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Hiraeth

Summary:

(Hiraeth (Welsh) – a homesickness for a home to which you cannot return, a home which maybe never was; the nostalgia, the yearning, the grief for lost places of your past.)

The Yugoslav Wars of the 1990s: welcome to hell.

As Rey grows up in a country which officially isn't at war, even though its consequences are felt everywhere, she forms a strong bond with Kylo, an odd young man whose personal involvement in the conflict may run deeper than it seems. Years go by, the war rages on and the political plots thicken, and Rey must learn the difference between idealism and doing the right thing, discovering the price of personal happiness.

Also known as "what happens when you take the Star Wars plot and put it in a real place, in a real time, in a real war." Comes with lots of swearing, awkward flirting, old characters in new roles, angst, feels, drama, fluff, all-round Slavic shenanigans, and references to some pretty cool music.

Notes:

And there we go, I did a thing.

It happens to be a Very Personal Thing for me, mind you, because some of the shit you'll read about is kinda sorta based on stuff that I've actually been through.

But now is not the moment to talk about this. Relax, read on, and we'll meet again at the end of the next chapter, "A Sea of Faces, a Sea of Doubt", where I'll give a more detailed explanation of what the hell is going on here.

Beta'd by lovely KathKnight, who helps me with my tenses and prepositions since I'm not a native speaker.

(See the end of the work for other works inspired by this one.)

Chapter 1: Prologue: Lost in Translation

Notes:

(See the end of the chapter for notes.)

Chapter Text

H I R A E T H

~ Love Letter for a Monster ~

 

 

Hiraeth (Welsh) – a homesickness for a home to which you cannot return, a home which maybe never was; the nostalgia, the yearning, the grief for lost places of your past.

 

 

 

Prologue: Lost in Translation

 

 

 

 

Toronto, October 2009

 

 

They cut off his hair.

True, he looks different in other ways too. Older. Paler. All suited up. She’s never seen him in a tie before. He’s lost weight—no more bulk and muscle, he's all skin and bones, and for a moment she catches herself worrying about his health. It startles her. She didn’t think she’d still be capable of it—not anymore, not after all these years—but here she is, chewing on her lip, wondering if he might be sick. She’s forgotten what it felt like, worrying for him.

She wants it to stop. 

Despite all these changes, it’s his hair that makes the biggest difference. He's always had it reaching his shoulders. With his head shorn like this, his face looks too long, his nose too big, his lips too thick, the angles of his cheekbones too sharp. His ears are sticking out. He’s ugly, she realizes for the first time. He’s all crooked lines and mismatched parts, he is ugly, he looks grotesque.

Like a monster.

He opens his mouth to speak, but it’s not his voice that she hears. An interpreter speaks over him instead: a woman, her tone flat and professional. The interpreter chooses her words carefully. She sounds impersonal—too measured, too calm, her sentences reasonable and too well-formed.

He never spoke like that.

Rey takes the remote and shuts down the television.

“Hey,” Poe protests, “I was watching that!”

She wants to tell him to fuck off. She wants to crack a joke—it’s a perfect opportunity for a witty one-liner. That’s what a movie character would do, and all her life she’s been feeling like she were trapped in a godawful Oscar-bait drama. But there’s a lump in her throat, and she realizes that if she speaks back, she’ll begin to cry.

No tears, she tells herself. It’s been too much time. It won’t do anyone any good. Calm down. Breathe.

“Hey,” Poe says, his voice much gentler. “You okay?”

She sits on the couch clutching the remote, and it takes her a moment to focus. Something akin to anger rises in her chest. It’s not supposed to be like this. She never thought she’d need so much willpower to remind herself of the simplest things: her life is normal now. Normal. She is in her own home, far and away. She's no longer a teenager.

She is no longer in love.

Not like that.

And even if she were, that man she’s just seen on TV looks nothing like the ghost she can't get rid of.

Poe slides closer to her on the couch, careful, unsure if he’s supposed to give her space or offer comfort. He clears his throat.

“You okay?” he repeats.

“No.” It is a relief to say it out loud. “No, I’m not.”

Poe slowly nods.

“I understand,” he agrees solemnly, his eyes a tad too kind, and all of a sudden, Rey's stomach sinks—he knows.

But as he continues to speak, he reveals his own demons.

“I understand. All that fighting and sacrifice and shit, and in the end, we end up here.” He gestures vaguely at their garden, where the Canadian fall is coloring the trees in a deep shade of red they never saw back in their home country. “I can't even turn off the fucking translation on TV.”

Poe pauses, bites his lip, hesitates. Whatever he’s about to say next, it’s been tormenting him for a while. 

“We’ve, uh... we’ve won, Rey. But it feels like defeat.”

Unexpectedly, she smiles.

That’s the word she’s been looking for—defeat. She should feel triumphant, she knows. They did win. Yet seeing just a glimpse of that fucking trial, seeing him aged and withered and with his hair cut so short, leaves an aftertaste so bitter she could vomit.

Uninvited images invade her mind. The mole above his eyebrow. The thickness of his hair, the smell of it unwashed. The feeling of his large fingers caressing her back. His bite marks on her skin. How he'd blush like a schoolboy whenever he’d make her happy. How he used to smile—clumsy and shy, yet so sweet, nothing like the villain the press made him out to be.

Only he was a villain. He is. There’s no other way of putting it.

“You're correct: this is defeat,” Rey tells her husband as she begins to sob.

She can't remember the last time she cried. It’s not a pretty sight: snot runs from her nose, bubbling down her chin, and she makes foul hiccupping noises she can't control.

Fuck.

Rey lets out a long sigh that almost sounds like a shriek, and finally gathers the courage to articulate a truth she didn't want to face.

“There’ll never be justice.”

 

 

 

Notes:

----------------------
Star Wars characters are property of The Walt Disney Company.
Original story is copyright © 2020 by Ferasha. All rights reserved.

This work is intended for personal use by Ao3 users while posted. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without prior written permission of author, except in the cases of certain other noncommercial uses permitted by copyright law. Please do not transmit downloads beyond personal use.

For permission requests, write to [email protected].
------------------------

Chapter 2: A Sea of Faces, a Sea of Doubt

Summary:

Fucking 1993.

Notes:

Beta'd by KathKnight.

(See the end of the chapter for more notes.)

Chapter Text

PART ONE:

B L O O D F L O W E R S

 

 

A Sea of Faces, a Sea of Doubt

 

 

 

The Capital, November 1993

 

It’s a miserable year.

Indeed, for Rey, every year is miserable in its own way. She thought she’d get used to it by now, learn to roll with disappointments like one walks with a limp, but 1993 is outstandingly wretched—the champion of shitty years. Each day surpasses the last, her life getting a little worse. This doesn’t make her special, she knows. Such are the times.

No one’s doing well in 1993.

Officially, her country isn’t at war, god forbid—tanks and bombs and burning villages and civilians with their brains smeared across the sidewalk are something that happens on the other side of the border. Here, life is safe, or as safe as it gets. And yet the consequences of the war are everywhere. For its role in stirring the conflict, the country is punished. Put on a wall of shame and isolated from the world. Even the athletes aren’t allowed to compete under the national flag. Foreign trade is banned. The sanctions include culture and entertainment, too—movie theaters show nothing but reruns of the ‘80s flicks that Rey has learned by heart, and there’s little to counter the endless government propaganda on television. Gas stations stand empty. Instead, smugglers sell gasoline brought from Hungary and Romania at street corners in Coke bottles with peeled-off labels, like urine flasks in all shades of yellow. Food shortages have become a daily thing—stores are rows of empty shelves, and Rey can't remember the last time she'd tasted real chocolate. In the Home for Children without Parental Care, lunch is edible only if you chew without thinking: canned meat of a suspicious green-grey color, coming from cans branded with the chubby plus sign of the Red Cross. “Food’s food,” Unkar had said once, when Rey pointed at the long-past expiration date. “This same shit can fetch a fortune on the black market, and you’re getting it for free.” With the winter approaching, all people talk about are the upcoming power outages, and she can already picture it—sitting in the common room under a blanket that smells like mold, in the dark, her toes freezing, her stomach rumbling.

Fucking 1993.

The list of things that lift Rey’s spirits is short. Life in the fucking Home sucks. School used to be fun, until teachers went on strike, classrooms turned cold, and too many of her schoolmates lost their shit in the warmongering craze. She's stopped going to the library—they haven't ordered new books in over a year. On some days, she takes the tram and goes downtown, just to waste away the hours. She aimlessly wanders the streets and watches the passersby, trying to come up with their life stories if she feels too bored. Too quickly, she realizes she's not blessed with a novelist’s imagination: in her world, all these people are unhappy. She comforts herself that they probably are.

There is, however, a place that Rey really likes—the music market.

It sprang up overnight behind the building of the old Fine Arts Academy, near a park with linden trees, improvised and illegal, like everything in 1993. Makeshift booths made of cardboard boxes. Second-hand records scratched so badly that Rey wonders if they can produce sound at all. Mixtapes of popular MTV bands with track lists handwritten in block letters—piracy at its finest, and all of it foreign music. You don’t get to hear it on the radio these days—or maybe you do, Rey isn’t sure. She’s not the one choosing the station in the common room of the Home.

The music market is where the cool kids gather—dreamy boys and punkish girls in leather jackets and Doc Marten boots, who share cheap cigarettes and don’t give a fuck for fashion fads, their fingers always stained with graffiti paint. They laugh. They toast with canned beer. Sometimes they sing, when one of them brings a guitar, and Rey fidgets a few yards away, mumbling the lyrics to herself.

Rey isn't delusional—she knows she's not a cool kid. She's invisible to them, like a shadow, or a ghost, or if she wants to make it sound fancy, a ninja able to blend into the walls. That's okay, she repeats until it almost rings true. The best she can hope for. She's happy just being there, breathing in the cigarette smoke and the smell of old leather, listening to laughter, as if coolness is a bug she’ll catch if she stands close enough.

But on an evening two weeks ago, as she had rushed back to the Home, her sneakers squelching against wet leaves—Unkar would ground her if she missed curfew—Rey had stolen a glance into a trash can at the end of the street, and her luck turned.

There was an old Walkman in the trash. It wasn’t badly damaged, just needed some rewiring, and she's always been good at fixing things. Briefly, she wondered what kind of shithead would throw away something that was easy to fix, but then she decided to be grateful to the person. Now, the Walkman is hers.

And she's about to fill it up with music.

She has the money. She’s been saving for days—doing homework for other kids, running errands for Unkar, putting aside her meager allowance instead of buying crap on the black market. The banknotes crinkle in her pocket as she walks toward the booths, and even if they're paper-light, they're weighing her down.

Life will be good. She will be cool.

Except that it's 1993.

“I don’t understand,” Rey says, staring at the money as if unsure she has counted it right.

Barricaded behind the cassettes stacked on his booth, the vendor shrugs. “You aren’t watching the news, are you, kid?”

She knows what he's talking about. She just had no idea it was this bad.

It had started in the spring, picked up pace with the change of seasons, and spiraled out of control with the first winds of November. The headlines call it the worst inflation in mankind's recent history. Money is losing value overnight—literally so. The state is responding by printing out new banknotes, with badly drawn portraits of historical figures that the Home kids love to mock, and more and more and more zeroes. The record breaks at five hundred billion dinars on a single note.

What a joke, Rey thinks, clutching the money that still smells of fresh paint. Such a rotten country, yet they're all billionaires.

All the cash she's saved is suddenly nothing more than brightly colored paper.

She leans against the booth to stand straight. “But… How? It was enough yesterday.”

“Sorry, kid. You should’ve saved up in D-marks, or even dollars. That money you’ve got there is only good to wipe your ass with.”

Bile rises up her throat. She won’t cry—only losers cry in public.

“Can’t you make an exception?”

“And ruin my reputation?” the vendor says, but his face softens like he genuinely pities her, which only makes the shame sting more. “That’s not how this works. I’ve got a business to run.”

For a moment, she wants to yell—knock over the stacked boxes, throw the notes in the man’s face and spit on his pirated mixtapes, but she decides she's better than that. It's not his fault.

“I see.” She can't think of anything smarter to say.

“Better luck next time,” the vendor sighs. “And remember: the moment you get your hands on some of this Monopoly money, exchange it for foreign currency.”

Rey shambles away.

It’s just one battle lost, she tells herself as her cheeks burn against the wintry air. No big deal.

In fact, it was stupid of her to hope—only fools would hope in 1993, or make plans in a shithole country wrecked by a war it's not even in. Ratty little girls from the Home for Children without Parental Care shouldn’t be silly enough to count on their charm to get what they want. Lesson learned.

Besides, for life to change, it'll take more than a fistful of cash, a haphazardly repaired Walkman, and a pirated tape, right?

She won’t cry.

On impulse, Rey approaches the trash can and empties her pockets. She tosses the crumpled banknotes with too many zeroes, one after another—watching them fall gives her a sharp, burning satisfaction. Briefly, she contemplates throwing in the Walkman too, and she even holds it above the trash, but she changes her mind and shoves it back in her bag. The zipper hisses as she closes it with force, her hair catching in its teeth, but Rey ignores the pain. She just wants to leave—to be anywhere else but at the music market, surrounded by the mixtapes she’ll never have and the cool kids she’ll never be like.

Then, she realizes—someone is standing behind her.

She freezes.

“What happened there?”

It's a man. She doesn't recognize his voice.

“Nothing,” Rey answers automatically, eyes locked on her feet.

She did nothing wrong. She’s sure of that. And even if she did, this man—whoever he is—has no reason to come at her like this. Maybe he’ll leave if she waits.

But seconds pass and he's still there, standing so close that she feels his shadow falling on her.

She wishes she were a ninja.

“I saw what you did,” he finally says, forming each word with an accusatory precision. “Threw money in the trash. No one does that for nothing.”

His voice is deep and somewhat nasal, and he speaks like he can’t imagine a world in which she won’t rush with an explanation. Fuck that shit. She almost gathers the courage to bark out what she’d say to any meddlesome bastard—none of your damn business—but then she turns around and raises her head.

The man is broad and too tall—she has to crane her neck to look him in the eyes. His face is hard to forget, with a prominent nose, a trimmed goatee, and moles scattered across his skin like freckles. Thick dark curls reach his shoulders—a rarity in this day, when men seem to favor military buzz cuts. He stands hunched, with his hands thrust in pockets of a well-tailored black coat that looks soft and warm, and Rey is suddenly aware of every stain on her beige hand-me-down cardigan.

He isn’t handsome, not in the way that actors on glossy magazine covers are. Still, she stares at him like he has turned her to stone.

“It’s not nothing,” the man insists. “So tell me. What happened?”

“I, um…” Her words pour out before she can stop them. “I’ve just discovered that all the cash I’ve saved isn’t worth jack shit. I can't buy even a pack of gum.”

“But it ain’t gum you wanted to buy, I take it?”

“No.” Rey looks down, focusing on the buttons of his coat to avoid staring at his mouth, fled-red like he chewed on it too often. “Look, it was my money. I had the right to do with it as I pleased.”

The man glances at the booths behind her.

“You wanted music,” he states the obvious. “What was it?”

The question takes her by surprise—it rings intimate, almost inappropriately so, like he's entitled to know what makes her tick. She can’t remember the last time someone asked her what she liked or wanted, and the same itch she thought she’d vanquished a moment ago prickles her eyes.

She hates it.

“The Sisters of Mercy,” she answers in a small voice, failing to stop herself.

The stranger’s reaction is not what she expected.

“The Sisters of Mercy?” He raises his eyebrows, giving her a scrutinizing look. She wonders if he ever blinks. “You’re listening to the Sisters of Mercy? You?”

Rey frowns.

A while ago, there'd been an older girl living in the Home, an oddball who’d mostly kept to herself. When she'd gotten into fights, she'd hit below the belt, so the other children had learned to leave her be. She'd shaved her head, dressed in dark colors, and worn too much makeup, with dramatic eyeliner and black lipstick made of Vaseline and crayon. She’d named herself Asaji-hime, after a character from an old Japanese movie—Rey had never seen it, but if she got the plot right, it was some tragic samurai princess ruined by her ambition. Still, Rey knew that Asaji-hime wasn't as ruthless as she wanted others to see her. She’d had a soft spot—the music in English she played when no one was around. Once, Rey had caught her listening to a song different that anything she’d heard before—with a deep male voice, a soothing, melancholy melody, and a strong bass line, it had been so hypnotizing that she'd stopped in front of Asaji-hime’s door.

“I like your music,” Rey had said.

“So you should.” Asaji-hime had nodded. “It’s good music. Not like that brainwashing crap the others are listening to. Turbo folk, my ass.”

After that, Rey had often gone to the older girl’s room. Asaji-hime had helped her discover new songs, enthusiastically translating the lyrics. The music was about death and pain and loss and loneliness, about wanting to be someone else somewhere else, about greed and mechanical empires crumbling, and thunderstorms that were coming to get you. It was dark and sad, and probably a bit melodramatic, but Rey found it more relatable than she wanted to admit.

Then, one day, Asaji-hime had moved out of the Home, taking her music with her.

Rey doesn’t miss her, not exactly. They were never friendsthough sometimes she wonders whatever happened to the girl, whether she still shaves her head and calls herself after a Japanese villainess.

But Rey does miss the music.

“Ain’t illegal to have good taste,” she finally answers, squaring her shoulders.

To her surprise, the man makes a sound that can pass for laughter.

“No. I just didn’t expect it.”

His gaze softens, faint crow’s feet relaxing above his cheekbones like a shield has been lowered, and on second thought, maybe he isn’t not handsome. How old is he, Rey wonders? Mid-twenties, probably. Or older. Or youngershe can't decide.

“Which album?”

She contemplates briefly.

“Any,” she says. Then she changes her mind and quickly adds, “The one with Marian.”

“Ah. So it’s Marian.” The stranger's lips tug upward, and Rey assumes it’s a smile. “That’d be First and Last and Always from 1985—their debut album. Sort of a self-published project—like, they made their own label to release it. Did you know that?”

She didn’t, but she hopes it doesn’t show.

“Flopped, though. Sales were pretty bad—except in Germany, because, well, Germany, but it wasn’t enough to save the day. They wound up in terrible debt. Took them years to pay it off, and they almost broke up the band. Good thing they didn’t, right?” His tone turns lighter, words clipped with excitement. “I’ve always thought it’s one of their most underrated albums. That opening track, pure genius. But tell me, why Marian? It’s not a song people usually pick as their favorite.”

Rey swallows.

In truth, the song makes her feel things. It fills her with want and yearning and an itch that pulses along her spine, and she daydreams of being someone’s Marian. But she can't say that out loud: it’s girlish and silly, and she’ll come across a fool.

“I like the lyrics,” she says instead.

A spark lights up in his eyes, and he smiles, this time for real. Dimpled cheeks shave years off his face. His teeth are crooked—Rey finds it endearing, even if there's a touch of menace in their sharpness. Something has just changed between them, as if a switch has been flipped, but she can't tell what.

“I see.” The stranger nods. “You shouldn’t buy it here, though. You shouldn’t buy anything here. This shit is bootleg, the tape will malfunction in no time. Better get an original.”

For a moment, she thinks it's a joke, but his swift, hostile gesture as he points to the booths assures her he means it. Damn. He doesn't understand a thing, does he?  Who is he, so out of touch with reality? Can he really not see that she's piss-poor, and too young, and slightly scared, and the world is falling apart around them?

“Uh,” she hesitates. She wants to sound cooler and more assertive, but she’s unsure how. “You said it yourself, you saw what I did. I kinda don’t have any money anymore. And even if I did, where the hell would I find a decade-old Sisters of Mercy album in this shithole?”

His jaw clenches, and she knows she said the wrong thing.

“Not much of a patriot, are you?”

Rey feels it’s a trick question.

She takes a while to come up with the correct answer, and as he observes her, his face turns stern. It strikes her how massive he is, all long limbs and wide black coat, like a giant. Like standing at the bottom of a dark mountain, unsure if she dared to climb.

“Hard being a patriot these days,” she says at last.

A sharp frown line splits his forehead. “On the contrary, it’s never been easier.”

Rey dislikes his reply, can’t even understand what he means except that patriotism is a word that government propaganda repeats until it sounds like prattle, but she says nothing.

Wind blows through her cardigan, and the sky darkens, clouds closing in like it's about to rain. On a bench nearby, a boy is singing off-key, but she barely registers it. Rey stands in silence, the stranger looming over her, and the moment drags on. A part of her wants to flee, her instinct tells her to run, run, but her legs don’t move.

The other part wants to keep the conversation going.

They can talk about music. He seems knowledgeable on the topic and happy to share, and in truth, Rey has no one else to talk to. It's a humiliating reminder of her loneliness—here she is, talking to a stranger, willing to shush the red flags for crumbs of conversation.

Then again, a man who knows the year in which Marian was released can't be that bad, can he?

“What’s your name?” the stranger suddenly asks, his deep voice soft like a whisper.

“Rey.”

It’s not what’s written on her birth certificate, but it’s the name she chose.

“And how old are you, Rey?”

“Sixteen,” she lies, and immediately feels embarrassed. Did he see through her?

His expression doesn't change—he believes her.

“You hang out here often?”

Ah. This one she really shouldn’t answer. She's not naïve, she knows that strangers who approach little girls to ask too many questions pose a threat—especially these days, when people can disappear overnight. If she were gone, she wonders if anyone would even bother looking for her.

But the man watches her on tenterhooks, his eyes open wide. The heaviness of his gaze grounds her, the last shreds of her invisibility fading, and the empty pocket where the money was finally stops burning against her skin. Besides, no matter how badly he frowns or how freakishly tall he is, his face is an open book. Too expressive. Whoever he is, Rey is sure the man is a bad liar.

“Yes,” she admits. His scowl softens, and again there’s that tug of his mouth that resembles a smile.

“Tell you what, Rey,” he says as he turns to leave. “Wait for me here tomorrow. Same time. I’ll bring you something you’ll like.”

And just like that, he walks away.

Rey watches him disappear, his tall frame standing out in the crowd, his heavy coat visibly more expensive than the worn-out leather jackets of the cool kids who flock in front of the cardboard booths to rummage through music. His gait is graceless, as if his own body is too large for him to carry. She almost expects him to trip. What a weird man, she thinks—all dark and mysterious, but as awkward as a stutter.

She's always disliked that butterflies-in-the-stomach line, found it clichéd, too corny. And yet that is exactly what she feels.

When she loses him in the crowd, she realizes he never told her his name.

Notes:

As you've probably concluded by now, I lived in Rey's homeland in the 1990s. So yes, while we didn't exactly get the shortest end of the stick in the Yugoslav Wars (or maybe we did, depends on who you ask), it was pretty much awful. All the stuff I mention here - food shortages, scheduled power outages, teacher strikes, the goddamn inflation - I've been through that. Yet it was my country and my home, and I was a teen, and even in those horrible years it was still possible to find specks of joy.

I have no idea what on Earth possessed me to write a Reylo story set in my own youth. Perhaps it's because I got addicted to modern AUs, since they allow us to explore their relationship without the constrictions of the Star Wars lore. Perhaps because it's an opportunity to have an actual, real life war setting, with real body count, and still make it a modern AU. Perhaps because I needed an excuse to write about the topics that haunt me - after all, the fan fiction we write tells us equally about ourselves as about the characters we've re-purposed.

The country shall not be named, even though I think it's relatively easy to deduct where the story takes place. I don't want to say it aloud, since I want this story to be about emotions and experiences, not politics. Plus, in this way I can take some artistic liberties here and there - the story is mostly based on my memories of how it was, and as we all know, them memories are a fickle thing.

Also, in truth, the Yugoslav Wars are a pretty damn serious topic, as many people are still bitter about their nature and interpretation. While writing this, my intention was not to take sides, or trivialize the subject, or offend anyone, just to come up with a very personal story for my very favorite pairing. I hope we're on the same page there.

All that said, for those who're not familiar with the 80s Goth scene, here's Marian. I advise you to pay heed to the lyrics.

And a fun fact to share: Asajj Ventress was indeed named after a Japanese villainess: it's Princess Asaji from "Throne of Blood", directed by Akira Kurosawa in 1956. It's essentially a "Macbeth" AU - see what I did there? - set in Edo Japan, and yes, Princess Asaji is the Lady Macbeth of the story.

I'm a slow writer - happens when you have a busy work schedule and you're writing in a foreign language. But I promised to some people I'll make it through with this one. So wish me luck.

Chapter 3: Bright City Lights

Summary:

“You’re afraid of me. You shouldn't be afraid of me.”

Notes:

Beta'd by KathKnight

(See the end of the chapter for more notes.)

Chapter Text

Bright City Lights

 

 

The TV screen goes black, the silence so abrupt that the quiet scribbling of Rey’s pencil fills the common room. She lifts her head from her worksheets—just in time to see the argument explode.

“This is bullshit!” Maz points the remote at Unkar’s chest, as if she wishes to shut him down too. “I know you’re a stupid fuck, Unkar, but I can't believe you’d sink so low as to actually believe this steaming load of crap. And to watch it in front of kids. Jesus.”

There are two things that Rey has picked up from Maz Kanata, the resident psychologist of the Home for Children without Parental Care: her political beliefs and her language.

Unkar scratches his bald head. The look he gives Maz is somewhere between snooty and defensive—his face is red, a vein bulging on his forehead, and indeed he looks kind of stupid. Rey swallows a snicker. 

“The man’s a cartoon.” The remote thuds as Maz flings it on the table. “You can’t take a word he says seriously,” she concludes before downing her coffee in one gulp. “God, this tastes awful, calling it battery fluid would be flattering. Fucking end of times—the black market’s flourishing yet a woman still can't get herself a decent cup of coffee.”

Unkar seems unmoved by her grumbling. “I wouldn’t call Professor Snoke a cartoon.”

“Professor?” Maz lights a cigarette and pushes her heavy glasses up her nose. “If that man’s a professor, I’m Marilyn Monroe. Tell me, what college does he teach at? What’s his subject? Did he write any books—and by that, I don't mean this bestselling nationalist fiction he tries to pass for history, but y’know, real science books that are used for college curriculum? What do his students say about him?”

Unkar blinks in silence.

“And most importantly, tell me where the fuck he was before the war, and how come no one has ever heard of him before the goddamn government gave him a prime time TV slot to spin his bullshit about national myths and global conspiracies?”

Maz Kanata is a passionate woman, but Rey has never seen her lose her cool to this extent. The smoke she puffs out of her nostrils casts a shadow across her face, sharpening her wrinkles, giving her an air of fatigue.

“All the cockroaches and buffoons and witch doctors came crawling out of the deepest pits of hell to peddle their lies,” Maz says as she reaches for the newspapers on the table, “and we allowed them to be taken seriously. Fucking end of times.”

The papers rustle as Maz opens them dramatically, cutting the conversation short—the headline reads: Moles in Our Society: Traitors on Washington’s Payroll Exposed. Unkar clicks his tongue and stretches his flabby arms, the chair beneath him creaking. Then, his eyes fall on Rey like he notices her for the first time.

“The fuck you’re looking at?” he spits.

Rey often wonders how a man who visibly loathes children wound up working as a live-in caretaker in the Home.

“Nothing,” she says. “Doing my homework.”

“Can’t you do it somewhere else?”

Rey pauses and stares at the worksheets before dutifully gathering her notebooks and getting up to leave. It has become hard to focus anyway.

“Just you study, sweetie,” Maz says from behind the newspapers. “That’s the fastest way to emigrate.”

Shrugging, Rey paces back to her room. The doorknob rattles under her palm—her hands are shaking. She’d slept badly, tossing in bed, dreaming of shit she blessedly can’t remember, and come morning, she’d left her breakfast untouched. All this sweating and hand-wringing only adds to her anxiety, and the plan to distract herself with math has failed. Normally, numbers make her happy—their world is safe and predictable, and she always knows what to expect—but with the afternoon mercilessly approaching, the equations in her worksheets blur before her eyes.

The mere thought that something—someone—can affect her this much is terrifying.

Rey has a choice, of course. She can pretend that the encounter never happened—spend the afternoon in the Home, try to study more, maybe even watch TV if there's anything decent on. She’ll force herself to act like all is right, then forget about the stranger in the weeks to come. It’s not like he can track her down in any way—and besides, why would he?

Even more likely, he will be the one to stand her up. It would be a relief. In fact, she's almost hoping for this. The man’s clothes were too expensive, and he asked questions as if the world owed him answers. Someone like that has no reason to keep a promise casually given to a random girl.

Then she remembers how he smiled when they talked about Marian. His face lit up with a goofy grin that revealed his crooked teeth, and he looked younger, eager to talk. The more Rey replays the moment in her mind, the surer she is that the stranger doesn’t get to smile often. It makes her feel responsible.

The realization comes to her slowly, but deep down she’s known it all along—if she doesn’t go to the music market today, she’ll never be able to listen to the Sisters of Mercy again without thinking of that weird man.

She won’t give him that, she decides. He won’t take the music away from her.

So Rey puts her notebooks aside and spends too much time delving through her clothes, trying to pick an outfit in which she won’t feel preposterously ashamed next to the stranger’s fancy coat. An hour later, she's swaying in the tram, counting the stops to the music market, a part of her praying that she’ll be late and he’ll leave. 

But despite the traffic jam and the timeworn rails that make the tram crawl, she arrives a few minutes before the hour of their meeting.

To her horror, he’s already there.

He’s sitting on a bench under a linden tree, dressed in black from head to toe. He’s painfully conspicuous—his long legs stretched out in front of him, his feet as big as boats in the bulky lace-up boots. With his coat and goatee and wild hair, he resembles a rock star, Rey thinks. A grunge singer. She hates that it makes her heart beat faster. He’s toying with an object—neither a cassette nor a record, it’s something smaller, thinner, shaped like a perfect square. She has an idea what it might be, even though she’s never seen one before. If she’s right, the situation is even more ridiculous than she could’ve imagined.

When he notices her approaching, he jumps.

“Rey...”

Coming from him, the nickname sounds expressive, mature, like she can almost become this person.

“Hello, um…” She doesn't know what to call him. “Hello. Well. This is awkward. Hello, stranger.”

His face darkens. “You think I’m a stranger?”

And there, he does it again—in a matter of seconds, he transforms into this looming creature of doom that makes her regret her choices and feel like every answer she may offer is the wrong one.

“I, uh…” she begins, but he interrupts her, raising his palm.

“You’re afraid of me.”

He looks confused, like it’s the first time it has dawned on him he might be frightening.

Rey doesn’t know what to say.

“You shouldn’t be afraid of me.” The stranger presses his lips into a pout. “I’m not a monster.”

“Sorry,” Rey whispers.

Instead of assuring her that everything is fine, he pushes the object he brought into her hands.

“Here. Told you I’d get you something you’d like.”

Rey takes the item, only to confirm her doubts. She stares at it, incredulous.

“This is a CD.”

“Yes,” he agrees. It takes him a moment to figure out what’s wrong. “Well, fuck.”

Guilt spreads across his face, making him resemble a scolded dog, and suddenly he's no longer scary, on the contrary—Rey cracks a smile. 

“I screwed up, didn’t I?” The tips of his ears protrude from his hair, blushing a deep pink.

“No.” Rey shakes her head, flipping the CD in her hands. It's beautiful. She likes its weight, how real it feels against her palm. The cover is designed in good taste, with the band’s name in bold letters, and classy red and black patterns that remind her of Asaji-hime. The Sisters of Mercy, she reads. First and Last and Always.

“No, you didn’t. Just, like… It’s a fucking CD. I’ve nowhere to play it.”

Rey opens the case, studying the rainbow flare that spreads on the disc as the streetlights hit its surface.

“This is an original, isn’t it?” she says in awe. “Where on Earth did you get it?”

“New York, 1989.” The stranger shrugs. “Bought it after their live gig. Can’t remember the name of the club, though.”

She almost drops the disc.

“You… you saw Sisters of Mercy live?" Her voice comes out embarrassingly young. "And you were in New York?”

She can't decide which she finds more unbelievable of the two. And it was only four years ago. Suddenly, all the misery and the grayness of their reality tighten around her throat.

The man's lips pull into another non-smile.

“What was it like?” Rey asks quietly.

“The Sisters? They were okay. Eldritch was kinda weird, going through one of his phases again, as high as a kite. Bet my ass he didn’t even know where he was. It was shortly after the clusterfuck with Patricia Morrison, so I guess he was in a foul mood during that entire tour. Then again, Eldritch is always in a foul mood, isn’t he?”

Rey has no idea what he’s talking about, but she still nods enthusiastically.

“I hoped the concert would last longer, but they split before midnight,” he adds. “The after-party was cool, as far as I recall. Though I might’ve overdone the drinking. My uncle was raging mad at me the next day, and I still remember the headache.”

Before she can stop herself, Rey frowns—it makes the stranger wince.

“I don’t drink anymore,” he clarifies urgently.

He holds her gaze, unblinking, and she gets an odd feeling that for some reason he needs her to acknowledge that he changed for the better. She smiles in a way she hopes is reassuring, and his posture relaxes.

He’s standing too close again, she notices. Today, however, she doesn’t mind.

“What’s New York like?” Rey asks. Sometimes, she finds it difficult to grasp it’s a real place where actual people live, and not a fantasy land where Harry meets Sally and that Scottish guy must cut off people’s heads because there can be only one and Rosanna Arquette desperately seeks Susan and you need to call the Ghostbusters to blast the giant marshmallow man before he stomps on yellow cabs and breaks all the skyscrapers in two.

“It’s bright,” he says, and there it is finally, his toothy grin—his cheeks dimple. Rey beams in return. “The lights are too strong and everything glows. The streets, the cars, the neon signs, the skyline… It’s beautiful.”

He gestures like he's trying to draw the outline of Manhattan in the air.

“I, uh... I had problems sleeping when we were there. Got hit by jet lag pretty hard, ended up with a nasty case of chronic insomnia. So at night, I’d sneak out of our apartment, and walk the streets all the way from St. Mark’s to fucking Times Square. It was, um, a bit overwhelming. All that light, so easy to get lost in it, so tempting to take a wrong turn on purpose and end up god knows where. I remember the effort it took to focus, y’know, to force myself to return home before sunrise…”

Rey can picture him: a tall figure in black among the gothic skyscrapers and brick buildings with fire escape stairs, walking the streets of New York bathed in light, as steam from manholes swirls around his feet. The image is surreal, like a movie poster—but she can almost see the fleeting neon signs of Times Square reflected in their gloomy November afternoon.

She wonders if he still has trouble sleeping.

“Do you ever miss it?” Rey is certain she would—in fact, as she listens to him, she feels a profound craving for the bright lights he describes.

But the stranger shakes his head, and the softness in his eyes fades away.

“No. I was aimless back then. Now, I have a purpose.”

There's an audible capital P to the word that makes the mood shift, like he's trying to push his former self away, and the moment is gone.

Rey takes a step back.

“Thank you for this.” She points at the CD. “It’s the nicest thing anyone has done for me in a long time.”

His whole face flushes. It looks sweet on such an intimidating man, even if a bit funny.

“I was stupid about it. Wasn’t thinking.”

“I bet that happens to you a lot,” she says, surprising herself with this burst of courage. “Not thinking.”

He frowns sharply, and for a moment she fears they’ll revert to the prickly tension from yesterday, when talking to him felt like walking a minefield. But then his eyes crinkle up and he makes that throaty sound she's learned to recognize as his laughter, and all is good.

Rey grins. “I don’t think I can keep it.”

She tries to give him the disc, but the stranger pushes it back into her hands. Their fingers brush for the briefest second.

“No,” he insists. “No. It’s yours. Please. I have no need for it. I don’t listen to that music any longer.”

“But it’s a CD. I can't play it.”

He doesn’t allow her to let go of the case. “We’ll think of something.”

Rey stops in her motions. “We?”

“Well, you did say you hang out here often,” he says too cautiously. “And, uh, there’s a reason I’m here. I’m looking for someone, y’know. Someone I haven’t seen in a long while. Recently I was told this person was spotted at the music market. Buying records.”

The last word comes out like a growl, like he finds the very thought of this person enjoying music despicable. There's something sinister about it—normal people don't talk like that. The back of her neck prickles again, but she dismisses it.

“So I thought you might like to keep me company,” the stranger continues. “Not every day, of course. When you’re free. When you want to. We can talk about music. Or New York. Or whatever you desire.”

There—his cards are on the table. A desperate edge creeps in his voice, and his eyes are wide and too attentive—the eagerness is even somewhat repulsive. And yet, she can't deny it pleases her. It's like she's needed.

She likes this new feeling.

Rey doesn’t think of what it means. She’s no fool, she knows she should, but she doesn’t.

“Yes,” she answers, smiling. “Yes. I’d like that.”

And so it's done.

“I have a question.” Rey fidgets, putting the CD in her backpack. “What do I call you? Obviously, ‘hello stranger’ doesn’t work.”

A twitch crosses his face, like an onset of a surprise he manages to stifle, and for the briefest second, it looks like he expects her to know his name already.

“Kylo,” he says finally. “Name's Kylo.”

She feels there's more to this, something he's not telling her, but still, Rey nods. Maybe he needs time. That's okay. If living in the Home has beaten one thing into her, it's to respect boundaries.

Besides, he's a bad liar and an open book, and despite his cashmere coat and trips to New York and being at least a decade older, Rey can tell—Kylo here is one lonely, talk-starved loser.

Just like her.

 

Notes:

You know what was the most mind-boggling thing when writing this?

The goddamn names.

