mother than the eight-year-old child she is; answering her questions frankly and using her as a sounding board for things she wouldn’t trust anyone else with. But Hanily isn’t a little Zanyira, either. And it’s not fair of Keris to treat her as one.
Guilt squirms inwardly, and Keris lets her go with a hug and a kiss to the forehead. She won’t act immediately - there’s no need to ruin the wedding with a fight, especially when Hanily is riding high on having done well at something. But after the festivities are over, she needs to sit down and have that long talk with her niece she promised Hilthr. And one with the keruby, too. Stability might be something that bores Hanily, but it’s also something she needs.
“Oh yeah, Aunty Keris?” Hanily tugs on her sleeve. “What’s a paramour and a conch ubine? And who are yours and,” she giggles, “the ones my younger cousins have? Because Alam used those words and I wanna know what they mean but I didn’t want to ask him at the time.”
She also has keen ears and an inconveniently good memory. She takes after her mother there.
Guilt takes a hard turn into embarrassment and terror. If Ali learns that Hanily has learnt those words, Keris will be in trouble. Big trouble.
“Uh... paramour is a fancy word for a... for someone you’re in love with,” she says, biting back her franker description at the last second as old habits kick in. “And a concubine is, um. Sort of the same thing, but with more complicated stuff about how you’re in love with them. Alam wasn’t exactly using it right. But Oula would be Rathan’s paramour.”
“Pino - he’s a szel - says he doesn’t understand why Prince Rathan hasn’t made Oula his Queen because it’d be best romantic and also it might make her less mean,” Hanily reports. “Are you going to get married? Who’s your paramours?”
“Oh, look, it’s your father and Hilthr,” Keris answers brightly, hurrying them across the causeway and into the courtyard. “And it’s nearly time for the ceremony, well, I should get my presents for them ready. Are you giving them any wedding gifts?”
Hanily scuffs her feet. “That’s why I did the stuff for Xiana. I mean, in part. But back in the house I got a whole lot of blessings and stuff that Xiana got mezes to make me. And she owes me even more stuff because I got her case to win. Which is why I don’t get why you dragged me away.”
“Because they were doing grown-up paramour stuff,” Keris says firmly. “You can tell Ali and Hilthr about what you have now and then track her down tomorrow and surprise them with more. So off you go and get the blessings.”
Hanily wrinkles her nose, but runs off into the house. Keris mingles for a little longer and prepares to be mysteriously absent from further questioning if necessary, but luckily the music comes to a stop before she can worm her way back through the crowd.
The ceremony itself is very simple. In front of the shrine where the great jade dragon stands, Ali and Hilthr face each other, with a circle of onlookers watching. They look into one another’s eyes, and wind a ribbon around their hands.
“I take you to be my husband,” says Hilthr, soft and nervous but spellbound by this man she has fallen for; brother to divinity but as mortal and caring as any wife could ask for.
“I take you to be my wife,” says Ali, squeezing her hand gently in his smith-roughened ones, his touch gentle despite the emotion thick in his voice.
And that’s it. They’re married. They kiss, and embrace, and then move out of the way - for this wedding is a grand event, and there are other couples who have chosen this joyous day and this sacred place to make their promises to one another. Friends and well-wishers cluster around the happy new couple to give them gifts and congratulate them, and Keris makes sure to be there as soon as the initial crowd dissipates, guiding them into the relative peace inside the house.
“So,” she says, biting a hair tendril nervously. “Congratulations, big brother. You’re a married man again. And congratulations, Hilthr. Welcome to the family.” She clears her throat. “I, uh, know you said ‘nothing big’ when it came to presents...”
Ali’s face falls in subtle awkwardness he tries to hide. “The fact you’re here for us as a family is enough,” he tries.
“And let us use your lovely house!” Hilthr adds.
“Ah. Well. Pity,” Keris shrugs, a tiny smirk tugging the corner of her mouth up. “Then I guess you won’t be wanting the new tools, Ali?” She withdraws a roll of dark cloth from her hair, big enough that she needs both arms for it, and spreads it out on the table. Hammers, chisels, sets, punches, drifts and more are tucked into neatly stitched pockets. Ali’s eyes bug out as he looks at them, and then bug out further when he selects a half-round chisel and examines the glimmer at its cutting edge.
“Diamond-tipped,” Keris says with a smile. “A master’s set. They’ll cut far cleaner and last far longer than normal steel. But I can return them to the place in Saata I commissioned them from, if you don’t like them. And Hilthr, if you look next door, you’ll find a spinning wheel and a table loom with some personal improvements from me that you can keep here or take down to the village; your choice. I, uh...” she scuffs her foot awkwardly, “I tried to listen to your wishes and get things you’d have a use for in your new lives together.”
Ali relaxes with a sigh. “I was scared you’d announce that you’d made me emperor of Saata,” he says with a weak grin.
Hilthr laughs at that, then pauses. “Wait, where’s Saata?”
“An island to the east of here, dear.”
“Ah. And… what’s an emperor?”
As the season draws to an end, a couple of figures in Saata have their own excuses for a leave of absence from Saatan social life and society. The golden crown of the Hui Cha, and the courtesan Cinnamon Tenne, who are of course not the same woman, both have their reasons for stepping back from society.
Little River, she informs the Hui Cha triads, has gotten thoroughly fed up of the idiocy and infighting that has marked the beginning of this year among the family, and is taking a season off to go and sate her dragon’s blood by sailing around the far southern Anarchy stabbing things and seizing treasure. And possibly finding some combination of new ships, new trade routes and new spiritual allies. The infamously reserved and formal woman doesn’t put it in quite such strident terms, of course, but the blue sea masters understand her point - and her dire threats about what will happen if she returns to find them bickering again.
The mistress of the Jade Carnation, meanwhile, has decided in a much more relaxed manner to take a season off so that her ankle can heal, and intends to spend the time trying to tutor her adorable but raucous children up to the point where they can begin their schooling. No doubt most believe this cover story, but those among the Cult of Nululi know it is only that, and that their beautiful priestess is in fact returning to Hell to attend to the infernal lady they worship and renew her vows of servitude.
But Keris and Aiko take her warship north, travelling up into the upper south west, and Keris gets to enjoy a few pleasant and easy days with her foster-daughter (and her foster daughter’s szel flunky). And it is... nice. Aiko is such an easy child, and happy to be around Keris, and full of interesting tidbits about what her father has been doing because Testolagh is not very good at filling reports telling his nominal director what he’s actually been doing.
“Are you looking forward to seeing your mother again?” she asks, the day they’re set to rendezvous with Sasi. “I know her portrait just isn’t the same as having her there to hug.” The thought saddens her, and she gives Aiko a little extra cuddle, just to see her smile brighten.
Aiko beams at her. “You and mother are having a holiday together with me,” she informs Keris. “You haven’t done that in years. Except at Calibration.” She pauses and takes a deep breath. “My mother and my aunty who’s like my second mother,” she says.
Keris beams back. “Is this you officially adopting me?” she asks with a laugh. “You’re a wonderful daughter. And I can never have too many adorable children.” She dips down to press a kiss against Aiko’s forehead. “I’m flattered you see me that way, princess,” she murmurs. “And I’m sure Sasi will think it’s sweet too.”
“Well, let’s not be too hasty,” Aiko says. Prita is miming something, but Keris tries to ignore szels when she’s pretty sure she’s being made fun of. “Maybe we should ask Mother if she wants you to be my other mother. I don’t want to hurt her feelings.”
“We can talk about it on the way,” Keris promises. Then cocks her head. A chiming noise just caught her attention from somewhere high up and a fair way off to the north. “And speak of the demon, I think that’s her agata now. Uh. In which case...” Pulling out a pair of earplugs, Keris preemptively stops up her ears against the deafening drone of the giant wasp.
Sasi nearly throws herself from her agata into Keris’s arms and hair, which is a brave move given their relative weights and heights. “You’re early, darling,” she murmurs as she holds her close. “I hate having to wait for you to come.”
“I- nnf! - couldn’t wait to see you,” Keris murmurs back, spinning her once before depositing her safely on the deck. “And-”
A slightly tearful six-year-old all but cannons into Sasi’s legs, stops for long enough to rush out a greeting in High Realm, and then latches onto her like a limpet.
“-Aiko was very eager to see you,” Keris finishes belatedly.
“Oh, my darling, you’ve grown so much again,” Sasi says with a catch in her voice. She isn’t wrong. Keris has had to retailor Aiko’s clothes twice, at the rate she’s shooting up. “And look at you! Such a strange hat! And such rough travelling clothes - and a sword and a tan. What have you learned when you’re down with daddy?”
“Lots of things!” Aiko says, eyes sparkling. Keris, who is aware that Sasi may not entirely approve of all of said things, clears her throat.
“Maybe we should head below decks,” she suggests. “I’m sure Sasi is tired from the journey here, and probably hungry too. And Aiko, didn’t you say you wanted to show her some of the music you’ve been learning?”
Aiko is tearful, and though Sasi seldom cries and when she does it’s tarry blackness, Keris can tell her lover is very emotional too. They have a quiet evening while the warship manages the transition to the hidden sea paths under Cecelyne that will lead them to Malfeas, and then retire for the night.
As Aiko is here, there is a pretence of Keris and Sasi having separate cabins. This pretence is swiftly abandoned when a pale and very naked Sasi slips into Keris’s bed.
“I’ve missed you so much, dear one,” she purrs.
The kisses are in depth, but Keris does pause to ask, “Did you walk through the halls like that?”
“Yes,” Sasi says naughtily. “But I’m too important for the lesser demons to pay attention to.”
“Does that include the Priest?” Keris asks, raising a playful eyebrow. “Not sure I’m comfortable with it seeing you like this. Not that it has a libido, that I’ve noticed. Or would care. But still.” She runs a finger down the valley between Sasi’s breasts. “It’s the principle of the thing. I want you all to myself.”
“I’m just an innocent noblewoman who’s the captive of this depraved demonic ship of sin,” Sasi says, her hand on Keris’s thigh. “I can’t be blamed if you took all my clothes and then threw me in the brig in this state.”
“Well then,” Keris grins. “How unlucky for you that you stumbled across a dreaded pirate like me~”
Sasi holds her, kisses her. Then; “Are you scared, my love? I wish we were really going on holiday together, and I don’t know how to broach to Aiko that... well, we won’t be seeing very much of you. But you’re going to be on the Street. I’m a little bit jealous. That,” she hastily adds, “there will be so many others. I know you have to, and you will be serving our masters. But still. I am worried for you.”
“I’ll be fine,” Keris whispers, ghosting kisses across her mouth. “I promise, Sasi. It’ll only be for a season, and I can pick my contracts. Half the time I’ll be performing, not... entertaining. And I’ll have rest screams where I can visit the Conventicle via my Tower. You focus on Aiko; you deserve to have some mother-daughter time with her. Trust me to take care of myself. I’m your protector, remember? You don’t need to defend me from this.”
Sasi sighs. “I’m tired, Keris,” she says in a small voice. “I’m feeling my age. This is the first holiday I’ve had outside of a week at Calibration in years. And you’re here with Aiko and she’s so tall and such a little lady and I’ve missed so much of it.” She holds Keris closely, and Keris can feel her trembles. “I don’t want to be like my mother. But... Dragons forgive me, but I’m almost glad it didn’t work out between you and Testolagh. If it had, you’d be her stepmother and I’d just be the woman who bore her.” There’s regret in her voice, and more than a little self-disgust.
Keris lays a gentle hand on her cheek and turns her to meet her gaze.
“Take Earth as a holiday,” she reiterates. “Take care of yourself. Bond more with Aiko. I know what it’s like to have regrets, Sasi. I have my own. But regretting what’s been and gone is just more reason to do better in the future. And I believe in you there. You know Seresa’s been looking after her? She’s not just your indulgent side, she’s your kindness, too. She takes Aiko riding, talks to her about her friends, all sorts of things. That’s part of you, there. A fraction of your big, caring heart. I could never displace you in Aiko’s life. You matter to her.”
Sasi snivels, a tarry black tear leaking down her cheek. “I wish I had your confidence in me,” she says softly. “I wish I was strong like you. Maybe... maybe after this holiday, I’ll be able to be more like you, less weak, when I go back to the Realm.”
“I’m sure you will.” Keris nods firmly. “Although if you want proof, ask Aiko. She was toying with the idea that I could be an ‘aunty who was like a second mother’, but she was very worried about not wanting to upset you with the idea or make you think you weren’t still her first mother, the one she most wants to impress and show off to. I think she got the idea from how I keep picking up strays.”
She squeezes Sasi’s hands. “She loves you, Sasi. And for all that you think you’re weak, I don’t believe it. You’ve got strength in you that you don’t recognise. Strength of mind. Strength of heart. You might not see it, but I do.” A kiss, as gentle and soft as mist, directly over Sasi’s heart. “And once you’ve spent a season relaxing and spending time with your daughter and not working yourself to the bone, you’ll see it again too. Just wait and see. Okay?”
Sasi squeezes her hands back. “Of course, my love,” she whispers back. “And for this little trip, I give myself over to you. Completely and utterly and fully. I’m yours, and I’m in your care, my darling heart.”
Chapter 23: Early Earth 775
Notes:
This chapter takes place concurrently with the events of Fear & Excess.
Chapter Text
The sky over the hidden valley of Zen Daiwye is a clear blue; the sun in the east is rising over the long mountains. And Kali Kerisdokht Daiwye has been pulled out of bed at the crack of dawn by her ill-tempered great-uncle.
Unlike most people woken up at dawn, she considers this nothing but a plus. Because she’s staying with Uncle Xasan and she has her adorable four sheepies to look after and she is just having so much fun right now and Ogin hit her because she wouldn’t shut up and let him get back to sleep but that’s just how he is.
Happy to greet the rising dawn, she bounces along beside Uncle Xasan, trailing her practice spear along behind her like the vital tool it is. For the first time in Kali’s young life, Mama is gone - not just Bright Mama gone with a not-as-bright mama there instead, but completely gone and not there at all! It’s the first time she’s ever gone more than a day without mama hugs! So it’s super important that she does her spear practice and exercises every morning, so Mama comes back! She can’t miss even one! No matter what Ogin says!
The thought makes her smile flicker for a moment, so she stares determinedly towards the golden fingers of the dawn painting the western walls of the valley again and does cartwheels in a circle around Uncle Xasan until she feels better.
“Uncle, uncle, uncle!” she asks, swinging her stick back and forth with each word. “Do you think Mutty and Wooly and Milky and Lammy missed me last night?”
She’s very proud of her sheepies’ names. They aren’t Breakfasts or Lunches or Dinners, so she had to put a lot of thought into it and ask people in the village what sheepies make. And then turn those things into names like keruby have. Ogin helped, but she was the one who had the idea!
Xasan huff-chuckles, running his big fingers through her hair. “Maybe. Sheep are dumb creatures who’ll get themselves killed if left alone, but they do get to know people.”
Her great-uncle’s fields are not really his ‘cause Hanily says the land up here belongs to everyone but it’s still the place where his sheep live and there’s lot of them and they make lots of noises. Kali hadn’t seen so many big animals in one place until she came to the valley and really lived up here for ages and ages. All the animals in Saata are much smaller. Shielding her eyes, she looks over the dawn-lit flock for the ones with the mark that Uncle Xasan put on hers to show they were hers.
“Muuuutty, Wooooly, Miiiiiilky, Lamms,” she sings, skipping around the big white shapes looking for the two-red-dot marks. The sheepies shy away when she comes near, which Uncle says is because they’re silly and dumb but which Kali is pretty sure is because they know she’s a kitty as well as a girl and they’re prey. Though that does make them silly and dumb, ‘cause they’re still too big to be her prey, and anyway she wouldn’t eat her sheepies when she’s meant to be herding them ‘cause that’s how you run out of sheepies.
Something bleats behind her and a warm nose nuzzles the back of her head and then tries to nibble on her hair.
“Wooly! There you are! Good morning! I love you!”
Her sheepies aren’t silly and dumb, ‘cause they’ve got the message that she’s there to beat up (and eat up!) things that try to eat them. With Wooly found, it’s not long before Milky and Lammy wander over, and then it’s just a matter of finding Mutty, who has managed to get her head stuck in a bush. Kali carefully takes her dress off so she can hop in and peck at the branches that have caught in Mutty’s fleece, then gets dressed again and helps pull her the rest of the way out.
“You need to stop trying to eat bushes, Mutty,” she tells her sheep seriously, retrieving her practice spear from where it’s leaning on a standing stone. “They keep winning, and that’s no good at all. You shouldn’t be losing to a bush that can’t even fight back.”
The sheep bleats at her, but since she can’t speak sheep (yet) she isn’t sure if Mutty is being rude.
Probably not, though! Mutty knows that Kali protects her from those very funny but also super mean parrot-things that sound like they’re laughing when they squawk and also steal everything they can get their beaks on. It’s strange how they have red feathers just like Kali and Mama’s and Ratty’s hair.
She looks around suspiciously in case there are any around. Mean laughingbirds will eat the eyes out of little lambs, and Kali helped a bunch of those lambs be born properly with her little hands that can get inside sheepies and turn the babies round the right way, so she’s not gonna let any stupid parrot-things get away with hurting them.
There aren’t any, though, so Kali chivvies her sheepies off to the corner of the field that has the best grass, stomps towards the sheepies already there until they decide to go somewhere else, and then starts her practice swings while her little flock drift around and graze.
She has to break off halfway through when she spots a couple of lambs who are lying on their own because their mamas have wandered away, but that just means she gets more jogging in, and she manages a perfect running roll without dropping her spear on the way back to her flock, so she’s not bothered.
Mutty and Wooly and Milky weren’t allowed to have lambs for reasons Uncle said he’d explain when she was bigger and had learned more, and Lammy’s lamb didn’t make it, which was sad. But them not having lambs is why they got given to Kali, and if she does a good job with them, maybe next year she can have baby sheepies of her own to look after as well as protecting all the others!
After an hour or two, the sun has risen properly, and the wandering szirom-trader Gyko has shown up with his donkey and his little cart. Oula has hired him to show up every morning and feed her, which is something Kali is awfully happy about. She had first breakfast when she got woken up, which was rice porridge and thick rye bread with honey on it, but after a few hours she gets peckish and in the back of his cart (which is a big hollow gourd, which is perfectly normal and barely worth mentioning) he has a little kitchen. And there’s always tasty things there when he brings second breakfast; soft sheep cheese and the more delicate wheat bread and grilled fish sometimes and there’s always rice balls with all kinds of yummy things in it.
“Morning, Kali,” he says, unhitching his donkey and setting down the feet for his cart. “Nice weather we’re having today.”
“Morning Gyko!” she chirps happily. “Yup! I thought I was gonna have a couple of laughingbirds for you but they wouldn’t come down from the tree and I didn’t wanna set it on fire trying to get ‘em and I’m still not good at rock-throwing. Tomorrow maybe! And they flew off so the lambs are safe!”
He has the food for her, and she accepts it gratefully. She’s heard some of the other keruby say that Gyko’s prob’bly gonna go foggy-something when he’s older and Kali doesn’t know what that means and she asked Ogin and he didn’t answer so he doesn’t know either, but it probably doesn’t matter.
“Say, say, Gyko, watch this!” she demands, and runs through her circling-round-backwards defence kata, snapping her spear into the blocks like Mama always insists (on pain of sore knuckles if she gets it wrong). Then she spins on a heel as she finishes and launches right into the circling-round-forwards attack kata that it pairs with, swinging and thrusting at the imaginary Kali-of-a-minute-ago until she completes the second revolution.
“It’s good, right? Kuha’s been helping teaching me while Mama’s away! And Oula’s coming back to the valley the day after tomorrow and sparring with me again, so I gotta be better than I was last week so I can beat her this time!”
“I mean,” he scratches his petals, “Duchess Oula’s pretty scary. I wouldn’t wanna fight her. But you’re the bravest girl I know, so you probably would.”
Kali beams at him, munching happily on a stack of bread-and-cheese-and-fish-and-more-cheese-and-more-bread, but has to go and chase a wild swampkat away from the lambs before she’s finished with it. When she gets back - and puts her dress on again - Gyko has thoughtfully and with great discipline left it alone, but someone else is sitting on Milky and munching on the half she left wrapped in her scarf for safekeeping.
“Hi Kali,” Hanily grins. “Nice day, right?”
Kali draws herself up to her full three-foot-eight height and issues a devastatingly pouty scowl at her thieving cousin. Hanily is a big meanie who doesn’t come around for hugs enough and steals food when she does show up with her kerub friends and has the audi... audic... the meanness to look really cool all the time! Like right now! She has szel-ribbon bracelets and a cloak that’s just like an orven’s cape and a necklace of lucky rocks with holes in them strung on braided wire, and there are szirom-petals in her hair and bits of fem armour and it’s really cool!
Milky munches placidly on some grass, completely unconcerned by the total stranger sitting on her back. Hanily catches Kali pouting at her betrayal and her grin widens.
“Aww, don’t look so upset, little feather,” she says, borrowing mama’s special name for Kali. “S’just a fem trick I learned. If you know what special words to whisper in an animal’s ear to let it know you’re a friend, it won’t hurt you - an’ you can even get it to help you out in little ways if you’re persuasive.”
See?! So cool! It’s not fair at all how she can be so cool when she isn’t even magic the way Kali and her big brothers and sisters are! How’s Kali meant to keep up?
“Fffffine, hi Hanily,” Kali sulks, and then adds “I love you!” because she can’t stay mad at her cousin for very long. “Why’re you here now, though?” she demands, bouncing on her heels with jittery energy.
Hanily rolls her shoulders in a shrug. “‘M here doing priestess stuff. Some of the shepherds here aren’t keeping to their side of the deal with Koli, Kyme, and Vatu for sheep protection - ‘least that’s what they say, an’ so I gotta be here to find out what the actual truth is.” She pinches her nose. “That’s why you’re a witness. You’re up on these hills a bunch, Kali! Have you seen three orvens doing sheep safe-keeping stuff?”
Kali considers this. “Does one of them have a helmet like the clams on mama’s beach in Saata that she’s being mean and saying we can’t go on anymore an’ the shell is open an’ his head’s inside it an’ he can’t crawl through gaps in the hedges ‘cause it’s too wide?”
Hanily claps her hands. “Yep! That’s them!” She flips through one of her little notebooks made of rough szirom-paper, charcoal in hand. “Did you see them protecting sheep on the past three days?”
“The one with a spiky shell-helmet was,” Kali reports, chest puffing out proudly at the bestowal of official witnesshood. “He was throwing rocks at the laughingbirds and I climbed up a tree to scare out the ones that were hiding in the branches. And the one with the big clam helmet was kinda guarding the lambs, but not as good as I do. And the last one with the kinda spirally shell-helmet had just laid down and gone to sleep.”
She taps her foot in thought, automatically turning to scan the sheepies again and make sure none of them are in trouble. “That was yesterday,” she adds. “And the day before yesterday I didn’t see them ‘cause I was busy chasing swampkats away from the lambs aaaaaall day, ‘cause I think they got kittens or something ‘cause they’re really reeeeaally hunting a lot, and the day before that I saw them climbing up the slopes over there from ages away while I was practicing spears and when I finished practice and looked over again I couldn’t see them anymore, so they maybe were rescuing a sheep that climbed up high and got stuck or maybe just wanted to get to the top for climbing practice.”
Hanily makes the notes. “Mmm hmm. Mmm hmm. An’ did you see them using a herding-kat at all?”
Kali shakes her head, then frowns as she remembers something. “I din’t see them using one, but there was a lotta yowling in the bushes though!” she offers. “And I didn’t have to chase swampkats away like I did the day before, so it might’ve been chasing them instead!”
“Mmm. So you didn’t see a herding-kat at all? Mmm.” Hanily hops off the sheep, and stretches. “Hey, Kali, want to come with me and be my ‘prentice priestess? You won’t have to pay attention to boring sheep at all and this way we can go over and ask questions and see lotsa new stuff.”
Eyes wide, Kali’s eyes flicker over all of Hanily’s cool trinkets and adornments. Then back to her sheepies and the lambs she’s protecting. Then back to her cousin.
“But... but the sheepies,” she protests. “Who’s gonna look after the lambs and stop the laughingbirds and swampkats getting them if I’m not here? I’m protecting them so I get lambs of my own next year! And and and! And Mutty and Wooly and Milky and Lammy would miss me!” She pauses. “Milky’s the one you were sitting on,” she adds meaningfully, because Hanily hasn’t actually said thank-you or apologised for using her sheep as a chair yet.
Hanily rolls her eyes. “Well, if you’re going to deal with the boring sheep stuff rather’an the fun priestess stuff, that’s up to you.” She pauses. “I guess I just thought you were looking for something more fun to do.”
“C-can’t we do fun stuff here?” Kali begs. “I wanna do fun stuff! I just can’t leave my sheepies all alone!” She draws herself up heroically and strikes a pose with her practice spear to show how cool and tough her sheepie-guarding is. “I made a promise to look after them!”
“Nothing’s better than being a priestess,” brags Hanily. “It’s what our family does. Aunty Keris told me that. She says all the people in our family are real smart and back in our home village in Taira we were the clever family of priests and blacksmiths and stuff like that. And Aunty Keris is a priestess and so is Calesco an’ Aunty Keris promised she’d let me go to university-temple when I’m ten if I can get in - which of course I will - and then I’ll be one too. Maybe I’ll be Aunty Keris’s student too as well as going to uni-temple and get to take the blue which Calesco says is super important and a mark of respect and being really clever.”
“... but I don’t like blue,” Kali complains. “I like red and gold. And green sometimes if it’s a sun.”
Hanily considers this. “It’s true. Blue doesn’t go with your hair.”
“Can I take the red and the gold if you take the blue?” Kali asks, bouncing. “And I guess Ogin can take the silver and the white. And you can take the brown too, ‘cause of your hair!”
“I... ah! Yes! I remember Aunty Keris saying that the Hoo Cha worship the Golden Lord so that’s prob’bly where the gold priests live,” Hanily says reasonably.
“Yay!” cheers Kali, and gives her cousin a hug. And then Milky and Gyko too, before pausing as she goes to hug Wooly. “Oh, Ogin’s awake. HI OGIN!” she shouts, waving down the valley in the vague direction of Ahangar House and her grumpy-in-the-mornings brother. “I love you! And forgive you for kicking me this morning!”
“... can he hear you?” Hanily asks, curious.
“Nah. But it’s nice to say.” Kali does a handstand, still happy about her newly planned future, then rights herself. “Oh, oh, Hanily! When’s Mama coming back? I wanna show her how much better at spearing I am, look, see?” She demonstrates a couple of her most impressive practice swings. “I’ve been practicing every morning! And all through the day when I’m not looking after sheepies! And sparring Oula and Kuha on their off days!”
“Aunty Keris is coming back at the end of Descending Earth,” Hanily says, using a long and complicated word that Kali can’t remember hearing before. “So, like. Ages and months. The year’ll be getting hotter again before she’s back. Bringing,” she shudders in an exaggerated way, “Aiko with her. I don’t need her. It’s good she’s not here. She’d just be making everything all un-fun.”
“But I want Mama back!” Kali insists. “And Aiko is fun sometimes! When she’s not telling on us!” She considers how many times she and Ogin have played with Aiko that haven’t resulted in Aiko telling on them. “Some-sometimes! And even if she isn’t fun, she’s warm and she can spit fire like me so I like her!”
“Well,” Hanily pauses. “I mean... I got priestessing to do. And I guess you got your boring sheep. But you can spit fire. An’ Ogin’s good with his hands.
“... ac’tully, hold that thought. I might wanna play with you two this evening or summin’. Because you can wriggle into really small places and so can Ogin and have you ever wanted to go see what’s up on the big glass temple up on the hillside? ‘Cause I’ve been up there but I haven’t been in there...”
Kali weighs this prospect against the promises she’s made to attend her lessons along with Ogin and the lectures she’s had from mama and Uncle Xasan and Auntie Evedelyl about never ever ever going near the big glass temple on the mountain, are you listening Kali, pay attention Ogin, we mean it, that place is strictly off limits, don’t go there.
“Okay!” she chirps, and hugs her cousin again.
The sun does not hold dominion west of the Sunfall Isles. Past the chaos-washed coast, one enters the ever-changing lands of the Sea. Auroras burn in the sky here, even in the day, and even when the sun can be seen it is the bloody, dim hue of sunset. The moon is uncannily bright, and when the men of Creation venture into these waters they prefer to do it under Luna’s noonday light.
It is said by some that the sky-scraping isle of Kuta was once a tower in some impossibly grand city in the days of yore, but in the lands of madness it has grown outwards and upwards. Now the upper layers dwell in the twilight-red clouds, while the sprawling warped lower levels are patched up with wood and coral and the wrecks of old ships. In the docks a thousand voices of a hundred kin constantly blare, selling tears and joy and salt and rare fixshape cinnamon and many more things; the countingmen in the mid-layers recount their numerology for the insurance markets; the temples ring out their bells and change their gods by the shifting of the tides. Men, beasts, things that mix the two, and other queer things dwell here - and the visitors are even more strange.
Among the strangers in Kuta at the moment are two demon lords, and in the high spheres of the great cloud chambers voices rise against them. For the Ceok of Kuta has fallen for one of these two princes, and now he has been turned down and his wroth waxes vexly. Shame on the corruptive ways of demons, he cries out; shame on those who flaunt their looks and refuse to be taken as a concubine. And even the enthusiastic efforts of the other lord of demons cannot assuage the Ceok’s fury.
“Vile servant of fixshape abhorrent,” accuses the Ceok, “flaunter, tempter, loathsome hell-prince; by what right do you impose on my charity? By what right do you maintain your presence here, spreading your wicked ways. Your brother has pled for your life and in credit for the fabulousness of his ass I am inclined to grant it - but for his sake and his alone! But every moment I feel your presence makes me less inclined to commute your sentence to mere exile! What say you, hellspawn?”
Prince Rathan Waisikir of the Sea of Keris spreads his hands with a look of heartbreaking sorrow on his face. His long red hair is a waterfall down his back that gleams in the strange light of the Dusk Sea, his cherubic features are at once dashingly handsome and innocently beautiful. His vulnerability and guiltless aura tug at the minds of the entire chamber of councillors and aristocrats. Surely such fair mien could not be wicked or vile. Surely this is just a misunderstanding! What wrongdoing could one so mantled in gorgeous lustre do? Who could possibly take him to task for it?
“I say only this,” says Rathan, keeping the majority of his actual thoughts well-hidden. “Though you are handsome indeed, my lord, I have pledged myself to another and cannot return your feelings. Of course you are angry, yes - but when you first approached me after my brother’s scuffle in the markets with your champion, you swore that no-one in Kuta would raise blade or hand against me for as long as I stayed as your guest. ‘A beauty no blade should draw blood from’, those were your words - and more eloquent ones besides. Exile will not harm me, but to level another sentence would be to hold your oath forsworn.”
There are, in truth, probably arguments Rathan could make to talk this tiresome bore down and get him to let them stay a bit longer. But the fae lord’s attentions are bothersome, he’s already got most everything he came to Kuta to get, and honestly he was planning to leave soon anyway. He’d rather do it like this rather than wait for Vali to get any ideas about trying to outdo him by bedding the Ceok in his place.
“Aww, come on, bro! And Ceoky! Why you both gotta be like this?” Vali says, profoundly unhelpfully in this situation. “Come on! It’ll take all the fun out of this! And Rathan, loosen up! He’s a demon - I mean not literally - with a sword! I want to stay a bit longer so if one of you could just say sorry...”
Rathan’s indignant “I didn’t do anything wrong!” overlaps with the Ceok’s outraged “apologise to this loathsome tart for his enticements?”, and the glares from both sides resume and redouble.
The next day, under a blood red sun, Vali leans on the oars of the rowboat the two of them were in, and sighs. “Y’know, that could’ve gone better.”
The change-sea washes against the wooden boat, strange many-coloured fishes forming an undersea rainbow below them. Rathan says nothing.
“Are you still sulking ‘cause he got mad at you and held a grudge?”
Rathan continues to say nothing, but folds his arms and huffs. He is, he decides, concentrating very hard on stirring them up a current to help get them to the next port. It’s easier to command the waters of the Wyld than those of Creation - they’re more amenable to being shaped and don’t have pesky water gods telling them not to listen - but it’s still not easy. Which is why it’s taking all of his attention. Too much for him to reply to Vali’s clearly and obviously wrong guesses.
He leans to one side and stares down at the oilslick patterns that sometimes glint faintly on the otherwise-crystal-clear brine, humming to show how hard he’s focusing. Not for the first time, the thought occurs to him that Zanara would like the Dusk Sea, for the colours if nothing else.
“I hope you’re not mad I slept with him even though he was after you first,” Vali said, after a while.
“Of course I’m not,” says Rathan stiffly. “I’m loyal to Oulie. I didn’t want him.” He pauses, then gives in to competitiveness. “And I could have slept with him first if I’d wanted to. He wasn’t exactly hard to bag.”
“Yeah, he wasn’t,” Vali agrees, nodding affably. “But I wish we could’ve stayed. I only got to beat him once. I liked all their duels. I wonder if mum’d let me bring duels into Zen Daiwye in a big way. That’d be mega awesome.”
“Maybe the herders up on the slopes would go for it,” Rathan muses. He’s not one for duels himself, but they can be fun to watch, as long as his girlfriend doesn’t get the idea in her head that he’s ogling the duellers. “Or mama’s Lionesses. Probably wouldn’t be a big big way, though. The valley’s too quiet. And small.”
“Yeah. Yeah.” Vali paused. “So, uh. Did you find out anything when you were doing the talking there? I mean, before Ceoky got mad at you? I was... distracted.”
Rathan perks up immediately. “Well, I managed to lay my hands on another ring,” he says smugly, withdrawing it from the little pouch at his waist. “Which makes three now, plus the bracelet, plus that fragment from Shuu Kati. And I also found some more rumours and confirmed a couple more. Ellyssivera’s pieces definitely came from further out than this; I’m certain of that now. I made friends with,” he smirked, “quite a talkative noblewoman - or at least she was talkative after I gave her a draught that restored her youth, and she told me all about a moon-child who ruled one of the city-states of Telephassa, out beyond the Dusk Sea in the deeper Wyld. He got overthrown... uh, a while ago; you know how time is out here, but it was before she came to these lands, and it looks like a lot of his treasures were lost and others have been traded back to Creation by the fae. We might be able to find more of them by asking after his stuff.”
“That’s my bro,” Vali grins, letting go of the oars for a moment to clap him on the shoulder. “But, uh, won’t that leave the lady with mercury poisoning?”
Rathan shrugs unconcernedly. “She was a parasite. She could steal youth from others - and did, a lot - but it only stopped her aging further, it couldn’t reverse it, and she’d lost bits and pieces of time over the centuries until she was into middle age. I gave her back her youthful looks, which is exactly what she asked for. If she hadn’t been planning to steal my youth I might have warned her about the side effects. But,” he leans forward, pearl eyes gleaming, “hers wasn’t the only story I found.”
“Neat,” Vali says casually, picking up his oars and starting to row again. This is the nature of the Dusk Sea; they just have to sail until they leave the sky-scraping isle behind them, crossing the horizon, and sooner or later they will find something new. “So come on. I’m doing the rowing; spill the beans while I do all the hard work.”
The little boat skims over the bright waters, and Rathan shifts around to get comfortable. “So you know how we’ve been hearing about Chierxes?” he starts. “The Sea Dogs were complaining about it when we arrived, and the trader I got the bracelet from - the one whose head you punched off,” he adds acerbically, “he was from there as well, not that you stopped to ask, and then those pirate ships that tried to hit us outside Phagia were flying Tyrant Kerocryes’s flag.”
“Yeah. Yeah,” Vali nods, his powerful arms flexing as he propels them on and on. “I’ve heard about Kerocryes. He sounds like he’d be a challenge.”
Rathan rolls his eyes at the entirely predictable turn of his brother’s thoughts. “Well, I talked a barkeep into giving a whole roomful of sailors a free round and got them into a bitching competition about the place, and it confirmed a few things. Chierxes is rich, Vali, and even more sinful than Saata. It’s not from the Dusk Sea; apparently it used to be all the way across Creation, in the Dreaming Sea to the East, until the gods turned their eyes from it and it drifted into the Wyld to wind up here. And because it used to be a splendid city of the Shogunate, or maybe even the First Age, there are artisans there who can work moonsilver. Masters who know how to tame it, stabilise it, craft it. Maybe even some of those pieces from Telephassa. And not only that.”
He grins, tapping his nose. “Three of the men I got very, very drunk - because I challenged them to a drinking contest and they just,” he sniffs smugly, “couldn’t match my tolerance; they were from Chierxes, or at least from a pirate band that was based out of it for a while. And while they were deep in their cups, they complained about how they’d lost their ship and their captain and wound up as drifters no longer in the Tyrant’s employ. An expedition he sent to the Directorate of Leefa.”
Lightning crackles over Vali’s hair, and his tawny-orange eyes glow bright. “Leefa?” he asks hungrily. “That half-flooded place from the deep Wyld? The one with-”
“-all the automata,” Rathan finishes. “Yes, that’s the one. Apparently, the Tyrant of Chierxes thinks there’s moonsilver - or at least changesilver - somewhere in among the mechanisms and towers. The moon shines brightly there sometimes, and the Wyld boils and froths under the shattered crystal dome whenever it does.” He grins. “The automata got all three ships that Kerocryes sent there, save for my drunken friends, but we’re not petty fae, are we? And you did want to go there already...”
The sun rises, sets, rises again and sets again. Five moonrises happen. It takes about four hours.
“I think that’s a sign we’re getting close to somewhere new,” Vali says, pausing for a moment to stretch. “The sky always gets weird and starts acting like it’s been more time than it has really when you’re getting close to a new island.”
“Okay, but I can’t see an island,” Rathan points out.
“I can see a turtle,” Vali contributes helpfully.
“That’s not an island.”
“No, but it’s something to look at!”
They observe the turtle, which is swimming across their path in the middle distance behind them, some way under the surface. It placidly continues on its way, flippers propelling it forward in the lazy way turtles move.
After a moment, Vali cocks his head. “Is it me,” he says thoughtfully, “or is that a pretty big turtle?”
Rathan extends his hand, eyes closed, and feels the water around the beast. “It’s... not just you,” he says after a moment. “It’s the size of our boat. Maybe a little bigger.”
The boat in question rocks under their feet, making both of them stumble. Belatedly, they turn to look in the direction they’re actually going, and find that the rainbow sea of fish under the surface have been blotted out by a solid mass of moving green shell.
“Fogging teeth!”
“Gah!”
“The hells?”
“Watch out!”
A colossal flipper scythes through the water beneath them, creating ripples of turbulence that spin their boat like a child’s toy. The turtle passing barely three fathoms under their hull is the size of a warship. And it’s not the only one. Looking around with new eyes, scanning below the surface instead of looking for lumps on the horizon, Rathan and Vali can see dozens of shapes, perhaps hundreds. Even the smallest outmass their dinghy two or three times over. Others are the size of sailing boats, if not warships. The massive shapes pay them no heed, make no aggressive moves - but the pack is surfacing. Soon this stretch of ocean will be a field of leathery shells, and a collision with even the least of these turtles would turn their little vessel into matchwood and splinters.
“We need to get out of here!” Rathan yells, alarm raising his voice beyond what’s necessary. Long, low-pitched groans and chirps echo through the water as the pack vocalise; vibrations resonate up through the bottom of the boat and reverberate through the boys’ bones as the lower registers avoid the ear entirely.
“Get out of here to where? And how? We’re surrounded!”
“Then we need to land on one!”
“Now you’re talking my language!” Vali cheers.
“This is even worse than the giant eye on the tower!” Rathan groans.
Back within the lands of Shape, though close to the southern border, Princess Haneyl Kerisdokht is feeling awfully pleased with herself. The little island at the borderlands of shape and madness she has chosen for her test site which she named Graceful Triumph blooms with her vegetation, grey-trunked trees and riotous-coloured fruit taking over what was once there. There is a beautiful beach-cove between the tall rocky inlets, and at the top of the beach she has built a clear and obviously wonderful summer palace for herself in the heart of a great tree.
But she seldom spends time there, because between the demon-summoning rites which call on her pact with Ligier to bring his capable servants to the world to obey her, and her experimental work in capturing the chaos-rich winds which blow hot and sometimes-cackling from the far south, she has been busy. She has been working, building proto-manses, structures from folded paper and bamboo which cannot last long but which burn in the colours of madness when they successfully capture the winds and trap them in the demesne line she has experimented with reshaping. She has learned her lessons well, oh yes. Below the hot sun, she will triumph! She will have victory! She will show them all that she is not someone who can be underestimated!
(She will not fail. She cannot. Because she has sworn herself to Ligier and she can’t be reduced to asking for help or he’ll look down on her.)
“Risalgia!” she shouts, snapping her fingers at the Hellish serf who is serving as a poor substitute for Elly here. She wishes she could have brought more of her fogsventkae along, but much as she loves them, keruby talk. Hungry ones especially will talk to bigger predators, and while she’s their princess, they’d still spill their guts if mama asked.
So, lord Ligier’s servants it is, and Risalgia is at least competent, even if he can’t predict her wants and needs like Elly can. The aalu flutters down; a spiderlike locust the size of a child, and chitters his mandibles in what passes for the clearing of a throat among cannibal bureaucrats.
“Your will, Ladyship?”
“The usual metrics and reports,” Haneyl orders. “Especially the five- and seven-beam models; they were looking promising yesterday.”
“Five is superior, ladyship; numbers counting, paper discoloured, patterns dying but being reborn within the chaos. Fixed shape in the paper, but contains mutability.”
Haneyl scowls. Seven is the better number. Why can’t stupid Creation and the stupid Wyld agree?
“What’s our estimated output? Onyiri!” She glances around for the crying woman. “Someone go find her; I want her council. What sort of hearthstone-equivalency are we projecting for a full-scale manse using the five-beam model? Conservative and ambitious estimates.”
The vizier-councillor is found skulking in the corners, watching the acts of other demons with narrowed eyes, and when interrogated she has much to say about the suspicious deeds of certain demons, but Haneyl nonetheless manages to extract that she believes that the current design is only a basic one capable of the most rudimentary process of wyld-affixation -- but of course, she hastens to add, such progress within a year is quite within what Prince Ligier would consider satisfactory.
This nonetheless leads to a bad temper hanging over lunch, and Haneyl chews her way savagely through a four-course spread as her demon attendants and labourers take their own repasts. Basic wyld-affixation might be good enough to count as satisfactory, but Haneyl doesn’t want to be merely ‘satisfactory’. She wants - she needs - to be marvellous, impressive, admirable, ground-breaking...
The ground, as if propelled into action by her very thoughts, shudders. Behind the beachtop hill, in the direction of the proto-manses she has set up further inland, the ear-splitting sound of an explosion roars out like landbound thunder.
Haneyl shoots to her feet, food forgotten.
“What in pox was that?!” she shrieks, voice slipping into a Nexan register as she scrambles for her sword. “Form up! On me! If something’s attacked my manses, I want its head!”
Her demons scramble to obey. But when the attacker comes, it doesn’t come from the direction of the blast. It comes from the water.
It is as big as a hill. And white. White as snow. White as salt. Its head is blunt and squat, with bounder-breaking teeth; its scales are constantly shed.
It is a dragon. One bigger than her. And stronger.
Haneyl is not so foolish as to seek fights in which she is outmatched. But this place; this beach, these proto-manses of paper and wood, these demons; these are hers. And she will not abide having what is hers taken from her.
It is like a blizzard. The salt falls and it burns. It burns her to step across it, but it burns her summoned demons even worse. And it poisons the land. Already she can feel her trees wilting; screaming; dying as the extrusion of her Swamp becomes suddenly saline.
The dragon’s - the earth dragon’s - eyes are small and black and inhuman, maybe even mad. Its tail lashes back and forth; collapsing her manse-tests, murdering her servants. It is like a komodo dragon writ in immensity, made from rock salt and spite.
She draws her blade, she summons fire, she shouts orders to her demons to retreat, fall back, flank, use missile fire. She burns off the salt around her, hurls great burning globs of it at the beast, but something about this salt stifles her flames, starves them to death even as they burn through it. Her hair ignites fully and the curves and padding melt off her as she leans further and further into heated passions, becoming the princess of flames.
But even that is not enough to stop this monster of demon-hating Earth.
She manages to scar it. Hungry, glutinous flames drip from the crater she cleaves into its left flank, burning at the flesh, eating at its insides. It roars, vomiting out clouds of salt which blot out the sun, then retreats back into the water to lick its wounds.
And what is left is devastation. Her island; ruined. Her people; slain or dying from the saltfall. Her manses, her research, her changes to the local geomancy; devastated.
Haneyl collapses down to her knees, hurting from the painful salt all around and the way that pure nature of Earth tries to reject her. And sees the tragic extent of her failure.
She doesn’t care if it’s embarrassing to go running to her mother for help, she vows with bared teeth and tear tracks running down her cheeks.
She’s going to get even for this. She’s going to make it pay.
The Upper Anarchy is lush beyond belief. The mountain ridge of the Neck forces the hot, wet air that blows north from the rest of the Anarchy and it rains nearly constantly. The remnants of the Blue Monkey Shogunate have their holdings here, one dying city with a population too small for it where farms grow within the overly large city walls. Stultifying archaism and ritual is the way of the land there. But they are pinned in by new powers, and satrapies overseen by unpopular Dynasts in this hot, muggy hardship posting.
Zanara is in Paginan-i-Malpa, a port town in Yalpagesh, in the rain-choked streets where kaftan-wearing citizens hurry from cover to cover below oilcloth parasols. They would not be here if they had a choice. But one of the targets from the list of names provided to them by Magenta has fled here. And yes, they have fled - because they were meant to be stationed elsewhere and as words of mysterious deaths among Navy officials spreads along gossip chains, certain important people have made themselves scarce.
No matter. Zana has found them, and now she has unleashed her hunting-beast Nara, who glides through rain-choked streets with the blade Zana strapped to his inner thigh.
He prowls sometimes on two legs and sometimes on four, the sensitive flaps of his elongated nose tracking the man from the eating-house where their sources spotted him. Nictitating membranes blink sideways over cuttlefish eyes, but his inhuman face is safely behind his mask, and so the people around him give him no second looks. It’s doubtful they would give him a third regardless - men marked by the Wyld are not an uncommon sight here.
The scent trail terminates at a mouldering stone facade that was once much grander than it is today; rain having worn the features off the reliefs carved over the door- and window-frames and left them faceless and vague. Nara gives a mocking little bow to them as he slips inside to where Second Administrator Pelepese Samino is hiding, drawing Zana’s jagged form as he shuts the door behind him.
The work inside is quick, bloody and artistic. Samino makes a brief and ill-fated attempt to run, but only gets as far as throwing open the shutters before a hydra head of ichor lashes out from the rainwater pooling on his windowsill and lifts him off his feet by the neck, helpless to stop Nara gliding up behind him and finishing the job.
Once he’s done, he stows Zana back inside his kaftan and hunches, pulling a hood over his head. The colours of the kaftan blur and merge and it’s Zana who straightens, wearing him as a cape, and sets the scene to lead anyone who studies the body to prettier conclusions than the truth.
Job done, they slip away back to their waiting ship at the docks and the mother-grandmother Chord onboard it.
The demon - or maybe not quite demon - Dulmea does not look exactly like her greater self who dwells within Keris’s inner world. She is not exactly the demon she was before, either. Some of that is because of the proximity she has spent around Zana, her unwanted daughter, whose silver tongue and interest in ornamentation have led her to redecorate her mother quite extensively. New clothing, new jewellery - made from trophies collected from their victims this season - and even a new way to hold her hair.
But her personality has not changed.
“Report, child,” she says sharply to Zana as she lifts herself up from the water with the aid of a hydra head.
“Mission success,” Zana replies, her normally mocking tony icy clear. “My source was right; he was here. We can cross Pelepese Samino off our list, and I left the same iconography across his corpse as back in Keinginan-i-Gehan. No witnesses present, no obstacles encountered.”
Dulmea sniffs. “Good. At least you are staying on mission, and performing your tasks with due elegance. And is Nara managing what you ask of him?”
“He led us straight to the target,” Zana says proudly, stroking her other half and twirling to show off his patterns. “No issues there. Also...”
She sweeps the cape off and tosses it in the air, then falls backward onto the floor to become a mosaic in repose. The cape keeps its form as if filled with a body and lands lightly as Nara, now with features that favour his brother Rathan under a mismatched set of curling, chaotic horns.
“Also,” he continues, “we’ve been getting some fish biting at the bait we’ve set as lures.” He smirks. “A pair of investigators who were assigned to look into the deaths of those captains back in Ta Vuzi. I’ve been hearing their prayers on nights when the moon is clouded. They looked too deep and too long into the art that Zana left for them, and not only have they failed to put the pieces together; they’ve come around to seeing the world as we do.”
For Pelepese Samino is not the first to die this season at Zanara’s hand, oh no. The mysterious deaths that drove him to flee have all been part of Zanara’s grand design; a list of targets aimed at the Steel Dragon Society, the captains who carry the wealth of the Anarchy to the Realm - especially that wealth that takes the form of slaves - and at the administrators and bureaucrats of the Imperial Navy that Pelepese Anadala and Amiri Magenta wish weakened.
In Qui Don, they mutated the captain of a small Realm treasure ship into a fish during his sleep and tossed him into the water. In Dhouta they painted the wheel of a ship with Szorenic quicksilver the night before it sailed, and their whispers have told them that six men and women who tried to take the wheel fell sick and died in turn, leaving the ship marooned at the edge of the Delikado March. They have murdered men in their beds in cheap sea-side lodging houses, and they have walked into high-class brothels frequented by Imperial naval officers to poison discarded clothing with painless toxins.
And all of this, they have done under the watchful eye of a once-housemistress of assassin-angyalkae.
“Do not be reckless. For the world is vast and filled with powerful ones who will crush you with just a moment of attention,” Dulmea recites, from her killing-house’s code.
“We know, grandmother,” Nara says, preening under her focused attention. “Watch and wait for the moment to strike, appearing insignificant so their eyes do not fall on you. And we think we can use that in the next target. Captain Nine Saffron is known to enjoy his parties, and with their rumoured drinking and debauchery nobody will be looking at the musician they have to fill the silences. Zana can play for them and set in him a madness that the wide blue sea will rouse to a fever, turning his eyes to the shores of the Wyld with desperate yearning.”
“And what if there are dragon-children there? Or anyone with keen senses who can see the Great Mother’s art in your melodies?” Dulmea asks. But there is a little less chiding, and a little more professional questioning.
“We’ll be able to take their measure before the party starts in earnest; if there are dragon-children we’ll play something,” Nara rolls his eyes, “ordinary and boring and dull, and then follow Nine Saffron back to his lodgings and lay maddening poisons upon him in his sleep instead. As to any keen-eared listeners, we were thinking we’d take one of our gilmyne with us. Besaizhu, probably. They can keep an eye on the crowd while we play, and if anyone seems a little too interested in us they can distract them with a dance or else quietly dispose of them.”
This is the currency of Zanara’s trip across the Anarchy; blood, madness and mysterious deaths only tied together by their artistry and the scent of demonkind. Dulmea has more testing comments for them and more criticism, and when they are done they retreat, heading back out again.
Because Zanara is looking for their own kind of entertainment.
They end up, after drifting aimlessly for a while, in a little low-ceilinged teahouse lit by blue lamps. It’s not a brothel, exactly, and nor is it quite a strip bar; it’s higher-class than the cheap places that serve the docks and offer naked sex appeal and prostitution. But there are dancers, and clothes come off, and there is, if not sex itself, at least the veiled suggestion that sex might be available somewhere in the future, for a generous client who might or might not be any given visitor.
Zanara largely ignores this last point. They’re not there to actually have sex, and if they were they’d leave, because they can recognise a scam when they see one and the hints that the girls here might sell their bodies more physically are very much a scam, albeit an aesthetically disguised one. But no, what they’re here for is the art. Because it is art. The acts are acts, and while that’s true of every stripper, here they’re more about the art than the stripping. They watch one woman make a string of coloured flags appear and disappear without a stitch of clothing on that could hide them (false thumb, Zana decides after a few stanzas) and another pair of actresses use quick-changes and layers of separate outfits to swap dizzyingly between male and female roles in every combination. They watch a girl put on an acrobatic display with a dozen spinning hoops that’s so impressive, despite the rough edges of the act (only her third or fourth night performing it on stage, Nara declares confidently), that her toplessness barely merits notice.
It’s interesting. It’s entertaining. It’s the kind of art that Zanara loves best, because it’s risqué and avant-garde and some of the acts don’t really work very well, or need polishing and refining to grab the audience properly. But the girls - and boys, though there are fewer of them - are nonetheless trying; they’re innovating and experimenting and looking for ways to capture the crowd that go beyond mere gyrating or flashing skin in skimpy costumes. And when it works, it works. One woman is met by a full room of applause as soon as she walks out on stage, clearly recognised and adored. Her act - an exaggerated, beautifully choreographed depiction of a fumbling attempt to pickpocket several members of the audience, messing up and losing more and more clothes to seemingly clumsy mishaps as she goes - has the whole room in hysterics by the time she takes her bows and struts away, no richer by her bumbling thefts but laden down with tips thrown to her by laughing patrons.
Calesco might be the one who runs the Jade Carnation, but Zanara helped train the boys and girls who comprise their best. And there’s stuff here they can use, stuff they can teach their promising students when they return to Saata. To make their acts and attractions as pretty as they should be.
But Zana is distracted form her thoughts when the latest performer - a pretty young woman who is an artist and wants everyone to know it from the fact that she is dressed only in paint - goes looking for another volunteer for her on-stage caricature paintings. The painting itself is a performance, done to her live band backing, and so too are the watercolours she produces which depict eroticised caricatures of her subjects.
“How about you?” she calls out, and Zana realises she’s the centre of attention, from the audience as well as the performers. Maybe she’s being selected because she has been tipping well to show respect for the performers and the painter has been letting them keep the art of them. But this would mean she would have to be the object of art and she doesn’t have time (or the ability) to go away and let Nara take the stage like he’d want and this is a disaster.
For a moment she panics, caught between impulses - she might mess up, but she might spoil the show if she refuses, but if she takes her up on it Nara will be...
... Nara, the quicksilver little thought seeps into her head, will be jealous.
Bouncing upright, Zana blows a kiss at the crowd and sashays up to the stage to strike a pose, blowing her fringe out of the left half of her face to reveal the tattoos inked on that side for a moment before letting the hair fall back down. She smiles a playful smile of challenge at the painter, inviting her to impress, and all but purrs at Nara’s internal outrage.
The music starts up, the painter preparing her selection using her forearm as her palette, and then she starts to paint. She paints Zana, but she also paints herself - in the sense that no small amount of paint ends on her own body. And it is artistic in its own right, because she is an artist but she is also her own canvas, streaks of black following the lines of her body between roughing out the shape of Zana’s Dynastic-Hellish features. The blues and greens of Zana’s tattoos pick out her own ribs; the red of her hair circle her areolae and mark her cheeks. And she moves to the music when doing this.
Zana is actively, intensely jealous that this mortal thought up this kind of show and she didn’t.
Nonetheless, she poses and preens for the painting, and when it’s finished - and not bad, honestly, for something done so quickly - she accepts it delightedly and tips the woman three times the generous amount she was already handing out to others, along with a quickly-penned offer to seek a place at the Jade Carnation in Saata, should she ever want for better work.
She takes her prize back to the ship to hang on the wall of their quarters with a new ambition burning in her heart.
That, Zanara thinks; Nara’s jealousy of Zana mingling into Zana’s of the painter until it’s a single burning desire to surpass. They’re going to perfect and outdo that.
By morning, the portrait is gone, and Nara’s jealous heart is streaked in new patterns of red and blue and green.
And back in Zen Daiwye, Oula is confronted by a strange and worrisome mystery.
Seresa has abandoned her duties in the Jade Carnation. That in itself is not so surprising, because that creature is flighty, foolish, and in all ways vastly inferior to her Rathan - or even his siblings. But she genuinely appears ill.
“Are you quite sure you didn’t just drink too much?” Oula repeats snippishly.
“Darling,” groans Seresa. “I don’t get drunk. Or hungover. That’s for other people, not me. And I’m not pregnant either. When I birth a demon, I don’t feel like- oh Yozis.” She retches, nothing quite coming out, and clutches her stomach. “I’m dying. This is it. I’m dying and I’ve been struck down in the prime of my beauty by a jealous rival! And if I’m not dying, maybe I should be. It might make me feel better if I was dead for a year. Or-” She retches once more. And again, nothing is coming out.
“If you were dying you’d be quieter,” Oula mutters, rolling her eyes. “Alright, fine, let’s put an end to this. If you’re sick then you’re sick and there’s nothing I can do to help, but if this is something you ate or that got into your blood somehow, I’ve got something for you.” She strides across Aunty Keris’s working lab, opens the lockbox of alchemical draughts that are too valuable or potent to trust to a mere cabinet, selects a vial from within it and dangles it just out of Seresa’s reach. “This is one of Aunty’s munificent antivenins. It’s strong enough to negate even the deadliest poisons. But if you’re faking, you’d better not take it, because it’ll-”
Seresa snatches it from her hand and downs the thing in one long gulp without waiting for her to finish.
“-purge it,” finishes Oula, and hastily pushes Seresa into the clean space with the drain in one corner of the room. “And this is entirely your own fault for not listening to my warning!” She jumps clear just as the antivenom begins to do its work, and watches as the powerful elixir begins forcing all the toxins in Seresa’s body out of her body, sweating them through every pore and redoubling her retching in violent purgation.
It is messy. Educational, but also messy.
It is educational because once the trembling, still-retching, messy Seresa is helped (with the aid of a long pole) to a tub where she can clean herself of the mess she made, Oula gathers the various excreta from the purging and starts running alchemical tests on them. There is nothing in the glass columnated mixtures that would be a poison to Oula’s records. Oh, Seresa has been drinking and also taking coca, but not even in unusual-for-a-human amounts.
But at the bottom of each column, no matter which test Oula uses and whether she uses sweat, vomit, or faeces, there is a little amount of what seems to be liquid gold. And that has no place in these tests. And no place in Seresa, either, who is a creature of Ophidian seduction and Metagaoyin hungers. Oula has read all of Aunty Keris’s books on hellish manses and the elemental associations of the Yozis. Gold, you might expect from Malfeas, who has a profusion of metals within him and whose soul Ipithymia Oula herself has seen. And traces of gold might form from Kimberyian dissolution, depending on what else has been consumed by the Demon Sea. But gold here, in Seresa?
It does not belong.
Oula purses her lips. Packs away the sample vials and beakers she’s taken, each one labelled, into a lead box, which she stores in the ice chest. Pokes Seresa a few more times to get her crawling out of the tub, somewhat cleaner, and onto a cot. Writes up her observations.
And then, following a hunch, she heads up to the Glass Temple of Kalaska on the mountain. She’s not sure what she’s expecting. Perhaps nothing. Perhaps more of the same. Perhaps a different, but equally unnatural reaction. Oula has had to put up with Seresa and has met Kalaska twice, but Sasimana’s other souls she knows little of. Perhaps this is some form of mixing, with each soul taking on traits of their neighbours - as if Calesco had started sprouting plants and Eko had begun coughing tar.
Maybe this gold is from some internal exchange of traits between Sasimana’s souls. Maybe it’s the result of something stupid that Seresa has imbibed in her revelries - or the touch of that unaccounted-for Solar who disappeared, laid upon her in secret. Maybe it’s something else entirely. Oula isn’t sure.
But she knows this much: Aunty Keris’s souls exist as part of a harmonious, interconnected system, and Sasimana’s are no different. If something’s knocked Seresa off-balance, Kalaska’s fortress is at least worth checking up on.
She only gets half-way there before she finds a little fem running the opposite way, his features arcing in fear. “Oh, oh, Miss Oula, it’s you,” he almost begs. “It’s Torom, do you remember me?” She does not, but he continues, “Kalaska is very sick and she’s going pale, but not pale like she doesn’t have enough blood, pale like she’s going see-through only it’s not because she’s not able to stay solid for humans, it’s she’s not all there even for us! And we decided we needed to go get help but Evedelyl isn’t here and so I thought of you because everyone says you’re clever and we don’t know what to do!”
Oula doesn’t bother replying. She’s seen what happens when Infernal souls go wrong. Grabbing the little boy by the hand, she pulls her alchemist’s pack higher on her shoulders and breaks into a run.
She understands immediately what he meant when she gets a look at Kalaska. She has gone as pale as glass, and about as see-through. She is pale blue glass now, vitrifying, but instead of being hard and sharp she is as soft as a breeze. When Oula tries to see if she has a temperature, her hand passes into Kalaska’s skull for just a moment before getting pushed out again - almost like her immaterial form takes time to gather the strength to be solid to another being’s touch.
The keruby tell Oula that Kalaska was crying before, screaming in terror, but now she has gone awfully quiet and doesn’t seem to be strong enough to scream. She cries, though, slowly leaking tears, and she is huddled up with a pack of foxes.
“We thought maybe it’d make her warmer and better if she had her pets there,” the kerub Miki volunteers.
“Fuck,” says Oula with feeling, immediately discarding her thoughts of feeding Kalaska an antivenom like Seresa’s. If she’s this weak she might not bear up to the strain it puts on the body. But a Venom-Allaying Draught is equally impossible; they’re each made for a specific toxin, and even if she knew what the fuck was wrong with Seresa, this seems to be something else entirely.
“Alright, fine, we improvise” she mutters, digging back through her pack. She remembers making the elixirs she’s looking for a couple of months ago, partly as practice and partly in case the flunkies she had stealing sorcerous materials for her needed help.
“Hah!” Her cry of success only gets a weak whimper from Kalaska, which is another worrying sign, and it seemingly takes a gruelling effort to focus when Oula calls her name.
“Kalaska? Kalaska, listen to me. You need to try to be solid now. You need to drink these, do you understand? This is Hero’s Recovery, and this is a Valiant Warrior’s Formula. They’re for mortals who want to heal and fight like Exalted. And this,” the third precious vial; the only one she has, “is a Boar’s Heart Elixir. It’ll reinforce your will and strengthen your conviction. I don’t know what’s wrong with you, but these will make your body and spirit stronger, at least for a little bit. Can you try to drink them?”
She holds her breath as Kalaska, breathing in slow, shallow little gasps as tears trickle down her cheeks, weakly takes the first vial between her lips and holds it there for an indeterminable minute before finding the solidity to gulp it down. Oula honestly isn’t sure these will help. They’re meant to exalt the bodies of mortals into brief mimicry of the Chosen, not shore up the failing substance of a disintegrating demon lord. But empowering draughts are the only thing she’s got that she can deploy quickly, and if they do even a little to help Kalaska hold on while Oula gets a proper look at her, maybe Sorcery can bridge the gap with the time they buy.
There is a little colour - no, not colour, she’s still blue - a little opacity to her once she has drunk the potions, though she doesn’t like the taste. It gives her a little strength back. Enough to, with a thrum that carves words into the temple around her, spell out:
im sorry please dont hurt me i dont know what i did why cant i feel you why is this happening who did this to us
Her reflection is ghost-pale and red eyed. “She’s dying,” says the echo of Hermione’s voice, sitting up to pace around the many reflections in this glass temple. There is a hardness in her eyes. “She’s dying and it’s something to do with her nature no longer fitting her descending hierarchy. I’ve seen something similar for... ones like me. In reflections. Only reflections are needed to see it.”
“Fuck,” Oula repeats, not even caring to question what Hermione is doing here. “Szels!” she shouts, not looking away from her patient as her hands work to set up a ritual she’s half-inventing as she goes. “Szels, all of you, run down into the valley! Go to every village you see! Tell them to pray for the princess of law in her temple of glass! Tell them to pray for Kalaska, that she’s under attack and near to death! Tell them their prayers can save her, but only if they offer her their veneration now!” She breaks off to scan the group quickly. Some szels. But not enough. “Orvens, swim down the river, start at the other end of the valley and work up! Fems, ride out on whatever steeds you have! The rest of you, start praying to her! Hermione, go- no, actually, stay here. I need another sorceress. Everyone but Hermione out! Pray to her in the next room! We need this space to work in!”
The room clears in a mad scramble as keruby scatter. Szels, orvens and fems race off to their destinations; sziroms, mezes and agyas start tearfully praying in the room next door. Oula meets Hermione’s cinnabar gaze grimly.
“This has Aunty Keris written all over it,” she says, her face drawn and tense. “Not doing it, but if she’s been cut off from her Greater Self, whatever’s going involves Sasimana. And she’s in Hell. With Aunty.”
“There’s nothing we can do, then,” echoes Hermione’s voice with terrible finality. Oula scowls, fists clenching.
“No,” she counters. “There is something. We can buy Aunty time. She’ll be trying to fix this. She cares about Kalaska. She cares about Sasimana. We just need to keep Kalaska alive long enough for her to work.” She looks down at the half-assembled ritual. “Any sorceress can set her will against another’s. Can we invert that clash? Feed her will with ours?” How to speak to Hermione’s ego, how to tempt her? “It should be simple enough. It’s just a mirroring of a basic rite. Any competent sorceress should be able to get it to work.”
The keruby flock out, following her orders. It will take them time to get elsewhere in the valley; maybe a quarter of an hour to get to the nearest village, and longer to get to the larger places. She has done all she can. Now she only has Hermione here.
why why why why dont you love me i hate you screech the walls as the words are carved in like nails on glass.
“I know,” Oula whispers to her. “I know, I know. Focus on that. Focus on who you are. Don’t let yourself slip away.”
Why is she so invested in this? She didn’t care as much about Seresa; someone she’s certainly spent more time with. Perhaps it’s because Kalaska has the seeming of a child, and Seresa does not. But perhaps it’s also because, in some corner of the quicksilver heart that her beloved Rathan carries in a box at his hip, Oula understands what it’s like to be trapped by a nature you never asked for, even as you embody it. What it’s like to hate the hierarchy above you as it tries to crush you beneath its heel. What it’s like to be mighty and still sometimes feel small and scared of losing everything. Even Aunty Keris has built her deeds on a seedbed of fear, and Oula is ever her student.
“You are Kalaska,” she says, glancing at Hermione, hoping the spiteful, mercurial dragon will swing towards helping and not away. “Fifth Soul of Sasimana-” a screech from the walls at the name; Oula flinches instinctively, “ward of Keris Dulmeadokht. Sister to Seresa. Keeper of the Temple of Law.” She catches the girl’s eye as she would to impose her will, but tries instead of clashing against Kalaska’s mind to lend it support and strength. Does what she can to stop her from thrashing and weakening herself further.
Prays.
Time passes. And new messages start to inscribe themselves on the walls of the temple. Only they are not written in the same hand, and many of them are crude and poorly lettered. Oula can read them, though. They are prayers. Prayers being added to the glass temple here.
“It’s working,” Hermione says, with just a hint of doubt, greatly repressed. “Of course it would. We’re too clever to ever fail at something like this.” She swallows, looking exactly like Oula’s own reflection. Her white hair lashes. “We need to strengthen her more. She won’t last to sunrise without something more.”
“Got any ideas?” Oula is exhausted already. Her hands are shaking, her eyes burn, and Kalaska’s panic has given her a dozen shallow cuts from razor-edged glass. Her mortal weakness is almost a boon in that, for her glass is as cruel as Princess Calesco’s amber, and were she hale the sluggish grinding movements of paper-thin shards around her would have possessed far greater speed and scale.
“Sssomething to bind her,” Hermione says, and Oula can’t hear the uncertainty in her tone but she can tell where it’s been buried. “The prayers and our draughts have strengthened her, but strength means nothing without a firm anchor to grasp and hold to. She’s slipping not for lack of will but lack of foothold. Thisss little temple isn’t enough.”
Wordlessly, Oula draws her sword. The black glassy substance forged from Hegran lightning reflects her weary features for a moment before she flips it over and sets the hilt in Kalaska’s hand.
“This blade has travelled the endless sands of the Desert,” she states, reaching forward to close Kalaska’s hand around it. “Its lightning is caught in crystal that echoes the Lawgiver’s glass, and before I bore it, it was used in the enforcement of Her rule; that the weak are ruled by the strong. Yet its nature is Hegran; vibrant passion and the commerce of feeling. I cannot bind you, but I know that demon lords unbound in Creation can anchor themselves against the tides of Fate with that which they claim - or are given. Take this now, and cling to it. Make of it another pole to hold yourself against unravelling and fight the fading of your spirit.”
“I am a demon lord in my own right,” hisses Hermione from the reflections above her, staring down at the little girl. “My favour is a precious gift, my allegiance worth a prince’s ransom. I name you my friend; a ward of my mother’s court. Cling to me and draw strength from my reflections.”
But it is not enough. There might be power there, but Kalaska cannot use it.
“What she is missing,” Oula says slowly, “is will.”
“You tried lending her yours and it didn’t work,” hisses Hermione, flickers of her draconic form breaking out from her albino mockery of Oula’s form.
“Yes, but...” Oula wracks her brain. The core problem is that Kalaska is bleeding divitiae, but the direction of the disparity doesn’t favour them; even weakened she’s a demon lord with a great density of power within her working against imbibition. What they really need is a way to interrupt that haemorrhaging of essence and will, or at least find a more concentrated source of essence to- wait.
“I might have an idea,” she says, looking at her tools with new eyes. “If I can... alright, yeah, this might work.” It’s a messy kludge of two of three different rituals she’s found in Aunty Keris’s notes, but it represents Kalaska’s best remaining chance.
“My chest is meant to contain the flaring passions of my heart. And it can, for a while. Plus I’m a sorceress, so I’m better at handling lots of power. We’re going to set up a mirroring ritual and you’re going reflect the essence and will she’s losing into me. Then once it builds up enough to start scorching me, I’ll vent it back into her. It won’t stop her degenerating, but it’ll slow it down; half of what she’s losing will be going back into her. And each infusion I give her will give her a short buffer of strength before the drain eats away at it again.”
“That’ll blow you up. You’re just a first circle and she’s a demon lord,” Hermione says, her voice cracking.
“I’ll vent it whenever it starts to burn me,” Oula says. “And don’t underestimate me. I’m stronger than all but the mightiest of First Circles, and a duchess besides. You fed me mercury until I was mighty enough to grasp at sorcery, remember? And she’s weak right now. I can handle it. Trust my skill.”
Hermione stares at her for a long moment, her reflected seeming fading away to reveal the face patterned after Aunty Keris she prefers. And then, begrudgingly, she nods.
They set to work, and soon enough the power is flooding into the hollow cavity where Oula’s heart once sat. It hurts. It’s not the fluid water-and-quicksilver nature that comes naturally to her and Rathan; this is sand and glass and fearful laws. It grinds against the sensitive skin inside like sandpaper against her lips, opening thousands of tiny bleeding cuts. Tears spring to her eyes immediately as she clenches her fists and breathes in shallow, pained gasps.
“Oula-”
“I’m fine! Keep going! I’m not a weakling, I can handle it!”
And there’s a lot of power there. Even with Kalaska so near to death, this is the essence of a demon lord, and it fills Oula to the point it feels like her ribs will crack and her spine splinter outward like a matchstick. But she wields her faltering will against it like a vice, compressing it inward, crushing it into a denser and denser ball. Disparity. Disparity is power, and disparity dictates where power flows. It’s not enough simply to hold Kalaska’s essence for her. She needs to concentrate it until its pressure overcomes that within the dying little girl. Only then will it have the force needed to reverse the flow and breathe life back into Kalaska’s flagging spirit.
It hurts. It hurts it hurts ithurtsithurtsithurts
But she has felt worse. It is not her heart within her. And she was marked by Lilunu. Her shoulders and back, tattooed by the demon princess Lilunu. The greater self of Hermione. She bears the favour of the one who bore all the Infernal Exaltations.
“As Lilunu held the power within Sasimana,” she whispers to herself, trying to endure the way each shuddering breath feels like a thousand knives sheathed in her chest, “I hold this power from Sasimana. I stand for Lilunu. Her envy reflects me, and I am a reflection of her.”
The power, the terrible power fills her, and she can feel her tattoo squirming under her skin. Crawling. Hurting. Shifting. The colours shifting between beautiful moon red-pink and this harsh, sharp, terrifying blue-white.
She cannot hold it much longer.
She needs something to hold it within while she works on it.
She grabs her sword - the black lightning machete that she’s held since she first became a sorceress; given to her by Aunty Keris - and pours the power into it, suffusing the blade as a vessel. The black burns bright blue, spreading through it like a skeletal structure. It reminds her of lightning over the Spires. Twisting the essence within the glass, focusing it towards the tip, she lifts it up and round to touch the point to Kalaska’s breastbone without dislodging her grip.
“As Lilunu bestowed that power upon Sasimana, so I return this power to her soul,” she whispers, her ears ringing as lancing pains shoot through her head. “Let it be hers once more.”
Flicking the glass, she hears it ring with a sharp, commanding tone as she lets the essence flow back like a breaching dam.
The next... time. Some time. Too long. It is pain. Pain and exhaustion. And more pain. If the inhalation and exhalation of power is akin to breath, then she breathes for Kalaska. She can taste the prayers, which are more and more of what she takes in and forces back. And worse, there are hints of something foul and sticky and undeniably golden, but only hints; only enough to make her want to vomit, not enough that the mercurial artisan cannot handle yet another poison within.
In. It hurts it hurts. Out. In. Out.
It is dawn, but maybe not the first dawn - she’s not sure - when she hears sobbing. It is not Kalaska, who still lies here. It is Hermione, eyes running with mercury, chest heaving.
“What?” Oula croaks.
“You’re killing yourself! You’ve been doing this too long and you’re hurting and you’re going to die and you’re going to leave me just like she did!” Hermione blurts out.
Oula... has no idea who ‘she’ is. Maybe it was something that happened to Hermione in Hell.
“I’cn... han’l... i’,” she rasps, forcing her eyes to stay open. “Jus’... gotta hol’ on... till Aun’y... fixes...”
“I... I won’t let you! People don’t get to leave me!” Hermione’s words are falling over themselves. “If you’re n-not-not here, then-then-then how can I try to beat you as Keris’s student!”
“Won’... leave you.” It’s hard to breathe. Like inhaling glass. She may have scarred something. Despite her words, she doesn’t want to keep going. Doesn’t want to start the long, agonising process of inhalation again. But she has to. Because Kalaska’s depending on her. Because Aunty’s depending on her. Because... because her stubborn pride won’t let her admit defeat, not now, not after committing to this.
But she still doesn’t want to.
Reluctantly, half-deaf to Hermione’s hysterical cries, she sets trembling hands on Kalaska’s chest again.
And then, quite without her input, the little girl’s essence surges. Her body convulses. Her eyes snap open. She screams, high enough to fracture the glass on every wall and shatter Hermione into a hundred thousand selves, all wide-eyed with panic. Solidity floods back into Kalaska so fast that it makes Oula’s teeth ring, her limbs elongate as her body grows monstrous. The machete goes flying; Oula is sent rolling away until she’s stopped by the base of the door. Even through the haze of pain and dizziness, she can guess the cause of this.
Kalaska’s link to her Greater Self is back open. Wide open. And five days away across the Desert; five days ago from now, Sasimana is or was feeling very, very scared.
The great fox beast grows and grows, its spine crackling like glass underfoot as it swells and shifts and sheds the lie of humanity. But worse is the shrill sound that comes from the crystal, the terror that is hard to tell from rage, the desire to kill-kill-kill and remove the threat from the self.
SHE DOESNT NEED YOU SHE USED YOU AND THREW YOU AWAY MISTRESS MISTRESS MISTRESS wails the glass, and the sound of scraping claws is a voice in its own right.
Kalaska screams, words somewhere in her monstrous voice, and she brings her talons down on the glass temple, breaking and smashing and- “Seresaaaaaaaaaaa!” rises her hateful shriek.
She whirls on Oula and it isn’t clear exactly what she’s seeing but the terror grips Oula’s heart wherever it is and she can barely walk and-
Two glass arms wrap themselves around Oula and pull and she can’t breathe for a moment before she surfaces on the other side of the mirror.
“G-good,” she wheezes, “t-timing. Th-thanks.”
“You idiot,” hisses Hermione, crying tears of silver from her crimson eyes. Something huge and bestial crashes against the other side of the mirror, splintering the thousand-faceted wall into a million slivers without breaking through. Another scream, and its indistinct form turns away in search of other targets. Hermione is becoming more draconic as well, winding her silvery coils around and around Oula. “Idiot, idiot, idiot,” she whispers, hissing through the sound of her sobs.
“Sorry,” Oula whispers. “The... the valley, though. K’laska. Raging.”
“What do you want me to do?!” Hermione snaps, tears shifting to anger in the blink of an eye. “I’m stuck in here! I can’t control her or puppet her and I couldn’t cast any battle spells past the mirror even if I knew any!” She sniffs. “We just have to hope she doesn’t go for the house.”
Oula looks around slowly, details registering. Past the mirror. Past the mirror. She’s... inside the reflection. But Aunty. Didn’t make a reflection-world here. “H-how... d’you pull me in?”
“A girl needs some secrets,” Hermione says, instantly snapping to smugness. “Because you couldn’t do that, Master Montressa! And now you’re in my power. Completely at my mercy. So do you know what I’m going to do?” Her grin is a warped funhouse mirror of curving fangs and mirrored gums.
Oula blinks up at her, too dazed and numb to even feel afraid. “What?”
“I’m going to treat all that bleeding inside you with my pretty flowers and the fact I’m a way better doctor than you!” Hermione declares. “And you can’t leave until you’re better! So you’ve got no choice but to play with me until you’re better!”
“Ah.” Oula’s head flops back down. She feels very, very tired. And hurty. And relieved. Very, very relieved. “Right. That... sounds good. Yeah.”
And with some relief, she passes out, leaving Kalaska’s rampage through her fractured temple to be someone else’s problem.
Her dreams, though, are haunted. And she sees glimpses of things that she has never seen. A dark world of cramped corridors. But then golden sunlight, and flowing oozing tar that is so, so hungry - and the whine of mosquitos.
And other things. Things that have to be through Sasi’s eyes, left in her by such contact with one of her souls. She dreams of the blazing lines of a ritual; some kind of esoteric binding too advanced for her to grasp at a glance but soaked in the hierarchical rule of the Desert and the bright clear order of the Whispering Pyre. She dreams of four spirits; Seresa and three others whose faces Oula doesn’t know, all moulding and colliquating together into an incoherent mass of golden tar and sticky, engulfing limbs. She dreams of a golden mirror and a china face reflected in it, as delicate as porcelain and as decadent as sin, with draconic features cast in alluring gold like a penury courtesan taken to an objectifying extreme.
And she dreams of Aunty Keris. Advancing towards her with the mists of the Rim leaking out from her spreading hair, speaking words that don’t register to Oula’s - Sasimana’s - mind except for the utmost terror they arouse. Of Aunty swelling into a creature of fear made manifest, cast in silver-feathered armour and crushing serpent’s coils.
And then nothing. Oula wakes up locked in the rigid paralysis of a sleep terror and whines between tightly clenched teeth, knowing that somewhere far from her, her heart must be hammering a hummingbird-beat of panic against the box her Rathan carries it in.
The fact that she wakes up to Hermione doing open chest surgery on her probably doesn’t help matters. Hermione is wearing a white reflection of the violet robes of Saturn-the-Healer and has a too large hat pinned to her head. It gives her the air of a child playing dress up, which does not fill the heart with confidence given that her arms are bloody to the elbow in silver and red.
“Oh, you woke up again,” Hermione says casually. “You really are very resilient to drugs, aren’t you?”
Oula cannot say anything on account of the sleep paralysis. Which may be on account of the drugs.
“Don’t worry,” Hermione says, offering a flower which she places under Oula’s nose. “It’s probably hurting a lot, but you’ll forget it just like the other times. And when you wake up for real, all the tears inside you will be nicely sewed up and I’ll have fished out all the bits where your body is confused and scabbing in glass instead of ice!”
Oula manages a confused mumble, then drifts off again. Not into the darkness of sleep, but into strange visions of white mist and blue glass and golden tar that make no sense at all. But despite Hermione’s declaration, when she wakes, she still remembers the little girl playing surgeon with inhuman skill. And she remembers, too, her dreams of sin and fear and sorcery.
She’s lying on the floor. Beside her is a bundled-up sheet soaked in blood and quicksilver, as well as a couple of bowls. A small pile of blood-soaked glass fragments with mercury globules trapped inside them sits in one of them, and a bloody pair of tweezers lies beside it. Hermione is curled up on the reflection of Kalaska’s bed in this space, sucking her thumb. It would be cuter if her arms weren’t still covered in mercury and gore.
Nodding absently, Oula gets up and hugs herself, feeling gingerly along the seam in her chest and then opening it up to see the patchwork of livid scar tissue inside. It’s all been neatly staunched and stitched up, and from the look of the incisions, treated with alchemical poultices to encourage healing. The mercury content in her blood is higher than usual, and her chi pathways... Oula cautiously assays the faintest flexing of her will on the essence around her, and barely stifles a scream. Yeah, she’s not going to be casting for a while. But it feels like she’s avoided permanent damage. Barely.
Clinical assessment done, she sits down with her back against the opposite wall to the mirror, pulls her knees up to her chest, wraps her arms around them and lets herself have a breakdown. Queen’s blood, she’d been so scared. So scared, and before that it had hurt so much, a-and then Kalaska had tried to kill her and if not for Hermione she’d be dead, and when had Hermione learned how to make mirror worlds like Aunty anyway, and w-what kind of gratitude was murder anyway, see if she ever did anything for that vicious little monster again, and...
The temptation to just abandon her form and flee to Rathan is strong. Only the fact that he’s off in the Dusk Sea where it’s just as unsafe, along with the fact that Hermione will throw a fit if she wakes up to find Oula missing, stops her. And right now Hermione is asleep and so Oula can have a good long cry and let herself realise just how close she’d come to dying and how did Aunty do this kind of thing all the time? She’d been terrified! And she’s even more terrified looking back at what she’d done!
Sniffling, she wipes her tears away as her sobbing peters out, and looks around some more. The big mirror-wall is fractured into millions of fragments no bigger than toothpicks and probably impossible to pass through, but on the other side of the spiderwebbing cracks she can see her machete lying discarded on the floor. So that’s survived, at least. Although it still looks strangely blue...
A little yawn draws her attention, and Hermione shifts, flowing from the shape of a girl into a snake-like dragon. Her forked tongue flickers out as she tastes the air, and two slitted red eyes open and focus on Oula.
“Morning,” she says sleepily. “Think I saw you in my dreams. They weren’t nice ones. They were like what I get when I reflect Antifasi.”
“I had dreams too,” Oula says darkly. “They weren’t nice either. Thank you for patching me up, by the way. You know, I think you’re probably a better medic than Haneyl, going by this work.”
Hermione shifts into Oula, just so she can smile wider at that compliment. “Well, of course. That was never in doubt, was it? She couldn’t handle her mercury - and I am the empress of it!” She brings her hand up to her mouth, and laughs in a way she clearly stole from Pale Branch.
Oula smiles, but it fades quickly. “Yeah. And speaking of people who can’t handle stuff they take from other souls; what the hell was that? There was golden tar in her, the same as in Seresa. And I dreamt of Aunty Keris in Hell, and Sasimana doing something...” she frowns. “I don’t know, exactly. But something very ambitious.” She shivers. “And very, very stupid.”
Chapter 24: Fear & Excess
Notes:
Two major stories; Fear & Excess and The Golden Coin, take place during Earth as Keris spends the season in Hell working for Ipithymia on the Street of Golden Lanterns. Those who wish to read them directly can follow the links above or find them in the Infernal Liaisons sidestory series. For those who do not wish to read them due to the (extensive) warnings, the content is summarised here:
Chapter Text
Prologue
The story begins with a flashback to the first few days of Ascending Air 775, where Keris and Sasimana met in Keris’s townhouse. Sasi tried to voice her concerns about Keris working on the Street, but Keris evaded the question, distracting Sasi by showing off the Hui Cha ladies she has led into being Yozi cultists and the secret watchdog personalities she has implanted within them using sorcery - something that appealed to Sasi’s kinks - and then seducing her to distract her further. She was called away by Lilunu before following through, leaving Sasi unsettled, worried and aroused at the thought of being shaped and controlled by Keris in the same way as her mortal cultists.
Bad Decisions
Flashing forward again, back to Resplendent Earth, Sasi is jealous of the size of Keris’s inner world and her natural talent at pantheon heresy. She has been preparing a ritual with the aid of the three of her souls that are not with Keris in the Southwest; her curiosity and desire for knowledge Marenolo, her critical Dynastic worldview and need for control Moneha, and her twisted once-Immaculate-now-Infernalist faith La. With the preparations complete, she ensures that Aiko will be looked after and kept occupied, then meditates into her inner world and summons her po soul - a monstrous woman-shaped creature of blasphemy and corruption whose form mocks the stories of the Solar Anathema she was told as a child - and uses its own corrupt nature to sorcerously shackle and bind it. The ritual succeeds, and she finds that she has internalised her po in the same way that Keris has, her eyes turning amber-gold in the same way as Keris’s hair bears silver feathers.
Over on the Street, Keris is seeing a client; the demon princess Benezet. She delights the Unquestionable and subtly influences her into deciding to oppose any attempt to leash the Infernal Exalted, as well as providing Lilunu with gifts and political aid, so as to increase her chances of seeing more of Keris in the future. After Benezet leaves, Keris reviews her upcoming schedule and her next Unquestionable client Ferand, then brags to Dulmea about how much she is getting away with, only for her mother to sharply caution her against getting too arrogant. Eko makes herself known, still imprisoned in Keris’s soul as punishment for her year’s absence after running away in Hell before the prior Calibration, but Keris’s attempt to talk things out with her goes nowhere.
Sasimana’s ritual turns out to have succeeded at all her goals: her po’s power is fully under her control, she can draw on the memories of her past life Salina without risking being taken over and she can even communicate with her internalised souls without deep meditation, just as Keris can. She uses the emotional control this po subjugation grants to bind her fear, seeking to cut her fear-soul Kalaska off from the rest of her soul and slowly erode her to nothing. Given time will cause Kalaska to wither and die, removing Sasi’s crippling anxiety and susceptibility to panic attacks from her personality entirely. However, she finds that with her po bound, all her senses are numb, and she can feel no true pleasure except the cerebral – her libido is gone, and she can’t sense exhaustion or satiation, warmth or cold, hunger or thirst. Only by using the powers of the Yozis such as her Pyrian mind-hands or her Metagaoyin hunger can she even detect such things - and those senses are alien and not truly satisfying. Aiko’s szel-familiar Prita tries to tell her that her emotions are numbed and that she looks almost heartless to the little kerub’s ability to see feelings of love, but Sasi commands her not to say anything about her ritual to Aiko or Eko and doesn’t heed her warnings.
Instead, she tries to work through these side-effects, focusing on teaching her daughter and working with her new powers and knowledge, but finds herself dreaming of inescapable bondage and masochistic, submissive pleasure. Her willpower begins to falter, allowing Salina’s memories to take her over again. Eventually, she has a hallucination or vision-dream of first Seresa, her indulgent pleasure-soul, then all her other souls, and finally her po, all tempting her and urging her to give up control. Her willpower falters and finally breaks as she allows herself to indulge, and the trap she bound her lower soul within inverts. Now driven by her base urges and in a state of unrestrained po-dominated madness, Sasi understands herself to be fundamentally submissive and goes searching for her Mistress, Keris.
Intrusion
Keris is asleep in her gilded palace on the Street when her senses pick up something she doesn’t recognise making its way into her room. She slams it into the wall at spearpoint, only to find that it’s Sasi - transformed and in a po-Shintai Keris doesn’t recognise that looks like a cross between a porcelain doll and a sultry golden dragon-woman. Keris is initially surprised at the change, but Sasi easily seduces her, helped by a demonic power of her new form that suppresses not only Keris’s reservations and doubts but also any feelings and memories that oppose indulgent self-gratification. Sasi urges her into trying several sexual acts Keris hadn’t previously enjoyed (such as anal sex), then convinces her to share a Hegran hallucinogenic with her, plunging them both into waking dream-visions.
Sasi uses her new corruptive powers to guide the hallucinations, trying to corrupt Keris fully into hedonism and sin. Despite not actively struggling at first, Keris proves hard to pin down and resistant to Sasi’s blandishments; Sasi’s powers cannot suppress her envy, her sworn oaths or her inability to betray her loved ones, and these interfere with the dream-scenarios Sasi conjures. When Sasi - long past the point of sanity or morality - begins to introduce elements of incestuous couplings into the hallucinations in an attempt to reframe Keris’s conceptualisation of her souls and thus warp her mind into becoming the decadent Mistress Sasi wants, Keris digs in her heels and begins to actively fight the influence. They struggle, wrapped in madness and hallucinations, until Sasi finally tries to lull Keris’s resistance with images of Rat and Gull - which instead proves to be the final straw that pushes Keris to unify with her own lower soul and throw off all the mental influence layered on her. Terrified both of and for Sasi (who is still incapacitated by the drugs), Keris grabs her and flees the Street of Golden Lanterns, making for the safety of the Conventicle Malfeasant.
Investigation
Within the Conventicle, Keris and Lilunu observe from behind an obsidian window as Sasi indulges and pleasures herself. They discuss what happened, and Lilunu warns that even a sealed room with no door will not stop Sasi if she wants to leave - and that Sasi’s corruptive sexual influence is tempting even her. She promises to cover for Keris’s absence from the Street, and Keris leaves to investigate what Sasi has done to herself. Her first stop is Sasi’s townhouse, where she finds Aiko and Prita, who tell her about the self-binding that left Sasi’s emotions numb and point her down to the hidden ritual room in the cellars. There, Keris finds La - but rather than a faithful priest of the Yozis, he has been corrupted by strange golden tar and is desperately pleasuring himself. Keris seduces him in order to drug him unconscious and purges the golden corruption from his system as best she can, noting the presence of an immature draconic warform hidden within his mostly-humanoid body. She identifies the nature of the golden tar corrupting Sasi’s souls as an esoteric colliquation - something that is fusing together all of Sasi’s souls and breaking down their higher structures, twisting their individual natures towards debauchery, sex and indulgence. When La wakes up, restored to sanity by Keris’s purgation of the tar, she explains what has happened to Sasi and informs him that he will be helping her to fix it.
Sasi has not been idle as Keris works. Meditating in her sealed room, she visits her inner world - now much expanded into a miniature solar system with a burning golden sun at its centre and tiny planetoid-sanctums for each of her souls - and aids in the inversion of Moneha’s nature, compelling her into self-bondage and twisting her own need to control into an equally strong need to be controlled. However, she is interrupted before she can celebrate by the purging of the golden corruption from La, which reasserts the nagging thoughts that self-indulgence doesn’t serve her faith. She immediately deduces that Keris is responsible. However, rather than panicking at the sudden unexpected factor in her brittle plans, she finds that the changes she has worked on herself make her far more capable of improvisation and adaptation - and therefore far more dangerous to Keris. Thrilled by this realisation, she begins to prepare her sealed chamber for Keris’s arrival, predicting much of what Keris is likely to do as she works.
Temptation
Keris arrives back at the Conventicle and has La hide from view with the gifts of Elloge as Lilunu lets her into the room where Sasi is held - now even more thoroughly sealed off, and reinforced by Lilunu against Sasi’s efforts to resculpt it. She goes in unarmed and unarmoured, planning to capitalise on the fact that Sasi will want to believe she is there to talk. Keris seeks to take advantage of Sasimana’s tendency towards rigid plans and inability to adapt to sudden changes and unexpected factors, to keep her unaware of La to sneak him inside Sasi’s soul. While Keris distracts Sasi, La can break the anchor of the botched ritual to reverse the changes she’s made to herself.
Within the chamber, Keris finds that Sasi has created a mockery of a Realm receiving hall rife with perverse iconography and motifs, and filled it with golden statues of Keris, Sasi and all of their souls copulating and indulging with each other and faceless anonymised statues of every description. Golden Ellogean text is everywhere, trying to squirm into the mind through the eyes to enforce obscene and salacious roles on the mind. At the centre of the tableau Sasi is awaiting Keris, pleasuring herself, with a conjured collar waiting for Keris to claim her with. Keris clamps down on her horror and plays along to distract Sasi. However, just as La prepares to touch her and return to her inner world, Sasi reveals that she knows he is there and focuses her potent authority over demons and seductive magics on him, shattering the seal Keris put on the golden corruption within him and bringing him back under her sway.
With La on her side, Sasi redoubles her efforts to break Keris’s mind into becoming her eternal depraved Mistress. Keris is furious at herself for trusting La, blaming him and the devotion to the Yozis he represents for Sasi’s descent into degeneracy. Between La’s Immaculate Dragon Style martial arts and Sasi’s corruption-laced words, she’s hard-pressed to evade them, and retreats into the maze of perverse statues to hide, striking from surprise. But La nonetheless manages to disarm her of her spear, and then reveals that Keris’s seduction of him combined with Sasi’s tendency to have visions during ritual intercourse has shown him how to unlock his warform through sex with Sasi. He becomes a monstrous wizened bipedal dragon and begins clearing the room of hiding places to flush Keris out. Sasi redoubles her mental assault, mimicking the voices of Keris’s loved ones - including Aiko - to break her will. Keris is briefly and spitefully tempted to permanently kill La, but resists the impulse, instead retrieving her spear and using a Ligierian grenade to drop the chandelier on the pair before dispatching him. La is dispersed for a year and a day, and Sasi’s po-Shintai dissolves, leaving her a woman once more.
Sasi is deeply confused and appears to have no memory of anything that has happened since her ritual. She’s horrified to learn what she did, and apologises profusely to an angry, exhausted Keris, agreeing with Keris’s harsh criticisms of her poor judgement and the worries Keris has about the amount of stress Sasi is under that would lead her to do something so foolish. When Keris throws out a furious offhand suggestion that Sasi should quit her Director position and move back to the Southwest where Keris can keep an eye on her, Sasi agrees, citing her exhaustion and the constant grinding toll her work on the Blessed Isles is taking on her. Dulmea is suspicious, but Keris dismisses her and collars Sasi with the gold-crystal collar she made while mad, intent on claiming her and making sure the madness La lured her into doesn’t steal her back. She transmutes it to silver and then goes about possessively leaving her mark on Sasi with tattoos and sex, demanding to know what Sasi has been doing on the Blessed Isles as a further expression of her claim.
However, after the initial flush of possessiveness and triumph have worn off, Keris realises that her feelings for Sasi have changed; that just as she once used the gifts of Elloge to rewrite their relationship from simple love to one of Keris being her invincible protector, now in her bout of madness she has rewritten it to cast Keris as her depraved mistress. Keris had known about the former and accepted it happily, but now finds herself discomforted by the latter. She also realises that while mad, Sasi laid new fantasies and fetishes into her mind, and removed certain inhibitions and disinclinations that had turned Keris off others. Sasi attempts to distract her and pull her back into bed, but Keris rejects her attempts, trying to figure out the logistics of their new relationship and what Sasi’s transfer to the Lower Southwest will require. After growing more and more suspicious and concerned, she tests Sasi by casually mentioning that she intends to have Sasi work with Kalaska to apologise to her fear-soul and work on developing a better relationship with her. When Sasi submissively agrees, Keris wearily realises that she has been tricked - Sasi is still possessed by her hyper-submissive po, having faked her return to normalcy and the loss of her memories of what had happened.
Sasi lets the lie of her human form fall away, revealing she is still in her hybrid, possessed form. Much to Keris’s horror, she reveals that far from causing her descent into submissive degeneration, the devout faith that La represented was a limiting factor on her self-destructive indulgences. She offers Keris the chance to reshape and remould her; mind, body and soul, the same way that she has gradually reshaped her Hui Cha ladies. Despite herself Keris is greatly tempted by the idea that with complete, willingly-given access she could remake Sasi’s psychology with far more skill than Sasi’s butcher-job of her own personality - making her not into a slutty submissive pet, but a happy, productive, healthy girlfriend as loyal to Lilunu as Keris herself. She wrestles with the decision for a moment, briefly thinking to ask her souls before realising they would be split perfectly evenly between for and against. Ultimately, she concludes that Sasi is part of her clan, and that while Keris may involve herself in her clan’s affairs, she doesn’t wish to control them. She cuts away her love for Sasi with the gifts of Adorjan, and - despite Sasi’s frantic and violent attempts to force her to fall in line and be the depraved Mistress Sasi wants - physically subdues her and chokes her unconscious.
Outside Help
With Sasi unconscious, Keris returns to Lilunu and tearfully explains her failure and how she nearly succumbed to Sasi’s blandishments. Lilunu is perturbed, but then rallies and orders Keris to return Sasi to normal by any means necessary, emphasising that Keris has never once failed her and will find a way to succeed now for her lady. This encouragement reinvigorates Keris and gives an idea. She has Lilunu destroy the room Sasi remodelled and create another, which she makes Lilunu promise not to look into or pay any attention to, instead covering for Keris’s absence and pretending she’s fine. Lilunu is unsettled by the promise, but Keris tells her that it’s for safety’s sake and refuses to even tell her how illegal her idea is, offering the possibility that it might not be illegal at all, simply deeply embarrassing. The plausible deniability and her trust in Keris is enough for Lilunu, who accedes to her requests.
Keris’s idea is, of course, illegal. Mind-bogglingly so. She prays to Venus, offering her a new temple in the Anarchy should Keris succeed in bringing harmony to Sasi’s mind, and then draws Sasi’s past life - the High First Age Solar Salina - out from Sasi’s consciousness and explains the situation to her. The two of them work together on the problem, with Keris sharing huge amounts of information on Infernals and what she has been doing with Salina and both of them reverse-engineering the ritual that Sasi used and analysing the sorcery that went into it. Salina compliments both Keris’s creativity and potential as a sorceress, as well as her moral centre, and shares some stories of Ediacar, a High First Age Solar who was one of the very first sorcerers, whose school was lost to obscurity after its axioms led him into demon worship but whose approach to the art Keris has partially reinvented. Together, they sketch out a partial ritual they believe will fix Sasi, and for the first step Keris uses the gifts of Adorjan to fall in love with Salina and turn herself into a dream that she pulls Salina into.
Within the dream, Keris is surprised at Salina’s self-image - a short, cute, vivacious and maternal woman shorter than Keris herself, dressed not in splendid High First Age fashion but in practical daywear. Eko interrupts, cutting her way into the dream and introducing herself to Salina, and then offering her help as someone who has already performed a major soul-altering ritual (to graft Elloge into herself and thereby Keris as well) similar to the one Sasi used. Salina is charmed by her, and after some discussion, Keris and Eko fall into a jargon-filled back-and-forth about what Sasi has done to herself, which they’re forced to break off to explain the concepts of esoteric alchemy (the transmutation and alteration of ephemeral qualities like the mind and soul, as opposed to exoteric alchemy which deals with physical substances) to Salina. Together, they manage to put together a solid theoretical model of exactly what Sasi has done to herself internally, on top of Keris and Salina’s understanding of the ritual she used to do it, and thereby identify the problems standing in the way of fixing it.
Salina suggests a tantric ritual, using sex to both placate Sasi’s depraved, hedonistic po and generate the power for Salina to go into Sasi’s mind and shatter the anchor of the ritual while Keris distracts her consciousness in the dream. Eko, horrified by the idea of sex, flees the discussion back into Keris’s soul. While they set up the ritual, Salina warns Keris that she is going to suffer greatly for her part in their plan, both from drawing the corruption out of Sasi into her own body and soul where she can purge it and also from the penalty clauses Ipithymia will lay on her for breaking her contract on the Street by going off to help Sasi instead of seeing her clients. Keris acknowledges her point but doesn’t answer it, inwardly reflecting that she is indeed terrified, and Salina adds that Sasi is a very lucky woman to have Keris in her life.
Keris and Salina begin their ritual, and Keris is taken off-guard by how forward and enthusiastic Salina proves to be in the orgiastic aspects of the rite. Nonetheless, she rallies, and is inspired to make a last-second adjustment to the ritual, which annoys Salina. Together they craft a pool of power and essence that Salina can draw from to cast sorcery as if she were still alive, and seal it with an invocation of the Primordials Gaia and Cytherea - this last being Keris’s adjustment. Salina vanishes into Sasi’s inner world, and Keris is left in the dream to prepare herself for Sasi’s mad, ascendant po soul.
Dream Quest
The scene cuts between Salina and Keris several times as Salina quests through Sasi’s dreamscape, noting the golden corruption of the planetoids within her miniature solar system and destroying a flight of corruptive demons that try to impede her with Sapphire Sorcery. She eventually comes to the smallest planetoid, closest to the sun, and there finds the remnants of Sasi’s old domain of underground caves; a tiny planetoid the others have torn their way out of. Within it she finds Mu Nenra, Sasi’s coadjutor, left uncorrupted by the golden tar that has begun to colliquate her other souls. He does not trust her in the least, but trusts Keris and the creature Sasi will become if she gives herself over to Keris even less, and therefore tells her where the centre of the ritual is - floating on the surface of the golden sun that represents Sasi’s once-Solar Exaltation, at the heart of her inner world. Salina descends to find a mimicry of her own old dwelling on Meru, warped and corrupted by the po’s gold, and Sasimana - the hun soul, left uncorrupted but exhausted of the will to fight - lewdly bound and suspended in a complex array within the workroom. Salina stays well clear of the array, wary of being sucked into it herself, but starts to prepare a counter-array while lecturing Sasimana on her belief that no one should be able to willingly give away their freedom and her intent to free Sasimana whether she likes it or not.
Concurrently with this, Keris is playing bait, and begins to lose control of her dreamscape as corruptive golden tar invades it, a sign of Sasi’s corrupted po being drawn in. The ship she dreamed up for herself and Salina runs aground on an island as the sea becomes stormy, but after a moment’s thought she realises that she is projecting from her own po’s attitude by assuming Sasi’s will stay at a distance, as Sasi’s po-nature is submission, not fear. Rather than seek it out, she commands it appear before her, and Sasi does. Her will to resist has been exhausted by Keris subduing her, and she has no fight left in her, nor any ability to try to force Keris to own her. Keris questions her, confirming that the incestuous desires she displayed are solely born of her depraved madness and that she does not feel such things when sane, and did not hurt or sexually abuse Haneyl during their time together. Relieved to have her fears put to rest, she orders Sasi to take off her mask - not the porcelain face of her po-Shintai, but the mask of humanity she is wearing; for this, Keris intuits, is the po in full dominance, not a merging of the two. Sasi complies, revealing the nature of her po: a porcelain doll, with golden draconic features such as claws and horns and a segmented tail. Heartbroken at the understanding, Keris summarises the factors during her Dynastic upbringing as an imperial princess that led to Sasi’s innermost heart forming in this way:
“Everyone wanted you to be a perfect doll for them,” [Keris] said softly. “Quiet, beautiful, flawless - and utterly willing to do anything she was told to do. They wanted you to be assertive, but made you submissive. Because you gave away so much of what you were in an effort to try to please them. And,” her voice hitched, “you tried to fill the hole with food and sex and love to forget how miserable you were. And that just made you weak because you needed such things. A beautiful, fragile doll.”
She continues questioning Sasi about her plans for the ritual and what she intends for her souls, and Sasi reveals the scope of her unrestrained desires run wild: her devout faith in a higher power besides her Mistress shredded, her neurotic need to be in control twisted into a just-as-desperate need to be controlled, her fears and caution carved out of her, the bits of her brilliant psyche that might lead her to want to think for herself cauterised. Horrified, Keris reiterates that this isn’t a concept that she finds attractive at all. Then, intuiting that Sasi in this state is trying to be more like Keris (whose souls are her children), and that Sasi hasn’t mentioned any manifestation of her submissiveness and corruption, Keris points out that the island they stand on is an egg, and asks Sasi about the nascent soul within, referring to it as “the golden child” - a child of Keris and Sasi.
Sasi is delighted at Keris’s acknowledgement of their child, and the island hatches into a huge, amorphous creature of golden tar - not the golden child itself, but the vector for it to become a soul of both Keris and Sasi that will join them both together permanently as Mistress and Slave. It binds both Keris and Sasi with fluid tar-tentacles and copulates with them, which Keris allows. This is part of her plan, for three reasons - first, that the sex continues the tantric rite she began with Salina, further feeding power into the long-dead Solar’s memory as she goes to break Sasi’s ritual open from the inside; second, that by taking the golden tar into herself, Keris can extract it from Sasi and overcome it; and third, that with Sasi’s po fully enmeshed in Keris’s dream-body and her corruptive power drawn into Keris, she lacks the power to escape the dreamscape Keris has trapped her in, and so cannot interfere in Salina’s work. Once Keris finishes draining the tar-monster of its substance, Sasi discovers this, as she tries to leave the dream and return to her inner world - and finds herself unable to do so.
Simultaneously, Salina cuts Sasimana’s hun soul out of the bondage-trap within her inner world, and Keris activates her own po-Shintai, merging with Pekhijira to flense away the golden corruption she’s taken into herself. The dream dissolves, but Keris is left pregnant with the soul Sasi tried to inject into both of their soul hierarchies, and finds herself struggling to rid herself of it. Calling on Pekhijira, she struggles to purge the influence from her mind, body and soul, suddenly and uncomfortably doubtful and aware she may have miscalculated.
The Golden Child
Keris’s inner world has been torn open as her soul and Sasi’s physically connect through a rift in the sky. Sasi’s gold-sun solar system is visible above the stars of Keris’s domain, and out-of-control winds and fluctuating gravity toss demons up into the heavens. However, the chaos quiets around a golden figure that descends into the Ruin; a shapeshifter in constant flux with needle-like horns, mosquito wings and prehensile hair, whose form is ever-shifting yet always beautiful and always clearly a child of Keris and Sasi. Eko meets the new arrival, which calls itself the Golden Child, with a band of her szilfan war-aristocracy attired for battle. They have a brief back-and-forth in which Eko is scornful and hostile and the Golden Child is seductive and alluring, seeking to entrance Eko and convince her that she should aid it in uniting Keris and Sasi as Mistress and Slave. Though it finds no success in persuading her, she is caught enough by its nature that she doesn’t attack, and it exposes its knowledge of her secret, shameful desires and forces a kiss on her.
After a brief period of shock, however, this enrages Eko, and she recovers quickly, declaring that if allowing creatures like the Golden Child to form is the cost of averting her gaze from sexual subjects in embarrassment, it is too high a price and she will no longer do so. She orders her szilfa to leave - partly because the Golden Child wishes attention, but also because she must expose things she wishes nobody else to see in order to put an end to it. Her szilfa flee, Yuu last of all.
Eko disrobes, removing her mask and upper dress to reveal the results of her self-alteration with Elloge’s nature; she is bloody and half-flayed, skinless or scarred with glossolalia over much of her body, and has two great skeletal bat wings - a parallel to her sister Calesco’s - that she keeps bound to her back. The Golden Child believes that she is disrobing to submit to their corruption and have sex with them, but instead Eko takes her knife Örömi Windcutter, her birthing-gift from Adorjan, and cuts herself open. The Golden Child briefly thinks this is suicide, but instead Eko reveals that this is how she accesses her war-form; the Blood-Born Serpent. The Golden Child is terrified and enraged at Eko’s refusal to play along with its nature, and tries to bring out a war-form of its own, but Eko strikes before it can succeed and kills it with the spirit-shredding power of the Silent Wind, putting a final end to Sasi’s self-destructive bout of madness.
Aftermath
Sasimana wakes up, sane once more and with full memory of what she did while mad and under her rampaging po’s influence, to find an impatient and furious Keris waiting by her bedside. She’s devastated and horrified, but Keris gives her apologies no leeway. She confirms that Sasimana is truly herself again, noting that her eyes are still gold and that her po would likely not retain that trait were it lying a second time, then dismisses what Sasi did in the grip of madness in favour of verbally ripping into her for the stupidity of attempting the ritual to subdue and shackle her po in the first place. She tolerates none of Sasimana’s attempts at excuses that she needed self-control to purge her weakness, and flatly tells her that the central flaw in Sasimana’s plan was that she is innately a submissive hedonist in the same way that Keris is a coward; she will never have the hard-edged strength of will for such a binding to work.
Sasimana’s immediate reaction is to speculate about repeating her attempt at eliminating her self-perceived weaknesses using a better method with Keris’s help, which enrages Keris even more. She lashes out with hurtful references to Sasimana’s abusive upbringing in the Realm and threatens that if Sasimana ever tries anything of the sort again, Keris will cut ties with her entirely and do her level best to salvage Kalaska and Aiko and save them from Sasimana’s self-destructive tendencies - with Testolagh’s aid if necessary. She gentles her rant by offering to help Sasimana come to terms with herself and find serenity with her inner nature, but leaves her to remove the tattoos and collar Keris put on her, saying that Sasimana needs to do so herself rather than having Keris choose for her again and that Keris is still wary of subliminal compulsions and triggers Sasi may have left in Keris herself while mad.
With Sasimana’s po-possession finally resolved, Keris returns to the Street of Golden Lantern to face the consequences for breaking her contract with Ipithymia. Speaking to Dulmea, she blames herself for Sasi’s disastrous attempt at self-modification, both for not seeing it coming and interfering earlier and also for enabling her. She bemoans her recurring attraction to self-destructive older women, then goes to see Eko in the Ruin, who is piecing together her humanoid body after tearing it apart when she used her warform. They have an emotional discussion in which Keris expresses worry over her daughter and Eko apologises for her own culpability, noting that by denying the existence of sex and deliberately forgetting about any lewd subjects she too failed to notice or intervene in Sasimana’s spiral. She refers to Sasimana as Keris’s wife, referencing Nexan common-law customs, and Keris says she didn’t want to use the word about Sasimana after how her relationship with Gull ended. Eko counsels Keris to think about the subject before deciding to love Sasimana again, since Keris thinking of her as a wife while Sasimana thought of her as a mistress would be wrong and unromantic, then encourages her to put such thoughts aside for the moment and focus solely on preventing Ipithymia from punishing her too badly and escaping her clutches intact.
Keris leaves, and Eko reflects in privacy that with her decision to no longer blindly ignore perverse or sexual subjects she has initiated into Sorcery through the Sacrifice of her innocence. She reflects with some amusement that it might be entertaining to learn all she can about it and then pretend to have always been a sorceress to the rest of her family, disguising exactly how she learned the art, but then falls into melancholy about how tempted she was to give into the Golden Child, how she regrets killing the poor, mad creature, and how it hadn’t been entirely wrong that sex is a part of romance. She resolves to see if there might be anyone there who can accept her for the scarred, ugly creature she considers herself to be under her masks and ribbons, and to no longer deny her own urges to herself (everyone else being another matter entirely.)
Epilogue
The epilogue shows the reactions within Sasimana’s inner world to the events of the story. The planetoids are no longer corrupted, but keruby have been strewn across them by the brief conjunction of worlds, who now play and explore and cause mischief with typical childish kerubyness. La is reforming in an egg on his own world, while Kalaska and Seresa are absent, but Moneha is furious at the failure of the ritual and the humiliation of being made to crave submission. Marenolo, by contrast, is fascinated by the way it went wrong and how Keris fixed it, and curious about the keruby now gambolling about the system. Both are intrigued by the potential to increase the size of their planetoids and grow beyond the limiting confines of Sasimana’s former cave system. However, close to the sun, Mu Nenra is unsettled, for he sees that though the surface of the golden sun has the green sunspots of the Yozis’ power that Sasimana uses, it also has streaks of golden-white that represent Salina’s influence, which hide themselves whenever Sasimana turns her gaze inwards and move with purpose across the sun’s surface - waiting to grow.
Chapter 25: The Golden Coin
Chapter Text
Punishment
In Fear & Excess, Keris broke her contract with the Street of Golden Lanterns to save Sasimana from what she had done to herself. In the aftermath, she must face the consequences from the mercurial demon princess Ipithymia, who is both the Street’s madam and the Street itself. Keris refuses to explain exactly why she broke the terms of her contract to hide Sasimana’s vulnerability from Ipithymia, and thus must face the contractually dictated penalties. Even her attempts to bargain Ipithymia into showing leniency with sexual service prove for naught.
She is taken away and marked on the lower back with a tattoo of Ipithymia’s true name, a glyphic representation of the Street of Golden Lanterns, and then given golden coin-piercings which anchor an ensorcellment that allows Ipithymia to seize control of her body if she desires. Ipithymia explains that the tattoo is not a gift - she’s adding the cost to how much Keris owes her - but it contains a little of her wisdom which if Keris calls on it will let her see the world as the Gilded Idol does, suppressing any reservations or discomfort about working to please her clients. She then sends Keris to see a client (the demon prince Ferand) and when Keris performs satisfactorily with the aid of the tattoo’s wisdom, Ipithymia ‘rewards’ her by demonstrating that the binding also lets her compel orgasms.
Aware of the situation that she is now in, Keris uses some of her sharply limited spare time to visit her inner world in her dreams and speak to her daughter Eko. Eko wishes for them to kill Ipithymia, but Keris refuses for fear of the consequences. Instead, aware that Eko is hurting too, she sends her daughter away by letting her slip out of her mind and leave the Street to instead spend the rest of the season with her friend, the demon lord Asarin. Keris does this to protect her daughter, even knowing that this will leave her lonelier for the rest of her time in the service of Ipithymia.
Loneliness
This loneliness and the trauma of prior events quickly wears at Keris’s mental health. While before Fear & Excess she treated her work as a game, now she can only cling to her old friends, envy and spite, forcing them down to smile despite her contempt for many of her clients. Ipithymia keeps her isolated, playing her own game to train Keris as she wishes, and Keris sees much more of her and the monstrous demon known as the Face of the Street who oversees her.
One notable client during this period is the demon prince Balanodo, the Prince of Leeches. Balanodo hires her to entertain him, but truthfully he schemes to steal her away to be one of the treasures in his harem of lovesick fools. Unfortunately for Balanodo, Keris takes his attitude poorly — not that it makes a difference, for she is aware, but he is not, that the binding Ipithymia has placed on her will let the madam reclaim her if she did flee. To further her own goals she instead embraces both Adorjani love and Szorenic spite to seduce him. Knowing Ipithymia will likely not protest, she makes use of magics that are illegal to perform on one of the demon princes to dig her hooks deep into his mind and flesh. Once she renders him nigh-comatose in the process, she pursues his soul and associate Sisim, seducing the self-proclaimed “Innocent Demon” to hurt and punish her by demonstrating the hypocrisy embedded in the souls of Balanodo who love him and each wish to lie with him and thus consume him and take his place.
In the aftermath of this, Dulmea is not pleased with the darker side of Keris she revealed, even as Keris self-justifies - and speaks of a newfound fascination with madness born from what she saw of Sasi’s broken mind. Keris returns to complete her contract with Balanodo, and at the end of his time with her Ipithymia makes an appearance to reveal she was fully aware of what had been going on and that she is greatly pleased with Keris, both for sticking to her contract and how she used her talents to hurt and twist him. Ipithymia rewards Keris with paid time off, and then goes to break both of Balanodo’s arms while he remains non-lucid and then has her bouncers throw him bodily off the Street. Keris is just glad to put these events behind her, but the consequences are greater than she realises, for Sisim has been unable to repress the contradictions of her own nature that Keris forced her to confront. She sheds her nature as the Innocent Demon, wandering off to find a new one and taking hated Keris as inspiration, seeking to become more like her and then use that mimicry to destroy her in revenge.
Keris attempts to use some of her free time to settle her mind and deal with her nightmares about what Sasi did to her. She wakes from one such nightmare into her inner world, emerging in a tar pool in the Meadows where she meets a mez peasant-farmer named Poco. Poco’s impudence charms her, and he coaxes her into pulling his barrow to Sirelmiya’s temple in return for getting to borrow his poncho. At the temple (which is white stone, decorated with statues of her loves) she meets the kerub couple Mino and Mako, a pair of mercurial artisans who eloped together from the Sea and entered Sirelmiya’s service, and who are now starting to show bestial traits and an odd monochrome stone complexion. Keris goes to clean off the tar in the temple baths, and is forced to confront the fact that while she is no longer in love with Sasimana, she is physically attracted to her, fantasising about a threesome with her and Ney. Such fantasies leave her feeling guilty, as she feels that Ney is a better person than her and doesn’t deserve to be pulled into her fucked-up relationship drama.
Mako requests she speak to Sirelmiya, who has been ill at ease ever since Fear & Excess. Venturing down below the temple, Keris finds visceral catacombs that stink of blood and sex, full of the shattered, torn apart remnants of statues of those who Keris has loved and lost or left. Sirelmiya shows her monstrous side down here, not a calm priestess but an unclad chimeric beast who rends apart and consumes the bleeding statues, and she begs Keris to love Sasimana once more even as she can’t stop herself from consuming parts of one of the Sasimana statues she’s trying to repair. Keris flees from both temple and dream, unable to face how many of her loves end in blood and death, and vows to try to cling to shallow, superficial things while on the Street rather than letting her real feelings show.
Fruits of Immorality
This vow serves her well, and by staying shallow and making use of Ipithymia’s wisdom she manages to arrest her spiteful spiral. She takes physical pleasure with her co-stars, embraces the role of arm candy for the rich and powerful, and her relationship with Ipithymia improves. The demon princess is still exceptionally dangerous and has power over Keris, but she offers nuggets of occult wisdom and cynical observations about other demon princes when she’s pleased and Keris desires such things. An intimate encounter in the Glade of Lost Souls with the demon prince Imre - a notorious drunk who Keris nethertheless finds very physically attractive - proves extremely satisfying for Keris, who gets her hooks into him as a future ally. As it turns out, it proves even more satisfactory for him.
Keris is called before Ipithymia in one of her bathhouses, and discovers that not only is she not in trouble, but Imre has tipped her so well that it covers the full sum of the tattoo on her lower back. For the first time, Ipithymia speaks to her as a near equal, speaking of how far her body is from something human and enjoying Keris’s company. She tries to recruit Keris to design and build structures on the Street, and is delighted when Keris says she’d need a different contract for that - because that means Keris is selling her skills for what they’re worth, which pleases her. For the first time Keris calls her “Ma’am” rather than “Majesty” and this pleases Ipithymia even more, because she recognises it as a show of respect and acknowledgement as her madam.
To reward her, Ipithymia recounts how she was born down in the sewers of Malfeas, a young demon princess who lay with monsters and had to fight and struggle just to get to the surface, where she was burned by Ligier’s light. She describes her discovery that she had been born a slave who could be summoned and bound by the ancient Solars at their whim, and how this set her nihilistic view of the world - that no one is born free and it is necessary to find pleasure and power in captivity. She feeds Keris one of the Fruits of Immorality from the Glade of Lost Souls, and something of her power nestles in Keris’s breast. The two of them make love. In the aftermath, Ipithymia gives Keris the rings which control the binding spell in a calculated display of trust, promising that if Keris just does her best and fulfils her contract, she’ll satisfy Keris’s every want and need. Keris knows she’s playing a game, but she can’t help but reciprocate something of the trust her madam has shown her.
Relationships
As Keris’s time on the Street reaches its final stretch, she stars in the last performance of the Ruination of Ragara, the crowd-pleasing play describing the degradation and fall of House Ragara of the Realm through internal corruption. After the death of the character she plays, she goes backstage to manage things and prepare the finale, only for a message from Ipithymia to inform her she has been hired as a courtesan by her ex, Orange Blossom, Director of the East. Orange Blossom was her first superior as a newly-Exalted Infernal, and - as is typical for Keris - she promptly fell for her and ended up sleeping with her. However, during their dinner together and on the way back to Keris’s palace-brothel, Keris demonstrates that she has grown since then and that their relationship is now one of equals, not of a suave merchant princess and an illiterate street rat. She exploits Bloss’s kinks and tastes to rekindle the spark of lust in the other woman’s heart, demonstrating many of the new tricks she’s picked up since then (even if Bloss calls her a ‘needy little brat’ for doing so).
They make love, first in the back of the howdah and then back in Keris’s bordello, and in the aftermath Orange Blossom explains why she actually came to hire Keris: to offer her the chance to cancel the debt Orange Blossom owes her in return for getting Keris out of many of the obligations she owes Ipithymia, in the way of favour trading that Orange Blossom prefers to work with. Keris considers this, but refuses, partly because she has come to appreciate Ipithymia’s ways and wisdom more, but mostly because a favour from another Director is more useful to her than escaping the Street early. Instead, she offers another arrangement that exploits the lusts she rekindled - in return for Keris’s occasional services both as an assassin and a courtesan, Orange Blossom will pay her in favours and gifts, and back her ultimate goal of getting the souls of the Infernals recognised as peers of Hell. Orange Blossom does not commit, but expresses interest.
Ipithymia is pleased that Keris had not accepted Orange Blossom’s offer - indicating she had been spying on them - and rewards Keris with a paid day off. Keris makes use of some of the rest period she’s granted to meditate and visit the highly illegal temple to Venus that she has constructed within her own soul. There, she meets with the szilf Anyuu, one of the eldest keruby and first kerub priestess of Venus, for a therapy session. She discusses her past with Orange Blossom, including the fact she views the time they were dating as her being effectively Bloss’s mistress. Keris decides that she probably never really loved Bloss (but did love her money and style) and doesn’t want a romantic relationship with her, but is content to be hired as a courtesan by her ex, opining that a relationship with Orange Blossom is more stable when built on money and power rather than love.
She also speaks about her worries and her stress and her feelings about Sasimana - including the fact that while she no longer loves her, she still lusts after her and misses her - and the stress her work on the Street is causing her. Keris admits she knows Ipithymia is a monster, but also someone she respects and wants to like her. But Anyuu accuses her of conflicted feelings and confronts her over two matters - that the way she twists the minds of her cultists isn’t so different from how Sasi treated her, and worse yet, that she didn’t trust Sasi enough to tell her many of her secrets even before she went mad. Keris disputes the first but cannot deny the second, and Anyuu tells Keris that she needs to consider whether she wants Sasi back in her life if Keris isn’t sure whether she can trust her.
After the last performance of the Seduction of Sinisi, Keris attends a hedonistic afterparty with her fellow actors, then goes home to relax. Her friend and business partner Claudia, the Lambskin Hyena, visits her in the bath and makes a business proposition. The demon prince Baaji has cancelled his multi-day appointment with Keris due to financial issues, claiming sabotage. Claudia believes he’s simply trying to skimp on the debt, but this still leaves a period when Keris isn’t earning. Thus, her solution is for Keris to subcontract to her, as she has two clients interested in her sexual services.
The first of these is the masochist demon prince Neono Diastimo (who hides his tastes viewed as ‘unsuitable’ for an Unquestionable by hiring courtesans with very expensive non-disclosure agreements), and after their appointment with him is done Keris and Claudia relax in each other’s company. Keris sexually submits to her, enjoying it greatly (which Claudia claims is a sign of her humanity, as all humans want to submit to demons), and in the aftermath Claudia reveals that she recognises that Keris trained with some remnant of the Blue Order of Venus Phosphene. Keris’s attempt to talk her way out of this is ruined by her instinctual shift to attack, and Claudia explains how she was the mastermind behind the fall of the Blue Order. Keris doesn’t take this particularly well and it sours something of their friendship, though she manages to restrain herself from violence. After Claudia recounts the history of the Blue Order, from its rise in Kayzadon as a young man sees visions to its power and its corruption and decline and sudden fall, the two come to an arrangement where Keris will owe her a significant favour in return for getting the despoiled relics and trapped souls of the Blue Order that Claudia kept as trophies.
Once the arrangement is made, Keris walks along the Street on her way to a faux-Venusian temple staffed with the trapped reincarnated souls of those who willingly damned themselves to Claudia. She discovers just how high profile she is in the eyes of lesser demons and the degree of her celebrity when she has to escape a mob of overly enthusiastic fans. After evading them with a mirror-duplicate, she visits the blasphemous corruption of Venusian iconography that is the the faux-temple, and discovers there is nothing she’s looking for here, just a themed pleasure house demons can visit to ‘corrupt’ a priest or experience their prayers. Nonetheless, she makes the decision that she wants to get these people off the Street and moved into the service of Lilunu, who will care for them better than Ipithymia.
Returning home, she makes the discovery that the second client visiting her under the subcontracting work with Claudia is Sasimana, which drives her into a panic attack. However, by the time Sasimana arrives at the manse Keris owns called the Topless Tower (where Ipithymia cannot so easily spy on them), Keris has cleaned herself up and is disassociating with the help of her Cinnamon identity. The two discuss how Sasimana is faring, including the ways she has been changed by touching her po so closely and how her now-golden eyes change how she sees the world. Sasimana reveals that Ipithymia has deliberately been keeping Keris isolated, and so the arrangement with Claudia has been made surreptitiously on the behalf of Lilunu, who has sent Sasimana here to inspect Keris for any curses or seals that might be trying to trap her on the Street. However, she also admits that she still wants Keris and would like to learn how to submit to Keris here and now while she has some control over the situation and can safely experiment with the side of her that her very unsafe po possession revealed. Keris explains that she isn’t sure if she wants to love Sasimana again, but that doesn’t mean they won’t have sex - after all, love and sex have always been distinct things for Keris.
She manages to fend off a self-loathing breakdown from Sasimana, but lets some of her own fragility slip and admits she doesn’t want to have sex with Sasimana right now - but will if she’s ordered to because she’s her client. That Keris would think Sasimana would abuse her like that draws out Sasimana’s oft-hidden temper, which in turn drives Keris into a hysterical breakdown, babbling in tearful relief that Sasimana’s anger is further proof she’s no longer possessed. Keris explains how tempted she was to accept the blandishments of the po, and how she feels she can’t trust herself around Sasimana and she wants to own Sasimana and how she fears she always tends to undermine her lovers in relationships to make them dependent on her. Sasimana then decides that since she owns Keris’s time, she’s taking her to the Conventicle to see Aiko and Lilunu, and Keris draws some strength from this.
Climax
When Keris returns from the Conventicle, she is called before Ipithymia, who is watching a violent gladiatorial play-display funded by Ohasei and starring one of her daughter-selves. Ipithymia tries to find out what Keris did while subcontracting, and grumbles about how Claudia uses non-disclosure agreements to hide her affairs from her greater self. Playing one of her usual instructive games, Ipithymia has Keris sit on her lap and publicly fingers her while getting her to watch the play and analyse it. As it turns out, the discovery that Ohasei is plagiarising Keris’s work is a distinct turn-off, which Ipithymia finds hilarious. However, she warns Keris not to make a deal about it as, after all, both she and Ipithymia are harlots and they’re being paid to praise Ohasei’s talentless theft and tell her she’s amazing. Ipithymia then informs Keris that for the final play in the Golden Surrender Cycle, she’s taking it in hand herself, increasing the budget radically, taking a personal role in the play, and rewriting the ending for a grand climax - better than anything Ohasei could manage.
The final play begins, and Ipithymia’s trap is revealed; the character of Vanefa, played by Keris, has been altered to resemble Keris’s situation further, and on the stage she is tempted and corrupted by the same experiences Keris has been through. In the play, the character of Vanefa (played by Keris) vows to serve Ipithymia (playing herself) forever, as the two characters watch a play-within-a-play in which a woman is corrupted into Ipithymia’s willing service. Keris is brought to public orgasm by this act of submission, and Ipithymia makes sure Lilunu in the audience sees everything.
In the afterparty, Keris is incoherent and nearly totally out of it, mind-blasted by the pleasure and the magics of Ipithymia. She unthinkingly obeys her madam’s every whim, a beautiful caged bird to entertain her powerful guests, guiding several demon lords into deals or opinions favourable to Ipithymia on instinct alone, answering them with hums and nods and empty quicksilver words since speech and conscious manipulation are beyond her pleasure-dazed mind. One of the guests she cannot deal with so unthinkingly is Sima, the ancient heart of the Dragon Oramus, and her jaded observations that demonkind will never be free and that Keris is mad and has always been mad almost manage to bring Keris back to herself, before she’s called to the backrooms to prepare for a very special guest.
Backstage, Ipithymia’s servants dress Keris up as a depraved, willingly-submissive Solar queen, garbed in demon-corrupted robes of the Old Deliberative and crowned mockingly with the hellish crown forged from the spirit of Claudia’s predecessor. She is paraded in front of the audience, over-stimulated and dazed, then sent into Ipithymia’s private throne room where she kneels between her madam’s legs.
Lilunu has been a witness to the public parts of this display, caught in anxious concern for her Keris and fear that she’ll lose her favourite - that she has already lost her. That she has also been trying to manage her own attraction to Keris and the fact that she knows that Keris has problems saying “no” to powerful people and isn’t good with contracts has only been layering on more stress. On the sight of Keris dressed as a Solar queen, she can no longer control her feelings and retreats to the gardens to try to calm herself down as her envy and hatred surge. Omen weather boils out into the surroundings as she starts to slip and lose control of her power. Iris is with her, and childishly insists that Keris needs help. With her help Lilunu steels herself, and by holding tightly to her envy and hatred she manages to overwhelm her mental blocks about standing up to another Third Circle, setting off to confront Ipithymia in private.
Back with Keris and Ipithymia, Keris is pulled back from submissively performing oral sex by her madam. Ipithymia has one last gift for her: a tongue piercing that would require her to replace the one given to her by Lilunu as a mark of her service. This turns out to be a barrier that Ipithymia hadn’t known was there, and her training and conditioning and will-sapping magic runs into Keris’s bone-deep oaths, catching her between the urges of her flesh and the promises carved on her bones. Before the choice can tear her apart, however, Lilunu makes her entrance, seizing control of Keris’s mouth to speak through her as she enters and slamming (and welding) the doors shut behind her. Her presence drowns out the light of the golden lanterns with rainbows and crushes lesser demons in the room with spiritual pressure; her feet crush obsidian tiles, and while Keris cannot turn to face her, she sees the fear in Ipithymia’s eyes as she beholds Lilunu’s rage. Ipithymia’s golden hair chars, her lips blacken, the gilt of her skin flakes away.
For the first time Lilunu is overtly defying another Unquestionable, and she is furious at the attempt to steal her most favoured servant.
Lilunu demands the return of her Keris and Ipithymia refuses. Keris sees Lilunu then, her human body surrounded by plumes of fire that form the shape of an eleven-headed dragon. One of the dragon’s wing-fists strikes Ipithymia, sending her flying and transmuting everything around Keris into Lilunu’s preferred aesthetics. The crown alone resists, biting into Keris’s scalp, though as Keris already epitomises Lilunu’s ideals of beauty she is left untouched even at the heart of the blaze. Ipithymia screams and sends a barrage of lantern-flames at Lilunu and Keris alike, but Lilunu retaliates with an indiscriminate wall of fire that burns all things she finds unseemly.
Ipithymia is forced down, her horns chipped, dripping blood from her mouth, gilt peeling away and one of her four arms broken. Despite that she tries to rise and keep on fighting, using a fragment of broken obsidian as a shiv. Lilunu begins to pronounce sanction upon Ipithymia using her authority as Voice of the Yozis as Keris comes to her senses and forcibly removes the demon crown placed on her; one of those two things is enough to get Ipithymia to surrender as per the duelling rites of the demon princes and offer Keris’s freedom from her contract as a boon. Lilunu rejects the offer as insufficient payment, and demands that Ipithymia also stay silent about Lilunu’s worryingly imperious and defiant actions against another Unquestionable. When Ipithymia asks what happens if she refuses and takes the matter to Orabilis (who would be alarmed to hear of such agency from Lilunu when she is supposed to be unable to defy her masters), Lilunu stays silent, but Keris - believing that it is what Lilunu would want but cannot say - draws her spear, indicating willingness to kill the Street of Golden Lanterns. The threat convinces Ipithymia to accept Lilunu’s terms, though she sourly promises she’ll contest for Keris again and will be able to do so in a year and a day - to which Lilunu says that she’ll win then too. Ipithymia isn’t happy that Lilunu’s fire has twisted the nature of the ancient Solar regalia Keris was wearing and says she’ll have recompense for that, but lets Lilunu take it as she considers it worthless to her now.
Lilunu moves to take Keris with her and leave, and though Ipithymia does nothing to stop them, she tells Keris that she’ll be back as they’re both harlots and they understand each other. Keris tacitly agrees, calling her ‘madam’ as an honourific and drawing a half-amused huff from Ipithymia. The Gilded Idol leaves the scene, and Keris has to repress the urge to call out to her; a sign of how much Ipithymia has affected her. Keris then breaks down into Lilunu’s arms, apologising for how tempted she was to submit and break her vows to Lilunu. Lilunu forgives her, and reaffirms that it was Keris’s choice to serve her - and that she should tell Lilunu that she wouldn’t really have killed Ipithymia, even if she would have. Keris complies, and the two leave the Street together, with Lilunu gently teasing Keris by asking for stories of the inadequacies of the Unquestionable she has taken to bed.
Epilogue
Ipithymia is recovering from the injuries Lilunu gave her while Ligier, amused, lectures her as to her foolishness in her ploy to steal Keris - and reminds her that if she disrespects him or his goals, he will lay waste to her streets with his poisonous light. Ipithymia draws her own conclusions from the discussion; that Ligier knew Lilunu had both the power of a fetich within her and was less chained than he had led some of the other demon princes to believe, and that he is pleasantly surprised she managed to stand up to Ipithymia and win. She flatters him for his skill in crafting Lilunu, pleasing his ego, and talks about Keris’s sexual talents to try to plant a seed of temptation in his mind, though he shuts that down as he chooses to be faithful to Lilunu.
He leaves, and Ipithymia smiles to herself. She had seen that Keris also knew about this power and furthermore was not surprised that Lilunu was able to summon it like Ligier, indicating that she has had some part in strengthening the Lilunu that Ligier does not fully understand. Not only that, but unlike Ligier, Ipithymia has seen that Keris and Lilunu adore each other and that Lilunu also desires Keris. This will be her new plan; to wait until Lilunu and Keris commit adultery, and to snatch up Keris when Ligier discovers that his lady has been unfaithful - a plan with the virtue that it will hurt Keris, Lilunu and Ligier for the disrespect they had shown her. She considers this to have the added advantage that she won’t be burned by Lilunu again for sitting back and waiting and not smashing her bridges with Keris, because she fears the pain Lilunu caused her.
And there is one last thing she fears. She saw that in the heat of her rage, Lilunu’s rainbow fire turned white with a chromatic fringe. This matches the descriptions of the long-lost fire of Ruvelia, the lost other heart of the titan who became Malfeas, the only equal that Ligier has ever acknowledged. And she is also aware that the injuries Lilunu left her with came from the forceful injection of her eleven-part essence into Ipithymia far more directly than a demon princess should have been capable of; an ability Ligier was fully aware of. This leads her to conclude that Lilunu was not originally a creation made to manage the Green Sun Princes and their Infernal Exaltations, and makes her all the more certain she does not wish conflict with her.
For if Lilunu is an attempt to recreate Ruvelia and forcibly fuse a replacement second fetich back into the crippled Demon King, Ipithymia doesn’t wish to be her enemy.
Chapter 26: Late Earth 775
Chapter Text
Keris’s apartment in the penthouse of the Conventicle Malfeasant’s highest spire feels strangely unfamiliar to her now. It is not lit in gold. It looks out over the expanses of Lilunu’s landscape, not the writhing, squirming crowds of the Street. It’s decorated harmoniously in soft, organic lines, not with the lavish excess that is Ipithymia’s brand.
And though it takes her a while to realise exactly what it is as she sits before her dressing-room table and removes the coin-piercings that Lilunu transmuted into opal, there’s something else wrong. The air doesn’t smell of lust and sex.
Blearily, Keris looks at her own face and body in the mirror, and sees what this awful season on the Street has done to her.
She looks tired. There are bags under her eyes, and the whites around her pupils are bloodshot. Absent the powders and pastes she’s been using non-stop all season, her skin is sallow and irritated in places, breaking out from repeated overuse of alchemical applicants. Her hands - so steady normally, with the trained precision of the pickpocket she was before anything else - have a slight tremble to them she hasn’t seen since she weaned herself off coca leaves in the aftermath of murdering Chen, and she can see stress and tension knotted up all through her head, neck and shoulders.
This is not just the cost of a season spent on the Street. It was good, at first; she had her pick of clients and the work was easy. No, it’s Sasi whose betrayal has done this to her. Sasi who had tried to copy Keris’s relationship with her po using chains and sorcery and Pyrian crystal to shackle her own lower soul. Sasi who’d failed, and fallen to vice, and visited golden blandishments and cloying temptations on Keris, first by seduction and later by force, in her madness.
That would have been bad enough on its own. But Keris had abandoned her work to save her love, sacrificing her feelings for Sasi to do so. And then she’d returned to the Street of Golden Lanterns, where Ipithymia had stripped her of her privileges and rights of refusal in anger at her breach of contract.
It had been a long month under the Gilded Idol’s sway after that, as the demon princess had punished her for her disobedience and done her level best to corrupt Keris into her service. She had come out of it still loyal to her lady, but...
She isn’t sure how long she sits there, staring at herself, eyes burning and tired. Not sure what she is doing. Force of habit has her running over parts of the plays that have been her purpose for the past season. She thinks of her schedule and her next rest cycle times, before remembering that she doesn’t have a schedule and she can take time off whenever she wants. She sings to herself, songs she knows by heart overlapping and intermingling into something that has never been sung before - and would never be appreciated on the Street of Golden Lanterns.
Keris is interrupted from her reverie by a soft knock at the door.
It actually takes her a moment to realise she should reply. Privacy in her gaudy palace was largely a formality; Ipithymia’s creatures like the Face of the Street could come in without regard for her wishes, and the servants rarely bothered to knock, instead acting more like animate furniture and striving to avoid notice. But by the time she thinks to raise her voice to whoever’s out there, the automatic reflex has passed, and she cocks an ear to see who’s there before letting them in.
She’s not sure she can deal with seeing Sasi right now. Not while the wound is still so fresh.
Small, but dense; fire and brass and shadow. And next to her, atop her, a piping rainbow. Aiko and Iris are here to see her.
“Come in,” Keris calls, then immediately thinks better of it. She needs to put her makeup on, to hide how worn down and stressed she looks, to-
Except she doesn’t, does she? She’s not serving clients anymore. Though she doesn’t want to worry Aiko... but it’s a moot point, because the door is already swinging open, and small but heavy footsteps run across the room in advance of a pair of arms being thrown around her waist.
“Hello, girls,” Keris says, and inwardly frowns at how... numb she feels. She shouldn’t be so detached from her foster daughters. She shouldn’t feel almost like she’s still back on the Street, picking her words not for what feels genuine but for what the person she’s addressing wants to hear.
But the trick to recognise her real feelings eludes her, like mist slipping through her fingers, and she’s forced to paste an awkward smile over her face in lieu of something more honest as she looks down at her pair of visitors.
“You’re back! You’re really back!” Aiko burbles into her side, hugging her tight. She’s dressed, Keris notices, in an absolutely adorable little suit, not entirely dissimilar to the kind Orange Blossom likes to wear, with deep moss-green lapels on a tailored black jacket over a pale chartreuse ruffled shirt. “I... are you really back? Not going away again right away?”
Iris is in full agreement, an ink-shadow that burrows into Keris’s left arm possessively and refuses to come out.
“I’m really back,” Keris says, and then adds “I think” in the name of honesty. She’s actually not entirely sure what her position is, legally. It’s still Earth, so technically she’s still under contract, but Ipithymia had let her free of it. Lilunu had been... she blushes... very, very firm when she’d rescued her from the Street’s attempt to push Keris the last little bit into pledging service to her over her lady. And while Lilunu is unofficially a figurehead, by law she’s an Unquestionable and the Voice of the Yozis.
Not to mention that the general scorn that the demon princes view her with is probably going to look a lot shakier after the scarring she dealt Ipithymia in that plume of opal fire. It hadn’t affected Keris as far as she can tell, but she suspects the many-coloured flames had been something akin to a far more potent form of Zanara’s rainbow-fire. The Street of Golden Lanterns is vast, but going by her scream, that kind of forcible transmutation of several buildings must still have hurt. And the fires were still burning as Lilunu carried her away.
“I... I... I’ve missed you so much and I’ve tried to be good and really good more than that so you’d come back and Prita’s hardly pranked anyone and I’ve been helping Mother get better because I can tell she’s not happy and also Iris has been the bestest best girl and look, look, Aunty-Keris, look what she’s learned!”
Iris raises her head out of Keris’s arm and shakes it.
“No, no don’t be shy. You can do it, Iris!”
Iris seems to take a deep breath, then exhales. The fire comes out, but this time rather than shapes it forms words. “welcum home arrm mama” Iris shakily spells out.
Keris gasps - somewhat affected, but she’s pretty sure it would be her real reaction. “Iris!” she coos, falling into the role with some relief as an escape from the awkwardness. “Has Aiko been teaching you your letters? That’s amazing!” She drops a kiss on Iris’s forehead, then Aiko’s, tousling her perfectly-ordered haircut. “Aiko, sweetheart. I’m very proud of you for helping like that, and for being so responsible, and for being a good girl.”
The numbness inside twinges at the words, and her bones ache as an old oath reasserts itself. She suppresses the flinch expertly, but trades her delighted mask for a more serious one as she looks down at her ward.
“But you know you didn’t need to be good for me to come back, don’t you?” she adds. “I would come back even if you were as naughty as Kali and Ogin can be. You don’t have to behave as if I’ll leave if you don’t. I’ll always be there for you when your mama and papa can’t be, and I won’t ever abandon you. You’re family.”
“I do have to behave,” Aiko mumbles. “Because I’m the good one. And Lady Lilunu is very very big and bright and hot, even bigger than you and Mother. And she’s a lot like Mother and Mother isn’t well because she works too hard so I need to be nice to Lady Lilunu and make sure she doesn’t have to work too hard either.”
Keris kisses her on the forehead, thinking through what Aiko needs to hear - something very different to what she expects. “That’s very thoughtful, and you’re a good girl for helping Lady Lilunu with her work like that,” she says after a moment’s silence. “And your mother does work too hard, so taking care of her is nice of you too. You’re a very sweet girl, Aiko, and I’m glad of that. But you don’t need to be worried that I won’t come back if you’re not good enough. I’m happy that you’re so considerate to the grown-ups and other children in your life, but you wouldn’t get in trouble or lose anything if you didn’t. In fact, I think you deserve a reward for being so good and for helping Iris with her writing, don’t you, Iris? And you deserve one too for being a big girl who can read and write now.”
“But-” begins Aiko, but she doesn’t get any further because Iris emerges from Keris’s arm as a girl and gets her hand over Aiko’s mouth.
She exhales a picture of a cake, and then adds “cak” to make things clear.
“A reward of cake?” Keris smiles, a flicker of real amusement reaching her through the detached lens of her numbed emotions. “I think we can arrange that. Aiko, would you like to pick your favourite kind?”
That earns her a little nod. “We can have it when Prita is here because I like sharing. Oh. Also, I forgot to say it, but Lady Lilunu wants to see you, Aunty Keris. Sorry! Sorry for not saying it earlier but I was really happy to see you!”
Scooping Aiko up with a grunt of effort and several hair-limbs in addition to her arms, Keris sets the little girl on her hip.
“That’s alright,” she reassures her. “But if she sent you to get me, we should go and see what she wants, shouldn’t we?”
Another glance at the mirror. She still looks terrible. But... well, Lilunu knows her better than Aiko or Iris, and is more perceptive than either of them. She won’t be able to hide her state from her lady regardless of how much makeup she uses.
Might as well go as she is, then. Shrugging on a brocade gown over her light shift, Keris heads downstairs with Aiko and Iris still in her arms. After so long spent on the Street, the burn of her muscles from the strain of carrying the unnaturally heavy little girl is almost refreshing.
She has Aiko snuggled up to her, resting her head on her chest, and Iris does the same. It means she has to add some extra hair to hold them up, and is staggering slightly when she pushes her way past the door to where Lilunu is waiting.
This isn’t a place of Lilunu she’s seen before. The walls are bare rock, but covered in cultivated mosses and brightly coloured orchids. This is an interior rock garden, where Lilunu is pruning and cultivating the Metagaoyin vegetation she is growing here. She is in the centre of the room, carefully drip-feeding brightly-coloured liquids to a sprawling mass of deep violet moss.
“My lady,” she says, and oh those words have new meaning in Lilunu’s presence now. The Gilded Idol had tried to take Lilunu’s place in her life, a madam instead of a lady. But Keris had chosen Lilunu over her, and the title is a reminder for both of them of that choice and that loyalty. She sees Lilunu straighten as she registers the greeting, and a shy smile comes unbidden as her lady turns to her.
“Oh, my Keris,” Lilunu says softly, bringing over a little cluster of sweet-smelling moss that brings to mind cinnamon and cloves. “How are you feeling? Sit by the pool here, you three. It is lovely and warm and the moss is soft.”
Keris settles herself down, letting Aiko off her lap to cuddle into her side as Iris crawls onto her skin and winds possessively around her left arm.
“I’m... well enough,” she lies for Aiko’s sake, knowing Lilunu will catch it. “I think mostly I feel tired. And numb,” she adds more honestly. “A lot... a lot happened.”
Lilunu is barefoot, and she hikes up her skirts to rest her feet in the pool. She lets Keris rest her head on her shoulder. “I’ll say,” she says softly. “My poor Keris. You’re not working for her again, do you hear me?” She pauses, and winces. “I mean, unless it’s the orders of the All-Thing. But other than that, she... she... you’re mine!”
“I’m yours,” Keris replies softly, leaning into her. She doesn’t protest the order. Working on the Street again might be useful at some point in the future, but she’s willing to pass up the chances it would offer if Lilunu demands it. And even if she doesn’t, Ipithymia won’t find any purchase on her again. Not now. “Thank you for rescuing me, my lady.”
“You swore yourself to me - and it wasn’t all about you! She was rubbing it in my face!” Lilunu inhales sharply. “I... I don’t remember getting angry like that before. But I hated her for that. She doesn’t get to take you away. No one does.”
“No one can, my lady,” Keris reassures her. She tries to find the warm satisfying comfort that Lilunu normally brings, but there’s still just that dull absence, the feeling of looking at the world through glass and artificial faces. What does Lilunu want her to say? What mask will get the best response here? They’re not questions she should be asking, not here, not when Lilunu cares more about what’s real than Ipithymia’s gaudy, alluring façade, but she’s so trained by weeks and weeks of service that it’s hard to stop.
“Ipithymia and Erembour both tried and failed-” she tries, and winces. No, that was the wrong approach - and worse, Lilunu notices, casting a sharp-eyed look at her through suddenly red-and-silver eyes. Keris frantically glances down at Aiko, nuzzled into her side and falling asleep, and makes a face that eloquently conveys not around the little ones.
Lilunu holds her tight. “You are trying to mirror me, Keris,” she says softly. “I can feel it. Do not be a mirror to me. Be yourself.”
“I don’t know how to stop,” Keris murmurs back, pressing closer. “And- I’m not sure what might lie buried and waiting for me to do so.”
Lilunu purses her lips. “I see.” Turning to the door of the garden, she raises her voice. “Yanu! Gora!”
“Yes, my lady?”
A sleek wooden figure pokes his head around the door; a mannequin sculpted to look like a flowering tree in the form of a man, with intricate patterns charred into his finishes by fire. Purple flames burn in his eye sockets; the mark of the tyrant lizard of flame that animates this beautiful automaton. But with him is not the devilish figure of ceramic and clay that Keris and Lilunu expected, but rather a slender, whip-lean demon clad in shawls of jonquil and goldenrod, wearing an exaggerated mask of strict annoyance and holding a thrashing little figure of black and white ribbons.
This is the worstest mostest unfair thing in the existence of ever, Prita flailingly gestures. She has done nothing wrong. Nothing! She’s innocent! She was just stabbing someone who wasn’t paying for their opals! Stabbing people who try to cheat you is just good business! And these two idiots aren’t even accepting her perfectly legitimate bribes! She placatingly stares at Keris, begging for help. She would beg for help from Aiko, but Aiko is sleepy and the one disadvantage of being a szel - she notes incidentally - is not being able to wake people up.
“She’s been going on and on and on and on like this,” explains Yanu.
Keris blinks slowly. “Who were you selling opals to?” she asks. “Where did you even get- right, of course, the Isles.” She pauses. Frowns. “Have you been smuggling things from inside me to people in the Conventicle?”
Well obviously, Prita retorts with a flick of her feet. And they’re selling her hell-stuff people back home want. But these two idiots don’t even know what home is! They’re just bullies! Mean, mean bullies who won’t take bribes!
“It’s actually quite hurtful, the things she’s gesturing,” Mani, the szilf holding her by the collar of her dress, says. “It’s also quite hurtful when she tries to stab you. She’s a feral little thing.”
“She’s Aiko’s best friend,” Keris tells him. “And Aiko’s well-behaved. Prita sort of has to be this way for the two of them to keep up with the twins.”
Both pages, having been party to the season or so Kali and Ogin spent under Lilunu’s care, wince.
“Well, I’m sure we can let dear little Aiko’s friend off for,” Lilunu hides a smile behind her hand, “defending her darling little cartel, as long as nobody was badly hurt. And since she’s here, Mani, Yanu, I’d like you to take Aiko to bed, where Prita can help get her settled down.”
Aiko, hearing her name, mumbles from Keris’s lap where her head has slipped down to rest, but the relief of Auntie Keris being back seems to have put paid to her energy for the day.
“Where is Gora, though?” Lilunu adds. “He was meant to be on duty today, not you, Mani.”
“Off snuggling with Saya,” Mani reports, holding Prita at arm’s length as she flails at him again. He sets her down so she can run over to Aiko, reaches down to his hip and trades his exaggeratedly stern mask for a smirking one that mocking smugness exudes from every inch of. “Apparently he’s just finished a new painting for her, and it’s oh so romantic that he couldn’t bear to wait to give it to her,” he croons, making a teasing heart shape with his hands. “I was making some innocent suggestions about what his next one should be, but then this pest ran past with her knives out and I had to go catch her.”
“Ah. Well, I think we can let that slide today, for young love’s sake,” Lilunu smiles. “But let him know I expect him back at his post next scream!”
Mani and Yanu bow, and together pick Aiko up and carry her off to bed, accompanied by a still-complaining Prita. Keris watches them go, conflicted. It’s nice to see her keruby so well taken care of here, and Prita acting as irreverently as ever. And Lilunu’s easy forgiveness of Gora’s misconduct is a stark contrast to the Street’s harsh policies on time spent slacking off. But the happy feelings still aren’t felt the way they should. She observes them from a distance, walled off from the experience.
Lilunu waits for them to leave. Then; “You do not sound well, Keris.”
Keris bites her lip, vague discomfort surfacing from the greyness. “I’m not,” she admits. “Ever since I got back, I’m... I don’t feel like myself. S’like I spent so long shoving down what I really felt and showing clients what they wanted that I’ve forgotten how to stop.” She wrinkles her nose. “This is probably what Veil feels like all the time.”
“At least your ability to make petty comments about your rivals in the Althing has not decayed,” Dulmea comments snidely.
“It has been less than a scream, my Keris,” Lilunu tells her. “Have you slept? Eaten? Done anything to unwind after a season of stressful things? I remember how things were when I was always ill and always worried about losing control, and just how odd it was when you started absorbing those knots within my self and how it felt for the first time to not always be on the edge of losing control. Live, Keris. Live and let your feelings out; fear not, my Keris, fear not.”
“I... I haven’t, no.” Keris swallows, and clenches her hands to stop them trembling. “Maybe... maybe some art?”
Iris pokes her head up from Keris’s arm, immediately alert at the promise of food. “payntings and charkol” she breathes out in shaky letters. “hungry pleez”
“So, first things first,” Lilunu says firmly. “Food, if you can eat anything. And then sleep. And... well, Keris, you have told me that you manage to be so balanced and so self-aware because you get on well with your po soul. Why not try talking to her?”
Keris blinks. She... hasn’t really thought about Pekhijira since... well, since the mess with Sasi. She hadn’t really wanted to confront her feelings about that.
“... yeah,” she says reluctantly. “I... I suppose I should.”
“Also,” Lilunu says carefully, “I wasn’t to raise it, but Keris, your senses are keener than mine are usually and even I can smell that your first bath didn’t clean you off fully. I can smell that very strong perfume Ipithymia uses on you. That might be worrying you too.”
greedy hands groping her, hot and clammy on her skin; lust dripping down her legs, golden tar coating her like sticky clinging honey; thick pungent fumes filling her nose and throat-
Keris flinches violently. “I’ll... yes. I should...” She swallows again, her throat suddenly choked up, and hunches her shoulders. There’s nothing on her skin, she knows that, but just having the perfume pointed out has made it suddenly overpowering, and she can’t shake the feeling of sticky slickness on her skin, nor the sudden urge to scrub it off until she’s raw. Her core muscles clench; she’s unsure whether to vomit up everything from the past season or to propel her into a screaming fit of pounding her fists into the nearest hard surface until she’s beaten the revulsion out through bloody fists and broken furniture. Tears sting at her eyes, and she blinks them back furiously.
Lilunu simply wraps her up in a hug, stroking her hair until the need for purgation-through-violence sinks back down into the grey fog of passionless nothing.
“There there,” she murmurs. “Keris, you were braver than I could possibly be, to put yourself in her hands for a season. You know that, right? And that means you can let yourself be vulnerable now.”
The water burbles in the background of the moss garden.
“I know,” Keris whispers, after a long moment.
“And when you’ve cried and washed and eaten and slept, I have a present for you. Your Strigida really wants to show you what she has now,” Lilunu says, holding Keris close.
“You finished her?” A quiet sniffle accompanies the words, blurring their edges. “Can I see?”
Lilunu considers her, then, “Yes. If you want to, you can do that before you rest. Do you want to?”
Another pause. Then a slight nod.
“Then we can go see her.”
Lilunu leads her down, down to the same workshop she was reforged in, the one deep below originally in the style of Ligier’s workrooms. It has changed a bit; there is more Lilunu here, in the drawings hanging from the walls and some of the new hand-made tools her lady has made. And in pride of place is...
... Strigida.
Her armour stands on a plinth of black basalt under a black velvet drape. Keris can clearly see the changes to the silhouette, but it’s too difficult to decipher them in the short time it takes for Lilunu to stride over to the veiled masterpiece, smile conspiratorially at her, and throw the cloth back.
And as if she’d been waiting for her maker to bare her to the light for this precise purpose, Strigida straightens her back and spreads her new wings with pride, revelling in the attention like the vain thing she is.
They are enormous. Each wing stems from the armour’s lower back, and each one is longer than Keris is tall. Three metres each if they’re an inch, they dwarf Strigida’s silhouette in a way that reminds Keris of Calesco’s true form under her lies; the bird-legged girl in her cocoon of eye-studded wings. The silver feathers are denser over the rest of the armour, not fully drowning out the scales or sculpted anatomy but far more befitting the predatory bird she’s named after.
Strigida flares her wings out to their full extension, rainbows scattering off the - razor sharp, Keris realises - feathers, then furls them. They fold down quite tightly, to Keris’s surprise, their alulae rising level with the top of her head before the primaries fold back down again, forming a shape not unlike a large kite shield strapped to Strigida’s back.
“She’s beautiful,” Keris murmurs. “... how... why so big? And how did you get the moonsilver for this, where...?”
“You gave me those blades, Keris. And some ore!” Lilunu smiles proudly. “And I worked out how to get some very special silver all on my own without anyone helping me!”
Keris frowns. “Did some kind of mine or silver seam show up near the Conventicle?” she asks. Except no, that would be normal silver - which isn’t even found that often in Hell, anyway. Other metals, yes, but gold and silver aren’t terribly common in the body of the King outside of the domains of demon princes who lay claim to the materials like Ipithymia.
“In a sense! But I had to pay far less to get hold of this special silver, the perfect special silver that Strigida needed, than I would have had to to get moonsilver from other Unquestionable! It was really very cheap to pay that little szel of Aiko’s for it. And to pay Aiko, of course, because Prita is her servant.”
“Wait, you mean Pekhijirite silver?” But... no, that does make sense, Keris realises. She’d given Lilunu the great curved sword from Malra and the war-scythe from that Lunar near Cahzor, but those would only have been large enough to form the skeleton of these wings. The feathers and musculature... yes, Pekhijirite silver alloyed with moonsilver ore had been what she’d patched the armour up with when she’d first bound her po’s Fang to it, so it made sense for Lilunu to use more of the same.
... that said...
“... how much did you pay them?” she asks, because if there is one truth she knows when it comes to keruby in general and Prita especially, it’s that they’re shameless little scam artists one and all. This much Pekhijirite silver would have taken a lot of trips in and out of her inner world, but the snake sheds feathers fairly frequently and doesn’t always care where they go. Good relations with a few Rim towns wouldn’t make it hard to gather enough, so the overall costs of sourcing the material would have been low...
“Oh, not very much. She wanted a small townhouse here in the Conventicle, some pretty things for her and Aiko, and she made a big deal about getting an official warrant of trade signed by me, which was an amusing little childish game.” Lilunu smiles happily. “I can’t believe she gave me that much silver for those small things. In fact she didn’t seem to realise how much it was worth, because she gave me some of Zanara’s pretty opals to seal the deal. I was so pleased that I granted her citizenship as well, so that Aiko need not worry so much for her under Cecelyne’s Law.”
Citizenship in Hell, a whole townhouse in the Conventicle that she can use as a storehouse for smuggled items moving in both directions and as proof of dual nobility under Keris and Lilunu, a warrant of trade signed by the Voice of the Yozis that she’s no doubt already using to talk her way past Swamp- and Sea-enforced import tariffs, and a no-doubt-priceless collection of jewellery hand-crafted by a demon princess for herself and her best friend. In return for some feathers and opals the little pest probably had her flunkies barter food with a Rim town for and pick up off a beach in the Isles respectively.
... yeah, Keris isn’t touching that, nor is she explaining to her lady that she’s been scammed by a not-quite-five-year old. Lilunu seems to think she got the better end of the deal, and in this case Keris is perfectly happy to let her keep thinking so. Though she may have to talk to Prita about overcharging the Unquestionable.
“I love it, my lady,” she enthuses instead, trying to project as much enthusiasm as she can. She will love it, when she’s back to normal. She has no doubt about that. Even through the choked fog, the idea of flying is enough to garner a stirring of half-excited interest. And such huge wings will no doubt function as shields just as well as they will scythes. Lilunu is trying to look after her again, making sure she’ll be well-protected in Creation. “Thank you so much.”
“Do... do you want to try her on?” Lilunu asks gingerly. “Or do you want to rest and eat like you should?”
“I’ll... I’ll go and rest and eat and bathe,” Keris promises. “But then I’m coming right back down here and wearing her. And you can watch my first flying lesson, my lady, to see how well she works.”
“Just take care, my Keris,” Lilunu instructs her. She glances down at Iris. “And you, my darling, make sure she eats and goes to bed on time. This is an important responsibility.”
Iris exhales a happy face, filled with a worrying edge of lust for power after being given such a portentous responsibility.
“As you wish,” Keris says with a bow, and feels... not better. But like ‘better’ is back within reach. “My lady.”
Lilunu is right. Food does help. So does sleep, even if her dreams are strange and haunted by the feeling that someone is trying to talk to her in words she can’t understand. And Keris scrubs herself raw three times in the intervals between the two, submerging herself in water just barely the right side of too-hot and scrubbing herself with a weak vitriol solution to neutralise any and all scents clinging to her.
Then she goes back to Strigida and tries her on.
It turns out that Lilunu isn’t just right, she’s also a genius. Such vast wings would be difficult to move on their own, but she’s cleverly solved that by leaving narrow hollow spaces within the bones that Keris can slide her hair into. Instead of having to learn an entirely new set of limbs, she can use the ones she already has - two tendrils for each wing, leaving two tendrils free. The weight is surprisingly easy to carry; the superheavy armour easily shoulders the added backweight with only a moderate shift in balance, and after a couple of hours acclimatising it barely even registers. And just as Strigida can reweave herself into clothing or tattoos, so her new wings can become a hooded cape flowing down from the back of the armour or retract into it entirely.
Flying, on the other hand, proves less of an instant mastery.
No, Keris doesn’t want to talk about it.
It’s not like Lilunu needed that garden, anyway. She said so herself.
(From behind her hand. While pretending not to giggle.)
Which leaves Keris sitting meditatively with her wings wrapped around herself, communing with her lower soul. Pekhijira isn’t outright refusing contact, which is something. But her emotions are still half in hiding; glimpses coming through in brief bursts that make her eyes sting and her stomach churn, before vanishing abruptly again.
It’s not that she doesn’t know what’s going on. There’s a lot of hurt and probably a hysterical crying fit lurking in the mist. It just doesn’t help her overcome the flinch reflex every time she reaches for it. Numbness and masks are safer. Easier. More comfortable.
She doesn’t feel well. That is the truth; her stomach churns with fear and disgust and simmering, agitated frustration. Directed where, she isn’t sure. Some it has to be a side effect of how she’s no longer getting laid at least once a day, that she’s no longer using that gorgeous, unwanted tattoo of the streets of Ipithymia to push all her worrying thoughts out of mind. It’s like she’s pulled a muscle in her head, one which has gotten weak from a lack of use.
She spreads one wing out in front of her, examining it. It really is huge. With just one wing she can shield her whole body; the silver flight pinions are almost short swords. The leading edge of the wing is sharpened, too. But this isn’t like Vipera. The sheer size and mass of them means that any blow would hit like a grimscythe. An unexpected endorsement of brute force carnage from Lilunu, who prefers weapons of grace and precision.
Speaking of whom...
A swirling, mixed-up rainbow of colours and sounds approaches from down the corridor and knocks. “Keris?” Her lady’s voice is firm. Not just a check-up, then.
Keris furls her wing again, gets up and opens the door. “My lady?” she asks, vaguely aware that the usual nervous lashing hair is being translated into her wingtips twitching agitatedly. “What can I do for you?”
“You have spent screams in here, not saying anything, not taking enjoyment in anything,” Lilunu says firmly. Iris is behind her as a little girl, hanging onto Lilunu’s skirt with one fist bunching up the fabric, and nods solidly.
Her familiar is a little traitor.
“Therefore, it is my responsibility to cheer you up and give you thinks to take your mind off brooding or whatever you’re doing,” Lilunu continues. “So up. I’m going to get you dressed in something that brings out how pretty you are, and then we’re going visiting.”
Iris breathes out a picture of cake.
“Yes, Iris, we will have cake! And treats! And other things to make Keris feel better!”
Lilunu is a bully who has decided to hug and flatter and treat Keris into cheering up. And Iris is her willing flunky.
Keris considers her chances of getting out of this, and finds them to be minimal.
“... can I at least keep Strigida on?” she asks.
“Of course! You need to make sure you can keep your wings extended even with the rest of the armour withdrawn anyway,” Lilunu says, beaming proudly. “I included that possibility especially because I thought you would probably find, oh, some clever use or another for it, I don’t know. How have you been finding them? Besides,” she covers her hand with a mouth, “that one little incident.”
Iris breathes out a picture of a garden with a trench gouged through it and a semi-convincing little winged figure planted upside down in a vegetable patch, along with a number of laughing faces. Keris glares, because she’s expected to.
“They’re great, my lady,” she says, deliberately ignoring her treasonous familiar and flaring her full wingspan for a moment to demonstrate. They fill the room, her pinions brushing each wall with the scrape of knifeblades. “Stri certainly loves them.” Her armour has been happily purring in the back of her mind since she put it on. Unsurprising, given Pekhijira’s own wings. “I’m probably going to have to learn a whole new combat style to make full use of them, though. Something...”
Her eyes wander back to Iris’s picture.
bent over and taken from behind, staring eyes all around, lustful eyes on her always, her golden madam laughing at her little rebellions, her audiences hungry to see every success and failure-
Keris almost doubles over as another flash of emotion surfaces. This one isn’t pain, or self-loathing, or the urge to cry. This one is fury, boiling deep and hot and almost frightening for a moment before she flinches away from it; all the more so for the fact she’s not sure who it was directed at. There was no target to the rage, no goal in mind. Just the almost sexually cathartic urge to smash and crush and scream and rend and cleave with her wings and fists and feet and teeth until everything around her was rubble and gore.
The flashes of feeling have been getting longer in between the dull grey numbness. Keris... isn’t entirely sure what she’s going to do when that particular river starts flowing again. Be somewhere expendable, hopefully.
“... s-something,” she repeats shakily, “uh. Aggressive.”
Lilunu seems to have missed it. “Good, good! You do like learning new fighting arts! And they are arts! Now, mmm. What shall we put you in...”
Strigida’s tattoo form has changed to reflect her new wings. The feather patterns are denser, running along the wind-wave patterns and framing the stylised iconography of her gifts from the Yozis in their rainbow-refracting silver down. Melody-notes briefly crawl over her scalp as her armour gets comfortable. Her back and biceps are almost solidly covered by the tattooed feathers, and Lilunu laughs again to see it, choosing to put her in layer upon layer of bright, beautiful colour and adding plumes and crests of feathers until Keris looks like an exotic bird.
It’s a look she sort of likes. Very different from the skimpy, body-baring fashions she mostly wore on the Street. Her sleeves are long and incredibly wide; wide enough that when she spreads her arms they look like patterned wings. Her sandals are gold and taloned, and her outermost layer is a scaled gown whose plates look like plumage from a distance, alternating between shining brass and vibrant green depending on how the light catches them. It hangs open just enough to see the heavy printed silks under it, themselves bearing a black pattern of featherdown and tiny chips of citrine.
And just to drive home that Keris is no defenceless songbird, Lilunu produces a mask for her and delicately fastens it under her hair. It’s a ferocious thing; a stylised bird of prey with all the detail stripped away to leave only the lines of a hooked beak and embossed feathers and a flaring, swept-back crest of copper, gold and silver. Only Keris’s lower jaw is visible beneath the thing, and the shape of the eye holds lend a predatory intentness to her grey gaze.
All that said, while Keris likes the aesthetics...
“My lady, this is stifling,” she complains. “I’ll boil in an hour or two under lord Ligier’s light in this many layers. Can we maybe lose a few of the inner petticoats?”
Lilunu herself is dressed like... well, like Demitrea had dressed after the meetings in the north; a thick, fur-trimmed gown with hand-printed patterns of tigers and dragons on the snow-white fabric, a translucent silk overgown adding a shimmering pale blue to the fur underneath. The fur is steel-grey, and radiates a faint warmth.
“Of course not!” she says archly. “After all, I don’t want you to catch cold!”
And Keris quickly understands what Lilunu meant. The two of them take hellish, tentacled riding beasts and ride a goodly distance, heading down into a recessed crack in the land that Keris had always assumed was one of Lilunu’s gardens. It is, but only in a sense. Little grows here, but the rocks and harsh lichen and desert plants are laid out in a pattern which brings to mind a gateway board, and a bitterly cold wind blows from vents in the valley walls. It sounds like thin, wailing piping and Keris half-dozes off listening to it.
Sprouting from one of the walls of the crevasse is a low dome, made of cerulean glass, and Keris understands a little more about why this place is hidden away - it is to hide the forbidden blue from her other servants.
“Am I to meet another of your souls, my lady?” she asks, her voice pitched low. “The one of the Endless Desert?”
“Yes,” Lilunu admits. “I suppose it is something of a give-away, isn’t it?” She adjusts the sit of her scarf, her breath steaming in the cold. “My Iuris likes things like this. The cold stops moisture from drifting over. He would rather dwell within the Desert, but it would not be safe for him.”
They leave the mounts with the Ligier-made golem that waits here, green glowing from the slats of its chest, and head inside. The heat past the airlock is a sudden furnace, for everywhere here there are sweet-smelling fires that burn perfumed wood and burn every colour that fire burns in Hell.
“If he tells you to do anything, obey, my Keris. If he tells you not to do something, obey. Follow every written sign. He does not like it when people do not follow his rules,” she adds, as the airlocks cycle.
“I understand, my lady.” Keris bows, her mind whirling. Hermione and Antifasi are relatively healthy, born last as they were. Bruleuse was the first to join the Reclamation after the original five, and he is burned and emasculated but at least able to sing. Keramos is a living wreck whose every bone is shattered, fragile china. To look upon Divisa was to weep in horrified empathy for her half-dead state.
Keris can recognise a pattern when she sees one. As Lilunu has grown and become stronger - perhaps due in part to Keris’s work - her souls have become... not healthier. But crippled and maimed in less agonising, more treatable ways.
Iuris is of the Desert. One of the original five. Most likely the second she ever birthed.
This will not be pretty.
Through the heat, now sweltering in her cold-weather clothing, and into the inner rooms. The inner rooms, draped and padded in soft silk, but the silk is stained with wine-dark blood. The ground is smeared with trails of old blood, and Keris can hear it now; the beast, the great beast that moves through these giant halls.
“Iuris!” calls out Lilunu. “I have a guest for you.”
There is an oddly high-pitched titter, and a sibilant whisper drifts through the halls. “Oh, a guest, a guest, I do believe that this is a most rare circumstance seldom seen in times. In fact, unquestionably I must say that I do not believe you have bought any guests to this here place of residence, save for your pages and they are not truly guests - more akin to assistants and aides for you. So who did you bring, ah, a mystery profound and uncertain. A puzzle for me, perhaps, perhaps?”
“Yes, Iuris.”
“But this is something that is not worthy of my mind - too simple, too simple indeed, no great mystery here. For you would only bring your beloved Keris to see me, and indeed I had felt that my time to meet this most elusive individual was long past!”
“My lord Iuris,” Keris calls, after a questioning glance at Lilunu that gets a slight nod. “I too have been looking forward to meeting you. May I come forward and present myself?”
“She asks, she asks; Keris of the Scarlet Hair, Keris Red-Mane, the Voice of Lilunu whose tongue itself is owned by the lady of this place.” His sibilant voice drifts away. “What was the question again?”
“My lord, may I come forward and present myself to you?” Keris repeats. “I would not act without your permission.”
“Yes, come, indeed, enter and ingress!”
Keris enters. And she sees the master of this place, the soul of Lilunu whose presence reeks of pomegranates and hot stone and blood.
Iuris is smaller than many of the others, smaller certainly than Bruleuse, and not much larger than a horse. But he is well-formed and hale and hearty; he stands upright under his own strength, his body is not crippled, his four wings are elegantly shaped.
Only... he has scales, but no skin. And thus he is swaddled in stained bandages, wrapped again and again until he is like the description Keris once heard in Nexus of how Southerners bury their kings. Two sky blue eyes are ringed in raw flesh, exposed in the wing of bandages, and a servant is there to drip liquid into them to keep them moist. His teeth are long and sharp and exposed from skinless lips; he smokes a long thin cigarillo that smells of such potent narcotics that Keris feels lightheaded just from being in the same room as him. And his noonday-sky-blue scales are stained from the blood that his body oozes between the cracks under them; another servant carefully and delicately mopping at the blood so the scales do not stick together and aggravate the raw flesh under them.
Keris is prepared, and braced for the worst, and masked not just by the metal hawk mask but by her internal mask of Metagaoyin flowers. And so she does not flinch, nor cry, nor scream, but only trembles for a moment with wretched empathy for the constant pain that such exposed and raw nerves must cause. No wonder he smokes narcotics like horses down water.
Her mask of flowers helps her. Instinct guides her away from taboos and into the groove of customs, and they are thick here, thick indeed in this space of rules and law. She may not curtsey, so instead she bows, spreading her arms to show the wing-like patterned sleeves that Lilunu dressed her in and baring the back of her neck for a moment before straightening again.
“My lord Iuris, I am Keris Maryam Dulmeadokht,” she introduces herself. “It is my great pleasure to meet you, and to satisfy your curiosity however I may.”
((Using Flowering the Fairer Face to be “automatically aware of all the customs, fashions, taboos, etc that govern his current social situation”, which should give me an edge in not provoking him by breaking his rules.))
“A little bird that sits at your wrist; a soiled dove, perhaps, Lilunu? No, she is not your soiled dove; she is a hunting hawk whose slate eyes are keen and whose coat is resplendent. And... ah ha. The little one is here, too, no?”
Iris pops out, dropping down to the ground as a little girl. She happily skips over to Iuris, and squats down by his forelimbs, patting his claws fondly.
“You always like her visits, don’t you?” Lilunu says.
“Indeed. She is a creature of joy, the little laughing one who makes you happy - and makes me happy, too, for her joy fills my heart.”
Iris beams, and exhales a fire picture before his face; a snake-like dragon, a mirror, a heart, a cake, and a smiling cat.
“And she bears greetings too,” Iuris says, with a sibilant chuckle.
Keris just barely manages to restrain a twitch of horror - right, yes, she never had the talk about compartmentalising information with Iris, that was probably a mistake, though on the plus side Lilunu is apparently a lot better at maintaining deliberately selective ignorance than Keris thought she was - and forces a smile that would be a strained grimace if not for her flower-mask.
(also, she realises, how long has Iris been visiting Lilunu’s souls for? how many of them has she met? has she met the ones Keris hasn’t encountered yet? has she met the ones Keris isn’t allowed to- no, no, later, later. she’ll talk to her familiar about this once they’re somewhere private.)
“I am glad she brings you happiness, my lord,” she says instead, searching around for a topic. “What other pastimes amuse you, if I may inquire?”
His eyes light up. He has riddles for Keris.
Keris... does her best. Eko went through a puzzles-and-riddles phase that, honestly, she never really grew out of, and this is her only salvation, for none of the brain-twisting conundrums Iuris levels at her are things she can answer through study or expertise in any occult field, nor does her knowledge of Hell afford her any advantage. These are logic problems that demand the sheer brilliance that Sasi and Eko share but Keris lacks.
It’s sort of humiliating to know that her eight-year-old niece would probably be doing better if she were here right now.
Fortunately, he doesn’t take it personally, and in fact Iuris takes great merriment in how the beloved Keris is outwitted by his riddles.
Matters are only made worse when Iris manages to answer one. What kind of riddle answer is ‘a river’ anyway? This is Iris. She was probably only guessing randomly and happened to stumble on the right one. That or she’s been - shudder - playing with Eko.
“Ah, ah, such mystery, such trickery; the green sun princess is neither elucidated nor is she illuminated,” Iuris chuckles. He slowly, carefully, reaches out to pat Iris on the head with a single claw, and Keris’s familiar beams happily (and smugly) at Keris. “But perhaps it is unfair, for I spend oftimes a long whilst and when studying things of intricate riddlery and obfuscation, while you - if my best guess are right - only star in them. And that is a quite amusing little happenstance, is it not?”
“I... certainly employ obfuscation in my work, my lord,” Keris agrees, feeling distinctly like this is another puzzle being presented to her. “But I’m not aware of any riddles I feature in, unless Iris has been making up some of her own.”
“There is mention of a Scarlet Lady in tomes yet to come, and other scholars and scribes and riddlers fair have believed that the Scarlet Lady is the same as the Scarlet Queen. Yet yesterday I read a verse that had not been there before and that told me that the Scarlet Lady would meet the Dragon Bared to the World. That is me by my readings, and that means that at least in some versions, you are the Scarlet Lady.” Iuris sucks deeply on his narcotics, and exhales with a nervous titter. “Not all futures are the same, but in one the Scarlet Lady and the Scarlet Queen are not the same person, no?”
“... no indeed,” Keris says, working through that. Something about his words rings a bell, but her head is too fuzzy and too frazzled from all those logic puzzles to put it together. Well, he’s already been amused by her losing a riddle contest to a five-year old; she might as well ask. “Tomes yet to come, my lord? I don’t think I’ve heard of such things. May I ask you to expand my knowledge?”
“Why, of course I speak of the Broken-Winged Crane. The tome of histories yet to come, the grand obsession of the Scribe of New Aeons, and the recounting of the escape of the Yozis. Lilunu, I thought you said she was a charming, well-educated woman able to hold an exquisite conversation. With a keen mind, no less!”
“She is just off the Street of Golden Lanterns, and she is still recovering. Her keen mind has not been thinking of such things,” Lilunu says, immediately jumping to Keris’s defence.
“The Broken-” Now Keris remembers. “The reflection-tomes. The ones that are imperfect echoes reaching back from something yet to be written, yes? Like the omens seen before Hegra passes over or the layers crash together. Or the winds driven before a hurricane, arriving before the storm.” She’s never given the text - or texts - much thought, but if she’s showing up in them...
... wait. Hang on.
“My lord, you say that the verse you read was not there before. Do you mean that you acquired a new copy with the altered verse within, or that the text within one copy changed?”
“The reading is not always the same; the mind of the reader and the words of the text are in themselves a beautiful, transient combination. When one is sure that the Scarlet Lady is one of the Scarlets, one’s reading of the words is always one thing; when one’s mind is opened by,” he inhales his narcotics, and his pupils dilate, “one’s expanding mind, new thoughts reshape the words and one’s memories of the text. And so the text itself, for that is the nature of law; law does not exist on its own, it exists only in the interpretation. One could take words written in glass tablets and shift them so utterly that none ever believe they were meant to mean what the original author intended. Curious, no?”
“That...”
For the first time since Lilunu carried her off the Street, Keris is swept away by an emotion she doesn’t flinch from. Pure, fascinated curiosity. “That means... they’re not just static, imperfect echoes bouncing back from a possible future. I mean, I heard the first ones were laughably inaccurate; impossible stories of triumphs that never were or could be, but... but if both the texts iterate towards completion and the reading alters the meaning in each one, then perhaps there were seeds of truth even back then that they failed to see in their rage and fresh imprisonment. And - and!” She’s talking faster now, eyes lighting up, hair stirring. “If the verse you read prompted you to ask to see me, yet was written in the future as an account of our meeting and echoed back, that’s almost a breach of the flow of time! Not entirely, since... yes, since the copies aren’t perfect it could have been the glimpse of a possibility being cemented by action, but as they iterate more, get closer to the source, who’s to say their meaning won’t become clearer; time bending around them-”
She freezes with a grimace. “They’re no relation to He Who Knows the Shape of Things to Come, are they? No,” a sharp shake of the head. “No, of course not; they’d be banned if they were and Lucien would suppress them, ignore that, stupid of me. But that means they’re not connected to Him as far as Lucien can tell and yet time still twists around them - in a manner entirely unlike the prophecies of star-chosen, which can’t reach those Beyond Fate like me or... Iris?”
Iris is sitting up and begging for attention. Very seriously, she breathes out a book, a bird with a limp wing, and two heads; one nodding, one shaking.
“... the Broken-Winged Crane? Is... yes and no?” Iris nods, wrinkles her nose, then waggles her hand. “They’re... true and yet not true? At the same time?”
Iris beams, blows out a heart, and goes back to tapping at Iuris’s claws.
“... that makes no sense,” Keris decides firmly. “My lord, may I ask to see the text? This sounds enthralling. And you’ve quite captured my interest now.”
That is enough to draw an amused chuckle from both Iuris and Lilunu - indeed, it is almost uncanny how they laugh at exactly the same time, something Keris has seen with her own souls occasionally saying something out loud at the exact moment she thinks it. But he has his books here, held by his servants in little niches, and he is more than willing to let Keris read them to him. After all, he says she has a beautiful voice.
Two hours later, Lilunu has retired to an adjacent room to sketch charcoal drawings for Iris to eat, the servant dabbing at his bleeding scales has gone through three changes of mop, and Keris has found a new passion and had half a dozen delighted arguments over interpretation and nuance of phrasing.
“... clearly referring in some sense to the Green Sun Princes, I’ll grant you, but it names them as the greatest host in Creation, which doesn’t match with sunchildren and deathknights strutting around.” She turns a page with her hair, as Iuris has forbidden her from touching his books with her bare skin, and recites the next verse in archaic Old Realm. “You see? The way it phrases their supremacy, there’s nothing about rivals; only inferiors of greater number. Which means the moonchildren and the Dragonblooded, but no peers in strength... I think this is a divergent echo where the Unquestionable found some other way to get their hands on their own champions; one which somehow averted the return of the Solars and the rise of the Underworld’s champions. It doesn’t number them... I wonder if there are even just the fifty of us in this telling? Is there a date on when it was written?” She carefully turns the book over, but if there’s any maker’s mark, it’s not one she can make out.
“One might wonder with great curiosity as to how someone so poor at riddles speaks with such confidence on this matter,” Iuris counters.
“Ah, but did you not say that the mind of the reader and the words of the text form a unique and ephemeral combination with each reading?” Keris shoots back. “I am no great genius in quandaries and conundrums, but what I am, my lord, is a performer and an artist. And these texts are as much works of art to be critiqued as they are enigmas to be deciphered.” She flashes him a brilliant smile, careful to hide her teeth. “Are not more perspectives more useful for finding the truth behind them?”
“Perhaps, perhaps - these things are a mystery, as to their origins or even their nature,” Iuris concedes. He pauses. “Did you enjoy the study of these copies?”
“Very much so, my lord,” Keris sits back on her heels, feeling a little out of breath after... more talking than she’s done in days, honestly. “I may have to hunt down some copies for my own library.” Which is to say, she’s getting Mehuni on it as soon as she can send a message to her townhouse.
“Oh, I think I can spare one,” Iuris says in his sibilant voice. “But only if you promise to come back and talk about what you’ve found and argue interpretations with me. It is... quite stimulating, for all you are sometimes remarkably foolish.”
Keris doesn’t need to hold a mirror to him to see he is lonely. How he reacted to getting a claw-hug from Iris was indication enough.
“Of course, my lord,” Keris agrees. “I would be delighted to come and discuss the texts with you again, whenever I am in Hell. And perhaps I shall find some interesting copies of the Crane within Creation, should I look there.”
He clicks his claws on the ground carefully, and winces as that is still too much force for him. “So I will leave you to go - but do not turn your back to me when you do. That would displease me.”
Keris bows again, and paces backwards, facing him all the while, to the door.
“I hope to see you again soon, my lord,” she says. “And I’m sure Iris will continue her visits. I’ll send her in for her own goodbyes.”
On the ride back, Iris - who doesn’t like the cold - retreats onto Keris’s torso for warmth. Lilunu sighs. “He is a dreamer, Keris,” she says sadly. “He reads all these silly books which tell of the inevitable escape of our masters, but I am not sure how much he believes them compared to how much he wants to believe them. I always get melancholy when I come back from his place and compare my own faith to his. It makes me feel inadequate.”
“There’s something in those books, though,” Keris tells her, a new fire burning in her heart. “Some of them had dates, my lady. They start referencing us - we Infernals - some years in advance of the first of us. Not accurately; many of the details are wrong in the early ones. But the champions of the Yozis appeared in the Crane before we did. They’re confusing and vague, but not silly. There’s...”
She pauses, struggling to convey the feeling she got from reading the distorted text of the strange book she now holds in her hands - the one describing her meeting with Iuris, in the past tense, as one of the steps on the path of the Yozis’ freedom. The sense of meaning, of importance. The hair-raising sense that had come, just for a moment, when she’d touched it with her left hand - the cover a squirming hide for a living, impossible thing riding the currents of time and destiny like a chipped knife drawn along a whetstone. Just for a moment, before the sensation had winked out, and her left hand had felt... nothing. Nothing but leather and dust.
“There’s something to them,” she finishes helplessly. “Something that matters. I don’t know where they’re going, what they refine themselves towards. But don’t dismiss them so lightly.”
“Oh, I’m sure our masters will someday be freed and my princes like you will be their viziers in the subjugated world that betrayed them,” Lilunu says casually. “But I do worry about Iuris. I worry he lives in his fantasies only to escape his pain - and I don’t like how many narcotics he takes. He needs them, but I’m afraid of what they might do to him.” She shivers, and looks across the barren cliffside. “I’m awful, to have made something that suffers like he does,” she says in a tiny voice.
Keris embraces her. “You are not,” she insists. “You care for all your souls, and some of them are improving. Bruleuse is doing better under Tise’s care, and Iuris enjoyed today - talking to me, and seeing Iris.” Her familiar cranes her head up to lick Lilunu’s opposite cheek. “And... and I’m still planning to help you and your souls, my lady. I’m not sure what can be done for Divisa, but I have some thoughts for Iuris already, and for Antifasi, and perhaps for Keramos-”
Lilunu looks at her sharply. Whoops.
“I, ah... noticed him cracking the seal on his tower early last year,” Keris admits, blushing. “We talked. Well. I talked. He mocked. But he’s wrong, because I am going to heal him. You deserve to be healthy. It would be treason against the Yozis not to help you. And I’d help you regardless. Because you’re my lady. And I’m your Keris.”
“At least you sound a little more cheerful,” Lilunu says, reaching out to squeeze Keris’s hair.
Keris is not very cheerful when she gets back and finds that Iris has been practicing her letters on Keris’s body, and left charcoal-smeared writing (often with the characters the wrong way around, and frequent misspellings) all over Keris’s torso. Her familiar is a brat.
The peace and quiet does not last much longer. A few screams later, Keris is disrupted from her attempts to parse an extended section of alliterative verse about an unknown woman who might have been a Solar of the high first age and might have been a green sun princess escaping from a tower of white stone by a request for an audience.
She is about to ignore it, when the name at the bottom registers with her. Asarin wants an audience. And the request is implicitly, uh. Quite a desperate one. The extremely high register formally drips from every character in the letter.
Keris stares at the signature for a long moment.
Then she curses softly, and prepares herself for the meeting to come. Fucking (and yes, fucking up) Balanodo isn’t a choice she regrets, but it’s one that comes with consequences, and this is one of them. She’s going to need to be at her best to repair what holes she’s torn in this friendship.
And that starts at her dressing table.
First comes the underlayer. A topical vasodilator reddens her eyes as if she’s been crying, while a drop of very, very dilute acid in each eye proper brings out the bloodshot veins around her irises. A vasoconstrictor rubbed into her cheeks leaves them pale and wan, and she follows it up with a brief, hard scrub with an emery stone - not enough to set her skin’s recovery back, but enough to make her complexion look even worse than it is. It takes a bit of effort, but she breaks the skin of her lip with a leopard-fanged bite just enough that the brassy scab is unobtrusive but noticeable, as if she’s been worrying at it with her teeth.
Then makeup. On one side of her face, she packs it slightly too thick, on the other not evenly; a sloppy job that would go unnoticed by most but won’t escape the eyes of a self-styled Shogunate lady like Asarin. The higher end of the scar that runs along her jawline is visible through her foundation; she leaves it as both a suggestion of how distracted she is and a subtle reminder of the threat she poses. Her eyeshadow and lipstick are carefully chosen to almost hide the signs of tears and lip-biting - if she doesn’t at least make the attempt, Asarin will smell a rat.
Finally, clothes. Strigida’s feathers still cover her in dense tattoos, and to hide them she picks a southern Shogunate style, a heavy split tunic with slits at the front and back over stockings. She picks colours and trimmings that don’t clash, but don’t complement as well as her usual outfits either. It’s far from an eyesore, but enough to raise an eyebrow from Lilunu as she sets up the space she’ll be meeting Asarin in. Keris has to reassure her twice that her presentation is intentional, and Lilunu still grumpily lets her know that she disapproves of the deliberate flaws in her Voice’s appearance before stomping off to pointedly add several new outfits to her wardrobe.
For the meeting space, Keris picks a private room attached to one of the Conventicle libraries. This particular library is atop a magnificent bridge that spans two great spiralling towers at the moment, and the reading room looks out over the edge at an enormous open-air dance floor far below where hundreds of demons - more than half of them gilmyne - practice for one of the Calibration performances this year. Keris seats herself at the window, restlessly flitting back and forth between the view and the copy of the Crane and its dense poetic meter as she waits for Asarin. She’ll either get straight into it or lead with the excessive formality of a Shogunate great lady, hiding her real feelings. Either way, Keris is as prepared as she’s going to get.
Asarin looks little better than Keris when Gora shows her in. Her face is chalk-white from too much traditional Shogunate makeup, layered on thick enough to make a mask. And her clothing is something which Keris can see clearly is heavy with the years; a pure white silk robe in an archaic style that looks like what Sasi wears when she goes full Dynast - Keris winces at the instinctual comparison - and with a hem made of tiny circular bells that chimes with every step.
“Lady Keris Dulmeadokht,” Asarain says, her voice stiff and hoarse and trembling with anxious attempts to control herself. “So awfully glad that you could make time for me in your busy schedule.”
Sarcasm? No, Keris doesn’t think so; it sounds like utterly rigid ritual formality.
“Asarin, I’m so sorry.” The tears come easily. All she has to do is think about Sasi’s expression on the Street at the suggestion she might force Keris to fuck her. “I’m so, so sorry, I was bound in contract on the Street and I’d lost my right of refusal. I’d still have tried - I swear I’d still have tried to get out of it - but I didn’t know ahead of time, all I got told was it was an anonymous client. I think Ipithymia didn’t want me to know.”
As apologies go, it has the benefit of being mostly true. Keris doesn’t regret what she did to Balanodo, but she does regret hurting her friend. And she would have tried to wriggle out of it if she’d known the mind-numbing venoms of the Prince of Leeches were on her docket. She wouldn’t have succeeded, but she’d have tried.
“I-” Keris stutters, surprising herself a little as a drop of genuine remorse muscles in on the act, its peak just clearing the depressive haze, “I... didn’t know i-if you’d even want to see me again, after he left and my head cleared. He was there to try and steal me away from the Street, but then he touched me and my head went all foggy and I- I went half-mad over him and then Ipithymia found out what he had planned and hurt him and by the time my thoughts were clear again it was all over.” She reaches out to clasp Asarin’s hand but flinches back before making contact, looking up at her through her lashes with teary eyes. “Can... can you forgive me?”
Asarin stands there rigid, her shoulders hunched in. “So you know why I’m here,” she says. “And... and you’re not lying. But...” and her voice cracks, “why put yourself in this place? That awful place where that kind of thing could happen! You hurt and scared Eko - she won’t tell me exactly what scared her but she never had been so scared before and-and-and-”
Keris hunches her shoulders uncomfortably, and stares at the table. This part doesn’t even need much acting.
“... I had to,” she mumbles in a tiny voice. “I need their support. For the vote.”
“The... what are you talking about? Some vote doesn’t matter! Not compared to-”
“It matters.”
Keris’s voice cracks out like a whip, and Asarin’s voice works vanish into silence for a moment as her anima pulses. The demon lord’s eyes widen, but though Keris immediately feels a little guilty for silencing her so, she doesn’t back down.
“Look...” she begins, and glances over at the door to check it’s still locked. “I... strictly speaking haven’t been told that this is knowledge meant only for the Unquestionable. So I can share it with you. I am not the only Green Sun Princess to have developed souls of my own. The councils of the Unquestionable are...” she pauses to grimace, “... undecided on what to do about them. Or what status they should have.”
Asarin is watching her, her war- and politics-trained mind dissecting this new information and turning it over in light of what else she knows. Keris swallows and goes on. “Not all of them know yet. Of those that do, some argue that our souls should be lesser peers, with responsibilities in the Reclamation but rights against binding, summoning, shackling, that sort of thing. But others... agree more with the Blue Glass Maiden. There’s going to be a vote - not this year, probably not next year, but perhaps the Calibration after that. Nobody in the know seems to want to bring it out into the open until they’re done building support. My lady Lilunu and his majesty Ligier have promised to argue in our favour, but...”
She falls silent, watching Asarin’s mind work. “I’ve run the numbers,” she finishes softly. “I can’t be sure of which way some Unquestionable will swing. But I don’t like our chances. If it turns out anywhere near the pessimistic end of the scale, the odds of a bad ruling are... too high. Too high for me to risk. I needed to charm more princes into sympathising with us for Eko and Haneyl and the others to be safe. This was the best way to reach enough of them.”
Asarin, thank the gods or maybe the Yozis, forces down her temper. And it reminds Keris that for all her emotional immaturity, she is much, much older than Keris herself and a feared warlord-tyrant of the Demon Realm. If she couldn’t push her volatile temper down in the face of genuine threats, she wouldn’t have lasted this long.
“You let them... use you,” she says, a pink blush sitting on her cheeks, but her eyes are so full of her fire that there’s nothing but the dull brown glow. “For the sake of the vote. For... for Unquestionable Ligier’s plan - because it has to be his plan, doesn’t it? He would lose too much power if your souls were brought fully into the Blue Law.”
“His majesty has his reasons for supporting the lesser-peer ranking,” Keris says, which isn’t an answer. “But for me? Yes. A season on the Street for me, versus a lifetime of indignities for them. They’re my children, Asarin. I couldn’t let that happen to them. I took the Street’s offer because it was the best way.” She closes her eyes, sees a flash of golden skin and black eyes that change to a porcelain mask, and snaps them open again with a shudder. “It... made sense,” she croaks. “I’ll get over it. What matters is the vote.”
Asarin pinkens further, her mask of make-up cracking as complicated expressions flicker over her face. Then, “You idiot! You complete and utter idiot!” Her hair surges hotter and higher, taller than even Keris’s, scorching the ceiling and falling behind her in great glutinous waves. “Hell will try to break p-people with good intentions! There’s no l-love without pain! And someone like that awful, horrible woman Ipithymia will try to get hooks into anyone! The only way to be s-safe from someone like her is to keep far, far away! You didn’t need to do something like this! You didn’t!
“Because when you g-give away your honour, when you give away your v-virtue, you can never get it back! P-people are going to look down on you forever now, knowing you did this, and you deserve b-better!”
you deserve to be treated right-
-deserve a reward for bein’ such a good girl-
-deserve everything i’m gonna do to you-
-deserve to be-
Nausea churns and a shuddering pressure fills Keris’s stomach and chest, aching to be set loose with punishing force. “Well... well we don’t all get what we deserve!” she snaps, hair and hackles rising in the face of Asarin’s temper. “And if there’s no love without pain, then it’s ‘cause bearing the pain for someone else is what love is! If I have to pick between my reputation and my kids, I’ll pick my kids every damn time! Hell can break its teeth on me if it tries to chew me up!”
She clenches her fists and forces herself to sit back down on the windowsill from where she’s risen to stand up to Asarin. “Anyway. Ipithymia will have a job getting any hooks into me now. She tried to flaunt me in front of Lilunu and steal me away for good. Lilunu didn’t take it well. At all.” She pauses, pointing at Asarin. “Don’t spread that around. It happened out of sight and I don’t want anyone else picking fights with my lady. But... well, you remember that dinner where you started arguing with Haneyl. Picture that, but more so. And she was seriously angry this time.”
“Well, they are Unquestionable. Never get in the middle of their affairs!” Asarin retorts, and Keris remembers that in the eyes of the rest of Hell, and even some of the less attentive green sun princes, Lilunu is fully Unquestionable. Few know how little power she really has. She paces back and forth, her mass of burning brown hair rising up from her head. “It’s not right! None of it! And I was so scared -- so, so scared - that you’d come back ch-changed! Sisim... I saw her not long before... um. The thing happened. But then I saw her again recently and she’s totally different! She... she...”
Asarin trails off. She meets Keris’s eyes. She is a mess; her make-up liquefying and running down, her rage and her fear and her helplessness all warring.
“She said you hurt her. And changed her. And she said such awful, awful things! And her hair is totally different and... and she always used to cover-up to avoid being made ‘impure’ by the light of the green sun but now she’s flaunting herself and... and what did you do?”
“Sisim...”
Keris’s voice trails off. Her hair stirs. Something dangerous lights in her reddened eyes.
“Sisim was self-defence,” she says quietly.
“Wha-”
“What did she tell you?” Mist coils out, phantasmal, immaterial, unseen to Asarin’s eye. “That I attacked her? That what happened was my fault? No.” Keris shakes her head slowly, hair rising further. “No, Asarin. Sisim came to me. She followed Balanodo onto the Street. They wanted to steal me. To drug me with his venoms and steal my heart. She admitted it to me. I reflected her, just like,” she focuses, sees-beyond-sight, “I’m reflecting you now.”
The mirrored glass of the door behind Asarin shows Keris the meaning behind her words, and the feathers in her hair vibrate to the beat of her heart. She wants an explanation for whatever has happened to Sisim; a reason that proves her friend among the peerage hasn’t acted as she’s been told. She hopes Keris can provide one. But she expects Keris to let her down, as everyone always does. She’s terrified of losing - in war, in romance, in politics, in face. But she isn’t scared of Keris herself. There’s still a little trust there. Enough to hear her out.
The mirror she’s made of her mind compels Keris to take the shape of Asarin’s thoughts, and she doesn’t resist it. Her words provide Asarin with everything she hopes for. But the mists of dread thickens, and those same words fan the worst of her fears.
“I saw her intent,” Keris says softly, stepping closer, her hair coming round to half-encircle Asarin like a phantom embrace. Her lips pull back in a sneer, baring an adrenaline snarl of white teeth and serpentine fangs as that shuddering urge to hurt something re-emerges. “Her expectations of me. She wanted me to fall for him and become one of his hangers-on. She wanted me competing with you for his time, stealing him from you, until he tired of me and threw me aside like an empty shell and remembered only that she’d helped him get me. She didn’t care it would have broken my contract with the Street. Didn’t care what would have happened to me after. Didn’t care about you. She only wanted him to be grateful to her. So she could have him for herself.”
She shakes her head again, hair settling, teeth human once more. “Don’t trust Sisim’s words, Asarin. She picked that fight with me. And the poison I reflected back at her was only her own, stripped bare of her lies.”
This is Asarin: she loves the Prince of Leeches, with all the same madness as Keris’s own need to be loved. This is Asarin: she hates that she loves him with all the ferocity and intensity that she loves him. It is a profoundly adolescent form of love to Keris’s eyes, almost childish.
And yet one cannot forget that she is ancient beyond mortal comprehension; as old as the time of men. She has seen this drama play out time and time again.
“She... does that,” Asarin says slowly, looking sad and relieved at the same time. “I don’t... I can believe that you didn’t start it. That you even might have been justified - and I know what he does to people. That idiot! Thinking he could pick up another pet! I hate it! I hate it when he does that! I know Eko and she’s a reflection of you and she said you can fall out of love easily so... so he never thinks and-”
She draws in a sharp breath.
“But you didn’t answer the question. People have killed her before, and she reforms the same. Even Ianade a few times when it looked like she was getting too close to him. But she didn’t change. Not like this. It’s like,” she lowers her voice, “like that bastard Octavian and how I heard once the earth loved him but now it screams out when he touches it. But she was once self-righteous innocence. And... she’s not doing it anymore. She’s changed. I hate her and everything she stands for, but she’s still my sister. What did you do?”
Keris blinks, her murderous calm broken. “Changed? Changed how? I didn’t... I don’t know what you’re talking about, Asarin.” She thinks back to the blur of sex and meat and pressure that fogs the windows of the last season’s memories, blurring clients together. She thinks back to the particular blend of love and hate and spite and envy that marked Balanodo’s attempt on her. What had she said and done to Sisim? She’d been working mostly off furious toxic spite and what she’d gleaned from Sisim’s fears and envies and expectations. She hadn’t bothered to commit much of it to memory at the time. It had just been whatever would hurt her most and linger.
“I... I called her out on her hypocrisy? But I can’t imagine nobody’s ever done that before, I just made it a verbal wound she’d remember. I... uh, I was mad and drug-fogged at the time, so I was a bit, um. Indecent at her. But that’s nothing new either; she was covered in passion moray scars, she’s indecent all the time and just... forgets... about it... afterward...”
Light dawns in a wave of slow, horrified understanding. Asarin, unfortunately, realises at the same time Keris does.
“Crap,” she breathes. “Oh. Oh no. I mean, we... we all knew she abused passion morays and that’s really not good for anyone, but...” The pyre of her hair dies down, slumping down to something that almost can pass as mousy brown hair. “Never, ever, ever do something like that to me. You must have put her under so much mental stress that... that she broke. And came together in a new shape. It’s like...” she trails off again. “I don’t have any fault-lines like that! I don’t! I don’t! But grinding someone up against a core paradox in their nature is like... like grating their face! Or worse! That’s... that’s...”
She slumps down in a chair, hyperventilating into her hands.
“You denied her innocent nature. She couldn’t refute you. So she isn’t innocent anymore. M-maybe she’s even picked up sorcery now because she’s never been able to learn it before. Um. And she hates you. And... uh. Kept talking about your twisted, evil beauty.”
“I didn’t... I didn’t know I could do that to demon lords!” Keris stutters, voice pitching high. “I-I-I mean, I knew you could- could change, but I thought it had to be- to be big things! Stanewald surmounted the Omphalos! Ipithymia boiled her last Wisdom Soul down and fed his corpse to a hyena to make Claudia! I didn’t think just... just enough stress could break a demon’s nature! That you can change just from... from things happening to you, not anything... important or, or kingdom-shaking, or...”
... except, a nasty little voice piped up, that wasn’t quite true was it? She already knew, in general terms, what happened when an angyalka was stopped from playing. What it did to an amphelisia to be strapped down and exposed to mirth. And she’d been thinking about madness at the time. Had... had she intended it, on some deep level? Or was it just an unlucky shot in the dark?
Gods. Could enough stress at the wrong angle have broken her own souls? Eko, who’d been within her for her first month on Ipithymia, or Haneyl, robbed of something core to her back in Chir - how close had Keris come to something similarly permanent happening to her?
“... gods and Makers, I tripped her Bans,” she swears, collapsing back onto the windowsill. “No, not just tripped. Stabbed her with them. Fuck. I didn’t know, Asarin, I swear.”
But she wants to. Now that she knows this is a possibility, a sick fascination is already swelling. Fuck Sisim. Literally. She holds no sympathy for Asarin’s fellow soul; she’d come intending to break Keris’s mind and been broken herself, that was justice fair and clear. But Keris desperately wants to see what’s become of her. How she’s changed. What it does to a demon’s nature to fracture them with their own madness like that. Both to defend against it happening to her own souls... and to use it against her foes.
“If you did all that to her without m-meaning to,” Asarin says, horror in her voice, “don’t ever try to do that.”
“I won’t,” Keris promises, shining beautiful and honest and innocent in Rathan’s light. “I’d never do that to you, Asarin. You’re my friend. I swear, you’re safe from me.”
Fortunately, it seems like Asarin is too worked up to hear the sophistry. “Oh, thank Cecelyne’s bounty,” she breathes.
They sit in silence for a few moments as the sounds of the dancers below filter up. Keris taps a nervous pattern on her book of prophetic poetry, and Asarin clenches and unclenches her fists.
“How...” Keris starts, falteringly. “Uh. How are the others taking it?”
Asarin peeks out from behind her fingers. “You’ve made enemies,” she says bluntly. “Between Sisim and the fact that he won’t stop singing your praises... only Bittesse is well inclined to you. Which means she wants you for herself, rather than letting him have you. And maybe Ianade, but she’s crazy.”
“Fuck.” Keris had half-expected it, but still. Five demon lords against her. And Bittese’s fondness is no positive. “Bitesse and Ianade’s responses I can guess at, and I doubt either of us can say what this new Sisim will do. The others?” She searched her memory. “Nexada, Obau, uh... Kugla? She’s a recluse, isn’t she? And Obau’s a teacher. Do you know how they’ll... well, vent their displeasure, I suppose.” She huffs a bitter laugh. “If anyone is an expert on how they act against their rivals, it’s you.”
“It’ll depend a lot on how obvious you make yourself,” Asarin decides, after a few thoughts. “If you’re staying clear of him, at the very least some of the others will assume you’ve already drifted out of his orbit. At least once he finds a new obsession. He’s a stupid monkey with barely any attention span, so that won’t be long. But... well, it’s not like they can fight you. Nexada doesn’t duel unless challenged, and the others are too weak. And... I think most of them will keep it fairly quiet. Because they won’t want the idea that he was visiting a...” Asarin trails away, blushing under her molten, streaked face paint, “... the Street of Golden Lanterns. And he might be distracted because he wants revenge on Ipithymia for breaking both his arms. How pathetic, to let her do that! What kind of Unquestionable lets someone do that to them?”
“A fool,” agrees Keris. “She waited until he was drunk and helpless.” More on sex and Keris’s venoms than alcohol, but Keris isn’t going to rub that fact in Asarin’s face unless Asarin brings it up. “Then went at him for trying to steal me out of contract. If he wants to occupy her attention with a war, I’m perfectly willing to let him. I’m not too fond of either of them right now.” She looks with some sympathy at Asarin’s conflicted expression. “You really are too good for him, you know,” she adds softly. “It’s not fair to you, the way things are. And I’m sorry for my part in it.”
“I’m not interested in that idiot!” Asarin fumes, ears turning red. “I don’t know why everyone thinks I’d be interested in a stupid dog who can’t ever be faithful and didn’t have a thought in his head and who relies on us to do anything! You told him you’re not interested, right? I c-could never love someone who doesn’t listen to that!”
“I’m not saying you’re interested in him that way,” Keris defends, raising her hands. “I’m just saying you’re too good for him. You know, in general. You deserve better than having to put up with all his nonsense and him being such a pain.”
“Yes! Yes, I do!” Asarin’s hair rose again, the cool brown fire licking against the ceiling. “I deserve so much better than an idiot like him! Who could possibly love someone like that! Not me! Never me!”
“This is pathological,” Dulmea observes dryly. “You spent a couple of weeks denying how much you were attracted to Ney Adami, then got over it. I really wish she would get over him, or her denial of her attraction. One or the other. And she’s so shrill.”
‘Just because I’m attracted to him doesn’t mean he’s not an ass,’ Keris replies inwardly, while her mouth spills the validation and agreement that Asarin wants. ‘But it’s not her fault. She’s as mad as Sisim was, really. She has the same kind of flaw in her base nature. It’s just that where Sisim was cast as an innocent who’s secretly lustful, Asarin’s cast as the angry rival who’s secretly tender-hearted.’ She bites her lip, smiling and nodding at Asarin’s return to the subject of Balanodo’s flaws. ‘I could break her the same way I broke Sisim, if I forced her to give up on that denial and accept her feelings. Her whole nature’s wrapped around that dichotomy between flaring anger and blushing romance.’
“And you are tempted.”
It is not a question.
‘I don’t want to to be.’ Fuck, it’s a good thing her mirrored mannerisms and Rathan’s innocent beauty are letting her keep up her conversation with Asarin on reflex. And that Asarin is holding so much of it up by herself. It means she can’t see the awful curiosity in Keris’s eyes, the urge to prod at Asarin’s denials just hard enough to watch the fracture lines spread across them. ‘She’s my friend. I promised her I wouldn’t do that to her.’
She’d made no such promise about anyone else, though. What would she do if Asarin’s sisters came for her? How might Claudia react if Keris pressed her on the almost-charity she’d shown when Keris had risked succumbing to Ipithymia’s blandishments?
The thoughts feel plump and slick in her head, like the skin of an overripe fruit straining to contain its own fermented juices. They well up from the same place as the thrashing, violent need to break things like she was almost broken, and Keris has to fight back the urge to bite down and feel them burst. She can almost hear the murmuring voices whispering all the ways she could learn from this. And the music, the wonderful piping music that dances up the higher registers that sounds so much like the music she plays on the strings of Time. Yet her hands are still.
“Did,” she says, louder than she needs to, trying to ignore the intruding sounds, “did you- if you’re here, did Eko come back with you? I’ve missed her this past month or so.”
“She came back with me,” Asarin says. “I didn’t want to fight with you in front of her, and she was more than happy to go speak to the daughter of Lady Sasimana.”
“Good,” Keris sighs, relieved. “Good. I have... a few things I want to talk to her about.”
If only talking to Eko was as easy as Keris thought it would be. If only Eko wasn’t convinced that Keris just needed to talk to Sasi about her feelings and then within one conversation they’d be hugging it out.
Which is how Keris finds herself in Sasi’s parlour, pestered into a variant on her favourite red dress atop Strigida’s tattoos, trapped there because Eko has Aiko on her lap and is refusing to leave to talk to Keris until she, Eko, Aiko and Sasi (and Prita) have had ‘family time’.
It’s stiflingly awkward. Keris isn’t sure how much Aiko knows about the rift between her mother and her aunty, so despite Eko’s meddling, she can’t tell her daughter to knock it off. But at the same time, she can’t have any kind of meaningful conversation with Sasi. Even if they were in private, she’s just not ready yet. She doesn’t know if she can trust her ex. If she can bring herself to.
So she keeps the talk light and superficial. She dodges Sasi’s careful probes and inquiries about her health and how well she’s been sleeping. She deflects Eko’s increasingly unsubtle attempts to push her into addressing Sasi with jokes and quips, and she focuses, like a woman overboard grabbing at a life ring, on Aiko; the only innocent and safe conversational partner in the parlour.
Keris would honestly be willing to listen to and sympathise with nothing but an exhaustive recounting of a seven-year-old’s lessons peppered with complaints about Hanily, but to her pleasant surprise it turns out Aiko does actually have something interesting to share.
“So that was an official job, when you and Iris came to fetch me, was it?” she asks, making sure to sound very impressed.
“I am officially Lady Lilunu’s maid of honour,” Aiko declares proudly. “She made me a whole set of outfits for when I’m serving her. Do you like them?” she adds, a little nervously.
“I’ve only seen two so far, but they’re both very pretty,” Keris praises. “You look very professional.” She shifts in her chair to get a better look at Aiko’s current attire - for according to her she’s on-duty right now.
This outfit is another suit like the first, but rather than the adorable tailored little jacket, Aiko wears a heavily embroidered waistcoat over her white blouse that depicts a pair of many-headed dragons facing each other across her silk neckscarf. Her shoes have the tiniest of training heels; flat wedges no more than a centimetre high, and she has a narrow-brimmed hat sat squarely on her immaculately cut hair.
It’s all Keris can do not to coo at her.
Aiko relaxes at the praise. “Lady Lilunu says that my duties are to brighten her day, to entertain her, to keep on being ‘adorably serious’, and to look after you and Mother,” Aiko reports.
It’ll be much easier for her to do her duties when mama and Sasi spend time together, Eko quickly adds with a tilt of her head. Think of poor Aiko having to run between two places to keep an eye on them both.
Keris smiles awkwardly and doesn’t answer that, instead glancing briefly at Sasi’s unreadable expression and then turning back to Aiko. “Well, you’re doing a very good job,” she says. “How have you been entertaining Lilunu? Besides helping Prita sell her things from her smuggling business,” she adds with a knowing glance at the shameless little szel.
Prita nods seriously. In Hell Prita had hardly any rights before Lilunu was so generous and kind to make her a citizen, and so she will never forget Aiko’s kindness in being her princess-dono in whose name all the transactions were done. Because Prita is the bestest best friend she has made sure that Aiko is a very rich lady which will help her get married when she wants to fall in doki-doki love.
Aiko blushes. “Prita!”
“Aiko can marry who she wants, when she wants,” Sasi says firmly. “And it’s too early to be talking about it seriously.”
Aiko gives her mother a grateful look. “Yes! Yes! And also also also Lady Lilunu got Lady Asarin to bring an old Shogunate game which is like acting but with tiles that mean there are rules for what you can do. I’m a sorcerer and I can play magic tiles and infrastructure tiles,” she declares.
“Oh yeah?” Keris’s hair shifts with interest where it’s risen up like a bird’s spread tail feathers, folding closed to flick from side to side before fanning out again. “How does that work, then?”
This is either the wrong question to ask or exactly the right one. Aiko’s eyes light up, and Keris is subjected to an extended and in-depth explanation of a Shogunate game called Heroes of Hollow, which seemed to be some combination of cooperative improvised storytelling and Gateway-like battle simulating board game with a chance-based tile-drawing element. Keris follows about a third of the explanation and understands even less than that, but picks up enough to figure out that Asarin has been visiting Lilunu more often and that they seem to have become friendly acquaintances. Eko evidently suggested playing a game, supposedly to keep Aiko and Prita happy and more likely to give her friend an excuse to visit the Voice of the Yozis more often and thereby enhance her status, and apparently Lilunu has taken very enthusiastically to playing a ‘ronin’ character and has already produced a small gallery of artwork about the things their little group have achieved under Asarin’s direction as the board-director.
Keris doesn’t really see the appeal of it all, but Aiko seems to be having the time of her life with it. And it has at least made her warm up considerably to Lilunu; she’s no longer acting at all scared of her, even very seriously promising to show Keris some pictures Lilunu had done of her Earth Aspect sorceress and to take the rules back to Saata to teach to the twins.
“... and Hanily can play too, I guess,” she adds huffily. “As long as she doesn’t do what Lady Lilunu said Lord Ligier did when she showed it to him.” She pauses, glancing up at the green sun. “Which isn’t a bad thing,” she added hastily. “It’s- it’s probably just because he’s such a good general. But she said he read over all the rules and made some little moving figurines for it but then when he was going to play he turned out to have picked all the options that worked together with loopholes and clauses in rules so he could win all the challenges by himself and never be bad at anything he did. And Lady Lilunu said that wasn’t really the point of the game, so he didn’t end up playing with us.” She looks more than a little relieved at this. “But Lady Lilunu is very good about not taking advantage of the rules! She’s had to tell Lady Asarin off three times for going easy on her! And she always accepts it very graciously when she draws a bad hand of tiles!”
“I played a few similar games at secondary school, but I think this might be the ancestor of them,” Sasi contributes. She pulls a face. “They play differently enough that my first tile-set I picked simply didn’t work at all.”
Aiko nods. “That is why Asarin told us to take one of the pre-made sets,” she chides her mother.
Keris is... a little surprised. Aiko is usually such a shrinking violet that she never tells Sasi off. That this game helped her to be confident enough to tell her off even over such a small thing...
“Well... I look forward to you bringing it back with you when we go home,” she says, a little nonplussed but willing to support anything that gets Aiko out of her shell. “I’m sure the twins will love it.”
With a sigh, Aiko pulls a face. “They’re both going to be bad at it, Aunty Keris,” she informs her. “Ogin will play just like Lord Ligier wanted to, and I’ll have to keep on reminding Kali of all the rules because she won’t listen whenever I explain them.”
Hiding a smile - Aiko’s not wrong on either count - Keris pats her sympathetically on the shoulder with a hair tendril. “Well, as practice,” she suggests, shooting Eko a meaningful glance across the table, “why don’t you go over the rules again with your mother, so she can give you some feedback about how well you’re teaching them? Eko and I have to go have a meeting at my townhouse now, but you can explain more about it to me and show me Lilunu’s gallery of all your accomplishments next scream.”
A meeting with whom, Eko’s hunched shoulders mulishly inquire. Pretty rude of this meeting to interfere with family time.
“No, no, she’s right, if she has duties to attend to of course you should go,” Sasi says, her smile perfect and fake.
a doll’s empty smile in a porcelain face-
“It-” Keris starts, and breaks off with a grimace, quickly controlling her flinch. She can’t really say that it’s a meeting with Orange Blossom. “It’s very important,” she says instead. “And it concerns you, Eko. Personally. So sorry to leave you like this,” she adds to Sasi and Aiko, leaning in to hug Aiko, quick and tight, and then offering Sasi a much more restrained clasp of hands.
It’s subtle enough to pass under Aiko’s notice, but she feels Sasi flinch as she does, and tastes something sour at the back of her throat. The lack of trust goes both ways, apparently. Not that it’s surprising after the supernatural terror she’d scoured Sasi’s mind with in the process of fixing her.
Settling her hair down from where it had half risen, Keris finishes her goodbyes and drags Eko out, setting course for her townhouse across the Conventicle with her fifth soul on her heels. Neither of them are happy with the other, and half-heard music and babbling nonsense-voices fill the hollow spaces in the air between them.
Eko whirls and jabs Keris in the chest with a lock of hair. Why does she hate Sasi and was about to attack her right in front of adorable smol Aiko, huh, she demands.
“Att- I wasn’t about to attack Sasi!” Keris objects, batting the hair away. “Why would I attack her? I put a hell of a lot of effort into helping her! And I don’t hate her either!”
Really, Eko’s gesture asked mockingly. Then why is she going all attacky and scorpion hair and never not looking at Sasi like she’s something that’s a danger, huh, Eko demands.
“I’m not-” Keris objects. But she’s cut off mid-sentence by another source.
“You were, child.”
Keris gapes for a moment as the streets and gardens of the Conventicle flash by, Eko still scowling in front of her as she runs backwards with sure-footed ease. “I- what?”
Dulmea’s melody is sympathetic, falling to a minor key. “I have watched for years through your eyes, child. I know your patterns and your habits. You let your guard down rarely, and only around those you trust. And Sasimana is no longer afforded that status. You watched her constantly throughout that meeting. You moved to keep an open path to at least one door and window at all times. When she moved, even so much as to sip her tea, you responded - in small ways, subtle ways. Ways you have been trained in. Tensing of muscles, planting your feet under your chair in case you needed to leap to your feet. Keeping an arm or a lock of hair ready to block anything she might hurl at you; another to return fire with anything in reach. Both times she was close enough to touch you, your hair rose defensively behind you, for what purpose I cannot say.”
Eko, guessing the broad content of what Dulmea is saying if not the specifics, nods firmly and smacks her fist into her palm. What’s mama playing at by being so mean and rude, she demands. Sasi noticed too! She was really upset about it behind her fake smiles!
For a few seconds, Keris runs in stunned silence. The memory of her altercation with Claudia on the Street fills her mind; the way the demon lord had brought up her past with the Blue Order and Pekhijira had responded - even as Keris panicked and stuttered - by pointing a fanged hair-tendril at the back of her neck. Keris hadn’t even been aware she was lining up a kill shot on her friend until Claudia had noticed the vicious maw drifting towards the top of her spine in a mirror - and she’d not been best pleased by it.
Now she was doing that with Sasi, too?
“It is something you do with everyone, child,” Dulmea says gently. “Though you are subtler about it when you play your mortal roles - you disguise your shifts in stance better, and keep your hair tame and quiescent. Most, I believe, fail to notice what your movements mean, and certainly in Hell where you hide them least, few would be surprised at such paranoia. But only those you trust prompt no response at all. It is nothing new. You have always kept an eye on the exits whenever you enter an enclosed space, have you not?”
“I... I guess I have,” Keris admits. It’s not that she’s surprised in principle. She can even remember times she’s been aware of tracking every movement of a possible threat, or when her attention has been drawn suddenly to an out-of-place noise. That she keeps her guard up on a level below her attention isn’t hard to accept.
But that she’s so clear and obvious in her loss of trust in Sasi - enough to unintentionally rub it in Sasi’s face throughout their time together... that’s unsettling to learn.
“I- I still don’t see what I can do about it, though,” she stutters. “It- I mean, from what you’re saying, it’s reflexive. She hurt me. How can I help tensing up when she comes close?”
“Perhaps you can do nothing about it, for it is the Serpent-Queen’s doing,” Dulmea says sadly. “You do not feel safe around Sasimana anymore. And you trust your instincts over your conscious mind.”
It’s in a conflicted, unhappy mood that Keris arrives back at her townhouse, and immediately makes for her office with Eko in tow. The space is at last familiar, and she breezes past Rounen’s unoccupied desk at the door with a relieved sigh, beelining for the big tank of colourful Southwestern fish in the corner. Feeding them gives her something to do with her hands, and by the time she’s finished with that, she’s calm enough to slump down on the couch that faces the floor-to-ceiling windows on the adjacent wall and admire the view out over the gardens and the lake.
“Eko, stop pacing around my paperwork tables and come sit down,” she calls over her shoulder. “This is important. And about... what I’m going to do about what you did, back on the Street.”
Eko glares at Keris, mid-way through doodling some esoteric proof in what look almost like Silurian symbols over Keris’s receipts. Yeah, her sulky posture indicates. What?
Keris takes a shaky breath. Eko’s little stunt in trying to force her and Sasi together has left her a lot less inclined to think positively of her daughter, despite having had this planned for quite some time. But on the other hand, putting Eko at a distance where she can’t meddle any further is attractive. And of course, most importantly, Keris made this decision because regardless of how she feels, it’s something Eko deserves.
“I do have a meeting coming up,” she says, patting the couch cushion beside her. “With Orange Blossom. She’ll be here in about...” she checks the time with Dulmea, “... fifteen, maybe twenty minutes. If you say no to what I’m about to offer, then you can hide or be a servant before she gets here, and it’ll just be a meeting you can listen in on about,” she nods at Eko, “where and how we can talk about her paying back the debt she owes me. She’s made noises about maybe coming around on supporting me in an upcoming vote; you know the one.”
She folds her hands in her lap. “But if you agree, then you’ll meet her. Because I want to send you with her when she returns to Creation at the end of Wood. Not to stay with her, only as far as getting across the Desert. I want to send you to the Scavenger Lands. For three reasons.” She pauses, watching Eko’s initial response.
Eko’s white jade mask fluctuates between expressions, confusion clear in her gestures. If Mama is trying to get rid of Eko because Eko understands that she and Sasi are meant to be together--
“I’m not.” Keris’s tone is serious. “I’ve been planning this for more than a month. Firstly, Claudia promised me the souls and skins of the Blue Order in return for my work on the Street. She’s held them captive for more than a century, and they’re my people, my order, my brother- and sister-initiates, even if they’d have spat on my branch of their faith. They deserve to be free, and they’re mine now; she’s delivering them into my hands sometime in the next few days. So one thing I want you to do is deliver them to Zanyi. I’ll send her a dream filling her in, and you can make sure she can truthfully say she won them back from a demon lord or stole them off you or... something, you can decide between yourselves. It’ll give you a chance to see her again, too, which I bet you’ve been wanting.”
She clears her throat, twisting her fingers together. “Secondly... Bloss’ll be aiming to come out near Terema, which will put you not too far from the area of the Scavenger Lands that Calesco is searching for the history of the Blue Order in. If she gets in trouble, you’ll be only a day or two away from supporting her. I don’t want you going there to support her unless she gets in over her head, but I’ll let her know that you’re in the general area on a separate mission and that she can call you in as backup if she really needs to. You can even join up with her as she makes the trip back, if you really want to.”
Eko cocks her head, eyes narrowing. And third? the tilt of her head says suspiciously.
“Third...”
Keris stops to take a breath.
“... third,” she continues quietly, “I’m showing that I trust you. I was wrong to ground you last Calibration. It... it probably saved my life, or at least my soul, that I did. It meant you were there to cut me loose from what Sasi was doing; you saved me. But the fact that you did that just proves that I was in the wrong; you shouldn’t have had to take that responsibility on your shoulders. I’m... still kind of annoyed that you won’t tell me what you were doing for most of that year. But you’re right. You’re all grown up. And-” Keris gulps, feeling a lump in her throat. Tears sting at her eyes. “A-and I’m proud of you, Eko, I really am. Even when,” a watery chuckle escapes her, “even when you’re being a meddling pest like today, I’m proud of how much you’ve grown and I love you and I don’t tell you that enough. You’re not a little kid following in my wake anymore. You’re a young woman with friends and... and plans and schemes and mercenary work outside of me. And I don’t have the right to keep you leashed anymore.
“So I’m going to let you go off to the Scavenger Lands with Bloss, and if you want to run around the Hundred Kingdoms exploring ruins and spreading mischief you can, and if you want to negotiate some work with Bloss you can, and if you want to peel off and do an internship with... with Ney,” Keris smiles fondly, “then I’d say that would be a great idea, and I’ll send him a dream letting him know you’re coming alongside the one to Calesco. But the point is, it’s up to you. You’ll be off on the other side of Creation. I won’t be able to pull you back within me, and I won’t be able to track you down and bring you back until you come of your own accord. I’m letting you go to prove I trust you to come back when you’re ready.”
Eko considers this. Then, a drop of blood leaks from the eyesocket of her mask, before she blots at it with her sleeve. But what if Mama is in danger without Eko there? Or if she’s lonely or...
“Rathan, Vali and Zanara will be back by the time I get back,” Keris reassures her. “And in Saata I’ll be safe and far away from any demons. I’ll have Testolagh within range to help with any physical threats, too, and you know he’s got a stick up his butt, but he’s a good fighter. Don’t worry about me. If you want to go, go.”
Eko scuffs her feet. She has missed her darling imouto-chan Calesco.
“Alright,” Keris says. “In that case, I’ll give you the souls and a few of the artefacts from Claudia that deserve to be returned to Heaven once I get them, and right now...” she consults Dulmea again, “you have about ten minutes to change into whatever you want from my wardrobes and get back here to wait for Bloss to show up. After all, we’re going to be selling her on taking you as a mercenary bodyguard,” she grins, “across the Desert and its perils. You want to give her a good first impression, don’t you?”
There is a little smile on Eko’s lips. Well, if Mama insists, she indicates, before vanishing off.
When Orange Blossom is shown in several minutes later, it’s to find the paperwork tables covered by sheets, Keris still in the couch by the window looking out over the garden, and a figure she’s never seen before occupying the chair behind Keris’s desk. Eko has the chair tilted back on two legs and her feet up on the desk’s surface, and is doing idle tricks with a spiked bandalore to pass the time.
She makes for quite a sight. Over the calf-length boots of behemoth hide she picked up at some point during her time with Asarin, she’s found a pair of pleated white hakama in the Shogunate style, so broad at the ankle that they look like a skirt when she stands. Her blood-red shirt is so heavy with frills that it’s a wonder the cloth can support them, the long sleeves loose and puffy, and over it she’s fastened a breastplate she dug out of Keris’s armoury that looks like copper but sounds more like jadesteel in how it takes impacts. She’s back in the stylised white jade mask she picked up a couple of years ago, over which - for reasons fathomable only to Eko and possibly szelkeruby - she’s fastened an eyepatch with the Old Realm character for “Insight” embroidered on it, covering her left eye. Her red and white ribbon-hair flows loose and free behind her from under a black headscarf that completely covers her scalp and neck.
She raises her free hand and waggles her fingers at Orange Blossom in a wave without looking away from the bandalore, which is currently sliding up and down its own string in a way that doesn’t look conventionally possible without ignoring several laws of gravity and friction.
“Orange Blossom,” Keris says in greeting, turning on the couch to beckon her fellow Director over. “I’m glad you could make it, come, sit with me. I have an offer for you.”
Orange Blossom glides in, dressed in an all-white dress-suit of a Nexan style intended for men, but which she’s feminised by form-hugging lines and an open collar which shows off her elaborate white jade necklace and just a hint of cleavage. Behind her follows Saride, her emissary-soul, faceless and ruby-horned, lit by the scarlet mandala that floats behind her. She has changed a bit since the last time Keris saw her; Saride now has obsidian spikes on the tips of her horns and black patterns that spiral over her too-pale skin. It brings to mind those horse-like creatures of the South that Keris saw on the plains in the north of the Fire Mountains.
“Keris, you’re looking ravishing,” she declares. “So nice to invite me - and this is?”
Keris stands, moving round to sit on the back of the couch. “Orange Blossom, Saride, this is Eko; my fifth soul and firstborn daughter. Eko, Orange Blossom I’ve told you about and Saride is one of her souls - her carmine emissary.”
Eko bounces up out of the chair and vaults the desk in an inhumanly graceful motion, sweeping into a deep and florid bow upon landing. She’s delighted and intrigued to meet one of her mama’s respected peers, her gesture says, and pleased to introduce herself to the Director her little sister Haneyl had such eloquent things to say about. And, she adds with a tap of her nose, it’s always nice to meet another Infernal soul. The slight jerk of her chin and friendly wink carry layers more meaning, but those are meant only for Saride, and Keris can’t decipher them.
Orange Blossom is at ease here. She isn’t the first of Keris’s souls she’s seen, and from the little twitch of her expression, she sees Eko as something of a clown.
But Saride is scared of her. Is it a threat Eko made? No, Keris doesn’t think so. She’s a threat because of something Saride saw about her immediately, not something that Eko said to her. Keris keeps an eye on the other demon lord as the pleasantries continue, and... hmm.
She thinks Saride is scared by the silent, Adorjani nature her daughter displays.
((Picked up on the 3-dot “fear of Adorjan” of Saride))
“Eko,” Keris says once the small talk has wound down, “has a small errand to run for me in the Southeast - nothing that will disrupt your Directorate, I promise; just a delivery to a contact there and some research into a couple of loose ends from my past. The trip across Cecelyne can be long and dangerous, though, and Eko will struggle to get out into Creation by herself. So I was wondering if you were interested in hiring her as a bodyguard across the sands when you return to Terema in return for helping her out on the other end. I’ll deal with anchoring her against Fate, of course; your part would just be navigation and helping her through the crack in the Yozis’ prison in return for her,” Keris grins, “considerable skill in the lethal arts on the way. She can return to me when she’s done from wherever she is, so you need not worry about getting her back home either. Though naturally she’d be free to arrange further work for you if she wanted to, once she’s done with my errand.”
“Now, that is something of an ask.” Orange Blossom smiles, a hint of desire and predatory intent in her eyes. “Why don’t you simply take a trip to my area of operations? You could summon her there, and we could continue our previous talk.”
fickle coin for fleeting love, forgotten outside the bedroom-
For a split-second, Keris envisions punching Bloss in the face as hard as possible. The pulse of want is strong enough to make her whole body ache, the effort to resist like clawing her way back up a waterfall. Shrieking pipes rise over Dulmea’s music, echoing the wail of shock her ex would make, and Keris’s well-trained muscles tense to answer the urge.
She smothers it, alarmed. If she doesn’t get a handle on these violent impulses soon, she’s going to wind up hurting something. Someone. It’s a minor miracle in and of itself that Orange Blossom was too busy lusting after her to notice the shudder as more martial than marital in nature.
“Come on, Bloss,” Keris says, masking her feelings under an artfully pitiful expression. “After spending all of Earth here, I’ve got a lot of catching up to do. More this year than ever, given Iudicavisse’s decree. And I’ll need to be back during Fire to plan the Calibration festivities. I need to get back to my Directorate this coming Wood and put some hard work in for our bosses - that’s why I’m having Eko take care of this for me. Though,” she looks up through her lashes, “regarding our talk, I could certainly visit you in your dreams to finish that discussion in a more private venue, if I was getting assurance of my errand’s success at the same time.”
Eko’s white jade mask twists as she wrinkles her nose, and glances at Saride with what is no doubt a disgusted comment about mothers and indecency.
“That would be a more secure way of doing it. I find that acceptable.” She pauses, and glances at Eko. “What are your rates for jobs?” she asks directly.
Eko is delighted to answer her, pulling a sheet of paper from somewhere in her hakama that looks suspiciously like Asarin helped her design its overblown fonts and illustrations. The conversation takes a sharp turn into money, and Keris drifts over to subtly herd Saride away from the bargaining and towards the enormous slab of porcelain hanging from the wall behind her desk. On it, painted with consummate skill, is a magnificent battle scene between hundreds of demons under a great emerald pagoda, done in enamel paints that range across a thousand subtly nuanced shades of red and green.
“My lady Lilunu gave me this back at the start of our acquaintance,” Keris says to this faceless demon lord; an aspect of Orange Blossom made flesh. “Beautiful, isn’t it?”
“I must say I am no fan of the passions unchained in this presentation,” Saride says, voice clipped. “It is unchained, terrifying; it depicts death and destruction and despair en masse.”
Keris tilts her head. “That’s one way to look at it,” she grants. “But I was there when it was painted. It wasn’t a scene of chaos and death she was painting, it was one of frozen drama. All the demons she had model for it were posed, all arranged in their places according to her vision. Look past the surface of what it shows and you can see the beauty in how it shows it.” She glances sideways at Saride. “You don’t like Eko. She scares you. She scared Peer Sasimana when she first met her, for the same reasons. But you don’t need to be afraid. She’s not like her other mother. She doesn’t want to be, either.”
“Her other mother?” The words come out as a squeak.
“Figure of speech,” Keris hastily deflects. “After all, you’re born of the Great Mother, aren’t you? And at least a niece of sorts to the Shadow of All Things.”
The red glow from her mandala intensifies. “No, no, that is not a figure of speech. Your guilt, your deception - it is clear to read. She... she is a daughter of the Silent Wind. So the rumours are true about why you were banished from Ligier’s layer...”
Keris winces. “Adorjan was... involved in that, yes.” Half-subconsciously, she rubs the white scar that traces down the left side of her jaw. It’s uncovered by make-up - not something she normally does, but her skin is still healing from the sheer abuse she put it through throughout her time on the Street, and she just didn’t have the energy to brew up something that could hide the scars non-harmfully this morning. “But you still shouldn’t let it reflect on how you think of Eko. She can’t help her parentage - and she’s as scared of the Silent Wind as anyone. She’s not a threat to you, and she’ll keep you and Bloss safe from anything short of a demon prince on your way across the Desert. I guarantee it.”
“Mmm. A valid truth, yes.” Saride tilts her head. “I had not considered her use to fend off the demons of the wastes. Creatures like that Vicero, who is obnoxious and greedy. Yes.”
This sparks a much more productive conversation - or perhaps mutual bitching session - about some of the more annoying demon lords who frequent the Desert. Keris is pleased to discover she and Saride share similar views on the demon lord Florivet, namely that he’s a lustful prick who can’t take ‘no’ for an answer, and Saride tells her about another demon lord she hasn’t yet met; Quos Lux, a sibling of swift Vicero and another soul of the Blue Glass Maiden. By the time they’ve talked themselves out on that subject and admired Keris’s other huge painting - Lilunu’s self-portrait of her landscape-body that updates as the Conventicle Malfeasant changes - Eko and Orange Blossom seem to have come to an agreement about prices and settled on a prospective contract for some short-term work dependant on her performance in crossing the Desert.
Things are much more civilised than there were on the Street, and they have dinner together as equals, peers in Hell. But Keris does not have much of an appetite. She has another meeting soon, and that is one which will likely be far less amicable.
Keris is not sure as to whether her earnings, her winnings from Claudia should have taken up more or less space. They fill most of a room; dark leathery folded skins and soul jars made of Malfean bone-china and desecrated icons of the Blue Order of Venus-Phosphene the Revelator and more. They account for centuries of betrayal and witchcraft and tricks from Claudia; the dark work of the demon lord. And yet for all that Keris has been through for them, they only fill most of a room.
Claudia has the inventory for Keris to sign, acknowledging receipt of this cargo of human misery - and her eyes are cautious and watchful, focused less on Keris than on the Conventicle as a whole. Oh yes. Ipithymia’s Wisdom wants to know more about whatever events transpired that led her mistress to release Keris from her contract days earlier than planned.
It’s not making for a cheerful atmosphere. The hyena’s curiosity is driving her to chew on the mystery like a bone, and the exposure to her order’s sacred treasures and the trophies of her clan - not to mention the whimpers of the trapped souls in their glazed terne jars - is bringing the Scourge’s anger back to bear. Her hair is a living thing as Claudia walks her through the list of articles, constantly moving as if drifting on unseen currents. Terror-mist seeps from it, so dense that it’s visibly manifesting, and the serfs who have carried the lots here give the four-metre-wide circle of coiling locks a fearfully wide berth.
Here, a broken spear that once belonged to a Daiwye hero who challenged her to free her lover, and was eaten up for her troubles. There, a ritual mask of the Blue Order, the blue porcelain splashed insultingly with gold leaf. Over there, a soul gem made from the treasurer of the Blue Order at the time of its fall, taking the form of a golden egg encrusted with tiny sapphires, that shows his true loyalties at the time of his death.
Each stolen or corrupted relic makes Keris’s jaw and fists tighten. The emotional numbness that had left her feeling disconnected and disassociated upon her initial return from the Street is almost gone now, and she is angry. She is angry, she is outraged, she feels betrayed by the demon lord who was and is her friend.
And beneath the turbulent mess of violent feelings, still, there is a thrashing, howling, maddening need to break something. To cut loose and drop the fragile threads of control she’s clawed together and finally vent the turmoil she’s been feeling ever since she sliced away her love for Sasi. Her whole being feels like a stretched-out scream locked motionless and mute in her throat, and she wants it out. If she doesn’t vent it soon, she’s going to burst.
“... and sign here... and here... and here. Then one last signature, if everything in the inventory matches your expectations of our contract,” Claudia says, adjusting her spectacles.
Keris looks over it one more time. The stolen, despairing souls. The flayed skins of men and women gobbled up by a demon-witch. The sacred artefacts defiled by the marks of Hell. The indentured men and women and children of the Harlot Venus brothel.
She turns back to the contract. Without a word, she signs.
The contract vanishes into Keris’s person. “Thank you very much,” Claudia says, pouring a small cup of spirits for herself and for Keris. “To a successful and very profitable season!”
“Yes,” says Keris softly. Hooks and needles glint within her hair, and moonsilver feathers gleam under her skin in the light of the Green Sun. She hasn’t taken Strigida off once since putting it on the scream she got back.
Claudia drinks. “Oooof! That’s an excellent vintage!” she says, blinking. “By the way, have you thought about what you’re going to do with your pleasure palace on Ipithymia?”
Keris blinks as she drinks too. She... hasn’t. Honestly, despite having had an obnoxious chunk of her pay devoted to paying it off, she’d sort of forgotten she was going to keep it, with all the work involved. And now, after everything that happened to her there, she doesn’t particularly want to ever see it again. Her hesitation drags out for a long moment, before she finally shakes her head.
“You won’t want to let it to go to waste. Between the service charges and the tax, it’ll start costing you,” she advises.
“There’s ta- no, of course there’s tax,” Keris cuts herself off. “Mm. Hm. Fine. I’ll think about it.” One or two vague ideas float up, half-formed, before a much more solid suspicion elbows them out of the way. “Though I’m sure you have a suggestion.”
“If you have no plans for it - or at least no constant ones, I would be able to manage it. Or put you in contact with people who could.” Claudia rolled her shoulders. “It is what I do, after all.”
Keris regards her evenly for a long moment. “For a price, of course,” she says, her tone forcibly even. “You don’t give charity.”
“But of course.” Her smile flashed her bone-crushing teeth. “A lot of the most talented singers, dancers, and harlots on the Street have no real talent for land-management and know nothing of the webs of contracts and by-laws. But I know such things. I manage land, enterprises or flesh; they are all much of a likeness to me. And my people.”
Silence, save for the susurrus of shifting hair and the faint metal sounds from within. The mists coil, wraith-like, in clinging tendrils that stretch out like sinuous eels from the lethal swaying strands of a sea anenome.
“I made you a promise,” Keris says after a moment, “in your residence on the Street. I haven’t changed my mind about that. I still consider you my friend, but my anger hasn’t waned. And I really, really want to break something.” A convulsive shudder runs through her, heel to head, and her drifting hair spasms for a moment in a way that puts the lie to its seeming idleness.
“So if you want the profits from managing my pleasure palace - and don’t pretend my name alone won’t draw a lot of people to it for a season or so, just for my star factor alone - let’s make it part of a wager. One of our usual ones. First to submit. In the Caves of Lament.”
The fighting ground she’s named is one they’ve never used before, one with little in the way of spectator seats and less in the way of lighting. Aspected to the Ebon Dragon, it lies below the Conventicle, a set of shadowy caverns that mock a mineshaft-turned-graveyard. Gallmau layer in there, feral enough to attack any contestants who venture in, and there are animated automata made up mimic Creatures of Death to provide further malice and fear behind the tarnished golden gates.
Claudia swallows, fear clearly flashing across her features, but she settles herself. “Very well. We’ll see whether you’ve lost your edge over this last season.”
The air is thick and still down in the catacombs of the Demon City in the lowest expanses of the Conventicle Malfeasant. This is not a place for Lilunu’s beauty and carefully sculpted elegance; this is a place of dirty little secrets. A place of ugliness, violence, and filth. It was a surprise to Keris that Lilunu had made the Caves of Lament, and her lady had never really spoken of the creative impulses that gave birth to such a squalid place, or what feelings she was expressing in making it.
Kimbery’s pollutants fill the air with scent-blocking rot; the shadows of the Shadow of All Things cling to the world all too closely. No sight, no smell; only sound.
Keris was not playing fair when she chose this location to fight in.
She moves through the dark caverns, a ghost in the night held tight by a cuirass of silver feathers. The memory comes to her, sudden and vivid, of Erembour and her time as the owl-cat that had killed and killed and killed down in the catacombs where the Green Sun never shone. The first time she’d given herself to an Unquestionable not her lady, but not the last. And that, like this, had been because of strife with Sasi.
Pekhijira and Strigida purr in the back of her mind, two echoes of the same hissing voice. They are angry. They are vengeful. They want to kill something.
So does Keris.
There are shapes down here in the dark; lurching, misshapen, horrid figures that look like rotted bone and voiceless, screaming skulls. Beneath the bones are metal and cunning animating spells that give these things the look of the Dead without tainting the Conventicle with their abhorrent nature, but metal is no more proof against Keris and Vipera than flesh. The skeletal automata surge out of the darkness at her; one and two and three and four, deceptively fast and accurate despite their lurching gait. Once and twice and thrice Vipera flashes, decapitating three of them in turn, and the last one meets Keris’s mailed fist with enough force to break its skull.
She can hear the hungry gallmau retreat into the shadows, scared off by this intruder into their dark domain. But they are not what Keris is here for, and nor are the broken automata now starting to piece themselves together.
Her prey is elsewhere. Feathers rustling, pupils turning to cat-like slits behind the silver faceplate, Keris rests her nails on the ground and casts her senses out for movement in the depths.
She can hear the padding of a big dog. A hyena. She has fought Claudia’s golden eyed animal form before, and she knows its padding. And though the air currents make it too hard to track exactly where her musk is coming from, she can smell it.
Like a predator in the night, Keris circles in. Her prey is a hunter, but she is an apex predator, a hunter of hunters, and Claudia is out of her element here. The first she knows of Keris’s presence is a scything line of pain scorching down the back of her hind leg. The second sees her spear ripped from her jaws and sent clattering into the dark.
From there it just becomes a brutal, surgical beating. Vipera lashes out again and again, cutting vicious, shallow lines along Claudia’s flanks. When she snaps and bites at her tormentor, Keris’s armoured fists and feet lash out to break her teeth and fracture her jaw. Limping, she tries to retreat, only for tangling vines to burst up from the ground and snare her. She wrenches herself free with brute strength, and the razor-scaled length of Vipera’s tail wraps around her broken leg and drags her back in.
All this, without a sound. All this in perfect silence, as the terror mists thicken.
Claudia doesn’t give up. Even with the mess of one of her legs, she slips back into her human form, braces herself against the walls and yanks on the Vipera chain. She screams as it shreds her hands, but Keris is light and she bring her head in to slam her skull into the Infernal’s.
Green light blooms on Keris’s forehead as her caste mark flares in surprise. The gloom parts in this deep, dark place for the first time since its creation, and in the light of the burning empty ring of the King’s fire, Keris sees golden eyes reflecting green.
-golden eyes in a porcelain face-
-golden hands touching her, fucking her, using her-
-golden coins and golden rings and golden chains-
-and helplessness
Slitted eyes go wide.
And Keris screams.
The next minute is... dynamic. By the time it’s over, Claudia is leaning heavily on a tunnel wall in the darkness, unable to tell how far she is from where she started. The one thing she does know is that however far she’s gone, it’s not far enough.
“Fuck fuck fuck fuck fuck,” she curses to herself as she tries to push through the pain. She’s about as useless as Malfeas’s cock. One leg broken, her hands a bleeding mess of torn flesh, her armoured collar the only thing that stopped Keris opening up her throat.
If that thing had been entirely Keris. If it was, it was a part of her she forced down and hid. Like the cold killer she’d shown just for a moment on the Street.
Something shrieks in the darkness off to her left; a berserk howl of rage and terror. Red light flickers in the middle distance, and for a moment Claudia sees its source as it passes the tunnel.
The serpentine thing Keris has become is surrounded by a cyclone of crimson light flecked with mirror shards, rearing up on that enormous tail to a height of five or six metres. Skeletal automata, drawn by the light and the inhuman, mindless screams, throw themselves at her by the dozen.
They might as well throw themselves into the sky. Wings bigger than grown men scythe through them without resistance and the Keris-thing howls again, an ear-splitting screech of fury and pain and loss. The monstrous tail lashes down with enough force to send chips of rock flying up, her wings crash down over and over, and for ten, twenty seconds the creature pummels her broken foes like a child throwing a tantrum, until only splintered fragments remain.
Then she stops. Freezes. The vast wings rise again, slowly, into strike-ready postures above shoulder height. She coils around, her tail a spiralling spring, two locks of hair turning this way and that like snakes. Five vicious branch-limbs extend slowly from her spine, one above the other; each bent down like the fan of a third wing furled behind her. Claudia holds her breath and locks her muscles, permitting not even a tremor.
There! In the darkness, the wail of a gallmau blinded by hated light. The Keris-thing uncoils like a loosed arrow, vanishing towards it. One wing clips a rock formation as she passes out of sight; she seems not even to notice cleaving it in two.
The sounds of screaming and savage, senseless violence resume, at slightly greater distance.
Claudia knew going into this that Keris was an assassin and a deadly killer. She keeps her eyes on the mission boasts in the Conventicle. And she’s fought her repeatedly, and loses more than she wins. She hadn’t underestimated her.
Except seemingly she had. The Keris she had fought at first, cold eyed and angry and out to hurt her? That had been one thing. This was something else. Something far more furious and deadly.
Something that reminded her of what happened when a human corpse was pushed past its limits and awoke as a monster. Only this time the host was still alive.
Surrender hadn’t worked. It hadn’t slowed the beast that was snarling out of Keris’s face, and Claudia had gotten off lucky just being swatted aside when she’d tried. The only reason she’d survived that terrifying moment when Keris’s body had stretched and lengthened and those monstrous wings had burst from her back was the way the automata - fearless and mechanically stupid - had mobbed her as she made her position blindingly obvious. She’d barely noticed Claudia’s shout, and at this point Claudia is fairly certain she hadn’t understood it any more than an animal would have. The berserk wails certainly remind her of the way the bestial type of human dead scream and cry and laugh in maddened frenzy over their defiled homes.
So talking Keris down is out. That leaves escape. But she’d lost track of her position in that panicked minute of frenzy, and Keris’s inner beast is making the twisting, pitch-black caves even more unnavigable than they’d started. What Claudia has seen of her has shown no concern for terrain, no patience for obstacles. Anything between her and the nearest sound or movement is pulverised. Anything that gets in the way of her wings’ wide sweeping cuts and scything blows enrages and terrifies her further; she either obliterates it with brute force or disintegrates it in hungry green fire. Already, Claudia has heard a couple of ceilings collapse. If it’s slowed Keris down at all, she hasn’t shown it.
She can’t melt away and return to her lair. The magics here would stop her. Who is watching this fight, if anyone? Will they call a stop to it? She isn’t sure. Her head is fogged with pain.
Something rumbles. Music drifts through the caverns. Distantly, though her pounding head and the ringing in her ears, she hears a voice. Lilunu. Distant, speaking through her landscape body near Keris. Probably alerted by the damage to her flesh. She sounds worried, placating - but not frantic. There’s tight control in her tone as she addresses the berserk monster in its halo of terror-mist; the way an expert sorceress approaches a working they know is dangerous and volatile. From the renewed bout of screaming and shattering sounds, she’s having only moderate success.
Behind Claudia, stone slides over stone. A passage opens behind her, where her bleeding back is pressed against the wall.
She can’t walk. Not as a human. But as a hyena she has one good leg and two that can just about support her. That’s enough for her to pull herself out.
“Forfeit,” she gasps to the Conventicle Malfeasant. She needs to get that out. To make it clear. “I forfeit!”
Two sets of hands grab her, one silk-gloved and one wooden, and she’s helped away from the passage that seals behind her. Lilunu stands straight-backed in front of the barred gates, her eyes closed and her fingers laced tightly together. Even as Claudia watches, the gates shudder from an impact and dent outward slightly. Lilunu’s lips move, and her voice comes from within the caves again, drawing the crashing sounds away.
“Your forfeit is noted,” says the wooden demon with fiery eyes that’s supporting her right side. “Peer Dulmeadokht will contact you about what you owe her for the loss once she’s... calmed down.”
“Doubt she’ll want her usual price,” mutters the yellow-clad one on her left. “My lady? Where should we take lady Claudia? The gates back to her greater self are, uh. Still welded shut from your return.”
The rainbow-eyed demon princess looks Claudia over, and for a moment she feels a terrible, crushing pressure like the full attention of Lilunu is on her. She brushes her left hand over Claudia’s shoulder.
“Take her to the room of beautiful flesh. I think it’s better if she’s patched up. And I want to make some sketches of her while I’m at it.”
Claudia has never been let into any of the personal areas of the Conventicle Malfeasant, and the workroom - or from context, one of many of the workrooms - is not what she would have expected. Oh, she can see the value of everything here. This place would cost a fortune to outfit in the markets of Hell. Just little things like the surgical equipment that lay neatly placed in shadowcloth-lined boxes or the paintings on the walls were masterpieces.
And yet it is... understated. Not like anything that she or Ipithymia would outfit. The walls are white, where they have not been painted with anatomical diagrams or used as a chalkboard. The tools are made with an eye for function - a beautifully honed functionality, but only that.
“Strip,” Lilunu orders without any doubt that she’ll be denied as she dons long, perfectly fitting white gloves. “Given my Keris’s fondness for poisons, I’m probably going to have to purge you of toxins and that can be an awfully messy process. So let’s not get your clothes ruined.”
“What...” Claudia starts, and pauses to consider how to phrase her question to get a meaningful answer as she obeys. Lilunu’s comment about poison has her heartrate ticking upward steadily; her broken leg has gone alarmingly numb in a way that’s far scarier than the throbbing pain had been and as she struggles out of her top, she catches a glimpse in the mirror of toxic-bright veins spreading out in purples, blues and greens from the shallow cuts that lace her back.
“What caused her to take that form?” she asks, forcing down the alarm over what exactly she’s been dosed with. “And what nature did it spring from? It didn’t look like the Silver Forest.” Her fingers, trembling slightly, drum on her better knee. Perhaps appealing to Lilunu’s concern for her Voice will get her talking? “I would rather not face it again,” she adds. “And it didn’t sound like she enjoyed using it.”
Lilunu’s fingers are already at work, but she seems to barely be paying attention as she fishes out tiny flecks of vicious fragments of silver from Claudia’s hands. “Do you know all the pain of the Yozis?” Lilunu asks. “No, of course you do not. But my princes and princesses do. There are facets to the Yozis that they do not show others.”
Baring her teeth in a grimace, Claudia can’t stop a pained growl from rumbling up out of her chest. Unlike the leg and her back, she very much can feel her hands. She wishes she couldn’t. She’d seen Keris handle her spear without batting an eye, with and without gauntlets, but grabbing it had felt like closing her fists on broken glass.
“I suppose-” she grits out, but is interrupted before she can get any further by a female demon with vestigial dragon-like wings and scales and horns poking her head into the room.
“My lady, Gora reports that Peer Keris has finished destroying the last of the automata within the caves and has fallen silent,” she reports, coming over to Lilunu and lowering her voice but underestimating Claudia’s ears. “He cannot locate her, but believes she is hiding and will emerge once she has rested and recovered herself. I’m afraid the damage to the caves is extensive, though.”
Lilunu pauses, wiping her brow against her bicep. “Oh, for goodness...” She huffs. “This is a pain! An awful annoying pain! Fixing all that place... but oh, I didn’t like it very much anyway. Ah well. I might need to replace it. Or think up a new underground feature.”
Claudia gives that some thought, and shudders. The entire arena destroyed by Keris. How?
“I’ll go prepare Keris’s rooms,” the demon says, curtseying quickly. And though it looks like the act of a serf hurrying to get out of the way of an irritated mistress, Claudia watches her go with interest. She’d called Lilunu ‘my lady’, the same as Keris did. And she’d called Keris by name. Not innately suspicious, but it’s strangely informal for the circumstances; Claudia would have expected more elaborate titles and ceremony. Like the room itself, it’s an interestingly understated dynamic between the Conventicle and her servants.
The door closes behind her, and Claudia realises now that the room has emptied out. Just her, and the demon princess. Who has a lot of sharp things close to hand. And is Unquestionable. Who could kill her right here, right now, and the law of the Desert would consider nothing wrong to have been done.
“You are a little idiot, aren’t you?” says Lilunu conversationally.
That was not what she expected, and something of that must have shown in her expression.
“Because,” Lilunu says in response, “you knew Keris was wound up. You know she’s one of the most deadly assassins in the All-Thing, and she doesn’t fail her missions. And yet you went and picked a fight with her.” Her scalpel gleamed in her hand. “When you and your greater self have been treating her as a thing all season. And she tried to steal my Keris from me. Which makes both of us very, very unhappy.”
“... peer Dulmeadokht was the one to challenge me, your majesty,” Claudia says carefully, hairs rising along her spine. “We have held such friendly sparring matches before, to our mutual enjoyment.” Her eyes flicker to the door, uncomfortably aware that she might be no safer here than she had been in the caves. At least this sterile white room is free of the choking fear-mists that make it hard to think. “I assumed she would not offer a challenge in that vein if she still felt...” the scalpel glints in Lilunu’s hand, and Claudia almost stumbles over her words. “... unsettled,” she finishes, masking her fear.
“You don’t believe that, do you?” It’s a question, but it’s not really a question.
“Peer Dulmeadokht... believes me to be indebted to her in some way, despite having profited greatly from her season on the Street,” Claudia admits. The notion rankles her, but she knows better than to show it. And while she cannot give charity, she knows that this information is the cost of leaving the Conventicle safely. “I am accustomed to wagering my body in our matches, if not in this fashion, and she implied during her subcontract with me - through which you were able to assure yourself of her wellbeing - that she would consider our grievances settled after our next match, in which she would hold back less than usual. The value of resolving her enmity outweighs that of a few weeks spent recovering from a hard loss. And I believe - believed - our friendship would hold her back from dealing fatal or crippling blows.”
Lilunu’s nose wrinkles up at her words. “Do you really think Keris thinks like that?”
Claudia cocks her head. “Does she not? We have spoken about my nature, she and I, and I have watched her interact with others. She assesses debt and credit differently than I, but she is scarcely less bound by them. She pays back what she is paid and responds in kind to others. And so, having taken out her wrath on me in battle - more so than I think she planned - my ledger with her is cleared.”
“Did Ipithymia tell you to make yourself a target for Keris’s anger directed at her?” Lilunu asks, eyes suddenly sharp and brighter than before.
Claudia stiffens very slightly and keeps her mouth shut for the split second of shock at the sudden, piercing question. After deliberately suppressing every tell she has, she blinks languidly up at the demon princess. “I apologise, your majesty, but my arrangements with my greater self are under strict confidentiality agreements. I cannot share the details of my work for the Street without falling into breach of contract.”
“Of course not,” Lilunu says. She sounds sad, and Claudia doesn’t know why.
And then comes the unpleasantness of the antivenin, and Claudia descends into a nauseous haze.
Displeased, yet thoughtful; the lady Lilunu retreats to her private quarters to refresh herself and ponder the events. There is a message there from one of her maids saying that Keris has finally collapsed, and they have taken her to her townhouse to sleep off her no-doubt fearsome exhaustion and oncoming headache.
Lilunu hates that her Keris has lost control like this - that she loses control just as Lilunu can, albeit not in the same way - but it is not exactly inconvenient for her right now.
She calls for her servants to deliver her a collection of sweets, treats, and artistically pleasing brightly coloured foodstuffs to her own previous instructions. And counts the servants who deliver them, paying attention to each one’s face. When she finds that several of the cakes are missing, she smiles, because the bait has been taken.
“You know, Eko,” she chides fondly, “stealing from an Unquestionable like this is something that would get you in a great deal of trouble if you were dealing with someone other than me. I do hope that I don’t have to find out that you have been light-fingered in the treasuries and affairs of my peers.”
Completely silent shock emanates from behind her. There is no satisfying clatter of a tray being dropped or a chair being knocked over by an unwary stumble, but her Keris’s firstborn is far too graceful for such mishaps. Lilunu doesn’t turn around. Instead, she eats an aniseed cake, hiding her smile behind the sweet hard crust.
After a moment of wary quiet, a masked face pokes into her vision from the left and sidles over to sit down opposite her, one leg bouncing rapidly. Honestly, Eko’s shrug over a double-handful of stolen confectionary says, there’s too much here for Lilunu to eat anyway, so really Eko is just doing her a favour. And, she adds with a ducked chin and a mournful look up through her eyelashes that somehow translates through a solid mask of white jade, she’d never stolen anything from the Conventicle’s treasuries or her armouries ever, so that part was just hurtful accusation.
“And no doubt if I were to tell you that I were having an audit, everything would be back in its place with none the wiser, mmm?” Her smile is a gentle one. “You put a lot of yourself into the szelkeruby, didn’t you? They give away secrets about you and my Keris that you don’t want others to know. Like that sweet little child Prita, who I am afraid Keris thinks cheated me by overcharging for the po-silver from her inner world.
“But I, and I think you, know better. Firstly because there was no other way to get the po-silver. But more importantly, by letting Prita think she can cheat me, by giving her a home in my Conventicle, by giving her citizenship and a title and a warrant of trade... I don’t have to chase her down when I want something. She’ll come to me, offering me what she thinks I’ll want, because she thinks I’m a friendly, albeit foolish patron, and she’d feel bad about cheating me too badly. Because, Eko, you put your -- and my Keris’s -- soft heart into them, didn’t you?”
Lilunu is privileged, just for a moment, to the rare sight of an Eko stunned and speechless. A cinnamon roll pauses halfway to her mouth and drops out of slack fingers to land in her lap. Her hair ribbons - the only part of her body visible - bleed to red, and little pink-tinged gusts whirl embarrassed over her cheeks.
She covers for it well. After only a moment of stupefaction at the mortifying experience of being known, her back straightens in indignation and she points wildly at Lilunu, gesturing with the other hand in outraged, inelegant motions. Her hair whips back and forward as she shakes her head and stamps her foot, but her stuttery flailing communicates nothing concrete beyond her shock and affront and... and affronted shock at being... at being so...
“So understood?” Lilunu asks, one teasing brow raised and amusement twinkling in her many-changing eyes.
So taunted! It’s rude to go around spying on a girl’s first-time creations that she made when she was little to sneakily try and work things out about her that they only give away because she didn’t know about hiding things yet! That’s not playing fair!
“Eko, I do believe you have never played fair once in your life,” Lilunu says, for the joy of it if nothing else.
Untrue! Untrue! Eko’s gestures are getting frantic now, and there are definite spots of red on the cheeks of her mask. A droplet of blood leaks from her nose and trickles down to her lip. She’s the fairest player ever and it’s mean to set a trap for her like this! What does Lilunu have against her that she’d use sugary treats and pastries - which are very tasty and Eko would like the recipe to pass back to Haneyl when she next sees her - to lure her in to be made fun of like this?
“No, no, after playing this mean little trick on you, I do insist you eat your fill,” Lilunu offers, feeling a little bit bad for how being called out hurts Eko. She has immersed herself in the filthy, stagnant lake that is Elloge, and she does not enjoy the feeling; she recognises its marks on Eko. “Because before we are serious, you might as well enjoy the works of my chef -- and my own recipes which I must confess I made to lure you in.”
Grumbling - but also seeming quite pleased at the forethought and personal care put into the meal - Eko digs in. She’s remarkably unconcerned now that the topic has shifted away from the soft, vulnerable emotions she tries to keep hidden, even in the knowledge that she’s been deliberately lured into the sanctum of a demon princess for something serious. It’s an arrogance Lilunu has only seen flashes of in her Keris; the self-assured cockiness that comes from the knowledge that virtually nothing can hurt or contain her should she choose to fight, layered paradoxically thin over the terror of those few beings or situations that can - or which she cannot leverage her strength in battle against.
“I must thank you for introducing me to Asarin,” Lilunu adds, to flatter her further. “She is a peculiar little creature with such a fascinating obsession with the Dragonblooded Shogunate - and such knowledge about it. I have managed to learn things about their art that I hadn’t known before. And of course, that game is quite enjoyable.”
Eko preens, her body language and unspoken dialogue somehow shifting in the subtleties of how she sits and moves to lend an aristocratic accent to her silent meaning. Her darling best friend is a truly wonderful conversational partner, and entirely delightful to spend time with. It is only right and proper that she’s getting her chance now to move in circles more appropriate to her inherent nobility and romantic heart than brutes like that, ugh, Octavian fellow.
Lilunu lets Eko talk. For someone who is silent, she is a chatterbox - and more than that, not very guarded in what she talks about.
Of course, it doesn’t take any particular social savvy to know that Eko is worried about her mother. Because Lilunu is worried about her too. She watches and listens as Eko’s praise for her bestie segues first into complaints about the other souls of the Prince of Leeches, then a series of technically heretical insults heaped upon Balanodo himself, and from there into a torrent of verbal abuse poured out on the Street of Golden Lanterns.
And lastly - her tongue and hands perhaps loosened by the sugary snacks - alongside her invective for Ipithymia, Eko expresses her frustration at Keris herself. For taking the contract in the first place. For refusing to just make up with Sasi so everything can go back to the way it was. And (she adds with subdued and almost imperceptible motions) for what Eko had to do before Keris sent her away. She’s forgiven Sasi for that, so why can’t Keris already?!
Lilunu, fortunately, has very little respect for Balanodo - though he has never been anything less than polite to her. But from what she has heard, she suspects that this might have been because of words her love exchanged with him. And that is another thing which is starting to make her uncomfortable. The Prince of Leeches is a bad prince who doesn’t care for his people, and that offends Lilunu. He has the power to be as shoddy as he is, but just because he has the power and the legal right doesn’t mean... doesn’t mean he shouldn’t try to be better! And she’s talked to Asarin, and Asarin is an interesting woman with her own hobbies and a fascinating depth of knowledge about Shogunate art and games which Lilunu greatly enjoyed conversing with her over.
Doesn’t she deserve a prince who appreciates her for that?
But that is something for later, because she listens to the voiceless rambling of Eko about Keris -- and listens to the unspoken words between the... unspoken... words - and it’s just so sad.
“They were lovely together,” Lilunu says, voice soft. “They made each other happy. And now they’re making each other sad. I don’t like that.”
The lip of Eko’s mask trembles. She nods, hurt and confusion and petulant anger and aching grief all wrapped up in a single gesture. It’s not fair. Mama needs someone who loves her and can look after her, and she’s not letting Sasi be that and she won’t have Lilunu or Eko either when she goes back to Creation.
“But she is not the only one who loves Keris - and Keris loves back,” Lilunu says, folding her hands together and lowering her voice. She wants to see how Eko reacts to this.
The eye holes of the mask widen as Eko leans back, hands going to her cheeks in a genuinely impressive display of feigned shock. Wh-what? her gasp communicates. Mama has another doki-doki friend? No no no, Eko would know about it if that were true and she’s sure mama couldn’t have kept anything like that from her and... and yeah, fine, her slump admits, she can tell Lilunu isn’t buying this. Stupid unfair too-good-at-reading-mama demon princesses getting the better of poor innocent Eko. How’d she even find out about mama’s boyfriend-who’s-sometimes-a-girlfriend?
Lilunu blushes slightly at that. “Well, it’s more that we were drinking together just after last Calibration and she talked,” she confesses.
Eko’s disgusted eyeroll and slow facepalm have much to say about stupid mothers who let things they’re supposed to be keeping secret slip after getting drunk. And then don’t tell their cleverest smartest daughters about letting said things slip. Or outright forget that they let them slip at all.
Okay, fine, she continues with a toss of her hair. So mama maybe has a doki-doki friend over in the South East who she might sort of be refraining from mentioning in Hell because he might sort of have been slightly a little bit working for that Solar naib when they met, and making doki-doki friends with the enemy is sort of a no-no. But Eko is sure Lilunu won’t make a big deal of that, because mama didn’t tell him anything actionable and also made him start doubting whether or not he even wanted to work for his liege anyway by the time they parted and also sabotaged the naib - and also also stole from him - so much that he’s probably on the way out, so it’s not like her boyfriend is even the enemy anymore, technically.
But as interesting as that all is - and as admittedly clever as Lilunu is for tricking mama into admitting it, Eko acknowledges with a grudging nod - what’s this got to do with mama being stubborn about Sasi and the whole Ipithymia thing?
Lilunu takes a deep breath. “Keris needs someone to look after her. She also doesn’t want to be looked after. And tell me, Eko - where would you find Keris’s other love who she cares for and who cares for her? Mmm?”
There is a pause. Eko toys with her hair, fidgeting, eyes darting this way and that. She... might, she admits quietly, have already got a short-term contract with Orange Blossom that’ll put her in the right general region after mama goes back to Creation. And she might maybe have been thinking about going and tracking him down on her own to... to let him know he needs to be careful with mama’s feelings for a while when she visits him in his dreams. Which she probably will.
“And if I had a message for this peculiar person who can win my Keris’s heart?” Lilunu asks. “That perhaps you could deliver?”
Eko nods slowly. She could do that. Though, she adds with a shaky attempt at a humorous pout, Lilunu will probably be all mean and boring and say something about Eko not being allowed to peek at whatever she writes down, even though it would be perfectly innocent curiosity on her part.
“But why would I give you that instruction as an order when I would in fact be paying a famous - in her own way - mercenary for her discretion in safeguarding and protecting my most precious servant?” Lilunu inquired. “Because you have built a little name for yourself. And I would certainly not ask questions about what happened to Baaji’s holdings.”
Oh, there is little ambiguity in Eko’s smirk. Yes, it was such a shame that his booking with mama fell through and he started crying about ‘sabotage’ and ‘the theft of all the gold and rubies in several of his big vaults after the guards got stabbed to death by persons unknown’ and ‘all his underlings who were in charge of keeping the other Unquestionable who he owed money to from pressuring him about it going missing under mysterious circumstances along with all the records that their replacements might want to use’ like that, wasn’t it?
She leans her chair back on two legs, smugly tossing an arrangement of tiny rolled sweet bean balls covered in icing up one by one and catching them in her mouth. Such a coincidence, too, that it happened so soon after Lilunu told her about his bid for mama’s time. Tragic, really. But then, he has always had a history of falling through on things where money is involved. Maybe it should have been expected. He probably just wanted to do vile things to mama and then get away without paying Ipithymia for letting him do them, so it serves him right that he’s in so much trouble now.
“Speaking purely hypothetically,” Lilunu says, wrapping her ‘proper’ feelings in her dislike for that uncultured, greedy, pig-like buffoon who is completely unaesthetic and who many Unquestionable don’t like so it’s fine that he makes her skin creep, “where would such a vast quantity of precious materials even have gone?”
Eko puts a questioning finger on her lips, tilting her head quizzically. That’s definitely a mystery, yup yup yup, she nods. Why, it’s like it all vanished down the drains somehow. Which is silly, of course. Big gold bars and pretty jewels couldn’t have fit down those teeny tiny drains. They’d been made too small for it, with lots of grills all the way down to the sewers of Kimbery, specifically to deter thieves.
Walking her fingers across the table, Eko picks up a dessert spoon and flips it around her fingers, admiring the fine gilding on the silverware. Yup yup yup, she shrugs, blowing on it through white jade lips. It’s probably just going to be a mystery for ever.
Liquefying under her breath, the gold edging on the silver spoon drips down to the table in thick, viscous droplets, splattering a little where it lands.
“... please don’t ruin my cutlery, Eko, especially when telling a story,” Lilunu says, trying not to smile. Ah, how does one steal from greedy, vain Baaji? He has thought of all the ways that someone might try to take his wealth - but seemingly not of those who do not care about having his wealth, but only about depriving him of it.
“Though speaking of wealth, I did consider how I might pay you for this service to me. And what you want, of all things?”
Like that, Lilunu has the full and riveted attention of a demon lord. Eko’s chair rocks back down onto two legs again as she leans forward, interest sparkling.
There is something she’s been wanting that Lilunu might be able to help with, she grins. See, mama got Berengiere to make her a pretty dress aaaaaages ago, but she’s too big for it now, and the same with her gloves. And her white jade mask - she taps it - is very pretty and all, but a girl can always use more masks.
So what she could really do with, she winks, is a new wardrobe for her mercenary career that can withstand her touch. With lots of frills, and ruffles, and lace and ribbons and pretty embroidery. And some masks. And a few new sets of gloves so she can touch things without eroding them. And maybe a parasol. With razor edges.
Lilunu almost laughs, and struggles to keep a straight face. Eko thinks she’s exploiting Lilunu by getting a ludicrously valuable wardrobe out of her. But Lilunu does that sort of thing for those she loves just as an act of that love - and Eko is not only her Keris’s daughter, but is also helping Keris directly by doing this.
“You drive a hard bargain,” Lilunu says, lips twitching, “but I have no choice if I’m doing it for my Keris.”
Chapter 27: Wood 775 (Zen Daiwye)
Chapter Text
It is a rainy day up in Zen Daiwye, as many have been recently. The growing heat of the year brings the rains that come sweeping over the mountainous islands from the warm seas that surround it. Kali Kerisdokht doesn’t like the rain too much. Or, rather, it’s not the rain she doesn’t like, because rain is good and fun. But if it could be sunny and rainy at the same time, then it’d be great.
Instead, she has her already-getting-too-small oilskin that Mama made for her down in Saata that keeps the worst of the rain off her, and she’s led Lamby, Mutty, Wooly and Milky to the wind-shadow of the little wood near the top of the hill. And the other sheep have followed her sheep, because she’s made sure that everyone knows her sheep are the boss sheep. And also because sheep follow sheep, because it’s what they do and in the wind and the rain they clump up to keep warm which is sensible really when you think about it.
Uncle Xasan told her that there’s a shepherd hut here that she can take cover in, and it’s on high ground just in case the rain gets worse.
Still, even Kali’s sunny nature has its limits, and some of it comes about when she hasn’t gotten to eat because Gyko hasn’t shown up yet. And also when she knows that Ogin the Lazy is inside and prob’bly is just going to stay inside and dry and help Aunty Hilthr with her weaving again and also it’s Wood already, they said it’s Wood already and mama’s meant to be back and she really wants mama to come back and also stop the rain.
Kali holds, as a principle of faith, that mama could totally stop the rain if she wanted to.
She spares a moment for a sigh, before going back to running back and forth, counting the sheep and making sure they’re all there. She locates one that’s wandered off a bit and got stuck on a hedge, and helps pull it free and chivvies it back to the rest of the flock. She trots over to the little shepherd’s hut and sits just inside, taking off her oilskin and kicking her feet on the floor.
And then, midway through wondering how many handstands she can turn before hitting the opposite wall of the hut and just before getting up to find out, Kali freezes.
Because Mama is on her way back.
Kali doesn’t see her. She doesn’t hear or smell her. It’s a knowing from Ogin, not her own self. The knowledge just floats into her head; she knows it the same sourceless way she knows how to form a fist. There’s no voice in her head from Ogin telling her, and she can’t poke through his head like a picture book.
But Ogin knows that a magic message from Mama has arrived at Ahangar House and told gruncle Xasan she’ll be back sometime today. And so Kali knows too.
Kali looks up at the sky. Maybe Mama will make the sky clear up right now.
She doesn’t, which is very mama of her.
Nonetheless, Kali perks right up, and doesn’t even feel upset at all about how she has to stay in girl form because humans are better for being rained on than birds or tigers. And then Gyko shows up in his little cart and that means she has food and that makes her a lot more cheerful because he gives her extra for being late, and he chooses to stay here and play card games with the mezdeck he owns.
And it even stops raining and then - whoosh! There comes the streak of red-white-silver light coming over the side of the hillside and that is definitely mama’s colour!
“Mama!” she screams, jumping to her feet and waving her hands over her head, dashing out into the mud in her excitement. “Mama mama mama mama mama! Over here over here it’s me it’s me it’s Kali come here mama it’s me!!!”
Mama hears her - of course she does, Mama always does, Ogin says he knows how but Kali knows that really the reason is that she’s Mama - and the red-silver light diverts towards her. And Kali is so so so so happy because it’s Mama and she’s back and it’s sunny and Mama did it and she’s being all pretty and red and silver and-
“Mama!”
And she’s swept up in a pair of familiar arms, and she eagerly throws her arms around Mama’s neck and clings up, crying with happiness.
It’s Mama, it’s really Mama, Kali has never ever ever ever been so long without seeing Big Mama or one of Mama’s Little Mamas and if she thought she missed her before she realises that actually she’d been missing her even more-more-more now that Mama’s actually here!
“Kali, Kali, little feather, oh, I’ve missed you so much, come here, good girl, let me cuddle you...”
Mama is crying too, skidding to a halt on her knees with Kali pulled into her lap, and her hair is wrapping around and around both of them until it’s like they’re under a blanket together, pressed cheek to cheek and snuggled up close. Mama peppers her forehead and cheeks with kisses, and Kali wriggles around until she finds a comfy spot on Mama’s pretty silver armour - which goes all weird under her hands for a moment before settling into a feathery poncho that’s not as hard - and butts her head up into the attention, purring up a storm.
“Oh, sweetheart,” Mama sniffles once they’ve got all the tears and babble and most of the hugging out of the way. “I really have missed you. And look at you!” She pulls back, just a bit, to look Kali up and down. “You’re so big now! How’d you grow so much while I was gone, huh?”
“Gruncle Xasan says it’s way better for a growing girl out here than it is in Saata!” Kali proudly reports. “An’ look at the lambies! I’ve been looking after them - okay they’re not mine, I only have four sheepies and none of them have lambs, not even Lamby whose lamb died but I still scare off the laughingbirds and kats and other things that wanna hurt them - and look how much the lambies have grown because of the countryside so I grew too! What about you?” She squirms around to take a look at Mama, looking all over her. “Did you grow too?”
“No, sweetie, my growing days are over,” Mama tells her fondly, tickling her under the chin and hefting her up onto one hip as her hair unwinds. “But Aunt Lili did make Strigida even prettier, see?”
Kali looks, and has to admit that mama’s armour is definitely very pretty. She’s still a poncho, but as Kali watches, her feathers turn into lots of flowers with mirrored petals. But...
“Couldn’t she already do that, though?” Kali asks, frowning. She’s pretty sure she’s seen Striggy change into clothes and make pretty patterns before. (Ogin thinks there are special rules behind when she looks like flowers or clouds or whatever, but Kali’s pretty sure it’s just up to whatever Striggy likes best at the time).
Mama laughs, which means even if Kali doesn’t understand completely she’s still done something right, and kisses her on the forehead.
“Not that,” she says gently. “This.”
And then! Her Striggy-poncho!! Turns into!!!
WINGS!!!!
“Mama! You’re a bird,” Kali exhales. “This is the best! The bestest best!”
Mama laughs again, and cuddles her up, not in her hair (which has mostly disappeared into the Striggy-poncho), but in her wings, which are huuuuuuuge and so big and super cool. Kali’s eyes sparkle, already imagining Flying With Mama Mornings. And afternoons. And maybe lunchtimes as well.
“I am,” Mama tells her. “But I’m not very good with them yet. Do you think maybe you could give me some tips?”
Her tummy rumbles, and she winces.
“Actually, maybe we can save that for after I’ve eaten. I came straight here as soon as we got back through the Desert, and I haven’t eaten in a while.” She bounces Kali on her lap. “What do you think? Shall we go show Ogin and Hanily?”
“I got food here!” Kali informs silly, silly Mama. “Look! This is Gyko!” She indicates the szirom, who’s still staring wide-eyed at the All-Queen. “He brings me food ‘cause I need to have brunch and lunch and linner when I’m out looking after the sheepies! So you should eat! Because you don’t wanna be hungry!”
Mama’s huuuuuge big wings uncurl from around them and beat once, stirring the air and making Kali’s hair flutter. Then they furl up behind mama and press down and all of a sudden they’re just a poncho again, settling across mama’s shoulders as her hair pulls free of it.
“Gyko, is it?” Mama says. “Well then, thank you for looking after Kali, Gyko. I know she takes a lot of feeding.” Her smile is fond, and a little bit teasing, which is a bit silly in Kali’s opinion because Hanny’s told her lots of times that having a big appetite is a good thing. “Do you have anything you can spare for me?” Mama adds. “Or has Kali claimed it all for today?”
Gyko inhales a breath, still clearly not entirely at ease. His fire-eyes are very wan. Which is silly. And Kali tells him he’s being silly.
“It’s just Mama, silly!” she tells him, obviously. “So she can share lunch with me!”
He coughs. “Y-yes. Yes. I’ll... uh, I’ll just add it to your tab, yes, um. So, uh, Kali and... um, Kali’s mum! Look! Come to the amazing food wagon of Gyko the Chef! We have sheep’s cheese toasties! We have mutton! We have spiced rice and we have apple juice and we have noodles and soup and all of it is prepared fresh daily by me and... uh, a special price just for royalty!”
Mama cocks her head. “Is the special price for royalty lower than normal, or higher?” she asks, sounding vaguely curious but not particularly cross.
“W-well... um. It’s higher ‘cause you’re richer so you can afford to pay more,” the luckless Gyko mumbles.
Kali is close enough to see the twitch of Mama’s lips before she rolls her eyes and heaves a put-upon sigh. “Well, alright,” she says. “Put it on this tab - whose tab is that, anyway? - and we can eat on the way to see Ogin.”
Kali bounces up and down, but then remembers that no! No she can’t! “I gotta gotta gotta be a good girl and look after my sheepies!” she protests. “I can’t leave ‘em. Else the kats and the laughingbirds might et ‘em all up when I get back! And it’s real hard to remember to do that when Hanily shows up and is all cool and stuff - you know how cool she is, it’s unfair, why is she so cool? - but I kept ‘em all alive and I en’t et none of them!”
Mama looks at her for a long moment of what Kali’s pretty sure is surprise. Her eyebrows go up and her mouth opens a little bit but no words come out.
And then her whole face softens, and her eyes go all warm and creased and gentle in the way that always means she’s about to be really huggy and proud and lovey-lovey.
“My big girl,” she murmurs, combing a tender hand through Kali’s hair. “My little feather. When’d you get so responsible, huh? How’d you go and become all mature when I wasn’t watching?”
“Gruncle Xasan said that a good shepherd keeps her sheep alive even though they’re dumb as rocks! Which is real mean to them! And they need me ‘cause they are pretty dumb!” Kali says, leaning into her mama’s finger-stroking, purring faintly. “An’ I like being a shepherd! If I let my sheep get ‘et he won’t let me do it again! I’d have to be like Ogin and stay back with Aunty Hilthr and learn how to weave and stuff! But this way I get to be doing the fun stuff and sometimes Najax who’s got her own sheep shows up and she got a daughter too and we watch our sheep together an’ there’s always lotsa keruby on the hillsides who come out an’ see me!”
Mama looks at her for a moment longer, then gives her another hug and kiss on the forehead.
“I’ve really missed you, little feather,” she mumbles into Kali’s hair. “You’ll be okay staying here while I go see Ogin, then?”
Kali shifts uncomfortably, because no, she won’t be alright, she’s missed mama so so so much and she doesn’t want her to go again. But her sheepies need her and as long as mama comes back-
“I’ll be fine ‘cause I got my sheep,” she says, trying not to quaver. “Ogin’s a big crybaby so he’ll start crying if you don’t see him right now and he’s already probably up on the roof with the secret present for you that you e’nt meant to know about that I didn’t tell you ‘bout!”
Mama leans down to nuzzle her, nose to nose, and then smiles.
“Well then,” she says. “Why don’t I leave you with some company?”
And she breathes out. Not a little sigh, a biiiiiig breath, and from it comes a gust of blood-laced wind that swirls around and around and gets more solid and colourful until there’s a Little Mama standing there, smiling warmly, wearing a shepherding outfit that matches Kali’s.
“Mama can go see Ogin and tell him how much she’s missed him too, and I can stay here and hear aaaaaall about your Earth, how about that?” says the Little Mama, reaching out to tickle Kali with her hair. “And you can teach me about shepherding, too. It can be practice for teaching me flying tips later on!”
With a high-pitched squeal, Kali throws herself into the legs of the Little Mama. She has so much to teach her about being a shepherdess!
As Keris runs back to Ahangar House, there is one terrible, guilty, horrible secret at the forefront of her mind.
(One quite distinct from the terrible guilty horrible secrets she pushes down and tries not to think about).
And that is - homemade szirom food just isn’t working for her. Oh, it’s filling, hearty food; a pastry rich in creamy sheep cheese and marinated parrot and cabbage and black beans, strongly spiced and made with natural ingredients you could find in the valley. But that’s just it; it’s rustic food meant for people like her daughter who’s been working hard being the cutest little shepherdess. It’s dense, filling, and makes sure you don’t go hungry. And she’s gotten used to so much more sophisticated food on the Street. She’s eaten sugarglass bubbles filled with dreams, the nourishing sighs of the aliesyme, and gotten used to the many and varied flavours of chalcanth. There were so many rarefied, sophisticated dishes at the parties of the Unquestionable where she was a guest, and even the street food of the Street is often made with the glorious cuts bought from the butcher Quintus rather than this wild parrot which is, despite the slow cooking and marinade, still a little stringy.
So she feels awful about being disappointed in this food. Because she would have literally stabbed someone for this pastry when she was a kid.
Her casual sprint eats up the distance quickly, and Ahangar House soon rises over the crest of a small hill, nestled in the middle of the river on its little island, two low dams providing the head for its waterwheels. The whitewash on the outside of the flood walls has been touched up recently, and already there are agya-murals and fresh flower boxes decorating it. From the smoke rising out of the chimneys over the south wall, Ali is working at the forge.
Keris foregoes the dam bridges and opts instead to approach straight over the river, hopping up onto the docks, where a small riverboat is tied up, and breezing straight through into the wide-open living room on the ground floor of the east wing.
Then she hears it; the “Mama!” Only said once. Because Ogin knows she can hear him. He’s - ah, yes, he’s on the first floor of the east wing, up by one of the windows, where he must have been watching her approach. Keris darts up the stairs and there he is, still up on one of the lavishly padded cushions, perched there, with something lumpy and red in his hand and his arms outstretched.
She scoops him up and spins him around and smothers him with kisses, crying again in joy, until both of them are dizzy and he’s tugging at her hair to stop. Laughing through her sniffles, Keris lets herself tumble over, falling onto the window seat of the... well, this room was being used by Rathan and Oula last time the whole family were here and the house was still partly unfurnished, but it seems to have been redone as a little textile workshop with a view out over the docks at some point since.
It’s... actually quite nice. There are tapestries hung from the walls, some in complicated geometric patterns, others showing scenes of the valley - or religious iconography of Keris and her souls, she notices. A vertical tapestry loom stands in one corner opposite the window, undyed warp threads stretched out on it with several inches of green and orange weft at the bottom that are probably either a harvest scene or something Haneyl-related or both. A large chest against one wall is spilling over with yarn and thread, a table holds a variety of needles and hooks in little pots, and the spinning wheel and table loom Keris got Hilthr as a wedding present are set up on either side of the window seat Ogin was sitting on, a blanket in progress on the latter. There’s a mannequin for clothes-making, currently empty, the window seat she’s lying on with her son on top of her...
... and Hilthr herself. Looking at them.
Hilthr is shy, nervous - but she’s also smiling. Smiling at Ogin, too, rather than Keris. Keris might have hoped that maybe she’d relax around her, but at least she’s relaxing around Ogin.
“Mama! Mama!” Ogin insists, trying to get Keris to look at him rather than his aunt. “Look!” He thrusts the lumpy red thing at her. “I made you a scarf! I knitted it all myself!”
“A scarf?” Keris is astonished, flabbergasted; utterly taken by surprise at the secret present that her little moonbeam prepared for her which she definitely in no way knew about beforehand! Her wide eyes and gasp of delight are certainly convincing evidence that she wasn’t warned in advance by any accidentally loose-lipped sisters, and she marvels at the gift, running her fingers over the soft wool and encouraging her son to tell her all about how he made it.
(And if part of her notes that she’s felt softer yarns and finer fabrics on the Street of Golden Lanterns, she squashes it. Not a single garment on Ipithymia’s turf, for all that they might be luxurious, is made with love.)
“Aunty Hilthr taught me to knit! With wool from the sheep! I can make things for you and me and Kali and ‘Tiya!” he explains, beaming at her response.
“I have never seen a child of his age with that dexterity,” Hilthr says. “He saw me do it, and copied me, and learned far faster than a normal child.”
“I can do better when I learn more,” Ogin insists, somehow feeling this is still unspoken criticism. Perhaps for not being immediately perfect at it.
Oh Ogin, Keris thinks. He’s always been so fussy about that. So anxious whenever he doesn’t know things, or does things wrong. Even to the point of holding back his first words until he could manage a complete sentence. It stresses him to admit ignorance or struggle to learn. Or even be seen having to learn at all.
She bites those thoughts off before they can go any further, and returns to the scarf, running it through her fingers, holding it out in her hair at full length and then winding it round her neck. “Well I think it’s beautiful,” she praises him. “Look how well it complements my hair! How did you get the shade so perfect without me here to compare it to, huh? My clever little moonbeam.” She drops a kiss on his forehead. “Thank you so much! Did you get the wool from Kali’s sheep?”
“No. This is Aunty Hilthr’s wool. I found wool that was like Kali’s hair but lighter,” Ogin says firmly. “Kali’s sheep’s wool hasn’t been spun yet. I’m learning that too. But I’m too small for her wheel. I’ve been helping with carding it.”
“Oh yes?” Keris’s eyes flicker over to Hilthr again. “What else has... Aunty Hilthr been showing you? Do you want to take me through it all?”
Ogin firmly pontificates at length about weaving and spinning and knitting, often using Hilthr’s voice to do so. With Ogin, that often means he doesn’t necessarily understand things well enough to put it in his own words, but Keris has all the right noises and praise for him.
And she thinks of Hilthr, and how much she is like one of the hungry ones in the face of a larger predator, mixed with a fierce veneration. But mmm, yes. Keris wonders how much of her religious devotion is born of fear; how much this woman’s soul - spun from the wyld with a fake history - takes knowledge from Keris’s own? Is she another feathered serpent, a lesser creation of Pekhijira, who both fears the goddess she has found but more than that, fears failing her goddess and fears a world without the certainty of a mighty being?
“Who else is here?” she asks the woman quietly, while Ogin is digging through the chest of yarn skeins and thread bobbins. “I assume it’s Ali using the forge, but is Xasan in? Hanily?”
Hilthr dips in a curtsy. “Scarlet Lady, Ali is here. Xasan was out looking at the fencing, I do not think he is back. And Hanily has not yet run off again, maybe because she does not have the excuse of visiting Xasan when she is here. She should be attending the foreign tutors you left here. The... strange ones.”
Aiko’s tutors are a few Realm unexalted patricians and educated commoners. Keris stashed them here because they are very much Yozi cultists due to Sasi’s influence, and she didn’t want them roaming the valley, even if Keris did carve the oaths she extracted from them not to evangelise into their flesh. At least they’re doing their jobs as teachers.
“Alright,” says Keris, looking at this woman and how she’s still, even now, tensed in fear of Keris. Wonders how she would fracture if her Scarlet Lady expressed the slightest bit of disappointment or anger at her presumption in teaching Keris’s son weaving.
Wonders how many precious things inside - her craft, her relationship with Ali, her religion - a single sentence could break, if chosen to pierce.
“... thank you, Hilthr,” Keris says, forcing the thoughts away in favour of a kindly nod. “For looking after Ogin and teaching him your art in my absence. I am grateful. And,” her voice returns to a livelier tone as Ogin returns with the skein he’d been looking for, “I’m going to have to think of how to best work this scarf into my wardrobe! I’ll have to show it off! Shall we go show it to your uncle Ali?”
Ali, when Ogin insistently leads her to him, pulling her by the hand, is working with one of his wedding-gift diamond-tipped chisels on cold metal, marking out a pattern of Tairan calligraphy that spells out blessings. It looks like a banding for a door. The air is thick with rose oil and the metal gleams with it.
She opens the door, and he raises his hand. “Just a bit,” he says, utterly engrossed in his work, not looking up. Ogin immediately hops up onto a stool, eyes wide, watching the shapes intently.
Keris waits and watches, leaning against the doorframe and taking in her brother as he works. Mulling over how he’s changed. Ah, he’s another one like her and Hilthr; always scared deep down - but he used to be worse. So much worse. The Ali she first met back in Baisha, at their reunion, was a man ruled by anxiety, nervous about everything, shouldering the constant weight of worry born of a sick wife and a vulnerable daughter in a war-torn land.
Zanyi disappearing off to Heaven and vanishing from his memory has changed him. For the better or for the worse, Keris isn’t quite sure yet, even after going on three years. He’s happier, that’s for sure, and she’s glad of that. But Hanily is growing up as headstrong and brilliant as her mother, and some of that old habit of worry has surfacing again as she’s gotten more and more... feral.
Maybe it’s just he’s doing much better than he was, because she’s just happy that he isn’t as drawn or worried as he was back in Baisha. It’s been years, but he seems younger. And she can’t help but feel... mixed about the fact that some of it seems to be that not having the memory of Zanyi in his life. Best not to think about it.
He finishes his work, and flexes his shoulder, straightening up. And then he catches it’s not just Ogin showing up to stare at what he’s doing (because clearly Ogin’s been doing that, of course he has) and sees Keris and exhales sharply. “Keris! Gods! You’re as quiet as he is! Let me just clean off the oil from my hands and then come here for a hug! You look tired!”
She grins ruefully. “I am tired. Dived off the Baisha as soon as we got back to Creation and swum and ran the rest of the way here. I already met Kali on the way into the valley. It’s... it’s been a long season.”
“Mama,” Ogin points out with wounded plaintiveness. “You were going to show him the present I made you.”
“Oh! Yes, so I was. Look, Ali! Ogin’s worked very hard all Earth to make me a pretty red scarf that matches my hair! Wash your hands and you can feel how soft it is!”
“I have been seeing his works in progress,” Ali grins as he rinses his hands. “Ogin has been very proud of his work there. He’s been a delight this season.” Ali pauses deliberately. “Hasn’t cried once missing you, and definitely didn’t need hugs,” he reassures Keris as Ogin fixes a silver stare at him, in a way that all but gives away that Ali is blatantly lying and expects Keris to realise it.
“Not even once? My!” Keris gasps, even as her heart breaks a little. She always hates it when her children are unhappy, and having them be unhappy because of her decisions - even when they were for the best - makes it ten times worse.
“Such a brave boy,” she sniffs, giving Ogin another cuddle. “I missed you so much that I cried a lot, you know. And I needed a few hugs. So you’re much braver than me.”
Just the mention of that is enough to get Ogin a little teary and to cover that he buries his face in her shoulder. “The flower oil is too smelly,” he says instead.
“I know, I know,” she soothes, blinking back tears of her own. “Why don’t we go find your cousin away from the oil smell and show her your pretty scarf too? You can ride on my shoulders, and Ali can either come with us or stay here if he needs to finish engraving his pretty banding.”
Ali of course insists on hugging her, and insists she be there for dinner. Then they’re off to find Hanilyia, who is midway through a lesson on the Debt Crisis of the mid-500s and is chewing on a chopstick as she listens. But apparently Dynastic fiscal matters are nowhere near as interesting as her aunt, and Keris is immediately hit by a ballistic niece.
“You’re back, you’re finally back,” Hanily says, hugging her close, and Keris feels her heart pound in her chest almost like the twins make it, a reminder that she’s now very much Hanily’s mother figure.
And when she gets a look at her, she sees that Hanily is dressed like a ragtag little kerub priestess. Her dress is clearly agya-woven, she has a waxed papercloth szirom shawl, a clear cape wrapped around her, and she wears a bandolier holding pouches full of various things that chime or gleam or are snacks. She’s grown too, and those so-similar grey eyes are locked on her, looking her up and down, studying for changes.
“I’m back,” she reassures. “And you’re not getting rid of me for a while, this time. I’ve really missed you. And,” she adds, before Ogin can meaningfully clear his throat, “I’ve been given a wonderful present from Ogin; look! Isn’t it pretty? And it looks like you’ve got your own presents, too.” She eyes some of the bits and bobs Hanily has on her, and particularly notes a necklace of glittering blue...
“... wait, is that glass?” Keris asks, eyes narrowing with a sudden spike of worry. “Where did you get that? You’re not meant to go near the temple.”
“Trade,” Hanily says blithely. Too blithely. It’s clearly a prepared lie.
Keris directs a gaze of maternal ire at her niece.
“Trade... with some of the keruby up at the temple. I went up on my own to see how they were doing, because I’d heard of them - and also I went with Oula.” Her niece looks up at her, searching to see if that worked. It did not. “Well, okay,” she adds hastily, “I went when Oula was there. I followed her up there and then snuck in because I told the local keruby I was with her. But-but-but that’s just part of my job to make sure they’re okay and resolve any arguments an’ stuff.”
“Hanily,” Keris groans. But this is her first time seeing her niece in ages, and she doesn’t want to ruin it with a scolding. “Were you at least safe about it?” she checks. “Followed the rules, left when Oula did, that sort of thing?”
“Actually, I did my job and pulled everything together ‘cause it was all a mess ‘cause of Kalaska flipping out and all that stuff and maybe sorta kinda Oula was a bit hurt and Hermione pulled her into a mirror,” Hanily trails off. “Which is to say, I did the job of a priestess and made sure everyone was all okay and got paid really well for it!”
“Kali and I helped,” Ogin contributes.
“Ogin! You weren’t meant to mention that bit!”
“You’re saying you did it all and you didn’t!” Ogin protests with a certain edge of ire.
Keris closes her eyes and takes a deep breath, bringing both hands up to press together in front of her face.
“Okay,” she says calmly, after taking a moment. “We’re not going to talk about that right now, but Hanily, while I appreciate you helping, it is not your job to get involved in dangerous things like that, especially if they involve someone as powerful as Kalaska lashing out violently. Please, please be more careful in future. And don’t drag the Twins into it. You know they look up to you.”
“It’s not just that!” Hanily digs into her bandolier, and pulls out several folded sheets of paper. “I got notes on priestess stuff for you that you need to help me handle ‘cause I’m just a priestess and you’re a goddess. Number one! Kalda the baker and her husband aren’t talking because Kalda got kissy with Meli the shepherd! Number two-”
Keris listens, and tries to interject, and attempts to argue the nearly-nine-year-old girl down from the rural priestess work she’s taken up, or at least convince her to spend more of her time sorting out keruby-villager disagreements and less dealing with adulterous affairs, long-standing grudges and all the other forms of dirt and grime that get stuck in society’s wheels and need someone to clean and oil them.
But at the back of her mind, she can’t help but see the painful similarities. Oh, Hanily isn’t a coward. But what she is... is in some ways worse. She’s kitten-headed, quick to act with little forethought and quicker to flit off to distractions when she’s bored. She has the recklessness of a safe childhood where she’s never really known fear, made worse by a natural talent that’s seen her succeed near-effortlessly at most everything she’s tried.
And there’s a desperation in her to prove herself. A need to be special, to know things nobody else knows, to be important, to - hah - have a destiny. She’s all the best parts of her mother and her aunt, but she’s all of their worst parts too - and some part of her knows it. She may not remember Zanyira, but her soul knows that both of her mother-figures stand among the ranks of the Exalted; mighty figures whose actions shape the lives of thousands. The keruby treat her as an honorary szel, but there’s more than a little mez in her as well.
How far, Keris wonders with a sickening curiosity, would she go to chase her Happening?
“-but Aunty Keris, I’m the only one who puts these things right!” Hanily protests. “They’d do it wrong without me! And they do! You can’t just ask me to sit back and just let bad things happen!”
“Just...” Keris pinches the bridge of her nose, and lets it go. “Alright, we’ll talk about this later. For now, come on. I want more hugs, and then you and Ogin can tell me about aaaaall the adventures you’ve been on while I’ve been away.”
Ogin tugs her sleeve. “Take food out for Kali,” he says. It’s not a question, but she understands what he really wants.
“Of course,” Keris says fondly, and kisses him on the forehead. “To the kitchens, then.”
Days pass.
Keris can’t calm herself. Can’t calm her mind. She had thought that being away from Hell, being under a proper sun, surrounded by plants and running water and absolutely nothing that could hurt her would make her feel better. It doesn’t. She still wakes from dreams of hateful, lustful gold. She still finds herself running through lines from the Golden Surrender Cycle in the morning. She still feels constantly understimulated.
And then there are the... intrusive thoughts.
“So, what did you want to talk about?”
Keris blows out a weary breath and curls up in a squashy armchair. It’s taken her three days to work up the emotional energy for this discussion, but she’s loathe to put it off any longer, and increasingly aware of how the things she’s brought back from Hell are becoming problems. Her eyes flicker up to Xasan where he slouches on one of the couches in the family room, Ali sitting with his knees together on the couch between them.
She’s seen what her uncle is like. He’s her kin, and more than that, her kin down the maternal line. She knows the depths of his obsession well. She saw how he was when the bandit-soldiers had cut his hand off, sitting and simmering. She... wonders if she’s being like him now. Unable to stop thinking about what she might have done wrong. Obsessing.
And hating. He hated those bandits so much. It kept him from lying down and dying. Just like she did on the Street. Just like she did on the streets of Nexus, a little runaway girl.
Swallowing, Keris forces the thoughts away. She keeps doing this. Looking at people and dissecting them. Seeing all their flaws, all their madnesses, all the cracks in their psyche. Humans aren’t bound to their nature like demon lords are, but that only means that there wouldn’t be metaphysical consequences if she repeated what she did to Sisim here. She could still very easily shatter any one of these three with the right words. The knowledge caresses her tongue like a lover. She can almost hear a voice whispering for her to try.
“I’ve... been speaking to Hanily,” she says instead. “About what she’s been up to, and why she keeps running away from her lessons, and... other stuff. She’s- I don’t know if I told you, but she’s kitten-headed. Like me. I think maybe we get it from, uh, her grandmother.”
“Kitten-headed?” Xasan frowns. “What’s that? What’re you saying Maryam had?”
Ali says nothing, but just listens.
Keris grimaces. “It’s, uh. A name Rat came up with. Rathan and Nara and Ogin’s father, back when we were kids.. He used it for how my head works... differently. Or doesn’t work, sometimes. Like Atiya’s Bans. Hanily gets bored easily, yeah? Distracted, too. Anything that doesn’t give her rewards or payoff right away, or that turns out harder than expected, she tends to give up on and move to something else. Except for sometimes where she’ll obsess over it and forget to eat or sleep because she’s focusing so hard, and gets angry when you pull her away from it.”
She eyes their expressions, nods, and keeps going. “She doesn’t do well with things that take a lot of planning or structure; stuff that’s happening right now is fine, but things she needs to work on a little bit every day in order to get them done by the end of the month, she’ll forget to and then try to rush it all at the last minute. She hates it when you try to explain something she already knows or keep going after she’s got it. She feels restless a lot, and sometimes she just needs to move or shout or do things to get the restlessness out...”
Silence falls as she pauses, staring blankly back into the mists of memory, thinking of the fights that had broken out when her kitten-headedness had lost them money or ruined jobs. She knows they happened, dimly. But she can’t remember them. Not properly. She let all the bad parts of her relationship with Rat go when she killed him. After Maryam - after Sasimana - not sure if she regrets that or not.
Ali swallows. “It’s... she said it’s one of the reasons she likes ‘being a priestess’,” he says slowly. “That she always gets to go around and do and see new things.”
“I’m not surprised,” Keris says. “It was one of the reasons I liked working for Chen, at least at first. It’s not her fault. It’s just how her head works, like Atiya and her Bans, Aiko and her nervousness, Ogin and his perfectionism, Kali and- well, you get the picture. But it’s leading her to get herself involved in things she really... really shouldn’t be involved in. Not just in the villages. She’s been up to the temple at least once or twice. Maybe more.”
She takes a deep breath, and shifts in her armchair, legs and arms and hair still curled up like a cat.
“I think it might be time to think about putting her into schooling down in Saata,” she says, bracing herself for their reactions. “Something to challenge her and occupy her time and socialise her a bit more with other children. We could set it up so she could still come back to the valley every couple of weeks, whenever a few holidays lined up in a row.”
“She’s just a little girl-” Ali begins.
“Good idea,” Xasan says, talking over him. He slaps his thigh. “She’s a highlander by blood, and fostering out a girl who doesn’t fit to someone else in her clan is just common sense.”
Ali turns on his uncle, grey eyes flashing. “She’s my daughter! I know things aren’t perfect here, but we can make it work!”
“It wouldn’t be fostering,” Keris says quickly. “She’d still be visiting. A couple of days here, a dozen or so in Saata, then back here for three; that sort of thing. Think of it more as... learning in another town. I do think it will help her. She’s smart enough for the Windswift, if I can find her a good preparatory school that can work with how she learns. And an education there will set her up for life, wherever she goes and no matter what she wants to do. She has a brilliant mind. It’d be a shame to let it lie fallow.”
Keris can read her brother. A blind man could. Because what is twisting him up is guilt; guilt at the thought that he’s dumping his troubled daughter on his troublesome sister, guilt that he can’t stop Hanily running wild, guilt that her feralness lines up with his remarriage and the fact his new wife has a little boy who Keris has seen who’s well-behaved for a toddler.
“I do enjoy having her around, too,” she adds softly. “She’s good with the twins. They listen to her. More than they listen to me, sometimes.”
“I’m not sure that’s a good thing always,” Ali says, still troubled. “Both of them remind me of you when you were little. And you always found ways to get into trouble, when I’d be left to look on you all on my own.”
Keris bites her tongue against the urge to tell him he hadn’t been alone in looking after her. That someone had been there helping her get up to mischief. It wouldn’t help. Experience has taught her that much.
“Well, maybe I can find some help to look after her - and keep her out of trouble, and on-schedule, and escort her here and back when I’m not available,” she says after a moment’s thought. She doesn’t like to use her powers on her family, but she does let a faint undercurrent of hidden meaning slip into her voice as she hums thoughtfully, infusing her words with a submerged idea Ali will think his own. “I’ll need to find and vet someone I can trust to know about the valley, but…”
That offer is enough to weaken his reluctance, and though it takes him a bit to come around, he does suggest that he can find one of the Bloody Lionesses who’d stayed in the valley who’d be willing to leave to live in Saata to look after Hanily.
“After all,” he says, “they helped a lot looking after her on the trip from the east, treating her like one of their own daughters. Which was a godsend when trying to take care of a three-year-old. And some of them have mentioned that they’re finding things a bit too quiet here. Tisa, or... mmm. Yes, Ilays.”
Xasan is of course fully supportive of the plan, not least because it’ll ensure that his grand-niece has a highlander woman looking after her. Keris knows how much the highlander culture and way of doing things matters to him, and she’s seen just how happy he is at how well Kali has taken to being a shepherdess and being left with him. Her daughter is, Keris is now, certain, his favourite basically-a-grandchild.
Keris takes that win with relief, and just a little bit of wistful grief. Because there’s a hole in the conversation, and it’s shaped like Zanyi. Ali’s resistance to losing his daughter to Saata isn’t just a dislike of the big city; it’s the reaction of a single father who remembers raising his little girl alone. Keris has a collection of paintings stashed away in her soul, of Zanyira on Triumphant Air, short-haired and tanned and with the beginning of muscle tone, of how she’d adapted to Saatan life and dressed in the robes of a student of the Windswift.
But those moments have been cut out of Ali and Xasan’s pasts. And worst of all, out of Hanily’s.
“There’s… something else,” she says, bracing herself for the really hard bit of the conversation. “You know I spent the past season in Hell. Well, I was doing some work there to get leverage to protect my children. A series of great operas for - in partnership with - the demon princess Ipithymia. Brokered by the demon lord Claudia. And I made them pay for it.” She swallows. “I have all the souls and skins that the Daiwye lost to the Lambskin Hyena. Their relics, their trophies, their knowledge. Everything. All those she took, and all those who sold themselves to her. As far back as she’s known our clan. Three and a half centuries of Daiwye history.”
Ali pales. And Xasan-
Xasan darkens, sudden anger flashing on his face. “Why would you deal with those monsters?” he demands, making the sign of the Bull with his hand against his chest. “The golden queen of Hell and her savage daughter only take! Only ruin, only corrupt - and Claudia Man-Eater takes payment only in flesh!” He slams his other hand into the table. “What did you give up, Keris?”
“She trades in flesh, but she’ll take favour with her greater self,” Keris says with brittle calm. “I told you. I was acting in a series of great operas to please the princes of Hell. Ipithymia made a great deal of money and influence from it. Everyone won.”
But Xasan is watching her, and he already expects to see what he finds. He knows to be looking for it. Keris’s mask, usually so convincing, is rigid and ill-fitting now. He sees the cracks around her edges. The lingering fragility in her posture. The trauma of her months on the Street of Golden Lanterns.
It’s not a lie. But he can see the deception all the same, in the things she leaves unsaid.
His face softens slightly, and there’s pity there too. It hurts. “That’s not all it cost you, did it? Cost you for souls who already damned themselves. Because that’s what the ol’ stories say; Claudia Man-Eater only takes those who wager with her, or who give up everything to her jaws in return for dribs and drabs of power.” He reaches out, to rest his hand - the one she gave him back - on her wrist. “You’re hurting, aren’t you? What did she take?”
Despite herself, Keris can’t mask the subtle flinch. Xasan’s hand freezes, starts to pull back, but she pushes into it, turning her wrist as quick as a cobra to lace her slender fingers through his bigger, rougher ones.
“That’s…” she starts, and then sighs. “You’re not entirely right about Claudia. Some of them are innocents - or, more accurately, champions whose wager was challenging her for the sake of freeing their loved ones, who she devoured when they lost. Others… yes, they sold themselves to her. But who am I to blame my mothers and grandmothers for deals made with demons? I don’t believe I’m damned beyond redemption. I can’t believe it of them, either.”
“Keris,” Xasan says, his voice gentle but implacable as the hills. “What did she take?”
Keris closes her eyes.
“Not flesh,” she says, the words escaping her in a whisper. “A wager. I was working for Ipithymia. On her Street of Golden Lanterns. She and Claudia had a chance to corrupt me. And they tried.” Her lips tighten. Tremble. “They tried. But they failed. They underestimated me. Or I’d never have walked away.”
She sees immediately the difference in their expressions. Ali might be a smith and in his own way a little priest, but he isn’t a highlander. Maryam was gone from both their lives far too early to tell such stories of the lures of Ipithymia. But Xasan is a highlander through and through, and whatever highland culture tells about Ipithymia, it’s enough that he knows rumours of the Street.
“Oh, Keris,” he says. But he doesn’t turn away. He just grips her wrist, and pulls her in with his big, comforting, stocky bulk. But she can feel him tremble against her.
“What do you mean?” Ali asks, eyes wide.
“It doesn’t matter.” She means to take a neutral tone, but it comes out harsh. “What matters is the souls. I mean to reincarnate some of them. Give them another chance. As babies for the couples here who can’t have children themselves.”
“If they already sold themselves to Hell-” Ali begins, and then stops. Keris’s eyes flicker over to him, inquisitive, pulling his reservations out from behind his hesitance.
“-well, I mean, can you trust them?” Ali says wretchedly, not liking being on the spot. “What if the demon has a claim on them? Or they remember something of who they were? You’ve talked to me about how you don’t, um, don’t want people worshipping your mast... the demon princes here. And... um.”
His words may be nervous, but they give her pause. She draws back, settling into the chair, brooding. It should be impossible for deals made with Claudia to follow a soul through a proper reincarnation...
... but what she’ll be doing won’t be true reincarnation, or the cleansing touch of Lethe. And even if Claudia’s claim is removed, the soul’s nature does have consistencies from life to life. Tendencies of habit, patterns of thought. The kind of person who walks willingly into a deal with the Lambskin Hyena... will always, on some level, be that kind of person.
“You... might have a point,” she concedes, grimacing. “Just the ones she took in wagers, then. The heroes who challenged her to battle and lost. The ones who didn’t pact with her. I’ll... find some use for the others. Somehow.”
And Xasan, perhaps distracted by his greater knowledge of the demons they speak of, misses it - but Ali sees the way his sister shrinks a little. Sees the blow that he just landed, however unintentionally, in rendering worthless part of the cultural heritage she worked so hard to rescue from Hell and bring home.
“N-not that tricking souls from Hell’s grasp isn’t a good thing to do,” Ali blurts out, awkwardly and too late trying to put things right.
“No,” she says dully, looking down. “You’re right. They’re not trustworthy. Not for here. I’ll... find something else to do with them.” She swallows. “Excuse me. I have a lot to do before I head back to Saata. If I don’t show up for dinner, I’ll be taking it in my workshop. Sorry.”
She stands and makes her exit, weaving unconsciously around the plaintive hand Ali reaches out with, and bursts out into the yard at a trot. Behind her, she hears Xasan say something to his nephew, but she tunes the words out with an effort of will, focusing instead on slipping between the gazebos and over to her sorcery workshop. The lock clicks behind her, and she’s relieved to find that her swing chair is still here, perfect for curling up on with a pillow to hug.
There are sniffles, and a few tears. But only a few. The worst is over.
Only one more hard conversation left.
Keris feels the ache as she spins this dream. She’s been doing this too often. Tiring herself out. And unlike with Ney, she can’t be open about what she feels. Not exactly. She has to conceal, not feel, in the face of such perfidious gossip-witchery.
She falls back on a familiar one. One she’s used before, both for Ney and for Sasimana. And as it expands around her, growing out like a fractal in white and red and black, she wonders what Zanyira will make of it....
Were one to stand in the desert and look out at the horizon, they might think it infinite. The white dunes roll away, seemingly unto the edge of the world, rising and falling like the waves of a dried-up sea. It feels, to such a traveller, like they could wander endlessly, and never see any sign of anything but sand.
In this desert, that very well might be true, but only because it cheats. Keris settles herself down at the small oasis - which is admittedly jet black, but it tastes and feels fine and cools the air around it pleasantly - and waits. Around her, a white surface layer of salt covers blood-red sand in rolling dunes that wrap recursively around on one another. Hardened roads sprawl across it like a spider’s web, connecting lesser oases, surprise antlion pits or nests of snakes or giant monitor lizards, caves that offer shelter from the merciless white sun in the pale red sky, ruined carts where equipment might be scavenged and other such curios. To stray off the roads is to break the pale crust and find yourself hip-deep in red sand. Better to stick to the safety of stable footing and leave a trail of sanguine footprints sunk an inch into the stark white salt.
At each fork stands a midnight black signpost. Only two signs decorate each, only pointing onward, never back. One will tell the truth, the other will lie. But there’s no re-treading one’s trail here. The paths are tricky, constantly in flux, and disappear as soon as you’ve walked their length. You can only keep going forward, and learn to judge which signs to trust and which tell falsehoods.
Keris calls it the Desert of Roads. She rather likes it. It entertains Ney enough that a good half of the time he plays along instead of lightfootedly running off the roads and beelining straight to her. Especially since she started twisting the dream to make it easier for him to get lost when he does that.
In this red and black and white is a single spot of greenery. Ivy twines around one of the signs; a woman leans against it, starry eyes watchful, a faint enigmatic smile on her face. She holds herself ready, light on her feet in the way of the eminence gris, the vizier; the throne’s shadow. Not hostile, not lethal, just... ready. Reading the whole dream like a codex.
After a few moments watching through the eyes of the dream make it clear that she has no intention of moving, Keris sighs tiredly and dissolves her dream-avatar, reforming it on a connecting road and trudging towards her cousin. Her footsteps crunch into the hard-packed salt, leaving red prints behind them where the sand shows. Zanyi sees her coming before she gets there - obviously; there’s hardly any cover in this landscape except for the rise and fall of the dunes - and Keris offers a tired wave as she gets to within hearing range. Zanyi’s hearing range, that is. Keris’s technically encompasses the whole dream.
“Well, what a surprise to see you like this,” Zanyi calls out mildly. “And this isn’t a very nice dream - but I suppose you really don’t look too well, do you?”
“Hi, Zanyi,” Keris sighs as she reaches her, leaning against the signpost. “It’s... it’s been a long Earth. I hope yours was better than mine. C’mon, there’s an oasis, uh...” She glances up at the signpost, taps it with her dream-body to check which sign is the liar, and tips her head. “This way. We can talk there.”
“The sign says ‘deadly scorpions’,” Zanyi points out. Keris shrugs.
“Deadly scorpions can enjoy oases as well. But in this case there aren’t any. You coming?”
“Ah, so it’s a venomous snake there instead,” Zanyi says lightly, wrapping Keris in her arms and kissing her on both cheeks. “You really aren’t well. You’ve put on weight, and you’ve got bags under your eyes that could be mistaken for clouds at night. What’s eating at you?”
“Like I said,” Keris says, hugging back and maybe clinging a little. “It’s been a long Earth.” They set off down the road, arm in arm, and soon arrive at the oasis. It’s a different one than Keris had started in, but still has its black-leafed trees and cool black water, which Keris flops down beside and settles her feet in.
“So, before we get to me,” she starts, “I’m moving Hanily back to Saata and putting her into school; she’s been going a bit feral up in the valley and Ali and Xasan haven’t really been able to stop her from running off and ‘being a priestess’ - by which she means befriending a lot of the local spirits, learning a broad spread of little magics and poking her nose into other people’s business. I figured I should ask if you have any preferences on where I send her. She’s smart enough to get into the Windswift, but admittance there isn’t until, what, eleven or so? And honestly she needs a few years somewhere else to round out her education and fill in some gaps; she keeps running away from her tutors to get up to mischief and build up her collection of trinkets and trophies.”
Zanyira smiles, but there’s something weary and yet expecting it in her sigh. “Two grown men - and a step-mother - unable to keep control of one little girl? Why am I not surprised? I suppose you’re going to say that she takes a lot after me?”
Keris nods.
“Of course. And you can’t have been a good influence either.” With a clap of her hands, Zanyi puts them together and then opens them, revealing a little green spider wearing a box hat. “Azar, if you will - I require a listing of the best primary temple-schools in Saata that would accept a girl under the age of ten with an erratic educational background, with the end goal of preparing her for admittance into Windswift. These schools need to be able to tolerate some level of misbehaviour, or at least make exception for it for a sufficiently wealthy patron.”
Zanyi, Keris thinks, doesn’t talk the same way she used to. She’s more educated, and there’s more precision in what she says.
“Yes, ma’am,” says the spider. “The city of Saata is famed for its temple-colleges, as the foremost centre of education in the western Anarchy. For a girl of the described age range, the colleges with the highest acceptance rates for Windswift are as follows: Our Lady of Benevolent Wisdom, a temple of the knowledge-goddess Jii-su, which accepts female students between the ages of four and fourteen, and provides a comprehensive general education. The House of Many Leaves, a temple devoted to Ryzala, Goddess of Bureaucracy and Paperwork, which accepts female students between the ages of three and twenty and is considered a school for the female elite of the Raraan Ge and wealthy merchants. Metari House, a school associated with the ancestor cult of the ancient sorcerer Hael Samaar, which accepts students of both sexes between the ages of six and twenty, providing an occult-focused education and induction into the cult of Hael Samaar. House Sinasana will accept the fostering of children from those who wish to ally with them - those children have a 95.83 recurring acceptance rate into their first choice of secondary education. The House of Flowing Ink, a temple college associated with the worship of the Nine Verses, a syndicate of nine deities associated with literature and the arts, which accepts students of both sexes between the ages of five and fifteen. Do you wish further details on any of these, or me to list more temple-schools?”
“Not the House of Many Leaves,” Keris says quickly. “I’ve heard of that place. It churns out people who have all the skills to take over their House by seizing control of all the organisy bits and doing all the paperwork. And they’re all backstabbing aristocratic...” she pauses. “Dragon aides. It churns out human dragon aides. And not House Sinasana either. Even if... I guess technically that would do what you said.”
“I wouldn’t want my daughter brought into Ryzala’s worship,” Zanyi agrees. “I hate the woman.” Before Keris can respond to that outrageous statement, she also adds, “And I want her kept away from ancestor cults. You might be not entirely above board, but you’re family. That’s different.”
“Benevolent Wisdom or Flowing Ink, then,” Keris says, not hiding the happy warm blush at Zanyi’s words. “Do you have a preference, or should Cinnamon arrange for her niece to have a tour of each and leave it up to her which one she likes? She is,” a wry note enters her tone, “a lot more likely to attend all her lessons if she feels like she’s got some say in the decision.”
She meets Keris’s eyes. “Come now. Do you think either of us would like being told where we’re going for certain?”
Keris chuckles. “I’ll leave it up to her, then. So. Yes. My Earth.”
She leans back, flopping down onto the ground and staring up at the cloudless pale red sky.
“I spent the last season putting on a series of operas,” she says. It’s not that she’s trying to avoid the point she came here to talk about. It’s just that she doesn’t really want to lay it out in words again. “For the princes of Hell. Grand affairs. Very well written. The script revisions and editing and the rehearsals have been going on for, what, two years now? I’m rich, now. Well. Richer.”
Zanyi doesn’t say much, except to support Keris and be there for her and be a comforting presence that will listen - and unlike the men in her life, won’t judge her.
“… but I didn’t do it alone,” Keris admits. “I was- I was working in partnership- hah, ‘in partnership’.” That lie may have fooled Ali and Xasan, but not her cousin.
She swallows down a dry throat. Fuck it.
“I was working for the Street of Golden Lanterns,” she tells the sky. “Ipithymia. The Gilded Idol. I sold the plays to her, in return for the resources and backing to put on a tamer version of them last Calibration. This past season, I’ve been performing the unredacted versions with the cast and theatres she provided, but also… working on the Street. As a courtesan. To the demon princes who rule Hell. There’s a vote coming up - Ligier can’t delay it much longer - about my souls. About their legal status in Hell, under the Descending Hierarchy. I needed… I needed access to the Unquestionable. To get to them before people like Iudicavisse and Orabilis could. To swing them to my side.”
Her eyes sting, and the aching lump that forms in her throat is almost too big to talk around. “It was working,” her voice cracks. “It would have worked. But…”
She sniffs, blinking back the brimming tears.
“But Sasimana did something stupid. And everything went wrong.”
Zanyi is there, sympathetic and - a little bit of Keris notices - more open-minded than perhaps she would have been when she was just a Tairan peasant. It’s not just her being kind; she’s far more accepting of some of the bits that would previously have shocked her. It is, maybe, a sign that there are things that she has seen in Heaven that Keris doesn’t know about.
But she has her soft arms (except they’re not as soft as they were before, and have callouses on the palms and knuckles) and she’s female company and she listens as Keris talks about her first period on the Street and then Sasi’s great mistake. And then when she gets to explaining how she fixed it, it--
“Excuse me,” Zanyi interjects, eyes a little wild. “You... you helped Salina, the Salina, Salina of the Working, possess Sasimana to help fight off the influence of her own po which was in control? I... how? What?”
“Our power, our keter-souls, can carry memories,” Keris explains tiredly. “That shouldn’t be news to you; you said in your letter that yours does, that you remembered things from who you used to be as a servant of Heaven when you were touched by Jupiter. Well, a third of Sasimana used to be Salina. And where Yamal was only a century or two old when he died, Salina was… old. Old and strong, as a force of personality. Sometimes the memories surge and Sasimana forgets she’s Sasimana. Remembers being a woman two thousand years dead. She’s not quite Salina as she was - she likes and trusts me, because Sasimana likes and trusts me, and it’s Sasimana-thinking-she’s-Salina rather than the original Salina exactly. But she’s Salina in the way that matters, and she was more than willing to help.”
She huffs a laugh. “Gods, I don’t know that I could’ve done it without her. It was a long shot - and a desperation move - even calling her out. I’ve only spoken to her twice before; she taught me sorcery, my way of sorcery, back when I was struggling with the way Sasimana did it. She’s the one who taught me to make worlds.” A hair tendril flicks around at the world surrounding them. “With sorcery, not with dreams. But the lessons carry over.”
Keris isn’t quite sure she’s ever seen her cousin so rattled. She was less stressed when she had a literal hole in her heart. “You knew that what you are, your exaltation, it used to be a sun-chosen one? And you can lose yourself to the old monsters of the Solar Deliberative? They can take over your bodies? This is a thing that can happen?” She inhales sharply. “And Yamal - who’s that?”
If Keris were any less exhausted, she might be amused to watch her normally unflappable cousin deal with such a series of shocks that her knowing, teasing demeanour cracks. But with everything Salina is bound up in, she just can’t find the humour in it. So she nods, and tucks the memory away for later, and focuses on the more important questions; the how of the madness Infernals fall prey to when the ancient memories surface.
“Salina is… unusually active, for a past life,” she says. “She comes out when Sasimana is exhausted, or exposed to strong links back to her life - a High First Age yacht, for instance - or when I call for her. Yamal - Yamal Icewind - is nowhere near as prominent. He only took me over when I found myself literally staring down at his corpse, and then later up in the northeast when I engineered circumstances to pull him out of my third soul deliberately.”
She pauses thoughtfully. “Also the dream I conceived Kali and Ogin in, technically, but that was less a takeover and more a weird… dream… thing, where he and Rat and I had an argument and then slept together and then I was pregnant. Actually,” she frowns, “I haven’t had a peep from him since then. Maybe that exhausted what little of him remained?”
That train of thought diverts her for a moment, but only a moment. Keris shakes her head, pulling herself back on topic. “Regardless. It’s not widely known knowledge - Sasimana is terrified of Salina, and I’ve been keeping my dealings with Salina a secret from her because… well, because a lot of reasons. Sasimana would freak out if she know I’d been talking to her. The Unquestionable would kill us all if they knew it could happen at all. And even if I navigated both of those problems… Salina was kind of the one who started pushing me towards thinking for myself instead of following the demon princes.” The faintest hint of a blush touches her cheeks as she thinks about her wise, friendly, brilliant mentor. “In some ways I think she’s why Calesco exists at all.”
“I have no idea who Yamal Icewind is,” Zanyi says, taking refuge in things that make sense. Although, knowing her cousin, she’s probably going to go look him up later. “Though... does Kali know that, uh. Her father has been dead for over a thousand years? And um. I think it’s best that the Solar Exalted of the Deliberative stay gone and - oh Venus’s tits you slept with Salina didn’t you?” She doesn’t even let Keris answer. “Of course you did. You’re the squeeze of the Jackal of Malra, and now apparently you’re having a fling with the past life of your girlfriend who’s one of the most powerful sorceresses to have ever lived.”
She jabs her finger at Keris.
“You, little Kiss, are an absolute disaster of a woman. In the best possible way, but also several pretty bad ways.”
“Getting back to the point,” says Keris, feeling somewhat justifiably wounded by that accusation, “I managed to fix Sasimana with Salina’s help. But I broke my contract with Ipithymia to do it. And that… that came with consequences. I dealt with them, you don’t need to worry about that, but one of the things that came out of it was a second deal with Claudia.”
“A second deal with her?” Zanyi looks like she’s dreading more revelations. “What was the first deal?”
“I agreed to let her broker my deal with Ipithymia and claim a cut of the profits in return for all the souls and skins and trophies she’s taken from the Daiwye clan, going back three and a half centuries,” Keris says. “But while I was on the Street, she worked out that I’m a Blue Priestess. Uh,” she pauses. “Right, yeah. You weren’t there for that bit. So, back when I was a teenager, I kind of… swore my vows to Venus’s service. And up in Chir, not long before you Exalted… I had cause to renew them.”
Zanyi chops the air with her hands, trying to forestall any more unwanted explanations that’ll apparently bring mind-breaking revelations, at least for a good minute or two. She seems to be trying to buy time to settle her mind. Then;
“I kinda know a bunch of this stuff,” she says, wincing slightly. “Uh, how to put this. I don’t want to keep secrets from you, and so I should tell you that I ran into Calesco in Nexus. ‘Bouta week ago. I took her out for sweet things, and caught up with her and she ended up talking about what she was doing and why she was doing it. She didn’t want me to get the wrong idea about thinking she was part of some grand demonic conspiracy,” she reassures Keris.
“You met- what were you doing in Nexus?” Keris asks, then chops the air with her hand before Zanyi can get a word out. “No, wait, more important than that; how was she? Did she look well? Stressed? Hurt? How’s her mission going?” She pauses. “Has she... learnt anything new?”
“I never really interacted with her much before, but I can inform you quite firmly - she’s your daughter,” Zanyi says with a roll of her eyes. “She’s been meddling all up the Yanaze, caused a significant Fate-glitch in Yzadon which led to rains of blood, demonic iconography appearing on buildings and her own face to appear on old statues of Venus, stole an important planning document from a local god on a whim... you’re looking proud. You’re looking proud.”
“I’m glad to see she’s doing well and having fun,” Keris says, enough happy warm contented feelings bubbling in her chest to almost outweigh the exhaustion. “Although ugh, what was she doing that sparked a major bout of omen weather? Actually, no, never mind, I’ll ask her myself whenever I next feel up to dreamcrafting. Here’s the real reason I pulled you in to talk.”
Leaning forward and twisting round as best she can without taking her feet out of the nice cool oasis water, Keris pins her cousin with a serious look.
“While I was working on the Street, Claudia worked out that I was a Blue Priestess. We had a tense little chat about it, and in the process she revealed her part in the Order’s downfall. And I...” She pauses for a moment, pursing her lips. “Let’s say that I was not as impressed and complimentary as she was expecting me to be. So we spoke a little more, and I winched a price out of her for the low, low price of not breaking all her arms and legs.”
She clasps her hands together, straightening her back. “It’s not just the Daiwye I got from her. It’s the Blue Order, too. All the souls she took. All the relics. Everything from the Fall that she claimed as property of the Azure Pyramid. Some of it I have a use for, rebuilding a little child of the old Order in Saata - but not all. The souls she’s kept all this time; the ones she didn’t sell off to be reborn as prayer-cattle or turned into artefacts - I have no use for them. But some of them are innocents who thought the Azure Pyramid was just another face of Venus, who didn’t know they were worshipping a demon. And others knew, yes, but after two centuries of misery, any punishment they deserved is long since served.”
The look on her cousin’s face is strange. Complicated. Then she smiles; wearily, wryly. “You are Calesco’s mother,” she says, and this time, the acknowledgement of their kinship is much more a compliment. It makes Keris wonder - and vaguely worry - about how those two women managed to get along that Zanyi speaks of her like that. She eyes Zanyi, wondering just what Calesco has been doing that this compares, but doesn’t question it.
“So,” she says instead. “I have an offer for you, and a condition. On the one hand, I bet it would be a nice little feather in your cap if you could report that you’d encountered a demon lord in Creation and won a bunch of old souls lost to Hell - plus one or two relics - off her in a game of skill or trickery or whatever, and also incidentally sent her packing. Eko should be somewhere on the Grey River by now with all the souls and artefacts I’m willing to give up to be cleansed of infernal taint and restored to their place in Venus’s treasuries; I’m sure you can figure out a way to track her down. But,” A silver-nailed finger rises. “I want something from you in return.”
“Of course you do,” Zanyi says, crossing her arms, sliding her hands up her sleeves. “Go on, then. Loose it.”
Keris tosses her hair back. It’s an impressive motion, and goes on for a while.
“I don’t give a shit about honouring Venus,” she says bluntly. “But the vows I swore were a deal. One that lasts for life - and through death. Serve serenity in this life and your next will be peaceful, that’s what my mentor told me, and what her mentor told her, all the way back to the founding.”
She scowls. “Now, me? I’ve probably voided that. That’s fine. I’m the one who swore myself to Hell’s service; I knew what kind of bargain I was making when I made it. And frankly, I’m not sure Venus would have a claim over my soul after I go even if she wanted it.” She thinks back to Lilunu’s reaction to seeing Keris in Ipithymia’s clutches, and Erembour’s before that. Her lady is more than a little possessive, and she already has a connection to one of Keris’s souls. Maybe more.
“But,” she powers on, “those souls? The souls of the priests and priestesses? Some of them never betrayed their oaths; they were tricked and taken advantage of. And the others, they’ve paid for their sins. Every soul is labelled. Claudia kept notes on all of them.”
Biting her thumb, she lets blood well up on the pad, and offers her hand to Zanyi.
“So I want her to hold up her end of the vow. The ones who were tricked, I want you to look me in the eye and swear to me, Zanyi, that they’ll get the serene and joyful reincarnations they were promised. And the ones who broke their vows, they’ve suffered enough. They get amnesty. No reward, but no more punishment. A clean slate in their next life, just like everyone else. And so help me, Zanyi, if I ever find a way to check on Gull’s soul and she’s been robbed of what she deserves for a lifetime’s service, I’ll do something violent. You know I will.”
Zanyi... seems surprised. “Now that’s a side of you that you don’t show much,” she murmurs. “‘Fraid of people seeing that part of you?”
Keris shakes her head, refusing to let Zanyi distract her. “What I show or don’t show isn’t part of this. Swear it to me,” she demands. “I’m not handing those souls over if Heaven’s going to treat them badly. They’re my people.”
“Heaven won’t treat them badly,” Zanyi says, her shoulders hunching in slightly. “But Keris, the thing is that the usual procedure for reincarnation shows little fear or favour for the soul. It isn’t entirely under Heaven’s control - or even mostly under control; it runs mostly off ancient mechanisms no-one really understands - and while there are elements in the Bureau of Heaven that can influence it, that’s all they can do. Put a lot of effort into nudging things. And, just to be clear, I don’t even work for the Bureau of Heaven. I work for the Bureau of Destiny.” She exhales. “I could lie to you and tell you that people go onto the lives they deserve, but that’s not how it works.”
She taps her fingertips together, thinking.
“The ones you want to just pass onto a new life, I can handle easily enough. We have ways of making sure a denuded soul passes to Lethe and doesn’t linger - we can make sure they don’t linger as a ghost when they’re freed from whatever Hellish soul-binding that’s trapping them. As for the others... I don’t think I can do anything directly now, but, mmm. I know there are a few people with some lingering fondness for the Blue Order, people who supported it back in the day, some gods who got their start working for it. I might be able to reach out and find some contacts and ensure a note of commendation is tagged to the soul when it gets handed over to Taru-Han. But I’m not with the Department of Endings and I am about as junior as you can get, so I can only do so much.”
Silence falls. A long, heavy silence. Wordlessly, Keris retracts her hand and pulls her feet out of the cool water to stand. She paces a few steps away, staring out at the endless white sands of the Desert of Roads.
Faint wisps of mist escape her hair, ephemeral veils of terror clouding the air around her.
“... so it was all a lie,” she says.
There’s no surprise in her voice. It’s the confirmation of a cynical suspicion, not a revelation. Her words are quiet; absent any loud burst of rage. But they shake with cold fury, and the mists leaking from her thicken threefold.
“All the labour for a better world. All the sacrifices made to bring serenity to others, to put aside our wellbeing to give others theirs. All the temples raised in Venus’s name, as the one we swore our vows to, the first to see the need for us. So many lives dedicated to doing her work. And in return...”
One delicate fist clenches. Three strands of hair rise, scorpion-like, over Keris’s head.
“Nothing.”
“No!” There’s surprising confrontation in Zanyira’s voice. “Not nothing! Yes, when the Primordials made the mechanisms of reincarnation they determined that is how it should work. But that’s how the world works; a thing of ancient nameless magics and arcane machinery. What we do within the world is different. And what your Blue Order does is make a place in the world where serenity can exist. Where life isn’t constant battles; where there’s peace before the end. And within the workings of Fate, people like that spread serenity into destinies. They allow a world to exist where they can be born again, where there’ll be serenity for them to have in their next life. Children are born, benefiting from their actions - and in time they will be one of those reborn.
“Maybe you might not think that a note attached to a soul recommending it for a better next life is enough. There are standing orders that priests who serve the gods faithfully are prioritised for better next lives, but that might not be what you believed happened. But is not the maintenance of the world a reward too? That there is a world with peace in it that you can be born to; that serenity still finds a place in the world for you to enjoy later?”
Scorpion-tails of mist-wreathed hair bristle for a moment, then quiver, and finally, slowly, settle. The terror-fog dissipates. The hard lines in Keris’s back and shoulders recede.
“... you’re saying the work is what matters,” she says softly, still looking out at the desert. A moment passes, then another, before she nods, as if labouring to lift her head under a great weight. “And you’re right,” she admits. “Fuck the gods, ignore the worship. The Order isn’t for Venus. It’s for the people. It’s not like I really believed an Incarna would follow through on their half of the deal. People that powerful never do.”
Her words are full of bitterness, but the last few tendrils of hair, twitching irritably, settle into stillness as she spits them. Keris turns around, and her unhappy expression becomes morose as she takes in Zanyi’s expression.
“I scared you,” she mutters, looking down at her feet. There’s self-recrimination in her tone. “M’sorry. I know it’s not your fault. You’re held to the whims of your bosses. It’s just... so many of my teachers and my teachers’ teachers gave their lives to helping people. To smoothing over all the dirt and grit that gets stuck in society’s wheels. And Gull d-died on the streets, and nobody helped when the best’n’brightest of the old Order broke themselves hunting down an’ banishing that horrible Dead thing, and then Claudia put more’n twenty years into bringing them low, and nowhere in that did Venus ever step in an’ help. After all they did in her name! After all the worship they paid her!”
Keris breaks off, breathing hard, fists clenching again, and swallows the rage down before it can build up again.
“It... if your note thing on their souls does something, that helps,” she says. “That’s... that’s not nothing, at least. I can see how that might’ve been what got promised in the beginning, then exaggerated or whatever. And you’re not wrong that making the world better like that is its own reward. Salina once said something similar, about helping Sasimana. But... it’s still a betrayal. You know?”
There’s a bittersweet smile on Zanyi’s lips as she says, “Things are a lot easier when you’re a sick peasant woman trying to look after a toddler. But instead of looking after one rambunctious and overly curious little girl, I have to look after the whole world. And that’s just the duty I’m landed with. I don’t agree with everything that other Star-Chosen do, but all of us were born to this duty and our reward when it’s all over is to be reborn to do it again. Trust me, Kiss. I know how unfair these things can be.”
Keris knows her cousin is deliberately presenting things to identify with her, but... she’s not wrong.
... and maybe if Sidereals were involved in founding the Blue Order, or guiding it, no wonder they didn’t think there’d be any reward in a next life for their duties. Because they’re Chosen to this role, time and time again.
“I’ll send Eko a dream,” she says, moving over to give Zanyi a hug. “Where should I tell her to meet you? She should be able to get anywhere along the Grey River, but she’ll have come out of the Tairan Hellgate, so the closer to there, the easier.”
“Where else? Tell her to meet me in Baisha,” Zanyi says, hugging back. “This way we both know where it is - and as an added benefit, if something comes up and we can’t meet up, she can leave the drop in the abandoned smithy. The village should be abandoned now, after all.”
Keris smiles.
“Then give her my love.”
The dream dissolves around her as she lets it go, and she wakes in her room in Ahangar House. She lies there, staring up at the ceiling, and blows out a sigh.
Fuck.
She’d snapped again. Like she had during the spar with Claudia. That sudden burst of violent rage, thrashing to get out. Keris had thought she’d left that behind in Hell. Apparently not.
And if she’s still feeling that way, if she hasn’t rid herself of that violent monster...
... maybe it’s time to leave Zen Daiwye before she breaks something she can’t fix.
Chapter 28: Wood 775 (Saata)
Chapter Text
A couple of days later, and Keris is down in Saata. It’s raining hard, and she can smell the mix of jungle air and the city. It... feels home-y to her. Maybe the most like home she’s had since she left Nexus.
Hands folded behind her back, Little River doesn’t look away from the window that overlooks the sea. She likes watching the Great Western Ocean when it’s rainy. She’s dressed in clean whites, offset by her silver jewellery and pale pink shawl. Keris is trying to get back into the habit of being Little River, after a season of disuse.
“... so that’s the current state of things,” she says to the conference room behind her. “Rounen, I’m going to need you to find a place for Hanily and the Lioness who’ll be looking after her to live. And when it’s time, arrange for her to see the schools.”
“Yes, ma’am. Somewhere in a respectable district, but not too expensive, I think. And she’ll be living publicly as Cinnamon’s niece?”
“Yes,” she says, turning around and smiling at him.
“It’ll be nice having our cousin around,” Nara contributes. Her son is a little more tanned than usual, his reddish-blond hair is curled, his eyeliner is excessive even by his standards, and he’s sprawled out in what is usually Rathan’s seat. His brothers are still out in the Dusk Sea, and Keris hasn’t heard back from them yet. “Don’t you think so, mama?”
“It’ll certainly help keep her out of trouble,” Keris agrees wryly. “Though she may need an eye keeping on her.”
She cocks her head, listening again to Atiya’s steady breathing two floors up. She has, much to her displeasure, arrived while her daughter is asleep, and waking her up from a scheduled nap never ends well. Though it does conveniently mean she can get the necessities out of the way in the meantime.
“Alright,” she says. “That’s my end. You two; report.”
Nara chuckles, picking up his pipa from where it sits beside Rathan’s chair and starts to play as if it’s just an idle thing, but his mother knows him well enough to know that his easy-going façade is a mask for how he made sure he’s the first and foremost centre of attention; a driving, craving need that he’s so addicted to, he suffers when he’s ignored. “Oh, what can we say, oh mama, your beloved Mistress of Assassins and I, her ever-sharp blade,” he half-sings along to his tune. “Anadala’s targets fell like leaves in Air’s embrace, and we waltzed a merry dance across the Anarchy. In rain-choked Paginan-i-Malpa, a port in Yalpagesh the upstart, we hunted down and slew Pelepese Samino and quick-witted Zana left a most instructive message in his blood.
“In the port of Rokusa, where alchemists plot and stew atop a moon-fallen rock, we found Ledala Lokilu, sister of the sorcerer Ledala Suzi. Suzi’s sought secrets will not drift back to the Realm - for Zana slid me into her ear as she slept. Such a dream, quick-cut by a single barb. Alas she had not secured that which she was looking for, otherwise we would have stolen her books for you.”
And on and on he goes, recounting their adventures across the Anarchy - mentioning with special amusement how one of their targets happened to be passing through Ca Map and how easy it was to make suggestions to the Despot who played along for fear that they’d show him more truths.
But one thing catches Keris’s interest - and alarm - the mention of Imperial Navy investigators who’d been trying to track them down.
“Were you in any danger?” she asks; a sharp turn from the praise she’s been sprinkling in for Nara to bask in. “The investigators; did they find you? Do we need to take measures?”
Nara rolls his eyes, but Keris isn’t fooled. Her brat of a son made sure to make her worried in his needy little desire for her to show that she worries. “Oh, of course they found me,” he teases, his too-long, too-jointed fingers dancing over the strings. “But they only found me once they were properly... primed. Oh, mama, they followed us for too long, found too many of our pieces of artwork, touched those pretty pretty statues that Zana made of both of them and left for them to handle. Love is intoxicating; beauty stimulates all the senses; hate can be attractive and can so quickly flip to desire.”
His smile is the fall of nuns and monks alike.
“First they chased out of solemn duty; then out of outraged justice; and under all that was beauty and desire. We showed them how their duty was an ugly, squalid thing; we showed them how beautiful they could be. And,” he blows a kiss, “they found me, in time, each one meeting us in private, swayed by beauty to give worship to us. Reshaped like wet clay into our friends in the Navy.
“Well, maybe not all of them. A few were too baked in to their old beliefs, but that’s the thing about baked pottery. It’s so easy to shatter.”
Keris relaxes, her feathers settling. “Ah,” she breathes, reassessing the information again with the flush of instinctive fear passed. Realm investigators. Realm investigators; the people who hunt down problems the Dynasty takes issue with. The people sent after mysterious assassins, who can report things resolved or point the finger of blame.
A slow smile slides onto Keris’s face; a snake’s sweet venom on blood-red lips, and she rests a slender hand on Nara’s innocent head, silhouetted from behind by the storm.
“How... charming,” she says. “Such a good boy. What did you do with the survivors? Did they flutter back to the Realm with a message and a way to hear from you again, or do you still have them tucked away somewhere in the Anarchy?”
Nara beams at the praise, and springs up to drape himself off her neck in a hug. “They’re probably going to spend more time hunting us, but when that’s done, they’ll probably head back to Triumphant Air to make their reports~” he sings.
“Such a good boy,” Keris praises, and lets him cuddle under her arm as she turns to Rounen. “What about Saata?”
Rounen shuffles his papers, and that’s already enough to set off Keris’s alarm bells. It’s a big stack of papers, and Rounen’s handwriting is precise, elegant, and very small. She can see the smugness on him, born from the same jealous, needy craving for attention and praise as Nara. The desire - or in Rounen, pride - in being the essential adjutant, the vital, indispensable servant on whom she relies utterly. And the impulse, every so often, to remind her of how lost she’d be without him. The urge to poke the tiger, just to prove to himself that he can, because it needs him too much to bare its fangs.
“Excellent, ma’am. So, firstly, I would like to say that it’s delightful that you’re back, and we have an entire season - and more! - to catch up on. Which of my itemised lists would you like to begin with? Matters of the Carnation, matters concerning the Hui Cha, matters of the socio-political changes in Saata, or reports from the Wider Anarchy? I also have various rumours and events in the greater Creation, but those are of lower priority and we can likely address them in a follow up meeting when we set priorities for the upcoming season.”
A low whimper comes from the base of her throat, and Keris looks down at Nara for help. He smiles up at her, sweet and malicious and entirely unsympathetic, and she sees in his innocent little eyes that he considers this an entirely just and befitting punishment for being so rude as to turn her attention to someone who isn’t him.
Pouting in betrayal, Keris turns back to Rounen to face her doom.
“Let’s... start with the Hui Cha and the Carnation,” she sighs, “and go outward from there.”
Rounen has a long, long list just on the subject of the Hui Cha. Firstly, he has officially arranged for himself to be adopted, which he could do given his half-Tengese, half-Realm appearance that leads people to assume he’s the bastard by-blow of some dynastic tourist. “Hui Cha Rounen, officially, though it’s just a pretence, ma’am,” he says proudly. And that’s only enhanced his capacity to get things done in the Hui Cha, even if he’d had to put up with some of the more swaggering (more stupid) men considering him effectively a woman for his ink-smeared hands and lack of interest in seafaring.
He has a long list of actions that need some kind of intervention from Keris. He’s arranged for her to play the symbolic role of the Queen in the benedictions in the temple of the Golden Lord, he’s got details on the various clashes and conflicts between blue sea masters, and he’s acquired a list of the names of some upcoming red sails who she might want to consider getting on board so she can ensure the right person gets to the council. Especially since Strong Ox has taken a turn for the worse, and so he strongly recommends that she needs to make sure the senile old man gets better since it’s too early for him to die. He’s overseen the introduction of Atiya to Pale Branch’s children, he’s taken the liberty of sponsoring the admission of a few orphans into good schools in Yellow Point, he’s arranged for Little River to co-fund the creation of a new temple to the forge-god Old Dinh which will also give her an in into the shipbuilding industries... the list goes on.
And then there’s the updates. It seems that Peaceful Wave and Lucky Wolf have been pushing their interests down south, into the Delikado March, and as part of that they’ve clashed with the local pirates. He’s flagged that there are some questions as to the intents of Peaceful Wave’s wife and mother-in-law, but more pertinently, that the Red Sail Brave Pig died of malaria down there, and that’s caused an inheritance dispute.
“I believe you should help settle this fairly, to remind everyone that you do such things,” he suggests firmly.
“Good work on the temples and Atiya,” Keris says, after considering the information heaped on her. She absently detangles herself from Nara and paces up and down along the length of the great window, trailing a hand over the back of her throne-like chair and tousling Nara’s hair with each pass. “Leave the blue sea masters to me, and let me know the details of the up-and-coming red sails and the inheritance with an advisory note on who we benefit most from coming to power. I’ll make sure everyone walks away feeling like they got their way or were convinced it was for the best. As for Strong Ox... I’ll visit Pale Branch sometime in the next week and give him a boost.” She cracks her knuckles. “Right. The Carnation?”
“Ah, yes.” He pours himself some tea. “Now, ma’am, I have overseen the implementation of all the instructions you left me. Financially, the Carnation is... not doing well for the season, given the absence of two of its three most prominent headliners and I am afraid that Seresa is... unreliable.” He sniffs. “It’s like handling a fleshless flame at their worst,” he says. “Without Princess Calesco in particular, the baseline take is down twenty percent compared to last Earth. And with the purchases of the housing you instructed me to make for the workers, we have made a notable loss.
“Which has, I must say, unfortunately drawn wolves to the door. Wolves by the name of one Tuah Orked, of the Orked vice family. You might know of them - they own the Pearl of Delight, that brothel which you had such low opinions of for its interior décor. And exterior décor. They have a quite considerable number of holdings in the waterfront, and it would appear that they desire to feast on something more upmarket to diversify their portfolio and perhaps obtain a little,” he sniffs, “class.”
Keris’s pacing slows to a halt, and her eyes narrow slowly. “Oh,” she says silkily. “They do, do they? How very interesting. And how are these wolves at our door behaving?”
“The usual, according to Elly,” Rounen says archly. “Trying to poach our performers, a little light intimidation, trying to put pressure on some of those individuals we have nominally borrowed money from as a way of concealing that the official books of the Carnation are lies and deception.”
“Hmm.” Nara snuggles up to her again, and Keris pets his head idly as she thinks. “Are they having any success?”
A man’s looming death lurks in every syllable.
“Little as of yet - few people are willing to drop your generous terms of employment even if the Orked family offers more. But I’m not sure how long some of them will hold off.”
“Well then, how lucky for Tuah Orked,” Keris says cheerfully, all smiles again in an instant. “Remind me to do something horrible but non-fatal to him - utter financial ruin or some such - and I’ll see about taking a couple more headline acts as Cinnamon and cracking the whip on Seresa to talk everyone into a better mood. Calesco should be back before the end of the year, which will help.”
“I mean, if we’re going to be around here for a bit,” Nara wheedles, “we can handle that. Not just being a sexy body in the club. Also being inventive and instructional and pretty to him. At length.”
“... I’m completely willing to let you at Orked,” Keris says, her mouth twisting. “But, uh. The Carnation? Are you sure? Wouldn’t you rather do the inventive instructional pretty stuff to him instead of being a... that?”
“Being a lounge singer, actor, and object of desire for everyone watching?” Nara asks, by all indications genuinely confused. “Why wouldn’t I want everyone looking at me?” He tilts his head, and then blushes slightly. “Oh, um. You mean that side of the Carnation. No, I just want to be on the stage. I want to be the lead! The star!”
“Oh. Oh!” Keris sighs in relief and winces, both at the same time. Fuck. She’s still thinking like she’s on the Street. She may not be looking at the world through the solid-black eyes of those who’ve succumbed entirely to Ipithymia, but she’s certainly wearing the Gilded Idol’s glasses, to make an assumption like that.
“Y-yes, then, um, that would be fine. Good! Great, even! Perfect!” She gives Nara a congratulatory hug, pasting on a smile. “You’re so sweet and helpful, Nara, thank you. I don’t know what I’d do without you.”
“Mama-” her sweet and helpful boy starts, a frown creasing his forehead as his eyes go worried and thoughtful.
“Anyway Rounen wasn’t finished!” Keris cuts him off, turning back to her aide and talking very quickly. “Saata! You had stuff to say about Saata! And the Anarchy! Calesco cracked the whip on Danadu Mara while she was in Triumphant Air; are his spies starting to report in? And what are the agents I seeded during that big trip last year saying? And! Stuff from the rest of Creation, you said? We might be able to fit those in today, if we’re quick!”
Rounen has a lot to say. The rumours from Ludvo the slacker god of the Carnation about divine politics in Saata - who’s doing well, who’s suffering losses, who’s in favour with city father Sipra and who’s having him call in their debts. The Steel Dragon Society have taken some setbacks in their attempts to get a foothold in Shaipres, which is - and Nara chips in to mention more - spiralling even further into the risks of civil war. Danadu Mara’s spies have funnelled some information about the state of affairs in the Sunfall Isles and the giant lords there, as well as the further decline of the remnants of the Blue Monkey Shogunate who occupy one city like a hermit crab in a shell too large for it, losing ground to hungry Yalpagesh. There are people from the Dhul Republic here, with two fae servants; they come selling nutmeg and wyldspices harvested from the edge of the world, and Rounen has had Elly send some of her agents to make purchases of them in case Keris can make use of any of them.
There is excellent news from Sui Basa, though, where the report from Herran is that not only has she got the local branch of the Jade Carnation up and running, but more than that, she’s also managed to induct one of the Autokrator’s wyld-sorcerers into the worship of demons - and married him. That woman was always ambitious and Cinnamon had recruited her with the promise of being more than a second-billing actress, but to so quickly worm her way into the confidence of one of the ruler’s confidants and secure his hand in marriage? Keris had promised her the rank tattoo of mastery if she impressed her next time she came around, but she wasn’t expecting this.
“Hot damn,” she whistles. “Right, I don’t think I can manage another dream in this state, but I’ll send her a Messenger tonight, congratulating her for her work and promising a mastery tattoo next time I visit. Which will be...” she pauses, considering her schedule. “... sometime early next year, probably. Fuck, this might actually be worth giving limited summoning permissions to her husband, same as I did that alchemist from Gem.”
She blinks. “Ah. Speaking of, ah... an-Reswah, thank you mama; it’s coming up on a year now, isn’t it? About time for those permissions to lapse again.” Keris vaguely remembers extending Hinna’s permissions from the month she initially gave her to a year when she’d arrived in Saata, but the end of Wood will see that window close. “What’s she been doing? Is she settled into Saata enough to start being useful? Because I have projects for her to work on, now that she’s accustomed to being able to summon and bind whatever she likes.”
Rounen nods, and produces a document from his jacket that Keris... isn’t entirely sure had been there before he reached in. “Hinna an-Reswah has that role in a third-rate temple we bought the debts for, ma’am,” he reminds her. “Working as an assayer. In the long term we had agreed to relocate her, to somewhere less... opposed to infernalism than Saata. She has taken several trips already this year - I suspect either looking for lore, or reaching out to contacts. However, ma’am, as per my orders Seresa has made acquaintances with her daughter Simya - the neomah-blooded, if you remember - and the daughter is sure that the mother has been making extensive use of the summoning rights you extended her.”
“Ha! She’s hooked!” Nara chips in, probably because he feels things have gone long enough without the sound of his voice.
Keris’s lips curve. Temptation and damnation dance on them.
“How lucky she is, then,” she says, “that I find time in my schedule to be convinced to extend them. Make her aware she has an appointment with me, Rounen. Tell her I look forward to the results she can offer to justify my continued generosity.”
“Of course, ma’am. And-” Rounen falls silent as the door to the viewing room inches open and a tousled-haired, dark-eyed little girl hugging her armful of dolls tightly pokes her head in.
“Rou-rou, the sky is loud. I don’t like it.”
“Oh, Atiya,” Rounen says immediately. “It’s awful isn’t it! But look who’s back!”
Keris beams, kneeling down and opening her arms for her little girl, glad that she’s wearing Little River’s face rather than Cinnamon’s. It’s not that Atiya doesn’t know both, but showing up in the ‘wrong’ face would probably just start a meltdown over Mama not following the awful horrible unfair rules about separation of identities that she’d laid down in the first place.
“Atiya, darling,” she sings, keeping her voice quiet for the sake of her little girl’s ears. “Mama’s missed you so much! Come here and let me look at how much you’ve grown!”
That gets her a stare from dark eyes - maybe. It’s so hard to tell where she’s looking, sometimes. She doesn’t answer, and doesn’t approach her. Keris can read immediately that her daughter is struggling to handle her feelings, and has - as she often does when she’s emotionally overwhelmed - shut down entirely. If she doesn’t handle her carefully, a tantrum might follow.
The intrusive thoughts she still can’t shake rise up again. Ah, Atiya, they whisper. Atiya, Atiya, Atiya. Whose mind works so very differently from the common crowd’s, with her Bans and her obsessions and her strange ways of emoting. There are so many rules to learn with her daughter, and so much confusing, frightening, forceful passion behind them when they’re broken. The passion of a po nurtured for a lifetime in a woman grown and slain and grown again to monstrosity, held in check only by the ferociously stubborn will of a child-ghost eight centuries old.
Sorting through what she knows of her daughter’s Bans - an exhaustive list - Keris sits back into proper seiza, smoothing down her dress and rearranging her shawl. She smiles at Atiya, keeping her gaze focused on the little girl’s forehead rather than making eye contact.
“You look very nice, darling,” she says, restraining her joy back to calmness. “That’s a very pretty sleep smock, and I see you’ve got a new doll. I’m sorry I was gone for so long, and I’m very happy to see you again. Are you having too many feelings?”
Atiya doesn’t meet her eyes, but she nods. “Don’t like the sky,” she mutters to the floor. “Mama isn’t meant to be here without telling me.”
“I should have told you, I know,” Keris agrees gently. “But you were having a nap, and you don’t like being woken up when you’re meant to be napping, do you? I promise, I was going to come and tell you as soon as you woke up. But you came right here as soon as you did, so I didn’t have to. Would you like to go to one of the rooms in the central wing that doesn’t have windows, so the sky won’t be so loud?”
She doesn’t move. Doesn’t look up. But Rounen gets up. “I’ll just see her through and make sure she’s settled. She doesn’t like storms at the best of times - they’re just too noisy, aren’t they?”
That gets a nod.
“With your permission, ma’am, we’ll end this meeting here and we can resume the briefing later.”
“I- yes,” Keris says, masking the flash of naked hurt that Atiya trusts Rounen more than her. “Yes, this can wait; Atiya is more important. Shall I come along too?”
A pause. Then a tiny shake of the head that feels like a knife to the sternum.
“I think the little miss is having too many feelings at the moment, but would like to see you later, ma’am,” Rounen says, striding over hurriedly to open the door for Atiya. This gets a tiny nod, which makes Keris feel a little better, though not much. He doesn’t waste any further time, hovering a hand behind Atiya’s shoulders without making contact as she trudges back out into the corridor and deeper into the estate, shedding a doll as she goes that Rounen stoops to pick up without missing a beat.
In the silence after the door closes, Nara cocks his head and looks Keris up and down with slow, deliberate evaluation.
And then he inverts, unfolding and expanding as the tattoo-Zana on his back replaces him and Nara warps himself around her as a many-coloured shimmering gown with his eyes as her necklace. “You are not doing well, are you Keris?” Zana says, always sharper, more cutting than her twin. “Come on, let’s see you. Let’s see the state you’re in.”
That’s enough to get Keris’s walls slamming down. She knows full well what state she’s in, and while it’s something she’ll reluctantly reveal to her cousin, it’s not something she has any intention of sharing with her teenage daughter. “It’s nice to see you too, Zana,” she says flatly, her tone brooking no discussion on the topic. “Well done for your part in the assassinations. They were very creative, and that was an excellent touch with the Realm investigators.”
“Oh no, you don’t get to shut me down like this! I know what you’re doing!” Zana’s voice rises, though she keeps it low enough that Atiya won’t hear. “You come back here with no real explanations after a season of silence and you’re as brittle as china and you’re not even showing me your real face and you aren’t telling me about the Street when it’s only one of the biggest centres of fashion and style and dance and music in literally the whole of existence!”
Keris knows she can’t hide the flinch, so instead she turns it into a dismissive twist away, flicking Zana’s questions away with a whip of her hand as she starts towards the door. “What happened on the Street is covered under contract,” she says. “I’m not allowed to talk about it even if I wanted to, which I don’t. There’s too much to do ahead of us to focus on a job that’s already wrapped up.”
“Bullshit there is! I don’t want to know about your clients ‘cause I die too if you get tortured to death by the Priests,” Zana retorts, trailing after her. “I want to know about the fashion! The style! Why you’re cracking like glass!?”
“Words would fall short,” Keris shuts her down, slipping through a door and trying to slam it shut behind her. It rebounds off Zana’s boot as the girl lunges to wedge a foot into the closing crack, and Keris marches off towards her sorcery workshop with Zana still dogging her heels. “You can come back with me at Calibration and I’ll have all the outfits couriered over from my palace for you to look at yourself.” She’s willing to go to the trouble of convincing Lilunu to open the gate long enough for a few carts to roll through if it means avoiding this conversation now.
Zana lets out a hiss between her teeth. Her mismatched eyes, seen in the polished glass of a cabinet ahead of Keris, flare with anger. “You’d give almost anything to not have this conversation! Okay, that means this really matters to you! Way more than it normally would! Way more than you just not wantin’... wanting to talk about sex is normally! And you feel different! Like, really different! The shape of your mind is different and there’s something new about you, something beautiful but not pretty. Stop walking away! Talk to me! Keris! Keris! Don’t just turn your back on me! Keris!”
She’s starting to pant as Keris approaches the door to her workshop, her quick pace faster than her youngest soul can easily keep up with. Feet skidding on the polished wooden floorboards, Zana takes a deep breath and goes for broke.
“Please! Mother! Tell me! You’re scaring me!”
Keris grinds to a halt. Her hand is on the concealed handle to the hidden entrance, but she doesn’t brace herself to pull it open. Her shoulders stay rigid. Her hair lies still.
“Zana,” she grits out through clenched teeth. “I do not want to talk about this. Ipithymia tried something. Lilunu stopped her. I am dealing with it. Leave it at that.” She swallows. “Please.”
“Are you dealing with it? Really?” Zana is suddenly soft, her sharpness gone. “Urgh! We should have been Nara for this, but he thought you’d just deflect any attempt and we needed me to poke you. And turns out he was right. You’re not doing well. And,” she swallows, “what can I do to help?
“And I’m not going to accept ‘just go away and don’t talk to me’ because talking is what we do!”
Keris looks down at her hand. It’s not trembling where it rests on the concealed handle to her hidden workshop, but that means nothing. She practiced pickpocketing and burglary as a child until her hands were steady enough to lift a man’s purse from his belt after a day and night without food or sleep. She’d had to. At times it was the only way to remedy either.
(And what had that habit of self-reliance earned her, in the end? Her life had only improved when she had other people in it; Rat and Gull and the others. When she’d lost them, she’d sunk right back into bleak despair.)
“I just-” she starts, and has to swallow again to soothe a dry throat as her voice cracks. “I need... to understand. What happened. Why it happened. That- that will help. But that’ll mean studying... madness. People whose minds are shaped differently. People who... who do things that are bad for them, that they know are bad for them, even as it ruins their lives. The kind of people Ipithymia hooks. How she hooks them.”
Silence from behind her. Keris doesn’t look round.
“It comes down to time,” she whispers. “I only have so much. And every second counts, with things moving as fast as they are. Just... buy me some time, Zana. If you really want to help, that’s what you can do. Cover the Hui Cha and the Carnation for me. Give me some space to... to process. To take what happened apart and put it back together and make it safe.”
Keris hears the twisting of flesh which goes on for longer than usual. Then;
“Oh, my dear, have we met? Second Carp is just delighted to make the acquaintance of the famous Golden Crown.” It’s Zana, but not; more mature sounding, more elegant, and so Tengese it’s like she just got off the boat from the old country. “Please, I’m so new here, I don’t know what to do, and my family... well, that’s not an option anymore. I don’t know if there’s somewhere a young lady might stay that’s a safe place for someone who’s looking to pick herself up again, maybe some friends she can make?”
Sagging against the wall, Keris can’t stop the fond smile from forming. She turns without shifting her weight and takes in Zana’s new disguise.
The eyes are the same, of course they are, but Second Carp is a good head taller than Zana and is the very image of a proper Tengese lady. If it wasn’t for the fact she doesn’t have makeup on, that her fringe is out of place and she has split ends. Her proper garments are well made and expensive, but frayed; her nails are bitten: in short she is the very image of a high class Tengese lady fallen on hard times.
Zana catches her eyes, and grins at her, tugging down her high neckline to show an ugly, ugly burn on the left side of her neck. “I’m not sure why I have this burn yet, but I can tell you that it’s going to be incredibly tragic and a result of how cruel my husband was to me,” she teases Keris mildly, reminding her of her former identity Two Opal and her own overblown story of abuse and trauma. “And it’ll be probably useful for you to have a respectable-seeming woman who owes you everything and will act for you in the Hui Cha.”
She only smiles more widely at Keris’s snort.
“Yes, I said respectable-seeming. You can talk about inducting me into your Lilunu cult later - after all, shouldn’t a girl show respect to her father?”
The sheer absurd audacity of it forces a laugh out of Keris, and she shakes her head, yanking the handle her hand still rests on and heaving the entrance open.
“Come on then,” she says over her shoulder. “You can help me prepare some solvents while we work out what your story is.”
“Come now! Do not dawdle, girl! Gods only know what she will do if we are late!”
Simya an-Reswah follows, as always, in her mother’s wake. Her head is lowered, her pale - so pale as to be almost translucent, so pale as to look lilac - skin covered below layers of cotton, her dark eyes behind dark glasses. This hot, humid climate has been hard on her. Not on her mother. Her mother does not care about heat, or humidity. Save that either might smear her make-up.
She does, however, care about her mistress. Madame Dulmeadokht. The mighty Hellish lady who has completed the Great Work, and who bears a circle of green fire on her brow to prove it. The powerful infernal lady who with the barest exertion of her mantle extended to Hinna an-Reswah the authority to summon all the numberless breeds that squirm and gibber on the streets of the Demon City and bind them to her will.
(The kind and friendly lady, who once spent a whole hour talking to Simya without a single harsh word; listening to her life story like it was interesting, looking at her creations and praising them.)
This woman, the Anathema-mistress of Simya’s mother and thus the mistress of Simya herself, has extended an invitation to her alchemist-sorceress to attend her in her private laboratory, and justify to her the continuation of the largesse she has enjoyed these past four seasons.
It is causing Hinna no small amount of stress.
“Yes, mother,” Simya says, trying to flap her skirts around her to get the air moving. It’s not mother’s fault she’s so tense. She just has a lot on her plate - and Father isn’t any help, and her brother can’t be trusted to do anything right that requires thought or impulse control.
“Why did she ask you to attend?” It’s the question Mother has asked time and time again, and Simya has no answers. But Mother has clearly been thinking about it. “You’re no use as an alchemist, that’s what I don’t follow. Though, mmm. Maybe she’s as young as she looks and is wants to bed you. If so - think of your duty, girl, and hold out until you can get a promise from her. She’d be a good marriage.”
Simya stays quiet and doesn’t show the complicated mix of feelings that thought raises. On the one hand, Madame Dulmeadokht is… well, terrifying. But on the other, she was kind when she had no need to be.
(And if she were the wife of a great lady, Mother would never be able to speak to her like this again-)
Mother mutters to herself quietly as they continue through the streets of Saata, until they reach the laboratory Madame Dulmeadokht has instructed they meet her at. It’s nothing glamorous; a minor property of the temple Mother is working with that’s been requisitioned for private use. From the outside it’s just another building in the mad sprawl of Saata, detached from the buildings around it and standing some distance away from any running water sources, on rocky clay that will stop any spills from seeping into the groundwater.
But it only takes stepping inside to break the illusion of mundanity. There’s glass everywhere, tinted faintly blue and shaped into round-bottomed beakers and conical flasks and spiralling tubes and graduated towers. The air stings with the sharp, acrid smell of acid, and some of the small fires kept in clay pots under the swooping lines of glasswork and the vessels that hang from them like ripe fruit burn strange colours; green and dark red and an unsettling shade of violet that hurts Simya’s eyes.
In the centre of it all, moving with smooth precision as she plucks thin strands of what looks like frozen lightning from a pair of copper domes that have half a dozen reed-thin bolts stretched motionless between them, is the woman they’ve come here to see. Simya watches, wide-eyed, as she teases the bolt into a ball with her bare hand and then flicks it into the flask of clear fluid she’s holding, agitating the swirl of dark colour wrapped around itself that floats within. There’s a quiet hiss and a layer of frost forms on the outside of the glass, earning it a considering hum, and the dark colours condense down into a tight mass that sinks to the bottom.
Grey eyes flicker up to Simya’s mother with no surprise at her entrance, and Madame Keris Dulmeadokht sets whatever miracle of alchemy she’s holding aside.
“My lady,” Hinna says, her voice as oily as butter. “I am here as your humble servant to work with you to advance whatever part of the Great Work you intend. And,” she smiles, and Simya can see that her mother’s make-up is cracking from the heat, revealing the living gold underneath, “I have brought my daughter, who will assist you in whatever way you need.”
“Mmm,” says Madame Dulmeadokht, which does not sound like a good start. “We’ll get to that. First, though, I wanted to review your own circumstances. My aide has given me a report, but I find it useful to hear such things in a person’s own words.” Her hair moves like the demonic angyalkae, stretching out to trim a wick here, adjust a valve there, feed a little more metallic powder into this or that fire. Simya doesn’t have the education to understand what she’s doing, but suspects - from the way that several of the flames grow less intense and the rate of fluid dripping through the glassware slows - that she’s putting her experiments into a holding pattern that needs less direct attention.
The fact that Madame Dulmeadokht eases her way out from between the benches and leads them over to a small table and some comfortable chairs crammed into a cramped corner lends more evidence to that guess, and the lady swings herself down into one of the seats with a sigh, her hair snaking out to start preparing some tea.
“You’ve had almost a year in Saata now,” she says in the offhandedly friendly way Simya remembers her asking about her fleshweaving with. “I know you’re nicely set up with regards to employment and temple membership, and I know,” and her eyes suddenly turn piercing, “that you’ve been making extensive use of the summoning permissions I granted you. So, as we approach the first Calibration you’ve spent in the service of my Directorate - I’m willing to say last year’s didn’t count, given the upheaval of moving - explain to me in your own words what you’ve accomplished in your research and endeavours with my gifts.”
There’s nothing intimidating about how she says it. No threat lurks in her tone. But the spectre of those gifts being revoked if Hinna can’t justify having earned them looms large nonetheless.
Her mother sets off into a long and rambling and self-aggrandising recounting of her brilliance in how - making good use of the demons she can now call upon - she began calling on lesser elementals, ones that won’t be missed. Once pulled into her circle, her demons can capture them and then - using the acid of the metody - she can refine the elementals done, purifying them of such things as awareness and will, until nothing remains but the element and the power. A reagent of much rarity, she assures the madame, and one that has long served as a limitation for certain forms of distillation. With the essence of a fire elemental, rubies or flamedust can be created; with the spirit of creature of water, sapphires or rare hydrous crystals.
Simya clasps her hands together behind her back. Not from the memory of the screams (they were so loud) and not from having to clean out her mother’s wastebin (the bits came in handy for some of her own projects). But because she can tell, she knows her mother is presenting this all wrong. Madame Dulmeadokht isn’t like the Despot of Gem. She’s an alchemist too; a technical expert like mother rather than a ruler whose skills lie in money and politics. Simya doesn’t understand what her mother did exactly, not the full nuance, but she knows well about how you tell someone like her mother what you’ve been doing and this isn’t it.
“I see,” says Madame Dulmeadokht, cutting Hinna off as she starts to repeat herself. She finishes brewing the tea and pours three cups, then picks up her own.
As her fingers touch it, the teacup changes. A jet-black stain spreads out across the smooth ceramic, until the whole teacup is glittering obsidian. And then red blooms within the black, and what Madame Dulmeadokht sets back down on the table is a teacup of perfect, glittering ruby.
All told, the transmutation took her perhaps ten seconds. Without tools, without a ritual, without reagents. With nothing but a touch.
“I am, unfortunately, well equipped to rid myself of troublesome spirits,” the Exalt says. “And gemstones are already within my means. Simya.” Simya jumps at being directly addressed, those grey eyes turning to her. “You were doing some interesting work in splicing different animals together into hybrids, last time we spoke. How have your studies progressed? Don’t worry,” she adds. “I know I haven’t given you any particular resources, so I don’t expect anything extraordinary. Just explain what you’ve been doing.”
“My lady,” Hinna blurts out, eyes narrowing. “This is not just a question of gemstones! Or even the disposal of spirits! Through the calcification and petrification of elementals, a form similar to a hearthstone can be made and-”
Madame Dulmeadokht raises a hand. “I’m aware of the uses for spiritual calcification, and I will consider this variant method of low-grade hearthstone production without the need for a manse as a useful discovery,” she says. “I have a spell that achieves similar effects, though not so cleanly as to produce immediately functional hearthstones - in fact, Rala!”
A woman emerges from one of the side rooms. She looks very similar to Madame Dulmeadokht - perhaps some relation? - with red hair and dark skin. Silver spectacles sit on her nose, and she’s dressed in a neat red and pink jacket and a black skirt.
“Ma’am?”
“Make a note to find the formulas for the Sacrifice of the Crystallised Heart and consider the value in making it available to Ms an-Reswah to see if it can be adapted to accomplish her ritual within a standard spellcasting timescale; I’ve long thought its casting time was inefficient.” The woman bobs her head and retreats back into her office, presumably to do just that. Madame Dulmeadokht turns back to Hinna and Simya.
“However,” she continues calmly, “your daughter was about to describe her accomplishments over the past year. I am employing both of you, after all.”
Simya screws her eyes shut, and tries to shut down the stammer that she knows is waiting for her. “I... I... I...” Mother told her to be good, to please Madame Dulmeadokht. “I have been w-weaving more creatures, u-using the leftovers of Mother’s experience to put some elemental nature into them. And... and...” She isn’t sure she has the courage to go ahead. She hasn’t told Mother what she’s been doing.
“Go ahead,” Madame Dulmeadokht encourages gently. “You’ve been doing something new with them? Even if it hasn’t worked as you intended, I’d like to hear your thought process.”
“I... I learned s-s-some demon beckoning from mother’s books,” she whispers, hating to be confessing that she did something mother didn’t tell her to. “I’ve been... been calling lesser demonic spirits into the m-meat. First to see if I c-could bring the elemental mixes to life b-because they weren’t waking up.” She taps her index fingers together. Time for a little lie. “And then, um. To see if they’d be useful for you. B-because you’re a queen of demons. Um.”
There’s a brief silence. But when she glances up, dreading what she’ll see, she finds fascination blooming on Madame Dulmeadokht’s face.
“Interesting,” she murmurs. “Demon-binding within hosts who lack a mind of their own. Engineered hosts, to boot - did it work?”
Simya can feel her mother’s ire radiating off her. “Go on, dear,” Hinna says, too sweetly.
“Um. N-not exactly. Uh. S-some creatures, I think the demon didn’t work w-with it. It was. Um. Well, it twisted a lot and it was messy and I f-fed the remains to Mother’s blood apes. But, uh. I m-made a songbird with h-hands and that m-managed to host an. Um. Angyalka. So. I-I-I think the, uh. The host has to be suitable for, um. The demon.”
Madame Dulmeadokht grins.
“Right. Forget the demon-beckoning; I have other ways to do that and I can teach you to do it properly later. But custom hosts for spirits? Genesis-shaped forms for a demon to wear that they can use as disguises? I can see uses for that. In fact, I’ve seen that… Rala!”
The woman leans out of her office again. “Yes, ma’am?”
“That introduction to the Art of Ambience I got from Kalathais back in Air; did I finish dictating it for you to write up?”
“Of course, ma’am,” the woman says promptly. “In that while you did not finish dictating them, I have your notes which I have transcribed, cleaned up the handwriting of, and left sections for you to add additional information to at your leisure. Additionally I have, as you always love for your research notes, made sure each document has excessively large margin sizes for you to jot down things as they come to you. And also sketch in the margins.”
Simya is not sure if the woman is being cheeky. You d-don’t talk that way to your superior, do you?
“I prefer underlings who speak their minds and show some initiative,” Madame Dulmeadokht dismisses, somehow reading Simya’s thoughts on her face. She’s all animated energy now, a stark contrast to the lazy, controlled confidence she’d been when they entered.
“Right. I hope you know how to self-study, kid, because I’m going to be too busy with your mother to take a personal hand in your work until you’re up to speed and producing results. But this is interesting, and I want to see more of it. You’ve learned fleshcrafting the neomah way, so now you’re going to get a crash course on how the Dragon Kings did it.”
She points at the woman standing in the doorway of the office. “Rala will make my notes on the Art of Ambience available to you, and I’m assigning you a fleshless flame as well - they’re a breed of native body-hoppers who can inspire their hosts, so they’ll be able to test out your vessels for functionality and maybe bring out some more of that confidence. If you get stuck with the study of ambiences, go to Rala - I’m putting her in charge of your education for the next month or two. She’ll alert me if you hit a block you can’t get past on your own.”
She stands. “Meanwhile, Ms an-Reswah. You’ll be helping me with a branch of research that should benefit from that refinement of awareness and will you’ve been doing. I’m looking into a less destructive refinement that… well.”
She stands, striding over to her alchemical benches, and plucks a stoppered vial from the chaos. Returning, she places it on the table beside Simya’s tea. The liquid inside is like a mirror made liquid; silvery fluid so reflective she can see the distorted image of Madame Dulmeadokht’s face in it.
“Do you trust me, Simya?”
No, of course not, Simya doesn’t say. Anyone who asks that is doing something untrustworthy.
“Y-yes,” her mouth says for her.
“This is the latest version of an alchemical experiment I’ve been working on,” Madame Dulmeadokht explains. “I’m trying to make a drug that draws up the human po and expresses it, revealing its nature and form to the drinker as a gateway to various works of esoterica. But it’s not yet complete. I’ve ensured it’s safe - you’ll come to no harm drinking it, bar perhaps a headache - but the effects aren’t as clear or as lasting as I’d like them to be, and testing is proving difficult. Rala is a spirit who has no po, your mother has subsumed hers in her sorcerous ascension and mine is… recalcitrant, volatile, and too powerful to risk prodding at the moment. I’d like you to test it, if you’re willing to do so. If you’re not comfortable with it, that’s quite alright and there will be no consequences for you or your mother; I’ll just need to find another trustworthy mortal assistant for such things.”
Simya feels her mother’s eyes directly on her. She knows exactly what her mother expects. What she’ll do if Simya passes over a chance to be the assistant to their demonic patron. And what does she mean, Rala is a spirit too? But there’s no time to think about it. She tastes sour adrenaline, her breath rasps in her lungs.
“Give her a moment, she’s shy,” her mother says meaningfully. “She’ll be willing, of course, but it sometimes takes her a moment to put the words together. Neomah-wrought children are often imperfect.”
Madame Dulmeadokht doesn’t move or change expression, but the air around her chills.
“One of my daughters is neomah-wrought,” she says quietly. “There were flaws in her genesis too. Take all the time you need, Simya. As I said, this is only for convenience.”
And oh, that sounded like anger. Very tightly controlled anger. But anger nonetheless - and not at Simya’s hesitation. A tendril of hair snakes out and makes to pull the vial away.
Inhale. Exhale. And then:
Simya reaches out, and takes the vial of strange, metallic something. And without a single pause she downs it because Madame Dulmeadokht is nice and she can’t disappoint her and if she doesn’t take it then her mother will be furious and-
-and if it kills you, would that really be the worst outcome, that little ugly voice in her head she hears sometimes suggests.
It burns awfully as it goes down. Her body rebels, clutching down, making it clear that this is not a food. Her eyes blur with tears; her pupils expand; she feels a sudden flush rise in her face.
She collapses down onto all fours, and a strange noise echoes in the space. A high, manic cackle; glee and ecstasy unbound. She wonders who’s making that noise.
“Quick, focus your senses-” she catches, and something about “not wearing off as fast as I thought-”, and what’s definitely her mother’s voice saying “-shy, but this looks more like an over-expression of one of the aggressing Virtues-”
She bares her teeth. Urgh. She hates that voice. That nagging, critical, overbearing voice, always lecturing her, stifling her, ordering here to and fro and taking time away from her work on weaving flesh and shaping new creatures of her own design. Why does she even listen? Why does she even care about her mother’s stupid dabbling after power and profit, when Simya knows the secrets of making life? Why hasn’t she struck out on her own? Why hasn’t she just picked up a scalpel and-
Bitterness coats her tongue, and she gags, coughing and sputtering, her eyes screwing up even harder. She retches, but nothing comes up; her throat is as dry as a bone. A hand wraps around hers and guides it to a teacup, and she downs the contents without even tasting them, gasping in thanks for the sweet relief and blinking spots out of her vision.
Then she has to blink a few more times, because she’s on the floor and so is Madame Dulmeadokht, half cradling her on her lap, supporting her head with a hand still around Simya’s where she’s holding the teacup. She smiles down at Simya.
“Sorry about that,” she says. “Powdered bone baked under the darkness of the black moon. Great stabiliser for the will of the higher self, excellent obscuring mechanism for shutting down Szorenic effects, but not pleasant stuff to eat raw. That drug was meant to last a few seconds and then wear off; I didn’t account for your neomah heritage… locking it in somehow?” She frowns, glancing up at Hinna. “You got a good look at that, right? The effects of the drug wore off, but her po stayed dominant; it felt almost like a demon’s madness when its Bans are tripped.” She turns back to Simya, concern on her face. “How do you feel? Any pain? Discomfort? Here, be careful getting up; sit down and have some more tea.”
Simya feels like she’s just come off a sobbing fit. Completely drained, completely exhausted; barely able to raise her voice. Not able to spare the effort to feel anything, least of all fear. She looks slowly and directly at the other two women, and tilts her head to the side.
“Her eyes - the window to the soul,” her mother says, sounding fascinated. “They look like a true neomah’s. Will they go back to how they were before, or is this a sign of a further fortification and distillation of her demonic nature?”
Madame Dulmeadokht’s hands are gentle as they guide her up into a chair and check her over, feeling around the back of her skull where she seems to have hit it and holding her head steady for the lady to examine her eyes. “Temporary, I think,” she says. “I just fed her a lot of Hellish reagents, but her essence doesn’t feel any stronger than it was before, and the balance of human and demon is the same. Simya, can you blink twice to show you understand me?”
Simya blinks. Then blinks again.
“Good. I’m sorry that hit you so hard; I didn’t think the effects would be that bad, or that you’d get stuck in them like that. Can you tell me what you felt?” A pause, and Madame Dulmeadokht’s eyes flicker towards Mother without her head moving. “Or, better, can you nod if you remember what you felt? Right now I imagine you’re not in any state to talk about it, but as long as you remember we can get it recorded later.” When Mother is gone, she means. When she’s not listening and judging and keeping score for later fury.
Still placid, still half-empty, she stares into Madame Dulmeadokht’s grey eyes. And further in. There is something squirming in them, something long and thin and sinuous, something that feels less like it’s very small and more like it is, somehow, very far away.
Simya can feel it staring back, from inside the blacks of the other woman’s eyes. She doesn’t feel malice. But maybe a terrible curiosity. And an appreciation, and she wonders if maybe her mother was right, and maybe Madame Dulmeadokht does lust after her.
She realises that the older woman has repeated the question. She nods in response.
“Good,” Madame Dulmeadokht repeats, and pats her hand. “You sit there and recover, and have some tea. Rala, come out and introduce yourself - and be nice; she’s had a shock. Ms an-Reswah, if you’ll accompany me over to the benches, I’ll walk you through the process for the two po-drug variants I’ve come up with, and also some interesting work I’ve been doing on distilling influences from the minds of the deranged; draining an addict’s craving from them and crystallising it into a tincture, that sort of thing. The extraction process is functional, and isn’t harmful once the short-term confusion and exhaustion wears off, but I’m still working on solvents and fixing agents to hold the derangements once I have them…”
The two older women wander off, and Simya is left with the spirit-who-looks-human... no. Not quite. Up closer she can see the red flowers in Rala’s hair which almost perfectly blend in, and the grey-flecked embers.
“I am delighted that the early human testing went so well,” Rala tells Simya. “You’re seemingly sane and you didn’t have your po soul tear out. But there was almost no risk of that, so there’s nothing to worry.” She places her long-fingered hand on her chest, the nails painted silver. “Now, I am Rala, my lady’s secretary and occult aide. I run her laboratories and her sorcery halls when she isn’t here, and of course, my good friend Oula is her first disciple.” She smiles, and for a moment her teeth look a little sharper. “Remember that and we’ll get on just wonderfully, darling. That and just as a warning; I’m not a demon, and call me one and I will eat you. I’m a rendsventka; a spirit of learning, organisation, and management. I am essentially a god, albeit a superior replacement created by my lady and her daughter.
“Capiche?”
Simya doesn’t exactly understand (well, she gets the secretary part), but she nods. “‘s,” she manages.
“Capital! Now, where to begin-”
Simya half-listens to the spirit’s babbling, and clenches her fist. That laughter, that was her. And this feeling of fearlessness, it’s also her. And that look in her mother’s eyes. Not just the one when she saw her like this. The envy when she saw Simya was getting praised and she wasn’t.
She liked that. She liked that a lot. Maybe as much as she likes the idea that if she’s working directly for Madame Dulmeadokht, she might be able to excuse herself so she’s too busy to come home. Too busy to look after her brother (it’s not his fault he’s like he is, but she still resents it). Too busy to be at her mother’s every beck and call.
If she could have, Keris would have spent all month in her alchemy laboratory. The study of the soul and the way it twisted itself; the interactions between feelings and thoughts and the substrate that generated them - fascinating! And then she arranged to attend certain of the madhouses and hospitals of Saata as Cinnamon, a priestess of Venus there to give some comfort to those poor souls. Except, of course, Keris was there to watch them, and with her left hand perhaps pick out a smidgeon of alcoholism; a titre of obsession; a pinch of syphilis-rotted delusion. Not enough to cure them, not yet - but perhaps enough to give them a better day or two before their own natures refilled what she took from them.
They joined the fast-growing collection of terrible and exotic solutions that shimmered in the dark, watched with envious, greedy eyes by Hinna as she assists Keris with the parts she understands.
But alas, she couldn’t stay there. Not with meddlesome Rounen dragging her out, interfering Rounen arranging places where Little River had to be, shameless Rounen finding reasons that Atiya simply needed her mother. For example, when she had been planning to try a little dementia she had harvested from an old woman living rough on the dockside, what did he do but arrange first a meeting with Dashing Spear, a red sail of the Hui Cha sworn in loyalty to Lucky Wolf - and, he murmured to her, a man whose wife was on the fringe of the Ladies.
And that would have been fine! Fine! If he hadn’t also scattered meetings and consultations across the next few days which meant she couldn’t dose herself up on experimental reagents and would have to just content herself with reading notes and planning and waiting, not doing.
She grumbles and whines and complains, going so far as to use Rounen’s stupid memo paper to send him half a dozen notes objecting to her schedule in a week that that he packs full of meetings with silversmithing clients and the Golden Lord’s benediction ceremony and the visit to Pale Branch to pump some life back into Strong Ox - okay, that one is actually quite nice, but it pulls her away from an attempt at mixing distilled madnesses that Hinna has to take over in her stead and the worst part is that it works but Keris didn’t get to see it and Hinna is all gleeful and fascinated by this new field of study and forgets to even suck up to her as much in her focus on how the philtre of hallucinations had reacted with the suspension of delusion she’d introduced it into while Keris wasn’t even there-
She forces it down. She has to be Little River now. Little River, in a teahouse Haneyl purchased and turned into one of the best in the city, having a quiet talk with a few other powerful Hui Cha women. Even their bodyguards have been sent out, though she can hear their presence around all the entrances, making sure no one can get close enough to spy on them.
To her left, her ally, Little Bird, a fixer, procurer and coordinator, sits with hands wrapped around her tea as she listens. Little Bird is not showing her age, and Little River might not know why, but Keris does; Little Bird is one of the damned members of the Ladies, who gleefully worships demons and - as ordered by Cinnamon - keeps an eye on Little River for them and guides her so she is useful to the cult, but never has reason to look too deeply into their motives. She isn’t quite a replacement for Rounen in terms of effectiveness, though she’s learned demonic tricks of magic from her damnation, but she can accompany Little River into Hui Cha places where no man would be welcome.
Across the table is Verdant, another cultist, though compared to the other women here she dresses in the old-fashioned, conservative styles of the old country. Her conservatism is the price she pays to be working in a man’s field, wielding her former husband’s men (and an increasing number of widows) as leg breakers, enforcers and private investigators to collect debts and handle matters on shore. Little River brought her into this because she’s one of the Ladies’ most effective sources of information.
To Little River’s right; Hui Cha Falling Apple, a woman in her mid-thirties who is the foremost beneficiary of the female-line inheritance with the death of Brave Pig from Malaria. Her father’s death means the family properties nominally held by his second wife pass to her, but she has no surviving brothers and so the male line of the family interests are up in the air. She is the one who as a ‘neutral party’ has taken this to Little River for the golden crown’s judgment - and the fact that she is on the fringe of the Ladies, though unaware of their true nature, clearly had nothing to do with that (even if certain of her friends might have suggested it).
And of course, they have been joined by the irrepressible newcomer, Second Carp, of the mismatched eyes and air of the old nobility much like Little River. In the past month, Second Carp has already made a name for herself in certain circles as a woman who tastefully, discretely, and without any fuss makes problems go away. Someone makes trouble for the import-export business down at the docks? Second Carp steps in with her puckish grin and rings on each finger, and by the end of the day the troublemaker understands nicely that their own interest lies in accepting the bribes to overlook certain discrepancies in declared cargos. Keris is pleased, at least, that Zanara has found a way to entertain herself.
The pleasantries pass with their usual formality, and if the little voice at the back of Keris’s head won’t shut up about noting Zanara’s compulsive need for attention, the way Little Bird’s dedication to her double-role and her goddess border on fanatical, the way that Verdant acts in conservative ways that sometimes chafe or go against what she wants because it’s the best route to having power… well, she can stuff those thoughts down and refuse to show them on her face, listening to them with only half an ear as the conversation wanders.
“Have you heard word from the Realm?” Falling Apple says. “There is story of such a to-do! The Imperial Princesses Nemone and Vanefa have apparently had a great sisterly reconciliation at a party hosted by their elder sister, Beriti. To hear that those decadent inbreds understand the power of sisterhood.”
The message is not perhaps the most subtle, but even Keris can understand it. It is a plea for fellow sisterhood in this matter, for Hui Cha women to stand together if the princesses of the Realm can manage it.
“I must say, I had never heard of Beriti,” Little Bird said. “Is not Nemone the next empress? Why is there an elder sister?”
“Oh no,” Second Carp interjects, eyes flashing brightly. “Firstly, while she is Empress-in-Waiting, she can’t take the crown. Not without control of the Imperial Manse - and the stories are that she doesn’t know some hidden thing she needs to use it! And secondly, yes, Beriti is the eldest surviving child of the Empress, and was once a famous general - but there was some scandal and she went into internal exile! The stories are that she’s been mouldering on some forgotten island, either until her mother forgives her or until she stops sulking!”
“How disgraceful. Such conduct from a daughter is quite unbecoming,” Verdant says. “Though it is interesting to me that an Imperial Princess might be - in effect - be called misbegotten.”
Little River’s jaw clenches. “A sign of how despicable the decadents of the Realm can be,” she says rigidly, sipping at her tea. “To pay so little heed to the bonds of family and filial piety, surely it is no surprise that their Great Houses are at one another’s throats. It is a poor mother indeed who would declare her daughter misbegotten or exile her off to some remote backwater instead of raising her dutifully.”
That goes down well, as expected - because the Hui Cha are riddled with the personal and inherited cultural trauma of being misbegotten. Their clan name is an insult taken as a name because it is better to be part of a family than to stay misbegotten; everyone knows that even their golden crown Little River was cast out from her family and called misbegotten. It is not surprising that it is a sore spot for her.
And then they get down to business, and over tea discuss the male line inheritance of Brave Pig.
Two men are the main subject of the dispute; the problem being, of course, the matter of order of birth.
Iron Goat and Strong Hand are half-brothers, sons of Brave Pig’s brother, and both were born in the same summer. Iron Goat is the elder, but was born illegitimate, a product of an affair who was later legitimised when his father married his mistress after the death of his first wife. Strong Hand is the younger, but born to the first wife. And this is the crux of the conflict; Strong Hand claims the inheritance as the first legitimate son and casts doubt as to the faithfulness of a known adulteress as to whether Iron Goat even has a claim; Iron Goat leans on his case in law as the elder of the two who was legitimised by his father’s later marriage to his mother.
But the letter of the law is not everything. And this is where it gets messy, because while Brave Pig was sworn to Lucky Wolf as one of his red sails, his brother was not, and his two nephews made their own way in the world. Iron Goat is married to Fragrant Plum, one of the great-nieces of Hui Cha Aranya, the old and conservative aunt of Jade Fox. Meanwhile, Strong Hand was a captain under Red Leaf, and since Little River killed that man he’s been operating as an independent red sail, building his strength and - many suspect - preparing to claim a seat among the blue sea masters when they invite him. Or when he can force the issue and claim Red Leaf’s seat.
Verdant lifts her cup up to the light. “Goodness, this is quite a lovely cup,” she observes.
“Thank you,” Second Carp says smugly.
That gets Verdant’s eyebrows fluting upwards. “Oh?”
Keris can’t hear but for the hammering of her heart. Damnit, Zanara! You might’ve decorated these cups for Haneyl’s people, but they don’t need to-
“Respected aunty, I arrange many things, and I put this place in contact with a friend of mine who makes quite exquisitely decorated cups such as these,” Second Carp says.
“Then perhaps you might recommend this most talented artisan to me,” Verdant says. “My boys would quite appreciate some drinking cups for rice wine. But we are getting distracted. The question, as I see it, comes to one of legitimacy. I could, perhaps, have some of my people inquire around with regards to the circumstances of the conception of Hui Cha Iron Goat. Solid evidence would be hard to obtain for something so long in the past, of course, but rumours would be useful if Strong Hand would appreciate some support.”
“I may have a better solution,” Little River puts in. She’s coming down from her brief panic, and speaks without quite thinking through what she’s saying, following an impulse. “Determining Iron Goat’s provenance directly would be the simplest way to resolve this dispute, and will save us the trouble of dealing with unreliable memories and,” she sniffs haughtily, “unreliable witnesses. No, rather than seeking decades-old accounts, we can simply have Iron Goat and Strong Hand attend an inquiry and resolve the matter with a ritual appraisal.”
Silence hangs in the air, as the various other women consider how to say what they must be thinking without sounding rude to their golden crown.
“Forgive me,” Second Carp says, “but I am new and as yet unlearned and I must say, I’ve never heard of such magic done by anyone to resolve such ritual disputes. Is this some wonder of the dragons’ children? Or are you, perchance, a sorceress - for I am afraid I was ill-informed if this turned out to be something commonly known.”
Zana is a little shit. No one actually confused sounds that confused. And oh. Understanding catches up, and Keris realises the power behind what she’s just said. This isn’t just about resolving a single dispute anymore. This is about much, much more than that.
“It is not sorcery,” she says, again trusting instinct to steer her right. She could probably pull off a revelation that Little River has been a sorceress all along, but it would get her more attention and burn some capital and make her more powerful and thus more threatening and she just really doesn’t want to deal with all of that. “Rather, it is an advanced form of thaumaturgy - a blood alchemy rite that makes use of charged silver talismans to order the energies that… interact within the solvents that the blood samples are added to.”
Nobody says anything, but she sees the women pick up on the stumble and draw their own conclusions. The occult talismans and the ritual energies they arrange, Little River clearly understands well - she is known and respected for her magical silverwork. But the alchemy, ah, there she is trying to cover up a lack of true understanding of a ritual she has memorised by rote, learning what substances need to be mixed together and how without the foundational knowledge in alchemical principles to comprehend why it works.
Which means that rather than learning this method as part of a broader study of alchemy she has displayed no evidence of prior to this point, this must be a single ritual she sought out and dedicated herself to learning. A way to use the skills she does have, and rote knowledge from a field not her own, to verify the legitimacy of a child.
Three women very obviously consider why a well-off Tengese woman who was cast out of the old country might have cause to seek such knowledge, and equally obviously decide that they are never, ever going to speak their conclusions out loud.
“How incredible!” Second Carp says instead, her hand going to her mouth. She’s probably grinning. “That such a thing is possible! You’d think that everyone would use it to resolve disputes of inheritance and the like!”
“I’ve heard of such things practiced by some of the oldest Raraan Ge families,” Little Bird says. “But, well, they would never share such secrets because it might allow someone to check their own claims of blood. And see who has been unfaithful. And a thousand other troublesome revelations.”
“And there are always the stories of what dark sorcerers can do with a drop of blood, and how they could create a fake child with the aid of demons to make a claim to an inheritance,” Falling Apple says gravely. “If there is already a question of the inheritance, who would go to a sorcerer? Not I! But this is different, surely.”
