Actions

Work Header

The Last Supper

Summary:

In the twilight of their fractured love, Chuck Bass and Blair Waldorf confront the ghosts they’ve become for each other. Haunted by past betrayals and bitter truths, they meet one last time in the silent, rain-soaked Empire Hotel suite—a place that witnessed their rise and ruin. Their words are sharp, laced with regret and painful honesty, as they admit that their love, once fierce and consuming, has turned into a mutual destruction. Yet beneath the anger lies a fragile, heartbreaking bond

Chapter 1: The Tearing

Summary:

Eva - Kid Yugi feat. Tedua
Il Filmografo - Kid Yugi

Chapter Text

Above the glittering arteries of the world below, the Bass penthouse rose like a cathedral of glass and silence — a sanctuary for ghosts and broken vows. Candles shivered in their silver prisons, their flames bending as though burdened by secrets they could no longer keep.

At the center of that trembling light sat Chuck — alone, yet not alone. Before him, two crystal glasses of Bordeaux caught the reflection of a thousand yesterdays, their untouched surfaces whispering the ache of everything lost.

He traced the rim of her glass with his thumb, a gesture too tender for a world that no longer held her. The city murmured in distant sighs, but his voice, low and almost holy in its ache, cut through the stillness.

“Hey, Blair,” he breathed, as if the darkness might answer. “Got plans tonight?”

Suspended between what was and what would never be — even the stars above Manhattan seemed to tremble, unsure whether to weep or to listen.

He almost laughed at himself — the words were absurd, casual, but they carried the weight of every sin they’d ever shared. This was his last dinner by candlelight. The final act in a play that had long since burned itself out.

It had been months — maybe an eternity — since he’d seen her. Yet her perfume still haunted his suits, her voice still lingered on his whiskey.

He told himself it was over, but his heart — that arrogant, disobedient muscle — still trembled every time he thought her name.

She had bitten the apple, and he had bled.

He remembered the night she left: the silk dress, the trembling lip, the words that shattered like glass against his chest.

He had turned away, too proud to beg. She had stabbed him in the back with silence.

Now, every place she had touched him burned.

Every memory was an open wound.

“For you,” he murmured into the empty room, “I’d walk through fire. I’d trade the empire for a heartbeat.”

He looked at his reflection in the wine — broken, beautiful, and damned.

Would she have loved him without the Bass fortune? Without the tailored suits and the smirk that hid every wound?

Or would she have pitied him — the boy who played God because he was too afraid to be human?

He smiled bitterly.

She’d always said he had the devil’s charm. Maybe that was true. But she — she was the temptation. The serpent in Dior. The one who made sin feel like salvation.

If she were here now, he’d forgive every lie, every betrayal.

He’d ask her to lie once more — just one last time — and tell him she still loved him.

He closed his eyes, that scene from the Hospital still playing in the back of his mind.

 

He would have wanted her at the edge of everything — if the machines had been louder, if the light had been sterile and unkind, Chuck would have wanted Blair before the world took the rest of him.

The hospital room was a glass note held between two breaths. Outside, Manhattan continued its indifferent orchestra; inside, life unspooled in thin, urgent threads: the beep, the hush, the slow glint of fluorescent mercy. Blair lay like an answer he had never learned how to ask for properly, the sheet a pale stage and her hand the only script he knew by heart.

“Stay,” he said, but the word was a small, private rebellion. Time moved across her face like a film, scenes flickering: laughter in a rain-soaked carriage, the soft cruelty of their games, the way she’d taught him to wear his loneliness like a bespoke suit. Now those memories flowed forward, occupying the instants between heartbeats, heavy as perfume, impossible to fold away.

Their dynamics had always been a kind of dangerous geometry — all angles and pressure. He remembered nights where the tenderness bent toward something sharper, where apologies were punctured with a screwdriver’s name as if tools could fix what two people had unmade. He thought of their worst fights, hands that clenched and words that behaved like small, precise instruments. Even here, even now, that old, bad rhythm hummed under the monitors, a low current that could still pull them under.