See, names such as Maz, Unkar, or let alone Kylo are not really that common in our part of the world. In fact, they sound completely silly in our local context. I thought, perhaps, to find a way to work around it, like I did with Ventress in the previous chapter. Maybe come up a local-sounding name for each character and provide a "who's who" table in the footnotes.

But then I realized that this would be spectacularly missing the point. Like, this is a fan fic. The entire point is that it is about characters we already know well and recognize with ease. Their names are an important aspect of instant recognizability. And if they don't sound too Slavic, well, to hell with it.

Chapter 4: I Am the Son and the Heir (of a shyness that is criminally vulgar)

Summary:

There’s a power she wields over him, Rey sees, but she isn’t sure she understands it.

Notes:

Beta'd by KathKnight

Also, shout out to my besties - Shunak and Spamushka . If it weren't for you guys, I wouldn't be writing this shit, and I'm grateful for your patience when at 2 AM I send you a message with a fic exceprt and a panicked question if I went overboard with the cheese.

Good thing that most of us are here for the cheese.

(See the end of the chapter for more notes.)

Chapter Text

I Am the Son and the Heir
(of a shyness that is criminally vulgar)

 

 

 

In the last week of November, they’re told the schools will close.

The TV anchor announces the news with a serious face, saying the sanctions have caused a shortage of heating fuel, forcing the state’s hand. It would be inhumane to make students sit in freezing classrooms, the anchor recites, bemoaning the evils of the West to whom even the children aren’t sacred. The children don’t mind, however—hooray for the longest winter break in history.

The inflation keeps rampaging. Unkar is running bets on who’ll be the next national hero to receive an embarrassing portrait on a banknote, savvy enough to accept wagers only in Deutschmarks. Rumors spread about what’s happening across the border—cities under siege, daily shelling, sniper fire, people who can't leave shelter even to bury their dead. Streets are covered with bodies, it is said. Maz rants more and swears more and smokes more, and on particularly bad days she laments that it’s high time for someone to do something, because if enough decent people got their heads out of their asses, maybe they could put a stop this madness.

Yet for Rey, all this becomes nothing but background noise.

They meet every day.

Every fucking day.

As the afternoon draws near and the early winter skies darken, Rey hops on the tram, excitement making her light-headed. When she arrives, he’s already on his bench, waiting. She has no idea why he always gets there early, but it makes her happy that he does. He smiles when he sees her—and the world disappears.

“Hey stranger,” she greets him teasingly. “Still waiting for your person?”

He nods, the tips of his ears blushing. “Until then, I’m yours.”

Kylo keeps his promise, and they talk about music. He’s seen so many bands live Rey can't keep up with their names, so she asks him to make her a mixtape. The very next day, he offers her a cassette with a bright red sleeve, his handwriting so neat that for a moment she thinks the song names are printed. At night, Rey listens to it on her salvaged Walkman, staring at the planks of the bunk bed above. She tries picturing herself in a nightclub in a foreign country: a place that smells of tobacco and beer and sweat and hairspray, where people sing out of tune and dance stepping on each other’s toes. She isn't sure if she’d be having the time of her life, or feel lost in the crowd. She wonders how he felt.

He translates the lyrics for her—the songs are all appropriately desolate and dark, but she expected nothing less. He enjoys it, she can tell, playing the teacher, helping her discover the things he loves, even if he insists that his clubbing days are long over. What Rey likes the most is listening to him recite in English. His accent is soft, barely there, just a slight huskiness when he rolls his R's—she finds it delightful. It fits a man who’s seen half of the world.

New York isn't the only place he spent time in, she learns. He's traveled to London (“best nightclubs ever”), Paris (“fuck them French”), Berlin (“the sky’s different there, the clouds look so close, you think if you reached out you could touch them”), Rome (“the Vatican’s overrated, the best place to visit is the Capuchin Crypt, I gotta show you pictures: thousands of human skulls and bones arranged like flowers”), Oslo (“I never thought I’d be the one to say this, but boy did I miss sunshine after a few days of Norwegian winter”), St. Petersburg (“cheap Russian vodka ain’t all that cheap”), and even as far as Tokyo (“the Japanese are really something, y’know, their technology is advanced like science fiction, but their society is all old school and tradition, we can learn so much from them”).  

She gets used to him more than she thought possible. It’s all about the little things: when they walk next to each other, she enjoys their height difference. His ears are big and bent, and she suspects he grew out his hair to hide them. She likes the shape of his nose, but doesn’t ask how many times he’s broken it—it would feel bumpy under her fingers if she were to touch it, she thinks. His fangs are too sharp, and an upper one is chipped, but the gap makes his smile boyish. He waves his hands when he gets carried away with a story, and sometimes, Rey asks him question after question just to watch him talk. She even starts finding his lack of charm charming, as if his bluntness is making him open, vulnerable, and unlike other adults in her life, she feels she can trust him. There are things he’s not telling her, she knows—but so what. She’ll give him time.

One day, he lends Rey his favorite novel. She expects it to be a Russian classic, or something German and philosophical, or even a fantasy like Lord of the Rings, which, last year, she devoured in less than a week—all three books. But it’s something else. “Cien años de soledad”, he says in Spanish as he hands her the book, jungle trees swallowing a city on its cover. A century of loneliness. It’s a novel about politics and family curses, he explains, and fate, and bad life choices, and never getting what you want. He talks about it so passionately that she wonders how he can relate to all these different characters at once.

He’s never been to Latin America, he confesses. Never had the opportunity. And now that his life has changed and he doesn’t travel anymore, he thinks he never will.

Maybe they could go together one day, Rey almost suggests, but she keeps her mouth shut.

She doesn’t talk about herself. There’s not much to tell. She’s a nobody from nowhere, end of story. Eventually, she admits she lives in the Home, and upon hearing it, Kylo doesn’t speak for a while. It’s a small miracle, given his habit of asking questions he has no right to, but this time he doesn't pry.

Even if deep down she may want him to.

“Why do you do this?” she asks him on a chilly afternoon as they sit in a coffee shop across the street from the music market, observing the booths through the window.

“Why do I do what?”

She takes a sip of the hot chocolate he ordered for her and savors the taste. It burns her tongue, but her jaw pleasantly tingles at the sweetness. She’s forgotten how it feels.

“Why do you spend time with me?”

The chair creaks as Kylo leans back, panic rising in his eyes. 

“You don’t want it?” 

There’s a power she wields over him, Rey sees, but she isn’t sure she understands it.

What's wrong with you, she wants to ask—what happened to you? Who hurt you so badly that you’re this awkward in the company of an orphan girl? What’s this mysterious purpose that made you turn your life around?

What are you hiding?

But then it’s Rey who’s afraid that, if she gets too curious, he’ll find another way to spend his afternoons.

“Of course I want it,” she exclaims, her voice perkier than she feels.

“Then nothing else matters.” 

When he grins, his cheeks fold and his crooked teeth glint, and her heart is so full that she can't speak.

Often, Rey wonders about this person they’re waiting for at the music market. Who could it be, really? She assumes it’s an ex-girlfriend—someone beautiful, and sophisticated, and worldly.

Rey hates her.

November turns into December, and the holiday season begins.

Maz comes up with a recipe—the “embargo cake”, as she calls it, or how to make a dessert with no chocolate, no cinnamon, no butter, no nuts, no milk and no eggs, just minimal amounts of flour, sugar, water and contraband cocoa, and one apple for flavor. It tastes like shit, but Maz assures them it’s much healthier than the teeth-rotting Mars bars that cost a fortune on the black market. They can't afford a Christmas tree. Unkar offers to go to the park and chop down the first suitable pine, waving around with a clunky firefighting axe, but Maz decides they’ll improvise. Rey helps out. Together with the youngest children, she draws Santa and reindeer and lollipops and Mickey Mouse on checkered paper, cuts them out carefully, and hangs them on strings across the grey hallways.

It looks absurd.

The power outages are getting longer.

“What would you like for New Year’s?” Kylo asks one day.

Rey is confused—no one has asked her that before.

“You mean, as a gift? Or what I’d like to do for New Year’s Eve?”

“Both.” He shrugs.

She struggles to answer, crushed by the sudden torrent of emotions—who would’ve thought that joy can be suffocating.

“I… I’ll think of something.” Her voice squeals, making her cringe.

But then he looks at her with warmth in his eyes, and all is right with the world.

It’s on a dim mid-December afternoon that Rey’s life goes to shit.

She sees Kylo from afar—he’s waiting for her at their usual spot at the music market, but he’s not alone.

He’s arguing with someone.

The man he’s talking to seems like a piece of work, Rey thinks. Grey-haired and scruffy, he must be pushing sixty, but he’s following fashion trends that look ridiculous even on men half his age, with a slick, bright-colored tracksuit, bulky Nike running shoes, and a massive gold chain tucked under his collar. Oddly, his jovial outfit doesn't match his expression: there's a distinct sadness in his eyes, like he's concerned—or disappointed.

In contrast, Kylo is a coil of rage.

This is not mere anger. This is fury: his teeth are bared in a snarl, and his hair falls across his face in wild strands. He takes up space, too large for the street corner where they stand, like a black hole sucking in the last wisps of winter sunshine. Rey remembers why she was petrified the first time she saw him.

She hesitates to approach, but Kylo gives her away—his lips twitch when he sees her. The old man turns in her direction.

“And who’re you?” he asks.

His eyes flicker between Kylo and Rey, and then he frowns. There’s something here that he doesn’t like.

With a sharp wave, Kylo signals her to stand behind him. The gesture is so natural that she obeys without thinking.

“She’s none of your business,” he growls before Rey can speak for herself. “How the fuck did you find me anyway?”

The old man rolls his eyes.

“Half the city knows where to find you.” He motions toward the booths. “Kid, if you think you’re being inconspicuous sitting here every day like the goddamn Nevermore raven, you might wanna reconsider your tactics.”

“Do not mock me!”

Kylo's words fall like thunder. The man takes a quick step back and stares at him, wide-eyed. 

“Okay.” He raises his hands in defeat. “Okay. Let’s talk, then. Like grown men.”

He’s afraid, Rey sees. He's actually afraid.

Fuck.

“There’s nothing to talk about.” Kylo clenches his jaw. “Now, get out of my sight.”

But the old man doesn’t move.

“Listen, kid,” he tries, his voice between calming a child’s tantrum and taming an enraged animal. “Please listen. I know.”

He waits for a response, but Kylo just crosses his arms and glares.

When children in the Home argue like this, it ends in a fight. Someone's nose gets broken.

“People talk. Rumors are going around in the street. I heard what he’s planning, I know he wants to continue.” The old man makes a weighty pause. “It ain’t too late. This time, you can do the right thing.”

Kylo huffs out his almost-laughter. “Did I just hear you right? You are telling me to do the right thing?”

The old man swallows and doesn’t answer, and Kylo shakes his head.

“Because what you’re doing is oh so right, isn’t it, Han?”

Rey winces—it’s the first time she hears someone’s name spat out with such revulsion. A few passersby slow down to observe the argument, but one quick look at the figure in black makes them avert their eyes and scurry in haste. Kylo takes a step toward the man, who keeps backpedaling, his hands still in the air. 

What the fuck happened between them?

“Tell me, what’s your favorite route these days?” Kylo tilts his head in mock interest. “Romania? Hungary? All the way to Austria?”

The man—Han—narrows his eyes, but says nothing.

“What is it that you’re smuggling? Is it cigarettes? Gas? Is it something more trivial, like sausages, or instant soup, or Nescafé and Oreos?”

An angry sort of pride straightens Han's spine.

“The stores are empty. People are starving. If it weren’t for us taking risks…”

“So now you’re some kind of a hero?" Kylo interrupts him. "People are starving. They also happen to receive their salaries in food stamps. Tell me, do you take food stamps for the shit you sell? Or do you ask for D-marks?”

The old man inhales to retort, but words seem to fail him. His face falls.  

Suddenly he looks tired, all shabby and wrecked in his shiny tracksuit, as if he’s shrunk before her eyes and aged a decade. Rey almost feels a faint pang of sympathy.

“Kid.” Han reaches out for Kylo, but lowers his hand before touching him. “Cut it out. Don’t go.”

Kylo watches him with open disgust.

“I am doing the right thing,” he declares. “Someone has to. Now fuck off.

Han doesn’t budge—he just stands there, looking at Kylo with heartbreak in his eyes. The moment lasts too long, as tense as a movie scene and painful to watch. She wants it to end.

Eventually, the old man sighs.

“As you wish. You won this time, kid, I’ll scram. But I’m not giving up. You can’t make me.”

He turns to leave, but then he abruptly stops and looks at Rey.

Han wants to tell her something, she sees. He points with his finger and opens his mouth, and Rey suddenly dreads what he might say. But then he changes his mind and shakes his head in disapproval, as if he caught her doing something she wasn’t supposed to. Or as if he pities her. She takes a step closer to Kylo.

At this, Han gives a curt wave, turns on his heel, and finally walks away. He steps slowly, glancing over his shoulder, bouncing up and down in his running shoes in a jagged rhythm. It takes a while for his bright tracksuit to disappear among the dark winter coats of passersby.

But even with the old man gone, the tension remains.   

Rey looks up at Kylo.  

She isn’t stupid. She knows what she should ask. He owes her an explanation of who Han is, and what the fuck just happened, and whatever doing the right thing might mean. 

And yet, out of the entire conversation, there's only one sentence that weighs on her mind.

“He said…” she begins, but pauses. The words stick in her throat like a painful lump. “Uh. He said you’re going somewhere. Is that true?”

Kylo doesn’t meet her eyes, staring stiffly at the sidewalk beneath his feet. The rage is gone, like it deflated, and he doesn’t appear so large and menacing anymore. It alarms her.

A beat passes before he responds.

“Yes.” 

Well, then.

“But you’ll be back soon?” She makes every effort to control her tone. “It’s just one of your trips, isn’t it? You’ll return, full of stories.”

He lifts his gaze and looks at her like a kicked dog.

“This is not that kind of a trip, Rey.”

“Please tell me you will return,” she says too roughly.

Kylo’s half-smile is full of misery.

“I… I don’t know.”

No.

“But… What about the person you were waiting for here? We spent weeks at the market. Was it all for nothing?” 

“Rey.” His voice quivers when he says her name. “For a while now, the only person I’ve been waiting for here was you. I thought you knew.”

No. How dare he?

He can't say that to her and leave. He has no right to.

Fucking adults.

“Liar.” Tears sting her eyes. She has no will to bite them back, not this time. He deserves to see her pain. “You fucking liar. You said we’d be together for New Year’s. And now… Is this the last time I see you?”

Kylo presses his lips together.

“This is not something I have control over,” he says, and she hates him for having the audacity to sound disheartened. “But it’s something I must do. Please. Try to understand.”

“You can't leave me.”

There, she melts down in tears, cold winter air snipping at her cheeks. She struggles to breathe.

“Don’t cry.”

“Fuck you, Kylo!” she barks, and he flinches. “You don’t get to tell me what to do!”

Tears glide down her throat and into her shawl, and everything tastes like salt and snot and stale wool. It’s not even humiliating—a part of her is glad that the charade is over. She’ll be free now. No more butterflies in stomach.  

“You know what?” Rey sobs, wiping her eyes with the back of her palm. “It’s okay, actually. Everybody leaves sooner or later. Everybody. Why would you be any different?”

He stares at her. It feels good to shout at him—she can see that he hurts.

But then, without warning, he leaps forward and hugs her.

It’s the first time he’s touched her.

It’s the first time anyone has touched her in a very long while.

For a second, it feels like the click of a steel trap—she wants to resist and push him away. But he wraps his arms around her, and she senses the warmth of his coat and the smell of his aftershave, and damn it all to hell. His body is tense against hers, his goatee tickles the tip of her ear, and she thinks she hears his panicked heartbeat, despite the thick layers of fabric between them.

She begins to bawl.

“Hush,” Kylo whispers into her hair. “Hush, please. Rey. Listen, I promise. I’ll return to you. Do you hear me? I’ll return.”

She nods weakly, her face buried in his chest. The tears won’t stop coming, her nose runs, and she’s ruining his coat, she thinks. She doesn’t know what to do with her hands.

His breath is warm.

“I won’t leave you. I’ll do what it takes and I’ll come back, I promise. So wait for me. Don’t cry and wait for me.”  

His fingers comb through her hair. It’s nice. It makes her want to weep harder.

"Rey...? Do you trust me?”

“Yes,” she says.

Asshole. As if there’s another answer she can give after that.

She tentatively places her hands on his back, the texture of his coat fuzzy-soft under her palms, like a memory of a comfort toy she knows she never had. He hugs her tighter, and she feels like she’s sinking. Water is closing above her head.

“Good,” he sighs.

Kylo lifts her chin up to hold her gaze. His eyes are red-rimmed too, lids heavy and pupils blown wide, and his look is somewhat frantic, off, but she likes this intensity about him.

In movies, scenes like this have only one outcome, and an unwelcome heat settles in her belly.

She wants to wriggle out of his arms. She never wants to let go.

But then he just grins.

“I’ll come back to you,” he repeats.

And in that moment, the first snow of 1993 begins to fall. It fucking had to, obviously.

Notes:

I still remember the nightmarish taste of the embargo cake.

Cultural note: in this part of the world, we give each other gifts for New Year's Eve, not Christmas. The reason is twofold. On one hand, it's our heritage - we had half a century of communism. Back then, Christmas was not exactly the most popular of holidays, but people still needed an appropriate occasion to give each other gifts. On the other hand, the Orthodox Church adheres to the Julian calendar, according to which Christmas falls on January 7th. And there's no way people'd be willing to wait for an extra week to unwrap their presents.

What do you think, what are the songs that made it on the mixtape that Kylo made for Rey? I hesitated to go into the details, since the point is to tell a story and not to go through all the bands I liked as a teen - but if you have suggestions for the mixtape, I'd love to hear them!

Chapter 5: In Between Days

Summary:

Rey doesn't know what to do with herself.

Notes:

Beta'd by KathKnight

(See the end of the chapter for more notes.)

Chapter Text

In Between Days

 

 

 

The last days of December are the time for gifts—Santa visits the Home for Children without Parental Care, dressed in a wrinkled red suit that smells of mothballs. His fake beard is too curly, and he’s overly slim for a passable Saint Nicholas, but the man tries his best, so Rey plays along and helps him entertain the younger children. They’re given notebooks and coloring pens, an anthology of patriotic poetry, and a box of second-hand toys that have seen better days, with shorn-haired Barbie dolls and teddy bears missing their noses. The Red Cross also drops by, bringing a batch of clothes. Rey forages through worn-out jeans and sweaters, coordinating colors, trying to find something in which she won’t look like she doesn’t have a pot to piss in. It’s the first time she does that.

Unfortunately, the choice is meager.

“I’m sorry about this,” says the Red Cross worker. “We’re under too much pressure. The refugee centers are filled to the brim, and people still keep coming. All the humanitarian aid goes there. You guys get what’s left.”

“What, orphans aren’t fashionable any longer?” Maz retorts dryly. “Fucking end of times.”

New Year’s Eve comes and goes. Maz spends it with her family, so the children are stuck with Unkar. He allows them to stay awake until an hour after midnight, watching a variety show on the national TV. Regime-approved celebrities sing and dance in full regalia: there’s glitter and bowties and updos and a gigantic Christmas tree, and at midnight they pop open champagne and toast to a better future. The display is mind-boggling, Rey thinks, a shameless imitation of normalcy, but one thing brings her relief—fucking 1993 is finally over.  

In January, life slows down.

The wind doesn’t stop, the schools remain closed, and the city is a pale cocoon of shadows and snow—everything is on hold. The time she has on her hands becomes a problem. Rey doesn’t know what to do with herself.

It’s been three weeks since Kylo left.

She volunteers to help around the Home—cleaning duties, feeding the youngsters, teaching them nursery rhymes, reading fairytales aloud. Unkar rolls his eyes and warns that this won’t earn her any pocket money, but it’s not as if she needs it, and the children occupy her time. She listens to the mixtape Kylo made her until the Walkman chews it up and she must carefully wind it back with a pen. After that, she treats the cassette like a relic, something sacred and fragile, and she’s too afraid to play it again. She reads and re-reads the novel he gave her, imagining the humid heat of Latin America—the sunshine, the buzzing of crickets, the family curses that last one hundred years to a day. It makes for a nice contrast with the snow outside. She reverts to her habit of aimlessly wandering the city, but it’s too cold and grey, and the slush goes through her shoes, so her toes freeze in wet socks.

She feels like she’s running in circles.

It’s been three weeks, and she has no idea where he is.

Rey still goes to the music market every afternoon. She hopes she’ll see him there, waiting at their usual spot, but there’s no one, not even the cool kids—it’s too fucking cold. Half the booths are closed. She stays a while, an hour maybe, glancing at the street corner as if he’d appear at any moment, but he doesn’t. Sometimes, she thinks her life was better before, when there was no Kylo and she was alone in the world—but then she decides that waiting gives her a purpose.  

He promised he’d be back. He did.

“Hey,” a vendor calls at her one day, gesturing to approach. “Where’s Kylo?”

She looks at him blankly, processing the question.

“You know Kylo?”

“Well, I don’t know him.” The vendor shuffles on his feet. “I don’t think I’d ever have the courage to speak to him, if you see what I mean. But I know of him. Everyone does.”

Rey blinks. They do?

“He’ll be back,” she says, unsure how to tread.

“Oh, will he?” The man raises his eyebrows. “Well. It was so weird to have him around all this time. Gotta say, he was scaring us shitless, and that ain’t good for the customers!”

Suddenly he turns pale, as if he’s just realized what he said—an inexplicable wave of panic mounts in his eyes.

“I meant no offense,” he apologizes.

Rey doesn’t understand.

“None taken,” she utters, confused.

“Here!” The vendor points at the cassettes displayed on his booth, his nervous smile not making sense. “Take your pick. Whatever you like. It’s a gift. For Kylo’s girl.”

Rey returns to the Home with the greatest hits of The Smiths—she knows he’d approve—and too many questions. She can see why people would find Kylo terrifying—she’s been there herself, he’s a mess of darkness and anger and no social skills, until you get to know him. Still, the vendor’s reaction was exaggerated.

Must be because of his knowledge of music, she concludes. With all the places he’s been to and the bands he’s seen, of course Kylo wields respect at the music market.

Days pass. She listens to The Smiths. It’s been four weeks since he left.

On a cold yet sunny mid-January afternoon, when the air is so crisp that Rey wonders if she could blow rings with her breath the way Maz does with smoke, there’s someone waiting for her at the market.  

It’s not Kylo.

“Hey kid,” Han says, buttoned up in a worn-out leather jacket on top of his tracksuit. “I’ve been told you still hang around here.”

Rey’s first impulse is to walk away. She vividly remembers the argument she'd witnessed—bad blood and heavy words, a lot left unspoken, Kylo losing his temper, the old man desperate to interfere with something she couldn't fully grasp. If Han came here looking for her, it means nothing but trouble.

On the other hand, he might know where Kylo is.

“Last time I saw you, I thought the moral of the story was that you should fuck off!” Rey straightens her back to appear taller and more confident. “I don’t think you’re Kylo’s friend.”

To her surprise, the old man laughs.

“You’re right about that. I’m not his friend. I’m his father.”

Her jaw slacks open.

She studies the man again. Sloppily shaven, wrinkled, but with a grin that radiates coolness and charm, he looks like someone streetwise and quick-witted, maybe even a bit fun. It doesn’t add up. She can't picture this man in the same context as black cashmere coats, gloomy nightclubs, and trips to Tokyo and New York. 

“Didn’t see this one coming, did you?” Han’s smile widens. “That boy has a bit of a stick up his ass, I’ll admit, but I’m not the one to blame for that. He takes after my wife’s side of the family. Well. Ex-wife’s. They’re the snobby intellectual bunch.”

She doesn’t return the smile. “What do you want from me?” 

“Nothing.” Han shrugs casually. “Just checking up on you, to see how you’re doing.”

Rey can tell this isn’t entirely true.

“And, maybe, to see if you know anything about when my son will return,” he adds after a while.

So he doesn’t know either, she concludes, disappointed.

“I have no idea.” Rey crosses her arms and spreads her legs in a defensive stance. “And even if I did, it’s not as if you’d be the first person I’d tell.

Han sighs, but there’s a sparkle of approval in his eyes. “Aren’t you a feisty one? And so loyal to my dumbass son. How old are you, sweetheart?”

“Sixteen,” she replies too promptly. The old man squints.

“You’re not sixteen.” He gives her a knowing smirk. “And I’ll bet he doesn’t know it, does he?”

Suddenly, Rey feels offended.

“He didn’t try anything inappropriate!” 

“Of course he didn’t,” Han agrees, and she's relieved to see he actually believes it. “He’s always been a total dork around girls.”

Blood rushes to her face—she must be beet-red. Fuck.

The moment is brief, but it weighs on her. She’s hopeless, Rey realizes, caught like a mouse in a situation that clearly isn't normal, not even trying to resist. If another girl came to her with the same story, she’d call her a fool.

Han’s expression softens as he looks at her—he’s quick to catch up with her thoughts.

“Now what?” She glares, trying to hide how suffocated she feels. “You’re gonna tell me I should stop seeing him?”

The old man’s smile colors with melancholy.

“If I told you that, would you do it?”

Rey knows the answer immediately, but takes a moment to say it.

“No.”

“Thought as much. But listen, kid, there’s something you should be aware of. Kylo is a very troubled young man.”

There's an odd quiver to his voice as he stresses his son’s name.

“I know,” Rey declares. “I knew that from the start.”

Han clicks his tongue.

“You don’t know the half of it, sweetheart. And right now, I’m torn between spilling the beans and freaking you out for good, or keeping my mouth shut, because the less you know, the better.”

He’s dead serious, Rey sees. She remembers the fear in his eyes the other day, when Kylo advanced on him in rage. What is it, she thinks, what could be that bad? Drugs? Crime? Both seem unimaginable for a man who swears he no longer drinks and frowns upon his father’s smuggling business. Is it mental health, then? She wouldn’t be surprised, even if it feels like something out of a movie, or one of their angst-ridden songs. Maybe he’s in an institution. Maybe that’s why he didn’t know when or if he’d return.

But he did say he’d come back to her.

Rey can live with a touch of insanity, she decides.

“He’s good to me,” she finally says, lowering her gaze.

“Kid,” Han sighs with unwelcome understanding. “You’re not used to people being good to you, are you?”

Rey doesn’t answer.

“Listen,” the old man begins. “I have a booth up on the Boulevard. Well, ain’t exactly a booth, since I sell stuff from out of my car, but I’m there every day, more or less. If you feel lonely, or miserable, or you just wanna talk to someone, you can find me there. Okay?”

She nods, feeling defeated but unsure why.

As time goes by and the snow still falls, Rey surprises herself by taking him up on the offer.

On some days—but never too often—she goes to the upper part of the Boulevard, where the street has mutated into an open-air bazaar filled with smuggled goods. Just like he said, Han runs his business from the trunk of his car—a blue-grey pimped-up Yugo 45 which he calls the Falcon and claims to be the most reliable piece of junk in the world. His eyes crinkle up when he sees her, and he slips her a Mars bar, free of charge.

Sometimes, Han entertains her with stories about his youth. He used to run scams all over the old country, from the seashore full of foreign tourists to the mountain resorts where he played cards with the Communist Party officials. His tales are full of gentlemen thieves, and damsels in distress—singers or movie stars, and car chases, and illegal casinos, and taverns by the roadside where aging musicians squandered their talents, and policemen who were always corrupt or comically stupid or in on the game. Rey doesn’t believe half of what he’s saying, but he makes her laugh. Han particularly likes talking about how he wooed Kylo’s mother, the well-bred daughter of a Lieutenant General of the People’s Army—a true princess, as he puts it. She'd spent all her life sheltered in a villa in the elite part of the city, between piano lessons and private tutors for French—but in the summer of 1968, the summer of love and fire and mutiny when the student riots were shaking the capital, she decided to rebel. And rebel she did, Han says with a smirk. He recollects her hippie hairstyles and white summer dresses, and he sighs, and Rey can tell it’s been a while since he shared this story with someone.

He hasn’t spoken to his ex-wife in years, Han admits. She’s focused on her career as a college professor. She also has strained relations with their son, as far as he knows.

Rey tries to imagine Kylo as a boy—gangly, jug-eared, prone to mood swings. Difficult. Lonely too, probably, being the only child of parents who were constantly arguing, because princesses and scoundrels have happy endings only in romance novels. She can't picture him as cheerful.

Han never talks to her about Kylo, and she never asks.

In early February, it’s six weeks since he left. It means they’ve spent more time apart than together.

Rey doesn’t allow herself to question if he’ll return.

The snow begins to melt.

Notes:

An intermezzo, before some rather nasty skeletons drop out of the closet in the next chapter.

I didn't expect that writing Han would be so much fun, and I'm still amazed by how well he fits into the local context... :)

Chapter 6: The Man with the Moonlight in His Eyes

Summary:

A bullet between the eyes.

Notes:

Beta'd by KathKnight

This chapter was very difficult to write, and I guess it may be difficult to read - but for the story to continue as I intended, these things had to be told this way. In my defense, the scene I describe is almost entirely taken from the movie - I just gave it a different context.

Long story short: see the trigger warning? Heed the trigger warning.

(See the end of the chapter for more notes.)

Chapter Text

The Man with the Moonlight in His Eyes

 

 

 

On a Tuesday morning in the second week of February, an odd thing happens in the Home for Children without Parental Care.

Maz receives a phone call.

It must be important, because she excuses herself and goes to the office to take it, interrupting the creative workshop she organized to keep the children occupied while the schools are closed. It's strange—Maz has never left the classroom in the middle of a session before. Surely a family matter, Rey thinks. Something urgent.

However, when the working hours are over and the evening falls, Maz doesn’t go home.

Rey returns from her daily walk only to find the psychologist still in her office. She knocks and peeks inside to make sure that all is fine, but Maz appears edgy and distracted—her hair is disheveled and she’s taken off her coke-bottle glasses. There’s a full ashtray on her desk, but not all the cigarettes are smoked to the butt. 

“Do you need anything?” Rey asks, trying to mask the feeling of unease that tightens her chest. Maz is a pillar of stability in her life—if she crumbles now, when Rey feels so dejected and he’s been away for the seventh week, the fucking world will fall apart.

“I’m fine, dear.” Maz rubs her temples like she’s trying to chase away unhappy thoughts. “Don’t you worry about me.”

Rey fidgets, standing in the doorway.

“I, um…” She does her best to sound like an adult.  “I’ll be in the common room, watching TV, if you change your mind.”

“Just don’t let Unkar choose the channel, sweetie, or you’ll lose brain cells.”

Forcing a smile, Rey closes the door.

For the next hour and a half, she tries to focus on the rerun of a Canadian cop show. She’s seen the episode before, she should know who the killer is, but the plot is suddenly too challenging to follow. Unkar is eyeing her suspiciously—usually, she doesn’t stay in the common room this long.

Then, near bedtime, a muffled commotion echoes in the entry hall.

Rey listens with bated breath. Footsteps. Voices. Something heavy being dragged in—a travel bag, perhaps. This isn’t normal: the visiting hours are over and the curfew has long passed. She almost rushes to see what's happening, but Unkar gives her a stern look that keeps her rooted to the spot.

She pushes back this idiotic fantasy in which Kylo won’t wait for her at the music market, but come straight to the Home, in the middle of the night, fresh from his travels, unshaven, tired, a duffle bag on his back, ready to pick her up and take her somewhere far, where a life of adventure awaits.

It’s retarded. It will never happen.

On TV, the Canadian detectives are arresting the killer. As they cuff her hands, the woman shouts that the victim was a scumbag who had it coming—a bullet between the eyes, for justice.

An hour before midnight, Rey knows that soon she’ll be sent to bed. She squirms in her chair, unwilling to leave—but it is then that the door slams open and Maz storms into the common room.

Maz looks exhausted, her makeup smudged behind her glasses, but her fists are clenched and her eyes spark with fury. It’s not her usual anger at the world’s stupidities, Rey thinks—this is more specific, more personal. More serious.

Unkar squints questioningly.

“What happened?”

“Fuck off, Unkar,” Maz replies on autopilot, turning to Rey. “Sweetie, can you give me a hand, please?”

Rey jumps. “Of course!”

Maz pushes a red paper bag into her hands. The package ruffles, and Rey senses the rich smell of ground coffee infusing the stuffy common room air.

“It’s my secret stash,” Maz explains. “For special occasions only. Be a good girl, go to the kitchen and make me two cups of this. Extra strong.”

Before Unkar can protest, Rey hurries to the Home’s improvised kitchenette and fumbles to put the water pot on the stove. The little room is bone-chilling—her breath freezes in puffs. She stares at the peeling wallpaper as she waits for the first boiling bubbles to float up to the surface.

It’s almost midnight.

The smell of coffee fills the hallways as Rey pours the warm liquid into plastic cups. It’s too hot for her to carry, so she places them on a plate, hoping she won’t spill much. She puts every effort into walking steadily, shushing her excitement.

For a solid minute, Rey stands in front of the door of the psychologist’s office, gathering up the courage to knock. She counts to five, then to ten. Then to twenty.

It’s true: something is happening in there. Someone is inside—a man, it seems. Rey can hear him talk.

“Three, they’re three,” the man says. “There’s this ginger guy. Scrawny, haughty, impeccable uniform—a weasel if ever there was one. Always complains about something. Never gets his own hands dirty. Then, there’s a woman—she’s goddamn huge, the biggest girl I’ve seen in my life. A true Amazon. But she’s a bully and a brute, and she laughs like a fucking maniac.”

He pauses. Rey hesitates to press the doorknob.

“And finally, there’s him.” The man’s voice drops to a whisper, so quiet that she must focus to listen. “He’s the worst, Maz. He’s a fucking nightmare.”

A moment passes before he continues. She discerns panting, and a chair creaks.

“He’s a mess. A bloody psycho. I’m not kidding, he’s totally off his rocker—like, at the same time all bottled up and out of control. When you look at him, when you see this madness in his eyes, you gotta wonder how come his head doesn’t explode.”

Maz sighs audibly.

“Finn,” she says. “It’s all behind you now.”

Rey knocks. Before Maz can tell her to come in, she plunges through the door, almost spilling the coffee.

Indeed, it is Finn.

Rey remembers the black boy well—he was a popular source of gossip among the Home children, once. His father, they said, was an African student who came to the capital to get a medical degree, back in the ’70s when the country’s foreign policy was all about the Non-Aligned Movement, pushing for cultural exchange with distant parts of the world. Sometimes, rumor had it that his father was actually a chieftain of an ancient tribe, or a former freedom fighter hiding from the Belgian colonizers, or an illegitimate son of a well-known dictator—all wild embellishments, Rey knew, but the children needed their tales. Interestingly, not a single rumor mentioned Finn’s mother, as if it was too difficult to devise a story for a woman who’d dump a boy like this at the Home for Children without Parental Care.

They’d never spoken—Finn was a few years older and preferred to keep to himself, while Rey wasn’t adept at forging friendships. She knew that he left the Home the very day he came of age. Probably went to Africa to look for his father, the children said.

Obviously, that's not what happened.

Finn is wearing a uniform. It’s loose-fitting, like he’s borrowed it from someone bigger—or he simply looks too small for it, sitting all hunched up, his head bowed, his shoulders stiff. The fabric is soiled: Rey can see the stains despite the dim office light and the greens and browns of the camo print, and he reeks of sweat and motor oil.

There’s a patch on his sleeve. It’s a black field framed by thin stripes in the colors of the national flag, displaying an angry red sun that looks old and pagan, yet strangely modern. Underneath, there are two words embroidered in the rune-like Cyrillic letters of the nation’s first Christian kings.

First Order.

“Thank you, sweetie!” Maz suddenly sounds too loud for the grim mood in the office. She takes the plate from Rey and offers a cup to Finn. “I can give you booze to drown your sorrows, or coffee so you come to your senses. As your psychologist, I choose the latter. Now, drink.”

Finn takes the cup with both hands and slowly inhales the smell. He's trembling, Rey sees. He clutches the cup too tightly, as if he needs something to keep him steady, and Rey fears the plastic will crumple.

Nobody tells her to leave, so she lingers in the room. She withdraws into a corner, trying to blend in with the furniture. She’s good at it, being invisible—all the Home children know this skill. People tend to talk about private things right in front of her, like she isn't there. 

Finn takes a sip and loudly exhales.

“You don’t have to talk if you’re not ready,” Maz says.

“I’m as ready as I’ll ever be,” he replies. Still, he spends the next few minutes drinking coffee in silence, breathing heavily and staring at his feet.

When he continues, his voice rasps.

“They gave us uniforms, weapons and stuff, and put us in a truck. Took us across the border. It’s different there, y’know. We think we’re having it bad here, but once you get to the other side, that’s where the real shit happens. The real war.”

Maz purses her lips in disgust but says nothing.

“I don’t think I’ve seen a house without bullet holes in the walls. Or that wasn’t flattened with tanks. Or burned to the ground. Everything stank of fucking smoke—and spoiled meat. There were corpses by the roadside, y’know. Half-frozen, half-rotting. Cattle, most often—dead cows with swollen bellies, attracting flies in goddamn January. But sometimes people, too.” Finn takes a sip and sinks deeper into the chair. “We weren’t allowed to wander away from the truck or leave the road, not even to take a shit. The fields are rife with mines, you see—one wrong step, and boom, your body parts rain down on your comrades.”