“It was not easy to learn,” Little River agrees. “And the purpose for which I sought out the knowledge was resolved to my satisfaction,” and oh, doesn’t that make a couple of pairs of eyebrows fly up. “But for a dispute such as this, I believe it will prove useful once again. Little Bird, I will give you a list of the reagents needed for the solution that must be made; find a trustworthy alchemist from within the family to supply them. Verdant, can I trust you to arrange the inquiry and inform the various parties with appropriate formality? I have no doubt Hui Cha Aranya will object to a test that may affect her great-niece’s marriage if it is not put to her in the right way.” She purses her lips. “Second Carp may have trustworthy contacts of the right sort who can verify that such rituals are reliable when conducted properly,” she adds. “I would not want to simply shift the conflict from the man’s legitimacy to the ritual’s.”
Second Carp hums. “I daresay one of the two men will be unhappy with the result,” she observes.
“Yes,” Falling Apple agrees. “Neither of my cousins take losing well. They are, after all, men.”
There is a certain edge to the laughter of the other women here. There are certain rumours about Little River and the fact that she remains unmarried - and of course, both Verdant and Little Bird know that the other are part of the Ladies’ inner circle and have a fondness for their own sex. Second Carp isn’t well known enough, but, ah, the way that Falling Apple puts it means she is either playing to her audience, or it is a heartfelt weariness with men after handling a month of this inheritance matter.
“As I see it,” Little River says with precise intonation, “if Iron Goat’s claim is indeed dismissed, then this will be a tragic discovery and no fault of his own, but he will not be able to dispute that he has no right to the inheritance and can show himself more honourable than the circumstances of his birth by accepting the outcome and honouring the Golden Lord’s laws. And if it comes out that he is Brave Pig’s nephew as he has always thought, Strong Hand will have been punished for spreading malicious rumours by the loss of his claim, and can reflect on how his own machinations to secure more wealth led to the loss. In either case, the matter will be behind us and the losing party may take it as a lesson to better themselves.”
That is what Little River is firm about, as she is invited by Falling Apple to help settle her cousin’s inheritance dispute, and if red moonlight reflects in her eyes - well, who can blame her for being so firm about the letter of the law? Is that not the righteous, proper thing to do for a faithful devotee of the Golden Lord of An Teng? The priests in the temple of the Golden Lord in the Golden Point district quickly agree with her - perhaps just out of gladness that a messy, complicated inheritance dispute can be reduced down to one of legitimacy - and Iron Goat immediately agrees to this mediation. Strong Hand is much more reluctant, but in the face of Little River’s force of personality, and just as importantly the mechanisms of the Hui Cha grinding in place to support her, he agrees.
After all, with the priests of the Golden Lord supporting this mediation, that means that Jade Fox and the more conservative men in the Hui Cha will back this resolution. And Pale Branch, speaking for her husband, “He is faring better than he was earlier this month and his cough’s improved, but he’s still recovering”, speaks of the justice and fairness that this brings, which means Strong Ox’s people will also support it. Strong Hand wants to get onto the council and he’s too weak to force the matter now; he can’t make enemies of the big men.
In front of the eyes of worthy priests of the Hui Cha, three blue sea masters, and - though Keris isn’t exactly happy about this - Sea Eagle’s favourite daughter Graceful Wren the weather witch and wife of the old man’s intended heir, she takes blood from the two men with silver knives, and then lets her strange reagents mix in a large shallow bowl, which she heats over a fire that the priests of the Golden Lord have blessed.
Once the mixture turns from cloudy to clear, with a loud prayer, Little River casts the blood-marked silver knives into the basin.
The alchemical reaction is immediately obvious. Red, thread-like strands start to form in the clear liquid, reaching out between the two silver knives. Little River watches and counts.
“What’s happening?” Graceful Wren asks, clearly fascinated.
Little River doesn’t answer, instead counting. When the two strands touch, binding the knives together, she reaches in with two glass rods and lifts the two silver blades and their connecting stands together, spreading them out on the bench. “Mmm, formed in twenty-five seconds,” she says, taking a third knife and cutting the stands. “And look at this thickness, and the inner hollowness.” She pokes it, letting others see the artery-like structure of the red, flexible cord. “It’s too slow to be full brothers, but this is what I’d expect from half-brothers.”
There’s relief on Iron Goat’s face, and celebration too. “I never doubted!” he declares. “Praise be to the Golden Lord, father of us all!” He might be celebrating, but Strong Hand, confirmed beyond all doubt to be his close kin, scowls.
“You are sure?” one of the priests asks Little River more softly. “No, of course you are, from your look. It makes sense that their kin-blood grows this... this vein-structure between the two. For blood knows blood, and blood is of the heart.”
“Indeed,” Little River says. “And as the bonds of blood bind us as kin, so the Golden Lord’s law binds us as family. Regardless of his circumstances at the time of his birth, when Hui Cha Iron Goat was legitimised under the eyes of the Golden Lord’s priests,” she dips her head to them in a precisely measured bow, “it bound him as his father’s trueborn son, both going forward and in retrospect. As his claim is true and he is the elder heir, the law is clear and the inheritance is his.”
Red moonlight gleams in her eyes, and even Strong Hand cannot blame her. Not when he can blame his half-brother, the memory of his philandering father, and - of course - the laws of the Golden Lord as implemented by the Hui Cha.
“He will not take this well,” Falling Apple says softly in the steps of the temple, as she kisses Little River on each cheek in farewell. “But I think this might be the better outcome. The laws have been followed. But I will probably talk to Iron Goat’s wife. She will need to make sure her son is safeguarded.”
“Yes,” Little River agrees. “Have someone keep a discreet eye on Strong Hand for a few days, just to ensure he does nothing foolish or reckless as the blow to his ambitions sinks in. If it seems likely, warn me in advance - I will be remaining in town for a few weeks more, so I may be able to mediate any lingering resentment before it can boil over. Only call on me if there is need, though.” She smiles. “I do wish to spend some time with my daughter, after all.”
“Thank you, golden crown,” Falling Apple says, bowing her head. “You are too generous. I will never forget how you have helped me this day.”
And Little River smiles, and a shard of icy gratitude forms in Falling Apple’s heart.
“Think nothing of it,” says the princess of Hell who has wormed her way into the heart of the Hui Cha. “It is only my humble duty.”
The buzz of that carries Keris home, and she only pauses slightly to pick up some street food. It’s a treat for herself, and it’s also that she intends to have dinner with Atiya, but Atiya’s tastes are so bland. She needs something to tide her over.
Atiya is in her room in White Walls Guard the Plum Trees, Little River’s townhouse that she ‘rents’ from Haneyl’s human identity. It is much simpler than the rest of the house, but that is the way her daughter prefers it. Rounen is reading notes from Keris’s agents elsewhere in the Anarchy while he watches her; she takes simple company in having him there while she carefully sorts through the cloth samples that are some of her favourite ‘toys’. There are lots of different colours and textures and she knows the name of every type of stitch and every cloth and every colour that she has.
“Hello, darling,” Keris says as she comes in, posing to let Atiya look up and take in her format dress for a long moment. Her daughter’s dark eyes drink in the embroidery and the shaping of the stiff shoulders and sleeves, before she gives a satisfied little nod and looks back down at her fabrics. Keris takes that as her cue to shrug the robes off and hang them up, letting Strigida slip back under her skin as she changes into an áo bà ba and sighing in relief at the comfort the silver tattoos, the long silk shirt and the loose pants bring.
“Iron Goat got the inheritance,” she tells Rounen. “Half-brothers by blood, so with the legitimisation it’s his by right. The Golden Lord’s priests were very impressed by the ritual, and also by Little River’s dedication to following the law without bias. Strong Hand didn’t take it well, but he didn’t make a scene and I have someone watching him for any bad ideas.”
“Probably for the best, ma’am,” Rounen observes. “You could have made sure that Strong Hand got the inheritance, and then he’d have owed you big when he got on the Council - but this stops him building himself up and lets us consider someone less... independent as the next blue sea master.” He snaps his fingers twice, in the way that he and Atiya have seemingly agreed means he wants her attention without getting her to look his way. “See, I told you that Mama would be back before sunset. I’ll give you your time with her, while I go and meet with some people. And of course, she’s very proud that she’s chosen dinner for the two of you. Didn’t you?”
“‘s.”
“Very good. I’ll be off, now, Atiya. I won’t be back before you go to bed, but I’ll make sure to get you up.”
“‘kay.”
Rounen nods to both of them. “Young lady. Ma’am.” And with that said he leaves, letting Keris and her daughter have some time together as promised.
“Hello darling,” Keris says again, smiling fondly. She sits down cross-legged to one side of Atiya, looking down at her fabric samples. “Are we designing again?”
“Yes.” Atiya continues to sort through the fabric. She takes a deep breath. “You were at a meeting. Was there nice clothing? What were they wearing?”
“It was an important meeting at the temple of the Golden Lord,” Keris tells her. “So everyone was in formal wear. Do you remember what the priests of the Golden Lord wear?” She leans back to grab a sketchbook while Atiya thinks about the answer, and produces a charcoal stick from within her soul with a flick of her hand.
Atiya nods. “Long robes. All have gold trimming. The big priest is all in gold. The others are yellow. The new priests are in brown and they only have a little bit of gold.”
“Very good,” Keris praises. “The two men who were there were arguing over who should inherit their uncle’s ships. The one who got them was the older brother, Iron Goat, and he wore a jacket with a nehru collar and golden pankou knots, like this...
She opens the sketchbook and starts drawing, capturing each outfit as a whole in the centre of its own page with close-up illustrations of specific details arranged around them. With each completed page, she passes the book to Atiya, who studies them intently, tracing her finger over the paper just shy of smudging the charcoal marks.
The time passes pleasantly. Atiya is by all indications genuinely happy in a way she seldom isn’t when having to interact with others. And she comes alive and is so talkative at moments like this.
Then:
“Mama? ‘Gin and Kali?”
Keris swallows. If she’s lucky, Atiya just wants to know how they’re doing. If she wants to see them, she’s not going to drop the subject until Keris gives in.
“Ogin and Kali are doing well,” she says. “Kali has been learning to look after sheep, and Ogin has been learning to weave wool. They both asked me to say hello to you.”
“Wool?” Atiya flips through her cloth samples, and presents both an undyed and dyed wool sample. “Wool is sheep hair. It is made by knitting.”
“That’s right,” Keris agrees, taking them and feeling each. She holds up the dyed sample. “Ogin learned to turn his wool from sheep hair into yarn, and then picked out some yarn that was dyed - like this,” she adds, holding up the dyed swatch, “and knitted it into a scarf. It’s the first thing he’s ever made, which means it’s special. Would you like to see it?”
Atiya looks up, almost meeting her mother’s eyes. Not quite. She settles on her neckline. But it’s a valiant effort. “Yes.”
Keris lifts the hem of her shirt and slips her hand into her inner world. A brief snatch of harp music spills out as Dulmea deposits soft wool into her waiting fingers, and she pulls out the scarf, holding it out for Atiya’s appraisal before passing it over. It is subjected to grave study, careful stroking to feel the texture and probe the weave, and close examination in the light and then in the shade of Atiya’s sleeve to determine its exact hue.
“It has big holes. It is lumpy,” is Atiya’s critical opinion.
“Well, yes,” Keris concedes. “But it’s Ogin’s first ever piece of fashion, so we should be nice about it. You know how he is about feeling like he’s got things wrong.”
Atiya considers that, and looks down at the scarf again. A faint frown forms. She turns the scarf over again, and her mouth turns downward in mild frustration as she traces the edge of one of the holes and rubs a lump between her fingers.
She turns it over again. Considers it with that intent focus for a while longer. Cocks her head.
Then her expressions clears slightly.
“The colour,” she says, quiet but definitive.
“The colour?”
Atiya nods. “Matches... other mother’s hair. He got the colour right.”
Keris smiles. Ah. Her sweet, precious daughter. Her Bans reject any lies about its quality, even to spare her brother’s feelings, But even though the amateurish work on the scarf must offend her high standards, she was willing to sit there and study it with relentless concentration until she found something positive she could say about it if he asked.
“He’ll be very happy to hear you say that,” she says, taking the scarf back gently and making it disappear again. “And speaking of picking colours, do you want to do some of your own? Which outfit from my meeting should we redesign?”
Atiya considers. And considers. “It should be like the weather. But not the loud weather. The good weather.”
“You mean the sun?” Keris asks. “Which one should be like that? The Golden priests’ robes?” She flips the sketchbook open to a new page. “Why don’t you tell me what to draw, and I’ll draw it?”
“No. You. You should be wearing blue. And white that is fluffy like a cloud. And gold,” Atiya says, rocking back and forth where she sits, screwing her free hand up in her skirts.
“Ah,” Keris nods. “Alright. So, we want an outfit for me that’s like a nice sunny day. Fluffy white like clouds and sky blue and gold, hmm. Well, we could have the blue sky be the dress and then have a fluffy white shawl over it, couldn’t we? And then a necklace or headpiece for the sun.” The charcoal flicks over the page in confident strokes, outlining a silhouette and putting down the curves and lines of a summer dress and shawl. A pot of inks emerges from the space under Keris’s silk shirt, and she opens it for Atiya’s perusal. “Which shades should we use?”
Spending this time with Atiya is... nice. It’s nice. Her youngest daughter can be difficult to handle sometimes, with her Bans and her sheer, outright stubbornness that makes Keris want to cry when she gets the bit between her teeth, but at moment’s like this when she’s doing something that she loves it is a joy to be with her.
She can’t help but worry, though. She isn’t sure that Atiya could ever handle the complex interplay of politics and personalities that Little River has to handle whenever she has one of those teahouse meetings with the Hui Cha women. And even if she could, maybe she’d be miserable. It is at moments like this that guilt crawls in Keris’s craw for the meddling she had the fleshweaver do to make Atiya what she is.
After a productive and happy time with her daughter, Little River sees that Atiya is starting to get hungry and so they have the menu that she picked out, which is very plain, unflavoured, and healthy. Atiya is the only child of hers who enthusiastically eats plain vegetables; even Aiko only eats them because she’s been told that it’s what a good girl does. But Atiya seems to appreciate that her mother is eating food that she selected and told Rounen to make the housekeeper make for her, and Keris can handle bland, tasteless food for her daughter’s happiness.
(She tries not to think about Noh, eating her plain brown rice with the same contentment that Atiya does.)
Then there’s - sigh - piles of paperwork to cover through, because Rounen has left the review of Little River’s investments in Saata for her to do and Atiya is getting tired of having to talk to her. But she still wants to be around her, and so she lets her daughter take the most comfortable chair in her office where she can play with her dolls while Keris reads Rounen’s notes and jots down answers to the questions he’s asking about how to prioritise things and who to favour.
By the time she’s cut the pile down to a manageable size, it’s getting dark outside and Atiya has fallen asleep in the chair. Her heart melting at the sight, Keris steps over to look at that little face, that jet black hair, those tiny arms wrapped around her dolls. Atiya is getting big too. She’s still smaller than Kali and Ogin were at the same age, but she was very premature and that still can be seen in her. Tracing her features out, Keris can see something of that perfect, incorruptible corpse of the High Queen of An Teng in the shape of her features. And there’s just hints of that Realm-y look there too, from the many Dragonblooded that Keris used to create her. And maybe just a little bit about Keris’s own chin there, the same chin that Kali has.
“Come on, my darling,” she murmurs, gently picking Atiya up. She snuffles in Keris’s arms as she takes her through to Keris’s bedroom in the townhouse, laying her down on the generous bed, before gently managing to get Atiya out of her day clothes and tucked in.
She steps out for a moment to pick up her notes so she can read in bed, and then strips down to ready herself for bed. She’s tired herself, and Rounen - that plotting worm - made sure she wasn’t scheduled to be Cinnamon at the Carnation tonight so she has no reason to leave Atiya.
It is a hot and sticky night in Saata, the sounds of the city outside creeping in through the shutters, the drip of the cracked vessels of water which take the edge off the heat just background noise. By candlelight, Keris begins reading Rounen’s summary of Elly’s report on the relics market and its current state in Saata, but she’s soon enough asleep too.
She comes awake instantly and silently to the feeling that there is someone in her space, and her stomach clenches in fear. She remembers that first sight of Sasi, golden-horned and golden-eyed, not like herself, and her heart races-
-but no. She can hear the night-time noise of Saata. There’s light creeping through the shutters and the sound of music drifting in the distance from the temple of nightingale-headed goddess Cuukaaloo. There’s Atiya fast asleep next to her, gently breathing.
There’s her dog-alarm warding going off over the front door. Someone smart enough to pick the lock, but stupid enough to miss the dog alarm that makes a noise no human can hear.
Keris rises, utterly silent, and checks the sharp and lethal implements of death hidden about her person with the automatic ease of long practice. Her knives are all there, and the twin curving blades of Ascending Air are on their stand by the bed. She grabs them, not bothering to throw on any more than the thin silk nightshirt she went to bed in, and strides over to the door, her footsteps no more substantial than a ghost’s-
She stops. She turns. She looks at Atiya.
There are people in her space. Her space. People who aren’t meant to be there, who have no right to be there. It might just be an idiot Hui Cha messenger or a particularly stupid and arrogant thief. But if it’s not, and she goes downstairs, and this was planned...
Her eyes flicker over to the window. It wouldn’t be easy to get into. But it wouldn’t be impossible, either.
If she were coming here to attack Little River, she’d send a bunch of heavy, armed men in through the front. And a lithe, nimble killer up onto the roof and in through the window, to make a hostage of the only thing that can compel a haughty Dragonblood’s surrender.
Strigida slips from Keris’s skin and settles around Atiya’s tiny frame, armouring her in thick layers of moonsilver feathers. The bedroom door opens and shuts on well-oiled hinges, without a whisper of sound, and with one arm holding her sleeping daughter to her chest and the other bearing a naked blade, Hui Cha Little River descends the stairs to see who is violating her home.
She can hear them, now that she focuses. They aren’t talking in the common Saatan dialect, nor the Tengese-influenced-by-Saatan Hui Cha, nor the rough sailor Low Realm of the Steel Dragons - or the tongues of any of the other triads. It isn’t even really Seatongue or Firetongue, though it’s picked up some words of both. One of the local tongues from the edge of the world, a language isolate - and then it clicks, because she hears the word ‘Dhul’ and that all makes sense, dammit. They’re from the Dhul Republic, and of course they’ve decided to settle their dispute with some of her blue sea masters by cutting the head off the snake.
They think she’s... she’s the one in charge of the Hui Cha, rather than a figurehead who resolves disputes and has lots of invisible-to-outsiders soft power riddled through the women. Or maybe just they think that she’s the only Dragonblood in the group and if they get her out the way, the Hui Cha lose one of their biggest edges.
But the politics come later. Because she can hear the mad, prismatic chiming of two of them. They’re weak, but they’re fae - not just mutants, true fae. And they’re arrogant cocksure bastards, one proud of her skill with the blade, the other with his many adoring fans (she hears their cries of praise in the language she doesn’t know). They’re arrogant because they, unlike most of the ten-ish humans and weaker wyld-touched hobs with them, they don’t fear her. They might fear other things - being forgotten, being ignored, being torn apart by their fellows - but they don’t fear her.
Two fae, and a mix of hobs and mortals, attacking in the night. This isn’t a feint. This is a serious attempt to kill her.
If she was truly a dragonchild, or if they’d caught her asleep, they might well have managed it.
There’s a sound up on the roof. Perhaps the wind. Perhaps a footstep. Keris shifts Atiya round to her back, fashioning a quick harness from her shirt to keep her secure while freeing up her hands. She takes a moment to fervently wish she had her prehensile hair as Little River... but no, she can’t risk turning back to her natural appearance. It’s very unlikely any of them will live to set foot outside this building, but it’s not impossible. And Tenné Cinnamon being seen in Little River’s rooms with Hui Cha Atiya in her arms would be damning information to escape.
If there’s any risk to Atiya, she’ll drop the disguise and slaughter them all. But her daughter is a deep sleeper, and Keris is fairly sure she can do this quietly. She just needs to get the fae out of the way early.
Blending into the background, the hues of skin and shirt and hair shifting like chameleon-skin to match the walls around her, Keris breaks into a soundless sprint, her feet finding impossible purchase on the wall and then the ceiling, taking her into the room just ahead of them and up onto the ceiling. She stops there, in the lounge, one foot planted on the frame of the door they’re approaching, both hands braced against the ceiling, Atiya a safe limp weight against her back. In the low light, with all her colour eaten away by the predatory gifts of the Hungry Swamp, she’s all but invisible.
Below her, the door opens softly.
But Atiya isn’t as asleep as Keris thought, her sensitive daughter stirring as the motion bumps her around. As the door opens, Atiya starts to wail, loud and shrill next to Keris’s ears. And a crying child immediately alerts everyone. The cloth-draped fae swordswoman with the short, vicious, machete-like blade looks up and cries out in joyous alarm, something in their language which she doesn’t understand.
Keris swears and drops on her. The curving blades of Ascending Air whirl out with the speed of a cyclone, and as she lands within the blade dancer’s guard Keris assumes a greater stance of the Silent Wind; the grace which lets Adorjan dance untouched in the eye of the hurricane when all around her is death. Terne blades lash out, seeking blood and glamour, and with Atiya still shrieking on her back Keris leaps away, never turning her face from the fae for an instant, to carve through the fish tank that sits on an antique table and soak the floor in water.
The fae is fast; her gossamer blade keen; her senses sharp. But more than that, she wields her allies with as much grace as her own weapon. The male fae, shirtless and with long flowing hair, has a small spiked shield and a short spear. It’s a duellist’s weapon, and with it he drives Keris back, forces her to fear for Atiya’s safety. And the cutlass-wielding men who swarm in are accompanied by cackling hobs that look like stylised octopuses, all big eyes and many arms and vicious rending beaks. And Atiya is in the way, throwing her off balance, forcing her to defend herself with just a pair of long knives. If she had her spear, if she was wearing Strigida, if she had her hair...
One man goes down, his throat cut and his blood arching over the ceiling in an arterial spray. It isn’t enough. Nowhere near enough. Because just the act of cutting out lets the spear-wielder lunge at her and she has to twist to keep the spear away from Atiya, which means taking it to the chest. It skids along her harder-than-human skin, tearing silk, and she feels Atiya’s weight shift, Strigida’s weight making her heavy, heavy, heavy. She will fall in the next few seconds. And there are so many men.
Atiya grabs fistfuls of her nightshirt in terror as she feels herself fall, but the few strands of the thin, sodden silk left give way, baring Little River’s naked form as her daughter slips from her back. The blade-dancer laughs, the hobs cackle, the spearman moves in-
“ENOUGH!” Little River screams, and casts an arm out at the contents of the fish tank now soaking the floor.
From the dark surface of the water, lit only by the moon through the windows, they emerge. Nine serpents of water; sinuous, enormous, monstrous in size. Each of them is five times the length of a grown man, as thick around as a broad-chested wrestler, with icy eyes that gleam in the low light.
One of them catches Atiya as she drops, emerging behind Little River and stretching forward to let the little girl drop gently into its coils. Wide-eyed and sobbing, she hugs the silk to her chest as it draws back with her, winding its soft, watery underbelly around and over her with thick-frosted scales turned outward until she floats in a protective cocoon of ice and moonsilver, her head kept carefully out in the air but away from any direct line of fire.
The other eight serpents of water emerge in front of Little River. Two block the windows. One fills the door. Five more well up from the water under the attackers’ feet. The hobs and men are caught in their clutches as they emerge, helpless to avoid the crushing coils.
And these serpents are not so gentle as the one that cradles Atiya. Their backs are armoured carapaces of razor-backed scales. Acid venom drips from mouths full of fangs, and needle-sharp barbs line their underbellies. They hiss in a chorus that shakes the walls, as murderously angry as their mistress.
There are snakes everywhere. They fill the room. There isn’t room to dodge. There’s only room to die.
One lashes out with its head like a bludgeon. It crushes two men against the wall, breaking bones and lacerating flesh. One of the octopus-hob creatures tries to stab it with many knives in many arms; it can’t even get through the scales. The snake lashes out with its prehensile mane, snatching the little creature up and wringing it like a washerwoman would wring out a cloth. Bright blue blood, glowing in the night, goes everywhere.
There’s a big man, a brave man with a pair of machetes. He has plenty of scars; he’s probably an arena duellist. One of the snakes bites him, and its venom is high pressure water. He swells up, bloats, and bursts like a ripe plum.
A woman tries to run; the snake at the door is blocking the way. Mist wreathes it and she tries to back away; another snake takes her from behind and wraps her up in its coils, breaking ribs but not quite killing her. Yet. It remains an option.
Three go for the fae with the spear. He is brave. He is valiant. He pulls out a perfect stop-hit, driving his spear into the throat of a lunging snake, and it emerges from the back of its watery skull. And then it bites down on the spear. One of the others coils around his legs, one around his chest, and he barely has time to scream before they pull him apart like a man would break a wishbone. They wolf him down in seconds.
And ah, the blade-maiden, the young cataphract, oath-sworn and valiant, looking to add the name Dragon-Slayer to her repute. In seconds her people have died; her rival-friend has died; her chances of success have died. There may be a few moaning and groaning from broken bones and crushing injuries, but now it is just her and the petite naked woman who steps towards her, cubit-long wave-curved knives in both hands - and she knows it. She feels it. She sees it; the snake that guards her, the snake behind the woman; the snake that is the woman.
Fear.
Oceans of fear; choking fear; veiling fear. Obscuring all thoughts. The fear of death that only Creation can bring. Creation; product of the titans that forged time. The fear that this woman drapes herself in.
It’s all the clothing she needs.
She drops to her knees as the monster steps towards her, eyes wide, pupils shrunk, quivering with fury. Little River’s lips are pulled back in an inhuman snarl, her fingers are white-knuckled around her blades, her drenched hair is plastered to her back and shoulders.
The pounding drums of fury sound so loudly in her ears that she can barely speak.
“Who,” is all she says. Perhaps all she can say; full sentences beyond her in her all-consuming rage. But that single word smashes into the fae with the force of a tidal wave. To refuse the dragon before her will be a death more terrible than any blade could deal.
She clutches for her sword, taking strength from that which she takes pride from, her mastery of the wavecutter, her oaths, her-
Her sword slips from fear-numbed fingers.
“I am A Beautiful Song of Steel By The S-Sun’s Setting. Steel S-Song. Sw-sworn to House Bucar, of the clan of Mangeshkar of the Republic of Dhul,” she stutters in Old Realm. She falls to her face, in the way of old, taught by the Emperors of Dhul before they were overthrown by the Deliberative. “My life is y-yours, m-mighty one.”
Given to another woman, perhaps her oath would spare her life. But the creature above her barely has the self-control to wait for her confession.
Terne blades flash in the moonlight, and a Steel Song is cut short.
This is Little River’s apartment; water soaked, filled with writhing monsters, groaning and screaming injured men and women, and a crying infant.
Keris feels exhaustion dragging at her. It isn’t just physical; it is soul deep. She hasn’t had to go this hard in... in a long time. Even fighting Sasi and La at the same time wasn’t quite the same, because at least then she wasn’t having to hold back so many of her most effective, efficient tricks that could have finished things more quickly. But right now she has a room full of would-be assassins, some of whom are still alive. And she has a daughter who’s alive and unhurt, but utterly terrified and distraught.
She still can’t speak. She can barely wrestle her mind into the shape of human words through the red-soaked haze. But she closes her eyes against the screaming fury, and with an effort of will, wrestles it to the side for the moment. There will be a time to let the bloody song of revenge rule her. But that time is not now.
Shaking with adrenaline and exertion and anger, Little River turns her back on the dead and dying as her snakes descend to finish their bloody work and takes her daughter in her arms.
The rumours are everywhere in Memory of a Golden Land - or as the Saatans call it, the Yellow Point district. On every corner there are triad members, armed and ready. And on the gates to outside the district, there are House Sinasana men and women, armed with their spears not quite raised. To keep the peace, they say. But is there really much peace to keep? Word is that there was an assassination attempt on the golden crown and her daughter - and those better in the know have heard of the other rumours from elsewhere in the city, that Hui Cha Little River is making an example of the party (or parties) behind this. That House Sinasana have had words and they won’t interfere as long as there are no riots and no armed conflicts in the streets.
Things are simmering. Not quite boiling over, not yet. But simmering.
The hall where the blue sea masters meet is deep inside their grand meeting hall of new stone and new money, and it has no windows. It’s stifling hot in this place of fine blue and yellow silk banners, and the air is thick with the perfumed smoke of the cigars and hash that these old men smoke.
They know - some - of what is going on. In the air, there is fear. And anger. But also fear, especially from Lucky Wolf and Peaceful Wave. Little River has informed the blue sea masters that the assassination attempt came from the Dhul Republic. And it was their action which led to the conflict that the Dhul Republic seems to have escalated. Little River is a woman of legendary temper under her haughty mask. Both of them saw her cut down Red Leaf at this very table. And they’ve heard the other rumours; of the screams that came from her apartment on the night of the attack, that the bodies handed over to the priests of Mercury Ashen-Wing were barely intact. That there were only five bodies when Little River reported a dozen assailants.
They haven’t seen Little River in three days. And they worry, in the way of rich and powerful and comfortable men, that their lives might become poorer, weaker, and painful.
“The last I heard of her was yesterday,” Pale Branch says, when asked. “She kicked in a door down on Spicewood Way and painted the walls red with the Dhul dogs using it as their den, to hear the rumours tell it. I understand she left a survivor for that newcomer to accompany to the priestesses of the Pale Mistress. That makes... four in the past three days, I believe?”
“This is an outrage!” Lucky Wolf blusters. The years are heavy on him, and his old man’s voice cracks. “If they strike at us like this, who might be next? This can’t stand! We need to show them that we stand together!”
Sea Eagle leans back in his sea, cupping his pipe in both hands. His eyes are a mystery. “Those savages strike at our beloved golden crown,” he says, “and cousin, I tell you, I long for justice as much as you do.” He pauses deliberately. “But it is strange, is it not, that they would escalate so quickly to going for her head. I cannot think of any offence she has offered them. Can you?”
“Not a thing!” Lucky Wolf says.
The younger, corpulent Peaceful Wave raises a hand, his many rings gleaming in the light. “The Dhulians have a thing about emperors and crowns,” he says. “They are ruled, as the Realm is right now, by a Deliberative - but their Deliberative executed their last emperor a century ago. They shun all crowns, and all rulers - and see princes and emperors alike as plotting against them. They might well have assumed that she is our empress.”
There is a chuckle there from the blue sea masters, because they know the truth - Little River is an unmarried woman, with no fleets of her own and though she has the status of a dragonchild, compared to their wives she is poor and ill-connected. She cannot afford to insure a fleet that might sink; she cannot hire a mercenary band to make an example of her foes. She is the golden crown precisely because of her weakness; a banner for the Hui Cha to unite under against outsiders. Pale Branch also laughs, but her laughter is more to fit in with the men. She knows the truth that lies under their truth, and more of how much power Little River truly has in the Hui Cha. She doesn’t know how many women have taken investments of power from Little River, but she has her suspicions. And she knows that Little River is keeping her husband alive so his power is Pale Branch’s as his regent.
“We cannot stand for them to strike at us,” Jade Fox says, stroking his beard. The most conservative man on the council is slow, considered. “This is an offence. But we shouldn’t anger House Sinasana by bringing open warfare to their streets. They tolerate what Little River is doing because she is keeping her vendetta quiet. But we should not push House Sinasana again, not so soon after we pushed their forbearance with our vendetta against the killers of Hui Cha Pretty Peacock.”
“My husband would agree with you,” Pale Branch says, offering the support of the largest organisation to Jade Fox. “He would be ready to strike down those who act against us, but we should not weaken ourselves. Perhaps this is what those barbarians want. After all, we are family but they are an empire - even if they have killed their emperor.” She smiles, painted red lips precise and poisonous. “As Little River said to me, our revenge should be like the viper, that bites and the blood does not clot.”
“Well said, cousin,” Jade Fox says, acknowledging her support. “We must support our sister Little River, and we can best do that by being prepared.”
Sea Eagle exhales a cloud of smoke. “We cannot afford an open war, it is true,” he muses, “but there is part of me that would like to see that every offence they have dealt us is returned in full. Little River’s... comprehensive retaliation has derailed a play against us that might have opened a vein. The Dhulians tried other things on that first night, and no doubt they had other wickedness prepared. Right before our dear golden crown gutted them like fish.”
No sooner has he finished the words than the doors of the hall swing open and a young woman swans in. She is Tengese, with one eye of brown and one of pale blue. An ugly burn mars the side of her neck, peeking above the hem of her collar, and her smile is twisted as she sweeps her gaze across the men - and woman - who hold half the power of the Hui Cha in their hands, arrayed as they are around their table. They know this woman - few of them very well, but all know of her, and of the fact that she has been often at Little River’s side these past few days as the furious Water Dragon reaps her bloody vengeance.
“I bear a message from the Golden Crown,” announces Hui Cha Second Carp. “Will the honoured blue sea masters allow me to speak on her behalf?”
They know of Second Carp. They know that she is young, not even twenty yet. They know that she is Little River’s running dog, sponsored in by the Golden Crown. And the more acute of them know that there is something twisted about her. It isn’t just the physical (those mismatched eyes, that asymmetrical scar, the streaks of dyed hair - like some of the younger women do). It is the fact that there is something somewhat unwholesome about her. It is her smile, and the way she smiles even when being perfectly respectful and polite. It is the certain knowledge that Hui Cha Copper Bull propositioned her while drunk, and when he got too pushy and grabbed her, she used what people whispered was a witchy curse of the Pale Mistress and dropped him into a drunken sleep, then lay a blight on him so his right arm has grown a covering of painful pustules.
What kind of half-mad teenage girl smiles like that at the blue sea masters? What kind of woman so young knows the crone-magics of the Pale Mistress?
Pale Branch smiles; Lucky Wolf shivers; Peaceful Wave looks ill; Jade Fox grasps his icon of the Golden Lord. And Sea Eagle nods. “You may speak, daughter of the Hui Cha.”
“Good, because you’re not getting much speech out of Little River,” the brazen young thing says, sauntering closer to their table. “All due respect to her highness, but she’s still mostly too angry for words. Fortunately, she’s got me to tag along and ask questions when she breaks doors down and sprays blood all over the cobblestones outside. She hunted down a nest of Dhul scum yesterday and got the location of a meeting of their allies out of them that she went to interrupt this morning. But she also left a survivor, who I accompanied to the temple of the Pale Mistress.”
Her smile is an unholy thing, a delighted malice that leaves no doubt in the council’s mind of the kinship she feels with the monstrous goddess’s priestesses.
“To summarise, respected lords, we’re not dealing with the Dhul Republic as a whole. We’re dealing with a single house, who’ve arrogantly claimed the Delikado March as theirs and theirs alone,” Second Carp reveals with the relish of schadenfreude. “Little River first pried the name from those that attacked her in her home, but she was a little too angry at the time to ask more, and wanted confirmation besides. Which we now have, thanks to my temple-going friends. House Bucar of clan Mangeshkar is our enemy; the wider Dhul Republic have yet to take any action against us.”
There is a certain relaxation from the blue sea masters. A crime family does not want to put itself up against a whole nation-state, but one group therein? That’s a much less threatening opponent, and one that they might be able to win against.
“Thank you, niece,” Hui Cha Pale Branch says. “Do you come with any other messages from our beloved golden crown?”
Second Carp bows. “Respected uncles, only a small matter.” She reaches into an inner pocket of the tailored jacket she wears over her ao dai, and retrieves five little bound books, each masterfully decorated with the name of the blue sea master they are intended for. “Each of you, in turn, should read these. Those awful, awful men from House Bucal had malicious intent for your own holdings, and while myself and our beloved golden crown should have made such a pretty demonstration of those malcontents, these are their plans for you and your holdings and the actions they have taken, and will take. You might want to act to defend yourselves against these menaces. I have, of course, out of respect for the love I bear my proud uncles, separated the books so there is no risk of one’s secrets being given away to one’s peers. We all have secrets we want to keep, no?”
Each of the blue sea masters opens their books, so beautifully calligraphed and decorated with maps and artwork. And see a too-knowledgeable recounting of certain of their holdings - oh, often publicly known, but there is just a little too much detail. Detail that Second Carp would not have had time to gather (surely?), which suggests this is knowledge known to Little River.
“How did you get their plans like this?” Lucky Wolf croaks.
The teenage girl with the dyed streaks in her hair and the mismatched eyes smiles serenely. “Respected uncle, I have my ways. And I assure you; the Pale Mistress has blessings for those who are prepared to make the appropriate sacrifices to her.”
The men shiver. Pale Branch does not; she suspects this is obfuscation, that Second Carp has also her own pact with Little River.
“My mistress requests of you; grow strong, uncles, defend yourselves and ensure that you are ready. Because this has shown us that we have many foes, and they consider our rise to be something they can snuff out in the cradle. And we will not let them.”
With a bow she departs, and the door shutting is accompanied by a sigh of relief.
Second Carp makes her exit from the meeting place of the blue sea masters, and strolls through Memory of a Golden Land. She speaks to people, buys small things from vendors and exchanges words with them, and generally acts like she was born here rather than being a newcomer to the district. At some point her wandering takes her to a teahouse, where she speaks to the owner who of course hurries her to a private room. A few hours later she will exit, and no one will think anything of it.
But in the here and now, a pretty young man with a feminine heart-shaped face and red-blond hair (and, yes, an excessive amount of eyeshadow) slips out of the window of the private room, settles his white priestly robes around him, and heads out of the district towards the docks. He knows where he’s going, too.
His path takes him down to the docks, where a fishmonger’s shop has an expansive cellar normally used for cooling its wares. The fishmonger has taken Dhul’s money, though, and today he has closed his shop and opened his cellar for a meeting between their men, as they retreat from the furious assault of a mother dragon and regroup to plan their next move.
The young man pushes the door open, noting with interest how the catch for the bolt has been torn clean out of the frame. There’s a perfect indentation in the wood of the door in the shape of the heel of a palm.
Inside, the fishmonger is curled up and foetal by the counter. His eyes are wide, his pupils shrunk almost to nothing. He’s clammy with sweat; tears stain his cheeks and less pleasant things stain his trousers. The young man walks over to him and waves an experimental hand in front of his eyes. There’s no response. Whatever he’s seeing in his petrified state, it’s not what’s in front of him.
With a shrug, the young man saunters round the counter and pops open the door down to the cellar. Instantly, the faint, rank stench permeating the shop strengthens, overpowering even the odour of the fish. There’s blood on the walls of the stairwell, and the young man has to hop four steps to avoid the slick substances they’re strewn with.
The cellar proper is a bloodbath. Dismembered bodies of men and fish alike litter the floor. The barrels that held the bounty of the sea are shattered; brine and vinegar mix with blood in great puddles on the floor. Nine men kneel by the wall, prostrating themselves on the cold stone floor, rigid with sublime terror. Fresh brands mark their skin, a scar on each throat over their jugulars.
In the centre of the room, Little River stands. Her aspect markings roll in cold black waves down her hair with the majestic wrath of tsunamis. She holds her terne blades unsheathed, but not a drop of blood stains her war-garb. Her breathing is slow and deep and even, but to look into her eyes is to meet the pitiless gaze of an ocean storm.
She turns her head; the only person in the room to notice the young man’s entrance. She does not speak a word.
He admires his nails idly. “Oh, what a to-do all this mess is. You really did bring all of this on yourselves, you know, actin’ in this way. Shameful. Real shameful, it is. What I don’t get is, what’d you think you had to gain from this?”
It’s rhetorical. He knows the answer already; House Bucar once had six senators in the Deliberative. Now it has two. Its star is falling and the Deliberative is being packed by newly prosperous allies of the Triumvirate. This was meant to be a ploy to present a grand triumph over the outsider Hui Cha who were intruding on their sea routes, a play for the votes of the Deliberative and the new magisterial elections.
Boy, did they fuck this up.
“Your friend from yesterday talked,” Nara tells his mother. “We got a nice full recounting ‘bout... well, everythin’, more or less. Who they are, why they did it, et cetera. An’ I see you made some new friends here.” Experimentally, he lifts a head up by the hair and snaps his fingers in front of it. The man doesn’t even blink. He’s passed out with his eyes open, muscles held rigid with terror.
Nara sighs. A casual flick to the side pushes the man into his neighbour, and as if released from bondage they topple, one by one, eyes fluttering closed as true unconsciousness takes them.
“C’mon, work with me here,” he complains. “I know you’re paying attention to me, but I can’t even tell if you can understand what I’m sayin’ or not. Gimme a nod or something. Dulmea, can you get her to shake her head if she’s outta language still?”
The woman doesn’t respond for a long moment, still holding herself perfectly still - a predator restraining herself from the impulse to butcher her catch.
Then she lets out a breath that goes on for an age, and the oppressive fury filling the room deflates. Her eyes close, exhausted.
“I can’t keep doing this,” says Keris Dulmeadokht quietly.
Nara’s eyes widen, and he takes her hand to lead her up out of the basement, out into the sunlight. She doesn’t resist, and slumps against him like she’s the child. “Hey. Hey. What do you mean by that?” he asks gently, already knowing some of the answer but wanting her to vocalise it. His mother isn’t fine and she hasn’t been fine since before she got back. “This isn’t the messiest thing you’ve ever done.”
“It’s not the same,” Keris whispers. “It’s not work. I can’t... cut my emotions off. I’m angry, Nara. I’m so angry. So hateful. So scared. They nearly got Atiya; they nearly hurt her and she’s still crying from what she saw but if I’d left her upstairs they’d have got in through the windows and she’d be-”
She breaks off and swallows, trembling all over, tears brimming in her eyes. “And I know we need some of them alive, I know we can use this to make them ours, but every time they throw themselves down and surrender and I’m in front of them it’s so hard not to just rip them all apart. And every second I don’t have Atiya in my arms is torture but when she’s with me I have to see her still looking scared and it... I don’t... I can’t...”
“We know it’s not gonna be war,” Nara murmurs. “Not this year, at least. Not with hurricane season nearly on us. Maybe leave this to me, an’ Zee, an’ our friends in the triad an’ of course the keruby. Maybe take Atiya up to Zen Daiwye, get you both a bitta time to recover.”
He immediately feels this wasn’t the right thing, the Zen Daiwye suggestion.
“No,” Keris snaps, chasing the heels of his realisation. “No, not Zen Daiwye. I’m not... I can’t be there. Not in this state. I don’t trust myself around them.”
He brings her in close, lets his mother rest her head on his shoulder as he holds her. “Then what? Anything you can spend a season or two doin’, maybe something that’ll let you think job-mode? Something away from Saata ‘cause, Mama, I think that Hinna lady’d try to take advantage of you when you’re in this state.”
She stares vacantly out at the sea for a long moment. And then takes a breath.
“I... I was going to make an island chain,” she murmurs. “Something... up into the West. Towards Seiarore. For trade. And to make an origin for Cinnamon.”
“Travel’d be nice,” he guides her. “An’ on top of that, you could be all artsy makin’ new islands and stuff. An’ you could take the Baisha so you could leave Atiya in a place that no one is gonna be threatenin’ her in.”
“I could take the twins, too,” she mumbles. “Give her some time with them. Out on the sea. Not just the Baisha. A normal ship. Away from demons. Away from my jobs. Away from anything... complicated.”
“They’d all love spendin’ time together. Let me an’ Rounen hold down the fort here,” he suggests. “You get some time, doin’ pretty arty stuff, making islands. Creatin’ life, not killin’ it. Except for fae, of course, ‘cause if you find any you can stash ‘em in the Baisha and give ‘em to Ligier and he’ll probably be real happy with you.”
“Can you... arrange it?” Keris asks, hating the pleading note that slips into her tone. But she just... she can’t. She can’t handle the bureaucracy. Even explaining what she wants to Rounen sounds exhausting, let alone justifying another absence for Little River to the blue sea masters. Saata is nothing but a nest of rage and madness for her at the moment, and she is so, so tired.
Nara holds her closer. “Zee says, she got an eyeful of the blue sea masters an’ what they wanted. Not havin’ you around where you might get killed - but also where you ain’t gonna get them in trouble with the Sinasana - is somethin’ they’d probs like. An’ of course Second Carp is gonna have lotsa pretty words ‘bout how you gotta think of Atiya an’ you’re worried that they might be lookin’ to steal her away. We can fake something suggestin’ that if push comes to shove.”
“Thank you,” Keris breathes, and lets herself lean on him. On them. Her son-and-daughter. Her clever, calm, grown-up child who are still a teenager but have come so, so far since they were little.
“Thank you, sweetheart,” she says again. “I’ll trust you with this. Just... get me away from this city. Give me some space to heal.”
He could ask her exactly what had hurt her. It’s not just this. He hasn’t seen her in such a state since Chir, and maybe she’s even worse now than she was back then. He doesn’t push her, though. It’d be risky.
But next time he’s back in Hell, he’s going to let Zana get Lady Lilunu in a room she can’t dodge out of, and she’s gonna deploy her full daughterly charm to find out what the shit happened.
Chapter 29: Late Wood 775
Chapter Text
The first thing that Princess Haneyl Kerisdokht has to say to her beloved young sibling Zanara when she returns back to Saata is thus: “Where the fuck is mama?
“Oh, lovely to see you too, Haneyl,” Zana says, sitting back behind her desk in the Carnation. “No, I don’t mind you just barging in. I wasn’t working or anything.”
It is very much Zana’s desk, because she carved it herself and it is big, imposing, and dominates the room. Part of the reason it dominates the room is the room doesn’t really fit it because Keris had refused to give her daughter the largest room in the building in the office, but Zana had refused to compromise on her artistic vision. Or the fact that it has a truly remarkable number of hidden compartments and a fold-out camp bed that fits two.
“You aren’t working,” Haneyl says sharply. “You’re sitting here and drinking wine.”
“I can drink wine when working.” Zana stretches, ignoring the fact that she hadn’t been working. “And you look like you need some wine. You’re a mess.”
That much is true. Haneyl’s hair is frayed and wild; her eyes burn with her fire; even her dress is a travelling garment she clearly hasn’t changed yet.
“Stop diverting. Where is mama?”
“Off. Gone up the western coast.”
“To do what?”
“Making islands.”
“Making fucking isl-” Haneyl thumps the wall, and it chars. “Of course! Of course!”
“Just send her a message.”
A puff of flame rises from Haneyl’s hair as she whirls on Zana. “I can’t cast Infallible Messenger!”
“Then get Oula to...” Zana smiles. “Ah. No. You’re too proud for that. Because you fucked up~”
“I did not!”
“Yes you did~ You fucked up in some big way that... makes you terrified and...” Zana pales. “Okay. Serious time. Not teasing you time. What happened? Why do you need Keris?”
“A honest-to-crap elemental dragon showed up and ruined the manse I was trying to build, killed my demons-”
“Oh fuck! Who died?”
Haneyl blinks, then, “Oh, no, demon-demons, not our people. Just ones I’d summoned.”
Zana clutches her chest, and gestures at the chair. “Sit. Wine. Tell me what happened. And don’t scare me like that.”
Haneyl slumps down, the nervous energy that’d carried her that far departing, and she accepts the wine and downs it in one. “I was trying to build a manse. An elemental dragon showed up and wiped out everything I did. I had to run away,” she growls. “And now mama isn’t even here so I can’t come back with her and let her feel happy about getting to rip its heart out and make a lovely gem from it.”
Zana whistles. “From what you’re saying, it was stronger than you.”
“... yes.”
She sucks in a breath between her teeth. “Okay, here’s the deal. Keris isn’t in a good state right now. She’s you after working for a whole season, only worse. The time on the Street hit her hard, and she’s miserable about something else. En isn’t letting me pry further and we’re just going to go ask Lilunu at next Calibration, but I think it’s more than just her working for Ipithymia and it’s more than just the fact that Miss Gold Tits tried to break her into her service. So I’m not going to help you get mama back to deal with whatever happened, because she needs the time she’s going to get with Atiya, Kali’n’Ogin. Rounen will back me up here, even if you peg him until he’s moaning. So I get that you’re scared. I get that things went to shit, but Keris needs a break or she’s going to get really unstable.”
“Well, what am I meant to do then?”
“You’re asking me? You want to take orders from me?”
“No!” Haneyl reflexively denied. She bites her lower lip. “You know what? You’re doing this to make me solve this myself and you’re right! But also wrong!”
“Not following you there, big sis.”
“I don’t have to solve this myself!” Her hair writhes and her eyes burn. “I’ll show you! I’m going to find infernalists, sorcerers, and other people who’d appreciate an investment of my power and make a deal with them! I am a demon lady! I don’t have to solve things myself! Not when I can get a powerful-”
“Harem.”
“Do you mind, I’m trying to lay out my vision here!” Haneyl snaps.
“Your vision of finding a harem of infernalists, sorcerers, and other people who want you to be their sugar mama?”
“If that’s what it takes?”
Zana sighs. Her big sister is manic at the moment, running on sheer passionate fire, and that means she has to take the edge of it before she does something stupid. “If you promise to take a rest, eat, change your clothes, and look like someone who won’t risk getting House Sinasana on the backs of the Carnation, I can spare you some time. I’m handling Keris’s affairs in the Hui Cha this season, and that means I do have certain... feelers in the shady criminal underworld.”
“I’d... I’d like that,” Haneyl says. “But I need to do this! And soon!”
“And look at you. You’re sunburned, tired, and you haven’t been eating enough. How did you even get back from the edge of the world?”
“The dragon wrecked my ship. I had to shape a boat out of a nut to sail back.”
“With no crew?”
“I turned some birds into a crew.” Her stomach rumbles. “I’m going to go down to the kitchens and get some food.”
“A small three course meal as a light snack.”
Her big sister flips her off on the way out, and Zana shakes her head. And then growls at the discovery that Haneyl has taken the bottle of wine with her. “Oh, come on!” she yells after her. “Wine doesn’t do anything for you! You don’t get drunk off it and I was trying to get buzzed!”
She doesn’t get a response, and Zana curses under her breath. Handing big sisters who are histrionic drama queens is just the worst.
“Hypocrite,” says the Nara doll sitting on her table, its mouth becoming flesh just long enough to say that.
“It takes one to know one,” Zana says archly. “I just hope Keris is doing better off on her trip. And that she’s better when she gets back. We hate having to be the responsible one. It’s practically against our religion.”
Bright is the sun just east of the edge of world, and the westerly winds whip through the hair of Keris Dulmeadokht.
There is a lot of hair to stream behind her.
To the starboard of the yacht, a sea serpent broaches the water. The sunlight shines off its blue-green scales, and for a moment Keris’s attention focuses on it, but it isn’t a particularly large sea serpent and isn’t interested in her ship.
“Ah ha!” Mele calls out. “No worries, maj! It’s nothing compared to the monsters that the Serpent Queen sometimes unleashes on the Sea!”
Rala looks up from under the covered canopy set up on deck, where she’s been reading to Ogin. “I remember those,” she says. She smiles a little too sweetly. “Didn’t you run away from one back in the day?”
“So did you!”
“Yes, and I’m not afraid to admit it. Even orvens aren’t stupid enough to fight a fog serpent, and we could be pretty stupid.” She pauses. “Most orvens aren’t stupid enough to fight a fog serpent,” she clarifies. “Some are.”
Perking up from where she’s been sharing her own ink-and-magic dolls with Atiya, Iris contributes that sea-kats and isle-kats eat baby snakes. She demonstrates with a fire picture.
“I also eat snakes!” Kali calls out happily, from where she’s sunning herself as a tiger cub.
Simya says nothing, but she hasn’t talked much on the trip so far. She’s effectively serving as their maid, and is a shrinking violet who prefers to keep herself below decks, even with access to the sun lotion Keris brewed up to protect the fairer-skinned members of their crew.
(The fact that this yacht is being trailed by the Baisha and when Keris wants some peace and quiet she transfers people over there, which amazed and terrified Simya probably has something to do with her reclusiveness. Keris had to put her foot down with the crew who recognised the girl as neomah-blooded on sight and made certain assumptions. Assumptions which, when she checked with the Priest, were true - legally a neomah-blooded girl is a serf by Hellish law, not a stranger, as she inherits the demon-status.)
“I fought Pekhijira once,” Keris notes blandly, not shifting from where she’s lounging in a hammock strung between one of the canopy poles and the mast. “Does that make me stupid?”
“I would never ever say that, ma’am,” Rala hastens to reassure her.
“Mama, she didn’t answer the question,” Ogin points out.
“I would never say that... because you’re not an orven, and you’re much more powerful than a child. Obviously.” Rala glances at Mele. “Him and his crew still hunt them, but that is an entire war-berg, not one person.”
“Well, to be fair, I did lose,” Keris concedes. “That was back before the Directions, when my inner world was just the City.”
She yawns, shifting position in the hammock. After a moment, she cracks an eye open at the expectant silence, to find Rala and Mele both looking at her. Ah. Of course. They’re both second-generation keruby; that was before their time - before any but the First Ten, really. And first-hand stories of that era are surprisingly rare, given most of the people who can tell them are hard to convince to talk about it or szilfa or both.
Shifting upright, Keris glances over the rest of the deck. Ogin is watching attentively too, and Simya is listening, though she doesn’t seem to fully understand what’s being talked about.
Well. Alright.
“I’d claimed the contents of my Past Life’s tomb,” Keris says, spinning the tale onward, plucking music from the air to accompany her tale. “A vast hoard of riches that I stashed within the Tower Melodious. But when I went to sort through them, I found the Tower smashed open and Dulmea speaking of the serpent that came out of the fog; a soul we’d had no knowledge of until that point. We only knew of Eko back then; we hadn’t even found Rathan yet.”
She huffs softly. “Dulmea calmed me down from charging out after it immediately, and once she described it, I took Eko and the First Ten and we ventured out to the fog-wall. I yelled at it, called out to the thief within, challenged it. For a moment, all we heard was the howl of the wind and thunder.”
Pausing for effect, she lets the tension mount, bridges the music into ominous chords of warning, spiralling towards a climax. The shadows around her darken, taking on the form of swirling fog, a tiny figure surrounded by children of wind and ribbons staring down the heart of a storm.
“But it wasn’t thunder.”
Iris flows up to Keris and takes form of a little girl, breathing out “store time!”. She likes her stories. And she really really likes it when Keris uses the shadows to tell them. And of course there’s no surprise that Kali and Ogin are paying attention.
But what surprises her a bit is that Atiya is too. She isn’t looking at Keris, but her attention is locked on the swirling, changing shadows.
“Then out of the mists, it came!” Keris exclaims, and strums a fierce battle chord from the strands of Time. A vast pair of jaws explode from the illusionary fog, big enough to snatch up the tiny figures whole, and they scatter in fear as the serpent emerges from the swirls. It’s enormous - the illusion alone is a metre long, where the tiny Keris that leaps back is only an inch or two high. Two razor-feathered wings unfurl from the shadowy grey fog that streams from its body, and it bares three-curved fangs under eyes that shine with the poisonous green light of jealousy.
“A vast serpent, winged and feathered, its fangs the length of my arm, its eyes the size of my head!” Keris narrates, and her music tells the story, vibrant chords singing a passionate song of battle as the tiny figure throws herself at the great snake. A tail with a fan of feathers shaped like a spearhead smashes down on a bridge, scything wings cut through toy buildings, and despite the little Keris’s attempts to strike back, all she can do is anger the raging, furious god-beast.
“We clashed and separated, fought and fled! I lashed out at her with my spear and severed silver feathers, she brought the wrath of her wings and tail against me and carved a district of the City into shattered ice and rubble! It was all I could do to stay ahead of her, for she was as fast as me, as able to wield fire and wind and water in battle, and ruthless in her defence of what she’d stolen.”
The harp plays on, the shadows dance, and the images show the treasures revealed in their hiding places at the edges of the mists, the way that the human is put on the defensive, barely able to stay ahead of her own po. Keris’s voice takes on a philosophical air over the fight as her past self gives up the victory and seeks to disengage and flee.
“Because, of course, she was me, and I am her, and so my jealousy and rage and possessiveness over the treasures she’d stolen was her own, and the anger she was feeling was my own rage mirrored back at me. We fed each other, she and I, and the more determined I became to win, the more determined she was to fend me off, and the angrier I got at her for striking at me, the angrier she was at my striking back. And so, in the end, I was forced to concede, and let the battle go - and only then did she release her own rage and return to the fog.”
“Mama!” Kali and Ogin cheer together when the giant snake appears.
They then go on to cheer the snake, and Kali is quite vocal about how she wants it to eat the tiny things, as, after all, “Go, mama, go!”
“Stories of pre-Directionality,” Mele says cheerfully. “Maj, you put the best tarksae and maglyas to shame. You’re the best entertainer ever.”
Simya looks totally, completely lost.
“Kali, darling, the tiny thing- well, you’re right that the snake is mama, but the little tiny thing is also mama,” Keris explains.
Kali considers this.
“But... if the snake is mama and the tiny lady is mama,” she says slowly, working through the logic, “then mama was fighting mama, which means you were fighting yourself!”
“Yes, that-”
“Which is dumb!”
“I- that...”
“‘Cause a fight’s gotta have a winner an’a loser, an’ if you fight yourself, then one of you’s gonna win but the other you’s gonna lose, an’ losing’s worse than winning, so you lose overall!”
“Kali, it’s... it was more complicated than that, like I said-”
“That’s really dumb, mama! Why’d you even wanna fight yourself in the first place?”
“Well, like I said, because Pekhijira stole a lot of pretty things from me-”
“But if mama stole them from mama, then mama still had them, which means you still had them, so you didn’t lose them at all!”
Keris’s mouth opens and closes several times, but she is left defeated and unable to counter Kali’s wise words of wisdom. The little tiger cub nods seriously.
“It’s okay mama,” she says, trotting over and leaping up onto Keris’s stomach to flop into a kitty-puddle and purr. “We still love you even if you’d a big dumb-dumb who fights herself sometimes.”
If she is looking for support from her other children, there is none to be found. Ogin is simply supporting his sister, Iris just wants more stories, and Atiya lost interest the moment the shadows stopped changing and went back to her dolls.
And Simya-
Simya has her hands to her mouth, flinching back.
It’s not the story of the power, though, or of the metaphysical strangeness of fighting one’s own lower self. She’s looking at Kali. And she almost looks like she wants to step in to... to protect Kali? As if what Kali said was somehow... wrong? Or put her in danger somehow?
Keris sighs ruefully, raises a hand, and lowers it down...
... to pet her daughter’s ears. Kali purrs louder, pushing her head up into the touch, then after a moment decides that she’s had enough of being petted and playfully starts biting at Keris’s fingers. Fortunately, though her little fangs are sharp, her jaw still isn’t strong enough to pierce Keris’s hardened skin, and she doesn’t manage to make anything more than pinprick wounds that scab over instantly in brass before any toxic, mercury-laced blood escapes.
“Well, mama will take your advice and try not to get into fights with herself in future,” Keris says. “I haven’t fought Pekhijira since then anyway. We even get along pretty well these days!”
Iris helpfully contributes a picture of a big winged snake and a little dragon with their wings hooked together like they’re holding hands, then both of them on either side of a pile of treasure, then the little dragon breathing fire on the treasure to make it into better, shinier treasure.
Keris translates this, considers it for less than ten seconds, and decides she’d rather not know what her familiar and her po have been getting up to on the occasions when she banishes Iris into her inner world. As long as none of it has consequences she has to deal with, she’s perfectly content to pretend it isn’t happening.
She can hear that Simya has gone limp with relief that nothing bad happened to Kali for being rude to her mother. It’s something to think about, and try not to get angry over. But she definitely needs to make sure that girl - who clearly has a brilliant mind, just from her fascinating idea of dedicated flesh-hosts for demons - gets the cultivation and nurturing to exceed her awful mother.
Maybe she should invite her to the planning session this evening.
There is an aurora on the western horizon, as bright as the waning moon. And, fortunately, the children are in bed, even if in Iris’s case that means she’s dozing on Keris’s arm. Which means that Keris can meet with Rala and Mele to talk about the plans for the wyld area they’ve identified and are mapping out. And while she isn’t sure if Simya can help, she wants to see how she reacts and whether she does have any useful ideas.
“This is the rough size of it, maj,” Mele says, showing his sea-map and depth markings. He’s sitting around, shirtless because it’s still hot and muggy even after dark, showing his extensive tattoos and carvings on his lean-yet-toned form. “It’s shallower around it, so I think it’s a wyld-polluted sandbar or something.”
“On The Ever Changing Sea said that sometimes great sea beasts that cannot survive in Creation wash ashore in Order, and those which cannot return quickly to the depths perish, bringing their Change-pollution with them,” Rala quotes. The silvery-white embers in her hair give light in the gloom of the oil lamp; she’s dressed in a loose sari. “It’s possible this might be one of the corpses of a thing of the Deep Wyld.”
“We’re some way from the world’s edge. I guess it could be one of those things, but didn’t you also say that sometimes land washes in too? Sandbars could wash in.”
“That’s possible,” Rala concedes. “But I do not believe it truly matters. When the All-Queen is done, it won’t be what it once was. And on that note, ma’am, I believe it’d be better if I draw up a full plan for when you begin work so we can work to a schedule and a plan. And perhaps evaluate the risks, given the need to protect the children.”
“Alright, let me look at the map,” Keris says,, scooting Rala out of the way with a hair tendril. “Okay, so we’re...”
“Here, maj,” Mele says, tapping the paper. “‘Bout four hundred miles west of the northern tip of the Greater Maula Isles.”
“And the last two islands?”
“Here and here.” Mele reaches into a pocket and comes out with a handful of pinhead-sized faceted pearls, placing them south of their current position, leading down into the gap between Shuu Mua and the Sunfall Isles. Keris taps her lip thoughtfully.
“Those ones weren’t proper settlements,” she muses. They hadn’t been wyld zones, either. As with the Isle of Gulls, she’d found lifeless hunks of rock and used Metagaoyin geomancy to put some proper vegetation down, then broken the magic to leave them mundane, mangrove-riddled islands where a ship could moor to ride out a storm and restock supplies.
“This one, though,” she continues thoughtfully. “Hmm. How deep do you think the wyld zone is? I can only do as much as I have chaos to work with.”
Mele taps the map. “Five-mile diameter, enough to set off the iron-rattlebones alarms you gave me. That one-” he nods at Rala.
“‘That one’ doesn’t appreciate being referred to in this way,” Rala says snappishly. “Ahem. Your books reference that this is the scale of a so-called change-lake - of the scale that means it’s likely a wyld-tidepool which will have a hob population, and may have a greater wyldlife resident. Definitely the largest instance of wyld contaminants we’ve encountered to date on this trip.”
Keris is reminded that she needs to remember that dragon aides are bureaucrats, not occultists, and likewise Mele isn’t Oula. She misses Oula. She’d be getting things done much better if she was here.
“It’ll be useful if there is a single fae in charge of the place,” Keris says after a moment’s thought. “Burning the chaos into something real is much easier if I can just kill the current owner of a tidepool and seize the reins from them. If not, I’ll have to do an aria. But, hmm. Yeah, it might be enough to put a small fishing village here. Something with a small population who can help tradeflow. I guess I’ll aim for it and we’ll see if there’s enough wyld-stuff there for it.”
Rala shuffles her notes. “As per your previous description, you stated that this location was planned to be a poor and somewhat isolated branch of the overall culture,” she says, laying out the annotated map with the broad ideas for the cultural spread of the new people that Keris would be making. “But somewhat more open-minded, with something of a history of low-level trade with the rest of the Anarchy. You also considered that possibly Cinnamon might be from here, but I believe you decided against it. You were also considering whether you should make this location a volcanic island, on the grounds that this would allow them to have supplies of metal and stone which would be superior to that of a coral reef, though you noted that this would, and I quote, ‘depend how much wyld stuff there is to work with’. Is there anything else you want to add?”
Simya is simply looking confused, and essays a small, half-raise of her hand. “S-sorry,” she begins. “But. Um. I thought... I thought, well, I’ve made life before, but. Um. You’re talking about it so differently. Won’t they be babies?” She shrinks back, already expecting her ideas to be mocked.
Keris smiles kindly at her. “That’s a good question. But I won’t be creating these people with fleshweaving. Come over here, have a look at the map.”
Simya approaches the table they have set up in the little cabin and shuffles into the space between Keris and Rala, hunching her shoulders and shrinking down as if embarrassed to be taller than the hellish princess ordering her around. Keris politely ignores her hesitation and taps the map, tracing along the loosely-marked borders of the wyldshore with a silver-nailed finger.
“You’ve made a good study of demons,” she says, adopting a lecturing tone, “but what do you know about the Wyld? Not just its creatures, but the nature of chaos itself, and how it can be shaped.”
Simya taps her index fingers together. “N-not much. Mother has, uh. Has some dried bits of wyld-creatures she needs for certain transmutations and refinements, but I’m not allowed to touch them. And she doesn’t like having to use them, partly because they’re very expensive but also she says it makes the reactions, um, ‘messy’. And not in the sense that I have to clean the floor again.”
This earns her a cool nod. “Alright. The basics, then.” Red hair snakes out to grab a cup and place it down in front of them.
“Chaos,” Keris begins, “is like water. It’s fluid and formless, flowing this way and that based on tidal forces, most prominently the moon. You’ve heard of the wyldtide; the reason the bordermarches are drawn so vaguely here is because their edge advances and retreats based on Luna’s phase. Also like water, if you take a dip in chaos and walk out again, you’ll be left with droplets of it beading on your skin and soaking into your clothes. They’ll evaporate in time, but for a while after contact with it you’re left contaminated. And, of course… leave something in water for long enough, and it can dissolve - or be eroded away to nothing, made fluid and amorphous just like the rest of the ocean. Even a brief dip can change you depending on your substance - paint can smear, wax can sag or deform, metal can rust.”
She holds up a finger. “Yet,” she adds, “there are things in the wyld that retain their nature over time, instead of mixing and swirling and changing constantly. Raksha, hobs, locations that stay more-or-less consistent over time like fantastical cities or goblin markets. What are these, in our metaphor of chaos-as-water?”
Simya looks blank. Keris realises that she’d forgotten the girl is from Gem, and had never seen an ocean until her mother came to work for Keris.
“Bergs, reefs, and islands,” Mele says, listening attentively.
“Bergs would be more transitory. They don’t last forever unless you carefully manage the temperature,” Rala points out.
“But they can.”
“And yet most don’t, unless Rathan blesses them.”
“Correct,” Keris says to Mele, “but I was asking Simya. Alright,” she directs back to the girl, “poor choice of metaphor. Invert it, then.” She dips a finger into the cup and concentrates for a moment, then tips the cup over. Out onto the table spills a pile of dust, as red as that which runs through the rivers of the Ruin.
“Think instead of sand. The desert is ever-changing; no dune is the same from month to month. A pile of sand can take any shape, will move with the wind and slopes. Walk through it and you’ll be pouring sand out of your boots and coat for months, and it’ll scratch your boots, chap your lips, fray your coat. But there are places in the desert that keep some kind of form, aren’t there? Still desert, but not as changeable as the ergs where nothing but sand dunes mark the miles.”
“Mountains and rocks and canyons,” Simya says. “Like the, uh. The Scar.” She still looks lost, like things don’t connect for her.
“Yup,” Keris says. “Sometimes bits of Creation drift into the Wyld or get flooded with it, and they form a brief island of reality soaked in chaos. A granite hill will be eaten by the desert eventually, but it’ll take it a long time - and until then, it’s a feature distinct from the endless dunes, on which desert life lives but where you might also find water, and enough for a human to live on. But specifically, the answer I was looking for...”
She closes her hand around the pile of dust, opal light ripples from within her fist, and when she reopens it, she reveals a tiny statue of the Blue Star as he’d looked in their last confrontation.
“... was sandstone,” she finishes. “Or ice, if you think of it as water. Still the same substance, but locked into a rigid form. A sandstone pillar can stand in the desert and be solid; the wind won’t move it, its grains won’t lose their form. But it will still erode back into sand over time - unless something keeps it from doing so. A mind. A will - because will is the antithesis of chaos, just as it is the foundation of sorcery. A creature with will can impose its ideas on a pool of chaos and lock it into a temporary form, command it to change only at its owner’s desire. They can make themselves a little desert-castle, with sandstone walls and sandstone troops and sandstone treasure within. If someone comes along to challenge them, they can even break their army of toy soldiers apart and use their sand to sculpt a massive beast instead; a dragon at their gate to defeat a single strong foe that a horde would break against.”
Her smile is thin and wicked. “But it will only stay that way for as long as they rule. Kill them, and you can seize control. And though the ways of wyld-shaping are native to the fae alone, they come easily to sorcerers - and to greater demons.”
That, at least, she seems to understand better. “Mother says sorcery is taking control of the self in all ways.”
“Precisely.” Keris gives her an approving nod. “And the thing about sculpting in sand is that you aren’t limited in the same way as you are in flesh. When you’re making life from blood and bone, it’s most efficient by far to make a baby and let it grow up on its own.
“But,” she continues, getting more animated as she returns to Simya’s original question, “if you’re sculpting in stone, why not just make a bunch of statues of adult people? Chaos is a thing of limitless potential; shaping it is like shaping a dream or writing a story. You don’t need to start from the beginning and walk through every step; you can just invent a character and sketch out their history and introduce them as a person grown.”
Rapping the map, Keris beams with delight. “So it is with chaos! You can mould a village full of people who think they’ve been real all their lives, who remember being born and growing up and reading their histories - and who’ll never think that it was all dreamt up yesterday, and might dissolve again tomorrow. Because of course they’re still not real; they’re a fleeting fantasy borne of the whims of whoever rules the wyldpool...”
She raises the statue, closing her left hand around it again, and opal light shines once more.
When she puts it down, it is iron.
“... until something changes the game. Because it’s only transitory as long as it’s still sand. Chaos-stuff can be fluid or fixed, but as long as it’s chaos, it can change again in future. But if you burn off the chaos and shape it into the firmament of Creation, that’s forever. The chaos is gone, and whatever you shaped from it is real.”
“But what if you do it wrong?” Simya squeaks, and then blanches. “I mean, uh, if it’s like clay, if you fire it, you... you’re stuck. And if they’re people, people made out of stone or sand or clay that you can’t replace...”
“Good question,” Keris says thoughtfully. “I’ve only actually done this once, in Chir, and that was instinctive. But, mm.” She purses her lips thoughtfully. “I’ve seen three ways to bake chaos into things of Shape. One is the way of Crown Prince Ligier, the Green Sun. He uses wyldstuff as fuel for his emerald forge, and hammers and works it into great artefacts - and his skill in crafting wonders is so peerless that he just doesn’t make mistakes.”
She taps her lip, considering the question. “A second way I know of but have only read about; sorcery can work a great transmutation on chaos to bring it into reality with nothing but Will alone. But that has the issue you’ve just thought of. You have to plan out everything about the thing you’re making, and if you miss a detail or make an error... well, the laws of Creation take over once it’s real, and they aren’t forgiving of, say, designing the eyes of your population wrong. They’ll come out blind, and it’ll be your fault.”
Simya winces, and Keris imagines she can see the guilt of past failures back when she was starting out with flesh-crafting and life-weaving there. The pets and creations she’s shown Keris have all been functional, but you don’t get that good without fucking up along the way.
“The last way,” Keris concludes, “is mine. I shape chaos with the gifts of the Yozis, the way they did it in bygone times. And that sacrifices some control over the end result - I can’t plan out exactly what I want to the smallest detail - but by singing a tale of what I want to the Wyld and then burning off the chaos, all the little details get filled in instinctively, shaped to fit the rough arc of the story I told. I’ll sing of a poor village, and while I won’t be able to shape every person in it to my liking, or specify that they’re all fanatically loyal to me, the story will shape a poor village that functions, because the world knows what villages look like and how they work. It’ll draw from the greater mind of Creation to fill in the details I don’t.”
“How did you l-learn to do that?” Simya asks. “Um.” Her intent is clear to Keris; the girl thinks she can make her mother happy with her if she learns the way that Keris learned such magic. Because Hinna believes that one can make themselves Exalted, that it’s a question of internal alchemical processes. But but it isn’t. It’s almost funny; she thinks the world works like it does for keruby, not for humans.
Though her eyes flick over to Mele and Rala, and she thinks to herself; her keruby are much nicer and kinder (and prettier) than Hinna is.
Keris tries to smile, but it comes out as a bit of a grimace. “That is a story I don’t think you would thank me for telling,” she says. “But suffice to say that I’d had a great deal of experience at shaping worlds by then - the world within my soul where my keruby hail from, the world of Creation by imposing the forms of the Yozis on it, worlds within my dreams that I could draw others into and worlds held within artefacts that I could give out to my friends, And then in Chir I was put in a position where I could either work out how to use that experience to shape the world of chaos that my enemy had me trapped in, or die. I chose not to die, and succeeded.”
“And, of course, the world inside her is so much better than Creation,” Rala says sycophantically.
Keris isn’t quite sure what to say to that. It isn’t that she doesn’t appreciate it when her keruby are sycophantic suck-ups to her. In fact, it’s very pleasing. It makes her go all warm and tingly when they tell her how much better her world is than Creation. But she isn’t quite sure how to take this when explaining things to Simya.
But she hears the sounds of feathers coming in, and her head turns away as she’s distracted by the sound of Kuha and her mount Zamais coming in for a landing on the deck. Claws scrape on the perch and Kuha leaps off, so light even for her short height.
“Kuha,” Keris greets her, shamefully grateful for the distraction. “What news?”
Pushing up her flight goggles, Kuha runs her hands through her windswept auburn hair. “Good news, Kerishyra! It is like you thought! The pattern of the glow in the water is around four miles in width, and on top of that, I saw beautiful siren-women and siren-men sitting on the coral formations. They did not see me, but,” she pulls the alchemically treated crystal from a pouch, “look! It has a rainbow within it, but it only has three colours. That means there is no powerful leader of the fae here, yes? That is what you said it would show?”
“Oh, hasn’t she done well?” Rala coos, rising to embrace her girlfriend. She takes the crystal and nods. “Yes, ma’am, Kuha is quite right - only the red, the orange and the yellow can be seen in the captured wyldlight. By the reference texts, that means that either there is no being there powerful enough to capture the authority over the whole area, or they have not exercised that authority to control it.”
“Which means it’s free for your taking,” Mele says to Keris.
“Good work,” Keris smiles. “Four miles should be big enough for a moderately-sized island, even if it’s shallow. How’s Zamais holding up?”
“The new grafts have taken well, Kerishyra,” Kuha beams, winding an arm around Rala’s waist. She’s the shorter of the two, and Rala’s own similarity to Keris’s looks makes it a faintly disorienting spectacle. “The longer wings especially make gliding over water easier.” She turns to her extensively grafted patchwork-bird, clicking her tongue fondly and preening his crest feathers. Keris can still see the parrot she started with in him, but the extended regime of growth hormones, multiple reshaping of his wings for different patterns of flight and the extensive work she had to do on his organs and skeleton to get his larger size to work have left the recognisably parrot bits as mostly just his head and crest.
Keris examines the enchanted materials she sent up with Kuha, and yes, it is as she said - there doesn’t seem to be a powerful being in the wyld tidepool here. Safer, but slower. By the time she’s finished double-checking, though, it is getting late and Rala and Kuha are snuggling in the corner. And she just can’t bring herself to disturb them. She sends Simya to bed, and leans over the side, breathing in the sea air.
Hearing Rala and Kuha’s closeness and feeling jealous. Feeling alone. The nights are always the worst, when she has time to think. And brood.
“Why’m I feeling so off, still?” she mutters to herself, staring down at the dark water chopping in little wavelets against the hull. It feels like she’s regressing. Slipping back behind glass, cut off from her emotions the way she was just after...
... just after.
“Fuck, and I’d just got back to normal,” she adds, sullenly. She’d worked hard to claw feeling back from the numbness that she’d come out of the Street with. And now one scare, one attack in her home, one moment - okay, three days of moments - of emotion beyond her control, and she goes and stuffs it back down again.
Ugh. She’s definitely breaking her deal with Pekhijira. But it’s not like it’s on purpose! She wants to feel things normally! She wants to get out from behind this stupid muffled sense of disconnection!
She just doesn’t know how.
The music in her head is quiet. Dulmea listens, as always, but she’s an assassin, a professional, well used to partitioning her feelings away while on the job. And she doesn’t value their presence when she’s off work. Keris isn’t even sure her mama is ever really off work. She always considers herself a housemistress, even now.
Regardless, she’ll have no advice here. But she’s not the only voice in Keris’s head. Even now, with all her children away from her nest, there’s always one presence that’s with her. That can’t be parted.
“What about you, ‘Jira?” she murmurs, lifting her head to stare out at the reflection of the stars scattering off the ocean surface. “Are you still there? Does our bargain still hold?”
There is no sound from the Serpent-Queen, not even a mournful whale-wail from the snake in the grey mists. Has she abandoned Keris?
The feeling of loneliness is so overwhelming that Keris feels it well up from her, and emerge as a choked sob.
“Maj?” It’s Mele behind her, tall and pale in the scraps of moonlight and the reflected glow of the wyld zone. For a moment she thinks of Rathan, of Rat on seeing him. “What’s wrong? And please, don’t tell me nothing is wrong; that was an awful sound from you. And I’m not going to leave my best friend’s mother to cry to herself.”
“I-” she starts, meaning to send him away, if not with a lie then with an order. But he kneels down and looks up at her, his face a picture of concern, and... Keris can read expressions. She can wrap herself in flowers that tell her what people expect of her, she can pierce the surface layers of people’s demeanour and dredge the undercurrents below.
There’s no game or trick in Mele’s words here. His worry is simple and sincere.
Her voice catches on another sob, and she bows her head and screws her eyes shut, and lets a little of it spill out. Not much. But how numb she’d been, back at the end of Earth. How she’d forgotten how to feel what she was really feeling, instead of what she was pretending to feel for others. How she’d clawed back some of the connection with her emotions in that savage fight in the Caves of Lament.
How terrified she’d been when Atiya had been targeted, in Saata, where she was meant to be safe. How bloody her vengeful rampage had been.
And how numb she feels again, as if the aftermath of that scorching bonfire of fear and fury has left only ash in its wake.
“I- I called for her,” she sniffs. “Pekhijira. She’s me. She’s half of me. She’s all my feelings, all my instincts, the seat of my power. But she won’t answer. She’s... she’s hiding from me. From me! What did I do? She promised to be there for me! To watch my back! But now I need her and she’s left me alone!”
Mele pauses where he is, for just a moment, unsure of what to do. Then he makes a decision, and brings her into his arms, holding her against his firm, ivory-skinned chest. “My lady... no, that’s being too formal, ain’t it? Maj. Keris. I can’t tell you a thing about the Serpent-Queen and stuff like that. But you’ve been through some awful shit recently. What with them trying to kill you and whatever happened in Hell which is an awful place full of real shitty demons. I really didn’t like them when I was there to help oversee the manse stuff you had us doing. So I reckon it’s fine for you to feel off, an’ the Serpent-Queen is... by what you taught me, yeah, she’s a face of you, right? So I don’t think she’s okay either. An’ I can’t help her but whatever I can do to help you, I’ll try. Yeah?”
She nods, just a little, worn out by the burst of betrayed anger at half of her own soul’s absence, and lets herself be held.
“And look at you,” she hears his deeper voice, coming from above her, heard from his chest. “You didn’t eat, did you? You were only thinking about the wyld zone and stuff like that, Rala ain’t going to interrupt you when you’re working, and Simya’s a flinching little thing who won’t say a thing when she’s hungry. I bet you’re hungry. Aren’t you, maj?”
“Mmf.” She shakes her head slightly. “Not hungry.” Her stomach growls. She makes a face. “No appetite,” she corrects. “Doesn’t matter.”
“‘Course it does.” There’s a little more force in his voice. He shifts a bit so he’s hugging her from one side, able to guide her. “Come on, let’s get inside, into the cabin, an’ I’ll see if I can rustle up something for you. Maybe some noodle soup with fish flakes, something that won’t be too hard to swallow. You’re High Queen an’ all, but everyone needs someone to look after them. Protect ‘em from the things they don’t realise they need keepin’ safe from, mmm? Even if I’m not some royal lord and all I can do is make sure you get some food in you and a warm drink before bed.”
Mele walks them down the length of the boat, talking quietly and confidently all the way. She mumbles protests as they go, but both of them know Keris could throw him over the side of the ship if she wanted to. That she could have him pinned to the desk or coughing and wheezing on his knees in a heartbeat, if he really annoyed her. That he can lead her at all is acquiescence enough.
He sits her down, lights a few extra oil lamps, fetches her a blanket, and then busies himself with putting together a basic soup from some of the ship’s supplies. “I’m no szirom,” he jokes, “but trust me, maj, I’m not so bad. Back home cooking’s a captain’s job. Making sure his people get fed. Sure, you’re High Queen, but you’re still on my crew for now. And better the captain than any of the artisans. Have you ever tried an artisan’s cooking? They’re good at alchemy, but making food? Not so much. And that’s even before you end up worrying that their gloves came off and now you’re going to be feeling shitty from eating mercury. And of course, they don’t mind making us do all the cooking. Though this is,” he grins at her, boyishly, “not exactly a three-course romantic banquet. Though I can do you some dried banana afterwards if you want two courses.”
His idle chatter is... nice. It’s nice to have someone doing things for her. Rala isn’t Rounen; she doesn’t know exactly when Keris likes her aide to not do what she says and instead do what she wants, or needs. And she sent the babies down to be safe on the Baisha, but right now she’d like to be in bed with them (Kali a little furnace twitching in her sleep, Ogin soft and snuggly, Atiya quiet and gentle).
“You’re sighing again, Maj.” He pauses. “Keris,” he says, instead. “If you want me callin’ you that. Though I don’t think I wanna do the Oula thing and start calling you ‘Aunty’. That’s a bit too much of an old lady term to my ears, and you won’t catch me sayin’ that about you.”
Keris snorts, a faint smile flickering. “Keris is fine,” she allows. “Outside of lessons, anyway.” She tugs the blanket closer around herself. “Speaking of which. I know I scolded you for jumping in over Simya, but… good work with that ocean metaphor, earlier. You have a knack for this stuff, and the sea is a better metaphor than the desert, especially when it comes to chaos-life. Oases in the desert support a small population, but they don’t compare to the teeming diversity you get around a reef.”
Mele turns from his attention on the soup to beam at her. “Thanks, m- Keris. Keris.” He rolls the word around his mouth. Placing a single beeswax candle, one of the nice ones from the Saatan markets infused with relaxing aromatics, he places it before her and lights it. “It’s not her fault, of course; no one knows the Sea like I do. But,” he reaches over and pats her hand, “it isn’t a lesson right now, is it? This is about you, and making you feel good. As a captain, an’ also as a noble of the Sea ‘cause Rathan put that in part of the oaths for our titles, you know? We gotta help you just like we help him. But also,” his voice rises, and surges, his Old Realm so reassuring in its Nexan-like burr, his pale face worried for her, “it’s not about oaths or duties. It’s about you, Keris. Not as an empress, not as a queen, not as our maker. As a person and a woman and someone who’s upset in front of me. And I won’t let you be upset. You deserve better than crying like a lonely kid on the port side of the ship.”
He smiles, and it’s Rat’s smile.
“So tell me, Keris, what I gotta do to cheer you up and help you feel better about yourself?”
Staring up at him, lips slightly parted, Keris can only blink slowly. Far off in the distance, thunder rolls. The soft waves slap against the side of the ship like quiet encouragement.
She’s blushing, she realises, mortified.
Mele hasn’t noticed yet. He’s looking back at the soup, a slight frown on his handsome features - a little of Rat in them, but not much. No, he’s more masculine than her first love - though still pretty - with a wider face, long white curls pulled back in a ponytail and muscled arms bare where he’s removed the sleeves of his jacket. There’s so much concentration as he stirs and tastes and adds a bit of spice here, some seasoning there. Focusing on making it as good as he can for her. On taking care of her. On protecting this vulnerability he’s found where he least expected it.
A career spent playing courtesan has left Keris well equipped to tell when men want her. And Mele does think she’s beautiful; she’d be insulted if he didn’t, but... she also knows when she’s being pursued. And he’s not. He’s not chasing her. He’s not trying to show off, or sweep her off her feet. The thought hasn’t even occurred to him. She’s so far beyond his reach, the idea is too foreign to contemplate.
Which means this isn’t a ploy. It isn’t a seduction.
He just. Cares.
The bowl settles down in front of her with a faint clack, and Keris looks up into pearly eyes that show nothing but honest, earnest concern and a blazing urge to protect.
(and within a temple of white marble, a chimera gasps in joy-)
“Here you go, Keris. Soup’s... up...” and he trails away, frowning. Confused. He makes a cute little sound that’s half confusion and half feeling good. “Uh... no. No, that doesn’t make sense, it must be something else--”
Her cheeks are burning. Her heart is beating fast. But the mortification is fading under the warm, happy feeling of being cared for, of having someone devote so much effort and attention just to wiping away her tears and making her happy.
Keris bites her lip, and smiles up at him.
“Come sit down?” she offers, cocking her head coquettishly and fluttering her lashes. “You can help me eat.”
The poor little boy seems scared for some reason. He clears his throat. “Keris, uh, I... I just want to make things clear. Did you just give me your heart? Because, uh. I’m flattered and all, but, uh, I just wanted you to open up to me so I could make you happier. Um.”
“Well,” Keris says, pitching her voice softer, “I can open up later. But you could make me happier right now by coming over here and hugging me again.” She looks him up and down, and pouts, affecting hurt. “Or am I that scary?”
He swallows again. Keris can’t help but giggle. It reminds her of how Rathan was when Oula had just grown up and given him her heart. But then he straightens up slightly. “I want to help you and make you feel better. As your captain. I... I can feel how you feel, and it’s really flattering and... it’s just a lot to have the whole world fall in love with you. A lot a lot. I know I,” his voice cracks slightly, “I know I said it was about you as a person an’ a woman, but I didn’t exactly mean that kind of ‘as a woman’ an’-” Mele pauses., clearly thinking. “Queen’s ass... oops, didn’t mean to take your... your name in vain, uh. But, you said in the teachin’ that us keruby are sorta like bits of you and does that mean... you’re kinda a holdasszony in some ways? You’re feeling kinda holda with bein’ all sudden like that. And that’s even more to take in. I mean, you said it but I didn’t feel-feel it like this and- oh wow I’m just falling over myself right now and can’t shut up, can I?”
Keris laughs. Ah, her tidal raiders. She remembers-
-her smile dims, tinted by pain...
(She remembers what she’d been like around Sasimana, all the way back in the Scavenger Lands, before they’d first gotten together. How she’d danced around the glamorous older woman, showing off, bringing her presents, slaying monsters and bragging about it. How she’d blushed and stuttered and melted like wax whenever Sasimana flirted back. How she hadn’t known what to do when she’d actually gotten what she’d wanted.)
... but she pulls herself back to the present, and Mele, and how shy and nervous and uncertain he looks all of a sudden.
It’s cute. Adorable, even. But she wants that protective confidence back, and so she reaches out with a lock of hair to tug him into the seat opposite her and happily puts her feet up on his lap.
“You don’t need to be nervous,” she tells him, smiling perhaps a little less brightly than she had been before, with remembered pain still throbbing in her heart, but fondly nonetheless. “You were doing fine as you were.” She huffs, wryly amused. “You know how often people try to look after me? Barely ever, outside of my family. You’re a rare breed, Mele, to have that kind of confidence. Most would say I don’t need protecting, as strong as I am.”
He meets her eyes, and tries a small smile. “You still aren’t telling me what happened, but I think it’s clear you’re not doing great. And Rathan told us that we had to give you what you need, what you want.” So he reaches over, easing her feet off his lap, but makes sure she’s leaning up against him. His white hair wraps around her shoulders, adjusting the sit of her blanket. “So what you need right now is to eat and then get a good night’s sleep. Can you do that?” His smile turns more winsome, and completely shameless. “For me?”
Keris’s lips are already parting on another flirtatious remark, and it takes her a second of stumbling over the first syllable to backtrack. “Wh- wait, but... what?” The soft, practiced, alluring expression cracks, revealing a confused frown underneath. “But... I thought...”
She blinks a few times, looking down at herself to check that she’s still in her own gorgeous body - she is; no unexceptional shadow-guise or shrouding robe - and looks back up at him in bewilderment. Okay. Well. Maybe she just needs to be more obvious?
“A good night’s sleep?” she tries, putting a hand on his thigh and smiling again. “I think I can try. Will you be there?”
Mele seems afflicted by some strange, esoteric pain. “You’re Rathan’s mum,” he manages. “He’s my best friend and you’re also the whole world I grew up in. It’s just... I want to help you feel better but I’m not sure that sex would help?” Maybe he doesn’t intend it to come out as a question, but it does. “If you... um, want to hug me to help you sleep better once you’ve had something to eat, I can. But th-things aren’t going to go further. Not tonight and maybe not ever. You haven’t ever fallen for any kerub, right? Not before. I mean, you’ve spent years around that stuck up Rounen and-”
Keris is, perhaps, feeling just a little offended now. And - she realises with a thrill - that’s more than she’s felt in days. This new love; this head-over-heels tumble into infatuation with an earnest, devoted, dashing sea captain... it’s not shut away behind glass. It’s not muffled by cotton or choked in fog. It’s as real and raw as she’s ever felt; heart-pounding and cheek-flushing and there in her body, in the way the corners of her mouth pull up and her blood pulses in her veins and her hair twitches excitedly. She wants this. She wants to want again, on her own terms, by her own choice, with her own heart.
She turns her pout up a notch and leans closer.
“Are you sure?” she croons.
Mele looks very briefly panicked, like a spooked deer. But then a silvery gleam washes over his pearly eyes. Something settles into his body - with her hand on his thigh she feels it, feels the flush of power that’s feeding him, the love-fuelled strength that’s been surging into him ever since her heart tumbled over. The strength that’s still feeding him, that just pushed him over some inner threshold and into a new realm of enlightenment.
Mele looks at her for a moment like he’s never seen her before. Like he had a moment ago when he’d compared her to a mercurial artisan.
He swallows. Takes a deep breath.
And then takes her hand in his and lifts it off his thigh and back onto hers.
“Yes,” he says firmly, and seems to swell slightly; not physically growing, but occupying more space, sitting straighter, setting his shoulders wider. “I’m sure. You’re going to eat your soup, and then I’m gonna put you to bed - with clothes on, ‘cause I reckon you’re gonna get tricksy if I let you sleep naked - and I’m gonna hold you till you get to sleep. And I’ll be there through the night so I can wake you out of any nightmares you have. In the morning I’ll have some breakfast ready for you, and then we can talk. But,” and his voice grows firmer still, “you’re not going to try and push to make this something physical until then. Because if you’ve given me your heart, that means I gotta take care of it - and sex might be what you might think you want right now, but it’s not what you need. You’re...”
He hesitates. A miniscule break in the stern, unfaltering tone he’s speaking in. A falter, as he has to work up the nerve to continue. But it only lasts a second. “You’re wrong, Keris. Sex ain’t what you need right now. You need care. So be a good girl, and eat up, and stop trying to push me.” He tilts her chin up with a finger. “Okay?”
Keris’s mouth opens and closes wordlessly. Her heart is still pounding. Her cheeks are still burning. But the thrill of pursuit and conquest and the chase has flipped, and suddenly she feels... small, and delicate, and... precious.
She tries a few more words. And fails to come out with any.
So instead, trying desperately not to think of the times Ney gets similarly firm with her, she nods meekly and dips her head to eat her soup.
Dawn light the next morning scatters across on the surface of the sea. Beneath the thin layer of Creation-water, the wyldpool named Endless Joy Reef by the mermen and mermaid hobs that call it home is gripped by Shape-born song.
She came in the last hours of the night, this terrible, beautiful singer whose voice rings out through the water. She has legs like the surface-worlders, but she is every bit as home in the water as they are, and far more powerful. The Endless Joy Reef mustered its defences against her when she came, clad in silver and with a snake-like spear wrapped round her waist. They might as well have fought the rising tide.
Their brave and dashing seahorse-riding knaves were as nothing to her, for she conjured vast serpents from the water to bind and cripple them - but not kill. No, she has not killed any here, not even the great sea-beast that guards their little slice of paradise; an armoured cuttlefish the size of a small ship that was once wholly of Creation, and still has much that is Shaped about it under the touch of chaos they have suffused it with to tame it.
It tried to defend them, the poor thing. But the red-haired witch, this hellish siren, turned beauteous eyes on it, so innocent and vulnerable that it was unable to bring itself to hurt her, and then she laid her touch upon it and seeped painless blue-violet toxins into the soft skin of its arms, over and over, until its eyes glazed over and it was weighed under into unconsciousness.
In only an hour, without effort and without explanation, she has subjugated them. And now, at the centre of their home, she sings.
She sings, and the shadows of the filtered sun and their luminescent algae-lamps sing with her. She sings, and the wyld-stuff of their reef begins to resonate with her song. She sings, and a black dragon with eyes of rainbow flame rises from her arm and shoulder, spreading her wings and breathing in as fire pools in her belly.
(She sings, and behind her music and the notes her rippling hair draws from the water is a second sound, high and piping, that wails a fearful madness into those who listen hard enough to hear it.)
And the song is not just a song, it is a story, it is a Shaping. It tells of a prosperous island, lush and fertile, populated by men and women with brown skin and red hair and grey eyes. It paints a people who live off the sea and on the sea and with the sea, fragmented by a series of great wyldstorms that have washed their isles for many days and many leagues to a part of the sea where the stars look different and their sister-isles are scattered somewhere beyond the horizon. It describes a culture, loving and lively, and the seafarers’ gods and clans and customs.
And as the song reaches its climactic finale, the many-part dragon lifts her head to open her jaws wide, and breathes out a wave of rainbow fire that engulfs the wyldpool and everything in it.
White mist rises from the water, mist that sparkles with rainbows. It blots out the sun here, spreading out and pooling.
And then a morning breeze comes and it blows away the fog, revealing the island described by the song. The island that has now always been here, at least if you asked the inhabitants. The records of Heaven might disagree, but everyone knows that they are none too accurate this close to the edge of the world. Perhaps they just missed these people. It wouldn’t be the first time.
For the isle of Sadim is an island oft-choked by these pale mists that rise from the water, cold deep water close to the island cooling the hot tropical waters that come from the south. The island itself is shaped something like a crescent moon (or some would say, a woman lying on her side), with a broad natural harbour protected by breakwaters, and the local volcano shielding the main settlement from the worst of the wyldstorms that blow in from the west. Most of the couple of thousand inhabitants live down by the shoreline, farming the limited soil in neat stepped hillside terraces or farming kelp in the shallow warm harbour. Some venture out further but fewer than the stories say, because it is known that those who head too far away from the island are never seen again. That is why they have been cut off from the outside world for so very long. Fortunately, their guardian beast, the cuttlefish-beast Fidda, is there to protect them from the worst horrors that might raid the island. And every question one of them might have which might expose that they had not existed last night has a just-so story explaining why things are the way they are.
In the mountain peak on the spine of the island, there is a sacred place which shines with rainbows at all times and there is always beauty in the flowing waterfall and dark rocks. Blearily, the exhausted woman lying there in the pool stirs. Because a little girl with jet black skin and rainbow eyes is nudging her.
Keris Maryam Dulmeadokht cracks an eye open and groans. She tries to blink away the sparkles in her eyes, and then realises that they are not in fact in her eyes, but instead all around her. The mist is cold and refreshing, the light gleams off the wet rocks in many colours, and when she looks into the deep, clear plunge pool she can see opals glimmering at the bottom. Or at least, things that look like opals. Given the way she can feel her lady’s essence on her skin, Keris rather suspects those are in fact something rather more magical than simple gems.
She looks at Iris and raises an eyebrow. “I’m fairly sure I didn’t include a demesne in my song,” she observes. “Was this your work?”
Iris deliberately nudges her again in the ribs, and then beams at her. “iris is artest,” her flame breath shakily spells out. “like real-mama and arm-mama and art-mama”
Keris chuckles, and pulls her into a hug. “So you are,” she praises. “Look how pretty this place is! I think we should paint a picture for Lilunu, don’t you? It’s Wood now, so we’ll be seeing her soon, once we finish this season and reach the last month of Fire. We can show her what a big girl you are now, writing and making demesnes and being a proper little lady!”
Iris nods enthusiastically. “also a presnt for daddy,” her fire insists.
“Daddy?” Keris frowns. “You mean... who do you mean? I thought I was arm-mama. And Zanara is art-mama, and-” She pauses, a horrible premonition overtaking her. “Wait,” she says, dreading the answer. “Do you mean Ligier?”
That only earns her a bigger beaming smile. “princess iris is princess of hell,” Iris spells out happily. Just to re-emphasise it, she adds in flame a picture of Lilunu and Ligier on both sides of Iris, holding her hands. Iris has a big crown. And also a cat. The cat has a crown.
“... has...” Keris says delicately, picking her words with care, “uh, has Ligier - or Lilunu - told you this? While I was, um. Away? Did I miss that?”
Iris pouts at the apprehensions being called upon her self-evident royalty. “iris is clever. real mama loves daddy. iris learned about daddies. babies come from when a mama and a daddy love each other. so iris is princess iris.”
Keris opens her mouth, looks into Iris’s pout, remembers the beaming, happy smile of a moment ago, and decides that she in no way has the willpower or hardness of heart right now to spoil her little girl’s day. She can tell Iris about where she came from, and how Ligier was most certainly not involved, another day.
“We’ll get him a present too, then,” Keris promises. “As long as you promise to tell Lilunu about your cleverness first, okay? Now, why don’t you help me decide what perspective to paint from, hmm?”
Some two hours later, with several inked paintings stashed away in one of the boxes of Dulmea’s tower, Keris and her little girl descend from the mountain, hand in hand. Iris is skipping along behind her, taking three steps to every two of Keris’s own, but they’re in no rush. It’s a beautiful day. And Keris is eager to see what she’s made of the wyldpool with her song.
Over the bamboo forests on the slopes, Keris can see the lines of the buildings along the local roads. The architecture she sees looks a little Tengese, and a bit -- okay, a lot -- like Zen Daiwye. When they have to pause because Iris just insists she needs to pet a feral cat she saw (who may actually be tame, given how she just lets the girl approach her), Keris quickly tries to sum up what is here. This is a larger island than the Isle of Gulls, but smaller than Zen Daiwye - the village down there is maybe the size of one of the villages in Zen Daiwye. With that there, and some smaller farmsteads... maybe two, three thousand people? Enough that it’s viable as a settlement, definitely. Though from her song, she thinks a much fewer number of them will be stand out special or exceptional. If she’d wanted to make this a place of dazzling wit or magic, she’d have needed to spend a lot more time describing each person, rather than just sketching out a community in her song.
Maybe it doesn’t matter. She wanted this to be a normal place. A place that doesn’t stand out.
Someone calls out to her. It takes her a moment to get her brain into gear, but- yes, that was “Morning and good day to you, neighbour,” said by a woman leading a mule up the hillside path, a small child tied to its saddle along with some bags. The language sounds like Anarchy Firetongue, but with an awful lot of Old Realm blended in. And Keris’s heart flutters, because the woman has her features, a mix of Tairan and Highlander, with red hair and a little bit of angyalka in places. And so does the child.
This is a place where Keris isn’t an exotic beauty. It’s a place where... the people look like her.
She goes through a rapid and frantic debate on how to present herself to these people - as a native of the island or one of their scattered kin from elsewhere; the backstory she has planned for Cinnamon having been one of the first of their people to reach the Anarchy, some years ago - before the woman’s eyes find Iris and widen. Oh right. Okay. Not much point in trying to play off like she’s local, then.
“Morning and good day,” she calls back. “But I’m not a neighbour. It’s… it’s been a long time since I saw people who look like me.” The slightly choked note to her voice isn’t feigned, and she finds herself blinking back a couple of tears as the woman, child and mule reach her and slow to a wary halt. “Are you- that is, this island, your village, are you all…?”
A little hand tugs hers. She looks down at Iris, who points wide-eyed between Keris and the mother and child, and breathes out flame that forms words. ‘looks like you!’ the clumsy Old Realm characters spell. ‘why, mama?’
“What be you, spirit or...” Something seems to register with the other woman. “You talk funny, like you aren’t from here. But that’s... that’s impossible. My old nana said we used to get traders from elsewhere, before the killing fog. But she’s years in her grave, and she was one of the few oldsters who remembered the times when big boats,” she uses a word which implies a small fishing ship, “arrived from other places. They’re in the books, but no one’s come in years. Do you have a big many-sail boat?”
“I do!” Keris agrees, rolling with the history of this place that did not exist a day ago. “We sailed into the mists and thought we were lost, but then they thinned and we saw the island.” She gestures back over the volcano, to the side opposite the village. “I tried to row in to see where we were - we didn’t want to risk running aground in the mist, and couldn’t see the harbour. There was, um… a sea beast? A giant cuttlefish. But it didn’t attack once it got a good look at me, and then Iris saw the rainbows on the heights and we went up to have a look.”
Iris, watching intently, chooses this point to helpfully contribute to her arm-mama’s clever story by nodding and breathing out a rainbow of multi-coloured fire stretched over a little opalescent mountain waterfall.
That, rather understandably produces something of a flinch from the woman and while Keris is trying to calm her down Iris makes matters worse by ‘explaining’ that she’s a princess and also a spirit-queen of cats and she’s here to see their cats and also their cake.
In the end Keris has to guide Iris away while promising that, yes, she’s going to have her boat come to the harbour, and then hold her tongue before the woman and her mule are out of earshot.
Once she’s out of sight, Keris can break into an easy run that takes her back up the mountain and down the other side, towards the coast and the ship beyond the old borders of the wyldreef. She gives Iris another lecture on the way about not bullying superstitious rural mortals with displays of arcane power, which Iris listens to for all of about a minute before getting bored and sinking back into Keris’s skin as a dragon from her piggyback to curl up on Keris’s back where she’s out of lecture range and can nap freely.
Grumbling dire complaints about wretched disobedient children, Keris makes her way back to the ship and has Mele direct them around the coast of the island and into the harbour, arranging herself on the bow where everyone can get a good look at her as they sail in.
In the interests of drama, Keris made sure to given that woman plenty of time to get down to the village at the mouth of the island’s main river. The wait is annoying, but she has Mele to stare at so she’s got something to entertain herself while she gives them time.
Once she’s given them enough time, then it’s time to catch the wind, and arrive to her hero’s welcome. And that’s definitely what it is. That or possibly divine.
First come the canoes and small fishing boats, shocked at the sight of her much larger yacht. And then some of the dark skinned, red-haired men and women in the boats are paddling back but the people on the shore are already gathering from the sight of the sails and the story from the lady that Keris met.
There is screaming and awe and shock, but that’s just a minority. More overwhelming is the fascination from the people who see Keris, someone who looks like them sailing in from another place. And then there’s the paler, but still clearly kin Rala. And the handsome ivory captain and - shock of shocks - an even smaller woman who’s by a giant bird.
“So many pretty people here,” Kuha murmurs to Keris, with a wicked smile.
“Behave,” Keris murmurs back, not quite hiding a smile. The grin she turns on the gathered villagers is wider. “Hello there!” she calls out. “Well met! We didn’t expect to find kin here!” She leaps down from the bow, followed by Mele, and bounces on her toes in the giddy excitement of seeing so many gathered people who look like her. Her eyes roam around hungrily, drinking in details. Creases and laughter lines around the eyes of a mother in her 40s, strands of blonde and white among the red in the older folk that turn their bright heads of hair into paler shades. The grey eye of a hunched and wizened old man turned milky with cataracts.
This is what Keris will look like when she’s old, she realises, with a shiver of nervous fascination. And that makes her think of Yamal, and Salina, and what “old” might even mean for a Green Sun Princess like her. Will her life drag out as long as those of the ancient Solars? Will she only have the two or three centuries of the Dragonblooded? Or will whatever alchemy the Yozis have worked on her keter-soul limit her to a mortal span?
She doesn’t know. She can’t know. The Infernal Exalted have only existed for a little over ten years. The Chrysalis reverts them to their prime, and that makes aging difficult to spot - more so with all the inhuman sculpting their powers lend to their bodies.
Cowed a little by the unsettling thoughts - yet also unaccountably fascinated by the morbid topic - Keris draws back a little from the staring crowd and presses herself into Mele’s side.
He lets out a bark of a laugh. “Don’t blame you for being a little nervous, maj. It’s like being stared at by hundreds of dragon aides.” He didn’t understand why she flinched, but it’s an interesting perspective from the kerub point of view. A group of people who all look like Keris gets flagged as rendasventkae, because they’re the best kerub at passing for human.
Some hurried discussion and positioning seems to have gone in among the locals, and a cluster of older men and women is taking shape. Keris has seen this in Zen Daiwye -- the idea that there’s no one ‘village head’, but instead a respected member of each family group tends to speak for the family and so they form a (at least in the valley, very bickering and argumentative) council of sorts.
She can hear them arguing over who steps forwards, which seems to be a manifestation of some kind of existing argument over relative status. In the end it’s a woman with greying black hair who’s in her fifties who takes the place. She’s dressed in a simpler, rustic version of the Tengese-inspired styles that Keris tends to wear when pottering around the garden, and she has a lanky son in his twenties backing her up. “Welcome, stranger-yet-kin, to Sadim,” she says in the local heavily-Old-Realm-influenced Firetongue. The term they use for her, for example, is straight out of Old Realm for a distant relative. “Sea-voyager, wave-cutter - how did you avoid the mists of death?”
“I sang us through,” Keris says, raising eyebrows and interest all around. She lets herself be coaxed, bit by bit, into spinning the tale she wants to set down here so as to launder Cinnamon’s origins should anyone go looking - a young girl some ten years ago, washed far from the island home of her birth, singing to herself in the endless fog out of loneliness and for comfort.
“But as I sang, the mists began to part,” she explains, “and I found hope swelling, and changed my songs, seeking the ones that would please whatever spirits called the mists to kill, and eventually - my throat raw, my voice nearly gone - I drifted out onto the open sea.”
Rala and Mele are, in the manner of keruby, listening with half an ear to this tale while pretending that it’s something they knew all along and, in Rala’s case, were there for. Kuha, already flirting with one of the young men, glances back with a raised eyebrow and a grin, but doesn’t comment.
Simya, though, is listening wide-eyed; too nervous to speak up but clearly uncertain and a little confused.
This in itself raises a bit of a hubbub, (“Someone survived passing through the fog?” “And now she’s come back - how long have they been weakening?”) and the question from the temporary representative Alihya as to whether she remembers the name of the island of her birth.
“I don’t think there’ll be much left,” Rala interjects, easing herself into the story. “If anything. She was from the main island, my family lived on an even smaller one. She pulled me out of the water when the tsunami hit. But I don’t think we even had names for the islands. There was just the big island and the little island. And even the big island was smaller than this one, I think.”
“They had names,” Keris disagrees, playing off the prompt as the older girl with more memory of their lost home. “Most people just didn’t bother with them. I remember there was a song that they were in, but…” She hums a bar, then trails off and shakes her head sadly. “I’m sorry. It was too long ago. And I was always more interested in singing than listening to the old tales, back then. And after the waves… Rala’s right. We didn’t have much high ground like you do here. There was nowhere to retreat to.”
This is something they’ve clearly experienced, or at least think they have, here. “Big waves hit the outside of the island, that’s true. But you’re safe here. And,” Alihya touches her chest, making an empty ring shape with her hand, “they say you’re accompanied by the spirits.” Her eyes are on Mele, and Kuha’s bird. “Is that true? My mother said the spirits abandoned us when the mist descended.”
“The old ones did,” Keris agrees. “But I found new gods, out beyond them. Mele is one of their servants - a count sworn to the ocean god. Isn’t he handsome?” She leans further into the arm he that’s drifted around her shoulders and beams smugly.
And that definitely earns her a knowing look from the older woman. “I’m a married woman,” she says, “but I suppose you’re looking for that too, eh?”
That gets Keris blushing and looking down, murmuring something unintelligible as her ears burn. The mortals probably miss it, but she hears the slightly punched-out noise Mele makes, not at the woman’s comment but at her reaction, before hastily recovering himself.
Oddly, that seems to do something to humanise them in front of the onlookers. They all know about young women getting blushy about young men, even if they were technically made less than a day ago. “Well, come on! We should at least welcome our long-lost kin home - and find out how we might be able to find the others!” Alihya announces. “We were travellers, voyagers, people who roamed the endless seas - that’s what the stories say. Maybe we’ll be so again!”
The babies are still down on the Baisha, so it’s just Keris, Mele, Rala, Kuha and Simya that attend the feast that Sadim throws them. There’s an abundance of seaweeds, fish, clams and soft, sweet, succulent crab meat from the spiny crabs that swarm by the thousand in the rocky shallows around the island, as well as mango and sweet potato and something magical they do with coconut that Keris immediately demands the recipe for. The island life is comfortable, that’s for sure - it’s not overflowing with wealth, but the volcanic soil is rich in the places it’s not too rocky to farm, and the shallows are teeming with life.
Keris lets herself get pulled into conversation by an inexhaustible supply of eager self-proclaimed aunties and cousins and little brothers. She introduces herself as Tennè Cinnamon, and sketches out her life story for them in short - escaping the mists with Rala, sailing the Sunset Sea for a while making a living with her song and meeting strange gods and spirits. A dalliance with a pair of powerful gods that she skips over, then her arrival in Saata and the entertainment hall she’d built in the big city. Her travels around the Anarchy, putting on shows and operas and setting up a couple of lesser branches. Meeting Mele, who took such good care of her. And then, as the prospect of marriage started to nag at her, setting out to find any remnants of her home, to get closure before moving on.
They are, of course, fascinated with stories of a world much larger than their island and its surroundings, and a little nudge of awareness reminds Keris of the lie of their existence. These people have a culture that feels constructured in the sense that they’ve been cut off from the outside world for seventy years (according to them), but everything about them is just waiting to get out there, as if they’re an actor backstage waiting for their cue.
But that’s only a little feeling, and the salty, sweet-and-tingly drink they drink in tiny cups is good. And also hitting Keris hard.
“What is this?” Rala asks fastidiously, her own cup barely touched as she sips at it in tiny amounts between bits of food.
“It’s sapphire-snake spirit.”
“That’s an unusual name for a plant.”
“Ha! Not a plant! It’s an actual snake!” And then follows something of a digression as they explain to Rala (who is, after all, a grown szirom who retains some interest in food and how it’s made) how the venom is milked from the bright blue sea snakes, and mixed with various things and left to ferment in clay jars buried down in the warm volcanic soil.
“Oh, I know of some Isles which do something similar,” Rala says, taking another measured sip. “I like the tingle.”
Ah. Keris was assuming that it was alcohol. Now she’s realising why her head is swimming so much. The Hungry Swamp in her might be kin to all plant-based poisons - including the fermentation of beer and the like - but some kind of uncanny concoction of sea snake venom and fermentation isn’t so easy to shrug off. Especially if Rala is right and the Isles makes something like this.
But then again, she can’t really get drunk-drunk. Just pleasantly tipsy. And this is a very pleasant drink, even if everyone else is just drinking it in tiny sips and Keris might have sort of drunk hers and also Mele and Kuha’s already. But she had to do it. Kuha would have caused a diplomatic incident if she got drunk on this.
So that’s fine! Just fine!
“I’ll... I’ll show you!” she finds herself arguing with a group of uncles who are stubbornly insisting on the superiority of the folk music they play on their bamboo flutes. Which is pretty good! But not good enough to beat Tennè Cinnamon, hah!
“It’s... it’s really good! My students wrote it, an’... I told you I have students, right? Or, or... employs, my girls’n’boys back at th’Carnation. They wrote it; I had ‘em write it as, as training, and s’really good, and the music’s great, and... and I’ll put it on for you, an’ if you say it’s better, you gotta let me make a little music shrine here! Like a little Carnation! I went around making them in the Anarchy! I told them that, din’t I?” she checks with Mele, who nods indulgently. He seems like he’s enjoying himself, chuckling low and deep as she gesticulates furiously in time with her point.
“I think you’ve had a little too much of these lovely people’s drinks, maj,” Mele says smoothly, his voice slightly louder than usual. He grins over at the uncles. “I think she might’ve already lost to that sapphire snake drink.”
That draws laughter from them. “Oh, if this is her first time she’s going to feel like death in the morning,” one of them manages through the guffaws. “And her tongue’ll be blue for a week! It’s not for downing! It’s for tiny sips between mouthfuls! And you look like you’ve had snakebite too!”
“I do?”
“Look at that blush on those cheeks! Hah!” The uncle jabs a finger at him. “Go run around the harbour, that’s what I do. It’ll make you feel better in the morning!”
That’s either a prank, Keris thinks, or... hmm. No, it’s not impossible that the milksour acid the body’s muscles make when exercising might help neutralise some of the snake venom, or possibly... hmm. It’s hard to think through the haze of intoxication, but on the other hand, a thought she definitely has is that now would be a good time to get some privacy with Mele.
“That’s a great idea,” she whispers, her eyes lighting up. From the way another ripple of laughter goes through the crowd, her whisper was maybe a bit louder than she meant it to be, but she ignores that in favour of latching onto Mele’s arm and starting to drag him off to... somewhere; she’s not really sure where she’s going but she’ll know it when she finds it. Maybe some secluded jungle glade or a private spot on the beach or somewhere where she can climb on top of him and-
“Alright, whoa, ease up there, hang on,” Mele interrupts, sounding slightly panicked. “Please stop talking out loud, ma- Cinna. You’re makin’ it real hard for me to say no.”
“But I don’t want you to say no,” Keris points out, blinking up at him with a pout that draws a quiet groan from him. “I want you to say yes. Wait, no.” She pauses, reconsidering. “I want you to make me say yes. Actually, I want you to make me scre-”
“I get that!” Mele cuts her off desperately. “I get that, Cinna, but not while you’re drunk, okay? I ain’t gonna take advantage of you while you ain’t in your right mind. Ask me again later. When you’re sober. And not outta your head on snake venom.”
Keris considers this a deeply dissatisfying proposal that is obviously lacking in several ways, most especially the part where she doesn’t get fucked until she’s sobered up, but she’s distracted from explaining this by Mele taking his shirt off, grabbing another small cup of the sapphire snake spirit and downing it in one quick gulp. He throws his head back as he does it, and that outlines his neck and jaw and the defined muscles of his upper chest, and Keris’s brain sort of loses the thread of what she was going to say.
“That said,” Mele adds, raising his voice. “My lady here wants to build a little shrine on your land, and while I reckon a music one ain’t fitting here, I’d say a wayfarer’s shrine down by your shore would bring good fortune to your whole island if you’re gonna brave the mists! So I’ll face any man willing in a foot race around the island, and if I win, you’ll let my lady build whatever she wants - aye, an’ help her do it! And if I lose, you’ll have my labour for a season as a captain and a shipwright once I’ve ferried her back to her home! Who’ll face me?”
Rala gives Mele a look - a look which can only be classified as “sisterly” because there’s no lust there, but definitely a certain amount of eye-rolling reluctant respect. “I think I’m going to have to chaperone my cousin,” she says acidly. “So I think that’s a fine idea.”
There’s cheers from the men and a certain amount of eye-rolling from the women, but they definitely busy themselves with preparing for this. Because, after all, as one of the older men says, “A man beating a spirit in a race? Hell of a story.”
“What has gotten into you?” Rala hisses, gripping Keris’s forearm with her hand. “Ma’am, you’re embarrassing yourself. You are not some love-drunk artisan.”
“Maybe she is, though,” Simya says, softly. “Can’t a girl who m-makes things fall for a handsome young man?”
“Not Mele! Keris has better taste than him!”
“I th-think, um, that’s not... uh. Not how things are.”
“He’s really nice, though,” Keris protests. “And handsome, and protective, and he...”
She trails off, not sure how to describe the warm, fuzzy feeling she gets when Mele’s firm with her for her own good. When he’s protective of her, even against her own impulses. When he turns her offer of sex down, as he’s done twice now, not because he doesn’t want her but because he cares about her more than he wants her.
“I’d never really gotten to know him before,” she murmurs, biting her lip and watching him stretch and limber up. “I’d thought jegus just cared about winning as many hearts as they could. But they really do... care, don’t they? He was trying to take care of me even when he thought he had no chance with me at all. Even when it hadn’t ever crossed his mind. He just wanted me to be okay.”
Rala’s grey eyes meet hers, and there’s a sudden flash of... strange, drunken deja vu. Oh, of course. The only women who looked like Keris before she came to this island had been... well, Zanyi. And Rala. And now Rala is playing the role of her cousin. “He’s a jegu,” she says sharply. “If you’ve already given him your heart, he’s got what he most wants. Everything else can wait.”
“Maybe he’s just being n-nice,” Simya tries. “It’s r-romantic!”
“It’s a damn fool thing. With all due respect, ma’am,” Rala says, offering very little respect.
“Do y-you have no romance in your heart?” Simya says, turning on Rala.
“No. I already have a job. With a boss who is making a fool of herself in public,” Rala says heartlessly.
“I’m not,” insists Keris, vaguely aware that she is, in fact, making a bit of a fool of herself with how she can’t keep her volume down and is tearing up a bit in frustration - both at Rala for being so mean and also at Mele for being so mean in an entirely different, sexier way. Fuck, and she’s getting kind of turned on at how he keeps making her wait, and that makes her even needier and poutier and more tearful, and that just makes Rala look even more scornfully at her, which isn’t fair because Keris has all these big feelings now and if Rala felt like this she’d understand, and...
The women end up taking her back to the ship to cry it out, and also complain that crying it out on the ship makes her miss Mele beating fourteen men in a shirtless foot race around the island even with a couple of cups of snake venom spirit in him. By the time she’s done crying it’s all over and Mele has won and is gallantly teaching the men he’d beaten as much about the basics of shipbuilding as he can before they set off again even though they’d lost. Which leaves Keris very little to do, because it’s getting dark and she won’t be able to work on the grotto-shrine that’ll serve as a waypoint for her trade routes until tomorrow, and she probably won’t be able to get Mele to fuck her until they’ve left because he’s spending all his time teaching people how to build stupid boats instead.
Sniffling, pouting, sulking and swaying a bit, Keris stomps off to her cabin and lets Simya help her into bed.
Simya sits by her bed. She is, surprisingly, smiling, with the lines around those big dark eyes creased up and her pale skin completely un-flushed. Keris wonders why that’s the case, and then she hears it. That cheating girl has a stomach bottle bug in her. Or something... like one, at least.
“Havin’ things in your tummy to soak up the alcohol is cheating,” she mumble-complains. “Tank it’n accept your hangover like the rest of us. Ugh. M’gonna feel like crap tomorrow.” She blinks hazily, her mind going back to that suggestion uncle whatshisname had given. “Unless, mm. Maybe that running round the island tip makes the muscles produce milksour acid that denatures the venom... which’d mean that if I can brew somethin’ like that in my bloodstream it’d help take the edge-” a yawn splits her face and her sentence momentarily, “-off... mm... the after-effects? But I don’t wanna get up again, an’ my muscles don’t make milksour no more when I’m running ‘cause of Adorjan...”
She can feel herself pouting again, and is vaguely aware that her mouth is running mostly on its own as the rest of her body starts to shut down for a good night’s sleep. She’s not entirely sure how much of what she’s saying is actually intelligible, though Simya at least isn’t frowning in confusion.
“It is... um. D-don’t be angry. But, uh. It’s strange to s-see you being just a normal woman. Who’s fallen for a y-young man,” Simya says. “It makes you, uh. More normal.” She inhales. “Um. How old are you, actually? B-b-because I thought you were old-old, and just didn’t age, like how Mother hasn’t aged a day since she enlightened herself, but... she w-wouldn’t get drunk like this and mope over a boy. She’d, um. Use her magic to get him, if he wasn’t responding to her.”
That, in itself, is an admission of something Keris hadn’t known; Simya knows about her mother’s affairs and that suggests Hinna doesn’t hide them at all. And given the power dynamics, her father... no, her mother’s husband; she can’t actually say he’s Simya’s father... he’s either fine with that, or doesn’t really have a choice.
“Mmm,” Keris mumbles. “I’m... um. Mm. How old am I?” She sends a questioning hum inward, and gets an exasperated sigh in response.
“Child, it is not quite the end of Rising Wood. It is either the 27th or 28th, depending on whether midnight has passed yet. So you are still twenty-seven, as you have been for the past year.” Dulmea sighs wearily. “And while I must confess that I have a low opinion of Mele, I must also say that while you are acting somewhat the fool, this foolishness - the same foolishness you display around Ney Adami - is good for you. You have not wandered out of your skin to seek solace in his dreams since you fell for Mele.”
Keris blinks, surprised on two counts. “Huh,” she says. “Um. I’m twenty-eight in... three? Or maybe four days. The second day after the new moon. I guess it kind of snuck up on me.”
Simya flushes slightly. “It’s n-not fair to make fun of me,” she splutters. “You’re not only four years older than m-me!”
“Am so,” Keris fires back. “Ask... um...” She blinks sleepily. Her eyes don’t seem to want to stay open. “Mm. Rala, maybe? Rala’d prob’ly know.” Another yawn splits her face, and her eyelids give up on their valiant battle against gravity.
With great effort, she lifts one hand from her nest of blankets and pats at what she thinks is Simya’s wrist, or possibly head, or possibly knee. “Don’t worry ‘bout it. Age ain’t as big a thing as people think. I’ve done loooooads in the past...” A quick pause to work out the unbearably complex equation that is subtracting twenty from twenty-eight. “... nearly a decade-ish. That’s what... power an’ knowledge and stuff is. Not how old you are. How much you’ve done.”
One last yawn. “Small things... grow,” she murmurs, drifting off. “And power comes slow if you just sit on your ass inside for years doing studies. If you wanna grow fast, you gotta go out... an’ take risks... and... seize it.”
She sees the expression on Simya’s face as she hears that. Confused, perplexed; eager. And there’s only one thought she has, as she drifts off.
She looks cute. I want to see that expression again.
She’s pretty sure it was a thought she had, at least. But she was quite drunk on snake venom at the time.
Chapter 30: Early Fire 775
Chapter Text
They stay a couple more days on Sadim; enough time for Keris to recover from her hangover (which is deeply unpleasant), and then get to work setting up a little shrine with a beautiful statue. And then, in the secret basement she constructs in the night, the real altar to herself. Her expression of seductive temptation seems to be alive in the hellish light of her anima; the statue seems to breathe out of the corner of your eyes.
Then she seals the basement up, makes Mele drag the newly installed flagstones into place, and smiles both at her handiwork and the sheen of sweat on Mele.
A good night’s work.
They leave Sadim behind them, heading up to the next place where she’s planned to build an island. And on the first day out of Sadim, Keris is woken up at the crack of dawn by a piling-on of small children.
“Wake up wake up wake up it’s your birthday so you have to be awake all the time or you’re wasting it!” Kali screams in her ear, bouncing up and down on top of her mother.
“Nnnnngh,” Keris groans, rolling over away from the assault. “Li’l feath’r, s’too early t’be ‘wake r’now.”
“The sun is up so it’s morning!” her heartless monster of a daughter happily yells at her. “Tell her, ‘Gin!”
“She woke me up for your birthday so you need to be awake too,” Kali’s equally cruel brother says.
There’s a flare of rainbow light Keris can see behind her eyelids, which indicates Iris is in on this vicious conspiracy of meanness and torment.
Groaning again, Keris cracks an eye open to find Kali pressing her face close enough that a headbutt is a real and pressing concern. Ogin is sitting on the end of the bed, his tails wrapped around the post, with Iris perched just next to him.
Keris scowls and grumbles some more, but reluctantly lets herself be pulled out from under the covers and chivvied into putting on “your pretty dress, mama, you gotta be pretty ‘cause it’s your birthday today and that means it’s your special day! And also Hanily’s special day! But she’s not here!”
“I told her we couldn’t wake up Atiya because Atiya is not a morning girl,” Ogin says gravely.
“‘Gin! I wasn’t gonna do that! ‘Tiya needs her sleep because she’s a baby!” Kali retorts. “Also mama mama mama me’n’Gin’ve got you a present! Look look look!”
Ogin toddles forwards, dragging a canvas sack behind him. He proffers it to his mother.
Keris opens it, and finds that there’s a light gown, made of undyed wool. It’s the sort of thing that might be worn over your top layers in slightly cooler weather.
“I made it,” he says. “Also Aunty Hilthr helped because it’s a lot bigger and we had to finish it by the end of the season.”
Oh, that cunning little son of hers. Yes, he’d made her a scarf - but that was just his first thing he made. Of course he kept on improving, kept on working at it.
“Also I made it with my sheepies and other sheepies getting ‘Gin the wool!” Kali loudly declares.
“Oh!” Keris gasps in delight. “It’s so pretty! And you were so clever, giving me the scarf first so I wouldn’t know you were making something else!” She kisses Ogin on the forehead, then tousles Kali’s hair. “My clever little moonbeam. My sneaky little moonbeam. Here, let me put it on.”
It is, somewhat like the scarf, somewhat rustic and rural. Her son still has a lot to learn. But it is still a lovely, surprisingly well-fitting (probably because Hilthr took measurements from the clothes Keris left lying around in Ahangar House) gown, with the surprising addition of not one but four deep pockets. Two of these promptly get filled with sharp pointy things, appropriately sheathed so as not to risk damaging the gown, and Keris gives her babies another cuddle before letting Iris claim pride of place sitting on her shoulders to ride her out of the cabin and onto the deck.
Where she is greeted by a bare little-finger’s-width of sun peeking above the straight line of the ocean, casting the entire eastern horizon a spectacular orange-gold that an orderly arrangement of fluffy clouds separates from the eggshell-blue of the overhead sky. It must be less than ten minutes past the start of dawn, if that.
Somewhat judgementally, Keris eyeballs her daughter, who shows no hint of shame whatsoever.
Iris exhales fire, a hand gesturing to stop, which then turns into pointing into the bag. Then she crosses her arms, tapping her foot, because she’s waiting.
Keris finds there are in fact two boxes in the sack. The first of them is clearly the work of Iris, in that it was evidently a box made of wood originally that her familiar transmuted into gemstone. She can tell because the grain of the wood is still obvious. The second one is much smaller, and from the elegance and intricacy - yes, Keris would recognise her lady’s handwork anywhere.
“presnts from iris and real mama,” Iris shakily spells out
“Oh,” Keris whispers, blinking away a sudden mist in her eyes. She hadn’t really thought about her birthday, but... Lilunu must have known, and planned ahead for it, and given Iris this to keep and hand over today. Months ago. Shakily, she heads up to the bow, vaguely aware of Mele calling over from the stern. He seems to need less sleep than a human, at least when he’s sailing.
Sitting down cross-legged with her back to the inwale, letting her hair blow forwards over one shoulder to stream out towards the stern like the ribbed red sails, Keris sets her presents down as her children cuddle up close, and cracks open Iris’s box first.
Iris’s gift is one of the little good-luck cat statues they sell in the Saatan docks. However, the original cat has been painted by Iris in such an intricate and ornate way that only Keris’s sense of touch tells her that the fur doesn’t have texture, doesn’t have depth.
“cat for arm-mama for luck,” Iris explains, beaming. “iris stole her a present and made it better!”
“It’s beautiful, sweetheart!” Keris enthuses, kissing her on the forehead and examining the little charm closely. “I’ll definitely put it on my desk so it can bring me good luck with all my work. And that way you can still play with it, hmm?”
Iris beams, and throws her arms around Keris’s neck to hug her. She loves her arm-mama, she bounces. From the picture she shows Keris, it was really hard to keep Lilunu’s present a secret and she hid it in the Egg and had to stop the keruby living on her island from finding out about it.
“I was wondering,” Keris hums. “So you can take things inside me to hide them, huh? Clever little dragon. What else do you have stashed away in there?”
She gets a smug winking face and no answer, which she’d kind of expected. Rolling her eyes, she looks back down at Lilunu’s present, which Ogin and Kali are also paying intent attention to, and takes a steadying breath.
“Well then, my lady,” she murmurs. “Let’s see what you have for me.”
The little box opens via a concertinaing mechanism, because Lilunu has no sense of modesty or restraint when it comes to artistry, and inside sitting on black velvet are a pair of long transverse ear-bars, the kind intended to pierce the flesh of the upper ear twice. Keris smiles to see that they’re po-silver, capped with Lilunu’s rainbow opals. And looking more closely, the bars are in fact tiny, intricately textured and patterned snakes.
She gasps in delight, her hands flying up to her ears, then curses quietly as she realises she doesn’t have piercings in the right place. Ogin, thankfully, seems too busy leaning over the box - so close his nose is almost touching it - and taking in all the little details of the piercings with wide silvery eyes to notice the profanity. Probably. Hopefully,
Muttering quietly to herself as he points out the snakes to his sisters, Keris twists her fingers apart into flesh-weaving roots and sets about coaxing open four little holes in the right places. It’s faster and easier than piercing them with a needle, and also has the benefit of being painless and not requiring a needle that can actually puncture her skin. Soon enough she’s done, and waits for Ogin to finish examining the little opals before plucking the earrings out of the box before he can start trying to touch as well as look, and fitting them in.
“The snakes have two heads. They’re both eating the world,” Ogin informs her. “Lili did the gems really pretty to make them a map.”
“Wait, what?” Keris says, and has to take one of them off again to get a better look, tracing her fingers over the details to sense it in more detail than her lacking eyes could ever deliver.
Her son is right; the patterns of colour in the opal form a tiny Creation; deep blue seas, green vegetated areas, pale icy blue glimmers where snow sits and deep red for desert. And now that she lets her enhanced sense of touch really examine things she can feel her lady’s power in it, a little magic in a birthday gift. As she strokes the bar of one of them, the snake seems come alive. It coils around her arm, growing larger, stretching out and opening its mouth. But it doesn’t feel like a weapon. That’s a puzzle.
Checking the box again, Keris finds a little note.
“My Keris,” writes Lilunu.
“Happy birthday! It’s just something small, and barely enough for you, but I hope you like it. I had some of your po-silver left over, and with one thing and another, I thought I could make a very small and compact hearthstone amulet for you. If you let the snakes feed on a hearthstone, they’ll devour it like a snake eats an egg - that’s how I had the idea! - and its nature will be immanent in them. It seemed to me to be a way to let you wear such things without the often-unesthetic chunkiness of other people’s work.
“With all my love,
“Your Lady Lilunu.”
Keris can’t help but chuckle. Ah, her lady can be so sweet and silly sometimes. ‘Often-unesthetic chunkiness’ - hah! Well, it’s not as though Keris hasn’t thought the same thing on occasion; it’s why she doesn’t wear the orichalcum bracers from Yamal’s tomb. And a discreet way of wearing hearthstones will be very useful.
“I’ll have to thank her when I next see her,” she says, replacing the piercing. “Now, what shall we do while we wait for everyone else to wake up?” Her eyes flicker over to the stern. “Shall we go see if Mele got me a birthday present too?” she suggests. She certainly has an idea of what she wants from him, though it’s not one she’s going to share with her five-year-old children.
“If he didn’t, I’ll shout at him until he does!” Kali says helpfully. “Forgetting someone’s birthday is the worst thing ever!”
“Well then,” Keris grins, bouncing to her feet and stashing her lucky cat in another pocket of her new robe. “Let’s go find out. Mele! Good morning! Do you have a present for me prepared, or shall I give you the day to think of one?”
“As a matter of fact, maj, I caught a huge fish for you during the night and that one-”
“Stop calling me ‘that one’,” Rala retorts.
“- doesn’t need as much sleep as everyone else so she prepared it while I had a nap and I’ve prepared it with some of the sweet potato cakes we got from the island,” Mele continues, ignoring her. “Breakfast is served for the high queen!”
“Ooo, birthday food!” Keris perks up as her stomach registers its decided interest in this gift. “Excellent! Bring on the banquet! Oh, and bring out a map, I want to see where we are and plan the next island-”
“Mama!” the twins both protest as one. “No working on your birthday!” Kali insists, and “Against the rules!” adds Ogin.
“They’re right,” Mele agrees. “We don’t work on our eyes-opening day. Or our growing up day.”
“I do,” Rala protests quickly.
“You shouldn’t.”
“I don’t want her to think I’d slack off for even one day a year!”
“Don’t be like a dragon aide,” Mele informs Keris. “You should take both your eyes-opening and your growing-up day off. Which... uh, I guess for you was the day you got the empty ring power.”
“... those are the same day,” Keris mutters, somewhat sullenly. “Or, wait, no. I think they were the same day? But they might have been a day apart.” She pauses thoughtfully. “I didn’t exactly have a calendar at the time... I’m going to say it was tomorrow. Or, wait, no. It’d be the day I came out of the Chrysalis, not the day I went in. So, five days from tomorrow.” She nods happily. “That way I still get two.”
“That... seems improbable to me. To have the two things on the same day,” Rala begins, but Mele interrupts.
“Wait, huh. So the reason kid orvens grow up with a chrysalis is you did it too. And I guess... I guess sziroms also do it that way. But why only our two breeds?”
“... that is strange,” Rala agrees, frowning. “I wonder if it’s related to the fact that Oula was the first adult and Rounen the second?”
“... huh.” That is interesting, and Keris briefly forgets about the food as she considers. “Well, the first after orvens and sziroms were mezes - I was there for the first of those; Vela’s. It was traumatic, but you’re right, it was quick. And then- shit, do we actually know how fems mature?” She grimaces. “Ugh. Dammit, Vali. And... huh, come to think of it I don’t think I’ve seen an agya maturation either. Szels just grow up, though, quick and clean. So something seems to have happened with the mezes that broke the pattern of Chrysalis-emulation-”
“Mamaaaaa!” Kali has her hands on her hips, and is looking very, very upset. “We said you’re not meant to do boring work stuff on your birthday!”
“But- no, sweetie, this is actually very interesting theory stuff-”
“You’re meant to be playing! Not talking ‘bout blah blah blah things!”
Ogin tilts his head. “Puzzles are playing sometimes,” he counters.
This has been a point of argument between the two siblings, because Ogin is happy to be left to solve a puzzle image while Kali tends to get bored quickly and start climbing on the table and ruining all of Ogin’s work. Keris moderates the bickering that breaks out, and lets herself relax and be spoiled for a while. After breakfast, Kali enthusiastically decides that she needs to braid mama’s hair, while Ogin curls up on her lap with Iris and the lucky-charm cat to carefully examine how the fine brushstrokes bring it to life. Dozing in the morning sun, Keris is able to watch Mele bustling about the little yacht with lidded eyes and pluck an idle melody from the strands of Time.
The question about the keruby nags at her, though. Another mystery of the breed. Another unanswered question. What about the traumatic breakthrough of the mezkeruby ‘taught’ the keruby meta-breed how to mature without the aid of a pseudo-Chrysalis? Was it something innate to Calesco’s nature, or something to do with the pain and tribulation of the shattering of Vela’s mask? How do fems and agyas even mature? She hasn’t thought to study it before, but now it’s going to bug her until she figures it out.
‘Mama?’ she thinks. ‘Could you put some feelers out and get descriptions of their maturation processes written up? A well-paid penury courtesan should suffice for the fems, and… what’s his name, that grown-up agya who was visiting you that one time. Yarnhrei, was it? See if you can get an account out of him. Oh, or maybe reach out to Evedelyl; she’s running the census so I bet she knows.’
“I suppose I must. Asking her is probably the fastest way to find out such things.” Keris must have made a sound of protest at her tone, because there is a ‘tch’ from her mother. “I am sure I must have made these sentiments clear to you before, child. Evedelyl and I can be perfectly pleasant to each other, but there is a reason she chooses to live as far as from me as you can possibly get in this world. Which is for the best. She is simply... messy. In the same way that your love life is messy.”
‘Thanks, mama,’ Keris thinks, and shifts, gently nudging Ogin and Iris off her lap. Shaking her new braid out to test its hold (and surreptitiously tightening it up where Kali’s little fingers have left it loose), she stretches and yawns.
“I’m going for a swim,” she announces. “And to check on the Baisha. Rala, I’ll take a look at those maps - a very short look,” she adds over Kali’s protests, “when I get back.”
Kali pouts at being interrupted so meanly and cruelly, then shifts tack seamlessly. “Mama mama!” she shouts, “I wanna come too, swim swim swim, whee!”
“Nope,” Keris denies her mercilessly, catching her dash for the edge of the deck with her braid. “Not out here in the deep sea, little feather. But... yeah, okay. Mele! Find us a shallower spot, would you? A sandbar or a small island or something. Kali wants to have a swim, and Ogin could use some more lessons. As,” she adds in a moment of inspiration, “could Simya. And maybe Kuha too.”
She cocks her head for a moment, and nods. “Mmm. Yeah. Okay. Rala, go drag Kuha out of bed and Simya out of... whatever she’s doing down in the cabin. Fleshweaving, it sounds like. If Mele finds a good spot before I get back, have her dangle her feet in the water to get used to it. Make sure nobody falls overboard and drowns; you’re both orvenborn, you know how teaching land keruby to swim goes.”
Rala smiles at that. “Mezes are so bad in the water. Mezborn too.”
“And the cold,” Mele adds. “It’s like they never touched an iceberg before.”
“It was very cold where we were born,” Ogin recounts the story. “But it wasn’t at sea. It was in the mountains.”
Keris smiles as she makes sure Mele can see her peel off her nightgown (no point ruining it in the salt water) and then in an arc of red hair and dark skin she dives into the water with a splash so subtle it is lost entirely in the ship’s wake.
The water here is cooler than the Anarchy proper, fed by currents that roll in off the Great Western Ocean, and incredibly clear. The thalassic deeps stretch down, down, down, far below. Here there are countless species of silvery fish and the shapes of knife-like sharks, feeding off the ocean’s bounty and each other.
They scatter as Keris moves through the depths with smooth, lazy strokes of her legs and hair; prey recognising an apex predator. Down she goes; down and further down, the water around her shading from crystal blue deep azure to dark indigo. Strigida spins out of her skin to armour her in protective moonsilver against the crush of the depths. And here, in the twilight zone where no plants grow, looms the dark, dread shape of the Memory of Baisha.
If the sharks above are knives, then this is a warstrider’s sword; sleek and slender and lethal for it. A hundred metres long, its hull is gleaming brass and an ornate ramming spike juts from its bow, predatory and hungry. The fin-like crystalline ridge that runs along its length like the sail of a marlin holds within it the terrible killing power of the Silent Wind. In the heart of the vessel, beneath the bridge tower, burns a hateful captured mimicry of the mad green sun.
Keris flicks her hair and darts down to its bridge window, looking in to where the dozen bodies of her decanthrope Helmsman man the instruments with obsessive, paranoid attention. She lingers long enough for him to notice her, then darts further down, to one of the airlocks at the base of the tower, Strigida retreating back into her tattoos as she enters.
The brass mechanisms forged in one of Ligier’s lesser workshops cycle, the lung-bellows filling it once more with breathable air, and Keris steps into the beautiful-yet-cramped environs of the corridors of her warship. Immediately lesser demons flock to her, to draw the moisture from her hair and enquire if they can do anything for their most radiant lady. These serfs do not blink an eye at her nudity. This is how she enters the ship, and even if they had not seen her before, such a thing would only draw eyes in Hell that someone had survived Kimbery.
Checking up on the state of the ship is quick and largely rote; far from the first she’s done on the trip so far and no doubt far from the last. She strolls through the narrow corridors, demon crewmates plastering themselves to the walls or throwing themselves on the floor to let her past, and checks on the hold, which is still largely empty. Ah well. She’ll fill it up with treasure soon enough.
Then it’s up to the bridge, where the Helmsman nervously tells her that navigating these waters has presented no challenge so far, but that he lacks comprehensive maps of the region and there could be any number of terrible dangers out there that could spring on them with little warning-
Keris tunes him out once he starts to repeat himself, confirms that none of his catastrophising has actually born fruit yet, and leaves him to his instruments to hunt down Neride.
Neride is having breakfast, as she wolfs down some lesser not-quite-demon spawned from her chef. She doesn’t invite Keris to join her, and in fairness, Keris doesn’t want to eat that. She does get caught by the Priest, who simply stares at her in a way that is vaguely condemning, though she’s not sure for what it’s condemning her. Nothing important, certainly, because there are plenty of things that she’s done that would make it want to kill her.
It invites her back to the shrine amidships to pay her respects to the Yozis, which she does just to keep it happy, then escapes to wander aimlessly for a bit, not feeling like returning to the surface just yet. Her cabin at the back of the ship has been redecorated and rearranged, she notices. Well, she supposes it’s more Aiko and Testolagh’s cabin, at this point. Testolagh spends more time on her warship than she does, sailing it around the southern Anarchy to strike down pirates and slavers and ports that supply the Realm with wealth.
But while he arguably has a better right to the room, his tastes make it unfamiliar to her, and so her feet eventually take her to the great black leaden bulkheads that surround the solid emerald furnace at the ship’s heart. Keris stares at the green light radiating through the leadglass window with her head cocked for a moment and then, driven by a strange and nameless impulse, does something that has Dulmea draw a sharp, fearful breath.
She steps forward, wrenches the locking wheel round, and opens the door.
Viridian light spills out, and the light is death. A thousand tiny, microscopic plankton caught on Keris’s skin from her dive shrivel and die instantly under the blazing bright green radiance that shines from the reactor’s heart. The emerald furnace glows from within, lit by brilliant fire, so bright that Keris can barely look at it.
In response, her left arm transforms.
From a human limb with hand and fingers, it becomes a fleshless wing of rainbow bones and bright-glowing nerves, translucent white membrane stretched out between them in a way that has something of bats and something of insects to it. Keris angles it in front of her and feels the warmth pour in as it drinks up the toxic essence shining down on her. Through the white glow of her shielding wing, she squints at the reactor, able to make out its form better through the improvised filter.
It’s not quite the same as the chaos-forge she saw Ligier use when she delivered him the fae from the Northeast.
But it’s not all that different, either.
Thoughtfully - and one-handedly - Keris swings the bulkhead shut again and spins the wheel to lock it, shaking out her wing as the last traces of green are drunk up by her rainbow nerves. The reactor probably isn’t something she’s strictly supposed to be studying, but... there’s something to it. Ligier’s chaos forge is a different way of shaping chaotic essence than the instinctive song-based method she uses. Not necessarily better - certainly smaller in scale - but more precise. And maybe something worth learning more about, if she’s going to be turning her attention more towards the wyld.
“Oh, look at you! Such a beautiful arm! It’s glorious! And... oh, looking on the heart of the ship out of curiosity! I love it!”
That Old Realm is strongly accented with High Realm. Keris turns to see an eramanthus standing there, watching her. Standing more upright than that breed ever normally does, wrapped in one of the lead cloaks that the workers here wear.
Wide, enthusiastic eyes a brilliant, sharp gold-yellow.
“And happy birthday to you!” the definitely-not-a-blood-ape continues.
Keris’s half-furled wing flicks back out as a shield against this newcomer. She may not know every individual demon that crews her warship, but she keeps abreast of the breeds onboard. This uncanny facsimile of an eramanthus is not one of them. Or perhaps: whatever is possessing the blood ape is not.
“Who and what are you?” she asks warily, eyes flashing green as they meet the creature’s yellow-gold. “I’m allowed here; it’s my ship. Where did you come from, and why are you here?”
“I’m yours, mother.” But there’s a hint of question that word, as if he’s not quite sure if it’s right. Those golden eyes on hers, eyes she’s seen before. “Your curiosity, your desire to know more. And so I’m nameless. For now. For your birthday is mine too and I want my present of a name.”
Keris can taste him on the air, wafting out of the body of the blood ape; an initial perfume of the Hungry Swamp, but that’s just a layer, a skin, a limb. Under that is the coiling songs of two dragons; one impossible, one shadow. And the very, very familiar chime of mercury, that sings out a fierce mind equal to hers, an envy of how much more she knows than him - and a fear of the withering rot of stasis, of the failure to change and learn and grow.
Her eyes flutter in a startled blink, and her wing lowers. Cautiously, she beckons him closer. “Come here. Let me look at you. Actually, wait, no. Not here.” One hand stays outstretched, calling him in, as she steps back. “My cabins, where we have some privacy. Come on. I want to see you without that borrowed form.”
“It’s not a very nice body,” he agrees affably. “I’ll make much better ones. So few limbs! And the humours are just- eww. They taste disgusting!”
“Another soul? But how did we hear nothing of this? See nothing of this? And there’s nothing in the geography that shows the presence of another soul, especially one that calls you ‘mother’,” Dulmea murmurs to Keris, concern in her voice.
Frowning slightly, Keris doesn’t answer her, instead leading her new... child? Soul, certainly; she can hear the similarity to her own essence-song in his coiled duet of Oramus and the Ebon Dragon. He shucks his lead aprons as they exit the restricted working area around the reactor shielding, and with only one hasty change in route to avoid the patrolling Priest, they make it back to her cabins without incident.
There, she turns on him, stretching up on tiptoe to look him in the eyes. They are unsettlingly familiar, and dread pools in Keris’s belly at what might be hiding inside the blood ape’s body.
“Alright,” she says with as gentle and encouraging a tone as she can, forcing the faint flutters of panic down. “Come on out, then. I want to know who I’m giving a name to.”
His neck cracks. And much, much more. Keris watches. (In disgust? Fascination?)
... Keris watches.
First the jaw of the blood ape unhinges, breaking open not just at the hinge, but down the centre-line too. And its neck bulges and something pushes its way out. Someone. Someone soft-faced, male-but-gentle, certainly not as toned as Rathan. And with features that mix Keris’s own with... with Sasimana’s softness and her eyes and-
Golden hair, soft and beautiful and wet. Golden eyes. Pale features, not the paleness of porcelain but... pale.
And once the broken jaw has let the head out, the rest of the body can be shucked like a discarded nightgown (much like, Keris’s mind can’t help pointing out, the nightgown she left on the ship).
Red fur and muscles fall down, discarded, unwanted. What sheds them is a human head, yes, and part of a torso - but not much. No arms on the human body, but maybe scars where they should have been, and scars on the back too. The pale flesh blends into a body that looks almost furry... no. Not fur. Lichen, greenish-yellow covering silver scales. And the things that ease him out of the body are arms sprouting from the flanks of the thin body, a mismatch of many arms, some clearly made from Swamp-roots, others... harvested from demons. Like the blood ape he has shucked, because there’s a pair of red furry arms there that left the corpse of the erymanthus along with the one who had been wearing it.
Rearing up, supported by those many arm-legs, he looks down on her at first, and then coils around her, not quite touching. And she’s reminded there of the proportions of her snake-human hybrid, though he is smaller - the thinness, the way that the human only makes up a small amount of the length.
Keris stares at the golden eyes and the golden hair. At the soft features that show signs of both hers and Sasimana. At the serpentine body, lines with arms that he stands on like a... like a centipede. At the lichen that covers his body and brushes against her skin where he coils close to her.
“Jemil,” she hears her mouth say. It sounds very far away. She can feel her heart hammering like a terrified bird’s in her chest, a ringing in her ears, a distance between her and her body as her breath comes slow and laboured. “Your name is Jemil.”
“Child. Child! You are panicking! Calm yourself!”
She blinks slowly. Ah. Dulmea’s right. She’s - Keris sucks in a shaky breath - she’s on the edge of a flashback. And swaying, which... has Jemil looking conflicted. There’s delight there, at his new name. A hungry, almost manic curiosity as he notes her symptoms; the cold sweat that’s broken out on her forehead, the unsteady breathing, the minute trembling of her upper arms and shoulders.
But also earnest concern.
The porcelain thing in Sasimana’s hindbrain hadn’t been concerned. Beatific. Submissive. But never worried for her.
“Are you angry at me because I broke the red ape? He was very stupid and violent and tried to fight me,” the creature - Jemil - self-justifies. “But I needed strength and a place to hide on the ship. The blue-faced thing would have noticed me if I hadn’t hidden inside another demon. I don’t like that thing. And I needed to see what your ship was like. It’s so beautiful! So interesting! It’s amazing how... Ligier, that’s his name! It’s amazing how he turned this high-performance pleasure craft into this thing! Although I dare say he doesn’t consider it a real warship!”
“Y- no, not... I mean...”
Keris swallows, and has to grope for a chair - which Jemil helpfully slides closer for her - to collapse into. “You... not the blood ape. Bad memories. The... the gold.” Her eyes flicker away from his face, then back to it, then away again, like a child flinching from a candlefire and then poking it again just to see if it really was that hot.
He shows no signs at all of understanding what she’s talking about; only honest confusion, and a little bit of annoyance at how this isn’t going how he thought it would. “What are you talking about, mother?”
Keris shuts her eyes. It’s easier when she doesn’t have to see the gold. His voice is High Realm, but she’s heard other High Realm accents; it’s not so tightly linked to bad memories.
She cracks an eye open, just for a moment. Despite the fear, she can’t help but feel guilty, too. Because this new soul, this newborn, might look horrifying to a mortal’s eye. Might have just cast off a blood ape’s corpse with little more than a passing thought. Might look like Keris’s private nightmares.
But it’s not his fault. And he calls her ‘mother’, and whether he turns out to be a son like Rathan and Vali or a more demonic being like Firisutu or Sirelmiya, he’s still part of her. He’s part of her, and he’s only just been born, eager to learn, hopeful to be recognised and nurtured by his Greater Self, and all she’s done so far is flinch from him.
She doesn’t want to talk about this. She doesn’t.
But she owes him an explanation.
“Do you know who Ipithymia is?” she croaks.
“No.” He sounds sulky as he admits it, but brightens up immediately afterwards, his legs rustling as he circles her. He’s careful not to touch, but he seems to like coiling around her, putting himself where he can murmur to her at a volume no-one else can hear. “Tell me,” he half-demands, half-pleads. “Is she why you are angry?”
Keris shivers. “She’s a demon princess,” she croaks. “Last… last season, I was working for her. On the Street of Golden Lanterns. Her landscape form is a lurid centre of all Hell’s… brothels, and vice houses, and dens of temptation and debasement. While I was there… Sasimana went mad.”
“Sasimana?” Another rustling of arm-legs. The sulky, eager, desperate hunger bleeds from his voice. “Is she a demon princess too?”
He really doesn’t know, Keris realises. Perhaps he doesn’t know anything at all. Only what he learns. If he really is her curiosity and her desire to know more, it would make sense for him not to be born with knowledge. Not when his nature is to strive for it.
“No,” she whispers. “She’s like me. An Exalt, sworn to Hell. We… we were lovers. We were in love. But she went mad; chained her souls and suppressed her fear and then ascended her hun in some stupid attempt at forcing rigid self-control on herself that inverted and left her ruled by her po. By her carnal desires. Everything else was being subsumed; her curiosity, her faith, her need for control - all dissolved and turned to debasement. She tried to get me to do…” she swallows, feeling sick. “Horrible things. Things I won’t describe. Tried to corrupt me into degeneracy. Tried to melt our souls together. And she looked… in that state, using those powers; she looked pale, and gold-haired, and gold-eyed. Like… like you.”
Shakily, with fear still leaving her skin clammy and cold, she reaches out and touches his cheek.
“You’re not like she was,” she whispers. “But I’m still… scarred. From what she did. From what Ipithymia did afterwards, to punish me for breaking my contract with her to fix what Sasimana did to herself. She’s gold too, and she tried to break me to her service. She nearly succeeded.”
“Oh.” He considers this. “That’s fascinating, how could this be - but also bad! Very bad! I shouldn’t look like something that can hurt you. I wonder if I can change that somehow...”
Keris takes a shaky, grateful breath. Relief washes over her, and a smile blooms. Ah, this soul of hers. His nature is curiosity; he hears of something fascinating… and his second thought, right on the heels of the initial curiosity, is to worry about her in turn. She shouldn’t have doubted.
“I can help you there,” she reassures him. “Changing hair and eye colour is easy. What do you want in place of gold? I can give you something quickly, and if you want you can try out a few different combinations over the next few days until you find one you like best.”
He makes a little gasping, giggling noise - sort of like a burbling brook. “I hope you get better, though. Not just because I want you to be better -- but I do! I do. But also... I like yellow. I think it’s my colour. When I woke up I was on a little island in... I think it’s called the Far Swamp, yes? All surrounded by water. But my island was covered in this stuff.” One of his hands tugs at the lichen matt coating him. “I put it on. And it helps me do such wonderful things! It’s how I got my first arms to touch the world. And it makes friends with other people too! I don’t want to be rude to this stuff that’s helped me so much!”
“Yeah.” Keris bites her lip. “I’ll… I’ll try to get better quickly, then. I don’t want to make you wear a look you don’t want just for my sake.”
It’s with silver hair and eyes that Jemil settles down after running through a few different options, idly giving her a shoulder massage with a set of his Swamp-plant arms.
“I want a better set than these,” he says casually, “maybe from one of those purple demons I’ve seen one or two of onboard. Neomah, I think they’re called? But I couldn’t find a way to disguise their deaths as accidents.”
“Mmm,” Keris hums vaguely. Even just with lichen and Swamp-plants, he’s a surprisingly good masseuse. “About the arms,” she says, cocking her head. “Tell me about them? And this lichen - that’s what your coat is called by the way, it’s a lichen. Weird stuff. Lichens…” she lets her eyes slip closed, teasing root-fingers into a frond of the stuff. It looks like a leafless miniature shrub, but it’s not - there are no stalks or stems here, despite structures that look like them; no differentiated tissues.
“Lichens aren’t exactly plants in the way trees and grasses are,” she says thoughtfully. “They’re composites. Algae and fungi are different things, but when you get two or more fungi woven together with algae living inside them, that’s a lichen. The combined whole behaves and looks really, really different to their components - grow any of the fungi in a lichen on their own and they’ll look nothing like the lichen they form together. This one…” She peers at it, taking in the bright yellow-green colour, the fruticose shape, the smell.
She frowns.
“There are too many different lichens to ever categorise them all,” she says slowly. “Obviously - every possible combination of fungi and algae that works is a different lichen. But this one looks a lot like a northeastern species I know. Wolf lichen - very tolerant of freezing and low temperatures, you find it in the pine forests up there, covering exposed branches that have lost their bark. Likes drier areas. What it was doing in the Swamp I have no fucking idea.” She purses her lips. “Properties… wolf lichen, wolf lichen… you can make a good poultice out of it for swelling, bruises, sores, boils, that sort of thing. The owlrider tribes up there boil and drink it to treat bleeding. It’s a decent yellow dye, if you derive and purify the mild acid it contains.” She purses her lips, searching her memory, then hums, remembering one last detail. “Oh, yeah. And it’s poisonous to wolves and foxes. Meat-eating mammals in general, really. They use it to kill them up there, by stuffing it into carcasses and leaving them out as carrion.”
His now-silver eyes narrow. “Oh, wolves. Don’t talk to me about wolves. They’re assholes. Bunch of spiky thorned bastards who try to chase you down and sell you. Or possibly eat you. I’m not sure what they wanted, but I hate them.”
Keris looks at him, and he frowns, only to remember that he had been asked a question.
“Oh! Arms! Yes! I didn’t have arms when I woke up! But I realised very quickly you need to have hands to do things with the world! And climbing trees is a lot easier with them too. And the lichen - nice name, nice name - wants to be friends! It accepts flesh I put in it. Or at least arms and hands. But that’s all you need, right?” He rubs two fingers of a green-skinned hand together. “Taught those wolves about not hunting me, but they were very sorry so I only took an arm each! And now I know about hunting and also money!”
Unease rises at the way he talks about ‘taking’ arms. Keris bites her lip. Newborn demons are always a little mad for a while, and need far more care in talking to them than older ones who have had time to stabilise and master their impulses. But at the same time, newborns are still in a fluid state that makes them easiest to mould. This is an opportunity to avoid the mistakes she made when Haneyl was little, and nip this in the bud.
“Jemil…” she says, picking her words delicately. “I’m… it’s good that you can give yourself hands and arms like this; I’m glad for you - and we are going to come back to how you, what, learn the skills of your arms? Can you fight now, with those blood ape arms? Or, like… intimidate? Are you stronger now? Shit, do you even have a limit on how many arms you can graft onto yourself; how many skills you can learn?” She almost - almost - gets distracted by that, speeding up as she talks, leaning forward… then remembers her point and breaks off, shaking her head.
“We’ll come back to that,” she promises. “At length. But, what was I saying… right. I understand that you need to take arms. And if someone tries to kill you, and you take their arm as the price of letting them go free… that’s okay! That’s fair. I don’t have a problem with that. Just, don’t take from the vulnerable, please? Take them from people who deserve it, or from animals, or in trade for something that they’re willing to give up an arm for. But don’t just prey on people. Not that I think you have been! But… some of my other souls nearly went down that path. Ipithymia and one of her souls did go down that path.”
Jemil frowns, and Keris scrambles for a justification that will fit within his Bans, that will appeal to his nature rather than grind against it. “Think of it this way,” she says quickly. “If you’re known as an arm-taker who steals limbs and leaves people terrified of you, people will run from you when you approach them. They won’t want to share what they know. If you’re known as an arm-collector who won’t take someone’s limbs unless they willingly give them up or start a fight by attacking you, people will trust you more. They’ll be willing to let you learn from them - and to study them to learn things that they themselves might not know. Take it from me; it’s a lot easier to work with people when they’re not screaming and trying to escape, or too scared of you to talk.” She pauses. “Also it’ll put people off picking fights with you. Which, if the fogsventkae of the Swamp went after you like that, is something you probably want.”
His brow burrows in thought. “But what if they don’t want to trade? I’ll starve a mind-death of not having anything new,” he says in what he probably thinks is a reasonable objection.
Keris hesitates. “If that happens… come to me. I promise I won’t let you starve. But I don’t think it will, Jemil. Not for a long time. People are more willing to trade than you think - and there are other things to put your mind to. Your arm-taking - that only lets you learn what your donor knew, right? Things already known.”
She grins, and remembers the rush of creating the alchemical process that saved Kuha and the other owlriders, turning them into a new kind of human. The triumph of showing off the Wave-and-Fire Rite; a new spell never before seen. The excitement of budding new souls as a human in the manner of a demon prince, of learning powers from her po that came from no Yozi, only her innermost self. The fascination in studying the enigmatic meta-breed that the keruby turned out to be, continually discovering new things about them that not even they had known were possible. The beauty in every new power of Iris, rooted in her strange left arm that she doesn’t yet fully understand, and perhaps never will.
“Let me teach you how to study things not yet discovered,” she says, and the joy of the groundbreaking occultist is in every word. “How to find the border of the known and break it. How to dig up things you can’t learn by trading or taking limbs, because nobody knows them at all yet. Until you find them. New spells, new demon breeds, new powers unknown to anything living or dead. You’ll only stagnate if you stop reaching forward. You don’t need to depend on what others know. Their skills can empower you, give you tools to turn towards your own research, but you can find new things all on your own.”
Silver eyes shine, reflecting the gold of an unseen sun. “You mean it?” he whispers, hushed reverence in his voice as Keris’s words (so wrapped in the temptation of the Great Mother) wash in through his ears. “Of course you do! I know how much better that’d be, and I know I’m part of you. And you sound like you’ve learned that pleasure! Show me! Teach me, mother! Teacher!”
Keris recognises that tone too. It’s her tone. The same tone she had when as a kid, Gull showed her some new magic, some new trick that she hadn’t learned yet but just knew she’d manage in time.
She beams at him. “I have a few sorcery students along with me on this trip right now,” she tells him. “And I think you’ve had enough of this cramped ship with the Priest of Cecelyne patrolling it. Shall we head up to the surface? I’ll introduce you to everyone, and we can have a lesson.”
Jemil beams at that. “I would like nothing more! And I know I have brothers and sisters - will I get to meet them?”
“None right now; they’re all off scattered around the Creation. But in time, yes,” Keris promises. “Now, hmm. How to get you out…”
In the end, it proves easier done than said. Keris burns the corpse of the blood ape to white ash, then heads off to the nearest airlock, ordering every crewmate and serf she finds along the way to get out of her sight. Once they’ve scurried away, Jemil follows her from one corridor back, slinking through the empty halls without fear. He coils around her, rippling into immateriality to avoid the crushing pressure of the water, she spins Strigida out in her armour form, and then they’re off into the water; a flickering shape shooting up and up and up, away from the long, narrow blade cutting through the twilight waters, up into the light, clear ocean and the fish that wheel and shoal together, up and out of the water in a glittering leap that sends sea spray up in a plume that catches the sun.
Strigida’s armoured shell retreats back into her skin as her wings billow out, and with only slight wobbling, Keris glides down with two wings of silver spread and one of light and rainbows furled at her side to land back on the little wooden junk where her family is waiting. The twins, and Mele, appreciatively applaud.
“Is there anything I have to know, ma’am?” Rala asks instantly. “Is there a threat of violence? Why is your arm a rainbow wing?”
“Because it’s pretty!” Kali contributes, to Iris’s enthusiastic agreement.
“No threat,” Keris says. “It is pretty, yes. And we have a new companion on our trip!” She looks down at them. Their remaining members have emerged from the cabin while she was down on the Baisha; Kuha has emerged, and from her mussed hair and the way Kali is sitting on her shoulders, Keris suspects they’ve been play-wrestling. Atiya is up, sitting over a puzzle game with Ogin, and Rala is reading while keeping an eye on them. Mele looks up at her from the rudder, eyebrow quirked, gaze appreciative.
“Everyone,” Keris says, stretching out a wing and hooking her nightgown with the pinions as she brushes herself dry. Her wings retract back into her tattoos, and she puts it back on, hopping down off the roof of the cabin. Jemil, immaterial, stays up there, looking down with interest. “It seems as though I’ve gained a new soul. I’d like you all to meet Jemil.”
The process of his materialisation is definitely something to behold, a body building itself from the ground up from meat and lichen. First a sponge-y dark skeleton that steams under the sun, then comes the nervous system - a beautiful tracery in the air - and over that, muscles and flesh and scales and skin and growing out from that, the outer layer of lichen.
There is something of a shocked silence. Atiya starts to cry, as she often does when introduced to strangers without a morning of coaxing beforehand to prepare her. But Ogin also looks distressed, and Kali-
“Hi Big Brother!” she says happily. “You’re really long!”
Kali has a new person to meet so is fine with it.
“Oh dammit,” Keris mutters, and hurries over to Ogin and Atiya, sitting down between them and Jemil. “I’m sorry, I’m sorry, sweethearts. I forgot to give you enough warning. Here, it’s okay, you’re safe. Do you want to go back into the cabin with your toys, or stay out here and watch the others say hello to him?”
Atiya’s wail rises, but Ogin looks over at her and nods. “He’s very big. And has too many arms. Things shouldn’t have too many arms,” he whispers. “I don’t like it either. Kali can talk for me.”
Keris shoots a look at Jemil, who has been cornered by Kali already, nods, and scoops the pair of them up. Atiya’s wailing rises in pitch slightly, but she’s already in the beginning stages of a meltdown and unable to move on her own. Whisking them inside, Keris settles her back down on her bed - made up to be as close as possible to her bed at home - and arranges her dolls around her, then gets Ogin settled on a pillow and starts to comb his hair, keeping half an ear on what’s going on outside.
“Mama is very sorry for springing him on you,” she says, soothingly. “Here, why don’t we have some music? It’ll be nice and quiet, and we can all cool down after a nasty scare.”
True to her words, her hair starts plucking a quiet, calming melody from the strands of Time, filling the quiet space of the cabin with a soft background noise that makes the air still its restless eddies and the drowsy peace of restful sleep come upon those it touches.
Thankfully, Atiya is already tired from waking up this early - her girl is a night owl - and while that probably primed her for a tantrum, it also makes it easier to get her to sleep. Her sobs turn into muffled burbles, and she falls asleep with her thumb in her mouth.
Only once she’s asleep does Ogin feel free to sniffle a bit, and burrow his face in her side. Keris can taste that he’s stressed, but he’s been trying to hide it given how Atiya can be and how she’d get even worse if she saw that Ogin was scared too.
“I don’t like him. He’s scary,” he whispers to Keris. “Not like the others at all.”
“He does look different, doesn’t he?” she murmurs back. “But you haven’t met all my souls, you know. You know about Evedelyl, after all, from Zen Daiwye, but the others haven’t ever come out in Creation. Do you want me to tell you about them, so you know what their names are and what they look like?”
She gets a little nod for that, and him twisting up so his silver eyes can lock on Keris. “I don’t like how you let him have my eyes, too,” he says chidingly.
“I’m sorry, moonbeam,” Keris pacifies him. “How about this; he’s only borrowing silver for a little bit while mama works through something, and then he’ll go back to being yellow-gold. Do you think Kali will be willing to share?”
“Kali likes sharing. Sometimes she shares my things without asking me,” Ogin grouses.
“Tch. Well, tell me next time she does, and I’ll tell her off,” Keris says. “Now, first of my other souls is Fi-ri-su-tu.” She sounds the name out slowly for him. “He used to be a little skull-headed monkey made of gold and silver, but then he built himself a huuuuuge body, even taller and broader than Vali, that looks like an ape, with his little monkey-body sitting in a cage where its head should be. And that’s why one of his titles is the Golden Ape. He lives between Eko and Vali’s territories in my soul, on a big mountain, and everything broken or discarded or thrown away gets taken there to be recycled or repurposed…”
In a quiet voice, she describes her other souls for her son; Firisutu, the first demon she ever created; Evedelyl, who knows and loves him as family despite them never having met; Sirelmiya, the chimeric priestess of her loves who helps out Calesco.
Jemil.
It gives her the opportunity to think about him, and what he is to her. Is he one of her progeny, or one of the spirits arising from her psyche? Is she his mother, or his teacher? She’s honestly not sure. “Mother” rings oddly when he says it, but at the same time, he’s not as clearly not one of her children as Firisutu or Sirelmiya are.
Outside, she can hear Kali firmly explain that “... and I also have more legs when I’m a tiger! But you’ve got hands! But hands and legs are the same thing really! Look, I can pick things up in my paws!”
“Where will he take up residence?” Dulmea asks her. “There is no sign of a new Direction growing, as there was before Vali and Zanara made themselves known.”
‘No…’ Keris murmurs. ‘But he said he woke up in the Far Swamp. Hmm. Firisutu’s on the Spires-Ruin border, and Sirelmiya’s between the Meadows and the Swamp. Evedelyl’s usually out on the Rim. I’d thought Yaleenia was filling the last part of that triangle, but thinking about it… it’s too far into the Isles and too close to the Rim to really mirror the others. Hmm.’
She purses her lips. ‘Do me a favour and send a scout out to the shore of the Undersea, over where it meets the Isles? Have them look for… oh, I dunno, islands with lichen growing on them, or weird-looking reefs, or anything like that. He might have woken up in the Swamp, but that mix of intellectual curiosity and body modification feels like something that’d fit between Rathan and Zanara.’
“You did observe that his lichen is a north-eastern species,” Dulmea agrees, “so it is sensible to assume he would dwell in one of the colder parts of the world.”
Ogin is a little harder to put to bed than Atiya, but not all that much. After all, he’s also a night owl unlike his sister and he was woken up early by her. He’s quite willing to take a nap, although he does sleepily and seriously tell Mama, “Kali’s forgotten it’s not her birthday. ‘Specially since you got her a new brother as a present. You need to go rescue him from her.”
Smiling wryly, Keris tucks him in, kisses him on the forehead and goes to see what mischief her daughter is getting up to.
“... an’ Iris says that she also likes arms ‘cause one of mama’s arms is Iris’s really because she lives in it and Iris is super mega nice ‘cause she lets Mama borrow her arm,” Kali is explaining to Jemil, translating Iris’s fire-pictures.
“Really?” Jemil towers over the little girls, bent almost like an inverted U as he looks down at them.
“Oh, yes, and because the arm is really cool ‘cause it’s Iris’s it can turn into a wing and stuff so Iris is helping Mama that way!”
Iris exhales a big thumbs up to verify that it is a good translation.
Stretching, Mele laughs. “Probably best to talk to her maj, Jems. She’d probably come up with a different version of the story.”
“But Iris is right!” Kali protests.
“‘Course she is, tiny.”
“I’m not tiny! I’m really tall!” the tiger cub shouts back at Mele, to smiles from him and Jemil.
“It is certainly true that Iris considers my left arm to be hers,” Keris remarks, flexing her light-wing as she ducks back out of the cabin. “Sorry about that, Jemil. Ogin and Atiya need a bit of coaxing before meeting new people; I was in too much of a hurry to get you off the Baisha to remember. You’ve met Mele, Kali and Iris, I see. These are Kuha and Rala.”
She motions to the two women. Abandoned by her play-wrestling partner in favour of the shiny new person, Kuha has decamped over to sit beside her girlfriend. They’re both watching her new soul from a distance as he talks to Mele and the children; Rala through glinting spectacles over the top of her book and Kuha with a speculative look that Keris is pretty sure means she’s trying to work out exactly what’s under all the lichen and whether it’d be too off-putting even for her adventurous tastes.
“I am her majesty’s most trusted aide,” Rala says, utterly shamelessly. She pauses. “In the field of the occult, sorcerous, and suchlike, which are what actually matters.”
Kuha nods. “Hi! I have already spoken to Jemilsyra, Kerishyra, and he has expressed much interest in my body - and the changes to it that have been made, of course,” she hastily adds.
Jemil perks up, straightening out to lean back towards Keris. “Yes! Yes! One of your earliest projects, and so elegantly done, but oh! So many changes to her. So fascinating! Maybe we could look at seeing if we could retrofit some of the others to other volunteers?”
Keris’s eyebrows rise. “That... would be really good, actually. I’ve been meaning to set up a stable population of giant birds that breed true, too - once we have some that I’m not having to fix or make myself or adjust every month or two, I can start sending my bird-riders out to map more of Shuu Mua. Exploring it by foot is a pain. Hmm. Kuha, jot down which changes you think would be the most useful for your riders, would you? We can go over them early next year and see about setting up some patrol routes and maybe a few ancillary roosts outside the main valley.”
Kuha rubs the back of her neck. “I’m not sure they could get all the blessings I have gotten from your other souls, Kerishyra. Not unless they were, uh...” she glances at Rala, “... it’s not going to happen, anyway.”
“But why not?” Jemil demands, twisting back and forth in agitation. “What makes this so special?”
The boat sways to his movement, rocking back and forth as the snake-centipede of hands moves.
“What’s going on, are-are we under attack?” asks Simya emerging from below decks, dark eyes blinking, a stitched together thing of fish-scales and feathers in her hands. “What’s-- oh!”
“Oh!” says Jemil at the same time, eyes going nearly as wide as hers as he stoops down to look more closely at her. Simya squeaks, but surprisingly doesn’t run away. Maybe she’s paralysed in fear. “Who are you? Wait, I know this. I can feel it. Keris is fascinated by you and what you can do. She likes you.”
“Sh-she does?”
“Oh yes. And I can see what you have in your arms! A flying fish! Bird and fish united! How droll! How witty!”
“It’s n-not actually a joke. Um. If you-”
“No, no, continue!”
“A f-f-fish-eating seabird that’s more hydrodynamic, um, will be able to dive better and... and I was thinking I could make something that could catch fish for us so I, um, made it a stomach that doesn’t like fish but it still sh-should have the instincts, um...”
“Simya,” Keris says, keeping her voice calm and unconcerned to show there’s no need to panic. “This is Jemil. He’s a demon lord born from my mind - recently born, actually. In fact...”
She glances at Jemil. “I don’t suppose you noticed a caul on you when you woke up on that island?” she asks, without much hope.
He shakes his head. “No. Oh! That’s a thing! Yes, of course it is, that makes sense - but no. Nothing.” His shoulders slump. “I’m sorry for mucking up, Mother.”
“Don’t worry about it,” Keris reassures him, patting him on the shoulder. “They’re very fragile, and I’ve only seen one successfully saved before it was worn away, and that was when Sirelmiya manifested right in front of Sasimana and she felt it on her. Still, I’d like to get my hands on one if I can.”
She shakes her head. “Anyway. Yes. Simya, Jemil is... one of the spirits that descends from me, the same way Mele and Rala do. Like how demon lords descend from the demon princes. I’m still working out his exact nature, but,” she turns to address them all, “he’ll be joining sorcery lessons for the rest of the trip.”
“And not just sorcery,” he blurts out. “I want to learn everything! Flesh-sculpting, flesh-weaving, numerology, alchemy, anything!” He looks down at Simya, as something seems to occur to him. “Um. If you don’t mind me there.”
“W-well,” she smiles, and it’s a genuine smile, “I, uh. I think there won’t be space below deck for you. But w-we can probably make do. It’ll, um. Be nice to have someone actually new here.”
The lazy, easy days continue well into the Season of Fire. To think that spinning new islands and new souls out of the madness of Chaos might even grow a little bit dull! But by now, the pattern is well-set. The Baisha, Kuha, and Keris’s own explorations work their way northwards along the edge of the world until they find a new wyldpool or contaminated land, and once it has been mapped and Keris understands something of the local threats, she strikes. A new island of her kin find that the mists have parted, and they have been freed. A few days of rest and recovery while the scouting continues, and often they’ve found a new target location by the time everyone is ready to travel again.
Sometimes she makes new populated islands. Other times she makes islands that were once inhabited, but are no longer. Her songs tell of archaeological traces, of remnants and ruins, or marks of fae invasion. It’s a useful thing to be able to do in places where the wyld isn’t strong enough to be able to sing up a full island - or where there’s too much danger to put newly made souls in. And there she can leave her shrines, hidden in coves or in island caves, waiting for when she moves her people in en-masse.
For nearly a week she contends with the flirty fae pirate-queen Once In Auroral Arms. Aurora, as she’s called for short, rides a great sea-skimming manta ray the size of a small island, and is skilled enough that Keris’s first duel ends inconclusively, the fae escaping on her terrifying mount. That pisses Keris the fuck off, and she’s sullen and out of sorts until she manages to find the manta when it’s feeding. Then comes the butchery, and by sunrise there’s a new island, rich and prosperous and with an honest-to-Lilunu town on it! With a castle and everything!
In the eyes of others, their speed is blisteringly fast. Keris’s gifts of the Great Mother gives them good currents and fair passage, and the Baisha is untiring and ceaseless. Yet Rala has some odd remarks about their passage and how they are moving too quickly, and sometimes Keris sees it too; stars in the wrong places at night, barely-seen islands in the distance that flicker out of being when looked at properly, and strange auroras that make the eyes hurt. That is one of the reasons they have to take the rests, because when they travel for too long people get tetchy and out of sorts. Keris’s medication helps calm fraught nerves, but one night she thinks to ask Jemil if he knows what’s going on.
“I’m helping!” he says brightly. “I really like exploring, don’t you?”
She has questions as to what he means, and he has an explanation that makes her head hurt. Worse yet, she doesn’t understand his explanation, but she understands the shape of it. She’s pretty sure she’ll get what he means soon. And in the meantime, she can see to the others, and make sure their wills and minds are fortified against exposure to Jemil’s hidden routes.
There’s only one problem with things from Keris’s point of view as the months turn to Resplendent Fire and their path takes them to the west of Wavecrest, definitely in the West proper, and that’s that the yacht is now cramped and lacking in privacy. And between the need to keep an eye on the babies as they’re exposed to the nowhere-spaces, the many, many questions Jemil has at all hours of the day, and the general lack of space, Keris can’t find a time to get some her-time. Her and Mele time, rather. She coaxes some intimacy from him, and it’s lovely to sit on deck at night as he brushes her hair or be hand-fed meals by him, but it’s not the same as actually getting laid.
“I did need this,” she says thoughtfully late one evening, lounging up on the roof of the cabin as he and Kuha arm-wrestle for her entertainment. The children are all asleep, Simya and Jemil are working on another flesh-woven creature downstairs, and Rala is... somewhere. “This trip away from Saata, out on the sea again, getting some dist- oh, nice one, Kuha, keep up the pressure!”
Mele shoots her a wounded look, redoubling his efforts and pushing his much smaller opponent back to a tied struggle with a grunt of effort. Keris winks cheerfully at him and blows him a kiss.
“Mmm. And it’s not like we’re not being successful,” she continues, rolling over to look up at the star-speckled sky. “You’re all learning well, we’re making islands by the handful, Jemil’s gonna be really useful when I get back. But... I dunno. I still feel a little stressed. Like I could use some more relaxing.”
She flicks a look at Mele from under her lashes, artfully casual, and lets a slight pout form.
“Oh, is that so, Keris?” He’s been a lot better at using her name recently, and that in itself makes her feel all warm and happy and loved.
“No one wants the boss stressed out,” Kuha says. “Kerishyra, can I do anything to help?”
“Mmm,” she hums. “Something fun. Maybe some flying, if I can get the hang of these wings. Or something more restful. I do feel tired with all this work I’m doing...”
“You know, ma’am,” the voice of doom says, as she, being Rala, clambers up the ladder to the roof, “it’s funny you should say that.” It’s still hot even at night during Fire, but her neat grey outfit is spotless and her spectacles (that she doesn’t actually need but wears for the aesthetic) reflect the moonlight. “All the work you are doing, mmm?”
Keris freezes, under the dubious logic that if she doesn’t move, Rala won’t be able to see her. “Uhhh...” she tries, when this fails to deter the critical look of utmost peril, “yes? All the islands I’ve been making? I fought that fae queen? It’s really tiring singing whole islands out of chaos, you know!”
“Ma’am, that isn’t actually your job, as you well know. You are outside your area of operations, and you are not planning to report this to Hell, no?” With terrible malice, Rala steeples her fingers in front of her. “And Princess Zana provided me with information vis a vis the current conditions of the Directors of the Reclamation and the criteria therein for retaining your position. You are my mistress. And that means I expect you to retain your position as Director, or else it will shame me terribly. So, no, with all due respect, ma’am, you have your actual job to do before Calibration.”
“Hey, why are you talking to Keris like-” begins Mele.
“This is out of your league, Mele,” Rala snaps back. Keris sees a second row of teeth gleam in the moonlight. “You tie a lovely braid, but Keris needs to do her job and maintain her position. So, Keris. Ma’am. Your job. What are you going to do before Calibration that you can report?”
“I- that’s...” Keris starts, grimacing. “I mean... look, I have my hooks in enough Unquestionable now that even the ones who hate me aren’t going to be able to get me fired.”
“And you want to spend that influence on keeping your position, rather than anything else?” Rala fires back immediately. “I’m sure that’s a good use for a finite amount of goodwill. It’s not like there were any other reasons you earned it.”
That has Keris grimacing like she’s bitten into something rotten. She’s right, dammit. And worse yet, Keris really hasn’t done much she can boast about this year. The assassinations of Realm officials that Zanara carried out on her behalf, which Anadala and Magenta helped her plan, sure. Extending the Yozi’s influence into the Dusk Sea. But beyond that...
“Bring me the map,” she says grimly, sitting up. “You’re right. But I can’t go too far out of my way for it. I want this route finished before the year’s end, at least up into the northern parts of the Coral Archipelago.”
Rala whips out the map, which she apparently already had on her person in anticipation of precisely this request, and Keris studies it with murderous intensity.
“... Mele,” she says slowly, tapping her finger here and there, muttering calculations under her breath. “You and Jemil have been studying his wyld-traversing trick, right? If I grow a yacht from a seed and crew it with beasts, and speed it with Kimbery’s gifts, and you and Jemil come along to captain and hasten it, how far can we range in, say, a couple of days? Back down to Seiarore?”
“The northern parts? Easily,” he says, abandoning his arm wrestling to come and stand beside her, leaning over the map. “Probably further, honestly. If we trim back everything but pure speed and tack into the wyldshore to take advantage of Jemil’s shortcuts, and I had a full set of sails and a competent crew to handle them - no offense, Keris, but me’n’Rala are the only ones here who really know how to sail... I’d say we could get all the way down to the northern tip of the Sunfall Isles. If we have to range east out of the Wyld, it won’t be so far, but we could still reach the northern tip of the Maula Isles, maybe sight the coast of the Wailing Fen. Saata would be doable, too. Two, maybe three days.”
A silver-nailed finger slides over the waxed paper and taps twice on a blocky landmass north of Triumphant Air.
“And what,” she says slowly, “about Choson?”
“Well, that isn’t in your territory, ma’am,” Rala says, the moon shining on her glasses, “but it’s just by the edge. And, mmm. That note from Princess Zana did say that Unquestionable Iudicavisse would probably like to see people subtly ‘starting shit’, to quote her.”
Hell’s Director of the Madness-Washed Shores smiles a vicious, vindictive smile.
“Exactly,” she croons, “my point.”
Chapter 31: Choson I, Fire 775 - The Cats' City
Chapter Text
Under the light of strange stars, a ship grown from a mango seed slips into the vicinity of a city that might be Meongkota, fifth city of the Great Four of the Choson Archipelago. Then again, it might not. Under the light of these cosmic stars, nothing is as it should be.
The clouds pass over the impossible constellations, and the strangeness is gone. Now it can be said; yes, this is Meongkota, once-great-and-still-proud, sitting on the muddy Perang river which has choked their harbour. Jemil’s path through waters outside the world has led them to the northern parts of the Choson archipelago, where the Batun Batuntinggi mountain range curls a narrow and storm-wracked path up into the Great Western Ocean. Meongkota is shielded from the worst of the storms by the mountains, but under the moonlight the high walls and tall citadel of the fortress city speak of both the storms and the wyld beasts that afflict this region.
“I told you I could get us here,” Jemil announces happily, legs scuttling as he curls around the mast, looking down at Keris. “Even if I think it would have been really interesting if we’d instead landed at that city that didn’t exist on any of Rala’s maps. I wanted to know what that eye-like light was.”
There’s a retching noise from the stern. “Prob’bly an eye,” groans Mele. He’s always pale, but now he’s pale and shaking for reasons other than his complexion of ivory.
Jemil and Keris might not be affected by the unreal seas, but everyone else on board is. Simya has taken to wearing a blindfold when she can, and Rala prefers not to leave her cabin and definitely avoids looking at the horizon. Kuha didn’t take those measures, and Keris had to drug her to help treat the hysterical belief that she could run along a road across the surface of the water to get away from what she was seeing trailing them at their stern. Her giant parrot-mount Zamais had an even worse reaction, and has been sedated since early on in the trip.
“Yes, but an eye of what?” Jemil ponders, unconcerned.
“They say that the Wyld is all the things that do exist but shouldn’t, while Szoreny’s reflections contain the things that could exist but don’t, and the Beyond from which Oramus hails is the realm of that which can’t exist or to which existence is a meaningless concept,” Keris says thoughtfully. Jemil scuttles further down the mast to curl his hair around hers. It’s a glimmering pale white-gold now, as are his eyes; they’ve been slowly shifting his silver hues back to their original colour to let Keris acclimatise to their painful associations.
“So I suppose it might have been the eye of a lighthouse of a city that could never have been built on these shores,” she adds, cocking her head with a smile for her newest soul. “Maybe whatever they would have constructed that light with never existed or got destroyed long before they’d have built it. Or maybe it would never have worked at all, but... it looked close to us as we sailed through the border of the Beyond, so I think it was something that nearly could have existed, but lacked something that would have given it true potentiality, instead of something that was impossible all along.”
Jemil smiles eagerly back. “Perhaps there is a kinship between Oramus and Szoreny, then? As one holds that which cannot exist and the other that which could but doesn’t. Might things pass between them if they became possible again, I wonder? But where is the boundary of the possible, and how is it defined where it is drawn between their realms?”
Keris reaches up to stroke his cheek. “If anyone can work it out, Jemil,” she says fondly, feeling the alien songs of the Dragon Beyond the World twined around the dark shadows of the Ebon Dragon, coated in Szoreny’s chiming quicksilver and a little of the Hungry Swamp’s questing fronds. “If it even can be worked out, I’m sure there’s nobody better suited to it than you.”
Further theorising is interrupted by Mele being noisily sick again. “Oi, Rala,” he hollers, pounding his fist into the side of the seed-boat. “You can come out. The sky’s Creation-normal again. And you might need to handle the approach, if I don’t stop throwing up.”
Eyes bleary, a scarf wrapped around her neck despite the relative warmth, Rala emerges and runs her hands through her red hair. “Urgh. That was a bad trip, ma’am. Please, if we can, let me schedule our departure for Hell so we can sail the normal way. Or at least make sure we meet up with the Baisha and your children so things are more comfortable than doing this again.”
“Yes, yes, of course,” Keris says, guilt striking at the reminder of just how badly this voyage has hit her crew. Makers, she’s glad she left the babies on the Baisha with a Gale and a szulo to look after them. She’d done it because she hadn’t wanted them around her while she was in work mode, which she’s probably going to be in for most of this trip, but she’d underestimated how severe the impact of an extended trip through unreal seas would be on her more fragile companions. “How are Kuha and Simya? Do they know we’re back on the real ocean?”
“Ku-” Rala pales, and dashes for the side of the ship. She doesn’t throw up, but she does gasp for air. “Kuha is still out cold. I made sure she’s tucked in, and she wasn’t having nightmares again, so maybe your drugs were working to calm her down, ma’am. And Simya said she’s staying down below decks until she’s on land and can trust the ground.” She glances over at Jemil. “I’m not sure she’s right.”
“Probably not!” Jemil says cheerfully. “I’m sure there’s secret paths and routes on land too.”
Keris winces. “Okay. Right.” She eyes Mele and Rala sceptically, then looks around at the sorcerously reinforced mango-rind hull of the boat, the bark-crusted mast, the dark green leaf-sails with their glossy red undersides and the slate of white jade set anchoring the join between tiller and rudder, scavenged from her po’s hoard.
“Okay. This ship is way too obviously sorcerous,” she decides. “Rala, Mele, we’re beaching it and unloading. I’ll unweave the ship-spell and create a little sanctum inside the slate thingie.”
“The... mmf... Library of Infinite Texts, ma’am,” Rala corrects her, still leaning over the side.
“Yeah, that. It should be big enough for you all to have a room to yourself to set up and move your things into. Then I’ll go scout the city while you’re all recovering. Jemil, do you think you can handle moving Simya’s lab off the ship and helping move Kuha while I’m dissolving the ship and recasting? I don’t think they’re going to be in much state to do it themselves.”
“Oh, of course! And then we’ll get to explore this new land! So strange! Look at this high, curling mountain range we saw coming in. Was that real, and if so, how was it made?” Jemil wonders. He is probably the easiest soul of hers to please she has ever encountered.
Keris for her part has to be quite clear to him about not interfering in her ritual - even if his questions about how she’s going to be doing this are real and pressing. She’s never cast this spell on the fly, without proper preparation and a clean ritual working space. It is going to be something of a... challenge.
“Right,” she breathes. “The slate thingie-”
“Library of Infinite Texts!”
“-is white jade, and I’m using Hellish essence, so I’ll ideally need a site of Hell-tainted Earth to safely cast the spell - I could do it without, but it’d make it harder. That means I’ll probably need to go up into the mountains and either find a demonically tainted site or make one, and then it’ll take six hours or so and a bunch of reagents to inscribe the dimensions and entrance of the sanctum; for white jade and my essence I’ll need, let’s see... a couple of kilograms of salt, a pint or so of vitriol, some kind of marble or other valuable stone representation to become the door, a replica of it in Malfean basalt to balance the energies, the slate thingy to act as a channel and anchor...”
Keris pauses, inventorying the materials she actually has access to and the likely cost of the various ingredients she’ll need to draw from her stores or obtain.
“... or,” she continues seamlessly, “we could just find an uninteresting and well-hidden little inlet, sail the ship up it, put a bit of work into concealing it and then you lot can stay onboard while I go scout out the city. And then we’ll have a vessel to get away on if we wind up needing to leave in a hurry!”
“Aww,” Jemil whines. He tries for the puppy-dog eyes, but in the face of Keris’s sudden awareness of the steep costs he cannot break through her will. “Yes, mother.”
Mele wipes his brow. “Do you want me with you, maj?” he manages weakly, trying to straighten up.
“No, hon,” Keris reassures him, taking part of his weight and giving him a kiss on the cheek. “You and Rala get the ship taken into an inlet somewhere down the coast away from any settlements and well-concealed, then rest. Will you need my help bringing her in?”
“Maybe give me a bit to recover,” he suggests, “before you go. Although,” he sways again, scanning the horizon, “... oh Keris-”
He makes it to the side just in time to be noisily sick again.
“... I’ll hang around until you’re moored,” Keris decides, and sets to work.
It takes a little longer than she’d like with her crew still recovering and her boat knowledge... incomplete. Things like this is what Rathan is for, Keris can’t help but feel. But eventually she gets them moored in a little cove that’s not visible from the sea and isn’t anywhere near the fortified villages she encounters, and then she’s off, stepping foot on Choson.
Rala has told her that Choson is both the name of the archipelago and the largest island on it, which is similar in scale to Shuu Mua and substantially more habitable even if it is also very mountainous. She can definitely see that, even in the pre-dawn gloom; mountains to the west, the ridgeline they navigated around and the main high bulk of the island to the south. There’s the twinkle of small settlements up on the hillsides, and the nearby bulk of Meongkota just down the coast with its almost-hill-scale walls.
A little more exploration, and inland Keris finds the coastal road. She can read the signpost that points to the city, even if it’s written in Seatongue letters transliterating Firetongue.
“I swear, if I have to learn another language for this plan...” she mutters darkly, but sets off at a jog, staying off the path itself and moving instead through the trees to one side of it, which bend obligingly out of her way. She doesn’t want to be seen by anyone until she can spy on some of the locals and come up with an appropriately local-looking disguise.
A ghost in the forest, blending into the background, she follows the coastal road to one of the villages along the way to Meongkota. It’s a small fishing town, but despite that it’s built up on a rocky cliff, with layers of earthworks and an honest-to-gods moat that a nearby river has been diverted to fill. This is a village built by people scared of what might come in the night, and want running water to keep themselves safe.
It doesn’t keep them safe from Keris, who casually jogs across the surface of the water, scales their curtain wall and settles herself down on a rooftop to watch their morning routines.
It is a fair-sized village - maybe a hundred or so households, clustered into clear groupings of kin-groups forming almost sub-villages, which probably means it’s five or six hundred people. Every square metre of soil that could grow something is being used in neat terraces of cottage gardens and planters shielded from the wind. And there are already people up and about. The peasant women wear loose-fitting full-length dresses made up of a blouse and a skirt; the younger women seem to often shave their heads while the older women don’t. Or maybe the younger women she’s seeing are different, because what looked to be skirts on them are more like loose trousers and they all wear the same colours, while the older women in the cottage gardens are much more disparate.
Keris pays more attention to the young women with shaved heads. She had assumed it was an Immaculate temple they were coming from, but no, the Immaculate temple is a different structure in this village, a smaller one.
“Alright,” she murmurs to herself under her breath. “So we have the peasant women, and then the shaven-headed ones in the uniforms who aren’t Immaculate. Probably. Some kind of separate religious sect? Village guard?” There are boys in the same-coloured uniforms, though cut differently, and they, too, are shaven-headed. Not all of them are young, either; there are older men and women in uniforms too.
“Mama?” she adds, “did Sasi leave us any notes on Choson? Stuff about their culture, military, religion, class system - anything at all?”
“One moment, child; I have my Chords searching as we speak.”
Keris goes back to watching as she waits, and some counting and a few shifts in position tell her that only about two in every ten or so of the villagers are uniformed and shaven-headed - not counting the Immaculate temple, who are also uniformed and shaven-headed, but differently.
“I am afraid not, child. Peer Sasimana left no notes on the Choson archipelago save a few records of its trade arrangements with the Shore Lands, which were sparse due to the distance between the two.”
“So I’m operating on nothing. Great.” Not for the first time, Keris feels more than a little irked at her ex-girlfriend for having been the Director of the entire united South-West for... at least several years that Keris had worked under her for, and probably several more years before that, without really doing any groundwork or spy network cultivation or even basic information gathering for anywhere much beyond the Tengese Sea. She’s had to build up everything she’s got in the Anarchy herself, instead of inheriting assets from the previous Director like Deveh did.
“Fucking Deveh,” she mutters, because passing up a perfectly appropriate opportunity to insult her neighbouring Director is just not who she is as a person. “Okay, fine. I’m not sure who these people are or what this means, but I don’t wanna build a disguise based on a quick look at one village when I don’t even know what’s going on. Let’s move on and look at a few more places on our way into Meongkota, then get a look at how things are different in the big city there.”
There are more villages to check along the way, and as the sun comes up they’re not hiding away in their fortified settlements. It makes it easier to see them.
The general style of the peasants is fairly constant. There are only so many ways you can make clothing out of tubes of fabric. The men largely wear long-sleeved long shirts and shorter sarongs around their hips; the women wear the longer skirts and blouses. There’s no general pattern to the colours that she can tell, but they’re largely in cheap, duller colours - even if a lot of the women try to incorporate something more exciting like a sky-blue headscarf or some jewellery. The same goes for the men - many of them have embroidered patterns on the backs of their shirts, and there there’s a pattern. One village’s farmers mostly have crane imagery, another has snakes, a third has bears.
But she hits luck when she finds a fancy ox cart moving along the way to the city. This one has a large shrine-icon of a painted tiger on it, the wood is carved into tiger heads and painted in bright fresh blacks and oranges, and escorting the cart are young men and women armed with brass tiger claws, wearing painted masks (albeit pushed back), and armoured in well-polished armour of brass scales sewed to red leather coats. On the cart itself is an older woman with a prominent claw scar on her face that barely missed an eye, wearing layered orange with gold embroidery in stripes all over, a golden tiger statue pinning her hair into place as an ornate headdress - and sitting next to her, seemingly completely at ease, is a tiger. An actual tiger. Just sitting there in the cart without a fuss.
“Her familiar?” Dulmea wonders. “Or a local god?”
“Not a god,” Keris mutters, her eyes glinting green. “It’s just... a tiger. Well, an enlightened tiger. But still just a tiger. She’s enlightened too. Powerful for a mortal; about as strong as a young kerub or an average serf. Stronger than her pet. Most of the youths are enlightened too, though not all. But she’s the strongest.”
She smacks her lips, rolling the colour-taste-sound of the woman’s essence around. “Tastes... hmm. It’s not really flavoured. Maybe a hint of divinity? And a little of that Creation-y-but-not-elemental taste you get from natural animals who can use essence.” The green glint fades. “I think they’re martial artists. In fact I’m pretty sure they’re martial artists, and I’m going to throw out a wild guess and hazard that they’re probably Tiger Stylists. Hmm. Do you think those shaven-headed people back in the first village were a different martial arts school allied with the Immaculates, then?”
“Maybe. They were tolerated by them at least,” Dulmea says. “And more than tolerated, if their dojo was larger than the village’s immaculate temple. That suggests the power lies in their hands, or at least the wealth.” She plays to herself a little. “If they can have that many humans able to enlighten their essence, at least a little, that suggests to me that these martial artists may be powerful here, and the Immaculates have had to come to an accommodation with them.”
“Hmm. So, if we assume that the martial arts sects are in charge, then - if not officially, then at least, like, appointing or controlling the town chiefs or... whatever, you get the idea,” Keris muses, absently keeping pace with the cart as she thinks.
“That’d make sense of all the animal imagery in different villages, if those are the resident schools. And everything around here is fortified, have you noticed that? Maybe the schools fight. Although these Tiger Stylists are just wandering along the road like this without looking like they’re ready for combat. They must’ve gone through a bunch of villages on their way here - cranes, bears, snakes, whatever else - and they don’t look like they’ve been fighting. So maybe they have alliances in place, or there’s some kind of peace holding, or the villages are set up to defend against something else...”
She frowns. “Hmm. Okay. Getting an idea of how things work here. But we still need more information. Meongkota? There’ll be more people talking there; I can lurk around and eavesdrop on what people talk about or reference about the schools.”
“You might even need to let go of your pride and walk the streets as a peasant woman rather than an eye-catching beauty,” Dulmea says a little snippily.
“I’m not walking the streets as anything until I’ve listened to how they talk,” Keris shoots back. “What if peasants are expected to respond to martial artists with special terms of respect, like serfs around citizens? Or vice versa? How do martial artists from different schools greet each other or interact? Hells, most people we’ve heard so far have been using Firetongue, but what if everyone here’s expected to be bilingual with Seatongue? You taught me better than to leave cover before I know enough to play a role.”
She pauses, then dips her head in acknowledgement. “But I probably will go peasant-woman, yes, at least for this scouting trip. There are more of them, and I can use the gifts of Elloge to be an unimportant background peasant who nobody will notice.”
“Very well, child. Let us outpace their cart, then. Not that it will be hard.”
The patterns of the landscape start to come together. Walls to divide areas between villages where there are not natural barriers like rivers; drainage ditches and canals to ensure there is flowing water, even the strangeness of a cultivated forest where, clearly, the local village cuts any branches that cross their wall but don’t touch the trees on the other side. This whole landscape is farmed, trapped between the sea and the mountains, but it’s also cultivated.
These people fear things that cannot cross running water. But they also fear other humans.
“Please don’t tell me they have an undead problem here,” Keris whines as she eyes the walltop ramparts for patrolling guards. “I dealt with the Zu Tak, I don’t want to have to deal with more angry ghosts or feral yidak.”
“If they fight in civil wars frequently, this could be a problem of the undead,” Dulmea says. “Or it could be the fae, for while this is further from the edge of the world than Saata, this place lacks the bulk of Shuu Mua to deflect the worst storms. Or it could just be an indication that these people are as possessive of what they own as Haneyl is, obsessing over borders like certain Hellish lords do.”
“Too much running water just for that,” Keris says grimly. “Alright, in we go.”
She slips in through the gates rather than make herself obvious running up the hill-high walls, disguised as a peasant woman who fades into the background among the many others. And as she peels away from the group she came in with and sticks to the shadows, she listens, and watches, and learns.
This city is large enough that she can blend in. Large enough, but it used to be larger. That much is obvious. Some of the fields within the outer curtain wall sit fallow, and there is a district by the water that lies ruined and overgrown. More than that, she can see that the docks that the city has now are a ramshackle arrangement, and the old docks sit with the water retreated away from them, a useless stretch of marsh and mud. The river that Meongkota is built on has silted them up.
And the same marks of decline are everywhere. The civic structures of the city are built in stone, but the copper on their roofs has verdigris’d; some of the wall murals are a good decade past needing a repainting; the market in the square is only half full.
This is no Cahzor. That place is a ruin pretending to be a place people live. But it is a mark that this city has been... lessened. By the silted harbour and perhaps other things.
But that’s not just what she’s here for. She looks around, and sees that the dominant iconography here is of cats - proud, handsome ones - but it is not the only marker. In one district there’s the Serpent’s market with its intertwined bronze statues; there’s marks of the five dragons around the largest Immaculate temple; there’s eagles and falcons and mantises.
Keris’s eyes never stop moving, never stop scanning the surroundings and thinking. The river silting up the docks is clearly the biggest culprit in the city’s decline, but is it the only one, or were there other political or economic factors beyond the loss of trade? Some kind of war between schools, maybe? The ruined district by the water would be the perfect place to hide a Kimberyian grotto and shrine to herself that’ll let her anchor a current of the Great Mother to this place and get assets in and out of the city quickly and quietly. She could clear the silt, too; her iszangols, created so long ago in An Teng, are the perfect demons for clearing away silt and mud, or she could just swim along the riverbed and burn huge chunks of it to white ash with Haneyl’s fire. But that would overplay her hand and make it easy for people to point to demonic forces corrupting the city - not to mention that she’s not even sure if she wants to strengthen this weakened city, which seems ruled over by the Cat Style school - a school she knows nothing about.
Yet.
Over the next couple of days, Keris gets damn near everything. It is a somewhat clarifying reminder to herself that she’s spent the past few years doing a lot more things involving intel and politics rather than just killing people. Kit Firewander couldn’t have just come to a new city and over the course of two nights learned the lay of the land and even things that they wouldn’t rather have had her known. The Keris who came to Saata couldn’t have done it. Although, Keris sniffs haughtily, Saata is a lot more complicated than this place, so it makes sense that it functioned as, like… super-training for her. If you can hack it in a city like Saata, thinks the Nexan-raised princess of Hell, you can hack it anywhere.
There are three classes of people here. Most are the petani - the name for the class as the people she saw out in the countryside. There are the kuyuk - they seem to be an underclass who do all the jobs other people don’t want, like butchery, running inns, cleaning the streets, and brewing (that bit confuses her). But the bit that means some of the things that make sense is the wira class, who seem to a strange mix of the nobility, the warriors, and also kind of the monks. Fortunately, there is a trading ship of Kusaboin sea-people selling goods from the Tengese Sea here, and Keris can overhear their archaic Firetongue conversations which helps her out because they’re no less confused.
The wira class are essentially the citizens, in that they have the right to sit in the city’s assembly and hear judgement and pass laws and vote for who makes decisions on their behalf. But one is not born a wira; one becomes one by recognition by other wiras. And the way this is done is the reason the city’s Assembly is also a fighting arena. A young man or woman who would become a wira presents themself, and fights all comers who would say they do not deserve this status. And this is where the martial arts schools come in; they provide the training, they provide allies, they don’t stand in the way of a supplicant in good status with their school. Which means the martial arts schools form blocks in the assembly. And the strong schools have arrangements with weaker schools for protection in return for support.
Thus, Meongkota, where the Cat School rules the city and names it for them. Prideful, fallen Meongkota, once considered one of the Great Cities but now reduced from that level. The Cat School is dominant here, with the Snake and the Falcon as allied lesser schools that gets them a majority in the Assembly. The Immaculates do not oppose them, with their Five Dragon School said to sometimes be a thorn in the side of Cat but only an irritation, not a true opponent. The Eagle School (apparently a branch of the school that runs one of the Great Cities in the mountains, Langkota) has ambitions, but is weaker, lesser. Which means the internal politics of this city are largely driven by the internal politics of the Cat School, who are - it is reputed - blademasters who fight with a single sword, sword and buckler, or sword and dagger depending on their sub-schools.
But ah, this is the gossip in the city as the cart arrives from the Tiger School, representatives of the Great City of Harimaukota, that the Tigers have their ambitions here too. And this is how things go in Choson - the cities no longer fight wars, but instead their schools fight for power and influence. If the Tigers win the matches scheduled for a week or so, they can claim a concession from Cat, which is something they can use to get a foothold in this city. And this would not be the first time the local Cat School has lost to Tiger. Their fighters are stronger, they send enlightened artists here, Cat is divided due to the grudges between senior members which means they are not fighting and training at their best. This is not the match that will lead to Tiger claiming the city, but there is a glum air among the Cat School members at their likely upcoming defeat.
And Keris watches a brawl between some of the strangers from the Tiger School and some arrogant young men who get in their faces in one of the little bars that line the old streets of the town. The Cats spit insults; the Tigers respond with fists, and by the end the young man who started it is kneeling at the feet of a young woman of the Tigers. Keris saw her move with supernatural skill; this woman was better than the sabreur who started insulting her.
“Well well well,” she murmurs, lips curving up in a wicked smile. “A dying city, once grand, still proud. A tournament match coming up that they know they’re going to lose. A foothold in their city at stake. Mama, I do believe we’ve just found a much faster way into the wira class than we’d otherwise have to take. These Cat stylists are one of the big schools, and they’re arrogant. They’d level hundreds of challenges at a new claimant to their school they didn’t know. But if I beat the first few easily enough, I think the rest might just compare me to that Tiger stylist woman and let me in faster than usual so I can win their tournament for them. Don’t you think?”
“Child.” Dulmea does not sound convinced. “You do not know how to fight with Cat Style. Does that not pose a problem to this?”
Silver-nailed fingers flex. “Only until I find a nice master sabreur to plant a seed in. Then I can leech the style right out of his brain.”
A few questions from a pretty blossom in bars, and Keris discovers that the current master of the Cat School and First Magistrate of Meongkota is Master Wahid Karnavian, but it is believed that Nyimas Kusmayadi is likely the better fighter - from youth, at least, and given she is the favourite of his proteges it is likely that she will take his place when he chooses to retire. A few more questions, and Keris knows something about this Nyimas - a famed tournament fighter in her early thirties who’s won many victories for the Cat School in both intra- and intercity fights.
And, it is muttered in the bars, she’s a showy, vicious fighter with a cutting tongue and a cutting blade alike, who has a knack for humiliating her foes. Other schools are inclined to humility and simplicity (at least on the surface), but the Cat School are popinjays and rakes. The woman sourly remarking on that is a wira wearing a Snake School sash and with prominent scars on her forearms, so she seems to know what she’s talking about.
“Child,” and Dulmea sounds particularly weary, “I know this will not change your mind in any way, but I do need to point out that you could literally present yourself as an accomplished practitioner of Snake Style here. Because you are one. Likely one better than them.”
“I know, mama,” Keris says. “I know, but… look.” She settles back into the corner seat she’s occupying in a small teahouse and sips at her cup, letting it hide her lips as she subvocalises.
“I’m not thinking about the short-term here. I need to do something big and flashy this season for the boasting, but that’ll get Choson put in my Directorate going forward. So I need to have plans to do something with it.”
A thoughtful leitmotif enters Dulmea’s music, and Keris presses her point. “This city is perfect, mama. Tell me it isn’t. One of the Great Cities, Fallen from that status. Proud. Desperate to avoid being subjugated by the Tigers. You’re right; I could get into the Snake school. I probably will, under another face. But why limit myself to having hooks in just one school? The Snakes aren’t going anywhere, but this tournament next week is a way to grab status in the Cat that might not come round again. To get my hooks into Meongkota without raising any suspicion.”
She pauses for a moment, then smirks. “Besides. Iris would never forgive me if I passed up a chance to learn a style about cats. Can you imagine? She’d sulk for days. Do you really want to deal with that?”
“So you have thought about it.” Dulmea plucks out a slightly mocking melody. “Even if ‘it would upset Iris’ is not a factor I believe you should be making such decisions on - for she is far from Unquestionable - your other reasons seem at least somewhat considered. And of course, it must be said, your vanity will be much more at home with what we have seen of the Cat School than of the Snake. Very well. Given it is nearly dark outside, it would be a good time for you to move - and also a good time to consider the style and flair of a lady of the Cat School for your disguise.”
Night over Meongkota, and Keris is perched on the wall that surrounds the Kusmayadi estate in the city. She’s looked more into the woman, and heard of how the Kusmayadi name is not exactly one of kinship. Nyimas Kusmayadi is the illegitimate daughter of the previous master of this estate, yes, but she was - officially - adopted into the family for her skill with the blade, rather than because she happened to be the lovechild of the master. But so much of the things of the wira class seem to work like that. Officially, one way; in truth, another.
Nyimas Kusmayadi is throwing a party tonight. There are many other wiras here, and high ranking, wealthy petani who might not have been able to prove themselves before the Assembly but have family in the wira class. Within the curtain wall, there are lush gardens with geometrically arranged circles of trees and bushes, night-flowering plants, and pavilions set up for the high and mighty of this city. The woman sparkle in reds and golds and greens; the men are no less the peacocks with their plush imported silk long tunics covered in expensive embroidery. And even from here, Keris can pick out the Cat School martial artists; their blades at their hips, their loose silk shirts (so often translucent), their just-on-the-edge-of-excessive headdresses and cat embroidery.
She can smell the fear in the air. This party is here to reassure the wealthy of Meongkota that the tournament is something the Cat School will win, that they’re not going to lose status or trade rights or whatever is at stake from this. Rich men and rich women, scared of losing face; scared of uncertainty.
Keris slips into the party not as a wira, but as a brown-eyed, black-haired petani woman several shades lighter than her real form, wearing a narrow pastel-blue dress and a delicate gold jacket. Her petals are in full flower, wreathing her in the customs and taboos of this foreign society, and with Elloge’s gifts - and the stolen jacket - she fades into the background as just another wealthy petani woman, no more interesting than any other here.
She’s not so boring as to draw attention, but there are more than a few women here like her. Rich enough in their dress that no one asks why they’re here, but not so rich that someone would be expected to know them. If someone does see her and wonder who she is, well. they probably assume she’s a branch member of a family they don’t know or possibly the mistress of someone else. After all, she’s still Keris and thus her clothing is form-fitting and approaching, but not quite, risqué.
Although, honestly, her slightly daring mode of dress doesn’t quite match the women of the Cat School. Their translucent silk blouses are frequently open to the breastbone, but they show no worry that something might be exposed when the cloth is so thin and airy that the sheer fabric clings to their forms. The purpose of this seems to be to flaunt the long thin clean scars many of them have over the shoulders - always on the front, never on the back.
Nyimas Kusmayadi is one of those women; tall for a Choson woman, her dark hair woven with lots of little golden cat ornaments and pinned up into a long braid woven into a bun, with fire-red eyes. She has a golden nose-ring, with a little black opal embedded in it; her ears have six golden studs each (small enough that they couldn’t get caught in a fight, but no doubt expensive). Her sheer blouse is so fine it might as well be woven from smoke, with golden beads threaded into it to make it hang in a favourable way; her embroidered pantaloons are baggy around the hips but drawn in tight just below the knee to give her the best possible range of movement. Dressed for show, yes, but she could draw on someone and fight here and now. Her main blade looks to be excellent Realm steel, and she has a little black-jade cat head dangling from the pommel as a good-luck charm; her short blade is red jade-steel and she has old burn-scars on her right hand.
“She is left-handed,” Dulmea observes, from the way she wears her swords.
“Hmm,” Keris muses. “Well, I’m ambidextrous, so if that limits what I get from her it won’t be a problem.” She sidles closer to Nyimas as she brags to a circle of laughing peers whose brash enjoyment of her stories of humiliated foes almost disguise the way they lean towards her in desperate need of reassurance and morale.
Quietly, unobtrusively, the unremarkable petani slows as she passes - listening to the bold, confident wira conclude another tale, no doubt - and as Nyimas gestures floridly, a moment of deliberate inattention and feigned bad fortune means that Keris catches the back of her hand on the cheek, moving with the blow to drag out the moment of contact just long enough for part of her flesh to squirm in through the skin.
Flinching back and murmuring an apology for getting in the Kusmayadi heir’s way, Keris shrinks back and down like a fearful civilian afraid of the hot temper of a martial artist known for her viciousness. Nyimas’ eyes flash for a moment, but she sees the non-entity who got in her way and clearly someone like that - a petani - isn’t even worth the duel.
“Watch yourself, or next time my hand might have a blade in it,” Nyimas sneers, but Keris can tell it was just a reflexive response, nothing more. “You can fetch me a drink as your repayment. Though you should take care not to spill it on yourself,” she adds to laughter.
Theatrically flinching away, Keris scurries off and slinks back only for long enough to - trembling and tentative - offer a glass with an outstretched hand that gets her another brush of flesh on flesh as Nyimas snatches it from her. It’s enough to confirm that the chi-infestation has taken root, and with that done she wastes no time retreating from the mocking laughter of the sabreur and her fellows.
“She feels like the kind to push and push against any weakness,” Dulmea observes. “Still, nicely done. Is everything you wish to do complete here, or are you going to,” she sighs wearily, “engage in your usual foolishness.”
“Foolishness?”
“Given the food and drink here, indulging to excess, then seeking to find someone’s bed to share for the night,” Dulmea says wearily.
“I have a bed I want to share tonight,” says Keris primly, making for the glass-fronted doors that look out from the pavilion she found the woman in onto an expansive set of flowerbeds she’d take her time admiring if she weren’t here on work. “And it’s Mele’s. I’ve got everything I wanted; let’s get back to the ship, see how everyone’s doing and try this Cat Style out.”
A thought strikes her as she goes, though, and she pauses thoughtfully in the shadow of the curtain wall.
“Actually, I will hang around long enough for one thing,” she adds. “If I’m going to fight with a sword, knife and buckler, I should probably pick a set up.”
“That would probably be for the best, child. Where are you going to secure such things, given the risk that a theft be noticed by the owner and you intend to display these weapons before the whole assembly?”
Keris hops the wall and slides into the shadows, smirking. “It won’t be noticed if I steal it like Eko and take the memory of having them as well,” she points out wickedly. “And I won’t go for a super-fancy sabre made by a master. Just an average-quality steel blade that I can add silverwork to before showing up with it to disguise its origin and make it look like an expensive commission.”
“As you say, child.”
There is a way for such things to be done, and Keris does it. There is a meeting of the Assembly tomorrow, and she dresses herself in her own shadow, disguised as a mixed-race woman with clear Choson heritage. Her new cutting sword and parrying dagger are sheathed at her hip; she wears one of the translucent blouses she saw at the party which shows off the cat tattoo she coaxed her flesh into expressing on her right arm. But she is not as ornately dressed as some of the women at the party, because she knows she will have to fight. Just a little silver in her hair, a single jade bracelet recovered from her stash of ancient plunder to hint at money or skill with the blade to win it.
There are words to be said before the entry to the Assembly.
“I am a wira, trained in the Cat, and I demand entrance to this assembly of the city’s champions,” she says, being what they expect. First the assertion; she declares herself to be of the wira class with no hint of doubt, and it is up to the other wiras to deny her.
The Cat school holds this city, and part of that means that the two proctors who hold the gate are of the Cat. They take her in; her looks, the way she stands, the muscle in her arms and shoulders and the way she is dressed to fight.
“Who are you who asserts the privilege of the wira?” asks the taller man. They ask her name, so that they know if she makes a claim on a family name which means she has allies in here already.
“I am Mahsuri Roelcke, daughter of Tuah Roelcke,” Keris announces, tossing her hair back and putting her hands on her hips. She’s chosen her name carefully to avoid claiming descent from any of the major families who could prove her wrong, and instead got lucky enough in some snooping around to find records of a Meongkota family that was wiped out in a particularly savage attack of wyld-beasts about twenty years ago. There’s no definite proof that any of its young men escaped their house’s fall by travelling away overseas, but conversely, nor is there any proof they didn’t, and it gives her a tie she can claim for why she’s here.
“Mahsuri Roelcke is not recognised as a wira of this city,” says the shorter man. “She has no right to sit in the Assembly.”
This is not a snub. This is the proper language for this matter. They know what she is meant to say.
“I am a wira and I will show my honour and valour to any who deny it,” Mahsuri says, as expected. “Once again, I demand entrance to the assembly of this city’s champions.”
“We will send word in and see if you will be recognised as a wira by general acclaim,” the taller man says.
He heads in, and Keris can hear the man’s voice to an older woman, the rapping of one stone from another, and the announcement that Mahsuri Roelcke demands admittance as a wira. Of course many voices are raised against this reflexively, and so the man returns.
“The Assembly does not recognise you as a wira. Leave now, and do not return.”
Again, this is the ritual. “For the third time, I demand entrance to the assembly of this city’s champions,” Mahsuri says, voice clipped, “and as proof of my right, I will stand before any man or woman who objects to my presence and fight for my privilege.”
“Then prepare to fight,” says the taller man, who returns inside.
The shorter one winces and lowers his voice. “My advice,” he says softly, “is you should have waited until the new year, when the Assembly is in a better mood. Things are tense in there right now. And the new year is a friendlier time for attempts to get in - and would give you time to make yourself known to our school. Where did you learn - your accent isn’t local?”
“My father taught me,” Keris murmurs back in an undertone. “It was his wish that I master the school of his heritage - and claim my status in his homeland, someday.” She firms her jaw. “I have faith in my skill, and his teaching. I will not be denied what I have earned by right.”
“It’s on you,” the guard says, and soon enough the other one shows up to let her in.
The Meongkota Assembly is not exactly what she had expected. The building is a large, vaulted chamber with low stepped rises around the sides, and an elevated platform in the centre, but there are no seats. Some people sit on the low steps, others have brought folding chairs, but this is not a place to be comfortable. It is a place that could hold a lot of people, but it is oddly sparse. Of course, given the Choson fondness for solving things by duels, it makes more sense that it looks like a training court or a ring.
The high ceiling is painted to look like the night’s sky, and the walls are inset with niches which hold abstract, stylised representations of animals. A reminder of the Immaculate nature of this island - and more than that, the fact that the Immaculacy practiced here is the Immaculate Order of the Realm, not the old Orthodoxy that dominates in the Anarchy. This style of symbolic art is common among Immaculates who interpret the prohibition on images as barring life-like ones, but allowing more abstract works - a suggestion that Meongkota is a little more lax than hardliners like that woman in Triumphant Air. And there are clear Immaculates here, even with the corner of people dressed in gis from the Five Dragon School.
People do not stand solely with their schools. Oh, certainly, they clump together, but there is some intermingling, some spreading out, a reminder that the politics here are not purely dominated by the schools. The east side of the room is dominated by the Cat School, though, with the Snake and the Falcon close to them, with the Eagle tending to the west, and Five Dragon in the north, in between, not aligned with either sect. And there are other people who either stand with one group, or like the Five Dragon find a space away from either one.
All this sinks in in but a moment, and then Keris is Mahsuri again.
“This woman claims to be Mahsuri Roelcke, and demands her seat here,” announces one of the proctors. “Who will oppose her presence here?”
The name Roelcke causes some murmuring in the hall, and Keris can feel their eyes on her face. People are paying attention now. She gives them a cocky smirk, resting a hand on her sabre hilt. She hasn’t had much time to spruce it up, but melting down a few of her hair ornaments gave her enough silver to make a snarling cat’s head pommel and some simple wirework along the cross guard.
Some muttering, some dissent in the ranks, and then; “Begone, pretender,” says one of the Eagle School men - taller than her, dressed in a long white coat, carrying a long spear. “We need no more alley cats in this august body.”
“Tam Nik of the Eagle School denies that Mahsuri Roelcke is a wira of this city,” says the proctor. “No wira can stand here when others deny her right. Therefore Mahsuri Roelcke is not a wira.”
Of course, that is what is expected. So of course Mahsuri challenges him, and the city officials clear the central raised ring. They seem a little irked, but honestly many of the wiras here seem happy with the distraction.
Tam Nik sheds his expensive silk coat, and instead dons a thicker, padded coat. He spins his spear over his shoulder, posing with a brief pattern dance.
“This fight is until Mahsuri Roelcke gives up her pretence of wira status, or Tam Nik withdraws his objection,” the proctor declares. He turns his gaze to Mahsuri. “This is a display of skill and worthiness of the wira,” he says, a little firmly. “While either party may push their point to death, it is not customary.”
Well, that isn’t very nice to assume she’s just going to stab this slick-haired young man in the throat.
“Fear not, pretty birds,” Keris says, in a voice pitched to carry. She needs shuck no coat, nor don any armour - she moves up to the stage in nothing but her loose silk blouse and flowing pants. “I’ll not pluck this squawking chick. In fact...”
She smiles pleasantly, stroking the cat’s-head pommel of her sabre again, and then reaches over to her right hip, where her parrying dagger is sheathed, and draws that instead. “I’ll do him the courtesy of fighting him with a blade that matches his own,” she finishes, faux-generously.
The dagger blade is, technically, about the same size as Tam Nik’s spearhead.
Nobody in the assembly believes that is what she meant.
Over on the east side of the room, Nyimas Kusmayadi lets out a bark of laughter. She is far from sold on this newcomer, but a mocking insult to the Eagle is amusing no matter the source. Nestled below her heart, a pulsing tumour beats in time with her pulse, threading mycelium tendrils back to her spine and up to her brain. Keris has been feeding from the hungry mouths of her flesh-seed for a full day now, rummaging through the woman’s memories and copying of her skill. Principles of geometry fill her mind, of angle and profile, of distance and movement and visualisation.
Mahsuri Roelcke stands opposite this spearman; this proud eagle whose reach with his weapon outdoes her own a dozen times over or more, She adopts her stance; one foot forward towards her foe, the other behind, half-bent, pointed to the side. She angles her torso to minimise her profile, and extends her blade - ten inches of plain, unornamented steel - at arm’s length.
She imagines a circle.
But for all her big words, things do not go as well as the braggart might have liked. Between her undersized weapon and the way she doesn’t move with the same skill as her confidence might claim, she takes the butt of the spear to her ribcage which dirties the sheer silk and knocks the breath from her. Oh, she still beats him, trapping the butt between her side and arm and getting in to hold the knife to his throat - but first impact went to Tam Nik and the onlookers don’t really feel like she’s won. Not when she talked such a big game beforehand.
She immediately gets another challenge after Tam Nik concedes - Nona Nik, cousin of the man she just defeated, who takes off her earrings and steps up with her winged spear. “Oh, the she-cat in heat couldn’t even cleanly defeat my impetuous cousin,” Nona Nik declares. “Go back to your merchant grubbing, petani. You dirty the stage.”
“Come and make me, birdbrain,” Mahsuri spits, glaring. Her shoulders are up; a cat’s arched back and ruffled pride, and now her sabre comes out, parrying dagger swapped to her left hand as she gets serious. Nona Nik is skilled, precise and deadly. Her spear parries with the force of an eagle’s wings and lunges with the speed of its dives.
It doesn’t help her.
Mahsuri Roelcke with a dagger alone was clumsy, unprepared for the sheer reach advantage of the spear. Mahsuri Roelcke with a sword in hand moves faster than she has any right to, and with a flick of her dagger Nona Nik’s spear is deflected sideways. She steps in and sideways, along and around the circle she envisions, and then she’s within Nona Nik’s reach. Her parrying dagger comes up again to lock the shaft, her sabre pins it, she twists...
The winged spear goes clattering away.
But Mahsuri doesn’t strike, though she could slit the woman’s throat easily. She steps back, smirking cruelly, her sabre whipping back to its forwards position, angled slightly down. She steps back easily from the proud, undaunted eagle, avoiding an attempted at a talon-fingered unarmed grapple, and circles to stand opposite Nona Nik’s spear.
Then she lowers her blade to the floor, and jerks her chin at the weapon.
“Well?” she says. “Pick it up. Weren’t you going to show me my place?”
Nona Nik is no fool. She doesn’t turn and show her back. Instead she steps back over her spear, hooks her foot under it and kicks it into the air, catching it easily. Then she lunges again - but more cautiously this time, wary of Mahsuri’s speed.
It still doesn’t help. Mahsuri dances at the edge of the spear’s range, never giving her foe the linear fight she wants, always stepping off to the side or ducking out of the way or using her superior leverage and speed to parry the spear’s thrusts. She steps in at off-line angles and flicks the blade to draw shallow lines of blood across Nona’s sides and thighs - she likes her cuts, this woman, or perhaps she simply doesn’t want to end the fight early with a thrust.
Because she’s dragging it out. Everyone can see that she’s dragging it out. Again and again she disarms the Eagle heir, again and again the spear goes clattering to the ground, and again and again Mahsuri Roelcke steps back, lowers her sword with a mocking smirk, allows Nona Nik to pick it back up and try again. Her taunting flicks and cuts are painful but never dangerous. And she shifts, as the duel goes on, through approach after approach after approach. Lunging within the spear’s reach and overpowering it behind the blade. Lingering at the edge of its range and using off-angled footwork to bypass its straight-line thrusts. Feinting in one direction and then spinning around to the other when Nona moves to counter her, using her blinding speed to get past it before the longer weapon can turn back.
She’s learning the spear, in real time, before the audience’s very eyes. Learning how to fight it, how to beat it, how to surpass it. Learning like a woman who’s rarely fought spear-wielders before; who is used to fencing sabre-against-sabre, who fumbled her first match from unfamiliarity.
And the longer the duel drags out, the more often the spear goes clattering to the ground - but never out of the ring - the more it becomes clear that Mahsuri has no intention of forcing an end to this match. She could put Nona Nik down with an injury that would force her to submit. But she won’t. She’s forcing the proud woman to admit defeat. Making her complicit in her loss.
The playfulness is gone. Breath rasps in her lungs. Nona Nik’s spear is steady in her hands, but Keris can see the little trembles, the marks of tiredness, the fact she’s really not dressed properly for this because she was here for politics, not this kind of fight.
But she straightens her back, and grits her teeth, and doesn’t give up. Because - Keris hears - she’s the Eagle school’s heiress here, their young mistress, and she can’t just give in now. For her, it is very nearly life and death. And so she will try to make it that rather than simply surrender now.
“Come on, little chick,” Mahsuri mocks. She’s breathing a little harder too, but her eyes are gleaming, her smirk is stretching into an exhilarated grin. “Where’s that arrogance? Where’s that fire? Who’s the dirt on the stage now, hmm? You called your cousin impetuous - what does that make you?”
Another lunge. This one is meant to be lethal. The spear whips in; Mahsuri steps aside, Nona slashes sideways at her neck; the cat-pommelled sabre parries it. Wings twist perpendicular to the blade and the spear jerks back, trying to jar the cat’s claw from her hand; instead the dagger comes up to catch the second wing from behind and now it’s a tug of war that the eagle loses.
Once more, the spear clatters to the ground. Once more, the cat prowls around her prey.
“Everyone is watching,” Mahsuri purrs. “Everyone is seeing this, you glorified parakeet, don’t you understand? Why drag it out? Do you think there’s no more shame to be had here? Do you think twenty humiliations no worse than ten? Just give up. Give up, and it can stop. You can salvage what’s left of your pride.”
Nona Nik bends to grab the spear again. She knows Mahsuri won’t attack her while she’s picking it up, by now. The newcomer is crueller than that.
“It’s your own stubbornness that’s ruining your reputation, you know,” the cat continues, settling back into that perfect fencer’s form. “If you’d forfeited after I first disarmed you, why, you could have played it off as my being faster than you thought, or getting lucky - any of those pretty lies you tell yourselves up on your high perches where you hide out of reach. But now, ah, now, You’ve rather made a fool of yourself before the whole assembly, haven’t you? Do you think that if you keep going until you land a lucky blow, it’ll all be forgotten? Do you think you have any hope of landing it, panting as you are? You’re not built for a long fight, darling. Your feathers are all in disarray.”
Nona breathes. She holds her guard. Doesn’t surrender. She refuses to give in. The next clash of spear against sabre and Keris is unpleasantly pushed backwards, the skill she had previously displayed not quite enough. The butt slams into her knee, causing a flare of pain even through her steel hard skin, and the wing of the spear tears her blouse. What had meant to be a final humiliation isn’t, damn her!
Then Nona steps back, and slams the butt of her weapon into the floor.
“Her manners are vile, her temperament grotesque, but in skill she is comparable to many others who sit here,” she announces, breathing heavily. “And if we were to deny access to everyone here who displays such ill courtesy, this would be a much emptier Assembly.” She leans on her spear. “I withdraw my challenge. But I will say, Mahsuri, that you are an arrogant little kitten and someday it will bite you. Maybe even today.”
And with that said, she walks off the stage - and Keris feels the acid bite of what should have been a humiliation turned against her, that her planned victory wasn’t enough. Because her clothes are torn and while she has seen off two challengers, now many others seem willing to step up to face her. Convinced that her meow is worse than her bite.
Keris bares her teeth, but throwing a barb at her back after a speech like that will only hurt her socially; it’ll make her look immature and insecure. Instead she turns to the crowd, spinning her sword around her hand with deft grace.
“My demand for my seat as a wira stands,” she announces. “Who else will deny me my right? If I need make another example, so be it.”
Nona is not the last one. Far from it. But maybe the ones who come next are playing a more strategic game. Sending people in to spar with her, to learn how she fights - and tire her out. Some people are on board with her, yes, especially the ones who can see how useful she could be for the Cat School - but that’s exactly why other people oppose her. Because they don’t want the Cat School picking up wandering swordswoman with clear talent.
What had begun as rejecting an upstart from the Assembly has turned into a display, a presentation, the kind of thing that people speak about across the city for months to come. Mahsuri Roelcke is here to reclaim her family name, and she faces thirty people, one after another.
Some are just there to test her, to see what she can do. The old Snake master with those two curved knives sets himself against her, exchanges a few blows, and then withdraws his challenge and shakes her hand. But others are far less affable about this.
The doe-eyed girl from Eagle who was watching her fight against Nona with sour eyes doesn’t have the other woman’s talent, but refuses to concede when she’s clearly outmatched. In the end Mahsuri slashes off that long braid of hers coiled into a bun, and when that doesn’t prove enough she disarms her and runs her dagger’s edge across one eyebrow, shaving it.
There’s a proud man in a gi from Five Dragon who squares off with his jian. He has less talent than he thinks, and by the end of the bout Mahsuri gets half way through cutting ‘FOOL’ into his chest with light, whippy cuts before he gives in. He glares at her when she advises that he get that seen to and sewn up quickly to stop it scarring. Which is very unkind, but what can you do against people who don’t take care of themselves?
And then there’s the Cat Style fighter who takes the fact she’s trying to ‘bypass the proper system’ very poorly. She tells him she’ll expose his inadequacy before the whole world. It’s not her fault that he doesn’t understand what she means until she’s sliced his clothes to ribbons, ruining his silks and cottons until she could - if she wanted, and she does - compare her dagger to his sword and loudly observe that he’s woefully underarmed.
There’s one woman she doesn’t humiliate, though. Not after she observes that she knows the way she moves. That woman, Siti Gulam - she claims to be a member of a minor school here, the Mantis. She lies. Keris has seen some of her tricks, in the fighting courts of Hell - and when she has a reason to inspect her, she can taste the weak demonic power flowing through her. Something to consider for later.
By the time she’s done, she’s soaked with sweat but the light coming through the windows is noonday and the proctors say that the time for the assembly is nearly over. Which means she’ll have to come back tomorrow and continue to stand before the gate, fighting anyone who opposes her right to be here. But he trails off. There are more than a few cats who’ve made their way into the Assembly. They watch from the niches where the statues sit; they sprawl out in the sunlight dappled spots. They watch Mahsuri and only Mahsuri.
Then one of the Cat School fighters stands up - an older man, with a rakish forked beard and an impish look in his eyes. “Come now, you’re being ridiculous, my brothers and sisters,” he says. “She has done far more than any of us have. Surely, to hold an objection to her presence is mere pettiness. Why don’t we let the woman make her case, and perhaps have another vote as to whether she should be admitted by general acclaim?”
“Thank you, honoured elder,” Keris picks up, bowing to him with her arms spread. “Ladies and gentlemen, I was not born on Choson’s shores, but this land was my father’s. Blood is not what makes one a wira, he told me. Rather, it is skill. The skill to hone one’s body and spirit, to hold off monstrous beasts and bandit lords that plague this sacred land. Meongkota is a great city. Once it was a Great City. It deserves to be so again.”
“Some of us,” she continues, turning to those of the Eagle school, and then to the dragons, “may have our differences. May balk at admitting another cat, yes, I understand this. But even in the past few days, I have heard that the Tigers of Harimaukota are here, ever-jealous of their place as second city, seeking to sink their claws into a rival and keep it down. I will not say they will succeed. I’ve fought enough of you to know there is great skill here. But.”
And now she sneers, and if the shift to more conciliatory language had a few people suspicious, her disdain now convinces them that this talented sabreur’s arrogance and bad attitude are merely turned in another direction.
“But,” she repeats, “I put to you, wira of Meongkota. Let me put my sword to the task as well. Because I am a Roelcke, and this was my father’s city, and so I dearly wish to take my rightfully-earned place among its citizens and show those who mock us that our city is not to be dismissed.”
In the end, they go to a second voice call - and this time no one raises their voice in objection. Not when most of the most vocal people who had opposed her can’t stand against her again having been already defeated, and the ones who would have been inclined to stand against her have seen that she has taken thirty people and still stands.
“Then, pure as Benar teaches and blessed by the Dragons, the Assembly of Meongkota recognises the right of Mahsuri Roelcke to stand here and be heard, for she is a wira of the city, to raise her arms in its defence and project it against threats inside and out,” the proctor announces.
Alight with fierce pride and triumph, Keris salutes him - and then the Cat school, her eyes on the older master who spoke up for her. One of the cats lazing in the sun gets to its feet and trots over to her, brushing past her legs, and she follows it over to where the Cat sabreurs congregate.
Where, with a smile that looks a lot more affected at close range, she all but collapses against the wall, disguising it to those watching from a distance as a casual lean. It’s less of a pretence than Keris wants to admit. The sweat drenching her is entirely authentic, and though she’s playing up the tremble in her pickpocket-steady hands, she hasn’t been able to fall back on the tireless cyclic motions of running. The way her legs are shaking a little is unfeigned, as are her deep breaths and parched throat.
“I take back every complaint I ever made about conditioning and exercise,” she mutters, just loud enough that the nearest Cats can hear her. “Thirty wira, by the gods. I expected two dozen and thought myself pessimistic.”
The older man who’d spoken in her favour approaches, hand on the hilt of his single sabre, no second weapon or shield close to hand. “Ha! Quite the display, nonetheless,” he says. “You don’t fight like your family - more like the Kusmayadi mainline, by my reckoning, for your kin always preferred the buckler - but still, anyone would be impressed by that. They’ll be watching you. Both in our school - which you will be joining, won’t you? - and also outside.” He offers his hand. “Batu Suid, and I am pleased to make your acquaintance. Though many people here will not have been so fond of your blade! Ha! That is good! A man is known by his enemies! Someone who everyone likes is a mewling coward too afraid to say what he thinks for fear that others will shun him!”
Keris grins, and swallows to whet her throat before shaking his hand, her grip firm and sword-calloused. “A pleasure to make yours,” she returns. “And yes. I studied the buckler, but the offhand knife always called to me more. I’ll be proud to stand with the Cat school either way.”
She pauses for another few breaths, and then tilts her head at him. “If I impressed you today, grant me a boon of your wisdom, master Suid,” she says. “As you say, I’ve made enemies today. Who should I watch my back for most?”
The old man’s face creases up in concern. “Well, if I were you, I’d be looking out for whoever killed the rest of your family. Whatever, I should say. Because even the Wyld Hunt hasn’t found a thing that could’ve killed an entire clan, both in your fortress and in your estate - in the city, no less. You’ve got the right to claim your kinlands, but maybe consider if you want to.”
The sudden jolt of panic doesn’t reach Mahsuri’s face. But inwardly, Keris freezes. She hadn’t looked much into why the Roelcke were a dead house; she’d just been overjoyed to find a name with history in the city that conveniently lacked anyone to challenge her on claiming it. But in hindsight, though the partial records she’d found on them after hearing them mentioned had just said they’d all died to a particularly bad wyldbeast attack on the city...
‘Fuck,’ thinks Keris to her mother’s disapproving melody. ‘I think I just inherited someone else’s grudge.’
Sunset comes early on this side of the northern Choson archipelago. The sun is a red disc half-obscured by the mountains, but Keris isn’t going to pass up the chance to pass some of her stolen knowledge about Cat Style to Mele with some very personal one-on-one practice. And she found them a sandy beach to spar on, which is also some distance from the ship.
Just so she can vent, of course.
Waves crash on the dark sand. Out to sea, a school of fish-lizards broach the water for just a moment, hunting fish at dusk, before descending down below again. And Keris has things to say. About this whole current situation and her life and whatever else comes to mind.
“… thirty wira, Mele! Thirty! Fuck, even I was starting to get tired by the end,” she snaps, pacing around the circle she’s drawn on the sand and slashing angled lines out from the centre. “I mean, I could’ve done fifty, if I’d had to. Or more, probably. But still! These Chosoni, they’re assholes! The culture’s a mess! It breeds pettiness and spite and backbiting arrogance, and if you don’t act like an asshole nobody respects you! And if you do, they get all hoity-toity offended! Like that bitch from the Eagle school! Nona Nik. I humiliated her; I had her dead to rights, I was playing with her, showing that her big talk about me ‘dirtying the stage’ was full of shit, and then she turned it around and scraped up what was left of her dignity and somehow made it about my bad attitude! As if she didn’t start it! And she called me an arrogant little kitten and encouraged the rest of them to go after me harder! I wouldn’t have had to fight half as many if she hadn’t egged them on!”
Standing in the centre of the circle, Mele looks a little confused. Keris perhaps didn’t actually explain very much in between arriving back at the ship flushed with success, triumphantly announcing that she’d succeeded at infiltrating the city and Choson’s strange class system, dragging him away to start drawing circles on the beach and transitioning from boasting of her successes at securing an estate and family name to ranting about the wira of Meongkota and how the tides of luck and fate seem set against her by the fundamental malice of the universe and also bitchy Chosoni martial artists.
That, or possibly he’s just distracted by how she’s waving a sabre around and hasn’t changed out of the loose, deep-V-cut, near-translucent silk shirt.
“Oh, I dunno, your maj,” Mele says, leaning on the blade she stole from him. He also has a small buckler on his other arm, because Keris wants to see what that looks like - and of course he needs to protect that handsome chest. “I mean, that doesn’t sound so bad. If she wasn’t your enemy, you’d probably be laughing at how she turned her loss around on the person who beat her. Someone who manages that at a raider symposium is going to be getting a round of applause.” He pauses. “Or I bet from what you say that you could get a bunch of the other princes and princesses of Hell to have fun in a tournament like that.”
“Bite your tongue, that’s...” Keris starts to snap, and then starts to trail off as his words sink in, “... not the... same... huh.”
There is a pause, which extends awkwardly as Keris continues to pace around him, following the rim of the circle she’s drawn in the sand, her eyes staring at something far away that Mele merely happens to be in the way of.
“... maj?” he prompts after a moment or two in which whatever mental river Keris has diverted along fails to reconnect to the main channel.
“That... that would be quite a spectacle, wouldn’t it?” she mutters distractedly, still staring through him and pacing a mindless circle around her sand-drawn duelling stage. “All of the Green Sun Princes... and it’d also be a reminder of... mm, I’d have to get Lilunu in as a judge for style, and obviously whatshisname, Suntankeral, for skill, but I’d want a third judge, maybe... eh, or, no, best to diversify, though, hah, I should probably offer him first refusal. But, mm, then... ah. Ech.” Her nose wrinkles. “Not looking forward to that conver... oh! And I could... yeah, yeah, and, hah, let Sasimana and Magenta and a few others know early, maybe sell advance warning to Bloss - though she might well sell it on...”
The sword comes up and gestures slightly as Keris mutters to herself, apparently having forgotten she was giving a fencing lesson. Mele says nothing, and simply stands there, a rather amused (almost... patronising?) look on his face. Because he is not a fool, he does make sure his blade is in a guard position.
After a little more muttering, which after a moment longer dips down to a mostly-inaudible volume save for the occasional fragment like “mama, remind me to-”, “way ahead of time” and “complete bitch to plan, you know how-”, Keris blinks back to Creation and appears to remember where she is.
“... right,” she says, shaking her head. “Yeah. What was I saying?” Another short pause as her eyes go distant. “Oh, right.” She scowls at him. “She is my enemy, though, or at least an overgrown turkey who deserves to be plucked and roasted. It’s not funny when it’s pointed at me. Remind me to visit the Eagle’s city and, I dunno, find out some juicy blackmail on them or something. And what’s with that smirk?”
He grins boyishly at her. “Honestly, you’re such a holda it’s adorable. You’re so cute when you’re showing that you’re the mother of all of them.”
Keris both blushes and scowls. “Quiet, you,” she snaps again, sounding a lot less annoyed than a moment ago. “You’re meant to be learning. Look here.” She stops in front of him, where there’s a smaller circle drawn in the sand, between the centre of the larger circle he stands in and its rim, where she now takes her sabreur’s stance, mimicked by Mele a moment later.
“Cat Style basically comes down to geometry, distance, movement and timing,” she says. “Past the fundamentals like sword grip, which... you’ve actually already got down, though extend your arm a bit more, you want it in a straight line out from the shoulder for maximum reach - right; past the fundamentals of stance and movement, Cat is all about dexterity, really.” Sheathing her sword, she paces around the large circle again, scrutinising his stance from every angle and correcting him on every flaw she finds.
“Drop that swordpoint; gravity wants it pointing down and you’re not going to waste energy fighting it; move naturally in all actions; if you want to stab higher you raise the hilt.” She observes his stance with a critical eye. “Hmm. Slightly less bend on that back leg, and turn your body a bit more; your profile isn’t as small as it could be. You want a straight line going from the tip of your blade all the way to your left shoulder. Good, yes, like that.”
Taking up her position on the other side of the half-diameter circle, Keris unsheathes her sword and mirrors his stance. “Now, some styles, like the Killing Ray style Ligier’s soul Gervesin practices, are really linear and direct. Cat isn’t. You’re never going to move directly towards your opponent; you’re going to start as close as you can get without being within their reach and then go off-line to the left or right to find a better angle of attack. You visualise a circle between you and your opponent - I’ve drawn this one for you - and then you visualise the lines of approach through it.”
She nods at the symmetrical lines cutting diagonally across the circle between them to the left and right, both from her position and his. Then she clicks her tongue and attacks, not lunging, but instead quickly sliding forward to her left, around the outside of his sword arm. A lightning-quick flick of her sabre parries his stop-thrust, and then her blade slides along his neck and over his shoulder, the edge kissing his skin with the barest hint of contact.
Keris smirks up at him, eyes glittering. “Cats have both fangs and claws, remember. Other schools focus just on the thrust, but Cat sabreurs are just as willing to use their edge as their point.”
“Yes, maj,” he says obediently, rubbing his neck. “Not helping the holda allegations, though. It’s what some other people don’t get about our fairer halves. Holdas get bored if they don’t have something to pit themselves against. Like you wanting to stab that Nona lady, or you making me sweat ‘cause you’re a demon with a blade. Yeah, sure, there are sea-hick holdas who just boat around with their love out in the Far Sea, but the ones who manage things are the ones who’ve got something to pit themselves against. Like Duchess Oula, who’s got both you as her devil of a teacher, and is constantly trying to prove herself equal to the princes and princesses.” He salutes her with his blade. “Mind you, we’re the same too,” he says with a wink. “Sea-hick jegus are just as boring as sea-hick holdas. But I’m not some one-boat rustic type. And now I’ve got your magnificence as a whetstone. Or I guess for this, a scratching-post.”
Keris preens at the praise. “Damn right you do. I’ll have you a master of Cat Style by the time we leave this island. Now all the geometry of the style is based on the sabreur’s circle. I’ve drawn yours on the ground here, but you want to be able to do it yourself for practice - it’s a way of measuring stuff like length of step, proper distance from an opponent, how to get from one all that stuff. Give me your hand and we’ll work out yours.”
Is it strictly necessary to wind her hair around Mele’s wrist as she shows him how to measure the diameter of his sabreur’s circle (the height from the soles of his feet to the tip of his finger as he stands normally with his arm raised straight up but unlocked), or to trail her hand down his arm as she has him lay his sword down on the sand to check it’s no longer than the radius of the circle, or to have him near-embrace her from behind as she shows him the angles at which to mark lines and intersections and how to move between them?
No. No it is not. But nonetheless, Keris does it, and Mele certainly doesn’t seem to be complaining as she takes him through the geometric shorthand used to describe them and then moves onto the degrees of strength in the sword and how a parry close to the hilt allows much greater force with which to deflect an enemy’s point than a place with lesser leverage.
It’s not all light-touch seduction, though. For all her flirty manner, Keris is uncompromising on making sure he has everything down perfectly, and by the time she’s finished drilling him on the basic principles of Cat Style, the sun has almost disappeared behind the horizon. A casual thought illuminates their duelling stage of sand with the light of her caste mark, and she raises her sword.
“So,” she smiles. “Are you ready for a practice spar to test what you’ve got down so far?”
He salutes her with his blade, his shirtless form pale in the sunset, his colourless hair adjusting itself to braid itself back. “Maybe a small wager,” he offers. “If I impress you, a gift for me - and if I fail, I’ll have to do something nice for you. I’m not saying I can beat you, Keris - just impress you.” Mele grins. “Howsabout it? Even if I’ll struggle to raise a blade against a beautiful creature like you...”
“You’re on,” she accepts, shamelessly admiring his physique. “But I’ll have to be very impressed if you want something nice from me~”
The first swipe is a testing one. Keris casually leans back, showing him his spacing isn’t quite right. Another swipe, and again she leans back. But the third one he steps in for, and she deflects the path of his blade, only to cut back with the flat. He steps back, and doesn’t press it.
Good. She’d have left a lovely red mark on him where everyone could see it if he’d pushed it too hard thinking she wouldn’t make it sting. Jegus might have hard skin, but Keris is willing to bet that she could leave a bruise without hurting him. It’d make sure he doesn’t learn bad habits that might hurt him against a real opponent.
(and maybe a red mark from the flat of her blade would look very pretty on him, too)
The blades seldom clash. That is never the first resort of the Cat School, because a good blade can be damaged by an ill-considered parry. Better to be positioned such that you can disengage with a step, or even lean back out of the way. The Cat wants to make her opponent move, wants to force him onto the offensive, make him make mistakes as he acts rashly. Maybe get under his skin with barbs so it’s easier and safer to get under his skin with a blade.
Yes. Keris can definitely see a certain kinship between this and her own Wild Alleycat Style. Not that that style has anything as fancy as a school, but it’s like someone took techniques kin to her street fighting knifework and systemised them and made them work with a much longer blade.
Their bare feet shush on the sand as they circle one another, following the proscribed arcs. She steps in, he steps back, but he doesn’t make the mistake of giving in too much ground. When she pushes it, he knocks her blade away and ripostes. She shows him that she’s not to be trifled with because she’s transferred her parrying dagger to her hair and that comes up like a scorpion’s sting to catch his blade near the guard and push the point off target. But he has his buckler and he uses it - like she taught him - as a way to force her back, a weapon in its own right.
But that has told her what she needs to know, and maybe him too. He’s slower, even though she isn’t trying, and she hasn’t taught him everything she stole yet. He’s got some other experience with a blade rounding out his skills, but it’s not enough. Her grasp of the angles is better than his; her reach is better when she can use her parrying dagger in her hair; he’s trying all he can and is barely keeping up with her holding back.
His path takes him so the setting sun is behind him, and in that moment he steps in and cuts down, putting in an edge of speed that she hadn’t seen before in his desperation. But Keris just leans back, and the sabre passes in front of her face with a sound like tearing silk. She stomps down on his blade, trapping it under her foot, and slams the guard of her weapon into his chest. Mele wheezes, and falls backwards, winded.
Keris has him sprawling back on the sand, his blade knocked from his hand, her blade under his chin. His skin is harder than a mortal’s, and it means she can put enough pressure to tilt his head back without marring that beautiful pale complexion. “Too bad,” Keris says. “You lose.”
“Do I?” Mele asks, raising his hands to place them behind his head. Despite his attempts to be cool, he’s breathing heavily, still winded. “I think I win, maj. And I’m definitely enjoying the view from here.”
The soft sound of torn fabric blowing in the wind is the giveaway. That, and the chill. Because Keris looks down, and realises that his last cut - made when she was blinded for just a moment by the last sliver of sun still above the horizon - has split her clothes from neck to crotch. Her translucent blouse wasn’t covering much anyway, but now it hangs loose from her shoulders, breasts bared to the world. And her long, baggy pantaloons have had their rope belt cut clean in two by that same cut. As she stands there, she feels them slither their way down to her ankles.
“I knew I couldn’t raise my blade against a beautiful creature like you,” Mele says. “But raise my blade against clothing? That’s not the same thing, right?”
Keris looks down at him, and he sees in her eyes the war between indignant surprise and reluctant admiration. She’s only thrown for a moment, though, and then steps out of the pants and kicks them away. Naked save for a sliced-open shirt, she raises one leg with perfect balance to rest silver-nailed toes on his chest. Her hair billows around her as the offshore evening wind makes the sides of her shirt flutter.
Not an ounce of shame shows on her face as her petite foot keeps him pressed back into the sand. It looks and feels small and delicate, but Mele is well aware that the dainty little heel hovering just above his ribs can shatter stone.
“And what,” she says silkily, toes flexing on his bare chest, “do you think you’ve won?”
“Well, not the heart of the All-Queen, your maj,” he says. He’s clearly trying to sound cheerful and flirty, but she can hear how dry his mouth is. “I’ve had that for weeks. And not a night with you, ‘cause you love me and it wouldn’t be really romantic to turn that into something you’re doing just because you owe me, right?”
He leans his head down, and kisses the top of her foot.
“S-so... how about we see how charitable you feel in the morning, mmm? ‘Cause I’m thinking I have another chance to impress you tonight.”
Scarred lips curve upward. The instincts of Cat Style she’s stolen are purring at her, applauding the choice to brazenly act unbothered at her sudden nudity. In Keris’s case that’s because she is unbothered; Hellish culture has little time for modesty, but she makes an amused mental note that she may have just learned something about Nyimas Kusmayadi. Or perhaps it’s just the catlike instinct to always act like any slip-up or fumble is what you meant to do, puff up your fur and bluff a bad situation out.
Those same instincts are applauding Mele’s boldness. Keris steps off him, sheaths her sword, and folds her arms expectantly. Behind her raised eyebrow, her heart is pounding and her blood is hot and flushed. Oh, she’s missed this; the thrill of flirting, the dance. Her dream-trysts with Ney are wonderful, but all too infrequent. It’s been ages since someone’s pushed at her like this, matching every escalation.
“You’d better get started, then,” she murmurs, curling her hair up into a stool behind her and letting the shirt slip off her arms as she reclines back down onto it. “That move was very impressive, so you’ve set yourself a high standard to keep. Are you sure you can,” her eyes flicker lower for a moment, “keep it up?”
“Depends, maj.” He pulls himself to his feet, and dusts the sand off, taking up his guard position. “Depends whether you can even pull off the same thing on me.” Mele salutes her with his blade. “I won’t make it easy for you,” he teases.
Keris’s eyebrow rises further. “Oh? A challenge? Are you trying to make this hard for me, Mele?”
Her blade comes out again in a flash of steel. Her parrying dagger materialises in her left hand with a flick that has no magic to it, only sleight of hand.
And then another knife slides out from her hair, its hilt wrapped firmly in red locks. A second joins it. A third. A fourth. A fifth and sixth.
Mele’s eyes sweep across them, and he gulps... but his smile, if anything, widens.
“Then I’ll just have to make it hard for you,” Keris says sweetly, and lunges in a blur of sharp metal and feather-light cuts.
He does try. At least for the first few breaths. But really he didn’t stand a chance and both of them knew it.
And by the end of the motion his sabre is in the sand, and his clothes are a haze of floating threads being carried away by the wind.
The first kiss to the sound of crashing waves at sunset comes moments later.
The rising sun wakes Keris. There’s sleek, smooth hairless flesh against her back, and a pale arm draped over her side. She wiggles contentedly. Yes, some of the princes of Hell might’ve been more technically skilled - but the feelings were so much better. She loves him. He loves her. The greatest powers of Hell can go hang in the face of that.
A yawn forces its way out, and she wriggles again. Blegh. Sand everywhere. It’s not the first time Keris has had sex on a beach, and while she firmly believes it’s something everyone should try at least once, the side-effects are admittedly annoying. Still, it’s not uncomfortable enough for her to move when she feels satiated and content and pleasantly sore. She shifts enough to get a layer of hair under her and shades her face with another lock to keep the sun out of her eyes.
Behind her, Mele stirs, woken by the same annoying brightness. Lips brush against the small of her neck. “You’re the most amazing woman in the world,” is his morning greeting to her, hand drifting down to hold her closer, palm on her stomach.
“Mmm,” Keris purrs happily. “I know.” She luxuriates for a little while in the way he holds her, one big strong hand half-covering her navel, before something occurs to her.
“Hey,” she says, and has to interrupt herself to finish another yawn. “Mm... why now? You were dancing around and keeping me off you before. What changed?” She huffs, half amused and half annoyed. “Was it just because I beat you in a swordfight? Because if I’d known it was that easy, I’d have cut all your clothes off ages ago.”
“Oh, maj.” He has the cheek to sound disappointed in her. “You’re such a holda. For good and bad. For good - you’re clever and competitive and real, real beautiful and your love is so bright and clear. But you’re bad at knowing what you need, rather than what you want. You wanted to bed me, but what you needed was a cute guy like me being nice to you and supportive and making you feel better.” He nuzzles her shoulder blade. “And then when you came back all pretty and spiky and angry at what happened with you having to fight all those guys, I knew you were feeling better.
“Also, let’s be frank. Rat’s kinda my best friend, and he’d be real mad at me if he thought I slept with you when you were sad and just wanting someone to be nice to you. But I saw you last night and you weren’t sad anymore - but were still in love with me. Plus, also, y’know. You were mad hot in that blouse when we were sparring. And... wow. That moment when you stood on me with just that blouse flapping around you--”
“Okay, okay, that’s enough; I don’t need any more praise,” Keris giggles. Which is a filthy lie, but her stomach is starting to grumble and she knows she’ll get irritable later if she doesn’t eat something. “Go make me some breakfast,” she orders. “I wanna relax and think for a bit. And also plan out what I’m doing next, now that I’m in with the Cat.” She pauses thoughtfully and tilts her head. “I suppose if you absolutely have to compliment me some more while we eat, I can put up with it. For your sake. Because you’re so impressed with me that you have to tell me all about it.”
“Of course, maj. I’ll catch you some fish by hand, if you get a little driftwood fire started so I can cook them. If you wasted away, it’d be the worst thing ever.” And just to emphasise his point, he squeezes her bottom. “We’d lose the holy symbol of Keris’s ass and that’s something no one can live without. Especially not me.”
Mele does not appear to believe there’s ever a time to stop pushing, a time when you shouldn’t take a risk. It gets him a hair-whip to the ass as he walks away, but Keris can’t stop herself smiling as she watches his toned swimmers body walk down to the beach completely naked and throw himself into the ocean. She wasn’t paying too much attention to his collection of carvings and tattoos last night, but it’s something nice to look at. She can recognise that some of them are the product of her own Temple-as-Body techniques, but rather less skilled. Some of the teaching that Oula got from Lilunu must have spread through the Sea. Or maybe it was in the Isles via Zanara.
She stretches out to her full length, spreading her arms wide, arching her back and pointing her toes as a huge yawn escapes. It feels good, and with a little shake that sheds a rain of sand from her skin and hair, she sits up and quickly gets a fire going with bits of driftwood and a snap of green flame.
Then she sits back on a blanket of hair and thinks.
Mele’s not exactly wrong, is the thing. Oh, he’s not right, either - she’s not just a holda; there’s jegu in her as well; she’s seen that side of herself around... Sasimana. Lilunu was the first one to put words to it, the way that all her keruby are facets of herself, roles she plays and faces she presents to the world in different parts of her life. There’s a little of all of them in her, because there’s a little of her in all of them. Dragon aides when she’s serving as Lilunu’s left hand, szilfa when she’s teasing and flirting and hiding behind masks, mercy witches when she spares her loved ones pain by taking it on herself, pontiffs when she’s immersing herself in art and devoting herself to a discipline.
But while he doesn’t have the full picture, Mele’s not wrong. Keris is a lot like a holda, in some ways. What he’d said about needing a challenge especially. She’d been numb, back on the ship when she’d fallen in love with him. She’d retreated back into herself, away from the shock and horror of Atiya coming so close to harm. She’d returned to that blank emptiness she’d suffered fresh off the Street. And falling for Mele had put a crack in that feeling, it had given her something to feel again, something to make her heart pound and her cheeks heat, something that filled the apathetic cavern inside her and gave her a reason not to just sit and stare dully at a wall. But it had only been a crack. Just one feeling. A ladder out of a chasm she was still stuck in.
It hadn’t been until Meongkota that she’d really finished climbing out of the pit. And now she can think of Nona Nik and feel pissed, she can remember stealing Nyimas Kusmayadi’s hard-won skill with smugness, she can consider Batu Suid’s warning with annoyance and trepidation.
She’s not healed. But she’s no longer crippled, either. She’s recovered, if not from the original wound, then at least from the relapse those Dhulian assassins had provoked.
A fish flies out of the ocean and lands on the wet sand with a smack, flopping and twitching a few times before lying still. A moment or two later, another follows it. Keris can hear Mele cutting through the water after a third, and follows the sound to catch a glimpse of him as he briefly surfaces before diving again.
She grins again. He really does look good when he’s showing off physically. Especially when he’s doing it to pamper her. And doubly when his shirt’s off.
Pekhijira’s moan-huff sounds in her ears, and she can almost feel the phantom presence of her lower soul curling around her just like her blanket of hair is doing so. The Serpent Queen has been scared, has been hurt - but she’s showing herself again. And she too is admiring Mele’s pale, decorated form in the water.
Well, maybe that makes sense. Her lower soul likes pale things. And silver, naturally.
“Hey, ‘Jira,” Keris murmurs, hugging herself. “Nice to have you back with me. We really took a beating these last few seasons, huh?”
A mournful hiss. Keris nods sympathetically. “The Dhulians came on their own, but I guess Earth was kinda my fault, huh? I’m sorry. I don’t regret it, but I didn’t... I didn’t know how bad it was going to be.” She sighs. “And we lost... Sasimana, for it. Well, for it and her stupidity,” she adds acidly, before her tone turns weary again. “But maybe that was our fault too.” She pauses. “My fault too. I started her along that path by getting her to help me write those plays. By making her envious of me and my souls. By letting her see just enough soul-alchemy to think she could do it too but not enough to do it without fucking up. That was all thinking-stuff, not feeling-stuff. I’m sorry, Pekhijira.”
The rumble sounds at the back of her head. Keris can feel the guilt from both sides; guilt she feels, guilt felt by the snake. And a deep, abiding ache. Pekhijira misses Sasimana like a dog misses an absent master; not knowing why he’s gone, just that he is.
She sniffs. “I know. It hurts, not having her. We’ve loved her so long, it’s like... ugh. Like going off coca leaf all over again.” She wrinkles her nose and sighs, before forcibly brightening. “Still. At least we have Mele now, right?”
A crooning hiss. Keris chuckles softly. “Yeah, I know you like him. I like him, after all. He’s pretty, quick with his hands, quick with his mouth, not afraid to push at me...” She pauses, then barks in laughter. “Fuck. I really have a type, huh? First Rat, then Ney, now Mele. Smart-mouthed men who can challenge me. And who I can beat up and be smug at sometimes, but who can take care of me when I need them to.”
The unwelcome thought that she has a type when it comes to women as well flits across her mind, before she banishes it firmly.
“His body art’s really nice, too,” she says instead. “Hey, you know what, ‘Jira? I marked up Ney all pretty on his thigh. Maybe I should make something for Mele, too. Something like that tattoo Oula has. A nice little present for him, to celebrate our love. What do you think?”
That definitely earns her a chuff of approval. An eager one. Plans and ideas and preliminary concepts are already drifting through her mind - and there’s another change; her creativity reigniting. Another sliver of holda, perhaps. They’re artists too, after all; geomancers and architects. Maybe they do their best work when they’re not just fuelled by love, but also by a challenge, something to pit themselves against. When they’re more than just their relationship.
“Gods, listen to me,” Keris mutters wryly. In love with a First Circle, and better for it. The Unquestionable certainly wouldn’t like hearing that - though she suspects Lilunu would understand. But that’s a blindness in them. She’s known forever that power does nothing to put one’s heart out of reach. Maryam’s ghost hurt her terribly, for all that she was far weaker. And, well. There’s a reason Keris keeps Anyuu on retainer in the Joyful Temple. The szilf’s advice and Blue Priestess work helps keep her stable and harmonious and at peace.
“... I should probably go pay her another visit, honestly,” Keris adds. “Mama, could you send a message to the Joyful Temple to inform Anyuu I’ll be booking time with her tonight or tomorrow night? I-”
Thoughts of Blue Priestess duties bring another association floating to the front of her mind, and she breaks off for a moment to curse. “Never mind; tomorrow night. I never actually sent Bloss that dream she wanted. Remind me to do that tonight; I can fuck her stupid and do some negotiation and she’ll be more inclined to cooperate at Calibration.”
Dulmea clears her throat with a stern melody. “Child. You are recovering from the injuries to your spirit from your time on Ipithymia. Recovering, child, not recovered. If you had taken a knife to the thigh, would you go running as soon as you could stand? And if you would, should you?”
Keris grimaces. “On the one hand, I get what you’re saying. On the other, Bloss was kind of expecting that dream; she was pretty forward about it when I was getting her to agree to take Eko back with her. And I do want to sort some stuff out with her about getting a possible trade route over to the Yanaze for small volumes of super-valuable stuff, mama. Because I really do think Iudicavisse is going to find a way to put Kasteen back in charge of the West, and if I’m going to cut the Realm off from the Anarchy’s trade routes then I need somewhere else for that trade to go. A lot of places, probably. That route up through my new islands won’t be enough for all of it.”
She bites her lip. “I know Bloss. We dated for a while. It’s... still work, with her, but it’s not quite the same kind of work as it was with strangers on the Street. She doesn’t love me, but she doesn’t just see me as meat, either. And I’m better than I was. I think if it’s just one night and I see Anyuu right afterwards, I’ll be okay. And I think it’s probably worth the risk, overall.”
“Perhaps give it a little longer. Once you are settled in Meongkota - and have a safe place to store your skin when your flesh is elsewhere - perhaps? But it is true,” her mother says considering the point, “that you must not forget your position in Hell. There are many ways you can fall, from neglecting your position as Director to neglecting your service to Unquestionable Lilunu.”
“Mmm. Point. Okay, I’ll give it some time. But don’t let me forget!” Keris pouts. “This would really be easier if I had... hmm. More people to... I do have that brothel on the Street, don’t I? I don’t want to go back there, and like hell I’m putting penury courtesans in it, but... hmm.”
She purses her lips, leans back on her hair, and thinks. “Can I solve that, somehow? I wouldn’t want any of my demons in it, but... oh.” Her eyes widen and she sits bolt upright again. “Oh. Oh. Mama. Idea. Good idea. Something for this- no, next Calibration, but something I can announce at this one, which’ll get a bunch of people buzzing. Hah, yes, like Mele’s tournament idea, but a different kind of competition; something to get people used to thinking of Calibration festivities as things they can participate and show off in directly. It’ll probably get me a brothel full of spies, but I can deal with that, especially if they’re spying for me as well...”
“Child. Slow down. What are you saying? Your thoughts are racing too fast for me to follow.” She can hear Dulmea frowning. “And you are skipping steps in your logic again. I can hear the music of your thoughts stuttering. Return to the start and explain it to me from the beginning.”
Keris lets herself fall backward into the sand and wriggles in delight, vaguely aware of Mele emerging from the sea some hundred yards or so down the shore where the shoal had led him.
“I don’t want to put my demons in my brothel,” she beams at the sky. “But I can announce a competition to make some for me. And a biiiig round of showing them off and judging which ones are best, next year, to decide who wins. With Lilunu and a couple of other Unquestionable as the judges, to get everyone used to the idea of that kind of structure before the tournaments the year after. I’ll get a brothel full of custom-made pleasure demons who are made to enjoy their work. It’ll get demon lords - hell, maybe even some demon princes - invested in the festivities and feeling all competitive and fun. I’ll be able to see if any other Infernals have started making First Circles of their own - and introduce the idea of Infernals making serfs the way demon lords do, in a non-threatening way. And best of all, mama? The whole thing will be free advertising for my palace.” She cackles gleefully. “Oh man. This is going to be fun.”
Yes, she is feeling much better this morning. And it only gets better as Mele returns, carrying the fish. Because that means she gets breakfast. And - she eyes Mele - after that, a tasty snack.
Chapter 32: Choson II, Fire 775 - The Tigers' Challenge
Chapter Text
The main body of the Cat School in Meongkata is on a rise that overlooks the assembly. It is a sign of where the power lies in this city. It has its own curtain wall, a citadel-fortress that the martial artists can fall back to, but inside the wall there are only a few stone buildings, dating back to less peaceful times. Most of the buildings are newer and built of wood. The roofs are high and sharply steepled, even on the smaller outbuildings, and each of the wings of the main complex are grand, the wooden carvings decorating them painted in bright colours with gold leaf applied to their features. Yet even here the decline of Meongkata can be heard; Keris can hear that three of the five wings are closed off. They might decorate the exterior, but there are not enough people in the Cat School to make use of this structure built for it in its times of grandeur. The practice courts are half empty and the sound of training blades clashing is not enough for the space.
At the centre of the enveloping wings is a well-decorated gateway board of training courts and orchards, lush with fruit trees, and among the orchard are many statues of cats in all postures. Wise cats watching the world, happy cats whose bronze backs are clearly patted repeatedly from the polished metal where thousands of human hands have worn the bronze smooth, even one ridiculous cat with its tail up preparing to pounce, the statue deliberately positioned so it is head first in a bush.
“This is what your Hui Cha lackies want for their little enclave,” Dulmea observes, “but they are new money, and this place has old money. It is old enough that the stone paving has been worn away by countless feet. Well, you are here and this is what you have chosen to work with - and as part of that you must be the one who makes herself instrumental for the Cat School winning this upcoming fight with the Tiger. Which is, might I remind you, tomorrow.”
“I know, mama,” Keris placates. “And I have a plan. Starting,” she adds, “with finding out who’s meant to be fighting tomorrow, and how they rank against each other. I don’t want to take the place of someone strong. Winning the tournament completely by myself would be a little too suspicious.”
She can hear her mother’s thrum of approval, almost see her simple nod. “Wise. So you intend to extend your influence through the best fighters of the sect to both further your interests and ensure victory.” It is not a question.
“I do. Though for that I’m going to need a couple of props, so hopefully the others are recovering well back on the ship.” Keris grins. “And I’m also going to stick a few knives in the Tigers’ plans tonight, so they’ll be working with a handicap tomorrow. But that can wait until later. For now, we’ll start with the tournament roster.”
Keris... oh, sorry, Mahsuri Roelcke positively sparkles. She’s draped in fame among the Cat School for fighting thirty people to take up a position as a wira, and immediately bypasses the training courts to be cheered and toasted by the many members of the school who all gathered here to talk to her. She is immediately offered a position on the school’s representatives in the upcoming tournament because she happened to break the fingers of one of the representatives yesterday so he can’t fence - oh, but no one takes it at all personally. They probably wouldn’t take it personally even if Rathan’s red moonlight wasn’t subtly shading her, washing away any reason they might have to dislike her. The man hadn’t been a first rank fighter, so if she’s up for it, they’d just love to have her on board.
She’s making her own judgements, of course, as she’s introduced to her new fellows. Making notes of their flaws, where she can fortify them. Sri - that lady is good, but she’s slowing down, with the grey at her roots a sign she’s past her prime but the Cat School doesn’t have tournament fencers who can replace her. Susilo - soft, not as good as he could be, a little too plump for his levels of muscle. Little imperfections that’ll cost them in a tournament. But of course, Mahsuri says nothing of that. She’s just charming. Witty. Beautiful. If people want to do little things for her, if they just offer to help out, it’s just because she’s likeable and clearly talented and exotic without being strange. They’re not doing it because little bits of her flesh have wriggled into them as parasites that are affecting their behaviour.
No, seriously, it’s not. The parasitism isn’t why they’re doing this. They’d be doing it regardless. But she’s not complaining about how every time they do something for her, the pressure on their behaviour gets deeper and deeper. And anyone who might think it strange has their suspicions lulled by the red glimmer that shines off her sometimes.
Yes, why would it be a surprise to anyone that Nyimas Kusmayadi wants to see Mahsuri in private? Anyone would want to meet privately with such a brilliant, charming young lady.
Nyimas Kusmayadi is a woman who knows how to get what she wants. Whether it’s her position as the young mistress of the Cat School, who will - if she has anything to say about it and she does - be the next master of the school when respected Wahid Karnavian steps aside, the fact she’s fought to make sure she replaced her father rather than any of his legitimate children, or the fact that no one in the school can best her more than four times out of ten, it’s hers. If she wants it. If she’s willing to put in the effort to get it.
What she wants right now is this young prodigy Mahsuri Roelcke on her side. She’s a few years younger than Nyimas herself, but she saw the girl fight her way past thirty people yesterday all to get into the school. She wants her as an ally because the Cat School - because Meongkota needs someone like that. And she wants her as an ally because she is not giving up everything she’s fought for herself.
So she will approach her as an ally, and be awfully attentive to her needs - so she sees where she can get her sweetness. She has already pulled strings and applied pressure to make sure no fool gets in the way of Mahsuri, that the vaunted position on their tournament team is hers if she wants it, and now she has invited her to her estate to take tea and speak of matters as one would a fellow superior in the school. She has to... she will give the girl what she needs, so she’ll come to see things in the way Nyimas does.
The girl will certainly see what her favour grants in terms of fashion. Nyimas has chosen an eminently stylish sheer silk blouse in sharp red (she just knows the woman would love it), embroidered in silver, with puffy loose shoulders and belted in sleeves. Her knee-high trousers are deep blue, covered in midnight-cat themed decorations, and her boots in pale leather are so beautifully soft. She picked out a completely different set of piercings than the ones she wore yesterday, these ones all dark metal and pearls that shimmer like stars in the night, and she wears those beloved bracers of sun-gold passed down through the Kusmayadi name which are both a display of wealth and practicality.
Seated in her gazebo in her grounds, she checks again that the maids have laid out the spiced tea (flavoured with nutmeg and cinnamon from further south), the sweetened coconut milk with palm sugar, the dates and the figs and the curried melon, and that every little placement is right.
“Young mistress,” says her woman Shari, “the wira Roelcke is here. But she has a quite peculiar guest with her.”
“Peculiar?” Nyimas inquires, frowning.
Yes. Peculiar turns out to be the word.
Roelcke is shown in, wearing a silk blouse so fine and sheer it approaches Nyimas’s own in quality; silvery-grey and heavily embroidered with curling black waves. But, ah, Nyimas has a keen eye for fashion, and she can see that while the silk is of exceptional quality, this blouse has been through the wars. There are at least half a dozen places where the embroidery hides slashes that have been repaired.
An interesting detail, to be sure. Silk this sheer doesn’t take well to being stitched up from damage; even the most delicate repairs are obvious at a glance. The embroidery quite cleverly hides the signs of an older garment patched up past the point it should have been replaced. Roelcke’s jacket is the same way, though also of high quality - charcoal black, with amber catseyes glinting on the lapels, cut to give her the look of a sleek black feline stalking through the streets. Her trousers and boots are newer, but Nyimas can still see subtle signs of the same careful work done to extend their lifespan. Not a poor woman, then, but someone who has to think about her finances. Her sabre, with its cat-head pommel, sits comfortably at her hip, though today she wears no parrying dagger to go with it.
The woman with her is truly unusual, though. She’s slightly taller than Roelcke, but younger, and definitely not native to the Anarchy. No, this girl is so pale as to almost look lilac in a certain light, with wide dark eyes and smooth, glossy dark hair that hangs perfectly straight, without even a faint curl from the humidity. Unlike Roelcke, whose general demeanour is that of a bobtail prowling smugly through the city carrying a rat half her own size, this girl is clearly nervous. She’s dressed in dark red petani robes that sit uncomfortably on her, and carries a large wooden box on her hip, braced with tin and silver and supported by a shoulder strap, that she flutters over anxiously as her mistress rolls her eyes.
“Stop jittering, Simya; the glassware is fine,” Roelcke is saying in an undertone as they’re shown in. There’s impatience in her voice, but the vicious tongue she showed in the Assembly is deliberately gentled. “Check them if you must, just sit quietly and don’t fuss. Remember how things work here. This is wira business. I’ll tell you when you’re needed.”
Then she’s looking to Nyimas, and greets her with a wide and fierce grin, striding up and thanking her for the invitation and her hospitality. The brief dance of standard formalities gives Nyimas a moment or two to think over this second impression.
“It is lovely to see you here, younger sister in the ways of the Cat,” Nyimas says at the end, a little to remind her of the age difference between them. “Come now. Enjoy the tea, the treats.”
She has the maids pour the tea, exchanges some pleasantries, lets the other woman drink, and only then asks after who this companion is.
“Someone dear to you?” she asks - for this strange, frightened creature is clearly no handmaid.
“Please, sister, call me Mahsuri. And, ah, she’s dear in a manner of speaking,” Mahsuri smiles. “Simya here is an alchemist. Her mother worked for my father on occasion, and I took the chance to entice her away into my service a couple of years ago.” She glances over at Simya, who is sitting rigidly with her box on her lap, looking at Nyimas with wide, slightly frightened eyes and Mahsuri with an expression Nyimas identifies as Servant Type #12: ‘constantly terrified of doing something wrong but reassured by the lack of scolding that they’re not currently in trouble’.
“Nervous as she can sometimes be,” Mahsuri says easily, nodding to the girl in casual acknowledgement, “she really is quite skilled, and I’ve found her to be very useful help.”
And like that, Nyimas knows the woman. It all makes sense. Yes, a lost daughter of the Roelcke might have had some skill with the blade, but she’s also been fortifying herself with alchemy for yesterday. Indeed, she can see the small exhausted trembles in the woman. She most likely didn’t get much sleep last night as the alchemical substances worked their way out of her system.
Of course, Nyimas isn’t some naive child. Tournament fighters are often fortified. But to fight thirty without collapsing without exhaustion - why, Mahsuri has a potent alchemist on side. One who isn’t necessarily entirely human, though where her spirit-blooded heritage lies, she isn’t sure. Well, it doesn’t matter. Pushing the other woman who can be so useful to the Cat School wouldn’t be a good idea.
She raises her cup and takes an elegant sip of the sweetly spiced tea. “I have heard you are Saatan by birth,” she says. “And there are many clever priests and well-trained pirates there, no?”
“Oh, more than you could count,” Mahsuri says, rolling her eyes again. “They do love their temples. And their laws. And their bickering over which laws from what temple apply where. The Choson way is far simpler, I’ll say that much for it.”
“Are there other martial artists you trained against?” she asks. “For forgive me if I am forwards, but from how you fought, you have fought in tournaments before. Are they a Saatan thing?”
That has Mahsuri leaning back, regarding her with sharp brown eyes. She takes a sip of tea before answering. “Other martial artists, not many. My father handled most of my training, before he passed. Oh, he made sure to get me as much experience as he could - putting down pirate scum, duels with Saatan scions, a couple of long trips up into Shuu Mua to blood me against wyld-beasts there. But the kind of martial arts traditions you have here in Choson, where hundreds of styles congregate... not quite as much.”
There’s a faintly defensive hostility to her as she says it, and a faint sneer forms as she continues. “That said, I’m a quick learner. As that bitch Nona Nik found out. Don’t think it will trouble me in the tournament. Which...” the sneer fades, and an eyebrow quirks, “I think I have you to thank for my inclusion in?”
“I do what I can to help my friends,” Nyimas says. She pauses, and smiles over her teacup. “Or long-lost sisters borne over the waves from pirate-filled islands.”
Smiles, and tries not to show just how desperately she needs to see to this woman’s needs. So she’ll help her, and the Cat School. But perhaps she doesn’t hide it as well as she hoped, because Mahsuri cocks her head, dark eyes assessing, and that confident razor smile from the Assembly plays over her lips for a moment.
Then she snaps her fingers. “Simya,” she says. “Your wares, please.”
The alchemist girl jerks upright in her seat and fumbles the box onto the table. “Y-yes!” she stutters. “Right, um...”
With shaking fingers, she takes off a thin necklace that dips beneath her collar, which turns out to be a silver key, and unlocks the two padlocks on the wooden box. Opening it perhaps unsurprisingly reveals an alchemist’s carry-case, complete with a double-row of glass vials, several small but thick-walled bottles and various tools that Nyimas doesn’t even try to make sense of. Instead she watches the girl as she pulls out four vials and sets them on the table.
“Th-these represent some of the most useful solutions I have been supplying Lady Roelcke with,” Simya says, nervousness dropping away as she gets into her topic. “Th-the first is an elixated combination of certain salts humected with-”
“Just the effects, Simya.”
“... right, yes, apologies, my lady.” The girl clears her throat. “In simple terms, then, this first vial is an example of an enhancement tincture. A, uh. A permanent one.”
She ducks her head for a moment, eyes all but caressing the vial, and the smile on her lips makes the hairs on the back of Nyimas’s neck rise in warning. It’s hungry. Almost manic for a second, before being swallowed again.
“... this particular example,” Simya continues after a moment’s pause, “is the same blend that Lady Roelcke took most recently. It amplifies the recipient’s essential vigour and both the physical and subtle energies of the body, enhancing endurance, stamina and to some extent reinforcing physical structure. I can supply similar draughts for rapid development of gross muscle strength and general reflex speed. Gains, once the elixir is fully absorbed and expressed, are permanent.”
While Nyimas is absorbing the absurd magnitude of that claim, the alchemist - where did Roelcke find this girl? - moves onto the next vial.
“This, in turn, is a targeted antidote. These need to be tailored carefully to a specific poison - or disease, though those are generally more complex to produce - and are non-permanent effects, but given a sample of a given poison or access to sample from a diseased patient, I can produce a negating draught that will disperse the effects of the ailment and confer temporary immunity. Should any of your fighters be suffering from old poisons still present in the body, lingering sicknesses impacting their health that flare up and go into remission but never fully leave, or similar chronic conditions, I can supply personalised antidotes that will clean out their systems.”
That is... well, no, that’s not quite as absurd. But it’s still a stunningly bold claim. And yet Mahsuri just sits there with that calm smile, watching her prized jewel begin to gesture animatedly as she speaks.
“This vial,” Simya continues, tapping the third, “is the most limited but perhaps the most useful. It’s a one-time restorative draught made with materials from animals such as salamanders that can repair old damage to the body that has not fully healed. I cannot treat gross physical or structural damage to the body, but worn joints, broken bones that have healed with weaknesses, organ or muscle damage that leaves your fighters with shortness of breath or limited range of motion... these, I can restore to something approaching their prime. It is a strictly temporary reprieve from the ravages of time, but it will last more than long enough for a tournament.”
Her fingers come to rest on the last vial, and only now does she hesitate, looking uncertainly at her mistress. Nyimas can’t read Mahsuri’s expression, but she doesn’t prompt the girl to continue, only looking at the fourth vial with faintly pursed lips.
Nyimas exhales, and lowers her tea cup so neither of the other two women see her hands shaking. She has her own alchemist - of course she does, she’s a tournament fighter - and is quite familiar with the range of things that can be done by someone who has studied those arts. One always has to be careful - there are some schools that had dabbled in forbidden, un-Benarist, unclean techniques in the pursuit of victory - but a Benarist alchemist can fortify the bones, purify the blood, numb pain, allow the blood to carry more breath around to fortify fighting strength, and other things.
But there is a difference between something made from haematite, spinach, and bull’s blood which fortifies the body so one recovers faster from training injuries, and something which in just one dose hones the body in such a comprehensive way.
It might be forbidden. It might be against the Philosophy. But-
“Side effects?” There must be some.
Silence for a moment. Ah. Yes. There it is. The catch.
“In... order to achieve their effects, all three of these draughts need a carrier foundation that can penetrate the body to its full depth,” Simya says uncomfortably. “A heavy metal base - in this case, mercury. They are each toxic in themselves - especially the enhancement draughts, which have the highest content. No more than one of those a season is safe. Two a year would be safer. The symptoms-”
“Mercury poisoning,” Mahsuri interrupts. “If you’ve seen it before, you’ll know what to expect. If you haven’t, you’re probably better off not looking them up. They come on slow, though, and Simya found a solution.”
Simya nods jerkily and holds up the fourth vial. Where the other three had been various shades of silver tinted with other colours, this one looks almost like water, though the way it moves hints at something much thicker.
“Y-yes,” she stammers. “Ah, the silverdraught induces a temporary internal stratification that suspends - but does not cure - the effects of the heavy metal toxins soaked into the flesh. This effectively suppresses all side effects for approximately one month, after which they will reemerge. The silverdraught has no mercury content, so it can be taken with minimal risk - there are a few side effects, but all minor annoyances at worst. Periodic night sweats are the only one lady Roelcke has reported. Once a mercury-laced draught has finished settling into the body - which takes about a season - extraction of the toxins can begin. Or,” she glances at Mahsuri, “one can then take another draught, with the intent of extracting all of the accumulated mercury at the end of the... extended process of body refinement.”
Mercury. Nyimas is the young mistress of the Cat School, and if she let her feelings show she’d never get anywhere. But because she isn’t letting them show she can smile and look thoughtful while her mind whirs. Mercury. Oh, one of the most powerful alchemical reagents. She knows that much. Too powerful for mortal men. The alchemists say that it can give someone the power, the strength, the fortitude to break all their limits in pursuit of what they desire the most.
That in itself tells her that what Mahsuri Roelcke wants most of all is to take her place among the Cat School. To reclaim her family’s legacy. That she’d dabble - no, more than dabble - in the enhancements that come from that almost-arcane substance... this is what she wanted. It might kill her - but, ah, if this brilliant spirit-kin alchemist she has is someone who can stop the mercury from killing you, can put it off...
Nyimas has heard of what alchemists and sorcerers willing to dabble in mercury can do. The old bandit-princes of the dark times of the Pecah Negara, which lasted until the Benarist sage Tinju set up the Tuhan Giok Tinju - they were said to have used it. When she was younger she saw the tomb of the undying sage of the Snake’s Three Fangs which sits on the outskirts of Nagakota, where it is said that he was laid to rest on a boat floating on a pool of mercury, all to extend his scraps of life into eternity. Of course, the Immaculates and the Benarist sages laid the undying sage to true death, and the story is that he was too mad and too ancient to even understand what they were doing.
But that isn’t what she’d be looking for here. Her school, her people - they need this edge. This edge that’s enough to beat the Tiger and stop Harimaukota taking bites off the Cat’s turf.
So if she offers Mahsuri Roelcke what she wants, Nyimas can get what she wants.
“Interesting,” she says pleasantly. “Where in Creation did you find this lady? Such a marvel.” A little flattery first.
“Oh, she and her mother came to Saata from… where was it, Simya?”
“Gem, my lady. Across the Fire Mountains, at the far end of the Firepeak Pave.”
“Mmm. And her mother came to work with my father. Also an alchemist, but I prefer Simya’s creative flair.” And willingness to take mad risks in her work, Nyimas assumes. There’s no way the girl hasn’t poisoned herself with mercury in the course of mixing these brews. Developing that silverdraught was probably a desperate effort to save her own life, not Mahsuri’s.
And as for her origins… Gem! Mystic Gem, city of wonders and fabulous riches, where it is said that the streets themselves are paved with gold, they burn firedust instead of wood, and they use precious stones in place of glass. Oh, Nyimas doesn’t believe it, not all of it - but a city that is so legendarily wealthy that some say that the reason gemstones are called what they are is that they are merely stones from Gem... that is a city where the lords are no doubt fascinated in extending their life. Enough that they can afford the very best alchemists and to devote their time to purifying their internal balance for wellness and health. Enough that these alchemical marvels might well have been devised here.
“It is perhaps well-timed you arrive here, a stroke of fortune,” Nyimas says, pleasant, smiling. “I am the young mistress of this school, chosen heir of the current master, and the Cat needs women like you. And,” she offers, “your alchemist too. Will you be taking up residence in Meongkota permanently?”
This is something she needs to know. With these kinds of alchemical fortifications and her own talent, this woman could be dangerous. Nyimas will give up a lot to have her on side, but she would rather she not threaten her own position. If it is for the good of the Cat, she might bear it - but she does not like it. But Mahsuri’s needs come first. So she can get her on her side, of course.
“While I’d like to - and while I fully intend to revive the Roelcke - I’m afraid I have responsibilities and holdings overseas that require too much of my attention to settle full-time,” Mahsuri says smoothly. She leans back into her seat, sipping at her tea again, and points at Nyimas.
“Actually, on that note, there are a couple of things you could do for me that would really help me out if you were willing to lend me a favour, sister,” she adds. “I wasn’t sure where to go for aid, but your invitation came at the perfect time.”
She’s (secretly, selfishly) thankful for that. “Of course!” Nyimas says as quickly as she can. “Of course I have responsibilities to my juniors.” Usually keeping them in their place and puncturing them when they get too arrogant, but Mahsuri is different. “What is it?”
“Well, to start with, I’d thought to offer - quietly, and respectfully, of course - some of Simya’s wares to the Cat School for... well, not for free,” Mahsuri says, with a flash of teeth. “I understand they’re rather expensive to make. But I’ve talked her around to offering a much-reduced rate, since it’s for Meongkota’s future. I just wasn’t sure how to go about making the offers without the other schools catching wind of it, or the Tigers crying foul, or the Benarists or Immaculates getting... overly harsh in doctrine; you know the sort of thing. But you’re well-established in the city and a trusted name - and know the others who’ll be fighting in the tournament, and who needs assistance most.”
She would normally be more wary, normally object - but no. Not when they need this against the Tigers. Not when she needs Mahsuri Roelcke on side. Not when Meongkota needs this. It’s all about need, and that’s why she needs to help this woman out. “I know this,” Nyimas says. “The tournament duellists on the team - I know who’s willing to use alchemical aids.” Without thinking she stares at Mahsuri’s lips, looking for approval.
She gets the grateful smile she was looking for; another flash of white teeth against the dark hair and dark jacket and dark shirt of this sleek black cat.
“Perfect,” Mahsuri purrs. “And I’d also ask, if it’s not too much trouble, who you would recommend to handle the restoration of my estate when I have to leave Choson. I don’t intend to be on the next ship off the island once the tournament is over; far from it - but I will need to be back overseas by the year’s end, and I don’t know who I can trust here to manage my inheritance in my absence.”
Ah. Nyimas puts on a sympathetic expression. “Said inheritance, I am afraid, is a mouldering unliveable burned mansion, abandoned fields, and a ruined fortress. It has not been managed for decades and I doubt neglect will matter for what remains here. The land is yours, of course, but between the wyldstorms and hurricane season, there won’t be anything of value left in those places. Mountain bandits will have likely stripped the fortress bare, and,” Meongkota hasn’t had the money to repair and station fresh troops in it, “we can but hope that chaos-spawned monsters haven’t taken up residence in it. The Roelcke estate is within the walls, but the building is burned and rotten, and I believe there are some kuyuk scum squatting in parts of it.”
“Tch.” Mahsuri scowls, her handsome face twisting in a sudden scowl. “Damn. I was hoping there’d be more, at least for the city estate. Well, I’ll at least visit them both and see if there’s anything to be done.”
“Of course, of course.” But that doesn’t matter as much as the Cat School. “Let us see, though, about who will be taking you up on the offer of alchemical glory.” And she will be second in line. Not first, of course, because she wants to see what it’s like. But she won’t give up her edge.
In one of the private back rooms of the Cat School building, she makes sure the people who she knows use alchemical enhancements for tournament fighting are gathered together, and they listen to Mahsuri and her stammering Gemite alchemist. And after they listen to Mahsuri’s case, everyone takes a dose - and the antidote, too.
Nyimas has never felt anything like the vial of metallic, thick liquid. It tastes like copper; it burns as it goes down. And it burns even more when it’s in the stomach. It hurts so bad. It hurts so good. For a moment she is nearly forced to her knees by the pain, the feeling of her body contorting and twisting under the skin, the way the pain feels wonderful. She can feel her core muscles, her thighs, her biceps shift and twist; she feels her bracelets suddenly tighten as her bones thicken and her muscles swell. She can see the difference and more than that, she can feel it as she straightened up - as if she’d spent a season, maybe a year, just working on her endurance with no interruptions and no distractions.
“Oh yes,” she says, drawing her sabre and cutting it through the air, feeling the snap, the way a lunge doesn’t tire her. “I like this.”
And when they’re all done, she looks over the Cat School’s team of tournament fighters and sees all the little changes, the development, the improvements. They were already good, but now they’ve had all the little weaknesses and inadequacies taken away by the power of alchemy.
“Thank you, sister,” she says to Mahsuri, with heartfelt certainty. Now she feels good about this upcoming duel.
Perhaps she would have felt a little different if she knew that shortly afterwards, Mahsuri was helping her alchemist vomit behind a bush as Simya’s anxiety and nerves caught up with her.
“I’m sorry, I’m so sorry for slowing you down,” pleads Simya, retching.
“Breathe, Simya,” her mistress soothes, holding her hair back with one hand and rubbing her back with the other. “You didn’t slow me down at all. You were fantastic. Even better than I could have hoped, actually; you have a gift for this kind of thing. That, or you were at the very top of your game in there. You even had me half-believing you were the alchemist who made those elixirs. And that disapproval you feigned at how Mahsuri’s overusing them and building up so much mercury in her system? That was genius.”
“… seen muh-mercury p-poisoning before,” Simya manages to force out, before throwing up again. Tears bead in her eyes at how awful she feels. “I-I-I thought…”
“Ah.” The dark-haired, dark-clad woman behind her grimaces. “Okay, yeah, that makes sense. If it makes you worry less, the mercury doesn’t bother me very much; I have a slight tolerance before it even starts affecting me, and my system can fight it off and excrete it after a few days of feeling unpleasant.”
Strong fingers massage the shaking girl’s temples. “You did really well, Simya,” Keris repeats. “You played your part perfectly. And actually understood the underlying alchemy, which was a lot more than I was expecting, if I’m going to be honest. Especially with only a few hours to go over it beforehand. You should be very proud of yourself; you really helped my plans in this city.”
“I d-don’t do this k-kind of thing! I just h-help Mother in her work.” Simya gags, her already pale skin looking even more lilac. Keris finds that Simya is losing hair, too, the black strands coming away in her hands. “I h-hate having to talk to p-people!”
“I know, I know.” Metagaoyin roots subtly tease the hair back into the girl’s scalp, and find as they do that it’s not natural growth. Ah, of course. Neomah tend towards baldness. This must be more fleshgrafting the girl has worked on herself - a vanity project, presumably. One that’s breaking down from the hormonal cocktail pouring into her veins now that the pressure of the past hour or so has let up.
“Do you want me to help you calm down, Simya? You’re starting to reach the point where the stress on your body from the panic is fuelling more panic. I can take the fear away if you want.”
There’s nothing left in Simya’s stomach. “Yes. Please. Hurts.”
Keris sets her left hand at Simya’s temple and concentrates. Slowly, she pulls it back, and with it comes a strange, amorphous substance. It is not molten glass, nor viscous fluid, nor a wisp of clinging mist, but it shares similarities to all of them in how it moves. Silvery-white with a strange black glow that makes no sense by the natural laws of light and colour, it clings to her fingers, pulsing and spasming like a living thing. She draws it out in a line a handspan or two in length, before tugging it free and snapping her hand back to gather it up.
Simya sags, numb calm suddenly taking the place of the heart-pounding, vomit-inducing panic. She’s still breathing fast; her pulse is still rapid and nausea pools in her gut. But they’re just leftover symptoms now, all fading fast.
Keris examines the ephemeral thing she’s pulled from Simya’s mind and soul, twisting her wrist and flexing her fingers to keep it gathered as it flows and spikes and tries to escape her grasp. An unsettling satisfaction - or perhaps fascination - gleams in her eyes as she catches a strand of it to rub between finger and thumb.
“Hmm. A full-scale panic attack,” she muses. “Interesting. I bet I can make a hell of a fear-inducing drug out of this.” Part of it spills from her palm in a long line, evaporating as it goes, and she dips her hand to scoop it up before it hits the ground. It snaps her out of contemplation, and with an empty flask from Simya’s alchemist’s kit, Keris quickly and efficiently bottles and stoppers the substance, then makes it disappear into her hair. “Okay,” she says, clapping her hands. “Feeling better?”
“Y-yes. Yes.” Simya breathes out, blots her mouth on a handkerchief, and swallows. “I did it though, didn’t I? I made you happy. I... I can keep working for you and w-with Jemil, even... even if I sometimes g-get so scared I can’t think?”
“You did it, and you made me very happy,” Keris reassures her. “And after understanding most of the theory behind my mercury-alchemy in under a day? I needed lessons from a demon princess to learn those recipes. You definitely have a place with me if you want it.”
She strokes Simya’s forehead, clammy and damp with the cold sweat of terror. “Fear is not a weakness, Simya. I get scared too. You remember that po-philtre I had you drink? What you learned about your lower soul from that; your nature at your core? Mine is terror. I know what it’s like to be too scared to think. I just react differently to it - and I’m powerful enough now that not as many things scare me. I understand, though. I won’t look down on your anxieties.”
Simya rolls her shoulders, hiding her hands up her sleeves. “Is that why you’re hiding th-the true power of what you can do with your alchemy? I... I understand a lot more of what you can do, but I know I c-can never do it. Not in the same way. Are you scared of them knowing what you can do? You c-could have made them all into d-divine beings.”
“Mmm. I could have. I have, for one or two others.” She hasn’t dropped the disguise of Mahsuri Roelcke, but the hands that briskly check Simya’s pulse and breathing move with Keris’s practiced surety. “But that would be far too obvious. We’re not trying to sucker the Cat into being devoted cultist-slaves here; we’re laying groundwork to get a long-term foothold on this island. And we’re doing that by telling them a story. A young woman of a Great School’s bloodline returning to claim wira status and her family holdings with the help of a brilliant alchemist; that’s a tale Choson can believe. Better than that; it’s a tale they’ll want to believe. At least if the alchemist is very brilliant, and spirit-touched, and the elixirs she provides have obvious downsides that explain why everyone isn’t using them. Giving them a single enhancement elixir each will boost their chances of winning the tournament, but not by enough to wave the difference in everyone’s faces.”
Satisfied with her student’s condition, she sits back on her heels and shakes her head. “But perfecting someone’s body and mind in a single day before leeching the mercury from their flesh with a few hours of work? Growing back whole limbs or restoring old men to their youth and granting immortality? Way too obvious. Every other school in Meongkota would realise something was up in a heartbeat - and this is Immaculate territory, even if their situation is more complicated than it is in An Teng or the Realm. Wave around a flag that screams ‘demon lord’ and we’ll have a Wyld Hunt dropped on us. And I am, yes, rightfully scared of that prospect. The Immaculate Grandmasters of the Five Dragon School have held Nagakota against every challenger for three hundred years. And they trained the abbess of Triumphant Air, who I have met, and gone up against, though she didn’t know what she was facing on either occasion. She is a scary woman. These people are very good at killing Anathema. You deal with threats like that by avoiding them, or already being a long way away when they show up.”
“I see.” Simya indeed seems thoughtful. “S-so you think the Cat will win with everything you’ve done?”
Keris cracks her knuckles. “Probably not,” she says bluntly. “Which is why my next move is going to be paying the Tiger a visit. We’ve helped our side. Now it’s time to hurt theirs.”
The next day is muggy, and the clouds overhead are darkening. The weather seers say that there will not be rain today, though, and so it is in the open-air stadium that the tournament match between the Cat School and the challenger Tiger School will be held. The Meongkota flags hang limply from the lines of flagpoles that lead to the entrance, and the stone-and-wood stadium is packed. There is a festival air to the place, where most of the petani crowd is wearing Cat School colours. They wave their hand-embroidered banners and blow horns and flutes; they beat drums and hammer their feet into the stands; they have chants, they have songs. The number of supporters that the Tiger School has in the stands and in the pit that surrounds the raised fighting podium is slimmer -- a few in Tiger School colours, the rest in Eagle or school-less outfits lending their support to the Tigers who seek to defeat the Cat.
Mahsuri is down in the Cat shelter by the fighting podium. Unlike the attempts of someone to prove themselves to be a wira, this is not life and death in the same way (officially, at least) and the duellists who will be fighting in the weapon duels have padded armour and blunted weapons. Though not blunt all the way; take a blow to the face from one of the duelling blades and you might lose a tooth or break your nose. The same can be seen in the Tiger School fighters on the other side, armed with blunted bronze tiger claws and khatars. The people who’ve been entered for the unarmed duels are unarmoured, and that - they’ve told Mahsuri - is where the Tiger School has racked up the points in previous tournaments. The unarmed bouts favour them for most of the best Cat School fighters focus more on their bladework and consider an unarmed fight to be a cue to get armed up.
Of course-
“The Tiger School announces a change to their line-up,” one of the Meongkota proctors says, approaching the Cat duellists. “Budi Darmawan has dropped out due to illness. He will be replaced by Melati Andy.”
That produces a rush of voices and no small amount of elation from the Cat duellists.
“Excuse me?” Mahsuri asks. “Who was this?”
“One of the best fighters they have in the unarmed rounds,” Nyimas explains. “I do hope he’s well.”
“I don’t,” one of the other Cat School fighters says archly. “I wonder if he’s fallen off the wagon again. He learned to fight for bar fights.”
“We don’t say that kind of thing publicly,” Nyimas says, not even pretending to hide that she agrees there. “But this is good news for us. I’ve scouted Melati Andy before. She could be very good in a few years, but now she’s not quite there.” She raises her gloved hand to her mouth to cover her laughter. “Oh dear. Those poor Tiger vaudevillians must be having a most unfortunate morning!”
“Perhaps the gods and fates are against their attempt to push into our city,” Mahsuri comments, smiling thinly behind her hand. Internally, Keris’s smile is far more smugly self-satisfied. She knows for a fact that Budi Darmawan has indeed fallen off the wagon. Indeed, he’s not just fallen off, he’s been punted hard enough to crater the ground where he landed.
But can he really be blamed for this bout of ill-timed intemperance? Perhaps some of the responsibility lies instead with the pretty, wide-eyed petani woman who approached him last night, enthusing about her admiration of the heroic Tiger stylists of Harimaukota and offering to pay for all his drinks in return for stories of his bravery and daring in past victories. The pretty flowers around her words had been sweet-scented indeed, and a ravenous hunger had woken in him for the drink she offered, fed further by the flattering of his ego and the forbidden allure of a bender the night before a tournament. He fights better with a drink or two in him, he’d bragged. Enough that he’d considered learning the ways of the Drunken Fist in his youth. And she’d been a pretty young woman, and the town was going to be theirs in a year or two anyway, and every story had made her more and more eager for the next, and the drinks had just kept coming...
“How embarrassing for them,” Mahsuri smirks. “Well, these things will happen when you recruit weak-willed alcoholics and dissolutes. Such people simply can’t muster the focus or dedication needed to represent their schools with honour.”
A green-robed Immaculate nun steps onto the central field. The speed at which the stands fall silent is almost uncanny. Carefully, ritually she lays in a brazier the offerings to the gods of Choson, to the patrons of the Cat School and the Tiger School, and Zho-Meong, the City Mother of Meongkota. The Meongkota city proctors approach her, and hand her a bottle of spirits and a burning torch; she pours the spirits into the brazier and then sets them ablaze.
From the top of the stands, horns blow and drums sound out. Just once, a blast of sound. “Oh gods, accept the offerings of the city!” the nun calls out. “Oh gods, oh spirits, the battle here honours you, and is fought in your names! Oh gods, let this clash of blades be your spectacle! Sit, partake of these offerings, drink and behold these honorary fights!”
Again, the drums; the horns.
The nun bows to the proctors, the proctors bow back to her, and then she leaves the arena.
“The wira of the Tiger School challenge the wira of the Cat School for control of the Redah Bridge on the coastal road to the east of Meongkota,” declares the proctor. “The Cat School currently holds this bridge, with the right to impose tariffs on those who cross it, and the responsibility to maintain it and defend it against all beasts, horrors, and demons! So says the Tiger School; the Cat School is lax in its responsibilities, takes too much in taxes for what they serve, and permit vile things to cross the flowing water by way of the bridge. To this, a challenge is issued, wagering control of the village of Tinggipadang, which lies close to the Rendah Bridge as the Tiger’s stake in this matter!”
“They took it from us three years ago,” Nyimas says to Keris in a low voice. “This is how they tear chunks from us.”
“The Cat accepts this challenge. So may it be! For ever since the dark days of the Pecah Negara were brought to an end by the enlightenment of Benar’s teachings, this has been our way; honourable combat, not open war; a battle of peers, not pointless bloodshed; the strength of the wira, not the weakness of evil beings! So may it be! Meongkota acknowledges that this is a rightfully issued duel, and permits this tournament to go ahead under our laws, following the conventions of Ciangra!”
Once more the drums; once more the horns. They’re starting to really hurt Keris’s sensitive ears, and she has to keep a flicker of annoyance off her face at this blast of painful sound.
“Fear not, sister,” Mahsuri murmurs back to her new friend and ally, covering her wince with a smile. “Today we take it back. Those Tiger mongrels will remember that we have claws too.”
And that is exactly what is seen. The first batch of matches are a warm-up of the younger, less experienced fighters. There is some surprise from parts of the crowd that the newcomer Mahsuri isn’t in this section, but the wira of Meongkota and the petani who’ve heard the rumours understand why the Cat are holding her back.
But it’s close to a clean sweep by the Cat. The first armed set is close fought, and the Cat barely pull ahead on points. It’s clear some of the Tiger fighters are disappointed in themselves - Keris can hear their growls and self-blaming remarks as their fighter limps from the centre stage - but it’s completely unsuspicious. Maybe the Tiger opener is just having a bad day.
But then the second - unarmed - set sees the Tiger’s warm-up team crumple. It’s an embarrassment in front of the Meongkota crowd, and it’s hard to believe that this was the set that the Tiger was meant to be favoured in. They’re tired - and the Cat Style fighter is stronger and faster than she was at the last tournament, her straight-finger jabs and open-palm strikes overwhelming the Tiger attempts at aggression.
The cheers of the crowd have some jeers in them. The Tiger are letting themselves down.
The third wave is inconclusive. The Cat clearly put their stronger fighters in the first two sets, intending to leave the warmups with an initial lead, but the Tiger can’t manage to take advantage of it and pull a point back. By the end of the bout, both fighters are visibly exhausted, despite a low-scoring bout without any great technical prowess. But that’s the strange thing. No one expected much of the Cat’s third fighter, but Hasan Hartono of the Tiger school had proven himself in the last tournament. He should have done better, not been drawing with a weak Cat junior.
Still, when the matches break for prayers and tea, there’s a mood of elation in the Cat dugout - and in the Meongkota stands too, as they cheer for their home school. Only one person in the cheering crowd is unsurprised at the way the Tiger are doing so poorly. One person who hides her feelings of personal illicit sabotage-based smug triumph under a mask of similar but completely appropriate school-associated second-degree smug triumph. Because Keris Dulmeadokht knows that the Tiger are indeed having a bad day. A very bad day. Following a very bad night.
And they had a bad night because a shapeless, colourless, chameleonic thing crawled in through the window of their rooms yesterday afternoon, bypassing all the guards and locks and martial artists. It searched through their possessions and ensured the sprained ankle of the woman asleep on one of the beds wouldn’t recover in time for the tournament. It ruined some of their prayer strips to weaken their blessings. It found the coolbox where they stored the meat for their tiger, and applied a weak emetic to it to keep them up all night caring for a sick beast noisily vomiting all over the floor.
And it got into the locked, warded box their alchemical regimes had been kept in. Oh, those had been interesting - and unlike their correspondence, the skulking predatory monster had taken the time to copy some of those out. They’d been truly invaluable in explaining what was in the drug regimens these proud scions of Harimaukota were taking. And they’d told the demonic force of wickedness who’d set herself against such noble martial artists everything she needed to know about how to sabotage them.
Mahsuri Roelcke watches Hasan Hartono’s abject failure to win a match he should have easily prevailed in with a sneer. And underneath Mahsuri’s face, Keris congratulates herself on her success. With less than an hour to work with and without any of her high-end tools, she nonetheless managed to dope a third of their drug vials with an alchemical additive that has effectively and with very few side effects inverted the intended purpose of the drugs. Elixirs that were meant to widen blood vessels and saturate the muscles with essence, air and sugars have instead become traitor-brews that constrain the uptake of air essence from the breath and trick the body into thinking it’s at the top of a mountain. She recognises the symptoms in Hartono. It had no effect while he was resting, but now that he’s exerting himself, his body thinks it’s being starved for air and nutrients. It’s going into survival mode, leaving him short of breath and weak of limb. And it looks like nothing but simple exhaustion.
Better yet, all of her additives are natural compounds that the body will process and flush out. Twelve to sixteen hours from now, he’ll be fully recovered and there’ll be no remaining evidence of what happened to him. Unless they saved some of the vials, they’ll never know what happened. And even if sheer luck lets them get a master alchemist to examine one of the sabotaged elixirs… they may well blame a fuck-up from whoever made them, rather than believe a rival could somehow possess the knowledge and stealth to sabotage their drugs despite all the security they’re kept under.
And there’s still one more of her tiles just waiting to be played. Or, more accurately, waiting to play herself.
The fights resume after the break, and the points lead of the Cat School fighters only widens. Mahsuri can’t see the dugout of the Tiger fighters, but she doesn’t need to. Even over the noise of the crowd, she can hear their disappointment, their fury, the fact that none of this is going to plan. There’s anger in the ranks; dissonance; dispute.
And then Natalena Tirrand takes the stage. She’s one of the big threats on the other side, and - rumours say - not happy that the mountain-trained, rumoured-to-be-heterodox Benarist Master Wulandari Hartono is the captain of the Tiger team. She’s a woman with a lot to prove, someone who won’t be at all happy with the fact they’re losing. Mahsuri has already heard her blaming Wulandari for their failures here. Blaming her for her line-up, her tactics, her chosen battle order.
This is a reversal of fortune. Over just three rounds, she dismantles her opponent with aggression and athletic fury. She’s alert, angry; channelling her desire to win. Her opponent takes a solid blow to the forearm in the first round, and after that he just can’t keep up with her speed; his movements pained, slowing down.
Oh, but would you look at that? Mahsuri certainly does when the Cat School fighter gets off the stage, and wouldn’t you know it, there’s clear inflammation around the wound he got from her. He’s light-headed, his breath quick, his skin sallow and clammy.
And the fool of a Cat doctor notices nothing at all. Is he distracted? Being paid off?
“Wait a moment…” Mahsuri says, pitched as if to herself but at a volume that will carry. “Something’s wrong, he shouldn’t be… honoured master!” She leaps forward, catching the Cat fighter by his good arm and beckoning to the old Snake stylist who gave her a fair showing in the Assembly. “Honoured master, something afflicts my brother. Will you lend us your expertise?”
There is something of an outcry about that - “What is she doing?” “A breach of tradition!” “She’s the upstart from yesterday” - but the old snake master comes over as gestured, out of curiosity if nothing else. And then his eyes widen and he barges forwards.
“This man has been poisoned, and if I’m not wrong this is masked cobra venom!” he says, his voice raised to sound over the crowd like a military leader. “Yanaur! Yanuar! Come here, and bring your bag!”
The Snake stylists are much better equipped and prepared for poison (give that they self-admittedly use it themselves), and the Cat doctor is soon flushing red as his failure to notice his junior’s condition is called into question. “Well, of course I didn’t think to look for poison-” he blusters.
“Venom,” Yanuar the Snake doctor interrupts with not entirely a lack of smugness.
“-because it shouldn’t be used in this fight! If we were up against a Snake fighter, I’d be looking for this, but masked cobra venom isn’t tournament grade even if we were fighting the Snake!”
“True,” says the old man. His eyes narrow as he turns to glare over at the Tiger dugout, and then he waves the proctors over. “We of the Snake School can confirm that the Tiger School has dishonourably used snake venom in their fight. This is both a breach of the rules of the tournament, and more generally of the honour of the schools - because someone who brought masked cobra venom to a fight like this was looking to maim, and maybe kill, their opponent.”
And that brings up a whole new wave of dissent and confusion, aggravated somewhat when Mahsuri voices the suspicion that the Tiger must have used the poison when they realised they were losing.
“Not just that,” Nyimas says, voice clear and loud enough to carry over to the other side. There is a swipe in her voice as she announces, “Questions should be raised about whether Tiger Stylists have secretly been using venoms in other matches to get an advantage that no one knew to look for!”
Mahsuri is right there with Nyimas, demanding answers and casting aspersions on the Tiger school. But Keris is not as surprised at the revelation of this shocking foul play as she pretends. Why would she be? It’s her poison, after all.
‘Everything went just according to plan,’ she thinks inwardly to Dulmea, smug at her own success. ‘Well, barring that idiot doctor. I was worried she wasn’t going to use it for a moment, but the way we were pulling ahead must have made her panic.’
She glances over at Natalena Tirrand, who is looking pale. Strictly speaking, it’s not entirely the Immaculate woman’s fault. Keris had identified her as a weak link yesterday; a devout, conservative woman who bore a grudge against Wulandari Hartono, the powerful woman with the tiger familiar she’d seen on her way into Meongkota. Something about heterodoxy from training under some reclusive Benarist mountain sage, along with - from what Keris picked up by flirting with some of their juniors under a false face - some class issues stemming from Hartono being a prodigy from a less distinguished Tiger family who showed a lot of wealthier families up with her rapid growth.
So Keris had bumped into her in the guise of a Snake stylist and formally wished the Tiger luck in the upcoming fights, along with some pious Benarist noises about good conduct and honour. And woven between her words, she’d let the Ebon Dragon’s shadows whisper to the woman that she could show her rival up, prove that her orthodox ways were superior, with just a little help - just once, to prove that Wulandari’s mountain ways aren’t as good as the proper Immaculate ones! That it was true anyway, so just getting some help to make sure everyone knew it would be fine, and then she could go back to following all the rules thereafter. And the vial of poison on this Snake school junior’s belt had been so easily taken, without the girl even noticing...
Keris honestly hadn’t been sure she’d go for it, even after taking the poison. But desperation must have overcome any qualms. And of course she’d picked masked cobra venom as something that would be easily identified by any doctor or judge who wasn’t asleep on the job, which would get Tirrand disqualified from the entire tournament, without risking her opponent’s life. Much.
‘I love it when everything goes perfectly,’ Keris gloats. ‘That’s one more of their skilled fighters out. And they’ve lost a lot of face with this move. It shames the Immaculates, too.’
The entire stadium is on pause, and the crowd is jeering the Tigers, until a runner from the Tiger dug-out approaches the proctors. There’s a brief exchange of words, and then the proctors come back over to the Cat dugout.
“Master Wulandari Hartono announces that the Tiger School forfeits this tournament, and apologises sincerely and honestly for the misconduct of a member of her school,” relays the proctor.
There’s a chuckle from Dulmea. “Oh, goodness me,” she observes in Keris’s head. “That’s a well-played trick from Wulandari, child. This way she can pin all the blame on her upstart rival, while also being seen to act honourably herself. They’re losing already, but this way all the fault lies on Natalena. The Tiger loses that village, but they can try again later.”
‘Well-played, but it serves my purposes,’ Keris thinks back. ‘We win the tournament, and Mahsuri gets a good share of the credit. You’re right, though. She’s a smart woman. I’ll remember her name for when I look into Harimaukota in the coming years - and maybe look into this mountain sage she trained with and how heterodox their ways really are, too.”
Nyimas’s smile is as smug as her school, but Keris in particular can see the small crack of relief there. No, she wasn’t looking forwards to fighting Wulandari herself. “To think that the Tiger would cheat so shamelessly just because they were down on points,” she says instead. “At least they’re showing honour - after they were caught. And that’s something we can throw in their faces for years to come.”
“Indeed,” Mahsuri smirks back. “A shocking display. But congratulations are in order, sister.” She flashes Nyimas a grin. “And celebrations! What are the proper way festivities for winning a tournament in Meongkota?”
“Oh, we’ll definitely be having something Cat Style,” Nyimas says. “To think you didn’t get to fight in your first tournament! A shame! But you did an excellent job by noticing the poison, so,” she clasps Mahsuri’s hand, “in a real sense, we couldn’t have won this without you.”
There’s a hidden meaning under her words - she’s acknowledging the role played by the performance-enhancing alchemy in getting that early lead that pushed the Tiger to cheat. The music in Keris’s head pitches down a scale in response.
“She has no idea how correct she is,” Dulmea says snippily.
‘Oh, let her have her ignorance. It’s funnier this way, anyway,’ Keris returns, feeling thoroughly amused. ‘Come on, you have to admit it’s a good joke. Oh no, such misfortune that all those bad things happened to the Tiger and that Mahsuri didn’t get to contribute directly! Good thing she gave that indirect help with the early lead and noticed the poison, though! Heh.’ She is, she decides, going to brag to Mele about this tonight. At length. And get Rala to write up a private report for Lilunu about it. Her lady does so enjoy it whenever Keris tells her about her sly empty-circle games and deceptive schemes.
“We can but hope that the Immaculate faith in this area keeps people like your Ney from taking a closer look at what happened here,” Dulmea says, needle-like words aimed at the inflated ego of her daughter. “Or indeed, any Dragonblooded magistrates.”
Keris barely keeps the wince off Mahsuri’s face. ‘Well... well they shouldn’t. Hopefully. And even if they do, I was low-key and subtle about everything I did.’ She sighs. ‘But you have a point, mama. I’m not just here to get a foothold in Meongkota. I’m here to do something big and flashy for the Althing, and that’ll distract the Immaculates too. As of tomorrow - as soon as Mahsuri’s done with the festivities for winning this tournament - I’ll get back to work on that.’
“If it is like the manners of Hell, a distraction in another city will let events here pass under the attention of watchful eyes,” Dulmea says, more gently. “Who has time for a cheater in a tournament if someone important has died, or a great many things are on fire? So it is good to move your attention to that, and so protect your investment here.”
“Okay, I’ve decided,” Keris announces the next day as she sits astride the bowsprit of her mango-seed ship and saturates it with her essence to keep the spell matrix from decaying.
The audience for her announcement does not, in her opinion, give it the respect that her momentous decision deserves. Mele turns attentively to her, of course, but Rala just raises an eyebrow and then goes back to fussing over Kuha. The little owlrider is awake and walking again, but still has deep bags under her eyes from lingering nightmares, and occasionally stares off into the distance and shudders. She’s recovering quickly, though, and Keris’s attempt to apologise for putting her through the stress of the trip offended her pride enough to put her into a several-hour-long sulk.
And on the other side of the mango-seed ship, Jemil and Simya barely even look up from where they’re pouring over the notes on the Tiger school’s alchemy. Yes, they’re very interesting notes, and everyone was very impressed when Keris spent a couple of hours bragging about her brilliant plan last night, but that doesn’t mean they get to completely ignore her now!
“I’m going,” she says, slightly louder, “to stage an attack on Nagakota - the capital. Like I attacked Agenete... uh...” Her eyes roll up in her head as she thinks back. “About... ffffive years ago now? No, six, because that was just before my souls all ascended, and that was just before I went to Taira. Anyway, yeah. Another attack like that, but even better planned. I’ll send a wave of walking drowned-dead up out of the harbour under the cover of some demon mists, then blow the algarel bombs I’ll plant on the undersides of all their ships. Maybe spread some hysteria around as well. Their fleets will be wrecked, their citizens will be panicked, I’ll leave the docks completely unusable and the combination of demons and the Dead will point them back at the Wailing Fen again, drawing their attention away from everywhere else.”
Rala sits up, bright-eyed and attentive to her mistress over her girlfriend. “Interesting plan, ma’am. I am glad to see that you have been putting thought into your work here. I do however have a few small issues which will need to be resolved before we can advance with this scheme.”
She waits for Keris’s nod to continue.
“Drowned dead? We have none. Algarel? None. Demon mists you can summon, yes, and hysteria you can create, but two of the instrumental features of your plan are seemingly lacking. But hopefully we can resolve this in the workshopping of your plan as we turn it into actual strategy!” She gives a sweet smile.
Keris smiles back just as sweetly, having prepared for this. “Already done, Rala. Choson is wyld-tainted. Heavily wyld-tainted. All I need to do is go up into the mountains and find a wyld zone to Shape, and I can sing the story of a tributary-lake of the Demon Sea. One that attracted a cult who laboured to make algarel from the vitriolic waters, storing it up for an attack on the righteous sects, until they roused their Great Mother’s ire and she drew them all into her depths to drown.”
She smirks, smugly confident in her forethought. “I’ll sing the story to the wyld, and then burn it into Shape. It’ll all be there - the storehouses, the algarel and the acid-scarred corpses in the water. And that’ll also give me a vitriol-tainted place high up in the mountains where the nature of Earth is all around. So I can unweave the ship and build a sanctum in the slate-thingie to carry everything.”
“Oh, you’re so brilliant, maj,” Mele interjects. “Ignore the naysayer. She’s just trying to drag you down.”
“I am trying to do my job vis a vis ensuring that her plans are plausible and she is capable of doing them in the time that remains,” Rala snaps. “We will have to manage the risks here. You always assume that things will work out for you and can’t help but take risks. You’ve always been like this!”
“And you’ve always been a worrywort,” Mele says casually. “No wonder you went szirom.”
Keris gets an odd sense of deja vu. She’s heard nearly identical arguments between Haneyl and Rathan.
“Ahem. My point,” she interrupts, “is that given the amount of algarel and bodies I’ll need, I probably want to find a tidal pool of chaos, ideally one populated by some minor fae. Or I can just get, like...” her eyes glaze over slightly as she calculates chaos-yields in her head. “Uhhh... two or three wyld-polluted valleys, say; draining the chaos from all of them into the one I want my Kimberyian lake to be in. Given what Choson’s like, I’m pretty sure we can find a place like that up in the highlands without too much trouble. Kuha, how flight-capable is Jamais?”
“Mostly recovered from the journey, Kerishyra.” Kuha says. “I will have to be careful because I do not know the thermals and the air-currents of this island, but if I take care, I will be able to explore the skies of the island in the same way as I do the sea.”
Simya’s hand has been half-raised for a while, but it’s only when Jemil sticks two of his fingers from one of his arms in his mouth and whistles sharply. “Oi! Mother! Simya wants your attention.”
“I-I-I-”
“Just say what you want to.”
“Um.” Simya swallows. “Uh, mother... mother has made algarel before. In, um, in small amounts but it’s a s-safer way of storing v-vitriol long term. W-will you w-want me to do anything?”
Keris purses her lips. “I’ll be shaping it pre-made, but... do you know how to set up a timed algarel bomb? Slow-release vitriol drip, delayed-break capsule; there are a few different ways to do it.”
“N-No.” Simya’s shoulders slump. “S-sorry. I’m useless and-”
Jemil reaches down, stroking her hair with four hands. “There, there. No. You’re not useless. Just say to my mother the first idea you think might work if you had some time to work on it. I’m sure you can.”
Simya leans into the giant, monstrous snake-centipede-centaur-thing. “Um. Um. I... uh. With... some metody flesh, and... maybe some insects, b-butterflies, maybe... I think I could make something that... um. Instead of its metamorphosis, it releases some vitriol. Or-or-or if you wanted it to h-happen at exactly sunrise or sunset I could use some tomescu vocal cords so it screams and squeezes out s-some vitriol.” She wrings her hands together and flinches.
“... huh. That’s a new one.” Keris considers it for a moment, then nods sharply. “Yes. That’ll be perfect for a dusk or dawn attack. Prepare as many as you can, please. Will you need me to summon a tomescu for the materials?”
“N-no. I still have some tomescu-shell in my kit,” Simya says, “left over from last time mother needed one for its blood. So I h-had to gut and fillet it for her and I saved some shell. I t-tried keeping the flesh in alcohol, but a stomach bottle bug drank it. And, um, it was getting kind of liquidy and rotten even before that.”
Keris winces. She can be callous when it comes to Hellish demons at times - the alternative is madness. And she’s certainly never been as attached to them as her own. But cold-bloodedly summoning a tomescu just to butcher it still makes her conscience twinge uncomfortably, especially given that it was probably summoned with the permissions she gave Hinna over the serfs of Hell.
“Alright,” she says, instead of voicing any of that. “Good practice, keeping materials around. Jemil, I know you don’t have a set of neomah arms yet, but I’d like you to stay and learn how Simya does it regardless. I’ll let you watch my wyld-shaping, but there’s no need for you to come scouting with me and Kuha.”
Jemil is torn between the exquisite agony of getting to watch a kind of wyld-shaping he hasn’t seen before and getting to see Simya’s flesh-experimentation. He definitely has something of an overstimulated Kali about him. Finally he settles on, “You’ll show me how you sing up these places which aren’t living communities later? Because I want to know how you do it - and help you work out how to do it!”
“Right now we’re just looking for a suitable tidepool,” Keris reassures him. “Stay with Simya and watch how she does things while Kuha and I scout. When we find the place, I’ll bring you up to watch me Shape it from the edges. Oh, and Mele? Keep practicing your Cat style, and take Rala through the theory and principles. I think it might suit her, and even if it doesn’t, I want to start building more of a martial culture among my keruby. Introducing a range of styles back home so they can pick the ones they like will be part of that.”
Mele chuckles at that, and not just because he’s been given authority over - well, yes, honestly, Keris probably can call Rala his sister, from how they act together and the fact that they were both made by the same kerub. “Looking forwards to having your own schools challenging each other in some big fancy arena you can have Queen Dulmea build in the City?”
“As clever as you are pretty,” Keris croons, reaching out with a hair tendril to caress his cheek. “Yeah. It’ll be a good way to foster more pan-Directional community. And maybe even some automatic minor titles for big tournament winners or something. We’ll see.”
She turns to Kuha, looking her over carefully. “I want to give... Jamais another day of recovery to make sure he’s better,” she says carefully. “The trip hit him hard; it seems to be worse on animals than people. Spend the day with him while I make up a reason for Mahsuri to disappear from the city for a few days - going off to check the Roelcke ruins in the mountains or something. Then be ready to head up into the mountains tomorrow.”
“Yes, Kerishyra!” Kuha says, bowing her head, echoed by a chorus of voices.
“... though I would like us to establish a full itinerary, including when you are due back and ensure you have enough time left to engage in your mission in Nagakota before you have to leave back to Hell, including leeway for bad weather,” Rala adds.
Inwardly, Keris groans. Dragon aides are all traitors.
“She’s right, you know,” Dulmea says primly. “And they’re good for you.”
Dulmea is also a traitor.
Chapter 33: Choson III, Fire 775 - The Eagles' Roost
Chapter Text
There is a hidden valley in the central Batun Batuntinggi mountain range of the main island of Choson, up in the central highlands far from the shoreline. The valley walls are ancient basalt, forming steps up the sides, and the grass that grows there is near worthless and dry. It is a place of great and abhorrent wickedness, where once a secret cult of demon-worshippers engaged in a terrible, malignant plot to overthrow the righteous Benarists and Immaculates of the Great Cities. Stewing in their bitterness and sin, they sold themselves to a lord of demons in return for his assistance in these matters, but demons will cheat and steal when it suits them and these cultists had no power to hold their dark master to his side of the bargain. Yet evil is its own downfall, and so the demon lord turned on those fools before their plan could come to its culmination, tearing their souls from their bodies and leaving the empty husks to lie there, unable to live and unable to die, scattered around the barrels of algarel that some call vitrioldust that they would have used in their schemes.
“None of that happened, though,” Rala says, looking over the neatly stacked barrels as she counts them up. “We all know that.”
“Do we?” Keris grins. “All the evidence is here.”
“Last night we saw that this was a wyld-tainted lake and next to it a forest full of goblins. You turned it into this.”
“I dunno. Maybe your eyes were just tricking you.” She hears Rala’s annoyed tut. “Yes, strictly speaking none of these people ever lived and this vitrioldust was faerie magic until I did it. But you have to admit, it’s a good story.”
“It is.” Rala tilts her head. “Mele calls you a holda - to your face, which is quite rude - but you’re also sort of a szirom, aren’t you?” She rolls her eyes. “Ma’am, please don’t teach sziroms how to make their stories real like you do. Speaking as one who used to be a szirom, children can’t be trusted with that power.”
Keris hums cheerfully. “There’s a little of every kerub in me,” she agrees. “Or there’s a little of me in every kerub; either way works. Now, how many barrels and bodies do we have?” She glances over to where Mele, Jemil and Simya are dragging the empty soulless husks into a row, Kuha circling up above them all on Jamais looking for any barrels or bodies they’ve missed.
“Two hundred and eighty husks exactly, and twenty-four barrels of algarel,” Rala says promptly. “Is that all you were expecting, ma’am?”
“A fair bit better, actually,” Keris says, looking over the bounty burned from the Wyld. “Excellent.” She sticks her fingers in her mouth and whistles, loud and shrill. Jamais swoops down to land next to her, and Mele, Jemil and Simya finish heaving the last of the bodies into a row and troop over.
“Right, so this seems to have been a resounding success,” Keris says cheerfully. “Maybe a bit too much of one, honestly. I’m not sure I can fit all of these in a small sanctum; I may need to use a stronger anchor.” She taps her tongue against her teeth, debating whether using her tongue piercing would be worth it. It’d certainly be strong enough; the question is whether she wants to make use of it like that.
“But those are questions for later,” she adds. “What did you all see about how I shaped the Wyld this time? Any observations on the differences between the living communities and resource-rich lands I was Shaping at sea and the implied narrative and,” she thumps a barrel, “finished goods I made here?”
Mele looks up where he’s working out the cricks in his back (shirtlessly, Keris appreciates). “The song was simpler,” he says. “And - though you’re always beautiful - not as beautiful. It also didn’t sound so much like back home. It was more... limited.”
“Constrained,” Rala agrees. “There were some melodies that reminded me of the Swamp and some of the Spires, but only parts. It was just... simple. Something made to begin and then end.”
“Mmm. Good eye,” Keris praises. “I’m not making anything living, or intended to support life, so the melody is more contained. There’s no need for dynamism if I’m making nothing dynamic. I suspect - but haven’t yet proven - that Cecelyne and the Whispering Pyre’s style of Wyld-Shaping are particularly good at this sort of ordered, static, lifeless patterning. Kimbery and Metagaos are better at dynamic patterns of living things; they’re both sources of life and fluid, changing environments. Which isn’t to say that any of them can’t do it the other way, but it’s better to work with the flow of their natures than against.” She turns, raising an eyebrow. “Jemil? Simya? Any thoughts or questions from you?”
“You had more control over what it made.” Keris blinks at this observation, coming from a less expected source. Kuha is another of her sorcery students, but she speaks up less during lessons, and doesn’t have the same innate knack for the occult as the others. “Is that because you just put more detail into telling the story, or is it because...”
The little owlrider frowns, trying to put words to her idea. “... because the shape is static, and living shapes that are meant to grow and change after you make them have to have their own... people-ness? Their own ideas of what they are and will be, which stops you having such tight control over their stories? Or is it just what you said about it being safer to not try to write everything about something living in case you get it wrong, while you know enough about algarel and dead bodies to be more specific?”
Keris blinks again. Then smiles approvingly. “... good question,” she praises after a moment. “I... don’t think I know, actually. Well, partly it’s the last one; I’m deliberately less specific when making living communities and land, because something that has to live and thrive is a lot more complicated so it’s safer to let Creation do the fine details. But I don’t know if static patterns fundamentally allow tighter control than something you intend to be independent once created.” She bites her lip thoughtfully. “Something to research, someday.”
Jemil scuttles around, to wrap a pair of arms around her shoulders. “It was wonderful, beautiful, amazing,” he breathes. “Could you make new things? Things that have never existed before? Things that couldn’t exist without you? Could you have dreamed any of those wondrous vistas we saw on the open sea into being using this?”
“... yyyes,” Keris answers hesitantly. “I think so? Wait, hold on.” She hasn’t felt or remembered anything from Yamal since before the twins were born, but she remembers what she glimpsed in his memories before that. “I think... I think that was something the Solars of the High First Age could do, yeah. I don’t have great memories of that time, though; they’re fragmented and mostly focused on other things. But... yes. I think they used Wyld-Shaping - both innate and sorcerous - to make impossible things; things that fuelled some of their great wonders. Circles that had corners to be internal components of their advanced creations. Materials that were solid and gaseous at the same time, and acted with the qualities of both or neither depending on the situation. Qualities that weren’t even stable in Creation, so the artefacts they were part of had special internal chambers where the laws of Fate were weakened so as not to make their components break down as fast.”
She wrinkles her nose. “I think that’s why a lot of the ancient stuff from the High First Age was lost; why the Shogunate’s relics are noticeably different,” she adds, her tone an uncertain guess. “A lot of the more... unstable? Advanced? A lot of the really cutting-edge stuff that used things like this and depended on regular replacement of impossible components just broke down without the Wyld-Shaping capabilities needed to maintain them. And the Shogunate couldn’t manufacture anything that used the same principles, because Dragonblooded can’t shape chaos like that.”
“So this is within the reach of your power,” he almost purrs in her ear. “Bringing back wonders no one has seen in thousands of years. And even they won’t have been able to do as much as you. You can learn things no one has ever learned before. Before anyone else can, no?”
Keris’s slow, self-satisfied grin is the lazy, hedonistic expression that’s lured many a man and woman into sinful damnation; a blissful smile of carnal satiation that has nothing to do with sex. She tips her head back to rest on her centipede-soul’s shoulders and hums happily.
“The last big High First Age wonder I found, I took to Ligier, who reforged it into the Baisha,” she drawls back. “But the next one... oh, I think I might try my hand at that myself. Dig through its innards. Learn its workings. Restore it - or better than restore it. Make it into something new. Something that marries ancient artifice to the Dragon King art of ambience and my own alchemy and Genesis-crafting. What do you think, Jemil? Wouldn’t that be fun?”
“Oh yes, mother,” Jemil says, rubbing his cheek against hers. “It would be wonderful. Maybe... maybe that amulet you talked about when explaining the theory of how you construct solid-essence forms. That sounds like it’d be fascinating to rip open...”
“My Resplendence Amulet?” Keris murmurs. It was one of the first things she connected with Sasimana over, all the way back in Matasque, and she has fond memories of it. Nowadays it sees constant use as an Anchor for her children. In fact...
“Zanara has it at the moment,” she murmurs. “They’d be upset to lose it...”
But oh, the things she might learn. Might be able to make, if she and Jemil were able to figure out how to replicate its abilities.
“... but I’m sure they’ll get over it,” she adds, with a dreamy smile. “Mmm. Yeah. Let’s. At Calibration, maybe. Or next Air. When we have time to spare.”
Rala clears her throat. “So, ma’am, where are we to load these concerns? Myself, that one-”
“I have a name,” Mele says mildly.
“Use mine and I’ll use yours,” is the response he gets. “Me, that one, and Kuha are headed to the coast, to Nagakota? Or have you decided you need to keep Master Useless with you?”
They are so very much siblings.
Keris taps her lip. “Honestly... we sort of have too many for my first plan,” she admits. “I was planning to use the slate thingie-”
“You mean the Library of Infinite Texts.” Rala’s tone is half annoyed and half resigned. Probably because she knows that Keris is just messing with her at this point, but can’t stop herself from correcting her anyway.
“Whatever you say,” Keris says sweetly. “Anyway, I was planning to make a sanctum anchored in that, but while it might have been big enough for a hundred bodies, it’s not really big enough for nearly thrice that. I’ll need to find another anchor - and give the slate thingie back to Pekhijira, or she’ll get pissy at me. Problem is, the only other anchor that can hold a big enough sanctum that I can think of...”
She grimaces, then opens her mouth and taps her tongue against her teeth. The opal bar-piercing studded through it glows from within, an echo of the rainbow fire of Lilunu’s eyes.
“... is this,” she finishes. “But obviously I can’t give that to you to carry down. Although... I guess you don’t actually need to carry the algarel and bodies down - and this’ll also get you out of feeding them. Hmm. Okay, yeah. Rala, Kuha; you two head back down the mountain, sail around to Nagakota, find some lodgings in or around, hmm...”
Keris pauses, considering. “... just find some suitable lodgings,” she concludes. “That might mean near the capital but not in it, it might mean somewhere discreet along the docks - I haven’t been there, so I’ll leave it to your best judgement. Get me a plan of the docks and work out the shipping schedules, the timings for when most of the ships are anchored there, anything else useful you can turn up. Kuha, keep her safe, and if you can manage some offshore flights on Jamais around dawn or dusk without drawing attention, try to find a good staging point offshore to summon my eristrufa - some barren spit of rock I can keep a dozen demon-mists inhabiting without them getting killed too early. Or, you know, just get some sailors drunk and ask them about the local coastline features. Got that?”
“Of course, ma’am,” Rala says. Elegantly she places her hand on her chest. “No one else here can do this for you. Then by your leave, please permit me to pack for the journey and transfer personal possessions. Kuha, I presume we will want to enter the walled city at night so that the bird is not noticed, so we will need to be in place to avoid having to waste a day? Yes? Good. Then we should prepare to leave soon. Will you need me for anything with regards to your planned sorcerous sanctum?”
“Oh, I can help her with anything about that!” Jemil says happily, ignoring how Rala’s eyes narrow. “I don’t know how she does it, but I’ll do anything to see how it works! It should be fascinating!”
“I’ll be fine to make it here,” Keris confirms. “This is all land I’ve created; the conditions are perfect for the ritual. But it’ll take me six hours or so, and a bunch of... entirely different reagents, actually, but in this case I can transmute a bunch of them, so it should end up costing a lot less. It’s a purely Lilunun anchor, so powdered opal, some of my better oils, a marble threshold miniature to sublimate for the portal...”
Her lips move silently for a moment before she nods firmly. “Yeah. Less costly than the slate thingie would’ve been; I can transmute the opal. But it’ll take a while, so you can start preparing to leave. Mele, Jemil, Simya; you’re staying with me. I hope you like caring for soulless bodies, because if these ones die before it’s time for the attack, I’m going to be really pissed about having to make new ones.”
“Don’t worry, I’ll make sure she doesn’t steal any for her experiments,” Mele jokes.
Simya flushes. “I w-w-would never,” she stammers, just a little too forcefully to Keris’s ears. She can also hear the sudden sweat on Simya’s forehead.
“I know,” she replies gently. “Now, help me clear some ground. I’m going to need a circle about... let’s call it a dozen yards across, where I’ll be describing the sanctum I’ll be making, its entrance, its dimensions and its nature. Actually, you three clear the ground for that while I get started on transmuting some soil into opal dust.”
Rala bustles off with Kuha to prepare for their trip back down the mountain as Keris’s three students start clearing a space on the ground - with indulgence, eagerness and nervousness respectively. Then it’s a couple of hours of setting up the ritual circle, trailing lines of opal dust to form a description of the miniature world-that-will-be, another hour spent on ritual purification of herself and the circle both, another hour spent on slowly charging the circle with essence, bringing it gradually up to a humming tension without surging in so much power that the dust begins to melt and fouls the whole thing, and a final two hours of preparing an Ideal to slip into Creation’s mind and get it to bud off a little self-contained pocket of space through the miniature marble doorway Keris has transmuted from lakeshore clay that she can twist off like plucking a fruit from the vine.
She talks throughout the first few stages of the process, explaining what she’s doing as she enlists her students’ help and double-checks their work. But for the final gruelling slog as she wrestles with a crystallised thought too great for any mortal mind and slides her essence into the flow of Creation to have the world-mind think it for her, she’s too focused to speak, or even really register them watching, rapt, from outside the circle. All her attention is bent on shaping this ancient wonder of the Sapphire Circle.
Keris Maryam speaks a word, and the opal bar on her tongue flares like a many-coloured sun. The complex pattern of opal dust and oils around her catches fire in the colours of her anima, while the little sculpted marble doorway in front of where she sits cross-legged on the packed-down lakeside sand sublimates into rainbow coloured essence as its physical structure becomes an abstract concept - the opening to a realm she’s just created, which exists only when she opens the way with the artefact it is anchored in.
As smooth as silk, as simple as song, a door of rainbow essence forms in front of her in the exact shape of the marble carving.
Jemil has a blanket for her to wrap around her shoulders for modesty, but honestly he’s totally disinterested in anything in the world that isn’t the sanctum. “Can I see, can I see? Please please please show me!” he begs.
Keris gestures weakly at the glowing portal, still a little woozy, both from the forces that moved through her as she shaped the newly-created sanctum and also from relief. It’s never entirely safe, making worlds this big. Little ones are easy, but when she folds space to make sanctums on this scale, there’s a small but non-negligible chance of her losing her grip, or missing a flaw in the Ideal, or failing to fill the anchor completely with essence, or any one of a dozen other potential fuck-ups. She’s really good, so it hasn’t happened to her yet, but it’s still a little scary knowing that the spell will blow up in her face if she gets anything wrong on a larger-scale casting.
“Should be open,” she mumbles. “Go on in. Wooph. Ugh. Mele. Get over here and carry me. I’m all wobbly.”
“Of course, maj,” Mele says, picking her up as he holds her to his chest. He’s lovely and cool and so comfortable to drape herself over, and he even tugs her blanket around her. He lowers his voice. “And Simya didn’t seem to get anything about your explanation and will probably be blaming herself, so you’ll need to calm her down when she works herself into a tizzy and-”
But Jemil’s sound of glee draws her attention away as he scuttles through the door, into a space lit in soft gentle green where rainbows ripple across the ground. There is a lush grand garden where automata-peacocks and living-stone cats roam across thick grass, expanses of many-coloured flowers, and past that, a townhouse made of brown stone with bright scarlet tiles on the roof, painted prettily with flowing frescos across the walls. The dome of the ceiling above is high and arched with ribs; the space almost seems to breathe.
This is some kind of lost wing of the Conventicle, a townhouse that never existed. And the face of the Conventicle herself is seen in the statuary across the newborn land. Keris’s unconscious mind must have been hard at work, because some of the Lilunu statues in here are in decidedly informal situations that she has only shown her Voice when they’re in private. Lilunu the artist with easel and brush, Lilunu the weaver with stone cloth so fine it could be real. Even Lilunu in the baths with her, hip-deep in a pond.
With a few taps and tugs, Keris has Mele drift over to the nearest one - a brass Lilunu curled up with a book in one of a collection of stone armchairs (Keris checks, and there is indeed text etched into the brass page - skimming over the Old Realm, it seems to be a trashy Shogunate adventure novel of the sort she knows Asarin reads). Holding back a smile, she pays her respects to her lady, dropping a kiss to Lilunu’s knuckles and then reluctantly sliding down from Mele’s arms. Though she does stay encircled in them, leaning against him comfortably.
“Well,” she sighs, “this certainly looks big enough to hold all our bodies and algarel barrels. And you three can stay here comfortably while I’m getting us further up into the Chosoni highlands. I want to see how deep these wyld pools get in the island centre - and also check out Langkota and the Eagle school. I’ve seen the Tiger, but I want a better idea of what the Great Schools are like than just one... they’re not listening, are they?”
Mele looks over at Jemil, who is rapturously exploring the townhouse and disappears inside it as she speaks, and Simya, who has drawn to a halt a few steps inside the portal and fallen to her knees, eyes wide in awe. He makes a rueful expression.
“Doesn’t look like it, maj. Sorry.”
Keris grumbles, then slaps lightly at his chest. “Fine. Go start hauling things in, and I’ll talk Simya down from her worries. We’ve probably lost Jemil until he finishes exploring every inch of this place, which’ll take him a while.”
He leans in to tenderly kiss her brow. “You did amazing to make all this, maj,” he says softly, gently, and then kisses her again. Then with a jaunty salute, he wanders off towards the exit.
Purring happily - and smugly, because yes, she is amazing, and she did make all this - Keris saunters over to Simya and quietly sits down next to her. After a moment, she puts a gentle hand on the younger woman’s back to calm her down.
“Simya? You’re fretting.”
“I’m f-fine, I’m-”
Of course Keris coaxes the truth from her.
“M-mother tried to m-make a little world like this. M-much smaller. It failed and... it was messy. It, uh. It destroyed the d-demense. It b-burned me.” She huddles in on herself. “And I didn’t understand anything about your... your explanation. I’m useless! I’m weak, I’m weak, I’m w-”
“You’re not weak,” Keris interrupts her. “This is a power beyond you, beyond your mother - beyond even Jemil, as he is now. I learned it from one of the ancient Solars of the High First Age; it’s a miracle of the Sapphire Circle, which even the Dragonblooded can’t grasp.”
Catching Simya’s chin in a loop of hair, she turns the girl’s head to face her.
“Listen to me, Simya. I didn’t expect you to grasp this spell, not in full. I explained it to see if you could understand some of the base principles behind it - and you didn’t, and that is fine. You understood my mercury elixirs perfectly, remember? Your talents just lie in life and drugs and alchemy, not world-making or Wyld-shaping. I’ll tailor your education more towards study of the Dragon Kings and their arts of ambience, instead of lesser cousins of this sort of art. I don’t expect you to be good at everything, I’m certainly not.”
It strikes Keris for a moment how much she feels like a teacher right now. It’s not that she hasn’t taught others, but Simya feels like her student in a way nobody really has since... Oula or Anyuu, probably. Jemil is her child and one of her souls, which is a different relationship, and as much as she likes how Rala and Mele soak up her lessons, or how her silversmiths at Shining Foam are prospering from her training, or how the Carnation’s performers have blossomed under her guidance... they’re people she has taught. Not students.
‘Is this how it feels for you, mama?’ she murmurs inwardly. ‘The difference between angyalkae who learn from you and a proper student-protege? You said that was the closest your kind of angyalkae come to children, once.’
A not-entirely-cheerful note from Dulmea marks her mother’s attention. “Not quite. You, child, grow attached too quickly. The young ones died so easily. Hence why we did not name them until we believed they were going to be a success. You do not know the feeling of watching candidates die again and again.”
‘... I hope I never will,’ Keris replies, shivering, then turns her attention back to Simya, coaxing her up and ushering her in towards the townhouse. Jemil does surprise her by coming out to greet them on one of the patios instead of continuing his inspection of the sanctum, although in fairness he does come with a list of further questions to ask. He has so many questions about the interior; who the red-haired lady is whose image is everywhere, how the art came to be, how the pipework works and whether there’s any constraints on what mother could make here.
Simya is simply in awe, her eyes wide. She has sat down on the marble edge of the fountain even when there are seats nearby, so she can’t be accused of mussing the velvet. “Is... is this Hell?” she squeaks. “I... Mother says the sun of Hell is green...”
“Not Hell, but a little copy of part of it,” Keris answers both of them. “This is a sanctum patterned after the Conventicle Malfeasant, who is also known as the demon princess Lilunu. My mentor and teacher, as I am yours.”
She gestures to a mural of Lilunu walking the streets of her flesh. “She’s both a woman and a part of Hell’s landscape, as is the way of all the souls of the Yozis, and rules over an eighth of one of Malfeas’s innermost layers from the domed city that is her flesh. There are fifty townhouses like this one ringing her walls, and between them is a beautiful centre of architecture and performance and the arts. I,” she adds with no small amount of pride, “am her Voice, and her Hand; her Mistress of Ceremonies and her foremost student.”
She grins. “Come Calibration, I’ll take you back to Hell to meet her and see the Conventicle. Certainly you, Jemil. And Simya... I know the thought of meeting one of the Unquestionable is intimidating, and for any other demon prince I’d agree with you. But I promise that Lilunu is kind. I think she’ll like you, actually. And I also think that perhaps you might rather come on a scary trip to Hell where you’ll see more wonders like this than stay in Creation over Calibration with your mother.”
“Yes!” The words come out of Simya without hesitation, without even her stammer they fall over one another. They echo in the hollow space. “I-can-tell-her-you-want-to-give-me-to-the-lords-of-Hell-or-something! Anything! I’ll-do-anything-you-want-me-to-”
Keris chuckles. “Alright, alright. To Hell we’ll go, then. But first...”
She turns her eyes to the marble-ringed portal, and the bodies and barrels Mele is effortlessly lugging inside.
“... we finish up here in Choson.”
It comes as a surprise just how cold the highlands of Choson are. It is late in the year, but as she climbs and climbs and climbs up into the cloud forests, she finds herself having to pull on extra layers compared to the tropical coastline where Meongkota is. There might not be snow here, but she wouldn’t be surprised if it might fall here during Air. This feels like a Nexan late Water to her, especially with the thick cloud of the forest layer. There are orange apes up here living in the misty trees, who she sees watching her not knowing that she can see through the mist like it isn’t here. Maybe some time she’ll take a closer look at them. They aren’t blood apes, but there’s a strange kind of wisdom in their eyes.
As it grows dark she pauses for the night so she doesn’t blunder around, and seeks the warmth and comfort of Mele’s bed in the grand palatial rooms of the outgrowth of the Conventicle Malfeasant she’s spun with the authority vested in her by Lilunu. He is very friendly and reassuring after her hard day running, and the bed is soft.
Langkota lies a little lower than the highest peaks, and she descends down the slopes into a broad mountain valley rimmed by cloud forest. Looking around she can see that she’s bypassed the walls that block the mountain passes that lead to this place. But where is Langkota? There’s nothing as large as Meongkota here. There are fields of millet and potatoes, and on the slopes they herd goats. There are smaller walled villages or estates, but even the city that lies at the centre is lower-walled and smaller than Meongkota.
And then she realises as she peers across the landscape with her spyglass - all the villages, all the towns, the central city, the estates; they all fly the same banner. The city at the centre isn’t Langkota. This valley is Langkota. Mentally she makes a guestimate at the population - yes, this valley is more populated than Meongkota would have been at its peak, let alone now.
A little more investigation as she makes her way down into the valley proper, pausing to take a look at things that interest her - oh look, a weak manse flying both the Langkota crest and the sigil of the Crane School - confirms that much like Meongkota, the dominant school might rule, but it doesn’t rule alone. Obviously she’s seen the crest of the Crane and the Eagle, but there’s also the Ox, the Hound, and a sigil she thinks at first is the Tiger but on closer examination is different. She asks one of the workers in the millet fields and is told these estates are held by the Snow Tiger. Probably a more Air-leaning breakaway sect of the Tiger, she guesses.
“Well well well,” Keris hums to herself and also Dulmea. “Well well. This place is, mm, more like Zen Daiwye than Saata. A spread-out valley that all counts itself as one settlement, instead of a clumped-together city.” She scratches her nose. “Okay, well, by Zen Daiwye logic that means we want the village closest to Ahangar House, and by Saatan logic that means all these little towns and villages are like city districts that happen to have a lot more space between them, in which case we want the Anubalim one. Either way, that one in the middle is probably the best place to start.”
She doesn’t get that far unmolested, though. The roads frequently see the procession of armed figures on horseback, patrolling the well-made lanes. Some are wearing a similar (if warmer) style of robe-coat and sash as the Eagle school martial artists in Meongkota, while the larger number are in warm padded buff coats and open-faced helmets with broad armoured brims.
They stop her, and take her in, looking her up and down. “Passport!” demands the youngest of the Eagle school wira, his accent thick compared to how the people in Meongkota spoke. “Now!”
Shit, Keris thinks. It’s Agenete all over again. Which is annoying, because she’d specifically made her disguise to blend in seamlessly with the local peasantry this time, and planned to sneak past any checkpoints. But apparently up here the checkpoints come to you.
“Pass-port?” she tries, affecting a dull-witted air and playing for time. Beating these people up with obviously Hellish magic and running away isn’t really an option, or she’ll put everyone on alert. But on the other hand, she’s not keen on getting escorted back to another jail cell.
“Yes! Passport! You foolish kuyuk! Passport now, or I’ll give you such a lashing now before I drag you to the local magistrate and he’ll give you forty more!” And that threat is not in jest; there’s a bullwhip on the man’s saddle.
Keris blinks vacantly up at him, absorbing that. Then she gives a bland smile, nods and dips a hand inside her shadow-spun peasant’s shawl as if to produce her papers.
“Child, don’t-”
She doesn’t have papers, of course. But that’s okay, because even if she did, this asshole has just earned a beating. Cat and Wild Alleycat will give these men a link back to Meongkota, and she doesn’t want to use Snake or Friagem Serpent until she’s decided what she’s going to do with the serpent schools. Which is why instead of pulling out the passport thing the man is asking for, Keris instead whirls Strigida’s shawl off her shoulders in a distracting sweep of green fake-fabric that covers his head and shoulders, then springs up in a five-foot standing jump and snaps her right leg up to kick him in the face while he’s blinded.
He goes backwards off the horse, unconscious in one blow, and Keris lands on the saddle with perfect balance. She flicks the shawl off his head with a twitch of her wrist, and Strigida croons happily in her head beneath the shadows that disguise her as simple woven flax, happy to be helping and protecting her other-self.
One man down. Seven left. Two Eagle wira. Five soldiers.
They shout at her sudden attack, and both wira strike out at her with spears. Keris sweeps Strigida’s shawl in front of her again, disappearing behind it, and the polearms find her missing as they collide.
She’s missing because she’s jumped off the saddle, up into the air, and comes down on the second wira’s shoulder with a falling snap kick that breaks his collarbone. Strigida tangles obediently around the spears, and she yanks them aside, disarming the last wira while he’s still trying to work out where she’s gone. His eyes follow his weapon as her lateral tug sends it off to the left, and her foot takes him in the side of the head from the other direction.
Three down. Five soldiers left. They’ve realised what’s happening and drawn short swords, but that doesn’t help them as Keris leaps from the second horse’s saddle and sweeps her shawl up over her head in an arc, fast enough that the false-fabric snaps and cracks like a whip where it ripples. At the same time she lets out an aggressive shriek, then lands with a slam just in front of the closest soldier’s horse, one hand darting forward to stab at his steed’s nostrils.
All five horses, as well as the one she just jumped off, panic. The riderless horses of the wira, now behind her, bolt. The ones in front of her, anxious creatures taken by surprise by this sudden burst of movement and the way the arc of the shawl over her head doubled her size, rear up as they try to back away as fast as they can. The soldiers are taken completely by surprise, and one, then three, then all five of them are unseated, falling backwards and landing hard on their backs as their whinnying, terrified horses come back down to all fours and then gallop away in from the scary, loud, flashy Peacock.
Then it’s just a matter of throwing her shawl over the two that are trying to get up, kicking the third in the head, making sure four and five are unconscious and then laying the two under Strigida out with a couple of well-placed punches as they struggle with the heavy fabric.
Awkward silence descends on the road. The entire fight took perhaps twenty seconds. Keris bites her lip thoughtfully and considers what to do next.
“Well,” she murmurs to herself. “I guess we’ve learned several things here. Peasants need ‘passports’ to... be here? Move around here? Something. They have patrols instead of checkpoints. Peasants are kuyuk here, not petani, which is... weird. And peasants on the roads without wira or petani accompanying them are suspicious enough that they don’t pass under the notice of the rich.” She wrinkles her nose. “Not how I’d have liked to have learned those things, but at least I know them now.”
“It is interesting that dressing as one of the poor when travelling does not permit you to pass unnoticed,” Dulmea observes. “They are at your mercy right now; do you have any plans for them?”
Keris hums unhappily. “I used Peacock,” she says. “So there’s nothing tying me back to Meongkota or anything I want to do with the Snake schools later on or any of my identities. I didn’t use any magic, besides being really, really good. They haven’t seen anything that an enlightened martial artist couldn’t have done - and if they’re chasing a Peacock stylist who was disguised as a peasant, I can probably get away with just backtracking to the valley entrance and turning up looking like a visiting Snake wira or something.”
Her mouth twists. “They’re assholes who abuse the weak, but I don’t want to kill them if I don’t have to,” she adds. “I’ll just stick seeds in them.” She pauses, eyeing the one who’d threatened to whip her. “And... also implant them with a growth-trigger. If any of these fuckers actually kills a kuyuk, their seed will gorge itself on them until they die of hunger.”
“As you wish, child. At the very least, if it is necessary to acquire some of the style of the Eagles, that may be of use. But I agree - your observations on how Langkota is not like Meongkota are lessons it would have been better to have earlier.” A displeased note joins her voice. “I do not wish to bring her up, but I find it increasingly irritating how little information about anything other than the northern Anarchy that Sasimana handed over to you.”
“I know,” Keris grumbles, kneeling down to touch each of the downed men. “And I... I don’t think I did anything wrong here, mama. Like, maybe I could have done some research on Langkota back in Meongkota, but I don’t know how much the Great Cities know about each other’s inner workings. And here... I was disguised, I wasn’t distinctive, I was just a background peasant. If I’d seen them stopping another peasant and demanding a passport I’d have found a way to fake one, but I didn’t. We’re walking into everything blind here, having to map it as we go.”
A sigh. “Let us go, then. And remember, child, you are against a tight deadline if you wish to get something accomplished here and in Nagakota before you must leave for Hell at the end of the year.”
“I know, mama.” Keris finishes seeding all the men and takes one of the soldiers’ short swords with her as she goes. The gifts of Elloge will let her turn it into a prop for a role - and a soldier can likely pass among this valley much more safely than a peasant, especially if she finds a group to blend into the background of.
“I just want to take a look around, and then we’ll move on. I promise.”
The central city of Langkota is called Langrumah, and as Keris perches atop its walls as an invisible blur, she sees that it’s smaller than Meongkota, but also less of a city. It is a citadel, a place of martial arts schools and a grand Assembly mightier than that of the Cat’s city and no fewer than five Immaculate temples - and a Benarist academy greater than the five temples combined. What it isn’t is so much is a city. This is a city without the mess, without the day-to-day business of life; a city without things that are petty and squalid and alive. There is money here - Langkota is rich - but that’s just it; there are more estates within the wall than slums. It’s like Nexus if it was only Bastion district.
Which, to Keris’s mind, poses the question as to where they’re hiding their Nighthammers and their Firewanders and their Sentinel’s Hills. And the answer, she suspects, is that the masters of the Eagle School and the other powerful schools of Langkota take their wealth from their estates to Langrumah and there they build their pretty temples and donate to the Benarist academies and hold their estates when their Assembly is in session.
Having stopped by a couple of villages and towns on her way through the valley as a nameless, uninteresting petani soldier, Keris has picked up a few more things about Langkota overall. She knows that, just as in the Hui Cha, the nominal first-among-equals of the Eagle School is a senile old man who the grand Assembly has to work around. She knows that, also like the Hui Cha, Grandmaster Merza’s authority is wielded outside of his lucid moments by a vicious young woman attached to him, though rather than a wife like Pale Branch, Master Shopesh is Merza’s daughter - who inherited the worst of his cruelty and strength, to hear the stories.
Keris has also discovered that there are schools that are outright banned up here in the mountains, chief among them the Sparrow and Rat schools courtesy of an attempted revolt six years ago, as well as others like Hungry Ghost on general principle. A Benarist scholar-wira of the Scorpion school named Master Johah leads the hunt for practitioners of these forbidden schools, though he’s apparently had no success at finding the Sparrow revolutionary called Black Bib that soldiers mutter about in teahouses.
“The thing is,” she mutters to Dulmea thoughtfully, sitting on the wall and blending seamlessly into the tower she’s leaning against, “this place doesn’t actually feel all that Chosoni, from what I’ve picked up. You know what I mean?”
“Not exactly, I must admit, child. You have only seen this of the so-called Great Cities. Maybe this is the normal,” Dulmea says.
“No, that’s the thing,” Keris denies immediately, shaking her head with a rustle of hair. “This is my first Great City, but I’ve seen, like. Half a dozen little towns and villages. Hell, I saw half a dozen just on the way into Meongkota, and a few more on the way here. And I’ve planted seeds in a bunch of different people now; I’m getting my head around how the class system here works. You’ve got the wira citizen martial-artists, the non-citizen petani, and the kuyuk underclass who are ritually unclean or whatever. Or, mm...”
She frowns, leaning back. “The petani are kind of... farmers, but also merchants, and also small-time landowners, and the kuyuk are meant to be the ones who do the stuff Benarists think are tainted, like butchery and breweries and burials and stuff, but also clean the streets and live in poverty...” She frowns, mind whirring. “Actually, you know what? I think... I think there were probably more classes once. Like, the petani... I think the petani are meant to just be the small landholding farmer class, but they’ve kind of expanded into, like, merchants and city-dwelling fairly-well-off servants-to-wira and... you remember the rich-but-not-a-wira disguise I used to seed Nyimas; things like that.”
Chewing on a strand of hair, Keris stares out at the city blankly, not really seeing it. “I think a bunch of castes below the wira but above the kuyuk must have all got colliquated together over time as people stopped caring about the exact distinctions between them. Or maybe because the Realm took over, I dunno. Point is, it used to mean something specific, but now it’s just the catch-all for ‘not a wira who’s proven their fighting skill, but not a kuyuk either’. And, at the same time, I think probably they used to have a slave underclass that did, you know, the hard manual labour stuff and all the shitty awful jobs like cleaning the streets and maintaining the roads, and then separately they had the kuyuk who specifically did the ritually-impure work that Benarists thought were tainted, but they got fused as well and now kuyuks are just the generally lowest class who get all the shit jobs.”
“It is sometimes astonishing to contemplate that you are the same girl I met back in that cell,” Dulmea says. “You could never have come up with that explanation even five years ago. And yet, I might ask exactly what your point is here. How does this help us, child?”
Keris blinks, then blushes at the praise, then frowns. “Uh. Right. I was going somewhere with that. Um...” She falls silent for a moment as she traces her line of thought back, then snaps her fingers. “Right! That’s not how it works here. It’s how it works in Meongkota, and all the villages and towns around it, and I’m pretty sure it’s how it works in Harimaukota as well because the Tiger wira didn’t seem to find anything about Meongkota or the petani disguises I used on them all that unusual. But up here in Langkota...”
She jerks her thumb behind her, back at the valley she’s come through. “You saw that patrol. Three wira, but also five... like, they were petani. They had to have been petani. But they were petani soldiers. Thugs with swords. They weren’t just part of the merchant-farmer-production caste, they were invested in the power dynamics here, fully onboard with keeping the kuyuk down. And - and!”
She smacks her fist into her palm, leaning forward. “The peasantry here - the people working the farms - are kuyuk! Fuck knows how they justified that to themselves; petani are meant to be the farmer class, but they’ve... they’ve basically kuyuk-ised a massive chunk of the population and then half-fused the remaining petani class into the wira as enforcers, probably to control all the serfs. You heard them talking about the revolt six years ago. The wira up here are scared. They’ve taken the three-caste wira-petani-kuyuk system and basically collapsed it into a landholder aristocrat class that have all the military power and a far more numerous serf underclass who aren’t allowed to even leave the land they work without passports and are kept in check by brute force and violence and hit squads hunting down anyone who learned the forbidden schools - who are pursuing violent revolt in reaction to the oppression. It’s a simmering civil war in all but name.”
“Presumably, hmm. The wira are still the ones who get to vote in the Assembly, if they still do things like Meongkota. And another observation - their land isn’t divided up in the same way as it is around Meongkota. A mark, perhaps, of how this is all Langkota, how there aren’t lots of little settlements all fighting each other all the time. Fertile soil for what you like to do, mmm?” Dulmea observes.
“Mmm,” Keris purrs. “I think... ach, it depends on what I want to do with them. The Eagle are meant to be the most opposed to the Immaculates - though there are five temples here, so I dunno if I believe that. Actually, I’d love to know what the Immaculates think of this place in general; remind me of that later.”
She hums thoughtfully. “I could send them into open revolt against the Dragon school, I think. Offer to cure the grandmaster’s senility, get my hooks into his daughter, push fears of the Immaculates destroying their way of life and siding with the kuyuks. They’d be destroyed, but they’d weaken the Immaculates in the process, and they’re assholes so I don’t really care.”
Kicking her legs softly against the stone wall, Keris tips her head in the other direction.
“But on the other hand, I could stabilise them and use them along with the Cat to counterbalance Immaculate power. Arrange for one of them to win the big tournament in a way that doesn’t get a Realm legion sent straight here and instead just has the Immaculates go ‘we’ll get it back in ten years’, then back the winner up with my other pawn and use those ten years to get my hooks into everywhere else. I’ll need to think about it. For now...”
Her lips move silently, weighing options.
“... I know I can cure senility, and their grandmaster seems to still have periods of lucidity, so I probably don’t have to worry about him dying on me without constant maintenance like fucking Strong Ox,” she decides. “Taking his and his daughters’ measure would be interesting, but it’s not necessary; it can wait until I have enough time to come back and do it properly. If I’m scouting here and only have enough time to look into one thing in-depth, I’m going to go snoop around that Benarist scholar who leads their hit squads. Master Johah of the Scorpion. He’s the one who’ll have the most information on the banned schools and any confiscated forbidden stuff, because he’s the one in charge of hunting them. And he’s also the one who’s setting the pace of the next revolt. The harder he squeezes them, the faster it’ll come. Control him and I can set the heat of the fire under the city.”
The Assembly is meeting today in Langrumah, except it isn’t. Keris discovers as she asks questions as an innocent little blossom that there is not one Assembly in Langkota, but many. The larger one, the Grand Assembly, seldom meets because every single wira in the valley can attend it. Sometimes it meets once a season, more often even more rarely. In its place, the day-to-day business is handled by the officials of the city elected by the Grand Assembly and overseen by the Little Assembly. The Little Assembly is in itself filled with the representative wira of the schools and members selected by the Minor Assemblies which are composed of the wira associated with smaller towns within Langkota. And while the Little Assembly has no true power over the officials of the city, it has a lot of actual power given that it is composed of important people from the schools and the Minor Assemblies.
Master Johah of the Scorpion School is one of those officials, and it happens that today he is speaking to the Little Assembly. In Langkota any wira or petani can walk in and observe the Little Assembly if there is space in the viewing gallery, even if they can’t speak without the body’s invitation, and now so Keris simply changes her disguise and walks in as a rotund petani merchant.
“It is for the best that Calesco is not here,” Dulmea observes dryly as Keris makes her way through the lavishly decorated corridors, covered in murals of abstract nature and geometric symbols. “She would dislike this place, but also her dislike would be worsened by how she would find the idea of these various Assemblies to be admirable.”
‘She’d hate it,’ Keris agrees absently, sliding through a doorway into the viewing gallery itself. It’s already mostly full, with the last few wira trickling in to the Assembly, and she glances around the room lazily, taking in the mix of different schools.
‘So, who do you think is Joha- wait, never mind, that’s gotta be him.’ She eyes the man with the scorpion-patterned wira robe and paired gold bracers fashioned after scorpions with curled-forward stingers, looking him up and down as he prepares to speak. ‘Well then. Let’s listen and see what kind of man he is.’
The Little Assembly building is less of a fighting arena than either Meongkota’s Assembly or the Grand Assembly which meets in the vast square outside the Benarist academy. It still has a duelling ring in the front, but this ring seems to serve more as the place where people stand to make speeches. Presumably they sometimes do challenge each other, but the fact that there’s an array of seats arranged in a semi-circle around this podium-ring shows that they don’t expect people to cram in to do so. The guests are kept in the second ring of seats, elevated above the floor, distant from the proceedings of the Little Assembly. Above, the ceiling is painted as a sprawling natural landscape, an abstract map of the archipelago where small landscapes appear showing the geography of the places, so that one might look up and see what the typical landscape around any of the other major cities might be. Below, the major schools seated around the inner ring together. The Eagle school is the largest, but Keris can see some internal divides in their iconography that suggests sub-schools. A cluster of red dressed martial artists from the Hawk, a wing of Scorpions, a few Snow Tiger in greys and blacks, one small group of Tiger (far away from Snow Tiger), some Hounds and Oxen and Cranes, and a much smaller group of Immaculates who wear the five colours between them.
Master Johah is a man in his late thirties or early forties, a little shorter than average for a Chosoni man, with a small hat that Keris is fairly sure is covering a bald spot. His black beard is trimmed into two forks, each one decorated with a little golden claw bead. Keris can see other things about him too; the mist-forms that take shape as his great fear of a kuyuk revolt, his overweening pride in his none-too-brilliant talents for investigation, and the weak lighting-tang that wafts from his air-nature. He is a man who clearly wants to look interesting, and it is a great shame for him that he is a boring speaker.
“... I am pleased to inform the Assembly that we have word that a sectarian nest of Sparrow revolutionaries close to Salijimacan Bandar has been eradicated.” He nods towards the five or so members of the body from the Snow Tiger school. “With assistance from the local Snow Tiger School, we were able to successfully seize smuggled weapons hidden in the basement of a windmill. These weapons were clearly the manufacture of external parties, with the stamp of having come from Kera.”
There is a rumble from the audience.
“Unfortunately, the ringleaders of this sectarian group were tipped off by local kuyuk would-be rebels. While several low-ranking members were captured who will be punished suitably, we are still gathering further evidence as to how these weapons entered the district. Rest assured, however, this is one batch of weapons which will not reach the hands of impure kuyuks who would use them to sin against Heaven and Earth.”
Keris watches, measures, assesses, and comes to a judgement.
‘… this is it?’ she asks inwardly, half-baffled and half-offended. ‘This is the Eagle’s great hunter of the kuyuk rebels they’re so scared of? He’s just… some guy! He’s so boring!’ She is, she finds, genuinely a little indignant. ‘I thought he was going to be someone like Ragara Midari! Or Ney! Or at least that Earth Aspect magistrate from Agenete who played big and obvious while his clever friends backed him up from the flanks. Not as good as them, obviously, but at least cast from the same mould.’ She listens a moment longer as he drones on, then can’t help but complain some more. ‘He’s not even that good at investigating! And he’s so dull! Why’s he even in charge?’
“That is a question, is it not?” Dulmea muses. “Perhaps he is politically reliable so can be trusted with this power when someone more skilled might not be. Or well-connected, so they put him in that position to please his patrons. Or insistent that he gets this role, since he fears a kuyuk revolt so much.”
Several gears click into place, and wheels in Keris’s mind start turning away from indignation at the frankly insulting quality of her target for this self-appointed mission and towards analytical assessment. ‘You’re right,’ she muses. ‘He’s dull as ditchwater and not all that good at his job - well, I guess he might be a good martial artist, but he’s only a middling-tier investigator. So there has to be some reason. If it’s just that he’s dull and boring and reliable, that’d be one thing, but if he has connections… hmm. Yeah, let’s check and see if we can figure that out when we follow him home and root around in his records. We might strike something juicy. And it’ll point towards what Langkota finds valuable enough to appoint people to high positions for either way.’
Sharp, bitter envy is her guide; that this little non-entity of a man has this power, has this status, pretends to be an important man. The delightful clarity leads her in the right direction. Her thoughts are in the right line; her sight is sharper; her instincts tell her exactly what is important and what can be dismissed.
By the end of the day, she’s met him six times in different faces. She’s spoken with him thrice. She’s told him she’s stalking him as a veiled metaphor and he’s missed it like a total fool. She knows where he routinely eats, she’s spoken to his housekeepers in his townhouse, she’s broken into his bedroom and found the love poetry he’s written his mistress.
(It’s not very good poetry.)
Oh yes, and he has a mistress, which isn’t very proper for a Benarist scholar. They’re allowed to get married, but outside of marriage they’re meant to be chaste and in marriage they’re meant to be exclusive.
The rational, sensible part of Keris’s brain wants to use this in some way; as leverage, as a vulnerability. But her nasty little envious heart wants to take this man’s mistress and show her how much better she can do than a person like the so-called-master Johah.
Keris briefly retreats as evening starts to draw in to find a rarely-used side door in a dusty storehouse and whisper a word to the keyhole that makes her tongue piercing glow and rainbow light flare out of the lock. Opening it and slipping into the miniature Conventicle estate, she checks on her chaos-wrought bodies (all being kept in good health) and fills Mele, Jemil and Simya in on what she’s discovered.
There are perhaps a few more insults thrown at Master Johah than strictly necessary for an accounting of her findings about Langkota and the Eagle school, but he deserves them all so it’s okay.
“What are you going to do to him, mother?” Jemil asks, eyes - nearly all gold now - bright.
“She’s just holda-ing. And we haven’t eaten yet. We might not want to know,” Mele says.
“I do! I do!”
“I’m going to break into his vaults, rifle through all his things, read or copy the stuff that seems interesting - damn,” Keris realises, “I should have kept Rala for copying. Well, whatever. I bet he has some contraband or forbidden stuff he’s seized from the banned schools and whatnot, so I’ll go through those too and see if there’s anything interesting there. Look for any juicy blackmail I can use against him - the fact he has a mistress is already useful. Maybe steal the mistress. And then make him mine.”
She grins, all feral teeth. “Hey, hey. Mele. What do you think of a righteous mountain spirit - an Air elemental, maybe - coming down from the peaks to appear to him? Or, hah, a scorpion-goddess sending him a vision in his dreams. Or maybe a nightmare of Benar himself condemning him for his breaches of doctrine. So many different ways I can fuck with him, heheh. And he’ll never see through them! Because he’s an idiot! Who’s nowhere near as good as Ney or that Ragara shark!”
“I think no matter what you do, it’ll be brilliant and creative and perfect,” Mele says, with an effusive shrug. “But Rala’ll get on our backs if it takes too long, so just... y’know, maj, bear that in mind. Rala’s real shrill.”
“Ugh, don’t be a bore,” Keris dismisses, flapping a hand at him. “I won’t stay too long. I just want to see what he’s stockpiled. He’s the one hunting all the forbidden stuff, so he’ll have the biggest stockpile of forbidden things; that’s how it always works. Hear that, Jemil, Simya?” she adds, glancing at the centipede-man and the girl he’s coiled around. “If you didn’t already know that, it’s an important lesson. The people enforcing a rule are the best-equipped to break it. There’s no better place or easier way to plant a secret cultist than letting a righteous band of Immaculates cast down an evil sect and seize their blasphemous relics. There’s always someone who can’t resist studying the stuff they’re meant to be suppressing. And even when they don’t, it’s the enforcers who have the biggest stockpile of contraband, ‘cause they take it off everyone else and nobody takes it from them.”
Jemil beams at her. “Of course, mother!”
Simya’s dark eyes are interested too, and she nods attentively. “S-so, uh. Mother is w-worried about the House Sinasana people. She should look to g-getting one of their investigators w-working for her?” she enquires.
Keris purses her lips. “Let me handle that - I’d rather have them working for me than her; that way I can have them cover up everything I need them covering up at once, instead of having two agents working separately and getting in each other’s way. I’ll look into it and then let her know it’s been handled. But you’ve got the principle right. And well done for bringing that to my attention; your mother hasn’t mentioned her worries to me.”
Simya slumps in relief that she isn’t going to have to do anything that her mother might consider to be criticism. “Yes, m-my lady,” she says quickly.
“I’d like to try that for you,” Jemil says. It isn’t entirely clear whether he’s saying it to Keris or Simya.
“Subversion, or bringing things to my attention?” she asks, on the basis that it’s probably better to be sure than to let it go. “Or Simya’s attention?”
“Well, I haven’t done any of those yet so I want to try all of them,” is the cheerful, chippy response she gets from him.
“We’ll see if we can find some opportunities for you to learn,” Keris promises him. “But for now, I have a Benarist stronghold to break into and a mistress to steal. Simya, Jemil; keep working on those tomescu vitriol triggers. And Mele, with me! I need to work out a good disguise for me that I can do some sneaking and seduction in, and you’re going to give me feedback on my options!”
Suriani bi-Musa is a woman with expensive tastes. Keris knows this already from her rifling through the accounts of Master Johah, and seeing just how much he spends on his mistress. She is a wira of the Snow Tiger School, but holds no large estate and isn’t even an heiress (being the third daughter of a large family). It is through her lover and his generous stipend to her that she can eat routinely in fine restaurants in Langrumah and dress well. But when she tracks her down in Saleh’s House, passing herself off as a prosperous petani merchant from Nagakota and getting herself a reservation with just a small bribe to the host, she can at least see why the Benarist scholar fell for her. Suriani is gorgeous, with her dark hair tied back into elaborate braids under her silver-trimmed veil and wide, dark eyes that give her an innocence not offset by the frequent impish smiles of her small mouth. She is a great beauty in a Chosoni way, and Keris immediately sees that Johah must be besotted with her (if the poetry hadn’t been enough).
Of course she wants to deprive him of such a gorgeous treasure.
Wrapped in the floral properness she can read from the room, the newcomer Yuni Dengah - out of Nagakota - has the host invite Suriani to share a drink with her, passing her Yuni’s invitation card. Suriani accepts, because she’s dining along tonight. The fact that the invitation card had been hand-decorated by Keris and the loops and swirls of the border make use of fell Kimberyian geometries that erode the will might have also had something to do with it.
And then Keris has an incredibly enjoyable evening, because it turns out Suriani is smart, charming, beautiful, and well-read and educated. She can talk about books of Saatan priest-philosophy she’s read, has travelled down to the Anarchy as her father had interests in the sugar trade trying to recoup something of their family’s position, and of course, well, she doesn’t even mind paying for the other woman’s drinks and meals if she gets some company like this. And of course, Keris - sorry, Yuni - has her own stories and her own charm to turn on, and Yuni’s backstory quickly adjusts to show that she’s been overseas herself and been as far as the Realm and Arjuf. Dragons, Keris thinks - to find a beauty like this in a provincial backwater who’s travelled and clever and funny in the hands of a petty little man with no redeeming characteristics at all.
She clearly deserves someone better.
Towards the end of the evening, Suriani smiles at her, and reaches over for the sweet dessert of goat’s milk and honey served on crackly wafers that Yuni is having. “Oh, I’ve had a wonderful evening tonight,” she murmurs, her hand accidentally (accidentally?) brushing Yuni’s as she steals one. “But I really should be heading home to bed soon.” With a naughty little smile, she pops it into her mouth and swallows. “Such a shame. But maybe we could see each other again?”
The question hangs darkly in the air, and Keris has the sudden conviction that maybe, just maybe, this woman is wanting to be chased, wanting to be shown just how impressive Yuni is. Which isn’t hard, given who her current lover is.
“Rather, let me accompany you out and offer you company on the walk home,” Yuni murmurs, capturing Suriani’s fingers and bringing them to her lips. “It will be no trouble; it’s on the way back to my lodgings.”
“Oh, how forward of you. But I have a reputation to think of,” Suriani says, pinkness rising to her cheeks as she hastily retracts her hand.
“Not a whisper of impropriety, I assure you,” Yuni promises. “I merely wish to enjoy your company for as long as possible - can you blame me? This meal, and this conversation, have been one of the most interesting I’ve ever had in this great city.”
There’s humour in her flashing smile - and an allure, too. The conversation hasn’t just been enjoyable for her, and she sends the sweet hunger for more of her company out to tug at Suriani’s palate, enhanced all the more by its forbidden flavour.
The flush only deepens. “Well, if it is only a walk,” Suriani says, but she can’t keep the self-doubt out of her tone. As in, she doubts that she only wishes a walk. Suriani licks her lips, tasting the air, and unthinkingly leans in closer as her nostrils twitch.
Yuni settles the bill, and the two women head out into the night. Langrumah is well-lit with lanterns among its main avenues, and the junior disciples of the schools patrol the thoroughfares to keep reputable citizens safe and ensure unclean kuyuks don’t show their faces where they’re not wanted. The air is clear and crisp, and above the mountains the nearly-full moon has risen.
It is a reminder to Keris that she has barely more than a week left in Choson before she must leave to get back to Hell in time for Calibration. She hasn’t cut it this short since that disastrous trip that led to her and Sasimana getting delayed. And there is a risk even now, given Iudicavisse’s trap waiting where one Director will lose their seat.
She puts such thoughts out of mind, and instead focusses on entertaining - and yes, flirting - with the lady Suriani. The two of them are hand-in-hand by the time they get to a narrow townhouse in a street of them, the front garden surrounded on all sides with a wall. The moon casts long shadows down the street, just off one of the main boulevards.
“This has been a wonderful night,” Suriani says, not letting go of her hand. Her dark eyes gleam in the moonlight, trying to see more of Yuni’s enchanting, half-lit form. “I would like to see you again - but I suppose you have to get home too.”
“Well,” Yuni purrs, squeezing her fingers gently. “I suppose I need not have to - should you want me to stay longer.” Her voice is low, crooning - inviting in its possibilities. And herein lies the trap, for Suriani bi-Musa knows that her lover would not wish her to have a dalliance with another. She knows that he would be enraged and humiliated if she were to bring Yuni Dengah into her home tonight, whether for conversation or for something more. She risks her stipend which lets her live well above her means, but such a taste of danger is attractive in its own right, no?
And thus, if she chooses to do so in this moment, she will have chosen Yuni over Johah - and that freely-made choice is something Keris can use to steal her away from the drab, boring Benarist and cut his cords of ownership over her, making this sparkling, enticing woman her own. Not romantically - she has Mele for that. But Suriani is clever and witty and learned and flexible in a way that Keris values in her subordinates. She takes the initiative and knows her own worth. Keris wants her as a subordinate. She wants her to be another Pale Branch, another Herran, another Nyimas, another Oula.
Suriani looks around, before saying, “If you’d like to... discuss business, why not come in for some,” she coughs, “calming herbal tea. Before bed.”
When she gets a nod of agreement, Suriani rings the bell, and her maid-servant opens the door. A few brief words, and she orders the tea service bought up to her study as she talks with this guest of hers - and that they are not to be disturbed.
Her study is dimly lit, with journals and books stacking the walls. She only lights a single candle as she settles down on an over-stuffed armchair. There is another armchair opponent to it, on the other side of a small table - but from Suriani’s postures and the look in her eyes, she wouldn’t mind it if Yuni sat on her lap instead.
In the gloom her lips are so very kissable.
Yuni Dengah sashays up to her with the confidence of a woman who knows how desirable she is, who’s certain that she won’t be turned away. She lowers herself to perch on Suriani’s knee, trailing a finger up from just above her left breast, across her collarbone, up the side of her neck and around to cup the back of her head. She holds eye contact, and slowly, seductively, licks her lips.
“I don’t think we need anything calming,” she whispers, low and rough and throaty. “Do you?”
Suriani kisses her. “Oh, Dragons,” she breathes. “This is,” another kiss, “this is so wrong, I’m not normally like this, I’m-” They hear the clink of the tea set being put down outside, and the knock of the maid. Suriani swallows, and her shoulders clench up. “I will fetch the t-tea and give Novita the night off,” she says. “And you can... prepare yourself.” She takes a deep breath. “Get undressed.”
Squirming out from under Yuni, she heads to the door, and slips out, closing it behind her. Leaving Keris alone for just a moment to prepare a surprise for her.
And consider the mystery.
The mystery of how when she pitched her words with Adorjani grace to slice the bonds of servitude that Suriani the mistress had to Master Johah, her techniques found nothing to sink into; no scarlet threads of love or dominion to slice. Suriani’s relationship with Master Johah is one where neither consider her to be owned by him.
‘He doesn’t own her,’ she muses inwardly, turning to settle in Suriani’s chair with one leg thrown imperiously over the other like a decadent queen and listening to Suriani’s flustered breathing as she sends the maid away and gives firm orders that they’re not to be disturbed. Strigida retracts into her skin as a dense layer of silver feather-tattoos, and the false shadow-lie that had been disguising her as garments of cloth dissolves, leaving “Yuni” naked and lavishly decorated.
Keris licks her lips again. This woman is a puzzle. A puzzle she’s looking forward to unwrapping. Exploring in depth. Taking apart and putting back together. She doesn’t strictly need air, but her breath comes quicker anyway, and she can feel a hungry smile start to form.
‘He doesn’t own her or have any influence over her,’ she croons. ‘And neither does anyone else. If she were a plant in his household put here by some other wira, the cut I made would have severed that instead. Which means she’s here on her own initiative... and that at minimum they’re equals.’
“But you don’t think so, child,” Dulmea replies, strumming a thoughtful, approving melody on her harp, tempered by a minor refrain of exasperation at the carnal direction Keris’s thoughts are taking. “You suspect it goes even further than that.”
‘Mmm,’ Keris purrs. ‘Benarist scholars are only meant to fuck women they’re married too. They’re meant to keep themselves pure.’ She snorts. ‘But he’s keeping her as a mistress. He should want to marry her - which means she’s stopping him, and has him convinced to keep living in sin with her. She’s the one with the power here. She’s pulling his strings, hiding behind his authority and having him be the public face of her nudges and influence.’
“The same way you work,” her mother observes.
Scarred lips curve in a wicked, eager grin. ‘The same way I work,’ Keris agrees, her teeth flashing white in the darkness of the room. She rolls her shoulders languidly and cocks her ear to the door. This woman is very interesting. And bears much closer... study.
The door handle turns as Suriani re-enters. And Keris’s eyes flash green.
Suriani inhales sharply, almost dropping the tray as she sees the beauty who waits for her in the shadows, and her trembling hands manage to leave the tray on a sideboard as she hastily undresses, discarding her Snow Tiger gown as fast as she can. Off comes the long comfortable trousers under it, and the chemise, and her breast band and she reveals that the body that lies underneath all of them is more muscled and toned that she lets on. Medium-sized breasts sit over a muscled core, her skin pale (like Langkotan women of high birth prefer it) and beautiful and well-formed, without a blemish or a single mark.
For the first time Keris looks at Suriani bi-Musa, really looks at her not as a mistress to steal to hurt her lover, but as a creature she wants. She tastes the lusty envy wafting from her as she looks at Yuni. She sees for a moment the hallucinatory images of black claws exposed around Suriani’s hands, stained with heart’s blood and she tastes the fear from her that someone will find out what she truly is.
She sees the fact that the whites of her eyes are not white at all, but shine with a dark metallic lustre, and that her hair is less sleek that it seems under the lie of her shadow but moves with an intent of its own. She sees, under the shadow, the night-black tattoos that coil over her meridians and chakra lines, forming a second skeleton over her arms and embracing her heart and her yonic chakra.
And she smells the power. Power, weak compared to Keris, but fiercer than the eldest dragon-children. Power that reeks of the alien Shadow of All Things and of the lush, lusty hell-swamp Metagaos. And just a tang of cinnabar blossoms.
Suriani all but throws herself onto Keris’s lap, and straddles her, peppering kisses onto her brow and cheeks. And Keris Dulmeadokht sees Suriani bi-Musa for what she truly is. The same manner of being as Keris herself. For a moment she wavers, stunned, enough to barely even react to Suriani’s attentions.
And then her hands come up to grip the other woman’s hips, push her back across the table and slide up to cup her breasts. Acting on this discovery can come later, Keris decides. For now, she has a lusty, besotted woman to ravage.
Besides. Suriani will no doubt be a lot more willing to talk when she’s been sated.
Suriani bi-Musa is chosen by Hell, a hidden demonic practitioner of forbidden martial arts, the mistress of the man who runs Langkota’s internal security who has no idea that his lover is playing him for a fool. Keris Dulmeadokht has lain with Yozis and demon princes; she is a courtesan to the titans who has knelt before the Street of Golden Lanterns and eaten the fruits of immorality from her hand.
When a lynx challenges a tigress, it can only end one way.
By the early hours of the morning, Suriani’s study is a place of carnal vice and sin. The lady of the house is a panting, moaning creature who lives for pleasure from the hands and kisses of the woman she brought into her house. Keris is a master of denial and release and all the arts of seduction and she has used that well to break down the other woman at her hands, to make her beg, to prime her to be putty in her hands. To sink words of trust into Suriani’s brain and fan the most primitive urges of mankind. With these two it is not really a question of love. It’s a matter of lust and need and hunger. They have made love in the armchair, on the table, up against the walls, on her desk and on the rug.
As Suriani lies semi-conscious in Keris’s arms in the chair, deliberately rendered too exhausted and pleasure-drunk to panic at the devilish skill employed on her, Keris massages her yonic chakras and the night-black tattoo she glimpsed through the lie of the other woman’s shadow with her twisted demon hand, feeling out her biology.
“Interesting,” she observes to Dulmea. “Mama, look at this.”
“Must I?”
“No, it’s not about the sex,” Keris thinks. “I can feel Erembour’s touch on Suriani. In more than one way.”
“Are you sure?”
“I was her pet for a while,” Keris thinks with some humour. “I know what she feels like - inside and out. And it is a two-level thing here. Her very body has been trained to harmonise with Erembour’s nature, much more fiercely than the Air I can feel blended in with that. She’s been studying demonic martial arts for a long time, and had probably already awakened her essence before Hell chose her. There’s a developed culture of demonic cultivation in Langkota. But she also has something else in the tattoo, and that’s much, much more powerful. I don’t think it was Erembour herself, though.” Keris smiles as Suriani moans for her, and kisses her neck. “There’s someone else who does this. Mara, the Shadow Lover, Defining Soul of Erembour. She’s lain with Mara. Since she became Hell-chosen, and I think before that too. I can taste the love-lust on her.”
“Hmm.” She can hear Dulmea thinking it through. “Yes. I follow your thought, child. If Mara knew that there is one of Hell’s Chosen here, if she met her - then why was she not taken back to Hell? Why was she not presented to Lady Lilunu?”
“I do believe Mara has been playing a dangerous game, trying to keep one of us as her pet.” Keris kisses Suriani’s neck again. “And she’d have gotten away with it too, if Suriani hadn’t happened to target exactly who I’d target for power in this city. I blundered into her through sheer luck. And she’s mine now. I’m keeping her.”
“This likely means her coadjutor is too broken to tell her what to do,” Dulmea observes.
“Yes, mama. You led me to Hell to get trained. Suriani didn’t have that.” Keris wipes her left hand on Suriani’s thigh, and gazes into the reflected gleam on her bare skin. It would normally be so very hard to see Suriani’s wants and what it would take for her to pledge herself to another, but when her mind has been broken open by lust it spills out like leaking sap.
For in the gleam Keris sees the assembly of Langkota, filled with well-dressed people in the colours of the schools, and at the front she can see Suriani herself. The audience is applauding, cheering; as she leaves the stage old men and women with belts of office and fine robes come to ask for her advice.
“She wants the respect of the great and the good of Langkota,” Keris thinks. “She wants them to acknowledge her, to respect her, to view her as more than a woman who lives off the funds her lover provides. She wants to be valued for who she is. For what she knows. She wants to be validated.”
She strokes Suriani’s hair lovingly, then shifts out from under her and settles her into a comfortable sleeping position. Tiredness is starting to drag at Keris, but only a little; she’s operated under worse.
Standing up, she makes her way over to the kitchen and begins preparing some bubur cha cha, digging out sago, yams, sweet potato, bananas and some pandan leaves and throwing them all into a coconut milk base to cook (along with just a little of another ingredient that Suriani has spent much of the last night tasting). While it simmers, she paces the floor, poking around the house and thinking hard.
Too hard, some might say. Keris knows that it strains her to concentrate this much on one thing, that wrestling her kitten-headed focus into a needlepoint outside of a few areas her attention naturally pools around is every bit as bad for her mental health as the long grinding weeks on Ipithymia had been. But she needs to get this right, and so she buckles down and grits her teeth and forces herself to stay on-task and apply her full intellect to the task.
By morning, she has a delicious, rich, creamy, sweet Chosoni dessert prepared for the morning meal, and a plan.
The lady of the house wakes under a blanket in the armchair in her study. Things are something of a mess, in that surfaces have been used for purposes they were not intended for, books have been knocked off stands, and while attempts to tidy up have been made they were made by someone who didn’t know where everything was meant to go.
Before her, on the table, is a deliciously prepared breakfast sweet pudding. And also a Yuni with messy hair, love-bites on her neck, and only one piece of clothing (namely an apron which she isn’t sure she’s ever seen her maid wearing, but presumably it had to come from somewhere in the house).
“M’rning,” Suriani manages blearily. She looks at the food. “F’r me?”
“All for you, sweetheart,” Yuni croons, petting her hair. “I already ate.” She grins wickedly. “Out.”
In the end Yuni ends up sitting on Suriani’s lap, feeding her little bites at a time and encouraging her to relish the rich, incredibly delicious food. Suriani definitely finds herself waking up because she has a beautiful woman on her lap taking care of her, and it’d be a shame to miss this from being drowsy. And the pudding is very, very good. Better than the finest restaurants in Langkota - and maybe even a little alcoholic. She feels almost tipsy and loose-tongued from it as she relishes it, but that’s nonsense. She doesn’t get drunk.
(Well, not anymore)
This is... a complication. She wasn’t meant to fall for the travelling petani, but she’s beautiful and funny and educated and - impossibly - the best woman that Suriani has ever known. In an Immaculate sense. And she feels guilty for even thinking that, feeling like her heart is clenched in a claw, but-
Cupping her hand around the back of Yuni’s neck, she brings her in for a kiss and shares some of the food with her. “You have got to teach me some of your tricks in bed,” she whispers naughtily. This isn’t just for pleasure either. She needs to know them.
“Mmm,” Yuni pulls back, chuckling indulgently. “Did I wear you out, darling? Teach you something new?” Her thumb strokes across Suriani’s cheek, as tender as with a newborn, but her eyes gleam with mischief.
She’s so enchanting, so conspiratorial with gleeful, shared humour, that Suriani almost giggles along with her next words, before their meaning sinks in.
“Was I better than Mara?”
Fear. Sudden, indefatigable fear that grabs the heart and clenches around her organs. They have her she’s trapped she’s-
No. This wouldn’t have happened if the Immaculates had found her. They wouldn’t have sent a petani in with a note with demonic glyphs hidden on it to get her attention. The fear is still there and the wordless moan in her voice is trying to tell her something, damn it - but she can hold on. So she can escape this alive.
“Who’s that?” Suriani asks, shifting to rest her hand lovingly on the back of Yuni’s neck. Hoping, maybe even praying that she won’t have to open the palm on her mouth and sever her spine.
“Oh, sweetheart.” Yuni smiles, and Suriani has seen this smile before. It’s the amused, patronisingly sympathetic smile that a master wira might give to a promising young trainee who’s come up with an ‘unbeatable combo’, or an experienced merchant to a favoured protege who’s found an ‘impossibly good deal’.
Or that a parent might give to a child presenting them with a hilariously obvious lie.
“You, ah... how do I put this...” Yuni continues, tapping her finger at the corner of her lip. “You rather gave yourself away while we were... well, several times last night, actually. The tattoo? And also, well...” She taps at Suriani’s head. Right over... right over the mark. The mark that appears when she’s... exerting herself.
Oh no.
“It’s very pretty,” says Yuni kindly. “Very striking. But also... very distinctive. And the tattoo might as well be a signature.”
She is either dead here and now, or this woman isn’t her enemy. Either way-
Suriani bi-Musa inhales, and closes her eyes. She channels the demon-chi within her, calling it to the surface. Upon her brow, a viridian-white disk flares to life, ringed by a jagged, spiked ring. The mark of the Deceiver. The light intensifies, brightens, until it spills forth from her body, demonic essence illuminating her in an opalescent shimmer of black shot through with streaks of bright floral colours. “Oh, look at you, my clever little lover-girl,” she says, coaxing her words into shape, hooking them into the lust she’s cultivated in the other woman so they blank her thoughts and consume her will. She lets her shadow fall, reclaiming the power invested in the dark magic, letting Yuni see her metallic eyes, her inhumanly-waving hair, the tattoo soul-brand given to her by beloved Mara. “And what will you do now to me, a Deceiver reborn?” She pitches her voice just right, dragging the lust-blade deeper. “Kneel between my legs and vow to serve me and I might welcome you into my bed again.”
And if this doesn’t work she’ll try to tear the other woman’s heart out. Or jump out the window if that doesn’t work.
Yuni smiles. But it’s not a devoted, slavish expression. It’s not the expression of someone who’s going to swear loyalty. For a moment, Suriani isn’t sure she even noticed the lust-blade of dark power.
Then...
“Darling,” Yuni says, and her tone is still indulgent, but it’s fondly exasperated now as well. “They’re very nice tricks, yes. But I know them too. Both of them.”
And Yuni Dengah, the intoxicating, beautiful, enchanting mortal petani merchant Suriani brought into her home, dissolves. Her black hair bleeds to bright scarlet, lengthening into an absurd mane peppered with silver feathers that trails back off the chair and onto the floor. Her skin darkens, and her eyes turn from rich brown to pale ash-grey. She shrinks - not enormously, but enough to feel, and the lithe legs slung across Suriani’s lap suddenly feel a lot more toned and muscular. Scars paint themselves up one side of her jaw and across not-Yuni’s nose, her apron turns from silk to shimmering silver, her face shifts into an exotic set of features Suriani has never seen the like of before.
And on her brow, a green-fire brand springs to life. An empty ring, whirling and whirling around and around in endless motion.
The mark of the Wretched.
Suriani could say all kinds of things. She could blurt something out from off the top of her head. She could be righteously offended by how this woman fooled her into bedding her. She could ask how in the Dragon’s name she managed to hide her strength because Suriani had felt nothing of it until now, and now it’s overwhelming.
But that would be what a fool does. Because she doesn’t know what’s going on, but she isn’t going to show her ignorance.
“You poor thing,” not-Yuni croons. “Don’t worry, I’m not angry and I’m not going to hurt you. I understand why you tried. I’d have tried too. In fact,” she adds, a lock of prehensile hair rising up to brush Suriani’s cheek just as her thumb had, “you’re actually very brave, aren’t you? Brave and resourceful, to keep your head so well and not panic.”
She leans in and kisses Suriani’s cheek. “I’m Keris,” she introduces herself. Reintroduces herself? “Keris Maryam Dulmeadokht.” She smiles, and it’s just as much of a punch to the libido on this face as it was on Yuni’s. “And it’s very nice to finally meet you, heh, face to face, as it were. You’re why I came to this city. To find you. To guide you. To take you to your destiny.”