Chuck closed his eyes and tried his old remedy: distraction as salvation. He reached for the familiar—touch, the practiced sanctimony of physical forgetting—nail pressing down on nail until the pain was dulled, until desire became a way to postpone the reckoning. He kissed her wrist like bargaining. “Forgive me for not being better at being alive without you,” he confessed, which was both an apology and a promise he could not keep.

Blair’s fingers twined with his, slender and exacting, as if she measured his faults and found them wanting. She smiled, not cruel but precise — an Eva slipping through an orchard of mistakes, a lithe escape artist leaving him to catalogue the wreckage. “Go,” she seemed to say, with a softness that was the most cutting thing of all. “Evade. Run from me if you must.”

And he thought of the heart she had once plucked from him like an overripe apple, white teeth sinking in, then finding a parasite there — some rot he had never noticed until she named it. It had eaten the center of him quietly, tasted of regret and small betrayals. He imagined cutting it out with surgeon’s hands, excising the selfishness, the fear, but even the fantasy tasted like the same old luxury: impossible neatness purchased with too high a price.

Chuck pressed his forehead to hers, the light from the machines painting them both with the same cool grace. “If this is the end of my sentences,” he whispered, voice breaking in punctuation, “let them all begin with you.” 

The clock struck midnight. The candles died slowly, one by one, leaving him in the soft ache of darkness.

Blair stood in the doorway, unseen.

Her eyes glistened like champagne tears. She wanted to speak, but her throat closed on the words.

She’d promised herself she wouldn’t come. But love — real love — never needed permission.

He didn’t look up, didn’t see her. Maybe he felt her. Maybe he didn’t.

For a moment, she imagined walking to him — reaching out, touching his face, whispering,

“I still love you, Chuck.”

But she didn’t.

Some loves are not meant to heal — they are carved into the soul to ache forever.

She turned and walked away, and her perfume lingered in the air like the last prayer of a dying saint, fading into silence.

It clung to the moment, fragile as light on broken glass.

Chuck closed his eyes.

He swore he could feel her — just beyond reach, just beyond redemption.

The city outside exhaled.

And somewhere between heartbreak and heaven,

a Bass and a Waldorf kept on loving — even after the lights went out

Chuck sat back, the weight of the empty room pressing in like a silence too loud to ignore. His mind spun, tangled between what was and what might have been—like the strings of a fragile entanglement stretched across the void.

You’re distant he thought, but I can still hear you crying.

The coldness of your blood, the warmth of your tears—two opposites that made his heart ache in paradox. Like quantum particles separated by light-years but still somehow connected, they were linked—unbreakable, even across the vast emptiness of space and time.

Every time he broke her down, she made him feel alive, important—because love was like riding a tandem bike: one looking ahead, dreaming of the future, the other watching their back, protecting what was left.

She asked him a thousand questions, grew heavy with her doubts. She bit into his chest, drowned him in emotions like a storm rising too fast. Their time was short, intense—felt like an eternity compressed into fleeting moments.

He hated it when it ended, but missed her when she didn’t come back.

He had a thousand faces, but she had only one. And he was drowning—in smoke, in whiskey, in the burn of memories that played out like an old film reel with an inevitable ending.

No matter how hard they tried, the director’s eye—fate—was unyielding. Even together, they couldn’t beat it.

Now, as the last candle flickered out, Chuck tucked away one final kiss in his pocket—the most important one. Like a spark that could set fire to the whole reel.

That day, he realized there was an entire life behind every fragment, every silence.

And who was he?

She was the star.

He was life itself.

And like life, he was fleeting, fragile—matter in a body, fleeting and fallible. A child armed with broken hopes.

"Shoot me," he wanted to say. "Reinvent me, then warm me again."

She was beautiful when she burned, and he loved her even as she aged, smiled through the pain like a martyr skating on ice with a frozen heart.

He was full of regrets, terrified of the end, knowing death awaited—always waiting, always rushing.

Once, she was a crystal ball; now, she was an iron curtain.

"Please," he pleaded to the void, "catch me—

for I am tired of learning how to fall."