He shakes his head like he's banishing the image, and Rey wonders if he saw it happen.

“At first, we didn’t do much. Drove around. Watched our bosses meet other bosses. Camped in burned villages. Wrote graffiti on the walls, the shittier the message, the better. Did some target practice—you get the idea. But after a few weeks, word came down we had a mission. And… Well. That’s when…  That’s when the… Um…”

His hands start trembling so badly that he crushes the cup and winces as hot coffee burns his fingers. Rey almost leaps up to help, but stops in mid-movement, afraid she’ll be chased out of the room if she draws attention to herself. Maz picks up a box of tissues from her desk and passes it to Finn, gently placing a hand on his shoulder.

“I’m okay,” Finn huffs, wiping his hands. “I’m okay. I’m okay.”

It’s obvious he has repeated these words too many times for the spell to still work.

“They… They told us there was a village up in the mountains sheltering enemy fighters.” Finn is still rubbing his fingers, even though there’s not a droplet of coffee left. “Someone had to do something about it, so up we went. Fucking snow everywhere.” He sighs. “It was a small village, just a few houses, but the guys said it was rich. Locals went to work in Germany back in the day and came back loaded, they said. But when we got there, um… There was no trace of any soldiers.  Just… Just people. Ordinary people.” 

Finn suddenly lifts his eyes—his haunted gaze steals Rey’s breath.

“Fucking ordinary people.”

Maz squeezes his shoulder tighter.

“We were told to round up the villagers.” He quickly looks down again. “We broke into the houses and, uh, forced them out. They tried to hide, but they were horrible at it. Some of our guys shot in the air. People screamed—and that was it. They didn’t offer any real resistance as we dragged them outside.”

His fingers twitch, Rey notices, as if he’s pulling at someone’s clothes.

“When all the villagers were outside, that’s when he appeared.” A wave of shivers shakes his body, and Maz puts both hands on his shoulders. “He’s a nutjob, Maz. He really is. But he has this look in his eyes, and he’s huge, and you should hear him speak, you should hear his voice, I pissed my pants, honest to god. He approached the villagers, looming like a fucking death god, and asked to talk to the person in charge.”

Finn shrugs away Maz’s hands—the slightest touch seems to bother him. She withdraws, leaning back into her chair, and nods knowingly.

“Go on.”

“An old guy stepped forward. Really old. White beard. Droopy eyes. Said he was the village elder or something. It really took guts to do that, y’know, to come up and face him like that." Finn pauses like he's wondering if he'd have the courage to do the same. "He asked about the soldiers. Where they were. How the village supported them. The old guy said he knew nothing—they were a far-off community, trying to stay away from trouble. They were innocent. But then, he… He made this sound. This hissing noise. Took me a moment to realize it was his laughter. And then he shrugged and said, dead calm, calmer than I’ve ever seen him—‘Not a single one of you is innocent!’—and took out his gun and shot the old man. Shot him dead.”

With two fingers of his hand, Finn imitates the gun discharging.

“Just like that. A bullet between the eyes.”   

A pregnant silence falls between them. Maz slowly exhales, finally taking a sip of her own coffee—it must have gotten cold. Finn spasms. He still hasn’t stopped shivering.

This is not the end of the story, Rey realizes, horrified. The punchline is yet to come.

“What happened to the villagers?” Maz asks cautiously, even though the conclusion is predictable.

“He, um… He…” Finn’s breathing becomes labored, wheezing, a struggle to speak between hiccups. “He ordered us to kill them all.”

Fuck.

The tips of his fingers dig deep into his knees, crumpling the camo fabric of his uniform.

“When we opened fire, at first they didn’t figure out what was happening. They were so lost… I don’t think they expected us to actually shoot, not even after everything. They… They screamed, but I couldn’t hear them over the gunshots. Didn’t want to hear them.” He lifts his hands and places them over his ears. “There was blood, Maz. So much fucking blood. It sprayed everywhere, worse than in the goddamn movies, and it stank, and there was this crunching sound when bullets hit the bones… Did you know, Maz, that people often shit themselves before they die? Did you?”

Maz looks at him sternly, unblinking. “Did you shoot?” 

Finn doesn’t answer.

“Finn.” The tone of Maz’s voice is so harsh that Rey winces. “Did. You. Shoot.”

“No,” he replies at last, and Rey feels a burst of relief. “I… I couldn’t.”

Suddenly, Maz slaps Finn across the face.

The blow cracks, resonating in the dimly lit office—Maz sure hits strongly for such a small woman. Finn stares at her in shock, cupping his cheek with his palm. He stops trembling.

“This,” Maz says, rubbing her hand, “this is for being stupid. For ever thinking it was a good idea to join that wretched hive of scum and villainyThis is for daring to believe you’re not good enough as you are. What were you trying to prove, you fool? That you belonged? That you were ready to fight to earn your place here? For fuck’s sake, Finn. This is for thinking you could shoot!”

Gulping, Finn starts to cry. Tears slide down his face, but for the first time since Rey entered the office, the black boy looks collected.

“I did something awful,” he says quietly. “Don't tell anyone. Please. I’m sorry. I’m so sorry.”

“No shit.” Maz crosses her arms.

Finn closes his eyes and takes a deep breath, and then he’s quiet for a while, picking up the tissue he used to wipe his hands, kneading it between his fingers until it tears. Morsels of soaked paper fall to the floor.

He will keep talking, Rey thinks. He has to tell his story to the end, or he’ll shatter.

"What happened then?" Maz asks.

“We, uh... we burned down the village.” He clears his throat. “We barely built the fucking fire with all that snow. Then they ordered us back into the truck, and we drove downhill. I peeked through the curtains. The flames… The goddamn flames were beautiful, burning in the night. And I felt sick to my stomach. That’s when I said I’m quitting.”

“And they let you leave just like that?”

“Of course not. He… He lost it.” His voice cracks again. “He lost it completely. Called me a traitor, jumped at me. Wrapped his hands around my throat. He’s so strong, like there’s something inside of him, like a force or something. Like he’s possessed. I thought he’d strangle me. I thought I’d die. And the worst… The worst thing was, I thought it was okay to die.” 

Finn rubs his neck like it’s still hurting.

“But then the ginger, Hux, said it’s bad for publicity to kill off recruits. If I wanted to leave, I was free to go, he said—I was ‘a fucking coward’ anyway. I swear to god, after everything, I took it as a compliment.” He chuckles awkwardly. “And, well, that’s it. More or less. They took away my weapons and I was confined to the truck for the rest of the stay. No one was allowed to talk to me. Then, they dumped me out as soon as we crossed the border back here. That was last night. I had to hitchhike to get to the city.”

Maz raises her eyebrows. “Are you in trouble?”

“No. Well. I don’t think so. Not anymore.” The way he bites into his bottom lip makes Rey think that not being in trouble gives him guilt. “I’m sorry for doing this to you, Maz, but I don’t have anywhere else to go. Hell, I don’t even have a change of clothes, still wearing this shit.” He pulls at the fabric of his uniform. “Help me burn it.”

Maz lights a cigarette, the first one that evening. She savors the smoke, inhaling slowly, and raises her hand like she’s ready to begin her speech—but then, her gaze wanders to the dark corner of the room. She frowns.

“Rey, dear.” Her voice is chillingly sweet. “What the fuck are you still doing here?”

Finn jumps, his mouth open in shock, and a surge of shame and panic shoots through Rey. Her cheeks flush and she doesn’t know what to say.

“I… I didn’t mean to…”

“Get out,” Maz hisses. “Now.”

Rey rushes out of the office, tripping over her feet, slamming the door behind her.

It’s only when she gets to her room that she realizes she’s shaking.

That night, Rey can’t fall asleep—guilt gnaws at her like filthy winter mists. When she finally does, she dreams of flies and flames and a looming monster, and gunshots tearing apart the night skies. She wakes up before dawn, and counts the minutes until the sun rises.

She misses him so much she could scream.

In the morning, expectedly, she’s summoned to Maz’s office. She’s not punished—but she’s yelled at, and frowned upon, and criticized with bitter disappointment, and the values of privacy and confidentiality are explained to her as if she were a dimwit. A feeling of inadequacy sticks to her bones. She worries that after this Maz will never look at her the same, and she can’t cope with that.

Fucking rock bottom. Everything has gone to the dogs. The threads are slipping through her fingers—and it stings. She’s never felt worse.

When the afternoon comes, Rey is so miserable that she almost skips her ritual visit to the music market. She forces herself to board the overcrowded tram, and closes her eyes as they pass the stops. She doesn’t remember when she started hating the route.

But then, underneath the linden trees facing the market booths, there’s a dark figure sitting on the bench.

Rey barely believes her eyes.

It’s him, all right. Ridiculously large. In a black coat. At their usual place, arrived a little early. Staring at his feet, fidgeting with fingers, brooding like a Morrissey song—shy, and sullen, and a tad dorky too, but so sweet that Rey thinks her heart will burst. She’s amazed by how much comfort it gives her just to see him.

He came back.

He came back to her.

She wants to run to him, but it’s as if her feet have turned to stone. Tears tingle in the back of her eyes.

He came back.

He lifts his gaze and sees her, and immediately his face lights up with a smile, the chipped fang flashing in the corner of his mouth. He’s clean-shaven, she observes, and his hair is longer. How did it grow so fast? He looks tired too, with hollow dark circles under his eyes, and for a moment she wonders where he’s been to return this exhausted. But then she decides it doesn’t matter. He fucking came back.

“Rey!”

Even his voice sounds huskier. Her skin prickles with goosebumps.

She doesn’t know what to do.

“You returned,” she finally states, needing to say it out loud to believe it. His smile widens—Rey is sure she’s never seen anything more delightful.

“I promised I would.”

He stands up and goes to her. Rey hopes he’ll crush her in a hug, like the last time—but he stops a few steps away. The disappointment is surprisingly sharp. She craves for his touch of any kind, she realizes.

The thought is frightening and appealing at the same time.

“I think I like you more like this,” she blurts, her tone confident—it’s silly, because that’s the last thing she feels. “Without the beard.”

“Oh.” He touches his chin, a blush spreading across his face. “Then I guess I’ll have to shave more often.”

Rey giggles.

And just like that, the butterflies are back.

 

Notes:

Historical note: The Non-Aligned Movement was the "neutral" block during the Cold War, consisting of Yugoslavia and a whole bunch of African, Latin American and South Asian countries. Indeed, during the 60's, the 70's and the early 80's, there was a strong cultural exchange between Yugoslavia and these countries, and many African students were attending universities here.

Chapter title taken from a popular local anti-war ballad from 1993. It's kinda cheesy, but powerful for what it is.

I also slipped in a small homage to "Pretty Villages, Pretty Flames" - the most interesting movie made about the Yugoslav Wars so far.

Now that this is out of the way, the next chapter will be a bit fluffier - to the best of my abilities to write fluff. Promise.

Chapter 7: The Rite of Spring

Summary:

She blames the spring, messing with her head.

Notes:

Beta'd by KathKnight

(See the end of the chapter for more notes.)

Chapter Text

The Rite of Spring

 

 

“No!” she exclaims.

“No?”

“No.”

Kylo pouts.

“Why not?”

Stubbornness embodied, this man. He won’t let it go, Rey knows.

“Because I say so,” she tries.

“That’s not a reason.”

Rey frowns—he has her cornered. There is, of course, a whole list of reasons, but opening that can of worms is not something she wants to do—not now, when life finally isn’t awful.  

Because she’s never done it before, for one.

Because it scares her.

Because it’s inappropriate.

Because she lied.

“I don’t want to,” Rey says at last.

“I don’t believe you.” He shakes his head, dark hair falling into his eyes. “I know you.”

The way he stresses the word kindles a warmth in the pit of her stomach, making her ticklish, as if her skin is too tight. It’s true, though—he knows her better than anyone. The lie hurts all the more because of that.

“I’m not allowed to not want things?” 

She aims low—whenever she implies that he’s pushing her to do something against her will, his insecurities kick in and he gets flustered. Works like a charm.

“But it’s your birthday!” Kylo panics, and she feels a prick of remorse. “You’ll be seventeen. It should be special.”

Rey chews on her bottom lip. If only he knew. Then again, given the nature of this situation between them, does her actual age even matter? It’s not like anything is happening.

Is it?

She looks at their hands on the bench seat, not even an inch apart. If she were to reach out with her pinky, move it just a little, slowly, subtly, she could touch his knuckles.

She wants to know what his skin would feel like under her fingertips—yet she fears what he’d think if she were to do that.

She wonders what she wants him to think.

The light wind carries the scent of blooming plum trees, its sugariness making her dizzy.

“Let’s try like this,” she says. “It’s one of the priciest, fanciest, most fashionable restaurants in the city. Even I have heard about it—and we, the Home orphans, we’re living under a rock. You can't take me there.”

“Why?” He pouts harder, his mouth pink like raw flesh. “You think you won’t like the food? You think I can’t afford it?”

Rey lets out a sharp laugh, but quickly stops. He’s giving her that look again, like a kicked dog, as if it physically hurts him to displease her, and she hates it. She wants him to be happy when they’re together.

“Fuck, Kylo, you can't be that dense!” Despite her words, she tries to keep her tone light. “Look at yourself. Where did you buy that leather jacket—Italy or the States? How much did your boots cost? What’s the brand of your jeans? Now look at me. I have holes in my shoes. I don’t know how many people have worn this hoodie before me, but I bet a lot, since it’s patched and stained, and it reeks of the '80s. What do you think, how would people react in a posh restaurant if someone like you were to walk in with someone like me?”

Kylo brushes his fingers through his hair—a gesture she’s learned to read as buying time, contemplating what he’ll say next.

“I don’t care how you look,” he finally says, dead serious. “And I don’t give a fuck what people think. As for your clothes, we’ve already had that conversation.”

“You can't buy me things!” She raises her voice and regrets it immediately. “Please. It’s like with the CD player. I can't turn up in the Home with a bunch of brand new stuff and no acceptable explanation of how I got it. Saying it was a gift from a kind-hearted stranger would only make it worse, trust me. Wanna get me grounded?”

“I just wanna do something nice for you!”

You idiot, she thinks.

In the few months since they met, he's done more for her than anyone in her life. He’d come back, for starters—the first person to make good on that promise. And he'd known she’d be waiting for him at the music market, hadn't doubted it for a second—he'd gone straight there as if he'd sensed she’d come. As if they shared a bond or something.

Rey had told him she'd almost lost it while he was away. She'd gone crazy with worry and uncertainty—life had sucked, and she'd been alone. Hearing that had upset him—as it should—and he’d frowned, thinking, biting the nail of his thumb. Then, he’d written his phone number on a piece of paper. He was always home at night, he’d explained. If she was ever lonely, or needed to talk, or just wanted to hear his voice and feel reassured he was there for her, she was free to call.

She’d learned the number by heart that very evening. She hasn't dialed it yet—it’s not as if she has her own private line for nightly calls in the fucking Home for Children without Parental Care—but merely knowing he’s on the other side, ready to catch her if she falls, is more than enough.

And now he’s all tied in knots because she won’t let him do something nice.

“I’ll be happy if you buy me burgers on the street corner and we eat them in the park.”

“We can't have that. We do that every other day. It has to be special.”

She sighs gently. “You won’t give up, will you?” 

“No.” But then he smiles, and she knows the storm is over. “How about this, then. You come to my place, and I’ll make you the best dinner you've ever had.”

The flush of heat that hits her is so strong it makes her ears buzz.

“You, um…” She’s completely at a loss. She presses her fingers against the bench so that her hands don’t visibly tremble. “You know how to cook?”

“Do I know…? I’m great at it!”

She pictures him in the kitchen—hunching over the stove, cutting carrots and potatoes in a ruffled polka dot apron. It’s so ridiculous that she giggles.

“You don’t believe me?” A mock frown furrows his forehead.

“Oh, I do… Just didn’t expect it, is all.”

Kylo's cheeks dimple as he grins wider, and there’s a spark of confidence about it, like he’s pleased with himself—that doesn’t happen often. Rey feels the fucking butterflies climbing all the way up to her throat. She wants to hug him, to jump at him with all her weight and take part in his joy.

She doesn’t move.

“If you’d like...” he begins, and in an instant he’s nervous again. “If you’d like, you can come earlier. We can cook together. I'll teach you. Would you like that?”

Even if she’s never been interested in culinary arts, Rey suddenly thinks there’s nothing in the world she’d wish for more.

“Yes!” she almost shouts.

“Good.” Kylo turns toward her and Rey holds her breath. He raises his hand, and slowly, tentatively, touches the tip of her nose. The gesture feels overwhelmingly intimate. “We have a date, then.”

She thinks her heart will stop.

It’s the spring, she decides. The goddamn spring is doing things to her.

Indeed, the plums and the cherries and even the magnolias are in full bloom, the skies are cloudless, and the city is no longer all brown and grey—life, for once, feels good. Sort of. Things have changed.

In early March, schools had reopened, and she'd found herself back in the classroom. Many kids had grumbled, but not Rey—school gives structure to her life. The principal had threatened that until the end of the year they’d have classes on Saturdays too, to make up for what they’d lost, but the teachers had just shrugged—no one wants to work on weekends—so Rey has come to accept that some lessons will remain unlearned. There are worse things in life, she supposes.

Around the same time, a brutal economic reform had put a stop to the inflation, and money had gained value again. Even the smugglers have begun to accept local currency. It feels odd. With the first proper pocket money she'd earned in a long while, Rey had bought donuts at the school bakery. They were horrible—stale and chewy, with jam too sour, but she'd bought them with her own money, so of course they’d tasted like heaven. She'd taken one to Kylo. He'd barely finished it, visibly forcing himself to swallow, but he'd smiled and praised her, and that had only made her like him more.

She does like him. Rey has made peace with that. In fact, she even likes liking him—it may scare her at times, but she accepts that there is joy in finding such belonging with someone.

What makes it unbearable, however—to the extent it’s difficult to focus in school or fall asleep at night or look him in the eyes—is that she isn’t ready to admit how she likes him.

Not when he’s a decade older. Not when she’s unsure what he wants.

Not when she lied.

Fucking spring, messing with her head.

She spends the rest of the day daydreaming, grinning like an idiot, touching the tip of her nose.

“You’re in love,” Finn tells her on a Sunday morning, a few days later, in the courtyard of the Home for Children without Parental Care.

“What?” Rey jumps.

Finn has been living in the Home since he returned. It was against the rules for someone who’s almost nineteen to reside among the children, but Maz had a long fight with the bureaucrats from the center for social welfare, cursing the state and the rules and the fucking end of times, so he was allowed to stay, if only temporarily. Rey isn’t sure that she likes it. Shame floods her whenever Finn is around, so she makes sure they’re never in the same place at the same time, even if it means watching less television in the common room. 

Now, however, he's caught her unprepared. She'd had her headphones on, lost in the music, enjoying the sunshine, and she didn’t hear him entering the courtyard.

“I’ve been watching you.” He lights a cigarette—the worst habit he could have picked up from Maz. “Sighing, smiling, pretending to study while you stare out the window. You’re totally in love.”

“Whatever,” she retorts roughly and gets up to leave.

“Hey, don’t go.” He quickly steps in the doorway, blocking her exit. “I didn’t mean to startle you or anything. I wanted to tell you I don’t hold any grudges because of what happened the other night. There’s no need to avoid me.”

He smiles, flashing his perfect pearly-white teeth, and extends his hand.

“Friends?”

Rey frowns. You don’t become friends with someone by saying “friends” and shaking hands. Yet Finn’s smile is sweet and his eyes are kind, with just a hint of mischief—such a contrast with the train wreck he was a few weeks ago. He seems to bounce back quickly, this one. It makes Rey feel less guilty.

She accepts his hand, if a bit hesitatingly.

“My love life is still none of your business,” she grumbles.

“Too bad.” He chews on the butt of his cigarette. “You looked like you needed to talk to someone, and I’m a good listener.”

He seems disappointed, and Rey rolls her eyes. But then Finn’s expression softens, and he doesn’t look as cocky any longer. His eyes are bloodshot, she sees—a sign of worry, and not enough sleep, and too much tobacco. Maybe the boy whose father was an African chieftain or a freedom fighter or an heir to a dictatorship doesn’t heal so fast after all.

She wonders if he dreams of the monster.

“One more thing,” Finn continues. “You happen to know my dirty laundry, y’know. All the nasty shit. And you didn’t go screaming from the rooftops about it.”

He closes his eyes and takes a deep drag, blowing the smoke through his nose.

“I want you to know I appreciate it. Like, truly appreciate it. And if you ever need someone to keep your secrets, I’ll be more than happy to be there for you.”

It’s true, she hadn’t told a soul about what she’d heard that night—not even Kylo. She’d wanted to share it with him, and more than once she’d almost begun recounting, but the incident had still felt raw and distressing and secretive, so she’d changed the topic mid-sentence. For the first time, it occurs to her this means that she and Finn share a relationship.

Friends, eh?

Instead of leaving, she leans on the wall next to Finn, the late March sunshine drawing freckles on her skin. Finn chuckles, but it doesn’t sound like he's mocking her.

“So,” he says, “boyfriend?”

“No,” Rey quickly answers. “Wait. Yes. Well. I don’t know. Maybe.”

Finn eyes her sideways.

“Whoa. That bad?”

Rey doesn’t want to talk about it—she really doesn’t. She tries to bite her tongue before it’s too late. Fuck her life.

In a flash, uncontrollably, like a physical force tearing down her defenses, it all comes pouring out. 

“You’ve no idea,” she gushes. “I don’t know what we’re doing anymore. It’s like a motherfucking merry-go-round—push and pull, one step forward, two steps back. We’ve been seeing each other since November, almost every day, and I can swear on my mother’s grave that he spends every second of his free time with me. He met promises no one else did. And he says these things, like I’m the only one who matters in his world! But then nothing happens. Nothing. The moment I think I know how he sees me, or what he wants from me, he withdraws, and we’re back to square one. He touched me three times in total—once by accident. I know there’s stuff he ain’t telling me, and I’m fine with that. I know he’s awkward, and shy, and really fucking weird, because there’s no other way of putting it. And I like him like that—fuck, I like him because of that. But I can't put up with this shit any longer!”

Rey almost begins to cry, the last shreds of her dignity melting. She huffs, scratching her shoulder violently, even though nothing itches. Breathe, she tells herself. Breathe. Girls like her can't allow themselves to lose control.

Finn offers her his cigarette, but she pushes it away, frowning.

“Ever been with a man?” he asks matter-of-factly.

“No.” It was a source of attention she has never pursued—for little girls from the Home for Children without Parental Care, that particular adventure never, ever ended well.

“But this boy—you’re sure you want things to happen with him?”

Rey wants to say ‘maybe’ or ‘probably’ or ‘I guess so’—or at least to offer an answer that isn't absolute.

“Yes,” she admits.

Something screams inside of her, and she wants it to drown.

“I see.” Finn nods. “Who’s the lucky guy?”

“No one you know.”

Finn laughs out loud, and Rey finds the sound unexpectedly pleasant.

“Sister,” he says, throwing the cigarette on the courtyard floor and squashing the ember with his foot, “for a master of mixed signals such as this idiot of yours, we’re gonna need a strategy.

She wrinkles her nose but keeps listening.

Exactly two days later, when she meets Kylo after school, Rey proposes a walk.

She wants to visit the Fortress, she says. It’s not a place she gets to see often. Even though it’s in the city center and free to enter, going there means venturing into the heart of oldtown, a neighborhood she dislikes. She’s wary of it—the pedestrian zone with its stylish buildings and fancy restaurants, its galleries with modern art she’ll never understand, its overpriced shops that display the same pair of shoes for months, and its streets named after 19th-century dignitaries lost in history. She feels like she’ll never belong there, between the new war-profiteering elite that has all the money in the world but no taste whatsoever, and the old-school high-class madams with their pearl strings and fur coats and deep disdain for everything that reeks of smallfolk. It’s the only part of the city that makes her feel like a fucking Dickensian orphan, and if she sits on a bench, she dreads that someone might toss her a dime.

But the Fortress itself is beautiful.

Whenever she goes there, Rey can feel it—the spirit of long-gone times. Ruins rise from the grass, their walls covered with weeds that grow freely, blossoming in splashes of yellow and red and pink. It's romantic, she thinks—a tourist trap in the making, if only there were any tourists in their shithole of a country. Parts of the Fortress are turned into a park with playgrounds and basketball terrains, framed with rundown ramparts built by the Austrians, or the Turks, or the Byzantines, or even the goddamn Romans, for all she knows. Too many ancient empires had thought it was a brilliant idea to build a stronghold right in this place.

Kylo is thrilled with their walk. He loves the Fortress, she discovers. Little surprise there—of course that remnants of crumbling civilizations make him happy. She wonders why this hasn’t crossed her mind before. He tells her how he used to play here as a boy—running around the bulwarks, climbing the old cannons, hiding in guardhouses, getting lost in tunnels which he incorrectly called the catacombs. His mother used to worry sick, he says. Rey finds it strange. In his memories, Kylo sounds like a happy, if somewhat unruly child—quite different from what she gathered when Han described the earliest years of their family life. She wants to ask him about it, but something tells her he wouldn’t approve that she was seeing his father while he was absent.

A pang of guilt hits her—she hasn’t visited the old smuggler in weeks.

Kylo takes her to his favorite place in the Fortress. It’s a small church built into the walls, swallowed up by dark green vines, with a sharply pitched roof and a modest nave displaying Jesus in the company of obscure local saints and the last emperor of Russia. Yellow, earthy-smelling candles are lit for the living and the dead, and the church chandeliers are made of bullet shells. Rey stares in awe: hundreds of thousands of bright bronze bullets hang from the icon-painted ceiling. She isn’t much of a church person—Maz’s disdain for organized religion has strongly impacted Rey's beliefs—but she finds something unexpectedly spiritual in this contrast. Kylo is happy that she likes it. It’s an old military church, he explains. Soldiers used to come here to pray before going to war, lighting candles, hoping they’d come back to their loved ones.

On their way out, the priest briefly nods to Kylo as they pass him by.

“Can we go up?” Rey asks in the churchyard, pointing at the tallest wall of the Fortress. “I wanna watch the sunset.”

It takes them a while to climb the rampart, but it’s worth it—the view from up there is exceptional.

Rey observes the Fortress park. The flower beds are colorful, matching the first days of spring—roses and carnations and stark white garden pansies. People are walking their dogs. A group of boys are playing soccer, laughing when a puppy runs after the ball. Couples are pushing baby strollers. It amazes her—it feels so normal. Even in these majestically fucked up times, when beyond the horizon villages burn in the night and a monster shoots people between the eyes, life goes on: flowers bloom and dogs bark and children are born—wanted children, with happy young parents who hold hands and look forward to the future. 

Not long ago, she felt trapped in this city, confined right under the sky. Now she can't remember the feeling.

She looks at Kylo, illuminated by the reds and the purples of the sunset. The wind is blowing his hair. The shirt he’s wearing under the jacket is tight, she notices, stretching across his chest, revealing his collarbones. She studies how his Adam’s apple bobs when he swallows.

She wants to touch the moles on his face.

“Let’s go,” she whispers. “My curfew is soon.” 

There’s a reason why she dragged him all the way up to the highest point of the Fortress. While climbing the walls is not particularly difficult, getting down requires some skill.

“Ask for his help,” Finn had said. “Make him feel strong and protective. Get him to hold your hand while you do something you can’t do on your own. Boys love that shit.”

Rey hops down the wall, light on her feet, and then reminds herself that she needs to appear clumsier. It’s confusing, pretending to be helpless about something she’s good at—she isn’t sure if she can pull it off convincingly. 

But then she glances back at Kylo, who balances on the rampart stones in his stiff, heavy boots, his feet too wide apart. His frown is focused and his gaze is locked on the steep descent to the ground, as if he’s painfully aware that a single misstep may land him on his ass. She can tell he begins to sweat.

Rey nearly laughs—for all the intimidating aura he presents at times, all she sees now is a too-tall, leather-clad, dark and brooding Bambi on ice. It’s glorious.

“You okay there?” 

“Yeah.” The effort to sound cooler than he feels is palpable. Rey has never found him more endearing. “Should’ve brought a different pair of shoes.”

“Here.” She offers her hand. “Can’t have you fall. You’re way too heavy for me to carry.”

He smiles, half-shy, half-pleased, and not quite certain what he’s supposed to do—but then he takes her hand.

Her breath catches.

Bloody hell.

His hand is huge, and bony, and calloused, which she didn’t expect. It completely envelops hers. His skin is dry and warm, and she fights the urge to caress it with her thumb. He squeezes her palm, as if he actually needs help going down, and she fears that if she lets him go, if she ever lets him go, he’ll fall.

When they reach the ground, she keeps holding his hand.

Kylo looks at her questioningly. Maybe he wants to ask for permission, she thinks. It makes her panic. She doesn’t want him to verbalize what’s going on, she isn't ready—not yet, not now. So she just keeps walking like everything is normal, clutching his hand, staring at the road ahead without saying a word.

After a few steps, he entwines his fingers with hers.

They hold hands until they reach the tram station, in silence, not looking at each other. When they part ways, he pouts, as if it breaks his heart to let go of her, and she catches herself wondering how his lips would taste.

She blushes boiling hot and blood-red all the way to the Home for Children without Parental Care.

Her birthday is in ten days.

Notes:

This is the fluffiest fluff I've ever written. If you're here for the drama, however, worry not - angst and ugly plot twist will be back shortly.

EDIT APRIL 2022:

One of the most beautiful aspects of being part of a fandom is making friends, and it's always extra special when these friendships translate to real life. This was the case with me and cordanna, a Serbian girl whom I met thanks to this fic, and who has become a close friend over the past couple of years. Now, for my 41st birthday - yes, I'm old - cordanna surprised me with art she made for "Hiraeth"! ❤️❤️❤️She deliberately chose to illustrate Part One, since it's the story arc that had no art so far, and she fucking nailed it!

It's traditional art, and I own it in paper - I'm about to frame it these days. I can assure you that this digital rendition, while beautiful, doesn't do it justice - in person, you can really admire the subtleness of pencil shading and the contrast of gold ink on black background. Still, I think you get the idea - it's remarkably stylish, while still being accurate, whether it's the story itself with the starlit sky on their clothes and the young love feels between our two idiots, or the depiction of the church, with its Byzantine ornaments and the infamous bullet chandelier.

I'm also including the chapter excerpt she wrote in calligraphy on the back of the drawing - it's too beautiful not to share it with the world!

 

 

Chapter 8: No Room for Error in a Balanced House of Cards

Summary:

She doesn't deserve him, she thinks.

Notes:

Beta'd by KathKnight

(See the end of the chapter for more notes.)

Chapter Text

No Room for Error in a Balanced House of Cards

 

 

 

“What did she say?” Rey asks as Finn enters the common room, carrying an empty mug. The fastest way to put Maz in a good mood is to begin the conversation with freshly brewed coffee, she knows. Their attack was well prepared.

“We’ve got the green light.” Finn gives her a wink of conspiracy. “Since it’s your birthday, you’re allowed to stay out until eleven.”

Rey fights back a giggle—she doesn’t want to draw attention to them in the common room. As Finn sits down next to her, she throws him a low-five under the table.

“I think Maz likes it that we spend time together, bless her,” Finn adds quietly. “It went smoother than I thought. We just gotta stick to the plan. You understand?”

She vigorously nods, and Finn rolls his eyes and smirks in a way that's both playful and considerate.

“Nod some more and your head will fall off,” he teases. “The plan, I said. We need to have some rules. Number one: officially, you’re with me. We’re going for a walk, and then out for dinner—nothing too fancy, it must sound convincing. I told Maz I’m taking you to that pizza place around the corner. Confirm if she asks you.”

“Will do.” It crosses her mind there’ll be a shitstorm of monumental proportions if they ever get caught, but she quickly dismisses the thought. They’ll be careful.

“Number two,” Finn continues, counting on fingers. “I promised we’d have a tame and age-appropriate celebration, so whatever you do with your loverboy, no drinking. You gotta return sober. And I second that—tonight, you need to be conscious at all times.”

“Don’t worry about it.”

No matter how the evening goes, Rey thinks, it’s certain she won’t get drunk. She tries not to ponder too hard about what actually may happen.

“Number three.” Finn’s tone turns very serious. “To make it believable, we must return to the Home together. So I’ll come to pick you up at ten-thirty. And you’re gonna say that to this boy of yours. Tell him a friend will pick you up, right in front of his place. He should know you ain’t alone. That you’re well taken care of.”

Rey smiles.

This sudden friendship with Finn is almost violent in its intensity, storming into her life uninvited and crushing her reservations with little patience and loads of glee. Admittedly, she’s grateful for it. It differs from what she has with Kylo, and it’s exactly what she needs—a bit of goddamn support. Besides, Rey knows, even with the cigarettes and the bravado and the smile worthy of toothpaste commercials, Finn is yet another miserable wretch looking for ways to while away the time and cope with his loneliness.

They could form a club.

“Thank you,” she says.

Scoffing, Finn fidgets in his chair like he’s having second thoughts.

“You’re sure you wanna do this? His parents ain't around, you said. The two of you will be on your own. Stuff can happen. You trust this boy?”

“I trust him with my life,” Rey answers too readily. “I know him. He won’t do anything I don’t want him to.”

Finn gives her a long look before finally nodding his head.

“All right, then. We have a plan.”

With one last wink, he gets up to leave, but then he stops.

At first, Rey doesn’t understand what prompted Finn’s face to darken, scrunching up with a frown like on the night when he'd returned, a bundle of gloom in a stained camo uniform. There's an odd emotion in his eyes—loathing, she’d say, and shame, and even a hint of fear.

Then she notices—the TV is louder. 

Unkar is watching his favorite show.

In a studio, a man is speaking to the camera. He’s sitting in a chair of heavy wood, groping the carved handles, the bright red studio walls striking a sharp contrast with the black of his almost-throne. He’s thin, and old, and probably very tall, judging from the way he is hunched. A thickened scar is splitting his bald head. He’s wearing a gold lamé shirt with a high collar and loose sleeves—a fucking disco top, Rey thinks. Yet instead of looking ridiculous, he comes across as dignified and important, like a high priest in ceremonial robes.

He preaches.

“It’s that Snoke guy,” Rey explains. “Professor or something. Maz calls him a cartoon.”

She’s seen Unkar staring at the screen like he’s hypnotized many times before, but she has never paid attention to what the old man was saying. Now, however, she listens. 

Professor Snoke speaks like a trained actor: his voice is deep, with a pleasant lilt. He’s stressing the lines as if he’s reciting poetry—it’s ominous yet riveting, with big words and perfectly timed pauses. Rey can’t look away. He warns that the world is shrouded in darkness and decadence and decay, with this nation remaining the last beacon of truth. He teaches about blood rights and faith and sacrifice, about duty and grit, about ancestral lands that must be taken back from the enemy. He promises that old wounds will heal and old wrongs will be righted and old values will shine again, and he smiles, his yellowed teeth making him look as ancient as a god. When he dramatically points at the camera, Rey feels like he can see her, like he’s addressing her personally.

His words have an odd, slippery quality to them. Even though his voice is holding her captive, she’s unable to repeat a single thing he said.

She doesn’t like him, Rey decides.

“I know who Snoke is,” Finn says, a deep frown creasing his brow. “He’s the guy behind the First Order.”

“Really?”

Finn nods. “He’s the, uh—what’s the word—the ideologist. The troops are basically there to carry out his vision.”

Rey squints, staring at the screen. It's difficult to imagine the old man standing in the mud of the war zone in his golden shirt. Then again, with his messages of pride and myth and the nation’s martyrdom, perhaps it does make sense.

“He ain’t no cartoon, that one,” Finn grumbles. “He knows what he’s doing. People like him, you see, they get off on pulling strings to push the world off a cliff, while they sit in their fancy chairs, smiling for the cameras. And all just to prove they’re right. I can’t believe I was that stupid.”

He looks so dejected that Rey wishes she could change the channel.

“I’m going out for a smoke.” Finn's fingers twitch nervously. “You go pick something nice to wear. This is supposed to be a good day. A perfect day. Let’s not ruin it.”

Later, in her room, Rey puts on the only dress she owns. It doesn’t quite fit—she got it last year and she’s grown in the meantime: the shoulders are too tight, the skirt is shorter than she likes, and she can't fasten all the buttons in the back. But it’s a dress.

She feels embarrassed. Finn insists that she looks cute and talks her out of changing into jeans.

The rest of the afternoon crawls. She stops counting how many times she has gone to the common room to check the clock. With each passing hour, it becomes harder not to mull over the impending dinner. A date, as Kylo called it.

What will happen?

The lie chafes against her conscience. She should tell him, she thinks. She really should. He’ll understand—maybe he won’t even get angry.

And yet the truth would change everything, wouldn’t it?

Rey swallows a scream and squeezes her fists so tight that her nails leave painful imprints on her palms.

When the time comes, Finn knocks on her door.

“We need to leave together,” he says. “I’ll come for you later. Have a good time. Be smart. Don’t do anything you don’t want to. And make him lose his mind.”

Kylo had given her an address. It’s in the old part of the city, not far from the music market. The street is narrow and dark, paved with cobblestones, with chestnut trees in full bloom and unkempt backyards occupied by hordes of stray cats. She smiles—she can tell why he likes it here.

He lives on the second floor. Strange, the door to his apartment is unusually heavy, with two sets of deadbolt locks, as if he keeps a safe in there. The name plaque is small and discreet—it only says “Tarkin”. 