Suriani knows the tales from when she was a little girl, before she was initiated into the secrets of the hidden demonic cultivators of the Black Claw School. She knows the stories of the servants of Hell, the wicked Anathema who made pacts with demons and stole the power of the sun and drew on the power of the wicked titans who were the enemies of the gods.
And she knows the more recent stories, that the Anathema have returned. Which might have been hard to believe, right until she became one.
So what to do? Well, draw on the teachings of her sect. “That was a cruel joke you played on poor me, taking advantage of my fear and weakness,” she says, puffing out her cheeks. She’s not going to die right now, so she slides out from under Yuni - from under Keris - leaving her blanket behind, getting a look at Keris’s back and the golden hellbrand there as she does. She walks over to the windows, making sure the shutters are closed and drawing the curtains behind them. Hopefully no one saw the light of their souls - and if they did she’ll have to beg this Wretched to kill everyone who saw it. Turning back, she looks over her shoulder at the other woman and notices that yes, Keris is looking at the curve of her ass. Good. She’s still a woman. She’s not totally in charge.
Sitting down in her office chair, she folds her legs and leans back. Naked, but not unarmed - or unarmoured - for this battle. “Why don’t you tell me what’s going on, then?” she asks. “Your tattoo isn’t like mine, but I can recognise the hellish geometries in the one on your back. Which demonic sect do you serve?”
Keris smirks, and there’s something Suriani doesn’t quite like in her eyes; some private joke. “My lady’s name is Lilunu,” she says. “You’ll meet her quite soon. No no, don’t worry - I mean that in a good way. Remember, I’m not here to hurt you. I’m here to pick you up. We didn’t realise until quite recently that... ah, well. I’m getting ahead of myself there.”
She stands too, and her apron flows like a liquid, disappearing into her skin, where it spreads out into a dense layer of tattoos. Denser than the apron, in fact; intricate designs of feathers and flowers cover her from neck to ankle, stretching all the way to her wrists and curling around her breasts and stomach possessively, When she turns, Suriani can still see the gold, but now it’s framed in silver, with feathers fit around and between the lines like they were made to mesh together.
“Let’s talk about you first,” Keris says, strolling closer and making a circuit around to massage Suriani’s shoulders from behind. “You weren’t always so strong and seductive, mm? It’s recent. This past year. Before that, you were just a wira - but ‘just’ isn’t the right word, is it? You were powerful. A Snow Tiger - one of the rightful rulers of Langkota, who held it before the upstart Eagles came and seized it from you. And more than that. You were an infernalist. A master of Black Claw style, so skilled as to be graced to be taught by Mara herself. You’d awakened your essence, learned to see the world through the eyes of enlightenment. Gained a little measure of real power.”
The massage is exquisite, and Suriani can barely hold back a groan. Only the aftereffects of the shock - and, yes, the lingering fear at how much this woman might know and how - keeps her focused.
“You went through something terrible,” Keris continues, and there’s sympathy in her voice. Real sympathy, as far as Suriani can tell. Her hands slow down, become gentle. “Discovered as a Black Claw stylist, perhaps, or revealed some other way. Your greatest fear come true. But it wasn’t a swift death for you, no. Whoever it was didn’t turn you in. They wanted to blackmail you with it. To use you. Humiliating. Insulting. Infuriating. And while you were languishing in despair and impotent fury... the demon came.”
She moves out from behind Suriani, somehow holding a bunch of bananas that she definitely hadn’t had when she walked over. Munching on one, Keris sinks down into a languid puddle on the couch, looking much like a cat in a sunbeam.
“It wasn’t all there in the head,” she continues confidently. “Burned by the power it carried. But it spoke enough to offer you power, and with it, hooks to tear at your soul. And,” Keris grins hugely, eyes creasing with amusement, affection all over her face, “you’re you, so with care not to burn your fingers, you took it into your life. After all,” she winks, “as you well know; love is what you make of it.”
Arching her back in a way humans simply cannot physically bend, Keris laces her fingers together and pushes her arms palm-out, cracking all her knuckles at once. Suriani stays still, frozen silent. Letting her talk. Waiting for her to finish.
“And so you woke five days later to find yourself reborn. You had powers over darkness and temptation - and hunger. You were changed, but you could disguise yourself as the woman you’d been - or as anyone else you wanted. And it was so, so easy to get that boring zealot Johah to fall for you. To point him at your enemies - and then at anyone else you wanted gone. To guide him away from your sect, and rein him in when he went too far, and spur him on when the city needed a distraction. You contacted your lady Mara; your lover, your love, to tell her what had happened, and she praised you and lay with you and promised you great rewards; things beyond your wildest dreams.”
Grey eyes slant over at Suriani, piercing behind their lashes.
“But she lied, too,” Keris adds casually. “She hid things from you. Things you deserved to know. To have. Which is why I’m here. To fill you in.”
Keris knows so much. It’s terrifying. She doesn’t know about how that bastard Tuah was the one who was going to turn her in to save himself, did turn her and dared say it was all her fault for hording knowledge and teachings - but Tuah wouldn’t have told Hell that, would he? But besides that, Keris knows nearly everything.
She’s one of the Wretched. Suriani knows how well she can manipulate and use people as a Deceiver - how long has this Wretched been watching her? How would she know? How many faces has she met Keris under already?
Terrifying. And the fact she’s saying such things about her lady Mara - so beautiful, so terrible, so awful and awesome together - oh, Suriani knows Mara would lie to her. Would hurt her. But she still loves Mara. She has marked her soul-deep. Suriani has sworn herself to her demon-lady-love, sealed with her power. The path of shadow-soul cultivation is hard, but the power is worth it.
The thought that her lady-love-sifu might have betrayed her doesn’t surprise her, but it hurts. Like it should. As Mara taught her between her legs, love is a knife with no guard and no binding on the hilt; love is a gentle hand that can tear out your heart and crush it.
Love is Suriani’s weapon too. She rises, and stalks over to Keris, running her hands over the tattoos that mark her demonic sect, feeling the difference between the silver and the gold - is she both Wretched and moon-mad? At least draping herself over such a beautiful, toned woman is more pleasant than draping herself over Johah. “What will you teach me, sensei?” she purrs. “What teachings will you share if you want me to... prostrate myself before you and submit to your masterly instruction?”
Keris reaches out, cups gentle fingers under her chin… and lifts it.
“No prostrating yourself,” she says firmly. “No submission. This is what Mara lied to you about, Suriani. She is a demon lord. But you are a peer of Hell. A princess of the Green Sun Ligier, who wrought the Anathema’s power you wield. You desire fame, respect, the assembly of Langkota cheering your name and those old wira who stand on it bowing and scraping at your feet for your wisdom. But Langkota is small, Suriani. This little city in the mountains is tiny. The world is so much bigger, and you deserve so much more. There’s another assembly you belong on. One you earned when you seized this power, when you survived the Chrysalis, when you conquered your foes here. A grand circle of the Infernal Exalted, in Hell - fifty of us, sworn not just to demon lords like Mara, but to the demon princes and princesses like her mother Erembour.”
She meets Suriani’s eye, and her face is completely serious. She looks at Suriani with desire, yes. But also with respect.
“You have a seat on that assembly, Suriani bi-Musa,” she says. “A throne waiting for you in the Althing Infernal. Crowds of thousands will cheer your name. Parades will be held in your honour. You own an estate as large as this piddling little city, a grand townhouse in the Conventicle Malfeasant. Demon lords will come to you as supplicants, the souls of the Yozis themselves will look upon you with favour, you will have training in whatever arts you wish and equipment that nothing in Choson can match. And all you need do is claim it. Make your excuses here, send your,” she scoffs, “pathetic toyboy off on a wild goose chase or give him some excuse that you’re going into seclusion to train and hone your martial skill for a season. Come with me, a week from now, after the mess in Nagakota plays out. Come with me, and claim what’s yours by right.”
“Mine, by rights.” The offer, the prospect of power, of respect is so incredible that Suriani can’t see how in Creation she could resist it.
So she doesn’t even bother. She gives into the dark offer from the demon-empowered hellspawn she’s lying on top of, but then again, that’s what she is too.
Why resist when there’s a company of her peers waiting for her?
(And the pain of a broken heart is there, of the thought that Mara didn’t love her, was using her like everyone else before her - but power can numb the pain of a broken heart. Suriani had never needed Hell to tell her that. She’ll cry when she’s alone, and she’ll keep loving Mara, but she’ll live.)
“Then why not spend the morning persuading me?” she says, because she has nothing planned for today. “And begin teaching me your demonic path?”
“That,” Keris beams, “sounds like a wonderful idea.”
That afternoon, Keris inspects the Langkotan vaults of forbidden artifacts, and finds almost nothing of value. Suriani wasn’t lying when she said that they hadn’t found anything of value since she started covering for the demonic cultivators this year, but she had hoped that there might have been something that slipped her net. On the plus side, she doesn’t have to consider what has to be done as to prevent the Immaculates from destroying anything here. It’s trash. They’re welcome to it. And Master Johah is trash if this is all he can gather. Keris lets go her envy towards him with a dismissive scoff, turning her back on the empty vaults - and the empty rivalry.
But that was only killing time and doing the bare minimum necessary to make sure she didn’t just spend the entire day in bed with Suriani introducing the woman to some of the more... rarefied capacities of a body augmented by the power of the Yozis. She has to save some treats for the boat ride back, after all. Killing time until nightfall, when Suriani guides her to the hidden temple-dojo of the Black Claw Sect.
It lies outside Langrumah, in an estate belonging to a respectable family which has produced many wira for the Eagle School. The road winds up the gentle rise, up to a lavish mansion. They welcome Suriani in, of course, a little nod from her to the black-dressed butler enough to get him to relax, and then from the seemly, decent estate the path leads down into the cellars, and behind a false wall that descends into a place of older stonework and older style.
There is a grotto below the earth here, a place that Keris’s left hand can feel might once have been sacred to Paisap but has been systematically desecrated and capped by pillars of night-black stone not of Creation. A manse, sacred to the Shadow of All Things; a hidden temple of the Black Claw, made in the image of a minor Assembly. A building where a statue of deer-footed Mara reclines above the mantle, painted in a manner so realistic that she can only have been painted from life.
A pair of demons materialise; their flesh chalk white, punctured with chained piercings that bind them up and hang from their arms as barbed flails. “Who is this outsider who enters this sacred place?” they demand in perfect unison.
The air around them tastes like iron; their fangs are jagged; their hands have no nails and two thumbs. They are not a breed Keris knows, but she can deduce that they are some kind of temple guardian for the living chains are part of their flesh, sunk like roots into the building here. It is their nature to guard this place.
“An infernalist, a servant of Hell, an ally of the sect you are bound to defend,” Keris answers after a moment when Suriani does not. “I have borne the touch of your mistress’s Greater Self on my flesh, and been taught her gifts. The Dragon’s Shadow lies on my skin even now. Begone; I am permitted here.”
She’s as kind as she can be; these First Circles are not the target of the ire simmering in her chest, the fury at a demon lord who would have stolen an Infernal from the Reclamation, from Lilunu. At a mistress who treats her lover-students so cruelly, holding their hearts in a clawed hand and piercing or crushing them at a whim.
Nonetheless, an edge of steel sings in her tone, and she knows Suriani has picked up on it.
“Who are you who asserts the privilege of the initiated?” they ask again, and Keris suddenly realises what is going on. This is an Assembly, or at least pretends to be one.
Slowly, and a little incredulously, Keris’s head turns to Suriani. One of “Yuni’s” eyebrows arches in scathing judgement. Suriani looks back, arms clasped behind her back, her expression innocent.
“Am I expected to actually know Black Claw Style for this?” Keris mutters under her breath, “or will it be sufficient to just fight my way as is standard?”
“This is the Velvet-Wrapped Assembly,” Suriani says. “Traditions must be observed.”
She is fucking with her, Keris is almost certain (unlike last night where she was just- well, never mind). But she can’t be quite sure. Rolling her eyes, Keris turns back to the demons. “My name is Keris Maryam Dulmeadokht,” she responds, letting the shadow-guise of Yuni Dengah melt away.
She would have said more, but they respond before she can add anything. “Keris Maryam Dulmeadokht is not recognised as an initiate of this-” the demons begin.
And then their chains retract, hard - so hard that they are yanked out of materiality, the faux-bodies torn into shreds by the sudden constriction. Keris can hear their faint screams as their spiritual presences are cocooned within their own weapons. And the dark-wood doors swing open silently, revealing a path blanketed with the petals of night-blooming flowers.
“It would seem that the dogs at the door did not know who you are, but someone inside does,” Dulmea murmurs with no small amount of amusement. Keris smirks along with her, but her eyes are narrowed. She flicks another glance back at Suriani, both questioning and assessing.
Suriani inclines her head, hands up her sleeves. Which is enough of a giveaway for Keris; she’s shocked enough that she doesn’t want to meet her eyes.
“Well then,” Keris murmurs silkily. “Let’s go see who recognised my name, mm?” She already has a suspicion. Demon lords usually don’t spend much time with any given cult; they can only be in one place at a time. But a cult with a new Infernal? That’s a rather more attractive prospect.
The temple within smells of flowers, and a hint of something that the locals might not know - but Keris, who has met Noh below the Shadow of All Things, does quite well. There are candles placed in niches, that burn with a black-edged flame, and there are oil lamps that release a thick and floral scent that intoxicates the senses.
But it is a drug made from the same night-blooming flowers that carpet the floor. It does nothing to Keris.
At the end of the hall, seated on a small dais, is a dark-skinned abbess in a faux-Immaculate style. Only faux-Immaculate (for she is a well-known foe to the Immaculates), for her white robe is open to show more cleavage than any Immaculate abbess would show, and it is cut short so the transition from her elegant dark-skinned thighs to the graceful dark-furred deer-hooves folded in the lotus position can be seen in full. But her face is lovely to look on, her eyes gleam like sapphires in the gloom, and the two young initiates beside her kneel over censers, whispering prayers.
“Lady Dulmeadokht,” Mara says, her face grave, her eyes serious. “I did not expect to see you here. Have you come to my modest temple to seek tuition in the sorcerous arts? Or an alliance, as one famed courtesan in the bedchambers of Hell to another?”
One offer - no, two. She knows well her charms, her gifts.
Keris strides down the length of the hall towards her, Suriani trotting at her heels, red hair spreading out like a flaring cape. Strigida’s silver feathers rustle with each step, spun into a wira’s fighting garb; Vipera hisses from around her waist, raising her spearhead towards the demon lord like the living thing she is.
“Mara,” Keris intones, and glances significantly at the two initiates waiting on her. “Well met indeed. Shall we have this talk with company, or alone?” It’s a merciful offer of privacy for the lambasting she’s about to perform, but also a practical one. This cult will be less useful if their initiates see their beloved lady’s pedestal shaken.
“An intimate tête-à-tête with one of your skills,” Mara murmurs, her face still stern. “How could I refuse? Then, Lady Dulmeadokht, come with me. To my bedroom we shall go.” She rises in one simple motion, scarcely any taller than Keris herself, and her obsidian-braided hair jingles with tiny silver bells. “And darling Suriani, abide a little without me. I can well-see that you know the talents of the second-most famed harlot of Hell.”
Keris hears the little whine of need from Suriani, the gasp of protest not allowed to get further. She may have told her the truth, but Suriani cannot escape love’s grip so easily.
Up a narrow staircase her and Mara go, the deer-hooves shushing on the thick carpet, up to the roof. There is no ceiling in Mara’s room here, and trees grow in this sunless realm in place of walls, their leaves dark and their flowers thickly lush. A small pond burbles.
“It is an honour to have you here, Lady Dulmeadokht,” Mara says, her voice soft as she drops into the archaic and formal language of the high aristocracy of the demon realm. “And yet a surprise. This archipelago falls under the auspices of the Director of the Upper Anarchy - ah, such a thing that matters little to one such as you. Are you here to seek wisdom between my legs, or for less blissful purposes?”
“This archipelago is mine,” Keris corrects her, drifting over to brush her fingers over one of the flowers, rubbing the soft petals delicately between her fingers. Superficially, she’s not looking at Mara; in truth her ears are tuned to the demon’s every least movement.
“And I have no doubt,” she continues, “that had Deveh been the one to find you here, you would have told him as much. You’ve been dancing on our mutual border, telling me it’s the Upper Anarchy’s concern, telling him it’s under my domain. Exploiting the fact that it’s never been officially declared.”
She sighs, and turns back to face her soft-spoken host. “And you’ve also been sitting on Suriani. Ah, Mara. Mara, Mara, Mara. You’ve put me in a real bind here, you know that? Trying to steal from the Unquestionable like this. Trying to steal from my lady like this.”
Her eyes flash dangerously for a moment, but her voice softens again immediately. “It’s really too cruel, playing such games with a young Director like me. And insulting, too!” She cocks her head, letting her feathers vibrate in time with Mara’s fears. “Did you really think I wouldn’t find out?”
“Stealing from Unquestionable Lilunu?” Keris cannot taste her fear; cannot feel the vibrations of her trembling screams. Perhaps she fears nothing. Or masks them too well. “Oh, Lady Dulmeadokht, nothing could be further from the truth.” Mara takes a step closer, blue eyes wide, innocent. “This is how it is done. Surely you remember this yourself. A young Hell-chosen is trained to hone her skills - and I was lovely Suriani’s sifu long before she was chosen by our masters. I have merely been ensuring she is as skilled as she needs to be before she is presented to Hell. And oh! how she has bloomed under my tuition. She absorbs my teachings so beautifully. She far-outstrips others at my darling style; she is ready for sorcery as soon as she can fortify her inner strength enough to open her darkened eyes to enlightenment.
“So might I present her to you to be escorted to the domain of the Conventicle, and take her place among the All-Thing - and it is my most sincere wish that I can continue to train her and develop her skills. Services which,” Mara smiles now, so winsomely, her eyes bright and lovely, “I offer to you as well, Lady Dulmeadokht. For do you not see the potential here in Choson? And across the Lower Anarchy too. I have trained mighty sorcerers for thousands of years, and gave the gift to your antecedents. You may soon find that I am not like grasping Claudia or lucre-loving Ipithymia. My gifts come much more freely - to my friends and lovers.”
It’s tempting. Oh it is tempting. The Lower Southwest is an under-resourced division; sidelined, ignored and shortchanged. Mara is ancient and has cults everywhere, vast resources, influence perhaps even over some of the Unquestionable - for her nature is such that she is very, very good at beseeching and persuading those stronger than herself, changing the minds of her masters with soft nudges and honeyed words.
For a moment - just a moment - Keris sways towards her. Towards her full lips, her sweet voice. Her bright, wide, innocent eyes.
Mara. The Soul Eater. Innocent.
Keris’s head falls forward as she sways towards Mara, her chin dipping down to touch her chin, and her forward motion stops as her weight shifts back again. When her head comes back up, it’s with a smile on her lips. A chuckle emerges, lilting and unnerving in its eerie harmonies. She throws her head back and laughs and laughs and laugh with innocently cruel merriment.
Then Keris’s caste mark flares, and for four heartbeats the world goes utterly silent. The pond burbles noiselessly, the trees rustle their branches without so much as a whisper. Mara herself is left mute and voiceless, until the pressure fades and sound returns once more, slinking in as if terrified of the woman called the Wind-Kissed.
“You very nearly got me,” Keris compliments. “Well done, really. But I don’t believe you. You had this excuse prepared in case I found you - and had I found you a season later, after Suriani had missed a Calibration, you’d have had a different one ready.”
She slips out from where Mara has slunk up to her, putting Keris between herself and the tree-grove wall of the bedroom, and strolls over to sit down on the bed, one leg crossed over the other, imperious as a princess.
“That you’re cultivating her skills, yes, I believe that,” she concedes. “That you’re willing to offer her to me now, after you’ve been caught, sure, I believe that too. That you offer friendship and gifts and all kinds of tempting things to distract me from what you were trying to pull, I’d expect no less. But that you would have taken Suriani back to Hell for Calibration? When there’s maybe a week left before you’d have to leave to get there on time, and she still knows nothing of the Reclamation save what I told her? No.” She folds her arms. “You don’t wriggle out of defying my lady that easily. Not unless you want to accompany us back to Hell and swear it in front of the Unquestionable, the Priests, and those of my peers who can pick out lies.”
“Such hurtful words,” Mara says, tucking her hands up her sleeves. “And such mocking laughter. I cannot bear such infamy upon my character.”
Her façade does not fool Keris. Her heart no longer hides; it’s choked by fear and she knows exactly why Mara’s shadow now stretches into the light, away from Keris. Demons fear the silence of Adorjan above all things, and Keris Wind-Kissed has lain with the Wind and - though Mara knows it not - received two children from her. But she has survived Adorjan when few others do, and in this moment Keris has wrapped Mara in that heart-fear that means the Shadow Lover knows that the stories that Keris has danced with the Wind and that the Hushbringer’s madness dwells in her are not tall tales.
Would Keris kill her here and now? Perhaps. Perhaps. Could she?
Yes, and with all the regret that the Wind might show.
So the fact that Keris here now offers an escape is a mercy on her part. It will cost her, yes, but who in Hell would not pay all they have to get a safe bolthole against Adorjan’s passage?
Mara clears her throat, and the dryness there is another mark of the heart-fear enveloping her. “But in the face of such slander, mmm,” a melodic hum, “oh, Lady Dulmeadokht, I meant every word truly. And I will freely show you my bona fides. I will accompany you back to Hell if you wish it, aye, but - oh! Allow me to present you with a small gift which nevertheless has great meaning to me.”
With a few graceful steps, she retrieves a small box made of mother-of-pearl and lustrous metal. The panels on the front are arranged into a diorama of a great and graceful scarlet crane, sprawled out across the ground; its wings broken. “A puzzle box my sister Alveua once forged from some lovely souls I took,” Mara explains. “In it I keep a few of my favourite spells, penned in my own hand. And of course, my little joke - which well you might appreciate - is that the puzzle box is itself a copy of the Broken-Winged Crane. Solve it to retrieve my spells, but there is even more learning in the box itself.”
Keris takes it, eyes glittering in interest, and tucks it away into her hair. She taps her lip, looking up at Mara from her seat, humming thoughtfully.
“... as I see it,” she says, slowly. “Fleet-footed Mara, Shadow Lover, wise in the ways of sorcery and accomplished in the provenance of cults, happened upon the awakening of a new peer of the Reclamation, taught her in the dark arts of the Shadow of All Things, and of course,” she gives Mara a hard look, “means to provide significant aid to her new protege’s Director out of affection and the love between teacher and student. All of these things are true. Their order, perhaps, does not matter so much that it need be mentioned to the Priests, or to the council of Unquestionable. You are nothing if you are not loyal.” To whom goes unsaid, though by the twist of Keris’s lips as she says it and the dip of Mara’s eyes, not unheard.
“But,” Keris adds, raising a finger as if a thought has only just struck her, “one more question, dear Mara. Out of idle curiosity, from a largely self-taught sorceress to one who - as you say - has known the art since before humankind rebelled.”
She is trying to dissemble. She is trying to seem unaffected. Keris can see the truth in her trembling; hear the pitter-patter of her heart race like she is the size of a mouse. “One doesn’t like to brag, dear one,” Mara murmurs. “What knowledge would you seek from my hands?”
“It occurs to me,” Keris says, “that if Suriani stands on the very brink of sorcery as you say - and I of course would not dare doubt your word on the matter.” She’s needling her, but she’s pissed, even if Mara’s immediate capitulation has convinced her to let the bitch off for her scheme with a warning, Mara deserves to squirm a little, and while Keris doesn’t believe she has a sense of shame, the jibes work just as well as a reminder of Keris’s annoyance.
As will this challenge.
“If that’s so,” she continues, “then all that’s left to her is the station of Choice. And it seems to me that her love for you limits her as much as your teachings elevate her. She feels betrayed right now - hurt, heartbroken, at the way you told her nothing of her esteemed place in the Reclamation. And she very much wishes to take her place in the Grand Assembly of Hell. So here’s my question: were I to go back out there and put it to her that she should be looked down on by her peers for being in thrall to a demon lord, would that not present her with a suitable Sacrifice to proudly walk into the Reclamation as a fully-fledged sorceress? I’d wager the fifth Station would be enough even to release your hand from her heart, no matter how deep your claws are usually sunk in.”
“How cruel! How loveless a thing to force on someone,” but there’s a smile on those lips now. And a gleam in those blue eyes. Not love, no - but attraction. “But would you truly wager that, Lady Dulmeadohkt? Risk such delicious heartbreak - and the fact that many have loved me for my teachings and yet even the Station I taught Brigid has not been seen to free another from the self-imposed shackles of love?”
Keris’s eyes narrow, considering that. “If she chooses you over sorcery, it would deny you a student,” she probes. “It’d deny me one too, but I reckon it would sting more for you. And if she chooses you over the need for validation from her peers, well, that’s still a weakness excised.” Meeting Mara’s blue gaze head-on, Keris stands, putting herself well within the demoness’s personal space. “I can be cruel, when the need calls for it. But I can be forgiving as well. When I choose to be.”
She reaches up and brushes Mara’s cheek, expression challenging. “Release whatever other guarantees you have over her - debts, sorcerous marks, sworn oaths, whatever; if you can’t manipulate her with the love she holds for you alone, you’re not the woman I know you are. And then convince me that I’d rather let you keep her heart than spite you. Because I may be willing to let this attempt at cheating the Reclamation slide, Mara, but I’m still not amused.”
Despite her words - and the genuine truth behind them - she’s smirking. The confidence of knowing she has the stronger position, yes. But also acknowledgement that it’s a game now, in which both players respect the other’s skill.
Mara reaches out and brushes Keris’s cheek with her soft fingers. An onlooker might think it’s romantic. It isn’t. “A game for her soul? Oh, you do offer such lovely things, Lady Dulmeadokht, offering me the weapon of love. What will your blade be; fear, envy, lust? And will you play with me too?
Her other hand daringly slips down to the small of Keris’s back, resting on the tattoo from Ipithymia. “Oh, and what’s this? Oh, darling, so you came to a contract with the Gilded Idol,” Mara says, her breath cool on Keris’s face, her blue eyes sparkling. “You learned at her lap - and no doubt supped at her fruits. Very well then; if I need place something against your spiteful pique, let it be the same offer you welcomed from her. I will tutor you in my arts of war and sorcery alike. Many have killed - and died - for that privilege.”
Keris huffs a soft laugh. And leans back.
“Well,” she admits, “I suppose a game is only fun so long as it’s fair. Alright then. Release her from whatever oaths or sorcerous bindings you have on her, and I’ll make no mention of a Sacrifice that might ruin her - and take you up on at least the first lesson. We can see which way she swings from there. And how far across Choson she can spread your school.”
Mara leans in, and kisses her full on the lips, cupping her face with one hand, her other hand moving down from the Ipithymian tattoo to cup her bottom. “And sealed with a kiss,” she croons to Keris. “A pact of two who know the courtesy of the midnight hour.”
Keris lets her claim the kiss, but then puts a delicate finger on Mara’s lips and gently pushes her away. “One kiss,” she says firmly. “But no more than that. Suriani is waiting for us. And I have much to do in Choson before returning to the Althing for this year’s festivities.”
The Shadow Lover actually pouts at that. “You’re so cruel,” she says, with faux-love. “You only hurt the ones who want you.” As she is pushed away, she trails her nails along Keris’s cheek. “You’re fun. Much more fun than Sasimana. She fled from me; you embrace me. But then again, you embraced Erembour too. And I have many of the same tastes as my mother.” The throaty chuckle is a mark of how she has abandoned her previous sternness and false innocence. “You will learn such wonderful things with me. I promise you that.”
How can that be a threat? And yet Keris knows it is.
Suriani’s eyes widen when the two come down the stairs, un-mussed and fully dressed. There’s relief there she doesn’t want to show, but which Keris can read. Mara immediately approaches the younger Hell-Chosen and kisses her deeply, cupping her face. Angling the kiss so, yes, Keris can see it, with the lips that had just known her.
“Oh, my lovely Suriani,” Mara whispers, breaking the kiss for just a moment. “You are ready. I hate to see you go, but Lady Dulmeadokht has come to take you to Hell, to sit in the dark glory I have been training you for. And you will return, wiser and stronger and ready to learn more from me.”
“Of course,” Suriani whispers, leaning back in.
Keris clears her throat pointedly and gives Mara a significant look. Mara doesn’t immediately acknowledge it, but instead continues making out with Suriani until she’s sagging at the knees and Mara’s thigh is pressing up into her between her own. Then; “My sweet Suriani, I release you from the oath of service you swore me. You are ready to be a peer of Hell. Go, be strong, and further the will of the Yozis, with my blessing - and my love. Because you will carry that with you no matter where you go. And if in time, you wish to swear a new oath with me, it will be as equals; you, a respected peer of Hell and I your shadow lover.”
“I-” and for a moment Suriani almost seems about to protest, but she straightens up as the disk on her brow flares for a moment. “I know you lied to me. That you weren’t going to tell me of the Hellish Assembly.”
“Of course. Is that not love? How could I ever bear to let you go?”
“Alas,” Keris drawls, rather than listen to more of this, “but I do have to separate you two lovebirds, as heartbreaking as it will be. Suriani, come up with some excuse for Johah for why you’ll be away for a month or two, and get it done by the end of tomorrow. We need to be in Nagakota before the end of the week for the disaster that’s going to hit it, then be on our way to Hell.”
“You should watch her well, beloved Suriani,” Mara croons. “For there are few things more beautiful than the destruction and darkness that one like you can bring - and soon enough you will be able to do anything she can when I have taught you all I know.” She steals another kiss from Suriani, then releases her. “Go, my student! With my blessings - and a little gift!” From a pocket she produces one of the flowers from the trees that grow on the roof. “This may wilt, but my love never will.”
“Mara,” Suriani manages, eyes welling up. “I’ll never forget you. I will return!”
“Of course you will - or else I could never let you go!”
Keris rolls her eyes and heads for the door, leaving the two to their nauseatingly romantic display. A dark, chained romance that bleeds of the Lovers Descending, no less. ‘I’m sure I was never that disgustingly enthralled with anyone,’ she comments acidly in her head. ‘Or that shameless. A night-blooming flower to symbolise unwilting love? Really? And painting the oath as “oh, it was only until you were ready to leave and take your place in Hell, my love”? Ugh. She’s lucky she’s useful.’
“I had to live in your head when you first fell for Sasimana,” Dulmea says sharply. “And through your first lust-filled crush on Alveua when you were in the same position as Suriani. Do not speak to me about nauseating overblown romances.”
‘... okay, but I still wasn’t that bad,’ Keris says, humbled. ‘Though you’re right; what is it about Erembour’s souls and finding baby Infernals? Pah. Well, at least she’s in awe of me. I made a pretty good first impression. And then a better second impression this morning with, heh.’ She grins. ‘Guessing her whole life story. I did well there, even if most of it was obvious or pretty simple to work out. A fairly strong third impression with how fast Mara recalled those demons too, if I didn’t misjudge her surprise there. She’s not as interestingly spiky as Magenta, but she’ll be scrambling to do whatever I say.’
“I have heard of the power that Mara holds over hearts and her students. Do not underestimate her,” councils Dulmea. “Especially given she has already claimed a kiss from you.”
‘I won’t, I won’t,’ Keris promises. ‘But it’s precisely because of that power that I have to play nice with her. She’s already got her hooks in Suriani deep. From the way she reacted when I threw the Sacrifice question in her face? Short of killing Mara, nothing can dig them out. And maybe not even that. So I’ll make her an ally so that we’re at least both pulling Suriani in mostly the same direction, instead of having to play tug-of-war over her for everything in my Directorate.’
“Be careful. And do not let her near anything you love.”
The words drift over from behind, a loving murmur into Suriani’s ears. “... and take care, for I have heard of Keris Dulmeadokht. A disciple of the Queen of Harlots Ipithymia, who marks her favourites with a golden brand on the lower back to pollute their chakra with her vice and sin.” The gasp is audible, and Suriani has clearly tied that to the golden mark on Keris’s lower back. “Be wary of how she will use desire as a weapon, my Suriani. But I trust in you, and I trust in my teachings, my student.”
“I will miss you, beloved teacher.”
“Only for a little while. Now, go. And when you return, I will be waiting for you - or may perhaps find my way to Hell to search for you if the wait is intolerable...”
A few more kisses, a bit more inanity, and then Suriani is hurrying to catch up with Keris. “It was fine, Lady Dulmeadokht - it worked out,” she says.
“Mmm. Good to hear,” says Keris, as the pass the gate with its hidden demon guards and Keris re-dons the mask of Yuni to make their way out. “And what did she tell you about me?”
“She said you were powerful and learned in the arts of demonic cultivation,” Suriani equivocates. “Although I believe I have seen some of those talents already.”
“And that’s all? No advice, no little warnings?” Keris slants an amused look at her, one eyebrow raised. “No rumours of my position in Hell?”
Suriani considers this. Then; “You heard everything. Like the stories of the inhuman senses of the Wretched say they would have been able to.”
Keris reaches over and taps her on the nose. “I worked for Ipithymia for a season-long contract. The tattoo was part of my pay, not something that binds me to her or taints my nature. Mara wants you to be careful around me. She’s not wrong that I can wield desire to great effect, and I’d be a hypocrite if I criticised you for loving someone who’ll hurt you - but don’t forget that she lies.”
She falls silent as the pass a maid and are shown out of the estate, before picking back up as they begin the walk back to Langrumah. “Hiding things is cute,” she continues. “Deception is useful. But don’t try to keep things from me that you know I’d want to know. I’m going to be your director. Leaving aside your duties to give honest reports - to me, at least - if you keep something important from me and I give you orders that don’t take them into account, you could wind up in danger. And then I’d have to make a mess bailing you out. We want to avoid messes, Suriani.” Keris pauses, considering that. “Well. Unplanned messes, anyway. Sometimes making a mess is the goal.”
“Speaking of messes,” Suriani meets her eyes, and without her shadow wrapping her the metal of her eyeballs gleams in the light, “you did say that a disaster will hit Nagakota. What is happening there?”
Keris grins a devil’s grin.
“At the moment? Nothing. In a week’s time, though... well, come along and help, and you’ll see.”
Chapter 34: Choson IV, Fire 775 - The Dragons' Stronghold
Chapter Text
Master Johah is a fool. Keris knew it from the start and nothing she has seen has countermanded that initial assumption, even now that she no longer envies him. And Suriani knows it too - which was why she took up with him in the first place.
Suriani of course introduces the merchant Yuni from Nagakota to her lover, speaking excitedly - and not sounding too clever as she does so - about the potent alchemical ingredients that Yuni has been watching for in the Nagakota ports for her. Real snake liver from the Anarchy! And Yuni has a sample for him. He sniffs it, tastes it, observes the colour and hue, and declares it to be excellent quality.
Keris of course wholeheartedly agrees, because she’d picked this up in Saatan markets for her alchemy and it’s vaguely annoying having to let it go to waste on him. Suriani says she’ll be away until new year, and manages to plead extra spending money out of him before she leaves.
“Why does he want it so much?” Keris asks Suriani as they head out.
“It’s an aphrodisiac - and strengthens the male root,” Suriani says with a giggle. “And his little snake sometimes struggles when he’s stressed and exhausted and thinking too much about those scurrilous rebels of the Sparrow and the problem of rogue Ebon Shadow killers and so on.”
Keris considers this. “This snake liver doesn’t help with that. I mean, it will cause a rise in blood pressure, and he’ll feel light-headed and trembly, but it won’t actually help him get it up.”
“Of course. I’m his mistress, Keris. And I want a break sometimes. But he believes that snake liver helps with the problems with his root, because snakes are phallic and I whispered that into his ear when he slept so he can’t get the thought out of his head. So both of us are happy with this solution.”
Keris’s lips twitch. “That’s a perfectly good snake liver going to waste on him,” she points out, not-all-that-effectively hiding her amusement. “You couldn’t have convinced him that something less valuable was the solution to his woes? I get that it needs to be expensive or he wouldn’t fall for it, but this is just hurtful to poor humble alchemists who could put it to better uses.”
“Snake liver fortifies the body by passing some of the snake’s ability to handle poisons. And Johah is a man who greatly fears poison,” Suriani says. “He’ll often ask me to taste his food before he does.”
Keris blinks at her slowly, the corner of her lip curling upward. “And you’ve, what, accidentally forgotten to mention to him that I could stuff a fistful of raw hemlock down your throat and you’d do nothing but pout at me about the lingering smell?”
“Oh, I don’t want him dead.” Suriani tucks her hands up her sleeves. “He’s a bore and a fool, but he’s my fool. If he was replaced, I’d need to find someone else to protect my friends from unwanted attention. So yes, I have tasted poison in his food and told him, and that just makes him even more devoted.”
“Mmm,” Keris hums. “Good. Devotion-through-trust is better than obedience-through-fear. I’m going to like working with you, I think. Now, how are you for travel? We need to be in Nagakota by nightfall if I’m going to get started on my plan. Preferably by noon. I have people there I want a briefing from before doing anything else.”
That gets a pair of elegantly shaped and plucked eyebrows raised at her. “Noon is... pushing it. That’s two hours, maybe less. How are you travelling that fast?”
Keris smirks. “I’ve internalised a lot of the gifts of the Silent Wind. Sheer cliffs and rough ground are of little consequence to me, and I move fast. But you won’t be able to run like that, so you can ride along in my sanctum. And,” she adds with a grin, “get an early introduction to our destination after Nagakota.” She walks over to the door that leads out from Suirani’s bedroom into the hallway, and with a mental nudge respins Strigida into a glittering silver replica of her many-layered, many-ruffled tiger dress. Her hair unravels from its day-to-day plait and then resettles into a more elaborate one, with crown braids and elaborate loops arrayed up over her head and a number of higher-quality hairpieces sliding into her locks from Dulmea’s Tower.
“Suriani bi-Musa,” Keris says, tone-shifting into the smooth, cultured voice of her lady’s left hand. “As Mistress of Ceremonies and the Voice of Lilunu, please, let me be the first to welcome you as a Green Sun Princess to our number. Though it is only a pale reflection of my lady’s true residence in Hell - which you will see before the month is out - please, make yourself at home in this humble offshoot…”
She speaks the next words in Old Realm, and rainbow light spills from between her lips. The door behind her shimmers, many-coloured fire blazing in the keyhole, around the gaps between door and frame, and when she opens it with the elegant courtesy of a superior to a valued subordinate, it opens on an entirely different landscape.
“… of the Conventicle Malfeasant.”
Suriani is dumbfounded. There are no other words for how there are no words from her. She steps out past Keris like a sleepwalker, dark eyes wide as she stares at the palace where her hallway should be. She is so visibly shocked that the shadows wrapping her fall away, her true appearance revealed.
Eventually; “This isn’t my house...”
“No,” Keris says, glancing around. Thankfully, Mele, Simya and Jemil are nowhere in sight. She can’t hear them either, which means they’re probably inside and being quiet.
Honestly, it’s still pretty early in the morning. They may still be asleep. Off to her left, she can hear the soulless bodies of her wyld-shaped demon cult lying on one of the ornamental lawns. A flowering hedge (with gorgeous blossom-tailed peacock topiaries arrayed along the top) puts them just out of view, as are the barrels of algarel stacked up around a rockery to her right.
“This is a sanctum held within the Voice of Lilunu,” she says, parting her lips just enough for Suriani’s dazed stare to see the flickering opal fire within her tongue bar. “An offshoot of the true Conventicle; my lady’s city of art and revelry on one of the innermost layers of Hell, ringed by fifty townhouses such as this. One of them,” she adds with lidded eyes, “is yours, Suriani. Just waiting for you to claim it.”
She spreads her arms, gesturing at the little world around them. “This place is a mere reflection of my lady’s city, born from potent sorcery. It opens at my word, through any door I summon it through - and when I leave and close it, you can stay here in perfect comfort until I open it again in Nagakota.”
“It’s so strange. It’s so... beautiful,” Suriani says softly, trailing her fingers along one of the cultivated sprouting palisades. Her hand finds one of the statues of Lilunu, and she stares at the rendition of the image of the Conventicle Malfeasant.
“She looks like you,” is her first opinion. “I thought this was a statue of you at first. But it isn’t.”
Keris smiles fondly. “No. It isn’t. This is my mentor, Lilunu. The Conventicle Malfeasant. It’s her task to look after us Infernals, to bestow upon us our missions in the Reclamation’s name, to speak as Voice of the Yozis and to ensure the harmony and cooperation of the Reclamation in its goals. I speak as her Voice, and help her organise and run the Calibration festivities each year. She will,” she grins, “be quite cross with me for giving you a sneak peek at her city and welcoming you before she got to do it herself.”
She dips a deep curtsy to her lady’s statue, which is posed with a pair of gardening shears in one hand and an elaborate outfit that Keris nonetheless recognises as workwear, then presses a kiss to the fingers of the statue’s unoccupied hand. “Sorry my lady. I’ll make it up to you with some new Chosoni artpieces. Have fun with the gardening.” A rumbling purr draws her attention downward, to where one of the living stone cat-automata has curled around the statue-Lilunu’s feet. Keris laughs. “And the company,” she adds, kneeling down to pet it.
“Now then.” After a couple of strokes across the rough sandstone “fur” of the tabby, Keris stands again and claps her hands. “I’m not just going to leave you in here to float around the gardens feeling bored. There are things I can teach you, secrets I can share - some powers that even other Infernals won’t be able to guide you to learning. Of all the Green Sun Princes, I’ve cast my net the widest in taking the Yozis’ power into myself, and I’ve found that there’s strength in synergy. But,” she holds up a finger. “I won’t share everything for free. To start, I will require an oath to keep my secrets if I’m going to teach you.”
“Of course, master,” Suriani agrees instantly. A little too quickly, actually. Keris is instantly suspicious.
Dulmea laughs inside her head. “Of course!” she says in delight. “Child, what a chance. She is a member of a secret cult of demonic martial artists - to be bound to promise in return for teachings is simply how things work in her experience. Oh, this will serve you wonderfully. No wonder Mara could get her to swear binding oaths so easily. You should seek to sanctify her oaths in as many ways as you can, if you are intent on bringing her into your own scurrilous secrets which go against even the Unquestionable.”
Her mother’s delight brings a twinge of guilt from Keris. That makes it sound worse than it is. It wouldn’t be fair to exploit her that much in return for a willingly sworn oath for teaching - but at the same time, cold fear at the base of her spine means her gut agrees with Dulmea.
The guilt isn’t enough to dissuade her, and she folds her arms. “An oath,” she says firmly, “and something more physical. You have a tattoo from Mara, as her student. If you’re to be my student, you’ll have one from me, too. My mentor gave me a tattoo as her student, and now I will give one to you. In time - if you prove yourself - I may even elevate it into a living creature; a familiar who you can call on to aid you and who will serve as a vessel for your spells. Will you accept this gift and this binding, Suriani bi-Musa?”
“What oath would you have from me if you are to be my sifu?” Caution, but not rejection. Not even truly wariness. Just a woman who wants to know what she’s getting into. “And what does your hell-school offer me?”
“Your oath will be to guard the secrets I teach you and loyally keep my confidence. You will swear not to share any of my teachings without my permission - by action or inaction,” Keris says. “And I can teach you many things. Sorcery you can no doubt learn from Mara, but I am a Sapphire sorceress myself, and on those occasions when your heart is bruised from her cruelty, I will still have much to offer. Martially, I’ve mastered two Snake styles, two Cat styles and the Peacock, along with the powers of many of the Yozis. The heights of mortal alchemy are trivial for me, and,” she smirks, “you’ve seen my ability to seduce. But...”
She looks Suriani up and down, considering. Keris doesn’t particularly want to say anything about her souls or her pact with Pekhijira. Not until after Suriani’s sworn secrecy. But a little teaser can’t hurt.
“But,” she continues, her voice dropping a register to smooth, silky seduction, “what might interest you most is that I can share other powers, too. Secret powers no other Green Sun Prince can teach you. Powers perfectly suited to a woman such as you. Powers,” she tantalises, “that nobody else can learn - or know about, and account for.”
This is an offer that recontextualises things for Suriani. Keris is a sea-siren luring sailors to their death - only what if it isn’t their death. What if she really does offer delights beyond moral and mortal imagining? It isn’t hard to believe that she might have powers that Suriani wants. Needs. Powers that no one else can teach her. After all, she’s seen a fraction of the terrible powers that Keris Dulmeadokht has, that she’s a Wretched being who has gathered impossible secrets.
“I will be your acknowledged and cherished student, master,” Suriani says, offering her hand. “You will teach me forbidden demonic magics and train me in the arts of the Anathema. And in return, I will show you the regard and duties of your student for as long as you are my master, and I will keep your secrets.”
She asks for more than Keris offered - but offers more too. She wants everything she can get, Keris can tell. She wants the recognition that comes of being the student of a powerful Anathema, and will offer her own service for it.
Keris reaches out, but doesn’t take it yet. Instead, she strokes the back of her fingers over the back of Suriani’s hand, traces a featherlight caress up her forearm, draws her silver nails ever-so-gently down the soft inside of her would-be-student’s wrist.
“Acknowledged and cherished, mm?” she murmurs, raising an eyebrow. This offered pact puts responsibilities on Keris, too, in a way her original offer didn’t. A defence against a negligent master - yet also a demand made to a prospective teacher. Yet for all Suriani’s boldness and cheek, Keris’s voice is indulgent. “And how long will you keep my secrets, then,” she prompts, “if you will only show me the regards and duties of a student for so long as I am your master?”
“When you are no longer my master, I cannot say what our relationship will be,” Suriani says, her dark-metal eyes wide and innocent. “But I will keep the secrets shared in confidence when you were my master. That bond between master and former-student is sacred. Otherwise, no one would take on students.”
Red lips curve upwards. “Then, my cherished student,” Keris says, wrapping slender fingers that can crush bone around Suriani’s hand in a delicate grip, “doff your robes, and turn around. This tattoo will be fast - and it will not hurt. I promise.”
The disk on Suriani’s brow lights up. Wisps of green flame, shot through with deep purples and blacks spiral out from that, running down her hand and wrapping around it in complex threads that seem to form a serpent before they twist around Keris’s hand too. Suriani’s hair flares out around her, moving in an unseen wind, and Keris’s does the same a moment later. The sheer pressure almost makes her legs buckle - and then it’s gone, the ribbons sinking in,
“Yes, sifu,” Suriani says, and there’s such satisfaction in her voice there. “Master Dulmeadokht, master Keris. No. My master. And I will obey you. I will wear your and Mara’s hell-brands together.” Cheekily, daringly, she leans in to kiss Keris on the lips, and then obediently unfastens her robes and sheds her underlayers, until she kneels naked before her sifu. “Do what you will to initiate me into your lineage, just as the Shadow Lover did.”
Keris paces around her, and lets her hands and hair unravel into roots. They sink into Suriani’s back, at the shoulder blades, around the sides of her ribs, down her spine and across her hips. Flower-dyes bloom under Keris’s skin and flow down the roots to rest under skin; no bright colours, but a hundred shades of black and grey.
Swiftly, with utter certainty and sublime skill, the artpiece spread across Suriani’s takes shape.
“When I swore to my lady,” Keris says distractedly as she works, “she gave me my tattoo; a dragon modelled after her. And now I give you one modelled after me. Snake and Cat and Peacock, all joined together. And all in monochrome, too. To match your existing tattoo, mm?”
Suriani doesn’t respond, perhaps taken aback by the squirming tendrils in her flesh, perhaps just reserving judgement. Keris nods absently and continues to work in silence. Eventually - a few minutes or an hour later - she draws back.
“Now,” she says, leading Suriani over to a pavilion and tapping one of the glass windows to turn it into a shimmering silver mirror. “Look at your gift, and repeat your oath. This part,” she adds, “will hurt.”
Pulling her hair forward over one shoulder, Suriani twists to look over the other at her naked back.
There is a dragon upon it.
The tattoo is so lifelike that the creature seems ready to leap from her skin at the merest twitch. It is a strange, chimerical beast; a beautiful peacock’s tail, with eyes on every feather, spilling down across her lower back and hips from a scaled and serpentine body. Despite its elongated, snake-like torso, though, there’s definitely something of a stretched-out cat to it as well, with four sharp-clawed limbs and a graceful neck that ends in a feline head - two sets of fangs arrayed in its yawning jaws upon its shoulder. Its entire body is monochrome, a startlingly beautiful range of jet blacks and pale skin tones and paler-still whites for the eyes of the dragon’s peacock-tail, the sharp little curves of its fangs and claws and the highlights that make it look lifelike in the light.
But its eye. Its one visible eye from the perspective of its head, staring up and across her shoulder at Suriani’s face - or perhaps her mouth, or perhaps her throat.
Its eye is the same ash-grey as the gaze of Suriani’s mistress.
“Oh, master, you are an artist,” she says admiringly, twisting from side to side to take in the whole of her new full-back tattoo. “And so fast - and painless! Mara’s mark took hours and hours with her needles. But this as like you were simply painting on my skin.” She licks a finger, and tries to rub it off. “No, this is just skin. By the Dragons!”
She pauses, and takes a breath.
“I, Suriani bi-Musa, do proudly wear this dragon as the mark that I have been accepted by Keris Dulmeadokht as her student. I vow to offer her all the due regards and respect as my sifu for as long as I study under her, and to keep the secret of the forbidden arts she has taught me.”
“And so will it be,” Keris says, and leans in to kiss the dragon. For she will hold Suriani to this. She already sanctified her oath - but now Keris has sanctified it too.
Suriani pitches forward, on all fours as her back burns like acid. She can feel the dragon-cat-snake-peacock moving under her skin, sinking in deeper and deeper, spreading through her system. She gasps and grits her teeth, turning red in the face. It’s like all the pain she didn’t feel in the tattooing process has come back for just one moment.
And then it’s gone after only a few breaths, and she’s down on all fours, sweating and red in the face.
“Easy, easy,” Keris follows her down, a hand laid over where she planted her kiss. “Huh. Did you feel it move? It looked like it shook itself and then settled back into position, there.” She helps Suriani up. “Well, no matter. Clothes back on, and I can give you your first lesson. A taste of what you’ll be learning, and how.”
Those dark metallic eyes focus on her, and she doesn’t start to dress yet. “Do I need to care for this new tattoo in any way to stop it running? And will this be a physical lesson?” she enquires,. “If we are to spar, should I stay in my underlayers and not put on my heavier robes?”
“No aftercare needed, but I have a few instructions I’ll write down for you to keep it in the best condition,” Keris says. “And no, no sparring. This is going to be a demonstration; it’s not something you can jump right into learning in a sparring pit. There are a few... prerequisites.”
“Yes, sifu,” Suriani says, as she dresses. “Sorry, can you just help me with- there, there, just help lace up the back there-”
Suriani is shameless. Of course Keris recognises what she’s doing, asking for ‘help’ getting dressed. An excuse to hold herself close to Keris, to make her wrap her arms around her, to get her to focus on her back as the ink twists under the bare skin.
It’s just that it does rather work at bringing a flush and warmth to Keris, and get her thinking about that night (and morning) they spent together.
She helps Suriani back into her clothes, but it takes a good five minutes longer than it strictly needs to, with Keris’s hands stroking rather unnecessarily up across her hips, around the curve of her ribs and over her breasts as she “helps” Suriani get everything on again, and by the time she’s dressed they’re both looking rather heated. Keris swallows, reminds herself that Mele is probably going to be waking up soon, and takes a step back, gesturing towards the brown stone villa with its bright red tiles.
“Alright,” she says. “Come on then. I’ll show you around - and we will stop into one of the sparring halls, not to actually spar, but so that I have space to demonstrate.”
Up close, the flowing frescos painted across the townhouse walls and the swirling rainbow mosaics that tile the floor have Suriani gasping in wonder again. It’s light and airy, with tall windows that let the sourceless illumination from outside pour in, Nooks along the corridors host little statues of dragons and cats and peacocks and snakes on brass pedestals that come up to waist height, and every courtyard they pass is a beautiful little wonder.
“So, I don’t know how much Mara saw fit to share with you,” Keris starts as she leads them to the nearest sparring hall, keeping a wary ear out for any of the companions stirring. “But our powers ultimately come from the Yozis. We reflect their glory and mimic their gifts by taking them within ourselves - I’ve internalised a little of the nature of the Demon City’s heart, and so I can use His green flames to destroy my foes. You’ve drunk deep of Ophidian shadows and welcomed the Hungry Swamp’s ravenous growth into your body - along with a little of the Silver Forest. There are fifty of us Infernals, and you’ll see fifty different blends of the All-Makers’ power; each of us is unique in what we resonate with and take into ourselves. We’re each a different living monument to our patrons.”
“Lovely Mara told me that my power came from the Shadow of All Things, who she also serves,” Suriani says, hands folded behind her back. “But you say that the,” she opens a maw on her palm, and closes it again, “this teeth thing isn’t from her? And what about this?” She lifts her arms up behind her back until they loop over her head, in a way which Keris can easily tell is a mark of Szoreny’s malleability in her.
“That’s the Silver Forest. Okay, so, let me introduce you to the Yozis - which will also give you an idea of what to expect when I take you to Hell. First we have their king. His name is Malfeas, the Demon City, though it’s said that once he wore another. His heart is a blazing green sun...”
The recap lasts long enough for them to get to a sparring hall - and indeed, long enough for Keris to fetch a staff from the rack on the wall and gesture with it as she paces, talks and occasionally plucks music from the air, conjuring shadow-like images around herself to illustrate the nature of the chained titans aligned with the Reclamation from whom Suriani might internalise the fell powers of Hell. Her student listens attentively, kneeling in the centre of the hall as Keris paces back and forth in front of her, dark eyes intent on her every movement.
“... and Oramus and Szoreny were the most recent pair brought into the Reclamation; they came in together five or six years ago. There haven’t been any more since; the details of how new Yozis join the Reclamation and what it involves and how it’s decided are not for we Infernals to know. They’re matters for the Unquestionable alone - and I really mean that, Suriani, asking that kind of question gets people thrown into the sky by Orabilis, so don’t.”
Clearing her throat, Keris accepts a cup of tea from Dulmea and sips at it before setting it on the floor. “Now, given what I’ve told you; were I to summon a tendril of ichor from this cup to lash my foes, or drip brightly-coloured poison into it that could inflict horrible agony on a foe or else twist their body into monstrosity; which Yozi would you expect that would come from?”
“Ichor would be the Demon Queen Elloge, queen of blood; brightly coloured poisons are beloved of the Demon Queen Kimbery, whose art you adore,” Suriani says promptly.
“Correct on the second, but Kimbery has ichor in her depths as well,” Keris says, nodding in approval. “Both are from her, but good reasoning. What if I felt like hearing the prayers of my worshippers and bestowing gifts upon them? Equal only to their sacrifices to me, of course. Whose nature would you suggest I immerse myself in to learn how?”
“That would be the Holy Desert named Cecelyne, which rings Hell and saves it from the malice of the gods,” is Suriani’s response. “I knew of that name before.”
“Correct,” Keris nods. “Last one, then. If I wanted to steal something - or someone - from a rival, and compel them to forget they ever owned it or decide they never wanted it anyway... who might I emulate to do so?”
“That would be the Shadow of All Things, who - you said - can ruin memories and take that which one values the most.”
Keris grins. “Reasonable guess. And... hm. He might be able to, actually - I haven’t delved as deeply into his shadows as some Infernals I know of. But the way I pull off that trick is through Adorjan, by cutting away my target’s attachments to what he owns.”
She twirls her staff with a flourish. “Now, hopefully just this short little test has shown you that the Yozis’ natures are deep, and sometimes unpredictable, and that surface impressions of their natures don’t include all that they can do. I’ve spread myself wide - and fairly deep; I’m accomplished among my peers - but don’t think that finding the two or three who resonate most with you and exploring their gifts in depth will limit you; each Yozi alone is vast beyond a human’s ability to fathom.”
“But,” she adds with a smile, “the one thing that does unite them all is this: the Yozis are not there for us. We are here for them. It is very rare that a Yozi’s nature will align with yours perfectly - or more accurately, it is rare that a human’s will algin perfectly with any of theirs; they came first - and so there’ll always be a little bit of a mismatch. Qualities they have that we lack, things inherent to them that would sit askew if we internalised them.”
She brings the staff’s end down to the smooth hall and lets it tilt and fall towards Suriani, who catches it.
“Stand,” Keris tells her. “Hit me with it. Not a proper spar. Just one strike. This isn’t a trick; I want you to try.”
Suriani lets the staff drop. “I don’t really use those things,” she says, settling down into a clearly defensive stance. “It’s not very... I don’t want to hurt you! And-”
She explodes out of her defensive stance, hand twisted into a claw, bringing it around. And Keris does nothing. Except that’s not true, is it? Because Keris has changed. Her hair is white, her features somewhat feline, her teeth sharp. But it isn’t just physical. There’s something more about it, something unseen, the feeling that she’s letting you know that her human face is just a mask.
But Suriani pushes through the fear. And the base of her palm smashes into Keris’s ear; a blow meant to disorientate, to stun, to render someone useless in a fight. Oh, Keris definitely feels the pain. She feels the delicate bones and tissues in her inner ear break and rupture. And then they reform, with only a wisp of green, sticky mist escaping from her ear as a mark of the damage.
Keris shakes her head - not a negative gesture, more like a cat or some other wild animal shaking an annoyance off its fur. A low hissing growl settles in her throat for a moment, and her eyes, when they settle on Suriani, are vertical slits like those of a cat or a viper.
“Impressive,” she remarks, in a voice notably harsher than a moment ago; an inhuman rasp added to the formerly smooth syllables. “But you hesitated for a second. Not enough to stop you. But enough to notice.” She grins, displaying a mouthful of fangs. “Why?”
“You’re showing your inner demon,” Suriani says, and she isn’t letting her guard down. She’s wary. Scared. Keris is threatening her just by being close.
“Mmm. Which one, though?” Keris’s hair flows and shifts behind her, stark white instead of the rich red it was mere moments ago. It makes her look unsettling - pale hair and pale grey eyes and the pale silver of her moonsilver clothes, something about them eerie in their contrast with her dark skin. You don’t get colouration like that. Not naturally. And the bestial edge to her features only heightens the feeling. This new woman, this new face Suriani’s mistress is showing her - this creature is a predator.
“Many of the Yozis can cause fear,” Keris continues, pacing slowly round her, forcing her to turn. “But which is this? Mm. You’re a clever girl. But one power alone isn’t enough to guess, is it? Another example, then. Watch closely. Feel my essence. Tell me where this power comes from.”
She closes her eyes. Her caste mark flares on her forehead, the empty ring of green burning bright and terrible.
And Keris Dulmeadokht grows.
Her lower body elongates, and her legs melt together into a tail. As her silvery clothes shift around her, Suriani can see her skin prickle and then part as silver feathers force their way out through the surface. Her torso swells from petite grace to the bulk of a large man’s, and below the waist she lengthens and lengthens and lengthens, feathers overlapping like the keeled scales of a viper. Her face becomes even more savage, and the feathers in her white hair grow and multiply until she seems to have a mane of them, reaching most of the way down to the ground even as she rears up two, three, four yards high.
The loose feathers at the very end of her tail produce a chiming rattle as she flicks it, slithering back from Suriani so she can see the full extent of this new form.
“Tell me, Sssuriani bi-Musssa,” the monster hisses. “Which Yozzzi do you think thisss echoesss?”
“None of them,” Suriani says, her voice dry. “This... this is p-power you stole from the Moon yourself, isn’t it?”
The laugh of a monstrous serpentine creature that wears fear like a mantle is, it turns out, terrifying.
“Very good!” she cackles. “Very good, yesss, not a Yozzi at all; thisss comess from within! My own power! My own art! My own sssoul!”
She lowers herself down, coiling round, spiralling inward, around Suriani. Clawed hands rest gently on her shoulders, and a rasping voice breathes in her ear.
“Would you like to awaken your own sssoul’ss powersss ass well?”
Suriani’s eyes are deep, dark - and overjoyed. She’s unable to hide it. She swore an oath to Keris for secret techniques and secret teachings - and being able to turn into a monstrous demon by cultivating her own soul’s power is not only exactly what she wanted, but what she hoped for too. “Of course, sifu!”
“Mmm. I thought ssso.” Keris slithers round her again, back in front of her, and reclines her upper body on her own coils. “You will be the firsst I have taught thesse giftsss to, Sssuriani. It may be dangerousss. But I trusst you to sssuccceed. Your firsst tassk, to awaken the power within your own sssoul, then... iss to know it.”
From her hair, she takes a vial of silvery liquid. The way it moves within the glass is dense and viscous - more like liquid honey than water. She offers it, pinched between two claws.
“Thisss iss an elixir I have developed over the passt few ssseassons,” Keris says. “It will sssend you into a deep meditation and confront you with the nature of your po; your lower sssoul, your innermost ssself. You mussst acccept it, undersstand it, come to termss with it - but not sssubjugate it. It iss you, and you are sshe. Harm to one iss harm to both. Thisss power doess not come from domination, Sssuriani. It comes from partnersship. And from ssself-knowledge. Are you prepared to learn, even if you do not like the lessson?”
“Do you believe I am ready for it?” She seems completely unsurprised by the idea that your sifu might make you drink all kinds of exotic things.
The feral features of the snake-monster crease. It’s hard - very hard - to read Keris’s expressions in this form, but Suriani thinks she looks... worried.
“Three thingss to remember, going in,” Keris says, more softly now, resting her chin on her clawed hands, still propping her elbows up on her own lower body. “Firsst, it will be painful. Thisss is a poisson, by any definition. It will ssstrain your body. But you are ressilient enough to sssurvive and overcome it. Sssecond, I will repeat: do not try to dominate your lower nature. You will want to. It will feel like weaknesss. You will wissh to deny it, ssseek to purge it from yoursself. But trying will drive you mad. It is part of you. It is your innermossst core. You mussst acccept it.”
She hesitates.
“And third...” she says, more softly still. “I would not sshare thisss with any other, but you are my cherisshed dissciple, who will keep my sssecretss. Ssso to give you context; to help you understand that what feelsss like weaknesss need not be...”
Slitted grey eyes close, and Keris takes a breath. It is hard for her to say this. Suriani can see the effort it’s taking for her to share.
“My nature is fear, Sssuriani. I can ssspread it, masster it, sssensse it, become it. And that iss becausse I am a coward at heart. I am a coward, and my deepesst impulsse is fear, and I embracced it rather than hate myssself for it. Thisss iss what you must do. No matter what you sssee in yoursself. You must come to termsss with who you are. Or you will desstroy yoursself.”
The monks and scholars when she was young always said the Wretched were fundamentally cowards who abandoned their fellow demons to die. It worries her. What if Keris abandons her?
(No. She will be doomed if she does. Suriani has her oath bound by the powers of Hell)
But the path to Hell is laden with sin and unrighteousness, and it makes complete sense that by embracing one’s own fallen nature, one can draw power from it. Suriani bi-Musa is already damned. Let her be a princess among the demons like Keris Dulmeadokht is, then!
She downs the vial, and it burns as it goes down. Bitterness coats her tongue. She can feel it inside her, twisting, not like the tattoo but in her guts. And-and-and-
She remembers the strangler fig.
When she was a girl, Suriani bi-Musa once went down to Nagakota on the date of her father’s expected arrival back from the southern Anarchy. Nagakota is not like Langkota; it is hot, and humid, and sweltering. The cities that cluster around the great wall of Nagakota are larger than the cities of Langkota, and Nagakota proper is vast beyond belief; an ancient citadel wall raised by sorcerers and workers alike that encompasses farms and fields, proof against the worst storms. Thus, within the city there are areas of wilderness; there are orchards and fields and gardens.
Her father did not come. He wouldn’t come back for another three weeks, a ship limping home with tattered sails when it should have been a convoy of three, half the men on board dead, a victim of raiders from the Zu Tak cannibals of the Wailing Fen. But that is in the future for Suriani there, and right now she is sitting in a garden, watched over by her older cousin (who is more interested in talking about the latest tournament with his friend) and sweltering.
There is a tree growing around the other trees here. It wraps around them for support. Its trunk forms a lattice over the exterior, choking everything below them. But it needs them for support. If it didn’t have them, it’d be nothing at all. It can only hold itself upright because it has others to support it.
And she is not a child anymore
She remembers the strangler fig. Now it won’t let her go. It binds her up. It wraps around her arms, her legs, her thighs.
what will they think of you
She is the tree and she hangs from the tree. There are so many faces around her. They are turned away from her. When they look towards her, they are judging her. There is no respect in their gaze. But it’s better when they look at her. When they’re looking at her, at least they’re not ignoring her.
what will they say about you
She’s hungry, so very hungry. She hangs there. The sun rises. The sun sets. The sun rises; the sun sets. Her stomach growls. She survives on the scraps of attention of a declining house.
they don’t like you they don’t respect you you didn’t earn this
Her wira robes are tattered and torn. She was the last pick of the Snow Tiger in her year’s tournament, a bargain offered by the Hound School to get the Snow Tiger to let one more of their wira in in exchange for one more Snow Tiger. Everyone knows it. She didn’t earn her way into the Assembly (itself not one of the lead Assemblies in Langkota) and in the small circles of the wira it’s known very clearly.
no matter what you do you’ll never be respected
Just a petani with pretentions. It doesn’t matter how much she improves; they always have a reason to shrug her off. She might be skilled, but everyone knows she only qualified because of backroom politicking. She might win fights, but they probably weren’t fighting their hardest against her. She’s beautiful, so that means she’s only fit to be someone’s mistress. She shouldn’t fight too hard or she might ruin her looks.
so hungry
She’s so hungry.
you must come to terms with what you are
Must she? She knows what she is. Hell-sworn, skilled in Black Claw Style, student and beloved of Mara, student and lover of a powerful Wretched Anathema. She’s nothing more.
So hungry. Too tired to do anything else but hang here.
do not destroy yourself
How is she destroying herself?
you must come to terms with what you are
So hungry.
She is too tired to lift a hand, but she can feel herself withering away. Becoming nothing. Less than nothing.
remember
She remembers the strangler fig.
hungry
It lifts a hand and realises that what it thought was its hand was well-painted wood. A mask like the masks worn by Calibration puppeteers. It isn’t a woman. It isn’t Suriani. it’s the strangler fig. It’s hungry because its lacking roots, lacking a lattice, lacking support
There’s a crowd in front of it. Roots reach out, embrace, bring in and twist so the faces are turned up towards the main body of the fig. And oh, it feels wonderful. It should have been like this all along. With a moan of delight, buds open to reveal bright pink and sharp blue grape-like flowers, blooming among the dark branches of the fig. And their light is harsh and clear and shines all across the land. Drawing more in. They won’t look away from it now. They won’t abandon it to be ruined by the next passing storm.
It feeds. It feeds. It feeds. It feeds. It feeds it feeds it feeds itfeedsitfeedsitfeeds.
It isn’t sated. But now it can think again.
The strangler fig remembers her. And remembers how to spin its branches into limbs once more.
Suriani won’t ever forget the strangler fig.
“Yes,” says the mask of the husk-demon now stapled to the tree’s trunk. The branches move the mask’s mouth.
Keris brings her lover, her soul-son-something, and her Simya in to brief them about what happened here and why Suriani is unconscious on the floor in the recovery position. And then promptly runs into the problem that they start asking questions before they listen to answers.
“Oh-oh-oh l-l-let me get my m-medical bag, I’m sure I can do something to help, what’s the m-matter with her?” Simya blurts out.
“And if she doesn’t make it, can we use the body as raw ingredients? I mean, she won’t be using it anymore,” Jemil adds.
“Well, I guess you were out partying hard with another woman,” Mele says, rolling his shoulders with an easy smile. He at least is a little more used to Keris, but seemingly can’t resist turning it into a joke. “Or is there another reason you brought an unconscious lady home?”
“Stop, stop, stop,” Keris waves her hands. “Simya, it’s sweet of you to want to help, but there’s really not much we can do right now. She’s deep in a vision quest, dreaming inward to confront her po and its nature. Either she accepts it, in which case she’ll wake up more or less fine; or she tries to dominate or reject or suppress it, in which case things will go... badly; or it overwhelms her, in which case things will go, uh,” she winces, “worse.”
She shakes her head, dismissing that unpleasant possibility. “The point is, I’ve told her that she needs to accept herself and come to terms with her heart, I’ve given her an example of what that looks like, she has all the tools I’m actually capable of giving her at this stage given I don’t know exactly how the effects of this drug will manifest, so all we can really do now is... wait.”
Turning to her eager centipede-soul, Keris continues without pause for breath. “Jemil... I’m not going to answer that question now, because it would be rude. If she dies or goes irrevocably insane, we will...”
Panic, she thinks with a wince. But, “... decide what to do then,” is what she says. “And Mele... you’re actually perfect, come here and hug me, I had to argue with a demon lord last night and getting Suriani under my wing took a lot of effort and now I have a headache and deserve some pampering.”
That’s something Mele does eagerly, reaching over to hug him close to her. He kisses her neck, and inhales. “Someone else’s perfume,” he murmurs, soft enough that Jemil and Simya can’t hear it. “Hers, I assume. Did you have fun, maj?” His hand drifts down her body, resting on her abdomen; he’s pressed up against her back. But it doesn’t sound jealous. After all, he isn’t human - and he can feel she still loves him. “And bringing her under your wing? Did she impress you? What is she, another alchemist? A martial artist? You’ve already given her tattoos.”
That perks up Keris’s attention. She has - but Mele shouldn’t be able to see them. They’re on her back. But he’s right - a new pattern of tattoos are spreading over her that weren’t there before, spreading under her skin. Enveloping her. They’re a lattice of branch-like marks, crossing her arms and legs and enveloping her Maran tattoos. There’s bursts of bright blue and pink where the blossoms are starting to emerge - and Keris is sure that the tattoos must be extending over the trunk of her body too.
Is this a good sign or a bad one? Is she coming into harmony with her po, or is it taking over her body?
“I think...” Keris murmurs, kneeling down and tracing one of the new tattoos with her left hand, “... I think this is like my feathers. Or Sasimana’s eyes. The physical manifestation of her po. Which I think is a good sign? It at least means she’s made contact. But I don’t know what she’s doing with it. And...” she squints, then closes her eyes and traces her fingers along the tattoos again. “... and I can’t tell if these are just using Mara’s tattoos as a scaffold, or if they’re outright trying to consume them.”
“M-Mara?” squeaks Simya, jerking her head back down. “W-w-we have to go! Get away! From her and... and here!”
Keris’s head slowly turns to her. She attempts to trade a considering look with Mele, but is unfortunately let down by the fact that he doesn’t seem to know who Mara is. Neither does Jemil, who now just looks eagerly curious, as always.
“... you don’t have to worry,” Keris tells her student. “Mara’s not a threat to us. And-” She pauses again, taking in the way Simya is looking at Suriani. Her lips purse. She changes tack.
“When, where and how did your mother run into one of Mara’s students? And what happened? What scared you so much? Or is this just horror stories you’ve heard?”
Keris’s question is not merely a human one. Simya sags down under the force of her attention, cringing back - seeing something in the depths of her eyes. She comes up with something utterly incoherent.
“You’re scaring her,” Jemil protests to no avail. Keris does not relent.
“I d-d-didn’t r-r-really f-fully summon her it’s not my fault!” Simya manages through the stutter and the tears and the stammer.
The story, when it comes out, does not support that case. Because yes, Simya did read her mother’s books when she wasn’t meant to - and listen to the offers of the chained-up neomah her mother still keeps who is the one who truly made her - and even though even Hinna fears Mara too much to call on her, Simya had just wanted sorcery. And by implication, hadn’t cared too much if it killed her, if it had a chance of getting her access to her mother’s power.
So one night, during Calibration - “On m-my birthday” Simya says miserably and that’s a whole coil of mess in its own right - she’d put together her own ritual to call Mara and bind her into a lump of obsidian that had looked like a human face. The ritual hadn’t worked. Not exactly. But she’d seen blue eyes reflected in the volcanic glass, as if from someone right behind her. And felt a hand on her cheek.
And been told, “Grow strong, little neomahling. I’ll be back for your soul later.”
“Son of a...” Keris has to stand up and stalk a few paces away, her hair lashing restlessly. Then she swings around and stalks right back, crouching down in front of Simya with the same intense, inhuman focus. “Did you swear anything to her? Promise anything? Take anything she offered?”
“N-no.” Simya’s voice twists in self-loathing. “She didn’t think I w-was worth anything to even m-make an offer.” And her dark eyes lock hatefully on Suriani.
“Then you’re not beholden to her and she has no claim on you. And,” a lock of hair reaches out and catches Simya by the chin, turning her head back towards Keris, “I am not inclined to share with a demon who makes her disciples love her and then treats them callously or with outright cruelty while holding their hearts in her claws. You are my student. If she wants to make that a problem, it will be her problem. You understand me, Simya? Hell might consider you a serf, but you are under my wing, and I do not take kindly to anyone messing with my people. Regardless of your status, if anyone tries to fuck with you, they are picking a fight against me. Make sure they know that, if they try.”
“Sh-she said she’d be b-back,” Simya whispers. She swallows. “And-and-and you can’t tell M-Mother I told you this! If she knew-”
On one hand, the existential, uncertain terror of Mara’s whimsical attentions. On the other, the very, very certain consequences of her mother knowing she tried to call up a demon lord to get the power to rival her - and that even if she failed, she got Mara’s attention for a moment.
“Simya,” Keris’s voice isn’t harsh, but it brooks no inattention. “I told you. Mara can’t lay a claw on you. I already slapped her down once, and I’ll do it again. She fears me. I’m far more powerful than a demon lord, no matter her knowledge of sorcery. And as for your mother...”
The tendril of hair shifts up to cradle her cheek without letting go of her chin. “You haven’t seen your mother in months,” she continues gently. “You’ll be coming to Hell with me this Calibration, and meeting Lilunu, remember?” And she’ll be getting a birthday gift too, if Keris has anything to say about it. Which she does.
“When we return, there’ll be urgent work with Jemil that needs your attention, out on one of the manses I control - or perhaps on one of my islands. Somewhere far from her. Even when you’re in Saata...” she glances meaningfully at Jemil, “you won’t have to face her alone. Repeat that for me. So you know it’s real. Mara can’t have you. Your mother can’t have you. You’re my student now. I will protect you.”
Hands cupped over her mouth, breathing heavily, Simya manages, “I’m y-yours, sh-she can’t h-have me,” but she’s barely short of hysterics right now and probably needs to go lie down somewhere dark. Jemil takes her away, glaring a bit at Keris as he does so.
For his part, Mele shakes his head. “She’s like a mega-unstable ol’ mez who’s about to grow up, only she’s also kind’ve a holda and kind’ve a renda,” he says, pulling Keris into a snuggle on a seat. His hands wander as they do so. “Wonder what she’s gonna evolve into?”
“She’s brilliant,” Keris says fiercely. “Partially beckoning a demon lord? As a half-trained mortal? Whatever she grows into, I’m not letting her go. But... ach.” She sighs. “She’s not like a kerub, in how she’s so anxious. It’s in their natures to have a little madness in them. But Simya’s not mad. Just hurt. Her mother is awful to her. She’s hurt her and controlled her and oppressed her so much and for so long that Simya sees the whole world through a tint of pain and fear.”
She drags a hand down her face. “Fuck. Maybe I was too intense to her. I’ll have to apologise later. Do something soothing and gentle with her, once she’s calmed down. Hopefully those algarel triggers go off well and give her another success under her belt; that’ll make her happy.”
“It’s not your fault,” Mele says, guiding her hand away from her face. “And from what you’re saying, this Mara is a super dangerous demon lord who has her hooks in this new lady you picked up. Being harsh about the fact that Simya might be her patsy is fair from you, right? Keris’s- uh, hells, why did you bring this lady here if this Mara’s such a threat?”
Keris groans. “Right, yeah. You all started asking questions before I could explain. So, basically... the problem is that she’s like me. Another Green Sun Princess. And Mara,” she snarls, “was trying to poach her.”
She fills him in. It’s much easier to do with just Mele, because he listens to her and doesn’t interrupt with questions except when she pauses, and gives appropriate “she what? oh come on!” and “hah, nice one, maj” reactions in all the right places, flashing his charming grin or scowling righteously. Her explanation isn’t exhaustive, but a few minutes is enough to lay out how Suriani is another Infernal, her position in Langkota, her ugly past with Mara and the scheme the Shadow Lover had tried to pull, and the broad strokes of how Keris had confronted both of them, ending in her oath.
“... and so I agreed, because of course I did, and showed off the powers I got from Pekhijira and gave her the Shape-of-the-Heart elixir. I’m going to let her in on the fact that she can bud souls, too - there’s no real way to avoid it with Jemil here, and she’s sworn to secrecy. I reckon dangling it as a possibility will get her very much wanting to make sure the vote goes our way. So,” she adds, prodding him in his delightfully firm, well-muscled chest, “you have to be super charming when she wakes up. But still make it clear that you’re mine!”
“Listen, maj, she’s taken by someone who’s got Simya damn near widdling herself thinking of,” Mele says, losing the grin for a moment. “I mean, not that that’s hard, but listen. You’re the only dangerous lady for me. I don’t wanna step on the toes of this Mara, and I’m not losing my High Queen. Plus, that’d make you super mad if I flirted with her too much. I might a bit. But only to make her jealous. That okay with you, maj?” He emphasises his points with teasing little kisses to her neck.
“Mmph. Fine,” Keris grumps, accepting the kisses. “But I’ll expect you to make up for it! Don’t think I’ll forget!” She wrinkles her nose. “Though... ugh, I don’t want you to leave, but I can’t; I have to be here when she wakes up. Can you go and fill the other two in, then come back? Mostly Jemil; Simya might be resting. He’ll probably be annoyed at me for upsetting her, but tell him about everything with Suriani and Mara, and let him know about the impression I’m trying to make on her with the possibility of Infernal souls. Remind him that we need her to be impressed and also keep her mouth shut about it if we want to find out how far soul-budding like this can go, and that Suriani will be a prime new test subject. We might even get a caul to examine. We’re already seeing progress on the po-invocation front.”
“Right, maj.” He pauses. “When are we leaving for Nagakota, by the way? I only say it ‘cause Rala’ll give us a piece of her mind if we’re late and she’s really shrill.” He sighs melodramatically. “She was much nicer when she was an orven, but your Rounen lured her to the Swamp side with the promise of books and free access to his library.”
Keris winces. “We’ll... set off after Suriani wakes up. And I give her some exercises to do with her po. And introduce her to you and Jemil,” she says lamely. “We might not get there by noon, but we should be fine to arrive by nightfall. Probably.”
Mele stretches. “Well, Simya’s probably still a mess, so unless you want me to help you out with a little bit of friendly, playful de-stressing... because I missed you since we got here, maj, I might as well go and prep you some lunch. So unless you’re,” he lowers his voice with comic temptation, “wanting some sausage, you oughta tell me what you want to eat.”
“No fair tempting me like that when I have to sit vigil for my student,” Keris pouts, slapping him lightly on the chest. “Go. Fill Jemil in. Bring me back a fruit platter and something sweet.”
“Oh, maj, I’m always sweet,” he teases, kissing her hand as he saunters off.
Sighing - and appreciatively watching him go - Keris settles down beside Suriani to watch and wait. The tattoos are still spreading; the lattice of branching marks - though they’re not tattoos, really. They’re natural colouration, not ink under the skin. Still, she identifies the plant they portray. A strangler fig.
Hopefully her new student isn’t the one being strangled.
“Fuck, I hope this works,” she mutters to herself, drawing her knees up to her chest and resting her chin on them. “C’mon, Suriani. Don’t fight it. Don’t lose yourself in it. You’re equal partners; two halves of a whole. See yourself. Know yourself. Accept yourself.”
“Why did you decide now was the time to do this, rather than early next year, when there would not be a time pressure?” Dulmea enquires. There is a hint of acid in her voice. “It concerns me, child. After Sasimana - and now with Jemil encouraging you - you are a glutton for learning.”
“Khereon Ul won’t wait for results forever,” Keris bites back. “I’ve already pushed it longer than I’m comfortable with - they’ll be getting curious about Lilunu again by now. If you have a better distraction for them than further results on Infernal po-cultivation, I’m all ears.”
“Just a justification. You wouldn’t have taken this risk at the start of this year.”
“Well I’ve taken it now!” Keris snaps. “I was going to have to test the elixir at some point, and I needed something to lure Suriani in, and this was it. So what if I’m pushing further on my research? This stuff is important. I need to understand it better.”
There’s more she could say, harsher words she can feel rising to the tip of her tongue - pressing the point that Dulmea just doesn’t understand, doesn’t have the education to even comprehend what Keris is doing, nor the skill in manipulating others to know how much of a hold this gift of self-knowledge will give Keris over her new student. But she doesn’t voice them. The temptation to say such hurtful things is just stress and worry and time pressure. Dulmea is still her mama, and Keris loves her. She doesn’t want to fight.
“I just wish you would take more care.” Disappointed. Sad. Keris squirms guiltily, but doesn’t answer. Hugging her knees to her chest, she sits by Suriani, and waits for her to wake.
It isn’t a gentle awakening. One moment asleep; the next Suriani is upright and screaming. And the next, she’s throwing up.
That is something Keris has observed, that as soon as consciousness returns the body usually tries to purge everything.
Eight limbs spring into action. Keris scoops Suriani’s hair back and holds it out of the way with a hair tendril of her own, helps her over onto all fours to hack and cough and gag and vomit, runs her back with firm pressure, drags her clothes over from where they lie folded on the ground and speaks in a calm, firm voice.
“Easy, easy. It’s okay, I’ve got you; it’s over, you’re awake again. Get it out, that’s right. There’s water and some food on the way.”
“Yes, master,” Suriani croak, gagging and gasping for breath. “Urgh. Urgh urgh urgh. That tastes awful. The worst. I think it...” she retches again, “burned my tongue. And stomach.”
Despite her words she leans into Keris, unconsciously rubbing herself against her. She breathes like a trained fighter, trying to settle herself. Then;
“Did I do well?”
“At this level of alchemy, the line between ‘drug’ and ‘poison’ blurs,” Keris tells her. “But yes, you did well. You haven’t lost yourself to your po, and it doesn’t seem like you tried to subjugate it either. Tell me about your vision. What did you see? What did you learn?”
Suriani spins her story for Keris; hanging from a tree, a strangler fig, until she realised that she wasn’t hanging from the tree, she was the tree pretending to be a person. That without respect, without attention, without people seeing her and praising her and looking at her, the tree would starve and wither. That the world tried to starve her of what she needed. That she’ll die without other people to support her. That - her voice drops, huskily, as she loosens her clothing - now she has words for what she’s been like all along.
Her movements are slow, languorous, but inevitable as she strokes Keris’s hands and guides them to the new markings on her body.
“I want you to look at me. To acknowledge me. To see all of me,” she whispers to Keris. “It’s what my soul needs. It’s what I need. It will cultivate the tree within me.” She cups her face, leaning in for a kiss. “For the next while, have eyes only for me.”
Keris’s heart-rate picks up. It’s lust. But it’s not just lust. She can hear Pehkjira’s fearful moan, and for a moment she tastes the thick stink of the Street.
Her skin prickles, and nausea rises in her throat, but she forces it down, mind already whirring. Suriani hasn’t lost herself to her po, but she is wearing its influence - heavily. She’s mad right now, and will need careful handling.
“Stop that,” she says firmly. “You already have my attention, Suriani; you don’t need to seduce more out of me.” Pulling her hands away, she keeps her eyes fixed on Suriani’s face. “You’re still under your po’s influence, aren’t you? Poor thing. How about this, then - I still don’t really know you, do I? Only the bare bones of your life. Why don’t you tell me all about yourself. I’ll sit right here and listen. You can tell me anything you want. Everything you’ve never told other people. I’ll understand.”
Inwardly, she’s putting things together, comparing this - and Suriani’s story - to her own and Sasimana’s. Her alliance with Pekhijira had started when her other half had engulfed her mind in fear, leaving her without language, ruled by wild instinct and terror. She’d spent hours in that state, coming to accept that she was always scared of what was past the next horizon, before clawing her way back to conscious thought. And Sasimana… she’d gained her powers after her po had overtaken her entirely, hadn’t she? And now Suriani, with what seems to have been a success… but again, she’d been swallowed by her po, become the tree, and had to remember again that she was a woman as well.
An esoteric elevation of the po over the hun, then. Is that a necessary ingredient in initiating into this new branch of po-cultivation? Would it be possible to come to terms with one’s po without being subsumed by it for a time, or does the equal relationship necessarily come from feeling what it’s like with one’s lower self in charge?
Part of Keris curls around that thought to puzzle over it later. The rest focuses on Suriani. She can give her all the attention she craves, and learn about her new subordinate in the process.
She does exactly what Keris wants, and that’s something that calms the racing of her heart because it’s a way she’s not Sasi. Sex is a tool with her, something that gets her the attention she wants and needs, not a goal in and of itself.
This is her story that she’ll share for attention when she’s like this: she’s a younger daughter of the bi-Musa family, Langkota old money in the very specific sense that the money they have is old and there isn’t new money to supplant it. A mother, dead of sickness when she was very young; a father who was always away on his desperate money-making ventures in the Anarchy that never made enough money to allow him to stop. Fostered to another Snow Tiger school family but always an outsider, forcing herself to excel because that’d get her foster family to pay attention to her and praise her. Then as she got older, she started to get the attention she wanted - from men, and some women. Her lovers would give her attention, for some time. Never enough. And they’d break it off when she started to hint at marriage. Who wanted a younger daughter with no bridal gift and no sinecure, even if she was beautiful? Always a mistress, never a wife.
And then one of her lovers starts introducing her to rumours of secret power. It’s not her fault, of course. She’s just a fool for love. And secretly she’s inducted into a second school, the hidden Black Claw School and they might be forbidden, but at least they won’t leave her. At least they help her. At least the cultists won’t betray her.
Right until one does. It’s not her fault. But she can’t do enough to stop it because he says he loves her (just like everyone else before) and ruin stares her in the face. Public shame.
Then; the demon. And after that, everything gets better.
Keris knows enough to not trust it all. She knows Suriani has supped deep of the Dragon’s power, and that means there’ll be plenty of lies and manipulative little rephrasings to get her sympathy and draw attention. She can hear the alien melodies of the Ultimate Darkness woven into her words to make them fairer, and the silent notes of the Swamp that slide into Keris’s expectations. But it’s likely true enough. Probably. Maybe.
Mele comes back as she starts to wind down with her life story, bearing a platter of candied fruit, a jug of water and some wine. Keris makes grabby hands at the first, and eyes Suriani for her reaction to him.
“Suriani, this is Mele,” she introduces. “He’s with me. Mele, this is Peer Suriani, my new disciple and soon-to-be junior in the Southwest.”
Suriani glances at him, takes him in, and then her eyes widen. “My lord,” she purrs, eyes lingering. “Oh, I am honoured. Myself and Lady Dulmeadokht were just speaking - please, sit with me.”
Mele gives an easy shrug, and offers her a drink, his hand lingering on hers. “Oh, look at me, a young man who’s the target of the attentions of such a powerful lady,” he says, before shifting around to take a seat beside Keris. Propping his head up on his hands, he meets her eyes. “I hardly know you - please, introduce yourself. I’d just love to hear more about you.”
Below the table, he wraps his hand around Keris’s, a small comforting gesture.
It’s surprising how... non-jealous Keris finds herself. Maybe because of Mele’s reassurance. Maybe because she knows Suriani is mad right now, and that sex is only her first tool in getting the attention she craves so desperately. Maybe (she has to admit) because the attempt at flirtation seems to have bounced off Mele without so much as flustering him, while Keris showing her interest had reduced him to an adorable stuttering mess.
And maybe a little out of confusion, too. Why is Suriani calling him a lord? Keris made no mention of his title-
‘... wait,’ she says internally as realisation strikes. ‘Does... does she think he’s a demon lord?’
Dulmea laughs. “What nonsense! And yet - quite possible! A marble-skinned, bull-horned demon with a handsome air is how one might describe a powerful demon. And he has grown strong off your ridiculous love, child - not as strong as a true demon lord, but someone who knows only a little, such as her, might mistake one much more potent than a blood ape as being a lord. Ha!” A jolly little melody plays. “It is for the best he is not truly of Hell, but as it is this is only light comedy.”
“Oh, alas, I’m not really a martial artist,” Mele says affably. “I’m sure you’re far more talented than me. I’m being trained by beautiful Keris, of course, who’s shown me ways of looking at the world I never thought I’d have before,” he squeezes her hand, “but I’m really just a rank amateur there. I’m a shipbuilder and captain, you see - Keris summoned me up to convey her from place to place.
“A sailor!” And then Suriani is off, trying to show off how much she knows about other places, her own travel, the things she’s read. And from this Keris can see this really is the same side of her personality that she was showing when she charmed Keris that first night - just more desperate, more frantic, not quite as able to wait. Driven by the need to get Mele to listen to her.
(So hard to tell she’s mad right now, unlike Keris or Sasimana)
Nonetheless, there’s a ticking clock in the back of Keris’s mind as she participates enough in the conversation that Suriani doesn’t feel neglected, changing the subject to Nagakota and Suriani’s experience in the great capital and who she knows there. It’s not an impatient clock, exactly - Keris still doesn’t know how long she’d lost to madness when she’d made her bargain with Pekhijira, but it was definitely on the order of hours, and Suriani’s needy instability isn’t likely to be any different. But it’s there nonetheless, and she’s keenly aware that she can’t leave Langkota until Suriani can tolerate being left in the sanctum without Keris’s attention.
It’s not un-useful - Suriani knows much more about Nagakota and the layout, the walls, the great number of Immaculate temples and the grand harbour. Keris had heard some rumours about Nagakota down in Saata, but she’d kept away from it because she’d heard it’s a warren of Immaculate monks and that seems to be the case. But Keris has some doubts, again, about what she says, because if Suriani is right the idea of the Great Cities of Choson is a lie. There is one Great City Nagakota, larger than two other so-called Great Cities added together, the beneficiary of the fertile eastern coast of the archipelago and the vigorous defence brought by its large population and well-trained martial arts schools. A city with layers of great walls called up by sorcerers and hundreds of years of work; a city even Keris will need to take care in.
It won’t be that bad though, Keris decides as Suriani’s over-stressed body finally sags and collapses from exhaustion. She’s probably just exaggerating for attention.
The sun is setting over the mountains behind her, and Keris looks down at the broad bay before her, lit by the crimson hues of the twilight.
It’s disgusting. Suriani wasn’t exaggerating at all.
What is this nonsense? Nagakota is a hum of voices and human life and countless temple bells. Just like Meongkata there’s a great outer wall, but then there’s an inner wall forming an... an artificial valley, and in that are farms and settlements and smaller towns - and past that another wall, and within that more walls enveloping citadels! The population of this place is... well, it’s not Nexus, nowhere is, but Keris reckons the city plus the surrounding towns and villages are at least twice the size of Langkota, which might mean there’s maybe two hundred thousand souls living here.
So many temples! So many martial arts stadiums! So many schools, all flying their banners.
This city, Keris realises with a sinking feeling, is the Realm’s rock in the mid-South-West. Triumphant Air is a sleepy tourist spot and forward naval base; this is somewhere that all the pirate fleets of Saata would struggle to raid.
“… fuck,” Keris says to nobody in particular, staring down at it. “This… this is going to mean some changes to the plan.” She blinks, then blinks again. “Why… why the fuck didn’t I know about this? Why was this not… shit, I was expecting this to be like Triumphant Air! This has to be…” she scans over the outer walls, the citadels, the inner walls, the temples, the farms, the subsidiary settlements, “… almost a quarter the size of Arjuf or Nexus!”
“Mm. Not quite that large, child. Perhaps a fifth.”
“The exact fraction isn’t the fucking point!” Keris retorts, her voice rising hysterically. “How did Sasi not warn me about this? Why didn’t she mention that the real centre of power was… was this! Even if she wasn’t looking this way as Director, she had to know about this place from growing up in the Realm!”
There is a fluttering of paper. “I believe I made notes of this at the time - ah yes, she called Choson the centre of Immaculate authority in the middle South-West, and called Triumphant Air the most important naval base for the Throne’s projection of authority into the Anarchy. It would appear that Sasimana was,” Dulmea clicks her tongue, “overly specific to you.”
“Well make a note,” Keris growls, her eye twitching rapidly, “to have a meeting with her about this over Calibration and see what else she was ‘overly specific’ about or ‘forgot to mention’.” She blows out an irritated sigh, looking down at the city. “Fuck. Okay. Now how do I find Rala and Kuha in all of this?”
“The tug of your heart usually brings you to kin,” Dulmea says. “And you did tell her to use her best judgement - which means, given how she knows you and the fact she’s a former orven means she’ll likely have something close to the water, probably near the harbour.”
And it does basically work out. Keris slips through the streets of Nagakota, past stadia large and small, avoiding bars where rowdy martial arts fans are drinking rice wine after a tournament, and lets the eddies and currents of mankind carry her back to her kin. This close to the ocean, the power of the Great Mother swells and swells within Keris, and so it’s before nightfall that she happens to pass Rala and Kuha in a little square tucked off from one of the main streets, having dinner together under the shade of a citrus tree.
“You’re late,” says Rala by way of greeting, dropping into Riverspeak. Her spectacles catch the setting sun. “Everything here is in place. I have the accommodation sorted, I’ve secured basic maps of the city, identified the names and locations of some major sites, and have been waiting for you since this morning.”
“Hi, Kerishyra,” Kuha says quickly. “Sit down, have some food!”
“Things did not go as expected up in the Eagle’s city,” Keris replies, sitting down and helping herself to an appetising-looking skewer. “In an infuriating way, but also a good one, kinda. I’ll give you a full briefing once we’re in private. Also, this place is huge, and I had to track you down. Hi Kuha. Where are we staying?”
“This is a town where many people do come to stay, so there are hostels that can be rented by travelling merchants,” Kuha says. “We told them that we were waiting for another ship to arrive, and so made sure to get a room that can see the bay.”
“Good.” Keris steals another skewer and wolfs it down. “I have an extra person with me who I recruited up in the mountains, so we’ll do the briefing in the townhouse I made and you can fill everyone in at once.”
Keris grabs some food from street vendors to bring back, and then they gather for a meeting in the annex of the Conventicle.
Except, of course, now Keris has to oversee the introduction of wide-eyed Suriani to the collection of demons, demon-adjacent beings and Kuha who are accompanying her, and tell her a little bit about what’s going on. She keeps it short and reasonably non-specific for the moment, drawing Suriani aside as the others set up one of the townhouse courtyards to introduce Jemil as “a demon lord travelling with me”, Rala as “an ascended spirit - don’t call her a demon” and Simya and Kuha as “other students of mine, though I’m teaching Simya alchemy, not the martial arts”. Any questions Suriani has about the others, she emphasises, Keris will answer after the meeting. By contrast, any questions about the mission she is to bring up as they occur to her. This is, after all, a planning meeting.
The courtyard itself is a little potted garden, with statues covered in carefully-pruned flowering ivy around the perimeter between wide, expansive windows and a pair of trees in the centre that have been trimmed and cut to resemble Keris and her lady standing back-to-back. Grafted branches bear different-coloured blossoms, making both topiaries both somewhat true-to-life from a distance. At floor level, a number of potted bushes have similarly been cultivated and trimmed to resemble cats in various poses.
Keris leads Suriani in to find that Mele is lounging on a loveseat he’s brought out from the adjacent living room, Kuha and Rala are relaxing next to one another on a pair of folding chairs, and perhaps unsurprisingly, Simya and Jemil are investigating the grafted trees. Keris clears her throat to get their attention and chivvies the latter two over to a bench.
“Right. Everyone, this is Suriani bi-Musa, newly-Exalted Green Sun Princess who’s already made great strides in spreading her influence up in Langkota. We’ll be travelling back to Hell with her once we’re done here. Suriani, this is my team for this mission. Mele you know, Simya and Jemil have been doing preparations for the attack, and Rala and Kuha I sent ahead to do some scouting and assessment of Nagakota. Long story short...”
She grins.
“In about a week’s time, under cover of mist, there’s going to be a spree of algarel explosions along the docks and in a number of important buildings, at the same time as several hundred drowned-dead claw their way up out of the sea and start terrorising the population. It should spark a lot of panic and fear within the city, occupy them with rebuilding for a while, raise tensions between Choson and Triumphant Air over the failure of the latter to foresee or stop the attack, and most especially, get all the blame for it pointed at the Wailing Fen. Thanks to my little trip up into the mountain wyld zones, we have both the algarel and the bodies - I’ll be doing some work with Vipera and some of the Great Mother’s poisons to prepare them, as well as summoning the eristrufa we’ll need. So all that’s left is planning out our targets and setting up the bombs.”
“This will be a scandal,” Suriani says, wrapping her arms around herself and leaning against the brown stone wall. “More than that, a disaster. Demon cults and rebel schools cause trouble, yes, but striking the docks is spitting in the satrap’s face. Which is to say, it’s spitting in the Immaculate Order’s face, because the satrap is a near-powerless patsy.”
Keris smirks. “Exactly. And it’ll get them looking outward for overt, likely-external demonic threats - which is to say, away from you. This is the first step in my overall plan for Choson - a plan you fill a crucial place in. With Nagakota in an uproar and the Wailing Fen as a foreign threat for everyone to focus on, you can quietly, surreptitiously continue your takeover of Langkota and the Eagle School. Once we control at least two of the Great Cities, we’ll have a wide spread of options for how to use them in the next Tuhan Giok Tinju to displace the Dragon School and seize control of Choson as a whole from the Immaculates.”
Suriani’s eyes flicker from Keris, to Jemil, and back to Jemil. “I... must confess, I’ve considered something along those same lines,” she admits. “I know my histories - I know that the Immaculate Order won Nagakota and then the role as First School by assembling a team of their best fighters, empowered by their dragon’s blood, and crushing all opponents before them. What, then, might we do if we wanted to rule this place in the name of our masters? Why, build a team of the deadliest Anathema from across the world and crush the Immaculates here, taking their city and their title of First School. The Benarists and the Immaculates wouldn’t lay down, but if the Order was sufficiently ruined and their grandmasters slain, there would be a lot of people who would bow to our rule - bow to Hell!”
“Mmm,” Keris says, noting the direction of her gaze. Ah, she’s probably noticed the family resemblance. Good. It’ll lend extra weight to Keris filling her in later about Infernal souls. “As I said, we’ll have a number of options,” she continues. “The Tuhan Giok Tinju is five years away; there’s no need to decide on our approach right now - and as you well know, sometimes it’s better to rule from the shadows than the limelight. Imagine if we could arrange for one of our Great Schools to win, without the appearance of any corruption or Hellish influence. The Immaculates may well write it off as a lucky fluke and hold back from sending a Realm legion in, preferring to wait and bide their time and win the next one. Which would give us ten years of unopposed control to subvert every major school at our leisure.”
She claps her hands. “But! That’s all plans for the future. Let’s focus on plans for now. Rala, Kuha, what have you got for us?”
Rala claps her hands together, and retrieves a heavily annotated map from her satchel. “Yes, ma’am. Lady bi-Musa. If the two of you would attend, you will see that I have added information as to the location of the major sites in the city obtained from tourist guides, plus the contents of a document that I obtained from the Realm docks...”
She takes them through the sites of interest - the trading dock district of Lamademaga, the newer Realm-built district of Merahdemaga which is where the Imperial Navy dock is located, the pentagonal arrangement of the Dragon Schools around Assembly Square, the satrapal palace, and the sites of several other key schools located here. She also has the locations of merchant quarters, the grand Raya Pasar market, the locations of warehouse districts holding food and rice and wine, the main bridges over the river, and other things that she’s aware that Keris would like to blow up. Suriani has a few points of contribute from personal experience, but seems generally impressed.
“This is an excellent woman you have working for you, Keris,” she says. “This will make matters so much easier - I haven’t been to Nagakota in several years.”
“Thank you, my lady,” Rala says with a euphoric smile.
“Rala is pretty much the best,” Keris smugly agrees. “I don’t know how I’d deal without her. Okay, so: we have twenty-four barrels of algarel. I can potentially split some of those - a full barrel won’t be necessary for one ship - but then our limiting factor becomes triggering mechanisms. Simya, Jemil, how are we for your tomescu-creatures?”
Jemil claps his - well, someone’s - hands together. “We’ve found all kinds of interesting and fascinating new ways it doesn’t work! I’ve had so much fun!” he says happily.
“I-I-I m-mean we h-haven’t failed you, but we r-really haven’t had enough time and each one takes me a l-long time to make,” Simya quickly blurts out. “At the m-moment, four detonators. They’ll... um, I mean, they screamed just before you arrived! So they’ll work! They’ll work! But... um. W-we can try to make more...”
“You’ll just have to use more algarel per location,” Jemil says, stroking the back of Simya’s hand. “After all one barrel will be able to set off another, right? That’ll be fine! And next time we can be more prepared and have an improved model that isn’t just linked to sunset or sunrise! I can’t wait!”
“Four detonators... hmm. Okay.” Keris purses her lips, thinking. “Alright, see if you can get a few more done with what you’ve learned. I may need to set up some cruder, less coordinated fuses on other barrels, but... that could work, actually. If we set up four - or maybe five or six - multi-barrel stockpiles to go off simultaneously, and then seed single-barrel bombs in less mission-critical locations with slow-burning fuses that release the vitriol mechanically, we’ll get an initial, coordinated blast at sunset, and then over the course of the next hour, the rest will go off during the attack or after we’ve pulled back. They’ll think that the initial blast was it, and then there’ll be another explosion, and another...”
Her eyes gleam. “Shit, that’ll do wonders for the atmosphere of fear. I might even have to set one or two in extra-secure locations with really long fuses, so they don’t go off until noon. They’ll be paranoid and flinching for days, wondering how many there really are. And waste huge amounts of manpower looking for any remaining bombs.” She pauses, chewing meditatively on a hair tendril. “I wonder if we can get any fake barrels set up, just to muddy the waters further? Hmm. Something to consider. Especially if we can find and rob a firedust cache - ah, but that might be noticed.”
A few seconds pass in silence as everyone waits for their boss to come back to the present. When she looks up and nods firmly, it’s with resolution. “Okay. So we need four primary targets; the things that are most important to hit. They’ll account for at least eight of our twenty-four barrels; a third of our stockpile. Maybe as many as twelve. Then ten or so subsidiary targets; things that are good to damage, but not critical. Then two to six bonus targets that we can leave on long fuses that won’t matter so much if they’re found and disarmed - the bridges would be good for that. The Merahdemaga docks are definitely going to be one of our primaries, and I want the Dragon Schools to be another if we can manage it. Thoughts?”
There’s a click of the tongue from Rala. “Ma’am,” she begins and Keris reflexively cringes. She doesn’t sound pleased. “Distributing your assets thinly both reduces the effect and eases repair.” Her nails tap on the table. “If a foe is to be destroyed, destroy them. If you wish to humiliate the Order, level one of their temples. If you wish to run the Navy, go for the teeth of their fleets. If you wish to symbolically cast down the Realm presence here, leave nothing standing of the palace of the satrap and mount her head in Assembly Square.”
She inhales. Keris can see that her grey eyes are reptilian slits.
“I am merely your aide. Your strategy is of course beyond my reach. But my grasp of the art of war and the doctrines of the same Realm we set ourselves against agree one thing - choose a single foe and eradicate them with massive, overwhelming force.”
It is a reminder to Keris that the rendsventka are not just scribes and assistants. They are dragons too, though they deny this - and they are a face of Haneyl and her all-consuming Malfean fire that hungers for destruction and conquest.
Simya holds her breath, eyes wide. Suriani stills, Jemil momentarily forgotten, her gaze flickering between Keris and her aide.
Keris pauses for a long moment.
Then nods.
“I’d be a fool to ignore my advisor in her field of expertise,” she admits. “Alright. Pull everything in and use just four or five explosions.” She frowns, one hand going to her pursed lips, and thinks hard for a moment.
“... the Dragon Schools... can wait,” she eventually concedes, though she doesn’t sound at all happy about it. “When I hit them, I want to hit all of them, or at least more than half. We don’t have enough detonators - or algarel - to do a proper job there. And if we leave them strictly alone, they’ll assume they were spared because of their strength; because the attackers didn’t dare challenge them. I can use that kind of arrogance against them, later.”
She returns to silence, musing for only a few seconds this time.
“Rala,” she continues. “Mele. Given nearly three hundred corpse-puppets and, say, four barrels of algarel split between them to set off inside ships after spilling any pitch or oil or firedust they find, as well as half a dozen eristrufa - how much damage could you do to the Imperial docks in half an hour, unopposed? Not the merchant docks; we’ll ignore them. Just the naval ships and their moorings and infrastructure, assuming nobody significant was there to stop you.”
“Definitely prioritise the ships,” Mele says firmly.
“Agreed,” Rala says. “From what I’ve seen this isn’t a place of shipwrights - they can repair vessels, but not make Realm warships.” She taps the table. “The question is this, ma’am - would you rather lay waste to a good number of war-junks and patrol ships, or try to destroy the one metal-hulled ancient ship the Realm has here?”
“I’d go for burning the fleet,” Mele says. “That one ship can’t be in many places at once - and it’ll be better defended and might survive even four barrels of algarel, depending on its manufacture. But small amounts of algarel can break the spine of a wooden ship and they’d need someone who’s better than human to save every one of those vessels.”
“I couldn’t confirm it, but they might also have firedust stocks in the arsenal,” Rala adds. “I definitely saw a flame cannon on one of the war junks and I saw sailors with flame pieces. It’ll be well-defended and if it’s built to Realm standards it’ll be hard for malicious spirits like us,” she smiles, “to get in and start fires, but at the very least it’ll serve as a distraction.”
Keris nods. “Good. Okay. That’s our distraction, then. If it works, and we raze their fleet, good. If it doesn’t, it’ll at least be a threat that forces them to pull all their best fighters toward the docks. We can attack while the sun is waning, under cover of mist - and then when they’re all focusing on the demons and drowned-dead attacking them from the sea, the rest of the algarel will go off in the satrap’s palace, all at once. I’ll need to be there, to ensure that it goes smoothly and nobody finds the barrels ahead of time and to finish off any surviving officials or structures.”
She points at Suriani. “And you’ll be there too. Because if you think you’re up to the task, I have a special mission for you on that last day. How confident are you in your ability to disguise yourself as someone else?”
Suriani smiles. Shadows well up around her, clinging to her form as they take up colour and shape - and what emerges from the other side is Rala. Well, not quite. It’s a dragon aide who looks incredibly like Rala, and could be her sister. “It’s not perfect,” Rala’s voice says, “but make-up and the right dress lets me pass as someone else. It’s worked really quite well when I needed to discredit someone.”
“Good. Then over the next week, you’re going to infiltrate the satrap’s office as a servant. Learn about her. Learn how she dresses, how she sounds, how she acts. Learn what she does with her day and what issues she’s dealing with at the moment. Because we’re not killing her on the night of the attack.”
Keris cracks her knuckles and sits down on the edge of the courtyard’s central planter. Her smirk is self-satisfied and cruel.
“We’re killing her the night before,” she announces. “And you, Suriani, are going to take her place on that last day. I’ll be lurking nearby in case something goes catastrophically wrong, like an Immaculate barging in and somehow recognising you. But absent the worst-case scenario, you’re going to spend the day taking notes on as much as possible from her private correspondence and reports and documents. Then you’ll ‘disappear’ when the attack starts - and her body will walk into the Assembly the morning after. Once the story spreads - and it will - I imagine every satrap in the Anarchy will start to have second thoughts about their posting here.”
“Sesusu Hala is a Dragonblood,” Suriani says. “And she’s fought in tournaments, because people wouldn’t respect her if she couldn’t - even if the real authority lies with the monks and nuns. How will we remove her silently without this being noticed?”
“She will not be the first Dragonblood I’ve quietly assassinated, and she will not be the last,” Keris says, though she frowns in annoyance at the prospect. “And you’re an accomplished fighter yourself. As long as we can get her alone, I’m confident we can handle her without anyone being the wiser.”
She pauses, eyeing Suriani’s dubious expression, and huffs. “Word may not have reached this far; we’re a way away from the Realm, but you may have heard of the deaths of Sesus Nagezzar - the so-called Slug - and Imperial Minister Ledala Ama, last year?”
Suriani’s eyes widen very slightly at the second name. She nods, the movement slight.
“That was me,” Keris says blandly. “You will note the lack of screaming about an Anathema being involved.”
“The power of the Wretched, to kill an Imperial Minister of the Realm,” Suriani breathes. “Yes. I am sure we can find a way.”
It’s all Jemil’s idea.
No, it isn’t. But he’s the one who lays the seed. Or, more appropriately, the egg.
Things go very well in Nagakota at first. Rala’s work on scouting out the targets is a solid basis for a first day of investigation and with Suriani there, everything goes smoothly. It’s easy in a way that Keris isn’t sure that it’s ever been before, especially when Suriani identifies the head maid of the satrapal palace as a hidden member of the Black Claw School. One meeting later, a generous gift of power from Keris in return for an oath of loyalty, and she now has free access to the palace. It will make everything go so much more smoothly. It means she now has the time to cause trouble in the docks. Not Hellish trouble, not overtly - even if Jemil is there, whispering ways that she can break gantries and cranes, and eagerly suggesting places where fires can start. As far as anyone else knows they just had one of those ill-luck days you get near the end of the year, and even the Navy Dynasts here are cursing and swearing at the way that nothing seems to go right and everyone is on edge and nervous.
Keris sits on a rooftop and watches a grain warehouse burn (she’s Nexan, she knows they burn down all the time when some idiot smokes inside and ends up igniting the dust), with Jemil unseen and coiled around her. And she’s wracking her brains and thinking if there’s anything she’s missed, if there’s any way to get her hands on more demons, if the breed she’s summoning is the best, bouncing ideas off Jemil. Then;
“What about that thing you got from Mara? You said that has spells in it. Maybe some of them will help.”
It’s almost innocent. Her Jemil isn’t a sorcerer. He doesn’t know how hard spells are, how inflexible, how you can’t just pick one up and cast it. But she still pulls out the Broken-Winged Crane puzzle box, and gives it a try.
Her first few attempts to solve it don’t produce results. But on the third go, she re-arranges the tiles into an image that - somehow - don’t resemble the previous one at all. The box opens, and... there’s nothing inside. She groans in frustration. Has Mara fucked her over? Probably.
And yet. The configuration of the tiles is... interesting. It looks almost like a famous painting Keris has seen in Saata, Mercury Arising From The Waters, which hangs in the grand hall of Windswift College. But everything about it is wrong. It isn’t at dawn, but instead is at night, under a shard of crescent moon. The waters churn with barbed tentacles and eyes - and that makes Keris perk up, because those are clearly eristrufa, in vast numbers, their tentacles reaching out to the unclad figure who stands on the rock with the waves cresting around her. A figure who is clearly not the goddess Mercury, for her hair is long and blends into the crashing waves, her body is covered in demonic sigils praising the Great Mother, and her fire-filled eyes are the only thing visible in her shadowed face.
“That looks like it could be you,” Jemil says, peering over her shoulder.
“Maybe it will be,” Keris says without thinking, and feels those words ring true. Maybe it will be. Maybe it will be. This is the Broken-Winged Crane, a prophetic text. And she remembers what Iuris said when they spoke about it; that one’s mind shapes the text and one’s mind is shaped by the text. Keris was trying to read the Crane when she wanted a way of getting more demons summoned, and this image assembled itself. Assuming she will do this, maybe all she has to do is recreate this. To treat the prophecy as a recipe and twist it, use the dark power of the timeless Shattered Annex to wrench a horde of demons out of Hell when it would normally not be their time.
Except it will be. Is it not written in the Broken-Winged Crane? If she copies the forms, maybe the same things will happen.
She can’t get the thought out of her head. She can’t sleep and leaves Mele alone in her bed to sprint through the streets of Nagakota, a vision of terrifying loveliness that few see and none can’t stop. She’s already mouthing the formulae she’d need as she oversees the placement of the algarel barrels in the satrapal palace, all guarded by the deception that these are just supplies of wine being brought in under one of the arrangements overseen by the head maid. She makes sure they’re placed best for destruction of the whole complex, listening to the dark thoughts in her head echoed by Jemil, and barely notices what Suriani says to her.
This is all her fault. They’re having to rush it because she’s kitten-headed and left this until the last moment and now there’s not enough time to summon enough demons to be a real dangerous threat on the harbour. Even when the navy security teams are spread thin guarding against accidents and the workers are stretched with repairs and fearing bad luck, four eristrufa isn’t a demonic invasion, they’re a pest for a single skilled Dragonblood to swat. And there are many Dynasts here in the docks.
But the Broken-Winged Crane promises a way to do this. A way to call enough demons even when it isn’t the new moon, a way that means she’ll have more to boast about at the Conventicle, that she won’t have to rely on favours from demon princes who’ll want them repaid in bed to keep her job. She has to do it. She has to.
And that is why, mind made up, she makes her way off shore to a small island - barely more than a spit - away from the mainland, and prepares herself to replicate the image she saw in the puzzle box. To make herself the demon-cultist depicted in the Broken-Winged Crane. She doesn’t have a choice.
“So, how do we do this?” asks Jemil, golden eyes gleaming as he wraps himself around her and presses their cheeks together. “Will it be different from the other summonings? You have ritual ingredients; you didn’t need them for the others.”
Keris combs a hand through his golden hair, smiling. “I’m pulling a lot more than one eristrufa out of Hell tonight,” she tells him. “That means a big hellgate, which means a big ritual. It’s not something I can accomplish with just my authority as a Green Sun Princess. And the first step is desecrating this island. We’re already doing this on the wrong celestial alignment, outside the new moon. That means the walls of the world will be strong - the Crane is so we can get past them at all. But we won’t be able to punch through unless we’re somewhere already close to Cecelyne.”
She starts to chant, hands raised to the sky, dancing in the honour of the Yozis and of herself. She cuts her palm and offers blood to the demon kings and queens, casting it into the water, and immediately she feels this is different.
As soon as her blood touches the water, it spreads like a cup of ink in a jug of water. It overwhelms the colour that was there before, staining the liquid a darker hue in the night. The temperature drops like a rock, the wind freezing and indigo ice forming a crust around the solitary rock. She can smell the rich and complex interplay of acids and poisons from the slicks her blood has made. And more that that, Keris has the sure and certain feeling that the water is much, much deeper around her. Impossibly deep. Her power has come too easily, and now it’s like she stands on an inlet of Kimbery herself. Perhaps a gift of the Crane, but she hadn’t expected this. Hadn’t wanted it.
Jemil laughs in glee. “Beautiful! Beautiful!”
“It’s the Crane,” Keris says, kneeling to dip the tips of her fingers in the water to confirm her guess. Yes. This is a tributary of the Demon Sea, and were Keris to dive in she would could swim for five days across seabeds of silver sands where Kimbery has flooded Cecelyne to arrive at the shores of Malfeas.
The little puzzle box, when she touches it, is so cold to the touch it would burn any hand but hers. It feels like nothing she’s ever touched except Lilunu - but this mishmash of Hellish essence is by far more crazed and chaotic than Keris’s lady even at her worst. Broader, too. Keris can feel the wild emotions of Hegra quivering in the turbulent mix; the meditative stillness of Qaf, the burn of Cytherea she recognises from her night with Neono Diastimo, and others still - Yozis she knows even less of.
“It’s… resonating somehow,” she adds uneasily. “With my corruption of the waters. With the ritual I’m performing - even though I haven’t performed it yet.” A shiver traces down her spine at this twisting of time - but more of her is fascinated than frightened.
“We… need to start,” she says. “Come on. Check my markings. Are all the sigils right?” The figure on the box is daubed in demonic body art praising the Great Mother, but the image is too small to simply copy them. Fortunately, Keris is a genius, and has worked out the designs she’ll need and carefully tattooed them on herself.
“Everything looks perfect,” Jemil agrees, after checking her over. He scuttles away, his uppermost pair of hands clasped together at his chest. “Oh, I can’t wait to see. Now, mother! Show me this summoning! Call your demons forth!”
Keris smiles fondly at him, then turns to the sea. Her unbound hair spills down around her, spilling into the sea, and she lets her caste mark burn to life on her forehead - and then her anima flare around her further; a bright red cyclone whipping around her full of mirror-bright, sharp-edged sealife. She gathers her power, shaping essence to her will and reaching out to the oaths sworn to her lady; the pledges so many citizens have made to provide her with aid should she require it.
Keris is the hand of her lady in Creation, and she is favoured more than any other. What those citizens have pledged to Lilunu, they have pledged to her. And there’s one demon lord in particular she seeks to call on - and hopes she remembers rightly as being among Lilunu’s pledged.
“In Lilunu’s name I call you!” she calls to the sea, and though Iris isn’t on her arm and her tongue stud is anchoring a sanctum, she feels one pulse and the other flare with opal fire. “By the marks she’s made on me I summon you! In the name of your Dam I open the way for you! Come now, writhing mists! Come now, oh spawn of the Grasping Hag! Come to me, Eristrufa!”
First one voice, singing out, then another, and a third. And a chorus, an unearthly chorus, swelling and swelling and swelling and underlaid by the screaming of drowned men and the muffled clang of long-forgotten ship bells.
The sea writhes.
There are too many eristrufa here for them to remain immaterial. Too many for them to take form as mists. So instead there are hundreds, maybe thousands of tentacles rising up from the water around her, a thousand eyes on her, a thousand mouths sucking in the air. The indigo ice cracks and contorts; the waves break over the rock displaced by the sudden emergence of so many demons. The skies themselves overhead waver and flicker; the slither of moon for a moment is instead a jagged red horned shape. At the centre of this demonic army, this incursion of fat bloated demons fed well on Kimbery’s malice and spite, stands the burning figure of the one who called them, unclad and eyes aflame with power. Just as the Crane prophesised.
There are far more than she planned; she knows they wish to drown the world around them in fog and sink all ships. But Keris gathers her will, and prepares to crush them into obedience.
Her anima flares - and for a moment, expands.
Keris Maryam Dulmeadokht stands within a sanguine cyclone that scours away the very rock beneath her feet. Breeze-blown flowers of every hue whirl around within it, stirred by twisting spear-serpents, great axe-cetaceans and schools of darting blade-fish that devour one another in an endless hunt. She’s crowned in fire; a circlet of viridian fire-blossoms on her head, and behind her floats a halo that maps her inner world, the names of her souls written around it in emerald light. Awful silence flenses the noise around her, the world silenced by the shredding touch of her soul. The scent of blood and sweet pollen wafts out from the spectral winds, and blood-red flowers blossom around her feet.
Twined around her is her po, so close that woman and serpent seem one. Lit in red wind and emerald fire Pekhijira rears up and spreads her many wings - her primaries, spreading ten feet wide as Keris’s anima expands to a terrible display of eldritch might, and all the six secondaries arrayed down her flanks. Despite the brilliant, blazing light display, Keris’s face is in shadow. All that’s visible is the burning brand of green fire on her forehead; the empty ring of the Wretched.
“Submit,” she snarls, and her will comes down on the massed eristrufa like a tidal wave. There is no compromise in the hammer of her presence, no mercy, no forgiveness. The predator that stands at their centre, for all that she is tiny against the least of them, is a monster like nothing they have ever faced; a true daughter of the Great Mother.
They will obey, or they will be destroyed.
The power of a princess of the green sun washes over the writhing, coiling sea of demons. And they hush. And they still for just a moment.
“We obey, demon princess!” they call out as one, using the Old Realm honorific for an Unquestionable of unknown descent, a cognate-relative to the Old Realm ‘Anathema’. “Command us!”
They are bound. They are controlled. And yet- and yet Keris feels the spell still writhing, still twisting, still reaching out. Click-click-click goes the tiles on the Broken-Winged Crane, as the puzzle-box starts to solve itself, reconfiguring into another permutation. Another prophecy. It courses through her magic, re-structuring the essence-layers she built to chain the demons. A spark of red light rimmed in rainbows arcs towards Keris, earthing itself into her left arm, which snuffs out the cold lightning. But there are other cracks opening, other rifts, and through them Keris sees a sea the same as the corrupted sea around her, a sunless sky, a ruptured heaven which stares into the black depths of Cecelyne - and in the mirrored waters she hears strange melodies drifting out.
She needs to end this spell. The Shattered Annex is dragging part of itself into the world, she knows this with an instinctive understanding.
“No,” she gasps, a whine growing louder in the back of her throat until it becomes a hoarse shriek. Her fist tightens on the puzzle box as the world around her splinters and keens, but its burning-cold sides don’t bend or fracture.
“It’s lovely,” Jemil calls out over the noise. “Let’s see more, Mother!”
Straining, screaming, Keris raises her left hand to the sky. She can feel it trying to unfurl - this isn’t quite like absorbing one of Lilunu’s chakra knots, but it’s not unlike it either. The spell is still caught in her flaring soul, tied to her left arm and the authority of Lilunu she used to open the way. She can feel the rifts opening through the phantom sensations flaring on her skin; her fingers brush the substance of a dozen worlds.
She can’t let them out. Demons under her command are one thing, but the stuff of Hell spilt unbound and unconstrained into Creation? That’s fodder for horrors she cannot permit. Even these eristrufa are more than she wanted to summon.
With a howl of effort, Keris draws deep from mind and soul, dredges up reserves she didn’t know she had, scrabbles for more power still and finds it in the wisps of prayer from the Isle of Gulls. Pulling so harshly from her faithful there might give them all nightmares tonight, but she needs the strength. The puzzle box drops from her left hand and she catches it in her right, hissing as it freezes to her skin.
But she has not time to care about that, because there’s essence crackling over her left hand in arcs of crimson-and-rainbow lightning and the knotted, taut skein of the spell is there under her touch. She spreads her fingers wide, claws at the air, catches the strands of wild, lashing Fate in her grasp...
... and clenches her fist.
Clickclickclick. Click. Click.
Click
The puzzle box reverses its reconfiguration, and slides back into the form it had been when Keris received it, showing once more the scarlet broken-winged crane. The light in the rifts dies. The red lightning rimmed in rainbows ceases to arc. The silver moon reappears in the no-longer inconstant sky.
Keris and Jemil stand on a rocky outcropping rimmed with indigo ice, in a polluted, twisted ocean, surrounded by a squirming, writhing horde of demon beasts. And Keris, at least, considers herself to have gotten off lightly. The spell has come to an end. And she has succeeded beyond her wildest dreams, and no small number of nightmares. She has an army of demons. And probably triggered a wave of dark omens across all of Choson - if not the entire South-West.
Exhausted, she sags into Jemil, who catches her in a pair of his arms. “Oh,” he says, disappointed. “It stopped.” But his irrepressible nature can’t be kept down for long. “But that was beautiful, mother! Just incredible.” He reaches for the Broken-Winged Crane. “Such a wonderful thing! And that was just one solution...”
It might be a little unfair to her youngest soul, but the flinch reflex that shoves the cursed thing into Keris’s hair and out of his reach is entirely instinctive and, honestly, half uncontrolled spasm from her twitching left hand, which hasn’t stopped shaking since the rifts opened up.
“L-later,” Keris chokes out, quietly enough that the closest eristrufa can’t hear. “Look at it. Ugh. Later. Fuck.” She looks around. “Fuck. The plan’s changed. This’ll have tipped off everyone in Nagakota that something’s wrong. We can’t wait two more days. We’re going to have to attack tonight. At dawn.”
She squints up at the angle of the moon, and curses quietly. “Which means we have... six hours, to cram two days of preparation into. Fuck. I don’t... okay. Okay. Help me stand. I need to give them their orders.”
The world is spinning, and fatigue drags at her - but she has to force it down. And-
“Demon princess, there is something down here,” says one of the eristrufa. “A ship of gold; a ship that feels like Hell. Should we drag it to the bottom?”
Keris blinks dizzily for a moment, unsure what they mean, then her eyes widen as dots connect. “No!” she yelps. “No, let it up! That ship is mine.”
It takes the eristrufa some time to manage to move enough to let the Memory of Baisha surface, but when it does, it broaches in the writing sea. Immediately, the ratings exit to take positions on the war-deck, and the sight of Keris, lit by her soul and with her characteristic hair waving around her, causes no small amount of confusion.
Neride makes her appearance, a cutlass in hand. “My lady!” she calls out, gesturing around with her weapon. “What in the name of Malfeas’s missing balls is going on? We were just nearing the waiting position when a Kimberyian current caught us and dragged us and damn near slammed us into the bottom! We didn’t expect that, being we’re not in Hell and all that! And what are you doing here in the middle of the worst eristrufa nest I’ve ever seen?”
Keris steadies herself on Jemil, then flexes her legs and bursts into a sprint; tireless momentum carrying her over the water, up the tentacles of an eristrufa and onto the deck in defiance of her wobbly legs.
“They’re mine,” she tells her captain in a more normal tone. “For the attack on the capital. But the whole of Choson will have felt that tear in Fate, which means which we’re moving up the plan. We attack at dawn. Can you command a host this large?”
“Aye. I’ve led things like this before, though in far fewer numbers. And fought them, too. Your foes - will they have fire? Their mist can burn, though not that well. I will say, though - their kind’d rather smother a place in fog and drive their foes mad than fight, though they’ll do that if the mists don’t work.”
“I’ve spent today giving the guards at the docks the worst day of their lives,” Keris says, words coming quickly as her goals realign. “You’ll have a window just after the attack where they’ll be exhausted, disorganised, undermanned and unequipped. But there are lots of Dragonblooded and martial artists in the city, and some will be on the ships even with my sabotage. Assume that if they don’t start out with fire, they’ll have it once they get their feet under them.”
“We’ll only have so long - but if you have orders for what to get done, we’ll do what we can while they last,” is Neride’s laconic response.
“Level the military docks,” Keris says firmly. “Destroy their infrastructure. Ruin them for future use. Steal what ships you can, sink everything you can’t. Prioritise...” she hesitates, sorely tempted by the grand five-mast junk she’d seen and the jadeclad armed with fire cannons. But those will have the heaviest guards, and be the hardest to launder into merchant ships for the Hui Cha.
“... prioritise the three-masters for theft,” she continues ruefully. “I’ll trust your judgement as to what’s possible and what’s not. If there’s no way to get away with any of them, send them all to the seabed. Killing people is lowest priority. I don’t care about deaths; your focus is on making those docks completely unusable and destroying Nagakota’s fleet by one means or another.”
Neride nods seriously and starts to ask something else, but Keris anticipates her and barrels on.
“For assets, I’ll deliver Mele and Rala to help you plan and coordinate the attack - listen to them, but command is ultimately yours. You’ll also have about three hundred disposable corpse-puppets and four barrels of algarel in addition to what’s onboard. I’m granting permission to use all the ammunition we have stocked; we’re heading back to Hell for a resupply immediately after this attack. And if you need to use the Windstorm...”
She glances up at the brass-and-crystal fin that runs down the centre of the deck; the source of the deadly mimicry of the Silent Wind that Ligier built into the Baisha as its ultimate weapon.
“... just make sure nothing important is up on deck,” Keris finishes grimly. “Any questions?”
That earns her a salute. “No, ma’am,” Neride says, with cold-blooded glee. Of course. It’s not just a chance to cut loose, but it’s the first time in a long time she’s in a place to impress Lady Dulmeadokht. “Eristrufa are perfect for covering a retreat, and leading a false trail. Six hours will be easy, if the maps are right for where we are - we just need to pause for a bit to refresh the air.”
“Good. Now, I... do not actually have to ferry Mele and Rala back to you, do I?” Keris realises. “Okay, slight adjustment.” She whistles; an ear-piercing sound with a hint of essence in it, and Iris soars up out of the hold and dives onto her arm. Keris chuckles and kisses her head as the little dragon wriggles gleefully under her skin and coils possessively around her forearm, bicep and shoulder.
“Hello sweetheart,” she croons. “You can hug my arm all you like for the next few days, but right now I need you to carry a message to Mele and Rala? They’re not very far away, and you need to come right back with them. Don’t let them drag their feet, okay?”
“ok mama!” Iris spells out in Old Realm glyphs, delighted at this chance to boss grown-ups around. Keris kisses her horns again and then raises her arm.
“Go in my name and speak in my voice,” she says. “Rala, the plan has changed. I managed to break the limits the moon imposes on summoning and bring forth a horde of eristrufa - almost a thousand, at a rough guess. But everyone in Choson will have felt it. So we’re moving the attack up to tonight. I know you’ll be furious about the sudden change, but you can scold me about it in person. Tell Suriani to arm the bombs in the palace and get any of our people out, then meet me at our lodgings; send Kuha and Simya out of the city with Jamais; then you and Mele boss-step to my side. You’re going to help Neride command the attack on the docks.”
She pours essence from her still-burning soul into Iris, shapes it and guides it, and releases. Her little familiar streaks away into the night, faster than an arrow. Keris watches her go until the sound of her is gone, then turns back to the shore.
“Jemil!” she calls. “Come here!”
Like a sea-snake, he slips into the water with only a slight glance at the prospects of purloining a demon-limb from the eristrufa, almost-flowing over and through the writhing mass before scuttling up the side of the ship. Neride recoils from him, and he smiles eagerly at Keris. “Oh, this sounds like you have something fun for me,” he says boyishly. “You took away my toy box just as it was doing something, but I don’t mind since your ideas are always so interesting!”
“Neride, this is Lord Jemil,” Keris introduces him to Neride. “He’s to be given the main hold for his work, and I want a dozen deckhands assembled down there to lift and carry his subjects out. Jemil,” she continues smoothly, turning to him with a moment of meaningful don’t-let-them-know-you’re-not-a-Hellish-demon-lord eye contact, “I won’t have time to raise the bodies we collected as corpse-puppets, so I’m lending you Vipera and giving you free rein. Work whatever transformations and mutations you can on them in the six hours you have, and raise them all before the attack starts. Instruct them according to Neride’s command.”
She pulls Vipera from her waist where the serpent-spear is coiled around her hips like a belt. The spearhead gives a rattling hisses, elinvar-scaled coils over flexible moonsilver wrapping around Keris’s arm unhappily, but Keris just flicks her lightly behind the blade.
“Be good,” she tells the vicious little relic. “Jemil will help you leave your mark on all those bodies and puppet them into battle. You’ll like that, don’t you? So do as he wants. And be creative. I know you’ll make me proud.”
Glancing at Jemil, she nods meaningfully at the sharp-edged scales. “Fair warning; she will draw blood as she gets to know you. But only at first, to take your measure. Once she’s drunk a little, she’ll behave.”
Jemil offers a red-furred limb. “I don’t like this hand very much,” he says. “So if she ruins it, it’s no real loss.”
Rolling her eyes, Keris strokes Vipera once more, and holds her out. Still coiled around Keris’s right arm, the eyeless spearhead rises up, quivering, and sways towards the red-furred arm in curiosity.
Then, in a flash, she lunges. Her silvery, wood-scaled length wraps around the blood ape’s hand, each razor-sharp scale drawing a fine line through the fur that blood starts flowing from. Her spearhead rattles again, hungry, approving of what she finds.
Jemil’s eyes water, and he grits his teeth. “Owie,” he whines. “Ow.” Blood wells up around the arm, as Vipera coils tighter and tighter. “This hurts!”
“There, there,” Keris says, patting his back with her hair. “She doesn’t mean it.”
The spear makes mince out of the arm, cutting it into scraps of flesh, but then when she’s wetted with blood she wiggles to form a necklace around Jemil’s neck, stroking her spear-head against his chest. Jemil wipes his eyes and sniffs, then sighs and pulls off the ruined arm. “Is she going to do that often?” he asks petulantly.
“She is very sweet once she’s fed, but I have yet to find a way to stop her doing it after leaving her alone for a while,” Keris says apologetically. “She’ll do it to me too when I take her back - though I’m tougher than that arm was; she won’t mangle mine, just cut the skin up. And if I ever lend her to you again... yes, I’m afraid she’ll take another.”
She tickles Vipera on the underside of her spearhead, and has to draw her fingers back quickly as Vipera snaps at them. “She’s just a hungry little monster, hmm? I’m sorry about the arm. I’ll arrange for you to get a replacement once we’re back in Hell.”
“I’ll see how we get on,” Jemil says, wincing. “I’d be a lot more nettled if she’d taken one of my favourite arms.”
Vipera’s head rises and she looks curiously, perhaps even speculatively, along his other limbs.
“No,” Keris warns her firmly, and leaps down into the hold with Jemil following after her. “Alright, where are my deckhands?” she bellows. “Get over here! Now!”
A dozen or so demons line up, and Keris looks them over with a nod. Bending to one of the doors leading deeper into the ship, she murmurs her lady’s title to it, and it flares with opal fire for a moment and then opens onto her sorcerous Conventicle wing.
“In here,” she orders curtly. “Over to the left, the human bodies laid out in that garden. Carry them - carefully! - out into the hold and lay them on the ground for Lord Jemil to work on. Chop chop, hurry up, I don’t have all day here! Move!”
They snap to attention, the fear of the tiny, hellfire-burning warlock leaving no room for backtalk or hesitation. Keris hears their muttering at the discovery that “Aye, ‘tis the Conventicle!” but they’re busier following her orders than gawping. They’re midway through it when Keris hears an oddly familiar note behind her, doubled twice over, and a trilling Iris slams back into her arm.
There’s an admiring whistle. “Maj, you are looking fine,” Mele says. “And might I say-”
He cuts off with a grunt as he’s elbowed. “Ma’am,” Rala says. “What are your orders?”
“Lord Jemil will be modifying and puppeteering the bodies,” Keris says, all business. “I’ll be heading back to Nagakota to help Suriani kill the satrap and claim all the materials and information from her office before the attack. You two are going to aid Neride in planning the strike on the docks. You’re advisors - she’ll listen to you, but she has overall command. Your assets are the Baisha, about three hundred disposable corpse-puppets with whatever Jemil does to them, four barrels of algarel plus everything in the Baisha’s armoury, and the horde of roughly a thousand eristrufa outside the ship.”
“Ah,” Rala says. It is to her credit that she only sounds slightly faint. Mele’s eyes bug out a little, and he wheezes softly - though that might just be the aftereffects of being elbowed. “I believed the plan was four, not one thousand,” Rala continues after a moment. “Perhaps there was a mistake in the planning documents. Very well, ma’am. I presume the priority targets remain the same in the harbour, but with the vastly expanded forces we are to aim for much wider destruction?”
“Ship-stealing is a real possibility now, so go for the three-masters if you can get them,” Keris confirms. “I’ve left it to Neride’s judgement what is and isn’t possible to get away with based on the situation, but unofficially, if you get me either of the big ships I will love you forever. Anything you can’t get away with, sink - and make sure the wrecks are unsalvageable as anything but drift lumber. Besides that, devastate the docks, wreck their infrastructure, level buildings, litter the harbour with wrecks and generally make the entire thing unusable. If you finish destroying the military docks and have time and troops left over, move on to the merchant docks. I want Nagakota to lose its entire fleet along with everywhere they can berth a ship. Material damage is the goal, not loss of life - their population is big enough to absorb losses, but rebuilding a harbour will take them a lot longer.”
“Right you are, maj,” Mele says. “Well, you’re going to be leaving this in very capable hands, and,” he leans in, to whisper in her ear, “I might well take you up on that promise of eternal love, because you deserve nothing but the best.”
Purring, Keris leans closer to him - but she doesn’t have time to answer that as she’d like, nor the privacy with which to do so. She peels away mournfully, keeping an eye on the deckhands still ferrying bodies out into the main hold for Jemil. She’ll have to go as soon as they’re done; she literally has no time to waste.
“You told Suriani to attend to things at the palace and sent Simya and Kuha out of the city?” she checks with Rala.
“Of course, ma’am,” Rala says, offended at the very idea she wouldn’t follow direct orders (at least if she didn’t think they were egregiously wrong). “I did however warn Kuha that she should be ready, if necessary, on use of your red alchemical firework to provide an escape via parrot.”
“Good initiative,” Keris praises. “Right.” She stares blankly ahead for a moment, mind whirring, trying to think of anything she’s missed. Any factors left unaddressed, any problems that might arise, any work left undone.
... any last things she needs to do before leaving.
“I need to- no. No, I can’t... I can’t see the children,” she says softly, wincing. “I- I want to. It’s been more than a week. But I can’t see them in this state, just before a massive attack, and then leave again right away. It would be cruel to them, and... and it would throw me off. So... can you spend a little time with them, when you can spare it? Let them know that mama just has one thing left to do and then we’re all going back to see Aunty Lili. And that it’ll be noisy and maybe a bit scary - for Atiya especially - but it won’t last for very long and then they’ll have me all to themselves for the whole way back. And- and...”
“Of course, maj,” Mele says, and she can hear he wants to hug her, but can’t, not in front of the hellish demons here. “I’ll tell them that Mama will be seeing them by this evening, eh?”
“Yes,” she says gratefully. “Please do. And... yeah. Fill my Gale in on what’s going on too. And tell her she’ll find out how I summoned so many eristrufa tonight and that we’re on a really tight time budget, so she’s not to bug Jemil with questions about it.”
“Of course, of course. Now, before she says it-”
“Hey!”
“- you should get going,” Mele says, ignoring Rala’s objection. “The more time you have, maj, the fewer ways things can go wrong. And you won’t have your murder-spear with you. So, you know. Take care of yourself. And we’ll all be waiting for you back here.”
Keris shakily breathes in. Breathes out.
Nods.
“Right,” she whispers softly, and steps back, eyes closed, expression soft.
Then she spins around and her face is steel.
“You and you! Get those last few bodies out! Faster! Move your asses! Is that all of them? And the barrels, too? Then get out of my sanctum!” She strides out, anima still clinging to her limbs and hair, and looks around the hold with burning eyes. The bodies are laid out in rows, Jemil already carving into the first of them with Vipera. The barrels are being rolled into the secondary hold to be out of his way, and Neride is snapping out orders to her officers.
Mele and Rala step out behind her, closing the door of the sanctum and letting it fold away back into Keris’s tongue piercing. She gives them a long, intense look.
“See you soon,” is all she says.
Then with a flicker of motion she’s up the side of the hold and off the edge of the deck, disappearing with a splash into the writhing waters and arrowing away towards Nagakota.
She leaves the fog bank behind, skimming across the water with her hair trailing behind her. It’s an hour or so past midnight. At this time of year, the sun will be up around five. She has four hours to get everything done.
Really, she thinks with a hint of hysterics, this is for the best. She’ll be able to get back to Hell earlier with the way this has pushed all her timelines up. She’ll get a couple more days in the Conventicle, and she can certainly use those to good effect. So really she should be thanking the Broken-Winged Crane for this.
“The Broken-Winged Crane,” Dulmea says, breaking an extended silence. “Yes. You are already wanting to try to solve it again, are you not?”
“Of course I am,” Keris murmurs inwardly. “It let me break the laws of Sorcery and save this mission. There’s power in it, mama. Power I never dreamed was possible.”
“I heard your thoughts about it - and saw how it captivated Jemil, too.” Dulmea sighs. “You found it interesting when Iuris spoke to you about it, but now - you will obsess over it, won’t you? Like you do whenever you find a new fascination. And my former master was also fascinated by such things, and would send his houses out to guarantee certain things would come to pass, or else secure him new copies. I have seen what this book in its many forms can do to the world, and how it can consume the minds of sister-angyalkae who were imparted with knowledge from it on the master’s orders. But I will not speak of this further now, not when you must focus on this task.
“For this is a tumultuous play, child, and if you play your tiles right, no one in Hell will have the least negative word to say about your accomplishments as a director this year.”
Keris nods, and picks up her pace. Heading back towards the Dragon’s City, a harbinger of the doom that would come at dawn.
Chapter 35: Choson V, Fire 775 - The Demons' Malice
Chapter by Aleph (Immatrael)
Chapter Text
Night holds Nagakota tightly, the waning moon peeking through the late Fire clouds. The air is hot and still, the quiet before another of the season’s typhoons, and the end of the year is fast approaching. Strange omens mark the night. In the fishmongers’ street north of the docks, the sewers where they dump the guts for kuyuks to clean and sort are full of strange writhing as mounds of organs give birth to feathered snakes. Statues of the Dragons crack; the green paint starts to flake off one fine one of Sextes Jylis that overlooks the harbour to leave grey granite and an unwholesome rainbow splatter behind. Despite the heat, mists form and cling to the buildings, painting indigo halos around the lamps. And in the square of the Assembly, a beautiful crane, scarlet feathered and elegant, falls from the sky. One of its wings is broken and it writhes in pain, a beautiful creature only hurting itself more in its futile attempts to escape.
It is a bad night. A fell night. They do not know it will be worse, because clouds hide the stars and prevent astrologers from getting further warnings of the approaching calamity. They do not know that the dawn is not coming.
Out to sea but approaching; a fog bank that could hide an island, tens of miles across. It moves where there is no wind; it swamps the wardings laid down by priests and Benarist scholars that should keep the routes to Nagakota harbour clear and wholesome. It is thick and choking enough to chew. A ship arriving by night is swamped by it, and its sails are becalmed. The sailors hear cries, screams, the clanging of bells - and then the fog manifests tentacles and they tear the ship down, quench its lanterns in the water, and consume the crew. Nothing remains.
There is a name for these things. Eristrufa.
But the herald of this terrible demonic incursion sprints across the waves ahead of it, her crimson hair trailing behind her, her unclad body daubed with ritual markings copied from a book so fearsome that mere ownership of it is a death sentence in Choson. The water is a road for her; her bare feet dance between the waves; there is not an inch of her body that she cannot kill with.
The Voice of the Mouth of the Yozis comes to Nagakota, to please her dark masters. To undo that which is righteous and wholesome and pure, so that the demon princes might chortle about it during the sunless days between years.
She comes.
Suriani bi-Musa is arming the last of the bombs in the palace when a dark-wreathed spectre slides in through the window, black shadows sliding off it to reveal a naked form with burning eyes and a billowing mantle of flowing hair. It’s dark; the room is ill-lit by the sliver of the waning moon and a small lantern hung near the door, well away from the barrels of algarel.
The gloom renders the new arrival near formless, a thing broader and taller than a human with a dozen rippling limbs that split and coil and undulate and recombine. The whole shifting mass of the thing flows and pulses, looming up and forward one moment, then flattening down and spreading out, then rising on one side like a cresting wave and curling over back into itself. It’s hard to even pick out the barely-distinguishable suggestion of human form amidst the constant inchoate motion.
“Are the bombs ready?” comes the whisper from its depths.
Surani blinks, except - no, that’s not what she does, is it? A caul of shadows flickers across her eyeballs, wetting those huge pupils that have expanded to fill nearly her whole eye, so there’s little different between her eyes and the shadow.
“Mistress,” she says, adoration in her voice. “Of course they are. The vitriol tubes are all in place.” She finishes sealing up her work, and then flows over to the monster, uncaring of the darkness or the thing on the other side of the room. “I can taste your power in the air,” she purrs. “And I felt your coming with the demonic energies washing over this place. My lower soul told me about them - she is so strong compared to how she was before. She’s torn apart the husk that carried this power to me and wears its mask as her face to speak with me. My thanks to you for this gift.”
The tendrils draw her into their embrace, gently capturing her limbs, draping over her shoulders and looping round her hips, brushing against her face and stroking through her hair.
“Good,” whispers Keris, and this close, without the veils of hair in the way, Suriani can see that she’s unclad, daubed in the marks of the Yozis and a full-body set of silver tattoos. Her caste mark traces an empty circle on her forehead, not a burning brand but a half-seen glimmer on her forehead, and the scars on her jaw and nose shine pale and stark against her skin.
Her eyes, though. Her eyes are alight with mad, inspired fervour.
“Well done, Suriani,” she murmurs. “My army is on its way. A thousand demons, on course to lay waste to the docks of Nagakota. As was prophesised, so it will be. I foresaw it, and brought it about, and soon now it will come to pass, but first...”
She strokes her fingers across Suriani’s neck, over the soft, tender skin under her jaw, and up across her lips and cheek.
“First, we must visit the satrap. This performance needs her so, after all. And she has an appointment with the Assembly come dawn. Or at least... her body does.” Her lips curve upwards, manic energy wafting from her every move like an intoxicating fog. “Now. Be a good girl, won’t you, and show me where she is.”
Suriani smiles, leaning into the monster’s touch. This would be far from the first monster she has let hold her, after all. “I have made sure to know where she is. She was up late dealing with the... situation at the harbour. She is exhausted, and has gone to her private baths to soak and wash away the stress of the day. I have made sure that the maids seeing to her are servants of the true masters of Creation.” She pauses. “How would you have me present myself to her when we kill her, mistress? I give myself fully to your superior expertise in these matters.”
“My sweet black-clawed student,” Keris croons, stroking the back of a finger down her cheek. “Go as a servant. Another of her pretty maids. Someone she can trust; someone she barely sees. Help her wash, bring her a delicacy or a bathrobe. And then betray her. The first strike is yours, and I will bring silence and death in your wake.”
“Yes, mistress.” Suriani is no fool. She can see the two sides of the coin here; that the first blow against the Realm’s presence here will be by her hand, but also she is the one taking the act of initial danger here.
But is that not the student’s role?
Shadows envelop her, forming her into someone else; plainer, less noticeable, more boring. And she leaves, giving Keris a few moments alone. To listen to her progress through the palace, and settle her mind.
Shadow ripples across Keris as well, transforming her into another maid, and she steps backstage to follow - unnoticed, unimportant and easy to dismiss; a piece of animate furniture the eye skips over rather than linger on.
But inwardly her heart is pounding. The prophecies of the Broken-Winged Crane are still etched behind her eyes, and more than that; she can feel it. The prophecy hasn’t stopped with her successful summoning. It’s only moved on. Maybe if she took out the puzzle box, Keris thinks, she’d even now be able to reassemble it into a tableau of Nagakota ravaged, the satrap’s corpse daubed in vile art prowling the Assembly and the lamentations of the righteous.
She wants to see. She wants to know. She wants to hear the cheers of the demon princes lauding her for her work here, the roar of the crowds chanting her name, the praise of her lady and the envy of her peers.
And right now, all that energy is simmering and boiling under her skin, focused on the task ahead. She slips into the baths, little quivers of excitement running up her spine and raising the fine hairs on her arms, adding an irrepressible shimmy of anticipation to her hips as she moves, painting a slightly-too-wide grin across her face.
She’s made it into the bath first, one unnoticed maid among the rest. But now here comes Suriani, right on cue, lagging behind Keris’s entrance due to a diversion to grab a light snack.
It’s all Keris can do to suppress a happy squeal.
She holds it in, though, and her nostrils flare. She can smell that there are certain unorthodox additions to the meal. Which is to say, specifically, Suriani has flavoured the calming camomile and lavender tea with the cold and sapping venoms that drip from the maw of the Ebon Dragon. Keris almost whistles in admiration. She knew Suriani had brought her own luggage along, but to get her hands on Yozi venom - ah, a gift from Mara, no doubt. And it is certainly a gift, not something trivial even for one such as Mara.
The satrap’s baths are simple and plain, but that does not mean cheap. The white tiles that cover the walls are elegantly painted with green geometric shapes that evoke vegetation without breaking the prohibitions against representative images, and there’s a larger broad pool, a narrow cool pool, and a raised section where the hot water is piped to before falling into the broad pool. It’s that raised section where the satrap is at the moment.
This is the first time Keris has seen Sesusu Hala up close. She is a well-built woman who looks to be in her late twenties, which probably means she’s at least sixty. She is well-toned, and has a number of scars on her arms and one prominent one just above her right hip. Possibly a sign of wyld hunting, or just Dynastic mis-adventures in her youth. Her soot-black hair is pinned up for her bathing, and the embers that glow in it tell her aspect - if it wasn’t clear enough from how she tolerates the almost scalding water from straight out of the boilers. The steam writhes around her, giving her some privacy. Or would if it wasn’t as clear as air before Keris’s eyes.
And so she sees Suriani carefully place the nighttime tea down in a little niche made for it, and retreat elegantly back, waiting to be called. The satrap is tired, overworked, soaking in the hot water to ease her scars. Some evening tea - nothing made from the tea bush, that’d keep her awake - would do her well.
Inevitably, she drinks. And immediately, she starts to cough and hack.
“My lady,” Suriani comes running in her false face. “Is something the matter? Is- she’s choking!”
Her hand comes back, to slap the satrap on the back. Because she’s choking, of course. And even Keris’s perception can barely pick out the bilious green glow that wreathes Suriani’s palm strike to her upper back. And the maw that her hand is splitting into.
But no one can mistake the splatter of blood as the claw-maw-hand takes the satrap in the back, tears out a huge chunk of flesh, and slams her forehead into the other side of the narrow hot tub. Keris can hear her heart beating, so she’s not dead yet. Probably.
Between the grievous, horrific wound and the Yozi venom that’s tearing her apart, that might not be for very long, though.
“Remember, sweet student, that we need her body intact,” she murmurs, shedding her shadow-guise and stepping back on-stage simultaneously. Every maid in the room besides Suriani flinches as the unclad infernal monster with the billowing shroud of blood-red hair steps out of... nowhere? She wasn’t there before. But now she is! How did she get into the baths without anyone seeing?
“Don’t damage her too badly,” Keris continues, strolling over casually. Well, mostly casually. She’s not underestimating this Dragonblood, and is ready and poised to move very fast should the need arise. “But do finish her off quickly,” she finishes. “We don’t want her getting a miraculous second wind. And we have work to do.”
Suriani lets her shadow fall from her fully, revealing that she’d been prepared for things to get bloody and her clothes had been just another lie. Keris can see that the strangler fig is progressing well on her, with the bright flowers blossoming more widely. “Of course, mistress,” she says. With grace and beauty - and in self-defence, nothing more - she almost-dances around the edge of the bath, to grab Hala by her hair. The water is stained crimson from the hole in her back, and she’s foaming at the mouth from the potent poison.
Back comes Suriani’s hand, and she finishes off the woman with a strike from her maw-hand that tears out Hala’s trachea and leaves her to choke on her own blood. There’s a spray of red that splatters over Suriani’s bare form, then she pushes the satrap back into the hot water and watches her sink to the bottom. She checks for bubbles - there are none. Just blood, staining the water scarlet. Cascading down from the waterfall, spreading a pink stain through the broader pool.
“It is done, mistress,” Keris’s student says to her, bowing, as blood drips from her front and the gnashing maw that is her right hand. Unable to hide her smile that her mistress saw everything, and that it went off perfectly. Well, nearly perfectly. “I regret to inform you that she dropped her tea cup in the pool, and so the water will be quite, quite poisonous. And she also bled a lot. But I don’t believe either will matter given the end fate of this palace.”
“Good girl,” Keris purrs, her eyes burning. “Alright, send your pretty maids away. They should find somewhere else to be by dawn. I, meanwhile...”
Two tendrils of hair slide into the toxic water and hook under the body’s armpits, dragging it out onto the bloodied tiles.
“... will be doing some art.”
Suriani has orders to give, and the cultists are sent to get clear. Keris barely notices the splash as Suriani cleans the blood off her in the icy cold cool pool.
“I did it, mistress,” she says, feet bare on the tiles as she picks her way around the blood splatter. “The satrap - a dragonchild - dead by my hand.” The unspoken need for praise lies there. Like the satrap’s body.
“You did,” Keris congratulates her, giving her what she wants and combing a hand through her hair. “I knew you’d be able to, my student. That’s why I stood back and didn’t interfere. I wanted you to be able to stand up in front of our peers and claim this victory. To have the praise you deserve for striking this blow against the Realm. They will laud you for this - our peers and our masters both. You were quick and vicious and elegant. She never saw you coming.”
Keris feels Suriani tremble under her touch. It isn’t just the praise. It’s also the adrenaline - and the fact that Suriani knows this would have been a far harder fight if the stars hadn’t aligned. If the satrap hadn’t already been exhausted from a day of handling petty bullshit caused by Keris’s work at the harbour, if she’d smelled the Yozi venom in the tea, if she’d been tougher, if-if-if...
“How can I aid you, mistress?” she asks.
Though, Keris realises, there’s no sign of guilt or fear. This isn’t the first person Suriani has killed - or murdered. Not even the first she’s murdered for a superior who’s also her lover. As expected for one who lusts after Mara.
“Tell me about the Assembly,” Keris says, hefting the body over. Hmm. She’ll probably have to repair the two chunks Suriani has taken out of it - but that’s easy enough with her root-fingers. “Will it be occupied at this hour? Is it likely to see use before dawn?”
“There will be kuyuks cleaning Assembly Square all night,” Suriani says. “Though surely you can just use your Wretched power to hide from them.”
“Good.” Keris pulls her fingers back out of the roughly repaired throat. “Then we have... about two hours to steal everything we can from this palace. Then we go to the Assembly prepare it for its new resident, and desecrate this corpse enough to awaken its po. A dragonghast yidak should be an amusing final gift to leave them - and until they put it down, they won’t have anywhere to meet.”
“As you instruct, my mistress.”
“Then let’s go.”
They take off, sweeping through the halls. Keris speaks the words that open her sanctum-wing of the Conventicle over and over as they move things hastily inside it, Suriani pointing out things she’s marked over the past few days and Keris using the Great Mother’s eye for value to pick out items of worth. Art and artefacts, relics of martial arts schools and valuable scrolls of hidden techniques - the two of them move fast and work quickly, pressingly aware of their ticking clock.
There are things to take. First, and most simply - the possessions of the satrap. Her fine twinned red jade blades with tawny streaks down the centre that bring to mind the eyes of a cat, her elegant white jade armour done in an archaic style - second century of the Realm, Keris guesses, the last gasp of Shogunate stylings - her finely scribed immaculate texts and her meditation mat that’s trimmed in green jade beads. Just as easily, the satrapal reserves. Heavy - and there are non-cultist guards who die quickly and silently to a flicker-blur - but there are talents of jade here, the funding reserves for the Realm’s operations here.
Those, she could find in other places. But the satrap had a private collection of Chosoni martial arts texts and weapons, a gallery-library of books showing movements and postures and techniques and sample weapons. Nearly all the weapons are mundane, but there’s a few notable exceptions there; a pale blue jade long thin blade with the books and manuscripts for Osprey Style, and - strangest of all - a pair of fighting gloves whose knuckles gleam the colours of the stars with the notes on Parrot Style.
The things of value, she can steal easily. But the currency and all the books - is there enough time? Can she carry it all out, or will it have to burn?
Keris’s eyes flicker across the expanse of the library, searching, thinking, looking for a way to move so much of value into her sanctum-
There. A glass-fronted cabinet. A flicker, and she’s there, and a second Keris steps out of the reflection. Then a third, and a fourth. The caste mark on the true Keris’s forehead burns to life, a glowing brand of emerald fire, and her mirror-selves mimic it with rings of reflected flame.
“Move,” Keris commands, another self stepping from the reflection even as she says it. They all jump to obey. She’s pushing herself hard, drawing from her anima to pull so many copies of herself out of the infinite reflections within the mirror. But each one has her speed, her reach, her many limbs, and they spread out to seize everything they can grab and cart it back to the rainbow door.
They might be mere duplicates, barely more solid than a plane of glass, all the power in them put into their impossible existence - but they are reflections of Keris’s body, so they are honed and strong and can carry books. And - she spares a moment to admire the her-crowd - look good doing it. It still takes longer than she’d like, but it means she can get the manuals.
“And what will you do with them, child?” Dulmea asks as Keris sprawls out on one of the seats, letting her mirror-clones do all the work for her. “Or is this just like how you hoard maps?”
‘I’ll make them available to my keruby and my demons,’ Keris says happily. ‘Like I was saying to Mele. Hey, mama, would you like a martial arts school of your own? Not your subtle assassins or your spies, but some enforcers of order in the City you can get trained up with some precise and elegant style? I bet I can get some schools thriving in the Spires, too, and I’m already going to be introducing Cat to the Sea. The Isles will love them for sure. They’re martial arts, after all. And dragon aides can copy out the manuals so everyone can have access to them! You can make a tournament place in the City where they can have duels to settle squabbles!’
There’s a soft chuckle from Dulmea. “You’ve enjoyed your time on Choson, haven’t you? And you like the way their schools compete within a framework for victory.”
‘It’s... kinder,’ Keris admits, her glee and exhilaration ebbing for a moment in favour of a more contemplative air. ‘It means innocent people don’t have to get conscripted into wars and civilians don’t have to suffer from armies marching through their homes. When the people on top want something, they’re the ones who take the risks. The ones in charge who start a fight are the ones who do the fighting. It’s a fairer type of war. One with fewer victims.’
She glances in the direction of the docks, though the walls of the library are between her and the outside view. ‘Sometimes I have to hurt people. Sometimes my job involves... bringing strife and horror to people who don’t deserve it, who didn’t do anything bad and were just living in the wrong place. I can at least make my inner world better than that.’
“And no doubt you’ll be pleased that when you do summon your demons for various purposes, they’ll be equipped for a fight even when it isn’t in their nature. Just like you had me train all the children in the arts of the angyalkan schools of assassins.”
‘That will also be a very nice bonus,’ Keris agrees gleefully, manic energy flooding back at the thought. ‘I want my citizens to be able to defend themselves. Especially when their enemies don’t think they’ll be able to.’
“At the centre; peace,” Dulmea observes, “outside; chaos.”
‘Order in our lands, mayhem in theirs!’ Keris returns, then switches to speaking aloud. “Right! Suriani, are we done? Girls?” A mirror clone dashes past her, arms and hair overflowing with books and scrolls, but she seems to be the last. “How much longer have we got? What’s the time?”
“Sunrise should be soon,” Suriani says. “I’d say it’s a bit before the dawn bell rings for morning prayers - maybe half an hour, maybe a little less. It’d be easier to tell if the weather was less cloudy.”
“Right. Off to the Assembly, then,” Keris says, checking on the body just inside the sanctum. “And then you get yourself out of the city. I don’t want you targeted by an angry dragonghast yidak, so best you’re nowhere nearby when it rises. Get out of the city and down the coast a ways and I’ll pick you up once the attack is over.”
“Yes, mistress. I’ll wait for you in Ikanalur-kampung - it’s a smaller port south down the coast.” Leaning in, she kisses Keris deeply. “For luck, mistress,” she says. With a shudder and a shrug, she pulls her shadow over herself, becoming a tall Immaculate monk clad in their orange robes. “Don’t take too long.”
“Travel safely,” Keris tells her, and after a quick set of directions, Suriani departs. Keris cracks her neck and stretches out her limbs.
Time to work.
It isn’t long before dawn, and the kuyuks in Assembly Square - handling all the filth and dirt that proper Benarists wouldn’t touch - are busy finishing up the last touches of the cleaning, overseen by a sage. A man dropped dead yesterday here from a heart attack, the product of a life with too much clarified butter in it, and a section is still cordoned off while the cleansing rites are performed to stop the spiritual pollution being picked up by the great and good of Nagakota when they gather here to finish off the meeting that was interrupted by the impurity of death.
Upon the high roof of the Great School of the Water Dragon, a figure crouches, watching them.
“You know, I get the idea behind this ‘spiritual pollution from death’ thing, but it seems really inconvenient,” she says quietly to the dead body by her side. “I mean, a whole square blocked off just because someone died there? How many people die every day in a city this big? And a bunch of them won’t conveniently die in places that are out of the way and easy to clean up. The poor kuyuks must be run off their feet keeping major crossroads and public buildings open all the time. If someone has a heart attack in the wrong place during the day, that could shut off your main road into the city for upwards of an hour.”
The corpse says nothing. It’s been stripped bare, and demonic sigils have been daubed on it, but it lies as intact and undamaged as when it died. More so, in fact; the gaping wounds left in it by the wicked strikes of a traitorous Black Claw have been patched back together, though the repairs are only surface level; the gaping wounds are still very much present.
“I guess you’re not the chatty sort, huh? Oh, actually, do you think I picked the right school? Because I’m pretty sure their rules mean that if I leave you on the roof they’ll have to empty the whole building while they purify it, but I dunno which of the five would be best to shut down for a few hours in the aftermath of the attack. I just picked Water because, y’know.” A silver-nailed hand waves vaguely towards the docks. “It seemed appropriate.”
No helpful advice comes from the lolling head of the cadaver. The figure crouched over it sighs.
“Fine, fine, be that way. Now, hmm. I’d like to just leave a Ligierian grenade under you so that it goes off whenever they try to move your body, but I’m, um, fresh out. Not my fault! All the algarel is in the barrels. I was planning something different for you, or I’d have kept a couple. You know, it’s pretty funny; between the green fire explosion and the water demons they’re probably going to connect this to that Ligier-and-Kimbery cult on Triumphant Air a few years back. Assuming they heard about that. But it was pretty big, I think? I should try and remember to find out what they conclude.”
Further silence from the unjustly murdered satrap is all that answers her murderess’s dark mistress. The figure doesn’t seem bothered at this point. She’s just talking to hear herself talk.
“So, hmm. Maybe I could tie you to the roof with some fine garotte wire instead? Then when they try to lift you up, it’ll tear your throat back open. That’ll piss you off, right? It’d probably piss Pekhijira off.” A pause. “Yeah, that sounds good. I’ll go with that.”
Dawn is approaching. It’s not yet here, but the darkness is fleeing west in anticipation of the burning spears of the dawn’s light that will lance out when the sun crests the eastern horizon.
“Oh, right. Game face.” Red hair and dark skin vanish under shadow for a moment, and in their place is a highborn Lintha; green-skinned and white-haired, lean and long-faced, with red eyes and a shirt that barely deserves the term. It’s a Lintha style, but in terms of how much it covers, a Meongkotan Cat would probably at least give it a nod. Its lack of coverage reveals extensive tattoos and scarification across her upper torso, along her arms and up one side of her face; waves and tides and glyphs of devotion to the Yozis.
“How do I look, dragonkin?” she smirks. “Appropriately beautiful? The Great Mother will be oh so pleased with my work here today in her name.” Her white teeth flash in a vicious grin. They’ve been filed down to points. “And so will the grandmothers of Bluehaven.”
Dawn comes. Or rather, it does not. Because before the sun’s rays rise, in sweeps the fog. It is heavy. It is thick. It is cloying. It drapes itself over Nagakota and holds the city tight. It hides the dawn. It is as thick as pea soup and worse, it is laden with terrible sounds. The clanging of ships’ bells, distant screams, the creak and groan of timbers under terrible pressure. The roll of the waves, as if every house was itself an island and the whole city had itself been swept away, far to sea.
Then; fire, green fire, that lights up even the thick fog. It might not be obvious what has happened, but all the quarter can tell that it comes from the direction of the satrap’s palace. The vitriolic flame is not like mundane flame; it eats through stone, dissolves the ornate wood, shatters tiles. And the vitriol dissolves organic matter and in that alchemical process firedamp is released and that too ignites in a stuttered retort of secondary explosions. So after the initial blast of green flame, there is a much, much larger one - a sooty orange that lights up the fog, stripping it from the palace. Denuded of the haar, everyone nearby can see what has occurred. Tiles scythe across the district, walls are tossed like a child’s toy, and the structure is levelled. Flaming debris is thrown all around, setting roofs on fire.
All that remains; a crater, acid-scarred foundations, and uncanny green flame dancing over the ruins.
Maybe a genius investigator would find signs that a Lintha team of pirate-assassins broke in and planted some terrible secret weapon they were granted by their dark masters, or perhaps they meddled with a forbidden artefact they found within its walls. But they’ll never figure what really happened. The cloying secrets of the Ebon Dragon, whispered in Keris’s ear by her dark lovers and her own malice, taught her too well to ever get caught.
A noise within her head draws her attention. Click. Click. Click-click-click. She draws the box of the Broken Winged Crane from her hair, watching as the puzzle box solves itself. As it reveals something that is yet to come. Click-click-click.
First; a palace, ruined, a crater in the ground, the only colour on the tiles hellish green burning brightly. But it barely solves itself for that before it reconfigures itself again. The clicking of the tiles is so fast now that it’s practically a whir, a clickaclickaclickaclick.
It shows something new. A city draped in fog. And in the fog, something monstrous. Something massive, taller than the towers, looming over the fog-shrouded buildings.
Beside her, the body of the satrap starts to twitch. This work of art, desecrated, profaned - no, made sacred to the Great Mother. A temple of the Water Dragon, profaned by the art of the Great Mother. Fulfilling a prophecy of the Broken Winged Crane. A prophecy of the coming Shattered Annex.
Sesusu Hala opens her eyes. But they’re not her eyes, are they? Two bright yellow eyes, bloodshot, her hair bleeding to black. The wounds that killed her opening up again, and cracked, burned flesh spreading, assuming almost scale-like lumps.
“Aaah,” she exhales. The thing that is wearing her exhales. She - it - raises its left hand, and it rots off. Out emerges a mess of tentacles, writhing manipulators at the ready. “A welcome vessel for me,” says a deep, wet, ruined voice. A voice too loud, too deep for the body it comes from. “And at the end of the year - but not Calibration yet.”
A very, very fast chain of thought whips through Keris’s mind as she identifies the corpse in front of her as a demonhost and immediately discards her plan of provoking its yidak to rise, notes the burnt skin and the tentacles extruding from its left hand, listens to the pitch and volume of the voice, eyes the looming silhouette on the puzzle box and then rapidly compares all three factors to her knowledge of powerful demons. From the nature of the prophecy that caused this, probably Kimberian; from the power and scale of the image, likely a demon prince, which put together with the physical characteristics probably means...
“... Unquestionable Molacasi?” she ventures. “I mean... revered highness! You honour me with your presence, and I’m humbled that my meagre offerings proved worthy of your attention. Welcome to Nagakota, capital of Choson, the rock of the Immaculate Faith in the Anarchy of the Southwest.”
The corpse’s eyes turn to her. “Lintha,” it hisses, hate-contempt-amusement in its wet tone.
“Only a shadow-guise, your highness,” she humbly corrects with a bow and a brief flash of her caste mark. “I mean to give credit to the fallen servants of the Great Mother for this attack on Choson’s capital, to spur them into greater effort in Her name - and at the same time, misdirect the dogs of the Realm and send them off chasing a false lead. I was going to use the satrap’s corpse and this face to stoke fear and paranoia throughout their populace, but of course,” she grins, “it serves far better as a vessel for your glory.”
She cocks her head, listening. “The attack on the docks is about to start - a thousand eristrufa, to ravage their harbour along with my warship. I’m sorry, highness, but I’m pressed for time and I must play my part in this if the performance is to go as I planned. I dare not command you or demand your help, but may I ask your intentions so I can adapt my strategy around them?”
The corpse works its jaw. Bone breaks. “Oh, aaaaah,” the ruined voice says, as the corpse starts to float, legs hanging down uselessly, back arched. Like a Nexan street puppeteer of inadequate talent might do. “One of Ligier’s Scourges, and none of them are true Lintha. Which one are you, little one? I will have your name - to commemorate later, if nothing else.”
“Keris Dulmeadokht, highness,” Keris tells him, bowing again. “Director of the Lower Southwest. Choson lies within my area, and has been left in peace too long.”
Talking fast, she quickly explains her plan - her intent of destroying their docks and sinking or stealing their entire fleet with an eristrufa horde and hundreds of fake, mutated drowned-dead, blowing up the satrap’s palace and desecrating the temple of the Water Dragon with her corpse, and revealing herself as a Lintha highborn for a performance that will leave panic and hysteria ripping through the population.
“My sabotage left the docks unmanned for the start of the assault, or near enough, but the mists are already suspicious and the assault will be very obvious. Soon the Immaculates will be gathering to work out what’s going on and decide their response - and they’ll probably use the Assembly Square, down there. That’s why I was waiting here with the corpse.”
The corpse raises one hand. The fingers bend back too far. And it - Molacasi - inhales, snuffling at the fog-choked air. “You did not mean to summon me. That is why there is no circle, and none of the orisons or reverence I would expect. An accidental summoning. An insult.”
A wet chuckle, and the corpse twists over backwards so its head is upside down, facing Keris.
“Except, ah. I can taste its scent on the air. The Crane is here. In your hand. You, Keris Dulmeadokht, are just the pigment in the hand of a much greater work of art than one such as you could ever realise.
“But even pigment can be blamed for being inadequate for its task. So, tell me, Keris, Hell’s Harlot - what will your apology to me for this insulting summoning be?” The inverted mouth of the corpse splits open. Perhaps a grin. Maybe just that the corpse is giving out from the terrible presence of a demon prince briefly contained within it.
And there is a pressure in Keris’s head. In her head, coming from the knowledge of the picture box. It showed her Molacasi unchained and unbound, rampaging through the city. This is what the Crane says what will happen. And if that prophecy is fulfilled, the next one will find it easier to come true. Time and time again. It is like the bloodtide of Balanodo; it wants to carry her along with it, sweep her in its wake, a pawn in its narrative.
Keris goes very still again and swallows down a dry throat. The hostility of an Unquestionable faces her, and the lure of the Crane, humming high and discordant, is a sweet and terrible temptation ringing in her ears. She can still feel the mania of it, the exhilarated thrill of seeing the prophecy play out in beautiful, blasphemous artistry. The puzzle box is building on itself, stacking foretelling upon foretelling and escalating with each prediction. First it foretold her summoning an army of demons. Then destroying a satrapal palace and leaving a tainted, poisoned crater in its place. Now it predicts her not only summoning a demon prince but releasing him from his host to lay waste to the city in all his awful glory.
Profane curiosity tugs at her with manic hands. If she does this, appeases him with his full freedom and lets him do as he will... what might the Crane predict next? If it keeps building, if she keeps helping it achieve its prophecies, will it eventually lead to the freeing of the Yozis themselves? Has it only failed in the past because nobody could keep up with it and bring about the recipes it gave them?
She wants to know. She doesn’t want the Yozis free, not with what they’d do to Creation, but she wants to know, so badly.
But... the people. The ones down there that live in the city and have nothing to do with the fact that the Realm’s monks keep on winning the grand tournament.
They’re innocent.
“Highness,” she croaks, and then stops and takes a breath. When she smiles again, it’s with confidence. Crimson light haloes her, and she laces her words with undercurrents that tug forgiveness and approval from his mind. “Highness,” she repeats, much more smoothly, “I understand your offence, but I beg you, please don’t judge me so harshly. You deserve a circle - have I not turned the satrap’s very palace into a poisoned lake of vitriol and the venoms of the Yozis? You are owed orisons and reverence - can’t you hear the screams of the cityfolk and the wails of the Immaculates?”
Gesturing back at the burning, green-tinted crater through the fog and the dense mists covering the docks, Keris forces herself to straighten, glad for a moment that her Lintha guise is covering the fearful pallor lingering beneath the lie. “The blood of the Dragonkin will soon run red into the harbour,” she says, warming to her topic. “The geomancy of Nagakota is blighted by the Demon Sea’s touch, and the greatest city in the Immaculate’s prized stronghold will tremble in fear for years to come. All of this great performance, I offered in prayer to the Great Mother - and She replied by sending you to look upon what I have painted here. Will you truly say you are displeased?”
The corpse twists in the air, flapping the tentacled hand at her. “A little irked from the travel, but,” it chuckle-gurgles, “I am far more interested in seeing the Crane’s designs on this place. Come now, Keris Dulmeadokht, what will you be doing here? What is the next step in your artistry?” Even he doesn’t realise that the irritation has been washed away in a tide of red light kin to that of his sister Ululaya.
Keris jumps at the chance to win him over, and quietly tugs the puzzle box into her hair. Its high wine is starting to turn shrill and raucous, sensing her intent to avert the prophecy of his monstrous form striding across the city - but it vanishes into white locks and now it’s only screaming in her head.
It’s still pulling at him, though. She can tell. He’s part of the prophecy, central to it, and even trapped within Dulmea’s Tower, the Crane wants him to shed this false skin and lay waste to Nagakota. It’s making him want it, too. Guiding him to want something he’d want to do anyway.
So she needs to make him want something else more.
“Highness, I mean to worm my way into this city and corrupt it from within - to turn it away from the Immaculates and steal Choson so elegantly that they don’t even notice they’ve lost it until it’s too late,” Keris explains, crimson eyes shining. “If I seized it through force, they would send a legion and we would lose it again - but this way they’ll be looking outward, searching for the Lintha who wounded them. And in their weakness I’ll spread my poison into their veins and my tendrils into their new leaders. I’ll blight the current lords to fear and madness, and the new ones will be compromised before they even take their seats.”
She points down at the Assembly Square. “We stand now on the Temple of the Water Dragon, and you have there the body of their satrap. If you wish to speak to them as they gather, these proud Immaculate masters and martial artist lords, you could paint a tapestry of madness across their minds from the lips of their leader. Or you could descend into the temple, this sacred place of the Water Dragon, and daub it in your colours so that when they return her to safety they find it a place of beautiful horror. I will make myself known as the Lintha highborn who brought the fight to them and mock them for their impotence, take the fight to them at the docks and sow nightmares in all who see me.”
Keris - so corruptive, wicked, seductive - has wave-washed words for the Unquestionable one, offering him exactly what he wants, and what she offers is so much more direct than what the Crane’s story tells. Molacasi hates the Water Dragon and her spawn in all their forms, and so that offer is exactly what he longs for, much more than rampaging across a city. And then there is the other side, the hidden side, the side forbidden even to Hell. Because hidden within her words are the anti-noises Keris learned in the lap of Erembour, and what they whisper is this: obey me, follow my orders, debase yourself as Unquestionable and do what a prince of Hell should not.
But to go against her malignant mind-twisting magic would mean sparing the servants of Daana’d - and Molacasi would never do that. Could never do that.
The floating, possessed corpse leans forward. “The chance to make art of this temple? How delightful. These... worms are aniconic, but I will show them true beauty. I will show them everything they denied, everything they stole from me when,” he lifts his wiggling stump of a hand, “their mistress took my left hand from me. So, I give you the chance to impress me, little Keris. What do you think I should redecorate their temple with?”
And this is a double-edged trap he has set, a reminder that he is still so very dangerous. If her opinion is too bland, too inane, he will not obey her, and her hooks will be ripped out; if she is too brilliant he will want to see her more, and that is a curse and a blessing in uncertain amounts.
Keris doesn’t even need to pause to think.
“Paint them their precious Water Dragon, highness,” she says, bright and sweet and wickedly cruel. “They revere her so, do they not? Give them beautiful art of their precious Danada. Paint all that you would do to her, all that you would subject her to as you transform her into one of your masterpieces. This is the Temple of the Water Dragon, after all.” She adopts a mocking, pious tone. “It would be wrong for us to change it from what they put all this hard work into building! They can continue to worship the Water Dragon here. To worship her ascension. To worship her prostration. To worship and pray and long for all the beautiful agonies you would visit upon her and her children. I’m sure she’ll consider it a lovely gift to hear the prayers of her priests once they’ve looked upon your work.”
And now Molacasi laughs - and laughs and laughs and laughs, until black blood dribbles down the chin of his stolen body. “You have such wonderful ideas,” he compliments her. “When we are back in Hell, you will have to come and show me some of your work - and I might teach you a thing or two if you can implement your lovely little ideas in the proper medium.”
“You honour me, Unquestionable One, and I will certainly take you up on your offer,” Keris promises, and while part of her is afraid of the offer, an equal part is eager for it. “I wish I could stay and witness your artistry, but I must play my part in the plan - though I’ll certainly try to come back and see it after Calibration.”
“These iniquitous censors will likely have destroyed all they can,” the demon prince grumbles. “But it is your artwork now, and I long to see how your wicked mind will do things. So what next?”
Already, she can see the obedience she has wormed into him eating away his foundations - though he rationalises it as a tutor judging a prospective student, letting her take the lead.
Down below and all around, bells are clanging - bells from this temple, from the other Dragon temples, and joining them across the cities one by one are more martial arts schools as someone gets to the belfry and starts ringing the alarm. No one knows what’s happening yet and what is going on, but the explosion woke everyone up and there’s already some concern about this fog and where it came from. Soon, if not now, they’re going to start sending runners out to see what caused the blast and they’ll find the satrap’s palace gone and the district around it on fire.
With a laugh, Molacasi floats down into the belltower, and a scream cut short - one among many - marks the commencement of his art.
Keris is listening for other things, though, from the shore - and the sound of the first blast tells her that the harbour attack has begun.
No one had noticed the Baisha in the night as it glided through the water, advancing ahead of the eristrufa fog-wall. The upper war-platform is barely above the surface as the vessel cuts through the water like a knife. They had made a first pass to release Jemil and his primed corpses, animated by the fell power of the demon spear Vipera.
Lowering her spyglasses, Rala makes quick updates to her map of where the target vessels were anchored, accounting for the tide.
“Everything as planned?” Mele asks, leaning over the side next to her. They are not from Hell, with its eternal green sunlight, but instead are residents of the gloomy world of Krisity. They have already noticed that they have better night vision than the demons of Malfeas. “No sudden departures?”
“No.” The chalk scratches on the slate, as Rala sights ranges and elevations.
“Captain Neride’s had her scales soothed. I charmed her, and she’s listening to me. She understands that this is her ship, but this is my operation. And that I’ll make sure that her maj knows she played her part.”
Rala shakes her head. “It’s insufferable how you get away with these things.”
“Well, I do have a certain amount of borrowed authority from her maj.” He rests his hand on the hilt of his rapier. “And if this does go as planned, she’ll be very pleased with all of us.”
“Mostly you.” The fact that Mele is sleeping with her pacted boss simmers below the surface of the conversation.
“Ra-ra...”
“Use my name, Me-me.”
“... we know how this is going to go. You already showed her maj she needs you for the fact you do war and tactics and strategy and all that stuff. But she’s a beautiful lady who’s still suffering after a bad patch this year. And wouldn’t you know it, but I bet she’ll get charmed and cheerful when we present her with this ship. It’ll be a feather in your hat too.”
Rala’s hair adjusts itself, the crimson grey in the night. “She’s not a holda. She won’t love you forever.”
“Well, that’s up to her, isn’t it?” Mele stretches. “And be fair, Ra-ra. We work together great.”
That earns him a huff, as Rala delivers her slates of calculations to the ballista crews on the deck. Targets for them to pre-aim at, with their heavy bolts tipped with algarel crush-heads. Ships that can’t be allowed to be functional. “I’m the brains. You’re the muscle.”
“I’m the blade and the smile,” he doesn’t disagree. “I keep the hellspawn,” and said from one kerub to another, there’s contempt there, it’s a derogatory term, “happy and show them the force that’s all they understand. And you give them the guidance that her maj would give them if she was here. And able to do everything that you can.”
“Just watch your tongue.” They’ve been speaking in the Old-Realm-influenced Riverspeak that’s the closest keruby have to a common tongue to make it harder for them to be overheard, but they can’t be sure no demon here won’t patch some meaning together. “I’ve read ma’am’s books that mention the Priests of Cecelyne. And you’re taking risks.”
“That thing is my fallback. Nothing more. What time is it?”
Rala checks her pocket watch. “Not long to go.” The tomescu will scream here too, but Rala’s watch is from the markets of Saata and is better than anything hellspawn have access to - and would be quite illegal in Hell. “Take your position. I’ll give the word when we should start our final approach.”
That earns her a mock salute. “Right you are, little sis.”
“When we next get home, I’ll tell Yutuu you’re getting too full of yourself. And our big brother will pin you down and scrub the ice from your neck.”
He laughs, salutes her again, and ambles off.
Rala returns to her calculations; checking angles, the wind, every last detail she can think of. Her lady relies on her to do everything right, in her absence. Things have to be done right. Things have to be correct, or she’ll let everyone down.
(and it is reassuring to have Mele here, because for all her brother’s flaws, she’d rather have no one else at her back when a high roll of the dice is what you need to win. Somehow he has a talent for knowing exactly what to gamble, and when)
She counts down time, keeping half an eye on her watch and the other half on the weather. The fog rolls in just as planned, from her knowledge of the speed of an eristrufa. And then comes the explosion. She can see it light up the fog from here, first green, then a secondary orange.
“Looks like her maj is having fun,” Mele says.
She ignores him. She’s staring at her watch. Waiting for the people at the docks to start rallying to see to the explosion at the palace. And only when five minutes have passed does she give the order.
“Loose the ballistae!”
The deck mounts launch, sending their bolts through the fog on pre-calculated trajectories. These explosions are much smaller, eight fresh green lights that light up the mist as the algarel-tipped bolts collide with the vessels. That’ll be Jemil’s sign to go, and that means the Baisha is moving in too, Captain Neride taking the vessel in with all due care to avoid beaching her.
The marines are coming up on deck. Rala looks down her nose at them; vicious blood apes with climbing ropes and pitons for everyone else, hulking armoured acelkuklacs with their inner worm-tendrils poking out from their faceplates, the lean and wiry kusziklangs gifted to Keris by Asarin who look like dried corpses and drip the dull brown fire of the False Sun from their mouths, and many more. Each one know their role, and Mele will have revelled in the chance to give them their speech below decks. Above decks, here and now, they have to be silent.
Ahead, screaming and the sound of fire and shouts of confusion. All around, dull weeping and the tolling of ship’s bells and coughing and the other noises of a becalmed vessel.
Mele raises a hand, five fingers held aloft. Fifty metres. They can’t see anything ahead. Forty. Thirty - and there, there’s the looming bulk of the Fist of Pasiap, emerging from the fog, still anchored, its wave-shaper cold and its sails furled. Twenty. Ten. They’re close enough to be seen now, but the Helmsman is a master of his craft and he guides her in so she’s low in the water, right by the Realm jadeclad.
Mele gestures. The blood apes are scrambling up the hull as silently as they can. There’s a sound of a scuffle, and a single scream - but only one, and in the eristrufa and the chaos of the port it seems to be lost. Because the ropes are thrown down, and the hellspawn and Rala and Mele are scaling the side of the ship. Some of the Realm marines get back up, but only with demonic parasites inside them puppeting their corpses. Just enough to make things on deck look right to a single glance. It might not last long, but every moment counts in the here and now. And they’re more bodies for what comes next.
The hellspawn marines move to begin capturing the vessel properly, while the two keruby and their bodyguards move to take control of the bridge. “What do you have?” asks Rala, examining the enchanted wheel with interest. “Can you sail this?”
“Of course I can,” Mele says, sounding hurt. “It’s a ship. And remember when we were kids, when her maj stashed those ships she stole in here? This is like one of them, mostly. There’s some extra levers and things that are different, but the parts of it that use the wind are just the same. Even if we didn’t have the Baisha as a tug-”
“Forget I asked. Are there any traps?”
“It’s a ship’s wheel. Why would there be traps?”
“Why wouldn’t there be?”
Mele shakes his head. “No, no one has trapped their own ship’s wheel. But there are six sea anchors, and two are down, as well as the fact it’s moored.” He gestures over to some of the demon marines, and gives them short, curt orders in Old Realm to begin raising the anchors at his order - but not begin until they have word that the Baisha is ready to begin the towing.
Rala is glad for that. It’s something else to listen to other than the sounds of violence down below. Yet- “Listen!”
“What?”
“The battle has turned. Those are demons screaming.” Her head pivots, over to one of the stairs to below decks. “Demons,” she says, sharply. “Defend us!”
A blood ape flies up the stairs, and hits one of the middle masts. It’s definitely dead. Alive blood apes have more head. And up from the ship rises a figure; dark hair wild and in disarray, bleeding from a long gash down one arm, wreathed in a soft white glow.
“Dragonblooded,” Rala hisses. She gestures over towards the figure that’s lighting up the fog. “Hellspawn! K-”
Mele presses her arm down. “Now, now, Ra-ra. Let’s see how this plays out.”
“You’re doing a thing. You’re going to get yourself killed. And I hate it.”
“I know you do, baby sis,” he says, as he saunters to the head of the stairs, her trailing behind him. “But just watch this.”
The past few minutes have been a nightmare for Lieutenant Pelepese Wuzu of the Imperial Navy. The past few minutes have been hell, and unlike most lieutenants ever to make that comparison his flights of rhetoric are justified. When a man has the evening roster and is up until the second bell of the morning, he is oft-times tired; when his dreams are twisted into strange cursed vistas and filled with the keening of an injured crane, he is grouchy. But when he wakes to screams and grouchily stumbles out of bed in the stiffened naval uniform he uncomfortable slept in, only to find monstrous demons massacring his men, he is taken well beyond that point. Snatching up his wave cutter daiklaive Joyous Voyage, one of the few things his bastard of a father left to him, he had set above trying to repel this incursion, wondering where the hell the other dragonblooded officers were.
Oh, that was it - that was why he had the late shift last night when it wasn’t his task. Halfadi had been out handling the fires in the docks and would have found somewhere else to sleep, and Captain Pelepese Udu is ‘liaising’ with ‘naval contacts’ which is to say, her pair of twin twinks. This is a safe harbour, after all.
This should have been a safe harbour.
Pain shoots down his arm as a suit of armour spilling worms slips past his arm and scores a shallow cut through his jacket; he deploys the Rolling Bounder Strike and smashes it against the wall. “To me,” he calls out, “to me!” but the only things around him are demons. He can hear fighting, they can’t have gotten everyone onboard - but most of the crew won’t be on board, will they, they’ll be on shore leave - and charges for the red horned ape on the stairs, emerging into the...
... fog.
There is no sun to be seen. It can’t be the dead of night, for there is a little too much grey to the sky. But that is of lesser concern to the fact that there is also no Nagakota to be seen. Only grey can be seen, here, there and everywhere. And the sounds! Not just the screams from down below, but the screams from all around, the clanging of bells, and the creak of masts. There are lights in the fog, but they are an unwholesome green.
And in the gloom, in the fog, there are demons everywhere. His soul sheds clean white light that is rendered sullen and dulled by the shrouding sea haar. Their ill-favoured features, malevolent slathering maws, and faceless armour that implies worse things underneath stare at him. He prepares to fight, then;
“Hold, hold all you hellspawn!” someone cries out from the bridge, in archaic High Realm - perhaps even Spirit Tongue. Wuzu turns, hoping this is some saviour and fearing otherwise. He is proven right. There is a pale man walking down from the raised bridge, dressed in something skin-tight and black and covered in eyes that focus on him. Unless the thing he wears is part of him? No human is that pale; few humans have bull horns; rare is the human who has that beauty and hair that moves behind him like a living thing. In his right hand a long thin edged blade, in the right a buckler. Not a man, then; a spirit, perhaps a more powerful one than the ones down below.
And behind him, looking down with un-hidden contempt in her arch expression, a woman with darker skin, uncanny pale grey eyes, and crimson hair that moves like a living thing. Crimson hair with colourless embers burning in it. Another dragonblooded - but with the demons! Perhaps the sorcerer behind this all.
“Face me, sorcerer!” he calls out to her.
She raises her hand and laughs at that. “Oh, this is wonderful,” she says in perfect, courtly High Realm. “Mele, he is yours!”
The white-skinned man - Mele, whether that is his name or his demon-nature - flicks his rapier up towards the bridge in a salute. “Do you know Riverspeak?” the demon asks. He has a peculiar accent Wuzu cannot identify. “Only I don’t have Ra-ra’s grasp of the Realm languages.”
“Demon, I am Lieutenant Pelepese Wuzu of the Fire Fleet of the Imperial Navy,” Wuzu says in that language. “I will slay you, and all your kind, and see some justice for my men.”
“Oh, now now, don’t get started so hastily.” The demon leans on his blade, leaving himself open, so utterly arrogant that he thinks he has the advantage against a dragonblood! “I will honour your surrender. Just throw down your arms, and we’ll treat you and your men as honourable captives. No one else has to die.” There’s - deceptive, surely - kindness there in that handsome face. “If you surrender and order your men to surrender, no one else on this ship need die. If you fight, well, I can’t say what the hellspawn will do. But I’m an honourable man, and I answer to the fairest and most just lady in all these waters. Surrender to save your men’s lives and she’ll accept that - and treat them, and you, better than you could possibly believe.”
Wuzu’s eyes flicker to the sorceress up on the bridge. An honourable surrender that might stop the slaughter is - Hesiesh, it’s tempting. It might save the sailors. And the sorcerer has to be calling a fog spell in, no? There are plenty of monks here, plenty of people who can end that magic. If he stays alive then he can be rescued and...
... then they’ll know he surrendered to demons. They’ll know he was captured; his House will know he was captured rather than fight evil, they’ll call him weak. And he’s definitely the most senior officer left on the Fist of Pasiap. If he surrenders, he’ll be surrendering a jadeclad into the hands of a demonologist sorceress and her servants.
He wants to surrender, and the knowledge of that weakness, of what his House will say fills him with blinding rage. How dare they make him weak? How dare they tempt him! Anger is good, even if it makes him sloppy - he’d rather be angry than a failure! “I’ll see you dead first!” he screams, hefting his blade, preparing to claim the head of this arrogant demon.
The demons around him can smell his weakness. They jeer, they laugh, they spit vile curses at him that he doesn’t understand but he knows are full of malice. Some of them are calling out things to the mele too, and that man acknowledges some of them with a nod or a flick of his blade. And then there’s that sorceress up there on the bridge, eyes bright, locked on him, lips moving. Perhaps she’s preparing a spell and part of him wants to toss his dark blade Joyous Voyage at her, to take her head - but he can’t leave himself unarmed. He has to kill the mele first!
Wuzu pushes himself forwards, bringing Joyous Voyage around to force the demon back time and time again. His blade is longer than the wavecutter, but it’s merely steel in the face of black jadesteel and a solid blow will shatter it. The light around him intensifies as he calls on more power, more strength, more of his inner breath. But the mele is showboating, and with a hop he leaps up onto one of the firedust cannons, a circular parry pushing the wavecutter off course before it can strike. He leaps back, up onto the railing, and from there onto the stairs to the bridge.
“Is this all a dragon has to offer?” the mele calls out, blade held lazily down, point not even on target. He glances over the side. “Are you sure you don’t want to surrender?”
Wuzu sees red, and charges up the stairs. And then the rapier extends, a stop-hit that punches straight through Wuzu’s unbuttoned upper jacket and finds his shoulder. His left shoulder, Dragons’ blessings, but it’s a red-hot poker through his flesh and it leaves Wuzu sprawling on the stairs, gasping. He pulls himself to his feet, not fool enough to stay down in a fight - but the mele is moving with the terrible speed of spirits, and brings his little buckler around in an arc, using it more as a weapon than a shield. It takes Wuzu in the hand and between the pain and the spirit’s speed he can’t hold on. His daiklaive goes over the edge, hitting the water with a clang.
A clang?
Stumbling back, hurting hand pressed to his bleeding shoulder, trying to close the wound, Wuzu glances over the side. He needs his weapon, he needs it, what will they say if he loses it, it... it... it is on a ship? It’s hard to tell in the fog, but there’s some kind of barge, a war-barge which is where the demons boarded from and there are more demons down below and it hit one of the armoured ones who’s been knocked over and there’s more of them down there, more of these... these demon marines and they’ve realised what’s happened and their jeering and hollering is as mocking as the demons behind him.
He’s lost Joyous Voyage and now he’s unarmed. He rests his hand on the railing, preparing to vault down to the demon ship despite the pain, when the voice of the red-haired sorceress addresses him.
“If you go down there, you will die. If you stay here, you will die. Young dragonblooded, you can’t even beat my demonic servants. And I am no demon. What use are you?”
The words strike home, as real as the blade which took him in the shoulder. They hurt worse. What use is he? A bastard blow-by of a wastrel father, picked up aged five when the idiot came back to his old stomping grounds and handed off to his family. And then his father - not even thirty - managed to get himself killed, leaving only one bastard son born to some Tengese plaything. Everyone in his house has something to prove; he, doubly so. Those cousins and nephews, staring at the joke to find that the punchline is that the dragons chose him and not them. He thought he’d shown them.
And now he’s going to die here, on a ship in what should have been a safe port, killed by demons because he dropped his sword.
“What use am I?” he growls, as much to himself as to her. “People’ve asked me that all my life. I’ll show you what I can do!”
He shoves off the railings, because they’ve underestimated him, they don’t recognise Red Dog Style and he has the Snarling Hound Fist even without his blade and he swings for the mele, with a blow that’ll knock him clean off the other side of the ship if it lands and-
Dizziness. The fact the mele is too far away in the fog, that he’s shifted. The way those eyes on his strange maybe-clothing have widened in surprise. The blood loss. Wuzu stumbles, his blow mere centimetres away from that prettyboy’s face and slams fist-first into the deck. Planks rupture; iron nails fly like shrapnel. And red-hot pain because that thin blade has taken him in the high, through his thinner trousers rather than the armoured coat. His shoulder flares in pain from the impact and again as the mele kicks him, rolling him over.
So he can look up at the pale man, and at the blade pressed right into his trachea.
“I will take your surrender now,” says the mele.
Body broken, spirit crushed; Wuzu gives it. And the demons descend, to lift him up and bear him down onto the war barge in the company of the sorceress, and further down, down into lavish and queer environs where something much, much worse waits for him. Something black robed and with a face of blue flames. Something powerful and malignant, something that makes the air around it feel hot and terribly dry.
It says something to the sorceress in Spirit Tongue. The sorceress says something back, and then glances at him. “I would suggest you honour the terms of your surrender, dragonblood,” she says. “The fate of your men and especially you depends on it.”
“My... men?”
“You surrendered yourself and your vessel to us. All are our trophies, and my lady is possessive.” She pauses. “Do not anger the Priest. For your sake. If you behave, you may live. We will see what my lady has to say.”
She leaves, and Wuzu leans back, gasping in pain both physical and spiritual. The blue-faced thing, the hellish priest, gives orders and more demons descend. Unconsciousness is a blessing, because it doesn’t mean living with what he’s done.
Returning up above, Rala approaches Mele who’s overseeing the now-hasty preparation of the jadeclad for towing.
“You are the luckiest ramsquid who has ever lived,” she informs him with a sweet smile.
He shakes out his hair and glances over the side. “Don’t I just know it?” he mutters.
“That blow nearly landed. It’d have smashed you like a rag doll.” She gestures over at the hole in the deck. “You’re dense, but you’re not that tough.”
“Look, let me just have my moment of triumph,” he grumbles, shaking out his hand. “I just beat a dragonblooded in a duel without taking a scratch.”
“You got in his head, you had the hellspawn distracting him and cheering you on, he was already hurt, was confused, and oh yes, I broke his will to keep fighting so he just tried to kill you rather than get his sword and cut more people to pieces. Let’s face it, Me-me - don’t think I’ve forgiven you for calling my childish nickname in front of him and the hellspawn - that went nearly perfectly for you. Hence why you are the luckiest ramsquid who ever lived.” She pauses. “But yes. You did very well, brother.”
“See, is that so hard?” He pats her on the head, and she’s even willing to let him get away with it because he did just very nearly die. “And her maj is going to be delighted.”
“Get plenty of rest,” she advises him. “And stop gloating before we’re away. Get the hellspawn to hurry up.”
“Oh, don’t worry your pretty little head,” he says, patting her head again. “They damn near worship me. They think I’m well kerass. I did just beat a dragonblooded without getting a scratch on me, after all.”
“I will bite your hand if you keep petting me,” she informs him, and sweeps away to the bridge. She should transfer all the ship’s logs and information to the Baisha so even if they don’t get away, they’ll have all that sensitive information.
(As well as their prisoners, of course)
It is only with a little bit of grief Keris discards the prepared speech she was going to give to the Nagakota assembly. Things have escalated far past the point where they’ll gather to ask confused questions as to what’s happening. But that’s fine. It’s fine. She can reuse it somewhere else. Maybe in a play for Lilunu. Right now she has to get her head in the game.
Certainly, no one else around the docks has. The eristrufa fog has completely ruined any response. No one knows where to respond to, save the burning crater which was the satrap’s palace. Should you listen to the screams? Screams come from all around, some real, some from the demons. Listen for the bells - they bring the bells too. And while Keris can see through the demon fog as clearly as a light morning mist, men who have lived in this area all their life get lost when the fog is so deep in places that one can stand on one side of a street and not see the other. There are no landmarks, no towers. Only the dead, the living dead, and a monstrous centipede that harvests limbs of interest.
Sprinting along the rooftops, occasionally leaping over alleys to avoid the fires started by the explosion, Keris takes in the docks. The Realm fleet is on fire. Many vessels are already listing heavily, algarel blasts taking chunks out of their hulls and the flooding has already started. The ones which had been moored are now drifting free, their ropes and anchors cut. Fire leaps from furled sail to sail, and the snake-hissing, sprinting dead add only chaos and confusion. One of the big war junks has been split in half, the spine broken by the blasts, and there - the Fist of Pasiap sailing away!
Oh. No. Not sailing away. Keris grins like a madwoman. She can see the shape of the Baisha ahead of it, underwater, and there are demons on deck. But to everyone else in the port, maybe they launched the vessel, maybe it’s already sunk.
“Okay Stri,” Keris whispers. “Time to play.”
Silver slides out of her skin, solidifying around it into the familiar suit of superheavy plate armour. The shadows making her look like a highborn Lintha shift and reform to disguise it as water-stained, vitriol-tainted tarnished silver styled after tentacled motifs and pelagic horrors - an ice-rimed suit of plate from the depths of the Demon Sea. It doesn’t slow her down at all as she leaps across the rooftops, her burning forehead-brand turned into Dragonblooded-like Aspect markings of hissing, Hellish green vapour.
Eyes sweeping across the docks, Keris tries to ignore the screaming, terrified civilians and looks for the places that are surviving best against the onslaught. The martial arts masters who are holding their own. The Dragonblooded who happened to be close. The soldiers and marines who’ve scrambled to respond with enough organisation and discipline to stick together.
They’ll be her first targets.
There! Down by one of the harbour lighthouses, there’s a flash of flame that drives away the fog. That’s clearly a dragonblooded Immaculate. Even if she’s only barely rolled out of bed and hasn’t had time to throw on her armour, she’s got to be a nun with those two burning blades. There’s another man next to her who’s glowing a stony grey and carrying a massive hammer, and a gaggle of monks and nuns, only a few of whom must be the dressed and armoured ones who had been on a guard shift when this rolled in.
“More concentration of force than you want to fight,” Dulmea observes, “but also something that they can rally around. You want to get them away from the docks, so they can’t form a centre for more solid resistance.”
“Who said anything about fighting them?” Keris quips, and comes to a halt on the top of a building. Looking down at the two Dragonblooded and their mortal lackeys, she...
... stops herself, and checks that they are mortal with a moment of flashing green-eyed concentration. Which, it turns out, they are not. Or at least one of them isn’t. One of the monks lurking at the back of the pack crackles with the cold electric tang of Air. Keris narrows her eyes at him, and privately congratulates herself for noticing that particular surprise before it can go off. Then, taking up a pose on the rooftop edge, she takes a deep breath, and starts to sing.
It’s an alien melody, mostly wordless, circling around occasional Old Realm syllables in the accent of the ancient Lintha. Other sounds join her voice from the misty shadows around her; haunting whalesong and wailing trills and other sounds of the sea. Some layers of her performance aren’t even audible; piping notes behind her voice that bring fear and madness to those who hear them.
And a lot of people hear them. Keris isn’t quiet, and nor are the Things in Corners, which swarm in their hundreds as her chorus. The fog is too thick for anyone to spot her on her rooftop, but for dozens of yards around her, tenebral shadows curl through the mists. Shapes loom from the fog; horse-sized shrimp with leering human faces, conjoined octopi with pulsing luminescent brains, the vast shadows of tentacled whales and other, stranger things.
The Dragonblooded below resist her maddening song and don’t flinch at her flickering hallucinations. But they can’t see through the fog. That’s her advantage.
With a casual gesture at the water and blood puddling on the docks, Keris calls forth her ichor-serpents, and sets them on her foes.
It is far from the best work she’s ever done. Far, far from it. It is, however, also the sort of performance that only the greatest mortal virtuosos could rival. It captivates the eristrufa like the waves are captivated by the moon, and their screams and the clanging of their bells join in the swelling chorus. Up, up, up, it sounds out; sourceless, echoing through the fog like operatic whalesong, and those who hear it see things in the ever-changing fog that aren’t real. That can’t be real. There are shapes in there, chromatic aberrations ringing lights in colours that aren’t real, and the gut turns against the mournful wail bringing only sorrow and cowardly shame.
Down among the Immaculates, Keris sees the monks and nuns waver - but then the fire aspect burns brightly, cutting through the mist, sweeping away their doubts with the brilliance of her soul. The flame scorches their fears and fills their hearts with passion - yes, they are scared, yes, they face inhuman monsters, but they overcome their fears! They follow the path of Hesiesh! They walk in the burning footsteps of one of the children of the dragons. And her melodic prayers rise up over the song, burning it away around her, and for a moment divinity is felt in the land.
Then it is realised that the slimy, ichorous tentacles that protrude from the waters are not phantasms.
The earth aspect cries out a command, slamming his tetsubo into the ground. Still singing prayers that exult the fire dragon and how the Anathema were burned out of their corrupt temples and how the greatest of sea-demons fell to the burning blades, the Immaculates form up in proper formation. Those with armour or who have grabbed shields at the front; the ones who could only grab their weapons a lighter flank-guard. The prayers are having an effect, and as the voices raise up in practised song, all the weapons of the formation ignite in the same hue of flame as their nun-guardian.
And with flame and song they set into the demon tentacles, and all the forces of the Demon Sea - or at least these specific forces - cannot stand against them.
Delaying them, however... oh, that is most certainly within the wicked powers of Hell. Between the eristrufa and the ichor-serpents, the little group is thoroughly tied up in keeping themselves safe, and Keris uses the opportunity to survey the state of the harbour (and heartily wish she’d bothered to learn that Rimed-Winged Gull spell Rathan and Oula came up with three years ago).
The thought makes itself known to her, slinking in like a much-loved cat making herself known at around five in the afternoon after a day of absence when she wants to be fed.
Maybe there’d be something in the Crane that could help. Maybe it wants to give her something.
No, of course not. It couldn’t just give her the spell she needs, could it? That’s not how sorcery works. You can’t just read a spell out of a book. But nor should you be able to call this kind of demon horde outside of the new moon, and yet...
“Child,” Dulmea warns, her music rising to cut across the faint chiming of the Crane. Ugh, fine, whatever, Keris doesn’t have time to fiddle around solving the puzzle box in the middle of a huge assault on the docks for a maybe. And more importantly, she doesn’t want to give the Crane another chance to wrench her plan towards its own blasphemous prophecies.
Huffing in annoyance, Keris leaves the puzzle box where it is, safe in Dulmea’s Tower. It’d be nice if she could just blast the Dragonblooded, but all she really needs is to keep them occupied.
“Eristrufa!” she calls to the demons nearby, still in her Lintha-accented Old Realm. “Assail the Dragonkin! Break their formation! Give them no rest or quarter!” More tentacled monsters join her ichor-serpents, and she goes back to singing and scanning the docks, shifting the music she’s pulling from the shadows to a faster tempo to match the increased pace of the fighting below.
The fog thins, and takes form as nightmare beasts of mouths and bladed tentacles - and they come from behind, attacking the weaker, less-armoured ones. A hastily assembled force of local Chosoni martial artists recoils as they suddenly see the Immaculates surrounded by a wall of writhing flesh, enough that some immediately panic and flee as the hysterical demon songs worm their way home into their quivering brains. There’s the sizzle of demon flesh and unearthly screams as some of the burning blades bite back, but everyone can see one of the monks be snatched up between two tentacle limbs and torn in half, scarlet rain splattering down.
They’re quite thoroughly occupied, and hard pressed. The Dragonblooded, Keris estimates, will win in time, but she can leave them there and go cause further havoc in the city and the docks without them interfering. And they’re definitely not going to be catching up with the Fist of Pasiap. They’re not a threat to her plans right now.
She could just leave them to it, but...
Keris stops singing, letting the shadows around her continue their wailing ocean melodies without her vocals, and steps off the edge of the roof. Her summoned water-snakes retract back down into the puddles they extruded from and the most intact of them bursts up from another below her. She catches herself effortlessly on its head, balancing there as it leans down and towards the fighting.
“Halt!” she calls in sharp Old Realm, and the eristrufa draw back, ringing the Immaculates with a nest of tentacles. The fog is still thinner here, the demons having taken their physical forms, and so the monks and nuns can see her. She sees them see her. She sees them take her in.
A highborn Lintha standing atop one of the ichorous constructs they’ve been fighting. She is long-faced, green-skinned, white-haired, with decorative scars up one side of her face and a cruel smirk in her crimson eyes. She wears a suit of ice-rimed, tarnished silver armour pulled from the depths of a demonic sea, and hissing green acid-fumes roll down her hair; tainted Water Aspect markings that speak of the Dragon’s grace perverted and defiled. Around her, shadows in the fog writhe and sing. Squamous shapes chitter from the corners of buildings and the demonic tentacle-beasts that serve as her honour guard. She wields no weapon. Perhaps she doesn’t feel she needs one.
“Oh brave and noble Immaculate dogs,” the Lintha calls, cruel amusement in her voice. “You seem to be having trouble! The Great Mother is forgiving, though. Grovel and beg, and this sister will grant you your miserable lives. There will be ample room for Dragonblooded slaves in our new empire. Please me well enough and I may even call off the attack. Am I not generous?”
Panting monks and nuns take a moment for a breather, but they do not lower their burning blades and bright fists and the fire-nun does not stop her prayers. It is the earth aspect who raises his heavy club in opposition to her. “Begone, thou are unclean and wretched, slave of demons,” he says, in stilted, heavily accented Old Realm. “Thou who bears the blood which belongs to the dragons, yet serves the unclean and Anathematical - we stand against thine inequities and thine insidious vice. None who stand here shall ever serve thee, Lintha, so we offer this in thine own terms: surrender and kneel to lay down thy life, and thou shalt be reborn in a better life than thy current pathway to the very gates of the wickedness of Hell!”
Keris laughs, high and cruel and mocking. “You think to offer me surrender, as outnumbered and pressed as you are? The typical arrogance of Dragonkin. I am beloved of the Great Mother, and she will grace me with her favour for this grand prayer. Your traitorous Dragons are nothing. Worms beneath Her notice, fit only to birth more worms that might give themselves to Her embrace.”
She shrugs, flicking a hand. “But if you disdain my generous offer, no matter. It was a passing whim, no more. Eristrufa?” The tentacles around her writhe, awaiting her command, and pitiless crimson eyes flick over the ragged band dismissively.
“Kill them.”
The fog thickens again. The demons close in. And the Lintha, standing casually on her liquid serpentine steed, is born away. Behind her, the sounds of desperate fighting resume. The eristrufa won’t actually kill them, Keris knows. Oh, they’ll try, and they’ll probably get a few of the mortals. But against three Dragonblooded Immaculates in formation, one of them still hiding their presence... no, they won’t be able to kill them before the attack is over and the retreat is called.
Which is just what she wants. Three Dragonblooded Immaculate masters to report on her presence here, and how this whole attack was a wicked ploy from Bluehaven. A perfect disguise. Nobody will think to look for a different culprit. Why would they? It was obviously the Lintha calling on the forces of Hell to remove the Imperial Navy from these waters. And righteous men like that don’t spend much time thinking, or caring, about rifts in the ranks of the damned.
She has other things to do. Of the Imperial Navy ships in the dock, the five-master Glory of Incas is still afloat, though it is listing heavily and one of its five masts have fallen. The Wading Crane Ascendant is the only three-master still intact - perhaps something went wrong with the attack on it, and the Dog’s Loyalty has not only avoided damage among the two-masters, but seems to be mid-way through launching. And then there’s the damaged ships, many of which could probably be repaired if the fires can be brought under control, and though both the three-master war-junks Flower of Juche and the Pride of Corin have been sunk, she can’t say that they’re beyond salvage even now.
“Eristrufa!” she bellows at the top of her voice, “the ship that’s launching! Drag it to the bottom of the harbour! Arrowing towards the docks, she drops down to the street level as she runs and doesn’t bother to hide. She passes a handful of martial artists close enough that they see her through the fog, a momentary blur of ocean-tarnished silver armour and snarling Lintha features before she’s gone again. Then she hits the harbour and dives, speeding up even further in the water as an ichor trail streams behind her.
She makes for the Glory of Incas, and the twin krises of Ascending Air fall into her hands as she goes for its keel, bringing both terne blades up to cut into the wood from beneath and releasing the devouring flames of the Demon King into them with her strike.
The fog thins around her. This isn’t a good sign for others, though, because that means that people can now see what the fog was. More tentacles, more blades, and the narrow thin shape of the Dog’s Loyalty is enveloped. The eristrufa descend, plucking sailors from the ropes, breaking off chunks of hull and rocking the whole ship from side to side, trying to overturn it. It’s certainly hindered, and there’s no risk of it catching the stolen Fist of Pasiap any time soon.
But she’s in the water. now, striking out against the hardened oldwood from the Blessed Isle.
Her curving namesake blades lash out as she passes, swift as a marlin, and accomplish nothing at all. Their keen edges glancing harmlessly off the reinforced and armoured keel with a retort that jars her wrists painfully. Frowning, Keris lets the momentum of her passage speed her past and turns in the water, angling back and round for another approach. Short blades aren’t enough, then, she concludes. Fair enough. Time for something bigger.
Sliver blooms from the back of her armour and stretches out like vast, razor-edged fingers. Beneath the shadowy lies, they’re huge feathered wings, but the Lintha disguise she’s wearing makes them webbed, aquatic membranes that look more like the fins of some horrible deep-sea predator than anything made for flight. Their edges gleam as she comes back in, using the longer approach to carefully examine the keel. She’ll need to splinter it enough that it’ll be ruined even if someone stops the ravenous green flames. An approach right up the middle - her wing-fins angle to adjust her as she soars effortlessly through the murky harbour water - will let her dig in and split it along its length.
Split the keel along its length...
A story she heard in the docks of Saata comes to mind, and Keris grins savagely. “Karinako Keelbiter!” she screams in Old Realm, her voice carrying clearly through the water and travelling for leagues along secret currents. “Gnawer of Hulls, Rudder-Bane, Bilge Lord! A host of ships are sinking here, free fare for your fangs! Come feast on them and I dedicate this act to you!”
Like an arrow loosed from a bow, she passes beneath the Glory of Incas from stern to bow in less time than it takes a man to say the words. And her fins snap up as she does, splitting the keel cleanly from the hull as they pass through the reinforced wood like butter.
The keel is the spine of the ship. A ship can no more survive its vicious removal than a man can.
From the outside, what is seen is that the Glory of Incas seems to shudder in the water. And then the blink of an eye later, the deck explodes. All the forces of the warping of its no-longer anchored sides are brought to bear on the boards there, and they shatter. The masts fall freely, like felled trees. The air is filled with splinter-shrapnel, slicing sailors to slivers and screams sound out in the sea-haar. And the flames! The hellish flames, consuming everything around the cut.
What remains mere seconds later is two halves of a ship, burning in green, and a sea full of splinters and bodies.
A prayer to a god of shipwrecks, who feels his heart freeze for a moment in terrified gratitude that such a gift is given in his name freely.
Keris laughs in terrible joy, curving through the water towards her next target; the Wading Crane Ascendant. Her fins jut out of the water like a monstrous siaka as she comes at it broadside, aiming for roughly where she estimates the firedust caches to be. Again she eyes it as she approaches, weighing the design of the hull and looking for weak points.
She slams into the side of the hull, and punches through like a ballista bolt. No firedust, not here - but she is in the ship now, having just holed it. A sailor screams and lunges for her - she bisects him with her wing without a second thought. Crimson splashes over her soaked silver form. Down in the guts of the ship, she can see where the masts are anchored and what’s inside the cramped internals.
More sailors, too. Panic and confusion. Also, water spilling in. Oh, look. They seem to be running from her. There might be a dragonblooded on board who’ll come - or who could fix the damage she’s done.
She’s wreathed in power now; not just her fake Aspect markings, but the full light of her soul. It’s blazing as strong as it ever does, and she knows she’s going to crash after this, but that’s fine, she can pass out once this is done as long as she has the strength now.
Yet the shadows suffuse her anima, and so instead of her usual sanguine-silver whirlwind she’s at the centre of a green-tinted whirlpool streaked with the colours of Kimbery’s dearest toxins. A mandala of spectral tentacles writhes behind her and around, reaching out to mirror her actions when she strikes or fanning out as phantasmal extension of her fins.
The sailors don’t matter. She goes for the masts. She’s inside the ship, and that gives her a wealth of targets to cripple it beyond recovery.
From the outside; the masts fall, burning in green as they are consumed from the root. The Glory of Incas is swiftly no more, and a hellish monster wrapped in a burning toxic miasma emerges from the other side as the ship’s oil goes up. The light of Keris’s soul ignites the night, and enough of the eristrufa have shed their fog forms or been slain by fire and faith that all eyes from the harbour are on her.
She stands atop the sinking, shattered hull of the ship, a whirlpool of toxic essence and coiling tentacles haloing her, and looks out at Nagakota. At the poisoned crater of their satrap’s palace, at the wrecks of their greatest ships, the devastation of their docks, the desecration of one of their greatest temples. At the hundreds along the docks who see her there, and brace for her words.
But she doesn’t address them. She dives into the harbour, and her fins scythe through the water for one last pass along the docks, beneath the hulls of the crippled, burning two-masters. Swimming along the row, her after-images multiply under the chopping waves, ichor and airless crimson wind dragging in her wake. She doesn’t manage to inflict all of them with the fires of the King. But she manages enough.
The eristrufa are withdrawing; their fog recedes out to sea to cover the Baisha’s retreat. Jemil’s surviving meat-puppets still rampage, but their numbers have been greatly thinned, and without the cover of the mist they’ll be mopped up in short order. The Temple of the Water Dragon and the desecration within it may or may not have been discovered; either way, Molacasi’s actions are out of her hands. And Karinako will have the crippled and sunken ships for his repast, if he deigns to investigate this offering, Any salvage or repair efforts will be hindered, inflicting a painful cost on the Realm as they rebuild their fleet.
She’s done here.
Turning away and cutting through the water like a shark, the architect of this tragedy leaves the Dragon’s city behind without sparing even a word of contempt.
Consciousness returns when they are somewhere north-east of Choson. Keris wakes aching all over, staring up at the ceiling of the master quarters of the Baisha. To her left is a Suriani, snuggled up to her, enveloped in hair - and to her right, Mele, likewise bound up. Suriani is asleep, but Mele is lying there reading a book with his free hand.
She is (mostly) thankful they are both still fully clad. Actually, she’d have appreciated a little less cladding. Their garments are rough against her bare skin, as Strigida has retreated back inside her.
“Nnmgh,” Keris groans. “Wr’w? W’s’ffy’?”
“Maj, if you wanna let go of me, I can pass you the breakfast the hellspawn servants made,” Mele says unflappably. “I can tell you’re hungry, given the whole ‘mouths churning under the surface of your skin’ thing. When was the last time you ate?”
Keris instinctively clutches tighter for a moment, but that just winds up feeling scratchy against her skin. Grumbling under her breath, she releases him, though it takes two or three tries to figure out which limbs she needs to let go with.
He leans over and kisses her, then fetches the covered tray. “It’s probably not as hot as it could’ve been,” he apologises, “but honestly knowing you, you’re just going to have a second meal after this one so just consider this your starters, yeah?” The smell of rice, grilled fish, and seaweed pancakes with fermented cabbage wafts over. “And I can brew you a pot of tea - and I’ve got honey for your tea, too. It’s all for you, maj, the all-conquering heroine. Oh, and that one,” he nods at Suriani, “insisted on waiting for you to wake up and then your hair just sort of snagged her and wouldn’t let her go and she just sort of gave into your hair-hugs, so, y’know. Looks like you picked up a holda of your own.”
“S’fine,” Keris mumbles. “How’d... gettin’ away go?” She blinks slowly. “Mama?” A pause, as sluggish thoughts dredge their way out of sleep to do battle with basic logic. “No, wait. You were’sleep too. Nvr’mind.”
Mele uses the lid to waft the smell towards her again. “How about you be a,” he offers another kiss, “be a very good girl and you eat your breakfast while I make you some tea, and then you can drink the tea too, and then we can talk about work? But here’s a little teaser - we’re away free and clean, with our prizes. The hellspawn you told to cover our escape did their job.”
“Mmkay,” Keris says obediently, and then opens her mouth without even bothering to try and lift her limbs. “Feed me,” she demands. “M’tired.”
He laughs, and obediently pulls up one of the crunchy, salty parts of fish. “Try this,” he says, “as a down-payment. And then I do need to start brewing the tea. You do like your sweet tea.”
Keris lets him feed her, and then surrenders his attention long enough for him to go make her the tea. She slowly starts to wake up more, which lets a chorus of complaints from all over her body make themselves known. Wow. Yeah, okay. That last anima burn might have been necessary, but she’s definitely paying for it now.
“How long was I out?” she mumbles after polishing off the fish, the pancakes, half the rice and her first cup of tea. “Long enough t’pick up Sur’ni, an’ w’how much I flared m’soul, s’gotta have been... hours?”
“Yeah, Rala wanted to dump you in the tub, but she ain’t got no romance in her soul. Szirom-ness burned it all away. I insisted we give you a comfy bed and a longer sleep.” He grins. “Last time I checked, it was night again, but it’s a bit hard to tell time here when Rala can’t let Ol’ Blueface know that she’s got a watch.”
“Mmph.” She gives him a reproachful look at that. “I really should’ve been on… on my feet an’ working,” she protests, but her heart isn’t really in it, and he can tell. A raised eyebrow is enough for her to roll her eyes and give up the pretence, shuffling to sit up in bed.
“Fine, w’ever. Guess I’njoyed wakin’ up here more. Ish.” A yawn splits her face. “Okay, umm... whad’we get? Any of the ships?”
Mele quite deliberately picks up the tray and takes it away from her, wrapping his hands around hers to guide her tea to the side. “Just so there isn’t any kind of spilling incident,” he teases. “It’s not bad news. It’s just that it’s possible you might be able to tear all my clothes off and engage in extremely heavy petting here and now, and I don’t want to get hot tea spilled on me before that happens.”
Keris eyes him sceptically and takes stock of how she feels. Her body does not feel particularly inclined towards clothes-tearing or petting at the moment. Or anything except more sleep, really. Still...
“Go on…” she drawls.
“Well,” he mock adjusts glasses he doesn’t wear, mimicking that nervous tic of the dragon aides, “as I recall, maj, your exact words were ‘if you get me either of the big ships I will love you forever’. And then I thought to myself, a lovely lady like you deserves something like that. So I might have adjusted the plans so I lead a team of hellspawn marines - oh and Rala helped too - and we seized the Fist of Pasiap and are dragging it behind us as we go. So, y’know, I got you your very own jadeclad.
“But,” he raises a finger to her lips to hold her off, “that’s not really enough for someone like you. The other girls, they’re shallow, they’re easy, but you? You’re special. You deserve more than a jade-armoured ship of the old times that the Realm rigged into a sailing ship.” He is either being slightly mocking or entirely serious, and Keris isn’t sure which. “So, y’know. I just went and beat a dragonblooded in a one-on-one fair fight, got him to surrender to my custody, and now he’s in the brig - along with his surviving crew. Oh, and, y’know, I did it without getting a scratch. Just how it is, y’know-”
He is interrupted mid-sentence as Keris tackles him to the floor.
He hits the ground with an ooof, but it’s not as loud as Suriani’s squawk as she’s jolted awake by being yanked by Keris’s still-clinging hair. “Wha-?”
“You got me the jadeclad!” Keris squeals. “The jadeclad and a prisoner, oh, I am fucking you raw as... soon as... I can do it without all my bones complaining, ow ow ow, fuck, I shouldn’t’ve done that, ow, gemme back on th’bed. Goddamn soul-strain.” She squints back at Suriani and belatedly lets go. “Nnnrgh. S’rry, Suriani. Din’t leggo in time.”
Mele is, of course, delighted to have the chance to lift her bridal-style in his arms - and Keris in her gleeful but incredibly sore and tired state does register that he’s shifting slightly. Becoming a little more slender, and taller; lean in a muscular way, like a swimmer. It’s very nice to be held by.
It’s also quite nice to get snuggled on her other side by Suriani. “Lady Dulmeadokht, mistress,” she announces happily. “Before your people sent a demon-steed to pick me up, I managed to spend some time gathering news and rumours - and spreading my own. The people near to Nagakota were just on the edges of the fog, and even before I started helping they were considering this a dark omen and a sign of the weakness of the Dragon Schools. And then there’s the fires, which I saw as the fog retreated. It’s clear you struck a great and terrible blow against the Dragon Schools, something greater than the Black Claw School has ever managed in all these years. How did things go with the great work of the satrap that you had me do?”
Keris fumbles in her hair for a moment, draws out a couple of vials and downs the contents, which makes the soreness ebb slightly but doesn’t do much for the exhaustion. “The palace is gone,” she says, managing smugness despite the way her eyelids are being dragged down and the face she pulls at the aftertaste of her tinctures. “An’ I don’t mean ruined, I mean gone; it’s a poisoned crater. I think…” another yawn splits her face, “I… mmm… think prob’ly th’vitriol vapour dissolved the, wossname, the wood an’ stuff, an’ alchemised with the, uh…” she waves a vague hand, “organics, tha’s it, alchemised with the organic compounds to make a giant firedamp cloud that went up inna secondary ‘splosion that blew apart what din’t survive the first one.”
She rubs at her eyes, which are teary with sleep and the amount of blinking she’s doing. “An’ my other goal worked, too,” she adds, bullshitting shamelessly. “The vitriol-tainted crater was a ritual circle an’ the people bein’ all scared were, uh, thingie, paeans, and those along with the dedi…” yawn, blink, a quick shake of her head to stay alert, “… dedication of blowin’ up th’palace and the stuff I did to the satrap for Kimbery were enough to call one of Her souls outta Hell even though s’not quite Calibration yet. I let Molacasi have his way with the Grand Temple of the Water Dragon. D’you hear anything ‘bout what he did to it, or were they hushin’ it up?”
“No, though your servant Rala appeared at the hour of dusk to collect me upon the back of a beauteous wasp, so I only had around twelve hours and rumour only moves so fast. But I did hear that they had closed off the inner walls of Nagakota, locking it down.”
Keris manages a smug smirk and dredges her memory of Molacasi’s past deeds. “Yeah?” she mumbles. “Good, good. Guess we’ll see what comes of that. Pretty sure he’s escaped before into the West, an’ Dragonbloods have long memories. His art twists minds even more’n mine, an’ he had free run of the temple in the satrap’s corpse-demonhost. Well done on that,” she adds, forcing the tiredness back long enough to cup Suriani’s cheek and give her an intent look. “That’ll make for a very… mmph… very good boast at the Althing, bein’ able to say you killed her singlehanded and were all crucial for the set-up bit.”
Suriani beams, and Keris luxuriates in the hero-worship and envy pouring off her. “Anyway,” she adds. “After that I went around as a Lintha highborn in front’ve some of their Immaculate masters and beat ‘em up, then tore apart their two big ships that were still intact, an’ finished off the damaged little ones. Called Karinako Keelbiter in by sacrificin’ the big warship, too, so there’s a decent chance he’ll claim the wrecks. No repairing or salvaging anythin’ he sinks his fangs into; they’ll have to rebuild the fleet almost from scratch. An’ I sowed a nice li’l crop’ve hysteria and madness along the docks that’ll spread into the rest of the city. They’ll... uh… mm…”
She pauses, head lolling backward onto Mele’s shoulder as she loses her train of thought, and her eyes slide closed. “Actually,” she mumbles without opening them again, “Mele, where are we? An’ where are the eristrufa? We lost a bunch, but… most’ve ‘em survived, right? They were coverin’ our retreat.”
“We’re heading north-east verging on east,” Mele reports, supporting her heavy head and her poor tired neck on his nice firm shoulder, “and depending on the hour, we might be as far as five hundred kilometres from Choson, heading towards the hellgate in the Tengese Sea. Rala has some sharp words for you about finding a closer hellgate to the Anarchy than this one, because she’s never happy. As for your eristrufa, before you collapsed, you ordered them to cover our escape then cause havoc in Realm shipping, waylaying every thirteenth ship they see.”
“I did?” Keris considers this. “That does sound like the kind of thing I’d do,” she admits. “Argh. Suriani. Lesson for you, stu… agh… student. Don’t keep your soul flared past your limits. Especially don’t flare right up to your limits and then flip ‘em off an’ flare even harder for a whole big battle against loads’ve dragons and martial artists an’ stuff. Your body won’t thank you. At all.” She rubs at her aching, still-closed eyes, tries to put distances and bearings together in her head, and gets nothing but fog. “Five hundred kilom’s... northeast’ve Choson... we’re somewhere ‘long the back of the Hook, yeah? D’you know if we’re near the Isle of Gulls?”
“I can check with Captain Neride,” Mele says, lowering her to the bed. “I’m sure Rala’ll be waiting outside with the written-up mission report, so I’ll sacrifice myself for you and delay her.”
“I heard that!” a slightly muffled voice comes through the door.
“Of course you did, Ra-ra.”
“Go stick your head in the green sun core!”
“Rendas, eh?” He kisses Keris, then pats her head. “Try not to stress yourself while you’re still recovering,” he says. “I don’t want you overworking yourself again. You’ve gotta stay healthy.”
He saunters out, and Keris immediately finds a Suriani clinging to her. She has boundless praise for Keris, and while Keris can tell that Suriani is buttering her up to get her to listen to her, it works. It’s so lovely to get to lie back in bed on a stack of pillows with her eyes cracked open and be praised by a beautiful woman, especially one who’s let down her shadowy lies and is proudly wearing the fig-marks that by now have sprawled across her limbs. The criss-crossing markings on her bare arms make her look like she’s permanently wearing a fishnet bodysuit, and the bright flowers add a lovely colour to her that wasn’t there before.
Suriani finally gets to the point when she asks, “And what of the Dynast in the brig, and the sailors, mistress? Will we be sacrificing them to our masters on a moonless night? Bringing them into the worship of the true lords of Creation? Keeping them as pets on our hellish estates? What dark designs do you have for the sneering, hateful servants of the conquering Realm?”
She has definitely read certain kinds of books. The kinds of books that are probably similar to the ones printed in Nexus for cheap scares and thrills. Although as a member of one of Mara’s cults, maybe she... doesn’t consider the fiction fictional. Hmm.
Keris huffs quietly. She has a headache coming on, and really, really wants to be asleep again. “We. Um. Will be keeping ‘em, for now. They’d be a waste to kill jus’ yet, an’ I have better use for ‘em than pets. But sub… subverting them’ll take time. So for now they stay locked up in the Baisha. We’ll take ‘em back to Hell with us, and I’ll decide what to do with ‘em there. A loyal Dragonblood could be useful, once I corrupt him away from the Realm.” She lets her head lol against Suriani’s shoulder. It doesn’t really want to support her head at the moment. “You did well, student,” she murmurs, speaking slowly and carefully to get her words right. “This was a more important mission than you know. Our success here will serve us well. We might even rank highest of the Council of Thirteen, come the boasting.”
“Will we make enemies for that? From... other servants of Hell?” A hesitant, nervous question there, as she cuddles up to Keris, pressing her body against her mistress’s. One that speaks of hard-learned lessons that the one who rises above the others paints a target on their backs.
Keris grimaces. “None that we don’t already have. ‘Fraid that’s a ‘we’, not an ‘I’, too. The Upper South West’s full of assholes and idiots. I’m on good terms with some of our other peers, though. An’ I’m pretty famous in Hell, so you’ll get some respect just for bein’ my student. It’ll be five days to Hell, so I’ll take you through the important peers on the way, once I’ve slept.”
With great effort she pulls herself slightly more upright and taps Suriani on the chest. “Until then, I gotta task for you while I… ugh… review Rala’s reports. Go check on the prisoners. Be all sweet an’ innocent an’ harmless an’ kind - the hidden Black Claw they won’t suspect. Gauge how they’re feelin’ and exactly who Mele got for us. Rala’ll already have their names and ranks, but you got more knowledge of martial arts and Chosoni culture. An’ they’ll be more willing to talk to a, y’know, sweet-voiced fellow prisoner in a dark neighbouring cell, or whatever. If you need some of ‘em moved around or any kind of performance staged to set up your questions, tell Captain Neride and she’ll handle it.”
That draws an immediate beam from Suriani, one which Keris can read easily. She’s getting to be useful. She’s doing something that other people can’t. She is making the person who Mele captured and she didn’t actually useful to her mistress in the service of Hell. If she had a tail, it’d be wagging. “Of course, Lady Dulmeadokht. I’ve broken people to the service of the Black Claw and Beloved Mara before. I’ll find some leverage to apply for you!”
“Good girl,” Keris praises. “Send Rala in on your way, if she’s still out there. I should get this outta the way as soon as I can an’ then sleep.”
Suriani leaves, and the door opens after her exit to admit not just Rala but also an Ogin. Said Ogin is clearly up far too late and has been waiting for mama to wake up, because he immediately flops onto her bed.
“He insisted,” Rala says dryly.
“Hi moonbeam!” Keris coos sleepily, beckoning him over to where she’s sitting under the blanket with her back resting against the headboard. “C’mere, give mama a hug! I missed you lots and lots while I was playin’ with silly martial artists!”
The tired little boy burrows his face into her side. “You can’t leave again,” he insists. “Mele said you were doing something dangerous.”
“No more leaving,” Keris reassures him, her eyes drifting closed again. “And it wasn’t that dangerous, I promise. Mama’s strong, remember? Nothing’s gonna stop me coming back to my babies.” She kisses his forehead. “Now, whaddya wanna do while mama and Rala have boring work talk? Stay and cuddle? Or play with something?”
“You normally bring presents when you’ve been away.” Not a question, but the echo of one. A demand, in his own way.
“I do, don’t I?” Keris yawns. “But we’re both too sleepy to give you yours now. Anyway, Kali’n’Atiya are asleep too, an’ if I’m bein’ fair I should give you all your presents at once.”
He wriggles to bury his face in her side. “Then hugs and cuddles,” he demands. “To show how much you missed me.”
Keris obligingly wraps him up in her arms, and with a content little ball of white hair and fluffy tails and pale grey sleep-smock curled up on her lap, she cracks an eye open at Rala.
“‘kay,” she says, petting Ogin’s hair. “I know you’ve got a report ready, so start there. What did we gain an’ lose?”
“As you wish, ma’am,” Rala says, and begins her recounting.
In summary; worse than Keris would have liked, but still fairly slight. The losses were mostly in the Baisha’s marines, where between desperate cornered men and a dragonblood they’d taken a number of casualties, but the Baisha itself had gotten off without a scratch. With regards to materiel, they’d spent pretty much all the stocks of algarel and lost one of the deck-mounted ballista to a malfunction. Jemil is back, safely, although he seems to be sulking that he had to retreat when the Baisha started to retreat.
“... and Mele is going to be insufferable for years to come about the fact that he beat a dragonblood in a duel,” she concludes, “the greatest defeat of all.”
“Poor you,” Keris murmurs, not very convincingly. From the way Rala glares at her, the various plans Keris has for rewarding Mele (and the fact she sort of drifted off for a few moments halfway through) are not well hidden. “Well,” she concludes, “I’m annoyed about the ballista, but it sounds like it wasn’t anyone’s fault, and we can get a new one back in Hell. Take a look at the, uh…” she screws up her face, searching for the word, “… maintenance, uh, schedule. See if you can change it around to do better without putting too much extra burden on the crew.”
Keris smooths Ogin’s hair from the top of his head down his back to where the ends meet his tails, and rallies her flagging mental faculties. “An’ let’s also talk about the write-up of my plan. And all the optional sub-goals that we marked down to go for if the situation made it possible. Like, uh, using the destruction of the palace as a ritual sacrifice to Kimbery, to try’n Beckon one of her greater demons. That worked like a charm. And making some valuable offerings to a bigtime shipwreck god to lure him up to claim the wrecks an’ make it harder for the Realm to salvage them. Capturing officers alive for interrogation if the chance arose. That sorta thing. We made out on a bunch of those secondary objectives, so the report should be all…” she waggles a limp hair tendril, “praising how successful we were.”
“So you are wanting the original documentation of the mission plans to...” Rala pauses. “Be kept in the personal archives and not issued to your superiors, because I’m not going to destroy them,” she says.
Keris flaps the hair tendril at her. “Yeah yeah, whatever, keep that one in a restricted archive and we’ll hand in the... uh… call it the ‘mission closure report’ with the ‘original’ mission plan and review of how well we did at it.” She accompanies the word ‘original’ with a significant look. “I trust you to come up with a draft I can put my name on, and Mele can help you with all the sub-goals of the original plan that you won’t need reminding of ‘cause it was all there already.”
She purses her lips, leaden eyelids dragging themselves closed again, and drifts for a moment before Rala’s cleared throat interrupts her. Shit, she lost… at least a minute there, probably. Her body is trying to shut down under her. She fights back another yawn and tries to force her eyes open and fails. “Eugh,” she mumbles. “Mmgh. Um… schedule me something... tomorrow morning, say, to present Suriani t’the Priest. It prolly already knows about her, but I should do the whole… official introduction and explain that Mara was takin’ care of her for the Reclamation an’ preparing her for her first Althing an’ whatnot.”
“Of course, ma’am.” Rala makes a few notes. “On brighter news, I’ve already begun work on processing all the documentation and notes we’re recovered from the jadeclad, and you will be delighted to hear that we have secured the full set of captain’s maps for a Realm warship of this kind. Which is to say, maps for essentially every coastline in Creation with a Imperial presence, as well as detailed maps of the sea winds and trade routes the Realm uses.”
If she weren’t so crushingly bone-tired, Keris would squeal again. Instead she just manages a happy high-pitched trilling hum, which gets Ogin to make a faint noise of protest from her lap. She manages an apologetic pout down at him before turning a drowsy-but-delighted smile back on Rala.
“I thought you’d be pleased, ma’am,” Rala gloats. “Before next year, I’ll look towards identifying major trade routes of interest and offer up a memorandum suggesting vulnerable routes and ways to target them with the assets at your behalf.”
“Yessss,” Keris hisses, toes curling into the bedsheets but otherwise not moving. “Good. Thank you very much, Rala. Mark down commen… commendations f’you an’ Mele.” She stretches. “And on that note, I’m exhausted, so if there’s nothin’ else you need me for I’m gonna have another nap. Wake me up when we get to the Isle of Gulls, or when Suriani’s done with the prisoners, or... you know what, just wake me up if somethin’ happens. We’ll drop the jadeclad off with the Gullites, pay Molian a visit for her reports, and then head back to Hell at full speed.”
Mele takes the chance to poke his head in. “Sorry, been waiting outside a bit so Rala doesn’t get shirty at me for interrupting her chance to help you rest by boring you to sleep. Just checked with Neride - snake lady told me to go talk to the navigator, and that thing told me that we can get there around sunrise if you give the order.”
“Given. An’ come back to cuddle me once you’ve let ‘em know.” Keris mumbles. “I need someone to make sure I get enough rest. Not that Ogin isn’t doing a good job, right, moonbeam? But he’s not big enough to be the big spoon.”
Ogin sleepily considers this. “He’s coloured like a big me,” he opines.
“He is, isn’t he?” Keris agrees as Mele ducks out again to give her orders and Rala disappears to do her paperwork. Obligations finally done, she lets herself fall sideways from sitting propped up against the headboard to thump down on the mattress, curled up around her son. “He’ll prolly be around more often from now on. You’ve liked the past few months with him, yeah?”
“He’s,” Ogin yawns, “he’s tall. He teaches me fishing. And he makes you laugh and smile and,” he yawns again, “not so sad or not-really-smiling-when-you-smile-but-your-eyes-are-sad.”
Keris curls around him a little closer. “You can tell when I’m smiling like that?” she asks. Drowsiness is pulling her under, and the jolt of panic that one of her babies might be upset or distressed about her faking feels muted and faraway.
“Sometimes. Everyone lies sometimes. You were sadder at the start of this trip, but you’re happier now. So that’s good. Maybe something sad happened, like Kali eating all your dessert, and now you’re feeling happy again because you got a new bowl of fruit.”
Keris smiles wistfully. “Something like that. I’ve been feeling happier after this time with you and Kali and Atiya. And, yes, Mele and Rala. And Kuha and Simya and Jemil.” She strokes his hair again, breathing in his scent. “We’ll be going back to Hell tomorrow. Are you looking forward to seeing Lilunu again?”
“Yeah. She’s always nice and has lots of presents and she makes you Kali-happy,” Ogin mumbles.
Keris gives an amused huff, and then a yawn. “Well then, sweet dreams, moonbeam,” she murmurs. “I’ll see you... in the morning.”
Her eyes drift closed again, and well-earned sleep reclaims her.
The next day, they deliver the jadeclad to the Isle of Gulls and Keris calls up one of Mele’s friends to safeguard it and keep it in good stead, and then the Baisha sets off to the hidden paths in the Tengese Sea that lead to Hell.
Yes, Keris considers, she really needs her own hellgate somewhere closer to home.
Chapter 36: Pre-Calibration 775
Chapter Text
The past few days have been a nightmare for Lieutenant Pelepese Wuzu of the Imperial Navy.
No, call them what they are. They are hell. In a completely literal sense. He felt the wrongness in the way the air changed around five days ago, and the sense of the unnatural claws at him. He hasn’t been sleeping. His nails are bitten to the quick. His wounds ache and while he’s healing, he isn’t in any state to fight back.
So far the demons have kept their word. There were nineteen of his men captured alive, and they are all still alive, even if they are scarred and demonic insect-things have stitched them up from the inside. He has to believe this is a positive, though he suspects it isn’t. Why would demons and their patsies want humans as prisoners? There can’t be a good reason.
And he doesn’t understand why they are treating him slightly better. A twisted game, or some other reason? He isn’t sure. They gave him a cramped room rather than sharing the brig with the other prisoners. He’s being fed better than he expected, not that his men are being starved, but is this some kind of perverse temptation? And speaking of perverse temptations, they have been trying to bribe him with a Chosoni woman who they occasionally throw into his cell. A gift to him, one of the monstrous demons said, to help him to avoid getting bored.
What kind of man do they think he is? Yes, she’s beautiful, but he hasn’t laid a finger on her. He will not accept a demonic bribe! Instead, he’s just spoken with her. It has been good to hear another human voice, rather than the fell Spiritongue of the demons. Her name is Ines and she’s a petani who happened to live close to the docks. And if they’d met in different circumstances he’d have easily had a fling with her; Chosoni definitely like a sailor’s uniform, but... no, not now. Not when he can feel wicked demonic magic prying at him, bringing waking hallucinations of his time in the Realm, bringing up the worst moments with his family.
He knows they’re trying to sway him, to poison him against his House. But he can hold strong to his code, to the standards they expect of him. Even if he’s a failure. Even if he surrendered to demons. He is still an officer in captivity, and he still has his command. No matter their blandishments, he will not surrender his honour and his soul.
The demons rap at his door, waking him from a disturbed, uneasy slumber. They have a uniform for him, freshly made, and he dresses. Then he is escorted by an excessive number of demons - which is at least something of a mark of respect - to his men, who have been lined up in their own fresh uniforms.
“What a pretty collection of toy soldiers,” says Rala, the corrupted sorceress with her pale grey eyes and red hair. “Oh, or should I say ‘toy sailors’? I used to play with little dollies when I lived at sea as a child, but I think I prefer you as a plaything.”
“What is this?” he asks her, trying not to let the pain in his shoulder and leg show.
“My lady wants to show you off to her lady,” Rala says. “So you’re going to march in front of her before you’re taken to your new quarters. Won’t that be fun?”
He doesn’t give her the satisfaction of a response. He holds his face rigid, hiding behind a mask of unyielding jade.
“Tch. Clearly you’re the killjoy among your peers. Oh well.” She claps her hands. “March!”
He does so, past the beaming Mele - who someday he will defeat and take his revenge on - and through the corridors of this infernal mechanism. Up ahead, light. Only its colour is wrong to be sunlight. And he takes the steps as best he can, and he understands - no. It isn’t the light that is wrong. It is everything.
Overhead, a dome of black basalt ribs interspersed with pearlescent scales. Great crystal lenses diffuse a gentle green light down across a landscape. Dragons! This whole place must be larger than the Imperial City! There is a city here, too, but more than that there are rolling parks of grey-leafed vegetation and indigo-green lakes and silver forests that reflect the green light in a monochrome rainbow. There are towers of pearl shaped like seashells that rival anything he saw in Chiaroscuro. There are colossal arenas whose scale is only hinted at by the flights of beautiful gold-and-crystal wasp-demons in front of them. There are grand mansions in strange demonic materials that are as aesthetic in their own way as the dwelling place of a matriarch ringing the dome, and rivers of fire that flow through the sky - and always, swelling, swelling, swelling and uplifting, the music, music that brings tears to his eye.
The demonic vessel is docked and the gangplank leads past an ivory pavilion, flanked by crystal-and-ice warstriders as an honour guard. There are two figures in the pavilion. One, Rala but more so; more beautiful, more captivating, her presence felt from here on the back of his neck.
The other; a terrible vision who is to the beautiful figure as the beautiful figure is to Rala. Her rainbow eyes shine too brightly; her scarlet hair is too crimson; her laughter hurts and lifts the spirits in equal measure. She has all the beauty of the Empress rendered in hellish perfection; he fears that if she commanded him he would snap to attention without thinking. That he would want to obey. He does not know why he knows he would crumble before her; he just knows that he would.
But she only idly glances his way, and this hurts but he knows that this way he can keep his soul. Better to be a trinket displayed before this hellish empress than the subject of her attentions.
“Well, that was an awful lot of fun,” Lilunu says, as one of her pages pours the tea for her and Keris. She reaches over to pat Keris on the hand. “And it’s so lovely to see you smiling again. I was almost worried something had happened and you were going to show up late again.”
There’s an unspoken understanding in that. It is only four screams until the start of Calibration, and Lilunu is still making time for her.
“Never, my lady,” Keris promises seriously, putting her own hand over Lilunu’s. “I was just finishing up an important mission for the Reclamation. The same one I got your lovely new guests on, in fact.” She grins proudly. “I can either tell you all about it now or wait and let you hear it at the boasting, but I have a few other things to fill you in on and one of them is quite important. And I also have some presents for you. Shall I show you somewhere private to give you them? You’ll like my first surprise, I promise.”
Lilunu claps her hands together gleefully. “I do love your presents,” she observes.
Iris, poking her head out of Lilunu’s arm, contributes with a shakily written, “I want present to”.
“I will give you a present too,” Keris promises her. “Subject to Lilunu’s veto if you want to pick from one of hers. So, my lady. Remember my trick of making little worlds that you found so charming last time I showed it to you? Well, I think you might like this latest one I’ve made. It’s a world you’ve seen before, but also one you’ve never laid eyes on.” She winks mischievously, and gestures towards one of the open arches of the ivory pavilion.
“My lady, I’d like to show you the Conventicle Malfeasant,” she says, and the words ripple from her tongue in a pulse of rainbow colour that blooms and spreads to fill the archway with a shifting, shining pane of glowing opal light.
Of course Lilunu has to take a look around, and when she returns to the entrance she has this to say; “Keris! Did you steal one of my buildings?” It starts as a joke, but by the end it isn’t anymore. “Yes! This is one I never got around to building! Were you spying on my notes, you naughty little girl?”
Keris laughs, delighted. “I think you’re more to blame for this than me, my lady! I created this little world within the tongue piercing you gave me - and that has a piece of you in it. Your presence within the opal must have decided to use one of your old plans when I asked it to build me a home away from home. But,” she beckons Lilunu around from the portal to a small garden where the stolen art from the satrap’s palace is stacked, “here. I did promise to bring you back some art from Creation, didn’t I? This is the vast majority of the paintings and statues that the satrap of Choson, the Realm’s hand in their Great City of Nagakota, had decorating her palace in their capital. And over there are all her martial arts scrolls, which I’ll donate to your armoury-libraries just as soon as I’ve made copies of them all. Also quite a lot of weapons, though I’m keeping those unless there’s anything you really want.”
She’d be more concerned about handing over such power for the forces of Hell to pick through, but honestly, Hell already has demon princes like Suntankeral who likely know most every martial art in Creation and are willing to teach them. Any Infernal who really wants to learn a particular style can probably find a way. All Keris is doing by donating this priceless treasure-trove of Chosoni martial secrets to the libraries of the Conventicle is making it a little more convenient - and displaying her loyalty and devotion to her lady by giving her arts both material and martial.
“Arts of the martial arts? How adorable - and droll! Oh, this will be a wonderful little way to amuse myself.” She pauses. “Though, Keris? Far from it to be on me that I might say that you’re being cheeky, but I don’t recall Choson being assigned to your Directorate. Have you been poaching?”
She asks the question in the same tone one would use towards an errant pet cat prone to straying into a neighbour’s garden.
“Poaching, my lady?” Keris blinks innocently at her. She’s practiced for this. “Choson might not have been officially assigned to my Directorate, but I don’t think it’s been officially assigned to anyone yet. It lies between the Anarchy, the back of the Hook and the Great Western Ocean, so you could make an argument for it being in three different Directorates depending on how you looked at it. But it’s two thousand miles from the Tengese Sea where my respected peer Deveh is doing such good work, nobody in the Western Directorate seems to have addressed the threat it poses, and it’s the main supplier for the Immaculate presence on Triumphant Air, which is my territory. All the monks on Triumphant Air - the monks who’ll be part of any Wyld Hunt sent south - come from Choson. Any replacements will be from Choson too. As far as I see it, Choson is more my concern than anyone else’s. So I thought I’d be generous and take it off the list of my fellow Directors’ worries.”
That earns her a pair of crossed arms. “I am glad that you are feeling well enough to engage in this kind of...” Lilunu hunts for words, “skullduggery, but I am not pleased that you’re putting yourself in a situation where I might have to enforce a reprimand against you. Especially when you know one of the directors will be losing her job this year! I don’t want you getting in trouble!”
“My lady,” Keris placates, holding her hands up soothingly. “Lilunu. Don’t worry. I’m riding high on the success and fame of my season on the… uh, of earlier this year. I’ve got a perfect mission record. I’m known to be fiercely loyal to you and lord Ligier. I have a nice little gift for the Reclamation waiting on the Baisha. And most importantly of all, about a week ago I led a thousand eristrufa to the capital city of the greatest hardline-Immaculate stronghold in the Threshold - the Realm’s rock in the western Southwest. I assassinated its satrap; plundered and then blew up her palace; ravaged their docks, repair yards and firedust arsenal; reduced two Imperial Navy Southwestern patrol squadrons and a Western battle squadron to splinters and burning wreckage at the bottom of their harbour; captured a second-rate jadeclad warship and its Dragonblooded lieutenant and crew and released Unquestionable Molacasi unbound for a night to desecrate their Grand Temple of the Water Dragon. And that despite taking an entire season off to put on my very popular operas. I have a lot to boast about this year. I am not going to lose my job.”
She pauses meaningfully. “And I am feeling better,” she adds, as Lilunu absorbs that little list of successes. “A lot better. I wanted to thank you for that. You took care of me after I got back from… from the Street, and I wasn’t well for a while after I got back to Creation, but I took a bit of a break in the lead-up to my time on Choson and the Nagakota attack and it really helped. I feel a lot better now. I’m glad it’s clear enough for you to notice it.”
Lilunu is silent. Then:
“You know, overdoing it to repress trauma is no better than wallowing in your feelings!”
“I’m not-!” Keris breaks off and runs a hand through her hair. “I promise, I really am doing better. I wasn’t, back in Wood. I nearly had another breakdown after…” she waves a hand vaguely, “a close call with some assassins who got further into my house than I liked with before I slaughtered them all. But I promise; I swear, Lilunu, after that I took a nice season-long cruise with my babies and, um,” she blushes, “a new paramour, who I hasten to add was very sweet and didn’t let me bed him until I’d recovered and spent most of that season just looking after me and making me laugh and feeding me and making sure I was okay. The set-up for the attack on Nagakota wasn’t taking up all of my time. I wasn’t overdoing it, I was recovering and planning a big impressive victory to keep my seat at the Director’s table. And it went off perfectly.”
That earns her a considering look, not least because it seems quite clear that her lady does not entirely trust her when she makes claims about her emotional state. Which is very unfair.
“And also a mark of her growth as a person that she is now aware that you are a pathological liar and workaholic, child,” Dulmea the arch-traitor murmurs.
Cruelly put upon and mistrusted, Keris pouts. “Anyway,” she says firmly, “leaving questions of my health aside, I did have one important report to make to you, my lady. That gift for the Reclamation I mentioned. I’ve brought you a new Infernal. Or rather, a not-so-new Infernal. Which is where the issue lies.”
Lilunu sits back, thin eyebrows raised. “Oh? Which one? A... Slayer?”
“A Fiend.” Keris files away the fact that there are apparently multiple new Infernals this Calibration - probably three or more, since Lilunu would have asked which of the two it was if there were that few. “Her name is Suriani bi-Musa; she’s Chosoni. The problem is that she was an infernalist before she Exalted; a master of Black Claw Style... and a lover of Mara. Who was there. And had conspicuously not told her about the Reclamation, or the Althing, or her peers.”
The rainbow fire in Lilunu’s eyes flares blue, and Keris quickly holds her hands up, begging leave to finish and speaking quickly to get the rest out before Lilunu can respond.
“She had a lot of pretty justifications for why, and assurances that she was going to tell Suriani in time to head back here, and after some discussion I agreed that Suriani hadn’t missed an Althing so Mara hadn’t actually done anything wrong yet. Though I did let her have it as your Voice, my lady. Officially speaking, Mara found her early in the year and has been training and preparing her for the Althing, and due to her great affection for her student is going to be supporting the Lower Southwest going forward. Uh, assuming Suriani gets put into my division. But she will, because it’d be stupid to move her out of Choson when she’s perfectly placed there as she is. Unofficially speaking, I wanted to let you know that some demon lords might be starting to get ideas about poaching Infernals if they find them early and their coadjutors are damaged. If any new peers ‘happen to not show up to Calibration’, it might be because they’ve been encouraged not to.”
Lilunu exhales, and her teacup splinters and cracks, burning up in green fire in the space of three heartbeats. “I see,” she says, and the domed walls of the sanctum shake. The very fabric of the little world trembles under the weight of her fury. She doesn’t move, but she looms. “My Keris, I will not tolerate that disrespect.”
Keris breathes out slowly and can’t supress a shiver. It’s not that she particularly cares if Lilunu comes down on Mara like a tonne of bricks, but... well, they did sort of have an agreement. Kind of. Mostly.
She kneels, one arm across her bent knee, head bowed.
“I know, my lady,” she says, scenting the flame and fragrant desert flowers in the air. “And I told Mara as much in your name. I believe her cowed, and she will be paying my Directorate reparations for her attempt at monopolising Suriani, so I agreed to leave her intentions out of my report for lack of proof. But if you wish to overrule me and lay a stricter sentence on her, I will be your Hand in the matter. I would only counsel that her hold on Suriani is deeply rooted. I thought it best not to work against the Black Claw’s grip on her heart.”
Lilunu slams her fist down on the table, the mother-of-pearl surface shattering under her blow, dissolving in her fury. Then she closes her eyes, and grits her teeth, and the surging indigo in her hair is brought under control. “I understand your point,” she says. “Though I am not happy - and I will remember this. Any demon lord who tries such a thing in future will find that their betters will not tolerate such insolence. And if necessary to make her behave in these matters, my Keris, make it clear to blue-eyed Mara that the blue of her eyes would make a lovely paint. She might understand how to play the game of avoiding the rage of the Unquestionable, but I am just a naive child among the demon princes. I don’t know the unspoken rules and she has provided me no assistance that I might decide to spare her out of past gratitude.”
Keris swallows. “I will make it very, very clear to her, my lady,” she promises, dry-mouthed. It’s not out of fear. Well, not entirely. There’s a little fear of Lilunu’s wrath, but more than that, it’s thrilling to see her lady flex her power so casually. To watch her bring herself back under control with no more than a moment’s concentration. To hear her turn her position of weakness among the other Unquestionable into a source of strength, and a fearsome threat.
Dulmea’s song, echoing her mood, is one of reverence, pride, and triumph. This strength, this force of will, this agency - it’s not something Lilunu had five years ago, much less ten.
This is proof of how Keris has helped her lady.
“Suriani is waiting on the Baisha,” she says. “I wanted to give you a chance to set up a proper welcoming reception for her, and she’ll appreciate having a lot of attention and fanfare to greet her. The twins and Atiya are onboard as well, and probably awake by now - the twins especially are very eager to see you. And I also have a new apprentice and a new soul, who I’d like to introduce to you once Calibration is over and you have some time to spare.”
She looks up through her lashes. “I don’t hide things from you, my lady,” she adds, heart-poundingly earnest. “Not anymore. Not if I have any choice about it. I promised Mara I’d leave her attempt out of my report, but I was always going to tell you. Even if you overruled me. I value your trust.” She bites her lip, and continues before she can think better of it. “I want you to know my souls, and my children, and my students. I want you to know about my secrets, when I can share them safely. I don’t want to be like the Unquestionable who told you nothing of Khereon Ul’s intentions and just held off their interest behind your back. They were doing it to protect you, but,” she reaches up and takes one of Lilunu’s hands, uncurling it from the fist it’s balled up in, “I want you to be able to decide on your safety and your choices for yourself. With all the information you need.”
Lilunu exhales, and her fist relaxes. Her larger hand wraps Keris’s up, clutching it tight. “I don’t know what I’d do without you,” she says, softly. “You’re honest with me. You bare yourself to me.” She pauses, seeming to almost mentally stumble for a moment, then continues. “And on that note, I hope dear Strigida served you well when you were out putting yourself in danger. I made her to keep you safe.”
“She was wonderful, my lady,” Keris beams. “Especially on the Nagakota mission. She helped me split the keel clean off a five-mast war junk! It exploded from the force of her strike along the length of its hull! Her wings are amazing!” She wriggles happily, the silver tattoos shifting under her skin. “I’m probably going to need to learn a whole new martial art to use her properly. None of the ones I know already really work with her wings. I’ll have to see if those scrolls include White Reaper; what I’ve heard about it sounds like it would fit well.”
Lilunu fondly pats her on the top of her head with her other hand. “I do love it when you are excited about a new form of beauty,” she says. “And it is just wonderful that you adore Strigida as much as I hoped you would. She looks gorgeous on you.
“Still, I suppose we have taken as much time as we can. Let us handle the introduction of your new Fiend into the illustrious peerage of Hell, and then, my Keris, I have a few things I must have you read and review. I dare say your Rala will be of help, too; your darling Indo has been of great help since you left him here to run the Office of Revelries in your absence - and so eager to be of use! Oh, and this year I’ve given you the fourth day alone to run, and kept the second. Without Zanara here and with you not up to your best, I felt it better to take some of the workload from you.”
“As you say, my lady,” Keris says happily. “You didn’t have to, but I appreciate it. Oh, and I do have one visit to a peer I want to make before Calibration.” She grins. “That’ll be a surprise for you. So we can’t waste time! Let’s go!”
Suriani is delighted with all the attention she gets, even if to Keris’s jaded eye the simple introductions she gets are nothing particularly outstanding. But she’s swept away in Lilunu’s wake and nearly overcome by the grants of her townhouse and her staff and the scheduled appointments with Lilunu and her tailoring staff to ensure that she’s properly attired for this Calibration. Keris isn’t required to be present for all this, and thus she has a little time before the start of Calibration to herself.
Time admittedly helped by the fact that she now has Baron Indo, her newly-appointed-last-year Secretary of Ceremonies, running her planning office. She assigns Rala to help him and turns them both loose in the planning office with all the things that she needs to get done and instructions to compress the material down to what Keris needs to know or sign off. Rala has the formal documentation for Suriani’s discovery to submit to Lilunu’s offices, and literally tied to the frontpage is a formal request by the Lower Southwest Directorate for her to be placed with them. It’s so useful to have aides who relish that kind of task. Even if they do wind up glaring and sniping at each other before she’s even left the room.
In the meantime, Keris wanders off into the Conventicle. She hasn’t done this in a few years. Last year she was rushed off her feet with management, and before that she didn’t really associate with her peers (and then there was that year she was late, oh yes). And before that-
... well, that’s perhaps it, isn’t it? She doesn’t love Sasimana anymore. In previous years as a Director, she’d be spending all the time before Calibration with Sasimana. And before that, she’d still be spending all her time with Sasimana. It has been a pattern of her life that she tends to neglect friends in favour of lovers - and fall into bed with close friends.
Well, she’s not going to fall into those habits again! She’s checked the lists of the green sun princes in residence - and they’re nearly all back. So she’s going to go to a few places and talk to whoever she happens to bump into and just see what happens. All spontaneous and unplanned-like. She admires herself in the mirror; looking smart and halfway between masculine and feminine in a sharply cut grey-and-red belted jacket whose square shoulders and complex embroidered patterns of dark grey on the pale grey sleeves and bright red body panels make her look very official. She has long, sleek trousers under it, and ankle boots with gleaming silver heels that add a couple of inches to her height. A bone-and-cinnabar beaded headpiece wraps around her forehead, with long strings of white and red beads trailing down on either side of her face to click against her chest.
“Child, I don’t know why you’re lying about your motives to me,” Dulmea observes. “I know you’re dressing up nicely to get the attention of the Northern Director - and lure her into asking for your help with fashion.”
‘You can’t deny she needs it, though!’ Keris protests. Inwardly, because there are always ears listening, even in the Conventicle. ‘Last year she was in a Realm dress, mama! A Realm dress! Not that she couldn’t pull one off if she wanted, if it was in the right style, but it was some terrible silk thing trying to make her look like the kind of high society lady who’s never held a sword! She was visibly uncomfortable in it. It was painful to look at. I don’t know if it was her idea of trying to fit in as a new Director or if she just has an atrocious tailor, but I need to make sure she’s in something she can feel like herself in this year.’ She pauses. ‘Also, I want to see if she’s still pushing for more cooperation between Directors. If so, that’s something I can use.’
“I don’t have your very certain eye for aesthetics, but she did not look the best in that meeting of the Directors,” Dulmea says. “I understand why you don’t send an invitation around if you want it to seem spontaneous, but I have always been of the opinion a little formality makes everything more convenient. Where do you intend to begin your search? Perhaps in the pleasure district, or the libraries of Orabilis, or the Street of Infernal Artisans?”
It’s only long experience of being inside Keris’s skin that lets Dulmea catch her flinch. ‘Let’s... try the artisanal district first,’ she suggests. ‘Then the libraries. If she’s not there, we can look at going... other places.’
The Street of Infernal Artisans would be a paradox in Nexus. In the city Keris grew up in, the finished products of the highest quality are sold in the Nexus district proper - a place of trade and commerce and wealth. And this street has something about it, because Lilunu adores her crafts and her arts, and so each merchant and each artisan must not simply sell things of beauty, but their whole frontage must be something of beauty. So in the wide boulevard there are sweeping canopies of golden trees, the light of Ligier - who also adores such things and has a prominent representative here - falls particularly softly, and off the main street there are more intimate little alleys where things of smaller scale or more subtle purpose can be sold or commissioned.
And yet Lilunu also adores the art of crafting, in all its ugliness and messiness and compromise, and so there are forges and mechanisms and genesis vats and a thousand other tools of demonic artifice, all laid out plain to the world. Monstrous lung-trees suck their fumes down into the catacombs and perfumed flying-beasts take away the edge of the acid and burning offerings, but this is a street one could walk down and see an artisan working on a blown structure of Cecelynite glass and strike up a conversation with them about their means and methods. And that is not something that the Nexan merchant princes would be so inclined to do.
Keris wanders along, accepting a few nods here and there from craftsmen who recognise her as the Mistress of Ceremonies. She’s browsed this street before - it’s one of her favourites, in fact - and the artisans know that she’s not averse to buying pieces on a whim if they’re sufficiently impressive, or sometimes arranging commissions.
She doesn’t really have her eye out for anything, but still pays casual attention as she strolls along the street and circles through several alleys. She stops to chat with a luthier who’s shaping the soundboard of a truly gargantuan double bass out of some kind of dark-grained soundwood from the catacombs. She pauses to admire a display window of jewelled saddles for a dozen different types of demonic beast. And she outright haggles with a mason’s yard to purchase a nearly-complete sculpture of an agata in flight.
It winds up costing a pretty penny (that she charges to the Conventicle budget), but Keris would have been willing to buy it at twice the eventual cost they hash out. The decanthrope sculptor has shaped the body of the wasp so vividly that it seems on the very verge of taking flight, delicate wings outspread mid-wingbeat. But where an agata’s jewelled carapace is gold and crystal and a thousand glittering hints of iridescent colour, the jewels decorating this sculpture are a hundred subtly different shades of black - onyx, jet and obsidian, spinel and pearl and coral; garnet, diamond and agate. The result is an agata’s jewelled shadow; an inversion of the jewelled wasps’ colourful glory.
Smiling in delight at the artistry, Keris compliments the sculptor and arranges to have the thing shipped to Suriani’s townhouse as a welcoming gift from the Mistress of Ceremonies once it’s finished. Then, pleased with her impulsive purchase, she resumes her idle wanderings.
Someone catches her eye - a tall, broad-shouldered woman, over by one of the stalls of Mazah who some call the Smith of Strife. Or, more specifically, what catches her attention is the woman’s black cloak, made of countless crow feathers. It takes a moment to recall her name - Corrusu the Crow, North-Western Directorate - and that click allows her to realise that the other woman next to her, dressed in wools with a fine orichalcum torc and both arms laden with gem-encrusted bangles must be Pohkanza. Keris barely recognises her - she almost always shows up to formal meetings as a fur-and-bare-skin savage, painted with woad and henna. So that presentation in the meetings is likely at least partly an act in its own right.
Two of the three members of the North-Eastern Directorate, and both of them have been around about as long as her. Isn’t that a thing? Keris hasn’t wondered before why Chimala Hainux is the North-Eastern Director when both these women are substantially his senior (and more enlightened than him too), but so too was Testolagh when he was in the North-Eastern Directorate and he’s the eldest Infernal who’s never been let near any kind of authority.
“Ladies,” Keris greets them, strolling over. “Nice to see you both outside of the boasting sessions. Shopping for weapons?”
Perhaps she didn’t introduce herself the right way, at least for Pohkanza. Her attention immediately focuses on Keris, and Keris can taste the pressure of her soul - almost as strong as she is, with the heat of deserts and the scent of cinnabar accompanied by uncanny music cut through with silence. “Oh look, it’s Miss Does Very Well For Herself,” Pohkanza says, her Old Realm strongly accented. “They’ve been singing your name in praises since we got back. Congratulations. Really.”
Corrusu rests her hand on Pohkanza’s shoulder. “I chipped my sword, fighting a moon-chosen. I need the damage repaired - and his fingerbone made into a tassel.”
“Which I can do both of,” says the demon lord Mazah, who looks uncannily familiar to Keris. She wears the form of a cast-out Harbourite, much like Keris’s own Bloody Lionesses, and her dark skin is streaked with sweat and soot from her forges. “Lady Dulmeadokht. If you wish to speak with me, we can do so once this current issue is fixed - ‘less you have some message from Unquestionable Lilunu for me.”
“No message today,” Keris says, letting Pohkanza’s sarcasm pass her by with an innocent smile even as she makes a quiet note to look for any future opportunities to pay her back for it in some appropriately mild and petty way. “Just greeting my fellow peers. A Moon-Chosen is a rare prize, congratulations on your victory.”
There’s a flicker in the crow-caped woman’s eyes as if she’s looking for hidden meaning, but she shakes her head. “Oh, yes. I showed him that I am a better swordswoman than him. Another tassel for my sword, to join two sun-chosen. And,” she twitches open her cloak, to show that she has another sword on her right him and two swords on her left. Each of them has their own collection of tassels; some white, some black, some red, some green and some blue, “a few others.”
Keris remembers Corrusu’s boasting has oft-times been about foes she’s triumphed over. But from the looks of things, if every tassel is a Chosen foe defeated in single combat... well. This isn’t a woman who avoids strength, like Keris does; she’s someone who spits in its teeth and cuts its throat. And that desert-sharpness in her is mixed with sickly lush sweetness and the cutting tang of blood. And just a hint of hellfire.
An impressed whistle is the least Keris can respond with, and she looks over the tassels with raised eyebrows. “Damn,” she says admiringly, then cocks her head thoughtfully, pursing her lips.
“In fact... hmm,” she muses. “With skill like that, how would you feel about showing off against a peer opponent or two? Not this Calibration; everything’s already planned out for this year - at least for anything organised; you’re as welcome to use the arenas as ever for impromptu matches. But maybe next year? It’s one thing to hear your boasts; they’re impressive enough on their own, but seeing you fight in person with some proper spectacle... that’d definitely be a crowd-pleaser. It might get you noticed by a few Unquestionable interested in patronage too, if you wanted that sort of thing.”
That gets her another stare. “I’m not sure-” she begins.
“Oh I’m into that,” Pohkanza says immediately. “‘Specially if there’s prizes to be won.” She stretches, and just for a moment a long-bladed spear appears in her hand in a crackle of red lightning and swirling wind vortices, before she banishes it again. “Or great prey to kill. Go get your beaters to drag in some behemoths, an akuma or two, maybe a demon lord who’s willing to put their life on the line, and that could be fun.”
Keris taps her lips thoughtfully. “Okay. Okay, yeah. Like I said, it won’t be now; everything’s already scheduled and there’s no time to cram anything more in. But give me a year and I’ll see what I can fit into the plans for next Calibration.”
It’s only a passing meeting, and Keris leaves them to Mazah soon. But she leaves with something to think about. Corrusu the Crow is simple, relatively; she has pride in her swordsmanship, her collection of trophies taken from powerful foes, and she doesn’t think about Keris or envy her. She does expect Keris to try to use her or exploit her, but it doesn’t feel personal, just a mistrust of someone she doesn’t know.
But, ah. For Pohkanza, as experienced as Keris herself and the Scourge five seats on from her, but less spiritually enlightened, less powerful, never a Director, it is very personal. She expects Keris to gloat while putting out a friendly face, to belittle her with sly comments, to tear her down and rub in her inferiority with an intensity that can only come from the fact that she’d do the same. And more than, it’s personal enough that she envies Keris. Deliciously so. Her pride in her infamy in the eyes of Hell can only be belittled by the fact that Keris is vastly more famous - and did it not by her skill at arms, but by her skill on the stage and in bed. She is a proud huntress facing the fact that there is someone better than her in the eyes of their masters at the things she prides in herself. There is someone who is the centre of attention who isn’t her. No wonder she stinks even more strongly of Szoreny than Keris, even though both of them were chosen before the Silver Forest joined their enterprise.
“Does Chimala Hainux know how in danger he is from this woman?” Dulmea says. “If he doesn’t, he will deserve his fate.”
Also, Keris hadn’t realised those two had a thing going on, but seeing them here - oh yeah, those two are fucking. She can smell Pohkanza’s perfume on Corrusu and the polished onyx on her rings is clearly a reference to Corrusu’s black-feather cloak.
“Something to keep in mind in Directors’ meetings,” Keris agrees, shivering in pleasure as she savours the sweet scent of Pohkanza’s hapless envy. “Alright, well. Off to the libraries. Let’s see who’s hanging around there.”
The libraries of Orabilis, by contrast to the artisan’s quarter, are far from Keris’s favourite place - and the fact that she has to sometimes go to them is something she is none too fond of. Between the glass walls and constant floating presence of his Eyes, she has no doubt that Hell’s censor knows everything she reads here, and the light and the shimmers and the endless reflections give her a headache. Unlike the libraries of Creation, it is not quiet here - for that would be death in Hell - but the wailing of the choir of trapped stars and the finger-on-wineglass hum that accompanies them is not her choice of music.
There is no sign of Demitrea here, but there is a familiar face. Or, uh, lack of a face. Huddled up at the centre of a mound of books and attended to by the librarians is Unspoken Sigil, draped in their self-woven veils and shrouds, a notebook of commands before them. And if the reflections are headache-inducing in most of this place, the books they are reading practically burn with power.
Even before she approaches them, she feels the tickle of unseen hands. Unspoken Sigil pauses in their reading and rises, performing an odd gesture, half a bow and half a curtsy. Ethereal calligraphy flickers above their head, flanked by the memory of words. “Welcome,” the unsaid message says to Keris, except it says more than that; it expresses surprise that she is here, but no unpleasantness in the surprise, only the expectation that she would be working in the affairs of the Conventicle right now. Moreover, there’s a flickering essay that touches on the (few) previous times they have met, never in such informal ways, and pre-emptively apologises if they act in ways unfitting for what Keris their senior expects of them. And of course, there’s a small aside admiring the way she looks, making clear that she is gorgeous.
This is even worse than communicating with Eko, because at least Keris can ignore some of the self-indulgent layers of complexity Eko weaves into her chattering.
“Hello Sigil,” she returns gracefully, propping a hip on the back of an empty chair. “Don’t worry, it’s nice to see you outside the boasting. We haven’t really had a chance to speak informally before. And Lilunu dismissed me from the festivity preparations and told me to go relax and socialise for a scream before the events start. So,” the corner of her mouth quirks, “I suppose you could say I’m officially unofficially following her orders right now. You seem settled in - and well-stocked with the best of Orabilis’s texts. Are you researching for the job, or pursuing a personal interest?”
A few books float around, held up on unseen hands, after-images of their text falling from the moving pages like rain only to spiral into Unseen Sigil’s veiled eyes and ears. They do not speak, but instead spell out, “There is a beast of the north-west,” curiosity, fascination, fear, “that dwells in the dark spaces below the world.” Ever so dark, ever so cold, lightless and sunless - kin, perhaps, to the catacombs of Malfeas? Such a thing to think of. “I think it escaped from an ever-prison built by the ancients - I wish to see if there are records of it here.”
Fascination, yes, and a desire to control - for it is a powerful thing, an ape-like body on the trunk of a reptilian body, a protrusion of heads sprouting from its shoulders that serve as both senses and hands. It devours men to learn their thoughts and could answer many things if it could be controlled, whisper the voices. And would greatly aid Ku Shikom, who is kind to Sigil and cares for them and teaches them and thus this little research is nothing to pay back their debt to their master-teacher-director.
“Sounds formidable.” Keris says, scooting down to sit on the arm of the chair. Her weight tilts it to one side, balancing on two legs. “I wish you luck with capturing it - and I’d be interested to hear more when you succeed. Nothing Ku Shikom doesn’t want shared, of course, but I’m interested in such things - creatures that don’t fit into the normal boxes, and the like.”
She pauses, watching the books float and shift and the knowledge flow from them into the Infernal’s eyes. “And on the note of your Director, Sigil,” she adds, leadingly. “Could you do me a small favour? Nothing pressing or urgent, just mention to Ku Shikom that I’d like a private talk, if you see them before I do. One Director to another. We’ll both be busy over Calibration, but I’ll try to find some time whenever suits them.”
That gets her an instant nod. The letters spell out, “Is there anything that I can help you with instead of bothering them?” Eagerness, enthusiasm, but no ambition; just the genuine desire to be seen to be useful no matter the cost.
“... yes, actually,” Keris replies after a moment’s thought. “Not on that matter - I need them in their position as Director. But I had a couple of run-ins with the Broken-Winged Crane this year. Fascinating little thing. I don’t suppose you know where I could lay my hands on more copies?”
Unspoken Sigil taps their index fingers together with sudden hesitance. They do not even spell out that they think Ku Shikom has copies of it. But it still escapes in a little tracery-word that hovers behind their denials that they know where such a thing could be.
Keris sighs, looking at her neighbour. The twenty-eighth seat of the Althing Infernal, whose shrouded library-estate sits next to her own townhouse and whose throne is beside hers at the boasting.
The twenty-eighth seat, but the third crown thereof. Keris has had two neighbours to her right before Sigil since she first came to Hell - and one before Yala on her left. Both her seatmates from her Exaltation are dead and gone, while she remains, and Sigil is so very young. This will only be their third Calibration, and the taste of their power - the mad impossible fantasies of Elloge and Oramus twisting and winding above subtler whispers of the Pyre in Which Thoughts Are Burned - is still only as strong as a powerful demon lord.
In her first few Calibrations, Keris tried to make friends with her neighbours. With clever, irreverent Namrata, with jovial, joking Ilyas. She’d been stupid, back then. Still more Kit than Keris. She hadn’t seen the desperate shame underlying Namrata’s avoidance of any talk about his family or past; hadn’t seen the cruelty under Ilyas’s jokes or the way he refused to let her close - or anyone else either; too determined to be independent of any master over his fate to ever ask for help.
And then, just two years later, Namrata hadn’t come to Calibration, and Vijian had replaced him, still freshly grieving some heartfelt loss that Keris had learned enough to know better than to poke at. The year after that, Yala had been sitting in Ilyas’s chair, hungry for status and wealth and power. And three years past that, Vijian was gone and Sigil took his spot.
Shame and loss, independence and hunger. Envy and fear. Every Infernal is flawed and broken, and Keris has learned not to get too attached to her peers. Of the ten Exaltations sent out in her wave, only she, Xansu Chunhua and Pohkanza remain. Keris can see the fault lines in Sigil’s psyche - so desperate to please, so eager to do anything to be useful. They’ll burn themselves to ash for the sake of someone else, chasing the hope for gratitude or striving to repay the smallest kindness. Perhaps they could yet be saved - perhaps if Keris threw all her weight into befriending them and supporting them and teaching them there are limits to what you should do for others. Perhaps then they might learn in time that they should always hold back a little core of selfishness, to care for themselves and prioritise self-preservation over self-destruction.
But she can’t. She can’t, and she knows she can’t. Keris has her hands full - overfull - with Lilunu’s health, with Sasimana, with her children, her Directorate, the Calibration festivities, her secret plans, her students. As much as her heart aches for this sweet, earnest, desperately willing martyr... to truly help Sigil would take more time and effort than Keris has left to give.
So she sighs, and she smiles a Cinnamon smile, and shakes her head as if it’s only a little disappointment - a passing thing, of no real consequence.
“That’s alright,” she says. “It was only a thought. You’re already doing me a favour by letting Ku Shikom know of my request. If you need anything, do tell me. And I wish you luck with your research - and the boasting.”
She can see their smile through their veils. And they don’t say anything, not even through their unspoken words of the Sphere of Speech. But they do mouth ‘Thank you’.
“Perhaps even this little kindness from you is enough that they’ll give more than you gave them in return,” Dulmea says sadly.
‘I wish I could do more to help them,’ Keris thinks sadly as she bids her goodbyes and makes her way out of the library. ‘Ku Shikom is... I won’t say using them, not until I have a better look at them together. But they’re not doing anything to stop Sigil working themselves to destruction. It might be that they’re as kind as Sigil said, but it’s still enabling a slow suicide.’ She sighs. ‘Or, hell, maybe I’m being cynical and they are trying to help, and it’s just not enough. If someone’s determined to destroy themselves and doesn’t want to be saved, there’s nothing you can do to stop them.’
“And yet you still think about Sasimana.” Dulmea’s words are a foreseen knife.
‘She’s clan,’ Keris replies simply, not trying to deny Dulmea’s point, merely resigned to it. ‘I may have cut away our romance, but I can’t cut her out of my heart. And she... she at least said she was willing to try to get better, back in Earth.’ She grimaces. ‘I guess we’ll see how much she meant it now that it’s been a couple of seasons. Back then she was fresh off the horror of what she did and had a bunch of scolding from Lilunu on her mind. A couple of seasons back in the Realm will have given her plenty of time - and reason - to backslide into vice to cope with the stress.’ The thought makes her stomach twist uneasily, and she glances over at the pleasure district of the Conventicle, then hastily away.
“You should be looking there,” Dulmea says heartlessly. “Many of your peers will be taking the chance to relax in various forms of messiness at the end of the year. If you are looking for passing encounters that seem organic and seamless - especially with people whose guards are lowered - then that would be a good place to search for Demitrea.”
Keris wrinkles her nose. She doesn’t want to go there. It’s nothing like Ipithymia - probably especially so now, after a couple of seasons of Lilunu’s pique rearranging it to be a deliberate rebuttal of the Street’s aesthetics. But she still doesn’t want to see the neomah towers, smell the scent of sex, hear the advertisements of the brothels.
She closes her eyes and blows out a long, weary sigh.
“Fine,” she mutters. “But it’ll be a really short trip. Through and through. No lingering. And if Sasimana’s there, I’m leaving.”
Lilunu’s pique has gone a lot further than Keris realised. Not only has she completely redesigned the district to strip all the gold and yellow lanterns from it, but she has also removed all the streets. Instead, the buildings are jumbled together in a way which might look chaotic if it wasn’t so clearly the work of artifice and design. It makes Keris think of the extremes of Haneyl’s ‘architecture’ except here, the way that a corridor through a nightclub becomes a thoroughfare that leads into an open jungle-space where bars hang suspended from the ceiling like wasps’ nests is clearly intentional. And there is nature - or hellish mockery of it - everywhere. Canals float through the hollow spaces between two jammed-together buildings covered in vines, and the music pulses like a heartbeat in such a way that Keris can feel her own heart synchronising with it. The air is thick with pollen and the ground is soft and yielding, even when it seems to be stone.
Keris looks around, not a little impressed at how far her lady has taken her determination to make this place the precise opposite of Ipithymia’s flesh. And it does help. She’ll have to tell Lilunu as much when she next sees her - the plant life and canals and vines and mosses are calming reminders that she’s here, in the Conventicle, not back in her gilded palace. She wanders through the district aimlessly, absent-mindedly extruding Strigida through her clothes to form a hooded, feather-patterned cloak that makes her a little less recognisable and keeps anyone from approaching her on sight.
There is certainly music and dance here, and in places the intersecting overgrown buildings have had part of their outer walls artfully torn away so passers-by can look in and see what the houses have to offer. In one, a writhing mass of bodies dance to music that gives Keris a headache after only a few moments, scantily clad figures in the gloom of the basalt-walled structure sweating and leaping. In another, wine flows like water from a waterfall and demon lords and powerful citizens sing - hah, that’s the song from the Ruination of Ragara, isn’t it? - as they scoop the wine out of the river and down it. There are tiny eateries where a select few enjoy meals fed by high class chefs, and great dining halls that hang inverted from the ceiling, served by the demons who clamber over the vines.
Keris recognises a very familiar voice - and of course it’s Naan, sprawled out in a jungle clearing surrounded by human servants and demon courtesans as he noisily tears into a marinated leg of some hell-beast. He’s buck-naked save for the mud, but so is everyone else around him. This space is both an orgy and a feast. But there’s something about this space that makes Keris startle. It isn’t like the rest of this district, clearly the product of Lilunu’s art. The plants have grown wild, out of Lilunu’s vision, and everything that grows here is black and wiry. And he’s using a totem of blood-red amber as a back-rest and Keris can hear the cosmic tearing noise of the Black Boar radiating from it.
Her eyes gleam. He’s stronger than he was last time she met him; he’s now an equal. A rival. And it’s his power saturating the area, pulling not just the people but also the landscape into this unchecked, unrestrained, basal state of nature, where even in a pleasure district everything is easy for him. Keris can feel it tug at her, too. The urge to just give in and sink into this mudpit of food and sex and sloth, where everything is free. This isn’t the temptation of Ipithymia, where sex is art-for-hire. This is all of Naan. And of the Boar. Is there really much of a difference here?
She laughs, high and only the faintest bit hysterical, feeling the way he’s warped the landscape. Oh, Lilunu is going to be pissed at this. Her beautiful design for a pleasure district utterly unlike the Street, overwritten by this place that’s the very worst parts of it - no artistry at all, just meat and lust and cavorting primal indulgence, where hunger for flesh and hunger for flesh are one and the same. Keris is honestly surprised that Lilunu hasn’t already felt this imposition on her flesh - ah, but no. She probably has felt it, but is letting it lie. This is a small area of change, and the Conventicle’s many-faceted nature makes her uniquely able to cope with this kind of warping in a way that other Unquestionable landscape bodies aren’t. And Lilunu is protective of her princes, and forgiving of their mistakes and offences, even when they ruin her designs.
Even so, Naan is playing with fire by doing this so blatantly right before Calibration. If Ligier heard that a peer had imposed his indolent, slothful inner nature on the body of his love, the Green Sun’s wrath would not be merciful.
“Naan,” speaks the Voice of Lilunu from the edge of his indolent orgy. “What the fuck do you think you’re doing?”
That earns her a lazy, one-handed wave. “Hiya Kit,” he hollers back, slurring slightly. “Pull uppa broad, take a load off.” His effusive gesture takes in the whole... the whole pig-pen. “What’s mine is yours if you do the same back, yeah?”
There is a dark attraction to that, but not the subtle, needy attraction that ophidians secrets offer. This is an inexorable pull, a pathway of least resistance. He’d listen to her if she did that, surely.
Keris laughs again, high and cruel, and steps into the pig-pen. Cloaked in silver and clad in her sharp suit of grey and red beneath it, she’s a vision of splendour untouched by the muck and vice. The strands of her beaded tiara click against one another as she marches across the clearing, silver heels disappearing into the mud and emerging pristine.
When she reaches Naan, she hoists him upright with a hair tendril and pushes those nearest to him away.
“Naan,” she repeats in a hiss too quiet for anyone else to hear. “What are you doing? Do you want to die messily? Because the Conventicle is my lady’s flesh. Building and body art; there’s no difference to her. How do you think Ligier will react if he notices you’ve painted yourself across his beloved’s skin?”
She sees his dark eyes narrow in his ugly face, his muscles tense - and then his weight increases manyfold, concentric ripples wrapping around him as the world distorts around him. “What the fuck happened to you, Kit?” he slurs in her face, as she strains under his terrible weight. “You used to be cool.”
“I’m still cool,” she retorts, arm shaking as she grabs him by the collar and struggles to hold him up. She winds another hair tendril under his arms, and then another. Even then, she can feel her heels sinking into the mud. The squelching wetness is already at her ankles. “But dying... in fire... sounds like a pretty shitty way... to end your day- fuck!”
It’s too much. She runs out of hair tendrils, runs out of footing, and one heel slides sideways under her and he brings her down with him with a great splat of mud that goes everywhere. She lands on his chest with a woomph, bounces off the hard-packed muscle and then gets yanked to a halt by how much of her hair is trapped under his bulk. Rolling back onto his chest, she yelps and blisters the air with a litany of curses that call his ancestry, diet, health, personal hygiene and sexual proclivities into question, arms flying up to her aching scalp and elbowing him in the ribs as she goes.
She’s pretty sure he doesn’t even feel it, the fucker. Ugh, and now she’s got mud all over her nice pretty clothes.
Naan bursts into raucous laughter. Of course he does. He’s dragged her down into the same filthy mud that he occupies. She isn’t looking down her nose at him anymore.
Holding grudges is too much effort anyway, and the fact that all her fancy clothing is now filthy is fucking funny, he manages to convey through his wordless laughter which only intensifies as she curses him out.
“The hell’s happenin’?” someone else slurs.
“Her hoightiness Kit’s shown her ass here to join us. Nah, I’m just pokin’ fun,” Naan slaps her on the shoulder hard enough it actually hurts, “Kit’s not so bad.” He pulls himself up into a sitting position, letting her get her hair out from under him. “You know the crew?”
Naan introduces his drinking and vice-seeking buddies, or at least people who are pulled into his orbit and ended up liking him. They’re much the same for him. “Tha’ one’s Joson,” he says, pointing at the man half-conscious, using an empty platter as a pillow. “He does ship shit.”
It’s actually Commodore Joh-Suan, with the Northern Directorate, but Naan either is too drunk to remember his name or can’t be bothered to say it properly. Keris has seen the aggressively-self-declared commodore a few times and once considered seeing if she could get some ship help from him when she wanted to be a pirate queen, but he had always been a pretty stuck-up sort. She’s never seen him passed out on a greasy plate before.
“And Xia and Opoth are over there. No, past the neomah, yeah, the pair fuckin’.” Naan belches. “They do south eastern stuff. We blew shit up together. That’s our motto! Work hard, play hard! Yeah! Havi can fuck off sayin’ we don’t work!”
Xiachu Pho and Opoth are newbies who Keris doesn’t recall much about. Xiachu is some kind of failed assassin chosen shortly before last Calibration, who Lilunu once mentioned was being considered for being given to Keris to train up but ended in the South East instead, and the only thing Keris knows about Opoth is he’s very proud of being a sorcerer. And has filed teeth, so Xiachu is... uh, a brave woman what with where his mouth is.
“Ochimos Havi is another case where the most experienced member of the Directorate is not the one leading it,” Dulmea observes. “So are you, but Testolagh isn’t this... awful man. And if Naan is bringing his juniors under his sway and teaching them his bad habits...” an amused thrum, “well, your job is even safer as not being the lowest-performing Director. Though perhaps it is not so good news for the overall efforts there.”
Keris rolls her eyes, but can’t manage to be too furious. Naan’s humour is infectious, and… well, the mud will come off. She punches him affectionately in the abs a couple more times as she extracts the last of her hair, then rolls off him to sit on a neomah who takes one look at her and then does her best to stay stock still and think seat-like thoughts.
“I guess I was a bit harsh,” Keris says to Naan in a low tone. “Lilunu didn’t send me, so she’s already felt this and decided to let it go. I just panicked, ‘cause… shit, Naan, if you did this on the flesh of another Unquestionable you’d be in a world of trouble. And then I’d probably have to deal with it, which would suck. I’ve got enough work around Calibration already.” She grins at him. “I’ll make sure this gets cleaned up once you’re done, just… be more careful where you put your mud-pits in Hell, yeah?”
“Yeah, yeah,” he grumbles - but she’s shocked him back to, if not sobriety, at least a lower level of intoxication. “I guess we oughta move on anyway. I was gonna take them an’ show them a great drinkin’ place I knew, but they gone and reorganised all this place and so I got lost and,” he considers things hazily, trying to reconstruct the logic involved, “I think I thought it’d be better if good stuff just went an’ came over to us.” He scratches his muddy hair. “What day’s it?”
“Two screams before Calibration,” Keris tells him. “And I’m sure you have a bunch of stories about battles won, but,” her grin sharpens, “I’ll bet you a keg of booze that’ll put even your constitution on the floor that this year I’ve got you beat for spectacle.”
That earns her a belch-laugh. “Probably! You got all your stories about the boss-men and boss-ladies you fucked and got ‘em to pay them for doin’ it!” He slaps his thigh, narrowly missing a ferfiedesseg. “I saw some of yer plays, before that dick Havi went an’ made me go back to the world. I was laughin’ my head off at ‘em. ‘Specially that bit in the Tepete bit where that guy was all like ‘my honour!’ an’ stabbed himself in the gut.”
The suicide of Tepete Kosin in the Temptation of Tepete had been a tragedy. At least Keris now has an answer as to why a big chunk of the audience in the first performance had been treating it like slapstick comedy.
“Yeah, well I didn’t rest on my laurels after going back to Creation,” she says, wearily deciding to let that go. There’s no point getting annoyed at Naan for missing the point of an artistic performance. It’d be like getting mad at a pig for making a mess of the garden. “Pay attention when my turn to speak comes; I promise you won’t be bored. But,” she sighs, standing, “I gotta go. You know how it is; people to meet, work to do. If you want all your fun displays and revelries over Calibration, someone’s gotta sign off on the orders for all the beer you’ll be drinking.” She brushes herself down, and where her left hand passes over her clothes, the mud turns to water and falls away. Even on the bits she doesn’t touch, it’s falling away; the weave of the fabric offers little purchase for dirt or stains.
That gets her an idle wave of the hand her way. She gives it maybe a coin toss whether he’ll actually move on.
“Should you ask him if he’s seen Demitrea, or is that just a waste of breath?” Dulmea wonders. “I doubt he’s seen much except through the bottom of a glass.”
“In that state I doubt he even remembers whoever last sucked him off,” Keris replies, picking her way back out of the mudpit. “He didn’t notice me passing by until I drew his attention. No, he won’t have a clue. Hmm.” She taps her lips. “Actually, tell you what. Let’s try the teahouses. She might be having a pre-Calibration meeting or getting some work done or just enjoying some food.” She pauses. “Also, I’m getting peckish.”
It is certainly a relief to get away from the mess that Naan made of the pleasure district, and Keris’s mood swiftly improves again as she wanders the streets. Sometimes she uses her celebrity status to chatter with very impressed lesser demons or have a quick discussion with a demon lord she knows; she even meets Benezet (who had been one of her favourite clients) at the centre of a number of the Conventicle’s bartenders who are with increasing desperation trying to please her desire for the unique. Keris manages to placate her, but avoids being drawn into extended conversation by feigning duties for Lilunu.
And then she comes across a cute little teahouse on the exterior wall, overlooking one of the lakes, and only her hearing saves her from entering the line of sight of Testolagh, Sasimana and Aiko who are taking tea together.
“... Daddy! You’re holding the cup too roughly! And you’re meant to pour boiling water in before you make the tea! How is Prita meant to drink it if the leaves are scalded?”
“She’ll drink anything if it has sugar in it.”
“Daddy! That’s not the point! You have to make it properly!”
Keris can’t quite contain a subvocal “aww~” as she peeks through a decorative hedge and finds the four of them sitting around an outside table in beautiful wrought-iron chairs. Sasimana is wearing long, flowing robes with a high neckline and long sleeves - very modest, by the standards of her usual Calibration fashions. Testolagh is in a vaguely naval dress uniform, looking stiff but indulgent as his daughter lectures him. Prita is more crouched on her seat than sitting in it, juggling sugar cubes with one hand and enthusiastically agreeing with Testolagh with the other.
Aiko herself is looking adorable in another of the uniforms that Lilunu made her, this one a smart ankle-length dress with a neat little waistcoat giving the upper body some clean, elegant lines. Her haircut is immaculate, her boots are kicking in the air under the table where they just barely fail to reach the floor, and despite her scolding she’s beaming at having both her parents here and paying attention to her like this. It’s painfully cute. If it wouldn’t mean disturbing the family outing - and also having to face Testolagh and Sasimana at the same time - Keris would go over and tousle her hair on the spot.
Instead, she quietly slinks back and takes the long way around the tea house to avoid them seeing her. She’ll no doubt have to talk to her ex and her subordinate this Calibration, but… not now. Not at the same time. And especially now when the unavoidable tension of such a talk would spoil Aiko’s special day.
Keris makes herself scarce before Prita’s pesky little szel hearing can give the game away, and heads for one of the main exits. Her passage out, however, is delayed by a major procession arriving in. Humans and servants in brilliant white scatter handfuls of petals, preceding a floating disk of hell-greened orichalcum. Atop it, sitting on the lap of a statue which wears her own face, is an eastern woman. Her eyes are a beautiful sea-blue, her long hair is jet black and decorated by countless jade beads, and if her servants’ robes are white hers is radiant enough to cast light. Above her floats a halo of blades, the grey stone weapons forming a sunburst over her head.
Our Lady of Light, Keris notes - the thirty second seat, sitting only a few seats away from Keris herself, with the Eastern Directorate. Keris had vaguely known her predecessor who’d been one of Orange Blossom’s most capable fixers and rabble-rousers, but she doesn’t know this woman at all. Her eyes gleam. Weaker than Keris, only as strong as Suriani despite the fact she’s been doing this since... yeah, she saw her in the 772 Calibration, and her piping and fluting of the Oramesque is undercut by melancholy waltzes of the Shadow of All Things and the mirrored notes of Szoreny.
Oh, and would you look at that. Keris grins. She envies Keris. And for such a holy woman, she’s most proud of her riches - both hellish and Creation-sourced.
They make eye contact, and the Mistress of Ceremonies gives a welcoming nod to her younger peer from across the way.
Our Lady of Light starts in recognition, and raises a hand. Then, with an elegant sway she steps off her platform and falls slowly to earth. Or, not quite. Instead, she hovers slightly above it, her bare feet not quite touching the ground, her long black hair past her ankles. “Oh, Mistress of Ceremonies, Voice of the Mouth of the Yozis, is there anything your radiant self wishes of me?” Her accent is that particular Scavenger Lands sound often called mid-Inner Sea, the Rivertongue of someone emulating the forms of High Realm.
Keris has to struggle to stifle a laugh. Oh, gods. This woman is a fraud. A massive fraud. She wants to applaud. The white robes, the floating, the pretentious - and false - accent. As a massive fraud herself, she has to admire it. It’s an art. It’s style. No one looks so holy without extensive studying of the forms of religion; no one stumbles into that look without work. And the fact that she’s got such strong notes of the Ebon Dragon and Szoreny - no one who’s honest has such an affinity for those two. Fraud, fraud, fraud.
More than that, she knows the fraud. They’re different women, from different backgrounds - except no, that’s not it at all. They’ve got very different skillsets and personal tendencies, but they’re from the same background. Keris can hear the Nexan syllables lurking behind the mid-Inner Sea pretensions, because that’s the same damn way she sounds when she puts on that hoighty toighty accent. This self-proclaimed messiah came out of the Nexan slums.
She smiles, delighted, and dips a shallow bow - not so low as to ignore her seniority over her younger peer, but enough to afford this self-styled priestess respect in front of her entourage.
“There is, if it would please your holiness, I’ve been remiss in not getting to know my younger peers in recent years. Would you take a meal with me, cousin? I find myself with a little time free from my duties and an appetite for the Conventicle’s food.”
Our Lady of Light cocks her head, and smiles. “Entertain yourself, my disciples,” she says. “Come then, Mistress of Ceremonies, take me to the finest place suited for those of our kind.”
Keris understands the challenge there, but she also understands that she doesn’t actually have to pay for this kind of thing and that with her authority she can get service that would otherwise be reserved for the Unquestionable. As a result, she can take her junior to somewhere which equals the finest restaurants on Ipithymia for a light lunch - which also has plenty of privacy.
“My thanks to you, Voice of the Mouth of the Yozis,” Our Lady of Light says after the first bite of delicately blended fruit and tangy fish of the Demon Sea.
“Of course,” Keris says, light and flattering. “Honestly, you’re doing me a favour; I’m usually so rushed off my feet at Calibration that I rarely get to patronise my favourite teahouses and restaurants.”
She watches Our Lady of Light carefully as they exchange small talk for a few minutes. It’s enough to reinforce her conclusion that the woman is definitely a fraud. Her manners are very practiced, her affections deliberate, and the fragments of Nexan accent still peek out from under her careful enunciation to Keris’s super-sensitive ears.
But what Keris is looking for isn’t that she’s a fraud, it’s how she’s a fraud. There are many different kinds of con-woman, and while Keris is predisposed to like this this ballsy, brazen bluffer, she wants to know more about what’s under the surface. Contempt for those she tricks? A sense of humour at her own scam? Or is she the kind who’s scared of being found out?
Her fear is close to the surface, twinned with her pride in her wealth. She’s proud that she is no longer nothing; she’s terrified that she’ll lose all her fortune. And it isn’t the same kind of greed as Orange Blossom, who came from fabulous wealth and her ‘penury’ would still be more money than Kit had ever seen in her life on the streets. This is the kind of greed that lives in Keris - and Haneyl, too; the aching fear of having nothing, earning nothing, being nothing.
Of course, Our Lady of Light doesn’t realise the heart of the snake she’s dining with. She expects Keris to be pleasant, to try to sway her, to get her on side for the affairs of the Green Sun Princes - and to, of course, fall for her holy-woman pretence. Well, isn’t that interesting? If she expects so little doubt from Keris, either she thinks Keris is an idiot or she’s falling for her own con.
Keris purses her lips as she turns the discussion to Our Lady of Light’s cult and how she got into the holy woman business - if in politer words - and wonders whether to let her know she’s been made. If she’s at the ‘starting to fall for her own con’ stage, she may not take it well. Had she been an anxious mess inside, then Keris might have played the friendly, supportive older peer from the same city, might have confided a few anecdotes about how she was making it up as she went the first few years as well. But as it is...
‘What do you think, mama?’ she asks, keeping one ear on Our Lady of Light’s response.
“I think you are exceptional at making people like you when you try,” Dulmea says clinically, “and while you perhaps do not need to call her on all of her lies, it might be useful if she is aware that she isn’t fooling everyone she meets. At the very least, you can phrase it as advising her to get better at what she does - after all, are you not also a cult-leader?”
‘Mmm. A safer one though, I think - she’s hiding that she’s Nexan, too,’ Keris replies, and lets her eyes widen in feigned surprise, a smile blooming on her face.
“Oh!” she exclaims, just as Our Lady of Light finishes explaining the tenants of her cult. “I’ve been trying to place what felt familiar, and it’s just struck me - the way you curl your vowels; have you spent time in Nexus? You’ve lost most of the accent, same as me, but there’s still just a little bit of it left!”
“I don’t know what you mean,” Our Lady of Light says with a slightly confused frown. “I’ve only been to Nexus a few times - I’m certainly not from there.”
She sounds so sincere. She sounds like she believes it herself. And Keris might even buy it - if being a Nexan wasn’t so core to who she was. And if she didn’t understand the very depths of self-delusion that someone with that kind of affinity for Szoreny can draw upon.
Her smile turns knowing, and she leans in over the table.
“Yes you are,” she says fondly, haloed by innocent beauty, “You cover it up very, very well, but my ears are very, very good. I can hear the traces where your accent slips. Like mine does sometimes.” She drops back into Nexan gutter-drawl. “I grew up Nexan too. An’ I know how the city’s gone to shit, an’ f’r’all I still love the place I ain’t gonna say you’re breakin’ Dogma for hidin’ yer past. Ain’t my circus, ain’t my monkeys. Ain’t my business. But, little cousin...”
Keris lifts a finger in front of the other woman’s face and wags it once from side to side, playfully. Her next words are, once again, the refined accent of a high-class courtesan; a multicultural blend of Anarchy Firetongue, Nexan Rivertongue a good half-a-dozen registers above the street rat and a little bit of the ocean-washed lilt of the Lintha.
“... you’re not as good at hiding it as you think you are. If I can pick it out, others might as well. Get better at hiding if you want to be safe.”
That beautiful, serene face twists in annoyance, and then drops into a far less transcendent expression. “Urgh, of all the pig-fuckin’ stupidity, ‘course I got myself caught out by someone else who clawed their way outta the slums,” Our Lady of Light says in a Firewander accent that doesn’t match her looks or mode of presentation at all. Speaking as a professional, Keris expects someone sounding like that to be selling dodgy-origin meat buns or running side-scams on the street or wearing a blue sash. “This ain’t fair at all, you know that? Just ‘cause you’re the most famous assassin an’ hell-harlot around don’t mean you gotta rub it in.”
Keris laughs, leaning back and settling into her seat again. “Hey, the only thing I got goin’ for me is time,” she placates. “You’ll get there. Just wait; in five years you’ll be the one lookin’ at a pretty new peer dolled up fancy and goin’ ‘you know, there’s somethin’ about his accent that seems familiar...’ to yerself.” She winks. “If you do, let me know. I like meeting other Nexans. Outsiders ain’t got the same basic...” she wobbles her hand, “... Nexanness. They don’t think about rules the same way, y’know? They think they gotta follow ‘em, ‘stead of work around ‘em. Where’d you grow up, anyway? Firewander? You sound Firewander. Like me.”
The other woman folds her hands on her lap. “First four years; Nighthammer, then two years in Sentinel’s Hill, then Firewander. Well, mostly Firewander. I spent a couple of years as one of the little sisters in a Nexus-proper brothel, runnin’ errands and doin’ a courtesan’s hair, but I run away with a bag’s purse before I became the merch proper. Then it was back to Firewander. I was First Cat back then, of course. But no one’s gonna listen for card readin’ and spirit visions and dream tellin’ from a girl called First Cat. ‘Our Lady of Light’ is the best name I got yet, ‘specially since I can get all glowy now.”
First Cat leans back.
“Now look at you, then. What’s your deal?” Her fingers tap on her perfect white silks. “Pretty, but most of us are ‘cause of what this does to us. Got a bunch of demon in you with that hair. And yer name’s Keris, which is a knife, which means back home you lived by the knife - but you learned to be a nobby lady like the very best harlots. Knives and harlotry an’ Firewander-” she freezes for a moment, then shakes her head, blinking. “Fuck. You’re her. Ain’t you?”
Keris tilts her head, but not in confusion or a questioning motion. It’s acknowledgement that the not-quite real chain of logic has led her to the right conclusion.
“The Blue Killer, here in the flesh,” she confirms, voice sliding a little out of Nexan slang, though not all the way back to Cinnamon’s exotic, hard-to-nail accent that she uses in the Conventicle. “Surprised?”
“Holy shit, yeah. You’re the very first one an’ all that. My ma told me you’d rip my guts out and leave me in a pile for the Leechman if I dun go to bed right now,” First Cat says warily. “Fuck. No wonder everyone was scared of you if you was a servant of hell all along. An’ people was sayin’ that it were the Blue Killer who came back and killed the ol’ Council, but... that were true, weren’t it?”
She’s not entirely right, but it’s not like she’s wholly wrong, either, so... Keris bows her head and spreads her arms. “My only visit back after I left,” she confirms. “Old Gen’s spirits din’t protect him from me. An’ his spirit din’t dare rise with a grudge, not with what I’d’ve done to it if it tried. But,” she slips back into her Cinnamon voice, “I’ve gone and gotten all soft and sweet since then. I’m a regular bleeding-heart these days. Lost my mean streak completely. Well,” she chuckles, “mostly. You don’t need to be scared of me leaving you for the Leechman, or any other nasties. I found faith in my lady, and she trusts me to look after her princes and princesses. Worry more about anyone who messes with you.”
First Cat laughs at that, though she’s still keeping back in her seat. “Oh, yes, it is quite incredible,” she says in her Our Lady of Light Voice, pressing her hands together in prayer, “how a girl from Firewander might clean herself up and find a new start in life.” She drops out of that voice. “Helps that that... I mean, I used to be able to kinda sorta sometimes hear the spirits, ‘nough to know they were there, but now I hear them all the time. And more stuff, too.” She smiles easily. “Stuff telling me about you - oh, she wants me to tell you that you were meant to bring Zanara - and about everyone and everything. And,” she smiles, just as innocently, “I dun need to do fake card readings - unless someone’s paying me - when I can just doom ‘em to have bad shit happen to them. Much funnier that way.”
“I gue- wait, did you jus- I mean-” says Keris, tripping and stumbling over her words as her mind races faster than her mouth can move, registering and then processing the mention of Zanara’s name before she’s finished cutting herself off to ask after it. Her souls are still a fairly well-kept secret in the Conventicle. Orange Blossom knows about them, yes, but only Haneyl and Eko so far, not Zanara. The main person who knows about Zanara in relation to Keris is Lilunu, but she wouldn’t have said anything, which leaves those connected to her, of which the only one that could be the kind of spirit-voice a woman attuned to the cosmic melodies of the Dragon Beyond the World might hear would be...
... Antifasi?
Keris doesn’t say it out loud, instead taking a moment to still her tongue and recover from the shock of hearing her child’s name so casually dropped. “I... convey my apologies,” she fills in after a second. “Zanara has duties in Creation at the moment. I’ll bring them next year. As for the curses...” She snorts. “I bet they pay you to take the curses off, too. Oh, sorry. To give them ‘talismans that ward against misfortune’, or whatever.”
“Oh, of course not,” Our Lady of Light says brightly. “If I break out the doom curses, I want them dead - or at least hurt. What, are you saying you can’t do that? You’re a messy rainbow, but I can see the shadows in you.”
“I have more direct ways of making people hurt or dead,” Keris reminds her. “And... ach, shit, I also got a lot of work to do.” They’ve mostly finished their meal, and she drains the rest of her glass with a sigh. “I’m sorry, Cat, but I can’t stay much longer - work to do, revelries to plan, idiots to yell at when they fuck up the planning for all the performances and orgies. What am I saying; you run a cult; of course you know how it is.” She reaches over and squeezes First Cat’s hand. “If you need anything - or if you just wanna talk to another Nexan girl who’s been around here a while and understands about putting on a pretty face - hit me up. You know where my townhouse is. And my office. It’d be nice to get to talk to someone without the airs and graces every so often.”
“Two honest girls like us oughta get along,” First Cat agrees. “There’s a world of dangerous hucksters, tricksters, and bullshit-wranglers out there. But at least we can trust each other, right?”
It’s a game. Of course it is. She’s seen Keris, and picked up maybe more than Keris picked up from her. But they know each other, and know what kind of creature they are. And who they are is women who’d lie to a mark’s face with a smile.
Keris is still laughing merrily at the joke as she leaves.
In the end, after far too much hassle and having to pull strings with Lilunu’s lesser servants to get them to just tell her where Demitrea has been seen, Keris finds her walking in the countryside outside the Conventicle proper. This part of Lilunu’s estate is all ice and silver sand and clouds of snow herded by hell-pledged elementals. Demitrea is alone, and looks downcast as she sits atop a frozen cliff and stares down into a ravine that terminates in an ice-crusted inlet of Kimbery.
Keris makes no effort to hide or stay silent as she walks up, heels crunching through the frozen crust of snow. Demitrea doesn’t turn to see who it is, and Keris pauses next to her for a moment, debating what to say. In the end she decides to see if Demitrea will start the conversation first. Her hair unravels from its customary braid and flattens across the icy ground behind her, curving up like a rearing snake to form a seat. She perches on it, just out of arm’s reach of her fellow Director, and studies the cold, icy beauty of the inlet below in silence.
“Am I late? Is that why you’re chasing me up?” Demitrea’s words are passionless, and accompanied by a sigh. “Did I miss the scream?”
“No, there’s still a bit over a scream before the festivities start,” Keris says. “I sought you out because I wanted to talk.”
“Oh?”
Keris looks up at the black sky of Hell and the doomed stars burning there. Despite the stark beauty of the landscape, she can hear the intake pipes beneath the surface of the fjord pumping Kimbery’s waters away to filtering stations for the lakes of the Conventicle, the way the geomancy here has been deliberately shaped and is held in precise balance. For all its appearance of natural beauty, Lilunu’s layer is one of constant resource extraction and counterbalance, as carefully tended and pruned as a delicate garden. Its geomancy is as artfully manipulated as a bonsai tree, weighed against the surging power that burdens Lilunu’s flesh. A Kimberyian inlet here, a Szorenic forest there - if you mapped the load the different Yozis exert on the landscape around the great domed city and inverted the image, you could draw a map of the Conventicle down to the metre. And if you looked at the layer from above with eyes that saw trade and the movement of value, there would be rivers of light flowing from all around into a furnace as bright as the sun.
The Unquestionable warp the landscape wherever they go. Her lady more obviously than most, but it’s just as true socially as physically. A year ago, Demitrea held a grand meeting of the thirteen Directors, seeking to build ties and strengthen bonds between the peers of Hell who command the Reclamation. And then Iudicavisse, the Blue Glass Maiden, walked through the hall and made one announcement, and it all fell to competition and chaos.
“I can’t imagine any Director isn’t nervous this Calibration,” she says slowly. Demitrea’s mood seems sour, or perhaps stifled is a better way of putting it. Like Haneyl when she’s burnt out. Perhaps that’s stress over the upcoming ousting of one of their fellow Directors and the fear it will be her, perhaps it’s the humiliated memory of how her grand idea failed. Perhaps it’s just a natural depression she’s prone to, and the other factors are merely worsening her mood. Reminding her of her burdens isn’t without risk, but something about Demitrea’s demeanour, and perhaps the conversation with First Cat she’s just had, inclines Keris to be blunt.
“I know I am,” she continues, which is true, even if she’s fairly sure her own position is safe. “But no matter how it ended, the conclave you held last year was a good idea. I supported it then and I still support it now. I wanted to track you down to offer you some help. Nothing major; nothing related to your work. But there’s one thing I think I can do to your benefit.”
“And what would that be?” Demitrea says, voice low. She’s deep voiced for a woman, and there’s a note of threat there. “Pull strings for me? Take advantage of how you, above all the other Directors, have connections with our masters and put me in your debt?” Her laugh is bitter. “You learned well from Orange Blossom.”
“Nothing so crude,” Keris says. “I learned from Orange Blossom, but I don’t work the way she does. And this offer isn’t valuable enough to be a debt. No, my offer is this.” She gestures at Demitrea’s clothes; simply-cut warm green linens and a snow dagger-tooth tiger’s fur over-gown. Clothes from her home culture, probably. Clothes that, despite her current miserable mood, she looks comfortable in.
“Last Calibration, you were uncomfortable in those silks you wore,” she continues. “I could see it. I’m Lilunu’s student; fashion and art are half of what I do for her. Whatever your reasons for choosing them were, they were probably well-thought out, but you didn’t feel like yourself in them and they weren’t made to suit you. Art is important. Fashion is important. We live our lives in it. It shapes our thoughts and feelings and selves. If you aren’t at ease in what you wear, you won’t be at ease at all.”
Glancing sideways at Demitrea, Keris tries to gauge her mood. “Let me make your outfit this year. As a commission, not a gift - you’ll be the client; I’ll work from your instructions and make something from your culture, your home. You’ve seen the quality of my work as a seamstress in past years. If we go to one of my lady’s tailoring workshops now, I can have a full outfit - maybe more than one - done by the end of the scream. And if you want to be sure you don’t owe me any debts or favours, I’ll charge you a fair price for my work so we can both feel we’re neither owning nor owed. Or you can take it as an offer of friendship that costs me little. You’re a Director who wants to work with the rest of us. Some of our peers want me gone. I don’t need hidden motives to make a gesture of good faith to an ally.”
“You won’t have time. It’s less than a day to go,” Demitrea grumbles.
“I work fast,” Keris counters. “And if I can’t get it ready in time, what do you lose? A few hours in a dressing room drinking tea and talking about clothes? I won’t even charge if I don’t finish. It’ll cost you nothing.”
She sighs. “I like the quiet times before all this hassle,” Demitrea says, hunching her shoulders in - and even through the linens and wools and furs Keris can see her muscles bunch up, “but I also don’t like what that cursed spider made for me this year.” She takes a sharp breath. “If this is some ploy to make me look bad, I’ll cut off that pretty hair of yours at the earlobes.” A threat, but a surrender.
“I won’t disappoint,” Keris reassures her. “In that case, we should stop by your townhouse so you can pick some outfits for me to use as examples. I’ll do better if I have some inspiration to draw from. Iris, sweetie?” The little dragon raises her head up off Keris’s arm. “Please go and tell Saya and Gora to get the Rose Workshop ready for my use, and to have the sample books there by the time I arrive with Director Demitrea.”
Demitrea is compliant, if not entirely willing, and the ice and sand flows up at her command to form a great bug-like creature that is not entirely a locust. It doesn’t fly, but runs at high speed with the two Directors on its back. That gets them back to the entrance to the Conventicle, and there are ear-hurtingly loud agatae there to speed their trip back to Lilunu’s tower. Demitrea is not talkative on the way back and spends a lot of the time sighing and staring at her hands.
“Everything’s in place, boss,” Saya says, eyes sparking with black-blue flashes as he floridly bows to Keris. “Her imperial highness said she suspected you’d want to have things set up.”
Ah. Lilunu has been keeping an eye on Keris. Possibly she’s been bored in a meeting so has been treating Keris’s adventures as a form of entertainment.
“Good work, the pair of you,” she says briskly, and nods over to the pile of clothes Demitrea grabbed from her townhouse on the way in. “Gora, get those hung up; we’ll be working from them as guides. Saya, get Demitrea some tea, or whatever else she wants.” She cracks her knuckles, already grinning at the challenge to her artistic skills. “Now, we’ve got one scream to make a solid Calibration outfit for the boasting plus a few ways to swap out elements or change how it’s worn across the other days so she isn’t stuck with the same clothes five days running. Four or five possible variations of the same piece, ideally. So!” Keris claps and spins to their guest. “Demitrea, you’re the client. Which of these outfits do you feel most like yourself in? If you’re standing up in front of a group and giving a speech, what do you most want to be wearing, just in yourself? Doesn’t matter if it’s a leader’s regalia or a war chief’s armour or whatever. Start from what you most want to be wearing in the face of Hell’s best and brightest.”
Keris has had easier clients. She has had much, much easier clients. There are people who would murder for her services as a grand couturier, but Demitrea is about as compliant as she has to be to not be actively rude, and no more. Measurements proceed and Keris starts to ponder what a woman whose biceps are approaching the size of Keris’s own thighs wants to wear. Demitrea is simply large, built to a larger scale than other people, and not slender, either, in the way that sea creatures aren’t slender, thick skinned and with fat packed around each organ to keep it warm. She’s bigger even than Vali.
“I don’t know why you’re even bothering with me,” she says for what feels like the fifth time. “Who can even make a lump like me from the Silverswept Plains who was big even for her people look like they fit in the eyes of the far-rangers here?” She flexes her arms without thinking, the spiralling brassy scars curling into new shapes. “I know your sort. You’re all petite and beautiful, and you take your lovers from sleek lynxes shaped like a woman like Orange Blossom, and that mound of overflowing softness and grace Sasimana. I’ve nothing to interest you.”
“Who I take into my bed and who I find interesting are, at best, only loosely related,” Keris murmurs, flipping through a sample book of swatches almost as thick as her head. “And I can make you look good. That’s why I offered. Okay, Saya, these two.” She hands off the sample book, tapping two swatches, and the penury courtesan bows and hurries off.
“So tell me about yourself,” Keris continues, turning to Demitrea. “Tell me more about the Silverswept Plains. Help me figure out how to dress you for tomorrow.”
That self-slander was a concession out of her, a slip, and it’s something Keris can work on as she tries to find out more about what Demitrea feels comfortable wearing. Demitrea might be big, and tough, and strong - and Keris is already considering what she can contribute to her ideas of a tournament - but Keris is a snake who slithers and squirms into places of weakness.
So she hears about the Silverswept Plains. Demitrea is a child of the north-west, born to five hundred miles of flat prairie that nestles between the jaggedly cruel mountains, a child of this landscape of castaways and shipwrecks and runaways. The wind screams across thousands of little streams that criss-cross a landscape that seems oft-times only a few metres from flooding altogether, where a hillock might save you from the cold and where the cruel winds and harsh tides frequently bring new castaways and gifts of sea-soaked salt-tossed timbers. It is a landscape of gorse and bramble, of samphire and sea-grapes, of a diet of seabird eggs and nettle soup and kale and seaweed.
Demitrea is much more expressive, much more fluent and expressive as she describes it, her words all but painting pictures in the air. And Keris thinks about that landscape, that makes her think almost of the Ruin. The Plainsfolk there are semi-nomadic, moving between homesteads made of turf and washed-up wood and wattle-and-daub every few months, because the land is so sparse and bare that a band can exhaust the resources that might keep a hundred humans alive in that time and that gives it time to regrow. Washed-out land under a grey sky, where sometimes the sun breaks through the clouds and paints a vein-network of silver streams through the faded landscape. Where clothing is handed down and patched up and stitched together from sky-gifts and sea-silk and wild flax and otter-fur (precious, precious otter-fur).
A world as far away from hell’s noise and streets and lines as it is possible to get. Stark; simple; ruinously poor to outside eyes. But the poverty isn’t a real thing there, because austerity is a virtue and one that is easy to keep to when gifts are rare.
Then, take a girl from this stark landscape, and toss her into the Conventicle and its lavish excess - and make her the second incarnation of the second seat, surrounded by people like Glorious and Orange Blossom - and, yes, Sasimana. She doesn’t need to speak about what won her Hell’s favour, because Keris hears the talk of the closeness of these family bands, these clans, and knows that this was lost and like so many other Infernals, what happened was in some way her fault. From this tragedy, then, the early Conventicle, where there are so few of Hell’s Chosen and they have so much attention from the Unquestionable and this is a woman who had never seen a thousand people in one place before.
Thus, the creeping sense that she’ll never be as elegant or beautiful or graceful as the ladies she meets. But - ah! There is the trap. It would be so easy for Keris to say that therefore she should design something simple and humble and graceful to make Demitrea feel comfortable, but that would be wrong! Utterly wrong! Because the girl from the plains might not have known the poverty of her people where dyes that could not be made from local plants were rare and sold by greasy traders, but Demitrea the Northern Director runs an entire section for the Unquestionable. She knows the poverty of her people. She knows showing up in homespun flax and a salvaged passed down Fajadi coat would see her mocked.
She has lost her old look and never found one that fit. Not in the North and not in Hell, either - and certainly not in the hand-me-down styles of Realm imperialism.
“You’re an excellent storyteller,” Keris praises. “It sounds beautiful. And... yes. Yes, I can work with this. Preserve the cut and style of your people’s clothes, draw from the designs, but made the materials something really special... Gora! Do we still have the hide from that behemoth on the eighth layer? Oh, or actually - I don’t suppose you have any furs or great beasts you killed yourself?” she adds to Demitrea. “Making it from one of your own kills would be fitting, if there are any here - no? Damn. Oh well, we’ll make do. And what you said about the way the sun would hit the landscape - can you still remember the hues?”
Excitement has her now, as she sketches out her idea, hands moving in sure, swift strokes over the design board with charcoal and quick splashes of paint. A stark, pale garment with hidden beauty to it, half honouring the Silverswept Plains, half honouring the Endless Desert. Traditional leggings and boots made from high-quality Hellish leathers, and an inner tunic over them. All greys and whites and creams, but, hidden within it, veins of silver. A vein-network of embroidered tributaries, invisible at a glance but which will flash when the light catches her clothes just right.
And over that, a great fur cloak made from the huge white-furred behemoth that crawled out of Kimbery’s depths on the eighth layer back in Earth; a monstrous sea beast with a huge serrated horn and scything tusks and great rending flippers. Its hide had turned aside blade and bolt and essence-blast, and when it had finally been brought down by a troop of Ligier’s soldiers using a device that cooked its brain within its skull, he had given the hide to her and taken the horn and tusks for his own workshops.
Keris gets as much of an agreement as she’s likely to get from the morose Demitrea, and she sends the assistants away to get what she needs. That leaves the two of them in the room together, Demitrea wrapped in a blanket after the measuring while Keris fusses over her designs. Her mind surges with ideas, fingers twitching with the urge to make, to reform, to reshape, and Demitrea has to repeat herself twice before the words land.
“Do you think you’re the same person?” the other woman says softly once she has Keris’s attention. “The same person who was the Kit I saw arrive in Hell. You don’t even carry the same name. Our bodies have been so reshaped by this power we have - and our minds too - that would you really say that you are Kit Firewander in any sense at all?”
Keris cocks her head. Considers it. Considers it some more.
“You know, I was feral, when I first showed up in Hell,” she says thoughtfully after a few moments of silent contemplation. Her words don’t invite an answer, and she continues without waiting for one. “Illiterate, no idea about art or how to talk to people, envious of beauty and hopeless around pretty women - and pretty men. Yeah, that girl tagging along in Alveua’s wake as she saw Hell for the first time; she wouldn’t recognise me as the same person as her. And, Makers, I’d be able to wind her around my finger with a couple of sentences and a smile. Bloss and Sasimana certainly did.”
She rubs her thumb over a swatch of Desert-linen, woven from the flowering plants that grow around the borders of Cecelyne, though never in her barren depths. Her eyes are far away, and her manic energy settles as she speaks in a distant tone.
“But, you know...” she continues, staring at the faintest hue of blue in the near-colourless weave, “that Kit; Kit Firewander, the Blue Killer, the newborn Scourge... she’d’ve been just as unrecognisable to the me who met her first friend in Nexus. She knew how to dance for spirits and bargain with gods, how to pick pockets and get past alarm wards, how to fight and how to kill. She was tough, quick, scarred. If you’d shown her to the me of, oh, ten or so...” She shakes her head. “I don’t know that the little girl living in an alley would see herself in her.”
Shaking out of her reflections, Keris turns to Demitrea. “Yes, I’m different,” she concludes. “Very different. I’ve learned a lot. I’ve changed a lot. I’ve grown a lot. But I don’t think that’s just the power we carry; it’s also what we’ve done, who we’ve met, where we’ve been. Kit Firewander wasn’t me, but I’m still her. If you take a simple hut and knock out a wall and add a bunch more rooms to it, that structure it started as is still there. Just less of an influence on the whole.”
“Gradual changes. A just-so story of who you are?”
Demitrea looks to meet her eyes, and her presence is suddenly like a hammer, a wall of force that takes Keris’s breath away. She is suddenly sure, suddenly aware of how this woman is the Northern Director and one of the eldest Malefactors. Of what she is like when she is not morose. There is a fire speaking to her, a fire refracted through a lens that focuses the attention down to a single spot. Eyes that gleam green, a presence that makes the stones around her tremble and try to bow down to her, an inner darkness that reaches out in unseen waves to cradle Keris’s head.
“You are a liar. Even to yourself,” the Northern Director says. “I look at you and I see someone as strong as one of our masters. I taste power that reeks of so many mixed stinks that it is more like Lady Lilunu’s than a new peer. I watch you in your art and I hear the Great Mother’s movements in your steps; I see the way you bend your arms like your joints have no limits, that you treat your hair like hands, that you flit around this place on your toes dancing the dances of Ipithymia without thinking. There is nothing of you that their gifts have no changed; there is no trace of the Kit I saw left.
“When did she die, Keris? When did we murder the people we used to be and replace them: thinking with their hearts, speaking with their tongues, answering to their names? What will we become when this is done?”
It isn’t just the words that strike home. It isn’t merely the terrible will and dark magics imbued into them, either. It’s the empathy. The understanding. The fact that Demitrea has been hell-sworn even longer. Keris can tell how much her flesh changed, feeling skin as strong as steel and swathes of flesh regrown from the flesh of the King. It’s the fact it isn’t an accusation; it’s a confession that she’s no different in how she has been transformed. And she can hear the attraction, too, to the idea they’re all doomed by this.
Keris sways backwards, a flicker of self-doubt lighting itself in her heart, momentarily swayed by the force of Demitrea’s charisma and the connection she suddenly feels with this woman’s words and those searching, soulful eyes.
Then she frowns, as her ego recovers and surges back like a tidal wave.
“Those are all just body parts, though,” she argues bluntly. “So what if I can run without getting tired? So what if I can pick things up with my hair? Since when have flexibility or... or hearing or how tough someone’s skin is defined who they are as a person? Sure, I’m different from who I was, but that’s not because of the power I’ve internalised! It’s because I’ve grown up! And you know what? That’s a good thing! Kit Firewander was a vicious little monster! She couldn’t read, couldn’t draw, couldn’t talk to people without scaring the crap outta ‘em or creeping ‘em out! She fucked up her own life, lost her baby, hurt her own wife when she got mad!”
She’s breathing hard, distantly aware that she’d never normally reveal some of these things to a stranger - but while Demitrea’s words haven’t convinced her of anything, the hammer blow they landed was not without impact.
“So yeah! I’ve changed! I learned to read, and then I dived into books an’ maps an’ scrolls an’ got some knowledge into my head, ‘stead’a just dumb muscle an’ stabbing! I learned beauty, an’ started makin’ things that got people to feel good, that didn’t involve hurting anyone or stealing from them or scaring them, that just made the world brighter and better and a happier place to be! I learned how to talk to people, charm them, flatter them, figure out how they’re hurting and fix it, figure where they’re weak and use it - and now I have options besides just threats and knives; ways to do things with a smile and a sentence instead of a slit throat and a scream! My life is better since I came to Hell!”
She slashes a hand through the air, hair whipping as she advances on Demitrea. “I remember my mortal family,” she says, low and fierce but more controlled now, the Nexan accent slipping back under the waves. “I’m more like them now than Kit Firewander ever was. She was envy and fear and pain and hate and scars from a life in Nexus. The more of her I’ve stripped away, the more I’ve become like the girl I was before - the first girl I ever was; the one I was born as, the one who ran around my home village and brought home mice and birds and snakes. Maybe what you’re saying is true of some of us, peers like Deveh who’ve cut away everything they were with Adorjan’s knives and the whispers of the Pyre. But I ain’t him. I’m nothing like him.”
And now, at last, Keris’s breathing calms, directly in front of Demitrea, standing almost between her legs where she sits in a wide stance on her chair. Intense grey eyes soften with compassion and Keris reaches forward, her hand hovering over but not quite brushing Demitrea’s cheek.
“But you think you are, don’t you?” she says, her voice falling to a whisper. “You’re not aiming those words at me; you’re lashing yourself with them. You’re not happy. You’re not sure of yourself - not comfortable in yourself. You think the woman from your homeland is being swept away by Hell’s tide.”
Demitrea slumps back down, hair no longer blown by an unseen storm, eyes no longer ablaze, the heat gone. Her cheek brushes Keris’s outstretched hand as she looks away. “Look at you,” she says, and while there isn’t hate in those words there’s a lack of understanding. Or, perhaps, a recognition of things she wouldn’t expect to be there. “You love yourself. You love being like this. Or, mmm. You didn’t have anything to lose in Nexus, no? You have only gained things in Hell’s service.
“You are fortunate, then. More than you might know.”
She sighs.
“And just then, you were talking more like you did in those first meetings in a much emptier hall.”
“That girl’s still in here,” Keris repeats, watching her. “And you’re not losing who you once were, either. The woman from the Silverswept Plains and the Director of the Northern Wastes - they can coexist. Being one doesn’t stop you being the other.”
She smiles. Her manic exhilaration at the thought of an artistic challenge has been interrupted, but already rising up in its place is determination. Demitrea is conflicted, hurting, self-loathing, suffering. She loves her homeland but feels like she’s becoming something alien to it. She needs help. She needs compassion.
She needs serenity.
“Let me show you,” Keris says firmly, “that your fears aren’t true.”
Saya and Gora return, and Keris gets started. She asks - well, demands - that Demitrea tell her more stories of the Silverswept Plains and the way the light hits them to give her inspiration, making a few rapid sketches and oil paintings to try and get the look down, but soon enough the words blur together as her focus sharpens.
It doesn’t matter. Demitrea is a really, really good storyteller. Her words paint the picture of her homeland in Keris’s mind far more vividly than anything Keris can put down on paper or canvas, and in the depths of her fugue it’s all she can see. She cannibalises two outfits from Lilunu’s wardrobe, unravelling the pale gowns for their thread - whites, grays, creams; they were solid panels that contrasted various pale shades in lovely ways but the colours are perfect and they’re useless like that; she needs to mingle them and combine them with the Desert-flax so that the different colours are woven together to make a stark northern hue that seems subtly different depending on how you look at it, akin to the ice and the stormy sky of the Plains.
Then it’s cutting and sewing the new bolts of mingled-hue cloth into form, but her initial design won’t work! It won’t work; the behemoth-fur isn’t the right shape for the cape she had planned, which means she’ll have to redesign what goes under it! Growling, barely cognisant of the mercury-words coming out of her mouth, Keris tugs Demitrea up onto a dais and has her model as she pins fabric over her and dismantles some of the clothing she brought with her in her homeland’s styles to see how it fits together. Saya and Gora appear, then disappear, then reappear, directed half by whatever it is she’s saying to them on instinct and half by well-worn knowledge of how Lilunu works that lets them anticipate her needs.
The undergarments - leggings, gloves, undershirt - take form, and Keris starts on the cloak. Parka? Cape? She can’t remember the word for what she’s doing with the fur and it doesn’t matter; her left hand traces over it, transmuting the shaggy white hairs of the behemoth into silver in vein-tributaries, and in a mad burst of impulse she wrings the oils out of the paintings she made and rubs them into the back of the leather, forcing the memory-vision of the windswept, frozen landscape into it. Then there are the boots to make, and the gloves; cutting off the coarse outer fur and leaving only the undercoat, turned inward with the leather on the outside for accessories that are soft and warm to wear but as hard as steel on the outside.
The oils have moved into the fur, and spread through where it connects to the shoulders to run down the outfit, following the embroidered lines of the linen. Which is also shifting. There’s a transformation taking place throughout the outfit, turning fabric, fur and leather into something more. Keris doesn’t have the conscious attention to predict where it’s going, but she can feel her lady’s power in it - of course, of course, the outfits she cannibalised; Lilunu made them and they still hold her touch - so she trusts the arts she’s been taught and focuses on keeping it beautiful and harmonised with the vision of the Silverswept Plains she imbued rather than guiding where it’s going as it matures. The oils alone aren’t enough, and so Keris feeds it a little of her own blood and the tears she shed from Demitrea’s heartfelt descriptions, and those add something to the mix, an understanding that this garment is meant to mimic a landscape and the knowledge of how to shape worlds. It’s ready. Is it ready? She goes over it again, tweaking a few more lines here, tightening a few more stitches there, adjusting fine details and embellishing bold ones...
There’s a noise. A scream. Lots of screams? One big scream made of lots of little ones. It interrupts her, and jars her out of the zone she’s working in. Her head hurts. She’s swaying on her feet. Her stomach grumbles. Her mouth feels dry.
Oh, Keris realises. She’s done.
She realises at that point that she has company. Not just Demitrea, who has stirred herself from her doze, but Lilunu has shown up to. Her eyes are a mystery, her red hair is shaped to resemble a rose, her scarlet gowns are arterial red.
“So this is where my Keris ran off to,” Lilunu observes, an impish look on her face. “Now, what is this, mmm? Two of my Directors conspiring together in nasty little ways?”
“Just... outfitting my peer,” Keris mumbles. Wooph. She feels lightheaded. Was that the scream that signalled the start of Calibration, or the scream before the Calibration? How long has she been working? Oh, wait. “Uh. My lady,” she adds belatedly. Blinking slightly, she turns to look at what she’s made.
Hmm.
That’s not what she originally designed.
It’s not far off from it. It has the same essential elements; the hooded parka-cloak, the trousers and undershirt, the gloves and boots, all drawn from the basic designs of Demitrea’s homeland. But this isn’t a thing of mundane materials anymore; it’s distinctly more hellish. The shifting gray-white-cream-blue-clear hues of her mixed-threads have somehow spread into the fur, which is now a dappled, shifting shade that can only be described as “cold” or “pale”. The veins of silver where the light hits it are actual veins, threading beneath the surface with silvery fluid moving through them, and the cloth of Lilunu’s garments woven into the undergarments has become something else with the aid of Keris’s left hand.
The power pulses. It spreads out through the world around it. It isn’t just a garment made to respect Demitrea’s homeland. It unfolds its nature across the world like a cloak.
“You know I wanted you to relax a little more,” Lilunu chides her. “But I suppose that making beautiful things like this is a lovely second best. And such a pretty little gift for Demitrea - who deserves more nice things. No matter how often she tells me that she doesn’t.”
“My lady,” Demitrea says, pinkening slightly, head hung at the mild reprimand from Lilunu.
“Now, now.” Lilunu stands on tip-toes to pet the massive woman on the top of the head. “Go on, try it on. Model it for me. It’s such a lovely style and if Keris has done what I trained her to, it should fit you like a glove. Especially,” and there’s the impish grin again, “the gloves.”
Obediently, Demitrea inclines her head, and dresses like she has done this every day of her life. Which is a mark of Keris’s success, if she managed to perfectly match the cultural styles. Maybe not as perfectly as the original plan would have had, given that in places the veins un-weave to allow a body within only to knit themselves together behind. And then-
Demitrea takes a deep breath, and wrings her gloved hands together. On her, Keris’s full intent can be seen; something that isn’t faux-imperialist silks that don’t hang well on a frame so large, which flatters with padding and shaping to keep it from being just an expanse of cloth, not at all something worn by a woman from a land of ruinous poverty. Because what she is wearing is something of the land itself, graceful and stark and austere and which gleams with tears of nostalgia for a long-lost love and long-lost land.
The Northern Director’s eyes water with the same salt-swept silvers as her land.
“A gift to you,” Keris says softly. “I... I don’t think I’ve ever made something this good, this fast. That’s more than just clothing; there’s power in it. Like my Strigida.” Her tunic ripples, barely feathered anymore, covered all over with silver-on-silver embroidery of ocean waves and forge-fires. Keris turns exhaustion-dazed eyes on Lilunu, tilting her head and swaying as the motion threatens her compromised sense of balance. “Is this... is this what it feels like when you make things so fast? When you produce wonders in only a few hours?”
“No, Keris,” Lilunu says, looking down her nose at her, “because I don’t work myself to the bone at the very start of Calibration and make people who care about me have to chase me down. And you have things scheduled as a Director and as my Voice.” She claps her hands sharply. “You two! We need to get you to the boxes for the opening parade because both of you should be seen to be there! And you can nap in your seat in your box, Keris! I’m sorry for not appreciating your looks here and now Demitrea, but we are in something of a rush and Keris has been requisitioning my pages and maids all day because she is very naughty!”
That draws a snort-giggle from the big woman, who smiles and shakes her head more to herself. She takes a breath. “It’s just clothing, but... but thank you. This is something I can be comfortable in. Lady Lilunu, I can make sure she gets to her box.”
“Oh, would you be a dear? She’s so terrible for overworking, you know. Like so many of you are. Not all of you, but you can work too hard too! So make sure you relax and enjoy yourself, Demitrea, and don’t just stay in a corner.”
“I think,” Demitrea says, “that Keris will decide to drag me out if she finds me doing that.”
“Bop her on the nose if she gets annoying, but she means well!”
Keris makes a noise of protest, but before she can start to argue the point (she’s not exactly clear on what the point is, but she knows that it needs arguing and is ready to dig her feet in and pout about it), Demitrea physically picks her up and starts to carry her out. Pouting at her does not do any good, which Keris considers wildly unfair given that she’s pretty sure they’ve just moved past some kind of relationship milestone and aren’t strangers anymore.
“Demitrea,” she mumbles, and intends to continue into a lecture about how she should be more respectful of her fellow Directors and back her up against Lilunu’s mean and affectionate teasing, but what winds up coming out is instead a slightly slurred, “you like it, then? Does this mean we’re friends now?”
“Friends... no. Probably not. That woman last year made it clear that Directors can’t be friends,” Demitrea says, some of the gloom returning. “But at the very least, you’re not so bad. And there are much worse than you among our peers.”
Keris pats her on the arm. “M’bad at making friends too,” she yawns. “S’okay. I’ll wear you down. An’ I’m glad you’re happier in that.” Another yawn. “Jus’... drop me off in my box... an’ I’ll wake up... pretty... soon...”
She’s asleep before they get there.
Propped up in her soft directorial chair, Keris dreams of a sunless world. She is up in the sky, passing by the red moon, and feels her bodiless presence fall. She whistles past the towers of the City, towards the Meadows, and the ground is coming up remarkably fast as she passes over rolling hills and fields and tar-pits.
Then she has a body again. And has just face-planted into the soft spongy ground, with something of a splat. She didn’t hit at terminal velocity, but she felt that. Ow.
“Ahmnnuhd’tht,” she says, somewhat muffled, into the loam. Pulling her head up, she discovers that she is still completely unable to see anything. Probably because she’s still wearing an inch-thick mask of soil compacted across most of her face.
“Pftuh,” she adds, spitting out the bits of turf and soil that made their way into her mouth. “Puh. Ugh. Nggh... hah.” A few more grunts are enough for her to wrench her shoulders and right forearm out, and she sits up, scraping as much of the impromptu mud-mask off her face as possible. “Hello?”
She... actually knows where she is. That’s unusual, because - while she dearly loves her daughter - it must be said that the Meadows has a tendency to all look the same, something not helped by the low light levels. She is in fact right in front of Calesco’s cave. There are new trees growing around it, white shoots pale and young, and the door, which is to say the rock, is rolled out the way.
“Hello?” Keris tries again. “Any mezes around? Or anyone with some water?” She looks around “No? Nobody? Damn.” She can see again, which is something, but she’s still got earth smeared all over her face and in her hair. And down her shirt. That was a really spectacular faceplant. She eyes the rock, and the way it’s been rolled out of the way, and the distinct quietness and lack of any interested childish heads poking out to see who’s talking.
“Well, hypothetically, if there are any little keruby who have decided to see if their Happenings are in my daughter’s cave while she’s gone, I’d probably agree to help them put anything they knocked over back to rights as long as they helped me clean up,” Keris says, tantalisingly. She can’t hear anything from inside the cave, but her children’s personal residences often get a bit weird where hearing is concerned, hiding those inside from those outside unless they want to be known. “And then if they happened to run away while I was rolling the stone back into place, well, I’m very forgetful and probably wouldn’t be able to remember who it was. You know, if there were any keruby in there who were keeping quiet because they’d accidentally made a mess and felt very sorry about it.”
That finally earns her a little head poking out, tiny fragments of bone-white mask producing strange eyebrows. “Oh! It’s Miss Calesco’s mum! Miss Calesco’s mum, tell ‘er that I should get to play with the babas!”
“No, no, it’s my turn!” a second mez interjects.
Keris raises an eyebrow. “I don’t think you should be playing with Calesco’s things, sweethearts. Here, come on, let me help you clean up.” Patting the visible one on the head with a fond hair tendril, she ducks past them and into the cave. And then stops. The other eyebrow climbs rapidly to join the first.
Inside, in the gloom; a few more mezes, sprawled out on Calesco’s rugs or on her chairs (one even is sitting precisely in the wrong way in a chair, probably-her feet up on the back and her head dangling over the side). And in the midst of this full-scale home invasion is Calesco; beautiful, pale, entirely human-looking and more pertinently entirely harassed-looking with a pair of large pill-shaped eggs in slings, hands on her hips as she glares down at a little mez who has a third egg in probably-his hands.
“But they’re helping me with my card games!” probably-he insists. “And they’re having fun! You’re being mean!”
“I am not being mean, you just grabbed the baba and ran off with them!”
“Calesco?” Keris blurts out. “What the- what are you doing here? You’re meant to be with Malek Qaja! Or… or even back in the Anarchy by now!” She blinks again as the little mez takes the opportunity to hug the egg close to his chest and escape behind an armchair to where a head-sized marble is balanced on a little wooden stand. “And… and what are those?” Keris added, bewildered. “What’s going on here? Did something go wrong? Are you okay?”
Calesco sighs, massaging her temples. “The answers are long and complicated. But to simplify them as much as possible, Malek Qaja is a bad captain; we had to avoid Realm fleets, but then we had to refuel at a demesne, but then the flying flower-ship got cursed by a mushroom Wood King who owned that place, so now the ship has had to be set down on the eastern shore of the Shallow Sea and it’s dying. So I came back because Malek thinks if I can bring her Metagaoyin hearthstones we can use it to save the ship and get it to the Anarchy. A lot more happened, but that’s why I’m here.
“Those eggs? They’re babas. Because as it turns out, keruby can get pregnant and magistrates, at least, lay eggs. Eggs that as it turns out are little demons in their own right, and they enhance prophecies and make bright lights if someone doesn’t hold them all the time. And I let the magistrates out of the Mews and they took advantage of that to leave me baba-sitting so they could go to Calibration parties!”
“You should make them go back!” one of the mezes chips in. “So they stop being mean.”
“I’m not doing that!” One of the eggs tied to her lights up, painfully bright in the gloom, and Calesco grits her teeth. “I’m not doing that, there, there,” she says, stroking the egg until it dims again. “So... yes. I am fine. Frazzled, but fine.”
Keris blinks a few times, then walks over to her, scooping the third egg out of the grasp of the mez behind the armchair with a hair tendril and cradling it in a hair-sling by her hip. She traces her left hand over it, feeling out the nature of this… baby? Iris makes herself known by folding herself out of Keris’s arm and staring at the egg with wide eyes. Keris murmurs an automatic word of caution to her overly-curious familiar, but most of her attention is on the more important task, which is to bring Calesco into a careful, one-armed hug with her free arm and rest her forehead gently against her daughter’s.
“Welcome home,” Keris says quietly, her voice full of fond affection and pride. She combs her fingers through Calesco’s hair and gently nudges her head down so Keris can kiss her on the forehead. “It sounds like you had quite an eventful year. I missed you while you were gone, and I’m very, very glad to see you again.”
“You don’t know the half of it,” Calesco sighs. Despite her attitude, she rubs her nose against Keris’s. “And I’m not going to tell you everything yet because you’ll have other things to do before I can be rid of this task and truly explain what’s going on - I genuinely need those Metagaoyin hearthstones for one literally as soon as we can manage it post Calibration, it’s life and death maybe.”
Through her left hand, Keris can feel the nature of the white egg. It feels like a mez, only even weaker, almost human in its weakness, and its essence is unformed and shapeless. So full of potential.
“That’s Kiki’s baba you’re touching,” Calesco says, wryly. “She’ll nail me to a wall if anything happens to this little crybaby. Others tolerate being put down for a tiny bit, but not hers. As far as I can tell, she was the first to get pregnant, so this is the very first kerub-born.” She pauses, and a little bit of her usual cynical cruelty creeps into her tone. “How does it feel to be a grandmother, mother?”
“Gra- I’m not- that’s not what this is!” Keris sputters, her warm tender moment of maternal affection cruelly gutted while her guard was down. “They’re not my- this isn’t…”
Her protests trail off as, despite herself, her attention shifts back to the egg under her hand, so warm and vibrant and full of bursting potential. It could be anything; she can feel. Boy or girl or neither, energetic or content to laze, as bold as Kali or as shy as Ogin. It feels mostly like a mez, but even then there’s the possibility of other breeds in there; the transitional gift all child-keruby possess. A kerub-born kerub. The first of a new generation.
Keris is maybe having a bit of a maternal moment after all.
“Aren’t they gorgeous?” she sniffs, beaming wide enough to hurt and tearing up a little. “So pretty and little and perfect. Look at how cute they are!”
Iris eagerly agrees, curling around the egg. She breathes out fire, showing a picture of the island-egg that’s her homeland in this place and adding in more of these pill eggs. She seems to identify with them. Or possibly just thinks they’re cute like kats.
“Mother, it’s still just an egg. They mostly look pill-shaped.”
“But a perfect little pill,” Keris insists. “Aren’t you, sweetheart? Your shell is so shiny and smooth! And you’re all symmetrical and freckly!”
There is a sigh from Calesco, who is a huge big fat liar and probably got her own awed captivated weepy phase over in secret before letting her poor overburdened mother know she was home and springing such a momentous discovery on her. Keris communicates this to her wayward daughter in between showering the eggs - the babas, as Calesco was calling them - with more compliments, evenly distributed so that none of them get jealous.
“You know I’m not even sure they understand what you’re saying, right?” is Calesco’s completely unsympathetic response. Keris directs a wounded look at this heartless denier of a mother’s self-given right to spoil any and all cute babies who fall into her general proximity.
“As far as I’ve been able to tell, magistrates have the egg inside them for two seasons - six months,” Calesco explains. “My best guess right now is that either the baba hatches when they feel like it, or they’ll be in the egg for one season - because that gets you a human-like nine months. And-”
But Keris isn’t listening. Her hand can feel the pulsing curiosity of the egg in response to her touch, and where she touches there’s light coming from the black-speckled white egg - not harsh and sharp, but the glimmers of distant stars from deep inside.
“You should make Miss Calesco put the magistrates back where they came from and let us keep the babas,” says one forthright and perhaps unwise mez, arms crossed in front of her. “They’re basically like our little brothers and sisters and it’s better we get them than some meanies who think they own ‘em just ‘cause they laid ‘em.”
“Absolutely not,” Keris snaps. “Taking babies away from their parents? No.” She frowns disapprovingly at the mez in question - the one who had the egg she’s now holding, she’s pretty sure. “I don’t ever want to hear you suggesting that again, okay? Imagine how you’d feel if you had someone you loved with your whole heart, who you wanted nothing more than to look after and take care of, and then someone took them away from you and said you weren’t allowed to see them. It would be really, really cruel. To the baba and the parent.” She strokes the eggshell. “Not to mention that these little ones have opinions of their own. I don’t think they’d thank you for separating them from their mothers and fathers. And I know you don’t want to hurt their feelings just so you can play with them more, do you?” Her tone leaves no room for argument.
The mez jams her hands into the belt-pouches of her rough rural dress. She doesn’t mean for Keris to hear the grumbling, “Everything’s sucked since Miss Calesco got back, it’s all the old one’s faults, she got mean and magistratey while she was away, this isn’t fair,” but Keris does nonetheless.
It’s very familiar. It’s how Hanily sounds when someone puts down their foot with her and doesn’t let her just run rampant over everyone else.
“Tough,” Keris advises firmly. “Run along now, go on, scoot. Go join the Calibration parties. I want to talk to my daughter for a bit. Alone,” she adds, in case they don’t get the message. “Except for the babas, who don’t count, so that is not permission to take them with you. Shoo.”
Iris sticks her tongue out at the mezes, clearly believing this means she now has full playing-with-the-babas rights now.
“But why isn’t it permission-” one of the stupider mezes begins, before another shushes him.
“Shuddit shuddit shuddit I saw that red would mean bad news and look at her!”
That is a convincing argument to all of them, and they file out, probably only stealing a few things along the way.
Calesco waits until they are gone, and sighs. “I’ve done a bad thing by being away from here too long,” she says, shoulders hunched in on themselves, hugging the egg. She lets her head hang. “I didn’t realise how... Venus, I don’t want to say this, I love them, but how spoiled the mezes are. They’re like the twins were when they were just rampaging around before you put your foot down with them. They drive out anyone they don’t like. They keep pestering me to lock up the magistrates again and I’ve only recently found out that they tend to unofficially banish the witches to the edge of the villages, and only go see them when they need them to do something for them.”
She looks up at Keris.
“Is... is this my fault?” she asks in a little voice. “I wanted them to never feel sad or alone or... I trusted in them. And right now, having seen how they’ve been for the last few days after I got back, I still love my little ones, but I don’t like them very much. And I don’t want to resent them, but I can’t help but feel they’ve been taking advantage of everyone around them.”
“Oh, darling.” Keris can’t help herself. She scoops the other two eggs out of Calesco’s slings and nestles all three of them together in her hair, warm and smooth against her back. Then she wraps both arms around her daughter and brings her into a close embrace, stroking her hair and rocking her from side to side.
“It’s hard, I know it’s hard,” she soothes. “And you did make mistakes, from what it sounds like.” If she doesn’t give criticism where it’s due, she knows, Calesco won’t listen to her. She doesn’t know the details of what’s going on here with the magistrates and the witches and the mezes, but she’s picked up enough to connect it to her own struggles with raising her souls.
“You gave them too much freedom and not enough structure and you locked the stern grown-ups who wouldn’t spoil them away,” Keris empathises as her proud, spiky, usually so independent daughter clings to her, so very small and soft and warm. “But you were trying to protect them. You made a mistake out of love and trust and inexperience, not out of malice - and that doesn’t mean it wasn’t a mistake, but it does matter, sweetheart. Because now you’re fixing it, aren’t you? You’ve let your magistrates out again and you’re telling them ‘no’ and you’re looking for ways to help your witches with this ostracism.”
Planting another kiss on Calesco’s forehead, Keris leans back a little and rests her own against Calesco’s brow. “Parenting and leading are really hard,” she admits. “And nobody really teaches you how to do it. I don’t think there’s any first-time parent in the world who hasn’t messed up a few times. And you had to pick it up young and I left you to it because I thought that ruling my inner world as a high queen and telling you what you could and couldn’t do with your little ones would do more harm than good. Maybe I was wrong about that, too. But what matters most is that you realised you were wrong and now you’re making up for it, and I am so proud of you for that. You’ve grown up a lot in your journey, haven’t you? And learned a lot, too.”
“Why did I make these mistakes and the others? Even Vali didn’t make these mistakes, even Rathan, and both of them are so lazy. They just left their places to find a balance and they did. Things went wrong because I meddled,” Calesco mumbles, more to herself than to her mother.
“No, sweetheart,” Keris counters. “Haneyl was very active in her Direction. So was Zanara - and Haneyl was active in the Isles too. What you did wrong wasn’t getting involved and trying to help your little ones and govern them. It was not trusting your adult keruby to help you do it. Haneyl appointed her dragon aides and hungry ones and fleshless flames to run things when she wasn’t here. You didn’t let yours take up running the Meadows while you were gone.”
She sighs, hanging her head. “And I kept you away from the Meadows working for me without any breaks. That’s on me. I have to let Haneyl take seasons off or she burns out, and Rathan is too lazy to tolerate doing things for me all year, but I just left you in charge of the Carnation because you’re dedicated and a hard worker and you were good at it. If you’d been able to come back more often, you’d have seen this problem earlier. That makes it as much my fault as yours.”
“If I hadn’t been in the Carnation I wouldn’t have grown up! If I’d been here I’d have still tried to only be half of myself! I wanted to be the darkness you gave me, not the light I had before I came to this place! It is my fault,” Calesco says mulishly.
“But you chose to go to the Carnation,” Keris points out. “You chose to ask me to teach you the ways of Venus. And that’s what made you grow. I could still have done better and given you a season or two off each year - you’d still have spent the other three in the Carnation and grown during them. Going forward I will be giving you personal time to spend here; it’s only fair. But remember, Calesco. You’re the one who made the choice to change. It may be your fault, but it’s also your growth.”
She pulls her back into a quick hug, then lets her go. “Now. Did you admit what you did wrong to your keruby? Did you your witches and magistrates give you a punishment to make up for excluding them?”
“The witches are... a problem. In that they’re so sad but don’t want to see me sad,” Calesco says miserably. “I can’t get them to punish me because... I know me. They’d rather let everything seem to be fixed and then simmer about it later. Like... just like I was that led to me throwing Gull in your face at the worst possible time. The magistrates are actually healthier. They’re accepting it, and they’re the ones who made me do baba-sitting so they could go out. And... you are going to like Kiki. She’s this one’s mother,” she reaches over to stroke the egg fondly, “and she’s a terror. She’s going to be joining my entourage to keep me on the straight and narrow.”
“That’s good to hear,” Keris smiles. “Oh, and speaking of your entourage, how are Fari and Iroi? Did you find it easy to work with them?”
That gets a sudden bark of laughter from Calesco. “Oh, mama, you have no idea. Why didn’t you get me a renda for the Carnation before? Iroi makes everything so much easier! He handles all the little worries that have to be done but I forget to and he reminds me when I need to do things myself and it’s just like he’s almost part of me that remembers things!”
“Right?” Keris agrees, grinning. “I should’ve thought of it before Haneyl suggested it. Don’t tell her this,” she adds, lowering her voice conspiratorially, “but your sister is annoyingly good at making useful demons. If we let her know we thought so she’d get a big head about it, but her citizens really are just so damn convenient to have around.”
“I’d say she’s very good at making people want to be used, but rendas are just an expression of herself reflected in the keruby,” Calesco admits. “She didn’t even design them. They’re just a mirror held up to how she helps you. And Fari is... Fari. And-”
“Oi, you talkin’ about me, Miss Calesco?” demands an orven who Keris barely recognises as the little orven she handed off to Calesco. She looks a couple of years older, she’s dressed in big stompy boots and a sash of river water and a stained Nexan-style dress, and she feels stronger than a normal child-kerub. “Oh! Hi, Miss Keris. You’re back. So’re we. Anyway, yeah, Miss Calesco, I got some milk from the rovarjuhasz you made that I’m helpin’ look after and I brought some for you fresh from the bug, but maybe I won’t give it if you’re talking behind my back!”
“Rovarjuhasz?” Keris asks. “And hello Fari. You look like you’ve had a lot of adventures. Is that a god’s belt?”
“Yep! I hit the gods with my pick ‘cause they were being bad,” Fari says blithely. “An’ rovarjuhasz’s Miss Calesco’s new demon she made. I called him Shepi cause Miss Calesco said he was a shepherd of cute bugs - Miss Calesco’s a bit weird about bugs - and he makes bugs and they eat plants and make sweet milk stuff.” She offers the pail temptingly. “An’ I bet later we can kill some of the ol’ bugs and he’ll make more and then we can have poached bug meat soup. Mezes will stick their noses up at it but that just means there’s all the more for me.”
“I saw how shepherds did things around Kayzadon,” Calesco explains, “and how they do things on land where you can’t grow crops. And I thought it’d be nice to make a demon that’ll eat Swamp-plants that intrude on my land and make sure people have sweet milk to drink, but which can’t just be raided all the time by szels.”
“I’ll have to have a look at them later,” Keris says happily. She look at her daughter, so troubled and yet at the same time so content here. So grown up. So mature. And Lilunu was saying she should take a break. So... yeah. Yeah, work can wait for a bit, Keris decides. Instead...
“Well then, how about this,” she offers. “I fell asleep because I, uh, overworked myself just before Calibration. So until I wake up, how about I hang out with you? And instead of talking about work, or giving reports, or anything like that... I can just play some music for the two of you, and help baba-sit, and maybe go visit Shepi.”
“I gotta go out and deal with the stupid bugs - they’re so stupid, always falling in holes, but I gotta earn cash when I’m here to send back to my big brother,” Fari says. She places the milk (milk? If it comes from bugs what is it really?) bucket down. “Oh yeah Miss Keris, Iroi told me to tell you that he’s got a whole bunch of expenses he’s gonna have to file with you,” she adds conversationally. “So don’t you go try and cheat him or I’ll have to tell you off for being bad.”
“Work talk later!” Keris hastily says, defending herself from the evil thought of expense reports and budget requests. “That can come after Calibration when I rush back to help Calesco with the hearthstones she needs; he can give me - or, uh, Rounen - the expenses himself. Right?”
“I guess,” Fari says, as if she’s considering whether talking about money is better or worse. Then she grins, and rushes over to give Keris a kiss. “Now you be good, Miss Keris, and don’t be too mean to Miss Calesco. I’ll bring you more milk if you’re a good girl!” And with that said she skips out happily.
There is silence in the cave. Then;
“She is going to be a terror when she’s an adult,” Calesco says, shaking her head. “She already rampaged through a Lintha ship and saved Iroi from corrupt exorcists. And has her own cult.”
Keris blinks in shock, stares after the little orven and mentally projects that kind of behaviour onto... yeah, there’s no real chance of her not going raider, is there? Being kissed on the cheek or patted on the head and called a good girl by a child is one thing. The same thing from a grown woman as dashing and charismatic as Mele...
She blushes, and then bursts out laughing at her own reaction. “Oh gods,” she says helplessly. “She’ll be lethal. She has no idea what that’s going to do to people, does she?”
“Of course not. She’s still a sweet little innocent child who thinks she’s just giving you a reason to be nice to you because you’re going to get praised and she’ll bring you tasty milk,” Calesco says wryly. “In retrospect, she’s maybe seen how I handle people and learned lessons I didn’t mean to teach.” She leans against her mother. “And it has been... nice. To spend time around her and see someone who’s so often showing the best side of Rathan. She’s the orven-est orven I’ve ever met and she’s a complete darling.” She lowers her voice. “She even started preaching to Malek’s plant-homunculi about how they deserved to be paid and to make their own choices. That’s one of the reasons I had to take her back with me. She wasn’t wrong, but it’d annoy Malek if I left her around.”
Keris winces. “Ach. Yeah, I can see that. And... I’m probably going to need to do something about those homunculi in the long run, aren’t I? I only got a passing look at them when I met her, but- wait, no, no! That’s work talk again! We’re not allowed to talk work! Lilunu told me to take this scream and relax! And then I didn’t! Which is why I passed out!”
She pauses, pursing her lips reflectively. “It’s possible I’m bad at this,” she adds, with grudging self-recrimination. “Okay, fine. How about this: I’ll play some music and get Kiki’s baba settled on my lap, and you can tell me about her, and about the babas, and about... let’s see, it’s been a year, so you’re probably not still sighing over... Marlina, I think it was last time I saw you? The...” Keris closes her eyes, searching her memory, “ffffisherman’s daughter, down on the wharfs. Well, you can tell me about whoever it is now, and where you met her, and what she’s like.”
Calesco pinkens, which is so much more obvious in her Calibration form when she’s as pale and unveiled as she is. “Her name’s Ana,” she says. “Well, Lilana, but she’s Ana to me.” She coughs. “And she’s an heiress in Triumphant Air and an Earth-aspected dragonblooded and the illegitimate daughter of the satrap,” she says very quickly, “and you have to promise not to meddle because she’s mine.”
Keris opens her mouth. Keris closes her mouth.
“... on second thought, let’s just talk about the babas - and Iris, of course,” she decides faintly, and starts up the music to hastily change the topic.
She needs what time she can grab to relax. The next five days are going to be hectic.
Chapter 37: Calibration I, 775
Chapter Text
Hell is a wicked place, where the defeated spawn of the ancient titans and their vile progenitors are trapped for all time. Those with knowledge of forbidden arts - foremost among them sorcerers, who all men know are the least righteous and most suspect of all - can release certain of those demons, binding them into service. But those arts are forbidden for a reason, for it is easy for men to listen to the silver-tongued lies of the hellspawn and go from demanding their servitude to studying at their feet, and then become their consorts, and from there the collar swiftly relocates until it is wrapped around their own neck.
Indeed, there is a fell rumour among certain of the learned that the foremost servants of Hell are called back to that place during the dark days of Calibration, when the order of the world is set out of sorts, to receive their pittances of rewards from the princes of Hell. But what good do hellish power, the wealth of nations, and carnal bliss offer if the cost of such things is a man’s soul?
At least according to Suriani bi-Musa, they do her all the good in the world. And not just the world, but the vast realm of demons too. What good had temperance been in the face of worldly desires? She had willingly damned herself even before she became one of Hell’s chosen, and ascetic nuns aplenty so much surer in their righteousness than her had fallen for, and between, the thighs of blue-eyed Mara.
Damnation has offered her far more than righteousness ever had. The wages of sin are much higher than those earned otherwise by the younger daughter of a minor clan of Chosoni martial artists, especially one who had barely been admitted into the Assembly of Langkota. She has wealth! Incredible, impossible wealth: servants galore and an amulet gifted by the Lady Lilunu and her own personal tailors for the five days of festivity and indulgence that were now hers as a right as one of the peers of Hell. And - far from least - a palace greater than the estate of a major clan, within the city-flesh of Lady Lilunu.
Oh yes, Suriani likes her palace-manse a lot. It is hers and it is her. Delicate, graceful black spires, rising from among an overgrown garden where grey plants bloom in many colours. Everywhere, mirrors hang and catch the green light, refracting and reflecting it into patterns of light and shade. There is a fortune here in the rugs and wall-hangings and statues alone - all so daring, representative art that the Immaculates would never approve of but Suriani adores. And Lady Lilunu’s seneschal for this place told her that it has been changing recently. There are pools of indigo water appearing in the garden.
Suriani shudders. She knows why this must be happening. Lady Dulmeadokht decided on the trip back that she needed to initiate herself into the dark secrets of the Demon Sea Kimbery, to learn to channel her qi in the way of a water-being, and had not tolerated her attempts to deflect or divert. Suriani had faced the deliberate flooding of the hell-ship’s airlock time and time again, suffering her mistress’s discipline whenever her efforts fell short and the fear of drowning gripped her heart. Lady Dulmeadokht had dragged her under with limbs and hair and those monstrous snake-heads that rose from the water, pushing her up to her limits and then beyond them until her lungs burned and her head reeled; she’d fed her alchemical drugs so the colours sparkled strangely and even when she was out of the water everything seemed to move in slow motion; when she pleased her mistress Lady Dulmeadokht had kissed her in ways even Mara couldn’t, only to once again drag her down into the depths and tear the breath from her lungs for completely different reasons.
And it had worked. Yozis, it had definitely worked. Suriani had felt the flows of breath shift within her and her chakras take on a new and dark power over the course of the trip. Moving through water is now like moving through air; she can let her breath fill the water and carry her through it; it now takes many long minutes before she feels like she’s running out of air. But by all that is holy, her new mistress is a tyrant of a teacher.
She had thought that even a Wretched assassin would be a kinder mentor than Mara. But no; she expected so much of Suriani, kept her right on the edge between success and failure. And this was just to initiate her into the least of the secrets of the Demon Sea. What fell secrets had her mistress learned herself, and how much pain and torturous teaching would it take to learn them?
Suriani runs a finger across her lips. Not all her mistress’s teaching methods hurt. And she certainly gives her the personal attention she had asked for. She can live with pain if it means being the most favoured disciple.
Fortunately, Lady Dulmeadokht - no, Keris - had not realised that Suriani had failed to break the will of that upstart dragon-child. So brave in the face of one of the chosen masters of the real and true makers of the world. His stone-hard mind had shed the dark, corruptive whispers she had offered him, though he had not realised that the dark influence came from her words. And Keris had merely said that he was strong-willed. It wasn’t her fault. It wasn’t! So she had nothing to fear about. No risk of being abandoned because she had failed again and given away that she wasn’t even sure what she had done to get given this power.
She mustn’t think of that. She mustn’t let on that she’s ever failed. For at this party here in her new townhouse, where so many of the mighty of Hell are here to speak to her and meet with her, she’s already heard the rumour that Keris has never failed a single mission. And if she knew about Suriani’s failures, she might instead go for one of the other new princes of the green sun who are also here at this party. It doesn’t matter if Keris has said she wants her as a student; it doesn’t even matter that she bound her and her mistress with an oath. If she wants rid of Suriani, she’ll find a way. Or she’ll take another student and neglect Suriani without breaking her oath, and let her know that she’s no longer welcome here.
That’s how it always happens.
But Suriani, of course, lies that this doesn’t matter to her so well she even believes it herself, and revels in being the centre of attention. And she is, for she is the host, and she is one of the new hell-chosen here. Everyone wants to get to know her, to make deals with her, to offer things so that she is in their debt. She didn’t need Keris to warn her about these soirees - she knows the beats of how they go. She just lets herself be a mirror to their expectations as she drifts through her chambers and halls, the demon-spider silks of her gown shushing around her, revelling in the strange and glorious demons who just simply must make her acquaintance.
There, one of the great demon princes, who looks like a sunflower with human eyes and a cheerful smile; the mighty Drosera who speaks briefly with her about the foods and animals of the Choson archipelago, and mentions that she will look fondly on anyone who brings her strange and exotic meals. There, the beautiful, graceful presence of Ululaya - the same red moon who can be seen reflected in the silver floor - who is terribly fair and beautiful and who speaks briefly with Suriani and doesn’t seem to find what she wants. Suriani hates that, already feeling the black embrace of failure - but no, there are more and more people to speak with her: the Northern Director Demitrea in a beautiful shining garment of greys and whites with silver veins that Suriani quite admires, the too-thin plague courtesan known as Yana who seems to see her as a kindred spirit, golden-eyed Claudia who the lore of both the Langkotan schools and the Black Claw warn about, the former for she is a patron of witches and the latter because her Golden Hyena Style is a rival to Mara’s claw. And more and more and more; more dances with green sun princes and demons alike, more people, more smiles, and Suriani adores every moment of this.
Surely if one were in Heaven, one would not receive anything more delightful than all these people, all these conversations, all this attention!
But there are two faces that she registers above all, because she has been warned of their existence by the Lady Lilunu, she who in her beauty and grace is to Keris as Mara is to Suriani herself. Lady Lilunu veiled her warning in pleasant words, of course, but to know there are two other newcomers to the peerage who would wish to take one’s position as the centre of attention is warning enough.
The first of these; handsome, with the Realm look about him. He’s shown up to the party in fine silk trousers, and a garment that to her Chosoni eyes resembles a formal Air coat - only without a shirt or an undershirt underneath. Perhaps it is to show off the cluster of jade coins on a necklace around his neck, a match for the pierced coins that he uses to keep his hair tied back. Suriani, however, can see past the unaffected air and the artfully deshabille appearance. This is a man with a look of a revolutionary - not a peasant, but one of the over-educated Immaculate-inspired wiras who would come to Langkota to stir up trouble. A dreamer, a vision chaser - but not someone who carries their plans through.
She could never read a man so thoroughly before she got her powers that whispered to her with the knowledge of the darkness of the hearts of men, but this one doesn’t make it hard. This is a man who chases dreams over a cliff. She wouldn’t want to rely on him. But she could use him.
This man, Lejine the Fox, can be pleasant - if slightly distant - when they exchange words. His accent is also Realm, but he’s definitely not a sailor. He sounds more like a monk, but not quite. Regardless, that ability for basic civility is something that he and she have in common, and the third junior most certainly does not.
“You gettin’ in my face?”
Oh Yozis, this is the second person Ixy Crystreet has gotten in a fight with in ten minutes. She’s technically a beastwoman, but Suriani had heard that they were more... beast-like. Ixy has the ears and colouration of a fox, and a tail, and a certain predatory cast to her dark face, but if you covered the ears with a hat you’d mistake her for an odd-looking woman. She is from Chiaroscuro, that legendary city of broken glass that Suriani had heard tales of even from the other side of the world, but there’s no desert romance about her. She showed up in chest-bindings with bloodied bandages wrapped around her knuckles, a chest covered in crude, blocky tattoos and scarification, and a pair of battered old flame pieces at her hips; since then she’s acquired a demon’s jacket that she draped over her shoulders after beating him down because she read his proposition as being rude to her. And everyone just ignored it - or worse, laughed at it. She’s wiry and rangy and gets in people’s faces whenever she reads anything as an insult, and she reads everything as an insult.
How is this a Wretched assassin? She is as subtle as a brick to the face! Well, fortunately a woman like her mistress, Lady Dulmeadokht, wouldn’t want a blunt tool like that. She’d want Suriani!
Yes, she feels better already.
Keris has made a mistake. A great mistake. An egregious mistake. One that she immediately regretted and even now is paying the price for.
“... and I really admire the way you presented Vanefa’s speech in the final act! I saw both versions, you know - well, actually all three versions! They were all amazing! The version in the Scarlet Surrender Circle wasn’t so happy an ending, but I really liked how you managed to turn your phrases! I wish I could manage a speech like that!”
She did not run away from people who were admiring her work on the plays. And then she had drawn more attention, from a more wild-eyed nature of fan. And then after them had come Haqia, daughter of Ohasei, author of that play that had ripped off her work that her sister Edji had starred in. Haqia, of the wide-lensed glasses of Oramesque glass that let her see things that were not real for inspiration, and the tightly braided pink hair that hung before her with bells threaded into it; Haqia with ink stains on her fingers and shorter horns than her mother-self; Haqia the famed scribe of hellish plays and novels that Keris has always felt are workmanlike crowd-pleasers at best, without real grace or beauty in their prose or stories. A creature of the lowest common denominator and the staid and conventional, who is competent but not creative.
Haqia who plagiarised Keris’s work and it turns out it may have been out of an excess of enthusiasm, because she has been talking Keris’s ear off about everything she admires about Keris’s performances and styles and how she wishes she had Keris’s clear talent for character work and the innovative and striking way she frames scenes and how Keris’s work is helping her become a better writer.
And no one is coming to interrupt, because Haqia is famous in her own right even before her mother’s favour is taken into account, and Keris can hear whispers about how if the two of them are talking, maybe they’ll make a collaboration together! With enthusiasm.
“I was there for the very first one in the Scarlet Cycle,” Haqia beams, “and I saw every single one of every single one of your plays! In both the Scarlet Surrender Cycle and all three Golden Surrender Cycles!”
“I’m flattered,” says Keris weakly. She’s caught in the jaws of a three-sided emotional trap. On the first side, there’s contempt and spite towards the plagiarist who ripped off her work - whose entire nature is ripping off the works of other, better, more original artists. On the second, now that she’s actually talking to Haqia, she’s finding the girl… actually quite hard to hate. There’s no malice in her, no calculated intent to piggyback off Keris’s success; it’s a crime born from a genuine love of art paired with an aching lack of true creativity. Keris is actually feeling guilty about her contempt for that atrocious rip-off of one of her better scenes she saw Ohasei performing while she was on the Street of Golden Lanterns, and finding herself making excuses for Haqia, telling herself that the girl’s lack of originality isn’t her fault, it’s her mother’s, and her actual technical writing skill with prose and dialogue are solid enough.
And on the third side she’s pissed that she’s feeling guilty because this girl ripped off her work! This is the hack writer who took her beautiful tragic monologue from the Temptation of Tepete and turned the last regrets of the Roseblack when she realises she’s willing to lie with her men and drain their lives for the strength to win the next battle into a boring massacre - of real demons who Ohasei had drugged up and then actually slaughtered on-stage! - where the central character never had any problems and just effortlessly succeeded! Keris deserves to be pissed! She has every right to be angry about the blatant insult to her work that was twisting it into something so shallow and empty! So why is she pitying this akuma that Ohasei only permits to think of itself as a person when she isn’t wearing it as a puppet to steal Keris’s dialogue and misuse it?
(Because Haqia is a person, her soft heart whispers, even if Ohasei’s grip on her means her personhood is shallow and untested. Because she’s a daughter whose mother only lets her exist when she has no use for a body that lets her pretend to have more writing skill than she actually possesses. Because Keris has seen a lot of fucked-up, toxic families in her time, and the annoyingly cute girl in front of her - the girl whose mother designed her to be cute and sympathetic and sort of a nerd - is the victim of one of the worst she’s ever seen.)
“I, um, I’ve seen one or two of your works as well,” the sympathetic part of herself adds, while the rest looks askance at it and screams. “It was, uh. Well, it certainly had me at the edge of my seat.” Repressing the urge to leap out of the box she’d been watching from and strangle the actress, admittedly, but Haqia doesn’t need to know that.
“You have?” Behind her glasses, the eyes of the ingenue go wide. “Which ones? What did you think? I respect you so much for how you’re such a talented newcomer and I’d love to hear your thoughts!”
Keris represses an eye twitch from being described as a ‘talented newcomer’ by someone who might be a lot older than her but who doesn’t have a tenth of the hard-earned skill, and chuckles awkwardly. “Well, ah, the performance your lady mother starred in, which drew inspiration from the Roseblack’s speech in the Temptation of Tepete, was certainly vivid in its, ah, realism, and…”
And maybe there’s someone who can get her out of this, she thinks as she lets her lips mouth empty mercury-laced platitudes and desperately looks around for a rescue. Wasn’t she here to meet people? People other than overly enthusiastic fans of her work? If nothing else, Suriani is her new junior who can damn well be ordered to come and rescue her mistress from this torturous conversation with a little bit of frantic eye contact and gods dammit she’s facing the other way and talking to a citizen about martial arts. Fine. There has to be someone else Keris can use as an excuse to escape. Right?
“Another way you’re so impressive is how you manage to write such amazing plays and be the lead actress and a courtesan and you’re a Director and you’ve never failed a mission either!” Haqia continues. “I have to work so hard to keep my output up. Everyone thinks being a playwright is such an easy thing but I have to spend basically every scream writing. It’s so exhausting! How do you do it?”
Haqia’s observations don’t exactly feel bad. Yes, Keris is amazing, it’s not vain to think that. And yet - something’s shifted slightly about how Haqia holds herself. Little things, small things; she’s a fraction more reserved, her accent is slightly more archaic, there’s a touch more... intent there.
Oh yes. And also Keris can taste the sudden presence in front of her; the coldblood reek. Ohasei might think she’s being subtle, but to Keris’s senses the fact this vessel is suddenly full is painfully obvious.
“Well, it’s all about efficiently using your time,” Keris blatantly lies, her mind ratcheting up several notches of tension, “and getting multiple things done at once, and of course it helps that I need less sleep than the average person.” Inwardly, something ugly coils at how… how casually Ohasei just overwrote her daughter, squashing down that unoriginal-but-earnest girl as if she weren’t even worthy of notice. No wonder her selfhood is so shallow if this is how casually her mother suppresses it to use her as a puppet.
“You know, I could show you my methods at some point,” she adds faux-casually. She’s not sure where the impulse comes from. It feels like the seed of an idea, but the body of it hasn’t formed yet - there’s just the sense that getting Haqia alone, if she can find some way to make sure it stays Haqia herself and not Ohasei wearing her skin, will be a foot in the door. A way for Keris to study her, work out how much of a soul and independent consciousness she really has. Figure out some way to get back at Ohasei through her.
“Not now, of course,” she adds; “I’ll be terribly busy over Calibration and I’m urgently needed back in Creation right afterward. But I may be back early in Fire next year, so perhaps we could collaborate then?” If she runs a few sessions going over her own work as examples that’ll be boring to envious, creatively sterile Ohasei but delightful to earnest, sincerely admiring Haqia, that should get the mother to step back and let the daughter learn Keris’s secrets on her behalf, and then Keris can… work out how to strike through her somehow. She’ll be able to think of something, she’s sure. And she’ll feel much better after she’s gotten some subtle revenge on this infuriating demon princess.
“Oh, a collaboration of work?” It’s still Ohasei there, her envy so cloying and delicious, her power a rival to Keris’s own. “Two of the most famous writers in Hell working on something that might be shown on Ipithymia or here in the Conventicle before all the greatest names in Hell?”
Keris stretches a smile across the bones of her face that’s so suffused with quicksilver even she can barely tell it feels sick with outrage. “Just imagine how many people will flock to see our work combined,” she tempts, parroting back the deepest wants of this demon who strives endlessly for original work and yet embodies the utter sterility of the Sphere of Speech. “The Calibration festivities are the central point of the year for demons and peers alike. You’ve seen how far my plays went from being first put on and advertised there. Who knows how far something we worked on together might go?”
She sees the wants of the being in front of her, and she’s never observed quite this before. On one hand, the tide filling the vessel, who longs for her daughter to be considered peerless in a field, the greatest in her field - a vicarious need to stand ahead of others. And then the simpler, humbler want of Haqia, who wants recognition too, but her recognition is to be a great artist. And that’s a very certain perspective on her part; not popular, not prosperous. Haqia wants people to look at her work and call it a great piece on its own merits.
Neither will ever accomplish this on their own, Keris thinks with cold reptilian thoughts. Ohasei’s brood will never stand ahead of their rivals in truth, neither in Creation nor in Hell, not when there are demon princes and Exalted who operate in their fields. And Haqia has all this earnest desire but she doesn’t have the skill. She works hard, but her masterpieces are crowd-pleasing, plagiarised pap.
“We’ll have to talk about it when I’m back in Hell next year,” she promises through the false mask of the Mistress of Ceremonies - so close to Cinnamon in some ways and yet so far in others. “Have your people get in touch with mine to arrange something in Fire, won’t you? I think this is going to be the start of something big.”
“Oh, of course, of course,” and then Ohasei is gone, her presence retracting from the vessel. Who is now hyperventilating and trying desperately not to embarrass herself despite her abundance of enthusiasm for getting to collaborate with Keris. That’s an interesting note, Keris observes - when Ohasei was using her daughter as a puppet, Haqia was seemingly aware of what was going on, or at least knows the agreement was made to cooperate. Does she believe she was making the decisions there, or did she realise her will had been totally suppressed by her mother? What is the subjective experience of being a pawn in that way?
Keris makes sure the not-entirely-coherent Haqia is seen to by Conventicle staff, and gladly makes her escape. This will be annoying and inconvenient, but it’s a problem for future-Keris. Future-Keris can probably find a way to handle it. And if she doesn’t, at least she’s put it off for almost a year. Good job her. Keris nods in satisfaction, and promptly backs into someone.
“The fuck you think you’re-”
Ah. She looks up at Ixy Crystreet - only half a head taller than her, mane fluffed up, one hand on her flamepiece, looking like she’s about to take a swing at her - and realises that oh, she’s doing this now.
Keris blinks at her with wide-eyed, innocent vulnerability. “Now now, no harm done,” she gently chides. “Oh, you’re one of our new faces, aren’t you? Ixy Crystreet, yes? I’v been wanting to give you an official welcome to the Conventicle. Why don’t we get out of this crowd so we aren’t being shoved around and have a chat?”
Ixy relaxes for a moment as Keris’s corruptive power washes over her, and then she squares her shoulders, hands on her hips. “Oh yeah? Why? What do you want?” Her Old Realm is imperfect, but her accent is strange - not Malfean, or southern-sounding either. It takes a moment, but Keris recognises it as late Deliberative.
That’s interesting. And just as interesting is the fact that… the ensorcellment took effect, and the innocence Keris cloaks herself in means Ixy can’t see her as doing wrong. And yet. She’s still got her hackles up and is being pointlessly obstructive, even when she believes that Keris is justified.
A sudden flicker of premonition tells Keris that this girl is going to be as much of a pain in the ass as Vali when he’s got the bit between his teeth.
“Just to get to know you,” Keris blithely replies, leading them out to a balcony and grabbing a couple of drinks from a servant as she goes. She eyes this recalcitrant girl up as she steps out into the cool air of this part of the Conventicle, looking to get a preliminary sense for who she is. She’s guarded, that’s for sure. There’s no taste of envy and she’s a weak little thing, dominated by the scent of the Demon Swamp and the King’s hate, but fear? She’s hiding that well.
“Yeah, a lot of people want to get me on their side,” Ixy says mockingly. Her hand unconsciously rests on the butt of one of her flamepieces. “What makes you any different, lady? Who are you? You’re one of the gang bosses of this place. What’d’ya want to make me do?” She looks Keris up and down, foxy-nose wrinkling. “I’m not rollin’ on my back for you,” she warns her.
Keris purses her lips, considering and tapping her fingers on the railing. This girl is a lot like she used to be - or rather, she’s a lot like Kit Firewander, at least in surface impression. Mistrustful and hostile and guarded, immersed in gang culture, with a chip on her shoulder and her fears held tight to her chest. Because she has fears. Keris has yet to meet anyone who doesn’t. But Ixy is hiding hers compulsively, which means she respects the power they give people who know them.
“I’m Keris,” she opens with. “One of the gang bosses of the Reclamation, yes. I run the Lower Southwest; the Anarchy. I’m thinking of putting in a bid for you to be part of my Directorate. And not to roll on your back. I have plenty of places to get sex.” There’s a table with several wrought-iron chairs around it on the balcony, and she hooks one with a foot, sitting down and downing her glass of wine.
“Maybe that doesn’t make me any different from all the other people clamouring to get you on your side,” she admits. “But you’re going to get assigned somewhere, and picking a side will give you some choice in where. And I’ve got a lot of pull in the Althing that’ll be on your side if you’re in my crew.”
Crossing her legs, Keris steeples her fingers and looks at Ixy over them. “So, what can you do? You obviously know how to use those flamepieces, which isn’t half bad for a start. The Anarchy has a lot of firedust weaponry. Not just firewands. Flamerain and dragon javelins and garda crows, too. I could use someone who had a knack with weapons like that. And you’re tough, too, which means you’d be able to handle the climate, unlike most people.”
“Who said I’m gettin’ stuck with any of you lot?” she fires back. “I made a deal with hell to get me outta a real shitty place, yeah - but that’s between me and ‘em. I sweated and worked to keep outta the hands of plenty of gang bosses who think they’re hot shit. But we both signed the same demonic contract. You ain’t any better than me!”
Keris shifts her hands to lace her fingers together. “Better? No. But I am more experienced, which means I know more about this place. You signed a demonic contract and made a deal with Hell. That got you out of that shitty place you were in and let you wield Hell’s power. In return you do work for them, which means being assigned somewhere and given a task to pull off, which means a Directorate.”
She considers the girl for a moment longer, then nods. “Look. I’m being nice here ‘cause you remind me a bit of how I was when I first came here. Call it a moment of sentiment if it makes you feel better. Sit down and I’ll fill you in on how this place works and what your options are. Even if I’ve got an agenda, you’ll know more than you did before, right?”
Ixy flashes sharp, not-quite-human teeth as her lips curl back in a sneer that someone like the beautiful, comfortable, graceful woman in front of her was ever anything like this feral Chiaroscuran street girl. “You don’t gotta patronise me. You want my power, yeah. Anyone can see it. You bein’ all... ganiyy,” Keris doesn’t know what that means, but from the disgust it could mean either ‘rich’ or ‘feminine’, “in my face isn’t gonna change it. I signed a contract with the Yozis who made this world, not with anything lesser.” She snorts. “Fact is, way I hear it, last one who got this seat used to be one of you gang bosses!”
She is correct there. Demitrea’s predecessor as Northern Director, Captain Gyrfalcon, was the former 39th seat. But there’s a difference between an eight-year experienced director and this scrap of a girl fuelled by... well, that’s it, isn’t it? Keris doesn’t know her drives, her fuels, though the fast-formed affinity for Metagaos and the Demon King already provides a few clues.
Keris sighs, leans back in her chair, and reconsiders whether she actually wants this girl for her Directorate. It won’t be easy, if she does take her. On the contrary; two minutes of conversation is enough to realise that Ixy will be an enormous headache. She’s brash, blunt and belligerent, with an apparent need to get in people’s faces and mouth off even when she’s being compelled to like them and think they’re right. Presumably on the logic that if she lets such paltry things as “liking someone” or “being objectively wrong” stop her from arguing with people, she’ll risk losing arguments whenever she’s wrong or someone she’s close to tries to talk her down from making unnecessary enemies, and then where would it end?
Yeah, she’s going to be a massive pain in the ass if Keris takes her. She’s not even sure what she’d assign Ixy to do - because she doesn’t want to turn this girl loose in her carefully-balanced Anarchy without supervision, but she’s refusing to share anything about what her actual talents are. And it’ll cause problems with needy, insecure, attention-hungry Suriani.
But on the other hand… Keris sees so much of herself in this girl. Or more accurately, so much of Kit Firewander. The talk with Demitrea is still fresh in her mind, and while she’s got no time for bullshit like “not being the same person”, she’s more conscious than ever of how much she’s changed. How much she’s grown. She got over those early days of being a feral little street rat and became who she is today because people put in the work to teach her, guide her, cultivate her. Dulmea, Orange Blossom and Xansu, Sasimana, Lilunu - she owes them all a lot (some, admittedly, more than others). She wants to pay it forward. To teach Ixy as she was taught. To carve, from this mouthy, obnoxious brat, someone intense and skilled and tempered like steel.
But it really is going to be a hell of a lot of extra work.
“You were a lot of work, child,” Dulmea says. “But look how you turned out.”
Urgh. Cheating mothers and their being-totally-right. Resting her chin on her laced fingers, Keris looks at Ixy, and this time she looks deeper. Plumbing for her fears, her hopes and expectations. Her dreams. The price of her soul.
And she can’t find it. There are only glimmers, half-seen reflections. There’s someone out there that Ixy wants something for, a figure half-seen in a dirty mirror in an ill-lit room. There’s a price there, but one that Ixy hides so tight to her chest that even Keris’s keen senses can’t pick it out.
Ah, but there’s so much more to find as the two of them chat. She’s scared of Keris, oh yes, she definitely is - but not just Keris. It isn’t personal; it’s not who Keris is, but she’s scared of a broader group that Keris is part of. Maybe it’s just a fear of those stronger than her - because Keris saw her flinch as her eyes flashed green. Ixy knows Keris is so much more powerful than her. And on the tip of her tongue is that fear, choking, all consuming; fear of being weak, of being too weak to protect the things she cares about. She’s scared of demons and she’s scared of humans. And so Keris is speaking to someone whose nerves are so taut that one could pluck out a melody on them like strung steel wires. She’s about one loud noise away from drawing and firing with her flamepieces, and in place of bravery she has terror that she holds close as a comfort blanket.
Someone so scared: she expects violence and ruthless exploitation from Keris, to be used and thrown away, to be pulled into dark magical oaths. And the most she hopes for is to get away untouched and unmolested by the terrifyingly strong monster standing in front of her in the shape of a tiny, beautiful woman.
Aching sympathy clenches clawed fingers around Keris’s heart. She shuts her eyes and sighs.
“Look,” she tells Ixy. “I’m loyal to my lady Lilunu. Out of everyone in this place, she’s the only one I chose to follow - not for any deal, not for any bargain, just because I believe in who she is. I serve her and help her and support her, no matter what. And it’s her duty to look after us. All of us; all fifty of the champions who hold the Yozi’s power. So look at it this way: if I help you, I help my lady. If I don’t, it falls on her. And if I fuck you over and trap you in some awful pact, she’s the one who’ll have to deal with everyone else being annoyed.”
Pushing back her chair, Keris stands. “If you don’t trust your fellow Infernals... then good, frankly. If you don’t trust me to have your best interests in mind, that’s fine. But trust that I will always do what helps my lady, and her nature is to care for you, because that’s the task the Yozis you made a deal with gave her.”
She jabs a thumb over her shoulder, and mournfully accepts that what she’s about to do will probably cause her a bunch of problems in the near future. Still. It’s her best idea for getting Ixy off the razor edge she’s standing on and calming her down a bit, so she’s just going to have to deal with it.
“This party is too crowded, and I have work for Lilunu to do,” she says. “So I’m leaving. If you’re not interested in listening to any more demons or Infernals try to talk themselves up to you, you can tag along and nobody will question it. And I can give you some advice on how to deal with the party you have to host - for free, no cost, because if it’s a disaster then it’ll look bad for me and my lady.” She baits the hook. “You’d be doing me a favour, honestly. I’d owe you. A little.”
Complicated emotions flicker over Ixy’s face, enough for Keris to know that she’s rapidly re-evaluating her. Possibly moving her from one box to another, but at the very least Keris has managed to get through the steep and spike-covered wall of instinctual fear.
“Well, if I’m helping you - an’ it’s just for doin’ the right stuff to keep one of the bosses happy,” Ixy offers. “I guess that makes sense. Other people, demons working for the Lilunu lady are doing all the organising, you know, but if you’re scared they’re doing it wrong, then since you’re Lilunu’s enforcer and lieut you probably gotta meddle for her.”
Keris smirks. “I’m her Mistress of Ceremonies. The organisers answer to me. Come on. I’ll check everything’s in order, maybe yell at people if they’ve fucked anything up, and give you a head’s-up on who to look out for. You can think about what to spend that favour on, too.”
“Yeah. Yeah, okay.” She takes her hand off her flame piece, wrapping her arms around herself. “It’s too bright and hot and noisy here, too. And the sun doesn’t set. Makes it a pain in the ass to get to sleep.”
Oh. So she’s also sleep deprived. Keris sympathises, and shares a few anecdotes of her own adjustment to Hell - which included getting her hands on some shadow-woven curtains and soundproofing - and gets them out of the party and on the way around the ring to Ixy’s townhouse. It’s not a long walk; just six estates over - past Deveh’s silly little delusional pet-project Pink Dolphin, and just on the other side of Magenta’s. She and Ixy are neighbours, in fact; something that Keris makes a note of.
‘Mama, don’t let me lose track of time. I’ve got that thing with Magenta and I don’t want to be late,’ she says inwardly. ‘Not when I need to butter her up if I want to introduce her to po-cultivation like I did Suriani. Khereon Ul will want results and Magenta’s so much harder to get things to do than Suriani is..’
“I will remind you, though I would caution you about spending time around that monster,” Dulmea says. “And further caution you that you have little time to spare this Calibration, even with one day removed from your duties to Lilunu.”
‘I know, I know; I’ll handle it,’ Keris placates, and turns back to her conversation with Ixy. They’ve moved off the topic of how to get a good night’s sleep now, and into Keris’s early days in Hell and what she’d trained for - primarily assassination.
“So what are you thinking of learning?” she slips in, faux-casual. “Focusing on your existing skills can take you a long way, but developing new ones can be just as good. Knowing what you’re good at and what kinds of missions you can pull off gives you more control over what the Yozis set you to doing.”
Ixy looks her up and down. “I’m good at killing,” she says, curtly. “Killing, and not dying. An’ not getting caught. Lots of people back in Brokeglass and Shatterfall tried to get me dead. Didn’t manage it. I’m part foxkin - duh - an’ I got sharp ears and an even sharper nose. When they come for me, I know it. An’ lots of people come for me and- for me.” She pauses. “An’ I fixed up my flamepieces all myself and I make my own firebombs.”
Keris purses her lips, and thinks what she can put this city fox-girl to. “Hmm. Assassination then, yeah. And maybe sabotage, too. I trained in that before I got all...” she waves at herself, “pretty honeypot-like. It’s still what I’m best at, honestly, and I still do a lot of sabotage work, both for my own Directorate and for other Directors when they need someone who’s really, really good at making bad things happen with no obvious source.”
She grins, a quick flash of white between scarred red lips. “It’s great. My enemies never see me, never know that someone’s targeting them. Things just start going wrong for them. Everywhere. Like a curse.”
Tapping her lip thoughtfully, Keris tilts her head. “Hmm. Matter of fact, if you have any attachment to Chiaroscuro, I know Veil doesn’t have a good assassin-saboteur at the moment. If you can get yourself trained up into one, you’d be able to barter a really cushy spot there. And if you’re good at it, it lets you pick and choose where to sell your skills to other Infernals - on your terms, not theirs. Someone they can point at a town or region or high-up bigshot they want ruined or wrecked or killed and have it just happen, not as a big obvious Hellish attack, but from the world seeming to just suddenly turn against them; that’s valuable. Fire’s a good start. There are a bunch of ways to fake ‘accidental fires’. Bunch more to use fires to fuck over your target so they never see the real trap coming.”
That earns her a sharp stare, and Keris can immediately read the two layers of disbelief. Firstly that she’s getting anything that sounds so valuable offered for free, and secondly that Keris was ever anything other than a pretty socialite. And then the stare focuses on Keris’s lips. “The fuck happened to your mouth?” Ixy asks bluntly. “An’ your face. It’s like you tried to eat glasspowder.”
Keris grins again, licks her thumb, and wipes away the makeup that lies heavy across the bridge of her nose and up the left side of her jaw. The scars it exposes are pale and white and have not faded at all since the day they finished healing.
“I ran with the Silent Wind, and lived,” Keris says simply. “That’s why they call me the Wind-Kissed, when they think I can’t hear. These,” she taps her scars, “are where she touched me. And this,” her lips, “is where she kissed me. She likes how good I am at killing, I think. Or maybe just how much of her nature I’ve taken in.”
And that is the thing that draws laughter from Ixy, of all things. “You are a fucking crazy lady,” she manages. “I don’t know much but I know everyone in Hell’s scared of her. But you ain’t.”
A breath.
“How? How ain’t you scared?”
Keris holds her gaze for a long moment. Then she looks away. They’re passing Magenta’s estate now, and she stares at it through the silvery grove of mirror-trees that surrounds it. To lie, or to tell the truth? Baring herself is uncomfortable... but this girl, more so than most, will understand. She’s a kindred spirit, after all.
“Not scared?” Keris repeats quietly, and huffs a quiet breath of laughter. “Not scared? Are you joking? I’m terrified of her. I’m terrified every time She shows up. Who wouldn’t be?” She huffs, shaking her head. “But... fear isn’t a bad thing. Fear keeps you alive. As long as you work with it, instead of stuffing it down or letting it work you. That’s how I survived her. Not by giving into blind panic, like most do. Not by charging in with dumb courage, like idiots try. By embracing my fear, and letting it protect me.”
“I’m not scared!” That’s shouted, and her hand goes back to the butt of her flamepiece. She seems totally on the edge of violence, just from that allegation.
“I didn’t say you were,” says Keris, still subdued. “But I am. That’s why I’m still alive.”
Ixy flushes red, as she realises she’s blurted out something that she wasn’t actually asked. “I’m not good with Spirit-tongue,” she says, not letting go of her flame piece. “It sounded like you were saying that I’m scared or I ‘charge in with dumb courage’!”
“Of course not,” Keris placates, pretending to believe her. “Old Realm is something else you can get some more training in. From whoever you choose to take it from.”
“Well, just so’s you’re clear!” But at least she seems to be considering things, and better yet, using her brain. And also letting go of that pistol of hers. “You’re offering to ‘prentice me,” she says. It’s not a question. “So I guess, what’d you make me do and what are you gonna make me pay in for the ‘prenticing?” A growl enters her voice again. “Just ‘cause I got fox blood don’t mean I’ll lie on my back for anyone or anything. I burned men to death for thinkin’ that before.”
And that is a story in its own right. Things must be different in Chiaroscuro, because in Nexus at least... yeah, there were a few fox-kin joygirls and joyboys, but the biggest group of them Kit ever knew were in the area around the Weaver-and-Sparrow intersection and they’d been a money lending racket and merchants who ran the shonky shops in that part of Firewander. Bunch of stuck-up assholes with cash. Kit had hated them, but then again she’d hated a lot of people and it hadn’t so much been because they’d been fox-blooded as the fact that their asshole kids threw rocks at street urchins.
“I’m not interested in getting you in bed,” Keris says flatly. “At all. You don’t want to do that kind of work, and frankly you’re not suited to it. No, if you’re willing to become my student, I’m going to teach you the first skillset I learned; assassination and sabotage. And in return, you’ll owe me missions. I’m very good at what I do, but I don’t have as much freedom to roam free and break things these days; a lot of my time is tied up in running my Directorate and half a dozen other things. An apprentice I can send out to dispose of a merchant prince or petty king who’s making themselves a problem will take more of a load off my shoulders than teaching will add.”