The descent was endless,

long enough for memories to unravel,

long enough for sorrow to forget its own name.

A phoenix burns,

but a man—

a man only smolders, quietly,

until there is nothing left to rise from.

"Paint me a smile," he murmured to the shadows,

"stitch my tears into something holy."

He had been haunted by emotions

he mistook for truth—

ghosts of warmth, echoes of tenderness,

reflections trembling on a darkened lake.

Nothing had ever been real.

Nothing—

except for her.

She was the only thing the void could not swallow,

the only truth that did not bleed away.

And even as he fell,

he kept her name between his teeth

like a prayer

that refused to die.

Chapter 2: Lilith in Louboutins

Summary:

Lilith - Kid Yugi
Cherofobia - Martina Attili

Chapter Text

The first thing Blair noticed was that silence had a pulse — slow, heavy, steady as grief.

It throbbed through the room like the echo of a wound that refused to close, a reminder that even absence can bleed.

Weeks had passed since that night, though time had long since lost its meaning.

The candles had burned themselves into ghosts, their melted wax tracing pale rivers across the table. The wine, once red and alive, had turned dark and bitter, untouched. Dust had gathered where laughter used to live.

And Chuck Bass — the name that once carried fire — had stopped looking for her.

Perhaps he had grown weary of redemption. Perhaps he had finally learned that some prayers are not meant to be answered.

He had always said she was his salvation, the light in the ruin of his soul.

But now, in the aching quiet, Blair understood what she had truly been.

Not his miracle, but his downfall — not his grace, but his sin, beautiful and unforgivable.

And as the silence pulsed on, slow and relentless, she felt it —

the echo of him still alive beneath her skin,

a heartbeat that was no longer hers,

and never entirely his.

And maybe that was all she’d ever wanted — to be unforgettable, even if it meant being damned.

She stood before her vanity, the same mirror that had seen her break and rebuild a thousand times.

Her reflection looked like a stranger: darker lipstick, shorter dress, freckles drawn by hand.

A new face for an old ghost.

He had called her his Lilith once, half in anger, half in awe.

He wasn’t wrong.

She was the temptation he could never forgive himself for loving.

And he — he was the curse she could never stop chasing.

She hated him. She needed him.

Each time she whispered “I love you,” she could feel him slipping further away — as if love itself was poison between their lips.

So she stopped saying it.

Instead, she went out at night, smiling at men who weren’t him, letting them believe she could be saved.

Each touch, each kiss — a blade turned inward.

She wanted him to bleed like she had.

She wanted to forget, but the truth was uglier: she only wanted him to remember.

Chuck and Blair — they had built a kingdom out of lies and desire.

And now they were two monarchs without thrones, haunted by the ruins of their own empire.

She poured herself a drink — amber, sharp, merciful.

“Love in a glass,” she whispered, echoing his words. “Vertigo guaranteed.”

Her phone lit up: No new messages.

Of course not.

He’d stopped chasing. And she… she’d stopped running.

They were static now — orbiting each other like twin stars that refused to die, even as they burned everything around them.

She thought about writing him. An email, maybe. Something sterile, detached.

I hate you. I miss you. I don’t know the difference anymore.

But she didn’t.

Instead, she looked out the window — the city below her, golden and cruel.

She could almost hear his voice, low and taunting:

“We’ll never be friends, Waldorf. We never were.”

She smiled, bitter and beautiful.

He was right.

They were fire and perfume, venom and silk.

Too proud to kneel, too fragile to survive.

And still —

if he walked through that door tonight,

she would fall into his arms like gravity itself had chosen sides.

Because love, for Chuck and Blair,

was never about forever.

 

It was about the fall —

the exquisite, ruinous gravity that pulled them back to each other, again and again,

even when it hurt,

especially when it hurt.

Somewhere in the hollow ache of her chest, Blair realized:

she would rather burn in his hell

than breathe in anyone else’s heaven.

There was a time when she’d believed in calm, in the gentle promise of peace.

But now, the thought of stillness frightened her.

She had forgotten how to rest in quiet waters.