Who the hell is Tarkin?

Not that it matters—Kylo is probably renting the place, anyway.

When she presses the bell, he opens the door so quickly that she wonders if he was standing behind it for hours, waiting for her to ring.

“Happy birthday, Rey!” he gushes. Then, he takes a rushed step back and looks at her with his eyebrows raised. “Oh. Wow. First time I see you in a dress.”

She likes how his pupils dilate as he studies her.

“Thank you.” Rey beams. “I see you’re dressed up, too.”

It’s true—he’s wearing a crisp black shirt and tight-fitting slacks, the kind of clothes one chooses when aiming for a good impression. In contrast, his feet are bare, toes thick against the shiny floor. Water droplets drip from his wet hair, leaving dark dots on his collar, and he’s freshly shaven, smelling of spicy cologne—amber and musk, she'd say. Seeing him try so hard rouses her butterflies, makes them flutter in her belly. Fuck.

Something will happen tonight.

And then what?  

If she thinks about it now, she'll ruin the moment. 

“I can stay longer.” Rey tries not to sound too eager. “A friend will come to pick me up at ten-thirty. Until then, I’m yours.”

Kylo blushes deep red, and she wonders if her wording was too bold. A part of her likes it—the other part wants to slam her head against the wall. He keeps standing in the doorway, looking at her with a dumbstruck smile.

She motions toward the living room. “Can I come in?” 

“Shit, of course.” He finally lowers his gaze and moves aside. “I don’t have visitors often, so I’m not a good host. But, uh... You’re not an ordinary guest, are you?”

Rey’s heartbeat picks up—it’s her turn to blush, she feels.

This is the first time she gets to enter someone’s home. A proper home. No matter the euphemism the welfare system uses for its orphanages, the Home isn’t exactly a home. All Rey knows about places where real people live real lives comes from movies and TV and books.

She doesn’t tell him that.

The apartment is not what she expected. She imagined something that would unmistakably resemble him—something personal. Dark walls. Band posters, probably: the Sisters and the Cure and Joy Division and Siouxsie Sioux, for all his talk about her being the most interesting woman of her time. Furniture that’s a strange blend of worn-out second-hand couches and overly expensive antique armchairs. Dim lights. Bookshelves. Maybe a dried-up plant. Souvenirs from his travels—a calligraphy print from Japan, a postcard with skulls and bones from Rome, a black-and-white photo of the Berlin sky. A bit messy, a bit stylish—just like him.  

Yet she’s facing white walls.

The room is so bright and bare it hurts her eyes. The furniture is modern and neat and functional. The carpet is beige, and Rey is almost afraid to step on it. The windows are huge, with no curtains—only aluminum screens. Everything is impeccably clean.

It’s like no one is living here.

Kylo gestures nervously. “Make yourself at home.”

Cardboard boxes are stacked in corners, Rey notices, sealed shut with duct tape. She wonders if this is where he keeps the things he’s been bringing her—the music, the books. Pieces of his old self. It doesn't surprise her that he stashed them away—he likes to underline how different he is from who he used to be, even if she believes that he changed only in his head. He’s weird that way.

On the coffee table, there is an old, sepia-toned photograph in a bronze frame. It’s the only personal object in the room.

She reaches out for the photo, and Kylo nods encouragingly. From what she can tell, it’s really old—1930s, she guesses. It shows a young man in the parade uniform of the Royal Armed Forces, stripes and epaulets and medals contrasting with his youthful face. His hair is slick, as was the fashion, and his eyes are piercingly blue—it’s visible even in the sepia picture. He’s handsome, Rey admits. And he knows he’s handsome. The studio photo could pass for a vintage movie star poster—as if, while posing, he anticipated that one day someone will keep it framed on the coffee table. There’s arrogance crossing decades here, and Rey isn’t sure what to make of the young man and his decorated uniform.

“It’s my grandfather,” Kylo explains with pride in his voice.

“Is it?” Rey compares the flawlessly good-looking officer to the big-nosed, jug-eared young man standing next to her. She doesn’t see the resemblance. She likes Kylo better. 

“Yeah.” He nods. “He was a colonel of the Royal Armed Forces, a pretty high rank for his age. Stayed true to himself—remained loyal to the king all the way to the bitter end. Paid the price for it when the communists came.”

Rey frowns.

She knows a little about the officers of the Royal Armed Forces who stayed “loyal”. She’d heard things from Maz, who doesn’t mince her words about it. No matter what the rampant historical revisionism would have you believe, Maz says, in the last days of World War II, those who “remained loyal to the king” actually sided with the occupation forces—they preferred the Germans as the devil they knew, to the communist resistance which fought both for liberation and a revolution. In the end, out of stupidity and despair and misguided beliefs, some of them had wound up committing horrible crimes against their own people—all in the hope of preventing the communist uprising. They were no martyrs, Maz claims. They were killers, even if admiring them has become fashionable in today’s warmongering madness, when nationalism is glorified and everything related to communists shunned.   

But wait. This doesn’t add up. Didn’t Han say that Kylo’s mother came from a communist family? It’s impossible to imagine the handsome young colonel in his glamorous uniform as Han’s father.

Just as she’s opening her mouth to ask more about this enigmatic grandfather, the phone rings. The sound is loud, startling.

Rey often forgets that Kylo has a life outside of their afternoons together. She doesn’t monopolize him, she tells herself—there are people who’ll call him on the phone. Still, something akin to possessiveness makes her mood plummet. 

The ringing echoes against the bare walls. Huffing, Kylo rolls his eyes and picks up the call.

“Yes.” His tone is so harsh that Rey almost pities the person on the other end. “Armitage. Yes. I’m busy, I told you not to bother me. None of your business. Fuck you. Yes, I’m with her.

He cracks a brief non-smile as he stresses the word, and Rey feels a flash of pride. Apparently, people who call know that she has a special place in his life. Good.

“He insists?” Kylo continues, coiling the phone cord around his fingers. “And it has to be tonight? Shit. You goddamn twat, you’re enjoying this. I know you’re doing it on purpose. When?”

The other person speaks at length, and Kylo lowers the receiver, pouting.

“Your friend will come at ten-thirty, right?” he asks in a whisper.

Rey nods. Kylo’s jaw clenches, and she wonders if she should worry for this Armitage, whoever he may be.

“Fine. You win,” he barks back into the phone. “I can make it later tonight. Yeah, fuck you too. Asshole.”

With a growl, he slams the receiver so hard that she fears he might have broken it.

“I’ll kill him one day, I swear.” He twists the cord like he wants to squeeze someone’s throat.

“It’s okay.” Rey reaches out and touches his hand. “Hush. We’re good. We still have the evening to ourselves.”

Holding her gaze, Kylo grins, revealing the gap in his sharp teeth. He lets go of the phone and takes her hand into his, and just like that, the rage is gone. It amazes her how quickly he flips between moods—all it took was her touch.

“You’re right.” A boyish joy spreads across his face. “We have a lot of cooking to do.”

He guides her by the hand across the apartment, walking backward in front of her, unwilling to break eye contact. It’s silly, and she’s afraid he might trip over the furniture, but the look in his eyes gives her goosebumps. She squeezes his hand tighter.

“It was fucking difficult to choose what to make,” Kylo declares seriously when they enter the kitchen—dark brown and big and even a tad messy, the only place in the apartment that actually resembles him. “Easy enough for you to learn, but still worthy of a celebration. So I opted for Italian—pasta carbonara, and tomato arugula salad with parmesan cheese. And, um, there’s cake. But I cheated there. It’s bought.”

Rey stares at the things displayed on the kitchen counter. She’s had pasta before, in the Home canteen—overcooked, sticky lumps of goo that she avoided whenever there was another option on the menu. She’s never tasted parmesan, although she knows it’s some sort of cheese. She has no clue what the hell ‘carbonara’ means—and as for arugula, from what she can tell, it looks like weed freshly picked in the park, like something that dogs piss on. The only thing she’s comfortable with here are the goddamn tomatoes.

Kylo chuckles.

“Don’t worry.” He ties on an apron which is neither polka-dotted nor ruffled. “We’ll take it one step at the time.”

It turns out that Kylo didn’t exaggerate—he indeed knows how to cook.

He’s patient in his instructions, but his passion is contagious. She never thought that crushing garlic and grating cheese and chopping tomatoes could be exciting. He knows the ideal temperature of the frying pan to get the crispiest bacon, and how to crack eggs to easily separate the yolk, and how much salt and olive oil one must put in the boiling water to achieve the perfect pasta texture. He asks her to pass him the pots and has her smell the spices before he sprinkles them on food, even though ground pepper makes her sneeze. He feeds her a piece of raw bacon, his fingertips almost touching her lips, and places a hand on her hip while teaching her how to hold the knife. He laughs. He flips his hair and rolls up his sleeves and laughs, and he looks happy—Rey notices an untypical swagger in his posture. It’s odd. Such unbridled self-confidence makes him more attractive, in a way.

There’s bliss in cooking together like this, she thinks—a special kind of intimacy.

Domesticity.

Family.

Is this what it feels like?

“My mother grew up with a residential chef,” Kylo explains later, during dinner, as Rey happily gulps down her second serving. “So she never learned. For her, cooking is something that hired help should handle. My uncle was even worse, junk food all the time. I’ve no idea how he didn’t drop dead before he turned fifty. In the end, if I wanted to eat right, I had to do it myself.”

“It’s the best thing I’ve ever tasted,” Rey says, scraping the last traces of carbonara sauce from her plate. “Keep cooking like this, and you’ll have to adopt me!”

Kylo gives her a sheepish half-smile, but his expression turns serious too quickly.

“Would you like that? To live with me?”

The food stops in her throat.

He means it, Rey can tellHe does.

Fuck.

“I’m not your pet, Kylo,” she retorts, even though she can easily imagine herself bringing life to this white and beige apartment.

“I never said you were.”

He reaches for his shirt pocket and takes out a tiny red envelope, so small it fits into his palm.

“Here.” He pushes it towards her. “Happy birthday.”

She feels the blood rushing to her face.

“What is it?” she asks quietly.

“Open it.”

A chain dangles from the envelope as she tears it open—thin and long, its color a pale gold. There’s a small pendant on its end—it clanks as it drops out of the package and hits the table. Rey picks it up cautiously, feeling its delicate shape between her fingers. The design is minimalistic, abstract almost, just angles and curves, and it takes her a moment to recognize what it is.

An angel.

“I, um…” Kylo stutters, his swagger gone like it never was. “I… I know. It’s a bit cheesy. Kitsch, if you want. But it’s just that… Just that… Fuck. I have no idea how to say this.”

His lips quiver and his knuckles turn white from pressing his hands against the tabletop. He leans forward. For a second, Rey thinks he’ll flip the table over since it’s in the way.

“When I saw you for the first time back then, throwing money to the trash, I don’t know what came over me.“ His voice is low, shaking. “See, I’ve never done that before. Never approached someone in the street. But you looked so upset and lost and I knew I had to talk to you. And then… And then, you mentioned the music. It’s not just the Sisters of Mercy, y’know. It’s Marian. Of all their songs, you picked that one. When I… Shit. When I heard you say that, I almost lost it. I thought—fuck it, it’s fate. Maybe she’s the one. Maybe she’ll understand.”

Rey wants to say something, anything, but words fail her. She feels like she’s barely breathing. Kylo stares at her without blinking, his gaze heated but vulnerable.

The butterflies are going wild.

“I want you to know what you are to me. So I got you this.” Kylo points at the pendant. “It’s small. And discreet. You can hide it under your clothes. No need to explain why a stranger is giving you gifts. So yeah. Um. You like it?”

Rey nods, and he almost smiles.

“May I… May I put it on you?”

“Yes,” she whimpers.

He hesitates for a moment, then promptly gets up and walks over to her.

“Come,” he says, taking the pendant from her hand. Something in the way he articulates that word makes her go weak at the knees, and she has to focus to rise from the chair.

He towers over her, and their height difference has never been more appealing.

Carefully, Kylo wraps the chain around her neck and fastens the clasp in the back. She feels the weight of the little angel dropping down, falling into the neckline of her dress. The metal is cold.

Then, slowly, he touches her collarbone. His caress is soft, cautious, somewhat shy—tickling her skin, sending shivers down her spine. His fingers ghost over her throat, drawing upward to her chin. He lifts her head up and traces her bottom lip with his thumb.

And then it happens—he leans in for a kiss.

It’s exactly what she wanted.

She feels the warmth of his breath on the corner of her lips, and the smell of musk and amber makes her mouth water. In a heartbeat, he’ll be truly hers.

Panic hits her as hard as a punch in the gut.

This is wrong. Wrong.

Fucking immoral, even.  

It went too far. She’s tricking him into doing something that may horrify him if he knew the truth. She has no right to do this. Tears well up in her eyes, stinging, hurting.

Shit.

There’s no way she can undo this mess now, is there?

Rey turns her head away.

Kylo stops. His body tenses, and she hears him gasp.

He waits, but she doesn’t move.

“Rey,” he whispers at last, his voice laced with uncertainty. “You don’t want this?”

She doesn’t answer.

“Rey… Look at me.”

Her eyes are locked on his bare feet. She doesn’t dare to lift her gaze.

Kylo runs his fingers through her hair, gently touching her scalp. It feels good, loving, but it only builds up her misery.

“You… You want me, don’t you?” His words sound like pleading. “I didn’t misunderstand?”

Rey lowers her head, pulling away from his touch.

He swallows.

“Please.” She’s never heard so much sadness packed into one word. “It’s okay if you don’t want me. But I need to know.”

She should tell him. She should tell him now, consequences be damned.

“I do,” she hears herself speak—and no, no, that’s not what she meant to say. “I want you. I just… I need more time.”

His sigh of relief rumbles like a purr, and when he pulls her into embrace, Rey doesn’t resist. The last time he'd hugged her like this, they'd been separated by his heavy coat, but tonight his shirt is thin, and she feels the muscles of his chest against her cheek. His heartbeat is frantic, almost as quick as hers.

He smells so nice.

“Alright.” He rests his chin on the top of her head. “It’s alright. I can wait.”

She doesn’t deserve him, she thinks.

The phone rings again, a mechanical buzz interrupting the bliss.

“Crap.” Kylo wraps his arms tighter around her, not rushing to answer. Still, the phone keeps ringing—someone is persistent. “I must get this.”

The moment he lets her go, she craves his warmth.

“Eat shit and die, Armitage,” Kylo snaps into the receiver immediately after picking up. Rey wonders if anyone ever calls besides Armitage, and why he even bothers because Kylo obviously doesn't like him. “You just had to call a second time, didn’t you? Asshole. What? Whatever. You come and pick me up, okay? Ten-thirty is fine. Fuck you too.”

The phone hits its cradle with a bang, and Rey thinks she may have to stop him from pulling the cord out of the wall.

“Friend troubles?” she asks in an attempt to lighten the mood.

“That dickhead ain’t my friend,” Kylo hisses. “He’s an ass I have to put up with for work. I don’t exactly have friends, y’know.” His eyebrows shift slightly. “Just you.”

He extends his arm, and she obediently hurries back into his embrace. It isn’t normal for a grown man to have no one but a girl he met in the street, she knows. But that’s okay—nothing has ever been normal with him. This is why she likes him. He needs her—when he's with her, he's happy.

It seems that her wish to become someone’s Marian did come true.

“I have an embarrassing confession to make,” he says, his fingers tracing along her back. “I’ve never been in a relationship. I have no idea what I’m doing.”

Rey chuckles. She isn’t surprised.

“That makes the two of us,” she responds. “We’ll improvise along the way.”

And suddenly, like magic, everything seems better. They’ll figure it out, she thinks. They will—all of it. They only need time. If it were up to her, she’d agree to spend eternity with him in a heartbeat.

First and last and always. Wasn’t it so?

“It's time,” he whispers after a while, pointing at the wall clock, his other hand playing with a strand of her hair. “Your friend will come for you, and I have to meet with fucking Armitage. See you tomorrow?”

She nods. “See you tomorrow.”

Rey waits for him to change, peeking into the bedroom, watching him lace up his boots and fix the buckle of his belt. He takes something from the upper drawer of his cabinet, but she can't see what. The jacket he puts on is not the one he usually wears—it’s too large, hiding the shape of his body. This is strange, she notes, he prefers form-fitting clothes, but she doesn’t pay it much attention.

“Let’s go.” He takes her hand and Rey smiles—hand-holding is now a must, apparently. She likes it.

Outside, in front of the building, there’s a young man waiting under the lamppost.

“Ren,” he says, his voice conveying boredom and annoyance. “About fucking time.”

The man—Armitage, she assumes—is tall, slim and dressed in a perfectly tailored dark suit. From what Rey can tell under the dim streetlights, his hair is reddish. He'd be handsome, she thinks, if it weren’t for the condescending scowl on his face—he looks like one of those people who are amused when shitty things happen to others around them. Rey has learned to avoid children like that a long time ago, and she sees why Kylo doesn’t like him. His mouth is pulled in a tight line, and he frowns as if the entire world conspires to waste his time.

“Don’t bullshit me, Armitage.” Kylo rolls his eyes. “You arrived a minute ago.”

Armitage huffs and raises his hand like he’s about to protest, beginning another one of those arguments she's witnessed on the phone—but in that moment, Kylo freezes.

His whole body stiffens—she senses the strain as he squeezes her hand. Squaring his shoulders, he pulls his spine straight, and in an instant he transforms, becomes wider and taller and darker, like a wolf with his hackles raised. She’s seen it before, but never this extreme. 

He looks fucking dangerous.

It is then that she notices Finn approaching them down the street.

Just as she is about to give him a wave, Finn stops and takes a step back. His mouth drops open. For a moment, fear flickers on his face, horror even—then his expression distorts into anger. But why?

She hears Kylo grinding his teeth.

What the fuck is happening here?

Armitage is the first to speak. He raises his eyebrows and cracks an ugly smile.

“Is this some kind of a joke?”

From the way he looks at Finn, Rey concludes they have definitely met before. Finn’s face clouds over. She’s never seen him this grim, not even on the night when he'd returned. If there’s indeed a joke at work here, she doesn’t find it funny. 

“Rey,” Finn says, his eyes narrowing, his tone unexpectedly grave. “Step away from him.”

It takes her a moment to process what she heard. Step away from whom? Kylo?

What?

“Traitor,” Kylo growls, his voice so low that he barely sounds human.

Slowly, deliberately, the puzzle pieces start falling into place.

Rey doesn’t want them to fit.

This is not happening.

“Do you know who that is, Rey?” Finn takes a step forward. “Do you know how many people he killed?”

She quickly glances at Kylo. He’s snarling now, his eyes wolfish and mad and so dark they look pitch black, and there’s nothing charming about his sharp, crooked teeth. She barely recognizes him.

His grip on her hand is so strong it begins to hurt.

“Kylo?”

“Not now, Rey!” he spits through clenched teeth. There’s a muscle twitching under his left eye, and he looks like he could go wild at any moment. He frightens her.

She never thought it could be possible.

A scene comes to her, vivid as if she'd lived it: blazing flames in the night, a droopy-eyed old man, villagers shitting themselves as they die.

Rey pulls her hand away. He doesn’t react, as if he doesn’t notice.

“Wait, wait, let me get this straight.” Armitage points at her, seemingly amused. “This is the infamous girlfriend? I’ve always known you’re a creep, Ren, but congratulations, you just outdid yourself. What is she, twelve?”

“She’s fifteen! Turned fifteen today, you freak!” Finn shouts, and there—her secret is out in the open.

Kylo’s eyes go wide in realization.

He throws her a questioning glance, and for a second, it appears that the shock is strong enough to make him come to his senses. His brows furrow, but the expression reveals pain rather than anger. He shakes his head in disbelief, and fuck, he looks devastated.

“Is that true?”

Guilt cripples her. She didn’t want him to find out this way.

But it’s all irrelevant now, isn’t it?

She nods, and doesn’t look him in the eyes.

His ragged breathing gets louder.

“What did you do to her?” Finn presses forward with a sudden burst of courage.

“Nothing,” Kylo utters. He attempts to reach out for her instinctively, but she takes a step back. “I didn’t do anything. I… I didn’t know.”

But Finn doesn’t seem to listen.

“How could you? How? She’s a child from the Home. She has no one. You thought you’d get away with this? That you’re allowed to do anything to anyone without consequences?”

“I would never hurt her!”

Kylo raises his voice, and she wants to believe him, she almost does—but then she notes his snarling face, she sees the fucking darkness gathering around him, inside of him, and she’s terrified.

“As if a sick fuck like you can breathe without hurting people!” Finn yells.

In a split second, Kylo reaches under his too-large jacket and takes out a gun.

The black metallic barrel glistens under the pale streetlight.

“Call me a sick fuck again and I’ll blow your brains out. Should’ve done it when I had the chance.”

He aims at Finn’s face—right between the eyes.

Rey feels the reality cracking all around her, shattering, collapsing. Sharp shards are falling down like broken glass that cuts.

This is not happening.

She thinks she’ll choke.

“Ren,” Armitage says with practiced patience, as if he’s been in this situation one time too many. “Enough with the tantrums.”

Kylo doesn’t move. Armitage rolls his eyes and clears his throat.

“Put the gun down, Ren. Let the traitor and your orphan child bride go their merry way, and we won’t speak of this again.”

“Shut up, Armitage.”

Finn stares at the gun muzzle, barely breathing, too petrified even to tremble. This is the second time it’s happened to him, Rey thinks—Kylo threatening his life. She doesn’t know what to do.

“Ren, for fuck’s sake!” Armitage steps toward Kylo, but pauses before he gets too close. Even he is afraid, she realizes. “You don’t shit where you eat. You cannot shoot people here! Not again. If you need to vent, we’ll send you across the border!”

Kylo grins—a fiendish grimace, ravaging the last remains of Rey’s reality.

“I can do whatever I want.”

He pulls back the hammer.

“Stop it!” Rey screams.

And he stops.

His face softens a little, so subtly she thinks no one else has noticed. The gun lowers for an inch, but he keeps his aim at Finn.

It takes him a moment to look at her, as if he’s gathering up the courage.

“Rey…” he whispers, his voice trembling in a way she recognizes too well. “You… You lied to me. Why did you lie to me?”

Damn you, Kylo.

She thinks how happy he looked when he taught her how to cook, how much he laughed. She thinks of the almost-kiss they shared in the dining room, his breath on her lips, his fingers on her collarbone. She thinks of the angel. She thinks of Marian—her voice above the maelstrom, in a sea of faces, in a sea of doubt, in this cruel place in which she almost believed she found a fucking soulmate.

Then she remembers the burning village. How many slaughters had he ordered that she doesn't know about?

“You lied too,” Rey hisses. “You said you weren’t a monster!”

He tenses again.

“Is that what you think I am? A monster?”

The answer to that is the most terrifying part of the evening. 

“Aren’t you?” 

He raises his eyebrows like he can't grasp her words. His eyes have always been too expressive—that's why she loves them so much—but now they mirror only betrayal. She has hurt him, she realizes. She's bloody wrecked him, and a part of her almost thinks it’s good, because that’s what someone like him deserves. And yet her own heart is breaking too, and all she wants is to rush into his arms, hug him tight and promise that everything will be fine.

But things won’t be fine ever again, will they? 

The muscle tic pulsates under his eye, and Kylo starts shaking.

He lowers the gun.

“Go,” he says.

For a moment, she thinks she misheard him. Finn stares incredulously, too terrified to make a move.

But then Kylo shouts.

“Go!”

The next thing she knows, Finn grabs her by the hand and pulls her into a run.

What follows is a blur. She has no idea how long they’re running. They stop at some point because she gets sick, and she vomits in the street, under someone’s window, while Finn holds her hair. She struggles to walk after that, and Finn has to help her stand. She’s ruined her dress, she sees. She doesn’t know where they are, or what time it is. Suddenly they’re in a car—a taxi, she assumes, because they’re in the back seat, and Finn is talking to the driver, trying to sound casual. The city lights pass her by as she stares through the car window.

The spring is beautiful outside, all blooming trees and fresh breeze and neon lights, and it’s her birthday, and her life doesn’t hold any fucking meaning any longer.

When they reach the Home for Children without Parental Care, she doesn’t have the strength to go inside, even though she’s certain it’s long past eleven. Maz will be furious tomorrow.

So they sit on a bench in the park across the street for hours, and she stares at the Home gates, and she screams, she screams, she screams. 

Notes:

You know that saying - "shit hits the fan"?

In my native language, there is a very colorful addition to the proverb - "shit hits the fan, and everybody's wearing white."

Well, all the characters were kinda dressed up in their finest white suits in this chapter, and boy, did they get them stained. It was both amusing and agonizing to write it.

Chapter 9: Blind in Darkness

Summary:

“Ben?” Rey frowns. “Who’s Ben?”

Notes:

Beta'd by KathKnight

(See the end of the chapter for more notes.)

Chapter Text

Blind in Darkness

 

 

The street is noisy.

Children laugh, running from school. A dog barks. Cars blare. Drivers honk their horns like it will make the traffic jam disappear—everybody’s nerves are thin these days. A tram clatters, tooting its whistle. Bells ring from the nearby church. Crows caw, thousands of them, nesting in the plane trees along the Boulevard, happily shitting on the passersby below. Street vendors call out, advertising their smuggled goods—cigarettes, chocolate, canned peas, detergent. 

It's too crowded, Rey thinks, and everyone has something to say. People talk too much.

She'd been grounded—Maz had banned her from going out for three weeks, even to the courtyard of the Home. It's strange to be surrounded by the noise again. It makes her ill at ease.

“He should be over there,” she tells Finn, pointing at the grey-blue Yugo parked in front of a fast-food joint. “Please give us some privacy. I’ll signal if I need you.”

Rey counts her steps as she walks up the street. She’d rehearsed this meeting many times in her mind, but now that it's about to happen, anxiety weighs down her feet. She’d hoped that, after everything, she’d be too numb to care, that the butterflies would be long dead, yet here they are, fluttering like a pulse in her throat.

At first glance, there's no one in front of the car, and it's a relief—she has an excuse to turn back and leave. But then the old smuggler comes out of the joint holding a burger, a mustard stain on his tracksuit, and his face brightens up when he sees her.

“Hey, kid!” Han grins like an aged tomcat. “Been a while. How’s life?”

Well.

Rey clenches her fists, feeling her chin wobble. No tears. Not again.

“You okay? Did something happen?” 

She wants to answer, but no words come. Han studies her with curiosity, and then his expression turns grim, knowing.

“Oh. My son happened.” He doesn’t sound surprised. “Did he hurt you?”

Rey isn’t sure what to say.

He didn’t, in truth. He didn’t do anything to her.

And yet he did. She feels gutted, her heart an open wound, and she has no idea where to turn.

She shrugs.

“What do you want me to do?” Han fidgets, awkwardly staring at his half-eaten food. The sharp smell of onions cuts through the gasoline-drenched air.

“I just…” Her voice breaks and she hates it. “I just want to talk.”

It's a pitiful request. The old smuggler purses his lips in a way she finds unpleasantly familiar—obviously, talking is the last thing he wants. She expects he'll tell her to leave. 

But he shakes his head and grumbles, “Sure.”

With a scoff, Han throws his burger in the nearby trashcan and crosses his arms over his chest, covering the yellow smudge of mustard. A beat passes as he waits for her to make the first move. No matter how many times Rey had rehearsed this, her mouth goes dry as she's about to speak.

“Why didn’t you tell me?”

“Ah.” A practiced half-smile flickers on Han’s face—his shield from difficult conversations, Rey thinks. It must have driven his ex-wife mad. “I didn’t tell you because you didn’t want to hear, for one. Because, in all honesty, I didn’t know how.”

He looks away, his eyes wandering across the smuggled goods displayed on his Yugo—rows of nylon stockings with a young woman on the package, her lipstick red like strawberries.

“See, kid, ain’t easy facing that shit. He’s pretty famous, y’know—Kylo Ren of the First Order, the killer of infidels, defender of the national cause. He has a legit fan club here—dumb fucks who gush all over the stupid shit he and his cronies do across the border. And I didn’t tell anyone I’m his father—anyone—even though it might buy me favors. Couldn’t bring myself to say it. It’s hard, putting it into words, admitting that your son is a… a…”

“A monster,” Rey helpfully finishes the sentence.

Han gives a curt nod.

She rolls the too-long sleeve of her hoodie between her fingers, pondering. “What made him that way?”

“You don’t beat around the bush, do you?” Han's smirk grows more crooked. “You think something made him that way? Is that why you came to me—so I can offer excuses for his downfall to the dark side?”

Rey lowers her gaze. In truth, she's not sure what she came here for. She just needed to talk to someone who knows.

“Fuck, kid.” The curse word rings with a peculiar sadness. “You still love him.”

Instead of answering, she squeezes her fists tighter. No tears.

“That’s okay. I do, too,” Han admits with a sigh of sympathy. “Have it your way, then. I’ll tell you what I know, you draw your own conclusions. But I can’t promise you’ll understand him any better. God knows I don’t.”

Silence falls between them. Han brushes back his thinning hair to prolong the moment—another gesture that seems to run in the family. Rey gives him the time he needs. She knows that the topic hurts, sore to pressure like an unpopped blister, and the details must be ugly. She throws Finn a glance—he’s leaning against a tree a few yards down the street. He smiles at her and waves, and if he says something it's lost to the rattling of the tram.

“Ben,” Han finally begins, “was not a planned child.”

“Ben?” Rey frowns. “Who’s Ben?”

“Ah. Kylo isn’t his real name. He didn’t tell you that?”

“No.”

Suddenly, she feels stupid. The old man doesn't comment, but his eyes soften in a way that shows he understands. It only serves to deepen her embarrassment.

She tries to imagine him as a Ben, though. The name doesn’t suit him. It sounds too plain, and old-fashioned, and stable.

“He happened by accident,” Han continues. “But I was very much in love with his mother, and it was about time to get settled, so I thought, why the heck not. We got married. Didn’t last long. His mother, my ex, she was very young. Still in her final year of college. She wanted to finish her studies, to have a career. And that’s okay—she was brilliantly gifted, and smart, and all her life she’d been told that great things awaited her one day. She wasn’t ready to let it go to waste for a marriage with me, or for a kid she didn’t even plan. And I don’t blame her one bit.”

He smiles, and Rey sees that he doesn’t hold a grudge indeed. He must have loved her a lot, she thinks, some of that love still lingering. Or he must have screwed up something really badly himself. Or both.

“If we’d had a different child, maybe things would’ve worked out, but…” he hesitates. “We ended up with Ben. Needy. Whiny. Prone to temper tantrums. Always breaking his toys. Ready to burst into tears whenever his mother would leave the room. Fucking ugly, too. Don’t look at me like that, he’s mine and I have the right to say this—little Ben was not a pretty sight. And all the other kids hated him.”

Rey twists her sleeve, poking at a hole in the fabric. So far, the story goes as expected—she’s guessed all this before.

“He had his qualities. He did. He was smart. Sensitive. A book worm. Those are good things, right? But as his father, I, uh… IFuck. I wasn't up to the task.” Han looks at her with raw sincerity, like he’s desperate to explain. “I did want a son—show me a guy who doesn’t. But I wanted a son whom I’d take to soccer games and teach him how to drive and give him advice about talking to girls—not Ben. So I hit the road ASAP, and left my ex to handle the mess. She braved her way through it, best she could. He used to drive her insane—purposely getting lost when she took him to the Fortress, to see if she’d cry if he were to disappear. And cry she did, y’know, she cried out of sheer frustration, and she’d call me to ask for help with the little spawn of Satan. But I’d always tell her I was too busy. I’m not proud of it.”

The old man bows his head, memories dancing on his face. He's ashamed, Rey thinks, and by all means he should be, even if she can't get angry with him. She’s seen too many parents abandoning their children for various reasons. Han is far from being the worst.

"And...?" she prods after a while.

“And then, puberty hit. Sweet Jesus. Overnight, he grew tall and strong—too tall and too strong. That’s when the problems with violence began. At the drop of a hat, he’d beat the shit out of someone. Kids stopped bullying him—he fucking terrified them. His mother sent him to so many child therapists I’ve lost count. But nothing worked out. Still no friends. Still messed up. Still too fucking violent. ‘Unhinged’—I heard that word so many times, it lost its meaning. By the age of fourteen, he’d changed five schools—mostly thanks to my ex-wife’s connections. By the age of sixteen, he’d dropped out of the system for good, after breaking a teacher’s nose. Even the connections couldn’t help any longer.” 

Sighing, Han pauses. The picture of teenaged Kylo feels miserably predictable—full of rage, not grown into his body, too strong for his own good. A dropout. Rey almost wishes they’d met back then.

Maybe she would’ve soothed his frenzy before it became too late.

“What happened then?” 

“My wife, my ex-wife, you see, she has a brother. A really weird guy.” Han huffs through a smile. “I met him during the student riots in 1968, he was one of the protest leaders. Studied philosophy. He was all about the human condition and cycles of history and that shit—got his Ph.D. ridiculously young and started teaching at college. Funny thing, of all the adults around him, Ben got along with my brother-in-law the best. They bonded over their love for music. I never understood all that snobby gibberish about jazz fusion and progressive rock and post-punk and whatever you wanna call it, but they could talk about it for hours. He was the only one who could handle the boy, and so, my ex sent Ben to live with his uncle.”

Rey nods. “He often mentioned his uncle.”

“For a while, it seemed to function. They traveled together when my brother-in-law went abroad for work. He took Ben all the way to fucking Japan. But then… Then, one day, something happened. They had an argument. God knows why, but it must’ve been big. Luke, my brother-in-law, never revealed the reason—even though Ben beat him black and blue and broke his arm in two places. He even refused to call the police. I wasn’t there when it happened, but that’s what my wife told me. My ex-wife. After that, well, you can imagine. My ex severed all contact with Ben, and I don’t know, I guess it’s understandable. Luke quit his job and disappeared from public life. No one has seen him in years.”

A crow lands on the trashcan, attracted by Han’s freshly thrown burger. For a moment, Rey catches the gaze of its beady eyes—black, shrew, oddly judgmental, as if the bird can see through her. But then Han stomps his feet to shoo it away, and the crow flies up with an angry flap of wings. It caws at them from above.

Inexplicably, Rey feels disoriented—like she was on the precipice of realization, but got interrupted. 

“What became of Kylo—Ben—after that?” 

“For a few years, I had no news—total radio silence. Next, I heard he'd joined the army, and I thought—way to go. Maybe they’d knock some sense into that stubborn head of his, teach him some self-control. But then, the war erupted—fuck them all, kid, and fuck their political games, and may they rot in hell for ruining my country, every single one of them. It’s then that I learned that, actually, Ben wasn't in the army. My son is part of a paramilitary group—the First Order. Calls himself Kylo Ren. Talks about warrior’s honor and spilling blood in the national interest. Commands a death squad. Kills people.”

Han raises his eyebrows like he's struggling to believe his own words, and he looks haunted, and old, and broken beyond repair.

Kills people.”

Rey closes her eyes. “I know.” 

She won’t think about the village again, or the black gun barrel pointed at Finn’s face. She won’t.

“I, uh…” The old smuggler’s voice starts shaking. “I went to speak to him several times. No one else would do it—not his mother, not his uncle. But I did. I went to him whenever I knew where to find him. I figured, if someone were to speak to him, if he could explain why he was so angry, if I could apologize and he’d listen, maybe, y’know, maybe he’d get his head out of his ass and cut the crap.”

Rey gives a dry chuckle.

“But it doesn’t work like that,” she says.

“No, it doesn’t. You saw for yourself.”  

They don’t talk for a while, the silence amplifying the street sounds around them. More crows have joined the one that Han chased away—a whole murder squawks in chorus, scattered in the tree branches, chattering, screeching like the scavengers they are. They're ganging up on her, Rey thinks, cornering her with nowhere to run.

The sidewalk is covered in bird shit and black feathers.

“So,” Han speaks up, his tone firm again. “Happy with the explanation, kid?”

She sighs—the old man sure did fill in the blanks. And yet he said nothing new. No plot twists. No traumatizing, tragic events that could break a person, turning a hero into a villain like in the movies. Just an ugly life story about a failed marriage and bad parenthood and a lonely boy who was simply too much.

“Not really.” 

“What did you think I’d tell you?” Han huffs bitterly. “I fucked up. My wife fucked up. Hell, Luke probably fucked up too, somewhere along the way. You can point your finger at us all you want. But at the end of the day, my son, he’s… He is what he is. A monster—your words, not mine. He made his own choices. He decided to live his life the way he does. And you can’t blame the world for his mistakes.”

The line rings painfully true, and it makes her feel guilty for reasons she can't quite grasp. She shrugs.

“I suppose I can’t.”

Han shakes his head in defeat, frowning at the busy street, at life, at the world.

“I’ll keep trying. He’s my son, I love him, and I can’t abandon him just like that. Not after everything. But to be frank, the more I think about it, the more I conclude I’m doing it for myself.” He touches his chest over his heart. “He’s… He’s beyond salvation, y’know. Lost. Blind in darkness, that’s what he is. So, kid, a piece of advice: stay the fuck away. This time, it ended well. He didn’t harm you. But I’m not sure what he’s capable of when his anger hits the roof. And I wouldn’t trust him.”

He’ll never hurt me, Rey almost says. He’ll never hurt me. She still believes it, she realizes—and it’s a demoralizing thought. 

She wants to leave.