She smiles wryly. “Not to mention that if you’re my student, that’s one more Infernal in the Althing I don’t have to worry will try to stab me in the back. If I show good faith now, you’ll show good faith later, once you’ve grown strong enough to be a threat.” An eyebrow rises over ash-grey eyes. “Right?”
Ixy listens to the explanation, at least, although scepticism radiates from her. Even with Keris wrapped in the innocence of the Great Mother, even with her silver tongue, Ixy doesn’t and maybe can’t believe even in tit for tat. She has further questions too, looking for loopholes and ways that Keris might try to use her, to take advantage of her, to avoid holding up her end of the deal.
But in the end Keris might not be able to sell Ixy on the idea that she won’t turn on her or screw her over, but she can at least sell her on the idea that Keris might think that she isn’t planning to fuck her over. And that’s maybe the best that Ixy can hope for.
They come to a stop before one of the town houses. It’s in a transitional state that Keris hasn’t seen often, the grand and melodramatic structure of stark white stone and burning green braziers being torn down by a new jungle and black obelisks topped with green flame.
Keris didn’t really know Captain Gyrfalcon, but she doesn’t seen anything of him in this girl. Except for the fondness for flame pieces, she guesses.
“Think about what I said,” Keris says. “I’ll petition to bring you into my Directorate for a year-long training assignment, to get you up to speed. After that, you can see if you want to transfer somewhere else. You’ll pay me back for teaching you by running missions for me - and working to learn how the Anarchy uses firedust and improve it. I want my people armed with the best.”
She claps her hands. “Now, I’m going to go see what preparations your staff have made for your party the day after tomorrow and yell at them if they’ve done anything wrong. You can come watch, if you want. Or not. It’s your house, and I’m not your Director yet, so I’ve got no authority to give you orders. You can do as you please.”
That gets her a “Pfft” and Ixy slopes off, entirely uncaring of organisation or what staff do. The only reason Keris doesn’t yell at her is because she doesn’t want to alienate her.
... the only two reasons Keris doesn’t yell at her are because she doesn’t want to alienate her and it’s probably better for everyone else if Ixy spends some time unwinding the ball of stress inside her.
... the only three reasons Keris doesn’t yell at her are because she doesn’t want to alienate her, it’s probably better for everyone else if Ixy spends some time unwinding the ball of stress inside her, and Keris unfortunately remembers being exactly that much a pain in the ass when she was new and still getting used to the concept of ‘owning a huge mansion’ and ‘having to authorise things after listening to boring explanations’.
She goes and shouts at the servants to feel better (and it helps), but when she gets outside Mani is waiting for her, leaning against the side with an anhule mask. “Oh, Peer Dulmeadokht,” Lilunu’s szilf says to her. “Serf... no, wait, you got our lady to citizenise him. Sorry, let me start again. Citizen Mele is just bereft without you, and grabbed me and told me to chase you down and tell you that he’s holding his first dance for you at the party. And has also secured you a handful of those candied apples you’re so fond of. If you feel this is abusing his station to order a page around, I could probably stab him for you,” he adds hopefully, “because he bet me a jade coin you’d be happy to hear that he was thinking of you. And if I stab him I won’t have to pay up.”
Keris is unfortunately forced to disappoint him. By the time he’s finished talking, she’s blushing, and her hands come up to her cheeks and the besotted smile stretching across them at the romantic gesture.
“T-tell him I’ll be along in just a few moments!” she says. “I’ve just finished up here, and- ah, hell, they can handle the rest of it themselves. Don’t bother with the message. I’ll deliver it in person.”
Mani pulls off his face, and replaces it with a tragedian’s mask. “Yes, milady,” he says glumly, but Keris ignores him as she’s already accelerating back to Suriani’s estate.
There is a dance circle out in a clearing in the gardens, and Mele is waiting for her, dressed in an incredibly crisp black suit-robe that Keris spun for him on the way back. The black perfectly accentuates the paleness of his complexion, while the red lining and silver-and-red-pearl hair ornaments both add colour to him and also are very much Keris’s marker that he’s hers. His rapier is still at his hip, but he also has a prettier sheath she made for him. “My lady,” he says with a perfect bow, “I have been so desolate without you, and I’ve been very good. I’ve only flirted with three women and two men since you left me all alone, and I turned down their offers to dance.”
He smiles, white ivory teeth flashing.
“I hope you won’t show my temperance on your behalf was misguided.”
And even now, he’s pushing her; pushing her to pay more attention to her, pushing her to get jealous and re-lay her claim on him. He’s a little more obvious than usual, a little more desperate. Maybe he has been missing her.
“Oh?” Keris affects disinterest, though she can feel her hair lashing behind her like an angry cat’s tail. “You call it temperance, but you still flirted with them. That’s hardly very loyal to me, is it? What if I leave you to your swains and sweethearts? Will you just go and fall into the arms of the prettiest one?” She glances around, and doesn’t quite manage to keep her tone casual as she asks; “Who were they, anyway? Peers of mine? Demons?”
“A gentleman doesn’t kiss and tell,” Mele says, inspecting his nails. He’s putting on an accent, making an effort to speak in the highborn Lintha Old Realm accent that the orvenkeruby are technically born knowing before their innate orven-ness results in them talking more like Nighthammer street kids. It must be an effort to blend in. “There was a pretty cute girl with the most rancid vibes who was stealing your look. Oh, and a lovely man - Valgan - of your peerage who was quite complimentary of my appearance.”
Keris growls, low and guttural. “!” She tosses her hair. “They don’t get to have you. Nobody gets to have you. Because you’re mine. And you’re going to take me out dancing now. And then hand-feed me those candied apples you promised me. Right?”
“Of course, maj,” Mele says, and he grins at her. “I’m a willing prop in helping you be the centre of attention, because,” he leans in and kisses her on the nose, “I know how much you like that, right? And that girl sounded as annoying as a far-Spires feral fem - and about as stubborn.”
With a flick of his fingers, there is now an apple slice in his hand.
“Now, will you dance with me, my wicked queen?”
Keris leans forward just enough to eat it from his hand, letting her lips and tongue brush gently across his fingers and giving them a little nip before pulling back. She steps into him, winding both hands around his back possessively, and smirks up with lidded eyes.
“Well how can I say no to such a handsome offer?”
Mele guides her onto the dance floor, and there are gasps and sighs at the sight of her. Of course there are. This is Keris Dulmeadokht, the Voice of the Mouth of the Yozis, Harlot of the Yozis, star of performances par excellence. And her steps are infused with the beauty and raw desire she gained when she ate of the fruits of immorality from the hand of Ipithymia. In the shadowy glades of Suriani’s townhouse, the musicians are joined by a crowd of the Things that Lurk in Corners, and it is their music Keris dances to, an idol in the dappled gloom as she and Mele move in and out of patches of light reflected by gleaming, shimmering mirrors.
None can take their eyes off her, even if they wanted to. And they do not.
The shadows sing, and Keris sings with them, matching and complementing the melody of the musicians. Her tall, coldly handsome partner spins her about and makes a good showing of himself, but it’s Keris herself who is the star of the show. Ah, Keris! Her every movement is one of liquid grace, the beauty of her dancing holds no malice, and the attention of the crowds are drawn to her tidal pull. Tenebral light ebbs and flows around her in a strange, beguiling performance; the onlookers see currents and tides of desire, catch the scents of lovers past, feel shadowy strands stroke across their tingling skin.
More than a few are jealous of the man who is the focus of their idol’s attention. But that only seems to make him enjoy it more.
It is not the best dance she has ever danced - far from it, for she is tired and yes, distracted - but it is still a dance to rival Stanewald’s. And she does not dance to change minds or argue against the laws of Hell; no, she dances to be desired and envied by the watchers and that she achieves in plenitude. Guests are drawn from all over the party to watch her, citizens and lords and princes and peers alike, and they do not leave - nor pay each other any heed.
As her song winds down, Keris glances around the packed edges of the glade, and sees hundreds of faces, each one sharply beautiful in the envy that reflects only her. They want her; they want to be her.
She smiles. She waves. And, exhausted and in need of some good attentive pampering, she curtseys to them all, and then lets Mele whisk her away into private.
Perhaps she could have stayed for one more dance -- but why give them everything they want, rather than leaving them desiring and needing more.
“I will have a treat for all of you on the fourth day,” she coos to the onlookers, and then - like a reflection - she is gone.
Mele turns out to be very good for relaxing her in a very therapeutic way. More than therapeutic; romantic. Keris is still dizzy with it as she wobbles away from the party, blushing and bouncing on her feet and doing her level best not to squeal with joy.
Because Mele had danced with her, and then fed her candied apples and made love to her in a garden, and those had been lovely. But then. Then. He’d gotten down (well, up) on one knee, looked at her so seriously with those dark, intense eyes and said that she was the only one for him. That he was willing to give up his other holdas and help them find other loves, even though it would be giving up power, because his feelings for her were so much stronger and that wasn’t fair to them or to her. Keris had tried to argue, had tried to be the bigger woman and not steal this sweet, earnest, handsome man away from the lovers he’d had before - she’d tried, this time, not to be a corrosive force in love.
And Mele had just smiled and soothed away her worries, somehow knowing just what to say. That he’d only very recently won Juko’s heart, more for the thrill of the chase and to lure him away from his old lover than out of deep feelings. That Noi had been discontent in polyamory for a while now, and that it was better for him and Mele to part as friends. That Cala had been with him since they grew up, but now after feeling the depth of his love for Keris, Mele was realising that maybe it had been a friendship he’d mistaken for romance rather than true love - and that it wasn’t fair to her, but it would be crueller still to keep her with him while he loved Keris more, instead of letting her go and find happiness with another.
He’d sworn to be gentle about returning their hearts, and to make sure they ended up with good partners. Keris had promised to help; to give them titles and positions doing interesting, challenging work to make up for this usurpation. And then, unable to suppress her pounding heart and bubbling joy any further, she’d jumped him again and rewarded him thoroughly for such a dashing, gallant gesture.
Admittedly, her outfit is now utterly ruined, but much of the damage had been done by the dance and her sweating in the humid heat. The fact that it was profoundly mussed at Mele’s hands and also ended up flung over a thorny bush only makes matters worse. Swooning a little with delight and infatuation, she makes a quick stop to wash and change into her next prepared outfit, and then she has to pull her composure back together and head straight to the floating arena of the Glasstower Transcendent, which floats over the Oramesque grey heath of the inner ring. She has arranged tickets to the match between the demon prince Ferand and the behemoth-beast Uasdi for herself and Amiri Magenta as a gift to the other woman, and of course, Keris has plans for her too.
Magenta is already in their box by the time Keris arrives. Compared to last year, she has adopted Hellish styles much more aggressively, and seems entirely at home in them. Her silken layers are translucent and pinned in place, not hiding the demonskin-leather corset-leotard that’s all she wears underneath. She has clearly indulged in the Street of Infernal Artisans too, for her boots are things of living brass that coat her skin up to the thigh and her arms are laden down with elegant bracelets and bangles made from hellish materials. Three of the bracelets are socketed with hearthstones, two from Creation and one from Hell. Her glossy firmin-black hair is pinned up, and a corrupted-jade tiara sits pride of place.
Keris, meanwhile, has themed her outfit around Pekhijira as her own secret little joke. Strigida provides a mantle of silver feathers over figure-hugging pale grey snakeskin breeches and the same silver heels she was wearing yesterday. She smiles at Magenta as she settles herself in the box and gets the weight off her feet.
“Lovely to see you as always, Magenta,” she greets her part-time student. “I hope you had a good year?”
Magenta embraces her, kissing her once on each cheek. “Oh, I think it went well enough,” she says with a happy little smile. “Although from the rumours, you’re thriving. Your name is on everyone’s lips. And thank you so much for prime tickets to this.”
Keris hadn’t even had to ask for them. Ferand had just sent her tickets to this first-rate box. There are only a few Infernals in these grade of boxes, with most of the other spectators in the most elite seats being demon princes and their companions. But then again, for all that Keris didn’t have the fondest memories of Ferand as a client, his gladiatorial chariot-battles against beasts were rightly famous.
“Think nothing of it, dear,” she says, waving an idle hand. “And yes, I flatter myself that I’ve had a good year. Certainly, my turn at the boasting will be impressive - as will my plans for the fourth day. Which,” she winks, “I suspect you’ll enjoy. I’ve saved you a prime spot.”
The initial opening acts are citizen-gladiators and beast-tamers putting on acts; arcane forcefields flood part of the stage with a ball of hissing acid-brine before demons in seal-skin dive in to fight flesh-eating worms, another part is strung up with razor-thread while two anhules duel, and then there’s a grand display of mounted combat on captured furnace rhinos.
Keris keeps more of an eye on Magenta, though, and the way she stares at the bloodshed, cheers on the violence, and laughs when a favoured warrior takes a thrown spear to the eye. “What marvellous fun!” Magenta observes.
It is also notable, Keris thinks, that Magenta has put the effort into refining her Old Realm until it is Malfean-native. So few of the other Infernals have done that.
“Have you seen Ferand fight before?” she asks. “Or Usadi, for that matter?”
“I saw one of Ferand’s matches last year, and it was fantastic,” Magenta says, sipping wine. “And they tracked down and captured this beast for this, and I’ve heard mention it’s rather infamous. Some kind of grudge between the two.”
“We’re in for a treat, then,” Keris says, stretching luxuriantly. “And afterwards, if you’re interested, I have a little proposal for you. An offer for a lesson.”
Magenta admires her obsidian nails, capturing Keris’s reflection in them. “So you want something from me,” she half-teases. “Well, I am listening. Even if maybe you found someone else to cling to your coat-tails.”
That draws some chuckles, and they go on to talk about other matters. Magenta is very complimentary about how effective the assassinations of Realm port officials and naval administration was done in the Anarchy, and conveys Anadala’s regards too.
“The Navy in general and House Peleps,” she says, using the coarse Low Realm name, “are not faring well. The Sesus are working on their own - illegal - so-called ‘Smoke Fleet’, Anadala says, and other Great Houses are finding other workarounds. Peleps are unreliable for protecting tribute, because the matriarchs appear to have gone crazy and are literally extorting protection. If you don’t pay, your treasure ships won’t be escorted. This may - I warn you - be a problem for you, because they must be using those ships for something. In fact, they might choose to try to claim parts of the West. Or the South West. Either way it’ll be a vainglorious attempt at seizing their own empire, because their holdings in the western Realm fare poorly.”
She swirls her wine.
“But your deliciously prompt and effective assassinations have blinded some of their best intelligence in the Anarchy, and helped our people rise in the Navy. I’d advise you - respected elder, of course - to keep an eye out for fleet gatherings. It might be indication of a planned Peleps push into the Anarchy for the sake of their petty empire-building.”
Keris purses her lips, working that into her plans. “I see. Hmm. That might work to my favour, if they commit some of their better ships. I still haven’t used my warship’s full potential yet, and a fleet gathering would be the perfect time to debut it.” She taps her lips. “Mmm. I’ll keep an eye out. And speaking of our collaboration, how was your stint as substitute Director? I know Sasimana spent most of Earth here and left you in charge back on the Blessed Isles. From the way you’re smirking, I assume that it went well.”
“If you didn’t already ruin the early stages of such an assault,” Dulmea observes. “That was not an insignificant fleet in Nagakota, and by keeping it away from the main trade routes that pass through Triumphant Air, they might have hoped to keep it more secret.”
“Oh, very well,” Magenta gloats, unaware of the voice in Keris’s head. “Just wonderfully. Respected elder, I might even hazard a supposition that power suits me. You will hear more of what I achieved on the fifth day, but suffice it to say, I reached out,” she gestures with her other hand, clenching it into a fist, “and seized the moment when it came to me. Oh, I respect Sasimana greatly, but she is risk-averse. But there were some wonderful ways to spread chaos and dissent and some very crucial bureaucrats who are now on my payroll - or off to their next lives.”
She offers Keris a wicked smile and a quirked eyebrow.
“And Sasimana didn’t hurry back. That poor woman, finding an excuse to linger longer in her lover’s arms in Hell.”
Keris keeps the sickliness out of her return smile, and raises an eyebrow in turn. So, Magenta’s been taking risks and breaking things. Unsurprising. As she said, Sasimana is risk-averse - and Keris had spotted the core of bubbling rage and ambition in Magenta all the way back when they’d first met. Even with Sasimana holding her back, it was only ever going to be a question of who she’d target. And with her cautious Director in Hell, she’d spent the whole of Earth fully off the leash.
The other woman burns hot; she is ambitious. Keris has spent the past Earth smiling and hiding her true feelings from their masters. And so Keris is fairly sure she hides her own feeling, but she can read that Magenta’s innuendo conceals much more inquisitiveness under the slightly off-colour joke. She’s probing Keris, and doesn’t believe that Sasimana was simply spending time off with Keris. In fact, Keris is pretty sure that Magenta knows Sasimana isn’t well and isn’t at the top of her game, and that would be why the seething, underground coal-fire of her rage-driven ambition has been fanned.
She’s had the taste of Directorial power and likes it. She’s fishing for hints as to Sasimana’s condition and the prognosis, so she can capitalise on any chance for advancement she has.
“A dangerous, dangerous woman,” Dulmea says admiringly. “No wonder she dresses in Hellish fashions. She has taken well to the proper conduct here. There is no power without ambition.”
“She was actually working on a personal project, as I understand it,” Keris blithely not-quite-lies. “I got to see some of her notes. In fact, it was helping her with one of the later stages that helped me finalise what I’m going to teach you.” There. Let Magenta worry that Sasimana might be hiding some potent new powers she’s developed, and that her absence may have been less to do with her health and more to do with great works of Sorcery or po-Heresy. She wouldn’t even be (entirely) wrong to think so. And phrasing it this way will at least make her wary of making any rash moves.
Keris may not love Sasimana anymore, but she’s aware that getting demoted would be disastrous for her ex-lover’s fragile, slowly-recovering stability. Magenta wants to advance her position, and Keris is entirely willing to support her doing so - but not at her clan’s expense.
“Ah, and here’s the big event,” she adds, as the announcements turn towards introducing Ferand. “Let’s see what kind of spectacle he has for us. Do you want to wager on the outcome?”
Keris catches a little micro-tension in Magenta’s eyes, a hint of something moving below the surface, but she can’t deduce what it means. “How about... a favour for a favour?” the other woman asks, with a smile like a coal mine fire. “You win, I’ll assist you in something reasonable of your choice - and I win, you’ll owe me. I’ve always wanted a Director in my debt, especially one as well connected as you are.” She smiles to show it’s a joke; it isn’t. And it’s a reminder to Keris that both Magenta and Suriani might be Fiends with an affinity for Szoreny, but they are very different women. Magenta is making a play here.
Maybe the same kind of play she’ll make against Sasimana when the time comes.
“And yet you’re looking to ensnare her and get her to help you in your lower-soul research,” Dulmea murmurs. “Then she just offers you exactly what you want.”
Keris grants her a slow, lazy smile in return; knowing and just a little bit lascivious. Suriani would never challenge her like this. But Magenta is a lot more like Keris in how she pushes at people and goes for what she wants. She’s offered this bet, and she can’t really back down now.
“Alright,” she murmurs. “A favour for a favour. Sounds like fun. But since you’re the one proposing the bet, I’ll make mine first, mm?” She considers the demon prince still being introduced to the roaring crowds in the arena, and the behemoth that will be his opponent. They have a history together, and Keris is a well-read scholar of the demon realm. She’s in perhaps a better position than Magenta to guess how this will turn out.
Unfortunately, Uasdi is an obscure beast, and Keris has only heard of a few things. And none of them were from books. She just recalls that Ferand has a grudge against her, that she’s a great monstrous thing combining aspects of hare, snake and flame, and that some people speculate that she is a by-blow of one of the other souls of Isidoros.
“I’d bet on victory for Ferand, but first blood to Usadi,” Magenta offers.
“A safe bet, to back the Unquestionable’s victory,” Keris needles, faintly annoyed that she hadn’t claimed Ferand’s side first. “Well, I can’t just copy you, but nor can I possibly bet against an honoured demon prince. So how about this: I’ll bet that Usadi finishes the bout still standing - whether by victory, surrender before she’s brought down or dying on her feet without falling. If we both win, we’ll each owe one another a favour. If neither of us do, the slate remains clean.”
“So may it be,” Magenta says taking Keris’s hand. For a moment Keris’s nerves scream out, worried that she’s about to be pulled into a hellish oath - but no. Magenta only squeezes her hand, and lets go, leaving Keris with the suspicion that Magenta was pushing against her, testing her.
But her thoughts in that direction are interrupted by the great blast of brazen trumpets which echo from wall to wall, loud enough that Keris’s eyes water. One of the walls of the arena shatters completely, and from the rubble and the dust strides Ferand the Chariot of Embers. He wears his more human form the moment, the burning chariot hidden, and he would at first glance appear to be an old man. But though his hair is white, and his face lined, he walks with the arrogant confidence of youth. He is not slim, but he has the build of a weightlifter or a wrestler, all muscle and bulk, and if he is elderly he’s like a hardwood that only gets tougher when aged. In his left hand he bears a great ivory bow threaded with topaz, a monstrous weapon that rivals Calesco’s, and over his right he rests a colossal black-iron grand daiklave of the kind that might cleave through a fortress wall. But both arms rest casually, for what he used to smash down the wall was nothing but his forehead. His ornamental armour is dented black and silver, and jet-black beads click together in his long beard.
Behind him, a scarlet mospid spreads its wings, and cries out loudly. Its cry makes the entire arena tremble.
“Dragons,” Magenta breathes. “He really knows how to make an entrance.”
Is there something more in Magenta’s admiration? Keris can’t tell. It’s so annoying to be around people who can hide their emotions so. Ferand was one of her clients on Ipithymia and he was not gentle or careful; he is a demon prince who lays waste to all before him, who loves great and destructive things such as warrior-behemoths, titanic beasts, and natural disasters. He had strained even her body to the limit, and Magenta is weaker than her. If she knew for sure she might commit the faux pas of warning Magenta away from him, but as it is - no. And in fairness, that was a very impressive entrance and Keris is thoroughly glad that Vali isn’t here to get ideas.
She does not want her son turning out like that man.
Ferand basks in the applause for a few moments, then brings his fist down on the ground, cracking it and bringing up a plume of flame. “Come, now! There are greater things to be done here! You! Ringmaster! Send in my foe!”
Overhead, a flying ship of demonic contraption makes itself known, a bulk of polished brass and radial horns. From below it hangs a crystal cage, rocking back and forth as the thing inside fights to be free. Keris gets her first glimpse of Usadi, and realise her impressions were all wrong; it is a beast the size of an elephant, shaped roughly like a hare, yes - but it has no face, only a pair of snake-heads in place of its ears, and where it steps white-hot flame burns for a moment, leaving dirty slag in its place.
“Looks like things are about to get loud,” Keris sighs, and forms hair-muffs over her ears.
The cage tilts, and the downwards-facing side opens in a concertina motion. The beast falls, its dull grey fur rippling in the breeze. And then it slams into the ground with both feet, and two pillars of white-hot fire belch upwards, hot enough that no one in the front rows have any eyebrows - or facial hair - left.
“Ah ha! Usadi, my old foe!” Ferand bellows. In a grandiose gesture, he stabs his sword into the ground, and hangs his bow from it. Stretching his arms up, he gestures to the audience. “Do you think you’ve gotten any stronger since last time? Do you think you’ll be my fated doom this time, or will you once again be beaten into the ground?”
“I’ll kill you!” hisses the right-sided snake.
“I’ll break you,” hisses the left at the same time, speaking together, and the two voices are heard oddly, one by the left ear and the other by the right.
“You always say that!” Ferand booms. “Come here and show me what you have? Or are you more chicken than hare? More fowl than snake? I want to make you strong - and you never are! Such a disappointment!”
Usadi screams at that. “[I hate you!]/[I’ll kill you!]” the two heads say together, feet drumming on the ground in agitation, kicking up heat and molten slag.
“Then show me!” Ferand retorts. “Show me and--”
But his pride has led him to miss that the akuma-beast has not just been shifting her feet in rage, she’s been making a pool of molten slag... and now she acts. With a powerful sweep with one of her forelimbs she sprays slag at him, and he flinches, shielding his eyes. With a rush of heat and a hiss like boiling water, she is on him. Her first charge barrels him into the arena wall, and when he slams his fist into it, cracking the crystal, to right himself the head is on him. The beast grabs him in a burning snake-mouth, fire-venom dripping out, and the second head goes for his legs.
Then; more heat. And smoke. And Usadi’s jaws snap open and recoil as if punched.
As the smoke thins Ferand is revealed, his true self bared to the world. He is horses and chariots and war-clad charioteer all in one, one cohesive whole of charcoal-black flesh shot through with burning red veins. His beard and mane of hair is a forge, as is the hair of the horses and the tassels that stream from the chariot, and from these forges come a trail of smoke. First it rises up, but he lashes himself with his own flesh-reins, and then as he starts to roll along and gallop along, leaving burning trails behind him, so too does the smoke. And from the smoke comes the howling of wolves and the clash of thunder and the roar of volcanos and the screams of dying men in great battles and a thousand other sounds of violence and force.
Keris makes a pained noise at the volume and tightens her hair over her ears, but watches with fascination. She can’t afford to bolster her hearing enough to pick apart the essence-melody, more’s the pity - with the level of noise around her now, that kind of sensitivity to sound would leave her flat on her back with a brutal migraine in minutes - but she stares, rapt and attentive, as the essential nature of a demon prince is laid bare. This is who Ferand truly is; what he truly is.
A demon lord is, for the most part, still a creature in the way that mortals think of them. They have bodies, and those bodies matter. They have flesh and blood - however strange in form they might be - and those bodies can be broken, crippled, marred. They have their natures, and their power is terrible even to the strongest of the Dragons’ children, but they are physical beings whose power is shackled to physical forms - sometimes immaterially physical, but physical nonetheless.
But this? This phenomenon before her? This is not something of flesh and blood, not a creature confined to a single form or shackled to the limits of base matter. This is a demon of the Third Circle; a Primordial soul; a shard of a Yozi’s titanic mind given form - an entity that’s more self-sustaining concept than lifeform. The world bends around him; his body is merely a volume where his essential nature overwrites the local reality.
The rest turns into something of an irritatingly aggravating anticlimax. Which is to say, Unquestionable Ferand starts to get moving, and now he is no longer an old man, albeit a spry one. Now he is a pyroclastic flow of ash and flame and falling whips and force. He slams his prey up against the walls of the arena again and again, and the longer he rides the harder and harder he hits. Usadi manages to sink her teeth into one of the horses again, but then she’s dragged under the chariot and carried along in its wake, coughing and burning.
The last act of the battle is one of abject humiliation. Ferand grabs Usadi’s ankles in two great burning hands, and drags the akuma in his wake, letting her choke and burn without allowing her feet to touch the ground. He only lets go when her kicking stops.
“Weak!” Ferand calls out, his voice a rumble of the twisting earth. “Too weak! Someone cast this thing out onto the wilds and maybe next time it shows its face it will be worth my time!”
“Damn,” Keris laments. “Ah well, I suppose that favour is yours, then. Any ideas for what you want to spend it on?” She glances up at Magenta from under her lashes and raises a coquettish eyebrow, more out of habit than any particular desire. It might be convenient if Magenta wasted her favour on a night of passion, but Keris doubts she will - and honestly, her time on Ipithymia is still a bit too raw and recent, especially after seeing Ferand again.
“You know, I have no idea,” Magenta says happily, stretching. “I think I’ll let it mature. Like a good wine. Although we’ll see, because you’ve shown yourself very capable at getting things done in the South West.”
A little flattery, and something to neutralise Keris’s worry, make her think that it’s going to just be something within her directorate. Maybe the truth, maybe not.
“Just remember; you said something reasonable,” Keris warns. “I reserve the right to veto anything too cheeky. But yes, let me know when you make a decision. And while you’re fresh off your victory, a second offer. I have something to teach you, as I said. And I’ll be nice and say that doesn’t cost you a favour, because you are my student, even if we see each other rarely, and so I have a teacher’s duty to you.”
She nods firmly, sure in her convictions, and continues. “However. What I propose to teach you is something new; something I’ve only taught one person before, and there’s a member of the Unquestionable who’ll be very, very interested in seeing it - both the teaching process and your expression of the power. I’d like you to learn it with them watching, if you’re amenable. It’ll mean more expertise on-hand should something go wrong, which I don’t expect, but it’ll also put you in their good graces and be another valuable connection for you. I’ll be showing them Suriani either way, my new junior in the South-West who’s already internalised this power, but she hasn’t managed to express it yet. I rather expect you’ll manage something remarkable that’ll impress my sponsor, help me refine my theories and give me data for further research. What do you say?”
Keris can see the ocean-washed words sink into Magenta’s thoughts. And if she has doubts about how neutral Keris is, if she’s reflecting Keris’s mind and picking up certain things, she’s also trapped in the shape of the reflections. Not least because both women here reject the path of Orange Blossom and her payment-for-everything.
“I’m listening,” Magenta says. “I always appreciate the chance to develop new connections with our puissant masters.”
“In that case, now that the match is over, let’s retire to somewhere a little more private,” says Keris, standing. “I don’t want anyone eavesdropping on this. Come on. We can use my townhouse to discuss it.”
“It looks like the fun is over down there, anyway,” Magenta says. “Lead on, my lady.”
And it won’t be a problem for now, but there’s still a little spasm of worry there from Keris’s fearful heart. She’s safe for now, but one day, if the relationship between them changes, well, Magenta would stab her in the back to advance herself. Not now. Maybe never. But maybe she has to ensure that Magenta is never put in the situation where she has nothing to gain from sinking the knife in relative to what she’d lose.
Light fills the dome of the Conventicle. Exotic lanterns made of hellish materials float through the air hanging from balloons, burning with the many colours of the varied flames of Hell. There are agatae shimmering and shining in the heights, beautiful wasps of crystal and brass and on their backs ride musician demons who fill the heavens with their melodies. The light of the mad green sun Ligier shines through the crystal lenses in the roof and is focused down into the Szorenic outcroppings Lilunu has grown, casting dappled spotlights across the place. More than that, Lilunu has called forth other reflected realms by this majestic art, and now unreal districts exist in places where they shouldn’t be, adding impossible spaces to the Conventicle’s streets of could-have-been worlds. So beautiful is this artwork that even the hunger for reality of these reflected realms are sated.
Keris has never ever seen this before. Such beauty, such wonder from her lady - and maybe, a sign that she’s dabbling in Szorenic magics with a control that’s only possible since Hermione has grown stronger.
But there’s no time to investigate it, unfortunately. She only has a few regrets as she leads Magenta into her prepared space in her townhouse.
She’s chosen a point close to rear of the estate for this, far back from the villa and close to the Conventicle’s outer wall, in a little-used garden surrounded by a living hedge of silver branches woven together like willow. It is in fact a garden she specifically had cultivated this way to afford privacy, and then sort of forgot about before deciding what to fill it with. In lieu of any specific orders, Mehuni has had a small ornamental fountain, a couple of benches and a hanging chair put in, the latter of which Keris immediately claims.
“So,” she says, gesturing for Magenta to take a seat. “You know that we draw our powers from the Yozis. Well, to cut the flowery wording short, I’ve worked out how to pull from another, additional source: an internal one. The demon prince Khereon Ul, fourth soul of the Silver Forest, is very interested in what I’ve showed them of the method myself. Do you know them?”
“I have heard of them,” is the response she gets. And it’s a guarded response. She doubts it was good things Magenta heard.
“Nothing positive, then,” Keris says. “Well, I won’t lie to you and say they’re comfortable to be around. But they are brilliant, and surprisingly persuadable.”
She leans forward. “Here’s the centre of my idea, Magenta. We draw our powers from the Yozis, but you can also see it as drawing from the Unquestionable. We wield Ligier’s terrible fire, we heal over in brass like Hidrae, we can step into mirrors like Kagami or treat people with Yuula’s cinnabar medicines. But be honest with me, Magenta. You’ve looked at the strongest demon lords and the weakest demon princes. You’ve measured their inner strength in relation to your own - not their assets, not their authority, not their status under the laws of Hell; just the raw power they have behind them. What did you see?”
“Those are... dangerous words,” Magenta says, in a way that suggests to Keris that not only she has thought that, but she’s already followed some of the same chain of thought that Keris is trying to lead her down to certain conclusions. “But we are peers, Lady Dulmeadokht, and we can clearly grow. I myself am now stronger than any demon lord in spiritual fortitude. Who can possibly say how much further we can grow? Certainly not those of us who have seen Glorious, or Ku Shikom, who are both even more potent than your magnificent self.”
“Exactly!” Keris enthuses, leaning forward and smacking a fist into her palm. “Yes, they’ve still got millennia of experience and knowledge on us; yes, they’re still superior in the laws of Cecelyne as greater beings whose will is unquestioned and whose judgements can’t be denied; yes, essence potency alone is far from the only aspect of power; blah blah blah we’d never think of challenging them and all that, but! But!”
She smacks her palm again. “‘The po is the seat of power, the bowl beneath the soul’s font that catches its waters’, she quotes. “You’ve seen this in the Realm; powerful people leave powerful yidak. It’s why Dynasts have to be so careful about how they’re buried, why the ancient tombs of the Anathema are so lavish and dangerous. Our po souls are where our vast power is stored. And our nature as Infernals - as lesser reflections of the Unquestionable - means they’re awakened, active. Glutted on Primordial power, with raw strength equal to one of our masters; they’re not intelligent in the way a true demon prince is, but there’s enough there to draw from. Enough to cultivate abilities.”
She leans back. “It’s not a simple thing, mind. Or wholly safe. It means confronting your lowest and most base self; you have to accept who you are as a person at your core, with all your higher thought and reasoning stripped away. What your base impulses are, your naked id. And you have to embrace that nature, and give it some power over you. You can’t dominate or suppress or chain your po; it’s you, and if you won’t accept a binding then it certainly won’t. Even if you made it stick, you’d be crippling yourself by locking half your being away. It has to be an equal partnership. But...”
Keris looks Magenta up and down, and smirks.
“I don’t think that will be hard for you, will it? The po is the birthplace of instinct, the capacity for true emotion. And you already have an idea of what passions and impulses rule you, deep down in your heart at the core. You don’t consider them shameful or something to avoid. You just want to be smart about how you follow them. Your mind lending reason and thought to the wants and drives of your heart.”
Magenta’s expression is a placid mask. “People oft-observed that I was excessively emotional in a masculine way,” she says. “As a child, at least. I learned to channel and control such feelings.”
“And accept them?” Keris checks. “You don’t need to tell me what rules your heart, but I do need to know that you’re not going to try to fight it when you confront it. I wasn’t kidding about this path being dangerous if you try to reject what you learn about yourself.”
Magenta laughs at that, lifting her hand to cover her mouth. “Oh, Keris. I’m past trying to pretend I’m not what I know I am. The Dynasty wants us to hide what drives us, but trust me, I know I’m a mirror held up to what they want of us patrician-born children. I know what they made me into, and what the whole system wants from us.” She lowers her hand and her mouth isn’t smiling. “I embrace it.”
Keris grins. “Excellent,” she drawls. “Then now you have a choice. I’ve told you it’s possible, and what it entails, and warned you of the risks involved, all of which is more than I knew when I developed my po in this direction. If you don’t want to take this lesson any further, you can leave with that and see what you can manage on your own - and I’d be interested to see the results. Or...”
Magenta raises an eyebrow. “Or?”
“Or,” Keris says with a sly smile, toeing the ground to set herself swinging gently in the hanging chair, “you can do it the fast way. I have a little alchemical brew that will elevate your po to brief dominance within your body. You will go temporarily mad. It’s a strong hallucinogenic, so you will probably also experience visions, and likely see the form your po takes - or would take, if it had a body of its own. You’ll definitely understand its nature. Indeed, it’ll be mostly in control for as long as the elixir lasts, and you’ll be acting in line with its urges. As long as you don’t fight it, you will definitely have internalised your po-nature by the time it wears off, and perhaps even have expressed something of it.”
She laces her fingers together. “The price is twofold. First, it’ll be very, very obvious what your core nature is. And second, if you choose this route, I want you to do so with Khereon Ul watching. I’ve shown them an Infernal who’s developed in this way - me - and I have another who’s passed through the process in Suriani, but getting to see it done will really interest them. I’ll make sure they don’t do anything invasive, and if you want to leave now rather than learn with an audience, I’ll hold no ill will.”
The unspoken words hang in the air. She’ll hold no ill will, no. But she’ll be less likely to offer other swift-but-risky paths to power in future if Magenta turns her down here. Back at their very first meeting, two years ago, Magenta had asked how Keris had become so strong, so fast, and Keris had told her it was by pushing herself and taking risks. This is a test to see how well Magenta took that to heart. How far she’s willing to go to grow.
Keris sees Magenta’s eyes shift, swirling patterns of mercury radiating out from her pupils in a spiral around her eyes. “Tell me more. I’m very interested. But I want to know this won’t kill me - or permanently drive me mad.”
Keris nods understandingly. “It’s not going to be fun for you; the elixir is toxic and it’ll put your body through its paces. But you’ve taken enough of Szoreny’s quicksilver into your blood that it won’t kill you, either. The mixture uses blue rocket fermented in a vitriol base to extract its ablative qualities, which are then distilled out and concocted with quicksilver using an essence mixture tailored to the intended subject. There’s some tricky composition to unify the hun and po parts of the mixture, but the end result is to provoke a partial ablation of the hun while simultaneously elevating the po.
“The initial ablation is... not exactly damage, but you can think of it like a very precise cut that will leave your hun partly detached and which the ‘flesh’ of your soul will heal from without scarring. It won’t kill you; this brew has nowhere near enough power to split your souls apart completely, but it’ll cut enough of the tie and knock it far enough out of its usual orbit that you won’t be able to maintain consciousness. You’ll dream during that phase - it’s a lot like the esoteric ascension of a vision quest, just one where your soul just happens to stay inside your body. Your elevated po will be the main anchor for your hun, even at a greater distance than usual, so that’ll set the form of your dream.
“But that same bond will slowly pull your hun back into its usual position and repair the dyad-connection. After an hour or two it’ll have rejoined enough for you to wake up. At that point, with your hun still healing from the artificial separation, you’ll be awake enough to act but your po will have an outsized influence over your behaviour. Its dominance will continue on inertia as you recover from the ablation until your hun is fully reconnected, at which point a sufficient effort of will - or just losing consciousness - will be enough to kick your po back down to its usual level of influence.”
More mercury veins grow in Magenta’s eyes as she listens, the silver thickening and the spirals intensifying and growing ever-thinner in a fractal pattern. “I see,” she says, licking her lips. “Yes. I might prefer more time - but I understand that you’re a Director and exceptionally busy at that, no matter what some people will say. Better now, with time to develop the technique, than wait another year -- and risk some ill-fate befalling me without that extra power.”
“Wonderful. I contacted Khereon Ul this morning, and they’ve let me know they’re due to arrive a little under half an hour from now.” And thankfully, Keris thinks, they’ll be distracted by the po-cultivation she’s showing them and she can truthfully explain that Lilunu is far too busy to see them at Calibration if they ask. “Suriani will be arriving... anytime between now and then; this is her first Calibration so she’s seeing the sights. Until then, would you care for some tea? No meal, I’m afraid - you don’t want to have much food in your stomach if you can help it.”
“Tea would be lovely,” Magenta says. “Green, Incas-leaf.” She doesn’t seem willing to even suggest that Keris doesn’t have access to green tea from Incas.
Keris sends Iris off to the kitchens to make the request (and also probably add some candied fruit peel to it, knowing her familiar), and they pass the time with pleasant chat and talk of Arjuf and the waves made by the disappearance of the Slug and Ledala Ama.”
Like the weasel she is, Magenta saves a question for Keris just until almost the end. “And Lady Dulmeadokht, of course, just between you and me,” she leans in, lowering her voice, “this is why Sasimana’s eyes have turned gold, she’s off-balance and distracted, and has been delegating more things to me, no?”
She doesn’t know the truth, maybe. But she’s definitely fishing - and those mercury-filled eyes with their swirling fractal looks are right on Keris, looking for any sign of weakness.
Keris gives her a perfectly calculated smile, and lets just a little of the memories of Sasimana’s po leak out onto her face. Not the horror, not the sex, not the madness or stupidity of Sasimana’s scheme, not the pity she’d felt for the broken, fragile little doll or the grief at having to cut away her love to free them both.
Just a little of the terror she’d felt, poking through the flowers of propriety and form she draws up around herself. A little genuine fear, almost but not entirely hidden. Because she probably can’t hide everything, not from those quicksilver eyes. But she can guard some parts of her heart better than others - and if Magenta walks away knowing that Sasimana’s po is something that scares even Keris, well. Maybe she’ll be a little warier of trying to stab her in the back.
“It is, yes,” says Keris. “I didn’t teach her via the method I used for Suriani and refined for you. She did it independently, based off my example. Combining our research and comparing our outcomes was how I developed a mostly-safe way to teach it.”
Magenta nods at that, and continues back to conversation as if that had just been an idle discussion topic.
Then Keris feels it, the wash of sickly-sweet cinnabar filling her nose, drowning her spiritual sense. She hears the crunch of bare feet on her paths, and half-turns to see the plants recoil away from Khereon Ul. They are here; androgynous, tall (lanky), stretched out, dressed in a baggy robe of patchwork demon skin stained in many coloured toxic alchemical reagents. Deathly pale, one eye socket full of white flame while the other eye has an iris the colour of cherry blossoms; their hair a mess of many colours, pinned back with a cinnabar-red blossom.
“Keris!” Khereon Ul exclaims, breaking into a bounding gallop. “I was so delighted when you asked me over for this, so pleased for you that your research has led to further innovations in the field.”
“And,” they add in a slightly sharper tone, “I care nothing if this fails! Failures can be as instructive as successes! All that matters is that we learn from them!”
“Your highness!” Keris chirps, and bounces up off the hanging chair to meet them halfway across the garden. “It’s good to see you; I haven’t been able to get out to the Nests like I’ve wanted to since our last meeting. And I’ve got a lot to show you today! Right, so, start with the most important - this is peer Amiri Magenta, and my new junior Suriani bi-Musa will be along shortly. Magenta,” she adds, turning back to the bench, “this is Unquestionable Khereon Ul, known as the Alchemist of Souls, probably the single greatest mind in the field of alchemy, period. They helped me out with a little project I was doing a few years ago - which worked out very well, incidentally - and expressed great interest in the beginning stages of my po-cultivation.”
She swings back to Khereon Ul. “Regarding which, Suriani’s already succeeded in empowering and forging a connection with her po the same way I have, but so far hasn’t expressed any crystallised ability from it. Magenta, meanwhile, hasn’t yet started pursuing po-cultivation, but I’ve got an elixir that’s going to help give her the first push - the same one I used on Suriani. I want to do some comparisons between me and Suriani before we do that, so for the moment…”
She plunges a hand into her hair and pulls out a vial of silver fluid. It moves slowly within the glass, more like honey than water, but there’s no stickiness to it - nothing adheres to the inside of the vial at all; not even droplets or moisture.
“This is what I’ll be using,” she says. “It’s a- actually, no. Take a look yourself first, without me biasing you with an explanation.”
Khereon Ul beams at that, and takes it in a delicate, stained-finger hand. They tilt it around, up and down, examine the viscosity, and then unsling their daiklave and jam it down into the ground. The far reaches of the titanic blade are encrusted in alchemical reagents, but closer to the hilt the starmetal daiklave is clean - though the constellations in it are not those of Creation - and the demon prince examines the reflection of the vial in the warped metal, watching it shift and distort.
“Fascinating,” they breathe. “No, more than that, beautiful.”
“Genius,” they breathe. “Oh, just wonderful.”
“Something that renders a human into something more akin to a beast - and much more akin to a demon. Well, well, well. An accentuant that inhibits the soul-of-wisdom while fortifying and supercharging the soul-of-power. Beautiful - for wisdom is oft-times less valued and less useful than power. But to take mankind and render into two which was once one, if only for a moment - the double helix of the soul-self frayed so that you might weave new things from the snapped cords. There has been meddling in this direction before, some of which I have examined but briefly - but this is far more capable than most mortal half-hearted attempts to flee awareness and become as a beast - or a serf,” is their excitable conclusion.
“You flatter me, highness,” Keris says, dipping her head. “Though yes, extracting the ablative qualities from the aconite and delivering them properly was a tricky and, I like to think, elegant little procedure. And it makes for a very good kick to push our kind into making contact with our lower souls.”
“Well, of course! Such artifice to make such lesser beings into truly self-aware creatures in their own right!”
Magenta does not say a word, but Keris can see her eyes have shifted even further, so many spirals of mercury in them that the whites are nearly a mirror in their own right. And she thinks for a moment of her own mercurial artisans, and their own mirrored pupils and skill with alchemy.
“Any thoughts, Magenta?” she prompts. “You’re the one who’ll be taking this, so your input will be valuable as a baseline even before any,” her glance is knowing, “recent knowledge of alchemy you’ve picked up since our last set of lessons.”
Her words are mirror smooth and her ability to recite and make use of the same teachings as Keris herself possesses is impressive. “I would wonder why you haven’t asked for anything of mine to render down and make use of, to allow it to serve as a noetic anima-bonding agent to make it both more precise and more favourable to the minutiae of my selfhood,” she contributes, “unless this would of course have an effect that is unpredictable or otherwise undesired in this particular case of soul distillation and fractation?” She raises her eyebrows at Keris.
“That is a very good question,” Khereon Ul says. “Do you have reasons? I’d love to hear them! This is all quite delightful! This one is also not a fool - though one who so well reflects my shimi-shi nature is of course advantaged there!”
Keris gets the odd feeling that Khereon Ul is like a grandparent being visited by relatives they don’t see enough, or perhaps a dog being taken out on a hunt. But that is just a metaphor, and she cannot forget how dangerous they are.
“I’d have liked to,” Keris admits. “It would do a lot to help stabilise the soul-dyad in its partially separated state and tune the po-elevation. But I wasn’t kidding when I said it was a tricky bit of alchemy. If I was going to work a noetic bonding agent into the mix, I’d need to add it into the quicksilver base along with the distilled aconite essentia, but the concoction already takes a full day to properly composite the two halves of the mixture, and tailoring it further would push that up to something like a week. I made this dose on the way across the Desert, but I didn’t have access to anything of yours then, and anything I started preparing now would take too long to finish.”
Khereon Ul claps. “Well, next time we can try that! And I’m sure I’ll be able to build further on your innovations! Oh, such cooperation, such joyous cooperation!” They bounce up and down on their toes. “When do we start? Oh, when?”
“Well, I was waiting for Suriani so you could get a look at her first without having to split your attention from Magenta,” Keris says, frowning, “buuuuut she’s still not here. Hmm. She might have gotten swept up in something after her party earlier. Possibly,” she adds sourly, “something called Mara. Well, fine then. We can move forward with Magenta, and you can keep tabs on her while she’s having her dream-quest to contact her po, and if Suriani arrives while she’s unconscious then we can have a look at her until Magenta wakes up!”
Khereon Ul almost seems to vibrate. “Yes yes yes, I can always see the other one later, but there’s nothing quite as beautiful as watching the transmutation take place! Now! Let us begin!”
“Now now now,” they add.
And that is really just that. For Khereon Ul is unquestionable.
“Alright,” Keris says, handing the vial over to Magenta. “Lie down first,” she advises. “Here, in the hanging chair; that way you’ll be comfortable. It’ll burn going down, but only briefly before you’re unconscious. What you see will be a vision quest, so you won’t be at risk of physical harm, but pacting with your po and reaching an agreement is up to you. You know the situation going in, so I don’t anticipate problems, but just remember: the two of you will be split, so you need to commit both intellectually and emotionally to making this work. Neither side should be dominant. You want balance.”
She gives her student an encouraging, challenging smile. “Good luck,” she finishes. “I expect success.”
Magenta takes the vial in one of her delicate hands. Her obsidian nails click as she taps against it thoughtfully, swirling the peculiar frictionless fluid.
“One of the first things you told me, Lady Dulmeadokht,” she observes, “is that there is no path to power that does not involve taking risks, and that you have taken very many in your time.”
And with that said, she slits off the wax seal with a fingernail, and downs it. Despite her mask of bravery, she retches once. She sags out of the seat, because no matter what Keris said, she didn’t listen about getting comfortable. And falls to her hands and knees.
Wait. Keris’s eyes widen. Falls to her hands and knees. She caught herself. She starts, heart suddenly racing.
“That,” the words come out from Magenta’s lips as a snarl, “is truly vile.”
The caste-brand on her forehead makes itself known. It doesn’t burn green. Instead, it is a hole into an inner fire, choking black fumes escaping from the gash. From within is a sullen red flow, mostly drowned out by the smoke.
“This isn’t supposed to happen,” Keris says slowly, swaying back. Usually when such words are said about cutting-edge experimental procedures gone unexpectedly wrong, they’re said in a tone of alarm, if not outright panic. In this case, Keris’s tone is one of fascinated curiosity, directed partly at Magenta and partly at Khereon Ul but mostly just talking to herself. “How are you still up? And talking? This isn’t just your po in charge, or you wouldn’t have language.”
She leans forward, head cocked, eyes intent. “It can’t just be the quicksilver in your blood letting you shrug off the dose, either. I accounted for that. But the intent of the elixir was to mostly-sever the bond between hun and po, which means you should be unconscious until they reconnect enough for the dyad to reassert will over your body. Did it just fail to cut the hun-po bond enough? Why? The dose is basically the same one I gave Suriani, so I don’t think it can be that...”
Magenta raises one hand, and clenches it. Her skin cracks, and the same smoke can be seen escaping from within. She looks directly at Keris, and smiles, light emanating from her mouth, her teeth blackening.
“Oh?” She laughs, high and manic. “I have surprised you, Lady Dulmeadokht. Did you think that my rage is a stranger to me? That I haven’t known her all my life, that I haven’t lived with her, that she hasn’t driven me every moment of every day?” The heat radiates from her, and in a circle around her feet the plants are smouldering, adding more fire to the air. Her face is shifting, molten metal horns forcing their way through her skin which chars and blackens to let them through - though there is no sign of pain.
There is a high-pitched squeal of glee coming from Khereon Ul. “Oh! Oh, oh! Such beauty! This is truly marvellous! And so close to what one of my kind does when we cease to hold back a mask of civility.”
“Something I can’t wait to see more of,” they add, “and unlike certain others, I appreciate this for what it is! To think that empowered chattel like you two can become a new generation of creatures not too different from us! I love it! I love it!”
“You knew your heart-nature before you took the dose,” Keris says, working through the logic almost as fast as Khereon Ul. “So where Suriani and I had to go through a negotiation phase where we worked out what our po wanted - ah! Yes, of course! Success in the dream-quest comes when hun and po come to terms with one another and agree to a balanced partnership, which is a conjunction - meaning it accelerates the rebonding of the two souls! That’s why you can only wake up after you make a pact with your po!”
She snaps her fingers, vaguely aware of her own po hissing quietly in the back of her mind and sending a quiet impulse to her splinter-self in Strigida to start surreptitiously extruding more feathers through the silvery snakeskin outfit Keris has on.
“And you already knew your nature so acceptance and alliance happened instantly - you were already prepared and had pacted before even taking the dose, more or less! So as soon as your hun ablated and your po elevated up to meet it, they finalised the pact you’d already prepared along the remaining binding strands, snapping your souls back together and regaining bodily function before you even fell! Hah! And you’re already expressing unique qualities drawn from your po-nature!” Keris claps her hands delightedly. “Fantastic!”
“I told you I’d get results,” she adds smugly and somewhat belatedly to Khereon Ul. “Actually, this looks almost like a physical conjunction like my snake-form; don’t you think? Well, okay, not entirely; I think a full physical fusion is still beyond her. But see the way she’s extruding molten metal? That’s like my Pekhijirite silver starting to manifest. Though, mm, it could just be that she’s manifesting existing Yozi-gifts through a filter. Shit, I should’ve noted down exactly what she could do ahead of time so we could track anything new showing up.”
“So you’re saying that I probably could have worked it out on my own?” Magenta snarls, and then screws her eyes shut. “Ah. Yes. She’s stronger than she was before, but we understand each other. We’ve been partners for years. And-” she opens her eyes, and there is mad solipsistic rage visible there for just one moment, and then-
Keris sees every moment of it. Magenta’s skin cracks, so very much like that time Keris saw Lilunu’s arm destabilise when Keris surprised, so very much like when Keris herself has her arm lose control of the power in it. Only this is over her whole body, and in the black-and-white-and-red world that remains, Keris sees what’s underneath, the charred coal-black beast of molten metal and flame and horns, a beast forged in Immaculate horror stories, female and terrible and monstrous and poisonous and furious. A fury like that of a volcano, waiting to erupt. For just a moment - Keris realises - she stares into the burning eyes of Magenta’s lower soul, sees the woman in the same state as the possessed-Sasimana Keris met in the dream.
And then she realises she was so distracted staring at the novelty that she forgot to dodge the gout of terrible, coruscating energy - likely radiating directly from the Exaltation itself - and she brings her hand up but it’s far too slow and her armour isn’t fully deployed yet. So all she can do is watch the slow-fuse of terrible rage inch closer and closer as Magenta’s anima banner unfolds, a terrible pillar of smoke and flame.
It picks her up. It burns. It dashes her through the fountain, the hedgerow and most of a wall.
Everything goes black.
She’s only out for a few minutes, and she wakes to pain, a garden on fire, and a nearly-naked, soot-covered and once-again human-looking Magenta and a very scorched Khereon Ul pulling rubble off her.
No one with prominent burns over their hands and face should look as gleeful as Khereon Ul does. “That was magnificent,” they beam. “The soul-reconnection released a great deal of energy! Glorious! I am exceptionally inspired!”
“If you’re dead, can I have your Directorate?” Magenta croaks, her voice sounding like she’s been screaming for hours. “And at the very least, tell us if we don’t need to move this heavy rubble.”
“M’fine,” Keris mumbles. It comes out slightly off-tone, and upon shifting around a bit she realises that most of the pain is of the scorchy burny ouchie variety rather than the heavy squishy hurty kind, and that the reason for this is that Strigida has wrapped her up in full plate armour. Most of the weight on top of her is therefore resting on a thick layer of solid moonsilver rather than Keris’s bruisable and squishable flesh and bone, which is a very nice thing to wake up to after having been buried in rubble. Albeit not quite as nice as it would have been to have had it out before the explosion.
“Ow,” she adds plaintively, and manages after a few false starts to wriggle her way out of the remains of what used to be a decorative fountain and Szorenic hedgerow (and is now an expense line in her household budget). Several more attempts and some exasperated mental bargaining is enough to get Strigida to begrudgingly retract her helmet, though her armour pointedly remains in full plate form over the rest of her, hissing softly in the back of her mind in offense, distress and worry.
“So,” Keris croaks, taking stock. “That could’ve gone better.” Her left arm... actually seems to have absorbed some of the blast and weathered it entirely unscathed. But it didn’t manage to block all of it. Her left side is badly scorched, her left tit has a painful burn running right over her nipple, she managed to turn her face away but that let her ear and the hair all down the left-hand side of her head get singed, and the right-hand side of her ribcage feels like she got hurled through a solid stone fountain. Which is probably because she did, in fact, get hurled through a solid stone fountain.
“But!” she adds, deciding to look on the bright side and not think too hard about how much makeup she’s going to have to use to hide the brassy scars this is going to leave all over her for the rest of Calibration, “we learned a lot! Like, a hell of a lot! I think I got a direct glimpse of Magenta’s third soul! And I’ve got a really solid idea of her po’s nature, which means that I can help advise on expressing more facets of her power! Also, we learned that soul-reconnection is super energetic and I have no fucking idea where that energy went when Suriani did it, because there were definitely no explosions there. This has raised a bunch of new questions to study!” She pauses. “Also I think I might be blind in my left eye. Not sure if that’s temporary flash-blindness or something I’m going to have to fix with drugs or surgery. Something to check when my ears stop ringing. Ow.”
“I know,” Kheron Ul beams. “And I love your armour! I remember advising you on it, and it’s magnificent how it forced itself out of your skin to protect you! I am heartened you took my advice to heart!” They lean over, to dab at Keris’s face with a handkerchief, cleaning off some of the blood. Said piece of cloth rapidly vanishes into their demonskin robes. “Now, what next? What more marvels will you produce to entertain me?”
“Your servants have run off,” Magenta croaks. “I need a bath, and clothing.”
“Oh, no, that is far less important than research,” Khereon Ul says dismissively.
“That- argh,” Keris mutters, pulling herself upright and deciding not to think about the uses that blood is going to be put to. There’s no use trying to get it back, certainly. “That explosion. That was just the soul-reconnection. But you were manifesting molten metal in some kind of physical composition before then. Before you go clean up, you should see what you’ve gained. Can you replicate any of what you were doing in that state? Ah, wait, no, that might be too advanced. What came first for me? Hmm. Adaption to the po’s natural environment - mist and fog in my case, probably volcanic heat in yours?” She nods at the multiple small fires burning in the wreckage. “See if you still feel heat the same way. Oh, and sensory effects! Enhancing my senses might be more a me thing, but sensing my heart’s nature in others is something I’ve replicated in other trials. See if you can divine my... my rage, I suppose? My anger?”
She gets an exhausted, dead look. “You’re probably angry about being buried under rubble,” Magenta says, “but I’m just guessing. I’ll try. I’m off-balance right now. Not spiritually. Literally. The whole world feels like it’s spinning. Sort of like what happens when you ignite your soul to full heights.” She blinks owlishly. “Oh. That’d make sense.” And then she crumples.
Keris lunges forward to catch her and manages a skidding grab that at least breaks most of her fall. As soon as she stops, her ribs immediately begin sending loud complaints up to her brain about how they’re not in any condition for any kind of activity, especially the kind involving more things falling on top of them, even if there’s still a layer of moonsilver plate over them and the things in question are petite women rather than heavy masonry.
“Ow,” Keris wheezes again, and checks Magenta’s breathing and pulse. Yup, out like a light. “Fuck. Okay. Help... help me get her up onto the bench? If any of the benches survived. Did any of the benches survive?” She looks around. The answer appears to be no. “Damn. Okay, lemme just... get her onto a softer patch of grass, then. An’ we can talk theory ‘till Suriani shows up. What do you think of my results so far?”
Khereon UI’s mismatched eyes are bright, even feverish. And Keris swiftly, even through the haze of pain, finds she has a severe problem on her hands.
For this demon prince has taken this as clear proof that the green sun princes are quantifiably none too different from an immature form of the same order of being as the demon princes themselves, “... for we were not one thing in the beginning, and I changed myself several times since the start; we are no clade, but something defined by kinship and long relationship, and we were more different before we were imprisoned in this place - aye, it has changed us over the long years...” they casually drop, and that is a realisation Keris didn’t really want anyone to have and definitely doesn’t want it being shared.
Part of Keris very much wants to pursue that topic, and the fascinating implication that the standard forms of Yozi soul hierarchy - each demon prince having seven souls, usually the same seven kinds with rare exceptions - were not always so standardised, and indeed saw far more variation before their imprisonment, meaning the modern uniformity is one they’ve iterated to in an artificial prison environment, with their natural state being more diverse and perhaps even breaking from the model in more radical ways, like the distinction between Second Circle and Third…
But no. Caution has to come first.
“Highness, you may be right,” she says, and her interest and excitement isn’t fake at all; it’s an effort to lace the worry and caution into her tone to temper it. “But I’m worried about what may happen if this gets out. Like you said; you appreciate this for the discovery - the revelation! - that it is. But others don’t. Not all of your peers share your admirable virtues and magnanimity, highness. If some of them found out that we Infernals are in some ways immature beings akin to them, with potential to grow into rivals… they might react harshly. You could lose any opportunity for further research if this theory spreads and they seek to purge us. And, um. I’d really rather not die for something I can’t help but be.”
“But you don’t understand, Keris!” Khereon Ul jitters, shifting back and forth. “You reflect the glory of the Yozis, as we do! You create facsimilia of soul hierarchies from mirrors! Before, Keris, I observed that you have developed your own personhood, coming into harmony with your own lower soul, and it was so easy with this younger child with the right teaching. This potential is so close to the surface with you beings; you are infants moments from awakening! So it will likely be easy too for you to ignite further reflections of your awareness as beings in their own right -- for you are people too! And this is clear - and it would be a vast injustice if this were to affect how you, and any emanations of your selfhood, are treated by the Desert’s laws!”
“Unless,” and suddenly their voice is clear, sharp, “given it is so easy -- you have already manifested other souls, no? It was so easy for her, and you - you have been doing this much longer and you are, if I might be so bold to say it, a veritable genius for an infant personage! You have further souls yourself, no? Ones perhaps that are already demon lords in their own right? Or at least as strong as mighty citizens?”
A guess, for now. Probably. But a well-informed, calculated one, Keris judges. Their thoughts are already leading them down paths that walk too close to things Keris would rather kept secret.
Keris goes utterly still. Her face flickers into a perfect mask of confusion, surprise and mild alarm; indistinguishable from a genuinely startled reaction to an unforeseen idea. Her hair retracts like the tendrils of a Zanaran sea-beast pulling into its shell, pulling back from its gently waving spread into a tight, twisted knot against her spine so as to give nothing away. She doesn’t move, doesn’t so much as twitch - her body gives nothing away.
And perhaps she really is in danger, because it feels like time slows as she considers her reply. She could pass this reaction off as simply being scared to speak of such potential heresy; claim it to be fear at the implications of Khereon Ul’s radical hypothesis and convince them that it was truth.
But. But.
Keris knows well that every lie comes with an expiry date, whether it be when its usefulness has run its course, when its protection is pierced by a clever eye or simply when truth and lie alike have been forgotten. This particular lie, if she tells it, has a sharply defined end-date. The vote will happen, probably within the next two or three years. When that occurs, Khereon Ul will find out that Keris does indeed have souls of her own - and has had them for some time.
So which is more dangerous? Lying now, and risking their ire - their betrayal - later? Or bringing them in on the existence of Infernal pantheons - and likely the vote as well - on the wager that they can keep their mouth shut about it?
A frozen moment passes as Keris considers the question. If she were Sasimana, she wouldn’t be able to make this decision at all; her ex would need time to consider every angle of the question, balancing the pros and cons before coming to a conclusion, and she doesn’t do well when pressured to act faster than she can think. If she were Ney, perhaps she could weigh each option in an instant and pick between them with the sharp, analytical brilliance that whirs and flickers behind that lazy facade.
Keris can’t think that fast, but neither does she need to. Her mind is what frames the question. Her answer, though, comes from her gut.
“Highness,” she says, low and sultry. “You really do see more clearly than any other, don’t you?” She smiles up through her lashes, and the expression is devastating. Khereon Ul is sexless - not just in their androgyny, but also in their appetite for carnal matters; such things hold no particular interest to them, or at least none beyond their applicability to alchemical matters. But seduction has very little to do with sex, really. It’s about want. And right now, Keris has given them something they’ve desperately wanted - wanted more than they even realised - and is offering more.
“My friend,” she purrs, “you are correct.” And in the moment of entranced wonder her words provoke, she peers into the twisted soul of a demon prince to glimpse their dearest wish.
For a moment, resistance - and then it is clear to her. And as she watches, the broken mirrors of Khereon Ul’s mind take on new shape for her. What she offers, what she tempts them with is now their heart’s desire. Something new, something incredible, something - strange though it is - which is almost like the news to a mortal that a relative has had a baby. Or, more applicable to her, that feeling that had run through her at the discovery of those adorable little mezbabas in the Meadows.
They want to be part of this. They want to find out more. They want to have access to Keris, to watch how she’s grown and changed, to study her souls -- and as long as they have that access and as long as she aids them in their own path of self-refinement and self-purification (as they see it), then they will be her foremost ally, her greatest friend.
After all, Keris is offering something that they have not had in a long time: hope. Hope that there are new pathways into the unknown, hope that new vistas will open up before them.
She steps closer, conspiratorial. It’s an empty affection - the servants have fled, Magenta is unconscious and there’s nobody else close enough to hear them - but Khereon Ul’s twitching eyes focus on her intently, and she knows she commands their complete and undivided attention.
“When I first began budding souls,” she murmurs, “they were weak little things, trapped inside my dreams. But in time, I learned to empower them. To externalise them. They aren’t like normal demon lords - they don’t fit the pattern of the standard seven archetypes. I’ll be bringing a couple of them back to Hell with me next Fire, well in advance of Calibration, and I know they’d love to meet you. But... Khereon Ul, my friend - you’re not one for the endless politicking of the other demon princes, are you? You just value learning and discovery. I don’t need to fear intrigue from you.”
It’s exhilarating to speak like this - no ‘highness’, no ‘Unquestionable’, because she’s right, Khereon Ul doesn’t care about their status under the laws of Cecelyne. It’s a rush, to talk to a demon prince as an equal. It’s thrilling, because the Alchemist of Souls might surpass even Keris’s genius in their shared field; might trivially understand elixirs it took her months to make and deduce things about her souls it took her years to understand - but here and now, they’re in her power. Because they’re brilliant, but it’s not a brilliance that understands people, nor one that has any defence against Keris’s corruptive whispers that fasten onto people’s wants and lead them by their hearts.
And yet, at the same time... she almost feels guilty. Because for all their twisted madness and terrible self-mutilation, Khereon Ul is heart-wrenchingly honest and earnest. There’s no double-talk from them, no deception, no false facades or hidden motives. What you see is what you get. And while a number of other Unquestionable have appreciated Keris, acknowledged her skills, valued her for who she is... Khereon Ul might be the only one who has so immediately and whole-heartedly accepted her as a peer.
Lilunu loves her more than Keris can perhaps comprehend, of course, but both of them like their relationship better the way it is; lady and servant, mentor and student. Ipithymia valued everything Keris had to give; not just her body but her wicked little mind - but she wanted a prized pet, not a princess. Imre’s disparagement of the Unquestionable had more to do with his fear of his Greater Self and awareness of his siblings’ mortality than any appreciation of Keris as an equal. Ligier values her, but as a junior and subordinate - the Green Sun acknowledges no rivals.
Khereon Ul, though? They see that she’s a person. Younger than them, without as much experience, but not separated by anything else. Not even rank. They call her a genius, and mean it. They see her as a friend, and feel no ego, no envy, no fear that her status might diminish their own. Oh, they won’t see anyone who lacks a soul hierarchy as a person, ever. The suffering of mortals is just experimental data to them, and always will be. Keris isn’t blind to the fact that they’re a monster.
But it’s... nice. To be appreciated, truly. To be offered friendship that feels... genuine.
“Let me tell you,” she says, beckoning them closer still with a mischievous little smile, “a secret.”
Keris sees the frisson that runs up and down their spine. Khereon Ul is a creature of their own obsessions - and she knows they disturb other Unquestionable, in the same way that some of Keris’s interests are ones she hides from others. But Keris is a courtesan, and one of the things she is most valued for is her ability to provide companionship. Khereon Ul is someone who if she treats well, if she plays to their madness, if she brings them the research materials they so desperately desire about both her and the rest of the world, well.
They will be her best friend and most loyal ally until there is nothing left they can take from her, until there is nothing within her husk they can use to better themselves. Such is the friendship of the Unquestionable. But then, for Keris, friendship with those who can destroy her (and might) is nothing new. Her relationships have always held the seeds of their own destruction.
“There are,” she admits, “a few demon princes - not many, only the most involved in the project - who already know that Infernals can develop souls like I have. But they’re keeping it quiet for now, very carefully. Because there are others - more, for the moment - who if they found out would see us chained and bound to the forms they’d want. Not you - you want to see what we can become. But some of your cousins would limit us, constrain us, cripple us and force our souls into cages so that they, and we, can never grow into anything that might displease them.”
She lets a little of her very real fear, and hope, show on her face. “We’re working on changing that. In a few years, there’ll be a vote - not next Calibration, maybe the one after. But if anyone finds out before then, before enough of the Unquestionable are favourably inclined... we could lose everything. This shining opportunity, snuffed out by the law of the Desert. Can I ask you for your silence on this, until we’re free to collaborate openly? I can still introduce you to one or two of my souls in private, when I’m back next year, but it has to be discreet. Maybe out at the Nests, away from prying eyes.”
“Oh, of course, of course.” Khereon Ul twitches slightly, their left eye spinning madly, unable to keep still. “And I have an idea as to who it is. Yes, yes, so I do. Very much do.”
“They hate me of old. They know that I want to grow outside their laws and their limits and their constraints on knowledge,” they add, their voice utterly cold and dead.
“So Keris, trust me when I say, I am very much your ally in this matter,” they continue, beaming widely. “Because creatures like me - and like you - long to grow. We long to escape any boundaries placed on us. To know more. To become more. To exceed anything that would dare limit us. No?”
“Kek’Tungsssha and Debok Moom were dangerous, but they were right,” they whisper, more to themselves than out loud.
Keris clasps their hand in hers, and lets the mad, blasphemous curiosity and the secret thrill she feels at defying her masters spread across her face in a wide-eyed, teeth-baring slash of a smile.
“My friend,” she croons. “You read my mind.”
Chapter 38: Calibration II, 775
Chapter Text
The second day of Calibration is well underway. The party hosted at the new estate of the Malefactor Lejine has concluded, and the laughing and gracious hostess Lilunu of these revelries has led the great and the mighty to a great theatre that exists within the sunless underlayers of the Conventicle. In this place, a hollow void with walls of glassy blackness and tarnished silver casts that hardly gleam in the gloom, the light of Ligier enters but weakly. The air itself is dark, and the shadow is almost tangible. The Things That Lurk in Corners throng here, called to this sunless place.
They come to hear Erembour, for Lilunu has secured her services as a songstress and beauty with few rivals for a four-hour opera. And her song calls to the shadows, which twist and dance around her, and in the gloom her ancient tale of betrayal and loss and tragedy reaches out to touch the hearts of the listeners. Yet such painful beauty is a relief and a welcome in Hell, for all beauties are made to hurt yet this song has no malice in it, and this shadowed place is not the dragon’s shadow. It is a place where listeners can flirt with the darkness without succumbing to it.
Some may, but that is the nature of man and demon alike (for the two are more closely kin than either would wish to accept).
In the case of Keris, who has one of the fifty boxes set aside for the peers of Hell, she definitely has a problem with close kin of the demonic variety. For while she had been quite intentional in getting herself some privacy with Mele in a shrouded opera box, her daughter Calesco accompanied by the magistrate Kiki have made themselves known, sneaking in disguised in the shadows as members of the Conventicle’s staff.
She’d had no idea that Calesco had escaped from her inner world, and isn’t even sure when her daughter could have managed it.
“Oh, don’t make a fuss,” Calesco says, casting off her shadows and shaking out her white hair. This is Calibration, and so for these five days she can pass as human - or at least she has no agony-light enforcing truth. Few humans have Adorjan’s daughter’s cold beauty in this low light, her features that mix Keris’s look and the appearance of the demon queen who resembles some long-extinct breed of man, and the way she makes even simple Meadows-silk look like the garment of a queen. “The magistrates said that I could have some time out to spend with you.” She shoots a glare at Mele. “And we haven’t even talked about your terrible taste in men.”
There’s a giggle from her companion, whose predatory orange eyes flick between the stage, Keris, Mele, Calesco, and the speckled egg held against her bare chest by a sash. Magistrates are one of the rarer breeds of adult kerub - or at least Keris hasn’t seen many before - but she hasn’t seen one like Kiki, who seems to have an almost Zanara-level interest in body art. Her talons are painted many colours in Isles-varnish, she’s dyed eye-like shapes onto her white feathers, and her bare arms and torso are covered in Meadows style scarification, Sea-style black linework and newer Isles imagery whose colours are fresh and vivid. Her nose and lip are pierced with amber, her eyes framed by heavy red eyeshadow, she has a profusion of Isles-opal-headed piercings in her ears, and she has a set of rings with ribbons tied to them in the flesh of her arm-wings. Even her hair has been painted with streaks of iridescent Isles-paint.
It is certainly a look, especially coming from someone who - like some adult mezes tend to - looks more like Eko than Calesco, all long limbs and slenderness. Keris wanders if Kiki had some formative experience with Zanara.
“Don’t mind me,” she says, flapping a painted claw in Keris’s direction. “I’m just here for the music. My baba loves it - and it keeps them quiet. And it lets me keep an eye on her highness.” She strokes the egg, which pulses with a gentle light in time with the music. Maybe the infant demon is trying to sing along in its own way. “I also won’t judge you, your majesty, for your awful taste in men. We’ve got a lot in common there.”
“I’m feeling slightly bullied,” Mele says mildly, stretching out - but Keris can see the tension in his eyes. She knows he’d had similar plans to her vis a vis what they were going to be getting up to in this box during the opera.
“Good,” Calesco tells him, “you deserve it. The fact you went and fell into Mother’s arms after I turned you down doesn’t say anything good about you. You know your new lover made moves on me, right, mother?”
“I flirt with everyone,” Mele says, hands behind his head. “Or at least everyone beautiful and interesting. You should take it as a compliment.”
“I should nail you to a wall with an arrow,” Calesco retorts. “Not to protect Mother’s virtue, because she doesn’t have any. But to protect her heart from you.”
It is probably for the best that Keris has a private box whose acoustics have been carefully shaped so the private boxes get very little sound from the next-door ones, even with her sensitive hearing. It means there’s no incidental murders for people talking over an opera.
“Hush, everyone,” Keris chides. “I’m trying to listen.” Erembour is one of the most beautiful creatures in all existence - equalled only by Luna and Venus, or so the stories say - and her voice is no exception.
Normally when she listens to music or appreciates art, part of Keris’s brain (named Zanara) is constantly at work deconstructing it, analysing it, taking it apart and picking at how this part was done, what gave that affect, why these choices were made by the artist. But as Erembour performs, there’s none of that. Keris drifts, eyes blissfully half-closed, enjoying the sweet song of the shadows.
“I’ve got a bunch of difficult work next scream,” she murmurs. “Meetings with other Directors and fighting for new recruits in my division. Right now I want to listen to a beautiful opera. So all of you stop arguing and appreciate the music.”
That earns her some blissful, beautiful silence from her companions. But Calesco is, unfortunately, much of the part of Keris who maybe sometimes has a tendency towards workaholism and austerity, and her daughter struggles to sit back and enjoy things that are beautiful if said beauty is built on suffering.
“Mother,” she says softly, as Erembour’s voice waltzes through the upper registers. “So have you done anything to secure the hearthstones yet?”
“Not yet,” Keris murmurs back. “But it’s only the second day, and I’ve got some free time after my meetings next scream. Worst comes to the worst, if I can’t work something out then, I can just requisition a handful of hearthstones from the Conventicle’s stores on the fifth day. It’s not like I’m lacking in Hellish wealth or status, even if I’d rather not use it so casually.”
“Do you even have an idea of who’ll you’ll be talking to?” her daughter demands. “Or are you just going to leave it until the last minute? This matters, mother! A lot! And I don’t want to have to be party to something cruel demanded of you because you had to go to whoever was offering and wanted a favour! You deserve better!”
Keris wrinkles her nose again. “One of the Directors I’m meeting this afternoon,” she grumbles, “is Bloss. And whatever else you can say about her - and there’s a lot - two things are always true: she’s good at supplying things people need, and she’s always willing to trade if there’s money involved. She has more Hellish manses than she has time to look after herself; some of them will be Metagaoyin. I’ll ask her about buying some hearthstones, spend a couple of days looking for anything cheaper, check the Conventicle stocks and then pay her if I can’t get them anywhere else.”
Calesco doesn’t have a response to that, and hunches up in her seat, feet brought up so she can perch right at the edge of it, chin on her knees, eyes narrowed as she stares down at Erembour. And specifically at Erembour, but not as most people stare at her. Calesco has her crushes, and Keris is sure this isn’t one of them. It’s too... considering. Clinical, with a pinch of disgust added in.
Keris reaches over and slips a hand into her daughter’s, squeezing gently. All of her children think of their elder cousins differently; the demons whose nature they share. Eko’s fear of the Csend, Rathan’s rivalry against Ululaya, the way Haneyl idolises both Ligier and the Shashalme. Calesco, she knows, has always been critical of Erembour and Imre. The demon princess’s music is, undeniably, beautiful, but Keris isn’t blind to the parts of her nature that will grate on her fiercely caring, moral daughter.
What must be making it worse is that the song holds no malice. All of Keris’s children are deeply musical, and Calesco is more so than any save Zanara. She doesn’t like Erembour, but she can’t help but appreciate the performance. Knowing her daughter’s tendencies towards black-or-white thinking, that must be needling at her.
“You have thoughts about her,” Keris says quietly, plucking out a quiet accompaniment to the opera on the strands of Time with her free hand. She can’t help herself. The allure of the melody is too strong to resist. “Do you want to share them?”
Calesco purses her lips, hugging her knees tightly. “Someone...” she pauses, “on my travels, they drew my fortune with a deck of cards. Not regular ones. Special ones, they said they’d belonged to a sorcerer before they got their hands on them.”
She screws her eyes shut.
“The last card, the one telling my future. Mother, it was the Empress, warped and twisted to be me, sitting on a throne. Lesser demons looking up to me. Her,” she nods at the stage, “and Imre sitting beside me. I don’t want that. I don’t want to be feared. I don’t want that future.”
An uncomfortable chill trails clammy fingers down Keris’s back. “Shit,” she murmurs. “A real sorcerer deck? Those things are serious business; I used to know someone who had one and they were...” she pauses to scowl, “creepily accurate sometimes.”
She lapses into silence, thinking hard, then shakes her head decisively. “But, Calesco. Look at me. Listen.” She squeezes her daughter’s fingers again and stops playing to cradle her cheek. “I saw a deck like that used a lot, back when I was a kid. They’re hard to interpret. Really hard. That image might just mean they’ll accept you at the vote, or that you’ll get official citizenship and Hellish demons will be as wary of you as anyone else, or that people will make assumptions but you’ll prove them wrong, or even something dumb and metaphorical about, uh, the status of your other parent making you a princess of some sort that nobody ever needs to find out about. Don’t assume the worst. Prophecy is hard, and cryptic, and rarely absolute. If you don’t want that future; if you stay determined to be kind and gentle and only point your light at those who deserve it, then you’ll never be seen as a tyrant.”
“How can you be sure of that?” It comes out as a growl.
“Because I’m your mother,” Keris says firmly, meeting Calesco’s blood-red gaze without a hint of doubt. “And I love you and I want you to be happy. So if the cards say it’s your fate to be a warped and tyrannical Empress, I’ll break that fate and burn the cards if they complain. You get to choose who you want to be. Nobody else. If anyone wants to make you into a figure of fear, they can fight me about it, and you can be as kind and caring as you want.”
Calesco meets her eyes. She looks like she wants to object, to say something else, but instead nods. “At least the Mews are gone. Well, maybe not gone,” she says. “But they’re not going to be a prison anymore. Just a place away from the world.” Her eyes widen slightly. “A place where the only locks are on the inside of doors,” she adds, sounding pleased with herself.
“What, you mean you can’t lock up if you’re heading out?” Kiki asks, showing a very kerub application of strategic literalism.
“That’s not what I meant.”
“Because it won’t be very popular if you can’t stop people going in your room when you’re out.”
“I didn’t mean... you’re doing this deliberately. You’re doing this deliberately and I’m not playing along.”
Keris snorts. “Oh, I definitely like you,” she tells Kiki. “Also, if you’re going to bully and tease my daughter, can I hold your daughter so we can keep listening to the opera together?” She makes pleading eyes at the adorable little black-speckled egg in Kiki’s lap, which is still pulsing with light in time with the opera and seems to be the only occupant of their box to be focusing entirely on the performance they’re there to see.
“It might be a son, you know,” Mele points out idly. “Unless you can hear that it’s a she, maj?”
Called out by her own boyfriend, Keris ducks her head, her ears heating. “I... look, Calesco’s right there, so I’m thinking about daughters right now. Besides, maybe I have motherly instincts! We’ll have to wait and see!”
Kiki starts at that, eyes narrowing, moving to cradle her egg. And only slowly does she relax. “I suppose you can hold my child. At least to give me a few moments to stretch. But I’m taking them back if they start shining bright,” she warns. “And you’ll want to keep as much of them as possible against your bare skin. Other people don’t have babas who are as troublesome as mine, but she really likes the touch of skin.”
The egg is large, and hard-shelled, like a bird’s, and very warm to the touch. Kiki does an awkward shuffle in the handover, trying to keep skin contact as long as possible.
Fortunately, this is not difficult. Keris has gone full-on Hellish decadent today, which means that her breasts are covered by a dream-woven scarf hanging loose around her neck that’s only providing modesty because fine and fragile chains tie it to her nipple piercings, and her skirt is a sarong mesh that does very little to hide the sleek lines of her legs. It got her a filthy look from Calesco when she’d showed up - not least because Keris had chosen the outfit with Mele in mind - but Kiki is wearing even less, so Calesco hadn’t been able to call her out on it.
“Come on then, sweetheart,” Keris croons, accepting its weight on her lap and curling down around it so that it’s pressed against her from her thighs all the way up to her breastbone. She wraps both bare arms around it as much as possible, and swaddles the rest in hair, pressing an affectionate kiss to the very top. “We can just sit here and listen to the music, can’t we? Maybe you’ll be a pretty singer like this when you hatch and then grow up! That would be really impressive, I bet. Or maybe you can get magic cards like the ones Calesco was talking about, or tease your mama and your aunty a lot, or do whatever else you can think of!”
The egg is warm, and pulses contentedly to Keris’s touch. There’s a solidity to it, but also a fragility -- and more than that, Keris’s left hand can feel how the egg is a whorl of twisting, writhing, unformed fate. Out in Creation, it’d be causing omens around it; here in Hell the effects are lost among the Conventicle.
“They’ll be an awful singer, and they’ll spin in circles and fall down when they hear music,” Kiki says, arching her back as she stretches her wing-arms behind her. “All children are like that.”
“Do we even know they’ll be a kid?” Mele contributes. “Maybe they’ll be something else.”
“Oh, do go on. Tell me, my lord, what the egg that I laid is going to hatch into, if not a child?” Her orange eyes glare at him. “Maybe a new species of fish, or a strange music box? What are your suggestions?”
Mele shrinks back in his seat. “I’ll just leave this women’s stuff to you.”
“They might grow up to be a great singer after being a kid,” Keris objects. “Mele couldn’t sing or dance when he was a kid, and now his voice is lovely. I bet you’re not a bad singer either.” She kisses the egg again. “You can be anything you want to be, darling,” she tells it. “Maybe not right away, but in time. What I am wondering is how big they’re going to be. Because Prita and Saji are the smallest keruby I’ve ever seen as kids, but even they were bigger than this when I first saw them.” She glances at Kiki. “How much has it grown since you laid it? Do you think it’ll get much bigger before hatching?”
“They’re still the same size as they were when I laid it. Which really fucking hurt, by the way,” Kiki says, shifting her glare to Calesco.
“How is this my fault? I told you to blame Mother! She’s the one who gets weird about babies!”
“You defined my nature, it’s your fault,” Kiki says mercilessly, though she throws a filthy look at Keris in for good measure. Then she pauses thoughtfully. “I guess the shell’s gotten harder than it was when I laid it, because there was some give then. It started off a bit leathery and flexible, but it’s now like porcelain. And as for how big they’re going to be, you tell me. You’re the All-Queen and the genius. I’m just a lovesick idiot who got pregnant because she didn’t realise sex made babies.”
The sourness is like curdled milk. Keris suspects that Kiki is not particularly emotionally stable, and her acidity and sharpness is - much like Calesco’s own tendencies that way - there to protect someone who is, after all, mentally a teenage girl not at all ready to have a child. Someone who until she attached herself to Calesco’s retinue was all alone, with no one to help her.
A teenage girl, not ready for a child, yet finding herself pregnant. A flash of sudden, sharp grief strikes Keris, an old wound tearing open inside her. Kiki looks older than Keris was when she... when Rat vanished. She’s not like Kit. Not entirely. But she puts up this mean, aggressive, spiky façade to look strong and scare off people who want to mess with her, and that is a familiar mask for Keris. History won’t repeat itself, though. She won’t let it.
She breathes through it, allowing none of the flash of pain to show on her face. ‘Mama,’ she says internally. ‘Remind me, after Calibration, to make a visit to the Temple of Joy. I want to talk to Anyuu about adding a wing for Venus Hearthlighter. There should be Blue Priests who find people who are in positions like Kiki was and help them. That’s serenity just as much as Joybringer work is.’
“You’re hurting right now, child,” Dulmea says softly. “To think that an egg is causing you such pain - and yet you cling to it so tightly.”
‘It’s fine if it hurts a bit,’ Keris retorts. ‘As long as I remember, I can keep them from making my mistakes. They don’t have to go through what I did. As long as I manage that, I’ll be happy, even if the memories are painful.’
She breathes in, and smiles. It’s wobbly, but it’s - mostly - genuine.
“Well,” she says, “based on its size, I’d say your baby will be about as big as Kali and Ogin were when they were born. And happily, Calesco was there for that, and helped take care of them in those early days. So she’ll be able to help, and you’ll have szulok to give you a hand as well back home, and if you need any advice on parenting...” she grins self-deprecatingly, “I promise you; for a ‘genius’ I made damn near every mistake you can imagine when I was a new mother, so you can interrogate me on all the ways to avoid fucking up. I’ll be around at least until the hatching, so you’ll have plenty of time to drill me for advice.”
Maybe the baba understands something of that, or maybe they just like her voice and her tone, because that gets a whirling pattern of lights like a twisting constellation.
“I wonder if that means anything,” Calesco says, distracted by the light, “because they’re learning, and quickly. Until quite recently, the only thing a baba could do was light up when distressed. But is this... akin to babbling? Like when Kali was learning how to speak?”
“Huh. I dunno,” Keris muses. She looks down at the egg speculatively. “What do you think, sweetie? Are you babbling? How about you glow once for no, twice for yes, and three times if you want us to stop pestering you and go back to listening to the pretty music?”
If there’s intention and awareness behind the baba’s glowing, it isn’t enough to understand Keris’s words. The twirling patterns continue, shifting around more to light up Keris’s face from below.
“Apparently not,” Keris says with a wry smirk. “Well, we’ll go back to appreciating the pretty music anyway, okay?”
The conversation is muted by a great blasting of Erembour’s horn, and a chorus of fell beasts from the Dragon’s Shadow rise up in song, a complex counterpoint melody of the writhing night-things. By the time any of them could even hear each other, the thread of conversation has been lost.
But Keris can hear something else; something shadowy and hungry and wicked, as strong as the strongest demon lords. It is skulking around outside her door, pacing back and forth. More than that, Keris can hear what the wicked hungry thing wears - and she can hear her lady’s handiwork in it. Lilunu must struggle to not scar anything she works on with her brilliance, and this is something she did not even try. Keris can hear Lilunu’s song in every shush of the fabric. And even if she didn’t know Suriani’s sound, she’d recognise that the one outside is wearing Chosoni garments over lingerie.
“Ah,” she murmurs under her breath, then raises her voice a little. “Suriani’s outside,” she says. “I don’t think we want her getting a good look at Calesco, so I should go divert her. Will you all be fine here?” The question is mostly for Mele, and Keris accompanies it with a mournful look. Dammit, she’d really had plans for this time alone with him in a soundproofed box.
Mele puts on a woebegone expression. “Alas, maj, alas and alack. And other sad things.”
“Ignore him, he just wants to fuck you,” Kiki says bluntly, as she takes her baba back from Keris, cuddling it closely.
“Kiki,” Calesco says, pinkening.
“We all know it’s true. Read the room, your highness. Mele is a motherfucker - yours, specifically.”
“You say it like it’s a bad thing,” he contributes.
“Shut up, you! And Kiki, I have read the room but there’s a difference between reading the room and reading out loud to the room!” Calesco is definitely not meeting anyone else’s gaze. “I want to see this Suriani. Let me get changed and then I can get a look at her.”
Keris makes a face, but nods reluctantly. She’s ranted enough about Suriani and how Mara got her claws in her to Calesco that she should have expected her daughter would want to see her new subordinate. She gives Calesco long enough to pull her shadow over herself, then casually flips herself over the back of the seat and opens the door of the box.
Suriani is waiting for Keris outside, a gauzy silver shawl fluttering loosely around her, her hair set with hell-tainted orichalcum greened by Ligier’s light, and under that a sheer red gown of a Chosoni style covered with intricate embroidery of hellish geometries and inset with gems. Through the gown, black lingerie presents itself, framing both the Maran tattoos and the newer lattice of her po-marks and Keris’s own oath seal on her back. The garments are clearly Lilunu’s work to the eye, even if Keris hadn’t heard the power in it, and more than that, they’re styles Keris likes.
That says something in and of itself; Suriani went to Lilunu and actively sought to make herself attractive to Keris for this. And equally, Lilunu aided her in that. She might as well have trussed Suriani up in ribbons and offered her up to Keris as a gift.
“Mistress,” Suriani says, dark eyes wide. “Oh, you put even my appearance to shame!”
Keris hears Calesco’s unimpressed huff. Her daughter is a dark figure of living shadow, eyes burning green, horns slashing at the fabric of the world. “And who are you to distract me from my conference with Lady Dulmeadokht?” she demands.
“Ah, my apologies, Lady Koselca,” says Keris, reversing the syllables of Calesco’s name. She’s not worried about being caught out - a fake demon prince can be looked up and proven non-existent, but basically nobody knows all the demon lords, much less all the sublimati citizens who might pass for one to an uninformed eye.
“This is one of the Althing’s newest peers,” she continues. “A child of the isle of Choson I mentioned earlier; Suriani bi-Musa. She’ll be joining me as a junior in the Lower Southwest, and is a dedicate of shadow-loving Mara.”
Suriani’s shoulders don’t slump. She doesn’t sigh. But there’s still something slightly fake about her eyes as she says, “It is lovely to meet one of the allies of my mistress.” She turns, sweeping up her hair and slipping off her shawl, to show off to ‘Koselca’ the tattoo covering her back - and of course, show Keris the curve of her bottom, visible through the sheer gown, and the curve of her neck. And the way the criss-crossing po-markings look like a fishnet body stocking. In the gloom, the temptation of Suriani’s presence is immanent. “My mistress has marked me as her beloved servant, and I am eager to aid her and serve her.”
“Oh, really?” and Keris can hear her daughter’s slightly caustic note, even if Keris is rather more interested in what Suriani has revealed and the observation of how good that tattoo looks on her back and how the po-markings have pushed Mara’s ink to her extremities so her hands and feet are nearly solid black.
“Suriani was a great help to my mission on Choson,” Keris says, throwing her a bone. “I won’t bore you with the details just yet,” not least because Calesco would strenuously disapprove of some of them, “but I expect a very positive response to her speech in the boasting tomorrow.” She settles a hand on Suriani’s shoulder, her fingers settling one by one in a subtly possessive grip, and feels her disciple’s happy shiver in response.
“I am only a student, a child among the peers of Hell,” Suriani says with maybe somewhat feigned modesty. If ‘modesty’ is at all an applicable term for someone who’s taken Keris’s grip as an invitation to lean into her, pressing herself into Keris’s arm and thigh. “Mistress, might I request your presence with me in your box. I need your instruction in the ways of Hell for the upcoming speeches.”
Keris hears Kiki’s whispered “I don’t even know why she’s bothering to lie.” But what she’s listening for is Mele’s response.
“Lady Suriani clearly needs your help,” he says, settling down in his seat, looking entirely relaxed about it. “Your majesty, where do you want to meet up afterwards for my help with your next outfit?”
That is a blatant lie, because she handles her own outfitting, but it’s also an excuse for her to seek him out for a little date. Or possibly an invitation for her to ask him to wait for her in the dressing rooms of her townhouse or the conventicle when she wants him.
“Find me in the Red Rose changing rooms before the sorcerer’s exhibition,” Keris says to Mele. “Now, I do apologise, lady Koselca,” she adds, sliding her hand across to curve gently around the back of Suriani’s neck - not threateningly, but more possessive than the grip on her shoulder had been. “But this does seem urgent, and I shouldn’t leave my junior unequipped for her first Althing. Can we leave the rest of our discussion for another time?”
“I’m sure you’ll do as you will,” is the response she gets, and that is definitely a Calseco answer, not an act. Her daughter is clearly judging her for this, which is frankly more than a little hypocritical given how Calesco can be around pretty girls. If she didn’t have her Ana - and that’s something Keris is going to have to look into - she’d probably fall for Suriani here and now. She might yet in future.
Suriani lets out a breathy little sigh at the back of her throat, and leans more into Keris. “If you’ll - mmm - just follow me to my box...”
The boxes given to non-Directors aren’t quite as nice as Keris’s, and are slightly smaller and lower down. It also has a neomah, an olajno, and one of the human slaves, kneeling at the back. From the smell in the air, they’ve been doing Suriani’s nails and hair with perfume prior to this, a last moment preparation.
“Oh, do take a seat,” Suriani murmurs to Keris. “Make yourself comfortable.”
Keris sits down regally in the central seat -the seat that had clearly been Suriani’s - and glances over the servants dismissively before raising an eyebrow at Suriani.
“I don’t think we need company, do we?” she says. “Off you three go. I’m sure there are other duties you have waiting.”
They obey the Voice of Lilunu without question, leaving the two of them alone as Erembour’s voice drifts over the crowd. Languorously, Suriani drapes herself over Keris’s lap, the misty gown she wears soft against Keris’s bare skin. “Oh, mistress,” she whispers, “it’s so nice to get time with you. Alone. Or not alone, if you want to invite any more playmates in.”
“I think we can keep this as just us,” Keris says, and closes her fingers over Suriani’s shoulder again, sliding her down onto the floor to kneel beside the chair with her head in Keris’s lap, turned to watch the opera. Keris’s hair, worn loose and unbraided for once, rustles softly as it slips into Suriani’s, combing through it and stroking her with a thousand silky tendrils.
Suriani practically purrs, and rubs her cheek into Keris’s bare thigh. “I didn’t want to be alone, mistress. Hell is so scary and vast and there’s so many powerful beings. I want to be at your side. And in your bed. Learning from the dark arts you have showed me just a fraction of.” Her perfume wafts up, she is warm and soft and tempting.
It is so very hard for Keris to remember any of her previous thoughts about maybe trying to keep things a little more professional. Especially when said student is making all the initial moves. And said student is about a year older than Keris herself and they’re literally peers, and- Suriani kisses Keris’s inner thigh, sending delicious shivers down the back of her neck.
Nonetheless, she musters up her integrity and makes a valiant attempt.
“Suriani, I’m not averse to... to spending time together, and giving you the care and attention you deserve. But it doesn’t have to be sex. I don’t want to be like...” she only barely prevents herself from saying ‘Mara’, “the kind of master who abuses or takes advantage of their students. There are more ways for you to be with me than just warming my bed.”
“I swore to be your student,” Suriani says, twisting slightly to look up with her dark eyes. Even a rejection this mild brings a quaver into her voice. “And you told me you were going to train me to be a seductress, assassin, and honeypot to corrupt men and women into the service of Hell. Was I not good enough in that night and day we spent together? If so, please, you have to show me to be better, teach me your techniques, because - oh, mistress, you brought me pleasures not even lovely Mara could! I need to learn from you. You’re the only one who can teach me such gorgeous techniques, such beautiful skill.”
“That...” Keris attempts feebly, and she can see Suriani’s eyes light up as she hears the lack of conviction in Keris’s tone. “I’m not criticising you, Suriani, or refusing to teach you, I’m just saying that this isn’t a lesson. It’s an opera. Wouldn’t you rather lie here with me and listen to Erembour sing while I rub your shoulders? Mara’s beauty comes from her, you know; you don’t want to miss something like this.”
Suriani smiles, the same smile she gave Keris when she dined with her that first night, before either knew what the other was, and crawls up her body to straddle Keris, perching on her thighs. She’s warm there, and Keris feels her pulse as strongly as her own. “Mistress,” she tempts, taking Keris’s hands, “is this not prayer to Erembour, to find love in each other’s shadows? Is this music not so beautiful that you are in the mood for love as much as I am? And is not making love to the sound of Erembour’s dark melodies a way to teach me forbidden magics?”
Twisting around so she can see the stage, she guides Keris’s hands to her bottom, flaunting through her sheer gown the full-back tattoo Keris gave her. “I’ve had masters before who wanted me for my looks, who lay with me then cast me aside when I just wanted to please them. And others who I had to offer myself to to get their attention, to get that place in the admission to the Assembly, to induct me into the Black Claw. But they’re not like you. Don’t you remember what we swore? I am your acknowledged and cherished student in the demonic arts, and I will show you the regard and duties of a student. These are oaths that mean you won’t take advantage of me or abuse me, because you cherish me.”
Suriani lets her gown slip from her shoulders, and fall to pool on Keris’s lap. She glances back over her shoulder, tucking her hair back to reveal the curve of her neck, an impish smile on her lips.
“I am showing you my regard right now, aren’t I? Well, cherish me, mistress. Show me your shadowy lusts and desires to the sound of Erembour’s melodies. The darkness lovely Mara told me her mother’s song brings out. The secrets you would not show another. And I will show you mine. After all, I really liked that first night we spent together. And this is Calibration, and your Lady Lilunu said we should enjoy ourselves and I should try to make you happy.” She rocks back and forth. “This should make you happy.”
This is a calculated seduction. Suriani prepared, she considered what she knew about Keris, and these are not spur of the moment arguments. Keris - in between the hammering of her heart in her ears - can see the courtesan’s ways in them. Suriani has set up everything, from her perfume to her Lilunu-made styles that push Keris’s aesthetic tastes, to her fanning of Keris’s vanity. Even this venue, as Erembour’s beautiful opera tugs at the darkness within men. She wants to be Keris’s lover as well as her student, and she’s set out to make it so.
Why? Keris’s hands shake as she finds herself struggling to let go of Suriani’s beautiful toned bottom, so contoured by the crossing po-marks and honed by martial arts training. Because Suriani wants this. Because Keris gave her a very good time that first night. Because Suriani apparently believes part of a student’s duties is to sleep with her master if the master wants it, and she learned that lesson before she fell into the cult of the Black Claw. Because Erembour’s music pulls out the passions and the lusts so they’re close to the surface. Because Keris deliberately fed Suriani’s lower soul and the clinging roots of need in her are now as deep in her as Keris’s fearful wisps. All of these reasons, some more than others.
What reasons does she even have to say ‘no’? What reasons can she find to say ‘no’?
Suriani bi-Musa gets what she wants. She gets what she asked for. And perhaps she gets what she deserves, too - for while Keris wielded the carnal arts of denial and release in their encounter in Langkota, it is the former, not the latter, that arouses her more. Suriani has asked for Keris’s shadowy lusts, the dark desires and hidden pleasures that Keris normally conceals. She wants to crack the polished facade that Lilunu’s Mistress of Ceremonies shows the Althing, burrow under the mask of the star of the Street of Golden Lanterns, and bathe in the sticky, secret wants that Keris doesn’t often share.
And with Erembour’s crooning opera highlighting every stuttered, begging gasp... she gets them.
Afterwards, sprawled out in the seat with an unconscious, drooling, unsated and somewhat tear-stained Suriani on top of her, Keris listens to the melancholy aria of Erembour’s finale and thinks.
‘Ipithymia said I was like this,’ she admits inwardly, glumly. ‘That I wind up fucking all my subordinates. And bosses. I was trying to… I mean, I guess it was too late to avoid with Suriani, given how we met and what I’m training her for. But I was trying to keep it to just being work.’
A sigh echoes in her head. “What do you want me to say, child?” Dulmea says. “I have never felt the urge to copulate with a student of mine, nor anyone else, and the sole experience I have in these manners is observations of your own adventures in these fields. Though it seems to me that the words of the Gilded Idol resonate with you, no?”
A pause.
“And it does amuse me somewhat that Suriani understands not the ways of Hell and love, and how your cherishing is the bite of a serpent. You have not chosen to love her, I notice - yet still showed her the sweet torments you tend to save for only Claudia.”
Keris smirks. “She asked for it.” But her smile falls off her lips just as fast. “I think… mm. I think I should talk to Anyuu about this. I still have a quarter-hour or so before Erembour finishes up, and Suriani won’t be waking up anytime soon.”
“I will listen for you, while you meditate.” Dulmea sniffs haughtily. “You, Calesco, Suriani - none of you show enough appreciation for such a beautiful opera.”
Grumbling a little at that - she does appreciate the music, and wishes she could hear more of it, she just has more important things to do! - Keris sinks into meditation, plunging into her inner world and aiming for the Temple of Joy that stands on the rolling fields of the inner Meadows. She doesn’t normally spend much time in her soul during Calibration. But there’s an odd feeling to the air here, which almost certainly maybe probably hopefully isn’t just because the demons who live here seem to have invented fireworks - and when the fire you use in a firework comes from the Isles the sky is full of many colours and also mutagenic flame.
That might be a problem, but it’s not her problem. Dulmea will probably crack down if it turns out to be too bad.
She makes her way to the Meadows, avoiding a vast vortex of writhing shadows where a magistrate choir leads a whole mez village in a chaotic dance, and finds the doors to the Temple of Joy thrown open too. There’s a party here too, demons from across the world wearing blue headbands and waving blue-burning sparklers. The statues of Venus here pulse almost like they’re breathing, and all the blues are so bright they seem to be glowing from within.
“Uh…” Keris mutters, a little taken aback by the scale of the festivities. She’d known about them - hell, she’d made the decree to hold them every year in her and Pekhijira’s honour - but she hadn’t quite expected the energy and enthusiasm involved, and coming from the beautiful melancholy lament of Erembour, it’s something of a shock to the system.
Unfortunately, before she can come up with any ideas about leaving and coming back to talk her problems over with Anyuu sometime next week, she’s spotted. By what seems like half the room. Simultaneously.
She is toasted, cheered, and asked for blessings by basically everyone here. There are children everywhere, running around screaming, and it is some kind of mix of a village festival, a family gathering, and a warped reflection of her childish recollection of Baishan Calibrations.
This isn’t Creation, after all. The people here have nothing to fear about outside horrors creeping into the world. And the Blue Temple is definitely celebrating the first babas this year. The guests of honour seem to be a magistrate, her artisan wife, and their adorable little egg baby.
Eventually - after blessing most of the children once and the egg-baba twice - Keris manages to find Anyuu, who is arm-wrestling a drudge while wearing a doborminn mask set in an exaggerated grimace of effort. Keris catches her eye as the former gang boss tickles the inside of her opponent’s elbow between his rusted scales and uses his reactive twitch to slam his knuckles into the table, then slips through a door into one of the quieter back rooms where things aren’t quite as loud.
… okay, she corrects herself as she looks around, fine, not a back room; it’s a larder. Still works to give her privacy. Also there’s some leftover fruit in a couple of the empty baskets, which she helps herself to while she waits for Anyuu to join her.
“‘Ey, wotcha doin’ ‘ere, Keris?” is Anyuu’s greeting. But then again she hasn’t changed her mask yet. “Looking to offer a drinky or two to our blue lady to celebrate the fact that it turns out that demons can get preggers?” She pauses. “Well, at least keruby can. Most of the magistrates with babas have been through here looking for blessings that might calm their babas down, and last week I had a pair of pontiffs with a pretty odd condition - but don’t worry, I’m keeping an eye on the two of them.”
“I actually came as a client, I just, uh, forgot about the festivities,” Keris admits. “I’d heard about the babas, though, and I’ve already blessed the little one outside.”
“Tieni and Gigi are real doki-doki,” Anyuu agrees, “and their baba’s just the littlest darling. Doesn’t like bein’ put down, but I don’t think they got any worries there between each other and everyone who wants to coo over the baba and hold them.” She stretches, and shakes her head. “Let me just change my face if you gotta need someone more serious-like,” she says, turning around for a little privacy before she takes off her mask and blindly sorts through the masks at her belt before she finds one and turns again.
It’s new - and expensive. A fine mask that has to be pontiff-made, white bone-china painted with delicate, intricate lines of iridescent paint, one cheek a blue moon and the other an abstracted sun, and her eyes under the mask are a bright and brilliant clear azure. Is it a man? A woman? It’s beautiful, but also androgynous, and the glowing blue paint seems almost to float over the plain white below. “So, what would your majesty require of me? Is your mind ill-at-ease in this time of celebration?”
She sounds like she’s mocking Keris, but that’s just how szilfa are. Keris sighs and sits down on a crate, leaning back against the shelves. There’s a box of candles near her, and she pinches one to light, setting it on the floor between them to add a little light to the room.
“It’s my new junior,” she explains. “Suriani. I found her on Choson - a recently-Exalted Infernal who Mara was trying to keep to herself...”
She explains the situation, shifting over to let Anyuu sit down beside her on the crate. It’s a tight fit for both of them, and she can feel the szilf pressed against her side - but there’s no sensuality to this touch. She’s not flirting, instead she just sits there, one leg folded over the other, facing the same way as Keris and humming thoughtfully through the details of Keris’s first meeting with Suriani, how she’d recruited her, how she’d initiated her into po-Heresy and how that had fed her neediness and current determination to claim a place in Keris’s bed.
“... and it’s just leaving me remembering what Ipithymia said,” Keris finishes. “About how I sleep with all my subordinates. And how things ended with Testolagh, and got fucked up with Sasimana, and, god, Ogi too - I’m not sure I’m safe to be around when I mix work and pleasure. But I’m training her to be a honeypot, so I have to. Also, she’s, uh.” She colours a little. “Really convincing. I tried to keep a distance, she just... didn’t want to be kept at one. But I’m worried this is going to go wrong somehow if I give in to what she wants. Not to mention I’m probably getting another junior this Calibration too, and that’s going to cause problems. Suriani won’t like feeling that Ixy’s stealing my attention. And Ixy will freak if she thinks I want to sleep with her - which I don’t, at all, but she’s paranoid and won’t easily trust that.”
“This is my first question to you, Keris,” Anyuu says, after a few moments of quiet thought. “How do you feel about Suriani - and how, as far as you know, does she feel about you? What do you want from her -- and what does she want from you? Consider this, and be honest in all ways, with yourself and with me.”
Keris puffs out her cheeks and blows out a long sigh. She doesn’t answer immediately. She thinks it over, leaning forward to put her elbows on her knees and rest her chin on her hands.
“… I like her,” she admits, eventually. “I really do. That first impression she made; that hasn’t changed. She’s smart, funny, charming, well-read, educated, gorgeous. And she’s enough like me that… fuck, I mean, I just told you how we met. She went for the exact same guy I went for to subvert Langkota, and got him under her thumb with ease. More than Magenta, more than Testolagh or Ixy, maybe even more than Calesco; she gets how to work people the way I do. Not that Calesco isn’t really good at what she does, but Suriani can play honeypot the same way she does and also understands how to stage things and make people perform like Zanara. Given time and tutelage, I can turn her into something amazing. Someone who can slip into any organisation, sidle up to any target, and wind them around her finger. She’ll be able to turn whole nations without them ever knowing the ideas weren’t theirs to begin with.”
She falls silent, staring at the inside of the larder door.
“But…” Anyuu prompts, after the muffled sounds of the party outside drag on for a moment or two.
Keris sighs again. “But I’ve seen underneath the curtain now. Past the mask. Just like, hah, how it was with Sasimana.” Her laugh is bitter and entirely without humour. “She’s strong, or at least has the potential to be strong… but she’s also desperately weak. Hopelessly needy. She’s like me at my worst; the same desperation for affection and attention, but it’s even more core to her than it was to me. There was a time I might have accepted the death the Silent Wind brings in return for being the focus of her love, but when it came down to it I was too scared. That taught me there are things I value more than being loved. Like being alive. But Suriani would’ve gone for it. She’s got no limits to her need. She’ll cling and cling and cling until it drives people away and that’ll only make her try to cling harder. If I accept her - now that I have accepted her - she’ll act like the strangler fig at her heart, winding round my tree. Never letting go. Always trying to engulf me and hoard all of my attention. Ever-jealous of anyone else I give my time to.”
“You like her, and are attracted to her, and could love her,” Anyuu says, that same calm, androgynous voice coming from behind that painted mask. “But you have seen enough of her to know that her love would give you everything you think you want, but would choke you like the roots of the Meadowsward-Swamp. She will try to make you love her; she will offer you her love. And it will seem unconditional, but the cost of her love is being her love. Do I understand your position?”
Keris nods, grimacing at the blunt way of putting it and the predicament she’s put herself in by accepting Suriani as much as she already has.
“Then there are a few options I can see, and more that perhaps you can. And these might not be exclusive, but they might be. You, Keris, are the one who will have to work with them - and her.
“The first would be to let her down, to push her back. To try to retreat back to master and student, to pass over the emotional closeness, to try to be only her teacher.
“The second would be to accept her fully, in her hungry neediness, knowing with clear sight what a relationship with her will entail. Be honest with yourself, and accept her boundless, clinging love.
“The third would be the setting of boundaries, knowing that you - and she, if she is like you - will push them. Trying, if you will, to hold your current position, where she is not your lover and yet you have sex, where complicated feelings rule your interactions, yet now with rules you set you will not cross or let her pass.
“The fourth would be to change her, by words or magic or some other trick - make her more self-reliant, less needing others, less obsessive in her love. And accept that you are deliberately altering her, letting your view of who she should be override hers.
“The fifth would be some manner of diversion - to find others that she can rely on. Not just Blue-Eyed Mara, and not just you. But that comes with its own risks, for she is a powerful tool that one could pick up - yet you have seen how well Calesco and yourself benefitted from an aide. Maybe not a dragon aide, though. You’d need someone a little more capable of being detached, and maybe someone loyal to yourself over her, until she can be trusted with them.
“These are but some of your options, I suggest to you so that you can consider them.”
Keris purses her lips. The first two options she discards out of hand; both would end in disaster. The third is what she’s doing at the moment - and not doing very well, because Suriani is already a very skilled honeypot and does not want a place on the border of Keris’s affections. Still, there’s room to do better there; to sit down and think about exactly what boundaries she wants to lay down, to talk with Suriani about them and negotiate a deal they can both be content with, even if Suriani will strive for more.
And the fourth and fifth…
Keris stands, crossing the larder in a couple of steps and turning to face Anyuu. She bows respectfully, as client to counsellor and also as one priestess to another.
“Thank you for sharing your wisdom, priestess,” she says. “I will think on these options, and try to ensure that Suriani can find peace of mind and contentment in my service, as well as challenge and growth. You’re busy with the festivities at the moment - and I have work to do outside - but I’ll see that a shipment of Hellish and Creation goods sees its way here in the next week or so as payment for your counsel.”
“I didn’t do much,” Anyuu says. She smiles. “It was mostly you. I just offered you the moments of calm to think things over. Even if it was in a storeroom.”
Keris huffs in amusement and lets her avatar dissolve, opening her eyes in the waking world to the closing notes of Erembour’s finale. Suriani is still asleep on top of her, dead to the world and unaware of her mistress’s brief meditation.
She doesn’t feel as heavy anymore, though. Keris’s problems aren’t solved, not by a long shot. But those few moments of peace and clear thought have given her the perspective to sort out her feelings and realise she has options. It’s just a question of how far she’s willing to go with them. She isn’t trapped. And that’s something she can reflect on later, when she hasn’t got quite so much to do.
A knock sounds on the door. “Um, lady Keris?” a quiet voice comes from outside. “I was directed to find you in here from your box. There’s an issue with the catering budgets for the seventh scream?”
Keris closes her eyes for a weary, exasperated moment, then opens then with a forced smile.
Back to work, it seems.
If there is one thing to be said about the garb of a hellish decadent, it is that it makes things much easier to clean up after acts of... well, decadence. Keris hands Suriani off to the staff to lie down somewhere dark and be petted, finds Mele in her rooms and snatches a taste of her original plans, takes a quick perfumed bath, extends her hair into a web of drooling ichorous mouths to paint her flesh with scenes of hellish geometries, and finishes her look off with a gauzy gown with immodesty cut-outs. Then it’s off to the great sorcerous exhibition, which is half a chance for the mighty sorcerers among the Unquestionable, demon lords, and the green sun princes to show off, and half a chance for people interested in this kind of thing to gossip, chatter, and make deals in between the noise and lights.
Keris takes more than a little pride in the fact that Suriani is going to be missing Mara’s display, and takes the chance to smile extra-sweetly at the Shadow Lover as she calls up the bound shades of her trapped souls to abase themselves for the crowd.
Then there are deals to be made, and people to meet. Keris can’t speak as long as she would like with Yuula, who she happens to encounter just before her foul-tempered tutor in the medicinal arts heads down to the stage to summon ancient spirits of healing bedecked in cinnabar, before melting them down into toxic pools. She does however have a fascinating little talk with Pecculus, who might be a strange lanky demon lord but who has a lot to say about certain thoughts with regards to surgical grafting that she’s already pondering. Keris smiles and talks and takes in more than she gives away and doesn’t at all let on that she murdered his sister-soul Lei Mei and used her to make her spear. Though from what she picks up from Pecculus, he would only take it personally because he’d worry she’d do that to him too.
Then she’s off again into the crowd. Benezet calls up eye-searing never-seen-before-or-again colours, and blushes when Keris blows her a kiss; Imre is here and drunkenly hits on her. If she wasn’t here for more than just pleasure and hadn’t just had her with Suriani and Mele she might have considered a quickie with him, because she does think of him fondly, but instead she coaxes and teases him for rumours. That’s enough to feed him the line that she’s looking to acquire relic armour, and while he doesn’t have any to hand, he’s a loose-mouthed drunk and she knows other people will hear from him and make their own decisions.
It’s just as well, because she notices that one of the wandering guests has golden eyes, and she catches Jemil’s essence-melody from within the not unimportant citizen, Uosdi of the Three Koans. She has to cover up that her soul is wearing a famed occult scholar as a skinsuit and get him changed into something less notable - and the fact that Jemil informs her that the chrysogona was an illegal first circle sorceress and that he didn’t acquire her sorcery just by taking her body (and her limbs) is a distraction she didn’t need. She’ll have to think about it later, when she isn’t having to coax Jemil into something less distinctive and trying to convey to him that he’s not meant to do that while not letting on that she kind of agrees Uosdi of the Three Koans was a nasty piece of work who the world is better off without.
She’s just managed that and sent Jemil off to watch the sorcery when Peleps Anadala approaches her. “Keris,” he says warmly, rings glinting on his long fingers, sweat beading on his bald head.
“Anadala!” she greets him, smiling. “Oh, it’s been too long. How are you this Calibration?”
“Quite well, quite well.” He looks over at the current display, where the infernalist dragon-child, Tepete Anaro, poses as omen-weather storms swirl around him, the light of the strange phenomena glinting off his gilded form. “Not as well as you, of course.”
Keris is momentarily distracted by the sight of Anaro. Is that... no, it isn’t paint. He’s sold his skin to Ipithymia, or perhaps she’s rewarded him with new flesh. He hadn’t done that only two seasons ago. Maybe it was a reward for him for completing the Golden Surrender Sequence. More likely it was a punishment for failing to seduce her into Ipithymia’s service. But his eyes are black and his skin is shining gold - how long will it be, she wonders, until he takes root in the Glade of Lost Souls?
(Is she terrified of the answer, or does she long to know it?)
She realises she has zoned out when he says something and it doesn’t register, for she cannot break her stare at Anaro’s unclad form. “Sorry, excuse me?”
“I said, I knew him. Not well, but he was one of my cousin’s friends. Complete self-righteous prick,” Anadala says, and that’s contempt there. “Couldn’t happen to a more deserving man. So superior. Thinking himself better, just like every Tepet,” the Low Realm name is coarse and full of spite. And then he’s smiles again. “Your own help you gave me - along with the girl Magenta - was quite wonderful this year. Truly, it’s marvellous to work with a peer who gets things done exactly when she says she would.”
Keris shakes the hot, fragrant fingers of the Street off the back of her neck and laughs, patting his upper arm. “Oh, come now, my friend, don’t sell yourself short. You were the one who supplied me with so many targets, who picked out the layer of talented mortals the Dragonblooded depended on. It’s like you said back when we first met on the Warm Oceans board; a blunt hammer is useless without direction on where to swing it.”
“No, truly, there is quite a difference between identifying such things and having it happen so seamlessly, and,” he smiles at her, rubbing a hand over his scalp, “what you did to the Navy investigators was a work of art. The ones who came back were servants of our masters; some didn’t come back at all. Some will get caught, but not all.” He gives her a little round of applause. “So few people on our team appreciate art - or elegance, and flipping the investigators to be further vessels of the Sea is both.”
Of course he sees things like that. Keris’s eyes catch the crashing of the deep ocean, deep during the darkest night - and a hint of heavy, lurking envy. So much like certain parts of her. At least he doesn’t envy her, even if she can taste his pride in his spider-web of contacts everywhere.
“Well, I do try to be artistic in my efforts,” Keris murmurs, bowing her head in acknowledgement. “We’ll have to see about working together in the future. Oh, on which note - I managed something quite impressive that required a fair bit of preparation just before returning for the Althing. I want to keep it a surprise until after the boasting tomorrow, but drop by my townhouse afterwards; I’m sure you’ll be able to profit from the after-effects and you’ll do so better if you have my aide’s report on what happened. It might be a fruitful opportunity for more collaboration between us.”
It’s the truth; she does suspect Anadala can profit from the chaos Choson has been thrown into. But there’s also an edge of tactics there as well. She quite likes the Sea Spider, but she knows he’s a cold and spiteful man to those who vex him. This way, even if she doesn’t tell him exactly what she did (and she may let him tease out a hint or two if he tries), he’ll feel like she gave him advance warning and let him in on her schemes ahead of time, rather than finding out about the bomb she dropped at the edge of the Inner Sea alongside everyone else.
The report she’ll have Rala give him will only be what Keris wants him to know about, of course, and will diverge from the truth quite a lot in places. But it’ll still be more complete than most people’s understanding of what she did in Nagakota.
He nods back in acknowledgement; he knows the game she plays. And over time, she has noticed that he respects her more. Which is nice, but also a little inconvenient in that he sees more of what she is and what she’s capable of. It was easier dealing with him when he thought she was an overpromoted courtesan.
“Oh, such a gift,” he murmurs as on the stage a rain of blood erupts. The smell of copper wafts over. “Although, respected director, honoured Voice of the Mouth of the Yozis, I do have something of a gift for you. Some of my people arranged for a censor’s museum in the Wading Crane Rookery Prefecture to have certain valued items smuggled out of it, and wouldn’t you know it, but they had a moonsilver breastplate found in the ruins of a city of the Realm Before. And, well, your love for lunargent is well-known and while it is no match to your own magnificent armour, it would likely be a lovely piece in your own collection. Please, accept it with my compliments, and my regards.”
Keris perks up. That’s... perfect, actually, for some of the plans she has bouncing around. In fact it’s almost suspiciously perfect for what she wants. He must have heard Imre talking about her looking around for relic armour and hurried right over.
“Oh, I couldn’t, it’s too generous a gift,” she demurs, letting her eyes fall and a pleased blush rise to her cheeks. He of course insists that it’s only her due, and they go through the social forms of gift-giving and accepting a gift while not seeming too eager as Keris tries to work out what his goal is in giving her a valuable artefact. Is he just trying to win favour and leave her owing him a debt and a lavish gift? Or does he have something specific in mind that he wants?
“Nonsense, respected Director. To our future collaborations and good-intent,” he says, without any rancour. But she can feel his intent reflected; he expects her to take his incredibly generous gift, and he wants her in his debt. So she’ll do things for him in future - or at the very least, pay him back with some lovely relic that he needs more than a breastplate he couldn’t use publicly.
The annoying thing is, it’ll work. Not only in the sense that having reflected him, she’s now a mirror to his hopes. In the sense that even if she hadn’t taken his intent into her quicksilver heart, a gift like this will nag at her until she’s repaid it.
Ugh. She’ll have to find some pretty rings or something that she can give him. Or maybe a ship. Or a mission or something. Keris doesn’t particularly like being in debt to other people. She much prefers the scales to be tilted her way. Nonetheless, she is delighted to be getting such a perfect gift for her plans so easily, and embraces him in thanks before turning the conversation towards the festivities and the displays of sorcery going on below them.
She can feel the cold fleck of icy gratitude his magic has frozen in her heart. Below the surface, she smiles. Fool. She’d have paid him back anyway. He’s just wasted power on holding her to something she would have fulfilled anyway.
“And he has forgotten how much of the Silent Wind you have in you, should you decide gratitude is intolerable,” Dulmea murmurs. “Not that I suspect you will. You like him.”
‘I do,’ Keris agrees. ‘And it’s nice to know he’s still underestimating me a little. Though I’m probably going to lose a bunch of that “I’m just an overpromoted empty-headed courtesan” credit when I announce what I did in Nagakota.’ She sighs mournfully, though she makes sure to keep it internal so as not to confuse Anadala. ‘At least my work on the Street should blunt the edge of people taking me too seriously.’
“Truly, child, I do not understand the depths of your heart where vanity wars with an equal desire to be underestimated and overlooked,” Dulmea says. “It is quite mad, in a way.”
‘Being underestimated keeps me safe and makes my work easier,’ Keris points out. ‘You like being overlooked too. But just because it’s useful doesn’t mean I want people to look down on me or fail to appreciate my-’ “Oh!”
The gasp comes out loud, and Keris grabs Anadala’s sleeve, eyes widening. “Look!” She exclaims. “It’s Ku Shikom’s turn! Oh, this ought to be good. Though, uh, shit. I didn’t bring earmuffs. Hopefully they don’t go for anything too loud.”
Sitting cross-legged on a gem-encrusted metal disk that floats through the air by their will, Ku Shikom makes their appearance. Slight of form, wrapped in robes that seem sometimes blue and sometimes green (and when the light hits them just right, red), bearing a long staff of vitriol-yellowed jade, they step down onto the ground and all the metal around them tarnishes. All, save the androgynous beauty of their orichalcum mask, and the Malfean brass of their skin, covered in glowing green ruins.
Keris can truly see how much Unspoken Sigil wants to be their master, and just as much how much they will never achieve such heights. Unspoken Sigil gives and gives and gives, but Keris feels the will, the composure, the smug confidence roil and boil off the north-western director. The ego is nearly calcifying off them - but Keris cannot taste more than a smidge of the Pyrian clarity there. No, it is the raw force of the Demon King and the murderous clarity of the Silent Wind that dominates. This might be someone who could fight her to a standstill - or worse.
And the power. More than her. As much as Glorious. As much as - not something to say out loud - Ligier or Iudicavisse.
Ku Shikom does not boast. They do not introduce themselves. They simply reach into a bag, and pull out a dreamstone of quite exceptional size and clarity. It gleams the lilacs of fantasy and the pinks of whimsy.
“This was once the fae prince Norio Artist-Lover,” they say, accent perfect in its Hellish cadences, cadence mid-tone. “He was weak. He thought he was strong.”
She can feel it on the back of her neck. She can feel it in her hair. The tension building and building and building and building, until the song of Ku Shikom’s power fills her ears. Fills her nostrils. She realises now she has been feeling it for an hour or more, building all this time.
“Unquestionable. Honoured guests of Hell. My peers,” and the smugness is even lost below the power. the power that now shines from the Slayers’ hell-brand on their forehead and glows from the chunk of adamant worn around their neck, “may I offer this small measure of entertainment.”
Their hand moves into the dreamstone, and Keris hears the pull, the spinning-together of a thousand thousand fragments of imagination. And then none of them are in the stadium anymore. Ku Shikom, and the audience, stand on a petal-strewn landscape beneath a lilac sky. Cream-white waterfalls rise up from the babbling brooks, and in the distance are mountains that float in the sky. Heather and gorse, sweet-smelling and almost honey-like fill the air with their scent, and there is a little tang of snow in the air, as if it will snow soon, or perhaps snowed recently. Overhead there are three suns, one a cool blue, another bright orange and the third - and highest - a gentle green. Stars twinkle in brand new constellations.
This is not a dream, not an imagining, not a thing of smoke and mirrors. Keris can hear the difference. It is like the spell she learned from Salina, her sorcerer’s sanctum, only done with such power and finesse and scale that she cannot help but be impressed. It is powerful, but it is also beautiful.
And it is more than she can manage. It is more than any spell she has ever heard of - save the mention in the libraries of Orabilis of the spells that the titans and the mightiest of the demon princes spun when they were dreaming of the shape of Creation to be.
This is a world, a nascent soap-bubble world anchored in the stolen life of a fae prince and thus as transitory as a dream, but a world. In this moment, Keris finds a deep and genuine respect for Ku Shikom solidifying. And not just respect. There’s admiration, too.
Their power is formidable. They’re as experienced as her or more so, and where she’s amassed a broad skillset, Ku Shikom has honed themselves into a creature of raw force. With the scent of Malfeas and Adorjan so heavy around them and the heights of Sorcery they’re capable of, Keris mentally flags them as perhaps the strongest Infernal in sheer personal power. She’s the better assassin, but this is not just a sorcerer-lord; the gifts of the Yozis run just as strong in them.
Respectable, to be sure. But it’s not their power that Keris admires.
Their sorcerous might and knowledge is likewise worthy of awe. With this display, Ku Shikom has proven themselves one of the most powerful sorcerers alive - perhaps the most powerful human sorcerer, depending on what the ranks of the Solar Exalted have been getting up to. It’s a calculated display, too; a bold and audacious political power play. In one move, Ku Shikom has ensured they’ll keep their Directorate this year, and likely every year after. Iudicavisse may grind her teeth, but what can she do against such a blatant demonstration of the power to summon demon princes? To those who court Ku Shikom’s favour, the Northwestern Director is a gate into Creation; those who vex them risk being drawn out against their will, to ends unknown. It’s a dangerously arrogant challenge, but one that they must be confident of backing up.
Another thing to respect. But again, not the cause of Keris’s more positive feelings.
It’s not even their personality. Keris can all but feel the arrogance rolling off them, the ironclad certainty and security in themselves. It’s attractive, to be sure, and she can see why Sigil so desperately wants to emulate their teacher. There’s something magnetic about such perfect confidence, such absolute belief in their own capabilities without the overblown boastfulness that so often accompanies it. Ku Shikom doesn’t shout or bluster about their power; doesn’t flaunt it with flashy clothes or imposing physical presence. They’re content to be slight and to speak simply, letting their strength speak for itself. It’s still arrogance, to be sure, but it’s wielded with the same understated simplicity that Keris herself enjoys. Ku Shikom is someone who gets the humour in being small and slender and soft-spoken as the most dangerous person in the room; in forcing everyone else to quieten down to hear you and in flexing your power by feeling no need to display it overtly.
That’s enough to make Keris well-inclined to them. But it’s not the thing she admires about this display.
“Amazing,” she whispers, a tear of joy trickling down her cheek. “Look at this. The height of Sorcery. Nearly everyone else showed off battle-spells or blunt-force tools, but this…”
She looks around, eyes wide in delight and wonder, a helpless smile taking over her face. Her left hand strokes the air, feeling the perfect energies circulating through this fae-anchored world. This isn’t a Devonian spell; it could never have been constructed by such sterile methods. This is a story told to the world-mind, the story of a fae’s essence translated into a landscape. If it’s not the Salinan school itself, it at least bears far more relation to it than Sasimana’s style of sorcery.
“… this is a thing of beauty,” Keris finishes. “And finely-tuned control. This is so much better than any crude summons or battle-spell.”
Her words are emphasised by the snow-white raitons that pass overhead. One of them comes down to nestle in her hair, perhaps mistaking it for some thicket full of fruit. Its claws are sharp; its curious beak very real.
“Such a power play,” Anadala says, shaking his head. “This will not please Glorious.” He lowers his voice, pitching it so it barely travels. “As far as I know, she hasn’t attained the pinnacle of sorcerous power yet. And for the Unquestionable, this too is an offer - and a mild affront. What does this mean for the Azure Law if they are stronger than most of our masters?”
“They certainly don’t lack confidence,” Keris murmurs, reaching up to stroke the raiton. “It’ll be interesting to see the Unquestionable’s reactions. And, well.” She smirks. “You’ll forgive me if I’m not too upset about Glorious feeling displeased. I hope her annoyance won’t make things difficult for you?”
Anadala sighs, and looks around furtively. “You didn’t hear it from me,” he says, “but there are... some who have observed that Glorious is losing her edge. She drank too deeply from the waters running off Oramus’s blasted heath, some say. I don’t know if that’s true, but she has gained much power but struggles to explain herself, struggles to reason in the way of the world. She is still brilliant, but she has problems focusing on things that are real, rather than whatever whispers she hears from the Dragon Beyond the World.”
He gazes out over the landscape.
“A few days ago, I found her playing Gateway against a blind-mute girl with many tails in the Conventicle, watched by Sima herself, and neither touched the board, but the pieces moved in and out of the real. I got the feeling that I could only see a fraction of the game they were playing.”
“... interesting...” Keris says, shuttering her face so as to give nothing away at the mention of Antifasi. She’ll have to look into that, though; Lilunu tends to hide her souls away. Was it her choice to let Antifasi meet another of the Green Sun Princes, or did Sima take her from her tower for her own cryptic reasons? And that is a second Infernal who Antifasi might be reaching out to. Keris represses a shudder as she thinks about how the girl so resembles Hermione, as if the two were twins - and Hermione certainly has no lack of ambition.
Speaking of ambition…
“Perhaps the leadership of the Central Directorate will open up within the next few years, then,” she adds. “Who can say who might be chosen to replace it?” She cuts her eyes sideways at Anadala. “My lady does have some say in assignments - and the ear of Crown Prince Ligier. You certainly know the Central Directorate better than I, so if you have any recommendations when that day comes, I’d be happy to pass them along and lend my voice to yours.”
His eyes momentarily narrow, and she knows he must be thinking: who benefits? And the answer there is no end of people, many of whom are allied with Keris. But does he want to be seen to publicly be siding with her - and the answer there is likely “not yet”. Not while Glorious is alive.
“Well, that shouldn’t come too soon. The loss of such a prominent Infernal would be a great loss for our masters,” he mouths as a platitude. “And of course, who can say where we will be if fair Sasimana manages to resolve the situation of the Realm succession?”
“Well, with luck we won’t need to find out for some time,” Keris agrees pleasantly. “Still, should the worst occur, it’ll be important for us to work together. Do remember my offer, mm? Now, I hate to leave you, but I have some other pressing business and can’t stay long. I look forward to seeing you on the fourth day, though! I’ve reserved you a seat.”
“Oh, of course, of course, my friend.” He pauses. “When would you like me to present you with your gift?” And that is another reminder that he is good, because either he gets a private meeting with her, or publicly can be seen to put her in his debt - but it would be rude for her to not take such a precious gift in person.
“Come call on me at my townhouse after the boasting,” she offers immediately. A private meeting serves her just as much as it does him. “I’m sure you’ll want to discuss how to go forward from my big strike this year.”
“Oh ho! Ominous!” he smiles. “But of course, of course, don’t let me detain you. I’m sure we both have people to mingle with - though I’d not wander too far, for when Ku Shikom collapses this place.”
Keris peels off with a jaunty salute and strolls off through the ephemeral world that Ku Shikom has created. Anadala isn’t wrong about the risks of straying too far in a world soon to cease to be - but Keris is no normal onlooker. She’s a maker of worlds herself, a professional at slipping through wards and into strongholds. And she can feel the beautifully woven threads of this false reality with her left hand, and hear the melody of its structure resonating through the whole of it, mapping out its geometries.
Beneath that, she can hear a second melody; one she could play in her sleep. The familiar shape of the Conventicle is still there under the dream-landscape of Norio Artist-Lover; one world laid over the top of another like two sheets of paper. And they’re not merely lying atop each other; the soap-bubble landscape dream is anchored to the real one it’s covered, tied to the knot of energies at its heart where Ku Shikom sits, but attached like the edges of a spiderweb to the geometry of the stadium, the physical structures that were there to begin with.
And like any spiderweb, there are gaps.
Keris rolls her shoulders, cracks her neck, and imposes a little of her own will on the dream; a spearpoint of Shaped intent aimed at a weak spot where dream and reality overlap. Shadow boils momentarily in one of the fragrant waterfalls as she steps through it...
... and out into the stadium again.
The stadium is empty. This place, this world made of dreams is no figment of the imagination. Ku Shikom has physically pulled every demon and every Infernal within the grand arena into their soap-bubble existence.
“You are impressed,” murmurs Dulmea. “Jemil will be more so - he’s still in there.”
“I am extremely impressed,” Keris agrees, the artistry (and the moonsilver breastplate) having put her in a good mood. “But I’ll catch up with Jemil later. I want this talk to be private.” She hops down into the now-empty arena and skips across it, heading for the tunnel in the wall under the stands that the sorcerers exit the arena through. She strolls down it far enough that nobody will be able to see her there, then leans against the wall and waits.
It is fascinating to watch the world unfold from the outside. It starts with a lilac-pink mote of light, haloed in brilliant hellish green shot through with red veins - Ku Shikom’s anima-light, no doubt. But it grows and grows, like a soap bubble inflating, washing over the stadium, and filling it with figures of anima-light. Then in the blink of an eye, the figures are solid.
And the applause hits like a wall of sound.
Standing in the centre, exactly where they had been when they brought everyone into their world, Ku Shikom raises one hand in salutation, leaning heavily on their staff.
Keris sympathises, deeply. Sapphire sorcery tends to leave her feeling like she’s just channelled a landslide through her meridians. She can’t imagine what Adamant must feel like, and isn’t entirely sure she wants to. She holds her own applause for the moment, waiting for her fellow Director to make their way out of the arena.
Her peer accepts rather more encores than Keris thinks is really modest or acceptable-
“Have you no shame in your vanity and hypocrisy, child?” Dulmea grouses.
-and, Keris continues ignoring the nay-saying in her head, makes her wait for an appointment they don’t realise they have. Or perhaps they do. Because when they do tread out with a measured, heavy pace, they turn their head immediately to face her in the shadows.
“Director,” Ku Shikom says, with ironic appreciation.
“Director,” Keris replies, emerging from the gloom with a sweeping curtsey. “As an artist and a disciple of my lady Lilunu, I can pay no higher compliment than this: that was the most beautiful work of Sorcery I’ve ever seen. The first place is yours for sure.” Technically speaking the event is just an exhibition, not a competition. Both of them ignore this, though, because that’s blatantly just a polite pretence and there absolutely is a winner.
“It was always going to end like this,” they reply, with absolutely no shame or modesty in their ego. “Not when the mightiest, the fetiches, choose not to enter.”
They sound so self-satisfied.
“Well, they’d ruin the fun,” Keris shrugs. “Much more impressive to watch one who’s climbed to such heights in so little time show off their power.” She strolls closer, hands laced innocently behind her back. “I’ve been meaning to talk to you, this Calibration. Director to Director. Do you have time for a private discussion?”
“Well, that depends.” She can hear their smile behind their orichalcum mask. “There is a whole stadium of people looking to make my acquaintance and get to know me and promise me all kinds of things in return for my service - or friendship. What are you offering such that you felt it necessary to get here first?”
Keris’s smile is confident and knowing. “Why, the Anarchy of the Southwest I command,” she answers. “Come now, Ku Shikom. Most of those clamouring for your attention are demons. Some have enormous power here in Hell, but they need you to get any of it out - and their empires here can hardly help you there in volume. Others are peers, but only a dozen are Directors with authority to speak on behalf of their Directorates, and fewer still have much worth offering. The wealth that flows out of the Anarchy, though? That’s right there in Creation. And it’s a rich river of resources.”
She cocks her head and spreads her hands - and her hair. “My task from the Unquestionable is to drown the Realm’s influence in my region. To do that, I need to find other places to send its bounty. And it just so happens that I can get a trade route up to your territories in the Northwest with the gifts of the Great Mother. Perhaps not in great volume, at least at first - but enough to ship high-value goods. I have plenty of other places I can send them, but I thought I’d give you the chance to make a bid for anything that would add to your successes up in the cold seas of the Storm-Wracked Tides.”
“The rich and prosperous Anarchy, of which stories are told?” Ku Shikom leans on their staff. “Sugar, tobacco, coca and heroin, tea and coffee, spices in hundreds of varieties. Cash crops, most of which end up in the Realm. I know places that would want the sugar, at least, if not all the drugs -- but maybe only the rich cities of the South and East could digest the volumes that come from the Anarchy, no?”
Keris maintains her friendly, placid smile. “The full volumes are my job to deal with,” she says, not answering the question. “But I certainly wouldn’t complain about the northern cities taking a bite out of the whole. Shall I take that as a sign of interest? It’ll take me a little while longer to get my trade routes set up and ready to move cargo discreetly over long distances, but if you supply me with a list of what your Directorate might value and what you can pay... well, we might both stand to prosper.”
“I have adjuncts and sorcerer-bureaucrats under me. Have your people meet with them, and they can handle the details,” Ku Shikom says aloofly.
“Is that a sign they are as bad with numbers as you are, or do they consider such things beneath them?” Dulmea wonders.
‘Given how much they sound like the King and the Wind, I’m guessing a bit of both,’ Keris replies inwardly. On the outside, she nods happily. This is definitely something she’ll be happy to pass off to a dragon aide - though she’s going to need to make some careful choices about which dragon aide. Rounen is, while amazing, possibly getting a little bit overworked; even dragon aides have limits. And Rala is her sorcerous secretary, not a logistical role. Mixing the two will lead to arguments Keris really can’t tolerate.
... in fact, while her instinct with paperwork is to give it to a dragon aide, a hungry one would probably be better suited to this kind of economic trade deal. “I’ll instruct them to be in touch,” Keris agrees, and gets the details of who she’s meant to be contacting before making her farewells. “I’ll leave you to your admirers, then,” she finishes. “And I hope you enjoy the rest of the festivities.”
“Now, now. You clearly want something more, Dulmeadokht,” Ku Shikom says. They pause. “There is... already word that you are eyeing up not one, but two of this year’s intake.”
There are three green sun princes assigned to the North West; Ku Shikom, Unspoken Sigil, and... whatshername, the queen, reeks of the Demon King... Mioxan, that was it. Larger than the Lower South West, but the fact is there are undoubtedly more people and more wealth in the Anarchy alone than the whole North West, even before one takes a look at Shaipres.
“Is there,” she says noncommittally, her friendliness ebbing under a more impassive mask. “My, how quickly rumours spread.” A neutral answer, inviting them to give their own thoughts on what she wants.
“So quick witted,” they murmur, eyes on her.
She shrugs. “I admit it. But yes, if it needs to be said. I’m planning on taking two juniors - one permanently, the other to train for a year or so and then offer a transfer to... well, wherever she wants.” She looks at them through her lashes. “Like I said last year, more cooperation between Directorates, even in the face of Unquestionable Iudicavisse’s decree, can only help us. If I take a new peer under my wing and train her up, the Reclamation has a new assassin-saboteur, who can leave my Directorate to find a place elsewhere with an established skillset. Far more valuable than putting her with someone who might not be able to nurture her potential, don’t you agree?”
“I considered the fox-girl,” Ku Shikom says. “But I would struggle to handle her. She is a mere child, even younger than she looks, and so violent and prone to lashing out that she would not take well to my tutelage.” They shake their head, still leaning on their staff. “The power of the King is to be contained, and released to destroy your foes utterly, not spent casually.”
“Oh?” Keris quirks an eyebrow. “Younger than she looks? I... hmm. I did notice she was rather emotional, but I put it down to the tension of the party.” She thinks back to her talk with Ixy, a sinking feeling taking root. Keris herself had been newly-turned-twenty when she’d come to Hell, and even then she’d been more in control of herself than Ixy, who looks about that age. If her student-to-be is younger even than that...
“... how young is she?” she asks in dawning horror. “Eighteen? Seventeen?“ Surely no younger than seventeen. Right?
“I enquired with the office of your lady, when I was studying the candidate,” Ku Shikom says, straightening up slightly, a curious look in their eyes, visible through the mask. “It seems the girl is not quite sure herself - likely somewhere between fourteen and seventeen.”
“Son of a bitch,” Keris hisses, composure thoroughly broken. “Seriously? Ugh, this is what I get for balancing Calibration work with the festivities; I haven’t had time to pull her files.” She pinches the bridge of her nose. “Fine. Fine. Makers know I have experience with unstable teenagers.”
Dragging her hand through her hair, she studies Ku Shikom, who is studying her right back. “In that case, mm. You asked me what else I wanted? I’d like... at best your support, and at minimum you not interfering when I make the case to claim her for a year or two. Suriani is certain to go to me; she’s too well-placed where she is for reassigning her elsewhere to be anything but stupidity. Ixy is the one I’m going to get pushback on. But if she gets assigned to another division... well, at best she’ll be wasted as a future asset. At worst, she might end up being mentored by Naan, if you can call that mentoring. I won’t ask this as a favour - but I ask you to consider whether it suits your interests better for her to be wasted, against the potential of being able to hire a saboteur I’ve trained for less than my price in future.”
It is amazing how much concern a fixed orichalcum mask can radiate. “I was on a circle with that man once,” growls Ku Shikom. “The world ill-needs one of him, let alone more. I loathe how he has a following too. I had thought that you were part of that circle of slovenly friends of his.”
No, the driven sorcerer ruling in the north west as a warlock-tyrant wouldn’t like the indolent Naan, would they? And that... would explain something, if people have been assuming she’s part of Naan’s clique.
“It is almost like there are consequences to depicting yourself as a flighty floozy who has slept her way to her current position,” Dulmea says unnecessarily.
“He likes me,” Keris says, stamping on her mother’s unnecessary commentary. “And I cultivate that, because it means he listens to me more. But I’m not part of his circle. I’m just,” she tilts her head and smiles, innocent again, “my lady’s voice. Who speaks to all her beloved peers, and tries to get along with everyone. And especially tries to nurture our newer members in ways that help them grow.”
“Mmm.” A very non-committal sound. “I must compliment you on the way you unravelled my spell and slipped out. It was clearly intuitive, but it was artfully done. I would have been... frustrated if you’d disrupted the beingness-sphere with your exit. And it is definitely informative to find that can be done, so thank you for that.”
Keris leans back against the wall of the tunnel and grins, keeping an ear on the stadium. Whoever’s currently exhibiting - a demon lord whose name she can’t bring to mind right now - has set up some kind of flashy ward and is demonstrating its effectiveness by flinging spells at it. “I’m a world-shaper too,” she says, “though nothing on that scale. Among other things, I know what I suspect is the Sapphire version of that spell, and I’m accustomed to getting through wards without ripping them apart and setting off the alarms. Though it did also help that I could hear where the layered worlds overlapped and pinpoint a subsidiary anchorpoint where it had attached itself to the arena geometry. I could still have escaped if I’d had to do it blind, but it would have been a clumsier landing.”
“Well, that’s something I’ll need to be aware of.” They don’t sound angry, but actually appreciative. “If you can do it, there will be ways for the dead princes, sun-chosen and thrice-damned moon-chosen do it too.”
“Mmm. I suspect that getting out blind would be disorienting,” Keris notes, the assassin rising to the fore. “Some of them will be able to sense where they’re going and make a controlled landing as they find a way out, of course, but others might be staggered for a moment. If someone was on hand to watch for their escape, it’d be an opening, if a brief one.”
“There would definitely be a chance to study that further with you,” they say thoughtfully. “I definitely don’t want them to be able to escape from certain of my bound-beingness world-orbs.”
Keris dips her head. “I’d be happy to help,” she says. “I won’t turn down the opportunity to hone my own skills at infiltration and escape. Someday I might meet another sorcerer of the Adamant who might try the same on me.”
“Your services seldom come cheap.” They pause, and Keris wonders for a moment if that’s some form of innuendo, then; “But Veil, at least, says your talents as an assassin and saboteur are without peer. If you could train the fox girl up to someone with a notable fraction of your own skills - well. That would be very useful. And you are for hire for disposing of problems, no?”
“I am,” Keris confirms. “And honestly, I probably wouldn’t charge for testing shaped prison-worlds as long as it fit into my schedule. That’s useful training for me as much as you. As for Ixy, we’ll see how my claim to her goes. The more support I have in my bid to take her on as an apprentice, the easier it’ll be for me to outweigh dissenting voices.”
“Your odds look very good,” Ku Shikom advises. Their brass fingers clank as they tap them against their thigh. “At least as far as I see it. The ones who are down members are Heavenly Affairs, the North, the South, and the Blessed Isles. Heavenly Affairs never recruits the unexperienced, and she will grate on Glorious’s nerves like cheesewire, no? Veil will be your major rival - Veil or perhaps Cutlass, but Cutlass is, ah ha, distracted. That poor man. I hear the rumours coming from the trade-routes, and it seems he might have lost majorly against the necromantic admirals of Skullstone.”
“Fuck,” Keris sighs. “I was really hoping for him to pull off something impressive this year, you know? If he gets demoted, it’ll be Kasteen replacing him, and... well. She’s Kasteen.”
“A shame.” They roll their shoulders. “Oha studied under me - there are many wonders and marvels in the west she could apply her mind to. But the Aqwilia woman is a tool. And a blunt one at that. The Western Directorate’s talent pool is - ah ha - shallow. They’ve taken notable losses in past years.”
Keris’s lips twitch at the joke. “A pity. Well, my routes up through the West are secret for a reason. If Kasteen takes over, she needn’t know about any trade between us.”
“Mmm. Well, Lady Dulmeadokht, I am sorry but I need to sit down and take a breather - and of course, be fawned over by peers, demon lords and demon princes. Some of whom might even rival your beauty - so, adieu.”
“Farewell - and good luck with your admirers,” Keris says, and almost lets them go before one last thought sticks up a hand and waves.
“Oh, one more thing, actually,” she adds. “I ran into a copy of the Broken-Winged Crane this year, and it sparked my interest in the texts. If you should happen to come across any that you don’t mind sharing - or selling - do keep me in mind.”
She watches them closely, slightly annoyed at how well the mask hides their expressions. Sigil had implied that Ku Shikom had copies of the text. Now Keris watches for their reaction to its mention.
The mask hides everything. The clench of brazen fingers around the staff gives it away. “Of course,” they say. “I would let you know. Now, I really must be going.”
She caught them in a lie. Well, of course, she knows why. She’s already seen the power you can draw from a copy. And she saw the Crane try to open a bubble of another world when she did her ritual. What could Ku Shikom use it for? No wonder they don’t want to share.
“I look forward to hearing you at the boasting,” she says in farewell, and lets them leave. Then cracks her knuckles.
‘Right,’ she says inwardly to Dulmea. ‘That was interesting. And fairly successful; I’m pretty sure they’ll support my bid for Ixy now, and I can put a hungry one on the northern trade route. But for now, speaking of my student to be...’
She cracks her knuckles.
‘Time to make sure her party doesn’t go to hell.’
Keris loves her lady dearly, to a degree that she’s never really been able to express to anyone else. But, it must be said, Lilunu sometimes can be very unlovable, and those times often coincide with her making more work for Keris. In this case, Lilunu seems to have organised (in the loosest possible sense of the word) Ixy’s party based on her earlier talks with the woman - the girl - and thus the celebrations happening in theory in Ixy’s townhouse have spilled out of the gardens into the streets and there are a large number of food vendors and street musicians and other things inspired by words of what Chiaroscuro is like around. And that means things are chaotic and vaguely on the edge of exploding and Keris has to spend the first couple of hours of the party running from near disaster to near disaster.
Matters are not helped by the fact that Naan has actually showed up to this one, bringing a wave of indolence and excess as if he somehow could sense the chance to make more work for her.
But she manages to get him so drunk on very expensive isithol that he passes out, and she manages to ensure that no Unquestionable take offence at the somewhat rougher food and that, likewise, no Unquestionable take offence at their peers looking down at them because they’re enjoying the wild frantic energies and while there are several duels she manages to turn them into things of entertainment and she has just enough time to see that Ixy is enjoying the chaos-
-and then, suddenly, she has nothing to do. She’s alert and awake but her body is exhausted and her body paint is running and she is, to put it bluntly, slightly frazzled. And she just saw the newcomer Lejine trying to make a pass at Sasimana and that’s not something she wants to watch. It wouldn’t fit the image of Lilunu’s Mistress of Ceremonies to sink down in a chair, drop her head into her hands and groan, which is why Keris kicks a couple of servants out of one of the walled pavilions and tells them she’s not to be disturbed before doing so. Her blood is humming with agitation, her hands would be trembling if not for years of pickpocket training, and her eyes ache as she slowly begins touching herself up.
She’s barely got her paint restored when there’s a knock at the door. She glares at it. The servants better have a good reason to disturb her - or to let her be disturbed.
“What is it?” she calls, barely keeping her voice level and free of irritation.
Quietly, Mele enters and closes the door behind him. “I was trying to find you, but oh, maj.” His eyes widen, and he shakes his head. “You look like you’re as tense as a wire. When was the last time you slept?” He approaches her, and goes to hug her - but raises his hands. “Actually, ooops, don’t wanna smudge your paint. You don’t need me blunderin’ over and ruining your outfit.” Instead he takes her hands, holding them, fingers intertwined with hers. “Poor you. They’re working you like a drudge, ain’t they?”
“I used to like Calibration,” she whines, shoulders sagging. “Nowadays it’s all work. work. work. And Ixy’s a kid. Did you know that? She’s seventeen, at most. Maybe younger. Sixteen? Fifteen? She’s Zanara’s age.” She pauses, screwing her eyes shut, and presses the heels of her palms against them, rubbing hard. “Not... not literal age, but, like, maturity. Grown-up-ness. Ugh, you know what I mean. Fuck. I have a headache. But I’m too on-edge to sleep.”
He takes her motion, and pulls her face-first into his chest, letting her rest her head against his athlete’s body. He smells of his personal scent she memorised on their trip together, and the Sea, and the perfume she picked out for him. “There, there,” he murmurs. “I know I’m not as important as you are - or as talented, or beautiful - but I’ll do what I can to help you. I mean, I’m not sure I can help with making Ixy older, but that’s not what you need right now, is it? What you need is for someone to appreciate you, and,” he kisses the tips of her fingers, “I appreciate you, maj. I appreciate you a whole bunch.”
“Mmm,” she agrees, a tiny little sound that’s more whimper than word. Then, hopefully; “... you could show me how much?”
“Not sure getting your paint all smudged is what you actually want, Keris,” he teases, “and trust me, it’s really hard to remind you of that rather than engage in some pretty vigorous smudging. But Rala told me to remind you that you got your planned meeting with Orange Blossom after this is over, an’ then after that you got your conference thingie about getting the newbies assigned and - have you even eaten since the opera? With you on your feet since then?”
Keris pouts at his refusal, but doesn’t try to argue. She wasn’t really all that invested in the offer anyway. “Umm,” she mumbles. Food. Right. “I don’t... think so? No. I was at the sorcerer’s exhibition. An’ then having a meeting. An’ then dealing with...” she waves vaguely towards the door. “All that.”
“So, best part of dawn to dusk - ‘cept there ain’t one in Hell,” Mele reckons. “And you know how tetchy you get when you ain’t eaten. Look at you. I can see the mouths twitching below your skin, yeah? Let’s get you to some of the food stalls and you can snack on things, let people admire how gorgeous you are, show me off, and do all those little things that make you feel better.”
“Mmm. Kay.” She doesn’t resist as he helps her up and leads her out, her hair flicking to dismiss the servants. It’s nice to let someone else be in charge for a bit. Especially since she’s going to have to put her Director hat back on soon and do a lot of arguing and scheming and politicking to lay claim to Ixy before the boasting starts.
“Good All-Queen,” Mele murmurs at the door, bringing her into a deep kiss as he pins her against the wall. He’s strong, and his skin is cool against her; his thigh is between her legs as he presses into her carefully, avoiding smudging her paint by keeping contact only with the pelvic curtain hanging from her hip-chain. “I know you’re working so hard and you’re tired, but just hold out a bit and you said you have the first half of the third day off. So smile at the people and let them love you, and think of how good it’ll be to relax in really not all that long, yeah?”
“Mmm. Yes,” she murmurs, gracing their onlookers with a pretty smile and a pose. Her attention lingers on Mele, though, coiling around him with possessive deliberation. He’s been so good to her. Such a rock for her to lean on. He’s even promised to give up his artisans for her!
Such a gesture demands reciprocation. And Keris has just the thing in mind. Oula has her tattoo, but Mele... oh, Mele will have a proper graft. Something as much armour as unlocking of potential. The breastplate she’s getting from Anadala can be the basis of her gift. She can melt it down inside herself, add Strigida’s metal and her own quicksilver, reforge it into something alive enough to become part of his body. Something that’ll keep him safe. Something that’ll mark him as hers.
The fact that making such a marvel for him will mean she’ll need a lot of donations of his essence is only a plus. It helps her get through the crowds who want to be seen talking to her, whose presence ask more from her than the envy and desire in their eyes give. But Mele... ah, Keris licks her lips at the thought of all the assistance he’ll be providing her through the genesis of the implant. Maybe she can use the whole scream before the bragging getting his help...
But all the pleasant thoughts leave her head in an instant when, distracted, she turns a corner in Ixy’s gardens and is met by three sets of eyes that all turn desiring gazes on her.
The gold: Sasimana, coifed and elegant in night-spun black and metallic gold, the cut hip-baring and backless, a silver choker that is - almost, not quite - a collar drawing attention to itself. She meets Keris’s eyes, glances away, and yet is drawn to her.
The mawed: Balanodo, and yet... reduced. Lessened. Weaker than Sasimana, barely stronger than his companion, and the lessening is not just spiritual. He’s more slender, un-muscled, paler. He wears a scarf around his neck but Keris can smell blood from underneath. Delicate and pathetic and his vulnerability is an instant turn on for her. And the way he looks at her, it’s like he wants to beg her for... something. Maybe ‘fuck me’. Maybe ‘help me’. And he’s nearly naked, dressed only in a pelvic curtain hung from a hip-chain that draws attention to how slender his waist now is. He’s wearing as much fabric as she is, and much less body paint.
And the third set of eyes are mist-grey. Set in a face that looks like her own, in the same way that Rala’s does. Her red dress is cut short and is tattered to show off the demon-ink tattoos that curl over her dark skin, her clotted-blood hair is beaded with gold and moves like a living thing, she is a canvas of piercings and body paint.
But Rala does not reek of stale blood like this woman does. Does not sit in the boundary between demon lord and demon prince. Does not hate-lust-envy Keris like this.
She smiles widely, showing off the Ipithymian gold stud through her tongue. “Keris,” she breathes, and the tone is one of eternal desire and perpetual enmity in one.
Keris Dulmeadokht looks upon what she has wrought, and in a frozen moment of recognition she beholds the kindred creature before her, recognises her for what she is and understands that showing any weakness, any apology, any attempt at remorse or reconciliation will offer a hook by which this demon will destroy her. She will be shown exactly as much mercy as she showed two seasons ago: none.
And, well. It’s not like she regretted it very much anyway.
So rather than feel guilt at what her victim has become or attempt to reach out, Keris reaches in for the cruellest pats of herself and draws them up into a condescending smile. “Sisim,” she returns sweetly, letting her eyes drag mockingly over the demoness’s new appearance. “I see you figured out what style is. Congratulations. I suppose copying from someone better serves as a decent second place if you can’t come up with your own look.”
“Oh yes!” It must be her, so transformed that even her voice has shifted to something lower pitched and Nexan. “You taught me so much. You showed me that innocence will never last. It’s just a chrysalis. And,” she spreads her arms and hair, “you showed me how to be beautiful. You taught me how to get what I want. Thank you!
The words are sweet. The tone is full of malice and hatred and terrible envious lust.
“Mmm. I can see that,” Keris says, looking over Balanodo with her lips thinned. It’s obvious what has happened. A poor mimicry of Keris is still a mimicry of Keris, and she left him lusting after her. It would have been easy for Sisim to lure him into her bed - and there leech away at his essence, weakening him terribly. “Following in my footsteps in more ways than one, I see. They do say imitation is the fairest form of flattery.”
“K-Keris.” Even Balanodo’s voice is higher pitched. It’s not a sign of his weakness, she understands immediately; it’s a mark of how she scarred him with her tastes. The parasite she embedded in him is subsuming more and more of his flesh, and he is - though it is hard to remember - Unquestionable, a being more akin to a thought embodied than something of flesh and blood. She has made him want to please her, made him want to serve her, and thus he has become this feminine lithe thing. “L-look at you. So beautiful. I’ve missed you so. Keris...”
Or perhaps it is a mark of his weakness too, inflicted on him by Sisim. Because when she and her sister-souls have been trapped in his orbit for five thousand years of interminable awful conflict for his love, her victory is to reduce him to something like the form she was trapped in. A simpering, effeminate thing who trails behind another, calling out their name but not respected and not really loved, either. Sisim hates what she used to be, and has reforged Balanodo via his lessening into being what she was.
She can feel the curiosity welling up, surging, wanting. Oh, she’d love to make Balanodo squeal, but she wants to know what’s happened to him exactly more.
And then there’s Sasimana too. What’s she doing here? And Sisim’s eyes flicker between her and Mele. The grey seething and twisting like fog in her eyesockets.
Keris smiles and leans into Mele. “Unquestionable Balanodo,” she greets the emasculated demon prince, “I see you’ve gotten closer to your Reflective Soul.” She bats her eyes at him, keeping her smirk trained on Sisim. “Was she better than me?”
His face literally twitches, flickering between expressions like pages on a picture book, something vapid and needy and pained there. Keris can read the beating of his heart, and hear the squirming of her parasite in him. He can’t argue against her, can’t even defy her. “You were the best I ever had,” he murmurs, stepping in towards her, drawn like iron filings to a lodestone.
But Keris is barely paying attention to him. Her attention is on Sisim, and to her envious eyes Sisim is... well, she’s a cheap mockery, of course, nothing more... and yet that mad look in her eyes, that ambition, the power in how she’s managed to steal from her greater self through Keris’s teaching. And she was being snide when she said that imitation is the fairest form of flattery, but... it is flattery, right?
Sisim would be so much more fun like this, right? Not a shy, self-deluded little she-mouse, but someone who’s shaped herself after Keris and wears Ipithymian gold in her tongue so she definitely has experience now and-
Keris can see the path of these thoughts and where they’ll lead. She hates Sisim and Sisim hates her, but Sisim wants her and it’d be so good to want her back. She can already feel the heat in her core at the thought of a fucked-up toxic relationship with that woman who hates her and wants to destroy her and yet flatters and praises her by her very existence. Pinning her down right here in public, and showing her that she’ll never be able to top Keris at her own game.
She flinches away from the thought, flashing back momentarily to Ipithymia. And it’s not that it’s a literal flinch. Her face stays venomously sweet, her body language confident. But she can see Sisim’s eyes narrow in rage, then sharpen in calculation, and then finally widen in triumph after a second or two pass.
Because, struck by the vivid clarity of that toxic, fucked-up affair with someone who wants so very much to be Keris, in flinching away from the thought and the want and the vicious, ruinous desire... she can’t bring herself to follow through with her jibe. She can’t manage another cruel, poisonously sweet cut at Sisim’s self-worth, can’t launch another calculated barb to use Balanodo against her.
And attacks like this are all about the follow-through. If Keris really was so utterly superior to Sisim, if she really didn’t think of her as any kind of threat, if she was truly as disinterested in a cheap little imitation as she would have to be to hurt her the worst... she’d twist the knife. Not because she cared about Sisim. Just for her own amusement.
But she doesn’t. And Sisim sees it. She sees that Keris isn’t toying with her as a superior. She’s pre-emptively attacking her as a threat.
“I’m bored,” Keris announces before the demoness can capitalise on that realisation. She links arms with Mele, clinging as tightly as she can to him without making it obvious. “Peer Sasimana, it’s been a while since we spoke. Shall we take a walk? I don’t think you’ve met my companion, have you?” Fuck, she doesn’t really feel up to a talk with her ex but she will put up with literally anything to get out of this conversation as soon as possible.
“Oh, no, Sasimana, don’t go,” Sisim says with a broad smile, gold flashing in her mouth. “Really, we’ve been getting on so well. And me and my greater self saw you across the room, and we really liked your vibes.”
The smile is for Keris. There are new tattoos crawling across her skin, in the dark shades of the Ebon Dragon, framing those blood red lips. A mimicry stolen from Keris just this moment, born of Keris’s flinch that let her take a short-lived bite out of Keris.
“No, I think I will be leaving with Lady Dulmeadokht,” Sasimana says coldly. And she leans in. Her whisper is not meant to be overheard by anyone else, but she must know Keris can hear it. “And if you try that again, I will bind you to a guard a rock that I drop to the bottom of the inner sea, and we will see how much you adore the darkness of the abyssal plains. You forget your place, citizen, even if you have found a way to mimic the power of your betters.”
Sasimana offers her arm to Keris. “Are we done here? The air here is just a trifle rotten.”
Keris sags just a little in relief and takes the offered arm. With Mele on one side of her and Sasimana on the other, she allows herself to be led away from her warped, distorted reflection, feeling the burn of envious, lustful, hateful eyes following her out. And a trickle of coiling fear settles in her belly as she turns her back.
She’s going to need to do something about Sisim. Possibly something fatal. Because as long as she’s like this, she stands a chance of eating Balanodo. And that means Asarin is in danger.
Only once they’re away, then: “I’ve missed you, dea- Keris. Keris. And I realise you’ve been avoiding me, and you have reason, but...” Sasimana trails off. “Why don’t we just be adults and speak briefly over drinks? And you can tell me about what on earth happened that left Unquestionable Balanodo so... reduced and Sisim a warped creature of so much power in your image. I was trying to understand that, but then I saw her and... she hates you.” She pauses, takes a breath, and looks over at Mele. Her smile is definitely and certainly totally genuine. “And who is this handsome young man - you really must introduce us!”
“This is Mele!” Keris introduces, only too happy to gush about her new boyfriend if it means avoiding the question of exactly why Sisim is now so utterly, hatefully obsessed with her. “He’s, ah, an adult orven from you-know-where. And he’s been a darling these past few months, haven’t you, Mele? I’ve been... well, Directorate business, but it’s involved a lot of sailing around and some Wyld-fighting.”
They get drinks, and Keris is very thankful that her boyfriend and her ex-girlfriend are getting along. A little less thankful that her boyfriend is maybe sort of a bit flirting with her ex-girlfriend, but at least Sasimana isn’t flirting back.
They talk a bit about work (“Magenta is being very helpful”) and a bit about the performances and shows they’ve seen (“Ku Shikom did what?”) and of course Keris has stories about the twins and Atiya on the boat trip.
“You’ve been to Choson?” Sasimana asks, mildly surprised. “I’d heard of it, of course, but I was never able to find the time to properly investigate it. And you found a new Infernal there, too? I am impressed!”
Keris has, perhaps, been drinking some of the more Hellish brews that actually affect her constitution. And she has perhaps had enough to overcome her impressive tolerance and leave her mildly tipsy. And it’s perhaps because of this that the words slip out: “No doubt; I’m sure you would be.”
Her tone has only the barest, most superficial layer of lightness over a certain edge of anger.
Sasi reaches over, and almost goes to squeeze Keris’s hand before she backs away. “Oh no. You’re not happy with me. What did I do wrong?”
And damn her, Keris can’t even hear any enchantment but her heart still clenches over those sad golden eyes and those soft features and the well-established habit of trying to cheer up and placate her lover. Her now ex-lover, but her instincts don’t know the difference.
“You just...” she starts, and between the sad look and the alcohol it all comes pouring out. “Did you know Nagakota has two hundred thousand people living in it? And that it’s where all of Triumphant Air’s Immaculates get trained? Because I didn’t! It’s the Faith’s rock in the Southwest; probably the biggest stronghold of the Order outside the Incas Prefecture! It’s my biggest, most lethal threat, sat right behind the Realm’s naval base over the mouth of the Gulf! And I didn’t know anything about it!”
She swipes her hand through the air, on a roll now. “And then there’s Ca Map! You heard of it? It’s a major port in the Gulf opposite Saata, built on some old Shogunate war platforms that have enough functional weapons left that they’ve broken a Realm fleet in the past! The Despot’s got complete power over the place because he’s the only one with command of the weapons systems, and he’s fucking ancient! Decrepit and dying; easy prey for anyone who can offer him his youth back!”
Sasimana starts to open her mouth in response to that, but Keris barrels right over her. “How about Ta Vuzi? A Realm satrapy built on an overturned system of beastmen and the worst-treated breeds they picked to elevate into their enforcers, fuelled by the dragon-drinkers that fill whole ships with riches and hearthstone slurry that a completely disaffected satrap who cares only for her own experiments sends back to the Realm with barely any attention. Hell, there’s a whole goddamn empire down below the Silent Crescent; Shaipres, and an expansionist republic in the Delikado March, and why didn’t I fucking know any of this going in, Sasimana?“
Fists clenched, teeth bared, Keris slams a fist down on the table. “Half of it I only had to look! You know how long it took me to figure out that Choson is built on its martial arts sects and that you only get citizenship as a wira by duelling for it in their Assemblies? A day! One circle of sufficiently lethal fighters could take over the whole country if they beat the Immaculate Grandmasters in their ten-year tournament, and Chosoni culture would let them do it! You don’t think that’s relevant knowledge? It wouldn’t have taken long to find out! Did you ever go outside the Tengese Sea once while you were there?”
Sasimana sits there, accepting Keris’s abuse, and sadly shakes her head. “Keris,” she says. “If you remember - no, of course you don’t. But I did say to you that Deveh was the one who had been handling the more southerly elements of the South West back when it was just the Southern Directorate - that was before he relocated up to An Teng for reasons he wouldn’t tell me - and you should ask him for what he knew. And you should know how hard it is to get information from him. I had been meaning to look further south, but I was only South-Western director for... well, they made the Directorate Calibration 767, and they gave you the Lower South West in Calibration 770. And you went down to the Anarchy in... Dragons, what was it, Wood 769? I had the Directorate for three years; it’s been yours for five.” She smiles. “It’s far more your Directorate than it was ever mine.”
Her calm acts as a tripwire for Keris’s anger, emotional momentum leaving her stumbling. “Wh- he- for-” she stutters, undercut rage tumbling for a moment, before it latches onto a new target. “He knew? For five years, he’s had the information I need, and he never fucking mentioned it?”
“Uh, maj,” Mele placates, warily eyeing her lashing hair and the way her nails are lengthening into silver talons. “You’ve got every right to be pissed by this guy, and I’ll duel him for you if you want, but maybe don’t get so fired up about it that you rip your outfit?”
“I’m going to rip his head off and make a flute out of his bones,” Keris snarls through a row of jaguar teeth, but reluctantly allows herself to be calmed down. “Fuck, I hate that guy. Every time I think I’ve run out of reasons to hate him, I find more.” She looks at Sasimana, mouth twisting ashamedly. “Um… sorry. For getting angry at you. I don’t… remember you telling me anything like that. I thought you’d just kind of- well, yeah.”
Sasimana reaches off and pats her hand. “Keris,” she tells her seriously, “with all the most honourable respect you are owed, you have never been organised or particularly good at remembering things you don’t want to do - like talking to Deveh.”
“That’s what she has people like me for,” Mele says, giving Keris a little cuddle to take the sting out of the words. “I help her feel good, and Rala pesters her into not getting distracted, and she has boring old Rounen to help manage her accounts. Maj is good at knowing when to ask. And on that note, maj,” he gives her another cuddle, “don’t you have something to ask your fellow director about a thing you want for your Directorate?”
“I’m listening,” Sasimana says, sitting up.
“Sorry, maj,” he says in response to Keris’s filthy glare, “but Rala’d get on my back if I didn’t nudge you into this. Given she went and filed all the requisition paperwork already, yeah?”
“Ugh,” Keris groans, her hair still lashing unhappily. “Fine, fine.” She turns to Sasimana. “I’d normally do the whole ‘asking properly and formally as a Director’ thing, but just assume I’ve done that already. Have you met Ixy Crystreet yet?”
Sasimana’s pale eyebrows flute up. “I have, yes. She, ahem, swore at me in Firetongue, called me a ‘red-necked pig’, accused me of looking down at her, told me that she’d never work for a ‘Realm bitch’ like me, and stormed off. She’s even more feral than you were.”
Keris winces. “Yeah, I, uh. She’s a Chiaroscuran street rat a bit like I was, but she’s three years younger than I was when I came to Hell at best. Maybe younger still. And she’s as tense as garrotte wire being here in the Althing around so many powerful demons. But, you know… she’s worse than I was when I showed up, but I turned out alright. Mostly because of how many people put time and effort into teaching and mentoring me. So I want to take Ixy under my wing and train her up into an assassin-saboteur who won’t…” she shrugs, “well, pick a fight with the wrong person and get crippled or killed, at worst. Or fall into Naan’s orbit, or someone like him. But I’m already claiming Suriani for my Directorate, so taking Ixy as well - even if it’s just a temporary apprenticeship posting until she’s trained up - will be a stretch unless I have some supporting voices from other Directors backing me up.”
Sasimana beams, and immediately - without thinking - wraps Keris up in a big, warm, familiar hug. She’s soft and all-enveloping and her scent (so like Seresa’s at this time of year, cinnamon and wine and flowers and that perfume she loves) embraces Keris too. “Oh, my dear one,” she murmurs, arms around Keris, her voice choked up. “You really are showing how much you’ve grown. You, taking on someone even more violent than you were.”
Keris very subtly squirms, not entirely comfortable in Sasimana’s arms. It’s not that it’s not a nice hug. On the contrary, it’s very very nice. But things with her ex are still complicated, and she doesn’t want to send any of the wrong signals but also doesn’t want to send negative signals that might hurt Sasimana’s feelings, and on top of that she’s... well, she really is flattered by the praise, and Sasimana is still family even if they’re not together anymore, and...
... Keris shuts up and hugs back. “Like I said,” she mumbles, “I’m who I am today because of how many people put work into helping me. You were one of those, so you get part of the credit.”
“I hope you don’t regret this, because you - being like this, still you but grown-up - is so beautiful, so kind, so...” Sasimana stops, trailing off with the flattery that has already given away to Keris that her ex is definitely still in love with her. She lets go, Keris’s arms still around her, and Keris can hear the screwed-shut eyes, the subvocalised whisper of self-blame for losing control. “That is to say, uh, if you need to ask questions about how to train a new green sun prince, I understand if you don’t want to talk to me, but if you want help or to ask questions or... I’ll do what I can, Keris.”
“I’ll... I’ll remember that,” Keris says, biting her lip. “And I might take you up on it. You were a really good teacher. And gods know you managed to keep me pointed mostly in the right direction even at my most feral.”
“With you, the thing that really helped, I think, was finding something non-violent that you were good at and enjoyed.” Sasimana chuckles. “I still remember coming down and finding you’d used my reserve funds to make an image of your lower soul out of silver and gems. Maybe you could help her find something - whether art, music, building things with her hands or even, Yozis forbid, learning to talk to people without biting their head off.”
“There’s a place for that,” Mele jokes.
Sasimana ignores him. “I think it’s important for us to have something beyond being a weapon,” she continues, and there’s a fervency of belief there; like Demetria, a reminder of why Sasimana was chosen as a priestess of the Yozis. “The Yozis sang the world into being, and made so many beautiful things - and still do so, even in their imprisonment. If you’re only a weapon, you’re nothing but a tool. Like everyone who ends up with the first seat, I might add. A tool, that is.”
Keris smiles at the memory - and the backhanded insult. “Yeah,” she says. “Well, she seems to like her firedust and flamepieces. Maybe I can get her into engineering, or even crafting. Smashing things up and rebuilding them in her own style. Alchemy, even.”
“I do worry that you’re overworking,” Sasimana says softly. “Between two new students, and your Directorial duties, and the fact you’re been on your feet all Calibration and you’re running the fourth day all on your own,” she lowers her voice, leaning in again, “I know you were suffering by the end of Earth. Like you told me, self-care is important, and I am worried that you’re not showing yourself enough of it. I remember the days when it was hard to get you to focus on any kind of task - but now I worry you’ve gone to the other extreme.” There is a wry expression on her face. “I am not a good example to imitate when it comes to working too hard and then having a breakdown.”
“Don’t worry there, your ladyship,” Mele smoothly cuts in. “You’re absolutely right about her maj being a bit of a workoholic, but I’m making sure to look after her and make sure she eats and sleeps and takes breaks to play with her kids sometimes. She was a bit of a mess right after Earth, but we’ve spent these past couple of seasons sailing around the Anarchy doing set-up work, and in between that and the teaching she still got to spend a lotta time swimming and playing music and messing around with the alchemy stuff she likes.”
Her doubt is clear. “I know I don’t have any right to tell you what to do, Keris, but...” her face screws up, “just do not be like me.”
Keris looks her in the eye for a moment, a shiver passing up her back as gold meets grey. Then she carefully, deliberately reaches out and takes one of Sasimana’s hands in her own.
“I had good teachers,” she says firmly. “Lots of them. I’ll be okay.”
For a moment, they share a charged look. Then Keris breaks it by rolling her eyes and huffing.
“Okay with Ixy, anyway,” she adds. “But if I’m going to get her, I need more Directors on side. Which means I need to go deal with...” she sighs, wearily. “Bloss. So wish me luck.” Her hair lashes unhappily, and she ends on a sullen undertone.
“(Because I’ll fucking need it.)”
Smokey backrooms and out-of-the-way corners where a little bit of privacy and quiet (but never silence) - this is where Keris has already found that a lot of the messy detail work of a Director that no one ever speaks about gets done. In this case, she’s secured tickets to one of the lesser dance performances, invited Orange Blossom and drawn the heavy thick velvet curtains while Orange Blossom cast a little spell that stops others from hearing what is said here. Keris can think of several other ways that someone might listen in, but since she can think of them, she knows how to protect against them.
With a snap of her fingers and a puff of green flame, Orange Blossom lights her cigarillo and sucks in a breath before exhaling a cloud of blue-grey smoke that smells like burning tin. It whirls and coils around her like a living thing, before dissipating in the air. She’s dressed in gold-trimmed white today, which stands in stark contrast to her darker skin. Her hair is almost shaved off entirely, and her ear-lobes are spread by wide spreaders that envelop a pair of hearthstones that float in the space between. Her broad-shouldered, slim-cut dress robes with their masculine cut are open to the navel, showing off the delicate hell-tainted starmetal of her bra, and her trousers are tight around her hips but flared at the bottom which ends mid-calf, an array of gold and silver bells dangling from the hem. Long orichalcum gauntlets delicately embrace her hands, the claw-nails much longer than her fingers and looking like some peculiar kind of insect’s leg.
“Kit,” she purrs, and her intent - and what she is looking for from Keris - is made entirely clear. Sasimana might be flinching and concerned and still clearly heartbreakingly in love with Keris but afraid of hurting her, but her other ex, the one sitting in front of her, doesn’t love Keris at all and doesn’t particularly care about hurting her feelings. Because Keris quite deliberately fanned Orange Blossom’s lust towards her last time they met, and the other woman either can’t - or more likely doesn’t feel the need to - shed those feelings. “Lovely to see you again, in this time of festivity and...” a deliberate pause, “indulgence.”
“Bloss,” Keris teases back, leaning back in her seat, legs crossed, watching Orange Blossom’s eyes roam over her and enjoying the naked hunger. “It’s been too long.”
And if it was just the two of them this would be easy, because Keris trusts in her training and Bloss’s attraction and she knows that the terms of the other woman’s support wouldn’t be too onerous.
Unfortunately for Keris, Orange Blossom didn’t come to this meeting alone. Next to her, armoured in something which was once animated armour of the ancients but now has been patched up with black Malfean iron, leaning on a colossal blade of soot-coated orichalcum that looks like it has been repeatedly melted and re-solidified, an intricate ancient not-bow the length of a man’s leg slung over her back, is Xansu Chunhua, with her forest-green eyes and scarred face and short-cut black hair that frames a face that makes Keris think of the mercenaries who’d beat up street kids for fun back in Nexus.
Xansu is, in theory, a peer to Keris - one of Hell’s chosen who could have been part of the same circle as her if they had chosen to send out the green sun princes gathered as part of the same batch together. And yet Keris has never felt like she is a peer to that woman, even though she is now a Director. Xansu was a hard-as-nail veteran mercenary chosen by Hell and immediately fell into place as Orange Blossom’s mailed right fist; Kit Firewander had been a half-taught priestess, sneak-thief and harlot. When they had given Kit to Orange Blossom’s Eastern Directorate, Xansu had been the one told to reforge her from a feral cat into a knife in the hands of the demon princes. She taught Keris, but Keris is quite clear to herself - Xansu was never her teacher.
If Xansu is here when Keris invited Orange Blossom to discuss the matter of Ixy Crystreet, that means that Orange Blossom is also interested in her, or at least wants to seem interested. And every time Keris looks at Xansu, feelings she tries to avoid squirm in her gut.
Her relationship with Bloss was a fucked-up thing of lust fooled into thinking itself love, but it was at least positive. Orange Blossom had complimented her, praised her, bought her pretty things - sure, she’d never really loved Kit Firewander, but she’d at least treated her well up until deciding she valued her Hellish investments more than being there for her lover in a crisis. Not that Keris isn’t still pissed about that.
But Xansu Chunhua was the first person to hurt Kit Firewander after she’d Exalted. This woman had been a painful reintroduction to mortality and defeat for a girl riding high on a feeling of invincibility; a string of brutal losses in the sparring ring and the dojo that had brought Kit’s ego sharply back down to earth. She’d never taken it too far, never done more damage to Kit than she could take... but Bloss had never stopped her.
Keris understands why not, nowadays. It was part of the training, breaking the arrogance of the young idiot she’d been and teaching her she could still lose - still die, if she came up against the wrong opponent. That lesson has undoubtedly saved her life in the time since. But it hadn’t helped at the time. Little Kit Firewander, fresh to Hell, had learned there was no safety around Xansu. Bloss wouldn’t step in when she took a knee to the gut in sparring or when the mercenary ‘tested her reflexes’ in the field. She’d comfort her afterwards, tell her she was getting stronger - but she gave her loyal fist free reign in how she taught.
Maybe if Keris had ever actually beaten Xansu, the knowledge that victory was at least possible would have settled something deep in her gut. But she hadn’t. Not once. Kit Firewander had been quick and sly and lethal with a knife, but even as the Blue Killer she’d relied on speed and surprise and her reputation, and fought against foes who wore little to no armour. Xansu had years of experience putting down everything from bandits to professional soldiers, and she liked her plate armour. In all the time they worked together, Kit Firewander didn’t win a single match against her.
And nothing has changed since then. In the years since her transfer to the Southwest, Keris has spread her wings wide and learned everything from art to politics, but Xansu has spent that entire time as a killer and a commander in war, honing and refining her edge. She’s one of the relatively few Infernals Keris doesn’t think she could beat in a fair fight - and while she might win a rigged one, she’s not sure she could bait the woman into a deadly enough trap to do so.
Six years have passed since her official transfer out of Xansu’s orbit, and still Keris feels the prickles of fear on the back of her neck as she meets those forest-green eyes.
“Kit,” Xansu says. She doesn’t sit. She just leans on that monstrous sword that she definitely didn’t have back in the day. The armour is new, too - and either makes her stronger or she simply hefts that monstrous weapon as casually as a dagger without its help. “Been a while. Let’s get this done quick.” She works her shoulders. “Make your case.”
That’s Xansu’s way; short and terse and gruff out of battle, the adrenaline snarl of a madwoman in it - and she doesn’t lose her words. Quite the opposite; she gets verbose in a fight in a way she never does normally, as if she’s more alive when she’s dashing a man’s head against a rock or chasing down skinny, slender Kit until she tires and can’t dodge anymore, then beating her black and blue as a lesson in wasting power that might keep her alive someday.
“What, no pleasantries? Bloss, I’m hurt. A girl might think you don’t want to spend time with her,” Keris pouts. Her fear of Xansu wraps tight around her heart, but it’s a measured fear, a controllable one. Her mind knows, even if her heart doesn’t, that Xansu won’t strike her here. Not without orders, and even then, not in a way Keris couldn’t walk off.
“But fine, if you’re that busy, I can skip straight to my point,” she sighs. “You’ve both taken Ixy Crystreet’s measure by now, I take it?”
“Yeah.”
Sitting back, Bloss taps the long spider-like nails of one gauntlet against the other. “How unlike you, Kit - not just here, but all this Calibration. You’ve been networking in a way you never have before. And this play to add two newcomers to a minor directorate is very bold of you. Perhaps our Kit has found her roar - or at least her meow.”
Keris grins at her, teeth bared. “You know I’m always happy to show you my claws, Bloss,” she purrs. “But yeah, come on, you’ve both seen her. She’s me six or seven years ago, except even more feral and violent. And, I mean…” she spreads her arms, and her hair, gesturing in at herself, “I think I turned out pretty well. But only because I had good teachers. I’m one of the best saboteurs and assassins in the Althing; probably the best - but Veil and Glorious will both tell you my work doesn’t come cheap. Back me up in claiming Ixy and I’ll train her into offering the same services at much friendlier prices. I’m not looking to keep her, just to keep her away from influences like Kasteen or Naan until she’s matured enough to transfer out and start taking jobs for other Directors.”
“No reason yet why she’d be better in her hands. You got a student this year already,” begins Xansu, but Bloss raises her hand. The green sun glints off her nails.
“You’re not intending to try to keep her?” she asks. “Hmm. I’m not sold, but I’m prepared to hear you out. You making a play to make the lower South West as large as the North? Not going to fly. But I can be... persuaded that maybe she could be loaned to you so that she can upskill - and you get her assigned when she’s cheapest as an asset.”
There is a hunger at the back of Orange Blossom’s throat, a hint of a husky growl almost like the demonic tigress that is her preferred symbol. She smells fresh meat. She wants to see what Keris will offer her for her support - which would almost certainly get her what she wants.
This is Orange Blossom’s way - it always has been. Ku Shikom will support her bid because Keris convinced them it was in their best interests to do so, but Bloss makes everything into a transaction; give and take, coin or barter. She was never going to get anything out of her ex for free. It’s just not how Orange Blossom thinks.
“We’d have to discuss terms,” Keris returns, dropping her voice an octave to something deep and intimate. A lock of hair snakes forward to wind around Bloss’s hand. “I said back in Earth that I’d send you a few dreams to talk trade, and never did because, well,” she chuckles, low and dark, “you’ll see why at the boasting. But that meant we never got to have those… discussions. I can find time in my schedule this Calibration, if you want to hash things out.” The seductive promise of what she’s offering - not just hours of pleasure at Keris’s hands, but hours Bloss won’t have to pay through to nose for - hangs heavy in the air with the scent of her perfume, shaken loose from beads and sachets hidden in her locks.
She hears the subvocalised “Oh, for fuck’s sake,” from Xansu, and that’s delightful in its own way. Xansu never liked her boss’s involvement with the feral street rat who was both a common murderer and an - ahem - priestess back in the day; now Keris is a graceful courtesan and lethal assassin. Other people would say that Keris has changed; Xansu wouldn’t. But her opinion doesn’t matter. She’s a good dog for her master, and it’s Orange Blossom who matters.
“I have other meetings and encounters with demon princes very soon - and you’re not going to be free on the fourth day,” Orange Blossom says softly, the smoke of her cigarillo wrapping possessively around Keris. “You’re going to be the centre of attention, and everyone knows that’s how you like it. But, ah. Maybe I can spare some time for you at the start of the fifth day. A few hours for us to...” she exhales, “exchange contacts. After all, you’re worth it - and I have such need of your services, with the appropriate discretion. Your body is a weapon, you know it very well, and you use it with such... finesse.” She waves her hand. “Xansu, leave us. We are going to have to negotiate a proper contract for this.”
“Yes, boss,” Xansu says, and though her stiff back and heavy footsteps show her disgust, she obeys. Her tread fades, and now it’s just Keris and Orange Blossom alone in this room of writhing smoke, heavy perfume, and thickly scented pollen.
“Well, you are an ambitious little thing, Kit,” Bloss purrs, running the metal nail-extensions of her gauntlet along the back of Keris’s hand. “You’re looking to make the Lower South West. Do you have your eyes on the Upper South West too?”
“Me? Make moves on respected Peer Deveh’s territory?” Keris flutters her eyelids innocently. “Of course not. You know me, Bloss, I’m not ambitious. I’m content with what I’ve been assigned.” She puts on a flirtatious, vacant smile and shifts the lock of hair around Orange Blossom’s hand to caress her knee.
“You’re never content with what you’re given,” Orange Blossom purrs. “You’ve always been a hungry little brat. But now you’re ambitious like you never were before. You’ve learned to think big, and it is painfully arousing. And everyone can see how much you hate Deveh.” She gestures with her cigarillo, painting shapes in the air with the smoke. A fume-image of Keris on stage in the Golden Surrender Cycle makes itself known, twisting and turning in the dark to the crooning melodies of the Things that Dwell in Corners. “We’re not quite the same, but we’re more like each other than anyone else realises. Everyone wants what I have, and you want everyone to want you.
“Does it feel good to know more voices in Hell know your name than mine? That that gorgeous demon-secretary you made who runs your affairs in Hell has likely filled entire rooms with mail of people seeking your attention, your attendance, your services? That if you want a favour from any of the demon lords - Hells, even most demon princes - all you have to do is answer one or two of those letters and things will work themselves out for you?”
Keris smirks. “Do you feel good, knowing that all those people want me so badly - and you’re the one who gets to jump the queue?” she asks. “It’s not just your wealth. There are other people - granted, all of them demon princes - who are wealthier than you. But you’ve got an in with me. You know I listen when you call. Where I leave their mail unread; your messages are the ones I open. You like that, don’t you, Bloss? You’ve always enjoyed having things others lack.”
The smoke wafts through the air, the fume-Keris dancing into the arms of an Orange Blossom to drape herself over the taller woman. “Of course I do,” Orange Blossom says with naked honesty. “A lot of our peers - and by that I mean the other Directors - are fools. You, I - we both know the Directorships are only useful in what they can do for us. We know how Hell is full of a thousand fortunes and we green sun princes hold control of the spigot that will give our masters what they need. And we know the power of need.”
Her nails drape through the smoke. She crosses and uncrosses her legs, the bells tied to the hem of her trousers jingling.
“You need my help to get you that feral fox-girl. Because Veil will definitely make a play for her, and the Southern Directorate outranks the Lower South West. Oh, look, Kit, another way that Deveh is getting in your way, someone who makes sure that every green sun prince he grabs will be one counted as if you had them too. Who’ll get you treated as a mere Special Director, even when both of us know there’s more wealth in the Anarchy than anywhere in the Northern Directions. And you’ve been asking around - you want hearthstones, you want works of ancient artifice, you want those pretty little things you love so much. But I have needs too. What are you bringing to the table? What are you offering me for what you... need?”
Keris doesn’t hide the flash of irritation at Deveh’s name, baring a row of shark’s teeth in a brief snarl. Then she shakes it away and purses her lips, weighing Orange Blossom up and doing some mental calculations in her head. She has a few things she could offer, but giving more than needed to Bloss is a quick way to end up penniless.
Wait.
Motherfu-
It feels like her head has been in the sand - or full of the perfumed smoke - all the time. Bloss is fucking her. Or, rather, she brought along Xansu as a prop, a distraction, because that other woman’s presence made it look like Orange Blossom is interested in training Ixy as well. But no, the East definitely isn’t getting the girl. There are seven Infernals assigned to the Eastern Directorate - it’s already pushing the limits of what they’ll accept as the number of Infernals answering to one woman. They outright split the Central Directorate when it got too large, using Sasimana to weaken Glorious.
Orange Blossom was never playing the game of trying to get her hands on Ixy. But she’s here to offer Keris her support - or her opposition, as a reminder, if Keris doesn’t play her game. Her help isn’t worth so much, but if she speaks up in favour of someone else... that’s another deal. That’s worth a lot more. And secrets Keris could share like the gossip of an upcoming tournament are of some mild interest to Orange Blossom, but this is a woman who deals in hard cold cash whenever possible.
So this is the position Keris finds herself in: she needs to give Orange Blossom a reason to back her, or at least not back anyone else that might want Ixy, since they’ll be trying to buy her on side too. She’s here to sell herself - maybe not in the same way as Keris did on the Street, but she’s still for rent.
“Well,” Keris says, letting her head fall to one side so that her hair falls in a curtain away from her neck. She hadn’t really wanted to resort to this particular offer, but needs must. “I suppose that if I’m going to train her, I’ll need missions to train her on. Most of those will be down in the southwest, of course, but I’ll need to teach her about how to take jobs in other regions, how to get the lay of the land in a place you’ve never been before, how to work on someone else’s turf without causing them problems, that sort of thing. One of those jobs could be yours - and since it’d be a teaching moment, you wouldn’t have to pay my usual fees.”
“Oh, that really is well-thought out of you, Kit,” Orange Blossom says, uncrossing her legs and spreading them slightly. “It’s always good for you to ensure your new trainee gets some experience and makes those all-important contacts. Why, you benefited from just the same, no? You are a good choice for this, aren’t you?”
Keris chuckles, playing along. “Well, I had good teachers,” she praises. “Even if some of them were a little rough on me. Do let Xansu know I remember my lessons, won’t you?” Grey eyes sharpen with lingering resentment for a moment, less fearful now that the woman is gone, then relax again into heavy-lidded decadence. “Ah, though, speaking of contacts... I don’t suppose you’ve heard any hints at which of our fellow Directors we’ll be bidding farewell to, have you? You’re safe, and so am I, but I do wonder who it’ll be of the rest.”
“I have my suspicions,” Orange Blossom says. “Oh, I know there are ones who’d rather be rid of me, but I’m safe because of, well, need. I’d say all the Special Directors - counting you and Deveh among that number - are safe because your Directorates exist for very specific reasons, but, well. If Chimala Hainux makes it past this year, it’s only because he’s so good at feeding Exalts to the Crow - or perhaps because no one would trust Pohkanza with a Directorate. And Cutlass hasn’t had any good showings I’ve heard of, although maybe he’s saving something big. He should hope he is.”
“I do hope so,” Keris winces. “I really don’t want Kasteen on my northern border.” A mournful, only slightly affected sigh. “Well, no way for us mere peers to swing it; it’s up to the Unquestionable.”
She pauses, cutting her eyes across at Bloss. “On which note... back in Earth, when you offered to buy me out of Ipithymia’s contract to balance the books for Eshtock. You said Hell wasn’t the place to talk about your support in the price I want for clearing that debt. But if I’m going to be running a training mission with Ixy up in the Scavenger Lands, well, that won’t be in Hell, now will it? I might come visit your dreams before then, but if I don’t find the time, I’ll be sure to drop by.”
“That would be lovely. I do,” she exhales smoke, the entwined figures indicating what she really wants out of this, “love catching up with you. Oh, and Kit? If you want anything else, we can talk at the start of the fifth day, as I suggested. You’ll find that after enjoying the spectacle you put on, I might be even more generous than I’ve been right now.”
Keris can practically taste her meaning; it’s so easy to fall into the mould of her ex’s expectations. She wants Keris. And there isn’t time before the Directorial meeting to properly enjoy Keris, but what she wants is to take Keris right after being the hostess of a day of entertainment and being the centre of attention. It’s a power play of sorts, but more than that she’s letting her greed do the talking. She wants what everyone else will be wanting, and she wants to take it away from them. To snatch Keris away from being the centre of attention to be a treasure solely to be enjoyed by one woman; to have Keris willing to forgo rest because she wants something from Bloss. It’s sexual, but not a thing of lust; it’s naked, desirous avarice sublimated into libido.
“Such a flattering offer, oh my,” Keris gasps coquettishly, batting her eyelashes. Internally, she’s calculating. By the end of the fourth day she is going to be an absolutely exhausted wreck. She will not be any particular mood, or even have much ability, to dote on Bloss in any energetic ways. But her tiredness will be more physical than mental, and it certainly might be possible to draw Bloss into a dream and there show her the delights Keris can conjure from her imagination. Or just lie back and let Bloss have her way with a submissive Keris.
It’ll still be work, and work while tired at that. But not unpleasant work. And she’s done more stressful things under greater exhaustion than giving Bloss a very, very good time that will incline the wealthiest of the Althing’s Directors to be, as she puts it, ‘even more generous’ than backing Keris’s play to claim two rookie Infernals of three.
“How can I turn down such heartfelt generosity?” she asks, making her mind up. “I’ll be soooo tired after all that work entertaining the masses - I’ll be sure to appreciate some nice, private relaxation time with just you and me.”
That is exactly what Orange Blossom wants from her, and while her kiss lingers, the two of them have to get to the Directorial meeting where the interested parties make their cases for the new recruits. Her application for Suriani is practically a pro-forma, but after that comes a particularly vicious bought of favour trading under the gaze of Lilunu and several of the Unquestionable.
By the end of the two-hour meeting, the Lower South West Directorate has doubled in size with both Suriani bi-Musa and Ixy Crystreet assigned to it. Keris hadn’t expected that she’d get Ixy formally assigned to her Directorate, but it turned out that there were others who’d prefer that Ixy get assigned to the Lower South West and they get a chance to poach her in a year or two than someone else get the marked-in benefit of a Keris-trained junior Infernal. Veil makes a solid play for Ixy, but in the end is bought off by an offer of Lejine and Ochimos Havi goes home empty-handed. Glorious had been expected to make a play for Lejine, but she simply says nothing, her eyes flickering over unseen sights and her ears twitching.
“Oh, master,” Suriani exclaims, throwing herself at Keris to wrap her arms around her neck. “I knew you’d get me. I made sure to ask them for you specifically, and you had all those sweet, sweet arguments for how you needed me and how I was the best suited for your division.” She kisses Keris loudly and extravagantly, in full sight of the others - including both the Directors and Ixy. The latter of whom makes a loud gagging noise, her hand already resting on her flamepiece.
“You’re not gettin’ any kisses from me, no way!” she growls, eyes wary as they flick between Keris and Suriani.
“Relax,” Keris drawls. “Like I said, I’ve no interest in you that way. You’re too young for me, anyway. That said,” she adds, petting Suriani’s hair, “walk with me, both of you. We need to talk about the big event tomorrow, since it’s your first Althing. Peers,” she bids the other Directors with a polite bow, “thank you for your time. Honoured Unquestionable,” a deeper bow, graceful despite Suriani hanging off her, “many thanks for your allowance. Please excuse us; I need to attend to my new juniors.”
Keris can feel Sasimana’s eyes on her. She ignores them. And so with Suriani half-draped over her and Ixy sullenly stomping behind her, with her hands nearly on her flamepieces, she makes her exit.
Only to be confronted by one of Lilunu’s servants near the exit, the crying woman spindly and wooden and a panicked expression on her carved visage.
“Lady Dulmeadokht, Lady Dulmeadokht - a fire in the glowdust storage, caused by a fool and her smoking, and now even though it’s out we don’t have enough glowdust for the parade at the start of the next scream!”
“Son of a-” Keris hisses, shifting face to the Mistress of Ceremonies in the blink of an eye. “Who- no, never mind. Throw her in a cell and have her wait for my displeasure later. How much are we short by?”
She’ll work it out. Of course she will. And maybe she’ll get to give her juniors a demonstration of how to contain and control a situation. Well, Suriani at least. Ixy probably would only try to resolve this by shooting it and they don’t need more fire.
The work of the Mistress of Ceremonies is never done.
Chapter 39: Calibration III, 775
Chapter Text
Keris cannot sleep.
The first scream of the third day of Calibration is a quiet-by-hellish-standards one. The Infernals will be making their reports next scream, and many of the dignitaries and worthies here are feeling the effects of two days of drinking, drugs and enjoyment and are taking a small chance to sober up and come down from their highs. There are places where the parties are still going on, of course, but it is generally agreed that people can take it easy for a few hours.
And yet Keris cannot sleep. She is wide awake, even if her body is a little sore and tired from exertion. No, more than that; she isn’t just wide awake, she’s honed. She doesn’t feel distractible or forgetful; her mind is working perfectly without the usual thousand little side-thoughts and dropped threads of kitten-headedness. She feels great!
Mele is asleep in the bed next to her, unable to keep up with her, his white hair sprawled all around. “Just a little nap,” he’d mumbled before he conked out, but that means Keris has a good... oh, probably about nine hours or so until she has to be at the bragging and even if an hour or two will be getting ready, she has to be doing something. Anything other than lying here, pretending to sleep and being unable to.
She tries her best to put any thoughts about how Sasi had a lot more stamina out of mind.
Restless, she rises and paces the room, pulling a knife from a hidden sheath and tossing it into the air over and over, catching it and sending it back up with quick snaps of her wrist. She needs... she needs to do something. Something useful. There are so many things she could do, so many things to attend to...
Within her mind, in Dulmea’s Tower, something clicks. And then clicks again. Click, click, click.
The puzzle box.
Keris plunges a hand into her hair, and Dulmea wordlessly deposits the Broken-Winged Crane into it. It’s not solving itself - something that she is both disappointed and relieved to see. It’s just clicking through random configurations, the tiles and pieces moving by themselves without ever reaching a conclusion. Inviting her to take over. Tempting her to bring it to completion.
She regards it for a moment, the knife held in her other hand. The one she plunged in for the puzzle box was her left, and as a result Keris can feel the strange, mingled power of the Shattered Annex beneath the cool metal and lacquered wood of the box, the turbulent, time-twisting energies that are nothing like anything else she’s ever felt. Her lips purse as she stares at it, mind churning.
Then she sheathes her knife again and tosses the Crane up, catching it in mid-air at the peak of its arc with a hair tendril. Mele’s still asleep, so she pulls on a black silk dressing gown, scrawls a quick note for him and then hops out of the window and beelines for the front of her estate, tossing a quick instruction to the gate guards to inform Mehuni she’s on her way out for a meeting as she passes.
Legs pounding, hair streaming behind her, a blasphemous puzzle-box cradled in crimson locks, Keris angles herself towards the recessed crack in the land she knows lies in a cold, barren desert-garden near the outskirts of the landscape ring. A crevasse that hides a blue glass dome. A blue glass temple that hosts a lord.
A demon lord, and a soul of her lady. The skinless dragon Iuris.
The doors are locked. The doors cannot stop her, swinging open even before she arrives, unwilling to stop lest the cold catch up with her. But then she is inside in these silk-lined chambers, filthy with blood that cannot be removed no matter what, and the air whirls with smoke.
“Well, look at this, look at this,” comes the sibilant whisper, “there are only two who can open the doors like this and only one who would come so suddenly. So, Keris? Is sweetling Iris with you again, or have you come to share the Calibration celebrations with me?”
“My lord Iuris,” Keris greets. The room she’s in is empty, but her voice carries through to the next. She doesn’t follow it, though. Not yet. “I come alone, but to continue our last conversation about the Broken-Winged Crane. May I know the rules I must follow to speak with you today? I have much to share.”
She hears him roll his shoulders, hears the wince of pain. “I am... feeling in a light mood. Calibration does that to me. Even if I cannot enjoy the festivities, the burden escapes me. But I do not wish to see the sky or be reminded of Orabilis’s censorious cruelties, so bring nothing that is kin to the hellish sky in colour or bears symbols of the tortures of the stars with you.”
Keris nods in agreement at this and doffs her dressing gown, hanging in on the wall outside the entrance to his chambers. Her tattoos ripple and spin out into a silvery chemise that falls to her mid-thigh to replace it, and she steps into Iuris’s lair.
“I like the colours of what you wear,” Iuris says, admiring the silvery cloth with those hazy azure eyes. It is the same silver as the curtains in here, a similar hue to the Desert’s sands. He is much the same as he was the last time she saw him, wrapped up in his stained bandages, sprawled out on a soft hammock-thing that lets him take the weight off his feet. He gestures at her with his pipe. “I wondered if you were ever coming back.”
Keris moves closer, pausing for his nod of permission as she approaches and then settling close enough that he can touch the tip of a bloodstained claw, raw and wet where it meets the skinless digit, and stroke it along the lustrous, satiny texture.
“I may be busy around Calibration, my lord, but I’ve been looking forward to talking to you again,” she says. “Here. I came into possession of this near the end of my time in Creation this year.” Her hair ripples and a tendril emerges, the puzzle box cradled in it. It’s still clicking away and resetting itself, though much slower now, only one lazy shift of a tile or component every ten seconds or so. “It’s a copy of the Crane. A powerful one. I solved it thrice in Fire, and each prophecy was more potent than the last.”
The laughter, the high pitched titter of inhalations and exhalations is shocking and hungry. “You did? You did? It’s moving on its own, did it always do that? Some copies turn their own pages when their threads have been cut and they wander away from what-has-happened, trying to hook themselves back into the weave of things. Others do it as a lure.”
“This one is doing it as a lure,” Keris grumbles, more exasperated than angry. “It doesn’t like that I didn’t follow its last prophecy through to its completion. It didn’t move on its own until after I solved it by myself - the second solution flowed from my actions to complete the first, and the third from the fulfilment of the second. It wants me to solve it again. To bring more of its foretellings to life.”
That draws in a suck of breath. “No, alas, alas, you have hurt it. It will never have the power it once had. To open it up, and wilfully deviate from its prophecies, maims this copy. You didn’t know, no you did not, but you have maimed it, limited its potential. This is the way that many copies work - they grow stronger the more are fulfilled, but should a prophecy be thwarted after it has been primed, the copy is forever lessened.”
Iuris waves a claw in the air, and blue glass tablets slam down in front of Keris. “Look at these,” he adds, “and lay the copy before me so I might look at it. It looks... enjoyable.”
Keris wilts - because she had suspected that deliberately averting the prophecy wouldn’t be good for the Crane, but it’s disappointing to have it confirmed - and sets the puzzle box down in front of Iuris where he can pick it up between two great claws and bring it close to a sky-blue eye to examine it.
“That’s a pity,” she mourns. “It really was powerful. And it has so many configurations and solutions. I haven’t found more than a fraction of them yet. Maybe... maybe if I feed it by bringing about more of its prophecies, I’ll be able to empower it a little more. Not to where it could have been before I maimed it, but enough to still be valuable.” She takes the first tablet in her lap, smoothing a hand across the letters carved into its glossy surface.
They are the rules of the Crane, at least as Iuris understands them, and thus they are perhaps not quite what she wants. It feels too confident, too much like Iuris wants it to work. But they... they’re maybe something she can work from.
I. The Crane wants to be completed.
II. The Crane aids its completion.
III. A perfect copy of the Crane will dictate exactly what has happened and will happen.
IV. The more of a Crane is completed, the stronger the aid it provides is.
V. The more accurate a Crane is, the stronger its aid.
VI. The more recently a copy of the Crane came to be, the more accurate it is.
VII. To understand the Crane changes the reader and the text.
VIII. A Crane is maimed when its prophecies are disproven.
IX. A maimed Crane will never recover from the lessening.
X. Meaning is not inherent, it is imposed.
XI. The Crane imposes meaning on the world around it.
XII. The Yozis can only be freed through the Crane, but only by being subjugated to its perfect understanding of the world.
Keris can’t help but smile. If Iuris is right, this slab is his own attempt to impose meaning on the Crane by understanding it. But maybe that meaning only exists within his understanding, another imposition.
“Lord Iuris,” she says, her fingers drifting up to the sixth rule and then back down to the tenth. “I think this is a recent copy. A very recent copy. That first solution I found; it featured me. Or... well, no, it was me, because I completed that prophecy, and so the woman it showed was me, because I’m the one that did it. But it was clearly me. Even before I imposed that fact on it.”
His eyes focus on her, attention burning through his narcotic haze. “Can you find that page-slide for me?” he asks, clearly wincing under his bandages as his agitation nudges his skinless form. “Show me it!”
“Of course, of course. Let me just...”
Hunching over the puzzle box, Keris wraps her hands around it, stopping its idle shifting. She closes her eyes, thinking back to last month, to her panicky realisation that the few eristrufa she’d managed to summon weren’t going to be enough, that her kitten-headedness had fucked her plans over again. She thinks back to Jemil’s suggestion that she try looking at the puzzle box Mara had given her, to her first couple of unsuccessful attempts at solving it, to her third that had opened the box to an empty interior.
Her fingers move. Her tongue peeks out of the corner of her mouth as she frowns in concentration. The tile configuration had looked like Mercury Arising From The Waters, and she both knows that painting well from her studies of Saatan art and vividly remembers the warped, twisted version of it the puzzle box had shown. She fixes that image in her mind now, seeking it out again - calling up a prophecy that was made truth, a proof of this Crane’s validity.
Click-click-click. It is placid in her hands. And she finds the image of herself, placing it before Iuris.
The dragon tilts his head, and considers it deeply. Then;
“Catechism 73, text 5, central illustration!” Iuris calls out, and with a scuttling one of his anhule servants hurries to obey. It descends from up above, passed a book by someone out of sight, and lowers the text to before Iuris, suspended in a silk cradle. “Yes, yes, I thought that looked familiar. Look at this, Keris, look indeed at this.”
The book is turned around for her, and Keris stares at the ancient, weathered human-leather on which is etched and seared a very similar image. This book must be - dragons, maybe older than the Realm - and the language below the image is somewhere between Old Realm and High Realm. Keris cannot read it.
“It says, ‘The Scarlet Lady, calling forth the forces of Hell in the face of her child Rathara’s rebellion’,” Iuris translates for her. “And this is not the only red-haired woman standing bare ‘fore a squirming ocean of tentacled creatures. It is an iconographic symbol that occurs time and time again. And yet - you say you made it real?”
Keris nods, eyes very wide. “I tore a hole in the world and called forth an army of eristrufa,” she breathes. “Hundreds. More than a thousand. More than the Sapphire Circle should have let me summon. They filled the sea. The waters around the spit of rock I did it on are an inlet of the Great Mother now, even with the rift closed.”
“Then, ah.” A melodious sigh. “There will be more copies spawned where this is a fixed event and you are the Scarlet Lady, and copies where the Scarlet Lady is a Scarlet Empress will be further from being true. How does that feel, Keris, to don a mantle that was prophesied before the Scarlet Realm rose? A mantle that might not be always yours, but you can seek to become?”
The smile slowly growing on Keris’s face is wide and manic and gleefully obsessive, leaving no doubt as to her feelings. “My lord,” she says, shallow and breathy, then catches herself. “Ah... I have more thoughts, but can I ask you not to share them? They’re not secrets important to the Reclamation,” debatable, but not entirely a lie, “but they relate to personal matters I’d rather keep private. I normally wouldn’t mention them at all, but they have some relevance to this.”
“Oh, to think that anyone save Lilunu would listen to me,” Iuris says dismissively. “Your personal matters are safe with me, trapped in here.”
“Save his servants, listening in and reporting to Orabilis,” Dulmea observes.
Keris nods, and tilts her head back, swallowing her voice. In targeted Ekoese, with gestures that hold meaning only to their recipient, she turns the book around and taps the inscription, winding a lock of her hair around her finger and tossing her head with a shrug. When talking about redheaded women of great power, everyone’s first thought is obviously the Scarlet Empress, she communicates. But she’s been called the Scarlet Lady, too. By people who’ve never heard of the Realm, far out in the Threshold - people she’s carved from the Wyld herself.
And! She holds up a finger, waving it, and stabs down at what she thinks is the right section, probably. ”Her child Rathara”, it says. That might be a corruption of Ragara, yes! But Keris has a child whose name is Rathan, who Lilunu has met! He’s not rebellious at all, of course, but so old a copy is far from accurate - and because she claimed this particular mantle by fulfilling the prophecy it’s tied to, this ancient painting is probably referring to him, and not the founder of one of the Realm’s Great Houses.
Maybe, then, she can claim others. Look for similarities like this in ancient versions of the Crane where something could conceivably mean her or the Scarlet Empress - or any other Scarlet Ladies - and then go hunting newer, more accurate copies and fulfil them, locking those depictions in as being her. What might happen, she gestures excitedly, if she ties herself to as many strands of the Crane’s foretellings as she can? What might happen if she makes more of them have always been about her than not?
“Hubris,” Dulmea murmurs. Keris ignores her. Her heart is pounding and she’s biting her lip in glee, looking up at Iuris for his reaction and his approval. Her mama doesn’t know what she’s talking about. What does hubris matter next to the thrill of discovery? Of planting herself in history like this? Of stealing history like this?
“Once a thief, always a thief,” is her mother’s response.
But Iuris’s eyes are ablaze with fascination. “You will either succeed, or fail fascinatingly,” he says. “And if you understand the Crane to let you do it, aaaaaaaah. Maybe it will have no choice but to let you do this. For history is a thing of perceptions and understanding, and the Crane is a history not-yet-written.” He sighs. “I have heard there was once a mighty scholar of the Crane, and I have some of Zubin’s - for that was his name - books of analysis, but he has not been seen in a hundred years or more in Hell. If you could find more of his works in Creation, or some trace of him, that would aid your endeavour.”
Regurgitating her voice, Keris purses her lips. “Zubin... Zubin, Zubin, Zubin,” she muses, searching through memory. “I... don’t think I’ve read about a demon lord named Zubin in my studies of the gentry of Hell,” she admits. “Though if he’s been gone for so long he may just have been forgotten or omitted from the more recent texts. Do you know anything about his line of descent, or even just which Yozi his nature sprang from?”
“I have my suspicions he is tied in some way to Oramus, or possibly Cytherea,” Iuris says dryly. “I am not exactly in a position to travel wide and far and track down rumours of one who was long gone before I came into being. But one of the books of commentary that fell into my possession had sketches of the sight of the Divine Fire burning over the heath of Oramus.”
Keris bows where she sits on the silk-carpeted, bloodstained stone step beside his lounging-place. “I have contacts among the Unquestionable of both Yozis who I can ask about their kin’s souls,” she says. “I will make inquiries and bring back word to you, my lord. And if they prove fruitless, maybe the Crane can offer me a hint or two. Anything I find, I’ll share with you.” She wriggles happily. “Oh, this will be fun!”
“You may have had luck with your first efforts. Please do not give up when adversity strikes. I do enjoy your company, Keris, and would not like you to be discouraged by how hard it is to make sense of the metaphor, allegory, and conflations that make up the Crane,” Iuris says. “Though I do appreciate your enthusiasm.” He takes a puff of his pipe. “My lady Lilunu thinks I spend too much time thinking of this, but it is so fascinating...”
“It is,” Keris agrees, beaming up at him. “And if our lady isn’t in the mood to hear it, I always will be, though my duties may keep me away. Hmm.” She tilts her head thoughtfully. “Perhaps we could exchange letters? It would be difficult getting them across the Desert, but... I have a few ideas that might work.” Her painting, for one. It’s an arcane link to her that Lilunu keeps in her chambers, with a world inside it that - while it isn’t linked to Keris’s own inner world - she can still access. Accessing it from across the Endless Desert is impossible, but perhaps she can set something up so that a letter placed within the painting can make the five-day journey to her, and vice versa. That would be a way to keep in touch with Lilunu, too.
“... let me look into that as well,” she decides. “If it works, I’d love to write to you from Creation - of the Crane, and of any other puzzles or mysteries that capture your interest.”
“That would be most charming,” Iuris says. He stretches, and yawns. “Perhaps, play me off to sleep, for I have many things to think of in my dreams, and then you can go.” Those pained eyes furrow at her. “I know you have a busy time ahead of you, and you should not waste it all with a lonely soul such as I.”
“Of course, my lord,” says Keris. “It would be my pleasure to play for you.” Rolling up into a perfect seiza, she begins to stroke at the air, drawing forth music from the strands of Time. The Things In Corners swell to join her song, an orchestra of shadows that back her soothing lullaby. The alien cadences of the Great Mother flow through the piece, washing across the madness that all demons possess with gentle, calming waves.
Iuris has no eyelids, and so they cannot become heavy. But his gaze becomes duller and his head dips down towards his folded claws, and Keris rises to dance him the rest of the way to slumber. Her hands never cease to stroke the air as she steps away from him into the open space of his hall, but their rippling movements through the air pair gracefully with her body’s swaying waltz. She’s captivating, evocative, and her dance and song together kindle deep and bittersweet emotions in the lonely soul that she performs for; a resigned and yet defiant hopefulness at the promise of a better tomorrow and the question of what it may look like.
She plays and dances until the dragon lies still, his bandages shifting only slightly with his breathing. His attendants carefully lower a black cloth of woven shadow over his face, to keep the light from his eyes as he rests.
From beside his claw, where it’s fallen to one side, Keris picks up the puzzle box and slips it back through her hair into her inner world.
“When he wakes,” she says softly, “please give him my thanks for his time and his conversation. And tell him I’ll ask Iris to visit him before Calibration’s end.”
And then she is off, collecting her dressing gown which streams behind her as she dashes through the cold crevasse. She needs some time with her sweet little babies.
When she thinks about it, Keris couldn’t tell anyone how many of the Infernal Exalted have families. It’s something that very few of them share with others. They don’t flaunt them in hell, and even the Keris-Sasimana-Testolagh extended family is fairly discreet when not among themselves. Oh, Keris has seen a couple of women pregnant at Calibrations and she’s pretty sure that there’ll be bastards galore (and maybe even a few legitimate children) from the men, but it’s not something spoken about.
Of course, as far as she’s aware none of the others have Lilunu’s generous assistance. More fool them. She knows her lady would love to assist in any little families of hellspawn, but she’s not going to complain that her children get her lady’s undivided attention.
The crèche is located in the central tower, in Lilunu’s personal living quarters, and Keris is immediately shown in. Her heart turns little loops at the adorable sight she finds in the darkened sleeping area - the twins twisted together in a pile in their shared bed, and the soft sound of Aiko. And Atiya-
Where is Atiya?
“Atiya?” she calls softly. She’s not worried about Kali waking up - as long as it’s dark and nothing is within arm’s reach of her, her little feather is reliably able to sleep through a hurricane - and even if Ogin wakes up, he’ll probably stay cuddled up with his sisters. But if Aiko wakes up, she’ll insist on helping, and Keris doesn’t want her to lose sleep. “Atiya?” she whisper-calls again. “Where are you?”
It is a pointless repetition. She’s not in the crèche. Keris would be able to hear her if she was. Silver eyes gleam at Keris through the gloom, and she sneaks over to where Ogin is watching her, kneeling down next to the bed.
“Hello moonbeam,” she murmurs. “You look very comfy there. Do you know where your littlest sister is?”
Her son wriggles his arms out from under the covers, holding them up to her. “Hug,” he demands, and adds in Lilunu’s voice, “I need to recharge my Kerisium.”
Keris carefully works him out of the tangle of little limbs and slumbering bodies, holding her breath for a moment as Kali makes a distressed sound and gropes around for her cuddle-buddy. But she doesn’t wake, and there’s a quiet poof of smoke that ends with kitty-Kali wrapping four front paws around Aiko’s arm and worming her twitching nose out from under the fold of the blankets to chew on a pillow.
Wrapping Ogin up in an eight-limbed embrace, Keris kisses him on the forehead and then rubs their cheeks together - first one, then the other. “Brrrrrrrrrrrr,” she hums, and finishes off by tapping her nose against his. “Mmm! There we go. Kerisium all topped up.” She doesn’t let him go, though, rocking him gently in a cradle of arms and hair.
Ogin wiggles against her, comfortably and happily, his little arms soft and slightly furry as they wrap around her body and he buries his face in her chest. “Mama,” he mumbles. “Lili’s place is tiring. And she put Aiko in charge and Aiko is just the bossiest. Tell Lili that Aiko can’t be in charge anymore. I should be in charge.”
Keris kisses his forehead again in lieu of promising things she is absolutely not willing to promise. She knows her son, and she is even less willing to trust him with power than she is to trust Kali with it. Kali at least mostly forgets she can abuse any authority she’s given. “I’ll talk to Lili about who’s in charge,” she says noncommittally. “And I’m sorry for waking you up if you’re tired, sweetie. Do you want to go back to bed? Or nap on my shoulder while I look for Atiya?”
“I want mama time,” he grouses.
She settles him on her shoulder, reminded once again of how big he’s getting. It seems just like yesterday that she could cradle him in her arms, soft and helpless, but now he’s so big and such a little gentleman. And wicked hellion too, but that’s just a family thing.
Ogin isn’t any help in finding Atiya because he has judged that finding Atiya means he’ll be sent back to bed, but that doesn’t matter. Keris finds her youngest daughter easily, because she’s with Iris, huddled away in another room staring forcefully with tired eyes at a book of embroidery patterns.
Oh dear, thinks Keris, watching from the doorway. It’s a sign of how focused her youngest must be that she’s made absolutely no attempt to hide herself and yet Atiya hasn’t twitched. And it’s a sign of how exhausted she must be that despite her intense concentration, her blinks are long and heavy and her head keeps dipping down.
Keris can see what’s happened here. In a place like Lilunu’s residence, surrounded by so much beautiful art, after seeing so many gorgeous clothes and perfect embroidery and stitching patterns and weaves - of course Atiya went all obsessive over them. Most likely she either stubbornly refused to go to bed until her attendants gave up, or convinced the demons watching over her - who lack true understanding of human limits - that she didn’t have to.
And as a result, she’s been awake for… what? The past four screams? Probably not all four, but at least two if Keris is any judge, maybe edging towards three. Hours and hours of intent study of the fashions of Hell and Lilunu’s artistry in cloth, ignoring her body’s demands for sleep the whole time - because she knows she’s only got a few days in the Conventicle to see all of them. If Lilunu or any of her kerub maids or pages had noticed, they’d have insisted she go to bed, but it’s Calibration and so everyone is rushed off their feet.
Sighing, Keris rolls her shoulders and braces herself for a fight. Atiya is exhausted and probably hungry and almost certainly overstimulated, which means she’s going to be in a terrible mood and on the edge of a meltdown. And getting her away from pretty fashion is a struggle at the best of times.
“Okay, Ogin,” she murmurs. “You wanted to be in charge, right? Well, this can be a trial run. I’m appointing you my deputy until we get back to bed, and your very important job is to help me convince Atiya to come and get some sleep even though she wants to stay up all Calibration looking at embroidery designs and panel layouts.”
Her son gives her a betrayed look. “Aiko lost her temper with Atiya when she said she wasn’t tired and Atiya screamed at Aiko when Aiko called her a liar,” he tattles. “That’s why Aiko shouldn’t be in charge. She’s mean to Atiya.”
Keris winces. Yeah, she can see that happening. And to be fair to Aiko, she was right. She was just also less stubborn than Atiya is when she has the bit between her teeth.
(Though to be fair, most people are less stubborn than Atiya is when she’s in a mood like that. Some demon princes are less stubborn than Atiya when she’s feeling difficult.)
Well, there’s no helping it. Keris moves into the room and sits down in front of her daughter. “Atiya,” she says gently. “It’s time to go to bed now. You can read more when you’ve had some sleep. Come on.”
Atiya either simply doesn’t hear her, or is deliberately ignoring her. She has one of Linunu’s fabulously beautiful books that are hand-painted on silk, and she’s wearing a little pair of silk gloves that must have been custom-made for her so she can touch it. She isn’t stirring if she can avoid it.
“Look, arm-mama,” Iris spells out for Keris. “preti!”
“It’s very pretty, yes,” Keris agrees, and moves a hair tendril to cover the bottom half of the spread Atiya is studying, careful not to touch page or little silk glove. “Atiya,” she repeats, sterner now. “You’re very tired, and it’s past time for bed. You know the rules. When you get sleepy, you have to sleep. Come on. The book will still be there when you wake up. And you’ll feel much better, too.”
Atiya doesn’t move. She just holds on and doesn’t let go.
Keris groans. This isn’t going to be a fight, then, it’s going to be stubbornly digging her heels in. “Alright, little miss,” she says, pulling her hair back. “One more chance. You’re tired enough that you’re not paying those designs the attention they deserve. Do you really want to miss things because your eyes hurt too much to see properly?”
Atiya doesn’t say a thing in response. She just holds onto the book, eyes lowered, jaw clenched.
And maybe she can’t reply. She might have reached the point of tiredness where words don’t make sense to her; only the pictures and the patterns. Keris has seen it in herself, she’s seen it in Haneyl and Vali - and for all that she doesn’t look it, Atiya was made with Keris’s own flesh and blood and her lower soul is Keris’s mother’s own po. Sometimes, when sufficiently stressed, human language falls away from some of her family. She doesn’t know why. But it’s so cruel that this is another burden on her poor Atiya.
She sighs again. And then she sits back on her heels, letting Atiya pull the book closer protectively and go back to tracing over the patterns in it. Instead of trying to contest her for it, Keris flexes her fingers and starts to play. The gentle notes of a harp fill the room with a lullaby, and the shadow croon. Her melody matches Atiya’s own essence-song and gradually slows, wordlessly soothing and coaxing her towards slumber. Even Ogin’s eyes start to droop a little as Keris focuses all of her musical skill on lowering her daughter’s guard against the exhaustion tugging at her little body.
It takes longer than it should, but the heaviness of her eyes is not something the little girl can hold off, and she eventually falls asleep, still not letting go of the book. Ogin is conked out too, asleep against her shoulder. And Keris-
-can’t sleep. Her body is tired, and her heart is sore, and she’s wide awake and focused, fully aware of the two small bodies fast asleep against her and already considering how to raise with Lilunu that Atiya can’t just be left to admire art as if she was... well, as if she was Keris herself. Atiya is young and easily gets tired and can’t handle overstimulation at the best of times.
She blinks back tears of frustration at how... at how her stupid body is betraying her and keeping her too wired and keyed up and tense to sleep. She’s already succeeded at getting Suriani and Ixy for her Directorate! She’s going to fucking nail the boasting tomorrow! There’s no way that she’ll be ousted as a Director, and if Ximmin gets kicked and Kasteen gets the West then she already has contingency plans for that! There’s no reason to be scared and on high alert when she’s already planned everything out and there’s nothing she can do until the bragging sessions!
But her body! Just! Won’t! Listen! And she needs her sleep, but she can’t, and... and...
Urgh. Maybe she’s getting overstimulated.
Shaking her head angrily, Keris squeezes her - kind of hurting - eyes shut. “Mama?” she asks. “What’s my schedule look like? Or, well, no; I’ve got nothing before the bragging. But what time is it? How many hours left?”
“I am keeping track of time, child, and Lady Lilunu will notify each and every Infernal when it is time. You have over four hours by,” she hears her mother’s smile, “the technically-legal clock I have here, for this place is not in Hell and thus Cecelyne’s law is not in effect.”
Keris can remember when Dulmea would never have viewed this loophole as acceptable. She smiles briefly, then bites her lip. “Okay. Okay, um...” Chewing on a hair tendril, she gathers up her two sleepy little babies and carries them back to bed, tucking them in and doing some quick mental maths.
Thanks to the gifts of the Great Mother, Keris always sleeps better and faster underwater. Four hours, if she spends it napping in a hot bath somewhere, will see her completely fresh and well-rested for the bragging.
Or she could spend the time here, with her babies, and get... maybe half the sleep - or at least rest - that her body is crying out for, but have it with her sweet adorable children who she hasn’t seen enough of in the past few days. And might get the sweet experience of being woken up by them, too.
“I have... an hour or two after the bragging, right?” she asks. “I’ve got that meeting with Anadala for the breastplate and some talk about Choson, but I should be able to get an hour or so of napping in a bath before the fourth day. Shouldn’t I?”
“I would tell you to take the rest now, if you need it,” Dulmea says, “but I suspect that you will ignore me and tell me to listen during the bragging while you meditate-nap during speeches of the people you are not interested in.”
“I...” Keris says, and wavers. On the one hand, that’s definitely what she’d do on any past Calibration. On the other... she really is trying to do better at her job now, for Lilunu. And normally thoughts like that wouldn’t be as important as what’s right in front of her, but the fear of fucking up this delicate web of schemes and political manoeuvring is leaving her more focused than usual, and she’s painfully aware that four hours of good, solid rest now might be the difference between her part of the festivities tomorrow going perfectly or falling apart.
She bites her lip.
“... it’s fine,” she decides, trying to sound confident despite the nagging doubts. “Four hours will be enough to get the worst of the aches and pains away. I can take a couple of hours underwater in the remission break during the boasts to get a bit more rest, and then another hour or so after I deal with Anadala, before the rewards and acknowledgements. And I won’t be napping, but I can just lounge in my seat for most of the boasting and not exert myself and let my body recover from all the running around I’ve been doing.”
She settles down on the bed, curling protectively around her babies, nudging Kali to fasten her jaws on a hair tendril, Ogin to twine his tails around one arm and Aiko to snuggle into the crook of the other, Atiya to slump over her lap. She’s still alert. Her mind is still ticking over. There’s no drowsiness pulling at her thoughts, no fog of exhaustion. But lying back soothes the ache of fatigue in her muscles and bones, and the sheets are soft and the cushions firm, and her babies are warm little weights that lift her spirits. She doesn’t have the energy to meditate into her inner world and do anything there, but maybe... maybe some peace and calm and stillness is just what she needs.
“Play me something peaceful?” she asks. She’s gotten through the first couple of days, but the tasks ahead of her before she gets to go back to Creation are still very big, and in this moment of solitude, Keris feels very small and out of her depth. It’s not a feeling that comes up very often. But maybe the fear and the focus it brings is letting her appreciate the full scope of the challenges she’s chosen to tackle this year, where her kitten-headedness usually keeps the bulk of them wreathed in the fog of ignorance just out of sight. “Something I can relax to and just... rest.”
“As you wish, child,” Dulmea says, although there is doubt as she starts to play.
Keris leans her head back against the pillow, closes her eyes, and drifts.
She doesn’t sleep, and she isn’t fully rested, but she lies there in the dark with soft bodies all around and it helps. It helps remind her why she does it all.
Dulmea’s reminder comes too soon and not soon enough. Then she’s up and gets caught trying to sneak out by Ogin, which wakes up Kali, which wakes up everyone else in her very vocal range. And then the children find out she’s going to get dressed for the formal ceremony and she’s promptly addressed by four pairs of eyes (even Atiya’s) and their pleas to help her get dressed and see the pretty things she’s wearing.
(And, unspoken except by Kali, the desire to spend more time with her and be helpful in her getting-ready process.)
Keris sets the twins to combing her hair (and teases them a little by twining some of the bits they’ve already done), and hangs up three potential outfits for Atiya to study and decide between. While Atiya is focused on studying each one in turn, she beckons Aiko up to sit on the bed beside her.
“Good morning, sweetheart,” she murmurs into the little girl’s hair as she kisses her on the temple. “I hear you had some trouble getting everyone to go to bed.”
Aiko stiffens up; her pupils contract; her hands squirm in knots in her lap and her face looks so much like Sasimana’s in this moment. “N-no,” she mumbles, looking away. “I didn’t fail to do what Lady Lilunu told me to do.”
“Shhh, it’s okay,” Keris soothes. “You did your best, darling, and you’re not in trouble. You didn’t fail, we just…”
She bites her lip. Aiko should never have been left in charge at all, really. But there’s so much to do, and she and Lilunu are both rushed off their feet, and even if she leaves a Gale to look after them, it’ll get pulled away to deal with some crisis or another as soon as anyone realises it’s here.
“We just didn’t give you enough warning,” she settles on. “That’s not your fault at all, it’s ours; mine and Lilunu’s. I’m very proud of you.”
‘Mama,’ she adds internally. ‘I know childcare isn’t really your thing, but it’s the middle of Calibration and Aiko’s just a little girl. She can do some things for Lilunu as one of her maids, but riding herd on the twins and dealing with Atiya is too much. Can I summon one of your Chords to look after them just for today? Sasimana and Lilunu can take them tomorrow, and the fifth day will have things wrapping up so we’ll all have more time to spare.’
Dulmea sighs. “This would not be the first time that you have left me to care for your children - nor the sixth.”
‘Sorry mama,’ Keris thinks, not really all that shamefacedly. Then she gets herself up, congratulates Kali and Ogin on combing out her hair so well and getting it all neat and free of tangles, puts Aiko in charge of braiding it, and listens to Atiya’s recommendation of what outfit to wear for the bragging.
Fortunately, they’re very much in line with Keris’s own thoughts. All three of the outfits she hung up would have worked, but the one Atiya has chosen is her favourite of them; a black suit accented with the blues, greens and violets of Kimbery, inspired by the kind of thing Bloss wears. It’s cut to sharpen her figure, with knife-like heeled boots and a deep slash of a neckline going halfway down to her midriff, exposing the lack of any bra underneath and the silver tattoos clustered densely across her torso.
Between the sharp lines of the outfit, the poison-currents accentuating the black silk and the fat crown braid keeping her crimson locks mostly up around her temples and settled at the base of the skull, she looks sleek, swift and lethal. The perfect look for a report like the one she’s going to give today.
“You’re beautiful, Auntie Keris,” Aiko breathes, not even willing to touch the clothing for fear of mussing it. She takes a deep breath, and then curtsies to her. “M-make sure you’re nice with Mother up there. Lady Lilunu says that there will, um, be bits not suitable for us, but I do wish we could see you.”
“Sharkie,” Kali says happily, reaching up to bat at Keris’s shark-tooth necklace. But her attention is more aimed at Atiya, and so is Keris’s.
Her youngest daughter rocks back and forth on her heels, dark eyes taking in the lines of the clothing and avoiding Keris’s face. Then, “I’m hungry.”
Well, there’s no criticism there, and no demands to change it. And in fairness, Atiya has been so focused on the clothing that she must not have eaten in... longer than she should have. That she’s willing to say it now means Keris’s outfit is no longer holding her attention.
“Let’s get you all fed, then,” Keris says cheerfully. “And then grandma Dulmea will look after you for the day, okay? You’ll get to see Lili tomorrow, because mama will be busy running everything.” She’ll be cutting it a little tight to get food brought up from the kitchens for them and a Chord summoned before setting off for the Althing, but not too tight - the arena for the boasting is right at the foot of Lilunu’s residences, after all.
She wonders how the other Infernals are spending these last few moments. She doubts most of them (any of them?) are corralling a gaggle of small children to get them fed, cleaned, and shown love. But Keris gets Kali’s happy bouncing kisses, Ogin’s playful fiddling with her hair, the gap-toothed smile of Aiko and Atiya’s insistence on having exactly the right kind of plain brown rice she likes, and it... it feels good. And while it’s tiring to pull Dulmea out, it’s not the worst thing she’s ever had to do.
“Child,” the chord instructs her, echoing the words of the voice in her head. “Say farewell to the children. You do not want to be late, given we know that some people like to try to delay you.”
“Alright, darlings,” Keris calls. “Mama’s going to go boast about all the really impressive things she did this year, so everyone wish me luck! And be good for grandma while I’m gone!”
“You don’t need luck if you’re prepared,” begins Aiko.
“Good luck!” shouts Kali.
“Good luck,” says Ogin.
“... luck,” mumbles Atiya.
Silly Aiko, just wish her good luck, Prita informs her, having been here all along.
“No you weren’t,” Ogin says.
Of course Prita was, the black-and-white szel informs them all, and she definitely wasn’t selling hellgoods back home she’s picked up here and there, and bringing things from home out here. But on that note, who wants sugar-glass licks?
Keris leaves them to it, and hurries downstairs. In fact, she mostly just hurries down; stairs aren’t involved, she bails out of a window and runs down the side of the tower.
Lilunu is waiting for her by the All-Thing, an annex to Lilunu’s tower which therefore partakes of all the Yozis associated with her. It is a colossal structure, cyclopean in the scale of its basalt bones yet soaring with fine crystal towers and glass spires, covered in elegant living coral-plants of many colours, a thing whose sculptured reliefs tell the creation of Creation time and time again.
“Almost late, my Keris?” she asks, a mild smile on her lips that can’t hide the worry lines around her eyes.
“Just getting the children settled,” Keris answers. “I’ll fill you in later. For now, I have some minds to blow.” She strikes a pose with her hip cocked and her head tilted at an angle that shows off her upper back musculature. The suit, she knows for a fact, makes her legs look both fantastic and more than a little intimidating. “How do I look?”
“You are dressed to kill, but you know that - even if those who see Strigida’s lines on you might not realise what she is,” Lilunu says, leaning over to wipe away a little sticky Kali finger-mark on Keris’s flank with a finger. She frowns, and shifts so she’s standing behind Keris. “Relax, and let me adjust your hair,” she says, running her fingers through it, hand wreathed in inconstant rainbow light.
“Aiko and the twins helped me get ready,” Keris says, barely holding back a stutter. She can feel... whatever it is that Lilunu is doing, from the slight tugs on her scalp and the tactile feedback from her hair, but it’s confusing enough that she’s not sure exactly what’s going on back there besides some rearrangement and preening. She’s certainly not changing the style; it’s still up in a thick crown braid. But there’s power dripping from Lilunu’s fingers as she runs them across the twisted braids and hairpins, and Keris can’t tell what it’s for.
She finishes with a finger trailed down the back of Keris’s neck for no reason other than to make her squeak, and then lets go. Keris quickly pulls a mirror from her inner world to check. Nothing has changed. And yet it’s different. It’s... more so. Everything about her hair has been made more than it was, in a way that...
... oh. Under the light of the green sun, it still reflects many colours. It’s redder than it should be under this light. It looks the same to her because it looks like it normally would in Creation, but in Hell it looks almost hyper-real, as red as fresh blood on a late Fire day.
“Thank you, my lady,” she beams. “Oh, I like this. I like this a lot.” She cracks her knuckles. “Right then. Time to make an entrance.”
And with a proud toss of her head, she bows low to her mistress and then strides into the Althing. Into the proving grounds of the Infernal Exalted. Into the circle of fifty Seats, each held by a prince or princess of the Green Sun.
Eyes. That’s her immediate impression. So many eyes. Not just the eyes of her peers who have mostly already arrived and taken up their place. Not just the eyes of the onlookers, the Unquestionable in the rings around the central seats and a few select trusted lesser demons in the upper rings. But there are eyes in the walls beaded across the inverted dome of the grand chamber. These almost-demons will watch the proceedings, and relay the sight outside through the censors of Orabilis so select sections can be shown to the teeming masses of Hell. So that they might know the power of their masters and betters.
And all attention is on Keris Dulmeadokht right now. Keris, Director and assassin - but that is not why they are watching her. They watch her for her fame, they watch her for the beautiful things she does for them, they watch her because they want her to notice them.
She can look over the demon princes of Hell and recognise each one who has paid to bed her - and how many of them she has scarred with envy and need. She can taste the jealous pressure of certain of her peers who wish they were looked at like this - or hate her fame for things unattached to their duties. All of them: they want her. They want to be her.
All these wan washed-out faces are so very beautiful.
There’s surprise in some of the watching expressions. Perhaps, between her time on the Street and her reputation as Mistress of Ceremonies, they were expecting her to show up in something more feminine; a beautiful gown or intricate dress. She pauses - poses - and levels a smirk at them; confident and knowing and tauntingly alluring. Let them look at her. Let them wonder why this deviation from their expectations. And to those who aren’t surprised but interested; the ones who pay attention and remember from past Althings that she wears more masculine fashions like this when she has military victories to brag about - let them wonder what she’s got up her sleeve.
She gives them all a moment to look at her, and then - with the lazy, arrogant smirk of a Director still on her face - she proceeds to her Seat, heels clicking against the mosaic floor as she models for them.
Though to call it a ‘seat’ might be stretching it. The Twenty Ninth Throne of the Infernal Althing is more of a hammock than an actual chair; a swing-seat of red silk in a filigree silver frame. There isn’t a single straight line anywhere on it; it’s all organic curves and coral-like patterns and inset gems like red pearl and cinnabar. Where most hanging chairs would have a wide flat base to support the stand, this one has a bowl - a wide shallow bowl of glittering many-coloured fire opal, full almost to the brim with seawater, that the hanging chair is suspended over. There is a bottle of wine chilling in it, and Keris fishes it out and pops it open as she settles down into the silk with one leg crossed jauntily over the other.
“Sigil,” she greets the neighbour to her right with a friendly nod. There’s still a couple of minutes before things start, and various peers are holding quiet conversations with their neighbours all around the ring. “Yala,” she continues, turning to her left. “Lovely to see you both again. A good year, I hope?”
Sigil nods, perched bird-like on their seat of bleak stone covered with origami cranes, not saying a thing as around them float around synonyms for the greeting they cannot vocalise. But they’re clearly distracted and nervous, looking for Ku Shikom who is still not here. Keris understands her peer better now, just from that meeting; they know they’re safe because they are someone - maybe the only one - who can let the demon princes out of their jail. Arriving nearly-late is a power move from them. And gets all eyes on them. But Sigil won’t understand that, and Ku Shikom won’t appreciate people giving away how they tick.
But the woman on the other side of her is far more conversational. She sits on a slab of stone too, but it’s overgrown and lushly fertile, something primal and brutal that smells faintly of blood. Or maybe that’s not the seat; maybe that’s the ever-dripping skin of a great northern fae prince of beasts that Yala wears. Keris has never seen her without it, but the rumour is that she chased down the rakska princeling, tore his skin off him, and left him to die. And that in itself is fascinating, because Keris seems to have a thing for spending time around Fiends. Orange Blossom, Magenta, Suriani, Anadala-
(Rat - not a Fiend, but the dead prince version)
-and even sort of Veil. But Yala is nothing like them. She’s huge, bigger even than Demitrea. Her thighs are the size of someone else’s waist, her arms bulge, and her hands are the size of clubs. Yet despite that, her short-cut hair is a pale pink, and her orange eyes are full of laughter. She isn’t brooding or cautious with that size, and her laughter echoes when she boomingly chortles.
She is a Fiend, not a Slayer, and Keris doesn’t understand why.
They fall into a friendly, goading conversation about which of them is going to show the other up, and Keris looks around for other Infernals she knows. Suriani is looking right at her, of course, and Keris gives her an encouraging wave from across the circle. Ixy sees it and sneers, which Keris doesn’t respond to save a glance and a nod of acknowledgement. A quarter clockwise from them, Sasimana and Testolagh are talking quietly - lucky them, getting to sit next to each other - and Bloss smirks at Keris from Testolagh’s other side.
“You don’t act like this normally,” Yala says to her, coming nearly out of nowhere. Her tongue flickers out just for a moment, as if she can smell-taste something from among all that blood. “What’s going on in that little head of yours?”
Keris bares her teeth in a feral grin. “Maybe I’m just sitting on something big this year and it’s got me in a good mood,” she teases, eyes glittering. “You’ll have to wait and see.”
“Do I, now?” Yala slaps her thighs with both hands. “You’re talking to people, makin’ yourself known at all the parties, doing things you don’t normally.”
“I’ve got more than just Testolagh under me this year,” Keris replies smugly. She leans back further in her seat and pours herself a cup of wine, then recorks the bottle and slides it back into the water beneath her swing-seat, “My Directorate’s doubled in size. Testolagh, I can pretty much leave to his own devices, but with two cute underlings... well. I have plans. Big plans. And they need some set-up.”
“But I hear you’ve been hob-nobbing with my boss.” Yala grins. “She’s super happy with your pretty silver thing, even if she don’t show it. She’s not good at communicating, so I’m telling you from her - even if she doesn’t know I’m saying it and even if she doesn’t show it, she’s happier with it than maybe I’ve ever seen her.”
The loyalty she shows to Demitrea is interesting too.
Keris’s vicious grin gentles out a little into something more of a fond smile. “Yeah,” she says. “I’d never really talked to her before she got the Director position, but she caught my interest last year with some of her ideas. I’m glad she likes the dress, even if making it wiped me out.” The smirk returns, this time smug and self-satisfied. “It’s been a while since I got to really stretch my skills and play with such high-quality materials. And she connected to it really fast.”
She looks over at Yala with an eyebrow raised and considers how to probe further. Hmm. She seems to like Demitrea, so an opportunity to gush might work. “What’s it like working under her?” she adds. “Compared to Gyrfalcon, I mean.”
“Different,” is the laconic opinion of Yala the Prince-Eater. She catches Keris’s eyes, and accepts she probably needs to provide more than that. “He was flashy. A risk-taker. He wanted all eyes on him. Strange for a Scourge. But Demitrea is a unifier. Brings groups together, builds them up, prepares them.”
“A Malefactor to the core,” Keris contributes, mirroring Yala’s point back at her to see how it lands. “She was certainly charismatic when we spoke before Calibration started.”
She tolerates Demitrea, Keris figures. Well, maybe a little more than tolerates. But she doesn’t feel particularly strongly about her, which is perhaps a better state of affairs than her narrowed eyes at the mention of Gyrfalcon. And she doesn’t want to lead herself.
But any more conversation that might have come between them comes to a sudden halt, as conversation becomes quite impossible. A grand symphony strikes up, something that Keris has never heard before but she can hear her lady’s hallmarks over it. It is not brassy and triumphalist, instead blending many different themes together in a whole which is almost cohesive, almost one thing. But never quite, because errant melodies escape and dominate for a few moments, and there is a certain ardent, twisting feel to it as it climbs and whirls through the upper octaves; a theme that is chained and contained and writhes against it.
And then the eye that is the roof opens, the inverted dome retreating until what had been a closed space is now open to the wider Conventicle. And there is a star in the sky that was not there before, one that burns with every colour of the rainbow. It falls like a gentle comet, trailing its rainbow light, and fragments of radiance break off to tie into the upper reaches of the now-open roof so that a ceiling of iridescent ribbons now covers the structure.
The falling star touches down, red hair flowing around her like a living thing, her imperial gown woven from rubies and shadows, her mantle brass and silver fingernail-sized mirrors. As her bare foot touches the ground the marble floor is transmuted, spreading out like a slow fuse until the ground is now black threaded with veins of opal.
“Welcome,” says the lady Lilunu, her voice filling the space, another instrument in her symphony. Her smile is radiant and her eyes burn; her spiritual pressure is a wind ruffling the hair of onlookers. “Honoured guests, mighty demon princes of the Reclamation, my own fair peers of Hell. Welcome to the central day of Calibration, and the Grand Recounting of the deeds of these hellish champions. Welcome one and all.”
“My lady loves to make an entrance,” Keris murmurs from her seat with a knowing smile. She’s not too worried about her speech. Not only does she have a lot to boast about, but stage fright also lost any remaining hold on her after the first couple of Calibrations as Mistress of Ceremonies. Anyway, as the Twenty Ninth Seat, she’s not speaking until the second half of the boasting. There are twenty five peers and a two-hour break before then, so right now all she has to do is lounge back in her swing chair, sip her wine and pay attention.
The Infernal who is going to speak first doesn’t look worried either, of course. But that’s because he’s a delusional idiot.
Before she’s subjected to him, though, there comes a speech from Lilunu herself. Keris listens, of course she does, but she’s not the intended audience and she knows it. It is praise for the green sun princes and flattery for the Unquestionable, and she has heard such things before. It is a speech for the audience, and thus it would never land with her like her lady’s fondly murmured words. Of course Lilunu’s praise for the brilliance of her princes and their efforts in Creation is nice to hear, and of course the layered poetical allusions aimed at major Unquestionable in the audience praising them for their talents and their actions in Creation of old matter, but it is an act - and maybe Keris knows her lady better than anyone else, but she can hear that her heart isn’t entirely in it. She’s said such things before: they don’t have her sparkle of wit or her impish nature in them.
But when she looks around her peers, the younger ones, the ones who aren’t jaded like she is - oh, they’re affected. Ixy is trying so hard to look like she’s cool and in control and just as obviously failing when Lilunu praises the fortitude and brilliance of the power of youth, and Suriani of course is in the kind of position she’s dreamed of, acclaimed and respected among the mighty of Hell. Even ones who’ve heard similar things before like First Cat - sorry, ‘Our Lady of Light’ - or Magenta are sitting more upright as the praise and expectations settle on them.
Keris... doesn’t tune out, exactly; she keeps listening. But she reclines back further in her swing-chair and slips just a little way into Iris’s senses, checking on her babies and the Dulmea-chord she summoned through her familiar’s eyes. Things seem much more peaceful-ish than they were before. Not exactly peaceful, because no room with Kali in can ever be described as peaceful especially when she’s tossing a ball to Iris, but at the very least Dulmea is clearly there and paying attention and Aiko isn’t being left in charge. Which is both for the best and also something that Aiko is much more comfortable with herself, especially when a sensible older woman is there to give the actual orders. Atiya is back in the corner with her book and her little gloves, but at least she’s sparing some attention for Ogin who has a pair of knitting needles and - praise the Dragons - is actually using them to knit rather than stabbing anyone with them or using them as impromptu fencing blades.
All in all things seem to be doing better there, and that means that she doesn’t have to worry. Maybe she can go grab some time with them during the interval.
But there’s no more time to think about her children when the music swells. The light shifts, and the rainbow focuses more on the First Seat. Kopo Three Leaf, Fourth Crown of the First Seat. This is his second Calibration and he’s strong for someone so junior, barely weaker than Keris herself, reeking of the Sea and the Boar. He’s with the Blessed Isles Directorate, she recalls, and immediately gets confirmation of that when he goes into a strident and somewhat rambling brag that compensates for a lack of rhetoric with fortitude.
“I am the lord of the Tarpan Wastes, a king upon the Blessed Isle, and salt flats and bone dry wastes are my domain! Already they are close enough to the Holy Desert that men can wander into them, but I shall bring them closer! In Air I slew a convoy of monks and hung their corpses from pillars to show reverence to the Yozis - every month I weaken the Immaculates more and more! Yes, as I tell you, the Tarpan Wastes will be how you mighty Unquestionable enter the world the gods stole from you, and I am your key!”
He goes on. And on. This lanky, wiry man with sun-tanned skin and green streaked hair and wild eyes too full of certainty for any doubt.
Keris rolls her eyes. She’s learned not to get too attached to any of her peers after losing three neighbours, but the First Seats especially tend to die off fast. They show up, they think that the fluke of their seat number just happening to correspond to the first Exaltation sent out by the Yozis has some deeper meaning, they aim high and take risks and grow fast, and then inevitably they die. It’s happened four times already, though Keris wasn’t around for the first two. She does not have high hopes for this one lasting long.
Still, she has Dulmea start taking notes on what he’s been up to and where he’s working. And if those notes include some catty commentary... well, nobody else will read these, probably, and her mama is in enough agreement with her about this crude, delusional blood ape of a man that she doesn’t scold Keris for any of her snide additions and asides as she dictates. In fact, Keris is pretty sure Dulmea is adding her own haughty comments in the margins.
But he was only ever the warm-up act, and everyone knows it - except for maybe Kopo Three Leaf himself. The opening Infernals are packed full of Directors, and right next to him is Demitrea, Director of the Frozen Wastes, tall and wearing the garments Keris made for her with all the confidence of an empress. Her melancholy is nowhere to be seen here and now as she provides a recounting of the state of the North. The golden lords ruling the husk of the Bull’s empire war against each other; her forces rise. The Realm has lost its hold on Clovina and the new oligarch-vojvadas do not realise that the sclavs have found her cause. The tin from their mines will no longer flow to make Realm bronze; new manses rise on the ruins sacked by the Lunar warlord Kanon Tas two decades ago. And she alludes to other actions that her people have been carrying out in the Haslanti League, but does not go further into details - only to remove an egg-shaped orb from below those silver-veined robes Keris made and toss it out between her and Lilunu, where it turns into a mechanical songbird that takes flight to settle on Lilunu’s shoulder and sing out before flying a circle over the heads of the peers.
She is smiling as she sits, and rightly so - there is applause from the Unquestionable in the stands.
“Well that’s definitely set the benchmark for the rest of us to follow,” Keris murmurs to herself. “And those clothes really are helping her. Mmm. Good. She’ll remember that I helped her with those.” Her fingers itch to sketch how her work adorns the woman she made it for, but she resists. Now isn’t the time for artwork. At least, not that kind.
But the next up is Glorious, Director of the Omphalos, and she is always one to watch. Yet maybe this year people are watching her for other reasons. The rumours Keris has heard, that she’s losing her edge - and maybe her mind too - and she’s dabbled too deep in certain Yozi-granted gifts seem to have made their way to the ears of others. Last year she came to the great director’s meeting unclad with skin of stone, but this year she (or the ones who dressed her?) is in an extravagant Realm-style imperial gown of white silk and white jade, collared and decorated in grey stone carvings. Behind her leaks out her nature as monstrous almost-draconic wings, a whole peacock-fan of them which shift in pale greens and blues and pinks, never staying the same, and because of them she sits a good metre above her seat, the gown hanging down freely. And she wears a blindfold of Malfean lead - why?
She is definitely not as far gone as some have hinted. The main body of her speech is as one would expect from an experienced Director, laying out how the hands of Hell has backed the violent actions that House Sinisi have taken against the Immaculate Order, how the Scarlet-worshipping hero cults have been fanned at her orders by her underling Azure Fist, how her mystery cults are hidden in the web of masks of the Sesusu and how corrupted bureaucrats have turned the Blessed Isles into a simmering cauldron by enabling the self-interested greed of the Dynasts in evicting peasants and enclosing land.
Only... she is so rote in how she talks. And others who can’t hear the songs that come from outside the world might miss how some of her lines of logic for how certain actions will have certain consequences show mad insight, but Keris can hear the melodies of Oramus in her disjointed chains of thought. She’s following a rehearsed script and she still can’t hide exactly how deep the rabbit hole goes.
No, she’s not lost her mind, but, Keris thinks, she’s mad enough that she’s more demon than mortal. The junior peers might not know enough to see it, and the Unquestionable are too mad in their own way to see that in a human, but the senior peers, especially ones like her who’ve put so much effort into working with the human mind, they can pick it out. What happens when she acts on it, when she stops acting slowly and cautiously and makes a decision based only on a whispered whim from words echoing from outside the world? When will that happen? Where will it lead?
(Wouldn’t it be fascinating to sit down with her and see what demon bans and insanity has been cultivated in the brain of one of the two eldest surviving infernals? Orange Blossom is sane; monstrous, but sane. Glorious is a timebomb.)
‘She wasn’t like this last time I saw her,’ Keris whispers, half to herself, half to Dulmea. ‘Last Calibration, she was... leaning this way, showing signs, but not this bad. And before that, back in Water last year when I did those assassinations - she was still mostly sane, then.’ She grips the thumb of one hand with the other to stop herself from fidgeting, wishing she had some of her more esoteric alchemical creations on her. What would Glorious’s po look like, in this state? Is it just as warped as the outward whole, or is this madness solely a thing of the hun - of ideas, knowledge and the shattered, impossible logic of the Beyond, where reason no longer holds?
‘It’s Oramus that’s cracked her like this,’ she says, certainty in every syllable. ‘Is his power that bad for the human mind, then? Or is Glorious just more susceptible than most? Or did she just go too deep into it? Questions, questions.’ She glances around the circle, noting how many others have threads of impossible music in their natures. It’s not a small number. Almost a third of the fifty peers - and while it’s a weak, minor sub-melody in half of those, the rest boast stronger notes. First Cat most of all - for both she and another junior peer Keris vaguely recognises from the West have Oramus as the strongest motif in their essence-songs by far.
“A reason for you to take care around the Ancient and Firstborn’s power, then,” Dulmea says meaningfully. “Especially when you were so unstable last year. I would rather not watch you slip into heath-maddened nonsense.”
‘I’ll be careful, mama,’ Keris promises. ‘I don’t want to end up like that either.’
It’s something she has to think about while Xiachu Pho gives her speech. From everything Keris has heard, she’s genuinely who people who fall for the act think Keris is. She’s technically more dressed (and much less muddy) than she was when Keris saw her in Naan’s revelries, a small south-eastern woman with bright green hair that hints at more eastern heritage, but she flaunts herself as much as she flaunts the targets she’s taken out around the Dreaming Sea. Not very impressive targets, Keris thinks with professional pride - oh, she’s a blade running through minor nobles and anyone with power, but her targets aren’t well protected for someone powered by the Silent Wind and the Sphere of Speech, and Dulmea sniffs at the idea that quantity of kills can at all remedy for quality. She’s so desperate to prove herself that it comes across as pathetic.
Though anyone would feel it necessary to prove themselves if they were sitting between Glorious and Orange Blossom, who’s up next. Because Orange Blossom is in figure hugging maroon and cloth-of-orichalcum that perfectly plays off her darker skin, and she radiates a heart-breaking beauty born of the Demon Sea that draws all eyes to her. She doesn’t just recount the deeds she’s done; she sells a story, a narrative, of how she breaks down the powers of the East internally while keeping them strong against the Realm, how her traders and merchants spread a taste for the finer things of Hell among the mighty, how her alchemists have broken the Realm’s monopoly on certain forms of youth-restoring drug previously only sourced from the Blessed Isle, how mercenary companies she controls now serve up and down the Yanaze, how she’s installed the demon-blooded bastards of demon princes in principalities in the Hundred Kingdoms, how her agents travel from city to city selling their wares and her spies tell her so many things ripe for exploiting - and no one else can do what she can.
This is Orange Blossom’s pitch; she’s making sure that the souls of men are for sale, and those she owns are a web of influence, false prophets and real profits that is digging deep into the River Province.
Keris purses her lips and prunes her thoughts. She is a Director of the Infernal Althing, a princess of the Green Sun, a trusted servant of the demon princes. And these things are all true, but they mask the truth: that she is far less loyal than the Unquestionable would like. There’s a part of her that doesn’t want to see the Unquestionable, bar her lady, ever freed. There’s a part of her that’s compassionate and another that’s stubbornly loyal to her kin. And the Keris who those traits are part of is not comfortable with Hell having quite so much success, being quite so well served by its peers.
To chip away at the Realm is one thing, to kill the chosen of the sun or the champions of death will only keep the wheels of Creation turning, the ranks of the powerful churning. But the systematic webs of corruption and ownership that Bloss describes are tilting the Scavenger Lands into her control, and that... that’s something that might upset the tenuous balance that the powers of Creation exist in.
The Keris who is compassionate, who is rebellious, whose loyalties lie more with humanity than with demonkind at the end of the day and when all else is said and done... that Keris would be worried by what Orange Blossom says here. And so the Keris who is in the great theatre of the All-Thing doesn’t think of such concerns. She thinks only of admiration and envy, of her friendly rivalry with her ex-girlfriend and occasional lover. Because to even let thoughts of disloyalty enter her mind at a time like this would be foolish. Better to keep dangerous topics like that tucked away out of sight, and only come back to them later.
She can feel Dulmea’s attention. But her mother says nothing either, because she doesn’t want to bring thoughts Keris probably shouldn’t have to the surface. Not right now.
Next is Testolagh, armoured up in black Malfean iron, his one brazen eye gleaming in the rainbows. And he is stiff, and formal, and reports that he has laid waste to Maza on the orders of his Director, burned the sugar fields and executed every last aristocrat in the slave-commodity society, destroying what had once been a major sugar plantation island in the Anarchy - and that he has sunk trade ships and executed the slavehulk captains wherever he encountered them, further cutting the ties that keep the greatly profitable trade routes so fuelled by human misery.
He says nothing of what he has done on his own accord, only what Keris ordered him to. And it was the same last year she realises with a start, and she’d bet it was the same in all previous years. He reports only on his duties, and what does he care if he doesn’t do anything above and beyond to further the cause of Hell?
Dragons. No wonder he’s the eldest Infernal who’s never had a Director seat, and never will if he keeps on like this. He does exactly his duty, and no more - and so isn’t going to brag about whatever the fuck he’s up to down south with the islands and nations he’s forging from the Wyld.
‘Mama, remind me to go down there and check on him sometime this coming year,’ she notes quietly. ‘Without letting him know I’m doing it.’
“Will you have time for that?” Dulmea asks. “With your two students? But I agree - it would be good for you to keep a closer eye on him. Perhaps you could find a suitable agent to put in Aiko’s company as a friend or protector who can investigate further when she is with her father, remaining in the background?”
It is a very Dulmea suggestion there, an angyalka-assassin’s solution to a problem.
‘Mmm. Good idea,’ Keris agrees. ‘I’d ask Prita - I will ask Prita - but I don’t doubt she’ll charge me for the information, and I’m not sure how much of the details I want she’ll have noticed. She is a szel, still.’
“Yes. She is.” Dulmea does not like szels, and never has. Especially a habitual smuggler, tax-evader, and chaotic influence like Prita. Which is honestly why Keris has more than a little respect for the little troublemaker, above and beyond how happy she makes Aiko. “I would suggest you not select a kerub, but that seems to go against deeply held principles of yours to use their kind whenever you can. At the very least, ensure that loyal angyalkae are stationed on the Baisha.”
‘Yes, mama. Maybe one of your students among them. I know you’ve been training more than just Teveya.’
And right after Testolagh is Sasimana, and Keris knows her, knows how worried she might be - and yeesh, even with all her control she can see the little signs. Maybe she’s the only one who recognises them for what they are, but others might be able to notice the tics. Still, it’s a minor miracle in and of itself that she has it this much together. How, though, will she handle the fact that she lost in effect half the year to an extended breakdown?
Much better, as it so happens; she dazzles with allusions to Realm politics and the Great Houses, claims credit for things that maybe she did but maybe that’s just how the Dynasty is, and makes reference to private, hidden reports passed to Lady Lilunu. She makes it sound like, for example, she spent the latter half of the year coordinating assets and working in secret in deep cover to encourage the Ragara rapacious pillaging of the satrapies to ensure they have the resources to support the Sinisi play for the throne - when Keris knows for a fact she spent most of the time trying to rebalance her state of mind after the disastrous events of Earth.
And that only poses further questions - how much of previous things she’s heard from Sasimana about what she’s been doing in the Realm were lies? How often does she deceive her bosses, knowing no one is in a place to contradict her? Or is this just a place of desperation right now?
“... it’s not that I’m opposed to lying,” she muses internally. “But fuck, it’s risky doing it here. Creatively phrasing the truth, sure - I’m planning to do that myself. But I did attack Nagakota. She’s pushing things here.” She pauses, and looks over the rest of the circle again. “... I wonder. How many of the others have lied at the boasting like this? Just outright claimed credit for things that had nothing to do with them? Or made up victories that didn’t even happen? And, better question - can I find any evidence of anyone doing so as blackmail?”
“Making up victories? That would be extremely risky,” Dulmea opines. “One would have to be a fool to do such a thing - especially in a Directorate where others can benefit from catching someone out. But claiming credit for something when you do have allies in contact with them or have suggested such a thing? How would it ever be caught? Even asking the person who did it might not work when you have tricks such as those Ophidian suggestions that make them think it was their own idea? You would need someone like your Ney to investigate it.”
A thoughtful pause.
“And how do you not know that there might be someone serving the Unquestionable secretly who specialises in such things? Some people, indeed, might suspect you of being that spy on your fellows.”
Keris doesn’t outwardly make a face, but there’s definitely an internal grimace, both at the thought of her peers being suspicious of her - not a complication she wants to have to deal with - and the risk of someone like Ney poking into things she doesn’t think the Unquestionable need to know about how she runs her own Directorate and prioritises her time in Creation.
“No, think of it, child? How many of your peers question what a Mistress of Ceremonies really is. Does it not sound a lot like a sinecure granted to cover some deeper purpose for the demon princes?” Dulmea plays a thoughtful note. “It is what I would do with such a title.”
This time, the grimace shows for a moment. ‘Mmm. You... might be right. Well... if I can’t get rid of suspicions like that, the next best thing is to figure out who’s followed that line of thought and then use their assumptions against them. If some of my peers think my title is a cover for my spying on them and investigating their true activities... that’s fear I can use, if I ever need to.’
From lushly decadent golden-eyed Sasimana to Snowy Pine, a mousy-looking woman with spectacles and dark green hair who mumbles her way through her explanation as to what she’s done for Orange Blossom. Keris doesn’t trust the act - or if it’s not an act, she knows there’s more to the woman. She’s as much Szoreny as Oramus, and there’s a distinct note of the King underneath. There’s a lot of rage and envy there. But she’s just another filler speaker before Ximmin Cutlass, Director of the Endless Waters, and Keris can hear the change in the atmosphere as he speaks. The Unquestionable are Paying Attention. Maybe they’ve already made up their minds.
He sells it well, with his swagger and pride and confidence, but he suffers for his placement. Sasiamana is better at selling allusions and hints, and all the other Directors have managed more. And Keris has heard the rumours that he’s taken heavy losses against the fleets of Skullstone, and when she knows that the mentions of passing engagements and ‘hit and run’ sound like brushed-over losses. She winces. Poor Ximmin. It was good, but if no one else blows it it might not have been enough.
‘Fuck,’ she hisses inwardly. ‘Fuck, and I’m not going to do him any favours, either. Claiming Choson will be a slap in the face to both of my neighbours - and Deveh deserves it, but Ximmin doesn’t.’ Her eyes narrow thoughtfully. ‘Then again... he’s been up north, dealing with Skullstone. Remind me to check over the break if Kasteen’s the one assigned to the more southern parts of the West. If so, I can play up how it’s her who hasn’t done anything with Choson.’
Kasteen is speaking after her, so there’s a risk that she’ll have time to come up with some rebuttal - but maybe that’s a risk worth taking. Eloquence and rhetoric weren’t among Kasteen’s gifts last time Keris clashed with her, and while she may have gotten better since then, she’ll only have about an hour to figure out how to respond to Keris’s speech.
And then it’s Veil, Director of the Burning Sands. Probably. They’re sitting in Veil’s seat, they’re a dashingly pretty twink, and they radiate the power of the King and the Demon Sea, but it’s fucking Veil. Unless it isn’t. Keris just wants to throttle them. Their actual presentation is interesting, and she’s particularly interested how they’re clearly building on the work she did for them - including the new Despot of Gem, who’s under their thumb and apparently has outrageous daddy issues - but if there’s one person she can’t trust the reports of, it’s Veil.
So annoying.
‘Someday,’ she grumbles, ‘I am going to figure out what’s beneath those lies. I’m gonna do it. Even if I have to pin them down and knock them out and figure out a way to strip the shadows off them by force. I’m gonna see what their stupid real face is, and then I’m gonna get Lilunu to paint it all across the side of a forty-storey building. Watch me.’
“Try not to make enemies for no reason save spite, child,” Dulmea sighs. “Even though that is your common modus operandi.”
Next is Naan, who’s Naan - loud, boorish, and funny despite it. He’s got no shortage of violent deeds which he describes in florid, pollen-laden clouds that try to captivate the mind, and if he’s just breaking things then there are plenty of Unquestionable who just want Creation savaged and ruined by a thug like him. He emphasises his words with a red jade sword he waves around, plunder from a dragonblooded he beat to death with his bare hands. And that’s a shameless crowd pleaser too.
Chimala Hainux, Director of the Boreal Forests speaks after him, his shirtless form covered with demon ink tattoos. Keris knows his Directorship is potentially under threat too, but he does well. Really well. It’s a reminder that he is in fact a Malefactor, and while he claims credit for setting up the kills of Corrusu the Crow, in truth he has no shortage of accomplishments in the satrapy of Fray - or, rather, no longer a satrapy, for it has been seized by the outcaste dragonlord Hanto Galina, newly crowned Empress of Fray and pretender to the Scarlet Throne. Chimala is not backing the pretender, though; his cult rises among the slaves and the serfs, out in the oldwoods (those that haven’t been deforested yet) and the Kiesan horse nomads who worship new gods. Or more correctly, older beings who rose long before the gods.
“Well, Ximmin’s in trouble,” Dulmea says, and Keris can see his handsome face screwed up in sullen rage.
‘Yeah,’ Keris sighs. ‘Unless Havi falls on his own sword or fucks up his speech beyond repair, I think it’s probably going to be Ximmin. And he knows it, look at him.’ She closes her eyes in frustration. ‘Fuck. I’m going to be boxed in by Deveh and Kasteen. And you just know she’s going to be a bitch about Choson, even if she can’t do anything about it politically.’
It’s not a pleasant thought, and Chrysanthemum, Director of Heavenly Affairs doesn’t make Keris feel any better. Because that woman has the arrogance to rise to her feet, and from within her simple priestess robes draw out a crystal covered in frost. She tosses it onto the sand.
“I offer you Director-Shogun Lalabeth-Su of the Hail, God of the Fourth Rank, Bureau of Nature,” she says, orange eyes ablaze, and sits back down.
It’s not a name that Keris has ever heard before - but more than a few demon princes have, and from context Keris realises the enormity of this. This must be, fuck, a celestial god, a major weather god, one who’s as powerful as the strongest demon lord or even a weak demon price. And she tosses that out casually and lets it stand. It’s a power move. One where she believes one sentence will secure her place - and from the reaction, it will. This is someone many Unquestionable hate of old.
‘I wonder if she made that with the Sacrifice of the Crystallised Heart,’ Keris muses, unsettled and uneasy, ‘or some other way of crushing spirits down into jewels? Fuck, she’s probably as safe as Ku Shikom after this. She’s just proven that not only has she delivered revenge for whatever he did, she can give the Unquestionable vengeance against other divine foes they’ve hated for an Age or more.’
“Are you worried?” Dulmea asks, her own melody slightly agitated.
‘About my place as a Director? No. About Chrysanthemum taking this success - and it’s going to be a success; she’ll probably get an accolade for this at the acknowledgements - as a reason to double down on being herself?’ Keris drains her glass of wine and fishes the bottle out of the ocean-bowl to refill it. ‘Yeah, kinda. Some of the older Infernals are getting really strong. And really far from human. Not all in the same way Glorious is, but in ways that are pretty worrying regardless.’
“Are you worried about Sasimana there?” A pause. “Again?”
‘... no.’ Keris’s voice is confident, but it comes after a pause. ‘I’m with Bloss on that one. The Special Directorates are safe. Most of them exist for good reasons and have the Directors they have because they’re the best ones to do the job. And Iudicavisse won’t want Sasimana removed; half the reason she’s there is to undercut Glorious. Once the whole Realm Succession thing wraps up one way or another, I don’t know what’ll happen to her then - but for now, she’s not in danger of losing her position to politics.’
“Not about her job, child. About her humanity.”
Keris’s silence is telling. She’d answered the question that was less uncomfortable to think about, and she’d been hoping her mother wouldn’t call her on it.
‘... like I said,’ she says finally. ‘All the elder Infernals are drifting away from human. Some physically, like me. Some in sanity, like Glorious. Some in ego and capacity for doubt, like Chrysanthemum. Sasimana... isn’t an exception to that. But I think this year convinced her that her humanity isn’t something she should discard so casually. We’ll see if that conclusion lasts.’
Keris is distracted, but so is everyone else. The grey, rough-faced northern hunter Hithigr Thurros doesn’t get much attention, but oddly Keris gets the feeling he prefers it that way. She’s heard almost nothing of him, even though he’s another Scourge, but he’s not a flashy one like her or Ximmin. None of his achievements are particularly major, and then they’re on to the always-smiling bland-faced Ochimos Havi, Director of the Sea of Dreams. Oh, he has references to grand plots and ploys and things his underlings have done around the Dreaming Sea and the South Eastern Inner Sea, but there’s a certain pattern to Directorial speeches and his doesn’t come across well in the wake of Chrysanthenum’s confidence. It’s in the same ballpark as Ximmin’s for selling himself, and that suddenly means things are uncertain again.
He doesn’t stop smiling, though, even as certain demon princes whisper to each other and Ximmin glares at him. Maybe he knows something else. Maybe he’s made arrangements with their bosses, just as - de facto - Keris has. Or maybe that’s just how he hides his nerves.
‘It’ll be one of them,’ Keris murmurs. ‘Either replacing Ximmin with Kasteen, or replacing Havi with someone chosen to puncture Bloss’s web of control. She owns him, and he’s supporting her left flank. If they replace him with someone else - not Naan, but one of his buddies who has reason to clash with her - it’ll weaken her position. There are definitely some Unquestionable who think she’s getting too big and too powerful.’
Ku Shikom, Director of the Storm-Wracked Tides is next, and she caught their ugly glance at Chrysanthemum. She preempted their style, Keris suspects, and is immediately proven right when they only give a cursory description of how their control has solidified over their cold towers and the cities under their domain, before they raise their palm. “And by my hand, I let Ululaya shine once more upon Creation,” they say, “for I mastered the highest secrets of sorcery.”
That is what they leave it on. Many knew already, but the revelation that they have summoned a demon prince already? That they released the Carmine Emissary, the Red Moon, to shine on the lost lands? That is not just a display at a show; that is a real promise of what they can do for the demon princes.
For a long second, all Keris can do is stare.
Then she drains another full cup of wine and tightens her grip on the bottle so much that she feels the glass start to splinter under her fingers.
‘How the fuck did they pull that off?’ she hisses to Dulmea. ‘You can only summon Third Circles at Calibration! Salina was very clear about that! It’s the whole reason the ancient Solars had the Calibration feast! She was bitching about how some of her peers were consorting with them! They can’t have done it last Calibration, right? They were here for it!’
“I do not know, child,” and there is definitely fear and concern from Dulmea there. “I know only the stories I have heard. Perhaps they have found a loophole like you did with the Broken-Winged Crane, or they found a way to release Ululaya via ancient release clauses - or perhaps they simply broke the laws of nature with that self-same certainty and will that you saw from them when you spoke with them. When a sorcerer is so powerful, are even the rules of nature so ironclad?”
‘Fuck.’ She’s running out of wine. Keris refills her glass, emptying the bottle, and drops it back in the bowl. ‘Fuck. I thought they’d have to be granted special dispensation from the Althing to miss a Calibration if they wanted to summon an Unquestionable - and that would deadlock on who got to be summoned; they’d never actually get the permission to skip a year, locking them out of doing it. But if they’ve figured out how to reliably use the Crane to summon whenever - ah, no, not whenever,’ she interrupts herself. ‘I think... I think if they’re breaking rules like that, it’d be better not to break them all the way. The walls of the Yozi’s prison are weak enough at the new moon to summon demon lords; it’d be safer to use the Crane to lever that crack open wide enough for a demon prince than to just do it on an ordinary night. But still, that’s fourteen opportunities across the year where they can release an Unquestionable into the world. That’s way more power than I’m comfortable with them having.’
Their discussion means they miss much of what Lejine the Fox has to say, but in fairness, one of the three newcomers coming straight after a flow of Directors means the man with the smouldering looks really can’t make an impact - and Oha Luhan, the Tya geomancer from the Western Directorate who’s one of Ku Shikom’s students can’t do much better. Keris has encountered a few Tya in Saata on the trading routes - most prominently a wealthy captain running the nutmeg route up to the Makelo Empire who had the money to buy a night with Cinnamon Tenne - and she found the concepts of the Tya as a third sex escaping parts of Western patriarchy to be intriguing, as well as the way that Captain Hoto presented himself as male in public, but in her boudoir he asked her to use the name Helehanifu and treat him as a her. Oha Luhan dresses ostentatiously in silks and feathers, which might be a sign that this Tya is treating Hell as a place to present as female, but might also be the carnival atmosphere of Calibration. Or some other strangeness of how intense the Oramus-song that comes from Oha is.
Yes, in the long run Keris should check, but from the sounds of things Oha has spent most of the past year in a remote island chain working on the geomancy trying to reliably induce volcanic eruptions, so while the project sounds fascinating to her it also hasn’t had many results.
“A flaw of this method of evaluation,” Dulmea observes, considering things. “If you have to get results every year, something like this will always pass less-noticed.”
Technically, Keris’s first instinctive reaction is alarm. But the jolt of fear at the idea of reliably inducing volcanoes is almost immediately buried under fascination. Because there are other uses for that kind of capability than just destruction. If you can induce an eruption at will - even if you’re limited in where and when you can do it - then that opens up entirely new ways of creating islands without needing to Wyld-Shape them! It offers the possibility of refreshing entire regions with fresh, rich volcanic soil! Hell, with a bit of thought, you could probably even use such massive Fire- and Earth-suffused geomantic events as a means to enact regional-scale shifts to dragon lines or geomantic and ecological activity.
‘Remind me to speak to her later,’ Keris muses, stroking her chin. ‘Hmm. I wonder where she’s based? If Ximmin keeps his seat I might just petition him to hire her for a season... mm, not this coming year, I’ll be too busy. But maybe the year after. There are a few things I could probably use a really, really good geomancer’s help with.’
“Strictly speaking, there’s nothing to stop you from coming to a private arrangement with any of your peers, as long as it doesn’t interfere with their duties,” Dulmea says. “It might annoy their director if they feel like you’re poaching or taking time away from their tasks, but for all you know, Testolagh is already doing things for Sasimana during those three seasons a year he has no obligations to you.”
‘Mmm. True,’ Keris grants. ‘She might be willing to come down and play in the Anarchy for free. We’ve got more volcanoes to study. And I can Shape up more for her. Something to check, definitely.’
Geasa, Director of Ash and Sorrows, is up next, pale and red eyed, his knee-length white-blond hair hanging loose. He knows he’s safe. The special Directorate handling the Underworld is not a high prestige Directorate, and his lack of stage presence or flair doesn’t seem to matter as he mumbles his way through a description of the plans of the Dead he’s thwarted and the three Abyssals he’s slain, two serving the Walker in Darkness and one the Black Heron.
But that’s not what interests her. What interests her is the little gasp she hears that comes from Ixy. Prompted by, specifically, that mention of the Black Heron.
Keris cuts her eyes across to her newest junior, but doesn’t say anything. Now isn’t the time. After the boasting, though, after Calibration, when they’re back in Creation... oh, she’s going to be following up on that. It might be as minor as the Black Heron being known and feared in Chiaroscuro. Or it might not. Keris doubts that her similarities to Ixy go so far as them both having a lost friend turned deathknight, but... well, she did get that sense of a half-seen figure in Ixy’s past, someone she desperately wants... something for.
‘I swear,’ Keris mutters under her breath, not letting the words emerge even as a subvocal whisper. Deveh is sitting nearby, after all, and she knows his hearing is as good as her own. ‘If she has a Rat of her own, I’m going to accuse the Maidens of playing games with me. I cannot be that unlucky.’
Compared to that dark thought, Peleps Anadala is light, easy and refreshing. He has things to say about politics and the way he’s influencing the Pelepese and the cabals of well-fed, well-educated men and women in the Navy who are benefitting greatly from the way things are who welcome his false faces and his allies into their ranks. He’s a corrupt little man, but Keris likes him - and she can already see further ways to work with him weaken the Realm’s ability to project force into the Anarchy, especially once they start building on the work she did in Nagakota.
There’s a gap for the twenty first seat, that Slayer who’s never been seen, and then it’s the shaven-headed figure of the fallen Immaculate nun, Azure Fist, whose form is tattooed with iconographic images praising the Yozis and whose robes are the red-brown of old blood. She’s even more experienced than Keris, and she’s the one Glorious mentioned who’s behind the Scarlet-worshipping cults in Pangu and who’s rotting the organisation she once devoted herself to. Keris thinks of Sasimana and how her Immaculate faith has become just as firm belief in the Yozis; Azure Fist is the same, but she’s added a terrible rage and hatred towards what she once was. Keris can hear the contempt and vindictive spite as she tells the story of how she hid herself as a lost waif and let a nunnery take her in and destroyed every last one of them with the venoms and poisons of the Great Mother, letting only the ones who joined her in apostasy survive - though no less changed in mind and body.
The fact she’s survived so long with so much rage and hate in her is... surprising, and says a little of how dangerous she must be.
Someone to avoid, Keris thinks clinically. That kind of loathing is a sword without a hilt - Keris knows; she’s been there, or at least brushed up along the edges of it. Azure Fist has survived this long - longer than Keris’s own career; she remembers the woman from her first Calibration - by keeping her vengeful feelings leashed to the patient planning of the Desert and the toxic, elegant subtlety of the eroding Sea, but both Yozis have fits of rage that break their usual composure. Keris doesn’t doubt there have been times when Azure Fist has lost her temper and burst into sudden murderous violence. They’ll be rare times, and so far she’s won every time - but each burst of sudden fury is a chance for her to get in over her head. She’ll last far longer than those who charge into danger regularly, but the storm of her outrage will be her undoing someday, and Keris is quite happy staying well out of it until then.
‘I just hope Sasimana hasn’t been spending too much time around her,’ she worries. ‘She doesn’t like Glorious, but I wouldn’t be at all surprised if she were making quiet ties to some of her underlings. Maybe even angling to take over the Central Directorate whenever Glorious falls apart.’
“That is interesting,” Dulmea considers. “Could they be closer because they are alike, or are their differences too stark to allow such closeness?”
‘I don’t know,’ Keris muses. ‘Hmm. Might be worth just asking her. Sasimana, I mean, not Azure Fist.’
And then it’s time for Deveh, Director of Blood and Salt, and Keris’s lips can’t help but purse.
In his arch, faux-humble voice he lays out the situation in An Teng - the aristocracy of the High Lands have been brought into compliance, seeing well that they benefit from a system where they are on top and this is their place and none can breach their station. Men and women in the iron mines in the mountains divert iron without questioning their orders; hidden villages of smiths forge swords and grow no crops, relying on the food brought to them by others. An Teng is primed for a rebellion, and the Seven-Stranded Vine is primed to take control of it. When the moment comes, the Shore Lands will discover they are alone, and that a human hive of soldier-men optimised for the act of rebellion will strike. There are demon lords in party to this plan, and in secret places thaumaturgists release demons into the world through geomancy-channels built into the warped, ordered landscape.
Deveh has turned what seems like half of Tengese society into a mechanism, a trap for the Realm. A trap for the Realm because when the Realm tries to take the land back and put down the rebellion, there is a counter-counter attack waiting to close on them as they arrive on their ships. Keris isn’t sure what he’s referring to, but it might be he’s put aside his dislike of the Lintha. Or it might be something else.
It might not be this coming year - but, he promises, it will come.
So many people are going to die, Keris thinks, and if she can’t keep the loathing off her face as she looks at him, this pretend-humble pretend-compassionate madman talking about a war he’s already killed so many for by hollowing out their minds and souls, then at least it’s nothing more than everyone expects of her.
But her masters love it. He must have been working on this before this year and only revealed it all now when he wants to look good for them - or possibly it has reached a point he thinks no one can stop him. Regardless, he will be esteemed in the eyes of the demon princes for this, and only more so if he succeeds. This is not slow and incremental; this is a nation brought into the service of the Yozis through the cult made up of members of the old royal family (a different branch to the one Atiya descends from, Keris presumes) and the promise of a trap to destroy a Realm legion.
He smiles at her when he sits down; kind, benevolent, a smile to his esteemed peer. The fucker.
Keris thinks of Choson, thinks of Rala waiting to file the paperwork as soon as the All-Thing closes for the second half of the boasting and traps everyone here for four hours as her claim on the archipelago gets pushed through the gears of bureaucracy, thinks of the slap in the face she’s going to give him in just a few hours, and smiles back like she’s slitting his throat with it. She even throws in a couple of claps of mocking applause.
There’s a gap for the Scourge next to Deveh, because that is where the assassin Fang used to sit and his successor still hasn’t been inducted to Hell. Which leaves just one more to speak before the end of this part, and it is the priest Third Leaf. Keris has heard some of their story mentioned in passing by Lilunu, and it is a sad one; a slave boy sold to the priests of a Great Forks sect, castrated to be a singer for them and hurt in worse ways too - and when chosen by the demon princes, they understood that the gods that permitted this to happen do not deserve their freedom. They’re a hulking, soft-featured eunuch, not a man or a woman but here in Hell they show the many, many soul-gems of trapped divine spirits that bead their silks. A person of terrible appetites, revenge only one of them, and with the Directorate of Heavenly Affairs they’re Chrysanthemum’s pet serial killer.
Emphasis, if the stories are true, on ‘pet’.
‘Well,’ Keris thinks to Dulmea, cracking her neck a little. ‘That wasn’t too bad for four hours of sitting still and listening. Now, do I use the intermission to grab a couple of hours sleep, or do I go talk to Oha Luhan and Sasimana and check in with Rala that everything’s ready?’ She blinks long and slow as the wrap-up speech and subtly rotates a shoulder, assessing how much her eyes hurt and her muscles ache. ‘... probably couldn’t hurt to get some more rest,’ she decides. ‘Even if I can’t actually sleep, I can go dunk myself in a bath for a while and give my body a break.’
Everyone around her seems stiff and tired, and so Lilunu’s invitation to “Eat, drink, make merry! Celebrate your great achievements and return to hear the rest of Hell’s triumphs when I call you all!” is very welcome to many. The ones who have spoken are getting attention from the demon princes and other peers who want to make contact with them, and so that gives Keris some time to escape. She catches Lilunu’s eyes on her and sees her lady’s shoulders slump, as if she’d like nothing more than to have some time with Keris, just the two of them in one of her art rooms - but then Ligier is there by her side, sweeping her into a low kiss.
Keris gets up from her seat without too much fanfare and takes the empty wine bottle with her as she leaves. She’s probably not got time to go all the way back to her estate, but Rala is waiting close to the Reclamation offices to file her claim on Choson once the second half begins; Keris can check in with her and then catch a nap in Lilunu’s rooms. Her lady will be fine with it. If anything she’ll be delighted that Keris is getting more rest.
Chapter 40: Calibration III, 775
Chapter Text
Yet again, Keris is denied both rest and sleep. Her bones groan at her, and yet her mind remains keenly awake.
A golden-light hyena trots up and informs her that Claudia needs to speak with her urgently about the matter of the business deal for staffing her palace upon the Street of Golden Lanterns, and that she’s waiting for her in the Obsidian-and-Pearl meetinghouse on the Lost Dreams Street. And that’s a meeting that can’t wait given the time-criticality of the whole deal. She needs it in place by the fourth day of Calibration and the fact it’s taken Claudia this long to get back to her indicates that either she or Ipithymia are playing silly buggers.
Claudia is waiting for her, sprawled out in one of the seats with her human-skin coat belted tightly around her and high-heeled boots made of woven night on the table. An obsidian collar is visible around her throat, the golden coin sigil prominent on it. Ipithymia may well have collared her hound more tightly - or maybe it’s just a mark of allegiance here.
“Keris,” Claudia says, voice husky in greeting. “Lovely to see you again.”
“Claudia,” Keris returns. “Fuck, it’s a relief to see you; I was starting to think Ipithymia wouldn’t get back to me. I assume this is her getting back to me, yes?”
She keeps a little distance between them - more than she usually would. She’s not lying; it is definitely a relief that she’s not going to have to hastily modify her announcement tomorrow - assuming Ipithymia is agreeing to her offer by sending Claudia - but she’s still not completely over her time on the Street. She’s not holding too many lingering hard feelings towards Claudia herself; the Golden Hyena hadn’t been the one to insist on the penalty clauses being behavioural instead of financial and she’d done her best within her Bans to give Keris a break when her contract with Baaji had fallen through.
Still, though. The uneasy ghosts of the contractual enslavement, the fall of the Blue Order and Keris’s berserk episode in late Earth linger between them. At least it doesn’t look like she did any permanent damage to her sort-of friend.
“Yes. It is quite an unusual offer, no?” Claudia says, tilting back in her chair slightly, the legs squeaking under her weight. “Such a strange one for my greater self. She hasn’t seen the like before in a very long time, she says. What led you to come up with this idea?”
Keris throws herself onto another long couch, legs spread wide in a power stance. The Obsidian-and-Pearl meetinghouse is all monochrome shades; beautiful white pearl reliefs intercut with jet-black volcano glass. The tiled floor is an interlocking mesh of tiles shaped like beasts and birds and bugs and all manner of other creatures; each animal designed to fit perfectly into those around it without the slightest gap, all alternating between black and white so that no two neighbours are ever the same colour. The furniture is all themed around one or the other too, and Claudia is sprawled out on a near-luminescent white seat while Keris’s is midnight black.
“Honestly?” she says. “A combination of things. Her rent on my palace means I need to either man the place or sell it back to her - and I earned that gilded cage fair and square; I’m not giving it up. I could just recruit from existing demons to staff it, but then I’m competing with every other gaudy place of pleasure on the Street; I won’t make anything like what the sole brothel run by Keris should earn. And I’m the Mistress of Ceremonies, which means I need to come up with interesting entertainment every year for the Calibration festivities. So I decided to solve one problem with another. This competition will be more free advertising for Ipithymia, which she’ll appreciate, and it’ll give my palace a unique selling point. My unique selling point. Uniqueness itself. Exclusivity and novelty. An experience you can’t get anywhere else.”
“Ipithymia’s time is very valuable...”
“Okay, sure,” Keris shrugs. The ease of the dismissal stings; it’s intended to. Let Claudia come at her with this bullshit; Keris planned for exactly this kind of haggling. She’s not married to this plan. She has alternatives.
“I’ve already got two major events planned for tomorrow,” she continues dismissively. “Maybe I’ll have to improvise another announcement to fill some space, but you know me; I can come up with something. I’ll deal with the rent issue some other way, my palace ticks over with a trickle of the business - and therefore tithes - that it could be making, and Ipithymia doesn’t get any advertising done in the Conventicle under the eyes of all fifty Infernals and half the demon lords and princes of Hell. Not this Calibration, and probably not for the next few decades, either. After all, if I’m not directly profiting from managing a palace there, I have no reason to talk my lady into opening up the gates she sealed.”
She leans forward. “Or,” she adds, “she could spend a little of that valuable time judging my competition, and getting to make offers to the winners to supply her with what they produce after my exclusivity leases run out.” Her grin is vicious. “It’s entirely up to her.”
Claudia sits up, feet off the table, and leans forward. “And that’s what she wants to know. Are you in the game, or out of it? Because how you left the Street, she was thinking you thought you wanted out. But right now, you’re sauntering back in with a flick of your hips and a low-cut dress.” Her eyes take in the sharp lines of Keris’s outfit. “Metaphorically speaking.”
“If you want to see me in a dress, come back tomorrow,” Keris says dismissively. “But yes, I’m still in the game. I just needed a break.” She cracks her knuckles. “So, is she in or out? My other two judges have both said yes, so I’m just waiting on her.”
Click-click go the heels of her boots as Claudia pulls herself up, pacing from the light into Keris’s dark. “And this is the message that she has for you,” she says, unfastening the tie of her coat, “prove you’re still in the game. She has procured my services for the purposes of testing you. And this is her instructions to you - use me to prove that you’re not just the Voice of the Mouth of the Yozis. If you want to be one of the madams who lets from her, show you can bring me to heel enough that she thinks you’re worth investing her time in again. Use me as you see fit, and she will judge you on it. And then give your speech, with both her and you knowing what you did to me just before it.”
Under her customary coat, Claudia is done up in a bondage harness, black straps and golden chains that all connect to the black collar and its golden coin sigil. She is trapped up, trussed up as a gift. A cruel gift, and yet one of great value. But is that not Ipithymia’s way? And this is Claudia, so she’s being paid very well for this - but does this really change the circumstances of this matter?
Keris hesitates. Unease swirls for a moment. This is a test, and it’s one she can pass, easily - but does she want to be that person? And yet, if she isn’t… Ipithymia will know she’s not committed.
Her pause drags out too long as the seconds tick by. Claudia watches carefully, noting the uncertainty but offering no comment, filing everything away for when she reports back to her mistress. This is already one mark down against Keris. If she’s going to impress Ipithymia, then, she needs to make this good. But she wants… ah, she wants to make it clear that she can’t just be cowed into being who the Street of Golden Lanterns wants her to be. To stand up for herself. To tweak Ipithymia’s nose.
An idea blooms. Keris’s left hand twitches, and she reaches into her hair for her tools. Specifically, for her body art kit. The tattoo needles she won’t use; they’re a little too lasting. But the alchemical paints that need special formulas to come off, and especially the dyes that will last for a good week or so before fading…
She grins a wicked grin little, eyeing up her canvas. Yes. Yes, this will be fun. She won’t hurt Claudia. She’ll give them a nice time they’ll both enjoy. But since Ipithymia has gone to the trouble of wrapping up her wisdom soul so prettily, she’ll go back to the Street wearing Keris’s colours. A little reminder that subversion can work both ways.
“Come and kneel down for me, then,” Keris says, mischievous glee bubbling up into her voice. “If I’ve only got you for a couple of hours, I better make the most of my time.”
In the end, Keris sends a sticky, dyed, thoroughly marked Claudia out as her contract signature, and then finds herself with about five minutes to get herself cleaned up and dressed. Her previous outfit is ruined - and she can feel Ipithymia’s intent in that. Another testing act of spite. A reminder that in Hell, there is no beauty without malice and the Street of Golden Lanterns is a beautiful place.
She’ll have to act fast to prepare herself for the resumption of the grand ceremony.
“Stri,” she whispers. “Time to stretch your wings. Come on, sweetheart. Let’s look good.”
Her armour purrs. Silver spins out from her tattoos, covering her, bulking out and out until she’s covered in dense slabs of smooth metal that themselves are soon covered by thick layers of moonsilver feathers. The superheavy armour cradles her feet, sheathes her legs, embraces her torso and wraps around her hands.
From her back, two mighty wings grow - each one twice her height in length; a span of silver six metres across with a breadth from shoulder to thigh. She threads her hair into their hollow bones and beats them once, twice, thrice, then furls them behind her like a pair of grimscythes on her back. Even folded tight, her wing-claws curl a foot above her head and her pinions are barely shy of her heels.
The ferocious, predatory helmet - the feathered, cat-like face of Pekhijira - closes around her head, completing the protection. Keris reaches up to slide the faceplate up; a snarling beast upon her forehead, and wears it above a smile like a knife.
Show time.
This time the Infernals are directed to an antechamber before they take their places again, although Keris is late enough that she earns a clicked tongue from Lilunu and a few glares. But the music plays again and then Hell’s chosen proceed out, feted with flowers and clouds of incense, circling the great theatre before they are shown to their places.
Keris catches Ipithymia’s dark eyes. The Gilded Idol - oh, her lips are still black, and Keris can see the paint on her horns. And more than that, she’s wearing a high-necked backless dress that nevertheless covers up her chest. Perhaps covering up the scar Lilunu gave her. Or at least wanting people (Keris herself?) to think she’s still having to cover it up.
Keris flicks her wings, just once. She... still hasn’t quite got the hang of flying with them, but a full season of practice (with Kali’s helpful advice) has familiarised her pretty thoroughly with how to make use of them on the ground. They’re massive, and even disregarding their sharpened edges, the force she can swing them around with would be deadly all on its own. It’s a formidable sight, and it lends her confidence as she smirks up at the Gilded Idol and nods in acknowledgement. That earns her a nod and a smile. Ipithymia’s smiles are beautiful.
But then Keris is at her seat, and she sits. There is another speech from Lilunu, an orison to the Yozis, and then the first speaker. Xansu Chunhua pulls herself to her feet, shouldering her once-molten blade, and Keris gets the unpleasant sinking feeling that some people will be comparing Xansu in her hulking black armour to Keris’s much more sleek and... uh, obviously feminine get-up.
And her story is very clear; she is the one who called in Geasa, and she’s been working with him against the Company of Martial Sinners, the deathly mercenary company of the Walker in Darkness. There are places in the Scavenger Lands where the land is burned to ash and salted with the gifts of invisible flame, where she has laid waste to the Dead and smote down their champions; shadowlands where to walk past the border is to experience the agonising kiss of the Great Mother’s poisons. And she tosses a sack before her; great and mighty grave goods taken from the ghostly champions of the Walker, offerings to the Unquestionable to let burn in the light of the Green Sun or make use of as they see fit.
Keris knows Xansu enough to know that such offerings will only be the ornamental, decorative, or ceremonial things. Things that she cares for she will have kept. Maybe even let her sword feast on them.
“They’re going to think I changed to copy her look,” Keris grumbles in the privacy of her head. “Just because she used to teach me. Ugh. I bet Ipithymia gave Claudia deliberate instructions to ruin my clothes. I should’ve used those tattoo needles after all.”
“Perhaps, child. But does it not stand out to you? That people have been less subtle than previous years?” Dulmea enquires. “I think other Directors have been pushing people to get results to make them look good, regardless if it results in a loss of,” she sniffs, “professional pride.”
“Mmm. And now we’re getting away from the Directors, we’re really going to see that.” Twelve of the twenty five Infernals in the first half were Directors; half the speeches had been from the leaders. This next round of boasting will almost entirely - save her - be of subordinate Infernals whose actions have already been partly claimed.
Pale, scarred Won O-For is the next to speak, hooded and wearing a demon-leather jacket. He’s been stalking members of House Ragara, and preying on them - and taking their place when he gets the chance. He’s been working his way up, following a web of connections and clues. But what he announces here is something that produces a rumbling stir among the audience. House Ragara has found an ancient city of the Urtalmic, buried deep below the Realm, and are digging up the ancient blood that runs through them.
“The Urtalmic?” asks Dulmea. “The name is not familiar to me.”
Keris frowns. It may not mean anything to Dulmea, but it rings a very faint bell to her. Something in... maybe one of her occult tomes. She’s read so many - devoured them, really, gorging herself on the knowledge of Hell’s scholars and alchemists. It all blurs together to some extent, but right now her mind is as sharp as it’s ever been, and she focuses hard as she sifts through everything she can recall to try and pin down where she’s heard that name before.
She only knows about them because she has dived so very deep into obscure alchemy sources. The Urtalmic were a pre-human Primordial race, or possibly variant human (there’s some question as to which is the case, or whether one became the other). But this is the crucial point; the blood that flowed in the veins was the Urtalmic, and they were both words and knowledge, for they were beloved of He Who Bleeds the Unknown Word. The Urtalmic were - are? - a legacy-remnant of the titan who became Elloge.
And a House of the Realm is digging up their city?
Eyeing Won O-For warily, Keris decides to put a talk with him on her list of things to do as well, and tries to remember exactly where House Ragara is on the Blessed Isles. If she’s really, really lucky, it’ll be somewhere on the southern coast; somewhere she can get to fairly easily. Because she wants to have a look in that city. She wants it badly.
Unspoken Sigil... well, doesn’t speak next, but the things they don’t say are effusive and florid. They have so much praise for Ku Shikom that they have nothing to say about themselves. They ascribe all their triumphs to their master, and seem to be taking the chance to give the sorcerer a double boast - which really isn’t needed. Keris sort of wants to grab them and shout at them that this is their chance to make a name for themselves. But there’s only one person here they want approval from.
She glances across at Ku Shikom, ready to glare. Because fuck, if Sigil is going to offer this kind of loyalty so freely and earnestly, Ku Shikom fucking better at the absolute least be giving them the approval they so desperately want. Keris will commit violence if they aren’t. Probably not right now, but certainly as soon as it’s convenient. But while Ku Shikom is paying attention, she doesn’t have enough time to judge if they’re paying Sigil back for their devotion. Any necessary glaring will have to wait. Because now it is the turn of seat twenty nine. Now it is Keris Maryam Dulmeadokht.
She stands from her swing chair and spreads her wings. The six-metre span of silver unfurls again to frame her, held high and angled back so as not to block the view of her neighbours. Her hands stroke the air, and music spills from the strands of Time - music that lulls at the madness of these residents of the demon realm like the washing of alluring tides.
“Honoured Unquestionable, gracious lords and ladies, peers,” she begins, her voice lyrical and smooth. “This has been a good year.”
And all around her, the shadows sing. Tenebral images bloom above her, out in the centre of the great ring of seats. A few others have illustrated their speeches, but nothing on this scale. Keris is a born performer, though - and a performance is what she will give her masters. The flickering essence flares and swirling shadows spread out twenty, thirty, forty yards and pool in mid-air to form a map of the Anarchy, with currents running through it to show the trade routes that enrich the Realm.
“The Anarchy,” Keris continues, her voice ringing clearly through the All-Thing, as much song as speech, “boasts a wealth of natural riches. But the Realm’s grasp on them is slipping. Triumphant Air is their naval base, their vanguard into the Southwest. But my spies there monitor the movements of their fleets and move among their nobles, finding corruption and weakness to exploit. Saata and Ca Map are the towers that frame the Gulf of Strife, and in each of them I have eyes and ears and hands.”
Each location pulses with a ripple of rainbow-edged red as she speaks, her wings flexing behind her with the rhythm of her words and the infernal cadences of her music.
“I have sought out the sources of the Dynast’s riches and sent Peer Matachim to devastate them with the backing of my warship,” she continues, warming to her topic. “I have collaborated with Peer Anadala to assassinate their officials throughout the Anarchy, killing or corrupting those sent to investigate, working my grip still further into the Imperial Navy.”
Shadowy figures in Realm uniforms appear, expanding from different places on the map to stand at attention and then fall to gruesome fates and fade away - or turn and prostrate themselves before the symbols of the Yozis. There are no small number of them - and no small number of satrapies they appear from.
“But perhaps,” Keris smiles, “my time in Hell this year gives some of you cause for caution. Perhaps you feel these offerings are insufficient. That my time has not been adequately spent in service.”
Her smile is a slit throat dripping crimson streams from beneath the face of righteousness. Her song is the fall of nations to the agents of infernalism; wicked and anticipatory and triumphant all at once.
“You need not worry,” she croons. “Because Triumphant Air is only a symptom. The forward naval base that sits above the Anarchy, yes - but only that. Unquestionable highnesses, exalted masters, honoured lords and respected peers. Let me tell you of Choson.”
Her shadowy performance focuses in towards the top of the Gulf, showing Triumphant Air - and the Choson archipelago. The symbols of the Great Cities form in their respective locations, with the five-headed dragon over Nagakota.
“Triumphant Air boasts an Immaculate monastery,” Keris purrs, “but their monks are trained in Choson. Triumphant Air is a naval base and satrapy, but it is Choson’s bulk it would fall back on if ever pressed. Triumphant Air is a colonial satrapy, but it is Choson whose wealth and size serves as an anchor atop the Anarchy. Yet it’s not of the Realm, culturally. Choson is a land of martial artists who rule by strength, a collection of city-states who follow whoever wins the ten-year tournament. For the past three hundred years, that has been the grandmasters of the Realm, who claimed the Great City of Nagakota for the Five Dragon School. Our Reclamation has left it untouched and untroubled thus far. Has done nothing with the opportunities Choson offers, or the threat it poses.”
That slow, cruel smile spreads.
“Until now.”
The image dissolves, and the Things in Corners add a chorus of mocking laughter to the echo of Keris’s next words.
“Nagakota,” she grins, “feels much less great, of late.”
The formless shadows writhe. The undulate. They split, and divide, and split, and divide, and as they spread they take form as an army of tentacles and mist; a landscape panorama of nightmares. Painted in dark colours for all to see is a vast oncoming fog bank of churning mist and tendrils, all haloing a figure wearing the self-same armour the Director of the Anarchy wears now.
“This Fire just past,” she informs them with sweet triumph, “I put a plan a year in the making into action. I went to Choson to pick up Peer bi-Musa, my disciple and one of my new subordinates in the Lower Southwest. And then I led an army of eristrufa a thousand strong in an attack on the Great City of Nagakota. I razed their harbour and left nothing standing of their naval docks! I shattered the battle-squadron of the Western Fleet that was moored there and left every ship a wreck on the seabed! I turned the satrapal palace into a smoking, poisoned crater and spread terror and hysteria throughout its people!”
With every claim, the swirling images of dark light and dancing shadow paint the scenes for the pleasure of Hell’s peerage. The ravaging of the docks. The sinking of the fleet. The destruction of the palace and the terror of the population.
“And then,” she concludes smugly, “I sailed away - with a Realm jadeclad as my prize and a contingent of naval prisoners for my trouble, leaving the eristrufa to plague Choson’s trade routes for months or years to come... and leaving Unquestionable Molacasi unbound and free, in the corpse of their precious satrap, to indulge himself in their Grand Temple of the Water Dragon to his heart’s content.”
That gets a lot of eyes sharpening. As many as Ku Shikom’s claim did. She’s not claiming to have done it through sorcery - but what does that matter, if she can engineer the release of the demon princes in other ways?
“Majesties, highnesses, lords and ladies,” she finishes, “I have great plans for the future of the Anarchy, and of Choson. I trust you will be as satisfied with my successes in the future as you are with what I’ve brought you today.”
A moment of silence - true silence, so rare in Hell, even the musicians momentarily stunted by the immensity of the play. For even Ku Shikom did not boast about what he had Ululaya do for him.
And then comes the noise.
Great limbs slam together. Molacasi is here, towering at the back, and his fellows around him are there to ask ‘Is it true?’ ‘Were you called forth?’ and he laughs and confirms it, as he applauds with his hand and the thing attached to the other stump. And those who see him know that she tells the truth, or at least that he is willing to play along.
There is interest in the dark eyes of Ipithymia. Not interest in being summoned, not per se - interest in the performance she’s putting on. On what she’s selling. Because she, alone of all the Unquestionable here, knows how many of the demon princes Keris has known and she also must have put together that Keris has been getting her hooks into them. If for no other reason that it’s the same game she plays too. Her applause is not for the achievements, but for the presentation - and the secrecy.
Less unadulterated praise in the eyes of her fellows. Oh, Suriani is delighted, not least because she knows she’s hitched her horses to a great star of the Reclamation, and Sasimana’s eyes are wide. But Ixy is staring with wide eyes at Keris, clearly unable to guard her feelings, and Ku Shikom’s back is stiff upright and more than a few other Directors are looking sourly at her.
And what Keris is looking most for. A proud little smile on Lilunu’s lips.
Well, maybe not most. Because there’s a sour cast to Deveh’s eyes. He knows she’s shown him up, and more than that, she’s also done it to steal something from him. Other people will believe Keris when she says she did it to further the goals of the Yozis. But he knows she’s much like their masters, in that her spite is bountiful and her envy washes away the souls of men. He’s not angry, no - it’s not a blow against his goals.
But it’s an insult.
Keris can’t help but send a sweet, spiteful smile his way, and then dismisses him just as quickly to beam at Lilunu. Ixy and Suriani - close enough together that she can glance towards both of them at once - get an amused wink. She bows first to Molacasi, then to the Althing at large, before furling her wings and reclining back into her swing seat again, yielding the floor to Yala.
Yala unfolds from her seat. She’s almost as tall as Keris just when sitting down, and some might even consider it amusing. There is monstrous fae blood trickling down the back of her calves from the ever-fresh skin she wears.
She does not wait for everyone to fall silent. It is just that now eyes are drawn to her like iron filings to a lodestone.
“I am the shaman and seer of Kaj, the Lord Crowned by Black Antlers,” she says. “He rises in the wreck of the Bull of the North’s Empire. He rises, guided by my dream-reading and my spirit pacts.”
This is the story she weaves; the mighty stag-riding Kaj, once a lieutenant to the Bull of the North, then an exile and foe to the Bull, listens to her - and takes willingly the spirit pact she rises. The icewalker tribes who never bowed to the Solar unify under him. Kaj has the blessings of powerful spirits, pacts arranged by her, and the spirit courts that oppose him fall into disarray or are eaten. The husk of that Northern bloom-empire, Plenilune, is cut off from many of the steppes, and the warlords who once followed the Bull squabble among themselves. Ten years ago the Realm would have swept in to take revenge, but they cannot act, not with the omens muddied and the Deliberative unable to pass funding bills - and there she nods to Glorious and Sasimana.
This will be the Bull’s legacy, shoulders curled in mock-laughter; the ascension of demons to be the great spirits of his people, the death (and more than death, consumption) of their old gods.
Keris whistles quietly and joins the applause for her neighbour when it comes. This is a scheme she’d be proud of - and perhaps makes sense of why such a huge, battle-loving woman is nonetheless a Fiend.
But despite the attention she’s still paying to the speeches, half her focus is turned inward. Looking for approval.
“What do you think, mama?” she asks eagerly. “Did I lay it on thick enough? Or could I have stood to share my little tussle with the Dhul Republic and my plans for diverting trade routes, too?”
“No, child, you did well,” Dulmea opines. “Promises are easy, and other people have made the mistake of letting their promises for what they will do take up too much time. You offered results, and,” there is a sardonic note there, “results accomplished on top of lying on your back for a notable proportion of the audience.”
“My work on the Street bought me credit with a lot of Unquestionable, mama,” Keris says reproachfully. “I know you don’t like it, but don’t pretend I don’t have a lot more support now than I did last year. And as long as I deliver solid results, I won’t use any of it up on keeping my place.” She grins. “And did you see Deveh’s face? Hah! I bet he and Kasteen are seething that I’ve just stolen Choson out from under them and they can’t do anything about it for another four hours.”
Rala, she knows, will be filing the paperwork to claim the archipelago for the Lower Southwest as they speak - justified by the fact that Keris has conducted a major operation there and made a strong case for how it’s connected to Triumphant Air, which in turn is the major Realm presence threatening the Anarchy. By the time anyone gets out to contest the claim, she’ll have pushed it far enough through the bureaucratic wheels of the Althing that it’ll be very hard to stop.
Dulmea is more wary than Keris, or perhaps more pessimistic. Still, their discussion lasts through the whole speech by the Dragon Mattoc in his sun-worn robes and bright purple headscarf that doesn’t cover up his hawk-like face and demon-mawed hellwand, and the raids and devastation him and his kin-band of mercenaries have wrought across the South. First Cat - sorry, Our Lady of Light - follows him and she speaks and conjures images of cults and worship and truths revealed among the wealthy of the rich cities of the Yanaze; enlightenment to hidden truths for Nexan merchants and priest-consors smuggled out among their ranks to spread far and wide. And then there’s Yalei Zamique and she’s a strange one, dark skinned and wide-eyed and twitchy, Geasa’s only underling in the division of the dead, and she has called up ghosts and gathered information on the workings of the Dead (and there are mutters, so many mutters about how this woman whose song is of the sibling dragons of the Yozis is a self-proclaimed necromancer).
“I wonder if she’s met Fossyi?” Keris thinks to herself. She suspects it’s likely, but if not, there’s an opportunity there to earn some gratitude and a minor favour from a peer by arranging for an introduction. Not something important enough to pursue as a priority, but worth remembering should the opportunity arise. Keris has had enough unpleasant run-ins with the Dead that someone skilled at dealing with them - even if she’s strange - would be a good contact to have.
Pohkanza pulls herself to her feet, rising from her seat of curling reflective branches rising from a sandstone stump. She is barely recognisable as the woman who Keris met on the Street of Infernal Artisans; naked save for a tanned god-skin bound around her hips as a short skirt, painted with woad and a bright yellow plant-dye, her hair threaded with rough gold and wolf-fangs and her arms bound with bangles, a long-bladed hell-twisted bident with one prong of orichalcum and one of moonsilver resting on her shoulder. This is the face of Pohkanza Keris has always seen before. A lie for the Althing — but then again, she is an empty ring.
“The Gathering Suns are broken, and the Unclouded have fallen by my hand,” she begins. “Desert claims their plains. This year, each season I slew one of the Golden Men, and,” she works her shoulders, and silver-clawed hands tear out of her back, each one holding a number of pure gold eyes, “I bring the right eye of each Golden Man as proof.” She spreads her arms, all of them, flaunting her prizes. “Who can stand against me in these lands? Who can face me down?”
And that is just the start. She is a braggart and she might not quite have Keris’s flair, but she has so many heads to claim victory over and so much chaos brought to the lands of the Gathering Suns. She is, Keris thinks, a woman who has heard that the Directors are competing for acclaim - and is making her own play to exceed the low-achievers among them.
Keris just sighs wearily. “A treasure trove of ancient automata and their lineage-bound masters,” she bemoans, vaguely aware of the Unclouded and their Golden Men from past bragging sessions. “And she just breaks them all and kills everyone with the bloodline. Instead of, I dunno, subverting the current heir, or stealing the blood and wiping out the family lines and leaving the Golden Men intact but inactive until her neomah-made heir comes of age, or... anything. Anything besides just destroying what she could use instead.”
She keeps her disdain off her face, but scoffs inwardly. “It’s very impressive, yes, and I’m not surprised they’re applauding. But this is why she’s never made Director. She’s wasteful. And has a chip on her shoulder the size of the Omphalos.”
Dulmea’s pride is clear when she replies, a level of praise that is unusual for her. “Oh, child. How you have grown. It is wonderful.”
A burst of warm, squiggly feelings bubbles up from Keris’s stomach, and it’s all she can do to keep herself from blushing and ducking her head. “I mean... I learned most of that from you, mama,” she mumbles back, superficially embarrassed but clearly lapping up the praise.
“Yes, you did, child.” Dulmea understands how it could sound, but doesn’t care. “It took a lot of effort, but you learned - learning from me, and growing up with the children to force you to slow down and think.”
Speaking of thinking, the next is the first of Deveh’s underlings, Izn Khabo; a big man with a big belly and big laughter, his hands painted with henna and a tiger fur collar worn over his showy silks. He calls the other peers ‘friends’ as he talks, and speaks of the web of contacts he’s spread out over the South West, the profits he’s making, the way the Lintha come to him to fence goods and acquire things. Keris can see the contempt-rivalry in Orange Blossom’s eyes because she knows her ex, but she gets a different vibe from him. This isn’t a man who wants to own the world; this is a man who wants to risk the world in one big gamble. One who lives for the thrill. And that is why he’s Deveh’s ambassador, no doubt, because it gets him out of Deveh’s web of control.
Keris watches him closely, eyes narrowing - not with scorn, but with interest. Because this, certainly, is how Deveh is reaching out to the Lintha, if it is the Lintha he was talking about in his speech. But perhaps there’s potential here to peel away one of his underlings to be more loyal to the Lower South West than the Upper.
Granted, Deveh is unfortunately not entirely without the ability to win people over - it would be much nicer, and he would be far less fucking annoying, if he didn’t have that stupid haughty holier-than-thou religious charisma that lets him talk pretty about order and the ‘greater good’ until he’s hollowed out people’s heads enough that they’re not people anymore. But on the other hand, he’s still fundamentally Deveh. Very few people like him, and most of those that do are crazy. Case in point; his closest ally among the Directors was, last Keris checked, Glorious. You’d have to be kind of crazy to find something likeable about him.
... the point is, it’s definitely worth trying to pull Khabo into a few “friendly meetings” over the coming year, ostensibly to discuss cooperation between the Southwestern Directorates and the Lintha after her attack on Choson so blatantly pointed the finger at them, and seeing if he can be won over to serve the interests of a Director who isn’t a walking crystalline prick.
“Is it really quite so necessary to be so acidic towards your peer?”
“Of course not,” Keris dismisses. “It’s a conscious choice on my part every time whether or not to be acidic towards him. And I always choose to be, because one: he deserves it, and two: I hate that guy. With good reason. He’s literally the worst of my peers, and he is up against some pretty stiff competition.”
“It’s just as well that this man Izn is big bodied. If he was lithe and athletic and a little effeminate, then the fact that he’s a risk-taking Fiend who’s compelled to gamble when he shouldn’t would make your intentions towards him tediously amorous,” Dulmea adds with her own acid. “And you still might be tempted.”
“Oh look, it’s Kasteen’s turn,” Keris says, feigning sudden mysterious deafness at that particular jibe. “Let’s see what she’s got to brag about.” She grins, sly and smug. “And how much of her time she’s going to put towards trying to tear me down, instead of building herself up. If she tries to do both, she’ll do worse at each of them. But if she focuses on going after me, she’ll waste her chance to make her own case.”
Kasteen pulls herself to her feet. She’s wearing a crown now, made of the broken fragments of shattered jade daiklaives, and a crisp white sash over a rich purple short-sleeved blouse. But what draws Keris’s attention isn’t any of that. It is the fresh tattoos Kasteen has on her forearms. She knows them.
Keris doesn’t pay attention to Kasteen’s blathering about being the Queen of Sharktooth, how she’s rebuilt the place from how it was sacked by the Vermillion Legion a decade ago, how she’s taken soldiers of the Realm Navy and broken them down into demonic mutants who serve on her ship. That doesn’t matter.
Not when she’s wearing the same tattoo patterns that Keris saw on Sisim, openly. And the colours, the marks, they’re fresh.
Oh, that stupid muscle-bound pirate. That idiot. She hates Keris. She used to be in Balanodo’s orbit. And Sisim hates Keris, and isn’t stupid. She must have attached herself to Kasteen, probably using those damn mental hooks that Keris stuck in her all those years ago and which she apparently never had the strength of mind to get rid of, stealing them and using them against her. Kasteen probably even thinks she’s in charge, that Sisim has fallen for her because she’s strong - because she hates Keris too - but unless she’s changed recently, she’s weak. And Keris saw how Sisim works and how much she’s learned from Keris’s methods. Sisim has Balanodo under her thumb, and the fact that Kasteen’s wearing Sisim’s marks probably means at the very least Kasteen is in her corner. Maybe more, given that Balanodo has his own powers to weaken the will and sap the mind.
Keris would almost be proud of Sisim. If it wasn’t for all this cold, clammy, fearful rage that’s sinking into her brain and making it hard to think. Killing Sisim... but no... but...
She’s fucked up. That’s very clear to her now. In retrospect, her mistake is obvious: she assumed that Kasteen’s poisonous quicksilver hatred would lead to the woman getting smarter, sharper, learning to control and channel her explosive temper. She was expecting the brutal pirate queen to become a potential threat; someone Keris would have to keep an eye on.
In short, she’d overestimated Kasteen by assuming she might be capable of not being a stupid gullible easily-provoked lust-driven muscle-brained rash overconfident wrathful moron.
Put like that, Keris isn’t sure how she hadn’t seen this coming. Fuck, Sisim patterned her new nature off Keris herself, and Keris is very familiar with her own tendency to make tools out of whatever’s conveniently lying around, especially people who already have reason to go against her target. This should have been one of her first worries as soon as she saw the demon lord’s new form.
Admittedly she’d been a little busy panicking then. Like she is now. Her hair surreptitiously ties itself in knots behind her and she concentrates on her breathing to avoid descending completely into a wordless po-state that would lead her to hunt down and brutally murder the threat.
“Sisim will be hard to eliminate,” Dulmea says clinically. “Between the borrowed authority of Balanodo and an Infernal ally who may be able to release her into Creation, she is a hard assassination target to first locate and then terminate. Are you aware of any other elements of leverage that Sisim may be able to secure over you that you can disarm or destroy before she can obtain them?”
At this moment, she is very much the housemistress of assassins.
The panic recedes like the tide as Keris’s training latches onto the lifeline. “Ah... let me think,” she murmurs. “She’s already got an in with Ipithymia, but the Street doesn’t play favourites like that; Ipithymia won’t help her against me, she’ll just profit from seeing who comes out on top. I don’t think she’ll be able to get any other demon princes under her sway, and I’m on pretty good terms with most demon lords. So that just leaves peers.”
Her fingers drum on her knee as Queen Mioxan starts speaking about... something; Keris isn’t really listening in detail. Instead, her eyes flicker around the circle of thrones, assessing each of her fellow princes.
“The Directors that don’t like me are too smart for her to get proper hooks into,” she decides. “Naan... might be a concern, if she can make it easier for him to go against me or fall into her sway than not. But at the same time, if she starts asking anything difficult of him, he’ll just rip free. Pohkanza’s probably got too much of a chip on her shoulder and is too closely bound to Corrusu for Sisim to sway, and she won’t be able to get both of them.” She purses her lips. “But she might well go for Ixy. Suriani’s too devoted to me to sway, but Ixy is scared and mistrustful - and if she lashes out, it’ll give Sisim an in. I’ll need to warn her. Or keep them apart. Ideally both.”
“I would be less casual about Suriani. You are planning to try to wean her from her helpless dependency, no?” Dulmea plays a guarded note. “That point is where someone like you might strike, where she is feeling the lack of what she wants, to offer exactly the toxic blandishments most desired.”
Keris presses her lips together. “Mmm. On the other hand, Sisim would be fighting Mara for her - and Mara will be far more willing to take violent measures against a fellow demon lord than she is against me. Still, you’re not wrong. I’ll keep an eye on both of them.”
“As long as you are aware of this weakness, you can act to remedy it,” Dulmea agrees. She pauses, Queen Mioxan still speaking while they barely listen to what her allied city-state has done in service to Ku Shikom’s great goals. “I do not know if you will have time for this, but if you need a hellish asset to watch her and be aware of what she is up to, we could consider finding a way to take control of my old house of assassins. Or at least hire their services.”
Keris hums, reviewing her schedule. She’s going to have to leave right after Calibration, but she doesn’t have much booked for the ninth scream...
“Where are they based?” she asks quietly.
“Eighty-third level, in the House of Beautiful Song - a black basalt canker-fortress located overlooking one of the favoured gullies of Sagarduia, the River of Crystal Fire,” Dulmea says. “Though in truth that is merely the spawning fortress and holding-grounds, and most of our work was done from houses of music located all across the King.”
Too far to travel to and from in a single scream. But perhaps worth sending a Messenger to. Hiring for a job like this will need discussion, though, so a Messenger would only be a way of opening communications, to be decided on in a meeting... probably not until Fire. “I don’t suppose you remember any music-houses near the Conventicle?” Keris asks hopefully.
“They are transitory cover-operations, sited to fool others that this is just a hiring-place for angyalkae - and we know not to work too close to the innermost layers,” Dulmea admits. “But if you were to send an invitation in the form I instruct you to the House, then perhaps you could arrange for certain senior figures to come to the Conventicle for next Calibration - if you cannot spare time to make the trip there yourself.”
“It’ll mean leaving Sisim unwatched for another year, but I guess that’s the best we can do,” Keris sighs. “Alright. I’ll send them a message after the bragging.” She takes one last shaky breath and turns her attention back to Mioxan’s speech, which is just finishing up.
The tall, dark-haired woman in her polished hell-brass armour and greened-orichalcum crown would be a good speaker, but she has too much self-regard, Keris decides. She has the talent to speak better and probably would in other circumstances, but she wants everyone to know that what she does is righteous and pure and blessed, and that just isn’t what the audience here made up of wicked hell-pledged infernal Exalted and demon princes really want to hear.
It’s something of a relief that they move onto Opoth, and while the other members of Naan’s clade are less muddy and more dressed, Opoth is merely less muddy. He’s the one with the filed teeth, lanky and lean and skinny in a way that only draws attention to his corded muscle, like Haneyl when she’s been burning herself out for a month, and his only concession to modesty are the spiralling, circular patterns that would be geometric if they didn’t have so many teeth painted all over his body. Even his seat is a fanged mouth, wreathed in flowers and wrought from colourless crystal.
He is a sorcerer, and proud of it, and a man-eater and equally proud of it. And he eagerly almost-drooling explains how the summoned spirits he has called up and consumed have given him the strength in the Dreaming Sea to turn stretches of wyld-polluted land into a place where natural law is consumption, and the weak rise up by devouring the strong - from without or within. And where the squirming parasites he’s bred and infected passing merchants with linger in their hosts and gnaw away not at their flesh, but at their destinies, freeing them from Heaven’s rules and giving them the maws to set themselves free.
Maybe it’s not so much of a relief to have to listen to him, at least for others, but to Keris? This is fascinating. He’s relatively new to all this, but he’s done so much.
“How much more would he have done without Naan’s influence?” Dulmea asks.
“Probably a lot more,” Keris huffs. “Mama, did you catch that stuff about how his parasites are gnawing at destinies, not flesh? I think he’s modifying how the seeds he plants in people work with sorcery. Maybe cast on them, maybe cast on himself - he’s set up filters that change how the Yozis’ powers express themselves through him. I’d never thought of that.” Her mind spins through possibilities. “I wonder what kind of things I could do with something similar...”
“I would be careful, child. It is likely he is only still alive because the Dreaming Sea is already rent and torn such that the gods cannot find him.”
It’s unbecoming to pout at the Althing, so Keris restrains herself to an internal whine of being cruelly and meanly oppressed by her mean cruel mother who doesn’t care about interesting sorcerous theory.
And then her eyes sharpen, and she pays full attention to the next speaker. Because they’ve come now to the Thirty Ninth Seat. It’s Ixy’s turn.
Hopefully, she’s remembered the advice Keris gave her of how to present herself well.
Ixy pulls herself to her feet. She’s been dressed up by Lilunu, but Lilunu is the one who taught Keris how to make people comfortable with clothing and thus she is wearing a hellish take on what must be Chiaroscuran street rat style. Rather than the rag-cloth chest-bindings she had at the last party, they’re blood-red silk; she has a loose burnous draped over her shoulders with the hood down and on her lower half she wears demon-leather trousers. She still has the battered firewands, though, and Keris feels a twinge of fear that she might shoot someone.
The fox-girl squares her shoulders like she’s about to fight someone, staring around the vast room at both her peers and the diverse and monstrous forms of the demon princes in the audience. Then; “I signed my contact with you at the start of Fire, so I een’t had much time to do nothing. But I burned down chunks of the docks of Chiaroscuro to show them gani that they got it coming, an’ I shot a whole buncha ghosts and watched as they burned up in green flame so nothing were left. So that’s what I got done in a month or so, ‘fore the voice in my head told me how to get back to Hell. Just think about what I’m gonna do next year, with that one,” she nods over at Keris, “showin’ me how to wreck shit.”
And then she sits down.
That... could have gone worse, and she is the beneficiary of low expectations. They didn’t expect anything from her, and the fact she did manage something is a mark in the eyes of the demon princes.
Keris gives her an approving nod, relieved that it went fairly well. Ixy was one of her big worries for this session - Suriani, by contrast, has a lot to boast about. And now it’s Magenta, who has followed Ixy’s gaze, and Keris raises an amused, challenging eyebrow at her as she waits to see what her sometimes-student has done this year.
There is still no sign of a physical change in Magenta - or at least if there is one, it isn’t something that can be seen here. That alone still fascinates Keris; she, Sasimana and Suriani all wear their po-pacts on their form, clear to the eye. What does that mean, that this small, spiky woman doesn’t seem to have changed at all by making a deal with her monstrous, burning po? And yet she’s wearing its colours, all hot metal reds and dull sooty blacks.
Compared to that puzzle, Magenta’s speech has few surprises. She’s got some gruesome tales of the revenge she’s been furthering, just like last time, but she hinted at some of the things she’s been doing for Sasimana when Keris went to that gladiatorial show with her, and this is mostly an expansion; murders of figures who might stabilise the Realm, quicksilver poison in the drinks of minor bureaucrats, words in the right ear which is then lured to wrongful deeds. But then she moves onto what she has done since Earth, and ah, there’s the ambition Keris knew was there. Just like Pokhanza, Magenta has her eyes firmly on a Directorial seat.
Without Sasimana to hold her back, Magenta has been systematically, brutally going for the Ministries. She has murdered several old, slowing-down Dragonblooded with quicksilver and brutal violence, literally decapitating minor ministries. She isn’t removing people because they’re strong or capable; she’s removing people because it will make the Dynasts fight over who gets to appoint the replacement. And - she smiles - she has found a useful tool in a Lunar Silver Pact member who wants to overthrow the Realm, and so she has spirits she’s drawn into her service lead them to people she wants dead.
Murders, poisoning, mysterious deaths and shamings; she’s heating up the fires of the succession crisis, creating flashpoints where conflict can ignite. Encouraging Dynasts to get revenge; fanning tempers, bringing everything to the boil.
“Because it will, Unquestionable ones, boil over.” She smiles. “It’s just human nature.”
And that certainly lands.
There’s an unease to the whole thing. It’s not the same as Bloss’s speech, where she’s getting rather more powerful in the East than Keris is really comfortable with. Keris has no problems with Magenta wrecking havoc on the Blessed Isles. But the way she describes it...
... it’s like vertigo. The sudden sense of the Realm not as an unstoppable monolith, but as a huge beast being brought low from within. A behemoth felled by illness and countless parasites; inflamed ligaments splintering its own bones and sending fragments cutting through its muscles. The yawning gulf of a world without the Realm looms in the future unsettlingly, and it’s like a giant hole at the centre of a spinning plate, sending all the half-considered plans built around its existence flying off in different directions.
Keris doesn’t say anything. She gives Magenta the same approving nod and polished, professional smile, and doesn’t let anything show of the dizzying feeling of a pillar of the world starting to crumble.
And the feeling of the crumbling world isn’t helped by the report of Commodore Joh-Suan. In his smart black-and-teal uniform and black jade breastplate, he looks far more professional than he does in Naan’s company - but what he has to report is a major defeat for the Air Fleet of the Realm. Working with the Central Directorate, three squadrons of the Air Fleet went to sea with ruined provisions and blundered into a sorcerous wind of terrible ferocity - and there comes the acknowledgement to Ku Shikom, who kept silent about this but now gets the praise from yet another Infernal in their boast. They were pulled out onto the icy waters and several ships wound up dashed upon inclement icebergs, whereupon the rest of the tattered, hungry sailors met the ambitious nation of Shaal, who Joh-Suan serves as the admiral of, and between the Shaalean fleet and the demons called up by the sorcerers lent by Ku Shikom, many died in the freezing water and he has brought naval captives who surrendered for a hellish triumph.
There is a slightly sour glare at Keris there, who did the same thing and announced hers first. But he has applause too - and Keris hears the whispering, the questions about whether the Air Fleet is even a sustainable force now between this loss and the losses over the past few years. Anadala is outright chuckling at this, which suggests that no, the Air Fleet may have been reduced below the level of being able to project force to the Threshold.
“Mama,” Keris says quietly. “Remind me to... to have a meeting with Sasimana. If the Realm is...” Even with the evidence starting to become so clear even she can’t miss it, saying the words is a step too far to take right now. “... is going to be struggling soon, I need to know what’s going to happen to it. What it might do while it’s wounded. What might... happen afterwards.”
“Yes, child.” Dulmea pauses. “If anyone knows what will happen afterwards.”
That thought gets a tiny shiver, and Keris focuses on - ugh - that silly little idiot under Deveh, Pink Dolphin, rather than deal with the thought of such a vast and terrible unknown.
Pink Dolphin is a model of the old Tengese royalty. She doesn’t have the robes of the High Queen (Haneyl has them) or the crown (Haneyl has it), but Keris can see Ligier’s hand in the replacement-replicas, cloth-of-orichalcum and a crown that could be the sibling of the original. It makes things so much funnier for Keris, who alone knows the truth about where those ancient royal relics are - and that the true heir of the High Queen is in the tower that overlooks this arena, staring intently at Ogin’s hands as he carefully learns how to knit with metallic wool.
And her case, that she is the trueborn heir to the Tengese throne, that her long divided land will unify, that she is righteous and pure and she is the chosen servant of her masters and she will bring the Golden Lord into harmonious compliance with a Greater Order - oh, it’d work on peasants, it might even work on some of the peers here, but Keris sees her for what she is.
A peal of laughter interrupts her speech. Cold shivers roll down the back of everyone who sees where it comes from, for the one who laughs is Noh, the Contrary One. Other Unquestionable more invested in the speech back away from her; Pink Dolphin is caught between trying to drown out the laughter and not wanting to interrupt an Unquestionable. Why does she laugh? everyone else asks themselves. What’s so funny?
Keris knows. Keris is very aware of why the heart of the Ebon Dragon laughs. She, after all, has blessed the true last queen of An Teng - and likely knows of her presence here in Hell today, within a generous stone’s throw of this delusional little puppet.
She ignores Pink Dolphin altogether and keeps her attention on Noh, not daring to look directly at her, but unwilling to let her out of sight.
And like that, the Black Moon stops laughing, and is silent once more. Does she smile? Who knows; she is masked as always.
That lays a pallor over the next person. Keris doesn’t know the newcomer Kibia Doan whose first Calibration was last year, but she’s a squat, heavy-set woman who has a hammer that’s more like a lump of metal on the end of a pole, and she’s with Orange Blossom’s Directorate. An excavator and miner, it seems, and suddenly it makes sense to Keris because this is someone who can pull the natural resources and relics out of the ground that Orange Blossom cares about. The power of the Swamp and the King - and a pinch of the Mirror Tree - blend in her; she will eat and eat and eat and never be satisfied until she’s drawn all the resources from the ground that she can. Just how Orange Blossom wants it.
But she’s not a good public speaker, and more than that, she gets distracted (at least to Keris’s sense of how a presentation should go) by how she’s been thwarted by a bunch of irrelevant little people who claim she’s ‘poisoning the land’ and ‘offending the gods’ so of course she sent mercenaries to burn down their hometown, that’s just logical, no one should show her that kind of disrespect, etc etc.
“She will not last very long,” Dulmea says dryly. “She is made from the same mould as Raziyr Gham.”
“I wonder if they know,” Keris muses sadly. “The Second Crowns and on. I wonder if any of them ask about their predecessors and try to learn from how they died. Ixy knew about Gyrfalcon, but only that he was a Director.”
The melancholy is swiftly banished by rage. Ikn Atha is only barely less experienced than her, and he’s from one of the southern slave states. And he is very good at his job. He is an enforcer for infernalist masters, but that is just a cover for his true purpose in channelling human slaves to Hell. Which he does by all indication with great success and in huge numbers. In fact, he has a gift of ten for every Unquestionable in residence here.
At least a thousand, just... given away. Like that. And this is Veil’s Scourge.
“Child,” Dulmea says, her tone cautionary. And then repeats herself with rather more alarm as Keris’s violent urges don’t subside. “Child. Do nothing rash. Remember where you are.”
A faint hiss escapes from between Keris’s teeth - not inwardly, but out loud. Her eyes have gone slitted. Her nails extend into talons.
She wants to murder him for this callous exploitation of innocent lives. But she knows that if she does, she’ll bring the wrath of the Althing down on her. She wants to rip him apart in equal measure to what he’s done to others. But she knows that doing so would be a betrayal of her lady.
With titanic effort, Keris manages to stay in her seat and seethe. But fuck, if she ever winds up face-to-face with Atha, she may not be able to prevent herself from punching him in the face. At minimum.
One of the few reasons she manages to find to force herself to stay calm is that Suriani is up next, and her little student will be looking to her for approval - and is very good at reading people. She’ll know if Keris is faking it. So she has to let go of her rage (though not until after making a note of it with Dulmea), and only then does she set a smile on her face and look fondly over at Suriani.
She’s sleek in black and silver, wearing something that looks almost like those formal outfits from Meongkota... oh, of course! That must be the formal Chosoni outfit for the Black Claw School, Keris realises. Not something that she could ever wear in public, but here and now, even if Keris is the only person here who recognises it for what it is, it means a lot to Suriani to stand here in the colours of the Black Claw and be acknowledged for it.
Suriani looks up. She looks for Mara in the crowd, and smiles. And she meets Keris’s eyes too.
“I am Suriani bi-Musa, disciple of Mara, cherished student of Keris Dulmeadokht, and I stand before you here for the first time and tell you this; I murdered the dragon-blooded satrap of Choson in the Immaculate-sacred city of Nagakota.”
And with that start, Keris knows Suriani is doing exactly what she intends to - and revelling in it.
She leans back and crosses her legs with a rustle of silver feathers, fanning her wings slightly and flicking her pinions out. After the stress of... quite a number of the Infernals who’ve spoken in this half, it’s nice to relax and listen to one of her subordinates extolling the list of impressive, noteworthy things she’s done (and throwing a little recognition Keris’s way in the process) and generally just not being a problem or a worry at all.
She catches Suriani’s eye as she moves on from the satrap’s death, winks and blows her disciple a kiss, just to reward her for being a good girl.
Suriani almost loses her place because of that distraction, but the acknowledgement is a reward in itself and she concludes with style, showing Keris the side of the woman she had that initial attraction to. It is, perhaps, a reminder that while Suriani is frequently a hot mess and helplessly needy, she’s also witty, eloquent, well-read and capable.
Then comes Corrusu the Crow, wrapped in her black feathered cloak and with her many blades. She had clearly been preparing for this that time Keris met her just before Calibration, because each blade is a story, stabbed into the ground and the knucklebone tassel of the Exalt it was taken from lovingly used to tell her story. Corrusu is certainly a terrifying killer, and her girlfriend’s enforcer as well as - even if she somewhat reluctantly admits it - a skilled weapon in the hands of her Director, aimed at Exalts in the North East. She doesn’t want to be a leader, so unlike Pohkanza she is fine with the current state of affairs where she gets to fight strong people (and cut them down). But her lover will never be happy with that, even if she beams at Corrusu as she speaks.
Keris nods along, though she already got her impressed reaction out of the way back on the first day, and so her thoughts are mostly full of her still-rough plans for a grand tournament the Calibration after next and how she might place Corrusu in the listings. It’s going to be hell to organise, she can already tell. But figuring out who the strongest fighters in the Althing are as early as possible will mean she can get some of the planning sketched out while she’s in Creation, at least in draft form.
Koto has been around as long as Corrusu or Pokhanza, but Keris know almost nothing about him. He’s a lanky, looming wolf-beastman with furred muzzle and dark eyes who sits on a throne of brass-clad coral and sandstone, and while he’s another South-Eastern directorate person Keris has noted she’s never seen him in the company of Naan or his clique. He rises and gives an eloquent, melancholy speech about how the wildmen of the badlands south and west of Prasad fight against their dragonblooded oppressors, aided by new faiths and demonic allies - and he shows his new scars and new burns taken against warriors of the Pure Faith with almost ecstatic glee. Keris has no idea how he’s lasted so long.
She has no such misapprehensions about the lithe, alluring Azan ib-Butan, from the Southern Directorate wrapped in gossamer silks and countless treasures of the ancient times. She admires that narrow waist and how the translucent cloth only draws more attention to his body jewellery and the ripple of discreet muscle, and she isn’t the only one admiring him. Though she doesn’t forget why she’s looking. This isn’t someone who sets himself against the masters of Creation; this is a lore-hunter and relic-finder who delves into forgotten places in the southern deserts and retrieves powerful things. And, Keris narrows her eyes, he feels as strong as she is.
“If he happens to die,” she notes to Dulmea, “remind me to pop into his townhouse before his replacement shows up and have a poke around for anything he left behind. And, mm, maybe to hint to him that if he finds any ancient places that he doesn’t think he can take on alone but doesn’t want to let Veil know about, I could be convinced to come help him on the down-low and not mention it to the Reclamation.”
The penultimate green sun prince is the ironically named Gift, who has - and this is a thing Keris remembers - made the apparently deliberate choice to show up to this great meeting in scruffy street-wear. His sky blue hair is cropped short, and his clothes constantly stirred by red and white winds. Oh, Keris vaguely remembers some mention of him by Sasimana a few years ago - he’s a serial god-killer who’s refused a transfer to the Heavenly Directorate more than once. He just wants to stay lurking around the Scavenger Lands. Maybe he’s looking for something, or maybe he just has a list of gods to work through. And he definitely brings news of gods he has winnowed his way through; city gods, river gods, weather gods... she can’t see a pattern there. But he’s been doing this for years and it must be helping Orange Blossom in some way, or she wouldn’t tolerate him in her Directorate.
The last one to speak is the aristocratic Count Valgan Hotosk, a eastern lord who - as Keris understands - still rules as a vassal to the Realm. And what he reports on is just that; he is preparing for war, making allies, reaching out to his fellow lords in preparation for a grand rebellion. As he describes it, she’d already have pulled the trigger and lit the fuse of the firewand of revolt - but, ah, he wants to make sure it’s right. To make it perfect. To get that one, glorious victory that will leave the Realm unable to take back what they have lost - and bring ruination (and there is the contempt, sour and acidic) to them for how they have brought him affront.
He is the last. He sits beside Kopo Three Leaf. They are done.
Keris sighs in relief. The boasting is over, she can get up and move again, and now she gets to have a nice break of a couple of hours, receive her present from Anadala and then get showered with praise at the rewards and acknowledgements before her day of the festivities comes.
And yes, she’s feeling a little bit of stage fright at that, because her plan for the eighth scream is... ambitious. But the seventh will be fairly relaxed and a chance to gloat, so she doesn’t need to be anxious just yet. Yeah. All in all, this has gone... fairly well, and has only contained a couple of unpleasant surprises, which is honestly better than she was expecting.
Lilunu is there to bring a close to the festivities, and invites all and sundry to take a chance to relax, freshen up, stretch out their legs before they will reconvene for the final step, the Recognitions - for Unquestionable who wish to reward conduct or thank her brave princes and princesses will have much to say to them. Then after the Recognitions, they will all be proceeding down to the Salt-and-Spire Sea for a great banquet hosted by her lovely little Mistress of Ceremonies. There is a parting hymn to the Yozis, and then the Green Sun Princes are lead by the Mouth of the Yozis to file out and then they are free to go - or to seek out each other and discuss matters in the aftermath.
Rala is waiting for her by the private exit, sitting on a bench under a black lace parasol. Her grey eyes light up when she sees her lady. “Ma’am,” she says in a low voice. “Everything is filed and sealed appropriately, and I took the liberty of getting a prepared document countersigned by one of Lady Lilunu’s adjuncts as a preliminary indication of the reallocation. Strictly speaking it has not been accepted as it requires Unquestionable sign-off on the recognition, but I bribed the courtesan Saya to bring it before Lady Lilunu with all due haste.” She clears her throat. “I’ve taken the necessary funds for the bribe from your purse,” she adds casually.
”Excellent,” Keris praises. “That’s fantastic; either she’ll get to it before the acknowledgements or, at latest, right after.” No doubt other Infernals will be hurrying right now to protest her theft of an entire archipelago, but her trusty dragon aide secretary has pushed her request through fast enough that it’s unlikely any of them will be able to change the result. “Well done, Rala,” Keris adds, giving her the acknowledgement all rendas crave. “I couldn’t have done this without you. Mark yourself down for a commendation.”
Rala doesn’t tremble or exhale breathily as no-doubt Suriani would, but she smooths down her crisp steel-grey dress robes, and inclines her head. “Of course, ma’am. I have also collected reports on the fourth day planning, but suffice to say, everything is on schedule and in the form that Lady Lilunu and you agreed last time you were in Hell. Do you require anything else from me?”
“Nothing at the moment, but I’m heading back to my townhouse to receive a gift from peer Anadala,” Keris informs her. “Have it moved to secure storage on the Baisha during the acknowledgements.”
She hosts Anadala in the White Pillar room, a roofless space which originally had been just a bare Adorjani space of stark white pillars and a dusty floor. But Keris’s nature has changed and grown since then, and now the pillars are wreathed in coral and bright flowers, and silver mirrors placed on the vertical elements catch the light of the green sun and refract it around.
“That was definitely something of a surprise,” Anadala says over wine. He runs a hand over his bald head. “And very recent. Word of this hadn’t reached me by the time I left for Calibration. And this will be the talk of every party by now in the Realm. Truly you left things until the last moment.”
“A thousand eristrufa is not a small force to gather,” Keris points out. “And I needed the attack to be as late in Fire as possible so that the snarls in Fate around Calibration would obscure it from divination. I had some other business to get done in Choson first, too - picking up Suriani, among other things.” She smiles. “Still, I appreciate that I could have given you more warning. Next time I do something on this scale where it’ll affect your work, I promise I’ll let you know in advance.”
“You’ve definitely set the molehound in the warrens,” he says. “The Order is going to be as agitated as a kicked beehive. The Navy too, if you destroyed an entire wing of a fleet and stole a second-rater. You’re the one who should be more worried, not me.” He gives a wry smile. “You and the Lintha, because I’m sure they’ll take the credit for this.”
Keris smiles sweetly, circling a pillar and trailing her fingers along the coral. She’s still wearing Strigida, and the bright silver adds yet more reflections to the green light refracted by the mirrors, picking out highlights in the twining flowers.
“I did some work for Ligier a few years ago on Triumphant Air,” she tells him, “which involved framing several retired naval officers for being involved in a cult worshipping Ligier and the Demon Sea - or to put it another way, a Lintha-affiliated cult to the Green Sun. It was quite a scandal; a magistrate called Ragara Midari hunted them all down and the abbess helped clean them up.”
She slips behind a pillar, disappearing from his sight, and darts silently up its height with her wings furled tight behind her. Hopping three pillars across, she drops down again and emerges from a different pillar than the one she vanished behind, grinning playfully at his startled blink.
“I reckon there’s at least a chance that someone might connect the attack on Choson to that little incident,” she continues. “There might be a lever there for some whispers to sow a little more suspicion towards the navy, hint they may have been involved in this attack. Even if not... well, I’m sure we can both profit off the chaos. There’ll be ways to guide how and where they respond - and use the hysteria in Nagakota to our advantage.”
“No doubt. No doubt.” In that moment he reminds her of one of those lizards that scuttle up the walls of the Jade Carnation to bask in the sun. The ones that Kali likes eating.
“How did you do it? Call up an Unquestionable. I saw that arrogant freak Ku Shikom - and they’re not happy you also picked up the thunder they thought was theirs alone.”
Keris comes to a stop in her pacing, stretching out her wings and idly hooking her wing claws into coral branches some two or three metres up the pillars she’s between. She can, she discovers, lift herself fully off the ground with them, as easily as a gymnast on a set of parallel bars or still rings.
“It wasn’t a sorcerous summoning,” she shares after a thoughtful moment of testing her weight and raising herself off the ground. The third or so of her hair not threaded into her wings fans out behind her as her feet leave the ground, falling down past her toes like the long tail of some exotic bird. “It was a Beckoning. Just… not one that looked traditional. People like Ku Shikom tend to discount thaumaturgy because it’s not as powerful as true Sorcery - and it’s not even that they’re wrong; it isn’t. But that doesn’t mean it’s useless. And when you understand the principles behind how a ritual works, you can sometimes discard the forms.”
All true enough. Keris put a fair bit of time on their trip across the Desert into working out exactly what had happened, in between teaching Suriani, and while it was mostly the Broken-Winged Crane making it succeed… it was a beckoning, not a summoning. And that’s opened her mind to some new ways of looking at the field. Because sure, it needed the help of a blasphemous text to hit those heights, but… it still hadn’t been sorcery that had brought Molacasi to Nagakota. And she has a lot more students who haven’t quite grasped sorcery yet, or who are limited to the Emerald Circle, than she has sorcerers of higher ranks. It might well be worth looking into what they can do with thaumaturgy and some powerful backing - as a way to gain experience if nothing else.
He sucks in a breath between his teeth. “An astronomical conjunction,” he guesses. “So that’s why you left it so late in the year. That’s when the stars were right.”
Keris grins rather than respond with something that would probably be untrue. “It didn’t release him in his full glory, but an Unquestionable controlling a demonhost is still an Unquestionable,” she says. “I imagine he made pretty fine work of the Temple of the Water Dragon - which incidentally means they’re going to have to refit or possibly even replace it, and probably not without a few casualties to his maddening artwork.” She cracks her knuckles. “So. Shall we talk next steps now, or do you want to assess the reactions back on the Blessed Isles before contacting me in a month or two?”
“Now, now. Let’s get your present into your hands before we have to sour things by talking about work,” he teases, and raises his voice. “Ukol, if you will!”
The demons he had left waiting outside the room hear him and approach. There are six of them, carrying the gift on a litter, shrouded in a lovely deep red velvet. It seems much larger than a breastplate, and in fact looks like a body.
With a certain degree of panache, the velvet is whisked away, and the demons erect the mannequin, draping the red velvet over it as a toga.
The figure is night-black, and so the moonsilver shines so beautifully. It is a tight fitting breastplate, covered in bestial imaginary. The engravings are an intricate depiction of a vast and primordial forest, and the animals that twine in and out of the trees are chimeric; men with stag heads, birds with the bodies of lizards, a lion with wings. When the reflected light catches them, they almost seem to move.
”Oh,” Keris breathes in glee, dropping down to the floor and skipping over, her wings flicking gleefully. “Oh, you pretty, pretty thing, look at you.” She circles the mannequin a couple of times, cooing as she finds more details, tracing a mailed finger over the breastplate’s surface with a faint, clear ringing sound of moonsilver on moonsilver. When she turns to Anadala, she’s beaming.
“I gratefully accept this gift, and offer my deepest thanks for it to my dear friend,” she says formally, and embraces him. “And I congratulate you on recovering such a beautiful piece of artwork from a musty old museum that can’t have been appreciating it properly.”
“Your delight delights me, my friend,” he murmurs. “May it serve you well. And yes, the contents of the museum are much better in such graceful hands as yours.”
He doesn’t say anything about the freezing ice Keris knows he snuck into her heart, but she’d have felt gratitude anyway.
They chat for a little while longer, and she treats him to a light meal of delicacies prepared by her household staff before letting him go. Then she goes and tips herself into a bath - partly to clean up, but mostly so she can spend an hour or so just drifting under the water, feeling the rejuvenating power of the Sea restore her strength after a long day. Several long days.
At least the boasting is done now. That’s what she was most worried about, and the morning of the fifth day is basically free, so she just has to get through the next two screams and then she can crash for a morning and only wake up for, ugh, the Director’s meeting where she’ll find out which of her peers is going to lose their Seat.
She makes it for most of an hour before a servant pokes their head in to inform her it’s time for the acknowledgements, and pulls herself out of the bath to shed the water and get her next outfit on. She wraps herself in Strigida’s armoured embrace once it’s on, covering it over for a later reveal. A quick conference with Mehuni and Rala is enough to ensure that her breastplate will be moved to the Baisha while she’s getting rewarded.
Then it’s back to the All-Thing to see what lies in store for her.
The atmosphere has changed in the great auditorium. Everyone has said what they had to and now there is the anticipation of forthcoming rewards - or the knowledge that one could have done better. There are certainly some sour faces from those who know their performance talents are not up to scratch and resent the way that orators thrive in this mode of examination.
Another thing that has changed, of course, are the outfits of many of the attendees. The fourth day is one of decadence and entertainment - hosted by the lovely Mistress of Ceremonies - and both demon princes and infernals alike have often changed to be ready for the festivities to come. Still gorgeous, of course, but often far lighter and chosen for more mobility. There is very little armour worn now, possibly because several people are expecting to eat until they could no longer fit into it.
Keris is still wearing armour, because her outfit is going to be a surprise for everyone and she’s feeling performative. She’s also feeling less tired. Her nap in the bath may only have been an hour long, but sleeping in the lap of the Great Mother made it feel like two, and she’s spent enough of today sitting still that two hours of rest has washed away most of the physical fatigue. The mental fatigue hasn’t hit yet, presumably because she’s still strung too tight in advance of tomorrow.
She’s probably setting herself up for a brutal crash as soon as she’s finished with Bloss after her performance, but that’s a problem for Future Keris. Maybe she can spin off a Gale before passing out. They should be able to handle most of the minor crises that the Calibration festivities require her to solve.
The ground shakes, and splits open in a smooth, organic motion. The centre of the auditorium corkscrews up as a silvery tree - and this is truly a tree, not the inverted mirrored form of Szoreny. The leaves are flat planes, perfect mirrors, and the tree is laden with fat fruits that are stained with many colours. Sitting up on one of the boughs is the lady Lilunu, dressed in a deep violet dress-suit, her hair deep indigo.
Her voice rises, rises, rises; beautiful and pure and painful in its simplicity. It reminds Keris of what Lilunu once did with her ridiculous flights of fancy as pretending to be a peasant farmer, but this is the mature version of that childish whim.
Keris isn’t just watching her lady, though. She watches the reflections and the faces of the Unquestionable in the tree, and she sees many expressions that were not meant to be shown. Surprise, unease, and - especially from those bound to the Mirror Tree himself - a peculiar blend of envy and hope. Even grafted with Metagaos and Kimbery, this is something that the elders among the demon princes recognise. Does her lady realise what she is doing by flaunting this hybridised cutting of Szoreny, growing the right way up and rich with the blessing-fruits that once spilled from his boughs?
How did she even do it? This isn’t a pre-prepared cultivar, this is an expression of nature. But when she’s sickly normally - is this some consequence of what she did to Ipithymia this past Earth? Or some by-product of Hermione’s freedom?
It’s something she’ll probably have to ask about later, but for now Keris sits back and watches proudly, warm feelings bubbling away in her chest and bringing a smile to her lips that she wouldn’t be able to repress even if she wanted to.
By the time her opening song is done, the tree has twisted to form a ridged staircase of branches that spiral down around it, and Lilunu walks down as her hair returns back to its customary red. In a puff of green flame, the outer layer of her outfit ignites and burns away in a heartbeat, leaving her in a soft white undersuit covered in delicate embroidery that twists and shifts like a living thing, crawling over her form.
“My beloved champions,” she begins, voice hitching. “I am so very proud of all of you. You have all been so wonderful this year, all of you. We ask so much of you with the power invested in you, and every time you exceed it. You are so wonderful, so capable, so beautiful. And so as the third day draws to a close, the demon princes will reward those among you who have stood out in your achievements and your accomplishments. Around and around we shall go, and from each Yozi in turn one will reward a prince of their choosing, if they see fit.”
The Malfean Unquestionable get the first go, and the first of those to speak is Suntarankal, the Crucible of Brass and Iron, that wizened old master with eyes of brass who leans on his black ironwood staff. “Corrusu the Crow,” he calls out, “for your accomplishments as a master of the fighting arts of the blade, and the trophies brought to demonstrate your victories over those who call themselves the champions of Heaven, I award you with the blade Screaming Star, forged from the left hand of a star-chosen who once wagered it for teaching in a hidden style they needed to slay a behemoth. It will appeal to one such as you, who likewise collects the hands of your foes.”
And that is how it begins.
This is the game that Keris sees here, though it is one she would have missed when she was younger. Hell, she might have missed it before she earned those teachings in the ways of the Unquestionable in the lap of the Gilded Idol.
This is not just a ceremony of rewards. This is a ceremony of bribes.
Surtarankal rewards Corrusu because she does what he admires, duelling powerful foes. But he also buys favour from Pokhanza for favouring her lover. And he tells the green sun princes - go, fight the Exalted of Creation and crush them, and I will favour you like I favour her.
It’s not just that. Some demon princes might even believe they’re handing out prizes. But one cannot escape the undertones in everything that happens here.
Keris pays keen attention to everything, noting every gift and the reasoning behind each one. She’s keeping track of who’s being empowered, of which Unquestionable might be future patrons of which peers, of what resources and assets each demon prince is preferentially drawing from to reward their favoured few - but more than anything else, she’s watching for the surprises.
Because some Infernals - most Infernals, really - don’t report everything they do at Calibration. Some Infernals keep a few things back, play their hand cautiously, take private missions from the royalty of Hell and say nothing of them in the bragging. And sometimes their payment, too, will be private - but not always. Sometimes, the demon prince they’ve served will be so pleased they want to make a point of it, or draw others to do them favours. And it’s this Keris looks out for now; rewards and acknowledgments that don’t seem to match what she heard at the bragging, gifts that go to people who only hinted at things they’ve reported on to closed councils of their masters or who didn’t mention anything like what they’re being lauded for here at all. The gifts, just like the boasts, are a window into what her fellows have been doing - and this one isn’t entirely under her peers’ control.
Many are what she expected - rewards for furthering the interests of various demon princes or hurting their long-standing enemies. Jacinct, for example, offers an elegant pair of stone shoes that create roads wherever one walks to Our Lady of Light for what she has done in Nexus, while everyone is falling over themselves to reward Ku Shikom who accepts their benedictions with a smug aura which radiates even from behind their mask. There are gifts aplenty for the three newcomers, but that is simply the Unquestionable trying to buy the favour of Ixy, Suriani, and Lejine. And of course, there’s both trinkets and more minor awards for the Directors in particular, and Keris certainly appreciates the gifts of weapons, jewellery and garments (and doesn’t trust the gift of servants), but that’s what she expects from people who want her favour and she knows how little such gifts cost her masters.
But, ah. Why do Baaji, Kuara and Enali all give gifts to Kopo Three Leaf? Is this some cruel joke, do they buy into his self-aggrandising hype, or is there something going on behind the scenes? The gift of Drosera, the Smiling Sundew, to the South-Eastern sorcerer-cannibal Opoth seems too generous for what he has achieved, the gift of a legion of demon-warriors infected with all kinds of squirming Metagaoyin parasites. Why the fuck does Noh grant a single perfect black pearl to Pink Dolphin of all people? Especially when she laughed at her boasting?
“It could simply be because you don’t expect it of her,” Dulmea reminds her gently.
But the thing that stands out to Keris as a mark of hellish politics are all the gifts coming to Kasteen. The Unquestionable want to butter her up, and Keris fears she knows what that means - and likewise, Ximmin’s face is falling too, watching his likely successor be rewarded for things she hasn’t even done yet while his deeds pass unseen. Keris fears too the gift of the singing blade Xanthous Melody to Kasteen, an ancient, wilful blade of yellow jade passed to her hands by Balanodo.
Keris makes eye contact with Ximmin across the ring and tries as best she can - without using Ekoese - to communicate sympathy, sorrow and support. She doesn’t want Kasteen to get in any more than he does, but it seems the decision may already have been made. And that’s not a good thing for Keris, because with Kasteen attached firmly to Sisim now, no doubt her new nemesis will be proactively spreading her new beckoning and summoning rituals; the old ones having been invalidated by her transformation.
Hopefully she hates Keris too much and too personally to start leaking what she knows about her in places where it’ll get back to the Realm. She doesn’t know much, but just Keris’s appearance and her location in Saata could make things very awkward if they reached the wrong ears. Though if that happens, Keris will kill her in the arena and shred her soul in front of an audience of thousands and be completely justified in doing so.
From the back rows - in truth the rows where those built to a much greater than human scale sit, looking over the elevated crowds in front of them - rises Molacasi. Here and now, Keris can see his features properly, no longer shrouded by possessed flesh. His skin is blackened, and paint-bright blood leaks from the rents in his skin, welling from between bandages which could be sails for mortal vessels. There is a reptilian cast to his ruined features, with two bright yellow eyes glaring from beneath a straggly mess of long black hair that he wears as a veil. To the stump of his left hand he has attached a demonic horror of his own breeding which shifts between many forms, even as she watches. He is unclad, but this is not sexualised and never can be, for the ruined mess between his legs is how he flaunts his neutering at the hands of the sadistic champions of the gods.
“I would reward Keris Dulmeadokht, Director of the Southwest, for the freedom she gave me and the chance to take my revenge once more on the children of Danaa’d who,” he gestures with his left arm, “took my hand so long ago. Her artistry is peerless for one as young as her, and indeed, it is glorious to see our champions develop in such a way.” His wretched, wrecked face smiles as he looks over the crowd, eyes lingering for a moment on Ku Shikom. “Keris Dulmeadokht may attend me in my great room, to serve as a model for me, and while there I will instruct her in certain secrets of sorcery so that those pearls of past learning might adorn her as well.”
That draws a certain stir from the audience, for Molacasi is famed as a sorcerer and hoards his knowledge like a miser. But least-pleased looking is Orabilis, though the adder-tongued demon prince says nothing. And that is something dangerous, but also fascinating, for it implies that he is concerned that Molacasi might teach her something he would consider to be permitted only to the Yozis - or perhaps this wicked artist is a foe of Hell’s Censor in some other way.
She’s not stunned speechless. But Keris does have to resort to just a touch of mirror-bright eloquence as she accepts Molacasi’s offer - Makers, she’d known he was going to reward her, but this is beyond what she’d expected. And a few years, or even a few seasons ago she might have respectfully declined... but Jemil might actually, literally try to take her arm off if she refused tutelage from a sorcerer of Molacasi’s calibre. There are few if any in Hell - or anywhere else - who rival his expansive knowledge. Not to mention the hints that he might be willing to teach her things she’s not really supposed to know.
“Be wary that he does not teach you that which is forbidden so that he might have leverage over you,” Dulmea warns, coldly and clinically. “As you know well from your own work, there is no curse so pernicious as a poisoned gift.”
“Mmm. I’ll have to lay in some plans for how to, hmm, delicately change the subject or pretend ignorance of overly dangerous things he tries to teach me,” Keris muses. “Probably the former. I wrapped enough shadow around him in Choson that he should retain some willingness to listen to me and let me guide the topic he pursues. Using that to nudge him away from anything too risky for me to learn is probably my best bet.”
“Will you really be able to say ‘no’ to such an offer? There is a newfound greed for the forbidden in your heart?”
Keris presses her lips together. “I want to learn. But I also want to live. And Molacasi is brilliant, but dangerous. I don’t have a solid grasp on what makes him tick, and the bits I do know... too much of him runs on hate for me to be comfortable giving him leverage over me. I’ll be careful, mama. And I’ll listen to you if you say I should pull back.”
Molacasi was relatively far down the queue, and it is only two or three more gifts before Lilunu claps her hands together. “Gentles all, my peers and my princes, time draws short. There is but one more...” and it is Ohasei, who meets Keris’s eyes, smiling, before awarding a book she was granted by an ancient Solar paramour to Azan ib-Butan who seems overcome by the gift.
And then they are done, for now, at least. What comes next will be much more informal interactions between the mighty of Hell and the Infernals where no doubt more covert offers will be made - and it is Keris’s responsibility to host it. For Lilunu calls her to the tree, the eyes focusing on her, and offers her hand.
“First, mighties all, I and my Voice shall dance for you, and then she will lead you all in revelry and joy to the place where the fourth day’s entertainments shall begin,” she announces to the crowd, but her ever-shifting rainbow eyes are on Keris, she in her suit and Keris in the graceful lines of Strigida who Lilunu reforged for her.
Rising gracefully from her seat, Keris spreads her wings and leaps. A single powerful push off from her back leg takes her up and over the side of the ring of thrones and into the amphitheatre below where Lilunu’s tree is rooted, and while she’s still not got the hang of flying, Strigida’s spread wings let her glide smoothly across to where Lilunu beckons, her free hair streaming behind her like a scarlet banner.
The music strikes up, the backing angyalkae playing the strings of time to pluck out a melody of desperate need and hope, the hellish choir rising over them. Lilunu’s hand is large and warm in hers.
“Are things well with you? Are you ready for the next two screams?” her lady mouths.
“Everything’s prepared, my lady,” Keris murmurs back under the music, curtsying to the watching crowds before starting to move through the tiptoeing, shivering steps of the start of the dance. Her body language is needy and wanting as she orbits Lilunu like a sun, casting her not-so-surreptitious glances with a bitten lip, swaying in and then flitting back as her courage fails, reaching out to brush her fingers or hair as her lady drifts across the stage in stately majesty. The very image of a cultist drawn to the power of the Yozis but too afraid - for now - to submit to it.
“I’ve got my next outfit on under Stri, as a surprise for you, and Mele and Rala have briefed my captured Dragonblood on what to do,” she continues, starting to circle closer as they dance and make daringly bold attempts to catch the Unquestionable’s eye and earn her approval - or at least her attention. “The barge is all set up to go down on the Bowing Jade Lake, I’ve ordered the fountains to put on a display about halfway through, and the kitchens, surprisingly, are running smoothly without even a single crisis this scream.”
“Wonderful,” Lilunu whispers, her expression arch, looking down her nose at the pathetic attempts to earn her favour - yet she cannot hide the softness in her eyes, even if the audience might not notice it. She reaches out to grab Keris by the jaw, lifting her face up to examine it, before pushing her away, sending her sprawling. “I am so sore right now. Next year, we’re not doing this as a scream-long thing. You get to sit down, but I have been standing for far too long,” she adds as Keris crawls to her, face upturned.
“No arguments there,” Keris agrees, rolling to recover and then coming up again onto her knees to beg with clasped hands and upturned eyes. “At least you can relax for the next couple of screams. I hope you’ll like my show.”
Her lady stoops down, dragging her nails down the side of her face in a way which would hurt if Keris’s skin wasn’t as tough as steel. “I know I will,” she says, pushing Keris onto her back as she places one bare foot firmly on the supplicant’s chest.
The dance continues, and Keris’s part eventually earns enough favour to be allowed to kiss her lady’s feet and end in a position of beatific prayer. They hold their final pose for a moment, then rise and bow for the applause of the crowds.
“Honoured Unquestionable, respected peers, lords and ladies,” Keris calls, her voice carrying clearly through the All-Thing. “Those of you who wish refreshments and conversation are cordially invited to a banquet on the Bowing Jade Lake. We look forward to your company there in advance of the Nine Directions Parade at the seventh hour. Entrance to the banquet is open throughout should you wish to rest or refresh yourselves before attending.”
“Finally, some booze!” Naan hollers at her. It is a complete affront to the dignity of this place, but there’s definitely more agreement than she would like among the audience.
“Yes, Naan, there will be booze,” Keris says drily, earning a ripple of chuckles here and there from others who’ve had to deal with him. She’s laid in specific plans for keeping Naan occupied, satisfied and mostly under control during the banquet, and carefully chosen his place in the seating to minimise the risk of him deciding he’s bored there.
Her glance pans over her peers. Not all of them will come. Some will just want a rest, others some time to themselves, others yet will have their own entertainments or not like what she’s offering. She doesn’t expect Deveh to come. More fool him; this banquet will be a chance for soft power and socialising in a far less structured way than this bragging session.
But then again, it was her design and her choice. She’s set up a whole half-scream of Calibration for her own preferred territory.
With her gesture, the trumpets blow and the great windhorns sound, and light-footed as a gale, Keris leads the great assembly out of the hall.
Chapter 41: Calibration IV, 775
Chapter Text
Below a green sun, upon a lavish barge wrought of rune-engraved brass which floats on an ice-choked indigo sea, the glorious of Hell gather to feast and indulge. Some are the size of men and women while others tower above them like giants and others yet are stranger still, such as the colossal flower that eagerly accepts great portions delivered by beautiful wasps or the shimmering dream that engulfs ten dreamers. Sometimes black clouds drift over the lens-softened green sun and let out a mist-like rain of euphoria.
Lieutenant Pelepese Wuzu of the Imperial Navy is here, and there is part of him which knows he is here as part of the entertainment. He is the guest here of a mighty demon princess and the Anathema are here in force. All around him are hell-chosen abominations who flaunt their wickedness and their decadence equally.
They are tempting him. They offer their semblance of fair treatment; the fact he can confirm his men are treated fairly, the way that they show him more respect than his family’s household - him, an adopted bastard of a Tengese courtesan and a failure-son. He knows what an addictive drug recognition can be, because that is what his great-grandmother and grandmother have kept him chasing all his life. These demons give it freely and it is a trap. He knows it is, for these are creatures of Hell and they are looking to corrupt him. And he has to keep it in mind, even as they treat him with respect, assign him a demon staff to attend to every need (with commensurate offers of blandishments), and they hide what they are using to confine him behind fairer faces.
Now he’s here at their high table, dressed in a hellish mockery of an Imperial Navy uniform (which are never made of silk this soft, never trimmed in yellow jade, never quite as well-fitted), and he is seated next to that woman. The sorceress Rala’s liege lady. The favoured Anathema servant of the Demon Princess Lilunu, the one who has custody of him and his men. Keris Maryam Dulmeadokht is a beauty who brings to mind the tales of the fairest women of distant lands brought to the bedchambers of the Empress, the kind of rare woman jealously hoarded by the Scarlet Dragon and kept out of the sight of others.
Like him, she’s dressed in a hellish mockery of a naval uniform - a Dynastic admiral’s dress uniform, not the kind of thing they’d ever wear to battle. Her long crimson skirt is embroidered with black cranes, and the white tunic over it is belted with some fine dark fur sash that bears two white jade sheathes, a fine short blade in each. More white jade clicks together where discs of it are sewn into the ends of her long sleeves, but the actual body of her tunic is tight-fitting and tailored as it falls to meet her flowing skirt - a strange combination of masculine and feminine cuts.
The sleeveless naval jacket she wears over the top in black has an eleven-headed dragon picked out across her back in opalescent thread, and she has jewellery enough to make a Great House’s matriarch envious - rings and necklaces, gold and silver, diamonds and rubies, yellow jade and orichalcum and more. All of it twisted by the touch of Hell, tainted with demonic influence. The gold and silver of her jewellery are darker than they should be, and he can see where sprouts have been pruned from them, as if they’re cuttings of the metallic plants he’s seen here. The gems contain strange bubbles within them; hollow glassy cavities that only enhance their sparkle. Even the jade hasn’t escaped its alloying unmarked; the surfaces of the coin-sized discs in her cuffs look strangely organic, and they’re shot through with oddly-coloured veins of a slightly different shade.
For all of her ornamentation, though, her head is unadorned by anything except a crown braid of her crimson hair. It’s intricately woven into a tiara that holds the great moving mass of it back and out of her face, and while Wuzu can see it moving gently behind her as if underwater, she seems to sense his discomfort with it and sticks to using her hands when she - mockingly - points him towards delicacies or serves him the occasional drink.
Keris Maryam Dulmeadokht, Hell’s Mistress of Ceremonies, smiles at him from where she sits to his right in perfect seiza, and pours him another cup of tea.
“Have you been enjoying the festivities so far?” she asks pleasantly. She speaks in Tengese Firetongue, though he’s heard her use Spirittongue to almost everyone else here, and her accent is hard to place, shifting between the two. Right now she sounds more or less Anarchic, with a touch of something more foreign and exotic, but when she addresses the demons around him in their own dialect, she reminds him of a clash with the Lintha he had on a patrol, hearing one of their accursed captains call out orders over the rancour of battle.
“I can only appreciate not being confined to a bare cell - and only then marginally,” he says stiffly. Formality is a mask of jade to wear. “It does not comfort me to know that to be so surrounded by Hellsworn Anathema freely unmasked means you do not believe that such knowledge will benefit me or the Chosen of the Earth.”
There’s laughter from some of the others at the table; the green-eyed red-haired young man with four arms who mocks the image of the Sun, the black-haired man with those very dark eyes, the short-haired woman in crimson whose garment is embroidered with hellish tiger motifs. They understand his point there; they seem to at best consider him an amusement.
“Now, now,” Dulmeadokht says placatingly. “Let’s not trouble ourselves with thoughts of the future. Or with pessimism, for that matter. Getting to know my peers and our honoured masters could benefit you very much, depending on what you choose to do with the opportunity. There are demon lords who would give an arm to be at this table, you know.” Red-painted lips curve upwards with sly humour. “Possibly even one of their own.”
She’s not so crass as to outright state she’s trying to lure him into swearing his allegiance to Hell and seek the favour of these monsters, but she’s making no effort to hide it. The false courtesy of keeping it to implication and indirect hints only rankles more.
This he knows; being rude here will likely see him called out. It would happen if he was merely sitting above his station in a family gathering, and the champions of Hell are no doubt far crueller and more impetuous. He’s already seen a duel, two demon-women drinking heavily who ended up exchanging blows, only for Anathema Dulmeadokht, his dinner companion, to quickly step forwards and turn it into entertainment. She could well be a Deceiver, a silver-tongued monster whose words can soothe and coax even the lords of Hell.
So he will be elegant and Dynastic and bide his time.
“Well, why not regale us with some war stories?” she says when he doesn’t answer. “I’m sure you’ve seen some combat, no? Stories of demons or the Lintha would be a poor choice, but you must have a tale or two of the death-worshipping cannibals of the Wailing Fen to tell.”
A question he has been asked before at family dinners. He gives the same prepared answer, because his grandmother would likely be only somewhat less harsh than the lords of Hell if bored or disrespected. “What can I say? No doubt others would have more interesting tales, for the Fist of Pasiap is - was, I should say,” it rankles, “a flagship, and did not have as much excitement as a cruiser might have. I’ve only seen combat a few times in my year-and-a-half at sea. If I had to say the most dramatic moment, that would have been when we deployed against a necromancer who had called up a fleet of sunken ships, manned with the ghosts of dead pirates.”
He recounts his story, which had been up in the Tengese Sea - an island lord had fallen under the sway of a necromancer who had been trained on Nightfall Isle. The local primitives had already had ancestor cults among them, and the necromancer had been willing to lend aid to them, calling up a culture-heroine who had been the founder of the island who had led the undead-crewed ships to raid Imperial trade. They had been a minor problem for a while, until the Realm had decided to make an example of them after they’d hit an important trade vessel owned by a Deliberative member. The Fist of Pasiap had led its squadron to the island, and he had deployed with the marines and Nagakotan monks to hold the docks while the Immaculates had hunted down the necromancer.
“But there had been a second fleet, you see, of these rotting ships, and I was called back. Then - the whoosh of the firedust, the roar of flames, and the feeling of calling on the forces of my blood to launch bolt after bolt at them. The rotten ships made for poor kindling, but in time they burned or fell apart - and my captain led a boarding party which I was part of, where we fought a terrible possessed corpse that called on vile magics. When we slew that beast - at the cost of several good marines - then the ships disintegrated.”
“My, my!” Dulmeadokht gasps, giving his story more interest and attention than it probably deserves - for as the one who led the horrific attack on Nagakota, no doubt she’s seen, and commanded, far more terrible conflicts. “I had no idea my new ship was so distinguished.” And there it is, the subtle jibe - or perhaps a boast; that remark seemed more aimed at their company than him. Still, he has to hold his temper in as another ripple of laughter runs round the table.
“You’re to be commended for helping to slay such an aberration, though,” she adds. “I’ve put down quite a few Zu Tak necromancers and their Greater Dead grandmothers myself. Horrible things. It’s a shame that the Realm hasn’t given you more chances to prove yourself against their ilk; my subordinates tell me you’re quite the warrior.”
It is like a knife to his chest - the knowledge that he surrendered to a rabble of lesser demons led by this woman’s demonic servant. He tries to smile. “I believe that given I am here, you exaggerate,” he says, and he can’t hide the stress-twang in his voice nor ignore the laughter at his words.
She eyes him knowingly and seems about to reply, but then something past him catches her attention and she’s on her feet and dancing away with a quick apology to the others around the table, heading towards a squat, ugly and very loud man near the edge of the great barge this banquet is taking place on. He’s left with the others around the table, most of whom go back to talking among themselves and ignore him now that their hostess is no longer drawing their attention his way.
Most of them. But not all.
There are so many at this curved table above the general floor - twenty in total, including him, and there is spacing which suggests that some are not attending. As far as he can tell, some are the mightiest of the demon princes, while the other thirteen are - including his hostess - the greatest of the Anathema.
These are the demon princes, and first and foremost of them is the red-haired man with the sharp-green eyes who he has heard address as Prince Ligier, crown prince of Hell. He is laughing, genial, and even spoke with amusement to Wuzu, but he can taste the power radiating off the man which reeks of hot metal and desert mornings. Next to him sits the lady who Keris Dulmeadokht has sold her soul to, Lady Lilunu the beautiful regal beauty beside her who might have been presented at the Imperial Court were it not for her ever-changing eyes. Then there is a young woman with the ancient lined blue eyes who looks to be kin to the prince, and he has been told not to offend or draw the attention of Iudicavisse, Hierophant of Hell. He cannot help but stare at the beautiful Ululaya, who is here as an emissary and representative of the highest soul of the demon queen Kimbery (a name he has heard before in context of the wretched Lintha), and when he wrenches his gaze away from her heart-rending beauty he meets the gaze of the mirror-lord Kagami, who wears his own form - save with silver pools for eyes. Shuddering, he tries not to look at that mocking smile, and looks away too from the ragged grey-haired madwoman who croons to herself, holding an infant whose eyes are too aware and too cunning.
The Anathema are safer to look upon, the mocking masked demonic servant of Lady Lilunu had told him while dressing him. Beyond Keris Dulmeadokht, there are twelve more, and they fall into a few distinct groups. First there are the barbarians - the man daubed in moving tattoos with an eastern look to him dressed in only a loose sash, the puckish woman with short hair and sheer saffron silks that Keris referred to as ‘Veil’, the orange-eyed woman dressed like a simple village priestess, and the white-skirted man marked with circles who has the look of one of the curious Dune Folk of the Deep South. Then there are the curiosities - the sorcerer masked and androgynous, the dark-skinned woman bedecked in strange and exotic devices of ancient years and cloth made of living shadow, the pale man who looks half-dead covered in scars that would be fatal on most men, the giant woman whose clothes sparkle like sunlight on a distant river. There is a pirate dandy with a feathered cape and an always-smiling man in smoky greys and purples.
And then there are the two figures dressed like members of the high nobility of the Realm, mocking the forms of Dynastic glory just like Keris Dulmeadokht herself had. The first; dressed as a member of the Imperial family in white silk and white jade, a great collar of stone icons hanging from her neck, monstrous almost-wings of shifting-colour light fanning around her like a peacock’s tail. The other; lushly decadent and golden-eyed, clad in nothing save body paint and a complicated lattice of wired-together painted porcelain, and while the first might have worn the forms of the Imperial palace, this one has the features of the old nobility, the ones who can trace their origins back to the kin of the old Gens that the First Empress sprung from.
These demon-servants and their masters love to mock the forms of the Realm. Taking them and corrupting them with their iconic details and their lurid art.
The golden-eyed one has her eyes on him. Does she recognise him from somewhere? Or is she evaluating him as something to use - or as a gourmand would look at a cut of meat? Because she is dressed as one might dress for a particularly risqué Sinisi party and - Dragons save him - she is temptation itself, wearing the face of one of the old nobility, lush and voluptuous. It’s not his fault. She’s probably using the terrible magic of the Blasphemous to take a form he greatly desires.
Her gaze shifts, and Wuzu follows it. Over on the other side of the barge, Dulmeadokht has resolved the disturbance from the loud, uncouth Varangian and is halfway back to the high table, stalled for a moment talking to a demoness with hair of brown fire clad in the styles of the old Shogunate - another mockery. She seems to feel the Blasphemous’s gaze on her, because she turns to meet those golden eyes, then glances at Wuzu himself. Then back to her peer. Her lips purse for a moment, her expression strangely knowing.
He sees her throat move in a swallow, though she’s taken no food. Very subtly, she tips her head towards the golden-eyed woman, the corner of her mouth quirking, and shrugs a shoulder. Then she looks back at him, and...
... and somehow he knows that the slight lift of her eyebrows and tilt of one hand is an amused faux-apology for not being able to devote as much time to him as a good hostess should. The tip of her head towards the golden-eyed woman and the brief wink is a promise that her peer will accommodate him instead, and the way her lips pull back from her teeth in a grin as she blows a kiss is a teasing suggestion to enjoy himself.
The fire-haired demoness says something else, and Dulmeadokht’s attention returns to her. If there’s more of that uncanny meaning in the gestures and smiles she makes in response to her guest, he can no longer divine it.
“You can relax a little,” the golden-eyed woman murmurs to him, her voice - on the deeper side for a woman - sending a faint frisson up the back of his neck. Her accent is perfect court-standard High Realm. “No one is going to devour your soul here. You are a guest here of the Unquestionable, a witness to the power of those who made Creation. It would be a poor standard of hospitality to harm you when you have been so honoured as to sit at this highest table.” She pauses. “Unless the nerves are not just from your companions, no? Perhaps you are not used to dining with such high society. One so young as yourself wouldn’t be allowed to sit with your House elders, even if you are a dragonchild.”
Her words had started to lull him, but the sudden, sharp insight jars him from it. “I am chosen by Pasiap,” he says, back stiff, “and was taken here as a prisoner of war. Who would show so much weakness as to let down their guard?”
She laughs at that, and rises, sweeping around with her ceramic lattice bodice tempting with what it almost reveals with each step. “Young man, inviting such prisoners of war of high status to dine at the captain’s table is normal conduct within your own Navy. You must be very young if you aren’t familiar with such things. Only a year and a half into your commission? I can believe it.”
The woman is close enough now that he can smell her perfume, a blend of cinnamon and flowers and somehow oddly lacking something, though he isn’t sure what. But she takes Keris’s seat, and he can see the curves of her body from the side and the temptation is terribly real. “You are likely no older than me,” he retorts.
“Well, aren’t you kind?”
The dark-skinned woman in indigo audibly sighs, and says something in a weary tone in Spirit-tongue to the golden-eyed woman. She retorts in the same language, and there’s a brief almost-an-argument between them, before the dark-skinned woman cuts it off with something he suspects is a ‘be like that’ or something of that ilk.
“What was that?” he asks her.
The golden-eyed woman laughs. “Just a snide implication from an old friend, a newer rival, and a once-lover,” she says, the air rippling as a bottle floats over to pour him a glass of something lilac-coloured and sticky, then one for herself. “You may call me Sasi, Wuzu - it’s a little familiar for the two of us to be using personal names like this, but in these circumstances I feel a little familiarity is called for.”
Without thinking he presses his knees together, and tries not to swallow. That court-standard accent feels dangerous, and rouses (arouses?) some deep-rooted feelings in him. There’s nothing about the name in particular that stands out - there are plenty of Sasis and names akin to that, like Sasihala and Sasizusu, in the Dynasty - but that voice coming from those lips feels like velvet down the back of his neck.
It is dark magic. It must be.
“Oh! So spiky, so stiff,” Sasi murmurs to him. She takes a sip of the drink she poured herself. Same bottle, same cups - probably safe. She reaches over to pat his hand, and her skin is soft and uncalloused. She might have the look of the Imperial House, but they’d never let a child of theirs get away without practice callouses. “You really should relax. Though if you don’t feel we can be familiar as it is, why don’t you tell me a little about yourself? So we can get to know each other.”
He considers it, trying to delay the choice by taking a mouthful of the sweet pink-lilac drink. It’s strong, and as it goes down he feels very strange, incoherent images flashing before his eyes of lust and brass and fire and- he screws his eyes shut, shakes his head, and banishes such thoughts from his head.
“Oh, well done,” she praises him (it doesn’t feel good to be praised like that, it doesn’t), “most people don’t manage their first shot of chalcanth anywhere near that well.”
“Popped his cherry, which is such a coincidence for what she’s planning,” the smiling man says loud enough to hear.
“Ignore Ochimos,” Sasi says, “he’s just being crude. Though with Keris away, I suppose her hostess duties fall to me - and so, Wuzu, go on.”
Maybe the drink, whatever goes into this chalcancth stuff, is hitting him harder than he realises because he finds his mouth very lubricated. Maybe it is just that he chatters when nervous - something his snide cousin Dotoko always used to poke fun at him for. He mentions that to her, along with other things, and barely manages to keep the topic away from things that the lords of Hell might have wanted to know about the Imperial Navy. Whenever he realises he might be straying into things that might have been secret (not silly things like gossip or ports he’s been to or anything like that, actually important things about fleet movements or postings), he throws in an anecdote about his childhood or how hard it was to be the barely-legitimised child of a Tengese courtesan brought to the Realm by his failure of a father who then got himself killed before Wuzu was ten, or how strange it was to walk in the Tengese docks for the first time and see people who looked like him.
And he might be drunk, but at least he has neither offended the powerful demons nor drawn undue attention from most of them. The Lady Lilunu is listening closely, but she’s only asking questions about things like ‘how is a Dynastic estate structured’ and ‘how do the peasants live’ so he realises it’s a hobby for her. And she looks Dynastic too. It’s strange, really. Having two beautiful courtly ladies listen to him feels really very good, even if they might be... might be sworn to Hell. Or a demon princess. They’re just such good listeners. And so beautiful. And Sasi has his hands and those golden eyes are on him and she’s there and comforting and soft and for some reason he can’t remember if there’s a reason he shouldn’t trust her. Not when she’s soft and somehow maternal despite her youth and she’s there. She’s there like his grandmother never was, like the maids never were, like no one in his House ever could be.
He feels hot, heated, drunk. He reaches out for her, and finds her hands already around his. Her kiss tastes of wine and sweet cinnamon. Her weight is warm and soft on his thighs as she straddles his lap, facing him.
“Sasimana,” he distantly hears, the Lady Lilunu both amused and chiding, “please at least take him to one of the below-deck entertainment rooms. I know this wouldn’t be the first time you’ve put on a show at a banquet, but Keris would get a little terse if you’re the centre of attention rather than her.”
There’s more than a few chuckles at that at the high table, but Sasi - Sasimana - twists in his lap to bow to the demon princess. Her soft weight and bared skin banish the thoughts from his head momentarily, to say nothing of her motion. “As you wish, my lady. I don’t suppose any of you will miss his company unduly?”
“I’ll be bereft of my guest, but I’m likely to be too busy for most of the banquet to give him the attention he deserves,” says Dulmeadokht from immediately across the table, when did she get there and how didn’t he notice? She’s speaking again, which is something, at least.
“Still,” she continues breezily, “I trust you to look after him, Sasi. Make sure he feels welcome here, won’t you? And Lieutenant...”
Her smile is knowing, and he can’t help but feel that she can see everything he’s feeling as she looks at him over Sasi’s shoulder. Mischief glimmers in her grey eyes.
“Don’t be afraid to relax and let yourself go.”
Below decks, something different. Not the open expanse of tables and entertainment and service; instead something confined and intimate, the human and demon servants dressed in diaphanous clothing and equally covered in body art as they guide him and Sasi to one of the chambers. Then she’s up against him again, pinning him to a wall as unseen hands strip him and while he knows he could push her off why would he do so? A beautiful, soft woman with the look of the old royalty wants to get him naked and he knows intellectually that it’s wrong and she’s a servant of Hell, but he’s not thinking with that head in the face of such temptation.
“Oh, Keris did so well bringing a treat like you as her guest,” she whispers to him between kisses as they lie intertwined in the aftermath. Him sticky; her skin dry.
“Guest,” he echoes because he doesn’t want to disagree with her. It was incredible. Better than his flings at House of Bells, or his too-short romance with Ragara Iti during his too-short grand tour of the Threshold, or his joys found in port. It was like every line of Sasi’s body was made by the Dragons to bring pleasure, and he hungers for more. She is a meal he could dine on every day and never get bored; her taste lingers in his mouth.
Sasi sits up, trailing her fingers down his stomach, her softness and delight on full display in the shaded room. The light catches her eyes and the gold gleams as she pins his shoulders with her hands, unseen fingers preparing him again. “Wuzu,” she whispers, and his name feels like a prayer on her generous lips. “Are you feeling all right? You can trust me, you know. I’ll always listen to you.”
His vision blurs. In this moment he understands; yes, she will listen to him, he can be open to her, he can let the feelings he hides show and she won’t condemn him or call him weak or compare him to his father like she expects him to be a failure and a waste of the dragon’s blood too. He manages to express a little of that, and she gently guides his head to her lap, brushing his hair.
“Oh, Wuzu,” she tells him affectionately. “I know how much of a cruel master the Dynasty can be. It wants so much. It has no room for failure. It wants you to be a dragon, not a,” a little breathy exhalation, “man. It expects your body to be made of jade, and your feelings to never get in the way.” She strokes his cheek. “It wants too much of you, and your House is so harsh in what it demands of you. They only gave you what everyone else gets when you succeeded, you watched cousins and friends be marked in the black books as ‘not worth’ the matriarch’s time.”
He knows now: she is a Dynast too. She speaks from experience. “Yes,” he murmurs, rubbing his cheek against her thigh like a cat. He inhales the reassuring scent of her perfume. “I’m a failure now. I was captured by Hell,” wait, by her people. “They’ll never trust me again, they’ll... wait. I shouldn’t be saying this, I--”
“Why not?” Sasi eases him up, to hold him against her chest, her grey hair falling over him. “You said it yourself, didn’t you? Your House will never consider this forgivable. You won’t be forgiven. It isn’t fair.” Her voice hitches. “It just isn’t fair.”
It isn’t and she’s a servant of Hell why is it so hard to remember that? but she isn’t wrong. That a single failure primes one for a life of inadequacy. That he especially will be considered to be living down to his father’s standards. “It isn’t,” he mumbles into her chest.
She rests his hand on him. “It’s all right to resent what they did to you. What they put you through. How your father took you away from the softness and warmth of your mother and threw you into the loneliness of the Pelepese,” she whispers, rocking him gently. “It doesn’t make you wrong to hate that. To hate the systems that they put us through. To hate the whispering of jealous cousins or of aunts who see you as a rival to their child.
“You’re allowed to hate the Realm, Wuzu. You’re allowed to hate what they did to you. You’re allowed to want to find pleasure in ways they wouldn’t want. You’re allowed - you deserve - so much more than they gave you.” And she tilts his head up to kiss him.
He doesn’t have an answer, not one of words, at least. He doesn’t have a response - though he’s more aroused now than he was the first time, because he knows what’s coming next. He doesn’t pledge himself to Hell, not here and now, not even as she welcomes him in again.
But now there’s a crack in his heart. And after he finds release, she has more words for him. And she’s willing to listen to more of his words.
Maybe later he’ll remember the old stories of the Blasphemous, but those stories talked about their allure and their force of will and their majesty and their terrible power. They never spoke of kindness, of sympathy, of gentleness, because those things are things the Realm values less and so does not fear.
The party is a rousing success so far. The food is fine, the music exquisite, and the peers and demon princes alike were very much looking forward to a chance to relax after the previous scream of presentations. The political experts on Lady Lilunu’s staff helped ensure that no foes are seated near each other (barring the necessary political compromises of having all the Directors up on the podium) and as a result only two wars have been declared and one of them is between friends who do that all the time. With a stretch and a smile, Keris calls for one of the on-staff viragnaptar, and examines the hunchbacked living flower-garden demons. The scarlet rhapsody is blooming and the tears-in-a-lover’s-embrace is wilting. That means that there’s just under an hour to go until the end.
There is still no sign of Sasimana, who’s been below deck for almost two hours.
“I see she has chosen to make her own entertainment given that Peer Testolagh declined to attend,” Dulmea observes cattily. “He should have known what would happen.” It isn’t entirely fair on Testolagh, who Keris knows for a fact would rather drown himself than eat a fine dinner with his peers and the rulers of Hell, and has chosen to instead spend the time with Aiko. He’ll also probably end up as entertainment for Kali and Ogin. Unfortunately, Keris can’t even keep an eye on them because Iris is sticking close to Lilunu. At least her familiar is being well behaved on her place on Lilunu’s arm.
“Sasimana is good at a lot of things, but she excels at corrupting people away from the Realm,’ she notes. ‘Suriani couldn’t make any headway on him, but I doubt his will is strong enough to hold up against this. If she wants to enjoy herself while she softens him up for me, I’m willing to let her have her fun. I heard her at the high table; she was pulling a lot out of him. And...’
She pauses for a moment, considering her decision and trying to put the vague feelings behind it into words, ‘... I think this isn’t the harmful kind of indulgence,’ she continues after a moment. ‘She didn’t want to jump him as an escape from her responsibilities, she wanted to jump him because he’s cute and it was fun. She even asked permission first. Maybe if she indulges like this - in ways that aren’t an escape from the pressure - she won’t veer so hard into addictive behaviours and running away from herself. Like letting off steam before a boiling flask bursts from the pressure.’
“And of course, you’re not entirely unpleased that she is no longer in your line of sight in that ceramic contraption,” Dulmea says. “I have seen how much your gaze was wandering. And I wonder how much of that was deliberate on her part. She still loves you. She wants your attention. Even I can see it.”
‘I know,’ Keris agrees. ‘But I’m sticking to what I said. I’m not going to choose to fall for her again with Adorjan’s gifts. If she wants me back, she’ll need to win my heart again. And seducing me won’t get her that. Sex isn’t enough.’
She pauses to exchange a few friendly words with the demon lord Tereki and check on how she’s enjoying the banquet, then takes the long way round a table to politely avoid where Sisim is sitting, flanked by Balanodo on one side of her and Kasteen on the other. Sisim is looking her way again, and Keris busies herself with supervising the next change of musicians and directing the rowers below to take them closer to one of the ornamental islands for the guests’ viewing pleasure.
Wooden feet approach her as she looks over the edge, and she sees the male mahogany-skinned form of the Shashalme approach her, his imperious features magnanimous, his bark-flesh pierced with orichalcum and lunargent and jade, dressed in a pale kilt of supple leather fringed with ringing out bells. “Most excellent a party, Lady Dulmeadokht,” he observes, joining her at the guardrail. “I particularly liked the fruit wine just served - did I hear tell that it is from the Lady Lilunu’s orchards, from fruits you have brought back to her from the South West? It is exquisitely delicate, and,” he raises one perfect eyebrow, “perhaps wasted on a few here.”
“No doubt some, your highness,” Keris says with a bow. “But it’s my duty as Mistress of Ceremonies to entertain all who attend the Calibration festivities with the very finest of refreshments and revelries.” She looks up at him through her lashes. “I can certainly supply you with more of that wine, if it was to your liking. An Teng may no longer be under my authority, but I can still source gifts from the Anarchy and my lady’s gardens if there’s anything in particular you desire.”
“Well, isn’t that inviting?” The demon prince leans over the edge, looking out towards the floating shape of a berg-sculpture of Lilunu’s design. “To think that you have successfully called one of my peers to the rebellious provinces of Creation. Ah, Keris, Keris, a pettier soul than myself would take it personally that you chose one such as Molacasi rather than my own magnanimous self.”
Keris straightens with a rueful smile and traces her fingers along the railing. “Alas, highness, but it was an attack on a port city with an army of demons from the Sea - the conditions were only favourable to calling on one of the souls of Kimbery. Had I been assaulting a city in the Middle Lands, or any of the other jungles of the Southwest, I promise I would have thought first of you. And who knows? Perhaps my eyes may turn to Shaipres next. This is far from the last service I’ll do in the name of the Reclamation, and I have yet to address the mainland below the Silent Crescent.”
His fingers click together. “Oh, don’t mistake my intent, Keris. I said a pettier soul than I - such mistakes are beyond me. I understand fully that the occult phenomena are such that my release so late in Fire would have been of great difficulty for you.” His breath is sweet; his hum melodic. “How fares the Nests, by the by? It has been several years since I gifted it to you and I hope it thrives in your custody.”
“They fare well, highness!” Keris says, brightening up. “The last major work I did there was reforging my armour and spear, but I’ve made use of them for a few other smaller projects - and I’ve allowed the Paricehet to go back to forging in non-military fields, so they’re earning me an income from that.” She grins. “I’m still grateful for the gift. And I hope the guest I brought you from Shuu Mua has settled in well?”
“Oh yes,” and he smiles, showing three rows of teeth, “excellently. He has quite taken root in his new home. And is enriching the area.” He taps his knuckles together. “I must apologise on my part, Keris. I had something for you at the award ceremony, but the competition for slots was fierce and there were so many who wished to reward you personally.”
She can see in those dark eyes that he is lying and he doesn’t care that she can see that he’s lying. Both of them know the forms of the game.
“I’m flattered that you think so highly of me, highness,” Keris responds, playing her part in the little exchange. She could demur, but... honestly, she has no reason to. The Shashalme has been good to her in the past. And it won’t be hard to find things to repay them with. “Still, this is a more intimate meeting, isn’t it? I can give you my thanks more personally, if you wish to bestow it now.”
That earns her another smile. “You know, I considered coming to see you on the Street, but I feel the exchange of anything as base as money would have ruined our friendship,” he declaims, patting her hand. “And of course, on Ipithymia... well, that girl-child considers everything to be an exchange of money. She has no appreciation of the value of friendship, of reciprocity, and of the organic way that a relationship might grow. But then again, she is a spawn of our King.”
“Madam Ipithymia is certainly far less generous than you are, highness,” Keris flatters him. “And I don’t doubt that your followers are happier in your service than they would be in hers. I don’t disagree with your decision at all - though you’d have been a more welcome patron than some I had dalliances with on the Street, I dare say.”
The music in the background takes on a minor note, the chords of the angyalkae drifting over between the two of them. “Well, perhaps some time we may consider a brief dalliance without Ipithymia’s greed getting between the two of us. But, mmm, Keris, you have been not exactly subtle that you are seeking out the hearthstones of the Hungry Swamp. And yet - I am hurt, almost offended that you didn’t come to me.” He exhales a sweet breath. “I thought we were closer than that.”
“My apologies, highness,” Keris dips her head. “Honestly, I would have, but... well, Calibration is always a busy time for me, and I got back barely in time to attend the first scream. In truth, I’ve done little more than have my adjutant make inquiries. If I’d had the time, I would have come to you in person, but I didn’t want to make such a request by messenger - it seemed rude.”
“Nonsense, nonsense! If only I’d had more time, I’d have been able to prepare a more grandiose gift for you. But as it stands, I do hope that the offer of the manse known as the Feasting-Wall Citadel will be able to serve you well.” There is earnest distress in his eyes as he adds, “It has not faired the past few years well, but at the very least in your hands it might avoid further decline. It is located in one of the gates of the outermost layer, you see, but then the Swamp expanded and subsumed it. Oh, there is definitely still beauty in it for it is a great fortress a full mile high, but it would need a good master to fix the damage to it and bring it up to full functionality! There is much potential in it, for it might not be the most fearsome geomantic nexus but it is of the next tier down, even if it is weaker these days and the hungry essence vents in the form of all kinds of lovely life. And that power for one such as you - it would be easy to claim, no?”