Her heart only knew how to live in storms.

Everyone said she deserved peace — that it was time to let go, to heal.

But what they didn’t understand was that peace felt like pretending.

It was too still, too clean, too silent.

She did not know who she was without the ache,

without the wild ache of him.

So she filled her days with small, deliberate wounds:

old letters that smelled faintly of regret,

coffee brewed dark enough to sting,

the perfume he once said smelled like sin and sugar.

She pressed her lips to the rim of her glass, the reflection trembling in the wine,

and whispered to no one,

“Tell me how to stop missing something that ruined me.”

No answer came — only the soft, merciless hush of her own breath.

Because the truth was, she didn’t want happiness.

Happiness meant closure.

Closure meant endings.

And endings meant forgetting.

And Blair Waldorf had built her entire life

on remembering —

every glance, every wound, every beautiful, poisonous thing

that made their love

both the cross and the crown she would carry

until the end.

Sometimes she still felt the weight of that night on her skin,

as if the glass and the rain and the silence had never really left her.

The crash had stolen more than blood and air —

it had taken something she had never held,

a heartbeat she had never heard.

There were moments when she thought she could still feel it —

a flicker beneath her ribs,

a ghost that refused to fade.

And in that same dream, Chuck was always there —

his face pale, his breath shallow,

his life balanced on the fragile edge of her own.

He had lived.

She had lived.

But something sacred had not.

Now, as she stood before her reflection in silk and diamonds,

the weight of a crown she did not want pressing against her temples,

Blair wondered what it meant to promise forever

when part of her heart had already been buried.

Louis spoke of light, of faith, of futures untarnished by pain.

He offered her a peace so gentle it almost frightened her.

But how could she accept serenity

when her soul was still dressed in mourning?

Because every vow she rehearsed felt like a betrayal —

not of Louis,

but of the love that had nearly destroyed her,

and of the child she would never know.

Sometimes, in the quiet between rehearsals and prayers,

she would close her eyes and see Chuck’s hand reaching for hers

through the smoke and shattered glass.

And in that moment, she knew —

no crown, no chapel, no kingdom of light

could ever save her from the memory of that touch.

For Blair Waldorf was not built for peace.

She was built for passion, for ruin, for the beautiful ache of remembering.

And though the world would see a bride —

she would always feel like a ghost,

walking toward a life that was never meant to be hers.

There was a kind of safety in sorrow —

a rhythm to it, like breathing underwater.

Each pang, each tear, each sleepless night — proof she could still feel.

Because if she stopped hurting, what would be left of her?

He had once told her,

“You’re addicted to the tragedy of us.”

She’d laughed — the kind of laugh that sounds like glass breaking.

Maybe he was right.

Maybe she needed the chaos to know she was alive.

She closed her eyes and tried to picture a world without him.

It was bright — too bright.

A place where the air was clean, and no one knew her name.

A place that looked suspiciously like happiness.

And it terrified her.

She’d rather stay here —

in this apartment that still smelled like his cologne and her defiance,

with memories sharp enough to draw blood.

He was fear.

Fear of waking up one morning and finding the pain gone.

Fear of being whole.

She lifted her glass again, her voice a whisper —

half a prayer, half a confession.

“Chuck Bass, wherever you are… don’t forgive me.

If you do, I might forgive myself.

And I don’t know who I’d be without the guilt.”

The city lights flickered in answer — cruel, golden, eternal.

And somewhere between a breath and a heartbeat,

Blair smiled through her tears.

Because she finally understood:

She didn’t chase destruction because she loved him.

She chased it because she was afraid of peace.

Afraid that happiness would mean the story was truly over.

And for her, endings were the only thing worth running from.

This night wouldn’t end.

She lay in the dark, tangled in sheets that felt too cold, too empty.

The city outside was alive, but she was trapped in the quiet of her own restless mind.

She wanted the night to replay itself — every stolen second, every whispered lie, every broken promise.

Because calling it the last time was a lie they told themselves to keep moving forward.

She stared at her phone, the glow cold and accusing.

Should I call him?