“Thank you for your honesty.” Rey extends her hand. A shudder suddenly crawls up her spine—this is the last time she will see the old smuggler, she thinks. 

Is she supposed to say goodbye?

“Good luck,” she finally utters clumsily, and turns to go. She sees Finn walking over, ready to accompany her back to the Home.

“Kid… Rey. Wait.”

Han stops her, placing a hand on her shoulder. His grip is too strong.

“I’d like to see him. You wouldn’t happen to know where I can find him, would you?”

His look is intense and desperate, eyes shining as if brightened by tears. Kylo has his father’s eyes, Rey notices.

She shouldn’t do it. She’ll regret it, she can tell already.

“I know where he lives,” she says too quietly.

 

*

 

Rey learns about it two weeks later, on a late May day that smells of linden trees in bloom, the sky above the city blue and bright as if the summer has come too early.

She can't explain why she decided to go to the Boulevard again. It’s a strange place for a leisurely walk after everything, and without Finn—but here she is, making her way through the black market kingdom. Maybe she had a premonition that something was amiss.

When she sees another car occupying the spot where the modified Yugo is usually parked, she's certain that her gut feeling was right.

“Where’s Han?” she asks the smuggler who set up his booth atop the hood of the car—the intruder, she thinks.

“Oh.” The man studies her from head to toe, and then curves his lips in an awkward smile of compassion. “You don’t know?”

Her stomach sinks.

“Know what?”

All is crystal clear, but she still has hope.

“Han’s dead,” another smuggler joins in. Unlike his colleague, his tone is harsh, and he looks like he’s barely refraining from rolling his eyes. “The old fart had it coming.”

She wants to be surprised, but she isn’t.

She wants it to hurt, but it doesn’t.

She wants to jump at the man and claw his eyes out.

She counts to ten.

“Bala-Tik, for God’s sake, show some respect,” the first man snaps. “Han Solo was a living legend in the street. And it was a fucking ugly way to go, really.”

Rey takes a deep breath.

“Was he…” She needs a moment to control her voice. “Was he shot?”

She points at her forehead, touching the place between her eyebrows. The first smuggler solemnly nods.

“See, Tasu.”  Bala-Tik smiles triumphantly. “Even little girls know that the old fart had it coming.”

She should cry, she thinks, that would be appropriate, but the tears won’t come. In a strange daze, she stares at the two men, realizing that tomorrow she won’t be able to remember their faces.

“It’s this unhealthy obsession with Kylo Ren that got him,” Bala-Tik continues. “It wasn’t normal—all those questions, all the time. Look for the devil and you’re bound to find him. The First Order doesn’t put up with snoopers.”

“Kylo Ren is a violent psycho,” Tasu declares. It sounds like a definition, a final judgment on the matter, and a voice in her mind screams.

Bala-Tik frowns.

“Now you show some respect! Kylo Ren is doing so much for the nation, with all that’s happening across the border. He fights and bleeds for us—you should be thankful!”

“Maybe,” Tasu sighs, wrinkling his nose. “But it doesn’t change the fact he’s a violent psycho. And poor Han deserved better.” 

“I, um, I…” Rey interrupts their argument. She can't stand to stay a second longer in this too-crowded place. “I need to go.”

As she runs, bumping into passersby, all she can hear are the crows.

On her way to the Home for Children without Parental Care, in the tram, Rey senses the passengers’ eyes on her. She touches her face, only to discover it’s wet with tears. How odd. She wasn’t aware that she was crying.

Her mind is blank.

Yet still, Rey ponders.

She’ll never know what really happened. She can only speculate—and as time passes and the tram gets closer to the Home, too many scenarios arise in the back of her mind. She tries to picture the scene. Where did they stand in that white and beige apartment? Did they argue? Who said what, and in what tone of voice? Did Kylo yell and growl, or was he quiet and creepy? Did Han say too much and go too far, did he manage to apologize—did he even try? When precisely did Kylo pull out the gun? Did he shoot straight out, or did he hesitate?

Did his hand tremble?

Was there a bloodstain on the wall?

She tortures herself, she knows—guesswork has done no one any good.

But one thing is certain. It’s her fault.

 

*

 

By early June, Rey has lost so much weight that she can button up her only dress again. She still throws it in the trash.

Her Walkman follows suit, tossed into the same garbage bin she'd found it in.

Finn has to nudge her to eat. It annoys her, and she snaps at him and argues—yet at heart, she’s grateful. His days in the Home are about to expire, and once he moves out, he won’t be able to constantly keep her company. Rey has no idea what she’ll do then. Panic plagues her for a while, but then she decides it’s a good thing—it'll force her to learn to rely on no one but herself.

She’ll never depend on someone again, she swears.

Her grades abruptly plummet, and Maz calls her for a series of serious conversations. The psychologist smiles and smokes and downs one coffee after another, and she asks all kinds of roundabout questions, trying to trick Rey into revealing what’s wrong. But Rey says nothing. Instead, she focuses on school—doubling her efforts, doing homework in advance, seeking solace in the world of facts and figures, formulas and equations. By the end of the school year, as she completes her eighth grade, she’s the best in her class, so Maz finally stops prying and nods proudly. Despite Unkar advising vocational education, Rey decides to go to a proper high school—a gymnasium. It will open new doors for her, and that’s what she needs. She’ll be able to proceed to college.

Rey remembers what Maz had said, once—the only way out of this shithole is to get a degree.

She doesn’t go out much these days. The entire city feels contaminated. She chooses to use it to her advantage—the more time she spends indoors, the more she can study.

But even though her waking hours are structured, and busy, and organized, Rey dreams.

On some nights, she dreams of the dark alley—chestnut trees and pale streetlights and cobblestones, and stray cats scattered in shadowy corners, their eyes glistening in the night. Sometimes, everything plays out the way it did, only in the end Kylo shoots, and she finds herself with Finn’s blood splattered all over her dress. Sometimes, it is her that Kylo holds at gunpoint—she stares at the muzzle, helpless, but he only grins, his face deformed, his eyes yellow like a wolf’s. She cries, tasting the salt of her tears, begging him not to do it, and the dream ends with the clicking of the trigger.

Those are the good dreams, however. At least, in them, everything is clear.

On other nights, Rey dreams that all is fine. They’re celebrating her birthday in his dining room. He fastens the pendant around her neck, and then he leans forward, and this time she doesn’t turn away. He’s kissing her, kissing her. His lips are soft, his body is firm against her breasts, and when he slips his tongue in her mouth, the smell of amber and musk makes her head spin. She gasps as his hands slide under her dress, calloused fingertips caressing the inside of her thighs, going up, up. She wakes up in sweat, with an uncomfortable throbbing between her legs, and she hates herself. Afterward, she can't fall asleep.

Yet, there are worse dreams than that. 

There are nights when she dreams of the Fortress. The sunset is more dramatic than it actually was on that day—vibrant purple and pink and red, with stars visible in the sky like a dash of silver glitter. She takes him all the way up to the ramparts, and they talk, and she studies the moles on his profile against the brightness of the constellations. But then she decides she’s had enough, and she hops and slides down the stones with ease, without waiting for him, or offering him her hand. She knows he’s stranded without her, unable to descend by himself. She knows that he depends on her. And yet she abandons him up there, a desperate figure tall against the starry sky, and she walks away, not looking back.

When she wakes up, she cries.

She’ll never admit that she misses him. Never.

At first, she sees him everywhere. In every dark coat and leather jacket, in every too-tall man with long black hair, in every pair of large hands and broad shoulders—in every street, in every park, on every bench. It’s like a trap made to measure, and she fears she’ll never escape, so Rey grits her teeth and works hard on convincing herself it’s all in her head. There is life outside of him, she repeats. There must be. The spell works only partly, but it’s good enough to survive.

Sometimes, Rey wonders why he let her go so easily. She doesn't understand. She won’t say it, but she’s almost disappointed.

He’ll strike again, she believes. Monsters do that.

One day, when she least expects it, she’ll find him stalking her in the night, tall and brooding, his hair in his face, his eyes mad, smoke and shadows swirling around his coat. It's inevitable. She’ll be well prepared, though. She has rehearsed the things she wants to yell at him. Sometimes, she can’t wait to get it over with—their imaginary arguments are tiresome, he should hear what she has to say. On other days, however, when she feels insecure and frightened, she hopes that the confrontation will never come to pass, and she’ll keep moving forward until she’s strong enough to forget him.

Every day, every hour, Rey waits for him to return to her life.

But he doesn’t.

He doesn’t.

 

 

END OF PART ONE

 

Notes:

And this is it, guys - if, um, this were a movie trilogy, this is where the first film would end.

In the next chapter, we'll open a brand new stage of life for these too - there'll be a time skip, and the story continues in another very relevant moment of my country's recent history.

A small cultural note: in our educational system, a gymnasium is like a grammar school - a special kind of high school serving to offer broad and thorough general knowledge in order to prepare the students for college, but that doesn't teach any specialized or practical skills that would allow them to get a job straight out of school. So, it's not quite common for children from the welfare system to go to gymnasiums, since they usually opt for practical schools that will allow them to quickly find work and live on their own. Also, our primary school begins at age 7 and lasts for eight years, so kids are around 15 when they graduate and move on to high school.

Chapter 10: Seimeni

Summary:

The people had rebelled.

Notes:

Welcome to Part Two! The story takes place during the infamous protests of '96/'97, and it is now that the plot thickens!

Beta'd by KathKnight

(See the end of the chapter for more notes.)

Chapter Text

PART TWO:

H U N K Y   D O R Y

 

 

Seimeni

 

 

 

The Capital, December 1996

 

“Embarrass me in front of my friends,” Paige begins, her index finger menacingly pointed at the winter sky, “and I’m gonna kill you all. No mercy. I know exactly where to bury your bodies so that no one ever digs out your bones.”

Rey swallows a laugh. Over the years, she’s grown fond of Paige’s sense of humor—especially when the older girl’s deadpan threats are specked with grains of truth.

“Paige, dear, I promise you can count on me. I’ll even help you cut up the bodies and clean away the blood.”

“Hey!” Rose protests. She tries to elbow Rey in the ribs, but Rey takes a swift step back, so her blow lands in empty air. “You’re forbidden to conspire with my sister against me!”

Rey gives in and starts laughing, her giggle louder as Rose blushes a deeper red.

“Rosie baby, love of my life, not my fault you get so easily excited.” She looks at Paige, who promptly nods in agreement.

Rose's face scrunches up.

“I do not!” Her eyes flicker like they're welling up with tears. 

Weird. For a second, Rey can't decide if her friend is playing along, or she’s genuinely upset. Rose is prone to oversharing, bless her—she broadcasts everything, even things no one wants to hear, which prompted Rey to polish up her skill of pretending to listen and nodding at the right moments. But now, it feels like Rose is keeping a secret. It’s so obvious it’s comical.

Rey gives her friend a long look. Even though her body is turned towards Paige, arms crossed in a defensive stance, Rose is discreetly, from the corner of her thick glasses, eying Finn. 

Ah.

Finn shakes his head and pouts, blissfully unaware of the position he’s in. Rey wonders if she should tell him, or bring on the proverbial popcorn and watch the soap opera unfold.

“Here’s an idea: how about we all calm down.” Frozen puffs of breath mix with the smoke of Finn's half-burned cigarette as he speaks. “We’ve got stuff to do, right? So let’s get it done, before I’m forced to put this shit in my ears to shut out not only the goddamn noise, but your yapping too.” He takes out a pack of silicone earplugs from his pocket and pushes it in Paige’s face. “Spent a fortune on them already.”

“Whatever you say, non-aligned boy,” Paige snorts, using the nickname that Finn hates. “I'll lead the way. God forbid that your sensitive ears spend a moment longer exposed to the noise.”

Finn is right, however—the ruckus is unbearable.

It’s seven-thirty in the evening, and the streets are chock-full of people. There are tens of thousands of souls in the crowd. They’re all well-armed: whistles, sirens, alarm clocks, bells of all shapes, key chains, rattles, squeaky toys, pot lids paired up like cymbals, wooden spoons banging against saucepans, anything that can ring, blare, squeal, clatter, roar, drum or produce any kind of noise, the more obnoxious the better. Everyone takes part—old ladies, their wrinkled faces blue from blowing their whistles, young couples walking terrified dogs whose barks add to the cacophony, children who have no clue what’s going on, yet still enthusiastically bang their pots and shake their rattles. In a nearby street, a particularly creative man has taken his vacuum cleaner out onto the balcony and attached a concert trumpet to the hose. It must be quite a sacrifice, for the instrument is expensive and Rey imagines it wasn’t meant to be played by a vacuum cleaner, but the sound the contraption makes is deliciously hellish. Every time they pass by his building, Rey stops to wave to the man who wields his howling trumpet like a parade flag.

It’s seven-thirty in the evening, and for the next hour, the city will be swallowed up by the noise. The ritual is replayed day after day, with only one goal.

In early November, a fucking miracle had occurred.

For the first time since communism had fallen and this bogus democracy had allowed the people to vote for any candidate they wanted—even if the regime would always find ways to prevail—the opposition had won the elections.

Local elections, that is.  

To her dismay, with her eighteenth birthday still a few frustrating months away, Rey hadn’t been able to vote. Even so, she’d followed the situation obsessively, huddling with Rose in the small room they shared at the school dorm, listening to the news on screeching radio stations as votes were counted across the country. The results were so outrageously optimistic that the girls had jumped and cheered out loud, pinching themselves to make sure it was real. Seven major cities, including the capital, had been lost by the regime. The fucking opposition had triumphed. Finally, the forces that advocated for peace and civil rights had scored a point. Such a victory had been unthinkable a few years back.

And yet, as expected, the regime hadn't been ready to admit defeat. The next day, they'd lied about the results—as simple as that.

But then, another twist had followed—a sign that life in this miserable country wasn’t as fucked up as Rey had feared.

The people had rebelled.

So here they are now, protesting in the streets of the seven liberated cities for a full month, booing the regime, demanding that it accept the results. They joke, carrying goofy banners, coming up with slogans that openly ridicule the president. They play music that calls for a revolution so loudly that the speakers crackle, thousands of voices singing along in the crowd. They perform the noise ritual—at seven-thirty sharp, when the regime’s evening news is scheduled to begin, every citizen has the duty of rattling and clattering to drown out the government’s lies. And everybody happily does their part, the masses getting bigger as days go by.

The streets are filled with joy and song and a long lost feeling of camaraderie. There’s no fear, but humor and faith that things can change for the better. It doesn’t even resemble angry anti-government protests, Rey thinks—but rather a never-ending carnival.

It is fun.

But it appears that not all of her friends share the sentiment.

“You disapprove.” Rey lowers her whistle and side-eyes Finn, slowing her pace so they can fall behind the Tico sisters. “I can feel you radiating waves of disapproval. The hell, Finn?”

Finn pushes the silicone plugs deeper into his ears, his movement deliberately slow.

“I hate the fucking noise.”

No matter how much he claims he'd paid for them, the plugs don't seem to be effective, since he hears her well and still cringes as the ruckus gets louder. Rey sighs.

“We both know this isn’t just about the noise.”

She dislikes it—poking at him, dancing around the subjects he doesn’t want to discuss. But she feels better when she has his approval for what she does, and all the sighing and frowning and jaded comments only confirm that Finn doesn’t have a high opinion of civic activism.

“It’s one thing to protest the election fraud,” he grumbles, shaking his head. “That, I can understand. But getting involved? You’re still in high school, Rey. You didn’t even vote. What makes you so desperate to get behind the scenes?”

Rey leans against him and gives him a half-hug, clinging onto the sleeve of his winter jacket. The fabric is slippery.

“You don’t get it, do you?” She reaches out to take the plug out of his ear, but he bats her hand away. “This isn’t about the local elections any longer. It’s about true changes. There’s an uprising happening. You heard what Paige said about the student strike. These people, Finn, the students, the professors, they’re the ones who’re the backbone of the protests—not the bloody politicians, but them. They’re the real resistance! They’re risking their studies and careers to fight the regime. You don’t find it inspiring? You don’t wanna shake their hands? Paige, she’s… she’s even friends with that Dameron guy!” 

The more passionately she speaks, the harder Finn rolls his eyes. It annoys her. She wants to explain things better, but isn’t sure how—listening to herself, she sounds childish, like she’s parroting messages instead of offering facts. But why can’t he understand that this could be their country’s last chance at normalcy? If the protests succeed, Rey thinks, all will be right with the world. The crap will be eliminated, the reset button will be hit.

She won’t have to make those obsessive immigration plans anymore.

What would Maz do?

“It’s our saving throw to put a stop to the fucking end of times,” Rey says, and despite himself, Finn chuckles.

“This ain’t no uprising, sister. You’ll see,” he concludes grimly, finally returning her hug. “But fair enough, we'll go meet your resistance heroes. Just promise me you won’t do anything stupid.”

He doesn’t say ‘again’, but the unspoken word hangs between them. Rey frowns, her mood plummeting.

There are things they never talk about, the two of them. Not even after all these years.

There are things that are better left buried.

“You guys coming?” Paige looks back, waving at them to hurry. “The march will begin soon, and you don’t wanna miss Professor Organa’s speech.”

Rey speeds up her pace, pulling at Finn’s sleeve to make him follow.

The student strike had begun a few days after the street protests. The demands are essentially the same—more democracy, less lying, admit you stole the elections, you twats—yet the strike leaders have distanced themselves from the opposition parties, insisting they don’t advocate for political options, but for fundamental social reforms. That’s precisely what Rey likes about it—that, and the fact that the cleverest slogans and the boldest speeches come straight from college classrooms. From a distance, it looks like a world of righteousness and spunk, boisterous and quirky and heroic. Rey can’t wait to experience it up close, Finn’s naysaying be damned.

Leaving the noise behind, they walk into the Faculty of Philosophy, the unofficial headquarters of the strike. The floor in the entrance hall is sticky, and Rey's sneakers squelch as she steps over cigarette butts, empty water bottles, and beer cans crushed to flatness. A crumpled leaflet clings to her sole. There's graffiti on the walls—¡No pasarán!, she reads. The slogan's chunky letters are entwined with stick figures of the president and his lovely wife hanging from gallows, the first lady's beehive hair exaggerated to parody. Students camp along the corridors, groggy faces peeking out of sleeping bags in neon colors. Music blares. The air is stuffy, the heating so strong that droplets of sweat trickle down Rey's back underneath her coat, and everything stinks.

Yet still, it smells of victory.

A sense of awe strikes her exactly as she has hoped.

“Just follow me,” Paige says as she navigates the corridors, stopping only to greet her fellow students. She knows everyone by name or a cool nickname, and they exchange in-jokes and gossip and information that sounds like speaking in codes, the way real rebel leaders would talk. Rey is fascinated. Paige moves through the crowd like a party host, and watching her in action brings a new tingle of excitement, like witnessing history unfold.

She wants to be like that one day.

When they enter the main lecture hall, a young man waves to Paige. Rey recognizes him.

His pictures are all over the newspapers, sometimes even on the front page. Since the protests began, he’s been giving interviews to every journalist willing to listen, his statements always measured and charming and smart. Seeing him in the flesh is surreal—like meeting a movie star—and Rey can barely shush the tickle of anticipation that blooms in her stomach.

“Hey Paige,” the man says, his smile a flash of pearly white. “I see you brought reinforcements.”

In person, Poe Dameron is disappointingly short—they’re the same height, Rey observes. His skin glows with a tan even though it’s the middle of winter, and his dark eyes are framed with long lashes that soften his cocky demeanor. He speaks with a thick Southern drawl, stressing the wrong syllables of words—an unexpected trait for the frontman of the student strike in the capital—and he carries himself with the practiced confidence of a man who knows that his every move is judged by the public. Still, he makes it seem effortless.

“Told you I would.” Paige gives him a quick hug. “These are my kid sister, and her roommate, and a friend.”

“Hello,” Rey blurts, extending her hand. She feels her lips spreading into a hopelessly girlish smile she can't control.

“Delighted to meet you.” Poe holds her hand a moment longer than necessary. Rey can tell she’s blushing—sweat lines her palms, and the heat in the hall turns unbearable. Behind her, Rose sniggers.

“And I thought I’m the one who gets easily excited.”

Poe Dameron gracefully pretends that he didn’t hear. “Welcome to the rebellion, guys. Loads of stuff to do around here. Now, come. The speeches are about to begin. Professor Organa will take the floor, it’s bound to be spectacular.”

Poe and Paige lead the way toward the front seats of the hall where the other strike leaders have gathered.

“You like him,” Finn whispers into her ear. It’s not a question.

“Finn!” She tries to be quiet, yet Paige throws her a stern glance of disapproval.

“You totally like him. I can see why—the big soulful eyes, the Latin lover smile, the swagger, the heroic aura of a resistance leader, even the accent…”

“For fuck’s sake,” she snorts. “You sound as if you like him.”

Finn chuckles, but the laughter doesn't reach his eyes.

“I’m not judging, sister. I actually think it’s good. It’s time you start liking guys, y’know. Even fucking Dameron will do.”

“Not interested,” Rey grumbles. Her dignity feels oddly hurt. “I’m here for the protests, not dating.”

“I know, peanut, I know.” Finn pulls her into a hug, and she happily leans into his arms. “Just teasing you. Now let’s hear what this professor everybody talks about has up her sleeve.”

There are three people standing next to the lecture podium: an older man and two women.

“Allow me to give you an introduction,” Poe Dameron announces with a dashing smile, gesturing at the professors. “Over there, that’s Gial Ackbar. Used to teach Roman Law, but he’s long retired. As old as yonder, as deaf as a doorpost. He’s a legend of the old guard—he was one of the professors who'd participated in the student riots back in 1968. Probably the last one still alive.” 

The old man scratches his large bald head, his fishlike eyes scanning the crowd as if he isn’t sure what’s expected of him.

“That’s Amilyn Holdo.” Poe points at the thin woman in an elegantly tailored coat. Her silver bangles clank as she reaches to tuck a strand of perfectly coiffed hair behind her ear. “She’s the Head of the Department of Psychology here at the Faculty, and one of the first professors who’ve openly supported the strike. She runs the headquarters. Don’t let the obscenely expensive clothes fool you, she’s one mean… um, person.”

His smile falters almost imperceptibly, and Rey notices a spark between Professor Holdo and Poe Dameron that she can’t quite name. How odd. Before she can give it a thought, he continues.

“And finally, here’s our General, as we call her.”

There’s clear admiration in Poe’s voice as he introduces the other woman—short, slightly overweight, her hair arranged in an elaborate updo that Rey finds fascinating and silly at the same time. The woman’s posture is commanding, regal, but without an ounce of arrogance. A fire burns in her eyes, and she breathes like a natural-born leader who inspires respect with ease.

“Professor Leia Organa,” Poe explains. “She used to teach at the Faculty of Political Science, but resigned after refusing to incorporate the regime’s propaganda into her courses. She’s the brains behind what we’re doing here. But you’ll see for yourself. Just listen.”

Professor Organa takes a step forward and raises her hands. Instantly, the entire hall falls silent, like following an order.

Chairs creak as students scoot to the edges of their seats, eager to hang onto every word. Rey holds her breath. She can picture the crowd following this woman into the depths of hell.

“These people,” the Professor begins, her voice throaty yet surprisingly pleasant, “they’ve ruined my country for me.”

The statement is met with an attempt at applause, but Leia Organa cuts it short.

“And let me clarify that. I’m not talking about the misery they’ve brought onto us—the chaos, the corruption, the impunity of crime. The war and all they did in the war, even if they deny it. The sanctions and the isolation. The poverty. The hunger—hunger for peace, for dignity, for a normal life. This isn’t about the shit we’ve survived in the six years since they’ve been in power.”

The Professor wields the profanity with striking precision, and Rey breaks into a smile. Trust people who swear with skill, Maz used to say. It sounds like a promise of kinship.

“This is about something much more personal,” Professor Organa continues. “They’ve ruined my country for me.”

She pauses, letting the words sink in. The crowd is silent, everyone waiting for the next line.

“All these years, these six horrible years, they’ve claimed that what they do, these atrocities they commit, they say they’re done in my name. The national interest. We know it’s their favorite excuse. But think carefully about what it means. The national interest is not an abstract term from political theory. It is something that concerns every single one of us. Me.” She points to her chest. “You as well—all of you sitting in this room should know that these people claim they do what they do in your name too. Can you imagine how that makes me feel?”

Rey can imagine it very well. The Professor seems to be putting into words all the jumbled thoughts she never knew how to express.

“I feel shame. Shame. I’m ashamed of my country and its ‘national interest’. I’m embarrassed to say where I’m from, when foreigners ask. I cringe at the national flag—because of these people, I don’t see it as a symbol of pride, but as a brand of disgrace standing for the atrocities done in my name. These people, you see, they’ve made ‘patriot’ feel like a dirty word. They’ve corrupted something sacred. And you know what? I will never, ever forgive them for that.”

The faces in the crowd solemnly nod. Rey senses Finn tensing behind her, his hug growing stronger. She reaches out to squeeze his hand.

“Our task is to reclaim our patriotism,” Leia Organa declares. “To win back our country. To be free—free of shame, free of war, free of corruption—and to wield our flag with pride. To be a part of the world again, accepted and respected in the global community. Do you think we can do that?”

The audience hoots, their roar so uplifting that Rey almost joins in. Professor Organa smiles in approval—and all of a sudden, her eyes flash with a vaguely familiar spark, opening the floodgate to blurred memories Rey can't define.

She blinks, and the feeling is gone. Whatever just happened, it slashed her excitement, and she leans back into Finn’s arms, sheltering for safety. It takes effort to keep listening.

“The world judges us based on what these people do. On the map of Europe, we’re the blacked-out zone: here, there be dragons. Vain, haughty, reveling in martyrdom, happy to kill in the name of our national interest. They see us as the aggressor: the men in camo uniforms who massacre civilians for fun. The rapists. The fairytale villains. In the eyes of the world, we’re the monster.”

Rey gasps.

It’s a word she hates. She'd banned it from her vocabulary a long time ago. But used as a punchline, the forbidden word rings with a disturbing power.

Fuck.

“Tonight, we must prove the world wrong. They’ll be watching: CNN, the BBC, the French and the Italians and the Germans, all those who’ve been calling us the monster for the past six years. They’ll be in the streets, filming our protests. And we must show them how mistaken they are. They must see that here, in this shithole, there are decent people—thousands of good, honest, peace-loving people who’re brave enough to fight the regime and work hard to turn our country into a better place. Again, do you think we can do that?”

The entire hall erupts into cheers. Rey realizes she’s taking part, clapping frenetically, her palms almost numb. Behind her, Finn huffs—he doesn’t applaud, but she can tell he’s moved.

“Here’s what we’ll do.” The General raises her fist to underline the point. “Tonight, we’ll march, joining the protest against the election fraud. And we’ll carry a banner. There’s a very important message on that banner: it says ‘We Are Part of the World’.”

Chills run down Rey’s spine, and yet it feels empowering.

“The world must hear our message loud and clear, and they must see you carrying it—our youth, our future. And we’ll be cunning when we do this. Girls.” She reaches out her hands toward Paige and a group of young women standing nearby. “I want you in the front row carrying the banner, together with me. If the world imagines us as thugs and brutes, we must show it how fucking different we are.”    

The applause is so loud that it rivals the noise outside. Rey takes a deep breath, lightheaded with excitement and heat—this is what it must feel like to be high, she thinks.

Paige and the other women promptly jump onto the podium, taking the banner from Professor Holdo and unfolding it. The cloth is white, the letters are bold and red, and the banner is large—it will take a big group to carry it.

“I wanna do it too,” Rey says.

Finn wrinkles his nose.

“Sister. What did we say about not doing stupid shit?”

“This ain't stupid, Finn. This is the right thing to do.” Her voice doesn’t falter, and for once she doesn’t sound like an overzealous child—she’s almost proud of herself.

Finn studies her for a long moment. His brow furrows slightly, but it’s not disapproval she senses from him. It’s worry, perhaps, with a strange touch of sadness.

“Go on then,” he sighs at last. “Do your right thing.”

Rose Tico is already at the podium, taking place next to her sister as they fumble with the banner. When Rey joins them, Rose beams from ear to ear—it’s so endearing that Rey wants to pinch her cheeks. Paige gives her a curt nod, like a military salute, and Poe Dameron flashes a brief smile from his position next to Professor Organa.

Leia Organa raises her head and straightens her spine. Even if she barely reaches Rey’s chin despite her puffy hairstyle, the General looks larger than life.

“And now we march,” she says, her tone fierce but playful.

When they exit the Faculty carrying the banner, the winter cold and the screaming noise biting hard after an hour spent in the stuffy classroom, Rey thinks she's never felt stronger.

Over the next couple of weeks, she spends every second of her free time at the Faculty of Philosophy.

She volunteers for cleaning. She gives out leaflets. To her surprise, she develops a talent for talking—with days going by, her jokes against the regime get bolder as she invites the passersby to join the protests. People tell her they like her smile. True, sometimes unpleasant things happen—not everyone supports the protests, and there are those who’ll crumple the leaflets and spit on her for what she’s doing—but she quickly learns to read faces, assessing who might be an ally and who’s better left alone. She takes money from Paige and another girl—she thinks the name’s Kaydel—and sometimes even Amilyn Holdo herself to go buy water and sandwiches for the headquarters. Lately, however, more and more people send them food—middle-aged housewives bake cookies and bagels, restaurants deliver vans full of pizza, cardboard boxes warm against her palms and sticky with melted cheese. Rey unloads the vans together with the boys, and they tease her when she steals a slice.

Every evening, she marches carrying the banner that says “We Are Part of the World”. She looks at the protesters in the streets who bang their pots and blow their whistles and wave to the students as they pass by, sending kisses, raising their fists, and it makes her feel better. There is hope.

She works hard. She’s always had a knack for working hard, but now it’s sweeter—it has a purpose. It all culminates when one day Poe laughs so hard at a joke she made that he orders it to be printed as a sticker. Whenever she sees it displayed, Rey sneaks a self-satisfied smirk.

Rose is there with her every day. After school, they rush to the Faculty together, and Paige glows with pride that her little sister fits in so well. Finn comes along sometimes, but never often, and he smokes like a chimney as he walks behind Rey during the march, poking her in the back, murmuring cynical comments. She loves him for being there, but she doesn’t tell him that. She expects that he knows.

Rey prods Professor Ackbar to tell her stories about 1968, shouting like a fishwife so he can hear her questions. She enjoys chatting with Poe—the master of big smiles and small talk and lighthearted flirting that ultimately goes nowhere, both to her disappointment and relief. But what makes her truly bask in accomplishment is when the General herself starts greeting her with a warm smile, calling her by her name—“Rey, our little powerhouse”.

As weeks go by, Rey comes to a strange realization: she’s happy. It took her a while to recognize the feeling.

She'd forgotten what it’s like. 

When the school breaks for the holidays, Rose and Paige leave for their hometown. The Tico sisters come from a mining place in the Southeast of the country—a rusted, impoverished hellhole, as Rose describes it, ruined by sanctions, and industrial collapse, and a shady privatization in which a regime-friendly tycoon had bought the mines and laid off more than half of the workers. Still, Rose looks forward to going home to her parents, and Rey isn’t sure if she envies her, or rejoices that she’ll finally have the room for herself.

She keeps spending time at the Faculty, even without Rose. The protests go on, entering their second month, with neither the government nor the people willing to yield. Rumors spread there’ll be a huge concert for New Year’s Eve in the capital’s main square—a rebellious celebration with many famous musicians playing for free, risking their careers to support the protests. Everybody’s excited about the preparations, and Rey counts the days remaining until 1997.

On a Friday evening in late December, crisp and cold to the bone, with cloudy skies closing over the city as if a snowstorm is brewing, Rey stays at the Faculty longer than usual—too many things to do, too many people to talk to. A glance at her watch makes her fear she’ll miss her curfew. It’s later than it'd been at the Home, but she’s still expected to be in her room at a reasonable hour.

She hurries to the dorm, taking shortcuts from the bus stop, her footsteps resonating against the oily asphalt in dark streets. Her toes freeze in her shoes and the wool of her beanie makes her ears itch. Looking at the sky, she wonders when it will snow. Hopefully, the weather won’t be foul for New Year’s Eve—they need that concert.

There’s someone in the street, she notices: a lone figure squatting on the sidewalk, back leaned against the building, body wrapped in a large jacket with a hood. A homeless man, she assumes. He’s not having it easy—the wind is blowing through his clothes, and he’s sitting on the frozen sidewalk all cramped up, his hood pulled tight over his head. Perhaps he’s too drunk to care.

She fumbles through her pockets, her fingers numb in thin gloves. If she finds change to spare, she’ll toss him a dime—she’s in a good mood, she can share her joy with a man that life had kicked in the groin. It’s a feeling she knows well, after all. 

As she approaches, the man shifts, and it strikes her how unusually large he is.

Rey stops. The hair on the back of her neck stands up.

It doesn’t have to mean anything. It doesn’t.

She pulls her hand out of her pocket and hastens her step, head bowed, eyes locked on her feet.

But just as she is about to pass him by, the man rises. He's so tall that his shadow swallows up the street.

No.

The feeling is unreal—as if all sound is sucked out from the night, and the air is liquid, too thick to breathe.

She wants to run, but her legs are cemented to the floor.

The man steps under the streetlight and pulls down his hood, long black hair spilling on his shoulders.

Almost three years have passed.

His lips twitch into a non-smile, and he whispers, his voice rasping like the winter wind.

“Rey.” 

Notes:

My neighbor from across the street is the one who plugged the trumpet into the vacuum cleaner. I have no idea how he made the contraption work, but I still remember the sound.

Explanation of the chapter title: During the Ottoman occupation of the Balkans (approximately late 14th century - mid 19th century), the seimeni - or the seymen - were a paramilitary force, like some sort of an unofficial police that received money from the Turks to enforce the Ottoman laws on the conquered territories. Since they weren't the official police, the seimeni were known to be both corrupt and horribly, despicably brutal in their law keeping. Therefore, in our part of the world, the very word "seimeni" makes you think of evil, oppressing government forces that are out to get you.

However, since every chapter is named after a piece of music, of course that the rule applies in this case too. The song "Sejmeni" from the Croatian band Haustor, released in 1985, became a very popular hit on our revolutionary soundtrack back in '96/'97.

Here's how the chorus translates to English:

"Deep within us, the times are a-changing
And everyone is willing to fight for the dream again
Deep within us, the times are a-changing
From the barricades, we'll shout ¡No pasarán!

The seimeni are coming
They bring chains to bind us
The people are watching them
But they don't let them pass"

Chapter 11: And Fools Don't Run Away

Summary:

Often, she hoped he was dead.

Notes:

Beta'd by KathKnight

The graffiti on the mood board translates as "God created people, but AK47 made them equal."

(See the end of the chapter for more notes.)

Chapter Text

And Fools Don’t Run Away

 

 

 

He looks like shit.

Hair falls on his shoulders in greasy strands, too-long and visibly unwashed. He regrew his beard—it’s a tangle of wiry curls, thicker than when they’d first met, but unkempt, like grooming is too much of a hassle. His face is slick with sweat and ghostly pale, flaky red patches framing his nose and lips, and his moles stand out like ink spills threatening to spread. A fresh scar slices through his right cheek, swollen as if not fully healed, its color an angry pink. It tugs at his flesh as he tries to smile, tightening the surrounding skin in uneven lumps.

Dark circles rim his eyes—she can tell he hasn’t had a good night’s sleep in days. Still, he’s staring at her with the same rapt intensity she remembers.

Rey knows she should be terrified, but all she feels is confused.

“Been a while,” he says.

Been a while indeed. Three fucking years.

She used to wonder where he’d gone.

The monster had removed himself from her world with remarkable efficiency—no chance meetings, no attempts at contact. No threats, most importantly. Vanished into thin air. Years passed, and Rey’s fears didn’t come true—life carried on, and he stayed away.

Often, she hoped he was dead. Shot in the head somewhere in the war zone, his fancy coat rotting on his bones in an unmarked grave.

It would've been a good ending, really. If he were dead, then one day Rey would have opened up about him. At a house party, wanting to impress friends, she’d have shared the cautionary tale of her tragic first love like she were retelling a movie, and he would’ve turned into an anecdote—a harmless piece of gossip guaranteed to draw gasps and pity points. 

Apparently, that wasn’t meant to be.

What brings him back after three years? Why today, when she’s fucking happy?

Rey has prepared many insults, in case they should ever meet again. Murderous snake. Sick son of a bitch. She's practiced arguments, honed accusations, perfected a whole array of fuck-yous and how-could-yous to hurl in his face. But now that the monster is finally in front of her, she’s startled by the first words she says to him.

“Are you alright?”

Kylo’s non-smile widens, but it only highlights his misery.

“You mean this?” He touches the scar on his cheek. “It’s nothing. I, um… I had a little accident.”

Rey nods, studying him. His face is gaunt, almost malnourished, but his shoulders stretch his hooded jacket as if he’s bulked up with years. She imagines the ripple of muscles underneath the fabric. He is and isn’t the man she once knew, she thinks, like a funhouse mirror reflection. A memory of a dream.

She feels at a loss.

“I’m late,” Rey says, because she can no longer stand the silence.

“I know. Froze my ass off waiting for you here.”

So he wants something. Of course he does.

She has no idea how to talk to him. It would be easier if she were terrified.

“I'm past my curfew, I’ll be in trouble,” she adds after a while, her tone composed like this is a normal conversation. He won’t let her walk away, she knows—but a part of her wants to delay the moment when he reveals what he’s come for.