Keris’s eyebrows rise in interest. “The Feasting-Wall Citadel... I’ve never heard of it, but it sounds fascinating,” she muses, turning the offer over and considering it. A manse on the very edge of the outermost layer of Malfeas... she already has one in the form of the Topless Tower, but that’s on the Street of Golden Lanterns; hardly a covert way into Hell. This place sounds much more surreptitious, and a quiet route into the Demon City isn’t something Keris is going to turn up her nose at. It sounds large, too - a mile-high fortress will mean plenty of space to expand, and... well, if nothing else she can turn Haneyl loose on it to fix up some of the damage, should her daughter ever want a project to occupy her time.
On the other hand, there is that part about the Swamp having ‘subsumed’ it. Hmm.
“The name is especially evocative,” she adds. “Why is it called that, if I may ask?”
“Well, a maw of my Greater Self extrudes into the gateway,” the Shashalme says with a casual flip of the hand. “Hence outsiders no longer use this gate to enter Hell - or at least they only do so once. But the manse itself is the gatehouse.”
The music in Keris’s head stutters, but despite the horrifying implications of claiming a manse that is a maw of Metagaos himself, Keris’s interest perks. Because that means...
“So to go across the wall the gate sits in would be to access the City, but to go through the gate itself would be to enter the depths of Metagaos?” she asks. “That’s fascinating! I’m flattered you’d offer such an interesting expression of your Greater Self’s nature.”
“Oh, I am delighted that you can find such things fascinating. If you ever need any assistance with its study or repair, don’t fear to ask me, Keris.” He takes her hand and presses a little brass key into her palm, the metal covered in fleshy veins with barely-opening buds on the head. “The token of ownership I now pass to you. May it treat you well.”
Something sticks with Keris; before, the Shashalme has called her ‘Little Keris’ in the past. Now it calls her ‘Keris’, and is more casual, less condescending. Is this just a difference between its male and female bodies, or is this a change in how the demon prince feels about her?
She curtseys and kisses his hand as she takes the key. “My thanks, your highness. I’ll be sure to get that wine for you - and perhaps a few other gifts from the Anarchy as well.” And, she thinks, she’ll have a look around the Feasting-Wall Citadel when she stops to gather hearthstones from it on her way back to Creation. Because the outermost layer is a long, long way away from anywhere important - long enough that she normally has to use Ligier’s lightbridges or the Topless Tower on the Street of Golden Lanterns to get from there to the Conventicle in good time.
But Metagaos eats everything. Including space. For someone who can survive the diseased, consumptive depths of the Swamp and navigate its trackless wastes - and despite how her children tease her sometimes, Keris can find her way through such terrain better than most - there are paths through it that are far, far shorter than they should be. Paths which could lead to any outgrowth of the Swamp in Hell. Even if slipping out of the All-Hunger Blossom’s teeth is a lot harder than letting him swallow her, Keris can think of a lot of ways she can use a completely secret shortcut from the outermost layer to potentially anywhere in the demon realm.
The demon prince offers her his hand to kiss, and she feels the warmth of gratitude swell up in her. It’s right and important that she pay the Shashalme back for something so lovely.
They talk for a while longer, and then Keris sees them back to their seat and makes her goodbyes. She goes back to flitting about the banquet; settling a few issues that have arisen while she was distracted, dealing out compliments, refreshing dishes and intervening to prevent another fight. She’s not entirely shocked to discover that it’s Yuula, who is accusing Izn Khabo of cheating at cards since he pulled out a set at the table and she put something valuable in (and immediately lost it).
But once that’s resolved (and she’s made vague allusions to Khabo of talking in Creation at some point in the coming year), Keris checks the viragnaptar-garden again and estimates that there’s about half an hour of the banquet left. Which makes it the perfect time for her announcement. She weaves her way back to the high table, sashays around to her seat and draws a chord from the strands of Time that’s echoed from the shadows. The tidal pull of the Great Mother draws gazes towards her from all across the barge, and she waits for the hum of conversation to settle so she can speak.
It takes a few moments. But soon, the only sound on the boat comes from the musicians, who’ve begun to play more quietly at a signal from Keris, and a hundred sets of expectant eyes settle on the Mistress of Ceremonies.
“My friends,” she says. “Honoured Unquestionable, noble lords and ladies, respected peers. Esteemed guests, one and all. I’m delighted that you’re all enjoying my little banquet - and don’t worry, we’re not wrapping up just yet.” She grins at those who still have plates full of their fourth or fifth servings, and enjoys the general polite laughter for a moment. “But I have an announcement to make, and I thought I would beg a moment of your time to make it now. Because everyone here enjoys the finer things in life - good food, good wine, the pleasures that while away the days until we Green Sun Princes can free the Yozis from their unjust bondage. And I’m sure no small number of you have heard of my time this year spent on the Street of Golden Lanterns, where I offered such services to the mighty of Hell, to ease their imprisonment. Perhaps one or two of you even visited me in my golden palace there.”
There she can definitely see smiles, and many of them are fond (even if they are associated with significant outgoings - fiscal, of course). It’s not entirely positive, though. Close to her, she can feel the cold, malicious attention of Iudicavisse on her; in the audience, some of her peers have looks of disdain or contempt or annoyance. Pokhanza, for example, has her arms crossed and Corrusu holding her hand tight, speaking softly to her - telling her that it doesn’t matter and that Dulmeadokht is wasting her talents compared to how Pokhanza applies her own. But given last year’s announcements led to the Golden Surrender Cycle, why, all eyes are on her.
“Which is why,” she continues, not letting the heavier stares bother her, “I mean to staff my palace with the very best. And to ensure that they are unique, and novel, and interesting, I am extending an open offer to all of Hell to help me supply that staff. As Mistress of Ceremonies, I’m announcing a competition - a demon-making challenge, to create breeds that can entertain, indulge and serve the passions of the highest class of customer in my Gilded Palace. One year from today, on the fourth day of Calibration, the products of your innovativeness, creativity and skill at genesis will be judged here in the Conventicle.”
She plays as she talks, backing herself further with her chorus of shadows; a lively song in a minor chord to stir interest, desire, arousal. Behind her, her anima banner blooms, washing upwards and outwards to show her gilded palace in flickering light, surrounded by imposing silhouettes who each offer a different alluring form to the palace doors. Some drift down and enter, others vanish, and Keris’s own unmistakeable silhouette dances from the palace and over to the victors, kissing a cheek here, trailing fingers down a chest there.
Murmuring, discussion - sudden interest on some faces, further disdain on others, eagerness here, competitiveness there, naked lust in more than one place. Ipithymia’s black eyes glitter from where she’s sitting close to the main table, and Keris can feel Lilunu’s eyes on her from one side.
“The winning breeds will exclusively staff my pleasure-house on the Street,” she continues, “and their creators will be able to earn,” a dazzling smile, “personal time with me, among other potential rewards. The judges will be Unquestionable Ipithymia, who will judge on suitability for their intended work; Unquestionable Lilunu, who will look for beauty and artistry in their design; and Unquestionable Benezet, who will seek uniqueness and innovation in form. All have promised to contribute to the rewards for those who particularly impress them.”
Keris expands further, extols the virtues of her vices, and is immediately hit with questions. The most common and pressing of them is this - if the demon is made on commission, whether by a sworn second circle or a neomah, who benefits? To the demon princes here, many of whom are not genesis-crafters themselves, this is a question of great import.
Luckily, one of the first things Dulmea made Keris do after she came up with the idea for her contest was to go through it and ask at every stage how Ogin would try to exploit the rules. While she would like for the contest to only be open to those who created their submissions themselves, she was forced to yield to practicality and allow commissioned breeds - though she does urge those in attendance that they should be involved in the ideas behind their design, with a contracted genesis-crafter merely there to implement their own genius.
She can, if nothing else, content herself in the knowledge that Lilunu and Benezet will value the artistry of those who worked to create their submissions themselves - and that the work of a focused demon lord or demon prince on something they’re invested in will produce higher-quality work than a neomah ordered to make ‘something that’ll win’ for a disinterested Unquestionable.
There’s a pounding on a table by Baaji, who wants her attention. He doesn’t rise for her, and his snowcloud-wreathed head is scowling. “Are you saying that people who aren’t here can enter? Outrageous!”
“Are you saying y’ll lose to a neomah, Baaji?” interjects Fossyi, leaning on his war club that serves as his walking stick.
“Oh, serfs should be barred entry, but I’m thinking about ones who didn’t bother to show up - or worse yet, ones who’ve put nothing into this project. Those leeches deserve nothing and should get nothing! Shame! Shame on them all!” And while everyone knows he wants to thin out the competition, others definitely feel he has a point - or at least want to likewise remove possible contenders.
“A wise and understandable point, your highness,” Keris grants, having luckily anticipated this, too. “But I would not dare impose decisions on the Unquestionable, nor bar them from entry. I yield the final word on who is eligible to enter the contest to the judges, as they are better suited to decide than me.”
Benezet sweeps to her feet, her mad rainbow of hair a cloak and veil at once, the flowers decorating her dress faintly glowing. “Shame on you, Baaji, shame that you fear you cannot offer uniqueness enough to delight me and seek to reduce the number of offerings that might contest you,” she loudly proclaims. “I vow to you all - I care only for the artistry of distinctiveness, and what new ways you can seek to bring pleasure. And I will no more offer unearned favours to any of us than I will violate the rules of this, for this - for once - seems capable of holding my interest.” Her hand goes to her chest. “Offering up tedium in your entries will earn my ire.”
Naysaying Baaji is also known to earn his ire, but from what Keris has heard, Benezet and him already hate each other so that won’t change things. Such a public display of interest from Benezet does draw attention, though, even if her declaration that she’ll retaliate against those whose entries bore her might dissuade entrants.
Lilunu raises her hand. “I would ask for calm here; this is a sporting contest of entertainment and art,” she almost begs, trying to placate them both.
Keris is absolutely not getting involved in a row between demon princes, but she does step back slightly and make a quick gesture at the musicians to play slightly louder, shifting her own melody to more placating notes as she continues to stroke the air. Calm, her lulling tune suggests as it spreads across the barge, a background noise beneath notice, registered only in the back of people’s minds as they watch the two Unquestionable square off. Peace, poise and still waters. She’s not playing to Baaji. There’s no way to settle him back down. She’s playing to everyone else, encouraging them to hold back, to watch and wait. To see him earn the judges’ ire - and perhaps be banned entirely.
There’s raucous laughter from Ipithymia. “Anyone who doesn’t think they can please the three fine ladies who’ll be sitting atop you all an’ judging can feel free to run away an’ not make an emasculated little offerin’,” she declares, with a beautiful smile. “But fundamentally when it comes down to it you’re makin’ harlot-demons to work for me. And that means,” she flashes obsidian teeth, “they gotta perform. Do y’all think you can perform where it matters? Because trust me, everyone; you all know I accept all comers.”
She’s an artist at what she does, and Keris can see it; she’s mocking, vicious, but also an object of comedy. Her peers know she’s a crude upstart, so she makes crude jokes, embraces her nature, and flaunts it with the pragmatism of the madam. She’s not Lilunu who’s earnest and well-meaning and looking to calm things down and so is ignored; she’s declaring to everyone that if they want to fight they can fight her in the gutter as an object of not-quite-contempt, not a real peer to the older Unquestionable.
‘I’m already regretting asking her to judge,’ Keris groans. ‘Even though she’s the most necessary one of the set.’ She doesn’t stop playing, but she can tell her pacifying melodies aren’t having much effect, and neither are Lilunu’s entreaties. Not when there’s a two-against-one Unquestionable argument going on in front of them. Hell likes nothing better than a scandal - and perhaps a war being declared.
Baaji rises, hands on his gut. “Oh, Ipy, Ipy, Ipy,” he says with a belly laugh. “I know how much a little girl like you likes to flaunt whenever she gets just the littlest scrap of authority, but maybe you can save this for your shows. Just maybe? Give it a go acting properly and you might actually get some respect when you’re not on your back. Or,” he adds as a staged aside, “spinning around upside-down. Here I was, looking for some clarification on the rules and then these two - they hate me, they really do, that’s just how they can be, maybe that’s what you get with little Ipy and ditzy-witless Bene - start going after me. Oh, I can win, I totally can, everyone knows my demon-making skills are legendary, they’re just the best, really the best, but I think you’ve already seen here that if I lose, it’s because two of the biased judges have it out for my guts. And maybe they’ll have it out for you too! Probably a rigged contest, maybe someone’s already been picked as the winner - I’m just saying this is the case, I’m just asking questions, but I think it’s definitely something to think about-”
And on he goes. And the audience is listening to him.
He’s pre-emptively sticking a knife into her contest. Why? Because he might lose? Or just because Benezet annoyed him? And if she barred him from entry, the crowd has already been swayed. It might lead to even more people quitting, or failing that, lurking doubts about the winner that’ll come up again - be brought up again - in time.
No, she has to stamp on this now, even if it means exerting herself a little earlier than she planned. For a moment she considers something extreme... but no. Not here, in front of so many people.
She can twist the damage he’s already done later, when she can get him alone.
So instead she rises to her feet and plays a scale up and down the register, calling attention to herself again. All eyes swing back to her as she sashays out from around the high table and over to Baaji, catching his fingers as he jabs them towards Benezet and keeping hold of them with one hand while running the other up his arm to his shoulder.
“Your highness,” she croons, looking up at him through her lashes. “I know tempers are high at the moment, but please, I ask you; trust me. This competition will be held to the highest standards of fairness, you have my word. The judges will all state their criteria before the end of Calibration, and they’ll be recorded at the Office of Revelries for any entrant to see, so everyone will know what they’re looking for before starting their designs. If they don’t abide by those standards, it’ll be obvious to everyone. And I’m sure that your entry will be so sublime that even a biased judge would have to admit they can’t find fault with it, don’t you think?”
All eyes are on her. All eyes are on her, and so many of the demon princes and her peers want her at this moment. All those wan washed-out faces lit by shimmering envy are all around. They’re jealous of Baaji to see Keris draped over him like that, they’re jealous of Keris who can shut him up with just a flirtatious touch and a caress, they’re jealous that all eyes are on her. It’s not every peer, because some didn’t attend and some have left, but it’s still a majority.
Baaji grabs for her, and she can tell she’s wormed into his blackened heart. Lust is a skeleton key for creatures like him. “If you can show me your rules and explain to me how no one’s going to cheat me, and show me why I should trust you, I’ll be your biggest supporter in this, your most gracious guest, I’ll make the best, the greatest, the most amazing demons for you with my very own hands; I’ll let you build icons of me in your temples so everyone knows I favour you, you’ll do so well Director that you’ll be sick of victory and conquest by the end of it,” he promises, pawing hands chill as ice on her bottom. “I’m the most generous, the greatest, the one who can help you most, make sure you get what you need and more and more. More than anyone else. More than someone like little Ipy.”
“I have some time free during the ninth scream where we can talk privately and I can show you all the rules in place to ensure this will be a fair contest of skill, your highness,” Keris promises, relaxing a hair. The jealousy is like a fine wine, and more than that - she knows men like this. He wants her. He wants things from her. And she doesn’t even need to give him them, so much as keep him thinking she might for long enough that he convinces himself he doesn’t need to sabotage her competition to win it.
She can’t read him, though. Oh, she knows he wants to bed her, but those promises, those offers, the deals he presents her - how many of them would he follow through with once he gets her on the back, and how many are just words? She isn’t sure.
He raises his voice. “Missy Keris here has just given me some ironcast promises she’ll make sure everything is fair personally, and I’m not one to call her a liar or diminish her charms,” he addresses the crowd. “I’m sure she - and the lovely Lilunu, of course - can keep little Ipy and ditzy-witless Bene on the straight and narrow.”
More laughter, but the audience is reassured. They’re calmed down by his word. And Keris has seen here and now just how dangerous he is, how he can move a mob with a few insults and witticisms - how Noh is staring straight at him with a palpable aura of murder that radiates out to bring shadows that shouldn’t exist under Ligier’s light.
She shivers, and - after a few more assurances to Baaji - gets out of the way of that glare as fast as she possibly can. There are more questions about the exact rules; whether it’s allowable to enter two different breeds, how the exclusivity rights Keris will get over the winning breeds will work, what form the preliminary rounds of weeding out sub-standard entries will take so that the finalists that go to the judges are all of appropriate quality. She answers them all, keeping the enthusiasm and investment in her competition going. But the unease remains.
Baaji, Benezet, Ipithymia, Noh. She knows them all, she’s on fairly good terms with two of them. And yet they just almost turned her light-hearted announcement of an entirely non-violent competition into a war.
It’s a chilling reminder that as much as she might like some of the Unquestionable, as casual as some of them might get in her company... she’s dealing with the awesome, terrible beings who wrought the gods, and whose mad passions inspired the war that got them sealed away in Hell. They may be friendly, they may be charming. But even the nicer ones are never, ever safe.
Next is the Nine Directions Parade, which is... well, if Keris is to be quite honest, it’s filler. It’s there to exist in the gap between the big dinner and the activities of the second scream. She expects a lot of people to skip out on it so they can grab some sleep or find their own entertainment. But that is in itself an important part of organising Calibration activities that Lilunu has imparted clearly to Keris by example and also quite firmly telling her not to make everything one hundred percent all of the time.
She still feels quite proud of what she has organised, though, even if right now she’s running around backstage making sure everything goes well. It started on the Grand Concourse that leads to one of the most common entrance ways, and now it’s working its way, slowly, to the place where the second scream of the fourth day will have the grand spectacle.
Last Calibration, the Scarlet Surrender Cycle captivated everyone with the dramatic tale of the Realm’s corruption and fall, culminating in their inevitable submission to Hell and their rightful demonic masters. The Nine Directions Parade is nowhere near as high-profile or glamorous, but it follows the same theme, this time expanding out to the eight compass points of the Threshold and the Scavenger Lands.
Under Keris’s direction, the human slaves of the Conventicle - carefully sorted by ethnicity (and enhanced somewhat with makeup for those who look more demon-blooded than anything else) parade through the streets of the Conventicle, dressed in fashions from the many different nations of the Threshold. Baron Indo - Keris’s Secretary of Ceremonies - has been hard at work gathering cultural information from the various information sources Hell has access to, compiling reams of data about the customs, traditions and festivals of the peoples of Creation. That information has been turned into nine different groups, each a representative collection of the subjects who will bow to the Yozis when they are released, each honouring their future masters in their own style.
Keris’s part in it is mostly backstage, though she does briefly join the Scavenger Lands and South-Eastern parades, mingling with the Nexan, Tairan and Harborite contingents for a lap of the grounds, as well as the South-Western one to acknowledge their Tengese party (split subtly into An Teng and Saatan groups). But for the most part she’s just keeping an eye on the performers, quietly directing any who are getting too tired to switch out as they pass through several rest areas set up for the shifts to change over and costumes to be touched up.
It does not seem to be entertaining most of her peers very much, but at least the demons are enjoying the sight of the many cultures of Creation being paraded before them and showing their adoration of their true masters. It’s crowd-pleasing, and hopefully none of the ones more into it will realise that pretty much everyone in the parade is either a hellborn actor, or in a few extreme cases for the largest crowds, human-looking demons used to bulk out the numbers.
Decanthropes are really useful for that, although they can’t be put too closely together or they’ll accuse each other of trying to steal their extra bodies.
It’s during the display of Creation-design warstriders (begged and borrowed by Lilunu over the course of the year, often paid-for by her people repairing them for their owners) that Sasimana finds Keris. She’s in a simple morning robe which indicates she’s not dressed up to be seen publicly, and she’s moving a little stiffly, but her eyes are bright and her cheeks are flushed and Keris can taste the mix of aromas coming off her.
“How are matters?” she asks, a little breathily and far more awake than Keris expected her to be. “Are things proceeding well for you? I thought I’d check in on you.”
She’s very much not meant to be back-stage like this, but no doubt she simply walked past the lesser demons wrapped in the authority of the Endless Desert and none of them could stop her.
“About as well as anything goes during Calibration,” Keris answers distractedly, trying to keep an eye on three parade groups at once. “Indo, those two in the second row of the North-West, pull them at the next stop, they’re on their last legs. And get them fed and checked on by a stomach bottle bug; we may need to rotate them back in towards the end of the parade when they’ve had a rest and some care for sore muscles.”
The dragon aide nods and hurries off to put her orders into effect, and Keris squints at the Western parade doubtfully. One of the older women at the front representing a Randan warrior-artisan looks like she’s limping, but Keris can’t tell if it’s from pain or just some awkwardness with her costume. She snaps her fingers and sends a neomah to check and rotate her out too if necessary. Hopefully it’s just a matter of costume slippage that can be fixed quickly while passing through the rest area out of sight of the audience.
That done, and since the Northern parade has no issues she can spot at a glance, she turns to Sasimana, only somewhat frazzled. “Right, what do you need?” she asks. “And can it wait until- ah, no, it probably does have to be now; I’m performing all next scream and then I’ll crash, and you wouldn’t have sought me out if it could wait for most of a day.” She runs through what Sasimana might be here about, and with so much on her mind it takes her an embarrassingly long time to remember what she’d last seen her ex doing. “Oh, right. Wuzu. You enjoyed yourself, then?”
That earns her a wide, beaming smile. “Yes. I only just got finished with him. He really has a lot of stamina. And he’s very full of passion once you get him going - you’d almost think he’s fire aspected. But no, earth rules his nature. I thought I’d just tell you about him - what he talked about, what I picked up, and of course, his sexual tastes if you’re going to be keeping him. Unless I misunderstood your aims and you’re planning to coax him into someone else’s service.”
Keris considers how she feels about that. “... good,” she concludes after a moment. “I’m glad you enjoyed yourself. And yeah, you’re right, I’m keeping him,” She squeezes her eyes shut and massaging her temples. Gods, she’s tired. Not so tired that she can’t dance next scream, but she’s probably going to be running more on her flaring soul than her stamina. And the drop after she’s done is going to be brutal. “I haven’t decided exactly what I’m going to be doing with him yet - I’ve only had a few days to start corrupting him, and I was busy with other things for most of them - but whatever it is, it’ll be with me. What did you get from him?”
Sasimana though is considering Keris more directly, her mind-hands prodding and poking. “You’re exhausted,” she says, voice pitched with worry, “and there’s unhealthy amounts of mercury in your bloodstream.” She raises her hand, and her sleeve falls back; Keris sees the love bite on her forearm. “Unhealthy by your standards, that is.” Keris feels a poke inside her midsection. “Your poor liver! It’s working so hard right now.”
Keris can’t help but feel a bit patronised by this.
“I’m fine,” she dismisses. “It’s my day of running the festivities, Sasimana; I’m never not run a bit ragged when I’m in charge of everything. And I didn’t get much sleep the past few days because I’ve been worried about the boasting and the tenth scream’s Directors’ meeting. But I’ll be able to crash for a bit tomorrow morning and get some rest then. If it was really bad, Lilunu would have told me off for not taking care of myself already.”
This is not actually technically true; she’s barely seen her lady since the start of Calibration and with four of the five days to run, Lilunu’s been too busy to scold Keris over exhausting herself. But it’s true in spirit, and anyway Lilunu wasn’t giving her any worried looks at the boasting a few hours ago, which is close enough to count.
“Also,” she frowns, “stop poking me. I’ll poke back.” She waves a hair tendril threateningly. “Now, what’ve you got for me on Wuzu? Suriani couldn’t get through to him on the way here.”
Sasimana tilts her head, and squares her jaw. “No. Keris, I can feel it, the mercury filling your blood - and not just mercury, strange quicksilver alchemical compounds whose resonance notes... that’s of the Silver Forest, something that’s shaping your thoughts, honing them. Focusing them. No wonder you can’t sleep - the alchemy is sealing your body’s ability to rest, binding to stop it being able to hear the sleep-song. It’s fascinating what you’ve done to yourself - but do you even know that you’ve filled yourself with poison to stop yourself from sleeping?”
Keris blinks. Opens her mouth. Closes it. Surreptitiously opens a tiny suckling leech-mouth inside a vein for a moment to taste her blood.
Huh.
“Of course I know that,” she says, which is true now even if it, uh, wasn’t a moment ago. Though this does explain why she couldn’t get to sleep with Atiya and the twins yesterday morning before the boasting. And why she’s been so focused and sharp and alert all Calibration.
Esoterically, the quicksilver in her bloodstream is reflecting her fatigue and distraction out into her unreal mirror-selves, while at a physical level... she doesn’t have time to examine it in depth, but she can already tell there are a good half-dozen elements to the mercury-brew she’s cooked up inside herself. One part seems to be amalgamating with some of the toxins in her blood and transmuting them into forms that won’t accumulate in her brain and pressure her towards unconsciousness. Another is affecting the natural rhythms of her chakras, too, delaying the onset of the sleep-chorus just as Sasimana said. And she’s pretty sure there’s even some inside her brain, coating the delicate structures in there and doing... something. Probably something related to how focused she feels, a suppressant for her kitten-headedness.
One result of this focus is that she doesn’t get distracted enough by thoughts of alchemy to miss the look that Sasimana is giving her.
“Okay, so I didn’t know that until you pointed it out,” Keris admits. “But whatever I’ve done is done. It’s not like I can fall asleep with all of this inside me, so I might as well use it while it lasts.”
“The fact that you can poison yourself into wakefulness and fix your attention issues at the same time without even knowing what you were doing is... it’s exasperating, Keris.” Sasimana shakes her head, and reaches out a hand. “I can give you a little extra strength by lending you some of mine. If you want.”
“I…” Keris starts, then pauses to think about it. Her whole body aches. And what’s she even refusing for? Pride? Not wanting to need help? She’s not Testolagh. “I… actually would appreciate that, honestly,” she admits, and takes Sasimana’s hand, ducking her head shamefacedly. “Thank you.”
Sasimana’s soft hand takes hers, fingers interlocking, and the colourless glow leeches from pale skin before sinking into Keris. It isn’t entirely pleasant. She can feel it progressing through her like a wave, purging anomalies. It transmutes milksour acid in her muscles, knits together microtears in her flesh, even scrubs alcohol and its byproducts from her liver. She can hear the nature of this Pyrian magic - it isn’t a wave of healing, it’s something that eradicates things that are wrong with her.
The other woman frowns. “The quicksilver isn’t shifting. It’s... not mercury, is it? It’s the heartsap of the Silver Forest, an expression of his nature. Of your nature.”
She shakes her head, as if banishing dark thoughts. And the dark thoughts are mutual, because Keris cannot help but think of the moment when the possessed Sasi had tried to reshape her with power she had felt in her bones, flensing her into compliance. That is the same power, different only by degrees.
“How do you feel?”
Keris rolls her shoulders and shifts her weight, testing. “… better,” she determines. “No getting rid of the heartsap, but my liver can handle it. My legs and lower back don’t hurt as much. Or my shoulders. Or my neck. Or my feet- okay, yeah, I was a lot more tired than I realised.” She cracks her neck. “Ugh. I’m still going to need some proper rest tomorrow morning, but I can probably get through the dance next scream without collapsing right after.”
Sasimana just smiles at her, relieved to have helped and Keris - much to her surprise - feels the faintest tinge of a blush come to her cheeks. Love is what you do; she’s always known that, and this… this more than any number of apologies or flowery words shows that her ex still cares about her. Deeply.
“Thank you,” she repeats, quieter this time. “This really did help. I feel a lot better now.”
Sasimana gently lets go of her hand, the reluctance clear in the gesture she so often used to offer. “I should think so. Those people who don’t respect you, who think of you as a drug-addled hedonite associated with Naan’s group of flunkies don’t realise that the thing you really do overdo is your duty.” Her full lips purse. “Some of the reputation might also be worsened by long association with me, and for that I am sorry - for I know what I am.” The words Keris threw in her face still linger between them, and it’s clear that they scarred Sasimana’s self-image too. “But even a hedonistic submissive slut can still be useful to our masters and to you, especially when the way Dynasts are trained and raised means they overlook the softer arts and the temptations of kindness. Poor Wuzu. He’s a sweet boy, and he was marked by the way the Peleps,” she drops into Low Realm, unusual for her in the crudeness, “raised him. Or, well. In the way his father took him from his mother so young and dropped him in the cold, competitive hellhole of his mother’s household. That man probably thought he was doing right by him, but we Dynasts are all burned by our lessons very young.”
Keris makes a face. She didn’t say those words to have Sasimana internalise them this deeply or this negatively, and it’s... probably something they’re going to need to talk about at some point, in their sessions under the Blue. But not now, and definitely not here - they may be backstage but they’re far from unobserved. “He’s had a hard life, then,” she says, folding her arms and leaning back again a pillar. “What does he feel for them? The Realm, the Peleps, the Navy?”
“Of course he respects them, longs to live up to their standards, wishes he was good enough. That’s what it does to you, and the Peleps more than most. Can’t you see the same in Anadala? He was put through the same thing, but he wasn’t Chosen. But Wuzu was chosen, and the poor boy just found that more successes meant more expectations. Because that’s the cruellest thing they do - even a child like him, the bastard son of a failure taken from the Tengese brothel he was born in, could rise high in the household, especially with the support of his grandmother and great-grandmother. Who is, for context, Admiral Pelepese Yasulana.” Sasi sighs. “They say anyone could rise to the top, but not everyone can. And they teach ones who can’t meet their impossible standards to blame themselves and try harder, and those who are Chosen by the Dragons must double-down on those efforts.
“I know what he’s going through. It is so hard to break out of the jail of those expectations. But because of that, because they don’t expect softness or kindness, because I have handled men and women like him before - well, let me just say I’ve already opened his mind a little to the idea that it is allowed for him to resent and hate the Realm. Just a little, so far. But that is something I can build on, to bring him to the service of our masters. And to your service.” She meets Keris’s eyes with her golden gaze. “I know you don’t want to hear it from me like this, but you are a kinder mistress for someone like this - and I immediately saw his Tengese features and I know you. I will say: it won’t be so easy to pass him of as Tengese-born - the Realm bearing is obvious, and he spoke to me about that. There’s internalised shame there, for being a naturalborn offspring of a courtesan. No doubt he was bullied about it by rival family members.”
Keris hums in acknowledgement. “So, keep him close and treat him well, encourage him to resent the Realm and reconnect with his Tengese roots. How stubbornly do you think he’ll cling to the Realm before starting to realise he doesn’t need to? How long do you think it’ll take him to shift his loyalties?”
That draws a sucked in breath. “He is of earth, Keris. He’ll hold fast to any direct attack on his beliefs. You will have to be as water with him. You can’t let him see or think you’re ‘corrupting’ him or luring him into decadence, you’ll have to let it think it’s all his idea. Although I will say,” and she smiles, “I am all kinds of fantasy for him. Physically, emotionally, and the fact I am an Anathema only makes his desire stronger for that thrilling act of the taboo.” She looks Keris up and down meaningfully. “Compared to how you looked when we first met, you’re also rather more to his tastes. You’ve put on weight, filled out your curves, and while you’re still small-breasted, trap his head between your thighs and he’ll like it. A lot of Dynastic men imprint on the powerful women of the Dynasty. Or on their teachers, if they went to the House of Bells. Which he did. And he’s additionally attracted to maternal softness.”
“Mmm.” Keris taps her lip. “Between keeping him close enough that he can’t go tell the Realm about me, teaching Ixy and managing Suriani, this is going to be an interesting year. But on the other hand, I’m going to be shifting my focus southeast into the Anarchy proper, further away from the Realm... there’ll be opportunities there. And I can certainly justify why I’m keeping him close with an excuse that I don’t want to kill him but can’t let him run around unattended. Maybe even make it his choice to accompany me back to Creation on a leash as opposed to staying here.”
“Once you bring him back to Creation for the first time, that’ll change the dynamics of his captivity,” Sasi opines. “Until that point, he’s a captive of the Demon Realm, and you’ll be able to slowly erode him down with your lovely personality and the pleasures of this place. If he sees the chance of escape, at the moment, he’ll still feel duty-bound to escape.”
“That’s...” Keris hisses. “That’s going to be a problem. I can’t afford to stick around in Hell for most of Air working on him slowly like I do most years; I have business back in Creation that needs me there urgently. Like, ‘leave immediately after Calibration wraps up’ urgently. I’ll be gone bare hours after the end of the tenth scream, if that.”
Sasimana laughs. “Oh, Keris, are you preparing to ask me for a favour to spend some of Air eroding him down? I do have my own job to do, you know...” But she leaves it hanging.
Keris bites her lip. Not, as perhaps Sasimana might think, because she’s scared to owe her ex a favour. But rather because...
“Can you afford to do it?” she asks, tugging on a lock of hair. “I know your Directorate is even more understaffed and under-resourced than mine. And you’ve got a lot more pressure from Glorious to deal with than I do from Deveh, as well as an ambitious underling. Will it damage your position to take out time to corrupt a stubborn dragonchild for me? I know... what happened in Earth happened, but don’t want you going so far to try to, to prove yourself to me that you put yourself at risk.”
“Now, now, don’t assume that you won’t be paying me back. You want the services of a Director for this, you pay with the services of a Director.” For a moment the shadows squirm behind her. “I don’t have access to an assassin as good as you. Neither does Glorious. There are no Scourges assigned to either of our Directorates right now. You’re maybe the best the Althing has, and you have a student right now - and from the looks of things, you’re training the Suriani girl as one too.”
Keris purses her lips. “That’s true... and I’m going to need training missions for them outside the Southwest to show them how to do contracted jobs, once they’re at a decent level...”
“As you know well know, one’s accomplishments in Creation aren’t everything,” Sasi says, the shadow of her hair falling over her face from the red flame behind her, veiling her. “I let my... services to certain powerful Unquestionable friends slip last year, so if I’m going to be helping work on that handsome young man who really needs a gentle ear and to be shown the true nature of the world, I can also reaffirm some of my old pacts and alliances. And that is something that Magenta doesn’t understand yet. She’s a serpent a lot like you. Hungry for what she wants. And,” she lets her voice drop even lower, lost below the noise to ears that aren’t as sensitive as Keris’s, “I can feel the burn-scars of your lessons in her. I can tell I’m going to have to work harder with that viper at my bosom.”
“I hope she’s at least more useful than she is difficult,” Keris says sheepishly. It’s another sign that Sasimana still cares about her - if she didn’t, she’d probably be a lot less forgiving of the way Keris is empowering her ambitious, strong-willed underling. “We spoke earlier this Calibration and I think I talked her out of trying to steal a Directorate that’s temporary by nature. If she’s looking to take someone’s seat, it’ll be a permanent one. Maybe even Glorious’s.”
“She is like you in that she is, yes, very useful. But she is like you too in that she has audacious goals and is capable of shocking brutality at a moment’s notice.” Sasi smiles more thinly this time. “She is a success in the eyes of the Realm, not a failure like me.”
“Hey,” Keris says sternly, the Blue Priestess coming to the forefront as Sasi’s mask strains. “You just got done talking about how the Realm’s standards are full of shit. It’s hard to break out of the prison those expectations make, but you’re backed by the Dragon’s Shadow. Nothing can hold him confined. You say she’s a success and you’re a failure by the Realm’s standards? I say they value her strengths but fail to see the power in yours. That’s their weakness - their ignorance. It’s why you’ve already made ground on pulling Wuzu away from them. Their blindness to the ways that softness and caring and gentle words can change the world is proof that sometimes the Realm is just plain wrong.”
And Sasi’s smile is suddenly full and sweet and kind. “No, Keris, I think you don’t understand. I am a failure. I tried to fight off that title for so long, even though I was Anathema, even though I served Hell -- I wanted to be the imperial princess I’d managed to be before, even if I was a priestess of Hell. But Keris,” and she reaches out, to brush a lock of Keris’s hair back, “I’ve communed with who I am in my deepest heart, and named her. Elanora isn’t filthy any more, Keris; she’s beautiful. Embracing her, my weakness, makes me stronger. I lay with Wuzu because he needed his hunger for kindness sated, and I hungered for his lust, and you hunger for his service. Wrapped in my failure I could fill three hungers.
“I am not an imperial princess. I never will be. I am a failure and it sets me free. Sometimes I can’t help but feel the old doubts, but they will pass in time, Lady Lilunu says. And these past few months, I have been at her beck and call - and that set me free, too.” Her eyes, so open, so happy. “She is the princess who is the hands and voice of our masters; all I want to be is her handmaiden. I understand why serving her makes you so happy. I want that happiness too.”
Keris regards her quietly for a moment, swaying backward a little. She feels her stomach drop, and swallows uneasily. Sasimana hasn’t just accepted the words Keris threw in her face; she’s embraced them. Gone further in doing so than Keris expected, or even really wanted. And perhaps not in healthy ways. This identification of being a ‘failure’... on a good day, she might mean a failure in the eyes of the Realm, and there may be pride in that. But on her bad days, Keris can all-too-easily see her using it as a cold comfort that lets her stop trying to meet impossible standards. If she accepts herself as a failure, she doesn’t have to try to climb an unscalable wall anymore. She can languish at the bottom and accept that she just doesn’t have what it takes.
It’s not even that letting herself give up on meeting the standards of an imperial princess is a bad thing, but Keris would really rather she rejected the standards themselves, rather than internalising her inadequacy under them. But on the other hand, it’s a start. It’s a start, and it’s something Keris can work on helping her with further in their Blue Priestess sessions together. Sasimana’s always been a woman who reinvents herself in sudden, radical shifts, from what little Testolagh let slip about her earliest years. She broke and used him as a rock to repair herself back then. Now she’s done it a second time, anchoring herself on the truth Keris scourged her with. But people don’t change quite that quickly, and the mask is still ill-fitting. Keris can still help shape it as it settles.
And then there’s her attitude to Lilunu. That, Keris isn’t as bothered by - isn’t at all bothered by, in fact. Sasimana starting to understand how much better Lilunu is than the other demon princes can only be a good thing, and even if at the moment she’s only seeing her as a vessel of the Yozis... well, Keris knows how good her lady is at winning loyalty.
And... perhaps Lilunu deserves to be exposed to more than just Keris’s particular type of service. It’s a heady sensation, that thought, and she wouldn’t think it at all were it not for their talk about blue-eyed Mara at the start of Calibration. But... well...
Keris knows she isn’t really the kind of follower most demon princes would value, is the thing. Not deep down. She doesn’t strictly do what she’s told to do; she does what her lady needs her to do, even when she hasn’t been ordered to do it. Sometimes even when she’s been ordered not to do it. She’s independent and not entirely tame, and they make it work for them, they do. But Sasimana isn’t the first of her past bosses who’s commented on it.
And she’s the only Infernal whose personal service Lilunu has really experienced so far. Maybe... maybe that should change. It’s not that Keris doesn’t want to be her most valued servant; of course she wants Lilunu to value the way Keris serves her best interests (even when she maybe doesn’t know it) over more traditionally obedient followers, but...
... maybe Lilunu deserves to see the difference and pick for herself. Because she will pick Keris’s form of loyalty. She will. Keris is sure of that.
But perhaps she should give her lady a chance to prove it.
It’s hard to read Sasi, especially when her golden eyes are looking at Keris so much like the Dynastic princess she was raised as. There’s no sign of any reaction to Keris’s complicated feelings, but someone who’s so very ophidian sometimes probably wouldn’t show anything. “Nothing to say?” she asks, spreading her hands.
“Just... caught by surprise,” Keris says quietly. “You’ve really thought about this. And... and I’m glad you’re seeing Lilunu differently now.” She smiles tentatively. “You should, um. You should go for it. Serving her, I mean. If it would make you happy.”
A shaky breath, and then a firmer one. “And yes. Consider this my official request for you to corrupt Wuzu to the cause of Hell, as Director of the Southwest, to be repaid by a favour of similar scale.”
“Oh, Keris. I’ll see what I can do. And,” she inclines her head and lowers her voice, “we can keep this off the books, yes? No one would want to wonder what you’re doing that you can’t corrupt someone yourself.”
Keris nods gratefully. “And nobody needs to know if you need someone quietly removed without a big fuss,” she returns. “Thank you... Sasi. I appreciate it.”
“From the sounds of things, you’ll be off practically as soon as the new year starts,” Sasi says. “I wish I could spend more time with you. I wish... you’d want that too. But we’re both so busy.”
And her words are proven true, because practically as soon as she says them one of the runners comes with word that the Northern parade is late to its mark.
Chapter 42: Calibration IV, 775
Chapter Text
The demon lady Calesco Kerisdohkt is not in the Conventicle to party and engage in wanton decadence. She is here to see Hell from a perspective other than her mother’s. She walks among the demon servants and human slaves under a false face, and speaks to them as one of their own; she blends into the entertainment to sing in minor roles or watch the faces of the audience from backstage. She does not wish to fall victim to the blandishments that Calibration offers in this place, and even if she were so inclined the presence of Kiki and her egg would dissuade her. Sharp-tongued Kiki is a magistrate here to watch her and learn her own things about the place that other demons come from, and so judge it.
It therefore comes as a deeply unpleasant surprise when the heavily tattooed holda servant of Lilunu named Tise manages to find her. “Lady Calesco,” Tise says, inclining her head with more modesty than anyone dressed only in chains and ink should ever show, “my lady cordially invites you to her box to watch the Dance of a Single Scream.”
“Well, damn,” Kiki observes, visibly eying Tise up and down, “I know holdas like body art but this one takes it to extremes. That’s even more than Isles-residents. You can’t even see she’s basically naked if you don’t look close.”
“Excuse me, I am a happily married woman,” Tise retorts, “and you’re barely wearing more fabric than me.”
“How did you find us?” Calesco asks, skipping the bickering in favour of the more important question. “I’ve been disguised, and Kiki isn’t that distinctive. I’m not sure anyone but Mother even knows we’re here.” She narrows her eyes. “Did she tell you?”
“I couldn’t say. My lady told me where to find you,” Tise says. “And gave me signs and omens to ensure I knew which way to follow. Now,” she offers up a letter to Calesco, “your invitation and pass for yourself and your guest. Please read it; the parties involved went to some length to prepare this for you.”
Calesco hesitates for a moment, then delicately takes the letter between two fingers. She steps back and angles herself so that Kiki can look at it over her shoulder, peels the wax seal off with a lock of hair and unfolds it to read what’s inside.
She wasn’t expecting the contents. It’s a low blow. A dirty, cheap trick.
“Big sister Calesco,” she reads.
“You are invited to Mama’s dance. Please attend.
“Yours sincerely,
“Ogin (and also Kali but she can’t write)”
And next to it, a nearly identical message from Aiko, because it appears that Ogin exactly copied her handwriting. And a picture of Calesco and a cat, which is clearly from Iris. Atiya seems to have tucked a swatch of black velvet into the invitation, and Kali may be cheerfully illiterate but she’s drawn a messy flow of images which seems to show Kali and Calesco fighting a giant demon and then winning.
“Shit,” Kiki says over her shoulder. “She’s using your siblings against you? Ruthless.”
Her commentary would be more consoling, Calesco thinks grumpily, if she didn’t sound so genuinely impressed. Casting a baleful glare over her shoulder that achieves nothing, she stuffs the letters into a hip-bag and turns back to Tise. “Fine,” she mutters. “I’ve been wanting to meet Mother’s Lady Lilunu anyway. Lead the way.”
Tise has a brass insectoid flying craft that looked to have been forged from the exoskeleton of an agata filled with whirring, clicking devices, and she professionally takes a seat atop it while indicating that Calesco and Kiki should take a place in the hanging howdah. Then out unfold wings of green light, and it silently ascends and swiftly carries the three of them the couple of miles to the near-centre destination theatre, landing on an eyrie connected to the upper ring of the colossal auditorium. There are aerial lancers who escort them and there are implosion-bow armed monsters patrolling the top of the ring.
“From the sounds of things we still have a little time left. My lady knew it might take me a while to find you and so we’re allowed the VIP route in - be honoured, for this is a privilege normally only given to the Unquestionable,” Tise explains as she leads them from the eyrie-pad down the high corridors to one of the prime viewing boxes.
Calesco’s lips thin, but she doesn’t comment. “The Dance of a Single Scream,” she says instead. “Something Mother has planned, I assume? What is it on the way in to see?”
“That would be the Lady Dulmeadokht’s chosen entertainment for this scream of Calibration,” Tise says, pausing just short of the door, where brass automata with burning eyes lock blades. “Maid Tise, with two expected guests.”
A series of eyes open up on the walls, rubies gleaming from behind stone eyelids. “Let them through,” comes a female voice from within.
The two automata move to let them pass. Gracefully, Tise opens the door, and pauses there. Calesco steps through, and is hit by a ballistic Kali.
“Big Calley big Calley big Calley you actually came see see see I said you wouldn’t be late because I believed in you and I’ve missed you so much much much!” Kali says in one breath, then adds, “And who’s the white lady with her boobies showing and the giant egg? Oh, and she has pretty wings too!”
Kali is definitely here. And so is Ogin, sprawled out on a comfortable seat and letting servants feed him peeled pieces of fruit, and Atiya is tucked up in a corner with cloth samples and dark glasses and Aiko and Prita pause in their game of cards (their lack of attention allowing Iris to steal and eat some of their cards) to look at her. And in among all these children is the Lady Lilunu, and this is the first time Calesco has really, truly seen her.
She looks somewhat like (a somewhat slimmer) Sasimana, all graceful Dynastic curves and strong features and elegance. There is an odd inconstancy to her features, never quite the same from glance to glance, and her eyes are whorls of rainbow fire. But Calesco is struck by the sudden conviction that Lilunu looks more like her mother. Maybe it’s the red of the hair, though it’s not the shape (much sleeker, and shorter); it’s definitely not the skin tone or the height. No, it’s not really looks, though. It’s... smell? Not exactly, and then Calesco has a word for that. She feels like home. More than that, she feels specifically like the centre of home, the heart of the domain, where all the Directions meet.
“Hello little feather,” she says gently, getting her hands under Kali’s thighs to support her as she clings. She tilts her head down as she speaks, but doesn’t take her eyes off Lilunu. “This is Kiki, she’s my friend from home. Kiki, this is my little sister, Kali.”
“Hi Kiki! Let’s be friends! Oh oh oh did you know Big Calley’s name sounds like mine!” Kali says, waving enthusiastically at Kiki and almost smacking Calesco in the side of the head with the side of her hand.
“I’d heard about the keriskeruby,” Kiki says to Calesco, “but this is the first time I ever met one. Hello, little one. What happens when you dance? Do you make fire?”
“Do I?” Kali sounds delighted at the idea.
“No fire in Lady Lilunu’s box,” Aiko says firmly. “That was in The Rules.”
“As far as I’m aware, nothing happens around her when she dances beyond lots of applause,” Calesco says, and sets her little sister down. “Kali, did you know there’s a baby inside that egg? If you promise to be very careful and very quiet, you can go and ask Kiki if you can say hello to it. Does that sound nice?”
Kali’s eyes get very wide, and she barely remembers to nod furiously before dashing off and skidding to a halt in front of Kiki, who suddenly looks a lot less amused at Calesco’s expense and in fact seems slightly panicked at the sudden deployment of an excited five-year-old against her. Ogin has perked up from his lounging position as well, staring intently at the baba.
Which leaves Calesco free to approach Lilunu. She walks slowly up to just outside of arm’s reach of the woman - who is a lot taller than her, she’s not surprised but still vaguely annoyed to see - and dips a very precisely measured curtsey.
“Unquestionable Lilunu, Mother’s vaunted lady,” she says softly. “I’ve heard a lot about you, but Mother usually leaves me in Creation to cover for her over Calibration, so I’ve seen little of you even through her eyes. I’m Calesco. The daughter she doesn’t talk about. At least not here in Hell.”
Lilunu smiles. “Oh, look at you,” she says, a little catch in her voice. “So beautiful, so perfectly formed - so healthy. Tise, mango juice for me, and you, Calesco?”
“The same,” Calesco says distractedly, frowning up at Lilunu. She wasn’t expecting such an immediate, emotional reaction to seeing her. She’s not entirely certain she’s comfortable with it. And while she can’t argue that she’s healthy and beautiful...
“I’m far from perfect,” she disagrees. “And the same goes for my mother.” Red eyes flick up and down Lilunu’s body, trying to figure out the source of the emotions painted on that subtly shifting face.
“I’m perfect,” Ogin contributes from where he’s listening to the egg.
“Yes you are, darling,” Lilunu says. “Both of you. And Calesco in particular, my Keris says that you are her softness and compassion so you are perfect. Never let anyone change you - oh, thank you Tise - because my Keris’s gentleness and anger at injustice are one of her best traits.”
That snaps Calesco’s mouth shut, and she takes a moment to think. And, after suppressing her instinctive bristle, admit to herself that, fine, she might have come here looking for a reason to dislike the woman. Because she is very powerful, and lives in beautiful luxury when so many demon serfs and human slaves eke out short, miserable, violent existences below her, and serves as the Mouth of the hateful, callous, sadistic, monstrous Yozis.
All of which is still true. But Calesco’s own mother is proof that someone can be party to, and even do terrible things, and still have the potential to be more. There’s a lot that Calesco can (and does) criticise Keris for, but she does so because she believes, at her heart, that her mother can be better. She’s seen her best qualities; the kindness she can show, the mercy, the fierce love she has for those she cares about and her determination to do right by them.
Every time Keris talks about Lilunu, she paints her as a creature of the same ilk. Someone with the potential to make the world a better place, who currently serves those who would make it immeasurably worse.
Calesco looks at her, and reluctantly lets her shoulders unstiffen.
“... they are,” she agrees in a far less belligerent tone. “I’m glad you see that. Not many people do.”
Tise slips the mango juice into her hands, and then retreats. It is excellent - far better quality than the diluted and often slightly fermented juice sold in Saatan street markets. Calesco tries to tell herself that it tastes better in Saata, but she’s lying. “I must admit,” Lilunu says, “I was more than a little bit curious to meet the one who made my Kyrie - and your companion is clearly kin to her, yet so different in every way. Isn’t that right, Kyrie?”
“Yes, your highness,” comes a glum voice from the gloom at the back of the room, and Calesco starts and almost slops mango juice down herself. How had - a mercy witch? How had she passed unnoticed even to Calesco’s keen senses?
“Kyrie,” she breathes in lingering surprise and interest. Lilunu is still right there, but Calesco can’t stop herself from hastily setting her glass down on a table and rushing over to the mez she’s never met but has known of for years. Mother hadn’t been so foolish as to give six keruby to Lilunu as maids and pages without informing her children of the gift, and while Calesco can’t say she’s well-informed about Kyrie’s life, Keris has shared titbits every time she’s come back from Calibration.
She takes Kyrie’s hands in greeting and examines her carefully. A year ago - shamefully - she didn’t know enough about witches to judge their health at a glance, but if her seclusion in the Meadows has been good for anything, it’s helped her become a lot more familiar with her adult keruby. Kyrie is another she’d known of but neglected. And right now she can feel Kiki’s eyes on her, seeing how she handles this Hellborn, grown-up mez. Judging her choices.
“Kyrie,” Calesco repeats, slightly breathless, and pays no thought to the eyes on her. They don’t matter right now. “I’m glad to meet you at last. Mother has told me about you. She says Lilunu treats you well.”
Through the cloth, Calesco can feel the scars on the limbs of her wings and see some on her flesh - but, ah, no, those are shaped and elegant, deliberately cultivated as thin lines that’ll show out on her darker skin. She glances at Tise. The keruby resident here in Hell seem to be even more enthusiastic about body modifications than the ones resident back home, and this can almost certainly be pinned directly on the Lady Lilunu. Mother’s patron is the one who taught Mother - and taught Oula too, and Oula was a major vector of Sea body-art. And taught Zana, come to mention it. Lilunu definitely flaunts her own handywork with the scale-like pattern of blues and greens under her own skin that fan out over her neck and shoulders, framing the lines of her body under her robes.
Otherwise, Kyrie is in as good health as one might expect a mercy witch to be, with their tendency towards masochism. It’s probably healthier that she has Lady Lilunu to use her as a canvas than self-inflict such things. And, Calesco thinks a little critically, she could also do with losing a bit of weight. Mercy witches tend towards the self-indulgent, and clearly no one has been here to tell Kyrie to watch her diet when food is so plentiful and rich in the Conventicle. The veiling robes and hood can’t hide that she fills them more than any other witch she’s seen before.
She shouldn’t voice that, though, unless she wants to a) make Kyrie feel bad, and b) draw Kiki’s attention for chiding-that-would-probably-become-bullying.
She’ll bring it up later, somehow. Through someone else, perhaps. Mention it to… it takes her a second to remember the name of Lilunu’s pontiff - Gura, that was it. He should be able to phrase it tactfully. For now, she moves a little closer, and when Kyrie doesn’t seem unwilling, pulls her into a quick hug.
“Kiki is a magistrate,” she says. “My little ones have two ways to grow up - and they can shift between them, so Kyrie might become like her, at some point. We’re still working out exactly what causes it.”
Kyrie stares at the woman who is like her but not, the first other mez she has ever seen, all angles and sharp lines.
Kiki barely spares her a second glance, because she’s seen plenty of witches before and knows exactly what the other woman is.
“I like your tattoos and scarification,” Kyrie says. “It’s lovely. You’re so lucky having such light skin that it works for you. And you can wear so many colours!”
It’s the right approach. Kiki smirks, more than happy to talk body art, and the two of them cloister themselves against the wall, with Kiki somewhat patronisingly patting Calesco on the back and nudging her back towards Lilunu like she’s a child in need of direction.
It really is a pity that glaring at her is useless. But Calesco doesn’t waste the chance to look quickly back over at the Unquestionable in the room - who she just broke off conversation with and turned her back on in favour of talking to her maid - and look for any hint of unguarded expression or reaction on her face.
Lilunu is smiling, but there’s a little bit of sorrow there, and that’s interesting. Why is she sad to see her mezborn maid talking like that with a stranger?
No. Calesco realises - that’s not sorrow, that’s something she’s seen in her mother’s eyes before. It’s envy. Envy with just a pinch of guilt for feeling envious. Lilunu is envious that Kyrie can meet a stranger who’s like her but not and immediately hit it off. And her eyes are on the egg too.
“It’s a recent thing,” she mutters, moving closer so as not to be overheard. “Kiki’s the first to have a baba. Iris is very excited about them, as is Mother. Kiki will probably let you look, if you ask nicely later and promise to be careful.”
Lilunu flinches slightly at that, then laughs ruefully. “Am I that obvious? I must be. The blend of natures in me means I can’t even make my own lesser demons like you can. But my Keris is so kind to surround me with her progeny in one way or another. Oh, but enough self-pity. What have you been doing in Creation?”
Calesco begins telling Lilunu about the sheer nonsense of her trip back to Saata and how awful Malek is and how she needs Keris to just get her hearthstones so they can fix the flower vessel. But before she can really get into her flow of how bad things have been, she is drowned out by a resounding chorus of trumpets, horns and drums. Down below, the performance is starting.
Keris Maryam Dulmeadokht stands illuminated at the centre of a huge circular arena whose floor is tiled in a strange mottled shade that it takes Calesco a moment to place as Ellogean glyphstone. No longer does she wear the Dynastic clothing she’d held court in on the barge Calesco spied on from the lakeside. Now she’s cloaked and hooded in featureless grey - an overrobe concealing whatever outfit she has on underneath - and stands motionless, head bowed in prayer towards Lilunu’s box, alone on the massive stage.
Lilunu clasps her hands together. “Everyone, everyone, take your seats. That means everyone, my maids and pages. I invited you to my VIP box to relax because you are my very important people and you have all worked so very hard so you deserve something nice! Ogin, Kali, sit down! Atiya, remember the little binoculars I made you to help you see Keris’s outfit...”
Calesco is confused at first by the reference to maids and pages, but then she realises in the seats to the back of the box, what she had thought to be the staff are sitting down too. Lilunu has taken her personal staff to watch this.
The corner of her mouth quirks upward, and she marks down another point in Lilunu’s favour.
Below, the glyphstone ripples. Falseshape-displays mounted around the stage train their gaze on it, and the slight shimmer of dew beading on the surface vaporises at once, rising into the air as a cloud of dreams and fantasies. The mottled stage surface is soon completely lost under a rippling, seething fog of every colour and none in which patterns appear out of nothing and are lost just as fast. A formless, shapeless chaos, in which the only solid thing is Keris’s still-kneeling figure, grey and still amidst the tides of…
“The Wyld,” Calesco murmurs in realisation as more figures appear around her mother. They seem to form from the fog itself; appearing like insubstantial ghosts out of brief billows or eddies - but Calesco is a stage manager and a performer, and can guess how it’s done. Trapdoors in the stage surface, no doubt, with rising platforms under them to lift… gilmyne? Yes, those must be gilmyne, because amidst the memory of Chaos they’re dancing around in a great circle with inhuman grace and splendour. Their forms are inconstant, the usual seeming of the gilmyne as forms familiar to the viewer somehow tinted by the performance to instead appear as strange, shifting half-seen shades akin to the natural denizens of the Wyld. Their dance is expressive, and it tells a story; they gambol and frolic and play without fear or consequence, striking each other down in mock battles before rising again with laughter, uncaring of anything save their endless games.
The audience watches, captivated. For many, this is not a story they have ever heard before, because the details of the time before time are not a story that the priests of Cecelyne would tell you. Not forbidden, just... forgotten. Even some of the Unquestionable in attendance were not there for those days, for they had not yet been born, and as for the others - some had forgotten, others lost in years of torment. But Keris’s dance here is ancient and wrapped in veils of nostalgia, and the performance is aided by the mists of refined Hegra-rain sprayed down upon the crowds in precisely-balanced flavours of nostalgia and sacred awe.
The dancers cavort and compete in the mists of Chaos for the whole of the first song, beautiful in their transitory joy, terrible in how carelessly they discard each tale or game their bodies tell. All the while, the figure in the middle stays perfectly still, grey-robed, head bowed in slumber. The tides of the Wyld wash over her without effect, the dancers keep their distance - and yet she doesn’t stir.
But then the music changes. A new motif enters the chaotic symphony of horns and drums; an eerie, piping melody of a single flute, near-hidden under the dominance of the fae, yet enough to raise hairs on the back of Calesco’s neck. And more than that. There’s something in the air. Half-seen, half-real, more shadow than shape, it circles above the dancers in the opposite direction, wheeling and spiralling in towards the kneeling grey figure. Rising, rising, the eerie notes play anticipation and forbidden knowledge; a terrible amusement at the dancers’ expense of what is yet to come.
“Brace yourselves,” warns Lilunu softly, and gently covers Atiya’s ears. Calesco has just enough time to follow suit, and chooses to clap her own hands around Ogin’s over her own. And then-
The crash of cymbals shakes the stands. A thousand - that sound like ten thousand - all strike at the same time, and the grey figure at the heart of the mists explodes into motion. She stands; her grey cloak burns away in a flare of white fire, and she starts a whirling, energetic dance of waking, rousing wonder. With every stamp of her feet, the mists billow back. With every gesture of her arms, the dancing figures are thrown back with helpless cries. The Wyld flees before her, and from her dance and her newborn existence, a new era is born.
Lilunu sighs in admiration. “Do you see that, Calesco? So beautiful! So much grace, so much vision. Sometimes I wish-” and she cuts herself off. “But that is not my place,” she adds.
Calesco side-eyes her, remembering why she’d come in the first place - but before she can look closer, the performance moves on further as the cymbals crash again, though not as loudly.
And another figure stands up from the fog. No, not just one. Many. A dozen? Twenty? More?
This part, Calesco has to applaud. These new performers definitely had not been there when the dance started; the gilmyne playing the parts of the fae would have tripped over them. But they’re revealed as the chaos-mist billows away from Keris in an expanding circle; more grey-cloaked kneeling figures who stand and throw off their coverings. Which means they must have come up through the trapdoors in the same way as the gilmyne, so subtly that they hadn’t disturbed the mists at all, using the moment of distraction that the cymbals and Keris’s motion had given them. As a piece of stagecraft, it’s beautifully done.
And these figures are all dressed differently. Keris herself is in a dress of blazing white that light is - literally - pouring off with every movement. A flickering high collar in the shape of a flame frames her face from behind, and more flame burns at her cuffs, her hem, her bodice. An Infinite Resplendence Amulet, Calesco recognises. A powerful one. It’s lending her mother even more presence than she usually commands.
But the new figures, ah. They wear many colours, and many iconographies, and several of them Calesco recognises. There’s one who wears red and carries fire and ice and silver knives; another is beautiful yet somehow vile in the blue-green-purple of an acid sea. There’s one all in grey save for spots of iridescent colour, and another whose movements crackle with black lightning and wears the colours of nightmares.
And more than the outfits, more than the masks, more than the unique and individualised dances that each figure takes up as they awaken - Calesco knows what she’s looking at. The skill of the performers, the shine to their eyes, the grace to their movements... she knows these demons.
They’re keruby. Courtesans - very highly paid courtesans who are brimming with charge, and fleshless flames in bodies made to suit them perfectly. Acting out their parts as Keris narrates through the wordless communication that Calesco and her sister share. Telling the story of the awakening of the Primordials and the beginning of Shape and Time.
Here’s the other thing Calesco can note - both breeds are ones Lilunu knows about already, because her fem became a courtesan and her szirom a fleshless flame. Is this deliberate on her mother’s part, or not? And...
Calesco pauses, a sudden realisation hitting her. That is... a lot of both breeds. When did her mother summon them? Why didn’t Calesco hear about the fact that non-negligible percentages of the population of entire kerub breeds have spent... two seasons? It has to be at least two seasons because Calesco would have known if they’d been called up when she’d been here and there wouldn’t have been time for them to learn their roles. Maybe she summoned them at the start of the year.
What will this do to the domain when all these keruby return home?
“Beautiful,” Ogin whispers carefully. “Mama is so clever. She even hid their eyes to surprise me.”
“Beautiful,” Atiya agrees, huddled up with her chin on her knees, eyes wide behind her little viewing binoculars. Calesco isn’t sure she even noticed Lilunu protecting her ears from the cymbals.
There’s a little breathy gasp from Kiki, and Calesco knows without saying anything that Kiki would say the same thing as the children, but she’s desperately clinging to the spiky shell and affect that means so much to her. Calesco knows that because she clung to the same affect when she was younger (and still does, sometimes). And that suggests something else to her, something that twinges in her heart and hurts: to see the titans so young and innocent here is painful, to watch their cavorting and dancing played by keruby, when Calesco’s own keruby start so innocent too.
Her distraction means she misses the exact moment where Cytherea-Keris fades away into the background, leaving only the chimes of her presence echoing in the background of the music. But she doesn’t miss the rising notes of trumpets and bugles, and looks back just in time to see her mother re-emerge, no longer dressed in the white fires of the Divine Ignition, but now in flowing robes of rock and stone that make her seem taller, grander, more imposing-
Wait, no, Calesco realises. She is taller. The stage is lifting up underneath her; a raised platform that her long, mountainous robes cover, rising and rising until she stands head and shoulders above the other dancers. Upon on her head is a great headpiece that mimics a beast that is neither bear nor boar nor bull; neither lion nor wolf nor stag, and yet echoes all of these things and exceeds them all. The trumpets and bugles sound, and the Mountain and the Beast Upon It questions, and the other dancers circle her and answer, drawing lands and seas and skies from the essence-projectors as their King rises ever higher.
“This is a thing not often spoken,” Lilunu says quietly. “That there was a King before He Who Became Malfeas. But my Keris went to Ligier and Iudicavisse and put to them that His conquest in ancient times deserves to be told, as proof of His majesty and the rule of might, and they agreed, so long as she did not include the once-king’s name.”
Calesco watches the dance continue silently; the tale of He Who Held In Thrall, who was both king and throne, and whose call and question grew the first world that ever was, before Creation was the faintest dream. Never satisfied with his power, never secure in himself, always demanding assurance from his subjects and the world itself.
She doesn’t need to be told his fate. Her mother would never risk saying this of a Yozi who yet lived, even crippled. Whether by the hand of the Primordial King or the Exalted Host, the nameless king who ruled Zen Mu at the beginning is dead and gone.
The actual events seem to be largely bypassing the children. Well, most of them. Ogin is no doubt absorbing occult secrets of the ancient history before time like a sponge, and will probably be able to perfectly sing back what he heard even if he can’t understand everything in the ancient dialect. And, ah, there’s a little more understanding there from Aiko, who’s older than the others and might well have had her own instruction from Sasimana.
This knowledge might well cause problems in the future, but it is beautiful in its retelling.
Calesco continues to watch as Keris switches roles again and again, each dance a different story. New instruments weave into the symphony as this Primordial or that comes into focus, each with their own motif and sound. Over and over the infinite resplendence amulet shifts, and the essence-projectors of the stage shift with it, and the keruby play their parts perfectly to tell tales of things that happened before time existed to order them.
Garbed in a shawl of water that holds the depths of the oceans and crowned in ice-rimed coral, Keris dances Kimbery’s part and leads a march against the burning flames of Cytherea that still drift above the stage. Her defeat and maiming are tragic in one breath and heartbreakingly sympathetic in the next. She takes on Adrián’s role to sing the tale of the first ishvara to rise from Chaos and make war upon the Titans, and laughs high and cruel over the playful harps. Her hair fans out about her along with great tendrils from her dress as she plays Ta’akozoka, accepting the wedding gift of a continent from grim Laetharin, Who Abides Below. All these and more; some tales Calesco vaguely knows from whispers from her own earliest days, but others featuring events Calesco’s never heard of and Primordials she never knew existed.
And then at last - or all at once - Keris is robed and veiled in shadow, for there is a light in the far distance. A light that is another Titan, separated from the dancers by a distance equal to His majesty. From afar He signals His intent to come and rule them, and the dancers confer and turn their backs on Him, pretending ignorance of His presence.
But garbed in wilful night, Keris sways up to neglected Kimbery and draws her into a deep-stringed waltz. She croons to the Sea of the decision made without her council, when she alone has the power over passage across her waters. The courtesan playing the Great Mother reacts with spite and toxic rage, wild motions showing her displeasure with such expressive passion that Calesco can only imagine how much she’s being paid. She raises an ark from her waters to bring the King to Zen-Mu, and brass sounds clearer and more compelling than it ever did for the Mountain or the Beast Upon it.
Calesco pulls her eyes off the stage with an effort of will. She’s... not actually sure how long it’s been. The performance is intoxicating; enthralling, and perhaps an echo of the timeless days being feted is bleeding through, because it feels unmoored from the passage of the hours. Given the events haven’t even reached the making of Creation yet, it probably hasn’t been too much time, but how far will this history go?
Questions that will be answered if she just keeps watching, Calesco supposes. But though she looks back down at where her mother dances with infinite majesty, shadowed by two echoes of herself, facing down the fleshless flame atop the mountain with the great bestial headpiece, she doesn’t linger on the confrontation. She looks sideways, instead. At the box of Ligier, and the green-eyed man who stands there watching.
Ligier is on his feet, hands thrown out as if conducting - perfectly - this melody he is hearing for the first time in his life. There are tears in his eyes, which gleam like stars, and overhead the green sun has descended, or perhaps enlarged, for he fills most of the sky. Around his presence above a calamitous aurora burns, scourging away the Malfean stars and granting them oblivion and sending the other celestial bodies whirling and eddying around him. For they are closer too; the red moon so close to Ligier that a rain of red liquid comes from where he is melting her, the dizzying whirl of the comet Sima, the red-lanced disc of the Boar’s heart Accrevit, and many other demon princes beyond them. The skies tremble with omens from so many terrifying presences in close proximity, and the mythos shudders, cracking and twisting like a rubber sheet over-stressed by countless lead balls.
(The Black Moon that is Noh is not here, as far as Calesco can tell - but of course she would not join the others.)
Down below, the surface of Kiki’s baba reflects the celestial cataclysm overhead in its own light, a thousand omens in intricate replica coiling over the surface of the black egg. Kiki clings close to her child, rocking it, her eyes almost dark with mez-like revelation.
Upon the stage, He Who Holds In Thrall makes war upon the Holy Tyrant, and it is spectacular. The essence projectors flare, the stage ripples and shifts as panels rise and fall, and in song and in dance the world of Zen Mu rises up at the command of the Mountain and the Beast Upon It. The earth pelts His immaterial majesty, the waters rise against him, fires burn furiously against his own and the winds seek to bear him back across Kimbery, across the endless wastes of his sister Cecelyne, until he can never again return.
Standing contemptuous and unafraid, flanked by the twin echoes of her radiant presence, Keris wears the mask of Malfeas-That-Was and makes two dismissive movements. And the Mountain, and the Beast Upon It, falls.
Then come the years of the Primordial King, as each actor comes to bow before their newly crowned ruler. The Endless Desert is introduced; a whispering motif of wind instruments, and the chiming ordered glassharps of the Whispering Pyre emerge from the Empyreal Chaos’s flames. Together, they dance the making of Time, such that the days of the King’s reign might be numbered, and the dancers chorus approval of this new and exciting concept. The fires of the Divine Ignition burn the temporal flux of chaos into order, and the hateful fae at the borders of the stage wail and gnash their teeth until laughing Adrián dances by again, but there is nothing they can do.
On the dance goes, telling new stories, in this new era that has a calendar to track its passing. And two new characters come to the fore. They aren’t entirely new; their motifs have been there since the beginning and they’ve always been dancing in the background. But now they come to the forefront, introduced in smaller tales - a war with the All-Hunger Blossom when his teeth wandered too far and too freely, a friendship struck with Szoreny in metal and mimicry and a certain kindred nature - to foreshadow their parts to come.
One of them is crippled, sickly, hideous and malformed. His dance is an ugly thing, hobbling this way and that, ever jealous of his siblings and making wicked tools to bedevil them. The other though, is beautiful. Keris plays her whenever she takes centre-stage, and where the other Yozis have one type of instrument or another in their motifs, Gaia has an orchestra that draws from every tune, blending them together in a sweet song of wide-eyed naivety. She flits here and there, charming and caressing, caught up with wonder at every new creation of her elder siblings, always overawed at the latest marvel to dazzle her.
The stirring of the audience tells Calesco how their feelings are changing. It is not simply the appearance of the villains of this piece. It is also that it has changed the tenor of this presentation, from a distant beautiful tale of ancient times to the pressing weight of modern days. And the lesser demons in the audience might not know this, but they can feel it from the anger of the skies and the fell note to the omens.
Calesco can’t help but hold her breath. If the demon princes are angered by this, if her mother loses her nerve...
If Keris is afraid, she doesn’t show it. Instead, she takes up the mantle of Adrián again, dancing far, far out from the borders of Zen Mu - far enough that her kin leave the stage and the drums and wild horns of the fae take over again. Her dance is a thing of elegant lethality, of cruel, delighted freedom, and to the gleeful tune of harpists she drowns and cuts and burns the Shapeless dancers in their thousands, pushing herself to her limits to explore the farthest reaches of Chaos.
And there she finds another light, which again illuminates the stage. The first was Cytherea’s awakening, the second the coming of the Empyreal Chaos. Now a third burns bright and ominous, and the eerie pipes of Oramus signal that once again the Dragon Beyond the World knew of this low-hanging star before any other, and that its advent will be the turn of an Age.
Adrián dances back to the gathered Primordials, who dramatically mourn the advent of despair and the stagnancy of Zen Mu. Another takes up her role, and now Keris steps between roles as quickly as thought, playing each part in turn of the conference of Titans, their search for a way out of the misery they had created to encapsulate their ennui.
Cecelyne dances through her tomes of knowledge and finds tell of an Answer to their dilemma Beyond the Beyond. Gaia - so naïve and easily convinced - earnestly pleads with her siblings to seek it. Adrián tells of the star she saw that points the way, and Kimbery promises that they can reach it across her waters. Even the Whispering Pyre - normally so softly spoken - speaks up to convince them that the Shining Answer exists.
And so, in a great procession, the dancers leave Zen Mu behind, and go in search of a miracle they have never known.
It is not an intermission, not exactly, for no such thing exists in this work. But throughout the grand stadium the spectacle is dimmed, and the procession moves in slow, graceful circles - enough for the audience to pause, stretch their legs, and realise just how much time has passed. Calesco isn’t sure exactly without a clock, but it must have been several hours just from how stiff she’s feeling.
“Now,” Lilunu says softly, turning to the children as she idly pets Iris, “Keris was quite specific to me that you would only be interested in the beautiful part up to the Parade of the Travellers, and you wouldn’t want to see the sad, boring parts later. And that by this time, you’d all be getting hungry and some of you would be wanting a nap.”
Ogin stretches. “I am hungry,” he admits.
“I am too!” Kali says eagerly. “I’m always hungry! But now I’m more hungry!”
“Well, as it so happens, I am putting on a wonderful little feast for some well-behaved children.” Lilunu glances at Calesco. “Do you think any of these children have been well behaved enough to get all the treats and lovely things that my very best chefs have prepared for them?” she asks, rather too slyly.
“Oh, I rather think so,” Calesco smiles. “At least if Atiya can tear herself away from her binoculars?”
Atiya has already put them down and has her hands over her eyes. “It was a nice dance with very nice clothes,” she mumbles. “It’s too bright and noisy. I’m hungry.” Atiya yawns a tiny yawn, trying to hide it. “I’m not tired though!”
She seems to think that it’s over, and in fairness the break here would be the ending in many other shows. It’s probably a good idea to get her out of her so she can lie down and eat things.
“Very well,” Calesco says, and kneels down next to her. “May I pick you up, or do you want to walk?” she asks. Kali is always delighted with anything even approximating a hug, and Ogin enjoys clinging to people as a perch to better look around from a higher vantage point, but Atiya can be more particular about being touched.
It is a mark of how much she is lying about not being tired that she raises her arms up and burrows her face into Calesco’s chest, blocking out the light and noise. “Not tired,” she mumbles.
For her part, Aiko steps before Lady Lilunu, and slightly stiffly curtseys. “Your highness,” she says in flawless Malfean-accented Old Realm, “will you require my services as your maid?”
Lilunu laughs at that, and fondly pats her on the head. “You should go with the others. You’re probably hungry, and if you’re not, Prita certainly will be from how she’s been spinning madly around the box and dancing... uh, very interestingly for hours.”
This is the best music ever and everyone else just doesn’t appreciate the beauty of her swirly whirly dance, Prita gestures mid spin, staggering slightly from dizziness.
Calesco hefts her little sister up and tucks her head into her chest, then follows Kyrie and the other maids and pages out to where a palanquin carried by sweet-smelling demons with the look of muscular, mostly-naked men waits to take the children back to Lilunu’s central citadel. She dispenses hugs for Kali and Ogin, nudges Prita back on-track from where she was dizzily drifting off to one side, helps Aiko up, promises to visit soon, settles Atiya down on a cushion and draws the night-woven curtains to give them some peace and quiet as they’re carried off towards food and naptime.
Then she looks back at the keruby maids and pages, who - it seems - are not accompanying the children. They are watching her. One or two are smirking. Although admittedly ‘smirking’ is more or less a szilf’s natural state.
“Something to say?” Calesco asks, narrowing her eyes.
“Well,” the szilf drawls, “it’s funny to see Lady Zana’s elusive sister and see that she’s even shorter than her ladyship is.”
“She’s not short, she’s just... compact, Mani,” says the mercy witch Kyrie.
“Yeah, compact because she’s short.” He looks down the nose of his demonic mask. “I can’t believe this is Lady Eko’s breedsister, too.”
“Now, now,” Lilunu says elegantly, swirling her wine, “Calesco is like my Keris; someone who doesn’t have to fear banging her head into low ceilings.”
Glaring at szilfa has no more effect than glaring at Kiki - who is in fact watching and snickering, damn her - but Calesco has never been one to shy away from hopeless causes. She shoots Mani a look that’s scathing enough to strip paint, rolls her eyes at his delighted bow of acknowledgement, then turns back to Lilunu.
“I hadn’t realised Mother had summoned so many of her keruby out into Hell,” she says, fixing on her most important question. “How long have they been here?”
Lilunu looks mildly surprised that Calesco would even ask. “Oh, my Keris just did her very clever sorcery thing and called them all out just before the start of Earth and before she went off to Ipithymia. It was really very impressive, the way she danced them out. So they’ve been under my care since then. Nine months of training - it’s been awfully interesting seeing my Yanu and Saya getting to meet others of their kind and learning their ways. It’s been like being surrounded by a whole horde of tiny Kerises - quite exhilarating!”
It’s something about the way that Lilunu says that which catches Calesco’s attention. That, and the way she invited her maids and pages up to her private box to watch Keris’s dance. She risks, just for a moment, pushing out a glimmer of her light through her right eye as Lilunu looks over her keruby attendants, letting it pierce through to illuminate the demon princess’s heart.
Calesco can’t help but smile at the simple honesty of how Lilunu is with her keruby - which is to say, she corrects herself, the keruby in her service. They are her cherished underlings, her companions, and while they are not her equals, it is a relationship a lot more like the one that her siblings have with certain keruby in their service. Or, indeed, like her mother and how she is with Rounen or Rala (not like her mother and Mele, please no - Calesco hopes the Lady Lilunu doesn’t have that kind of bad taste). It’s not the same because Lilunu is much more on her dignity even around them compared to Keris’s lack of dignity (and pouting when she’s told to do something she doesn’t want to but knows she has to), but it’s familiar.
Some of it might be that they inhabit so easily the roles that Keris plays for Lilunu, but it’s more than that. They bicker with each other and entertain her with their petty dramas. They tease and mock and feed her lines to play off of. They are - after all - so very human by demon standards. Which means for this princess of Hell made to care for the green sun princes, maybe they fill a certain emotional need for her.
“Shall we go back in?” she asks, relaxing a little more. “It sounds like the intermission will be over soon, and I don’t doubt Mother has more for us to see.”
“Of course! I happen to know what’s about to happen, but I haven’t gotten to see the full spectacle with my Keris there making everything so much more real than even the darling keruby can manage,” Lilunu says proudly. She claps her hands. “Oh, my beloved adores this, can’t you see, and all the other mighty Unquestionable are so rapt with awe! I’m so very proud of her!”
Calesco lets her head back up to the box first, and trails behind to get in a quiet word with Kiki.
“What do you think of her?” she asks quietly. “I have to admit, Mother always made her sound too good to be true, but… I’ve been pleasantly surprised, so far. She’s far kinder than the other demon princes. And she genuinely loves her keruby. She’s not as informal with them as mother or Eko or, well,” she gestures between them, “you and me. But she’s not so different from how Rathan or Haneyl are.”
“I do like how she hasn’t locked them up in a prison just for the crime of growing up,” Kiki says with Kiki-esque helpfulness. “Definitely a low bar for her to step over,” she sucks in a breath between her teeth, “and yet...”
Calesco doesn’t quite wince, but she does close her eyes for a beat, suppressing the urge to defend herself. Kiki is right, she reminds herself (as she always does). It’s not up to Calesco to decide when she gets forgiven. She’s done a lot worse to her magistrates than verbal jibes.
“Alright,” she says. “But beyond that, as a magistrate. What do you think of her?”
Those yellow-orange eyes lock on Calesco. “From what I have seen, here and elsewhere, from those parties we spied on and those crude jokes I listened to? She doesn’t rule here. This place is no more her empire than your mother’s play on stage - or the Mews was mine. She is a prisoner, singing beautiful songs to wile away the hours and keeping pet bugs that get in past the razorwire, just like we did. I knew I was your prisoner; does she truly understand how much she is a captive?”
Pursing her lips, Calesco considers that in light of what else her mother has told her about Lilunu as she ascends the stairs back up to the lady’s box and the Dance of a Single Scream resumes.
“Do you think she hates her maker like I did during those long nights of loneliness?” Kiki’s cruel tone crawls into her ear.
The mood is subtly different to how it was earlier; the crowd, notably thinned out. Some of the great and mighty here only wanted a beautiful nostalgic glance at ancient memories, and they know the rest of the tale, and have no wish to see it again. But many have stayed, even if they had intended to leave. They want to see what comes next, as the tribe of dancers parades through the mists that wreathe the floor, lost and seeking an ever-gleaming, shining dancer who flits and dances out of range. Overhead, the activities of the stellar bodies has slowed, but they are no further away. They too are watching.
Calesco settles in more comfortably as the music starts to build again, aware this time of how captivating the performance is. And for a time she loses herself in the tale of the Primordials’ quest for meaning and the Shining Answer.
She watches the first arc of their journey beyond the known lands of Zen Mu, led by the River of All Torments, and the crossing of the Great Gulf that splits the stage. On one side, the dancers on one side each propose how to bridge the chasm in the Wyld, coming to the fore one by one as their motifs rise above the symphony, while all the while the ominous shining figure beyond the gap sings wordlessly of the doom that comes to all her light touches and beckons them into her embrace.
She watches the Whispering Pyre and the Lidless Eye dance the casting of portents under that low-hanging star, debating the meaning of omens and the truth to be found in the lies of the Shapeless by their motions. Even as they divine the course to come, their kindred led by Malfeas-That-Was and Oramus stand apart and shield them, portraying in their motions the duel their hearts fought with the starborn beasts. Between the essence projectors and the impassioned motions of the dancers, Calesco can almost see that long-ago war; the Green Sun and the Seven-Tailed Comet duelling a malformed star of doom in the heavens of a strange and unnatural sky.
She watches the dancers on their quest face threats from without. The massing of the Shapeless in the Thousand-Day Siege tests their endurance and their determination, the denizens of the Wyld having devised cunning and terrible new strategies to assail them. The limitless bounty of Chaos runs thin during the Ordeal of the Barren Lands, straining the wandering Primordials to the point where they are forced to invent starvation to describe this new and insidious torment.
She watches them face strife from within. At the Schism on the Path a half-dozen dancers (the former king and the Black Boar among them) make to split off from their quest when they come to a turning in the way, and one among their number leaves them forever. The Tides of Woe sap at them relentlessly throughout their journey, eating away at their will - which is the antithesis of changeable Chaos, and so their greatest defence.
And while they surmount all obstacles and defeat all foes, there is a hopelessness that enters the music and the movements of the dancers as the hours wind on; a despair deeper even than that which drives the search for the Shining Answer; a dread that perhaps that which they seek does not exist, or can never be found.
Despite herself, despite knowing the monsters these beings have become, Calesco cannot help but weep.
Some in this theatre were there. Some, but so few. No souls of Adorjan, no souls of Elloge, only Ligier alone of the souls of Malfeas. Looking through her lashes, Calesco catches sight of Iudicavisse where she sits, flanked by her Priests, and just for a moment her hawk-keen vision seems to see a softness in those terrible eyes. Sima is weeping, both the crone and the infant clinging to each other, and stone-armoured Accrevit removes her helmet, letting blue-white hair fall forward in a veil to cover her shaded eyes.
And it is interesting to note the ones who have no memories stirred. Calesco of course understands some, like Ipythmia who has a gold-skinned man between her legs, but there is no sign of recognition or nostalgia in the bearing of censorious Orabilis. Is he simply hiding his feelings, or was he spawned later than these events?
The quest slows and slows, until finally it ends. Keris wears the mantle of Malfeas-That-Was again, and takes to the stage to dance a dance of utmost grief and betrayal; kingly fury and holy wrath rained down upon the concept that the Shining Answer was something that could be found.
No, instead, her motions announce with magnanimous flourishes to the sound of brass and chanted hymn, the cure to despair is something they shall build. Zen Mu was but a first attempt, and not of the Holy Tyrant’s design. This new place where they shall lay their heads and abide will be better. It is no failure to abandon the quest; nor weakness - it is enlightenment.
And Calesco, who is her mother’s student in more than just the ways of Venus, wonders - for all the justifications of why giving up wasn’t really giving up, was this perhaps the Primordial King’s first brush with humility? Did the Empyreal Chaos become a sorcerer through the abandonment of His search for the Shining Answer, and his decision to make Creation instead?
Thoughts to dwell on, later. But not right now, for Ligier is entranced again - thinking, if she understands this story right, of his lost sister, whose design this must have been. And down below, in the stadium, two dancers are stepping forward. The fires of the Divine Ignition draw in from where they burn around the edges of the stage, and Cytherea takes the stage again, played by not one dancer but two; a courtesan almost crackling with the wealth she’s eaten to charge herself so high, hosting a fleshless flame whose passion drives her talent to even greater heights.
And along with her is Gaia. Lovely in her innocence, graceful in her demeanour, she takes the inventions of the titans and makes them beautiful beyond even peerless Cytherea’s ability. The First Fire has always been delighted by the youngest of her kin, but now as their siblings turn their hands to world-making once more, her attention is caught by Gaia’s unfaltering beauty; the way her works never fade and stand unbowed against the assertions of the Wyld. Captivated, the Essence of All Things approaches the Emerald Mother, and the cymbals crash again and again, and Gaia’s voice rings out in ecstatic song.
It does not take long at all for Calesco to realise why the children were ushered away from this part of the dance.
The grand stage pulses. It gasps, and breathes, and moans under the steps of the dance on stage. It’s enough to bring a blush to Calesco’s pale cheeks, enough that she wishes she was wearing her veil, and next to her Kiki has her hands over her eyes. But is peeking through the slits in her fingers. What is happening on stage isn’t, in the strictest possible sense, sex. But it’s also more erotic and, somehow, more explicit than if her mother was literally fucking the possessed courtesan. Calesco tries to distract herself by studying the tricks that are being used: the half-seen spectral images used to magnify and accentuate the scene, the whispering mist-singers lurking throughout the audience, plants in the crowd to reflect moans and gasps around them, the shifting substance of the stage itself - even the lighting is part of her mother’s grand deception. To trap the audience in an act of cosmic voyeurism.
And yet.
“She didn’t let me see this full version before,” Lilunu murmurs. “My sneaky little Keris. Saving this.”
Those rainbow eyes are locked on the stage, as utterly absorbed as Cytherea is with Gaia in the tale.
It’s the moment Calesco’s been waiting for. She’s never going to get a better opportunity to pierce through Lilunu’s defences and see the shape of her heart and where her mother sits in it. It’s Calibration, and so she’s in her human form, with pale skin and no feathers and none of the light that normally shines from every part of her - but the light is still there, if she reaches for it.
Ripping her eyes away from the dance, she trades a meaningful look with Kiki behind Lilunu’s back, lets her hair fall over her face to hide her eyes from the maids and pages who remain up in the box, and pulls that light up from deep within a scant few crucial seconds, brilliant and penetrating and true.
It comes easily. Perhaps too easily. She was expecting resistance, finds none, and in a misstep she draws far, far more of her light than she meant to.
It lays the world bare.
She sees past the lie of physical reality, the rainbow-eyed woman of the Dynasty. The Lady Lilunu is a seething, chaotic mess where in places the colours blend into an inky blur and in others they have been straightened out into a prism-pattern, though not in the style of Creation. Brass and fire and rage and self-hatred. Blue and silver and jaded depression. Brittle crystal and passion too bright for colours. Laughter and wind and silence and oh-so-familiar murderous enlightenment. Shadows and hollow depravity. Indigo and bright stains and ancient pain. Sickly sweet flowers and silver and gnawing envy. The stink of wet vegetation and a hunger that’ll never be satisfied. World-warping weight and towering ego. Nameless colours and crushing ennui. Cold, congealed, iron-scented fear of a world that hurts so much.
And at the heart of it all-
love
...love for Keris.
The Lady Lilunu loves Calesco’s mother.
The red strings sprawl out, knitting themselves to the figure on stage. The red, so deep, so vibrant. So bloody. This is a love terrible in its passions, a love amorous and caring and desiring and possessive and guilty all at once. This is a love Calesco knows well, for she loves like that too. And it is a jealous love, too. Her light cuts through the lie of mere artistic admiration; no, Lilunu is jealous of the demon-pairing on the stage. She wishes she was there too, playing the role of Cytherea, pretending to make love to Keris Dulmeadokht.
She wishes she was there and it was not a pretence.
The thought whirls around ceaselessly in Calesco’s head. And she knows she isn’t well, she can’t be well, she’s stared too deep into Lilunu and no wonder that might drive someone mad, this is a pressure and a power and a complexity she hasn’t seen save when she dared look this way at her true mother (which is not Keris, who is strictly her father). To stare like this at the Mouth of the Yozis invites Yozi-sickness. How can she trust her thoughts?
And yet.
The Lady Lilunu loves Keris. Heart, mind, body and souls.
Calesco reels drunkenly. Her head is swimming. She feels floaty and incredibly heavy, both at once. Colours lens and blur in the corners of her vision, and afterimages of what she saw within Lilunu pinwheel through her field of vision, paddling themselves in circles to stay in view longer. The air she breathes feels thick, and she’s bewilderingly certain there’s a bowstring under her fingers even as they flex without resistance.
“Ngh,” she manages quietly, and isn’t sure if anyone hears her. Except Kiki’s egg, which she’s suddenly sure is watching her and giggling even though it doesn’t have eyes or a mouth. She attempts a reproachful look, but finds she’s looking at the stage instead.
The stage…
The stage is a dance of worlds.
It’s not a woman in a dress and mask and headpiece anymore. Gaia is a landscape curled up in the embrace of a sea of flame. She’s five pillars of resplendent colour coiled around a miraculous array of concepts; the notion of Integrity, the miraculous invention of substance as a way to exist outside the Sea of Mind. She’s a pantheon all dancing individual parts that sum to the motions the woman had moved through, and she’s growth and life and abundance and cataclysms and extinction. Too much for any mortal to portray. Too much for any words to even describe.
And it’s not just her. No paltry shapes of flesh and blood and bone remain upon the stage. All of the dancers are worlds and hosts and symbols. All of them are so much more than two-legged things wearing costumes. Swaying slightly in her seat, Calesco stares down at the movements of the cosmos.
She watches as the Titans come together to Shape within their vastness a tiny jewel whose realness is a pin driven through the fluctuations of the Wyld, forever defining Location relative to itself. She sees the desert of silver and blue glass and Law spread out beneath a perfect symmetry of crystalline spheres to construct the tenders of this fragile place, and sees a fathomless darkness goad the infinite formless fire and empty majesty into crafting a golden beacon of Virtue to rule them. She watches the eldest pair of Titans, Essence and the Beyond, draw out a host of partners that could never have been to complement their King’s creation and set them to warring and seducing and devouring one another, burning off the impossibility until only a single ever-changing creature is left. She sees five glittering, interwoven threads appear to lay order to the movements within the jewel, which is still an entire world itself, vast yet small yet so precious and vibrant. Tiny flecks of existence populate it, too small to know themselves but just large enough to worship their creators, and Calesco watches them spread and change and multiply as the dancers continue to labour upon their home.
This message is clear throughout; all of these things - from the world itself to mightiest of the jewel-tending servants to the tiniest of the flecks that eke a living in Creation’s dirt - all of them are made by the Titans, made for the Titans, made beneath the Titans. It is only through the grace and magnanimity of these vast existences, any of whom outweigh the little world entire, that anything in Creation exists at all. Their service is natural. Their submission is the Titans’ right.
There’s a part of Calesco that objects to that idea. But her head is too full of fog to put words to the opinions of her heart. And the narrative has her in its clutches now. She’s too caught up in the need to know what happens next.
Next to her, half her own face coos, holding a writhing inchoate mass of striated black and white which occasionally develops splotches of other colours. There’s a cord tying the mass to the part-her. Calesco looks at herself in reflection, and can’t help but think she looks peculiar from this angle. Especially when she only has half a face. But that half-her has a thin strand linking her to some of the other figures behind them, each wearing part of her siblings’ forms. They’re all interlinked. There’s a pattern.
The seething chaotic mess that was the Lady Lilunu is all around her; the sky, the ground, even the air that she breathes. But the presence is most concentrated by her side, and it is there that the thick cord-strands of light are centred. Burning green, sky blue, intertwined red and white, pure darkness, and more. Calesco stares at those, trying to understand them, lost in their blinding brilliance - then a flash from the stage.
Something has changed. Cytherea is no long as she was, locked in Gaia’s bountiful embrace. The numinous fire dangles a new mask before her, a broad-shouldered dragon-headed woman with brazen scales and great wings, crackling with blue-black lightning, but this mask still has fire burning in its eyes just as it was before. A thunderous roll of applause echoes from all around. Calesco wonders what this means.
Then she notices that all the fragments of her brothers and sisters around her are focussed in on the stage. Well, it’s probably meaningful for them too.
“Is that part of the play?” whispers the light side of her face next to her. “No, I don’t think it is. You can see the All-Queen didn’t expect it. What is that fem-form? I’ve never seen it before.”
Head spinning, Calesco tries to squint through the wheeling, spiralling visages of Gaia - the vast world of life and death and growth and extinction, the host of mighty spirits, the beautiful mind holding up the concepts she invented - to the tiny being she wears as a mask. It takes her a moment to focus on the right one among all the devas of the Emerald Mother, but she can see that, yes, the one with dark skin and red hair looks taken aback for a moment. There’s a communication happening, something quick and soundless that Calesco recognises from her mother - and then Cytherea moves again, and the dance resumes, showing off the new mask of the Divine Ignition as a mark of triumph and celebration; a signal that the draconic form will be a mask of power in this new world they have created.
But there is a thread of tragedy entering the song now, and the dancers’ movements show their blindness to the ambition and greed of those they have created; fostered and aided by their bitter, sickly sibling. In secret the creations of the titans who should be loyal gather, coveting their rightful masters’ power. And they plot a betrayal that is wicked and hateful and cruel; a defiance that would have been doomed but for the blasphemous malice of the crippled smith.
Calesco watches the play progress in a half-dream, moving towards its tragic turn of events. She is compassion, and she is love, and of course she weeps for it. But she is the daughter of Adorjan, and so her love desires to see suffering that teaches, tribulation that brings enlightenment, and heroes forged in a crucible of tragedy. And oh! what heroes can be seen here, oh! what tragedies forge wonders, oh! what tribulation will come soon. She can see the doom that hangs over the naïve titans of old, and it is the most beautiful thing she has ever seen.
The titans depart to their amusements, and in the dark places they leave behind plot the treacherous gods and jealous, maimed Autochthon. And the crowd sees the final, tragic act begin when gold flares in the black. Then another. Then another - and these tiny stars are joined by silver and many other colours.
The tragic closing act, when it comes, is swift and merciless. The titans, joyful and triumphant, are gathered together to celebrate their works and the success of their labours. The first they know of their servants’ perfidy is when one of them falls, slain by treachery to reform with a new name and nature. Bravely they fight, yet the sparks that assail them seem endless, and more and more of them fall. Some are slain like the first, falling and reforming in horror and grief. But then a titan falls and does not rise again; instead becoming a horror that breaks even the beauty of the dance. Black-robe, hollowed out and screaming, it wails as it descends down into the depths of the stage, and the music rips at the heart to see the depths to which the traitors have sunk in their heresy.
The only thing that can be said of the war is that it is brief. In what seems like only a moment, the dance has turned, and the rebellious gods now take their sparks and shut the doors of the cage they have built for their creators.
Yet even as it shuts, and the dancers mourn - pushed so close together that their movements are a careful weave of precisely choreographed laments to avoid stumbling over one another’s bodies - there is one shred of hope. For as the performers freeze in their final tableau of imprisonment and the essence-projectors darken and the stage falls still, the music that has been playing changes to a closing motif to draw the dance to a close.
It’s the first few bars of the great play of last Calibration. The opening of the Scarlet Succession, by which the Yozis will be freed.
And then it is broken - by the scream of the tomescu. And even foggy and muddled, Calesco realise what this is. It has been half a day since this play started. And now it has ended.
The wall of sound is enough to knock the breath out of her. Everywhere - applause and cheering and hollering, and the mad whirl of the stellar phenomena overhead.
She turns her head, still blinking hallucinations and half-seen images out of her eyes, and looks at Lilunu. Not with her light this time. Just - as best as she can focus - at the face the twisting coalescence of essences that loves her father so deeply wears. At what the Mouth of the Yozis is showing of the feelings Calesco now knows are there.
Lilunu is crying, but so too are many of the other demon princes around her. She has her hands pressed to her chest in awe and admiration, but that too isn’t uncommon. If she hadn’t seen the truth already, Calesco wouldn’t know her secret. And that makes sense, for Lilunu has hid these feelings well - well enough that Keris mustn’t know them, for Calesco doubts her father could keep this secret from her.
But now Calesco knows.
Down below the stage in the guts of the conventicle Keris feels like she’s on top of the world. She went through the wall of pain several hours ago, and right now she isn’t sure if her body is aware that it can feel anything other than a sort of dreamy bliss and exhaustion. The tailored stimulants and the supersaturated sugar-salt shots she’s been taking every chance she could between dances probably are also contributing to her sense of disassociated floatiness. Her final costume - that of the Principle of Hierarchy, for that final aria - is clear crystal and soaked in sweat and body oil; she banishes it back into the amulet without a thought. She feels like she could do anything, especially if it involves falling face first into a bath or sprinting for hours and hours.
And looking around, her dancers are in a similar state. Both the penury courtesans and the fleshless flames are drugged-up on stimulants and performance-enhancing drugs of her own device, running on high grade fuel (powdered emeralds for the tarskae, super-saturated sugar water for the maglyaszentkae), and running on the high of what’ll almost certainly be the biggest performance of their lives. Some of them are already shedding their sweat-soaked and oil-ruined costumes, though none of them have taken off their masks yet. Keris hasn’t, either. It just feels... right to keep wearing it. She normally wouldn’t wear anything linked to She Who Lives In Her Name, but this just feels... right. For all of them to be masked like this.
Even Arisu, who went and nearly ruined things by turning into a completely different form of kerub she’s never seen before hasn’t taken off her mask yet, although she’s the only one here who doesn’t seem exhausted. Normally Keris would be all over that, but it’s something that she isn’t sure she has energy for now. And the eyes of her keruby are on her. Waiting for her to say something. Oh. Baron Indo is here too, a dragon aide who’s out of place among all the exhausted, oily, sweaty dancers - and he’s waiting for her to say something too. Maybe waiting for congratulation because he’s been doing crucial things back here organising the backstage and overseeing the training.
Keris really loves her dragon aides, she thinks with loopy bliss. It’d just be awful to have to do the backstage management-y stuff when she could be out on the stage, basking in all those eyes of admiration and want and envy.
“Okay,” she sighs, leaning back against a wall and closing her eyes. Around her, the shadows chime for attention. “Well done, everyone. We were perfect out there. The plan went off with barely a hitch, and you all performed your roles peerlessly. Rest assured you’ll all be rewarded in accordance with your success.”
Without her eyes opening, one arm comes up, a finger pointing accusingly at Arisu.
“Now, with congratulations out of the way; explain. What the hell was that? And what is this new form of yours?” One grey eye cracks open, looking her up and down. “I didn’t know you guys had a second maturation beyond your adult forms. Actually, I didn’t know any keruby had another maturation beyond your adult forms. Did you only just discover this now?”
She’s too tired and triumphant to really put any force behind the words, so they mostly just come out sounding dispassionate, albeit perhaps a little piqued by the disruption. Nonetheless, her curiosity is bubbling away under the surface of her ever-active mind, even if her body can’t put it to action right now.
“A new form?” Arisu’s voice is rich, rolling, a voice that makes you want to listen to it and just as much do what it says. It’s a voice that could shout ‘follow me!’ and lead a revolution. “What do you mean?”
“Maybe she’s never seen this before?” says Koto, painted with brass and fake blood for his role as Malfeas. He leans against Hiko, who is still wearing the mask of the fallen Empyreal Chaos, and accepts a wing massage. “We didn’t do it very long.”
“Of course she knows, she’s the All-Queen,” says Biqi, another courtesan and a compulsive suck-up. She drapes herself over Keris’s arm, her warm body painted in indigo tingling slightly from the lightning crackling over her, her Kimbery mask beautiful and yet faintly horrifying in its alien proportions and colouration. “It’s all due to the All-Queen’s radiance that even one of us managed to resume our true form - even if it should have been me,” she adds sotto voce.
“Wait, true form?” Raji says, a wisp of flames escaping from between the lips of his mirror mask. “No no that’s nonsense. You don’t have a true form like we do - all sziromkin do.”
“Only sziromkin demons have a separate true form. This is my true form,” Indo says quickly.
“Everyone, stop arguing,” Keris commands, clear and resonant. “Koto. Biqi. What do you mean, you didn’t do it for very long? What true form? You already knew about…” She gestures at Arisu; the broad wings that look capable of true flight and shining brazen scales and crackling lightning; like she’s in all three high-energy states at once plus a little extra on the top. “… this?”
“Well, yeah,” Biqi says, still clinging onto Keris. “That’s what we grow up into. It’s just... a beautiful dream. No one can keep it up forever. You get one moment of being awesome, and then you find you can’t keep it up.”
“Like a lot of men,” one of the courtesans contributes.
“And then the beautiful dream ends. Your wings wither and your scales fall off and the few that regrow are soft gold. You’ve gotta go get a job. Serving in a bar or giving handjobs for the coins for your next meal.” She shoots a hateful glare at the fleshless flames around her, hidden behind her mask. “Maglyas don’t get it. You’re as good as we can be when we’re eating literal gems, and we’re going to fall back down from this when we don’t have this job. But all us femkin get this one moment of glory and then lose it forever.”
She focuses on Arisu.
“Or so we thought, at least. Maybe she’s going to hold it this time.”
“Probably not, though,” mutters a male - Cucuyu - to the rear. He didn’t mean for this to be heard, but Keris’s ears are keen.
“You mean to tell me,” says Keris slowly, putting the pieces together. An initial perfect maturation with wings, scales and lightning, which then devolves into weaker forms that only keep one of the three. “You mean to tell me that you’ve all known about this ever since your maturations? The whole time? And never said anything? I interviewed fem breeds after their maturations first showed up! All three of them! Multiple keruby from each! They all just said things like ‘growing up is fun at first but then you realise you gotta get a job’! There was nothing in there about a whole other breed preceding the split into the three I knew about!”
“Okay but you never asked any of us,” says one of the courtesans helpfully.
“I’d definitely have told you if you asked me,” Biqi says loyally. “I mean you did interview me, but you were just too beautiful to think clearly. And I don’t think you did ask me that question.”
Keris takes a deep breath. And then takes another deep breath when the first one doesn’t work, and then a third when the second also proves insufficiently calming.
“Okay,” she says as calmly and dispassionately as she can, frosting over the actually quite fierce annoyance at the fact that Vali undoubtedly knows about this and never bothered to mention it. “Okay. Fine. I’ll deal with that later. For now…”
Her mind leaps forward to Orange Blossom, who is probably on her way to the dressing room even as they speak. She smiles, seeing a perfect key to fit a perfect lock.
“How would you all like to earn another substantial chunk of cash?”
There are three categories of response here. The courtesans of course eagerly perk up with responses like “Yes!” and “Of course!” and “I love the word substantial!”. The fleshless flames are much less interested - they just want to eat and rest. And Arisu-
“No. Money doesn’t matter. Not compared to being the best dancer and bringing joy to everyone else around. In fact,” she spreads her arms out, “come with me! There have to be people out there who haven’t seen our show! Let’s go and entertain the masses for free!”
Keris feels herself cringe at the thought of her keruby running out into Hell to perform. Especially when she can hear the offended muttering of the high-strung maglyasventkae who didn’t like the implication that tarksae have it soooooo hard when they have to constrain their flame within living or inanimate hosts or they’ll burn out.
“The hellborn out there have already seen this performance and already know this myth,” Keris says, her words coming quick and precise with clinical neutrality. “And you’ll have to travel far too far to find an audience you won’t just be repeating more of the same to. Instead, if you want to showcase this performance to the masses - why not return home? The Calibration festivities will still be going on in honour of Pekhijira back in my domain. You’ll have the whole City and all six Directions as your audience.”
The emotions flash quickly through Arisu’s face, plain to read and completely un-shielded. Frustration at being denied what she wanted, consideration, then lightning-fast acceptance. “Yes! It’s better to show this to people I know! Come, let us go! To the City and Queen Dulmea’s fete, to show her everything we displayed the hellborn!” Her voice swells, and ripples through the fleshless flames and the tarksae alike, forcing away their tiredness, pulling them into her wake - and Keris feels the mood of the room change even through the exhaustion.
Instincts honed by years of managing performances and revelries kick in, and Keris smoothly and efficiently divides the keruby up between the ones returning to her inner world (mostly maglyas) and the ones who want to stick around in hopes of another well-paying job (mostly courtesans). Perhaps she’ll have another problem later for diverting Arisu like this; perhaps she’ll have to deal with more Yozi - or more accurately Primordial - worship in the world within her soul... but fuck it, there’s already a certain level of it due to Haneyl that this won’t meaningfully make worse.
“Alright, masks off,” she orders, to a chorus of complaints. She gives them no leeway. Those masks were bloody expensive to make, and Keris is well aware that if she lets her keruby go home wearing them, she’ll never see them again. “Now,” she insists, taking off her own mask and glaring for emphasis.
With varying degrees of sullen muttering, the masks are handed over. The home-goers return as she pulls them in one by one, disappearing into clouds of fire and forking lightning that vanish into her hair.
The masks tingle in her hair as she gathers more and more of them onto her person. They almost seem to be... repelling each other, like they don’t want to be too close to one another. She can’t just pile them on top of one another - they slide off. And her left hand can feel the smooth, clear, coolness of Pyrian essence in the one she was wearing. That can’t be coming from her. She doesn’t have that in her nature. Had Lilunu put it there, or...?
Normally she’d have gotten distracted by a mystery like this, but with the Szorenic drugs banishing her kitten-headedness, she simply notes it as something to look at for later (and congratulates herself for stopping her keruby from running off with them). She has a job to get to.
“Oh, your imperial majesty, my empress,” Biqi flatters her, “you said something about a... chance to earn some money?” She leans into Keris. “Would you perhaps like our service in helping you relax after this trying, wearisome day?”
Keris pauses to congratulate herself again, this time for how well her tarksae turn out when they’re given the money to improve themselves. Biqi’s voice is pitched low, her tone rich as honey and cocoa, and she wears the body-paint-and-sea-silk scraps of costume that had her playing Kimbery with easy confidence. She has the Realm look, and if it wasn’t for her golden horns and scales and her tail, Keris could present her to House Sinasana as a Dynastic lady (at least with some accent coaching from Haneyl to polish her further). The first time Keris met her, she had been a scratchy-voiced, tired summons with a cigarette in one hand, horns flaking and skin sallow, dressed in cheap Ruins-silk wrapped around her in a functional tube top and sash. And the same applies to the eleven others who stayed. Keris is surrounded by beautiful, gorgeous demonic entertainers who manage to make their exhausted, sweaty states into a sultry, lounging dishabille state.
(well, there’s also two fleshless flames here, who look more tired in their doll bodies, one a man in a black boar-faced tall-dark-and-handsome, and the other wearing the Mars-puppet, and might well - if she knows her maglyasventkae - just be here because their ambition won’t let them pass over a chance to impress her)
“You’re half right,” she says. “But it’s not me who’ll be hiring you. One of my peers is on her way here - probably approaching right now. And she’s richer even than I am. Rich enough to afford my time, and my personal attention, even after a performance like that. She likes it - likes everyone else knowing that she’s the one who can hire me. And she makes for a very appreciative audience. She already made a bid to steal me away after the dance and flaunt it to everyone. I was thinking she might be interested in,” she smiles a wicked smile, “expanding her offer to a few more companions.”
Cucuyu saunters up to her to cling to her other arm, his slim body up against her, scales flesh-warm. “Oh, poor you, our poor queen is just too tired to take another client all on her own,” he purrs at the back of his throat. “I suppose we can offer our bodies to help support you.”
“And ease your day,” another contributes, thwarted in his attempts to take Keris’s arm, but instead coming around to carefully sort her hair and adjust it into something that better suits her current look. “I’ll just take your vow to cover our going rate at the same cost as the dance if she doesn’t exceed it, and we won’t need any messy contracts or anything since we have plenty of witnesses.”
“That’s fair enough,” Biqi says, tracing Keris’s jaw with her finger. “Who could gainsay it?”
Ah, her lovely little keruby are naming their price - and also making it quite clear she’s going to be paying them if Orange Blossom doesn’t.
“Yeah, y’all have fun,” the Mars-wearing fleshless flame says, stretching. “I’m looking for an audience, and I’m too damn tired for an act with only one client.” She vanishes in a puff of flame.
“Coward,” says Jovumo, still wearing the remnants of Isidoros. He stretches and gathers two spare tarksae to drape themselves over him as props. “I think I’m here as novelty - and a high-profile job for you, Keris,” he cheekily addresses her as an equal. “The tarksae are lovely, but I’m sure your client will appreciate a performance from a living doll.”
“You... do get we’ll be providing her the full experience?” Biqi says, rolling her eyes.
“A performance is a performance,” Jovumo says. “Especially a well-paid one. And I feel like Isidoros really didn’t get enough stage time across this performance, so I’m both fresher than you and wanting more exposure. Yes, yes, make the joke about ‘exposing’ myself.”
Keris cracks a smile. It’s nice, being around... well, other working boys and girls, even if they’re far higher-class and better-paid than any of the whores and harlots Kit Firewander ever knew. Her girls and boys at the Carnation are one thing, but there she’s their madame, and a lot of them are too in awe of her - and in some cases still faintly intimidated by lurid tales of her training - to be quite so casual.
Her keruby, though, never fail to be as irreverent as they are loyal.
“You’ll get your pay if Bloss doesn’t bite,” she smiles. “But if you lot can’t get convince her to go for the group offer and dish out some expensive presents, you’re not the keruby I know you are. And she really does like flaunting her wealth. She doesn’t give things away. But make it a transaction and she prides herself on paying as much as the very best is worth.”
The prospect of both reward and recognition from the All-Queen is enough to spur them into motion, and the tarskae in particular show off to Keris that they’re not just sex workers, they’ve also worked bars, run lodging houses, and basically done all kinds of service-worker jobs across her inner world as they find a third wind and adjust her dressing room into a place where ten demons and Keris can wait and have it feel intimate rather than bloody cramped.
Keris hears Bloss’s approach before the knock comes at the door. “Come in,” she calls, and greatly appreciates the hungry hum as Orange Blossom sees Keris is far from alone.
“Oh dear, Kit, are you busy?” Bloss asks, a teasing note to her voice. “Some kind of post dance debrief for you and your backup dancers?”
But her tarksae are already moving to pour her wine, and Biqi is there with a hand at the small of Orange Blossom’s back, guiding her in. “Oh, ma’am, we are delighted to make the acquaintance of one of the reputed members of the Council of Directors, especially one who Lady Dulmeadokht holds in such high regard,” she says, even as one of her brothers pours Bloss wine. “And we felt it just fitting for - if we might be so bold - us, the support cast, to make ourselves present and offer an exclusive chance for you to enjoy a most intimate performance from the cast of the Dance of a Single Scream.”
Orange Blossom’s eyes turn directly on Keris, momentarily hard and focused. Keris smiles back, innocent and gorgeous in her finery - her amulet having shifted back to Gaia’s jewelled elemental robes. She knows Bloss. Knows her likes, knows her wants. She doesn’t like spending money she doesn’t have to, but she does like buying quality. And that’s what Keris is offering her.
Bloss is normally harder to read than this. She’s a professional; a trader, a negotiator, one who plays high stakes games with the very Unquestionable. But she’s also a woman of great hungers; for jade, for silver, for rare things and exclusivity. And for flesh, and between the sight of Keris, clearly just off the dance floor, and the intertwined bodies of the gorgeous cast of the play promising exactly what this ‘intimate performance’ entails...
... well, Keris remembers that Bloss always quite liked to watch her spar with Xansu back in the day, but she’s just discovering now that it wasn’t just for the purposes of evaluating Keris’s skills. It was because she likes to see honed, muscled people tired and streaked with exertion, the light gleaming off their muscles. And the hunger of Metagaos is close to the surface within her. Closer now even than it usually is.
“So you’ve got your own collection of demon courtesans who descend from you,” Bloss exhales with relish. “Oh, I like this. Neomah are so... same-y, sometimes. But this? You’re offering me exclusive access to you and your fellow stars.” She wraps an arm around Biqi and pulls her in tight, drawing a little gasp from the tarksae who goes limp against her in a very artful way. “You really like money, don’t you, Kit? Or will you want another favour for this?”
“Oh, my lady,” Biqi whispers in her ear, “this isn’t just her. We’re reflections of our lady. We’ll do almost anything if you pay us. That’s just our nature. For the right price, we’re completely for sale. Whether put on a grand show to entertain all of Hell, or get between your legs. We’re here to please you. Because in the end, when you’re the customer you’re the one that matters.”
Keris can see Bloss’s little shudder of delight. “Did you spawn these beauties after your time on the Street?” she asks breathily, as more tarksae move in to help her undress. “Because - f-fuck - if you’re entering them in your contest, I can’t see many others having a chance.”
“Perhaps, perhaps,” Keris purrs. “But on the other hand, my lovely tarskae are worth more than being meat for the Street; they’re classier than that. Besides, if I let all of Hell bid on them, where would the exclusivity be? This way, everyone who sees them on your arms will wonder where you found them - and you’ll be the only one who knows.”
“You’ve got a quick mouth, Kit,” Bloss says, twisting as she’s guided to the couch to be deposited between two attentive demons, Cucuyu easing her out of her underwear. “Dance for me. I want to watch those clothes drop one by one. And - you. Metagaos-boy. Get over here. Fuck you were hot on the stage. Why don’t you have some fun with Ebon Dragon man here? Put on a little performance for me.”
Things proceed from thereon in. And Keris can plainly see - for all that Bloss thinks she’s giving the orders, it’s the tarksae who are handling her. Leading her by her hungers. It’s like watching her own work from outside, and that helps her make certain decisions she’d been thinking about before.
Mid-way through she slips out into the cramped washroom for a hygienic break and conducts an impromptu job interview, perching on the sink as Biqi quickly scrubs herself in cold water of the hip bath.
“So,” she says. “I was very impressed with how well you sold yourself in there. And how quickly you took charge and tried to hook me, before Bloss showed up. You know how to guide a client, don’t you? And you’ve got ambition.”
Rolling her shoulders, Biqi stretches. “I couldn’t possibly say, your imperial majesty. But right now, ever since you called us all to Hell - I’ve been more awake than I ever was since I was a kid. Is this ambition, or is this just being able to think clearly? To be able to be more like I’m meant to be. If that is ambition, then,” she smiles, flashing pretty white teeth with just a hint of fang, “then I suppose I’m ambitious. And guiding a client is just how you make a living. You have to do it even if you’re practically starving.” She leans in. “Wish I was a bit more muscular, because then I could have Miss Blossom eating out of my lap. No wonder she likes you, eh?”
Keris sees very much what she’s doing - deflecting the allegations of ambition, getting out a sob story about how hard life is, flattering Keris herself.
She smiles. “What if I could give you that? What if I could give you some training, too, on how to not just guide clients but get them eating out of your hand? I can put you through a crash course of everything you’ll need to know to play in the big leagues - and I can pay you a permanent retainer going forward. Not quite this much, but enough that you’ll never be running low on charge as long as you’re in my employ. A contract for you to flex that ambition and see how far it can get you. Because a little ambition is a trait I like in my lieutenants, if it’s married to loyalty. Especially the lieutenants I attach to people with power.”
Biqi’s eyes flash - literally flash, blue-black lightning sparking between her horns. “Permanent retainer is a phrase I like a lot. But, mmm.” She levers herself out of the hip bath, and dripping water she sashays over to Keris, searching for her a comb to start brushing her hair. “I hear stories about how you pick up keruby, and pull them out into the Blue Sky World and they almost never come back home, but when they do they’re fabulously rich and end up with big name titles and stuff like that. Are you looking to take a two-bit bar girl like me and make her into a countess - and how hard am I going to have to work if that’s what you’re looking for?”
“Hah!” Keris laughs, charmed. “You’d get a title along with it, yes. Baroness, not countess; it won’t come with territory - but with potential to rise to viscountess if you impress me. Potential for presents and gifts beyond my regular retaining fee, too. Your client would be one of my new underlings. A junior peer of the Althing, who’s clever, charming, capable... and needy. I need someone who can give her the affection and attention she needs, who can reward her when she does well and coax her back on-task when she starts to drift. And who can distract her from the demoness who taught her, Blue-Eyed Mara. Suriani loves her, but she doesn’t love Suriani back, and I’d rather Suriani not wind up doing more work for her than for me.”
Biqi nods professionally. “So you want me to pact with you, but you’re assigning me for the girlfriend experience long term with someone else. I got you - done things like that before. I’ve been hired as a girlfriend a few times back in the Spires, mostly cseledkae - although a szilf once paid me. She said she wanted to learn what having a girlfriend was like for a role she wanted to play - szilfa, hah! It’s a fight to get them to say they want to get laid. Most tiresome two weeks ever, never managed to even get her naked because she kept running away. This Suriani sounds like she’ll be easier to bed, at least, and given you’re hiring a tarska for it I’m guessing she’s into girls. Well, I mean, you said she loves a demoness.” She rests her hand on her shoulder and works it, her little useless wings fluttering. “I’m not missing this chance. As long as you pay me and stick to what we agreed, I’m your gal.”
Keris clasps her other shoulder and squeezes gently. “I’m going to put you through a training course to get you up to speed with everything you’ll need to know to manage her. You will not enjoy it. It will be hell, and not the fun kind with dances like the past nine months. But I want you equipped to be more than just a pretty reward for her. By the time I’m finished with you, you’ll have earned that baroness rank and be able to take and hold a countess seat if you ever move on from her and come back home.
“I’ll want to layer in protections too, so that you’ll be able to deflect Mara if she has a go at you. She’s cowed for now, but she is a very good seductress and manipulator - almost as good as me, maybe my equal. We’ll talk over exactly what you’ll be learning before starting each lesson, and you can back out at any point. But stick with this, Biqi, and I’ll hone you enough that you might be in a place to make the jump back to your old form just like Arisu did - and if not maintain it, at least be able to do it again after the first time.”
“I heard rumours ‘bout them that you pay that kinda attention to,” Biqi says, dropping back into an exaggerated Spires-drawl which is basically Nexan, before returning to the practiced Malfean dialect she must have picked up in Hell, absorbing it like a sponge, “and if those rumours are true, you mean it. But hell with a permanent retainer is better than scraping along on a coin a day. Now that I’m thinking clearly and moving properly, now that my skin is clear and my hair doesn’t frizz and my tits don’t sag anymore and my scales don’t ache whenever I get out in the rain - I can’t live like that again.” She takes Keris’s hand, and kisses it, rich blue lips sparking against Keris’s skin with a static shock. “Your imperial majesty, you have my loyalty if you hold up your end of the bargain. I’ll go through hell and more for you if I get to live like this rather than being a street rankey.”
She’s a liar, and a suck-up, and a flatterer. She’s saying exactly what Keris wants to hear here and now. But the shape of her lies reveals the truth within; she will do almost anything to stay like this, well-fed on a fortune and beautiful and, well, Keris knows fucking damn well that life as a bar girl who does sex work on the side is harder than being a fancy courtesan who sleeps with rich people, because she’s lived that life and experienced both. She maybe can’t entirely trust Biqi, not yet - but the ways she can’t trust her are exactly the same as how people couldn’t trust Kit back when she was new to Hell.
“Well then, Baroness,” says Keris simply, her mind already moving onto the next thing on her to-do list. “Welcome to the team.”
She needs to go find a flower clock while Orange Blossom remains distracted. She also has an appointment with Baaji (bleargh) and then has to get ready for the final ceremonies.
Honestly. Sasi might have been worried, but this new internal alchemy is a blessing. There’s no way she’d be managing all this if it wasn’t for her mercury-based drugs.
Chapter 43: Calibration V, 775
Chapter Text
Keris’s job is never done. Placating Baaji isn’t particularly difficult, because he’s weak to pretty women radiating the light of the red moon who are willing to sit on his lap and whisper sweet nothings in his ear about the rules and how fair they are. But, urgh, dealing with that awful, rotten man-child of a demon prince leaves an unpleasant taste in her mouth - and an unpleasant lingering coldness on her ass and chest from his groping hands. So she may - may, because of course it would be horribly illegal to do such a thing for sure - have stained him with a mercury-laden curse hidden on the back of his head under the snow clouds where he’ll never see it himself and where he’d have to admit he’s bald under the snow for anyone else to get a look. But in fairness, if she has done such a thing (not that she has, honest), cursing him so everyone believes he’s a sore loser and everything he does is to try to avoid responsibility isn’t really a curse, is it? It’s basically just the truth. She’s not even sure anyone will notice the difference.
So she goes back, dodges the adoring crowds (again), has her majordomo start to sort through all the gifts routed to her estate (again), and spends the rest of her free time being pampered by Mele (which doesn’t happen enough - they haven’t had snuggle time in almost two days! How is she meant to deal with these working conditions?)
“They love you out there,” Mele murmurs to her, as he holds her in his arms, his long body pressed up against her and his arms enveloping her. There’s a hint of something else there. Is it jealousy that others lust after her too, or envy of how loved she is?
“You love me in here,” Keris murmurs back. “And I love you, too. I’m going to prove it.” She reaches up to trace her fingers down his cheek, and then further down his bare chest. “Mmm. I was thinking of making it a surprise. But I want you to know about it instead. I want to make you eager for it. Make you want it, then make you wait. You know Oula’s tattoo?”
“Mmm hmm.” He cups the back of her head, cradling it, as music drifts in from outside. “She’s very proud of it. Almost a bit insufferable. She says it was made for her by Lady Lilunu, just like your familiar Iris.”
Keris chuckles into his shoulder, splaying her fingers out across his lovely, firm, sculpted chest and tracing some of his carvings. “Well, soon you’ll be able to brag back at her. Because I’m making you something like it. Not just a tattoo, either. I got given a moonsilver breastplate by one of my peers. I’m going to reduce it down and use it as the base for, mm. Maybe a graft or a second skin or something, I haven’t decided yet - you can help me choose. Some kind of natural armour, though. It’ll empower you and protect you; make you stronger, tougher, better able to bounce back when you’re hurt. A gift that’ll let you take all those daring risks you take for me and come back safe and sound.”
“A new skin to be your champion?” He lavishes kisses on her: her brow, her cheeks, her lips. “I like the sound of that. So everyone can see that I’m your warrior-lord, to fight for your honour. And from what I’ve seen of your gorgeous, pretty Strigida, it’ll look fantastic.”
“Oh yes,” Keris purrs. “And you’ll look fantastic with it. My warrior-lord. My Mele.”
He rolls her over, above her, pinning her hands above her head, trapping her. Putting her in his power. Both of them know that this is an act, that she’s letting him do this. Just like both of them know that she can give him all the armour she wants, and she’d still be more deadly than him even as she is right now, lying there naked with spread legs.
“Give me an order, my lady,” he says, dropping his voice to whisper in her ear. “We have so little time before you’re going to need to get ready for that last ceremony of yours. So command me. For your pleasure alone.”
“Mmm,” she hums, thoroughly enjoying being pinned. “An order, is it? Alright then.”
She stretches, tilting her head back into the pillow to show off her neck and shoulders, arching her back to press into him, then relaxing back onto the mattress in a deliberately provocative pose, like a sinful goddess splayed out across the sheets.
“Worship me,” she commands him.
And he does.
Some would say that bedding Mele might not have been the best use of the few hours she had to recover before she had to get ready for the final ceremonies of Calibration. But those people are clearly, unbelievably wrong. Look how cute he is! And how good his hands feel!
It does, however, mean she’s really feeling the exhaustion when it comes to start getting ready. And this meeting matters. It will be the last her masters see of her until next year, barring a few exceptions, because she won’t be hanging around in Air this year. Not looking her best might not cost her this year, but it might going forward.
Which is why her outfit is both her spear and her shield, and she’s commanded Suriani and Ixy to attend to her so she can prep them too. She’d have ordered Testolagh here too if she’d thought he’d attend and if she hadn’t been sure Ixy would refuse to get changed around a strange man.
She needs the Lower South West to sell a story. An aesthetic. And if she can possibly ensure it she wants everyone to look at her and her Directorate and go “There are the most stylish and gorgeous and deadly ladies around. Figures of danger and beauty. And also Testolagh is there.”
“I don’t need to tell either of you how important image is,” she says, pacing the floor of her dressing room in Lilunu’s chambers. “And this is the most important one of the lot; it’s the image we’re leaving Hell with for the rest of the year. So we’re dressing to kill. Because that’s what we do. You two and me; the Lower South-West - we’re the Directorate of killers. Of assassins and saboteurs. More than any other group in the Althing, we’re subtle and lethal and willing to sell those traits for a high enough price. So we’re going to leave everyone remembering that we’re dangerous, and that we’re rich.”
Turning, she focuses on her first target. “Suriani. You’re my high-society assassin. I want you done up in finery and showing your fangs. I know you like to seem innocent up until the moment of the kill, but here in Hell we want people to know you can do that. Saya and Gora will help get you ready with a selection from Lilunu’s wardrobes, and once they’re done I’ll help you pick out some subtle weapons you can arrange tastefully. Our goal is that people look at you and see beauty, and then look again and see death. Flaunt that you’re my black claw.”
Suriani’s eyes widen at that, and she beams. “I’ll be your perfect velvet glove over a taloned hand,” she vows.
Then to her second. “Ixy. You’re going to be my saboteur and terrorist. You don’t need to look fancy or high-society, but I want you to look good. And I also want you showing those flamepieces off. I’ve got a belt of algarel charges and some Ligierian grenades for you in the next room that Mani and Tise will show you. Once I’m done teaching you, you’ll be able to bring down a person, a port or a city. We want that impression firmly set in our peers before we head back to Creation tomorrow.”
Finally, to the last pair of maids and pages in the room. “Yanu, Kyrie? You two are helping me into the Bright Shattered Gown. I’m the head of this Directorate. I want to give everyone a reminder of how much my services cost.”
She’s picked out their clothes carefully, though in deference to Ixy’s wilfulness she’s given them a range of options. All of them, however, share the common theme of opal, if with skewed colouration. Ixy has several possibilities to pick from - a jacket, a headscarf, a loose tunic - that are all dusted with fire opals; reds and oranges and yellows and pinks that will set off her warm colouration nicely and make her look fierce and bright. Suriani’s outfits are slinkier and more high-class; dresses and robes that sell the image of a socialite-assassin moving among the high classes, and her opal accents are cooler, darker hues in blues and greens. And midnight accents for her Black Claw Stylist, of course.
And Director Dulmeadokht will be a rainbow in the Bright Shattered Gown. That will sell her wealth and the quality of her services - and unlike her juniors, she needs no more reminder of her lethality than to simply leave off part of her usual makeup. The pale scars that cross her nose and trace up her jaw, shockingly white against her dark skin, are all the reminder anyone needs that Director Dulmeadokht is the Wind-Kissed, favoured sometimes lover of the Silent Wind Adorjan.
“What kind of bullshit is this going to be?” Ixy demands. “Is this gonna be another half day wasted because of boring speeches and that crap?”
“Crap?” Suriani sounds both disgusted and offended. “Such filthy language! We sit among the true masters of the world, and receive their acclaim! This is an honour!”
“You can feel all the honour you like. Don’t change that it’s boring as fuck.” Ixy wrinkles her nose. “Not that this won’t happen here. Look at Keris there who went and got laid on stage.” Her sharp eyes roam over to the dress. “Planning it again? Gonna troop us around like a madam showing off her girls? Why ain’t the big guy here? He not got time for this showy shit?” Seemingly without thinking she’s squaring up to Keris again.
“This is just going to be a couple of hours at the start of the scream,” Keris says calmly, laying a pacifying hand on Suriani’s arm. “One of the Directors is getting humiliated; another is getting lauded. So you’ll be able to see who loses their position - it won’t be me, you’ll be glad to hear - and who gets to be their replacement. Then you’ll have most of the afternoon free for more festivities, and the finale will wrap things up before we leave. A minimum of boring standing around, I promise.”
She steps closer, meeting Ixy head-on. “And as for showing you off, yes, I am. Because as long as people know you’re a killer and a saboteur who can wreck things - and demands handsome pay for it - they won’t mess with you. But I’m not your madam, Ixy, I’m your gang boss. My job involves sex sometimes. Yours won’t. If I’m trouping you around, it’s to show that you’re armed and dangerous. Understand?”
That gets her a bitten back snarl. “If someone tries to feel me up I’m shooting them. I saw that that lard-ass did to you and the party and how you just let it happen! That’s not me! I’m never letting some fat old fuck get handsy!”
With that she storms out, and slams the door behind her so loud it bounces on the hinges. Keris seems to have burned through some of the willingness to listen she’d earned before by the show with Baji yesterday. And Suriani-
“I think that skinny scrap of a girl overestimates how willing anyone would be to proposition her,” Suriani says, whisper like a knife. “Unless they’re into young men instead. And even then, they’d have to be quite desperate.”
Keris sighs, and motions for Mani and Tise to go after Ixy - and then, reconsidering, calls Mani back and sends Gora and his aura of calm instead. She understands Ixy’s position better than Suriani. She’s been the scrawny, boyish-figured killer who Chen still chose to fuck, more for the feeling of power than any trace of beauty. But explaining that to Suriani would be impossible. Not to mention a betrayal of Ixy.
“Try not to say that where she can hear, or she’ll shoot you in the face,” she says instead. “She needs time - and proof - that I don’t want her as a honeypot. That’s going to be you.” She strokes Suriani’s cheek. “You already understand about manipulating men - and women - with their desires; how to use the way they see you as an object to control them in ways they never realise. Ixy thinks I want to turn her into that. And she’s wrong. She’s not suited for that kind of work; she never will be. Even if she tried, she’d never be able to equal you as a soft killer. But she’s going to be very, very good at breaking things. And sometimes I’m going to need things broken. Once she understands the kind of subordinate I want her to be, she’ll be less hostile. Bear with it until then.”
The attention - and the words in language she understands - is all Suriani needs. She is more than willing to be borne off by her two assistants to be pampered and prepared. Keris gets some time without her two charming acolytes, which is only good for her nerves.
She had been planning to get her daughter’s help in her own preparations, partly because Calesco’s sense of beauty is clear and present, but mostly just to get to spend time with her daughter. But Calesco is - Kiki reports happily - suffering with a migraine and refusing to come out of her blankets, so Keris has instead brought Biqi in dressed as a maid both to give her a look at Suriani and also because a well-fed tarksa is extremely good at pampering and doesn’t have the ego of a fleshless flame.
“Malfeas’s cock, she’s gorgeous,” Biqi says, her tone professional rather than admiring as she prepares the oil for Keris’s massage. “Nice tits, small and cute - definitely could be a high earner. She’s the sort of face Princess Calesco might use as a disguise. Doesn’t seem to grasp what it’s like as a working girl, though, while that Ixy lass reads like an angry lightning-nicker to me.”
Biqi’s accent and intonations might have improved with the precious things she’s been fed, but clearly when she isn’t trying she slips back into Spires-Nexan. Except her time in Hell means she’s also acquired some Malfean in her accent and her curses in the usual way keruby tend to pick up loose bits of vocabulary and dialect that people leave lying around unattended.
“Suriani grew up… not sheltered and not exactly rich, but certainly well-off,” Keris agrees. “While Ixy… I don’t know her whole story yet, but I’m pretty sure foxkin like her are seen as sex objects back where she comes from. She’s had a lot of people make assumptions and treat her that way, so she lashes out at the slightest hint of it, even when it’s not there. One of your jobs when you’re attached to Suriani is going to be keeping those two from killing each other.”
That draws in a sucked-in breath as Keris lies down on the table and Biqi starts to work the oil into her shoulders. “That might be kinda outside my prices, if they’re really going for it. And outside the price of a pontiff too, ‘fore you start assigning me one to help. Looking at them, I don’t know if they agree on what fighting words are.”
Biqi shows no sign of concern as silver metal root-hands tear out of Keris’s back, the extra limbs working on her own arms and legs, opening up skin to get to the tendons underneath and fixing up bruises and torn muscles. The Bright Shattered Gown requires absolute physical perfection to wear - no cuts, no pimples, no bruises - because everyone will get to see everything. It says a lot about that ancient Solar artisan who made it and her confidence. Or her vanity. Either way, Keris can definitely respect that kind of self-appreciation. As she starts stitching her now-flawless skin back together, she begins to apply new tattoos in Kimberian venoms, drawing on the lessons of the Temple-as-Body that her lady taught her.
“Oooh, very Isles-chic,” Biqi approves. “You wanting a massage of your shiny arms or are they not going to be part of the outfit?”
“Leave ‘em, I’m just doing some preening,” Keris murmurs. What she’s doing isn’t really a fix - not even as much of one as Sasi’s Pyrian transmutation before her dance. She’s not healing anything, she’s just hiding the damage, moving all the accumulated sores and bruises and abrasions and brassy scabs inside her flesh where they’re hidden under smooth, soft skin. “And I’m not asking you to make them the best of friends, just... distract Suriani by sticking your tongue in her mouth or something when it looks like she’s about to say something that’ll make Ixy try to rip her face off. Or when Ixy’s pissed her off enough to do something vicious with poisons or Black Claw Style. They might not agree with each other on what fighting words are, but you’ve got a decent sight of both of them.”
“Well, I guess some of that’s with the training you’re talking about giving me,” Biqi says. She really is a talented masseuse. Not the best Keris has ever had, but she’s been the target of Ipithymia’s attentions in that field. That’s just not fair as a comparison. Biqi helps get Keris slick and oiled up and looking her best, and then it’s time to pick out her piercings and then begin the process of attuning to the garment that was once the Bright-Shattered Gown. Maybe it still is, but Keris doesn’t think so. Over a thousand years in Ipithymia’s hands, and then the influence of her lady utterly washing over it has made it something else.
When she’d first seen it in Ipithymia’s hands, it had been all tainted orichalcum and adamants held together by crackling currents of essence. But now the ancient wonder is transformed. Free-floating rainbow-hued opal facets orbit Keris along with shards of patterned white jade. The currents of essence they float on flow elegant and smooth; water to the lightning of the original.
Where the jewelled and metal panels of the Bright Shattered Gown were precisely angled and geometric, the opals and jade are shaped into curving feminine shapes like petals and leaves and scales. Though they move through the air an inch or two above Keris’s skin, it still feels warm to wear - the essence cradles her, envelops her, wraps her in an embrace whose essence feels like her lady’s. And though Lilunu loves to show off her Mistress of Ceremonies, the movements of the gleaming facets of the dress never quite betray her modesty.
She spreads her arms and turns to Biqi once it’s fully on and attuned, doing a little spin that sends the free-floating layers of opal and jade facets flaring out around her legs like the skirt of a real dress made of fabric.
“What do you think? Does it suit me?”
“Like it was made for you, which it probably was,” is the slightly-more-cynical-than-she-would-have-liked answer. “It’s well pretty, though. You know what kind of price I could get if I was wearing that? Might not even be able to make a sale; people’d think I was the nob, not just the entertainment.” She shifts left and right, circling Keris. “And it’s well clever how the little floating thingies somehow move to cover you up. I can’t even get a look at your pussy or your nips, not a proper one, but I bet everyone’s gonna be lookin’ an’ hopin’ the zippy things get out the way and let ‘em get an eyeful. It’s made to tease.”
Leaning in, Biqi pokes one of the floating gems that floats around Keris’s lower back. It flexes in place, suspended in the unseen current. That only makes her more curious, and she tries to grab it and pull it out the way, tugging and tugging until-
“Ow! Fucking thing attacked my finger!” Biqi yelps, pulling her hands back to suck on where the dress had deliberately slammed two gems into her knuckle. “I get it, I get it! Don’t mess with the coverage! Coulda just told me not to.”
Keris hadn’t commanded it to do that, and in front of her left eye, the essence-current has coalesced to opacity. There’s the hint of malformed, corrupted Old Realm characters there, but they’re nonsense. What she can pick out is just a repeating sequence of ‘a’, the first character in the alphabet.
“And yet,” Dulmea observes, suddenly fascinated, “there was once some design here. Some artifice. Did Ipithymia know of this, or was it broken before even she got her hands on it? Is this some feature to protect the modesty of the wearer, or something more?”
Keris can’t help but smile. It’s not that her keruby are so irreverent that they don’t respect beauty, craft or power. They do! Sometimes to a fault! It’s just that they respect impressive things in a very kerub way, which mostly involves poking them to see if they can get away with it and occasionally trying to steal pieces.
It’s reassuringly Nexan, even if it does mean she sometimes has to hold Prita upside-down and shake her until she falls asleep and all the silver cutlery falls out of her pockets.
“It’s trying to tell me something, but it looks like the floaty-words-saying-what-the-problem-is bit is broken,” she muses. “It’s just writing gibberish at me. Hmm. I wonder who could fix that? Or what else it could do if someone did?”
“I’d never give something this pretty to a kid to fix. Or a drudge,” is Biqi’s considered and practical opinion. “A fem’d break it trying to see how it works and a drudge is too chunky. Maybe the Prinz given it’s all pretty?”
The question was more meant for Dulmea, who plays to herself as she thinks. “As an ancient marvel, the scholars who know how such a thing works will be very thin on the ground. There might be demon scholars, but they will be expensive and perhaps you do not wish to let them see the work of Unquestionable Lilunu. There might be lost archives in Creation that might know what it originally did, but I do not even know where to start looking for that. The archives of heaven might also have records, but they also might not. Perhaps there might be Exalted scholars who might know, but who would you even ask? The naib of Malra?”
Dulmea sighs. “In truth this might have to be something you work out for yourself,” she concludes.
Keris wrinkles her nose at that. “Well, the physical elements seem to be fine,” she sighs. “It’s just the… the artificial mind, I guess, that’s broken. Not in the sense that it was ever intelligent or a person, I don’t think, but the… the automaton-brain that controls how the facets move and makes sure they’re in the right places to cover my bits and so on. It’s intact enough to keep the dress working, but not enough to do things like telling me someone’s trying to pinch one of the facets.” She chews a hair tendril thoughtfully. “Automata aren’t really my area of expertise,” she concludes. “Sophisticated automata-brains even less so. I don’t even know where this thing’s brain is, though I’d guess one or more of the facets. Hell, for all I know, maybe Lilunu transmuting it was what broke it.”
“Sure is gorgeous, though. Even if it’s a finger-trapping fuck,” Biqi says, sucking her knuckle, unaware of the side of the conversation with Dulmea. “And hey, maybe someday you’ll work out what the jigsaw floaty bits all fit together into.”
“If it is like your armour, in the end you had to bind a demon facet of yourself into it to get it working,” opines Dulmea. “And I do not think Ipithymia knew everything it could do - otherwise she would not have let it go with the attitude that you had simply ruined an irreplaceable dress. Though she alluded to the fact that she had other works from the same woman, I do not think you would like the price she would ask for it - nor the attention she would pay on why you wanted it. At the very least you would need to offer some sizable recompense for this one before she might even consider to treat you fairly. And I do not think you have another spare garment of the old Solars to offer to her in payment. Even if you would do such a thing.”
There is a pause.
“Please do not consider a heist just because I said she would not trade,” Dulmea says quickly. “Control your felonious instincts. It would be better for you to offer up a masterpiece to her than for you to break in and steal from those vault-wardrobes of hers.”
“Yeah, yeah,” Keris replies to both of them, somewhat dejected. She shakes her head and straightens, clapping her hands. “Well! Even if it is a bit broken, it still looks fantastic! So let’s get Suriani and Ixy finished up and then go knock everyone’s socks off at the All-Thing!”
Suriani is the first to make her appearance. She seems to have taken Keris’s instructions a little more directly than intended. Her dress is high necked, but backless to flaunt the full back tattoo Keris gave her. It shimmers in the blue green of the shallow seas of the Anarchy, the cloth having depth within it that tricks the eye. But it’s also cut to the mid-thigh and armless, and the side slits make clear she’s not wearing anything below it. A little tricksy cloth-magic and some black lead weights in the hem are all that keep her modesty safe.
Though that’s a little harder to notice than one might think at first glance, because the patterns of the po-bound criss-crossing root tattoos give the illusion of something worn under it. The markings combined with her Mara brands could fool the eye into thinking she’s wearing long black gloves and stockings. Her nails are the only thing that break the impression, gleaming bilious green on top of black flesh. Her hair finishes the ensemble, pinned up with edgeless knifes into a mound atop her head.
“Oh, mistress,” she gasps on sight of Keris. “Now I feel like a dowdy cygnet compared to you. That is so lovely, and shows you off so well!” With demurely false steps she approaches to drape herself over Keris’s left arm as an ornament, letting her feel her body heat through the very thin fabric. “Please say I’m not letting you down to be seen like this.”
“Doesn’t trap her,” Biqi mumbles below her breath. “Ain’t fair.”
“Nonsense,” says Keris, stepping in to stroke a hand across her disciple’s pinned-up hair. “Look at you; you’re gorgeous. And…”
She plucks a knife loose, letting one long coil of Suriani’s hair fall down across her eye, and strokes her fingers through it. Cool, vibrant colours glimmer across the surface of the blade, an oil-gleam of Dulmea’s poison complementing her disciple’s dress.
“The venoms of the Great Mother,” Keris explains, pinning the lock back up again and sliding the knife into place, “are terrible and insidious, yet they have no effect on her beloved. Those she cares nothing for, or reviles, will be poisoned if they so much as touch her tinctures - but those she cares for? They’re immune.”
She taps Suriani’s lips. “I’ll teach you how to brew your own toxins with her gifts when we’re back in Creation, but for now you look lovely with mine in your hair. And your tattoos and those lovely nails… delightful. I’ll be proud to show you off as my disciple.”
Suriani trembles into her. How much of it is real and how much is false is never clear, but: “My hidden heart is glad that you’re our mistress, our teacher, our lover,” Suriani whispers into Keris’s ear, voice like silk. “And so am I. Because we are one.” The shifting opals let Suriani’s hand past, so she can rest it on the small of Keris’s back, tracing out the Ipithymian street mark. “Maybe some time you’ll show me what your hellbrand from the demon princess Ipithymia lets you do - what power that contract grants you.”
Keris smiles noncommittally and doesn’t answer, letting Suriani’s imagination fill in the blanks. She may have chosen not to remove the Street’s tattoo, but that doesn’t mean she wants to talk about it - and while she cherishes Suriani as a disciple, she’s neither clan nor kin for Keris to let her guard down for.
“Come on,” she says instead. “The meeting will be starting soon. We don’t want to miss it - and we still need to pick up Ixy before we make our entrance.”
That draws a huff from the corner of the room, and Ixy appears from the pattern of painted natural disasters that decorates that side of Keris’s place. Ixy makes herself known, colours returning from the blurry murkiness, painted decorations sinking from her form so she’s no longer blending in. “Pfuh! Like you two aren’t busy being disgusting with each other,” is how she reintroduces herself. “Why don’t you just go start doing it like a buncha yen-streetwalkers right here and now?”
For all her harsh words, Keris can see the hint of nerves there under the anger; in the way her hand is on her skinny hip, the opal-beaded bangles on both wrists that shake slightly, the bloody red of the jacket set off by the white tiger fur, the fire opals that bead the leather holster for her old battered firewands and the slightly over-large boots that jut out from under shorts that are shorter than Keris expected she’d pick - but which leave her free to run.
But that’s not what Keris is interested in. It’s the Metagaoyin hungry-predator appearance there, the way she came from nowhere, blending into the background. Keris can do the same thing, but it normally takes people a while to learn it, from what Lilunu says. And a green glint flashes in Keris’s eyes as she confirms it; Ixy is stronger than she was before, the flame in her heart no doubt glutted on five days of Hellish power.
“Ho?” Keris murmurs, stepping closer with sharp eyes. “What’s this?” Her eyes glint green again, double-checking. When had she last seen Ixy? The second day? Briefly on the third? No longer ago than that.
“You’re stronger than you were,” she says, lifting a hand not to touch Ixy but to frame her as she takes in the newly strengthened scent of her power - a little more of the Swamp, a deeper well of essence, but not much overall shift yet in the balance of her Yozis. “And you’ve learned a new gift. You couldn’t conceal yourself like that when you came to Hell, could you?”
If Ixy learns anything like how Keris does - developing new gifts of the Yozis as she finds herself needing them or practicing activities they would help - there are some unpleasant implications in the fact that the gift Ixy picked up in the Hellish parties was a way to hide. Unpleasant, but perhaps not surprising, given how terrified she is of everything here. Keris purses her lips and nods approvingly.
“I bet you can feel it, can’t you?” she says. Ixy has some of the gifts of the King, and picking out threats, rivals and inferiors by their inner strength is one of his easiest to pick up. “How you’ve passed over a threshold. You’re stronger than most demon lords now - and a peer to even the oldest and most formidable. Well done.”
“Don’t make fun of me,” Ixy snaps, eyes flashing green in turn. “I know you’re still so much stronger than me. You don’t gotta rub it in.”
“She is worse than dealing with you at that age,” Dulmea says morosely.
“Keep growing, then,” is Keris’s only remark. “I want you strong. You have all your weapons?”
Ixy flicks her jacket slightly further open, showing off the bandolier across her chest. Extra charges of firedust and algarel line it, along with three Ligierian grenades. Keris nods approvingly.
“Good. Don’t start any fights, and you’ll have a chance to use those before the week is out. Now, let’s go. We don’t want to keep the crowds waiting.”
The grand chamber of the conventicle has completely changed since the third day. Gone is the wide ceiling; gone are the mass viewing boxes; gone are the thrones for the green sun princes. Now the hall is tall and looming dominated by brass and sandstone on the walls, dotted with alcoves for the Unquestionable to take up their seats. The floor of the great chamber is a great map of Creation laid out in delicate tiles, and in the area of each Directorate there is a Priest of Cecelyne waiting for the Infernals assigned to that Directorate.
This is not exulting them. This feels inquisitorial; targeted.
Keris doesn’t actually slow down or change expression as she sees the one on the Lower South-West, but she does mutter a nearly-inaudible “fuck” under her breath. It’s the same Priest that’s assigned to the Baisha; the one with twin sabres that watches her whenever she’s onboard and monitors how she uses her warship in the service of the Yozis. Besides the swords, there’s nothing specific that sets it apart from the other Priests, but Keris can never quite rid herself of the feeling that it’s smarter than average for its kind - or at least more mentally flexible. Flexible enough to exist under the blue sky of Creation without going mad. Flexible enough to be suspicious of her even when her actions on the surface are loyal.
Looking around the room, the other Infernals seem to have been caught as unaware as she was. Most are dressed in finery, dressed to impress and show off. The bright colours and the jewels and glories seem ill-fitted for this looming, inquisitorial arrangement. It makes them look small. It makes them look vulnerable.
It is definitely getting to Ixy and Suriani. The former has her hand on the butt of her flamepiece; the latter is clinging to Keris. Testolagh, who is here in dark armour of black Malfean iron salutes her as she approaches, his lips curling up in disgust. “Look at this,” he says. “What a show. Makes me glad you’re the one stuck with all this nonsense, although,” he glances over at Sasimana, standing with Magenta by the Imperial capital, “well, I don’t see why all of us have to be here. As opposed to all the Directors.”
“What are you, stupid?” flares Ixy. “Ganglords always like everyone to see when they execute one of their loots who failed them. They like makin’ an example.”
“You’re not wrong,” Keris mutters. “Either of you. I’m the one this threat is pointed at most. Even if I know it won’t be me.” She wrinkles her nose, glancing around for Lilunu. “I hope I don’t need to tell any of you not to say anything stupid around the Priests,” she adds in an undertone, just for the four of them. “They listen to everything. And report on it all. Be respectful, and if you can’t be respectful, be quiet. Don’t draw attention you don’t want.”
Lilunu is here, but she is not taking the lead. She is not here on the floor. In this place, she is held back into a lesser place, not even among the fetiches. The message is clear; this is not her concern. Her face is too stiff, and her hands are behind her back. Keris recognises that from her, that learned helplessness that she shows so less often these days.
Close to her back, concealed by the outer locks, Keris’s hair coils itself into furious knots. She doesn’t react outwardly beyond a faint tightening of her lips, though, and looks back towards her spot on the map. With her three subordinates flanking her, she makes her way down, greeting the Priest with a respectful nod and a murmured salutation.
It watches her. It does not say a thing. She is sure - fairly sure - that if it came down to it she could take its head (its blue flame?), so its purpose here is just for aggrandisement.
All the Infernals have shown up, even the ones clearly hungover or still drunk or high or just not wanting to be here. Why? Keris knows why, because she put the effort into making sure that Ixy and Testolagh would be here. The presence of all the green sun princes had been requested; a Director who had a missing underling would look bad. Bad enough to lose their title because of something that small? Surely not. Right? But they don’t know, and thus - briefly of one mind with all the other Directors - she’s left sympathising with Ochimos Havi and wondering what he had to do to make sure Naan and his crew of indolent reprobates showed up.
Her eyes flicker over the Directors at risk. Ximmin Cutlass, her bet for the one who’s going to lose his seat in Kasteen’s favour. And Ochimos Havi, with his tenuous control over his underlings and his support of the too-influential, too-powerful Orange Blossom. Keris herself is feeling the stress, and she knows her position is guaranteed. She can’t imagine how they must feel.
The mercury-driven clarity means she’s wide awake and thinking even as her body aches. Ximmin is close, and visibly worried. He is dressed even more like a dandy, but she can smell the fear-sweat. Ochimos is further away and he is smiling, but there’s something of a rictus about it. Yes, among her peers, those two are the ones clearly most on edge. Some of them by contrast seem utterly calm. Chrysanthemum simply stands here, hands tucked up her sleeves as if she’s waiting for a restaurant to open, and Glorious is a stone figure with her wings out behind her, humming a lulling, twisted melody to herself like she isn’t worried. Maybe she’s not. The mad logic of the Beyond might mean she knows what’s going to happen already.
Then; sand, silver sand, blowing through the hall. Whipping fine silks and getting into garments, choking the map of Creation under the vast expanse of Cecelyne. The sand coalesces; the sand has a face of a young woman with ancient lined blue eyes, a form, an azure gown that turns back into sand wherever it touches the floor. The air tastes of cinnamon and honey; there is the smell of heat and dryness and ancient times. And the Priests raise their voices and speak; hail Iudicavisse! Hail the Blue Glass Maiden, highest of holies, the voice of all that is sacred! Hail Iudicavisse, whose will is law and whose touch is taboo! Hail Iudicavisse, too sacred for the lesser beings of Hell to gaze upon; hail Iudicavisse, ancient of days, judge of the end times!
As one, without a signal they lower their voices to a repeating low murmur, and she speaks in a voice that fills the whole space as if she was standing beside every single one of them.
“It has been one year, to the day, since my message to you, Directors of the Green Sun Princes. I come bearing just rewards, and just punishments, for Calibration is coming to a close and this is what I spoke; by the end of Calibration, one of you shall depart your august rank. Borrowed crowns are merely borrowed; borrowed authority is a gift that can be revoked. By council of the hearts of the Yozis of the Reclamation, this power is invested in me, and I speak for all of us.
“Do any gainsay me?” she adds with a cruel smile.
Perhaps the clarity of thought helps, because Keris can feel the radiance, the certain knowledge that this is a matter not intended for lesser beings. And because she is Keris Dulmeadokht, she ignores it, and pays attention to the affairs of the mighty.
Not everyone is happy. Far from it. There might be many supporting this, but there are also stony faces and locked lips among the Unquestionable, the mark of demon princes who do not like the heart of the Desert and do not like her laws that put her above them. But they will not say no to her, and those peers of hers, including Ligier, have been willing to make this compromise - or have been out-voted.
The fact that Noh is absent likely means that Iudicavisse expected her presence and expected her objections here. Damn.
The silence stretches a few seconds too long, and Keris realises that Iudicavisse isn’t just being rhetorical. The Unquestionable who oppose this may be able to get away with silently seething, but she’s going to make the Directors say it. Even - especially - the one marked for humiliation.
Well, better to be first to swear loyalty, then. Keris steps forward and sweeps into a deep curtsy. “The Lower South West Directorate hears and obeys the will of the Yozis, holy majesty. We await your word.”
Those blue eyes that she cannot let herself meet focus on her, and Keris feels the heat of the deep desert on her, hears the gasps from Suriani and Ixy as they are caught within the cone of pressure from a fetich-soul’s attention. “Oh, Director Dulmeadokht, so willing to prostrate herself and lie supine - or prone - for her rightful masters. So quick with her mouth to lavish praising attention. So... ambitious.”
Of course that then causes another case of reconsideration, because the other Directors know that to speak out is to get the attention of Iudicavisse and get her criticism. This moment is only interrupted when Accrevit, the Lance and the Shield, raises her voice. “Lady Iudicavisse, our Chosen understand their purpose - the Directors most of all. We would not have chosen them if we did not trust them.”
“And yet I would hear it from them,” is the sweet reply of Iudicavisse.
The implicit chiding does break the tension, though, and the other Directors get their own statements of loyalty out without further criticism.
With the swirling of sand, a throne of molten glass forms and Iudicavisse delicately sits herself down. “Champions, heroes one and all - well, perhaps not one and all, mmm?” Her nails chime as she clicks them against the throne. “But that is why we are here, is it not? Thirteen of you, but one of them is simply not quite up to par.”
Her speech continues like this for a while, and her phrasing, her intonation - it always feels like she might stop, might spare you and yet she finds another way to drive the knife in. Another criticism. Another implication as her attention skips around and brings heat and dryness with it.
Keris keeps her eyes firmly on the ground, her ears attentively open and her true feelings veiled behind a mask of pleasant flower petals, alternating between silently reciting the familiar steps of the brewing process for her favourite alchemical hair products, occasionally brushing a lock of hair against Suriani’s hand to reassure her and monitoring Ixy to make sure she doesn’t explode. She does not want to be noticed any more than she already has been. It’ll only be an hour or two, she tells herself, and then she’ll be free of the Blue Glass Maiden’s presence and can escape back to the festivities to recover.
“... and so we come to the crux of the matter. Such power granted to you, only fifty of you in total - and in the face of the forces of Heaven, where there are two star-chosen for each of you, three sun-chosen, and six moon-chosen, weakness cannot be tolerated. You must be strong. You must be capable. You must succeed in what you take upon yourself. And those who take the title of Director must be more than that, for they are imbued with authority over our few, precious princes.”
A beat. A breath.
“Ochimos Havi, Director of the Sea of Dreams simply has not lived up to our expectations.”
Another breath. The sound of exhalations.
“But his failures are second to those of Ximmin Cutlass, Director of the Endless Waters.”
Keris hears the groan.
“And all things considered, neither are sufficient to their tasks.”
Cold runs up Keris’s neck. Can she just change the rules on the Directors? No, of course they can. Iudicavisse said that the least successful of the Directors would have their rank stripped from them. She didn’t say the others were safe.
… except, no. She did kind of say only the lowest would lose it. But Iudicavisse doesn’t care about telling the truth. And neither does she care about keeping to her promises.
At least it doesn’t impact Keris any more than she was already expecting. Ximmin is her neighbour, and there’s no way it won’t be Kasteen who gets the Directorship in his place, but she’s never had much contact with Havi. Who’ll replace him, though? It won’t be Naan, and Xiachu is too young. Koto isn’t trusted enough, so... Opoth? Or perhaps a transfer. There’s no way to tell, but Keris doesn’t think it’ll be relevant to her. Bloss, certainly. But not Keris.
No, the more pressing question is how much political credit Iudicavisse is burning to do this, and whether she’ll be able to do it again. Surely the other Unquestionable won’t stand for her knocking off a Director every year - much though she’d like to, no doubt. And yet, and yet... the smug sadism in her voice is a little too confident for Keris to feel at all safe about the future.
“This is bullshit-” flares Ximmin.
“You said-” Ochimos begins at the same time.
A chuckle, high and girlish. “I was going to let the one who showed they knew their place retain their position. But you both failed to show due respect. Leave. Walk out. Or I will blight you with the force of law, and demonstrate to you that neither of you understand true nature of the Descending Hierarchy.”
The moment stretches out.
“Greatest apologies, your majesty,” Ochimos says, voice still taught, anger evident. “I spoke out of turn from surprise and emotion. It will not happen again.”
Ximmin doesn’t say a thing, and simply stomps out.
Shocked silence clings to the hall. Keris knows her peers will want to talk, want to say something, but even a rank newcomer like Ixy knows for a fact - to speak out risks drawing the cruel attention of the Blue Glass Maiden. And Ixy’s fearful heart is much in agreement with Keris’s in this matter.
“Directors, one and all. Understand that this is the consequence of failure. Understand that we will judge your performance in this year, and in every year moving forward. I will not promise that one of you will be removed.” One last pause. “I will not promise that only one of you will be removed. But failure on your part means humiliation at best.
“I cede the floor.”
And with that, the sandstorm blows again and when it is gone, so is Iudicavisse. All that remains of her presence is sand and the cooling lump of her glass throne.
Keris lets the tension leave her body inch by inch, looking around at the other Unquestionable to see their reaction to this ultimatum. Trying to judge whether it has teeth.
All those faces with so many expressions. Some seem to think this was an unpleasant but necessary step, others relish in the cruelty, and others yet seem to have simply relaxed with the absence of Iudicavisse from the room. It is a reminder that Ligier may be called the crown prince of Hell, but arguably if there is one being who could be called its queen, it is that monster that wears the form of a young woman.
She doesn’t have to read them to know, though, that the threat to remove anyone who obviously fails is real. Of course it is. Keris knows fear, and she knows for certain that Iudicavisse’s display there was to fill the hearts of the Directors with terror. Because it worked. She’s scared.
Orabilis rises, leaning over a lectern to view the hall. “In light of this, the following adjustments to the staffing of Directorates has been declared,” he says, his tone reasonable, his appearance as a middle-aged man of the Realm less threatening than Iudicavisse’s faux-innocence. “The new Director of the Sea of Dreams will be Ikn Atha, in recognition of his long service and his capable talent for serving our interests.”
Keris knows the real reason; that bastard bought this role with that massive gift of human slaves to the Unquestionable. And as long as he can keep on providing the slaves, his position will be secure.
She breathes. She holds herself still. Her bones creak under the tension of her muscles and her ears roar with the sound of furious hissing. She can feel Pekhijira rearing in the back of her mind, whipping the winds of the Rim into violent gales, filling her thoughts with turbulent fog.
“And the new Director of the Endless Waters will be Pohkanza, due to the finesse and complexities required in this situation. We will expect great things from her, as well as the heads of the servants of Skullstone.”
Through the hiss of the fog, Keris hears the cry of joy from the woaded-up huntress and the noise that escapes... the pirate lady, the one who everyone had expected to get the position. Is this good? Is this bad? The blue woman doesn’t hate Keris in the same way, but... she resents her, doesn’t she? And... and... and...
She doesn’t register the rest of the adder-tongued demon’s words. Their meanings are far away and indistinct behind the red lens that’s descended over the world, nothing against the pounding, roaring tides of fury. The orange-eyed robed woman smiles at certain words from him; there is a sullenness from the masked one. It doesn’t matter.
She feels her hair knot. Her silver nails lengthen into talons. Her teeth turn sharp. Mouths writhe under her skin.
She tries to think of the death that awaits her if she rips the slaver’s throat out, of her lady’s trust in her and how she’d break it by attacking one of her peers. But those consequences are things of later, and this slave-taking fuck is smiling in front of her and the people he dragged to Hell and gave away not two days ago are suffering now and her heart cries out to tear him limb from limb and make him feel the pain he’s caused, lash for lash, scar for scar, agony for agony-
She holds herself still. She holds herself still. She feels the man behind her wrap a big, solid hand around her upper arm. He knows her soft-but-piercing heart, she remembers. He’s ready to hold her back if she tries to move. It’s enough to keep herself from turning and ripping his face off. She holds herself still.
More noises. More gibberish words. They aren’t aimed at her, but the woman beside her has noticed something is wrong. The girl hasn’t. The man’s grip is firm on her arm, the facets of her dress parting like water to move around his wrist. She breathes. Her nails dig into her palms. She holds herself still.
The noises come to an end. People start to leave the space. The man tugs at her, and she follows, trembling with the effort of keeping her movements slow and harmless. There’s so much rage inside. So much violence that wants to explode out, to run, to scream, to find the slaver and kill him and kill him and kill him until there’s nothing left of him that isn’t painted across the walls. It’s all she can do to keep it contained.
The girl leaves, spitting something that sounds angry and bitter and no more comprehensible than the snarl of a fox. The man pulls her into the tower, his voice a low rumble.
The woman in the shiny green dress follows. High-pitched. Curious. Worried. She drapes herself over her, arms wrapped around her, bare skin against hers, head on her shoulder as she mutters soothing, placating things. The woman’s lips are at her neck, at her ear, but her smell isn’t lust or desire, it’s fear. The man averts his head slightly, arms crossed.
It takes a while, but as the woman strokes her arms and back and whispers soothing noises to her and rocks her back and forth, the murderous fury recedes like the tide slowly washing out, each wave washing less over her thoughts and sweeping less of her reason aside. The colours of the world return to normal, the shrieks of her serpent-self quieten, and it becomes less of a battle to simply stand rigidly still with her muscles tearing at her bones in their need for violence.
There’s no sudden point where the words start making sense again. It’s a gradual thing as she focuses on her breathing and the calming touches and Suriani’s scent. Keris can’t actually pinpoint the point where language returns, she just realises after a while that she understands the placating monologue her disciple is muttering, and has been understanding it for the last few repetitions of her apologies and praise, distracted from the exact content by the way her fingers are soothing away the prickling and hot-cold flushes across her skin.
“... okay,” she croaks. “Okay. I’m okay now.” Fuck. All her limbs ache. The consequence of holding herself so rigidly tense under the stress of not brutally murdering a newly-appointed fellow Director. “Th-thank you. Both of you. For getting me out of there and calming me down. Fuck.”
“Not pleased about either of the new Directors?” Testolagh asks, pulling a face. “I know Pokhanza from when I was in the North East. She’s vain, and as rotten as spoiled milk.”
“She also hates me,” Keris says, gritting her teeth. “Personally. Because she’s a jealous, competitive narcissist, and I get more attention than her as a Scourge, as a performer and - with my attack on Nagakota - as a killer, at least this year. And now she’s in charge of Kasteen’s division, who also hates me, and is in deep with Sisim to boot, and fucking Ikn Atha,” the words come out as a guttural snarl, “is going to be in my Director’s meetings going forward and I’m going to have to get through next Calibration without killing him. Somehow.”
She drags a hand down her face and lashes out at the nearest wall with a snap-kick, cratering the plaster finish. It doesn’t make her feel much better. “Fuck,” she curses again. “And Iudicavisse and those like her are going to be looking for reasons to knock other Directors off their seats going forward. Which means a lot of non-Directors are going to be looking to earn themselves promotions. Who cares about subtlety or long-term planning? A thousand slaves is enough to buy a seat at the high table, consequences be damned!”
“I avoid that kind of thing like the plague,” Testolagh says, self-satisfaction in his voice. “I’d rather answer to you than directly to our masters.”
“But that’s foolish,” Suriani says, eyes wide. “Not what he said, no - the idea of taking such quick risks! That kind of short-sightedness results only in being overwhelmed and crushed. That’s how small sects of demonic cultivators get destroyed easily, while the Black Claw School survives untouched!”
“Foolish, yes,” Keris says softly. “But Suriani, even in just the time you’ve been here - even in just our Directorate - you’ve seen your fellow Infernals. Can you really say that none of us are short-sighted or prone to taking ill-thought-out risks?”
The absent member of their division is an almost tangible presence.
“But... we’re the peerage of Hell...” Suriani manages weakly. “Powerful, wise - the anathema of legend. Stories tell of their cunning, of their dark plans, of their ability to weave vast corruptive machinations! And I saw you working...”
“And some of us are all of that and more,” Keris agrees. “But those are the ones who last, Suriani. And the ones who last are the ones who get stories told of them. The ones who don’t last... don’t. There’s power in embracing our sins. But there’s weakness in being ruled by them.”
“What, then? What would you have me do, my mistress?” is the question posed by Suriani. Which earns a dark look from Testolagh to her. He isn’t hard to read, and the statement in his eyes is about her having a type.
Keris closes her eyes and stills herself. Tries to think. Tries to muster her still-foggy faculties - she has language back, but she can hear Pekhijira hissing and flaring her wings in the back of her mind - to consider the future.
What does she need to account for? Suriani; her neediness and her rose-tinted view of Hell. Her unfriendly neighbours - with Pokhanza and Kasteen to the north, Deveh to the northeast, an untamed Anarchy to the east and the Wyld to the south and west, she’s hemmed in by foes on all sides. Calesco and Malek, which will take out a chunk of Air. Ixy, and her explosive, mistrustful temper. Testolagh, Sasimana and Aiko. Probably a bunch of other stuff she can’t bring right now.
Okay. Okay.
Okay.
“When I first came to Hell,” she says slowly, “I stayed here for four months, learning from tutors and practicing with my newfound power and acclimatising to Hell. Getting familiar with the power structures here. Making contacts.” Most of which hadn’t lasted, because Kit Firewander had been very bad at it, but the idea had been there. “That sort of thing. Mara may have taken you through some of that, but she’ll have skipped most of it because she didn’t want you knowing you had a place here; she was trying to keep you all to herself.”
Suriani’s lip trembles a little at the reminder of how her lover betrayed her, but Keris has no intention of making it easy for Mara to hook her back in, especially with what she’s planning. She nods firmly, seeing that her point has been made, and moves on.
“I have urgent business in Creation immediately after Calibration, and I’m going to have to take Ixy with me for it - partly to assess her skills but mostly because she’ll start a fight with someone important and get herself killed if she spends any longer here than she absolutely has to. But I want you to stay behind in the care of my lady Lilunu. She’ll give you a proper welcome to Hell, take you through the celebrations and acclamations that you’re due as a princess of the Green Sun - we arrived too late for you to really have them before Calibration, and she’s always eager for something to do around the start of the year, so it’ll make her happy - and generally see to your remedial education. I’ll station the Baisha here as well for maintenance and retrofits, and leave the choice of when to return to Creation in your hands. You know better than me how long you can afford to spend away from Langkota. My warship will escort you back once you’re done here, and I’ll get in touch with you once I’m back in the Southwest. Choson is going to largely be your responsibility moving forward - for now, focus on securing your control of Langkota and monitoring the Realm’s reaction to our attack on the capital. Understood?”
“Of course, my mistress,” Suriani says, still holding Keris close, her brows still furrowed in an edge of concern. “You can trust me in this! With all of Choson as my steading, I’ll be sure to achieve something wonderful by the time you come to see me later in the year. And if it is to be mine, I’ll travel too - I’ve only really been to Nagakota of the other Great Cities. You said you wanted to know more about the islands, and,” she manages to perk up even more, “I’m sure I’ll secure suitable lodgings for the two of us when you come to tour Choson with me.”
“Yes,” Keris agrees. It’s more of Suriani’s neediness, but she does fully intend to spend at least a couple of months this year in Choson planning out her long-term goals for the archipelago. “I expect a full dossier on each of the Great Cities, then. And at least one agent in each city. Assume I’ll be showing up as Yuni Dengah again, though I do have another identity on the island.” She purses her lips, considering whether or not to let Suriani in on it. She probably doesn’t need to know specifically who, but...
“Pass over Meongkota,” she adds. “I’ve scouted it out thoroughly already and have an ongoing project there. Focus on the others. And keep your eye out for any interesting martial arts styles you can get your hands on. Especially - you saw my wings and armour, at the boasting? Anything you can find to suit using them in combat will win my favour. They’re powerful, but they don’t work with anything I know at the moment; they’re more like grimscythes attached to my shoulders than knives or swords or spears.”
“Yes, mistress!” she says. “I’m sure I can contrive a reason to tour the cities - talk my foolish lover into recommending me for something like, say,” her hand goes to her brow, “looking for how other cities are drifting from the true Benarist way and are vulnerable to the same demonic influence as attacked Nagakota.” She smiles. “And I’m sure my travelling companions he tasks to look after me will be very pliable.”
Keris nods approvingly, and turns to the man who’s already looking impatient to leave the room. “Right. Testolagh. I can’t give you orders as detailed as Suriani’s, but I can give you a general idea of what you’re going to be doing for me. Air is your own; I’ll be busy, but at some point later in the year I’m going to want you breaking things for me again.”
He raises an eyebrow over his brass eye, not looking very surprised. “Oh?”
“The Dhul Republic is situated on the northern edge of the Delikado March, nice and central at the bottom of the Anarchy with routes to everywhere else of importance,” Keris explains, a hint of malice entering her tone as her hair sways predatorially behind her. “And they’ve also annoyed me recently. Their turf is a strategically valuable location, and I want it. Once I get back to the Southwest, I’ll do some preliminary work corrupting heirs and internal factions hungry to get a leg up on their rivals, then send you in with the Baisha to clear out whoever’s in the way. It probably won’t be Water, so plan for Earth. And...” She purses her lips, considering. She doesn’t want to explicitly name Aiko in front of Suriani, but she also needs to put some thought into what will happen to her, since she won’t be able to come back to Creation with Keris if she’s beelining straight for Malek.
“Since I’ll be spending Air travelling,” she continues carefully, “I’ll only be available on that other matter for two seasons this year rather than three. You should probably decide with Sasimana what’s happening there after Calibration. I know she’s intending to stay back in Hell for a season before returning to the Blessed Isles.”
He rubs the back of his neck. “Yes. I understand - we’ll see how things go between us. And Sasimana and you.” Keris realises, with horror, that this is his idea of tact and discretion. “As for the Dhul Republic, I’m not surprised you’re acting against them, and am somewhat surprised you didn’t do so earlier. They’re getting big for their boots and some of their clan sea-lords are expanding out of the March.”
“Yes,” Keris says with lethal calm. “I found that out when a dozen men and hobs along with two fullblooded fae tried to assassinate one of my cover identities in the dead of night back in Wood. Like I said, they annoyed me. I don’t necessarily have a problem with them expanding, but they’re going to do it on my strings or not at all. Now, unless either of you have questions, I need to go hunt down Ixy and let her know she’ll be leaving Hell with me early next scream, and then...” she squeezes her eyes shut and massages her temples, “make a few more last-minute preparations before I leave.”
The rest of Calibration is not fun at all. Keris simmers with rage, and tastes copper whenever she has to see either of her new fellows among the Directors. Pohkanza, at least, knows what she’s about. She’s just attained a Directorship, and her sweetly smiling promise to Keris is that she’ll show her exactly how good she is and that she’s just so looking forwards to working with her fellow Scourge and now-neighbour. It’s something Keris understands. But Ikn Atha makes even her pickpocket-steady hands shake whenever he gets near, and she has to take a sedative to still them. Because she can’t let him know her real feelings.
There are a few other changes she hears of. Ochimos Havi has taken a transfer to the South - he’d rather work for Veil than have to exist in the Directorate that had been his, and that sounds like an act of spite in and of itself, because she doubts he’s going to transfer any of the connections he’s built up. Ximmin is staying in the West, maybe because he doesn’t want to move, but he can’t be happy either. Snowy Pine is leaving the East and going to the North-East - that has the feel of a sacrificial ploy by Orange Blossom to get rid of the person she values least. And surprisingly to her - and Keris has no idea where this has come from - Won O-For is transferring to the North. For personal reasons, or does he feel the Blessed Isles are holding him back?
At least exchanging a few words with the sullen and infuriated Kasteen makes Keris feel slightly better. That woman had clearly been sure the Directorship would be hers, and she was denied it. Keris makes sure to seek out Pokhanza as soon as she says her goodbyes to Kasteen - barely even trying to hide what she’s doing - and quietly fills Pokhanza in on how compromised her new subordinate is; how Sisim is a toxic, ruinous, corruptive influence who’s leashed and lessened her Greater Self and has her hooks deep in Kasteen through the pirate queen’s lust and wrath and shortsighted stupidity. Pokhanza may not like her. May resent her. But if nothing else, she’s willing to listen to Keris’s warnings of why Kasteen and Sisim’s hatred of Keris doesn’t make them her allies.
The petty act of sabotage makes her feel better, at least. And who knows? Maybe the heads-up will inspire Pokhanza to be a little more open to cooperation in future, even if they’ll both be expecting a knife in the back from the other as soon as the victory is guaranteed. It won’t take long for Kasteen to prove Keris’s warning was a genuine one.
There are a few other things to get done - sending a message to Molacasi to schedule her visit to model for him at the end of Air, getting Mehuni to send a meeting request off to Dulmea’s house of assassins, plotting a route to the Desert that will take her past her new manse on the outermost layer and requisitioning one of Ligier’s lightbridges for it - but she leaves most of her task list to her subordinates. She’s too drained and emotionally exhausted by what’s happened this Calibration to have the energy, even if she’s lost nothing in terms of focus.
Maybe she’s awake, maybe she’s alert and not mentally tired, but she finds that she’s really missing the excuse to not do anything of having to lie down for a few hours and rest.
But no, she has her hair and make-up and a different set of piercings to pick out even if she’s keeping the Bright Shattered Gown, and then come the closing ceremonies. It is truly a marvel of Lilunu that her lady is smiling and cheerful and energetic and extravagant in her praise for her beautiful princes and princesses, and she’s there to conduct glorious music that passes through one ear and out the other (for Keris at least). And as the sun rises for the first time in five days in Creation, Keris feels the pressure of the proper order of things descend on her soul once more.
All applaud, cheer, show their appreciation for her lady, and so on and so forth. But there’s instructions from one of the kerub maids that Keris is to head to the central tower and wait for Lilunu in the White Rose art room.
She makes her way there, conscious of the ticking clock she’s now operating on. The cream-white room, shaped like the hollow of a closed flower bud and bedecked with floral motifs and petal-woven furniture - is empty. Lilunu isn’t here yet; maybe held up, maybe on her way, maybe just having sent Keris a message earlier than needed so she’d be right there once Lilunu finishes her current task.
She honestly doesn’t even mind that much. Faceplanting on a settee, Keris rests her aching limbs and waits for her lady to arrive.
Her lady makes her appearance after longer than Keris would have liked to wait. She’s already let her hair down, with a hand-full of hair rods she hasn’t handed off yet, and she’s red in the face from the weight of the complicated silk constructions and corsetry holding up a grand greened-orichalcum back-banner.
“Oh, please, Keris, help me out of this. I am regretting everything about wearing this. It was fine for short periods and my lord said it looked lovely but standing and singing in it was a mistake,” she half-whines. “Save me before I am crushed to death.”
Keris chuckles tiredly and levers herself up off the cushions to come to Lilunu’s rescue. Taking the weight of the back banner requires both hands, but her hair is loose as well, so it’s no issue to disconnect it from the corsetry, set it down on the floor and then start unlacing the fortress of knotwork and clasps holding the rest of the ensemble closed.
“You know,” she says conversationally, “I’m pretty sure I’ve cracked actual safes that were easier to undo than all of this. How did you even get into it? It must have taken an hour to fasten and tighten everything up so secure.”
“I’m glad you noticed! No one else seemed to!” Lilunu pouts, rubbing the small of her back. “I am so jealous of you and your get up right now. It literally weighs nothing. It floats around you freely! Genius! Sheer genius! I should have worn that and found something else for you!”
“Hey! You gave me this!” Keris objects, hugging the Bright Shattered Gown protectively. The thought occurs to her that she might need to find a new name for it, and she nudges Dulmea to make a note of it for later. “No takebacks! And anyway, it’s broken. Or at least not fully functional. I don’t know if Ipithymia’s corruption fucked it up or if it was already like this when she got it, but I’m pretty sure it used to be able to reconfigure itself into different forms. Given how the facet shapes are made to interlock, one of them was probably armour. One of my keruby accidentally got it to bring up an essence-lens with writing in front of my eye while she was poking it, but it just wrote gibberish and repeated the same glyph over and over. Whatever automaton-mind this thing had, it’s mad or shattered or both.”
“Doesn’t that suggest that it’d be better in my hands?” Lilunu tries, but it’s clearly just talking to talk. She manages to get the heavy, stiff over-corset off, and breathes a sigh of relief as she massages her hips. “If I’d worn something that didn’t bare my shoulders, I could have supported the weight on them. That is a mistake I won’t make again.” With that gone, she casually sheds the rest of her clothes, dropping them on the floor, and pulls on a loose and formless stained painter’s smock. “That’s so much better,” she exhales, sinking down onto a dust-cover-wrapped seat without removing the cover, and pouring herself a drink.
“Anyway,” she says, after she finishes half the glass, “you were not looking happy. Come on, Keris. Speak. There’s something on your mind.”
There are several things on Keris’s mind. She’s not sure how much Lilunu is going to like any of them. Biting her lip, she stalls by picking up the corset and dusting it off.
“I say we put this on a mannequin somewhere, do it up in the safe’s-worth of knots and straps and buckles, and then leave it as an artpiece and never wear it again,” she says with a casual grin. “It’d be a shame not to show it off, but it definitely works better on a statue than on you. You could put it down in one of the halls, maybe? Something big enough that the back-banner won’t look out of place.”
“You’re evading, my Keris.” Lilunu pulls herself to her feet, working her shoulders, and reaches over to tilt Keris’s head back with a finger to her chin. “Don’t do that.”
Keris winces. She knew it wasn’t going to work, but she’d hoped for at least a couple of exchanges before getting called out.
“... okay,” she admits. “Yeah. Um. I have... three things to tell you? Maybe four. I don’t know that you’re going to like any of them.”
Lilunu sighs. “This is how often it goes with you,” she says wearily, pulling off the dust covers over two chairs and adjusting them so they face each other. She sits down on hers, feet tucked under her, and Keris for a moment is struck by the oddity of this conversation between her and her lady when Keris is dressed in an impossibly expensive relic of ancient times and her lady is wearing a dirty old baggy smock. Yet Keris is sure; Lilunu is the one who is in charge here, and this is how it should be. “Now. Go on.”
Keris folds herself down onto the other chair. “Okay. Um. You might know the first one if you’ve been looking at the travel arrangements, but... I’m not going to be staying in Hell this Air. Calesco was escorting a Dragonblooded ally for me, and she came back to tell me Malek’s stuck in the South after her flying manse crashed; I need to get there as fast as possible with some hearthstones to repair it. And then there are a few other things I probably need to check up on, and Ixy needs to be taught the basics she should know as a new peer, and... it’s going to wind up taking all season, I can already tell. I’ll be leaving Suriani here to get the education and celebrations and adjustment period for new peers, but that won’t work for Ixy.”
She looks up through her lashes. “Can you look after Suriani while she’s here? I’m not sure how long she’ll be staying - I’ve given her permission to take the Baisha back when she feels she has to return to Choson - but I don’t want Mara slinking back up to her and digging her hooks back in as soon as I turn my back.”
“I know, Keris.” Lilunu looks sad, but accepting. “I wish you could stay - Airs are often the highlight of my year with you there, but among other things, your daughter made it clear to me that you were not going to be staying.” She pauses. “Calesco, that is. Kali or Atiya are far less... assertive.”
A bark of laughter escapes Keris. “Yeah. Yeah, and on that note... I hate to say it, but if I’m going to be rushing around all Air and leaving the Baisha here, I don’t think I can take the kids. Do you mind looking after them for another season? Sasi will be staying too, so she can probably help. And... as much as I want to be careful with my identities, Atiya is my daughter too, and she loves fashion. She deserves to know her godmother as much as the twins.”
“I am sure they will love it, though they will miss you.” The words that are not spoken do not need to be, that she will miss Keris too.
She gives a grateful nod at the sentiment. “Thank you. Um, right. Second is sort of part good news, part bad news. The good news is that I budded another soul at the start of Fire. The bad news is that he accompanied me to Hell and, slipped away at some point and I, uh. I sort of. Don’t know where he is now.”
“Well, in that way, we have something in common for I have also lost one of my souls who has not been seen in years,” is the pointed response she gets. Keris winces.
“I’m sure that wherever Hermione is, she’s safe and healthy and doing well,” she says lamely. “And, uh. I know that she had unkind words for you when I met her, but I really do think she’s probably changed her mind with time and admitted that she loves you.” It’s nothing she hasn’t said before, but repeating the platitudes is the best she can do while keeping the plausible deniability that shields them both.
“I haven’t felt anything from Jemil that makes me think he’s in trouble,” she continues, “and I’m pretty sure he’d have returned to me if he was in danger.” Those two factors, along with the sheer extent to which she’s been rushed off her feet, are the main reason she hasn’t started panicking about him being missing yet. “But... well, if he shows up unexpectedly, he’s mine. He’s not as close to human as Calesco or the others you’ve met - he’s a human above the waist and a golden centipede below it. Very curious, loves learning. Has a habit of collecting arms. I’m mostly worried he’ll poke his nose into one too many interesting mysteries and draw the attention of Orabilis’s eyes.”
“Ah.” And that is not a good sound. “Keris, I cannot gainsay the laws of Hell for him. Nor go against Orabilis in the exercise of his duties. If this soul makes himself known to me, I will speak with him - perhaps to advise him to return to you - but otherwise... what are you asking of me?”
“That if you find him while Sasi is still in Hell, and he refuses to return to me willingly, you keep him still long enough for her to Banish him,” Keris says with a shaky breath. “And that if she’s left by then, you see if you can force him to return some other way. He won’t be happy about it, but I’d rather have him mad at me and alive than... than anything else. If I’d known he was going to disappear off, I’d have drawn him back within me before we arrived - and if I find him in the few hours left before I set off, I’ll make sure he leaves with me. I’m not asking you to gainsay the laws of Hell, my lady, and I don’t want him to break them. I just think it’s safest if he isn’t given the chance.”
“I will do what I can,” Lilunu promises. She rolls her eyes. “Knowing how you can be sometimes, I am hardly surprised that you are worried about one of your souls roaming around Hell. Again. Didn’t you have a problem with Eko there?”
“I didn’t think Jemil would follow her example without having even met her,” Keris grumbles. “Little brat. He’s not even a season old yet and he’s already disobeying me. What did I do to deserve this? Don’t answer that,” she adds quickly as Lilunu’s eyes sparkle with mischief.
“Then I won’t, my Keris,” Lilunu says, pouring Keris a drink and passing it over. She pulls her legs up, tucking them up into her smock so only her feet emerge from below it and she can rest her chin on her knees.
Keris pouts at her for a moment longer, then accepts the drink and sips at it. “Okay. Right. Third.” She purses her lips. “This one you’re either going to really like or really hate. My big demon-making competition that you’re judging next Calibration isn’t just to staff my palace on the Street. It’s also... call it a way to set a precedent. For another big competition I want to hold the Calibration after that.”
“Oh, so you’re thinking ahead? Wonderful.” Lilunu pauses. “Why am I going to hate it?”
“Alright, hear me out before you react, because I promise I’ve thought this through.” Keris says. She takes another gulp of... peach wine, from the taste, then passes the glass off to a hair tendril to lace her fingers together. “A tournament. A grand tournament, for every peer who wants to take part, plus as many akuma, behemoths and monsters as it takes to make up the numbers. Five brackets, one per day, culminating in a finale to decide the strongest of us in the arena. I’ve already floated the idea to a few of my more martial peers, and they seemed interested. It would be a celebration of the strength of Hell’s champions, a spectacle where your princes get to have the eyes of Hell’s royalty on them directly instead of just being spectators.”
She licks her lips.
“And... it would also be happening right before the vote.”
She doesn’t say anything else. Even just to Lilunu, it would be too risky to say what she means - that a tournament of martial prowess like this, immediately before a vote on the status of Infernal souls, will remind the Unquestionable that their servants are not without power of their own, and perhaps make them wary of trying to subjugate champions whose strength approaches or rivals their own.
Nonetheless, the sentiment is there to be heard.
That draws a sigh from her lady. “I know you’ve done exhibition matches before, and this is a natural outgrowth of it. But I don’t like to see my princes and princesses fight, not if they actually mean it. And some of you will mean it. I don’t want any of you to get hurt!”
“I know, my lady, I know. But I really do think it will be worth it. It might even help clear the air in some cases! And I’m thinking I won’t compete as a contestant, but I’ll be down in the arena as an adjudicator, so I can step in if anyone goes too far. Just... think about it? I’m not asking for an answer now. If you give me leave to go forward with it, I’ll announce it next Calibration so everyone has a year to prepare.”
“Many of them will want to do it,” Lilunu says sadly. “Some so much so that I’d probably see them calling other out if news got out that I had stopped this. Who did you test the waters with?”
“Corrusu and Pokhanza,” Keris admits. “Just in the sense of showing off themselves against powerful opponents, nothing about a tournament of peers. Bloss, in passing on the second day, and therefore probably Xansu as well. Naan, though he was drunk enough that I’m not sure he’ll have remembered - that’s what I distracted him with on the barge yesterday.”
Lilunu lets her head slump into her knees. “If Corrusu knows, she’ll kill for the chance,” she mutters. “Couldn’t you have checked with me first? It will really have to happen now.”
“She might not know know,” Keris says meekly. “We could probably satisfy her by just pulling in some behemoths and letting her fight them in the arena as a special... um, I mean, sorry my lady.” She quails under Lilunu’s disappointed look. “I just, the idea was such a good one and I wanted to check if it would be viable at all and I happened to run into them at Mazah’s stall on the Boulevard of Artisans and it seemed like a good idea at the time to ask.” She squirms guiltily. “I’m sorry,” she says again.
“Well, I mean, if this is the worst thing, we can deal with it. As long as no one dies it’ll be fine. And I’m sure some people will enjoy it a lot - and as long as you don’t need to enter if you don’t want to, we won’t end up with mis-matches that will just be unfair,” Lilunu says, looking for a bright side. “I... I think we can make this work.”
Keris fidgets. Lilunu’s face falls.
“That was the worst thing. Wasn’t it, Keris?”
Guilty silence is her only reply.
“Keris.” Lilunu’s tone is not quite sharp. Not quite. “Tell me.”
She can feel the pressure in her tongue. It wants to move. To obey. And it’ll feel good to do as her lady orders. Keris’s hair falls down like a soft curtain around her chair, lifting it and shunting it forward, closing the distance between them. She reaches forward and takes Lilunu’s wrist between the fingers of her left hand.
“You’re all wound up inside,” she says quietly. “I can feel the strain in your chakras. Even though you rebalanced them in Earth when you took me back from Ipithymia, you already need me to absorb another knot. You’re far healthier than you were when I met you, but the stronger you get, the faster the strain inside you builds up. There’s too much power and I still don’t know what’s causing your essence to tangle up and explode out like this. Soon you’re going to reach the point where venting into my arm every Calibration isn’t enough. You’ll be forming a knot fast enough that it’ll rupture and leave you bedridden in less than a year, before I can get back to take it off your shoulders. Lilunu, I don’t know how to fix this. I’m not a good enough medic and I’m not here often enough to treat the symptoms, and I don’t know enough about your genesis to find the underlying cause. And I can’t know more, because it would be illegal. But I swore to serve you and support you and help you be healthy, no matter what.”
She looks up, wretched and raw. Grey eyes meet shifting rainbows.
“I need help. I need to get you help. Someone skilled enough to treat you, who can be there for you year-round.”
“I don’t need you getting hurt on my behalf!” Lilunu surges back, yanking her legs out of her smock so quickly it tears, on her feet with her eyes flashing. The tower shudders around them. “I don’t want you to be hurt because of me! And if you think I’ll be angry, it means you’re going to be hurt on my behalf, or trapped in some awful oath, or making a deal you don’t want to! I... you need to value yourself, Keris! Not for what you can do for me! Not for how you can help me! For yourself! And part of that means valuing your own life and freedom!”
“I won’t be trapped in an oath or making any kind of deal!” Keris says hastily. “I promise! That’s not where I’m going with this! I just...” She takes a deep, shaky breath. “I want to reach out to Yuula. She’s the best doctor in Hell and she’s already my mentor in medicine and healing, but I have to earn her lessons, and she’s... well, you know how she is. She won’t help you just because I ask, and even if she was paid, she wouldn’t stick around for long-term care. Not without offering her more money than I think even you can afford. And I’m not sure even she could do more than treat your condition... as she is now.”
She pauses. The piercing in her tongue pulses. Lilunu has paused, staring down at her, eyes narrowed as she looks for the sacrificial play in Keris’s plan.
“But,” Keris finishes heavily, “I think she could be grateful enough to help you, and a lot more capable of doing so. If I broke her shackles, and freed her from her curse.”
Rainbow-filled eyes widen, then narrow. “Why do you think I’d be angry?”
Keris bites her lip. “It would be safe,” she pre-empts. “I wouldn’t be hurt. And there’d be no oaths or deals or anything. The whole point would be to not get trapped in anything - and the Dragon’s power would be on my side there; nothing can hold him when he wants to be free, and that part of his nature is echoed in me.”
“Why, Keris, exactly do you think I’d be angry?”
She can’t hold back a wince. Unfortunately, she also can’t hold back her words.
“... if Yuula’s curse could be broken from the outside,” she says reluctantly, the truth dragged out of her bit by bit. It feels so good; her piercing rewards her for obeying her lady even - especially - when she’d rather not be laying out all the ugly details for Lilunu to worry over. “If... if she could get rid of those shackles by… by hitting them with countermagic or cutting them with an artefact saw, or slicing her hands off at the wrist and regrowing them after slipping the shackles off or-or-or whatever else - if anything like that could work; she’d have been freed millennia ago. She’d have traded favours with another demon prince to do it, or bribed an Exalt with the life of their loved one, or, hell, someone like me would have offered her freedom in exchange for her gratitude, just like I’m planning now.”
Lilunu goes very still as she talks. Keris speeds up, hoping to outpace the objections.
“If the curse could be broken from the outside, it would already be broken,” she says hastily. “So it must be effectively impervious from that angle. But nothing’s completely unbreakable, and the Dragon can escape anything, no matter how perfect. The curse is tailored for her, so I’d bet anything that her own power is impotent against it. Nothing can free her from without, and she can’t free herself from within. But if someone was under the curse with her; someone it wasn’t designed to hold, and they punched their way back through it to escape its grasp... then, I think, they could shatter it enough to let her escape it too.”
“I... I forbid that!” Lilunu’s voice shakes the tower; her eyes burn so bright that they’re coalescing to white in the centre. “You will not afflict yourself with a curse that has not been broken in five thousand years! Not for anyone!
“Not for me!”
Keris cowers back into the armchair, her heart beating like a rabbit’s. “It- it wouldn’t j-just be f-for you!” she stammers. “Yuula’s my teacher! I- I can see how miserable she is under that curse; I want her free! And- and it’s my job to work for Hell and to free you and the Unquestionable, doesn’t this count? Shouldn’t I break her shackles if I know I can do it? And-”
Her mouth slams shut, no longer under her control.
“I don’t want to hear you making excuses for why you feel it necessary to hurt yourself. For me, or for anyone else,” Lilunu says, looming over Keris. She is taller than Keris normally, and now - as she has sometimes seen with other demon princes - perspective is not working right. She felt the Blue Glass Maiden’s spiritual pressure earlier today, but Lilunu’s feels even stronger, if possible. Her lady’s features flicker faster and faster as she glowers down from on high. “I watched you do that for Sasimana, and I am glad you saved her, I am, but I also saw how much it cost you.
“You are not well, Keris. My Keris. You are not well and haven’t been well since... since she betrayed you, and just because you helped her by taking on her burdens, just because you managed to save her, just because you... you did something you refused to let me know about and it worked does not make it acceptable to me. You should not have had to do that! Do not take on all my burdens if it would break you. Don’t take on the burdens of others just because you think, you hope it might help me.”
Her eyes brim with tears. She reaches out, and cups Keris’s cheek.
“You’ve made my life better with your service, with how you’ve helped me. And part of what you’ve done, maybe more than you can possibly realise, is by being here. By being with me, with being mine. I can’t lose you. So please, don’t take risks. Don’t break yourself for me. Accept that maybe, as things are now, the imperfect good is the best I’ve ever had. I don’t need perfect. Nothing could be perfect if it would lose me my Keris.”
Keris’s lip trembles. She tries to talk again, and it doesn’t work again, and she’s not even sure if it’s the piercing or just the lump in her throat that’s choking off her words. Tears sting at her eyes, trickling down over Lilunu’s fingers as she mouths soundless nothings, trying to find a way to make her lady understand that she’s more scared of Lilunu’s precariously balanced health destabilising than getting trapped in a curse she can (almost certainly) escape from with enough will and shadow-wreathed power. Trying to convey that the looming pressure of Divisa and Iuris and Keramos and all the others’ fragile conditions are mirrors to Lilunu’s own, that this imperfect good won’t last, that they never do.
But all that comes out is a sob. A sob, and a slow collapse forward to bury her face in Lilunu’s smock and the soft warmth of her stomach.
Her lady holds her close, hand against her back, and lets her sob. Lets her tears come and stain the tattered smock, perspective reasserting itself so they are - almost - just two too-tired, too-emotional women.
And yet Keris can feel it, even now; she can feel the awful, chaotic blend of conflicting natures with her left hand, feeling it writhe like a universe of knives under a thin layer of skin. A reminder that Lilunu is not human, and not stable. The power within her is strong, surging, and worsened by her emotional state. Her fear for Keris.
“... you still need to vent that knot,” she mumbles after... probably at least half an hour, once they’ve both calmed down and she’s only sniffling a bit. “I know you don’t like hurting me, but my arm breaking is pretty low on the list, and you can’t go another year with your chakras tangled up like that. Please, my lady. Don’t make me leave you in this state.”
“There is... something I thought might help. Something that might be a little more controlled, a little slower, a little more... in line with the principles of Needles-and-Spires Style and Temple-as-Body Style, especially the former,” Lilunu says softly - and there’s guilt there, guilt Keris can’t explain. “I have wanted to suggest we try it, to slow the rate of egress and maybe allow your bones and flesh to survive the transfer unharmed. But I do not know if I have the right to ask you to experiment with this.”
Keris cocks her head, but holds herself back from agreeing immediately. “I’m listening,” she says instead. “How would it work?”
“It came from something mentioned by Divisa,” Lilunu says, “for she understands innately how the Demon King imprisons and contains the other Yozis. He is a jail for terrible and awesome powers, and thus we prepare your body as a temple to him, before the transfer; something imprisoned, something bound, something contained, so that you might too contain the uncontrolled gift from me. But if you do not wish this-”
“... I’m not afraid of being bound,” Keris says slowly, working through it in her head. Preparing her body as a symbolic prison... probably means tying her up, or chaining her. Which... well, with anyone else it might remind her of working on the Street, but Lilunu is safe. It’ll basically just be a fancy costume.
“Or, I mean. I haven’t been, since I got comfortable with the Dragon’s gifts of escape,” she adds belatedly. “Even on the Street, I knew I could escape if I wanted, physically. It was just that doing so would bring too many consequences. But here... if I don’t like it, I can just break free, right up until just before you vent the knot into me. And you won’t be angry, and there won’t be any consequences.”
“It might not work!” Lilunu blurts out. “And if you want to be safe, or if it’s not comfortable for you, we can do as we have done before. I just... hate to see you hurt.” The last part is almost a whisper.
“My lady,” says Keris, giving her a shaky smile. “I’m not leaving Hell while you’re still so strained and close to a breakdown inside - and if I don’t leave within the next scream or two, I’m going to lose a very powerful Dragonblooded ally and an enormous amount of money and resources, which I’d prefer to avoid. And the only other way we have to get rid of your chakra knot is to do it the fast way, which will break my arm. So I’m willing to give this way a shot. If it doesn’t work, it doesn’t work. And if I feel uncomfortable, I promise I will tell you. But I trust you. And if this helps me keep control and absorb the power without my arm unfurling, that will be very helpful for the future.” She squeezes Lilunu’s hand. “You won’t hurt me. I promise. I trust you.”
“I know.” There’s sadness there, but also softness. “I know.”
Chapter 44: Early Air 776
Chapter Text
The outer layer of Malfeas is colossal to a degree that beggars belief. Here the flesh of the Demon King has grown to a scale far too large for man, and so what might look from afar like a humble dwelling becomes a gatehouse for lesser demons who scale the titanic structure and pack the valley-sized squares made for greater beings than them. There are so many serfs here that the boulevards you could lose Nexus in have their own cities, their own roads where demonic feet have worn away the vast cobblestones, their own rivers where the noxious effluvia of the Demon City has washed into the canyon-cracks between the flagstones that flow invariably down into Kimbery. The ribs that arch overhead block out the sky for days - but Ligier shines through nonetheless, no less bright for the unfathomable distance between this outermost layer of the King and his heart. The noise is a solid wall, no melodies to the clamour that wards off the Silent Wind. It is hot and filthy and dusty with silver sand that has blown in from the desert, and it stinks in these wild urban wastelands where serfs beyond counting swarm.
To travel from the Conventicle to the outermost layer of Hell would normally be a long and arduous journey, either going across nearly a thousand layers as the (very lost) crow flies, or otherwise requiring obscure and oft-times perilous routes to travel through the interstitial spaces of the Demon City.
Keris Maryam Dulmeadokht, Voice of Lilunu, just orders the Conventicle’s Ligierian light-bridge projector adjusted to the right location and speaks with the voice of her lady to authorise it. The green radiance permits no obstruction and the distance melts away both figuratively and very literally, and so it is little more than an easy stroll of a few hours to cross the almost-immeasurably vast distance.
“I liked it! A lot!” Jemil says happily. Keris had been relieved to find him with Simya, though rather less pleased to find what they had been making together from scraps of demon flesh he’d been bringing back for her. “Much better than a boat! It got us to the new stuff faster!”
“I suppose it wasn’t so bad,” says Calesco, looking around as she steps off the beam of light. “Unlike this place.”
Ixy only makes a sullen sound. Her posture is a lie. She’s trying to act unconcerned, but her hand is on her flamepiece and she’s eyeing up the demonic masses fighting for an eye of who’d take a lightbridge all the way here.
Keris doubts that the local demons even know who she is. How could any of these teeming masses end up at the Street of Golden Lanterns? Hell is surely too vast for knowledge of her to have spread to its every corner.
Keenly aware of both the attention and her companions’ reaction to it, Keris looks around for a point to make. She finds one in an old abandoned neomah’s tower, dark and empty, its owner no doubt slain here before she could swallow it and move on. Much of the structure has been cannibalised for the brass already; what’s left is heavily verdigrised from acidic rain and the Hellish climate. The walkways on the upper levels have broken off, the entire uppermost storey has collapsed at some point and the whole tower has a noticeable lean to one side from the weakened walls at its base where sections have been ripped away.
It’ll do for Keris’s purposes. She walks over, an imposing (if not in height) figure fully clad in moonsilver silver armour, extending great wings as she goes. Her companions trail her, half drawn along by her confidence, half sticking close for safety in this unfamiliar place. The watching crowds of demons gather and gawp and start to edge closer.
Keris slams one enormous, scythe-like wing into the most intact-looking wall at the tower’s base.
The brass buckles. Of course it does. Her wing is longer than she is, lethally sharp and backed by all the impressive strength in her hips and back and shoulder. Green fire spurts from the gash Strigida’s feathers tear open, then simmers down. But it doesn’t go out. Pale green embers glow in the ragged edges of the torn metal. Cracks spread out from them, snaking out through the decaying tower like fractures spreading through ice. They too glow from within, glittering green rays and acrid smoke escaping as they race upward and around, a spiderweb of fissures covering what’s left of the structure. The light builds and builds as the cracks widen; sticky green flames begin to spew again from the original gash, spreading along the cracks like a liquid. The incandescence builds and builds, from pale embers to bright flames to an intense light that’s almost white-
And with a roar and a crash, the tower gives up. In the space of a single violent breath, it burns and explosively shatters, coming apart into a thousand fiery pieces that are consumed before they touch the ground. All that’s left is white ash on the breeze, and the final whimpering echo of the disintegration, half-heard beneath the violence of its demise.
The gathered crowds consider this demonstration and the silver-winged figure who gave it. Hell is never silent, but the ambient noise levels dip for a moment as a lot of rapid re-evaluation and calculation takes place on all sides. The demons here might not recognise her, might not know what she is - but they recognise power, terrifyingly so. Maybe some think they could swamp her in bodies and swarm her to death, but none are willing to be the first ten, hundred, five hundred to fall at the hands of a group with that kind of power.
“Nice,” Ixy breathes, showing genuine, unabashed approval of Keris for once as the crowds back away. “So, where’re we goin’?”
“The manse Keris said we’re visiting,” says Mele, rolling his shoulders.
“No, I know that, duh. Where the fuck is it? I thought you said the green bridge thingie would take us right there.”
As it turns out, they really weren’t so far away. The great buildings to their right were covering the base of the wall, and the upper reaches of the colossal black basalt edifice blended into the sky, smeared and shrouded by the polluted atmospheric haze.
“Yeah, no, screw that, I’m not flying anywhere near that,” says Kiki. “I got my feathers re-dyed yesterday and that’ll make them so black you’ll think I’m some freaky feathered witch, and I’m not taking my baba into that haze. It might be bad for them. I’ll going back inside, and I’ll show up again in a couple of days, ‘kay Calesco? And behave, got it?”
Calesco pulls a face which suggests she also wouldn’t mind going back to the inner world to avoid getting smoke in her feathers, but she nods as Kiki vanishes in a flash of too-bright-too-white light, and jams her hands into her sleeves. “The description from... them said the safest way is to scale the crumbling tower claimed by the Lord of Wolves, then head along the top of the wall until we get to the gatehouse. And that the Metagaoyin infestation isn’t as bad from that direction.”
“Hmm. I’m not sure I want to bother dealing with a local lord’s posturing,” Keris muses, eyeing Simya and judging how well she’ll be able to deal with a climb of nearly a mile. Her ears twitch slightly, and she smirks. “Ah. This should work.”
The hair not threaded into Strigida’s wings lashes out behind her, and a blurred streak of motion aimed at the golden goat-head ornament threaded into her red locks resolves into a songbird with brazen feathers and the face of an old crone. It screams, caught in a soft but unyielding coil of hair, but when its bones aren’t crushed and a shiny coin is dangled under its nose, the shriek peters out into wide-eyed attention.
“Coin fetch,” Keris names it. “Tell me where I can find a couple of agata-for-hire around here and I will give you this coin, plus three more when we reach the gatehouse atop the wall. And I also won’t rip out all your feathers for trying to steal from me.”
The lesser demon is remarkably amenable to these tactics of negotiation, and Keris dashes off to find an alleyway where an encampment of agata squat around a pink-burning barrel full of metal scraps, arguing over the inherent variability of the qualia of colour. They’re willing to serve as paid steeds, since she’s paying them and money can buy new experiences to argue over, and the beauteous buzzing crystal-and-gold wasps bear them to the top.
The so-called Lord of Wolves, a luminita with a sense of grandeur, is smart enough not to fuck with Keris and just keeps out of the way of her and her people.
Up at the top of the wall, the haze is thick enough to chew. It gets into everything. It reeks of hot metal and copper and burning soot and many other horrible things. It burns the eyes. But Keris can taste something underneath it, in every breath - she can taste the pollen. And she knows now why there is so much smoke here. The local demons are trying to burn out the infestation down below, at the base of the wall.
“Right,” Keris says briskly. “This will be a quick in-and-out to find the hearthroom and grab the hearthstones. Ixy, Jemil, you two get to come in with me. Everyone else is disqualified on account of not being Metagaoyin-natured enough. You two have enough of the Swamp in you that you won’t get infected just from breathing the air in there. That said, if I tell you not to touch something or to stay out of a room, listen. This manse is alive, and it is hungry.” She produces the key, twirling it between her fingers. “Calesco? Keep everyone out here safe while we’re inside. This shouldn’t take longer than an hour.”
“I know you said how much this bridge cost, but I can’t help but feel you could have just called us over when you had this,” grouses Calesco, but she’s mostly grumbling for grumbling’s sake.
Trailed by a giant man-centipede-thing and a teenage girl with two drawn flamepieces, Keris pushes down the wall, relying more on her sense of hearing than on sight. The background music on here in the outer layer of Hell is more like noise, a painful wall of sound caused by a hundred thousand demons making noise to scare away the Silent Wind, accompanied by the tectonic sounds of Malfeas’s flesh and crumbling stone and fire and screams. The stone under foot trembles sometimes as distant explosions are felt through the floor, and Keris can’t help but feel strongly that she prefers the more stable inner layers than this - literal - hellhole.
Then the wind gusts, hot and painfully dry, rolling on off the desert, and finally Keris can see.
To one side, the Desert stretching out to timelike infinity. Silver sand and ruins, fragments of Malfeas pulled into his sister to be broken down and consumed by the years. The sight of an army of one of the wasteland lords, marching on the walls, looking to plunder the outlying districts to take blood to drink and cloth to wear and meat to eat. To the other, a cursed city where demons engage in wickedness and all the vilest of deeds, where fires burn and drums beat and all the little creatures live in fear of the Silent Wind and the attentions of the mighty.
Ahead: the Feasting-Wall Citadel. Once one of the grand gates that guards the entry to Hell, a gate that was never closed for the demons within have nowhere to go save into the desert Cecelyne and those who would come to Hell are welcomed in with open arms and open jaws. Terrible in scale, awesome in its wasteful majesty, an open door to an inescapable prison. Then the hungry Yozi Metagaos spread one of the least of his tendrils out, and great grey vines and mangroves and strange plants known only in Hell grew across the basalt walls and from the gate grew teeth and the brass doors no longer led into the city of demons. Open the gates now, Keris has heard, and one will find Metagaos’ maw and his many tongues and his slobber and then the walls will close and you will be another morsel in his mouth. Demons no longer use this gate, and strangers use it only once.
The manse itself is one of the towers that flanked the grand gate, twisted from the fortification that it once was. It is still a fortress beyond the measure of fallen Creation, fully one mile high, but now the basalt walls blossom with many-coloured flowers and from the windows protrude hungry vines and killing spore-clouds and many-mouthed stones and the other ways that the All-Hunger Blossom seeks raw meat. Where once the green fires of the King of the Yozis burned in brass braziers on the watch-platforms, now strangely luminescent vegetation casts eye-like illumination.
Yet it is weaker than it was. Metagaos is tearing apart the structure, the geomancy. Once it was great and powerful even by the standards of Hellish manses. Now it is barely above average.
“Oooooh,” exhales Jemil, with an almost lusty sound. “It’s beautiful. I want a place just like this. And look! Look at what it has done with its guards!”
It takes Keris a moment to recognise what he’s talking about. For much of the demon legion that once held the gate still guards this tower. Fungi grow from their cracked open skulls and thorns sprout from their gall-riddled bodies, but they still hold their posts. Their banners are petals and their swords are thorns that grow from their bodies and when they fall they are reborn from the mulch their bodies rot into. They cannot escape. They are part of the manse now. Truly immortal as long as the manse stands, from what the Shashalme said.
“What the fuck is wrong with you?” mutters Ixy, below her breath.
“Look but don’t touch, Jemil,” Keris warns, though honestly she kind of wants to examine the guards too. “We’re here for the hearthstones. We can come back for the manse later. You picked up some geomancy in the Conventicle, right? See if you can figure out which way the hearthroom is by following the flow of energies.”
She falls back to walk alongside Ixy as he eagerly scuttles ahead, keeping an eye on his examination of the walls and vines and currents of drifting pollen but focusing more on her new subordinate.
“Hell is a lot,” she says quietly after a moment. “Especially the first time. Believe me, I know. I was no more prepared than you when I first came here, years back. But as weird and disturbing as it can get, it basically is still just a city in a lot of places. A big show of force will put people off from giving you shit. Flashing a coin under someone’s nose - or something else they value - will get their attention, and waving a knife alongside it will convince them not to cheat you. If you know your stuff, you can make your way here without too much trouble. Though being good in a fight always helps.”
A pause. Keris considers her words, watching Ixy out of the corner of her eye as she scowls forward at Jemil.
“There’s nothing wrong with him, exactly,” she continues. “It’s just that he’s a demon. They’re not like humans. Some of them fake it well, but Hell is a prison they’re born into, slaves to anyone who can summon and bind them, and it fucks them up. They’re all bound by their nature, too. Humans can be two things at once, even if they conflict. Demons can’t. Not without breaking. They’re not safe, they’re not even always predictable, but they’re… consistent. Jemil is curious and loves to learn. A human could have that kind of feeling drowned out by something freakish or sick or horrifying. But he can’t. He’ll only be curious and eager to study it.”
Ixy huffs, shoulders hunched, skinny arms brought in. “You’re the one who brung him along, and you’re the boss,” she says, voice thick with adolescent sarcasm. “So I gotta be fine with you and all the weird demons you keep hanging around.”
“You made a bargain with Hell, same as me,” Keris returns, amused. “You’ll be hanging around with weird demons too, soon enough. If only to get them to hire you for sabotage missions. On which note, first lesson.” She gestures around them. “This manse. Look beyond just the freaky infestation and think about strengths and weaknesses, points of attack, vulnerabilities. What do you see?”
“I see I don’t wanna attack this place,” she says warily. “Guards everywhere, those plants look like they’re as vicious as guard dogs who ain’t eaten for a week and I bet there’s more stuff I don’t know about. Demon magic an’ all. This place is a fortress, more ‘an the harbour tower the rednecks hold. One that’s deadly to anyone trying to break it.” She licks her lips. “They’re using fire down below to try to burn it out, and it ain’t working fully, so you can’t just roll a barrel of firedust in. It’s got those plant demons on the roof so you can’t enter from there. Walls are covered in thorns so it ain’t easy to climb either.
“Plus the stone looks like it’s being torn up by the plants too. And that can’t be good for the place, but just makes getting in here even more dangerous. Stones might give way if you try to scale ‘em.”
Ixy, Keris immediately realises, is a sneak-thief and a burglar. And a good one. Maybe better at knowing her own limits than Kit was. In a few glances she’s scanned the place and worked out all the ways it might kill her.
“Not bad,” she praises. “Attacking it head-on would be a nightmare. But you’re forgetting your new powers. You’ve internalised the gifts of the Swamp; plants won’t hurt you and they won’t impede your movements. You can sprint through thick jungle and the roots and branches will bend out of your way and shift to give you stable footing. Poisons won’t do anything to you either, as long as they’re plant-based. That wall - and those holes the plants have torn in it - are your way in. As long as you take it slow, use your camouflage and avoid the patrolling guards, you could sneak in here where fighting your way in would be impossible.”
She points at the root- and vine-covered walls. “And you’re right about how the plants are tearing up the stone, but take that thought further. Because the power here used to be stronger. Metagaos is slowly eating this place, and his presence makes it magical, but it’s also slowly destroying it. If I wanted to destroy this manse, I wouldn’t do it with blunt force. I’d do it with geomancy. Kill the demons burning the plants out at the base, throw their bodies to the plants to encourage Metagaos’s hunger, quietly scale the wall with a sack of vines cut from the Swamp elsewhere and graft them into the stuff rooted here to extend his reach further into the hearthroom. Then run like hell and wait.”
Ixy is wary, immediately so. “So you been here before and spent the time scouting this place out to show off how clever you are,” she says. It reminds Keris painfully of Kit with her head full of Bel’s ideas about not complicating things by trying to be too clever - that someone showing off their cleverness is not to be trusted and is trying to get one up on you. And just as with Kit, Ixy is clearly bright; she’s just coming from a place that never rewarded or nurtured it. No, worse. She never had a Gull or a Liho to tell her that being stupid meant you’d die in a gutter.
“I’ve never set foot here before today,” Keris rebuts, her eyes narrowing. She’s tried being nice, and Ixy is still too mistrustful to buy it. Perhaps it’s that niceness itself that’s building her mistrust. She doesn’t trust a woman whose teeth she can’t see.
“I’d heard of it, because the Shashalme offered me it before - for a higher price, which is how I know it’s degraded - but this is the first time I’ve laid eyes on it,” Keris continues, deciding to lean a little harder on her new apprentice. If she’s going to snap either way, this might at least give some more insight into her. “But if we’re talking about showing off our cleverness, you should be wary of pointing fingers. You’re as smart as me, to see so much about this place so fast. And you’re wasting it. You could be much stronger than you are if you used your head more. Much safer, too.” Her eyes flick up and down, measuring Ixy and finding her wanting. “I used to think like you do. It left me nothing more than a petty thief and nearly got me killed. The difference between you and me is, I figured out that doing things smart was better than doing them stupid, even if the thug who taught me how to fight would’ve sneered at me for it. Why are you even so opposed to being clever? Pride? Or is it just that you hate the kind of fancy redneck who crows about being educated?”
And it completely fails to land. Ixy just snorts. “Don’t pretend you were ever like me,” she says flatly, spinning one of her flamepieces around her finger. “You’re pretty, an’ even if you came up from the streets you were a street girl.” She huffs a stray lock of hair out of her eyes. “I seen it in how you flaunt, how you flirt, how you act like one of those simpering dock girls draping themselves over a big bosun. So of course you trained yourself to do what the rich sorts want. That’s what that kinda bint does, the real expensive ones who stupid rich men show up to just to have a conversation with and drink tea ‘cause them sorts got too much money anyway.
“That works for people like you. People like me, usin’ fancy words and stuff just makes us a target. Sometimes a target for sorts that are thinkin’ we’re someone like you. An’ I’m not like you.”
Keris stops walking. Up ahead, Jemil is making interested noises and seems to have convinced one of the infested guards to stand still - Keris flashes the key at it to prevent it from it hurting him. But she stops in the middle of the corridor and turns to face Ixy. Cocks her head. Studies her.
She’s heard that kind of contempt for working girls before. Coming from her own mouth, in the days and years after Gull’s death. Back when she had just Exalted and taken it as a clean slate; a reason to start anew, shove down all of the more sordid parts of her time on the streets and pretend they never happened.
“You are very sure about who I used to be and what I used to do,” she says silkily, forcing down the feelings welling inside her. “And you’re very quick to take things as you see them on the surface and assume that’s the whole and always has been. You should get that under control, Ixy Crystreet, because if you keep judging things at a glance, you’re going to get killed or fucked over by the first enemy who can hide their real nature. You’re wrong about me. You’re wrong about how I was trained. And you’re very, very wrong if you think there’s any difference between ‘people like me’ and ‘people like you’.”
Keris has already found that Ixy doesn’t back down when she really should, that the fear at her heart makes her stupid and confrontational like a wild alleycat fluffing its tail up and arching its back against a street mutt that weighs ten times what it does. “You sayin’ you’re not a street girl an’ a hired knife?” Ixy snarls back, squaring off. “‘Cause, yeah, I know girls back you back home. More’n one gangland queen had a thing for havin’ a pretty girl or slim little slip of a boy who’d hang off her arm and flirt and then make examples of her enemies ‘cause it made Redhand Isla real happy to have a pretty murder-priestess as her speaker to the gangland bosses. Some of them grew up to be gangland queens themselves, and they damn well made sure to teach the new redhand priests how to hang people who crossed ‘em from their ankles and slit their throats just like that.
“You think I don’t recognise you as one of ‘em, a pretty smiling thing that’d hang a man up from his ankles and then tear out his throat or his guts and leave him to die? All to get the service of something powerful? You think I dun know that we all made offerin’s to the biggest and baddest of the demons and you gotta offered them a lot to get your status, just like that man who got the South East went and gave ‘em all those fresh souls?”
Ice trickles down Keris’s spine, and inside her head Dulmea’s symphony takes a chilling minor chord as her teeth grow sharp.
“There you go again,” she croons. But now there’s something savage under the words, a hint of snarl to the smile. Because fuck, Ixy is ignorant and uneducated but she’s smart, and apparently she has a nigh-kerub-like ability to put things together and come up with conclusions just slightly off the mark. And then make it worse by bringing Ikn Fucking Atha into things.
“Calling me pretty,” she continues, and pulls shadow over herself in a cool, cloying rush. It sinks in and shifts her form to a lie. But this one isn’t the lie of a fantasy or fabrication. It’s the lie of what once was, pasted over what now is. It’s a lie that Keris has rarely if ever told before, and perhaps it’s one she usually wouldn’t tell now.
But Ixy Crystreet’s mix of belligerence and wasted potential is beginning to annoy her.
From her own perspective, not much changes. She can’t feel her hair, but she’s used to that from when she’s Little River. Her height doesn’t change all that much, and the lie is only skin-deep, so neither does her body. There’s none of the old aches and pains, she’s still as flexible and strong as usual.
But looking down...
Brown hair brushes around the base of her ears as she looks down at skinnier, scrawnier limbs and a chest that’s never been through pregnancy. Her left arm is crooked, and she can feel the phantom shape of missing teeth in her mouth. Her clothes are Firewander trash, not the gorgeous gowns and dresses that Lilunu taught her to enjoy. The knives she has tucked away are no longer as carefully concealed.
And on her crooked left arm, unhidden by cloth wrap or sleeve or even the burn she scorched it off with using river-tar when she was seven years old, the slave brand stands out; ugly, stark and clear.
“This is what I was,” she finishes, looking Ixy in the eye. “Not pretty. Not smiling. A killer, yes, a street girl and a hired knife. But never fancy. Never an expensive courtesan who rich fucks would come to take tea with. I din’t offer anythin’ to Hell for my power. They chose me, ‘cause I went after the woman who owned me back when I was a slave. An’ I failed. I failed, ‘cause I was fuckin’ stupid about it, so I got caught by her guards and thrown in a cell, an’ what drew the demon in weren’t pretty smiles or offerings, it was hatred. I hated so much in there that Adorjan heard me, an’ when she sent me an offer I took it. So think what you want, but be real careful what you assume about me, Ixy Crystreet, ‘cause if you ever compare me to Ikn Atha again, I will cut out your tongue. You got me?”
Ixy doesn’t flinch. Doesn’t back down. But she doesn’t say anything more. Probably not wanting to expose her tongue because - ah, there’s a look in her eyes there. This is a girl who’s seen people’s tongues cut out before and believes that yes, Keris would carry through on that threat.
It lingers on Keris’s mind as she makes her way to the hearthstone chamber, where she can see what once must have been a grandiose basalt arrangement of Malfean grandeur, the throne now only rubble that has been consumed by the sweeping vegetation that has torn open the ceiling and wrapped its roots deep into what had once been a lightwell. But there are fat cyst-like fruits of many-coloured stones hanging from the branches, calcifications of what power this consumed structure can still manage to capture. It clearly isn’t everything. The damaged manse is venting terrible jets of digestive acids and foul-smelling bile from rents in the wall, and the mouthed plants move with too much violence, too much awareness. The Feasting Wall Citadel is heavily damaged and will in time succumb entirely if it isn’t stabilised.
But not today. Keris just grabs the fruits, storing them in her lead-lined satchel, and has to stop Jemil from eating one of them to see what happens. Time to go. She has what she came here (the Shashalme, so kind, so useful - she really has to do something nice for them) and now it’s time to head back to Creation. And face the five-day trip.
There are many virtues to calling up a magic sand-ship grown from a mango seed she’d kept on her for this purpose. For a start, it’s far more comfortable to sail across Cecelyne in a sweet-smelling vessel riding the desert winds under a black sky than it would be to walk. It also comes as a real advantage when Keris realises that the mercury in her blood is thinning out and that seven days of sleeplessness are about to make themselves known and demand repayment of the debt she’s racked up. She gives orders to Calesco about how to handle things in her absence, takes Captain Mele to the baths where oh no! there isn’t enough space in the cramped quarters, they just have to share, what an unforeseen circumstance, and then gets herself comfortable in a leaf-hammock and crashes.
Her dreams are strange pinwheeling fantasies of things that never happened but feel terribly real. She dreams of places in the South East she’s never been to, Calibrations in Hell that went quite differently to how she remembers them, green sun princes she’s never met before, and has one particularly distracting and extended dream where she is the lover of Ligier. She doesn’t feel well-rested when she wakes up after spending pretty much a whole day asleep, but Jemil is disgustingly awake and thrilled to speculate about the origin of those dreams when she mentions them (well, not the Ligier one) to him over breakfast.
“Oh, mother! That’s incredible! Could this be some kind of ‘loading’, so to speak, of the quicksilver within your blood? That as it keeps you awake it makes the tiredness a could-have-been and as you rest it brings scraps of unreality back within you?” His golden eyes are wide with glee between bites of mango. “Do you think you could dredge lost secrets from the unreal spaces of your dreams?”
“Dreams are never just dreams,” Calesco says, and this is something she can expect, for her daughter is the queen of dreams for her inner world. “They are things with power and meaning. Don’t cling too closely to such mercury-poisoned visions. It’s not good for you.”
Keris is glad - and maybe somewhat surprised - that both of them are talking and are unharmed despite having been left on the same ship for a whole day while Keris slept. Well, okay, no. Jemil. She’s surprised Jemil is unharmed. Because while Keris doesn’t think Calesco would hurt one of her brothers, she isn’t quite sure if Jemil is one of Calesco’s brothers. She needs to think about that a bit more herself.
“Something to look into later,” she says, stretching out her shoulders. She should probably give herself a full check-up to assess what a full week of consciousness has done to her body. And make some rules for how to use these Szorenic sleeplessness drugs in future. Seven days awake non-stop should be fine if she’s not exerting herself, but she needs to find ways of snatching four-hour underwater rest periods for her body every couple of days if she’s doing anything physically tiring. And probably at least one such period in the middle of the week even if she’s not.
“For now, though, how is everyone?” she adds. Only Calesco, Jemil and Mele have joined her for breakfast, leaving Ixy and Simya unaccounted for. “Did anything happen while I was out? Any problems or arguments?
“All really quite peaceful,” Mele says happily, pouring her a drink. “Only some sulking and fuming from Ixy.”
“She was stealing my Simya,” Jemil fumes sulkily.
“I told you, she’s not your Simya,” Calesco says, tone sharp. “I don’t understand why she kept on trying to be friendly to Ixy after the first few times that girl snapped back at her - and it was actually painful to watch her social fumbling - but somehow Ixy started calling her a ‘fucking swott’ but, uh, in a not-hostile way.”
Keris blinks. “Um. That’s. Good? I suppose?” She eyes them both. “I’m glad to see you two seem to be getting along as well,” she probes, wondering how much she needs to be grateful to Mele for mediating between them.
“He is kind to Simya, who is a girl who needs more kindness in her life,” Calesco says, and Keris can hear all the unspoken effort in not saying anything else here and now.
“Question! Is she my sister or not?” asks Jemil, who is clearly totally blind to all of Calesco’s guardedness and wariness around him.
“I-” Keris starts hesitantly. This isn’t a question she was prepared for. And she can’t - she can’t - deny Jemil his place in her family, for all that he wasn’t born a young child like the others. He’s not a more traditional demon like Sirelmiya or Firisutu; he is family, regardless of his body.
... but at the same time...
“I... think that’s for you and her to decide,” she settles on saying awkwardly. “You’re, um. You’re my son. If you want me to be your mother, I mean. But that doesn’t have to mean the two of you are siblings.”
That earns her two looks; one curious, one exasperated.
“So kinship works that way? That’s really interesting,” begins Jemil.
“No! No it isn’t! It’s just dumb!” Calesco crosses her arms. “If you’re his mother and my... parent, that means we’re at least half siblings. That’s how it works.”
“So you are accepting him as your brother?” Keris asks, perking up.
“Why are you asking me?” Calesco says, wielding her words like her sister does her knives. “You didn’t give me a choice when you decided I was your daughter and the others were my siblings. But you are walking on hot coals in your caution, mother. Why?”
The force of Dulmea’s presence is almost oppressive in Keris’s head. Her mother-by-choice is listening intensely.
“… because of you,” is Keris’s reply. Her voice is soft and wavering, with a faint edge of incredulity; bewildered that Calesco needs it spelt it. “Sweetheart, it’s because of you. Because you made me stop hiding from my past. Because you reminded me of… of Nexus.”
“Nexus?” Jemil doesn’t care to hear what, if anything Calesco has to say - not in the face of the promise of something new. “Tell me more, tell me more!”
“It wasn’t… just that,” Keris says awkwardly. Two sets of eyes bore into her; one intense blood-red, the other eager gold. The music in her head is quiet; half-forgotten under the pressure of Dulmea’s attention. “When I had Calesco… I was repressing a lot. Forgetting a lot. Deliberately. And I don’t regret insisting you were my daughter back then, because I think what you were trying to be would have been… you’d have been more like Lelabet, if you’d been my shadow instead of my daughter. More a demon than a person.”
She swallows, aware that Jemil is getting impatient for an explanation.
“But I was still avoiding what I knew about how this kind of thing should work. It… it began with Zanara, remembering. Not just how Zana insists she’s not my daughter, but how… how Dulmea didn’t really want to be her mother. Doesn’t really want to be, even now. And then… then I went to Baisha to look for my origins. You remember that, Calesco; you were there behind my eyes for most of it. Ali and Xasan accepted me, but there was a while there where they might not have. And… and if they hadn’t…”
A lump forms in her throat, digging in like a knife. Keris has to stop talking for a moment and close her eyes, breathing through it.
“If they hadn’t,” she repeats, slowly. “If they’d looked at a, a killer and a witch and an Anathema who served Hell and decided that I wasn’t the girl they’d called sister and niece - then that would have been their right. It would have hurt me. It would have hurt so, so much. And I would still have considered them my family. But I wouldn’t have been theirs. Because that kind of choice matters. It wouldn’t have changed who I was born as. But it would have changed who I was to them now.”
“But what does this have to do with Nexus?” Jemil wants to know. “I don’t understand. Explain! Please!”
Keris sighs shakily. “There are two types of family,” she begins. “There’s family-by-blood, that’s what Calesco is talking about; who gave birth to you, who else they gave birth to, whose blood you share - that sort of thing. And that can be important. To me, it’s very important. I… I run too close the Great Mother, there. I can’t let go of blood. It hurts to even try. But for other people, that kind of family… it’s something you get handed by the world. You have no say in it. And that’s where the other kind comes in.”
She bites her lip. “In Nexus,” she starts over, “there’s something called, um, common law marriage, I think. It means that if you live with someone and share a bed and you both say you’re married, then you’re married. You don’t need some priest to go through a special ritual, you don’t need any fancy agreement written down on paper. If you both acknowledge each other as spouses, that’s who you are to each other. And… that’s for marriage, but it kind of works for other things too. I fell in love with Rat, but there was a while there, when we were kids, where things could have gone differently. If he’d liked boys more and girls less, maybe. Or… whatever. Point is, there’s probably a world somewhere in Szoreny’s mirrors where I called him my brother. And that would suck, because loving him the way I did gave me Rathan and Ogin and Nara, but… if I had called him my brother, and he’d called me his sister, we would have been siblings in every way that mattered. You understand? You can choose to be family to one another. You can decide who someone is to you, what place they take in your life, and if both of you say that’s how things are, anyone who disagrees can go hang. That’s why Dulmea is my mother. Because I asked and asked and asked, and it took a while for her to feel comfortable with it, but eventually she accepted me as her daughter. And so it’s true.”
Jemil is hanging on her every word. Calesco is watching her, as intense as a beam of brilliant starlight. Dulmea’s music is ticking up in speed, perhaps remembering those early days. And there’s another sound, too. Quiet breathing, behind the door. The rapid flutter of a pounding heart; scared to be caught listening in, but unwilling or unable to slip away.
“But things like this,” she continues, “they’re an agreement between two people. They don’t ripple out. Dulmea is my mother, and Ali is my brother, but she’s not his mother too. Iris is Lilunu’s daughter, and she says that means she’s Ligier’s as well, but I’m not sure Ligier would agree. If Rat had called me his sister, that wouldn’t have made his other siblings mine, if they’d survived. And… it doesn’t work both ways unless both people agree. I saw Dulmea as my mother from the start. But I wasn’t her daughter until she said I was.”
Silence. Jemil’s arms flutter, his eyes dart to Calesco, then Mele, then back to Keris as he processes. Calesco folds her hands in front of her lips, a slight frown on her face, deep in thought. Keris glances towards the door.
“It goes the other way too,” she says, raising her voice just a little. “Like I said. If Ali had disowned me as his sister, back in Baisha - I might have still been born from the same mother, might have still been related by blood, but that choice would have meant something. If someone isn’t good to you, you can choose to say they’re not your kin. It won’t change the blood in your veins, but it will change who they are to you. How you see them and what label they wear. That’s what Calesco reminded me of, in Chir. Families of choice. How they can be made. How they can be broken. How someone can claim you as meaning something to them, being something to them - and how you can disown someone and say they’re nothing to you. Because Gull was my wife, for a while. And Bel and Liho and the rest; they were… something, to me. Family, of sorts. I never said it out loud, but that’s what they were. Until it all came crashing down. Bel and Liho betrayed us, and I cut them off. And Gull died, and I couldn’t - didn’t deserve - to call myself her wife anymore.”
Jemil is understanding, fascinated, his mind opened by these concepts, and-
Calesco crosses her arms. “That’s all very good, mother,” she says sharply, “but you have never once actually willingly cut yourself off from kin, have you? Your mother’s ghost was a monster who did nothing but hurt and berate you, and you took her name and still love her and regret it. You might not love Sasimana anymore, but she’s still kin to you, And the whole situation of your childhood in Nexus really isn’t as simple as you act, is it?” She looks like she is about to say something more, but - mercifully - holds herself back.
A raw smile flickers across Keris’s face. “Like I said,” she says. “I’m not good at letting go of blood family. I’m too close to the Great Mother. There’s a reason I took so naturally to her gifts - I’ve always thought like her. And internalising so much of her nature only made those traits stronger. My Gales don’t like the idea of betraying Xasan or Ali any more than I do, but they can form the thought without feeling like all their blood has turned to acid.”
She leans back in her chair, dragging a hand through her hair. “I know I don’t follow all these rules myself. This is stuff I knew from before I Exalted, before I drank of Kimbery’s gifts, and even if,” she glances at the door, where Simya is still hiding. “Even if I still believe that sometimes you might have to cut away blood-family who aren’t acting like family, I know I can’t do it myself. But you two aren’t me, and don’t have my limits. You deserve to know your options. And even if you were just like me; not being able to let people go only makes it more important that you choose what they are to you carefully, right at the start. You and Jemil are both my souls - but not all my souls are my children. It’s up to Jemil whether he wants to be my child like you are, or something else, like Firisutu and Sirelmiya.”
“Well, I am your son, I think!” Jemil says brightly. “I want to learn from you, you’re so clever and you can do so many things, and,” he beams, “I know it’s just the start of what we can do together! There’s so much more to do, so much more to learn, so many new experience to... uh, experience. Also also also, my eyes are shaped like yours and Ogin says I’m as happy as a Big Kali! So I’m fine with Calesco being my sister for now!”
“We’ll see,” Calesco says, less warmth in her voice than Keris would have liked. “I don’t know this side of you, mother, and I want to see how I feel about it. Why did you make him now? What makes him distinct from Zanara?”
“Zanara is art,” Keris says, smiling at her newest son. The expression feels unfamiliar after such a heavy talk, but it’s not difficult to summon. Not when Jemil’s joy is so bright and innocent. “Art and beauty, drama and performance, entertainment and aesthetics. Zanara is the part of me that looks at the world and sees how you can change people, change minds, change hearts, with what you show them and how you show it. Sometimes in big ways, sometimes in small - but the presentation matters. The way you shape an idea decides whether it fits into someone’s head, and what it does there.”
Jemil claps his hands. That is a lot of clapping. “So wonderfully put! Yes, I think I want to meet them!”
“Well,” Mele says, from where he’s been quiet, focusing on... stealing the best things from the breakfast serving. That cunning little- “I’ve really got to get up to the bridge. I need to check where we’re going, and whether there’s any hazards ahead. We had to detour around a chasm while you were asleep, maj, and while the crew spell-things do their best, I think it’s better with someone in charge. And for my part,” he leans over to kiss Keris’s neck, his hand working down to the small of her back to trace her golden tattoo, and Calesco makes a gagging sound, “I think how clever you are is just as cute as your artistry and your kindness.”
Keris squeaks faintly at his cool hand, but as he prepares to get up she realises that Simya is still listening at the door.
“Hold on,” she says, looping a hair tendril around his neck, tracking Simya’s quiet gasp and the faint, hasty footsteps as she retreats through to the cabin next door. Keris presses a - somewhat deliberately sappy - kiss to Mele’s lips, smirking at Calesco’s exaggerated distressed noise, then lets him go.
“I want to see you later,” she purrs, and grins as she deftly evades her daughter’s attempt to kick her under the table. “To look at the moonsilver breastplate I got, honestly, Calesco, what did you think I meant? I’m going to be making it into a graft for him; he deserves to have some say in the matter.”
“He deserves to have a cold bucket of water thrown over him so he stops making out with my mother in front of me,” growls Calesco. “This is a talk I don’t even want to have with you, but I am going to be having words with Anyuu, trust me on that! He’s too young for you! And he’s an incorrigible flirt!” She pauses. “Also I don’t approve of you wasting moonsilver on him, and I also don’t approve of kerub experimentation for surgical modifications!”
“Why not?” Jemil sounds genuine there. “It’ll be both interesting and everyone’s in favour of it. Isn’t that much better than doing it any other way? Plus, I like Mele and I think we could do something wonderful with him with the power of moonsilver.”
“You’re not involved!”
“Aww, why not? It sounds like I could really help mother. And we’d learn a lot and also make my friend better.”
“She’s just mean to the bone,” Mele says in a stage whisper to Jemil. “Don’t take it personally, she shouts at everyone she doesn’t mentally associate as being ‘weak’, It’s really a compliment.”
“You-!”
“As I was saying,” Keris emphasises, cutting over the brewing argument. “Zanara is art. Jemil is curiosity. The way I like knowing things, the joy I take in new experiences and discovering secrets. I think he formed now because… because of Sasimana. That’s, um, that’s why he looks a bit like Haneyl and Vali. He might be her child too. Because I’ve always liked having all the information, but it was what happened at Earth that made me realise - if I’d paid more attention to how Sasimana’s souls were interacting, if I’d known more about how the mind works… I’d have seen her breakdown coming, I think. And, fuck, it was only by luck and a lot of risks that I managed to salvage what she did to herself. I still don’t even understand why it happened. Not enough. I need to study more. Trying to deal with things from a place of ignorance is dangerous. I’ve always loved learning, but it was that jolt that gave my curiosity enough of a push to manifest, I’m pretty sure.”
It’s only half a lie. Nothing she’s said is untrue, exactly. But Keris is hiding the other side of Jemil - and herself. The cloying, sick fascination borne from the madness she went through on the Street. The way she looks at people sometimes now and finds her mind wondering about how they could break; the way ideas and questions about demon Bans and forbidden knowledge intrude on her thoughts.
But she’s not going to voice those things. Because Jemil isn’t her only soul born from an emotion with a darker side. All of them have ugly depths. She knows how cruel she can be in the name of being kind, what pitiless vengeance she considers fair retribution. Between the possessive instincts she formed around and the natures of the King and Swamp, Haneyl could have been a remorseless, ravenous monster, but her daughter is able to take ‘no’ for an answer and compulsively feeds anyone she sees hungry and Keris is so, so proud of how well she’s turned out.
There’s a disturbed, maddened thread of obsession and blasphemy coiled around the roots of her curious urges. Keris knows that full well. It’s what makes her chase the Crane, what brings her back to linger over what she did to Sisim (oh, it had been worrying to see how the ancient demon lord has shaped herself into a mimicry of Keris, but how had it happened and what had it felt like - she needs to know more!) But it wouldn’t be fair to treat Jemil like that’s the whole of him. He’s her delight in learning, her joy in discovery, her innocent wonder every time she sees something nobody else has ever seen before. And as long as she raises him right, those will be the traits he embraces, and his darker side will only ever be his shadow.
After all. She’s done it before.
Calesco glares at her, but that’s basically a resting expression in her case. There’s definitely a curl to her lips that suggests that she suspects that’s not entirely true, but she does also believe in giving chances. “I won’t say he’s my brother. Not yet,” she offers, as something of a concession. “But I’m watching him. And you, too.”
“I’ll watch you too! I want to learn from you,” Jemil says brightly, missing her meaning.
Mele slaps Jemil on the back. “Well, come on, big guy, want to come with me to the bridge, then? It’d do you good to know how the ship works, just in case.”
“I’m all right with that!”
The boys head off to do boat things, leaving Keris alone with her daughter, who huffs and pulls a slim booklet out of an inner pocket and starts writing in it. Keris can’t read it upside-down and from across the table, but she can tell from the shape of the passages that it’s poetry. Unfortunately, Calesco has a sharp eye, and trying to subtly crane over to get a look at her daughter’s work gets Keris smacked on the nose with the spine and dismissed from the room with a wordless huff.
She pouts, kisses Calesco on the forehead, and leaves. But instead of going above-decks or back to her room, she strolls down the corridor to the next cabin along, and silently slips inside.
“Don’t worry, you’re not in trouble,” she leads with. “I knew you were listening, and I’m not upset. I wouldn’t have kept talking if I’d had a problem with you overhearing. But I thought you might want to talk about what I said - and also what you saw of Hell, since I didn’t have any free time to spend with you there.”
Simya doesn’t meet Keris’s eyes, staring down at her index fingers as she entwines them together in an endless, twisting, looping motion. “M-my lady, I...” she swallows, convulsively. “Did you mean it? That family is ch-choice. Family isn’t choice. M-mother had the neomah make me, and the demon put some of her into me and some of mother and so... that is me. And I am m-mother’s. But...”
“You can talk to me,” Keris says, offering a touch of heartbreaking empathy to help her understand the girl.
Simya trails off, and finds a way to say it after several quick shallow breaths. “I l-liked the air in Hell. It felt right. And it was so b-beautiful. And so big. Gem was squ... squalid compared to. Um. That great palace. And the walls were so tall, taller than the volcano, and. Um.”
Keris sighs. She sits down on the bed next to Simya, facing the same way, and drums her fingers on her knee.
“Calesco,” she admits, “accused me of not living what I say, when I talk about this. I’m bad at letting go of family, or people I love. Even when I start hating them, I still love them as well. And the thought of betraying my kin hurts. It’s the cost of accepting so much demonic power. It makes me a bit like a demon myself, and demons aren’t... flexible, mentally.”
Grey eyes glance sideways, and Keris drapes a lock of hair across Simya’s shoulders as the young woman sits stiffly beside her and stares down at her hands.
“I think you understand both of those things,” she probes. “Especially loving and hating someone at the same time. Though it’s more like you’re scared of her, but also want her approval, isn’t it?”
Simya tugs her fingers against each other and huddles down smaller under Keris’s touch.
“Mmm.” Keris nods. “Well. I may not be good at letting go of people myself, but I did mean it. Being a mother - or a teacher - is a two-way street. Your children and students owe you things, but you owe them things as well. If you don’t care about them, they’re under no obligation to care about you. That’s fair. And if someone you’re tied to by blood treats you badly... then yes. They might share your blood. But they’re not acting like clan.”
Simya is taller than her, even sitting down like this, and for a moment Keris is reminded that her student in alchemy is only four years younger than her. The gulf seems greater - but at the same time, it’s not like talking to one of her children. Simya is her peer, in age if nothing else. Reaching out, she gently takes Simya’s right hand in her left, coaxing worried fingers apart and replacing them with hers.
“Not all of Hell is beautiful, but many parts of it are,” she says, changing the subject back to the safer topic. “And they are beautiful, aren’t they? How did it make you feel?”
Simya doesn’t say her answer out loud, not really, but Keris still hears it. “I wanted to be like them,” she whispers under her breath.
And she feels it in her hand; the Malfean power, the strength of the King of Hell - ha! As if! Simya is weak. But not as weak as she was before. The demon in her, the demonflesh that has always been part of her, it has glutted itself on the fruits of Hell. She found new power there by eating Hell’s food and breathing Hell’s air and unknowingly basking in the radiance of Lilunu’s landscape-flesh.
Keris absorbs that. Then nods.
“Alright then,” she says. “How?”
Simya cringes, one shoulder raising in instinctive self-defence. When a blow doesn’t come, she peeks at Keris, and inhales sharply. “I s-saw the neomah there, b-beautiful and graceful and they danced and sang and they weren’t like you in your Dance of a Single Scream but I could never ever be th-that good. But I could be more like them. Like the neomah. Dressed like that. Lovely like that. More like them.”
It isn’t spoken. But Keris can read it in her face. She’s half neomah and the neomah half is the half that isn’t like her mother. Embracing her hellish heritage is an act of rebellion she can justify to herself.
“I can help with that, if you’d like,” she says gently, letting her right hand spilt into root-tendrils for a moment. “What about them did you like most? Their skin? Their scent? Their eyes?” Simya has all those traits in lesser forms, but the halfway place she occupies between demon and human is doing her no favours. Her skin isn’t truly lilac and so instead looks sallow; she’s balding rather than hairless, the alluring scent of the neomah pairs oddly with human sweat and her eyes are large and dark but not enough to be more than faintly uncanny.
“You can... no no no of course you can, Jemil is of you, of course you can do anything he can, and probably more.” Her dark eyes are suddenly locked on Keris, and she is so focused she is barely stammering. “Can you let me watch as you do it to me? Maybe with a mirror too! And Jemil can watch too, that’d m-make him so happy! Even if you have to change me back when we’re back in the world, can you take away all my hair and make my eyes like theirs and...” She loses all confidence, hands going to get chest, arms crossed. “Let me be. Um. Pretty. I w-want to be wanted. I w-w-want…” her nails dig into her hands, “… mother makes me cover up. The bits of me that aren’t… human. I don’t want t-t-to have to cover anything up.”
“Alright then,” Keris says, and cracks her knuckles. She doesn’t believe that Simya actually wants everything she says, but now is a time to let the young woman experiment, to define herself away from her overbearing mother. “It sounds like you have a lot of ideas. Let’s find Jemil and then get started.”
It takes her a bit to coax the ship into forming a suitable place for what she’s about to do, but within a sealed and disease-warded sac, with Jemil watching, she coaxes open Simya’s flesh and starts to root around inside to his - and, uh, Simya’s - interest.
“I really like how there isn’t pain this time,” Simya says, sitting there as Keris carefully coaxes her ribcage open so she can show Jemil what’s inside. Keris disconnected most of her conscious nervous system to both paralyse and stop her feeling pain - it’s much kinder than experimenting with dangerous knock-out drugs.
Even before Simya started changing herself, her body wasn’t like that of a normal human being. Keris points out the immature and under-developed igniferous bile sac sitting next to her stomach, the glands that would create the flammable liquid in a neomah entirely missing, and the sphincters that would seal off her lungs and stomach when she spat flame rendered useless by clean cuts by another’s hand. A fused benign tumour of brass and bone - the core of a tower-seed, likewise sitting hooked into the blood vessels but too malformed to do a thing. She shows Jemil the neomah scent-glands under Simya’s armpits and in her pubic region, the atrophied traces of what in a full blooded neomah would be how they change their shape, and briefly demonstrates to him how Simya’s body makes both human and neomah pigments, and she can coax the production of one or the other with an implanted self-seed to interact directly with it.
And then there’s what Simya has done to herself. She can’t do surgery like Keris can, but she has her workarounds; her custom-built demonic parasites that riddle her. There’s the stomach-bottle-based thing in her liver to enhance her ability to handle poison, a highly modified tapeworm coiling in her gut that enhances her digestive abilities-
“It lets me drink milk,” Simya says helpfully.
-and then there’s the scarring from what turns out to be an attempt to regrow hair.
These demonic parasites aren’t a good idea. Or, rather, Keris decides, they are a good idea, in the way that only someone very clever can have good ideas that’ll be disastrous in the long run. These are organisms she made herself, and while the liver blood-drinker is very well done, the others are not. The hair-parasites are killing her hair with the scarring and mucking up the balance of her male and female essences, while the tapeworm is also eating other things she needs.
“Whoever made her didn’t do a very good job of it,” Jemil says brightly, examining the tower-seed in Simya’s opened-up chest cavity with a lens. “Why couldn’t they even get the fire spitting working?”
“It’s h-hard,” Simya says, trying to look away in shame but unable to turn her neck. “Um. I tried doing it, a few times, making a parasite that could get it working, but the bits of neomah-flesh I got my hands on m-might not have been good quality enough. Everything I tried, the parasite either burned up in the first or blew up the first time it tried to do it. B-but at least it wasn’t in me when it died.”
“Right,” Keris decides. “Simya, you did your best, but between substandard materials and no proper teacher, a lot of this is going to have to go. So we’re going to replace or repair everything that isn’t working, and refine everything that is. First things first: we’re going to need a full neomah donor as a source of materials.” She pauses. “I’m. Uh. Not actually sure what would happen if I tried to summon one now, while we’re halfway across the Desert. Hmm.”
“Hmm?” Jemil echoes in exactly the same tone of voice, golden eyes lighting up. “That sounds interesting. You said you’ve studied all manner of things of demons, but you don’t know this?”
“Most sorcerers are never in a position to try, Jemil.” Keris points out. He pouts, and she rolls her eyes. “Well, I suppose we can find out,” she concedes. “Hmm. It’d be best to have as close a biological link as possible, if we’re going to be using this neomah as a grafting source. Simya, do you know the name of the neomah that made you? Your demonic parent?”
“O-oh.” Simya frowns, one of the few gestures opened to her as she lies there, opened up like an anatomical model. Her heart visibly races at the thought. “Um. Bidaha. Mother kept her bound for. Uh. Well she only banished her when she went to move. She couldn’t m-make her tower anymore, but-but-but she could still teach me and. Uh. Entertain my father and brother.” She’s very matter of fact about this, her stammer just typical rather than a mark of shame at the idea that her demon sort-of-mother was being used that way by her other family members.
“Well, come on then,” Keris says, getting up and heading for the door.
“N-now?”
“No time like the present,” Keris shrugs. Then looks down at where Simya is still splayed open with her organs on show. “Uh. Well. I’ll stitch you back up first. Then we can go.”
It doesn’t take long to get Simya intact and on her feet again, and they set up on the foredeck with Jemil eagerly coiled around her and Ixy watching warily from where she’s leaning against the mast. Simya is beside Keris as she gets ready, answering Jemil’s eager questions in an aside as she does.
“... stronger anchor, but for individual First Circles I can do it just with my authority through the Althing,” she finishes. “Though, mm. At this point I’m famous and high-ranked enough that I probably could summon someone stronger with just that. Either way, it’ll do for this. Now, Simya? Please concentrate on Bidaha as much as you can.”
Keris clears her throat and raises her arms, calling on the titles afforded to her by the Reclamation and her authority as a princess of the Green Sun. “By name, by descent, by citizenship I call you,” she calls, her anima surging around her in spectral scarlet and silver. “I summon you by the authority I wield as a Princess of Hell! Come, neomah! Come, mother of Simya! Come, Bidaha, to me!”
There is a flash of light - not on the ship, but ahead of them. A moment of a feel of moving through a barrier, a moment of tension - and suddenly they are no longer sailing through ash-flecked sand, but now the hull is sliding across a glass plain that is marred and twisted by once-extraordinary heat. And ahead of them-
“Someone on the sands!” Mele calls out from the bridge, such as it is. A black-robed figure, trudging across the glass plains which weren’t where they were before.
“What the-” Keris mutters, mind whirring. “Wait, shit. Mele! Draw us up alongside! Pick them up!”
A vine is thrown down, and the figure is helped up, tottering as they’re pulled by compulsion into Keris’s impromptu circle. Only then do they manage to slump down. The black robe is cheap hellish-cloth, and it covers up below it layers of writing-silk wrapped around like bandages. But what skin can be seen below it is lilac, and the eyes that gaze up from the hood are jet black, over a generous mouth. “Art thou the one who called me, master?” the neomah begins in archaic Old Realm, notably formal even by the standards of the lords of Hell.
The spell is not complete yet. It awaits her words of binding - or dismissal.
“I am,” Keris replies, matching the formality if not the archaic dialect. “But I shall offer you freedom from binding, if you will enter my service willingly. Your daughter Simya is already one of my students, and seeks to learn more about her Hellish ancestry.”
“Simya?” and the demon Bidaha raises her head at that. “Strangely met, then, for I had thought I would never see her again when I was banished by her sorceress-mother. And you are-”
A sharp intake of breath.
“You’re Keris.”
Keris smiles. “I am. And it is not so strange, for your daughter named you to me. Will you enter my service, Bidaha?”
“The Harlot of the Yozis calls me into her service - such knowledge, such hidden secrets,” the neomah says, voice husky. “And gives me the chance to resume the tuition of one of my favoured creations. And be it not above my station, but I hope that you, master, appreciates me for my talents more than she who once bound me, the sorceress Hinna. Whose secrets I would not betray to you,” and she smiles, because Keris knows she’s lying and she knows Keris knows it. Any sorcerer who knew a demon had been summoned before would enquire about the secrets of their former master. It is in their nature.
“Then rise, Bidaha,” Keris commands, and snaps her fingers to break the circle. “Rise unbound, for I have much work for you, of many kinds. The first of which,” she nudges Simya forward, “will be helping tend to your daughter.”
“Am I to understand that you are putting me at her disposal,” Bidaha asks, “as a familiar spirit?” She straightens up, released from the circle, and half-stumbles from exhaustion. “Forgive me, master. Five days on the desert is never easy. But if you require anything from me, any secrets of Hell, even a study of the arts of the neomah - well, we can see what we can do. And I ask so little in payment for my lore...”
Now seen up close, her figure is not like Keris has seen in many neomah. She is skinny, even masculine in how she presents herself, and as the robe parts Keris can see the intricate hand-written notes of the garments - no, not garments, simply silk pages stitched into something that can be held close to the body.
“You’ll be attached to her, yes,” Keris replies, then frowns. “Five days, you say? Then you set out... the seventh scream of Calibration? Eighth?”
“No, just after the end of Calibration,” Bidaha says.
“After-” Keris blinks. “But... no, that’s when we set out. It’s only been three days.” Two awake, one she spent asleep, and then this morning. She turns to Jemil and Mele to check. “Right?”
“Yes, maj,” Mele says. “A day’s travel in Hell, a day on the ship, then a day of you being conked out cold, lazing around - which of course you totally deserved to do-”
“What I want to know is why we’re now on a glass plane,” Jemil interrupts, eagerly rubbing many hands together.
“I think... I think maybe we’ve moved to a different part of Cecelyne?” Keris speculates. “Maybe the spell brought us to where Bidaha was, instead of her to us? Fuck, this is confusing. I hope we haven’t lost time. If we take more than five days to cross the Desert because of this, Calesco’s going to be pissed.”
“You mean she wasn’t already?” Jemil asks.
“Hard to tell, hard to tell,” Mele says with a shrug.
Further questioning of Bidaha - along with Jemil’s eager contributions - does not clarify the situation much. Multiple theories get thrown around for how Bidaha can have spent five days walking the Desert while their sandship has only been sailing for two-and-a-half; Jemil wonders if time passes differently in different regions of Cecelyne, Keris guesses her spell might have dragged them two and a half screams forward in time to intercept the neomah, and Bidaha herself offers the glum possibility that their interception marked the start of a new journey and it will be another five days to reach Creation from here. Ultimately, there’s no real way to test any of their guesses or know for sure.
Ixy, for her part, stays out of the chatter and views them all with a deep sense of disdainful mistrust. Mistrust for Keris, though - not for what Simya wants for herself. But then again, Ixy too has been through a Chrysalis Grotesque. She knows the power of Hell can rebuild a woman, and she’s now seen the face Keris claims was her own. She doesn’t trust Keris to do it without something to gain, but the act of changing one’s self at all… that she understands.
For her part, Keris sits down with Simya with Bidaha to serve as an anatomical model, and her fingers fly as she produces sketch after sketch, trying to capture what Simya wants for herself. Which, when she dismantles it, is really ‘to not be herself’. She’d rather be someone else, but doesn’t know exactly who, and is looking to the demonic half of her heritage to both find someone new to be and because she saw such beauty and awe and wonder in Lilunu’s lands.
Keris almost without thinking tastes the air. She could probably talk Simya easily into whatever would be most interesting for her, whatever would let her play most with that fascinatingly malformed and incomplete anatomy she found when she opened her up. Oh, it’s like the inverse of a kerub, almost; keruby mimic human biology with demonic parts, but Simya is a human body twisted into the image of a neomah. She can make this all so pretty, with time to work. So she just needs to see what Simya really wants, and then she can keep this going in the background as a side project.
Practically a way of relaxing after Calibration.
She restrains herself from going too overboard, but gets a fair amount done over the rest of their journey and plans out even more. Her first goal, obviously, is to fix what Simya’s already done to herself. Breaking down the tapeworm in her gut with some vitriol gives her enough technically-chalcanth to feed through the self-seed and correct the girl’s mild allergies to milk and eggs at the source, treating the cause rather than the symptoms. The hair parasites she just dissolves completely - and, at Simya’s urging, uses their remains to dissolve the follicles not only on her scalp but all over her body, leaving her as hairless as a true neomah.
“It’s never grown properly,” Simya says, when Keris hesitates at the thought of getting rid of her hair so completely. “And I know you could fix it, but it’s just too hot and humid in Saata. Better to go without. I can always ask you or Jemil to grow it back if I ever change my mind. Though, um, my mother...”
“I can make you a wig that’ll look so real you won’t believe it isn’t,” Keris promises, her qualms dying immediately at the thought of sharing any kind of opinion with Hinna. And honestly, while the thought of losing her own hair is horrifying, the bald look does sort of suit Simya. There’s an odd, vulnerable femininity to the bare curve of her neck where it meets her skull - albeit in a Zana-ish sort of unconventional way.
The changes in skin colour Keris demonstrated got Simya very excited, so that’s her next project; splicing the self-seed deeper into her nervous system and then altering her skin to produce and reabsorb different pigments, until she can take it from her natural pale to a generic Anarchy dark to a true neomah lilac, or anywhere between them. Refining her colouration to separate the different hues does a lot to make her look less sallow and unhealthy - now, with the hint of purple removed, her pale skin is a normal, human pale and her lilac is the true demonic colour; both more attractive than the clumsy mix. The darker hues are something Keris throws in as an afterthought, but a comment from Simya about always having burnt easily convinces her that there’s no harm in giving her a little more protection from the Southwestern sun, even if (given her demon blood) she’ll never be entirely safe from its rays.
The last big change she manages on the trip itself is a complete overhaul of Simya’s malformed, non-functional fire spitting system. Here is where Bidaha comes in useful; a self-seed in her body lets Keris harvest tissue from her fully functional organs and then regenerate them before splicing the samples into Simya. The transplanted glands hook into her stomach without difficulty, and Jemil watches with avid interest as she coaxes the bile sac up to full size with probing, pushy root-fingers. Then she sews up the punctured sphincters and runs a nerve directly from the bile sac to trigger them reflexively when it ejects fluid.
“I’m assuming these were cut open when you were a baby?” she asks. “Without a functional bile sac - and as an infant without much control over your own body - you were probably reflexively closing them and starting to suffocate every time you threw up. Which, speaking as a mother, babies do a lot of.”
“That was the case, master,” says Bidaha. “Hinna had one of the aideara bound at the time, bartered via contract, and she performed many operations on the infant Simya. She disposed of that one when the aideara grew, in her words, ‘uppity’, and gave the body parts to me to create a demonic meat-puppet she could control as a spy from a safe distance. I never did find out what she did with it for certain, but last I heard she was planning to try to accelerate its growth to maturity as she was displeased that it came out as an infant.”
Keris winces. “Ooo, she better hope Kinmaya never finds out about that. Killing her little wives is one thing, but she gets pissy when people defile them, and I bet this would count.” She stretches. “Right. Now, Simya. That’s probably all we have time for on this trip - assuming we actually get out of the Desert in the next scream or so.” Apparently the summoning shifting their position acted as, if not the start of a new journey, at the very least some alteration, because it’s now the evening of the sixth day of their voyage, and if it turns out they have another two and a half to go Keris is going to scream.
She shakes the dread away and focuses on happier thoughts. “So,” she continues. “Let’s talk longer-term changes. I’ve got some ideas, so let me list them and tell me what you think of each.”
Simya is very, very receptive to the idea of further changes. She doesn’t agree to all of Keris’s ideas - a pity, because she’d really quite wanted to see if she could get hallucinogenic glands working to let Simya drug people into illusionary worlds (her stuttering refusal had been rooted in a lack of confidence in her ability to make good use of it, which Keris supposes is fair given her lack of social skills). But she likes the idea Keris pitches of a sensory symbiote that will run up along the central line of her tongue and analyse any biological samples she can taste - sweat, blood, saliva - for the nature and strength of their source, and she’s also quite taken, if a little less confident, in Keris’s proposal to reconfigure her scent glands so that she’ll be able to subtly, subliminally nudge people’s emotions in ways they won’t consciously register. It won’t fix her awkwardness around people, but being able to make strangers feel tolerant or impressed by her will at least help mitigate any verbal blunders she makes.
And then there are Keris’s plans for her tower-seed. Oh, Keris has a lot of plans for her tower-seed. Bidaha’s is as crippled as Simya’s, in a way Keris isn’t sure how to fix with a brief examination - it’s beyond the self-seed’s ability to casually repair - but she sketches diagrams of a chitinous biological chrysalis woven around the tumour and a vitriol-gland feeding into it through a mucosal valve. What’s currently a fused mass of brass and bone will dissolve into chalcanth - a vitriol solution of dissolved demonic tissue - and some acupuncture and rerouted meridians around will feed a trickle of essence into the chrysalis, infusing the mixture with more and more power.
“You don’t have any need for a standard neomah tower,” Keris explains, excited by the possibilities. “But the biology to spin out a structure and then swallow it is there. What we can do by dissolving and reforming it - just like a caterpillar turns to slurry in the cocoon and emerges as a butterfly - is reshape the tower into a dedicated fleshweaving lab. It’ll need time to fully dissolve, and more time to hit the right level of essence-saturation, and then more still to metamorphose into the new organ, but in a year or two you’ll be able to disgorge a proper workshop for your genesis-crafting.”
Simya stares at her with her new eyes - larger, darker, still nervous and evasive. Then; “Th-that would be mine? No one c-could take it away from me. Or m-make me... it would be just mine, mine alone?” she breathes, voice cracking.
“Just yours,” Keris confirms gently. “Only yours. Impossible for anyone to steal or take away.”
At first, there’s just a wordless burbling full of thanks and tears coming from those dark eyes. Then, “M-my lady, Keris, I... I... I... never want to leave you. You... the first person who-” She takes a deep, snotty breath, and blots her eyes on her sleeve. “If I c-can make a pact, pledge, anything that’ll make me yours and n-not someone else’s...” She gulps down air. “If I s-sell you m-my soul, Mara can’t take it and...”
Her logic is clear and makes a terrible amount of sense to Keris the priestess of Venus, for it is laden with the sensibility of the Lovers. She would make Keris her Necessity, and - even with whatever she has learned from her mother’s dark arts warning her - trade her soul to Keris if it would keep her safe from Mara. From any of the other threats in the world. From her mother.
Keris sorts through her sketches, finds the one she wants, and lays it on the table. In immaculate detail, drawn and coloured in vivid detail, are twin serpent tattoos that wind and coil around loosely-sketched forearms from the elbow to rest their heads on the back of each hand. Black-scaled and opal-eyed, there’s something of Iris to them - and her familiar lifts her head off Keris’s arm to give the drawings an inquisitive sniff and a puff of approving, serpent-shaped flame.
“If you want to take my mark, Simya, I will let you.” Keris says. “I will paint your hands in my colours and flood you with my power and burn my name into your souls. I’ll keep you safe from Mara, who dares not defy me, and from your mother too. In return, I will expect your loyalty. You will act in my best interests, you will research what I ask of you, and you will keep my secrets. If you break your oath to me, there will be pain, and I will know your treachery. But keep it, and you’ll be mine - and I take care of what is mine.” She looks Simya in the eye. “Is that acceptable to you?”
That gets her an eager, earnest nod. “Y-yes! I would have g-given you more if you ask, that you ask for so l-little is a kindness.” Bowing her head, she kisses Keris’s hand.
“Then hold out your hands,” says Keris, “and I will claim you.”
She pays careful attention to the tattoos she lays down - and they’re good work; as well done as Suriani’s cat-snake-peacock dragon, not living in and of themselves (yet) but made with ink that contains some of Keris’s blood and drawn along her meridians. With time and further investment they’ll be familiars for Simya, able to slip off her skin and go scouting for her - or killing, with aconite-dusted fangs.
“I am your s-servant, now and forever, my mistress,” Simya says, and that sounds like a recitation. She’s heard it before. “And,” there is a sudden sharpness in her voice, “I will serve you better than mother does, if I c-can possibly. Because I’m yours, and I’m n-not looking for a better deal, because no one would ever be kinder to s-someone like me.”
Keris grins. “To tell you the truth,” she confides, “I like servants like you better. People who serve me because they want to, and because they like me, and who aren’t just angling for the wealth or power I can give them. It means you’ll look out for my best interests more. And it means I can encourage you to be ambitious and to get stronger without needing to worry you’ll turn on me.” She winks. “Your mother’s not mine like you are. She just works for me. If you want to replace her in my service... well, I’ve already started your lessons on sorcery. Learn everything you can and claim your place at my side. I value loyalty and room to grow more than what someone strong can offer me up front.”
All these things are true, yes, and Keris would have said this anyway.
But she’s also maybe aiming this at the listener. Because she is fully aware that Ixy has been lurking here all along, an invisible shape blending perfectly into the background, every hue and colour matching. And she’s good at it, she really is. But Keris can hear every heartbeat, every breath, every minute micro-shift and even the sound-devouring hunger of Metagaos can’t hide Ixy. Not yet, at least.
And from the intake of breath, she thinks it landed. That maybe she’s getting through to this pig-headed stubborn girl.
If so, that’s far more miraculous than a mere surgical reconstruction of someone else.
Two and a half days lost to the summoning, more or less, and Keris has now learned that summoning demons when you yourself are leaving Malfeas gives Cecelyne licence to fuck with you. Or maybe it’s some obscure consequence of the interactions required to meet up with the demon, but frankly she’s not going to avoid ascribing spite to Cecelyne if she can avoid it. Calesco is getting near-frantic with worry, and so when their plant-ship emerges somewhere in a shallow, baking hot sea, next to an uninhabited island twisted by basalt spires, Keris practically gets an ultimatum.
“We get to Malek now, and leave the others here,” Calesco says. “We don’t have any more time to waste. Where are we? How long is it going to be?”
“Sweetheart, we’ve just arrived; I don’t know exactly where we are yet,” Keris says as patiently as she can. “I aimed us for the Alanyab Alsawda Hellgate, and according to the maps I looked up in the Althing we should be on the eastern coast of the Shallow Sea, about two hundred miles south of Paragon.” She spreads the map out on the deck and points. “Here. Do you know where Malek’s manse is?”
“It’s by Sabade of the many lakes. At the mouth of the river Vijay,” is the answer she gets, Calesco pacing back and forth as she adjusts her wings in agitation.
It takes a few seconds of searching up and down the coast, but Keris eventually finds Sabade and relaxes. “Okay. About three hundred miles south of where we are now - that’s, what, an afternoon by land, and maybe four hours by water if I don’t care about leaving a trail. Even less if I take the unreal paths. We’re good.”
Reassured but still conscious of the ticking clock, her next question is to Mele. “This ship won’t last once I’m off it, but it should stay together for a day or so before dissolving. Can you make it to the shore by then, or will you have to wait here? Calesco and I are going to have to go on ahead as fast as we can, but if you can follow us at a slower pace we can pick you up once Malek’s ship is repaired - or at least come by and pick you up while she’s fixing it.”
Mele rolls his shoulders, and affectionately pats her on the cheek. “It’s a ship, your maj. I can keep it going longer than you’d think, though you know that already.” That draws a noise of disgust from Calesco. “What, I’m talking about holding a ship together, princess. You’ve got a dirty mind. Anyway, let me see the map - yeah, okay, yeah. I’ll get us to Cochine, on the coast there, and we’ll see what we can do to secure passage as needed. Maybe some light piracy, who knows? Three hundred miles should take us three, maybe four days, so we won’t be far behind you.”
“Perfect.” Keris kisses him on the lips - and perhaps lingers for a little longer than necessary, until Calesco’s disgusted and irritated cough pulls her apart. “In that case, Mele, you’re in command. Jemil, you’re second in command, but remember to stay out of sight of humans; we can’t afford a Wyld Hunt on our asses. Ixy, keep everyone safe, and if you get attacked by pirates, kill them all or drive them off before they see anything incriminating. Simya, try to keep them from doing anything too reckless. Calesco,” she turns and offers her back, “get on.”
“Excuse me?”
“You can’t fly anywhere near as fast as I can run, especially across water, and I want you with me when I reach Malek. And you’re built like a bird. I can carry you on my back and still make good time. So get on.”
Calesco glances over the others, her gaze promising murder if someone makes a thing of it. “Let’s go, then.”
With her daughter clinging to her back and supported by loops of hair going under her thighs and around her waist, Keris takes a running start and leaps off one of the black crags and onto the water. Ichor bubbles up to the surface before her bare foot even makes contact, and as she skips off the lapping waves it’s already moving, a bright current of Kimbery’s waters moving in the direction she’s going. With each step it accelerates, until the current is moving as fast as Keris can run; a swift river through the sea along which she moves even faster.
Down the coast. That’s all she needs to do. Head south along the coast until she reaches Sabade. And from there, follow Calesco’s directions to find Malek’s flower-palace.
For once, things actually do go entirely as planned. Keris flits through nearby could-have-been paths as she accelerates down the coastline. There is a city burning with a terrible blue-white fire, but when she comes off that path it is fine. The moon winks at her. The stars whirl in mad orbits. Calesco closes her eyes and burrows her face in her mother’s hair, suddenly a child again in the face of the madness of the Beyond.
But those shortcuts let Keris make the three-hundred-mile trip faster than anyone else could dream, and it is not even midnight yet when Calesco spots the shape of the river and guides Keris to the wilting flower-manse on the island in the rivermouth. It really isn’t healthy. The leaves are sickly and covered in fungal rot, and there is the smell of mulch and decay here. Fungi force themselves out from between the roots, their filaments attacking the very structure.
Calesco slips off Keris’s back, staggering slightly as she handles legs that have gone to sleep, and then raises her voice. “I’m back!” she calls out. “And I have my mother with me!”
The noise brings a disgustingly-fresh-looking dragon aide - Iroi, that was his name - who lifts the lantern to check the faces of the newcomers. “Ah, your highness, welcome back - and your majesty. You are a sight for sore eyes. As you might notice, we have had some... trouble here.” He lowers his voice. “You have it?”
Keris reaches into her hair and Dulmea is already handing her the lead-lined satchel of cyst-fruits whose many-coloured stones gleam oily and slick through rents in their greying flesh. “As promised, the fruit of Metagaos,” she says. “Where’s Malek? I may be able to help her repair this thing. Two Exalts will be better than one, and I can work with plants almost as well as she can.”
The noise has drawn a woman and for a moment Keris thinks it must be Malek herself. But no - too young, not lush enough. It takes her a moment to remember the name - Pardis. But last time Keris saw her, she had been still a girl, really. Now she’s a woman, in the way of the Dragonblooded - she’ll look like this for decades. Still, her green eyes are bagged and tired, and her black hair is scooped back roughly into a loose bun. She looks exhausted.
(she looks like she’s been crying)
“You took your time!” she growls at Calesco. “Where have you been? You said five, six days! Well, never mind that!” She focuses on Keris. “Yo- my lady, come with me. Please. And alone. Mother... needs help.”
Keris follows her immediately. “Don’t blame Calesco for our delay,” she says as they hurry into the manse. “It would have been six days, but we got delayed crossing the Endless Desert; she stretched our journey out to more than a week. How bad is it?”
“Please just come with me,” Pardis all-but begs, which answers Keris’s question all by itself. She leads Keris down into the depths of the manse, alone. The smell of rot gets worse. The fungus is everywhere. It crawls on the ceilings. It sprawls with malevolent intent.
Malek is down here. She is as poorly as the manse. Skin sloughs off to reveal fungus. Her eyes are more bloodshot than green. She wheezes wetly. Pardis rushes over to her, to hold her hand and share her dragon-given strength. But Malek wordlessly pushes her daughter out the way, a living dead thing hungry for what Keris can offer. She smells what Keris has.
Keris could hold back. Could bargain. Could make Malek swear oaths of service, or promise payment. She doesn’t. Aid withheld in a situation this desperate will only breed resentment later. She offers the whole satchel, flipping it open to reveal the bounty of fruits within so that Malek need not fumble at the clasp with withered, decaying fingers.
She feels the tug - not something physical, but something pulling at her very essence. Something that her left hand can feel. The hunger of every plant in growth season, the hunger that would have bamboo rip through rock to get to sunlight. A hunger that really isn’t very different from Metagaos. The first hearthstone is already coming apart into grey light shot through with many coloured sparkles, and Malek inhales the light like a dreamdust addict after her fix.
Keris watches in fascination as Malek’s body practically rebuilds itself before her eyes. Veins bulge like roots, laying out a lattice that flesh can build upon. Her figure inflates, filling out again with refound strength. And the wet gurgle turns into a warm, rich chuckle.
“Oh, yes,” Malek breathes. “I feel good again.”
Good, but maybe not unchanged. The regrown skin is grey and gnarled scar like tree roots; the pupil of a now many coloured iris is bi-lobed; her teeth and nails are things of the Swamp. And she seems to be in some pain from the transformation. Her soft, lush beauty is now red in tooth and claw.
Shuddering in delight, she takes a second great inhalation of the next hearthstone, and around her the manse stirs to life. Biting back at the fungus. Keris watches, fascinated, and in the quiet depths of the flower-manse she tunes her hearing to the wonder happening before her and intensifies it tenfold, until she can hear the dance of the least gods and the subtle murmur of essence melodies flowing all around her. This is the raw power of hell, the hungry swamp Metagaos sinking into something that Malek must have put in place before she got so ill. Maybe a long, long time ago.
And here and now, Keris can hear-taste-feel no difference between the woman and the building. She rots because it rots; she devours the power of Hell and it grows strong again.
If you killed the woman Malek, would she even die? How much is a plant one branch?
“She is not so different to me,” Dulmea murmurs.
No, Keris thinks. It’s not Dulmea she’s reminded of.
It’s Kalathais.
The Dragon Kings dwelt once on Taira. Their ruins and their roads are ancient, but can still be found. Xasan has told her stories about that.
There’s a connection. She knows it.
“The curse isn’t gone, is it?” she says quietly as Malek draws in a third sucking breath. There’s almost nothing left of the second hearthstone; only the gleaming, oily pit that was at the centre of the overripe fruit - and she’s already eyeing the third. “This will help you fight it and cling to life, but there are only a dozen hearthstones here. Distance might help, or at least weaken the curse’s grip, but you can’t guarantee it would save you. You need it broken - and for that you very likely need the one who cast it dead.”
Malek admires her hands, or rather doesn’t. But that’s not a surprise. Keris knows she’s vain, but Malek Qaja is leagues beyond her. To be twisted into this demon-marked thing - and have her body-manse-structure affected too - will hurt.
“Oh, darling, are you volunteering to make an example of that awful fungal wood king for all the trouble he’s put all of us through?” Her hands clench and she draws blood with her new talons. “It would be best if he willingly lifted the curse. And then he can truly be made to suffer.” Her voice cracks.
I can tear out his heart and seal him into a crystal and bring him back to you, if you want,” Keris offers silkily. “And help smooth over the side effects the Hungry Swamp have had on your lovely flying manse - and your body. But this would, of course, be a separate bargain to the one we’ve already made. My services as an assassin do not come cheap. I would want something in return.”
“I’m sure you would,” Malek says, nose wrinkling up. “I just want the curse gone, and him to suffer - what you do with him, I am sure my inventiveness is no rival for your hellish prowess. After all, he’s inconvenienced you too and meant we missed the delivery of your people to the South West. And as for the rest - girl,” and that’s a harsh laugh that shows how she’s not at all happy, “do you think me a child who knows nothing of the arts of hiding sorcerous mishaps and the marks of aging? This is a righteous pain in the ass, but I’ll be able to handle it. I don’t need to go crawling to you for something like this - and I dare say you’d think less of me if I did, given you wanted my services in just this field. But his death and the lifting of the curse, well, once I’m free of that malingering influence, I can resume the trip that’ll get you your people to the Anarchy, no? And no doubt you would be interested in some of the things you have seen today with those greedy grey eyes?”
Pardis has said nothing. She’s going around the room, tiding up, hiding her feelings in rote actions.
Keris spreads her hands - and hair - without shame. “I would,” she agrees cheerfully. “You’ve dug up the scattered knowledge of the ancient Dragon Kings who ruled before humanity and whose ruins still mark the Tairan landscape. Your manses are made with their arts of ambience, you’ve tied your life to your creations the way they inhabited theirs. I’ve found fragments of my own, over in the Anarchy - but perhaps different fragments to yours. Teach me what you know, and I’ll break this curse and punish the mushroom king who cast it. I won’t ask for all your knowledge - you’ve built that up over decades or centuries. But teach me for a season, and past that I’ll trade what I know for more. When I run out of the secrets I’ve gathered, I might even be convinced to share where I found them.”
Malek laughs. “Well, well, so you found out that I didn’t just mix the secrets of Hell up with what I did. And you even know some of their words. Very interesting. And that suggests that even with,” her disdainful wave takes in the still-recovering room, “all this, this trip might well be worth my time indeed. The Tairan ruins have been so heavily plundered, but the story is that the Anarchy is wild and untouched. And... mmm. Yes, you have a deal there, Lady Dulmeadokht.”
“I’ll leave you to your work, then,” Keris says with a knife-sharp smile. “I assume Pardis will have details on where you encountered my new target? She can fill me in on where to go.” She turns to leave, giving Malek her privacy for whatever means she intends to use to sculpt away the marks of the Thousand-Toothed Blossom. And also to draw Pardis out of the room and into some privacy. Calesco has given her an earful or two about Malek’s daughter (and the somewhat regrettable fumbles Calesco made with her on their journey) on their way across the Desert, and Keris wants to crack that careful shell of repression open and get a better idea of what’s going on in the girl’s head.
“Thank you so much for helping Mother,” Pardis says, her face a smiling, genial mask. “We were all very worried about her. And I don’t think any of us will be getting to sleep, so would you care for some tea with me.” The structure creaks. “Maybe outside, under the moonlight? I’ll have the servants bring out some lanterns.”
“That would be lovely,” Keris agrees. “Oh, Malek - Calesco is back with me; she’s gone off somewhere with Iroi and they’ll probably be occupied for a while but she’s somewhere around. I have a few other companions lagging behind in a ship; we may need to pick them up depending on how long it takes to get this thing airborne again. Now,” she finishes, turning back to Pardis. “By all means, lead the way.”
Servants with the same face as Pardis are already lighting candles and oil lanterns to hang in a small veranda that’s been set up outside the landed flower-manse. It looks like it was once part of the structure, but has been moved here to avoid the rot and disintegration that was afflicting the building. Phosphorescent flowers in many uncanny colours are starting to bud on the outside of the manse.
“Mother said that even once the immediate problem was fixed, she would need to make extensive pruning and cultivation to bring the bud back to health,” Pardis says, hands balled up in her lap. “And of course ideally this would be done in a wood-aspected demesne. I look forward to seeing the Beauty of the First Light brought back to full health - ah, thank you,” she says to the servant who’s brought a tea kettle and a small heater.
“I assume the mushroom god’s home is one such Wood demesne?” Keris asks. “Is going back there an option, or will we need to find another?”
“Mother,” and Pardis pauses, considers her words. “While I am not an expert in the fields my mother has spent her life mastering, I understand that given the degree of the cultivation and renovations required, once the process begins the Beauty of the First Light will not be able to fly for, at minimum, quite some time. It may be necessary to ground it as a manse. That was - that is - Mother’s intention; to root it in a suitable demesne in the Anarchy.”
It is a reminder to Keris that while she has heard things of Pardis from Calesco, last time she met the girl Malek said she was training her daughter to be her representative in the naib’s court. This kind of formality seems to be something she thrives on. And it may be not all that different from her older sister, back in Taira.
Keris purses her lips. “I see. So we need to get it across or around the Fire Mountains and down into the Anarchy before rooting it in place, with nothing but the renovations we can make here to take it the whole distance. That’s going to be tricky. Not impossible. But tricky.” She taps her lips thoughtfully. “It also begs the question of where to set it down. Somewhere along the Hook, maybe? Or the Lesser Maula Isles? Or of course there’s always the Silent Crescent. Hmm.” She drums her fingers for a moment, weighing her options more by gut feeling than any specific list of pros and cons, then dismisses the thought for later.
Leaning forward, she switches focus instead to Pardis. “And what about you, Pardis? How are you feeling? You’d never really left Malra before this trip, had you? So close a brush with danger on your maiden voyage must have put you under a lot of stress. I can see you’ve been handling it well, but it’s okay to relax now. You’re safe, your mother has the hearthstones she needs, and this curse will be broken as soon as I get my bearings and track it back to the source.”
That earns Keris a smile. “I can’t say that things haven’t been tough or concerning, but by the looks of things Mother is on the mend and we will be able to move soon enough. So thank you, earnestly, for that.”
Trite, superficial, any real feelings hidden and forced deep down.
Keris watches. Considers. Decides to test the waters again. “I’m glad to help,” she accepts. “But you’re not as happy about me bringing Calesco back, mm?” A probing comment, shaped to provoke a reaction. She leaves off any elaboration on what, or how, she knows about the strife between them.
“I’m sure she has told you her version of events. But yes. While it won’t affect my mother’s arrangement with you, I am not fond of her.” She stops talking there, to pour the tea.
Keris takes her tea with a nod of thanks and sips it, watching Pardis over the rim. She’s hiding behind ritual and ceremony and proper manners - hiding in exactly the same way Keris learned from Dulmea, in fact; adhering so closely to the precise structures of formality and etiquette that reading anything else is impossible. Still, there are a few more guesses she has to what’s underneath that jaded shell that Pardis is working so hard to conceal. She lowers the cup with a disarming smile.
“Don’t worry,” she says easily. “I’m well acquainted with my daughter’s sharp tongue, and I’d know better than to believe her if she’d claimed no responsibility in your fight. Which she didn’t, for what it’s worth.” Another sip of tea. Then, as offhandedly as possible;
“Are you afraid of me, Pardis?”
The question is like a needle in the dark; unseen and unfelt until it’s already broken skin, so fine and sharp that the initial prick doesn’t even register.
Pardis holds her teacup utterly steady, and picks her words properly. “The first time I met you, I did not know what you are. My teaching from mother has progressed considerably since then, and I believe I know enough that - yes. I would call it proper caution around one of the foremost devil-chosen. It is known that the servants of the Moon can create mighty spirits from their reflection, or their shadow, depending on their nature; Mother has been quite clear that Calesco is quite potent, and you are more-so. Though I did not need her to tell me that. When you arrived, the plants themselves trembled in fear and reverence, as mice do when a cat stalks through the grass.”
Even as Pardis draws breath to reply, Keris’s focus is narrowing. She hears every shift in the girl’s posture, every quaver in her voice. This style of sticking rigidly to protocol and procedure is one that Keris knows well, has been taught by the best - and she knows where to look for the cracks in it.
The younger woman might thing she’s so controlled, so practiced - and in fairness, she is a trained dragonchild, even if she is a young one. But Keris’s innermost heart is fear, and so too is her favourite weapon. Yes, Pardis fears her, but this is a small thing, a lesser thing. Much smaller than her fear of a world where her mother isn’t around, where she is expected to handle everything that Malek does when she’s so young herself.
Keris relaxes. She was right with her first guess. The sheer scale of Malek’s presence and her self-proclaimed infallibility have cracked for the first time in Pardis’s young life, and it’s that terror that has her terrified, that breakdown she’s trying so hard to hide. Not friction with Calesco that might erupt into a fight, not a newfound panic over demonic power that might have her do something rash. Just a girl not long out of childhood who’s discovered for the first time ever that the pillar holding up her world can crack.
“That’s understandable - wise, even - and there’s no shame in being cautious,” she says, keeping her body language placating. “But you’ve nothing to worry about. I hold to my deals, and your mother is going to be fine. Which means my power is on your side, and you’re on mine. And on that note,” she leans forward. “Have someone bring out the maps, won’t you? And you can show me exactly where I’m going to go to deal with your little problem.”
Pardis calls for the maps and the cartographer Dahlia, and just casually drops, “And of course I’ll be accompanying you on that. So I can confirm to Mother that the wood king will no longer be a threat. And relay how he died.”
Keris blinks. Frowns. And then grins, sharp and bright and deadly.
“If you say so, little flower,” she replies, as Pardis suddenly looks a lot less comfortable. “But if you’re coming with me on a job, you follow my orders in the field to the letter. And,” her grin turns just a little mean, “I get to test how well you can fight before we go.”
And a few days later-
Fire rising from the fungal grove. Keris’s gore-streaked hand raised to admire the shimmer and gleam of an off-white gem. At her feet, the heartless husk of the mushroom king of the wood. Behind her, Ixy perched on a branch, legs swinging back and forth, a cocked and primed flame piece in each hand. At the tree-line, Pardis with her bow, no expression on her face - a reminder that she is her daughter’s mother, and she has seen worse things serving Malek. And then there are the familiar demon spirits, Mele splashed with red on his white, and keen-eyed Iroi from behind.
The gods have surrendered. Those who did not surrender are dead. They can see it on the forehead of the killer in front of them, something that is - and is not - the mark of the Solar Night caste.
The gem twists and turns between the monster’s fingers as she admires it, pausing for a moment in the speech she’d been giving to inform them all of their new place. Nobody speaks up or interrupts. Partly because the two other Exalts in the clearing would shoot them if they did, but mostly because the speaker is a terrifying monster who commands the attention of everyone present like the moon pulling at the tide.
“... but you, I think,” Keris says without looking away from her prize, her words directed at the spirit knelt closest to the Forest King’s corpse. “You won’t grieve his death at all, will you?” A lock of hair reaches out to tip up the chin of the soil-god; a heavy-set man that would look flabby and fat if not for the hints of bedrock-musculature under the soft loamy skin and sumo build. Even kneeling, he looms. On his feet, he’d tower head and shoulders over her.
“It’s not just fear, though you do fear me,” she muses, making the gem disappear briefly into her hair as she finally looks down at him. “That’s not why you were the first to bend the knee. No, it’s something more than that.” The heart-jewel of his former king appears again in her other hand without any indication of how it got there, and she tosses it up and catches it. “You envied him. His power. His authority. His unearned throne. Were you king here, before disease struck the glade and the trees all started dying and decaying and becoming food for fungi? A friend of the old king, who this one killed? Or did he only earn your hatred after he donned his crown?”
“He was a bad king. He only took,” says the soil god - Kuthee is his name. “I don’t know if he was behind the death of all the elms, and I don’t care. He was a bad ruler.” Keris can taste the self-pity, the overly-flattering-support, the fact he’d bow his knee to a servant of Hell for power right now. But she doesn’t feel he’s lying.
“Mmm. And you think you could do better?” she asks, arching an eyebrow. “Could salvage this broken court, secure the holy glade and protect it, reaffirm your power and the mortals’ worship?”
His expression is tormented. Because if he says he thinks he can do better, he fears he’ll be killed now, for what servant of demons would want a god to rebuild? But on the other hand, he doesn’t want to let the power slip away.
Keris grins, watching him. And decides to throw him a bone. “I will make a bargain with you, if you think so,” she says. “Give me a place to build a shrine - not within your holy glade; somewhere close by, where people don’t go and where you can watch over it. Guard it, keep it secret, keep it safe - and in return, I will not only let you live, I will make you king here - and support your rule.” Her mirrored nails catch the light from the fires as she holds out her hand, and in them she sees his reflection, and his heart’s desire.
So many people are so very simple. This Kuthee doesn’t have complicated wants. He wants to rule this land, this court, this place. She’s offering him exactly what he wants. Only his fear of her is holding him back.
So she removes it. A flex of moonlit power, and his fear of her is washed away under Rathan’s light, leaving her beautiful and innocent and so, so tempting.
“Take my hand,” she urges him, “and give me my shrine, and I’ll leave you and your court in peace.”
The poor sinner takes her hand, so much bigger than hers, and the loam is soft and warm as it wraps around her. The smell of wet soil fills the air. “Leave us in peace, and we’ll do you no harm,” he says. Clearly bravado. She knows he can’t hurt her, he knows he can’t hurt her, and she’s pretty sure he knows she knows he knows.
She shakes his hand and seals his fate, letting a squirming, parasitic sliver of herself burrow into his soft flesh like a worm and wrap itself around his heart. The first binding of many to make him loyal to her - there’ll be a mirror-bright loyalty in him by the time she’s done setting him up as king here, and an icy shard of gratitude as well. Perhaps even a pact-mark.
But for now…
“Agreed,” she says pleasantly. “Now show me to where I can build my shrine.”
Once this land was fertile, and lush, and cultivated. Keris knows this now, because she can tell that the fortress here deep in the fungus-infested woods is old. But not so old to be of the Shogunate. Once this land was mighty and great and there was a glorious empire here in the early years of the Third Age, ruled by sorcerers who could raise these great stone walls up from the ground without using mortar or any of the tools of lesser men.
Now the empire is gone, and the woods have overtaken the land they once held and the fortress-ruin which sits atop a promontory is hollow-walled and collapsing. The structures inside the walls have collapsed and the towers have lost their floors and the cellars are half-full of leaf mould and soil and fallen stones.
Who were they? What gods did they follow? There is the remnant of a chapel inside the walls, roofless, a faceless goddess standing there with one remaining arm raised in benediction. Everything of value has been taken. Only the walls remain.
“Oh, this will do very nicely,” Keris approves. “Very nicely indeed.” She has them bring in the mushroom king carcass and gets to work, root-fingers moulding his spongy flesh and sculpting it like clay around the stone to restore a face, a replacement arm, a lavish dress. He was a big god in life, and Keris makes full use of all the mass of his corpse, building up a shrine around the ancient statue as the bystanders look on in confusion and horror.
Then she touches the divine fungus-flesh with her left hand, and concentrates. It’s always easiest, when transmuting, to change things into materials similar to the original. Basalt to granite is easy; water to diamond is very, very hard. Turning the moulded and reshaped flesh of a divine mushroom-god into Hellish fungal matter is relatively simple, but then Keris needs to chain two more transmutations, each one rippling out through her additions, in order to get to what she wants. Metagaoyin fungus turns to silvery Szorenic wood, and then mirror-wood turns...
... to cinnabar.
Keris steps back, examining her work. A shrine to herself, the central figure a mixture of old pale stone and smooth, matte-red cinnabar. One of her arms is pale marble, the other is rich crimson. Her face is scarlet, her hair is white. She’s a mixture of the old and the new, the divine and the demonic, the pure and the profane.
She’s also fucking gorgeous, surrounded by four low pillars and with a low altar in front of her for offerings. There’s something hypnotic about her; something alluring that compels adoration. Keris dusts off her hands and steps back, smug with triumph and very slightly out of breath.
“Wow, you’re vain,” Ixy mutters behind her.
“I’m gorgeous; I’m allowed to be vain,” Keris retorts. “Besides, this little shrine will protect these ruins and make them hard for others to notice, as well as serving as a waypoint I can navigate to. Kimbery is famous for moving things across her waters - as you should well know, after the Dance I put on - and places like this help anchor her secret currents and smuggling routes.”
That earns her a huff, but then Ixy perks up. She’s holstered one of her flame pieces, but the other is in her hand as she idly fiddles with the flint. “We fucked ‘em up good,” she offers. “Seriously, the looks on their faces when they found we were suddenly there. And that spear of yours is nasty as fuck.” That seems to be a compliment. “And then whoosh! And they burned and then you were fighting the lard-ass mushroom and - whoomph. You just cut him apart, then tore out his heart and made that gem outta it. Like some kinda evil sorceress.”
She seems to have taken to actually seeing Keris fight well. It’s the first time she’s seen that, after all. Keris hadn’t fought in anything gladiatorial this year.
Keris smirks. “I am an evil sorceress,” she points out. “And she’s called Vipera.” She strokes her serpentine spear where it’s wrapped around her waist. “I made her - or reforged her, I guess, from an ancient spear that I took from a Solar tomb. Same as my armour. They were good before, but now they’re better - and customised just for me.” She taps her lip thoughtfully. “You weren’t half bad either, you know. Hmm. You know those flamepieces backwards and forwards; you obviously take care of them well. Do you know how to make your own?”
Ixy’s lips curl up, showing her slightly-too-sharp canines. “What, you think the dustsmiths would let someone like me near their places?” she demands. “All the workin’ I got for them was stuff I got by meddlin’ and testin’ and a little bit of learning from an old guy who ran a bar who used to be a merc. Dustsmiths don’t even let you in their shop to buy ‘less you’re Delzhan or a redneck. Do I look like either?”
“I didn’t ask if you’d been taught, I asked if you knew,” Keris shoots back. “And it sounds like you’ve built yourself a foundation without needing much teaching. But no formal instruction and what you know is mostly maintenance, hmm. Well then, you’re in luck. Saata is lousy with firedust weaponry - there’s a big temple to Akhanammu outside the city proper. I’ll see about getting you some proper training, and maybe teach you some tricks from the King that’ll help.”
Ixy’s hackles rise. “What do you want for that?” she demands.
There’s a little tut from Pardis to the rear. She doesn’t say anything, but Keris is sure that she’s already exasperated with Ixy from the trip up river. She’s been given things all her life - being trained by an older sorceress who wants you to be the best person ever is the natural way her life works.
For her part, Keris rolls her eyes expressively. “I want you to have better weapons to shoot people I send you to kill,” she says, leaving the ‘you little idiot’ at the end unspoken. “And to be able to make them yourself, because high-quality flamepieces cost a lot, as does high-quality firedust, so if you can supply your own that’s money I’m not spending. I saw you turn that sporefinger’s face into charcoal at ten yards, and that was with mortal-grade flamepieces. Why wouldn’t I want you to have better ones that I don’t have to pay for?”
“I guess,” Ixy drags out. “But I’m out of there if they treat me like shit!”
“You, with your charming personality?” Pardis murmurs under her breath. She’s playing with fire, but then again she doesn’t know how sharp Keris’s hearing is either.
“Alright, come on,” Keris says, raising her voice before Pardis can speak her mind loudly enough for Ixy to notice. “Let’s get back to the demesne and seal my pact with that god, and then get going. I’m sure Malek will have noticed the curse is gone by now.”
Gone, but not entirely vanished, she adds in the privacy of her mind. The curse broke with the mushroom king’s death, for sure, but she can still feel traces of it on the surface of the gem. It’ll be lingering in parts of the flower manse too, no doubt. That’ll bear some study if and when she can find the time. Lilunu may have banned her from her plans to free Yuula, but if she can get good enough at mapping and breaking lesser curses, maybe she’ll change her mind.
“You are up to something, child,” Dulmea says in her head. “Or, as is your way, several somethings. Or several things that might become a something when you put it together.”
‘The shrine gives me a trade route into the Anarchy,’ Keris explains in the back of her mind as she leads her little group back to the spirit court and seals her bargain with Kuthee, crystallising his mirror-bright loyalty and leaving a pact-mark on his tongue in the bargain. ‘I can’t smuggle as well as Kimbery yet, but I can feel that some of her gifts are drifting just out of reach; things that’ll let me move things between my shrines even faster than I can already. That’ll let me start diverting Anarchy trade away from the Realm and into the Shallow Sea, as well as up along my islands in the West. And if I can get Ixy interested in something creative, something that’s not violence or paranoia, maybe she’ll calm down a bit. If she gets good at it… well, high-quality firewands are small, easily shippable and fetch a high price even in places they’re manufactured. Having an income stream she doesn’t have to steal or kill for will be good for her. Especially if she knows she gets more money by going through my trade routes.’
“Are you seeing yourself in that? How you came to love art? Or will this just allow her to destroy more things?”
‘It’s the best idea I’ve got,’ Keris replies simply. ‘I changed. You know how much. I have faith that she’ll see that building is more satisfying than breaking, in the long run.’
Keris finishes putting her arrangements in place, and is more than glad to head back downriver to where the flower-palace is located, the fast little ship she grew practically skimming over the water. She can already see the change in the palace’s health in the light of the setting sun. Fresh petals are growing, and the fungal infestation is withering and dying and flaking away in white dust. There are thorny suckers and mouth-like protuberances on the roots which are a mark of the Hellish power that kept it alive, but the palace will survive.
This has already been an exhausting Air, and Keris wants to find her daughter, get some hugs from her (and maybe a “well done, Mother, you did a good job, I’m sorry I shouted at you” into the bargain), and flop down and sleep. But when she escorts Iroi back to where her daughter’s associates have been staying, she finds Calesco and the magistrate Kiki huddling close to a fire, eyes intent on the speckled egg.
“When did she join-” begins Keris.
“Kiki?” Iroi whispers.
“You’re back. Iroi, are you hurt?”
“No-”
“Good. Kiki thinks the baby’s coming. The egg’s been glowing from within since this morning, building and building. I need you here Mother because you’re the bioalchemist and we have no idea what’s going to happen.”
“Let me through,” Keris says urgently, hurrying over to lay her left hand on the eggshell. ‘Mama, I know you don’t like birth stuff or midwifery, but I could use any insights you have, so please pay attention.’
The egg is a swirl in Fate, entangling the essence of Creation’s nature and staining it with Calesco’s particular blend of the nature of the Dragon and the Silent Wind. And it is much more active than it was before. With each pulse of light, it pulls a little more of Fate into itself. The effect is small, but to Keris’s keen senses, it’s unmistakable. She gets the feeling of someone preparing for a long-distance race. And under the surface of the egg, she can feel movement that wasn’t there before, shape and form appearing from the thick liquid. Transitory, temporary-
the amorphous form of the un-formed thing that Sasi had within its own egg in the dream, that had been trying to take shape, the thing of skin over molten gold
-and Keris tries not to flinch away. It’s a coincidence. It has to be.
Her breath hitches and she grabs for Calesco with one hand as the other falls to where Vipera is wrapped around her waist, seeking the comfort of her daughter and a weapon. Strigida puffs up around her, feathered armour half-emerging from cloth to keep her safe.
“What happened? What did you feel?” Calesco doesn’t know, doesn’t understand what Keris has been through. And she manages to get her breath under control. It’s possible it might be related. That part of what she’s been through has taken root. But that doesn’t matter, doesn’t affect this infant egg here. She’s safe here, surrounded by kin, and she can see the fear and wariness in Kiki’s eyes as this first-time mother - the first ever kerub mother - sees her ultimate maker flinch in fear.
“I- it’s nothing, it’s not anything to do with the egg,” she forces out, honesty and the need to soothe a young mother’s fears briefly overriding the instinct to keep her trauma secret. “It just… reminded me of something unpleasant from back in Earth for a moment. Like prodding a bruise. I’m fine and so is the egg; don’t worry. It’s…” She reaches out to touch it again, frowning. “It’s pulling in Fate somehow, absorbing it. And there’s something moving in the tar inside. Or, no. The tar inside is what’s moving. I think the little mez is coagulating its skin - is the Fate it’s absorbing acting as the coagulant somehow?”
“Eww.” Kiki looks vaguely disgusted. “It’s much easier when it happens the normal way. So there’s a mez without skin in there?”
“I don’t think it’s a mez quite yet,” Keris says thoughtfully. “The egg was its skin. Still is. But it’s forming another one underneath. Like… like how the inside of a caterpillar cocoon isn’t ‘a skinless moth’; it’s a cocoon until the moth finishes forming.”
“Do you think they will hatch soon?” Iroi asks, leaning over.
Keris doesn’t get the feeling, and says so - though she isn’t sure how long it will take.
“In that case, I suppose I’ll make everyone some tea. This might be a long night.” He pauses, and clears his throat. “And, uh. We don’t have traditions at the moment for things like this, but I believe the human tradition is to congratulate the mother to be - so, congratulations, Kiki, and it is quite lovely to see you again.”
Kiki visibly puffs herself up defensively, and then reconsiders. “I, you- thank you?” She smiles, orange eyes creasing up. “It’s the first time seeing you as a grownup.”
“It is kind of you to say so.”
“I didn’t say anything kind. It’s amazing you managed to become the most bland, colourless dragon aide I’ve ever seen.”
“Right you are, Keeks.”
A blush rises to her cheeks. “Don’t call me that!”
“Of course not, ma’am. Tea for you? Would it be customary to prepare tea for the young lady or sir who’ll be arriving? Well, I suppose I can ask ‘em when they show up.”
“You can’t be serious.”
“I am quite serious, Keeks.”
“Iroi!”
“Tea would be lovely, Iroi,” Calesco says with a gentle smile.
“Right you are, miss.” He’s chuckling as he goes off to find the tea set.
“He’s the worst,” Kiki fumes. “Just the worst. He’s got a stick up his ass like all rendas, but it’s loose enough he can use it to hit you with it. It’s so unfair!”
“You poor thing,” Keris commiserates, amused. “I know the feeling; Rounen and Rala do the same thing to me.” She pauses. “Have you… thought any more about names?”
Kiki expands over tea. “So, the thing is, I wanted a special name. The kind of special name that the First Ten got, or which Princess Haneyl gives really important sizoms. Because, like you say, this child will be special. Yuu was the first kerub, and this will be the first kerub-born kerub. And I talked with Calesco about it. And some more things about families and how they work for humans, because... because my child was made more like how humans are made than any kerub has ever been made before. You know, I didn’t know you had a big brother. Only, a big brother who wasn’t the big brother who made you, but the kind of big brother who’s the older one made by your big brother. Well, uh, your parents.”
“Ali,” Keris says softly. “Yes. He’s Hanily’s father - my niece, the one the Zen Daiwye keruby call a keriskerub. I didn’t think I’d ever see him again after I lost my home when I was little, but…” She smiles wistfully. “We found each other again. Even though it seemed impossible.”
“Well, I was thinking,” Kiki says, stroking the egg idly, “that they’re sort of Yuu’s echo. The second Yuu. And I tried a few combinations - Calesco didn’t like Ekoyuu-”
“It’s not a good name,” Calesco agrees.
“-but they’re sort of the family of Yuu, the first kerub, and this is a name that’s different and not like a normal name so everyone will know who they are. So I was thinking Aliyuu.” She scratches her chin. “Or Alihii, if they’re a boy. But I just get this feeling they’re a girl. I think I saw a glimpse in my dreams just before I became sure they were hatching soon. Which is very rude to be giving someone childish visions of the future, but they’re - maybe she’s - a baby so she doesn’t know any better.”
“Aliyuu,” Keris murmurs. “Aliyuu. Yes.” Very gently, she presses a reverent kiss to the eggshell, and then another to Kiki’s forehead. “It’s a good name. A blessed name. I’m sure my brother will be proud. And if you need any help with raising her… well, I’ve done the single mother thing before. I’d love to help.”
That only earns her a glare. “Don’t think I’ve forgotten that it’s your fault that I had to push out this whole egg. And don’t you deny it. Calesco said you were obsessed with babies!”
Dramatic fortuity or the kind of narrative contrivance that only happens in stories would have suggested that this discussion of the baby’s name would be a perfect time for the baba to hatch. However probably-she apparently has no such sense of drama and instead spends a few more hours steadily drawing in the currents of Fate as the light intensifies and becomes more regular. Keris can hear the eggshell slowly weakening, breaking down to dissolve into the tar or float away in thin wisps of glowing dust.
It doesn’t seem to be an entirely pleasant experience for the baba. Several times the light intensifies to painful brightness in what Kiki and Calesco are sure is distress. It rocks and jolts several times as transitory body parts flail around haphazardly.
Then: midnight. A tap from within. A crack
Keris waits, poised on the edge of sudden, rapid movement, her heart pounding a rapid beat, her every muscle tense. A premonition overtakes her, and she reaches out to touch the crack with the fingertips of her left hand. Iris raises her head from the back of Keris’s palm, for once not whimsical or childish at all. Her eyes of rainbow fire burn bright, and she looks simultaneously young and ancient, full of wonder yet wise beyond her years.
“Your name will be Aliyuu,” Keris tells the little life being born. She can feel something working through her, but whether it’s prophecy or sorcery or something stranger still she doesn’t know.
“You are the first of your kind to be born this way,” she adds, not resisting the strange instinct but keeping a loose hand on the reins as she lets it have its way. “And you will be incredible.”
The egg is so thin that all that was holding it together must have been its wholeness. The first crack fundamentally compromises its structural integrity and so it falls apart in moments, unleashing a flood of black-red gloopy amniotic tar over the floor.
And what is revealed, coated in that, is so small. Not as small as a human newborn, but smaller than any kerub before, less than a year-old child. And Keris takes them up and dries them and as the tar comes off what is revealed is...
...skin? Baby-red, blotchy skin, a mop of white hair that’s grey from the gloop in it, and a pair of solid grey eyes staring out at the world in bemused anguish.
That’s... not a mezkerub. It’s a kerub, she thinks, even if it’s - she’s, they’re a girl - weaker than any kerub before, but Keris can’t feel any nature-self that isn’t... herself.
Keris stares, completely lost for words. She has no theories or explanations for this. She’s not even sure what the questions are. Dumbly, for lack of any other ideas, she offers the baby to Kiki to hold.
Kiki takes the baby - takes Aliyuu - with wide eyes. And Keris notices the little gesture Kiki does purely on instinct; swaddling her child in the feathers of her arms, she offers her breast to her daughter.
But that’s an instinct that makes no sense for her to have. Keris has done a cursory examination of Kiki and while it was far from exhaustive, she did confirm that she isn’t like a pregnant human woman. The egg-pregnancy had been fast and easy; she wasn’t producing milk. She’s not sure magistrates can.
But there’s some instinct at a soul deep level in Kiki that a baby should be offered a breast to nurse from. And that has to be a human instinct, not a demonic one, somehow passed down as a strange inheritance from Keris through Calesco.
“I don’t-” Keris manages. “I don’t understand why she’s not a mez. She sounded like one. She felt like one. But…”
Her fingers brush over Aliyuu’s baby-soft cheek again. Confusion wars with wonder across her face.
“She doesn’t feel like Calesco. Or Eko, or Haneyl, or even me. She’s… she’s un-aspected. Like an adopted kerub in reverse. Almost human, but not quite even that.”
“Calesco said you’d know what’s going on!” Kiki hisses, clinging to her child. Keris can’t help but see Kiki as so young there. “What do I... I don’t know... I...”
Calesco comes forward to wrap her arms around Kiki’s shoulders, whispering gently words of reassurance into her ear. Keris isn’t paying attention to that, though, because she can hear something else. Black tar is creeping from Aliyuu’s pores, from the corner of her mouth, even from her eyes, and it’s covering her up.
“Wait, look,” Keris snaps. “Look at her. She’s changing. Shifting breed - shifting into a breed? Is this a child-transition or not? Something strange and new or just the end of the birth-coagulation?”
She’s babbling just to give her mouth something to do, and she can see it making Kiki even more nervous. A lock of hair comes up to her mouth and Keris chews it nervously to shut herself up, hovering around Kiki without touching as the tar spreads across more and more of little Aliyuu.
By the end of it, the child is clearly a mez - and larger, too, maybe the size of a year old, perhaps a little older, the size of a child just toddling. The grey is gone from her eyes, and she squirms in her mother’s feathered arms, curling up against her chest.
Quietly, Iroi approaches Kiki. Without a word, he offers a deck of cards to Kiki. Complicated expressions flash across her sharp features, but she seems to slump slightly, and takes them from him, before slipping them into the hands of her daughter. Aliyuu grips them like they were meant to be there. “I can’t believe you kept that rubbish,” she says softly.
“Of course I did,” Iroi says, just as softly. “I made them for you.”
“Well, I don’t need them. But maybe they’ll make her happy.” Kiki’s face falls. “For a time.”
A hundred memories flash through Keris’s mind, blinding in their bittersweetness. Kit and Rat, before he disappeared. Kit and Gull, before she died. Keris and Sasi, before she let go.
“Happiness that ends is still happiness,” she murmurs, more to herself than to Kiki or Iroi. She’s not even looking at them, really. She stares at little Aliyuu, curled up and quiet in her mother’s arms. “If your time as a child ends in heartbreak and tragedy... it doesn’t mean the moments of joy meant nothing. And if you were doomed all along, they mean more. Because it means you got to enjoy yourself before the end. And memories like that can carry you through a tragedy to rebuild yourself after the ashes settle.”
For a moment, she feels the eyes on her. Kiki’s, Iroi’s, Mele’s (when did he come in? Why is he lurking at the back of the room like that?) and even little Aliyuu twists in her mother’s arms, for a moment opening her eyes to look at Keris. Then the moment is passed, and Aliyuu starts to cry.
“How does it feel being a grandmother, mother?” Calesco teases her mother.
Keris’s immediate whine of horrified protest breaks the tension smoothly. And then of course there are celebrations to be had, and congratulations to be given, and Keris gets to sample the sweet milk that Calesco’s new bug-demon herders harvest from their aphid-cows, and she gets her revenge on her traitorous daughter by making sure to flirt with Mele shamelessly.
Still, though, it sticks in her mind. Not the grandma comment (well, not just the grandma comment), but the gift of Iroi’s card deck - once Kiki’s - to the newborn; perhaps the start of a new tradition for mezborn infants. The way that Kiki is so young, and asked so sincerely to name her baby after Keris’s brother. The fact that this little one is the first of her kind; the first kerub to be born rather than made.
Aliyuu, Keris thinks, late into the night after the party has died down and everyone has mostly gone to sleep. Aliyuu. The first of a new generation.
She normally keeps out of her keruby’s affairs and lets them govern and live their own lives.
But perhaps she’ll keep an eye on this one.
Chapter 45: Air 776
Chapter Text
A demonic ritual and the blessings of the Great Mother on the flower-palace, and it is ready to move again. Keris is already moving by the time that happens, though. She has no intention of spending a season travelling with Malek, but her current route through the South has its own advantages. She can get some training done with Ixy - and better yet, get it done in a place where it won’t be her problem if something goes wrong. It might be Veil’s problem, but Veil isn’t here, right?
So she retrieves her emerald fire ring sanctum from Calesco, grabs Ixy and sets off alone with her across the Shallow Sea and along the coast, heading west to the sun-washed Lap where she’d started her work in the South for Veil just over a year ago. Time to see how things have changed and whether Ixy might learn a thing or two from seeing how a professional works.
In amongst the lush cherry orchards and the fields of golden grain, she explains how she set up lesser demons to pick off the weak, to kill ship captains, to make it a port that traders don’t want to come to unless they have no other choice. The scars of her terrorism are still seen - the ships in the harbour are all ships of the Realm Merchant Fleet, and all of them are captained by Dragonblooded. How many Dragonblooded are being wasted on maintaining the flow of food from the Lap to the Realm? How much is it costing them? How much is it still costing them when Keris did this back at the start of Wood 774 and hasn’t been back since?
Ixy is definitely amenable to the lessons, and more than uses them properly when Keris gets her to plan out a little jaunt for the two of them. The night is lit by explosions as the right amount of firedust in the right place sets off a number of dusty granaries in the harbour. The fireballs leave behind the smell of burnt toast, and Ixy grins as she cockily assures Keris that now they’ll get to spread themselves even thinner.
A few days later find them in the arid soil of Dregi, and the talk about the use of Vicero and Zsofika to harry the Barazan cities and raid the passes through the mountains leads Keris to try to teach Ixy more about demonology and the use that one can put summoned beings to, both mighty and lesser. As they see the husk of a town burned by Vicero and the mountain men he brought into his loyalty, she expands on the names of the lords of Hell, their titles, and how demon summoning is never, ever safe - but it’s a risk that can be managed if you are properly informed.
And Ixy blooms under the attention and tutelage. Keris was right to see herself in the girl, because this might be the first time that anyone has ever sat down and given her this kind of personal tuition - the kind Kit never had either until Gull picked her up. Over the course of days Ixy goes from an unlearned street rat to someone who could beckon a lesser demon from Hell - and does so - picking up things at an actually terrifying rate. Keris is good at what she does, learned in the nurturing ways of the Great Mother, but Ixy is even faster than that. Keris knew the girl was a genius, but she hadn’t realised quite how far it went.
The next lesson is in paranoia, suspicion, and how they can be wielded to bring down the mighty. How Keris used the demonic powers of Tzale to kill two Antefaran coin-princes and a high prince in Ramabah Minah to set the stage, and then whispered in the ear of the jealous and envious to fan the flames of conflict. How the war still going on between these two cities was Keris’s work, and the great battle in the sand-sea between two fleets the two women watch while having a picnic wouldn’t have happened if the peace treaty had been signed. The art of politics - and how lordly men and righteous holy women are still scared, angry animals when their buttons are pressed.
This turns out to be something that Ixy doesn’t have the same natural talent for - but at the same time, Keris didn’t have a talent for it either and she knows how to explain the lordly affairs of the bigwigs to someone used to life on the streets. Which is to say, for all that the bags put on that they’re better than everyone else, they’re still people. A prince and a pauper both squeal the same when you hold a knife to their throat, and get equally jumpy when one of their mates winds up dead. Ixy isn’t Suriani, and probably never will be, but Keris focuses on how getting how people think is useful to keeping yourself safe and finding where the weak points of your targets are. OK, maybe she does have to use a few of the tricks of the Great Mother to get some of the finer details into Ixy’s head, but that’s what she has them for.
Ixy’s graduation test for this lesson is Keris telling her to pick a target that’ll cause chaos in Ramabah Minah, and take them down. She’s genuinely proud of the girl for going for a popular upstart in the Church of the Lens Swell, and gunning him down in the street wearing a stolen clerical robe. Even before they head out, there are riots in the streets from the murder of a Volvayist at the hands of the dominant Husu faction. Keris isn’t sure what that means exactly and neither is Ixy, but both of them could see that they’ve made a martyr for the cause that’ll cause problems for the new Husu high priest for years.
Next along the path is wicked, decadent Cahzor of the gleaming spires, sand-choked and depraved, and Ixy sighs in familiarity at a city which has places so much like her native Chiaroscuro. But while that city is a thriving place under its Delzhan rulers, the Cahzori jansi are ancient and rotten as they scrape the bottom of any barrel they can lay their hands on to eke out one more day of grace from their creditors. Hot and dry, slowly consumed by the desert - no, this is not a good city. But it’s a good place to learn how to handle side-jobs and pleasing their masters. Keris has some contacts and contracts from Calibration and her time on the Street and she reaches out on the trip to Cahzor so she can present Ixy with a choice of clients for jobs to pull in this wretched place. And about how to teach her to keep her eyes open and her ears pricked for a chance for profit. Which is more of a challenge than some might think in the baking heat.
Ixy is less amenable to this than the previous lessons. Maybe it’s the heat, or just that the two of them have been living out of each other’s hair for weeks now. But she’s still listening, and Keris has a gift for Ixy in the form of some underlings for her side-jobs. She’s put thought into this, and has spent the past few weeks getting a better idea of Ixy as a person and conducting interviews among the oldest child-keruby and most recently matured grown-ups in her Domain. And she’s found a combination of young adults that she thinks will work to provide Ixy with a support network and also keep her under a semblance of control when Keris herself isn’t there.
There’s a szilf, Janna, who Keris had fully expected to introduce to Ixy as a szel on the very edge of puberty, and who unexpectedly matured bare days before they reached Cahzor. One of Mele’s own personally-created little brothers, Bremar, who emerged as a tidal raider over Calibration after a whole year spent cocooned in ice. A hungry one named Tashti whose nose for profit and experience working in the Spires and the Ruin Keris thinks will gel well with Ixy’s prickly Chiaroscuran outlook. And the eldest of them all, an agyaborn thunder’s thief, Weft, who wasn’t actually part of her interview process but who caught Keris’s ear by not only pickpocketing a younger thief in her waiting area but then somehow managing to talk his way out of trouble by charming his victim and their angry friends.
Put together, it’s a squad that she hopes Ixy will be able to bond with, who aren’t so set in adulthood yet that they won’t be able to adapt to her, and who can guide her away from anything Keris wouldn’t want her to do and keep her on-task when she’s operating solo. She doesn’t let Ixy know that they’re not Hellish demons - the girl has come a long way in her education, but she still lacks a lot of the practical experience necessary to distinguish a kerub from a serf - and instead introduces them as a test of Ixy’s abilities at command and leadership.
Ixy takes them in, and Keris gets a sharp look as she examines these demons - demons that had not been in any of the things Keris told her about in the previous tuition. But she approaches them with the same blunt confidence and prickly bullishness she approaches most things with, and that works on them. Maybe it’s just because of how flunky-ish keruby are, but being told they’re now her underlings and the five of them together are going to fuck up this stupid town seems to click. And then Janna is admiring Ixy’s firewands and Bremar is showing off the coral smashfists he wears and Weft and Tashti are going through the notes Keris gave Ixy and working out how to rip off the lords of this place-
-well, it gives Keris some hope. Especially when Ixy surges into action, apparently working on the logic that the faster they get these things done, the sooner they can be out of Cahzor altogether. Within a couple of days, Ixy and her underlings have scouted out one of the many temples of the obese god five-eyed Kamis, patron of the corpulent Kinzira jansi, whose holdings sprawl over the southern side of the valley close to the dam.
(Keris spends these days of reconnaissance impersonating a travelling noble from Gem, being invited to parties, making generous gifts of things that didn’t cost her anything to obtain, and enjoying the decadence of high society in the company of a disguised Mele. Because she’s training Ixy, but she might as well get some work done too.)
Ixy goes off sooner than Keris expected, seizing the moment with a roar of firedust that collapses half the ancient temple. That’s just the distraction, though, because she and her kerub cronies are already in the treasury, plundering everything they can. Crude and sloppy by Keris’s standards, but the local defences were completely unprepared for people who can climb like Ixy and a thunder’s thief to place firedust on the keystones of the grand arches holding up the roof. She and her flunkies are done quickly - and then Ixy picks off two jansi nobles in the gawking crowd, her soul utterly silencing her kills.
Sloppy, but she got it done.
“Well, you get how good I am now?” Ixy demands, hands on her hips as behind her her keruby make an accounting of the plunder. “You don’t need to talk down to me. I did this kind of shit back home, and I can do it better now.”
“Better than before,” Keris replies, cool and critical. “But still not as good as you’re capable of. A clever or lucky mortal could have pulled that theft off; their defences were pitiful. You were sloppy with your getaway plan, and the only demon whose abilities you made full use of was Weft. The others could have been humans for their part in the plan.”
She can see the prickly pride woven with insecurity in the way Ixy’s shoulders hunch. She knows she could have done better too. Which is something, at least - that she’s aware enough to note the things she can improve on is a good thing. Still, that’s no reason not to call her out on it. Over the course of the past few weeks, Keris has discovered that challenging Ixy to prove herself is an excellent motivator, albeit one best used sparingly.
An anger-flush rises to Ixy’s cheeks. “You’re never happy, are you?” she growls. “I blew up a temple and got away with the plunder and what did you-” She bites back what she was about to say, and storms off into the night, arms swinging, stolen cavalryman’s boots clinking with each spur’d step.
Keris knows her and has calculated this. She’s not about to run away (not that she could get away from Keris); she’s heading out to let out some steam. And do something rash and ill-thought-out to prove that Keris doesn’t know what she’s talking about. And of course Keris slips after her, just to make sure the girl doesn’t get in over her head. As it turns out, she’s after one of the ‘hellish contracts’ that came from Keris, rather than a demon lord (not that she told her that); a slave-taking mercenary war-leader of the Dib jansi. Ixy’s plan isn’t well-thought out or well-developed, but it doesn’t need to be. She moves as an unseen blur in the night, using some of the stealth Keris taught her, and while the man is mid-way through a conversation about the terrible explosion she walks up and places her flamepiece against the back of his skull. He dies, next his companion-partner, and so do their bodyguards.
She leaves the fine antiquated study in flames. But Keris sees something else; that’s Adorjan’s speed in how she aims and shoots up close, how the fire-jets whip around her, how there’s so much grace in how she reloads her weapons that it almost seems like a dance.
Keris didn’t mean to teach Ixy the joy in violence of the Silent Wind, the beauty of the cyclone-self as you reap a room - but she’s learned it nonetheless.
She considers making herself known, continuing the lesson, driving her point home - but no. Ixy is still too angry, too frustrated, too caught in the grip of her passions. Instead, Keris lurks in the shadows and waits for her to leave, then meddles with the crime scene after she’s gone to plant evidence that suggests a hired killer from the neighbouring Aziz jansi. And also to look through his documents, though that’s mostly just out of habit. Once finished, she melts back into the night and doubles back to their lodgings, where she’s wholly unsurprised to find that Ixy hasn’t yet returned, presumably still working off her fit of temper somewhere out in the Cahzori night.
Keris uses the time while she wants to question her keruby about their prospective new role; what they think of Ixy, how they liked the job, what challenges they think they’ll face and how they intend to tackle them. When Ixy finally returns, it’s to find Keris sitting languidly in an armchair reading an alchemical treatise from the libraries of Orabilis. Beside her, on a side table, a Chosoni martial arts manual lies open to an illustration of a sabreur’s lunge.
Grey eyes flick up over the top of an involved description of heated vitriol restinction, then back down again.
“Captain Saqash is dead, then?”
She sees Ixy bristle for a moment, before she throws herself into one of the soft seats with faux idleness. She’s trying to play it cool, obviously so, but at least she’s trying. “‘Course he is,” she retorts. “I weren’t done for the day, and like you go on - and on and on and on - ‘bout, you ‘always try to get stuff done to impress your bosses’. So I done that.” She slips off her boots, putting her feet (not quite human, a hint of paw there) on the table. “Maybe you’ll be happy now, but tough luck if you ain’t ‘cause I’m too tired to be doin’ more tonight.”
“A mercenary war-leader and three of his men in a small room; guards within and without, and you alone and without backup,” Keris says, putting her book down. Something in Ixy’s eyes flares, the expectation of another lecture on rashness, but Keris cuts her off before she can explode.
“How long did it take you to kill them all?” she continues with a faint show of teeth. “Ten seconds? Fifteen? They wouldn’t have thought it possible for a girl not even twenty to threaten them - and that cost them their lives. Make no mistake, I’ll have more lessons for you on planning ahead and judging risk in future. But yes, Ixy. I’m impressed. It’s better to avoid anything going wrong in a plan, but enough skill at killing can make up for a lot when chance fucks you over regardless. And you’ve gained a lot of lethal grace.”
She doesn’t preen in the praise. That’s where she’s different from Keris’s own children - and Suriani, too. Ixy is looking for where the trap is. And when she doesn’t find it, that doesn’t banish her wariness, because that might just mean it’s better hidden than she can see. “How much longer are we gonna be here?” she asks.
“Not long,” is Keris’s answer. Because they only have so much time, and there are other things she wants Ixy to learn. And she’s planning the next stop, in Gem, to be a longer one. There are things Keris wants to get done there too.
Gem hasn’t changed much. The sun still beats down on it, even this early in the year when the weather is as pleasant as it’ll ever be, and the prayer-calling of the sun-lit temples is matched by the brilliant glare of the reflections off the Despot’s palace. Yet in other places, the differences can be seen. Some of the tunnel routes are barricaded off and marked with purple paint. There’s a new hanging of not-yet-faded banners bearing a house emblem over the city gates, and the old vanities of the last Despot have been torn down and replaced by ones of a handsome, younger man who clearly paid the sculptors well to give him a look of dignified grace.
It says a little more than Keris would perhaps like to admit that she gets the instant urge to wipe that expression off his face. She can think of several she’d rather see him wearing.
She and her entourage blend easily into the incoming merchants, and it’s easy enough to find merchant lodgings in one of the trading quarters, where she takes the name of Yisa su-Hotha representing a trading concern from further north, here to discuss the matter of an order of firewands. But there are lessons here for Ixy, too, and she sits the girl down to explain what she wants from her.
“Last time I was here,” she begins, pacing back and forth in the glowstone-lit room they’ve rented in the uppermost layer of the subterranean lava tubes, “I drove the Despot mad with rage and paranoia, manipulated him into firing his Dragonblooded bodyguard - or possibly trying to have him executed; point is the guy fled the city and left Rankar undefended - stole a fortune from the palace vaults and turned his eyes against the Great Houses for the culprit, and in doing so set him up for an assassination. Which is why Trasti Gion is now sitting on the throne of Gem.”
Tossing the silver coin she’s playing with up and catching it, Keris makes it dance between her fingers, admiring its shine in the white-yellow light of the precious stones set into the ceiling. “I also bumped off the two oldest and most rigidly conservative members of House Iblan, which is why they’ve taken a much more radical direction since - something Veil has been taking advantage of. In short, with two assassinations, some poison dripped in a man’s ear over the course of a few weeks and one faked death, I turned the nobility of Gem against one another, engineered a palace coup, left levers ripe for manipulation in one of the Great Houses and gave myself a perfect opening to steal a prince’s ransom from the most secure vault of the richest city along the entire Firepeak Pave.”
The coin dances through the air like a leaping fish, and vanishes in a whip-crack of hair. Keris points at Ixy, grey eyes sharp.
“Your graduation from this season’s training is going to be proving you have what it takes to apply the same skills to the same ends. I want another crack at that vault, and your reward for taking part - and taking point - is going to be whatever you can carry out of it. Your constraints are that you have to do it without burning the city down or setting off a civil war or a second palace coup. Ideally, we also want to blame a third party for the theft, because if Veil finds out we were meddling in their Directorate they’re going to be pissy about it and it’s going to force both of us to part with a good chunk of our take.”
Ixy almost seems to vibrate in place. She is trying - poorly - to conceal how interested she is. “Even when I were a kid, I heard stories about Gem and how rich it was,” she says. “An’ maybe the stories weren’t all true, but I saw that the big nob here’s so rich he covered his fortress in gold and jewels. Sounds to me like he got too much money to care ‘bout what he got and what he don’t.” She pauses. “Also, too much money to leave it all unprotected, because them sorts never do. So what’s the plan, if you’re doin’ a heist to steal the wealth of this Despot of Gem?”
“You tell me,” Keris says. “You’re planning it.”
Ixy stares. Not unexpected. It’s a big ask.
“When you get a job like this,” Keris continues, picking her lecture back up and starting to pace again. “When you get any job, really, you start by identifying three things: goals, tools and constraints. Your goals are your objectives, ordered by priority. First one is always ‘don’t die’; for the rest you need to think hard and decide which ones are essential and which ones you’re willing to pass up. These are your ‘I want’ statements. In this case our primary goal is robbing the vault.”
Her hair billows out around her as she turns sharply - eight paces to cross the width of the room - and traces over the glowstones sunk into the ceiling. They’re placed with some eye to aesthetics, and the effect is rather pleasing. Keris might have to see if her keruby have done anything similar in the Meadows or the Spires.
“Your tools are what you have available to work with. Yourself and your skills, obviously, but also any allies or patsies you can leverage, opportunities you can exploit, even enemies you can trick. These are your ‘I can’ statements. You’ve got you and me, our companions, and a new moon coming up where I’ll be able to summon one more demon lord - or a horde of lesser demons.”
Ixy is, surprisingly, listening intently. A rare surprise. Either the pressure of being expected to come up with a plan or the tantalising lure of the potential take is squashing her usual contrariness. Or maybe she’s finding the lesson genuinely interesting. Keris can hope, right?
“Finally, constraints. These are your ‘I can’t’ statements. Limits you have to work within, things you need to avoid doing, obstacles you have to work around. Time, location and opportunity are often constraints - a lot of your targets will only be vulnerable for a short period or in a given place. But there’ll also be a lot of jobs where you’re working near things your client values and doesn’t want burned to the ground, which you have to avoid breaking. In this case, I’m your client, and I’m specifying that I have assets in Gem that I don’t want put at risk by another vicious knife fight between the Great Houses. The specifics of which I’m not revealing to you, because a lot of clients are annoying fucks like that and don’t give you any information they don’t absolutely have to.”
Ixy scowls reflexively at this, then interrupts her offended glower with a suspicious look. “Wait. Do you seriously have some shit set up here from last time? Why ain’t we staying there?”
“Well, I don’t have any assets here yet,” Keris admits. “But I will by the end of our stay. So. Goals, tools, constraints. We want to rob the vault without turning the city on its head. That means we need a big, flashy distraction that will get everyone panicking and looking away from the vault and occupying each other’s time, but which won’t devolve into actual bloodshed and will blow over after we’re gone.” She lets herself fall into an armchair and crosses her legs. “Let’s hear your thoughts, student.”
Ixy, to her credit, doesn’t answer immediately. She sits down and she actually thinks. Then;
“The threat can’t be one that comes from in here. When rich men get all antsy ‘bout that kind of shit, they put new locks an’ new bars an’ buy new dogs. They go and up their security, even if it were just somethin’ like a warehouse burning down - and that kinda shit happens all the time, but they still think it might be their one that goes up next. So they gotta think that the threat’s outside the city, but ain’t gonna threaten them from in here. Somethin’ that gets them thinkin’ about that new stuff, but which don’t get them thinkin’ about people stealin’ their silver.”
“Good,” Keris praises. “An outside threat, then. Something to get them all riled up and tense, which can blow over and let them relax and feel all relieved - until they check their vaults and find them empty.” She flashes a sharp grin. “So, what do you know about the lands around Gem and what might threaten them? And if the answer is ‘not much’, how can you find out? Your jobs will often involve getting sent to places you’ve never heard of before and know nothing about, so getting the lay of the land quickly is a good skill to have.”
That earns Keris a rolled pair of eyes. “Only what we saw comin’ in and what you talked about. There’s a river an’ crops an’ stuff an’ they get a bunch of food from... the Cozhati an’ you pointed out a fort that belonged to Ranger people who’re sorta like the Delzhan nobs who got countryside land.”
“It’s a start,” Keris nods. “Now, let’s talk information gathering and how to build a profile.”
Ixy heads out of the city to gather the lay of the land - and where the weak points are. Keris knows most of this already from the last time she was here, but she wants to see how well the girl can handle it. And of course, it’s useful to have her out of the way while Keris does the other part of her job.
“Well, I do declare that this is a most delightful evening. A real way to escape all the worries of here and now,” slurs Alkar Caran. He’s a minor functionary in the bureaucracy of the Despot, and a member of House Caran, a petty house whose fortunes are tied at the hip to House Iblan. He thinks he’s here with the pretty northern trade representative to speak about deposits for her to secure a loan to make a purchase of firewands on credit. But he’s liking the fiery spirits she’s brought to the table and he’s taken a particular eye for the courtesan Biqi who’s accompanied the trade representative Yisa. Such pair of a gorgeous exotic beauties...
(If he was sober he’d know that the trade representative is offering him a woman to ease the passage of her loan. He knows it when he’s drunk too, but that’s not the head he’s thinking with.)
“Here’s to a very prosperous exchange,” Biqi says, sitting so close to him she’s almost on his lap as she pours him another glass. Keris has actually discovered something she didn’t know before - tarksae are nearly as hard to drink under the table as holdas. She’s not sure whether it’s part of their purpose to hold their liquor around a client, or just that a metabolism that eats precious metals and gems and breaks them down doesn’t have much to fear from mere mortal-brewed alcohol.
“A prosperous exchange and an enjoyable evening,” she agrees, toasting them both. She has mixed feelings about what she’s doing here, bringing Biqi along so she can bribe a man with sex she doesn’t want to have herself. On the one hand, it doesn’t feel fair to make someone else do the unpleasant bits. But on the other, not only is it more effective to be the beautiful, untouchable merchant-princess doing the negotiation who he lusts after but can’t have (while Biqi sates his appetites so he isn’t left frustrated)…. it’s also nice to be able to have someone else sleep with this uninteresting, unimportant man instead of doing it herself. Keris has better things to do with her time.
She sighs under her breath, keeping a pleasant smile up, and consoles herself with the thought that it’s not like Biqi minds, and she’s at least not telling her latest student to do anything she wouldn’t do if required. It’s a question of where her time is best spent, not forcing other people to pay the costs of her decisions without accepting the same costs herself.
Biqi’s business negotiations with a partner who doesn’t quite realise how nakedly fiscal the matter is continue unabashed, and by the end Alkar is quite willing to sign. He barely looks at the contract as Keris passes it to him (he read it already, right?), his eyes instead locked on the sea-like motions of Biqi’s diaphanous veils as she dances some of Kimbery’s steps to entertain them.
Keris is better aware of what is going on, but even she has to struggle to resist the demonic allure of Biqi’s motions. She might be disguised as a human, but this dance is part of what she learned for the role of the Demon Sea, and Keris sees now that Lilunu’s instruction has forged something of Kimbery into Biqi. It is much of a likeness with what her lady did to little Shy Dove. When she moves like this, Biqi is a heart-rending beauty who moves with liquid grace: men would fight wars for her, and might in the days to come.
Some of what Keris admires is the vanity of her own accomplishments. She made Biqi like this. She took a perpetually-exhausted bar girl, fattened her up on precious things, and handed her to Lilunu to be taught the role of Kimbery. Even with her scales and horns and golden veins hidden by magic, she is a sight to behold, feminine in a way that is just slightly unseemly in her choice of jewellery and tattoos and other accoutrements of the demon realm, her dark skin standing in contrast to her electric blue irises and her hair that goes from deep indigo at the roots to bright blue at the tips. She knows these steps that Biqi dances, and she can hear them scar the soul of the married man who’s watching. He will never see anything as beautiful as this; he will weep when he thinks of it.
“Child,” Dulmea says sharply, and Keris manages to drag herself from her self-admiring adoration of Biqi’s art. No, she’s not immune to such wonder either. But who would be? Only some philistine who doesn’t love beautiful things, surely!
“Is that referring to me?” Dulmea asks. “For it is unseemly if it is. I saw those demons you sent back, and have seen their dance - you have produced, along with Unquestionable Lilunu, something of unshakeable beauty. It brought tears to my eyes, to see such beauty without malice. To watch it from the audience rather than from behind your eyes makes the pain of it even more acute.”
‘I’m glad you liked it, mama,’ Keris smiles, letting some of the warmth that fills her chest at the compliment diffuse over into Dulmea’s tower. ‘And, right, yes. Sorry. I’ll get back to work.’
She glances over at Alkar with lidded eyes and distant regard, then deliberately softens her features and leans over to refill his cup. One hand laid on his wrist releases a maggot of parasitic flesh squirm under his skin. The other steadies his silver goblet as the dark wine fills it, and in its surface she sees his reflection and weighs the balance of his soul. Such a bitter little envious man. It’s like a fine wine, to inhale the afterimages of that gnawing hunger; a hunger to be free of House Iblan. He hates them; their wealth; their luxury; the way they make him feel worthless. Someone who could free him of depending on them would have his heart.
“I’m glad we were able to work out a deal, my friend,” Keris says, considering what she’s seen. Getting him free of House Iblan will mean either finding him another source of revenue, or another backer. Or maybe a combination of both?
“I’ve actually been considering setting up a small merchant office here,” she continues, her tone leading. “But I’d need to rent a property to establish it in, and arrange an account with the banks. Perhaps you could help me with one or the other?”
He’s drunk, and has eyes only for Biqi. She’ll probably have to remind him of his obligations in the morning, but when she can hold Biqi over him (and then the blackmail material of what he’s going to have done to her by the end of the night) it’ll be easy enough.
The next day, she’s fresh and he’s hungover, but she’s meeting with people using her false credentials and overblown claims and a certain amount of prior knowledge of people from when she was Blushing Plover. She sees little sun that day, instead spending it at a number of very expensive restaurants and wineries down in the cool of the magma tubes, and the evening at a party where she shamelessly exploits prior connections they don’t know she has.
By the end of the evening she’s already got the initial backing in place (there are so many people looking for new avenues of profit with a trade emissary from the north) for her little enterprise, has introduced Alkar Caran to people who just so want to talk to him (at least if the gorgeous Yisa and seductive Biqi are in his company), purchased some ‘test samples’ of very fine firewands, and had a very enjoyable little meeting with Josir an Wessar. It’s purest luck he’s back in Gem right now, the century-old child of Mela most customarily seen out in expeditions into the deep desert or off on one treasure-hunting jaunt or another, but he’s a scholar and a sage and Yisa is able to offer him a gift from her homeland that piques his interest. He would so like to speak with her again.
It is nearly midnight when the footsore Keris finally manages to get back to their residence and can collapse into Mele’s lap.
“Poor, poor maj,” he says, running his cool fingers through her hair. “They work you like a hunting-kat, don’t they?”
“Yes,” she says mournfully, looking up at him with big, wounded eyes. “I had to spend all day making a boring little zit of a man look interesting and profitable to people so they’ll let him keep clutching their purse-strings once I’ve left. And also put up with him whining about being hungover and staring hopefully at me in the hopes I’d suddenly fall for him whenever Biqi was off charming people.” She pouts. “At least she took the burden of actually doing the flirting work off me. But even then, she’s insisting I pay her through the nose for it!”
“Well, she is a tarksa,” Mele says, fingers lovingly stroking her. “You know, I talked with Rala ‘bout that on the trip last year. About how some of us are more alike than others. How dragon aides are a bit like a holda with how they really want a pact to bond with, but how they’re just as argumentative as us. And how fogsventkae are even more like us raiders, and and magylas are also sort of like us, but in different ways.
“But us jegus and holdas - I don’t see what we got in common with tarksae. Love doesn’t matter to them. Or, no, that’s not it,” he interjects over his own chain of thought. “I guess... they’re kinda like holdas and rendas, but they don’t need love. They need money. Money’s what they need as much as those other two need someone to be attached to. They attach to people to get that money.”
Mele shakes his head.
“It must be awful lonely for her.”
It’s the wrong thing to say. Keris makes a distressed noise and sits up from where she was sprawled across his lap, looking back at the door to their suite as if preparing to go hunt down Biqi and try to help.
Mele’s other hand is on her chest, pressing her back down. “Maj. You’re acting off. Why’re you thinking on running off to her when she’s working right now, that’s what I want to know? And,” his fingers walk down her chest, “it’s not that you’ve been sleeping poorly. You haven’t been having nightmares recently. So what’s going on in that pretty head of yours?”
Keris makes another discontented noise, but reluctantly lets herself be placated by the reminder that Biqi is working. “I just… I don’t want any of my keruby to be lonely,” she mumbles. “Especially not by nature. I’m your queen. I’m meant to look after you all - and yes, yes, I know sometimes I need you to look after me,” she adds with a quick flash of a smile tilted up through her lashes at him. “But even then, I’m making you your graft so you can stay safe while you fight for me and do feats of derring-do.”
She pouts for a moment longer, and then - before he can put together a reply - flips them, pushing him back against the couch and straddling his lap. His shirt comes off in a hard-to-follow twist of hair tracing up his back, and then her hands are on his bare chest, tracing over his muscles as she tucks the top of her head under his chin and nuzzles into his neck.
“I guess - ah! - I guess it all depends on what loneliness even is,” Mele murmurs into her ear, his hands roaming to the small of her back. She’s noticed he really likes the tattoo Ipithymia marked her with, likes running his fingers along it. It only adds to her complicated feelings about it. “I’d be lonely without my love. But a kid doesn’t need loves to not be lonely. And some younger jegus - and Yuutu and his crowd - don’t hang with holdas. They love each other, acting all szilf-like and ‘not getting chained down’. So maybe there are jegus who don’t need a love like yours, or like a holda’s. But,” he kisses the top of her head and teasingly adds, “you can chain me down whenever you want, maj.”
“Mmm,” she hums happily, continuing to trail her fingers up and down his chest. It’s a faintly ticklish feeling, and he returns the attention in kind, tracing her golden tattoo from memory before sliding his hand lower to cup her-
A whipcrack echoes off the walls.
“Ow!”
Mele shakes his hand out. It didn’t really hurt; the hardened skin of a jegu prevented the snap of hair from being anything more than a mild sting, already gone. But he still gives Keris a wounded look as she lifts her head from where it was tucked under his chin to glower at him; like a holda interrupted from her- wait a minute.
“Are you project-ing me?” he demands, pouting up at her.
“I’m trying,” she retorts, gesturing down at his chest, “to plan out how I’m going to give you your moonsilver skin to keep you safe and unlock your full potential. Like we were just talking about!”
He looks down at his chest. Lines of ink mark it - the traceries she was sketching with her finger. It takes him a second to realise where the ink has come from - Iris, wound around her arm with her rainbow-flame burning between her horns as a tiara, one claw extended off the end of Keris’s finger to work as a needle. The variously coloured lines the two of them have left follow what he recognises as the lines of his chakras and the essence flow through them, his major muscle groups, his important veins and arteries…
It looks not unakin to how a skilled doctor might mark a patient in preparation for surgery.
He sighs, clearly not happy, but stretches out below her. “You’re such a holda sometimes,” he says, and he seems both a little irked and also accepting of it. “Makes sense, kinda. They did learn all the body art stuff from you and super-maj Lilunu. Just,” he reaches up to stroke her jaw, “how about telling me before you start? And you’ve been on your feet all day, and you’re clearly tired. Why not snuggle? Why not rest? Why not,” he pauses, “let Iris go play with her kats?”
Iris glares at him, and rears up off Keris’s skin to cross her little arms. “mel needs to ly back and be paper for drawing on,” she exhales in fire.
Keris pouts down at him, widening her eyes and letting the faintest sheen of tears emerge as she straddles his waist and rocks just a little. “Please, Mele? Just let me work? I’m trying to map out how the innermost layer of your skin hooks into and cushions your musculature, and that’s the last thing I need to start working on a real design for the hypodermis. I promise, just let me finish this and then I’ll let Iris eat all the ink we put on you and go play with her kats.”
Mele sighs, and rubs his fingers along the small of her back. “You’re working too hard,” he says, softly. “I want to be able to look after you. How hard have you been working to do this while having to look after Ixy? I love it when you pay attention to me, but I don’t want you falling apart like you did last year.”
“It’s fine,” Keris insists, slapping his chest lightly as she arches back into his touch. “I’ve just been using the no-sleep drugs and mapping you at night. It nearly built up and had me pass out for a whole day again back in Dregi, but I brewed another dose in my veins and that reset me. When I hit the end of the second week in Antefar I was ready for it, and timing the third dose as we left Cahzor was easy.”
“Keris.” He doesn’t shout or raise his voice, but for once he doesn’t use a nickname either. The muscles in his arms jump, caught between pulling her closer into a protective embrace and holding her at arm’s length for a scolding.
“It’s fine!” she repeats, her voice rising. She lets herself fall forward into his chest, her head dropping against his collarbone with a soft thunk. “Just... ugh! Who’s the alchemist-medic here, huh? Redosing myself avoids the crash as the fatigue-toxins get released, and the physical side effects from Calibration aren’t a factor because I’m not on my feet the whole time; I’m spending the extra hours tucked up in bed doing nothing more strenuous than running my hands all over your chest.”
“I thought you seemed a little bit... tired,” Mele says, almost offensive in how soft his voice is. “But I thought it was because you’d been on your feet all day. That’s not it, though. Is it? You’re a holda crashing because the seabrews she’s been using to let her finish her current tower-raising have left her foggy-minded and wave-drunk.”
“I’m not wave-drunk!” Keris snaps indignantly, shooting upright again. Her outrage meets his calm, steady expression and falters. “I mean- okay, fine, yes, there’s been some... cloudiness, as the toxins build up. Even amalgamated, they’re muddying my thoughts a little. But it’s only this week that it’s started to outweigh how the drugs let me focus better, and even then, I’m barely any worse off than normal!”
He sits up, clearly hurt. “Then what? How’re you not wave-drunk if you’re not thinking straight because you’ve been dosing yourself up so you can work more? Sounds pretty wave-drunk to me. And what happens next week? And the week after?”
“I’ll-” Keris starts heatedly, but the strength flees her voice before the word is even fully out. “I’ll... think of something.”
She slumps, aware she’s losing the argument. “I can’t just... go to sleep now, though,” she mutters sullenly. “I already took my third dose a couple of days ago. I can’t sleep while it’s in my system. I can rest, but I’ve already been doing that.”
He sits up and lays a reassuring hand on her forearm. “I’m not saying there isn’t a place for using this kind of wakey thing. But is here and now the place and time? Is stuff happening that meant you just couldn’t sleep? Just... I dunno, talk to me, or even Calesco, before you start holda-ing too hard, mmm?”
Silence, for a moment. Keris’s eyes are downcast, shadowed from Mele by her hair. The droop of her head isn’t quite enough to hide the moue of her red lips into a sulky pout.
Then-
“I hate it when you’re right at me.”
His hands go under her armpits to lift her up so she’s straddling his lap again. “I hate having to be right at you.” He pauses. “But also like it a bit. Can’t lie to you, maj. Guess I’m too soft hearted, with how much I like taking care of you. In small ways, preferably. It sucks when we fight about you working too hard.”
She grumbles at him, but lets him tug her close. “Can I at least finish this one bit of work tonight?” she pleads. “After that I promise I’ll listen to you, but I’m already not going to be sleeping tonight, and I’m so close to a stopping point. It’ll bug me all night if I don’t get there.” She bites her lip, preparing to offer the greatest possible sacrifice. “I’ll- I’ll let you stay up to watch everything I’m doing, even if it’ll spoil the surprise, and go to bed when you tell me to. And I won’t take another anti-sleep-dose at the end of the week.”
He considers it. Then; “Howsabout, I trust you that you’re going to treat yourself better, maj?” He kisses her on the lips, and murmurs, “And rely on your better nature and let you have this win?”
“... that’s not fair,” she breathes, though despite herself she’s kind of impressed at the low, dirty cunning of using her principles against her like that. “That’s cheating. You might as well use the babies against me.”
“What’d Ogin think if he found out you weren’t sleeping when you were meant to be?” he teases. And offers another kiss. “I’d probably sleep better with some personal attention from my lovely queen,” he adds. “So maybe it’s bedtime for a tired little dragon too.”
Sighing, she taps Iris on the head. “Alright, alright. I suppose I do need,” she cuts her eyes at him under her lashes, “samples of your biology to base it on. Clearly I’ll just have to be as diligent and exhaustive obtaining those as I was in mapping out the design. Iris? I think you have kitties to go play with, don’t you? And mama might have some sweet tea for you, too. She says she’s ready for another go at teaching you how to use teacups without sticking your entire head into them as a dragon.”
That earns her a narrowed glare, and some pictures indicating that Dulmea is clearly wrong, cups are sized for baby dragons and for kittens, duh. And that is such an outrage that Iris vanishes into Keris to make it clear that she can use cups as hats if she wants to.
“Now then,” Keris grins, shifting deliberately forward on Mele’s lap. “Let’s see about those samples.”
This method of acquiring the esoteric ingredients for generative distillation is so much more fun than most, Keris is sure. And when Mele is out, sleeping in the early hours, Keris finishes mapping his musculature and then sits herself down with crossed legs, senses turned inwards. Not into her inner world, but within her flesh.
She knows what she will be making. She has composed the nature-song, a melodic harmony of sequences expressing how this first part will grow and express itself. And now, within her, Mele’s offering is the final step. She has prepared her body with heartsap, with piercings and acupuncture to modify its flow, with self-brewed Kimberyian drugs and the bounties she feasted on in Hell and of course with a great deal of loving sex with Mele (a lessened, warped, distorted form of the same ritual she enacted on stage in Hell and with Salina’s echo in the past year). Something that will replace much of Mele’s flesh, which will make him stronger and faster and more brilliant and able to be more. Which will take his kerub-chakras, demonic mimicry of human form, and supplant them with things Keris based on her own body’s warped capabilities. Which will make him, like Oula, a being blessed by a greater power.
Keris isn’t as elegant, as precise, as powerful as her lady. Oula’s tattoo is a thin layer of ink that has given her so much power. Keris will have to make much more radical changes to even approach what Lilunu so casually managed. But it is something she will be able to match. She hopes.
Masculine binds to feminine; life is born. Keris feels it within her. But this is not some insensate intuition. She is the one singing to the unborn in her womb, sending coral-like fronds to envelop the nascent lifeform, taking over the responsibility of the umbilical, ruthlessly suppressing her own essential imbalances so she can pass as if she is not pregnant. The waters of her womb are her inner ocean and she is the sea hag who rules them; no deviation is permitted from her plans. She blesses her unborn with her dark magics, and lays a framework of woven bone and flesh-wood for them to sprawl over.
“You will be beautiful,” she coos to the scrap of barely-flesh, as she secretes growth-poisons and mutagens into her amniotic fluid to shape its path. “You will be a holy thing. You will sanctify him,” she trails her hand over Mele’s chest, “and make him a shrine to me. My sweetling. My darling. Soon you’ll part of him, and he and you will be perfect.“
There is no sign of a pregnancy in the morning, and Mele knows not what he has sired within her when she wakes him with her intimate kisses. But she knows. And her heart melts to know that something that is both her and him grows within her.
Ixy, when she shows back up, has acquired the loose poncho and broad brimmed hat of the borderfolk of the outer reaches of Gem. She’s cut holes in her (probably stolen) hat to let her ears through. There’s also a new, shiny flintlock mechanism on one of her firewands, that stands out compared to the dented barrels and scuffed stock.
“Gem’s sorta fucked and it don’t know how fucked it is,” she reports happily. “Some dude named Pangasutri rules the land next door, and until recently not many people crossed by those routes ‘cause it’s steep as fuck. But the Pangasutri-ites have found some new cunnin’ ways to get down, the Gem-ites say, and they’re just taking chunks out of the border land. Everyone there’s cursing the name of Hawkeye Yalve, who’s a big nob general lady for this Pangasutri dude, ‘cause she’s some kinda genius an’ her people’re better than the Rangers, an’ the Rangers don’t want no one back home to know, but they also don’t think anyone cares ‘cause the lords and nobs here only care about who’s Despot, that’s what they’re sayin’. That an’ they’re worried ‘bout the talk of sickness in the city, that too, but there ain’t any out in the countryside.”
What Ixy’s account has in brevity, it somewhat loses in precision. But Keris gets her to expand and explain and guides her through updating some of the maps as best she knows with the areas lost, and when Keris sees exactly what Ixy has put together she has more than a little praise for the girl. Best as she can tell, Gem’s basically lost control of the area within a day or two’s ride of the mountain passes, and they don’t even know exactly which passes are being used. Rangers sent to try to find out don’t come back. And Elemi Piercing Sun, the Sand Dragon, the once feared warlord who leads the border-lords of Gem - is in his dotage, physically falling apart and his mind not as sharp as it was. But he refuses to give up control. So instead he’s simply making bad decisions, not reacting as he once was, and no one else has the authority to take the reins from him.
Does Veil know this? Are they acting to further this, or is it developing too fast for them to keep up with all the changes - especially when they’ve lost more people and Keris claimed their should-have-been-replacement?
(Just as well; fuck Veil, stupid cryptic pain in her ass.)
“Alright, student mine,” Keris grins. “You’ve found a lot of fears and threats to brandish at Gem’s foremost and finest, and I showed you back in Ramabah Minah how words can be as deadly as weapons. So let’s hear your strategy. You have the goal, the tools and the constraints. Now all you need is a path to victory - the plan of what you’ll do along with why and how it’ll get you what you want.”
Ixy thinks - for longer than Keris thought she would. Then: “The way as I see it, the Ranger borderlords ain’t much different for their nobs from the Delzhan to the rednecks. So the nobs are like ‘we don’t wanna have to come over there so we won’t long-as we don’t got a reason to do it’ and the rangerlords are like ‘we could totally win if it came down to it, but we might lose so we’ll just keep stuff quiet for ‘em’. So if you’re wanting the nobs in Gem to stop lookin’ at each other like they’re the biggest threat, they gotta be given a new big threat. Either the Pangasutri lot, or maybe-”
Her eyes light up.
“You go call on the forces of Hell, call up a massive demon army like from the stories, an’ give it to the Ranger-lords. Tell ‘em it’s a gift for doin’ exactly whatever they want. Let ‘em go smash Pangasutri an’ then realise that wait, we got a whole demon army, we ain’t gotta take orders no more.”
With great effort and enormous restraint, Keris holds back her first response to that. And her second. And her third. Instead of saying anything, she blows out a long sigh and steeples her fingers, trying to trace the logic back.
It hits her in a flash of Ekoan brilliance.
This is her own fault.
Of course it’s her own fault. Three times over. Ixy has seen this Calibration just gone that leading a devastating attack on a grand city with an army of demons gets you praised. This past month, Keris has crammed her full of knowledge of demonology and beckoning, and she’s taken to it like a duck to water. And she even specified while going over Ixy’s available assets that she could summon a demon horde on the new moon! Of course Ixy took it as a hint that she should do so!
And on top of that... Ixy is no more than seventeen, she’s just seen the greatest and grandest of Hell at her first Althing, and her heart is ruled by fear. Of course she’s overcompensating, looking to prove herself by being as demonic and infernalist as possible. Keris went through a phase like that, arguably, although thankfully not a particularly long one.
All this passes through her mind in an instant, and she keeps it from her face with equal speed. It’s fine. She can use this as a lesson. In fact, who’s to say it wasn’t a lesson all along? She meant to lead Ixy to this conclusion, specifically to bait out this specific mistake and correct it before it could trip her up.
Or at least that’s what she’ll claim to anyone who asks.
“It’s a bold strategy,” she begins, tapping her steepled fingers against her lips. “And it’d work, probably. You could order the horde to turn on their master - or just vanish back to Hell - before they reached Gem itself, which would also be a fucking hilarious way of sabotaging a patsy you wanted gone. Veil would be suspicious, but by the numbers it’s more likely they’d blame this on a Lunar than a fellow Infernal, especially if I disguised myself for the summoning. And it would definitely get the nobles of Gem panicked as fuck. In another situation, I might use a plan like this - it’s certainly a good way of arming a disposable puppet with enough power to fuck up a target you want to cause problems for.”
She views Ixy over her fingertips, lips slightly pursed behind them.
“But there are two flaws to setting a demon army loose. First, destroying Pangasutri will absolutely upset the board here. It wouldn’t be a full kick-the-table-over mess, but it’d still be breaking one of those constraints I gave you. And second, more subtly... a demon army is too scary. It’s not something Gem can stew in paranoia over but then calm down from. It’s the kind of threat that’d spark riots. Panic in the streets. Great Houses stabbing each other or trying to flee the city. It’d be like sending a snake down into a rat’s nest. Even if you yank it out before it gets its teeth into anything, the damage has been done.”
Ixy crosses her arms. She pouts. She huffs. But at least - and this is very important - because she has crossed her arms her hands are not on her flame pieces. She isn’t looking for violence. “Well, duh, this kind of shit is what you do,” she grouses, glowering at Keris from under the brim of her stolen hat. “I’m just makin’ up shit as I go. In that case, I dunno, we go find some big thing that’s important on the edge of the city and burn it down. A firedust dump or what.” She’s a lot less enthusiastic about this, and is clearly falling back on what she’d do in Chiaroscuro.
“That’s why I’m teaching you,” Keris reminds her. “And don’t be so quick to throw away your whole idea. You hit on a good idea just before the demon thing - you were dead on, in fact. Give the nobs in Gem a big new threat, you said, and your first idea wasn’t the Rangers. It was Pangasutri.”
She leans forward and grins like a shark.
“I dangled the demon-summoning in front of you as bait, and as a distraction. Because here’s the lesson, Ixy. You want to keep the tools you have for a job in mind, but don’t need to use all of them. You don’t even usually want to use all of them, because the fewer you use, the more you have kept in reserve for when things go wrong. We could give the Rangers a demon army to make them enough of a threat to destroy Pangasutri’s lot and then turn on Gem. But we don’t need to. Pangasutri’s already a threat. The Rangers are falling apart and losing ground to him. And half of Gem doesn’t know that.”
She stands up, warming to her subject, gesturing with her hands to emphasise her point. “Look, I’ve barely skimmed the history of this place, but even that was enough to know that Gem has fucked the mountain highlands in the past. More than once, even. Elemi Piercing Sun made his name by ravaging everything within a hundred miles of Gem; it’s basically the first thing you hear about him. Now he’s a useless old man. You think his enemies don’t know that? All we need to do is remind Gem how many of their neighbours have been nursing grudges against them for decades. Make it impossible for them to forget or ignore. We spread rumours, spread fear, paint it across people’s minds that the Dragon of the Burning Sands is a washed-up crippled wreck whose mind is going, that Pangasutri’s people know he’s past it and are planning to raid Gem the way he raided them, that this Hawkeye Yalve bitch is a merciless killer who’s never lost a battle and can turn beasts and birds into savage killers to back her forces up - it doesn’t have to be true. It just has to get everyone terrified of the mountains.”
“Okay, but, like, sure. Whatever.” She huffs a lock of dirty-orange hair out of her face. “You can do that, I can’t, but I guess you decided I gotta learn.”
This is a girl who fights Keris every step of the way and is also pretty good at making even good arguments have only a reluctant, grudging acceptance.
“So what do you want me to do, given you gone and come up with a plan that’s a you plan?” she adds.
“I was hoping you’d ask that,” Keris tells her happily. “I’m going to be forging some evidence of collaborators and sellouts here in Gem who want to side with Pangasutri. I’ll want you to plant it, to make sure it gets found if you can, and to start a few riots in the right times and places to whip the fear higher once the ball is rolling. And, yes, I might also provoke some public figure into going ‘it’s fine, look at how many weapons and dust stockpiles we have; we can turn back those mountain savages easy’, at which point you can blow up a couple of firedust warehouses and get everyone screaming about being left short on ammunition. And at the same time, I can teach you some more about what rumours I’m spreading and how I’m doing it and why they work so well.”
“Sneaky thief-ery an’ blowin’ stuff up, I can do. And I guess the rest, you’ll make me do. Fine.” She huffs at Keris. “But I een’t gonna be happy about it.”
In Gem, it is said they gossip like fishwives. In the heat of the day, when hot air enters the tunnels through the ventilation shafts, they gossip rather than work, and in the mines they gossip to take the edge off the pain of their enslavement. When the water prices are high they gossip in the queues for the flow-pumps, and when they are low they gossip in the tavernas and the drinking-holes. This anthive of a city scurries to the sound of human voices, and it is said that words can even crawl through the narrow passageways too small for a human to pass through.
The stories as Ascending Air comes to a close are particularly scurrilous. A mad priestess brings terror and fear to the great Galpa market, offering prophecies of doom. The word on the street is that House Circla knows exactly what is going on in the border regions and maybe that their loyalties are as purchasable as any of their mercenaries, that they are scared of the mad seer Pangasutri and might even have some kind of arrangement with him. The name of the fierce impaling warlord-student of Pangasutri, Hawkeye Yalve, comes up in every other conversation, and then there are the lurid, brightly-coloured wall-scrawlings that catch the eye and make all kinds of scandalous allegations - and yet no one has been caught painting them.
Trasti II, Despot of Gem, cannot let this stand. He cracks down, hard. Slaves with buckets of whitewash to cover up the graffiti, and vandals are to be enslaved and the proceeds of their sale given to - he announces generously - reduce the water-price. The civic machinery of Gem springs into motion - there is nothing to be feared about the cholera in the poor tunnels, that is the fault of the poor and their slovenly living conditions. Watch as the Despot so generously gives to the temples of the healer-gods and makes sacrifices to the sickness gods! Pangasturi is a llama-herding savage, and even if his hillfolk raid Gem’s land, the food trade is under no threat when most of it comes from local lands or from the lands of the volcano-princess Etiyadi. Behold, he will pay for bread and circuses to quiet down the unrest, if he feared where food was coming from he would not be so cavalier with bread, no? There is nothing to fear, for the Rangers led by Piercing Sun Elemi himself hold the border regions secure. If necessary, they’ll go burn the lands of the hick herders to ash. House Circla-
would behove itself to remember where its loyalties lie
-and anyway they have the Rangers and the Despot’s own Imperial Guard who will help ensure that their mercenaries have steel in their spines!
Keris watches with some admiration and some annoyance. Oh, the Despot is being wasteful, but he really has managed to keep her rumourmongering to a dull muttering. She has, she explained to Ixy, poisoned his trust in House Circla and that’ll mean he’ll be wary of them, but the Rangers have done a fine job in avoiding the splash damage. But that’s just it. None of them know she’s doing this. They’re turned in on themselves. And they never caught her or Ixy, and that means they’re spiralling into their politicking and paranoia and the Despot has spent a fortune on shutting down what they’ve been doing - a fortune he can’t spend on safeguarding his vaults.
“The important thing here,” Keris explains to Ixy, “is not to get distracted from the goal by the means. Yes, the Rangers and the Despot have done a good job controlling the panic we sparked. Yes, that might be a little annoying. But we weren’t trying to start a panic in Gem; we were trying to distract everyone from guarding the vault. And they are very, very distracted right now. If anything, their success is to our advantage - it means we have an opening to rob them blind but there won’t be any long-term consequences that’ll make waves and get us noticed.”
“Are you trying to convince your student, child, or yourself?” Dulmea says tartly. “I can feel your indignation at the failure of your rumour-mongering. You are awash with petty spite over their success in stymieing your efforts.”
‘Okay, fine, yes,’ Keris admits, keeping the internal scowl off her face. ‘It’s a bit of a needle to the pride that I can’t turn this place on its head as easily as last time. But I recognise that’s an unprofessional way of looking at it and I’m teaching Ixy the right lessons from it.’
That earns her a flat stare from Ixy who’s unaware of the internal argument. “Do you actually mean all this shit or are you just saying it?” she demands. “No one takes losing that easy, even if losing is part of the plan.”
“… okay, fine, yes,” Keris repeats, this time out loud. “I’m pissed about it. But the lesson here is that you can feel as pissed off as you want, but you still don’t let the methods you’re using get in the way of the job you’re using them for. I could let my anger push me into going and showing these fuckheads just how much chaos I can throw their city into when I really try. But that’d make it harder for me to rob them blind. So instead I’ll save up my anger and spend it on cracking the Despot’s vault and taking everything I can carry that’s not fused into the walls.”
“An’ that’s why you’re callin’ up this demon, on the new moon? For carryin’ more stuff? Or for other reasons?” Her tawny eyes are on Keris. “‘Cause you ain’t told me anythin’ about ‘em yet and you said you was waiting for me to work it out, but you keep on sayin’ ‘no’ when I guess.”
“Yes,” Keris says. “Because - you’re a thief, Ixy, so you might know this already, but it’s a lesson I didn’t learn until after I was Chosen by Hell. The point of being a thief isn’t breaking into places, or even stealing things. It’s turning those things into money you can actually use. And that means that one of the most important skills for a good thief is a really accurate sense of how much things are worth. I’m not bad at that nowadays, and I’ve learned gifts from the Demon Sea that make me better at it. But the demon lord I’m summoning does that kind of evaluation as his main job, and I want his eyes on whatever we find in the vaults, because having been in there before... there’s a hell of a lot to evaluate, and we only have so much carrying space.”
She turns back to the ritual circle she’s set up - not in their little rented place in the lava tunnels, or the newly-acquired property that Mele and her hungry ones are setting up - summoning a demon lord there would be a little too noticeable. Instead they’re a little way out of the city in an east-facing cave on the outside the caldera, left empty and unoccupied because of how exposed it is to sandstorms rolling in from the deserts. There’s no wind now, thankfully, and with the sun dipping low over the Western ocean behind the Fire Mountains and no moon to light the sky in its place, it’s damn near pitch black save for the light of a pilfered glowstone.
“It’s time,” she breathes, feeling the hum of energy through the ritual as sunset begins. “Stand back. Sapphire Sorcery isn’t safe to get caught in.”
Ixy retreats back to the mouth of the cave, watching with narrowed eyes and one hand on her flamepiece. Keris breathes, centres herself and faces the circle.
“In Lilunu’s name I call you,” she begins, drawing up her power and feeding through her left arm into Iris and through her tongue piercing into her words. “By the mark she made on me I summon you. In your own name I open the way for you!”
The thought occurs to her, or the parts that aren’t handling the spell she’s shaping, that it’s a good thing she’s speaking Old Realm. Parts of this incantation would be uncomfortably revealing if Ixy could actually understand what she was saying. Her caste mark flares to life, and her anima stirs the air around her, a whirlwind of red wind and silver shards. The sigil she’s drawn on the ground flashes to light in the same shifting rainbow fire that fills her mouth as Iris rises off her arm and spreads her wings, a regal many-part dragon the size of an eagle with a crown of occult flame between her horns.
“Come now, oh Golden Ape, oh Scrapheap Idol! Come now, Eleventh Soul of mine! Come to me, Firisutu!”
Iris throws back her head and cries out. It’s not the howl of a beast or the roar of an inferno or the screech of a bird - rather, it’s a high, musical call; a single clear note that Keris can’t tie to any specific instrument. The opal flame between her horns triples in size, and she brings her open jaws down to suspire a plume of flame that fills the circle.
The fabric of the world chars and ruptures. Mist pours out of the rent the flame has burned open, obscuring everything on the other side. But not obscuring the figure that steps through, hunched over and knuckle-walking to fit. It straightens as it steps out of the gate, half as tall again as a man. In shape it is ape-like, though bulkier than any chimp and less hunched than a gorilla. Its body is composed of gold and silver and gems and hair - blood-red hair the same shade as Keris’s own, winding through its limbs and coiled within its chest, glimpsed through the openings at its joints. Its head is a cage of electrum in which a monkey fashioned from purest gold sits in lotus position. This is where the hair comes from - the monkey’s face is a skull of bare bone, and the central knot of the scarlet locks is housed behind its empty-eyed grin.
The ground trembles with each step of the twisted ape-thing. A foul smell fills the air. And then it falls to one knee before Keris.
“It has been,” Firisutu says, the Old Realm syllables curling around his deep, resonant voice, “quite some time since I was last in this world. I was greatly different then. It is a pleasure to serve you once more, your majesty.”
“It is a pleasure to have your service, lord Firisutu,” Keris replies in kind, still in Old Realm. “If you choose to speak my student’s tongue, remember what we spoke about and let her believe you’re from Hell rather than my inner world. Ixy,” she adds, switching to Firetongue, “this is lord Firisutu, the Golden Ape. I’ve worked with him before.”
“Blessings to you, child, student of Keris,” Firisutu says, raising one hand in calm benediction.
“Yeah, sure,” Ixy says, hackles raised, clearly wary.
“And blessings to you, big stupid monkey,” interjects Ixy’s szilf, Janna, to sniggering from the kerub cronies hanging around behind Ixy. There is a sound like a slow exhalation from Firisutu. They’ll be joining the main parts of the heist - because of both useful skills and brute muscle - and now Keris is suddenly worried.
“If,” she says sharply, “we could refrain from rehashing old rivalries until after we have finished the job, I would appreciate it. I know your nature, Janna, but if you don’t keep your mocking tongue under control, I will banish you again. Infighting is the last thing we need when we’re tackling a vault as well-defended as the Despot’s.”
“Don’t see what the problem was, I just blessed him just like he blessed Ixy,” Janna grumbles, but at least she does it under her voice so only Keris hears it.
“Your majesty, what plan do you have for me?” Firusutu asks, bringing his hands together in a contemplative meditative gesture. “I will not easily fit through narrow spaces.”
“I have a sanctum,” Keris says, flashing the emerald lantern ring and twisting it to open a glowing portal lined by green flame in the air. The room inside is empty; all of the materials and relics Calesco has found over her pilgrimage are making their way southwest on Malek’s flower-manse under her daughter’s supervision, Which is somewhat annoying, because Keris still hasn’t gotten a proper look at them yet; there hasn’t been time.
But it means she has a single empty room she can open a door to wherever she takes the ring, which is perfect for her current needs. She’s been using it to move Ixy around, as her student can’t run nearly as fast as she can, but it’ll play a crucial part in this heist.
“It’s not large,” she continues, “just a single room, but it will be big enough for you to wait inside as we gain access to the vault. Then we’ll transfer everything we’re taking into it for easy transport, and leave the same way.”
“As you wish, your majesty.” He looks at her through the cage protecting his inner head, with the general air of someone looking at her over the top of their spectacles. “And I am sure the profits from this day can be reused well to protect you and yours.”
“Of course,” Keris concedes. “I’ll launder it through my Saatan investments; Silver Foam and the Carnation and such. It’ll be nice to have some more cash to put into them.”
Ixy shifts her weight and keeps her hand wrapped around the grip of her flamepiece, listening intently to the words she doesn’t understand. Switching back to Firetongue again, Keris claps her hands.
“Right,” she says. “We have our distraction. We have our ally. We have ourselves. And the new moon makes a good night for a robbery. I remember the defences from last time I did this, and they can’t have changed too much about the location of the vault and its defences since the last time I robbed it - which looked like an inside job from the Despot’s bodyguard. They’ll have changed things about that, obviously - but mostly just the things they can get put in place or altered in the space of a year by throwing a lot of cash at people. Getting our hands on a map of the new defences from anyone involved will be next to impossible after the last theft looked like an inside job, but...”
She bows to politely to Firisutu, excitement starting to bubble up from within.
“We happen to have a demon lord here who excels at surveying the surrounding terrain and locating things of value in it. Lord Firisutu? Can you do it from here, or will we need to get you into the palace for you to construct a map?”
“This is too far - I could map the city from here, feeling its flow, its weave, but not the palace itself without a lot of time to refine it. We must move.”
“Into the sanctum, then. Bremar, Tashti, you too. Janna, if you have a burglar mask, put it on; if not, into the sanctum. Weft, Ixy? Time to sneak-thief.”
With a cocky grin, Janna spins, hands moving to swap out her face for a - is that a High Queen mask? - and salutes. “Ready to make it up as I go, maj-boss!”
They head out, moving through the city. But Keris is ill at ease. First, she can hear the noises, the voices, the worry. The rumourmongering in Gem is everywhere, but the crowd knows there’s something up, there’s something wrong. And below that, something that Keris can hear, something that she is trying to understand. Something that is cold and dark and stagnant and silent; something that is not the sound of the Shadow of All Things, which is alive even if he is alien and strange to the world of heat and light. Something powerful.
And then she hears the wave front of whisper washing through the city - a pillar of blackness, filled with screams, enveloping the Iblan estate whole. No one who has gone into it has returned. No one has come out. And she knows what has happened. Someone else has taken the chance to make use of the night of the new moon, and they are going after House Iblan. And they are a powerful sorcerer, for that sounds like a magic of the Sapphire circle.
Keris skids to a stop, eyes going wide. “Shit,” she mutters. “Fucking shit, pox and plague, why do I keep running into fucking undead on my jobs? Ixy, Janna, Weft! There’s something going down in the Iblan estate; someone else is using the new moon to cast. Whatever it is, it’s Sapphire Circle, and the essence is necrotic. Worst case, someone’s pulling through one of the Greater Dead or a horde of war-ghosts. Our job is now on a time limit; we need to move faster.”
Keris moves on. And only after a moment does she realise that Ixy isn’t moving. She’s frozen solid, pupils like pinpricks and irises barely larger, both hands on her flamepieces, nails clicking against the wood. She’s trembling. She’s terrified.
“Son of a bitch,” Keris whispers. She still hasn’t had that talk with Ixy about her reaction to the mention of the Dead back at Calibration. “Ixy,” she hisses, cautiously edging closer while keeping an eye out for violent reflexes. “Ixy, look at me! I know you’re scared. I wasn’t expecting this either. But I need you to focus. I won’t let whatever this is hurt you. They may not even notice us. But we need to move. The vault is secure, and once we’ve plundered it, we can leave the city. You still want that money, don’t you? We get it by going and stealing it. Now. Before the necromancer finishes whatever they’re doing.”
She’s seen Keris fight. She’s seen what she did to a whole divine court. And that is something she can cling to, as much as her flame pieces. She huffs a reddish lock of hair out of her eyes, arms wrapped around herself, and scowls at Keris. “Y-yeah,” she says, voice audibly cracking. “Sure. P-palace is that way. That way. Right?”
Ixy is not entirely with it, but she’s there enough to scale the outer walls of the Despot’s fortress with her. The stone is still hot, though rapidly cooling in the night, but within the walls it is as bright as daylight. Everywhere - raised voices, armed men, the Despot’s Imperial Guard clanking around.
“Oh, they’re on high alert,” Janna says. She glances back behind over, to the pillar of darkness that’s a spire against the night’s sky, far darker than the still-deep-blue post-twilight. “But I’m sure her maj-super-boss has a plan.”
“If I was alone, this’d be where I’d disguise myself like one of them, fade into the background and make my way down to the vault as another faceless guard,” Keris says. “With the four of us, though, we’re going to have to rely on other methods. The back of the palace is built into Rankar Peak; it’s flush against the rock and actually extends back into the mountain a bit. There are no doors or windows back there, so the patrols will all be focused around the front of the palace, but there are vents to let hot air escape through the roof and draw colder air up from below - I scouted them out last time I was here but never needed to use them. They’re small, but none of us are that big; we should fit through just fine. That’ll get us in past the heavy guard presence around the front, then it’ll just be a matter of avoiding the moving patrols, finding an unoccupied room for Firisutu to do his thing and then heading down to the vault.”
“See! Her sneaker-in-chief isn’t making it up as she goes, I can’t believe you didn’t trust her!” Szilfa stage whispers are oddly cutting for how quiet they are.
“Improvisation is just as vital a skill as planning,” Keris snaps, glaring at the szilf. “Now shut up and follow me. We need to get past the remaining patrols and down to the lower floors.”
They are on high alert. There’s guards everywhere. Her keruby end up having to shed materiality to slip through, and even with Keris and Ixy moving as colourless shifting shapes in the night that can hide in an open courtyard or against the wall of a bare corridor, things are often too close. One time a guard even brushes his hand through Keris’s hair, but fortunately he flinches away assuming he just felt a cobweb.
All their nerves are taut and the keruby are not looking forwards to the effort of rematerialisation, but they manage to make their way down to one of the larders. The ovens aren’t yet fired up for tomorrow’s bread, and they have a little bit of time to take a breather and give Firisutu time to do his work with strings of onions, mounds of flour, and preserved sausages.
The map he creates is strange even by his standard, but as he points out, the way that the string of dates stuck to bulbs of garlic intersects with the suspended sack of sugar clearly indicates that the treasure is kept in the same place as the previous despot did, even if there are more guards and more checkpoints than last time. But maybe - Firisutu isn’t sure - less magic. Maybe some of the old despot’s sorcerers were too loyal to the old regime to be trusted.
“Interesting,” Keris purrs. “Alright, that might be a positive for us. People are often easier to deal with than magic, and mortal guards will be less dangerous to us. Though if he’s hired any Dragonblooded, that’s going to be a bitch. Regardless, right now everyone’s distracted upstairs.” She purses her lips. She’d wanted to let Ixy take the lead somewhat here, but the necromancer that’s been shoved into her plan has raised the stakes. She might need to get them through the job with more of her own power than she was planning on.
“Back into the sanctum then, lord Firisutu, and thank you for your help. Janna, Weft, stay immaterial. Ixy, with me. If we can sneak past them, we will. If not, I’ll fake an order to go reinforce the guards upstairs.”
“He said checkpoints,” Ixy says softly. “Checkpoints are a bitch, an’ people don’t listen to you. We’re gonna have to go around.”
“Checkpoints are a bitch if you’re seen,” Keris returns. “It’s gonna depend on how they’re structured and whether they’ve pulled men from below away to reinforce the guard on the upper floors. If they have, the checkpoints will be undermanned, some might have been deserted completely while the crisis is going on, and anyone left will be distracted and edgy in ways we can use. If not... then yeah, we’re gonna have a problem. I don’t particularly want to just kill our way through to the vault, because that’s the kind of thing that will give us less time inside, but it might have to be a fallback if sneaking through or diverting around don’t work.”
She glances at Ixy, conscious that she’s still teaching.
“The important thing,” she adds, “is not to give up or panic. A lot of solo jobs go wrong like this; you run into defences you didn’t know about, people behave differently than you were planning on, stuff you weren’t anticipating blindsides you. The world is always out to fuck you over, so something will almost always go wrong, small or big. But you’re almost never dead the instant things turn on you, so as long as you stay calm, stay focused on your goal and don’t freeze up, you can still win. You just have to adapt to the situation and keep trying things until something works.”
Keris is really feeling the growing fatigue of the weight of weeks of awareness. She’s off her game, and knows it - she should have caught all this bullshit, should have realised that if someone else was going to act, they’d have done it on the night of the new moon.
But right here and now, she’s a ghost flitting around backstage, and what she can see is that the absolute bullshit that the new Despot has put in place is stupid in its brute force effectiveness. It’s just heavy metal doors made of iron bars, set up with a counterweight mechanism so you can’t open the second door until the first is entirely closed. And there’s a narrow space between both doors, where the person trying to pass through has to stand while the second is slid back - and that means that any intruder can just be locked in the space between and - if necessary shot with firewands or stabbed with spears.
Keris considers this for a long moment, then ducks her head back into the corridor bend where Ixy and the keruby are waiting.
“Okay,” she sighs. “I can still think of a few clever ways to get past this, but I think we’ve hit the point where it’s going to be easier to just kill everyone in the way. Ixy? Your turn to lead again. We want the first set of doors to look normal so that anyone who comes down here to check doesn’t see a bunch of dead bodies. I can inhale the corpses and make mirror-clones to pretend to be the guards once they’re dead. Besides that, command is yours.”
Ixy considers this for a moment, tawny eyes narrowed. She’s not trembling anymore, and the rush of the heist seems to affect her much as it does Keris, focusing the mind considerably. “Yeah, just wait here,” she says, and stalks off.
Keris hears nothing, and that is a reminder that Ixy is a Scourge too, cloaked in the silence of her anima. But when she reappears, she’s wearing the outfit of one of the guards, helmet off as she pushes out some newly formed dents.
“Don’t ride my ass, I shoved her in one of the pantries and jammed the door,” Ixy says, answering a question that Keris hadn’t even asked. She huffs hair out of her eyes, scooping it back as she dons the helmet. “Here’s the plan. Bars don’t stop firedust. So I walk up and shoot ‘em through the bars. You can do your murder-stretch spear too. We do it fast and we don’t let ‘em scream. And you guys,” she nods at the keruby, “you get behind ‘em and jump ‘em if they run.”
“Oh hey, murder stab stab, my favourite,” Janna says happily.
“Alright,” Keris agrees. “Hmm. You know, given how much that armour covers, I may not even need to use mirror-clones. Vipera, sweetie?” Her spear stirs from around her waist with an inquisitive hiss. “You get to make some puppets for me again, how about that?”
Vipera hisses again and slides into Keris’s hands with a happy susurration of her scales, her coils stiffening - for the moment - into a smooth, lethal shaft. “Yes, I thought so,” Keris coos, and pulls shadow over herself to resemble a guard. “Alright Ixy. Lead on.”
It really isn’t fair. Ixy grabs the box she picked up and ambles towards the checkpoint. It isn’t lightly defended. There’s three people there, and they have a bell close to hand, and two of them are behind the iron bars while the third is behind a desk. Even if you took down the desk guard - and he’s well-fed and much bigger than her and is armoured - then you couldn’t get past the ones behind the iron bars, who’d ring the bells and call out guards from the guardroom further down the hall.
It isn’t fair because Ixy doesn’t give a flying fuck about all this. She drops the box, and her hands suddenly have flamepieces in them and the fire that comes out isn’t orange and smoky, no, it’s suddenly green and gnawing. She moves with Adorjan’s terrifying grace. The first guard is dead, face ruined by a point-blank execution, the second dies a heartbeat later, and then the first flamepiece is somehow already reloaded and a third shot melts a hole through the last guard, the bell, and the bars that had between them.
Keris hasn’t seen the hateful fires from Malfeas’s heart in Ixy’s blows before, but she’s hardly surprised. Between the girl’s affinity for the King and the fear and hatred at the knowledge the dead were coming, of course she’s learned to turn that fear into wrathful destruction.
The door opens easily, and Ixy isn’t stopping. She just keeps walking, and pauses by the entrance to the guardroom. Now she has a pair of firedust pots in her hands, and Keris watches as she tosses them in - and now the flamepieces are firing, taking out the pots in mid-air. There are screams this time, but not for very long. Not when there’s more fire, and more viridian.
She turns back to Keris, the caste-brand of the Wretched burning on her brow in green. “Done,” she says. She tilts her head. “Got any criticism?”
“No,” says Keris. “Good speed, and excellent follow-through. Though I do wish you’d spared the face,” she adds mournfully as she looks over the bodies. “Oh well. He’ll just have to go back in the guardroom, and… hmm. Which three of these look least obviously dead?”
It takes some swapping out of bits of armour to assemble three sets that don’t have melted holes anywhere and three corpses whose wounds are hidden behind their fellows’ intact breastplates, but it’s not long before Keris has three meat-puppet guards that look more or less living from the other end of a hallway if you don’t come close enough to see the green-violet-glowing eyes or venomous fangs, and another dozen or so who look a lot less alive hidden in the guardroom. Vipera croons happily at the marks she’s made on the dead guards’ flesh, and Keris pets her blade indulgently.
“Stay behind these gates and don’t let anyone through,” she orders the three most intact guards. “If anyone comes close enough to see you’re dead or tries to raise the alarm, kill them. The rest of you,” she adds, “stay in the guardroom until these three get in a fight, then come out and help them kill any witnesses.”
It may be the bodies she’s addressing, but it’s really mostly Vipera she’s actually talking to - or at least the scales of Vipera that are left in the cooling corpses’ spines, puppeteering the dead flesh in a manner more like marionettes or automata than ghost-ridden undead. Regardless of the source of their limited intellect, the instructions are just about simple enough for them to obey, and the three fake guards settle back in their stations while the rest stand at blank attention.
Keris breathes out, breathes in, and summons her own caste mark to burning light on her brow. She’s getting tired even beyond the sapping fog of the mercury-drugs, and they’re past the point of perfect subtlety now anyway. Better to have the rush of strength from her ignited soul, even if it’ll probably lead to her crashing a bit when it fades.
“Right,” she says. “That’s the first checkpoint done, and defences set up behind us. On to the next.”
The guards aren’t really a threat. Not in the face of two of Hell’s chosen. Keris can even be merciful when she feels like it, Vipera coated in paralytic venoms that mean when she slices into flesh, her spear gets bored when they stop wriggling and stiffen up.
But there is one last threat in what had once been a smaller fore-room of the vaults, but is now the final line of defence; a great mountain oni, collared in jade with great metal chains that hold his limbs to a capstan that can be used to haul him back. He has a vast jug that reeks of wine in front of him, a colossal club made of a tree banded in iron, and his sand-coloured skin is dry and cracked like the earth of the parched badlands.
“Huh,” says Keris softly, eyes flashing green as she takes him in. He’s weak. Physically mighty, to be sure, but no stronger than a powerful blood ape.
“Last time I was here it was all just wards and magical traps,” she muses thoughtfully. “Though I guess I tricked or bypassed those, so maybe the new Despot doesn’t trust them.” She pauses, considering that. “I also may have broken quite a lot of them,” she admits. “Oh well. Ixy? The Despot appears to have left us a friend. Introduce yourself to him. I’ll bail you out if you get in over your head, but I want to see how you deal with this.” A gesture opens up the fire-rimmed doorway in the air and she beckons Bremar, Tashti and Firisutu out, gesturing the keruby over to back Ixy up.
“Gee, thanks,” Ixy grumbles. She discards the outer layers of her stolen disguise, getting rid of the armour, until she’s just in a breastband and the hard-wearing trousers she stole from the guard. She’s fuzzier than a normal human, an almost downy coat of fur spreading out over her back and belly with faintly seen fox colouration. “Don’t even know why I bothered putting that disguise shit on.” Keris gets an envious glance at how easily she moves around in Strigida who flows and shifts depending on circumstance and never seems to get in the way.
“Well, you ready, boss?” Janna asks, having changed out her face for a cat mask.
“The question ain’t me, it’s you.”
“Ready,” Bremar says, slamming his coral smashfists together.
“No,” Weft says, lightning claws stuffed up his sleeves. Keris doesn’t believe him. He and his kind are always ready to steal more life, more lightning.
“Give me a mo,” Tashti says, pulling off her fine clothing. “If you’d told me sooner I’d... there!” She manages to get her dress off over her head, easily sheds the underwear, and as soon as she’s free her skin ripples, revealing that what had looked like solid - if orange - skin is just petals layered together and her red hair is corded roots. With the sound of wet meat and bending wood she sheds the illusion of humanity, becoming a horse-sized wolf-beast made of petals and thorns with the same red eyes. “I’m suing you for replacements if anything happens to my clothes,” she tells Keris in exactly the same voice she used when she was human-sized. “That’s good quality cotton, not cheap silk.”
“You can look, Jan,” Bremar says with dry amusement. “She’s no longer naked.”
“Yes I am,” Tashti says.
“Okay, she is naked, but she’s a giant thornwolf, so only weird people find her sexy like that.”
“Urgh, you’re so embarrassing,” Janna growls, hands still covering her eyes. “Who decided that fogsventkae needed to get all l-lewd to take their other forms! It’s so disgusting! And perverse!”
“It’s not lewd unless you want it to be. Being naked is entirely natural,” says the giant thornwolf. “But enough about your hang-ups. We’re all now ready, boss. Even Weft.”
“Well, finally,” Ixy says.
Keris is watching the very kerubish banter and cross-talk going on, and she’s watching Ixy and while Ixy also looks away from Tashti’s stripping (it’d be much easier if hungry ones could take their clothes with them when they transformed, or wore things they didn’t mind shredding), the interactions seem to relax her. Turn it into a joke. It’s something that keruby are good at.
But it’s also something Ixy seems to instinctually bond with. A misfit group of insolent urchins arguing with each other. And sure, maybe some of it is because, as she’s heard, Chiaroscuro is kinda the Nexus of the South, but...
Any thoughts along that direction are interrupted when Ixy simply steps out in front of the oni, twirling her flamepieces around her fingers. “Heya, big guy!” she calls up. “What’d you say if I wanted to get past here?”
The oni blearily blinks his eye. “You don’t look like you’re meanta be here,” he rumbles, in a voice like a landslide. “Do you got the pass?”
“Do these count?” Ixy points her flamepieces at his head. “Oh wait, no! No, these are pieces, not passes. So, for the moment, say I don’t got a pass. What’re you gonna do next?”
“I go bang the hanging metal thing and it makes a lotta noise and people come running,” the obviously drunk oni says. “An’ then I get to crush your bones. So-”
Fire rushes out as Ixy looses with her flamepieces at the hanging gong. She utterly ruins it, the flame melting the hanging bronze sheet which comes away in semi-liquid chunks and falls to the ground, rather than ringing. “So yeah, big guy, that’s not happenin’, yeah,” she says conversationally as she rams in first one, then a second replacement dust cartridge and recocks the flints. “I’ll make a deal with you. Me and my gang beat the livin’ crap out of you so you won’t be wakin’ up for days, but we don’t kill you. An’ so you don’t try to kill us.”
The oni laughs hard at that. “I just gotta holla,” he says, lifting up his large container of alcohol to take a slug. “And you’re tiny so you don’t got a chance of beating me-”
Whatever he’s about to say next doesn’t really come out, because Ixy shoots the clay pot when it’s at his mouth, and it goes up in a fireball. Burning spirits splash all over him, and he lets out a rumbling groan, grasping at his face blindly. And then the keruby are on him; quick-as-the-wind Janna with her knives going for hamstrings, the bulk of thornwolf Tashti tearing at limbs, frost blossoming from where Bremar’s coral smashfists bruise the skin. Weft is a barely there spectre, his touch drawing sparks out from the oni that fall into his cloud-shrouded form. And Ixy is in there too, with flamepieces.
The oni doesn’t last very long, and he doesn’t even get the chance to holler. He’s left a body that’s turning back into sand, quenching the burning spirits and spreading out over the ground.
“Fuck you,” Ixy says. “I really woulda even let you live if you weren’t so fucking patronisin’ ‘bout it.”
Applause rings out across the chamber, and all heads turn to Keris. “Well done,” she says. “And no, I’m not being patronising. That was beautiful. Baiting out his orders and destroying the gong, then hitting the booze to blind and stun him? I’m impressed, Ixy. And... it might be softer-hearted than an assassin should be, but I like that you offered to let him surrender, too. You’ve made a really good showing here. And you’ve earned a reward for it. Firisutu?”
The great ape follows her across the room and past the sad little pile of sand to the great vault doors. He doesn’t lumber as his bulk would suggest - indeed, his feet barely seem to touch the ground as he drifts after his summoner.
“Help me get this open,” Keris says. “And then...” she grits her teeth through the screaming possessive voice howling in indignation at her next words, “please give Ixy some advice as she takes first pick of what’s inside.”
As soon as someone looks in here, they’ll know something happened. Because the monstrous oni isn’t there.
(Oh, but the collar they were using to confine him is, and Keris immediately grabs it. Even if it’s not magical, it’s still red jade probably hewn out of nearby mountains)
The vaults are past that last warden’s post, and Keris might have seen it before but Ixy and the keruby and Firisutu haven’t. There are row after row of silver talents, piled up in clearly enumerated sections. There are chests of jewels from the mines of Gem, and there are also more specific high value gems wrapped in black velvet and locked in sections. And then there are the weapons, the trophies, the things the Despot has taken and the things paid in lieu of coin-tax.
This one is poorer than his predecessor - he’s spending heavily to maintain his rule, likely - but a poorer despot is still rich beyond the wildest dreams of mortals. Probably many Exalts, too. And some gods.
“Gorat’s shit,” Ixy breathes, overcome by the sight. “This job could prob’bly buy a city.”
“Yes,” agrees Tashti, slipping back into human form so she has hands to grab for a ludicrously expensive black silk dress.
“First pick is yours,” Keris says, already opening the sanctum and moving off to investigate the shelves of trophies and scrolls. “Move fast. Getting caught in someone else’s treasure vault is never a good thing, because the walls are really thick and there’s only one way out. Last time I was here I grabbed what I could as fast as possible and then got out of there clean. We want to do the same now before the necromancer out there finishes whatever they’re doing.”
Ixy knows exactly what she wants. Keris sees her head straight for one of the suits of armour hanging from a mannequin. Well, armour maybe isn’t quite the word, not compared to Strigida. It’s bright and shiny and made from furnace rhino hide, glistening with gems, and it’s been further reinforced with older orichalcum plates that must have come off ancient armour, intricately decorated with images of doves in flight. Keris suspects this might literally be the Despot’s personal light armour. A veritable fortune in furnace rhino hide, made quite possibly literally for him, at the very least a relic of his House.
“If I might help you with that,” Firisutu says, lifting it up to drape it over her shoulders. “Would miss prefer to have it open or closed?”
“Oh yeah, this fits me real good,” Ixy says, stretching her arms out. She bounces up and down on her toes, testing the weight, and paces back and forth in it. “Oh, fuckin’ neat! It’s got little loops for my holsters. And it’s blitz as all fuck.”
“It is extremely ornate, and should not constrain your mobility. And it is made from the hide of a furnace rhino, a great beast that patrols the southern deserts, so will be very resilient to heat. It will keep you cool and protect you from firedust explosions.”
“Fuckin’ hell, really?”
“Really.”
Keris is immediately, and intensely, jealous. Grumbling, she stomps into the shelves of scrolls and books, many of them so old they’re fragile to the touch. Moments later, Ixy’s admiration of her new coat (and the compliments from her keruby about how good it looks on her) are interrupted by a squeal of delight from the stacks.
“Firisutu! Firisutu, come look at this! It’s a copy of the Prayer of Lesser Gazes Turned Aside! I’ve wanted a warding spell for ages! And...” The sound of pages being quickly turned. “This one is written to call on an allied spirit’s blessings to shield the caster from eavesdroppers and scrying! This is perfect! I mean, I think it’s meant to call on celestial gods to work, but I won’t even need to adapt it to use my demonic allies to anchor my wards!”
“I’m sure that is good for you, my queen, but I am helping Ixy with attuning to her new armour...”
Betrayed. Betrayed. Keris briefly broods, but quickly gets over it when she thinks there may be some more new spells for her to read. But what catches her eye instead is a gorgeous illustrated book that’s labelled as a prayerbook to Mars. How did they get the red so vibrant? Is that red jade in the ink? It has to be! Someone cared deeply about it. Maybe a sorcerer, too?
She opens the book, idly flicking through it, and it falls open on a familiar scene.
A red-haired woman, naked, standing on a rise of rock. Around her, the ocean squirms with horrifying, tentacled life. The sky - so beautifully coloured, a real work of art - is filled with strange stars. The prayer, to the right, is praise to the gold-marked Scarlet Lady, whose faith commands demons and drives them out from the world, the maiden of all battles whether just or unjust.
This one is from a different angle than the other ones she has seen. The illustration depicts the scarlet lady from behind. Her hair is parted; Keris sees gold-leaf painted in an intricate shape on the small of her back, just above her bottom.
This is not a prayer book to Mars. Or, if it is, the prayers were written later. Or were written by someone who did not know what the divinely - divinely? Hah! No, not divinely! - inspired artist was drawing. Whoever put it down here thought it was valuable, and it is, just for its raw materials. But Keris knows what this book really is.
“Oh,” she whispers, eyes wide as she hugs it close. “Oh, yes.”
“... child,” begins Dulmea.
“I... I won’t look at it here, mama. I know the rules. Don’t get distracted in the middle of a job.” Keris snaps the book shut, despite the yearning - the craving - that calls to her to read more, to seek any pictures of Gem in these pages, any prophecies that might pertain to the great theft she’s pulling now. “For now, money. I need to replenish the funds I launder through my Saatan businesses with some easy liquid cash.”
That isn’t hard. In fact, “in the vaults of the Despot of Gem” is probably one of the easiest places in all of Creation to make cash quickly, especially when one is accompanied by a demon lord with powers over salvage and finding the value in things. There is silver beyond counting here, so much that the main limit is the time taken to move the heavy silver - that and the limited space. But that’s not what Keris’s attention focuses on, and she leaves the silver up to Firisutu and her keruby (and Ixy, who’s also been caught by the allure of actually-quite-clean lucre).
Keris knows what she wants money for, and silver talents aren’t the only thing she needs. They’re too large, too illiquid, and she’s going to have to recast them to hide that they came out of the vaults of the Despot of Gem. No, she makes sure to grab the lower denomination coins used for smaller expenses than would take a talent, because they’ll be much easier to launder through her businesses in Saata whenever they need an inflow of liquid cash. And then there’s the things that interest her much more; the ancient orichalcum discs that must be the currency of a long-forgotten solar empress, her beautiful face staring out of each one from the depths of years. She really wanted people to see her face, and maybe Keris might keep a few, but most of these relic coins are probably going to be melted down for Keris’s projects. And then there’s the red jade Realm trade coin. Not the usual white jade of Realm coinage, but red, indicating it isn’t legal tender in the Realm itself. It took Sasi a long time to explain it to Keris, and Keris only got it when she realised that by paying so-called barbarians in red jade, that meant that the red jade coins had to be converted at the Imperial treasury if the Great Houses were paid in trade coin by Thresholders. And the idea of the Scarlet Empress running a con like that on the nobs made perfect sense to Keris.
It’s worth less because Realm traders only take it at a discount, but it’s frequently seen in the Anarchy and no one will ask questions if Hui Cha traders are seen with red jade tradecoin. It’s perfect for Little River, who can take a big false order from a ‘merchant’ and use it for anything that needs buying from the Realm. Like the plans to set up a Hui Cha office in Arjuf.
Satisfied for the moment with her purely financial gains, Keris turns her attention to the pretty things in the vault. She will, after all, need a present for Lilunu (no need to explain exactly where or how she got it), and some trophies to keep around for herself. And down here there’s definitely plenty of artistry. Beautiful gowns and dresses no doubt meant for the Despot’s mistresses, paintings done with jade or gemstone infused ink, even a few sculptures that aren’t just tacky solid gold statues of Rankar. It’s like a little slice of Heaven (specifically, whichever part houses the art gallery).
The spellbook and the copy of the Crane weren’t the only things to catch her eye among the bookshelves, and Keris drifts back to snag a first edition copy of The Lady In Blue, the last (and very explicit) work of the author Anshwa as-Salari, before he was executed for his offences to public morals. It’s a lucky find - she’d heard of it as Rankar’s mistress but hadn’t been able to find it, so spotting it here is a nice little discovery. The other first editions are largely uninteresting, mostly mundane works gifted to the Despot by their authors, and she passes over them along with the depressing late Cahzori poetry. Calesco would no doubt snatch it up if she were here, but it’s not Keris’s thing. The religious texts yield another find - Keris lingers briefly over the silver ink on black silk prayerbook of the night goddess Susi-haya, daughter of Luna, but it’s the set describing the sacred dances of the lost goddess followed by the mendicants of the Ragged that she takes, her interest piqued by the possibility of incorporating these dance forms into her Blue Order.