No.

Not yet.

Some things you learn only in the silence between calls.

She thought about Sundays — empty and hollow, without the poetry of their fights, their passion, their madness.

Without the sting of his words and the sweetness of his touch.

She wanted to scream into the dark, every regret and every hope,

to shout it until the walls shook —

“Don’t disappear. Call me. Please, call me.”

Because she knew — the hardest lesson was to stay,

even when all she wanted was to run.

Maybe they’d never have a Sunday without pain.

But maybe, just maybe, pain was the price of holding on.

She remembered nights when tears came without reason,

when she was too afraid to ask why.

She remembered the cigarettes, the cold wool sweater that used to smell like him —

a fragile armor against the world’s cruelty.

But now

She felt a little less alone.

Because somewhere in the dark, maybe he was still there.

Even when she woke up alone,

even when the moonlight burned her back like a silent accusation —

maybe she wasn’t truly alone.

Maybe he was still out there,

fighting his own shadows,

holding onto the fragile hope that they’d find their way back.

To believe in another night,

another word,

another chance.

To believe that even in the silence,

they were still together —

because they never really let go.

Because since he was part of her story,

she was never alone either.

Never.

Chapter 3: The Crown in the Rain

Summary:

Fellini - Kid Yugi & Ernia

Chapter Text

He had died before — not in flesh, but in spirit,

a ghost wandering the corridors of his own ambition,

lost to the world he once ruled.

And yet, here he was again,

perched on the rooftop of the Empire Hotel,

wind shredding the edges of his suit,

Manhattan sprawling beneath him like a crown of fractured glass,

glinting with a beauty that could wound.

Chuck Bass had returned.

At least, that’s what the world was willing to believe.

The parties had returned, the women too — glitter and perfume, all empty laughter and red lipstick that didn’t taste like Blair.

Money poured in, champagne overflowed, cameras flashed.

But every light in that city only reminded him how dark it had once been without her.

He’d built his empire on lust, pride, and perfect lies.

Now he wore them like armor.

“Even the king dies,” he murmured, a half-smile cutting through the smoke. “But not tonight.”

He poured himself a drink — neat, heavy, merciless — and lifted the glass toward the skyline,

as if the city itself could taste the bitterness he carried.

The ghosts of his parents lingered in the wind,

specters of every sin he had inherited,

watching from the clouds with patient, accusing silence.

He thought of his father —

the man who had drilled into him that love was a flaw,

that mercy was a weakness,

and that money alone could claim divinity.

Chuck Bass drank to the lessons he had learned too well,

to the empire built on shadows,

and to the hollow throne he had inherited in a world that never forgives.

He thought of Blair —

the woman who had shattered him and redeemed him with the same glance,

who had made his heart a battlefield and a sanctuary all at once.

Her memory burned in him like a secret fire,

soft and fierce at the same time,

a pulse he could neither ignore nor escape.

The crown on his head was no longer gold.

It had turned to something heavier, darker:

guilt that clung like smoke in the hollows of his chest,

hunger that gnawed beneath his ribs with insatiable teeth,

the relentless need to conquer,

even when there was nothing left worth winning.

He felt the weight of every choice,

every moment he had lost her,

every word unsaid, every sin committed in her name.

She had become both his compass and his ruin,

the only axis around which his world still spun.

He remembered the way she had looked at him —

not with fear, not with pity,

but with the understanding of someone who had seen all of him,

the darkness and the light, the destruction and the longing.

It had been intoxicating, unbearable, and beautiful.

And so he carried her with him,

through every empty room, every city street, every glass of whiskey,

a crown of shadows and obsession that no victory could lift.

Even now, even standing on the edge of everything,

Chuck Bass knew the cruel truth:

he would never stop fighting for her,

even if the fight had no end,

even if the prize was only the memory of what had already been lost.

The world saw the smirk, the suit, the swagger.

They didn’t see the boy praying in secret for forgiveness he’d never earn.

Sometimes, late at night, he imagined her walking through those doors again.

Not as his salvation, but as his equal — a queen without mercy.