“You won’t. Don’t worry about that.” Kylo shakes his head. “I took care of it.” 

Seeing the monster give himself away makes her want to laugh.

Even with puppy eyes and unhealed scars, deep down Kylo Ren is still the same evil villain of doom who thinks he has the god-given right to trample upon people’s lives. Anger rises in her chest, and it’s good, it’s good.

Sick son of a bitch.

“What did you do? Threatened you’d break someone’s kneecaps if I’m not allowed to stay out at night?”

“I pulled strings.” He shrugs like he sees nothing wrong with such approach. “Wasn’t hard. I’ve been keeping an eye on you, y’know.”

Fuck.

It dawns on her that all this time, even as she believed she’d put the past behind her and regained control over her life, she’s never been safe.

The realization hits her so hard that she instinctively takes a step back.

She glances around. If she breaks into a run now, will she be faster than him? If she screams, will anyone come to her aid?

Or has he pulled strings there too?

“I need to talk to you.” Kylo’s voice is tinted with a longing she recognizes well. She hates it. “Don’t look at me like that. I mean no harm.”

“You’re capable of that?” Rey lifts her chin. “Meaning no harm?”

He shoves his hands in his pockets, his movement abrupt, and she flinches—she dreads what he may take out from there. But then she sees he’s trembling and realizes that he’s just cold, frozen stiff from sitting on the sidewalk in goddamn December.

May he get pneumonia.

“You’re cruel, aren’t you?” Kylo says softly, and it only stirs her anger more. How dare he call someone else cruel, how fucking dare he? “Fine. Have it your way. Ask me.”

Rey frowns—he doesn’t make sense.

“Ask you what?”

“You know what.” He cocks his head. “He told me, you see. That night he came knocking on my door, he told me how he found out where I lived.”

Fuck you, Kylo.

His words sting like a blow, knocking the wind out of her lungs.

She’d worked hard on this. Too hard, for too long. She’d rationalized it, broken it down to components, countered each agonizing, self-flagellating thought with reasonable arguments for why it could have happened anyway. She’d built walls, brick by brick, grasping at straws, convincing herself that, no matter what, she still had the right to sleep, to eat, to wake up in the morning and make plans for the future. It wasn’t her, she’d repeated the mantra until the words wore down, it wasn’t her, it wasn’t, she’s not the one who made the decision to pull the trigger.

He has no right to tear it all down.

“Rey, don’t,” Kylo suddenly says. “I did it. Not you. So ask me.”

This gives her pause. She didn’t expect it.

She stares at the scarred man with too-broad shoulders as if she’s seeing him for the first time.

It’s not that she trusts him, oh no—not after everything. But a gut feeling roiling in her belly suggests that he actually wants to talk about this. To get something off his chest, perhaps. Or to confuse her even more.

She’ll never understand him—and once upon a time, she’d believed him to be her soulmate.

“Did you…” She hopes her voice won’t break. “Did you really hate your father so much that…?”

“I didn’t hate my father,” he interrupts her, as if all this time he was waiting for someone to ask the right question.

Again, he doesn’t make sense.

“Then why did you… Why…” She can't articulate it.

Kylo finally bares his teeth in a gut-wrenching smile.

“Because I’m a monster, remember?”

His voice quivers with barely suppressed grief—and just like that, her rage disappears.

She can't bear to look at him.

“Do I have your attention now?”

Rey sighs. “What do you want, Kylo?”

Her tone is rougher than she intended, but she decides it’s better that way.

“Tomorrow…” he begins. “Tomorrow, don’t go to protest.”

She did assume his sudden reappearance might be related to her new life—but she wasn’t prepared for such a clear-cut command.  

“What…?”

“The shit you do every day. Leaflets. That stupid banner. Marching. Don’t do it.”

“Why?” It’s a pointless question, she realizes the moment she asks, but she’s baffled and somewhat insulted, and she doesn’t know what else to say. “The fuck do you care what I do?”

“There’s a… There’s a good reason not to do it tomorrow.” He fidgets as he stands, more visibly shivering from the cold. “I’m not being told everything, but I do know enough. Don’t go out. Promise me.”

Rey blinks at him. She’s trying to process his words, but it’s hard.

“The girl with glasses and her sister, they’re out of town, so they’re good,” he continues, and panic swiftly spreads through her body. He knows so much, fuck, how come he knows so much? “The traitor, maybe you should tell him. Ask him to come keep you company or something. He ain’t too keen on the protests anyway, and he’s a piece of shit, but I know he means a lot to you, so it’s better to keep him close. As for the others, I don’t give a fuck. You can tell them, for all I care, but I doubt that goddamn Dameron or that woman would listen to the voice of reason.”

Cold sweat erupts on her back and she feels sick to her stomach.

“Kylo.” His name weighs heavily on her lips. “What will happen tomorrow?”

“I told you, they didn’t give me any details,” he huffs, raising his voice for the first time. “But don’t go out. Promise. Don’t make me come up with ways to keep you inside, because you know I can do that.”

He takes a step forward, lips twitching like he can’t control a snarl, and it makes her remember the dreams in which he had yellow eyes.

“I know you want me gone, but I won’t leave until you promise. Say it.”

Rey swallows.

“I, uh, I… I’ll stay,” she stutters, loathing the gravity of his gaze. “I’ll stay home.”

She’ll tell him anything if it will make him go away, but a part of her is horrified that she actually means it.

He studies her for a long moment, unblinking.

“Good.”

And without another word, he turns to leave.

She barely believes it. It’s too fucking easy—just like three years ago.

But he'd never really disappeared, had he? How long has he been watching her—all this time, or just for the past few weeks since her face might’ve been caught by the cameras filming the protests?

Sick fuck. Creepy stalker.

“Will I see you again?” she asks, surprising herself.

She wants to think she did it because she wishes him gone for good.

Kylo stops, glancing back at her. “Would you like that?”

Rey doesn’t answer. She doesn’t know what to say.

“Thought as much.” He pulls the hood back, tucking his hair underneath. “Goodbye, Rey.”

She watches as he shambles into the night, his limbs stiff from the cold and his gait as graceless as always, as if his own body is too much of a burden.

It’s only when he’s gone from sight that she allows herself to tremble.

When she arrives at the dorm, well past the curfew, the night guard unlocks the door for her without comment.

That night, for the first time in a long while, she dreams of Han.

They are somewhere on the seashore. Rey has never been to the sea—the actual look of the beaches of Han’s youth is a mystery to her. In her dream, they resemble the Riviera from James Bond movies, with seagulls and open roof cars and tall cocktails and women with cat sunglasses, and everybody’s speaking French. She’s younger than she is and she’s wearing a dress. They sit on a restaurant terrace with a view of the beach, and they play cards. Han laughs and calls her ‘kid’, but he doesn’t explain the rules of the game to her, so she’s randomly flipping queens of hearts and fours of clubs and aces and eights. She keeps losing.

“This isn’t fair!” Rey whines in a singsong voice she’d never use while awake.

“Life ain’t fair,” Han says, but when she lifts her gaze from her hand of cards, it’s the long black hair of his son that she sees.

She wakes up late, on a pillow soaked with sweat, with such a nasty headache that she hopes she has a fever. At least that would give her a real reason not to go out.

But somewhere around noon, she realizes that no excuse will calm her conscience. She goes to the common room of the dorm and asks to use the phone, saying she wants to call Rose, unsure why she lied. Then, when there’s no one standing too close, she dials the number of the Department of Psychology at the Faculty of Philosophy.

It takes her four attempts until someone finally fetches Poe Dameron.

“How can I help, Rey of sunshine?”

The receiver suddenly feels too heavy in her hand.

“Poe, listen. I, uh… I heard…” Rey stammers. “I heard some rumors.”

“If it’s girls saying I’m the best lover they’ve ever had, I can assure you everything is true.”

She doesn’t find it funny.

“Poe, please. I heard these rumors. I think… I think something bad will happen at the protest today.”

There’s a pause on the other end of the line.

“Sunshine, we hear rumors like that every day,” Poe declares dryly. “Hell, several times a day. It’s no big deal, trust me. Don’t worry about it.”

Rey doesn’t know how to get him to listen. She isn’t even sure what she’s trying to say.

“It’s from a reliable source.”

He inhales deeply, like he's tired, and she imagines him face-palming as he sits on the office desk.

“What source?”

Fuck. Rey twists the phone cord, wrapping the cable around her fingers. How does she explain this?

Poe doesn’t wait for her answer.

“Listen, sunshine, I gotta go. Let me tell you this. You’re young, you have no experience with how propaganda gossip works. If you’re nervous, that’s normal. So why don’t you stay home today? You’ve worked very hard, you deserve a break. We need you well rested for New Year’s. And don’t worry. Everything will be fine.”

He hangs up before Rey can protest.

She feels like an idiot.

For a moment, she contemplates phoning again and asking for Professor Organa, but she quickly concludes she’ll never manage to reach the General.

Maybe Poe is right, she thinks. Maybe rumors fly all the time, and this is nothing out of the ordinary. Maybe the sick fuck simply lied.

She considers calling Finn to come over, but he'll ask questions, and she isn't ready for the explanations she’ll owe him. At least she’s certain he won’t go to the protest without her.

Around five in the afternoon, when she usually leaves for the Faculty, Rey is still sitting in bed.

She replays the meeting with Kylo over and over and over, until it becomes a background noise in her head, a recording she can't turn off.

He looked horrible. He tried to scare her. He threatened herHe was desperate, ripping at the seams, a disheveled mess. He wanted to talk about his father. He admitted he’s a monster. He fucking stalked her.

Still, he obviously believed that whatever he'd come to warn her about was real, and he left the instant she promised she’d stay safe. He didn’t try to force his way back into her life.

Rey’s fingers twitch. If she obeys the monster and stays home, it’ll feel like admitting defeat. Then again, maybe she can take Finn’s advice on not doing stupid shit, for once. There’s no shame in sitting out on one day of protests.

Besides, it’s what Poe told her to do.

For the next few hours, she idles away the time by solving crossword puzzles and folding her clothes and trying to read a romance novel that Rose has left lying around, which she throws across the room the moment the plucky heroine crosses paths with the brooding-yet-handsome dark knight.

She should have called Finn, she thinks.

She’s lost the habit of being so alone.

As the evening unfolds, the patch of sky outside darkening to a dull shade of indigo, Rey notices something is amiss. It wasn't instantly obvious—the dorm walls are thick, and Rose had stuffed pillows and crumpled newspapers between the window panes to keep the cold out, so their room is generally quiet. But it’s a sound she's grown accustomed to, and its absence raises alarm.

There is no noise.

Her stomach sinking, Rey jumps out of the bed and fumbles with the pocket radio she and Rose keep for listening to anti-regime stations.

The moment she hears the reporter’s panicked voice and the police sirens in the background, she knows.

The sick fuck was right.

Rey grits her teeth, forcing herself to focus on the news.

It's hard to grasp the events with the reporter’s breathless rambling and the screeching of the signal, but from what Rey gathers, this is what happened.  

When the march reached the main city bridge, the riot police blocked its way. The protesters refused to disband—and so the police intervened.

There was no apparent reason for intervention. Today’s protest was no different than yesterday’s or last week’s—same banners, same whistles, same revolutionary songs. Even the same route across the fucking bridge. Something did provoke the regime, however, for the crackdown is brutal—the reporter sounds both furious and frightened as she describes the policemen’s stomping boots, batons, helmets and bulletproof shields, and terrified protesters who don’t know where to run on the bridge. There are water cannons and armored cars, she relates, and the sound of helicopters is loud in the winter sky. Tear gas irritates her eyes—it stings, she says, it hurts, she struggles to breathe, she can barely follow what's going on. Her voice is getting raspier. She sees people falling down the stairs of the bridge pushed by the policemen, bouncing like rag dolls, hitting their heads on the stone steps. Allegedly, some protesters have wound up in the water—either tossed over the fence, or jumped on their own to save their lives, but she didn’t see it herself so she can't confirm. The river is freezing. It’s fucking December.  

Rey pulls the blanket over her head and raises the radio to her ear.

There’s blood on the sidewalk, the reporter describes. She almost slips. She runs, and it’s difficult for her to speak. For a few moments, Rey hears only panting and police sirens, and she closes her eyes, imagining she’s this woman. It takes her a while to find a safe spot. The conflict is escalating, the reporter says, it has reached the streets near the bridge. She sees broken shop windows, there're glass shards everywhere, she isn’t sure whether the police or the protesters did it. Some protesters are picking up items from shops—to throw at the police? To steal? The reporter doesn’t know. Her eyes sting. No violence, the message is spreading, no violence, the reporter screams on the radio, if you fight back you’ll just give them the excuse they need to use lethal force.

She should be there, Rey thinks. She should be there and bleed there, but she was stupid enough to allow the monster to take it away from her.

Suddenly, someone knocks on the door of her room. Rey nearly drops the radio.

“Rey?”

It’s one of the girls living in the dorm, one of the very few who didn’t go back to her hometown for the holidays.

“You have a phone call,” the girl says. “It’s a man.”

Rey’s breath hitches.

Of course. What did she expect?

Nodding curtly, Rey shoves the radio under her pillow—a silly gesture, but one that makes her feel safer. She wobbles barefoot to the common room, her socks slippery on the cheap linoleum.

At least she’ll get to use the insults she'd thought up in these three years, she thinks, pressing the receiver to her ear.

“Peanut!” Finn shouts. “You’re safe! I was worried sick!”

“Finn?”

She sounds more confused than she should be.

“Damn right! Are you okay? I mean, obviously you are, you’re not at the protest, but…” Finn hesitates. “Why aren’t you at the protest? What’s happening?”

“I had a fever this morning,” she says, unsure if it’s a complete lie or not. “Poe told me to stay home.”

“Why didn’t you call me?”

Rey pauses. She can't think of a good reason why she didn’t. Her ears still buzz from the crackling of the radio.

“Sister.” Finn knows how to interpret her silences. “Are you really okay?”

She waits for a beat before she answers.

“I should be there, Finn. I should be in the street.”

“Rey.” Finn rarely uses her name. He makes it sound like a reprimand. “What happened today is awful and unfair. But your personal contribution to the clusterfuck would only be another cracked head for doctors to stitch up. So cut the melodrama and take it easy on yourself. Stay home. I’d come, but the city is under siege. Tomorrow’s a new day. We’ll see what the aftermath of this will be, and then you’ll know how you can really help.” 

Rey heaves a sigh. He doesn’t know, and she can’t tell him, not yet, maybe not ever—she isn't ready to share yet another dark and ugly secret. But even so, Finn’s words offer a surprising comfort.

“You sound like Maz.”

“You say that like it’s a bad thing.” Finn chuckles, and she feels relieved. “Everyone deserves a Maz in their life. But seriously, thank god you weren’t there. Now, stay safe. Be smart. And in the morning, we’ll make plans.”

She’s tempted to prolong the conversation, to talk about anything as long as he’s on the other end of the line, but Finn urges her to go rest and promises he’ll come over tomorrow.

When she hangs up, Rey notices she’s alone in the common room.

It’s quiet, almost eerily so, and a bit cold.

The walls are painted grey-green, a color that supposedly stimulates learning, but she finds it bleak, as if the shadows are closing in on her. The room smells like pine air-freshener—sharp and stale and artificial. It’s suffocating.

A crushing feeling of loneliness suddenly overwhelms her senses.

Rey stares at the phone in front of her: a banged-up old thing, with numbers half-erased on its round dialer and a receiver held together with duct tape. Perhaps she could fix it, if she gives it a try.

She puts the phone in her lap. For a long moment, she only breathes, counting to ten, to twenty, to fifty.

She thinks she should put the phone back to its place and go to her room and pull the blanket over her head and listen to the news. She thinks of cracked heads and fractured bones and smashed teeth, and tear gas that stings the eyes and burns the lungs, and people soaked wet from water cannons in fucking December.

Did someone die?

Still, she doesn’t move.

Why is she doing this? She shouldn’t be doing this.

Rey lifts up the receiver. She’d like to think that her hands tremble, but they don’t. The plastic circle crackles and ticks, spinning as she dials the number. She still knows it by heart.

She stares at the receiver before she finally presses it to her ear: it rings.

Once.

Twice.

Three times.

Of course there’s no answer. That place has probably been abandoned for some time. In all likelihood, the phone itself is out of service, but no one bothered to disconnect the number, so now it’s ringing into the void.

And then, Rey hears a click.

“Armitage?”

Fuck.

She wasn’t ready for this.

It was a very stupid thing to do. She should hang up.

But wait. This means that three years later, three fucking years later, the monster is still spending his evenings alone, and he’s still living in the same apartment—how can he after what he did there?—and Armitage is still the only one who calls.

“Armitage, the fuck are you doing?”

It’s sad, she realizes. It’s goddamn depressing.

She breathes into the microphone. Even if she wanted to say something, words elude her.

She should hang up now.

“…Rey?”

The way he whispers her name makes her skin prickle. It always did.

She slams the receiver so hard that she feels the plastic cracking in her hand.

Rey spends the rest of the night in her room, wrapped in a blanket, listening to the radio as the reporter relates that the violence has finally calmed down but the police are still everywhere, trying to fix the broken telephone receiver.

She doesn’t sleep.

Notes:

I remember the bridge incident quite vividly - I live in one of the streets near the bridge, so I was watching the protesters fleeing from the police from my window. I saw a policeman tossing a man over the fence of a nearby overpass connected to the bridge. Fun times.

Also, if you're curious about Kylo's hair length, think Clyde Logan - maybe even an inch or two longer.

Chapter 12: Sorrow in My Footsteps

Summary:

"You're not happy."

Notes:

You wanted more Kylo, you get more Kylo. Hope you like him extra fucked up.

Beta'd by KathKnight

(See the end of the chapter for more notes.)

Chapter Text

Sorrow in My Footsteps

 

 

 

“Can you explain it to me once again, but slowly?” Amilyn Holdo crosses her arms, the sharp-tailored shoulders of her blazer giving her a formidable look. “In which universe exactly what happened last night is a good thing?”

Poe Dameron blinks. He must have a nasty headache, Rey thinks, for there’s a bump on his forehead, protruding from a bruise so dark purple it’s almost black.

“I’m just saying that cards are finally on the table,” he rasps, his voice hoarse from tear gas. “The regime has demonstrated how evil it is.”

“Because we didn’t know that before?” Professor Holdo raises one perfectly shaped eyebrow.

“Because they showed their true face! It was uncanny, y’know, how they allowed the protests to go on for nearly two months without lifting a finger. Now we know how far they’ll go to get away with the election fraud!”

Professor Holdo sniffs. Her eyes burn with pink irritations, visible despite the proficiently applied makeup.

“And all it took are countless people hospitalized, demoralized, scared to death, and, who knows, maybe seriously crippled,” she hisses. “They do their job well, these police brutes—you were lucky, Dameron, just a smack on the head, they usually aim for internal organs. Liver. Kidneys. Makes you piss blood for life. It could’ve been avoided, if only we paid heed to the warnings. But hey, it’s a good thing—we’ve discovered that the regime is evil!”

She’s taller than him, Rey observes. He withdraws, both hands raised, and an odd spark flickers in his eyes—an emotion Rey isn’t sure how to interpret.

“Amilyn, I…”

“That’s Professor to you, Dameron!”

She glares at him with such fury that Poe flinches like a child expecting a slap.

“Okay, that’s enough, both of you!” Leia Organa stands up from her desk and removes her oversized sunglasses, revealing red-rimmed eyes and swollen lids, like she’s spent the night crying. Rey quickly dismisses the comparison, though—the gas must have done it. She can't imagine the General giving way to tears.

“Now, I'm not saying it was a brilliant idea to wave away the warnings and rush into the trap, but Poe has a point here,” she says, her voice strong as if a sleepless night of violence and terror is nothing out of the ordinary.  

“He does?” Amilyn Holdo plays with her long beaded necklace—if she twists it any more, it will snap.

“Think about it.” Professor Organa smirks. “The regime’s in a delicate position. On one hand, they don’t want to admit defeat and hand over the cities they lost. On the other, well, there's the matter of the last year's peace treaties.”

It’s true, Rey thinks.

The war across the border had ended last November. Its final display had been a majestic ceremony on neutral territory, with presidents in tuxedos and army commanders in parade uniforms and tastefully dressed young women who’d handed out luxury pens to sign the treaties. A white dove had been released into the sky, shooed by the handler to make it fly, and all TV channels in the country had broadcasted the event, interrupting their regular programming—Rey remembers people complaining they hadn’t been able to watch their favorite shows.

What was it again? A civil war? A war for secession? For independence? Everybody seems to call it something different. What’s important is that the conflict is finally over—or that’s what the officials say.

A question occurs to her. What’s the monster doing now, when there’s no war to fight in?

Does he sit at home all day and wait for Armitage to call? Is he ever bored? How the fuck did he end up with a slash across his face in times of peace?

Where does he go to vent?

For a moment, she stops regretting her stupidity from last night. At least she knows he wasn’t in the street, doing ungodly things.

Rey closes her eyes. She won’t think about him.

“Our president, bless him, signed those treaties, so now he wants the world to see him as a peacemaker,” Professor Organa continues, her smirk turning devilish. “Not that it’s working. The world still rolls its eyes at him, and rightly so. But our government feels watched now, and they want to make a good impression, so they’re careful. That’s why they allowed the protests in the first place.”

Poe Dameron relaxes, no longer cowering like a chastised pupil, and Professor Holdo lets go of her necklace.

No one pays any heed to Rey. Years have passed, and she still can’t undo the curse of the Home children—in important situations, she’s invisible.

“I think they hoped that people would grow bored and lose momentum, that the protests would wither away naturally.” Leia Organa shrugs. “But that didn’t happen, so someone out there lost their patience and gave orders for yesterday’s mess. They wanted to teach us a lesson—yet it backfired on them.”

“Because it made them look bad?” Amilyn Holdo asks.

Professor Organa nods. “Because all foreign press reported that the tyrannical government viciously cracked down on peaceful protests. It was a big blow to their image. And you know what that means?”

“They’ll have to play nice for a while,” Poe Dameron concludes enthusiastically. “No police brutality.”

“Exactly.” Leia Organa spreads her arms in triumph, like it’s the punchline of a speech. “The protests can continue. And we’re going to throw one hell of a New Year’s party.”

Rey's chest swells with relief—this is what she needed to hear. Hope isn't lost, the bridge incident won't undermine their battle, and the General marches on. Good. 

Still, the meeting felt awkward. She knows it’s normal for leaders of any movement to disagree in stressful times, but witnessing the squabble reminded her of an unpleasant old truth: the adults in Rey’s life are always arguing.

Even if now she’s an adult herself.

“Does it hurt?” she asks Poe when they exit the office, stepping on crumpled papers on the floor. There's new graffiti on the walls—creative obscenities on the account of the police, with phallic doodles drawn in shiny black marker.

“You mean my head? Or my pride after being shouted at by Amil… by Professor Holdo?”

“Head, you idiot.” She points at his bruise. “Your forehead is the color of an eggplant.”

“Hurts like a witch’s curse, sunshine,” he huffs in his Southern drawl, trying to smile and wincing at the attempt. “Worst pain of my life. I took half a bottle of painkillers, yet it still feels like I have church bells clanging in my head. And if you wanna sound really fancy, the word is ‘aubergine’.”

She manages a brief chuckle. Poe expected it, she notes—he’s used to people finding him charming.

“Why did you take me with you?” she finally asks. “It’s not as if I was needed at the meeting.”

“To apologize,” Poe says very seriously. “I didn’t listen to you yesterday. Not only that—I didn’t let you speak. I was impatient, and I thought we had everything under control. I am so sorry.”

Rey feels she’s blushing. She wasn’t prepared for such straightforward honesty from the rebellion’s king of public relations.

“I should’ve explained it better,” she grumbles.

“Not your fault, sunshine. And you weren’t the only one waving the red flag: we had word from other places, too. But we made the wrong call, and in the end, well, you heard. Luckily it turned out to be a good thing, eh?”

“No one died,” she says. When she listened to the news in the morning, before going to the Faculty, that seemed like the only actual good thing that happened last night.

“Well.” Poe rubs his tanned hands together. “Sunshine, I must ask you something. You mentioned a source?”

Ah. She nods.

“A reliable one?”

It took her a while to think of a convincing story. She still isn't quite happy with her fabrication—but fortunately, she’s an experienced liar.

“You know I’m from the Home for Children without Parental Care, right?” she begins. Poe’s eyes widen, his expression suddenly softening in a way she doesn’t like. He didn’t know. “There’re a lot of different children in the Home, lots of problematic kids. Some of them grow up to be thugs, some join the police.”

“You have a friend who became a policeman?”

“Not a friend.” She doesn’t know why she needs to clarify. “But yes, a boy from the Home. I met him the other day, he told me to stay away from the protest. Didn’t explain anything—just said I shouldn’t go out.” 

“I see.” Poe gives a slow nod. If he finds her explanation lacking, he doesn’t show it. “Well, if you stumble upon him again and he says something useful, next time I’ll listen, I promise.”

“Deal,” she agrees, and then quickly excuses herself. She’ll go help with the preparations for the evening’s march, she says. She needs something practical to do.

Even with bruises and bandages and eyes sore from tear gas, the students who camp at the Faculty aren’t downhearted. Rey admires their spirit. A few people are hospitalized, she hears, some of whom she knows. Internal injuries, mostly. There was an emergency during the night when a boy with a rare blood type needed a transfusion, but in the end, a donor was miraculously found. They think Professor Organa used her connections—there’s nothing that woman can't do.

Fuck the police, the students say. It sounds like a salute. Fuck the police, they repeat, and fuck their helmets, and their plastic armor, and their mindless obedience—they’re the real traitors here, beating their own people bloody for a salary worth shit. Fucking Stormtroopers. The students laugh, but Rey isn’t sure the joke is that funny. 

Finn drops by to visit her at the Faculty, but he insists he won’t stay for the march. He’s worried, Rey sees, and he doesn’t like the atmosphere in the hallways. He fidgets and smokes and avoids eye contact, so she decides to tell him everything—almost everything—hoping it will calm him down. But the explanation only deepens his frown.

“See, that right there, that’s my problem with politics,” he says. “There are people who’ll unashamedly say that last night’s horror was a good thing, because it scored them a point against the regime. It’s like they see it as a game. Makes you wonder if they went headfirst into the trap, knowing they could use it for later.”

Rey’s face scrunches up in shock. 

“Fuck, Finn, how can you say that? I know you’re in your cynical phase, but really? What are we supposed to do, call it quits and allow those bastards to steal the elections?”

“That’s not what I meant.” Finn bites his lip and looks at her with that same sadness she doesn’t quite get. “It came out wrong. I’m sorry, okay? You keep doing your right thing, sister. Just remember: play it smart and stay safe.”

“Maz would approve of the protests, you know,” Rey murmurs bitterly.

“What makes you so sure?” He stifles a laugh. “If I know one thing about that woman, she’s all about equal opportunities. Everybody deserves criticism.”

He winces when Rey elbows him.

That evening’s march is brisk. People walk at a faster pace, huddling closer than usual. They avoid the bridge. The noise is as loud as always, but the crowd isn’t as diverse—there are no children, or dog walkers, or elderly ladies. Armored cars are parked on street corners, with policemen leaning against their shields, observing the crowd in silence. At first it makes the protesters ill at ease, but the policemen look bored rather than eager to intervene, so the tension quickly dissipates. The protesters wave at foreign journalists, flipping off the police as the cameras roll—a perfect image to show to the world. When the march is finished, it’s almost as if the people have managed to gain back some of their optimism.

So the General is right, Rey thinks—they’ll have their New Year’s Eve, and it will be glorious.  

But the hardest part of the day is still ahead of her.

When the bus reaches her stop near the dorm, Rey hesitates to get off until a woman pushes her in the back because she’s blocking the way. She drags her feet as she walks, stopping for no reason, drawing sad faces and exclamation marks on frozen windshields of parked cars. She isn’t sure what she’s trying to delay. She’s been pondering it all day, despite her efforts to stay busy and be useful—and still no conclusions.

She hates it.

She brought it upon herself.

Rey sees him from afar—the monster is waiting at the same place, of course, lurking in the shadows of the dark street she must pass through to get home. Always there a few minutes early.

This time, at least he’s smart enough not to sit on the sidewalk.

The first thing Rey notices is that he’s washed his hair. The second—he’s smiling.

He must think he’s won, the sick fuck. Proved a point. She stayed home when he told her to. She called him in the middle of the night, him of all people, while outside her friends were running for their lives and having their bones crushed by police batons. Obviously, he knows it was her on the phone, he must have ways to identify the caller. Stalker. 

Once again, she regrets she wasn’t on that bridge. A broken nose or a plastered arm would be a small sacrifice for wiping that self-satisfied smirk off his face.

“Fuck off, Kylo,” she spits, and it surprises her how easy it is to be mean to him when he doesn’t look like he’s about to fall apart. “Crawl back into whatever hole you’ve been in for the past three years.”

The monster seems unmoved by her insults. He leans against a lamppost, his arms crossed and his grin wide enough for the chipped fang to show—she’s forgotten how crooked his teeth are.

She decides she no longer finds it sweet.

“You don’t mean it,” he says cheerfully.

Fuck him and his mood swings and the memories she worked so hard to suppress.

Rey wants to pass him by, to keep striding down the street and never look back. That would send a clear message.

However, she finds herself stopping right in front of him. She crosses her arms, mirroring his stance, and squares her shoulders to show she isn’t afraid.

“Don’t you dare tell me what I mean!”

The bastard keeps grinning, as if he doesn’t take her seriously.

It frustrates her, but it’s also liberating—he’s a murderer and an asshole, and being angry with him is the right thing to feel.

“I assure you, I want you gone from the bottom of my heart,” she hisses. “And drop the fucking smile.”

“You called me last night.” Kylo cocks his head, the streetlight illuminating his scar. It looks inflamed, all red and sore. “I know it was you. What, now? I’m not allowed to be happy?”

Rey draws back, her hands falling to her sides.

“You’re… happy?” 

The monster arches his eyebrows like he’s challenging her. “Why wouldn’t I be?”

She gives him a long look.

Suddenly, it strikes her there’s no smugness in his expression, not even a hint. She has misread him. His smile is brittle like a cracked piece of glass, like he fears that life will screw him over the moment he starts believing all is right. This isn't the face of a man capable of joy.

Rey shakes her head.

“You’re not happy.”

“You don’t say.” His voice is husky and he sounds tired. “I wonder what gave me away.”

She isn’t sure how to answer.

It was a terrible mistake to call him last night. Life would be easier if she were in hospital now, her skull split open by police brutality.

Her toes begin to freeze.

“We shouldn’t be in the street,” she says at last.

Kylo chuckles cheerlessly. “You’re afraid that your revolutionary friends might see you with me? That I’ll ruin your reputation?”

She can’t tell if he’s teasing her, or if the bitterness in his voice is genuine.

“It’s fucking cold, Kylo.”

His grin finally falls. But then his eyes light up with hope, and it only makes it worse. 

“That means you’re willing to go somewhere with me?”

And there’s the trick question.

No, she wants to say. Never again. Fuck off.

Kylo fidgets with anticipation, extending his hand.

“I know a place,” he says.

For a moment, Rey fears he’ll try to touch her—but he just stands there, waiting for her answer, his back against the lamppost, half of his face covered in shadows and half in neon streetlight.

Her own skin tingles when she looks at that scar.

“Please, Rey.”

She wonders what will happen if she refuses. Maybe he’ll walk away. The other day, he seemed ready for it.

“Lead the way,” she sighs.

Kylo’s relief is so palpable that it almost makes her change her mind.

“It’s very near.” He points down the street. “Ain’t much. But you won’t run into anyone you know, that’s for sure.”

As they walk, it disturbs her how easily they fall into step. Even their height difference feels natural when she’s by his side, the top of her head reaching his shoulders.

They used to hold hands when they walked like this, once. When she was a child entangled in a lie.

Rey shoves her hands in her pockets.

Kylo pulls his hood up to cover his face—a new habit, it seems. Glossy strands of hair tangle around the strings. She wonders if the hood serves a purpose, or it’s just that it’s December and he’s cold.

“What happened to your black coat?”

“Doesn’t fit anymore,” he grumbles. “Too tight across the shoulders.”

“Shame. I loved that coat.”

He nods, and Rey immediately regrets her choice of words. She doesn’t want to tell him anything nice, anything that can make him believe she has fond memories of what they’d shared once.

“I’ve been, um, spending a lot of time at the gym lately,” he explains. “It… It helps.”

So that’s why he’s so buff. Rey can picture him in a gym—dripping with sweat, a wet t-shirt clinging to his body, all muscle and sinew and veins brimming with anger, hitting the boxing bag as it swings on a chain. It’s good, she assumes. It could be someone’s face. He could be holding a gun.

Rey freezes in her tracks, the image of the black barrel pointed between Finn’s eyes surfacing in her mind. 

He'd pulled that trigger, she thinks. Only a few days later, he'd pulled that trigger, and a good man had died.

How could he?

What the actual fuck is she doing?

Noticing she’s fallen behind, Kylo turns back, eyes wide with worry. It’s the kicked dog look. Rey remembers it well—it means he’s afraid.

“We’re almost there,” he says.

“Kylo, I… I don’t…” She takes a deep breath. “I don’t think I can do this.”

Kylo stops. His jaw tightens as he clenches his teeth.

“So that’s how it is,” he whispers, and she can't decide if he sounds hurt, or annoyed, or both.

But then he explodes.

“What do you want from me, Rey? I was ready to let you go, but then you called me. You called me. Why reach out, if you don’t want me in your life?”

His hand shoots up in an angry gesture, and Rey thinks he’ll advance on her—but he actually takes a step back.

“Is this a game to you? Do you want me to play a role?” He recoils like she’s hurting him on purpose, the tic under his eye pulsating in rapid flutters. “Do you want me to force you, so that you can say it’s all my fault, and still get what you want in the end? I refuse to play along, Rey! I may be a monster, but I ain’t your personal villain!”

Damn you, Kylo.

“I don’t know what I want from you!” Rey raises her voice, trying to outshout him.

She yells so loudly that a dog starts barking in the distance. They pause for a moment, both breathing heavily. A window lights up in the building nearby—Rey sees the silhouette of a woman, checking out who’s arguing in the street.

“Tell me to leave and you’ll never see me again,” Kylo says quietly. “Or come, and we’ll talk like adults. God knows you’re old enough now.”

She tries to make herself look him in the eyes.

She can't tell him to leave. She can't.

And the sick fuck knows it.

“Let’s go, Rey,” he pleads, his tone crushingly gentle. “It’s really close, and you’re trembling.”

The place he takes her to is a tavern, she realizes when she sees the flickering neon sign at the door.

It’s an old-school tavern—one of those that are rapidly going out of business since they're no longer in fashion, their checkered tablecloths, tin ashtrays, wooden chairs, and all-knowing waiters becoming a relic of the past.

Inside, it reeks of cheap tobacco and male sweat, and the air is humid and too warm. The place is empty, except for a group of older men with rough workers’ hands who drink beer and play cards, laughing out loud. The radio is on, the sound of accordion falling upon the bar decorated with fake spruce garlands and dancing Christmas lights. A folk song is playing, typical for taverns, its lyrics straightforward and its tune sad yet easy to sing—the kind of music that Rey loathes. Framed photos clutter the walls: long-forgotten celebrities from the seventies hug a short bald man with a protruding belly—the owner, she assumes—and everybody smiles.

It’s a salt-of-the-earth place, poor and painfully blue-collar. It looks faded and covered in dust, adequately trapped in time. How the fuck did a man like Kylo Ren discover it?

But then she thinks—Han would have loved it here.

They sit at a remote table and she orders blueberry juice. Kylo asks for a double shot of vodka.

“I thought you’d quit drinking.”

He avoids her gaze, the wooden chair creaking beneath his weight as he shifts. “Times have changed.” 

Rey studies him. He's trimmed his beard a little. She hoped he’d shave it off completely. The sweater he’s wearing is obscenely close-fitting, like it's two sizes too small—she can’t tell if it’s because he enjoys showing off his bulked-up body, or he just can’t bother with new clothes. Either way, she doesn’t like it.

The hair, however, isn’t bad when washed.

“Well, then,” he says and finally raises his eyes.

He’s staring at her in expectation, unblinking as always, his fingers circling a cigarette hole in the tablecloth. He wants to talk, she sees, but doesn’t know how to begin.

But what’s there to talk about? Is a casual conversation between them even possible?

Can they pretend to be normal?

“So how’s the First Order business?” Rey asks, because someone has to start. “Do you even exist, now that there’s no war?”

A shadow crosses Kylo's face.

His grip around his drink tightens, the tips of his knuckles turning white. A bit more force, and the glass will shatter.

There’s something here, Rey thinks.

“Is that Snoke guy still alive?” she pursues. “Haven’t seen him on TV for ages. Still wearing disco tops?”

Too-black hair hides him like a curtain as Kylo lowers his head.

“The First Order is doing the First Oder things,” he answers cryptically, staring at his glass. “And Professor Snoke is in excellent health, thank you for asking. Armitage is still a dickhead, I’m afraid.”

She chuckles, remembering the stuck-up redhead and his expression of perpetual disgust, and Kylo smiles, a twinkle in his eyes. He seems pleased that he made her laugh.

It eases the tension, a little.