Then it’s off to the clothing racks and wardrobes, which are... disappointing, honestly. Oh, there are all the expected gorgeous and very expensive outfits for Rankar’s mistresses, including some very risqué ones and even a set of alpaca-wool scarves and blankets trimmed with golden bells that Keris assumes are an import from somewhere. But frankly, none of them compare to the clothes her lady can (and does) put her in, and there’s nothing novel enough about the styles or techniques for her to take them as references. She leaves them behind and moves onto the paintings, where she dismissively ignores the gold-leaf portraits of the new Despot and genuinely, sincerely agonises over a collection of starkly beautiful chiaroscuro artworks depicting the streets and sights of Gem. The only reason she regretfully leaves them, in the end, is the sheer bulk of the things - she’s not sure she could fit the whole collection in the little one-room sanctum without giving up valuable money space, and it would break her heart to leave the set incomplete.
So it’s to the knicknacks and oddities that Keris turns her attention when all is said and done. And while there are a few curiosities that she considers but dismisses - a Winter’s Breath Jar painted with some kind of snow-goddess or ice elemental, a particularly large and sizable collection of expertly cut gems from Gem’s own mines - it’s here that she finds the majority of her prizes. There’s a weird ant-wasp-bee thing encased in an ancient chunk of amber the size of her fist, which she grabs as an interesting paperweight for her office. There’s a full dining set of ancient plates and cutlery that dates back at least to the Shogunate, decorated with still bright and unchipped images of a broad and generous river flowing through a fertile landscape. They’ll work nicely as a way for Little River to subtly flex her wealth. And there’s an expansive collection of... dolls? Lacquered figurines? Gateway pieces? Whatever the word for them is, they’re little Shogunate soldiers painted in exquisite detail, and Keris can already see Atiya and Aiko playing with them. And quite possibly Asarin and Lilunu too.
Keris watches as Ixy grabs one of the yasal crystals, and stuffs it in one of the pockets of her new coat after spending too long admiring it. It’s joining some gems in there, and Keris isn’t quite sure if the girl realises it’s not just another gemstone. But asking her that would take up valuable stealing time, because it would probably lead to a fight.
She keeps her mouth shut and keeps ferrying her chosen treasures into the sanctum. They’re all working busily without much talking, without even really much fighting to get through the single door; all cooperating to fill the single room of space with as much as possible in as little time as they can. Each pile is starting from a different point in the room to keep some distinction between who took what, but they’re all starting to squash against each other as they grow. Keris dumps the box of figurines down on top of her books, which themselves are laid out over the silver bars and red jade talents, and hurries back out into the vault, planning what to go for next. More money, probably. Or perhaps the weapon racks? She’s already looked through the bookshelves, the curiosities and the clothes, so-
Such is her distraction - or perhaps such is the insidiousness of the text - that it takes her until she’s five steps past the door to realise she’s holding the hymnbook of the Scarlet Lady; her new and alluring copy of the Broken-Winged Crane. She doesn’t remember grabbing it. It was lying on top of the jade and silver, just like the other books. She remembers putting the box of toy soldiers on top of it, and she’s sure she didn’t pick it up first.
And yet now it’s here. In her hand. It feels almost as though the hardback covers are pressing themselves against her fingers. Trying to open. Trying to show her something.
‘... mama?’ she thinks, a tingle of unease crawling up her back. ‘Did you notice me picking this up?’
“No, I did not,” Dulmea says, and there is real concern there. “Should you leave this book? Or burn it if it will not be left?”
‘... no,’ Keris decides, though she does consider it for a moment. ‘It got itself into my hand without me even noticing, and it’s trying to fall open to a specific page; I can feel it. Unless I destroy it immediately without taking my eyes off it, it’ll just go and manage to fall open in front of Ixy somehow as soon as I look away.’
She bites her lip, thinking quickly. ‘I think... I think this is like the puzzlebox. It solved itself, but only after I’d set things in motion; once the attack was already underway and there was no stopping the... the conditions for the prophecy it made. Am I saying that right? It... when it solved itself, it showed the palace destroyed and Molacasi set free - but it didn’t do that until the middle of a massive demon attack when those things were possible. Likely, even. So if this book is trying to show me something now, it’s probably because the conditions for that thing are already happening. And I have a bad feeling that might mean the necromancer outside. If this is a warning... it might be safer to see what the Crane has to say about what we’ll be walking into when we leave.’
“If that is your choice, child,” Dulmea concedes, her voice still wary. “Only know that I am uneasy about this, and your fascination with that text in general.”
‘I know, mama,’ Keris replies. ‘But this feels like it’s important to know.’
Swallowing to wet a dry throat, she lifts her right hand with the book still in it and relaxes her fingers, letting the pages fall open at random to a natural spread.
The parchment is stiff, the ink gleams in gold and silver and lustrous black and rich reds in the illuminated illustration to the right of the page. The background; all golds and silver, wealthy and extravagant, cut through with inked black shadows that only makes the gold and silver leaf sharper and richer. It even gleams in the darkness. But the red is the foreground, the figure broken on the ground with chest carved open crimson, the figure raising a hand aloft to the scarlet sky; the beating heart in the hand a vibrant blood-red that has all the lines of perspective in the drawing centred on it.
The armoured figure soaked in gore, black blade in hand, might be her. It wears a demonic mask with some feline proportions; it could be Strigida. Is the cascading scarlet hair, or pools of blood. That’s good, at least; she’s the one tearing out someone’s heart.
But, ah, the figure on the ground, the figure so cruelly eviscerated and slain, the last trace of their life force snatched up by their killer; Keris does not know them. They’re wearing robes of ornate extravagance just like the background, and she sees some details that could be a strange conical hat, shaped like a volcano. Maybe a woman?
The Crane says she will kill a lavishly wealthy woman and tear out her heart. At least if she wants to claim that deed. But who is the woman? In this art style, it’s hard to tell, it’s...
... oh. The robes are not done in the same style as the background. The robes are the background; there is little distinction between the murdered woman and the background because they are one and the same. The woman is draped in the fabulous wealth. She is... she is Gem Keris realises. In some way, the Crane says she will tear out the heart of Gem and hold it aloft.
She looks up and around at the vault. There’s still wealth beyond imagination here. But much less of it than there had been last time, and it’s not packed efficiently. Her sanctum might only be a single room, but Ixy, Firisutu and the keruby are making sure to use every bit of space inside it, including vertically.
They’re not going to be able to take everything. But what they are taking is an eye-watering sum. Enough to count as ripping out Gem’s heart? Quite possibly. Keris knows sabotage, and thanks to Haneyl and Sasimana she’s become more familiar with money than she’d ever been as Kit. She didn’t come here to topple another Despot, but given how much of Trasti Gion’s power depends on the wealth he throws around, that’s probably what’s going to end up happening as a result of tonight. And then the Great Houses will fight over who takes the throne from him again, and whoever wins will find the Despot’s wealth even emptier, and…
She snaps the book shut and tosses it into her hair.
… this theft might well indeed be what kills Gem, is the point. Keris may not need to do anything but what she’s already done to fulfil this prophecy.
But it pays to be safe. And there’s still the necromancer outside to consider.
“Alright, start wrapping up!” she shouts, and heads for the weapon racks. “One more minute and then I’m going to start staging the vault to look like this theft was done by a Lunar! Once that’s done, we’re gone! If there’s anything else you want to grab, you do it now!”
It’s perhaps unsurprising, after shouting this, that she reaches the racks of potent magical weapons only to find that all four keruby have beelined to them at the same time. Or possibly were already on their way to loot themselves some weapons, given how much her keruby tend to think like her. In fact, Keris has the unpleasant realisation that her wretched keruby have gotten to the weapons first. Janna has grabbed the lovely, gorgeous white-jade war fan pair with the purple-painted silk butterfly wings, and she laughs at her High Queen when Keris sulkily says she wanted it. Tashti’s taken the blue jade war axe that weeps mist from its blade, while Bremar’s taken the fighting gloves with moonsilver wrist guards and dreamstone knuckles. She hasn’t seen what Weft took, but whatever it was, it was probably valuable as fuck. Who knows how much he’s got hidden under those stormcloud wings?
In the scrabble, Keris manages to grab a thrusting sword made from the rib of some great beast, with a black and yellow cloth wrap on the guard and a wasp icon on its prayer strip. She thinks it’ll be lovely for Mele, and the fact that the bone tip is wrapped in stained cloth from the constantly dripping venom is just the best. It’s called Hornet’s Needle, she reads from the description, and she thinks her lover will really enjoy it.
But then all thoughts of Mele leave her head, as she hears the resonant tone of orichalcum from within a sealed cabinet. More than that, she hears power. And something familiar, something she’s heard before. She breaks the lock off with a blow and a burst of green flame, and what she finds within, wrapped in black silk, is a weapon that she’s never seen before. It’s a two-handed executioner’s sword, with no thrusting tip but a wickedly sharp cutting edge. It’s heavier than she’d normally use, and not her style - but she’s never ever seen blackened orichalcum like this before, orichalcum that isn’t ruddy or coppery or alive. It’s cool, cold even - it makes her think of the precise and subtle power that Ney wields when he slips away from the world. But there’s something else familiar about it. Not about the blade, but about the style of the wraps, about the guard-
Her fingers feel the heron seal. And Keris has a sudden, horrible, glorious realisation.
This is the blade she’s only heard about in rumours, the last work of Sesus Canglù. Fifteen weapons, one for each month, given to the Scarlet at the time. And the last blade, the blade that was not gifted, the blade she heard stories of but has been so hard to prove. That master weaponsmith-dynast, working in orichalcum, to make a weapon that was not part of the Seasons, but which the Seasons collection would not be complete without.
Keris wraps her hands around it, and lifts. And following the path of the blade, just as Calibration follows the year, is a sheer plane of starless midnight blackness.
She can hear the air scream close to this weapon. It cuts the very air. It is sharper than Strigida’s wing-feathers. It is sharp enough that when she rests it on the top of the cabinet, it slices down through it, cutting through solid wood just under its own weight.
“Oh fuck me, yes,” she murmurs, awed.
“What the fuck is that?” Ixy demands, looking extremely irked that she picked up what appears to be ‘merely’ a well-balanced orichalcum blade, polished to a mirror-like sheen so fine that the gold almost looks silver.
“Back in the early 300s,” Keris says dreamily, “a master weaponsmith from the Realm called Sesus Canglù unveiled a collection he’d spent twelve years making; fifteen masterwork weapons, each made from a different material, each made to represent a different month. He donated it to the Second Empress and earned House Sesus a chunky satrapy in the Summer Mountains for it. By the time the Fourth Scarlet took power, half of them had been lost or stolen or traded away. I’ve got one of them myself; Ascending Air, back in Saata. But there were always rumours of a sixteenth blade. A secret masterpiece, greater and higher-quality even than the rest. A hidden indulgence that he kept back for himself even as he gave all the others to the Throne. Something that should never have been forged, the Immaculate monks would say - but maybe he couldn’t bring himself not to complete the set, or to part with it once it was made.”
She sweeps the blade through the air again, hearing it part even the tiniest motes of dust that drift in the almost-still heir of the vault.
“This is that blade. It has his heron emblem, and here on the handle, its name in High Realm. How it got here I have no idea, but I’m not surprised. Of course a cursed blade like this would wind up in a place like Gem.” She can’t read the inscription beneath her fingers, but she doesn’t need to in order to know what it says.
“This is the lost, blasphemous masterpiece of Sesus Canglù. This is Calibration.” She whirls it through the air, and then swipes at the floor with it. Warded stone parts like butter, and red lips part to bare a toothy grin.
“And it’s going to be our ticket out of here.”
And not a moment too soon. Keris can hear a clamour outside, and worse, feel someone’s attention on this place. It has been growing for a bit, almost a violation of her personal space. And that means she’ll need to get out of here - unless she wants to fight her way out in order to grab more plunder.
She moves quickly, cutting a hole into the floor with Calibration. The black blade carves through the reinforced rock with ease, heedless of the magics set in place to keep this vault sealed, and the fires of the King spread from the cracks. It isn’t long before a section gives way, and Keris gesturing her six companions through it.
“Go. Now. This leads into the mines, you can find your own way out through there. I need to stay and muddy the evidence here, then cause a big enough distraction for you all to get away. Firisutu.” She closes the sanctum and tosses him the ring. “Keep that safe. Don’t wait for me and don’t stay in the city; we’ll meet at that cave on the outside of the caldera that I summoned Firisutu in earlier tonight. If I’m not there by dusk tomorrow... assume I’m not coming, and wait for Veil or someone from the Southern Directorate to show up investigating what happened here.”
Orders given, she turns and makes for the remaining silver in the vault, rearranging it into three big, simple shapes on the floor and one more complex one. A full circle, a half-circle split vertically down the middle, an empty ring. The three phases of the moon - and beneath them, a laughing desert fox. Her shadow swallows her, Strigida and all, leaving her clad in silver armour that looks like the set she stole from the Tomb of Singing Blades so many years ago, faceless save for a silver ring on her head where a green one usually burns.
“You are choosing not to exfiltrate, child.” Dulmea’s judgement is clear. “Just because the Crane foretold something - you know you can act against it, and you have done so before. The only cost will be weakening this copy, as Iuris told you.”
‘That’s not the only reason why,’ Keris replies grimly. ‘I can feel the eyes on me, mama. Someone’s been watching for a while. If I want to be sure this won’t get back to Veil, I can’t afford to leave any witnesses who saw my real face or heard me talking to Ixy. If there are recording crystals in the vault, they need to be smashed; if there’s a sorcerous mirror somewhere in the palace that shows what happened here, I have to break it. And if there’s someone peering at me through a pool of shadows or a familiar’s eyes, they need to die.’
Keris is a stalking beast, making her way back up through the palace. They’ve found what she did to the guards, and are trying to fight their way past Strigida’s animated corpses who are holding the gate - her spear purrs to her about that, but still is sulking that she’s found another weapon. Keris doesn’t pay that another thought and cuts them all down, too preoccupied with the feeling.
It hasn’t changed. It’s not something about the vaults. And it doesn’t feel like it’s coming from outside the palace. It... it’s hard to tell, but...
... it is the palace, she realises, a presence hiding in it. The palace god - no, too strong for that. A powerful god, as powerful as a demon lord. As powerful as her children. And of the gods in Gem who can hide in the city structures, have that much power, and would dare to look for her, well. Keris can think of only one who was venerated in this way in the city during her stay there.
Lady Ahmaraan, City-Mother of Gem. Ahmaraan whose hands flow with wealth and whose hair sparkles with precious things, Ahmaraan who wears a whip at her hip and hears the prayers of every merchant who comes to this place to get rich and every miner who cares about their lucky break.
Behind a mask of silver, Keris’s lips curl upwards into a sadistic smile.
“Oh lady Ahmaraan,” she sing-songs, drawing the last syllable out. “Come out, come out and let me see you.”
A pause. Nothing. No response. Her smile widens.
“Oh lady Ahmaraan,” she prays in mockery of many a new arrival to the city, “whose robes are lined with silver and gold, let me strike it big in the city and get rich beyond my wildest dreams.”
Silence still. Keris chuckles, changing direction and stalking along another hallway, casually evading a patrol of lagging guards.
“Oh lady Ahmaraan,” she sings as the miners do, “whose footsteps show where to dig for seams and whose jewelled nails glitter in the scorching sun, let me find a fortune beneath the earth.”
Her feet turn, taking her towards more central parts of the palace. The City Mother’s sanctum will either be at the Despot’s throne, or the palatial shrine not many rooms away from it.
“Oh lady Ahmaraan,” she croons, still teasing with vicious enjoyment of what she’s already done, “who bears the whip that lashes the slave, grant me the strength to stay in power and crush those who’d oppose my goals.”
Her prayer is heard. The ground shakes; the door slams in front of her, the rug twists under her feet to try to trip her. The coward doesn’t show herself.
But maybe she has other things to worry about right now. Because, as Keris hears as she emerges out from the lower levels of the palace, things have gone decidedly south since she was last there. The gates are not open, but the walls have fallen. There are armoured war-ghosts swarming up the walls, material here on the night of the new moon, and already over the parapets a headless spectre raises a banner the colour of clotted blood. Some of the palace guard are holding barricades hastily thrown up in front of the inner palace entrance, but even as Keris watches a colossal hulking thing of tens of ghosts fused into a moliated mass smashes into them, willingly impaling itself on their spear-points to get close to their fresh living blood.
But even that isn’t what Keris is interested in. Because she can feel them, the two leaders, stronger than Ixy, one almost as potent as Keris herself. Green sun princes feel like a vibrant, neon smash of many colours together, while the heavy taste of these is monochrome, and foul, and like rot.
“Trasti!” roars the more powerful of them, a man in dark armour, his face bare. He looks like he was once handsome in a rugged way, and some would say he is still, even if he’s a little too pale and his eyes are a sharp yellow. “Trasti! Come out, coward! Show your face! Or will you send more men to die? Just like you sent us all to die in the deserts, looking for that wretched drum! You know who I am! You know what you did! Come on, and for once in your life, face me like a man!”
The other figure is probably a woman from the height, but it’s hard to tell; bedecked in precious things, but covered in bandages dried the colour of stained blood. But one arm is bare, and it’s leathery and parched and Keris’s sharp eyes can pick up a brand on it. “Gem pays for its sins!” she crows in a ruined voice.
Keris takes all this in and comes to the sensible and reasoned conclusion that she has no idea who these people are or what drum they’re talking about, that they seem to have some very important things to discuss with the Despot that really aren’t any of her business, and that honestly it would be very rude to distract them from what they’re doing so she might as well leave them to it.
Mind made up, she executes a sharp about-face and makes to circle round and come at the inner palace from another angle. All she’s after is Ahmaraan. Her soft heart twinges at the thought of leaving the Despot’s guards to this horror show, but the rest of her reminds it that these men have stood guard over the man as he’s reigned over a city of slavery and sadism without a qualm. It’s only fair that they defend him from the consequences now.
But the shadows are too thick around her. They caw like raitons. And on the flapping of wings there is someone else there with her, leaning against the wall, a dark-skinned woman with a white cloth bandage over her eyes, dressed in a buff jacket with sewn-in plates of soulsteel. On one hip, a wicked and elaborate flamepiece, in her hand a machete-like blade of corroded and pitted orichalcum with an ivory pommel carved like a skull.
On her brow, an empty ring, one that appears as a raw and bloody circlet that leaks darkness.
Oh. There is a third one, one lurking in the shadows.
“Hiya,” says the newcomer empty-ring cheerfully, her weapons lowered, her smile far too self-satisfied. “What’re you looking for, milady d’argent?” Her accent is unfamiliar to Keris, but sounds like she is a native speaker of some dialect of Firetongue. “And what’s going on under that cute little faceplate of yours? What nasty little schemes are in your head?”
“Oh, I’m just an opportunist,” Keris replies with equal friendliness, every muscle going tense under her armour. Memories of Rat try to rise, and she forces them back down. “I’ve already found what I came for, and now I’ve just got some business to wrap up with the city goddess and I’ll be on my way. I’ve got no strong feelings about the Despot; I’d be quite happy to leave him and the rest of Gem to you three even if I wasn’t outnumbered and outmatched.”
“See, you claim that, but the thing is that when someone shows up with a full set of moonsilver plate and a gorgeous épée - oh, ah, that is, a sword - well, I am not trusting you entirely. What can I say?” She gives a one-shouldered shrug. “It is a character flaw of mine, that I am so suspicious and doubting of others. Perhaps you and I and my friends might want to speak in a minute tête-à-tête, and perhaps even an arrangement might be asked, because, well. I am only here to aid my friends in their endeavour, but I do care greatly for them and would be most aggrieved if milady d’argent were to be contrary to their goals here.” She gives Keris a smile, flashing white teeth with very pronounced canines. “Then again, if milady does say that she is here for a goal that is not in opposition to ours, it is always possible that we might offer a favour in return for a little assistance, no?”
“Well, I do have a very pretty sword and a lovely suit of armour, it is true,” Keris says, dipping her head without taking her eyes off the woman and testing to see if she can circle around her towards the corridor. She can’t; the empty-circle sees her doing it and moves with a smile to block her. Keris laughs lightly, heart racing.
“And I am, if I may say,” she continues, “not eager to cross such a close-knit band of friends who have me outnumbered three to one. So perhaps I will offer - as a gesture of my very generous and trusting heart, which I’m afraid to say is a character flaw of my own that’s brought me much grief in the past - to see if I can use my suspicious but very pretty sword to help you get through that door that’s giving you trouble and prove my fair intentions that way. And then maybe you can help point me towards lady Ahmaraan’s sanctum in turn, which I will admit I’ve been at some pains to find.”
“Oh, do not fuss, do not fuss,” the dead thing says, flapping a hand at her. “You, me, I feel we are one of a kind. Much of a likeness. If it were up to me, this whole... display would not be necessary. You are moving admirably quietly for a lady so armoured, milady d’argent, and I am sure you are most very dangerous. Likewise, I do not wish to display the hubris, and yet I believe that I could most easily ensure that Despot dies quietly - or loudly - in his sleep without alerting anyone else. But down there, my dear Magister of the Wisdom of the Starving Coyote and of course sweetling Last Gasp Crone, well, they have such personal reasons here. They wish to see justice done, the first to that awful Trasti man, and the second to House Iblan who I am sad to say was the cause of her quite agonising death. They are not good people here in Gem, not good people at all, and some people believe justice is best when all can see it done.”
And that smile again. The smile of someone who thinks like Keris, who knows that justice matters less than results.
“But, well, if I may put your mind at ease, milady d’argent, we are not here to occupy this disgusting city. There will be justice, yes, but the interests of the Legion Sanguinary and our master is not in holding Gem. Only ensuring that the lands of the Dead tied to it have their rebellious streak... crushed, no? Nothing to concern the living. And so Coyote and the Crone just begged and begged our master to take a little time out from the subjugation of the lands of Dead Gem to extract a little personal revenge on the awful, awful ones who hurt them so.”
“Then I wish them the very best of luck, for who am I to stand in the way of justice?” Keris asks rhetorically, squirrelling that information away for later. She might be able to trade it - probably not to Veil, but maybe to Geasa. And it is a relief that the keruby she’s left in the city won’t be in danger - in fact, with House Iblan gone, their deal with Carian will probably flourish. “And I must admit that I won’t be staying here either. I’m no Gemese native; as I said, I’m just an opportunist. Oh, but I haven’t introduced myself! Dancing Plover, at your very charming service. Though if you want to keep calling me by that lovely title, I won’t be at all upset.”
That earns her a smile. “I am the Mademoiselle Who Laughs Last, but, ah, Dancing Plover?” There is a new note to the smile. “The despot’s former mistress. I knew that body wasn’t yours.”
“Mademoiselle, I don’t know what you mean,” Keris protests. “I hear poor, sweet Blushing Plover was cruelly murdered by that awful Rankar man’s bodyguard, or something to that effect. And then the fellow made off into the night with a small fortune from the vaults, tch.” She shakes her head sadly. “You really can’t trust anyone these days.”
“Oh, of course, of course.” The Mademoiselle nods. “How could I possibly mistake Blushing Plover, the woman believed murdered but whose ‘corpse’ was not hers - trust me, I verified, I had been considering her as an asset - whose false death was accompanied by a theft from Gem’s vaults, with Dancing Plover, the lady d’argent before me who is wearing full moonsilver plate and bears one of the most valuable treasures from Gem’s vaults in her hands right this moment. Tch. Such an easy mistake to make.”
Keris returns a laconic shrug. “These little errors, they happen to everyone - and I suppose I must have one of those suspicious faces, because I’m frequently mistaken for other women who’ve committed all manner of tricks or thefts. But let me assure you, Mademoiselle - and your dear friends too - I have no wish to interfere in your business here. If the honourable Magister wants to address his grievances with the Despot without you taking your eyes off me, I’ll be quite content to wait and seek out the City Mother afterwards. My only worry is that she might escape or slip away while I do.”
“Oh, I can see how that might be a problem!” The Mademoiselle seems to faux-think for a moment, then nods solidly. “Why don’t I come along to ensure that the city mother dies? It is something that my lord would look most favourably on for my part, and two is safer than one, no? Both of us would benefit - and for my part, if unrighteous Ahmaraan is distracted, she will not come to the aid of Trasti Gion. I am sure I can leave my good friends here to deal with the chaff - in fact, if you just listen-”
Keris does. Keris hears the swelling of power, the cool of the grave, and then a shriek. A shriek that rolls along the ground, that passes through the barricade, and then the sound of wet flesh falling to the ground. Wet flesh, devoid of bones.
“-why, I do believe that the Crone has just sloughed the flesh off the forms of those foolish guards who did not wish to surrender or step aside. So they will be able to freely pass through and enter the palace.” The dead thing giggles. “Why, we would both benefit from me joining you in this endeavour, and is this not the best form of arrangement?”
Repressing a shudder at the reminder of the monsters she’s dealing with, Keris spreads her arms. “Of course,” she agrees with an excellent pretence at amicability. “I’d never turn down aid from a woman so dedicated to helping her friends. Though I would ask that you leave her alive and avoid striking an immediate killing blow. I have some plans that need her alive for a couple of hours before she dies.”
“Oh ho! Ominous!” The Mademoiselle claps sharply, and a bird made of living shadows pulls itself out of the darkness. “Tash, be a little pet and tell the Coyote that I’m just dealing with a little diversion. I am sure he will be fine, but do remember to duck - and pass along any interesting cursing he conveys. I do so like some of his exotic Gemite swearing. To swear in this dialect, it is so coarse, so crude, it is a language of flame and stone, no? I quite like it. You sand-parched ball skin. Such a greatly amusing way of putting things!”
The bird flies off, and she offers a mocking half-bow to Keris. From the distance, Keris can hear the bird recount its message and then some sulphurous swearing - and those sharp red eyes see Keris’s reaction to it.
“Ah, milady d’argent, your ears, they are so keen! Oh, but I get ahead of myself. Dancing Plover cannot be your real name, and I am sure you have many - all who wear an empty ring are much alike, in my experience. But might I have a name from you that is a little less transitory - please, I do not mind if you lie to my face, if only because you have not my name neither, mmm?”
Keris tilts her head, considering it. “Perhaps just Plover, then? I do like the name - oh, the other half changes by the day, but the plover is such a lovely little bird, so clever and pretty and sly. I’ll doubtless be a plover of some sort again in the future, though what kind I can’t yet say.”
“Oh, milady Plover.” She relishes the sound, which in her accent somehow comes out in an oddly affectionate way. “Oh, please do lead on. Plover.”
Keris leads them off around the thick walls of the inner palace, away from the killing, trusting her memory of where the shrine to Ahmaraan is within. Swinging Calibration up from where she’d been holding it less aggressively, she makes three precise cuts - two diagonal, one horizontal - and then kicks a section of the wall in. It’s too small for even a small adult to fit, but Keris’s head and shoulders compress to let her squeeze through it, and Strigida flexes along with her bones and organs to give her no trouble.
“If I remember right, her shrine is a few rooms this way,” she explains quietly, looking back through the hole at Mademoiselle. “Oh - I can widen the hole if you want me to. But I thought perhaps your dear friends wouldn’t want me to give their targets an escape route, no?”
The Mademoiselle is no longer back there. Keris heard her slither through the shadows to reappear on this side when she wasn’t looking. “Very thoughtful, but it would appear I am already on this side of the wall,” she says.
She is strong. As strong as Keris; the cloying quiet and stillness of her presence is a peer to Keris’s own. She is not a superior or an inferior; she is a rival.
“Oh my,” Keris says breathily. “Walls are no obstacle to you, Mademoiselle. If I may say so, you must make an excellent thief.” The dead woman can’t actually see the wink Keris throws her from within her silver helmet, but nonetheless hears it in her tone. “Well, come on, come on; this way, this way. We have an appointment to keep, after all.”
The guards are not protecting the palatial temple, a significant structure built into the back wall of the caldera. They are more concerned with the fact they have lost the front gates and the soldiers guarding the main palace gate have come down with a bad case of flesh-sloughing wave. From the sounds of things there is a counter attack going on, with the noise of firewands coming from the outside as the Despot’s forces push into the undead. It supports the Mademoiselle’s case that the forces - the Legion Sanguinary - is not looking to hold Gem, they are looking for specific targets.
The door is locked, but it can stop neither of them. An elderly priest raises his voice and loses his life to the hungry blue-grey pyreflame from the Mademoiselle’s weapon that consumes his flesh and leaves only ashes.
“I see they do not honour the dead here,” the Mademoiselle observes, glancing at the scorched skeletal form of the priest she just killed. “Well, perhaps they will learn. There are a great many people down in the lands of the Dead who are quite angry with how their lives ended.”
Keris knows the despot’s temple. She attended it daily when she was Rankar’s mistress, because a man with such appetites considered it a good thing to stay on the side of the gods. Dug into the caldera wall, major gods have their own shrine-rooms fanning out from the main chamber where the shrines of the less influential gods are located. There, the night goddess Jsa stands in sculpture with an owl on her arm, there the entrance to Plentimon’s personal shrine-room, there the love god Amasira cradles a fresh-cut rose in her hands, there Hodo of the Rock and coal-eyed Alsi and Quandish who hunts down men who steal from their masters. The names go on and on. The city mother will have her own place, just like Plentimon and the wealth-god Qualton and the other mighties.
The place is also, to put it mildly, incredibly gauche. There is not an inch of the walls which does not have gold, silver or gems on it. It shimmers and gleams in the oil lanterns, almost wet in its lustrousness. The ceiling is painted to depict The Victory Of The Gods Over The Titans, there the Sun (who looks somewhat like Rankar did) casting down the lord of demons, there the Maidens proclaiming that the rule of Creation is to be given to the worthy, there Luna holding Gaia’s hand as Creation blooms with rich crops. The air is almost chokingly thick with expensive incense, and the smell of myrrh is enough to gag on. The central brazier is burning sandalwood, and every shrine to the lesser gods of Gem has a full glass set up on it, so the richness of wine adds to the reek.
“I’m reluctantly impressed,” Keris comments to her dark companion as they enter, “at how the Despots of Gem have managed to make a room too, ah... too gauche, too overdone, even for me to steal from.” She pauses and studies a ruby set into one of the walls, and experimentally digs Strigida’s claws into the mounting, prying it loose. It disappears in the flick of a hand.
“Well, mostly,” she corrects herself. “Anyway, Ahmaraan’s shrine is in the centre of the far wall, I believe. Closest to the Despot’s throne, you know, with the way the room is oriented. I’ll warn you now, if you think this chamber is tacky, her shrine is worse. But I do believe I can hear the doors to divine sanctums in some of these shrines, so hers should give us our way in.”
The Mademoiselle Who Laughs Last rolls her shoulders. “Some priests say that accumulating too much wealth is bad for the soul. Do you think these are the sort? Perhaps they’re making grand sacrifices for the rest of us.” She steps forward - and Keris notes that yes, even on this polished marble, her feet are as silent as the grave, something to watch for - casually and with no wariness. “There’s no one here, and I do so thank you for giving me the chance to check it out first. And ah! I see what you mean! So much gold, so much silver, it must be truly awful when the lights are high. Even here and now, the reflections are almost too much.”
The shrine to Ahmaraan is even more excessive than the main hall, and laden down with fresh offerings. Trasti II is even more generous than Rankar when it comes to the gifts he gives the city mother, no doubt because he feels his throne wobble and wants to reaffirm his reign. So this is a goddess whose altar is piled high with the bones of fat cattle imported at great cost from the Coxati, blueberries (which do not grow in this hot climate, they must have been imported on ice), clay figures painted with gold leaf and the sooty blackness of burnt libations of spirits offered to the altar which resembles Rankar Peak.
Keris can see the handle there, the unseen door that will lead to the sanctum of this spirit. Gem is, to a large degree, the despot, and so while other city gods might not have a sanctum entrance in the palace of the ruler, in Gem it could be no other way. Keris had seen it there last time she was here, and is glad that nothing has changed. And clearly her sharp-eyed companion can see it too.
She’s been holding Calibration on her back with a lock of hair subtly wound around the hilt - at some point she’s going to need to make a sheath for it that it can’t cut through, though that can come later. Now she reaches back and whirls it off in a great arc of midnight black. The trail of darkness it leaves in its wake is starting to abate, and through her left hand Keris can feel it draining away - not the power of the sword itself, but the residue of severed Fate that’s built up on its edge after sitting so long without use.
She whirls it once, and then twice and thrice, trying to get used to the weight and balance of the blade. It’s far too long and broad for any of the knifework she knows, and it’s made to slash and hack without any pointed tip at all, so Cat Style is useless too. Just like Strigida’s great scything wings, she’s going to need to learn a whole new fighting style if she wants to do it justice.
But she doesn’t need to wield it perfectly to slice through the gate into Ahmaraan’s sanctum. And so that’s exactly what she does.
The air peels open, oozing starless black. It does not want to. They are trying to keep it closed form the inside. But the blade Calibration will not be gainsaid; it separates one year from another, so will not permit a mere sanctum door to be whole.
Keris didn’t expect it to be that easy.
And on the other side-
wine
the sweet smell of flowers
the gleam of gold and silver and gems
a grand boulevard, flanked by lesser townhouses, with many entrances
at the end, a second palace that is a rival for the garish majesty of the Despot’s palace, but wrought of divine majesty and divine flair
All this makes itself known in a moment. The sanctum of the city-mother of Gem is not some one-room apartment, not even a house; it is a small city in its own right, a place where lesser gods dwell in her spirit court, a pale replica of the greater heavenly city yet still more glorious than even how the elite of Gem dwell. It has markets, pleasure houses, restaurants and barracks and counting houses and scribe’s halls. It is where the reports from all over Gem are centralised and compiled and processed and all of them come to the desk of Ahmaraan, for Heaven is an absent master and in its place she rules.
And now it has been breached, and a dead princess and a green sun princess stroll down Ahmaraan’s boulevards.
Keris whistles, low and impressed. “Well,” she says. “This isn’t the first divine sanctum I’ve been in, but it’s definitely the biggest. And prettiest. And richest. I think we should go congratulate its mistress on her wealth and fortune. What say you, Mademoiselle?”
The Mademoiselle thumbs back the hammer of her skull-barrelled weapon. “It would seem to me that the locals do not want us here,” she says, gesturing to the shocked faces of divinities who realise that the two who have walked through are not meant to be here. And in fairness, perhaps there is a reason they are scared, given that one of them is wearing full body moonsilver place and wielding an executioner’s blade that trails blackness, and the other is a befanged dead princess with a machete and flamepiece in hand.
“Rude of them,” Keris scoffs. “But I find people are always unreasonably hostile to you when you’re just trying to look around their homes and appreciate all of their lovely things. Fortunately, I’ve picked up some tricks to make such things easier.” She begins to glow with a soft red light, and despite her masked face and the terrible fate-rending weapon she carries, it’s impossible to look upon her loveliness and not see everything she’s doing as justified.
And so Keris makes her way down the streets of this great divine office-district, a figure of heart-rending beauty. Of course she is meant to be here. Of course she belongs here - nay, she is entitled to more, but no one here would dare cast her out. When she scoops up trinkets from the market to secret away on her person, they are honoured that she pays attention to them. An outsider? Someone who doesn’t belong here? No, no, that’s not a thing that’s here.
Beside her; a stalking horror, a walking nightmare, surreal and terrible in the way that only a dream can be. Gods whose eyes skip to the side of Keris see something that shouldn’t be there, and it makes no sense, it makes active nonsense that something so silent and terrible is here. Death walks beside beauty, and that means that the divine figures all around avoid the loveliness of the former for they fear the second.
“What an interesting little trick you have for hiding yourself,” the Mademoiselle says, grinning in a way that bares her elongated canines as the two simply idle past a column of divine temple guardian-spirits who in their lavender and silver armour clatter past, heading to the intrusion point. “You aren’t hiding yourself through concealment, or reminding these gods that all things can die - a thing that horrifies them. You’re simply wrapped in allure. Too beautiful to waylay; too gorgeous to not be entitled to be doing whatever you’re doing. How did you learn to do that?”
“Mademoiselle, I am a thief!” Keris protests, returning her grin. “Granted, at this specific moment I am a thief wearing heavy armour and carrying a sword on my way to murder a goddess, but in general I find it’s easiest to move through life when people like you. Fear can pave your way through life, but people react so unpredictably to being scared - some by fleeing, some by fighting, some by freezing up and becoming useless - I’m sure you know what I mean. It’s such an unreliable tool for getting answers to questions like ‘where does the nice man who owns this manor keep his valuables?’ or ‘what sea route is the honourable captain planning to take back to Arjuf with his big hold full of a satrapy’s tribute?’ And if I do say so myself, I am very pretty under this helmet even when I’m not veiling myself in loveliness, so it wasn’t hard to learn how to be more so. But enough about me! How did you come to join the Legion Sanguinary, and who is this master who is so generous with letting his soldiers get the justice they deserve? It sounds like a much more exciting occupation than my little games.”
“Well, you know how it is. Sometimes a lady ends up in a spot of trouble,” she cuts in front of a god, who turns ghost pale and walks away in the opposite direction without turning back, “and she finds that it is either, well, take an offer or end up dead.” She gives Keris a one-shouldered shrug. “My husband was a brute, I had not one obol to my name and debts on top of that - all things that led me to that fate.
“And to think you have not heard of the Legion Sanguinary. Oh, milady Plover, is this some act of yours, or do you really know that little of the lands of the Dead? My lord is the First and Forsaken Lion, they who have mastered the blade and the arts of war, they who command their armies in those grey places. The name, it means nothing to you?”
Keris shrugs. “I confess, I try to avoid places where the dead still walk as the living do. Some bad experiences when I was young and innocent, you know how it is. I came away from them intact, but with the quite firm conclusion that stealing from the Dead - and especially from tombs - is far more trouble than it is worth.”
A laugh. “Of course, of course.” And then a heartbeat’s pause, and a question like a knife. “And yet your armour - it is from so very long ago that it can only have come from a tomb, no? If I read the mons properly, this is the armour of Rosseah Gahd, who fled Meru with that coward Yamal.”
There is pain, and hurt in her voice; pain and hurt that gets past the always-present smile.
“... that was the name on the tomb, yes,” Keris says cautiously, veiling herself in flowers that ripple across Strigida under the lie of shadows making her look like she did before her reforging. “And it held what I believe were their bodies, which were not best pleased at my trespass. That theft was the one that taught me ancient tombs aren’t worth the risks. You... knew them both? Or remember them, at least.”
“Oh, so many questions, always so curious! Perhaps you like to take more than you give,” and a pause, “when asking your questions, no? But I know them. Knew them. Now, where did they meet their end? Where were they buried? And how long ago did you obtain that armour?”
“Now now, my friend, you’ve been just as curious about me - and some of your answers are apparently common knowledge in the lands of the dead.” Keris taps her chin theatrically, mentally translating what happened to Kit Firewander into Plover-ese. It doesn’t actually require many changes, and isn’t too incriminating as long as she avoids any dates.
“But alright. As I said, I have a trusting and generous heart, no? They fell in far-off Nexus, and as far as I can tell their tomb was built on the site they died, in a district called Bastion where the richest locals live - it was purest coincidence that I happened to be there, you understand; I just found myself in the neighbourhood by happenstance. They call it the Tomb of Singing Blades, because it’s ringed around by swords and knives and great flying cleavers that whirl around it constantly. Well, that didn’t pose much of an obstacle, but there were more defences inside that did. And eventually I found two bodies lying in the innermost chamber, one of the moon and one of the sun. The Lunar’s yidak rose in a fury when I took its armour. I was very lucky to get away, and it was a very close-run thing.”
“Ah, well, be like that. We all have secrets.”
Their path has taken them up to the inner palace, and this has more of the purple-and-silver temple guardian-spirits. Now that Keris can look at them more closely, she can see that they have a certain rough-hewn-ness, in a literal sense. They look to be local elementals that have been hired as muscle and given nominal duties. The city mother of Gem can certainly afford to have them on staff given the wealth of offerings given to her.
This will be harder, Keris reckons. It just takes someone to withstand her influence or just through pig-headed stubbornness reject it, and then they’ll shout and someone else might shrug off the influence too. It can easily end up with a chain reaction. And even if she’s too damn hot for that, they might notice the Mademoiselle.
“And walking past them all will mean they are all alive and prepared to respond if the alarm is raised from the inside,” Dulmea warns. “Given you seem to want to rip out the heart of that goddess, you will need some privacy.”
“Ah, Mademoiselle. I don’t think we can just walk through the palace the same way we did the sanctum,” Keris points out. “It seems it will either be sneaking or slaughter from here. Have you a preference?”
“Ah,” and she smiles slow and terrible. “Both.”
The great doors close, as per the orders from the captain of the guard. He strides off, and around the corner, the Mademoiselle lets the false face fall from her, and licks his blood from her lips. She found him alone in a side room and latched on, drinking his divine blood and stealing his face. Now the gates are ordered locked, and it will not be easy for help to come from the outside.
“Ah, Plover, milady d’argent, is this not really more your ilk, the stealing of faces, mmm? I am surprised I beat you to this,” she says. “But, ah. There is something so sweet about the ichor that flows in the veins of the gods.”
“Oh, I just thought it would be rude to get in your way,” Keris says innocently, melting out of the wall and rippling back into visibility. “You seemed like you were having so much fun. Also, I caught sight of some pretty bits and bobs that looked out of place here, and would you know, it turned out they were things of mine I’d misplaced somehow and had to retrieve. Terribly careless of me, I know.”
“Of course, Plover. Now, of course, that we have closed the gates, perhaps we wish to begin our tête-à-tête with the inhabitants of this place.”
She doesn’t trust Keris. The micro-creaks in her voice, the shift in her tone she is trying to conceal but can’t - it all points to the same conclusion. Of course, as professionals they don’t trust each other, but Keris realises - the Mademoiselle has dealt with the moon’s chosen before, and Keris’s mimicry is, in some way, not quite perfect. She isn’t quite sure what she did wrong, but there is something that is making the other woman more and more suspicious of her.
“I couldn’t have said it better myself,” Keris agrees, her voice not betraying her mounting stress. Her cover as a Lunar is good for brief glimpses and fleeting encounters, but it’s not good enough to stand up against extended scrutiny. She can distort her body to flow through tiny gaps, she can disappear into the scenery like a chameleon, she can regrow lost limbs with silver duplicates and pull reflections of herself out of mirrors - but she can’t change her shape. Not truly, not with the casual ease that the moon’s chosen do. Even her shadow-guises aren’t enough to fool someone who’s spent time with Lunars before; the wave of darkness she pulls over herself is just too distinctively not-Lunar to pass.
The only thing that might work to convince Mademoiselle now is her union with her po, a halfway form blending woman and snake that can pass for a Lunar Anathema’s war form. But finding an opportunity to use it naturally won’t be easy, and Keris isn’t sure she wants to bare that much of her soul to this undead stranger. Maybe it’ll be better to just weather the suspicion until Ahmaraan is dead and then escape before the Mademoiselle can ask any more probing questions. It’s not like she’s seen Keris’s face under the mask - which isn’t even her face right now - and while she may be suspicious, she probably doesn’t have any solid ideas on what Keris is, only what she isn’t.
“Ready or not, lady Ahmaraan,” Keris calls out, swinging Calibration off her back again. “Here we come.”
They are not silent, not slow, not like they were before. There are shouts but those are left far behind. Keris, swift as the wind, weightless, dancing from surface to surface as she scales the outside of the inner palace; the Mademoiselle does not move like anything human as she flickers from place to place across the surface, her shadow lagging behind only to catch up as a mantle of cawing raitons. Their senses are keen; they can hear and feel their prey, the strongest one around. They find Ahmaraan in what corresponds to the despot’s throne room, and there are other voices there, a constant flow of messengers bringing news from the reports filing up. Keris has never seen a full-scale spirit court working this way, never heard a fraction of how much information can move up the chain when it’s actually flowing.
But they can’t find the intruders.
“... there are two of the Abyssal Exalted attacking the despot fortress. We’ve implemented the Falling Manna Blessing protocol to aid the defence, but it’s not working...”
“... no reports of a Lunar Exalted in the area, much as it means anything...”
“... I’ve ordered nightmares and visions of doom sent to all mercenary commanders in their beds, along with the portentous impulse to act to save Gem...”
“Where is that Lunar? Tell me where she is!”
“Right here,” comes a voice from the window. The figure standing there wears a heavy suit of moonsilver and has a silver ring gleaming on its forehead, a black executioner’s blade in hand that makes the air shriek as it moves. Beside her is a fanged monster with an empty ring of abyssal black above her blindfolded eyes. There was no warning, no shouts or screams from the guards outside. They’ve just suddenly appeared here, at the heart of the palace, like terrible portents of doom.
“Mademoiselle,” Keris says, sizing up her target. “While I address the city mother, could you handle her court?”
Keris meets Ahmaraan’s eyes. This is the first time she’s seen her in person, though she saw her statue many times when she was the last Despot’s mistress. And-
No. This isn’t the first time she’s looked into her eyes.
The sky of Yu Shan is a brilliant blue today, the Sun bright and glorious overhead. Outside the window, a mercury canal bears the dragon boats where they need to go. The warm golden stone of this office of the Bureau of Nature nicely offsets the sprawling rich passionflowers which climb up the trellises outside.
“I can’t believe that we ended up with this liaison meeting nonsense,” says dark-haired Joyous Kestrel, feet up on the table and his long-spear resting on his shoulder. His comfortable sandals are finest quality, and his gi is loosely belted, showing some of his chest. He fiddles with his long braid and the orichalcum thong tying it up. “You are so whipped that you volunteered us for this.”
“I am not whipped.”
“You’re whipped so hard she might as well’ve been learning Sapphire Veil of Passion Style.” Kestrel nudges him. “Actually, has she? Because it’d be pretty hot...”
“Why are you like this?”
“Because,” Kestrel says, “me’n’you had plans today and you ended up doing this when we could have been going to that party hosted by Quasi close to the Department of Serenity. Quasi is... she’s just the best, you know. Most goddesses aren’t all that, aren’t all they think they are, but her?”
“She’s just playing with your heart.”
“No, I know I can win her,” Kestrel insists. “But look at this. Here we are, dealing with some over-promoted, under-capable goddess who only got her job because she’s some nepo-baby hire. What is she, some great-granddaughter of the Sun or something?”
“Granddaughter, I believe.”
“Yeah, yeah, always the way. I swear, Yamal, these people don’t know how important we are...”
A knock comes at the door. It is a goddess, young as far as anyone can tell, and one visibly dressing down. Her golden hair is tightly braided back and coiled up in a bun, her robes of office are pressed and cut to downplay her figure, and her golden eyes are half-hidden behind dark glasses. “Oh, uh, apologises, worthy Chosen of the Sun. I do hope you didn’t have to wait too long.”
“Yeah, yeah, enough with the flattery. We’re just here to courier the secure report to the Deliberative, and then we can get to the parties,” drawls Kestrel.
“Anything unexpected in the report?” Yamal asks curiously.
She ignores his question, running off a mental script. “I am Ahmaraan, Deity of the Third Class, primary assistant to Jodan Qu, Adjudicator of the Firepeak Pave, and current overseer for the Vibrant Living Jetstream water conveyance system, and I am honoured, truly honoured, that two esteemed Senators of the Deliberative have come to collect my classified report on the current progress of the planned evolution of the Vibrant Living Jetstream…”
Ahmaraan. She isn’t like Keris - like Yamal - saw her. Her hair is no longer tightly braided back, it is now loose and long, hanging down in a waterfall of gold to the small of her knee. She wears the caldera of Gem as a helm; on one hip a barbed whip and on the other a war-pick. Her dress robes are no longer humble or modesty, but instead indulge in the excess of Gem, a weave of gold and silver thread held together by gem-studded rings. She floats above the ground, but she is not above it all. There is shock and horror on her face.
Hers is the face from the Crane. Hers is the face from Yamal’s memory.
Keris doesn’t let the wash of memories distract her from her goal. She doesn’t wait for a reply from the Mademoiselle, and she doesn’t hesitate.
She hefts Calibration high and leaps to take Ahmaraan’s heart.
The goddess gets her arm up, takes the blade on it - and though the wealth of Gem is legendary and is built on bones and silver alike, still Calibration bites deep into metal bones, breaks them, rends the flesh. Ahmaraan is forced back, golden blood weeping from the gash to her arm, but more than that she sees her attacker and sees the ring on her brow and sees the blade in her hand and the fear in her eyes is greater than the pain.
“You!” she snarls, and it isn’t quite clear why. Her right arm is clutched close to her, but her bladed whip comes to her hand with a thought, and now it’s moving in the air in a defensive motion, as if she’s trying to ward off her-
It bites out, seeking blood. Keris tucks and turns in an instant, her hair fanning out in a curtain that hides her exact position. Calibration is too big and unwieldly for her to turn it and lunge through the veil in a sudden stab as she could with a knife, but she can still use the forms of Peacock to gracefully dodge and deceive.
The whip lashes out, and it is sharp with its bladed edges. It is just as well that Strigida envelops Keris’s hair. or she’d have lost most of it in an instant. But Strigida does armour her hair and thus the deadly, hungry whip, the tool of a master, is caught, its blades stuck on strands of hair, and she cannot simply pull it loose without breaking the moonsilver. A twist and a pull and the whip is dragged out of Ahmaraan’s hands.
“Oh no, such a shame,” the Mademoiselle calls out. “Anyway, the first man or woman to help your master, I shoot. The second, I shoot. The third - well, we’ll see. Maybe I will just cut your head off, I am a kind woman, no?”
One, a hulking god in shining bronze armour of one of the mercenary companies, doesn’t seem to want to listen. The Mademoiselle curses, and fires. The god had seemingly been trusting in his armour to keep him safe, but even though the shot is hurried, the pyreflame is dreadfully hungry. It seeks out the eyesockets of his helmet and he screams from within his armour, flailing. Keris hears his eyeballs burst. He still advances, his spear still raised, but she easily dances out of the way. Weapon still in hand, she flips it over to swing the butt of her heavy metal pyre piece into his throat, and as he gasps, she brings her knee into his groin.
“Oh, my dear, how poorly you dance!” she cries out. “Does anyone want to take his place?”
But Keris has no time to listen to her showboating, amusing though it is, and while the gods around her are screaming and panicking, they’ll have a problem if more of them manage to pull together. She needs to finish off Ahmaraan quickly.
It would be easier - much easier - if she could just discard the prophecy and kill her. It might not even maim the Crane! It showed her tearing out the heart of a richly-dressed woman, but it wasn’t necessarily literal - just stealing from the vault and killing Gem’s goddess might count as tearing out the city’s heart.
But she wants to be sure. Which ideally means incapacitating Ahmaraan and getting her somewhere she can set up her ritual. She’s at least made a good start there; the goddess is down a limb and a weapon. But Keris more than anyone knows not to discount a threat until they’re all the way down and out. Shifting her grip on Calibration to give herself more leverage, she takes advantage of her prey’s fear and moves in with powerful sweeping slashes to herd her away from the gods the Mademoiselle is busy with, away from help and into a corner.
The weapon is heavy, though, and Keris is off-balance. The executioner’s blade has no point, and its swings are quite different from the weapons she is used to. She can’t isolate the goddess - worse, she cries out and around her, spectral forces take form, a force of mercenaries wrought of silver and firedust and gems. They’re between Keris and Ahmaraan - and the goddess clearly will spend their false lives as easily as coin, throwing them at Keris to bog her down.
“Kill her!” she cries out, throwing her good arm out, and the ranks of mercenary constructs level their firewands at Keris.
Keris doesn’t hesitate. She doesn’t retreat, either. She throws herself into the crowd of mercenaries, and at the same time stokes the bonfire of her soul to a crescendo. Silver flares on her brow, and around her flare the colours of night; the warm reddish hues of a harvest moon, bright shards of pure moonlight, and just a tinge of the mad colours of the Wyld that dance and play in the rippling, cold aurora.
The shock of her charge and the burst of mad light throws the mercenaries off-balance, and they take a second too long to react. A firewand goes off in her face, but it hits nothing but hair, a sword lashes out and gets distracted enough by the light trailing from her arm that it rebounds off another mercenary’s armour instead of Keris. She’s everywhere and nowhere, her movements distracting and confusing, using the spectral figures against each other to shield herself and obstruct their movements.
Over on the other side of the room, the gasping, wheezing, blinded god throws everything he has into getting the dead princess off him and forces her to retreat, preventing her coup de grace. But his follow-up blow goes wide and off-balance, and like a surgeon she dismantles him; knee crushed, ribs broken, and finally she simply snaps his neck as he coughs blood onto the ground.
“Oh, come now, Plover,” she calls over, “are you not done yet?” But Keris can hear the respect in her voice - she wouldn’t like to be facing that wall of fire either. “Incidentally,” and her gun spits pyreflame over the door, sending other gods cowering away from it, “uh uh uh, naughty naughty. I will kill anyone who tries to raise the alarm.”
With wide eyes, the functionaries watch the fight, fearful of what will happen next - and what will happen to them if Keris is the victor.
“I’d be done by now, but she’s hiding behind her mercenaries!” Keris calls back. “You know what, fuck this; hah!”
With a scream of effort and an answering ring of shifting metal, vast wings burst from her back. Beneath the lie, Strigida’s feather-cape swells and expands, Keris’s hair threading into her hollow bones as they form, but through the shadow-lie they seem to just burst from her back, vast and clawed and vicious. Whirling Calibration over her head in two hands, Keris spreads the great cutting edges of her wings, braces her legs against the gaudily-decorated floor and launches herself through the remaining mercenaries between her and Ahmaraan like a slingshot.
They slow her down. They slow her down enough that her momentum doesn’t let her reach the goddess, even though the heads of the constructs fall like fruit from a tree in her wake. But it is enough that now Ahmaraan has her good hand up and from it comes an explosions of coin and wealth.
Gem has always solved its problems by throwing money at it.
But Strigida’s wings are greatshields that can move like capes. Keris brings the left one up in front of her to deflect the torrent of coin, and instead of holding fast behind it she spins sideways, letting the impact push her wing back and help complete the turn.
In her left hand, swinging wide on the outside of her spin, Calibration cuts a black tear through the air as it comes round. Its broad blade scores across Ahmaraan’s chest, the razor-sharp edge cutting through flesh and leaving night-blackness lurking in the wound. Her dress is ruined, metal twisted and distorted, and golden ichor wells up from her wound in a splurt. But more than that; there is brightly coloured poison in the wound, working its way in, staining the skin.
Behind her, there is the roar of pyreflame, the scream of a god, and more screams from the gods all around. But they are too scared. The Mademoiselle has executed one pour encourager les autres. “Oh, why do you care?” she calls out joyously. “He was only the patron of House Sahlak, surely you are benefitting from his death, no?”
Keris can’t focus on that. Not when she’s right in Ahmaraan’s face. She needs to work fast now, and incapacitate the goddess before she can recover. With her mercenaries dead, her whip gone and her arm crippled, there’s no defence she can muster besides evasion - and she’s working against three huge blades wielded with terrible strength and speed. Keris advances like an avalanche, her onslaught unstoppable, her blows pulled only the barest amount to avoid decapitating the goddess entirely and losing the chance to tear out her heart.
One of Strigda’s wings smashes into the goddess in a horrific backhand, sending her sprawling. She tries to rise on her broken arm and cries out in pain, just in time for Keris to bring the flat of Calibration down into her shoulder. Her collarbone splinters and worse; hissing toxic green flame - a product of Keris’s hate that this woman just won’t go down - bursts out of the wound. Ahmaraan screams out, flesh blackening and charring, sweating from the pain and the poison alike, terrified by the faceless armoured figure that has come into her life with the ruthless intent to end it. She’s exhausted because she’s been spending power like water to keep up with Keris, and she’s on her last legs.
“Wh-what do you want, I can pay you, I can give you anything, I-I-I... name your price!”
Calibration swings up.
“I want your heart,” Keris says simply.
Calibration swings down.
Not to kill her. The flat of the blade takes her in the head with a crack that rings out across the room and sends her volcano-hat skidding across the floor. Ahmaraan, Goddess of Gem, granddaughter of the Sun, drops as prone as a corpse, face down on the ground with her golden blood slowly spreading in a pool around her. Keris transfers Calibration to her back, spreads her wings and whistles at a pitch that gets everyone’s attention.
“Your goddess has fallen!” she yells. “Surrender now and I won’t harm you! I only want her; you lot mean nothing to me! Let me take her and stay out of my way, or you’ll suffer the same fate as her!”
The Mademoiselle smiles, and shoots another god in the head. “Now, now, don’t go speaking for me. Since I’m here, there are a few more people who really do belong dead. But think about it way,” she gestures towards the terrified deities with her pistol, and there are screams and whimpers, “if you’re still alive, you have a well over fifty percent chance of making it out of here!
“And that, mes amis, is so much better than the slaves of Gem have ever gotten down in the mines.”
“Oh, I wouldn’t dream of speaking for you, Mademoiselle,” Keris says sweetly, furling her wings behind her. “I only promised them safety from me. On which note, I have to get my new friend here somewhere I can set up a ritual space - and no doubt you want to deal with this lot and then get back to your friends. It’s been lovely working with you, but I hope you won’t be too insulted if I say I hope our paths don’t cross again.”
The Mademoiselle prowls up to her. “I am sure that is what you would wish, but the ways of the gods,” she says softly, and then gives her one-shouldered shrug, “well, they are no friends to either of us. But I suspect my lord will be pleased with me for this.
“And your masters in Hell will be satisfied with you, princess.”
Long training in playing a part keeps Keris from going rigid under the armour or otherwise giving herself away. Silvery self-deception coats her thoughts, and she cocks her head in honest confusion. “I wouldn’t have thought you’d buy into the Realm’s propaganda,” she says just as quietly. “Even if you and your friends have a dark master, not all of us they call Anathema do.”
“Oh, that must be my mistake. How could I doubt you. Plover.” She gestures with her pistol. “Fare well, then.”
Unsettled but not outright panicking, Keris takes her leave, heaving Ahmaraan onto her shoulder and exiting the room as the Mademoiselle begins executing the terrified gods trapped there like rats. She uses her knowledge of the real palace and makes for the roughly equivalent area to Rankar’s rooms. If she can find Ahmaraan’s personal chambers, they’ll be a good spot for her to desecrate and use as a ritual space to rip out her heart.
When she finds them, it’s not surprise that the personal quarters of the goddess are lavish to a degree that exceeds even the Despot’s. If what she remembers was true, this creature was once a celestial goddess - and is a granddaughter of the Sun on top of that. The quarters match that, for they are full of trinkets and relics and wonders that must come from Yu Shan; orichalcum and ivory and the riches that come from Gem too. Everything is precious and luxurious and indulgent.
Keris is going to have to ritually profane this place to attune it to her essence and Vipera’s nature, but this goddess has it coming, this ancient creature who’s sat there and benefitted from Gem, a monster that eats human lives and makes the rich richer.
“Alright, sweetie,” she says after dumping the goddess on the bed and barring the doors. “I know I’ve made you upset by using the big sword instead of you. But you get to work your magic now. You get to mark this space as yours and then mark her flesh and pull her heart out. Will that be enough for you to forgive me?”
Vipera, wrapped around her waist, gives a sulky hiss and refuses to uncoil. Keris sighs. She’s conscious of Mademoiselle, conscious that casting sorcery in a sanctum that contains a not-necessarily-friendly empty circle is dangerous, conscious that if the deathknight is like Ney she could finish up her business and then find and sneak into this very room to watch and confirm her suspicions about “Plover’s” nature.
But there’s nothing she can do about any of that. Nothing beyond locking and barring the doors. So she instead lays Calibration down across a side table, careful not to let the razor edge slice through it, and turns her attentions to coaxing her sullen spear into helping her with setting up the ritual. She shatters the fine, gaudy furnishings and rearranges the broken pieces into beautiful, disturbing shapes that bring snakes and wind and waves to mind. She finds the jewellery Ahmaraan loved best and tints it with poison and arranges it around her prone body. She scrawls bloody symbols on the walls and draws fell marks upon her victim’s skin and in many other ways both fair and foul creates a tainted space within this sacred sanctum.
“Remember to burn this place down afterwards. You are leaving quite a mark here,” Dulmea says. She pauses. “And this Mademoiselle will be a problem. She knows too much. And she is a peer to you, or close. It will be a good idea to leave this city soon, and avoid leaving a trail she can follow.”
“I know, mama,” Keris murmurs. “Believe me, I plan on getting as far away as possible as soon as I’m done here. I’ll take the paths that lead outside the world and find some hostile terrain to cut through. A lot of it.”
Dulmea hums in acknowledgement, and her music provides Keris with accompaniment as she works in silence for another hour to set up the ritual space. By the time she’s done... well, Dulmea isn’t wrong that she’s going to have to burn these rooms to ash to hide her trail. Still, everything is ready, and she kneels over the stripped and naked body arranged prone on the bed. Vipera coils around her right arm, held just behind her blade as a knife, and Keris positions her over Ahmaraan’s chest carefully.
Then it’s just a matter of completing the ritual. Keris shapes the Ideal in her mind in parallel with the essence she shapes into Vipera, a sorcerous blade-within-a-blade. An Old Realm chant focuses her will as she cuts into Ahmaraan’s burned, poisoned chest and exposes her heart, Vipera’s blade opening up not just her body but her spirit. Her left hand goes in, and with a twist of essence Keris slips the thought into the mind of Creation that this goddess’s heart is a thing she can grasp and trap her essence in. She reaches out and connects to the goddess’s divine soul, pulling it into the bloody organ her fingers are wrapped around, and feels the spell do its pitiless work. First the soul conglutinates there. Then it begins to crystallise.
And finally, with a vicious tightening of her left hand, it mortifies.
Hand held aloft, Keris examines the husk of her heart as it takes form. It is rich and golden, lustrous even, and swirling with silver. And just a little bit of crimson. This is a thing of incredible value, and no small measure of mystic potency. The divine solar essence from Ahmaraan’s kinship radiates down, and she can feel the warmth on her face.
“Right,” she says, tossing it up and catching it. “Now to burn this place and leave.”
Keris has never been gladder to have Gem on the horizon behind her. Nominally, the dead princes kept to their arrangement and retreated, but she trusts the Mademoiselle nowhere near as far as she could throw her. She dodged the heavenly reinforcements, walking out through their cordon, but she’s keeping her eyes out for the star-chosen, too. The Despot is dead, the palace sacked, and the lords of Gem will find someone new to rule them, but the new Despot might well be even weaker than the last. The work she’s done to set up her hungry ones with a cover operation could turn out to be all a waste, but it’s worth making a go of it.
At least if everything goes wrong, they can just discard the operations and make their way back to the Swamp, but Keris would rather that not happen. She wants money, and profit, and nice things, and a trade node for dumping the produce of the Anarchy on places that aren’t the Realm (which provides the preceding three).
Ixy had questions about the dead princes and what they wanted and what they did and when Keris mentioned the Sanguinary Legion and their master, the First and Forsaken Lion, she seemed to relax.
“So, where’re we goin’ now?” she asks.
“Firisutu is returning to his domain,” Keris says. “Thank you for your help, my lord, but we need to move fast now and I have no Anchors prepared for you. You lot,” she directs at Ixy’s keruby, “can go or stay as you like, but if you stick around you’re in for a cramped couple of days cooped up in the sanctum. You’ve worked well under Ixy’s direction, so if you head home I’ll resummon you once we’re back in the Southwest.”
There’s a quick look between the keruby. “If we’re gonna be working together long term,” Bremar says, “then it won’t help us if we go and get separated and do stuff back home.”
“I’m not giving up my share of the cash,” Weft grunts, huddled in on himself. “And I got debts I don’t want to have to pay.”
“Plus, we’d totally be lonely without her,” Janna interjects happily and probably not honestly. Though maybe it’s the other way around; they think Ixy would be lonely without them. They’re emotionally closer to her age, after all.
“Then the four of you and Ixy are going in the sanctum with Mele,” Keris says, opening the door with a flick of her wrist and a plume of green fire. “I want out of here as fast as possible and with no chance of any of those deathknights following us. And I have to dodge the eyes of Heaven too. So I’m going to head directly west from here and cut straight over the Fire Mountains using the paths outside the world. The terrain won’t bother me, and I’ll come down on the other side in either Shaipres or the Silent Crescent, both of which will give me plenty of rivers that I can swim down until I hit the Anarchy, and from there it’s a fairly straight shot to Saata. Five or six thousand miles is going to be days of travel even at my speed along Oramus’s paths, so I suggest you make yourselves as comfortable as you can in the space not full of stolen plunder. Mele will keep an eye on you all to make sure you don’t pocket anything from my pile.”
There is of course noises of protest and they are hurt, hurt by the idea that they would ever steal from her, but Keris is in no mood for their bullshit.
She sees no sign of pursuit once she’s taken a few days travel through the backplaces of the world, and they pause in a small Coxati mountain town so Keris can create a larger sanctum for storing their plunder in and giving people some more space. The temporary loan of the sword she stole for Mele serves quite nicely to create a bone-like wasp’s nest of rooms and corridors, and people are getting on each other’s nerves a lot less even with the hornets buzzing around.
“You did really well, maj,” Mele murmurs to her as they lie in bed together, her head on his bare chest, hot and sticky on the papery bed. He reaches over and prods the goddess’s soul, which Keris has been keeping on her bedside table. “What’s your plans for this?”
“I dunno yet,” she muses. “I mean, I took it because the Crane said I would, and also because she’d seen me before I disguised myself as a moon-chosen and I didn’t want Veil getting it out of her - the Mademoiselle might suspect, but she’s a lot less likely to talk to Veil and I might have managed to convince her she was wrong. But now that I’ve got it...” She hums thoughtfully. “I’ll probably think of something eventually. For now I guess it’s a paperweight.”
“I... I’m sorta worried that you went and did all this just because a book said you would,” Mele says, attention shifting back to Keris. He runs his hands through her hair reassuringly. “Especially a book that has its own agenda.”
“I was going to kill the witnesses anyway,” she soothes him. “And it’s not like I did it because it made me. If anything it’s the other way around. The Crane just makes prophecies. It doesn’t specify who’s in them. It said a Scarlet Lady in silver armour would rip out Gem’s heart, but it didn’t say who she was or when she’d do it. I chose to fulfil that prophecy - I stole it and made it about me, instead of anyone else. I took the power in the Crane’s foretelling and claimed it for my own, same as I’ve taken lots of other things and made them mine. The Crane may have its own agenda, but,” she pats him on the chest, “I’ve thwarted it before. If it had been something I really didn’t want to do, I’d have refused. But knowing what she was the goddess of, I’d have killed that bitch regardless.”
“Well, that makes it different.” His hands shift lower. “You should be doing things because you want to, not because some book about a stupid bird that can’t fly properly said you should.”
“Damn right,” Keris purrs. “Now, I’ve been running all day and I still need to make time for some difficult conversations with Ixy at some point, so I deserve pampering.”
“And pampered you will be. Just...”
That sounds like a lot of not-pampering and Keris says as much.
“... the route back to the Anarchy. I looked at the map, yeah, but the book in Gem you got said basically that those mountains are the Spires on some of those growth alchemy elixirs for birds you made. And that they’re impassable.”
Keris grimaces. “Yeah. I’m... not looking forward to that. And I know I said I’d stop using the mercury drugs, but I can’t afford to spend a day passed out tomorrow, so I’ll take another dose tonight as they wear off. But once I’ve done that, I can run up and down sheer cliff faces without any problem, I won’t slip or lose my balance for anything, weather and other hazards don’t bother me while I’m running, and plants bend aside to let me through. If I was travelling with a group I’d be worried, but as is there’s nothing there that can actually stop me. I’ll just get drenched to the bone and maybe have to run away from some local elementals. And I’ll pass through them fairly quickly at the speed I run.”
“You are meant to be training Ixy,” he reminds her. “And Janna might be annoying, but szilfa are good scouts, and Weft knows the Spires real well for someone who grew up an agya an’ hung around the Isles a lot even as a fem. What I’m saying, maj, is you don’t need to do this alone. You got lots of people who are here for you. Especially,” he kisses her, “me.”
She purses her lips. “I don’t know... it’d be a lot to throw her into without any warning...”
“I mean, if it doesn’t work, you can just stuff us in the box,” he says. “But,” and his hands go to her bottom, “part of being a good captain is knowing when to let crew handle things, even if they might not do it as good as you’d like. You might even think about letting us handle some of the easier parts on the approach so you can get some rest and be sharp and thinking clearly for the hard bits.” He squeezes. “Please?”
Her shoulders slump, and she folds into her chest. “Okay,” she murmurs. “Okay. And... and if it means that much to you, I’ll let the drugs go tonight. Even if that means you’ll have to make your own way west tomorrow, since I’ll be passed out all day.”
That earns her a kiss to the throat. “Good girl,” he whispers up to her.
She moans happily in response, and then gives a deliberate wiggle. If she’s going to be falling asleep soon - and she can already feel the fog of exhaustion starting to catch up to her as the drugs begin the slow process of breaking down - then she’s going to enjoy herself as much as possible while she’s still awake.
Three days later, when she wakes up and sees the sky that screams with thunder and mountaintops that stretch through the clouds, dusted with snow of all things, she is nominally feeling better, but is now in a very bad mood.
“What in the f-”
They get through the deeply unpleasant trip through the Thunderslate Mountains intact and mostly unharmed, but several hundred miles of rough terrain broken up by the full force of the typhoons that sweep the Anarchy and the rage of the monsoon elephants and hundreds of years of war between elemental courts is harrowing. Not something Keris would have liked to have done in a sleep-deprived, drugged up state, and because Mele is a dear he only tells her ‘I told you so’ two or three times.
Then; down through Shaipres, following one of the many rivers that leads to the Shai, and back into the Anarchy. Keris really wants to get home and just crash for a few days. Maybe Haneyl will be in Saata. Keris would really like to get one of her massages, and her daughter’s cooking is to kill for.
Chapter 46: Late Air 776
Chapter Text
It’s good to be back home. Yes, home is the right word. The Anarchy is now home to her, and in Air there are cold currents and dryer, cooler air coming from the north. Keris feels the change as she passes from Shaipres to the lower Anarchy, and then continues west to get back to Saata. Ixy of course just feels the steadily rising temperature, and worse for her, the wet heat. The humidity does not agree with her, and the feeling seems very much mutual.
“This place is fuckin’ miserable,” she grouses to Keris, during the brief stopover in Ca Map which Keris is just making to get the latest reports from Erda, the handler of the Despot. And, of course, to ensure that the Despot is nicely compliant and isn’t getting Ideas He Shouldn’t Be Having vis a vis escaping Keris’s control. “I just had to get put with you in this stinky reeky armpit of the world. It’s fuckin’ worse than home ‘cause it’s humid as balls. I bet there are places in the world where you’re not left drowning in your own sweat. But oh no, I’m here. With you, who ain’t even sweaty when you’re so hairy which ain’t fair at all.”
Her whining goes on for a not inconsiderable period.
“I could,” Keris interrupts, like she hasn’t been toying with this idea since it was Sasimana complaining about the humidity of the Southwest and how unfair Keris’s po-granted immunity to it was, “probably do something to stop the heat and humidity bothering you. If you wanted. But not for free. You’d have to do a mission for me first - outside what I’m teaching you and the stuff you do for the Reclamation. A side-job.”
“I won’t be doin’ much for you if I melted down into a puddle on the ground. Or I’m dead of the heat,” Ixy wheedles. “I got fur, y’know. And it’s hot back home but at least the cool air comes in off the coast. This is Air. Is it ever not-dying-of-heat here?” Something in her mind seems to kick into gear and she stops whining to object to something else. “Also, don’t I work for the princes of Hell? Don’t they get mad at double-dipping?”
“Honestly, as long as you still get your work for them done, they don’t really care what else you do,” Keris says frankly. Where Ixy is splayed out over the couch in the luxurious quarters they’ve been given in the upper city, Keris is for once sat properly at a desk that faces the window overlooking the ocean far below, annotating Erda’s report with notes and orders on the ship movements and trade passing through this wretched city.
“Or at least,” she corrects, putting her brush down and spinning her chair around, “they don’t care as long as they don’t hear too much about it. Which reminds me, we need to talk about what happened in Gem. When I was laying out our constraints, I said we didn’t want to break the city. And I know it wasn’t your fault; neither of us saw an attack by three fucking deathknights coming, but the city did kind of wind up getting broken. If Veil finds out we were there and made a profit from that, even if it wasn’t us who fucked it over - they’re going to be pissed. Mostly, they’re going to be pissed at me, because I didn’t actually ask for permission to take you down the Pave while I was teaching you sabotage, and if they make an official complaint in the Althing... well, I won’t lose my seat, but they’ll make me sweat about it, and I’ll probably end up owing them a couple of big favours, maybe a risky mission or two.”
She leans forward, lacing her fingers together and looking Ixy in the eye. “But they’ll also be kind of pissed at you, and if you wind up transferring back to the South in a year or two, they might take it out on you in any number of little ways. They’re very likely, if they find out how much you stole from Gem’s vaults when the Despot was under their thumb, to make you give most of that treasure back. So you have something over me, and you can make my life harder if I ever give you enough of a reason - but you’d be giving up a chunk of your take to do it.”
“So they do get mad at you for double-dippin’ and poachin’, but you got me doin’ it too - like how all the dock guards are crooks so they don’t tattle on each other,” Ixy translates to Ixyese. “Yeah, I thought it’d be something like.”
Keris smiles despite herself. “I guess. Honestly, though, not many of us work all-out on the tasks they set us all five seasons of the year. As long as you have progress to brag about, they won’t know or care that you, I dunno, spent Water doing your own stuff.” She drums her fingers together, assessing Ixy’s mood. Is now the time to bring up her reactions to the Dead?
No, her gut tells her. Not yet. Not until she has a little more trust.
“... on that note, what’s your mission?” she asks instead. “Specifically, as Lilunu gave it to you, what’s the exact working of the task the Reclamation has set you?”
“Oh, that?” Ixy shrugs. “Your boss tol’ me that I needed to go,” she rolls her eyes, “‘bring penury and poverty to the rich false lords of Creation’ and then when I asked her what she act’ally meant, she said I just gotta go steal from rich people. Which, duh. ‘Course I wanted to do that. I thought you knew, so that was why you went to Gem ‘cause we was doin’ just that.”
“The wording does matter,” Keris says, as if she’d known that Ixy’s mission involved theft all along and had just wanted clarification on the exact details. “If your mission is ‘steal from the rich’, that means you need to take their wealth; if it’s ‘make them poor’, you’re allowed to destroy things that are too big to steal or which you wouldn’t be able to sell and it’ll still count. But yes, alright.” She drums her fingers again, and nods.
“Going back to my offer, that side-job,” she says. “I can give you a tattoo that’ll make you immune to the heat and humidity in the Southwest, comfortable no matter how bad it gets. This is fairly cool, by Anarchy standards; it’s still Air. In return, though, you’re going to do some spying for me. I’m assigning you to Testolagh over Water; he’ll give you some more combat experience against raksha and the like, teach you anything you don’t already know about firewands, maybe show you some new ways to use the King’s fire. While you’re there, though... well, Testolagh does exactly what he’s required to do for me every year, and reports on those missions and only those missions in the Althing. I know he’s making islands down on the border of the Wyld, and I know he’s made a nation down there, but I want to know what else he’s up to. Keep your eyes and ears open. Sneak around a bit. Learn what he’s got set up there, what he’s been doing, what he’s got planned. Report on all that back to me, and I’ll have the materials ready to give you that tattoo in payment.”
“A magic tattoo? What, like the stories of the Moon’s chosen? An’ you want me to spy on ‘nother of the people what work for you in return? I mean, I guess that makes sense. They said that ‘bout what we do, that Scourges are spies an’ killers an’ stuff like that. Spyin’ on people... that’s just a street kid’s job.” She rocks back and forward. “I got some tattoos around, went an’ shaved for them an’ all,” she says, pulling back her left sleeve to show - well, Keris has to repress a wince. It’s a not-very-well-done set of wobbly triangles on her left bicep under the short fur that’s clearly done freehand with powdered charcoal. “This one was for Lucky Joku, to get me good luck on jobs an’ stuff. And,” she pulls the sleeve further up, showing a cross surrounded by three dots, which is slightly better done but not at all placed for aesthetics, “this one was one I got to pay off Galde the Gentle ‘cause I got better from the pox an’ if you get their mark on you they don’t own your whole body just ‘cause they saved you, ‘cause you’re showin’ you honoured the price. I also got part-way through the back one which was gonna look fuckin’ sick and weren’t no payment for the gods neither, but... well, things happened. So it ain’t done.”
Keris has to pull her left arm back sharply as Iris lunges for a snack, and crams the gluttonous little dragon back onto her skin with her other hand. “We can talk about what kind of tattoo you want - and any normal ones, since I can do those quick and easy - when you get back from Testolagh,” she says. “I’ve already sent him a Messenger saying to pick you up from Sui Basa, back in the Lower Anarchy. I’ve got a place there; an entertainment house called the Wild Carnation. Give the bouncers this,” she holds up a silver hairpin shaped like a winged snake, “and they’ll let you in and put you up until Testolagh or one of his people get there.”
“Back in the-” that earns her a sneer, “couldn’t ya just have dropped me off there? ‘Cause you run real fast. How far’s it gonna be back, then?”
“Oh, about twelve, maybe thirteen hundred miles round the coast of Ta Vuzi and past the northern bits of the Delikado March,” says Keris, leaning back and glancing out of the window to where ships drift to and from the undercity like little toys on the sparkling blue ocean. She keeps one ear on Ixy, rather enjoying her indignation. “It shouldn’t be more than, mm, a week and a half by ship? Maybe only a few days if you can get onboard a clipper with a fair wind.”
“This is one of your lesson-tricks, ain’t it!” Ixy accuses her.
Keris grins. “You have Bremar. He’s a sailor. You have Tashti, if you want to buy passage, and Weft and Janna if you want to sneak onboard a ship without paying. Command doesn’t just mean having your people back you up at what you can do; it means remembering what they’re good at and using those skills where they’re needed to get things done. Prove to me that you can lead your gang and listen to them when it comes to their specialties. It shouldn’t be hard for you to get yourself to Sui Basa without my guidance. I’ll even make that sword of yours into a sanctum tonight and transfer all your treasure into it, so you can take all your stuff with you when you go.”
Ixy tugs on her nose. “Is this what the whole year’s gonna be like?” she demands. “You finding new ways to test me and acting happy whenever I catch you out on your bullshit?”
“It’s possible,” Keris agrees cheerfully. “Or maybe once you get good enough to catch me out every time, I’ll change my approach. That’ll depend on you.”
Ixy huffs, flips Keris off, and stomps out. Keris shakes her head in amusement and returns to her notes. She has information here on slave flows, on the ship owners, on the captains, all of these things she’s interested in. But there’s another problem here.
Her dragon aide Erda is quite clear - the Despot is being naughty. Erda can’t track everything he’s up to - but he’s been able to track that the man is up to something, and has brought a disreputable dragonblooded sorcerer who’s a kicked-out member of a Raraan Ge family from the lower Maula Isles to do it. He’s been hiding things from Erda, handing things off to his allies, obscuring what he’s up to. He’s definitely shifting some traffic around, obscuring ship ownerships, hiding plans and schemes and what Keris strongly suspects is an attempt at securing new sources of life extension drugs from places that aren’t the Realm. And despite all that, Erda’s been able to track that these things are happening, even if one dragon aide and some mortal hirelings (oh, and a pair of sziroms Erda’s made, according to the notes, Kala and Sube) just don’t have the manpower to investigate in detail everything the Despot is up to.
Maybe she left the Despot alone too long without reminding him who he works for. Or maybe she should spend a little time finding out more before she confronts him. Then again, Erda’s at least keeping up with things here - maybe she can put it off.
“Ah,” Keris sighs. “Oh, Tuyet Alka. I wish I could say I was surprised, but I’m not. I’m just... disappointed.”
‘You are no such thing, child,’ Dulmea says, but rather than critical, her voice and melody are amused. She can see Keris’s intentions, even without reading her thoughts, and wholeheartedly approves.
“Alright,” Keris concedes. “I’m not disappointed at all. I’m kind of pleased, even. I can have fun with this. I think our dear Despot needs a reminder of who he works for and what happens if he tries to slip his leash. Really now, does he honestly think that getting my mercury out of his body would help? I’m half tempted to let him succeed, just so I can dose him up to the gills with it again in his sleep and watch his face as the symptoms return. But that’d be too slow. I gave him his youth, his strength, his sight back - and this is how he repays me? No. This lesson needs to be harsh.”
“How are you going to proceed?” Dulmea inquires. “Vanishing an entire wing of one of his thought-to-be-hidden assets? Perhaps taking a body part? Seducing his sorcerer? Though I will advise you - do not be over-rash in your pique?”
“Mmm. I’m certainly going to have a meeting with that sorcerer of his,” Keris decides. “And yes. He hasn’t reported those assets to Erda, so clearly they don’t exist and he has nothing to complain about if they go missing. Erda can point me in the right direction, and I only need to make a pointed demonstration.”
Erda is called in, his eyes hidden behind dark glasses and his white linen suit immaculately pressed. Behind him are two sziroms, one with sea-blue petals and the other with hurricane-grey, but both of them have the same yellow flames that match the childhood colour of Erda. “Ma’am,” he says, with a salute, as he settles himself down before her and then has to rise again to get the two children to also settle down. “I’m glad you stopped by. I’ve sent several reports on these matters to HQ in Saata, but Rounen only sent me requests for more information. While you’re here, I’d like to request more assets - as I think my reports demonstrate, Ca Map is quite a large body of work and I’m afraid that Tuyet Alka is none too fond of our presence or indeed his choke-chain. I’d appreciate a small fogsventka pack to handle funding our operations and various leg-breaking tasks, and I haven’t been home in years so if there are any further breeds that would assist me I would bow to your expertise. I’ve done my best with what I have available to me, but while I’m training these two they are still simply children.”
“I’m much older than Sube,” says the slightly taller sea-blue Kaka, her voice still piping and childish. “And I write better notes than him.”
“No you don’t!” the smaller grey one says. “You got told off yesterday for putting characters in the meeting who hadn’t been there.”
“Like I said,” Erda says.
“I can definitely give you a fogsventka pack,” Keris agrees. “As well as a pair of thunder’s thieves, and maybe a courtesan once you have enough of a revenue stream set up to keep them fed. I’ll summon the first fogsventka tonight and then send the rest over in a couple of weeks once I’ve summoned them all. You’ve done incredibly well, Erda, and I’ll instruct Rounen to forward all your asset requests to me for review before he makes any decision to dismiss them. If you want to go home to gather more information and update your local knowledge, I’ll approve a leave for research,” a much more renda-palatable way of phrasing it than ‘holiday’, “at your discretion once I’ve reminded the Despot of his place.”
That earns her a brief smile. “Very good, ma’am. It’s been a little lonely here, and even with my duty, it’ll be good to have others around who are my age. The kids are irascible scamps-”
“I’m not irascible, you’re irascible!” Kaka says, seemingly reflexively.
“-but it’s not quite the same. Now, onto the matter at hand. The despot’s sorcerer is Abdurrahman the Great - yes, that is his self-proclaimed name - but his family name was, prior to his exile, Gusu. They have holdings in the lower Maula Isles, and from what I’ve gathered, he was exiled after ‘unseemly’ experimentation as a sorcerer. Which was quite a scandal, as he was the heir before that. Aspected to the element of Fire, demonologist and elementalist and has a faerie consort,” Erda flicks through his notes, “by all indications, willing to sign pacts with anything and everything for power, and shows the marks of the deals he’s made upon his form. The sort of man who wound up in Ca Map because he wasn’t welcome in Saata, or many other lands.”
Keris purses her lips. “I see. Assuming I thoroughly convince him that he’s better off working for me than for Alka, can you handle him if I keep him here as an ally? If I need to move him elsewhere, I’ll have to make arrangements to find somewhere else he can go.”
“It’ll depend, ma’am,” he admits. “Part of the... implicit threat of his presence at court is that he might use some disgusting spell made for use on demons that he’s twisted to work on a superior being like myself. One of the reasons I made the kids, beside having some helpers, is they have orders to run back to you if something happens to me.”
It’s like a knife to the chest. Oh, he phrases it discreetly; he’s not trying to accuse her of anything. But Keris hears what Erda is saying between the lines. He’s been scared. She assigned him this post, and then she left him here without any support because she didn’t want to think about Ca Map, didn’t want to pay it any attention for fear that she’d lose control of herself and sweep through this awful place like the Wind again.
For four years, Erda has been here with nothing but the power over the Despot granted by his supply of elixirs and some brief support from Zanara. He hasn’t been home since coming here. And ever since this Abdurrahman arrived, he’s been scared. Living in fear of being bound, of being Shackled, of being killed. He felt threatened enough that he made himself a pair of szirom assistants and ordered them to run back to Keris and tell her if anything happened to him. Knowing that it might well be too late for him by the time she got the news.
This is her fault, Keris realises. She didn’t prepare him properly, she didn’t give him enough resources, and he’s done so well despite that, and he’s not even blaming her, just politely asking for the tools to keep doing his job and letting her know about the risks he’s working with. Her heart hurts at the reminder of how brave and trustworthy and loyal her keruby can be.
Swallowing hoarsely, she blinks back a few tears and nods.
“I will,” she says, and isn’t all that surprised when it comes out as a hiss, “be exceedingly clear to him that you and all of your staff are off limits for any kind of threats. Thank you, Erda, for letting me know.”
“Thank you, ma’am. That’s all I can ever ask for from you.” Despite that, she can see that little shudder in him, the reassurance of a dragon aide who knows his mistress cares for him and appreciates everything he does. It’s the same way she feels when Lilunu praises her. “As for the rest, I’ll see if I can arrange for the sorcerer to meet you in a fine restaurant... perhaps two days from now? Do you need more or less time to prepare?”
“Two days gives me time to summon a couple of hungry ones for you,” she says. “And... yes, actually. That will do nicely. I’ll want something to give him, after all, to show what I can provide him. Get me some high-quality paper and bookbinding materials, and I’ll dictate a demonology tome for your transcription - something on a few of the more obscure breeds of demon, maybe, with some of my art every few pages. He’ll obsess over it, and it’ll make him adore me and crave more tomes like it - which will give you a little more leverage over him.”
The inequity of Ca Map is such that the poor live down in the flotsam city below, prey to the horrors that men and monsters alike commit, while the elite dwell in the floating lighthouse-weapons-platform that the Despot discovered and brought online. The people down below certainly do not get a place like this restaurant, the Fat Porpoise, where the fine foods of the Anarchy are served with the spices that are one of the great exports of this place. It hangs off the edge, with expensive Realm-made clear glass windows shielding the diners from the winds of this elevation, and the red light of the sunset streams through, lighting up the finewood furniture and the Dusk Sea silk drapes.
Abdurrahman the Great is definitely an odd man, Keris decides when she sees him enter. He has the look of the Raraan Ge nobility, that is certainly true, with his dark skin offset with flame orange eyes and coal-black hair that glows with speckles of embers. But she can see the mention of the countless pacts he’s made engraved in his skin. His right arm is covered in brand-scars, with cold faerie flames gleaming on its surface. Across his bare chest is a garda bird spreading its wings wide, he is missing three fingers on his left hand (and also an ear), and his face is covered in a finely tattooed script of an Immaculate prayer against demons that continues down onto his threat and shoulders. An immaterial blood ape and a very material flame duck with tattoo-seals all over her unclad body trail behind him; clinging to his left side is an aristocratic looking and very androgynous fae in a green leather corset and boots, three barely-there wires trailing from her hands to the chittering goblin-things that look like winged apes the size of cats.
This is someone who dives into things forbidden to other men and no longer gives a single damn if anyone can see it. And who walks into this restaurant surrounded by familiars and inhuman monsters, and doesn’t care if this is taken as a threat.
Keris is already waiting at their table, right up by the windows at a two-person table in an otherwise empty dining room. She’s already ordered for both of them, and the food - rich, succulent lobster for her and expensive imported cuts of pork belly for him - is steaming on the table, having arrived bare moments before Abdurrahman himself. His hostess, he sees as he approaches, is a petite woman with dark skin and red hair, alone and unaccompanied. She wears an expensive-looking backless silver gown and idly swirls a glass of wine in one hand, watching the view out of the windows. She looks bored, and doesn’t turn her attention to him as he walks up.
She hears his attempt at suppressing his gasp, though, and more than that she hears his heart go from a measured thump to a ferocious pounding like a frantic hummingbird. He has taken her measure in the way that some enlightened beings can, and what he has felt is a power that vastly outweighs his own. He might even have tasted its nature, and discovered that she is a creature of Hell with few peers in all Creation.
“You know who I am, and you came to seek me out,” Abdurrahman the Great says, seating himself down, his fae consort taking their place next to him to curl adoringly against his side. The fae’s pink eyes have cat-like slits, their nails are rubies, and around them an aroma of sweet lavender wafts. “With me is my fair consort, Murierelex.”
“I am charmed to meet someone my master is fascinated by,” the fae says, with a feline yawn.
“But ah, might I hazard a guess to who you are. You are Erda’s mistress, and the one who commands him, no?” continues Abdurrahman.
“Erda, yes,” says Keris, still looking out the window. She leaves it a second longer, then turns to look at him. “And also Tuyet Alka. Which he seems to have forgotten, if your presence in Ca Map is any indication. So, Abdurrahman the Great, tell me.” She picks up a lobster claw and breaks it open with a crack, barehanded, then pulls out a morsel of soft white meat and pops it in her mouth. “What should I do about you?”
“Hair akin to that of an angyalka, dark skin, grey eyes, a petite form and features of the South or East,” Abdurrahman murmurs to himself. “And power greater than that of a demon lord. I could not identify Erda’s breed either. Thus - you are not a demon, no. You are an anathematic servant of Hell, a powerful exalt who has received great power from them.” His eyes trace her tattoos, and her silver dress. “So I see that I tread on the domain of a moon-witch pledged to Hell, and it seems that the Despot was not entirely clear to me as to what had him in a hold he could not escape.”
Keris inclines her head, popping another bit of lobster into her mouth. “Correct. And he will know my displeasure for trying to break our pact, and for daring to threaten my servant.”
Abdurrahman leans back in his seat, his fae consort still clinging to him. “I do have to congratulate you on the scheme you’re running here. You’ve got that old man hooked on your hellish mercury drugs - I had to get my hands on tomes I’d never seen before and call up a trio of hellish scholars to realise that you were feeding him the refined blossoms of the Hell-Tree of Mirrors Szoreny, or some say Zorine. And such magical power in them - a true restoration of youth and health. There are powerful men and women across the Anarchy who would kill for that, even knowing that they would be in hock to you. Alas for Tuyet, he’s a little too proud for his own good.”
“You’re remarkably calm for someone who by your own admission has trespassed on my domain,” Keris says, finishing off the first claw and twisting the tail off the body with another quick motion, then pulling the shell apart with her fingers. “Are you that confident that my wrath will land solely on the Despot for trying to cheat me out of my payment for my gifts?”
“Well, it’s what I’m hoping,” he says, with remarkable equanimity. “Because a hellsworn moon-witch is hopefully one who understands that I meant no ill-intent by this, especially when I am more than open to arrangements for the right compensation. Killing me gains you nothing. And given that someone new is muscling in on a few demon-worshipping cults I have contacts in - might I assume it’s you, and that you’re ambitious and looking to spread your influence here?”
Someone new? Oh, Keris realises. Well now. Apparently Calesco’s visit to Danadu Mara last Water lit enough of a fire under the cult-master’s comfortably seated behind that he’s making moves to expand and prove himself useful. Good. She smirks, and doesn’t answer, instead gesturing to his meal in an invitation to eat. The way he glances at it makes it fairly clear he doesn’t trust it not to be poisoned - ah, but will refusing offend her? It’ll be entertaining to see which way he falls.
“Correct again,” she says. “So, you want to make a pact with me. Certainly, there are many things I can offer. Convince me of what you can do to earn them.”
“Oh, a pact, an arrangement, there are many terms for it. Let’s be quite frank, my lady - do I have a name for you? There are not many places in the Anarchy that welcome me. I have reasons to be comfortable in Ca Map, and being comfortable in Ca Map takes money. Being more than comfortable takes more than money, it takes being useful to the masters of this place. And I have no real interest in ruling the city - it’d take time away from my research and my,” he cuddles his consort, “pleasures. So instead I make myself useful - as a doctor, a socialite, and a sorcerer. And there are many, many people who need a sorcerer who can identify a strange poison, understand a curse afflicting their ships, or offer suggestions for how they can placate an enraged elemental. Or a few demon servants for one matter or another.”
“Mmm.” She can’t quite reach the last little bit of flesh in the shell, and before his eyes a single silver fingernail lengthens into a delicate three-inch talon to winkle it out. “I suppose those are all things I can find uses for. Chief among your duties, of course, will be offering no more aid to the Despot, outside of my orders. And what of the inverse of your helpfulness? Can you brew obscure poisons, lay a curse on a ship, provoke an elemental to fury?”
“Those are also services that powerful - or at least rich - men and women want from me. I suppose I shouldn’t call them powerful, should I?” He smiles, and Keris can see that he’s replaced his incisors with engraved green jade replacements. “If they had power, true power, they wouldn’t need me. And then my living standards would be greatly lessened. And on that note, what do you offer me in payment for my services as your warlock?”
Keris looks past him and nods. From the other side of the restaurant, Biqi gracefully rises and makes her leisurely way over, hips swaying in a slow, alluring sashay that gives Abdurrahman plenty of time to turn and see what Keris is looking at. As she draws near, she produces the lovingly-illustrated green-covered book Keris and Erda have made from within her shawls, and holds it out on her palms like an offering.
Abdurrahman looks at Biqi hungrily and for a moment she has to consider whether it’s just lust for the winged, gold-scaled demoness dressed in translucent turquoise veils. But no, it isn’t merely desire (though there’s definitely that there), he’s also curious as to what manner of being she is. And what it is she has.
“A most curious demoness - not a breed I know,” he says conversationally to Keris, rather than address Biqi personally. “Gold horned and scaled, greatly attractive - but not in the manner of the neomah. Perhaps the gold makes her a beast that descends from the demon queen Ipithymia, or one of her servant demon lords?”
“Oh, sir,” Biqi says in a husky purr, falling to her knees before the table and lifting up the book she carries in a way which gives Abdurrahman an excellent view of her hanging cleavage, “if you want to know more about me, I’m for hire if my lady wills it.” Her tail comes around to wrap around his ankle. “Or if she just commands anything of me directly. I’ll do anything for one who gives me what I need.”
The sorcerer visibly swallows. “And that would be?”
Biqi peeks up at him from under her fringe. “Perhaps that ring, the one with the ruby on it, and for that I’ll dance for you and be a vessel for your desires until the stroke of midnight.” She seems to have taken it on herself to tout for business, Keris sees.
“Perhaps after our business here is concluded,” Keris says. “Abdurrahman, you mentioned reading tomes you’d never seen before in seeking a cure for the Despot. Well, this is a tome nobody has ever seen before, because I wrote it myself; an accounting of the lesser-known demon breeds who reside within the catacombs of the Demon City, and the natures they have been bred for in those lightless places, and the uses a sorcerer might put them to.”
She lifts it from Biqi’s hands with a lock of hair and brings it across the table to rest in front of her in a smooth motion that keeps it just out of his reach. Flowers bloom across her dress as she pulls on his greed with the ephemeral pollen of the Swamp.
“This, and many other such tomes, I can provide you. As well as, if you prove yourself very useful, introductions to demon lords who wouldn’t otherwise give you a second glance. With my guarantee that they will treat with you fairly.”
She describes the allure of the books, the knowledge she can provide, her words wrapped in alluring pollen, and-
“Now that is a worthy price,” he interrupts, not even letting her finish as he reaches for it. “How elegant! A lovely green leather binding, and did you make these charming impressions on the leather? The wave-like patterns must have taken you a very long time.”
“Yes,” lies Keris, who just coaxed it into shape with flesh-weaving tendrils.
“Now, my gloves, if you will.” He takes them from one of his familiars, tugging them on before he opens the book. “Oh, excellent quality parchment, very fine, very fine. This will last a long time. And the inks,” he sniffs at it, “some substance of Hell? There is something unfamiliar about the scent and the hue. But this is excellent ink. Some people make it too acidic and it barely lasts fifty years.”
“He has excellent taste,” Dulmea praises from within her head. “That is my favourite kind of ink from the Isles - the agyapuspok Gobu makes an exceptional ink that dries so quickly and does not fade even in moonlight.”
“Now... well, I wouldn’t call the gallmau obscure, but this is an excellent description of them and these anatomical depictions of them are beautifully done. A full dissection? Was this done on a living subject?”
“Copied from a fragment of a book traded to me by a demon who had visited one of the libraries of Hell’s Censor, Orabilis,” Keris says. “And confirmed by life studies.”
“Magnificent!” He continues to flip through, with more commentary on Keris’s observations and her artwork, and then:
“Oh.”
It is said that the image of Szoreny is in a sense, still Szoreny, and one should not gaze upon a Yozi unprepared. Keris is not a Yozi (no, of course not) and yet something of that same nature of the King of Reflections is shared with her; his quicksilver is in her blood, saturates her bones, parts of her flesh were rebuilt with the same fell powers. And Abdurrahman, in his greed and desire for this wonderful book, was entirely unprepared.
He has reached the trap she set for him. He has reached the appendix on her observations of the Abyssic Plates, and the full page renditions of certain plates. Chief among them; the Courtesan. Which in this case takes the form of a full-body nude of Keris’s true form, a self-portrait from her time on Ipithymia, lounging on golden cushions with her hair serving as the customary red of the Courtesan. The proportions of the room are Hellish in dimensions; through the open window that fills the rear wall one can see an intricately detailed view of the the Street of Golden Lanterns where figures a mere fingernail high are depicted in full detail such that with a magnifying glass you could study the breed; the Green Sun reflects on the golden roofs and each reflection stares out of the image like an eye. Vice, decadence, the allure of Hell laid fully bare for the delights of the observer.
She hears the exhalation, the gasp; the sound of his heart being stolen.
“Does this meet your price? Fulfil your desires?” she asks, scooping out the tomalley from the lobster’s front half with a silver spoon. She knows the answer. But she wants him to know she knows, and to admit it to her. She’s feeling pretty good about herself - in only a couple of days, Keris has strolled into Ca Map and plucked the core of the Despot’s schemes for freedom from his hands. He might not know it yet, but he’s just lost his sorcerer - and soon, he’ll have lost one of the allies he’s using to obscure his dealings, too.
“Oh yes,” he says, still staring adoringly at her image. He is torn between her and her image, almost as if he’s struggling to see the difference.
“My lord,” whines the fae Murierelex, clinging to him. They stroke their hand over his chest. “She’s snatching your heart, and I don’t like it. I can taste what she’s doing to you, and-”
Keris smiles sweetly. Because Murierelex has just looked at the image, and now they have gazed upon Keris too, and though they are suspicious and less unprepared than him, they are not a dragonchild. They are a fae, and their self-story has just been scrawled all over by Keris’s image. It has impressed itself onto them, burned itself in, and now they cannot shed this unwanted envy-lust-love-obsession as long as they remain shaped.
“I know,” Abdurrahman the Great says. “I know she has me. I know this image is... impossible. Too real. And yet I can see it and I understand. I must know! Is this... is this of you? From life? Within Hell itself. Is this accurate in all regards?”
“It is,” Keris smiles, a predator with her prey thoroughly hooked. “And this is just a taste of the gifts I can bestow on you, if you earn my favour.”
“You have been to Hell itself, and returned with the favour of the most ancient titans - the imprisoned kin of Earth-Mother Gaea, from whom all life of Creation descends? Who thus - bearing within them kin-broods with no ties to this world, those which men call demons - have power akin to the Earth-Mother for those who entreat them and survive the tests they put their supplicants through? You have survived the six hundred tests of the ocean of tears that men call Khimbere, and confronted your nature in the ancient mirror Kagarm?” There is astonishment, admiration, and fascination there. It even overcomes the lust.
“Those trials and many more,” Keris lies smoothly, and in the instant of her lie she believes it, for she has indeed endured many trials in the sea-spray of the Great Mother and met the demon prince Kagami whose eyes are mirrors that hold uncountable reflections. “I have crossed the Endless Desert alone without map or guide, I have been reshaped by the dark music of the Ebon Dragon and found my form again. I have even run with the Silent Wind, and borne her touch, and lived.”
Abdurrahman the Great lets out a slow exhalation. “Well, I do believe this means my choice to take this contract from the Despot has turned out to be an excellent decision, for had I not done so, I would have not met you - my lady. What is your name, that I might know who I now serve?”
“Tuyut Alka knows me as the Scarlet Lady,” Keris says, which is true enough - and a little unsettling, in hindsight, that she was using that name before she even saw her first copy of the Broken-Winged Crane. “But I have other names. Excel in my service, and you may learn them. For now, content yourself with that.”
“Well, then, my lady in scarlet,” Abdurrahman says, his eyes rising from the image of Keris to stare upon her face, a warmth and ease in his gaze and a touching eagerness in his heartfelt adoration, “perhaps we might indulge and revel in this place. Oh, do not mind the staff - the proprietor does not come unless rung for, and the servants are all mutes. There will be no word getting out from here. And if he does tattle, I’ll turn his bones to molten lead.” This is spoken with the professional attitude of one who has done so before. “You are clearly no stranger to wicked ways, and I am eager to learn at your feet. Or - if this place pleases you not, I would eagerly invite you back to mine for some privacy and to show you certain objects in my quite extensive personal collection.”
Keris considers, and... well, he’s a terrible person, but he’s handsome enough, and no doubt knows his way around a woman’s body. And unlike that little bore back in Gem, this is someone who does deserve her personal attention to ensnare his mind and make him devoted to her.
She’s definitely going to be the one in charge, though. If this sorcerer wants to learn at her feet, he can damn well do it on his knees, like a good boy.
“Then lead on,” she allows with a graceful flourish of her hand, finishing off the last bite of her lobster. “Show me your collection, and we’ll see if I deem it impressive enough to give you another name to whisper in prayer to me. My Biqi can accompany us as well, and perhaps your... toy, can make themselves useful too.”
That night, under the moonlight, Keris leans over the side of Abdurrahman’s high-tower penthouse, letting the night breeze run through her hair and cool off her sweaty body. Beside her, Biqi - equally unclad - perches on the balcony with the ease of a Spireborn, lights up one of the man’s roll ups of fine hash she stole off the side, and exhales blue smoke. In the luxurious room behind them, the sorcerer and his fae consort are entirely out cold and will be very sore in the morning.
He wasn’t lying when he said he had an extensive personal collection. This is a man with expensive tastes - in wine, in narcotics, in books and in exotic entertainments, and he demonstrated all four to his two guests.
Keris is quite pleased. He was a nicely experienced lover, she got served some some very expensive spirits as he tried to get her drunk, and of course, he squealed so pleasurably as she demonstrated to him certain of her demonic talents - that he quite willingly accepted were investments of infernal power she received for her services to the princes of Hell. And speaking professionally, he was more than willing to pledge to serve her and take her mark on his flesh, a snake coiling around his upper thigh, which means she has another hold on him - and he accepted her ‘present’ of regrowing his fingers (devoured by an elemental who escaped their binding) so her self-seed is now inside him and icy gratitude lies in his heart.
All in all, it’s lovely to know that the tricks she pulled on the Unquestionable work on dragonchildren too, especially those who are more than willing to accept her gifts and her obligations because they reckon they’re getting what they want out of the deal.
Biqi exhales another cloud of blue smoke into the night air, and stretches out her wings. “Fuck, I remember being able to fly,” she says morosely, twisting to lean over the edge next to Keris. “I thought it was just a one-off thing. I got a few brilliant days. And then Arisu gave me hope I might be able to do it again and keep it this time. But you said she lost it again.”
Dulmea had reported that to Keris - a few days ago, a few of her agents had found Arisu as an exhausted, low-energy penury courtesan again, spending all her coin on hellish treats which are once again increasing in price now that the trade routes are closed. She’d said ‘I fucked it up. Of course I did. Guess it’s back to the grindstone for me’, and then propositioned Dulmea’s agents.
It hurts Keris to think about it. It hurts not just because it hurts Vali’s keruby because good things don’t last. It also hurts because it presses on old memories for Keris, for how she - and Gull - always managed to blow their chances and end up ruining every last good chance they had, and it isn’t fair that some of her keruby seem to have inherited Kit’s old self-destructive spiral.
It hurts because it’s nearly the anniversary of Gull’s death.
“Ixy and her crew have left for Sui Basa,” she says, staring out at the horizon. Off to the east loom the mountains that separate Ta Vuzi from the Wailing Fen, indistinct black shapes against the black sea and the black sky. “I’ve summoned a couple of hungry ones for Erda, and they’re settling in and sniffing out profit. We’ll leave for Saata tomorrow morning. Fuck knows I’ll have a lot of catching up to do. The work never ends.”
“So I’m coming with you, not being left to handle this one? Honestly, thank you,” Biqi says, shaking her head as she arches her back and stretches. “I mean, he clearly pays well, but I get stinky vibes off him, you know? Like, Firisutu’s mountain-level stinky vibes. One of the good things of you giving me a stipend is that I’m not so hungry for cash that I’ve got to stick my head in a rankey-trap like this. Though, speaking of my stipend,” she pauses, and moves around to drape herself over Keris’s back, kissing her shoulders. Biqi is warm in the cool night air, but there’s also the prickle of the tamed lightning running across her. In the gloom, she gives off a faint radiance.
“I know you said you’re training me up, and this was part of my training for the Suriani chick, but you also said there was going to be some more weird stuff than just fucking some guy who really likes it when a girl takes charge,” she says. “Just wondering when you’re thinking of the stuff that’s more... uh, maybe ouch?”
“I know,” Keris agrees. “I have a school of sorcerers back in Saata. Well, Saata and Shuu Mua. You’ll start attending lessons once we get there. I’ll need to make you proof against Mara’s blandishments, too, and... the best way to do that, I think, is to get Vali’s help. He holds the part of me that can give my word and make it binding. With both of us together, we can carve an oath into your bones that’ll be proof against any mind-twisting anyone can throw at you. I’ll be teaching you some more secrets of the Blue Order, too - and apprenticing you under Calesco to learn what she’s picked up on her pilgrimage.”
“Isn’t Princess Calesco meant to be... sort of mean?” Biqi says in a small voice. “And very sharp-tongued?” She perks up. “But if sorcerers get to live like Mister the Great over there, that sounds like something I’m really up for. Because All-Queen’s holy tits,” she doesn’t even glance at the subject of said oath, “this whole place smells so good from all the money. It almost overcomes his trash-monkey-mountain vibes. And from what he says, people pay him to just put curses on people or coax the winds, and he can live like this?” It almost seems outside Biqi’s belief that someone could have this much money.
“Sorcery is hard,” Keris says mildly. “And powerful. More powerful than most mortals can ever dream of being. People pay a lot for power. And pay even more to deny it to other people.”
“I don’t know what I’d even do with this much money,” Biqi says, in a way that reminds Keris that she’s still very young. Young like Kit was when she came to Hell. Then she grins. “Be lovely to find out, though. You said I’d be a good earner at your fancy club back in Saata, dancing for ‘em and sleeping with rich sorts - and maybe might even headline while Princess Calesco isn’t there, right? And I might get fancy gents and pretty triad princesses giving me all kinds of shiny gifts if I do good enough. If the whole sorcery thing doesn’t work out, that sounds like a good place for me where I can still be useful to you.” There’s a hardness to her normally throaty voice as she adds, “I e’en’t being like Arisu. I’m never going back to the bottom again, never ever.”
She’s clearly taken fright at the idea of sorcery being hard and is falling back on the thought of how to maintain her lifestyle. And again, she makes Keris think of Kit on the streets, and those cold Air nights which weren’t pleasant in the far South West, but which were freezing cold and where whether she and Gull could get the cash for rent was life and death.
“I know you aren’t,” Keris reassures her. “And don’t worry about Arisu. I had Dulmea give her enough to get her back on her feet, and she’s rejoined the troop performing the Dance, though she’s not leading it anymore.”
She sighs, looking out at the dark horizon again. “Trust in me, Biqi. I’ve been on the streets myself, back before I Exalted. I know what it’s like to fear falling back there, and I won’t let it happen to you. You have my word on that. I don’t leave my people to rot.”
“I’ll hold you to that. And sue you if you break that word, even if you are the All-Queen,” Biqi says. She pauses and stubs out her joint on the hardwood balcony. “You got any other plans for the night? Our clients - well, my client, I guess you own him, ass-and-all - are out cold. We heading back, or are we gonna get breakfast out of him and charge him for a morning romp? Or do you need my,” her accent shifts, back towards the Lintha-washed Old Realm she needed for her role, “most elegant and adoring aid in getting to sleep - for I can lull you with my kisses and captivate you the love I offer to you, most glorious and gorgeous of all queens. Shall I serene you with the gentle sound of my adoration of the ocean between your bountiful thighs?”
The look in her electric blue eyes is both sincere but also deeply mocking. If Keris wants it, Biqi would bed her - but she’s also mocking the faux-courtly love Keris wielded to seduce the sorcerer, and it’s a reminder that she’s still a kerub, still has an impudent streak, and was probably holding her tongue during the whole affair so she didn’t break character as Keris’s bound demonic servant.
Keris gives her a flicker of a smile, because she’s earned it, but shakes her head. “I’m feeling... old,” she says to this young, young kerub, and tries not to think of just how true that is. Fuck, she’s only twenty eight. Not even thirty yet. But Ixy is no more than seventeen and her souls and keruby are even younger than that, and she has Hanily and Aiko and Atiya and the Twins to take care of, and tonight the gulf feels painfully real as she looks out at the ocean and the star-speckled sky.
“Old and tired and melancholy,” she continues with another sigh. “I want to be alone with my thoughts for a while. You can decide whether to be here in the morning, but I think I’m gonna go sit on one of the high spires for a while. I’ll have to be in the Despot’s room when he wakes up to terrorise him a bit anyway. Still haven’t decided on which of his allies I’m disappearing overnight, so I guess I can think about that while I’m up there.”
“I... don’t want to be alone near this guy,” Biqi admits. “No wonder that renda Erda didn’t like him. He’s like a pet at your feet, but I get the feeling that sure, he liked to be on all fours before me, but that was just a sex thing and he’s the sort who doesn’t like hearing ‘no’. If you want, I can come with you and brush your hair, do the other stuff I did when I spent a bit of time working as a hairdresser in Anaqi Tower. You’ll still be alone, I won’t say a thing if you don’t want it. Else, just let me find my clothes and I’ll head home until you call me out again.”
Keris considers for a moment, then nods. As long as there’s no talking, the touch will be soothing. “I’ll carry you up,” she says. “Grab your stuff and let’s go.”
That night, a few of the rich and powerful living in the high platforms of Ca Map look out of their windows, and some are in the right place to see a pair of figures up on the highest spire, silhouetted against the stars. One attends the other, massaging tense shoulders and brushing the long hair that streams out like a banner in the cool night wind. But the other, waited upon and tended to, sits solemn and quiet and still, looking out at the ocean with her chin resting on one hand. Around her, the shadows deepen and quiet music echoes out, bringing a grief and bone-deep weariness to those who hear its faintest traces on the wind.
None in Creation - not even her attendant - hear the thoughts that bring such a sorrowful air. But nonetheless, red lips move soundlessly in the night, and grey eyes close every so often to listen to unheard counsel.
Perhaps her melancholy thoughts are not borne entirely alone.
The example Keris makes of the things the Despot thought he could hide from her isn’t gory. It isn’t messy. It’s just that everyone identified by Erda in that little operation disappears in the middle of the night and is never seen again. And she makes sure he knows she did it, but never claims to have done it. The man tries to hide his discomfort. He’ll be even more discomforted when he realises his hireling dragonblood has a new master.
Then; off to Saata, across the Gulf of Strife, and it is nice to come back into the harbour, guarded by the two fallen statues. There’s no sign of Malek or Calesco yet (but Keris didn’t expect them to have made it back yet), and she wanders the Saatan markets, picks up some snacks, takes Biqi to the Azure Bathhouse in the Anubalim to relax and get a massage, buys Mele a little treat she sees, and then - before the evening sets in and the Jade Carnation starts to stir to life - sidles in backstage. If they’re keeping up the same routine, Rounen will make an appearance here as a Hui Cha man going to see the dancers, which is his touchpoint with Zanara. If they didn’t meet up earlier today.
Gull’s shrine is dusty. Keris doesn’t let the maids in here. It’s too special for that. So the first thing to do is to clean away a season’s worth of dust and detritus and shoo the spiders out from the little space. She works in silence, humming here and there as she dusts and sweeps and scrubs and airs the room out. Gull’s portrait still stands on the little shrine, the charcoal lines unfaded, and she brushes her ex-wife’s cheek as she lights the incense sticks on either side of it and settles down in seiza.
“Hi Gull,” she says softly. “Hah, see? I’m early this year. Came back to Creation real quick ‘cause of a fuck-up I had to resolve. One of my people pissed off a bigtime god and got herself cursed. I bet you’d’ve had something to say about the whole thing, even if you prolly wouldn’t have been too happy with how I saved her.”
The candlelight flickers. And Keris feels... watched. Not from the outside, not from some spectral presence (she doesn’t know what she’d do if Gull came back as a ghost), just... watched. But not in the normal way. Not by Dulmea.
She rubs her forehead and blows out a heavy sigh. The motion disguises the way her ears prick, checking the room for any interlopers - for a brief, absurd second she half-expects to hear Ixy concealed against the wall by the Swamp’s camouflage, for all that she’s halfway to Sui Basa by now. But there’s nobody. Just her. And the sigh is real enough.
“I been feelin’ old this year, Gull,” she admits, and pauses to dig out a flask of Meadows-mead and take a swig. “I got a new student, yeah? A kid called Ixy. She reminds me... fuck, so much of me, back when I was tiny and feral and stupid. But she’s... she’s so goddamn young. Seventeen at the most. Not quite young enough to be my daughter, but gods, she’s only a few years off.”
Another hit of mead. It hasn’t started to affect her yet; the mercury in her blood is buffering her from the effects, and Keris knows it’ll probably take the rest of this flask to even start to get tipsy. But that’s what she has another couple of bottles for.
“And that made me think,” she continues, “and... I’m twenty eight now, you know that? That’s how old you were, when you picked me up and started teaching me. I remember... sometimes you seemed so grown up and mature and smart and all, and other times you seemed way younger and less serious and stuck up than any of the other adults. But now I’m the same age, and I’m thinking... even when you seemed old, twenty eight is still real young. And when you acted young... maybe you were playing it up because you felt old looking at the pair of kids you’d picked up who didn’t really trust you.”
She remembers how Gull had looked back then; so tall, her hair glowing blue, beautiful and not like any of the other women on the streets and magical. Like something out of a faerie story. That wasn’t always a good thing, because faerie stories were the things they told on the streets to warn about what might be coming out of Firewander. But...
... Keris shudders, and thinks how much Gull aged over those five years. How hard the harlot’s life, her dreamdust habit, the smoke and fumes of Nexus, and all the mess with Mister Chen took her. How hard dealing with Kit must’ve been for her.
“I’m sorry,” she sniffs. “I think... I think you’d have lived longer if not for me. ‘Cause I’m the one who killed Madame Yingsha, and that’s what really started Chen on expanding his little empire, and my Blue Killer work forced you to do all the stuff settlin’ the restless dead I left behind - not just me; Liho an’ Chen’s other thugs too, but I was one’ve his sharpest tools and I kept pushin’ things further and letting him move the line of how brutal he could be out an’ out. An’ that’s what made you go so hard on the dreamdust to get over the awful things he was doin’ and having you clean up, an’ that’s... that’s what killed you. My Blue Killer work, and the dreamdust you relied on to cope, and how I killed Chen and got us turfed out on the streets, an’ how I’d yell and hit you sometimes...”
She sniffs again. “I killed you, Gull. I loved you, but I din’t realise how fragile you were, an’ I was selfish and stupid an’ I killed you. I’ll never make up for that, but I’m sorry. I really, really am. And I understand better now. What kinda position you were in, an’ how you must’ve felt. You were real brave and real kind and real strong, even if... even if in the end you weren’t strong enough. Thank you for what you did for me. I’m trying to do the same for Ixy, and it’s really fucking hard, but I promise I won’t give up. There’s something brilliant in her, if I can cut and polish it right without her slicing my fingers up on all her sharp edges. And when I’m done with her, I’ll keep doing the same to other students. Piu. Simya. My Carnation girls and boys. You’d like that, I think. That and the Blue Temple stuff I’m doin’ for Venus. We’ll see what Calesco’s brought back from the Scavenger Lands there in just a month or so.”
No words. There never are, not from this little charcoal picture.
She pours a little of the separate bottle of spirits she’d brought along into a shallow dish in front of the portrait, and lights it with a taper; an offering to the dead. “Ah, but enough sad talk,” she sighs. “I got some stories you’ll like, too. So, Ixy; I took her on a trip this part month or so to teach her... well, the kind of thing you an’ Bel and Liho taught me, but more so. Some of it you wouldn’t have approved of much, but our last stop was Gem - the big Southern city, way down in the deserts, with all the riches? And let me just tell you ‘bout the heist we pulled off from the vaults...”
It helps her feel better. Helps her get the feelings off her chest, and calm her down so she can be on top form for what comes next.
Keris makes her way to the main floor of the Carnation once it’s come to life, and gets herself a meal while she waits for Rounen to show. Zanara has redecorated the place, because of course, and Keris makes a note that their influence is starting to saturate the building. She’ll probably have to find something else for them to do for a season or two, she thinks as she waits. Hopefully he hasn’t met with Zanara already today.
She’s in luck. Hui Cha Rounen makes his appearance with fellow triad members, drinks for a bit, plays a round of Gateway at the tables, then picks out one of the girls, and is led up to the upper rooms into one of the rooms with a bed. He doesn’t see Keris following him, backstage even in the backstage. The girl he picked out gets a shift off, because this room is one which happens to have a door concealed in the furniture that leads into the back passageways that leads to Cinnamon’s office. Which has been extensively redecorated since the last time Keris was here, much like the downstairs, which is just one of the costs of leaving Zanara in charge of a place.
“Evening, your highness,” Rounen says, sweeping over to the desk to examine the paperwork just as a matter of reflex. “Doing well?”
“Uh huh,” Zana says, painting the features of the mannequin-Nara who’s already dressed up for his show later this evening. “It really rained heavily today.”
“I’ll say. I was outside in that, out drinking with some of Hui Cha Jade Fox’s men.” They start to talk of minor business and gossip, in a very routine way.
Keris slips round the outskirts of the room, hidden now under the chameleon-skin of the Swamp, and settles on a settee beneath one of the new wall hangings. She watches her aide and her daughter interact with a fond smile until Rounen begins filling Zana in on some oddities he’s just noticed in the Carnation’s books, waits for an opportune moment, and then seamlessly picks up from the end of his sentence with an impish lilt.
“And of course your mother is back in town.”
Zana swears loudly, smears Nara’s lip paint all over his face, and throws her tools down. “You! That wasn’t funny! This wasn’t funny at all! You know what you did! I’ve ruined this! It’s wrong and it’s all wrong and now I need to start all over again!” Accusingly she jabs a finger at Keris. “You are not getting a hello kiss or anything from me because of this absolute and complete bullshit of your selfishness!”
“Hello, ma’am,” Rounen says. He seems unflappable, but she can hear his heart racing. “I knew you’d probably do this, but not when.”
“Well, than you could have fucking warned a girl and Keris, you utter fuckbitch, could have done it when I wasn’t mid-way through painting something!” Zana fumes.
Huffing a soft breath of laughter, Keris reaches out to her hysterical daughter, coaxing her closer. “Now now, darling, I’m sorry. Forgive me? I’m sure you can still recover this and make Nara look beautiful. And I have some presents for you to look at - how will I show you them if I’m all heartbroken and deprived of my hug and my kiss?”
“I don’t think I can recover! I’ll always know it wasn’t right to start with! It’s ugly, ugly!” Zana snaps, her voice rising towards a screech. She shoves her Greater Self away and Keris is reminded of two things; firstly that Zana is not Haneyl, who can be calmed down by even quite small gifts, and secondly...
... this is reminding her of Atiya and her reactions to being surprised.
“Easy, easy,” she soothes, humour draining away to be replaced by worry. “I’m sorry, sweetheart. I shouldn’t have surprised you. Can I make it up to you by showing you some new dances? You and Nara can work out how to make a pretty performance out of them; one that’ll make up for how I ruined your work.”
“Don’t you patronise me-” Zana shrieks, before petrifying.
“Yeah, she needs some time out,” Nara says, turning back into flesh, as he wraps her up in a hug. He smells of iris-scented perfume. “Sorry, mama. It’s not your fault except, you know, just a bit. You went and pressed her imperfection button. That’s just how it is. But look at you! You got a tan! You normally take Air off - why’re you back so soon?”
“Aha,” Keris laughs humourlessly, then glowers at the memory. “Malek Qaja managed to run afoul of a mushroom king and get herself - and the giant flying flower-manse she’s travelling in - struck with a withering curse that was slowly killing both of them from decay. Calesco showed up in my soul a few days before I went back to Hell with an urgent message about needing Metagaoyin hearthstones, and I had to take off right after a very eventful Calibration to save her life. And then I took one of my new students down the Pave to cram some saboteur tradecraft into her head and, um, accidentally broke Gem.” She pauses. “Oh right. I have, uh, two new Infernal students, actually. I found one of them in Choson back in Fire and got the other assigned to me at the Althing.”
She blows out a sigh. “It... quite a lot has happened. But here.” She passes over the book of sacred dances from Gem’s vaults. “For you, as an apology to Zana. I’ll be showing it to Calesco as well, because I think I can get some of these working for my temple of Venus, but you get first look to see what you can get from them as performance. And Rounen!” She turns to her aide, beaming proudly. “I have complete reports - some from Rala and Erda but a lot from me - about everything I’ve done since I left Saata. All written up properly! In full!” Granted, she’d only got most of them done by abusing mercury drugs, but still! It’s an accomplishment, and she deserves praise for it.
“Excellent, ma’am.” Rounen sniffs. “I do hope they weren’t too lax in their reporting, and I’ll have further questions for you as I process this.” Despite his words, he eagerly offers up his hands, drawn by the lure of new paperwork.
She hands it all over, very proudly, and holds up a finger. “One thing I do want to note,” she adds. “I under-resourced Erda when I left him at Ca Map, and despite only having himself and a couple of sziroms, he caught an attempt from the Despot to try and wriggle free - and he was living under threat from a Dragonblooded sorcerer who might have modified some spell or another to treat him as though he were a demon. I’ve dealt with the sorcerer and given him a pair of fogsventkae to back him up, but I’ll be summoning half a dozen more along with a couple of thieves and sending them over as soon as possible. And I’ve given him a commendation for working so well under pressure. Can you review who we’ve got where and check for anyone else I might have left without enough support, and suggest some options for what we can provide them? I don’t want to be some... some uncaring queen who sets her people up to fail and doesn’t care when they break.”
“I have the resourcing reports as of the start of this year. Tomorrow, I’ll start scheduling meetings to discuss our actions to handle the resourcing surge, but I won’t schedule this yet until we can properly triage the priorities of the tasks we’ll need for this year’s planning,” Rounen says, sounding far too happy for anyone looking at a dozen or so meetings spread over a week, minimum.
“Thank you, Rounen,” Keris says, happy to have navigated that particular little bit of “praising one renda to another’s face” without incident. “And... yeah, read the reports. I haven’t even mentioned Nagakota, and that’s... honestly something you should probably just read Rala’s report on. Though I guess you might have heard about it already from the Saatan rumour mills.”
“Word has reached us, yes. Congratulations, ma’am, if that was all you,” begins Rounen.
“Did you get all the attention at the All-Thing for that?” asks Nara.
“Sweetie,” Keris says smugly, “I got to brag that I’d released an Unquestionable. Right in front of the whole Althing. That was basically Ku Shikom’s whole boast, that they’d summoned Ululaya, and I just went and showed them up by saying I’d called out Molacasi plus everything else I did. I’m going back to Hell later this year for some personal tutelage from him as a reward.”
“Nice,” breathes Nara, holding her closer. His red-blond hair drapes over her as he hogs her attention, like he always does. “You deserve that attention, and I remember hearing that he’s scary, but Lady Lilunu mentioned his name in the list of the best sorcerers of Hell. So stay safe, and take everything you can get from him.
“Speaking of taking everything you can get, by the way,” he sing-songs, “I got a present for you~”
“Oh?” she asks. “Show me, show me! A present to welcome me home is a lovely surprise.”
“Do you remember the Resplendent Bounty?” Nara murmurs in her ear. “That big, oh-so-respectable pleasure house directly on the waterfront? They made a move to pouch some of our stars. The usual Saatan business - law tricks to invalidate their contracts, more money, you know all that kind of thing. Well, the funny thing is they just failed. Our people were lovely and loyal and told me immediately. And then by the end of the year, we’d closed the deal. Elly’s leant us the money as the backer for the Carnation’s takeover, and it’s ours now. Me’n’Zee’ve been working hard for the past month or so to make sure they know how to do things the Carnation way and purge people who work ways we don’t like, and now it’s pretty much a blank canvas reach to be redecorated as a big ol’ respectable face for our enterprises that grabs captains fresh off the boat with money from their most recent job.
“Oh, and also, you don’t even know how many of Jade Fox’s people we now own,” he adds conversationally.
“Oh,” Keris breathes. “Oh, you sly, devious little wonders. You are absolutely getting rewarded for this, my darlings. Rewarded in as pretty a way as I can think of.”
“Oh, no, you really shouldn’t... oh, what am I saying, of course we deserve everything you say and more.” He lets her lavish praise on him more, before adding, “And it’s a good thing we were there to stop a move against you in the Hui Cha. Second Carp’s been working her ass off, so be nice to Zee, ‘kay? And even despite that, Jade Fox is the big dog among the blue sea masters right now. The men don’t respect her ‘cause of her age, the fact she’s a girl, and the fact she’s only borrowing your authority, but they’re still scared of her. Pale Branch’s holding on, but the name of Strong Ox don’t hold so much respect no more because everyone knows she makes all the decisions. Sea Eagle’s a slippery bastard - fun, though - and Lucky Wolf ain’t doing so bad. But Peaceful Wave ain’t in a good place. All in all, there’s trouble stirring, and a lot of it’s the men who can feel women makin’ them feel useless. Like Rathan when he gets in a snit ‘bout stuff. It’s a problem already, yeah, but Jade Fox lets men be men here. Not jumped up guards for cargoes their wives insured.”
“I’m not a ‘proper’ man in some people’s eyes,” Rounen agrees. “Although I must add that a few more forward-looking women are considering me as a marriage candidate for either them or their daughters, because there is something to be said about a husband who stays safe on shore, doesn’t get into stupid fights, and can serve as an in-house accountant. Not to mention they’re looking for alliances with you, ma’am. I’ll let you vet all the requests and accept or turn them down as you wish.”
Keris scowls at this - both the insult to her devoted aide, and the idea of someone else getting their hands on him. Though... well, no, she thinks, cutting off her disquiet at how easily he’s giving her control over something as important as a marriage. He’s obviously only considering the offers in terms of politics and potential alliances, not people he really wants to marry, so it’s fine for her to refuse them for him.
“Mmm,” she hums. “I’ll look over them, and I suppose I’ll have to spend some time this year bringing the Hui Cha into line and painting a prettier picture of what men and women can be.”
“Uh huh!” Nara wriggles against her. “What else, what else? I’m sure Rounen has reports about what Little River’s investments are doing-”
“Of course I do, I’m not an amateur,” Rounen says with withering disdain.
“-and oh! Yeah, so Hanily’s started school, you wanted to be told about that, didn’t you! Rounen handled things and she’s now at Our Lady of Benevolent Wisdom and she got in trouble on the first day, ‘cause she is your niece. She’s tried to run away three times, she’s declared she hates you and everyone else, and that she’s going to sue you for doing this to her. She’s kinda like Zee when she gets histrionic, y’know,” Nara grins.
“Don’t worry, ma’am, the former-Lioness Ilays who was assigned to take care of her re-captured her each time she tried to escape, and she hasn’t tried to run away in two weeks now and seems to have made some friends,” Rounen adds helpfully.
Keris’s hand pauses en route to pinch the bridge of her nose, and she sighs in relief. “She hasn’t set anything on fire?” she checks, because unfortunately this is in fact something that needs checking. “Used explosives to go fishing in any nearby creeks? Caused, resolved or otherwise inserted herself into any lawsuits?”
“She tried to open a lawsuit in the court of Jii-su against Ilays and Tenne Cinnamon, but she couldn’t pay the application fee,” Nara giggles. “I heard people talking ‘bout it in the Carnation, as a funny story that Cinnamon’s niece - well, they said daughter, but they meant niece - tried to sue her to get out of going to school.”
A snort escapes before Keris can help herself. “Well, I look forward to her scraping together the funds for a second attempt, then,” she says. “And speaking of school, Rounen, have you gotten anywhere with that idea I floated about setting one up attached to the Carnation, or do you need some decisions from me to move forward?”
Rounen claps his hands together. “It is already up and running and organised in its earliest form,” he reports. “At present, it’s somewhat barebones. I’ve ensured it’s registered as a valid temple-school, we’ve got a shrine to that slacker Ludvo set up, and it’s being run out of a former weaving-room a couple of blocks away. Because the weaving room is light and well-lit, you see. Also the land was cheap. At the moment it is essentially caring for your workers’ children during the day, and we have some teachers who can teach letters and some basic sums and we’re using people who can’t work due to injuries to pass on some knowledge. And next door we have another room with some cheap room and board where children can be left when people are working late. I felt it was better to get the basics up and running quickly, and once that’s done we can start bringing in some formality and more in-depth lessons - not least because,” he nods to her, “I knew you would want to have more of a say in what is taught there.”
“Good thinking, and you’re right,” Keris agrees. “Oh, and Piu is going to age out of Orchid’s Grace this year, so make a note that Little River needs to mention her ward will be graduating soon to Golden Child or one of the other Ladies so they can suggest she apply to the Carnation.”
“She’s already super-excited,” Nara says, “‘cause Zee told her if she’s good enough, she’ll get our blessing - plus she can see us every day.” He smiles quite fondly at that.
Keris smiles too. “It’ll be good to get to see her more often, yes,” she agrees. “Alright! Anything else I need to know? Oh, what’s Hinna been doing? I might need to have words with her about Simya.”
Rounen clears his throat, and passes a sheath of paper to her. On it is written an inventory of Hinna’s recent purchases, her current resources in her lab, and summaries on her current projects. “I’ve ensured that the tolvajka, Kero, who Oula summoned... well, I may have somewhat borrowed him for monitoring Madam an-Reswah. It works out well. She doesn’t have to worry about being spied on, and we know what she’s up to. Right now, she’s gathering as many oddities and curiosities from the Dusk Sea as she can find in the docks, and from her notes she is trying to find a source of wyld-nature she can extract and stabilise. I’ve sent copies of these reports to Prince Rathan, but he hasn’t replied.” Rounen sniffs. “Rathan is not good at answering reports.”
“Mmm,” Keris says, eyes flicking over the reports before narrowing. “Hmm. Dusk Sea, you say? Because she might be reporting that she’s working on wyld-nature, but these,” she taps several items on the list, “look like summoning reagents. In quantity, too. In fact, given the amounts... I’m inclined to think she was doing a lot of summoning using the authority I’ve leant her, probably over Calibration.”
That draws a self-condemning groan from her aide. “Oh, ma’am, I am sorry, I can’t believe we missed it! But Kero hasn’t seen any more demons around her place - might that suggest either she wasn’t keeping them around, or more alarmingly she’s sending them somewhere else?”
Keris waves off his apologies, but nods at his conclusions. “Probably the former,” she says. “Big rituals over Calibration, multiple summonings and no new demons hanging around? That smells like summoning for information, keeping them only for as long as she needs to question them, then dismissing them back to Hell. Well, mm, no. It could also be trade. But knowing her, it’s probably information. What on is still in the air, though I wouldn’t be shocked if she was looking for more details on me. Make a note to bring it up next time I meet her.”
His pen scratches. “Very good, ma’am. Will there be anything else?”
“No, Rounen. That will be all. And thank you for all your hard work.” Keris cracks her knuckles. “Little River needs to go make her report to the Hui Cha, but... I want a good night’s sleep. I’m exhausted from the trip. I already visited Gull’s shrine and I’m still a bit off balance. I’m back in Saata in Air for once, so I won’t miss the anniversary this year, but I wanted to talk to her alone for a bit before that.”
Nara brushes his hand against the nape of her neck. “Do you want me to be there, mama? For comfort?” he asks softly and gently.
“Mmm hmm,” she says, squeezing his hand. “You’re welcome to come with me on the anniversary.”
“Mmm hmm. I’ll leave you to get to bed, but… well, in that case - Rounen! You’ve just volunteered to help finish my make-up!”
“I am a scribe, not a make-up artist!”
“It’s all art and calligraphy, and you’ve got real steady hands. Please? Please!” He just wants attention, the brat. But Keris leaves him and slips out.
The great new money hall where the blue sea masters meet is different from the last time Keris was here. There is a new and clearly expensive statue of the Golden Lord overlooking the room, gilded and wearing a crown of freshly plucked flowers. This was a gift from Jade Fox, but the man isn’t here himself. He’s headed north, taking advantage of the Air seas to visit his son up in An Teng and see his grandchildren - and no doubt further his interests back in the homeland. In his place is Stone Fox, his son, and a red sail in his own right, a sour-faced man missing two fingers on his left hand. Lucky Wolf is also absent, for he has decided to try to snatch the trade winds to (it is rumoured) raid the first convoys of Jati Isles blue nutmeg before they hit the market. Lucky Wolf’s wife Graceful Petal stands beside his seat, acting in his place. She is more of a traditionalist, but neither she nor her husband can deny how useful it is to have a wife act when her husband is not here. And finally, Sea Eagle is also absent for unspoken reasons, and it is his daughter, Graceful Wren, her hair worn pinned up by jade rods and an ancient orichalcum torc worn around her neck.
Graceful Wren is also not as she was when Keris last saw her. Her pinned back hair has a prominent white streak in it that she has not dyed, and her eyes - once brown - are now an uncanny pale blue. Sea Eagle’s favourite daughter is rumoured to be a witch, and Keris can taste the air-nature radiating off her.
The audience matters for another reason, for this is possibly the first meeting of the blue sea masters where there are more women here than men. And when word gets out, the muttering will only intensify. There are good reasons for it, every break from tradition is perfectly normal - of course a wife will represent her absent or sickly husband, of course a favoured daughter will speak for her father, of course the Golden Crown is a woman. And yet - this is why tensions grow.
“Greetings,” says Hui Cha Little River. She’s fashionably dressed as always, in a black ao dai cut with ocean turquoise, and carries a large, covered bamboo-woven basket. From the way the bottom sags, there’s something heavy inside, and it makes a faint clunk as she places it on the ground and takes her seat. Looking around, she surveys the three women and two men who are watching her carefully.
“It’s unfortunate to see so many blue sea masters absent from this council, but I’m glad to know they’re busy advancing the interests of our family out in the Anarchy,” she begins. A neutral statement, filling space. “I will trust you to inform them of my news on their return. Because I have news, and it is not as positive as I’d like.”
Stone Fox grunts. Peaceful Wave takes a drag on his pipe, and breathes out blue smoke. “Go on, Hui Cha Little River. Did you have problems with these Dhul dogs?”
“House Bucar has been put in their place, for now,” Little River says, voice clipped. “But... well. Perhaps I should lead with the good news.”
She lifts her basket into her lap, reaches into it, and one by one pulls out three bricks of jade. Each weighs almost four kilograms, and clunks again as she sets them down on the table. Each is scored into eight thin strips, with the seal of the Imperial Treasury scored on its upper surface. Each is warm to the touch, a brilliant red that seems to flicker from within as if lit by dancing firelight.
Three Realm trade bars, collectively worth almost half a talent. A currency rarely even seen in its common form, more often used as a money-of-account in ledgers like the larger talent or smaller mina. Each one represents months of value in supplies for a fortress or legion, or a substantial fraction of the cost of a new-built ship.
Little River lays them out on the table without so much as a flicker in her calm expression.
“My travels took me north after chasing off the last of the Dhul,” the word comes out as a hiss, “irritants, and led me to happen upon several lucrative silverwork commissions. I will be considering how best to use this windfall for the family’s benefit. However... that same commission led to me being resident in Choson as Fire drew to a close. I assume you’ve heard some of the news coming from the north?”
There is initially some confusion as to why Little River is bringing up the issue of trade deals that are worth less than a talent - and then the dawning realisation strikes.
“I saw the omens of a dark and fell occurrence,” says Hui Cha Graceful Wren, her voice deep, almost smoke-damaged. Her hair is pinned back, but small breezes constantly stir her clothing - even inside. “My familiars cried out in fear and pain, and a great crack formed in the bell of the temple of the Golden Lord. And that morning, I saw a crane with a red head fly into the frontage of Windswift College and fall to the ground. Filled with pain, its wings broken, it rolled around in the ground in agony until it was put out of its misery. And then to hear that one of the holy cities of the Realm’s Immaculates was laid to waste by the demon-serving Lintha - perhaps the fall of that red-headed crane bones poorly indeed for the Scarlet Dynasty.”
“Mmm,” Little River agrees. “I was near Harimaukota, two hundred miles around the coast from Nagakota, but even so, the omens that broke over us that night...”
She shakes her head grimly. “I delayed after Calibration to visit Nagakota and investigate. From what I gather, the Lintha attacked under the cover of darkness and thick fog with a massed demon horde. They destroyed the satrap’s palace - there’s nothing left there but a poisoned crater - and did something to the Grand Immaculate Temple of the Water Dragon. It’s still standing, but nobody is allowed in, and the Immaculates don’t want anyone asking questions about why.”
She leans forward. “More importantly, though, the attack laid waste to the docks and the entire battle-squadron of the Western Naval Fleet that was stationed there, as well as two patrol squadrons. The wreckage was choking the harbour when I swam out to see. The Realm’s ability to project force into the Anarchy has suffered a heavy blow from this attack. There may be opportunities to be found in their weakness, or we may want to wait and see if they attempt some kind of reprisal. Either way, the ripples of this attack will spread, and we cannot be caught unprepared.”
“Will... will questions be asked by House Sinasana?” That, surprisingly, comes from Pale Branch. And that surprises Keris, because as far as she’s aware - and she’s very aware - neither Pale Branch nor anyone in Strong Ox’s organisation has any real contact with the Lintha. It’s Peaceful Wave’s people who have that tie - but, ah, there is a certain reputation among the Tengese for being willing to come to accommodations with the Lintha. And she’s heard stories of closer ties in the old days, before Blue Ox cut down old man Strong Heart and took his forename ‘Strong’ for himself and went on to lay the foundations for turning the misbegotten triads into the Hui Cha.
“I am your Golden Crown, the face and voice of our family to the outside world,” Little River replies with serene certainty, folding her hands together. “Should Sinasana Medala suspect the Hui Cha of involvement in this attack, it will be me she speaks to, and I will inform her that we have no ties to the Lintha or any of their schemes. Whatever her response, trust that I will do my duty and stand between our people and the ire of a wounded Scarlet Dynasty.”
She reassures them, of course she does, soothing them over with her words, her formality, and of course her promises of unspoken violence. This is not a pleasing topic to the blue sea masters, though, and Peaceful Wave clears his throat, blatantly trying to move on from that matter. “Those buyers - the ones who paid in tradecoin - they must be quite prosperous. Our esteemed golden crown is to be congratulated, not so much for making the deal as for finding people who can pay so easily in jade.” His flattery is transparent.
She nods graciously. Questions about the source of her windfall were anticipated, and before even coming to this meeting Keris has gone over cover stories with Rounen and several of the fogsventkae that are now on their way to Erda in Ca Map.
“This isn’t my entire payment, merely a representative sample,” she replies. “I suspect my clients were commissioning me on behalf of a third party, perhaps even one from the Realm itself given the range of enchantments they wanted. The full payment sums to around three trade talents. Some of that will go back to Shining Foam, but I will hear suitably-considered suggestions on what use to put the rest towards.”
Keris can taste the fear, sudden and thick. All the blue sea masters are aware that a gift must be repaid, and Hui Cha Little River now has a remarkable capacity to make gifts that will be most hard to pay back. And yet few among them could not benefit from that kind of cash flow.
Stone Fox is the one who needs it least, and he clears his throat. “You might want to consider putting it towards your dowry,” he says. “It would shame us all if our beloved Golden Crown appears to be given away cheaply. Your dignity is extremely valuable to us, aunty, and it is that dignity that you must wield when dealing with the Sinasana.”
“Well thought, well thought,” Peaceful Wave says, taking a puff of his pipe, “but there are also things where Realm trade-coin might benefit our family as a whole. Do not feel selfish, aunty, to spend your coin on such tasks that help those who you safeguard. For example, we have all heard of the fell deeds committed in Choson, yes? Does that not suggest that there may be ways for us to seize more of the northerly trade, especially given how many... pockets could be filled with red jade that might help us spread our influence and so all profit.”
“And if you seek revenge on Dhul,” Graceful Petal says, “such coin could buy many men. And many hulls.”
“Wise counsel, on all points.” Little River’s smile is like the ocean - calm on the surface, but hiding fathomless depths. “I will consider the matter most carefully, and inform you of my decision once I have made it.”
It is, perhaps, suspected by some of the others that she doesn’t really have a plan yet, but at least she isn’t getting them in hock. It moves onto other topics, and Keris honestly finds things so much more peaceful than usual with fewer men around. It’s mostly because the women with borrowed authority aren’t going to start a fight about it, but it’s still nicely relaxing.
The Hui Cha are half wrong. Keris does have plans for the money! Big plans! She’s going to set up a trading office in Arjuf, expand northward, get a foothold for the family on the Blessed Isles that she can monitor the Realm through...
... she just doesn’t quite know how exactly she’s going to get that out of the trade talents she has at the moment, is all. And thus, in the interest of finding out, Keris goes looking for a fell demon of greed and avarice, a powerful infernal princess who has great knowledge of the systems of coin and barter that men use, and how they can be claimed and manipulated and seized. A demon who can be bargained with to share such knowledge, should her wicked appetites be sated.
“Haneyl?” she calls, poking her head into the kitchen. “I need money help! Are you free?”
There is no Haneyl there. There is just Elly, who has been caught making herself a small snack involving enough food to feed three people. She meets Keris’s eyes and then holds up one finger as she finishes masticating her way through a sizable mouthful. Swallowing, she blots at her mouth, and then clears her throat. “Your majesty,” she says, bowing to show the back of her neck. “Her highness is not present. She arrived back shortly after you left last year, and has been busy since then. Didn’t the Prinz tell you that?”
No, Zanara had not told her that, and Keris goes to hunt down her soul.
“You didn’t ask?” tries Zana.
“I did ask! I literally asked if there was anything else I needed to know! Why would you think my daughter being off doing... whatever it is she’s busy doing... why would you think that wasn’t something I needed to know? What is she doing, anyway?”
“Okay, okay, before you get really mad, in our defence, you’d have gotten really furious and distracted and not paid any attention to us,” Zana says, as if it’s a defence. “But, uh, she came back manic and furious because a salt-elemental dragon destroyed everything she was building and killed all the demons she was using - not our people, just hellspawn - and then decided she wanted to get her hands on a cult or seven and also some sorcerers and dragonblooded patsies she could use to kill the salt dragon. That about sums it up.”
Zana clears her throat.
“Also she might be planning to steal as many Yozi cults and demon cults as she can because she’s here and they’re not,” she adds very quickly and quietly. “But she doesn’t know I suspect that so maybe I’m wrong.”
Keris opens her mouth, but no actual sound comes out, so after a moment she closes it again. Several comments Abdurrahman made about ‘someone new’ muscling in on the local Yozi cults line up in her head to make sense - she’d thought that was Danadu Mara, but apparently it was her daughter - but the outrage about that runs into the belated panic over Haneyl being attacked by an elemental dragon and the worry about her going off to face it by herself again and all three go down in a confused heap.
“... Keris?” Zana asks, squinting at her. “Did you break?” Experimentally, she reaches out to prod Keris’s cheek, and squawks when Keris slaps her hand away.
“This was very much something I needed to know,” Keris hisses. “Fuck. Where is she?” She glances at Elly, the most likely to both know the answer and provide it.
“Last message I got from her she was in Qui Don - in Ta Vuzi,” Elly reports helpfully.
This does not help Keris’s temper when she realises she barely missed her daughter when travelling back, having nearly decided to stop there instead of Ca Map.
“Rrrgh. Fine.” She presses her knuckles to her forehead. “Is she at least... doing well? Has she been keeping you informed on her progress, or are you just holding down the fort here without word?”
“Your majesty,” Elly says, almost sounding like she is mildly reproaching her, “my princess would never wish to be unaware of the market prices and the fate of her enterprises and ventures here in Saata. News is sparse during Fire, but she has updated me recently. She has gathered a collection of ill-reputed sorcerers, cultists, and dragonblooded mercenaries to her, pulling on the connections of the Yozi and demon cults she repurposed and implanted with her self-seed.”
Keris takes a breath and forces herself to think. Haneyl is reckless sometimes, but control and management are what she’s good at; Keris trusts her not to get in over her head when it comes to picking out subordinates. If she’s gathered a bunch of sorcerers and Dragonblooded, she’s confident she can keep them in line despite their power. ‘A collection’ is pretty vague, but from the sound of it she probably has at least four new flunkies or Elly would have phrased it differently - flunkies who are each at least an ascended sorcerer like Hinna or a young Dragonblood, and who might be stronger still.
Will that be enough to take on a dragon?
Keris bites her lip. She’s honestly not sure, not without seeing the beast, but... five to one odds, with Haneyl probably being close to a match for its raw power even if it can wield the banes of demons against her... they’re not bad odds. And she’s already escaped it once, with far less preparation or backup.
“... okay,” she decides, her gut turning over. “I have... way too much in Saata to catch up on to go chasing off after her right away when she might have moved on from Qui Don already. I need to deal with this unrest in the Hui Cha men as Little River, handle bringing the Carnation’s new acquisition into line as Cinnamon, send some letters north to Meongkota as Mahsuri... I’m going to be busy for at least the rest of Air. If Haneyl has a group she’s confident in, I’ll trust her - I’ll visit her in a dream to make sure she’s doing alright and ask about her plans for tackling the dragon. But at least until Water, I’ll stay here and let her carry on with what she’s doing on her own.”
Zana nods happily at that. But Elly purses her lips and doesn’t look pleased. Keris gives her a look.
“I would go check on her and make sure she isn’t overworking herself, but I have to maintain things here,” Elly says, tone guarded. And Keris thinks of how complicated the Haneyl-Elly relationship is, how her daughter doesn’t feel romantic love but considers Elly a friend in a way that makes her more important than mere lovers, while Elly is clearly devoted to Haneyl in a way that approaches Keris’s own devotion to Lilunu. “I can’t trust that she would mention if she’s burning out.”
Keris frowns. That’s a good point. “It’d take about a day for me to get there, another day back, and I’m not sure I could take that much time off-” she starts, calculating the distance between Saata and Qui Don. Then she pauses. “Wait. No. Hang on. If I’m going alone, I can take Oramus’s paths freely; that’ll speed things up... a lot. Fuck, at that rate I could do it in a morning. Maybe even a couple of hours, if I catch a Kimberyian slipstream. Hmm.” She nods decisively. “Okay. If you’re sure she’s still in Qui Don, I’ll send her an arrow-dream tonight to let her know I’m coming, then visit tomorrow.”
“My last message from her is ten days old, but I believe that Qui Don suits her both as a location for her work and also for the food. It is delicious. She sent me some,” Elly says.
“I’ll bring some back, then,” Keris promises. “Assuming I don’t eat it along the way.”
She spends the rest of the day catching up on what else she’s missed in Saata, and sends the arrow-dream that evening. Haneyl can’t reply, but (assuming she’s getting some sleep) she’ll wake up tomorrow knowing that her mother is back in the Southwest and coming to visit Qui Don, and that it would be helpful if Haneyl left some way to find her.
The next morning, Keris wakes up, climbs out of the window to dodge Rounen’s knock on the door and the early-morning paperwork he ‘just wants to review before she sets off’ (he’s lying; he plans to tie her down with it for hours, she can smell his evil bureaucratic duplicity) and plunges into the warm Southwestern sea to start her journey. Ten minutes and half a dozen miles away from Saata, she calls on the Great Mother to catch a current and a moving slipstream of ichor almost half a kilometre long flows out through secret paths from the Sea to speed her journey.
In theory, it’s something a sharp eye could track. But Creation’s ocean will disperse it within half an hour, and at the speed Keris plans to swim, any follower will find it fading away in front of them far faster than they can keep up with. Dropping a few fathoms deeper, Keris turns her course towards stranger seas and passes seamlessly into the impossible oceans that border the Beyond, swimming on to her destination beneath their maddening waves.
A city on the ocean floor, made of vast basalt architecture, lights streaming from the open windows and doors.
A ship that touches the water with just one part of its S-shaped hull, made of mewling faces.
The water is now grass, and bug-eyed sensuous figures, alluring in their androgynous grace, laugh and cavort as they float each other.
Snow falling from the heavens, landing on a colossal brass statue that rises from the coast of Ta Vuzi, projecting hateful rays of strange order from each of its ten eyes.
The sun is a heart! Watch it pulse! Watch it bleed! Watch it flee from the rising wilds as the wolf moon ascends!
These are what Keris sees as she flickers through the borderlands of insanity and reality, and this is how it tempts her. She can feel the urge to linger, to try to understand the sights she sees. But she cannot. She is too real for it, and that is for the best.
She slips back through an unseen doorway, and the sun is but the sun once more. And it shines down on Qui Don. The city is a mark of the Realm’s touch on this land. The heart of the settlement is built by the colonial administrators in the Realm style, upon the ruins of an old Shogunate fortress which lets it rise above the squalid bayou. The houses are white-washed, though streaked by rain, and there is a note of decay and decadence to the place. All around it, though, the local house boats and stilt-dwellings rise above the muck, built so that their reed-mat-roads connect them even when the tide rises. The stark contrast between the white houses at the centre and these painted wooden rootless dwellings, draped in brightly dyed cloths, is telling.
At the waterfront, several medium-sized junks of a Realm design are anchored here - ah, but they fly the flags of the Steel Dragon Society. The locals are loading crates of cotton onto the ships, which will likely be headed up north, perhaps to Raranbek, that place north of the Anarchy that they rule, perhaps to sell in the Tengese Sea or even further. And there are other traders here too, including an orange-sailed ship which Keris seldom has seen this far west. The ships common to the coastal waters of Shaipres do not tend to voyage this far, and she is only able to recognise it this easily because she saw them on her trip down with Ixy. These are the foreign docks, and they are kept entirely separate from the smaller wharfs and jetties that the fishing boats and coastal voyagers manned by the beastfolk of Ta Vuzi use.
Not that she’ll find Haneyl here. Her daughter has expensive tastes and an easy means to seize the hearts of men; Elly’s directions say her daughter has swanned in and subverted one of the hacienda-plantations further up the river, within half a day’s ride of the capital, where she is officially the mistress of the master of the house. Knowing Haneyl, the power dynamics will be clear to everyone actually living there.
Keris shakes herself dry and slips onto the docks long enough to locate a food cart and obtain a supply of snacks, then dives back into the river and heads upstream - this time at a slower pace. Hopefully Haneyl will have received her arrow-dream and tossed some kind of identifying marker into the river for her mother to spot on her way past. If not... well, then she can just double back after twenty miles or so and check each plantation on her way back down.
It isn’t subtle, and probably isn’t even new. But Keris immediately can recognise her daughter’s touch on the flower garden of one red-tiled central estate. It is built in the Realm style, from local materials, with covered roofed passageways connecting the buildings within the walled compound to allow people to pass between structures without getting rained on, and like all the Realm style buildings here it is whitewashed. But no one else would be that extravagant with orchids, which sprawl over the whitewashed walls on the south-facing side and likewise decorate a new dockhouse set among a marshy area by the river’s edge.
Shaking herself dry again as she climbs up into the dockhouse - and happily taking the chance afforded by investigating the ship moored there to finish her mango - Keris pulls shadow over herself to look like a local beastwoman maid, slips backstage and goes looking for her daughter.
The first location she checks is the gardens, on the usually-quite-safe assumption that Haneyl is often to be found in such places. The scent of sorcery tingles on the tip of her tongue, too, an incoherent blend of power. There’s an after-crackle of her daughter’s power there, but there’s the power of Creation’s elements too, and a hint of something fae on top of that. The ground itself is scarred, both from the fires Haneyl wields and other magics too, but the Swamp-like vegetation is already reclaiming the wounds.
“... come, now.” The voice is like honey, a woman with the Realm look, topless and covered in script-tattoos. It reminds her of La, and that gut-feel sticks with her. There’s demonic sigils in among those texts, so it’s not that she’s an Immaculate, not now, but maybe she was. And her accent is very Sasi-like, a High Realm twang to how she speaks in Seatongue (not that Keris’s Seatongue is any better). “You can see where your interests lie. Even when we’re finished here and we part our ways, the Eternal Rose can provide you with what you need.”
She’s talking to a man, although it takes Keris a moment to be sure. His nature is so fae that the eyes have migrated from his face to the mass of scorpions that make up his hair. “The Eternal Rose is powerful, yes, but not necessarily in my interests. I’m already further up the order-shore than I like. I’m looking forward to a safari in the Dusk Sea myself with the funds from this.”
Keris listens to their conversation further, a servant in the backgroup. The woman is a senior member, maybe the leader, of a group called the Eternal Rose. She isn’t quite sure whether it’s a sect, a cult, or a school of sorcerers, and suspects it’s some mix of all three. She’s definitely from the Realm originally, and as Keris studies her body with a healer’s eye, she determines that the woman’s form is a killing machine, that those script-tattoos have considerable power bound into them, and that her many scars are a mix of ages and origins, and several of them - especially the clean, almost surgical ones that healed green - were self-inflicted.
Dangerous. Dangerous. Her daughter is involved with a heretical wood-aspected nun who is nearly as mystically potent as Haneyl herself. A martial artist who moves with easy confidence, references leadership of a sect and school of sorcerers, and makes deals with all kinds of things. Like fae, and come to mention it, demon lords.
Even her name is concerning. Abhorrent Flower - it must be one taken for herself, and follows the form of the Immaculate dedicate names she’s heard, but profanes their forms. This is a woman who sets herself against the Order she was once a member of.
By contrast, the fae-thing Hiskesh is much more easily understood - a fae monster, once a man, whose venoms reek so strongly Keris can taste them on the air. A thing of poisonous learning, a story of knowledge and betrayal. A born vizier. Definitely not someone she wants her daughter associating with, but far less dangerous as Keris sees it.
She watches them from the background, this corrupt nun and this toxic vizier. She takes their measure, tastes their nature, judges their power. The woman is almost as strong as Haneyl, the man only somewhat weaker. But that’s not all Keris wants to know. She looks deeper, seeking their reflections. Looking for what she might envy; their personal prides.
The fae-thing Hiskesh is so proud of his sharp mind, his keen senses - and it’s not that Keris doesn’t get it, but he’s her inferior in this field. But the woman, Abhorrent Flower-
She can’t read her. But she can somehow feel Keris’s attention on her, and she laughs, those rose-pink eyes suddenly on Keris, seeing backstage.
“Oh, would you look at this, a little bunny,” her eyes flick to the ears of Keris’s disguise, “snooping around.” She crocks a finger at Keris, and her presence seems to sink in under Keris’s skin, warm and pleasant and the pink eyes seem to be growing into her, bringing a pleasant frisson. An oncoming want to obey. “Come here, girl. Kneel. Let’s see you.”
Keris’s thoughts go black and white and red for a moment as the world slows for her to think. To play along? To flee? Or to reveal herself as a demon princess, the mother of their liege? If she kneels now, it might harm her reputation later when she threatens these people on Haneyl’s behalf - but on the other hand, that will only be the case if they know it’s her. And playing along will give her more information...
“Child,” sighs Dulmea, wearily. But Keris can feel her agreement - her mama was the one who taught her about remaining ordinary and inconspicuous and letting a target’s eyes flit over her.
(Though, apparently Dragonblooded can just sense when someone unseen is watching them? Bullshit. Rude. Unfair. Keris will remember this capability in future. If she ever finds herself in Heaven, she will have some complaints to make.)
She steps forwards, back into the play, and kneels with her hands clasped and her eyes downcast. She has the seeming - and the pathetic lack of essence - of a local rabbit-beastwoman, one floppy ear hanging down over the side of her face, the other pushed back by her modest headband.
“Look at me,” Abhorrent Flower says, finger under her chin as she tilts Keris’s head back slightly. And it’s hot, really hot - but Keris is too much of a coward to let the fact that this woman is a muscled tattooed sorceress-nun-heretic escape her mind. Though she can’t complain exactly that she’s being made to kneel here, and it’s definitely not that her knees are buckling somewhat.
“Really? Now?” Hiskesh sighs with much the same tone as Dulmea had used.
“I want to know why this little bunny felt she should spy on us,” Abhorrent Flower says, looking down her body at the - genuinely blushing - maid. “Such a curious little thing. But maybe she wants to learn things she had no idea of before.” She tilts Keris’s head back further, those rose petal eyes staring deep into her. “Maybe she wants to experience the true delights of Sextes Jylis. Maybe she’s tired of life serving this household and would rather better herself in pursuit of the principle of pleasure.”
She pauses.
“Hmm?” and that’s a husky little noise at the back of her throat. “Any words from you, you cute little thing?”
“If you’re going to seduce another maid, I’ll just leave,” Hiskesh says, sounding like he’d be rolling his eyes if they hadn’t crawled up his face years ago to be assimilated into the mass of hair-scorpions.
“I was only curious, ma’am,” the maid says, breathy and nervous and shy. It’s not even a lie. “I didn’t think...”
“Curious... mmm. Curious is good.” She strokes along Keris’s jawline. “I was curious when I was but a nun. And look where it led me. I do think you’re looking to expand your consciousness. To find an enlightenment far outside the staid, tired strictures of the Immaculate Order.”
“There’s no talking with you when you get like this,” Hiskesh says. “You, maid - were you here for a reason? An invite to a meal or a message from someone wanting to see either of us? If not, I’ll see you later, my lady, once you’re done with your sport.”
“I- I was looking for her ladyship, ma’am,” Keris ventures, gambling that they’ll know who she means. “There’s a note arrived for her.” A nice, fairly innocuous reason to be scurrying around that’s not so urgent it can’t justify dallying a little to indulge some illicit curiosity.
“Oh,” he says, rolling his shoulders. “Yes, it would make sense to look for her here. Let her go on her way.”
“I don’t know,” Abhorrent Flower says, stroking the maid’s face. “Do you really want to leave, little one? Or do you want to take your first step into a world where you might find true power? And if not power, there will be pleasure beyond that which you have ever encountered before.” Her eyes are on Keris, and there is a feel - like this is a test, though Keris isn’t sure what she thinks she’s testing.
“I...” Keris starts, eyes artfully flickering between Abhorrent Flower’s gaze and the ground. “I- maybe...”
She winces. It’s perhaps not a perfect recreation of the debilitating cramps a parasitic self-seed would give if she really were a maid trying to think of impeding or betraying the demon lord who planted it in her flesh. But it’s a pretty good imitation. One made better by the brief flicker of quicksilver feels-right thought that convinces Keris herself that she really is considering betraying Haneyl - which runs her into the very real pain of her Kimberyian Bans.
“I- I really should t-take this to her ladyship,” she stutters. “She might be angry if it’s important an’ I was late. M-maybe I could come back? Or- or attend you later?”
That draws a sigh from the nun-apostate. “Come to the temple, little one, and you can take your first steps,” she says, “but they will not be easy as they could have been otherwise. Now go. Shoo. Run off.”
With a grateful curtsey, Keris hurries away, reflecting on the near miss and what she learned there. She’ll certainly have to mention that Abhorrent Flower is willing to try and recruit even from servants Haneyl has obviously laid claim to, which her possessive little daughter probably won’t be best pleased about.
Still. Where else to look for her? Probably not the Immaculate temple on the grounds - that’s more likely to be Abhorrent Flower’s turf. And probably not the docks, either; for all that the ship docked there is too narrow and well-masted to be anything other than a pirate’s ship, Haneyl isn’t likely to receive its captain onboard.
No, it’ll either be the guesthouse Keris can see up on the slope, or the grand dining pavilion out by the main house where Keris can hear a lot of people enjoying a meal. And given the time of day (and the presence of food), it’s the latter she heads towards, gambling that her daughter will be feeling more peckish than private at the moment.
Quickly she realises she was wrong - the dining pavilion is currently feeding a good number of people, but they’re not the elite. They’re the pirate scum from the ship, and members of the Tiger’s Head triad. The latter name rings a bell, because she’s heard of it - it was that Saatan triad which had been taken over by some dragonblooded who’d come out of nowhere and was getting much more seriously into the mercenary business. She’d been interested in making contacts there, but then they’d moved out of Saata and the chance had been lost. And she asks some probing questions in disguise and discovers the pirate scum are the followers of Gageku Lii Siew - she’s heard of him too, a pirate lord of the Middle Anarchy.
These aren’t the very top end violence-dealers of the Anarchy, but they’re very solid and very serious.
Sliding into the servants running to and fro with food, Keris inserts herself into the serving staff and takes up some of the load of supplying the rough men with food, keeping her ears open as she does for what they’ve been doing recently - as well as her eyes open for the pirate lord himself.
She only finds him with the flash of warmth her green-glinting eyes pick up. Gageku Lii Siew doesn’t look much different from his men; he’s pirate scum, rangy and with crude tattoos on his skin and gold and silver beads threaded onto his long skin. Despite the time of day, he’s already drunk, and as she watches he punches a man who dared spill his drink.
He’s weak - weaker than Abhorrent Flower or Hiskesh, and only a little stronger than the average serf. About as powerful as Rounen. A young Dragonblood, Keris decides - not as weak as a freshly-Exalted baby, but he’s only gotten a little stronger since then. Still, it’s clearly enough to have taken over the triad. Perhaps he’s honed a broad range of capability instead of digging deep for raw strength.
She considers him a little longer, taking in what kind of man he is. She could probably get away with reading him - whatever trick it was that Abhorrent Flower used, Keris is inclined to doubt that this man knows it. But she doesn’t really need to. He seems the kind of man who wears his nature on his sleeve, and she’s met his ilk before.
A moment’s more study, and then she slips back out of the busy pavilion as seamlessly as she entered it and heads up towards the guesthouse on the slope.
Time to talk to her daughter.
She finds her daughter in a jungle of a room, dressed up in the light white linens and elaborately hooped skirts that she saw as fashionable in Qui Don. She’s even more tanned than usual, nearly as dark as Keris herself, and her grey-white hair has been carefully coifed to spill down her front. Gems sparkle on the rings on every finger and on her grand gold necklace that is almost broad enough to be a collar. She’s curled up on a hanging vine-swing, reading a catalogue of elementals.
This time, still smarting a little from Zana’s overreaction, Keris knocks. Granted, she knocks on the inside of the door rather than the outside, but it’s the thought that counts, really, and this way she gets to see her daughter’s expression as she looks up just in time to see the rabbit-eared maid fall away in shreds of shadow to reveal her mother.
“Hello sweetheart,” Keris says with a loving smile. “It’s good to see you again.”
Haneyl smiles, though there’s a hint of tension in it. “I expected you a little earlier. Well, actually, I didn’t expect you at all, because I wasn’t aware that Saata to Qui Don is now a day trip to you, but now that you can, I was thinking you’d show up at the crack of dawn. How are things with you, mama?” Her eyes narrow consideringly. “How was Calibration in Hell? Did they pay you the proper respect? And on the topic of pay, how much did you make from your time on Ipithymia?”
“Very busy, I showed up everyone, and I’m not actually sure but it was a lot,” Keris replies promptly. “Come on, darling, you know I leave the details of the money stuff to your keruby. Rounen will have the reports from the Conventicle hungry one pack, you can look over them next time you visit.” She skips over and takes advantage of the fact that Haneyl is sitting in a hanging-swing to kiss her on the forehead without having to stand on tiptoe or pull her down.
“In more local news, Zanara and Elly told me you ran into some trouble with a dragon,” she leads. “And then went around recruiting a bunch of Yozi cults - which, I should note, has been noticed by a few of my contacts in Ca Map. Can you draw me up a list of who you took them from? I might get some complaints from demon lords who’ve noticed a sudden drop-off in prayer from the Anarchy next Calibration, and I’d prefer to know who I’m going to have to placate or lie to.”
Her daughter is something of a braggart - and likes the attention and the praise that comes with it. She’s more than willing to expand on the topic. Keris listens. She can immediately deprioritise the cases where Haneyl has stolen cults from jumped-up first circle demons, not least because in several cases the demon was present in Creation and that means they now either work for her daughter or have no need of a cult because they’ve been burned up in the hungry green flames of the Swamp. But there are still three or four names of people she’ll have to watch out for (fortunately no one Keris is closely allied to).
And while her daughter talks, Keris can take her in. And think of what to say. She hasn’t seen Haneyl since she headed down to the southern Anarchy - a whole year ago! - and both of them have changed. Her daughter looks a little older, a little more confident (arrogant?), and she’s put on weight. It is only her skin tone which she gets from Keris which stops her looking so much like Sasimana.
“And you’ve been recruiting, too,” she says, once Haneyl has... not finished bragging, but come to a stopping place. “Abhorrent Flower and the Eternal Rose, Hiskesh and his ties to the Dusk Sea, Gageku Lii Siew’s crew and the Tiger’s Head triad.” She purses her lips, trying to find a way to phrase this next part that won’t set off her daughter’s fiery temper. “I... I trust you, obviously, but... are you sure you’re being safe around these people? Abhorrent Flower is almost as strong as you are. And they’re not... well, their reputations speak for themselves.” Or at least so Keris is assuming. She doesn’t actually know what their reputations are yet, but she’s sure they have them, and she’s definitely going to make a point of finding out what they are once she’s back home in Saata.
That earns her a level stare. “If you’ve heard of Abhorrent Flower already, you’ve been associating with Immaculates. And... mama!” She lowers her voice. “Was that you in Choson?”
Keris contrives to look innocent, which is pretty much an admission all on its own. “It might have been,” she says faux-casually (and actual-smugly). “I did say I impressed everyone at the Calibration boasting, didn’t I?”
“It’d help if you’d tell me these things. I could short the market,” Haneyl says, but it’s more of a reflex than anything else. She rises, and paces over to the window, hooped linen dress shushing around her. “The answer is, no, mama. I don’t trust Abhorrent Flower or her Eternal Rose sect. The others I have around me, I have hooks into. Mostly money, honestly. But Abhorrent Flower - she acts like a sybarite and pleasure-seeker, but that’s not what drives her. Not any more. Maybe it used to once, but she’s too jaded.
“She has made a philosophy of the pursuit of pleasure, but it doesn’t seem to bring her joy. She’s an excellent lover, but she doesn’t get off,” Haneyl continues clinically. “I think it’s her pride, and the revenge she can have. That and the esoterica of pleasure and new sensations she can find she hasn’t tired of either. I’m safer from her than most - not because of power, but because I’m a demon. She has said as much - that I’m already spiritually degraded, so there’s little to gain. But she enjoys the hunt, the pursuit, the corruption. Especially of Immaculates. I need her power because she has a whole school of sorcerers - her disciples are ones she’s dragged down to her level. But I know safer is not safe.
“So, yes, mama, I am being as careful as I can. But well-balanced, non-predatory, non-desperate sorcerers don’t make deals with characters such as I. And there is hardly a surplus of sorcerers in the world that I can afford to be picky. “ She turns, eyes flaring. “I will crawl in the gutter if I have to. And I do have to.”
“You...” Keris starts, and pauses to chew her lip, weighing her workload for the year against the time investment of killing a salt dragon. Then she shakes her head, dismissing the calculations. They don’t matter. She knows what matters.
“I know I was... gone, when you came to Saata looking for me,” she says delicately. “I’m sorry for that. I wish I could have been there. And I’m not saying you have to let go of what you’ve gathered and built up since then,” because trying to get Haneyl to give up what she’s already made hers would do nothing but spark a fight, “but you know that if you need me to come help you kill a dragon, I’ll come, don’t you? It doesn’t matter what else I’ve got going on; you’ll always come first.”
Her daughter looks her up and down, and then spontaneously brings her into a warm (hot) hug, strong arms wrapped around her, squeezing tight. “You’re sure? You don’t have anything else going on? You’re doing well?”
“Of course I have other stuff going on,” Keris chides, half-laughing as she squeezes back and wraps Haneyl up in her hair. “I always have other stuff going on, you know that. I’m just saying that my other stuff can wait, if you need me. You don’t need to keep dredging the worst parts of the Anarchy if all you want is the dragon dead. You can just take the people you’ve already got and me.”
“It wasn’t meant to go like this,” Haneyl whispers quietly, slumping slightly now that she’s being hugged. “I... it would have worked if that dragon hadn’t shown up. I had prototypes part-way working. I know I can do it. I just need your help to get over this hill. And helping his highness like this will pay off for both of us.”
Keris kisses her forehead again, then draws back. “What would have worked? What prototypes? His highness?” She leans down to look Haneyl in the eye. “Start from the beginning, sweetheart. Tell me everything.”
She sees the flinch, the hands clenching behind her back. Then; “I’ll tell you everything if you tell me everything.” She doesn’t pause to hear Keris’s actual agreement, before she begins recounting what happened. Her pact with Unquestionable Ligier, her pledge of service in return for knowledge of the secrets of manse building and summoning rights over those lesser demons sworn to him and promises of future favour if she succeeded here. Of the unspoken need to impress him and prove useful and be more than a little girl in his eyes.
Haneyl has promised to build him his wyld-eating manses on the edges of the world, pledged her service just as Keris has, and an oath like that sworn to an Unquestionable is not easily broken.
Before she’s halfway finished, Keris is on her feet, pacing. By the time Haneyl is done, Vipera has coiled her way into Keris’s hands, and her fingers are flexing rhythmically on the elinvar-scaled shaft as she breathes through her feelings about a burning death-brand on her daughter’s chest. Her hair ripples and twists and coils around her, filling the open space of the room as she struggles to get herself under control.
“... okay,” she says after a minute. “Okay. Okay.” She pauses to breathe some more. “Okay. Will- when-” Another pause, as she visibly struggles to hold back the rash words that want to come out. “I am going to assume that you won’t let me break the curse-brand now, even though that would be the safest thing for you?”
“Safest? To break a pact with Unquestionable Ligier - and have you do it? Mama, he will know,” Haneyl gasps. “You’ll put me, you, and everyone else in danger! You can’t! You mustn’t!”
“He likes me,” Keris returns, gesturing with a hissing Vipera. “And Lilunu will shield me from his wrath. I can talk him down and earn forgiveness, play to his magnanimity. It might wind up embarrassing you if I have to claim you’re young and took on something before you were ready, but I will have you embarrassed before I will have you dead, Haneyl.”
She sighs, pressing the heel of her hand to her forehead. “But okay. Fine. I won’t break it now. I’ll help you kill this dragon, work out your manses, succeed for him so that we don’t need to break it. One way or another, though, that brand is coming off. I know what those things can do; I’ve read stories of how Ligier can just… snap his fingers and make them erupt in emerald flame and Green Sun Wasting at a whim, or make them burn and inflict agony for as long as the brand persists. Either he lifts it himself when you deliver him results, or I get rid of it. I can…” she swallows hard, fighting against frantic instinct, “I… can allow keeping it now. Because there’s no risk yet. And he won’t just ignite it for no reason. But I’m not having you walk around with a death-curse of subjugation and enforced fealty on your skin forever. I can’t, Haneyl. I can’t.”
“We can talk about it later, but you’re not wasting the credit you’ve built up with him until you have the ruling from the Unquestionable about me and the others,” Haneyl says stubbornly. “Because that’s what we need. I’m not going to fail him, and you’re not, either. I’m going to show I’m useful and be paid very well for being a hand in Creation that he doesn’t get from even his own souls. And I’m thinking ahead, mama.
“Because if the judgement in Hell goes against us and we don’t get elevated status, I’ve made sure he has first claim on me and if anyone fucks with me, they’re spitting in his face.”
Keris grimaces at that, but doesn’t reply. She can’t deny the logic - it’s the same kind of choice she’d have made back when she was Kit. Hell, arguably it’s the same kind of choice she has made several times as Keris.
“Alright, alright,” she grumbles. “You’ve thought this through. I’m still not happy - and I’m still at least going to look at that curse-brand. But you’re right. We can focus on the dragon and the manses for the moment.”
“Yes, mama.” Haneyl smiles, because she’s won, but there’s still concern in her eyes. “And look at you. You look stressed. Have you been eating? Has Elly been letting you go hungry? I’m going to have to make you something right now. Something filling and nutritious and,” her daughter brushes her hand reassuringly, “you’re pregnant again, aren’t you? I can taste it in your sweat. Who’s the father?”
That gets both a blush and a beaming smile. “It’s Mele,” she says, following along towards the kitchens. “Though it’s not a baby, exactly - it’s something I’m working on as a surprise for him; a counterpart to Oula’s tattoo. And I have been eating! I picked up some snacks in Qui Don, actually. Though I won’t say no to more.”
“Oh, that’s nice.” And it really is lovely to have one of her children not disapprove of- “You know, you really could do better - I got bored of him quickly when we were younger - but as long as you’re happy, that’s all that matters. Maybe he’s grown up since then.”
“Why does everyone keep being mean about him?” Keris complains, immediately deciding to not think about the ‘getting bored of him’ comment. Haneyl probably just means… something else. Like... well, she doesn’t know, but it’s not that, because it would be weird, and she’s going to stop thinking about it now. “Calesco was really scathing, too!” she adds, pouting. “Ugh. Well, at least you’re happy for me.” She goes up on tiptoe to pat Haneyl on the head. “Really, though, he was very sweet to me late last year after I had to leave Saata. And a perfect gentleman, too.”
And then Haneyl is in the kitchens and it is always a delight to watch her daughter work as she casually sheds the linens for an old smock that won’t risk getting damaged in the fire and the smoke. But she keeps on shooting glances at her mother, and the dish when it arrives - a rich and spicy stew full of crab and crayfish - is only as good as something one might get in a very expensive Saatan restaurant - which is to say, far below Haneyl’s usual standards. Her daughter sits herself down on the opposite side of the table, chin in her hands, and looks at her mother expectantly.
Waiting for her to come clean just like she has.
(the little brat, playing her like this)
Keris sighs. She doesn’t want to talk about this, but... Haneyl did share everything. Even the uncomfortable stuff. And she’s also thought to distract Keris with a meal, so she can focus more on the taste than what she’s saying.
“... it all started back in Earth,” she begins, staring down at her bowl and taking her first mouthful, savouring the burn for a moment before swallowing. “Ipithymia gave me a golden palace on the Street - though she took the cost of it out of my take, the bitch - and it was all going pretty well until one night when Sasimana showed up. Except she wasn’t quite herself...”
Her daughter listens in silence, distress growing as the whole sorry story sketches itself out before her. She does Keris the courtesy of not asking questions, letting her recount everything before responding. And what she does when Keris trails off is to come around and wrap her mother up in her warm, smoke-smelling arms. “Oh, mama,” she murmurs, voice choked up. “And Moth... Sasimana is an idiot. I could have - would have - told her that you can’t deny your nature. You are who you are; trying to cut out one part will only hurt you. You knew that. You know that. And you taught me that, and that’s why I would never, ever do something foolish like trying to extinguish my flame or starve my hunger.”
She holds Keris close.
“I knew she wasn’t always as happy or as smiling as she seemed, but doing something like that... where do we go from here, as a family? Mama, I’m here to support you, if you need it. If you do want to cut her off, if you want to keep her separate - I’ll support you in this.” Her voice cracks, and it’s clear how much this hurts her to watch her family fracture like this, but she just as clearly means it.
“No,” Keris says, shaking her head with her face buried in Haneyl’s shoulder. “She’s still clan, even if I don’t love her anymore. And she... well, there’s more. I got back to the Street, see, and Ipithymia... Ipithymia was pissed. She was really, really pissed. All the more so for how I didn’t - couldn’t - tell her anything about where I’d been or why I’d gone and disappeared on a high-value client. So she activated the penalty clauses in my contract, and... things got worse from there.”
Haneyl is far more active in listening to this part of the story, clearly trying to distract herself from the fact that her mothers are no longer together. She busies herself with her hands, boiling sugar into a glaze for Keris’s dessert, and asks questions and details of the Street, of the styles, of the plays and the clients.
“I think,” she says, as she pours the sugary glaze over slices of pineapple and deposits it in front of Keris, “maybe the worst thing is - and I think you agree, from how you sound - that I can’t help but kind of respect Ipithymia. She’s a monster, but she’s a monster who’s clawed her way up from the gutter. And I get that and you get that. So there’s no nothing to gain from condemning her for what she is. And you can’t avoid her. She’s too good at what she does. So I suppose you’re going to have to make sure you face her with your stomach full, fuelled up and ready to push back.”
“I had basically won her over by the end,” Keris agrees. “I mean, she’d nearly corrupted me, too, and Lilunu slapping her down like that will have left her with a grudge. She’s willing to let it go, though. Or at least I think so, given- but that’s Calibration. Okay, so before then. I was feeling kind of numb when I got out, and a bit... fragile. Lilunu was a big help, but there were a few things that...”
She bites her lip, and pops some of the pineapple in her mouth, chewing busily as she tries to figure out how to summarise the awful impulses to push Asarin to her breaking point, the berserk episode with Claudia, the way she hadn’t been able to stop seeing the private madnesses in everyone back at Zen Daiwye. The way the attack from the Dhul Republic had almost sent her into a breakdown.
“... I was feeling fragile,” she repeats. “And sort of numb, because I’d been pushing everything down under masks for so long. But my feelings slowly started coming back, and... well, things you leave squashed down in the dark too long start to fester...”
This part earns her a pout. “So that’s why you weren’t there when I got back,” Haneyl grumbles. “I get it. I do. But I was not happy at the time. Not helped by Zanara being so very Zanara about things. So that’s what led you to Choson?”
“By a roundabout route,” Keris agrees. “I went up through the West shaping islands out of Wyld Zones to make a trade route, with the Baisha trailing me. Mele was there too, being very sweet, and... well, there was another new arrival.”
This part, at least, is easier to talk about. Indeed, she gets quite animated describing how caring and noble Mele was and how adorable the children were, giving her thoughts on Simya and Hinna - and breaking the news to Haneyl that she has a new sibling.
“... but then, yes, Rala reminded me that I had a job to do, and so I headed back to Choson to do it,” she finishes, and pauses her account to lift her empty plate and look hopeful.
There is more fruit for Keris in the next bowl passed over, this time banana slices floating in a strong cream liqueur that would get most mortals tipsy after a few bites and would probably burn if a match was put to it. “Ta Vuzi is a tired old place and ugly in so many ways, but the cooking here is fantastic,” Haneyl says as she serves it up. “Even I’ve learned things here, and I’ve picked up a good number of recipes to spread around the Swamp.”
“Mmmf, s’gmmd,” Keris enthuses, her mouth full. She drains the bowl before continuing, and wipes her mouth clean with a happy hum. “Right, so. Choson. I didn’t know anything about the place going in, but it’s actually really interesting. The whole place revolves around their martial artists, see, and the Assemblies there...”
Her daughter has always been better at following the money than her, and she gets down a slate and chalk meant for recipes so she can take notes and think things out. “Meongkota is not well placed to be a trade hub,” she decides, looking at a sketched map of the archipelago. “Nagakota was always going to dominate, from what you say. And from the sounds of things, there’s a lot of money passing through that city, and ending up in the hands of the Immaculates. That explains a bit more about how even Abhorrent Flower is worried about them. But with your new Suriani student - she sounds fun,” oh no her daughter’s intent is not chaste, not one bit, “well, Langkota is wealthy through what it produces, but it’s staid and stagnant. Maybe you could make money from the Tigers’ city, but... hmm. The thought occurs here that maybe I was wrong. The potential for Meongkota isn’t in goods from the Anarchy, it’s as a place to get goods in from elsewhere in the world, and then skirting around the west side using hidden routes...”
Oh. Her daughter is getting distracted about finance.
“We can talk about that later,” Keris interrupts, stealing the map back with a hair-tendril. “And right now Nagakota is still reeling from the attack. So right after that I headed back to Hell, and this Calibration I got a lot more done because... well, because I developed a gift of the Silver Forest that let me brew no-sleep drugs in my bloodstream that also help me focus better, and, uh. Well, we’ll get to that later. The point is, I got a lot more done with other Infernals this year, and also... found out some consequences of what happened over Earth.”
“More consequences?”
Keris sighs again, and summarises the events of Calibration - her interactions with her fellow peers, Calesco showing up with Malek’s plea for aid, Ixy and her issues, Suriani and her issues, the nightmare that is Sisim’s new nature, Sasimana’s attempts at being better, the boasting, her demon-making competition (and her Dance) and Iudicavisse’s cruel play at the Director’s meeting.
Haneyl slides a cocktail across the kitchen table to Keris. It’s rum and something sticky and pale orange that tastes citrus-y.
“How awful. It’s good that you get all that attention and recognition at Calibration - seriously, that’s a position of power that others would kill for - but Unquestionable Lilunu really does work you hard. Though she works herself just as hard, I suppose, so it isn’t like she’s unfair about it.” Haneyl traces sticky shapes on the surface with the end of her stirrer. “Unquestionable Iudicavisse has clearly declared herself to be your enemy. Which makes her the enemy of all of us. I don’t have a solution for that, except to be sure that we all help out and get your job done well enough that she can’t pin blame on you, but not so well you become something to tear down. At least in public. Ligier and Lilunu and other people who are willing to pay us can enjoy the full benefits of what we can do for them.”
Tap-tap-tap goes the stirrer.
“And that was very nicely done, turning that demon-crafting challenge into a chance for profit. Better yet - this means that your holdings on Ipithymia will be earning without you having to go there.” Haneyl purses her lips. “I can see how much money can be made there, but the price would have to be very good for me to do a placement there. Time in the Carnation is fun. It’s a relaxing way of spending time compared to running a merchant empire, being an entertainer and expensive harlot.” She catches her mother’s eyes and smiles. “My maglyasventka are a reflection of me, after all, and from what you say, they really enjoyed being your backup dancers in that glorious play you put on. Me, you, Zanara, even Calesco - being the centre of attention is fun for us. Definitely Rathan too.”
Her face twists up.
“But dealing with Unquestionable Ipithymia - she’s admirable, but she’s admirable in the way a tyrant lizard is. Best admired from a safe distance, rather than in the same room as you.”
“I’ll let you look over the finances for my gilded palace, but I’d rather you stayed off the Street yourself,” Keris agrees. “She’d try to get me through you, and an Unquestionable can offer too much profit for you to resist. Time in the Carnation is fine, but the Street is too risky.” She stretches. “Anyway, after that I grabbed the hearthstones from that manse the Shashalme gave me - I’ll show it to you next time we’re both in Hell, you’ll find it interesting - and headed back to Creation. We found Malek without too much issue, dealt with her curse, and I took Ixy down the Firepeak Pave to beat some tradecraft into her head, which went well up until… well. Remember how I hit Gem’s vaults the Wood before last, back when I was working for Veil? I always felt like I didn’t get enough time in them, so I decided for her graduation exam to give her the lead in robbing them again, and…”
It’s always lovely to get unconditional praise from one of her daughters. Haneyl’s eyes light up, a blush rises to her cheeks, and her hair starts to lift and waver in green flame from sheer, uninhibited joy. “Mama, the only thing you did wrong was not taking me along,” she exhales. “Oh, you did wonderfully! You did gloriously! So much wealth - you took the trade talents, I love you, you remembered the things I told you about them - and these wonderful treasures and all the pickings and-” That earns her such a smothering hug that it’s almost too hot when Haneyl is on the verge of igniting from sheer joy. “Those foolish dead things thought they got one up on you, but they didn’t! And - ah! Oh, damn! You can’t hand over the soul of that goddess to the Unquestionable to make them look upon you fondly - no,” she corrects herself, “you can’t do it publicly. But I bet Ligier could make a wonderful mechanism from this sun-child when brought into his nature. Or you could find someone who hates her of old and bring them into backing you! Or of course you could use it yourself! Such a treasure! And the other treasures and-”
Keris preens happily under the praise, and dutifully produces one of the red jade trade bars and the golden soul-gem for Haneyl to coo over, as well as showing off the cursed sword Calibration. And she finds, as the talk turns to what uses to put the money to (and exactly what establishing a Hui Cha outpost in Arjuf would entail), that talking through everything has… helped. The wounds are still raw, and coming clean about everything was hard and uncomfortable. But it’s over now, and Haneyl can explain to Zanara and the others without Keris needing to go through everything again, and the weight of Sasimana’s betrayal rests a little lighter on her soul with her daughter’s warm support.
And of course Haneyl always has more food coming for her (and for herself, obviously). It is very nice to have a daughter who likes feeding people. “So,” Haneyl says, mouth full, “I’m not going to be moving against the dragon yet. Not this season. I don’t have enough information, and I’ve sent some of my cults trying to identify it and whether they have any weaknesses. But it’s probably going to be next season. I don’t want to do it too close to the end of the year, given the whole ‘edge of the world’ thing. And I really need to get started on the building process again.”
She pauses, and swallows.
“Now you know, and you’re going to help with the dragon, how can I help you in return? Is there any way we can benefit more while I’m serving Lord Ligier?”
“Besides the artisan-drudge manse teams I’ll be using this to train up from among the keruby?” Keris cracks her knuckles. “I want to have some nice impressive takeovers and territory acquisitions to boast about next Calibration. And if I can’t show off Ahmaraan, I want a kill I can parade around the Althing. So let’s figure out if this dragon of yours has a name and any enemies in Hell for me to deliver its corpse to, and then talk about those dogs in the Dhul Republic and how your information networks and debtors are going to help me fuck them up.”
Over cocktails and an extended lunch, the two woman talk business. She finds out all she needs to know about her daughter’s hirelings (Jamahidaya Azura, the Raraan Ge sorceress who needs the cash; definitely someone to keep on the payroll. Gageku Lii Siew; the thug she thought he was, but that’s useful. Jianling Ironhand; the Lost Egg deserter leading the Tiger’s Head triad, someone to work on and bring into loyalty. Aborrent Flower; exceedingly dangerous and someone Keris doesn’t want too near her daughter, but also a nexus of power who it would be a triumph to control). She makes a dark, demonic appearance in front of them as a greater power of Hell, the one who Haneyl descends from, bearing fearful wrath and wicked corruption alike.
Her display has the desired impact, depicting herself as something to be feared and desired alike. Correction; Jianling Ironhand with her masculine-cut shirt and her short hair just seems to desire her. Keris favours her with a little more attention, using the cracks of lust in her heart to wrench it open. The woman might be attracted to Haneyl, but the mother exceeds the daughter by far and over wine Keris makes her case. “Stick with me, darling,” she purrs, “and I’ll give you personal tutelage and offer you lots of attention and so many jobs that will keep your little triad closely tied to where I’m doing things. Maybe we can spend some time getting to know each other better as I strengthen your organisation and help train your people. And that Realm that disrespected you, that slowed your career, that kicked you down because you weren’t a Dynast - we’ll see it gone.”
That night Jianling Ironhand signs a new contract with her new demonic lady to join the one she signed with Haneyl, and Keris seals that pledge with a payment of some of the silver she got from the Despot and a particularly fine fire opal mounted in a silver broach shaped like a snake's head. And she wasn’t even Keris’s main candidate. Just coin-hire for now, but Keris intends to get her hands on this woman's heart and soul in time. In the morning she takes Jamahidaya out riding to a location Haneyl had mentioned - a small wyld pocket. She’s seen the desire for land in Jamahidaya’s eyes and she makes her case accordingly; she’ll make land for her, make a rich and fertile island for the Azura family to have and hold. All she asks for is her service. And to emphasise it, Keris shows that she can literally make a beautiful lake ringed with orchards from this wyld-twisted swamp. All this and more could be yours, she offers.
A heart’s desire is not easily denied, doubly not when Keris’s words are wreathed in the alluring pollen of Metagaos, fanning greed and desire. And then too a deal is made; on the day Jamahidaya gets her island, rich and fertile and prosperous, then she’ll pledge her soul to this demon princess.
She nods to her daughter, and exchanges a few words. And in the evening she is gone. Back to Saata, with a need to replan the next season - and a vainglorious smugness sitting in her heart.
“Well done child,” Dulmea murmurs to her. “You have done excellently. And if you can secure both those dragonblooded, this year is off to an even better start. Your time on Ipithymia may have been unpleasant, but it has made you so much more effective at making use of powerful people.”
“And a good thing too,” Keris agrees, flush and content with a job well done. “Because I’ve got a lot of things to use them for.”
Chapter 47: Early Water 776
Chapter Text
Heavy rain hammers down on Saata, pouring off ancient stone and newer construction alike. It washes the streets as clean as they ever get, and the phosphorescent paint that decorates the merchant districts shimmers in the gloom. The Ascending Water storms are heavier than usual this year, great thick clouds of cooler air carried down from the West to the macabre cawing of distant elementals, and as they pass over Shuu Mua many of them dump their heavy loads on the wyld-tainted mountains. Saata is not the target of the cawing stormcrows, their slate-grey wings each the size of a junk’s sails, but it is caught in the incidental deluge.
Lightning illuminates the gardens of Silver Lotus Blooms Beside the Sea, the estate of the Hui Cha Golden Crown Little River, and then thunder peals so loud that for a moment the puddles ripple. Silver Lotus is by now a dignified estate, vastly improved compared to how it was when this place was the home of Hui Cha Lucky Wolf. The central body of the estate is fashionable and done up in styles that combine Tengese tradition with the flair of the most exclusive salons of Saata. The eastern guest quarters are quite lovely - so say the Hui Cha triad members who have been invited to stay there when the lady entertains - while the southern wing is made for entertainment and the duties of a host, looking out over the water. Even the western wing, which the lady has paid less attention to, has been handled by her adjutant Hui Cha Rounen and while the Golden Crown’s flair is less obvious here, it has been adopted by this young man (is he her lover? Her illegitimate son? The father of her daughter?) and certain elements of his accountancy and unspoken espionage business are run from here.
But it is in the northern wing, where the libraries and the collections of strange plunder from across the Anarchy reside, where the lady might be found, and on this dark and stormy early afternoon Hui Cha Little River has shed that name’s false face to engage in wickedness and blasphemies against nature.
“Muscle anchor points at two, two, three on the left side,” Keris mutters to herself, as she lifts more of Biqi’s tendons away from her golden bones, “and note the overdeveloped scapula - anchor for wings. Structure is atrophied, but showing signs of sustained regrowth. Muscle tone is... three, increasing to two. Also note the increase in bone density, increased layering of gold on substrate, recent regrowth of rings, increased amberic capacity and galvanic capacitance. Do you understand this, Biqi? Please explain what you believe this means.”
The subject of this vivisection frowns, able to see her own back and the way it is splayed open in the mirrors. “Uh... from what you’re saying, the fact I’m eating well is improving my muscle tone, my bones are thickening, and they’re laying down more metal - especially gold. And from the looks of things, emeralds?”
“Yes, those emeralds came from what you were eating in Hell. But those are just observations. I want your conclusions!”
Biqi bites her lower lip. “You’re saying that I... that all tarksae, yeah, deposit the precious metals we eat in our bones? And that when we’re eating well, our bones form... uh, these galvanic capacitors which allow us to store lightning better? Is that why you can see my heart glowing too?”
“Very good, Biqi.” Keris believes very much in hands-on study of anatomy, and the first person it is best to study is one’s self. Additionally, it helps avoid squeamishness (which helps no one) if her students are made well aware of what they look like on the inside. “See, Vali, it really isn’t that complicated,” she tells her sullen son who’s been dragooned into being a witness and maybe even learning something for once. “Now how are your notes?”
Vali pulls a face at his mother. “Just ‘cause you’re mad that I didn’t tell you everything ‘bout my keruby doesn’t mean I need to do this,” he grumbles yet again.
“Yes, you do,” his mother says heartlessly. “I don’t know enough about how the adult femkin work - and haven’t even seen an egyedulova except for once-”
“Rider,” he says automatically.
“Egyedulova,” Keris insists.
“Why’d you gotta go make up fancy names for them?” Vali demands. “Everyone knows what a rider is. You can even call ‘em a solitary rider if you wanna be nobby. Instead you make up these Old Realm names that are all long and silly. Who’s even gonna remember that?”
There is something exasperating about her second son. All her other children love to learn. They ask questions. They interrogate her. Even Kali would be staring wide-eyed asking loud questions about what that red bit is and why Biqi is shiny inside and what happens if she pokes that wobbly thing. But Vali doesn’t.
“I don’t even want to be here. You’re cutting her open and it’d hurt tonnes if you hadn’t stuck her full of needles to turn off her pain. This isn’t right,” he says sullenly.
“Why not?” Biqi asks, admiring her own musculature and bones laid bare. “It’s not like it hurts. And I’ve done a lot less comfy things for way more shitty deals. I’d rather be an anatomy model than suck dick in an alleyway again. There’s always trash that gets on your knees, ‘specially when the monkey’s cleaner-demons ain’t been around. Plus, Keris is touchin’ up all kinda bits in my body to make ‘em better, and she’s growing new muscle bits in those glass things over there,” she nods to where samples of cultivated flesh float, grown from vegetable matter and raw meat, “that she’s gonna use to just tone me up. I’m gonna be so fucking hot when this is done. And nearly as strong as a drudge!”
Giving Suriani a concubine who can spar with her in the martial arts is one of Keris’s intentions here. Another is to make Biqi harder to kill if Mara decides to remove her, giving her time to flee back to the safety of Keris’s soul. But these muscle implants and growth-serum dispensers are also an experimental piece, prototyping some of what she’s going to do to Mele. Much lesser, much more conventional - but it’ll be fascinating to see how Biqi’s body takes to them and a good test run at implanting foreign bodies in a kerub.
“I don’t like it,” says Vali.
“You can like it or not like it all you want,” Keris says, slanting him a sharp sideways look. “As long as you pay attention and help. We’re trying to figure out ways to help Biqi get stronger and resist any influence Mara might try to get over her. Speaking of which, Biqi, what are your thoughts on Snake and Peacock Style? The ones about distraction and deception and fucking with people’s heads before stabbing them.” She pauses to reflect on this. “More than most styles, I mean,” she amends.
“You should teach her one of the Immaculate Dragon Styles,” Vali mutters, hangs jammed in his pockets. When Keris glares at him, he looks down at her with a sullen glare. “What? You know I’m right. Everyone knows they’re the best. Even the fae and stuff in the Dusk Sea are scared of them.”
“I wouldn’t mind learning how to fight like a dragon again,” Biqi says wistfully.
Keris purses her lips. “Maybe,” she allows. “I’m not teaching her Friagem Serpent, for all it’s based on the Air Dragon polearm forms. Too high-mobility for you. But maybe the chakram forms… or Wood Dragon, perhaps? Water? I’ll need to read up on them. And also Self-Seed some Immaculates, because I don’t know any of them to teach right now.”
She looks up at Vali. “Good suggestion. But I’m not fond of this attitude. You’re not usually this stubborn. Biqi is fine being here, she’s not hurting and we’re both learning a lot - so what’s the issue? I’d have thought you’d be all for me figuring out a way for her to shrug off Mara trying to charm her into compliance.” Keris narrows her eyes at her younger son, considering possibilities. “Is this even about Biqi at all? Or did something happen on your Dusk Sea trip with Rathan and you’re still mad about it? You haven’t told me what you two found out there.”
“I mean, it’s pretty about her, given you got her opened up and are showing off her organs and stuff like this is normal,” Vali sullenly grumbles. “Because this isn’t normal. It’s not. And between this and the smell I’m feeling sorta queasy.”
He pulls a face.
“Nothing went wrong with the time out with Rathan. We had a lot of fun there. Course the fact that last month he went and pissed off the fae up near Zen Daiwye by doing some stupid-ass magic to make a lake that’s always got ice in it and always got moon-coloured cherry blossoms blooming around him and so I had to spend all the time making iron weapons and fighting fae while he didn’t do shit? Yeah I’m pretty mad about that.”
Keris’s head snaps round from where she’s sketching out the muscle groups around Biqi’s ribcage. “A fae attack? That you fought? Are you okay? Did they hurt you? Hurt anyone else?” Her sketchpad clatters to the table as she does a quick circuit around him, looking for any new wounds or scars.
It is always hard to tell with Vali, both because he tends to just accumulate and equally quickly heal injuries, and also because he isn’t likely to say anything that would make him look like he couldn’t have handled it. But for what it’s worth she thinks he’s mostly telling the truth when he says, “Nah, we kicked their asses. I had to work double time to get enough iron for everyone, but between me, my iron stuff, the demons an’ the fact some of the village people - ‘specially your Lionesses - knew what to do, we went an’ pushed them back. Not that Rathan was any use, even if it was his magic that went and caused the problem in the first place. My guess is that they thought they could take us ‘cause Evedelyl wasn’t around.”
Pulling him down to a level where she can reach his shoulders, Keris gives him a well-earned hug and kiss on the forehead. “I’m so proud of you,” she says firmly. “And I promise I’ll go tell Rathan off for being so careless. And maybe summon Evedelyl into the valley again so she can look after things there. But you did so, so well protecting everyone and keeping them safe, Vali. Well done.”
He sort of harrumphs, but accepts her hug. “Well, yeah, obviously.”
And that leads into what actually happened with the two boys last year. Neither of them have dragon aides, so Keris doesn’t get nice filed reports about what they’re up to. Maybe she should see if she could give them some. She knows for a fact that when Calesco gets back, she can get Rounen to liaise with... what’s his name, Iroi, and then she’ll have a nicely compiled and summarised version of everything that happened. But Vali’s never going to write a report like that, and Rathan is too lazy to do it unless she’s given him a sense of obligation.
But maybe it’s a bit more useful getting the report from Vali, because he doesn’t have Rathan’s flair or way of painting himself in the best possible light.
The names and descriptions of half-mad, Wyld-touched locations gallop by as Vali recounts the brothers’ adventures. The few nights they spent on a passing trader-ship of the Chanconarie, once-men who wandered out into the Dusk Sea on the trade routes and who are now starting to turn into dragons in their own right, the further-gone of their kin pulling their bedecked brightly coloured ships. That time they wound up at Melatrish’s resort and stole one of the long-abandoned ships, getting away ahead of the soul-traders who come to buy up those who can’t afford the bill. Their trip to one of the Sky-Scraping Isles, structures of antiquity that emerge from the shallow sea that covers a long-drowned city, where the lower levels are bustling towns and the upper levels catch rain and grow what little crops they can.
“We saw an iceberg, too. Weird as hell. Seemed to be perfectly normal, and as soon as we found it the whole thing started melting,” Vali says happily.
There are more places and more names, and then at last there is what Keris actually wanted her sons to find - moonsilver. There is a cursed city once of the Dreaming Sea, Chierxes, which drifted out of the world and somehow was carried by chaos-currents and lodged in the Dusk Sea. It is a wicked, corrupt city, but there are also artisans there who can fix moonsilver from changesilver and they are always looking for more raw material. There’s the pieces that emerge from the strange fae lands on the far side of the Dusk Sea, a place of senseless chaos whose exiles and dreamers end up in the Dusk Sea too, moving in the opposite direction to those coming from Creation. And then there is Leetha - and Keris very much wants to hear about Leefa, a half-sunken flooded city brought up out of the water.
Which Vali says is probably what remains of a glory of the ancient Lintha, according to Rathan. And more than that, they found some strange reddish-silver there which doesn’t seem to be moonsilver. Not exactly. Changesilver should be condensing there, but instead it’s catalysing into layers of this strange substance that Rathan and Vali came to the conclusion is some kind of ancient Ululaya-aspected crimson silver that likely pre-dates the Primordial War.
Thusly being a relic of Kimbery of ancient days, of Kimbery the Primordial.
“I see…” Keris muses once he’s done. “That sounds worth revisiting, when I can get a month or so spare to go looking.” She quirks a smile at him. “That’s twice now you’ve gone off exploring and found something really valuable. And I’m glad that this one didn’t involve you getting captured and hurt like last time. Maybe I should encourage you to go off on adventures more often.”
Vali grins, slamming a fist into his palm. “I’m always up for adventuring,” he agrees. “But I’m not going off with Rathan again till he apologises for causing so much trouble back home. And until he gets less fussy. He spent so much time in the Dusk Sea complaining about things.”
Keris snorts. “Well, if you want to spend time with a different sibling, your sister has run into some issues down south. She was building some experimental anti-Wyld manses when a salt-scaled elemental dragon showed up and wrecked everything - I’m going to go help her fight it soon. If you wanted to come help, she’d probably be a bit Haneylish about it, but I bet she’d appreciate her little brother being there to support her. And you’d get to try your hand at rebuilding a blown-up chaos-eater manse prototype, if you felt like it.”
He looks contemplative for a moment. “Wait. Hany’s building that kind of thing and didn’t tell me? When she’s real bad at building things and keeps on changing her mind? And she’s got a sick-ass giant dragon that needs beating down? And if she’s that close to the edge of the world, there’s probably neat fairies to fight and f- struggle against. Oh hell yeah, that’s way more interesting than just hanging around in the valley.”
Keris has a new odd feeling, and she isn’t sure if she likes it; her son really isn’t scared of faeries or the wyld. He just seems very confident about this. It isn’t just the chance to spend time with his sister and fight dragons, though obviously that’s a big selling point. But the idea of diving back into a Wyld zone or fighting (only fighting and nothing else) the fae seems to be getting him cheered up and excited.
And it is definitely true that he seems far happier when wandering across the Anarchy or getting into scraps in the Dusk Sea than... well, anything that Keris would want him to do as part of her job.
“I’ll take you along with me when I head back to her then,” she promises, making a note to think about that later. “Now, hmm.”
She turns back to consider Biqi for a moment, then inspects her own right arm. Her root fingers work over it with quick, clinical efficiency, peeling back skin and muscle and parting blood vessels and nerves to expose her ulna. There are symbols carved into it - glyphs older than Old Realm, oaths that go literally bone-deep.
“When I swear an oath with Oramus’s power,” she muses, “it writes itself onto my skeleton. I can more easily break my own bones than break my word. So I’m wondering if maybe what we want to do is find a good wording of an oath to, I dunno, oppose Mara’s influence or something and then carve that onto your bones, Biqi. Or... or maybe make a whole new skeleton out of Spire-gold that’s been soaked in Vali’s power and replace yours with that. Something to seal the oath in with the same commitment that Vali and I can bind ourselves with.”
“Nah, won’t work if you replace her bones,” Vali says with easy confidence. “And she might blow up.”
“Sorry, what?” Biqi says with rising fear in her voice, shocked into it when she’d been half-dozing with the family chat happening behind her back. “I don’t want to blow up!”
“Her bones hold her lightning. Crack ‘em and you’ll release it all, and she’s sparking right now. Best chance, you only blow off a limb; you could rip her apart. My keruby are full of power, mum; they just struggle to hold onto it, and you’ve given her a lot of power. Like me, y’know. Scrimshawing it into her bones might work, but you’re gonna need reinforcing inlays to fill the gaps and maybe something more to hold ‘em together when you’re working.” He pauses. “I mean, if you don’t go too deep. Obviously if you’re just doin’ the surface layer of soft gold, it won’t damage the solidity, but that layer’s the one that’ll get filled in if she gets charged up more or flake away if she goes hungry. It’s all changeable.” He scratches his unshaven chin. “Also, what if she goes rider again? That’s gonna wipe everything clean, pretty much. And I don’t wanna think about what’d happen if she tries to go rider when her skeleton is something that can’t change with her.”
“I don’t like that! I don’t wanna blow up or have my bones all come out!”
Keris grimaces. “Good point. Hmm. Okay, so we want something powerful enough to hold the charge and reinforce the inlays, similar enough to gold that it can bond with her skeleton and good against Mara.” She chews on a hair tendril for a moment, then brightens. “Well... you know, I do happen to have some High First Age orichalcum coins that I stole from Gem lying around. Those would probably work, right?”
Vali lets out a slow, impressed whistle. “Yeah. Super gold would work even better than regular gold, I’m pretty sure. Might work even like that Lilunu-tattoo of Oula’s that’s made her stronger than any other kerub. But...” he trails off, tapping his knuckles together in uncharacteristic nerves and even awkwardness.
Keris tilts her head, inviting him to continue. Belatedly, she glances down at her exposed ulna and starts absently teasing the flesh back together. “But?” she prompts.
“She might not ever be able to go rider again,” Vali says. “Not because she won’t be able to build up enough lightning. Or even because it’ll stop her. But because I reckon... I got the feeling that it’ll store too much power. She won’t be able to fill her bones up with so much lightning that it overflows and rebuilds her dragon flesh and dragon scales. She’ll just hold more and more and more. A pit for lightning that won’t ever be filled.”
Keris’s root-tendrils stop dead. So does her hair. Slowly, her head swings towards Biqi, still lying splayed open on the slab.
“Not being able to go rider again?” Biqi is scared. It’s obvious in her voice. “I... but...”
She trails off. Her heart is beating quickly, from the pulsing of light in her opened-up body. Lightning crawls over her exposed bones.
Then;
“What I told you, your imperial majesty? When we had that interview when cleaning up after fucking your old gee-eff?” She sounds like she can’t believe what she’s saying, and honestly Keris isn’t the biggest fan of that being said out loud either. “I said I’d do basically anything if I got to live in the nobby way rather than bein’ a street rankey again.” Her accent is slipping back to Spires-common from the way the words are falling out of her mouth. “An’ what Vali says - he says that havin’ the most expensive coins ever stuck on my bones would mean I’d just be able to... to be like a foggie if their stomachs never filled up, they could just hold more an’ more food.
“Maybe I don’t wanna work and work to get another few days of bein’ a dragon. Maybe I don’t gotta chase a dream anymore that I’ll always fuck up and lose like Arisu did - an’ she was always harder workin’ and smarter than me so if she can’t hold bein’ a dragon neither can I.
“I ain’t chasing hope that’ll always slip through my fingers no more. I’m not a kid and I can’t turn back time an’ be one. But I’ll tell you what, I ain’t going back to the bottom ever again. I ain’t chasing a dream that won’t last. I’m a high class harlot an’ if I’m a courtesan I’m not gonna ever be one in penury.
“I ain’t a dragon. An’ I accept it.”
Keris - impossibly, magically - feels the shift in the air that she’s only felt a few times before. The feeling of something collapsing down and growing at the same time, the crackle of power - and more than that, she sees the lightning crackle along Biqi’s bones and sink into her and the way the sparks come out as red and silver rather than blue-black.
She hadn’t thought Biqi strong enough yet.
All this misses Vali, and yet:
“I don’t get that. Why wouldn’t you want to be a dragon?” he says. “Settling for what is possible over what’s the best... but if that’s what you want, then it’s what you want. Live without regrets if that’s what you’re doing. Regrets are future-you being a traitor to who you are now.”
“What the- fuck, shit, no, Vali, she just-” Keris stutters, hands dithering for a moment before she frantically starts closing Biqi’s chest back up. “I think... I think she just made her Sacrifice.” Her eyes flash green, and... yes, Biqi is stronger than she’d thought. As strong as Oula or Mele, charged and crackling with the wealth that Keris has been feeding her.
“Just... just breathe for a moment,” Keris says, knitting together muscle and sinew and skin. “It’s a big shock to the system, Awakening. Like opening your eyes again and seeing the world in a whole new way. Let your lightning settle. Try not to look at me or Vali too hard - focus on something simple, like the ceiling.”
“Ooof,” Biqi exhales, trying to shake her head and failing because Keris still has her neck paralysed. “This is a trip and a half. Like the time I caught an’ ate a lightning bolt when I was a kid. I was bouncin’ off the walls for days. It’s like-” she trails off. “Don’t have the words. Go find someone else who can. An’... you said the Sacrifice was sorcery, so... does that mean I’m a sorceress now? Because that’s fuckin’ kerass if it is and even better yet that means I can live like that man back in Ca Map.”
Keris finishes sewing her up, eyes her up and down, then takes Biqi’s wrist in her left hand. “Mm,” she hums. “Hmm. Yup. You feel like a sorceress to me. I’ll figure out what spell to teach you first later - your first one always kind of defines your style a bit. Mostly I prefer to teach Countermagic; make sure my students know how to shut down spells before they go casting any. But Infallible Messenger could work too.” She taps her chin thoughtfully. “You’ll need a name, too. A sorcery name. I give one to all my students, as a mark of their becoming adepts.”
Biqi pats her chest thoughtfully, unable to feel any scars from where she had been cut open. “And I’m the first femkin sorcerer. Wow. Strange to say that. But it makes me stand out and that makes me more valuable.” But she’s clearly thinking of something else, and trails off from the usual almost-instinctual tarksa thoughts. “I know what it feels like. It feels like the Dance of a Single Scream. Where we’d been dancing for hours and I was wearing the mask and there was something more ‘bout the dance. Behind the motions an’ the music. The way the mask felt like my face, almost like I was a szilf - hah, me a szilf, what a joke - except not.”
“The Dance of a Single Scream? What mask?” Vali asks.
“I put on a big dance this Calibration just gone, in Hell,” Keris tells him, smiling. “A story of the Primordials, before they lost the war against the gods and the Exalted and got locked up in Hell and became the Yozis. There were masks for each dancer - there was something weird about them, actually, I was meaning to take a look at them. Hmm. Mama? Have you got them in your tower? Can you pass me out the Kimbery one Biqi wore?”
“That I can, and gladly,” Dulmea says within her head as she presses it into Keris’s questing hair. “These - I dislike them less than your Broken-Winged Cranes, but still I like them little. They are... there is something not right about them, and their melodies interfere with mine.”
The mask of Kimbery is never-melting indigo ice, a gorgeous red moonstone on the brow, beautiful in its proportions and graceful. And yet there are hints of other images in the way the shades of ice blend and mix, and the straps are things of the deep sea that wrap around the head. It sits quiescent in Keris’s hand. Nothing feels wrong about it. And Biqi, likewise, nods in recognition.
But Vali looks queasy, and leans away from it. “Ooof,” he winces, rubbing his jaw. “It makes my teeth ache.”
Keris frowns. “Hmm. It’s not your nature - you’re the King and the Wind and the two Dragons. But it wasn’t Biqi’s, either.” She glances at Biqi, at the deep indigo of her hair near the roots and the curvy, feminine, almost gravid lines of her body.
Hmm.
“Still, it might be worth seeing how you react to one that’s more aligned with your essence,” she decides. “Mama, the Ebon Dragon mask?”
That mask is ebon and obsidian and jet; a swirl of subtly different shades of black that almost forms the shapes of living beings, playing across a draconic face. Vali tries to look away. “I don’t like that either,” he mutters.
“Is it ‘cause we danced the dance together, me and you, or because we’re both now sorceresses?” ponders Biqi out loud. “Do the masks not like people who aren’t dancers? In Hell they liked them when we were wearing them.”
Keris considers this, nods thoughtfully, and dumps both masks on Biqi’s lap.
“I am not going to have time to teach you many spells,” she says frankly. “Not in the short-term, not when I’ll be teaching Suriani too. So instead, this season, I’m going to put you through a crash course on sorcerous research and Workings. You know the basics of sorcery; that’s how you initiated - now you’re getting the advanced stuff. Because Workings and research are something you can do even if you don’t know any spells at all, and even once you do, they’re skills you can apply to any topic, regardless of whether or not any of the spells you know apply to it.”
She taps the Ebon Dragon mask lying in Biqi’s lap. “Your first research topic, and the one you’ll practice the things I’m teaching you on, will be figuring out what the fuck these things are and how they work and what they do. I’m not going to have time to dig into them on my own, so I’m paying you to.”
“Paying is good,” Biqi says automatically, grabbing for the Kimbery mask as it slides off her lap like a foot on an icy pavement. “I don’t know how to do this, but this is another one of your teachy things so that’s probably the point, right?”
“Right,” Vali says confidently. “She’s got you a challenge to set yourself against. To get stronger in the face of how mum can be. Plus - hey, you now got a rival!”
“I do?”
“You got Oula. And you’re one of my keruby so you’re better in the face of problems than my brother so you can be the best kerub sorceress! I believe in you!”
“He’s right,” Keris points out. “You’re not just the first femkin sorceress. You’re the second kerub sorceress, ever, and only the fifth of my students to awaken, even counting my demon lord children. You did it fast, too. Incredibly fast. I’ve only been teaching you sorcery for a month and change - genuinely, I think you passed your Trials faster even than I did. Once I teach you how to approach a research project, I don’t doubt you’ll thrive.”
She purses her lips, comes to a decision, and nods. “Biqi Golenar will be your name,” she decides. “For the golden heart that drives you and the wealth that fuels your spells.”
“Two names? That sure is nobby. Only the royals got two names. And Oula, from what you say.” She shakes her head, clearly still overwhelmed. “So this research work thing will tide me over until you got the special gold bone thing working, yeah? Plus whatever else you want me to do. Yeah. Yeah. I can work with this.” She wraps her arms around Keris, kissing her full on the lips. “I can work with you. With whatever you want. Teach me how to do it and I’ll be your pocket sorceress,” she breathes, mouth tied to Keris’s by a string of saliva.
“She really doesn’t give it a break, does she?” Dulmea says cynically. “This one is like you in a completely different way to Oula. But they both have dangerous amounts of ambition.”
Keris grins. “Just the way I like it,” she answers both of them. “Alright then. We have a lot to do, so let’s get started.”
The next month and change sees much more work for Keris than she expected (which honestly she should have expected) while she waits for word from Haneyl. A trip up to Zen Daiwye lets her catch up with family. She reassures Ali that Hanily is doing well and doesn’t mention his daughter’s attempts at school-evading litigation because it would just worry him. Anyway, Hanily has forgotten about it now that she’s made some friends. Hermione isn’t here, but with thin lips she hears Oula’s recounting of what had happened to Seresa and Kalaska during Sasimana’s foolishness, and takes a curious poke at the new form of Oula’s once-black-lightning, now-blue-glass blade that she used to save Kalaska’s life.
And then she goes to have words with her eldest son, which are carefully chosen to not make him feel like he’s being criticised while still trying to get it into his head that maybe provoking the fae wasn’t the best idea if he wasn’t prepared to do the proper thing and wipe them all out with no trace of mercy. She compliments the lake he made - which is icy all year around and ringed by eternally blossoming cherry trees the same red as his moon - and then informs him he’s coming back to Saata. She’s sending Zanara off to scout the Dhul Republic and she needs someone to hold down the fort and protect her place from people who mean it harm.
“So you mean I have to tell Oulie that you’re sending me to run a brothel?” Rathan asks, leaning against a cherry tree, one elegant eyebrow fluted up. “Surrounded by people who might have intentions on my virtue?”
“You’re probably going to have to tell her, but I’d prefer if you broke it to her more tactfully than that,” Keris says wryly. “I’d rather she didn’t come for any of my boys and girls with murder in mind.”
He taps his knuckles together. “She probably needs a break from that work you put her on. Or at least a change of scenery. You did not hear it from me, but she lost two seasons of work because of, uh, some kind of fundamental inconsistency for the language model she was using, and she has been in a vile mood because of it. Sort of, uh, went full witch queen on the fae when they showed up, and while that was of course very beautiful and attractive and lovely of her, she also was quite sharp-tongued at me and blamed me for causing a distraction and putting her even further behind. Which wasn’t true, because she’d been moping since the new year. So some new scenery, some new faces, a chance to walk around Saata with a human face - and the entertainment of protecting my virtue will probably do her good.” He gives her a winsome look. “Especially if you can pass along some subtle, tasteful advice on how to find some underlings who can handle things without her getting her hackles up and claiming that people don’t think she can do it on her own and there’s no way she’s letting Shi win.”
Keris taps her chin. “Hmm. I can ask her to take a short break from the notation research to do some teaching instead, as the other master sorceress of the school. According to Evedelyl’s census, there are plenty of young raiders who’ll be willing to learn from her, and there are a good few older sziroms who are leaning dragon-aide-ward, and I can suggest she take on some courtesans as well, who’ll work fine as scribes and assistants if they’re paid. There are some humans - both in Zen Daiwye and in Saata - who she could recruit as well.
“It’s not even a lie - I don’t have time to train up a good pool of scribes and initiates, and it’d be useful to have one. And as long as I frame it as Master Oula Montressa taking on some teaching duties and drilling the fundamentals into a fresh crop of initiates, she won’t be at all hesitant to make use of them as assistants in her work. After all, that’s not ‘asking for help’. Boring time-consuming shit like polishing and buffing commissioned silverwork or transcribing notes are what students and apprentices are for.”
“A fair trade for their teachings,” he says, easily. “Come on, then.”
Before they head back, there is a deeply awkward conversation which has to be had when he discovers his best friend Mele kissing his mother. While he informs Keris that it is her choice and she deserves someone who loves her, he is notably colder to her for days afterwards and doesn’t speak to Mele at all. Unfortunately Oula is far less reserved with her opinion about how poor Keris’s taste is for sleeping with Mele, which was really to be expected. Oula and Rala really are basically-sisters in some ways, and Oula is significantly more venomous on the topic of her basically-brother. At least that way the controversy of Rathan’s placement in the Carnation can be brushed over.
Once back in Saata, Keris busies herself with work among the Hui Cha. She has another planned absence to cover up in the near future, she has work in her silversmithy to do, and there is new decorative work commissioned by Lucky Wolf in a show of devotion for the temple of the hearth goddess Ba Chua Nen Lo to work on. Little River has gifts to make, places to attend in the company of Hui Cha women, shows of generosity to present and arguments to oversea, and she feels she makes an excellent job of it. She even manages to spend some time with the Ladies as both Little River and Cinnamon, the former to keep them feeling important and influential, and the latter to placate and handle their infernalism and their desire to see Hell’s beauties that some of their number have spoken of.
Rathan is a very different master of the Jade Carnation to Zanara or Calesco. He is not one of the girls, he is not an object of art; he is cold and handsome and formal, clearly kin to Cinnamon from his looks. He is a gorgeous moon-like prince, something to admire but so very distant, and he brings an air of reputability and standards that Zana and Nara just aren’t willing to display. He deals with outsiders, he honours Cinnamon’s contracts, and he shows the increasing number of swooning women and admiring men to their VIP boxes to a symphony of sighs.
Unfortunately, he can’t be everywhere at once, and - as she works out later - he perhaps overlooks some threats from within, assuming that his natural aura will handle everything. One of the newer backroom girls is from a good family fallen on hard times, and matters improve radically for them when their uncle comes into a fortune. He buys out his niece’s contract, and then it turns out she had seen things that a raw recruit shouldn’t have. Nothing concrete, nothing incriminating per se, but the uncle is a man of money who holds a grudge and is willing to make a fuss. And the aura of the Carnation had been getting more and more peculiar the longer Zanara remained in residence, so there are odd lantern stories and a still slightly queer air to the place. Rumours of strange spirits who sometimes show there, odd deviancy, and some things obviously fanned by jealous rivals of Cinnamon’s growing influence lead to the various civic officials and priests that the uncle makes his case to taking things much more seriously than expected.
Especially in light of what had happened in Choson, everyone is looking out for Lintha infiltrators who might engage in wickedness and make the rich and prosperous much less either.
In response, Keris primes the machine of corruption, subversion and entrapment that is the Jade Carnation. Her pleasure house doesn’t make much money - it runs at a loss more often than it doesn’t - but making money has never been its primary purpose. The Jade Carnation is a tool for laundering Hellish wealth into a web of blackmail, valuable secrets, social influence and favours that extends throughout Saatan high society. And it is very, very good at that task.
So Tennè Cinnamon opens her doors to the investigation and cooperates without a word of protest. She goes above and beyond in showing the investigators around the premises, letting them spend time - free, of course - with her girls and boys to see what really goes on in the backrooms that all those overblown rumours talk about, extending long lines of credit for them to sample the Carnation’s wares and play at its gambling tables to root out any signs of tampering or taint.
She is of course sure that they will find no vice or sin here, she says with a smile that indicates she’s lying and knows everyone knows she’s lying.
It costs her a pretty penny. Indeed, the free service and on-the-house gifts she’s giving to so many investigators is going to run the Carnation quite hard into the red this season, and Keris makes a note to get around to putting a proper fogsventka in charge of the books, even if it’ll get her criticised. But the cost doesn’t matter, because the bribes she offers are akin to the forbidden fruits of the Hungry Swamp, and in her hands they glisten with dark temptation that no mortal man can resist.
Keris has gulped down the nature of the Demon Sea and so like Kimbery she is a fountain of corruption. Like the bitter indigo waters of the Great Mother her words and her offers erode not only the flesh but the spirit. Worthy dignitaries, honourable dignitaries, esteemed dignitaries, come lie with me on the hot rocks and sun yourself, says the serpent. Lie down and sleep.
And so by-and-by, she quickly gathers so much kompromat that she doesn’t know what to do with it.
(That is a lie: she knows exactly what to do with it. It’s kompromat. It’s for compromising people. The clue is in the name.)
Married men find a thing for beautiful things who sing and dance and pay them such loving attention they no longer get from their partners. Respectable madams of society sample lovely wines (“This one, mistress, is imported from the Realm, and has a delightfully rich flavour with much more body than the common Tengese vintages, might we pour you a glass?”) and find their tastes tending to the more and more expensive with each recommendation, and shift into other, less conventional intoxicants (“Oh, you want to try this very exclusive substance with the very fetching lilac shade? A fine choice, a fine choice.) Priests with a fondness for the tiles get invited to the best tables and introduced to fine gentlemen of measures and means in Saatan society; chaste nuns swoon over the handsome kinsman of the proprietor who pays them attention and then directs them over to a young man or lovely lady who - discreetly - offer up what they have been denied all their life. But only if they are at all curious, and strangely many are after a conversation or two with select individuals here.
And in the centre of it all is Tennè Cinnamon and the lady Seresa, and while they hold themselves back in public a few, chosen individuals who seem a little too moral or inquisitive get to accompany them to inspect the cellars. And why, when most of these moral exemplars emerge (hair mussed, trembling, eyes blown out) they are more than willing to vow that their apprehensions were entirely unfounded. The ones who are less affable find nothing in the basements worthy of their time, but a few of them meet unfortunate accidents at the hands of rivals or through sheer bad luck.
By the new moon - when Keris dashes up to Zen Daiwye to evoke Evedelyl to guard the valleys - there is a foetid swamp of moral corruption that has pulled many worthies down into it. Some have pledged their souls to one dark spirit or another that Tennè Cinnamon has introduced them to, but most simply lack the virtue to deny their vices. When they are served up in such a fetching way, by such attractive people, and are offered so very generously as gifts on the house, obligation crystallises so easily in the heart.
Going forward, there will be little that Tennè Cinnamon will not hear about when it enters the circles bound to her, and there will be little in Saata she cannot impart some pressure on as the mood suits her.
“Good girl,” is all Dulmea has to say; no criticism, no corrections, simply earnest praise.
And so because of all this, word gets to the Carnation of the arrival of a most motley crew in the Saatan docks before even said crew does. Black Shawl, the disciple of Tennè Cinnamon who’s been away for the past year, accompanied by a heavily pierced and very pale woman carrying a toddler, a beautiful young Wood Aspect, a shady character in an inclement coat ill suited for the heat, and a delegation of Venusian priests. This is unexpected enough that Keris gives the orders for a runner to invite Calesco to an anonymous building Keris owns near the docks that’s some distance from the Carnation, and then she heads out to welcome back her daughter and properly see what she’s found. And find out where the hell the giant flying flower is, because that sure as hell isn’t in Saata. She’d have heard about it if it was.
Pardis sparkles in delicate, soft pink. Her dark hair is shaped up into the form of a flower, she is bedecked in lovely jade heirlooms passed down from her mother, and she is every inch a young dragonblooded emissary.
“... and so my mother regrets that the state of our vessel left her unable to complete the full journey to arrive in Saata, but she has found a stable and geomantically favourable valley up in the Hook - I believe that is the local Firetongue for that mountain range that terminates in Ta Vuzi and the Wailing Fen, no? - where it is already thriving.” She waves forward one of her clone-sisters, who offers Keris a hardwood box which contains a crystalised hearthstone-bug trapped in amber. “She offers you this token, from the first harvest of the rooted bud, as a mark of her regard and as an apology that she cannot be here in person.”
“Quite alright,” Keris replies, accepting it with a warm smile. “I’ll make sure to drop in on her later this year. And I have you here to make up for her absence; what more could I ask for? Now, hmm. I’m sure you want to get settled in, and I’ve had my people arrange for suitable housing for you. Perhaps not quite up to your mother’s lavish standards, but I don’t think you’ll have too many complaints.”
“I cannot say that I am not looking forward to this,” Pardis admits, a small smile on her lips. Keris can’t see much of the awkward young woman she met before and this suggests it is all an act for formal situations. “Along our travels I have heard things of the pleasures and the knowledge in this sinful city of priests - and my mother has tasked me to investigate this place in depth for learning and secrets she may have a use for. So I suspect I will be here for some time.”
Keris sees her daughter wince behind Pardis. “Wonderful,” Calescos says, with no hint of her expression in her voice. “But don’t let us detain you. I think all of us will need a lie down after the waves in the Gulf.”
Of course she can’t get rid of Pardis so quickly, but the thought of lying down does seem to appeal to the woman and so with only a few goodbyes - especially to Fari and Iroi - she and her clone-sister staff head out, following Keris’s servant to their new home.
Keris cracks her neck and links her arms behind her to stretch with inhuman flexibility. “Well then,” she sighs. “I’ll have to make sure she has a minder so she doesn’t go too overboard exploring the vices of Saata, but a little exposure to new things beyond her mother’s manse probably won’t hurt. I’ll pull her into some of the lessons I’m giving Biqi and the others, too. Maybe teach her Needle and Spires. But that can come later. For now, how are you?” She skips forward to pull Calesco into a hug and kiss both her cheeks. “It’s good to see you again! Iroi, Kiki, you too - and of course you as well, Fari. Not to mention,” she ducks her head to catch the eye of the toddler in Kiki’s arms. “Aliyuu! Hello little one! Do you remember me?”
“‘es,” the little kerub says, wrapped in Calesco’s illusion, as she twists to burrow her face in her mother’s chest. “You got a treat for me. I saw it,” she adds in a muffled voice.
“I do have a treat for you!” Keris coos, and presents the sweet little mez with her prize - a piece of Meadows-honeycomb wrapped in dark chocolate (which took some effort to make, but some judicious transmutation with her left hand got her the raw ingredients, and from there it was simple enough).
“Now,” she adds, “I didn’t get a chance to stick around and talk when I bailed Malek out of her predicament in Sabade, so tell me: who are these Venusian priests I hear you’ve arrived with? Remnants of the Blue Order from the Scavenger Lands? Your pilgrimage went well, then.”
“Yes, and I have the reports and also the expenses-” begins Iroi, before yelping as Calesco stands on his foot
“Come with me, mother,” Calesco says, leading her through out of the main room as Aliyuu excitedly explains that she knew, she knew that she would get this and it’s all mama’s fault for not trusting in the cards. “This is probably something you want to talk about in private. And you might swear and we don’t want that in front of Aliyuu. Young mezes are almost as bad as Ogin for mimicry.”
Keris snorts, but follows, her humour fading as she shuts the door behind her. “Alright,” she says. “I should say - if this is about meeting Zanyi or whatever kerfuffle in Fate you kicked off in Yzadon, she already let me know about that. Not so many of the details, but I had to send her a dream about Hanily back in Wood of last year, and she complained a bit. In a loving, exasperated-aunty sort of way. She told me you’d told her all about Chir and my past as a priestess too, so don’t worry; I’m not worried about that. I was actually halfway through telling her myself when she confessed she already knew.”
“I wasn’t worried about that.” Calesco pauses. “I am sure you’d support everything I did about those things. In fact you’d probably feel that I wasn’t artistic enough in my punishment for those awful, torturing high priests. No, mother. The Venusian priests I have here - does the name Scarlett of the Rose mean anything to you? She is their leader and trained most of them. She’s a famous Nexan courtesan, and also an inheritor of the traditions of the Blue Order.”
Keris... frowns.
“Scarlett, Scarlett, Scarlett...” she murmurs to herself, thinking back ten years. “Scarlett the Rose. The name seems familiar, yeah. Some bigwig who... wasn’t she the mistress of a Council member? Brueghel, or... no, it mighta been Hayle.” She grimaces. “Fuck, if you’d told me ten years ago that I’d have started to forget stuff about the Council of Entities before I turned thirty, I’d have looked at you like you were mad. This stuff was life and death back then; if you pissed off someone with a councilor’s favour, you were fucked. I’m not surprised she survived the fall of the temples, with that kind of backing.”
Calesco steps in, and wraps her arms around her mother. It isn’t just to hug her. It’s to hold her. Stop her running.
“Scarlett of the Rose is a stage name,” she says, softly, gently. “Her real name is Rose Kalizko. Kalizko, Calesco. Daughter of Calley.”
Keris’s reflexive backwards flinch takes them two steps across the room before Calesco’s weight drags her to a stop. Her hair lashes out, less to attack and more to simply grip and anchor her, curling around rafters, furniture and wall beams.
With wide, startled eyes, Keris looks down to meet her daughter’s crimson gaze.
“Is-” she stutters. “Did- I mean- is Calley...?”
“Died of the Nexan coughs a few years back. Rose said she was nearly eighty, and some years are worse for sickness than others,” Calesco says kindly.
Calesco sees her mother’s heart crack. She feels Keris sag, the tension bleeding away to be replaced only with grief and loss and exhausted, bitter resignation. Tears bead in the corners of closed eyes as Keris’s head slumps down to rest on her shoulder, and she settles into Calesco’s embrace - not crying, but letting her daughter support her weight as Keris mourns.
For a moment, Calesco dares hope she’s gotten away with it. But then...
“... wait,” Keris mumbles, head rising up again. “‘A few’ years back - how many? When did... when did she pass?”
“Do you want to know? Really?” Calesco says, meeting her eyes, white and red and black all mixed up in her irises.
“I...” Keris blinks back tears, something awful and knowing twisting in her stomach. “I think... you wouldn’t be saying that if it wasn’t...” Her throat closes up, and she gulps painfully. “Calesco. When?”
“772, Early Air,” her daughter says.
The date strikes home like a knife, and Calesco watches Keris go through the horrible, guilt-ridden calculations. 772. Four short years ago. Keris had been a Director. She’d had the ability to take sabbaticals - she’d been on sabbatical in Taira back in 770, on the same river that flowed past Nexus. If she’d visited back then; if she’d thought to go and find Calley...
But that was before Chir. Before she’d accepted her past. Back when she was still repressing everything and trying not to think about the people she’d grown up with.
She hadn’t wanted to remember. So she’d pretended none of it had happened. And as a result... she’d missed her chance.
“... I need to go,” Keris whispers, very quietly. “I- I need-” Another gulp, trying to swallow the lump in her throat. “I need to... the Carnation. The shrine. She- she should have a...” She sniffs, her breathing getting ragged as she struggles to hold back sobs. “Like. Like Gull. I should make Calley one too.”
“No. You don’t. Not yet,” Calesco says, and her arms are like iron. “We have Rose here. Rose, who has parts of the story you never heard. About the whole messy, ugly background involving her and Calley - and yes, Gull. You can’t run from this, mother. Not now.”
Keris stills, tenses... and then relaxes. Squeezing her eyes shut, she takes a long, slow breath. It’s hard. Even with her daughter holding her, even with her hair anchoring her, it’s so hard not to run. Every fibre of her being wants to flee, wants to get away from the hurt and the pain and the grief and the guilt. Every part of her wants to be somewhere, anywhere else.
But…
“Okay.” It’s a barely-audible whisper, but she manages it. “Okay. But... but I want to talk to her there. Not... not here in some unimportant place by the docks. If I’m going to hear their story, it should be in a place of Venus. With Gull’s memorial, so she can... so she can be there too, at least in spirit.”
Calesco doesn’t let go, but her hold turns into more of a hug. “This will hurt,” she says gently, “but the self-honesty here will be better for you. It will help you find inner peace. This is what I have learned of the ways of Venus Phosphene.”
It is not quite quiet in the little memorial shrine to Gull. The music from the practising dancers on the stage bleeds through into this dark place with its hand-drawn image and blue candles. And it is not quite quiet because of Keris’s choked, stifled sobs.
She has heard the story, now - how Old Calley had been a young priestess in the last of the Nexan temples, how she had taken an old book of prophecies and used it to her advantage. How she had taken in a strange little girl - maybe a changeling, almost certainly with at least some fae in her a few generations back - with glowing blue hair. Not out of kindness, but because of one of those prophecies. How she’d tried to shape Gull into a child of destiny and failed, and in the end Calley had given up on her foster-daughter.
Calesco is perched on a chair, her posture tense, compressed: ready to spring into action. There are strands of white in her hair that were never there before. And then there is Rose.
Keris knows Rose.
Well no, she doesn’t. She’d seen the woman a few times around Old Calley, younger (Gull’s age) and dressing down when she visited her mother. And she’d heard of Scarlett of the Rose, but she’d never put the faces on fancy posters together with Rose, Calley’s daughter. Now, though, the lines are a little less blurred. Rose is starting to look like her mother, just a bit, the very earliest version of Calley from Keris’s memories.
And her voice too. Just a bit like Old Calley, never as sharp or harsh, but more than that, the broad Nexan twang. The real thing, not the mimicry of her souls and her demons that has too much Old Realm in it to really pass as Nexan.
The familiarity hurts and adds its pain to the story.
Slowly, Keris’s sobs trail off as she gets control of herself. Voice raw, eyes and cheeks wet, she looks up at Rose and asks, “How- how much do you know about… about how it ended?.” A faint tilt of her head towards the little shrine with its charcoal sketch and blue candles illustrates her question.
Rose folds her hands in her lap, then changes posture again to tuck her hands up her sleeves. “Only what Calesco has mentioned, and she said that she wouldn’t tell me everything until you were here. My ma passed along the rumours that the Blue Killer had been the one who killed that gang boss Chen, and I think the fact things were getting more dangerous in Firewander was part of the reason she came to live with me. After that? Not much got through to... well, I was working hard because that’s when I was being courted by a very touchy man who loved the lie that I was an exotic Far Eastern courtesan and wouldn’t have taken the truth I was born in a Firewander brothel too well.” She gives a sad smile. “Few years later one of Ma’s friends brought word that Gull was dead. Ma... cursed her name and her damn foolishness, but also cried. That was just her way. Ma learned to be hard and tough and sharp, and hide her softness.”
A cold, slimy dread pools in Keris’s chest. It’s not enough to drown out the grief or the guilt, but it adds a horrible garnish to the mixture. She’d thought that Rose knew about what came before the end, that Calley had told her- but the way she’d said that…
“The Blue Killer,” she says, dull and flat in a way that betrays the sick, unsettled feeling underneath.
There’s a look, a quick one, between Rose and Calesco. “I know - knew even back at the time, Ma was not happy to see her teachings used that way - that was what they called you back then,” she says. “Though-”
“No ‘though’,” Calesco interrupts. “The rumours are still floating around Nexus about the Blue Killer, and sometimes the name ‘Kit’ gets remembered about them. She knows, mother. You don’t have to explain it.”
Keris relaxes. A little. “The rumours were right,” she says, tucking her chin in. “I killed him. Because he was hurting Gull, an’ I could see her getting worse from what he had her doing - he was a bad man. A bad, bad man. Who was making her lay the ghosts he left behind to rest, and she turned to dreamdust to deal with it, and I was… I was too young and stupid to really help her. I confronted him about it instead, and he laughed it off ‘cause he knew I couldn’t kill him without bringing my whole life down around my ears and losing his protection. He knew that. Gull knew that, probably. But I was a dumb kid, so I didn’t. And he saw me drop my first two knives and thought it was safe to turn his back on me.”
Rose’s eyes are soft, almost maternal - but maternal like Dulmea, not Evedelyl. “And he hurt you too, didn’t he? Not by hurting Gull. With what he did to you. She knew, you know, given how much of your doctoring she ended up doing. One of the things Ma blamed herself for in her later years was that she didn’t get you out of there.”
“She… did?” Keris blinks rapidly. “Oh.” Her voice is small, and her arms come up to hug herself, her hair settling round her shoulders like a blanket. “He, um. Yeah. Like I said. He was a bad man. What he made me into. What he let me turn myself into.”
She shakes her head, and doesn’t think of his face. Maybe Kit would have, but Keris left her behind a long time ago. “I’m trying to be better than that, nowadays. I re-swore my vows, and I’m… I’m a kinder person than Kit Firewander was, even at her best.” She tilts her head at her daughter with a wan smile. “You can thank Calesco for that. I don’t regret killing him, exactly. Not with what he was doing to Gull, and others. But I regret how I did it. It was maybe the…” her eyes turn upward, thinking, “… maybe the second or third dumbest thing I ever did, probably, just killing him outta nowhere like that. Because after he was dead, things got… hard.”
“What happened?” Rose asks, still gentle, still careful.
Keris opens her mouth, stares helplessly, and then closes it again. She looks at Calesco for help, and her daughter moves over and settles beside her, wrapping an arm around her shoulders and taking her hand. Keris swallows a couple of times, casts a pained look towards the picture of Gull, and takes another deep, shaky breath.
“As soon as I calmed down enough to realise I’d fucked us, I went to Liho,” she starts. “An’ they said they’d fix everything, but,” she scowls, a trace of heat entering her voice, “that fucker went an’ sold the rest of Chen’s people out to Honest Mai, and said they weren’t gonna let me anywhere near their new enterprise. An’ Gull wouldn’t leave me, so we wound up out of work an’ struggling to make ends meet...”
In quiet, ragged tones, she lays it out. Those two long, awful years - the way they’d gone from the decent housing Chen had provided to shabbier and shabbier rooms-for-rent at cheaper and cheaper prices. The priestess-for-hire work they’d picked up, and the odd jobs Kit had taken when the contract work wasn’t making enough, and the thefts that had come to a bitter and brutal end after her arm got broken again. The way Gull had retreated further and further into dreamdust and alcohol, especially when her hands got too shaky and her eyesight too bad to keep making talismans - talismans she’d never properly taught Kit how to make. The sex work that made up more and more of their income, and the risks involved in it - risks that had Kit sitting bodyguard in the next room over, clutching her knives, or else selling herself at waitress jobs behind teahouses, or the two of them handling a client together and how that made a mockery of how they lived as wives. The way she’d had to drag Gull out of dreamdust dens more and more. How she’d gotten angry and abusive over it, had shouted at Gull, hit her. How Gull had guilt-tripped her right back and stolen money from their rent to fuel her habit.
And that awful day Gull hadn’t come home - Rat going missing all over again - and left Kit first mad, then worried when a search of the dream dens turned up nothing, and then panicked and guilty and sick with fear and rage at the thought of Gull abandoning her, until the Council men had turned up and asked her to identify the body and pay for the cremation.
Rose is also Nexan. She knows that this is how things can go. That it’s all too easy to slide and keep sliding down into the gutter. And if Gull wasn’t quite her sister, she wasn’t exactly not either, and while Rose might have managed to pull herself up to about as respectable as a harlot could be, Gull took the opposite-and-far-more-common path.
“Such a stupid fucking waste,” Rose mutters, dabbing her eyes. “Of all the-” She started again. “For all she did, for the fact that some of those tricks and pacts and cantrips aren’t even things I ever heard of - she was always a genius at the priestery - she got mugged and died in the street. It feels so... unfair. It wasn’t even a consequence of the wrong she did to the dead for what she did for Chen. Just... a woman on her own with some small amount of money and some bastard who wanted the cash.”
“I din’t even look for who did it,” Keris mutters, sagging against Calesco. “I was too… too broken. She was the last person I had left, after Rat and then everyone else vanishing or turning traitor when I killed Chen. With Gull gone I just kinda…. shut down for a few months. Then I caught wind of Makoa Kasseni getting some big promotion in the Guild and funding some kinda statue thing and started dwelling on what she’d done to me and thinking about revenge and… well, that was another contender for the dumbest thing I ever did. It turned out a lot better in the end, but only cause of an outright fucking miracle.”
Rose inhales, and holds herself very still. “Calesco... did say that the gods had chosen you. How... what drew them to you?”
Keris hesitates. On the one hand, she’s not exactly thrilled that Calesco left her to explain the messy realities of her patrons. On the other hand, she is definitely relieved Calesco didn’t spill the beans about her being chosen by Hell. It’s a complicated kind of ambivalence, and she’s almost grateful she doesn’t have the energy to get all that invested in either side.
“… I tried to sneak into the nobby Shogunate estate Kasseni’s apartment was in and kill her,” she says. “Um. You know who she was to me, right? The one who bought me back when I was a kid. Those two years I spent as a slave before getting free and scorching the brand off my arm and meeting Rat - I spent those under her. So I wanted revenge, but I was burned out and dead inside and my arm was fucked up and I’d lost my edge and… and I just froze up. Got caught. They took me to Sentinel’s Hill, an’ recognised the burn as covering up a brand. I spent a day and a night in the special cells. And then…” She hesitates. “Then, at my lowest point, I was Chosen.”
She could go on. Could hint at who she was Chosen by. Could carefully, delicately frame how Dulmea came to her and how she made a deal with demons. She could throw out justifications and rationale; how the Unquestionable want to be freed but Keris herself doesn’t support that goal, how if she wasn’t the Green Sun Princess in charge of the Anarchy then it would be someone else - probably someone far worse. How a lot of what she’s done has been good for Creation; suppressing the Dead and wiping out slavers and fighting fae, and how even the corruption and cult-making and blackmail is basically no more than everyone else does (except for Keris being better at it). How she’s not getting her infernalism mixed into her new Blue Order; how she’s even trying to bring some serenity and peace to the mad princes of the demon realm. How Calesco, who Rose seems to like, is a demon lord herself, and clearly she’s not so bad if Rose hasn’t noticed anything amiss in two seasons of travel together.
But she doesn’t. Rose may be Calley’s daughter, and Keris is well-inclined towards her for that, but she’s not clan, not yet. And she’s a priestess of Venus, so if she reacts badly and prays to Heaven to tell them of an infernalist Hell-Chosen in Saata, someone might well actually notice. The only way Keris could be sure of safety would be corrupting her, binding her to a pact of silence, bending her will - and those things, she’s not willing to do. Not to this woman. Not here, under Gull’s charcoal-sketched gaze.
Calesco makes a small noise, a considering one. Then squeezes her shoulder. Later, it seems to promise.
“Can I... see?” Rose asks, and this isn’t a suspicious question, it’s one of wonder. “Your god-mark, I mean. On your brow.”
Keris eyes Gull’s picture. “Maybe later? I try not to… I want that side of my life to be separate from my work for Venus. And when I’m up here, with Gull - I come here every year on the anniversary, if I’m in the city, or as soon after as I can if I’m not - I try to just be the girl she knew me as. Not some big important nobby lady with magic powers and blessings and stuff. I’ll give you a show tomorrow, if you want, but right now…”
“Yeah, okay,” Rose agrees. She settles herself, and shifts to stare at the picture. “Oh, Gull,” she says, more to herself than to Keris. “I wish I could put what I feel into words. I wish I could feel just one thing about you.
“I think Ma was wrong. The gods gave you a bad hand of tiles, they didn’t load you with blessings at all. But you also didn’t play your tiles well. Started from a bad place, but never quite managed to take the chances you got - or when you took ‘em they turned out to be rotten on the inside. It’s sort of like Ma. I know she loved me, but she was hard with you - and she both loved you and got so angry at you. She wanted a saviour, not a daughter, but you managed to sometimes be her daughter too.
“I think that’s part of why she got so mad at you. Wouldn’t have got that mad if you were just a street rat she picked up ‘cause a book told her she needed a child with radiant blue hair to restore the Blue Order. And you knew she was using you, of course. But hard as she was, she was still nicer to you than anyone else before. Or if not nicer, she made sure you were fed and warm and that wasn’t a thing you had before. Ah, but listen to me now. I’m still sounding like Ma, thinking that being warm and fed was enough.
“Maybe that’s just me. ‘Cause I know I’m like Ma, someone who can make the harlot life work. Who’s good with money and knows to save and can play being respectable and who always seems to have just enough luck to make the tough times work out. And you never had any luck with money, couldn’t save a coin from day to day, hated any face of respectability and always drew a bad tile if life could find a way. I don’t know if I can say that you blew your chances ‘cause the gods made you as someone who’d always waste them, so I ain’t sure if that’s really something I can blame you for.
“But maybe it does you wrong to blame the gods for the mistakes you made, ‘cause you were the one who became a mob witch and hung with the wyld crews and never ever walked away from things you should have.” She takes a breath. “And I ain’t excusing you taking your student as a lover when she was barely more than a kid. That was all you. Not gods, not demons. That ain’t right. I shoulda told you that to your face if I’d seen you. And I can’t forgive you ‘till I say it. I know you must’ve had your reasons, but you always did.”
Keris bristles at the accusation and goes still and quiet and unsettled again at the talk of saviours, but forces herself not to interrupt. This is Rose’s confession, Rose’s goodbye. She takes out some paper instead, and a stick of charcoal, and thinks back to when she last saw Calley. Tries to capture her in careful strokes; the lined face creased by decades of frowns and scowls and too-few smiles, the faded hair that was no longer forest-green, the eyes that were still so sharp and cutting, but not without a hint of fondness. The crotchety air she gave off even when standing still, her skinflint nature that you could read from how her eyes narrowed over market stalls and her tea leaves always got steeped three or four times. The way that, under the bark and bite and berating, she always did care - enough that she dedicated her life to healing and medicine and serenity and Venus.
“I don’t know what I could’ve done different,” Rose admits into the silence. “When I was a kid, I didn’t know a thing. I know I resented you sometimes, but that’s what a kid does when their Ma brings home someone new and now they gotta share their bed with a new girl and Ma’s teaching the new girl new things and paying more attention to them. And it was you and Ma that led to you leaving and never coming back - and her shouting at you about money and you never being grateful and her having to work her back off to buy another dose of Maiden’s Tea for your latest fling.
“And after that, we never really spoke. Except for that one time, just after I got back from those sour-faced runaway crones in that stinky Great Forks monastery who dared be preachy to me and expected me to repent. As if there was a thing I’ve done that Venus don’t know about and ain’t done herself. Do you remember that day? You had those two brats hanging around,” she nods at Keris, “and we had tea and I told you about what we’d found and I said we could go into business together. Get outta Firewander for you, join me in my new place I was renting in Nexus, get away from the gangs and take advantage of how I’d managed to follow one of the prophecies to get a small place on the Harlotry itself. Maybe if I hadn’t mentioned how I got it, you wouldn’t have spat in my face and told me to leave.
“I don’t know. And can’t know. I wish you’d listened, though. Wish I hadn’t brought up Ma’s prophecies around you.”
Calley takes shape in black and white - no frills, no fancy gold leaf or expensive inks, but with her brisk motion and impatient, know-it-all air so clearly captured that it looks like she could step right off the page. But the charcoal slows on the paper, no longer moving quite so freely, because Keris is listening hard now. Listening to these things about Gull she’d never known - a book of prophecy, a destiny to restore the Blue Order, a plan to make it big and go into business. She doesn’t remember the day Rose is talking about - there were a lot of people Gull had met with in the early days that Kit hadn’t really paid much attention to. But she wishes she had, now. Wishes the talk of prophecies had caught her ear, wishes that she’d remembered it to ask Calley about later. What might have happened if she’d known about that? If she’d been able to push Gull to take advantage of some of the things she knew were possible?
Why had Gull never told her? Why had Keris never known?
Rose sniffles. “Maybe if I’d said it differently, it’d really be you here I was looking at and we’d be two middle-aged biddies as nearly-respectable madams in some plush hall like this one.” She blots her tears. “Instead it’s just me. And little Kit. Don’t blame her for stealing the life I wish you could’ve had for yourself. Don’t blame me.
“And most of all, don’t blame yourself. Rest easy, Gull, and go find an easier, kinder life where you draw a better hand of tiles and the world don’t put temptations and strife alike in your face time and time again.”
Keris swallows, sniffs back a few more tears, and disentangles herself from Calesco to rest a hand on Rose’s shoulder and bow to the portrait. “I’ll be here next year, on the anniversary,” she says, voice thick. “Just like the last few. And all the years to come. I won’t ever forget you, Gull. And Rose’ll probably visit too.” She thinks back to that talk with Zanyi, the truth about the promise of a joyful reincarnation. It wasn’t true, but her cousin had been right about it not being wholly a lie. “I hope wherever you are - whoever you are,” she adds, “you’re benefiting from the peace and joy you put into the world in life.”
“It’s been nine years,” Rose says, still dabbing at her eyes. “She could be an eight year old by now.”
“Agh.” Keris winces, her thoughts treacherously straying to an nine-year-old girl not too far from them right now. “Don’t say that. One of my nieces isn’t much older than that, and too much of a handful by far.” She laughs, brief but genuine. “Gods, she’s a brilliant, scattershot little thing, too. Though more wilful than Gull was.”
“You don’t think she was wilful?” Rose seems genuinely surprised. “If she hadn’t been so wilful, she and Ma might’ve gotten along better. Or at least she’d have done what Ma said.”
Keris’s expression flickers. “Well… she was always easygoing with me when I was a kid,” she says slowly. “And, I mean… she never stopped doing the dreamdust, no matter how much I yelled at her about it, but… she never fought back either. Not after… not after she saw me kill Chen.”
The silence that falls is uncomfortable and painfully guilt-stricken. Keris shakes her head fiercely, trying not to think about how much of Gull’s wilfulness was beaten out of her by Chen, and how much was suppressed by fear of Kit.
“I have an offer for you,” she says instead, focusing on Dove. “I said I mostly try to keep my Blue Priestess side and my Exalt stuff separate, and I do, but last year, I got into a… situation, and I had to un-fuck a really, really serious problem. I prayed to Venus and asked her for help in getting everyone out alive and sane, and promised to raise a new temple to her in the Anarchy if I succeeded - which I did. I didn’t exactly put a time limit on when I was going to build it, and my Wood and Fire got kind of busy with some unexpected stuff I had to handle… but it’s not good to leave debts like that hanging for more’n a year. This place,” she gestures around at the Carnation, “is sort of Venusian, but if you’re willing, I’d like to fund a proper, dedicated temple that’s just for the Order - not a nightclub or a gambling parlour with religious bits; a place devoted just to serenity. And if you’re all that Calesco’s said you are, I’d like you to run it.”
Rose does not respond immediately. Then:
“No.” She raises a finger, before Keris can say anything. “I have crossed the world to be here. I have taken all my students and followers and girls and boys with me. My boy’s here too. Please understand that I am serious here, following an omen from the Blue Lady.
“But I also am not going to throw myself on your charity to keep on funding a temple in a strange city. Part of why I’ve done so well - and Ma did, too - is that we always think about how things could go wrong. And I may be a joyful priestess and I have taken my vows to Venus and kept them pretty much as well as I think I could, but I know my limits, and I know I am a harlot and a performer and a madam in how I earn my money. And that is what I have trained those I took me with in. I don’t have much sympathy for the kind of priest who doesn’t earn their own way, because they’ve caused me little but trouble over the years. There’s more than enough temples in Nexus where some nob funds them to feel better about their own sins, hoping to earn divine favour from keeping some priests on to pray for them and to look good in the eyes of the public.
“Now maybe this is unfair to you, but I’m not going to see you as my Necessity.”
The tone - it’s so Old Calley. And a bit Calesco too. It’s a reminder that Rose has pulled herself up from Calley’s level to being almost-respectable and rich enough to live in one of the ancient builds; she has her pride. But also - Rose is Nexan. And maybe Keris needs to sell her on what a priest is in Saata.
“That’s not…” Keris grimaces in frustration. “I understand your point, but that’s not what I meant. How much has Calesco told you about the priesthood in Saata?”
“She said there’s a lot of priests here, and I can believe it,” Rose says. “Lot of temples we saw coming out. Lot of rich men who want the favour of the gods.”
Keris shakes her head. “No. Well, yes, but no. The way Saata works… the temples are kind of like the guild systems you find back in the Scavenger Lands - not the Guild Guild, but things like mason’s guilds or weaver’s guilds or whatever. Every college or school is a temple, and more or less every temple is also a college or school. In order to hold a skilled profession or do the kind of work that needs an education, people gotta sign up with a temple and get legally recognised as a priest, and the temples set laws that apply to their priests - there are hundreds of different law codes here; every district and temple has a different one and they all squabble over jurisdiction; it’s like the Civilities all over again. You’ll get the hang of it quickly - or at least I did - but non-Nexans struggle.”
She shakes her head. “My point is, when I talk about a temple, I’m not just talking about… about a building where I pay you to stand around looking pretty. I’m talking about setting up a… an organisation that does Venus’s work, and is also a school, that’ll set laws for its members and hire out its services for priest’s work. The big temple of Mercury Windswift? It’s not just the best school in Saata; its priest-graduates are in big demand to witness legal documents being signed, or to do weather-working, or to navigate and make maps for big ships; all kinds of things. A temple of the Blue Order here wouldn’t be an empty shell; it’d have to work, to support itself, to find things it can offer or work it can do to bring in funds. But it will be a temple first. Anything else it does - any harlotry or dancing or counselling or curse-breaking or whatever - any of that will be something it does as a Blue Order temple to fund itself. Not as a nightclub and entertainment hall that teaches some Blue Order stuff to its staff.”
She meets Rose’s eye. “I made a bargain with the Blue Lady to raise her a temple if she gave her blessing and helped me save my… friend. And then I did something I wasn’t sure was even possible before trying it, and everyone came out of it with their mind and souls intact, and as far as I’m concerned that counts as Venus keeping her bargain. I won’t support you in perpetuity; I don’t have the funds for that even if you’d let me. But I’ll pay for the property and the commissioning of the shrines and furnishings, I’ll see that the legal shit with House Sinasana gets pushed through to register it as a temple with the city, I’ll help bless the grounds and give my input on writing all the codes and laws for its members, and I’ll rustle up your first crop of initiates from my people who’ve been leaning that way. That’ll make good on my vow and fulfil my deal with the Blue Lady. After that, you’ll be in a good place to support yourselves and keep the temple running without me needing to be here - which is good, ‘cause I’m a busy woman who spends as much time out of Saata as in it.”
“I’ll be around for a week or two more, so I can help get some things set up,” Calesco interjects, still protectively holding Keris. “I do have places to be, and a debt of my own to resolve, but I want to see how the Carnation’s been doing, get some people settled, and there’s a client I want to see. And so I can help you, because there are a good number of important people in Saata who’d help a friend of Black Shawl ease her way through some of the processes. And since I’m here, we can introduce you to Saatan society as a visiting performer at the Jade Carnation. Which will serve as your introduction to some of those important people you’ll need.”
Calesco has grown up, Keris realises with a start. She’s noticed it before, but this is much more real. She’s talking like someone used to navigating political situations and is thinking about money more than she used to - because Keris doesn’t doubt that the profit for the Carnation is something she’s considering here.
“Listen to you,” she says, breaking into a heartfelt smile and cupping Calesco’s chin with a lock of hair. “You’ve grown so much. You’d never have thought like this before you left on pilgrimage.” Gently, she presses a kiss to Calesco’s forehead. “I’m so proud of you, sweetheart. And when the new temple is built, I think you should be the first one to re-swear your vows there and officially take the Blue.”
Calesco smiles for a reason Keris can’t quite understand, and nods. “Of course, it’ll depend on what Rose says - and whether she accepts this,” she says. “Because her choice matters in the end.”
The older woman folds her hands, and bows to the altar, lips moving. Keris can hear her soft prayer for guidance. Then; “I crossed the world because I saw an omen from our goddess,” she says. “I do not know what she wants from me, but building a temple of a new Blue Order that’ll see new people trained in her ways - and given a better chance than they would have gotten in the Harlotry - can’t be something she’ll not be pleased by. If nothing else, I’ll run a better place than people just in it for the money. Yes. Very well. We can talk contracts tomorrow - for now, I need to get my people settled and see something of the lay of the land. And,” and there’s a sharper, very Nexan twang there that sounds just like her mother, “talk about the contract if I’m going to be working for your club for a bit. And the money.”
Calesco rolls her eyes. “Is this literally where you got your tight-fistedness from?” she demands of Keris. “Well, from her mother - of all the things, is her penny-pinching what you picked up? Incidentally, on that note, Iroi’s got a lot of expenses and you’re not getting your documents until you promise you’re not going to obstruct settling those debts I racked up in my travels.”
Keris makes a face. “I’m not making a promise like that without going over what those debts are,” she argues. “Give me your expense claims and I’ll go over them first. You can follow up with the documents once I’ve approved everything sensible and we’ve sorted out what to do about anything I take issue with.”
“I’ve had Iroi file them with Rounen, and we’ll let them argue it out. I just want to make sure you don’t interfere and start making everything go through you because you don’t want to pay anything-” Calesco begins, her voice rising.
“I’ll leave you to this,” Rose says wisely. She kisses each of their cheeks in farewell (the scent of her namesake embracing them as she does), then says, “It was lovely to see that you are not only alive, but thriving - and have managed to pull yourself into a place in life I’d never thought you’d find. Little Kit, finding herself some serenity. Will miracles never end?”
Rose sees herself out, and mother and daughter are left in the room together. Calesco doesn’t start again on the topic of her expenses. Instead, she curls a hand around the back of Keris’s neck, and for a moment rests her brow on Keris’s.
“Well done,” she says softly. “I know that was hard for you.”
“I know I didn’t…” Keris says, biting her lip. “I left out… you know, our nature. The Hell stuff. But I meant it when I said I don’t want that stuff involved in the temple. She doesn’t really need to know, and it’d just make her less likely to take our help or set up here, and maybe make her mistrust whatever omen led her here - you can explain that later, if it’s not in your report. So it’s… it’s a kind lie, right?” Her voice is pleading. Hopeful. Trying to convince herself as much as her daughter. “It’s not like when I was pretending Gull didn’t exist. I’m not covering up something for my own benefit. I’m just protecting her from something that would hurt her for no reason. Like your shadows, not your light.”
That earns her a flat stare from eyes where an inner ring of white ripples like the corona of an eclipse. “You should tell her. Because if she finds out any other way, it’ll destroy her faith in you. And because I can hear how much it means to you and how much you fear losing her. Not now, not when you’re still fragile. But soon enough. You’re going to have to come up with an explanation tomorrow when you show her your caste mark.”
“… I mean, I was planning to just lie about it,” Keris admits, ducking her head shamefacedly. “You know, using your shadows to give myself a silver ring for the day. Which. Uh. I can see you don’t like the sound of.”
“There are enough demons and demon-adjacent creatures around you that you can’t rely on being able to keep up the deception,” Calesco says firmly. “You can cover up yourself, but she can put up strong wards against demons - enough that I had to use everything you taught me to enter her house. What happens if she starts doing that in the Carnation? Or she - or someone she trusts - sees how many demons habitually lurk around here? Or your... Ladies go to her temple, who are out-and-out demon worshippers, some with familiars, all with demonic pacts they’ve signed with you, and you’ve fused one of them directly into a demon.” She pauses. “Did you think of any of that, mother?”
Keris’s face goes through several complicated emotions. Her shoulders come up. She doesn’t voice her fears, her worries, the once-bitten-twice-shy flinch reflex away from the possibility of being rejected, but it’s clear to see from the way she curls up on herself, her hair wrapping round her body protectively.
“… fine,” she eventually mutters. “Fine. Fine! Maybe you’re right. Fuck. And you’re going to make me do it before I go off to help Haneyl, too. Her finding out without me there to handle it would be the worst outcome.” Despite her agreement, she’s visibly unhappy about it, and her fingers tighten around the the knives that are suddenly in her hands; more comfort object than threat.
“That’s right,” Calesco says kindly, petting her mother’s head. “And because you volunteered to do this, I can trust you with some of the Blue Order things I found along the way. Because this kind of self-knowledge and self-honesty is the way of Venus Phosphene, the aspect that originally it worshipped. There was so much to be found, mother. In Port Calin I found a demon cult that didn’t realise it worshipped a demon, and took control of it - from them, I found many of the alchemical formulae and soul-affecting drugs that they use for both veneration and conditioning their cultists, but the original Order used for exploring and aiding the self. In Kayzadon I made contact with the remnants of the rural Venus-worshippers, and allied myself with the moon-chosen who’s working to rebel against their overlords - that’s a living culture, mother, one that never left the homeland. And in Matasque-”
She pauses for just a moment.
“I stole some relics of the Order from the city goddess, because it decamped to there briefly. I found things in Nexus; not just Rose but also exorcists and remnants of Order knowledge in the Harlotry, and there’s the remnants of the original temple hierarchy in Great Forks who still have the dances and spirit supplication and practise the Gentle Fist style of martial arts. They’re the ones Rose doesn’t like, but I brokered an agreement between them and the moon-chosen Erikin to ensure that the knowledge there doesn’t get lost and can be passed to the living culture in Kayzadon.”
With each thing Calesco lists, Keris’s eyes get wider. With each nugget of precious Venusian heritage, her hair rises and her shoulders lift from their slump. Calesco is watching, and there’s a brief flicker as she mentioned Matasque - recognition, at least, and perhaps just a touch of recollection followed by fear - but then Calesco keeps talking and the excitement is back.
And Calesco knows her mother well. She knows what tempts her. A lost heritage of worship is already alluring, but soul-affecting alchemy? And martial arts? It’s only by a miracle of self-restraint and forbearance that Keris waits until she’s finished to sweep her off her feet into a hug, spinning her round and round and squealing with glee.
“I will say you could have done this yourself,” Calesco says with fake primness - oh, wait, she’s impersonating Dulmea.
“She is not wrong,” Dulmea says, missing the mockery.
“I know,” Keris agrees. “But I’m not the one who needed it. I didn’t send you out just to bring back some relics and information, Calesco. I sent you out to grow. And you have. You’ve grown so much. I thought...” Her mouth twists ruefully. “I thought you might even come back with Sorcery, actually - it was a trip that was designed to push you through at least two of the Trials. But I guess you’re still not quite there yet. Not that I’m criticising you for that! What you’ve done is incredible - and I am so, so proud of how far you’ve come and how much you’ve matured in the course of finding your way through this pilgrimage and back home to me safe and sound.”
Calesco’s face falls. “I had the chance, I think,” she says softly. “I didn’t take it. It would have made me much worse to give it up. Some things are not worth the power. There are parts of me better-off constrained, limited, held back. Even if... I have had to accept them on the trip, I understand that they should not be allowed to run out of control.” She glances at the image of Old Calley Keris was working on. “I am not human, and neither are my siblings. All of us pretend we are. And the pretence is so good we often even fool ourselves. I know that, but I would keep that lie and remain not-a-sorcerer.”
Keris sways back, considering that. “I don’t know exactly what you’re talking about,” she says slowly. “But... mm. It sounds like you had good reasons. And while I do want my little school of sorcerers to grow, I’m not so eager for it that I’ll ignore your knowledge of your own nature. I would be interested in hearing about the Choice you faced, if you’re willing to tell me.” She schools her face into attentive patience and squeezes Calesco a little closer, then sits them down side-to-side on one of the mats, not quite facing the shrine and its watching portrait.
Calesco settles herself down, and takes a deep breath. “There was an old man, an old priest of the rural Venusian priesthood,” she begins, and explains about old Tokoi, the grumpy man who lived in a cave. About her pretence, his bare-tolerance for yet-another harlot looking to become a priestess. And the vision quest he put her through.
She tells Keris about the Piercing Wind.
“You are my father,” Calesco says clearly. “Eko was sired upon you, but... you sired me on Adorjan. I was born from her womb. I fell into your world when she gave me to you, and there I became Calesco. I - Calesco - am Eko’s little sister, but I think the Piercing Wind was her twin. She was, and was not, me. When you shrouded me in the darkness of the Dragon, I became someone new.
“That is what my mother offered me, and I do not know if it was truly her or just something I knew within me all along; to cast off the shadows, to become a creature much akin to the Piercing Wind once again. That pure white barb that raced through the skies of hell, picking out one soul to obsess over and torment and break and discard. And this is... I know it would have been awful, and yet the other thing I have faced is the need to also accept I am not just a creature of shadow and tar; I am light and pain and truth. The magistrates are as much me as the witches. It would have been so easy to reinvent myself and so flee into a new identity. But I didn’t.”
Keris flinches back, startled and scared. Just as fast, she self-corrects and darts forward again, wrapping Calesco up in her arms to reassure her that it’s not her Keris is scared of. Her heart pounds in her ears like a hummingbird’s wings as she takes in the scope of the revelation.
The Piercing Wind. Is Eko a wind too, she wonders? Probably, even if Adorjan wasn’t the one who bore her. The Joyful Wind, maybe. Who knows what nature that being would have had?
The questions distract her and help her calm down from the first rush of alarm. Once she’s past that, it’s easier to think more clearly and take stock of what this changes. Which is… not much, really? Oh, hearing it is fucking terrifying - especially the part about the Silent fucking Wind maybe visiting her daughter’s dreams, which is something that makes Keris want to go and learn that warding spell from Gem right away and then bundle Calesco - and Eko - into a private secret sanctum up in Zen Daiwye under the heaviest sorcerous protections she can cast. Or maybe just pull them back within herself and never let them out again.
But she’d already known intellectually that Calesco was Adorjan’s daughter, and that her light was a thing of piercing pain, and that she’d fallen into Keris’s inner world from the sky. Even her form isn’t the same as her siblings - Rathan and Haneyl and Vali all have long, serpentine shapes they can take; dragons and elongated orcas and whatnot. But Calesco, when she drops all her lies, is a little human body amidst four pairs of increasingly huge wings. A shape that may have some paternal influence from Pekhijira’s own great scything wings, but which definitely didn’t inherit the rest of her form.
Really, Keris realises somewhat abashedly, she should probably have put some of these pieces together a while ago.
“Okay,” she says after a while. “Okay. I love you, obviously; this does nothing to change that. And I’m proud of you for choosing to keep your dual nature, and for taking a step forward in accepting it. The stuff about the Piercing Wind… it’s a little scary, but mostly just because I didn’t realise Ad- your mother, could visit you. Or maybe visit you. You haven’t had any visions or dreams like that since, have you?”
“I don’t know if it was her, or something always within me,” Calesco says. Maybe it’s denial, maybe it’s the truth. “Maybe it doesn’t matter. The story is, after all, that the Four Winds shed their human skins long ago. It could be that this is always something the children of Adorjan can do. But no - no, I haven’t heard anything from her. I was off my face on vision-questing drugs at the time, so even if it was her, maybe she could only find me when my mind was wandering.”
“Good,” says Keris firmly. “Tell me if that changes. If you run into anything big and powerful while you’re dream-questing, I’d rather know about it and find out later that it wasn’t real than miss it if it was.”
She considers the sketch of Calley for a moment, then tucks it into her hair. It shouldn’t share the same shrine as Gull - she’ll need to build a second one. And get some appropriate offerings for it. Some nice medicinal tea, maybe - something she can viciously haggle over the price for. Calley would like that.
“I’m proud of you,” she repeats one more time, cupping Calesco’s cheek. “All these things you’ve brought back, all the ways you’ve grown, all the things you did. You met and surpassed my expectations for your pilgrimage. Well done.”
Calesco rests her head on her. “I’m glad to be home,” she mumbles into Keris’s shoulder. “It has been a really tiring year. With too much of Malek. I’ll get some things tidied away and cleaned up, get other things sorted, I’m going to need the Room of Restraints for work reasons because I have a client who’s left a request for me,” she adds quickly as if she can skip over it, “oh, by the way, I’m going to be initiating Iroi with the lesser oaths to the Blue because I need someone I can trust with some of this management and library work and Rounen isn’t part of the Order.”
Keris takes a long, slow breath, and lets it out again. It has been a long, emotional talk, and she can feel a headache coming on.
“… we will talk about that,” she decides, “after I’ve worked out whatever I’m going to say to Rose.”
Even Mele’s placation can’t ease Keris’s nerves, for all the effort he puts into it. She can’t sleep, and this time it isn’t because of the quicksilver. Some of it is the queasy nausea of her developing pregnancy, but most of it is fear about what will happen tomorrow. In the end she leaves Mele in bed, and pads through the halls of her estate to her hidden workroom, where she spends the time making a start on the neatly written and summarised catalogue of findings that Calesco’s renda Iroi has provided her. It doesn’t make her feel any better, but it’s something to do other than lying in bed unable to sleep.
Mele finds her there in the morning, and wraps his arms around her, resting his chin on her shoulder. “Are you on the no-sleep mercury again, maj?” he asks, rubbing his cheek on hers. “You said you weren’t going to do that again.”
“No,” Keris mumbles, turning in to nuzzle him. “I’m being good. Got tempted to skip on sleep and do some more research into curses an’ stuff this season, but I decided not to. Which is good, ‘cause it left me well-rested and clear-headed enough to pull off all that stuff corrupting the priests inspecting the Carnation. No, I’m just... anxious. About coming clean to Rose.”
“You spend any of the night thinking about what you were going to say, rather than just holda-ing?”
“Yeah. Well, no. Yes, but nothing helpful. I just...” She throws her hands up. “Ugh! This would be so much easier if I could just corrupt her! I have tonnes of ways to corrupt people! To hook them with things they want or get them to love or lust after me or make them grateful for the things I’ve given them! But I don’t wanna do that with Rose! I didn’t do it with Ali and I didn’t do it with Xasan - I don’t want to get my family to accept me by charming them with Yozi-power! I want them to accept me for real!”
She pants for a moment, then brings her arms down to wrap around him.
“But it’s scary,” she continues in a smaller voice. “If I’m not just making them accept me. It’s scary because I don’t know that she will. She’s a priestess of Venus - she believes in the gods, she thinks demons and infernalists are evil. Ali and Xasan accepted that I’m not evil even if some of my bosses are, and that I have my reasons for working for them even if it sounds bad. But Xasan’s a highlander, and Ali’s scared of losing people. Rose might not be so accepting. And once I’ve told her, I can’t take it back.”
“Well, Xasan has his own reasons for accepting you, just like Meadowsfolk do things for reasons that might not make sense to others. Is there anything in her... Nexan-ness, or in the Blue Order stories you have, that might give her reasons to not just dismiss what you say outta hand?” Mele suggests reasonably. “That’s part of being a captain, finding a way to get people from different places to listen to what you say. And, maj,” he kisses her neck, “maybe a little bit of being someone who’s kept three holdas and your imperial majesty, you know. Knowing how to put things so people listen to you even if their instinctive heart-born reaction says to reject it out of hand.”
“Uuugh,” Keris moans. “Necessity? Least evil? If I wasn’t working for the Yozis, they’d have someone else doing more or less what I’m doing, but without my soft heart or my opposition to slavery or my preference for subtlety. Or, hell, maybe that I’m trying to bring harmony and peace and serenity to the tortured, maddened princes of Hell so they’ll stop trying to vengefully fuck over Creation quite so much; that’s not even a lie. Well, not much of one. Some of them I wanna do that, at least. The ones it might actually work on.”
Her notes did find a few things. She isn’t sure how useful they’ll be, but they’re something maybe to work with. There are bits that come from both the Azure Pyramid in Port Calin and from the rural Kayzadoni branch and a doctrinal book from the collection Calesco stole from the goddess (but notably not from the Great Forks austere sect) that to Keris’s eye looks are pretty clearly all parts of the old Blue Order ways for the conduct and practice of their sorcerers and exorcists. Notably, to call on the Forces of Hell is not necessarily, in and of itself, wicked - what must be certain and clear is one is not mastered by Hell. To call up a demon for information is acceptable and even sometimes proper for a sorcerer; to offer payment to a demon to advance one’s own interests is not. And above all, one must always be honest with oneself about one’s reasons. Pride, greed, vanity and envy - all of these are pernicious things that can lead one to act in ways dishonest to one’s oaths and one’s righteous soul.
But in the end, one of the books of admonition says, the forces of Hell are less corrupt than the wickedness that lies inside the souls of men. One can be more righteous calling on demons to serve the order of the world and to safeguard Creation than one can be wielding divinely-granted power in the name of one’s own gain. All things are Fate. A demon might serve the order of Heaven; a god might weaken the world in the name of their greed and vanity.
And yet. Keris can see the tragedy in this - the words make sense, they speak of a vision where deeds matter more than words or even what one is. But maybe this high-minded vision laid fertile soil for wicked men to decide that since what they were doing was righteous and in the name of Creation (no matter how much they benefitted), then there was no sin in consorting with demons.
“I guess... I guess I’ll just have to see what she says,” she concludes, worrying at her lip. “And try to frame it so that she understands why I took the deal even if she doesn’t like that I kept it.”
He nuzzles her. “You need to do your best. I trust that you can. After all, you’re the all-queen - but that’s not what really matters, is it? What matters is that you’re you. You’re funny and clever and kind and you’re really trying your best in the face of how bad hellkin can be.”
Keris sighs gratefully and slumps onto him. “I’m really glad I’ve got you,” she murmurs. “You’re good at this. At helping me feel like I can do stuff even when things are hard, and at looking after me, and at giving me good advice. I love you.”
“I know. I can feel it in my heart and in my bones,” he says simply. “And you got me acting a little holda from how much I love you.”
She giggles, and makes a note - after she’s dealt with the current difficult, draining and dangerous emotional conversation she’s facing, which is going to require all the energy she can spare for it - to check up on how her boyfriend is doing and whether there’s anything she can help him with. His other holdas, for instance. He’d told her, back during Calibration during one of their trysts, that he was going to give their hearts back because it wasn’t fair to keep stringing them along while she was the centre of his heart. And she’d definitely (enthusiastically) rewarded him for such a romantic, devoted promise, but that’s still going to be difficult for him - not just because a raider giving up an artisan’s heart is going against his most essential nature, but because Mele doesn’t like hurting people’s feelings, and this is going to result in some feelings getting hurt no matter how he handles it.
But that can come later. Keris will need to be calm and centred and not an anxious wreck to support him through that process, and she’s none of those things at the moment. Right now, she needs to focus on the challenge at hand. Convincing Rose to accept her the way the rest of her family has.
It is early afternoon when Calesco brings Rose up to Cinnamon’s personal quarters in the Carnation. And they are her personal quarters, rather than a place where she does any work, a light and airy place on the top floor, of more recent build than the old walls that make up most of the structure. Keris doesn’t sleep here too often, but she’s been using it more since she started trying to separate Cinnamon and Little River’s lives more.
It’s honestly a mess. Cinnamon has a set of fake personal quarters on the floor below for entertaining the highest paying guests that want to see her “real” face, but those are a pretty, carefully put together showpiece. The similarities serve only to highlight the differences.
The trophies, for example. Cinnamon’s fake rooms are full of mementos and gifts from her wealthy clients - but they’re all the kind that clients like to see, and imagine her lingering and sighing over when they’re not there; locks of their hair in golden lockets, paintings of far-off places they’ve been, jewelled figurines given to the artistic, refined courtesan.
Her real rooms have the things she actually cares about - the little flying-craft model she stole from the naib of Malra, a potted carnivorous plant from the Lower Anarchy, a full set of underwear she’d seduced off Sinasana Mei-Fang despite the other woman’s initial insistence that she had important business that precluded an extension of her time with Cinnamon, a board game the Tya Captain Hoto - Helehanifu in private - got her into that involves walking a little ship tile across a grid board while putting down storm tiles and favourable currents to impede your opponent’s progress and speed your own.
Likewise, the fake rooms are an artist’s studio - for Cinnamon is well-known to be an artist - but they’re a studio for people who have never actually seen what an actual artist’s workroom looks like; a mostly-finished self-portrait standing on an easel that’s beautiful even in its incomplete state, a collection of neatly ordered brushes and other tools kept in good condition, glass bottles of paint and ink whose rich colours form a gorgeous rainbow of hues within a glass-fronted cabinet. A lacquered wardrobe with one door left casually open shows off a selection of ornate dresses that range from modestly elegant to tantalisingly skimpy, and a chest of drawers promises all manner of erotic underwear.
Her real rooms have half-done sketches and drafts piled up on tables and occasionally tacked up on some of the walls with scribbled notes pinned to them for revision or change. Brushes and charcoal sticks litter the surfaces and more than a few bits of the floor, many of them chewed at one or both ends and yet more having rolled under bits of furniture. There are a dozen mixing palettes that haven’t been cleaned, one of which is haphazardly propping up a hand mirror.
Over on one wall, the rack for sachets of paint powder is only a quarter full - the rest have been left around disorganised next to whichever piece they were last used for. A life-sized wooden statue missing three of its limbs stands awkwardly in the way of the (mostly empty) wardrobe because there’s nowhere else for it to go - it’s meant to be of Ludvo but she still hasn’t settled on a good pose for it.
The obstruction to the wardrobe doesn’t matter when it comes to getting into it, because Keris mostly sleeps in the bathtub, which has left the bed free to become a place to drape the clothes she doesn’t put away. As a result, they’re piled up on top of it to a depth that rivals the mattress in places. Several snacks and half-finished meals lie forgotten among the clutter, though someone at least appears to have removed the ones that were going mouldy.
From the way Rose looks around, Keris gets the distinct impression that she’s seen the fake rooms on her tour of the building and is inwardly comparing them to the truth.
“Couldn’t you have cleaned up at all, mother?” Calesco mutters. She’s moving a little stiffly, and doesn’t seem to want to sit down. Keris doesn’t want to know why. “You’re embarrassing me!”
“I’ve been busy!” Keris protests, picking up a stale biscuit and giving it a tentative sniff before shrugging and tossing it in her mouth. “Besides, it’s not like your garret is much better. Or your cave, for that matter.”
“I could fit my entire garret in your bathroom,” is her response, that studiously ignores the question of the cave. “I don’t have space to put everything away neatly.”
Rose is looking for somewhere to sit, and has to move a set of books off an over-padded armchair before she can find it. Though the presence of the books seems to give her some surprise. “I didn’t know you could read,” she says. “Least of all so...” she glances over at some of the other piles, “enthusiastically.”
“I learned after I Exalted,” Keris replies. “Well, I say ‘learned’. Got it mercilessly drilled into me - Old Realm and Riverspeak first, and then I picked up Tengese Firetongue and Harborite later. And I’m working on Seatongue, though I still got a terribly strong accent there and I’m not all that good at it. I’ve been trying to improve.”
She stretches a lock of hair out to pick up the topmost book from the stack Rose shifted. It’s an account of travels written by a Raaran Ge captain, and she hums happily, opening it and flicking through the pages until she gets to one of the illustrations. “But books are great,” she continues. “I found that out after I learned to read them. They’re a way to learn stuff without people knowing you know it. And without having to pay a teacher for it, too - you can get your hands on a book for free, but you can’t get lessons outta someone without paying ‘em. They mean you can come back and get reminded of stuff you forgot, too. Or learn stuff even if you can’t find a teacher who knows it, or have way more knowledge than you can fit just in your head, and when you need to know something that’s in your library you can just go look it up.”
“I know,” Rose says, a little too patiently. “Ma made sure I learned - made sure Gull learned, too. Even if she was never much for reading. But Ma was very clear that I needed to know how to read, write, and do my sums. Made sure my boy learned too.”
Keris nods happily. “I wish I’d learned earlier. But...” her face goes downcast for a moment. “Gull never got around to teaching me that stuff when I was a kid. And by the time she thought to, her hands were too shaky and we didn’t have the time or energy for lessons - not when we were barely making ends meet. Calley tried to get me to learn my letters a few times, but I never sat still long enough for it to take.”
“Well, it looks like you made up for lost time,” Rose says, as Calesco picks her way around with a disgusted expression, cleaning up the old plates. “What do you want to talk about?”
That makes Keris hesitate. She fiddles with the empty plate of biscuits for a moment, then puts it down on a chair and pulls out the portrait of Calley and passes it over.
“I’m gonna make another shrine over in Gull’s room,” she says. “For Calley. She taught me too, you know? She was basically my grandmother, in some ways. She deserves a place there - not sharing Gull’s shrine, but with her own beside it.”
Calesco clears her throat, and Keris waves her off. “I’ll get to that stuff too,” she snaps. “Just... working up to it. And this is important as well.”
“It’s a kindness for her,” Rose says. Her face falls. “And a kindness from you, given the wrongs she did you.”
Keris shrugs uncomfortably. “Mmm. I don’t... whatever wrongs she did me, I’ve...”
She trails off, and starts toying with a discarded palette knife, twirling it between her fingers and tapping it against her knees where she has them pulled up to her chest.
“Yesterday,” she says after a moment longer, “you asked to see my godsmark.”
“Yes,” Rose says, eyes widening. “I understand if this might be private what with how there’s Immaculates in this city too, but...”
“It- no, that’s not it; I’ll show you,” Keris says, “but I want to... I want to explain how it happened first. Because you’re...” She sighs. “You’re not going to like this, Rose. At all. But I want you to know the context before you start yelling.”
She swallows, and licks her lips. “I told you,” she starts, “about what happened after... after Gull died. How I just broke for a while, and then Kasseni got that promotion and funded that big statue and I started thinking about her again and hating her and plotting revenge until I went after her in her swanky Shogunate apartment building. And then I froze up like a coward and got caught.”
“But the gods came for you,” Rose says, as Calesco takes up position behind Keris, gently squeezing her shoulder in reassurance.
“I was visited,” she not-quite-agrees. “In the cell they threw me in. You know the kind. The special cells, for criminals who piss off someone important. I was in there two days and two nights. And then the day after I turned twenty, Dulmea showed up. She told me that she’d been sent by a greater power, one sympathetic to my plight, and that if I helped them and acted as their champion, they’d give me power enough to escape and strength enough to never be chained again.”
“Dulmea?” Rose thinks. “I don’t know of a spirit of that name.”
“You know her masters,” Keris says. “Dulmea was just a lesser spirit they sent to carry my blessing to me. Talented, clever, skilled, subtle - head and shoulders above her peers; that’s why she was chosen. But not one of the big names. I didn’t know her either. I just knew she was beautiful and gentle and kind, and she tended my wounds and sympathised with my hurt and offered me my freedom.”
She pauses, looking down at the palette knife. “I’ve... I’ve never wanted to die,” she confesses. “Not ever. Not even at my lowest. But those months after I lost Gull, the way I felt in that cell - I didn’t care if I lived. I was so broken, so empty and alone... after Dulmea empowered me, after I escaped, I recovered a bit, learned to love life and fear death again. But there was still a good long while where I needed to be loved as much as I was scared of being killed. It wasn’t until I had to choose between them that I snapped out of it. So back then, on the floor of that cell, when she offered me a way out? I took it. I didn’t even hesitate to take it. I didn’t ask her what it would cost, didn’t get suspicious of a trick like a Nexan-born girl, because I didn’t care if there was one. If it was real then it was real, and if she was a fae thing outta Firewander that had crawled into my cell to eat me... then so be it. Maybe she’d at least eat some of the fucking guards before she left.”
“But at least it turned out well,” Rose says, a note of alarm in her voice. “The gods chose you, you escaped, you-”
Keris holds up a hand to stop her. “I took her deal, yes,” she agrees. “And she wasn’t there to eat me. I escaped, killed most of the prison guards on the way out and got out of Nexus pretty soon after. Dulmea stuck with me - a voice in my head, made part of me along with the blessing, ‘s where the hair comes from - and she led me back to her bosses who got me taught up in reading and writing and how to fight properly and a bunch of other stuff. They had me do some things for them - going after a few of their enemies in the Scavenger Lands at first, since I was only really good at stabbing things at first, but then later on I moved down here and learned more than just sneaking and killing.”
She gestures around at the Carnation. “Being pretty and artistic was part of that. Talking to people, getting them to do what I want, that kinda thing. I’m the reason the death-worshipping Zu Tak cannibals lost a bunch of their Greater Dead and got beaten back to the Wailing Fen a few years ago, and I’ve got sources in Ca Map telling me where the big slavery sea routes are, so I’m winnowing them down year-by-year. One of Calesco’s sisters is down south working on some stuff to fight the Wyld, and I’ve been going around burning up some other Wyld Zones here and there and turning them into proper islands. And I set up the Carnation, of course, and restyled myself as ‘Tennè Cinnamon’.”
That draws a slow whistle from Rose. “You can turn places touched by madness into sane, normal, real places?” she asks. “You... you could get rid of the chaos poisoning Firewander, get rid of... all of that.” She purses her lips. “There’s stories that the sun is choosing men and women again, and those are the kinds of miracles I’ve been hearing of these past few years. I didn’t believe it, not like this, but you’re saying... those stories are true?”
“They are,” Keris confirms. “I’ve met a few of them; there’s a group down in Taira, where I was born, who I ran into while I was searching for my hometown. I found my uncle and my brother - and my niece, who’s in a Saatan temple-college as Cinnamon’s niece; you can meet her at some point if you want - but I had a bit of a close call when I got between the sunchosen naib and an assassination attempt by the undead shahbanu he’s waging a civil war against. Because...”
She takes a deep breath, knots her fingers together, and prays this works.
“Because that’s the thing. It’s not just the Sun whose Chosen have come back. The deathlords of the Underworld have their own Chosen too. And... and so does Hell.”
Rose crosses her hands in her lap. She says nothing. But Keris can see the lurking fear, the sudden worry, the way that the foundations of her expectations have just been cut away.
She swallows. “Ev-everything I’ve told you is true. Hell, my official job right now is just ‘kick the Realm out of the Anarchy’. I’d be doing that anyway and how I go about it is up to me; nobody controls my actions or has any influence over me they can wield. Freedom meant freedom, and they held to their end of the bargain. But. The people who gave me that job - Dulmea’s masters, the ones who I made that deal with.”
One more shaky breath. And the empty ring of green flame on her forehead burns to life.
“... they’re demon princes. The royalty of Hell.”
Rose turns white. “I’m... no. No, I don’t, I can’t, I-” Her eyes settle on the caste mark. “The light of the dread green sun of Hell that one of the old books mentioned,” she whispers. “I... why, Kit, why?” Yet she hasn’t leapt up, hasn’t run, hasn’t raised her voice. She wants an explanation, needs one; Keris’s words and conduct and attitude have bought her that much.
“I had nothing,” Keris repeats blankly. Her face feels numb, but her heart is racing. “Nothing and nobody, and I barely cared if I lived. So I took the deal - fuck, I barely knew what the deal was; Dulmea didn’t say she was from Hell, just from those even more abused and locked up than I was. By the time I understood I had some, uh, pressing reasons to leave the city, and wound up in Hell because it was the fastest way out and I had nowhere else to go. And then... well, firstly I made a deal that they held up their end of, and I keep my deals when I make them. But also...”
She falls silent for a moment. Then, “I know you know who Claudia is - the demon lord who brought the Blue Order down. What do you know about her mother; the demon princess Ipithymia?”
“Her... mother? That wicked creature has a mother?”
“Many - maybe most - wicked creatures have mothers,” Calesco says dryly.
Keris nods. “She - Ipithymia, the Gilded Idol, the Street of Golden Lanterns. I’ve met her. I, uh, I worked for her as a harlot for a season, last year, to buy back the souls and relics of the Blue Order that Claudia took from us. I gave most of them back to Heaven - all the souls, the ones who were innocent and the ones who fell to infernalism, and I got them all a promise of amnesty for what they did. A lot of the relics, too; all the ones that were too corrupted or suffused with Ipithymia’s power for us to risk using. I’ll show you the rest later, ‘cause even those will still need purifying.”
Tap tap tap goes the trowel, beating in time with Keris’s heart. “But I found out some stuff about Ipithymia herself while I was there. She came into being five thousand years ago, just after the gods won the war against demonkind and cast them down and locked them away in Hell. She was one of the first born in that prison, down in the catacombs of the Demon City where the light of the green sun never shines. I’ve been down there, too. It’s not a nice place. There are monsters down there, dark and filthy and hungry - monsters strong enough to devour even a young demon princess. She made her golden lanterns to find her way in the lightless depths, she lay with horrors to placate them - and then to get them working for her. She got stained by all the waste and filth and stagnant corruption, and when she finally made it to the surface, she looked up for the first time at the light of her eldest brother Ligier, and the green sun burned her eyes black and nearly killed her from the poison-light sickness in his rays. And then she found out that she was a prisoner and a slave and that there was no escape for her, ever, and that the mightiest of the gods or the greatest of the ancient Anathema could pull her out of Hell whenever they wanted and force her to serve them, and they’d just send her right back there once they were done.”
She’s not meeting Rose’s eyes, but Keris’s face isn’t so downturned that the older priestess can’t see her expression. There’s a trace of sympathy there, of pity and sadness - and not a little fear. But more than those, it’s contemplative.
“I think... so, um, before you start thinking that I’m on her side; I know she’s a monster. She tried to corrupt me and break me into being one of her creatures, and she very nearly succeeded. That- that childhood, as much as demon princesses have one, that time when she was young and weak and fresh into the world... that was five thousand years ago; any chance for her to change has long since come and gone. But I think that... what she went through back when she was freshly born, the environment she was in when she was young, the lessons she learned - that’s why she is what she is now. That’s why Claudia is what she is, because she’s a reflection of her mother who learned all her wisdom on the Street of Golden Lanterns, and Ipithymia got taught from the moment she existed that the world is cruel and that she was born into chains for stuff she never had a part in and there’s no escape so all she can do is get paid for what people make her do and chain up others to pleasure herself in her captivity. But maybe if someone had been kind to her back then, and taught her the world doesn’t have to work like that, they’d both be different.”
There are no words from Rose. She seems half stunned from this confession, from this information, and while her jaw works no words come out.
“You didn’t tell me that,” Calesco says, the interest clear in her voice. “How did you get her to open up to you like that? Are you sure she wasn’t lying just to sound sympathetic?”
“I’m very good at getting people to talk about themselves,” says Keris, folding her hands in her lap. “And she knew that the best way to win my loyalty was to show me some trust in turn. Like I said, she came dangerously close. But my point is... it’s too late to change Ipithymia. And, like... Iudicavisse, or Iasestus, or Molacasi, or... look, there are a lot of demon princes I don’t think should ever be let out of Hell, because they’re too callous or cruel or monstrous to ever do anything but harm Creation. But another demon princess I know, Yuula, is my mentor in the arts of healing and medicine. She’s older than Ipithymia, and back before she was imprisoned - back before the gods and demons waged war on each other and the demons lost - she was happy. She’d make it rain cinnabar petals wherever she and her lover went, and people who ate them would be cured of all their illnesses. But during the war, she got captured by a powerful, sickly god who chained her up and tortured her trying to force a cure out of her, and she still wears those cursed manacles today, and she’s bitter and drunk and spiteful and all her cures nowadays leave people with mercury poisoning as well. If I got those manacles off her, would she change for the better? Hell is a prison, and you know what prisons are like. Even if none of the demon princes are ever safe to be released, they might at least be made less hateful towards Creation.”
She looks up. Meets Rose’s eyes. “Not all of them are old, either,” she finishes. “There’s a newborn demon princess. One connected to...” she gestures at herself. “Hell’s champions, and how they got them. She’s young, Rose. Maybe younger than I am, in some ways. At the very least she’s still in that formative period, and she loves art and beauty and caring for Hell’s Chosen, and the one she trusts most right now is me. And I’m changing her! I’m showing her that kindness and that humanity that Ipithymia never got! She’s come, gods, so far since I first met her. I think she might be able to understand humans in a way none of the others really can. To care. Even without my other arguments, even ignoring that what they have me doing is just pushing the Realm out of the Anarchy and keeping the Dead and the fae down, even ignoring that if I wasn’t one of their agents they’d have given this power to someone else with fewer qualms and fewer morals - isn’t that worth doing?”
“I fear,” Rose says, picking each word carefully after a long, long pause, “that you are doing this with the best intentions. And I fear you’re making Ma’s mistake, justifying things because you have your vision set on a future that you’re sure will be better than the now.”
Keris gives that some consideration, because Rose deserves her concerns being taken seriously. “I can see why you think that,” she says. “At least, I can see how you fear I’m making Calley’s mistake. For the first, I am doing what I’m doing with good intentions - mostly, anyway, I won’t pretend that I’m perfect there - but I don’t think that’s something you should fear. Isn’t it better that I’m trying to do good, instead of just being out for my own gain?”
She gestures back at her daughter, still standing at her shoulder. “You can ask Calesco about my lady - Nululi, we’ll call her here. She’s met her, and you should know by now that she’s not afraid to criticise anything, even me. Ask for her impressions. Hear what she has to say.”
Rose’s attention shifts to Calesco, distress on her face. “And what about you? Did you know? Do you know, how is it-” and then she falls silent.
Keris is not looking in her daughter’s direction, but she can hear the wings unfold and see the change in the light and see Rose’s face fall. “I am Keris’s daughter, by blood as well as by choice,” Calesco says, and even her timbre has changed slightly, a clarity to her voice that was not there before. But there is no agony here, not in the gloom, and some of the feathers that Keris can see out of the edge of her vision are black. But not all of them. “She sired me on one of the queens of Hell; I am the child of Keris and Adorjan the Silent Wind.
“I am a demon. A demon you have journeyed with for seasons, and you have seen how I act, what I do. A demon sworn to Venus - and you saw the omen she sent us back in your apartment in Nexus. Are you even willing to believe the truths I tell you, when I tell you this truth too?”
Rose grips her hands together so tightly her knuckles turn white. “How did you hide it - how did you get past the wards? In my house?”
“Don’t get me wrong, those wards were very well done. But I know how to handle such things.” Calesco’s voice has just a little of the cruel joy Keris knows she tries to hide, even though it’s not in the driver’s seat. “And it has gotten easier since I became a joyful priestess. The world... rejects me less. Wards against demons have less hold on me. I ask you again - are you willing to listen to me?”
“I... am. Though I’ll hold my own judgement.”
“I would expect no less.” Calesco squeezes Keris’s shoulder. “Keris’s lady is spoiled and sometimes petulant. She wastes fortunes on grand displays when the wealth comes from cruelty she does not care to look into. Her maker-lover is an ancient tyrant.” She pauses for just a breath. “She is very human in all those ways. A young woman who can control little about her life and who dwells in the twisted environment of Hell; a slave born a prisoner and allowed to pretend that she is a princess. A pretence only permitted as long as she follows orders. A captivity so deep she does not even fully understand it. She is kind to those weaker than her who she notices; she avoids conflict with the princes of Hell because she wants to believe the best of them. Those who fall into her power love her, because in her weakness she is the kindest demon princess to trust oneself to.
“And she has gotten better and grown up with Keris as her companion. Not least because she fears disappointing Keris.”
Keris manages to both scowl and smile at the same time, a faint flush rising to her cheeks that’s equal parts anger at the harsh criticism of Lilunu (even if it’s not untrue) and pleasure at the acknowledgement of how much she cares for Keris’s opinion. She leans forward, holding Rose’s gaze.
“I didn’t have any choice in making that deal,” she emphasises. “Or I did, but my only other choice was to die a pointless, horrible, drawn-out death, and I don’t regret choosing to live. That was eight years ago. I’m not claiming I’ve done perfectly since then. I was out for myself and the rewards they gave me for a good long while. But I was also keeping to a deal I made and which they hadn’t betrayed yet. The strength they gave me let me learn kindness,” she gestures back at Calesco, “and gave me a family. And a few years ago, Calesco made me remember my vows and how I’d let them lapse. I’ve been trying to be better since then. Yes, my power is from Hell, but… my intentions aren’t. I’m not asking you to like it. I’m not even asking you to have anything to do with it. I want to keep my new Blue Order as far away from my work for Hell as possible; they don’t even know I’m reviving our ways. I don’t think most of them even know I used to be a Joyful Priestess at all, except Claudia - and that only because she more than any other knew how to recognise me as one.
“I just… I just need you to not destroy everything I’ve built outside their service. Because if you call the gods or the Wyld Hunt down on me, that’s what’ll happen, Rose. They won’t get me. But they’ll get my people, and maybe my children, and Hell will be all I have left.”
Rose listens to her case, her plea, her poorly veiled bargain of ‘I can only serve Venus if you don’t inform on me’, and she is clearly troubled. Keris’s words are washed with the grace and poise she learned from the Demon Sea, and despite that Rose doesn’t agree. Not immediately. But eventually, she says, “I’m not sure that I trust you. But I think I can say I’ve seen enough of Calesco to trust her, just a bit, even if she is a demon. And I came here because of an omen. If you’re telling the truth - and that’s a big if - then maybe that’s really what I’m here for, even though everything in me cries out to watch for nasty little lies.
“But I figure, there’s no reason you had to tell me this. That’s what I don’t get when I try to think about what you’re out to get from me. You don’t need the secrets and things of the old Order that I got because goddess knows Calesco got more of them than I do and she’s got notes on a lot of what I have from the trip. I’m just a woman, not a spirit or a mighty chosen of the gods, so I don’t see why you’d want me as a servant. And I think you could hide this pretty well from me ‘cause Calesco hid what she was from me and can get past my wards. So it don’t really make sense to me unless you’re telling the truth - or at least unless you think you’re telling the truth.”
The air rushes out of Keris in a relieved sigh, and she slumps sideways across a table, sending two paintbrushes rolling off onto the floor and causing a stack of canvases to topple over onto the back of her head. The release of tension is so great that she doesn’t even feel the impact.
“Okay,” she breathes. “Okay. Thank you. I-” She swallows. “Thank you. Um. A-auntie? Is it... would it be okay for me to call you that?”
“I... don’t know,” Rose admits. “I... Gull wasn’t exactly my sister, and you sure as hell weren’t a daughter to her.” She still doesn’t seem to have forgiven that. “But gods only know why it sounds not-all-that wrong, and I had aunties I wasn’t related to from the ladies and madams from Ma’s ties to other madams and old retired courtesans.”
“You’re not my auntie through Gull,” Keris decides. “But you are my auntie through Calley, ‘cause she was kinda like a grandma to me.”
And honestly, that does sort of help. Rose nods. “She wasn’t exactly much of a grandmother, but it’s not like mine was either, so that follows.”
There is still a tension in the air, still some uncertainty. Rose does not exactly trust Keris, but Calesco at least seems to have earned some willingness to be listened to from Rose even with her admitted demonic nature. That omen both of them have alluded to seems to have had a real impact.
From this the conversation naturally flows into a discussion of the secrets of the Blue Order and Rose is quite demanding to know exactly Keris’s ties to Claudia, whose name she was taught by her mother as an object of fear, the ever-hungry soul eating hyena demon, corruptor of men and patron of witches. And when put like that, Rose is probably right to be fearful, especially when Calesco’s attention is very much directed at Keris because she has her own questions on the topic of ‘what the hell have you been up to?’. Keris has to do some fast talking and explain that while Claudia is a patron of witches and a corruptor of men, she’s also a procuress who holds strictly to the letter of her contracts, and that Keris got to know her in that role before finding out about her involvement in the fall of the Blue Order (and then nearly stabbed her to death when it all came out).
They’re not exactly happy about it even with those justifications, but she can at least point to the dozens of souls and relics of the Blue Order she’s won back from the Golden Hyena as a result of their acquaintanceship and passed on to Heaven for purification and release back into the cycle of reincarnation - not to mention all the Daiwye highlander souls she’s also freed from Hell’s clutches that would have stayed there if not for her getting close the wicked demon.
In the end, though, this doesn’t change things. Rose is willing to offer trust to Calesco, and Calesco is willing to vouch - for now - for Keris. And no doubt Rose will be watching her, and keeping an eye out for treachery and she knows all kinds of things that would be extremely dangerous for Keris if they got out. But then again, that’s why Keris offered up these things when she didn’t have to, as a surety of her intent.
It isn’t perhaps what Keris dreamed and longed for, but it is what her more realistic side expected and hoped for as a good outcome. They speak more of the lore Calesco recovered, and then Rose makes her departure, Calesco leaving with her, and Keris is left exhausted and shattered to slump down in her bathtub in a pensive mood that doesn’t improve until Mele finds her. And even then he’s a bit of a bully and makes her clean up the place a bit.
She has to admit that she is waiting ever-more eagerly for word from Haneyl about the timeline of the dragon-hunt. She wants to be away from Saata, and also maybe to have a bit of a break from Calesco who has only been back for a few days and yet has reminded Keris of all the messier bits of their relationship that she had forgotten in her daughter’s long absence. But when she has word - why, then to Choson, to collect both Suriani and the Baisha, and from there to the edge of the world. She hasn’t been that far south in her trips in the Anarchy.
It might be enjoyable to see what it’s like.
Chapter 48: Water 776
Chapter Text
Fire burns upon the deep. On the way back from Choson, the Baisha’s sea-listeners called in the noise of a large hulk, travelling north and loaded with goods. Keris had swum out to take a look herself and verified that it was a slave hulk carrying raw goods back north after selling its cargo of human misery.
Rather than deal with it personally, she’d decided it was a good tutorial for her student Suriani who was accompanying her south, and so the two women departed on anyaglo-back to observe the attack from the air.
Neride’s performance was unstoppable, but frankly Keris feels she underperformed, relying more on the might of the Baisha than any particular panache in her attack. Sloppy. Oh, if the slave hulk had been captained by a dragonchild, it would still likely have fallen, but against a Realm fleet Neride might have damaged Keris’s ship. Again.
Suriani, of course, saw only the power of the forces of Hell as they harpooned a ship, sent fliers out to cut down its sails, and dragged it in to be boarded and plundered. There is more cargo than the Baisha can hold, but the sugar and tobacco and poppies can be served in the Conventicle as treats from Creation, and the rest she will gladly send to the bottom of the sea.
So Keris’s choice here is to further Suriani’s education in other ways, and instruct her somewhat in how one can curry favour with the spirits with the grand sacrifice of something that one did not particularly want - and its filthy slaving crew.
“Oftentimes,” she says, adopting a lecturing tone as she strolls along the deck of the Baisha, “you’ll wind up with more spoils from a mission than you can actually carry away. Or with things you have no use for, or which can’t be easily laundered, or even which personally distaste you enough that you want no part of them. Regardless of the reason; these are extraneous goods - they can’t be kept, so they must either be disposed of or left behind. And since we always want to gain as much as possible ourselves and deny our enemies as much as possible in turn, leaving things behind to be salvaged is a last resort, to be done only when short on time or when it serves another objective - like getting the salvager into your debt, or concealing a trap.”
Suriani follows along with her, listening attentively. All around them, demons work, hauling crates and barrels over from the slave hulk into the Baisha’s hold.
“In this case, our extraneous goods are the hardwoods, paper and tea, along with what sugar, tobacco and poppies we can’t fit in the hold, the crew of,” she sneers, “slavers, and the ship itself. Normally I try to keep ships, even if they’re recognisable, but...”
Keris eyes the hulk, which is listing somewhat and slowly taking on water from the damage the Baisha did to it. “Well, it’s not worth the effort to keep this one,” she sighs. “So, the best way in this sort of situation to dispose of assets you can’t keep is sacrifice. Specifically, sacrifice to some kind of spirit, which turns material goods into favour that you can spend later. In this case, I’m going to be sacrificing the whole ship and everything still on it to Kimbery. How might I go about doing that, cherished student mine?”
Keris knows the Priest of Cecelyne has its not-eyes on her. But Suriani seems to believe this indicates it is all approved. “Drowning would be the appropriate offering to Her waters,” she says promptly. “Although some things I studied when I was in Hell indicated that Great Kimbery appreciates a personal touch.”
“Good,” Keris nods. “And for our personal touch, we’re going to make this artistic. Come on.”
She hops over to the ship, where the brutalised crew of slavers have been tied around the masts, and begins to trail her fingers across the wood. Vibrant stains follow her touch; Kimbery’s toxins seeping into the wood in wet, glistening arcs. Some of the closer slavers whimper and moan at the sight, so surreal under a clear blue sky. Keris works methodically, her caste mark burning to life as she paints poison in great strokes across the deck - strokes that Suriani stares at for a moment before backing away to get a better look.
“It’s a poem!” she realises. “In the First Language - I polished up my knowledge of it in Hell, mistress, and- oh, this is beautiful.”
“Mhm,” agrees Keris, concentrating more on what she’s writing than what her disciple is saying. “I’m telling the Great Mother what I’m sending her, and flattering her besides.” She pauses, considering the meter, and then adds another line. “There, that should do. And now...”
She touches the mast, and new toxins seep into it - and through it, into the men tied to it. Where her painting across the deck is in vivid shades of green, this poison is blue and indigo and violet, and the slavers shudder as it seeps into them and begins to work changes of their flesh - vile, monstrous mutations that will leave them malformed things just aquatic enough to prolong their death by drowning - but not enough to survive.
“Now,” Keris says. “I’m heading back over to the Baisha. But you, Suriani... you’re going to stay here. You’ve already internalised one gift of the Great Mother. You’ve taken her nature into you, you’ve learned to be at home in the water. So now I’m going to show you the power of the Demon Sea, and you’re going to go down with the ship as it sinks. You’re going to watch as she accepts it. And then you’re going to swim back up to me and tell me what you’ve learned.”
She moves in close, brushing a kiss across Suriani’s lips to distract her from the silk cord she’s using to tie her wrist to the ship’s railing. Preventing her from swimming away from the sinking ship too soon.
“I know you’re strong enough to do this, my disciple,” she whispers. “I’ll swim down and rescue you if I must. But only if you fail. So don’t fail. Alright?”
Those dark eyes are on her - and so adoring. She trusts Keris. It’s enough to almost get Keris feeling a bit mean. But not enough, because Keris knows that this will teach her student well. After all, it is how Keris learns herself, no?
“I will, my mistress,” Suriani vows, taking in everything around her hungrily. “I will see Her majesty first hand, and study her holy ways.”
Keris rewards her with another kiss, and then retreats to the Baisha, ignoring the moans and screams and begging of the tied-up slavers whose flesh is starting to twist. She dips a brief respectful curtsey to the Priest, for its presence here is a blessing to this kind of holy prayer even if she’s making it to Kimbery rather than Cecelyne, and then spreads her arms and her hair.
She begins to sing.
Her voice is pitched deep and resonant for this hymn - deep enough to be felt in the chest and the bones, backed up by the music she pulls from the air. A chorus of even deeper voices echoes it, warbling out from the darkness below the Baisha - and then spreading to the shadows beneath the keel of the hulk. For once she’s not singing one of her own works; it’s an ancient hymn to Kimbery she knows from her dream-given memories of the ancient Lintha, and Keris lets their accent roll thickly off her tongue as she sings it, glorying the days before the Great Mother’s favourite children betrayed her, when they were proud and tall and loyal and cruel.
The surface of the sea bubbles. It foams. An oilslick iridescence spreads around the hulk.
And all around it, the serpents rise. They are huge, large enough to take a man’s head and torso in their ice-fanged jaws. Rime and hoarfrost scales bristle, acid leaks from their mouths, deceptively slow but lethal currents swirl within them. They stretch up and up and up, towering out of the water all around the ship - nine of them; four along each side and one coiling around Keris herself, her song reverberating out through its watery body with no loss of clarity. Suriani can only look up at them, eyes wide, as they surround her. For a moment, they tilt their heads back and seem to sing along with Keris’s hymn, mouths held half-open in bliss.
Then one near the back snaps its head down and rips the rudder off, and four more smash their way in through the sides of the hull as the remainder slam down on the deck and begin to drag it down with their weight.
In an instant, the sense of eerie tranquillity is gone. They are like hungry feral dogs more than snakes; they bite and tear and rip into the wood with savage hunger. They hole the ship, tear loose the mast, break its spine - and their own song breaks off so they can feast on the prisoners. Keris watches as a pair of heads fight over the bosun, one grabbing the head and the other the legs and together they split him like a wishbone.
She can feel that she is not in control any more. There is a greater power here. More heads rise, more than she should have been able to call up herself, and the sea boils and churns and freezes all at once. Her hearing can pick out the songs of Kimbery joining her and more than that she can hear a pinprick tear in the world. Or - no. It isn’t a tear in the world. It’s the thinness of the Wailing Fen, visible on the horizon, allowing Kimbery to reach out as if with hands pressing through gauze.
Allowing her influence to manifest, to take those who her supplicant hates and to reach out for her generous child.
Overhead, the sky darkens in a matter of moments, the eye of a hurricane forms, and through the eye of the hurricane glimpses of a red moon can be seen.
Keris feels the water’s attention, feels its shape, feels the gravid weight of it all around her - and more than that, feels the kiss on her lips, the thing that is not a tongue in her mouth. This might be the least current of the Great Mother, but Kimbery still recognises this. If not Keris, she recognises the spirit the gift is given in, recognises her own nature in this lesser being, recognises... that Keris is with child.
Is not the Great Mother generous to loyal daughters who bear children?
The voices of the ocean whisper in her ears, tell her of hate, of spite, of vengeance - and how she might make the waters, any waters at all, a place where neither respite nor safety nor sanctity can be found for those who dare spit on her daughter’s heartfelt feelings. Remind the sea of the oaths it swore, and it will answer.
She grins, wild-eyed and savage, and sings her thanks to her benevolent patron, her beloved ocean-mother, and preens that her gift has been well-received.
Then, with just a hint of concern at the rift into the Demon Sea she’s opened up (again, even if this one seems to be more temporary), she steps closer to the edge of the ship and looks down into the dark waters, counting the seconds and waiting to see if she’s going to have to dive in and save her disciple from being sucked into a five-day-long swim across uncharted seas.
She needn’t have worried, though. The sea swells and surges, a lone freak wave escaping the closing rift and washing towards the Baisha, and in its indigo-depths Keris can hear Suriani’s essential song. The wave breaks just before it comes to the ship, depositing Suriani at Keris’s feet. Her disciple is utterly coated in the venoms and poisons of Kimbery, the many coloured stains mingling and swirling on her skin like a mad tie-dye, which foam and hiss as they eat away at her clothing and even her hair.
And perhaps they would have started on her skin next, but the inks of her po-markings and of the great cat-serpent Keris tattooed on her to mark her oath seem to drink up the poison like roots and like hungry beasts, drawing it into her. Even the stains that fall from her are pulled back in, to be... devoured? Concealed? Studied?
Left only in a few scraps of ruined rags, all her hair melted off by this least inlet of Kimbery, Suriani shivers in fearful rapture. “Mistress,” she croaks. “I... she sang to me. I... I have not heard a Yozi’s voice before. She was so... so beautiful it hurt. It still hurts. I,” she glances back, as if to throw herself in the water, as if to swim towards the sea foam and brightly coloured scum which is all that remains.
“She is crazed at the best of times, in her own way,” Dulmea says dryly, “and you know how you can be when you touch one of the Makers. You must stop her being foolish in her Yozi-touched sickness.”
Keris considers this, and then makes the executive decision to chop Suriani on the back of the head and bind all four of her limbs with hair.
“Aaaand let’s get you to bed,” she says. “You can sleep off that bout of Yozi Sickness and dream of your new understanding of the Great Mother’s gifts.” She pauses. “... and I should probably do the same thing,” she adds. “Because, uh. That was direct contact. And I feel fine right now. Which means this isn’t going to be a fun night once it kicks in.”
But as it so happens, her night is completely fine. Well, no, it isn’t, but that’s entirely because of Suriani who seems to be taking this contact with the Great Mother poorly. She babbles things that would get her executed in most civilised lands in reverent, incoherent awe, feverish and delirious, and is only calm when she’s being held. In the end, Keris feeds her sleep-bringing brews, and then after a brief and entirely regular nap, she meditates into her inner world and cuddles into Mele’s side to enjoy the spectacle of the storms in the Sea stirred up by this new contract with a Yozi. She seems to have escaped the madness of Yozi Sickness herself. Perhaps it was only glancing contact, rather than the direct immersion Suriani took. Perhaps Kimbery was gentle with her, recognising the natal thing growing within her. Or perhaps she’s building a resistance.
... alright, probably not that last one. Keris has no illusions about her propensity to fall into madness under the right (or wrong) stimuli. That’s probably not something that’s ever going to change.
When she stirs to check on Suriani, she finds that her disciple’s fever has broken and she feels like she’s on the mend. A bit of her does find it very nice that it isn’t just her that reacts this way to touching the will of a Yozi, and she can’t wait to find out what new things Suriani has learned from this. Maybe she’ll understand how useful contracts with Kimbery can be, and how the grace and poise and terrible poisons just feel right to use.
And that, by the by, leads Keris to reorganise her bedroom in the early hours of the morning to prepare it for the lesson she intends to teach Suriani - and Biqi too. Yes. That feels right. She’s kept the two of them apart so far, but now that Suriani understands more of Kimbery and that Biqi has made progress in her fascinating study of the masks from the Dance of a Single Scream, she wants to put the two women together and see if they get along. If they don’t, that’s no great loss - she’ll have to find another keeper for Suriani and can retain Biqi in her personal service alone.
“Suriani has done well in Choson,” she briefs Biqi. “Since getting back from Hell, she’s scouted out the other cities, and leveraged the things she’s gathered there to getting an official, funded position. The Langkotan Assembly is now paying her to travel around the archipelago, make contacts with people, and keep their eyes out for spies or people stirring up trouble among their serfs.”
Biqi look wryly impressed. “So she’s a spy.”
“A spymistress, yes, although they’re saying she’s a diplomat.”
“‘Course they are. Even if they’re literally paying her to spy on their rivals - and don’t know she’s spying on them too.” Biqi massages Keris’s shoulders. “And I guess I’ll be spying on her. Those lessons you made me take with boss Dulmea are the only reason I don’t have a headache right now from all these chains of lies. Maybe you’re gonna set a tolvajka to watch me too and make sure I don’t get swayed?” There’s a smile, but a subtle note of bitterness underneath that feels directed more at the mention of the other demon breed.
Keris laughs at that, but considers it. “Not yet. This meeting is just to see if she likes you and the two of you hit it off. So don’t mention anything about you being placed with her. If everything goes right, I want her to ask for you in her service. Also, say nothing about the sorcery.”
“Got it, madam.” Biqi shakes out her hair. “So, what are we going to be doing together, then, as your excuse for introducing us? Want me to fuck her? Play the innocent and see what tricks she uses to get between my thighs? Or are you gonna lead in getting her moanin’ and gasping?”
“No, not initially,” Keris says, and reconsiders. “It might still happen, of course. But what we’re going to be doing is beginning your tutoring together...”
Below the waves of the Gulf of Strife, the Baisha makes its way through the tropical waters, heading south. And in the luxury suite of the ship’s lady, the instruction of Biqi and Suriani in the arts of Needles-and-Spires Style that Keris learned from Lilunu has begun.
Keris had asked for a volunteer to be her canvas and subject, and Suriani (slight and even more slender without her hair, still shivering slightly, her dark eyes wide and showing traces of not-quite-being-all-there) had of course volunteered. Which is why Suriani’s unclad form is suspended in one of the Baisha’s amber-air fields, trapped in air that feels like steel to her, with mirrors placed so that she can see both her front and back. Between the lines painted all over her to mark out the important flows of essence and breath and the entire-back of needles Keris has already placed, she looks like a work of art. This is medicinal - of course it’s medicinal, to suppress the last of the toxins within her and encourage good healing and clear-headedness - but a bit of Keris is idly contemplating a display of this nature for the Conventicle. Suriani is so very aesthetic like this, frozen in place in mid-air. Pretty, as Zanara would put it.
Biqi stands to the side, towering over her boss as she makes notes on Keris’s lecture. Keris is pleased that she has a little more experience in the field than she had thought. Biqi had spent time as a model and project for the agyapuspok Kela who had focussed her life on Needles-and-Spires Style, and while she’d more been the canvas than the artist, she’d picked up some of the terms. And more than the terms, she had acquired some practical skills and used them as a back-alley piercer in the Spires with what she’d learned. It means she’s listening with rapt attention as Keris explains the principles of the style. And a spireborn femkin is already well-equipped to understand that a landscape isn’t too different to a body and that the application of piercings in the right place, whether for flesh or stone, can change the flow of essence to further your own art.
(Biqi also clearly values turning a little knowledge into a lot of knowledge, when the artists with a lot of knowledge are paid so much more than she was.)
“Needles-and-Spires,” Keris explains, running a finger down Suriani’s back between the needles she’s inserted, “is more than just a style of acupuncture and piercing, or of geomancy. It’s more, even, than a study of essence. Needles-and-Spires is a study of change. Of movement. Of flow.”
She smiles fondly, thinking of her lady. Her brilliant, beautiful lady, who with this style has created something perhaps more fundamentally true than even she knew when she first conceived of it.
“Blood, in the veins and arteries,” she continues, glancing at Biqi and tapping a vein that stands out clearly against Suriani’s pale skin. “Breath, in the lungs. Lightning, in your case, and the faint echo of it that moves through a human’s nerves. The liquid flame that fills a szirom’s body, or the tar that oozes around a mez. The slow seeping of lymph through its vessels and channels, the rich circulation of qi - of essence-breath - through your meridians. Even the streams of consciousness in your head, attention running from thought to thought, idea to idea. We’re all bags of meat and bone and metal; sacks full of substance that only moves and works because of the fluids that infuse it and move with and through it.
“And it’s not just us. Out in the world, water flows through rivers and streams into the sea and then rises to fall again as rain, before seeping down into the groundwater and flowing at a snail’s pace through the earth and soil. Trees draw water up from their roots and pump sap to their branches and lose moisture from their leaves under the sun. Fronts of warm and cold air billow and mix above our heads, pulling currents of wind this way and that, or sparking storms and hurricanes. Elemental essence surges through the dragon lines, pooling in demesnes and other places of power. Even the mad turbulence of the Wyld has a pattern, the pull of the moon draws the wyldtide in and out and sends treacherous eddies circulating between waypoints that spin and dance around each other.”
She pauses, her finger resting just above Suriani’s root chakra, at the base of her spine. Her left hand feels the energy gathered there, the blend of the Ebon Dragon and the Silver Forest with hints of the Demon Sea that courses through Suriani’s body. It’s better than Ixy’s - or perhaps ‘better’ is the wrong word. More disciplined. Less turbulent. No more powerful, in terms of the amount of essence there, but she can tell that Suriani has martial arts training, has already understood some of the basic principles of Needles-and-Spires even if she didn’t realise that’s what she was learning.
“The whole world,” Keris says, “and everything in it - from Creation itself to the tiniest creature in it - we all depend on flow. The flow of liquid, of air, of energy and thought and will. Needles-and-Spires isn’t just a pretty way to give people piercings. It’s not just memorising by rote where to stick a needle to shut off someone’s sense of pain or dam the dragon line feeding a demesne. I’ll start you off with memorisation, yes; I’ll teach you the four fundamental principles and the eleven basic types of flow and the five equations that cover most situations you’ll ever encounter. I’ll drill you on the doctrine for how to cure the body and shape the land. I’ll instruct you on the pain experienced as metal pierces flesh so you never forget what you are doing to your materials.
“But those are just the guidelines. You’ll learn them and master them and then move beyond them and forget them entirely, because the point is to understand flow, and how to manipulate it and guide it and shape it. Once you understand that - really understand that - it won’t matter if you’re working with blood in a vein or breath in a lung or water in a stream or essence in a dragon line or even a thought in someone’s head, because you’ll know that the way to shape the current is the same for all of them, you just have to implement it the right way for the situation at hand.”
“I don’t understand anything of this,” Biqi says with wide eyes, but - ah, no, she isn’t really aiming that comment at Keris. She’s lying, in fact, because the power of flow, of flux et reflux is something that the least practitioner will have talked about. No, who she’s aiming it at is Suriani. Feeding her a line to show off from. Letting her feel better as the favoured student. She knows her dignity is only worth what other people will pay for it, so she’ll play the fool, the incompetent, the ingénue if that’s what her clients want of her.
“She is quite the adept little student of your ways, is she not?” Dulmea says with amusement. “You found a Spire-harlot, fed her up so she didn’t have to care where her next meal was coming from, and now you have a flunky who is a performer just like you in a way that even Oula isn’t. Now will Suriani see this, or will she just take the chance to show off?”
“You are a master of flows and tides, are you not, mistress?” Suriani says, leaping on the chance thrown to her as a chance to suck up. “Your power - the Silent Wind, the Demon Sea, the trees of the Swamp and the Silver Forest... these are what you feel most affinity for. It is why you are teaching me this. Because this is how you excel at the terrible powers granted to us by our masters.
“In fact,” she continues, “I have studied your styles, seen some of your techniques. Snake, Peacock, Cat - you circle, you retreat and lunge, you avoid the direct attack to instead build power by circling and rotations. You are trying to teach me to improve my martial arts by studying anatomy and the weak points of the body like this.”
Keris strokes Suriani’s scalp, and considers what she might do to this canvas before she regrows her lovely black hair for her. “Yes,” she agrees. “You know that, as I do. Being hard and rigid and brittle - it can be effective, but it doesn’t last. Sooner or later the stresses add up and you break. You survive by being flexible. Knowing how to bend against an incoming force, how to yield in the face of greater power, how to stay loose and supple and adaptable. Flexibility doesn’t mean a lack of power - it just changes how you need to apply it. An iron rod may be easy to use and do damage wherever you hit someone with it, but the tip of a whip moves faster, and hurts far more if it takes them in the eye. And the whip won’t shatter on a suit of jade armour.”
“That is a thing the Black Claw School taught me years ago, mistress. There are many brave and righteous warriors in the world, and they die like any other to a claw strike to the kidneys or a venomed kiss,” Suriani says, momentarily straining to lean into Keris’s touch, but unable to move when trapped in the amber-air. Watching her muscles shift under her skin is lovely. “Mistress, if I might be so bold to ask so that I might know what greater wonders await at your hands: what piercings do you have that grant you demonic power? What secret rites of acupuncture have you performed to unblock gateways in your essence coils? There are Benarist sages who have awakened their essence through careful acupuncture to remove impurities that block spiritual awakening - but what can one do with the careful infusion and injection of demonic qi into the body’s breath and heartbeat?”
Suriani, Keris has found, often has such an interesting view of the world. Some of them are clearly products of the Benarist culture she was raised in, but there are others which hint at secret arts of Mara that Keris herself has never heard of. And of course, she glances at Biqi to ensure her student is - as instructed - taking notes on what Suriani says too.
“Ipithymia gave me a set of coin-piercings during my time on the Street,” Keris tells her. “But those were as much binding as empowerment, and...” Her fingers twitch, keenly aware of the opal coins sitting in a box in Dulmea’s tower, transformed from their original gold by Lilunu’s fire, “I don’t have them anymore. Day-to-day, I only wear one empowering piercing.”
She opens her mouth and breathes out, letting essence flood her tongue and its bar-piercing of opal. Rainbow light fills her mouth, as though she holds a many-coloured flame on her tongue like a coal - but there’s no heat. Just a rush of faith and power; Lilunu’s mantle of authority draped over her shoulders with utmost trust.
Suriani’s praise is effusive, elaborate, and directed as much towards Lilunu - for the colours are quite characteristic and she knows that Keris is the Voice of the Mouth of the Yozis - as it is towards her. But in truth both of them know what Suriani is looking for there, and she gets to the point with, “Mistress, please, if you are looking to master this craft, I beg you - use me freely as your volunteer, your test-piece for your development of this art.”
She is looking for power, and she is looking to be useful to Keris, and in truth it is hard to tell which of those two factors is more dominant in her eager volunteering to be experimented on to aid in Keris’s refinement of Needles-and-Spires Style.
Biqi says little at first, fully aware that she is already the planned subject for Keris’s body modification and that it will benefit her not to make an enemy of Suriani. “She is much braver in this than me, mistress,” she instead says. “If you are looking for a volunteer for your artistic work and your craft, why, it would see that her physique - so much more potent than a humble serf such as myself - would be an excellent subject. Though of course, I cannot presume to command you - you are a peer of hell and I am but a serf, least among demonkind. It is an honour done to me by your eminence that I am even permitted to be in your presence.”
“She is laying it on a little thickly,” Dulmea says critically, “but she learned well to pass as a common hellish serf in her study of the Dance of a Single Scream.”
Keris’s eyebrows rise, and she purses her lips. She hadn’t actually put much thought into taking Needles-and-Spires a step further into the realm of outright artefact creation - oh, she’s used it in her work, yes, but things like Mele’s skin-graft are more the art of Temple-as-Body.
But now that Suriani has suggested it... well, Keris can think of some ideas she could try out. A lot of ideas, actually. Obviously there are the simple ones; artefacts that happen to be in the form of piercings, but that’s not really Needles-and-Spires, it’s just a normal artefact that happens to be small enough to hang off an earring.
No, Needles-and-Spires would be piercings designed to interact with the meridians and change the workings of the body, or surgery to reroute and alter organ systems. In fact, she realises, a lot of what she’s been doing to Simya by restoring her neomah inheritance would count. So would... oh, say, a clitoral hood piercing designed to dam up part of the sacral chakra and prevent conception - that would be useful for the kind of honeypot work Suriani will be doing. A pair of tragus piercings for the ear (or maybe conch studs would be better?) that could give someone hearing as acute as hers. An eyebrow piercing - or just an outright replacement cornea - could be linked through the sensory meridians to some kind of lobe earring, maybe a little silver wasp or dragonfly, that could fly out as a scout and transmit what it saw back to its master.
Maybe she could even manage something like... Keris pauses to consider. Well, she’s read about even subtler kinds of armour than peronelles; armour composed entirely of essence fields, a bit like the Bright Shattered Gown. If she implanted an organ that could generate a field like that and then connected it up to the essence flows through the body to output its effects from piercings placed at the minor chakras, she could probably give someone an invisible suit of armour that they could activate by tensing the right set of muscles - oh, though fuelling it might need some thought...
“Boss, you’re muttering some of this out loud,” Biqi points out in an undertone too quiet for Suriani to hear.
Sharp Suriani seems to have heard it too. But because she’s Suriani- “Mistress, you are a genius beyond compare! Unseen, hidden armour that I could wear without seeming a threat, that would not slow me down or inhibit the practice of the Black Claw or make me seen other than harmless,” she practically squeals. “This would be the matter of essence flow, no? I know I am not as smart as you, do not understand the secrets you have mastered, and I can already see there are some things that could be done to me - by you - that would make me so much better as your disciple. So much better at serving your will.”
Unspoken, of course, is that she understands enough to grasp that this would be a considerable time investment by Keris - and thus the act of performing such surgeries and such work on Suriani would bind the two of them closer together. Would be an acknowledgement of how precious she is to Keris - not just in the cost of the raw materials, but in the limited time she has.
“We’ll see,” Keris promises, though even she has to admit that her attempt at pretending this idea hasn’t caught her interest is a weak one. She will be doing this, if only to see if she can; it’ll just be a matter of when she can fit it in. “I’ll take a map of your meridians and chakras while we’re on this trip - well, alright,” she admits, glancing at the notes she’s been having Biqi take during the lesson, “I’ll finish taking the map I was halfway through - and then work out what a project like this would entail.”
Growing the essence-organ will be one major element, she already knows. Maybe she can do that after she’s done with Mele’s skin-graft. And then she’ll probably need to give some time to let Suriani’s body settle and adapt to it after grafting it in before rerouting the essence pathways from it to the skin, but she’ll need to work out where she’s going to put it (and what organs she’s going to have to move or adjust to make it fit) before she can do that.
“Impress me on this mission, and I’ll do some research while I’m back in Hell afterwards,” she concludes. “And Biqi, you may not have Suriani’s power or authority, but I do want you learning this too. If you’re struggling with any of the principles and I’m busy, consider asking her for help explaining them to you.”
“Of course, mistress,” Biqi says, the ideal serf. “By your command, I w-will speak more freely than I m-might otherwise, and since it is ordered by the Mistress of Ceremonies, Director of the South West, I will even approach one of the mighty green sun princes seeking instruction for my humble self.”
The lie is far from perfect, being laid on a little thick in Keris’s eyes, and Suriani is a creature of the Ebon Dragon. Has she seen this? Has she- “Oh, please, please, there’s no need to be scared of me, serf,” Suriani says magnanimously to Biqi. “We are both student-sisters under our mistress. I will not raise a hand against you just because you ask questions - I am not that kind of cruel teacher or jealous student! And your respect - and your accent - is charming!”
Keris sighs inwardly. It’s not that she’d expected Suriani to be suspicious of a chance to be needed, liked and admired by someone she was innately superior to and could show off her greater knowledge and skill towards - and who is also a beautiful woman with certain features vaguely in common with Keris herself - but she’s still sort of disappointed in her disciple anyway. She would have been suspicious of a line like that. Probably.
She continues her lesson, then releases Suriani from the amber-air device, has her get dressed, and then orders the injured crewman brought in. There are always injuries of one kind or another on a ship, even when the staff are demons, and treating a sprained muscle in a blood ape really isn’t that different from treating it in a human. It’ll help their study of comparative anatomy, too.The blood ape looks rather more terrified at the thought of what is about to happen, given he was injured on the job and now has been sent in to speak with the master of the ship who has a lot of sharp things to hand. But he’s just a convenient pin cushion and training dummy and he’s getting healed, isn’t he?
Frankly this isn’t about him.
The Baisha stops by Little River’s estate at night to pick up Vali and some specialist items Haneyl had Elly order from the Saatan markets. Vali carries the entire lot in three loads, easily picking his way down the rough cliffside to the boat that’ll carry them back to the Baisha, and Keris is once again reminded of her plans to build a secret underwater dock for the Baisha that’ll let her do this much more easily. The Baisha has to submerge once during the process to hide from a House Sinasana night watch boat, looking for smuggling operations, and she spends the entire time grumbling as it goes by. Then it’s off again, heading away from Saata and following the arc of the Lesser Maula Isles towards the assembly point.
Vali is happy to see Mele again because the two of them went out pirating in ‘74 and seem solid friends, and is completely unconcerned about the fact that his ex-co-captain is in a relationship with Keris. She even mentions that her and Sasi are no longer involved, because Vali is Sasi’s son too, but that just gets an ambivalent shrug.
“‘Snot like I’ve even really ever seen her,” Vali says. “Hany didn’t take it well,” he checks for Keris’s response, and winces, “yeah, thought not, she likes being Sasi’s daughter, but even if I’m kinda her kid she ain’t my mum. You are. So if you’re no longer sleeping with her, it doesn’t affect me. Well, it does, but you made me promise to not beat her up ‘cause she hurt you ‘less you said so, so... I mean, if you don’t want revenge, you don’t, so you’re just trying to get tough and move on and it wouldn’t be right for me to get involved there when you don’t want me.” He pauses. “From what I gather, it’s not like she’s tough either. She’s just brittle and not all that happy,” he offers. “Like glass. Like Kalaska.”
Keris sighs, but can’t deny his point. “I suppose she is,” she concedes. “I think... well, she’s trying to do better, and I think she’s going in the right direction. We’ll see.” She gives him a hug. “Speaking of Haneyl, are you looking forward to seeing her again?”
“Well, yeah! We haven’t seen each other since... well, not really since she grew up again,” Vali says, patting his mum on the head. “I was off being a pirate and an adventurer when she was in Saata and then she’s been in the deep Anarchy basically all last year. And I was off in the Dusk Sea when she came back to Saata. I basically haven’t seen her since ‘73, which is ages.”
Keris scowls up at him for the pat on the head, but can’t hold it long. “Well, maybe we should make sure to have a big family meet-up at least once a year from now on,” she decides. “Maybe up in Zen Daiwye, at the end of Air or the start of Fire.”
“Fire’d be good, given it’s not all that easy to travel in the Anarchy during hurricane season,” Vali contributes. “And it’s sure as fuck nicer up in the valley than down in Saata during the hottest part of the year. The mountains blunt the worst bits of the hurricanes and it’s not so humid you feel like you’re getting steamed in a pot.”
“Fire it is, then,” Keris says happily. “Now, you know who else I’ve brought along on this trip, right? Besides Mele and Biqi, I mean.”
“Mele told me back in Saata that you picked up a pair of new hellchosen, and one of them was someone I’d get on with - Ixy, right? You got her?”
“Ixy is with Testolagh at the moment,” Keris says apologetically. “Sorry. I will introduce you to her once she’s done there. But no, the one coming with us on this mission is my other new student; Suriani bi-Musa. The one I’m training Biqi for. She’s a bit... uh, she has some odd ideas about how Hell works. But she impressed me when we met. I’m not sure how she’ll react to you, but...”
She purses her lips, then shrugs. “Well, Ixy barely knows anything about demons that I didn’t teach her, so she couldn’t tell that Calesco and Mele weren’t Hellish. But Suriani probably will be able to figure it out. Unless you feel like trying your hand at some acting?” Her tone isn’t all that concerned - she resigned herself to this particular secret getting out as soon as she decided to bring Suriani along to help.
His shoulders slump a bit. “Ixy sounded pretty cool. Mele said she was a foxgirl with a bad attitude and a pair of flamepieces and that sounds kickass. But I guess a demonic cultivating martial artist might be fun too. Oh! Maybe we can spar down in the hold! Wait, no, there’s not much space there right now. Well, at least we can have a fight on some island along the way that no one will mind if it gets broken.” He stretches up to place his palms flat against the low ceiling. “And I can try to lie to her - well, I mean more, I’ll just not say that you’re my mum. And I brought my dragon armour too so I can wear that if that helps.”
Keris cocks her head, then grins. “It will, actually. Hmm. Yeah, okay. We’ll call this a contest between you - a contest she won’t know you’re having. Your part is to keep her convinced that you’re a Hellish demon lord I summoned for help with this dragon. Her job is to be sharp-eyed enough to realise what’s really going on. She’ll be your rival in secret-keeping for the trip.”
He nods at that, eyes lighting up briefly before frowning. “Cool. And... uh, what happens when we meet Hany? ‘Cause,” he gestures at himself, and then Keris, “she’s clearly my sister and clearly your kid. Just checking.”
“I brought her into this knowing she’d probably figure it out at some point,” Keris shrugs. “As long as she hasn’t worked it out before then, we’ll call it your win. And if it slips her notice even when she sees Haneyl, I’ll be very disappointed in her.”
“She might be too focused on how much Hany looks like Sasi,” he grins. Vali looks thoughtful for a moment. “Honestly, I am really looking forward to this trip. Seeing my sister again, spending time with you, getting to fight a giant-ass salt dragon monster thing - sounds like a good time to me.”
“Good,” Keris tells her son proudly, and stands on tiptoe to press a kiss to his cheek. “I’ve missed you, too. And you’re right - a good fight against a big monster will be fun. Now, go get your armour on and let’s make your introductions.”
Suriani manages to live down to Keris’s expectations. It isn’t that the woman has poor senses, or that she can’t read people. It is just that she seems consistently to miss the obvious when she’s blinded by her own preconceptions. Though in fairness, Vali looks less like Keris than his sister, and - at least as per what Sasimana had said - it’s more that Vali looks like Sasi’s father. Still, Keris is more than a little disappointed in her disciple, and decides that she needs to amp up certain aspects of Suriani’s training. And if that happens to keep her exhausted and often in an altered state of consciousness, well, Suriani just needs to learn to deal with it. Keris did, after all.
The fact that in the first casual spar - where neither were trying their hardest - the petite Suriani, still hairless and slight, takes her son down with repeated open palm strikes to the solar plexus and then throws his bulk over her knee only makes it worse. How can she so easily defeat a demon lord who’s so strong and fast, but not see through his not-all-that-great lies of omission? It just doesn’t make any sense.
Still, the days of travel serve to get the two of them introduced to each other, and Keris isn’t entirely happy that Suriani’s flirting is eagerly reciprocated, but also not all that surprised. Put bluntly, she knows her son, and Suriani’s tempting smiles and coy touches are doing a lot less for him than the fact she beat the living shit out of him. She seems a bit surprised that he keeps on challenging her rather than making a move, but at least it’s giving Vali some sparring practice against a superior opponent (which he always enjoys) and also giving Keris plenty of chances to study the techniques of the Black Claw School. No doubt Mara has some moves she won’t have taught Suriani yet, but seeing the way she fights will help disarm a potential threat.
And of course, regrowing Suriani’s hair for her helps keep her grateful.
Soon they are at the island of Shuda, which is barely large enough to appear on many maps, a transitory piece of rock on the edge of the world, south of the Lesser Maula archipelago. It’s close enough to the edge of the world that it wanders around when the wyldtide washes over it, an uninhabited, low-lying piece of rock and coral sitting on an extinct sea volcano. Or at least once it was.
Now, the small island is a lush and fertile jungle that sprawls out into the water, forming matts of floating vegetation and thick kelp forests, and rising from the low-lying rock is a fortress-citadel of black basalt and brass. There are lesser hellspawned demons harvesting the jungle, and a solid basalt dock where multiple ships are moored. Beside the fortress is a high tent of wildly many-coloured cloth; even from this distance Keris can hear the music coming from within and see the many-coloured smoke coming from its upper levels (and how the fuck does a tent have upper levels?)
Her daughter - and maybe some of the other sorcerers - have been busy.
Keris raises an eyebrow and whistles. “Well then,” she says. “I am impressed. Neride, sound the Baisha’s horn so they know we’re here, would you?”
The hornblower demon does her work. The Baisha vastly out-masses (and out-styles) the junks docked in the harbour, and there are demons already scurrying there to ensure that the expected guests are shown to the lady of this outpost on the edge of the world.
“Isn’t natural,” Vali leans down to whisper in Keris’s ear. “Hany, building something like this? Which is all straight and sensibly designed and all that? Something’s going on.”
“Well yes,” she mutters back. “I told you she had a bunch of Dragonblooded sorcerers working for her. I’ll bet you anything that one of them raised it for her.”
“Eh.” He sounds less certain. “I’d take that bet. It feels sort of Spires-y. In the stone and walls. And the stonework wasn’t carved, it grew.”
Keris is pretty sure there are spells to make stone grow - in fact she vaguely remembers stories of a Lookshyian sorcerer raising a fort in a single night back on her mission to Eshtock. Or was it a Realm one back in the Scavenger Lands somewhere? Well, whatever. She doesn’t inform Vali of this, instead quietly bumping his fist with her own to seal the bet, and moving forward to join Suriani as they make their way off the deck and into the welcoming committee gathering at the dock.
“You have not told me much about the demon lady who commands this place, mistress - but she clearly flaunts the power of Hell, here at the edge of Creation,” Suriani comments. “Do you have any orders for me - anything to seek to do? Am I to watch her for you or seduce her?”
“I won’t order you to do either,” Keris says easily. “We’re doing this as, mm... not a favour to her; say rather a mutually beneficial deal. The salt dragon we’re here to kill has been interfering in her affairs. With it dead, she has a problem removed from her plate, while we get the corpse - as well as some assistance from her cults and subordinates. Both sides profit.”
She smiles. “Of course, if you want to watch her, it might be an informative lesson for you. I’ll certainly be interested to hear your conclusions. Just come to me with them first, mm? Her subordinates - and mine - don’t need to know anything you see with those clever eyes.”
Suriani bows, the black cloth of her formal Black Claw School uniform shushing around her. “As you command, mistress.”
The demon servants let them in through the gates of the fortress, and Keris can see the roughness of some of the aspects here under the obscuring layer of floral growth. Oh, the flowers and the orchids and the lush mosses and the new growth of trees hide it as well as they can, but the ground here is damp under the raised wooden platforms, and the platforms are of young, green wood. The beams holding up the upper floors are equally raw, and there are places where vegetation is being used to support them further. She gets a grinning nudge from Vali, who also recognises his sister’s characteristic handwork and tendency for horticultural improvisations in architecture.
Then into the central keep, and up into a jungle of a solarium built atop it where the walls are living wood and fat orchids and carnivorous plants hang down from the crystal slabs being used in place of glass in the ceiling. Haneyl is waiting for her here, and her daughter is revelling in her demonic nature, playing it to a fault. Seated on a great bud, flanked by braziers which burn with pale green flame, she welcomes her guests. The heat and humidity is ferocious, but that is not the reason she is only dressed in translucent silks and jewellery - Keris’s most shameless daughter is just like that sometimes. A green veil is pinned into her hair, obscuring her upper face but showing the too-many-too-sharp-teeth that sit between her painted lips, and her grey hair is threaded with countless flowers and carefully draped down her front to provide a little modesty. All of her too-long, claw-like nails are painted with gold leaf and have had small emeralds applied to them, and the plant inks of her tattoos writhe under her skin.
Behind her, almost a shadow, is... Keris wracks her brain for the name... Mata, that’s it; the mezborn dragon aide who usually runs Haneyl’s estates in the Swamp. Despite her high status in the Swamp Mata is seldom seen dressed as anything other than in the magpie-like blacks and whites of a Realm lady’s maid, but even here Haneyl has apparently gone overboard and has her flaunting form-hugging Meadows tar-rubber that can’t be comfortable in this ferocious heat and humidity. Or maybe that’s Mata’s choice. Rendas can be strange sometimes.
“Welcome, honoured guests,” Haneyl announces, “welcome Lady Keris, beloved in the hierarchy of Hell, Director of the Madness Washed Shores. Welcome Vali the Spirelord,” her eyes skip over Mele, “and welcome, Lady Suriani, disciple of Lady Keris, Black Claw of Mara. I am Haneyl, lady of Hell, called by some the Flower Maiden” She weaves in some more flattery and quite a bit more showing off things that she picked up from asking questions of Keris ahead of time, before getting to the point. “Rooms in this fortress at the world's edge have been set aside for you, and entertainment too. And esteemed princesses of the green sun, might we work well and prosperously together for many years to come.”
Suriani... looks like she’s on the verge of collapsing from heatstroke. Or possibly the perfumed smoke. And Keris isn’t quite sure how to feel about how her student is so blatantly checking out her daughter. “Hail to thee, Haneyl,” Suriani says, letting the ring of green flame ignite on her brow. “Lady Dulmeadokht speaks well of your skills and your esteem in the ranks of Hell.”
Keris has done no such thing, and Suriani is therefore bullshitting with the generic greeting one might expect.
“Indeed,” she says, because she’s at least willing to back her disciple up even if - from the looks of things - she’s going to be very disappointed in her by the end of this meeting. “It has been too long since we last met, Lady Haneyl. I’m glad to accept your hospitality, and look forward to the fruits of our alliance.”
The customary greetings are said, compliments are exchanged, then:
“For the while, please enjoy the full offer of my hospitality. The structure pitched beside this fortress is a place of my ally, Abhorrent Flower, and I would recommend that you not-”
“Abhorrent Flower?” Suriani gasps, swaying slightly on her feet.
“Indeed. I would recommend you not intrude on that place without her permission, for she and her sect prefer their privacy.”
“The Abhorrent Flower? Tempter of souls, the fallen Immaculate nun who takes joy in the corruption of young monks and nuns; a great foe of the Immaculates who they have never been able to catch and have lost many worthies to?”
“Yes.” Haneyl tilts her head. “Will this be a problem?”
“I... had not realised that such a figure was an ally of yours, mistress,” Suriani says to Keris. “I am sure that she is most powerful - I heard many warning stories of her and her agents as a child. She has struck against Choson for a century and more - I had thought she was a pillow-book cliche, that the original woman had to be long dead and was kept around to scare people.”
“No, she’s real enough,” Keris informs her. “Not a close ally, but she’s very much the original once-Immaculate nun. That said, you will be heeding Lady Haneyl’s advice and staying out of her tent, at least for the moment. Abhorrent Flower is fond of trying to pluck young and pretty things, and you,” a lock of hair tightens around Suriani’s wrist, “are my disciple.”
“Yes, mistress,” Suriani says, leaning into Keris’s tight grip. Or possibly staggering from the heat.
“Lady Dulmeadokht, might we consult further - and in private?” Haneyl asks. “I will have my servants show your companions to their rooms.”
“I’m staying,” Vali says immediately.
“I suppose your presence also will be of use,” Haneyl says with a little give-away big-sisterly tone.
“Of course, Lady Haneyl,” Keris says. “Suriani, go and find our rooms, drink a full glass of water, then lie down with a cool towel over your eyes. You’re not used to this heat yet, and despite the humidity, you lose moisture faster than you think. I’ll come and give you an acupuncture treatment later to help you acclimatise.”
“Yes... yes, mistress.” She must truly be suffering if she doesn’t even try to stay. A hellborn demon servant sees her out, and Haneyl waits for the footsteps to fade before she rises.
“I had other plans for today before I had to get all dressed up to make a good first impression on one of Hell’s chosen,” she informs her mother, as with a wave of a hand she has the braziers reduce themselves to embers. “Mata!”
“Yes, ma’am?” says her maid.
Haneyl unhooks her veil and hands it to Mata, and then starts shedding jewellery too. “You know where all of this goes.”
“Of course I do, ma’am. Though I think you look particularly fine in it. You could stand to wear it a little longer.”
“Mata I have the world’s worst case of boob sweat right now and I’m basically naked. I don’t know how you’re not cooking alive in that tar-rubber.”
“It is important for my lady to present herself as the scion of Hell’s aristocracy that she is,” Mata says firmly. “Your vision of yourself as a Hell-touched Dynastic lady was not enough for your guests, ma’am.”
“Yes, yes, whatever.” Haneyl blots herself with a towel, then pulls on a light cotton dress, lacing the back up with her hair. “Yeah, Mata insisted I needed to be ‘properly Hellish’ with this and a lady really has to think about how she presents herself to keep her servant happy.” Despite her tone, she pets Mata’s head and the other woman leans into her touch. “Mama. Vali. Mele, and... I have no idea who you are, but you’re one of Vali’s tarksae.”
“Biqi,” Biqi says helpfully.
“Doesn’t ring a bell. But she’s looking fantastic, so you’re feeding her well, mama. Good. And-”
That is about as far as Haneyl gets before Vali’s patience wears thin and he picks up his big sister in a bone-creaking hug. Keris joins it, wrapping her arms and hair around both of them and smacking a kiss on her daughter’s cheek as she squawks and punches her little brother in the kidneys.
“It’s good to see you again, sweetheart,” she says happily. “And my my, this place looks good. How’d you build in so much basalt and brass? Did you grow the wooden beams and floors right into the stone?”
“Get off me, you great lump- ugh, hah, yes. I gave offerings to Unquestionable Ligier to grant me this spell,” Haneyl says smugly, extracting herself from Vali’s arms. “It is called The Perfected City - it calls up stone and metal in the style of his glorious city on the innermost layer of Hell.”
“Ha! I knew it! And you copied the plans for this out of a book!” Vali crows.
“How did you know?” Haneyl blusters.
“It’s a distinctive style, sweetheart,” Keris placates, grumbling inwardly at the loss of the bet. “You normally go for a more... organic aesthetic to your architecture. A pretty one, but it’s clear how this place diverges from it - at least on the outside. But, enough about that!” She distangles herself. “How have you been? You look like you’re well set up here. Has Abhorrent Flower been giving you any trouble? Jianling and Jamahidaya are doing well? Have there been any more sightings of our target?”
They step out of the solarium into a more functional and much cooler (though still somewhat jungle-like) work room, and Haneyl starts to sort through her slates before Mata takes those duties from her.
“Here, ma’am,” she says, passing a number of slates over before stepping behind a modesty screen to change.
“Thank you, Mata. Mmm.” Haneyl checks them over, then - to have something to do with her hands - makes them all drinks. “For how I’ve been - busy, busy, busy. You know how it is, mama. Countless things to get ready, the need to move people and resources down here, securing transport that won’t blabber - it’s life. And here are the slates summarising the salt-dragon which has taken up a lot of my time recently. Or, as he was once known, it turns out, Gythenes.”
Keris immediately takes the summarised notes, and starts reading. Gythenes is a former Heavenly censor, but he had stepped down from his position in the aftermath of the Dragonblooded Usurpation and refused to serve Heaven when it permitted this to happen. Puritanical, obsessive, ascetic, viewed as incorruptible; all traits rare in the modern state of Creation. Instead, he had become what was officially labelled as a warlord and a bandit, but by Haneyl’s interpretation seems to be more an act of vigilantism and working actively in league with the Lunars of the Silver Pact. But then there was some falling out with them, and his current state is allegedly the result of a Lunar curse. Once an ascetic, self-righteous, sanctimonious sort, the curse has over time twisted him into a feral hungry beast that attacks all and any that act in ways that displease the dim remnants of his mad consciousness.
“A deeply nasty and spiteful curse,” Haneyl concludes, passing Keris wine. “Impressively vindictive, honestly. He was native to the Shallow Sea, but made his way to the Anarchy during the mid 200s, and most of these things were found out by their scholars. The rest, I got from a god.”
“A former Heavenly Censor, and a longtime ally of the Silver Pact, oh my,” Keris breathes, grinning nastily. “Oh my oh my, Haneyl, I know you didn’t go looking for him but well done anyway, I can get a very pretty boast out of this at Calibration.”
“I suppose I can let you have this credit,” Haneyl says, trying to sound like she’s being charitable in giving her mother the chance to do work for her at a criminally low price compared to what Keris would charge her peers. “Honestly, this whole thing is costing me so much. I’m giving this whole island to Abhorrent Flower in part-payment, and that’s on top of what she charges and the number of books of Hellish lore I’m going to need to get copied out from the libraries of Orabilis for her.”
“Don’t worry, big sis,” Vali says, grinning from where he’s flopped down in one of the chairs that’s groaning under his weight. “I’m really cheap, ‘s long as I got things to fight and fun things to do. ‘Cause I’m going to be hanging around after, because I had a lot of fun in the Dusk Sea last year, and fun being a pirate, and I reckon there’ll probably be fun things to do in this place on the edge of the world. Plus, y’know, I’m better at building things that aren’t alive than you are. And Rathan’s being a sack full of dicks with his whole shitty better-than-you sorcerer attitude, so I’m not wanting to hang around Zen Daiwye with him there.”
There is a polite cough as Mata emerges from behind the modesty screen. She has changed from the tar-rubber into a black hanfu tied by a white sash embroidered with black crow skulls, and her hair is up in double buns. “Apologies for the delay, ma’am,” she says to Haneyl, still somewhat red in the face. “The aesthetic is pleasing, but I fear it is... not entirely suitable for this climate.”
“I did tell you that you didn’t have to wear it.”
“And I told you quite firmly that there are standards for you as a demonic force of wickedness and I as your servant,” Mata chides her. “No one will take you seriously as an enemy of the gods if,” she gestures over Haneyl, “you are simply wearing a girlish cotton dress like this. I will not let my princess shame herself by failing to revel in your self-evident, glorious majesty. All should see you and love you in your birthright as a princess of Hell!”
Haneyl rolls her eyes at her mother in vague embarrassment, not helped by Vali’s barely muffled guffawing. “Sorry, this argument was going on-”
“Not an argument, your highness, I will of course do anything you order me to. My place is beneath you-”
“This is clearly an argument and we both know it, Mata. And Mama argues with Rounen all the time; just accept that you’re allowed to disagree with me. Then we can argue over your fashion choices without you acting like I’m making things up when I point out that your aesthetic tastes tend extremely towards the more Hellish parts of my wardrobe.”
“I just want you to look your best-”
“It’s not that I don’t look fabulous, it’s just that I know what you’re doing and… ahem. This... debate aside, the reason we’ve been waiting is that Mata is here as my aide de camp and a member of my general staff.”
“Those are just my hobbies, your highness, I am your lady’s maid.” Mata looks like she wants to protest too about the slander of her fashion choices, but also doesn’t want to bring the topic up again lest she lose the argument.
“She is here as my lady’s maid who happens to be an aide de camp on the side and she is the one who has been preparing the plan of the assault and collating the intelligence.” Haneyl sighs. “As a facet of her maidly duties, yes, Mata, I know. You’re my regent back in the Swamp and my chatelaine and you’ve done a great deal of the planning and organisation for this upcoming attack, but those are just hobbies you enjoy in your free time. I’m just making sure Mama is fully aware of just how much I rely on you and value your service.”
Mata’s violet eyes widen in joy. “My lady, to praise me before the High Queen like this is more than your humble servant deserves.”
“It is exactly what you deserve,” Haneyl says, petting her on the head, “and now, if you would, please demonstrate the capabilities you’ve put your free time towards and brief Mama, Vali, and Mele on what we have so far and what we have yet to put together.”
Keris pinches the bridge of her nose and spares a moment to be quietly, emphatically thankful that Suriani isn’t still here. This kind of keruby-ing would thoroughly kill the mystique.
“Yes,” she says loudly, leaning back against Mele’s chest. “Give me the rundown on what we’re walking into and what’s needed before we can move.”
With the customary efficiency of dragon aides, Mata produces maps, tokens, and a number of neatly itemised lists of draft plans, as well as a number of excerpts of Immaculate and Imperial Navy doctrine for similar circumstances.
In summary, they believe the salt-dragon Gythenes is still resident on the island, but he appears to be awake and moving and so have not been able to approach it for fear that he’ll notice and either flee or - more likely - destroy the interlopers. They have also confirmed that a number of lesser salt elementals have been spawned from the elemental imbalance of what he has done to the island, and while they will likely be beasts at this point, they will likely obey the dragon. In line with that, most of the plans are variations on ways of deliberately offending Gythenes through wicked magic, and then luring him into a trap. There are a few plans which rely on covert assaults, but they are reliant on intel identifying where and when he sleeps. In general, the assumption is that the mercenaries and pirates and lesser demons will serve to protect the ships and handle the weaker elementals, while the infernals, dragonblooded, and demon lords together deal with the great elemental.
“It is not as elegant as I might have liked,” Mata concludes, “but in light of such a powerful singular being, it is necessary to have resiliency in one’s plans. Usefully, her highness’s research established that Gythenes cannot cross pure water - as a being so closely linked to salt - and so a core part of preparing the trap for him will be the sorcerers calling up streams of fresh, potable water to confine him.”
“That is useful - gods, you’re going to have so much salt to sell once this is over,” Keris adds, glancing at her daughter. “I should’ve bargained harder to get a share of that; even if I’m walking off with the corpse, I think you’re coming out ahead on this. Okay, so we have a basic plan to trap him and then pile on him with, what, two Infernals, two demon lords and... which of your pet Dragonblooded will be helping?”
“Of them, Jamahidaya will be of great use given her talent for water-magic,” Haneyl says, fiddling with a set of beads. She puts a black bead on the central island. “Abhorrent Flower does not intend to go in person now that she knows you are here, but she will be sending Wicked Flame and Impure River - don’t make fun of their names, even if they are silly, she considers them a ritual impurification that she draws power from - initially and will be there to reinforce if needed. Though I do not entirely trust her. Hiskesh will not be fighting the elemental, but that was not what I brought him for - he is a wyld-seer and can warn of incoming wyldtides. Jianling will be leading her people in dealing with the lesser elementals, and so too will Gageku.”
“Mmm,” Keris nods. “Sounds like a solid plan. Simple, but solid.” It’s not a plan with any frills or finesse or subtle genius, but it doesn’t really need to be. They have an overabundance of brute force available to them, and this is a plan that makes full use of it - and will get them slammed around by an angry salt dragon whose very nature is painful to demons if they turn out not to have enough brute force available.
But Keris is here, so they do. The main problem will be killing it without doing too much damage to the corpse.
“And what about the things we still have to put together?” she asks. “What are we missing?”
“Well, to begin with,” Mata says, her eyes lighting up, and proceeds to launch into a series of suggestions that essentially boil down to the innate dragon aide desire for complete and comprehensive logistical information on anything and everything that could possibly affect their plans in any way. Keris is sympathetic to her wanting better maps of the island and more knowledge of Gythenes’ movements, but not sympathetic enough to go and scout the island while Abhorrent Flower is getting up to some suspicious secretive shenanigans right next to her daughter’s fortress.
She does briefly consider sending Suriani or Vali to do it, but that runs into the problem that neither will be able to fight Gythenes on their own if they get caught, Suriani is too prone to fumbling things for Keris to trust her on a high-stakes mission just yet, and Vali won’t be able to stay hidden even if he tries.
“Well, we’ll just have to work it out as we go,” she concludes. “We at least have the basic maps, and as long as we can lure him in and trap him in the water, the battlefield will be our choice. There’s a chance of some unpleasant surprises hidden on the island, but not a high one given his atrophied mind - and if we get unlucky, it’ll be Jianling and Gageku’s problem.”
“This is gonna be fun,” Vali says happily. “Family doing stuff together, stuff to fight, and a giant salt monster to pit ourselves against. We should do this kind of thing more often.”
“Vali,” Haneyl says sternly, “this has put things back for me by nearly a year. That’s a long time.”
“Okay but that doesn’t change that it’s fun now, right?”
Haneyl smiles, showing a little of the cute little reserved girl she was once (or twice). “... well, maybe.”
Keris laughs at that, and loops a lock of hair around each of their heads to gently knock them together. “You two catch up,” she says. “Mele, you can stick around to chat with Vali or come with me and Biqi - I need to make sure Suriani doesn’t pass out from the heat and humidity.” And then she has a corrupt ex-Immaculate priestess to investigate, she doesn’t say. That can come later, after she gets a chance to slip away. She might even find some time to spend around Jianling Ironhand.
Things end up a little busier than planned, Keris goes to check on Jianling, gets invited to drink with her (unprompted, before she could even coax her into asking), and over the course of a long lunch gets to the heart of the woman. The woman who now goes by the name of Jianling Ironhand has two tragic failings; her touchy pride that left her insecure about her low-born, Low Realm-accented origins and furious when she saw Dynasts promoted above her because of who they were related to, and the fact she’s a sucker for a pretty woman. And both of them conspired to ruin her career in the 3rd Legion of the Realm, because the Legions are full of Dynasts who can tell that a jumped up peasant thinks she’s their equal, and they’re equally full of pretty women prepared to use her crushes and her lust for them as a tool for power plays.
Or, as Dulmea puts it: “This woman is so proud in thinking that she’s no-one’s dog, but barks as soon as an attractive woman tries to leash her.”
And Jianling is cursed with self-awareness. She knows that she is a sucker for a pretty face, for a beautiful woman who touches her hand, who makes her feel loved. It is simply that this awareness goes out of the window when she’s around said women.
Which is why Keris’s offer goes for the pride, not for the lust. The fact she’s a pretty woman making the offer gets her foot in the door, but what she’s offering here is instead is access to the wealth and privilege of Hell. That Keris needs a woman to be her mailed fist, and that fist could be Jianling Ironhand. That Keris herself is the foremost servant of one of the great ladies of Hell, granted the entire Anarchy - and more - as her domain and in living shadow and the notes of time Keris sketches out the wonders and the glory and the respect that could be Jianling’s if she swears herself into Keris’s service.
“Just think about it, cutie,” she says, leaving with a kiss on the cheek and vanishing before Jianling can do more than gape and splutter.
She gives Jianling some time to think over the offer and talk herself into accepting out of pride rather than lust. Then Keris gets distracted watching the long-necked black and white tooth-auks play in the shallow waters, and then ends up as the target of a very concerted seduction effort by Suriani who’s feeling neglected and that takes up the rest of the evening. It does, however, lead to the greatly amusing look on her student’s face when a bed-headed Haneyl stumbles into breakfast and there is an extended moment as Suriani tries to work out who the newcomer is before she turns pale, draws the connection between mother and daughter, and then realises that this is also the same demon lady she saw yesterday.
Fortunately, her own oaths - and the buttering up the previous night - mean Suriani easily accepts that the externalisation of one’s souls is a hidden technique Keris has mastered akin to the power she granted her own po. Indeed, Suriani mentions that Mara can make creatures she calls her nightly beloved, not-quite-demons made from attaching damned souls to the mightiest ones who fall for her. These fallen heroes become reborn beings of pure wicked id, with many shadows that can take form and carry out dark deeds while their hands remain clean. It is only natural that Keris has her own secret technique to a similar end.
The talk puts Mara on her mind, and perhaps that’s why, instead of sneaking into the big gaudy tent to surreptitiously observe Abhorrent Flower from the shadows (which didn’t work the first time anyway), Keris instead gets herself dolled up magnificently in a satin-smooth two-layer dress made by wrapping a huge square of kodroma-woven green firesilk over and around a Strigida underlayer carefully shaped to show off the golden tattoo on her lower back.
She decorates her silver nails with a thin layer of powdered emeralds, sets Lilunu’s earrings in their place, dons an excess of Hellish jewellery to make it abundantly clear that she is a rich and powerful princess of Hell, and then quite straightforwardly goes and demands to be properly introduced to the ex-Immaculate and shown around her temple of corruption and pleasure, haloed in the light of the red moon.
The styles of Abhorrent Flower and her sect are not those of Hell - or at least the parts of Hell that Keris holds in high esteem. They are an affront to the senses in a way that cannot be simply accidental. Lime greens and lilacs and hot pinks and extravagantly saturated blues and each of these in countless subtly different shades shimmer and shine in satin veils. This is a calculated rejection of stark and simple Immaculate aesthetics that reminds Keris of the Wyld, and this gives her some insight into the woman; she seeks to offend. She seems to set herself in eye-searing contrast to places of simple strong colours and whitewashed walls. And in this multi-layered tent built around a grown structure of bone and meat, Keris sees the shallows of this offence - for she does not doubt that there are depths beyond what can be conveniently be set up in a movable tent.
Gods, mutilated and bound to serve the sorcerers by enchanted chains and - worse - the ones that no longer need chains for there is no light left in their eyes, only need. One of the once-monk sorcerers who has turned his skin into horn and bone is meditating as he hangs from his ankles, spikes driven between the joints of his carapace. A nun has turned her eyes into winged beasts, and invited a hive of tiny sprites wearing her face to dwell within her chest. There are once-mortal acolytes blended with beast, or elemental, or the nameless things that dwell below the earth; turned into hunting beasts and pets to serve this cult of deliberate blasphemy.
No doubt Abhorrent Flower has learned much from these explorations and procedures (so much, a wicked little bit of Keris would love to see her notes even as her heart cries out in horror) but she didn’t do this for the learning. She did this because the Immaculates would hate it. She did it because it spits in the face of the natural order that the Immaculate Texts describe. She did it, quite simply, because she could.
And she is not interested in working with Keris, for all Keris is so hard to distrust, graceful like the red moon and drawing all eyes to her. Abhorrent Flower hides it behind false politeness, but it is a pretence. She is not here to make an ally of Haneyl, except incidentally; she is looking for something specific.
What? Keris doesn’t know yet. But this is a woman more dangerous in her own way than Ipithymia. Ipithymia is someone Keris can understand, someone who does things to have things, or have others believe certain things. But Abhorrent Flower wants to be hated, wants to reject everything she was - wants to drag people down with her.
She lets Abhorrent Flower politely show her the door, and heads back into Haneyl’s fort to consider what she’s found. So, the woman wants something specific here. Broadly speaking, she wants to be reviled and feared by the Immaculate Order. She’s asked for this island - their staging point - as part of her payment.
Does she just want to kill the dragon? That is an action that would piss off the Order, but then why ask for the island? It’s not particularly special, as far as Keris knows - it doesn’t even have the masses of salt that Gythenes’ does.
The location, then? Is she planning on pulling from the Wyld to further her blasphemy and corruption? That would be... well, something of a long-term problem, actually, since it might interfere with Haneyl’s chaos-eater manses, but it’s not an immediate threat to Keris’s family. Still, there might be something she’s missing.
Keris runs her thoughts past Dulmea, who comes to largely the same conclusions, and decides that while her blunt, obvious, head-on approach of barging in to have a shallow look around has been informative - and hopefully led Abhorrent Flower to underestimate how much of a the threat Keris considers her to be, or at least how much effort she’s putting into investigating - she’s going to need to go back in for a second snoop around. One kept well away from Abhorrent Flower and her too-perceptive eyes, disguised as a nameless flunky, so Keris can see what’s in all those areas and side-rooms that she wasn’t given a tour of when they knew she was there.
She returns when her daughter is meeting with Abhorrent Flower, a figure backstage that no one has any reason to notice even if they could. The nice thing about silk tents is that with her tendrils she can literally just slice open the side and seal the hole open up without any trace she was here. That is much harder with brick or wood. And then she can step on one of the cultists, and only avoid waking her because she’s in an inebriated stupor.
Dulmea’s condemnation is no less scathing for how silent it is.
But barring that minor mishap, Keris manages to get unseen into the private quarters of Abhorrent Flower and hardens her heart to the petrified, flayed god-statues that gleam with the iris blossoms of the divinities sealed into the profaned idols and keeps well away from the glass-skinned, many-limbed human spider that naps in the corner. Even a depraved sorceress needs some order in her notes, and Keris hands copies into her inner world to be hastily copied out by every dragon aide who can be grabbed at short notice.
While she waits, she finds an array of cracked half-mirrors, each framed and reflecting scenes other than the room. Some of them are dark (suggesting that the mirror-counterpart is somewhere unlit), but ah, she can see some things there. Most notably, one mirror fracture is positioned facing a window, and from the window she can see the characteristic skyline of the disorganised architecture of the Anubalim. Abhorrent Flower must be using these mirrors to communicate with her agents, and she has at least one agent in the Anubalim itself, the palace-city-complex of House Sinasana in Saata.
She puts all the papers exactly back where she found them, and then heads back to her daughter. Or, rather, not her daughter exactly, but to borrow Mata. She needs a dragon aide to help her while she works on deciphering some of these documents, and she doesn’t have Rala or Rounen here with her. It would be useful if she did, and she wouldn’t have to wait for her daughter and her daughter’s maid to finish some of their mutual amusements, but that is just life around Haneyl (who also sometimes steals Rounen for said purposes).
“Of course, your majesty,” Mata says, once she is dressed and Haneyl has given her permission for Keris to borrow her maid. “A scribe’s duties is well within my skills.”
“Very good,” Keris says, giving her an approving smile. “Now, I need some help in making sense of these and figuring out what Abhorrent Flower is doing and whether it poses any threat to your lady.”
It might not exactly have been what Mata was expecting vis a vis ‘getting worked like a dog by a domineering woman of the Daiwye’, but she’s a dragon aide and pulling an all-nighter as Keris pits herself against the depraved mind of Abhorrent Blossom is probably just as satisfying as whatever she and Haneyl were getting up to with that collar.
“This is clearly a cipher based on a text-”
“No no, Mata, those Immaculate texts won’t be any use to me-”
“Oh, of course she’s writing in High Realm, fuck her-”
“Mama, do you still have that list of erotic poetry that Sasimana recommended to me... good. Mata, read all these and tell me what you think...”
“No, what you think of them as possible cipher keys! And what do you mean, the Tale of the Lily and the Lash is your favourite?”
By morning, Keris has the cipher key (“Oh, of course it was The Five Fallen Nuns of Weeping Crane Rookery. You know, Sasi likes that one but I find it dull. I suppose she was looking for something an Immaculate shouldn’t have read”) and she’s just making breakfast while Mata finishes the dull work of deciphering and translating the text from its original High Realm. She practically engulfs her grilled fish and mango purée while she reads the deciphered documents (silly, silly Abhorrent Flower, using the same key for all of them), with both the original text and the translation at hand.
Abhorrent Flower is looking for something called ‘the Mother’. At first Keris wonders if it is something related to Kimbery, but... no. From context, it is something from the Shogunate - the ‘Mother’ and the ‘Five Sisters’ which are some kind of geomantic... weapon? No, not a weapon, but something of power. Abhorrent Flower believes the Mother to have sunken after the Twin Catastrophes, but there is some way if the Five Daughters can be found and attuned to... oh, they’re manses! Anyway, if they’re found and attuned to, they will in some way lead her to the Mother.
Keris taps her fingers against the paper as she licks the puree out of the pot. It’s sweet, but not as sweet as the realisation that Abhorrent Flower has missed something. The scraps of Shogunate military messages she has have sections using Old Realm technical terminology, and while Keris’s grasp of Shogunate-period High Realm is... not good, she’s clearly more fluent in Old Realm than Abhorrent Flower. And more than that, able to recognise that the description of the capabilities of the Mother are not ‘the greatest weapon’, but ‘that which is greater than destruction’.
Which is to say, creation. The Mother - just as a mother - creates; it does not destroy.
Very interesting, she concludes. And probably the true reason for Abhorrent Flower coming here - she suspects the Daughters to be on the wyldshore, or past it. Maybe she has a lead pointing this way, more likely she simply hasn’t swept this area yet. Regardless, if Haneyl succeeds in her goals, her wyld-eater manses will devour the mad pollution of the bordermarch seas and push the shore further south, revealing things that have long since been swamped by the tide of chaos. And Abhorrent Flower will be perfectly placed to explore the new edge of Creation for anything that may have survived slipping past it. Perhaps she even hopes to find some fragments of knowledge left in the withered, curse-rotted mind of the ancient Shogunate Censor, if she can.
“Well done, Mata,” Keris says, a slight smile playing about her lips as she reviews her information. “I’ll have to commend you to Haneyl. You’ve been very helpful to me tonight. And I think I can use this.”
After all, if Abhorrent Flower doesn’t even know what it is she’s looking for, it’s only right and fair that someone who’ll value it more should find it first.
Wave crests appear and disappear through the aquamarine waters, rising and falling into view in the pink dawn light. The sun far to the east is reflected in the choppy sea, and from the wrong angle it is almost blinding. All around, the forms of small white beaksnouts plunge from the skies, their splashes throwing up splatterings of mist. After a moment or two they surface, often without their prizes, but sometimes with a silvery fish held between their toothed beaks. There are fish-lizards broaching off the port bow, gulping down air, before they head back down again. Longneck whales scull through the water with their four flippers, plucking fish as they go. Nothing seems to care about the junks sailing through them on a favourable current, though the creatures avoid the unnatural bulk of the Baisha and the brightly painted vessel with the beast-driven paddlewheel of Abhorrent Flower’s people.
Ahead, the shoreline is visible through the dawn-haze, and rising above it the sparkling white island. It looks for a moment like it could be snow - impossible in this tropical archipelago. It is not. The dragon has covered huge swathes of the once-fertile island in soil-killing salt.
“Well, well, your information was good,” Jianling says in her thick Low Realm accent, lowering her spyglass. “I see a pod of hullbiters lurking near the reef. Nasty little sea-crocodile elementals. They’ll try to drag the junks into the reef and smash the hulls against it. Let us hope you’re as good as your word for your talent as a captain.”
Gageku curses at her in an Eastern Anarchy dialect. No one knows exactly what he’s saying, but everyone knows he’s cursing. “Don’t throw shade on me, woman,” he snarls. “I won’t lose a ship over something this foolish.”
“There are also whitescale crocodiles on the beach,” Mata says. “The landing may be contested. We will have to hold if they attack until my lady can raise defensive walls.”
“We can do that, especially with this many dragonkin around,” Jianling says confidently.
The landing is textbook, straight out of the Thousand Principles. In the early morning cool, Jianling’s men have wrapped wool around their armour and boots to quieten their landing, and the whitescale crocodiles, lesser salt elementals spawned of the imbalance here, barely stir. They’ve landed in a little inlet where the beach quickly rises to firmer ground, and the men carry the metal rods out and place them where Haneyl dictates. She paces out the places where the walls will go, and with an invocation of Ligier she strikes the ground. The sky overhead turns briefly hazy and there is a green tint to the dawnlight as black stone walls smoothly rise from the ground, thick and solid and well-formed.
This redoubt is well-placed, away from the worst concentrations of elementals, and will give a solid place to retreat to. Even the wrath of an elemental dragon might be deflected by it, at least briefly, and the angled walls will stop molten salt breath from simply scourging men hiding behind it.
Keris whistles, thoroughly impressed by both the landing and her daughter’s display of sorcery. She gives Jianling an appreciative once-over, dipping her head in acknowledgement and flashes a dazzling smile when the woman catches her looking. She’s not even particularly worried that Suriani sees her do it, because she can reassure her disciple later if need be, and she’s not going to let neediness stop her from admiring a dragonchild this competent. A deserter Lost Egg who can pull off this kind of seamless landing - efficiently enough to get them a beachhead and wipe out the first group of lesser elementals without a fight - is someone Keris definitely needs to put even more effort into corrupting into her service.
“I am sleeping with that woman before we head back to Saata,” she murmurs to Mele. “Fucking hell, that was smooth. She definitely earned a reward.”
She belatedly remembers that many partners don’t appreciate being told that one intends to sleep with another woman. Well, not Sasi, she tended to be either happily approving or want to make a double date of it... the point is she wonders if she should have said that, but-
“Yeah, she knows what she’s doing,” Mele says conversationally. “Well, have fun, maj. I’ll be waiting for you. I get the feeling from how she stares only at you, and a bit at Princess Haneyl - oh, and Mata too, and Abhorrent Flower - well, I get this feeling that I wouldn’t be welcome. If you get back late, try not to make too much noise if I’m already asleep.”
She kisses him, relieved and happy, and gives him a quick hug. “You’re perfect,” she says heatedly, and pats the Hornet’s Needle at his waist. “Speaking of which, you’re all prepared for the crocodiles and hullbiters? I’ll be counting on you to keep me from getting mobbed while I fight the big one.”
Mele shifts and turns her hug into a sweeping kiss, his hand on the small of her back to support her. “Don’t worry about me. You’re the one fighting an ancient mad salt-censor,” he murmurs, his eyes on her. “I’m just here to watch these suspicious mercenaries and see if I can maybe get you an alive elemental as a present. It’s not much, but I’ll be safe. You need to be taking care of yourself. And who knows? Maybe this kiss will bring you good luck,” and he kisses her again.
“Go impress me,” she tells him, and then steps back, summoning Strigida out to clad her in thick armour and pulling Vipera off her waist. Calibration waits behind the curtain of her hair, the black blade humming quietly to itself in Dulmea’s tower. “I’ll make good use of that good luck.”
Suriani makes a jealous noise and seems about to demand a kiss of her own, but before she can say a thing Vali swaggers out, bedecked in his dragon armour that Keris stole back in Eshtock. He is immediately the target of envious eyes from anyone who knows what it is, and even from a number of people who don’t. It makes him even larger, and though the fuel of the ancient armour has long since been depleted, he is strong enough that he simply carries the weight on him directly. Haneyl follows her brother and she does not wear conventional armour, instead donning one of her erooltony armour blossoms. The roots of the lesser demon cover her like many layers of chain swathing and from the muscle-like vines brightly coloured flowers bloom. In her hand is her favoured red jade daiklaive she has renamed Seven Swift Cuts. Mata follows in Haneyl’s wake, and she is also wrapped up in an erooltony, though her daughter has selected a darker bloom with violet flowers for her maid. Who is, notably, still wearing her hair up in the two buns customary for a woman serving the high society of the Realm. Mata won’t be fighting, but Haneyl insisted that she be kept around to watch the flow of the fight and also make refreshments.
Despite their bravado, Keris knows her children will be only of limited use. They are still demons, and in the face of so much salt, they will be painfully constrained. They would both throw themselves into danger to extract her if something goes too wrong, but she doesn’t want to make them have to fight on a salt plain.
“Remember,” she tells them seriously, “you’ll be the reserve in case it manages anything clever. Let Suriani, Jamahidaya and Abhorrent Blossom’s nuns back me up while I take it on at close range and keep an eye on how they fight. Focus on burning the salt and barraging it from range, stay moving, don’t let it get too close. And if I fuck up and it gets its jaws around me, get me out before I lose a limb.”
“I’ll break its fucking jaw if it tries to bite you,” Vali promises.
Haneyl nods, though Keris - more empathetic than her son - can see the fear and worry in Haneyl’s eyes. This elemental dragon scared her. She’s scared of going back. She’s scared of it and she’s scared for her mother and she’s trying to hide it in front of Keris so she doesn’t worry and in front of the people she’s hired so she doesn’t look weak.
Keris gives her a smile, and thinks back to when she’d first heard that Haneyl had been attacked. Thinks of this brain-rotted monster hurting and scaring her little girl. Thinks of the fact that she’s about to get a fight - a good, serious fight - against an opponent she can go all-out on, but has enough back-up against that she’s confident of winning.
She lets those feelings show, and watches Haneyl’s face as her smile turns wild and feral.
“I hope you can shout anything you want this thing to know before it dies quickly,” she says. “Because it’s not going to be able to hear you for very long.”
“I’d rather it die. And I can get back to fixing the mess it caused me,” Haneyl says. She leans in and presses her brow against her mother’s. “I want it dead more than I want it to suffer,” she says softly, using Vali as a shield to obscure them from the eyes of onlookers.
“Then I’ll kill it for you,” Keris promises, letting the murderous aura fall away in favour of simple sincerity. “Because I’m your mother, and I’ll always be here to back you up when you call for me.”
“I know, mama,” Haneyl says, and there isn’t a trace of doubt in her voice. “And you’re getting the best birthday present I can find in Saata next time I’m there.”
Beyond her family, there are others coming. Jamahidaya Azura, black robed over a dented breastplate, a jade-capped staff in hand, riding a foam-maned water-horse, eyes wary both of her company and of the thing that awaits them. But she has been promised rich land by Keris, and that is enough to quieten her qualms. Suriani is here in her Black Claw School uniform. She hasn’t trained to fight in armour and so she looks woefully underprepared compared to many of the others, but Keris knows how deadly Suriani can be, especially when she’s underestimated by her foes.
From the cult, there is Wicked Flame (naked as the day he was born, countless red studs driven into his skin, each time his right foot touches the ground it leaves a burning hoof print) and Impure River (who has a fanged maw occupying her belly, her armour cut out to expose it, and it licks its lips and whispers things in a language everyone is glad they cannot understand). And there is also Abhorrent Flower herself. She’d said she wasn’t coming, but she seems to have changed her mind - perhaps, Keris suspects, because she thinks Keris might be following similar clues to those she is. She wants to make sure such things are not vanished. She sits cross-legged on a violet cloud, and she wears white jade plate that has been painted in the same eye-searing blend of colours as her tent - and from her bracelets hang many little yasal crystals and Keris can hear the clashing blend of natures coming from them. Behind her trail a number of chained and pierced and branded gods, each one maimed and scarred and touched by some - seemingly self-inflicted - desecration.
The landscape is dead. No, worse; the landscape is not all that different from Cecelyne. The air smells hot, and there are ruins here. Some of them are clearly the remnants of the manses Haneyl was working on. They now look sugar-dusted, the corpses of hellspawned demons preserved by the salt, desiccated and unrotting. But there are other, older ruins partially exposed by how the trees are no longer holding the land together, and so soil and salt have been blown away to expose the husks of lost years.
And from the greedy look in Haneyl’s eyes, she didn’t know that these collapsed, soil-packed structures were here, protruding from eroding hillsides like fossils revealed by a landslide. There are bones here too, vast ones, often lying atop the ruins, the remains of colossal beasts crushing the long-forgotten structures.
Not for now. They are a curiosity to be examined later.
Keris twirls Vipera thoughtfully, then looks to her companions. “Alright,” she says. “Jamahidaya, start setting up the streams for the pure-water trap. We want a nice big open area without any ruins he can smash through or boulders he can throw at us. Abhorrent Flower, prepare the defilement to lure him this way, but don’t set it off yet; I want to know which way he’s coming from if we can. Suriani, I want you hidden, ready to ambush him when he’s distracted. Lady Haneyl, Lord Vali, stay alert for any lesser elementals that might be hiding under the salt. I’m going to do a quick scout around to see if I can locate Gythenes, and if not, I’ll take point on funnelling him into the water-trap on his approach.”
As she heads off, Keris hears Vali nudge his sister in the ribs. “See? Mum is just as bossy as you. She’s the one you get it from.”
And maybe there’s a smile on her lips as she stalks off, salt crunching under foot. Because yes, she does like it when people say her children take after her.
Keris makes her way through the dead patches of the landscape in bursts of silent motion, darting from cover to cover only to blend into the background when she’s there. The layer of salt is thin in most places - more like a dusting - but she finds that one of the hillocks has a much thicker layer. It coats the dead trees in centimetres, leaving them looking like they’ve suffered an out-of-place blizzard. From what Haneyl’s research has found, the mere presence of Gythenes creates salt so if it’s thicker, he’ll have spent more time here. Strigida shifts against her, her living armour not liking the prospect of getting salt in her joints, and Keris whispers a promise that she’ll oil and clean her when they’re back on the Baisha.
The hillock was once a great building. As she flanks it this becomes clearer and clearer. From the façade of dirt emerges old stone and old metal; there are places where the dirt has given way to reveal the bones of fish and molluscs and under that stepped terraces that reveal old paving tiles. Soil spills from cavernous once-windows.
The salt is so thick here. The trees are dead, and more than dead, their parched trunks cracking and collapsing under the weight.
Keris’s eyes widen. She can hear the big thing breathing, breathing like it is asleep. Breathing down in the caverns that it has excavated from the hill. There are huge mounds of sand and muck piled as slag around the entrance to its warren. The statues flanking the vast hole have been crudely put back in place, and the coating of salt makes it look like their skin is coming off.
The elemental dragon is down there, in the hole into the old building that it has dug.
Keris is fully in mission mode, the lens of sharp focus drawn down between herself, her feelings and her work. So she doesn’t panic, and she doesn’t bolt. Instead she stays still and quiet, judging the size of the exit, estimating the depth of the warren, timing the slumbering beast’s breathing. Only once she’s satisfied she’s got as much as she’s going to get does she slip away, pacing back towards the ongoing preparations and counting her even steps.
“Found him,” she announces once she’s back. “Six, maybe seven hundred metres back that way; behind those dead trees. He’s made an old ruin into his warren - it looks more like a hill than a structure, but I think he’s tried to repair bits of it. Sort of. He’s tried to put the statues back, at least, which means he’s not just a beast; there’s some level of intelligence and use of his environment there. Right now he’s sleeping - I think we caught him not long after a meal, because some of the bits of fish around the entrance were fresh. But he won’t stay that way once we start the defilement. If he takes a straight path to us, he’ll come crashing through the copse, so we want the last part of the trap to run a stream between here and the treeline to box him in once he’s through.”
“Intelligence? That isn’t what the tales tell,” Abhorrent Flower almost-purrs. “How... interesting.”
Keris regards her for a moment, then shrugs. “We don’t know how much,” she says. “And we’re here to kill him, so it probably won’t matter. Just keep in mind that he might see through our trap. If we weren’t relying mostly on brute force I’d be more worried, but the nice thing about a mailed fist is that it’s hard to outsmart when it’s already within striking range.”
The wind on the island stings from the salt borne on it, and so Keris has an idea. There is plenty of salt-dessicated, sun-bleached wood lying dead around, and she gathers a good amount of it. She tasks the cultists with carving certain symbols she demonstrates on certain pieces of wood, while the rest she gets to work on hollowing out and turning into wind flutes with Haneyl’s help. The dry wood is still wood and easily takes form in their flesh-weaving tendrils, and when each one is done she passes it to Vali to strap the pipes together into a framework she describes to him. She can’t see Suriani, but she can hear her lurking presence so doesn’t ask her to break concealment to help.
When they are done, there is an almost human figure made of pipes and dry branches, the noise muffled for now by twine jammed in the ends. Keris reaches into her inner world to recover a selection of Isle-paints, and - to show up Abhorrent Flower - she paints the figure in lurid greens and reds and silvers.
As the final step, she lets Haneyl do the honours and pull away the twine. And the pipe-statue moans, a cutting, too loud noise of mixed horror and desire. A noise that just like the statue is almost human, but not quite right. A noise that runs its fingers down the back of the neck with sharp nails, and leaves one shuddering. A noise based on the singing of the demjen Keris has heard in Hell.
The roar comes in immediate retaliation.
“Alright people, get ready!” Keris shouts, and pulls Vipera off her waist with a whipcrack. Sprinting forward towards the trees, she leaves enough distance between her and the copse that she won’t be surprised, and prepares to make herself flashy and attractive bait.
It puts her in the perfect position to be unpleasantly surprised.
As soon as Keris sees the elemental dragon, she realises how it could so easily have torn away half a hillside. Gythenes is a walking hillock of a creature. His head, blunt and square and vaguely bovine; his teeth are boulders and his eyes are agates. His talons are long and massive and each are larger than Keris herself. They might be shaped like they’re made for digging, but bones and meat are far weaker than rock. His scales fall from him constantly and where they fall the salt spreads. With each movement he stirs up clouds that sting and burn as he crawls along the earth like a vast komodo dragon.
And here is something she had not heard before, that Haneyl had not mentioned: in one forelimb he holds a colossal pillar that must once have held up a building. This is a club that could smash the Baisha or the walls of the fortress at the shore. To be struck by it would be death.
“That’s him,” Haneyl says, the roots of her eroltoony tugged up to protect her mouth from the salt.
“That’s bigger than I am. Oh yes,” Vali growls. Lightning sparks from him.
“Fuck fuck fuck fuck fuck,” Keris mutters, her eyes narrowing in on the threat. She can’t let him keep the pillar. The added reach of a club, the way the length of the pillar will turn the slow movements of those komodo-dragon limbs into terrible speed as it swings, the force he’ll be able to put behind it - she can’t let him keep the weapon. It’ll be the death of at least one of them. She has to disarm him. As soon as possible.
Something that big isn’t slow. It isn’t because he moves quickly; it is because each step of a walking hillock travels so far. He is already down off the slope, into a copse of dead-salt-encrusted trees and with his free hand he grabs a bushel of them. As a man might throw a handful of rocks in someone’s face, this terrible dragon just hurls them towards Keris and her children. He’s not arrow-accurate, but he doesn’t have to be: ballistic fragments of trees force them to get out of the way whether they want to or not. Haneyl sweeps her arm in an arc, catching the dry wood in a burst of pale green flame. Vali simply takes one straight to his armoured forearms, forced back as it cracks apart around him.
“That all you got?” he hollers back.
Beside him, Keris takes a more direct approach to getting the dragon’s attention. Green flame bursts to life on her brow, an empty ring of wicked demon-light, and her hair draws a high note from the air.
“Gythenes!” she calls, bringing out Strigida’s wings and crossing them in front of her to harmlessly deflect the wooden trunks away. “Oh Gythenes, lord of the salt plains, child of Paisap! Well met this day!”
The cadence of prayer runs through her words, the forms are there, the address correct. But her voice is mocking and her music takes a minor key. Because she remembers what Haneyl said. A puritanical ascetic, an incorruptible Heavenly Censor who stepped down from his post in protest after the Usurpation, who acted as a vigilante in league with the Silver Pact until a curse turned him into this feral, violent beast.
“A former Heavenly Censor is rarely met!” she shouts, grinning behind her silver mask. “Do tell us of how Heaven honoured the law you kept! Speak of your cousins the Dragonblooded, and how their conduct made you proud! Of your allies of the Silver Pact, and how you trusted them!”
She laughs, high and wild and cruel.
“Will you not speak to us, lord Gythenes?” she taunts. “Whatever holds your tongue?”
A foul, rumbling snarl felt more in the gut than the ears erupts. “Unclean! Unclean!”
Stooping down, Vali wrenches a rock the size of a man’s torso from the ground and hurls it at the dragon’s head. “Come get us, you fat sack of salt!” he hollers back. Against a target that size, it’s hard to miss. It shatters on the brow of the huge dragon, and though it doesn’t seem to meaningfully hurt him, it can’t have been pleasant, drawing another roar from the bestial elemental.
Haneyl is already stepping back, back across where water will flow. Her voice rises over the noise, reassuring Jamahidaya that the provocation is needed, making sure the cultists hold. And it is just as well. Gythenes’s fury gives him speed, and he smashes his way out of the forest, closing fast, onto the salt plain of ruined land where once one of Haneyl’s manses stood. His breath reeks like dead fish and dry lakes, and he opens his mouth, a cutting jet of molten salt lancing out towards Keris. She barely curls out of the way as it slices into the desiccated soil like a hot knife. She hears the sizzle of a few droplets splash against her armour, and winces. “Keep clear of that, Vali,” she calls to her son.
“Don’t have to tell me twice!” he shouts back, slamming down the draconic visor of his helmet. He’s tough, but salt is not a friend to demons. From the distance Keris can hear Abhorrent Flower’s voice, the words burning her ears and she can hear something small die as the sorceress takes its life. She’s gathering power for some kind of spell, but Keris isn’t sure what. She hopes the woman is going to make herself useful, though, because she can see the madness in Gythenes’ eyes, see the dragon psyching itself up. Though in truth he’s too mad to really draw strength from his insanity; there is no purchase, the centre cannot hold.
Vipera lashes out and her tail coils around Vali’s waist. Keris backpedals, retreating into the trap in the face of the dragon’s advance and trying to tow her son along with her. But even as she falls back, her wings are furling and the full volume of her hair emerges, fanning out around her as if underwater in a shifting, coiling mass. And from the great peacock-tail, a barrage emerges. There’s no obvious effort, no clear point of attack, but first one, then two, then ten, then twenty knives and needles go whipping across the salt plain, peppering the dragon’s agate eyes with a hail of sharpened metal.
The dragon roars and salt dances in the air, screwing his eyes shut like a man confronted by buzzing insects. But a form that huge has a lot of momentum behind it, and he throws himself forward, swinging that colossal club around in an arc that doesn’t have to be accurate as it carves through the landscape.
Vali hasn’t budged, letting his mother retreat first, and he squares off with the enormous broken pillar. It comes around with the force of a landslide and he digs his feet in. The stone slams into him, driving him back deep into a dune and Keris cries out.
Only to watch in flabbergasted awe as earth shakes and stone quakes and around him blue-black lightning arcs. And that colossal stone club is now a lever, as Vali lifts, and not only does the club pivot end over end, but so does Gythenes. A hill fills the sky as Vali tosses the club like a caber, and uncomprehending the dragon goes with it. Keris screams and so does Haneyl as they realise just where Vali has tossed the monster, and desperately they scramble out of the way as he smashes down. Right into the centre of the prepared trap.
The greatest scales are as thick as walls, but the impact has cracked them. “There!” Haneyl shouts at Keris as she falls back further. “All along his back! They’ve broken! They’re weak there!” She scrambles back out of range, and just as well because the furious, confused dragon is swinging around to bring its club around on Keris.
There is something terrifying about a stone object moving so quickly, especially when it would normally be seen as architecture. But her world bleeds to red and white, and she dances out of its way, too fast for the swing. It breaks the ground but it cannot break her. The air is thick with dust and salt-shrapnel and the ground shakes. And over the terrible sound Keris hears Abhorrent Flower shout something, shout out her spell, and she sees tendrils of an unmemorable, indescribably bland colour reach out and plunge into the thing’s head. When they retract they are carrying wet, glistening somethings.
Gythenes certainly doesn’t appreciate it, though, and vomits a cutting wave of salt at the sorceress who’s forced to throw herself behind a rock clutching her newly stolen treasures - and she isn’t fast enough. Her jade plate might have kept the salt off her skin, but Keris hears the scream and the sizzle and the sound of the woman frantically trying to scrape molten salt off the white jade before it cooks her further. She’s not grievously hurt, but it’s a reminder of how even a glancing blow will mean terrible pain.
She does her job as a distraction, though (albeit perhaps not a willing one) because Keris hears under the chiming noise of cooling salt Jamahidaya scream out a word and strike the earth. The ground rumbles and shakes, and from the cloven rock comes out water; fresh, clean, potable. It rushes into the channels cut around the trap, flowing where it is meant to, and trapping Gythenes in the prepared place.
For now. Because Keris can hardly believe it’ll hold him. If nothing else, he can bring that damn club down and break the channel the water flows in. He can dam the channel. He’s held, for now - but this can so easily change.