She would laugh at his new throne,

that impossible seat of power he had fought to claim,

and tell him he looked tired,

as if wearing all that weight could ever disguise the man beneath.

And he would tell her, softly, almost reluctantly,

“The crown isn’t essential for the bows.

It’s just a hat…

a hat that lets the rain through.”

Because at last, he understood.

The empire, the cars, the women, the legacy, the hollow accolades —

it was all noise, a glittering illusion,

a symphony that meant nothing without the one discordant, beautiful note of her chaos beside him.

She was the storm he had chased and feared,

the fire he had worshipped and destroyed,

the only force capable of shaking his world apart

and building it anew, all in the span of a glance.

Without her, he could command everything —

and feel nothing.

With her, even ruin became a kingdom.

He lifted the glass again, whispering into the storm,

“If you’re watching, Waldorf… I kept your fire alive.”

The thunder didn’t answer, but somewhere inside him, a small peace flickered — fragile, fleeting, real.

He wasn’t a hero. He wasn’t redeemed.

But he was alive.

And that, for Chuck Bass, was the closest thing to grace.

Chapter 4: The Scene Ends

Summary:

Donna - Kid Yugi

Chapter Text

The Empire Hotel was almost empty.

It was late enough that the lights outside blurred into ribbons, rain sliding down the glass like melted silver. Chuck Bass sat at the edge of the bed, a cigarette trembling between his fingers. He didn’t smoke anymore—not really. But tonight wasn’t about rules.

He heard her before he saw her. The click of her heels, sharp and deliberate, like a countdown.

“Blair.”

She stood at the doorway, soaked, furious, beautiful in a way that hurt to look at. Her lipstick was smeared; her hair stuck to her face.

“I thought I’d find you here,” she said, voice low. “You always come back to your ghosts.”

He smiled, tired and bitter. “And you always come back to haunt them.”

She crossed her arms. “You could’ve called.”

“I tried,” he said. “But I didn’t know what version of you would answer.”

Blair took a few steps closer. The room smelled of whiskey and rain. She looked around—the same suite, the same skyline, the same story replaying itself for years.

“This isn’t us anymore,” she whispered. “We keep pretending it still is.”

Chuck laughed softly, though his eyes didn’t follow. “We’re not pretending. We’re just addicted to pain.”

Blair flinched. “You think that’s all it was?”

“I think,” he said, “you made me into something I can’t recognize. And maybe that’s my fault. But it’s yours too.”

Silence. The kind that presses down, fills every breath.

“You don’t get to blame me for who you are,” she said.

He looked at her then, really looked—at the exhaustion behind her defiance, the shaking of her hands, the eyes that still betrayed her heart.

“No,” he said. “But you were the only one who ever saw what I was. And you loved me anyway. That’s worse.”

She let out a sharp breath, fighting the tears. “I hate you for that.”

“I know.” He smiled, hollow. “That’s why it still matters.”

Blair sat on the edge of the dresser, running a hand through her wet hair. “We destroy everything we touch.”

“That’s what we’re good at,” he said. “You wanted the world. I wanted to own it. We got both, and it killed us.”

For a long moment, they just stared at each other—the kind of silence that used to mean love, now meaning everything else.

Finally, Blair stood. Her voice was steady when she said, “This has to be the last time.”

Chuck looked down, crushed out the cigarette. “You’ve said that before.”

“I meant it this time.”

He nodded, though neither believed it. “Then say goodbye properly, Waldorf.”

She hesitated, then stepped closer, the space between them electric and ruined.

Her hand touched his face—soft, almost tender. “Goodbye, Bass.”

He caught her wrist, just for a second. His thumb traced the inside of her palm, where her pulse beat fast.

“Goodbye, Blair.”

She turned and walked out.

No tears. No shouting. Just the sound of her heels fading down the hall.

Chuck sat there, alone in the golden quiet, the city humming beneath him.

For the first time, he didn’t pour another drink.

He just listened—to the rain, to the silence, to the echo of her name—

and realized the play was over.

The stage was empty.

And this time, he didn’t want to come back on.