Maybe they can achieve normalcy, if they try.

“What about you?” he asks. “Is it better living in the school dorm than in the Home?”

“It’s… different.”

She’s cautious. It’s a topic she doesn't want to discuss—especially not with him.

Still, she finds herself explaining.

“I don’t know. We certainly have more freedom. And the food’s better. And we’re not treated like this, well, like this liability that no one wants to deal with but they have to take care of. Like leftovers.” Rey pauses, her own sincerity making her uncomfortable. “But on the other hand, in the Home, we were all in the same boat. The girls in the dorm… They have families, you see. They only came to the capital to study. So when the holiday season begins, like now, they all go home. And I… I…”

She can't finish the sentence. Kylo slowly nods, as if he understands.

She doesn’t want his understanding.

“You won’t ask me about what I do at the protests?”

She wants to provoke him, she realizes. She needs them to argue.

“Oh, I know all about that,” he says dismissively, like it’s a normal thing for him to be informed about her life. “It’s bullshit, these protests. Wrong people and futile causes. But it’s okay, Rey. I get it. You’re going through a phase.”

Rey blinks. She expected him to start ranting about patriotism and the national interest and evil foreign powers that support the protests just because they want to see the last truly independent regime in Europe fall. Yet somehow, this is worse.

How fucking dare he write off her life purpose as a phase?

For a second, she’s tempted to get up and leave. Maybe even throw some money at him, for the blueberry juice.

But then she gives him another look. His throat bobs as he chugs down the vodka, drumming his fingers against the table like he can't stand a moment longer in his own skin. Like he's haunted. His ghosts are eating away at him, gnawing at his bones, and he feels like the embodiment of the folk songs she dislikes so much. Life is artlessly ugly in these songs, a string of bad luck and heartbreak and betrayal, and the only remedy is a drunken stupor.

Rey leans back in her chair.

“What happened to your face?” she asks quietly.

A beat passes before he answers.

“I don’t want to talk about it.”

The crowd in the corner suddenly laughs. Everyone’s in stitches except for one man—the butt of the joke, Rey assumes. The men pat their unsmiling friend on the back until he joins in the laughter, and then they order another round of beer. Rey wonders what they teased him about. One of the workers winks at her when he catches her observing.

They’ve had too many cigarettes, she sees—crushed butts spill out of ashtrays on their table, ashes peppering the floor. The air has become thick and stuffy, a bluish filter of smoke clouding her reality. Her clothes will stink of tobacco for days.

On the radio, a man wails about his sweetheart's feelings melting away like the snow come spring. His voice is throaty, and he sounds like the suffering is giving him joy.

She wishes she could smash the fucking radio to pieces.

“I missed you,” Kylo suddenly says.

It’s the vodka, Rey thinks.

She didn’t miss him. She dreamed of him, but he doesn’t need to know that.

“Fuck you, Kylo.” She hopes it comes across as playful, not stern, and it’s a relief that he chuckles.

But then he inhales deeply and holds his breath for a long moment before whispering again.

“You loved me, once.”

It sounds like an accusation.

He catches her gaze, and his eyes are veiled with a sadness so heavy it makes her sick to her stomach.

“I was a child.”

“I know.” He bites his lip, teeth sinking in so deeply she fears he’ll draw blood. “I know that now. But you loved me once, and you looked at me like I was the only man on Earth, and you made me feel good about myself. And I almost believed I could be happy.”

Kylo sighs, swirling the drink in his glass.

“But that was years ago, and you’re no longer a child, and times have changed, haven’t they?” He downs the vodka in a single gulp. “And life turned to shit.

Rey stares at him, wordless.

Her eyes sting, welling up with tears. Must be from the fucking smoke.

“My turn to ask,” she says. She hates how her voice trembles. “What do you want from me?”

Kylo’s lips curve into a sad smile.

“I don’t know.” He shakes his head like he’s apologizing. “I thought I knew, but I don’t.”

Before she can respond, he signals the waiter to prepare the bill.

“Finish your drink, Rey. I’ll walk you home.”

On their way to the school dorm, they don’t speak.

She wonders if he’s regretting that he came to see her tonight. Whatever he’d hoped for didn’t work out, and she can tell something has broken inside him. Maybe now he’s ready to let her go for real. No more stalking.

But that’s good, isn’t it? She doesn’t need a monster in her life.

When they arrive in front of the dorm building, Rey hesitates to enter.

“Now what?” she asks, a lump in her throat.

Kylo lets out a heavy sigh, pressing his lips together.

“Now nothing. Because there’s nothing left, is there?”

There’s a strange gravity to the moment, as if something critical is about to happen, and Rey's heartbeat quickens in anticipation.

Kylo grits his teeth. She thinks he’s choosing the words for what comes next—a final goodbye, obviously. Something that requires resolve. Yet looking up at him, all she sees is raw pain, and that godawful scar tearing him apart. 

She has never touched his face.

When she was fifteen and in love, she often fantasized about it, but she never gathered up the courage to do so. Now, she feels like she’s overwhelmed by an impulse she can't control.

Before she can stop and reconsider, she reaches out with her hand.

“Rey?”

Kylo’s eyes widen in surprise, but he doesn’t pull back from her touch.

His face is burning hot, feverish almost, and slick as if covered by wound balm. It feels unexpectedly smooth under her fingertips. She traces the scar from the corner of his jaw all the way to his eyebrow, caressing his skin, studying the swollen texture of newly healed flesh. She has to resist the urge to press harder. 

“Does it hurt?”

“Yes,” he says, and she isn’t sure if he’s talking about the scar.

He closes his eyes, soft lips aflutter, and she hears his breath hitch.

“Don’t do this to me, Rey.” 

It’s in that moment that she snaps back to reality.

Shit.

What did she just do?

“I’m sorry,” she blurts before she can bite back the words, because she owes him no apologies. “I’m so sorry!”

She doesn’t give him time to react.

She doesn’t even say goodbye, but rushes to the dorm entrance, not looking back, her pace all but running. Her entire body shivers, and she fears she’ll trip.

The night guard greets her with a nod, unlocking the door.

“Hope you had a nice time, Miss Rey.”

As she enters the building, she throws one last glance at Kylo.

He’s still in the street, gazing in her direction, his hand on his scarred cheek. She can't tell from afar, but she thinks he isn’t smiling.

Notes:

It's my mom who called the riot police "the fucking Stormtroopers".

Also, if you're morbidly curios about our very special local brand of tavern music, which is all about misery, solitude and despair - and the booze, let's not forget the booze - the song that inspired the title of this chapter is just a click away.

You can even imagine it's playing in the background while Rey and Kylo are talking.

Chapter 13: Velocity

Summary:

"Happy New Year, monster."

Notes:

Beta'd by KathKnight

(See the end of the chapter for more notes.)

Chapter Text

Velocity

 

 

 

“But never mind me,” Finn joyfully says, lifting his legs onto Rey’s writing desk despite knowing how much it annoys her. “Any progress with Dameron?”

For a moment, Rey thinks she misheard.

“What…?”

“Sister.” He grins like the fucking Cheshire cat. “For the past hour, you’ve been sitting here all spaced out, head in the clouds, nodding at regular intervals like a goddamn robot. I bet you have no clue what I was talking about. You can pull that shit on Rose, but I know you better than that. So speak up. Any progress with Dameron?”

Rey blinks at him.

“It is Dameron, isn’t it?”

“There’s nothing going on between Poe Dameron and me,” she says a tad too loudly, a warm flush rising to her cheeks. 

To her dismay, her answer seems to be exactly what Finn wanted to hear.

“I knew it!” He clasps his hands theatrically. “That ‘sunshine’ business was a dead giveaway. Poor Rose, missing out on all the good stuff while she’s stuck in her Bumfuck, Nowhere. So how far did you get? Did he ask you out? Kissed you yet?”

She studies his expression—with a bleached-white smile and a twinkle in his eyes, he looks genuinely excited. Like he’s happy for her.

If he only knew. 

“On my mother’s grave, Finn,” Rey declares, her tone unnecessarily stern, “there’s nothing between Poe and me.” 

Finn nods, a pout on his lips.

“Whatever you say, peanut. A small reminder, though: it’s New Year’s Eve. Everyone will be in the main square. Just imagine—the music, the booze, the magic in the air, people losing their shit. One thing leads to another. So, y’know, tonight’s the perfect opportunity to snatch the rebellion’s bootleg Latin lover.”

Ever the fucking matchmaker.

Rey wishes she could tell him.

It was an effort just to get out of bed in the morning, to get dressed and wash her face. For the past two days, she’s been feeling sick—nauseated, slow, her hands shaking, her mind a mess. Her mouth still tastes like bile.

She imagines how Finn would react if he knew. At first, he surely wouldn’t believe it. Then he’d be angry—furious, even. He’d shake his head in disappointment, disgusted and heartbroken, and he’d call her a reckless dimwit.

And he’d be right.

“Sister, don’t make a sad face.” Finn stands up from the chair and comes next to her on the bed, pulling her into a hug. “Can't I tease you? I told you, I think it’s great you’re finally interested in someone. So use tonight. A new year is about to begin. Do something. Live a little.”

He hugs her closer. It’s warm in his arms, and his cheap aftershave smells cozy, like home, but it doesn’t improve her mood.

“Life ain’t only about studying and hard work and activism,” he says, tucking a strand of her hair behind her ear. “It’s okay to be a bit selfish sometimes. Now go fix your makeup. I want you to be beautiful.”

Rey takes her time to get ready. She’s not even sure why she’s prettying up—to make Finn shut his mouth, she thinks.

She observes her face in the mirror. Her makeup is dark and dramatic, all black and brown, and she lacks the skills to achieve the subtle blending of shades like Rose can. She doesn’t look like herself. But the more she stares at her reflection, the more she likes it.   

Finn seems very pleased.

“Poor Dameron,” he says, whistling. “Doesn’t stand a chance.”

They leave the dorm late, almost past ten, with Finn pushing her to hurry up. Rey stalls her steps, torn between fearing they’ll miss the opening speeches, and feeling like she doesn’t want to go at all.

The streets are jam-packed in the city center, but fortunately, the good mood is contagious, optimism spreading like a web. There are children, and young couples holding hands, and groups of friends who cheer, drinking wine from the bottle, giving away homemade cookies. The crowd is so thick it’s difficult to walk. Party hats peek out from everywhere, made of glittered cardboard and decorated with pins—“Have a shitty New Year!”, a pin says, its message printed on top of the president's picture. Rey chuckles. It amazes her how people still joke about things that are dark, and fucked up, and deadly.

“The guy who’s selling those should be named the entrepreneur of the year,” Finn says, pointing at the glittery hats. “I’ve never seen so many people in one place. It’s crazy. Like, literally two days ago there was blood in the streets, and now everybody wants to party.”

“Poe said people would come from other cities too, to show support. As for partying, well, the best way to show the regime we’ll fight to the bitter end is to respond to their violence with humor. No pasarán, Finn!”

Finn gives a proficient eye roll. “Save the slogans for the idiot who calls you ‘sunshine’. I just hope we’ll manage to find him in the crowd.”

Rey isn't particularly eager to meet up with Poe Dameron, but she doesn’t share that with Finn.

A large stage dominates the city’s main square, and when they arrive, the concert is already in full swing.

Stage lights color the sky of the year’s last day in a vivid blue, followed by green, then gold, then red. For some reason, the red stays on longer. It's a dark shade, almost burgundy—Rey watches it shimmer along the winter clouds, with flocks of birds awakened by the noise flying across the sky. The band that’s currently performing is about to play their hit. Their music was never to her taste, it's snobbish, too mellow, but she feels a newfound respect for them. It takes courage to go up there and sing for an audience who aren’t your fans, and who only care about one thing—that you hate the regime as much as they do.

She’s surprised to discover that she knows the lyrics, and it’s hard to resist singing along.

“Look!” Finn nods toward the stage fence. “Dameron’s over there, next to the security guys! You’re under a lucky star tonight, sister! To think I believed this would be like looking for a needle in a haystack…”

Indeed, she sees Poe talking to the staff—he’s probably explaining how he got his war wound, since he’s pointing at his bruise, which now has a greenish ring around the indigo purple. The men laugh and pat him on the back. He’s alone, however—Rey doesn’t see other student leaders or professors nearby.

That’s strange.    

It takes effort to walk through the crowd to reach him. Finn holds her hand—they can lose each other in the blink of an eye, swallowed up by the singing masses who are, from what Rey can tell, getting progressively tipsier.

“Rey of sunshine, you made it!” Poe greets her with a half-hug. “You look lovely.”

She can feel Finn beaming behind her back.

“Sorry we’re late,” she says.

“Oh, please. Tonight’s a party, not a rally. Besides, the opening speeches weren’t from our people, but the fucking politicians. I don’t like their kind, sunshine. Always playing games.”

Behind her, Finn stiffens—she knows he has a lot to add about politics and games, but thankfully he stays silent.  

“Where are the others?” Rey asks. “I thought we’d be here together, as a group.”

Poe shrugs. “They’re scattered everywhere. To be honest, I haven’t seen most of them since I arrived. It’s normal. The whole point of tonight is to have fun like nobody’s watching, but also to make sure it looks good on camera. You know what the General says—the world must see who we really are.”

He winks and takes a sip of his drink like there's nothing more to be said.

They don’t speak for a time. Poe nurses his cup and checks his watch, and Rey swings to the beat of the music, murmuring the lyrics, feeling increasingly awkward. She isn’t sure what to do.

She wishes she’d stayed home. Or asked Finn to go to his place and binge-watch their favorite movies until the videotapes give out. Or begged Rose to come back, because she misses their giggling. Anything but this.

And she was so looking forward to New Year’s Eve.

“Sunshine,” Poe says after a while, “where did your friend go?”

Rey's eyes widen when she understands the question.

“You mean, Finn?”

She turns back, only to discover that Finn is no longer behind her.

Of course. Of course he fucking did it. Meddlesome idiot. And he’s probably very pleased with himself.

Damn him and whoever didn’t teach him that the road to hell is paved with good intentions.

She doesn’t know how to answer without making Finn sound like an ass.

“Maybe he saw someone and went to say hello, and now he can’t come back because it’s hard to walk through the crowd,” she offers unconvincingly.

To her surprise, panic rises in Poe’s eyes.

“You two did arrange for a meeting spot in case you lose each other, didn’t you?”

“No.” She squints, unsure why he behaves like she’s caught him red-handed. “Why?”

Poe chews on his lip, forehead tight like he’s suppressing a frown. He’s hiding something, she thinks.

And whatever it is, he’s painfully embarrassed about it.

“Sunshine.” He raises his palm like a trained public speaker, as if that will help him choose his words better. “I don’t know how to say this. I, uh… I won’t be staying here for long. Actually, I should leave any minute now. I’m meeting with someone, you see, and it’s… Um. It’s private. I’m supposed to come on my own.”

Oh.

Oh.

So that’s how things are.

The relief that hits her is so strong that she almost laughs out loud.

“I just think it would be very, uh, ungentlemanly on my part to leave you here on your own,” Poe continues, rubbing his hands like he’s cold without gloves. “I’ve no idea where the others are, and your friend is gone. Do you want me to help you look for him? Or, I don’t know, I could keep you company for a while longer. Do you have any plans for after the concert, do you know how long you wish to stay?” 

The corners of her mouth turn up—it’s her first genuine smile in days.

“Go,” she says.

“Are you sure?”

He looks at her with a mixture of hope and guilt, and for once, it doesn’t seem like he’s rehearsed the expression in front of a mirror. Rey wishes she could ruffle his hair, the way she did to younger children in the Home when they felt confused about life.

“I’m positive.” She nods. “Go. Have fun. Happy New Year. And just so you know—if you ever need to talk to someone, I’m here for you. No judging. I sure know what it’s like to keep a secret.”

Poe Dameron blushes so deeply that even his bruise turns a shade darker. He gives her a quick hug and a clumsy kiss on the forehead.

“I owe you one, sunshine,” he says, leaving.

It’s only when he’s gone that she realizes she’s all alone among thousands of people.

The band has changed. Whoever is performing now is playing a ballad—the audience sings, fumbling with lyrics, holding lighters and raising up sparklers. The stage lights are red again—bloodshot clouds are closing above her head. She should find Finn, she thinks. She has no idea where he could have gone without her.

Minutes to go until midnight.

Rey presses through the crowd, not knowing where she’s headed. It’s so packed that people can barely move to let her pass. She collides with strangers—they bump into her shoulders and step on her toes and say they’re sorry, or “Happy New Year”, or “smile, darling, tonight we’re making history!” She’s offered whiskey, and mulled wine in a plastic cup, and chocolate candy from a little girl whose father is carrying her on his back, but she takes nothing. She can’t tell how long she's been crawling from the stage fence to the center of the square, but it feels like an eternity.  

And all she can think about is the same fucking thing she’s been dwelling on for the past two days: the pain in his eyes, and how his skin felt beneath her fingertips.

She wants to go home, she realizes.

She isn’t sure if it’s the school dorm or the Home.

She closes her eyes, biting down a scream.

"Rey?"

It takes her a moment to recognize the voice.

Professor Leia Organa lifts one eyebrow in mild surprise, looking at Rey as if she didn’t expect this encounter. Her hairstyle is particularly impressive tonight, with thick braids wrapped around her head. She looks like a princess from Russian fairy tales—like a drawing from a picture book Rey had read as a child, in which Vasilisa Prekrasnaya outwitted the monstrous Koschei the Immortal because she was smart and brave and didn’t give a fuck about his immortality.

“Are you alone?” the Professor asks.

Rey shrugs helplessly. “Lost others in the crowd.”

Then she notices—next to the Professor, there’s a man.

She can't make out the stranger’s face, since he's pulled the hood of his baggy brown coat almost up to his nose. The only thing she sees is a long, bushy beard streaked with grey, falling to his neck like a scarf.

What an odd couple, she thinks—a princess and a wizard.

But then the man pulls back, crossing his arms over his chest, his posture radiating annoyance and mistrust.  

Rey suddenly feels as if she’s interrupted something she shouldn’t have.

“This is Rey,” Professor Organa explains. “She’s one of our youngest and most dedicated activists.”

Rey waits for the man to introduce himself, but he doesn’t.

“You know what, Leia?” he says after a long moment. “I think I’m gonna head home.”

“You won’t stay for the countdown?” the General asks, but she doesn’t sound too hopeful.

“Nah.” The man waves his hand brusquely. “I’ve stayed for too long already. Besides, this kind of music ain’t my cup of tea.”

Leia Organa exhales deeply and nods like she's used to the man’s whims. He tugs at his hood, assuring himself it’s still firmly in place, and then turns his back and leaves without saying goodbye. Strangely, it doesn’t come across as rude.

He moves through the crowd with a surprising agility, experiencedly dodging the partygoers before he disappears from sight.

Rey wants to ask who that was, but somehow it feels inappropriate.

“Having fun?” the General casually says, as if she wants to steer the conversation in another direction.

“It’s a…” Rey struggles to find the right answer. “It’s a very impressive event. You must be proud.”

Leia Organa lifts the corner of her mouth in a shrewd smirk.

“Proud is not the word I’d use, but yes, I am quite pleased. There’s good energy here tonight. People are gathered around a joint cause and they’re having a great time, which gives them hope. And, well, hope’s important.” She chuckles briefly. “But this is not the moment for a speech. We’re all human, you know. And just like you, I’d rather be somewhere else.”

Rey’s shoulders stiffen. “Am I that obvious?”

“I’m afraid you’ll have to work on your poker face, dear. Especially if you want to continue with politics.”

Professor Organa takes a sip from the cup she’s holding. Her drink smells like cinnamon and anise.

“So. A boy giving you trouble?”

“He’s not exactly a boy,” Rey clarifies. When the General asks you something, you answer.

And she really needs to talk to someone.

“Ah.” Professor Organa nods matter-of-factly. “I also liked them older, for what it’s worth.”

Rey inhales sharply, observing the crowd around them. All she sees are broad smiles and glittery hats, tinted in red, reflecting the stage lights.

“We, um, we had a thing. A long time ago. But it ended badly. Like, really badly. Really, really badly.”

She pauses, unsure how much she can reveal before saying anything she’ll regret. The General just listens, her expression neutral.

“But then, we met again recently, and there’s, uh… There’s…”

“There are still feelings between you?” Leia Organa finishes her sentence.

Rey thinks for a long moment before answering.

“There’s something.”

The General tilts her head knowingly, but her smile doesn’t reach her eyes.

In that moment, the music stops.

“Fuck,” the General says, “it’s midnight.”

Thousands of voices speak in unison, counting down the last seconds of 1996.

“Ten… Nine… Eight… Seven… Six… Five… Four… Three… Two… One!”

The sky explodes in red.

Fireworks whizz and crackle, blossoming between the clouds. Swirling sparks cascade down onto the cheering crowd. People wave, and blow whistles, and hug strangers to wish them all the best in the upcoming year. They toast to changes and democracy and a better tomorrow, spilling their drinks and laughing it off.

The air smells of smoke and sulfur.

“Happy New Year,” the General says dryly.

Rey nods, grateful that Leia Organa isn't the sentimental type.

They spend a while looking at the sky, watching the fireworks burst and splatter in a thousand sparkles.

Then, suddenly, Professor Organa reaches out and takes Rey’s hand.

“My dear, take advice from a lonely old woman who screwed up too many things in her life.” Her grip is tight and her fingers are surprisingly warm. “As you age, you’ll realize one horrible truth: the worst regrets are not for the things you did, but for the ones you did not do. You think there’s something between this man and you? See what it is, then.”

With her other hand, the General raises her cup to the crimson skies, as if she’s toasting to someone who isn’t there.

“Because if you don’t,” she says, her voice softer than usual, “you’ll never stop wondering.”

Rey spends the next hour looking for a goddamn phone.

She tries a few restaurants near the main square, but they shoo her away, insisting that only paying guests can use the phone. The bars she sometimes frequents with her rebel friends are closed, since all their customers are at the concert. Finally, to her surprise, it’s the receptionist of a highbrow hotel who takes pity on her and invites her inside. The woman points her to the phone booth in a secluded corner and, strangely, wishes her good luck before giving her privacy.

Rey observes the lavish decorations in the hotel lobby as she dials the number.

A large Christmas tree stands near the phone booth, its reflection mirrored upside-down in the polished marble tiles. All the ornaments and the tinsels and the flickering lights are red.

He picks up the call too fucking quickly.

“Yes?”

Funny how it’s no longer automatically 'Armitage'.

“Happy New Year, monster.” 

There’s a pause on the other end of the line, and then she hears a quiet laugh.

“Rey…”

He’s doing it again—saying her name as if it carries a special meaning to him.

She closes her eyes.

“I didn’t think you’d be home,” she says, preventing a pause that would allow her to change her mind.

“I only got back a moment ago. Snoke had me accompany him to some stuck-up reception. Neckties and evening gowns sort of thing. Regime people mostly. Businessmen, celebrities, military brass. Big money. Everybody faking politeness.” He lets out a loud sigh. “It was horrible.”

Something in his voice puts her ill at ease.

“Are you drunk?”

“No,” he slurs, and she knows he’s lying. “Snoke doesn’t allow me to drink in public. There were a few… incidents. So I opened the bottle only when I got home. Didn’t have time to get drunk.”

Rey pictures him on the couch of that godawful white and beige apartment, gripping the bottle, staring at the ceiling.

It’s pathetic.

“Please stop.”

“Why?”

She thinks he’s asking it on purpose, baiting her to tell him she still cares.

“Because I say so.” She leans against the booth wall, picking at the phone cord as she twists it. “Please.”

He changes the topic. “Where are you?”

“In a hotel near the main square.” She glances around. The receptionist is at her desk, not paying any heed to Rey. “It's the only place where they allowed me to use the phone.”

“Did you have a good time at the concert?”

Her answer is devastatingly spontaneous. “You’d hate the music.”

Kylo laughs, and it sounds genuine, like she made a joke that only the two of them can understand. She feels she’s grinning too.

“I want to see you,” he suddenly says. “Can I see you?”

He catches her off guard with the question, but it would be a lie to say she's surprised.

“Now?”

“Mmm.”

The purr he makes resonates deep inside her belly, stirring feelings she thought were long dead. She twists the phone cord so hard it almost cuts into her skin.

Drunken asshole.

“You think the place where we were the other night is open for New Year’s?” she asks.

Kylo takes his time. Obviously, the smoke-filled tavern is not what he had in mind.

“Can you… Uh. Can you come here?”

Rey's courage falters.

She wasn’t prepared for this. She’s so startled she nearly hangs up.

“Rey, please.” There’s a sudden urgency to his voice, as if he realizes he has pushed things too far. “I don’t… I don’t want anything from you. We don’t have to talk. You don’t even have to look at me. Just… Just be here. So that I’m not alone in this place. I don’t… Shit.” He pauses. “I don’t think I can handle it. Being alone here. Not after you called.”

For a long moment, all she hears is heavy breathing.

“Please. I won’t drink, I promise.”

This is it, she thinks.

She’ll make a conscious decision this time. No more rashness and impulses and all those moments of the-fuck-you’re-doing-Rey. It has to stop.  

It all has to stop.

One way or another.

Rey clutches the receiver so strongly her fingers turn numb.

“Alright.” 

She hears him heave a sigh of relief.

“Take a cab,” he says, self-satisfaction and anxiety mixing in his voice. “I’ll wait for you in the street with the money.”

When she hangs up, Rey asks the hotel receptionist to call for a taxi.

“It went well?” the woman says as they’re waiting. Her ride won't come soon—there must be a queue on a night like this.

“I don’t know yet.” She shrugs, unsure if she wants to be left alone or talk.

“Don’t give up, honey,” the receptionist offers, tapping her perfectly manicured nails against the desk. Her nail polish is red. “Tonight is the right time for new beginnings.”

When the taxi arrives, the clock in the hotel lobby shows it’s well past two.

She wonders if the monster is waiting outside this entire time. He must be freezing.

The ride is slow—the streets are jammed with the crawling masses, and the driver frequently honks at drunken partygoers who tap on the windshield and wave, wishing them happiness in the new year. Still, Rey has this strange feeling of velocity pushing her forward, of knots untangling and springs uncoiling.

Something will happen tonight.

And in the morning, her life will be different, for better or for worse.

“Going home?” the driver asks conversationally.

“Going to meet someone.”

“Shipping yourself to your sweetheart for New Year’s.” The driver gives her a dreamy smile. “How adorable.”

But when he sees Kylo pacing in the street, waiting for them, his smile withers.

Rey doubts that he knows who Kylo is—it'd be too fucking much. Probably, he just didn’t expect the 'sweetheart' to be large and glum, visibly older, with mad eyes and a scar across his face. When Kylo knocks on the window and slips him a banknote that far exceeds the taxi fare, the driver frowns disapprovingly.

He doesn’t wish them a happy new year, and drives away the moment she slams the car door. In another life, the scene would have been comedy gold.

Kylo isn't smiling, though—he's staring at her with his lips parted, unaffected by the driver's stunt.

“You, um, you look different,” he says, pointing at her face. “It’s the makeup. I think. Well. You’re beautiful.”

The cold seems to have sobered him up a bit, for he doesn’t slur.

“Froze your ass off again?” Rey asks. She won’t focus on how it makes her feel that he finds her beautiful.

He nods. “Been waiting for an hour. Can we… Can we go inside?”

Rey follows him to his apartment without a word.

The keys give a thick metallic clatter as Kylo opens the door. It's funny how some things make sense now: the unknown last name on the plaque, two sets of high-security locks. A true secret lair of a monster.

She hesitates for a moment before crossing the threshold.

Breathe, Rey, she thinks. Breathe.

You’re in control.

When she enters, it horrifies her to see that nothing has changed in these three years.

Still the impossibly light colors. Still the cardboard boxes in corners. Still no personal details.

No wonder he can't stand being alone here.

Kylo takes his jacket off—he’s still wearing party clothes, but his shirt is wrinkled and half-buttoned, one side flapping untucked. She wonders what impression it made at the stuck-up reception with celebrities and regime high-fliers.  

He fidgets, looking around the room in panic like he’s suddenly hit with the reality of their situation.

“I meant what I said. You can do whatever you want. Just be here.” He brushes his palms together. “I think there’s tea, if you need to warm up. Or, uh, I can make you something to eat. Would you like that?”

She sits on the couch, but gets up quickly when she sees he’s too nervous to take a seat. His hands are trembling.

He reminds her of the fireworks, she thinks—sizzling and crackling and red, about to explode all over the dark winter sky.

“Actually, I want to talk,” she says.

He raises his eyebrows, his expression vulnerable like a dog expecting a blow.

“You do?”

Rey takes a deep breath.

“I want to understand,” she solemnly recites the line she’s been rehearsing in her mind all along the taxi ride. “Help me understand.”

Kylo pulls his hair back, uncovering his scar. It’s splitting his face in two.

“Understand what?”

Rey pauses. Her voice must not waver for what she’s about to ask.

“Why the First Order?”

The question takes him aback. He didn’t expect this.

His eyes wander and she follows his gaze: he’s looking at the vodka bottle on the coffee table, right next to the framed photograph of the mysterious grandfather.

The bottle is a good third empty.

“You promised, no drinking.”

He licks his lips and swallows heavily. She observes his Adam’s apple bobbing.

“I did,” he says.

Rey takes a step toward him.

She’s cautious, however. She must not come close enough to touch.

“Talk to me, Kylo.” She holds his gaze, and the intensity of his stare makes her stomach knot. “I’m here, like you wanted me to be. So talk.”

He slumps on the couch in an abrupt movement, as if his knees have given out, and Rey knows she has won. His body feels heavy, at the same time boneless and as tense as a bowstring—he looks older than his late twenties. It must be exhausting to be constantly on edge, she thinks, pulled apart by extremes.

She carefully sits on the other end of the couch.

Rey glances at her watch—it’s three in the morning, yet she’s never felt more awake.

“You… Um,” Kylo begins. “You know I have a bit of a temper.”

She almost laughs. “No shit.”

The corner of Kylo’s mouth pulls into a non-smile like he wants to show that he can take a joke.

“It’s something I’ve been struggling with all my life.” He leans his head against the couch cushion. “This… This rage inside me. I feel it itching all the time. Always simmering under the surface. Always erupting at the worst moments. I have… I have these blackouts.”

He closes his eyes, and for a while he just breathes loudly.

“Sometimes I can’t control what I’m doing or what I’m saying or how I react… And my family, they… They ditched me, Rey. They fucking ditched me the moment I became too much of a hassle.”

Rey remembers the story of a boy named Ben, too tall and too strong, friendless and needy and violent, who'd changed five schools and countless child therapists, until the word 'unhinged' lost its meaning.

She thinks of the uncle whose arm he'd broken in two places.

“Snoke, the Professor, he… When I met him, he helped me.” He says it like no one else had offered any real help. “He was the first person who didn’t try to fix me. And he didn’t judge. Instead, he listened, and guided me, and made me understand myself. He taught me that I can use my rage for good.”

Rey’s mouth falls open. She stares at him in disbelief.

“For good?” she slowly repeats, emphasizing the word as if she’s unsure he understands what it means. “Because killing civilians is good?”

Kylo lifts his chin and grins, revealing his overly sharp teeth.

“You don’t understand anything, Rey, do you?” He speaks to her like she’s still a child. “There are no civilians in a civil war.”

Bloody hell.

Did he just say that?

She lets the words sink in. It takes her a moment to recover.

“Do you hear yourself?” she asks, her voice calm. “Do you hear what you’re saying, Kylo?”

He rolls his eyes dismissively.

“Don’t tell me you’re so naïve as to think that the other side committed no crimes. You know jack shit about what was really happening.”

Fucking sick fuck.

“I know that our country was not part of the war!” she shouts.

Kylo leans towards her, the couch crunching under his weight. His eyes darken, and she sees the muscle tic twitching.

“You know what, maybe it should have been. Maybe, instead of just giving verbal support, we should have gotten involved for real! Our people, our kin, our blood who lived across the border, they were dying in that war. No one to defend them. No one to help them. The world turned its back on them—and so did we. Our country acted like a goddamn coward!”

It takes effort to look him in the eyes.

“But you weren’t a coward?”

“No.” He shakes his head wildly, hair falling in his face. “I did the right thing. And I used my rage for good.”     

She feels her lips twisting in a scowl she can't control.

Poker face, Rey. Remember what the General said.

Then again, a part of her wants him to know how disgusted she is.

“You won’t stop calling it good, will you?”

Kylo clenches his jaw, his teeth grinding audibly, but he doesn’t retort.

“The world…” Rey begins, raising her palm—but then she recognizes the gesture and puts her hand in her lap. “The world was very clear about which side was the aggressor in that war. We got smacked with years of sanctions only for supporting it. And you still claim that what you did was good. So the entire world was wrong, and you’re in the right? I expected more from you than parroting government propaganda.”

To her surprise, Kylo merely huffs through a crooked smirk, like he’s genuinely amused by her words.

“Propaganda of any kind is dangerous, Rey. Don’t think that your precious world is any better. The Americans and the Brits, with their oh-so-enlightened CNN and BBC, they didn’t give a flying fuck about the context. They just wanted a story that’d sound bombastic when they spun it in the news. And for that, they needed a fucking Hollywood film—with the good guys and the bad guys, the light side and the dark.”

He does that thing again, when he squares his shoulders and straightens his spine to look bigger and more terrifying, slipping into shadows as if they give him strength. He isn't even aware that he’s doing it.

It doesn’t scare her, Rey thinks.

“We didn’t bow our heads, so we were labeled the villain, while the other side had the time of its life playing the victim. It’s framed like such a simple, neat narrative. But it’s all lies, y’know. The West is fooling around with its games of power and money, using little countries like ours as the playing ground.” Fire flickers in his eyes, showing how firmly he believes his words, how thrilled he is to have an audience. “I’ve seen the world, Rey, and I can tell you this: democracy is but an illusion. It’s all rigged. That thing you’re marching for every day—it doesn’t exist. You think you’ll have freedom if you bring down the regime, that you’ll have social justice if the world accepts us back into civilized society? Think again, Rey. In Western democracy, the only choice you’re actually given is whether you’ll buy Coca-Cola or Pepsi.”   

Kylo pauses, panting, as if the speech has left him drained. He’s not finished, she sees.

She gives him time to come up with the punchline.

“I don’t expect you to see the light right now. You’ll grow up. You’ll learn. Sometimes, to do the right thing, you must make hard decisions. Do ugly shit. End up with blood on your hands.” He lifts his palms like he expects to see red stains on them. “But it’s still the right thing.”

And with that, he’s done.

Rey stares at him, wordless. She doesn’t want to think about what he said. Not now.

She counts to twenty.

“Okay. Fine,” she says, clenching her hands into fists. “Explain this, then. If you’re so proud of the First Order and all the shit you did in the war, how come you’re so fucking miserable now?”

She shouts too loudly—her voice echoes against the empty white walls. It’s inappropriate, even for New Year’s Eve when no one sleeps in the middle of the night.

But then, just like that, his zeal dissolves.

It’s as if someone has pressed a switch. He hunches, sinking into the couch and trying to smirk, but it comes across as a grimace of pain. Gone is the monster—all she sees is the broken man with an unhealed scar and a drinking problem whose face she touched two nights ago.

Rey catches him glancing at the bottle again.

“I told you,” Kylo says, his voice unpleasantly soft. “Times have changed.”

That’s not an answer.

She’s done with him hiding things from her.

“How exactly have the times changed? You’re depressed because you can no longer shoot people and feel self-righteous about it?”

He chuckles bitterly, lowering his head, letting his hair cover the scar.

“You really enjoy being cruel to me, don’t you, Rey?”

That’s not a fair thing to say, she thinks. But then she notices he’s shaking.

She hesitates briefly, before sliding toward him on the couch, coming so close that their knees almost touch.

“Talk to me, Kylo.” She’s tempted to reach out and brush the hair out of his face, but she doesn’t do it. “What happened to you? Tell me what’s wrong.”

He lifts his gaze.

“So that you can tell me to fuck off?”

The sorrow in his eyes is unbearable.

“I don’t want to hurt you,” she whispers. It’s only when she says it out loud that she realizes it’s true.

But Kylo only shakes his head and laughs like it's a joke.

“I’m afraid it’s too late for that, Rey.”

A question simmers in her mind ever since they’ve started talking. It's a lump in her throat that she’ll choke on if she speaks, but she can't leave it unanswered.

She’ll begin to cry, she realizes. Her makeup will smudge.

“Was it because of me?” she asks.

Kylo narrows his eyes.

“I don’t understand.”

“Your… Your blackout. It was a blackout, wasn’t it?” She bows her head. “Was it because of me? I lied to you, and called you a monster, and ran away from you. Did I push you over the edge? Is that why you…”

She pauses.

Breathe, Rey. Fucking breathe.

“Is that why you lost it when your father came to you?”

Kylo stiffens, his expression suddenly very serious.

“Rey,” he says too gently, “don’t do this to yourself.”

She looks up into his eyes. “So it was me?”

He doesn’t answer.

Tears overflow her eyes and slide down her cheeks, melting her mascara.

“Your father, he… He was a good man. And he didn’t ditch you.” Her voice breaks. “He didn’t. And yet you… You… How could you?”

“Rey,” Kylo utters, “it wasn’t you.”

She wipes her face, smearing the back of her palm with black stains. She can’t remember the last time she cried—she used to tell herself that she'd run out of tears, that she’s too old for that shit, all grown up and hardened, and yet now it comes back like a torrent.