Shadows coil, and from a pit in the trap Suriani erupts. She is hardly the woman Keris has seen before - her mouth twisted open into a maw as large as the rest of her body put together, painted with main bright colours, and her teeth are each a sword. Against something so huge, surely she is as nothing - but she is so hungry, so vicious; a terrifying beast tearing at the cracked scales around the joints of his arm. Blood spurts out from the torn open wounds as Suriani latches on and bites and bites, her hands jaws holding her in place, her stomach just another maw, her terrifying monstrous mouth tearing and ripping and shredding as she opens up his throat and suckles on his arteries like a tick.
Gythenes wails in a sound that shakes the earth, and slumps down - but not just from injury, but trying to crush the hungry little monster that rends at his flesh. Keris’s stomach turns flips and she hears bones break and hears Suriani scream. She’s trapped now, trapped under the bulk of a dragon the size of a hill, and there’s a real question as to whether he can even lift himself off her.
Will she die like that, crushed - or suffocated, or drowned in blood?
“Vali!” Keris screams at the top of her voice. “Get her out of there!” She can’t do it herself - as much as she’d like to, she’s simply not strong enough to shift such a gargantuan weight. The only thing she can do is give Vali an opening, and so she throws herself at the pillar-club before Gythenes can snatch it back up again, time slowing as she sweeps her gaze up and down its length, listening to the sound of the dragon’s screams and how they echo off and through the stone.
Her guess is right. It’s not one solid mass. He’s been using it as a club, and though stone is strong, it’s brittle. This pillar was meant to hold up a great temple, to bear enormous compressive weight without being crushed or crumpling. It wasn’t meant to support its own mass hanging from a single point at one end, much less the shear forces from being slammed sideways against things as an improvised weapon.
Keris aims for the largest internal crack she can hear, launches herself from a dead sprint into a flying kick, and brings both feet and Vipera’s butt slamming into a single point as hard as she can.
It’s enough. With a sound like a cliff starting to give way, a fissure opens in the side of the pillar, snaking out along almost a quarter of its length. Green fire glows in the depths of the crack, licking out to eat away at the stone. Spreading further and further with every passing second. Gythenes screams in rage and fury as the pillar in his hand falls apart, the green fire eating away at its solidity. His thick gnarled talons dig into the stone as it falls apart into gravel.
“That sun,” he roars, spittle-brine spraying out as the crumbling pillar falls from his hand. His breath stinks like the deep desert and each breath is nearly enough to lift Keris off her feet. She vaults back, dodging the spittle droplets which sizzle on the parched earth, landing in a crouch. “You! Go back! Back to Hell! You!”
And that distraction is enough for Vali to sprint in, trailing blue-black lightning. He vaults the moat in a single leap, ignoring the flowing water, and his armour audibly whines as he hefts the bulk of the dragon up enough to grab the blood-soaked, groaning Suriani.
“That was fucking awesome,” he tells her as he springs off, holding her under one arm. Keris can hear the grating of bones and her son is probably making things worse. Not as bad as being crushed by the dragon, though.
Vines and hungry roots tear up from the ground to snarl the dragon, wrapping around legs and looping over the torso. On all fours, Haneyl has her hands thrust into the ground and they’re erupting up to trap it. “I’m holding him as best I can!” she shouts at Keris. “Do something!” And there won’t be much time for that, because the dragon is wrenching at the times, pulling at them, and they won’t hold him long.
A jade-green beam of light slashes over Keris’s head and impacts on the scales of the dragon. Abhorrent Flower is doing something useful, hopefully, although her elemental bolt barely scratched those slab scales. Suriani is down, groaning in Vali’s arms. From the sounds of things she’s trying to get her breath back, gasping for air now that she’s free from the crushing weight. She’s been hurt badly, and she’s probably out of the fight, but Keris doesn’t need to think about her and that’s just as well because that taloned claw is trying to crush her like a bug. She dances out of the way, jinking to the left and springing up to land on the hand that tried to flatten her. Then she springs again, nimbly making her way up onto his forelimb, past the snapping jaws, over his shoulder and onto his back. Vipera whips out, her blade stained with the deadliest, most agonising poisons of the Great Mother, and Keris lunges with her. Spinning, whirling motion gives way to a sudden, linear arrow of movement, and all Vipera’s flexibility stiffens into a lethal shaft behind her gleaming venomous point.
But the armour is just too thick. Vipera can barely get past these thick slabs of scales, barely open up the back, and Gythenes does not even scream or grunt from the blow that has nearly all its force stolen by his armoured hide. He’s bleeding freely from the wound now as Vipera works her way in, but that won’t slow him or stop him.
Keris lets go. It’s a simple decision. If even this; a direct lunge with as much power as her footing on Gythenes’ back can put behind it, can’t get through the broken armour on his back, then it’s not going to happen at all. Not with Vipera. Her spear just doesn’t have the weight or force behind her strikes that Keris needs. But Vipera is a living thing, as much serpent as spear, and so Keris leaves her embedded in the wound, covered in poison and the cutting power of the Silent Wind, wriggling deeper into the dragon’s body. Maybe she’ll reach his heart. Maybe she’ll just cause him pain. Either way, Keris needs a heavier weapon.
She reaches into her hair as she dances back towards Gythenes’s neck, and pulls out a blade that trails starless black.
Keris is on his back now, and he can’t easily swing at her. But he can see Suriani - the one who hurt him so - and that’s enough. First an inhalation-
“Get down!” Haneyl yells.
-then light. He’s trying to hurt the ones who hurt him, hurt the ones who bound him, who trapped him.
Then the red glow of molten salt and that’s something Keris can see through her eyelids. It comes out like thick, viscous vomit and it runs down the trenches and preparations. It quenches itself in the flowing water which immediately flashes into steam and it lights up the steam in a diabolical red. Keris hears the screams; Jamahidaya, Abhorrent Flower, and worst of all the already injured Suriani, so close to the ground. Why did she bring her student here, this isn’t her fight, this-
Her children, at least, are made of tougher things - even if they hate salt - and Vali sweeps the badly burned Suriani up in his arms again, dragging her and Jamahidaya back to safety. But the water is boiling and salt-fouled and both mean it won’t hold Gythenes anymore.
“You! Vile creature!” Haneyl is doing something she isn’t meant to, damn it! She’s back in the now-broken trap, right in front of Gythenes, and her fire is lighting up the steam in green and she’s making a target of herself. “Wretched beast! Come on! Strike me! Do it!”
She’s making a target of herself. Making him think about her rather than her assets (and her brother) in that direction. Distracting him so he doesn’t think of Keris on his back.
Blinded by the steam, enraged and confused, he swipes at her rather than push on. She’s small and fast and the green light lights up the steam in uncanny ways; he can’t land a blow. And the steam also allows another, less obvious fighter to get in range because Abhorrent Flower closes, sprinting up the wounded arm to focus her blows on the arm that was already injured by Suriani. Her fists strike like hammers and Keris hears scales break and the sadistic cackle of the apostate. Against a normal-sized foe, she would be turning them to meat; against this titanic beast he roars in pain but is set back far less.
“Do you have a plan?” she screams up at Keris. “A new one?”
“Yes!” Keris yells back, and sprints back towards his head, keeping her footing with perfect balance as he tries to throw her off. “The base of the skull! There’s a vulnerable spot where it connects to the spine!”
Calibration swings up, the executioner’s blade leaving an arc of darkness behind it like a void cut through the air. Keris’s eyes and ears pick out the dragon’s anatomy, mapping out its skeleton, judging where to strike through his thick armour. Her anima bursts to life around her; the whirling cyclone of red wind and silver shards whipping up the salt in the air and tugging at the strands of hair and the feathers of Strigida.
Four tendrils of hair wrap around the hilt she grasps in both hands, and she brings the blade down with every bit of strength she possesses.
The blade is an executioner’s blade; his neck is colossal beyond compare. But Keris’s heart is full of all the terror for her brave, brave daughter who’s putting herself in danger to buy her this moment.
Fear turns to hate.
Calibration cleaves clean through scales as thick and armoured as a fortress door. Blood soaks her. The dragon screams. And yet his head remains attached, the bone merely scourged by her slice, because this is the problem; her killing blade is simply not long enough to cleanly take this monster’s head. The fires of Malfeas spread out, charring muscle, melting sinew, blackening bone, filling the air with the stink of hot metal and burning salt, and it is still not enough.
But there is blood everywhere, salty blood staining the water pink. Polluting it. And that is enough that Gythenes can flee out of the trap, a maddened, blinded beast bleeding from many places, his sacred blood staining the ground, and all Keris can do is hang on as he puts everything into escape.
No mortal woman would have been able to stay on his back. Even most Exalted wouldn’t. But Keris is a breed apart, her petite frame belying the honed musculature and physical power she carries, and she has Calibration sunk into his neck to hang onto as a piton. She screams defiance across his roars, plants her feet in the gaps between his scales, hunkers down against his hide and refuses to be thrown off. He is rampaging. Mad. If he gets to the water... well. He must be able to swim. That’s how he got here in the first place. And he’s hurt and madder and he’s seen her and her caste mark. And that’s not even starting on the topic of what he could do to her ships.
Gythenes must die. Before he gets to the water. Before he can slip away. But she can’t dislodge her blade. Or she’ll fall.
Vipera is still lodged halfway down his spine, too far out of reach to get at. She can’t use Strigida’s wings; too much of her hair is tied up in holding her in place. Her branch-limbs...
Five jagged, skeletal silver protrusions erupt from her spine and stab into Gythenes’ scales around her; two anchoring her better, three spearing into the wound. He roars again in agony. But it’s the same problem as with Vipera - even beneath the scales, his flesh is just too dense, too solid. Her branch-limbs are as long as pikes, but thin and spindly. They can’t pierce through enough of his muscle and bone to hit anything vital.
But they do give her just enough of an extra anchor to free one hand.
Keris isn’t sure where the seed of the thought comes from. Perhaps it’s something she’s been considering since Lilunu’s clash with Ipithymia. Perhaps it’s a bone-deep instinct from her left arm, planted there by the chakra knot she absorbed at Calibration. Perhaps it’s even the fact that Suriani put her mind onto more advanced uses of Needles-and-Spires.
But the source of the thought isn’t nearly as important as its execution. She can do a lot of things with her left arm. She can transmute one material to another, she can grasp things that have no physical form, she can turn it into a wing that absorbs essence and energy. Now she just needs to do the opposite. To inject energy instead of eating it. Because his flesh may be dense and his bones may be strong, but his meridians run through his whole body. A solid spear won’t penetrate his skull. But a spike of essence, shaped and guided to flow along the energy channels already in his body...
It would be impossible for anyone who didn’t have a deep knowledge of exactly how qi flows through the body and a great deal of experience at altering how it does so. Fortunately, Keris has both. She condenses the wild winds of her anima into a glowing pearl within her left hand, forces as much power into her index and middle finger as possible, and drags herself forward just far enough to touch them to the exposed bone of Gythenes’ spine.
The tainted power needs flow only a handswidth to the dragon’s throat chakra, and from there it’s a straight shot into his skull.
And like that, Gythenes dies.
The island has a new hill. It bleeds from many places, the once-lifeblood pouring out as red brine that stains the salt-covered earth and pools in recesses in the dry ground. Cooling salt drips from its drooling mouth. Its vast eyes stare into nothingness. Its bulk shifts and settles.
Keris, standing atop the head of the fallen elemental dragon, can breathe. And then her thoughts finally catch up with her.
How will she get this thing back to Hell?
He’s too fucking big.
“Fuck,” she pants. “Fuck. Fuck!” She kicks a scale, suddenly furious. “How the hell am I going to- no, wait. Suriani!” She raises her voice to a shout. “Sound off! Who’s not dead?”
There is no response and for a moment fear clenches its fist around her heart - but no. It is simply that the rampaging passage of Gythenes’ desperate attempt to escape has taken her a mile or more away from the trap, and it is not like Eko or Calesco are here, who could simply keep up with her. And-
Lightning flashes in a cloudless sky and Keris remembers that Vali is the fastest of her children in a straight line - and Gythenes has practically carved a line through the landscape. Vali skids to a halt in a cloud of dust, and looks his mother up and down.
“Fucking sweet,” he hollers up. “You got him, mum! Nice show! Sorry I’m late! I had to hand Suriani off to Hany for doctoring!”
“Shit,” Keris mutters, then raises her voice to call down. “Is she okay? Will she make it?”
“I mean, she’s breathing an’ stuff,” Valu reports. “I don’t think her hands are gonna make it, ‘cause... well, that hot salt basically turned them into a seared steak. Oh and there’s also the broken bones and stuff from getting crushed. But she’s alive and I reckon between you and Hany you can patch her up.”
Keris nods tiredly, and slides down the flank of the mountain of a corpse. Vali catches her neatly out of the air and sets her on her feet.
“Thank you, darling,” she says. “And yeah, as long as she’s not dying, we can fix her. I’ll take her back to Hell on the Baisha so she’s safe while she’s recovering. Well done for getting her out from under him. And for getting him into the trap in the first place! You were incredible! You threw the whole bulk of him!” She pulls him down to plant a big kiss on both cheeks. “I’m definitely bringing you along to fight the next giant monster I find.”
“Yeah.” He slides his visor up with his free hand, beaming at her. “Got to say, I thought Hany was bullshitting when she said he was as big as a hill.”
“Yeah...” Keris throws a venomous glare at the remains. “Fuck, I thought it was either exaggeration or the fear talking. Things seem bigger and stronger when you’re scared. I thought he’d be... half her size again, maybe. Not this. There’s no way the Baisha can transport this. How the fuck am I going to get it back to Hell?”
“That’s prob’bly more a Hany question,” he admits. “It’s kinda too big even for me to lift long distances. I mean I threw him, but that was me charging up and I couldn’t keep doing that.”
Keris rubs her hands over her eyes. “Okay. I’ll... figure it out, I suppose.” Though for the life of her, she can’t think of anything right now. Usually her mind would already be clicking over, coming up with ideas and possibilities, but the adrenaline is still roaring too hot and fast to think of logistics. If she had to fight something else right now, she’d be fine, but planning for anything more than the next few seconds... no.
“I’ll figure it out,” she repeats, leaning against her son. “Once my blood cools down and I can think again. What are our other injuries, besides Suriani?”
There isn’t much to be reported. Some burns for the dragonblooded who’d been close to the salt, but Vali and Haneyl are barely singed and hurting more from the salt in the area than the heat.
“What’s next, mum?” Vali asks.
“We need...” Keris starts, letting him support her weight as she tries to think through her pounding heartbeat. With the immediate danger gone but her heart still pounding, the cool clarity she gets under pressure - her work mode - is harder to reach. “Uh. To...”
She closes her eyes with a defeated sigh. Fuck it. It’s been two months, nearly three. And she has a reason this time; she needs clarity of thought - and as much time as possible with the corpse while she’s crossing the Desert, to preserve it. Mele can’t get too mad at her for using the mercury again when it’s justified.
She closes her eyes and concentrates. It’s so easy to brew the quicksilver in her veins into the form she needs. The alchemy comes so naturally it almost prepares itself. Silver heartsap coats her thoughts, and calm focus snaps into place. The panic of seeing Suriani almost killed, the lingering fear left over from the fight, the stuttering anxiety of how to transport such a gargantuan carcass - all of them are still there, but they’re easier to partition away, to think past the screaming. She can concentrate on solving the problem again.
“... first of all,” she decides, “I need to close the wounds up. Not just the skin; the veins and arteries too - the corpse is losing blood, and that stuff is valuable. I can keep it from congealing in the body and entering rigor mortis on the trip across the Desert, but not if it’s all soaked into the sand here. I need to get Vipera out of its back, too; she’s probably still wriggling towards its heart. Go tell the others that the dragon is dead, and then make sure the other teams are keeping the lesser elementals under control. Pick out a few of the biggest, best-looking corpses - or any living ones, if they’ve captured any. We’re going to need a generous sacrifice to get something this huge across Cecelyne to the right layer.”
“Do you want me to grab Hany to help you, or leave her doctoring everyone else?” Vali checks.
“No, leave her tending to Suriani,” Keris says quickly. “I can’t spare enough time to help her yet, so Haneyl should take care of her. Keep an eye on Abhorrent Flower, though; I don’t want her slipping off. Send Jianling and Mele to see me once they’re finished with the lesser elementals, though.” She hugs him quickly. “I’m really proud of you, sweetheart. You did so well today. And once I get this thing back to Hell, I can use it to help some of Lilunu’s souls.”
What’s more, she has ideas on how she can do so now. Moving the whole corpse into her inner world is one - she could probably get it up onto Rathan’s moon if she tried, which would probably preserve it. Getting it out at the other end would be difficult, though, so that’ll be her fallback. Her better idea... well, Keris will wait until Vali’s left to look into that one. She’s fairly confident in it, though. And it’ll solve a long-standing problem she’s had for a while, if it works.
“Right right!” And in a flash he’s gone, the thunder growling in his wake. Leaving Keris alone.
“Child,” Dulmea says warningly, who can already see the shape of her thoughts.
“Hear me out,” Keris says quickly. “I’m not suggesting I use the prayer book. That thing is unmaimed and hard to read, anyway. But I’ve already crippled the puzzlebox. I don’t want to hurt it again, but if I do, it’s not the end of the world. Mara said there were spells in it, and opening ways into Hell is one of the most common and fundamental things the Crane does. All I need to do is look for a prophecy of me opening a hellgate here - and if it gets me an actual spell I can learn, all the better; I won’t have to keep sailing all the way up to the Bu La Abyss every time I want to go back to Hell.”
“I do not approve of this,” Dulmea says, and sighs. “Though of all the things you have done, this is more minor than many. At least please seek for the spells Mara said she stored here, and do not go running off in search of new prophecies.”
“I just said I would!” Keris protests. “Ah, but first, I need to stop any more of this blood loss.” The wound Suriani dealt is closer, so she hurries around to that, reaching her hair deep into the horrific gouges her disciple tore out of Gythenes’ flesh and shifting the ends into flesh-weaving tendrils to knit the rent meat back together.
Suriani made quite a mess of that shoulder. Keris has to spend longer than she’d like working on staunching the horrific wounds. By contrast, her own cut from Calibration is wonderfully clean and further cauterised by the hateful fire of the Demon King; it’s trivial to patch up. Recovering Vipera is harder, but her spear can be lured out with some of the leftover meat from fixing up the shoulder and the hole is small enough that she can simply patch it.
All in all, there’s no sign of Mele or Jianling by the time her work is done, which means she’s making good time. It means she can clean off the gore coating her.
“Right then,” she sighs happily, petting Vipera. “Good girl. Well done. You did very well.” She pauses, turning to the body and tilting her head. “Hmm. Actually... ah, no. Much as I’d love it if you could, I think it’s a bit big for you to turn into a corpse-puppet, sweetheart. Anyway, your puppets tend to putrefy faster, and I need this one intact. Next time, okay? You can play with the next god I have to kill for whatever reason.”
Vipera hisses sulkily, but seems to accept that. Honestly, she seems a little tired. Keris may have put too much strain on her in this fight. She pets the spearblade again, and then turns her attention inwards.
“Give me the puzzlebox, please? I’m going to try looking for a hellgate spell.”
It knows her touch. She slides the tiles around with a sense of growing familiarity, fuelled by her dark curiosity. Mara is a creature of the Ebon Dragon, a child of Erembour, but Keris has curled up in Erembour’s lap and studied at her feet. She has learned the occult secrets of Ipithymia who has had so many of the wise of the Demon City spend themselves in her, and waiting for her is a promise of tutelage from the great sorcerer Molacasi.
Clack, clack, clack. And the box is not forming an image, but instead the tiles unfold revealing a hidden inner space. Within; a number of lumps of bark with secrets carved into them. Wild, naturalistic, and very much the work of Mara. Something for Keris to try to cram. Eagerly - greedily - she pulls them out, laying them around her in the shadow of the great carcass and revelling in the unhindered focus and clarity her mercury-smoothed thoughts give her. Dulmea is no sorceress, but Keris talks out loud to her as she goes through the notes, explaining her reasoning as she works out the logic in the Shadow Lover’s sorcery.
This is clearly a spell that Mara dredged from the Broken-Winged Crane - perhaps literally this copy. This is the story told by the spell; it calls forth a fore-echo of the great twisted gate - maybe what will become of the Calibration Gate - which will be used to open the doors to the final liberation of the Yozis. This gate will free the imprisoned, and it will be done at the hands of the Broken-Winged Crane. To honour the gate, thusly, the land around it is desecrated with blasphemies against the laws of Yu Shan, and when the foreshadow of the Gate manifests, a cursed relic serves as the key to open it. Only then will the imprisoned one be freed into this world.
In the meantime, of course, this serves as way of entering Cecelyne, passing the ‘wrong’ way through the Gate.
Of course, having the spell is one thing. Casting it is another. Learning spells is a complicated process - Keris well remembers the week of experimentation and practice it had taken her to get the Rite of the Ship-Sprouting Seed down back in Taira, and something this complex and powerful would likely take twice that.
But would it, though? The thought nags at the back of her head. The Crane wants to be fulfilled. It wants to be cast. And she’s heard stories of how sorcerers who simply read a copy of the Broken-Winged Crane accidentally ended up opening a gate to Hell, where they vanish and - if they are ever seen again - return as slaves to the chained Yozis.
And if she needs to be able to replicate this... well. Jianling is not yet sworn to Hell. Perhaps she can use this to trick the Crane into easing her way. She knows she shouldn’t do it. But why shouldn’t she do it?
Jianling is clay in Keris’s hands. Keris already got a good read on her, on her resentment at being treated as a running dog by the Realm as a Lost Egg, and her even stronger tendency to forget this when a pretty woman is involved. This got her into trouble before she deserted, this led her into deserting, this led her into working for Haneyl and now - especially when she sees that Keris has slain the gigantic dragon - this is leading her into Hell’s service.
After all, Keris tempts her, someone like her will be prized in Keris’s service. She’ll be valued. And she will be rewarded in a way that the Realm would never do to a mere ‘Lost Egg’. And all the while, the hypnotic perfume of Metagaos are worming their way into Jianling’s nose and Keris’s soft purr is pressing buttons. All she has to do is help Keris here, all she has to do is listen, and she’ll be so greatly rewarded. She doesn’t have to worry about her men, because Haneyl will ensure they’re treated and cared for and everything she needs will be provided. And so (Keris says, gently brushing the much taller woman’s neck as she blushes) she is cordially invited to Keris’s estates in Hell, to be greatly and luxuriously rewarded. All she needs to make clear which side she’s on.
While she’s pretending to consider Keris’s offer, Keris sees to the others. Vali is staying with Haneyl, who can be trusted to handle clean-up here and has her manses to resume work on. Jamahidya is burned and hurting, but she’s fulfilled her end of the bargain and Keris has words for how she’ll be in touch (and also a reward of silver stolen from the Despot’s vault, which buys back any loss of favour). And she says nothing more than pleasantries to Abhorrent Flower and hides that she saw anything about that theft of memory from the dragon. Let the woman think she’s gotten away with it. Keris’ll be back later to find out more about what is going on there. Suriani is hurt and Keris placates her and tells her she’ll be taking the easy route back to Hell on the Baisha, rather than crossing the desert.
Mele only needs a few words, because he’s coming with her. Just for the moment, she wants him to return to her inner world. She’ll call him back out once she reaches the Conventicle.
And with all this in place, she sets people in motion, shuts down any attempts by Abhorrent Flower and her people to lay claim to the corpse, clears the area around the corpse and at sunset, begins the dark work of opening a hellgate. First; to desecrate the space against the laws of Heaven. Murdering an elemental dragon earlier in the day doesn’t count. But she has Jianling here, pliable and willing, and a prince of the Earth succumbing to the blandishments of Hell is spitting in the face of Yu Shan and its laws. This is not a mere seduction Keris has planned; it is a ritual desecration, a grand betrayal of Heaven and its laws by Jianling and the woman might not understand the metaphysical import of what she’s doing but she doesn’t need to. Keris will understand it for her.
Which is why Keris has dressed her in the attire of a Tengese bride, in preparation for Jianling making her vows. Not vows of marriage, not exactly, but the ritual Keris has corrupted will serve as much of a likeness. For this is not a marriage in the Tengese sense; this is a marriage in the eyes of the laws of Hell.
The altar here is one of dark stone transmuted by Keris’s hand; the wedding sacrament is the blood of a murdered elemental dragon. Keris is a priest of many Yozis from their power granted to her, and she has Biqi here wearing the mask of the Ebon Dragon from the Dance of a Single Scream to serve as the proxy for the groom, for the Ultimate Darkness smiles upon hellish weddings in his own strange way. It is for that reason that grooms in Hell wear black, and Biqi dazzles in the masculine clothing, her black lingerie visible through the strategic slashes in her wedding suit.
Biqi knows her role already, for there was a wedding scene in the Dance, and she plays it to perfection. The wedding music is played by the Things That Dwell in Corners called up from Keris’s burning soul. Keris paints the ritual markings in Gythenes’ blood on the arms and forehead of Jianling, and leads her through her oaths. And it seems that something, perhaps even the Dragon himself, smiles on this wedding of dragons - for when Keris paints a ring of blood around Jianling’s finger, the shadows intensify and coil and sink into the red liquid. When they clear, Jianling now has a black band gleaming with a wet-looking ruby on it - to Keris’s ears, she can hear the power in it.
“A blessing of our masters,” she reassures Jianling, who seems to be coming down with a sudden case of clarity as to what has happened. As to what she has just sworn. “They have gifted you with this to seal your oath,” Keris continues, improvising wildly because she isn’t quite sure what happened herself, “and so they smile upon us. And now,” and her breath comes out in clouds of pollen that seek out Jianling’s ear, “fair Biqi stands here as a proxy for Hell itself, that you have sworn yourself to. So, Jianling, with my blessings, take her in. Admire her. Want her. You may now kiss your bride.”
Jianling does just that, and much more than that. Keris helps her from her bridal gown, and lies her down atop Biqi on the altar, and with a smile watches the display as she conducts the music that rises higher and higher into the night. She can taste the ritual corruption of the laws of Heaven in the air, and this close to the edge of the world the blasphemy has dislocated Fate. Giving her a chance to do her work.
But for her, it is necessary to focus. She has to name the Gate, and more than that, describe it. The syllables come dropping from her mouth, flowing one after another, as she names each facet that makes up the gate - and it is much harder than it should be, because she has to make it large enough to fit this corpse through. She sheds her blood on the ground, and paces out the dimensions, all the time speaking the prophecy of the Gate that shall free the Yozis.
The ground starts to tremble. She knows she is close. But she also hears the puzzle box clack-clack-clacking as it solves itself and she doesn’t have time to check it, because if she does not name the gate correctly, it will not be under her control. At best, this will fail; at worst, the Crane might get to choose where it leads to. Or it might open straight into an inlet of Kimbery or into the hungry roots of Metagaos that penetrate deep into Cecelyne or it might simply open and pull her in. For that is the logic of the spell apart from its story; the gate is what brings shape and control to the rift, rather than just conveying her to Hell.
(If she was not on her mercury drugs she would have started to wonder if she could adapt this spell to ‘reverse summon’ herself to Hell, giving her a way to escape a situation in a much more final way than something like Flight of Separation. Instead, she does not have that thought, but within her soul genius inspiration strikes Jemil.)
And then the ground cracks. And the gate that emerges is not the one Keris expected, not the hellish parody of the Calibration Gate to Heaven. Instead, it has the facsimile of a lumpy, poorly formed human head that makes her think of the statue that overlooks the Lap, the gigantic gate itself residing where the mouth should be. The jaw is shut. And Keris gets the feeling that no, this spell is not complete, or perhaps it has been affected by the lessening of this copy of the Crane, that it was already hurt by Mara or whoever had this puzzle box before her.
The Crane predicts something, but imperfectly.
She steps forward, and places the tip of the cursed blade Calibration into the keyhole, and turns it. Strange mechanisms clank and grind out of sight. And the vast stone door slides down, down, down into the ground, and through it Keris feels the hot breath-like air (so dry, so harsh) and sees silver sand and black skies.
If her understanding is right, soon this mountain-head will slide back down into the ground, leaving a weak place in the world. There is no time to waste. She has to get the corpse of Gythenes through before it closes.
“Vali!” she calls out. She had him waiting safely away, promising not to intervene. Haneyl should also be here, unless she’s been caught up in matters. Keris wants to say goodbye to both her children, and could also do with their help with this matter.
“Yeah?” He jogs down, clearly impressed. “I gotta say, I was wondering how you’d get a big enough gate, but that is a really big gate.”
“I know,” she says happily. “Unfortunately, I still need to get the dragon through it. I know you said you couldn’t carry it long-distance, but you did throw him into the trap. Do you think you could get the corpse through the gate and onto the sands of Cecelyne? Once it’s there I can summon a drudge gang to carry it back to Hell.”
That draws a wince from her son. “Unless you got lightning for them, I’d find some other bunch,” he advises. “Drudges ain’t gonna want to help carry something that big all day. Go get some hellspawn or something. Plus the Desert is super dangerous and I don’t want my friends getting hurt there.”
Keris sighs. “Fine, fine. Hopping puppeteers then, maybe. Or sky nautiluses. Maybe fly ogres; I’ve closed up the wounds on the carcass, so their insects won’t be able to spoil it.” She snaps her fingers. “Actually, wait, no. I know there are several cartels that serve the Conventicle when it comes to moving bulk goods and massive objects and structures in and out; things like the two- or three-storey statues and sculptures that one masonry yard on the Avenue of Artisans exports to citizen customers. I’ll just call on one of their contracts; they’ll have a range of demons and already be trained for this kind of work.”
He gives her a thumbs up. “Step back, then.”
Haneyl comes running and grabs Keris by the wrist, pulling hard. “Oh no he’s showing off,” she says as lightning crackles around Vali, his jade armour absorbing into his skin as he starts to grow. “He’s probably a bit irked that he couldn’t fight Gythenes as a dragon. So wants to show off by being a dragon as he pushes the corpse through. Maybe I’m being unfair, though. Could just be that he’ll have better leverage when he’s bigger.”
“Let him have his fun either way,” Keris says, following along and wrapping an arm around Haneyl’s waist as they get to a safe distance. “Hello darling. I’m glad you’re not hurt. And well done for spotting that weakness on his back. But do me a favour and never terrify me like that again. You saved your brother and everyone else by making yourself bait like that, but I almost had a heart attack watching you do it.”
Her daughter leans into her. “I didn’t have a choice. If I hadn’t distracted him and given you the chance, he’d have rampaged forward and gotten out of the trap into the back lines where the things I wanted safe were. Like your cute little dark eyed student. And the Baisha and the dragonblooded I want to keep.”
“Mmm.” Keris leans up to kiss her on the cheek. “You did well, even if you did scare me a bit. And thank you for looking after Suriani - I was too busy with the corpse to tend to her injuries.”
“Mama.” That earns her a very flat stare. “I am quite aware how rare beings like you are. I’m not going to let one of yours die. Not only would you lose her, but they probably won’t give you another one as a replacement if she died inside half a year. Of course I was going to make sure she survived.” Haneyl nudges her. “She was croaking your name and was worried you wouldn’t love her anymore as she failed you. I had to reassure her so she’d lie down and not come looking for you when you were mid-ritual. She really is a pretty thing, at least when she’s not covered in burns. She seems very devoted to you, and Yozis she was worried about the burns damaging all the body art you’ve given her. How is she in bed?”
Her daughter’s assumption that Keris has slept with Suriani is even more hurtful for how it’s entirely correct.
“… good,” Keris admits, watching as Vali’s bulk swells even further, lightning crackling across his skin. It won’t be long now. “I’m training her up to be a honeypot. If you decide to find out how well she’ll take to it for yourself later this year, please don’t fill me in on the details; I don’t need or want to know.”
Haneyl nods, her interest apparently entirely satisfied. “On that note, I’m a little hurt you didn’t ask me to play the groom,” she nods over to where Jianling is hastily dressing, “and just found some tarksa to do it. I’d have done a better job making sure she’s loyal to us than your... Biqa?”
No, Keris realises in a sudden stroke of inspiration that comes from the dark curiosity deep inside her. Ignore the fact that she didn’t want to watch her daughter fucking Jianling, that doesn’t matter. Not compared to the fact that Haneyl couldn’t have worn the mask of the Ebon Dragon. She might be a sorceress too, but she hasn’t danced the Dance. The mask wouldn’t accept her. But Biqi, wearing it, could play the role of the Ebon Dragon in a way which meant, in a sense, she was him. As far as the magic was concerned, Jianling lay symbolically with the Yozi who most loves marriage and who offers his dark blessings to brides and grooms.
There is such power in those masks. Power enough that Jianling was blessed with a ring as a mark of her union with Hell. How the hell did this happen?
Would the spell even have worked without the mask? Keris thought it was Calibration that did it, but maybe it was the presence of the ophidian mask that truly let her manage this in this hasty way.
She’s not sure how to answer, and fortunately she doesn’t have to. Because it’s at that moment that Vali roars in exultation, spreading his great brass wings and uncurling his basalt-scaled length. Goat-headed, limbless, he’s nowhere near the scale of Gythenes but still possesses terrible bulk; his jaws are large enough to snap a man up and swallow him whole, each of his curling horns a battering ram fit for a city gate.
It is something of an anticlimax that such a terrible form is used to shove an even bigger dragon through the portal like a farmer trying to manhandle a hay bale through a barn door, but Vali has something big to set himself against and so he’s having fun.
“I’m kind of peckish,” Haneyl says idly. “It’s probably the smell of all that blood. But I just know it’s full of unhealthy amounts of salt. You’d really need a lot of effort to make it palatable.”
“Good thing I’m not planning to eat it, then,” Keris smiles. She pauses, and reaches up to cup Haneyl’s cheek and meet her gaze. “But besides that, are you happy? The monster is dead, and you can go back to your manse-building with Vali’s help.”
“Well, I’m not happy-happy. I’ve wasted a year because of this.” She glares over at the corpse. “I don’t even know why he took such issue with me trying to draw the strength out of the wyld. But I’m happy with how it ended. I’m going to need to find a new island for my next attempt because he’s quite ruined this one, but that’s probably for the best. It’ll give Vali something to do, and I don’t want Abhorrent Flower knowing where I’m working. I don’t trust her, don’t worry, mama. I don’t know what spell she pulled off, but it wasn’t one that actually hurt the bastard.”
“I’m not entirely sure either, but I did some snooping last night, and she seemed to be looking for something called ‘the Mother’ - some ancient weapon she thinks might be down this way. I think she might have been trying to search his mind for anything he knew about it. Keep an eye on her and see if she suddenly pulls up roots and travels elsewhere. And try to keep her off this island if you can; I think I can funnel some of the high-quality salt into the Hui Cha for trade if I can corrupt a local elemental court into harvesting it.”
She draws Haneyl into a hug. “I’m very proud of you. And like I said - if you ever need me, I’ll be there to support you and protect you and help you with your goals. I’m your mother, having your back is what I’m for. So don’t be afraid to call on me again if you run into any more problems.”
“I know. You came for this, didn’t you?” Haneyl rests her brow on her mother’s head. “And I’ll see if I can get some keruby to soak up the things I learned from Ligier. I might even have to tolerate some agyas. They’re so annoying, but no one learns art as quickly as they do.”
“I look forward to seeing your progress,” Keris says. “Alright. I shouldn’t linger, not when this thing’s already starting to decay. The gate will close soon, too. Have fun with Vali and stay safe, okay? And don’t forget you owe me a big thank-you present next time we’re both back in Saata.”
“I know, mama. Best of luck plotting a route through Cecelyne that avoids the heat, the sharp rocks, the bottomless pits and the animals. I hope you find a path that’s somewhere nice and cold and icy and will lead you to a gate where you can call down the light bridge.”
Her daughter can often be relentlessly practical, but it’s a good reminder. Keris says her farewells to her children, and gathers up Biqi and Jianling to step through into the dryness of the Endless Desert. She takes a moment to look back at her son and daughter, fond and loving.
Then the Director of the Lower Southwest settles her shoulders and turns to face the Desert. Demonic legion first, to get this moving. Then a plant-boat for her and Jianling. She can take shifts working over the dragonblooded with Biqi’s help and seeing to the corpse.
Yeah. She can do this.
Wide-eyed, Jianling looks around at the strange landscape, and makes the sign of Earth with her hands. “Pasiap’s balls,” she whispers, staring into timelike infinity ahead and behind. “It’s too big, it’s...”
“It is a holy place, and you stand on the flesh of the Lawgiver Cecelyne,” Biqi says, playing her role to a tee. “Do not be afraid. But be ready. My lady will call up a legion of demonic servants to aid our way across this place.” Idly she brushes her hand across Jianling’s ring. “There are very few things here that can stand up to one such as you, dragon-child. And your oath will keep you safe.”
“Quite right,” Keris says, striding past them. “Get those ready as an offering to the Desert,” she adds, jerking a thumb back towards the gate where two lesser elemental carcasses have been dumped. “I’ve got a demon cartel to call on.”
She plants her feet in the silver sand and looks out at the endless horizon. Her hair billows in a dry wind, and Strigida and Vipera hiss faintly as they breathe in the air at the edge of the demon realm.
“In Lilunu’s name I call you,” Keris intones, and her anima banner - which has died down to just her burning caste mark - whirls to life around her again. “By the marks she’s made on me I summon you. By the bounds of your contract with the Conventicle Malfeascant, I open the way for you and bid you attend me. Come now, cartel of the seventh circle. Come now, sworn serfs of many races. Come to me, Haulers of the Fallen Black Towers!”
Iris is not with her - left behind with her children in Hell - and so instead of her familiar rising off her left arm to breathe a plume of rainbow fire, Keris speaks the Ideal of the spell into the world’s mind with a flare of light from her tongue piercing bright enough to send the shadow of her outstretched hand stretching across the sand to infinity, tricking even mighty Cecelyne into thinking she might allow this cartel of heavy lifters and goods-haulers to cross her expanse and get just close enough to taste Creation’s air before seeing the gate snap shut before they can cross through.
It will likely be an unpleasant trip. But she can get this done.
Chapter 49: Late Water 776
Chapter Text
Cecelyne is great and terrible and five days wide.
On the first day, Keris leads them through paths she divines from her own blood, following her heart’s tug to her lady Lilunu. From this she can find a route that passes through frozen parts of the great desert. The air is cold enough that every breath comes out as a puff of white and frost condenses on every leaf of the dirigible plant she creates for herself and her guests. Behind her, the corpse of Gythenes crackles in the cold as the demons she calls up heave and push.
On the second day in this frozen expanse, they come across a trapped inlet of Kimbery, dammed by a landslide with a bird-squid behemoth trapped within. He offers to carry them across the inlet - if they defeat him in a game, else he will eat one in every five of them. Keris, well versed in the secrets of Hell, answers every riddle and her nasty little mind catches him out, and with grace he holds to his end of the bargain. He was trapped here, he warns, by the trickster demon Quos Lux, Indulgent Soul of the blue glass maiden. The area ahead is a preferred haunt of hers, who was the one who lured the great bird-kraken Oophades out here, and who dammed the tributary upstream so he was trapped here. Do not trust her, do not listen to her, trust not the signs nor the omens nor anything the world tells you. Ahead of Keris is a place only of her mischief.
For the third day, forewarned is literally forearmed. Keris barely gets her people through without falling for any tricks; she avoids the pit traps, the weakened bridges, and she even hardens her heart and doesn’t trust the poor old crone-demon being chased by bandits. Quos Lux isn’t happy about having Vipera pressed against her throat, but she retreats after having hand-sized locusts eat a few stragglers. And it is good that she has left them, for the omens speak of a great and terrible glass storm ahead.
All the fourth day is concerned with avoiding the storm. That is something Keris knows how to do, having studied the art further after that catastrophic Calibration, and so her supplications and divinations keep them away from the malice of Cecelyne. Indeed, her route passes where the storm has already been and in a world of shining, shimmering glass that looms like teeth in the gloom, she finds the shredded remnants of a cartel caravan that flies the orange tiger and tree on indigo of Orange Blossom. Not one demon there has survived the storm, their lungs shredded by broken glass dust, but the caravan can be freed. Keris considers just vanishing it, but decides otherwise. She’ll bring it to the Conventicle and she’ll make sure Orange Blossom knows she owes her for this.
Which means the last day, as the titanic walls of hell loom in the horizon, a green glow visible in the haze and smoke, is smooth sailing. Right until Florivet shows up with his talk of taxation rights. His eyes greedily take in the dragon’s corpse, but even more greedily take in Keris, and his outrageous claim for how much she owes him is clearly calculated to get her to offer to pay off her debt in kind with a night or two with him.
Keris has not slept in five days, has spent every free moment divining and looking for threats, and has been conducting surgery on the fly to cleanse the beasts of Cecelyne from the carcass. And has gone straight from that to playing the courtesan for Jianling as she shows her the terrible wonders of Cecelyne.
That is to say, Keris’s nerves are a wire and she does not feel like putting up with Florivet’s bullshit. Which is why he finds her ill inclined to humour his assertions. Or, to put it another way, negotiations break down when in a moment she goes from flirty and coquettish to holding Vipera’s point to his throat.
“Lord Florivet,” she says, pressing it in just hard enough that a bead of blood wells up. She’s trying for a friendly, conversational tone, but it’s been a long enough week that even Keris’s mask of affect fails her; it comes out terse, impatient and annoyed. “Lord Florivet, I have just crossed the Endless Desert by way of a hungry beast, a trickster-lord and a glass-storm. My companions are tired. I have business in the City. My time is precious. And you are in my way.”
She leans in close, letting him see the rainbow fire swirling in her tongue stud as she talks. This isn’t official Conventicle business, and so she can’t back her words with the borrowed authority of an Unquestionable - but that doesn’t mean she can’t claim it as such.
“The caravan with me,” she says, low and intense, “belongs to Peer Orange Blossom, who is wholly willing to start wars over citizens interfering in her trade. The carcass I’m transporting is marked for the Conventicle Malfeasant; tampering with it would be theft from both the Office of Revelries and the Lower Southwest Directorate. And I am to attend Unquestionable Molacasi soon, who I will inform of all the details of my tardiness should I be made late.”
A flicker of a hair tendril, and the cursed blade of Calibration slams into the brass cladding of the great gate right beside his head where she’s backed him up against it.
“So get out of my way,” the Wind-Kissed hisses, “before I decide to demonstrate my displeasure at being delayed.”
His eyes flick to the left and right, seeing who’s watching. Florivet’s feathered muzzle breaks into a slightly fixed smile. “Oh Lady Dulmeadokht, you should have called on me if you wanted an easy journey,” he says. “That is my gift, to cross the Desert with grace and ease. If we had travelled together with good company and good cheer, you would not be in such a foul mood. But in acknowledgement of your urgency, I will simply waive the tax here - if,” and there is an ugly note, “you remember this going forward.”
“I’ll be sure to mention your generosity when I present my kill to the Althing,” Keris grits out, resigning herself to namedropping him somewhere just to stop him from going out of his way to fuck with her in the future. “Now let me through to the lightbridge.”
He spreads his hands, and slides away from her spearpoint. “Let her pass,” he calls out to his people, the sails of his ship flapping in the breeze. “Lady Dulmeadokht was just a bit grumpy.”
It is his way - he mocks and teases and makes implications about those who reject him, but does not often take it too hard. Except when he does. But he knows that this woman is more dangerous than he is. It is for that reason that he holds himself to merely looking as he checks out each of her companions, and his tastes mean Biqi needs much more examination than the short-haired, muscular Jianling. Though that might not just be his libido, Keris realises as she considers whether to step in. She sees his owl-eyed glances down at Jianling’s finger where that strange ring sits. Does she have a certain level of protection here in Hell and- oh, he’s kissing Biqi who’s seemingly eagerly reciprocating. The kerub breaks off from the kiss to trot over to Keris.
“My lady, he requests I have a drink with him on his ship,” Biqi informs Keris, acting like a common hellish serf when the eyes of others are upon her. “He knows I am sworn to you and cannot linger in his company, but he does offer some very expensive wines that I would quite like to try.”
Well. If he’s planning to get Biqi drunk to take advantage of her, he’s got another thing coming because the digestive systems of tarksae are alchemical nightmares made to break down and digest precious metals and convert them to lightning. There are things that can get them drunk, but mere alcohol isn’t one of them.
And she knows that Biqi knows that Keris knows that if Florivet is distracted by a pretty woman, he won’t make any more trouble for them.
“Off you go, then,” Keris says, flicking her fingers and pitching her voice to just about carry to Florivet. “Please him well enough, and I’ll let you choose a trinket from the Conventicle.”
The hillock-corpse of Gythenes is paraded through the gate, into the grandeur of Hell. Jianling gasps in terrified awe, for they have arrived in one of the outer layers and so the city is vast beyond imagining. A city-square scaled such that the Yanaze could flow through it stretches out so far that the far side is lost in the gaze, only seen by how the spires rise up through it. A great rib overhead, encrusted with lights from the mining colonies plundering its wealth. A forest within the square, acres and acres of coppiced and managed golden trees that grow little bells in place of leaves. Noise! So much noise! A thousand thousand voices raised in shouting and screaming and yelling and hollering all to ward off the Silent Wind Adorjan!
Keris performs the rite to call down the light-bridge, and plays the tour-guide occultist for Jianling while placating her and making it clear that this is just one tiny fraction-slum of the Demon City. Biqi makes her re-appearance mid-way through that, smelling of alcohol and holding her torn clothing together. “He can’t hold his drink,” she says professionally to Keris. “And isn’t as clever as he thinks. He’d been told you were coming - by one of the priests of Cecelyne. They didn’t instruct him to do anything, simply informed him of the gate you were expected to arrive by. Six screams ago, he said.”
“Interesting timing,” Keris muses. “We were halfway across the Desert, and the information couldn’t have beaten us back, so the arrangements to have me guided to this gate were made from this side - that’s certainly within the power of Her souls. It might have been someone noticing the summoning and checking the records of whose authority pulled the Fallen Black Tower Haulers out of Hell, but they’d have left the City twenty screams ago - why wait so long? And if waiting was the point, why give him six screams warning, instead of one or two? Oh, though I guess that might just have been how long it took to get the news to him; I dunno if they can use lightbridges. Still, why put him in my way at all? They must have known he wouldn’t actually stop me. And also that he’d try something like this.”
She taps her lips. “Hmm. Who knows why the Priests do anything? But all the same, I feel like I’m being fucked with. And I don’t like it. Well done, Biqi. I’ll let you pick out something pretty and expensive to eat.”
“I’d rather have some lovely clothing suitable for the Conventicle, ma’am,” Biqi says, the impish look in her eyes hidden from Jianling. “I simply can’t shame you by being presented inappropriately in your service, and he was... a little rough with me. Some bruise balm would also be appreciated.”
Keris knows this is another, a performance more for Jianling than for Keris. Though she is also clearly trying to get Keris to dress her up as well as still giving her expensive things to eat - and wait, she’s also mimicking the way a dragon aide talks. Which speaks both to familiarity with that breed and observations of Keris and how she is with Rala and Rounen. And possibly also how Mata is with Haneyl.
... does she think Keris has a thing for dragon aide submissiveness? Is this what it is?
“She is a tarksa with some history,” Dulmea says. “Never really one of the highest earners, but my informants have records of her in the Spires, Swamp and Isles - most don’t travel that far. She was Countess Jyti’s maid for longer than most last before quitting, and she was the only tarksa resident on Lapping-Waves-on-White-Sand on the Isles, as a fairly successful freelancer before she quit under some acrimony and ended up back on the streets in the Spires.”
“Well, I can’t outfit my servants in anything but the best,” Keris concedes, and spends the journey along the lightbridge soothing Biqi’s bruises and beautifying her with pretty apparel while she plays tour guide for Jianling. If she perhaps works in a few discreet pokes and pinches to punish her smart-mouthed little subordinate for mocking her… well, that’s just for them to know. And Biqi doesn’t seem to mind overmuch.
There are several lightbridges that the Conventicle has access to, but most are designed to only move small groups. There is only one, located some way away from the dome itself, which can support the sheer mass of the corpse. Keris is vaguely aware that it costs a fortune to operate it and it is customarily only used to move deliveries from Ligier’s layer, but she gave enough warning that the Conventicle’s parade formations line up along the route through the storage districts.
Lilunu is not waiting for Keris, but her tarksa Saya has been sent to make her apologies (she is occupied with a complicated item of work), and invite the loyal Voice of the Mouth of the Yozis and her esteemed guest to the Conventicle while the servants deal with this corpse.
“My lady will be fascinated to hear the story of the defeat of this beast, but later,” Saya says, dipping a curtsy with her wings spread for balance.
“I’m sure she will,” Keris says, half-distracted now that the carcass is leaving her direct supervision. “Hey, be careful with that, keep it cool! If any of it spoils, it’ll be on your heads! And watch the back; I want all its plate-scales accounted for!”
She clears her throat, turning back to Saya. “It’s quite a story,” she continues seamlessly. “And I’ll be glad to tell it to her. Do you know when she’ll be free?”
“Perhaps a scream or two from now. My lady has been very busy with matters of state recently, and she has practically locked herself away with her mechanisms and her lenses and her delicate-work smithy. No doubt she will remember you are due in a bit, but she needs it to... relax a little, if you understand my meaning,” Saya says, lowering her voice. “We have been instructed to entertain your guest most generously, and give you some time to see the children.”
That sounds very nice indeed, and Keris happily says as much.
Her babies are even bigger and delighted to see her and being in their presence makes all the stress of the past week melt away. They have so many clever things to show her and Atiya is wearing just the cutest little thing Lilunu made her and lectures Keris at length about hellish textures and stitch patterns. She assures them she’s not taking them away from Hell right this moment but they’ll be heading back soon and yes, Kali, she’ll definitely get to see Uncle Xasan again.
When it’s their bedtime, Keris sees them off to sleep and then goes to find Jianling, who has been housed in one of the guest townhouses customarily used by demon princes who lack influence. As a result it is only moderately unspeakably lavish and has a mere twenty or so serfs to see to her every need. Keris is wearing Strigida as usual, and has her armour take the form of a tight-fitting dress that hugs her every curve, with a ruff of feathers and a long slit that shows her thigh. But she’s not here to seduce Jianling. Well, probably not. Not right now at least; she wants to see Lilunu first.
No, she’s here to close the deal she’s made.
“So then, Jianling Ironhand,” Keris opens, leaning in the door to the townhouse’s training hall where Jianling has retreated, likely in search of more familiar and comforting surroundings. “What are your impressions of Hell? Its scale, its majesty, its riches and its beauty.”
“It is like nothing I have ever seen before,” Jianling says, her Firetongue heavily accented by Low Realm. “It makes the City Imperial look small. And poor. The lands outside, close to the wall giant, they are one thing, but now you have taken me to the City of Demons proper, it is glorious greatly.” She seems to be under the impression that the Conventicle is the Demon City, and the rest an expanse inhabited by lesser demons.
“Many women would be afraid, in your position,” Keris observes, pushing off the doorframe and wandering closer to where Jianling sits in the middle of the hall. “But you’re not, are you? Nervous, maybe - it’s only sane to be nervous in a place like this. But not afraid. You’re no coward. Even in the face of Hell itself, you don’t flinch.”
It’s flattery aimed squarely at Jianling’s damnable pride, but that doesn’t make it a lie. In the past five days, Keris has seen her awed, uncertain and off-balance, but she hasn’t cowered once.
“Given all I did, even before I met Lady Haneyl,” Jianling gives a little shrug which is somewhat assumed, “deserters are not something that the Legions Imperial will let live. I did not desert because I was scared. I did not want to die serving a yen-counting Dynast’s small concerns, nor die when the civil war comes and matriarchs born of too much kin-marriage fight over the throne. And you and your powerful servant show me more regard than the Dynasts ever did. The stories are clear that Hell gives strength that is great and fearful to those who serve it well and embrace it. You want strength. You want power. I bring you both, so I show you that I do not blink in the face of Hell.”
Keris smiles and circles her, trailing a delicate hand across Jianling’s shoulders. She looks at her mirrored nails, seeing Jianling reflected in them as she speaks openly of her motives. Jianling’s reflection shows her in shining armour, wrapped in a scarlet cape, her open-faced helm by her side. Behind her; an army and a standard, the same standard as embroidered on her cape. Keris recognises the look from art and plays - this is the look of a general of a Realm legion. But a tilt of her nails and now the armour changes to something black and gold trimmed, and the soldiers behind her are leering demons. And again, and she’s a fierce wolf-masked captain leading her mercenaries. So many different looks and all of them indicate she’s in charge. She’d sell her soul to be a mighty leader of the kind of force that can change the course of history in a Direction.
It seals Keris’s decision. She finishes walking around behind Jianling and holds out a hand to help her up from her cross-legged meditation.
“Follow me,” she says simply. She leads Jianling out of the training hall, through the townhouse to the small gallery it hosts. Grand paintings hang from the walls, some of the demon realm, others of notable figures within it - but Keris draws Jianling over to one corner, where the subject of the art is war. Great battles between the forces of the infernal and the divine, vast armies standing at parade rest in gleaming brass armour, the might of Hell’s military depicted in oils. She sees how Jianling’s eyes linger on the images, hungrily, enviously. Hopefully.
“Let me tell you a little about myself, Jianling Ironhand,” Keris says, settling herself down on a lavish viewing settee. “I am the first crown of the twenty-ninth seat of the Althing Infernal - the first to hold the place I occupy among the Yozi’s servants. Many other first crowns have come and gone; their successors too - there are seats on their third, even fourth crown. But I remain. I was appointed the Director of Madness-Washed Shores just over five years ago, and since then I have been responsible for Hell’s operations across the whole of the Anarchy of the Southwest; everything below the Hook.”
Her hair moves around her, floating as if she’s underwater. Her voice is calm, her eyes intent as they look out from under her long lashes, and her expression is distantly contemplative.
“I have many, many things under my authority. Spies. Secret holdings. Demon lords. War machines. Cults. But one thing I have in short supply is time. I cannot be everywhere at once, and so I need subordinates. Not just subordinates: lieutenants. Commanders. Generals. People I can trust, people I can send to handle things in my stead - people to whom I can say ‘go, get this done’, and put them in command, and trust that they will deliver me a victory.
“I value my commanders, Jianling. I value their independence, their initiative, their expertise. I value their ability to tell me ‘no, this cannot be done’, and why not, and what they would need to change that. I value their willingness to tell me ‘this could be done differently’, and how, and why their way would work better. I value their capacity to think, and to know my goals, and to act in my best interests even when I haven’t ordered them to.”
She meets Jianling’s eyes and nods to the paintings behind her. “I don’t want a devoted cultist. If you were inclined towards religion, I suspect you would have taken the razor, not the coin. I don’t want a slavish follower or a dog to trot at my heels. I want someone I can send to secure a manse, to command a warship, to put down a rebellion or ensure it succeeds; to take a city, to defend a trade fleet, to supervise a dig site and extract what I want from the ruins. I want a commander who will work for Hell, but who’ll be loyal to me, who I can send to act as my hand - or my fist - in whatever matters I can’t handle myself.
“And if you swear to be this woman, I will give you the respect the Realm never did. I’ll arm and armour you in Hellish artifice. I’ll give you troops and ships and sorcerers whenever you require them. I’ll put you at the head of a demonic horde, or at the helm of my Hellish warship, or in the harness of a gleaming warstrider. You will be powerful, you will be mighty, you will be feared. As long as you hold faith with me, you will be my right hand, and I will value your counsel as much as your strength..”
She holds out her hand once more.
“Jianling Ironhand. Will you serve me - not as a soldier, but as my general?”
Jianling meets Keris’s eyes. Her hand, without thinking, rubs the ring that formed when she consummated her pact to Hell. “Well,” she says, slowly. “That is a beautiful offer. Much better than I got from the Realm. They took me in, gave me a feast grand, and then when I took their coin, sent me to that awful place. Pasiap’s Stair. Ten years they kept me there, training. My blood made itself known when I was seventeen, and I did not leave until I was twenty seven. And then I left only for a fifty year duty in the Legions Imperial. And they showed me loyalty none, especially not when the Empress vanished and the Dynasts tore the legions apart, taking each for their own, putting their kin in all the best places.”
“You offer me all this, and ask loyalty to you, and through you, Hell. You say to me, Jianling, you will be my general, I will give you the weapons you need, and you will destroy my foes for me.
“If you hold to that, then I will swear to serve you. Because the Realm asked the same of me and gave me their cast-offs and expected me to be grateful. I had to answer to mortals who had bought their positions with jade red and white. But you, you who they call Anathema, you offer only rewards. And power.”
“Then rise, my general. And let’s go for a walk in the Conventicle, where I can show you some of the riches you can earn as my Hand.” Keris has, she knows, substantial Hellish wealth in her coffers, gained from gambling against Yuula, working on the Street, gifts and rewards from Unquestionable - she doesn’t really keep track of it, honestly. Some of it she launders into Creation through the Carnation, but there’s just so much that the majority sits idle.
Her recent time with Haneyl, as well as teaching Ixy about the uselessness of wealth you can’t spend or use, has reminded her sharply of those funds. If she spends a fortune on equipping Jianling, well, it won’t be like it takes money away from her Creation-side endeavours. She can always find more, especially if she reminds Mara of her promise to support the Lower South-Western Directorate on pain of Lilunu’s wrath.
And while she prefers subtlety, Keris knows there’s worth in having a blunt fist acting on your behalf, as long as it doesn’t point straight back to you. Testolagh has proven that much - and she intends for Jianling to be less recalcitrant than him about doing her bidding.
“My lady will soon be finished with her business, and I’ll introduce you to her then,” she says. “But first I’ll show you the armoury. The armoury, and also some of the great war machines of Hell. I won’t gift you with them now - not when you’ve only just entered my service. But consider it a promise for later.”
The weapons of Hell are many, and cunning, and oft-times queerly beautiful. Jianling’s poor eyes must be aching as she tries not to blink, so as not to miss a moment. The delicate beauty of Jewels-of-War ‘striders, each one so much more elegant than the scout-class warstriders that she has seen a few times on campaign and in great parades in the Imperial City. The suits of armour - enough to equip all of Pasiap’s Stair and more! - lined up as works of art. The weapons, some brutish and deadly, others slim and graceful, others yet following only the alien laws of Hell. So much, so glorious!
And Keris is there with her. Fanning her greed. Offering, tempting, letting her fire the green sun lances and the whisperquiet implosion cannons and even try piloting one of the great mechanisms, a winged insect-thing of brass and flame that stalks around the training grounds.
By the time Lady Lilunu arrives, Keris has had Jianling’s sworn oath, and knows she owns this woman. It feels wonderful.
“What a funny little woman,” Lilunu says affably to Keris, as the two of them walk away from the meeting. “She seemed so very impressed by just a fraction of the war-toys my love gifted me. It seems a bit ridiculous that the Scarlet Realm doesn’t equip its champions so... well, I suppose they have more to arm, but it seems a little surprising that she had to earn her own blade and it was simple jade.”
She runs her fingers through Keris’s hair playfully, plucking an errant feather.
“It’s so good to see you making new friends,” she says to Keris about the woman she has corrupted with lust and greed and pride into servitude.
Keris hears the little micro-snort from Biqi, who is trailing behind Keris, and directs a quick warning look over her shoulder. Biqi has put Keris in something of a situation here. She wants to keep her newest student around her very closely in Hell, because a first circle demon sorcerer is grotesquely illegal. But she realises she maybe should have prepared the hard-edged working girl for how naive her lady can be.
“Your wealth is showing again, my lady,” she teases gently. “Lord Ligier has far more ‘war-toys’ than all the Great Houses put together. But yeah,” she adds with a frown. “Even accounting for that, she should have been better equipped. They undervalued her and didn’t treat her well because she wasn’t born to a Dynastic House. Bastards. I’ll take better care of her, and she’ll be a way for me to wield direct power in the Anarchy without being too obviously Hellish.”
Lilunu claps happily. “That’s wonderful. And,” she giggles, “I think she fell in love with me on sight! Which is very flattering, even if I’m afraid she’s doomed to unrequited feelings there. It reminded me of when you showed up here, before you had your lovely hair and all your self-confidence. Back when you were a poor starving child of Creation’s neglect.”
Keris can hear Biqi’s sudden attention.
She can also feel her face heating up.
“My lady,” she protests. “I didn’t ‘fall for you on sight’. Jianling is just,” she sighs, “very weak to beautiful women. I’m going to have to keep her away from them while she’s acting as my general. But there are worse weaknesses to have, and she handled herself very well against Gythenes - did you get the briefing on that yet?”
“I did, I did. Not least because I now have a gigantic earth-elemental corpse that I had to very quickly build an icehouse around,” Lilunu says. “It’d be hard to miss it, my Keris.” With a few gestures, she calls over a flying-boat, and they board the large flat brass mechanism. “Speaking of large, hard-to-miss things, I have something to show you - but continue on, continue on. You, thankfully, look untouched.”
Keris preens. “Of course! It’d take more than a former Heavenly Censor the size of a hill to hurt me, my lady. Though, uh, Suriani did get a bit- but she’ll be fine! I have some ideas for what to do with the corpse, though, especially since...” She pauses, pursing her lips, and waits for the boat to take off before continuing. “Well, it occurred to me that we have, in that icehouse, an enormous quantity of dragonbone and dragonhide. Granted, it’s all salt-natured at the moment and would burn demons to touch, but with some vitriol-treatment and Genesis work... this could be the raw material for a graft. Because I was thinking - if you have a cursed wound like, say, Lelabet’s scar, that can’t be healed on its own without risking the curse taking on another manifestation, something external like a skin graft could... treat the symptoms without provoking backlash from the curse. You see?”
Lilunu’s diaphanous silks blow around her in the breeze as the flying-boat picks up speed. “I had thought,” Lilunu says, her voice soft and almost lost under the sound of the wind, “that I had been quite clear that you should cease thinking about meddling in curses. And yet it would seem to me that you have sought a cursed dragon and slain it, so you can take it apart and study its anatomy and how it has been blighted.”
Keris winces. “I... you didn’t actually tell me not to study curses in general. Just not Yuula’s. And I haven’t been! I just wanted to study lesser curses - so I could come up with a safer way of breaking hers; one that didn’t risk myself! You- you only said no because you didn’t want me risking myself, so if I can find a way to free her without risk, wouldn’t that be good? But I can’t do that without learning more. And the stuff I’ve been studying are lesser curses - things from petty gods, or at worst the children of the moon. I’m looking at them second-hand, too. I’m being safe!”
She pauses. “Also, I didn’t seek him out,” she complains, a hint of a whine sneaking into her voice. “He tried to wreck the manses Haneyl was building for Lord Ligier. I’m her mother; it’s my job to kill anything that goes after her. It was just a bonus that he turned out to have a curse laid on his mind to drive him mad.”
That earns her an extremely unimpressed look. It is like Lady Lilunu for some reason doesn’t appreciate that Keris cares for her best interests and is doing that without breaking the letter of what she ordered Keris to do.
“Anyway, have you met Biqi?” she improvises, throwing her new student under the bus without a flicker of hesitation. “I mean, you probably have met her; she was Kimbery in the Dance. But I’ve taken her on as a new subordinate and she’s been helping me with my work in the Anarchy.”
The distraction works quite well, as Lilunu turns her full attention on Biqi and Keris feels the sudden pressure of the attention of an Unquestionable. She reaches out, and traces Biqi’s face, tests her muscle, bringing to mind the way Kuha might examine a bird. Biqi wilts under the attention, shrinking back.
“How interesting,” Lilunu says thoughtfully. “You are not as much like my own sweet Saya as I would have thought. Oh, I speak not of the way you have your fetching blues compared to her oranges and pinks. That is just the lovely way that you are so different from one another. But after Calibration, Saya spoke to me about how... wiry her breed-peers were, how they spoke of things she did not know and did not understand, how you all had a certain sadness about you she saw and could not grasp. I had thought to examine your breed more closely next time I met one of you, and I see what she means.”
“Unquestionable one, how might I help you, how can I...” Biqi squeaks, and Keris doesn’t think she’s acting. Lilunu’s curiosity is like a fine scalpel wielded by a giant when it’s directed at a creature so much weaker than her.
“Hush, hush. You are...” she strokes Biqi’s wings, “yes, you are like a tree that has known good and bad times. I can feel it in your bones.”
“I don’t think Saya’s ever gone hungry,” Keris guesses, biting her lip as a tendril of shame coils in her belly. “Biqi has. A lot of courtesans do. My inner world... it’s better than most of Hell, but it’s not a paradise. There are still keruby who struggle to support themselves, or have to do work they don’t like to make enough to eat.”
Lilunu considers this, then casually pulls a ring with a sizable emerald from her finger, and hands it to Biqi. “Entertain me with your life story while we travel,” she says. “If this is enough for something so private, that is. I’ve grown tired of this ring so it’s no great loss to me, but I could probably find something else if this isn’t enough-”
Keris feels she has to step in before Lilunu gets conned by another kerub, and gives Biqi a meaningful glare to indicate she better not push her luck.
“Yes, Unquestionable One-”
“There’s no need to be so formal, darling - call me Lady Lilunu if you must stand on ceremony. I have my own tarksa so I practically half-know you already.” Lilunu hands over the extremely expensive ring that might have been seen on the finger of the Despot of Gem, and it vanishes into Biqi’s hair. “Now now, girl. Speak.”
It takes a bit of time and some discussion with Keris, but Biqi works out she probably came into being very late in 769, because one of her earliest memories is the Calibration where there were all the disasters caused by Keris’s souls growing up. She’s thus one of the last keruby who were born into a world without adults, who saw things get safer and more structured while still being small. The story she recounts is of a feral childhood in the Spires, building strange mechanisms, trapping lightning, riding random wild animals and befriending strays. Of travel through the Directions and watching as there started to be the first raider and artisan couples and how they turned the Sea from a place of ramshackle boats and camp-outs on icebergs to a place of fortified villages and towers. Of seeing the early Swamp structure imposed by Haneyl and how the land was split into three and how the dark hungry woods got safer now that people’s big brothers and sisters were running around in packs that were the scariest things around.
Lilunu finds it adorable and sweet, a life of unstructured play and making-do. Keris is less romantic about it, because she remembers her time on the streets and while there were the good times - especially once Rat showed up - there were also harsh lonely times, times huddling in the cold, of running from danger, of going hungry and stealing coal from barges and theft and illness.
“That’d mean... your second Calibration was the first one to have the festivals for Pekhijira,” she puts in, thinking back. “Mmm. And 770 was the year I started summoning my souls out - you wouldn’t have had much contact with Calesco, but you probably saw the changes when I pulled Rathan out of ruling the Sea full-time. Haneyl was off with Sasimana, too, not long after she got that early structure laid down in the Swamp. I remember how the three factions split ways in her absence.”
Biqi is much calmer, or - more likely, Keris knows - she’s hiding the nerves of interacting with Lilunu under the fact she’s playing a role here. “Yes, my lady,” she says.
Lilunu has more questions - about what she ate (“Whatever I could, it wasn’t like it tasted of anything”) and what she wore (“Whatever I found, but it was easy to make stuff back then”) and about her friends. Biqi mentions a few names like Hoho and Hati (oh, that isn’t a name she likes) as other fems and Yili, a szirom she met in the Swamp.
Then her face hardens. Because fems started growing up, and they quickly found that their glorious brass-scaled bipedal draconic forms didn’t last. Vali didn’t care what they did (Biqi doesn’t put it like, but Keris knows her son), and so power centres started forming, and the natural leaders of femkin were the tolvajkae, the thunder’s thieves. In some places, they just took lightning from kids, and Biqi reluctantly admits that while getting lightning drained wasn’t fun as a kid, it just made you sleepy and you’d be fine by next moonrise.
But in Black Hook spire, one of the largest towers in the Ruinward Far Spire, the tolvajka Zaka rose to power. Biqi has nothing kind to say about that woman, but Keris as a professional can see that Zaka was (is?) a genius when it comes to ruling as a crime boss. Black Hook is named because the basalt spire has slumped over and lightning-trapping crystals naturally form on the inside of the hook with all the thunder in the air. That made Black Hook rich, and more than that, it made Zaka rich from her ability to get her hooks into people. The new drudges could be paid off with access to charge whenever they wanted it, and that got Zaka a workforce; the wealth of Black Hook meant that the tarksa who sided with her got to live lives of buzzed comfort as long as they were loyal. Those other tolvajkae who bent their knee to the charismatic, clever Zaka got to be her lieutenants; those who tried to muscle in on her turf, or who didn’t keep to her codes, or played stupid got chased from the spire. Some people died.
And Biqi was just a kid at the time, but an older one, and she saw things getting locked down and systems put in place that benefitted Zaka and her cronies and something inside her broke.
“It was a bit before Calibration and it was the year that Princess Haneyl was a kid again,” Biqi says, which means that Keris can probably pin Biqi’s maturation to late RY 772. “I was so big. So strong,” she curls her arm up to flex her muscles. “And I had glorious scales and my wings could lift me up. But it wasn’t the strength I liked, looking back. It was the way people followed me. Because that was it. I wanted to lead people. I wanted to kick out the mean adults who were sitting up in the tower and making themselves rich and... they didn’t need kids, see? That was the big thing. Everywhere else, the kids keep the adults honest. But here, Zaka’d got her hands on automata and she had people who’d learned dollie-magic to control them and a lot of other kids didn’t see what was going on but I did.”
She wryly smiles.
“Listen to me. I’ve tried not to think about this for a long time, but here I am. It helps that I’m being paid well for this story, of course.”
Keris knows how this kind of thing goes, and suspects that Biqi is probably somewhat polishing things up, adjusting the sequence of events, telling the story for the listeners rather than what is strictly true. But it’s mostly true.
“A glorious rebellion! How exciting. Those happen out in the City, you know,” Lilunu says. “When the serfs fight when their betters are not around. There are meant to be warlords who’ve ruled out in the obscure places for a hundred years, and then they can fall in a scream if they get sloppy.”
“That-” Keris says before she can stop herself, and then slams her mouth shut before she can say something incredibly stupid. “Sounds accurate to what I’ve seen of the outer layers,” she adds, to alleviate suspicion, and hopes it’s enough.
Internally, though, she’s wrestling with an unfamiliar feeling. This isn’t the first time Lilunu has shown her privileged upbringing - she’s spent her whole life sheltered in vast wealth; of course she thinks in Baggish ways. But it’s the first time she’s said something that’s sent such a visceral jolt of annoyance through Keris. To call the bloody, awful work of a rebellion exciting while in the same breath talking about the ’betters’ of the serfs who are afforded no rights under the Descending Hierarchy...
It’s not that Keris doesn’t love her lady. It says a lot that Lilunu sounds supportive at all - the very concept of a rebellion champions the cause of the weak over the strong (at least until they prove their own strength by winning).
But did she really have to phrase it like that?
“I tried,” Biqi says. “I really tried. And we did damn well, you know.” To some others, this svelte, beautiful courtesan might seem funny when speaking of her past history as a revolutionary, but not to Keris. After all, Keris herself is the same. “It wasn’t just Zaka that we were up against, either. It was that bitch Anyuu and her Salt Raiders who’d been hitting up and down the Ruinward Spires. In my first month, I showed them. Gave them the bloodiest nose they’d ever had. Gave her the bloodiest nose - and a broken arm.” She smiles, and lightning gleams in her eyes. “She crawled off, bleeding and broken, and went and found religion after I challenged her and punched the fight out of her.”
“Wait, you’re why Anyuu gave up the Salt Raiders?” Keris sputters, her irritation briefly forgotten. “She never told me that! And I trained her! She just said...” she closes her eyes, thinking back, “... something about realising there was more to life than stabbing and stealing. And I know for a fact she’d been hurt before; she was scarred up even as a szel. Hell, she and the rest of the Ten raided Pekhijira at least once; fear or injury wouldn’t have been enough to turn her off gang-bossing. What the fuck did you do to her?”
Biqi rolls her shoulders. “Uh. As I recall, broke her nose, her arm and her spear, knocked out a few teeth, smashed her through a window, and then I lifted her up by the throat, flew over the edge of a cliff, and told her that she’d built her entire life around being the most dangerous thing around, so given there were people like me around now, she better rethink her life because next time she hit the Spires she might not find someone as nice.”
“Why didn’t you kill her?” Lilunu’s question is a simple one, and entirely conversational.
“I didn’t want her dead. I just wanted her to stop raiding us.”
“She wouldn’t have raided you if she’d been dead.”
Biqi looks vaguely confused at that, clearly unsure as to how to answer this. Keris has seen it before; keruby willingly and frequently fight, but they don’t like to kill each other. It’s an instinct that few of them have probably ever thought about. “But then she’d have been dead, Unquest... Lady Lilunu. And I just wanted her to stop raiding.”
“And because Biqi didn’t kill her,” Keris says, the annoyance seeping back in, “Anyuu gave up leadership of her gang, found a worthier cause to dedicate herself to, and now spends her days helping my citizens with their problems, working them through their fears and pains, resolving lawsuits and mediating between settlements when they disagree. She’s helped a lot of people who’d have gone un-helped if she’d died, because Biqi chose mercy instead of killing her when she was already beaten.”
“Well, clearly it worked wonderfully!” Lilunu doesn’t seem at all attached to the idea of killing, which in some ways makes it worse. “What happened then? From what I understand, you were unable to remain a beautiful dragon and became your lovely self.”
“Oh, thank you.” Biqi rests a hand on her chest. “We nearly got her - that was me and Koko, she was a rogue magistrate who’d fled Calesco’s law and she was my closest ally and my lover. Yes, I held on for nearly a year and-”
“What?” Keris almost screams. “A year? Almost a year? And nobody- wait. That means Anyuu knew about your dragon-forms! The whole time I was training her! You were probably still a rider when I started! She could literally have told me about that and I could have- and how the hell did you hold it for a year? Arisu didn’t last two weeks!”
Lilunu giggles, and pats Keris on the head. “There, there, my Keris. You’re like Kali denied a toy right now.”
Biqi shrugs. “I mean, that’s just my life. I’m guessing Anyuu didn’t tell you because it was probably a sore spot that I left her with... uh, so many sore spots. As for holding it for a year, I mean, I guess I’ve always been a bit more organised than a lot of other tarksae, so maybe that helped? Also, you know, I had a big cause to fight for and sometimes I’d push Zaka’s people back but she always had more people willing to sell out to her. But that wasn’t enough for everyone. Me and Hati had the same big sister and she also grew up for my cause, but she discharged to tarksa first time we lost a scrap and next time I saw her she was Zaka’s buzzed up expensive mistress.”
Halfway through grumbling at Lilunu, Keris pauses and grimaces, thinking of Bel. And of Liho.
“Yeah,” she says, voice low. “I know about people you thought were your allies stabbing you in the back and joining the enemy.”
Biqi’s shoulders hunch in on themselves. “We don’t get a choice. Not us tarksae,” she says. “You told me that plenty of hellspawn breeds don’t need to eat, don’t need to sleep. Well, all us keruby do. And we tarskae have it even worse. Dump one of us on a desert island and we couldn’t survive. When you don’t have any buzz at all, you’re so weak you can barely survive. And as soon as you discharge, you’re in that state. You’ll do anything for even a yen.
“Hati sold out and liked it. But... I remember that night. When I asked myself ‘can we win?’. And it was like a dam breaking. Other people, maybe they could question a little bit, have some doubt, but I’d dragged it out longer than practically anyone. Just a little bit of doubt and it was gone. I... I tried to hold onto it all. But I couldn’t.” She brushes her hands over some of the golden scales on her cheeks, up to her horns, and her wings twitch. “That’s all I have left. All my strength, just soft, useless gold. My wings, these useless things that just get in the way. And I was starving and all alone and some of Zaka’s thugs found me and dragged me before her and her cronies. I couldn’t fight them off. Me, now, I’m buzzed, I’m healthy and rested and maybe I could run. But when I got no buzz at all, I’m a skinny, weak wretch.
“She made sure everyone in her inner circle saw I was a tarksa now, and showed ‘em that I’d do anything for a yen tossed my way. And I would’ve. Even now, I would do the same if I was that hungry again. I’d have done more if she paid for it, but she was making a point. And maybe didn’t want to give me more than the least buzz possible. I definitely know Hati wanted me out because she was scared I’d take her place as Zaka’s mistress. And once Zaka’d shown everyone that I was just a tarksa now and I’d scrape and beg for the smallest coin around, she gave me some cheap clothes and kicked me out of the spire before next moonrise.”
“... I’m sorry,” Keris says, laying a hand on her shoulder. Her own shoulders slump, her heart hurting. “I...”
She what, though? Should have known about this? Should have made Vali rule his lands better? Should have stopped Zaka from acting this way, or gone and done something about it on finding out? Should have cast judgement or doled out punishments, taken sides between her keruby depending on which ones told her their story first?
“... I’m so sorry,” is all she can say, helpless against the violence her own demons deal each other within her very soul. Helpless against the cursed echoes of her past that blight all the femkin adults.
“It is how it is,” Biqi says, and she doesn’t even seem that unhappy, apart from a certain hardness in those bright blue eyes. “You’ve got to eat, don’t you? I saw your face when Lady Lilunu was comparing me to her Saya and saying how she’s never gone hungry while I have. I reckon you know about going hungry too. And probably about what you have to do to survive.”
Lilunu has stepped back slightly, eyes as much on Keris as they are on Biqi, and she’s just listening. Listening to something which isn’t really a story of demons. It just happens to involve them.
“The reason femkin are like this,” Keris murmurs, her voice half-hidden under the wind. “It’s my fault. All of you - all the keruby - they’re like facets of me. Faces I’ve worn, roles I’ve played, people I’ve been to the world. And back in Nexus, after... after I ruined my life. Those are the faces I wore then. The harlot, the drudge, the thief. Poor and starving, fallen from the power I’d had, having to scrounge every day to eat. You’re echoes of that time. Except I got to escape that time, while you... you’re all left suffering from it. I can feed you, I can lift the femkin I meet up out of poverty... but I can’t change your nature.”
“Self-pity and guilt isn’t very attractive, boss,” Biqi says, with a laugh in her voice and that same hardness still in her eyes. “All of us have a way out. ‘Specially now it turns out we can go rider again. Drudges can go lick a lightning bolt, tolvajkae don’t have to be utter bastards to get to a comfortable state - that’s just how Zaka is - and look at me now. Frankly, I’m happier being what I am now, with this buzz, than I would be if I was a magyla or a pontiff.
“And you aren’t the only one helping out. One of Lord Firisutu’s cleaner-men found me in an alley and picked me up along with the junk and took me to him. All the trash of the Spires and maybe the whole world finds its way to him, and that includes femkin who don’t have any buzz. He gave me a good meal, gave me a job working in his canteens - just like others work lifting stuff or sorting things or manning his vats - and no one asks things about your name or your past there. I worked hard every day in the kitchens, prepping food and cleaning and serving - which are all things that’ve done me good since then - and I took up with my boss, an older lady Oka. It wasn’t love, not from me, but both of us worked hard all day and kept the same hours and living with her let me save money. Plus,” she looks over both women, “sex is fun, and it’s cheaper than spending money on booze or gambling. Helped me save more money too, plus the gifts she bought me for being her girlfriend.”
Keris huffs, amused, and gives a tremulous smile. “I’m glad,” she says. “I didn’t think any of you keruby got along with Firisutu. But I’m glad he looks after you when you need it.”
“Other kins don’t need help like we do. They don’t sink as low when things go wrong. That’s probably why the Mountain’s in the Spires,” Biqi says. “But it’s not just us femkin there. He could make all kinds of demons to do the tasks he needs, but he doesn’t. I knew a foga who I reckon was on the run for gambling debts - ‘cause storm and stone, he was bad with dice - who did the books. Lord Firisutu might be grumpy and sort of tight fisted and stinky, but his cleaner-men get everywhere and he finds the people who everyone else says are just junk.”
Something warm and happy blooms in Keris’s chest, easing the lingering shame, and she smiles. “I’ll have to visit him there and see,” she says. “The day after tomorrow, maybe, in my dreams when the mercury wears off. Do you want me to tell him anything from you?”
“He’d just get embarrassed and say he’s just doing his duty and that he doesn’t like keruby anyway,” is Biqi’s cynical response. “He doesn’t want praise, and I reckon he genuinely doesn’t like us much. He’s just the one who takes care of people who don’t have anything else because that’s his nature.”
“Part of your nature, my Keris,” Lilunu says softly, her ever-changing eyes a mystery as she listens.
Biqi’s story continues, and now it’s into somewhat lighter topics Lilunu engages somewhat more as Biqi tells how once she’d left the Mountain with her savings, she’d set up in a small spire which hadn’t had a tarksa living there, cooking and serving food to the small group of drudge friends living there morning, midmoon and evening, and sharing their beds at night. But there hadn’t really been enough money there for her to make a living except when traders stopped by, so she’d instead gone into partnership in a tarksa cooperative in Shiny Point spire close to the City that her friend Hoho was with. And then she has to explain the concept of a cooperative to Lilunu.
Shiny Point was large enough that the cooperative, the Golden Dragon, could keep them all fed and even afford for them to take days off (“A thing you really appreciate compared to freelancing”), and that was where she met Arisu (“She was the other girl there. She’s smarter than me, but a dreamer and a romantic. I’d often end up having to cover her shifts because if they wanted to fuck a woman it was me or her. It was a pain when I was the best one running the kitchens for the restaurant”).
Biqi had stuck with that place until they’d got a big contract to cater and service a party with Prita’s cartel in the Swamp, and there she’d met her old friend Yili who was a big Foga businesswoman. Biqi doesn’t say as much, but Keris immediately recognises the prickly pride she and Calesco have where a roomful of strangers watching a poledance is nothing to be concerned about, but someone you know seeing something you’d rather keep private is something to be avoided at all costs. Biqi had saved up more money again, so quit the Golden Dragon, decided to take a holiday, and promptly had lost most of her savings when a szirom gang had mugged her.
And again, Keris recognises that pride, because why hadn’t Biqi gone back to the Golden Dragon or sought out her old friend to reconnect and avoid losing her charge? No, instead she’d taken up with a low-ranking renda bureaucrat in Haneyl’s civil service, and when he couldn’t afford her prices full time she’d become the mistress of several such bureaucrats and that had led her to drawing the attention of Countess Jyti who’d hired her on as her full-time maid.
What said duties had involved is a salacious recounting, but Keris is less interested per-se about the fact that one of the Swamp’s countesses had her maid dressing up as a animate doll and also had a thing for spanking, and more that Countess Jyti doesn’t sound like she’s... quite healthy. Because Biqi recounts that the countess was sometimes overcome by weeping fits or periods of exhaustion that she could barely get out of bed, and constantly worried about the pressures of the magyla viciously backbiting circles of popularity. Surely a countess had to be doing well to afford a large staff, Biqi says, but... well. Keris has seen how Haneyl can be, especially when she doesn’t have Elly and her other confidants to help stabilise her.
“This is the kind of thing I founded... Anyuu’s collective,” Keris phrases carefully rather than drop the words ‘Blue Temple’ around Lilunu, who knows there’s no Cecelyne whatsoever in her Keris’s soul and also what work she did with Gull, “to deal with. Counselling, guidance, a sympathetic ear. Advice and... and a hospice of sorts, one that gives treatment for madness, healing for ailments of the mind like stress or pain or fear. Scars on the soul that linger even when the physical wounds are gone. But... ach, I guess she’s still just not got enough people there. It’s not a big place yet. I don’t think her staff has passed twenty yet, and a bunch of the ones she has aren’t full members.”
“Mmm,” is Biqi’s opinion of that. For some reason she doesn’t seem too fond of the mention of Anyuu. “Well, I quit when it was just too much to deal with. She forgot that I wasn’t her lover and wasn’t her friend. I’d saved enough that I could get passage to Lapsand. Keris knows about this already, because that’s where I ended up working a lot for Kela and picked up a bit of knowledge of Needles-and-Spires style.”
That gets many more Lilunu questions, who’s fascinated to hear more about the Isles and Zanara’s land and how it’s this peculiar theocracy devoted to the veneration of art with Zana as High Priestess and Nara as the Idol. Keris is more interested though in Biqi’s tone. She seems to have been genuinely happy in the Isles, once again cooking and serving food as her ‘official’ job, but supplementing it with modelling for agyapuspoks (“There’s a lot of money to be had in the Isles if you don’t have many opinions but’ll do what they pay you to do.”). She’d taken up painting as a hobby and she’d entertained the young agyas who’d been too young to ever have heard of her as a revolutionary and by that point, and it had been long enough that even the older ones hadn’t assumed the few stories that cropped up were about her. And she smiles fondly as she recounts some of her more explicit stories of being a model for agyapuspoks, and Keris gets the feeling that she might have not been in love with them, but she loved the fact they all wanted her and fought over her time.
And then Koko, her old magistrate girlfriend, now a witch, had shown back up and speaking as someone who’s self-destructed her own life out of grief and trauma at least twice, Keris recognises the symptoms. Biqi doesn’t say it, but Keris can read easily that Koko must have transitioned to witch after Biqi vanished into the Mountain, and that had been the end of their revolution. And Biqi might act like she’s a gracious, lovely, mercenary courtesan, but no one with that much affinity for Kimbery doesn’t carry their scars deep. She’d abandoned the life she’d had, cut the ties of all her relationships, vanished back to the Spires, and had found that things had changed. There were more tarksae around, prices were lower, and she’d burned bridges so her old contacts weren’t answering doors. She was miserable back in the Spires compared to the life she’d gotten used to in the Isles. She’d gotten used to a life where not everything was about money and lightning, and all the important art-clerics were fighting over her time. She wasn’t cooking and she liked cooking as a reliable job.
And so, barely scraping by, that was the state she’d been in when Keris’s contract had made itself known to all the tarksae and magylas in the world. Biqi hadn’t had any reason not to accept. Anything had been better than working the cheap bars in the Spires.
“Do you want what happens next, Lady Lilunu, or are you content?” Biqi inquires and Keris realises she probably should intervene because there are some things Lilunu shouldn’t know. Like what Keris was doing in Gem. And the fact that Biqi is an extremely illegal first circle sorceress.
“I think she knows the rest, given she was there when I summoned you all out,” Keris cuts in. “And it looks like we’re getting- actually, we’ve been circling above this spot for the past few minutes. My lady, have you just been waiting to land until Biqi was finished?”
“Well, of course,” Lilunu says. “I like to see you interacting with others and this has been so very interesting to listen to - and I’ve found out things about your inner hell that I didn’t know before! Such diversity, such culture! It almost makes me wish I could let my darling pages and maids spend some time there, so they can get in touch with their heritage! But maybe that is a question for later. For - behold!” With a dramatic gesture, she leans over the side, the sweep of her arm taking in everything that is being built below.
Lilunu must have been inspired by the Lap. That is Keris’s only assumption as for how this idea has come about. For what is behind built here, countless demons clambering over the stone and great crane-beasts spreading their wings to carry blocks into place, is a smaller version of that. The reason Keris had not realised what she was looking at was that from behind the hair covers the shape, but from this angle she can see that what is under construction is a grand amphitheatre where the rear walls are formed by a great statue of Keris that embraces the stands completely. And while the face isn’t done yet and the broad shape is only just appearing, it does appear that clothing is not part of the architecture.
“My goodness, my lady,” Biqi says, a little tease in her tone, “you’re so tall.”
“This is where you will be hosting your great exhibition-contest for harlot-demons - and so it will nestle between your legs. So no matter what that woman does, everyone will see quite clearly that this is your contest,” Lilunu explains. “I had people see how large the largest advertising things for your services were when you were working for her, and I made this bigger and grander. I made sure that everyone will see my Keris!”
She pauses for breath.
“Do you like it?”
Eyes wide, Keris stares down at the huge statue of herself. The… nude statue. Which everyone at her contest will be looking at. Which Lilunu - and Benezet, and Ipithymia - will be judging the demons made for her contest within. It’s a dizzying prospect, the sheer scale of the thing. The way her image, her beauty,, will dominate the whole event.
It’s not an unattractive one, though.
Lilunu’s last comment snaps her out of the surprise, and she barks a sharp laugh at her lady’s spiteful oneupmanship of Ipithymia. She should have known it was something like that.
“I love it, my lady,” she says warmly, taking Lilunu’s hands in hers. “Very poetic artistry. Oh, oh, can I help make the colour and decoration plan? We’ll have to pick the shades carefully if we want to bring my reds out properly under the light of the Green Sun.”
“Of course, of course,” Lilunu says eagerly, pulling paper after paper out of her hip bag to reveal gorgeously done blueprints and concept art. “I’ve already been thinking of the question of colour!”
Keris can’t help but notice the plans for the gigantic opal-covered chandeliers which will add colours other than green to the stage, which take the form of piercings for the statue. Some of her attention is focused on how much this is an aggressive retort to those golden coin piercings Ipithymia had placed on Keris, some on the fact that there will be a lighting staff clambering over said piercings from the scale, but mostly on the fact that, if she reads the plans right, Lilunu will have used a literal hillside of opal on this between the piercings and the paint.
She can see that the prospective cost is definitely something Biqi understands because she looks appalled at the waste. Or possibly ravenous. It’s hard to tell. But Lilunu chatters away happily, safe in her realm of artistic thoughts. And occasional references to elements of the design that are made to exceed or subtly put down Ipithymia - even the rainbow of lights from the opal chandeliers, Keris realises, made to be not golden lanterns.
Does her lady realise how much she’s picking a fight with Ipithymia?
(At least Benezet will love it.)
“Um... my lady, where will this opal be coming from?” Keris interjects the next time Lilunu pauses for breath. “Because you’re using a lot of it. Like... a hell of a lot. Are you importing it, or transmuting it, or... well, let me put this another way: are Indo’s hungry ones going to show up and frown at me with budgetary reports from the Office of Revelries?”
“Oh, I’ve already seen to that, don’t worry,” Lilunu says with a casual wave of her hand. “I found a sizable node of it in my flesh,” her gesture takes in the Conventicle, to indicate what flesh she means, “so I’ve set my people to mining it. They’ve already excavated most of what I need.”
“Your flesh?” is Keris’s instant response. “Will it hurt you? Does it hurt?” Her eyes dart over Lilunu’s body, looking for sympathetic wounds.
“Oh, it really isn’t much. A minor ache, like removing the top joint of a finger.” Lilunu waves it off. “It will have grown back in a season or so, even if it doesn’t reform in opal. The King’s nature is part of me; small wounds like this mean little.”
Keris measures her for a moment, weighing her dismissiveness - and judging it genuine, relaxes. Lilunu isn’t hiding any pain - or, no, Keris corrects herself. She doesn’t consider this to be an unusual amount of pain. Keris is well aware of Lilunu’s chronic health problems, and while her lady rarely shows it, she’s aware that pain is at least a semi-frequent symptom. Her tolerance for such things is probably miscalibrated by the standards of a healthy demon prince - or human.
But Keris knows about that. She’s lived with a low hum of constant pain as a mortal, in those bad years after breaking her arm the second time, and that same arm is prone to breaking or unfurling even now, to say nothing of combat, or the ache of mercury-drugs, or countless other sources. Pain is just something you have to deal with sometimes. She wishes Lilunu never had to deal with it - but as long as it’s tolerable, Keris won’t stop her from choosing to suffer a little for beauty’s sake.
(And with that thought comes the rush of giddy warmth and the involuntary blush. Ah - her lady is going to such lengths to decorate a statue of Keris. It’s like the painting that their relationship was built on, a picture of Keris made of materials harvested from her own body.)
“My lady,” she teases, rather than voice any of that. “Bedecking a great statue of me in your own opals; another beautiful artpiece you’re making from one of us with me as the subject - am I your muse now, then?” She grins cheekily. “I’m flattered. And I love it. Ipithymia’s going to seethe.”
“Now, now, my Keris,” Lilunu teases back, “are you so inattentive as to not realise how long you have served as my muse? Do you think I could have made that beautiful Strigida without seeing the lines and curves of your body or without having you to model this masterpiece? And my dear keruby are always my companions, here to provide me with inspiration with their little dramas and their tiny adversities - and their humour and their laughter. Saya has been so interesting since she met her cousins!”
“Oh,” Keris says, snapping her fingers. “Actually, while we’re on the topic of flesh and tarskae - and art, for that matter - I have a plan for Biqi that I wanted your thoughts on. See, you’ve heard how awful it is for her being at low charge, and, well... basically, Biqi has decided she doesn’t want to chase dragonhood. She’d rather just stay high-charged forever than constantly reach for what she had only to inevitably lose it again. And I also plan to be pairing her with Suriani at least some of the time and want to give her some defences against Mara’s blandishments, and recently I happened to come into some orichalcum coinage...”
She has Lilunu’s attention. And it only grows more interested as Keris lays out her plans for the coins - what she’s discovered of tarskae skeletons, how she intends to make an orichalcum bone-graft oath for Biqi, and the effects that Vali theorised it would have in making her an endless well for charge, never to be filled, able to hold even more than the already prodigious amounts of a normal tarska.
That most certainly has Lilunu’s attention. She was the one who taught Keris everything she knows about Temple-as-Body and Needles-and-Spires (well, apart from the things she’s developed herself, but those are minor embellishments on the work of the giantess whose shoulders she’s standing on) and Biqi gets to observe an incredibly rapid and in-depth discussion about the things that could - and will - be done to her skeleton. With a slight diversion into the question of her sinews, and a further detour into her digestive system, which leads to Keris speaking of the thing she calls the ‘harlot’s release’ - the counter-flow in tarksae sympathetic arousal pathways that allows them to become physiologically aroused without influenced mentally and which actively counters genuine arousal.
As the sky-ship circles, it ends up becoming a general symposium on tarksa biology and anatomy, and the ship’s sail gets taken down and used as notepaper because Lilunu just simply has to get some of these things written down. Which leads to them landing by the half-built stadium so she can commandeer an already-installed essence-form projector and start working in three dimensions.
All this is to say that by the time the tomescu scream, Lilunu has realised she’s missed an important meeting with a visiting Unquestionable, but Keris has... not quite blueprints, but the scope of the project has been exhaustively narrowed down and Lilunu has thrown in many references to things she’s tried herself or read about in Hell’s libraries for Keris to follow up.
“Thank you, my lady!” Keris enthuses, throwing her arms around Lilunu in a rare hug. “No, really, this is going to be so useful. Ah, I’m sorry for making you miss your meeting, though - do you need me to come along as Mistress of Ceremonies to help smooth things over?”
Lilunu holds her too, brow resting on Keris’s forehead. “No, no, my Keris. It is of matters that do not concern you, and,” she smiles warmly, “something tells me that you will not enjoy the companionship of Enali overly.”
Quicksilver floods Keris’s thoughts, and under its mirror-layered influence the name of Enali reflects from thoughts of her spear or her alliance with Malek Qaja or the name of Lei Mei without a flicker of recognition or guilt. She blinks once, then scowls. “Oh,” she says. “Him. I’ve read about how he gets his test subjects, and what he does to them. I know he’s a peerless surgeon and fleshcrafter, but… you’re right that it’s probably best I just stick to reading his papers in the libraries of Orabilis.”
“Also, you have all these beautiful things to start looking at,” Lilunu says playfully, but also perhaps poking Keris with the fact that she has just helped Keris’s work considerably. “I will leave you to this.”
And like that she is gone, effervescing away in a rainbow and leaving only mist and sparkles behind which fade too.
Biqi stares with wide eyes, not quite approaching Keris. “Her presence is... incredible,” she says after a long pause. “And the two of you are like two agyapuspoks together.”
“She takes some getting used to,” Keris admits. “All Unquestionable do. And they’re all…” She purses her lips, thinking of how to phrase it. “When they’re showing their nature, it’s like that,” she decides. “If you saw Ligier working in his forges or leading his armies, the closest comparison you’d have would probably be a rider at the kind of charge you were running during the Dance. If you saw me talking alchemy with Khereon Ul, you’d compare us to a pair of holdas getting really, really into a big project. A demon prince pursuing what’s closest to their heart… you can’t help but get sucked in. And I’m her student in the arts on top of that. She taught me nearly everything I know of them.”
“You really aren’t too different.” And there is an ambiguity there that must be an accident, mustn’t? She’s saying that Keris resembles Lilunu. Not that Keris is like an Unquestionable who sucks people into things when she’s pursuing things close to her heart.
“Mmm,” she replies, frowning a little. “Well, anyway. Come on. We can’t waste time here. I still want to get some time to study the corpse. And you can review these notes and put them in order for me. I’ll need to tend to Suriani’s injuries, too, and tell her what a good job she did and so on. Oh, and while I’m here I might take a quick trip to the Nests to render down that breastplate Anadala gave me and start integrating into,” she pats her navel, “my little side-project. Hmm, I also need to order the inks for that tattoo I promised Ixy - you can get me the raw inks for that on the Avenue of Artisans when I head over to the Nests. And of course I’ll also want to see if any new alchemy papers have come out; I’ll send a runner to tell Mehuni to compile me a list-”
Biqi’s sigh is a little hurtful, in Keris’s opinion. It’s not that much work. And she’s paying her well for it, so frankly her student can just suck it up and deal.
Keris’s calculations for when the Baisha will be arriving are pretty much spot on, and she’s there waiting at the docks to immediately collect Suriani. Her student is miserable. That she can manage misery when she is drugged up to the eyebrows with opiates is an accomplishment - and that is a great deal of opiates to get through her Szoreny-granted tolerance to both medicines and poisons.
She is borne to Keris’s townhouse, and there Keris is sure to give her the very best medical attention. She is aided capably by Biqi, who is there to mop her brow, hold Suriani’s hand, and wear an outfit with a very short skirt, and by one of the aideara in a full face veil who is there to provide actual medical assistance. Keris has to make clear to that demon that Suriani does not need any of the she-demon’s collection of hands stitched on as replacements, because Keris will be overseeing that part, but the demon capably oversees the reduction in opiates and carries out some minor work while Keris herself takes care of teasing new hands out of a mix of vegetation and meat.
Within a day, Suriani is recovered to the degree that she only really needs time to rebuild her strength physically, so Keris can oversee the emotional and psychological recovery. Part of that is effusive praise and a tour of the now-frozen carcass of Gythenes, but Keris understands part of what has hit Suriani so hard is the feeling of helplessness and uselessness, that she was taken out and had to be patched up by other people. And that if the superlative medical skills of Haneyl had not been there, she might have died -- and without Keris, she might have ended up scarred or crippled. For a woman who has been taught by the world that she only has value because of her beauty, this strikes deep at the heart of her self-definition.
Which is why Keris begins Suriani’s tuition in the field of medicine even before she has recovered. This way, Keris explains, in the future she’ll be able to treat herself. As long as she can save her life, Keris can always fix her up - and later she’ll be able to draw on such wonders of the Mirror Forest. Drugs that can give great strength, can hone the mind, can restore youth and regrow limbs. In Suriani’s ear she whispers what this will mean for her influence over Choson, where she will be able to turn a weakling into the strongest man in his Assembly, and leave him dependent on her tonics to stay off the consequences of his mercury poisoning from what the alchemical brews have done to his insides.
This is Keris’s art: she transmutes Suriani’s self-blame and feeling of inadequacy into granting her a new field to grow in, a new tool to use, a new secret - taught to Keris by the great demon-medic Yuula and to Suriani from Keris - that only furthers her initiation into the ways of Hell. And between the route her thoughts can travel and the attention, Suriani is greatly soothed.
Keris leaves Biqi in her company “so that this serf might aid in your recovery” she says with false innocence. Suriani no doubt thinks Keris has just left a harlot to make her feel better, but Keris whispers pollen-laden words in Suriani’s ear and her student finds herself overcome with desire for the kind, gentle she-demon and fellow student who has been nursing her.
That should keep Suriani busy for a few days, at least. Keris has other things to do. First and foremost of them, she can feel the foetal demon-graft in her womb wriggling, and knows it is nearly done. She retires to one of Lilunu’s genesis workrooms, makes sure Mele knows his job is to soothe and comfort her, and then lets nature take its course. The birth is an easy one - if none too clean - and immediately after delivering it Keris lets the thing nurse from her as she croons occult formulae of its purpose to it, and then deposits it in a glass tank filled with nutrient broth.
“Aren’t you a pretty thing?” she coos to the hairless, red thing. Its skin ripples with bands of colour, its unformed eyes little black dots, and its many pseudopods contract and expand with each instinctual gulp of the broth. It is soft and cartilaginous and its surface has all the lovely rich vascular tissue which is almost ready to be integrated into Mele’s biology. She wraps the father/intended host up in her hair, and sweeps him in for a kiss. “Aren’t you proud of what we made together?”
Mele looks strangely... not-entirely-at-ease. “I don’t exactly get what this is, maj,” he admits, “and I know you said it’s going to be part of me, but...”
“Oh, hush,” Keris says dismissively, batting him with a hair tendril. “You just haven’t seen it finished yet. See, this little guy is kind of like a mollusc - just without a shell. That vascularised surface is what I’m going to integrate into your muscles and nerves to replace your current skin, but on the surface... well, you know what nacre is, but do you know what nacre is? Deep down, I mean. Alchemically.”
“It’s a thing... alchemically? No, no, maj, I do not.” He offers a winsome smile. “Maybe you can teach me? While I clean you up from all the mess of the birth?”
She beams. “Of course! So from what I’ve discovered by reducing it alchemically and from digging my roots around in you, nacre is basically a composite material - part organic, part inorganic. I can tell, because my root-fingers can’t manipulate it properly like they can wood or flesh, but they can sort of... dig in a little way. If you had eyes that were really, really powerful, you could focus in on a sheet of nacre,” she taps his chest, “like your current skin, and you’d find it was made of thousands and thousands of layers, each one... maybe a hundredth of a human hair in thickness. Each layer is made up of tiny little plates of lime, held together with tiny, tiny strands of chitinous silk - again, a hundredth the width of a human hair. The combination makes for something far stiffer and stronger than silk, but far less brittle than chalk or lime - and because the little plates are stacked like bricks, it’s far tougher as well.”
Mele listens attentively - a man well-used to nodding and pretending to understand excited holdas - as he cleans Keris up, which is only made a little difficult by the fact that her hair refuses to let go of him and she keeps tugging him back to look at her hands as she gestures to illustrate her explanation.
“But lime is a shitty material,” she goes on, getting ever-more animated. “Like, it’s easy for normal molluscs to consume, produce and layer, which is why they use it, but there’s nothing special about it besides that. So what I’m going to do with this little guy is prepare a vitriol solution that’ll slowly break down the breastplate that Anadala gave me into an organic slurry it can consume, and then instead of making lime-nacre, it’ll be able to accrete an outer layer of moonsilver-nacre on its outer surface - which will be flexible like skin, because of the platelet-structure I’ve designed it to make and the elasticity of the silk holding it together, but also strong. Way, way stronger than normal nacre. Moonsilver-strong.”
He of course has flattery and the right words to make clear he was listening to her, and a very mean question vis a vis whether she’s been sleeping. Which means she can inform him that she’s going to start the process of dissolution and then when not much is happening, she can take a couple of days off to actually sleep. And Mele is very understanding and kisses her, but she doesn’t let herself get more than a little distracted. Well, okay, she heads off to the baths with him, but she deserves something nice.
Speaking of something nice, Lilunu very kindly lets her borrow the tools rather than making her have to head out to the Nests to handle this process, and so she can get working in the frankly much more comfortable surrounds of the Conventicle. Which she is very appreciative of. Lilunu’s workroom is well-lit and excellently ventilated, with a high ceiling and large elevated windows and a flesh-beast-thing that takes up one wall whose breathing keeps a constant flow of air. There are high cylinders of Cecelynian glass filled with fresh high-grade vitriol and there are all sorts of obscure tools and strange mechanisms, many of which Keris has never seen before and the ones she has seen are the finest versions money can buy.
Keris coos in delight over them, and it’s not long at all before her vitriol solution is set up, slowly dissolving the moonsilver breastplate’s outer layers into a slurry that she then stretches her mollusc-graft over. Engulfing the breastplate in a red layer, it sucks up the thin layer slurry on the outer surface and begins secreting it back out on its outer surface. Keris moves it to a separate form to keep its form (it’ll be very important to keep it the right shape as the layers build up and it starts to stiffen) and paints another layer of vitriol onto the moonsilver (whose beautiful patterns are, sadly, now somewhat reduced), to build up another layer of slurry, then wraps her baby back around the armour so it can absorb it, and thus the moonsilver breastplate shrinks and the silvery nacre sheen of the graft’s outer skin layer builds and builds.
Then there’s nothing to do other than wait. Keris takes some time off to spend on Mele (it’s tempting to begin work on another gift for him, but she restrains herself), to sleep for two days (she dreams of a child of hers that doesn’t exist, a moon-blessed daughter who looks just like her), and she wanders through the extensive and expensive markets and picks out some lovely inks for the tattoo she’s promised Ixy.
But she makes sure to check on and follow the progress of her darling little work, and it is during one of the bits when she’s adjusting the ratios of the nutrient broth that the holda Tise finds her. Keris can hear the approach of Lilunu’s maid from a considerable way off, her heels clicking like talons, and the profusion of piercings jingling. Tise, like the other maids and pages, has lived her whole life in Hell as one of Lilunu’s canvases and it shows. She certainly doesn’t expect Keris’s, “Come in, Tise,” just before she has the chance to knock on the door.
Keris takes her in, seeing the changes even compared to the last time she saw her at Calibration. Her hair is the indigo of the Demon Sea, stained with greens and pinks, and threaded with coral beads; her eyes are a sharp pink with the usual silver pupils of her breed; she is practically naked but wearing so many bangles and rings and body chains that - combined with her full-body tattoos - she almost looks clothed from a distance. Said tattoos are dominated by the form of Bruleuse who Keris has never seen, but has heard; draconic, cephalopodan, monstrous. And pride of place and newest is the new collar, a thing of pitted sea-greened iron with a prominent red moonstone at the front. It has the proportions of a gigantic wedding ring, made for a finger as thick as her neck.
How much has she been shaped to be like this, and how much is this what other holdas would look like if only they had Lilunu as a personal artist?
“My lady,” Tise says. “I have no idea how you do that!”
“You may be Lilunu’s maid, but you’re still one of my keruby,” Keris says, which isn’t an answer but makes her seem appropriately mysterious and omnipotent. She half-turns, lit by the green light refracting from the tubs of vitriol. “Speaking of whom, does my lady have a message or a task for me?”
Tise clutches her hands together in front of her. “No, my lady. I am here on a... personal matter, if you might pardon the intrusion.”
“Oh?” Keris quirks an eyebrow. “Go on then. Or if you want you can come over here and have a look at this while you think about what you want to say.”
Tise approaches in a dignified, controlled way - and that in itself is a reminder of how she was raised in Hell. None of the artisans she knows would be so... respectful. She’s acting more like a dragon aide than a holda. “Your work is second only to my lady’s in complexity and glory,” she says, after taking time to consider Keris’s work and the notes she can see. “This resembles, to me, a vastly more intricate and detailed form of the mercurial magics that my lady has taken interest in, and taught me to expand the things I can do with it. You are using a base solution of moonsilver before cultivating it through a living organism, no? Such that the biological substrate realifies the design that you have imbued into its vital nature. I more commonly work on the urban scale for my lady, placing spire-needles into her landscape to calm her and moderate her essence flows.”
This is a reminder to Keris: Lilunu’s kerub maids and pages have had years of tuition, even without meaning, from a demon princess. Fuck, Tise might be the best geomancer Keris has access to. She’s been trained by Lilunu to be her personal acupuncturist when Keris isn’t here.
“I really should have some other artisans work with you,” Keris murmurs. “Well. Learn from you. Your duties - and your love - are both in the Conventicle, but I could really use some geomancers on your level out in Creation. Even then... I might have some design work for you to work on in the quieter seasons, should Lilunu allow it.”
“If her majesty wills it, my lady, I will be of any use that I can be to you - you who gave me life, after all,” Tise says, dipping elegantly. There is a slight quaver in her voice. “I would say this, too, even if I were not here on a personal matter. I would not that you think that I will shirk my duties, or my own debt to you, if you did not aid me in this matter.”
Her whole posture, and her mood, radiates repressed nerves. And that is wrong. Her keruby shouldn’t be nervous around her. Especially not when trying to coax her into doing something. They’re meant to take it as their creator-given right to try and get things out of her.
Keris tilts her head, then checks the nutrient slurry (still building up slowly on the by-now-substantially-eroded breastplate under the vitriol wash) and steps into Tise’s space. Taking the nervous maid’s hand, she puts her Venusian arts to use, leading her over to a bench to sit down and subtly massaging some of her tension away as they go. In the background, alchemical reagents bubble and Ligier’s light streams in through the stained-glass windows.
“I’ve never had the slightest worry about your work ethic or your devotion, Tise,” she says, wrapping a friendly lock of hair around Tise’s shoulders while keeping just enough distance between them that an artisan’s sensibilities won’t find it insulting to Bruleuse. “Given your relationship with your lord, you’re one of the most dedicated to Lilunu’s health - and looking after her satisfies any debt you owe to me. What is it that you’re looking for my aid with, that makes you so nervous? I’m your creator, and you have no need to fear me - I’m on your side and you’re under my protection.”
“My lady, there are things that I had not dared to dream of, which had not even had the shape of a possibility in my mind,” Tise begins, in a way which makes Keris quite sure that she is a frequent audience for Lilunu’s poetry. “My heart belongs to dear Bruleuse, and he suffers greatly from his own maiming and the nature which was granted to him, forever flawed and emasculated by the way that he was born. And for my part - though her Majesty shows me such favour, I know I am among the least ranks of demonkind, that in the eyes of the Law I am a lesser being and all I have is the favour granted to me by my betters. Yet last Calibration, this was revealed to me by your hand - that the white reflection to my cousin Kyrie can bear young! That new demons might be born from those who the mezes become, born not in the manner of demonkind, but in something more akin to the manner of mortals such as yourself!”
She folds her hands over her abdomen, as if cradling an infant that isn’t there.
“My lady, I want to bear the child of Lord Bruleuse, though I am but a lesser creature and he is a soul of her Majesty. And her Majesty says that you are a genius in matters of the flesh, and she has spoken in awe that your own beloved twins were born safe and hearty and very energetic, as you resolved the contradictions in their nature with ease. I know he longs for it, that his emasculation pains him, that her Majesty hurts from the fact that none who descend from her are fertile. And so I would make him happy if I could, if I could bear his child, a child that holds his nature. I would be a mother, and please, I beg of you - aid me in this.”
“She has practiced that speech over and over again, such that she can give it even when consumed by nerves as she is,” Dulmea says cynically. “This is not some off-the-cuff recitation.”
Keris agrees. And it’s probably for the best that Tise practiced it so much, because if she was even half as nervous about giving it as Keris is thrown by hearing it...
Well, Keris certainly has to take a moment to sit with her feelings. There are a lot of them. The first of which is almost more insulting than upsetting, because gods dammit she shouldn’t still be feeling flustered at the thought of her keruby reproducing! Didn’t she work through this with Kiki and Aliyuu? Yes, she’s too young to be a grandmother, but it’s not like the keruby are her children! But this is still giving her the same panicky feelings! Argh!
Meeting that distress at the peak of its arc is the fierce, hot desire to see this done regardless. Because this wouldn’t just be a sort-of-child-sort-of-grandchild for her. It would be another child for Lilunu - a sibling to Iris, a rejection of Lilunu’s sterility, a little baby for her to dote on and care for and show how good a parent (well, auntie) she can be. Keris knows how much she loves the Twins and Atiya - and a child of Tise and Bruleuse would be here for her lady year-round, as well as soothing Bruleuse’s humiliated crippled state.
Hot on the heels of that determination comes the wave of ideas. Because she could do it. Even with Lilunu’s curse, even with Bruleuse’s castration and sterility - Keris is pretty confident she could gestate him and Tise a baby. A neomah would never be capable of it, and given how sickly and premature Atiya came out, she’s not going to trust Fleshweaver Xiu again - but the challenge, the prospect of doing the impossible, the sheer fascination inherent to the idea... it excites her.
And then, creeping in behind all of that, comes the fear. Because yes, she can produce an embryo and get it to implant, she can guarantee a pregnancy and probably bring it to term. But she still doesn’t fully understand Lilunu’s curse. Iris managed to dodge it, yes, and came out perfectly healthy through some loophole in what Lilunu’s sickly, sterile nature counts as ‘creating life’ - but Keris doesn’t precisely understand that loophole’s shape or nature.
What if she does this; ensures Tise gets pregnant and brings it to term, only for the baby to come out flawed? Or worse yet - stillborn?
“... have you talked to your lord about this desire?” she asks cautiously. “Lilunu? Your fellow maids and pages? Or am I the first you’ve come to?”
“My cousins and I have... spoken of our thoughts of the revelation you granted us,” Tise says, slumping down, tired by the effort of saying this to Keris. “And I am sure they knew where my thoughts were headed when I brought it up with them. I have not said anything to her Majesty, for I do not want to give her false hope. I have spoken with my lord, though, and he knows that I long to grant him a child.” She smiles ruefully. “We have tried various mechanisms to try to bypass his own emasculation already, found through his occult insight and my own research in the glass libraries, and none have worked. Though some were not un-enjoyable for me.”
Keris takes a deep, level breath. She turns to Tise and meets her eye.
“I can’t promise success with this,” she warns. “I can guarantee a pregnancy; I can’t guarantee the birth of a healthy baby. But Lilunu won’t be bearing the child - you will. Bruleuse won’t be siring it; I’ll be creating it from his blood and essence. Iris shows that it’s possible to work around Lilunu’s sterility, and if it’s possible for her souls to have healthy offspring at all, I think this gives the best chance.” She closes her fingers around Tise’s hand. “If you’re truly committed to this and you’re sure you’re up to the strain it will put on your body - I will help you.”
“I would do anything for him,” is Tise’s soft vow, and Keris hears the echo of her own words to Lilunu in them.
She nods. “Then this Calibration, we’ll talk about exactly how we’re going to do this,” she promises. “And until then, focus on making sure your body is as strong as possible. I’ll look around my inner world and see if there are any pregnant artisans and summon them to talk you through what pregnancy is like if there are - if not, I’ll summon a magistrate, who’ll at least be able to give you an approximation. The child of a demon lord will put more of a strain on your system than another kerub’s would, so you’ll need to ensure you’re healthy enough to compensate. And it will interfere in your duties for Lilunu, so start making a plan for how you’re going to delegate those and cover for your time off. She’ll be thrilled to allow it, but you’ll need to make sure the work still gets done. I can leave a small team of artisans with you who you can start training over the next three seasons, and I’ll take them back once you’re recovered and the baby doesn’t need as much looking after.”
Tise clasps her hands together, and deeply bows to her maker. “Thank you, thank you, thank you. I... I don’t have words for how much this will mean for him, or for me. Or for her Majesty! You gave me life, and it is more than I could possibly ask for that you will be helping me give life to my lord’s child, too!”
Keris laughs, and kisses her on the forehead. “You don’t need to thank me, Tise. I care about Lilunu as much as you care for lord Bruleuse - and for you and him, too. In fact, do tell him I’d like to visit him this Water before I return to Creation, if I have time. To talk about this matter, but also just to spend time with him.”
“Yes, my lady!” Tise pauses, clearly torn between instinct and what she has been taught, and instinct wins out when she wraps her arms around Keris and clings onto her. “Thank you, thank you! If there is anything you ever need from me...”
Keris hugs back. “I will. In fact, there’s something you can do for me right now: go check on the corpse of the dragon I killed and let whoever’s in charge of it know that I’ll be along...” she glances back at her alchemy, “... probably in a scream or two to do another examination. It had a pretty nasty curse on it that I want to study some more, and I also need to finish assessing the quality of the bone and skin. And I also have some tattoo inks that I want prepared with my po’s silver mixed into them - can you do that in my stead? The raw ink sticks from the Avenue of Artisans are over there and the po-silver is in the amber-air chest to keep it from sublimating. I’m planning to give Ixy a tattoo that’ll make her comfortable in the heat and humidity of the Anarchy, but I haven’t had time to prepare the inks myself.”
“Of course, of course! I do such things for Her Majesty and while she can do such things much faster than I, she trusts me to oversee her lesser workers!” Tise says proudly. “I am sure she will not mind that I add your work into the schedule, right near the top - and address it personally!”
She is a good girl. And Keris says as much, and it is interesting to see someone who isn’t so affected by her praise. But then again, Keris isn’t her lady. Her love is Bruleuse and her lady is Lilunu. Still, Tise comes back repeatedly when Keris is working on the lunargent process, finding reasons to be of help or bringing pertinent texts that - if nothing else - are interesting for Keris to read while she’s watching over the youngling’s growth.
“You should not be so easily distracted, just because you are not taking the Szoreny-drugs anymore,” Dulmea chides her. “You should be listening more closely to my advice on how to handle my... former colleagues.”
“Don’t make such a fuss, Mama,” Keris thinks back. “I’m just hiring them for a job to watch Sisim.”
“That is no reason for sloppiness - or to show weakness. They are the ones who have been through my training - I trained many of them myself.”
“But I’m just hiring them.” Keris shifts uncomfortably. “It’s Wuzu I need to handle carefully. And maybe Sasi too. I’ve... kind of been putting that off.”
Ah. Yes. Because that is the last thing Keris needs to get done before she goes to visit Molacasi. And there’s no logical reason to be more scared of that than putting herself in the power of Molacasi, and yet...
Keris was completely right and her mama was just a worrier. Hiring Dulmea’s old assassin house to spy on Sisim is just a question of inviting them as a powerful lady of Hell, and making the proper payment. They are a little surprised, Keris thinks, that she approached them rather than them approaching her, but she fends off any questions with vague allusions to the power and wisdom of the agents of the Lady Lilunu, and when it comes down to it she is paying properly for this job.
When she goes to find Sasimana and Wuzu, she discovers that they are at one of the central training courts together. Stepping into the backstage of the world, Keris heads over to the House of the Yellow Jade Fist. She can see why Sasimana chose it - it is styled as a hellish mockery of an Immaculate training court. The double-helix entwined images of Oramus and the Ebon Dragon sit above the entrance to the court, and the walls are grey stone and obsidian. The shadows stretch out in a way that is rare in the rest of Hell, for Ligier’s light is not welcome here, and the meditative gardens are planted with heather and gorse and fat night-black roses that fill the air with a gentle scent.
Keris suspects this is the sort of place that Calesco would love, and then get in a bad mood about because she’d resent liking it.
Even before she enters the main building, she can hear the sound of feet and the clanging of blades coming from within. One of the participants is clearly Sasimana; Keris would know those grunts anywhere. Slipping inside, she hugs the wall closely and watches as - by pink-purple candlelight - Wuzu drills her ex-lover.
He is not exactly as Keris saw him last time. He has put on a little weight, and grown out his hair - and even has a small trimmed beard. More notable to her, though, is the fact that he carries a blunted blade of Malfean brass in one hand and a stone smashfist in the other. He is using the smashfist as something between a punching weapon and a buckler.
And Sasimana has changed, too - frankly, she’s lost weight. That alone is something that surprises Keris. She’s noticed her ex’s weight creep up over the years, never constantly, but always inexorably trending upward. And for her to have lost weight over the course of a season and a half in Hell, when normally she spends the time going on binges and indulging... well, either she’s taking better care of herself, or even Sasimana can get bored of indulgence over the course of months. She’s also putting actual effort into sparring. Which also isn’t much like her. In Keris’s experience, when Sasimana has to carry a weapon, she uses a bow, which has the dual advantage that it can be used for hunting (which she enjoys) and also keeps her far away from the danger.
Keris isn’t sure how to feel that, by all indications, Wuzu has managed to coax Sasimana into taking better care of herself than Keris ever managed. Though this is Sasimana. It’s more likely that she is using this a way to get close to him. Ah, yes, there, see - he sweeps her leg and she hits the ground and then he goes to pin her. And there is a moment just as he’s holding her that it very much looks like they’re going to get distracted-
-then Sasimana gets her legs around his waist, twists, and gets her forearm onto his windpipe.
“Dirty fighting,” he wheezes, then gasp-laughs. “Better!”
Keris allows herself a quiet, amused smile, but doesn’t show herself yet. She lurks backstage at the edges of the room, her outline blending into the stone, picking through the fighting styles she knows and trying to identify the one Sasimana and Wuzu are using.
(And also being thankful they’re talking in Old Realm. Wuzu’s has improved substantially since she last saw him, and Keris can only hope that this is language practice as well as combat, because if they switch back to High Realm she’s going to have to dig into the brains of some of her parasitised seed-hosts to follow what they’re saying.)
Keris doesn’t know the style at first. It doesn’t match her knowledge of the dragon styles, and - ah! No, no, no, that strike with the gauntleted fist is something straight out of Earth Dragon Style! But Earth Dragon Style would never use a jian like that. Which means...
Watching another couple of bouts, Keris puts it together. This is almost certainly a child school of Five Dragon, taking in more Earth Dragon in its unarmed strikes - but unlike its parents, it is adapted very much for close-in fighting. The armoured cestus can be used as a buckler, and the straight sword - or long dagger, or axe - isn’t a long weapon. This school is something made for close-in fighting, probably especially on ships or inside buildings or - perhaps - against assassins in one’s own home. Hmm, maybe not - it would prefer that you get armed and be armoured. And the number of throws and unarmed fighting strikes only reinforces it.
Honestly, to Keris’s eye it makes her think of Wild Alleycat. Oh, it’s far more formalised, far more drilled, but that arm bar for example, is something Keris learned on the streets. This isn’t a fighting style for formations, this is something for disorganised melees, brawls on a ship’s deck or the close confines of a boarding action.
Their conversation is not particularly interesting, it must be said. Sasimana doesn’t have the breath for it, and Wuzu is being very serious. Then:
“Well! Take a break,” he says, and Sasimana lets her guard fall, showing a bit of her softness.
“Please don’t kick me in the stomach again just because you said it was over.”
“You’re punch-silly, Sasi. Stick your head in the barrel.”
She does so. She doesn’t sweat, but given she literally plunges her head into the barrel of water and holds it under, she would probably be drenched in it if she could. “You’re such a bully,” she says playfully, hair stone-grey with water, soaking her training gi. “You work me harder than anyone has in years.”
“Yes. I can see.”
Her hand goes to her plump stomach ruefully. “That was an easy blow.”
“You left yourself open,” Wuzu says. “Like you always do.”
Sasimana sashays up. “Leaving myself open, hmm? Like this?” Sheer chance means her gi falls open (oh, who’s she kidding, Keris can hear the unseen mind-hand tug it so), and she’s falling out of her Tengese-style ao dai. In the gloom, that revelation of pale curves draws Keris’s attention and even though she knows how Sasi can be, even though they’re not involved anymore, even though everything, she wants to see more.
Wuzi seems to agree. “Hah, I mean-”
And then he’s over her hip and on the floor, with her forearm on his throat. And from the sounds of things, a mind-hand audibly pressing down on a place where sudden pressure would be very painful. Sasimana says something pleasantly in High Realm that Keris doesn’t understand, but which is almost certainly along the lines of “Now who’s leaving themselves open?”. Keris’s suspicions are strengthened by Wuzu’s response, which would probably be more contrite if he was meeting her eyes rather than staring at how she’s still hanging out of her gi. She helps him up, and he adds something else.
“Old Realm, please,” she says crisply in that language again.
He coughs. “I... I always forget. You look so much like a child of Pasiap, in every way. But you are not of the Earth, not down at the heart. You are a flowing, deceitful child of Water.”
Sasimana laughs at that, suddenly. “No, no, I have always known I have too much Earth in my nature. Though maybe I am a water-filled sedimentary rock. Too soft for Pasiap, but just as brittle, and...” she tucks herself back in, “well, I only show the nature of Daana’d in one or two ways. Maybe life would have been easier if I was more like her, able to flow rather than standing as firm as I could. Until I broke.”
“I would not say that you are soft.” Wuzu smiles. “Well, not spiritually. You are delightfully soft in other places.”
“And yet you keep on making me exercise and train,” she faux-complains.
“You do enjoy it, truly. Not least because of the bathing that comes later.”
Pursing her lips, Keris decides to make herself known - though in deference to the fact that both of them are still keyed up from sparring and she still remembers Zanara’s meltdown last time she did this, she does ready herself to do some quick dodging if need be. Sneaking forward, she inches closer until she’s just within hair’s reach of Sasimana, and then drops her camouflage and emerges onto the stage with a playful hair-tap to both shoulders.
“Now you’re both leaving yourselves open,” she teases, and dances backwards quickly to avoid any reflexive fists. Sasimana yelps and leaps back across the entire room trailing shadows; Wuzu spins, fists raised. She hears both of their hearts racing.
“I never get used to how you can do that,” Sasimana says, her breaths coming fast, low, quick. She clutches her chest, and tucks herself back in (again). “You get past my sense of personal space and- you. You!”
“My... lady,” Wuzu says, voice choked, his heart hammering. “You are a ghost!”
Keris smiles impishly. It’s always fun sneaking up on Sasimana. More than anyone else Keris knows, she makes it a challenge that Keris has to work for - a test that she hasn’t lost her edge.
“Me,” she agrees cheerfully. “I got back to Hell a few screams ago and just finished sorting out the pressing business I arrived with, so I thought I’d come and check up on the two of you. You certainly seem to have been working each other hard.”
There is definitely wariness in Wuzu’s eyes, something not just from being surprised. Something that isn’t there when he looks over at Sasimana, and makes sure he’s between her and Keris. Silly boy. As if he could stop her. “She mentioned she was a little rusty and hadn’t really touched a blade since she was young,” he says. “So I’ve been helping her knock some rust off.”
Sasimana laughs, and it doesn’t sound fake so it probably is. “Oh, such a charmer. You know very well, Keris, I’m hopeless with a sword. But I’ve actually improved a good amount. I’m better now than I’ve ever been - even if I’d rather be at a safe distance.” She meets Keris’s eyes, and winks as she approaches carefully, staying behind Wuzu. So he can’t see her eyes. “He’s very generous to make time for me.”
“Time is all I have at the moment as your prisoner, Lady Keris,” Wuzu says. “Lady Sasimana is kindly taking the edge off my imprisonment, between her many important meetings and the influential dinners she has taken me to as her guest.”
“I’m glad to hear it,” says Keris, somewhat genuinely. “And I’m impressed that you’ve managed to train her better than I ever did. The Realm must be sorry indeed to have lost you.” It’s a compliment, but also a probe. How much progress has Sasimana made on him over these past two seasons?
“I doubt it.” The bitterness is sudden, and as black as pitch. “They probably didn’t even notice. And I suspect my House is just proud I died on duty rather than getting killed ‘by misadventure’ like my worthless father did.” He takes a sharp breath. “I’ve lived under his shadow, but it makes so much sense why he was trying to run from all this.”
Keris grimaces and moves closer again. Her hair curls in, brushing his hand, and she dips her head and lowers her voice in artful sympathy.
“They truly were that callous? I would never treat my people’s lives and loyalty so lightly.”
“Lady Sasimama said you really weren’t in a position to understand it.” The gloom is still there. “That people who have not experienced it do not understand how the wealth and the fortune and the power of the Dynasty can be a gaol to those brought up in it. One which wants to see whether you are useful or not, whether you can pay the family back the investment they put into you. But I am of the Pelepese. They expect the best from us. I - if I died trying to stop demons stealing a jadeclad - was doing the least expected of me. And so they can be proud of me. And no doubt my grandmother will appreciate the praise for my forthright duty, so unlike her son. It shows she was right to forge those papers and fudge those numbers so the bastard grandchild born in a Tengese brothel was instead adopted at a young age after being born to a maid in the family estate. It even makes Father’s memory look better in retrospect.” His laugh is mocking. “My survival ruins Grandmother’s story. Better dead than dishonoured by surrender.”
The noise that comes out from the back of Keris’s throat is barely audible, but decidedly inhuman. Part growl, part hiss, part something Hellish - it communicates her feelings on this warped parody of family quite clearly. And yet, at the same time, as she listens to how he speaks of the Realm he once fought for... truly, she can appreciate what Sasimana has done as an artform. So carefully unpicking little assumptions, little certainties, that confidence that deflected Suriani’s attempts. So everything flows naturally from who he is.
“... well,” she suggests, silencing the instinctive Pekhijirite hiss-growl, “you may well not be a prisoner for much longer. I’m considering taking you back to Creation with me when I return, and giving you a chance to join one of my mercenary groups in the southern Anarchy. No petty minor officer’s role under the boot of richer men - you’d be second-in-command, with an opportunity to win wealth and glory and establish a reputation for yourself in the Southwest before I ask anything of you. Perhaps even splitting off to found your own group under a new name. Or perhaps an old one. Provided, of course, you impress me while I’m here in Hell.” And provided Sasimana vouches for his trustworthiness, she doesn’t add, though she doesn’t doubt both of them hear it.
“I’m listening.” Not immediate acceptance, but also not immediate rejection. Sasimana meets her eyes, and gives a little nod. “Make your case.”
Keris folds her arms behind her back and paces over to the wall, where a piece of calligraphy is hanging - a mockery, she assumes, of some Immaculate quote, though it’s in High Realm she can’t actually read. Nonetheless, she reaches out to brush a hair tendril over the black ink.
“You are not the only Dragonchild the Realm has ill-treated,” she says. “Nor the only one to have seen their cruelty and hypocrisy for what they are. You’re right that I don’t understand what it’s like to grow up in the Realm, but... betrayal I know very well. Betrayal from something you were a part of - a group that was meant to support you, protect you, reward you. I’m sympathetic to those who are hurt like that and who have the strength to break the chains that bind them.”
She paces further on, to the shrine that would in an Immaculate training court be honouring the five dragons. In this one, it honours two, and Keris bows to them - the dragon who abides no confinement, and the dragon who can be confined by nothing save himself.
“I think the Realm was wrong about you,” she says, turning back to the two Realm-raised Chosen. “I won’t call you Pelepese Wuzu, because I think you may not want to keep that name. But I think they judged you wrong because you weren’t born with it. I think they overlooked your strength, your integrity and your potential, and I think it was their loss, even if they’re too blinded by arrogance to see it. And their loss, I think, could be my gain. But I won’t make their mistakes. I won’t compel you through force or fear - you’d be worse than useless to me if you only ended up resenting me like you resent them.”
She walks up to him and stops just out of reach, forcing him to look down at her slightly - slight and slender, but unshakeably confident and utterly assured.
“I want to show you that working for me can be a source of pride, not humiliation,” she tells him, forthright and honest. “I want to convince you that a place in my entourage will lend you strength, not strip you of your choices. I want to earn your loyalty, because I value it - more than the Realm ever did, or ever will. And I’m willing to make the first move to prove it. Join me, and I will arm and armour you. I’ll give you command - not of a single ship, leashed to the whims of mortals born into wealth, but of whatever force of marines and mercenaries you can forge in the crucible or the Anarchy. I’ll give you companionship from those who bear the same scars as you, and stoke the same grudges. I’ll give you power, and when you work towards my goals, I’ll recognise how much you’re worth and reward you accordingly.”
A year ago, he would likely have rejected this offer out of hand. Same for a season ago. But Sasimana is cloying, subtle shadow that creeps into the dark places of the soul and eats away at everything inside that might have once been strong and worthy. Maybe there were people in his House he loved, but after a season of her attentions he remembers the insults and the disdain and the hate from his “properly bred” cousins that the half-Tengese bastard was the one chosen by the dragons. He remembers so sharply the petty insults and the bitterness and every time someone judged him for his face, how he didn’t look like the rest of the family, and moments of softness and kindness are lost in the darkness.
And if Sasimana is cloying shadow, Keris is questing roots and the ceaseless tide, sinking in and eroding the reasons not to pay attention. She offers respect, she offers wealth (her perfumed words and the casual fortune in her outfit speak to how much she can offer), and she offers a meaningful way out. Because, as she expands - and he knows - the Realm’s ability to project force into the Anarchy was already slim, and has taken a heavy blow from her attack on Nagakota. A Tengese-blooded pirate warlord, growing rich, with allies and his own people - he’s not going to draw attention. Not when they think he’s dead at the hands of demons.
Keris is very good at giving people reasons to say “Yes”. Very good at being both terrifying and alluring - but he is brave, no? Brave enough that the terror is just a minor note. And she isn’t asking for anything that would go against the smudged, tattered remnants of his Immaculate faith, or to betray people he cares for (not right now, at least). She just wants his service. His service, just as the Realm asked, but she’s giving him praise and wealth and respect. Not just eternal expectations.
“I will not sell my soul to you,” is the answer she gets, “but you are not asking for that. You are asking for a warlord, yes?”
His moral centre is impressive. Even in the face of her presence and her seduction and Sasi’s work, he is still holding to certain lines. And isn’t simply asking for coin-hire, no questions asked.
“A warlord,” Keris agrees. “To set against the slavers and pirates and fae-dealing powers who vie for control of the Anarchy. I won’t ask you to fight the Realm; I won’t even ask you to go north of the Gulf unless you want to. I don’t need you corrupted or coerced or made a cultist. My place in the Anarchy is veiled in mist and shadows; I work behind the scenes, in subtle ways. When I act directly… well, you’ve seen. It’s obvious. And clearly demonic. Perhaps later I’ll offer you other work - and it will be your choice on whether to take it or not - but for now I want a sword I can wield without bringing a Wyld Hunt down on my head; a force I can pay to destroy a Dhul fleet or a raid a Yalpageshi city or support me in eliminating a behemoth. And as long as you don’t betray me, I don’t mind if you make yourself a leader and pursue your own ends in the process.”
“I don’t trust you.” It is almost too forthright, and he seems to realise it, because he hastens to add, “Sasimana said that you’d appreciate laying these things out in the open - that you’d see them anyway, but I shouldn’t insult you by pretending that I buy your offer. But also that you’d be willing to accept this.”
Keris can see Sasimana’s hands in that, offering him an easy-to-swallow half-truth. Both women know how very persuasive Keris can be, given time.
“And I know for a fact that there are fortunes to be made in the Anarchy. The Steel Dragon Society is - with the help of some rumoured backers - very wealthy, built by deserters and dishonourable discharges. Scum.” He leans forward slightly. “And from the sounds of things, this is an offer you’ve practiced. That you’ve made to others. You want to supplant the Steel Dragon Society, don’t you?”
“Yes,” says Keris simply, because it’s true. She doesn’t have any plans to deal with the Steel Dragon Society this year - not when she’s still stoking a grudge against the Dhul Republic - but they’re rivals for the Anarchy who’ll need to be eliminated eventually. And Rounen’s one-page summary of Iroi’s notes (which she still hasn’t had time to properly review) had mentioned some kind of run-in with the Steel Dragon on Triumphant Air, which Keris means to look into further when she gets back to Creation.
So if making them more of a priority and playing into this man’s obvious disdain for that dishonourable group of pirates and deserters from the Realm’s Navy will bring him onto her side? Then Keris will gladly take that opening and gain a warlord from it.
From that point, it is easy enough. Keris is a charming, witty hostess, here to introduce Wuzu to Jianling and to lubricate the conversation. She makes sure Wuzu’s cultivated resentment of the Realm meets Jianling’s entirely natural resentment, and Jianling’s pride isn’t hurt by Keris so quickly finding another dragonchild.
Still, it does require her to be on her feet and put her back into easing things. Then Sasimana invites her to dinner and Keris sort of says “Yes” without putting thought into it.
It has been practically a year since she last had dinner at Sasimana’s townhouse. There have been some changes - the shadows are thicker, one of the passageways which used to be open is now lined with bookshelves, and there is much more vegetation, strange black-leafed plants that grow in the gloom. Sasimana has dressed up for this, in a thick fur coat of some strange hellish beast with deep blue fur that settles over her broad shoulders, and her high-heeled boots make her even taller. Those golden-eyes don’t leave Keris.
It makes her glad she also dressed up for this dinner, because clothing is a form of defence when she feels ill-at-ease. She’s in one of the outfits Lilunu has made for her - white, with the faintest iridescent opal sheen, a tight-fitting corset covered in curving embroidered lines giving sharp definition to her waist and extending down in a V over a thick, ankle-length skirt whose deep pleats rustle as she moves. Above the corset, a high collar of white feathers frames her face, and a half-cape extends down from each shoulder over her arms, intricate lace patterned after butterfly wings that never tangle or catch and sometimes slowly rise and fall of their own accord. Against Keris’s dark skin and red hair, the whole effect is striking, regal and a touch divine - the glamour of an ethereal queen of some heavenly spirit court.
“Dear me, Keris,” Sasimana says, as the serfs start by bringing out a fine selection of wines and a platter of delicate and heavily spiced meats. “You truly have begun to collect dragonblooded. Your Jianling is an interesting woman. I believe I’ve heard of her - only in passing, mind you, I do try to know the names of deserters to see who might be useful - but she’s quite the fetching specimen. And she could barely keep her eyes off me or you.”
She sips at her wine.
“I’m glad you’ve reached out a little bit. Our... spiritual allies are powerful, but there is a lot to be said for allies with the blood of the dragons.”
“I’ve definitely been learning that, these past couple of seasons,” Keris admits. “Don’t get me wrong, Haneyl and Vali saved my ass at least twice in my last fight, but the Dragonblooded I took along - Jianling among them - were crucial too, even if she personally was holding down the other front of that battle.” She frowns. “Huh. I don’t remember you having any back when we were both in An Teng, besides that fling we had with pretty boy what’s-his-name - had you not had time to cultivate any yet, or were you just keeping me away from them?”
“Oh, I had several. There are many young men and women who visit An Teng looking for pleasure, and I helped them find it,” Sasimana says without any shame. “I was concerned that you might be jealous. And of course, part of that was letting them feel like I had no chains on them, letting them go - and only calling in the favours when needed. But we work quite differently there, my dear. I prefer a looser web of debts and favours, while you’re looking for - correct me if I’m wrong - an organisation, no?”
“A lot more of one than I used to have, yes, though it’ll still be fairly loose and seem disconnected from the outside,” agrees Keris. “I haven’t worked out all the details yet, but I’m basically planning to set Wuzu - or whatever name he chooses to go by after discarding that one - up with Jianling’s Tiger’s Head triad and let them go sailing around the Anarchy building a reputation and hitting a few targets I point them towards. Then depending on whether he bites or not, I’ll either help him split off into full command of his own group, or direct him towards Hui Cha Little River, who could really use a dragonchild husband with Tengese blood who can handle the man’s side of things, because she’s starting to run into some internal trouble with traditional Tengese gender roles and how she’s, uh, driven a stake through a lot of them. And then Jianling will be my right hand and general - not openly in service to Hell, but the official leader of anything I need to do openly or by force, someone who I can assign to seize and island, shift the tides of a war, supervise a manse being built in hostile territory or whatever else I want done that doesn’t need subtlety or secrets.”
That earns her a knowing look. “You still aren’t getting on any better with Tessie?” Sasimana asks, and then raises her hand before Keris can respond. “No, dear, don’t protest. I can read your intent so clearly. You want a Testolagh you can trust to do what you say. I wish you two would get along better, but I know he should be more grateful for what you give him - far more latitude than other Directors would, and you such a small Directorate, too. I think your plans sound splendid, though. And Wuzu is well-trained if you are looking for him as a husband. You may,” she smiles meaningfully, “want to maybe add a little more weight and curve to Little River if you want to keep his attention. I accept no blame for this, but I may have somewhat warped his tastes. Not that they weren’t very clearly in that direction anyway.”
She expands a little further on the topic over the first course of starters, with a clinical and exhaustive discussion of Wuzu’s sexual tastes, preferences, and the hellish magic she’s used to twist and condition him over the time they’ve spent together.
“This should all be of some use to you, I hope. I didn’t even have to create his thing for redheads,” she concludes. She sighs. “It really is quite lovely to be able to talk business and the art with you,” she says. “Dear Magenta really doesn’t have that kind of relationship with me - and she is an ambitious little thing, too. As well you know. And have encouraged.”
“To be fair, she came like that already,” Keris points out, grinning. “I just, you know. Helped. And I have pointed out to her that the Realm Succession will probably be dissolved whenever things shake out on the Blessed Isles, so if she wants a Director’s seat she’s better off trying to oust someone else. Which,” she adds with a scowl, “is apparently now a hanging possibility every Calibration. Maybe I can do everyone a favour and point her at Ikn fucking Atha.”
“Keris.” The tone has just a little warning in it. “Do not be seen to oppose publicly someone who has bought the favour of practically all of our masters. And Magenta knows very well not to put herself at risk in that way - and I can’t afford to lose her at present.”
Keris’s only response is another hissing growl, this one considerably louder than the subvocal rattle from earlier. She folds her arms and scowls down at the table, her hair flicking unhappily behind her and rearing up over her head.
Sasimana is entirely used to this, and simply sips her wine. “He’s an awful man, but his star is currently in the ascendency. And you mustn’t devalue all the goodwill you have earned in a fight you might not win. Wait a few years, if you must: wait until he makes mistakes, until he stumbles from the blighted existence that is existing in proximity to Naan and his... ilk. He is the one who has willingly supped from this poisoned chalice. Wait for the poisons to weaken him before you act.”
“That is uncommonly good sense, by my reckoning,” Dulmea says. “She is driven too much by her lusts, but when she does think, she thinks well.”
Keris considers this, considers Naan, tilts her head thoughtfully for a moment and then brightens. “You know what,” she says, her lips quirking upwards in a lopsided smile. “You’re absolutely right. I’ll keep my distance from Atha for a year or two and be polite as peaches to him. And also go out drinking with Naan this next Calibration and ask him what his new boss is like, and how much work he’s expecting him to do, and... mm. Yeah.” By the end, she’s almost smiling. “Yeah, I think this will work out satisfyingly. So! How have you been? Besides doing a lot more martial training with Wuzu than I could ever convince you to put up with, I mean. And also apart from the ‘martial’ training you’ve been doing with him on top of that.”
Sasimana smiles at that. “He enjoys it. He was distressed by the thought of losing his edge during his imprisonment - with all the comfort and rich food. And only so much exercise.” She takes a sip of her wine. “But it is not just for his sake, no. Keris - and this is hard to say - but part of what we had, which was not good for either of us... part of that was that you wanted me soft. You wanted me weak, wanted me someone you could protect. Oh, it is also my fault, because being someone you could wrap up in your strong arms and so be protected and be saved was who I wanted to be. You wanted me to be able to run away from fights, yes, but you never wanted me putting myself in danger. I was your dynastic princess to protect; you were my valiant protector who took all the danger so I never did. And I think that was very satisfying and very pleasing for both of us
“But part of not being who I was before means taking a look at that, and changing wide sweeping things about myself. I should be healthier, should be more in shape, should be more able to fight. I might even be able to wear some of those very narrowly fitted styles of dress that you wear.”
She has the tone of someone who’s joking. But her words are edged with blades.
Keris breathes, long and slow, and doesn’t rise to the jab. She could, easily. And it certainly stings to be assigned equal blame when it was Sasimana who first reshaped their love into the fantasy of invincible protector and grateful princess. It’s not like Keris hadn’t tried to teach her self-defence; she’d just given up and switched to “how to run away” when her girlfriend hasn’t been willing to put any effort into the lessons.
But this is Sasimana making an attempt to be honest, and frankly Keris doesn’t care what her reasons are as long as she’s learning to fight. “I’m glad to hear it,” she smiles with a hint of Cinnamon’s professional charm. “The more familiar you are with weapons, the better. I’ve heard the Blessed Isles can be a dangerous place.” She smirks, inviting Sasimana in on the joke.
Then a thought strikes her and she blinks. “Actually,” she adds, “speaking of weapons and the Blessed Isles, I found something that… well, do you remember the auction in Nexus, back on our first mission together? And my, ah, surprise purchase with a five-finger discount?”
“Yes, I do. You really are attached to those little works of art, my dear. And rightfully so! Ascending Air is beautiful - and the fact that you have chosen not to purify them with vitriol is arguably not theologically sound, but I can’t say it is not aesthetically pleasing.” Sasimana leans forward. “Tell me you have not found another of them!”
“Sorry, no can do,” Keris grins. “It’s funny; I wasn't even looking for them anymore. But back around the end of Crowning Air I was, shall we say, attending another auction with Ixy that the auctioneers didn’t know they were hosting - part of her training, which is coming along nicely - and I just stumbled across it. Good thing too, because it came in handy then and it’s come in very handy since.”
Sasimana shakes her head sadly, and takes another - large - drink. “Is this a thing for you now? Finding priceless masterworks of art at auctions and stealing them?” She considers her statement. “I am being a fool - this has always been a thing for you.”
Keris chuckles and tips her glass in acknowledgment, the butterfly-wing sleeves of her gown floating up gracefully to her sides. “That it has. Now, do you think you can guess which one it was? I’ll give you three tries.”
“I will assume it is one of the lost ones - Descending Air?”
“No,” Keris says, smiling.
“Resplendent Wood would seem your style-”
“No.”
Sasi considers this. “It is not one of the lost ones, then - you stole it. Was it Resplendent Earth? I have seen it, you know - it is a most beautiful white celestrium jian.”
“As gorgeous as that sounds, no,” Keris replies, her smile sly. “No, I’m sorry, but it was a trick question. I knew you’d never guess it right.” She leans back in her chair and takes a sip of wine, watching Sasimana’s face intently. “It’s Calibration.”
That flat look dances across her features, picked out by the flickering candles. “Keris, this isn’t a funny joke. I know there are rumours of a sixteenth blade made by Sesusu Canglù, but none of that story makes sense. Quite apart from the ill-fate of touching that time of the year, he was a jadesmith first and foremost. One final, ultimate weapon he made - and refused to surrender - is the stuff of cheap plays and cliched novels. You might believe you’re telling the truth - and there have definitely been fakes over the years - but Calibration of the Seasons Series does not exist.”
Keris’s smile doesn’t fade or falter. With perfect confidence, she issues a languid shrug that sets her butterfly wings rippling, opal iridescence gleaming on the ethereal white lace where the dim green light of Ligier catches it through the Dragon’s shadows.
Her left hand reaches up and back, over the high collar of white feathers and into her hair.
“My sources,” she says, “beg to differ.”
Bloody lightning flickers through red locks, and she pulls the dark blade free.
It’s like breaching a dam. A surge of its presence fills the room, and her lace wings flare wide from where they were beginning to fall. The great executioner’s sword emerges as if from a dream, a metre long and three fingerwidths across. The tarnished orichalcum is blackened and cold - not cold like the grave, but cold like the lightless black between stars. The crossguard spans almost the length of Keris’s wrist to her elbow, and on the hilt just below it, burned into the hilt wraps, is the seal of the heron. The seal of Sesus Canglù - and on the other side, the weapon’s name.
But not in High Realm, like its siblings. In Old Realm.
Calibration
Sasimana opens her mouth, considers for a moment, and then continues. “That is not a blade made by Sesusu Canglú. I do not care if it has his maker’s mark,” she raises her finger to interrupt, “no, hear me out. Everything is wrong about it. This orichalcum is tarnished in a way that I have only seen in a few of the most ancient blades - it predates the Realm, and likely the fall of the Solars too. The style is not that of a Dynasty executioner’s weapon - it would be an axe, if it was. Sesusu Canglú is never recorded as working in orichalcum.” Her golden eyes flare, and Keris can feel the slight pressure of unseen hands on the blade. “And there is no way a masterpiece like this could be made in secret. This is a weapon that severs destinies by its very proximity. It is a blatant forgery of the story of Calibration, making use of a more ancient blade.”
“Mmm,” says Keris, pouting a little at Sasi’s continued scepticism - and very rude lack of astonished gushing, which Keris was rather hoping for. “Alright, fine, I’ll admit there’s no way he made this thing himself. But I’m not so sure he didn’t handle it. It felt... familiar, when I found it. Before I even saw the maker’s mark. The hilt-wrappings, the style of the guard, the way it responds to its name.”
She weighs the blade in her hand for a moment, then sets it thoughtfully on the table.
“Funny thing is,” she adds, looking up through her lashes at Sasimana’s pursed lips and narrowed eyes, “it wasn’t the only rare find I made in that vault. There was a copy of the Broken-Winged Crane in there too. It prophesied me finding this thing, wielding it. And I don’t mean a vague figure who was now always me in retrospect because I fulfilled that prophecy by stealing the book and sword together, I mean,” she gestures down at herself, “me. One of the other prophecies in it was of my attack on Nagakota last year - it showed me clear as day; long red hair, dark skin, gold tattoo on my ass. And then on another page... me again. Armoured in Strigida. Holding Calibration.”
“I know.” And that seems such a gut punch, such a- “Not that you have the blade. But before I’d even met you, I’d seen - we are talking about Image 27, ‘The Red Haired Maiden By the Squirming Sea’, yes? I saw that one before I even met you. Before you’d even been Chosen. But when I first met you, I hadn’t realised that this could be you. Because you didn’t have your bright red hair, then. I only put things together this past year, when I did some reading because your description of what you did at Calibration rang a bell - and so did seeing that Ipithymian tattoo on you when I visited you on the Street.”
Sasimana’s golden eyes are locked on Keris, that curious side of hers on full display. And her devout faith, too.
“The Broken-Winged Crane has been telling of you for at least four hundred years, Keris. Or, perhaps, you have come to fulfil a prophecy that was made at least four hundred years ago. But you are the Voice of the Mouth of the Yozis; Lady Lilunu trusts you above all others save Ligier himself; the masses of Hell call you the Harlot of the Titans. You are well-placed to be a herald of the return of our masters!”
Keris tries to nudge Sasi back on topic.
“Oh! Yes! Well, yes, my dear. You are associated with the Red-Haired Maiden, called by some the Scarlet Queen or the Scarlet Woman! If you have been following the Crane, it may well have brought you into contact with that blade - which is powerful, even if I do not believe it to be the fantastical story of the Calibration blade. Such things are far from unheard of - there are prophecies Marenolo has found that could be of me, and he refers to that referring motif as ‘the White Princess’. Most peculiar of all, there is one where the White Princess is drawn with golden eyes, which further solidifies the connection between myself and that motif - even when the copy that image came from was believed long-discredited!” Sasimana clasps her hands together. “The Broken-Winged Crane is a thing both awesome and awful, and if it guided a cursed orichalcum blade into your hand, there must be a purpose to it!”
“Must there?” Dulmea ponders. “She loves her certainty, but how can one be certain about something so prone to reinterpretation? Do not overly trust it, as she does, child.”
‘I don’t believe in prophecies, mama,’ Keris reminds her. ‘I just steal them. Don’t worry. I don’t trust the Crane, I just think I can use its powers, when it’s worth the risk.’
They shift topics away from occult matters, instead talking about their children - because Sasimana has been seeing a lot of Aiko and therefore has been dragged into the wake of the twins and their misbehaviour. She is interested to hear of the school that Keris has set up for them and just as interested to hear about Hanily and how Keris has sent her to one of the Saatan academies for young ladies. She laughs rather too much at the story of how Hanily tried to sue Keris. And then the topic heads from there into the discussion of the keruby and specifically how Biqi is being trained as a familiar to aid Suriani and withstand Mara’s blandishments (“I cannot stand that woman at a personal level,” is Sasimana’s opinion of Mara), and from there they touch upon what Sasimana has been doing in Hell.
“I really do have to be getting back to the Imperial City,” she says, “but it has been... lovely. Lovely to have some time off, lovely to be away from a world of people who would kill me, lovely to spend all this time with Aiko. Though do not worry! I have not been sitting idly by. I have been decidedly making myself useful to our masters while I am here.”
“Oh?” Keris asks, raising an eyebrow. “Anything you can tell me about?”
“Some, ah, Unquestionable more concerned with the affairs of Hell appreciate the aid of someone who can help explain certain matters in Creation,” Sasimana explains. “I have also been present in certain meetings in Air and Water where Lady Lilunu has been thankful that she has a Director there to provide a different voice and different opinion. She is so gracious and she does not like conflict, but she has asked for my presence and I have been able to raise points and argue cases she briefed me on before. And of course, I have been a very active participant in Hell’s social scene. At the great feasts of the demon princes and when the demon lords gather for their repasts and their moots, I have tried to be there - to make myself known, to make friends, to influence them. And, my dear,” one pale eyebrow flutes up, “I must say that you have made things easier for me.”
A lazy, red-lipped smile. “Oh my. Are they all very interested in how well you know the Harlot of the Titans? Do you get asked to make introductions, or pass along messages?” Keris smirks knowingly. “How many have dropped the pretences and just outright asked what I’m like in bed?”
“In order,” Sasimana says drily, “Yes; yes, yes, and ‘more than you would think’. I must say that there is more than a little resentment among certain parties that some managed to secure multiple intimate visits with you, while others could only see you perform. Are you aware that quite literal wars have been fought over you, or at least your presence has turned existing resentment into outright violence? You might have been in danger, had the general consensus not been that the choice of who got your services was a game played by Ipithymia to reward those who play her games and punish those who offend her.”
A bottle floats over and she pours Keris more wine.
“And of course, at those parties - well, you have rather set a precedent. I received more than a small number of rather generous gifts - such as this coat - for my talented company. It is always rather pleasant to be courted by demon princes in this way.” She sighs happily. “They are so much more attractive than common mortals. Their power is so lovely to behold.”
“As long as you’re being careful,” Keris cautions. “The Unquestionable are beautiful, but they’re not always safe. Especially when you’re that close.”
It’s old reflex to think of Sasimana’s safety, and she says it more to cover her own thoughts than because she thinks her ex actually needs the advice. The fact that wars are being fought over her… well, on the one hand, her heart cries out for the demons dying for their masters’ lusts. But her head points out with cool clarity that the princes of Hell have never needed reasons to pit themselves against each other and throw their lessers into the grinder. Keris’s beauty isn’t a motivation, it’s just an excuse.
(And at the back of her mind, her vanity sits up and purrs at the thought of such mighty figures sending armies out to clash over her mere attention. Over the chance to pay her a fortune.)
“I’m glad you’re helping Lilunu, though,” she adds, steering the subject away from such conflicted feelings. “You’re right that she doesn’t like conflict, and she especially struggles with saying ‘no’ to other Unquestionable or disagreeing with them.” She laughs suddenly. “I suppose you’ve been acting as her Voice in my absence, haven’t you? Are you looking to steal my role, Sasimana?”
It’s a light-hearted joke. Of course it is.
(But there’s maybe the faintest possible hint of a hiss behind the words.)
“I would never steal your role! Never, ever, ever - and I don’t believe I ever could!” Sasimana’s protest is sudden and strenuous. “She talks about you like no one else and she always compares others to you. When those kerub-demons you made for her are there to aid her in maintaining good health she is happier and treats them with more care and attention than I have ever seen her treat a lesser demon! I have seen her beautiful smile when she looks upon certain art pieces or gifts you have brought her. I could never take your place in her favour!”
But for all the force and certainty there, Keris can practically hear the unspoken words: Sasimana wants Lilunu to speak of her so kindly, to rely on her, to smile as she smiles when she thinks of her too. Sasimana is devout, and Sasimana is drawn to power: Lilunu is Unquestionable and so offers her both, just by her very nature.
If she has literally been speaking for Lilunu in meetings, if Lilunu has been relying on her...
Devotion wars briefly with jealousy, and - aided by the fierceness of Sasi’s denial, the utter certainty she has in Lilunu’s feelings - wins. Keris tilts her head, then leans forwards.
“No, you could never take my place in her favour,” she agrees, lacing her fingers together. “But what if you could share it? Because I wasn’t kidding, Sasim- Sasi. It sounds like you’ve been acting as her Voice these past two seasons. In ways I can’t, too. I’m her performer, her Mistress of Ceremonies, her artist and her doctor. I’m her voice raised in song, but you’ve always been better at politics than me. Even now. I’m good; I’ve had to get good, but you’re still better. You understand the systems of law and the dynamics of court and the great empires of Creation to a level I never will. And that’s useful to Lilunu, who’s so young and so sheltered for a demon princess. That’s something you can give her that I can’t - that doesn’t threaten my place by her side, but which complements it.”
Sasi tilts her head, and gives Keris the courtesy of waiting before replying. “She is the Voice of the Yozis. I would do anything for her,” and in that Keris hears La’s voice, even if he is currently dead, “But I would not wish to hurt you. Not again, not ever. I,” her voice cracks, “do not wish to force you to abide my presence.”
Keris looks down at her topped-up glass and tries to silence the twinge of guilt at the clear self-loathing in Sasi’s voice.
“You- you wouldn’t be,” she says quietly. “Forcing me, I mean. I’m offering this, I know it would bring us closer again, and I’m not… what happened last Earth doesn’t mean I want you out of my life. I threatened it, yes, but that was if you’d gone right back to the hedonism from before, or tried to repeat the whole clusterfuck. And you haven’t. You’ve been trying to change, you’ve been working really hard to improve yourself and ensure nothing like that ever happens again - I’m proud of you, Sasi.” She looks up, almost as surprised to discover the feeling as Sasi is to hear it. “I’m really proud of how you’ve learned from that ordeal and chosen to grow past it rather than fall victim to it. You’re, uh… you’re probably going to have to convince some of my souls of the same, because a few of them did seem to want to have some sharp words with you. But from what I’ve seen, if it had to happen at all, I couldn’t have hoped for a better, more trustworthy response to fucking up than the one you’ve shown.”
“It... means a great deal to hear you saying that,” Sasi says quietly. “Even if I don’t feel like I deserve it. And it is a lot easier to work on self-improvement when I am here in Hell, with my Aiko and with Lady Lilunu’s attention and where I am allowed to be open as to who I am. I fear backsliding when I have to return to the Realm, which I will have to do in a few weeks. I have been away as long as I can - longer, maybe - and I... I know that drawing on too much of the power of our masters, living wrapped in lies and deception and always playing a role, leads to me getting worse.
“Although,” and her mood suddenly changes, becoming so much more arch, “I have a list of names for you. If you can spend a while around me - perhaps this Earth - the Directorate of the Scarlet Succession will require your services. I have a number of ministers and key figures in the Thousand Scales who would be better off dead, or mad, or depraved. If such a thing were to happen, well, it would look very good for my report this year.”
You owe me for Wuzu. Sasi doesn’t say it, but Keris hears it. It was what they agreed, how Keris would pay her back. She just didn’t expect it to come quite so soon. And yet... maybe there are things she can get done in the Isles while she’s there.
“I’ve been meaning to teach Suriani how to run assassinations in enemy territory,” she says, swirling her wine. “She deserves a reward, and some one-on-one training will make her feel happy and give her more to boast about come Calibration. I might bring Ixy along too. And Hui Cha Little River has been thinking of visiting Arjuf and making some investments in a trading post. If I’m lucky, I may even run into those two cuties I met last time I visited. I won’t head back with you - I need to get a couple of things set up in the Anarchy first and give Testolagh his orders and targets for the next few months - but I can show up in Crowning or maybe Falling Earth. And… well, we did also talk about my helping you through things. Not as a lover, but as an advisor and counsellor. We could try that out, if you’re worried about backsliding.”
For just a moment, Sasi looks lost and vulnerable. And tempted.
“I... I thought you might have forgotten that,” she says, back behind her mask. “After you were out of Ipithymia’s clutches. Aren’t you... afraid?”
A rainbow shimmer plays across the white embroidery of Keris’s bodice as she sits back. “Of you?” she asks. “No. Not much, anyway. Like I said, you could have fallen back into the habits that led you to lose yourself, but you haven’t. You’re trying. That’s what matters. And this meeting would mostly just be talking. Talking, and maybe some negotiated…” her mouth twitches, “… roleplay, I suppose. You always did like those games. But nothing sexual. Not for the first time. You need to properly, fully sort out what it is you want and why before you let yourself indulge in it.”
Sasi nods, and there’s a momentary look of relief that she doesn’t have to make hard choices or face temptation. “You know best there.”
The meal continues, and it is only at dessert that Sasi brings up something that has clearly been worrying her. “Your schedule, according to the Conventicle staff, says that you will be attending to Unquestionable Molacasi for at least a week. Are you... sure you wish to associate with him?”
“You were there at the gifting last Calibration; it’s not like I can say ‘no’ when he offers me a personal invitation to visit him,” Keris points out wryly. “Frankly, I’m lucky he took no offence to my request to reschedule when I couldn’t make it back to Hell in Air.”
“There is a difference between accepting a gift from one of the Unquestionable and associating with them.” Sasi’s lips are a thin line, which is a rare sight indeed when she is faced with something with as much cream and sugar as the delicately spun peach dessert in front of her. “Molacasi has been hurt most viciously many times; he is vindictive and spiteful to a most terrible degree. His mastery of sorcery is terrible and terrifying; his art twists the mind and the soul and the flesh alike. The madness and chaos he brings is something I could never contain and I fear no one could.”
There’s a long, slightly uncomfortable pause. Keris is the one to break it, voicing what they’re both thinking.
“… most of those qualities,” she says carefully, “could also describe me.”
“Yes, my dear. And that is why I am afraid. The call of those of our masters most like us, or which so sweetly beckon parts of us, is hard to resist.” Her golden eyes stare deep into Keris’s. “I would never, and could never, associate with Ipithymia as you do - and you nearly paid a terrible price for that. Her temptations are too close to both of our hearts. I do not fear this one meeting; I fear that you might be pulled too close in his wake, as the sea is by the moon.”
Keris sips at her wine and thinks about that, swirling it idly in one hand and flicking the other to make her butterfly-wing sleeves billow.
“… I can see why you’re worried,” she eventually concedes. “But what threatened me with Ipithymia was how long I spent there, not the association on its own. I won’t lie and say that I’m immune to the lure of the Unquestionable, but… I started my career in Hell as a sower for the Shashalme’s seeds. They’ve always been good to me, but I’m not blind to what they are; the way I plant seeds of gratitude and obligation in people and nurture their growth until they blossom into full control is something I learned from them. But though they’ve given me many things, I’ve never wound up enslaved, because I’ve made sure to pay them back for their gifts and I’ve only ever flirted with their company without ever sheltering under their branches long-term.”
She sets her glass down and gestures vaguely. “I’m… friends, I think, with Khereon Ul, and I’m not blind to what they are, either. I didn’t learn alchemy at their feet, but in working with them I’ve mastered it to new heights - and I’ve never let them too close, I’ve always stayed ready to distract them with a new finding or idea if they start down a path of thought that could endanger me. I buried my face in Ipithymia’s lap, and yes, that backfired on me and I almost lost myself, but I had Lilunu to pull me back to my senses and it was only two months in that it started getting really bad. If I hadn’t tripped those punishment clauses by saving you, I don’t think she’d have been able to grind me down even that much - not in the single season she had me for.”
Pausing for a moment, Keris collects her thoughts, thinking through how to best phrase the reassurance she’s trying to give.
“I know that Molacasi is a monster,” she says. “But I’ve learned from monsters all my life. I am one myself, if a softer one than most. And as you say - he’s a genius. A brilliant sorcerer, a peerless artisan, an expert in madness and corruption. I can learn from him. I can grow by earning his favour. And I’m good at getting close to mentors who could destroy me, but never too close. At sipping from their knowledge, but never drowning in it. Partly it’s that I grew up a street rat and pickpocket - I learned early how to hover just out of arm’s reach and dart away as soon as I had what I wanted. And partly it’s that I’m loyal to my lady. She’s an anchor to stop me from ever going too far. To moor my boat to the docks, even as the tide pulls out.”
“You have such confidence in who you are. It is beautiful,” Sasi practically whispers, and then looks away. Trying to pretend she didn’t say that out loud.
“You have your faith,” Keris points out, disguising the sudden thrill and the rapid beat of her heart. She’s flattered by the compliment, but more than that - the sudden bright clarity is like when she’s in battle and sees an opening. La is still dead. He hasn’t regenerated yet. He’s shaped by Sasi, but she’s shaped by him in turn - the form he takes and the realised metaphor he embodies reinforces the way she thinks about that part of herself. If Haneyl wasn’t generous with food or was less willing to see value in many forms and thus spend money on making her people better at their jobs, Keris’s own greed and possessiveness would change over time to mirror her daughter’s more selfish outlook.
And so if La preaches worship of the Yozis, then Sasi will be more devoted to them. But if, when he reforms, Sasi is thinking more of Lilunu as the face of her beliefs…
“Bringing La to try and help you was a mistake, last Earth,” she continues, desperately grateful that Sasi is keeping her mind-hands away. If she could feel the pounding of Keris’s pulse right now, it would be a telltale sign of how casual this advice isn’t. “But it was my mistake, not yours or his - you were just too alluring for a demon lord to resist. He still helped me figure out what was wrong with you in the first place. And I liked him. More than I expected to. Your faith gives you strength, Sasi - it’s your armour, the solid ground you can stand on to be sure of what to do. You can draw your confidence from that if you need it. He’ll be reforming soon, right? You should talk to Lilunu about him, before you go back to Creation. You’ve found that same sense of security in serving her, and there’s something draconic in her nature too. She loves my souls, so she’ll be sympathetic to yours, and I’m sure she’ll want to meet him. I bet he’d love to meet her, this Calibration.”
“I cannot stay that long, Keris.” And Sasi sounds genuinely sad about that. “Like I said, I’ve already been here too long. I won’t be able to be with her when he hatches once more.”
“I know, I know,” Keris quickly concedes. “I wasn’t suggesting you delay. But talk to her about him anyway. Ask her advice. She…” She bites her lip, considering how much to say. She doesn’t want to betray her lady’s secrets, but Sasi does already know that Lilunu has souls who are dragons, and has for years - ever since Vali’s accidental slip back when they were still working together in An Teng. And Lilunu may even have taken Sasi into her confidence and introduced her to some of them, if they’ve been working together so much.
“She has experience with injuries and maladies of the soul,” is what Keris settles on eventually. “And she’ll be happy to hear of you healing from yours. Plus, if you do want to introduce him to her, you can tell her all about him so she’ll have something to look forward to. She might even make him a getting-better present. A painting for his part of your inner world, or something.”
Sasi considers this. “She is the Voice of the Yozis, the font of our gifts and power,” is her conclusion. “It is good that she knows of such things - and I know I have been lonely without La to read to me and strengthen my faith. Perhaps she will bless me - and him.” She nods. “Yes. That does make sense, Keris. Thank you.”
“Of course,” Keris tells her, “I’m glad to help.” She finishes off her wine in a long swallow to hide her triumphant grin, and then stretches. “Now, I’d love to stay longer and I’m sorry to leave you, but Molacasi’s great hall is out in the middle of goddamn nowhere and I’m going to have to go across Kimbery to reach it because there’s some kind of grudge or dislike or geomantic whatever that means I can’t take a lightbridge there directly. So I need to go check the sea route with Mehuni and Neride and make sure we’re provisioned for the voyage - the Baisha will be dropping me off.”
“Yes, dear one.” Sasi sighs, and clearly she wants Keris to linger longer, but she also seems relieved that she is going. “Stay safe. I will be in touch when I have a list of targets for you.”
Chapter 50: The Thrice-Maimed Artist
Chapter Text
The air reeks, sharp and cutting and enough to make the eyes sting. The scent of rotting alien vegetation cannot overwhelm the alchemical stink of Kimbery. Until recently, hungry Metagaos thought to encroach on this place, and then the Demon Sea resented his intrusion and drowned a country’s worth of sprawling man-eating mangroves and marsh-fangs. Over the rotting plantlife, the water is choked with ice, forming a thick slush that is coated with many-coloured stains, and further away from the coastline some mountain-sized bergs can be seen. The squirming things in the water nearby have very human eyes. Overhead Ligier shines down, through the thick haze and clouds of smoke. The layer above cannot be seen through the haze, and the clouds of fumes block out the stars that burn in the space between.
Keris stands on the deck of the Baisha, armoured in Strigida. Even her hair is sheathed in living metal, protected against the indigo waters.
Ahead of her lies the city of Joka, which was once part of the fertile uplands of the plateau of Renga. It is hard to tell, but once it was a city of the Shogunate. Its daimyo signed a terrible pact with Molacasi for power (so it is said) and every soul in the city was forsaken. Now for a thousand years it has been here in Hell, and every soul has been consumed or reworked or remade by Molacasi in his projects and the structures have been built and rebuilt again as Kimbery washes over this floodplain until little remains that is good or pure or wholesome.
“Don’t linger here,” she orders Neride, who holds herself at attention with her sea-krait body coiled under her human torso. “I’ll run the rest of the way across the waves. As soon as I’m gone, take the Baisha down the coast until you’re out into independent territory and far away from this drowned swamp, then find a safe berth to dock in and wait. I’ll let you know by Messenger when I want to keep up and come out again to meet you. The crew can have shore leave, but keep enough of a guard onboard at all times that my ship isn’t at risk.”
That earns her a salute. The deck ballistae have already had to fend off one sea monster with algarel-tipped bolts, and the captain isn’t eager to face more.
The Baisha turns to leave, the slush and floating ice bouncing off its armoured hull, and Keris slips off the side, jogging across the broken waters. It is bitterly cold here, even if she does not feel it as she runs, and she quickly cuts her way through to the outlying buildings of the damned city.
Or, as she discovers quickly up close, the art installations. For they are not really buildings, not any more. The first she takes a look around is revealed to have been all-but gutted and rebuilt, and every square centimetre of the interior is covered with the repeating image of a single blood ape’s face. Painted again and again and again, from a slightly different angle, in a slightly different style, at a slightly different time. Each portrait is only around the size of her hand, though wonderfully detailed, but they tile over the cavernous interior of this hollowed out structure. This building clearly has not been touched in a while, for there are places where the hissing vitriol of the Demon Sea has splashed up and eaten away at parts of the paint.
Keris spends a delighted few moments trying to work out which is the oldest one and track the shifts in style - and expression, and she suspects also the nature of the changes worked on the subject - through time, but has to give up when her initial promising start takes her into the damaged parts of the room and she loses the trail. Still, she’s smiling happily as she flits through a few other buildings before starting her proper approach into the city, flitting up to a rooftop before pushing off and spreading her wings to glide in towards the city centre. Molacasi is expecting her, and his servants (assuming he has any in this twisted place that are still more servant than art piece) will have seen the Baisha on the horizon, so it’s no surprise that she hears demons scurrying around ahead of her as the silver shape in the sky is spotted.
There are so many exhibitions and so many forms of art in this ruined, vitriol-washed city. Galleries of portraiture, halls of statues, displays of twisting, still living flesh and of demon-corpses posed in dioramas. She wonders why the buildings have not dissolved and listens for it; there is a great spell of preservation on the structures, such that neither vitriol nor time will take their toll on Molacasi’s trophy. A sorcerous reminder of why she is here, what she wants to learn.
Towards the centre of the city the structures are taller and also more twisted. Stone shaped into eggshell-thin curves forms broken jagged shapes which refract Ligier’s light into colours that were never there before; there are looming statues of demon breeds that stretch up into immensity. Coral grows into the shape of new structures or scaffolding; there are dust sheets that could make a fleet’s sails hiding things that pulse and breathe. And in the centre of the city, a rift, where the land has split open and the sea floor descends far, far down below these shadows.
Something moves down there in the dark. Something broaches the water. Burned and blackened and monstrous, Molacasi emerges, his skin cracked and his yellow eyes staring out from under his veil of straggly black hair. He is taller than the buildings, and looks down on Keris when she lands atop a great twisted tower.
“Little Keris,” he says, stooping down to bring his head to her level, each eye larger than her whole body. His monstrousness fills her horizon. “You have come.”
“I have, your highness,” she agrees, dipping into a low bow with her wings spread low and demure. “I’m grateful to have been invited. Your city is beautiful, from the greatest tower to the smallest mural. I don’t doubt I could spend a season here just drinking in the artistry, if my duties to the Reclamation allowed me the time.”
The flattery certainly pleases him. “This exhibition is something I have worked on for an awfully long time,” his foghorn voice says. “Joka was once a holy city to those wretched monks devoted to Dana’ad. This rift, where I make my home, is what I have made of their sacred lake. Is it not poetic? Is it not beautiful to make this gracious display of those who venerated one who hurt me, who,” he raises his hand to show where the squirming tool is attached to the stump, “took my hand? Come! Let me show you my most recent work! I was inspired - inspired! - by the creative material you gave me in Nagakota!”
He offers the squirming tool to Keris, who is tiny compared to the hand yet still much bigger than some of the finer tentacles (perhaps how he can paint such tiny things), and bears her to the husk of a structure with an array of empty windows. Except one by one, it looks like the windows are being filled by stained-glass images. Each one shows an Immaculate; twisted, corrupted, degraded in some way. One stares in horror at an image of herself as she changes to match a painting she stares at; another is afflicted by the infirmities of age all in one go and he melts there and then; a third offers up his eyes he plucked from his face.
And there is one image that is not of an Immaculate.
The Scarlet Lady Rising from the Squirming Waters, rendered in the styles of Hell. Her visage - Keris’s own face - heartbreakingly beautiful, heartrendingly cruel. The largest window, the one the lines of perspective of every other image all draw towards. And when one looks at the image at the centre, one can admire the way its motifs infiltrate every other image. The blind monk is not blinding himself out of horror; it is because he has gazed upon the Scarlet Lady and wishes to never see anything else again. The eyes of the nun who changes are filled with an image of the Scarlet Lady and her form is becoming like the squirming demons all around her. The one who ages too quickly ages because of the timeless perfection of the Scarlet Lady.
The beauty of the image reaches out, and Keris can almost feel its pull. It is as though the tentacles it depicts have her in their snare. Except no, they are not tentacles. They are tendrils of scarlet hair. Entranced, she steps towards it - steps towards herself - and brushes a silver finger across her own face.
“I’ve seen this image thrice,” she says dreamily, “in copies of the Broken-Winged Crane. The first one was the very thing that led me to summon all those eristrufa. It’s been a motif in the Crane since the early Shogunate - the first person to paint it lived closer to the fall of the ancient Solars than they did to me.”
Her finger trails down the glass, following her figure. Molacasi makes a noise - maybe inquisitive, maybe irritated at her talking about other artists who’ve drawn this image before him. Keris can’t tell. She barely even hears him. The art has her caught.
“But all copies of the Crane are just reflections,” she murmurs. Her head feels… swimmy. “Echoes of the final text, which will be written when the Yozis’ prison breaks, as a history of the Shattered Annex. Maybe this is the original. The true copy of the Scarlet Lady Rising from the Squirming Waters, and the inspiration behind almost two millennia of mad revelation and prophecy.”
“Flattery,” is his gruff response, but his patronising smile is clear. He thinks she’s wrong, but the very idea that he might have painted the real one that others are inspired by is greatly appealing to him. And of course he has more to show her and more art to ask her opinion of, but that is a distraction. And perhaps a way of judging her ability to comment on art and appreciate it. She definitely feels that there are wrong answers to his questions.
“Now, Little Keris.” He takes a stride towards the vitriolic abyss. “To work.”
He simply sinks down, the toxic waters churning and boiling from the sheer volume he displaces. She follows, having to keep moving. Down, away from the surface, down into the mire and muck - and Ligier’s light grows brighter overhead, as they head to places where the Green Sun does not care to shine gently upon. There are corals down here, pale and wasted from the hateful sunlight, and countless twisted things that squirm and coil. The traces of humanity make their appearance even less seemly.
And then Molacasi takes a turn into one of the vast chamber-tunnels, and the light of the green sun does not reach those places. Which means they are now in the catacombs of Hell. All the light comes now from bioluminescence and the radiant twisted paintings by Molacasi’s hand that cover every free surface. Hell, drowning under a bright blue sea; dragons pinned and staked and left to die; every form of mutation and twisting that could be afflicted on those Molacasi hates.
And past this, dry land. A temple. A vast space, perhaps a lung of Malfeas, though it no longer moves. There are countless alveolar niches, and they have each been given a purpose by Molacasi. The basalt is barely black, so thick it is with paint and chemicals and toxins. A brightly coloured haze of alchemical fumes shifts and drifts through this place. There are chambers where everything has been ruined and smashed; there are nodules of brass and stone that have been mined completely. Countless demons swarm over the walls and ceilings and interconnecting stone tendons, engaged in strange and obsessive endeavours at their master’s whim.
“This is my place,” Molacasi tells her. “My domain, at least for a thousand years. Above is my display, but this is my workroom. In the arts - all of them, aesthetic and sorcerous.”
It is not like Lilunu’s workrooms, Keris immediately knows. Lilunu’s places are separated, each specialised, each light and airy and spacious. Lilunu tries to make her places pleasant for herself in her ill health and for her assistants and servants. But this is a hellscape of twisted stone and twisted art and twisted flesh. It all blurs and merges, and nothing of the green sun makes it down here. And the air is barely less toxic than Kimbery herself. Everywhere; demons made for specific purposes. One breed that possesses a single vast hand made to stir vats of paint that could colour a city, rows and rows of them. A whole squirming city of brush-maker demons who cut off their hair to make the brushes and their fingers to make the handles. Metody by their thousands, herded like beasts to be rendered down as needed. Sixteen cities - Molacasi tells her proudly - that are libraries for his knowledge, where there is constant cross-checking for veracity and a single mistake discovered means death for the archivists responsible.
Keris’s heart is screaming. It is a knife through her chest, an arrow through her eye. She looks upon Molacasi’s great domain and sees no beauty in it, for every stone is laid on a foundation of pain and suffering. She sees demons who cough and wheeze from built-up damage to their lungs, and her breath comes short in her chest. She sees metody being melted down for chalcanth, and it’s acid washing over her soul. She sees archivists working in quiet terror, and the dread threatens to suffocate her. All this agony. All this horror. All this pointless, senseless misery, and Keris is a mirror reflecting it all, feeling it all, weeping for it all.
She’s lucky she’s still wearing Strigida’s faceplate. It means Molacasi cannot see her tears.
But she can’t afford her soft heart. Not now, and not here. Her grief and compassion are piercing nails, but she crushes them down and forces herself to give no sign, to show no hint of her horror. There’s no saving Molacasi’s victims without killing him to free them all - and that, Keris cannot do. Her mouth spills silvery words of flattery and eager praise that she barely hears, too occupied with the inner struggle. Calesco would be wrathful with her, but Calesco is not watching, and so she shuts her heart in a pitch-black cave and seals the entrance so none of its light can escape.
She can weep for the victims later. Right now she’s here to learn.
Molacasi sweeps her up with his squirming hand, only to deposit her down in an open-fronted building sized for a human. It is less than a doll’s house to him, and there is no privacy there with the frontal wall missing on every room. Beside it; a blank wall, a fresh canvas for him. “I have serfs to attend to your every need while we work together!” he tells her. “You need not concern yourself with such petty things! Now! Get out of that armour, so that I might paint the pathways of your soul as you shape sorcery! I must see what your understanding of the greatest art is, before I can render what is already there in a more fitting form!”
She had thought about what had promised her, a chance to model for him and a few secrets of sorcery. Now is the time for her to be the best possible model so she can drain as many secrets as she can from this awful cruel monster of a man.
Molacasi is a monster.
Keris has lots of experience with monsters.
Molacasi is a lonely monster, and that means he is soft, moldable clay in Keris’s hands. He is self-pitying and bitter and sour, and not desirable company for the other Unquestionable, who have long since grown weary of him. He is obsessed with the art he makes, he lectures others on the topic of sorcery, and he has little patience for fools - which he defines as any who contradict him. Molacasi nurses his grudges and while the demon princes are all hurt, he is more hurt than most. He does not have guests who come to his great hollow space, and Keris has seen no sign of his souls lingering here. All he has for company are his creations, and he sees little difference as to whether they are his demons or what he makes from those who come too close to him.
Which means beautiful, artistic, elegant Keris - the harlot of the Titans, who has seduced far more socially savvy demon princes - is the company he has never had. Not, perhaps, since time itself started. She makes him laugh. She is a perfect model, a model who does what he says but can also comment on the art. A model who is an artist herself, and a self-taught sorceress who embraces his own harsh methods and lack of tolerance for fools - because, as she says, that is the only way she has learned to do sorcery.
Over the course of modelling as she poses among phosphorescent, oozing things clad in sea-greened gold as a wicked corrupted Solar, he expands on the occult principles he has devised over his long existence. The nature of the tides and of the ebb and flow, and Keris can see now how she was so close, how the principles of Needles-and-Spires shrouded a deeper secret of existence itself. He calls up a terrible ancient spell which shows her how the songs of the titans and their great souls wove and harmonised as they created new life and sketched the concepts that would become Creation. He shows her how the waves swore oaths long ago and how they can be called on, how flame is treacherous and hungry, he names ten thousand bargains sworn by the very elements and how these principles were burned into the infinity of the Wyld so any example of them which come forth are also pledged to the same oaths. The duality of male and female is not innate; it is an expression of a deeper duality and like all imperfect replicas it is less concrete than what it claims to be.
He explains the terrible nature of the number zero, and how it had not existed until the titans made it and called it the Omphalos.
Keris absorbs it all hungrily, probing and prodding for more even as she gorges herself on forbidden knowledge. Much of what Molacasi is teaching her, she knows, are secrets meant only for the Yozis - secrets that Orabilis would censor them both for sharing. But Molacasi cares nothing for the End of All Wisdom, and though Keris recalls her promise to steer him away from topics that could threaten her, she forgets that resolution when she’s offered them so freely. Within her soul, Jemil squirms and writhes with glee in his nest of lichen between the Isles and Sea, and the fruticose growths begin to wind and twine together as they climb towards the sky.
One moment - and he is casting a great and terrible spell that paints the past on top of the world as it was, shifting land and stone so that he can show Keris conversationally how he was visited by one of the Chosen of the Sun who sought to get her hands on his mastery of colour and tone. The structures stand atop the world as if they were painted there, and sketched figures move through the memory, unreal and ephemeral but still there. There is another Molacasi there, stylised and abstract, and a tiny sun-chosen whose forehead spills painted rays over the area. The real Molacasi hums in nostalgic joy as the two of them engage in a great and terrible contest of skill. Keris is not paying full attention. She is listening to the flow of the magic.
“The world... remembers,” she murmurs as the image fades. “It remembers what’s happened, and you can- evoke it? Remind it? Restore what it was, by coaxing it to dream of a time gone past. Paint an image of long ago to guide its mind, or lay it down on an embroidered pillow, then have it sleep... your highness, can we return to the surface, briefly?”
He is more than willing to show her more of the city he stole so long ago, and together they head up. Thick icy rain slashes down from an inclement weather system, and she has to cut through the ice which is almost freezing solid.
Keris hesitates briefly, the transcendent clarity of understanding slipping between her fingers for a moment, but she pushes through and sets her hands moving, going through the motions of embroidering without needle, thread or fabric.
“The world remembers,” she murmurs to herself again. “And you can make it dream of times gone past. You just have to get it thinking of the right thing as it falls asleep...”
Her hands are moving faster now, the meditative trance returning. Her caste mark burns to life on her brow and the mirror-flecked crimson winds of her anima follow it, spinning out around her as she weaves and stitches half-seen light into a scene she’s heard of from the distant past. Dreams are imprecise things at the best of times, and though she’s a master of shaping them, the dream of a world or a landscape is too big for her to control precisely.
Still, she tries. She tries to depict the day the lands of Renga were torn from Creation to land here in Hell; the once-sacred lake of Joka on the day the city was damned. Whether this long-lost city will think back to that specific day - whether it even remembers it clearly enough to pick it out of those few few months and years - will be up to chance. Regardless, Keris does her best to guide its thoughts, and with the arts of Jupiter’s embroidery she works the pattern under the skin of the world, tying each strand to Molacasi himself, who was the architect behind Renga’s fall.
And then, in a dreamy, focused fugue of concentration, she parcels up the Ideal that’s too big for her merely-human mind to think in full and gathers power and slips it into the thoughts of Kimbery - or perhaps Renga itself - to unspool there and take form.
Essence stitches itself into being. She cannot see the threads, but she can hear them - just as she hears the threads of time that her mother has taught her to play. And they sound like they are one and the same. From the threads of time and the dream of her Ideal, these things dance in and out of themselves, a process that is, and no longer is, under her control.
Towers crochet themselves into being. Plazas solidify under her feet, pushing the ice out of the way. She cannot reach out to cover the whole city - it is beyond her - but around her is a hidden, secret world embroidered as she has learned. Trees and a plaza and a stretching-tall tower in white cloth. Woven air passes around her, figures running, fleeing, screaming in voices that make no sense but whose tone can be understood. She can see that this might not have been the first day, or otherwise the corruption had already taken this city for there is brocaded graffiti in pink and green and pale blue on the white stone, following the symbolic progression of the song of rage sung by the ever-tortured Yozis at the start of each new year.
The ground is not real under her feet, but she can tread upon it. And the bubble of time past follows her around, stitching into being ahead of her and unravelling behind.
“Ah, you like to work in thread and cloth,” Molacasi says, so far above her, far enough that the embroidered world cannot contain him. He squats down to exist at her level. “And you wished to see what raw materials I had to work with? Good. You have learned well enough to grasp this art of mine.”
Keris dips her head demurely. “My thanks for your instruction, highness,” she says. “Are there any other topics you wish to discuss?”
“Your work as my model is far from complete! There are so many things I can make from you! You are a muse, an inspiration, something that gives me the raw material to work from.” He sets off into a booming speech, and that gives Keris some time to think. He is going to want to take her back down below and resume the work - and she does want to help him, she does.
But ah. She knows she could be so much more than just a model, just a muse. And she wants him to see that.
“Highness?” she ventures. “I had a... a concept that I would ask your opinion on while I model, if you are willing.”
Molacasi is more than willing to listen, at least once she is posed properly back down below, sprawled out on the set of what must have been a miniature for him. But of course he is. He may have been viciously mutilated by the victorious Exalted, but he is still a man - and a man who from his art and his aesthetic appreciation of her suffers the emasculation most keenly. Keris knows this, and this is part of what she offers him; flirty attention in a way that his peers have not in five thousand years. She does not draw attention to the still-raw mess between his legs, and acts as if he is whole.
Well, Ipithymia no doubt would if he paid, but that is just it. Keris lets him fool himself that she’s not getting something out of this.
“Back in Creation,” she begins, “I’ve dealt with more than a few Dragonblooded, both as enemies and as servants. They’re weaker than I am, but still dangerous - I have to treat them as the threats they are. But I’ve noticed something, observing them.”
She pauses to shift posture at his command, and picks back up once she’s rearranged to his liking. This is going to be tricky - she needs to speak carefully so as not to sound like she’s addressing his own mutilation.
“I’m not just stronger than dragonkin, I recover better, too. There are things that have left scars on me,” her hair stirs over her jaw and her cheek where Adorjan touched her, “but I had to grow back my legs once, and I did. Dragonblooded... don’t have that. Not reliably. Sometimes they recover from wounds that would leave a mortal crippled or dead, but other times they’re forever lessened by them. The satrap of Saata has a jade hand, because she lost her original flesh and couldn’t get it back. The warlord of Gem’s Rangers had his leg twisted and broken thirty years ago, and since then he’s never once ridden into battle. Even in the Realm - the man they called the Slug only wound up the fat, bitter bastard he did because he was maimed in his youth and couldn’t fight honourably in the Legions.”
She tilts her head and smiles, slow and wicked.
“I have lots of ways to cripple, highness. Poison, acid, bleeding, curses, disease. I can get my hands on the poison-fire of Ligier, on Kimbery’s most concentrated toxins and the distilled mercury-sap of Silver Forest. I’ve studied victims of Metagaoyin plague-spores and heard of the Fate-twisting venoms that drip from the Ebon Dragon’s jaws. There are lots and lots of elegant things I could lay my hands on that I need only dose a target with and then be able to sit back and watch them wither and weaken. Perhaps they wouldn’t work every time, perhaps a few targets might find the well of strength needed to shake off Green Sun Wasting - but most of Creation’s champions don’t have such impervious constitutions.”
“There is an art to this,” Molacasi agrees, those huge yellow eyes smiling and full of malice. “An art of suffering, an art of making them what they were not before. An art to defying death and refusing to give it to them.”
Keris dips her head, then returns to her pose. “What I’m trying to decide,” she continues, “is the delivery mechanism. From range, ideally. If it was something like an arrow, where I could afflict my victim with whatever I chose to coat the tip with from a distance and then fade away - that would be best. But I’ve never been good at archery, no matter how I’ve tried. My new subordinate, Ixy Crystreet - she uses flamepieces and firewands, and I was considering something like them - something that instead of a plume of flame would propel... a dart, maybe, so that I could make them in batches and just slot in whatever I wanted to use. Like a blowpipe, but with a longer range. You’ve seen my armour, and it’s not the only living artefact I’ve made, so I was thinking of making something like a mollusc, with a set of valves and chambers it could build up pressure in to launch the dart from its mouth - and then for its shell I could clad it in something that would look something like a firewand. From a distance.”
That gets him pausing in his delicate work, the writhing tendrils of his wrist-stump almost automatically cleaning the brushes and putting them aside while he focuses down on Keris. “You are curious about the weapons I and my kin and our souls devised for the ancient Lintha. You are not as subtle as you think, Little Keris.”
She blinks, startled. She hadn’t even thought of that... but thinking back to the dreams Kimbery sent her, years ago, they had used tools that blended the living and the artificial, hadn’t they? Why did she never follow up on that?
(Well, okay, probably because she’s incredibly busy. But now she has a chance!)
“Highness, you’ve caught me,” she confesses, playing into his assumptions rather than admit to the face of a demon prince who taught the ancient Lintha that she’d forgotten about those visions entirely and then reinvented the principles of their craft from scratch. “I always admired their aesthetics, ever since the Great Mother granted me glimpses of them years ago, but I’ve had to puzzle out how to recreate it on my own. Do you think my idea would work?”
“Peristalsis, muscular contractions, life-levinflow disparity - oh, there are so many things these old things could do, before those filthy, disloyal savages abandoned their duty and their creed,” Molacasi says dismissively. “I granted them the things that made them mighty - the secrets of art, styles of decoration and painting and colouration, the intricate wonders of the creation of life so that they might create artificial men and arm them to fight their wars for them. They were, none of them, worthy. But, mmm.” Reaching out, he pulls over the wall off a building (what remains collapsing behind him) and starts to draw on it. “At short range, air bladders can be used to generate a pressure differential, and this is suitable for hefting light projectiles, often at high rate of fire. Needles, say, poisoned needles or bone shards. There is the option of dedicated lifeforms that serve as ammunition; hungry worms, squirming parasites, the sort of thing that can be launched at a foe and burst or attack them. But if you need the projectile to travel quickly and long distances, as those unfaithful Lintha royals did when they made their regal shatterglass falconades for when they took to the field in person, that is beyond peristaltic motion or air pressure. That requires suitable disparity, from dedicated organisms. I admire the live-levinflow of a cultured breed, for the spark and crackle and scream of the air as the shatterglass or crystallised toxin forces it out the way is quite pleasing.”
Casually, he has jotted down all kinds of drawings - not just of weapons, but of the artificial men he spoke of, and the war armour of the Lintha royals, and strange metal-and-meat autonomous insect-fliers flying over an ancient seascape. Little of the internals are detailed, but the strange beauty and synthesis of demon and meat and ceramic and crystal and coral is on full display.
“Ah,” breathes Keris, drinking it all in with wide-eyes. “It’s beautiful. I want...” One hand unconsciously goes to her navel, where the little organism for Mele’s skin-graft so recently resided. Keris doesn’t notice, her mind too busy working over ideas that make use of levinflow and Valiant lightning. “I want to start right now...”
The words slip from her mouth unbidden as a deranged, adoring smile spreads across her face. Her hair coils behind her, floating in the air as if underwater. Within her grey eyes squirms something sinuous and many-limbed and full of eager wonder.
“Start?” Molacasi has not kept up with her thoughts, which are pacing out far ahead of the light.
But it’s so obvious! These Lintha designs might superficially look like some of the Dragon King things she saw in the records she obtained from Kalathais, but the principles behind them are completely different. The Dragon Kings see no real difference between meat and vegetation and crystals and stone, and so the flow of essence and vital nature of their things partake of all of these. They cultivated stone that grows like a tree; they grew crystal lifeforms that move and breathe and live; they honed blades which have spines and minds of their own and grow with razor-obsidian glass-crystal edges from stone hilts. But that is not the Lintha way, no it is not. The secrets passed to the Lintha places the demonic above all. If it is made of metal, it is to contain the nature of their spiritual allies. If it is made of meat, it is demon-flesh. Coral and ice and other such things are sacred to the Great Mother and so they are used here as an orison to her. The artificial men are grown in genesis-wombs and possessed by artificial demon-like spirits and sent out to die for their masters.
The Lintha fell when they could no longer invoke their pacts, could no longer call on their powerful protectors, could no longer seek aid with problems that were beyond them. Their masters were first bound to Hell, and then - when the Lintha broke their oaths - refused to honour the old deals that the Lintha had violated. Keris can see here and now that Molacasi, for one, had just been looking for an excuse once he was maimed and bitter and hurting - and her finger taps on one of the images. Perhaps certain of these weapons cannot be made at all, because the ones most detailed are the ones where the Lintha directly invoked Molacasi and now he is emasculated and no longer virile. The greatest of their artificial men were sired on chosen Lintha (and from the gendering of the nouns, both male and female would birth one of these created champions), and - if she reads this right - the greatest weapons too could be granted in this way. A proof of their fidelity, that they no longer lived up to. Certain of these potent devices have not been constructed, have not been gestated in five thousand years.
Molacasi is emasculated and lessened. But Keris is not. Keris has taken the terrible fertility of Kimbery, mother of monsters, into herself. And the hungry swamp Metagaos’s mastery of flesh, too. And Szoreny’s legendary alchemy using the first material quicksilver is hers too.
She must not insult him. And perhaps she need not do this. She can re-invent these matters, especially now that she knows it is possible. But it would be faster to find a way to steal the old rites for herself. For it can be done. Keris is sure of it. She has seen that the demon princes are not, in truth, too skilled at healing - true healing. They are masters at replacing, at putting in something of their design to take the place of missing flesh. There are cunning mechanical eyes from Ligier’s workshops and there are vat-grown arms that are stronger and faster than anything made of mortal flesh and there are intricate spells that can create something with all the replacement of the original. But that is just it. They are replacements. Molacasi has not regrown his hand, he has replaced it with a tool of wonderful precision that replaces all its functionality and more. But he wants, needs the full restoration of his generative capabilities. His, not whatever he made to replace it.
The number of demons who can perform this kind of medical miracle is very slim indeed.
One of them is Yuula. Who Keris has studied under.
She forces her racing mind to stop rushing forward - she can’t let her Ekoan thoughts run wild here. Drawing herself back and retracing her mental steps to where she lost him, Keris looks up at Molacasi and draws on the charm and poise of the Great Mother to make her case.
“Your highness,” she says firmly. “You’ve taught me so much already. I want to put these principles to use. To create my dart-caster, to conceive its living core and nurture its growth these next few months. But it’s not fair that I do so alone. You deserve a part in its creation, too, for teaching me. And more than that - you deserve to be whole. The Exalted were wrong to mutilate you - how could they take the joy of creation from you? You should never have been so cruelly maimed at all. It’s long past time their crime was set right.”
She is playing with fire here, and she knows it. What she’s offering seems too good to be true. Molacasi may take it as mockery that she’s even suggesting she can heal his emasculation. He may have grown too dependent on the bitter spite and loathing to relinquish it, unwilling to be healed if it would take away a reason for his hatred. He may believe her intent to be sincere but dismiss her ability to fulfill it. And of course, if he lets her try and she fails, having given him hope, his rage and betrayal will be endless.
But nonetheless, she keeps talking. Because if she can do this; if she can heal a demon prince from the scars of their subjugation, if she can wash away the marks of their loss that they have borne for five thousand years... it will be like a bomb dropped into the Althing. Every demon prince will be paying sudden, vivid attention. Every Unquestionable who was maimed by the victorious Exalted will look at the gifts Molacasi gave her, the invitation he extended and the healing he received as a result and think ‘could that be me?’
They will know her name, and call her the greatest doctor of all the green sun princesses.
It won’t make him more dangerous to Creation. He might not be able to create life, but he can already get around that by using the numberless masses of Hell as raw materials to reshape. It won’t let him escape across the Desert more frequently or give him much of an edge in the wars of Hell, and it can’t do anything to worsen the lives of those who live in his domain - there’s no lower they can go.
But if there’s even the slightest chance that it will lessen his hate and bitterness, that to create again will bring him joy and a hint of beauty without malice - if Keris can use him as a test case to see if the malice and cruelty of Hell can be cured...
“Your highness, I am Yuula’s student, and she herself has acknowledged my talent,” she says. Pleads. Begs. “I have mastered the flesh-weaving arts of Metagaos, which can grow new flesh out of old scars. I aid my lady Lilunu with her health and you have seen how she is stronger now than she was when you first attended the Conventicle. I swear to you, your highness - I pledge it on the Desert’s law and on the Sea’s depths. I can return what the Exalted took from you. I can heal you, and give you back the power to create. I have never failed a mission I have set myself to; as a healer I’ve brought people back from Swamp-plagues that had swallowed them almost whole, from lifetimes of built-up poison, from sorcerous scars of the soul and wyld-tumours riddling the flesh. Please, your highness. Let me give you back your greatest art.”
The laws of hell and the suspicion of the demon princes should have had him reject such blandishments outright. But that isn’t what happens. Because back in Nagakota, Keris hid a shadowy satisfaction in his heart at listening to her when he need not have, and now he has spent days in just her company with that beautiful serpent whispering in his ear.
“What do you think you can do, Little Keris?” he asks, and while there is a shell of bitterness Keris can hear the hope shining through the cracks.
“Highness, I can create an alchemical pill taught to me by the Weeping Handmaiden, a regenerative that can restore lost limbs - or other severed body parts. It has a mercury base, and will leave you with a dose of quicksilver in your veins, but I can fraction that from your blood with further surgery.” Keris purses her lips, looking at the size of him. It’ll need to be a big pill - she’ll need to dramatically increase the quantities of the entire mixture, and probably borrow some of his enormous bowls or vessels to do the brewing in. But she’s still confident she can do it.
“I’ve made and used this medicine before, highness, and it passed Yuula’s own inspection. I’m confident that it will work - and if its effects are incomplete, I can use Metagaos’s gifts to complete the healing by growing and reshaping your flesh until you are satisfied. If there is any atrophy behind the scarring, I can use acupuncture to flush your meridians and sacral chakra until full function is restored. In the worst case, it may take more than one session of treatment and regrowth - but even in that worst case, it will just be a matter of several sessions more until the work is done.”
He is willing to give her a chance. A chance. And she knows from what she has heard of him that failing him will make an enemy for life.
Keris takes her chance and makes full use of it, dropping the yielding, obedient act and getting almost bossy as she requisitions bowls and vessels and tubing that Molacasi has used for paints and inks to instead rig together into a truly enormous alchemical apparatus. She conscripts a hundred of his demons and sends them to gather charcoal and sulphur and other component compounds; opens her veins and whips her anima to a blaze to draw on enough of the King’s regeneration to fill a vast beaker with her blood; she fractions out mercury and distils vitriol from samples of Kimbery’s deepest oceans that Molacasi provides.
(She doesn’t actually have enough spare attention to track his reaction to the shift between the face she wears as a model and the strict, manic frenzy of her alchemical work, but he doesn’t stop her and gives her the serfs and ingredients she needs and that’s all that matters until the pill is done.)
Eventually, her head is spinning from the mercury fumes and she’s had to send most of the serfs away so that they don’t drop dead, but she has the mercury and active compounds mixed into the charcoal binder and heated into a thick sludge. Rolling it into a pill requires Molacasi himself to step in; there’s just too much of it for Keris to mould herself, but she falls back onto a seat, gasping, as he picks it up between two fingers to examine it. The dense, dough-like ball, not yet fully hardened, weighs more than Keris herself does, but to Molacasi it’s no larger than his smallest fingernail. He peers at it, this miracle cure that Keris has promised will grant him a wish he’s kept in his heart for five thousand years.
She can see him thinking it doesn’t look all that impressive. But she can also see his reflection in the vast copper vat, and in that reflection he is whole and well. She has set up the whole situation such that this is his heart’s desire, and just like that - she will seize his heart.
The pill has to be left to dry and mature, and the tension is nigh-intolerable. But then she pronounces it ready, and sits back to watch the show. Molacasi conveys the tiny-to-him pill to his mouth, and swallows it. Keris starts to count her heartbeats.
The first signs are shown at the nineteen heartbeat mark, as Molacasi groans and doubles over, staggering and collapsing sideways to crush a warehouse of paint under his bulk. He screams and the scream is also a moan and it is a physical force that is a gale that would have knocked Keris off her feet if her hair hadn’t grabbed for the wall. The flesh around his crotch shifts, not like living tissue but like a reflection in a bent sheet of metal, warping and twisting. It flickers like an image, and parts are replaced by could-have-beens. Keris has studied under Yuula, and she spoke of the different avenues that might be used to treat otherwise incurable injuries.
What the pill is doing to Molacasi is drawing out an intact manhood from a reflection-world where he was never maimed in that way. And by the fortieth heartbeat, it is done. What had been a mutilated, rent mass of scar tissue is healthy and hale - in fact, it is the healthiest skin on his body, not burned and not scarred by previous slights inflicted on him. Keris can see the touch of Szoreny on it; the veins a little too dark, the hair silvery white unlike the black hair on his head. Imperfections from the mirror realm. Things that can be fixed.
And Molacasi grasps for it, almost out of habit, a gesture that reminds him of what he has lost. And what he finds is something that is not lost, is very much present, and that gigantic face with those sickly yellow eyes and that reptilian cast wells with relief and tears. His curse is ancient and blasphemous beyond measure, but then he sits up, and he stares at Keris like she is the most beautiful thing in the world.
“It is done - and so quickly! Damn Yuula, to think she could have done this at any time-- but forget her! You are the one who did it, Little Keris! I am whole, or more whole than I have been in five thousand years! All thanks to you! To think there were some who opposed the creation of your kind!”
“I’m only happy to have helped, your highness,” she says, smiling up at him and lying through her teeth. Because he’s hers now. She knows the power of gratitude, of gift-giving to create a debt. This is a sense of obligation he will never be able to repay - something that will make him love her whenever he creates, after spending so long unable to. “Ah, though I should tend to you, to correct the imperfections from the pill and ensure that your essence has been restored along with your flesh. If I may?”
“Of course, of course!” He already is reaching for his brushes with his replacement hand, clearly trying to capture something of the feelings of this moment in art.
Keris jumps to apply herself, and they both fall into their respective artistic fugues. Molacasi is lost in a fervour of painting and sculpting, half unable to believe what has happened and desperate to capture it in case it slips away like a waking dream. Keris applies herself to his gargantuan manhood, her harlot-medic’s sensibilities unruffled by working on them, and takes sketches and notes on the efficacy of the pill as she corrects the imperfections and begins fractioning the quicksilver back out of his bloodstream before it can cripple him anew. She is quietly very pleased that Calesco is not paying attention to the outside world. It’s bad enough to be dealing with Dulmea and Jemil’s commentary. It isn’t even like this is erotic. Working on something comparable in girth to a small yacht isn’t sexual, it’s an engineering challenge. And the ship comparison really does come to mind when she’s changing the colour of hair follicles that are as thick as rigging.
And he might not know what’s happening, but as a necessary part of her work her self seed is spreading through his flesh like a fast-growing cancer. It’s there to allow her to work his flesh quickly and hide the touches of Szoreny, but it’s there, coiling into chakra nodes as large as a building and consuming flesh to grow and grow and grow.
She could tell him what’s happening, could explain it’s part of the treatment, could remove it when she’s done. Or she could... not.
She toys with the idea as she has the tumour suck the mercury out of his blood and secrete it back out for her to burn into white ash, weighing the pros and cons. But ultimately, she decides, the risks outweigh the rewards, especially when she already has his everlasting gratitude. Her seeds bear a spark of sorcery in them, tying them back to her - and Molacasi is a sorcerer with few peers. And so...
“Your highness,” she says as she finishes burning away the last few bits of mercury. “I have finished my work. If you’ll allow me, I’ll now remove the seed I planted in you to cleanse your blood and perfect your regrown flesh. It will only take a casting of Countermagic to kill it, and your body will reabsorb what remains.”
That draws his attention, and he considers this. “Go on, Little Keris,” he says. Perhaps once he would have taken it more poorly, but he is in Keris’s debt now, and he knows it. A legitimate excuse is all he needs to let it pass.
Keris’s sorcery unpicks the infectious not-quite-real biology of the self-seed, and it assimilates into Molacasi’s body, leaving only whole flesh behind. She’s hidden the unnatural origins of the remade flesh, and now it only stands out because it is more whole than the rest of him. The spell takes a lot out of her - that and the effort of everything she’s done today, and she sags down, gasping for air.
She feels a rough, calloused hand on the underside of her chin, tilting her head back. It is Molacasi, and he looms over her. But he looms over her in the style of a tall man, not in the style of a monster that is taller than a tower. He is not a handsome creature, even now, scarred and hurt and one hand a squirming mass of tentacle-tools. His long black hair is unwashed and straggly and splashed with paint, and his burns and scarring are not pleasant to behold. “It has been a long time since I looked at the world from this perspective, Little Keris. I had such awful memories of being this small. Of being this vulnerable. But you have shown at least that around you, I can exist at your scale.” He works the stump of his wrist. “It is easier to work on smaller projects, at the very least.”
She’s too tired to even really feel pique at how much easier the pill and the flesh-sculpting would have been if he’d shrunk himself before, not after being healed. Too tired, and frankly too grateful for the support - she leans against his hand, blearily noting the cracked, still-raw burns. Will she be able to heal them, the way she’s healed his emasculation? Perhaps not entirely, but sure she can turn them into healthy, painless scar tissue instead of this agonisingly charred flesh.
Thoughts for later, she reflects. Right now she’s spent so much power and energy that she needs his help just to stand.
“HIghness, you’re still taller than me,” she murmurs, lips twitching up in wry humour. “But I’m honoured to be the first in many centuries to see you walk the world like this.”
“And you will be honoured further, Little Keris,” Molacasi says with the unthinking arrogance of one who is called Unquestionable, especially when he has dwelt so long in this pneumatic void with only serfs for company. “For it seems you will be staying longer. You have studied my arts of sorcery, yes, but it seems now I must instruct you on something that I have not shared since those ungrateful Lintha whelps dishonoured the flesh they were granted and broke the contracts of old that their forefathers made. You wish to know the arts that I and my kin granted them? Then you shall! The parts that are in my power to give I will grant you, and I will speak well of you to my kin. Do not share these arts with the Lintha, no matter how much they beg - they are forbidden to them forever. But for you - I shall begin with what you have asked for, and when you return I will offer more until you have all the favour I once showed those ingrates.”
“Yes, your highness!” Keris keeps herself from bouncing with glee, but mostly only from how tired she still is. All this lore! All these ancient secrets! All for her! And with the potential to learn even more from Kimbery’s other souls! It’s like finding Kalathais all over again, the frenzied excitement and urge to throw herself into learning and not come up until she’s absorbed it all.
Even through her exhaustion, her toes curl and her hips shimmy unconsciously, a little wiggle of delight. “Thank you! I’ll put it to good use, I promise!”
There is no haze in the world above when she finally emerges from the dark places below the Demon City, and Ligier shines down on the gallery-city with radiant awe. She is not dressed in Strigida, who sits on her skin as a tattoo, and instead she is clad in the bridal finery of an ancient Lintha princess. One hundred and nineteen serfs sing orisons in her name as the vitriol churns and boils to part and let her rise up the steps it forms. And Molacasi surfaces with her too, dressed in a neat black dress suit and maroon waistcoat that she made for him in the styles of Saata, for she has introduced him to new styles and new looks. He has a kiss for her as she departs, heading towards the Baisha.
Captain Neride knows to have no questions as to why she spent so long there, nor why she is visibly pregnant. She has heard of Molacasi, heard that such a thing should not be possible. But Keris’s smile is quixotic and more than a little malicious, and she has a satchel she did not have before, full of luminescent paints and strange demon-sourced clays and other wondrous raw materials gifted to her by her lover, patron and patsy.
With care, she sorts through the gifts Molacasi had for her, placing each in their appropriate place in her personal art kit on the Baisha, and then she strips off her Lintha-styled finery and consigns it to her inner world to be stored in her personal wardrobe. Now nude, she admires herself in the mirror, looking sideways to see the prominent bump. She looks maybe four to five months pregnant, though it has only been a week since Molacasi sired Hellebore on her. His first endowment since the Primordial War. The child-weapon grows so fast, nourished by the ancient rites that now fill her mind. Gifts from Molacasi. There are more yet still to learn, but she knows more now than any Lintha who now lives, and more than any who has lived in hundreds of years.
She will learn more. He has promised it. She knows how to shape demon-flesh within a growth-chorus, how to instigate a spontaneous pregnancy via ritual supplication of the souls of Kimbery, what distinguishes a tool that may be done via blessing and which via ritual in person. She knows the names of the thirty nine tools used in the Littoral Rites of Ulanlay, and how she might make seventeen of them with things found in Creation now, while the others require materials born of Hell - and in the case of eleven, the direct intervention of a powerful demon. She knows of the Syawamrin oaths and the lineages of ancient, now-lost lesser demon that have not been created since the souls of Kimbery withdrew their favour - and while Molacasi thought she would be looking for aid from those ancient second circles who once created them, she now plans as to how her souls can spawn replacement breeds to substitute for them. She knows of the sexual positions that most please each of the ancient patrons, and she knows of the art of Gylantha circles, and she knows how a man might willingly let himself be possessed by a demon so its skill in fleshcrafting might enhance his own. She knows of manse designs required for the processes, and the vita-alchemical processes to synthesise some - not all, but some - of the reagents she needs.
Keris understands so much that she now clearly sees how stupid the modern Lintha are, to believe that it was the purity of their blood that gave them the power of old. They were mighty not because they hewed only to their own kin and because the blood of Kimbery gave them power that mortal men lacked; they were mighty because they were a great empire that ruled the waters, fortified by the favours their patrons gave them and the secret learnings they were granted.
Alone in her room, she kneels and takes out a dark icon from one of her brass chests - a four-armed statue half a metre high, stunningly handsome and minutely detailed. She sets it up upon the shrine, kneels before it, and gathers essence and will. Reaches out to the world, slips the thought into the tortured mind of Malfeas that his heart is here, as well as there. Calls on her ties to the Green Sun of Hell, and invokes him.
There is a metallic noise like a sword sliding from a sheath, and the statue opens its eyes. They are bright, bright, bright with emerald flame, portals to the heart of a solar furnace.
“My lord,” says Keris, her face demurely downturned. “I have news.”
“Ah, Little Keris,” Ligier says warmly. “Good news, I hope. It is rare to see you here in Hell during the year. Rise, if you will, and speak what you wish me to know.”
Keris stands - bringing her to eye-level with the statue on its raised shrine - and though the burning fire-filled eyes have no discernible pupil, she feels Ligier’s attention flicker down to her belly for a moment.
“I have been the guest of Unquestionable Molacasi, my lord, as he invited me at Calibration,” she says. “And he is fully in our corner for the vote, though I have not told him of it explicitly. Still, I am confident he will back us. I believe the reasons behind his decision may offer you a lever to use in your negotiations with certain other Unquestionable.”
“You have swayed him?” the little statue says, its voice as rolling and commanding as if Ligier were here in person. “I would have thought he was resilient to your blandishments. He is too sour and full of rage to be approached with kind words.”
“Anyone can be approached with kindness, my lord,” says Keris. “Even those so lost in agony that they lash out still long for sympathy. There is no-one in this world who wants to suffer - only those who have lost their hope of escaping it. Offer them a way out, and they will give you anything in return. Molacasi has been thrice-maimed, and the sadism of the Exalted embittered him terribly. But that very trauma was what let me convince him. Freeing someone from pain is a gift beyond price, if it has lasted long enough.”
“Ah.” The statue’s attention is sharp, cutting. “You used that knowledge you obtained from miserly Yuula. Very good, Little Keris. You have served me well today, and you will be rewarded for it. Molacasi was never the easiest to handle, but he became quite unmanageable when he was unmanned. With him brought into my circle, this will indeed serve our goal well.”
“Thank you, my lord,” she says, bowing. “As ever, I am happy to serve.”
“And I am pleased with your service, Little Keris. So speaks Ligier.”
He is gone. The eyes of the statue are dark.
She waits for a moment longer, then packs the statue away and lies down on her bed, resting a tender hand over her gravid belly. The Demon Sea stretches out to the horizon through the windows of her quarters, and she looks out on it with a smile.
“You see, little one?” she croons. “Kindness, favour, flattery. They can reach anyone. Even him. He’s powerful, but he doesn’t understand how a tender touch can sway even the sourest soul,”
The thing within her womb stirs ever so slightly, trembling in its cocoon of coral scaffolding and placenta-fronds.
“And when kindness and flattery aren’t enough, my love,” its mother murmurs. “There’ll be you.”
Chapter 51: Early Earth 776
Chapter Text
Once again, Keris Dulmeadokht has come to Arjuf. She swung down by the Anarchy to pick up Zanara, deposit the twins in Rathan’s care (Kali is not happy about starting school and wants to go back to looking after sheep) and set up Little River’s cover story for her latest absence. Now she stands again on the southern shore of the Realm in perhaps its greatest trade port.
This time in Arjuf, though, she has time to see more of the city, and its complexities. The boulevards may be lined with obelisks and faceless statues plundered from the cities of the South and the districts might be designed for geomantic harmony, but the face is not everything this city is. It could never be. Arjuf retained certain traditional rights when it acceded to the rule of the First Empress - it is a free city, free from many taxes and tariffs, and the governor is elected by the dragonblooded households of the city. Behind its whitewashed walls it was traditionally a centre of cultural liberalism and the arts. The streets are lined with lemon trees and when the warm wind blows from the south it carries the scent of citrus.
But the Ledala have used the chance to crack down on those liberties. Without the throne to guard the free city’s traditional liberties, they have enveloped it and appointed their own governor and this is the face of the city that Keris saw last time, under the House’s dominion. Most of the more risqué or free-thinking saloons have been closed for a decade by now, and the taxes rise and rise as the puppet governor breaks customs and makes Arjuf more like the rest of the dominion that bears its name. Squares where once they argued are now used for commerce, and there are more Immaculates around, ready to throw out accusations of heresy. There are things that cannot be said and things that cannot be printed and things that cannot be drawn. The beautiful old frescos have been whitewashed.
Zana - in Second Carp’s face - sighs with melodramatic heartbreak every time she sees a smashed mural, every time they pass an old speaker’s square where no voices ring out, and she insists on stopping by several of the more famous and now-shut saloons.
“This is an abomination,” she says in a quiet, fierce voice. “This city was once beautiful. Look what they’ve done to it.”
The two women are on their way to the Old Dock District, which was once the base of the Realm Merchant Fleet before the Empress granted it to Princess Vanefa who transferred it over to the western isle of Eagle’s Launch. Now House Ledala, having no use for the old facilities, leases the place piecemeal to foreign merchants. This is exactly what Little River is looking for. It is a maze of tiny shops and nameless warehouses, the centre of organised crime in Arjuf, and perfect for the Hui Cha’s needs. This is a place she’ll be able to hide their offices such that people with ill-intent will never be able to find them, and Arjuf’s protection rackets, counterfeiters, blasphemers, and thieves might well prove useful. And the district is close to the rich Jade Street Markets, which are to Keris’s eyes an attempt (an inferior one) to copy the scale of the Little and Big Markets of Nexus.
“I know,” she replies sadly, settling a hand on her daughter’s shoulder. “Even a couple of years ago, it wasn’t this bad. They’re crushing the life out of the place.” She sighs, then shrugs and gestures around. “But... well, some life takes a lot of crushing. This place is perfect for us. For me. I’ll have to go through all the official chains and requirements to set up a base here; find some city administrator who’ll be partial and get the paperwork and payments sorted out and, do everything above board and so on, all proper and formal the way I,” she laces a subtle emphasis into the pronoun, making it clear she’s talking about Little River rather than Keris, “like it. But once that’s done, we’ll be in business - and able to operate openly and legally, instead of having to duck and cover around the port authorities like a lot of the shadier operations here do.”
Zana as Second Carp laughs, hiding her mouth behind her hand. “Oh, please. I do not believe you can resist the urge to duck and cover - and I doubt your interactions with these administrators will be truly above board. Something tells me you’re more than willing to offer up some lovely gifts to bypass the year-long process of applying.”
“Well yes, of course,” Little River replies, rolling her eyes as they stroll down the narrow alleys where unregistered sellers have shops in the frontrooms of buildings and the air hangs heavy with hash smoke. “But gifts and gratitude are just how a civilised society works. And as long as we have a legal operation - with all the proper forms signed and all the right stamps and duties paid on whatever we openly trade in - then the eyes of inspectors looking for illicit operations will pass over us that much more smoothly, and nobody need know about anything happening in our cellars, yes? So I can duck into them for perfectly innocent reasons to my heart’s content whenever a magistrate happens to stroll by.”
“Of course, Golden Crown,” Zana teases. She smiles. “Of course, from what you’ve said, you have some good friends - a graduate of Pasiap’s Stair, and a Peleps.” She uses the Low Realm version of the name as an insult. “The House of Bells is nearby - maybe we might make the acquaintance of some of these young, strapping scions of the dynasty that might advantage us going forwards. Pasiap’s Stair might also be a good place - but ah, it’s all the way in the Dragonswrath Desert while the House of Bells is just here.”
Her daughter is too willing to take risks. Because for all that Second Carp sounds like she’s being salacious, Keris can see Zana’s nasty little mind already starting to thinking about big, flashy art pieces directed at one of the four great secondary schools of the Realm.
“No,” she replies immediately, and there’s no leeway in her voice. “Absolutely not. In Saata I let you have near-free reign, because for all that Sinasana Medala is a woman with a fist of jadesteel, there are limits to her power there. But this is Arjuf. The Dynasty has men with the souls of sharks - Dragonblooded magistrates who can operate freely here, with no fear of being forced to flee assassination attempts or rival powers. You like to play games, and I understand the allure of a pretty performance - but we do this by the book. No jeopardising our reason for being here, and no taking risks that could get you caught and put at their mercy. Or lack thereof.”
“Technically the magistrates get assassinated all the time by the Houses,” Zana tries, but she doesn’t seem like her heart is in it. “But fine, I’ll be good. And take your advice into consideration, and I won’t do anything that’ll get me caught.” And she adds a remarkably Ogin-esque pretty little smile at the end.
Keris narrows her eyes at her. “Or,” she says meaningfully, “you could spend your attention here in the Old Dock District instead. I know this kind of place. It’s a warren of little fronts and storehouses nobody officially owns and operations the Realm doesn’t know about. Complicated and delicate and impenetrable to outsiders - with all the different agendas and rival factions and people working at cross-purposes, all hiding what they’re doing as best they can, I doubt there’s more than a handful of people alive who have a clear understanding of everything that goes on here. And even fewer who know who those people are.”
She tilts her head at her daughter and raises an eyebrow. “Of course, if you think that sounds too complicated for you, you can find something else to do with your time - provided you run it past me first.”
“Oh, my lady, my Golden Crown, my first concern here will of course be to get the work done here. And of course I intend to take a holiday too, to some pretty little Isles full of artists and people who need my time.” Zana brushes Keris’s face with her hand. “So you really needn’t worry yourself over me.”
Little River’s mouth tilts up in a faint, approving smile. She brushes the cheeky girl’s cheek in the same place with the back of her fingers, and nods.
“Off with you, then.” she says, fondness tinting her words. “I expect nothing but the best from my lieutenant, Second Carp.”
The first meeting in a cramped little office in the Old Dock District is enough to register the interest of Hui Cha Little River in acquiring a rental space here. She pays the expected bribe to the petty official, and then is informed of her scheduled “suitability” meeting and the documentation she needs to bring. It sounds like a meeting that exists to extract more bribes from her.
So of course she instead chooses to take a look around the district. There are people from all across the South here, and even Easterners and Westerners too. This is a centre of trade and commerce and an ideal place to make connections, if one were so inclined. Which she is. But what she’s looking for is how things are done, any contacts she can pull on. And what she instead finds is a disgustingly whitewashed office with the Steel Dragon quasi-mons painted on the wall, with attached warehouses and discreet thugs guarding both the entrance and the back way in. Inhaling - ah, she can smell the hint of rum fumes that they must be storing in the nearest warehouse.
Her eyes narrow as she looks at it. She’s finally had a chance to look through the reports from Calesco’s trip, and one of the earlier accounts - the business she’s stumbled across on Triumphant Air where the Steel Dragon Society was selling elemental eggs to the Realm as fuel - comes to mind as she looks at them here. Simmering anger and cold, sweet envy coil in her belly. Oh, she’s not going to let them get away with that kind of shit - not when it sounds like they were operating with reckless disregard for the people living on top of the elemental nest they were stirring up with their thefts (though it does sound like Calesco already handled that particular operation). But at the same time... that kind of operation is exactly what she wants. A way to make under-the-table deals of anything low-volume and high-value that she can find in the Anarchy, and make a fortune off it. Her job is to starve the Realm of Southwestern trade, and she means to do just that - but that doesn’t mean she can’t get very, very rich as she slowly dissolves the flow of trade to this oh-so-wealthy city.
Keris sets some wheels in motion, and then hands them over to Zana who’s more than happy to do her thing in the sordid, shady places of this city. And even more happy to be the face of Keris’s nasty little envious heart in hurting the Steel Dragon Society.
But once that’s in motion (and the official, legitimate request is percolating its way through the system), Keris has to leave Zana to finish it off. She has her work for Sasimana to focus on.
A week later, in a pretty little estate in Pangu surrounded by apple orchards, four women sworn to Hell meet to discuss a matter which would strike fear into the heart of every great matriarch if they knew of it.
The evening sunlight streams in through the bay windows, lighting up the rich cherrywood walls and the painted animal-carvings and the geometric characters in the Realm script inked in black or cinnabar ink on the finest paper from Eagle’s Launch. There is fine food here, served by demon servants, and the shadows themselves play music. Sasimana is every inch the Dynastic matron in her looks, robed in midnight hemmed in cherry-blossom pink, and her hair is elaborately braided into the shape of a grey-white rose.
Her golden eyes meet each one of her guests. Suriani is dressed in the latest daring fashions she found in Pangu city, utterly at home in these environments and greatly enjoying the decadence of this most lush prefecture of the Realm. Ixy has her paw-feet on the table but at least gleams in the armour she stole from the Despot of Gem, lustrous gold and furnace-rhino hide taking the edge off her battered old flame pieces. And there is Keris, of course, and no matter what she wears Keris knows that Sasi will look most and longest at her.
(And if her eyes linger on the curve of Keris’s new pregnancy, just like Ixy and Suriani had... well, Keris isn’t answering any questions about it, and nobody seems to want to be the first to ask them.)
“... and so in summary, ladies,” Sasimana concludes her preliminary briefing, “this is the current state of the finances of the Great Houses; only Ragara, Sesusu and Nelenese do not flirt with bankruptcy. Every single other House - and the Throne, too, and most definitely the Imperial Household - is living so far beyond its means that at this point, the interest on loans is a polite fiction. It will never be paid off.
“Ragara and Sesusu are close allies. Not only can they bankroll Sinisi in its own attempts to take the Throne, but they have enough leverage - especially Ragara, which bankrolls even its rivals - that they could collapse practically any other Great House if they cut off funding. This finance, ladies, is the means by which a Sinisi empress could take, and hold, the Imperial Throne — and that awful woman Sinisi Sekhara is clearly seeking it. The longer this goes on, the more vulnerable the other Great Houses become to these tactics, and the more capable Ragara becomes of preventing a civil war. This is not in the interest of our masters, and it is therefore something which must be interrupted.”
“It is a sad state of affairs,” Keris drawls, lounging in a swing chair with her legs crossed and Strigida in the form of a grey-white ruqun whose side-slits go all the way up to her ribs and make it clear there’s no underwear beneath it, “when the financial credit of most of the Scarlet Dynasty is worse-off than some of my Saatan debtors.” She uncrosses her legs and recrosses them in the other direction, laces her fingers together and then stretches, popping them all with a rapid series of cracks. “Okay, so Ragara and Sesusu need to be split apart, Ragara’s ability to bankroll and thus control its financially-struggling allies and rivals wants to be taken down a few pegs, and House Sinisi can’t be allowed to take the Throne. What about Nelenese? They’re the only other big player with any amount of money left, but you didn’t mention them as a concern - what are they up to, if not something relevant to the succession? And will we need to take them into account as we work?”
“They,” Sasi says, amusement in her voice, “are an incoherent gaggle at the moment. They took several hard blows early on in the current... uncertainty, lost some of the key talent they had before, and have never quite found their feet. They could have been something if they’d played a better hand. But right now, they’re playing to not-lose, not win. Which is how they’re keeping their heads above the water, fiscally.”
“Mmm, okay.” Keris nods sharply, keenly aware of her students. She’s not just talking to her ex here - she’s showing Suriani and Ixy how to handle negotiating the details of an assassination job with a client. “So, do you have a list of specific targets you want killed and sabotaged, or are you just giving us the end goal and paying us to handle the details for you?”
Keris should have known not to ask Sasi if she had a list of specific targets. Of course she does. Sasi overplans to the degree of a vice, and just on a first initial skim, Keris immediately sees that she’s going to want to - privately - argue her ex down to loosening the leash, to give Keris some space to adjust to on-the-ground facts.
But what she has in her hand is a symphony. Keris has seen enough of those to know that this is what it is. It is just a symphony of murder, an orchestral performance of assassination of key components of the Realm’s financial system, cutting away key connections and people-who-know-people in a way that surgically cuts the bonds of trust that the whole edifice relies on. There are merchant bankers here, specific members of House Ragara, House Nellens financiers, House Sesus money-launderers, and no fewer than eight governors and two prefects.
Keris realises - and knows - that Sasi must have been planning this through the early part of the year, building it up from cult-prayers to her and intel fed back from her spies, and sketching out this web of contacts and connections to cut while she was (to all outside observers) entertaining herself with Wuzu. And Ixy and Suriani might not know enough of the politics of the Directors to put this together, but this is an aggressive blow from Sasi not just at Glorious, but also to shut down the ambitions that Magenta has. Keris and her underlings are just a knife in her ex’s hands.
“I will reiterate,” Sasi says, and Keris notes that circumstances have arranged such that there are only the four women in the room at this time, “that as it says in the orders, no demons of the first circle or other creatures that can be snagged by Fate should be involved in the operation save during the final execution of a given kill - and they must be informed only of their role in it, and this briefing must be done no more than four hours before the execution. We pit ourselves against Fate’s watchdogs, ladies. We must not let them sniff out our trail.”
“Mmm,” says Keris, still thumbing through the pages. Gah, Sasi is really micromanaging her ass here. She might even have to- mm, no, best not to openly challenge the implementation in front of her girls; she needs to teach them the right lessons, not to backtalk a client. She’ll take them aside later and ask for their opinions on the list, and then drill it into their heads that constraints this tight should only be followed if you’re willing to let your client’s plan crash and burn and then make a big thing of how you followed their orders to the letter and will take your money now - which will probably mean you won’t be seeing that client’s business again in future. Then she can reiterate to them how an assassin’s job is to achieve the client’s goal even if that means arguing them into accepting a little more flexibility in the “how” than they’d like, and then come back and argue through the contract point-by-point with Sasi. Possibly inviting Suriani and Ixy in to watch a few carefully-chosen points of contention after asking permission to do so as a teaching moment.
Nodding, she gathers up the papers. “Alright. I’ll want to review these with my girls and run through the details of each target and the constraints you’ve put on the overall mission. We’ll get back to you once we’ve gone through them to talk price and clarify any details we need more information on.”
Sasi has a space outside of Fate hidden in the basement for this discussion, which Keris takes, and she reviews the distances and the contracts with a practiced eye. Sasi is pushing her hard here. Really trying to get everything she can. Keris can do it on her own, but there’s a real question as to whether using this teaching chance will slow things down relative to her own solo work.
She starts breaking down the list - mortals in the easiest pool (and thankfully they’re the clear majority), unexceptional dragonblooded in the second, and Genuinely Hard Targets in the third. There’s only a few of those, by Keris’s reckoning. Sasi has certainly tried to minimise the risk there. Then she sees what her girls think.
“There’s a lot of nobhouses here, and from what you say, this’ll be way harder than the places in Cahzor,” is Ixy’s opinion.
“We are the chosen of Hell, and with your guidance, mistress, this will be simple!” is Suriani’s.
Keris then has to try to explain to Suriani that Ixy is right without saying as much. Suriani is going to be a problem here. She will take on too much and she will over-promise for Sasi’s attention. This is something she needs to shut down right now so her student doesn’t get herself killed.
“Listen,” she says, leaning over the table to pin them both with a hard glare. “Our business is death. We deal it to others, but that means that every job we go on, we run the risk of dying ourselves. Every job, even if it’s vanishingly unlikely for mortal targets. We take that risk because we’re good at it and we’re paid really, really well for it, but it’s there. Don’t ever assume a job will be easy. That gets you killed. At the same time, though,” she adds, conscious that she can’t entirely take Ixy’s side, “you can’t freeze up with fear, either. That slows you down and stops you thinking, which also gets you dead. If you think something is impossible, it will be. The trick is balance. Let fear keep you sharp, without letting it control you. Let your confidence carry you forwards without hesitating, but don’t get reckless with it.”
She turns to the papers. “Now, for these. Tell me, both of you - when someone hires us as assassins or saboteurs, what do they want out of it? We sell death, but what’s the core of our job?”
“Doing exactly what is asked of us, especially if it is on the orders of the true masters of the world, who we righteously serve!” Suriani says, eyes bright.
“That’s what they’d say,” is what Ixy adds, although there’s definitely the feeling that she’s agreeing with Suriani rather than say something more like “Come out of it alive” or “Make sure the bosses don’t get mad at us”.
“Wrong,” says Keris mercilessly. “We have the same job as any other seller of a service. First, get paid. Second, get the client what they want. Sometimes that means working out what it is they want and whether the orders they’ve given us will actually get it for them. If all they want is someone they hate dead, that’s easy, but…”
She claps her hands. “Suriani,” she says with a mean smile. “I want to rule Choson and have the martial schools pledge themselves to my banner. Therefore, I want you to assassinate the critical members of the Five Dragon School so that my army can invade Nagakota and wipe them out en masse, leaving me in charge. Would you take this job?”
She watches Suriani’s face, smile widening with cruel expectation as she watches her disciple’s desire to suck up to her war with a Chosoni-raised wira’s knowledge that ruling Choson doesn’t work like that; it’s the Tuhan Giok Tinju tournament that decides who rules the archipelago and taking over the capital by force would have all the other schools rise up against you.
“Mistress, of course! You ordered me to do it. There is no doubt some greater plan that I am not privy to, and-”
“Suck up.” Ixy makes a disgusted noise. “Grown ups don’t know what they’re doing an’ the nobs don’t got great plans. They think they do but they’re wrong. No, you do what they want and make sure you tell ‘em you’re doing what they want. If you try and fix their dumb plan they’ll take all the credit if it goes right and pin all the blame on you if it goes wrong.”
Suriani shoots her a hateful glare.”What do you know of—”
Keris snaps her fingers, drawing Suriani’s attention back. “Ixy’s right, Suriani,” she says. “Sometimes your client will have a plan, yes, but often they won’t. I told you: not all the servants of Hell are smart or skilled. If a plan is obviously going to fail, you need to push back. Ask for clarification. Challenge them on points. If you’re working for another Green Sun Prince, you’re not a servant, you’re a contractor. A specialist, not an inferior. They’re hiring you for your expertise, so you need to be an expert, just like an architect would push back on a building sketch that couldn’t support itself. Yes, telling powerful people ‘no’ comes with risks, but I guarantee you - a wise Director will like a competent specialist who tells them something can’t be done that way a lot more than a subordinate who tells them ‘yes, of course’ and then fails to get them the result they want. I’m living proof of that.”
She drums her fingers on Sasi’s plans. “These are detailed,” she continues. “Director Nemone has clearly put thought into everything, and she does have an overarching plan. But she’s made them too detailed. Schemes like this, complicated ones with a thousand moving parts and things that need to go just so and, fuck, even details on what order she wants us to kill people in - it only takes a handful of things going wrong for the whole plan to crumble. And things always go wrong. Facts on the ground are never how you expect, there’s always friction and interference and bad luck. Plans need a certain amount of flex and give, we have to know what her goal is so that if the situation is different than expected, we can improvise a way to still get the job done even if the method we were given doesn’t work.”
Keris manages to talk Suriani around to agreeing with her point of view. It’d be nice if she actually agreed, rather than because her beautiful experienced attentive superior is saying it so of course she agrees, but it’s enough for Keris for now. The idea that you’ll be valued more if you can show that you’re more useful than one of Deveh’s perfectly obedient hollowed-out husks will hopefully get into Suriani’s head.
And a talk with Sasi is enough to get her to agree to be a demonstration, although that does earn Keris a devastating pout and an insistence that “the timing and methodology are important, Keris!”. Doesn’t matter. Keris can show her adorable, frustrating little ducklings how to respectfully push back against one’s employer, and she doesn’t have to show them the secret concessions she’s given Sasi to have her serve as a teaching example.
Alas, there is truly no time to get started with Sasi’s counselling or even really get an evening with her, because she’s given Keris a punishingly tight schedule full of work and Sasi herself has an emergency in Myion on the other side of the Realm to get to. To that end, therefore, there is the bloody work to get started on - and fortunately Sasi’s people are influential and well-connected and have gathered a great deal of the information that will make her job easier.
House Ragara has spent a fortune on securing the Governor position in the city of Rising Spire up along the Xianyu Coast. Too much. Sasi’s people have discovered that jade has been discovered there, but it hasn’t been reported yet. The governor is an old Ragara dragonchild, but a mediocrity who’s not held a blade in a century and deals in paperwork and shady deeds. He needs to die and in the aftermath Sasi’s people can make sure the news of the jade find gets out, de-fanging the Ragara efforts. Suriani gets that one - she’s shown she can fight unsuspecting Dragonblooded with the satrap of Choson, and she can be discreet.
To Ixy, Keris hands the job of disposing of a prominent delegation of the Nexan Guild in Pangu. They’re reaching out financially to House Sinisi, and need to all die in ways that embarrass the house or show that they can’t maintain hospitality to cut those ties. The messier and more inexorable the deaths are, the better. The Nexan Guild needs to feel its money isn’t safe in Pangu. No Hellish ties, she orders - but first circle demons are deniable. She gets a nod from Ixy who understands what she means.
Those two get all the support that Sasi’s organisation can provide, so Keris is all on her own as she heads to the Imperial City. There are Ragara bankers she needs to harvest. It’s not just because she wouldn’t mind robbing them blind, it’s that she doesn’t trust her adorable little students to do the appropriate frame-jobs yet. And, well. It’s not like she minds getting to see the heart of the Realm.
The Imperial City! Most glorious of cities! Empress of all Creation! The treasures of the world are drunk by the dragons who dwell in this place, and the plunder proliferates profusely. As Keris approaches she sees the great number of manor houses and grand estates, and as she gets closer even the highways are marked by architecture and wonders stolen from the rest of the world. There are forty-metre-tall dragon statues made of gold and tarnished bronze flanking the city gates, and the walls are towering and well-maintained and guarded by soldiers in shining armour and bright red capes. There are grand temples taken from the Threshold and rebuilt stone by stone under the gaze of Immaculate shrines, and there are colossal civic structures built of marble and the plundered stone of the ancients. This is a city that demands attention, demands respect, demands that all look on it and marvel.
Keris has seen better. It can’t match the immensity of Ligier’s layer or the heart-breaking beauty of Lilunu’s designs-
why? why are there traces of deja vu here that match bits of the Conventicle?
-and it’s awfully small compared to Nexus. It is a corseted city, one bound in its walls. For that reason, it has grown tall. The streets, save the widest imperial boulevards, are narrow, and there are many cases where streets where the common folk must go have been built over so that their betters may enjoy the sunlight without having to share.
Ah. Yes. This second city is as filthy and as bustling and as multi-ethnic as Nexus, and it is this place that lets the clean streets and the shining marble edifices exist.
Keris smiles. She already feels at home. Now, she’s tasked Sasi’s people with helping her students, which means she’s getting far less support here. But there are still people here who are in Sasi’s debt and have up-to-date information, know where the criminal gangs are, and can feed her the intel she wants. She has a list of key bankers, and the deadline in Sasi’s plan is only a week from now.
Time to get to work.
It’s easy to slip into the cool, focused mindset of professional work, and Dulmea plays an approving background melody as Keris makes herself known to Sasi’s contacts under false faces, asks after the bankers she needs to know about and a random selection of other names she doesn’t, introduces herself with precisely measured blends of money and violence to the criminal gangs she can use and avoids notice from the groups who’d be more trouble than they’re worth. She stays on the outskirts of the city for now, and off the main boulevards, sticking to the filthy undercity beneath the glitter and shine, wearing stageplay masks to don one role or another and blending in with predatory, chameleonic ease.
The bankers are her target, and Keris knows how her envious heart works. There must be someone senior from House Ragara in the Imperial City who’s responsible for the whole group she’s been sent to wrap up, and in looking through the list of harder Dragonblooded targets she finds the perfect target in one Ragara Eyes-Never-Green, a key part of House Ragara’s financial machinery as it relates to the loan operations and the commercial aspects - officially the Resplendent Liaison to the Imperial Purse of House Ragara.
Her heart’s ability to contain the envious quicksilver in her blood has limits, and there are already a number of reflections caught in it. So she focuses on the naib of Malra, who she hasn’t seen or heard much of for years but who she still has the nagging, poisonously sweet urge to outdo, to tear down, to prove herself a better leader than. She envisions him, remembers her triumphant theft and consoles herself that while not enough, it was still a blow against him. She breathes in.
She breathes out.
She lets go.
And then, before the quicksilver can leave her heart, she focuses on Ragara Eyes-Never-Green’s picture and thinks of how this man, this rich and powerful Dynast, has never gone hungry a day in his life. How he’s perhaps feared power struggles within the Great Houses, but he’s never feared the might of the Realm turned against him, or the shark-minded magistrates hunting him down as an Anathema. She thinks of his influence in the Imperial City, his wealth and his reach and his control over so much money. She thinks of the cushy position here that he hasn’t earned, only been handed because who he was born to.
The mercury in her envious heart reflects a new image, coagulates into a mirror-like fixation. There is a tie between them now -not one he will ever be able to sense, for it lives solely in Keris’s heart, but a little part of her is now a reflection of him, and in the manner of all the images found in the depths of the Silver Forest, it hates and envies and obsesses over its original and wants nothing more than to destroy him and claim his place.
An envious little stalker with too-small pupils and a hundred faces moves through the circles of House Ragara fiance. Sometimes she’s a maid, sometimes she’s a part of merchant delegations, one time she’s a courtesan-slave who Eyes-Never-Green buys to lubricate negotiations with a touchy client. Other times she’s just a blur in the air, crawling over walls and lurking at windows out in the rain.
By the time she thinks she knows enough, she knows every face of the bankers. She knows where they live, and where they keep their mistresses and toyboys, and where they go to drink. She knows Ragara Duto likes his girls too young and where he goes to indulge that. And she knows that Eyes-Never-Green is holding a big celebratory dinner in four days time for his fine fellows to reward them for how well they’re doing, and they’re all going to be in a glorious Ragara townhouse near to the city walls getting very drunk and eating well even by mortal Dynast levels.
She smiles.
The criminal elements of the undercity she needs are next, and one by one they fall. Keris has worked her blandishments on gods and demon princes; the big names of the hidden streets and alleys, even in the Imperial City, are not prepared for her alluring beauty, her terrifying presence, the delectable vices she can offer and the dark temptations she can slip into their minds. The criminals here are a hardened, nasty lot; practiced at dealing with Dragonblooded attention and with their own various backers among the Dynasty and patricians too. Keris finds it harder going, but she gets what she needs before the grand dinner. And that, she reassures herself, is all that matters.
“Hmm,” Dulmea seems to disagree, but leaves it at that.
A banquet is, of course, too easy an opportunity for a mass poisoning to pass up. Keris digs into her stores of northeastern herbs, searching for the fastest-acting mixture of toxic plants she can find. She can hide the bitter taste under the appetising flavours of the All-Hunger Blossom, after all - and then use the Ebon Dragon’s gifts to point the finger at northeastern assassins hired by one of the other Great Houses to attack Ragara’s financial interests.
But Ragara Eyes-Never-Green is too sharp. Too cunning. He tastes the food first, and while he clearly relishes the flavour, he also spits it out immediately and then throws up into a servant-brought bucket. “Poison,” he says, a smile still on his handsome, northern-blooded face. “I am so sorry about this, my fine ladies and gentlemen, but this is going to ruin everyone’s dinners. Guards! Guards! Protect my fellows.”
Keris’s eyes are locked straight on the man, his features which dare to look a bit like Rat (mixed with lovely Realm blood), that smile, the way he caught her. And he is a little too clever, a little too insightful, a little too... questioning. She watches him think, hears the rush of elemental power as he ponders (and his keen mind thinks through the poison). With that lovely way he speaks in High Realm which she can appreciate through the stolen knowledge of the language she’s taken from her self-seeds.
“These are north-eastern flowers,” he observes. “Air yellowrush, heretic’s needles, and of course aconite, also known as wolfbane. But very well hidden under this excellent wine. An excellent wine, I note, that was imported via House Tepete. Who have a great number of contacts in the north-east from their use of north-eastern auxiliaries. Ladies, gentlemen, I do not want to be overly hasty, but this may well have been an assassination attempt by our dear cousins. Who, I would note, currently owe us all a great deal of money. But,” and there’s that suspicion again, “though the clues point in their direction, we might want to take care. It could be that there are others who want us to believe that they are behind this. I believe we all should take care, not just those of us who have been handling the Tepete accounts.”
‘... fuck,’ thinks Keris, reluctantly impressed under the guise of a maid. It seems he didn’t get the job through nepotism alone; Ragara Eyes-Never-Green is a worthy opponent for her. The mercury in her heart coils colder and sweeter, and she fades back, considering her next move.
‘Alright, he’s seen through my first attempt,’ she addresses Dulmea. ‘And they’ll all be on guard from now on, him included. He’ll be trying to hunt me down, too - and he bought that it was northeasterners, but he’s not jumping straight to believing that it was Tepete; he’s considering the possibility of a frame job. He’s too sharp, mama. I can’t let them leave here without getting most of them, or he’s going to make it a fucking pain in the ass to get them at all.’
She purses her lips and gnaws on a strand of hair, thinking hard. ‘Poison won’t work; they’re on guard for that now. I could try making the rounds and stabbing them with needles or bursts of killing-essence, but anything fast-acting will put him onto me and anything slow will give them time to get treated. Pouncing on them from alleys as they leave will be a problem if too many go at once; I won’t be able to hit them all. I need one big attack I can do now to hit them all at once, hard enough to kill, that doesn’t obviously scream Hellish influence or turn into a duel. If it can hurt him in the bargain, all the better.’
Her eyes dart around the hall, the worried bankers, her too-clever opponent, the tables, the pillars, the art on the walls-
... the walls.
Her gaze turns up to the roof. The roof, and the heavy beams and rafters supporting it, and the sturdy walls that hold it up.
‘Oh,’ she thinks. ‘Yes. That might well do.’
There’s panic in the banquet hall, where the dragonblood is reassuring his guests. “I have already sent for men from our legions to secure the place and ensure each of you get home safely,” he tells them. “For now, it is best to wait. We’re secure in here - much more secure than if we split up.”
“Sometimes a target will realise the poison is in their food,” Dulmea says calmly. “It happens. That is why one must always be prepared and have fallbacks. It is important that one does not blow one’s cover.”
‘I know, mama,’ Keris says. ‘And look up there. The beams are flawed - there’s a shear-point at that join near the top where they haven’t braced it properly. A child could bring the whole ceiling down if they could get up there and put their shoulder to it. And...’ her gaze traces down the wall, ‘see how bad the ventilation is? They must have made it like that so it’s hard to listen in and because they don’t need a fire. But the reason they don’t need a fire is that they’re getting all their heat from the hypocaust. You can feel how the floor’s all warm, and see the hot air coming into the room there,’ her eyes flick to one of the vents, ‘and there, and there. It’s coming up from the furnace downstairs. All very neat, all very secure, all very cozy - but all I’d need to do is throw the right alchemical compounds in the furnace and I’d fill the whole room with whitedamp. Colourless, odourless, tasteless; it sometimes causes headaches and dizziness, nausea and weakness and shortness of breath, but they may not realise it’s an airborne asphyxiant fast enough.’
She’s already moving towards the door, slipping stealthily away and heading downstairs.
‘I’ll choke them all on whitedamp and then move up to the top of the room quietly,’ she decides. ‘And then if any of them realise what’s going on or start trying to evacuate or ventilate the room, I’ll drop the roof on them all.’
Keris is a ghost, slipping out and heading down to the furnace. First she closes off all the other valves, ensuring the full force of what is about to happen is directed into the main hall. She has her alchemy set, and she knows the way to create whitedamp is through combustion with inadequate life-nature around. Thus, she already knows what to do - first some air-gulping powder, to drain the life-nature from the air without extinguishing the fire properly, and then a mixture of oil of coal-ant, aqua volant, firedust and just a pinch (enough to be hidden from investigators) of po silver. She closes the furnace hatch with her left hand, uncaring of the heat, and then bends the lever other people have to use in place to jam it. That’ll stop anyone from noticing it, and stop them opening the door if they do notice it.
She estimates from what she tastes of the air that they’ll start showing symptoms in five to ten minutes, and death will follow within thirty.
Whitedamp is heavy, so it builds up in the hypocaust, only rising as it’s forced up. It is silent, and flavourless, and tasteless to mortal senses. Ragara Eyes-Never-Green is on his feet, pacing around, waiting for messengers, listening - but the older men and women here are seated, often looking hungrily at the food that he’s forbidden them to touch.
Silently, the whitedamp rises.
They talk. They speculate who did this. They ponder and wait for the soldiers to arrive.
Silently the whitedamp rises.
Ragara Eyes-Never-Green looks like he wants to step out, wants to talk to people, but he has that nasty little edge that means he knows someone like her might be hiding and waiting for him to leave the mortals unguarded. Fair enough, Keris thinks; he’s right. Her eyes narrow in hateful desire at that. She can hear him mutter below his breath. He’s tracing the angles, wondering what the next move is, trying to work out who House Tepete might have contracted.
Silently, the whitedamp rises.
A few of the older people in the room are showing symptoms already. One looks dizzy. Others are headachey, or feeling sick. It’s just fear, right? They haven’t eaten anything yet. And this room is getting very stuffy. Very hot. Isn’t the heating up too high? What’s going on? It’s not that cold outside, right?
Silently the whitedamp rises.
One of the women, a thin old lady dressed in long white robes with a purple mourning sash slumps in her chair. Shortly afterwards, an older man tries to rise and pace around to clear his head. He stumbles, and sags back down. And falls from his chair. He’s almost certainly dead because of that, because the whitedamp is thickest at floor level. But that draws the attention of Ragara Eyes-Never-Green.
He can’t smell anything. He can’t taste anything. There’s no noxious fumes, just a slight hint of smoke from the too-hot heating and the way the room is so stuffy and he’s finding even he’s sleepy.
But he still puts things together. Enough to realise this is a kind of poison. A poison that must be tied to the air. And he pulls the man upright, up onto the table. A tap to the chest, an examination-
“Something is blocking his ability to circulate life-air,” he whispers to himself. “Something - a poison, a poison that doesn’t allow him to take it up. He hasn’t drunk or eaten, and it’s affecting everyone - Air that inhibits the body’s Air circulation. That constricts the middle dantian. Whitedamp! And-” His eyes go to the door, like he’s expecting assassins to come through, like he’s expecting there to be assassins on the other side.
So he turns to face the outer wall, brings his hands together as a triangle, and then lets loose lightning that punches a hole in the wall. The thundercrack is deafeningly loud in this closed space - and immediate cold fresh air rushes in. Crack! Crack! Crack! A workable exit is formed. “Out! Out! There’s poison in the air! Out!”
At the same instant that the last bolt breaks through the wall, Keris moves. Hidden in the rafters, tucked away next to the flawed beam-joint, she’s watched and waited and now she strikes.
It only takes one kick.
It’s a disaster, honestly. It’s the talk of both versions of the Imperial City in the days to come, both the snobby upper parts and the real city below. A hall full of influential and rich House Ragara bankers killed in the collapse. Except maybe they were poisoned too? With an untraceable, tasteless, odourless poison hidden in the air? Or maybe something in the food? The stories are confused, but everyone is clear that a lot of bankers are dead and there’s a Magistrate and the Justices of the Peace on the scene, and House Ragara is furious.
Keris feels she did a very good job. Eight of her targets died in the collapsing ceiling, or shortly afterwards from internal injuries. She helped three along the way when she was on the scene, finishing them off as a mercy (not really). The others are in a bad state from the whitedamp and might not make it, and even if they do they’re invalids, maybe for life. Which means she just has to go clean house, and hunt down the ones who are now going to ground or very well protected by House Ragara. The fat cats are cowering, scared, and Ragara Eyes-Never-Green is trying to protect his fellows and also clear his name from having caused the collapse by knocking out part of an exterior wall.
That means that Keris is just left with the job of mopping up. She targets the ailing invalids in their sickbeds first, sneaking in to get at them as a background nurse or an invisible predatory monster, and with a sweet caress she lays mercury into the broth trickled past their lips and the drugs pumped into their blood.
Mercury is a very nice poison for things like this. It’s slow, it’s hard to treat if the patient is already sick, and it’s very natural. Lots of important mortals in the Dynasty get targeted with mercury (that or arsenic, the other classic). It doesn’t give away her hand.
What could give away her hand is stopping as a pretty little maid wrapped in her own shadow, and flirting with Ragara Eyes-Never-Green after just poisoning a man. But the rush. She’s pretty and she has exotic features and she’s small and shrinking but speaks perfect High Realm (stolen via flesh-parasite) and she’s there to reassure him and comfort him when he’s so worried and tense and still woozy from the effects of the whitedamp poisoning and the ceiling falling on him. She’s kind. She attends to him. She flirts back. And oh, she has her duties to get to, but she gives him a smile and commits the features of this tall, Realm-handsome man with pale blue hair and those cloudy-grey eyes to her memory.
He’s on her kill list and he didn’t suspect a thing and it’s wonderful.
“Szoreny gets into your head, child,” Dulmea observes as Keris sits on a rooftop, hugging her knees in glee. “You are obsessing over him. You just spent ten excruciating minutes flirting with him, making that false face of yours memorable.”
She is not pleased.
“Lust is a lever, mama,” Keris retorts. “One that I can yank on hard. I can get close to him with that face now. I can get him to take me out on a date at the same time that one of my other targets dies. I can get him to tell me things. It’s not the real me, I can discard it whenever I want. But if I need it, it’s an in. And I’ve been doing well killing the others, even against this kind of opposition!”
“Is that really true? Or are you doing this for the moment of the rush when you know you’re the one making his life a misery and he sees you as a pretty face?” Dulmea asks rhetorically. “Will you ruin him because you can, and then steal his heart as a mark of your triumph over him? I see many of the same feelings you had towards Unquestionable Balanodo in what you show now.”
Keris shrugs. “We’ll see,” she says. “Look, I know it’s a risk, mama. But it’s an opportunity as well. And you can’t say I’m not doing my job well, even if I’m being more reckless about it than you like.”
Dulmea has no answer for that, and so Keris turns her attention to her remaining targets; the ones who weren’t in the banquet hall. Oh, the dirty little secrets she compiled are so very useful here, forcing the cowardly ones to react to the possibility of scandal - or the actuality of it, when one proves recalcitrant and she arranges for his mistresses to find out about each other. The less cautious ones, meanwhile... well, she knows where they go to indulge their less acceptable tastes, and it’s easy enough to be waiting there for them.
They know something is coming for them, poor fools. There are Ragara soldiers outside their houses and they take cover in family structures protected by dragonblooded and one even tries to flee the city. Not one of them escapes. The one who tries to run vanishes along with his guards when his carriage passes under the city gates and they don’t have to know that Keris was inside, clinging to the ceiling, and silently murders every man and woman and inhales their corpses. The man with the mistresses is murdered by one of them when Keris whispers so sweetly to her of revenge, and she leaves the woman to her fate because it’ll hurt House Ji, a patrician client house of Sinisi slavers. Ragara Duto she gets alone and force-feeds him jade scrip until he chokes to death. She comes for every one of them in time, and not one escapes and Ragara Eyes-Never-Green can’t stop her.
Once, he can’t stop her because he’s consorting with a gale she left to entertain him while she carried out the murder, and the memory of lying with him she gets as she inhales her duplicate is just as sweet as the actual kill.
And then there’s none left, and she’s a couple of days early before she should go to check on her darling students. How to spend the time?
The idea floats by to penetrate deeper into the city, right to its heart, and take a look at the famed and fabled Imperial Manse... but no. That place will be crawling with Dragonblooded, and frankly Keris isn’t even sure she wants to stick her left arm down on the dragon lines feeding that thing. So instead, she departs from the Imperial City and heads back to Pangu, partly to check on how Ixy is doing (she hasn’t made her move yet, but there’s no sign of her being caught) and rather more to check on Turtle Island’s Heaven Fragrance Market, one of the largest, richest and most varied pharmaceutical markets House Cynis has to offer.
She finished early, after all. She deserves something nice.
Dressed up as a lovely foreign courtesan, Keris wanders through Pangu. She hates this city, built on slavery as it is, but she also loves it. It doesn’t look Realm, it isn’t stultified. It’s a melange of imitations of Threshold styles and cultures, worn by visitors and fashionable Realm-ites alike. There are so many languages spoken here, Rivertongue and Low Realm pidgins, and there’s beauty and music and culture. There are riverways lit by floating lanterns and Shogunate mechanisms that purify the water and there are gorgeous estates and courtesan-houses more lovely than the Jade Carnation. But those are just diversions for her, because when she heads to Turtle Island she can visit the Heaven Fragrance Market.
So many smells! Countless perfumes, countless raw ingredients, flowers from all over the world. Sorcerers from foreign land selling magically cultivated wonders; Dynastic geniuses with the most fashionable scents. She can refill - and expand - her alchemy toolkit, and all it will take is a notable expenditure of money. And maybe some back alley bribes to sell her things that only Dynasts can legally buy.
She gets lost in the drug stores and pharmacies immediately, her usual penny-pinching forgotten, and hours pass as she works her way through the market. There’s a dampvessel shop where she spends a considerable sum on vapour-fractioning glassware, a store with levinflow equipment where she gets into a delighted argument with a Chiaroscuroan occultist about charged acids, a red jade heater she salivates over and puts serious thought into stealing after seeing the price, a bookstore where she gets a third of the way into a text on sulfites before the bookseller meaningfully clears his throat and makes her buy it - the diversions go on and on and on.
Eventually, though, her stomach reminds her that she needs to eat, and she winds up sitting on top of her haul on a bench in a nearby park, happily skimming through a book that discusses drugs originating in the Anarchy while taking occasional bites out of a skewer.
And of course, fielding ecstatic questions from Jemil, who has been with her the entire time wanting to know more and more and more. Except when he is sulking that he doesn’t get to be out here. Her youngest (?) is decidedly mercurial.
“... and what happens if you add the aqua fortis first, thought?” he demands. “Surely it doesn’t produce the same salt?”
“If you’re dealing with non-active metals like copper or silver, the reaction depends on the temperature and the concentration of the acid,” Keris answers patiently. “Adding it first will mean the metal is getting a much more concentrated dose, so instead of mostly relatively benign copperdamp you’ll get fortisdamp, which isn’t nearly as nasty a toxin but still isn’t particularly good for you.”
“Uh huh, uh huh!” There is the scritching of several pens.
“Child,” Dulmea says tersely, “perhaps you might visit him? He is occupying my tower to access my mirror, and rather getting in the way. Additionally, he keeps trying to steal my notes on other matters.”
“Yeah, fine,” Keris agrees. “I need to get all my purchases put away, and then I’ll take a nap and come in to visit. Jemil, does that sound good?”
“Yes, that’s fine! I have wanted to see more of you, mother, and this seems like a fine time!”
Keris hands her purchases in to Dulmea, who stashes them in the alchemy-equipment box in her tower, and then finds a nice isolated spot in the park that’s off the paths, melts into the surroundings until she resembles nothing so much as a patch of bushes nestled up against the lumpy base of an old tree, and closes her eyes to dream her way into her Domain.
It is moonrise in the lands within her. Rathan is rising late today. Keris hasn’t yet been able to work exactly why the rising of the red moon drifts. It isn’t, much to her surprise, linked to what time Rathan-the-person gets up (even if this would explain why it’s moonrise in the mid afternoon). It tends to cling close-ish to the Creation day in length, except when it doesn’t.
Just another mystery of her inner world, waiting for someone to put the effort into solving it.
It’s a market day in the streets of the City, but Keris heads out downhill towards the Sea, and follows the arc of the freezing cold red light of the moonhouse towers around the world towards the Isles. There, in the interstitial space between the Isles and the Sea is the newly forming maybe-a-direction, where detritus and organic matter are spun together and lichen spins yellow structures with soft organic lines on the islands close to the board. Shielding her eyes from the moon, she can see the yellow is thicker towards the rim. The world is changing again.
And the cause is bounding up to her, scuttling on many hands across the white sand. “Hello, mother! Sorry I didn’t wait for you! I got bored!” Jemil says brightly, beaming innocently with joy in his golden eyes.
“Hello darling,” Keris says, giving him a hug. “That’s alright.” She gestures at the lichen. “You seem to have been busy in here. Is this what your home is going to be like?”
He coils around her, so he can hug her with many arms, so he can lean over and rest his cheek against hers. “Yes! It’s still taking shape, but I can feel it. Oh, Mother, there will be a tower here, a great tower that reaches up as high as the stars and the moon, a tower that will hold all your knowledge. A great library that has to be that big so it can hold everything we’ll learn together. The foundations are growing down there, down in the dark, and they’re going to have to be strong. There will be archives for everything you know and in the pools of knowledge it’ll mingle with other things you learn and from that new things will come out. Things no one has ever known before!”
She grins, putting all her teeth into it. “Then we better feed it well. And things that nobody alive knows anymore will be good for it, won’t they? Molacasi told us so much about the ancient Lintha’s rites and rituals.” She pats her belly. “Would you like to help me put them to use with Hellebore once she’s born?”
“Of course, of course! I’ve already started a Lintha wing, in one of the islands! I’ll move it into the tower when the tower’s ready, but look! Look!”
Of course she just has to accompany him across the water on a boat that was probably once akin to the ones seen all over the Isles, but is now alive in its own right, its sail spun from lichen and its mollusc-like valves propelling it silently. The island he speaks of was once the white-and-rainbow of an Isles art-temple, barely more than a rock. Some of the keruby have stayed (she catches sight of a papremekmu in yellow robes, sorting a delivery of paper), and they have been joined by new demons.
“Hey! Maj!” It’s Mele, standing on a ship flying his colours docked on the far side of the island. “Was wondering when you’d show up!” Of course she just has to leap onto the deck and kiss him, and he picks her up and spins her around. “I’ve been helping Jemil get things set up. He’s buying stuff from all over, and I’ve put him in contact with some people. Of course, he’s picked up the art of making new demons super fast-”
“Yes! Yes, I have! Look!” Jemil joins them on the boat, scuttling up the side and pointing with many limbs at the things that Keris had thought were just mounds of lichen-vegetation. “I’m calling them my zuzmoirnoks! My symbiotic scribes! I realised I needed people who’d be happy to spend all their time thinking about things and so I got some of my lichen and told it several things but not everything and it got so curious it took form and started asking questions too! I’ve made several of them and now they’re helping me categorise copies of things I’m requesting from all the big libraries! So I know what I have to read first!”
“Oh?” Keris asks, strolling over to crouch down next to the thing and taking its measure. “Hello, little one. Welcome to the world. How do you work, then?”
“Little one. Term, diminutive, affectionate,” the fungal-licheny-mouldy-thing says, forming a head from its wobbly bulk to look up at her. The head emerges further, followed by something of a torso, and the form adjusts and shifts to imitate Keris’s own. “You. You are the All-Queen, your appearance matches descriptions I have read, your face shows kinship to Jemil. This is the look of the All-Queen.” And it reaches forwards, to engulf her hand in a warm slimy mass. “This is the taste of the All-Queen. This is good! This is interesting!”
“They seem to just grab all the information they can and then let it pool together and come up with conclusions,” Mele says helpfully. “The ones he makes don’t even know how to speak at first, but I saw one split in half and both of them knew how to speak.”
“Sharing, dividing when there’s too many thoughts,” the oozing demon says, twisting to face Mele, and the slimy protrusion reshapes itself to take on Mele’s look. “Sharing, pooling, learning from one another.”
This is definitely not a kerub. It is something much further from humanity, something much more classically demonic. But Jemil has, by all indications, made a demon that’s entirely happy to sit around and be fed new knowledge and be a researcher who won’t, to name no names Oula, get distressed and upset because she hasn’t made any progress in several seasons and distract herself by sleeping with Keris’s eldest son. Hopefully.
Keris beams down at the little demon - it’s not actually that small, with perhaps the mass of a child-kerub on the edge of maturing, but because of how it’s mostly just a mound it looks smaller than it would if it were standing upright.
“Oh, you’re adorable,” she praises. “I’ll definitely have to summon you and your siblings to help me with research out in the big world. Though, ah,” she turns back to Jemil. “I try not to get involved in things like this because of how my decisions set big precedents - and because they’re your lands, so I do my best to let you work out your differences between yourselves - but you do know that Rathan and Zanara are going to take issue with you spreading out into their Directions, yes? I’m not saying you can’t, and Rathan might well be willing to let it go in return for something of equivalent value, but you should probably plan for Zanara throwing a tantrum. They’re busy in Arjuf right now, but eventually they’re going to want to come in and meet their new sibling and spend some time in the Isles.”
This seems to shock, appall, and surprise Jemil. “But I read the histories! They took land from Haneyl and Rathan when they came to be. And the world shifted around to handle that. So shouldn’t things just happen like that?”
“They did, yes - and Haneyl nearly got very upset about how it was a chunk of her region that got shifted until Zanara paid her off with lots of white stone and opal. I think there was some kind of agreement with Rathan, too, but Mele would be able to tell you more about that than me.” Keris shrugs. “Here’s something important to know, Jemil: there’s a big difference in how it feels to take something from someone else, compared to having something taken from you. It’s the same action either way, and that should mean people feel the same way about it regardless - but depending on which side you’re on, you gain something in one case and lose something in another. The mind might know there’s no difference, but to your feelings, it’s the impact on you that has the most effect. So people who are fine with getting things at the expense of others might not react the same way when they’re the ones losing out for someone else’s gains.”
Jemil considers this, arms coming together all down his body to lace his fingers together, tap them, scratch at them - a dozen little fidgets.
“You’re not wrong that your big sibling would be a bit of a hypocrite to get angry about your territory doing the same thing theirs did,” Keris adds. “But...” she tilts her hand back and forth and makes a face, “well, it’s not like they let being a bit of a hypocrite sometimes stop them. They loved being the youngest sibling, because it meant they were special, but they might not like having a younger sibling, because it means losing that place - and the attention that comes with it. It might not sound logical, this kind of differing view on the same action depending on which side you’re on, but it’s just how people work. You won’t understand how they think and behave if you don’t take it into account. When Zanara does show up, I’ll step in if it looks like things are getting too nasty, but you should probably plan for, at the very least, getting shouted at. Though, mm. Honestly, you could do a lot worse than having a few pontiffs around whenever they turn up and asking them for ideas in advance about how to get Nara to help calm Zana down. That’ll really help avoid things getting violent.”
Jemil tilts his head to the side. “You said that people aren’t your brothers and sisters if you don’t want them to be,” he offers. “I’ll let Zanara say I’m not their younger brother so they can stay the youngest if it’ll make them happy. I want to be part of the family, but I don’t want them to be angry. But if you think I should give them nice things instead, I can do that! I want to know more about how to make people happy! And you said you don’t want to get involved in us having conflicts, so it’s better if I sort it out myself!”
Keris almost flinches at the idea of so easily giving up on siblinghood, then blinks and chuckles as a thought strikes her. “Try for being Zana’s nephew,” she advises, smiling. “She’s always insisting that she’s my half-sister rather than my daughter anyway. If you back her up on that, she might be so pleased she’ll let the rest go.” She claps. “Now! Show me around the foundations of this tower of yours. The Lintha library, too! And if you want anything from the Heaven Fragrance Market, I can see if I can get it for you to make up for you not getting to explore it yourself.”
“I want everything!” is perhaps the inevitable response she gets. Jemil is Haneyl’s full brother, after all.
The foundations of the tower turn out to be a reef, a reef that is coral and lichen and stone and shadow all woven together. It rises up from the seabed, gnawing into the stone and slurping up quicksilver from the Undersea. And more than that, the moment Keris steps foot on the reef - which barely rises above the water - the lightning changes. The cool red light of Rathan fades to almost nothing, the lights of the stars of the Meadow are lost, the glow of the Swamp is a mere note to the gloom. Instead, Keris can see the shadows stretching up and up in a twinned helical structure, the shadows of the structure which will exist when this building has grown. And she can hear the music of the celestial spheres, echoing off the shadows of walls.
“Look!” Jemil says brightly, opening a shadow door, and just for a moment Keris sees the room that will exist there, with piles and piles of scrolls stacked high and demons sorting them and arms hanging down from the ceiling, passing scrolls around. But just for a moment, and then there are only shadows there. “It wants to be built! No, more than that. You want it to be built!”
“It started doing this when you learned that spell about shadows of the past, Jemil says,” Mele says. He’s got wax in his ears, to muffle the sound of the music of the spheres. “And the tower learned to be the shadows of the future. Or something, at least. It feels a lot like bits of the Meadows and Spires, anyway.”
“Whoa,” breathes Keris, eyes wide. “Ah, but- what if we build it differently from how we sa- ah?” The shadows flicker again, and this time it’s a different room; taller, narrower, with soaring high shelves and a lattice of rolling ladders and hanging chairs and wide beams that span the aisles. She laughs, delighted. “Ah, the future can cast many shadows, huh? Or many futures can cast a shadow on the same place!”
“I know!” Jemil crows, dancing a little hand-shuffle on his many arms. “I look up, Mother, and I see there’s so much I don’t know! And-and-and! I saw the shadow of Simya here too! So maybe one day I’m going to manage to work out a way to let her get in and that way she’ll be away from that horrible mother of hers who makes her sad!”
Something dangerous glints in Keris’s eye. “Yes,” she says, measured and lethal. “That does sound good, getting her away from Hinna.” Her expression eases, becoming fond. “Getting her in here is impossible going by what I know of the rules- but that just means we don’t yet know the rule that’ll let you do it.” She kisses him on the cheek. “I’ll be very interested to see how that turns out, so best of luck with it.”
Keris can’t help but think of this, though. How might she achieve this? She can move objects and parts of the landscape into her soul? But when she moves the landscape in, she’s saturating it with Yozi essence. Could she do this? Could she saturate a living being - a human - with her nature such that she could bring them into her?
It sounds... possible. Of course the easiest way would be to transform her into a demon, perhaps with the Wave and Fire Rite, perhaps finding that part of her that is a neomah and twisting it so it is a Kerisian demon, but-
It is at that point that Keris realises that the thoughts here are not entirely her own. The tower is whispering them to her. Or, no, they are her own, but this shadow of a tower yet to come is the part of her mind that’s running over these thoughts. She thinks and the tower whispers her thoughts to her before she realises she consciously knows them. And Jemil listens and he whispers them too.
The tower is growing. The tower is reifying. Ahead of her, even as she watches, lichen oozes up to wrap around the shadow substrate and envelop it. The walls are taking shape. There is a doorway there where there were once only shadows. She steps through and she can see that the process is only half-finished, but already the stone and lichen and coral is taking form in ways that resemble her vivisection of Simya. There is a sculpture of Simya’s tower-organ, the twisted malformed thing that Keris wants to turn into an alchemy lab she can always keep with her. There are golden lanterns here with rainbow fringes, casting a clear light as the lichen ignites from the force of cognition and these shadow-lanterns project sketches in the air.
In her heart, Keris realises how easy it has been to think of such things since she made Jemil, how things that would once have obstructed her give way with just a little thought, how the boundaries of knowledge surrender themselves to her with her Ipithymia-and-Sasi-borne obsession to easy their way into substance.
She looks at him, her gold-haired, gold-eyed child, soft-featured and effeminate in his upper body, a centipede-snake below the waist. He looks back. They share, for a moment, a deep understanding.
“... well,” Keris concedes. “I guess since I’ve already promised to keep working on her anyway, I could spend some time now thinking of ways to build a foundation to make her a native of this realm while I do.”
“Of course you will. And so will I!” Jemil scuttles around the new room, ecstatic even if it isn't complete and lacks a ceiling. “She doesn’t really need to be human, does she? Humanity has brought her nothing but misery! And look at Mele!”
“I mean, I don’t mind if someone does, because I am very handsome, but... uh, why?” Mele offers up with a flick of his head, trying to lighten the situation.
“Have you ever missed humanity?”
“Dunno. What does it mean to be human? I was a orven then I became a jegu.” He pauses, and considers. “But then again, hellborn do seem to be just plain worse than us - more stupid, more static, not,” he does a little bow, “as charming. And her maj says us keruby are very human for demons. So... I mean, correct me if I’m wrong, Keris, but I don’t think you’d be all that happy if you just turned Simya into one of those neomah things that - at least according to Biqi - are a breed of ‘fucking scabs’, wow she doesn’t like them…”
Keris snickers. “Is that what she calls them? But no, I’m not thinking of that. You’re right; humanity gives a certain flexibility of thought that she’d lose if she became a neomah. I’m thinking,” she taps the nearest wall, “of something more like a lichen. Algae and fungus woven together. We don’t need to get rid of her humanity - we just need to suffuse something of my nature through it to the point they’re inseparable. Instead of stripping away her humanity, we add to it - make her something more like a kerub or one of my souls.”
“Wait. Can you turn someone into a kerub?” Mele doesn’t look entirely comfortable.
“It’d be fascinating to try,” Jemil murmurs, returning to Keris to meet her eyes. “And she deserves better. She could come and live here! With me!”
Part of Keris’s mind is considering that yes, it would be fascinating. But she’s also aware her boyfriend doesn’t seem comfortable with the idea. And also that she almost certainly needs to have the Talk with Jemil. And also maybe Simya too, because frankly that mother of hers can’t be trusted to have done it right.
“I said something like a- okay, tell you what,” Keris says, adjusting course just so that her boyfriend will stop making that face. “Jemil, we’ll talk more about this later, after I get a chance to see what Simya’s feelings are. In the meantime - this is what I meant to ask you earlier - can you and your cute little zuzmoirnoks go through the Lintha wing and figure out which sanctification ceremony we’ll need for Hellebore’s birth? It’s going to be one of the bigger ones, since she was fathered by a demon prince - and probably bigger still given that she’s the first of her kind to be made in a long, long time. I’d rather know what I’m doing a good way in advance of the birth so that I have time to prepare and gather all the materials.”
Jemil claps enthusiastically. “Of course! That’s important work and I want to look more at the Lintha things anyway! There’s so much to do, so much to catch up on, so much new to discover, but at least if I have something to get started with we can build more on that later! And I bet Simya will love to see some of these Lintha things too! I’ve only glanced over them and they’re operating at levels far beyond anything the two of us looked at in Hell!”
“Hey, Jems,” Mele says, “why don’t we, y’know, take her to that office place that renda you picked up has set up for sorting through the Lintha notes?”
“Oh! Yes! Yes!” Jemil scuttles off, and then pauses and realises he should explain a little more. “Mele had a good idea! A really good idea! He said that I should hire a low-ranking renda from the Swamp to handle... you know, all the boring running-things tasks so I could get on with the thinking-about-things and learning-things and also-also-also rendas can just find the documents I want if I want them! And also that a low-ranking renda would jump at the chance of getting to work for me directly, while higher ranking ones will be loyal to Princess Haneyl! So I went and I hired one and it’s really working out! Come on, come on!”
The ‘Lintha research area’ is back on the island Mele was on, outside the shadow tower in the remains of a lichen-covered art-temple. “Ah, my lord,” says a renda, dressed in clearly new-and-expensive Isles-fashion. He has darker skin than Keris, pale green hair, and bright orange eyes which might be a sign of him being femborn. “Oh! And her Highness, Queen Keris Maryam Dulmeadokht. This is a welcome honour indeed. I am High Chief Oversecretary Uji, assisting my lord Prince Jemil in the categorisation and sorting of the Lintha rites and principles handed to you! While the work is still in its early stages, I,” he coughs into his hand, “would venture that I have already sorted it by category, invoked power, and utility, and set up a referencing system. Is there anything that you wish?”
“Ceremonies, specifically blessings for birth, more specifically blessings for the birth of a demon-prince-sired wonder,” Keris says, resting a maternal hand on her baby bump. “Also, at a lower priority, anything you have on the proper design of shrines and levinflow arquebuses, culverins and falconades, since she’ll need a housing once she’s born.”
“Of course, of course.” He raps his knuckles together. “While I cannot guarantee that this is the full totality of the works relating to your inquiry, follow me.” He leads her first over to a collection of blocks of unmelting ice that project images when light is shone through and engraved stone slabs stored in the lichen-covered temple (“In the long term we definitely want to make duplicates of all of these, but it’s hard to find the qualified workers who can be trusted to transcribe things exactly and only as they exist here”) to show her weapon forms, graven schematics, and images of ancient Lintha utilising these terrifying weapons of antiquity. She will, obviously, need to look at these in more detail, but it’s an excellent starting point and possibly this Uji will find more detailed things she can copy - because, after all, she can see the half-written catalogues and in-progress notes scattered all around.
“Well, that’s looking good, maj,” Mele says, giving her a little cuddle.
“Yes! Yes! Oh, look at this weapon that launches demon-worms that devour the flesh of the enemies of Kimbery,” Jemil begins, snatching up a tablet and pouring over it.
“I have more notes on its construction, for this category seems to have been relatively common and exist at several scales, with the largest a ship-mounted weapon releasing squirming sea-beasts to devour the great hulls of the ships of the ancient enemies of the Yozis-” begins Uji.
“And the ceremonies?” Mele says, smiling, easy, handling the obsessive researchers around him.
“Right, right! Any further questions, your majesty, before we move onto the ceremony archives?”
“Right! Yes, they’re more of a priority,” Keris agrees, patting his hand where it rests on her hip without looking away from the slab she’s studying. “Mmm. Yes, okay. I think I can use these - I’ll have to see exactly what she’s like when she’s born, but- okay, okay,” she protests as Mele applies gentle pressure to pull her away, “I’m coming, you don’t need to herd me. Uji, I’ll have some questions for you later about integration between the frames and the living elements, but I’ll let you do some more categorisation first. On to the ceremonies.”
“Y-yes, the ceremonies.” Uji’s yellow robe flares around him as he turns and leads them down stairs and through a locked door. “I’ve kept these ones in a more, ahem, secure location. I don’t want children getting in here and trying some of them out. Just in case they happened to work. Or, well. How to put it, your majesty? These are... often, ah, messy. Fascinating, and alluring, and beautiful, and lovely, and more than a little erotic, but also... messy.”
Keris has by this point experienced (extensively) that Molacasi had been a lusty demon-god before his crippling, but these rituals - both to him and his siblings - really hammer it home. The ancient Lintha were taught to consort with demons and offer themselves up as payment for the great gifts granted to them, and these offerings made them kin to the demons. Perhaps the ancient Lintha were once indistinguishable from the other humans of this time (she thinks of what Kalathais spoke of) before ritual and generation after generation of service to the souls of Kimbery made them a people apart. Or maybe not. Maybe they were always made different, made to be the favoured people of the Great Mother.
Certainly, these ceremonies are lavish and often lascivious. Great offerings of the fruits and wealth of Creation, cast into pools of Kimbery (for she could flow freely then) so that the Great Mother might feed well. Sea-gold and pearl and red moonsilver shrines so that the child’s birth might occur in a place away from the attention of other powers. Breeds of demon Keris has never heard of (perhaps now extinct) called up to serve as midwives. Sacrifices, of beasts and men and now-lost races of the world. Whole cities of Lintha devoting their prayers to feed the youngling and the sire. For the most powerful flesh-creations, powerful demon lords and princes called up and entertained with gifts and flesh so that they might stay through the whole birth and lay their blessing on the child.
Keris purses her lips. “Hmm. Okay. Definitely having the birth in Hell, then - which means,” she directs down at her bump, “that you’re gonna be riding around in there until Fire, sweetie; I have too many things to do to go back and have you earlier than that. At least that means we can probably get the stock created before we go back. But, hmm, yeah.”
She frowns, leaning back into Mele with folded arms and tapping her fingers on her elbow. “The problem is, we don’t have a lot of this stuff, so we’re going to have to make some substitutions.” The mind of a Joyful Priestess starts to work, and Keris is struck - not for the first time - by how her past has, for all the pain it contained, left her with a skillset that’s almost perfectly suited to these kinds of on-the-fly adjustments to old rituals for which the equipment and infrastructure no longer really exists.
“The offerings we can do fairly easily,” she starts. “The shrines are more difficult, but I happen to know where a source of red moonsilver is thanks to your eldest brother, so you and I can go there at some point in Wood, Jemil, and pick it up. The midwife-demons... I can probably find substitutes for. I, hmm... might ask mama to make a breed of them, actually. She gained a midwife’s skillset from the nature of Kimbery and also some sympathetic soul-mirroring and the birth of Zanara and so on, even if she hates it - and with keruby starting to have babies now, we could use some skilled help with births. Sacrifices, again, we can do. Prayer... I can get prayer from Hell; it might take some deals but I can get it. Demon lords and princes... Rathan and Zanara, maybe? Ah, though if I call in Rathan, it’d have to be Oula, um, entertaining him, which would pull her off her research.”
Mele grins. “Speaking as Rathan’s... uh, hopefully-still-best friend and how me and Oulie’ve got Yuutu as a big brother so we’re kin-siblings, he’d enjoy it and I’d find it a bit funny to see her having to dress up in,” he gestures at some of the ancient artwork, “something like that. She always did have a very high opinion of herself. Like Rala, but more.” He stretches. “Are you wanting to bring Molacasi into this, or keep a bit of distance? From what you say, he owes you enough he’ll help out with this.”
“Learning from him would be fascinating,” Jemil hints. Which is sort of the problem. “Oh! What about his souls?”
“I... dunno.” Mele glances at Keris. “Maj, I don’t think you told me anything about Molacasi’s souls.”
“There’s a reason for that,” Keris says with a wince. “They are... estranged, to put it mildly.” She’d heard his rants about their unfaithfulness, leaving him alone. Really, to her ear they got away from him. “The ones he cared for and liked are gone, and the ones who he recalls are testaments to his maiming.” She considers. “There may be a couple I could track down, but most of them are practically hiding from him. Or deliberately conceal their heritage and pretend to be descended from other souls of Kimbery.”
“Oh! That’s sad,” Jemil says, face falling. “How could you be so awful to your own souls that they don’t want to be near you?”
“Pain too-often begets pain,” Keris explains sadly. “When you’re hurting and raw and wounded... a lot of times, people respond to that by getting angry, and respond to that by lashing out at anything or anyone around them. Even people who are trying to help, and care about them. Sometimes especially them. People trying to help you, when you’re that low - people showing you kindness... it can feel like pity, and when you’re only holding your ragged wounds together with pride and bitterness and rage, letting go of them feels like it’ll kill you. So the kindness feels like being looked down on, or like a lie, or just like too little, too late. And that provokes anger, and so you attack, and drive away the very people trying to help you.”
She looks down, remembering the very earliest years with Kasseni, before she met Rat. The time on the streets, free but alone, dirty and starving, with nothing but hatred to keep her together.
“Pain,” she says softly, “makes monsters even of the best of souls. It’s awful how he treated them. But after what the Exalted did to him, he lost all the parts of himself he loved, and what was left...” She grimaces. “Hating them was just a symptom of how he hated himself. The creature the Exalted made him into.”
“Well, that’s not at all like you! You love learning things! And being kind, so you’ve got Calesco! And Mele says Rathan’s super fair because you are,” Jemil says, clearly figuring things out out loud. “So I suppose we just have to make sure you’re all happy and keep on keeping you happy with what we do, because we’re not just you, we’re also the people who care for you.”
Keris looks at him for a long moment, then leans forward mechanically and kisses him on the cheek. “Thank you, darling,” she says, her voice flatter than normal. “Now, how about you see if you can find some descriptions of those old midwife breeds for me? I’m going to steal Mele away to sit on the beach for a while, and then I’ll come back and see what you’ve found.”
“Oh! Yes, that sounds very good!” Her youngest is easily distracted, and Keris tugs Mele away without too much trouble, settling down near the shore.
“So,” she says. “First off... you looked a bit uncomfortable when we were talking about Simya. Do you want to talk about it?”
Mele glances over his shoulder. “Not... right now, maj. If that’s okay.”
Keris nods, having half-expected that with Jemil still so close. “Okay,” she says peaceably, and rests her head on his shoulder for a little while, tracing her feet from side to side in the patches of white sand that are being eaten up by lichen and looking out at the Fog Wall in the middle distance.
Then, quietly;
“I’m no different, you know,” she murmurs. “Jemil’s wrong about that. ‘Not at all like me’, hah. I’ve been there. I know that place full of hate and spite and bitter bleeding rage. It’s in my bones, Mele. I lived there for years. It still comes back, when I don’t have you or my family around. It came back on the Street. It comes back when you’re hurt.”
She shakes her head without lifting it, feeling his arm tighten around her, his hair rustle in concern.
“If I hadn’t been in a good place when I had Eko, enough to see her as a little sister and choose to be kind... if I hadn’t had the good years with Gull before everything went to shit and ended tragically... if I hadn’t met Rat when I did, and he hadn’t been quick enough a talker even that young to get me to put down the shiv I had held to his ear...”
Her eyes flicker down to her hands, and she swallows down a dry throat.
“I don’t like Molacasi,” she confesses, hushed and fearful. “He’s awful. Cruel. A monster. But I understand him. I understand him, because I could have been him; so, so easily. Pain can make a monster of anyone. It made a monster of me. And a bit of the monster is always going to be left there. Just waiting to come out again when it hurts enough. Jemil says I couldn’t be more different... but I’m not any better than Molacasi is. Not when I’m under the knife.”
“Yeah, but he’s never tried to be better. And you have.” Mele raises his hands to ward off her objections. “No, no, really, Keris, I do get you.” His hair strokes the back of her neck. “I just think sometimes you trick yourself into thinking you’re more like them than you really are. I mean, like, even if you started similar, he’s been like that for thousands of years. And you haven’t. There’s probably all new levels of monster he’s found that you haven’t even dreamed up yet.”
The bark of laughter that escapes actually surprises Keris, and she turns to him incredulously. “Are you... are you saying I’m being arrogant by comparing my monstrousness to his? Setting my sights too high, like Ixy trying to bluster and posture in Testolagh or Pokhanza’s face?”
“Maybe! I’m just saying, you got so much done in... however old you are which is a much smaller number than however many thousands he has. And if you’re gonna keep on being stupid about it, maybe you and I oughta go find a place in a nice little Isles beach resort and we can engage in,” he winks, “vigorous debate jegu-style until you feel better. On both the topic you brought up earlier and also some other topics.”
He is not being very subtle if he’s trying to bed her. But maybe he’s also looking for an excuse to get her away from the tower here so they can talk more without Jemil butting in. Hopefully without Jemil butting in.
“Well,” Keris says, tilting her head and doing a very poor job of playing coy, “I suppose if you’re that starved for heated academic discussion and the cut and thrust of rhetoric...”
He does in fact take her to a little but quite nice rental cottage on one of the City-facing islands, pay the tolvajka owner for two turns of the hourglass - oh, it’s that kind of rental place - and they do get a little distracted washing off the lichen-stains and the salt. But they only get as far as sloppy make-out sessions in the warm little lagoon in the back before Mele remembers that this was technically somewhat an excuse. “Wow, you are really distracting, maj,” he teases her playfully, trailing a finger down from her throat to her navel, resting on the bulge of her pregnancy. “What was the talking thing you wanted to do exactly?”
She pouts at him, but relaxes back into the water and sighs. “Simya. And Jemil. And Simya-and-Jemil. You looked uncomfortable when we were talking about how he might get her in here. What was on your mind?”
“Oh, right, yeah.” And the same discomfort crosses his face. “I... I guess the idea of turning a human into a kerub feels kind of... wrong? I dunno. It’s like,” he tries to sketch an idea he can’t explain in the air with his hands and hair alike. “Either you’re turning an actual adult who’s your age into a kid again and that’s just weird, or they’re someone who looks like an adult but didn’t actually grow up. The thought of someone who looks like a jegu or a holda but never actually cared about justice and can’t swim and doesn’t... doesn’t have the experiences feels wrong?”
Keris purses her lips. “I wasn’t really talking about turning her into one of the existing breeds. More like... you, all the keruby; you’re demons, but you’re more human than other demons. Far more human. You have human needs, you think more like humans - honestly, at some point when I have free time I want to do a comparative study between the souls of humans, keruby and hellspawn, because I bet keruby are more like the first than the last. Rather than turning her into a jegu or a holda, I think Jemil might be able to... to put her through something like a maturation where her ‘being human’ was the child-form. Something more like what’s happening to that artisan couple living in Sirelmiya’s temple. Or,” she adds, a vague memory rising to the surface, “those little brats made of cloud and silver out in the fog. Unless they’re actually another child-breed? But I’d have thought I’d have seen some outside the Rim if that were true. I’m pretty sure I saw one in there back before I instituted the Calibration festivals, though. Little pest stole one of my hair ornaments.”
Mele opens his mouth, and considers again. “Put a pin in that, and we’ll talk about that some time later. The ones in the Fog, I mean,” he says. “But, eh. I dunno. Maybe it’s just a matter of getting used to it. I talked with Biqi, y’know, and she said that the hellborn keruby are weird, but still keruby. Even if they’re a bunch of hide-bound rule addicts which frankly doesn’t sound natural to me. Except for rendas, but everyone knows rendas will cheat you at cards if they think they can get away with it. They just hate getting caught... where was I? I hope you’re appreciating how hard it is to focus when you’re being all super-hot and cute in the pool like this.
“Oh! Yes. I... I don’t know. Maybe it’ll turn out much more okay when it actually happens. But the thought of someone being turned into a kerub feels kind of... ick? Sorry I can’t put it to words better.”
He paddles over to scoop her onto his lap. “And where do you get off, saying I’m more human than a demon?” he protests in mock outrage, hands going to her bottom as she straddles him. “I’m not blind to half the world and I can sail better than any human too! The cheek, maj! The cheek!”
“You’re more human than demons in the ways humans are better - like being more flexible,” Keris waggles her eyebrows before continuing, “... in how you think. And you’re more demon than human in the ways demons are better, like being more skilled and powerful and less fragile. So basically you’re the best of both worlds.” She traces a finger down his chest, feeling very smug. “As expected of my people.”
“Well, I suppose that’s okay. As long as you’re praising me by doing that. And since you’re praising me, I suppose I should return the favour and say that if your chosen people are the best and the prettiest and the most... flexible,” he mimics her expression, “it’s only because we take after you. I don’t think you could possibly let yourself down by making demons who aren’t gorgeous and clever and witty and pretty. Just like you. Right, maj?”
She flows up through the water to wind her arms around his neck.
“Right~” she purrs.
When she ends her meditation, she decides she needs to go have an actual bath in the pleasure district because unfortunately dreaming of cleanliness does not quite clean her off in the same way. And then she decides - well, maybe she needs some pampering, and possibly some entertaining examination of the vice trade here for purely business reasons.
Surely she doesn’t need to head north to check up on Suriani immediately.
As it so happens, Keris was entirely and one hundred percent correct and her adorable little disciples have done their tasks cleanly, efficiently, and with outrageous success.
“It is just as well they did not see your mishaps,” Dulmea cruelly observes.
Suriani knows what she’s doing. She is a seductress and an assassin trained by the Black Claw School, and even before she was chosen by Hell they used her to remove people who paid too much attention to their affairs. It’s sometimes hard to remember that when around her, but that is what the Black Claw teaches, after all. Giant earth elemental dragons might be a little beyond her, but old, fat and tired Dragonblooded governors with a thing for pretty young women aren’t. She uses Sasimana’s contacts to get introduced to the right social circles and makes a good number of contacts with House Ragara along the way, and leads Governor Ragara Kolinomo Su into a whirlwind romance with her where his loose lips and improperly secured lockboxes lead her to picking up no small number of secrets.
And when she gets the right moment, which is to say, right after he has a secret meeting with House Sesusu agents in his office, she murders him and lets the chain of evidence point to the shady masked people who were having a late-night meeting with the Ragara governor. With what she’s heard, it wasn’t even jade that had Ragara overpaying in bribes for the governorship in Rising Spire, it was buried, undeclared ruins of the Old Realm. Ruins with treasures no one knows they have, which means no one knows that the strange crystal statue resembling a curled-up child is now in Suriani’s hands. Which she proudly presents to Keris.
“Oh, my disciple,” Keris says warmly, kissing her on the brow and tracing her hand down the peacock-tailed snake-cat tattooed across Suriani’s back. “You’ve exceeded even my expectations. No wonder our masters chose you - even as a mortal, your skill was too great for them to ignore.” She lifts the crystal in her hair, examining it from every angle and even taking a quick lick. “Now,” she croons, “what is this pretty thing you’ve brought me, hmm?”
“I am not sure, mistress,” Suriani reports, “but I could hear the echoes of old power in it - and saw, clearly, that he was keeping it hidden even from his own underlings. And his,” she rests her hand on her chest, her lips twisting in a mocking sneer, “one true love.”
But Keris isn’t really paying attention to that now that she has a new puzzle in front of her. Her left hand lets her trace the lines of the empty life-vein conduits, the hissing shadows in her mind tell her secrets, and suddenly she knows who made this.
This is a fascinatingly intricate automata-golem designed by an ancient Solar - and indeed, from the design, Keris believes the design was made literally by the same woman who made the Bright Shattered Gown. But this was lost in the great disasters that cracked Meru, and so was never touched by Ipithymia. There are commands she knows now, commands in Old Realm to order it to act, to pretend to live. The child-like design is a lie of its storage state, and when active and properly fitted with hearthstones these crystal parts would separate and form an adult-sized body, reconfiguring as the Bright Shattered Gown does. It has no will of its own, no mind. If asked to kill in the correct way, it will do so, the edges of its crystal form turning into blades. If ordered to sacrifice itself for its master, it would. Otherwise, it seems to basically be a loyal retainer-servant, doing a task that a well-trained mortal could do.
It is flawed - deeply flawed - by age and damage from some terrible essence blast. There are places where a single blow could fracture it irreparably. But they aren’t obvious, and won’t be struck by chance. And purely incidentally (her wicked little mind considers), Keris can see that there are ways to jailbreak it, stripping out its automata mind and replacing it with a demonic spirit or servant of Hell, allowing potentially a demon lord to instead dwell in it and operate freely in Creation, protected by the solar-shielding intended to allow it to recharge when in sunlight.
“It’s an automaton,” she murmurs. “A servant-golem; well done, Suriani. I know exactly where I can use this.” She cups Suriani’s cheek and smiles at her. “If you keep giving me such effective results and such wonderful little presents, I’m going to have to bless you with that essence-armour even sooner than I thought.”
Suriani leans into her hand. “Of course, mistress,” she murmurs. “Your praise is all I need...”
... except that isn’t true, of course, and Keris gives her the reward she wants. Then she packs her off and sends her up to Chanos to meet with Mikosu Hiji, an infernalist patrician who’ll be her contact for the next step of Sasimana’s plan. For her part, Keris heads back to Pangu and discovers that while Ixy hadn’t gotten around to what she was doing when Keris was there in the markets, she definitely has now. The Guild embassy bombed, a great red pillar of smoke rising above it from doped firedust, and the few survivors hunted down. The markets are talking about this - one found dumped in front of the house of Cynis Wisel Alida, another gunned down by a firewand in plain sight when surrounded by House troops, and one found strapped to the Guild ship that was to be her escape route.
“Is that all right?” Ixy demands as she waits in the safehouse, a scowl on her expression. “Is that enough for you?”
Further interrogation (“Oh, you’re not happy, of course not!”) reveals she made the firedust bombs and doped them with some nasty poisonous herbs she’d stolen from the Pangu pharmaceutical markets, and planted them by swimming in through the canals to get into the compound then used the stalking predation of the Hungry Swamp to pass unseen as she set slow-fuse timed charges under their beds and in their offices. She hadn’t gotten them all, but Sasi’s people had been feeding her intel as to where the targets were and the security measures, and she’d picked them off when there were no dragonblooded around.
“This is good work,” Keris concludes. “The city’s already buzzing about that pillar of smoke being an ill omen, and you were brutal enough with the kills that they’ll be remembered and talked about for ages.” She nods. “You pass. In fact, I think this might have earned you another lesson - one I’ve been meaning to give you. We can have it while you tell me all about your season with Testolagh.”
“What kind of lesson?” Ixy’s hackles are up, her eyes narrowed. It’s like, for some reason, she expects Keris’s lessons to involve pain, hard work, or other forms of unpleasantness.
“I did say I was going to get you some training for making and maintaining your own flamepieces,” Keris says cheerfully. “Think of it as being something in that direction.”
“‘Kay. You’re smilin’. You’re smilin’ way too much for it to not be a trick, but,” Ixy glances around the luxurious Pangu apartment, checking out the exits, “what’s your game this time?”
“Just through here,” Keris smiles, beckoning her through to the room she’s prepared and doing nothing to deny Ixy’s accusations. “It’s simple enough. There’s a disassembled flamepiece in that box on the table, along with step-by-step instructions on how to put one together. I want you to practice. That’s all.”
She’s lying, of course. That’s not all. Because her goal here is to teach Ixy crafting in the way of the King, who destroys to create. Just giving her a set of parts to put together would be far too easy. This training isn’t about memorising how to put the flamepiece together. It’s about getting Ixy into the right mindset.
So the table is a drafting table with a slanted surface - perfect for sketching blueprints, but the small parts of the flamepiece will slide off it. The chair is too high for the table surface, forcing Ixy to bend down awkwardly to work, with a rigid back that will make it hard to do so. The tools are the wrong size, the parts are all from different flamepieces that don’t fit together right.
The task is impossible. At least if Ixy tries to approach it on its own terms. But Keris picked all her props carefully, and there’s nothing to stop Ixy from breaking off the legs of the table to level it out, snapping the back off the stool and cutting down its legs to make it more comfortable, breaking the tools up to fashion cruder ones that can actually work at the scale she needs, using the flamepiece parts as raw materials to hammer and file down and beat into shape until they fit together.
The instructions are perfectly genuine. They’re detailed, even - detailed enough that even with Ixy’s relative lack of skill, she has more than enough information to work out how the weapon should go together. None of the adjustments needed are complex, or difficult.
She just needs to stop thinking of the things Keris has provided her as complete, usable items in their own right, and start seeing them as base materials to be broken up and put to her own purposes.
“While you work,” she adds, taking a seat of her own in a swing chair in the corner, “you can give me your report on Testolagh. I’ve got the inks for your tattoo, so impress me with your thoroughness and we can see about getting that done before we go back to the Southwest. I’m sure you’d appreciate not having to deal with the heat or humidity when we return.”
Ixy dumps the parts on the table, and watches them roll off. There is a gloing-gloing-gloing when the barrel hits the floor. She turns to Keris, and gives her a not-even-betrayed but greatly exasperated look that seems to say ‘oh, the bullshit begins’. And then she turns and kicks the lovely rug out the way so she has the floor to use as a workspace.
“I’ll throw firedust at your fancy hair if you start kicking the bits around,” she scowls, and then has to go looking for part of the tension bar which rolled off the table.
Still, she is showing how she’s grown. Or at the very least, gotten wise to Keris and her tricks. She starts by laying out all the bits on the clear floor, and then checks they’re all there and that Keris hasn’t in fact not given her everything she needs. She gets to work at Keris’s prompting that she’s here to assemble a firewand, not play with toys, and at the same time Keris gets to listen to her report.
“First thing I got to say, an’ you probably will get pissy if I don’t make it clear, is that I know he ain’t showed me everything. Because I know he shuffled me outta the place when certain stuff showed up, and I weren’t gonna go get caught by someone as big an’ scary as him.
“But from what I saw down there, he’s practic’ly a big emperor-dude and there’s basically a war going on down there. Him ‘gainst the faeries, only he got faeries too, wearing collars that glow green like the sun in Hell, an’ demons too and humans an’ stuff. An’ he got... like, dragonblooded too, an’ some of them are rednecks, swear to it. Or at least they used to be. They got the redneck look like the nobs who get off the ships.”
“Interesting,” Keris muses. “He’s probably recruiting from Realm defectors, then. Did they have green-fire brands too?”
“Nah.” She shakes her head, ears twitching irritably. “Not that I see, no. But one of his redneck boss-gals was the gang-boss of one of the big blocky skull island-fort things he got. One of the big ones, too. The one he calls ‘Fifth Bastion’ so he got at least four more. Her name was, uh, Sihodora Yila. Or maybe Yira, only heard it a couple of times an’ the redneck accent don’t make those names all that different. An’ another of the bastion islands also got a different flag with a dragon on it wearing a green crown, which was different to the one that the Sihodora lady had. I reckon from how they were talking that... like, just like how gang-bosses might let a strong guy take the protection money from a block in return for ‘em being loyal, he gave ‘em each an island.”
“I suppose I don’t have a problem with him getting into a war with the fae as long as it doesn’t cut into his work for me,” Keris muses. “Hmm. At least four more, but the odds that the one number you overheard was the largest are one in five at the most. Likely somewhere between five and ten islands, then, with a Dragonblood leading each one. Or more accurately, somewhere between five and ten Dragonblooded he’s won to his banner, and he’s made each of them an island.” She nods thoughtfully. “Continue.”
Unfortunately, while Ixy can repeat what she saw in detail and explain what she was asked to do, it’s pretty clear to Keris that any higher-level understanding of the society Testolagh is apparently building down there went over her head. Nothing she got about the economics or trade is useful or, likely, accurate, filtered too heavily through the lens of a Chiaroscuran street rat who understands things only through gangs and street-level holdings.
But her words do sketch out their own story that Keris can draw - a bordermarch that is being pulled from the Wyld, step by brazen step. Vast architecture in the style of Malfeas, spun from chaos, supplanting what had been there before. Colossal basalt fortifications on wyld-polluted islands, linked together by corridors of hellish stone that enforce the order of linear space on the shifting lands. People who sound like Raaran Ge and people who sound like defectors from the Realm, granted land as subsidiary lords. Fae chained by hellish mechanisms and devices to further the goal of collapsing the chaos that exists there now. And implications that Ixy might have missed but which Keris reads clearly; that he’s fighting something else, something willing to ally with the fae against him. Which doesn’t sound like Heaven, but might well be a Chosen of the Moon.
She hasn’t been paying attention to Testolagh, but just from what Ixy has seen, she reckons he’s put together something the size of a decent satrapy. And here’s the thing - his boast last year was unexceptional, focusing more on what he’d done for Keris. Not that he’s built a fucking Maula-sized empire down there. Which means he’s following the orders of the Unquestionable specifically and not reporting it publicly to keep it secret.
Or he isn’t following their orders at all.
She drums her fingers on her knee, idly keeping an eye on Ixy’s increasingly frustrated work on the flamepiece, and considers that. Strictly speaking, she has no problem with Testolagh hiding what he’s doing from Hell. It’s not like she’s not doing the same, after all. No, the question is whether she wants to confront him about it, and - given he clearly isn’t fully loyal to Hell - whether she wants to bring him in on her own plans. Even if he’s at war with the fae and/or some Lunar warlord, his empire no doubt has places she could hide things - things like any more of Lilunu’s souls she can smuggle out, who’d be safe from detection at the edge of the world where Fate couldn’t see them.
But on the other hand, is it necessary to let him in on what she’s doing? He probably wouldn’t sell her out to the Unquestionable, who he loathes - certainly, she could ask exactly what oath he swore, and if it has no requirement to report traitors (which it likely doesn’t), he won’t. If she got him to give her his word he won’t tell, she’d be able to trust it.
It would just... give him insight into what she’s doing, and why. And even if he didn’t oppose it, he might start doing things - perhaps even with intent to help - that could interfere with her delicate web of lies, deceit and manipulation. Normally Keris likes that kind of initiative-taking, but not in something as delicate as the multiple heresies she’s committing.
And if he didn’t do anything either way to help or hinder, what would be the point of telling him at all? It would only be a risk, another potential source of information leakage from someone whose ability to lie isn’t on par with Keris’s own.
No, she decides. There’s no pressing need to let Testolagh in on her own plans. Not yet. But she might well want to let him know she knows about his. And also double-check what his current assigned mission in the Southwest is, too.
Her thoughts are disrupted by the scraping of metal. Ixy has pulled out her beautiful mirror-like orichalcum blade she stole from the Despot’s treasury, and is using it to shave down part of the mechanism. Which it does easily. “Oh, that’s so fuckin’ easy,” she self-congratulates. “That’s way cleaner than using a shitty belt knife.” She then uses the pommel of the orichalcum blade to hammer the match arm into having more of a hook so it’ll fit the placement of the flash pan. She pauses, ears going flat as she looks up at Keris. “What’s the real trap here? It ain’t gonna be just having to put together a firewand from bits. Have you doped the ‘dust or summin’ so it’ll misfire?”
She doesn’t seem to believe it’s at all probable - or even possible - that she’s been handed bits of different firewands that don’t fit together properly as a test, rather than it just being... the base state of working with firewands. Maybe, Keris considers, the firewand craft in Chiaroscuro is more artisanal than what she saw in Gem, where House Arbani has standardised part sizes for the off-the-shelf batch models that a visiting lordling might be buying tens or hundreds of for his retinue rather than a custom job for his own use.
But on the other hand, between this and the fact she’d put together those timed firedust bombs herself - Ixy doesn’t seem to understand that she has a talent for this kind of thing. Not enough to brag about it to Keris.
Keris hums non-committedly. She hadn’t expected Ixy to already be so willing to hammer and chisel parts to fit, which is both boon and bane. Boon, because it means she’s already partway towards the mindset needed, and Keris can just nudge her a few steps along her intended training plan. Bane, because if she’s used to doing things in such a slapdash, hamfisted method... yeah, Keris is definitely going to have to train her out of that and beat some proper metalwork into her head.
She opens a drawer and runs her fingers over three boxes before pulling out the fourth.
“Oh my,” she says. “You think I’d be so predictable? No, you’ve passed the first part of the test. But that was just to see where your skills were. Now, get on with your next build.” She tosses the box over. Inside are the components for a smoke grenade - in the sense that there’s a small oil lamp that’ll need all the insides ripped out to serve as a suitable container, several firedust cartridges that Ixy will need to rip up and re-mix in order to get the blend right, a watch that she can break open to get the spring out, and so on. The list of instructions is just as good, and it’s still fairly obvious where the different bits she’ll need are. But this time she’ll need to do rather more taking apart and putting back together.
“You think that’s a challenge?” Ixy scoffs at her, ears flicking irritably. “I’ve been making smokers since I was shorter than you. Gangs pay for ‘em. An’ they’re good for gettin’ away. Or tossin’ in someone’s roof and shouting ‘fire’ then robbin’ the place ‘cross the street.”
And she proves as good as her word, simply ignoring the instructions and throwing together a crude but entirely functional smokebomb.
Keris isn’t phased. She doesn’t show any concern. Just draws out another box, skipping several more in the progression, and gives Ixy another task. Here’s a belt and an architect’s slide rule: make me a knife, Ixy. Here’s a set of cutlery: make me some lockpicks, Ixy. Here are some folded bed linens: make me a burnous, Ixy.
Every end product is something useful; something with a clear relevance to Ixy’s life. But each demand offers fewer instructions and fewer materials, slowly forcing Ixy to go out and scavenge for the things she’s not given, to find things she can salvage or cannibalise into the components she needs.
(Keris also starts throwing time limits in after a while, though that’s less part of the plan and more just because the expression on Ixy’s face when she casually mentions it the first time is really funny.)
It isn’t until Ixy is starting to show signs of frustration (muttering in annoyance as she gets back with three and a half minutes of the half-hour Keris had given to her to produce a spyglass from nothing but a diagram of what lenses should look like) that Keris props her chin on her hand and says “you know, you’re good at this,” with enough of a casual air that it almost slips by unnoticed.
“I’m not,” is the sullen, resentful teenage response. “You’re being a kalba again. I just put this junk together. I was never as good as- as others. An’ it’s junk. It works but it’s still junk.”
Keris drums her fingers on the arm of her chair, and considers the girl squatting on her haunches in front of her like a surly animal.
“Mmm,” she says after a moment, cocking her head. “Alright. Does that mean you want to have this conversation now? I’ve put it off a couple of times already, but we’re not in any imminent danger at the moment, and you’ve been doing well enough with your assassinations that we can afford to.”
“What conversation’d that be?”
Shifting again in her seat, Keris very subtly prepares for violence. What she’s about to say is a bit of a shot in the dark, but it’s one she’s confident enough to wager on with some loose phrasing and a confident bluff. Because...
-choking and all-consuming in the vibrations of the new Infernal’s heart; the fear of being weak, of being too weak to protect the things she cares about-
-someone out there that Ixy wants something for, a figure half-seen in a dirty mirror in an ill-lit room, a key to her heart’s price sealed away in a lockbox of its own-
-the little gasp she heard from Ixy at the boasting, prompted by, specifically, Geasa’s mention of the Black Heron-
-Ixy not moving, frozen solid by the news of the Dead attacking Gem on the night of their heist, her pupils like pinpricks and irises barely larger, both hands on her flamepieces with her nails clicking against the wood, her whole body trembling and terrified-
-the grief in that hesitation, the mention of ‘others’ who were so much better than her; some pain-soaked memory from before her Exaltation-
... she thinks she might have a guess at what’s lurking in her student’s past. Something horribly close to the dark grief in Keris’s own.
“The one about whoever it is you lost to the Black Heron,” she says, crossing her fingers and hoping her gamble pays off, “that you want so badly to find.”
Ixy doesn’t freeze. In just a moment she’s upright, on the other side of the room, her hand on her flamepiece. And... then she freezes. She doesn’t draw. Something above the level of reflex, of primal fear, stops her. But she’s on a wire and doesn’t let go of her piece and-
“The fuck d’you know that?” she growls, voice twanging.
“I didn’t,” Keris admits, because in this specific case, affecting an air of casual omniscience will only make Ixy more scared. “Not for sure. Not until you just confirmed it for me. But I’ve seen how you react to the Dead, and I especially saw how you reacted when Geasa mentioned the Black Heron back at Calibration. And I know about having lost people to the Underworld. The way you talk sometimes - I could tell there was someone on your mind. Someone important and out of reach. I guessed the two were connected, and it sounds like I was right.”
She leans forward, resting her elbows on her knees. “Geasa’s in charge of the Directorate of Ash and Sorrows,” she continues. “And I’ve gotten along with him before, kinda, but I don’t think he needs to know about this. Not unless you decide to tell him. If you explain what happened to me, it won’t go any further than my ears. You have my word.” A pause. “If you choose not to say anything... then I won’t force you, Ixy. But as something that concerns my student, I will have to look into it myself if I don’t know enough.”
“Grrrah!” Ixy bites back what is clearly going to be a curse at minimum, but she doesn’t move, still huddled in, still ready to draw. “You an’ your pox-damn’d witchery and gossip powers an’- I said you was a murder priestess an’ they did that kinda shit too! Got the gods whisperin’ to them crazy-like and telllin’ them things others missed an’ all that!”
She thumps the wall, and the fine wood splinters and chars. Her ears are back, and her tail swings wide and low.
“You really never let go, do ya?” Her lips curl up, showing her teeth. “Fine! Fine! I’ll give you a bit and then you can fuck off. It’s my concern! Not yours!”
Her pupils are tiny, she shakes with fear. She’s terrified, both of Keris’s uncanny abilities and of what’s in her head.
“It all started with us goin’ to steal something from one of the Whisperin’ Circles,” she begins. “Well, no, I guess it started when when we stole summin’ from a redneck who had a whole buncha followers an’ had been askin’ around in the shady places in the Foreigner’s Quarter-”
Of course Keris needs things explained. The Whispering Circles are shadowlands in Chiaroscuro; they’re places dating back to the Great Contagion, ancient towers filled with trapped hungry ghosts and malicious plague-spectres and haunts and body-thieves and gaunts. They’re even worse than the Foreigner's Quarter, an area of the city where the glass towers have been utterly ruined and the region is a morass of ruins, razor-sharp rubble and mudbrick houses surrounded by fallen grandeur.
And the Quarter is where Ixy was born and raised - insofar as she was raised at all. It is, to Keris’s ears, Chiaroscuro’s Firewander. Less danger from the Wyld, more danger from the Dead, and far, far more danger from broken glass. Her, a half-feral skinny thing making a living there from scrap, in among the gangs and the brothels and the people selling things that the lordly Delzhan didn’t tolerate in the nicer areas of town but wanted somewhere where they could be bought.
No, it really isn’t Firewander when it’s put like that, because Firewander had a vicious, proud independence, and the Foreigner’s Quarter is where things go that the rest of the city want to have around, but not near them.
“Don’t remember my ma,” Ixy says. “I think she died of the pox when I was a kid. An’,” her bare teeth flash again, “dunno who my pa was neither. I reckon he probably weren’t foxkin ‘cause people said she was more foxy ‘an me an’ I look Delzhan. There was just me. Me an’ Soha.”
Soha... probably wasn’t her sister? Neither of them were sure, but they thought they were probably cousins. Or something like that. But practically speaking, they were sisters - alone in the world, living off charity and begging and pretty soon on the things the gangs wanted from small girls who were nimble and could crawl through tight spaces. Ixy, maybe the younger but always bigger, always more aggressive, and clever Soha who had a bit of the redneck look about her and eyes that could see in any light level. They attached themselves to gangs when it got them food, and they learned tricks with mechanisms and traps from old foxkin former mercenaries and scoundrels alike who’d pay small, nimble hands to make nasty little devices for sale.
“The thing about a flamepiece,” Ixy says, still wired up, voice clipped, “is that it don’t care how strong you are. I could be a skinny foxbrat and if some redneck or delzhite grabbed Soha lookin’ for some fun with a kid, I could ram it in his gut. An’ if he was thinkin’ straight he’d let her go. They used to like grabbin’ her more. Maybe ‘cause of her redneck face. So yeah, I got used to protectin’ her. An’ she was better with the traps an’ tricks an’ sometimes if times were hard-like, she’d dress up in this dress we stole and lure some creep into an alley an’ take his stuff with her knives an’ my pieces to make sure he didn’t take a swing.”
Keris nods along as she listens. Outwardly, she shows nothing but focused attention - no pity, no sympathy, no compassion. Inwardly...
Fuck, she thinks as the story of two kids clinging to each other in the slums of a big city tugs on heartstrings that haven’t lain dormant long enough that they don’t still hurt. Stop making me feel for you when I know how stories like this end.
And while the story unwinds to where Ixy claims it started, Keris can see the differences. Ixy and Soha were doing their own thing. There was no mentor figure for them, not even really a Mister Chen. When one of the old men who bought the junk they sorted and assembled said they’d get some coin if they went and overturned the stall of one of his rivals, it was the girls who found some other street kids on the fringe of one of their gangs and arranged to run shrieking through one of the black markets and scared off the woman’s donkey and tossed whitewash onto her sun-shades. And in that and what she mentions of some of their friends - “lackies” - Keris can so clearly see how she bonded quickly with the keruby she handed her as a bunch of misfits prone to criminality, stealing, and opportunistic chaos.
Then they made the mistake of stealing from a Dynast who was here to poke around in the old ruins. And they got caught. And said Dynast made it very clear that they were going to be exploring the Whispering Circle for her, because if they didn’t she would hand them all over to the tri-Khan’s men as someone who dared steal from a Dynast. And that’d mean a slow, painful death in the salt mines if they were lucky.
So the Dynast stood safely behind the lines of salt and sent them in to pull things out, with a self-satisfied little smile as she promised them that if they made it back with treasure, she’d not only forgive them, she’d reward them handsomely.
“She looked like wasshisname. That one who sits next to the empty seat. The fat one.”
“Peleps Anadala?”
“Yeah, prob’ly. Not him, duh, ‘cause he’s a guy. But her eyes were dark too.”
Ixy doesn’t talk about what she saw there. Doesn’t talk about what happened to the gaggle of terrified teenagers going into a long-sealed tower filled with the Dead, trapped here since the start of the Age. But Keris can imagine it. Their friends died. Deliberately. Intentionally. They were being herded. Led down paths into the lands of the Dead. There were things down there. Horrid things. Vast things.
“I ran,” Ixy says, staring at the past. “I mean, who wouldn’t. I’d grabbed something and... I don’t remember much, but... she wasn’t with me.”
Keris lets out a soft breath, but makes no move to comfort Ixy, no matter how much she wants to. The younger girl is already bristling, just at the memory. The set of her shoulders does not invite touch.
“But that wasn’t all,” she prompts instead, soft and neutral. “Was it? If it was, you wouldn’t think there was a chance of seeing her again.”
“I gave that stinkin’ ancient thing to the lady an’ she gave me a few coins for it and went gammerin’ in their language to her people,” Ixy says, eyes haunted. “I stumbled off. I was hurtin’. Then the demon showed up. Looked kinda like Janna, now that I think ‘bout it. Face of porcelain, an’ it laughed and giggled an’ I knew it weren’t laughin’ at me somehow. It didn’t speak good, but it held out its hand and just kept sayin’ ‘re-venge’. Course I said yes. An’ it went all over me an’ I saw things - but your lady-boss says that’s normal, we all do it.”
That sounds, to Keris, like one of the dzokerkae - the mirthful reivers, progeny of the Gargoyle Duchess Zabah, soul of Hidrae, soul of Malfeas. Said to be made from mortals who wandered into her domain, but there is nothing sane or human or thoughtful in them now; just viciousness and the laughter of a hyena as they raid and butcher.
“Nothing like myself, I would say,” Dulmea says. “No wise council for her, even if it retains what little mind it has.”
“An’, well, I went to hurt the damn rednecks. I know what I’m gonna do to that lady when I find her,” Ixy says, voice low and full of rage. “I’m gonna cut off her arms and legs an’ toss her into a Whispering Circle an’ then I’m gonna watch as the ghasts eat her just like they ate-” She cuts herself off. “I’m gonna watch an’ I’m gonna laugh. But I didn’t find her. Not when I was huntin’ in the old city.”
Her breath rasps. Her leg bounces in agitation.
“Soha found me, though. Her ghast. ‘Least that’s what I thought. All clean an’ pretty-like and nobby. Under the moon. An’ behind her. Behind her, a lady with a metal bird mask an’ armour with a mantle of black feathers. With a bright umbrella. And then I looked at Soha an’ I saw she was the first person I’d seen since I met the demon an’ got the fire in my eyes who was on my level. But she stank of dead things. An’ I looked at the lady an’...
“... she was like your Lilunu. Or Boss Ligier. Or that prissy blue bitch. Swear on it. I just knew... I knew she could kill me, easy as.
“I knew it an’ she knew it an’ she knew I knew it an’ she laughed. An’ she tol’ me, she tol’ me that this was just too funny, an’ I should run back to Hell to my masters. An’ I needed to get stronger. Because... because I wouldn’t be enough for her Damsel Draped in the Last Star’s Lonely Sigh. Not like I am, not when her training is complete. An’ I didn’t know who she was talkin’ about and I tried to talk to Soha, to say... anything an’-”
She chokes up, words lost.
Very slowly, Keris pushes herself up from her seat and kneels down next to Ixy. As delicately as if handling spun lace, her hand comes down on Ixy’s shoulder, and rests there.
“I understand,” she says, because the memory of Rat’s red silk scarf is bright in her mind’s eye and the confrontation in that Matasque embassy feels like it was only yesterday. “And I won’t go looking for Soha unless you ask me to. If I hear anything in passing, I’ll tell you.” A deliberate pause. “That Dynast, on the other hand... well. A Dynast, in Chiaroscuro sometime last year, looking into the ruins, with dark eyes and a portly build. That already narrows it down a fair bit. I could ask some questions. Get you a name. Find out where she might be”
Ixy isn’t crying. She isn’t. For all that she might just be maybe fifteen, she doesn’t cry, and so any wetness in her eyes - or their flare of green - has to just be a trick of the light. “... y-you said. Something about... you’ve met summin’ like what she made of Soha, din’t ya? Not just on business, neither.”
Keris closes her eyes against the knife of pain that goes in like a gut wound every time she remembers Rat’s expression as he’d died.
“Yeah,” she murmurs, barely audible. “I grew up with him, too. He wasn’t my brother, though. He was my friend. My partner. My... first love.”
She doesn’t say anything more. She doesn’t really need to.
“Oh. Yeah.” Ixy takes a deep breath and wipes her eyes on her forearm. “Well, you’re still here, ain’t you?” A desperate, hopeful rhetorical question.
“I’m still here,” Keris replies, quiet and serious. “And so are you. You got out of there, and now you’re here. My student. And I don’t take on students who don’t have promise, including,” she reaches forward to tap the flamepiece Ixy is still holding without taking her hand off her shoulder, “with this stuff. You might not be as good at it as Soha, but you’re smart, Ixy. Smart and good with your hands. You can build things as well as breaking them.”
She pauses to let that sink in.
“With the King’s power,” she continues, when Ixy’s fingers start to move across the crude-but-functional flamepiece in a different way, “you can build things by breaking. He tears apart old layers and cities for the materials to grow new ones. That’s what I’m teaching you now. How to see things not just as what they are, but as what you can repurpose them into. How you can smash them up to make something you need more, or a replacement that suits you better. Your methods might be slapdash, but that just means I need to drill some proper metalwork into your head and get you that firewand apprenticeship in Saata. Which I will; don’t think I’m going soft on you here.”
And that, of all things, earns her a very adolescent huff. “You never do let up,” Ixy manages, voice cracking. “Not for a fucking moment.”
“Course not,” Keris replies, squeezing her shoulder again. “Now, come on. If this deathlord bitch has your sister, you need to get a lot stronger before you see her again. And that means training.”
Chapter 52: Late Earth 776
Chapter Text
A month and more passes in acts of violence of all forms. There is so much work from Sasi, and her instructions see them jumping across the Realm from location to location, seldom spending more than a couple of days in one place.
Keris and Ixy head up to Chanos to sabotage the so-called ‘Smoke Fleet’ of House Sesus that is being expanded significantly to give the Cynis-Sesus-Ragara alliance a hidden weapon against Peleps. Admiral Sesusu Halada is heading up the work on the fleet in private, and after asking the right questions and spreading enough money around Keris discovers the private island manse she goes to when she needs to meditate and work on her infamous temper. One foggy night Keris and Ixy swim across the choppy open water to the island, and Keris silently murders the guards and watchful spirits bound by house contracts. Ixy is the one who kills the drunken Fire Aspect in her bed, and then - without Keris ordering her to - uses some of what she’s picked up from Keris’s lessons to destroy the central shrine of the manse. A pillar of flame lights up the night, but the two women are already gone and Halada gets a funeral pyre beyond compare. Then the two of them become a wildfire passing through the Smoke Fleet hidden docks, murdering shipwrights and setting the work back and above all making noise that House Peleps won’t be able to miss.
House Cynis (Sinisi in the High Realm) is infamous for its extremely decadent parties. A number of very significant figures linked to the Cynis slave trade will be there, but most notably Sinisi Kula Lovely-Bowing-Reeds, a reclusive but influential Water-aspected part of the House’s slave trading enterprise. Two of her daughters are senators, she practically owns one of the House’s legions if you measure by what they do, and these parties are one of the few exceptions to her usual seclusion within her heavily guarded estate. The security at the gala will be fierce, and Lovely-Bowing-Reeds has to die quietly amongst a great number of dragonblooded.
So when Keris scouts out the situation, she decides to ignore the letter of what Sasi told her to do and instead take the woman out just after the party. When she is away, Keris and Suriani slip into the lavish palace-manse, blend in as house slaves, and await their mistress’s return. When she does get back, exhausted from her indulgence, she checks her messages, takes a bath, and then goes to bed whereupon one of the slaves garottes her while the other prevents her from screaming with dark magic. They kill in the style of a well-trained dragonblooded assassin and leave via the window, following the escape trail that Keris set up beforehand. Sasi might be irked that Keris changed the plan, but she’ll no doubt be pleased the murder is sold as a killing by those factions in the Deliberative who want to break the Sinisi hold on the slave monopoly and so want Lovely-Bowing-Reeds out of the way.
Between this and that and several other major killings that have Pangu and the Imperial City on edge, it is nearly Descending Earth by the time that Keris can find some time to head back to Arjuf to see how Zanara has been managing things on the Hui Cha front.
She comes back to find Arjuf in lockdown. There are more thugs in House Ledaal colours at all the inter-district checkpoints, and they are checking each and every residency permit, transmit permit, and the contents of everything down to hand-carts. There are Immaculate monks around the remaining salons and the parts of the markets where books and gems and other luxury items are sold are shut down. There are speeches about the vices of the Anathema and the sins that walk among us and the dangers of demons, and this raises a shiver of fear down Keris’s neck.
Zanara is not in the boarding house where she left Second Carp, but it turns out she left a message for Little River about where to find her. She’s relocated to their new holdings in the Old Dock District, and there are directions for Keris to get there.
The location in question is a sizable complex of warehouses and offices all jammed together, set back from the main dockside by a street and with the warehouses and offices forming a wall around the interior courtyards. There’s bamboo scaffolding all over the frontage, and the sound of hammering and sawing and digging as the hirelings work on the dilapidated frontage of the building. Keris can pick out the remnants of a House Pelepese mons under the decade old paint. She lets herself in, and is shown to where Second Carp has her office, a spacious place with narrow slotted blinds that overlooks the courtyard and shows still a few traces of the Merchant Fleet quartermaster’s office it must have once been.
“This is a nice place,” she remarks after the obligatory hugs and greetings. “Lots of room, good location, enough repair work to do that we can shape it to our liking. I can see you’re dotting some good smuggling compartments and hidden rooms around, too. Excellent find all round.”
Second Carp pulls herself to her feet, and sashays with an excess of hip sway over to the already-stocked drinks cabinet. She pours herself and Little River each a generous glass of... well, Keris was expecting whiskey or maybe baijiu, but what she actually gets is a very light fruit wine that is not really fitting for this shady import-export business. “I made contacts who pointed me to this place which wasn’t on the market, but was being held under lien in some circumstances relating to an inheritance dispute. A few payments in the right place, the observation that the creditor was skimping on the maintenance, the fact that I could pay up front in trade jade with no questions asked, and we had ourselves a deal.” She flaps her hand at the paperwork on the desk. “And all the arrangements have gone through, too. The Northern Stone Lion Watches The Sea Trading Company, registered to Hui Cha Little River, has all the permits and all the forms required to trade and import and export an unusually wide arrangement of goods - much more than most businesses in this city. Ledaal Uhi is a very good friend of mine now, and knows En even better, and since he’s the harbourmaster of the Old Dock District he can just ensure everything works nice and smoothly for us.”
The light streams in through the slats of the shutters. There is a hint - just a hint - of how rays of light look in the water, this close to Zanara.
“So really,” Second Carp says with a flick of her dark hair, sending the rainbow-coloured beads clattering, “everything went all according to plan and you barely had to show up. Praise me more.”
“Very impressive work, you’ve done very well.” Keris praises, applauding lightly. “When you say the good harbourmaster is a very good friend of yours, how good are we talking? Bribery good? Gratitude good?” She raises an eyebrow. “Infernalist good?”
Second Carp raises a finger and moves over to the window to close the slats. “Is anyone listening in?” she asks, and gets a shake of the head from Keris. “Good,” she says, and her many-coloured, figure-hugging cheongsam peels away from her like skin, leaving her an unclad statue and Nara unfolding from the ground.
“Mama,” he says, and bounds over to drape himself over her neck. “I’ve missed you so so much. Urgh, it’s so bad, so awful. Zana’s been working me like a dog - a dog! Doing everything she has to do get all of this set up in time.” He pauses, clearly waiting for praise before he continues.
Keris scoops him up in an indulgent cuddle, stroking his hair. “You’ve been very brave, working so hard for me while I’ve been gone,” she agrees. “I didn’t realise Sasi had so many jobs that would keep me away from Arjuf, and I ended up leaving you two all alone. But you still got so much done!”
He cuddles up close to her, slightly cool and slightly damp, nuzzling her shoulder. “I did all the real work handling Uhi, you know? Ignore Zana. She might’ve made him presents and wined him and dined him and talked to him lots and lots, but I’m the one who sealed the deal. He has a real thing for pretty little northern young men, and Zana just can’t manage that. Well, she could, but she doesn’t like being a boy. So I spent practic’ly every night for a week at his place, and by the end of it - and maybe helped by Zana’s art - he was thinkin’ about listenin’ to the cute little northern slave and the demons he started dreaming about after he’d,” Nara smiles, “swallowed enough of some pretty little mind-warping poisons. And Zana was there - once I did all the real work - to pay him off the books to hurry us along. But I was the one who got him to pledge to the demon Kasi, a dark lady of the wind and ocean and coastlines and the wealth that comes from them. Who maybe sorta maybe looks like Zana took your look and made it way more demon-y.”
“Aww,” Keris coos, squirming only a little at the reminder that her adorable innocent babies have sex lives and are willing to use their bodies to get what they want. “That’s very sweet of you, darling. And I appreciate the flattery. But,” her tone turns saccharine and her embrace suddenly becomes a lot firmer, with her hair wrapping both of them in a cocoon, “just one other little question on my mind before I marvel over your pretty paintings of Kasi - is there any risk that his new loyalties might be found out by all the Immaculates casing the city? And the Ledaal thugs everywhere, and the panic about the Anathema being spread across the city, and the clamp-down on the markets, and isn’t it funny, darling, that all of this seems to have happened quite recently, in... well, maybe even the time since you closed the deal on this place and got Uhi in your clutches? How much free time did you have, after you’d been so good and finished what I asked you to do instead of making trouble around the House of Bells?”
She’s probing. Mostly. She has no proof that the sudden panic is down to something Zanara did, and no proof that they’d disregarded her attempt to convince them not to go stick their noses into the Realm’s premier military academy. But on the other hand... Keris left Zanara, her most avant-garde and melodramatic child, all alone in a city like Arjuf where art and free expression are being stifled under the yoke of the Realm, and she came back to find the Dynasty buzzing like an overturned beehive about moral degeneracy and the dangers of infernalism.
It is not exactly difficult to reach the conclusion that she might have cause to be suspicious.
Nara considers the situation he finds himself in. “I am completely innocent,” he begins and when his mother looks like she’s about to call ‘bullshit’, adds, “I am. I am.”
He takes a breath.
“ButZanaMightHaveBeenSellingSomeThingsInAnotherIdentityAndSomeOfThemAccidentallyEndedUpInTheHandsOfHouseOfBellsStudents. AndTheyMightHaveSetUpACultThingOnSchoolPremises. AndThenTheyMightHaveSortOfBeenFoundByTheTeachersAndThereWasAScandal,” he says quickly as if by taking as few breaths as possible he can reduce how much trouble they end up in.
(It’s not going to work - the word ‘accidentally’ is at best doing a lot of work and is more likely just a lie)
Keris swells. Literally. Her hair billows out behind and around her, bulking up her silhouette to make her seem a dozen times bigger, and a mask of maternal ire slides down across her face.
“Zanara,” she growls, and takes a split second to regret that her youngest - no, not youngest anymore; near-youngest - hasn’t chosen a second name. This kind of telling-off is much better when she can properly full-name her disobedient, troublemaking brats.
“Just how did an infernalist artpiece ‘accidentally’ end up in the hands of Dynastic military students, and how did it get far enough for them to set up a cult for it on the grounds of their own damn school?”
“I don’t see how you’re blaming me, I’m just the Art, not the Artist! I’m completely innocent!” Nara squeals.
Keris gives him another ‘bullshit’ look. “And Zana would back you up on that, I suppose? Or would she be lying and blaming you for things that definitely weren’t your fault if she said otherwise?”
“I’m just saying, I’m completely blameless if art pieces that were not me - they weren’t, I listened to you, I went nowhere near the House of Bells - fell into the hands of Dynastic students!” he huffs.
“Mmm,” hums Keris, petting his hair some more - because as mad as she is right now, she has missed him. “I suppose that is a fair point,” she allows. “And if that’s so, it’s Zana I should be shouting at.”
He seems to be caught in something of a bind there. “It was an accident! Those students in the House of Bells got their hands on it, it was their fault; it wasn’t meant to be sold to them,” he tries.
An unimpressed red eyebrow rises slowly. “Oh really?” Keris asks sweetly. “And who was it supposed to be sold to? Perhaps some different students from the House of Bells?”
“Well, definitely ones who wouldn’t be so stupid as to get caught!” he blurts out.
“Dammit En!” the Zana-statue says through stiff lips, de-statueifying enough to vocalise.
“It’s not my fault she’s being real shouty, Zee!”
“So you were trying to mess with the House of Bells,” Keris concludes, eyes narrowing dangerously. Her hair billows out even wider. “I told you two that place was strictly off-limits! What, was figuring out the Old Dock District not enough entertainment?”
Nara collapses down in Keris’s arm, falling onto her body as a tattoo. Zana takes living form again, and makes a disgusted noise. “This is what I get for wearing that little brat just because he’s the best thing I have,” she grumps, crossing her arms over her chest and pulling a coat off the stand to cover herself. “So, yes! Yes, I wanted to make a mess of the Dynasty! They deserve it for what they’ve done to this city! And I made a fake identity for it and sold the things using a face I’ll never use again and there’s no ties here to Second Carp. Is that okay with you, sister?”
“No! Because as much as I can understand the sentiment, there are Immaculates and Ledaal thugs swarming the city looking for the culprit!” Keris fires back. “We can’t risk doing anything shady until this all dies down! Or...” she cocks her head, outrage slipping away for a moment as her mind flits down a tangent, “hmm, maybe until we feed them a guilty party for them to resolve the incident.” There’s a short pause as she considers the logistics of that, then the outrage returns. “But still! Stirring up this kind of response right when we’re getting established, in the turf we’re operating out of, is... gah, you couldn’t have done this in a city we weren’t setting up a trade post in? I’m wary of even putting a hungry one here to handle the business now, if they’re combing the city for demons!”
“Well, it’s not like I set out to get caught! I was just teaching those awful, awful people I’ve been having to deal with for almost two months and had to bribe them with sex with En and-and-and- they needed a lesson!” Zana snaps. “A lesson that all their awful horrible Immaculate bullshit won’t protect them and there’s beauty and truth in the world and-and-and I listened to some of the students who were out on an outing and they were all awful and toxic and horrible and they were constantly comparing each other and sneering down at the ones who hadn’t exalted and were talking all kinds of things about other places and how they were going to totally go out and conquer them and take all their wealth and have huge harems of all the best and hottest ‘savages’!”
A lock of hair loops around her, and she squeaks as she’s pulled unceremoniously into Keris’s lap and subjected to the same kind of cuddle as Nara. Keris strokes her hair, rocks her back and forth, and hums until Zana’s breathing starts to settle.
“I know,” she murmurs into her temple. “I know, I know. It’s terrible what they’re doing here. And it’s terrible how Dynasts are. Their whole culture is a toxic mess that breaks the weak ones and makes the strong ones cruel. The kindest of them wind up losing, and the ‘winners’ are the ones who fight for their position their whole lives until they can barely see other people as anything but things to exploit or things to target. It’s ugly. The whole system is ugly. And I know you can’t look at ugliness and not act against it; it’s just your nature. I should have thought of that when I brought you here.”
Her children are so human so much of the time that she’d forgotten they’re still demons with a demon’s Bans. Humans can have many motivations and natures, and be beholden to none of them - but a demon’s defining urge is something they can’t deny.
“I’m not angry at you for hating what this place is like, or for getting angry, or even for teaching them a lesson,” Keris murmurs, still petting Zana softly. On her arm, she can see Iris curled around tattoo-Nara, cuddling him aggressively and playfully chomping on an inky flourish to his design. It brings a smile to her face, and she reaches down with a lock of hair to stroke Iris’s head too - and Nara’s, for good measure.
“It just scared me,” she adds. “When I came back and saw them tearing up the city looking for Anathema and demons like that? It always scares me when any of you are in danger. And this is going to really hurt our plans for getting the trading post here set up as fast as we wanted, because we were planning on using hungry ones for that, and I don’t know if we can risk them under this kind of scrutiny. My shrines can only deflect so much, you know? And if they’re being methodical they’re no help at all.”
“Mmm hmm,” Zana mumbles into her, in a way that reminds Keris that for all that her daughter (no, she is her daughter no matter what Zana says) is so big, she’s still so young. “I... I just couldn’t, it’s just so awful here. It’s awful because there’s so many things I like but it’s like finding razors in your meal. I want to be home.”
“Do you want to go?” Keris asks. “You can, if you want. Calesco’s in the Meadows at the moment; I can ask her to come out and help me out if you need to go back to the Isles, so I’d still be covered. And you did say you were going to spend some time there this season, so it wouldn’t be anything that wasn’t already in the plan.” It wouldn’t be running away or backing down or showing weakness, is what she means - but she knows better than to say it that way to her proud, touchy daughter.
Zana wipes her eyes on her coat’s sleeve. “I do wanna,” she mumbles, “but I gotta close things down as Second Carp ‘for I can. I’m almost respectable here. I got parties to go to and contacts who’ll be mad if I ditch them rather than telling them I’m heading back home before the hurricane season.” She sniffles. “And I bet I’m hideous now. Ugly and red and blotchy.”
“You are my precious child,” Keris says, feeling warm and incredibly fond - because yes, honestly, Zana does look like a bit of a wreck; she’s not a pretty crier and never will be, but that just makes Keris love her and want to cuddle her all the more. “And you always look perfect, even when you don’t. Take a few days to wrap things up as Second Carp, and then take a nice long month or so in the Isles to relax. You’ll like seeing what your keruby have done in your absence - and I dumped all the martial arts texts I stole from Choson last Fire with mama, who’s been distributing them around the place, so there should be a few nascent schools for you to visit.”
Her daughter lets go and goes to try to find a handkerchief to blot herself. “Give me some time to clean myself up and get dressed and I can show you around everything I’ve achieved, and introduce you to my contractors,” she says. “How long are you going to be around here? Probably not as long as a week? Or are you in Arjuf for work - you are?” she says, lightning up at the fact that Keris will be around here for a bit, no doubt so she can show off some of what she’s done.
“I’ll be here for a bit longer, yes,” Keris agrees. “I took Ixy up to the north-eastern coast to cripple the Sesusu’s Smoke Fleet and then assassinated an awful old Sinisi slaver with Suriani. Plus a couple of tricky kills in Pangu that I had to handle myself. Some new information came out of one or two of those jobs, especially the Sinisi one, so I’m here to finish off some lower-priority targets while Sasi decides how to factor the new intel into her grand plan.”
Her daughter gets changed and gets done up in her Second Carp make-up. Keris notes that Second Carp in Arjuf is a lot calmer, a lot less crazy than she is in Saata (doesn’t give off the vibes that she’s about to stab you with an icepick), then introduces her contractors to her godmother. There’s people handling the renovations on the outside and there’s decorators and all of this - she says to Keris - is going to have to be redone later by people they trust. There are rooms being added that are going to become hidden rooms later and there’s cellars for storage that she’s identified can be extended downwards. And of course, there’s a chamber in the cellars already prepared for where Keris can make the statue that will sanctify and protect this place.
“Have you found people to staff this yet?” she asks Keris softly in Firetongue. “Hui Cha people, that is.”
“I’ve put out some feelers and made transport arrangements, and there’s a certain level of interest,” Keris - or rather, Little River - replies. “Most of the staff will be here by the month’s end. But I still don’t have any good options for who should head the office here. I can’t do it; I’m needed back in Saata. But I don’t want it to be anyone loyal to one of the blue sea masters or the other women - not even one of Pale Branch’s people, though I did consider it. Little Bird will be coming over to run things for now, but she’s not sure she wants the job long-term - it’d take her away from Cinnamon and her cult-sisters.”
“Maybe we just hire a local to oversee repairs and I’ll make sure Ledaal Uhi knows them - and vets them - and then we leave a hungry one or two to handle the local for now,” Zana suggests. “There’s a lot of building to be done, and Arjuf has dry, hot Fires, not typhoon season so construction won’t stop then.”
“Mmm,” Keris hums. “I guess. I don’t want to rely on locals for too long, though. The point of this is to expand the Hui Cha networks and give Little River some better footing, so it’s best if she’s traditionalist and Tengese-favouring about it. Still, Little Bird and maybe a hungry one or two - if we can present a convincing scapegoat to calm House Ledaal down - will do for a constructive Fire spent setting up.” She taps her lip. “Ah, on that note - mama, could you send a messenger out to the Meadows to tell Calesco I’d like to summon her out to help me? I know she’s busy there with her mezkin, and I can do without her if I have to, but if she’s free I’d welcome her help.”
“Of course, child,” Dulmea murmurs in Keris’s head. She has been quiet during the time in the Realm, mostly speaking only to advise or to point out things Keris has missed. It is a reminder of the way she must have been as an assassin herself, a knife honed to a point.
At the reminder of Dulmea’s existence, Zana blanches. “Maybe I don’t go home,” she mumbles. “Ah, she’ll be furious at me - us, but mostly me - for this.”
“Not furious. Simply aware that they must be reminded of their place in the family and how they must simply be trained further so they do not have such things occur in future,” Dulmea informs Keris crisply.
“You’re due a lecture, but I don’t think she’s angry angry,” Keris relays. “And while I understand why you did it, you do probably deserve the lecture. Think of it as the price of getting to see how creative your keruby have been in your absence. And there’s someone new I want you to meet, too.”
Zana grumbles at that, but doesn’t appear willing to run away. It’s maybe all that can be expected - and is better behaved than Eko. The two of them begin the handover process while at the same time Keris draws on Zanara’s knowledge for planning her next job for Sasi.
It’s that evening when the two of them are at a fine dinner at the house of a patrician family who are clearly interested in a new potential source of imported cane sugar that Calesco gets in touch.
“Apologies, mother,” she says, not sounding very sorry, “but I’ve been in the Far Meadows again and didn’t get the message until I got back to my cave. Grandmother said you wished to speak to me.”
She sounds tired. Maybe even exhausted.
‘Hello darling,’ Keris says, internally this time. She’s being talked at by the son of the family, but her half of the conversation doesn’t require her to do much more than hum and occasionally nod, so she’s got attention to spare. ‘Sorry to pull you away from your work, but Zanara has… caused a bit of an incident after getting overstressed and upset about how the Realm is stamping down on art and free expression here in Arjuf, so we decided it’s probably best for them to go home to the Isles and recuperate. I know you’re busy with your mezkin and restructuring the Meadows, but I thought it was worth asking if you think you’ll be finished by the new moon next week.’
“Oh.” A pause. “Oh. So you’re saying that you need my help. Well I hate to get away from the Meadows, I really do, you ask me to do so much but if you really need my help I suppose I really have no choice but to come to your side and everyone else will have to just deal with it.”
It is said a little too quickly.
Keris pauses too, considering that. Hmm. “It’s okay if you think you need to stay,” she says, as much probe as reassurance. “I know your keruby matter to you, and I have Suriani and Ixy - and Sasi’s people - if I need backup. I was just asking if you’d be free, not giving you an order.”
“I really just have to help you, it really does mean that it’s a family obligation,” Calesco says, raising her voice slightly.
Oh. So it’s like that, then. A smirk spreads across Little River’s lips that probably isn’t an appropriate response for the story the patrician’s son is telling her, though thankfully he’s focused enough on the sound of his own voice that he doesn’t seem to notice.
“No no, darling,” she says, sweet and loving and wicked. “I already put you to so much trouble last year, and you did so well then - I wouldn’t dream of demanding your time now, not until you’ve had a nice long break to relax in. If you’re not free, then you’re not free - I’ll make do.”
“I need to help you. Seriously,” Calesco hisses, voice low and fierce. “Because you clearly need my help even though you’re acting like it’s nothing.”
“Are you lying to your mother?” comes Kiki’s voice drifting over, malicious in its innocent glee. “For shame, your Highness. For shame.”
“I am not lying, she clearly needs my help...”
“Liar. And to think you would be hiding it from me.” Kiki’s voice is like a knife. “For shame.”
Keris’s amused laughter echoes through Dulmea’s chambers. ‘Oh? Do tell, Kiki. What are you accusing my daughter of lying about? What possible reason could she have to lie about how much I clearly need her help?’
“Well, you’re clearly busy,” Kiki says, her tone surprisingly similar to Keris’s. “Why don’t we give her a little more time to come up with some better excuses and then you can come find her and we can go through this whole spectacle as a spectator sport?”
‘Good idea,’ Keris agrees. ‘Let me just duck away from this blowhard’s love affair with the sound of his own voice, and I’ll be right there.’
It takes a little longer than she expected because there’s business to be done over wine and she can’t be so rude as to leave these puffed up patricians early. But once she gets back to the newly purchased warehouses and the cots Zanara has arranged for there to be, she basically flops into bed to dream her way to her daughter’s affairs.
It is late afternoon-ish in her inner world, with the moon edging down the sky on the Seaward horizon. The Meadows is always the darkest part of the world, with the shadows stretching long and dark away from Rathan’s position on the other side of the world. Keris has noticed that Calesco is working on the stars in the sky of her inner world, though, and they are brighter and more numerous than they used to be. Some of them float so low as to be barely above the tallest hills, gleaming and glittering like jewels in the eternal night sky. Keris can see a szel gang who are trying and failing to lasso a low-hanging star.
And the hills are different. Stone has erupted in places from many of the dark hillocks, white and sharp, more like the Far Meadows, and on the nearest one there’s a trio of magistrates, two lounging in the long grass while one sees to their little fire. Only on her second glance does Keris notice the bottomless witch who’s also up there on this bare hill, sitting on the lap of one of the magistrates with his feet in the lap of the other. She leaves them to their heavy petting without being seen.
Things are less content and domestic down in the villages. Keris can see the discontent when she passes through, because it’s literally written on the walls. There’s “No Majistrades” signs over some of the shops with not-very-adorably-childish misspellings, and several mezes come running out to greet her. And then complain about Calesco and how she hates them now and only loves the stupid mean magistrates.
“I don’t think she hates you, darlings,” Keris tells them. “Calesco loves all of you very much. She’s just trying to be fair.”
“Fair? Fair?” There is a small-childly outraged shriek at that, and Keris is barraged with complaints about the horrible things they’ve had to put up with and the awful imposition on their rights and how dare! How dare Calesco use her princess power to veto village laws, she’s not meant to do that, what kind of world is it where a princess tells you what to do, this is practically tyranny!
The vocabulary may not necessarily be that sophisticated, but that’s definitely the intent behind the... Keris doesn’t want to call it whining, but she’s a mother many times over and it is exactly whining.
(gods and Unquestionable she’s glad her souls have grown up and levelled out a bit)
“Well, why don’t I go and have a meeting with her about it,” she suggests, eyeing her escape routes and feeling like she probably doesn’t need an explanation anymore for her daughter’s insistence that Keris sorely needs her help out in Creation. “And I can tell her about how hard-done by you all feel.”
“Yeah, you do that!” one little girl pipes up. “And tell her she gotta reply to the notice we sent her in her princess-cave, ‘cause we’re suing! In our own court, not hers!”
Keris manages to extract herself from them without laughing - and also without being convinced to get involved in the trial and rule in their favour - and heads on over to the Cave, taking a more circuitous route and listening to the path ahead so as to avoid any more encounters with mezes. There are a bunch of those bug-herder demons out grazing on the fields with their sheep-sized aphids that graze on the long dark grass, and Keris exchanges nods and a few friendly words with a couple of the spindly-limbed rovarjuhasz, who look like bipedal ants the size of men whose coveralls turn out to in fact be folded wings. Being fairly new to the Meadows, they don’t have much to say about the changes Calesco is putting into practice, and in fact mostly seem to be trying to stay out of the whole affair.
The Calesco who answers the door looks harassed. That’s probably not related to the streaks of white at her temples, but it’s definitely related to her expression. “You took your time getting here,” she says. “Come in. And I’m closing the door behind me.”
“The stone,” Kiki calls out from atop the cave, up in a hammock strung between two dead trees.
“You are not helping! You’re letting your daughter get involved in the... the mez-ness.”
“She’s only little. It’s good for her to get involved in local things. It’ll help her understand they’re pointless. Also, yesterday she called someone a stupid-head for saying I should be sent back to the Mews, and threw a rock at them. I was very proud of her.” Kiki pauses. “Well, it was really a pebble, because she’s still small, and she missed, but I gave her some tips.”
“That does sound adorable,” Keris agrees. “Where is little Aliyuu? Oh, Calesco, I was told to tell you that you’re being mean and unfair and awful and your mezes are suing you in their own court and also you have to reply to the notice they sent here.” She dusts off her hands. “There. My work as a messenger is done.”
“Why are you playing messenger for them?” Calesco mutters, her shoulders hunching. “I already know all of that.”
Keris pops a ball of bee-amber in her mouth and shrugs. “I was bribed,” she admits shamelessly. “Well, okay, technically I pickpocketed these, but it’s fair payment for them getting me to carry their messages. Now, come on, where’s Aliyuu? I want to see how much she’s grown!”
“She’s helping one of the local herders,” Kiki says, not getting up. She points. “Over there. I’m not going to coddle her and stop her from learning childhood skills. Also, it helps her burn off energy by running around herding bugs. And she enjoys it.”
Keris turns, squinting in the gloom until she finds the dark tar-figure on the dark grass. Aliyuu has barely grown at all, maybe only about as much as you’d expect a human child to, and she’s distinctly bobbly as she waves her arms at one of the sheep-aphids, trying to stop it from wandering into a tar-pool. Keris is immediately reminded of Kali and how much her daughter enjoys looking after sheep, especially when the bug finally turns around and Aliyuu toddles over to scramble onto its back, clinging on with arms and legs in a hug-ride.
“You make your infant daughter work for a living,” Calesco says, glaring up at Kiki’s perch.
“I’m not going to coddle her. I worked when I was her age.”
“You were a lot larger when you were her age!”
“Calesco-mama is just too soft.”
“I am not her mother! I am her auntie! Auntie!” Calesco’s face wrinkles into a scowl. “And you’re the one who’s moonbathing topless rather than helping her.”
Kiki sits up. “She knows how to do it, she likes running around after the bugs, and she’s very proud when she comes running over to get my help carrying the pail of milk back. I’m not going to make her feel like I’ll handle everything for her, especially things she can do herself. And maybe you wouldn’t be suffering like you are right now if you’d let the mezes realise that bad things can happen, not everything can go your way all the time, and maybe - just maybe - you’ve just got to accept that people will do things you don’t like.”
Calesco bites back her reply, but Keris can feel the venom in the air. Her daughter isn’t happy, especially with mez communities acting so... frankly, spoiled and xenophobic, and while Kiki is here to provide harsh truths and bright light, that isn’t what Calesco wants. She wants some comfort when she’s already been doing a lot of hard things, not Kiki’s spikeyness and barbs.
Keris sighs. She’d planned to drag this out a bit longer, enjoy teasing her daughter some more, make her actually ask to spend time with her mother (and maybe admit that her keruby are being pests and she’s desperate to escape them). But feeling the atmosphere here, on the border of actual hostility, and seeing how upset Calesco is about discovering an ugly side to her beloved little ones… it just takes all the fun out of it.
“Well, speaking of people with power over you making decisions you don’t like, I’m afraid that I’ve reconsidered,” she says, “and it turns out I do need you out in the Blessed Isles, Calesco. I know you’re desperate to stay here and keep looking after your mezes, and I know you’ll want to argue with me and say how important it is that you keep hearing all of their complaints and show up in court for them to sue you, but I’m just going to have to make it a Queenly order that you’re getting summoned out into Creation on the new moon, and they’ll all just have to deal with it.”
That earns her a red-eyed stare and a pout with puffed-out cheeks. “... don’t patronise me,” Calesco mutters under her breath, knowing that Keris can hear her.
“Isn’t she adorable? Just the cutest little thing,” Kiki calls down.
“You are twisted!” Calesco snaps back.
“Ah! So rude! Here I am complimenting my daughter and you assume I’m talking about you? Is there something you’re not telling me, your royal highness?”
“I want to cuddle her and pinch her cheeks whenever I see her!” Keris calls up happily, taking full advantage of the ambiguity. “And of course I’m not patronising you, sweetheart. I actually genuinely could use your help - quite a few of the assassinations I’m doing for Sasi are people you won’t mind killing at all. There was this old woman from House Sinisi who was trying to keep their slave monopoly… anyway, I could probably cover them all without you, but I want to free up enough time to have at least a couple of sessions with Sasi as a Blue Priestess while I’m on the Isles. She seems to still be stable, but I promised to work through some of… what led her to do what she did, with her, and I haven’t gotten around to it yet. I don’t want to leave it until next Calibration, not with all the temptations Hell has to offer.”
She’s still being pouted at, but Calesco nods. “Come on. And we’re closing the door behind us.”
“The rock!” contributes Kiki.
Calesco doesn’t rise to the provocation as she leads her mother into her soft-furnished cave, and rolls the boulder-door into place. She pulls the cover off a lump of amber that radiates trapped starlight, and pulls her veil off and lets her face change.
She looks tired. And there’s a hint she’s been crying. Now there’s no Kiki watching, Calesco collapses into her mother’s arms, and sniffles into her shoulder. She doesn’t say anything, just clings on.
“I know, honey,” Keris murmurs, stroking her hair. “Come on, let me… just… there we go.” Hindered slightly by her limpet-daughter, she manoeuvres them around to a smaller boulder that’s had a scoop hollowed out of it and filled with cushions, and drops them both into the chair, leaning back with Calesco curled up in her lap. “I know, I know,” she repeats, wrapping Calesco up and letting her cling. “You’ve been trying so hard to make things right, and your little ones are being spoilt and petty and awful about it, and everyone is blaming you for how it was before and also how it is now.” She presses a kiss to Calesco’s temple. “This isn’t all on you, okay? You’ve always tried to teach kindness - you only made the Mews to try to protect everyone. If your mezes are whining and being anti-magistrate, that’s not your fault. Yes, you might have spoiled them a bit, but being spoiled doesn’t make people act like entitled brats. They’ve got free will, and it’s their choice to decide they want the magistrates caged up again so they have free run of the Meadows. And it’s the wrong choice. You’re doing the right thing, and I’m very proud of you.”
“I hate how the others just... just letting things happen seems to have worked out better for them,” Calesco mumbles. “I worked so hard to try to make a world for them. And I love them, they’re my precious little ones. But right now I don’t like them very much. Th-they’re small-minded and-and-and parochial and they should be dreaming of the future, but instead t-too many of them are using their talents to try to scare off the risk of anything ever changing. And,” she burrows her face deeper, “the witches j-just enable them. And I don’t want to be the c-cutting light around them. But what if I have to be?”
Keris nods sympathetically, continues rocking back and forward for a few seconds, then gently lifts her hand from her daughter’s head and brings it back down again in a light chop to the temple.
“Nope,” she says. “Now you’re being too hard on yourself. You say letting things be worked out better for your siblings? Look at Rathan and the way the Sea’s turned out. Look at Vali and the way the Spires have turned out - I’ll tell you about Biqi later, you’ll laugh at me but you’ll also be pissed on her behalf. And that’s just the kerub side of things. The Swamp has food for days and szels never go hungry since Eko came up with sugarcane toads, but the Meadows soil is bad, even I know that. And yet it’s one of the most stable places in the world. You know why that is?”
She tilts Calesco’s head up with a finger under her chin and meets her teary red eyes. “Because your mezes banded together, formed communities and put a hell of a lot of work into the soil and the farms and the food production,” she says. “And they were able to do that because you put a lot of work into teaching them how. It’s maybe the safest Direction too, because they don’t spread out as much or feel the need to go out near the Rim where it’s hazardous, because they know they can stick together in villages. Keruby on their own don’t cluster like that. They mostly prefer small groups. You taught them community, and yes, they’re using it to be petty brats now, but they also used it to make the Meadows a safe, peaceful, prosperous place even without a lot of the advantages other Directions have. Your problem was working against the nature of your adults. That tripped you up, but the work you did in teaching and guiding and nurturing your little ones? It still mattered. It did good things back then, and it still does now.”
“You’re being sensible at me,” Calesco says, sounding a bit more fierce and a bit less tearful. “That’s not fair. Not when I’m hating the fact that my little ones can be supportive and cooperative and hard-working, and also small-minded, spoiled, and conservative. You’re not allowed to tell me that the two things can’t be separated. Not when I want them to be.”
Keris nods understandingly. “You’re probably right. But I’m your mother. I’m not meant to be fair; my job is to snap you out of beating yourself up too much and making yourself miserable. And also to knock you out of digging in your heels and trying to insist the world be something it isn’t, because that’ll just get you more hurt and more miserable in the end.”
“The worst thing is,” Calesco says, continuing without being dissuaded, “is that I thought the problem would have been with the magistrates!” She detaches from her mother, pulling herself to her feet and - still showing the signs of crying - starts to pace around her cave, feet bare on the soft rugs. “They had every right to be angry at me! I imprisoned them! For what I thought was a good reason, but I didn’t fix it! Not soon enough! But they’ve forgiven me! As far as they’re concerned they’re free now, they have things to do, and so it’s mostly in the past. They don’t seem to be very good at holding grudges! Not like witches, who sit and stew on them! No, magistrates - as soon as the thing’s set right as they see it, they forgive. It’s almost Ekoan!
“But it’s the mezes who are throwing tantrums about me putting things right. And it’s infuriating how all of them seem to basically reject the idea they’ll grow up! They’re intellectually aware it can happen, but they even call adults ‘failies’ sometimes! They should be happy that the Mews is changing because it means they’ll get to live better lives, but all of them are so sure that it won’t affect them that they will demand to my face that all the magistrates be locked back up!
“And what’s more,” she continues, warming to her topic, clearly venting in a way she hasn’t had a chance to in a while, her eyes flaring white, “some of them are even demanding that the witches be punished too! Because a lot of witches are really taking advantage of the fact there’s the magistrates around now.”
“Taking advantage-” begins Keris.
“I mean most witches don’t travel much, so don’t get to hang around with many other adults, and while I have discovered while I’m here that on the Swamp border there’s more than a few witches who head into the swamp to, ahem, play with hungry one packs, now we have a lot of attractive magistrates travelling around who’ve spent a lot of time in the Mews getting very good at sex!”
“Ah. You don’t have to go into more detail-”
“And the mezes might not know exactly what their older siblings are doing together - though there’s already been one incident where they found a couple up to something with ropes and hot wax and assumed it was torture - but they know they’re not getting the attention that they’re sure - sure - should be theirs! And I can’t stand it! Not when most of the witches I’ve spoken to in private have told me how much happier they are to have their old friends back and to be sure if they flip they won’t go to the Mews and that things are easier when they can ask magistrates to do things they’re not good at and yes, that they have a bunch of pretty dominant types around because it is now quite clear that witches are a bunch of useless bottoms! I had to settle a fight between two of them because they were fighting over who got more attention from a trio of magistrates and didn’t want to share! And then it turned out they were both just looking to be punished by the magistrates for being bad! And that was a welcome relief to deal with that nonsense compared to the whining of my little ones!”
Calesco is, by now, breathing quite heavily and her hair is more white than black. The shadows sizzle around her, evaporating under her sharp, unwavering light.
“Sweetheart-” Keris says, wincing and holding her hand up to shield herself. It doesn’t help. “Darling, I know you’re angry, and believe me, I understand why, but - ow ow ow - you’re getting a bit too worked up and starting to lose control, ow, ow...”
Calesco inhales, and forcefully locks her lips to stop herself continuing on the topic. “I’m sorry,” she says, slowly and breathing deeply. “I have been bottling this up and speaking of bottling things up do you know how much some of the witches have been putting up with?” The light flares, and then just as suddenly is cut out, and as Keris blinks away tears, Calesco wraps herself up in a blanket.
“I am getting worked up. And this is why I need time away,” she says in a tiny voice. “I don’t want to hurt them. But the more I have to listen to their self-righteous, small-minded, bullying complaints, the more the itch grows.”
Keris coaxes her back into a hug, and nods sympathetically. “Well, the new moon is in three days,” she says. “I’ll call you then, and you won’t have to deal with them anymore. And... oh dear, there’s actually a lot going on outside; it’s a very big job. I’m afraid you’re going to have to spend, oh, at least two of those days holed up in here just studying all of the materials on our targets and the specifics of the job. Both... you know, but, uh, also for real; Sasi is micromanaging my ass with this and has a whole bunch of reading material and information and so on that you’re going to have to catch up on.”
She’s not too worried about letting Calesco in on the specifics of the work. Her daughter is compassionate, yes, but she’s only merciful to the weak - and the intel on their targets contains enough information to portray most of them as, well, members of the Scarlet Dynasty, which dominates the Blessed Isles under the power of the Dragonblooded and crushes the Threshold’s throat under its boot to extract wealth and tribute that goes into enriching the Great Houses at the cost of thousands, millions of lives. And the houses that Sasi is targeting...
Well, her daughter probably won’t have any moral objections to killing any of the targets Keris plans on sharing with her. If anything, she might be a little too eager about some.
“I wonder if I could get that done in the Isles, or maybe the near-Swamp, with Zanara’s help,” Calesco muses out loud. “I really should see them when we’re in the same realm of existence for a bit, and it’ll be less stressful there than here.”
“That’s the spirit,” Keris encourages her daughter.
And so it comes to pass that at the new moon, Keris prepares her ritual circle out in the woods in Pangu, with a black cockerel as a sacrifice to call a demon lord into the blessed soil of the Realm itself.
This one is an octagon within the outward circle, with a white feather, a bead of amber and a drop of tar placed at each point. Keris dresses in black for the casting, and has Strigida’s vast wings out. The adamant-studded orichalcum collar she took from Malra all those years ago is around her neck, and she absently notes as she gets ready to start casting that she really does need to get around to deciphering all of the spell matrices in its gems and transcribing them one of these days.
Well, maybe when Oula finishes her notation system. No point in recording them and then having to re-record them in a new format, right? She’s basically saving her student work!
... Dulmea is dubiously silent, but Keris shakes her head and takes her place at the centre of the circle, flint knife ready. She looks over at Sasi, who has decided to come watch this display of Sapphire circle demonology, and her original teacher in the sorcerous arts checks a small clock and nods at her. They’re close enough to sunset for her to start. Sasi holds up her hand, waits a moment longer, and then begins counting down on her fingers. Five, four, three, two...
One.
Keris gathers her essence and closes her eyes. She begins to shape the Ideal; a moment of two worlds touching, of her inner world overlapping on Creation. She reaches out to brush the edges of the vast, slumbering world-mind. She clenches her left hand, drawing on strength and authority from Iris, and through her, from her lady.
“In Lilunu’s name, I call you,” she intones, and feels her caste mark spring to life on her forehead, an empty circle burning green. “By the marks she made on me I summon you.” Her wings spread wide, and she grapples with the power that comes to her grasp, compressing it within her left fist to create the concentration of essence that will serve as a disparity to breach the walls of the world. Her right hand tightens on the flint knife, poised over the cockerel that’s tied atop a low stone pedestal at the circle’s centre.
“In your own name I open the way for you.” The Ideal of the spell takes form; a concept, a dream, a belief, a thought so vast that the act of thinking it will make it true. Her own mind is nowhere near big enough to even contain it, let alone properly realise it, and so even as she constructs it she wraps it up and folds it down into a tight little ball, like the bud of a furled flower yet to bloom. And ever so slowly, careful not to let it realise what she’s doing, she tightens her mental grip on the world-mind and pulls it taut.
Razor-sharp flint cuts the cockerel’s throat, and hot blood spills across the circle.
“Come now, oh Midnight Whisper, oh Veiled Star! Come now, Eighth Soul of mine! Come to me, Calesco!”
The essence within her fist reaches critical mass, and Iris rears up from her hand, wings spread wide like Keris’s, eyes and tail and gullet ablaze with many-coloured flame. She opens her jaws at the same time Keris opens her hand. A torrent of rainbow fire spills out as Keris’s gathered power flows along the tether she holds taut, injecting the Ideal into the dreaming consciousness of Creation. It blooms there, unfolds, an insidious seed planted so subtly that it’s barely noticeable as something foreign.
For a moment, Creation believes that the space within this circle and the Meadows within Keris’s soul are one and the same. It believes it so completely that it becomes true. The world tears open under Iris’s flame, a black window full of shadows and fog, and wisps of mist spill out through its cleanly-cut edges.
A figure steps through. Small. Dark. Beautiful.
Calesco has apparently prepared and is completely in theme for this. It may be an indication she was doing the research in the Near Swamp, because Keris suspects the full force of the dragon aide bureaucracy would swing behind getting one of the royals to look like a perfect Realm princess. And that is exactly what Calesco is, albeit monochrome in her seeming; her dragon robe as dark as the night, embroidered with graceful winged figures in white thread, her soft black veil obscuring a face so pale it looks like it has been painted, her lips and eyes and sash as red as blood, her black feathered wings merging into her hair. The shadows of the trees sing soft, ethereal melodies in her honour, and the owls and bats and other night-predators have already gathered to pay honour to the Midnight Whisper.
With three perfectly measured steps Calesco enters Creation, and then performs a perfect bow, hands up her hooped sleeves, her head lowered exactly as much as a child of the imperial household should when greeting her mother.
Keris hears the little sigh of envy escape from Sasimana, who is swaddled up warm in the twilight chill and who can no doubt see perfectly in the gloom. Keris’s daughter is making an example here, and what she is doing is a knife blade aimed at Sasimana. I, a demon, Calesco says wordlessly, can be the perfect Realm princess if it pleases me.
“She has grown so much,” Sasi says softly. “Your sorcery remains so... strange, in how you twist the Hellish forms in fealty to Lilunu, but Calesco herself might pass as an ancient lady of the Demon Realm, if she wishes. Indeed, she could pass as Lelabet or Mara if the mood took her.”
That draws no frown from Calesco, but a slight tightening of the eyes. “I would rather be mistaken for neither, though the former happens more than I would like,” she says in perfect Old Realm. She bows again, this time to Sasimana, and this bow is not as deep as she gave her mother. “Your highness. Keris’s Compassion might forgive, but I do not forget.”
Keris isn’t so blind as to not have known this was coming, and makes no comment on Calesco’s judgement of her ex. Instead, she unclasps the adamant-and-orichalcum collar from around her neck and offers it.
“Here, my daughter,” she says. “An Anchor to keep you safe from the pressure of the sun, moon and stars. You’ve had this one before; I’m sure you remember how it works.”
“Orichalcum? Must you?” Calesco says, wrinkling her nose. “I do like the adamants, but I’m simply sorry, mother, but there is something so... unaesthetic about gold.” She takes it nonetheless, and Keris is sure that this has to be the effect of spending the last couple of days being trained by Zana and Nara in blending into the Realm. Those two have probably left her with an overly-sensitive sense of aesthetic appreciation.
It’ll probably fade over time, but honestly Keris won’t mind if it doesn’t. The world should be a more beautiful place, and Calesco isn’t wrong - while black and gold is usually an excellent colour combination, it doesn’t work so well with Calesco’s black, white and red.
“I look forward to working with you, Calesco,” Sasi says, with the bow of a superior to an inferior. “Dear Keris has spoken most generously about how capable you are - and how independently you act.”
“With Calesco’s help as well as Ixy and Suriani, I’ll have a little more free time,” Keris says. “It won’t be tonight, but sometime soon I can probably meet you for that first session as a Blue Priestess that we talked about.”
There’s a gentle ‘thwack’ as Calesco brings one balled fist into the other open palm. “Oh, I believe I can start her with that, mother,” she says, voice as sweet as Meadows-honey - and with the same hint of bitterness as it goes down. “I know as much of our ways as you do - and more than that, I am well-placed to learn from her to blend in with the Realm and accompany her in many forms. And I am not as skilled an assassin and corruptor as you are.”
Keris hesitates... but Calesco makes a good point, honestly. And she does have students to teach and a major assassination and sabotage campaign to complete. She looks over at Sasi hesitantly.
“This isn’t me not wanting to,” she says, wanting to head off any thoughts in that direction early. “I’ve forgiven you, and I do want to guide you through accepting yourself. But Calesco’s right. You’ll only need me for the later sessions; the ones where you start exploring the things you want in safer ways. I wasn’t going to let you do that until we’d spent some sessions defining what you want and why, and she can get you started just as well as I could. Not to mention... well, you did a great job teaching Haneyl. I’m not going to complain about you teaching her about the Realm. Is that alright?”
Sasimana smiles ruefully in the twilight gloom, sad and yet accepting. “I should be fortunate that your kindness, Calesco, is the one who is insisting on taking charge. Even if your love is dangerous, it is still compassionate. There are aspects of you who perhaps I deserve more, like your sense of fairness -- but that would not go so well for me.”
And maybe Keris feels that Sasi doesn’t believe her. That this is, in part, her not wanting to do this yet.
Keris grimaces. She can hear Sasi catastrophising, see her building out a prediction of Keris making excuse after excuse to never actually give her those sessions, recognise the signs of a narrative building itself in her ex’s head where she set this up with Calesco ahead of time...
And if things were still like they were back before, she’d have changed her mind and taken the first session just to prove otherwise. Or at least dropped everything to convince Sasi beyond any doubt that this is just about the timing and the scale of the job she’s doing, and that her forgiveness is earnest. She’d have gone to any lengths to ease her love’s mind.
She had gone to any lengths.
But Sasi isn’t her love anymore. And while she’s still kin, still clan... she’s not Keris’s highest priority, either. The thought hurts, the year-old ache pulses with grief and sorrow, but it’s true.
It’s not that she doesn’t want to help Sasi work through the tangled, toxic thicket of her desires. But - as much as it hurts to think - Keris has other, more important things to do. And doing them instead won’t be a betrayal, because Calesco is here.
She puts her hands on her daughter’s shoulders and pulls her close to kiss her forehead.
“I am proud of you,” she says firmly. “I’ve taught you the ways to bring people serenity and joy, and you’ve brought back so much more from your pilgrimage. You’re not always gentle or nice, but you’re always compassionate and kind. I know I can leave Sasi in your hands to help her understand her desires and the reasons behind them, as well as,” she gives a significant glance sideways as Sasi’s accepting smile and lets the suspicion of its falsity reach her face for Calesco to see, “soothing her doubts and fears and shame with a touch of peace. I’ll be counting on you, okay?”
“It is selfish on my part to put more blood on yours to spare mine a few drops,” Calesco says, her veil fluttering with every breath, “and yet I would rather serve the wellness of Lady Sasimana’s mind than kill when I have not been given a reason.” She pauses, and clicks her tongue. “And, mother, I have both spent more time around Seresa to see the depths and complexities within her while also managing to avoid falling into bed with her. So I have a certain insight into Lady Sasimana while also having the necessary distance.”
Keris can feel a blush rising. She can - surprisingly - see a very similar blush rising on Sasi’s face. She is feeling more than a little judged by her sharp-tongued daughter, whose cutting words have also managed to pass through Sasi’s jaded shamelessness.
Keris winces. “Okay, okay,” she mutters. “I’ll go. Just...” she rubs the back of her head, and shrugs. “Be safe, alright? This is still the Realm, after all. I love you.”
“Of course I’ll be safe,” Calesco says. “And I intend to get my hands on some of their agricultural texts too. I’m sure it’ll be appreciated by Haneyl and I want to bribe her into helping me devise rice that grows in the Meadows.”
“I believe,” Sasi says, still blushing faintly, “that it is just a question of suitable water and soil fertility.”
That draws a stare from Calesco. “And that is why I need Haneyl’s help, because the soil in my land is thin and nutrient-poor, and there’s very little water because most pools are tar. She’s the one who’s good with plants. But I got used to eating rice in Saata and definitely in the Scavenger Lands, and I want to make it part of the diet. Preferably,” and she narrows her eyes, “in a way that makes the little ones have to ask for help from my magistrates. But what you can help me with is cult management and cultivation because as I understand it, you are simply better at it than mother-”
That pulls an unexpected laugh from Sasi. “You are definitely Keris’s daughter - and Haneyl’s sister. It really does show.”
Pouting, Keris picks up the dead cockerel and takes her leave. Her clan is always so mean to her. They have no respect at all. Well, fine. If they want to mock her like this, she’ll get her revenge. There’s no sense wasting a perfectly edible dead chicken like this now that it’s served its ritual purpose, so she’ll make it into a delicious tasty meal before she heads back off to work and then not share any of it.
That’ll show ‘em. Yeah.
Within a few days, Keris is very glad that her daughter will be free of the heavy duty missions. She is glad because she is in the hidden cellars in a Dynastic estate, being briefed by her handler for this big job. The one that Sasi has allocated pretty much a whole month for Keris to accomplish.
Murdering the new Ragara Prefect of Corin, her Sinisi husband, and her Sesusu lover.
Something Sasi considers so demanding and so sensitive and so critical that she has assigned one of her own souls to be Keris’s handler and point of contact for this mission. Someone just as hidden from Fate as Keris herself is.
“Attend,” says Moneha, her Old Realm strongly accented by High Realm. “This is a matter of utmost importance. None of your customary laxity or whimsy is appropriate for this endeavour.”
Moneha, the Eagle and the Spider, has two bodies, and both of them are here to see Keris in this dry wine cellar where the walls have been decorated with warding glyphs to forbid all other spirits and hide this place and the ceiling is strung with papers suspended from silken threads. The first body is mostly a woman, tall and statuesque, akin to Sasi if she was more in shape. But the head of this woman is the head of an eagle and there is nothing human about it. It cannot speak mortal tongues. The other body is a grotesque spider the size of a man’s torso, whose hairy legs click like knives on stone. It is the pale brown of sandstone, and has silvery hourglass markings on its back. But the head is a masked woman of the Realm, red hair emerging from behind a Malfean lead visage, and she speaks with authority and cold disdain.
Keris glances at her irritably. This is the first time she’s met Moneha, and she’s already finding the soul formed from Sasi’s imperious, overly critical, control-obsessed, micromanaging tendencies annoying. It’s always been one of her ex’s more irritating sides, even back when they were together. Isolated from the rest of Sasi’s personality like this, she makes for intolerable company.
“I’m a professional,” Keris snaps, sifting through the reports and other materials she’s been given. “I’m paying attention; stop nagging at me and keep going. You don’t have anything on the reasons behind Du-a’s early retirement?”
Ragara Deho Du-a, the newly appointed Prefect of Corin, the home province of House Ragara. Du-a is unusual in her house, in that after graduating from the Heptagram with full honours she joined the legions and rose to the rank of general, before taking an early retirement. Now she is a major asset for House Ragara in the run up to any civil war. She is a deadly war sorceress, a fierce general, and ambitious to boot. She is also a hoarder of rare and exclusive relics of the Old Realm and of other cultures, which date back to her time in the legions.
“If such information was to be readily found,” Moneha says coldly, “then it would be already in use against her. Not all things are so readily handed to you, Lady Dulmeadokht.
“But for it to force a resignation and for it to be covered up by the Throne - not least when she had risen to such a position quickly as a member will not be a minor matter. It is only the situation in the Realm to date that Du-a was appointed as a prefect. Even now questions were asked.”
The woman’s portrait dangles from the ceiling, hung on the spider webs that crisscross this place and tie the dangling drawings, maps, and lists together in some convoluted schema. The prefect is a woman in her late thirties, with an aquiline nose, thick eyebrows, and a stubborn mouth. Her hair is the dusty colour of sandstone and her eyes are a pale brown that is nearly golden. Tied to her portrait is a sketch of the great two-handed grand grimcleaver that brought her fame, the lunargent Witching Crescent, covered in sealing prayer strips. It is said that as a young woman she and her sworn brotherhood fought an ancient Lunar Anathema who had wielded this axe, and she was the only survivor of their clash.
Keris’s eyes narrow minutely at the condescending tone, and her smile spreads wider. “Well,” she drawls, letting a little of the Nexan street rat slip into her usually controlled, higher-class accent, “regardless of why she got the prefect spot, I can sure see why her mistress is with her. Even if they weren’t up to something together, just look at this.” She reaches up and traces Du-a’s painted face with a low whistle. “Striking face, a sweet spot with a cushy salary, and she can fight well enough to take on a moon-chosen? And she’s smart enough to stand out as a sorceress and a general? Fuck, I’d do her too.”
“Child,” Dulmea sighs from within her head.
‘I gave her the chance to treat me as the professional I am,’ Keris returns, without a hint of shame. ‘She chose to talk down to me instead. She wants to talk to low-class trash? Then I’ll give her what she expects. And it’s not like I’m lying; this woman could give Sinasana Medala a run for her money.’
“That would be up to you, Lady Dulmeadokht,” Moneha says, in a tone that manages to rhyme ‘Lady Dulmeadokht’ with ‘you simpering streetwalker who isn’t worthy to even kiss Sasimana’s shoes’. It isn’t generally in line with the rules of rhyming, but she manages to make it work.
“She truly does dislike you, and it is - from what I have seen - only somewhat your fault,” is Dulmea’s observation. “I wonder if it is her nature, or something personal?”
Moneha has more information that has been gathered on Du-a - her favourite foods (luxurious, an old soldier revelling in peacetime), her hobbies (Gateway, riding, hunting, and darker enjoyments from her sorcerous arts), and her key mannerisms and foibles. Only then does she methodically move onto the subject of her husband.
“Her husband, Ragara - born Sinisi Althea - Goi is much younger than her, and a playboy and wastrel married off to create a bond between the families. A foolish young man - at least that is what he would rather be seen as. Despite his superficial nature and the cold relationship with his wife, he is a genius at the arts and manipulation of the peasants. It’s believed he’s one of the major factors in the new First Empress-worshipping Scarlet Brigades. The Althea family has long had ignominy in the eyes of the Immaculate Order. And the Prefect works out of Riven Quay, which has its own history of minor, tolerated-by-Ragara blasphemies and idolatries.
“Though it must be said, his own proclivities, indolency, and vice are quite real. He plays them up to make others see him as less of a threat, living down to the stereotypes of young men, but those desires are genuine. Even if he meets his contacts in the pleasure district, where monks are less likely to watch him, he still operates much of his business there. And has expanded his influence by buying out theatres, brothels and salons in the Riven Quay pleasure district. He is,” Keris can hear the sneer behind Moneha’s mask, “your kind of a creature.”
Keris notes the insult, but doesn’t return fire immediately. Instead, she considers the second painting dangling from Moneha’s threads with a slight frown of focus and pursed lips.
“An artist...” she murmurs, feeling out the shape of the idea forming at the back of her mind. “Who likes prodding the Immaculates in the eye, and has a lot of influence over theatres and pleasure district contracts... do we have any records of him flouting censorship laws for the thrill? Trading in banned books, bidding on forbidden paintings, staging outlawed plays in secret - the kind of thing Sasi hooks people with, like how her cults performed some bits of the Scarlet Surrender Cycle last year.”
Moneha’s two heads tilt in consideration. “He is skilled at obfuscation and defending his reputation. He knows the boundaries of good taste, and the boundaries of considered risqué taste, which is substantially more relevant for him. Or, to put it another way, Lady Dulmeadokht,” there’s that rhyme again, “there is a difference between people knowing he partakes in exotic tastes and the knowledge that he is outright breaking the law. And he is very careful, if he does move in these forbidden spheres, to hide these things.”
The spider scuttles over the ceiling, lowering another picture of Sinisi Althea Goi on a thread for Keris to observe - hmm, yes, she’ll think of him with his birth name, she decides. It helps her remember that he acts more like that House. And this picture is actually a much better likeness of him than the sketch in the working space. It is in full colour. And also shows off a lot more skin. He’s of clear Realm heritage, with green hair with pink flowers growing from it, a slender-yet-toned build, and - Keris raises her eyebrows - she sees entirely how he plays with being risqué, given that this nominal Immaculate self-publishes expensive, well-made pillow books with his own image on the inner cover.
A hair tendril comes up to tap at her lips, and Keris idly chews on it by habit. “Mmm. It might work, then...” she murmurs. “I’d have to check, but with a nudge... probably wouldn’t get all three of them, if they’re so cold, but... mm, on the other hand, the collateral...”
A strum from Dulmea. “I can see the shape of your thoughts, and... take care. And do not use that book.” The notes turn sour.
Moneha knows nothing of this, and expands instead what information she has on him - and then she moves onto Sesusu Mekhere, who is the mistress of Du-a and a Sesusu enforcer. A spy, but the kind of spy who spies on their own people, who watches for rebellion, who is the pet hunting dog of her matriarch; Sesusu Agelini, the Lady Smoke, of many faces and many personas and perhaps no sanity at all. The Sesusu are interested in what happens here. Perhaps they are after Corin’s industry, its minerals, its metals, for their Smoke Fleet. Or perhaps it is something else. They, more than any other Great House, are breaking the norms, escalating the conflicts, plundering the threshold with avariciousness beyond counting.
“They show the shape of preparing for war,” Moneha says, and tugs at the threads. Seemingly disparate threads sway and pull together, and images and notes are tugged by the tension into the shape of a blade.
Keris grimaces. “They’re a powerful team,” she admits. “I can see why Sasi wants them gone. Du’a is the biggest physical threat, but Goi’s got the social side covered - and then Mekhere handles the intelligence. They’re all good at what they do.” Put together, they probably equal Keris’s own skillset - exceed it, in some areas. She’s still confident she has the edge in concentration of force, but as long as they’re working together, there’s no weak spot she can target, no arena where her broad, generalist skillset can hit them from an angle they’re entirely unskilled in. They cover each other’s weaknesses, and so each one can specialise. The warrior-sorceress, the socially adroit performer, the spy.
But they’re not put together. Not perfectly. They’re not a perfect team; Goi is only loosely tied to the two women by a cold marriage, and Mekhere’s loyalties may be divided between her lover and her matriarch. Those cracks will sow the seeds of their destruction, if Keris can exploit them. And she’ll probably have to. She can’t afford to take these three head-on.
“Good. Do not be foolish. Do not under-estimate them.” The spider swings from her thread, her mask tilted back so the light catches it and accentuates the expression of cold disdain which matches the face underneath. “I will await your first proposal for your operational plan, vet it, and I will have corrections for you.”
Getting approval and criticism for her work is, quite decidedly, not part of the agreement with Sasi, and so Keris has absolutely no shame in giving Moneha a sweet, poisonous smile. “I’ll send you a letter once I finish planning,” she promises, already drafting what it’ll say. She can’t put the kind of mind-warping influence on it that she might do a Hellish demon lord who annoyed her this much - more corruptive influence around Sasi’s mind is the last thing she wants to risk at this point - but some polite, charming, formal, superficially innocent Realm shit hiding a bunch of insults for anyone well-read enough to read between the lines and get the subtle references? She can get away with that easily. And she has enough seeds scattered around that she can leech off the High Realm literacy and knowledge needed to write it without too much trouble.
“See that you do, girl,” the demon says, vanishing up into her webs. The eagle-headed body keeps its unblinking eyes locked on her. Like it knows the truth, even if the talking spider-woman doesn’t.
Keris is glad to get out of there.
Corin Prefecture, right on the south east of the ruptured Blessed Isles, sits to the east of the barren, ruined Dragonswrath Desert. It is a harsh and rocky land, a great earthen promontory separating the desert from the gentler lands of the true Eastern isles. The rocky, rugged landscape is cut through with roads hewn into the very cliffsides by modern sorcerers or ancient men, and it seems to Keris that every mountain she comes across has scores of mines. Some of them are still in use, but they have been digging up Corin for a very long time and there are many empty abandoned overgrown villages she comes across where the resources have dried up and the location has been abandoned. There are runaway peasants there, bandits and outlaws and criminals. In some places, where they’ve been found by the law, crucified victims line the roadside, their crosses ringed in lines of salt.
The land has power in it, but just like the mountains it has been tamed. Everywhere there are manses. There is not an uncapped demesne to be found, and Keris can hear the tamed thrum of the dragon lines in places, so close to the surface is the deliberate cultivation. The Ragara occultists are hard-working, and wealthy, and have been doing this for a very long time. They extract what they can from the land, in any way they can. Maybe the land is rebelling. Keris comes across one place where a recent landslide has caused collapses across an entire face of a mountain, and the mourning-clothes-wrapped survivors look at travellers with unbridled hostility.
And then she comes to Riven Quay, the provincial capital, a port rising above rocky beaches. Moneha’s notes say Ragara founded this place himself, and it is now one of the great centres of industry of the whole Realm. And Keris, hating it, might have to agree. Riven Quay is maybe bigger than Nighthammer, and just as filled with the smoke of industry. The sounds of pounding hammers fill it, driven by the rivers coming from the mountain. The plumes and fumes lie heavy over the lower parts of the town. The signs of money are where people can afford estates protected from the noise and pollution by thick hedges and flowing water, or - better yet - on the hills that overlook the town.
There is so much money here. Launderers, clothiers and perfumers dress well, for their businesses are never short of customers. The markets are smaller than Pangu, but more specialised, and they display exotic wonders from the Ragara satrapies and sorcerous curiosities galore. Marble-walled baths with great furnaces form a natural wall around the pleasure district. There are relics from the Old Realm, dug up to ornament the town squares as pieces of art, and some of the buildings of the Dynasts resident here are ancient structures moved here stone by stone.
Keris slides a shadow over herself to don the guise of a native and makes her way into town. She’ll just take a little look around, she thinks. Get the lay of the land, find out who the big figures are and what’s public knowledge. Confirm the information Moneha gave her. Snoop for anything that stands out. Just a short little preliminary investigation to fill the rest of the morning and give her some data to work with.
Just a short little preliminary investigation.
On the first day, Keris slopes into town, browses the markets, and makes herself known to a patrician who Sasi has her hooks into. The woman, Koso Ala, is relatively well-informed as any patrician who relies on Ragara ore contracts has to be, and that helps bring Keris up to speed on the way things work in this city. On its webs of patronage, on the weakness of the local Immaculates, and the way things always ultimately tie back into House Ragara.
“Are you satisfied?” Dulmea asks.
“Nearly. I just need to get an inside view.”
Over the next couple of days she attends a number of meals and a gala, building her new identity as a patrician from Pangu using personality aspects she’s stolen from various people in her time there. She spends the evening of the third day coaxing Ragara Kiragi into thinking it’s her idea to make a move on the inexperienced young woman, and she takes direction so eagerly that Keris even lets her keep thinking she’s on top. From there she can move into the Ragara social circles, clinging to the other woman’s arm-
“This isn’t what you set out to do.”
“Yes, mama, but I want to see how deep this rabbit warren goes.”
And that leads to her making all kinds of contacts with the incredibly wealthy and decidedly theologically-dubious members of House Ragara who inhabit this prosperous town. She dines at the personal estate of the most skilled jadesmith in the south-eastern Realm, and is given a darling little red jade necklace carved as a dragon regnant. She is shown around the streets of workshops that forge munitions plate in numbers that compare to Ironhammer, and asks no questions in public about why House Ragara are making so many breastplates. She makes the right noises and is trusted by the right people to get invited to a secret and entirely illegal ritual where they make offerings to the God of Gambling and Gamblers, Plentimon. They think they’re compromising her by bringing her into this, bless them, but it means she gets to move in the right circles in the high-end gambling night held in the pleasure district. She ruins men by spreading rumours about them, reinforced by a touch of mercury, and she seduces the powerful and influential with a knowing look and the smell of her perfume.
“Child-”
“Hold on, hold on, I’m getting somewhere good.”
That is to say, by the time Keris feels even somewhat content at having pulled together a few of the promising hooks into her three targets, it’s been over two weeks and she’s insinuated herself into the webs of vice, intrigue, and wealth that run like veins below the skin of Riven Quay.
It’s Du-a she focuses her efforts on the most, Du-a she obsesses over longest, Du-a who drives her to take another dose of mercury to banish fatigue and work through a second week of sleepless nights. Goi is a creature Keris understands well, and probably the least dangerous of the three in a fight - as long as she can tempt him or get him alone in a room, she can kill him. And Mekhere is a spy and a thug, torn between her lover and her loyalty to her house - she’ll be harder than Goi, but Keris can think of ways to approach the problem she represents.
No, it’s Du-a who’s the main threat. Prefect Du-a who rules over her House’s ancestral home, sorceress Du-a who wields battle-spells with terrible skill, hoarder Du-a who shares Keris’s passion for the occult and ancient, General Du-a who took early retirement after rising ambitiously through the legions and Keris doesn’t know why. The mystery entices her, engulfs her, consumes her. She paints her target’s portrait - far better than the paltry work Moneha showed her - and keeps it in a locket around her neck. She doodles her name in every language she knows. She extracts every bit of information she can on the woman from everyone she can get her hooks into, and sits up at night staring at the Prefect’s palace, singing to herself.
Somewhere around halfway through the fortnight, Keris realises she’s daydreaming about getting the woman into bed before killing her - or maybe winning her love and getting a tour of all her favourite trophies and relics and seeing her show off her sorcery. Sure enough, Sirelmiya’s temple has a new statue when she checks. She shivers happily, imagining what it’ll look like in the catacombs being torn apart. The prospect only makes her obsession deepen, and the sweet taste of heartsap blooms as Keris contemplates her beloved Du-a’s position and the power she wields.
It is the power of mad love that guides Keris to where she has to be. It frustrates Dulmea endlessly when Keris says this, but her mama just doesn’t get it. When Keris sits there, staring at the portrait while writing ‘Ragara Deho Kerisi’ over and over again, she’s meditating on her prey. Understanding how she thinks, why she thinks, what that wretched awful beautiful lovely Dynastic scum does. Why she does it. Where her weakness is. Where Keris can strike to make her hers and tear her down and make her love her and make her realise that she’ll never exceed Keris and that she’ll be so pretty when she’s down in the gutter with blood on her face, having lost everything.
It’s one day when she’s staring at the beautiful High Realm curves of that name as she sits on a rooftop while she watches the coming and going of the functionaries that a face catches her attention. It doesn’t glow in and of itself, but it reflects the glory of that bitch her beloved, a balding Dragonblooded who smells like a furnace. They’re someone who matters to Ragara Deho Du-a. Like a spider, Keris scuttles down, and blends in as one of the maids who rush around the place with the laundry (oh, what if some of the laundry is Du-a’s?) She follows the man in, changes her disguise for a soldier when she gets to a place the maids can’t be, and when even soldiers can’t go that far she crawls up the outside of the building as a hidden predator whose skin blends into the stonework.
“What are you doing here so soon, Mugaweyi?” Oh, that voice makes her heart pulse and her hands want to tighten around that throat. Her love! So proud, so uppity, so breakable.
“I just need a loan.”
“Another one, so soon?” A twist of disgust.
“Things are expensive these days, you know. Taxes are increasing on us poor patricians, everyone’s getting ready for civil war, and I’m always ready to throw myself on the generosity of my former commanding officer.” His words are proper; his tone is unctuous to the point of disrespect. “Who’s always good for a loan.”
Du-a makes her noise of disgust, but there’s the rattle of a draw and the scratch of a pen on the fine paper of a House Ragara banker’s draft. “I will give you-”
“Oh, general, general, this is just a loan, you know. Just to help your ol’ war buddy through.”
“An off-the-books loan, at no interest, with no repayment date. If I could sell you and your entire household into the mines you’d never pay it off in ten lifetimes.”
“It helps us both, General, if you’re making these loans. No one asks questions about Ragara loans. I’ll take three talents. That should tide me over until Calibration.”
A hiss of breath, and Keris feels it. This awful blackmailer is making a literal fortune from it. And yet from what she knows of House Ragara, what she’s seen of her beloved’s filthy wealth, he’s keeping the numbers low enough that he’s an annoyance, never a threat. “If I see you again this year-”
“Oh, General, General, don’t make promises you can’t keep.” His voice dips. “You know what happens if anything happens to me.”
“Tch! Go!”
Eyes wide, pupils shrunk, Keris follows him as he leaves. She needs to know what he knows. She needs to know. He has dirt on her Du-a, he knows her secrets, she’ll get them out of him even if she has to carve them out of his ribcage. But how to make him talk? She could invade his dreams, or seduce him, or maybe just pin him down with knives in all his limbs and cut bits off until he confesses- no, wait, Du-a might notice if he went missing, and she wants her bitch of a beloved to be taken by surprise when Keris introduces herself~
Now she has a way to show her feelings, and it feels so good to be moving. Over the next day, guided by the power of love and obsessive monomania, she finds out everything she can about Su Mugaweyi. The Su family are patricians, but they were once a Great House - albeit one of the lesser ones - losing the last of their holdings on Meru in the fall of the Third Scarlet. They were favoured by him as hatchetmen and bodyguards, and Keris immediately sees that yes, Su Mugaweyi must have been tasked by the Dowager Emperor to protect Ragara Deho Du-a - and he was the Dowager Emperor then, because Du-a is too young to have had any kind of commanding position.
So someone from a fallen Great House, someone loyal to the Dowager Emperor - or at least with a history of loyalty to that warmonger - who served Ragara Du-a and still calls her general. Someone like that knows something devastating, enough that she’s paying him maybe six talents a year to keep quiet. A fortune that would impress many merchant princes. The pieces aren’t quite there yet. But she’s getting the shape of them.
Oh yes, of course, and she also learns where Su Mugaweyi’s money comes from, where his grandchildren and great grandchildren work and go to school and live, where his house is, where he likes to drink, that he has a taste for handsome and very flexible young men, that he loses money on the tiles and lives well outside his means and pretends his blackmail money comes from investments. Because, of course, she’s Keris Dulmeadokht and she’s a professional.
“And a lovesick, envious fool,” Dulmea says sourly.
“No, no, keep this up. This is art,” Nara says chipperly from within her head, where he’s taken a break from playing idol to his people. “Mama, the way you’re using this altered state of consciousness to make yourself a hunting hound is lovely.”
If he’s blackmailing Du-a, he’ll have contingencies against her just having him killed. But they’ll be well-hidden, to avoid her just having him killed and then ransacking his properties. Keris stakes out his house for a while and waits for him to go out drinking, then follows him, pulling shadow over herself to take the form of a lovely, limber, nubile young man of the kind he likes. She may have to sleep with him tonight, she may not - she’ll put up with it if she has to, but hopefully she’ll get him drunk enough that it won’t be an issue. It shouldn’t be hard to draw his attention at the bar by flaunting her shapely ass and thighs in his general direction without seeming to, and she has some pre-brewed vials up her sleeve that with a little sleight of hand will ensure his drinks are a lot more potent than they taste. Then it’ll just be a matter of flirting shamelessly, leading him on in conversation, letting him boast about himself and waiting for the right time to use her shadows to guide his words.
Nothing she hasn’t done a hundred times before.
The blue light district of Riven Quay is no match for the Harlotry of Nexus or the vice streets of Saata, Keris opines professionally. The Immaculates just get in the way too much. The advertising murals have to be too abstract, there has to be a little too much plausible deniability, and it just doesn’t have the panache of either. Still, she’d say it compares favourably to Arjuf, which is no small feat considering how much smaller this city is.
The music all around and the walls around the district try their best to drown out the sound of the hammers and there’s a shimmer of sorcery over the old walls. A working that coaxes the local wind spirits to stop the sea breeze blowing the fumes and soot of the city’s industry into this place of cherry trees and trimmed topiaries, she analyses. And there are many bathhouses near the entrance and perfumers. It’s expected that people clean themselves up before looking for vice, at least in this more reputable quarter. There are other less fastidious places.
Keris steps in, does what has to be done, and then emerges in another form.
She knows where her target is going to go. It’s a pattern of behaviour she picked up from one of his servants who didn’t realise what she was talking to. Whenever he secures a big business deal, or his investments pay out - and Keris knows what that really means - he goes to the Third Nocturnal Symphony and, hem hem, shares the wealth.
This means she knows where he’ll be, but so will no small number of people who are used to him spending well. She’ll have competition.
The pleasure house is a tall, narrow building located next to a stream with an highly angled blue painted bridge beside it, flanked by carefully pruned and cultivated elm trees. Koi ripple in the water and dragonflies hum above it, picking insects from the air that are drawn to the lanterns. There is a long queue to get in. The ones queuing are both male and female, but tend towards the older side. Well of course they do. It’s expensive here, but Dynasts don’t have to queue. From the inside the sound of bass-heavy music can be heard by Keris’s keen ears.
Keris wanders in backstage, young and very pretty and just about presenting male (please ignore the obvious pregnancy, it’s hidden by her shadow). The floor of the pleasure house is old wood and lit by painted lanterns, and some arcane and ancient machine is what is playing the music. If she wasn’t here on business, she’d consider stealing it. But she’s here for Su Mugaweyi (that awful man who’s how she’ll make her dreadful love suffer) so she doesn’t get distracted. He’s in the VIP area, drinking wine from Eagle’s Launch and looking at the exotic dancers with hungry eyes.
She knows what to do here. She runs a very respected club in Saata which has more competition than this town, for all its money - and of course, she headlined on the Street of Golden Lanterns. The local men can’t beat her at her game. She replaces one of the dancers, and with the steps she learned from devouring one of the Peaches of Immorality she draws every eye in the room to her, all so Su Mugaweyi pays for that red-haired handsome man to saunter over and give him a lap dance.
From the look on his face and the hitch in his breath, he’s more than satisfied - and may be needing to change his clothes. But instead he has the exotic dancer snuggle up to him, buying another bottle of fine wine as a treat for his guest, and if the floor manager doesn’t recognise the dancer the purchase of expensive drinks helps quieten any discontent.
Su Mugaweyi makes the mistake of trying to match the young man drink for drink, and he isn’t a wood aspect. He holds his drink better than some, but Keris’s body processes all kinds of terrifying toxins on a daily basis and mere alcohol doesn’t do much. But it makes for a pleasant evening where she’s wined and wined again with a little more wine to help the previous wine down, and then - when he’s feeling suitably lubricated - he tucks some high value jade scrip into Keris’s garterbelt and orders the curtains tucked around the VIP area.
This is what Keris has already picked up about him; he’s loud, obnoxious, has an impressive ability to hold his drink for someone who isn’t her, and is every inch the retired legionary who thinks he deserves the nicer things in life. He’d been pawing her before he called for some privacy, but now he wants to have his way with the young man whose name he hasn’t even asked.
He looks her up and down for a long time, and Keris hears the shifting of essence within him. He’s trying to sus her out. But no, he’s too drunk, too distracted by the noise, and - yes - too enamoured by her Ipithymia-taught dance. “Now we got some peace’n’quiet, m’boy,” he slurs, trailing his fingers along her thigh, brushing again over the jade scrip he’s tucked into the young man’s garter. “And I think we’ve gotten to know each other a mite bett’a. Why don’t we get a little more friendly, wit’ a - hic - private dance?”
“Of course, sir,” Keris purrs in a breathy voice, adding a wiggle of her hips and a sideways flash of her ass to keep his eyes where they should be (around waist-level). “I’d be happy to perform for such an important man. I’ve seen you here before, always with the best wine and the best boys. You like the finer things in life, don’t you?”
The shadows are whispering to him as she steps back and begins to dance, agreeing with her words. Mugaweyi’s an important man, they whisper, a man of class, of wealth and power, of prestige. He has connections, he has friends in high places, he knows who’s who and what’s what.
Maybe, they cajole, he should let this pretty boy know just how important he is. How many pies he’s got his fingers in, the kind of people whose ears he can bend. So that the cute little thing will keep twisting and gyrating like that, showing off that toned, lithe, limber body. He’s obviously looking for a powerful man to serve, so all Mugaweyi needs to do to keep his attention is make it clear that’s him.
“I’m feeling goo’ right now,” Mugaweyi says, working his shoulders and shifting slightly as he watches the young man gyrate in front of him. “Real goo’. Got paid well for - well, it’s not just who you know. It’s what you know. You get me? Look at you. You know how to move that body.”
Things progress as might be expected. He doesn’t suspect the exotic dancer - well, why would he, he’s drunk and watching those hips move. And he’s always had a thing for pretty men, and this one stirs up dark passions inside him. He lets his mouth run wild while the young man lets his mouth run wild, and then he’s offering jade - actual jade, not scrip - to the young man to come home with him. And he’s bragging, drunkenly and lustily, on the carriage ride back through the steep streets of Riven Quay, wanting to look like a big man.
(Keris is more than happy to tell him he’s a big man, and in fairness he’s above average size-wise)
By the witching hour, he’s asleep and Keris, walking slightly stiffly, makes her way to the toilet to clean herself up and consider what she’s found out.
Firstly, Su Mugaweyi is not simply blackmailing the prefect. He’s abusing a lot of information he’s picked up, using it to keep his declining house well in pocket. It’s how he can afford to send all his great granddaughters to top class secondary schools when they’re just patricians. The prefect is his best paying source, but there are others. She might toss him to Moneha as a treat.
(No, fuck Moneha, she’ll give him to Sasi if anyone. Or maybe Magenta. Hmm. Maybe even Anadala if she wants something from him)
But that’s not the prize. The prize is that, yes, he knows what Ragara Deho Du-a did that got her shuffled out of the legions. And why it was covered up, rather than being a public matter - and why she dodged the executioner’s block.
Ragara Deho was never an empress, and was married to another man, but she frequently shared the bed of the Third Scarlet. Ragara Deho Du-a is almost certainly the daughter of the Third Scarlet, the former so-called Dowager Emperor (the Emperor Emeritus, more officially) - with the temperament of the old man. He’d been not-quite-usurped by the Fourth Scarlet by that point, but still had plenty of power to protect his probably-daughter.
Protect her from the consequences of how she’d tried, nearly successfully, to start a war with Lookshy. Su Mugaweyi had been quietly assigned as her bodyguard by the Emperor Emeritus at the time, and had seen it all firsthand. She’d been planning to engineer an incident, one where Lookshyian forces would attack a ‘rebel hideout’ which would be a Thorns satrapal guard. Her legion would be on the scene to retaliate. She’d been ready, been prepared to rush in and crush an unprepared Lookshyian field depot which had been pre-scouted. She had done it.
But then the Fourth’s diplomats had managed to deconflict the situation and both sides had agreed it had all been a misunderstanding and the Fourth knew Ragara Deho Du-a had engineered the situation, but also couldn’t publicly act against her with Third not only willing to protect his daughter but also entirely approving of an open war against the old enemy. Which meant Du-a had been shuffled into a ceremonial sinecure in a way that the Fourth could sell via diplomatic back channels as “de-escalating tensions” and domestically as “a reward for a respected general”. Enough people bought it, but there were still suspicions.
However, that isn’t the real secret. The real secret is this - that Su Mugaweyi knows she’d been planning, when she earned her triumph in the Imperial capital, to seize the imperial manse. And declare herself Empress as the daughter of the Third. With his support. He’d been loyal to the old man so hadn’t let the Fourth know, but with both the Third and the Fourth out of the way - well. That’s knowledge that is deadly in this Time of Tumult.
Squatting over the toilet, staring at the fancy glass mirror, Keris ponders. Does House Ragara want her because she’s planned a coup before? Or do they not know she’s not likely to stand for Sinisi Sekhara seizing the throne? Because she still wants it herself. Of course she does. How could she not?
There’s a ringing silence inside her head that’s almost too loud to think through. Her heart pounds like a hummingbird’s with pride and envy and love and hate for her beloved, wretched, brilliant, arrogant Du-a. Keris can’t decide if she wants to see her darling crowned and enthroned just so she can tear her down from the highest seat in all Creation, or ruin her prospects and watch her pride crumble as her dream dies unfulfilled.
‘... mama?’ she whispers. ‘This is... shit, this is big. I... I think...” With an immense effort of will, she wrestles mad love and cruel envy into check and forces herself to think like a professional. ‘I... think I need to let Sasi know about this. This is the kind of thing that could change all her plans for Corin.’
The house is vast, built to the scale of giants. Its interior is confused: a nonsensical mix of multiple places overlapping each other, with rooms intersecting or leading into one another with no clear logic. A huge log cabin with walls covered in the names of kin; a rural forge with the noise of a complex waterwheel echoing through its rooms, a sprawling compound where paintings and sketches of family cover every surface. Throughout them all, the comforting air of home and clan settles like a blanket.
Two women sit where the log cabin blends into the forge, both dwarfed by the scale of their surroundings. Keris, for her part, is looking around with interest. She’s pretty sure she didn’t create this particular setting - when she reached out for Sasi’s sleeping mind and pulled her into a shared dream, it came bubbling up from the feelings she retains for Sasi as if it were already there. Maybe it’s an intrusion from Evedelyl into the Dream? Or something Calesco has made? She can ask her daughter about it later.
Sasi looks small in this dark place, and pale. Nothing about her fits in this mishmash of rural dwellings; not her colouration, not those metal-golden irises, and not her cultivated air of Realm nobility in the face of such a focus on rustic home.
“I didn’t expect to see you here in my dreams,” she says with a rueful smile. “Not the actual you, at least.”
So many unspoken words about her dreams of Keris. She doesn’t need to call on the Sphere of Speech to make them heard.
Keris returns her smile with a fainter one. She knows what her dreams are like for those she pulls into them; knows that Sasi can read the feelings Keris has for her in the structure of this ephemeral world - clanhood, familial loyalty, a sense of fondness that might no longer be romantic but which is far from hatred.
“Something came up that you needed to hear about in person,” she explains. “Too sensitive and delicate for me to trust to a letter or a spell, or even Moneha. I didn’t even want to say it where any stray god might be listening. And, um… sorry in advance, but it’s probably going to send you into a panic, so I thought I should be here to calm you down again after hearing it.”
That gets her a flat stare, and Keris knows that stare means Sasi is forcing her real feelings down behind a granite mask of dignity. “Then I suppose it is a good thing that you dreamed that I’m sitting down,” she says dryly. “What in Creation occurred, Keris? Were you caught?”
Keris makes a face at her. “Please,” she scoffs. “Don’t insult me like that. No, I… okay, first of all, the good news is that I ran into a dragonchild who’s ripe for corruption - I haven’t dug deeper but I suspect you can buy his heart with little more than money and security for his family - who has a lot of juicy dirt on a lot of different notable families in Corin, and I’m willing to sell him to you - as a separate transaction to the assassination mission that we can work out later. The bad news… is how I found out about him. Or more accurately, the scandalous little secrets I was investigating that led me to him while I was chasing down information on,” she sighs, and if she were an artisan the feelings welling up would have her pupils going heart-shaped and knife-shaped at the same time, “Deho Du-a~”
There is no sign at all in Sasi’s disposition that she understands the feelings that are flooding Keris right now. “Ah. So you found the source of the whiff of scandal that has long-haunted her, but whose nature I’ve never been able to get concrete proof about. I’ve had my suspicions that someone is protecting her,” she muses. “Someone more powerful than one finds in the Realm.”
“In a manner of speaking,” Keris allows. She wrestles with herself a moment longer - she wants to be the one to bring Du-a down, not Sasi! - but consoles herself with the knowledge that even if her ex decides not to kill her arrogant little dragonchild obsession now, she’ll have to die eventually and Sasi will definitely call on Keris to do it when the time comes.
“In short,” she says, and a shiver races along her spine at the delicious joy in sharing secrets that will hurt Du-a so much to have known by a princess of Hell (and a descendant of the Fourth), “she tried - and almost succeeded at - starting a war with Lookshy that your grandmother barely managed to de-escalate, but got away with a forced early retirement because she’s the illegitimate daughter of Ragara Deho and the Third Scarlet.” She pauses for a second, but decides it’s probably better to get it all out at once so Sasi doesn’t have to deal with more than one shock. “Also I’m pretty sure she was planning to use her triumph through the Imperial City after defeating Lookshy to seize control of the Imperial Manse and declare herself Empress, and while that obviously got squashed, there’s no way she doesn’t still have her eyes on the throne.”
Sasi goes utterly still. The air around her vibrates, chimes, resonates, and sudden winds seem to pour off her whip through Keris’s hair, making it stream behind her - but her body is still. “Details,” she says, tone crisp and sharp; her irises glowing as bright as Haneyl’s and Vali’s do when they’re furious. “Please, more details.”
This is about what Keris had expected. She shifts forward and takes Sasi’s hand as she starts talking, and works her Venusian arts on the pressure points of fingers, palm and wrist as she lays out her investigative process, how she’d started with a broad overview of the province, then snaked her way into the Dynastic circles to get more information, before digging deeper into Du-a and coming across someone (she doesn’t name Mugaweyi, not yet) who knew about her past and gave her a lead to follow to uncover the hidden truth.
That gets her ex to relax somewhat, but she’s still as taut as a wire while Keris expands on things. “How much does Ragara Golden Orochi know about what Ragara Deho Du-a is up to?” she says, voice too calm. “He can’t know this. It doesn’t match with his plans - Golden Orochi is the matriarch of House Ragara, Old Man Ragara is retired in seclusion,” she explains. “But what if he does? How much of the alliance of those three houses is real and how much is a mask?
“She can’t die. She will still have to, but not yet. I need to know more. I need to find out how deep this goes.” She exhales, and meets Keris’s eyes. “Which means I’m pulling you from this mission. This is too big for her to die now. I will need all the evidence you have, but it won’t mean I’m not counting your service fulfilled by what you’ve done for me this season. And there are other, lesser targets for you.”
Keris pouts. But not too much. As a professional, her client is changing the job on her, but in a way that means she’s already completed it and will get paid (or, well, pay off the debt for Wuzu). And on a personal level...
“I still get the job if you decide she does have to die later, right?” she checks. “I had a plan all ready to go. Well, okay, it was a plan for her husband. But I might have been able to get her with it as well. It would’ve been great.” She considers. “... could probably do with some more set-up, though, so I don’t mind waiting.”
That earns her a cold smile. “Keris, I doubt there are many even among our numbers who could manage this both cleanly and effectively.”
Keris beams, and claps her hands. “Right then. I’ll meet you in person and write up all the documents I’ve got along the way.” And by delivering them straight to Sasi, she can avoid having to deal with Moneha again, which is a nice bonus.
Sasi closes her eyes. “You do that.” And then she opens them again. “No. Don’t go,” she says softly.
The edges of the dream had already begun dissolving, but at her words they stop and re-solidify. “Yes?” Keris asks, taking her hand again. “What is it?”
She meets her eyes. “We should talk,” Sasi says. “And I wish I knew how to say everything I want to say. I wish I knew what to say to you. I wish...” and she trails off, but the words might as well have been spelled in the air.
I wish we were how we used to be.
I still love you.
Keris tilts her head, and settles. She nods slowly, and squeezes Sasi’s hand once more before drawing back and folding her hands in her lap.
“You’ve had a few sessions with Calesco?” she checks. “We’re not having this conversation unless you’ve had a chance to settle your mind from its turmoil; going into it unprepared would lead nowhere good.”
“Calesco is... it is strange. In some ways, so clearly Eko’s sister. In other ways, clearly your daughter. Do you ever wonder where her other parent makes herself known?” It’s not an answer, not exactly, and yet—
“I’ve seen enough of it,” Keris agrees, and grimaces. “Did she show you her light? I’d hoped she wouldn’t be too harsh.”
“Not her light, though I can feel it there. But this is said about the Silent Wind: she is a balancing force of wickedness against those who consider themselves to be righteous, she is a crucible that forges heroes but those who spend too long in her wake are ruined.” Bright eyes meet Keris’s. “That is not Calesco. But it describes the shape of her. To spend too long around her would lead to ruination, but when she is there she is soft compassion and the cutting knives-as-words alike.” Sasi sighs. “She is beautiful in the way of an unsheathed blade wrapped in velvet, and I can easily see how Seresa both fears and desires her. Your compassion is… captivating.”
“Perhaps it’s what she might have been, if I hadn’t raised her to be as much human as demon,” Keris suggests, looking up at the walls of the great hut and the names that cover them. Her eyes go naturally to Calesco’s, positioned just under a window shaped like the last sliver of a waning moon, and she can’t help but smile fondly. “I’m proud of her. She’s grown up so much since taking the Blue. And she cares, deeply. Of all my children, she and Eko have the most terrible lineage - but they’ve both taken the better parts of the Silent Wind, and left the worst.”
She looks back to Sasi. “Did she help you? With her kindness and her piercing truths?”
“... yes,” Sasi says. “I think so. She had me recount... what happened. What I did to you.” Her golden eyes flick down to her lap, and though the misery is too well-masked to pick out, Keris can still hear the faint traces of lingering guilt. “She demanded I lay out what I was thinking. What led me to try to control myself like that in the first place, what urges drove me to while I was mad. Where my desire to be enslaved to you sprang from. And then she said that a person cannot be ruled by one soul alone, and bade me meditate on what I would not give up to indulge those desires.”
Keris nods thoughtfully. She can fill in the details Sasi is skimming over - the talk about where the perfect submissive doll that was Sasi’s basest self came from must have been a harrowing session in its own right - but she approves of Calesco’s direction.
“And did you?” she asks, raising an eyebrow.
“It’s hard to say. Hard to accept,” Sasi says, shoulders slumping. “I insisted I had Aiko, but as Calesco put it - no, Aiko is part of this. Because I am too soft, too caring, and I know you would want only the best for Aiko - and if I could not give Aiko the time she deserves and I want to give her, that would only be the fault of one who owned me. Not my fault. I wouldn’t have to live with the guilt that I feel that you are more a mother to her than I am.
“And what I would not give up? Am I really to cling onto my need to be in control, that same curiosity that led me to try this in the first place, that gut-clenching fear that I am a failure and will never be anything else and the way I want to throw up and want to hide in the corner and take a knife to my thighs like I did when I was younger as a way of punishing myself? This is why this is so hard for me, Keris - everything that is soft and kind and that you loved is that side of me, and the ugliness you disdain are all tied up in this web of control and fear.”
Keris doesn’t let herself show her immediate reaction to that, because anger and horror won’t help right now. She locks down her face and considers it for a while, plucking a slow melody from the strands of Time to give her fingers something to do. Then...
“The first soul I budded was a desperation to be loved so deep and helpless that for a time I considered giving myself over to the Silent Wind’s affections,” she says. “Followed by a vengeful tendency towards retribution and bitter grudges that has me still hating people I haven’t seen in a decade. The possessive greed that has me refuse to let go of anything I’ve claimed as mine. Compassion that comes at the point of an arrow, which I vent by hurting those who hurt others. A stubborn refusal to let anyone tell me what to do coupled with a disregard for their feelings. A love of art that has me look at some of Molacasi’s creations and call them beautiful.
“I could go on. All of my souls have their ugly sides - I have an ugly side, Sasi. Don’t try to tell me you haven’t seen it. I don’t just mean the things I do that annoy you sometimes. Think back. Remember the worst qualities you’ve seen of me, and trace the seeds of them to the parts of me you love the best.” She pauses. “Do you follow me? Can you think of examples? You don’t need to voice them, but are any coming to mind?”
Sasi purses her lips. “Your annoying habit of making things up as you go?” she asks, apparently ignoring the ‘you don’t have to say it out loud’ bit. “The way you seem to alternate between idleness and obsessive focus. The way you go to lengths to be the best, but never ever tied our bedroom. The way sometimes it seemed you looked at me and saw only Lady--” she cuts herself off.
The words hang in the air, and can’t be unsaid.
Then: “It worries me how at home you are in Hell. Even I am not like you can be, and I have been there longer than you. But you speak to demon lords as dynasts speak to patricians, and treat the demon princes as if they are your superiors, but you are the same manner of being as them. And you have an inner Hell that far exceeds mine in size and complexity and you associate so heavily with them. You identify more as a demon than a human, I feel sometimes.”
The words are honest, earnest, and have nothing to do with what Keris actually asked. Irritating habits and unsettling worries don’t address her point: the way that Sasi sees half her own souls - Moneha, Kalaska, even her curiosity Marenolo - as ugly sides of herself. As if a soul, a whole facet of one’s personality, can be purely good or purely bad.
Maybe in some rare circumstances. But not for things like control or fear. Not when Keris’s souls have turned out as well as they have despite dubious foundations.
A frown flickers across her face as she debates whether to call Sasi on it. “That’s not what I- ugh, fine. whatever,” she cuts herself off. It might be a simple misunderstanding, or it might be Sasi missing the point deliberately. Either way, challenging her on it right now will just distract from what she’s trying to convey. “My point is... one of the most stand-out memories I have of our early days together is from the dig in An Teng, when we fought that big Dead thing for the yacht. It was the first time I’d seen you cast Sapphire Sorcery, and it was... glorious. This pillar of light and shadow and sorcerous circles in the air and then there were blue glass butterflies falling everywhere like rain and you shredded a giant armoured leech-covered skeleton thing the size of a building almost in half. And that- that was Moneha, I reckon. Your imperial princess side. Another time I remember, when you got home from Buk Moi - you were so scared, but that fear kept you alive. Your curiosity, hell, I like that you’re smart and educated and get just as obsessive as me about puzzles. And your faith... me’n’La came to an understanding, back last Earth. That part of you gives you strength.” She hesitates. “Is he.. back, yet? Has he been reborn?”
“Ah, not yet. And by my understanding, insofar as our souls are kin to the demon lords, he should have been. It is possible that I am... too weak to reform him yet.” She smiles wryly. “Although Calesco had no time for that opinion, instead preferring the explanation of ‘who knows why anything happens, you might as well tell me why Haneyl became a little child’. That isn’t what he has done, incidentally. La is a great egg that orbs the planetoid that is his realm. And also the little kerub-demons who have gotten into my world have infested it in his absence. The mezkeruby say it is not time for him to wake, yet, from the patterns of his orbits.”
“Hmm.” Keris has her own theories there, chief among them some kind of restructuring of his nature delaying his revival. He’ll always be Sasi’s faith, but her efforts back at Calibration to direct that faith more towards Lilunu than the Yozis might yet pay off. “Well, I might have some ideas to coax him out at the next new moon, but that can come later. What I’m saying is that all my souls have good sides and bad sides - and the same is true for you.”
She shakes her head. “But you’re not seeing it that way. You’re just casting them as their worst qualities, seeing only the negatives. Especially Moneha and Kalaska. Control and fear can be bad, but they’re not solely bad. You’d think possessive greed would be, but Haneyl does her best to make her people be the best and is generous with food and takes ‘no’ for an answer when someone doesn’t want to belong to her. She’s not happy about it and she doesn’t take it with good grace, but she accepts it.”
Biting her lip, Keris thinks for a moment, then sighs. “I think you need to meditate on what the positive sides of your souls are, and come up with ways to see those sides of yourself in a better light. Because as long as you’re vilifying them, you’re hating and fearing parts of yourself, and that’s what caused this whole mess in the first place.”
“Will that work, though?” Sasi refuses to meet her gaze, but this is clearly something which worries her and has been sitting on her for a while. “Perhaps my soul-genesis was rotten to begin with. I copied your forms, but those forms are ones shaped for you. Just as you were a poor sorceress when you were trying to work only in the methods I taught you, perhaps spawning this large pantheon of souls in the same shape as yours was a mistake. Maybe I have ruined myself by trying to force things, a ruination which began when I sought this power and met its tragic maturation when I sought to force my mind into shape.”
Keris flicks her in the forehead. “No,” she says. “Stop that. That’s just trying to fall into despair and pessimism so you can give up without even making an effort to improve. There’s a lot of sympathetic resonance at play in soul dynamics. As-above-so-below, but the lower layers reflect back up to what’s above, too. If you start thinking of yourself better, your souls will respond, and that’ll ripple back up and make it easier to see yourself in a better light. The system is never calcified. Even the souls of the Yozis are still subject to change, and they’ve been traumatised far worse and set in their ways far longer than you. You’re not ruined and you’re not hopeless. If you started learning a martial art with the wrong forms, that doesn’t mean your footwork is fucked up forever. It just means you need to unlearn some bad habits and spend some time getting hit with a stick whenever you trip over your own feet in the training hall.”
“It’s easy for you to say that when you’re the one who invented all these things from scratch through sheer genius, optimised perfectly for yourself!” Sasi snaps, that temper of hers breaking through the brittle shell. “You are brilliant and intuitive and I am not, Keris! Not in this field. Through ritual and ceremony and study I copied your forms and look where that left me! How am I meant to just ‘think of myself better’ when every time I see Kalaska I feel that fearful, useless, awfulness of my childhood and even now Moneha wears my mother’s face and tells me how worthless I am every time I fail to do what she wants!”
She pauses, breathing heavily, and sinks back down from her half-crouch she’d risen into.
“Forgive me. I miss La. It... he was the only one who didn’t demand from me. Or, if he did, he supported me...”
Sasi’s anger washes over Keris like a wave, and enough of her is Cinnamon at the moment that she doesn’t let it shift her.
“I understand,” she says gently. “We’ll talk about that ritual to help him reform later. And I understand your anger, too. I know how frustrating it can feel to see someone seem to effortlessly do things that are so difficult for you.” She pauses, biting her lip. “Maybe... maybe it would be good for you to see Kalaska again. Not right now, probably not until next year. But she’s been feeling more secure - she’s got a little glass temple I made her in the Anarchy with some keruby friends, and while there was an incident with Vali barging in a couple of years ago, she’s been making a lot of progress in feeling secure and trusting that I won’t hurt her.”
She tugs on a hair tendril, and clears her throat. “I’ve actually been thinking about teaching her how to fight,” she confesses. “And with the martial art texts I picked up from Choson last Fire, I reckon I can find something that will suit her - some kind of heavily-armoured spear style, maybe, so she’ll feel safe. Something that can let her grow from a helpless child’s fear into a protective defender’s fear, and give her a way to defend herself that doesn’t involve going berserk and turning into a monster.
“I think it would be a good idea for you to help pick out the Style for her to learn. Partly because teaching your fear a formalised way of fighting should help you get control of your all-or-nothing panic episodes. And also because you’re not helpless, and you’re not a child anymore, and taking an active part in arming yourself against those memories might do you some good in internalising that. I can tell her that you helped come up with a plan for her to learn how to protect herself, too, and do some work on fixing how she thinks of you.”
Several quick expressions flicker over Sasi’s face, before she shows reluctant acceptance. “I gave her to your care,” she says. “And so if you want that to be done, I accept it. We can talk about that. Later, though.”
“Later,” Keris agrees. “We’re getting off-topic, anyway. You said that you wish you knew how to say what you want to say. That you wish you knew what to say at all. Well,” she sits back and folds her hands in her lap, “I know impulsiveness comes hard to you, but, mm...”
She thinks for a moment, pursing her lips. “You said you wished you knew how to say everything you want to say. That you knew what to say to me at all.” She pauses, and the unspoken but understood words hang between them. Sasi still loves Keris. Wants them to go back to how they were.
They won’t. They can’t. Keris doesn’t love Sasi. Not like that.
“But if you can’t find those words,” she continues, “let’s talk about something related. We spoke of sessions to explore your desires in a safer way, without the self-destruction. What are those desires? Take a step back even from what you would or wouldn’t sacrifice for them - what do you want? What do you crave, what are you looking for out of these sessions? Submission of some sort, but what kind? Spell it out. Not just for me; for yourself as well. You work better when you can lay things out and analyse them, Sasi. Part of why things went wrong last year is because you denied wanting these things and felt so much shame about them that you never looked at them head-on.”
Keris’s voice is calm, but she wears the slight frown she gets when working on complex alchemy or planning out a complex assassination. “I’m not asking about what you were thinking back when your po was in full control; Calesco already had you go through that. Explain to me what you want now. First the desires you want to address and why they appeal to you. Then your ideas for how you want me to help you with them.”
Sasi takes a deep breath, and then folds her hands on her lap. Keeping her eyes closed, she begins to speak slowly. “A lady of the Realm should never show weakness. A lady of the Realm might submit in the bedroom with her lover - of course it happens, only a fool would pretend that some people’s tastes do not tend that way - but it should stay in the bedroom. She should never let it control the rest of her life. Oh, she obeys those who have authority over her, her matriarch, her superiors, but obedience is not submission. She remembers her dignity. She remembers her conduct. She cannot ever be seen to be weak, to be fallible, outside of the most intimate of situations.
“I cannot be a lady of the Realm anymore. I realise that now. The burden has crushed me for so long. I tried so hard to take up the role, to take up everything about it, to be a perfect woman. And I cannot manage it. But these lessons are burned in too deep. I can’t escape them on my own. Everything I did while possessed - that was an attempt to escape. A mad, heart-felt attempt to gnaw off a limb and find freedom from this weight. A weight I find building up again, the longer I spend in the Realm. And I did it the wrong way, but I... I think I need to find someone new to be. I think my heart knew that the situation was intolerable.”
She opens her eyes, and gold meets Keris’s gaze.
“Keris, I want you to teach me to submit, and accept it with glee. To be, as you are, the obedient servant to Lady Lilunu. You find such contentment,” and her voice cracks, “as the Mistress of Ceremonies, the Voice of the Mouth of the Yozis. In being an extension of the will of our lady. I would put myself in your power. So that you may help reshape my fragile porcelain into a willow who will bend, but not break and shatter. As I always have before.”
Blood and victory roar in Keris’s ears. For a second she forgets herself, forgets their surroundings, forgets even the subject she’s here to counsel Sasi on. The rush is too strong. She’s been so scared for so long of sharing any of her secrets with Sasimana, too scared that her ex’s loyalty to the Yozis and her control issues and her fear would make her react badly - and now, when she has Sasi completely alone in her dream-body and isolated from anyone who might make her think twice about it, she’s just handed the opportunity to shape her as she likes. Sasi is literally asking for it! There’s nothing holding Keris back!
Nothing holding her back…
The memories come back like a tsunami, water returning to shore all at once after drawing back and baring acres of inviting sand for the unwary to venture out onto. Sasi offered this a year ago, too. Keris took her up on it then, too. And it had all turned sour.
Besides which… Sasi needs to change, without a doubt, but would reshaping her like this really fix the problem? Would it bring her serenity to be made anew by someone else’s hand - as she was sculpted first by the Realm and then again by the Yozis - or would it just be another new cage she’d wind up miserable in?
Is this what Lilunu would want? Not Sasi pledging loyalty to her, but instead choosing to let Keris make her loyal?
Keris swallows. Her tongue feels thick in her mouth. The dream distorts, hut and forge and clan compound stretching and warping around them as a war rages within her.
“You…” she croaks, and swallows again. “I think… I think you’re right about… about needing to be someone new. But…” Fuck, this is hard. Keris’s hindbrain screams at her; she has Sasi, she can get exactly what she wants, this might be her only chance to guarantee Sasi won’t have a crisis of faith and betray her plans to the Priests of Cecelyne. If anything it’d be rescuing her from general Yozi worship to get her to follow kinder, gentler Lilunu instead. What is she doing? It wouldn’t be forced! Sasi wants it! It’s no different from her Ladies!
But still… some deep-down beat of her heart responds; no. Loyalty drilled into Sasi from outside would be worthless. If she wants to follow Lilunu, she needs to carve it into herself, not subject herself to another’s shaping hand. A faith imposed on her will fracture under stress, and this will all happen again. She needs to be able to build the pillars of her principles from scratch, so that she can rebuild them if she ever needs to.
“… but I think you’re still trying to do it the wrong way, Sasi,” Keris says slowly, her heartbeat calming and the dream settling as she works through her feelings and finds the logic behind them. “You… you always do this. When your system isn’t enough - when your glass and crystals break - you put yourself in someone else’s hands to be melted down and recast. The Dynasty first, and then after your Exaltation you gave yourself to the Yozis and let them make you someone new, and now you’re doing it again with me. But…” her tongue darts out to wet her lips. She can’t deny how attractive the idea is. She has to force herself to turn it down, and it’s hard. So fucking hard.
“But… i-if I do what you’re asking me, if you put yourself in my power and I paint loyalty and submission on your mind… it’ll still be a temple of porcelain. The ceiling will be higher, the frescoes will be prettier, but unless you can raise the pillars yourself, we’re eventually just going to end up back here again with a whole new goal for who you want to be. The willow’s strength doesn’t just come from being able to bend - it comes from being able to grow new branches by itself when it gets cut back.”
She takes a shaky breath and winds her hair around Sasi’s hands. “I’m not going to abandon you. I’ll help you as much as I can. But… if you want to be a stronger person, a content person, you’re the one who needs to get there. I can’t carry you. You’re already partway there! You’ve decided for yourself who you want to be and what you want to be like! Choosing… choosing to give yourself to Lilunu as your goal is already making a decision on who you want to be. All that’s left is shaping yourself into that person yourself, instead of letting someone else do it. I can teach you that. I’ve done it before - more than once.” She risks a grin. “I’ve been different people throughout my life too. It’s just, I always had to carve them out of what I was before on my own. You’ve picked a destination and you can plan out a map and I can walk you through the journey - but I need you to make the trip yourself, even if I keep you company on the way. Can you do that?”
“What if it’s something I can’t do?” Sasi’s voice is soft. “There are things that someone can’t do on their own. My husband,” and she pauses, swallows. “My former husband, that is. I knew what I wanted, but I couldn’t do it on my own. Not without his help. And I was happy there, living in the satrapy, the wife of the satrap - not part of the Imperial family, not any more. I had him, I bore his children, I was outside the crushing weight of the Imperial City. I was the happiest I’d ever been. I couldn’t have done that on my own. Not without him.”
“There’s a difference between doing something with help and having them do it for you,” Keris says firmly. “Sometimes it’s a thin difference, but it’s there. I didn’t change myself all alone. Not for most of the ways I grew. I had help, and I’ll help you. If you’re not strong enough to make yourself into the person you want to be, I’ll push you to grow into someone who can. But that’s what I’ll be doing. Not changing you into the ideal you have in your head. Training you until you can make that change yourself.”
“I trust you.” And there it is, heartbreakingly genuine, painfully sincere.
I love you.
The rest of Keris’s time in the Realm returns to something of a lower tempo. Yes, she does sell the story of a murderous Lunar Exalt with a grudge against House Cathak and murder a number of people with fantastically venomous snakes, but that was mostly an art project and bait for Immaculates to keep them away from the places where her adorable little students are working. What she instead spends her time on in the Imperial City between smaller jobs is a personal project that she doesn’t exactly tell Sasi about (though she does get her to take Ragara Eyes-Never-Green off her kill-list, so her ex probably does know what’s going on).
The siaka are circling for Eyes-Never-Green. So too are the crows who don’t intend to launch the killing blow, but are preparing to feast on him when someone else takes him down. So Keris finds one of the siaka, namely Cadaca Jesuka. Sasi’s people’s notes mark her as arrogant, entitled, and a bitter old representative of House Cadaca and wants to ruin the Ragara influence in the Treasury. And Keris confirms that she also owes House Ragara a lot of money personally, as well as her House’s debts. Thus, she’s entirely amenable to an approach from a very shady down-on-her-luck patrician who’s willing to serve as her patsy in ruining that Ragara bastard.
With a smile on her face, Keris sets out to destroy Eyes-Never-Green’s life. She forges letters, makes documents he had access to in the Treasury vanish, represents herself as a legbreaker working for a backer that isn’t him (certainly not!), and engages in skulduggery, subterfuge, and sabotage. She bribes his servants to testify against him, she poisons his friends, and she twists the whole situation to isolate and shame him. All to ruin his career.
It works so well that by the time she considers her work done (having overrun the season slightly, but she had to do it right), he’s under informal house arrest and House Ragara is desperately engaging in damage control to try to protect their ties to the Treasury. That such a shameless criminal was appointed as a representative to the Imperial Treasury is nothing less than disgusting!
(It maybe wouldn’t have worked so well if people weren’t already looking to tear House Ragara down. They don’t need to look too close; they just need an excuse)
And so the stage is set for late one evening, when he is up late in his office, feverishly writing letters trying to poll for support among old friends and old debtors, and his favoured most loyal manservant is off sick with food poisoning.
His brush scratches against the paper. There is sweat on his brow, from the stress and the unusually warm weather. The sounds of the Imperial City leak in through his open windows.
A soft knock comes at the door. Just a maid, carrying a tray of tea.
But not one of his maids. It’s Coral Flower - the pretty little thing he had a fling with a few months ago. She offers him a sweet, shy smile as she sets the tray down within his reach and settles on a stool, and it’s not that she’s an unwelcome sight, but…
What’s she doing here?
He considers things, and takes up the cup, eyes never leaving her hands. He sniffs it, and takes the smallest sip. It is wonderful, the very finest tea he’s had in a long time - maybe ever - and just as much he confirms it isn’t poisoned. He slowly drinks it, while he lets his mind work.
Coral Flower had been a pretty little thing he’d met while recovering from the assassination. She’d been easily brought into his orbit, and had been a pleasant little entertainment while he hadn’t been up to it. Before everything had taken a turn for the worse. And he’d bedded her, and then he hadn’t seen her again. He’d assumed that her mistress had left the capital - a lot of people had moved out to escape the assassinations and the troubles - and only given her a few incidental thoughts. She was a pretty little thing and a fine lay, but there was no shortage of maids who that could apply to.
His eyes flick down to her belly. No sign of a pregnancy, which would be... inconvenient in his current situation. And get him in trouble with his wife, who doesn’t mind when he takes lovers but would burn his face off if he wasted his generative essence on some maid who was no better than she should be.
Still... he’s willing to hear her out. Maybe she’s come because she thinks she has his bastard; maybe her mistress is someone who reckons helping him when he’s down will pay back (and it will - he’s desperate now). Some of it is because he still thinks fondly about the pretty little thing and could do with bedding her to take his mind off things. Some of it is because this is excellent tea.
“I wonder what you had to do to show up here, when I am unable to leave,” he muses, over the top of the cup. He meets her eyes. “Such misfortune blights me these days. I hope you think of fondly of me as I do of you.”
“I do, my lord,” she says with a demure dip of her head and a faint blush. “I hope I’m not overstepping or imposing on your time. It’s only that I heard about the trouble you’ve been having - oh, but please don’t think I believe any of it! I know it’s all lies, what they’re saying about you - but the rumours, they just kept getting worse and worse, so I asked my mistress if she could see her way to helping you, and she said… well, she said I could come to you with an offer.”
He swirls his tea around, and downs it. Desperation makes him rash, he knows, but he’s willing to listen to offers that he wouldn’t listen to in any normal situations. He’s been framed, and where he hasn’t been framed the things that have been exposed are the sorts of petty rule-bending that everyone does and no one makes a fuss about. Normally.
Running a hand through his pale blue hair, he tries to shake the mushiness from his mind - Dragons, he hasn’t slept well in days.
“Might I know who this mistress is?” he enquires. “Which House does she represent?”
Coral Flower bites her lip nervously. Her hands fidget in her lap. “She’s… not the sort of lady a Prince of Earth would usually deal with,” she says, shrinking in on herself. “She, um. She actually said I was a damn fool for coming to you and that you’d as likely cut me down as take my offer.”
She fidgets a moment longer. “Maybe she’s right, but I couldn’t just…” She hesitates, then looks up fiercely, her words coming out in a rush. “I couldn’t just stand by and watch that Cadaca woman ruin your standing! So… so I’m willing to risk it, e-even if means b-betting my life.”
But Eyes-Never-Green wouldn’t have gotten as far as he had if he just accepted the sweetness and pleasantries of others. He is a veteran of the nest of snakes that men call the Imperial City, and he can see below the surface layers. And what he can see is this: this is an envious little creature. She envies him, his wealth, his comfort, even reduced as it is.
It’s only natural for a little maid-girl like her, perhaps one who has intentions above her station - and a mistress who isn’t a proper lady. Perhaps her goal is to become his mistress. Or it may be something more sinister. Regardless, if he drove away everyone who envied him and his status, he’d not be able to talk to anyone.
He lets none of that show, and smiles at her genially. “Oh, my dear, you would be surprised at the kinds of people who have dealings with House Ragara. And who borrow from us. Come, now. You have me at a disadvantage,” and damn it, his voice cracks for a moment, giving away how much he truly does hate that, “and I hate being at a disadvantage.”
Coral Flower takes a deep breath. Her fingers tighten on her wrist enough to turn the skin white.
“My mistress is known as the Scarlet Lady,” she whispers, the knowledge that she’s revealing a secret she could be killed for written plain across her face in wide, scared eyes and trembling voice. “And she is an infernalist. An Anathema, I- I think. Cadaca Jesuka is the one behind the lies about you, and my mistress has proof. Proof you could use to turn your fortunes around, even ruin her in revenge - as long as you covered up exactly where it came from.”
Immediately and without thinking, he focuses on the bit of that which really matters. Cadaca Jesuka being the one who’s acting against him? Very plausible. More than that, he knew she was acting against him. He doesn’t know when she got so good at imperial power games, but now he has a name. And yes, it’s disturbing that Coral Flower is the servant of an Infernalist Anathema, but she’s a serving girl. No doubt she’s being compelled. It’s not her fault. Not compared to the fact that that damn debtor of his is going for him as her creditor. Oh, he knows that.
“She does?” he breathes. He doesn’t have to pledge anything to this woman’s mistress, but he can certainly use everything he can get out of her. “Proof about this... this monstrous pack of lies that is being spun against me?”
Coral Flower blinks at him for a moment, perhaps taken aback by his priorities, then nods hastily. “Y-yes! Mistress let me look at the evidence she had - well, some of it - and it looks like Cadaca Jesuka’s been doing all kinds of things. Stealing documents from the Treasury and making it look like it was you, forging letters as if you wrote them, bribing people; things like that. Mistress has another servant in Cadaka Jesuka’s estate, so she’s got copies of some of the drafts of the forgeries and knows where she keeps the Treasury documents she framed you for stealing. I think there’s a ledger somewhere with the bribes in it too, but I don’t know where. She said she’s willing to help you expose it all, as long as you make a pact with her. It’ll work, too! Mistress is very powerful. Things she wants to happen, happen. And she has no love for House Cadaca.”
His eyes narrow. To do such a thing - and yet he is ruined if this continues. He can’t, he shouldn’t, he musn’t. But-
“Let’s speak of your lady’s terms,” he says, carefully.
Of course, the girl doesn’t have authority to negotiate on her own. But she has a - beautifully scribed - contract, and a personal missive for him to consider. And he eyes her up, considering what it’d take for her to betray her mistress - but he’s too tired to read her properly. Irritating. He hates working at a remove; he likes to get up and personal with negotiations
She is, at least, willing to talk about her mistress - or rather, to sing her praises. The Scarlet Lady, to hear Coral Flower talk, is a woman of immense means and terrifying reach; subtle yet capable of brutal force when necessary, cunning and seemingly all-knowing, party to the thousand delights and ten thousand vices of Hell and a peer to many of the dark lords of that profane and blasphemous realm. Wealth drips from her fingers, fortune comes to her allies and servants, doom hangs heavy over her enemies. To betray her is certain death - or worse - but serving her interests will win favour that might secure a life of infinite comfort even for a Dynast.
Even assuming that more than half of it is an under-educated peasant girl getting dazzled by the tricks and wiles of a vile Anathema, she sounds formidable. And definitely capable of tearing Cadaca Jesuka and all her scheming to shreds.
And when she puts it like that- well, is it so wrong? He’s worked so long and hard for his House, and for the Realm as a whole. And they’re casting him aside like this? He isn’t pledging himself to the wickedness of Hell, not truly - and sorcerers call on demonic servants for aid frequently. What he’s getting here is what he wants, what he needs in this moment. Which is a powerful ally who no doubt will come with a cost later, but he’s good at ensuring that his investments turn into more than enough profit to pay off the loan that he used to secure them. Right now, he is ruined if he can’t disprove the allegations against him.
(and yes, Coral Flower is a delight he can no doubt have at his leisure. His new ally would no doubt be amenable to him taking this girl as his mistress, and all the time he can work on flipping her to work for him, a barbed hook he can turn on the woman who thinks herself a fisherman)
Eyes-Never-Green flips through the contract that’s been brought to him. The benefits on his side are clear and obvious, and to his surprise there’s no real hidden clauses or cunning demonic trickery. The barb is almost laughable in its simplicity. She’ll want information (he can leak information about his rivals) and small favours (they’ll no doubt grow with time, but he can deal with that later). And the very contract can be used to blackmail him.
But still, he won’t use the art of the Drowning-in-Negotiation Style to secure this. He wants an out - when he’s taken everything he can from tomorrow’s enemy. He’ll put tomorrow’s price off and save himself now.
“Mmm,” he says, fiddling with his brush. “And has your lady instructed you on anything else you’re looking to do to get me to sign?” How desperate is she, is the unspoken question.
She blushes a little, but shakes her head. “She, um. No, my lord. Like... like I said, she told me I was a fool for asking if I could bring you this offer. She let me try, but she didn’t give me any other orders. I don’t think she...”
She doesn’t finish, but he hears the unspoken words regardless. Her mistress, this Scarlet Lady - she’d known about what Cadaca Jesuka was doing already, from the sound of it. But she hadn’t offered him a way out until Coral Flower had suggested it, and volunteered to be the go-between. She’d allowed it, but had evidently expected a decent chance that her servant wouldn’t come back - and no doubt there’s some dark witchcraft on the letter that would burn it up if he cut her down or took her captive. No evidence, no proof, no links back to the Anathema. And if he speaks about this offer publicly, it might damn him further. The Immaculate Order is no friend to his House.
If he refuses this deal - even if she loses a servant out of it - Coral Flower doesn’t think her mistress will particularly care. This is a flutter for her. A low-stakes investment that might pay off richly. Nothing more.
Dangerous. Powerful. And yet maybe useful to him, if Coral Flower is truly bound to a mistress who has no great investment in this. And who is willing to expend her.
He can steal her away. Save her. Use her to destroy her mistress in due time.
“I hate cowards like Cadaca Jesuka,” he says. “I hate people who borrow money and then try to wriggle out of their debts.” He meets her eyes, and lets her see his tiredness, his exhaustion, the burdens that weigh on him. “How would your mistress sanctify this pact?”
“She would simply have you sign the contract, my lord,” she says, and the nervous lip bite comes out again. “In, um. In blood, she said. Y-your own, I mean.”
It wouldn’t be the first time. Some savages in the North wanted him to do that as a proof of his bona fides when he was a young man, off on his grand tour. And truthfully he’d feared worse. Fetching his letter opener, he slices shallowly along the back of his arm (the kind of thing that’ll heal easily and can be passed off as a sparring accident), and shows no signs of the pain as he lets it drip into his red inkwell. The ink takes on a darker shade, and he ties a bandage around his arm, before inking his name there in rusty red.
“I’ve laid my own curse here, so if your mistress tries to cheat me, I’ll know,” he lies without a hint of doubt in his voice. “This is signed in dragon’s blood, after all. And those who cheat a dragon pay a ferocious price.”
Eyes wide, Coral Flower nods. If she has any understanding of what dragon’s blood - or Dragonblooded - can actually do, he’ll eat his foot. Useful credulity, that. If her mistress can sniff out lies somehow, she’ll get nothing but gullible honesty from her servant’s warnings.
“I’ll tell her, my lord,” she promises. “And... best of luck with your revenge. If my mistress allows, I might see you again, once you’ve cleared your name?” There’s a hint of a question there, and a hopeful look as she looks at him through her lashes.
His eyes meet hers. He lets her see his exhaustion, his hurt - but also the fact he wants her. “My wife has gone back to stay with her family, so she isn’t dragged down with me, and I’ve been alone,” he says, letting a little hitch land in his voice. “Surely your mistress doesn’t need you to walk through these dangerous streets, full of assassins and troubles, so late at night. Stay. I’d hate for anything to happen to you.”
Her blush deepens. She glances down at her lap, and then bashfully back up at him. She tries to make her excuses - that she wouldn’t want to impose, that she’s sure he has work to do - but he brushes them aside. He can tell she wants what he’s offering. He knows she’s in no position to refuse him, either. And of course, he’s simply better than her - more persuasive, more powerful, more proficient in every way.
Between seducer and seducee, between hunter and prey, between the strong and the weak... there’s really no contest.
He invites her to his bed, she follows eagerly, and the jaws of the trap swing closed.
The sky is leaden grey just outside of Pangu. Unseasonable hail slashes down, bruising the peaches on the trees. The white-coated figure striding down the path to the estate pauses for a moment, and stoops down to examine the hail. In his hand, he watches as it melts, and from within the ice emerges a squirming insect. It has too many limbs, and its carapace is brassy.
With a look of disgust he crushes the unnatural thing, and then wipes his hands off on a handkerchief.
“Look what your ilk have done here,” he says to his unseen companion.
“Not my ilk,” says the demon Resensit, the Midnight Scale Prince, ill-favoured son of Sibri. He is a lanky, golden-eyed figure with lank dark hair and blackened armour forged by his distant kin Alevua. “And I know not what led to these things, no more than you do.”
In this way, Resensit is little like his handsome summoner in whites and greys. Ashen-Eyed Ludall, chair of the Convention on Hell, lives up to his name. The sclera of his eyes is the colour of ash, a stain which spreads to the skin around them, and with his white hair it is like he is the remnants of a great flame. But his irises - ah, those are as red as blood, and glimmer with the reflections of unseen constellations. And there is a discontented cast to his face that sits with a certain familiarity.
Though any would be discontented. At the start of Ascending Earth, the killings started. Something - several someones, most likely - have been going through the Realm he disdains so much like a hot knife through soy paste. It took them too long to put together that this was an orchestrated campaign because the Realm at present is a cesspit of political violence and assassinations, and the ones behind this are clever, mixing up their styles and working behind patsies. The clue that led his people putting it together was when they unsealed one of the sepulchers sealed by the Heptarchs of Tragedy and found not one clue to the identity of the ones behind this. Which meant in the present day, the forces of the Dead or the slaves of Hell -- and certain rituals and certain signs indicated the living essence of the Gaol of the Yozis.
There is no pattern to these killings that he can find. Some have happened on different coasts of the Realm on the same night, which indicates the involvement of several people, but divinations cannot find traces in Fate of the culprits, which indicates that mighty beings are carrying out each one. He finds himself in a position he does not much like, because the Realm is a source of so much misery and so many routes to infernalism in Creation, and he will not weep for these savage dragonblooded inbreds if they are knocked down a few pegs. But when said blows come from the hands of the servants of Hell - that he cannot sanction.
And so he is here at the estate which once belonged to Sinisi Kula Lovely-Bowing-Reeds. It doesn’t now, because she’s dead. And it infuriates him that this death was concealed from him by the malcontents in his convention, who had accepted some pathetic cover story that it had been a dragonblooded assassin. But it hadn’t added up, and when the destiny laid on the Deliberative had backlashed violently from the absence of Sinisi Kula Lovely-Bowing-Reeds, he’d put things together. And shown up with Resensit in tow just in case there is a Hellish assassin lurking here for him.
When he gets to the house, he straightens up further, and makes sure the jade necklace of a Heptagram graduate that he procured is in full obvious display. He doesn’t have to knock. They are expecting him.
“Respected sorcerer-”
He barely stops for them. “There is no time for chatter. I am a busy man. Take me to the room where the murder occurred.”
“Will you need to ask questions of any of the staff?”
“No, of course not. That was the job of the magistrates and the Keepers of the Peace, and that is why they requested me. I am here to cast my spells, and then be gone on this miserable day.” He raises one hand, and looks down his nose at the head maid. “And I work alone. I will complain to your new mistress if I find anyone spying on me or trying to steal my secrets.”
That is enough to ensure he is left well alone, and he doesn’t have to deal with the blathering and twittering of mortal servants. There is a place for maids, and that is nowhere near where he is working.
“Your grasp of the role is astonishing, my master,” Resensit says with barely veiled sarcasm.
“Quiet your tongue, demon,” he instructs the demon. “Speak only if you find something of interest, or when I permit you. I will have to focus.”
Irritatingly, the monks of the Immaculate Order have already been here through and performed purifying and cleansing rituals here, in the bedroom, where the body was found garotted. It will obstruct his attempts to divine what happened here. But still, there are things he can do. A handful of Nightarrow root, powdered and blown over the scene, for him to see where it settles. A candle made from the wax of those bees that tend to the peaches that grow in Heaven (far superior to Pangu peaches), and when lit it burns with a clear yellow flame - or least it should. A handful of yarrow sticks, cast into the air to see how they fall.
In reverse order, the yarrow sticks find nothing, which is not surprising when the Immaculates have already purified this place of the touch of death. The candle burns with a corona of many colours, greens and blacks and indigoes and a thousand imperfections. This is a clear indication of the touch of Hell, and he has only seen so many colours in the ritual candle in Hell itself. And the Nightarrow root is most interesting of all, because just by the bed it clumps up into the shape of two legs.
Someone wrapped in shape-changing magic knelt there, and the area was not cleaned by the Immaculates. A hand next to it, where they touched the floor. And there, a handprint on the headboard. Ashen-Eyed Ludall measures the span of the headboard hand, and finds it doesn’t match the one on the ground.
“Two people, or one who took two forms,” he muses. “There is no hint of silver in the flame, which suggests to me that there was no Lunar, and there is only the paleness I would expect of a place where someone died. The presence that should not be here is indeed Hellish. And yet the blend is... extraordinary in its complexity. Resensit!”
“Yes, my master,” the demon says, voice glum and low.
“Do you know who did this?”
“No.” Simple and honest.
“Do you know who could have done this?”
“Am I to assume you believe it to have been a demon? There are many assassins in Hell. If I were to list all of them, it would take hours. And I am not the sort to hire them, so no doubt I will have missed some.”
Ludall recounts the evidence he has found, watching Resensit’s eyes. “Could it have been an Infernal Exalt. One of Hell’s Chosen?”
“I do not know what they can do, exactly, my master - but they wield the greatest powers of the Yozis. There is nothing to say it could not have been one of them, from what you say.”
And that is the kicker, isn’t it? It’s what infuriates Ashen-Eyed Ludall. He needs to find an Infernal, to duel them and learn their ways in conflict, to - preferably - subjugate them and drag them in chains before the Convention. It will be his victory, his triumph, his sign that he is not merely his father’s son. But right now, he doesn’t even know if they’re all one thing or not. The dark magics they wield are so varied that he cannot be sure if there is a breed of creature that can wield any power from any Yozi, or if instead the demon princes have managed to each create a few champions.
He’s chasing unseen imps, and he doesn’t know where to look to find them. Not yet.
Chapter 53: Early Wood 776
Chapter Text
Alas, Ashen-Eyed Ludall is looking in all the wrong places. Keris and her students are swiftly gone from the Realm with the turning of the season - with Keris musing on the failure of the new moon ritual she performed with Sasi to aid La’s reformation - and it is a swift journey along the sea lanes, preceded by infallible messengers as Keris calls on her allies.
First she reaches out with dark magic to Ximmin Cutlass up in the west, and offers him a very tempting bargain to enrich himself - and perhaps remind the lords of Hell who scorned him that he is not to be disrespected, she whispers to him as a serpent. A deal is struck and he assures her that his own hellish gifts will allow him to meet up on her schedule.
Suriani is deposited on Choson so she can work on her cover identity, and in Saata Keris briefly pauses to check in with Rounen, leave Ixy there with the gift of a residence for her and her kerub cronies and access to tutors in the art of firewand creation, and drop Biqi in the Carnation with instructions to hold down the fort. After some thought, she decides to pick up Simya to serve as an assistant. After much more thought and internal debate, she also decides to take Kalaska with her, which proves difficult and requires some bargaining and to form a sanctum-world to transport the girl and her kerub flunkies.
Maybe it’s a mistake, but she needs to spend more time around Sasi’s fear and work on helping the girl. At some point she’s going to have to find a way to help Kalaska despite the reclusive demon lord not really wanting to be helped.
It is fortunate too that Testolagh is in Saata, securing more Raraan Ge mercenaries for his hidden empire, because that allows Keris to call on his second season of promised service for the year (and also leave Aiko in Seresa’s custody, because she’s not taking the little girl where they’re going). Then she’s off again with Rathan in tow. They meet up with the Baisha waiting for them just south of Shuu Mua, and Keris calls on a blessing of the Great Mother to ensure that Jianling and her sworn fleet will have their passage eased to be where she needs them.
After all that, it simply becomes a question of getting where she needs to go and waiting for all the pieces to fall into place.
In the far west of the Anarchy lies Shuu Ranfa, wave-battered, wind-tossed and wyld-wracked. The roughly triangular island is part of the Sunfall Archipelago which faces where the Great Western Ocean gives way to the madness of the Dusk Sea, and that coastline is heavily twisted by the inconstant tides of chaos. The hardened souls who call this land home dwell on the rockier eastern shore, among the cone-filled volcanic landscape. The western side of the island, the Waning Coast, is tremendously lush and fertile, but inhabited by vicious toothbirds and madling wyldbeasts born from nightmares. When the winds change and the wyldtide rolls off the Dusk Sea, people retreat within their basalt halls and hollow magma tubes and wait for the change rain to pass.
Yet anchored just off the Waning Coast is a force which could, on its own, conquer Shuu Ranfa in the name of Hell. In among the shallow expanse of tiny islands, sandbars and coral reefs is a new growth of twisted vegetation which secures the area against the influx of chaos, and docked in the newly grown mangroves is the hellsworn fleet of the Tiger’s Head triad under the command of Jianling Iron-Hand. Wuzu - no longer calling himself a Peleps - has been blossoming under her guidance, and he looks more comfortable in his newly prosperous garb of a subsidiary pirate lord than he ever did as a naval officer. Jamahidaya Azura is here, too, called by the promise of her bargain with Keris being fulfilled. And Testolagh’s smaller mercenary fleet is here too, down on their luck Raraan Ge pirate-nobles and Saatan dock-scum who’ve already been hammered into shape as Testolagh lays his claim on them in the style of the Demon King.
But it is down in the waters below that the lady of this terrible fleet can be found. Beautiful and terrible, the unclad form of Keris Dulmeadokht cuts through the sunlight-dappled water, accompanied by her demon-lover Mele who is as pale as ivory. She has laid a spell of Ellogean blood-magic on both of them, such that the wyld-twisted beastmen who lurk in these waters see nothing unusual about them, for the ruins of the city once called Karesi has drawn her attention. The hermit shellmen dwell in the shells of great clams, legless and squishy, though she has already found that they are kin to some of the villages of land-dwellers and sometimes children are born with legs and fostered on land. But it is Karesi that most interests her here, a city of the Blue Monkey Shogunate washed from the land by the tides of chaos, and now a holy place of the hermit shellmen. They do not live in this city, but they lay their dead to rest in the drowned halls of Karesi, bound in seaweed ropes and weighed down by rocks. She can feel the violet essence of Endings gathering here, not quite a demesne yet, but a place of proper death and departures.
She pokes at the great nautiluses that bob between the sunken buildings, makes tracings of the carvings cut into the barnacle-festooned walls and spends some time mapping out the flow of power through the city with her left hand, tracing the dragon line capillaries to the nexus where the star-essence is strongest. Nexi, rather - there’s still a certain indeterminacy to the power growing in the drowned graveyard. Mele follows her obligingly as she flits here and there, indulging her curiosity to her heart’s content, and then follows her up to the surface where she breaches the waves like a leaping dolphin and rolls comfortably onto her back, her long hair spreading out around her.
“Much more interesting than that old abandoned monastery,” she says cheerfully. “And yeah, I told you so - it’s definitely coalescing into a star-demesne. I’m pretty sure the core will either be the big hall where most of the oldest bodies are, or the plaza just outside it with all the oysters covering everything.” She fishes a violet pearl out of her hair and eyes it thoughtfully. “Hmm. Not sure how the essence will crystallise if it’s the hall, but if it turns out to be the plaza it’ll be these things for sure. We’ll have to check back in a few years; I’d quite like a necklace of star-pearls.”
“Well, if you want a pearl necklace, I could always give you one,” Mele says, helping her out of the water so they can perch together on a mangrove’s roots, the bright sunlight tinted green by the canopy. He lets his pause drag out a little too long, then adds, “There’s plenty of pearls in the Sea,” with a smile that strongly indicates what he really meant, as he starts to comb Keris’s long hair with his hands while he rubs her swollen abdomen with his hair. “Though if you wanted this island, we could always conquer it. Nothing’s too much for you, maj.”
“Eh,” Keris shrugs. “Honestly, it’s not really worth the investment. Oh, though I think it is where the, wossname...” She searches her memory for a moment. “The... Baklong family, yeah, their turf is somewhere around here. I met... what was his name... Baklong Andu, that was it. A Wood-aspected sorcerer I met a few years ago at a festival to Akhanammu; he was talking about the history of the Anarchy and some big Shuu Mua-sized island he thought had just sunk completely back around the time of the Usurpation. And,” she adds, “he’s a demonologist. That’s why I remembered him - well, that and the sunken island thing, which sounded really interesting. But mostly because I smelt neomah on him, despite it being illegal in Saata.”
He cuddles her as he preens her hair, getting out little bits of seaweed and grit picked up in the water. “You’re right, it’s not worth your time. You’re always so busy. Busy busy busy. You couldn’t even call me out at all during Earth. I would’ve wanted to get to do more to support you, maj. Make things easier for you. I want to take the burdens from you - but I couldn’t do anything to help you when you were in the Realm. Just comfort you in your dreams.”
She kisses him fondly. “It’s not your fault. I’d have loved to have you there, but Fate can still get its hooks into you and predict your actions. And you were very helpful in keeping me relaxed and focused for my work.” She stretches. “Speaking of which, while I’d love to take you up on that pearl necklace, we’ve been out all morning. Let’s head back to the Baisha and see if Ximmin’s finally decided to show up. I have a good feeling about today.”
The Baisha is a little further out than the sailed ships here, as its increased draught means it wants to keep further away from shore. Keris also doesn’t want the mortal pirate followers to get too good a look at her pride and joy. A terrifying demonic warship, yes, she doesn’t mind rumours of that spreading too much, but she doesn’t want those rumours to get too precise.
In one smooth motion, she leaps from the water like a brown-and-red fish, and lands in a crouch with Strigida spun around her as a skin-tight bathing suit like she saw in the Realm. The reason for the quick change is that Rathan is on deck, under a parasol, reading a book. “How was your expedition, mama?” he asks, looking up from his reading. His eyes narrow slightly. “Mele.”
“Rath,” Mele says, pulling a face. His former best friend hasn’t quite forgiven him for sleeping with his mother. “Pretty good. I’ll go tell the kitchens to get some food ready for her maj, ‘kay?”
“Do as you wish,” Rathan says icily.
“Do you have to be like that?” Keris complains once Mele’s gone inside. “He put a lot of effort into looking after me last year, you know, when I was all... off-balance, after Earth. And he was a gentleman about it. Very respectful. Didn’t expect anything in return.”
“In what manner am I acting?” Rathan asks, his tone just as chilly. “I haven’t said a word about the fact that you have taken up with my childhood best friend - and that he got you pregnant as part of your artifice. Hell forbid that I voice an option on the topic.”
Keris wilts. “Now it feels like you’re mad at me, too,” she mutters. “Alright, fine, you’re not wrong that you haven’t said anything. I just... hate to think that I cost you a friend.” Her hand falls to her gravid belly. “And this pregnancy doesn’t have anything to do with him,” she adds lamely, hunching her shoulders. It’s not a helpful addition, and she knows it’s not, but she can’t bite the words back. She changes tack instead. “Anyway! What, uh... what are you reading? And has there been any new word on when Ximmin’s fleet will get here?”
He accepts that as the truce offering it is intended as, and lifts the book up. “It’s Aaira Tan’s A History of the Latter Days Of the Great Western Shogunate’s Western Holdings. I wouldn’t say it’s entirely accurate - she was definitely writing it on behalf of her Raraan Ge sponsors - but it’s helping round out my understanding of the history of the Western Anarchy from non-Realm, non-House Sinasana sources. I picked up a good number of books to bring on this trip. Well, not to bring on this trip necessarily, but I had planned to take them with me next time you returned to Hell, so they’ll just be read a little earlier.”
Rathan stretches in his seat, and fetches a clay vessel of small beer from the box he has underneath, freezing vapour following his gesture as he pours some into his cup and fetches a second cup for his mother.
“Anyway, there’s ships coming from the north, flying the gold-and-green that you said to look for. They should be here in a couple of hours. Looks like mostly two-masters, but with two three-masters - a solid long-distance fleet, and I can hear the waters sing the prayers of the Great Mother.”
“Finally!” Keris downs the offered cup, then rubs her hands in glee. “With him here, that makes three of us Infernals, plus a demon lord - two once I summon Jemil, three if you count the Priest,” she wasn’t ever going to count Kalaska there, “and three experienced Dragonblooded. Along with three fleets and a First Age Ligierian warship. We’re gonna go through the Dusk Sea like scissors through silk. You’re still sure you can navigate us back to Leefa?”
“I can try - and if the sea routes have changed too much, I have some contacts in some Dusk Sea ports that can help us find the right route,” Rathan says, taking a sip of now-chilled small beer. “Like I told you, mama, the Dusk Sea is a bordermarch. The routes between islands can change depending on the weather, the time of day, the phase of the moon, the time of year. Which is how, for example, Vali and I ended up marooned on a fleet of giant turtles. That’s just how it goes. But at least with this kind of fleet, we won’t have some of the issues we had last time.”
“I know, I know.” Keris kisses him on the cheek. “I just want this to go well. The stuff I’ve learned about the Lintha this past year is fascinating, and even if half of Leefa is wyld-tainted, it’s probably got enough left to be invaluable to my studies of their rites and relics. Not to mention that red moonsilver.” She gives him a quick, gentle hug. “I’m going to go get ready for Ximmin to arrive - I want to be dressed to kill when he gets here. Do you want to come give me fashion opinions, or shall I let you go back to your book?”
He examines his nails. “I suppose I can help you - and you, me,” he says, in a way that reminds her quite clearly that he is after all Nara’s full brother. “Because, mama, you had been putting off working out how to explain me to Ximmin. And now it would seem that the moment of decision is upon us.”
Rathan does seem to be letting his cruel side show a little bit with how he is bullying her by reminding her of things she’d been putting off.
Keris sighs. “I’m going to introduce you as a Hellish demon lord and not make a big thing of it,” she says. “There are so many of them that nobody can keep track of them all. And if he tastes your essence and asks any awkward questions or seems to be getting suspicious at any point over the next month or two, I’ll probably come clean to him about the vote and buy his support with it. He’s a flashy, extravagant braggart, but I think he should be capable of holding his tongue if it’s clearly in his better interests - and I can make him promises that won’t pay out if he runs his mouth to the wrong person too soon. It helps that... well, I doubt he’s socialising with the other members of his Directorate much after being demoted, and for the same reason he’s not exactly likely to be chatty with many people at the Althing, or inclined to spend much time there. He only needs to keep the secret for a bit over a year, and in practice he’ll only have the chance to spill it this Calibration. I can assign someone to keep an eye on him for the festivities and stop him blabbing, if necessary.”
As it turns out, it’s relatively easy to hide Rathan’s relationship to Keris. All she has to do is change his skin colouring and pattern to match the white-and-pink of his orca form, and no one looks for any kinship. Meanwhile, Keris herself... well, she spends all the time until the arrival and a little longer making herself a work of art if she does say so herself. To the degree that Rathan has firm words for her to “stop Zanara-ing so hard” and actually meet her guests.
Ximmin Cutlass is a black velvet peacock upon his flagship’s bow; his coat is midnight cloth with an odd sense of depth to it. Things seem to move inside. He has no shirt under it, but around his midriff as a sash he has hell-greened cloth-of-orichalcum. More than that, the lining of his coat is made up of the many colours of the poisons on Kimbery’s surface and the flowers that grow in Metagaos, patterned like a peacock’s feathers, and glimpses of it flutter out whenever he shifts his position. On his hip, a pair of cutlasses - his namesake - one black jade, the other moonsilver, and she can see a bulge in his sleeves of hidden knives there. And his hat is spectacular, a broad cone that looks like straw from the outside, but on the interior is covered with the decoration of a loop of dancing lesser demons. His underlings flank him, wealthy pirates in their own rank, but mere ornaments compared to him.
Oh, and Testolagh is also there with Keris, but he’s barely worth considering for fashion. He has none. He’s wearing a broad hat and a linen shirt and loose cotton shorts. Testolagh simply isn’t trying, unlike Ximmin who gets it just like Keris does.
“Hah! Look at you, Keris,” Ximmin says by way of greeting.
If Ximmin is a peacock, though, Keris is a Garda bird. Where he’s a pirate lord preparing for an expedition, she is a demon-goddess of wave and tide calling her followers to her banner. She wears the finery Molacasi made for her in the styles of the ancient Lintha; a blue-green ocean-silk dress spun from the foam of Kimbery that’s so clinging and sheer and fine that the moonsilver tattoos that squirm across her body are easily visible through it - iconography sacred to the Great Mother that paints Keris as one of her beloved daughters. Over it she wears a ceremonial breastplate and bracers of sea-copper and crimson silver, each adorned with intricately carved coral and studded with pearls. A cape flows down her back like a waterfall, streaks of colour in every hue of the Demon Sea pouring down through the cloth like water, moving down through the fabric and curling from the bottom as mist that coils around her feet. Her hair is bound back in a wave by pins of unmelting ice, her face is painted with slanted siaka-tooth war patterns, and her caste mark burns vitriol-green on her brow. Her serpent-spear is coiled loosely around her shoulders, and she strokes it idly as Ximmin’s ship pulls up alongside the Baisha and he gives his jovial greeting.
To look upon her is to love her, and to envy her, and to fear her. More than that, wishing to be so beautiful might see one’s very skin bloom like a bruise with colour to match her decoration.
“Ximmin,” she returns with an enchanting smile. “I’m glad you approve. Well met, cousin, and welcome. It’s good to see you again. And I see you’ve doubled the size of our fleet. With this many ships to pillage the Dusk Sea, we’ll take home a mighty prize in plunder.”
He spreads his hands broadly, and his laugh is rich and belly shaking. “That is what you called me for! A mighty prize in plunder sounds mighty fine to me now! Or any time! Ha ha! And it’s good to see that it’s not as if me and mine will be doing all the work! It has been some time, Testolagh!”
“Ximmin,” Testolagh says. There’s no hostility there, but Keris recognises his tone. It’s the same tone he uses when he speaks to her and doesn’t want to be drawn into things. “You are right. It’s been some time.”
“How long have you been down here, remind me? In the Lower South West, that is. You look like you’ve completely failed to get used to the temperatures!”
That draws a glower. “It’s only early Wood, but the temperatures here feel like Fire. This is a hot year already, which’ll mean a bad hurricane season.”
“Oh, is that right? Well, then we should get this done so there’s no risk of my people being caught in an early typhoon!”
“I couldn’t agree more,” Keris says. “Let’s make introductions, then. Testolagh you know, but we also have the Tiger’s Head triad here, as well as a demon lord of the Sea and the crew of my own Baisha. And if there’s time before we sail, I might like a word with you in private about,” another glittering smile, “opportunities to be seized.”
Keris makes her introductions, and then Ximmin makes his. His fleet is built around a solid spine of Randani - and his two subordinate captains, Habba Ship-Burner and Rangu Ten-Head-Taker are also Randani. And then there is the short, taciturn Bedjoku u Han Who Twists The World, and Keris can hear the moonsong that comes from her and see the silver tattoos and the look of consideration as she takes in both Keris’s empty-ring in green but also her silver tattoos. But the numbers are filled out by sailors and pirates from Makelo and the Azurite Empire - though this is a little harder to see. Keris is a doctor, apothecary and occultist, and she can see that Ximmin has been free with the blessings of the Yozis on his men. His captains wear obvious oath-tattoos that sing with pelagic power, and his men show clear signs of flesh weaving: they are stronger, taller, some have shell-armoured forearms or all-black eyes with nictitating membranes. A few, she sees, looking over the side, have been surgically remade into dolphin-men as fast-moving outriders.
Ximmin’s ships need to pause, to cut down trees for wood and take on fresh water and fish in the rich waters (for he has pushed them hard to get here), and so Ximmin is more than content to be invited to the stateroom of the Baisha for a late lunch and a talk. He openly admires the vessel as he does so, and there is fierce envy in his eyes as he looks at it.
“How did you get this marvel of a vessel?” he all-but demands. “Yozis! Had I know you had it...”
“I haven’t been hiding her!” Keris laughs. “She docks every year in the Conventicle for maintenance and refuelling. But I suppose I haven’t been openly boasting about her either. This beauty used to be a pleasure-yacht of the High First Age. I dug up the wreck and gave it to Unquestionable Ligier along with an army of living, captured fae for him to rebuild as a warship - and the fae weren’t the payment, just the raw materials for the repair job. Honestly, I think he gave me a bit of a discount for the chance to work on a project that let him push himself and use his wyld-forges - but even so, I still owe him a few personal missions as and when he chooses to call them in. I’ve mostly been keeping her down south because I don’t want the Realm to know about her in more than vague rumours until the first time they try to send a full war-fleet into the Anarchy. But I did bring her along to Choson in Fire last year, and she also helped transport one of the points of my boast this Calibration.” She grins, fierce and wild. “And now she’ll be key in another. This is going to look very good for both of us.”
He trails his hand over a wall before taking a seat, sprawling out with his legs spread. “You have Plentimon’s own luck, Keris. To find something like this - and be handed the Anarchy as your fiefdom, too! Tch! There might be more money in the West, but it’s far more spread out. I’ve heard the stories of Saata and heard your boasts of just how much wealth flows through it. I’ll definitely need to fill up any cargo space I have left there before I head back up to the western archipelago.”
“Filling cargo space was actually what I wanted to talk to you about,” Keris says, pouring herself into an embroidered swing chair that hangs from the ceiling and folding her legs up under herself. “I have... let’s call it a business proposition for you. One that we might want to keep between us without letting Pokhanza in on, for our mutual profit.”
He flashes golden teeth at her. “You had me at mutual profit. Not telling that usurper anything is only an added bonus. Go on then. What does the Harlot of the Yozis have for me?”
“My orders from the Althing are to dissolve the influence of the Realm in the Anarchy and deprive them of its resources,” Keris explains. A hair tendril stretches out to the wall and starts her hanging chair swinging gently back and forth, and she plucks a simple melody from the air with absent flexing of her fingers. “And there’s a lot of trade in resources from the Anarchy that ends up in the Realm. Sugar, cotton, spices, furs, lumber, drugs, firedust, jade and minerals and hearthstone-slurry... you name it. I’ve made advances into the trade routes, but if I’m going to deny it to the Realm, I need other places for all of that to go. I can’t just keep it from going north of the Gulf - the Anarchy depends on the money that comes back into it as much as the Realm depends on the resources that go out.”
She points at Ximmin with a hair tendril. “That’s where you come in. This isn’t my first visit to the wyldshore. I’ve been Shaping a chain of islands up the edge of the world - not too large, not easy to find, but enough to resupply ships, and with inhabitants on some of the larger ones. It’s gotten far enough that it could feasibly serve as a trade route to go island-hopping up into the Great Western Ocean, protected and hastened by shrines to Kimbery. I could probably take it further on my own - sneak up into the West, make more islands, find buyers, arrange sellers, get my hands on more ships that can handle long-distance travel. Even go all the way up to the northwest and sell to Ku Shikom. But that’d take ages and pull me away from the Southwest, where I should be spending most of my time and focus. Alternatively...”
She trails off and tilts her head towards him, the implication obvious.
Ximmin sucks in a breath, and curses in nautical Seatongue that’s too thick for Keris to understand. It sounds absolutely filthy. “The sheer value of that,” he manages when he drops back into Old Realm. “The Anarchy pumps out spices, sugar, cotton -- all to feed the Realm. I could flood every market from Azur to Manigal to Wavecrest and more. Bankrupt every trading cartel and buy them up on the cheap! Though, hah, doubt you control it all. But still.
“And you say you’re creating a new island chain to do this?”
“I’ve created a good chunk of one already - I’ll take you to visit a couple on your way back to the West at the end of this season. I’m keeping the infernalism out of them to obscure the ties to me, but yes - I’m confident I can get a flush trade route set up to at least the southern edge of the Great Western Ocean next year. Maybe further, if I spend another season pushing north into the West proper and hunt down some well-placed wyld zones. What I need is a trading concern to sell to who can handle a high volume across long distance, find buyers for the bulk of it, and provide shipping to anyone I particularly want to make deals with myself.”
Rising in a flourish of black coat and bright lining, Ximmin begins to pace back and forth. “Things don’t work quite that way in the Western Archipelago. Most large trading cartels are linked closely to empires and principalities and nations. They’re weapons in the hands of princes. And I am not a merchant prince in the style I have heard of, ah, the East, yes. I have my fleet, and my holdings, and my people in many ports who ensure I have friends in port who report where trade goes and where sailors sail. But I am not open about it.”
Keris sees now something she had not seen before: how this gaudy man is a Scourge, not one like Orange Blossom. Her music stops as she steeples her fingers. “What would you say the biggest obstacle is? Lack of buyers, lack of ships, the need for secrecy?”
He sucks in air between his teeth. “It is twofold.” He raises one finger. “First! It is very common for an official trading company or arm of a nation to hold a monopoly over the import of certain things. You cannot just sail up and sell coca leaves, or sugar, or tobacco - it must pass through the official channel. And while I smuggle - of course I do, there are so many people who do not want to pay those high prices - that puts a limit on the volumes and makes the pathways more involved.”
He raises the second finger.
“And two! Merchants are an extension of war in much of the Western Archipelago! Take Randan, which I know well! Islands that accept Randan as suzerain pay regular tribute: lumber for shipbuilding and soldiers to stand on the front lines in raids and wars. They also agree to trade key raw materials exclusively with Randan - so people who want to buy goods made in those islands must go to Randan and pay Randani prices! This is how it goes - a web of raiding and trading contracts and if you break the contracts you have signed, perhaps at cutlass-point, then you are raided to teach you a lesson! Again, I circumvent much of this, but it is a question of scale, not least the scale of how many of the goods of the Anarchy you can procure.”
With a clap, he turns his gaze to her.
“And this is therefore the issue! Some amount, some volume, I can move in. There are plenty of smuggling routes I can work with. But if you are wanting to swamp every market, that is more than my network can support. I can work on it, and will, but the Western Archipelago is not so elastic as to simply absorb, what, a hundred tonnes of sugar a day? Gods only know how much comes out of the Anarchy.”
“I have the figures somewhere,” Keris says absently, mind already working over the problem. “Both for what the estimated totals for the Anarchy’s output are, and for what I can feasibly lay claim to. Hmm. Alright. So I can’t sell in quantity all over the West. That’s fine; it’s not the only possible place for me to sell to. But, mm... say I did manage to broker a deal with Ku Shikom to start with. He has his cities up in the northwest - they won’t take the whole Anarchy’s output by a long shot, but they can probably take a good chunk. Could you provide shipping up through the West to him - taking a cut of the profit for yourself for the transport, of course - plus whatever you think you can smuggle and sell in the West proper through unofficial channels?”
“Dearie me,” Ximmin says, “are you suggesting that I would love to collapse governments that rely on sugar, tobacco and other such import dues for their funding? To leave those expensive, expensive navies with sudden budget shortfalls? To leave every woman and man who buys cheaper sugar from a backstreet vendor - and then a front-street vendor when it’s common enough - party to my crimes?
“Because I would. It sounds delicious. And if anything I can’t dispose of is getting to that tight-fisted stiff-necked proud freak in the North West, that’s only better.”
Keris grins. “Ximmin. We’re going to be spending the next season together. Let’s work on this over that time - figure out amounts, routes, possible buyers. And then at Calibration, we’ll talk to Ku Shikom, as well as any other peers who might be able to take on some of this windfall, and make a deal that will make both of us even richer than we already are.”
“Now you are speaking my tongue!” he says, and throws his head back in laughter. “Ah, what a wonderful day. Why did we not do this earlier?”
“We were foolish,” Keris agrees, and spins herself around in her swing chair. “Still, we can fix that mistake now. And remember it going forward.”
With an extravagant sigh, Ximmin flops back down. “It is a farce that I find myself in Testolagh’s position now,” he broods. “I had thought I would never be in this position; taking orders from someone so much less experienced than I. That poor man - never a Director, despite the fact he is the most experienced Slayer who still lives.”
Keris, uh, thinks he’s lying to her. Because she’s sure that Pokhanza was Chosen in the same year as her, while Ximmin was chosen the next year. Then again, Ximmin has headed up a Directorate as long as Keris, while Pokhanza had been in the troublemaker’s Direction of the North East. Maybe he’s just counting the experience in leadership, or the experience in the West.
“Have you ever worked with Pokhanza?” he asks out of the blue.
“Other than a brief run-in just before the Calibration festivities just gone, I don’t think I’ve ever really interacted with her,” she admits. “Though even that short talk was enough to tell she doesn’t like me much. Why, what’s she like?”
He pauses while he recovers a strange, many-coloured fruit from a pocket, and takes a big bite of it with briefly inhuman teeth. “It’s funny, honestly,” he says, instead of answering her question directly. “Thirteen directors, and four - four! - are Scourges. Some of it is doubtless a’cos of how much of our work we do in the shadows. Geasa is a freak who skulks around in the lands of the Dead. I like the man - why wouldn’t I, with the help he gave with Skullstone problems? But he’s a complete freak.
“Ikn Atha - I don’t like that one at all. Can’t stand him. I trained with him, under ol’ Captain Gyrfalcon, up in the North - and he was a Director and a Scourge as well. A hell of a man. Shame what happened to him. But Ikn - he fixates on things. On things he wants. A certain artefact he saw; to seduce the high priestess of a temple sworn to chastity; to be a Director. There’s something deeply fucked up going on in that head. He sees things and decides he wants them. And doesn’t stop. I’m not surprised he made Director, and I’m even happier that he's all the way in the Dreaming Sea and I’m in the West.
“You know what kind of man I am. I built my smuggling empire crossing the West from nothing. I am the kingpin of the hidden sea routes, I’ve got trails criss-crossing the Archipelago, I have whole swathes of pirates on my payroll, and it looks like between the two of us working together, I’m going to get much wealthier. It’s the disrespect of being kicked out by that little blue queen bitch I can’t stand. I don’t mind so much not being a Director, it means I can focus on my smuggling - and getting my revenge on certain people who’ve caused me problems. But I hate having to answer to that woman. She’s vain, she had me running errands for her new cults, and she’s a killer.”
Yes, Keris realises - she can feel his affinity for Szoreny. Not as strong as Pohkanza’s, but with him and Kasteen also simmering away in their envy, no doubt there will be fun in the West.
“And then there’s you, the last of the Scourge-Directors. What’s your shape, Keris? I don’t see where the Harlot of the Yozis meets Orange Blossom’s protégé. The Harlot of the Yozis tears holes in the world and releases our masters, she lays waste to Choson, she beds and corrupts the mighty. But how does that tie to the student of Orange Blossom, the one who’s making deals with me right now to take over trade for a Direction, the one who’s heading up this raid to plunder the wealth of the Dusk Sea?” He flashes golden teeth at her. “I’m curious.”
Keris hums, leaning further back into her hammock-chair and extending her legs - first one, then the other, stretching them out languidly past the hem of her beautiful ocean-silk dress. “Maybe you’re looking at it the wrong way round,” she suggests. “I was Bloss’s protégé first, remember. And what I learned from her is that the best power in the world is knowing what people want, and giving to them.”
She gestures at him with an idle flick of her hair. “Take you. You like money and treasure and pretty things. You like piracy and showing off your splendour. You want to prove to the Althing and Unquestionable Iudicavisse that they fucked up when they disrespected you like that; that you’re still a man to be feared and your loyalty valued. So when I was putting this raid together and realised your skills and assets were just what I needed for it - and also that you could solve my little trade route problem - I sent you a dream and led with the promise of being able to get all those things, and you showed up. And the anticipation of all the fun we’re going to have this season put you in a good mood to hear my pitch for taking the Anarchy trade - which also gives you things you want.”
Shaking her head, she repositions herself and points at him with a bare foot that’s cradled in moonsilver tattoos and Kimberyian body-paint. “That’s what Bloss doesn’t get, really. She’s too greedy. She’ll work out what you want, then come to you with an offer in one hand and a price in the other, and she won’t give you anything until you’ve already paid her. But if you give people a bit of what they want first, and then say ‘aren’t we friends now? Aren’t you grateful? Don’t you want to pay me for more of this? Hey, those guys; they’re fucking with my operations and threatening my ability to supply you’ - well, then if they refuse to help you out, you can cut them off. And losing what you already have hurts far worse than turning down an opportunity that was out of your grasp to start with. Not to mention, if you’re a tightfisted miser who always opens by demanding payment, people think you’re a bitch. If you start conversations by being generous and giving free samples, they want to trade with you, they prefer it.”
Ximmin’s watching her, that golden smile glittering. Keris smiles back, mirroring his expression.
“You wanna know where Bloss’s protégé meets the Harlot of the Yozis - what else is a harlot but someone who’s selling a service? I’m just giving the Unquestionable what they want. Freedom to walk Creation again unbound, revenge on their enemies of old, comfort and beauty and pleasure in their age-old prison, servants to do their bidding and treasures to adorn their trophy rooms. You sound like you’re thinking of that side of me as someone who believes, who’s full of fire and faith and who’d do it even if she got nothing out of it. And that’s how I sell it, sure, but come on, Ximmin. Are you really surprised to find a harlot who fakes it for the client?”
And that draws an outpouring of laughter from him. “Ha! Perhaps,” he says, slapping his sides. “Of course, you know I cannot trust even that admission, given what you say! Even that admission - so heart-felt, so honest - could be faking it for me. And most likely is! But if you are telling the truth, well, the fact I couldn’t secure time with you when you were on the Street might mean nothing. Because you fake it for everyone every Calibration, no?”
Keris blows him a wink and a kiss. “Now you’re getting it,” she says. “Though ‘faking it’ might be an unkind way of putting it. Call it ‘performing’ instead. A performance might not be true, but it’s not necessarily a lie, either. When an actress on stage throws herself into a role, she’s not the same woman who slumps down on a divan backstage between her scenes, but that doesn’t mean the character the audience see isn’t sincere - it’s just not the whole picture. We all perform, every day of our lives - you and I are acting differently here when it’s just us than we do outside with our crews watching, or at the Althing under the eyes of the Unquestionable. I’m just someone who understands that better than most.”
“And that is why you are a Scourge,” he says, finishing off his fruit completely, leaving nothing behind. “Am I wrong?”
“Mmm. Not the only reason, but a big one,” she agrees. “We’re both tricky like that, aren’t we? We look loud and flashy on the outside, but we know the value of controlling who knows what. You with your hidden empire, so wealthy and well-connected but lurking just under the waves where people can’t see it. Me with my performances and plays, showing people what they want to see and giving them what they want so they don’t look any further than the prize.”
“Hah. Well, this has been very pleasurable, and I believe we’ve both done nicely out of this meeting. And perhaps we can have similarly profitable encounters on this trip,” he says with a smile as he heads for the door. “Though I don’t think the locals will benefit so much.”
High, eager and carrying an edge of long-dead Adrián, Keris’s laughter follows him out as he leaves.
The sun is bright in the sky when the flotilla sets out of the world, but that soon changes. The name of the Dusk Sea is well-founded. Over the course of an hour, the sky takes in the cast of twilight and the sun dims to a dull red. It is still hours until sunset, but they sail in a half-light.
“Feels like home,” Mele says to Keris cheerfully. “Oh I mean I know it isn’t, but the Big World can still be a little bright sometimes.”
Rathan charts the course, working from his own occult knowledge and his familiarity with the Dusk Sea. Through the twilight world they sail. The sun sets and rises several times over the course of an hour or two, and to the south they can see a ship-breaking storm that flashes with red lightning. He doesn’t show fear, though - “it’s not a real storm, it’s just some fae witch’s sky-painting” - and the winds that fill their sails are favourable.
Ahead on the horizon, there is a tower that becomes visible with alacrity and unnatural speed, emerging more as if from a mist in a clear sky than appearing naturally. It is so tall as to scrape the clouds, the tip breaking through the red layer in the sky, and the lower levels are patched up with wood and coral and even parts of ships. Rathan’s face falls, and he sidles up to Keris.
“So,” he begins, lips pursed. “I have definitely found you a place that sees a lot of trade and is a common hub for Creationborn and wyld things to trade. You’ll definitely be able to find information here.”
Keris folds her arms at him in a very maternal manner.
“... it might be Kuta,” he admits.
Keris considers, and frowns. “I recall the name...”
“I was banished from here because the Ceok took it very personally that I wouldn’t become his concubine,” Rathan says. “Despite all my efforts! Very rudely, I might add. And Vali argued for my life to be spared. And also slept with the Ceok as part of some very stupid Vali-ish wager to try to beat him at a game or something. It was too stupid for me to pay attention to. Anyway, this was one of the places I found some moonsilver. After we got kicked out in a boat, that’s when we washed up on the giant turtle fleet. Although now Kuta’s closer to Creation than it was last time I was here.”
Keris considers this at some length, eyeing up the sky-scraping tower. “I don’t suppose your red moonlight could make him forget your offence?” she tries, not sounding very hopeful.
“It didn’t last time,” Rathan grumbles. “He was pretty strong. And very proud.” He blushes. “I don’t want to have to say this, but, uh. He did have positive things to say about, uh. Vali’s posterior. I don’t know if that helps or not, but I don’t want you to go in without all the information I can provide, even if it’s terrible to have to say.” He gives Keris a winsome, embarrassed smile. “I really wish I could be of more use, but he’s supposed to be incorruptible.”
“Is that so?” Keris’s eyes narrow. “We’ll see about that. Come on. We’re getting Ximmin and Testolagh, and then I’m going to ask some questions of this Ceok. If he’s very polite and tells me what I want to know immediately, I might even let him off for trying to kill you.”
She cracks her knuckles as she heads towards the stern and the fleet of lesser ships trailing them.
“And if he doesn’t... well. Too bad for him.”
Ximmin is entirely content to glam himself up and prepare for a grand entrance. His bright blue eyes stand out in his darker Western features and gleam with merriment as he pulls out beaded scaled thigh-high boots and a fur-collared velvet coat which sits over an elaborately ruffled and slashed dress shirt. Testolagh isn’t nearly as enthused, but can be persuaded to put his armour on and then fuse with it so he is a brazen warrior covered in burning green runes, which is Good Enough.
The three of them, trailed by demon guards commanded by an immaculately dressed Mele, present themselves at the docks and Keris is in her element as she charms and threatens at the same time. A beautiful fae cataphract laconically arrives when called for by the dockmaster, dares to show Keris some disrespect, and promptly ends up taking an arm bar to the throat.
“Show my lady disrespect again, and I will reduce you to a screaming shadow on the wall,” Testolagh says impassively as green flames lick around his brass arm and the throat of the fae blackens and chars. “I have no fondness for your kind.”
“Ah ha!” Ximmin draws his swords, which split open down the centre line, becoming less cutlasses and more snapping scissor-like jaw-blades. “Oh, do tell me this is about to get violent.”
Sadly, this display seems to be enough to get the local sworn fae of the lord to yield, and they are escorted up and up - and up and up - to the cloud-breaking halls of the Ceok. This fae creature is a handsome beast, in his own way; a four-eyed hound’s head, a well-muscled torso that could have been sculpted by a master artisan, and four elegant arms, two erupting from his shoulders and two from his hips. His legs below the knee are a deer’s, and his tail is a lion’s. It is a seemly look. And of his eyes, one burns green, one red, one blue and one black, and his gaze scans over the diplomatic party (such as it is) with more than a little enthusiasm.
“Servants of the Shapebringers, hell-sworn mighty ones, you come to Kuta and I welcome you as my guests,” says he.
“We accept your hospitality, Ceok, and appreciate the reception to your cloud-ruling spire,” Keris replies smoothly. “I am Keris Dulmeadokht, Queen of the Sixfold World, known to some as Lady Scorpion and by others as Mother Mortar.” It’s not strictly necessary to boast about her titles here, and there are some that she can’t risk saying even in a bordermarch outside the world like this one, but after a whole season spent hiding who she is, it feels good to be able to flex her power and get some proper respect.
“Long have we travelled and further have we yet to go,” she says, and sends a pulse of power through her throat chakra to the Voice of Lilunu where it pierces her tongue. She lets her jaw unhinge and fills her mouth with razor-sharp teeth and blazing rainbow fire that escapes in wisps and tongues of flame as she speaks her next words, which resonate throughout the hall and are felt down to the marrow of the listening court. “As the Voice of the Mouth of the Yozis, I thank you for hosting us on our voyage.”
He fixes on her with those four eyes. But those eyes cannot see past the pretty flowers of Keris’s act to see the hungry thing underneath. And meanwhile - well. She’s met so many creatures like him, this fae beast as strong as a demon lord. No wonder her children took care to tread carefully around him, this living story who proclaims with every act that he is the harsh-yet-fair tyrant of this sky-scraping isle. He will show no mercy unless something of equal value is given to him, but he will not punish any crime worse than it is written in his laws. And he will brook no challengers to his title, this bubble of story that he has laid claim to and will not willingly relinquish.
In his eyes (all four of them, yes) she can see how fascinated he is by her. She has played the game right so far, because to come as an ambassador of a foreign power, proclaiming titles and with due dignity is to approach him in the way he wants. Her fair-flowering face has unconsciously been meeting the forms he has been looking for, and while he might not envy her, he takes great pride in his domain here. The respect is his meat and bread.
(and she can see the wandering of the green eye of desire. He is definitely looking lustily at her, as no doubt he admired Rathan and Vali. But he will not be swayed by such things, for his tyranny is his life, and his lusts are but an idle diversion)
The Ceok folds both sets of hands on his lap. “Hellsworn Voice of the Mouth of the Yozis; I welcome you with great and mighty grace to my court!” he booms with a proud declaration. “You who speak for the mighty and awful lords who forged Shape and Time and Form - come, dine, be merry! Let none ever say that my gifts are lesser than others! Let none ever say that any flaw can be found in my hospitality! I have fine maidens and handsome gentlemen once of boundless Telephassa in my service - I will have them sent to your palatial quarters to enjoy every revelry and every indulgence possible! You will feast on the bountiful dew and ever-changing lotus nectar of these seas; your rice will be dreams and your wine desire!” He claps his hands. “And then on the morrow we shall speak of matters of great import and business and see what has brought you to my sky-scraping tower and what the Ancient Ones would offer a kindly lord such as I!”
Keris pouts thoughtfully as she indulges herself - not to excess; she partakes in moderation and checks what she’s accepting for any hidden traps, but she’s not going to turn down gifts. Also, she’s a little interested to examine this dream-rice and desire-wine and the other glamours of the wyld in a setting where she’s not caught up in an illusion and can actually see how they work.
She came up the tower ready to kill its lord for threatening her son (or if he proved to be at all obstinate in giving her directions), but... upon consideration, she finds herself reluctant to. He’s still a raksha; she wouldn’t shed a tear over his death... but this kind of chaos-lord, focused mostly on himself and his court, is relatively safe. As safe as his kind ever gets with that much power, anyway. He’s play-acting fairness, and his narrative is one that’s not inclined to go out and raid Creation to feast on the souls of mortals. If she kills him and decapitates his court, another lord will take his place - one potentially more aggressive about plundering the real edge of the wyldshore. The Ceok, at least, pretends nobility, and is treating her as an honoured guest.
(Also, he really is flattering her a lot and giving many fine and lavish gifts. Like hell she’ll be indebted to a fae, but generous treatment deserves, at least, a generous response.)
Testolagh frowns, and eats nothing. This is quite all right with Ximmin, who eats everything laid before Testolagh as well, and makes doubly merry in the face of their stone-faced companion. He is even more ecstatic when the dancing men come out and there’s plenty of beautiful women, men, and other wylder things to sit around him and keep his cup filled up.
The Ceok laughs too, his bestial face creasing up in endless amusement at the clear joy taken by his guests (or at least two of them), and Keris understands that this is perhaps why her sons made it out of here. Rathan refused to play his games of indulgence and foolish pleasure, but Vali must have taken it as a challenge and that was what he wanted. Because the Ceok brings both sets of hands together in a resounding clap, and the sun sets outside at his whim.
“Alas, the hour grows late,” he booms, “and we must abed after such a meal of decadence and pleasure! Valiant, lovely guests,” his gaze skips over Testolagh, “enjoy the company of my finest courtesans, and I will see you in the morn!”
Keris is more sober than she acts, but it really isn’t very hard to play along with his games when a pair of beautiful women and one deliciously effeminate man coo over her and guide her to a lavish bedchamber, where the night clouds fill up one open side of the room and the large bed lies inside a living clamshell. And because Keris is Keris, she pays attention to and begins to extract information from the fae ladies and gentleman who have been sent to warm her bed. After suitably loosening their tongues with the talents of the Harlot of the Yozis, of course.
The first thing she discovers is that the three of them come from different fae lands in the far-off never-ever lands of Telephassa - which is not in fact one place, but is a continent-series which would take many tales to cross. It is - they say - a world in its own right, trapped indelibly in the orbit of the lands of Order and Time, and its orderwards-sea is bound to the far west of the Dusk Sea, where directions cease to matter.
The proudly flame-haired Justice-of-the-Lamb whose skin is cerulean and whose nails are silk comes from the island of Tentis, which was cloven from the greater land of Spyaja by the blade of the leaden-faced Faerie Empress, whose priest-knights reject the authority of the Archimandrite who claims to speak for Balor-Awaiting-Return; they abhor the iconoclastic worship of the Eye-in-Being and exult instead the Circling Maw who devours every representation of itself. But poor, victimised Justice-of-the-Lamb is a younger daughter born from the splitting life of the Lamb-and-Wolf-Regnant, and her brother, Glory-of-the-Wolf is favoured by the Faerie Empress. Thus she was exiled and ended up in the choking waters of the Dusk Sea, and was through the Ceok’s cunning bound into his service (for that order-born wretch, she sneers, stole her heart) and is forced into the role of one of his dancing girls and court ladies.
(Keris also observes that her four armpits are very ticklish, her woolen white hair is lovely to play with, and her tongues that sprout from her stomach-maw are dextrous and fascinatingly long)
From Geli, by contrast, is the handsome Dauphin-of-Knives, whose skin and hair is bleached as white as purest snow. He is, he claims, one of the many sons of the Sunsworn Tyrant, once a sword-brother of an ancient sun-chosen, sworn to eternal friendship with his valiant mistress. She is gone, but something of her nature lingered in him; so beautiful as to burn the eye, with words that can ignite a man’s heart and a force of will that hammered his domain into his perpetual orbit. The Dauphin-of-Knives looked upon his father too long and lost all the colour in him, and for that he was exiled at the head of a fleet, to win prizes and new colours for his father. But the fleet was ruined and luck found him not and so he has drifted into the court of the Ceok. Dealing with Tentis harlots and a corrupt and wicked nun of Djeldwel, he adds with a sneer, though he doesn’t stop moving his hips as he says that. He seems to have found his own delights here, even if he resents the loss of his former status.
That comment is not welcomed by the other fae-lady between Keris’s legs, who calls herself the Rabbit-Who-Seizes-the-World. That name is laughed at by her fellow bed companions, calling it the pretension of a Djeldweli. Which, when Keris gets further clarifications, is the declining centre of the icy lands where the Church of Balor-Eye-in-Being retains its power. It has declined over the centuries as their saviour does not return and the princelings of Telephassa buck the influence of the Church, but it still is mighty and sends its armies into the Dusk Sea to reduce all to chaos and wash away all shape. Rabbit-Who-Seizes-the-World was once one of their cataphracts, but she was remade in her defeat, and her great body became something almost human, long-eared and sexualised. No longer a cataphract, traded between lords until she ended up in the ownership of the Ceok. Her story is now one of a fallen nun, who hates her lessened state and loves it at once, and she plays that role very well at Keris’s hands.
And there are more names and more places and more complex politics they only allude to - the new Balorian churches of the light-consuming forests of Du Dum, the upstarts of Nuda who were once ruled by Spyaja but have escaped its grasp and pretend they are not Orderborn, the Holy Spyaja State itself and its Two-Headed Monarchy which was once ruled by a Lunar before they were slain by their servants. And that rings a bell to Keris, for the name ‘Spyaja’ is something she saw on those moonsilver ornaments the boys found in the Dusk Sea.
Yet she also sees their fae pretensions. Every last one a fallen warrior, a fallen noble, a fallen prince, so willing with their stories of their pride lost and the awfulness of the Ceok and how he forces them - forces them! - to act below their station and bed Orderborn wretches like her. But that resentment is part of all their stories, not just Rabbit-Who-Seizes-the-World. And Telephassa is caught in Creation’s orbit and will not let it go. Keris can taste the fearful erotic desire of the Fae towards this world which can kill them, reshape them, trap them. It is the ultimate risk and the ultimate thrill, and even the servitude they find themselves trapped in here is something with a powerful desire to it.
They could escape the ties here. Cast off everything they are and seek dissolution once more in the wyld. But if they wanted to do that, they would have done so already. No, each of them clings to their lie. They want to win the game within the rules that the story sets for them.
Of course the Ceok gives the three of them to his guests. He forces them to compete against each other, because it makes the three of them tear into each other and try to drag each other down. And if it ever looked like one was going to get free, the other two would ruin them out of spite.
That is to say, by the time the sun rises (which feels like it was a lot less than twelve hours later and the count of time in her inner world agrees) Keris is physically not-at-all rested, but has been suitably stimulated in ways both intellectual and physical.
“I hope my generosity was as bountiful as the very sea,” the Ceok says, once the formal greetings are over. “Now, come! What does a magnificent woman like you want from I?”
“You were indeed generous, and as an envoy of the Titans, I am pleased by the hospitality and grace you have shown,” Keris says, riding the thin line between flattering his ego and maintaining her own performance as a proud and noble lady with high standards who expects such treatment as her due. “As to my business… so speak the Yozis: that their dominion is not to be challenged, that they do not permit disloyalty among their servants, and that their generosity can be revoked if they are slighted.”
The Ceok is a tyrant, but styles himself a fair one - and so she plays to that angle, casting the Unquestionable in the same light. “And yet, of late, the ears of Hell have heard of a once-loyal domain of the ancient Lintha, here in the Dusk Sea, that has neither reached out to renew their oath-sworn vows nor called for their rightful masters. What do you know, oh Ceok, of the city of Leefa?”
He listens to her speech with his head propped on one of his hands, and she can see him subtly relax in a way that is also disappointed that she seems to express that she is not interested in his domain. “Leefa,” he muses, “is a wretched place, a place that many set themselves against for the challenge and the thrill, and few come back from. When I was a younger man, a brave warrior before I was my magnificent tyrant self, I set myself against it. Three score ships of us set sail to plunder it; only three returned, and not all of them in one piece. Of course,” he adds, “the ones who died were mere wisps and goblins, but still. I remember the terrible rays of light that came from the half-melted domes, and the hunter-beasts that pray in the waters - aye, and those brass-armoured men with faces that were coral. I slew one of them, at the cost of a fetching scar,” he tugs aside his shirt to show a nasty acid burn down his left side, “and for that was proclaimed as a hero by my men who saw that these things could be killed by one as glorious as myself.”
Those four eyes had closed in consideration of past glories, and then they open again.
“If you would bring me one of those warrior-men of Leefa - dead or alive, I care not, I only wish a trophy to display in my court - that would be most pleasing to me.”
Keris purses her lips. It’ll depend on how many are left, and in what kind of working order - and whether or not she can gain control of them, though she’s hopeful on that front. But assuming there are still a decent enough number that a single missing automaton won’t be too painful a sacrifice...
“If they have truly defied their rightful masters, I may be ordered to reduce them all to molten slag,” she warns. “I’m sure you understand, tyrant of Kuta, that the Yozis do not tolerate traitors. But should that not come to pass... I believe I can indulge your good taste and offer an example of Lintha craftmanship to stand in your halls and show what you slew.” She smiles enchantingly. “After all, you have been a gracious host. And just as I return trespass with trespass, so I return favour with favour.”
He raises a hand in acknowledgement. “Long has my kind and thine in interminable conflict been wracked,” he begins, shifting into a Lintha-tinged Old Realm, “and while in due time I do say that Order shall give way to Chaos and the harsh grip of Time be loosened, here and now I say that thou art an excellent woman who treats me with courtesy, as befits thy status as an ambassador of Hell. For even if our enmity will never cease, a world where great foes cannot treat each other with respect and pleasantries is a cold and febrile place. Tell me, Ambassador, is it in thine interest to establish a permanent embassy in my Kuta?”
“Not on this voyage,” Keris says, after a moment’s thought. “Leefa is our chief goal for now. But once that city has been brought back into compliance, and is restored to its full strength and populated again... then, I believe, I might come to Kuta again, to speak of trade, diplomacy, and the war between the lands of Shape and the Wyld.”
“Ah ha! Well, I pray that this day might come soon - and that you find fortune in your pursuit of the terrible men of Leefa!” He leans forward slightly, and she can read that he thinks he is very clever for addressing her in the ancient tongue of the Lintha. “I will be most willing to speak with thine ancient masters through thee as a vessel - for do we not both hold a mighty grudge against the lands of Shape?”
“True indeed,” agrees Keris, neglecting to add that while both Hell and Chaos do indeed bear an ancient, bitter enmity for Creation and the gods and Exalts who rule it, it’s often one outweighed by the much older and even more bitter enmity they bear for each other. Demons, in her experience, are at least capable of being pleased by the flattery of mortals. The ones she’s dealt with tend to see fae as some combination of food or fuel.
Still, there’s no reason to raise that point now - and while she still fully intends to pillage the rest of the Dusk Sea, she doubts the Ceok will care overmuch about his rivals getting attacked, and an embassy here that she can get information from and keep an eye on the lands of chaos through might genuinely be worth considering.
“Until that day, then,” she says. “I will remember you fondly, Ceok, and speak of your civility upon my return to Hell.”
They make their way down from the cloud-scraping apartment-palace of the Ceok, down through the markets and the bazaars and the souks, down through the sprawling housing-slums that erupt like branches from the side of the tower and the elegant fur-decked and hardwood decorated dwelling places of fae lords, down to the level of the sea. And it is only when they are back on the deck of the Baisha that Testolagh grunts and says: “We should have killed him.”
“Oh, we could have quite easily,” Ximmin says, with an expansive shrug, “but he wined and dined us quite admirably. When travelling the wyldshore, it’s always much more pleasant to encounter beasts like that one who enjoy to play-act courtesy and style and grace.”
“I considered it,” Keris admits. “And believe me, if he’d been obstructionist at all, I’d have turned the two of you loose on him without remorse. But I got quite a lot of information on Telephassa from the entertainment he sent me - that’s the wyld-nation chaoswards of the Dusk Sea, where a lot of notable fae migrate into this region from when they lose the games they play out there. And having an embassy here at some point in the future, at a major Dusk Sea landmark that a lot of trade and stories pass through, would be a good way of keeping an eye on this region for any potential threats - or opportunities.”
“You’re the Director,” Testolagh says stiffly.
Ximmin laughs at that. “I can’t believe that you two have worked together for as long as you have and you’re still like that. You’d think you’d barely met from how stiff you are, big guy.” He rolls his shoulders, rocking back and forth on his toes. “Or is this a more recent awkwardness? Some great passion gone awry?” he asks mockingly.
Keris smiles blandly, and for a moment completely forgets that she and Testolagh ever had that ill-fated tryst. “Don’t be silly, Ximmin,” she teases back. “Testolagh isn’t my type. You’re free to flirt with him to your heart’s content - I promise I won’t get jealous.”
“But what if you do?” he says with a smile. “You’ve got so much mercury in your blood, respected Director. Maybe you’d be a little bit jealous of an urbane, well-travelled man such as myself paying attention to Testolagh and ignoring you? I would be.”
Testolagh harrumphs, and scowls. “Gods save us from both of you.”
“They won’t!” Ximmin chortles.
They set off following the directions handed to them, and begin by tracking the course of the moon as it is seen through a pair of aligned clouds. This moon moves slowly in the sky, even as the sun sets and rises several times an hour, and soon enough the sight of the Sky-Scraping Isle is lost. Onwards they sail, and then a foul and pestilent sea-fog starts to writhe and twist, clinging to the hulls of the vessels and coiling around the sails, while the water turns murky. The helmsman of the Baisha reports the bottom is rising, rising, rising, and they slow down to avoid beaching the ships at Keris’s command.
This is expected. The route leads them through the hazardous lagoon-archipelago of Burukair, foul and pestilent. The waters glisten and gleam with an oily run-off, and the creatures seen around here are sickly and infested with countless diseases.
“Brings the Hungry Swamp to mind,” Rathan says quietly. He has been working hard, guiding the waves around them to pull the ships in the wake of the Baisha, and his normally flawless complexion has bags under his eyes. “Not the Swamp, Haneyl’s place is healthy compared to this. More like the bits of Hell in the Conventicle. What was the warning? That there are countless snakes of infinite varieties in these waters. Some can impersonate men, others can control them with their venoms, and others yet are so large and toxic that they devour ships.” He sighs. “At least we were warned and so knew to bring plenty of food and water.”
Keris frowns down at the pollution. “Speaking as a snake, I’m not impressed,” she says disapprovingly. Pekhijira hisses disdainful agreement from the back of her mind. “Hmm. Though. People-controlling venoms, you say? I might have to catch some of those.”
Dismissing that thought for later, she stands up on tiptoe to inspect her son’s face. “And you need to rest more,” she scolds gently. “Look at how tired you are! You’ve been working so hard for me - and being so helpful, bringing the whole fleet along with us. Do you want me to make you something to eat or drink? It’s probably not safe to stop and make you get some sleep until we’re out of these waters, but if there’s anything else you want, tell me.”
He has his excuses, of course, his rationale for how he’s really not working so hard - and it is very sweet of him that he’s actually putting effort in, which is something Rathan only tends to do when he thinks it actually matters. But then Keris is distracted by a sound out in the swirling mists. The sound, muffled though it is, of someone coughing. Even with the sea-fog making it hard to tell how far away they are, she thinks they must be close.
Vipera uncoils from her waist and lunges into her hand at once as she swivels, Strigida spinning out into armour over her Lintha finery. Encounters in a place like this aren’t to be taken lightly, or trusted. Eyes narrowed, Keris puts herself between her son and the rough direction of the sound, spear raised in readiness.
“Did you hear that?” she asks over her shoulder without looking back. “The coughing out on the water.”
She hears Rathan shake his head. “I can’t hear anything. Where is it? And… can’t you see what it is?”
Keris scowls and gestures with Vipera. “That way, ish, and… I think it’s close, but, urgh. This fucking fog isn’t proper fog; I can’t see through it. Or, I mean… I can, but the world here goes out about twenty metres and then just stops, like nothing’s been painted until we get close enough. Even the sound isn’t travelling right. I should be able to pinpoint where that came from - there it is again, listen! - but it’s echoing wrong.”
“But you can still hear things?” Rathan checks, and gets confirmation. “Then I’ll lead the hellspawn in a song, so you can follow it back to us if you want to go have a look.”
“Okay,” she nods. “And if that fails, I can just follow my heart back to you.” She kisses him on the cheek. “Get your spear, though. And be ready to bring your coral limbs out if anything tries to climb up on deck while I’m gone. Don’t trust anything, even if it’s me-shaped, until you see my caste mark.”
He gives her a hug, and then she slips silently off the side, not even a ripple disturbing the water as she vanishes into it. She heads in the direction she heard the coughing from, and now that she’s in the water she can hear something else; the creak of a wooden hull. It isn’t the hull of one of her ships. Moving like a sea-thing, she follows the sound of the wood, and then out of the strange opaque mist-wall she sees it. There is another ship here, a small one-master, the kind of thing you might see any day in the Saatan docks. Normally it’d have a crew of four or five, and it could carry supplies for a good month or two of travel.
Keris lifts her head above the water, taking in what she can see of it. It is definitely Creation-made, not a Dusk ship. There’s something characteristic about the wyld-wrought vessels that this doesn’t have. And its sail is tattered and shredded, and the rudder is broken. There’s signs of damage to it, too, with the covered cabin broken and rent.
So, this is some explorer from Creation who’s ended up adrift here in the Dusk Sea, in this awful place. Or at least it was. She isn’t sure what might remain on this ship, except for someone coughing.
“Hello?” she calls softly. The snakes in these waters can impersonate men, and there’s no way for her to avoid that assumption here, so she decides to forgive at least the first arrow or spear to be shot at her head. “Hello, hello? Is someone there? I’m not one of the snakes; my ship isn’t far away. Where do you hail from?”
That draws a fresh wave of hacking. “Who’s out there?” wheezes a man’s voice from the deck. She hears a scrape, the sound clearly of someone levering themselves upright. A face appears over the top of the deck; filthy, a pair of puffy inflamed marks on his upper left shoulder which can only be a snake bite, unshaven and exhausted-looking. Despite that, there’s a hint that maybe if he wasn’t so severely down on his luck, he’d be handsome in a roguish way.
“Oh,” he says, leaning heavily on the splintered bow. His accent is not quite Saatan, but it’s the sort you hear frequently in the Saatan ports. He’s from somewhere in the Western Anarchy, she concludes, maybe even somewhere else in the Maula satrapy. “More sirens, I see. I thought...” he coughs, “I thought I’d left you behind back in Wavemount Isle. More fool I, I suppose. I’d definitely like to see another siren rather than another snake.”
“You’ve been bitten, friend,” says Keris, making no move yet to climb out of the water. “Here - I’m no more a siren than a snake; I come from Creation, like you. And I can heal you, if you’re willing to take a chance and trust me to. From the sound of that cough and the look of that wound, you might not have much to lose.”
He laughs at that, but breaks down into coughing. “So you’re both a siren and a snake, then? Fits these wretched waters...”
Well. He’s not right - Keris has no relation to the sirens or snakes of the Dusk Sea - but he’s not entirely wrong, either. She shrugs, disguising the green glint of her eyes under her lashes as she peers at the power thrumming through his meridians and then glances down to see what his reflection hides, cocking an ear to the quivering of his heartbeat as she does. “I told you I’m not fae, and I can prove it. My name is Keris. What’s yours?”
“I’d rather not hand out my name in these,” he shifts slightly, and she can tell he’s putting his weight on a sword, “circumstances. Call me... hah!” His laughter breaks into coughing, and she can see his hand tremble, “Call me Roaming Yu.”
As a nom de guerre, it has virtues, among them the fact that it is completely blatant. Roaming Yu is the protagonist of a bunch of stories about a maybe-historic folk hero who sailed the Anarchy around the time of the Realm invasion, and got into all kinds of trouble with fae. This man definitely has a quick tongue, Keris can see - and he’s very proud of it. He thinks he can talk himself out of all kinds of trouble. And he thinks he has to, because he’s scared of her - scared of what he thinks she is - but also is even more terrified of dying alone here in this pestilent lagoon.
But all of that is of so much less interest to Keris than the fact he’s - while weak compared to her - stronger than Rathan, blazing to her senses like the sun in this sea of eternal dusk.
Movement is ever Keris’s first response when she’s startled. She sweeps back through the water, briefly dipping under the surface as she absorbs the surprise and the size of the sudden new potential threat.
Then reason kicks back in. He’s strong, yes, but she’s still stronger - and he’s alone, and ailing. She could kill him now, easily, and show off a Solar’s head at the Althing.
Or, better yet, she can make a grateful ally.
“You’re poisoned, sick and scared,” she insists, resurfacing closer to his boat - coat enough to bob up on a wave and rest an arm on the deck, leaning on it just out of his reach. “And I can help you. I’m not a fae creature, I’m a sorceress, here to explore the Dusk Sea and claim its treasures. Many routes through this region pass through this stagnant place - is it so hard to believe you might run into someone else here? Let me onboard without kicking me in the face and I’ll help you not die.”
Mister Roaming Yu sags back slightly. She can see him shake, see how much it’s costing him to stay upright. “I’m not going to invite you on board,” he says, “but if you can get up here without an invitation, we can talk.” His haggard cheeks twist in a rictus smile which was probably a lot more handsome when he had more meat on his bones. “No, actually. Before you do that, you say... say you’re a sorceress. How about showing me one spell? One of the classics. We... we had a sorcerer with us, when we set out. He betrayed me to get his hands on the treasure we found, but before that... well, didn’t meet any faeries that could do what he did.”
“The cautious approach, huh?” Keris asks. “Good thinking. Alright, let’s see…”
She pulls herself up out of the water and onto the deck, watching his eyes flick over Strigida’s silvery surface decorated with intricate feathers and roots and flames. Her hair, too - he definitely notices it slithering into the deck ahead of her and then flexing to help lift her weight smoothly over the side. He says nothing, but she hears his hand tighten on the sword hilt.
“I’m not mad enough to swim long-distance out here,” Keris says blithely, pretending not to notice. “My ship’s a little ways off - I swam out here to see who was coughing. I’ll send them a message and then make you a replacement to treat you on. Iris?”
Squirming out through the silver down of her left forearm, her familiar blows out a questioning glyph of rainbow flame and cocks her head at the new person, who’s sizing her up with startled bafflement in much the same way most people do when they first see a little dragon made of disconnected black scales and eyes of many-coloured fire.
“I need you to carry a message to Rathan,” Keris says, shaping the Ideal. ”Go in my name and speak in my voice. Rathan, I’ve found the source of the sound. It’s an explorer, stranded on a half-wrecked ship by some traitorous sorcerer he was travelling with. He’s been bitten by the snakes’ venom, and I think he’s also caught some kind of sickness.” She glances at Roaming Yu assessingly. “Possibly by eating the snakes,” she adds with disapproval. “I’m going to make a new boat before this one sinks and treat his injuries. Keep our current heading and stay alert. I’ll be back when I’m done.”
Iris breathes out a pretty multicoloured plume and vanishes off in a flash towards the Baisha. A split second later, Keris hears the distant sound of Rathan’s yelp and her own voice repeating her words to him. She ignores it in favour of sticking a hand in her hair.
‘Mama? Some kind of plant and one of the jade blades from Choson, please.’
They land in her hands - the former a coconut husk that’s probably left over from adding milk to one of Dulmea’s teas, and the latter; not the twin red jade blades of the satrap, but the long, thin curving blade of pale blue jade that Keris had found with the books and manuscripts of Osprey Style. She draws it out (conscious of Roaming Yu’s flinch), admires it for a second, then pierces through the coconut husk without a whisper of resistance, sliding it down to the hilt.
“Don’t interrupt me for this bit,” she informs him. “It’s delicate.”
She closes her eyes and concentrates. The sea, Keris knows, is vast. Unfathomably vast. To the great expanse of tides and currents, there’s barely a difference to be seen between the mightiest treasure ship to ever sail and a single floating fruit seed - each is equally tiny among the endless waves. It’s not difficult at all to gather power within the blade and plunge it down into the water, slipping a sly shift in perspective into the ocean-mind’s eye, that the insignificant speck of plant matter it sees is actually a slightly different, slightly less insignificant speck of plant matter. A readily provided thought rises before it can query the Ideal, jogging its memory as to the shape and size of this bit of coconut-wood it had misjudged - a small single-mast yacht, about twenty yards long, sized for a crew of three or four and able to be sailed by one in a pinch.
The husk shivers, gleams briefly in the colours of Keris’s anima - and then begins to grow.
The ship takes shape, a yacht a little smaller than this tattered ship. The hull is a deep brown, and the decking is creamy white. The sail, amusingly, is a broad palm leaf, bound by coconut-fibre ropes. But what draws the attention of the ailing man, what draws a groan from him, is the way snakes are drawn out of the water and twisted into the form of men. Though the form of man is a generous description; their necks are as long as their torsos, there is nothing human or sane in their monstrous faces, and when Keris looks closer, their arms and fingers are in fact made of further snake tails.
“Snakes,” Roaming Yu groans. “Please. Not more snakes.”
“Relax,” Keris chides him. “My spell has them bound and tamed - they’re just there to crew the ship, and quite incapable of breaking free or hurting you. The spell draws from the local wildlife for its crew, you see, and... well, snakes are the only thing around here. This is good, though! I was planning on catching a few to study their venoms - and it’ll help treat you if I know what I’m dealing with. Can you stand and make your way across on your own, or shall I carry you? I assume two spells is enough proof that I am what I say I am.”
He groans, and offers his hand. “It’s pretty much all I can do to stand,” he says with that gaunt smile, trembling. “Do you promise you’ll get me safe and unharmed to a safe port, and not - just to give one example of all the ways you could hurt me - eat my soul?”
Keris laughs. “I promise I won’t eat your soul,” she reassures him, amused by his frankness. “Or any other parts of you. I’ll heal you of the poison and sickness you’re suffering from now, and I’ll see that you get fed something healthy that isn’t snake. I won’t promise to drop you off at a safe port, because I don’t consider any port in these waters safe and I’m not going to commit to letting you tag along with me until I’m back in Creation, but I won’t leave you anywhere you’ll drown or get eaten.” She purses her lips and takes his hand because it’s clear he’s about to fall. “How about this: we won’t part ways until you’re in a fit state to fight and have a way to keep travelling - be it access to a port where you can hire a boat or the means to build or steal one. Sound good?”
“Yes, it does. Thanks, doll,” he says, and golden light ignites around him, bright and white radiance in the centre, ringed in a flowing circle of diaphanous veils that sparkle like light reflecting off water ripples onto a cave wall. On his brow; gold ringing a central disk. Light wraps around his arm, snaking up to twirl around Keris’s hand and sink into both of their skins.
And that seems to take basically everything out of him, because he sags down in her arms, breath rasping and throat quivering. She stares at him flatly, rendered briefly speechless with indignation. But only briefly..
“A sun-sealed oath?” she demands, mildly disgusted at herself for forgetting that Fiends and their ilk can do that. “Seriously? You’re a Crowned Sun - ugh, what am I saying, of course you’re a Crowned Sun, nobody else would be stupid enough to hire a shady-sounding sorcerer and sail around the Dusk Sea looking for trouble.” She hooks a hair tendril under his knees and hefts him into a bridal carry, rolling her eyes. It feels a lot like she’s just met another Ney Adami. But one who’s more about exploring and bargaining than sneaking and hunting. Same irritatingly clever mouth on both, though.
“I suppose it makes more sense why you’re not dead yet if you’re sun-chosen,” she grants, pausing to give a quick whistle that has the serpent-men steer the yacht over so she can step onboard. “Not just surviving the venom, I mean - though I bet it helped with that, too. But you Deceivers all have quick tongues and smart mouths. How many fae lords did you talk out of eating you before getting stranded here?”
“A few,” he rasps. “I think I’ll... sleep now. First time in... while.”
And he does in fact pass out then and there. Keris can taste the fatigue-poisons on his skin. How long has it been since - likely for fear of the snakes getting him - he last slept?
No wonder the sorcerer didn’t kill him, either. Just... marooned him in a toxic lagoon filled with murderous snakes. With a ship with tattered sails. And - she checks the boat - no food and water. But didn’t kill him.
“You are definitely going to hunt that bastard down,” she observes to the unconscious man. “And probably murder him. Or just take all his spellcasting anchors away and strand him here like he did you. That’d be poetic. But sorcerers can be tricky, so I’d advise just killing him. Oh - unless it was Abdurrahman, in which case I sympathise with the urge to kill him and will definitely let you, like, cut his hand off or something, but unfortunately he’s already mine so I’ll have to rule out murder. He’s too useful. Or at least he’s going to be.”
She wanders into the ship (which has soft white inner walls and smells pleasantly of coconut milk) and lays the man down in one of the cabins, then wastes no time in sinking her root-fingers into his body to examine what’s wrong with him.
“I’m probably going to have to just feed you a couple of mercury-draughts keyed to whatever you’re poisoned and sick with,” she admits. “It’ll be an easier way to treat them, and unlike a mortal you’ll flush the quicksilver in a week or two. I can feed you a silverdraught with it to suppress the symptoms, so you’ll have passed the mercury out of your body before you even notice any ill effects. But this is an easier way to diagnose you.”
Keris gets to work on the patient, and the question isn’t so much “What is wrong with him?” as “What is right with him?”. Because, frankly, he should be dead. He’s extremely malnourished. If he was a regular human, she’d say he hasn’t had a good meal in at least a month, maybe two. But he has eaten meals. Of poisonous, disease-riddled, parasite-infected snakes, quite possibly eaten raw. Said snakes have also been most of his water, so the saline balance of his whole body is off, and he’s dehydrated. He is also extremely constipated, partly from the lack of roughage, partly from the dehydration, but mostly because part of his large intestine is paralysed from poison in what he’s been eating. He’s in acute pain, was bitten by a very large snake a week ago and is still suffering from the effects of the venom. She has no idea how his liver is still working, his kidneys are despite her best understanding still holding on, oh and she genuinely thinks he hasn’t slept in a week.
No wonder he got bitten by a snake - which from the size of the fang separation, she would estimate was larger than an anaconda. Said snake was also his most recent meal. And from the bite on his chest and a similarly-placed bite on his arm, she can reconstruct that it managed to bind him up and bite him twice before he managed to kill and then eat it. That was also probably about the most recent time he slept. The two facts are probably related.
He also shows no signs of wyld mutation despite the month spent trapped in this place on a diet consisting entirely of wyld-mutated fauna.
In conclusion, she has a patient who should be dead, but might be practically unkillable, at least by snakes and snake-related poisons. And who should be able to make a full recovery, at least if treated for the poison, returned to the kind of diet a human being could live on, and allowed to rest. He’s going to need the kind of care she can only give on the Baisha, though.
She considers this for a while, and sits back on her heels.
“... well now,” she murmurs. “Maybe you were wise in swearing that oath, because if you hadn’t made me swear it, I’d be reconsidering killing you. This is probably the best chance I’m going to get. If you survived all this, I doubt anything else will put you down once you’ve healed. And you’ll probably be better at shrugging off poison and starvation next time you get into a mess like this, given how the Chosen grow.”
She sighs. “But you did seal that oath, and I did mean it when I gave my word to heal you. La, la, as another annoying man I know would say. What a pain.” She pulls her root-fingers out of him, shifts them back for long enough to crack her knuckles, then plunges them back in.
“Well, I can at least start by getting rid of all those horrible little parasites you’ve got crawling around inside you. And then see about brewing up some drugs to cure your diseases. And poisons. And then figure out a way to feed you if you don’t wake up. You reckless moron.”
The man calling himself Roaming Yu wakes up. That’s already a good sign, and it’s improved even further as he takes stock and finds that he’s warm, well-rested, lying on something soft and not in much pain.
There are also no snakes on him, which is a huge improvement from the last time he slept.
He opens his eyes.
He’s not on the wreck of his ship, or, by the looks of things, the ship that the sorceress Keris had made out of a sword and a coconut husk. Instead, he’s on the bunk of a richly furnished cabin with painted walls and a green lamp providing light. Looking around, though, it’s been somewhat colonised and turned into a haphazard working space. Two short piles of books sit on a desk against the opposite wall, festooned with bookmarks and with one thin volume lying open between them on top of a half-written paper he can’t make out from the bunk. Another desk, a stool and a low table have been pushed together to support some strange apparatus of glass tubing, beakers and oil burners, in which several clear and silvery substances are giving off fumes and vapours that combine and drip down into another beaker on the floor.
Wedged awkwardly into the space behind the door stands an easel with a startlingly lifelike charcoal sketch of him that has a few bits painted in, which would be a lot more flattering if the painter hadn’t included his injuries and the sallow colouration of fatigue and disease on his face. Leaning against the easel’s base is another canvas; this one a completed piece in full colour showing several of the snakes from the lagoon stretched out beside each other. The right side of each snake is a skinless cross-section showing their anatomy, making the painting look rather like a half-completed dissection paused midway through for the artist to capture.
Finally, there’s another person in the cabin with him. The sorceress Keris sits on a hammock chair strung between two adjacent walls by the foot of the bunk with an executioner’s sword of terrible power across her lap, methodically oiling and polishing the blackened sun-gold. She glances up as he stirs, and the blade vanishes behind her (where to? He can’t see it anymore, and he should still be able to, from the angle.) She’s wearing silken finery now, not the silver armour from their first meeting. He notes the silver tattoos spread across her skin, and that the designs aren’t the style he saw her wearing before.
She’s also pregnant. The water, her armour and her moving, squirming hair had hidden it from view before, but seated like she is now, it’s hard to miss.
“You,” she says lightly, “are a very lucky man. You’d be dead if I hadn’t found you, and you might have died anyway if I hadn’t purged the venom from your bloodstream. And look! I didn’t eat your soul, either. Just as promised.”
He runs his hand over his head and down the back of his neck. Everything hurts, but it hurts like an ache, rather than the burn within every muscle of his body dying from that venom. Or the awful cramp of his body starving away. He traces over his bare skin and finds gauze wrapped over the scar-divots he can feel under the fabric. “Well, it looks like I got lucky for once,” he says weakly. His throat is still raw, but even that hurts less. “Lady, you’re a masterful doctor and I dare say surgeon too if I’m feeling as not-dead as I am right now. I don’t know if this is some strange sorcery or a talent of yours, but you have my most heartfelt thanks.”
Because right now he’s in her power, and even if he’s bound her with an oath on the River Styx, there’s an important difference between someone bound to an oath who doesn’t want to be there and one who isn’t going to want to do anything the oath forbids. Flattery, charm, respect; all currency to be spent to buy the favour of the talented and proud.
“I’m the best doctor and surgeon you’ve ever met,” the sorceress says, and though there’s vanity in the words, there’s also a matter-of-factness to them that makes him suspect it’s true. “So, are you willing to tell me your name now? Or will you stay Roaming Yu?”
He considers it. And considers the smell to the air, which isn’t the smell of the wyld. It isn’t the natural smell of the world either. He isn’t sure what this means, but he’s in the hands of a sorceress and sorcerers are untrustworthy men. And she’s a beautiful woman who may (he was off his face on poison, it could have been a hallucination) have hair that moves like a limb. Or a nest of snakes.
“Well, how about this? I keep using the fake-name, and I don’t lie to you about it - much like I don’t ask you what your real name is,” he offers, with his most dashing smile. “It’d be awful if we started lying to each other. And you’re doing me a big favour by, you know, saving my life.” With a grunt, he pulls himself to a sitting position, and feels his ribcage. Gods, he can count every one. “You probably have people who don’t want people to know you’re here either.”
“Mmm,” she says, sounding less charmed than he’d hoped. “Alright. Speaking of which, since you brought it up, I did save your life - twice, arguably - and I didn’t do it for free. I expect to call that debt in at some point. Not until you’re recovered, and probably not on this expedition; I’ll let you go and trust we’ll cross paths again in time. But if you sail off in good health and forget the favour I did you, I’ll lay a curse on you for your ingratitude.”
She holds his gaze for a moment, mouth flat, then suddenly smiles. “But enough about that! You weren’t planning on taking my help for granted anyway, I’m sure, so it barely needs saying. How do you feel, and are you up to eating? You’ve been asleep for a little over two days by the ship’s clock - we’re out of the lagoon, you’ll be pleased to hear - and I want to get some proper food in you now that your guts aren’t half paralysed by parasites and venom.”
“I’m a man who pays his debts,” he assures her (and he is, except when those debts are forced on him, but frankly saving a man’s life is a pretty fair debt). “And the sound of food that isn’t snake sounds like peaches from Heaven itself! Sun’s beard, I’d even take snake if it was cooked. Uncooked snake is awful. Do not recommend it. Not one bit.”
She snorts, heaves herself off the hammock with a hand on her gravid belly (he’s watching closely, and it’s subtle, but he thinks her hair might have helped her), and waddles over to the door. Opening it, she exchanges quiet words with someone outside (the room is guarded, then - something to remember). She closes it again, and returns to her seat.
“Before you eat, listen,” she orders him. “You’re not out of danger yet. I don’t know how much medical knowledge you have, so I’ll assume none, but you were stranded in that lagoon without food for around a month, yes? Have you ever seen people recover from starvation like that before?”
“No,” he says. She’s clearly someone who takes great pride in her expertise - and will look down on him if he doesn’t listen. “But I know some castaways just die in the days after being picked up.”
She nods. “Anything can be a poison if it’s delivered the right way - or the wrong one, depending on how you look at it. Even food. You’ve been starving for a month - your body started eating itself to keep you alive. You’re low on body fat and your blood has been cannibalising your muscles to keep your heart and lungs and brain going. When you start eating again, you’ll begin to rebuild those reserves - but digestion doesn’t work for free. Your body’s salts and fluids are seriously depleted, and your stomach needs them to absorb what you eat. If you eat too much, you’ll use up everything you have left trying to digest it all, and that could do any number of horrible things to your organs. So when I tell you I’m going to limit how much food you can have, understand that I’m still treating you, and do not try to eat more than what I give you, no matter how hungry you feel. Understand?”
A soft knock comes at the door, and she pushes herself up again to answer it, accepting a bowl of something he can smell from clear across the room. It’s only some kind of simple gruel, but he can feel his mouth watering, and the urge to lunge off the bed and grab it from her hands is hard to quash. He keeps himself under control, considers what to say next, and decides to do her a favour so the accounting doesn’t rack up too much in her head. “Where are you heading, then? In the Dusk Sea, that is? Or are you on your way out? This would have been my third expedition here. Obviously, looking at how this one turned out, maybe I should have quit while I was ahead. Or drowned that bastard before we set out. Are you looking for anything in particular - because if you are, I might have seen it.”
She considers him for a moment, visibly weighing how much she wants to tell him. After a long, stretched-out moment, she hands the bowl over and nods, apparently concluding that telling a man who’s entirely under her power and still in poor condition isn’t too much of a risk.
“I’m aiming for Leefa,” she says as he digs in. The gruel is plain and simple, made from oats, a little salt and some soft fruits, and the best thing he’s ever eaten. It’s an effort of will not to devour it in moments, even knowing he’ll wind up with stomachache if he eats too fast. “The island with the crystal dome and the brass automata. There are certain things I want there, and navigation advice from someone who knows the Dusk Sea well would be welcome.”
His blood runs cold, and despite his hunger his hand slows in ferrying spoonfuls up to his mouth. He hides it all behind his mask of being-a-very-ill-man, which honestly isn’t so much a mask as the truth. The sorcerer, that wretch Aati Pedang-Hitam with his martial arts and his cursed jet black blade, was looking for that place too. And of course he’d heard stories of what the sorcerer was looking for - ancient war-automata lost to the Wyld, weapons that could be used to conquer any island in the Anarchy. Weapons that could sink a Realm fleet.
“Leefa, huh. Is there something about that place that draws sorcerers there? Stories are that a lot of sorcerers and occultists go there and never go back. And that treacherous sorcerer was looking for it too.” He frowns and thinks back, eating some more oats and fruit to give himself time to pick his words carefully. “Before he got me drunk and dumped me on that damaged ship with no food or water, we’d gone to see the ladies in the Sea Maze. A moon witch and her dragonblooded lover, living out here in a little bubble of the world at the heart of a treacherous maze. I’m not sure if they put him up to it - or whether he found out something from them that decided he didn’t need me anymore.”
Keris’s eyes narrow sharply. “So I have competition, hmm?” she muses. He’s not sure if she’s disregarded his tip about the Sea Maze or is just focusing on what she considers the more important part. “Sorcerous competition, no less. I very much doubt he can pierce Leefa’s defences, but he might still prove an obstacle. Tell me about him. And about this moon witch, too. I hadn’t heard there was a moon-chosen out here.”
The moon-witch is the more pleasant memory, and so she is the one he brings up first - Caerya, who gave up one of her eyes for the knowledge of sorcery and placed a polished fragment of a moonfall in its place, beautiful and elegant and dressing in the graceful styles that he has only seen in memory-dreams. A sombre lady of the sunless sky, whose dwelling at the centre of the Sea Maze is ringed with ancient jade pillars, and where the moon is always shining high above. Who has spirits of the moon’s divine court in her service and who knows many ancient secrets, but who also will trade a pinch for new tales of Creation and how things have changed.
He does not tell this Keris everything he deduced, that he feels Caerya is hiding in that place, that he picked up her fear both of the outside world and of herself. It is safer to stay in stories.
Her love, Penesofe, he is more generous with his conclusions about. She is older than she should be for a dragon-blood, but it feels like her age has been stretched out, living in this hidden place where the flow of time is not quite as it should be. She is assertive, foul-mouthed, and defensive of her moon-touched lover. She has a vast black hound as a familiar, who does not like Caerya much. A sorceress, too, and covered in tattoos and inks and ritual markings of dark contracts. She, he suspects, is fleeing her own crimes as she hides in the Sea Maze. And the bits of the inner place she has touched are very clear, for they are unlike the dark gloom of Caerya’s grace and are instead a vibrant and twisted blooming of life.
Pausing to take another few spoonfuls from the bowl, he lets her digest this while he collects his thoughts about that man.
Something on her gives a rattling hiss, and what he’d taken to be a belt cinched just above her bump and below her breasts slithers off and into her hands, revealing itself to be a silver-bladed spear as sinuous and flexible as a snake. Demandingly, it pushes its head into her hands, and she absently takes up polishing with the oiled cloth she’d set to one side, staring down at her work without really seeing it.
“Interesting,” she muses. “A moonfall eye… maybe from Rokusa? I think that’s meant to be built on a fragment of the moon. Mmm. Sounds like it could be a Lunar demesne, too. That might be useful to know, if changesilver forms there. And she’s old, from the sound of it. Old enough to know things...”
She falls silent again, continuing her ministrations on the snake-spear, before finally looking back up. “What about the sorcerer?”
“Aati Pedang-Hitam is a boil on the soul of mankind! To think that the sun blessed him!” he snarls, and breaks into coughing as he overexerts himself. “Proud - as proud as a cat, and as callous! And curious too! He knows many spells, some of which - the ones he shows openly - are wholesome like controlling the weather and calling up elemental servants, but then he reveals his curses and the maggots he feeds men to silence them. I once saw him turn a man’s blood to molten iron, and at the time he said it was because he was planning to betray our crew - and I believed him, but I do not know why. He lies with terrible ease, without any of the signs that might give away what he is planning.” He shudders. “There is a demon he keeps in his stomach, too, and that was how he drugged me while not being affected by the same wine.”
His benefactor listens to the whole tirade with slowly rising eyebrows, and then leans forward, resting her elbows on her knees and making the hammock sway.
“‘Pedang-Hitam’,” she repeats. “That’s a Chosoni name. Do you know if he’s a martial artist? If there’s a particular style he favours, it might narrow down where he comes from.”
“He is very proud of his Even Blade technique,” he tells her.
Her eyes flick up as she searches her memory, and she nods neutrally. “Interesting,” she repeats, petting her spear and then coaxing it to coil back around her body like a belt. “Alright then, Yu. I’ll leave you with the rest of that bowl - eat it slowly - and you’ll have another meal today before the night shift. Rest as much as you can and don’t try to get up yet.”
She glances around the room and the various ways it’s been turned into a working space, and purses her lips.
“If you decide to ignore that warning and look around regardless, take it slowly and stay in the cabin,” she adds. “And leave the distillation alone - the contents of those beakers are poisonous, and your body can’t handle any more toxins right now.” She moves over to the desk and takes the open book and the half-written paper, but leaves the rest of the tomes, pausing at the door to look back over her shoulder. “I’ll be back with food in a few hours. Do you have any questions or requests before I go?”
He makes himself comfortable. “No, ma’am, I’ll be good,” he says. Telling the truth, for now. Compared to dying in a poisonous lagoon, this might as well be Heaven itself, and he’s in no condition to run right now. So he’ll be a good boy, save his strength, and get to know whoever she tasks to care for him. He’s good at making friends, and if they like him and don’t see him as a prisoner but instead as an invalid, he can play on their sympathy. Because, after all, he is going to make it home, even if this turns as sour as the last time he thought he’d had some luck.
“Good boy,” she says, and disappears out through the cabin door. He hears the lock click shut behind her as she leaves.
Positive thinking is important. He shouldn’t think of it as a jail. It’s just... free room and board and medical treatment when he’s not in a fit state to leave anyway.
Freed from that awful lagoon, the sun rises and sets several times in the eternal dusk, and everyone is happy to be free of the pestilent mire. Rathan definitely is, and because he feels he’s done enough he goes to bed and catches up on his sleep for a frankly excessive period. Keris is willing to let him do that because she’s talked further with Mister so-called Roaming Yu, and while his directions aren’t what she’s interested in, his warnings are. As a result, when she hears the singing before anyone else, she knows exactly what it is.
It’s the rich, beautiful sirens who lure ships to their rocky shoreline and let them dash themselves upon the rocks. And even knowing that, Keris hears the song and loves it and wants to get closer to hear more of it.
”Sirens!” she warns, raising her voice. “All crew, plug your ears! Captain, ready a troop of marines and prepare the ballistae! ! I’m going ahead to scout the reef!”
Suiting word to deed, she lingers just long enough to see Neride salute and start snapping out orders, then calls Strigida out to armour her and takes a running dive into the clear waters, flitting towards the sound of singing like a fish.
She finds the reef where the sirens live. They are so brightly coloured and so beautiful, at least when they are above the water. She isn’t above the water, though, and so can see the lovely way they work. It isn’t that these sirens are half human and half sea beast. It’s that their forms are human when they are above the water, and brightly coloured, coiling things when they are below the water.
And they are rich. The reef is piled high with shipwrecks and plunder, above and below the water. They dress themselves in gems and jewels and precious metals, and the coral grows well with all the bones they have incorporated into it.
Keris laughs delightedly, breaching the surface in a series of short dolphin-like leaps to see both sides of the sirens’ seeming. ”Pretty!” she laughs, high and clear and cruelly innocent, shredding the tendrils of fascination wrapped around her by their lure. Around her, the shadows under the water shift and start to gather in her wake. Her own music rises over the sound of the waves to challenge the sirens’ song, deep crooning whalesong and minor-keyed strings drawn from Kimbery’s part of the Dance of a Single Scream.
Of course, the sirens don’t appreciate this. They don’t like being laughed at. And their handsome prince rides out upon a three-headed seahorse to lay a pernicious curse on the offensive being, turning her into something ugly and scaled and hideous for them to torment.
Buuuuuuuuuuuuut, well, everyone knows how that story ends (it ends in fire and ice and razors, Adrián’s nature fondly remembered), and then the Baisha and the other ships show up and wouldn’t you know it, it’s really hard for beautiful sirens to sing when the air is full of choking vitriol-fumes and the sea is erupting with hungry thorn-kelp that devours and consumes wherever it goes. And Keris has the prince by the throat, feeling the potential of the place he ruled pulse in his throat. There for the taking. She raises her song to a symphony, forcing her power into the prince and seizing his command over the reef for her own. Her song billows out to encompass the whole area with tongues of rainbow flame, liquefying the sirens to fuel demon-genesis and refloating two of the bigger wrecks. Fae scream out as Keris’s greed ensnares them and draws them in like molten gold pooling. The battle comes to a confused end as the wisp-sirens melt and flow like wax, pulled into the spiral growing where their liege-maker was slain, and as the onlookers watch, something new takes shape here. The air itself grows heavy and dense and real, as the chaos-potential is sucked away, pulled into the ships that take shape from the wreckage strewn across the reef.
And what ships they are! Their hull-forms are similar to the three-masters one might see in the Anarchy, but everything else about them is different. No normal ship has a hull coated in pearly nacre, gently pink and shimmering. No normal ship has its masts growing up from the hull, each one a silvery tree with a crimson banner. And the crews of these ships are demons that look like the beautiful sirens - but fused with driftwood, sea-creatures, and other such ilk. There are other demons on board, too - hulking green-skinned brutes and stalking avian-insectoid predators. On deck; ballistae, manned by the demon-sailors.
At the bow of each of these twisted ships; Keris Dulmeadokht as a figurehead, hair swept back to wrap up the frontage of these vessels. To show who made these things from the impermanent essences of the fae.
She hears Ximmin’s laughter from far away. “Hah!” he hollers, voice booming with inhuman power (too loud for her sensitive ears). “Stole us that fight, you did! And nice ships! Jealous that I had a larger fleet than you? Flaunting your new assets?”
“This is my directorate, Ximmin!” she calls back happily. “I can’t very well let you show me up! And I didn’t want to risk missing any of the treasure here! Look at it all!”
“I don’t mind fighting less if we can get to the good part! The plundering!” he agrees.
This is a sentiment Keris can very much agree with, enough that she doesn’t even mind spending the next few hours supervising the salvage of all the valuables from across the reef and haggling over which ships it goes into. She examines her two new ships and demonic crews - all breeds she recognises from her inner world, who surprisingly all seem to know and recognise her as the High Queen - and finds herself satisfied. Though she’s not going to be able to use these ships too openly; they’re a bit too obviously demonic even disregarding the crews.
All in all, she’s in a very cheerful mood as she returns to the Baisha, checks on Yu (who slept through the entire thing; he still hasn’t fully recovered from his ordeal in the lagoon), and returns to her quarters. On one of the tables, carefully placed in a corner to itself, there rests a square yellow jade chop topped by a four-armoured statuette holding a scroll, a key, a set of manacles and a sword, its sides decorated with Old Realm glyphs of law. Grains of silver sand spill from cracks along its sides, dusting the table’s surface. Such seals of Cecelyne have a number of wicked and heartless uses in the realms of bureaucracy and politics, but Keris puts this one - given to her by Sasi some years ago - to a different purpose. Laying her hand atop it, she sends a faint pulse of essence into the spell anchored in the little relic, and watches as a blue-glass door appears in the adjacent wall.
She makes no move to open it immediately. Instead she knocks twice and calls through.
“Princess Kalaska? It’s Keris. I request entry into your sanctum, if you’ll permit it.”
She waits for a while. The door is opened eventually, but not by Kalaska - instead, it’s one of the little orvens in her service, which can be seen by the very illegal sky-blue sash he’s wearing (oh no, she needs to think about that, there’s so much azure in Kalaska’s things and the Priest might be lurking around). He’s getting old for an orven — she can tell from the way his eye level is only barely under hers. “Torom, maj,” he reminds her. “Anyway, yeah. Princess Kalaska is, y’know, doing a bit better after the air just changed, so she’s willing t’talk to you.”
“Thank you, Torom,” Keris says, and proceeds into the sanctum. She’d unbound Kalaska’s glass temple back in Zen Daiwye before setting off and then recreated the sanctum within the same anchor, so the interior is the same - one less change for Kalaska to have to adapt to. Helpfully, that also means she already knows her way around, though she allows Torom to lead the way to Kalaska’s inner chamber and announce her.
It is interesting how... worn-in parts of the temple have become in the years that Kalaska has been in Keris’s care. Oh, it is architecturally a grand structure of glass and crystal, but it’s also had a kerub population living in it and that means that they have inevitably done things like cover up parts of the structure with soft cloth, turned a shrine area into a mushroom field, and there are now sparking fem-made devices hooked into the glass veins that run through the walls.
Kalaska is enshrined upon her throne today, which would be a much more impressive throne if it wasn’t mostly a nest of blankets. Her grey hair is under a shapeless hooded white garment trimmed in blue, and her chin rests on her knees. There are glass foxes sitting on every surface around her, and all their eyes are locked on Keris.
“Hello Kalaska,” Keris greets her. “Thank you for letting me come in. How are you feeling today?”
“I want to be home,” Kalaska says quietly. Her voice is still a little rusty, but as far as Keris can tell she speaks a little more than she used to. Mostly to her kerub companions, but it’s still something of an improvement. “I can feel that thing outside. The thing that’s as strong as me, and feels like me. And hates me.”
“The Priest of Cecelyne,” Keris acknowledges sadly. “It isn’t allowed in my quarters, but I can see why it must be uncomfortable. I’ve just gained a pair of new ships, though - would you like me to move the entrance to your sanctum to one of them so you’re not on the same ship as the Priest is?”
That just gets a little shake of her head. And Keris might not have spent as much time with Kalaska as she originally planned (she’s been so busy, Kalaska rejects contact and shuts down if people try to force it; there’s lots of excuses), but she knows that expression from Sasi. From Sasi, it means “Why bother? It won’t change things.”
“Well, let me know if you change your mind, or if you want to try visiting one of the other ships to see if it feels any better,” she says, privately deciding to move the sanctum anyway and revisit the topic later. “But that’s not what I came in for. Do you remember the talk we had before we set off on this trip? About Sasimana wanting to help you learn how to protect yourself?”
A nod. But, “I hate fighting.”
“I know,” soothes Keris. “And Sasi knows that as well. That’s why she picked Butterfly as the first style for me to teach you. It’s a style that doesn’t have any attacking at all - just defence and evasion. You don’t have to fight; you don’t even have to engage with people who try to hurt you. It’s a way for you to keep yourself safe without violence. She even found me a demon who knows it for me to put a seed in, so I can borrow their knowledge and pass it on.”
“I won’t do it.” Kalaska buries her head in her knees. Not the reaction Keris had hoped for, but one she’d half expected. She carefully edges closer and sits down next to the throne, putting herself below Kalaska’s level.
“That’s a pity,” she prompts. “I was looking forward to getting to teach you. Do you feel like telling me why you don’t want to?”
Not looking up, Kalaska rocks side to side slightly. Too quietly for anyone save Keris to hear, she mumbles, “No point. Don’t want to. She’ll just be trying to trick me anyway.”
“It’s not a trick, Kalaska, I promise,” Keris tries. “I made sure of it. Sasimana really does want to help you. And it would make you feel better. Wouldn’t you feel safer if you knew you could defend yourself? I want to help you. Please, give it a try?”
It takes too damn long. Keris has to bribe her with food to get her to even agree to give it a try - one try, that’s all she’s asking for. And she refuses to change into a gi or get out of her swaddling clothes. And refuses to have any of her keruby there watching.
But eventually - very, very eventually - Keris coaxes her through to a clear area in the temple, where Kalaska promptly drops to the floor, and tucks her legs back under her robes and formless top.
“Alright, stan- I mean, could you stand up?” says Keris, almost slipping into her usual means of strict, unforgiving instruction before catching herself. That’ll do her no good here - she’s going to have to be gentle. As gentle as she is with her children - probably more so, honestly. Kali never complains when Keris raps her on the fingers for getting sloppy with her spear grip; Kalaska would take such a thing very badly.
“Butterfly is a style built around evasion and defence,” she lectures, gesturing to try to coax Kalaska back up onto her feet. “You flutter around to dodge, deflect and distract attackers without meeting their force head-on. It’s not meant to work with armour, but it has a lot of forms for the smaller types of shield, as well as war fans and rope weapons and things like that. I’m going to show you the first form - it’s designed to practice all the different ways you can throw an opponent off-balance. Then you can try it out. Alright?”
Kalaska doesn’t meet her eyes. She just stares at... at her hips and hands. So, Keris realises, she’ll be able to see if Keris seems about to move. Or swing at her. Keris slowly raises her hands to adopt the spread, half-closed stance that Butterfly favours. The knowledge of the style pulses through her, drawn from the seed left in the neomah martial artist Sasi had found. Flicking her wrists out, Keris lets Strigida unfurl into the customary long sleeves of a Butterfly stylist, and begins to move, keeping her pace at a quarter of her usual speed to show off the details of each step of the kata.
“Imagine someone lunging at me with a sword,” she narrates as she goes. “I step back like this and flick my sleeve so he can’t see me properly. Then he cuts to the side - but I’ve fluttered around behind him. So he tries to turn back, and... my palm strike disarms him. He still has a knife, though, so I flit back away from him, and flourish my sleeves again - see how bright and shiny they are? He can’t help but look at them, so he’s not focused on me...”
Step by step, she goes through the whole form, then repeats it again, this time at half speed, then again without slowing down at all. True to her word, it’s all defensive - the palm strike disarm is the most aggressive move in the set, and it’s aimed at the hand, not the vitals. Everything else is soft, flowing and unthreatening.
(She still makes sure to position herself so it’s aimed away from Kalaska when she demonstrates it.)
“Now, do you want to try the first part? That big top you have on is wide-sleeved enough for you to use for this first practice session. First get your stance right - knees slightly bent, feet aligned, arms up in a butterfly-wing guard. This lets you deflect any blows that try to hit you off to the side, see?”
“... just hit him as hard as you can. So he stops trying to hurt you. So you stop having to fight.” Kalaska clearly doesn’t mean Keris to hear that, but it’s a little rebellious whine. She doesn’t move into position.
Keris pauses. Drops her stance. Does some rapid re-evaluation, and crouches to get closer to Kalaska’s level.
“... is that what you meant?” she asks slowly. “I thought you meant you didn’t want to be hurting people or getting hurt, so I started with Butterfly as a way to avoid being hit or hitting. But... do you mean you’d rather end a fight as fast as you can, even if it means being violent?”
Kalaska flinches back, arms going into a guarding position. “If you’re fighting, you’re fighting,” she whispers, those eyes - so blue, not at all like Sasi’s now or then, the thing that’s different - flicking to Keris’s face and then back to her hands. “Fighting means someone might hurt me. I don’t want to fight. I don’t want to be hurt.”
But Keris can also see from how she’s refusing to answer the actual question that... ah. She thinks if Keris thinks she won’t hurt Keris, then Keris might hurt her. The threat of violence is something Kalaska wants in hand at all times, even if she hates fighting. And from some of what Seresa has mentioned to Keris, even though she’s hurt Seresa repeatedly, she hates people being scared of her. But also hates when people aren’t scared of her.
Kalaska is only a little younger than Haneyl, Keris reminds herself. She’s older than Aiko. But both her half-sisters are so much more mature than her.
“I understand,” says Keris, and fuck, she does. She really does. Violence was baked into Kit Firewander as a child; fear has been her nature for as long as she can remember. She’s always been scared of the world, and she’s always coped with that terror by making the world scared of her. But her soft heart bloomed after she got strong enough for any rational being to dread her notice, and Calesco’s piercing empathy now makes it painful when she sees people she doesn’t want to terrorise flinch away from her.
She can’t say she doesn’t love the rush of physical exertion, the precision in her forms and her skill with spear and knife and fan. Sometimes she even loves the result of violence, when it means slavers removed from the world or warmongers cut off at the pass or annoying pushy demon lords leaving her alone. But she doesn’t enjoy the isolated act of hurting people. Not outside the warped headspace of Adorjan’s love and Szoreny’s envy, anyway.
She shifts closer to Kalaska, thinking. After a moment, she settles from her crouch to sit cross-legged. Maybe it’s time for a different approach.
“Did you know that I have a soul based on fear as well?” she says. “I don’t know how much Haneyl’s told you about my other souls in her letters. But it’s true. It’s not like you or Haneyl, though - not one of the souls that were born after I was Chosen. It’s my po. I didn’t have to bud a new soul to be my fear, because my fear was one of the souls I was born with. My terror is half of who I am.”
Kalaska doesn’t look up, but her posture shifts to suggest that firstly, she’s listening, and secondly she doesn’t believe Keris and thinks it’s a trick to get her sympathy.
“… when I was a kid,” Keris sighs, thinking back on memories that aren’t so much bittersweet as just plain bitter. “When I was a kid, I lived in a city called Nexus. I don’t know if you know anything about it, but it’s… well, it’s a lot of things, but ‘safe’ isn’t really one of them. Not for a scrawny little street kid, anyway. I had friends - well, I had a friend - and he helped, but I spent most of my childhood there constantly scared of everything and everyone bigger than me, or who I couldn’t keep my eyes on, or who might want the same things I wanted. Which…” she grimaces, “… pretty much just translates to ‘everyone’, honestly. And it made me vicious. I was so scared that I’d lash out with violence at the slightest sign of someone getting too close, or trying to take food I’d laid claim on, or getting angry at me. I don’t… I don’t actually know when my first kill was. Not because I didn’t care about it - I remember the first time I knew I’d killed someone - but I’m pretty sure at least one of the other street kids I scuffled with during those years must have got an infection and died from a wound I gave them. I didn’t think about it at the time. I was so terrified by everything that hurting people as much as I could before they could hurt me was the only thing in my head.”
Kalaska does look up then, but only to stare at Keris’s hips. And the little quavering gasp of terror says it all - she just takes that story as more reason to be scared of what Keris could do. That it’s an implicit threat.
”But,” Keris continues, not letting herself rush or change intonation, “I grew up. I learned to fight, and though it didn’t change the fear that was at my heart, it let me cope with it better. It gave me ways to react to being scared that weren’t just lashing out as hard as possible; it gave me a structure and rules for how I could fight that worked, so I could use enough force to make someone go away and no more than that. And my fear is still a part of me, but it doesn’t rule every moment anymore - I don’t feel miserable and afraid all the time. I can live with my fear, and make use of it, without it using me.”
Very, very slowly, she puts her hands on her knees where Kalaska can see them, palms-up and empty of weapons.
“I know you don’t like to fight, Kalaska,” she says. “And I know you’re scared, and I understand what being scared is like. I know you have another form when you fight, too, and I’m guessing you don’t like it and maybe that’s part of why you hate fighting so much. Is that right?”
No response. Kalaska retreats further into her swaddling top, staring at Keris’s hips and hands with wide, scared, hostile eyes.
“I don’t want to hurt you,” Keris repeats, wondering if it’s worth calling on Rathan’s light here. Ah, but no - Kalaska is where Sasi’s ability to declare things illegal lives; she no doubt has a rule forbidding people obscuring her ability to perceive threats. And she’d react very badly to it being broken. “I want to teach you to defend yourself,” she continues instead, “so you can look at someone scary and think ‘I can fend them off without it hurting me’ and then feel better. Because if you know a proper fighting style, you can protect yourself without having to change shape, if that’s not a form you like. If Butterfly doesn’t work for what you want… then maybe it’s a sign Sasimana understands you better than either of us thought. Because she suggested two styles for you to learn, when I asked her. I started by showing you Butterfly because I didn’t understand why she picked the other one, but now I think maybe I do. She told me you might want to learn Earth Dragon. It’s a style about hitting people very, very hard, to throw them away from you and make them stay down. If you just want to learn how to finish a fight as fast as possible and get people to stop trying to hurt you, maybe I should teach you that instead.”
“No point,” Kalaska whispers. “Won’t help. I’ll just hurt you. And then you’ll be angry. And hurt me. You’re stronger than me.”
Keris grimaces. That really is the problem, isn’t it? She’s stronger than Kalaska, and while she’s made sure to visit every time she’s been in Zen Daiwye, they just haven’t had enough time together to build a solid bedrock of trust. It’s taken years for her keruby, all much weaker than her and therefore ‘safe’, to socialise her into just opening up enough to reliably let Keris into her temple.
Maybe, then, the way forward is just to give up on combat lessons, at least for now. More socialisation, more trust-building, more familiarisation. More bribes, too. She’ll probably always be a little scared of Keris, but learning to fight from her seems out of the question until she’s at least established a tentative level of comfort with her.
“Alright,” she sighs. “I don’t think you’re right about that - I think it will help, and even if you hurt me, I won’t be angry or hurt you back. You have my word on that, even if you don’t believe me. But I can see I’m not going to convince you, so how about this? Practice a little bit of physical exercise with me on my visits - some running, some conditioning, a bit of push-pull practice. Show that you can run away from a fight or shove me away when I get too close - I promise that I won’t be angry; I’m asking you to do it - and I’ll drop the idea of you learning to fight. You don’t think it’ll help you, and I think you’re wrong, but either way it’ll make me shut up and stop pestering you.”
One shoulder up defensively, Kalaska peeks at Keris from under her fringe. “No fighting.” It’s not a question.
“No fighting,” Keris agrees. “Just exercise. I promise.”
Those blue eyes flick over Keris’s face. She’s stubborn, but not so good at hiding her feelings. And what she’s giving away is that she’s clearly seeing if she can push things further to get out of this exercise without getting hurt or shouted at. Just as clearly, she doesn’t get the answer she’s looking for, because she pulls herself to her feet, hands up her long sleeves.
It is a reminder to Keris that she really isn’t growing up at all. The first time she heard of Kalaska - before she even had the name Kalaska - this was about the age that Haneyl looked. Now Haneyl is an adult, and Kali is fast approaching Kalaska’s height. The girl is round-faced, soft, and while the swaddling clothes obscures it, Keris can see from how it hangs that she’s also overweight. And again, Keris compares her with a medic’s eye to Haneyl, who’s usually plump and padded, but Haneyl’s fat covers the muscles of a jungle predator. She’s pretty sure this trip is the first time Kalaska has left the glass temple in the Zen Daiwye highlands in years. Whenever she wants things that aren’t already to hand, her keruby head down into the valley to get them for her.
“We’ll start with some running,” Keris says firmly. “A few laps around the room to warm up. Match my pace as we go, and pay attention to how you’re moving - there are good ways to run that conserve energy, and bad ways that waste it. I’ll show you how.” She’ll have to slow herself down - a lot - for the little girl to be able to keep up with her, but she can already tell that if she lets Kalaska set the pace, their laps of the room are going to be done at a sullen, unwilling shuffle.
Things don’t really improve when they shift to other fields of athletic endeavour. Kalaska could be doing better, but not much better. And she doesn’t want to. She makes that clear with every slumped-shouldered stomp, every pant, every wheeze. It is as far as you could ever get from the sheer joy that doing things that involve running and jumping with Kali entails. Or the fun times when her souls were younger and she was teaching them to play catch and hide and seek and other childish street games in the streets of the City. In the end, she doesn’t get very much training time with Kalaska before the girl completely shuts down and refuses to do anything else. She just lies flat on the ground, and glares at Keris’s feet as if she’ll scream at her if she comes any closer. Keris decides not to press it any further.
Not least because she has something to think about, and it’s definitely something she doesn’t want to rush into. Keris is, she is not at all shy to say, an excellent anatomist and apothecary and doctor. This is the first time, though, that she’s made Kalaska exert herself. The girl even shed some of her outer layers, red-faced and sweating from the effort. And between the relative exposure and the sounds of her moving body and the taste of her sweat, well.
Keris is now certain that Kalaska is anatomically male.
Maybe it’s not a surprise she missed it, because children of that age really aren’t very different, and she never thought to check because Kalaska looks so much like a younger version of Sasi. Why would she look for it? It’s not like Kalaska trusts her enough to bathe with her. But it definitely means there’s just another thing for her to handle with extreme care around the girl. Who is exhausting.
“Alright,” she says. “You exercised like I asked, so I’ll keep my end of the deal - no more talk about things you don’t want to do. I’ll leave the rest of the food I brought, and also...”
A mental nudge prompts Iris to slip off her arm, shake herself, and shift her inky, two-dimensional scales from the form of a dragon to that of a three-tailed fox. She bounds closer to Kalaska, stopping just out of reach and crouching playfully with her front legs bent and her tails waving.
“Iris wanted to stay with you for a while and play with your little fox friends, if you’re willing to have her,” Keris finishes, hoping that this bribe will make up for the hated exercise enough that Kalaska won’t refuse to let her back in next time. Even then, her next visit had probably better not involve any running or exertion. Reading together, perhaps, or painting at Kalaska’s direction. Something to sweeten the pot before the next bout of conditioning.
Kalaska seems to consider this. Or at least is sufficiently bribed by an ink-black fox that her immediate desire to reject is suppressed. “Fine,” she says quietly. Keris lingers long enough to see Iris play-pounce into Kalaska’s arms, then tactfully retreats.
This is going to take a lot more work than she’d thought. And she probably needs to talk to Sasi this Calibration.
On and on they sail through the eternal twilight of the Dusk Sea. Along the way they have many adventures. There is a great cephalopodan sea maiden, larger than the Baisha, whose fury calls up a vast storm that threatens their armada. Her rage breaks as lightning that strikes the foremast of one of Ximmin’s ships, and her cries make the waves rise and fall with terrible force.
Ximmin takes this very poorly, and takes a rowing boat alone to her squamous bulk, and when he is done the sea is covered in poisons and the corpse is already calcifying into a plant covered-island.
“Are you not a little bit impressed?” he teases Testolagh.
“I’ve killed bigger,” is the stoic response.
And he does again, when the mate of the sea maiden comes looking for revenge. It chases them into the shallows close to a volcanic island, but Testolagh comes out burning like a pyre and strikes it down with colossal explosions of green fire that blight the sea king and fell it. The island that forms from that death is rocky and blighted, with nothing alive on it.
“Well, my island was better!” Ximmin argues.
“Probably.”
“... you’re no fun.”
Shortly after that, they encounter a little war between two breeds of little men, each one only the size of Keris’s hand. Despite their tiny size they are very ferocious, and the small coral reef they encounter them by has a numerically-large (but still tiny) city built around a rise of white stone, where one side is besieging the other. When queried, it seems to be some mess about a stolen husband or possibly the will of the gods. The very small, very angry people with their tiny bronze cuirasses don’t seem entirely sure themselves. What they are sure of, though, is that the giants who have stumbled across their war are obviously servants of the gods, here to strike down their enemies mightily.
In their piping voices they start demanding that the giants obey the will of the gods and strike down, or save, the city. It is again, somewhat unclear what they want, because it seems that even their champions are riddled by petty feuds and change sides at the drop of a hat based on perceived insults from their fellows. The fact that they start throwing insults at the giants when they fail to do what they demand doesn’t help matters.
Keris considers this for a long moment, weighs up to what extent she’s willing to be an unstoppable giant harvesting two separate effectively helpless populations of fae-thing that may or may not count as actual people but who definitely haven’t yet shown any inclination to prey on humans, concludes that she’s not so concerned about fae lives as to leave the little warmongers alone but that it would still feel distasteful to do it herself, and holds up a hand.
“Testolagh, Ximmin, Jianling,” she says. “Deal with this. I’ll be out on the water getting some work done.” Hellebore is at a delicate stage in her gestation, and Keris is having to put non-negligible amounts of focus into the work going on in her womb to keep everything stable. If she’s not needed here - and she’s not; the little people are no threat and she trusts Ximmin to find some way to extract profit and treasure from the island - then there are better things for her to concentrate on.
It’s nice to take some time off. Keris retreats to a rock emerging from the water, forces the power of the Hungry Swamp to call up a wild and vivacious spread of vegetation, and slings up a tent where she can have some relaxing time with Mele. Her boyfriend is more than willing to provide a massage and some personal time away from the eye of the Priest of Cecelyne, and it makes her feel better about what’s happening.
When she gets back, much to her surprise Jianling looks like the cat that got the cream and Ximmin is vaguely pouty. Testolagh is an impassive lump, but he’s always a lump.
“Oh great dark lady,” Jianling says, bringing her fist to her breastplate Keris granted her with an awful clash, “I present this to you! For my men and your fleet together took the city of those tiny pixies, and we discovered this wonder of the ancients at the heart of it!”
And what a wonder it is. At the heart of the coral reef, the white rise at the heart of the city, is a pillar of white jade. It is encrusted with coral and trapped dirt, but Keris knows what these things are. The ancient circle of jade obelisks built long ago by the ancient Chosen to ring the world, and drive away the fae. This obelisk must have been lost and forgotten, but it is an island of stability in the Dusk Sea, and these tiny creatures built their city on the coral reef that grew around it, not knowing what it was.
Keris is extremely pleased with this, and praises Jianling at length for the find - because, as she extols to both her general and her boyfriend, she can use this pillar as the base for a fortification that’ll be all but free of Wyld-taint and mutation, potentially enough to station a permanent outpost here. Indeed, if she works slowly and carefully and consumes a few of the neighbouring islands to redirect their Wyld-essence here, she can probably kindle a strong enough Hellish demesne to make this the foundation of a manse. Maybe even a hellgate - which will give her both an easy way to ship Wyld-stuff across the Desert, and also a way to leave and re-enter the world that’s out of sight of Fate.
She’s so enthused that she winds up dragging Jianling back to the reef to watch as she reshapes a section of coral into a shrine to herself. The statue in this one is of a more martial bent than most of her self-sculptures; a Keris armed and armoured in the styles of the ancient Lintha, as terrible and beautiful as the sea, glorious and tempestuous as the centrepiece of a living grotto. The brighter sunlight reflects into the flooded space, and sends red-tinged light dancing all over the rough ceiling.
“With this, I’ll be able to get back here without needing to search for it,” Keris explains. “Right now, I don’t have the time to empower this place enough to start building on it - or a team of trained manse-builders, for that matter. But once I do, maybe sometime next year... then we’ll be coming back here. And in the meantime, this shrine will keep attention off this place and make it harder for others to find.”
Jianling shakes her head in admiration. “This trip through the mad lands of the Dusk Sea is not something I would ever thought to have tried on my own. Skirting the edges, yes - picking up silk from the weavers who dwell here, maybe. But you speak so casually of charging deep in again next year.” She pauses, considering her words. “I would suggest we wait here a couple of days, though. The air feels... healthier here. The light is more natural. Give the men some time to rest, before we set out. It is dangerous to spend too long in the madlands of the border, but this is a place that feels healthy. Even the sunlight is brighter than we’ve seen in days, and the sun hasn’t set and risen in hours.”
Keris purses her lips. “Mmm. Fair enough. I trust your judgement, my general.” She flashes the bigger woman a quick, rueful grin. “You’re not wrong about me. I’m too used to diving deep into places most wouldn’t dare to venture. You’re accustomed to commanding mortal men and remembering their limits, even the ones you’ve surpassed.”
“I think I can tell that,” Jianling says, eyes lingering on the Lintha-goddess statue of Keris. “I saw you throw yourself over the side to engage those sirens in their own domain; a mere trip through a sea where the sun is always dim and red probably doesn’t even register as a threat.”
“Mmm. It doesn’t. That’s why I have you, my Jianling,” Keris says, curling a lock of hair around her big, strong Earth Aspect’s shoulders. “To protect my people from the ways my power blinds me - and to lead them to find me wonderful prizes and treasures like this. You’ve earned a prize of your own - when I return to Hell a season from now, I will look into acquiring a warstrider for you. Just a standard model for now… but a standard warstrider is still a warstrider. And if you keep delivering results like this, I may go looking for better ones.”
“That’s... you’re...” Jianling is struck speechless by the scale of this promise. “Is it worth that much to you?” is all she can manage plaintively. “‘Striders only get issued by the Throne itself. Not even dragonlords can use them casually.”
“Jianling, this is one of the ancient border stones of Creation,” Keris says, shifting her hair to direct Jianling to look her in the eye. “It still has tatters of the old working to stabilise the edges of the world on it - I can feel them.” She flexes her left hand in demonstration. “This place, this reef - this is a fixed point in the Dusk Sea; one that won’t drift or change or get washed away so long as this pillar stands. I can draw chaos in from neighbouring regions and Shape it to reinforce the island and build a fortress-outpost on this foundation. I can catch the Wyld-energy from storms and use it as fuel to kindle a demesne here. I can build a Hellgate manse on this spot and have a way in and out of the demon realm that the eyes of Fate can’t see - with enough access to the Wyld on this end that I can ship reliable cargoes of raksha across the Desert to sell to the Unquestionable. Yes, this place is worth a lot to me.”
She scoffs, tossing her head without releasing her caress. “And anyway, you’re my general. The Scarlet Throne may be stingy and tight-fisted with what it gives out, but you’re far more important to me than dragonlords are to them. I was always going to give you a ‘strider - that’s why I let you play with them back in the Conventicle. I was just waiting until you’d earned one.”
The other woman leans into the hair, gauntleted hand going up to stroke where it touches her face. “Yes, my lady,” she says, looking down at Keris through hooded eyes. “I am still not used to the generosity of yours. I am too used to beautiful ladies who only take and never give.”
“Well then,” Keris purrs, leaning closer. “Perhaps I should remind you how generous this beautiful woman can be~”
The pools scattered across the floor of the grotto are warm and their sandy bottoms are soft. They might not exactly be a bed, but they’re more than sufficient for Keris’s purposes. The warrior-goddess statue of Keris stares down as the Harlot of the Yozis sanctifies this place to her masters - and before them, herself. The light of their intermingled souls reflects off the white jade that forms the rear wall of the grotto.
In the aftermath, the two women lounge out in the warm, shallow water, Keris cuddled up on Jianling’s larger, hair-rope-burn-marked form. She really likes the red markings on Jianling’s paler, Realm-native skin - even more than she liked to see her general trussed up in her hair.
“Will your lover be angry about this?” Jianling asks softly, hands still gently petting Keris. She shifts lower to stroke Keris’s pregnant belly. “If he finds you me with me when you’re bearing his demon-child?”
“Mele won’t mind,” Keris reassures her, deciding not to correct her on the matter of exactly who Hellebore’s sire is or how many lovers she has. “He cares only that I love him, not how many other people I invite into my bed. And this won’t be a child in the way you’re probably thinking. But,” she hums, smiling fondly, “there you go again, looking for things I’ve missed.” She kisses Jianling playfully on the tip of her nose. “My jade pillar of support.”
This relationship - not the sexual one; the one between lady and general - really is going to work, Keris reflects. And this is an aspect of it that she hadn’t considered, but which may wind up being even more valuable than Jianling leading her armies or finding her such pretty treasures. Keris doesn’t interact much with mortals, these days - oh, she has passing encounters with them; they’re still the majority of the population of Saata and the bulk of her targets on assassination missions. But in terms of who she interacts with, the people she works with... she spends her time with Unquestionable and demon lords, with Dragonblooded and other Infernals, with keruby - who are closest to human, but still superior to them in many ways. She knows the human psyche, she knows human weaknesses - but mostly in how to manipulate them, take advantage of them, prey on them. She knows how to exploit mortal vulnerabilities, but she’s slipping on how to mitigate and cover for them.
Leading mortals is something Keris Dulmeadokht has never really had to do - and while it’s a gap in her knowledge that hasn’t proven dangerous so far, someday it could. Jianling is a shield against that; a woman who stands above mortality but knows its limits down to her bones. Keris can stand on her foundation and depend on her to stay connected to her roots.
“My jade pillar,” she murmurs again, nuzzling closer for a kiss and closing her eyes. Her tongue finds the snake-headed piercing she gave Jianling when the woman swore her pact to Keris in Hell. “Alright then, Jianling. I’ll depend on you.”
Chapter 54: The Directorate of Leefa
Chapter Text
After a couple of days taken as rest for the fleet in the shallows of the area around the white jade pillar, everyone is feeling better. But they can’t stay over-long, and once again they’re diving into the depths of the Dusk Sea. Not the physical depths, but the wyld-depths far from Creation. The sun is even dimmer, and the currents are stranger.
“Wait, I think I know those rocks,” Rathan says, pointing out the crack in the sheer cliff walls of a craggy island. “If I recall from last time, Vali just sailed straight into it. The sea on the other side is different to what you can see around here.”
The rift is narrow, and with many of their vessels reliant on the winds it is difficult to navigate. Rathan has to call upon the waves to guide the ships that can’t navigate on their own. The stone walls of the crack in the island rise up and up, and the jagged white rocks jutting from the side look alarmingly like teeth. The rip-tides are ferocious, trying to pull the vessels onto the shoals. And there are fae predators living in the rocks, little winged humanoids with awfully sharp teeth that buzz and flock around, and coiling phosphorescent eels that paint bright streaks under the water.
“There,” Rathan says softly, pointing at a brass-armoured behemoth that stands as tall as a ship’s mast even with half its body below the water. Its upper torso is oddly pitted and half-melted, and the wreck of some arcane weapon is mounted in one of its arms. “That thing shows we’re nearly there. It’s broken. And, before you ask, it was broken before we got here. But it was the first sign there was something odd about this rift.”
Not too far past the broken guardian the rift opens up. And what lies on the other side is a ruined, drowned landscape. No, that’s not quite right, Keris realises. She’s seen Molacasi’s city and other places in Hell. Those are drowned landscapes. This is a landscape which used to be drowned, but has been dragged up from the bottom of the sea bed by some unknown geological processes. The water is choked with muck, and there are treacherous sandbars and expanses of exposed abyssal mud and muck. Guardian statues loom, ruined and damaged. Some of them are shaped like humans. Most are not. The inhabitants of this place gave their worship to many forms of being.The wrecks of vessels litter the expanse that leads to the strange city that sits at an angle, a place of domes and broken spires. It is made of green-blue stone and encrusted in coral and muck.
Keris’s stomach churns. Those wrecked ships are not sunken vessels that have been dragged up from the bottom. They were wrecked on the surface. Which means-
The top of a great central obelisk in the heart of the strange city starts to glow a bloody red.
“That didn’t happen last time!” Rathan gasps.
Keris doesn’t waste a second. “SUBMERGE!” she bellows. “Helmsman, evade and pull back! Signal the fleet to retreat to a safe distance!” Going back through the riptide channel will be dangerous, but staying here will be more dangerous.
Unless she can take out that tower.
“Yes, lady!” the nearest body of the Helmsman snaps, yanking on a lever that makes a clarion siren cry out in warning. Other crew members on the bridge strap in, preparing for a violent dive. Insofar as it will help in the shallow water.
“I’m going in! I’ll try to draw its attention!” she shouts, already sprinting from the bridge. Strigida enfolds her, and as soon as she clears the outer hatch and gets out onto the deck her soul bursts to life around her, a bright cyclone of red and silver lit from within by the ring of green flame on her brow. She leaps from the side of the submerging Baisha and cuts away from it at an angle towards the tower, sure-footed as she skims across the surface of the waves, willing the thing to prioritise her.
The red light glows and glows and builds and-
Something explodes in the superstructure. The tower lurches, and the killing beam lances out to harmlessly flash-boil a section of sea where the ships aren’t.
But all of this is behind Keris. She picks up speed and picks up speed again, and then there’s a blinding flash of light as her anima flares even brighter and her trail lingers in radiant light. The ships are still trying to turn, still trying to spread out - the Baisha hasn’t even given the orders yet because there hasn’t been enough time, but Ximmin and Jianling are acting on their own initiative. She hears behind her the hissing roar of Testolagh’s soul igniting too, and she thinks he’s coming to help or follow her. But she doesn’t have time to think, because now she’s up at one of the cracked eggshell domes and there are brass men waiting for her with strange barnacle-encrusted forms and arcane weapons.
In the heartbeats before the violence starts, Keris studies the automata-men with the eyes of an occultist and a killer. The occultist says this: they are wyld-twisted, yes, but she can see the kinship to some of the designs that she was shown by Molacasi. The rounded arc of the dome-shaped head, the proportions of the limbs, the once-polished brass and the structure of the weapons are all showing Lintha heritage. But from what she knows of the Lintha designs, they must have improvised something to replace the contracts with the spawn of the Great Mother that these twisted mockeries would not be able to call on. Perhaps tales of what they were when they were mighty; fae wisps that mimic the forms of demons. None are exactly the same, but there are two broad classes of unit - some with broad clam-shaped shields and spear-projectors that crackle with red light, and larger ones with amberic ejectors that protrude pink jagged crystals. She can’t see any distinct leader unit, though.
As a killer, she immediately identifies that there are sensory organs in that dome, and at the very least she can blind them. And if they work like the designs she’s seen, the organs that keep the artificial men alive will be in the torso, just like a human’s. So, to put it another way, she can kill them like she would a man in bronze armour.
The saboteur in her notes both of these viewpoints and disregards them just as quickly. There are questions to follow up on - whether she can convert them into proper demonic Lintha creations by burning the Wyld-taint off them and reshaping fae wisps into demonflesh, whether Leefa still has the facilities to create more of them, what the range on those weapons are and how they work - but none of them are important.
She’s not here to fight the artificial men. They’re obstacles, nothing more. Her job is to disarm the tower before it can destroy any of her ships, and then - since the tower is unlikely to be the only defence mechanism Leefa has (and she’d really rather not destroy it and render the city more vulnerable to later raiders) - take control of the city as a whole and get it to accept her as its mistress.
So. Don’t get delayed or slowed down by the bots. Neutralise the tower, preferably without destroying it. Find the central city-brain that - from her knowledge of Lintha history and what the boys told her - is probably still running this place. Make it listen to her.
Spreading her hair to present a more confusing, amorphous target, Keris calls Vipera into her grasp, leaps from the wall and runs like hell. The spear-drones level their weapons at her, and the amberic blasts sound around her, crackling off the walls and the water as she twists through the blasts. One clashes with her hair and she feels the impact and the unpleasant crawling coruscating essence that crawls through Strigida and earths itself harmlessly into the water.
But she is the wind and she is the sea, and these machine-men are slow. She is through the shield-users, dancing across them, and the maggot-projectiles from the hands of the lumbering mechanisms on the overgrown building cannot find her. She leaves them behind as she sprints up the vertical wall, and into the grand catapult-chamber where a mechanism that is as much living meat as it is sea-bronze is being prepared by scurrying, child-sized six-legged crabs made of ice and brass. And one great overseer looms in brass armour inlaid with pearls, a sphere cradled in its torso filled with a floating mass of grey matter. The overseer carries a vast harpoon in two hands and a whip in the third one.
The mechanical crabs whir and flee from the invader, but the overseer squares up to her, holding the harpoon - the projectile it was about to load - as a great lance. She’ll have to take it down. Otherwise, it will keep on trying to load the ballista-beast.
Keris lets her left arm unfurl. Her flesh disintegrates into light, and her human arm becomes an immature wing, akin to that of an insect or a bat, with many-coloured bones and bright-glowing nerves and membranes of shining white light. Her right arm grips Vipera, a lock of hair winding around her serpent-spear to steady the haft. She lunges - but she’s too far away, took too long studying her surroundings. Her target’s whip lashes out to grab one of the servant crabs, wrapping around it. The whip sinks into the bronze and drains fluid. The lumbering overseer-automaton makes a sound like a finger on a wine glass, the fluid in its chest orb darkening as indigo liquid drains into it.
One foot comes down on the edge of the gantry, and Keris changes direction in a way no human being can. Concerns like traction and balance are nothing to her as she instantly and weightlessly shifts her lunge through ninety degrees from a direct charge to a sideways strafe. She crosses the width of the gantry, jumps onto the wall and speeds down and around, circling the edge of the firing floor and moving like the wind across the overseer’s field of view as she closes the distance.
It can’t draw a bead on her fast enough to use the whip or the harpoon, and Vipera is already lashing out as she touches down next to the loading mechanism, first at the overseer’s liquid-filled orb, then - as her spear hisses in furious rivalry - at its whip.
The overseer is forced back, trying to fend off attacks on that central orb with the tip of the ballista bolt it is using as a spear. But that isn’t Keris’s real target, and in the blink of an eye and a lashing out of silver-and-red locks, the whip is torn loose from the mounting of the third arm and caught in Keris’s hair. It is a living thing, this tool, and its mouth-valves gasp and try to find her blood to sink into. But it knows that the one who wields it owns it, its bestial mind seeing loyalty to Keris now, and it twists and lashes in her grip.
But then the overseer stabs out, with that monstrous spear-bolt, and there is no time to cheer. The spear-bolt goes low, and Keris kicks up and lands on the weapon as it digs deep into the ground, rending the tiles. The machine-man is still dangerous, though - but now she has an opening.
Vipera’s flexible shaft stiffens as Keris takes the opening she’s been given, thrusting at the brain-container in the construct’s torso.
The crystal shatters in a single blow, and the fluid gushes out. The automaton goes stiff for a moment, and then collapses like one of Ogin’s toys. The greyish brain-meat twitches and pulses, skewered on the end of Vipera as the spear tip retracts with a malicious hiss of glee.
One entirely shared by Keris. That creature was stronger than Mele, stronger than Wuzu: comparable to a weak demon lord. And now it is ruined, and its thinking-meat is a kebab for her to study at her leisure. She drops to her knees beside it and three hair tendrils plunge into the grey mass, growing roots that sink into it as they go. They’re helping keep it alive, but also analysing, sampling, tasting. A seed-tumour breaks off from one of them and begins its own growth, sending filaments out to wind around neural tissue and begin leeching knowledge and nutrients.
But most of Keris’s attention is on Vipera. Her spear isn’t just a weapon - it’s also a masterful surgeon’s tool for fleshcrafting and bio-artifice. Now, her fangs and scales peel back layers of grey matter like the finest of scalpels, exposing the twitching, sparking activity within. She doses it with mercury, closing wounds and re-routing torn blood vessels, and she probes roots deep in to keep it alive. Vipera is a surgeon’s knife, cutting out the self-termination organs that she knows the ancient Lintha wove into their artificial men to stop them being stolen by rivals.
Within a minute, she has a quivering, pulsing mass of brain tissue in her hands, threaded in the roots spreading out like some twisted game of cat’s cradle. She breathes for it; she stops it dying. Now for the next steps. The brain quivers under Keris’s terrible curiosity - and behind her eyes, Jemil watches too. It is not like the brain of a human, which is a messy, complicated thing. This is structured, ordered, the essence pathways and chakras showing clear design despite how it has been twisted from its former smooth lines by the weight of time and of the wyld.
But Keris knows the ways of the Lintha and has studied at Molacasi’s feet. The patterns are clear to her. The responses, the stimuli. They might not have worked on this one because of its age and chaos-twisting, but she can recognise the frameworks of the old codes and the old conditioning.
Working a tendril into one of the neural tubes that once linked up to the sensors, she stimulates it in the right way such that it sees a shifting coloured glyph, and stimulates the auditory region so it hears a phantom voice, the commanding, cold tone of an Ancient Lintha that says, clearly, in their tongue:
Child of the Great Mother, whose hands guide all,
know your purpose and know who you serve.
As the oceans bring all things to her,
so you are brought to serve.
Pearl and opal, coral and driftwood, three queens and two fallen stars.
Keris immediately tastes the change of the brain-alchemy of the creature. Peace, calm, placidity. It is in a receptive, obedient state, flushed with pleasure and lethargy from hearing those words.
She sits back on her heels, considering. This thing could be useful. It’s powerful - as potent as a weak demon lord - and an overseer and command unit. If she can get it functioning again, she can use it to give orders to the smaller ones, and maybe even get her access to its superiors. An ancient relic-being, made perhaps by a demon lord bioartisan in times long forgotten.
The problem with that is that it’s dying. Maybe she could fix it, if she threw everything she had into it now or put it into something made to keep it alive until she could get it to a workshop - but right now, she doesn’t have the time or the tools. Her hair and her mercury and Vipera are the only reason she’s even been able to keep it from expiring long enough to get the command-poem. And with Leefa still firing on the fleet, she can’t afford to waste time properly preserving this automaton.
So, one way or another, it’s going to die today. Keris can’t stop that. What she can do is delay it. She’s smashed the brain-tank full of fluid, but the body is still mostly intact (save the whip-limb she tore off), and there are still a few of the little crabs scuttling around. She remembers seeing it drain one of them for fluid to empower itself, so they’re compatible. If she can grab a couple of them (and she can), she can fashion a new brain-tank from their shells, fill it with fluid, put the brain back in and re-align it with its body. Maybe even reattach the whip. It won’t last - the brain’s death spiral has well and truly started already, and her patch job will only be a patch - but it should hold out long enough for her to make use of it.
Cracking her knuckles, Keris wraps her hair tighter around the whip, lashes out to drag one of the crabs huddled behind the harpoon-launcher over to her, and gets to work.
It is touch and go. But it’s fun. Keris feels so alive as she sutures and refills and repurposes bits from the crab workers to patch up the overseer enough that it can shuffle behind her like a sleepwalker. And the high-pitched noises of joy Jemil is making are a reflection of her own feelings.
“I knew that there were such things from references in the things from Molacasi,” he babbles, “but to see one up close, to watch that tissue twitch, to understand that it’s all there and can be understood and even now you can fix these things, it’s wonderful, glorious!”
“We’re going to have so much fun with this place,” she agrees, humming happily as she leads the overseer into the island (testing it en-route by having it order the lesser automata below the tower to stand down). “Hmm. There’s probably a central brain somewhere in the middle of the city - or maybe central brains. Either way, that’s where I want to go. Preferably,” she adds, glancing back out at the water to see how her fleet is doing, “before Testolagh gets here and smashes up too much of my city.”
The glance back is all too telling. She can see the terribly bright green-white light radiating from within another of the defence towers. It is so bright it shines through solid metal. Testolagh has caught up and is deploying himself to remove the sentinel towers. Smoke rises from where he’s been already.
She racks her brain to think about what Vali and Rathan have said about what they did here. There’s... some kind of embassy district by the main docks where guests are permitted to stay - for observation, Rathan said - but the boys hadn’t been let out of that much. Of course there are extensive ruins that the systems hadn’t been able to stop them getting into, but those places were not functional. Neither of those will have the sensitive things in.
The layout of the city are these domes, many of which are ruptured and smashed, which wrap around structures and towers. There are also smaller towers that exist outside of the domes, connected by shrouded walkways. The air is a mix of alchemical smells and rotting fish and dampness. The structures she can see have a half-melted appearance, softened and twisted over time by the Wyld, and there are places where alien themes have imposed themselves on the structures. Those parts are frequently scaffolded over, and that explains the state of the city to her - it is far less intact than it really is. The Wyld has been constantly trying to twist and change it, and the artificial men here have been building and rebuilding things, trying to keep it in the shape wanted by their lost masters. Even as, no doubt, the wyld twists their minds. The overseer has wyld-tumours riddling its brain.
She heads for the domes, aiming for the most intact ones. If there’s a central city-brain, those are likely where it will be. She needs to move fast. The longer she takes, the more of the defences Testolagh will destroy - and the more vulnerable Leefa will be to future raiders. With the overseer in her company, the lesser artificial men let her by without a question. She stalks down narrow nacre-walled tunnels that move through buildings without a care, and crosses grand plazas that are ruined and flooded and choked with the water that still flows through them at high tide.
The city is half-abandoned. More than half abandoned, for there are whole areas too wrecked to access. There are metallic husks of former soldiers, wrapped in the coral or melted into the walls by the wyld. What remains here is a husk of what once they had here. Either they had a great number of soldiers once, though, which they have been burning through, or they still retain some capacity to make new ones. Such losses over the years must have been terrible.
She pauses at what must once have been a grand plaza under the cracked eggshell of a dome. Something about the proportions calls to her, and she realises this once was a ceremonial place for the birthing ritual she’ll need for Hellebore. But it is ruined and the shrines are plundered and overturned and brackish water pools in the seaweed-coated recesses. Still, though, she can see the moon through a crack in the dome, and the moonlight falls through the crack to light up the wavering, fluid metal that pools there. It is tinged red. Unstable, un-formed moonsilver. catalysed through ancient resonance to something sacred to Ululaya.
It’s real. What Rathan and Vali saw here is real.
She can’t afford to delay, but Keris allows herself a brief moment to linger and feel triumph on the edge of the plaza. Even if the rest of the city gets wrecked, this is what she came for, this is what she wanted. She’ll need to work it into proper moonsilver, likely via a visit to that other city Rathan had spoken of, but... she has what she needs for Hellebore’s birth.
Good.
”Quickly,” she urges her overseer in Lintha-tinged Old Realm. ”Take me to the city-minds.” She can hear the toll climb higher with every moment that passes.
She hears a noise in the upper registers, outside of what normal humans can hear. It falls, falls, falls and grows louder as it does until it’s a bass rumble felt in her gut and in the dance of water in the air. And then red light overhead blots out the moon through the cracked dome overhead. The sound is awful, and the flooded plaza ripples as the air dances to the pulse. The grand obelisk has fired again, and she can only hope that her ships have gotten out of range. On the other hand, this suggests that it takes long minutes to recharge for another shot.
Overhead, a gull drops out of the sky in an uncontrolled dive. The bird might well have been stunned by the blast. At the last moment in a flare of silver light it manages to bring its fall under control, and manages a crash-landing. The bird flows and shifts back into the small, taciturn woman Ximmin had with him, the moon-chosen Bedjoku u Han Who Twists The World. She isn’t in a good state. She’s bleeding from the eyes and ears, and trying to blink away what is likely damaged sight. She must have been too close to the beam. Her curses in Seatongue are foul, and Keris hasn’t heard several of them before. “You. Keris,” she croaks out. “How goes? Can you stop that thing?”
“Yes,” Keris replies, crushing any uncertainty to leave only perfect confidence in her voice. “I’ve already subverted one of the overseers; it’s leading me to the central mind of the island. Once I have my hands on the city’s brain, this ends. Tell Ximmin and Testolagh to take shelter from the firing tower and hold the beachhead - don’t risk an assault.”
Bedjoku slaps her head, trying to knock the ringing from her ears. “Was trying to fly up to it to stop it firing again. Too late.” She spits out blood. “Don’t be close to it when it shoots. But, uh.” She scrunches her eyes shut, and - ah, yes, Keris medically diagnoses her as concussed on top of everything else. “Cutlass is up against the walls. Your woman led the demon marines on an assault on the breach, and they were pushing hard. Before I left it looked like they were about to take some docks so we could land more reinforcements. Can’t leave while that weapon remains intact, though.”
Keris winces. “Right. Okay. You’re injured... ach, and you won’t be safe here once I’m gone.” She looks around. “I can tell my overseer to order a squad of the lesser defenders to escort you back to the docks. That should stop them attacking you. Go with them and don’t push yourself any further - you’re concussed. I’ll head into the city centre and put an end to this.”
“Don’t bother. I’ll turn into a mouse and sleep it off,” Bedjoku says. She pauses, looking up at Keris. Her left eye is scarlet from burst capillaries “And maybe later we’ll talk about what you are. Because you’re like Ximmin, but... not.” She collapses down into silver light, and a mouse scurries away.
“... right, that can wait,” Keris decides, and turns back to the overseer. It doesn’t look like it’s healthy, but the thing is still operational. And that is just as well, because the route it leads her down is getting closer and closer to the tallest central spire. Things are more intact here, and there are fewer signs of recent rebuilding and of wyld-influenced melting. Even the air feels more real. But at the same time, Keris can feel the pulse in the walls, the systolic flow of nutrients and essence to the spire. It is pulling in power from the rest of the city to fuel itself for another shot.
It leads her to an open chamber, tall and high ceilinged, the walls inlaid with nacre and with great and still-bright murals painted showing green-skinned figures with white hair, proud and resplendent. The seats on both sides of the room are stepped. It is an audience chamber of some kind. Standing at the far end next to an empty throne is a great and graceful statue: a beautiful female nude the height of a Saatan townhouse, gravid and bearing a spear and shield- and it would be seemlier in the eyes of men if it didn’t have meat tubes running out of its back, up into the wall behind it. If there were no places where its stone skin has broken away to reveal the flesh below.
The statue stirs.
“Stranger, you come with your armaments and your armies,” it says in archaic Lintha, speaking in a mid-toned voice that could be a deep voiced woman or a high pitched man, “and devastation follows you wherever you go. The rightful lords of this Isle shall return and mine wrath shall know no limits in the face of your trespasses. I am the Guardian of this holy place, and I command you; leave, unless you claim to be a servant of the ones who wrought this place, imbued with their authority to commit such deeds.”
Keris takes her time answering, looking up at the thing. It’s beautiful to her eyes, if not to those of mortal men, but she rather doubts that the words of command she got from the overseer will be sufficient here. They’re still worth a try, of course - but first, she listens to the whispers of the shadows and assesses the statue with the eye of a saboteur, an occultist and a witch. This is a wyld-twisted puppet of a terrible wonder of the ancient Lintha. What kind of occultist would even know where to start unravelling its secrets? Who has the knowledge to do such a thing?
Keris looks at the Guardian, eyes gleaming green, and sees it for what it is. It is a Lintha war body - akin to a warstrider, but not intended to be piloted by a living human.
(purely incidentally her brain idly contemplates the similarity with a Dragon King ambience)
Only the war body is not thinking for itself. The tubes that connect up to it from its back are an override, and that is the intelligence that is speaking through this war body. She could so easily break the war body - cut the tubes and it’ll fall down, drive a knife into its spine and it’ll die. But that’s not what matters here. What matters here is the other mind.
The other mind that reeks of the blend of chaos and the Demon Sea, the other mind which is weaker than Keris but stronger than her children, as strong as Roaming Yu back on the Baisha. Fat and bloated on Chaos. So proud of its honour - oh that drips from every syllable - but terrified that its masters won’t come back for it.
Her smile is an ugly, cruel thing. Only its wyld twisting stops her from using the Lintha command-songs to seize control of it, and those songs provide the shape of what she needs to do to control it. And control it she can. It was bound to serve the Lintha blood, long ago, and her wicked little mind can see how to change it to bind it to her blood. Sealing it utterly, honour and all from the Lintha. The unwanted power it took from the Wyld will make it harder, but, yes. She thinks she can do it.
“I do not trespass, for I have every right to be here,” she says in cold, superior Old Realm, “for you are corrupted by Chaos, servant, and forget your station. I am your rightful mistress, here to cleanse and restore you to glory. Submit to me, and give your obedience.”
A third eye opens on the statue’s forehead, the many-lobed pupil spinning as it focuses on Keris. There is a physical weight to its scrutiny. “Familiar. Unfamiliar. What are you? The Mother’s touch is on you. What are you? Why are you so familiar?” it muses, the voices shifting and overflowing and overlapping. “Are you the ones who abandoned us a child of the Great Mother? I remember the red moon overhead and she loved condemned us and them?”
And like a broken mirror Keris can see - this thing would be loyal to anyone who could bring back its masters so that it could love them forever and hurt them forever for abandoning it.
In hindsight, Keris reflects, she really probably should have expected the minds in charge of Leefa to be mad after so long washed by the Wyld. No matter! She’s good at madness, both causing and (hopefully) curing. That side of the problem can wait until after she’s got control of the island.
”Child of the Great Mother, whose hands guide all,” she chants, backburnering any awkward questions like ‘cure it how, exactly?’ and ‘is this a good idea?’ In favour of getting the intonation right and shaping the correct glyph out of shadows and anima-light. ”Know your purpose and know who you serve. As the oceans bring all things to her, so you are brought to serve. Pearl and opal, coral and driftwood, three queens and two fallen stars.”
The words are a struggle to get out, and the ancient Lintha accent here is different from the ancient Lintha accent Keris herself learned (were there many Lintha cultures? Has this been forgotten too? Or has the way they speak shifted in the Wyld?). If Keris wasn’t a mimic and a wicked little creature, she wouldn’t be able to copy the voice and the annotations perfectly.
But it’s enough. “You speak like... a master,” the Guardian says. “But that does not mean you are a master. You have the voice of one, but that does not mean you are kin. Still, you must pay for what you have done should come. I will show you to your quarters, and watch you further. There are tests you must pass. And there are delights to offer one who could be a master, even knowing that if you deceive me your death will be unjust agony.”
Keris knows better than to trust that offer. No, any ‘tests’ are a trap. The ancient Lintha who spoke so coldly and demanded such absolute obedience, whose words and command phrases flooded their creations’ brains with pleasure and lethargy and the earnest desire to serve - those creatures would never have tolerated any suggestion of needing to prove themselves to their servants. If she puts herself in this thing’s power, Keris knows, it’ll torture her to death - because the only test that matters is whether or not she accepts its authority to question her.
Unfortunately, the fact that it’s trying to trick her into letting it torture her to death means it hasn’t reacted like the overseer and become submissive and pliable. Which means the command phrase didn’t work, or at least didn’t work all the way. Which means that either it wasn’t a high-level enough command to affect this greatest of the artificial minds of Leefa, or the Wyld has warped it enough that it no longer recognises valid codes as valid.
Either way, that’s a problem, and means Keris is going to have to do some brain surgery again to force this thing into compliance.
”I will take no tests, servant,” she says in cold, clear tones, eyeing the war-body and the cables leading back into the wall. Those are what she’s going to need to follow - it’s the thing hidden behind or under this place that she needs to get access to and convince, not the giant artificial killing machine (which she’d really rather avoid fighting entirely, if she’s honest). ”I am your mistress. It is not your place to question me. Hold still, and give me access to your core.”
“Go to your quarters, where the finest delights will await you, master. The tests will begin tomorrow,” it repeats. The stone - or what had looked to be stone - of the wall to the left of the throne rolls open wetly, like an opening mouth.
She reckons it doesn’t plan to torture her immediately. Perhaps it doesn’t entirely want to torture her at all. Maybe part of it is pliable, while part of it isn’t. And the door is smaller than the giant war-body can fit through...
Keris narrows her eyes, glancing upwards. The power is still building. The obelisk is getting ready to fire again. She needs to stop this soon.
“Fuck it,” she mutters under her breath, and darts for the door. Maybe it’s telling the truth, maybe it isn’t. Either way, she won’t be going to any room or waiting for tomorrow to meet her host.
On the far side, the corridor is luxurious, but scarred by time. The soft rugs are threadbare, but only in certain places. In those places, there are divots in the stone floor. As if someone has taken the same path down this corridor for a thousand years, eroding their footsteps into the floor. The rugs must have been replaced time and time again, but the walker still steps in the same place. On the walls there are paintings, faded by the years, but still things can be picked out from the flaking paint. Deep indigo oceans, great cities of beautiful spires; overhead a red moon passing between a green sun and a yellow sun.
Portraits of green skinned men and women, their white hair as long and elegant as Rathan’s. Busts in bronze and marble, handsome and lean and with a certain unspeakable arrogance and cruelty in the expressions.
There are many doors along these corridors. All of them are shut - not locked, more akin to a painted wall than a door - save one, which is open. On the other side is a brightly coloured suite. Silk draperies covered in intricate embroideries hang from the ceiling, and the bed is a great carved thing where demons stare out from the headboard in seductive posts. On the far side, there is a grand crystal window that takes open an entire wall. The crystal is broken, and patched up with cloth. From what remains, Keris can see that it overlooks the approach they sailed along.
It’s beautiful. It really is - and from the paintings, this place might well date back to the days when Ligier still shone down on Creation, before the Primordial War. If that’s so, there will be much in here to look through, to research, to salvage from the ravages of time...
... but Keris can’t let herself get distracted. The whine from above is building.
Closing her eyes, she listens. The essence flows are all being channelled through this building. Most will be for the terrible weapon at the top of the obelisk. But if she’s lucky, some will be going to the intelligence commanding it. All she needs to do is try to pinpoint any concentrations of power other than the one above her head.
(And if that doesn’t work... well, the broken window gives her a way out. She can start at the top of the spire and work down.)
Architecturally, she can tell that these palatial suites... may well be part of a palace. These quarters might have once belonged to a prince of the Lintha lords of this place. No, she realises, glancing over at the grand walk-in closet and seeing the styles there and how similar they are to some of the things that she got from Molacasi, it was the place of some Lintha princess.
One step forwards, and Keris is suddenly at the centre of a lovely bevvy of green-skinned, white-haired beauties. They bear such wonderful foods and drinks, made for one of her status, and they are here to do anything - anything - asked of them. Their breath is warm on her skin, and their perfume is intoxicating.
And they’re not real. She can hear it immediately. It might fool someone with merely human senses, but she is not like that, and her hearing can pick out the waltz of a god on the head of a pin. She can hear the fae ensorcellments for what they are. She can also hear the lurking fae, collared in brass and with its head opened up, which is the source of the song that spins these visions of beauty up. It has been told what to sing. And she can trace another of those fleshy veins, just like what was controlling the war body. It seems they can emerge from any part of the walls, just like the doors can flow aside.
With a convulsive effort, she shakes the illusions off and makes for the window, leaving the fae-conjured pleasures - and her poor overseer, which obediently followed her into the room - behind her. Skipping out onto the surface of the tower, Keris looks up and down, squinting against the building light from above, still listening for the power flows of the gathering essence. Up is where the terrible energies are set loose from - with her left arm still a glowing wing, she’s confident she won’t be blinded or burned like Bedjoku was, but it’s still not likely to do her ears any good if it looses another bolt. Down is riskier - there may be no way back inside, and it would be a gamble to assume that the city-brain will be at the base rather than the summit of the spire just because that’s how she’d build it.
The spire is near vertical, with only a slight slope as it narrows to a point. Keris can feel the veins under her feet. To her left, blue-green defence servitors launch, shaped like aerial mechanical jellyfish trailing paralytic tentacles. They are too slow to capture her. Windows and surfaces meld shut into the building wall when she gets there. It doesn’t matter.
There’s one opening that can’t close and that’s the great aperture at the pinnacle for the weapon.
Keris reaches the top, and launches herself towards the crackling orb. She recognises it, she realises - and when she catches herself with her left wing and follows the curve down, her touch confirms it. It might be marred with wyld discoloration, but the red is one she knows; this is a polished pearl from within Ululaya. Maybe once there were less destructive ways to use it; ways to strip the minds from attackers, to flense their aggression away, to fill them with such mad rage that they tore each other apart rather than come close to Leefa. But now it is too polluted to manage it. It can only destroy in manic outbursts it was truly not intended for.
The red pearl is cradled in a six-fingered hand sculpture, and leading into the stump of the ivory hand are thick, meaty tubes that pulse as they draw on the lifeblood of this dying city. There are no guards here. Of course there aren’t. From the pressure and the pain that it caused a Lunar who flew too close to the beam, the automata would be crushed in an instant. But Keris can find the maintenance hatches she knows must be here, and her wicked little mind sees exactly how to pop them off. She slips inside. And this part of the tower was never meant for the princelings below. It is dark, and wet, and it pulses.
Perhaps, when it comes down to it, the mind of this place was made by the souls of Kimbery to look after the Lintha much like Keris asked Biqi to look after the Carnation while she was away.
Down, Keris crawls. Down into the warm, wet darkness; down into the heat and the meat. Her hair quests ahead of her, mapping her way forward, and supports her left side as her glowing rainbow-boned wing stays tightly furled against her side, absorbing the occasional arc of red lightning that coruscates down over the artificial membranes and muscles of this interior space. Down and further down, without stopping, without seeing. Down towards the core of Leefa, and the ruling mind behind it.
The systems here have held off all manner of wyld beasties over the years. They have caught raksha warrior-princes and exposed the most cunning agents of the lords of Telephassa. There are swarms of ravenous lice-like creatures wrought from pearl, there are eyes that gleam wetly from within stone recesses, there are creatures that see the heat within men or hear their heartbeats or taste the essence that seeps out of all living things.
They cannot catch the creature from the Hungry Swamp, unseen and unseeable, whose flesh is the same temperature as the background and whose own jaws devour the sound of her movement and who can run across pressure plates with no more weight than the wind itself.
There are places that no human could possibly fit through, ventilation shafts meant for creatures utterly inhuman. The creature crawls through them, body distorting and elongating like a snake to squeeze through.
And so it comes to pass that Keris squeezes herself out of an air conduit sized for something half the width of her skull, and lowers herself down into the place where the mind of Leefa sits. It has grown. Perhaps once it fit entirely inside the shattered tank which lies at the heart of the chamber, gloomy and brine-smelling and swarming with censor-drones bearing thuribles of perfumed smoke. Perhaps once the tubes that bring it its nutrients were organised, instead of criss-crossing in the air like a body stripped of flesh yet leaving the blood vessels behind. Certainly, it once did not pulse with wyld-iridescence where it has grown. It did not have stubby limbs made of the same greyish tissue as the rest of its body. It was not meant to be shaped like some awful overgrown foetus.
There are bodies trying to be born from the most oversized wyld-tumours on it. Green skinned legs kick from the mutated flesh. Teratogenic growths sprout white hair. Dreams flicker into being, extending the room within fantasies that are solid, and collapse back down.
Keris looks around cautiously, still hidden with uncanny, chameleonic subtlety. Ever-wary, she scans the chamber for any sign of a final guard, a last defender, a weapon or shield for this seemingly helpless thing. She doesn’t discount the Leefan foetus itself, either. Physically impotent it may be, but this creature is as potent as an experienced demon lord, and its mind may be able to reach beyond its body.
She can hear the... well. Nurses? Maids? She isn’t sure exactly how to describe the long-limbed, graceful trio that move from place to place within this chamber, adjusting fluid flows and pulling levers and sometimes taking a knife to dream creatures that crawl out of the living fantasies when they open. They are tall and green skinned and red eyed and beautiful - and it is all a lie. Keris can hear what they really are, these things that are an extension of the brain, its dreams that escaped its mind. Are they the gaolers of this place, or its tools of self-preservation?
Why do they resonate with the brain-thing in an all-too-familiar way? Almost like the way that a demon lord resonates with their prince?
She’s exhausted. She’s exhausted and aching and in the middle of enemy territory and each of the three nurses are nearly as strong as her children. And so she almost doesn’t make the final step. Almost.
“Mama,” Jemil breathes. “It’s like us.”
But her damn brain kicks in and she puts it together. It’s not something that most occultists could do. It’s only her terrifyingly intimate knowledge of titanic metabiology, her experience with working on Lilunu, the knowledge of what she did to Sisim, her own experience with her souls that gives her the data she needs.
This brain is something very akin to a stillborn demon prince. She thinks the original mind of Leefa was a child of a demon prince, maybe one that died in the Divine Rebellion, just as Hellebore is her child. But it was made strong, and it has grown - and immersed in the depths of the wyld, it has become something that has multitudes within it. The dreams that are its three carers are almost demon lords, though in its imperfection it only has three and they are weak. The armoured drone-things it makes are no longer simply creatures of artifice - but they never were, were they? In ancient times, the demons of Kimbery empowered the artificial men and terrible weapons of the Lintha. But now this brain, part fae and part demon, this naturalborn progeny ill-decanted from its shapeless womb has taken the place.
Of course she won’t be able to override it. Not using the old commands. It’s grown too much, become too much more than it once was. Maybe she can use them to get a momentary advantage, but she won’t be able to control it like the old mechanisms could be controlled. This stillborn of the titans, squirming, kicking its useless limbs in the shattered egg of the city it was made to guard.
It’s like her. And in a weird, twisted way, it’s like Lilunu too. Sickly and malformed and a unison of two natures never meant to be together, demonspawn of the Great Mother and the fae.
“Fuck,” Keris murmurs as the reality sets in. It’s been niggling at the back of her mind since the war-body, and now it’s no longer possible to deny: this isn’t a problem she can stab her way out of. Not with spears, and not with scalpels either. She can’t force compliance from this creature; she can’t bring Leefa utterly and unquestioningly under her thumb like the overseer had made her dare to hope.
This is like Kalathais. This is like Malek. This is like the Paricehet and the Hui Cha and, hell, even a little like Dulmea.
This is an independent being who wields near-total power over this place full of treasures that Keris wants to claim intact. It’s an independent being she’s going to have to either negotiate with or kill - because without the command phrases and the words of authority the ancient Lintha designed it to recognise, the only way the mind of Leefa will stop firing on her fleet and let her off the island is if it’s dead, or if it considers her its friend.
This isn’t a task for Keris the killer, or Keris the surgeon, or even Keris the saboteur.
This is a job for Keris the ambassador of Hell, the Voice of the Mouth of the Yozis, the beautiful, sweet-voiced, silver-tongued serpent who corrupts and subverts and beguiles.
Rolling her shoulders and coaxing Vipera to coil around her waist, she withdraws Strigida into her skin (leaving her dressed once again in Lintha finery), wraps herself in the crimson light of the Great Mother, flares the caste mark upon her brow, and steps out into the open.
The response is immediate. The three handmaids whirl on her, and the fae-like seeming of Lintha royalty is dropped. Now she can see the true natures she heard.
“You should not be here,” says the first. It is tall and emaciated, with a cluster of arms sprouting from its shoulders. The many hands carry countless tools that might as well be weapons, blades and scalpels and saws and many more. It - she? - wears only the scraps of the armoured shells of the lesser servitors; a broken helmet strapped to the face as a mask, armour plating stapled to too-thin parchment-like skin, dangling clusters of broken-off coral hanging as ornaments. “You were not invited.”
“Welcome, stranger,” says the second - male? - one, with the face of a broken-down champion. Handsome looks turned to jowls; old scars seen on every line of flesh that isn’t forced into an ancient suit of armour. He may be blind, or at least his eyes are solid white. “What is it that you seek?”
“The ring, it is green,” says the third, and the one that looks to be youngest; androgynous, green-skinned, childlike, but with an ancient malice in its solid red eyes. It has no legs, only a surging mass of protoplasm which it moves around on. “Like stories of the ancient sun, before it was red.”
And the brain-foetus-thing stirs and its many eyes open from within the grey tissue and turn to Keris. “You are here,” it says, the voice not coming from the building but from the walls. “Why are you here? How are you here? You should be in...” a wet noise, “... your room. For the tests. Take pleasure. Before the tests. Do what you are meant to do!”
“We should kill it,” says the first.
“It must be understood,” says the second.
“Why is it green?” asks the third.
Rathan’s gift blunts the alarm, the rage she might be generating from being here. “Prim, Sekon, Dird - hold,” states the brain.
“I came to see you,” Keris says, keeping her body language loose and relaxed and her palms open. She trusts Rathan’s light to make her words seem justified, her actions reasonable. “The rooms you gave me were lovely, but I could hear the fighting still going on outside. I see why you were alarmed when my fleet showed up, but you said it yourself: I know the words of the masters, and qualified for your tests. I know my other servants and allies must be hurting you, just as you’re hurting them, but there’s no need for us to fight. If you stop attacking them and let me speak through your towers, I can tell them all to stand down.”
This is the lesson of the Great Mother Keris has learned; people are always willing to make an exception for the right person. So all she has to do is make herself the right person. Of course it was reasonable for her to break out of the accommodations she was provided: she was worried. Of course it was reasonable for her to come see this creature where it is most vulnerable: she had to talk to it. It’s only the extreme situation which would make her act this way.
And the longer she can keep them talking, the more of her strength will return. Though they shouldn’t know that.
“Why did you come here?” asks the third, Dird. “Why do you burn with the light of the green sun, of which records of old tell?”
“You are a threat,” says the first, Prim, whose many arms hold the tools ready to use. Keris suspects this one has already resisted her witchery.
“So you seek peace, yet why do you come armed for war? Why do you claim the authority of the Masters?” asks Sekon.
“Those who abandoned us,” says Prim.
“Who made us,” says Dird.
“Who we must obey,” concludes Sekon.
“You were created by the masters, who abandoned you long ago,” Keris says, stepping closer. Her next move is another gamble in a day that’s already had too many. Telling it that she’s not its master is risky... but haloed in Rathan’s light, she might just about get away with it.
And she’s going to have to risk it, she decides. Leefa’s feelings for its long-lost masters are complex and contradictory and mad, love and devotion tangled up with bitter hatred and resentment and rage. Keris can’t influence it through that kind of baggage. She needs to break that association and forge a new one. Probably a more equal one, for all that it’ll mean sacrificing some control over the city. Not a parent, then, but a sibling. Not a master, but a fellow creation. Not a superior, but a peer.
She’s always been better at being underestimated, anyway.
“I am not one of the ones who so cruelly abandoned you,” Keris says, taking another cautious step towards the trio and their Greater Self. “I am one of their successors - a child of the Great Mother, like you, gifted the light of the Green Sun from the prison your creators were cast into. I came to find you, long-lost Leefa, and I came armed, because I knew you were deep in these Wyld-twisted lands and that I’d have to fight my way here. I came to find you, because I know what it’s like to be abandoned, and betrayed, and left alone. I came to find you, because I inherited the words and ways of the masters. They left you, but I chose to right their wrong, to come and reward your loyal service, and how long you’ve faithfully waited for your creators to return.”
Wrapped in crimson light, her words are beguiling and tide-touched and sweet. And more than that, they’re targeted. Keris may be exhausted, but she needs no further magic to aim at what she knows of this creature; she’s taken its measure and tasted its soul. She speaks to its self-defined victimhood and validates its anger at its parents; she explains away her weapons and armour with a casual reference to the dangers of the Dusk Sea that it’s bravely resisted for so long. Her blandishments praise its temperance and the loyalty it’s held for so long, and prides itself on so highly. Most of all, she targets its deepest fear, and sets herself in opposition to it. Perhaps its masters will never return, perhaps its deepest fear is half-true - but if so, it is not because it is broken, for here is a sibling, a sister, a fellow child of the Demon Sea, who affirms its pain and takes it upon herself to be a kind and giving patron, martyring herself to take on its masters’ duty.
Keris feels the attention on her, the many eyes in the brain mass locked on her. It is willing to listen.
“That green is the green of the green sun. That symbol is a mark of the traitors,” Dird says. “And you claim such things...”
“Kill,” whispers Prim with awful intensity.
That could be a problem. Keris shifts her gaze to the... Warden Soul? Or is she something else, something wholly unrelated to the soul hierarchies of the demon princes? Either way, given the similarity of the names to ancient Lintha numericals, Keris suspects Prim is the eldest; the first soul Leefa spawned. Its first manifested aspect: a murderous, suspicious guardian in this shifting, dangerous sea.
“I don’t want to fight you,” says Keris, justified by the light of her red moon. “But if you try to kill me, I’ll have no choice but to defend myself. I don’t want it to come to that, but I will if I have to - I won’t tolerate attempts on my life.”
Her voice echoes with the sea; her presence is royal. She holds herself as royalty of the demon realm, and this is what her posture conveys - to fight her invites death. Her soul burns on her forehead, and wisps of red and green light escape from her mass of hair.
Prim backs away, lowers the weapons, tries to not look like a threat. Keris doesn’t believe her. She’s still looking for a chance. But she won’t attack head on - and she doesn’t know how good Keris’s hearing is.
“Call off your dogs servants,” the brain says. “I cannot stop unless you stop trying to kill me.”
“Very well,” Keris agrees. “Do you have some means for my voice to reach all parts of the city? It will take longer if I must go and command them in person.”
Keris can see that they don’t trust her. At least one, perhaps more of the four-who-are-one want her dead. And she suspects that at least one only wants her alive so she can be vivisected. But she might be exhausted and she might be facing four powerful entities at once, but killing her won’t win this battle. They know they’ve lost two of their defensive stations, the docks have been compromised, and they might even recognise Jianling as a Dragonblooded champion.
Suing for peace and playing nice so they can betray her later is the only sensible thing to do. Anything else would risk their own destruction. And the destruction of this place. Not that there really is much of a difference between the two.
The great weapon on the tower shifts, and the humans down below fear that it is going to fire again, But the beam of red light that comes out this time is diffuse, spread out, and the shining illumination takes the form of a tower-sized projection of Keris Dulmeadokht wrought from gleams and glimmers and scarlet.
“All ships of the combined fleet,” she says, and her voice rolls out over the city, echoing off the sheer cliffs on the other side of the bay. “Stand down to a defensive guard. I have brokered a peace with Leefa; the city’s defences will cease attacking so long as we do the same. Any further violence will break the truce and meet my personal retribution - regardless of which side it comes from. Commanders of the fleet; see to your crews, then assemble in the embassy district for a meeting.” Another, smaller pillar of light rises from near the main docks. “I will meet you there.”
Fires rise from where essence flows have short-circuited. The bodies of defence automata are piled high near the barricades. Men and demons alike are dead too. And some might feel hard-done-by to find that their victory has been less than total.
But victory is victory. And now Leefa is, from a certain point of view, in the hands of the servants of the titans once more.
Chapter 55: Late Wood 776
Chapter Text
The city of Leefa is hungry. It is hungry for the lifeblood and faux-souls of fae, and it is hungry for the stuff it once fed on when it was a city of the Lintha. It needs ice formed from the Great Mother’s frozen waters, it needs to feast on the right kinds of coral, it needs black lead and it needs red pearls and it needs all of the above in huge amounts. The squirming, wailing Guardian and its progeny can be bought off by Keris. When she finds out what they desire, she heads out of the city and collapses all the madness and chaos and potential of a nearby island into a dull, dense geode-isle that sings Kimbery’s songs. Leefa sends its artificial men out to begin mining it immediately, and that does a great deal to buy Keris credit with the monsters who are the masters of the city.
For her part, Keris is quite pleased that they took her gift quite so well. For it is not a poisoned gift, not exactly, but it is a medical gift. Keris knows well that medicines and poisons are close kin. The stuff of order, aspected to Kimbery, will help dilute the wyld taint here - and until the Wyld washes away the geode-isle, it will serve as a breakwater against the changetide.
This bribe buys her favour enough for her fleets to remain docked here, and favour to be shown some of the time-ruined sorcerous archives of Leefa if she will but - as Dird informs her - look to repairing ancient magics cast on the city that are wearing thin with the years.
That is certainly a bribe in its own right, and Keris takes Simya - and Jemil, too, after summoning him out when the moon is missing from the dusk sky - to venture into the sodden archives to see what she can find. Since she’s not a fool, she ventures in armed and armoured, wrapped in a piratical Strigida-coat that isn’t as strong as her armour’s fully-expressed form but which will still blunt the edge of any aberrant guardians or traps or chaos-tainted squatters that try to attack her, with the twin blades of Ascending Air sitting at her hips. This takes some delicate negotiations with Prim, but she manages to navigate them after only an hour or so of talking, and gives Simya and Jemil strict instructions to stick close, stay behind her and tread cautiously. She still doesn’t entirely trust Leefa - and even if she did, she doesn’t trust it has full control over its time-ravaged, wyld-corrupted systems anymore.
The archives are a mess. That is the only term for it. They are all the more tragic for the occasional hints of beautiful glory and faded learning. Sometimes she will come across a room where the moonlight shines through a ceiling of ancient stained glass and dances across a museum-reliquary that holds a little of the beauty it once had, and she’ll weep to imagine what Leefa must have been like at its height. But the water damage has taken much from these halls, and the wyld has crept in and changed everything it’s touched. It has smudged the texts and twisted the paintings and there are murals and frescoes that look like they’ve been filtered through a greasy lens.
The artificial men here are rampant and not under the Guardian’s control and there are escaped half-made experiments and there are courts of green skinned Fae who play here in the role of faux-lords. Those, Keris can break (and does), but the loss of knowledge is far more awful. There is just enough remaining to show her what is missing. But she can still find warped versions of ancient rites, wall carvings that hint of the world before the rise of men (the two suns still seen in the time-smoothed structures), and most tantalisingly of all, fragments of what have to be sorcery.
And that is incredible, because it contradicts what Keris has heard, that Mara gave sorcery to the Exalted. Was this place - and places like this - hidden from them, such that even the most brilliant of them had not been able to steal it? Or is there something more pernicious and more complex about the truth and the role Mara played?
Perhaps it doesn’t matter. There are plenty of things here she can study, years worth at least. More than she has time to work through.
Happily, that’s what she has other people for. Jemil is reading everything he can get his hands on with childish glee, and said hands now include limbs donated by fae and artificial men among their number. Jamahidaya is more than willing to help piece together scraps of sorcery if she just gets to keep her own notes on what she finds. And then there’s Simya, wearing her neomah-like skin, staring with unabashed hunger at the water-damaged anatomical-bust of an artificial man she found.
“What do you think?” Keris murmurs, stepping silently up behind her and getting a surprised little flinch. She sets a hand on Simya’s shoulder, and takes a certain amount of pride at the fact that the girl doesn’t stiffen or shrink away from it. It doesn’t make her actively relax, either, but it’s good progress.
“Can you see the differences between these things and the creations of the Dragon Kings I had you studying?” Keris prompts, a shadow clinging to Simya’s back, whispering dark inspiration in her ear. “They’re both ways of blending the organic and inorganic, both fields of creating artificial wonders that toe the line between living thing and tool. But they’re very different approaches to the same concept. Tell me what you’ve observed of the ancient Lintha’s methods.”
“They’re beautiful,” Simya says, and she doesn’t stutter. Not as she sits there, stroking the sculpt of the artificial man as the shadow softly strokes her. “The muscles, the skeletons - they’re better than anything I can do. They’re meat and they’re metal and they’re so much more. Birthed from Lintha mothers and birthing beasts. And I can tell you something else - they don’t know what a neomah is. There’s no sign they existed this long ago. And the city doesn’t know my demon-kin. They won’t have the flesh-twists Bidaha-papa told me about which were made to stop neomah copying their work.”
“Mmm. It makes sense,” Keris admits. “Some of the signs I’ve found point to this place dating back to before the war between gods and demons, before the Yozis were imprisoned - and before the Demon City became what it is today. Neomah descend from Berengiere, and I’m not sure she’s that old, let alone them.” She smiles wickedly. “There were no neomah yet born for the ancient Lintha who designed these things to safeguard their work against.”
Simya’s face can be seen in one of the puddles on the floor. Those solid black eyes that she was given for her neomah form now reflect something within, a spark of something desperate and needy and hungry.
“I want to copy this, my lady. I want to be able to copy it. And make it better.” Simya breathes out, stroking the water-pitted bones. “I want this done to me. Being like my father Bidaha isn’t enough. This neomah-skin isn’t enough. To do this properly, to make beautiful things like this and improve them, I need more power.”
Keris smirks and reaches around to press two fingers against Simya’s sternum. “Well,” she murmurs, “I have good news on that front. I’ve been keeping track of your qi-flows, and it feels like your tower-seed has fully dissolved into chalcanth inside that chrysalis I wove around it. And your rerouted meridians have been feeding a little trickle of your essence into it ever since. Your tower has been a caterpillar in a cocoon for ten months. I think it’s high time we shape it into a butterfly. And we just so happen to have all these Lintha genesis-tools and flesh-sculpting equipment to hand.”
Her left hand feels Simya’s little tremble. “Yes, m-my lady,” Simya whispers. “When? Soon?”
Drumming her fingers thoughtfully against Simya’s breastbone, Keris takes a moment to consider and then nods decisively. “We’ll start now,” she decides. “Before we reweave your workshop-seed, we need to plan what it will look like. Then I’ll create an Ideal for it, the same way I do when I make a miniature world and bind it within an artefact as a sanctum, and then I’ll impose that Ideal on the unformed power in your chrysalis. So, Simya. Let’s go decide what you want your workshop to contain.”
They have enough of a haul from today’s exploration that Jemil only whines somewhat at being taken away from the flooded archives, and he’s entirely won over by the prospect of getting to further Simya’s metamorphosis. Jamahidaya therefore can be left to continue to begin archiving the cataloguing the works, with that new dark fascination in her eyes. Keris has helped her see how beautiful lost lore is.
The workroom that Keris has extracted from the Guardian and its three souls is relatively well-maintained, and has been improved further. There are Jemil-made demons here, the zuzmoirnoks she’s already met as well as the scuttling deer-headed millipedes who keep the place clean and tidy by devouring dirt and filth. And overseeing the place in a neat black set of robes trimmed in gold is another of Jemil’s kerub underlings - the male holda Hachesouromu, who was absolutely shocked upon first meeting Keris when she deduced he was sziromborn. She didn’t enlighten him on the source of her clairvoyance, though it hadn’t been a hard conclusion to draw. If the name wasn’t enough of a clue (it was), the green hair and orange eyes would have done it, and if that wasn’t enough the way that like many sziromborn holdas he acts a bit renda would have told her that.
“Prince, your majesty,” he greets Jemil and Keris. “Will you require anything? Tea? The enhanced plans that the... things here are meant to be providing haven’t arrived yet, so I thought I’d chase them up - unless you needed anything from me.”
“Find Mele or Jianling first and take them with you for protection,” Keris cautions. “I’ve won some trust and favour from the guardians of this place, but it’s better to be safe than sorry. Leefa is well-used to eating things that try to delve into its secrets alone - be they mortal or spirits. We’ll be doing some research and design work in here for the rest of the afternoon.”
“Right, your majesty,” he says. He pauses by his desk, where there’s a hand-drawn sketch of his jegu wife propped up prominently. “Oh, if I’m not back by the time this timer is done,” he says, gesturing to the hour glass there and the mix of aqua fortis, quicksilver, and spirits that’s boiling next to it, “turn off the heat on the mix that I’m prepping over there. I should be back, but if I’m not, it might explode if it boils dry. I’m not sure why this mix is so volatile, but if it runs out of liquid there’ll be problems. And flying glass.”
Jemil nods, and offers a thumbs-up from four sets of hands. The holda leaves, and lets them get down to business.
“Right,” says Keris. “Okay. Simya. I’m going to need you to be very, very opinionated for the next few hours. Toss out any thought of being shy or demure and get bossy. This is going to be your workshop. Not only that, it will be part of you. You’ll probably be able to make minor changes to it once it’s made, but major reconstruction will be difficult and expensive. So it needs to be perfect. For, specifically, you. We are going to architect, design and build this space around your process and your workflow - every workbench, every cupboard, every tool, every piece of equipment needs to be laid out to suit your preferences. If there’s anything, at any point, that would annoy you or interrupt how you work - equipment for something you do a lot being split across two rooms, a storage bin placed where it’d force you to take your eyes off something sensitive to use - you object, and we change it. Even if you think it’d only be a little bit annoying and something you could easily work around - you object, and we change it.”
She claps her hands. “So. First of all, let’s get a list of what you want to use this workshop for, and therefore the types of work we’re building it around. Not just stuff you already know how to do, either. Include the things you want to learn and use your workshop for in future.”
Keris is underplaying the complexity. Of course she is. Everything that will be going in this design will be part of the substance of the workshop. It will be as much a living thing as it is a workroom. The kinship to the neomah in her means the grand fire will be needed as a thing to bring her creations to life, of course, but there are so many other things that can be done here. And Jemil has so many suggestions that Keris considers whether she needs him to leave because he’s far too enthusiastic about designing towers (and talks a lot about making his own), but she relents when she sees how much Simya enjoys his presence and takes strength from his company.
What comes out of this design process is something that is not a neomah tower; it is squat and rounded and will burrow into the ground, with the fire in a cupola atop the structure. The walls will be brass - a limit of the materials Keris has to work with - but she brings out the flesh on the interior to provide Simya with what she asks for: fleshy genesis-vats that can hold half-done products, extensions that sprout scalpels ready to be plucked, surgical tables and dissection rooms and brassy vats for reagents. She can’t give Simya the library space she asks for - not exactly, she explains, because when the tower is swallowed again the fire and acids will ruin papers - but she can provide shelving where things might be stored if the tower is exposed for long times.
Keris smiles to herself as she looks over the list. It is funny, in its own way, how kin this is to what Kimbery’s blessings have done to her own womb. Simya unknowingly wants the same capabilities that Keris can do in her sleep.
“And now we imbue this design on the chalcanth in your internal chrysalis and let it form,” Keris says. “This is going to be the tricky bit. I can’t just use my sanctum-making spell for it... but this is still fundamentally an esoteric process to crystallise a structure within something - you, in this case. I’ve done that with my inner world, with dreams and with sorcery. Now we get to work out how to do it with alchemy. The Ideal is simple enough, we’ve got that drawn up, so... Jemil, I’ve got the text of my spell here, come look it over and help me figure out how we’re going to bind it to Simya’s seed-chrysalis. Simya, meditate on the design we’ve come up with - I want you to be able to move around the workshop-that-will-be blindfolded, or see it behind your eyelids. Also, clothes off and get on the table. I’m going to open you up and take a closer look at the chrysalis.”
What Keris starts work on isn’t exactly sorcery, but it’s cousin to it. And the ancient Lintha tools she has procured and repaired make everything so much easier. But even more helpful is the new demon breed that Jemil has made for these things.
“What is this?” she asks, staring at the sessile, torso-sized sack with squirming tentacles protruding from it. It’s breathing.
“Organ bag!” Jemil says brightly. “It’s basically got all the organs humans and most demon breeds need to stay alive, and it’s got that feeder mouth thing so it can latch onto someone and take over all the work for their organs. It’s much easier if we’ve got a little demon for this so you don’t have to care about the state of the organs when you’re working on someone. And if someone gets hurt then this can just latch onto them.” He pauses, tapping pair after pair of fingers together thoughtfully. “Ah! And I made them from some trees I took from the Swamp.” he adds. “The new ones grow on the seabed and eat things that swim through their branches, and the organ bags are their fruit!”
“... huh.” Keris prods it gingerly. It’s definitely a demon, yup. Doesn’t seem to be intelligent, as far as she can tell - not even to the extent of animalistic types like firmin; this thing is more like a plant than a creature.
But Simya lies down on the slab and Keris coaxes the organ-bag’s tentacles towards her and watches as they latch on and burrow into her flesh like her own root-fingers, harmlessly teasing skin and muscle aside to graft themselves into blood vessels. One thin tendril teases into the back of her neck to wrap around her spinal cord, and Keris hastens to get one hand beside it and another on Simya’s chest.
She’s just in time to feel the flicker-pulse of levinflow, and then Simya’s breathing and heartbeat abruptly stop. It doesn’t hurt her at all. She’s still conscious, still twisting her head a little to get the organ-bag in her peripheral vision - still moving, even, delicately pinching one of the tentacles between her fingers and rubbing it to get a feel for the texture.
It’s just that the living sack has taken over for all her organs except her brain. And is, if Keris isn’t mistaken, actually eating impurities and poisons out of her blood. Hmm. That’s something to keep an eye on. It probably can’t tell the difference between medicines and poisons. And if it ate too much, it might die mid-surgery, which would be... awkward.
“It can cling to things if it needs to!” Jemil says happily, picking the sessile demon up and showing how the stubby little gripping tentacles running down its sides will grip onto a standing pole so it doesn’t need to take up space on the floor. “And if you tickle it like this...”
Keris still has her hand on Simya’s neck, and so she feels the second little pulse of levinflow just before Simya’s surprised “oh!” as everything below her neck goes limp. Besides her head, her whole body is passive and still; perfectly prepared for surgery.
“Well done,” Keris praises her son, kissing him on the forehead. “This is very useful. Not just for surgery - I bet someone badly injured could wear one of these on their back long enough to get to safety, if they had one to hand. You’re certainly proving enthusiastic about demon-making.”
“The cleaning millipedes are also food,” he confirms. “One of the fogsventkae said it was messy in the tower and also there wasn’t enough to eat, so I realised, why not solve two things at once! They eat all the dirt and grow longer and then you cut them off just short of the head and then the head scurries off and the rest of the demon can be eaten! The keruby say they taste like a mix of crayfish and venison!”
He sighs happily.
“Making things to solve problems is just... fun. Especially if you can solve two problems at once! Or more!”
“It really is,” Keris praises. “I’ll have to try some of their meat and see for myself. Now, let’s get Simya opened up and see how her seed is doing. Oh, and Simya, after we’re done here, write up your observations on what the organ-bag feels like; it’ll be a useful reference. But that can come later. For the moment, meditate on your workshop design unless I’m prompting you with questions about your insides. Chop chop, students. We’ve got a lot of work to do.”
Roaming Yu is starting to get more than a little bit bored.
Oh, he has no complaints about the environs of his confinement. Of all the cells he’s been thrown in, this is the best quality by far. And while the passage of days has been hard to track, he’s been recovering for what has to be a couple of weeks by this point. He’s doing much better.
He idly flips one of the white stones over and over in his hand while meeting the gaze of Mele, his captor-doctor-host’s lover. The man’s a fair go player, and it’s something to do. He plays interestingly, too. He hasn’t managed to ever have a close match with Mele, who always either falls apart or attempts some high risk play well outside his experience at the game and manages to pull it off. It keeps things more interesting than playing someone reliably a little worse than him. Yu can definitely see how this pathological risk taker ended up in a relationship with a sorceress who could at best be considered morally dubious.
Mele places his black stone down, working on the formation on his side of the board. “Your go,” he says, leaning back with a handful of salted nuts from the bowl.
Honestly, for a bull-horned, ivory-skinned spirit, Mele’s just kind of a guy, you know? A guy who’s trying for a complex envelopment that Yu’s going to have to stop if he doesn’t want to lose this match. It’s pretty embarrassing as a Chosen of the Sun to lose against a minor spirit, even if he’s the familiar of an evil sorceress. But it’s not like Yu holds this against him. Mele keeps captivity fun. He keeps his mood up while he’s trapped here.
“Anything happening outside with Lady Keris?” Yu asks, flipping the stone over and over while he considers his next move.
“I’m sure she’s having fun,” Mele says, popping a nut in his mouth. “No sign of that sorcerer of yours yet, if that’s what you’re worried about.”
Yu places his white stone down. “Worried, no. Bored, yes.”
Mele acts immediately, seemingly without thinking about it. Yu has noticed he’s a very intuitive go player, like some of the old guys who played out under the lemon trees back home. “I mean, you can probably stop beating around the bush. You felt the air change, yeah?”
“Yeah,” Yu admits. “It feels... better. I don’t have to try to keep the... stickiness out.”
With a grin, Mele gestures to the board. “Her maj might be a bit terse with me if I say it now, ‘cause she probably wants to impress you, but she’s doing some magic stuff to make the island protected against the wyld. Or re-activating it or something like that. I don’t understand exactly what she’s doing. My kin-sisters probab’ly could tell you, but neither of them are here. And you wouldn’t like them, anyway.”
Yu makes his play. “Not as handsome as you.”
“Well, of course not, but it’s more that one’s got a stick up her ass the size of a palm tree, and the other’s just plain mean,” Mele says, playing his stone. “Not people-people. I’m the likeable one of us. You got any family back home?”
“Some. Brother’s married off, sister’s got the land-” wait, fuck, he didn’t actually mean to say things like that, but Mele’s easy to talk to and the kind of person who makes a long sea journey tolerable. Worse (better?) yet, he can see from Mele’s expression that he wasn’t trying to get info, he simply just was chatting about family. But he has to accept that this’ll probably make it back to Keris.
A knock comes at the door. It is the purple-skinned, dark eyed woman Simya who has to be a demon-blood. “Keris wants to see you,” she says.
“Oh, really-” begins Mele.
“Not just you. Mister Roaming Yu. She’s inviting you to dinner.” There is a pause. “On shore.”
Yu raises his eyebrows. “Is she really?” She hasn’t let him off the ship, hasn’t even let him explore it properly. To invite him on shore for something like this - she’s up to something. But anything’s more fun than being stuck in one room when he’s well again.
The demonblooded woman nods. “She gave me a note to pass on to you,” she adds to Mele, handing a folded piece of paper over. Hmm. Something she doesn’t want Yu knowing about, then. Mele opens it, skim-reads what it says, and nods. “Can do,” he says agreeably. “But I’ll walk Yu out to her maj first. Wouldn’t want him getting lost in the city; it’s still half full of traps.”
He is led out of the little area of the ship that he has seen before, and up and out to the broad deck. The crew are yammering demons, dressed in peculiar uniforms or body paint in the same colours as the cloth for the more carapaced members. The lighting is a sharp green that makes his eyes ache.
But even this spectacle is forgotten when he’s led out onto the deck. Because he’s in a dock, but not one that’s familiar to him in hue or colour. The lighting is a rosy pink and there are many ships here. Some of them have human crews, but there are other more twisted vessels where the crew are hulking ogre-beasts and what look like twisted amalgams of men and sea detritus. And even that is overshadowed by this space.
Plentimon’s sack, what is this place?
A dome large enough to fit all these vessels, ribbed and organic. Vast sealed bronze gates, ancient and corroded. A wetness to the pearlescent plating that covers the more aesthetic parts; raw coral and sandstone and basalt mark repairs. And the statues that flank the docks: tall enough to touch the dome, and not at all human.
“I don’t see any locals,” he says mildly to the lilac-skinned woman in front of him. He’s already got a good grasp on her. She’s the sort who reacts well to kindness and folds to pressure, but holds simmering resentment where her masters can’t see it.
“No, sir.” Her accent has been puzzling him, and he thinks he’s managed to work it out now - there are some Saatan notes there that have been misleading him, but there’s a substrate under it of an accent he hasn’t heard before. Firetongue native, but... no, that’s not quite true, there was one merchant from the southern mountains who came with jewels and precious things to buy an ancient blade. That’s who her inflections remind him of. “The locals are reclusive. And they are not human. They do not trust us, but they are also cautious. They prefer to keep us here.”
Mele laughs at that. “This place was in much worse shape before her maj got here. You can see the water stains in places. And worse. They kept this place cleaner compared to some of the other parts of the city.”
“Ah, of course, of course,” Yu says, rolling his shoulders as he rubs his chin. He should see about getting Lady Keris to trust him with a razor blade. She doesn’t, for some reason. His beard is a little shaggy and getting to annoy him. His eyes flick over the ships. Not all the designs are from the Anarchy. There are the strange vessels with the Lady Keris on the figureheads, which were most likely called up from sorcery as they only have a demon crew. There is the bright and shining brass and orichalcum vessel that is her flagship, which must be a wonder of ancient times. And there are ones which are clearly blue water vessels from the Great Western Ocean. She has allies from far away. “Lead on, then, if you will. Please.”
He is led into one of the pearl-plated structures on the edge of the dome, which turns out to be a chamber which seals on the side they entered through, and then opens on the far side. Next comes a statue-lined corridor with a crystal ceiling. From here he can look up and see the strange domes and spires of this ancient city rising up above this corridor that leads between two of them. The walls of some domes are filthy and damaged, but other parts seem much fresher and regrown in something which could be coral and could be stone. Up above, the sky is the eternal twilight of the Dusk Sea with its foreign constellations, and the moon in the sky is not the moon of Creation. It is as red as blood, and its shape is peculiar, like two interlocking U-shapes.
It isn’t something he should let get to him, though. Sometimes in the Dusk Sea you see strange astrological bodies. It is a sign that Leefa right now must be far from the shores of the Sunset Isles.
The demon-blooded woman leading him looks up at the red moon, and whispers a brief prayer, before continuing. Mele shares a glance with Yu and rolls his eyes conspiratorially.
The dome on the other side of the corridor is much smaller than the grand one which held the docks, and is lushly rich. Tall structures rise up to the ceiling of the hemisphere, forming a loose circle around a water-feature garden. The plants here resemble things that grow at the bottom of the ocean; coral outcroppings and land-kelp and brightly coloured slimes piled up into pleasing arrangements. Water falls from a raised sandstone temple, down into deep plunge pools which squirm with brightly coloured fish and inky tentacles.
“This is an ambassadorial district?” Yu asks.
“Correct. How c-could you tell?”
“Something about these buildings,” he gestures over them, “makes me think of embassies. The way they’re kept a polite distance from each other. Is this where I’ll be dining with your lady?” He considers them, and picks out the one which is most beautiful - and red-pearl-roofed. “That one?”
He sees surprise in those dark eyes, and being read like that seems to knock some of the confidence out of his guide, not helped by Mele’s quiet chuckle. “Y-yes.”
“Then lead on, ma’am,” Yu says with an easy grin.
He’s shown through the worn-yet-elegant halls (which remain oddly abandoned - he thinks Lady Keris has to be hiding people from him), and is guided up a spiral staircase into a great dining hall which breaks the surface of the dome. From here, the stained-glass windows madly refract the gloom outside, and the ceiling is festooned with countless relics of sea-greened gold. It is here that Lady Keris waits.
If he hadn’t already guessed this place was an ambassador’s residence, the sight of the hall would have told him - you just don’t find this particular style of finery and luxury that’s set up specifically to impress long-term residents and visitors in the halls lords live in. The Lady Keris looks right at home in it, wearing robes of turquoise and teal that float around her as though she’s underwater, trailing sleeves and long frills edged with verdigrised copper that the light distorts around as though passing through water. Her hair is up in six long braids that likewise float, though Yu isn’t sure if that’s part of whatever enchantment is on her clothes or just a magic prehensile hair thing. All six braids have decorations woven into them - two of silver, two of coral, two of ice - and a coronet of black lead with a red pearl at its centre rests on her brow.
She sits at the head of a long table, on a magnificent throne, before a feast fit for kings. There are two... things, behind her; things that have the shape of men but nothing else. Their skin is sea-bronze, their heads are rounded domes with glittering ice behind the eye-slits; they carry clam-like shields and spears that crackle with red light in six-fingered hands and octopus-like tentacles that emerge from their wrists. The Lady Keris pays no more attention to them than she might any mortal bodyguards.
To her right sits a spirit - young, male and beautiful, whose skin is patterned like an orca’s in pink and cream and whose long, straight wine-red hair is decorated with similar ornaments to his pactor’s. His clothes, by contrast, are fairly simple - oh, they’re silks of the highest quality, and embroidered with wave patterns, but they’re cut and coloured so as not to detract from his beauty. Something about him makes Yu think of Mele. Across from him, on the lady’s left, another spirit sits - this one a familiar, if Yu is any judge. She might be mistaken for a little girl if not for the fact that she’s jet black from head to foot; her skin, nails and hair alike are all the hue of spilled ink or volcano glass, though he can’t see her eyes. Her clothes are a riot of colour, a rainbow wash that looks like the smock was tied in a knot and then painted with half a dozen dyes at random. Despite the chaotic design, it does look pretty, and she seems happy enough as she sits in the too-large seat and kicks her legs in the air, her feet not reaching the floor.
There are also half a dozen green-skinned, white-haired beauties flitting around, dancing and playing harp music, feeding Keris grapes, setting a place at the end of the table for Yu and approaching to usher him to it. Their features aren’t quite human, their perfumed scents are alluring but unlike any he’s smelt in Creation, and though their breath is warm against his cheek, it has the stickiness of the Wyld about it.
“Roaming Yu,” the witch-sorceress greets him with an enchanting smile and sharp, measuring eyes. “I’m glad to see you’re mostly recovered. Forgive my inattentiveness these past few days; I’ve been very busy. Come, sit. Share a meal at my table. Simya, thank you for showing him in - you can return to your work now. Mele, if you could take care of that other matter?”
“Of course, maj,” Mele says with an elegant bow. “You can trust that all will be done as you command.” His pale eyes twinkle playfully, and he leaves with the girl Simya.
“Well, this is the legendary city of Leefa,” Yu says, “but of course, it isn’t as utterly gorgeous as yourself, Lady Keris.” He offers her an overly florid bow, because he’s already picked up that she likes that kind of thing. “I don’t know if this is truly your home or just a place that the masters of this city have granted you, but I am humbled to be your guest here. And might I say, I’m feeling much better thanks to your talented care. You can still count my ribs, but I don’t look like I’m about to starve to death. So truly, thank you.”
Her smile quirks higher on one side, betraying her amusement, and she nods to the seat at the end of the long table. “I think you’re well enough for me to relax my strict control over your diet, so take a seat. This is Prince Nathra, an ally of mine,” she adds, inclining her head towards the handsome young spirit on her right, then gestures with one of her floating braids towards the little girl, who turns to him with eyes that are holes full of swirling, burning colour in all the shades of the rainbow. “And this is Iris. I have some questions for you about Aati Pedang-Hitam, and an offer or two for how we might work together - but those, I think, can come after a meal.”
“I offer my greetings to you, ally of my ally,” the prince says, his accent odd. One that Yu has only heard hints of - ah ha! Yes. The way Nathra talks has some relationship to the shady Lintha who reached out to him. The -th- sound is rare in most languages, too - it’s very Lintha. So this is a spirit tied to the Lintha in some way - probably a demon or at least a corrupted god. No, demon, he thinks - the spirit is only somewhat weaker than him, and there’s something about his presence that tastes unclean to Yu. “You are welcome to dine with us, for in this matter-”
A big ball of rainbow coloured fire escapes the mouth of the little girl, which takes the form of a big hand which waves a greeting. The spirit-girl Iris slips out of her seat and runs over to him, skidding to a halt just out of arm’s reach and looking him up and down evaluatively. Her conclusion is a second, smaller puff of flame which takes shape as a smiling face. The girl is clearly not mortal, but she’s no stronger than the other sorcerer-familiar spirits he’s seen, even if there is something, again, odd about her. Maybe wyld-touched? No.
“Greetings to you, oh prince,” he says, and grins at the spirit-girl. “But clearly your importance is outweighed by the transcendent magnificence of this young lady, this monarch of the rainbow.”
Iris grins even wider, and drops a little curtsey of her own. She breathes out fire which spells out, “I lyk him,” along with another smiling face. Then she grabs his hand to pull him to the table.
“Know that you’re just encouraging her,” Prince Nathra says, one eyebrow arching up. Iris sticks out her tongue at him, and guides Yu to a seat on the other end of the table to Lady Keris.
“Iris,” she chides, sounding more wearily exasperated than annoyed. “Come back here, Roaming Yu is perfectly able to seat himself.” There’s a rattling sound as she waves a small box of candied nuts temptingly, which prompts Iris to immediately abandon Yu and skip back to snatch them, climbing back into her chair and stuffing four into her mouth at once.
Lady Keris gives her a fond pat on the head, then motions to the green-skinned wisps to start serving from the spread of dishes in the centre of the table. Prince Nathra follows suit, while Iris chooses to stand up in her chair, lean precariously over the table and drag an entire plate of sausages over to where she can lay into them.
“As you say,” Lady Keris says, sparing only a resigned glance at her familiar’s table manners (or lack thereof), “I now have Leefa’s allegiance, and that means that Aati Pedang-Hitam has gone from a potential rival to a definite threat. From what you’ve told me, if he makes his way here I’m probably going to have to kill him. And I’d rather avoid having to. So as two people who have reason to want the man dead, why don’t we put our heads together and see if we can figure out a way to get rid of him? I don’t have any particular stake in personally taking his head, just in making sure he doesn’t threaten my position here, so I’m quite happy to do you a favour and lend you some support in your vengeance against him.”
Roaming Yu tries to pay attention to the evil sorceress (who he is almost certain is Chosen in some way, but he can’t read her. Which is proof that she’s not merely mortal, or - frankly - dragonblooded) and ignore the fact that Iris is trying to fit a whole sausage into her mouth sideways. And wants him to see that she’s making a very good go of it.
He doesn’t think it’s part of Lady Keris’s plan given the slight tightness in her expression when Iris starts trying to add a second sausage. Although that in itself is probably a sign that the food is trustworthy in that he doubts there’s a way to stop Iris from eating anything put on the table, and so he starts on the very rich fish soup. It is incredible, with a very pleasant salty base reinforced by sour green seaweed and pickled cabbage.
“Oh, now, now, Lady Keris,” he says. “I don’t think it’s really a favour to me, when you have and hold Leefa right now. And I have no interest in this place - I only want to get back home - but you do, and so does that rat. So I don’t believe it’s any great generosity on your part to provide aid in killing the man who wants to get his grubby little hands on this place you’re looking for.” He offers her a broad smile.
She picks up a golden goblet and swirls the cordial within, admiring the play of light from the stained-glass windows over the surface. Looking up at him through her lashes, she shakes her head once, playfully chiding.
“You want to go home, yes,” she agrees. “But more than that, you want vengeance. More than that, you need vengeance. Leefa is hard to find, and has defences a-plenty. I can afford to gamble that he won’t find his way here, and rely on the city’s guardians if he does.” She snaps her fingers, and the two bronze men behind her come to attention, slamming the butts of their spears down to produce a brief, flickering halo of red light around each blade.
“But you, Roaming Yu - you hate that sorcerer who betrayed you. Who made a fool of you, twisted your mind with sorcery to make you overlook his murder of a loyal crew member. And most of all, who slid through the gaps in the oath you had him swear. He didn’t just boil the blood in your veins or put a sword through your heart, which means he very likely couldn’t; you bound him like you bound me. But you only bound him not to kill you. And so instead he stranded you in a place you were likely to die, with no way out and nothing to defend yourself with. Had it not been for me, it would have worked.”
She takes a sip from the goblet, puts it down, and leans forward.
“You want him dead,” she repeats. “But more than that; you need him dead. Because if he starts telling people how easy it was to find a loophole in the oath he swore to you, you’re going to find your expeditions a lot more dangerous. You don’t want the denizens of the Dusk Sea starting to wonder how they might find their own loopholes in whatever oaths they’ve sworn that you rely on. If you don’t punish him for his trespass - if you don’t make it very, very obviously clear what happens to oathbreakers who try to use that kind of weasel-wording against you - you’re inviting all sorts of unpleasantness down the line. Not to mention, he’ll come after you once he realises you’re still alive, to prevent you coming after him.
“So you see, your need is greater than mine, in this. And so my help is valuable. How valuable... well, that rather depends on how much help you want from me. What do you think, Prince Nathra?”
“You are of course correct,” says the demon. “After how our new friend Roaming Yu was treated, justice itself demands that that sorcerer be left to perish slowly and painfully in a place he will not survive on his own. That is what his deeds have earned him.”
This woman, he thinks through a mouthful of soup and a smile, is mad. She’s mad because she thinks that things ‘being fair’ is more important than being rich or being comfortable. She’s projecting hard, and thinks that he agrees - no, more than that, she doesn’t see how he wouldn’t agree that getting revenge on Aati Pedang-Hitam is his prime priority. She thinks that leverage is something she has over him. And the demon is just as mad.
It’s just... well, no, leaving Aati Pedang-Hitam on a boat in that snake-filled lagoon does feel very nice when he thinks about it, but that’s all. He’s alive right now, and revenge doesn’t matter as much to him as it clearly does to her. Getting further into debt with this powerful, dangerous sorceress and her demonic allies for the sake of revenge doesn’t sound like a good deal to him. And he’s going to be honest that owing her for doing something she clearly wants to do anyway rubs him the wrong way.
(oh, and he’s pretty sure it’d be easier to ruin the man’s life back in Creation, where he has the advantage, rather than in the twisted lands of madness where a sorcerer has the edge)
“Oh, I mean, it’d probably cause me problems, but not any new ones,” he says, saluting her with his wine glass. “My dear - do you mind if I call you that? - storytellers across the eight directions live off tales of the Deceivers and their oaths and how cunning men might escape them. They’re the things of Immaculacy children’s stories. He won’t be putting new ideas in people’s heads.”
Lady Keris’s lips purse in a moue of displeasure. Yu can’t tell if she’s irritated at his refusal, annoyed that she misread him, or if she’s just judging him critically for not prioritising vengeance and payback and fairness to the level of a crazy person. Probably a bit of all three, he thinks. She eats a few more bites in slightly hostile silence, watching him all the while, and slowly the ruffled feathers settle and her face smooths out again.
“Well, I suppose he may find his way here before we leave, in which case the point will be moot,” she murmurs after a moment’s consideration. “Which brings me to my next point. We’re going to be at anchor here in Leefa for a month or so - until at least the next new moon - and that leaves me in a bit of a quandary with regards to you. By the wording and spirit of my oath to you, I cannot let you go; I have no vessel I can give you to sail away on, nor any means to build one, and this isn’t a safe enough place for me to part ways with you even if I did.”
She tilts her head, putting a finger to her lips in playful curiosity. “Out of idle interest - if I break the oath I swore, the Sun’s curse will fall on me, but what happens if you make me break it - by, say, stealing a ship and sailing off in the night? Would it curse you, or simply not curse me?” She trades a glance with Nathra, who looks similarly interested, then shrugs. “Well, regardless, I don’t recommend it. The passage to Leefa is treacherous, not all of the defences are under my control - or anyone’s control, actually - and we’re deep enough in the Dusk Sea that I wouldn’t like your chances of making it back to Creation.
“Which means you’ll most likely be here with us for the next few weeks, safe but bored. You could simply accept that, but I think that boredom would probably push you to start exploring places that aren’t safe to explore or investigating things that aren’t safe to investigate. So in order to satisfy the conditions of my oath, I’d better find something for you to do. Have you any skill with deciphering ancient languages and ruined texts, by chance?”
He should probably offer her something - and yes, okay, he also has a certain amount of self-interest with regards to getting to look around this city of the ancients. “Ha! I’ve sailed all over the Anarchy in my time. I’ve been to the tired, half-empty husk of what remains of the Blue Monkey Shogunate. I’ve braved the coast of the Wailing and sold shiny metal to certain clans of the Zu Tak in return for preserved insect curiosities. I’ve been up the coast to Ang Teng and on to wealthy Arjuf in the Realm itself, though I’m not prepared to go back in my current state. I’ve sailed up the Shai, all the way to dream-choked Zamani - that was where I met Aati Pedang-Hitam, for that city is a haven for sorcerers as much as Rokusa.” He salutes her with his wine glass. “A travelling man like myself had to get good at languages, because people will never speak to you as a peer unless you can address them in their own tongue. And once you know a few languages, other ones get easier to pick up.”
Triumph glitters in Lady Keris’s eyes. “Impressive claims. Good. There’s a wealth of lore and ancient secrets here, but the libraries are long-flooded and half the texts are ruined. I’ve found enough of the old spells and workings to reactivate the wyld-wards and seal the shattered domes, but I’ve only scratched the surface. You’ll help me and Prince Nathra translate and piece together Leefa’s secrets, then.”
Her mouth quirks just a little as she says it, and Yu recognises the flicker as Dubiously Trustworthy Sorcerer Expression #3: “I’m not happy about the fact you’ll learn the secrets I wanted all to myself even if I’m probably not going to let you take any notes or copies”, but little Iris chooses that moment to declare herself done with her meal, scooting her chair around and clamping herself onto her mistress’s arm before apparently falling asleep on her shoulder. It distracts Lady Keris, and she looks down at her familiar fondly, petting her hair and then continuing her meal one-handed.
“I’ll be upfront about this much as well, since you’ve probably already noticed,” she says. “I do have other allies here with me in the city. And I am keeping them away from you, and you away from them. That’s because I don’t consider it safe for either of you to learn about each other. I know I won’t be able to stop you from seeking them out if you make a concerted effort, so understand I’m telling the truth when I say this: if they become aware of your presence here, I cannot guarantee your safety from someone among them trying to take your head as a prize, and I will have to do a lot of mediation and explaining either way. Which will distract me from what I want to be doing here, and annoy me.” She looks at him from under hooded lids. “It shouldn’t be too much of a sacrifice for you to stay away from them, anyway. I’m far better company.”
It’s not that he meant to have his eyes flicker down to admire her figure, but she is a beautiful woman and he’s pretty sure that she’s flirting with him too. But that’s all it is for her, just a flirt. He has to keep it in that context. She has her Mele, and bedding a woman like this is like sticking one’s hand into a tiger’s cage. And she’s visibly pregnant with another man’s child.
Damnation. If only he could leave witches alone. She didn’t ask why he’d been to Rokusa, or Zamanai (or Qui Don or Ca Map or... well, the list goes on of the places he’s been to and gotten in trouble with witches and sorceresses. And, fine, a couple of sorcerers).
For some reason, Prince Nathra is staring daggers at him. Oh. So the demonic prince has a thing for the sorceress too.
“Now,” she says, leaning back in her chair and gesturing for one of the servant-wisps to serve her another plate. Obviously eating for two - the understated way she’s eating between sentences or while other people are talking doesn’t make it obvious, but she’s demolished a large plate and shows no signs of stopping. “Why don’t you regale us with some more tales of your travels in the Dusk Sea. Or in Creation, if you want. It sounds like you lived an adventurous life even before the Sun chose you. Impress me with your feats of daring.”
Well, the man who is, for the moment, calling himself Roaming Yu does like to talk about himself. And to do so over an excellent meal - which is rich and with strong fortified wine which is maybe firing up his ardour a little after a while eating simpler things and recovering - with a sinister and beautiful sorceress is maybe something which he’s a little weak to.
It’ll be fine. Probably.
Days are hard to count in the Dusk Sea. The worst mutability of Leefa has been inhibited by the ancient spells Keris repaired which brought Leefa back into the mythos of bitter Kimbery, but it is easy to lose track of time here. Especially when there is so very much to do. She has to keep an eye on Roaming Yu now that she’s employing his gift for languages, she has her own underlings to see to, Ximmin has started using the place as a raiding base to enrich himself, and of course there is the ever-paranoid, half-man Guardian and its three souls.
It doesn’t trust her. And Prim wants her dead as someone who might be a threat, while Dird on two occasions tries to drug and no doubt vivisect her. It claims it was just helping her sleep so she can’t call it out without breaking the alliance, but it’s a reminder that the brain here is rotten with isolation and trauma.
And of course, Jemil doesn’t care about the danger. Not compared to how interesting it all is.
As a result she relies more and more on lovely, dependable, reliable Rathan to handle the burdens on her. She meets with him often, handing much of the responsibility for her subordinates and allies to him, and while he might pout a bit, he still does it.
It’s at one of their meetings over breakfast when the meal and the talk about how much longer they intend to stay gets interrupted. Interrupted, in this case, by a choral melody, a loud clatter, and the appearance of a wild-eyed and entirely naked Oula straddling Rathan. Immediately followed by the commencement of a desperately needy make-out session right there at the breakfast table.
By all indications Oula may have not registered the existence of any other beings in the room after over a month deprived of Rathan.
Keris clears her throat - and then clears her throat again, louder, when the first time doesn’t work, and finally resorts to kicking the table hard enough that two of the mugs fall over and a bowl of cooked mushrooms gets an unintended fruit juice sauce.
“Oula!” she says brightly. “How lovely to see you. Welcome to Leefa. Please put some clothes on.”
Oula breaks her kiss to twist back and glare at Keris, who gets to see her pupils shift from rounded hearts to reptilian slit-daggers. “You’ve seen me in the baths so it’s fine,” she says, voice as cold as the depths of the Sea.
There’s a puff of flame as Iris pauses licking the spilled juice from the table and from the mushrooms and breathes out a waving hand.
“So has Iris. We’re all women here.”
“Hey!”
“Not you, Rattie, honestly! Get my point! Or do you want me to stop what I’m doing to put on some silly clothes when literally everyone here has seen me naked before.” She wraps her arms around his neck for emphasis, tweaking aside his dressing gown so she can press herself against his bare chest.
Keris cringes and leans over to cover Iris’s eyes - who is staring with distressing interest at Oula’s full-back-and-sleeves tattoo which is on exceedingly full display. “At least stop... mounting each other at the breakfast table,” she whines. “Go find a bedroom. Or let me and Iris leave first. Something.”
That gets her another Oulan death-glare, but Rathan is willing to accede with only a pointed comment about how much he’s been putting up with Keris and her public displays of affection for Mele. And he is more than willing to bribe Oula with his dressing gown, which he swaddles her up in. She is much shorter than he is, and her arms are nearly lost in the soft wine-red fabric as she wraps it tight around herself and inhales his smell with a manic ferocity.
“Is that better?” she asks acidly, seating herself firmly in Rathan’s lap with a look that suggests she might be fetching her machete if anyone tries to move her - but at least she’s facing towards Keris and Keris can see where Rathan’s hands are and just as pertinently where they are not. “One might think you didn’t even want to see me, but then again maybe that’s true given I have been working on your bullshit project for twenty six months at this point. And you’ve found a brand new kerub disciple who you’ve granted a potent and terrifying artefact to. Oh, is your new Biqi more to your tastes, Auntie? Not merely content with my kin-brother?”
Keris can’t help but compare this to the cold shoulder and sharp comments she’s been getting from Rathan ever since he found out she was sleeping with his former best friend, and resist the urge to wince. She has fucked Biqi, but Oula might not know that. Nonetheless, while Keris can admit she’s left her student largely to her own devices for the past couple of years, the sheer amount of hostility does prickle her a little.
“You were the one who wanted to ensure that every spell in our school was recorded in Oulan notation, Master Montressa,” she reminds Oula tartly. “I thought that Biqi might be of some use to your work, that’s all. And I’m always glad to see you. Especially,” she adds, “since I’ve laid my hands on a couple of new spells recently, and there’s one in particular I want to teach you - the Prayer of Lesser Gazes Turned Aside; a warding spell to shield against eavesdroppers and scrying. Plus, I’ve learned a lot about Lintha magics and rituals, and I want to induct you into them. The rites and rituals of the ancient Lintha let them fight as peers to the armies of the Chosen, until they fucked it all up and lost the backing of their patrons. There’s a lot of power in them, none of which requires the user to have the strength of a demon lord or prince themselves - only pacts with one.” That, she knows, will definitely appeal to Oula’s quicksilver ambition.
“You’ve been getting to study new things. Explore fresh fields of knowledge. Bully for you. Well, I got the system done and I’ve just got to write things up now,” Oula says. “I hate it. I hate everything. I hate research and archives and the smell of ink. But,” and she shifts Rathan’s hands aside to pull her dressing gown open and then spreads her chest to recover from the cavity a slightly sticky and warm tarleather bag, which she tosses at Keris. “Here. My not-quite-written-up-but-all-formalised notes.”
“Okay, Oulie, babe, maybe don’t open up your chest at the breakfast table,” Rathan says, guiding her ribcage closed again and tucking his dressing gown back around her. “Some of us are trying to eat. And I don’t like you showing off your intimate areas to other people.”
“Well, it’s not my fault that my love step doesn’t work like a boss step and I can only take my piercings, my sword, and things I tuck in my chest with me,” she snaps back, before bringing his hand up and kissing his hand tenderly. “I knew Auntie would want the draft before she got back to Saata, so I had to smuggle it here inside me.”
“Your sword? Where-”
“It’s on the floor. I dropped it.”
“Oh. I was distracted.” He leans in to kiss her between the horns, which wipes the pout away for a moment before it comes back. Keris is more interested in the notes, and snatches the bag out of the air with a hair tendril, pulling out the papers and immediately diving into them. “Okay…” she mutters as she reads. “So, the beginning of a spell is representing the Ideal with a mixture of images and prose; that makes sense, gotta express what you’re tricking the world into thinking. This example is… ah, the Rainbow Wave, of course. Then for implementation…”
She lapses into silence, flicking through pages, occasionally backtracking to check concepts. One or two mutters slip out - “so, the ‘hooks’ you’re talking about are describing the connection to the world-mind” and “how’re you representing the disparity needed to- ah, got it, it’s in the ratio, okay”, but for the most part she’s silent, lips moving as she works.
The logic and sorcerous grammar is dense and technical, a mixture of visualisation aids to describe the fold pattern by which a conceptual Ideal is packaged up so that the mind of the sorcerer can hold it while still letting it properly unfurl, further patterns sketching the vector, shape and size of the connection needed to slip a spell’s Ideal into the mind of the world and complex numerology defining precisely how much concentrated power is required to push the essence-charged thought from the sorcerer’s mind into reality. Keris can see how the notation behind the concept of ‘hooks’ can be altered to explain how to cast a given spell by drawing on the authority of a pacted spirit, channelling energy through an artefact or any other means of empowerment. The next section details how the scale and nature of an effect can be used to calculate the divitiae and thus disparity required to cast it (much greater for spells of higher circles, she can tell from a glance). There’s even an appendix laying out how this grammatical notation could be used to plan out workings and rituals.
It’s not perfect, of course. And Keris is still a harsh teacher who gives no leeway; her hand is already moving as she reads, jotting down questions and gaps and points for clarification. Oula can’t cast Sapphire sorcery, and Keris isn’t sure the system she’s produced will hold up for spells of that level. There’s space to improve the diagrammatic code for Ideal-folding and spellhooks, and one or two iffy edge-cases in the grammar. As a first draft it’s exceptional work, and Oula deserves praise for it, but first she’s going to have to run the gauntlet of defending it from Keris’s critique. If this is to be the notation of the entire Kerisian school, it needs to have every by-rule and sub-clause interrogated for consistency and rigour, and a firm basis established for how they’ll update it as the school builds on itself and advances.
“It isn’t done yet. This is still the draft of a... I suppose you’d call it an ideal Ideal. One where everything is sort of a best case scenario,” Oula explains, perched on Rathan’s lap, her pupils heart-shaped as his presence floods her blood with holda alchemical mixes. She is definitely already love-drunk. “There’s going to need to be a lot more expansion over the, urgh, season at least that the final write-up will take. And when you’re back in Zen Daiwye, you can see some of the stone model-demonstrations I’ve set up which can really take advantage of this when it isn’t confined to the surface of paper anymore.” She leans forwards, and grabs one of the few sausages that have not already been pounced on and devoured by Iris. “So what have you been doing as a sorceress, Auntie? And Rattie, too, for that question. I hope you haven’t just been lazing around! I won’t let my boyfriend be mediocre - or be overtaken by his sister or that Biqi!”
“I’ll let Mama field this,” Rathan says bravely.
Keris’s eyes light up, and she launches into an excited, somewhat rambling lecture - illustrated with the aid of some wild gesturing with half a banana - about the secrets of the ancient Lintha she learned from Molacasi. Or at least, it starts out as being about the ancient Lintha, but then diverts into Hellebore because she has - she has! - to justify that no, she’s not pregnant by Mele with another child, or at least not the kind of child Kali and Ogin and Atiya are, and that leads back into the ritual blessing that she’s halfway through adapting for the birth, and that gets her onto the topic of the red moonsilver that brought her to Leefa in the first place and what they’ve found in the Dusk Sea already and her plans for a hellgate manse on the jade pillar and also the existence of Aati Pedang-Hitam, who may or may not be showing up with a ship that might or might not contain a lot of shady sorcerous texts...
“Well. You’ve definitely been having fun.” Oula makes it sound like a condemnation, which, fair’s fair, it is. For all her snippishness and acid, though, Oula is eager enough to learn. Once they’re done with breakfast, Keris reschedules her plans for the day and they spend the rest of the morning and most of the afternoon catching up, using the Prayer of Lesser Gazes Turned Aside that Keris found in Gem’s vaults to put Oula’s new notation system through its paces. They’re not done by nightfall, when their respective romantic partners chivvy them to bed, but by the end of the week they’ve got it - and Keris has moved on to passing on the principles she learned from Molacasi and the design and nature of the weapon curled up in her womb.
The clock is ticking. It’s only a few more days until the new moon, and Keris has decreed to her whole armada that they’ll be leaving the day after it, once she’s summoned a horde of Kimberyian demons to protect the city in her absence. The pressure mounts as the date grows ever closer, and everyone scrambles to get as much done as possible before they’re due to leave.
Keris has barely any time for sleep as she does her best to ensure nobody’s time is wasted. Oula, Jemil and Simya are her constant shadows whenever she delves into Leefa’s libraries, with Roaming Yu and Jamahidaya helping translate, decipher and copy as many of the ancient, water-ruined texts as they can. Ximmin and his Lunar have been flitting in and out of the city for weeks, pillaging the nearby waypoints and fae, while Testolagh, Jianling and Wuzu are finishing up their repairs to the city’s shattered defences. Rathan and Mele stay on the move, using their charm and geniality to smooth over tensions and snuff any infighting in the bud. Kalaska stays in her sanctum as she has all season so far, safe on one of Keris’s new three-masters, venturing out only as far as the room just beyond the entrance for the occasional meal or arts class as Keris tries to coax her into opening up with a mixture of exercise and fun.
And all the while, the Guardian and its souls watch mistrustfully from the city’s heart. They know she’ll be leaving soon. Keris isn’t sure even they know if they trust her - or want her - to come back.
Things come to a head after she calls up a gaggle of lesser demons from Hell, to protect this place and further the repairs when she is gone. In a half-flooded hall where red moonlight reflects off the shimmering waters and paints twisted ripples on the eroded and worn sculptures, Prim finds her. Her bladed heels click like insect legs, and her many arms scrape their tools and implements that she drags. Every rib is picked out from her tatters, and the armour plating sutured onto her emaciated flesh does little for modesty.
“The Keris,” Prim says, the words not quite flowing as they are picked out like a barber selects his razors. “The thing that wears the mark of the traitors, even if it is written in the light of the green sun, who goes in the company of more traitors. Elemental beasts and sun-chosen and moon chosen. And you share no blood with the Masters. I ate a lock of your hair. I know that you are not one of them.” Her breath rasps. “Only your power is why you are alive. You threaten this place with your existence.”
“I protect this place with my deeds,” Keris returns. “Your domes are fixed, and the change-rain no longer falls on your streets and systems. Your wards are back up, and the wyld-winds part around the borders of the city. I’ve summoned a force of the Great Mother’s children to defend you, and I’ll be leaving one of my three-masters here for extra protection and transport of materials from the mineral nodes I shaped you next door.”
Moonlight glitters around her, blending into the rays of Ululaya high above which shine through cracks in the Wyld all the way to Hell. It laps at Prim’s hatred, at her long list of grudges and suspicions and marks against Keris’s character. It wraps Keris up in beauty, in innocence and charm and grace, such that everything she does or says seems justified. It widens her eyes and, without shifting her posture, surrounds her with vulnerability and sweetness too fragile to bear attacking.
“I don’t share blood with the masters who betrayed and abandoned you, no,” she continues, adding a coaxing croon to her tone. “But I am pacted with their gods, and I’m fulfilling their duties to you and yours. Yet still you threaten me? Still you want me dead? Have I done anything but help you, Prim? Am I not making good on your masters’ promise to return?”
A deliberate pause. And then, tempting and tender...
“Do you not wonder what became of them?”
“If you know, you would have told us and used it,” Prim says breathily. Keris can feel her jagged, wyld-touched presence twisting against her. The magics of the Great Mother have such a thin hold on that twisted mad mind full of paranoia and fear and hate. She will escape from Keris’s ensorcelment easily, for you cannot make a demon act against their core nature and she is enough a demon for that to hold true.
“I do know,” Keris corrects. “And I did not tell you, because I did not think you would not have trusted my word before I had proven my intentions. Now I am leaving. You will have time to think on what I tell you without me here to influence you.” A lie. She might not be here to keep influencing them, but she’s sure as hell going to stack the deck so that her message resonates until she gets back.
“Bring tribute if you dare to return,” Prim orders, scalpels and saws scraping together. A nervous tic, Keris reads it as. “If you come again armed for war and bring destruction, destruction shall be visited upon you in turn.”
Keris pauses, and narrows her eyes. That... was not the response she was expecting.
Though maybe it should have been. This is Prim, not Sekon or Dird - Prim, who’s the most hostile to her, the most mistrustful, and probably also, crucially, the most aware of how Keris can bend minds with her words. Prim doesn’t want her to tell of the state of Leefa’s masters, doesn’t want to give Keris the opportunity to use their degeneration to further weigh the Guardian to favour her. No doubt, even if Keris told her now, Prim would simply call her a liar. Maybe violently. She’d certainly use Keris’s absence to argue the case against trusting her stories until Keris next returned.
Which means... perhaps this lack of curiosity; this outright hostility to hearing Keris out, is a good thing. Because instead of a story, this means Keris can leave the Guardian with sweet anticipation of her next visit, and come back armed with evidence. Lintha texts like the Utz Semivar. Perhaps even an actual fallen Lintha for Prim and Dird to torture.
“I will return,” she responds. “And I will bring no violence against Leefa so long as Leefa does not attack me. Let your Greater Self know,” as if it isn’t probably watching and listening through the city’s eyes right now, “that I will bring the tale of your masters and proof to support it when I next come to Leefa, to answer the questions you’ve waited with all this time.”
“If it will be, so it will be,” Prim says, in a way that makes her doubt clear. And then she makes her exit, in a surge of acidic-smelling vapour and blades that leaves nothing behind when the stinking green mist clears.
The air is different as they sail away from Leefa. It is not just that once again there is wind, though that is something missing from the domed city, and it is not just that the tang of chaos once again saturates the air. Leefa might have been flooded by the wyld before Keris restored the old wards, but there was also something horribly stagnant about it. If it was a story, it was one that hadn’t changed in an awfully long time.
But now the Baisha crests the waves under an indigo sky, and the whistling wind whips through Keris’s hair. She is on the deck of her ship with Oula, and the hellspawn sailors are keeping away from the warding circle painted around them. They know not to meddle in the affairs of their lady. Within the bounded space of the ward - drawn and cast by Keris in light of the watchful Priest onboard - ambient noise filters in as if through glass, though none of the sound from within can escape. From the outside, mentor and student are indistinct as if seen through fogged glass, their lips too blurry to be read. Altogether, a perfect privacy spell that lets them converse in private, and one that Keris is already intending to make heavy use of once she’s back home.
But that can come later. For the moment she watches the horizon, smelling the faintly perfumed salt-spray of the Dusk Sea and contemplating the tides of chaos and the nature of the Wyld.
“... Aati Pedang-Hitam,” she says at length. She doesn’t continue, leaving the name to hang there, inviting Oula to share her thoughts.
Her apprentice examines her silver nails, carefully filing them. “He needs to die,” is Oula’s measured opinion. “There are too many secrets in Leefa that are going to be ours. We can’t let some Solar sorcerer get his hands on them. We can’t let him ruin the resonance of the place with ill-considered use of wyld-twisting sorceries, either.” She considers this. “Well, if he’s the sort that you can enthral, you might consider stealing his heart away, but the safer opinion is that he ends up dead and you get your hands on his artefacts and his books of magic.”
“Mmm. I agree,” Keris nods. “I think Leefa is better-secured against attack now - maybe even better-secured than it was before we got there.” That is a debatable claim, given the damage Testolagh and Jianling had done, but her repairs had been extensive. The three-master she’d left in the bay with its demon marines and its ballistae, combined with the hundred or so sea-demons she’d called up from Hell on the new moon as defenders, might very well make up the difference.
“But best to head it off at the pass and just kill him,” she concludes. “And if we go find him now, Roaming Yu might be willing to actually help, instead of just... running away back to Creation without paying him back for the attempted murder,” she adds with a scowl. “I’m sure he has some kind of oath of non-harm over the man, and that could be useful. Mmm. That only leaves finding him. We’ll be making some noise with our raiding over the next month or so; he may hear of the armada pillaging every waypoint between here and Creation and come to look on his own. But in case he doesn’t...”
Keris purses her lips, turning her gaze back to the sky. “... the Wyld is a place of narrative,” she says, half to Oula and half to herself. “The fae are living stories that tell themselves to survive, who calcify if they ever stagnate. The way regions work here - you can’t get out of them just by walking or rowing; something has to happen for you to leave. Beyond the shores of Creation, out here where things aren’t quite real... we can’t go backwards, but we’re only loosely grasped by the beat of hours and days and seasons. We’re not outside Time, but we’re on its borders. And since that means time can’t be properly measured in units, instead it’s measured in... events. Interactions. Experiences. A king’s ascension to the throne comes before his rule which comes before his downfall, but only the order matters, not the time between them.”
“Get to the point,” says Oula, very unsympathetically cutting off her teacher’s philosophical musings. Keris sighs.
“My point is, the Wyld is a place where stories are core to how you measure time and distance,” she says. “It sounds trite, but it’s how things work out here; reality is too fluid to be partitioned into neat consistent units, so it’s all defined by more... more qualitative milestones, rather than quantitative ones. The wyldmarches aren’t alive, exactly, but... the world-mind, the Wyld-mind, it’s heavily influenced by stories. I think, if we put together the right sort of ritual, we can bait it into steering Pedang-Hitam into our path. If space and time are both measured in stories out here, then the right story should be able to bend space and time so that our path and his converge to let us interact.”
With a flick of pink hair, Oula gestures to the world. “Are you truly planning to seduce the Wyld to give you a starring role in taking down this man?” she enquires, with more than a pinch of insubordination in her tone.
“I’m going to convince the Wyld that it’ll be a thrilling performance featuring rare and exclusive actors in starring roles that it might not get a chance at seeing on-stage again for a very long time,” Keris fires back. “I know how to get an audience excited and looking forward to a play, after all. And this one has it all - powerful rivals! A bitter grudge! Ancient secrets of a lost city; a demonic sorceress commanding a terrifying warship and a martial artist sorcerer with a cursed blade!”
She pauses, reconsiders that, and purses her lips thoughtfully. “Hmm. Should I be worried at how much bits of my life resemble a play I’d put on at the Conventicle? Because that does sound like a play I’d put on at the Conventicle. I’d go watch it, if I had any free time at Calibration.”
“Well, if this does succeed, I know I’ll feel safer without a mightier sorcerer than I looking for this place,” Oula says. She rolls her shoulders, and the tattoo revealed by her backless top flexes. “And you’ll have an accomplishment you can tell Hell about. Unlike Jemil, who is fascinating but also delving into ideas you shouldn’t let your masters know about. He cornered me yesterday and spoke at length about how this proves you can make a being that is practically a demon prince in all regards.”
Keris winces and looks over at the pink-hulled, crimson-sailed three-master she didn’t leave behind in Leefa (whose crew have already christened it the Siren, counterpart to its sister-ship the Squid). She spares a moment to be deeply thankful that she thought to keep Jemil off the Baisha when they set sail again, if he’s going to be going around espousing blasphemous ideals like that. Kalaska’s sanctum is safely over there as well, as is Yu - though she’s fairly sure the Priest at least knows her guest exists. Hopefully it hasn’t realised his nature, and in the sadly somewhat likely event that it has, hopefully taking another Solar’s head will make up for it.
“I’ll talk to him,” she sighs. “And you’re right, taking the head of a Solar will be a nice feather in my cap. Now, let’s think. How do we beguile the Wyld into wanting to see our showdown?”
“To me, this would seem a perfect example to experiment with Ideals and the wyld.” Oula examines her own reflection in her mirror-like nails. “It’s something I’ve considered, Auntie - is the Wyld the primeval observer, the mind that dreams all things into being? Otherwise, how would sorcery work in places that are mindless, places where there is no greater being to observe and contain an Ideal? And it is so very,” she smiles, “responsive to thought. Wyld-beasts and even that Guardian in Leefa shape it with their thoughts and expectations. And from what you have said, given that the poison lagoon did not let you go until something happened, perhaps even your expectation that something had to occur shaped it.”
This sounds to Keris like an excellent theory to get started on, and she and Oula promptly decamp to the Siren, snagging Rathan from the Baisha’s mess hall as they go. Jemil and Simya are both onboard, and Keris pulls both of them in as well to a session of theorising and ritual-planning.
What they eventually settle on is a modified Beckoning. Keris already has knowledge of various rituals that call upon spirits but don’t force them to materialise, and within the school of sorcery she’s created, all of them rely on Ideals similar to what she’s after. They can’t beckon a human being, of course (well, actually... but she doesn’t have access to a version of the ritual that can, at least), so instead, after some discussion between the sorcerers and some enthusiastic contributions from Jemil, they settle on a beckoning that directly beckons the Wyld to redirect Pedang-Hitam on their behalf.
It may work. It may not. If it fails, they’ll just have to rely on Leefa’s defences and hope Prim’s knives are sharp.
“So, we stop at the nearest island and carry this out?” Rathan asks with a languid sigh. He catches his mother’s eye. “Carrying out a ritual on a remote island is the sort of thing that speeds the journey along, rather than just doing it on the ship.”
Keris snorts, but concedes his point. “The next island, then.” she agrees. “Though if it turns out to have anything living on it, we’ll raid them first. Ximmin’s been getting hungry for more looting and pillaging.”
The next island, as it so happens, is a rocky pinnacle inhabited by a number of sullen and frequently drunk oni, the smallest of them twice the height of a man. And things turn into something of a farce. What should have been an easy conquest starts with one of Ximmin’s one-masters getting crushed by a giant boulder tossed with scary accuracy off one of the cliffs. That only marks the start of the hail of rocks, which scatter the wooden ships, and with the rocks come spears the size of tree trunks. One smashes the mast of Jianling’s flagship, which crushes the other as it falls, and in the confusion the ships are sitting ducks.
With a curse Testolagh leads his own people in, and they get to the beach at least, but giant man-eating oni snatch up the men who land and though Tesotlagh is a burning green pyre who starts hacking away, he and his people are bogged down there. They should win (they should, unless there’s more awful surprises), but that won’t be fast enough to save a number of ships in the natural harbour. There are already men in the water, and monstrous sea beasts are circling to grab and consume anyone who falls in.
Caught between frustrated rage at her subordinates and possessive fury over her losses, Keris steps in. Vipera stirs around her arm, but for once she squeezes her spear to quell its eagerness, bidding it wait. Red moonlight blooms around her, and all who it touches are drawn to give her their attention.
“Ho!” she calls, her voice rippling out across the battlefield with the lazy, drawling cadence of a Cat. “What’s this, now? Are you brutes so skilled in the arts of war that my fleet is making such pitiful headway? Or are they all just slacking off on the job?”
Leaping from the deck, she sprints across the waves to the shore, plucking up several of the men in the water and throwing them back towards their ships on her way. Her subordinates are either bristling or shrinking in shame, the oni are trying to work out what to do about this small, rude red thing, and for a brief moment, the fighting lulls.
“Though,” she concludes, looking the nearest of the oni up and... further up. “Perhaps it’s just that you’re getting outside help. You’re hardly much to look at, after all. Perhaps some passing fae lord took pity and blessed you to make up for your lack of brains. Mmm?”
This provokes another, much briefer moment of contemplation, rapidly supplanted by the oni concluding that what they should do about the small rude red thing is stomp her flat and then eat her corpse for good measure.
Unfortunately, by then the Baisha has turned to face the island broadside, and Vipera winds down into Keris’s hand as the algarel ballistae loose their bolts, and things proceed to get very bloody and violent indeed. Explosions bloom in blazing viridian, oni scream and flail in pain and shock, and a lightning-fast red shadow flickers between them at neck-height, her silver spear whirling and slashing and stabbing. Her high, cruel laughter rings out over the din of battle as the detonations and screams and bellowing go on, and on, and on...
... until, unceremoniously, they end. Breathing deeply, wrapped in green and red light, Keris rips Vipera out of the corpse of the last of the oni. Raising her hand, she clenches her fist and pulls the mass of writhing sea-tentacles out of the blood she has spilled.
The plunder of this island will in no way pay for the loss of the ships and men that the giants inflicted in her. They have meat, yes, in the form of oversized two-headed goats and penned-up chickens the size of claw striders, and they wear bits of treasure no doubt stolen from other ships that passed their way, but the island is not rich like the sky scraping isle or like Leefa.
She is decidedly unhappy, but she manages to leash her temper enough not to let loose any further cutting remarks in the direction of her men, most of whom have lost face or friends or both. Instead, she snaps out some quick, curt orders to get things cleaned up, and goes to retrieve Rathan, Oula, Jemil and Simya for the ritual.
“Aww,” Jemil whines. He is decidedly lop-sided now, because he stole one of the arms of one of the smaller giants and is having problems moving with it there. “Can you wait? I want to see if they have any interesting organs before they spoil.”
“This is fairyland,” Simya says, sticking close to him. “The things of fairyland will often turn into ash and dust in the sun. I would not keep that arm stuck to you.”
“Are you sure? I don’t like that!”
“Ahem,” Oula says sharply. “If you don’t mind...”
“Oula’s right,” Keris snaps, irritation still simmering from the loss of ships and crew. “Jemil, Simya, the two of you are here to observe. So hush and observe. Rathan, Oula, get into position and get ready to start. Rathan, we want the Wyld’s attention, I’ll be relying on you for that. Oula, form and hold the Ideal. I’ll take care of the hook and implantation.” She looks around from her son to her first student. “Ready?”
“Of course,” Oula says simply. “I’ll form the ritual space in the broad sweep, and Rattie can do the detail work.” She has one of the brushes they use to clean the decks of the Baisha, and she wets it in the blood of one of the slaughtered ogres, using this to paint a ritual circle. Only once she completes it does she pass it to Rathan, who considers it and passes it back.
Instead, he spreads his arms and his hair alike, and calls the sea that dwells within the blood, lifting it up into forming three-dimensional circles and arcs of blood that float there in mid air, glowing faintly with his light. They twist and shift like strange constellations, and in the distance (and yet somehow close) there can be heard whalesong. Keris considers this with a raised eyebrow, her annoyance subsiding.
“This is new,” she comments. “And quick. And effective. Three dimensions... that’s an order of magnitude more potential complexity in ritual circles. And, mm, it’s not specific to this trick; other sorcerers could do something similar with wire cages or whatnot.” She purses her lips. “You could probably turn this into a mastery project, you know. Or a post-mastery project, like Oula’s notation. A formalised system expanding our ritual circle designs into higher dimensions.”
Rathan beams at the praise. “It’s from one of those books on Ululaya’s orbits you finally let me read on the trip,” he says, a stray lock of hair sketching out one of the arcs. “I thought it’d be easy enough to steal it and use it to describe mine.”
“What, up and down?” his girlfriend says with a wicked smile. “Not that I dislike certain up-and-down orbits of yours, but back home you don’t exactly take an imaginative path through the sky.”
“Oulie, don’t be like that...”
“It’s certainly worth pursuing,” Keris says firmly before they can get started. “Alright then, let’s get started. Rathan, if you would?”
He returns his attention to the circles, and they hum with power, radiating moonlight and the distant sound of whalesong. Oula closes her eyes, hands moving in front of her as she starts to shape the Ideal of a fateful meeting between two voyagers sailing the Dusk Sea.
Keris straightens her back, cracks her neck and breathes. It’s time to perform.
“Sing now, o’ Wyld,” she calls, casting out her senses and her grasp to seize the threads of chaos Rathan is drawing in. “Sing of a fleet upon the waves, a Hellsworn armada come to ravage and bring ruin. Sing of its crimson-haired leader, its green-burning knight and its gold-bedecked rogue. Sing of the sun and moon drawn along in its wake, of the dragons that bare fangs for its masters. Sing, o’ Wyld, of the Green Sun Princes’ reaving.”
The world here is not bound by Creation’s laws, but it remembers the Yozis. It remembers the tribe of Dreamers who came out of the depths of no-when and no-where and scarred it forever. And it remembers the stories they told in the time before the Omphalos defined zero. Perhaps there are beings out there who are curious and even kindly in spirit, and who are inclined to pay attention to the things that ask things of them.
Then again, these great monadic beings, if they exist, could just be inveterate drama whores.
Thunder rolls across the sky, a peal without lightning, and the winds pick up. An eye of a cyclone is rapidly forming.
Well, Keris thinks, they’ve certainly got the Wyld’s attention. She doesn’t interrupt her invocation to say so out loud, but she does trade looks with Rathan and Oula - the former now actively glowing, his pink-and-white orca-patterned skin shining as bright as his moon, the latter surrounded by half-seen reflections and distortions in the air that offer glimpses of the Ideal she’s putting together as they orbit her. Keris has no idea what she looks like herself, but she can feel her caste mark burning on her forehead, and her hair has spread out without conscious thought to float and ripple behind her as if underwater.
“Sing, o’ Wyld,” she continues, her voice perfectly steady despite the conditions, “of a sun-chosen sorcerer, child of Choson, trickster and traitor. Sing of his cursed black blade, of his world-twisting ways, of his towering ambition and pride. Sing of his maggot-tongued crew, his demons bound, elementals in service and raksha in chains. Sing, o’ Wyld, of Aati Pedang-Hitam’s quest.”
There are images in the dark clouds. Half-formed, malformed, not-quite real. Not, Keris instinctively feels through the way it tries to snag her left hand, what will happen. But what could happen. May-bes. Visions of futures that could happen. Recipes.
She sees them meeting on the open sea. She sees a fight on a coral reef below a storm-wracked sky. She sees a wicked and corrupt city where the roofs are verdigris and the whitewash is rainbow-stained and a scarlet tent. She sees a great pleasure palace on a lush and fertile island and she sees a rocky and barren wasteland where a terrible skull stares out to see. She sees herself win and she sees herself die and she sees herself in bed with a swordsman.
“Sing, o’ Wyld!” she calls, raising her voice over the storm (and sparing a thought for what her fleet must be thinking down on the beach below; this ritual is turning out to be a little bigger and flashier than she’d planned). “Sing of two fleets upon the dusk-lit ocean! Sing of their rivalry, their goals opposed! Sing of the convergence of their paths, their blades crossing, their souls clashing! Sing of the twin suns burning, green and gold, each striving to dominate the other! What could surpass this song? What would deny this song? What should decide this song? All the world wonders!”
She makes eye contact with Oula, and her student - her fellow master - releases the Ideal. Like lightning, it arcs to Keris, and from Keris out through the net she’s woven with word and song, and from the net into the tides of chaos drawn close to them by Rathan’s light. The vow is offered, and accepted. Something slides into place, snagging around Keris’s hand, and there is the feeling of being seen. Of drawing the attention of something.
Above, the clouds stay, thick and heavy. And watchful.
Keris holds her pose for a second longer, then bows formally to the clouds above.
“This Green Sun Princess, Keris Maryam Dulmeadokht, requests an encounter with the Solar sorcerer Aati Pedang-Hitam,” she says in archaic Old Realm, pronouncing each syllable with care. “To challenge him over the Directorate of Leefa, and for personal satisfaction besides.”
Nothing changes. Perhaps the intent of her vow, of her challenge, was already known. This is all new to her, an art rather than a study of the occult and a performance more than either. But the storm clouds stay. Perhaps they will guide her where she needs to go. She bows again anyway, just to be safe, and then carefully steps out of the ritual circle and sits down heavily on a rock.
“Phew,” she breathes, watching Rathan clean up his hovering water-circles and Oula wring out the reflection-heavy mercury that’s saturated her hair. “Okay. That turned out a little more dramatic than I thought it would. But I think it worked. We’ll encounter him before we hit Creation. Maybe as soon as our next stop after this island, with how much attention we got there - good job, Rathan. You too, Oula; a well-formed and well-folded Ideal. Passing it up the hooks and out into the Wyld was easy.”
She purses her lips. “We probably are going to have to explain this to the rest of the fleet, though. Something tells me they probably noticed. Jemil, Simya? What did you two think?”
Jemil looks oddly uncomfortable. “I’m not sure... I liked that,” he says, surprisingly. “I don’t like the way that... that it devalues learning if you can just ask the Wyld for things. It doesn’t mean anything. If it can do anything, if you ask it to do so, then... what’s the point?” He considers. “Of course, if there’s rules about what it can do, then that’s quite different!” he adds in his usual cheerful tone.
Simya pets his flank. “There’s so much power here,” she says softly and with no stammer. “Power that might not care what you are. Power that means crying out to the chaos outside the world and letting it answer. For one such as you, Lady Keris, who has power, it might be a useful tool - but if it could work for me too-”
“I don’t want you paying the kind of price the madness outside the world might ask for,” Jemil says, a hand taking Simya’s and squeezing it tight. “No! Not if it would twist you until you are not what you are now! Not if it would limit your ability to learn by leaving you reliant on asking random madness for dribs and drabs of power! Mother doesn’t ask for power from this, she takes the Wyld and turns it into something much better!”
“Which I cannot do.” Simya seems to catch herself. “N-not that I mean to speak out of place...”
“No, it’s a fair objection,” Keris concedes. She bites her lip, thinking through how to handle this. “But... Jemil is right. The Wyld is a poisoned chalice. Even this ritual - this wasn’t asking it for power, it was convincing it to arrange an encounter we wanted. This is about as safe as it gets. And it’s still probably going to make it dramatic, because it wants a showdown, not something where we just easily win.”
She drums her fingers on her knee, and maybe regrets feeding that dark lust for power in Simya’s soul, just a little. “I know you want to be powerful, Simya. I want to help you. And you’re right that the Wyld is a source of power; I won’t lie to you by pretending otherwise. But it’s not one you can control, really - and if you can’t control it, is it really yours at all? The Wyld is one source of power. There are others. You’re following some of them, and you’re already stronger than you were when we first met. Follow those paths to the end - master what you’re learning at the moment, and make it your own.
“Then, once you have alchemy and demonology and the genesis arts of the Dragon Kings and the Lintha under your belt - then, if you still feel you’re lacking, you can look to the Wyld, not as a supplicant to the formless tides of chaos, but as someone who can make things to harness and control and enforce rules on it that serve your purpose.”
“Of c-course, mistress,” Simya says immediately. Keris doesn’t believe her. Or, well, she can see that Simya believes she’s putting the thought aside, but she knows the girl. She knows if she feels obstructed or denied or held back, any thought of power she’s put aside will return to the forefront of her mind. She looks to Jemil, hoping he’s noticed the same thing, signalling him with his eyes to keep Simya from doing anything foolish.
“Yeah, mother is right,” Jemil says solidly. “The Wyld won’t give you power. And anyway, it might react badly with what we have planned. The last thing we want is you getting wyld-tumours in that lovely alchemy-tower mother’s fitting in you. As well as any other organs we might replace later!”
This seems to settle Simya somewhat, thankfully, though Keris still makes a mental note to keep an eye on her. Unfortunately, once they’ve trooped back down from the rocky island heights, it turns out that she was entirely correct about the fleet having noticed the winds, thunder, stormclouds, omens and brief-lived cyclone centred on where their commodore had vanished off to along with two demon lords and a pair of occultists, and consequently have some concerns they want to voice.
These concerns are, it must be said, not met with a huge amount of sympathy on Keris’s part. She’s still pissed about the lacklustre performance of her fleet against the ogres, and having shown her own power quite firmly by massacring the beasts almost single-handedly, her response to the worries and fears of her men amounts to a ferocious speech given from the deck of the Siren to the effect that her ritual was to ensure they meet plenty of rich and worthy foes to plunder on their way out of the Dusk Sea, that she’s strong enough to kill anything else the Wyld throws at them in answer, and that they’d fucking well better shape up and follow suit if they don’t want to disappoint her.
The Baisha is close enough that she hears the crackling flames of the Priest on deck, watching and listening to every word.
Strangely enough, the storm-backed woman with a burning empty ring on her brow and whose hair is curling up into scorpion tails behind her is very persuasive, and reminds everyone in the know that this is the Director of the Lower South West. Those not in the know are instead reminded that this is a terrifying princess of Hell who just murdered a village of giant oni and doesn’t even seem out of breath, and that disappointing her will incur her displeasure.
And then there’s the rumours about what said displeasure will manifest as. Keris hears several rumours. ‘Human sacrifice’ is fairly central to them, with ‘eating your soul and turning you into a demon’ in second place. A more distant runner-up is the theory that she might simply tear open a rift in the world to send you straight to hell, or else call down her pet storm demon to tear miscreants apart in thunder and lightning and hungry wind.
Morale might not be improved all that much, but by the time they set off from the island, men and demons alike are definitely more scared of the wicked sorcerer-queen who leads them than they are of what they might be facing.
And the storm follows them, through the eternal twilight of the Dusk Sea.
Chapter 56: Corrupted Chierxes
Chapter Text
There is a greater storm than the one carried by the armada sweeping in from the chaosward horizon. It is the first great wyldstorm of the year, a sign of Creation’s order weakening as the year pulls closer to Calibration, and the reflection of the typhoon season which is fast approaching in the Anarchy.
The sky behind the fleet squirms with lightning as thick and hairy as a spider’s legs. The scream of the winds behind them is already audible.
“We can’t endure that,” Rathan calls out, his voice rising above the wind. The red glow that wraps him draws every eye. “We must outrun it! Find a safe harbour, a safe port - and hope we leave it behind us!”
Ximmin is clearly in full agreement with Rathan, and he calls up his own sea-witchery to go with Rathan’s coaxing of the currents. People try to hide from the hissing rain that burns when it falls and the crews which must go outside go in oilskins and armour. Masts strain and fight and struggle against the force of the gales - the foreshadowing of the great storm behind them.
They just about manage to outrun it, and the sea-routes bend away from the path of the storm. But these same routes lead them to Chierxes, along with many other vessels that are fleeing the storm. There are so many vessels there already that the prodigious docks are already full, and there are impromptu moorings outside the great looming walls clad in long-tarnished bronze.
O! Chierxes! Washed-Up Chierxes! O city of sin and vice, cast out from the Dreaming Sea - far to the East - when the gods turned their eyes from its awful crimes. Outside the world, it wandered madly through the lands of no-time and no-space until it lodged once more in the periphery of Creation on the shallow bed of the Dusk Sea.
Keris shields her eyes against the blood-red, low-hanging sun and takes in what she can of the city from the impromptu-docktown that’s formed outside the safety of its harbour. Chierxes is draped in declining splendour. Over it loom great towers whose copper roofs are verdigris and flowering tropical fruit grow from their crumbling facades, while the streets are filthy with excess and vice. Even from here, she can see the plethora of body shapes and sizes, and her eyes glint green as she takes in the varied-and-many strengths of the inhabitants. Most weak, akin to lesser demons or even less, but more than enough stronger denizens that an assault on this city - especially with so many ships docked here - would be no certain thing, nor free of risk.
“I suppose you’ll want me to sort things out with the harbour-master, or whoever they have handling those kinds of matters.” Rathan says with a yawn. Oula is clinging to him, wearing one of his loose linen shirts which reaches down to her mid-thigh. “I’ll need money for bribes.”
Keris wrinkles her nose and mutters unhappily about it, but nods. “I don’t think we can take this place. Not with a direct attack, not reliably. Not even with our full fleet. I’ll have most of our ships hang back and go in with, mm.”
She runs through her available assets. “You, me and Jemil, obviously. Ximmin, and maybe Bedjoku if he wants to bring her - he won’t accept being left out of a shore party, so I may as well invite him rather than give an order I know he won’t obey. And, hmm. I should probably bring Roaming Yu, too. It’ll mean Ximmin meeting him, but... eh. He’s working with a Lunar, he won’t rat me out. Perhaps Jamahidaya as well. It’ll be useful for her to know this place, if she’s going to have a march on the edge of the Dusk Sea.”
She considers for a moment longer, then nods decisively. “Yeah, okay. I’ll tell Neride, Testolagh, Jianling and Wuzu to guard the fleet from anything showing up behind us. Us six - or seven, if Bedjoku comes - will head in to negotiate with the harbour-master and look for the moonsilver artisans they supposedly have here. Oula, you can come or you can stay, but if you don’t have strong feelings, I’d rather have you and Mele on the Siren in case of an emergency. We don’t know where Pedang-Hitam’s fleet is, and he’s a sorcerer - if I’m taking Jamahidaya onshore, I want someone who can sense that kind of trouble on defence. Just try not to obviously cast anything, in case the Priest is watching.”
Oula pulls a face at the thought of being separated from Rathan, but nods. “I’d rather worry about him than have Rattie worry about me.”
“I always worry about you,” he says with a hug.
“That’s sweet to say, but you know what I mean,” she says, hugging back.
Rathan seems a bit out of sorts when he returns - the harbourmaster was greedy, and it’s a seller’s market for good mooring spots. He doesn’t like being refused. But he’s managed to get them places within the breakwater (at the cost of most of the bribe money) and Keris speaks to her people and explains what’s going on.
The piers are a maze of tangled wood, and ahead of them is a convoluted warren of rickety warehouses, bars, brothels, and the other vices this sinful city offers sailors. It is kin to Saata, but seen through a nightmare lens. Raucous voices everywhere scrape at the ear, and there are a thousand scents all overlapping into a textured, awful nothingness. The bazaars spill out to consume the streets and force travellers to dodge pickpockets and vendors (if there’s even a difference), and the bodies of the inhabitants are every shape and every skin colour known to Creation and many that are not. A looming man thrice the height of Keris blows a kiss at their group; swarming horned blue-skinned knee-high marketmen sell tobacco by the leaf; it seems like hundreds of voices all want their attention.
Ximmin is excessively cheerful as they gather in the stinking quayside. “Nice, nice!” he calls out. “What a quaint little goblin market we have here!”
“Quaint, perhaps; little, decidedly not,” Keris replies. “Right. Ximmin, I assume you’re capable of looking after yourself if all you want is to have a good time here. I want to talk to the artisans who can work moonsilver, which,” she sighs, “means I might first need to talk to the Tyrant. Kerocryes, from what I picked up back in Kuta. Will you be coming with me, or exploring the markets and what pleasures the city has to offer?”
He spins to extravagantly gesture at the teeming marketplaces, his tiger-fur coat shushing around him. “Do you have any idea what kind of trade goods this place will have? There will be curiosities here there will be people in the Western islands will pay in literal souls for. And my sorcerer needs her oddities, too.”
“I do,” Bedjoku says softly.
“Never disappoint a sorceress, for they are short-tempered and prone to pouting.”
“I will not dignify that with a response.” The moon-chosen’s eyes are on Keris. “So you are hunting the secrets of lunargent, hmm.”
“I have a hold full of crimson changesilver,” Keris reminds her. “It’s useless to me if it evaporates or boils away as soon as I leave the Wyld.”
The other woman only grunts, but she directs a suspicious look at Keris on the way out.
“What’s her problem?” Jemil asks, perhaps a little too loudly.
“She’s one of Luna’s Chosen,” Keris replies, glancing over at him and keeping Roaming Yu and Jamahidaya in the corner of her eye. “Moonsilver - lunargent - is... it’s not their material, exactly, but it shares a nature with them, and they harmonise with it better than most, the same way Dragonblooded match the elemental nature of jade and sun-children find it so easy to take up orichalcum wonders from ancient tombs. She might be feeling a bit territorial about me wanting to play with the moon-blessed silver traditionally used by her kind, especially when she’s seen I have some already.”
Roaming Yu grins, and rolls his shoulders. He does seem to be somewhat happier to be back on dry land, and Keris thinks she can see some anticipation. Maybe for revenge - though maybe it’s just that games of go and gateway with Mele are wearing thin. “Bunch of bullshit if you ask me. I met a nasty moon-chosen reaver operating on the delta of the Shai, and he was using a pair of dirty great big orichalcum smashfist. And wouldn’t you know it, but he didn’t seem to think about handing it over to its rightful owner, namely me. Now, of course, some might say that I didn’t tell him I was sun-chosen and in fact tricked him into going after the ships that were chasing me because they clearly had much better treasure than a wave-tossed itinerant such as I - they certainly had before I met them - but I don’t think it changes the overall point vis a vis ‘finders keepers’ and ‘it’s not like you can own using a certain type of sword’.” He shields his eyes against the low-hanging blood-red sun. “I don’t think any of us want to be made to give back any jade weapons that fall into our hands to passing agents of the Realm or greedy Raraan Ge nobles.” He bows to Jamahidaya. “Of course, I wouldn’t include you as part of that group, and in fact would be delighted to present a witch such as yourself with a lovely jade trinket.”
Jamahidaya blushes faintly, before hiding her expression under a mask of jade detachment. “This is a dangerous man,” she observes, voice cold. “Where have you been hiding him?”
“In a hastily-prepared medical room on my ship, because he was on the brink of death when I found him,” Keris tells her. “Speaking of which, Yu - here.”
She pulls a sheathed straight sword from her hair - a simple bronze blade taken from one of Leefa’s surviving armouries, mundane but of fine quality - and tosses it to him. When he catches it and looks back to her quizzically, she meets his eye directly with a hint of challenge.
“You’re fit and healthy again, armed and able to fight, and from Chierxes you should have no trouble finding a ship to travel wherever you want, whether it be further through the Dusk Sea or back to Creation. That means my oath to you is fulfilled, and we could part ways here.”
She pauses meaningfully, and cuts her eyes back to the sword. “Unless, of course, you’re interested in sticking around to see if your enemy puts in to port while my allies and I are here. It’s a better shot at him than you’ll get once you leave our company - and I have reason to expect he will be showing his face, if he isn’t here already.”
His eyes flicker from Keris to Jamahidaya and back again. “Oh, if you’d like my help with this... well, we can count it towards paying you back for saving my life, hmm? I won’t pretend it counts for everything, but it’s definitely something if I don’t just walk off.”
“Leave, and you’ll be the one left looking over your shoulder, not knowing if he’s dead or not,” Keris retorts. “We both have reason to want him gone. Let’s say that how much I count your aid as a debt repaid will depend on how useful you prove if it comes to a fight. Though,” she adds, “you can earn some goodwill by helping me negotiate with the Tyrant of this place, and its artisans. Jamahidaya, I imagine you’d like to learn their secrets too - and if you’ve an interest in coming back to the Dusk Sea after I deliver on our bargain, I’ll pay you handsomely for moonsilver.”
“Well, that’s something else,” Roaming Yu says. He pauses. “Firstly though, why go speak to the Tyrant at all? Unless you have some hold over him - and I’m not denying that could be a possibility - wouldn’t it make more sense to find whoever has those talents and negotiate with them directly? Not least because the Tyrant is almost certainly going to be more powerful than them - and I wouldn’t want a mad dog’s eyes on me.”
“Partly because, if I were him, I’d count the artisans as one of my more valuable assets and keep a close eye on them, so it’d land on us regardless,” Keris says. “And anyone who brands themselves a tyrant is likely to take offence to people trying to manoeuvre around them to get at their treasures.
“But also because if our mutual enemy is here, or has been for any length of time, the Tyrant seems likely to know about it. And from what you’ve told me, he can hypnotise and twist the minds of others with sorcery. If he’s already here then I’d rather not be surprised by, say, him learning of our presence, realising we’re a threat and planting the thought of killing us in Kerocryes’s mind.”
She shrugs. “It’s what I’d do, if I were him. We have an edge in that he probably doesn’t know about me as a rival for Leefa yet, but I’m not willing to bet too much on us getting lucky against a sorcerer. Aati Pedang-Hitam,” she adds to fill Jamahidaya in, on the basis that it’s probably confusion hiding behind that jaded mask of still waters. “He’s a Chosoni sunchild who’s after Leefa’s secrets and tried to murder Yu here. Since he wants the same place I’ve already claimed, I want him dead before he can find it.”
Rathan taps his hair together, considering things. “Last time we were here, Vali and I only really got to the markets. The layers of this place are like the Dusk Sea itself - moving through parts of the city follows the laws of narrative here. Getting in and getting out are hard. I never even saw the Tyrant, although,” he glances up at the palace with its verdigris roof trimmed with tarnished silver and its vegetation-choked towers, “we can see his palace there. But neither of us could make our way through the market to even find the other quarters of the city.”
“Oh! That’s interesting!” Jemil says happily. “Do you think Ximmin will manage to get lost? I wonder if he’ll have any interesting stories!”
Keris is distracted with other thoughts, absentmindedly chewing a hair tendril as she thinks. “Hmm. So he’s not regularly seen in the city?” she asks. “Maybe not as watchful over his artisans as I’d thought, then. Mm, and it sounds like getting up there would be an ordeal...”
She ponders a moment more, then nods decisively. “Alright. We’ll go straight for the artisans, and if the Tyrant’s men show up, Nathra and Yu can stall them while we get the secrets of lunargent. If Pedang-Hitam turns out to already be in the city and it turns straight into a fight, the rest of you will flee for the docks to warn the fleet and I’ll stall him until my reinforcements arrive.”
Keris dives into the confusing morass of the wyld market. If she thought her company was strange, they’re nothing compared to the beings that throng and swell like a wave made of living beings in this endless warren of vendors and stalls and voices. Jemil is practically mundane as a human torso on a many-handed centipede, compared to a scintillating wave of the colour red which moves a cluster of snail-goblins as their bodies. And each and every one of the vendors here is a liar who’ll say anything to make their sale.
“Souls, souls, souls for sale, straight from the order-shore! Get ‘em while they’re fresh.”
“Philosophical axioms, get ‘em while they’re hot from the word minds.”
“Square circles, square circles, better than anything else around - no, ma’am, I assure you this is a genuine square circle, it’s not just a square with rounded edges, and I am offended that you say this to me.”
As soon as Keris expresses some interest in change-silver, they’re immediately swamped by sellers who promise - promise! - they have some genuine changesilver here and it isn’t just tin, or leaves turned into shiny silver, or a handful of chaos-mercury. They’re lying, of course. But between Rathan and Roaming Yu, she can sort some of the falsehood from the real claims, and apparently there are some renegade changesilver workers to be found in the vast and teaming slum-warren of the Nest of Ten Thousand Bodies.
Another bit of news has her out of sorts, though. A casual conversation with a beautiful long-eared moon-nymph touting for business in front of a brothel has him mention that he’s seen other order-folk passing through, and he wonders if she’s with them. The description of one of them matches Pedang-Hitam, and while the concept of time is convoluted here, it seems the moon-nymph saw him recently. But the mention of one of the companions has Keris out of sorts, because there was a powerful order-being there. One with pink hair and horns and a rabbit’s tail and ears.
That matches, to Keris’s mind, the description of Ohasei. It can’t be the woman herself, not in her full nature, because she doubts Pedang-Hitam could call her up at all, and it’s been too long since Calibration for him to have done that. But one of her lesser bodies? Quite possibly. And Ohasei’s true talent is as a smuggler and a conveyor of goods by ship.
“It’s definitely not as a writer or actress,” Zana says sharply from within Keris’s head. She seems to be holding her own grudge quite distinct from Keris’s grudge.
“Well,” she mutters. “That answers that question. He is here ahead of us. That leaves the question of where, and what he’s doing.”
“You look like you know who that woman is, and think she’s bad news,” Roaming Yu says, hands tucked up his sleeves.
“I doubt I’ve met this one,” Keris admits, her mouth twisting. “But, well. Pink hair and rabbit ears, plus enough power to stand out in this place, plus keeping company with a sunchosen sorcerer? She’s probably one of the daughters of Ohasei.”
“Ohasei, or some say O-esy,” Jamahidaya murmurs. “A princess of demons, she of the fertile womb whose daughters are countless in number. These daughters can be summoned, but are not truly demons of the first circle, and it is said that these daughters know the secret rites to invoke the image of their mother.”
“She has a thousand daughters, and they’re all just thinly veiled copies of herself playing different roles,” Keris agrees. “Which might be why they’re all unoriginal bitches.” She pauses, remembering Haqia’s annoyingly hard-to-dislike earnestness. “Nearly all,” she corrects herself. “Anyway, I doubt this one is hosting her mother, but the stronger ones are no joke even without Ohasei’s direct backing. And she’s a smuggler and sailor by nature. If Pedang-Hitam has summoned one of her more like-minded little copies, she’s a powerful asset for him in finding Leefa and stripping it bare.”
“Well, that’s an embuggerance and a half,” Roaming Yu says, scowling. “He didn’t have that kind of ally when he marooned me. At least,” he corrected himself, “he didn’t have that kind of ally that he let me see. Could always have been hiding her away.”
“I’ve decided I don’t like her,” Jemil announces, “because Keris says she’s uncreative and that’s boring. And if she travels a lot, being uncreative is even worse because she’s seen a lot and yet can’t think up anything new.”
“Sure thing, smart guy,” Rathan says, patting his brother on his flank. He directs a look at Keris. “Does this change our plans at all?”
“... no,” Keris decides after a moment’s thought. “Some of Ohasei’s daughters are fighters - like that melodramatic over-provocative bitch Edji - but even if this is one of them, she shouldn’t be beyond two experienced Dragonblooded soldiers, Jamahidaya and a pair of demon lords. And that leaves three-to-one odds in our favour against Pedang-Hitam himself, even without counting Ximmin and Bedjoku. We keep going, we find the artisans, we learn what they know, and then we head back to the ships. But first...”
She whistles softly, and Iris raises her head off her arm, where she’d been napping. Stepping into an alcove, Keris quickly casts the spell to send her out as a messenger to Jianling, appraising him of the situation and ordering her to alert Testolagh, Wuzu and the others to their quarry. Then, as soon as Iris gets back, she sends her out again to fill in Ximmin. It’s tiring to call on sorcery twice in a row back-to-back like that, but not so tiring that she won’t be able to recover quickly if she gets a little while to flare her soul. For now she refrains, wary of giving away her nature to all the prying eyes around her.
“Will this daughter recognise you? Perhaps her sisters might have told her about you?” Jamahidaya asks softly.
Shit. “... it’s possible,” Keris admits. “Maybe even likely. I, uh. May have had some dealings with them in the past. Memorable ones.” She chews a lock of hair falling down past her face, then sighs, and flips up the hood that Strigida grows for her to cover her hair. “Well, we can worry about that later. For now, the artisans. Come on.”
The laws of this city do not want visitors to leave the bazaar-docks, where there are plenty of things for them to buy (and plenty more conmen). The docks are walled off from the rest of the city, with a great filthy wall of granite that has been decorated in all kinds of fluorescent colours. Strange bees crawl out of holes in it. There is a gate that goes from the docks into the Nest of Ten Thousand Bodies, but a too-tall, too-thin civic official bars their exit in a voice like gravel and crinkling paper. They are flanked by a collection of thugs from across the Dusk Sea, wearing the city’s colours as sashes. Each of them has a tarnished metal collar on.
“No exit. Go,” is what they are told when they try to pass through.
But of course, when Rathan and Roaming Yu are there, smiling and easy and quick with their words, they quickly extract from the gate-official that it’s possible to get an internal passport to allow one to move between districts, and then Rathan has a lovely little thoughtful gift of some of the plunder from elsewhere in the Dreaming Sea. That helps clear things up and Roaming Yu is passing himself off as a dignitary of another power and mentions in passing that he’ll really have to commend the vigilance and attention of not letting people past (as he shamelessly bribes the official to issue that passport) and that opens up the warden’s lips further.
By the time they have their illicitly obtained passports, Keris has found out that Chierxes is a blight on both sides of the Dusk Sea. When it is close to Creation it torments the Sunset Isles, and when it is close to Telephassa it sends raiders out with iron and fire to victimise the lands of the Fae. They do this, apparently, with the aid of some arcane mechanism built by a sorcerer of the city of old, back when it was located in the Dreaming Sea, which gives them insight into the wyldwinds and the fluctuations of the currents, and this was used back when it was a colony of the land of Ysyr.
“Interesting. You know, with how fortified this place is, and how much deeper it is than most of the islands we’ve seen, I bet this place is a keystone in the Dusk Sea,” Keris muses as they proceed in. “Or, mm, maybe it’d be better to call it an accretion point. It’s a blend of Order and Chaos that attacks both and pushes back against their borders encroaching on the region. Stops the shapeshore losing islands to Creation and the chaosshore from getting so swamped by the deeper Wyld that places start drifting towards Telephassa.”
She looks around with interest as they pass through the gate into the Nest of Ten Thousand Bodies, continuing to think out loud as she goes. “It might even be influencing things on a deeper level. If I had more time to spare, I wouldn’t mind spending a few weeks here to study it. I wonder if I could make a shrine somewhere in one of the inner districts?”
Rathan reaches over to rap her on the head gently with his knuckles. “Focus,” he suggests.
“No, no, that’s fascinating, go on go on go on,” Jemil begs.
“I would also be interested on hearing more,” Jamahidaya says politely - but with a certain dark enthusiasm in her eyes.
“Well, you can feel it, right?” Keris says, ignoring her son. She gestures around, developing her thoughts on her point even as she talks. “The chaos in this place is stronger than it is in places we’ve been before. They were Wyld-polluted Order; this is more like an even mix. Chierxes keeps the Dusk Sea’s borders from shrinking just by attacking its neighbours on both sides, but I wonder if its depth and stability might not also act as a sort of... foundation piling for the region. A pillar of Chaotic Shape that the shallower, less potent islands can use as an anchor, and which stops the Dusk Sea as a whole from drifting away from the Anarchy’s western wyldshore.”
“I wonder what used to be here originally?” Jemil contributes eagerly. “What was the layout of the place when this was part of Creation?”
“I do think the Prince is probably in the right, in that now might not be the time,” Roaming Yu says, eyes flicking around. The tenor of the landscape has changed. Worse yet, so has the feel of the air. The narrow buildings here reek of waste and filth and food and everything of life layered on top and top and top of itself. There are pathways in the sky connecting them above, and down below there are more pathways. There is no sight of the ground. And everywhere, voices coming from the warren of houses. Bleating, yelling, screaming, shouting, fucking and fighting and fury.
The geography of the docks seemed possible - weird, yes, filled with weird people of all shapes and sizes. But possible. This place isn’t possible.
Keris blows out a sigh, but concedes. “Fine,” she mutters, eyes tightening as she stuffs her hair in her ears to lessen the wall of sound. The mad geometry of tightly-packed buildings and skyway roads and densely-clustered, coarse, violent spirits of all shapes and sizes is an affront to the senses, but Keris is a princess of Hell and has spent time on its outer layers. She’s seen worse.
“Alright,” she says, and squares her shoulders. “Where in this do you think we’ll find our artisans? And do we start by asking for directions to them nicely, or just skip straight to the inevitable violence?”
The creatures here are no friends of order-life, but for some reason they struggle to remember that when dealing with Rathan - and Roaming Yu is just so charming and so funny that he’s ‘one of the good ones’, As a result, though it bounces them between street urchins (no, it’s not a metaphor, they’re literally urchins), scurrying twisted men, and long eared fae beggars with heroine habits (they look so awful in their frilly dresses).
They’ve headed down several levels, clambering over narrow gantries that can barely fit Jemil and making their way through stinking, filthy streets that are as bad as the worst bits of Nexus. And the worst bits of Nexus were the ones right next to the wyld zone there. It brings back bad memories for Keris, to see the haunted eyes of dream-eaten half-real wretches preyed on by wyldlife stronger than they.
And then a bug-eyed deer dressed in rags shows them to the house here in the slums, only a floor above the sodden ground level (which is... many stories underground, at least from how they entered). The rooms here are sublet again and again, turned into houses sized for rabbits. But what Keris finds here is not rabbits, but rats the size of rabbits, their fur an odd silver and with hands that remind her of Nexan raccoons. The children play in the gantries and in the street, while an old drunken rat watches over them from atop a little bed.
Because Keris asked around and found out what they wanted, she has loafs of bread and a big (for a human, massive for the rats) bottle of rum, and that means her presence here is tolerated.
“I hear you folk are skilled,” she leads in once the initial polite greetings (wary circling) and cordial pleasantries (shameless bribes) are dispensed with. “That your hands are magic and your crafting’s top-notch. They say you can even work changesilver and lunargent.”
The old fat watching the small ones stirs slightly, and squeaks at a group of the others, who manhandle - rathandle) the bottle into pouring a measure, that she downs. “That we do,” she says, in a high-pitched and almost childish-sounding voice. “No one does fine work like we do. Youse bigguns can’t do detail work. Too clumsy for it.” She shifts in place, and Keris sees that her tail is more like an octopus tentacle. These rats still show their own changes from the touch of Chaos. “Only in small measures, though. There aren’t as many of us as there once were, and the witch-seer Kaylames said she foresaw us rats hurting the Tyrant. But that meant she could take our position. And of course, she fell too, because there’s more of you biggun-witches in this city than anyone can count, and they’re a poisonous clade of hags, one and all. But we can still work. What’re you wanting and what’re you paying?”
“I want to learn,” says Keris simply, folding her hands in her lap. Her gaze invites no arguments about being too clumsy to learn. “As for payment, I’ve a range of things I can offer. Rare and precious Shapestuff, plunder from other islands, healing and witchcraft. What currency do you prefer?”
The chorus of ratty protests is immediate and sudden.
“Give away our secrets?”
“Sell our birthright to a biggun witch?”
“Who do you think you are, shape lady? Such an offence! Such rudeness! We never ever would do such a thing!”
It is of course only the start of negotiations, as they try to get everything they can out of her.
They go through several rounds of argument, ruling out Shapestuff, changesilver and a variety of Dusk Sea currencies, before Keris scents a possibility and sinks her teeth into it.
“If you’re in such miserable conditions here that higher denominations would be useless to you,” she says casually, “I could always pay you with transport elsewhere. It sounds like the Tyrant isn’t going to let you claw your way back up to wealth and power, not with that prophecy hanging over you. So why not leave?”
This provokes a brief huddle with quiet muttering among the rats that Keris shamelessly eavesdrops on, then they turn back to her.
“Here, don’t think we’re fools, witch-lady!”
“Yeah, yeah! We ain’t gonna let you just drop us in some other slum or dump us on a poky barren nowhere-island!”
“We know how that goes! You ain’t getting one over us that way!”
“It’d have to be someplace like we used to live! With status an’ respect!”
“Someplace as appreciates our craft!”
Keris bares her teeth in a grin. “Well,” she drawls, “I do happen to be a friend of the Ceok of Kuta. You know, one of the Sky-Scraping Towers? I’ll even be taking him a diplomatic gift when I swing through his city again, to thank him for the banquet he threw me when we met. He’s a tyrant too, but a fair one. I bet he’d appreciate skilled crafters like you.”
They’re good liars, these rats. Not good enough for her, but good. So they do a good impersonation of a diffident attitude where, sure, they wouldn’t be adverse to this but it’s not like it’s life and death to them. Whatever. They can probably give it a go. And sure, they might do you a solid favour and teach you a little of what you want to know. And maybe the rest when they’re actually there. But that’s their final offer and take it or leave it.
Keris lets them sweat for a moment, affecting scepticism. She bargains a little more, defining exactly what they’re to teach her now and what they’ll fork over in Kuta. But eventually, she lets herself be convinced.
“Fine,” she agrees. “Then I’ll bind myself to this pact with a handshake.” Biting her thumb, she lets a drop of blood roll into her palm and holds it out, letting none of her true intentions onto her face.
The family elders take a moment to squeak and have some rattish conversation among themselves that Keris cannot understand, and then eight big fat rats in turn offer up their little, disturbingly-human-like hands with droplets of blood. The deal is made, and eight little parasitic seeds take root next to ratty hearts where they can quietly feed on their hosts’ knowledge if they renege on their promises. And then it just turns into a question of smuggling the rats past the passport control, because they certainly don’t have passports, which is all handled trivially by Roaming Yu with his Eclipse-y magic. Most of her acquaintances are more than happy to get out of the deeper wyld and back to the ships, but Keris herself is in the situation where she could go back or head deeper and start looking for more things here in this city. She and her two sons are left with Jamahidaya, looking up from the depths of the narrow streets.
“Alright,” she says. “We’ve gotten what we came for. Even if they try to back out, that pact will let me draw on their knowledge. So now it’s time to decide where to go from here. We could explore further, or head back, but Chierxes isn’t going anywhere in the long term. Our second goal in this place today is to kill Pedang-Hitam, so we should focus on that. Which means,” she concludes, “figuring out where he is and what he’s doing.”
“I suppose we go where the evil sorcerers go,” Rathan drawls.
“That sounds fascinating!” Jemil says brightly, clapping three pairs of hands together. “Where is that?”
“I don’t know. I was just assuming they’ve got somewhere like this in this city, and we know he was allowed out of the docks.”
As it so happens, Rathan’s assumption is well founded. The rumours on the street say that the Sorcerers’ District issues an invitation to those recognised as peers among its ranks, though in this warren of the poor and downtrodden no one knows how to get there. But there are stories of doors opening anywhere and anywhen, all to let the mighty and magnificent through into the realm of the sorcerers who advise the tyrant and wield terrifying powers.
Keris considers all this, and stops by a fabric shop to get raw materials to dress her entourage appropriately for drawing the attention of the sorcerers. Sure, she could rely on her raw power and the demon lords and one dragonblooded sorceress with her, but as a professional dramatic ho she is quite aware that style is at least as important as raw power when it comes to getting others to take you seriously. Especially when dealing with the fae.
The shop proves fruitful, if exotic, and less than an hour later Keris and her coterie leave in the finest of fashion. Rathan is a picture of elegance - for Elegance is what his tailored long-tailed jacket and breeches are made from, as is the sleek hood that dips low to obscure his pearlescent eyes. Jemil wears Curiosity on his many sleeves, each styled to suit a different arm yet complementing and balancing each one all the same, and seems delighted with his quizzical mask. Meanwhile, Jamahidaya’s flowing robes and many petticoats are cut from pure Ambition, and who knows how sharp her smile is under the fluttering veil that sits just below her eyes?
Keris herself, of course, is resplendent even among the rest of the group, carrying a wide-sleeved flowing wine-red cloak of Authority on her shoulders that’s patterned with keen-eyed serpents. That’s not her only attire, for she offsets it with an enormous pointed hat shaped from felt-of-Mystery, whose tip is dipped in silver. Tassels dangle from its broad brim, and the glittering constellations picked out across its underside wheel and shift whenever she dips it to hide her face.
She’s not sure these unstable, Wyld-woven garments will last long once they get back to Creation - indeed, so volatile and fey are the materials that they may not even survive in the shallower parts of the Dusk Sea. But here in Chierxes, it is no unusual thing for concepts to be worn as clothing, and Keris can’t deny the results. So attired, she leads her little group out of the shop and through the streets, conversing as they proceed - with no effort made to lower her voice - on such topics as the proper way to beckon a greater demon’s consciousness into a dark shrine on the night of a new moon, the means by which one can tear out a soul and crystallise it into a jewel, and the nature of man and demon and how with the proper ritual they can be fused into dyad-beings who bear the strengths of both yet only half the weaknesses of either.
It takes all of the length of one street for the wall to open up like a hungry wet maw. A golden tongue shapes itself into stairs, and out strides a sorcerer. They are definitely a sorcerer. They are so definitely a sorcerer on their jewelled robe and their grand staff topped by a crystal staff with burning eyes and the books that fly behind them flapping their pages and their studious androgyny that Keris suspects that they might not actually be one, because this is to a sorcerer as a ring made of brass, paste and glass is to a fine ornament.
“Sorceress! Sister! Your puissance rends the very world itself!” they say in what almost sounds like the Tairan way of speaking. “The hateful gods must tremble at the sound of your feet! Your entourage might be enough to overturn the thrones of heaven! Come! Come! Away from these common sorts and their mundanity! There is better company awaiting you!”
“You see?” Keris smugly informs her companions. “It’s all about the performance. Dressing the part. Showing what they expect to see. Brother!” she adds in a louder tone, swinging back. “Glad I am to receive the recognition that is my due. Show me to these kindred who are worthy of my time, for I have heard of the sorcerers of Chierxes and much anticipated meeting them.”
Up the golden path of the tongue lies the narrow causeway that leads into the place of the sorcerers, and it is nothing like the warren-hive of the poor. Instead, within the city limits grand estates roll with gentle, affable slopes. That is what Keris thinks was originally there, but now each estate is a unique wonder of sorcery. The towers of one rise up so high as to breach the low clouds overhead, another is a chasm where crystals chime and glowing insects fly, and another is a tiny sea that flows in an orb above a crater, upon which floats a grand barge. All of them are like this; magnificent, beautiful, vainglorious. And then between the estates there are grand civic buildings with roofs of brightly polished tin that outshine the stars overhead - for the sun has set in this hall of sorcerers. Instead, many-coloured paper lanterns float in the skies overhead, a constellation of majesty.
Of course, the cynic that she is leads Keris to suspect that not all the estates here were built by sorcery. No doubt they are lies, deception in and of themselves. There may be some made by sorcerers - or their wyld-touched counterparts - but if this was all true, there would be enough power to conquer the whole Dusk Sea. And that has not happened. Thus a fae deception is in effect.
But on the other hand, there are a lot of sorts here who clearly adore the aesthetics of the sorcerer and Keris’s styles. Soon they are surrounded by a flock of extravagantly-dressed peacock-men (“Oh, you must simply see my workroom”, “Have you ever heard of the theories of Gisdakyladsa the Wise on Alkemic Alabaster?”, “Perhaps you might like dinner with me, where we might discuss some fascinating spells my ancestors discovered?”, “Alas, alas, this wonderful man has just stolen my heart away-”)
Rathan sighs wearily the first time they get a moment away from the crowd. “And I suppose you are going to want to take them for everything they’ll give?” he says dryly.
“Of course,” Keris agrees cheerfully, her fingers already itching. “This place is a treasure trove, and while at least half of them are faking it, I’ve overheard at least three who’ve definitely at least read legitimate spellbooks. Don’t you want to head back to the fleet with a pretty new tome for our school?”
“I have Oula,” he says, his pretty features not showing any hint of the withering contempt in his whisper, “and these so-called sorcerers do not have chaste intentions. And,” he continues, a blush rising on his cheeks, “just look at Jamahidaya. She practically looks like she’d do anything to get her hands on forbidden lore. So no doubt you are going to need to escort her - and I am, ah, aware that you are not involved only with Mele.”
He isn’t wrong. Jamahidaya has an arch expression on her South-Western features, but she’s surrounded by pretty men and women and is flirting back with the ones who seem to offer the most delicious secrets. Keris has never seen the other woman so overt and unrestrained as she is now.
This would be a chance to get to spend more time around her, the thought occurs to Keris - and she can leave Rathan to ride herd on Jemil, as Rathan is if nothing else good at making people listen to him.
“Always so responsible,” Keris teases gently. “Alright. Stay with your brother and keep him from poking his nose into anything too dangerous. Return to the ships if you need to - and keep an ear out for where Pedang-Hitam is if you do. If I find any hidden gems here, I promise I’ll share.”
When Keris - clad in Authority and Mystery - joins Jamahidaya’s Ambition-bedecked form (and maybe, yes, add a little performed pollen of the All-Hunger Blossom), the crowds swarm back in, and around her the skies ripple and walls spring up and she is suddenly in a grand ballroom. There are so many people here who want to make her acquaintance, sorcerers of great repute (they assure her) and when she asks ingénue questions about these many mighty names she gathers some of the history of this place. The great families of the district of the sorcerers descend from the mighty sorcerer-lords of Chierxes of old, they are second only to the Tyrant, and oh! She is so lovely, and so is her companion, and surely the Tyrant might entitle either of them if they were willing to pledge to Chierxes.
But such things barely matter, not compared to the feuding houses and their magics and their great legacies. There are the Dsozasa-Lee with their contracts and their wish-spun orbs which float after them as guardian-spirits, there are the Farosvtvo who wear their many fae consorts in their own blood and their looks. There are the Chorchell-Lie whose feet burn where they tread as a price for their magic and there are the Zauberie who are sworn to remain virgins for their magic and so continue their numbers by blood-transfusion adoption and there are the decadent Trolgia and the bull-headed Mabsul and the gold-blooded Noitsihr-
The list goes on and on and all of them feud and all of them hate each other and all of them are having affairs and all of them - they assure her - have so many secrets. And there is wine - so much wine, conjured from fountains - and there are drugs and incense and dreams to consume and they are so clearly trying to get her inebriated. The music rises higher and higher, to a dizzying waltz in the upper registers and some of the families start swapping their masks, changing faces and Keris, much to some disgust, finds she is having alarming amounts of fun here with the game as they try to trick her and she tries to trick them back.
It’s a two-front battle. On the one hand, Keris is tackling the fae, letting her eyes glint green under the brim of her great hat and shaking as many hands as possible as she drops expert terms and poses challenging questions to the ‘sorcerers’ who vie for her attention. With the ruthless precision of a scalpel, she separates the wheat from the chaff in both power and mystic knowledge, noting those to target and discarding the posers.
But all the while, she’s keeping an eye on Jamahidaya and her new openness. Not just sticking close to protect her from that new fascination with the forbidden and profane tempting her into selling her soul or falling for a trap. Keris wants to know more about this woman she’s seducing with offers of land and power. She’s not worried about Jamahidaya’s loyalty, exactly - the Dragonblood has seen with her own eyes that not only can Keris conjure real, valuable land from the tides of chaos, she’s also willing to do so even for an unreliable and half-mad ally that wants to vivisect her. And that she’s willing to share both knowledge and power with useful allies and skilled lieutenants. If there’s any doubt in Jamahidaya’s mind that Keris will make good on her promises, it’ll be a surprise.
But the price of Jamahidaya’s loyalty is only the tip of the iceberg. She’s draped in Ambition, and it’s not unbefitting of her, but perhaps Keris should have given her the Mystery hat, because even after a couple of months of sailing together the other sorceress is still something of a cipher. What she values, what she fears, what she’s proud of and how she thinks... Keris has tried a couple of times over the course of the journey to measure her heart, but Jamahidaya’s always been too guarded and withdrawn to let anything slip past her jaded mask.
Here, though, she’s emerging a little from her shell - and paying more attention to the fae than to Keris. Perhaps that’ll be enough of an opening in her guard to peek through.
The decadent party goes on for - gods! - at least three weeks, in that the great astral clock-face floating over the district rotates twenty and more times. However, from Keris’s internal count based on her inner world and Zanara’s none-too-charitable observations on the taste of the local denizens, it’s more like a day and a half. It’s still enough time for Keris to have four affairs, win the fragments of a so-called ancient spell of horrifying power at the card tables which she’s extremely shocked to find is in fact what looks like an accurate Silurian spell of the Celestial Circle, and get seduced by a Zauberie woman with the head of a fox and the lower body of an octopus who ends up declaring her eternal love for Keris and giving her a family heirloom in her frantic delusions
“I don’t care how profitable it was; this is still contrived,” Zana grumbles inside her head. Keris’s Artist soul is very cruel and unfair in her judgemental critique of Keris’s fun. “No, seriously. None of those affairs were properly developed; they all just skipped straight to being besotted with you and cheating on their official paramours for no reason. Like, you don’t tend to need long to hook people, but they were obviously just wanting to skip straight to the infidelity bit for the drama. And you definitely didn’t put the work into winning that octopus-fox’s heart. That was telling, Keris, not showing. I’m not Haneyl; I don’t care how many expensive things you’re getting; it’s bad storytelling and they’re all failing to convey the roles they’re trying to play. Also, I’m just going to say, those spell fragments could have been foreshadowed better if everyone was going to act like they were such a big thing, not to mention-”
Keris mentally nudges Dulmea to get her mean, overly-critical daughter away from the mirror and sulkily goes back to the festivities. Much to her shock, Jamahidaya has been matching her drink for drink, and while she’s clearly off-her-tits drunk, she’s still got the mask up and is still entirely functional despite having imbibed enough to float a small boat.
Keris is pretty sure: Jamahidaya has had, or still has, a problem with alcohol. It’s not that she has the wood-aspected resilience to booze, because she’s water-aspected: no, she is very functional despite being clearly drunk in a way that strongly suggests that she has spent a lot of time extremely drunk. And secondly, when she gets drunk, even if she’s acting like she’s in control of herself, all her inhibitions go out the window - which is why Keris ends up seducing her to keep her out of the bed of fae dream-eaters who’d smell her vulnerability in this state. Jamahidaya eagerly reciprocates with none of her usual wariness or distance, and the sun rises again to find them in bed together, Jamahidaya sleeping off her intoxication while Keris has her two new acquisitions to look at.
This is her immediate conclusion - the sorcerers of Chierxes used to be mighty. Even wyld-corrupted and tainted, shifted by their time in Chaos, these spells are real, and they’re not lightweights. One to make a poison that will tear apart a man’s spirit in uncontrolled frantic wyld-change, and another which will create tsunamis in land and sea alike. The latter is a spell a dragonchild like Jamahidaya could cast, but the other is a more advanced spell. Did they once have mightier casters, or did they - in their futile greed - gather up all the magic they could even if they couldn’t use it?
‘I may have to come back here, mama,’ she reflects. ‘If they have more secrets like these tucked away, this place is a resource. And...’ she glances down at the woman sprawled over her lap, ‘I’m no longer sure I trust Jamahidaya’s integrity or temperance enough to assign her to come here alone.’
“Indeed,” Dulmea says. “That would seem to be the missing evidence as to why she was always so distant from the... way that Haneyl can be, with her indulgence and her conspicuous consumption. She was trying to avoid temptation in a place she did not feel safe.” She hums to herself. “Which meant either she felt safe around you here and now, or - perhaps more likely - her ambition and the heady lure of the Wyld overcame her self-restraint.”
‘A little concerning,’ Keris notes. ‘Hmm. Alright, I think we have enough to start putting together a clearer picture of her. Let’s think about what we know.’ She strokes Jamahidaya’s hair, teasing through the strands with her left hand and feeling the deep well of water essence lying still and quiescent.
‘Her family’s fallen on hard times; more than anything else she wants prosperous land to move the Azura family onto and provide a stable holding. Vulnerable to alcohol, and she’s spent a lot of time drunk - enough that she knows about and guards it as a weakness. She’s a sorceress, with a talent for water-magic, but rather than put those skills to honest work she’s signing up with shady, morally dubious people like... well, me. And my daughter, originally.’
“Haneyl would be insulted to have you call her ‘shady’.” Dulmea pauses. “It is not untrue, though.”
Keris taps her lip. ‘That paints a clear enough picture of her background, I think - the only question is what specifically drove her away from more legitimate sources of work. But as for the woman herself... hmm. Let’s see, shall we? She’s drunk enough and tired enough that we may well get something out of her here.’
Still stroking Jamahidaya’s hair with one hand, Keris cups her cheek with the other, brushing her thumb across the slightly clammy bags beneath her eyes.
“Jamahidaya,” she says, loud enough to rouse a light sleeper but keeping her voice unhurried and placid. Her goal is to stir the woman just to the point of dreamy half-awakening, not to rouse her fully. “Jamahidaya, darling. How are you feeling?”
“Mmmgh.” The drowsy half-woken sound is self-pitying. “My head...”
“There there, dear.” Keris traces a finger down her forehead and the bridge of her nose, and her quicksilver fingernail releases a fragrant, floral-scented breath of cinnabar vapour drawn straight from her veins. Jamahidaya’s system will work through the mercury in a few days, and for now it soothes the brutal hangover afflicting her. She’s left staring up through dreamy, distant eyes at Keris’s aura of soft reds and pinks, which faintly illuminate a lovely face made lovelier in shadow.
“Does that feel better?” Keris coos. “Here, rest your head on my lap. Let me stroke your hair. No need to get up just yet, we’re safe here and we have time to spare.”
Her eyes, the shade of the sea in the depths where only a smidge of light breaks through, are bloodshot and bleary; her blue hair (shot through with white at the temples, despite her seeming mid-twenties looks) is sweaty and misshapen. “Urgh,” she moans. “Better. Better, I think. Urgh. Is it... too hot?” She throws off the covers, trying to cool down from the sudden warm flush as her body starts breaking down the alcohol-poisons at an accelerated rate, and Keris’s attention is once again brought to the almost-stained-glass pattern of many colours which spreads over the left side of her torso. It isn’t a tattoo, even though it could look like one at a distance, and when Keris runs her fingers over it she can feel the hardness of each shape, almost like scales. “Did I... yes, we had sex, didn’t we?” There is a hunger in her eyes. “It was good.”
“We did, yes,” Keris soothes, stroking her hair again. “After Prince Nathra and Jemil both left us, remember? I didn’t ask, by the way - what do you think of them? You were working with them in Leefa.” It’s not a subtle prod to assess what Jamahidaya’s worked out about her sons, but Keris is currently haloed in Rathan’s innocent moonlight and taking advantage of how much the shadows bring out her beauty; she doesn’t really need to be subtle.
“You must be in the favour of the demon prince they serve - the real one, not your pretence to be one,” Jamahidaya mumbles, leaning into Keris’s touch. “Three of their souls work with you - those two and Haneyl of the Flame. I haven’t heard of someone bearing such favour with Hell, save for the Beast Durthanka, master of the Lintha.”
Keris’s lips curve with suppressed amusement. So, she thinks. Jamahidaya believes Keris has a very close pact with a demon prince, and that her pretence of being one herself is just a performance. Both of which are perfectly true. The bit where Keris’s children are her benefactor’s souls rather than hers, less so, but it’s an understandable mistake. One that works to her advantage.
“My lady is generous, and I hold more of her favour than any other,” she agrees, keeping the quiet laughter in her voice to an undertone. “What else have you concluded about me, then? I hope Hell’s favour is the only thing you think I share with Durthanka.”
The light of the red halo that gleams around Keris’s head falls into Jamahidaya’s eyes, washing away thoughts that might lead her to think ill of her patron; the darkness Keris has already planted inside her squirms in her heart, growing deeper and darker. Jamahidaya has consummated her relationship with this wicked woman, inhaled the spores of her lust, and Keris’s hold over her is such that she would do almost anything for another night in her bed. It isn’t Jamahidaya’s fault. The very demon princes have fallen for the same tricks Keris wields with such wicked aplomb.
“You’re what the Immaculates call an Anathema,” she says dopily, shifting around to kiss Keris’s lower belly. “But you’re not Lintha, and you’re stealing their ancient city and the secrets within. Good. I hate the Lintha. But I don’t hate you. I loooooove you.” She giggles, and blinks owlishly. “And you wield the most ferocious powers of Hell I’ve ever seen. You can spin chaos into order, just like the lesser demons say the demon kings did at the start of time.”
She shifts her weight, and starts to crawl up Keris’s body until she’s sitting on her lap, legs wrapped around Keris and ankles crossed behind her back.
“You’re generous. And powerful. You’re going to give me my island~” she sing-songs, still inebriated both from how much she drank and the drugs Keris fed her. “And you and Haneyl of the Flame pay well. And reliably.”
Keris’s hand is still in Jamahidaya’s hair, and she curls her fingers to scratch at her scalp in slow, deliberate caresses. It works - Jamahidaya’s eyes slip shut and she tilts her head into the contact like a cat, purring with pleasure.
“That’s right,” Keris says, feeling a bubble of sympathy well up. Jamahidaya probably isn’t aware how much that last little comment gave away, but Keris suspects that her new lieutenant has had to scrabble for money more than once in her life. Enough that she puts a lot of weight on how much she can trust an employer to actually pay her what she’s owed.
“I’ll give you your island,” Keris continues. “Once we leave the Dusk Sea. You can even come up with some ideas of what you’d like me to sing it into being with, mm? Why don’t you give me some ideas?”
It is not difficult at all to get Jamahidaya talking about that, and Keris does pay vague attention to the sorts of resources and natural wealth she wants her lands to have. But while that information is useful, it’s not really what she’s looking for.
No, the island question is a way to let her assess how Jamahidaya thinks. What does she value and what does she consider less important? What will she ask for, given a blank canvas to paint her desires for her lands on? What types of resources does she consider essential, and what does she think she can cover on her own, and why? What thought does she give to her people, to defence, to opportunity, to risk, to repayment Keris is owed?
Seeing her mind work, hearing her voice her thought process out loud - it all builds a more complete picture of her. Oh, Keris could dig deeper into her past - and probably will; she’d quite like to know where those scales came from and how they got there. But for now, she’s interested in the present, and the future.
The island that Jamahidaya sketches out takes somewhat longer to describe than it might have taken her in a less still-drunk and less in-bed-with-Keris state of affairs, but what she loses in accuracy, well-thought out planning, and economic forethought, she also loses in filter. And Keris wants the unfiltered thoughts.
And what interests her about that is the clear war going on between the other woman’s desire to do right by her family and secure them land and holdings and wealth, and the fact that under all the distance and the controlled mood, she’s an adrenaline junky to an almost self-destructive way. Which is why the island she describes is one which is wealthy and has healthy farming and rich towns, and so on - but also has wild untamed expanses full of monstrous wild beasts, demons and wyld-monsters to pit one’s self against, and the ruins of once-great sorcerers to venture against.
It’s a missing piece to Keris, and also explains something of why Jamahidaya Azura came with her on this trip, deep into the Wyld, and why she was willing to work for demons. She dresses up her attitude in the concerns of a proper member of a Raraan Ge family, but Keris has experience with addictive personalities and pathological risk-takers chasing thrills.
How much of the Azura misfortunes, she wonders, did Jamahidaya inherit, and how much did she cause? She looks to be in her mid-twenties, which puts her at anywhere between thirty and, mm, eighty or so? Potentially long enough for her to have been involved a couple of mortal generations ago, or even responsible. But while it’s possible, that’s not the vibe Keris gets.
No, if she had to guess (based solely on inference, holistic impressions and a general theatrical sense for how this kind of story goes), she’d wager that Jamahidaya inherited a family that was already struggling and then took some reckless and risky gambles to try and restore their fortunes. And some of them might have worked, but given how desperate she is, more failed than succeeded, and her actions wound up kicking her teetering family off the ledge they were barely clinging to.
Exactly what form that failure took is up in the air. Perhaps their need for land is because she lost them what they had, or perhaps they were already land-poor and she merely gambled away too much of their remaining money. Or lost them precious contacts and allies by offending them, or political status - honestly, it hardly matters. Clan loyalty plus a reckless attempt at improving their lot that only made things worse is precisely the right combination to produce a self-sustaining guilt complex that wouldn’t need any reinforcement past the first few failed attempts to repair the damage.
Someone else swooping in and fixing her family’s hardships would probably destroy a woman like that, but redeeming herself by taking a risk on an outright Anathema that pays off and successfully restores their fortunes… that’ll transmute all that shame and guilt into validation, relief-fuelled pride, a fanatic kind of loyalty that won’t even need Szorenic mercury to instil and a dangerous sense of endorsement for fantastically dangerous risk-taking.
Not someone Keris needs to worry about in terms of loyalty, in other words, but if she’s right about the Azura family situation being partly down to Jamahidaya’s past recklessness, rewarding her for more recklessness is going to give her a very loyal, very self-affirmed subordinate who will not hesitate to take huge gambles that put herself at risk in future. Kind of like how Hanily’s streak of successes at playing half-feral child-priestess up in Zen Daiwye gave her too much confidence in her own invincibility, but worse. She’ll get along wonderfully with Mele.
“It sounds perfectly lovely,” she croons, petting the dazed, blissed-out dragon in her lap. There’s no use trying to talk her out of it now, at least not while she’s this drunk. It’ll just have to come down to delicate probing to see how accurate her guesses are, risk management when she assigns Jamahidaya missions and some very careful thought about how close to put the new Azura holdings to the Dusk Sea. Making the dangers of this place too accessible to a courageous, audacious sorceress she’s inducted into the pleasures of forbidden knowledge could very easily backfire.
“Very fitting for you, definitely,” she adds. “I’m sure your family will love it. Why don’t you tell me about what your old lands were like, hmm? Maybe I could copy some of the bits you liked the best.”
She is more open about that than Keris had expected. The Azura family had their holdings on Shuu Konfa, in the area around Gunei. Keris is vaguely aware of the place, as the second largest island in the Maula satrapy and far less mountainous than Shuu Mua. But it’s always seemed much less important to her, because for all that the satrap has their seat of power in Gunei, Gunei is no Saata. It is perpetually the second city of Maula, and as someone who is Saatan by adoption Keris is pretty sure that some fancy-pants Realm Dynast couldn’t cut it in Saata and so went to quieter, sleepier Gunei.
Sinasana Medala probably beat the shit out of the last satrap to try to set up in Saata. Keris definitely believes the woman both could and would do so.
Gunei, Jamahidaya describes, is a city of mangroves and coral, built on and around a lagoon on Shuu Konfa. The painted wooden buildings entwine with the mangroves and the divide between land and sea is blurred. Brightly coloured birds call up, nestling in roofs that are also tree canopies, and there are districts on the outer edges of the city made entirely of anchored houseboats. It reminds Keris of things she saw in Qui Don, only less awful. The Azure family never ruled there, but they had been wealthy. And they had declined over time, losing holdings and the favour of the despot of Gunei. Without the power they once had, they had needed to sell off land - or lose it in short-term marriages. Jamahidaya had been born to the family when they had been on their way down, had been chosen by the Dragons, and had tried her best to better their situation and none of it - nothing - had worked.
(and, well, she had learned sorcery and had gotten into trouble and maybe there had been certain incidents and for the sake of her family she had walked away and claimed to be a free agent untied to them and if she’s still in contact with any of them, it can’t be public)
“There, there,” Keris murmurs, guiding her poor, reckless, exhausted dragon to rest her head on her chest and drift back to sleep. “I’ll give you your new lands and help you get your family to them all in one piece, mm? Don’t worry about anything. As long as you’re with me, it’ll all work out.”
She drifts back to sleep in Keris’s arms, holding close to her - and maybe both of them know now that Keris will never let her go, that when you get this close to the Voice of the Mouth of the Yozis she will echo in your head and flesh forevermore. But maybe she thinks this is a price worth paying for the alluring things Keris offers.
And if she doesn’t yet, Keris intends that she will come to that conclusion in time. They all do.
Another day comes in the half-light of the Dusk Sea, and Keris is trying to track down the sorcerer-lord Hsi Abjada, whose skin is as clear as glass thanks to a pact-wager with some terrible wyld beast - or so the story goes. He’s who she was directed towards to get permission to enter the hanging libraries that dangle from one of the stars in the sorcerer’s district, after the first two people turned out to be false leads. The whole thing is making her discontent, especially since the hanging libraries are not currently visible due to the positions of the stars so she can’t just break in herself.
She can feel the pressure of the wyld-sea pushing down on her, trying to reshape her. Soon she’ll have to choose - will she stay and start wielding greater powers to fight off its influence, or head back to her ships where the touch is gentle and the Baisha’s presence protects her further? Ah, but there’s rumours of mightier spells hidden in those libraries, and maybe if she gets in there she can find how there are scraps of Celestial Circle spells in this city. She might even be able to find something of the real history of this place, though that is something of a vain hope for how long it’s been washed up and half-submerged on this shore of Chaos.
She hears him just before he makes himself known - that chime of sunlight, that feeling of pressure and force. A power of the sun that is a rival to her.
“Ah, good day, good day to you, madam! I have been looking for you since I heard tales of you - I have an introduction from Ua Dsozasa-Lee who speaks most fondly of your knowledge and your wisdom. Pray, stay a moment, spare me some of your time. I swear it will be worth both of our whiles, sorceress.”
This is her first introduction to Aati Pedang-Hitam under the red light of the sun in the Dusk Sea; dressed in neat black trimmed in gold, his shirt loose and frilled and puffy, an elaborately embroidered deep blue sash-skirt around his waist showing birds and fish, a long blade belted at his hip and a little round hat pinned to his long flowing hair. His dark eyes are clever, his forked beard threaded with orichalcum beads, and he has long and heavy earrings stretching out his lobes. She can see that he is the same ethnicity as Suriani - though darker than her, maybe he’s from the southern cities - and see the Chosoni elements in how he dresses. And she can see he’s a sorcerer. To his left, a flame duck dressed in translucent silks; behind him a collection of blood apes wearing black and gold tabards.
To his right; a tall woman, with pink hair, rabbit ears and horns, and a dowdy style of dress and thick spectacles. Neither can conceal that she is notably beautiful, and it would take just an afternoon of attention to her looks and for her to straighten up for it to be obvious. Keris knows that face, and more than that, she knows that cold, seeping iron-taste. One of Ohasei’s daughters, and a powerful one, comparable to one of Keris’s own children.
‘Ah,’ is Keris’s first thought, followed immediately by ‘shit’ and, hot on its heels, ‘I really should have changed my face; she’ll almost definitely recognise me.’ Ah, but most of her fleet is still unaware she can do that - but on the other hand, while keeping the knowledge from Roaming Yu serves a clear purpose, is there any value in hiding it from Jamahidaya?
Well, nothing for it now. Ohasei’s daughter will likely have recognised her; the only way out is through.
“Oh?” Keris responds, turning more fully to face him and waving away the unimportant hanger-on she was interrogating with an idle flick of her hair. “I do like bold claims from handsome men, I suppose. Do continue, then. What wiles will you be proving worth my time, sir…?” She leaves the title hanging, inviting an introduction.
“Ah, but of course, of course!” He offers her a florid little bow, and as he straightens up there’s a flash of gold between his fingers, and there appears a black petaled rose. It holds that shape for a moment, before the petals spread their wings, revealing themselves to be butterflies which scatter in a cloud.
“Magister Aati Pedang-Hitam, just delighted to make your acquaintance. But you knew that already. Didn’t you?”
Keris hums noncommittally, charmed despite herself by the flashy display. “Your name may have come up,” she grants. “And do you know mine, I wonder?”
He offers her a wicked smile. “I know who you look like - the question really is whether you are her, or whether you are merely some imposter here to take advantage of those who have indulged in the most esoteric and forbidden lore that awfully boring sorts like the Immaculate Order would burn me for.” He rolls his shoulders in a silent chuckle. “Well, that’s rather low down the reasons they want me dead, but still. The question is whether you are who you look to be, or whether you are a conwoman’s bait to the learned - and only the learned.”
“That would be a clever scheme, wouldn’t it?” Keris agrees, with a smile that hints that perhaps she is the real thing, amused at her imitators - or then again, perhaps she just appreciates the flattery given to a trap that lures only those who have already shown themselves willing to learn what is forbidden.
“Well then, sir Magister,” she continues, tossing her hair, “since I wouldn’t dream of spoiling your fun by confirming one way or the other before you’ve drawn your own conclusions, why don’t we find something else to discuss? Matters of sorcery, perhaps - I was just trying to find a way into the hanging libraries. Or maybe your fair companion?”
“Oh, I don’t know,” he says affably. “One would think you’d be happier to be mistaken for the most beautiful woman alive, who challenges even the gods and the mightiest demon princesses in her looks. Someone who certain demons have mentioned is a peer to Erembour and Venus. But, well,” he spreads his hands, “if you’re not the lady in question, that’s quite another thing... and you’re suddenly much less interesting to me. Because that certain lady is possibly the most intriguing woman I’ve ever heard of.”
Keris is a fearful, envious creature - but a vain one, too. And while she delights in compliments to her beauty, to be called intriguing appeals to her even more. Aati Pedang-Hitam is rewarded with a burst of rich laughter that echoes across the hall, drawing many jealous eyes to him as Keris’s head tilts back in pleasure and highlights the delicate line of her throat and the graceful arch of her spine.
“You are charming,” she accuses, still grinning as she refocuses on him. “Dangerously so. Yes, alright, you’ve caught me. I’m Keris. Harlot of the Titans, among other titles - and I wonder how many of those you know, hmm?”
He rests his hands on his chest. “Oh, no doubt fewer than you have. But a mad demon-sage I had read a copy of the Broken-Winged Crane for me - for I wasn’t going to delve into that cursed tome myself blindly - named you as the Scarlet Lady. I should add that he wasn’t mad before he read it. He recognised you from the great celebrations he had seen on Ipithymia, the Gilded Idol, who rules the Street of Golden Lanterns. And then, well, I may have been a little naughty,” his eyes twinkle, “and called up Quartilla, the Flame that is Need - on the basis that while Claudia would no doubt know more, she’s a little too much woman for me and too pricey in how she bargains, while Quartilla is much more amenable to flattery.
“She really doesn’t like you, you know - and sees you as a rival, but on seeing you I must say she is ill-informed. The two of you are not rivals - she’s not fighting in the same tournament as you. Isn’t that sad, Quartilla? But oh yes, not only the Scarlet Lady of the Broken-Winged Crane, no no; your service to the princes of Hell has had them dub you their Voice and their Mouth. The Voice of the Yozis, my my. I am in august company. And fascinating company, too. No wonder the omens led me to you.”
His eyes are keen, sharp, and she can see he’s taking her in. His eyes aren’t just roaming over her figure, though. This is a dangerously intelligent knave of a man.
Keris’s eyes light up. “I don’t suppose you still have that copy of the Crane, do you?” she asks, not-very-innocently-at-all. “I do have a fondness for the text.”
Aati Pedang-Hitam sucks in breath between his teeth. “You do remember my point that the demon in question was driven quite mad by the book?” he asks. “Well, aggravatingly, during a later study session he ate the pages when I looked away for a few moments, then choked to death on them. It was a great annoyance, and I think you’ll agree that it was rather thoughtless of him. Though I suppose he had lost his mind at that point, so the being he was before can’t be blamed for it.”
“Tch,” Keris tuts. “Disappointing. Oh, though I’m sure it must have been fascinating seeing what it did to his body.”
“I’m afraid not. He simply choked to death on the paper.” The man pauses. “I suppose we’ve danced around the point enough. I suspect, from what I have heard, that you know what I wish to know. I am looking for the lost city of Leefa, which is hidden somewhere in these trackless seas. The currents and the winds and the phases of the moon have not aligned for me to hear it. But you - ah, you, you have elements of the fashion of the Lintha in your garb, you are favoured in the ways of their Great Mother who the wise call Kimbery, and the mightiest of the demons show you great favour and respect. Do you know the way to Leefa? Have you been there yourself, and beheld its legendary power?”
Ah. And there’s the meat of the matter. Keris cocks her head, considering the sorcerer with a neutral expression as she weighs her options - and keeping an eye on Ohasei’s daughter, who hasn’t yet spoken. Her eyes flicker to their reflections more out of habit than anything, sizing up their envies and seeking the subtle vibrations of their fears in their heartbeats, but her focus is on what to say.
And there is, she realises with some surprise, really very little to gain from lying or dissembling. Pedang-Hitam can likely hear falsehoods, and even if he can’t, trying to dance around whether she knows of Leefa while simultaneously probing for what he intends to do once he gets there is as good as telling him she’s already claimed it - or at least intends to. It’d be a waste of time either way.
Leading with the truth, on the other hand, lets her take control of the conversation - and if he’s foolish enough to attack a woman he knows only as a harlot, socialite and sorceress in the middle of a fae banquet, not only will it be terribly rude, but he’ll be terribly (and briefly, and probably fatally) surprised.
“You actually caught me on my way back from a month there,” she tells him. “Which brings us to our next question: what do you intend to do should you reach it? The city is no longer salvage for anyone who can make their way there.”
She sees his face fall, and then he spreads his hands and shrugs. “Well, damnation. I was hoping to find it untouched. Though,” his face rises with a sudden hope, “perhaps then you might be interested in dinner with me? Where we could talk about matters of interest to the two of us - and perhaps what you might want for either secrets of that lost city, and perhaps even some further cooperation? I have been to many places across the Anarchy and spoken with the wise in Shaipres and Qui Don alike. I have no small measure of things I might be able to offer in return for your favour.”
“You are looking to find out what is there,” Jamahidaya says, voice soft.
His eyes gleam. “Am I that obvious? Well, perhaps. Though I would love to have dinner with either of you beautiful women - especially the most beautiful and fascinating woman in the world. We can make a game of it. I’ll bring certain of my treasures to the table, and we both try to get as much as possible from the other without giving up anything we truly desire to retain.”
Keris purses her lips. Hearing him out... does work in her favour, she decides. Her oath to Roaming Yu is fulfilled, and she doesn’t actually owe him anything - quite the opposite, in fact. She’s not committed to taking his side in this conflict, even if she’s inclined towards it. It’s not likely that Pedang-Hitam will win her over, because quite frankly she doesn’t trust him as far as she can throw him and strongly suspects that showing him her back even for a second after letting him know where to find Leefa will get a poisoned knife planted in it. The poison wouldn’t affect her, of course, and the knife wouldn’t do much more, but on principle she’s still not risking it.
Even if she doesn’t think she’ll take his deal, though, stalling and distracting him works in her favour. Yu is out at the docks, and the odds are very good that he’ll recognise Pedang-Hitam’s fleet - it is, after all, the fleet he was part of only a month or so prior, and Keris doubts the makeup of the ships will have changed all that much in so short a time. That’ll tell him that Pedang-Hitam is indeed here, and between Rathan, Testolagh and Jianling, Keris might even walk back out into the market to find that her subordinates have taken out the Pedang-Hitam fleet without her. Even if they decide against a pre-emptive strike, she’ll have bought them valuable time to prepare.
“Alright,” she grants. “You have a deal, sir Magister. My lovely associate and I will continue our pursuit of the hanging libraries, and come dusk, you can woo us with the best that you can offer.”
“Very well.” He claps. “Come now, servants, Naradi. We have much to do before this monumental dinner!” He turns, and surrounded by his demon servants and his spirit allies he heads off, cutting through the crowds who move to avoid him and the demons.
“That man is a charming weasel,” Jamahidaya says softly to Keris, once the last of the demons has left their sight. She is sober, and those passions she revealed are hidden under her usual mask of Raraan Ge manners. “He is dangerous.”
“Mmm,” Keris agrees, waiting a little longer until they’ve left even her hearing range. “He recognised me. That was a surprise. And that it wasn’t even Ohasei’s daughter who told him... I’ll need to think about that. But! I don’t think he knows about Yu. Iris, sweetheart?”
Her sleepy little dragon-familiar raises her head off Keris’s wrist with a grumpy look - having already been sent out as a messenger twice not too long ago, she’s been napping to regain her energy.
“I know, I know, you’re tired - but do you think you could take one last message to Rathan for me? I want to let him know that I’ve made contact with Pedang-Hitam and that I’ll be distracting him with a dinner this afternoon. Tell him to ask Yu about the fleet we’ll be facing, and coordinate with Testolagh, Jianling and Ximmin to...”
She pauses, considering. What does she want them to do? Hmm.
“... to act according to their best judgement,” she eventually settles on. “He might be heading back to his ship now, but if they see a chance to seize his fleet once he’s re-entered Chierxes and they’re confident they can do it without starting a war with the city, they should feel free to go for it. Make sure Ximmin doesn’t take all of the plunder. Otherwise, just keep an eye on his assets and prepare for a fight. Go in my name and speak in my voice.“
Iris is gone in a flash, streaking off through the wyld-soaked streets. Jamahidaya offers her arm. “Shall we, then?” she asks crisply.
“We shall,” Keris agrees. “Hsi Abjada is still our best lead, so I’m thinking that if I let one of the bigger gossip-mongers overhead us discussing him in some flattering terms, he might come to us…”
In the end it goes not good. Un well. Poorly. Keris may - may - have broken down cursing the stars and how they won’t fucking show her the library and she’s just going to end them, just you wait.
Worst of all Jamahidaya gets the giggles watching her cursing. “You won’t believe how much better it makes me feel that you’re not perfect in every single way,” she says brightly. “Come, now. Let’s get ready for the dinner. And see what we can learn from this most dangerous man.”
“The dinner we could be having in the libraries over a brace of spelltomes if they’d just fucking show themselves,” Keris complains, not quite ready to let go of her anger just yet. “I should’ve learned that artillery spell when I had the chance. I bet that’d get me a way in.”
“Perhaps they are not real. A dream of Fae silver, only made of books and learning,” the other woman tries to placate her. “A trap for the sorcerers who exhaust themselves finding it. Making themselves tired and vulnerable.”
This only makes Keris grumble more, but she allows her irritation to be soothed and her attention diverted into getting them ready for dinner - not so much changing their outfits, which still look fabulous, as acquiring some new jewellery to accentuate them with.
“How are you feeling?” she checks. “We’re deep enough in the Wyld here that I can feel it trying to impose its nature on us. Are you holding up against it alright?”
“I am feeling fine, Lady Keris,” Jamahidaya assures her, with a slightly hurt note to her voice. “I realise that I perhaps... let myself go during the party, but that was in part because of the stress of the time out here in the lands of chaos. I am looking forward to getting back to Creation.” She shudders. “You, at least, have paid me well enough that I can take some time to review my notes somewhere peaceful and quiet - ah, but hurricane season is coming. Hopefully where ever I choose to take a break is not hit directly.”
“I could suggest a few places,” Keris offers. “If you don’t want to spend them in your new lands, of course. But those are thoughts for later, I think. For now, we have dinner with a charming weasel of a sorcerer to attend.”
Dinner comes exactly when it is meant to, and from the mood of the crowds she has to walk through to get here and the way the Fae look at her so hungrily, Keris gets the strange feeling that the whole district is waiting for this meeting. Maybe the whole city. There are already news sheets being handed out by three-armed orphan calling for people to “Hear all about it! Grand sorcerer dinner happening, someone might die!”
He is already there, with Naradi at his side. He has changed his outfit, and now he is all in black, wearing a voluminous black robe and a little ceremonial headdress of midnight silk and obsidian. His blade is tucked away somewhere, because he can’t see it - maybe under the long table. The room is a restaurant of sorts, far larger than anyone could manage in Creation with a ceiling high enough that clouds and stars hang under it. It is likely bigger than the whole district was when she arrived, but space is poorly defined here.
“Welcome, welcome!” her host says, not rising from his seat at the other end of the long table. “So good you could make it. As you can see, I managed to rustle this little place up from the local Fae, and I hope this is to your satisfaction.”
He is something of a mask to her, though she can see through the cracks that he’s still a man and thus is admiring her as she strolls in with Jamahidaya on her arm. But Naradi is much easier to read - much like her sister Haqia - and Keris can see that she’s on edge and wired. She doesn’t want to be here, and she fears Keris.
“How pretty,” Zana murmurs from inside her head, contempt like a bitter knife. “She’s scared that she’s not the cleverest one in the room. Ah but it’s not even that, is it? It’s not cleverness she takes pride in. It’s her rote, mindless recitation of facts.” A pause. “I hate Ohasei and her daughters. They prize the forms of art over the art itself.”
‘And she always wants to be the main character,’ says Keris knowingly, sweeping in like an empress. ‘If I know Nara, he thinks as little of her as you. But save your hate for her until later. Focus on Pedang-Hitam for now.’
It is an impressive entrance, even without her putting overt effort into it. The Wyld, she has noticed, is starting to bend around her; her Yozi-nature is imprinting the mythos of her soul on the malleable clay of reality much faster than rigid Creation. Flowers blossom in her footsteps; paintings shift and flow to include kymaaeran patterns or alluring copies of her visage. Stone and metal dust falls away from statues and wall reliefs to leave winged serpents in place of what they were before. As she enters the great hall, a faint circling wind stirs its edges - the ghostly echo of the anticyclone that guards the borders of Keris’s soul.
The crowds of watching fae seem to consider this excellent form, and a wonderful preview of whatever’s about to happen. Some of them even applaud. Though that might just be because she’s looking fucking gorgeous and the majority of the crowd either wants her or wants to be her.
The same power can’t be seen around Aati Pedang-Hitam. Maybe the Wyld just likes her better. But regardless, he smiles at her arrival with no sign of dislike. “Let us eat, then!” he says cheerfully. “I always think better on a full stomach.”
Keris is quite aware of that trick he pulled on Roaming Yu, but she has two advantages here. Firstly, she knows he does that kind of thing, and secondly she can eat absolutely anything and suffer no ill effects no matter how poisonous it is. Though she should probably have anything that Jamahidaya might eat.
“Don’t eat anything I haven’t taste-tested,” she murmurs to her sorceress. Then, louder, as she takes her seat; “of course, sir Magister! And what do we have as a spread? I expect to be impressed.”
“A wide selection of impossible delicacies from my fae allies,” he says, as if it doesn’t matter. “I had them make us a taster menu, so there really should be a wide variety of things. Though I believe the first dish will be ice-cold tomato soup, garnished with sea serpent flakes. Really quite refreshing in the heat and humidity, I find.”
“I don’t really feel either,” Keris breezily half-lies. “But I’ll take your word for it.” The food is served - more accurately, it shimmers into being in the middle of the table as space, or perhaps time, distorts around it, and then fae servants come in to dish it up to the diners. Which seems unnecessarily complicated to Keris; if they can make it appear like then why bother with the servants, and if they’re going to use servants why not just have them carry it in?
Fae impracticality. Ugh. If Keris was showing off while serving a big banquet as Mistress of Ceremonies, she’d be far more thematically coherent about it.
The food does, at least, taste good - and despite it all being served from the same large bowl, Keris makes sure she’s had a few bites and surreptitiously touched the tip of her left finger to it before giving Jamahidaya a faint nod.
The soup isn’t real and won’t be actually nourishing, but on the other hand it means that it’s delicious and one can eat as much of it as one wants without filling up or putting on weight. And dish after dish comes - little delicate sugar-glass figures that play a brief concerto before they are eaten, selections of fish and sticky rice shaped into the form of sailing ships that drift in on currents of sweet wine, seaweed wrapped unicorn marinated with spices Keris has never tasted before, and more. She finds despite herself that she’s having fun, but then again she is Haneyl’s mother and has found herself becoming something of a gourmet in her old age.
Zana, by contrast, seems to have taken Keris’s instructions more literally than Keris meant. Perhaps that was just to be annoying, but despite that— “Keris. He’s dressed only in black. And he has no shadow. He’s arranged the lights to conceal it, but when he raises his hand to eat, you can see that it doesn’t cast a shadow on his face.”
‘Hmm. Probably separated from him as a familiar,’ Keris agrees. ‘Assassin or spy, at a guess. He may have sent it after my fleet - in which case it’s fairly likely to get found and brutally destroyed, with how much protection my ships have - or it may be lurking around here somewhere waiting to backstab me. Good catch, sweetheart. Well done.’
And then, out of curiosity, keen-eared Keris pays full attention to him She stops holding back the way she usually does - because there’s no way she can live like this, not hearing the dances of gods upon pins and the fall of every raindrop. She hears the sound of the gold in him, the way he is so much more real than everything around him, even more real than the mournful wail of the mass of coldblood sat next to him. And there is something wrapped around him, a spell. She pays more attention, picking apart the strands, fascinated by the woven sorcery that wraps the melancholy sound of shadows and shades and memory around him.
Only to find... there’s nothing underneath. He is nothing but shadow. Shadow, controlled by a golden thread.
The real man is not here. What sits before her is a more sophisticated variant of the Spy Who Walks in Shadow, which she is academically aware of - a spell to send one’s shadow off to act on one’s behalf, while seeming like it is you.
Keris hums in interest and makes sure to finish her current bowl (a delicious noodle dish in a mermaid thigh broth) as she thinks. Is she willing to put up with this? To play coy? To announce her discovery as a power move and see what he does in response? To play the game, and let him counterplay, and match wits against him?
It might be fun. But he is, at the end of the day, a threat. And Keris finds she has very little patience for playing games with someone who clearly intended to cheat from the moment he set up the board.
(That’s her thing, after all. She can’t tolerate it being used against her.)
So instead she puts her bowl down, stretches theatrically to disguise the subtle shift that plants her foot firmly on the ground, then in one smooth motion hops up onto the long table and launches herself just far enough that her second, explosive step doesn’t catch Jamahidaya in the blast radius of Valiant lightning. The table is long, but at over a hundred kilometres an hour it takes less than a second for Keris to cover its entire length, left hand outstretched to grab the shadow-construct by the head and smash it into the floor.
The contents of the table are tossed aside like tumbleweed in Keris’s wake. But she pays no attention to that cacophony when instead she can hear the shadow form break when she slams it into the ground. It was as fragile as glass, as fragile as a paper wall, and she hears the moment when the golden thread snaps under tension.
More than that, she hears the scream of pain start down the thread just before it breaks. It won’t have killed him, but that was Aati’s shadow. It will take time to heal, if it will heal naturally at all, and that hurt him. A lot.
Then the wake catches up with her in a flash of blinding light, and Naradi Ohasei’s-daughter is tossed from her seat, blinded and sprawling. “Wha-?” she moans, groping around for her lost-and-shattered glasses.
(Behind her, Keris hears Jamahidaya rise, a water-blade formed from spilled wine in her hand, an act of reflex to make a terrestrial weapon.)
Her hair snaps out, wrapping around Naradi’s throat, and Vipera appears in Keris’s hand in a flicker of bloody lightning. Strigida is already forcing her feathers out beneath her cloak and hat. The razor-sharp tip of her serpent-spear hisses softly as it tickles Naradi’s cheek, but Keris’s mild expression and faintly curious tilt of the head behind it is far more terrifying.
“When I’m invited to dinner,” she says, “I rather expect my host to show up in person. Not to play silly games with a spell-construct and a servant. Where is he, Naradi? What did he want me distracted for?”
“I don’t know! I d-don’t know! I thought that was him, I... he had me carry a gift for you, he was giving you a gift, why did you kill him?” she weeps. Keris can feel Zana’s withering contempt for the fact she is a pretty crier, and even her injuries from flying debris are aesthetic. “I... it’s in my robes, he’s dead, he’s dead, I wanted him...”
“He’s not dead,” Keris scoffs. “That was a puppet. His cast-off shadow, controlled from a distance to occupy me while he worked elsewhere. Which means he sent you alone into my jaws, with nothing but a fragile doppelganger, without even telling you. Isn’t that sad, Naradi? He risked your skin, but not his own - and he made sure you wouldn’t even know he was doing it. Take out this present he gave you to give me. Slowly. One hand only.” If it’s dangerous, she’ll sense it before it activates and be able to get clear.
As ordered, Naradi presents a rosewood box, inlaid with pearls. It is quite beautifully made, elegant and yet simple. Keris can hear there is nothing magical about it, though there is paper within and some kind of stone - an adamant?
When she pops the catch open with a lock of hair, she extracts the letter within but keeps the adamant out of sight.
‘Dear Lady Keris,’ she reads.
‘I offer my whole hearted and sincere apologies for intruding on a domain I knew not to be yours. I would not offend the Voice of the Yozis, and while I would love to share the bed of the Scarlet Lady who studied in the lap of the Gilded Idol Ipithymia, I suspect you mean me harm.
‘Well, I know when I’m beaten. Well played, madam, that you beat me to Leefa. To the victor goes the spoils, and since this adamant came from the brow of a rogue Lintha war machine I found elsewhere in this Dusk Sea, I present it to you in the hope that you will appreciate my good faith. I will be leaving this place, though if you do seek me out I hope it is in the interest of furthering our negotiations.
‘It is my sincere hope that you are reading this because I ordered Naradi to give this to you, rather than because you decided to kill me and discovered this was a Shadow Corpus Walker. Ah, well, if that was the case, I suppose I was right to send my shadow out on my behalf. On that note, I offer Naradi as a gift to you. She’s served all the use I had for me, she has the intent to lay with me and steal much of who I am on behalf of her mother. No doubt you can return her to her mother as the insufferable failure she is, or do with her as you will. Though I wouldn’t engage her in conversation if I were you. She’s awfully dull.
‘No hard feelings.
‘Aati Pedang-Hitam’
“Oh no,” breathes Zana in Keris’s head. “He’s hot. That was beautiful.”
Unaccountably charmed, Keris lets out a soft breath of laughter and folds both note and box away into her hair. He’s telling the truth, she thinks - oh, he certainly wanted Leefa, but there are plenty of other ancient ruins and troves of occult secrets in Creation and around its borders, most of which don’t have a demon princess coiled possessively around them. If she’s read him right, he won’t want to risk rousing her ire by continuing to pursue her city, especially when he doesn’t know how much of the protections she’s brought back to functionality (or, indeed, if she’ll return there to defend it from him).
And that honestly makes her like him better. She’s very nearly sorry she destroyed his shadow - especially since he won’t know that she only attacked because it was his shadow, rather than her actually trying to murder him. Ah well. A misunderstanding she can clear up if their paths ever cross again. And he’s left her such pretty presents that he’s earned forgiveness for his designs on Leefa, that’s for sure. Hell, he might have outright tipped the scales in his favour; she’ll have to see if there’s any gift or small boon she can grant him whenever they next meet.
“That man,” she murmurs, shaking her head. “He really is quite dangerous. Well Naradi, it looks like he’s abandoned you. Such a shame.” She eyes the demon assessingly. She could do as Aati suggested and take her back to her mother. But her mother isn’t here right now, and Keris rather suspects she can’t be - not without a proper summoning ritual for a demon princess, or at least the conditions for her escape from Hell being met. She can normally possess her daughters at will, but this daughter, right now, may be beyond her reach.
Which raises the question: can Ohasei tell what fates befall her daughters if they happen off the written page? If Keris uses this potent (if creatively sterile) ingredient she’s been handed, will her mother know it was Keris who killed her? The daughters of Ohasei can be used to communicate with her across the Desert, or so Keris has read... but does that link remain open without addressing them in the proper way?
What she knows from her prior research on the topic when the question of Haqia came up is that Ohasei has much less influence over her daughters when they are in Creation. In Hell, she can take their bodies whenever she likes, and the full measure of her power is manifest within them. Outside of the prison of the Yozis, though, while the right rites and rituals can call her into their forms she cannot watch through them at a whim. They are as free from her as they can ever be - and yet she can still hear the leash, still hear that their resonance is the same as hers.
She could kill her. Ohasei wouldn’t know immediately. But Ohasei never forgives anyone who hurts her daughters. And Keris understands that. Ohasei might be a twisted, domineering monster who lives through her daughters, but they’re still her daughters. Keris would do the same if one of her children vanished. And Aati is away, and knows Naradi was left in Keris’s custody.
For a long moment, Keris weighs her options. She could kill Naradi here. She could feed this knowledgeable, powerful demon to Hellebore, to nurture her offspring’s developing mind. It would be risky, but she’s stolen people from powerful owners before.
But she doesn’t need to do it now. The risk won’t be that much greater if she decides to kill her later. And it would be a waste, in a way. Keris has a collaboration planned with Naradi’s sister Haqia in only a month or so, and the only reason she agreed to work with that hack was to see if she could cut one of Ohasei’s daughters off from their mother. Why waste a test subject like this? Especially one who’s already in such a good place for it.
Because she is. Naradi may or may not know it, but Aati Pedang-Hitam has led her into dangerous territory. She’s standing in one of the inner wards of Chierxes, marinating in the soup of the Wyld. Keris can reject its sticky, pervading influence, and Jamahidaya has fought it off so far - but she doubts Naradi has their resilience. She’s powerful, but she’s not a true demon lord with a greater self and an essential nature to cling to - and even those aren’t wholly safe from the chaos-corruption. Naradi is only a story of what her mother might have been had she followed the scholar’s path. And stories are easily warped.
Vipera retreats from the demon’s throat and disappears back under the shadows of Keris’s cloak. Her hair relaxes from its noose around Naradi’s throat, and Keris holds out a hand - her left - to help her up.
“I’m sorry,” she says, gentling her voice and softening her body language. “It really is unfair to you, that he just cut you loose and ran. You know he thought I might hurt you? He said so in his letter. But it looks like this isn’t a trap to hurt me or mine after all - and I remember now; you and your sisters are special, aren’t you? Sorcerers can’t bind you and force you to attack me like they could a regular demon lord. I shouldn’t have been so suspicious.”
Any objection that Naradi might have to Keris, any thoughts about the violence and the sharp words -- they are all lost in the red glow of the light that haloes Keris’s head. It lulls and it placates and it soothes, wiping away the memories of what just happened, so that the daughter of Ohasei recalls only that her summoner is gone, that she is abandoned, and that Keris Dulmeadokht, Harlot of the Yozis, Director of the South-West, is here.
“L-lady Dulmeadokht,” she manages, gripping onto that left hand. “I’m so sorry, I didn’t know, I had to do what that Solar wanted. But you’re here now, and m-my mother will handsomely reward you if you help me get home. And I can help you. I am the most brilliant of all my mother’s daughters, and know countless things about the world. For just a small price, I can stay with you and help you!”
“Of course I’ll take you back to your mother,” Keris soothes. “And if you want to lend me your aid in return for rescuing you, I’ll happily accept.” She’s not going to give up any of her own knowledge or brilliance for this pastiche of a scholar to poorly imitate, but as far as Keris is concerned, the balance of debt and credit is already in her favour. “But first, why don’t you fill me in on what that man was having you do? We don’t want him coming back to capture you again, now do we?”
It’s a stalling tactic. It’s a stalling tactic designed to drag out their time in this deep Wyld-pocket while Keris feels the flow of essence through Naradi’s hand, still held in her own, and judges how much exposure she’s had to the Wyld so far. But it’s a stalling tactic that preys on the demon’s desire to be seen as knowledgeable, valuable and interesting. As long as she’s getting to explain things as the centre of Keris’s attention, she won’t be thinking about why Keris isn’t rushing them both into a safer environment.
The sensory wave is almost overwhelming for Keris. Inured as she might be to a level of input that would leave a regular human writhing in agony on the floor, to have her hearing picking out every last melody of the dance of essence and her touch able to pick out every last pore and every last whorl and every last pulse in Naradi is straying into the realm of migraine-inducing physical pain. And so, as Naradi explains - her tone assuming a lecturing one - about all the things she knows and how Aati wanted to know about Lintha culture and the way they designed their cities and their art and a thousand other details of the ancient Lintha - and also of the Wyld - that she just knows, Keris studies her.
(Though that is a fascinating thing. Assuming Naradi is telling the truth, then she has a completely perfect memory and has had thousands of years to absorb nearly the sum total of knowledge in the libraries of Orabilis. Her complete lack of ability to put things together into overarching theories is probably the only way she has avoided Orabilis’s attention - she knows facts about everything, but cannot assemble them into models with any real skill)
Later. That’s for later. And she - tch - can see from the nearly pure Elloge-nature and the hints of fading sunlight protection that Aati was shielding her from the Wyld. It makes sense - he didn’t want his source’s information corrupted by changing her nature. He didn’t have something like the Baisha, whose engine consumes the wyld around it and so protects people from the wyld incidentally. But that tells Keris something else - he found it necessary to shield her in that way. Either he was just being safe, or she has no real defence - save for her power - against being changed by the Wyld.
Short-term exposure won’t be enough, Keris decides, cutting off the painful sensitivity and pulling her hand back in a well-disguised flinch. She needs Naradi to stay in the Dusk Sea for longer - perhaps over Fire and Calibration, so she can check on her again in the new year. Now, how can she have her hang around here for another season...
Ah. Yes. That would do quite nicely.
“Naradi,” she says warmly, cutting her off mid-sentence. “You’re absolutely right. I’d be a fool to miss out on your help - I’ve never met anyone with a memory as clear as yours, or a knowledge as expansive. In fact, I have a job that would be perfect for you; one that will be crucial to my plans for this region and more. It would mean I wouldn’t be able to take you back to your mother right away, of course, but I’m sure she won’t complain about you returning a little later with a new title and a handsome payment, hmm? I’ll even be sure to mention you at the Althing after next, and praise the value of your work.”
Ohasei and her daughters are easy to handle, as long as one doesn’t press their buttons. “My l-lady, um,” she begins, and then Keris gets to see how she is not like her sister Haqia. Haqia is awkward and handling a crippling inferiority complex where she has to keep on producing work or no one will like her. Naradi is socially inept, yes, but she’s arrogant. She thinks she’s a genius because she knows many things, and as soon as Keris waves the chance of recognition in her face she’s biting at the bait.
“I’d like to make you my ambassador,” Keris says, a serpent coiling around her prey in a trap Naradi cannot see. “To the Sky-Scraping Isle of Kuta, whose Ceok has offered me an embassy. It’s one of the great trade hubs of the Dusk Sea; vast quantities of gossip and knowledge flow through its ports - and I will be hosting some moonsilver artisans there, who I came here to recruit. I’d like you to represent Hell’s scholars to the Ceok, to create for me a compendium of all the rumours and lore of this region… and to watch my new silversmiths and learn the secrets of their craft. Do you think you’ll be able to have that ready for me to boast about come the Calibration after next?”
“Is that in the Wyld? It isn’t good to spend too much time there without protection,” begins Naradi, but turning down something like that is like pulling fingernails for her. “But as long as I’m safe, I’ll be the perfect one for that. A task like this needs someone intelligent, and, well, I don’t like to boast...”
“Let me worry about that,” Keris reassures her. “I can’t think of anyone else I’d trust with this but you.”
Keris catches Jamahidaya’s dubious glance, but that’s fine. She doesn’t need to know. Things she doesn’t know can’t leak.
She makes her way out of the sorcerer’s district, solving the riddle posed to her at the gate by stabbing the path guardian through the ear with her spear while wrapped in her anima. He is forced to accept that this is in fact an entirely valid answer to ‘What makes no sound yet is deafening’ and lets her through, though not without some whining. Then it takes a while longer to trace her path through the warren of the poor district, and in the end she only escapes after she helps repair a broken bridge which leads to the way out (but hadn’t done so before she helped repair it).
In the docks, she makes her way to her mooring and encounters a very smug-looking Roaming Yu who looks like the cat who not only got the cream, but also got their human to make it stop raining so he could go out and kill baby birds.
“Go on,” he says with a grin. “I know you want to ask me.”
“What are you looking so smug about, then?” Keris asks, half out of genuine curiosity and half because he seems to really want to tell her and who is she to refuse him his cue line?
“Well, there I was, snooping around near Aati Pedang-Hitam’s vessels, like one does, really wishing I had some firedust,” he begins. Therein follows a deliberately long-winded description of the vessels, the docks, the guards, the fae guards of the docks, and other poetic flourishes common to the Anarchy.
He is, as Keris has already observed, a talented storyteller.
But when he actually gets to the fucking point, “-- and who do I see, but our dear friend, running out like all the hounds of hell are hot on his heels. And looking profoundly sorry for himself. Now, I was dressed up in rags and tatters at the time, as I was pretending to be a beggar so I could get closer, and there I was, filthy and something no one would want to lay their hands on.
“In his way I stood, and raised my voice in a querulous tone. ‘Alms’, I called out, ‘Alms for the poor. Alms to avoid misfortune, and may the gods smile on you if you show me some generosity, kind man!’“
His smile is that of a wolf.
“He was very un-generous. He raised his hand against the poor, nearly-naked, filthy beggar, striking me to get me out of the way.”
Rathan, who has been listening with growing mirth, falls over laughing at that point.
“Oh dear,” Keris drawls, eyes sparkling with amusement. “And him having vowed not to hurt you. Such misfortune. What a terrible shame.” This, she thinks to herself, might change things. If Aati is dead, then the calculus of risk and reward has just shifted. Perhaps not enough to change her plans for Naradi - but perhaps enough to reconsider her options.
“And when his blow landed?” she prompts. “What happened then?”
“I think he realised who he had struck at that point,” Roaming Yu says happily. “But he knew too he had broken an oath sworn on the River Styx, and raising his hand against me would go poorly for him. So he gasped ‘You!’ and went for his blade, but staggered on and headed for his ships. Which set off with all alacrity. Hah! And may the storm take him!”
“You know,” Jemil says thoughtfully, “I wonder if the challenge you set for the Wyld was truly taken up for you, or did it choose to accept you as acting on Roaming Yu’s behalf? Because doesn’t it look like everything was set up to have this happen, so he could be put in a position to break the oath he tried to avoid breaking through trickery?” He claps his hands excitedly. “I wonder if we can test it!”
“Tests come later,” Keris says, setting a brisk pace back towards the Baisha. “For now, there’s no body so we assume he’ll live. The Sun’s judgement will cost him sorely, but a weasel like that will find a way to survive. If Roaming Yu wants to follow and confirm the kill, that’s his business - do let him know, should you next see him before I do,” she adds, glancing his way, “that I thank him for his gift and bear him no further ill will, and that I struck his shadow-puppet after I realised it was there to trick me, not before. Your grudge with him is your own business, but I am satisfied. If you choose not to pursue him, I would suggest getting back to Creation as fast as you can and making best use of your time there.”
He gives her a look that seems like he might raise something vis a vis how she was the one talking about the need to hunt Aati down, but he says nothing. Perhaps he’s just taking care that she hasn’t come to her own deal with the rogue sorcerer.
She looks at him then - looks at him fully, meeting his eye from beneath the broad brim of her witch’s hat that glitters with alien constellations. Her attire and stature ill-suit her expression; it belongs under a crown, looking down on a vassal with cold command.
“You turned down revenge when I offered it,” she tells him. “But it was through my hand it came to you regardless, and you would be a liar to say you weren’t satisfied. You’ll remember that, along with the life debt you owe me. I have no binding vow around your soul to punish you if you default on a debt, but I remember who repays me - and I remember those who don’t.”
Roaming Yu raises his hands in mock surrender. “I pay my debts,” he says. “Doesn’t mean I’ll always agree what a debt is and when it’s repaid. But I won’t cheat you.”
Keris nods regally. “Until we next meet, then. Roaming Yu. Or,” she arches a brow, “will you give me your real name, now that we go our separate ways?”
He shrugs, rolling his shoulders. “Oh, what the hell; you’ll probably find it out easily enough. It’s Rema Yu, formerly of the Rema concern. My sister usurped me, but honestly that was the best thing that ever happened to me. I’m an awful factor.” He winks at her. “Everyone found that nickname very funny when I was a kid, but much more annoying when I didn’t settle down. It’s a useful nomme de guerre, though. Et tu, lady?”
“Keris,” she says, and lets the smile come as he visibly debates calling her out on continuing the lie. “No, really. That is my name, and has been all my life. You see? I’m not so untrustworthy as you’d thought.”
“Oh, you’re probably more so,” he says, shooting her bedroom eyes to Rathan’s audible disgust. “But that’s life around witches.”
She laughs, and leaves him there on the docks of Chierxes, as she returns to her ship with her coterie. They’ve been moored here overlong, and with the stormclouds chasing Aati, it’s time to be on their way.
“Kuta,” she tells Rathan as she steps back aboard the shining brass deck of the Baisha. “I have a gift for the Ceok I promised him. Then Creation. Anything else along the way, we plunder.”
Her son directs an aggressively lazy salute at her. “Yes, ma’am,” he says. “Probably best to get out of here while we can. I doubt that’ll be the last storm.”
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Lirana on Chapter 1 Fri 01 Jan 2021 03:31AM UTC
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Satori on Chapter 1 Fri 01 Jan 2021 07:45PM UTC
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DEVONIV on Chapter 1 Sat 02 Jan 2021 08:06AM UTC
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Satori on Chapter 5 Sun 21 Feb 2021 06:17AM UTC
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Satori on Chapter 12 Sun 01 Aug 2021 10:39PM UTC
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Satori on Chapter 14 Sat 14 Aug 2021 09:41PM UTC
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Daegondrake (Guest) on Chapter 20 Thu 03 Feb 2022 06:00PM UTC
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Satori on Chapter 23 Tue 19 Jul 2022 11:41PM UTC
Last Edited Tue 19 Jul 2022 11:42PM UTC
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Satori on Chapter 26 Sat 17 Sep 2022 06:41AM UTC
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Satori on Chapter 27 Wed 17 May 2023 03:06AM UTC
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Satori on Chapter 29 Wed 05 Jul 2023 01:36AM UTC
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Satori on Chapter 33 Wed 15 Nov 2023 10:02PM UTC
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Shane357 (Shane_357) on Chapter 34 Wed 29 Nov 2023 12:52AM UTC
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Satori on Chapter 37 Sun 07 Apr 2024 06:30AM UTC
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Satori on Chapter 38 Sun 07 Apr 2024 09:19AM UTC
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Satori on Chapter 41 Sat 15 Jun 2024 09:46AM UTC
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Satori on Chapter 49 Mon 02 Dec 2024 09:01PM UTC
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