Her nose is running.

“Did you do it in this room, Kylo?” She sniffs. “Or at the door? Did the neighbors see?”

She hears the couch creaking as he jumps and drops on his knees in front of her, coming so close that she can smell his cologne.

Amber and musk. Fuck the memories it triggers.

“Rey, love, listen to me. You did nothing wrong.”

She sobs, covering her face with her hands.

“You’re just saying that to make me feel better!”

Suddenly, Kylo reaches out and grabs her by the wrists.

Rey freezes.

His grip is gentle, yet firm. Slowly, he pulls her hands apart and catches her gaze. His lips tremble, and up close his scar looks so painful it gives her shivers, a slash of red on pale white skin.

“Rey, look at me,” he whispers. “I’m the monster here.”

She wants to push him away, but she doesn’t.

And then he leans in and kisses her.

His kiss is not chaste, as she imagined it would be when she was fifteen.

His lips are soft and slick, and he tastes of mint and liquor, mixed with the salt of her tears. His beard feels rough against her skin. He’s impatient, his breath hurried and desperate—she senses his hunger as he brushes his tongue across her lower lip and slips it into her mouth. Her skin prickles. He moans low in his throat and lets go of her wrists, but instead of fending him off, she wraps her arms around his shoulders.

She realizes she’s kissing him back.

It’s happening too quickly. Her head is spinning.

She feels his hands on her waist, pulling her closer until she almost falls off the couch. His body is hard against hers, muscles tensing under the thin fabric of his shirt, and she rakes her nails through his hair—it’s so thick.

“Tell me to stop,” he begs, kissing her along the jawline, nuzzling against her neck.

She wants to, she thinks.

But she doesn’t say a word.

 

Notes:

Yes, this is the moment when a slow burn fic stops being slow burn.

Chapter 14: Seven Days, neither up nor down - part I

Summary:

Can you love a monster?

Notes:

As always, beta'd by KathKnight

I would like to express my deepest gratitude to two bottles of wine that have bravely given their lives so that the last part of the chapter could be written.

(See the end of the chapter for more notes.)

Chapter Text

Seven Days, Neither Up Nor Down

part I

 

 

From the moment she'd met him—at the age of fourteen and seven months, when she thought she was old enough to have the world figured out—she knew there was something wrong with him. He was damaged goods. Misfit, charmless, uncool in a strangely cool way, all worldly and smart yet gullible enough to fall for her lie, he was webbed with cracks, lumbering through life like he never bothered to learn how it worked. At some point, she even suspected a mental illness, she remembers.

Thinking back, the problem is that this was exactly what she liked about him.

Damaged as he was, he was willing to commit to her, a nobody from nowhere. He needed her, she was his Marian. He gladly let her become the only person in his life. She knew he’d put up with her possessiveness and cater to her whims, and he would never, ever leave her. And he would be her first, she thought—her first one to love, to kiss, to sleep with. First and last and always.

But then all hell broke loose, and his secrets came out, and she called him a monster, and he did a thing so terrible she’d never be able to name it, and for three whole years, she hoped that he was dead.

Look at them now.

If she’s allowing this to happen now, after all this time, now that she has a life and friends and an actual purpose that gives her dignity, only because he still needs her—what does that say about her?

“Do you want to go to bed?” Kylo asks quietly, his breath tickling the skin of her neck. Then he stiffens, and she sees the tip of his ear blushing. “That came out wrong. I mean, you can take the bed. I’ll sleep here.”

He’s lying on top of her on the couch, curled around her body, his arms hugging her waist, one leg sprawled across her thighs. He’s heavy. His weight presses her into the cushions and crushes her ribs, and the couch is too small for both of them.

But he’s warm, and his hair is impossibly soft as she twirls it between her fingers, and there’s something soothing in the sound of his breathing.

“I’m comfortable like this,” she lies. “Don’t move.”

Her lips are swollen and slick, kiss-bruised, and when she licks them, she thinks she can still taste him. Her chin tingles from his beard. When she closes her eyes, she feels a pleasant light-headedness, as if the room is spinning around her, and the only thing that’s keeping her grounded is the large body in her arms.

“It was my first time,” she confesses. “Kissing.”

There’d been opportunities, in these three years—boys her age, eager to get to know her better, but she’d always turn her back on them. She can't explain why.

“I know.” The monster chuckles smugly. “I could tell.”

She pinches his earlobe until he yelps.

Then, with the tip of her finger, she traces the shape of his ear. It’s big and oddly bent, hopelessly protruding from his hair.

She loves his ears.

“I’m sorry,” he says. God knows what he’s apologizing for—it could be anything. The list of his screw-ups is long.

“Fuck you, Kylo.” She hugs him closer, inhaling the smell of amber and musk mixed with sweat. “Sleep. It’s almost morning.”

He sighs, rubbing his nose against her neck, kissing the side of her throat. She wonders if he left any bite marks there.

“I’m afraid, when I wake up, you’ll be gone.”

Rey laughs. “I’m not going anywhere.” Funny, when she says it out loud, it sounds so definite. It should scare her, but it doesn’t. “Too late for that now. Besides, with you lying on top of me like this, I can’t sneak out unnoticed. You’re too fucking heavy. So sleep.”

“Mmm,” he purrs, half-adrift already. 

Soon after, Rey slips into a slumber, listening to his even breathing, caressing his cheek, her fingers still entangled in his hair.

She dreams, but it's blurry and vague—red clouds and birds and something about a path leading to a dark forest in which a woman is waiting. Her mother, maybe, Rey isn’t sure. She can’t remember her face anymore. The woman asks something, but Rey cannot answer, her tongue tied like it’s pierced through with thorns.

A sharp sound cuts her dream short—the phone rings with a metallic pitch.

Kylo gets up from the couch and stumbles, his limbs stiff from sleep. She hears him cursing, his voice too quiet to understand what he said. It’s a relief to feel his weight lift off her body, but Rey instantly misses his warmth—she nearly pulls him back, before she realizes what she’s doing and turns to the side, face toward the wall.

She bites her lip until it hurts. 

Kylo’s footsteps thud as he paces across the room to pick up the call.

“Armitage,” he scoffs.

Of course. Who else?

“No, I have no idea what time it is. I was sleeping. For fuck’s sake, can't I sleep?” His tone is a barely restrained growl—she can tell he’d rather shout, but he's afraid he’d wake her up. “I’m sober. I don’t have a hangover. None of your business. You’re not my fucking mother, Armitage.”

For the next minute, he listens, huffing into the receiver—Armitage seems to be talking about something at length. Whatever it is, Kylo doesn't like it, for he’s tapping his foot against the floor.

“What, today?” he asks at last, clearly annoyed. “No. You heard right—I said no. You deaf? Don’t yell at me. I’m not going anywhere today. No. Not leaving the house. I don’t give a fuck how you’re going to explain that to the Professor. I have the right to say no, you prick.”

Suddenly, Kylo laughs—the sound is muffled and malicious.

“Your problem, asshole. Don’t call again.”

He hangs up without slamming the phone the way he usually does. Rey is impressed.

She hears him walking around the apartment, going to the bedroom, to the bathroom. Water runs for a while—apparently, he’s taking a shower. When he comes back, he smells of men’s soap, clean and fresh and generic, and he stands above the couch, observing her.

Rey wonders what kind of expression he has. Is he happy? Can he be happy? Is he anxious, perhaps, because he fears her reaction when she wakes up?

She isn’t even sure why she’s pretending to sleep.

He goes to the kitchen then, and she hears the fridge door opening and the clanking of pots. He’s making something fried. Oil fizzes, carrying the scent of onions and eggs and cheese, and it’s so delicious her mouth waters. What a strange man, Rey thinks—war crimes and blackouts on one hand, cooking on the other.

She’s starving. Her stomach growls like a hungry child’s.

Kylo pads back to the living room and crouches next to the couch. He hesitates for a moment, and then caresses her face—his calloused fingers ghost gently across her skin. She expects he’ll kiss her, but he doesn’t.

“Rey, love, wake up,” he says. “I made you food.”

She opens her eyes slowly, and it’s only then that he kisses her—a cautious, shy peck in the corner of her mouth.

It’s bright outside, but the light is dull. The first of January is a grey day of cold winds and winter mists and frozen window panes, and she imagines that the air smells of smoke and snow that is yet to fall. Kylo’s hair is wet, curling around his ears, dripping on his clothes. He’s wearing sweatpants and a frayed dark blue hoodie, and his feet are bare. He seems to like being barefoot at home.

“You look like a raccoon,” he jokes, touching the tip of her nose. The way he says it is disarmingly intimate, like he believes he has the right to tease her. “There’s hot water, if you wanna bathe, and I’ll try to find you a change of clothes. It’ll be a few sizes too large, but I guess it’s still better than these things you slept in. First, though, you must eat.”

His eyes are wide open and full of hope, and she can swear he looks happy—happier than she’s ever seen him.

“Come. Food’s on the table.”

Rey goes to the bathroom to wash her hands. Facing her reflection makes her flinch—her clothes are rumpled, her hair is disheveled, and black mascara tears are smeared across her cheeks. There’s a round purple bruise blossoming on her neck.

She shuts her eyes and remembers the touch of his tongue and teeth on her throat, and a sudden flush of heat pulsates between her legs.

Rey staggers, frantically rubbing her hands with a towel. Maybe she should go. If she stays, at this rate, something more than kissing is bound to happen, isn’t it?

And then, when she looks in the mirror, what will she see?

But in that moment she spots Kylo leaning against the door, a boyish grin on his face. He stares at her as if she were the sun, and she can't help but smile back. She wants to hug him, she realizes.

Fuck.

He serves her scrambled eggs with vegetables and melted cheese, along with buttered toast and coffee so strong it could raise the dead. Rey wolfs down the food—the flavor is rich and spicy, and she’s surprised that a meal so simple can be this tasty. Kylo eats slowly, as if he prefers to watch her enjoy herself, and his posture is unusually relaxed—no lip biting or fidgeting like his own skin is too tight. It’s odd.

He is happy, she concludes. He’s so fucking happy it’s sad.

“Did you rest well?” he finally asks, his first attempt at conversation since yesterday. “I wasn’t too heavy?”

Rey stretches her neck to the side—it makes a loud cracking noise.

“I’m fine,” she says, but Kylo shakes his head in disapproval.

“Tonight…” he begins, and then pauses like he needs a moment to compose himself. “Tonight, I think we should sleep in bed.”

Rey almost chokes on the food.

“Tonight?”

Kylo leans forward, his eyes desperately searching her face, and all his insecurities come back like a flash flood. He swallows before speaking.

“Stay.”

She blinks at him.

This is getting out of hand. Actually, it already did, a while ago, and now it’s only spiraling down, and she has no idea how to stop it.

Worst of all, a part of her would like to stay. To spend another night kissing and stroking his hair and listening to his breathing. To see what else may happen. She touches her neck where he left the bite mark.

So much for being in control.

“It doesn’t work like that, Kylo.”

“Then…” His hands start shaking again—he presses his palms against the table to steady himself. “Then what should I do to make it work?”

Stop being a monster, she thinks. That would be a good start.

But she doesn’t say that. Instead, she deliberates, stabbing a bite of her eggs, ceramic screeching under fork prongs.

“You can begin by being honest,” she declares at last, her voice stern, and she looks him in the eyes. “Tell me the truth. What’s wrong? How have the times changed?”

He pushes his plate away like he’s lost his appetite.

“You won’t let it go, will you?”

Rey shakes her head. “If… If you want me to stay,” she says as if she will actually do it, “I have the right to know.”

Kylo exhales loudly, his shoulders hunched, wet strands of hair sticking to his face. He doesn’t want to talk about it, she sees. It’s almost like he’s ashamed. She fears she has pushed him too far—he’ll give up and send her home.

But then she remembers how hungrily he kissed her last night, and knows he’ll do anything to keep her by his side. She only needs to give him time.

She waits.

“Professor Snoke,” Kylo finally begins, his eyes downcast. He places one hand in the middle of the table as if he hopes she’ll reach out and touch him. “He’s a great man. A brilliant man. I owe him a lot. I’m grateful for everything he did for me. He stood by my side when everyone else had abandoned me, and I’ll never forget that.”

She observes his hand on the tablecloth, large and shovel-shaped, his knuckles scarred, his fingernails bitten.

“But…?” she probes.

“But when the war ended, everything changed, and so…” he hesitates. “And so did the First Order.”

It’s the hand in which he holds the gun. She wonders how many people he’s killed, over the years.

“It wasn’t supposed to be like this,” Kylo sneers, his voice thick with disgust. “It was supposed to be about doing the right thing, you know. About making difficult but necessary choices. What I told you. But the moment those peace treaties were signed, the game changed. It… It all became about the spoils of war. Splitting the loot. Profiteering. And Snoke, he… He’s a part of it.”  

With the tip of her finger, Rey touches the rough skin of his knuckles. He smiles, his mouth twitching upward uncontrollably, and she’s amazed that a gesture so small can have such an impact on him.

“Money,” he spits like the word itself is dirty. “Rigged tenders. False privatizations. Giveaway of state property to regime bootlickers. Well-paid positions in steering committees of public companies—places from which you can steal unpunished and fill your own pockets while pushing the country into bankruptcy. It’s… It’s selfish. And so… So shameful, Rey. That’s not what the First Order was created for. We were supposed to help the people, not fucking add to their misery.”

She finally places her hand on top of his, and he immediately entwines their fingers, pulling her closer.

“Armitage, he’s having a blast. I mean, of course he is. Fucking coward, always so pristine. Never had the guts to get his hands dirty and actually do anything useful. I’m not surprised in the least. But I, Rey… I…”

He looks at her, clutching her hand, his eyes suddenly glassy, and she understands that he needs her help.

“You want out?” she suggests. 

He nods, and for a moment she fears he’ll fall apart right then and there, a seasoned killer on the verge of tears, squeezing her fingers until they hurt.

“I want it to stop!”

Rey stands up from her chair and walks around the table. When she approaches him, he hugs her, wrapping his arms around her hips, nuzzling his face against her stomach, and he inhales her scent, the tip of his nose pressing into her navel.

“I want it to stop,” he repeats. “I didn’t… I didn’t fight in this war so that it all ends in corruption and greed. I want no part in that. It’s not who I am, Rey.”

Kylo shakes his head, his forehead rubbing into her belly, and she holds him without a word. She’s afraid to interrupt him, now that he has finally started talking, and he still hasn’t said what she wants to hear.

He’s silent for a while, his breathing heavy, his shoulders shivering.

“I’m done with it, love,” he admits at last. “I can’t put up with this any longer. I’m done.”

And there it is. The relief she feels is so strong it terrifies her.

“It’s okay, Kylo.” She leans down to kiss the parting in his hair. “Hush. It’s okay. I’m here.”

“Don’t leave me.”

“I won’t.” Rey gently squeezes the tip of his ear. “I’m staying. I’ll help you. We’ll find a way out.”

Kylo nods and holds her tighter, until his breathing calms down and his hands stop trembling and his hug starts feeling like a lover’s embrace, and not like a drowning man grasping for life. She doesn’t know how much time has passed—their food will get cold. Not that it matters.

It dawns on her that she promised she’d stay for the night. Or forever, perhaps. An abrupt surge of fear crawls up her throat.

Then again, this is good, isn’t it? Couldn’t be better. It’s a victory. He wants out. He’s willing to let the past die—he said so. And that means there could be hope for them. Actual hope. Even though he’s thoroughly fucked up, and she has no idea what she’s doing, and she isn’t even sure what she’s hoping for. 

“I love you,” he blurts.

Rey’s heartbeat quickens.

“I know,” she replies after a while. “Monster.”

A soft chuckle huffs against her wrinkled blouse.

“Yes, I am. But I’m your monster.”

Even if she won’t admit it, Rey likes how it sounds. Tenderly, she grasps his chin and tilts it up, caressing his beard, tucking his hair behind his ears so that she can see his face.

“Look what you’ve done.” She points at the bruise on her neck.

Kylo grins, suddenly very pleased, and she can’t stop thinking it’s his chipped fang that left the mark.

“Does it bother you?” 

Rey gives an exaggerated pout. “People will ask.”

“So let them,” he says, all smiles, and he looks fucking happy again. “They should know you’re taken.”

“I am?”

“You’re mine even when you’re not mine,” Kylo declares seriously, one hand slipping under her clothes to stroke her back, and a wave of shivers runs down her spine. “Never forget that.” He lifts her blouse and places a quick kiss on her stomach. “Now go bathe, my love. You still look like a raccoon.”

She pushes him so hard he almost falls off the chair.

In the bathroom, Rey takes her time. She soaks in warm water until her fingers prune up, scrubbing her skin, massaging her scalp as if she wants to chase away a headache she doesn’t have. She’s using his soap—they’ll smell the same now, clean and generic and manly. It’s funny, sort of.

Long baths are not a habit of hers, but she needs this moment to herself.

She wonders what just happened there in the dining room.

He’s done with the First Order. His own words. Fuck.

But can he really walk away just like that, without consequences? Is it possible? Will Snoke allow it, if he’s used to Kylo doing the dirty work? Will his life be in danger?

She promised she’d help. She fucking means it. It’s just that she doesn’t know what to do.

She tries to imagine asking someone for advice—the General maybe, or Professor Holdo, or even Poe. But how would she explain? My war criminal boyfriend needs help to get away from his past. He has killed people, you see, for which he’s not exactly sorry, but all these financial scams are making him feel really bad.

How would they look at her if she were to say something like that?

Finn would kill her without a second thought. Then again, after last night’s blunder, Finn’s opinion doesn’t bear the same weight anymore.

In that moment, the phone rings anew, but the sound is quickly cut short by a loud bang—as if an object is smashed against the wall.

So he finally did it. Rage-possessed tantrum-throwing monster.

Her monster.

Rey pulls the plug out from the bathtub and watches the water drain away, a tiny whirlpool spiraling between her feet. Suddenly she feels very cold.

She returns to the living room dressed in his t-shirt that falls to her mid-thighs, and sweatpants so large she had to secure them around her waist with her hairgrip. Kylo is slumped on the couch, his face lighting up with a smile when he sees her—it seems that he likes how his clothes engulf her body.

The remains of the phone are scattered across the floor, and there's an ugly dent in the immaculately white wall. Rey laughs, because she doesn’t know how else to react.

“Armitage was persistent, I take it?”

“Told him not to call again,” Kylo hisses. “Dickhead.”

Without the phone, she’s cut off from the world, Rey realizes. She'd wanted to call Finn—to wish him a happy new year, yell at him for being an idiot, and tell him not to worry, even though she’d be gone for a while. Finn will be on pins and needles with no news from her—and now she can't contact him.

“Rey?” Kylo panics, because of course he does. “Is everything alright?”

She fakes a smile. “I’m okay.”

The couch squeals as she sits next to him, folding her legs. Kylo reaches out and wraps his hand around her bare ankle, as if he’s afraid that if he doesn’t hold her in place, she’ll vanish. His palm is dry and warm, and he tenderly rubs her joint with his thumb.

It feels so nice her toes curl.

She promised she’d stay. She did. Now what?

“What do you do with yourself?” she asks. “Alone all day long in this place. No books, no music, no TV. It’s almost like solitary confinement.”

“Well, uh… Well. I’m not here all the time.” His hand trails up her calf, massaging the tense muscles. “I do stuff for Snoke. I organize things with Armitage. Takes a lot of willpower to work with him. Or I go to the gym. I told you that. The gym helps. But when I’m here on my own, I… I hit the bottle. Don’t hate me for it. And I think.”

“What do you think about?” She leans into his touch.

“You, very often.”

“That’s creepy.” Rey frowns. “And obsessive.”

“But I am creepy and obsessive,” he agrees, his grin too wide. “You know that. I’m a freak.”

She places her foot on his thigh, to give him better access, and watches as his large hand disappears up the loose hem of her sweatpants.

“When did you stop being Ben?”

She doesn’t know why she asks that.

He freezes, his fingers pressing into the skin of her calf.

“My father told you about my birth name?”

It’s fucking surreal, to hear him mention Han so casually after everything. After yesterday.

“He did.” 

Kylo grinds his teeth, a sign indicating that a temper fit is not far away, and Rey tenses in expectation.

“I always hated that name.” 

She makes herself giggle, poking at his arm to lighten the mood. “Why? Ben is too plain for a prince of darkness?”

“It’s not about that,” he grumbles, his forehead creasing. “Come. I need you closer.”

He lays back on the couch and pulls her into his arms, placing her head on his shoulder. He’s so warm, comfortable even, although his body is anything but soft. She can feel his heartbeat. 

“I was named after a family friend,” Kylo explains. “Old Ben Kenobi. He died shortly before my birth. It was my mother’s idea, like most of the things in my childhood—I don’t think anyone had asked for Han’s opinion. And it’s not that the name’s old-fashioned. Or, um, plain. It’s that it came with a set of expectations.

He laughs, but it’s a brittle, unamused sound.

“Like Old Ben, I was expected to be graceful, and wise, and noble. Well-tempered. Well-behaved. Charming too, preferably. The ideal offspring of a proud lineage. And, well, it backfired big time.”

Rey tries to picture Kylo’s mother—ambitious and smart, slightly spoiled, raised for great things, too young to have a child, giving her son a meaningful name as if she were casting a spell. She must have been beautiful, Rey imagines, in her white summer dresses that Han used to love so much. She must have been so hopeful for her baby boy, only to watch it come crashing down.

For some reason, Rey resents the woman.

She snuggles closer into Kylo’s arms, kissing his neck, rubbing the tip of her nose against the stubble on his cheek. It scratches.

“I never met Old Ben. Obviously. Maybe he was a great guy, y’know. Someone you’d want to be friends with.” Kylo turns to face her, and from up close, she sees the specks of amber in his dark eyes. “But fuck, Rey, I spent my childhood hating him. See, no matter what I did or how hard I tried, while I still tried, it was never good enough for them. I was clumsy and ugly and, uh, unhinged, they saidnot even close to good Old Ben. Never living up to expectations.”

Sighing bitterly, he bites his bottom lip, and Rey decides that she too hates the word 'unhinged'.

“So it’s not that I stopped being Ben, y’know. It’s more that I never was.”

Rey sits up on the couch.

For a second, he frowns in panic, unsure why she’d leave his embrace. But then she straddles him, sitting on his thighs, one hand on his chest, the other cupping his scarred cheek. She holds his gaze, and slowly, almost solemnly, says the words she believes he needs to hear.

“You’re not ugly, Kylo.”

He blinks at her, confused like he can't fathom he could be anything but hideous.

“No?”

“Actually, I find you quite attractive.”

Kylo’s eyes widen—she’s certain that no one has ever told him anything similar, and it breaks her heart, a little. 

“You do? Even... even with the scar?”

Rey smirks. “Chicks dig scars.”

“I don’t care what chicks dig.” He reaches out to place his hand on the base of her neck. “I only care about what you think.”

Face tilted to the side, she studies him. He's exposed like a raw nerve, lying flat beneath her like this, all lost and love-starved. A baffling need to protect him floods her thoughts, to fucking shield him from the world—a man ten years her senior, large and mad and dangerous, with undried blood on his hands and a head full of crazy ideas. 

Shit. Is this love? Is this how it feels?

“I like how you look,” she says, brushing her thumb across his lips—they're velvet-soft. “I like your moles. And your big nose. And your eyes. Took me a while to figure out their exact color.”

With the hand resting on his chest, she pulls at his clothes, suddenly hating the fabric that’s keeping them apart.

“I think your hair is beautiful. Seriously, Kylo, what do you do to make it so silky?” Her fingers are in his locks now, tangled in the messy black waves. “Your ears are adorable. I want to touch them all the time. I also love that you’re tall. And that stupid tooth of yours, chipped as it is, it does things to me.”

He grins, this time with a hint of swagger, and she’s happy that she gives him confidence.

“I even like the scar,” she concludes. “It’s a part of you now.”

Kylo holds his breath, looking at her in awe, defenseless. The tips of his fingers dig into her shoulder in a greedy gesture that sends a shiver of heat down her body.

“You… You want me?”

He'd asked her something similar once before, she remembers, on her fifteenth birthday, when she was crippled by shame and guilt and a lie she'd told without even knowing why. It was easier to answer back then. It didn’t imply things.

She senses she’s blushing.

“Why do you ask, when you know the answer?”

“Say it,” he pleads, his voice soft and deep. “Please.”

Rey closes her eyes and slides her hands under his clothes, feeling the firm muscles of his stomach, the smoothness of his skin. His chest is hairless, slick with sweat and so very broad. She hears him stifle a moan.

“I do,” she confesses finally. She isn’t sure why it took her so long. “I want you.”

It’s what he was waiting for.

Kylo lurches forward, pulling her into a kiss. It’s all tongue and teeth again, needy, messy, soft bites between strangled groans, as if he can't stop until he runs out of breath, but she’s learning to like it that way. She tugs at the bottom of the fucking hoodie—it’s in the way. Kylo laughs between kisses, understanding what she wants, and in a quick move, he pulls it up and over his head.

It ruffles his hair, static crackling quietly. 

Rey takes in his body. Pale skin glows in the dim bedroom, and moles spread down his neck and all the way to his chest, a constellation of black dots she wants to trace with her finger. There’s a round scar on his left shoulder—an old bullet wound, she assumes. It must have hurt, getting shot in the bone like that. It must have taken a long time to recover. She wonders if it ever aches, when the weather turns, like they say that old wounds do.

“Don’t be shy, love,” Kylo whispers, though he’s the one blushing so deeply that even his neck turns a pale pink. “I’m yours to touch.”

She caresses his shoulder, tentatively. The texture of the scar is coarse. She sees goosebumps rising on his skin.

Then, while she still has the courage, she grabs the hem of her own t-shirt and takes it off.

She’s never been naked in front of someone before—not even in the Home, where it had taken a lot of yelling and threats to ensure her right to privacy. Her first impulse is to cover her breasts, small as they are, but she clenches her fists, forcing herself to keep her hands on her thighs.

Kylo’s pupils widen. His eyes turn so dark they’re almost black, and he licks his trembling lips. He desires her, she realizes. She was well aware of it before, of course, but the thought was kind of abstract—naïve, almost. This is too fucking real. He swallows heavily, his gaze going down to the hollow between her breasts, to the freckled skin of her stomach, and even lower, where her hairgrip keeps the too-large sweatpants on her hips. She can read on his face how carnal his desire is, what he wants to do to her. What he will do to her.

Suddenly she feels very young, and she needs to remind herself that she is not afraid.

He reaches for her body, and she thinks he’ll touch her breasts, but he doesn’t. Instead, he lays his palm flat on her chest, right on her heart, pressing into her ribcage. He smiles lightly, as if he’s very pleased to discover how quickly her heart beats: it flutters.

“Bed?” Kylo asks, breathless.

She nods.

He picks her up in his arms, bridal style—she didn’t expect it, and for a moment she’s startled, grasping too tightly at his neck. Footsteps stomp across the carpet like a heavy beat. He is fucking strong, it’s the first time she sees his strength for herself—it makes her feel weightless and small, as if he can snap her in two. It’s exciting, and manly in a stupidly primal sense. His muscles tense against her bare skin as he carries her to the bedroom, and she bites his shoulder, chuckling when he gasps.

“I’ll drop you,” he protests.

“Then we’ll continue on the floor.” She doesn’t know where this boldness comes from, because she’s mortified.

He shivers, pushing open the bedroom door. “Say it again, love, and I will drop you.” 

The bed is crumpled, like he hasn’t bothered to make it for days, and the sheets are unpleasantly cold. Still, it smells of him—his cologne and sweat and that distinctive scent of his hair—and it fills her senses with a strange, bone-deep yearning. As he lays her down on the sheets, she pulls him on top of her, and giggles when he almost loses balance.

The hairgrip falls from her sweatpants, plastic thudding loudly as it rolls onto the floor, and her hips are revealed. Kylo quivers. He kisses her again, one hand on her hipbone, the other fumbling with the fabric, tugging the sweatpants down. She lets him. She savors the softness of his lips, the bristling of his beard, the tangy taste of his sweat on the tip of her tongue. It makes her dizzy. She thinks she’ll choke, and yet, she can’t get enough.

Then, all of a sudden, she senses a hardness pressing into her leg, rubbing against her thigh.

“Stop,” she says, but he’s too far gone to listen, so she has to shout. “Stop!”

Kylo freezes—in an instant, all the bravado is gone.

He pulls back from her, panting. He’s confused, she sees—his eyes are covered by strands of hair as he bows his head down, but she can still tell they’re filled with fear.

“You don’t want this?”

Fuck his insecurities and the constant need for reassurance.

Then again, she knows that if she were to reject him, he’d let her walk away without a word. The thought is empowering—and sort of sad, a little.

“No, Kylo, no, it’s not that.” She leans forward to quickly kiss him, because he needs it. “It’s just… Do you have something, you know… Like protection, or something?”

She has to be responsible.

She has allowed her world to crash and burn in a matter of days, all carefully laid plans and firm decisions thrown away like yesterday’s trash. She must keep at least a sliver of control.

“No.” He shrugs awkwardly, his palms still caressing her hips, like he’s afraid to let go. “It’s not like I bring women in here. Or that I expected things to happen with you now.”

Damn you, Kylo.

Then, a strange thought occurs to her.

“You… You’ve done it before? Right?”

He gives her a rushed nod, avoiding her eyes, as if he’s ashamed of the answer.

“I have, a few times. But never properly. And it was a very long time ago. During my clubbing years. Long before I met you.”

She feels an inexplicable surge of jealousy. It’s ridiculous—even if he’s never been in a relationship, of course he has some experience, he’s almost thirty. It was stupid to assume otherwise. Yet she draws her nails across his back possessively, enjoying how he shudders under her touch. She hopes she’s left marks.

“I can be careful. I can,” he whispers into her ear, caressing the skin of her neck. “Trust me. But if you don’t want this now, love, we don’t have to.”

Rey pauses. That would be the right decision to make—to stop while it’s not too late, to wait, to think about all of this once again.

To change her mind.

“I want you, I said. And I do want to do this.”

She gives him a long kiss, a greedy one, the kind she knows he likes, sucking his bottom lip between her teeth. He moans, and it makes her see stars.

“But please be careful. Please. We cannot…”

“I know, Rey.” He tenderly presses their foreheads together, and for a moment she thinks she can forget he’s a monster. “I know. You’re still too young, love. I won’t do anything stupid. Promise.”

She nods, and lifts her hips from the mattress so he can pull the sweatpants all the way down. Clothes hiss as they rumple on the floor, but she doesn’t raise her head to see where they fell. She must be quite a sight—sprawled naked on his bed, amidst the wrinkled sheets, her hair disheveled, her lips parted, waiting for him to climb on top of her.

When they'd first met, during an equally cold winter a fucking lifetime ago, it had taken them five months to dare to hold hands. Now, less than a week has passed since they reconnected, and here she is. After everything.

What a first day of the year.

His hand trails down her body, caressing her breasts and the side of her waist, circling around her navel, softly tickling the skin above her mound, and then sliding down.

He touches her there.

The sensation is odd, foreign—his fingers are too large, too rough-skinned, and he doesn’t know where to press to make it feel good. She’ll need too much time to get used to this. But he’s trying, gently, patiently, his fingertips exploring deeper into her folds, his breath hot and labored against her throat—and ah, ah, there it is.

A familiar excitement stirs between her legs, winding up, tightening. She hears herself whimper, and presses her hips upward to meet the movements of his hand. It’s so near, so near, simmering, almost within her reach, and yet she can’t really let herself go. 

She grabs his wrist, stopping him.

“Come,” she says, before he can start agonizing over what went wrong. “Come to me.”

Hurriedly, he slides his sweatpants down his legs, kicking them off, and Rey closes her eyes.

She doesn’t understand where this sudden shyness comes from, but she can't make herself look at him down there. Naked. Hard from his desire for her. The tip of his arousal brushes against the skin of her thigh. It gives her goosebumps, and her mouth goes dry—she isn’t sure if it’s anticipation or fear.

“Love,” Kylo whispers too softly, stroking her hair. “We can still stop.”

“No.”

“Look at me, then.”

Slowly, Rey peeks through her eyelashes, and sees all it in his face—love, loneliness, bliss, crippling self-doubts, a lust so strong that it clouds his mind, and unconditional surrender to whatever she may choose. He can't believe this is happening. 

Despite his age and a few fumbling one-night stands in some nightclubs god knows where, he obviously has very little experience. It’s endearing how he pretends that he knows what he’s doing, while in truth he’s as scared as she is, if not more. It devastates her, his tenderness, his devotion, it makes her feel naked with more than just clothes, and she’s filled with a deep sense of sadness that mixes with a dazzling joy.

Can you love a monster?

“Come to me,” she repeats.

In a swift movement, he pushes forward and sinks into her.

Rey is not uninformed. She knows it’s supposed to hurt. Discomfort is normal, they say. It will pass after a while.

But she wasn’t prepared for a surge of pain so strong it feels like it’s splitting her in half. She digs her nails into his shoulders and winces, stifling a cry.

“It's okay, my love.” Kylo kisses her forehead. “It's okay. Just breathe.”

She nods, trying to relax. It’s not easy, her core burns and beads of sweat form on her brow, but it helps when he resumes his kisses, his tongue in her mouth, his beard tickling her jawline. She catches herself wishing he’ll leave new bite marks on her neck.

Then, he starts moving.

He wants to be gentle, she sees, to take it slowly, and she loves him for it. But soon enough, it seems it’s too much for him. He loses control, picking up the pace, rutting his hips into her, grunting quietly, a low rumble that vibrates deep inside his throat. She likes the sound. The pain lessens, to her surprise, and for a moment she almost believes that this can feel nice, good even. Her body is responding, opening up to his pleasure, and she moans—is that her voice?

But then it’s all over.

He pulls out, urgently, shuddering on top of her, and she senses hot strings of liquid spilling on her belly.

“I’m sorry,” he whispers, his voice stuttering. “I’m sorry, I’m so sorry…”

It takes her a moment to process what just happened.

Kylo collapses on the bed next to her, his breath still shaky, pulling her into his arms, skin to skin. He’s sweating, and tastes of salt when she kisses the bullet scar on his shoulder.

He shouldn’t apologize, she thinks. Not for that.

“Don’t be sorry. It’s normal.”

She even finds it sweet, a little, but she doesn’t say it.

“Did it hurt… Did it hurt too much?”

Rey squeezes her thighs together, savoring the soreness.

“That’s normal too.” She wonders if she bled. “I didn’t mind.”

He gives her a light kiss in the corner of her mouth, wrapping himself around her like he did while they slept on the couch. She enjoys the pressure of his weight. 

“Fuck. I didn’t… I didn’t last even for two minutes.”

Rey grins, very childishly, and touches the tip of his nose the way he likes to touch hers. “A dry spell can do that, or so I’ve heard.”

His look is wide-eyed, vulnerably intense, and she fears he’ll ask her if she regrets it. But then he smiles, his expression both shy and smug.

“We’ll need to practice.”

The way he says it sends a swift flush of heat to her lower belly, and her cheeks heat up.

His seed is cooling on her skin, drying, dripping down her side, but instead of finding it repulsive, she’s strangely aroused.

“I should go wash.”

“Don’t, not yet.” He hugs her tighter. “Please stay like this for a moment longer.”

It’s so comfortable it’s difficult to disobey.

She wonders if she should feel any different. This is supposed to be a big step in her life, the rite of passage into womanhood. So many books and movies and TV shows glorify this moment. Rose often talks about it, gulping down her trashy romance novels and daydreaming about the ideal boy she’ll never meet.

But oddly, Rey feels unchanged. There’s just more of him in her world now, right where she thought he'd belonged, once—her damaged goods of a man, her first to love, first to kiss, first to sleep with. Her monster.

“Are you sleepy?” Kylo asks, whispering into her hair.

“A bit.” She’s barely keeping her eyes open. “We didn’t get much rest yesterday, on the couch and all. And it’s been an, um… an eventful day.”

She doesn’t know what time it is. Early afternoon, perhaps? Or later? It’s getting dark outside already, shadows gathering in the bedroom, but with everything that happened, it’s difficult to tell the passage of time. As if it has stopped at some point.

Kylo chuckles, caressing her cheek. “So sleep, my love. I’ll watch over you.”

She closes her eyes, cuddling into his arms.

He wants to leave the First Order, she repeats to herself. Maybe they can pull this off. Maybe they can be normal. Maybe they can have a fucking future.

But as she sinks into sleep, there’s only one thought on her mind.

If she has allowed all this to happen, if she’s as happy about it as he is, then what does it say about her?

 

Notes:

For the past 15 years, I've been sharing a teeny tiny bed with my husband. From personal experience, I can say there's nothing more endearing and less comfortable than when a man who's 6.2 tall, with 200 pounds of hard muscle, sleeps on top of you.

Time for cultural notes! The name of the chapter comes from EKV, a famous local rock band that was really big in the late 80's - very early 90's. Its music had a very specific, haunting mood, and all its core members - like, literally, ALL FIVE of them - died premature, tragic and sometimes miserable deaths. Therefore, EKV is seen as a cult band, the symbol of the doomed generation that hit their late twenties and early thirties during the Lost Decade, and bore the brunt of all the shit that was happening during the Yugoslav Wars - the generation that my Kylo belongs to.

The song "7 dana" at first sounds all sensual and sexy, if a tad dark and obsessive - like a ballad about two desperate people who only have each other. The lyrics speak about the need for closeness, about showing one's true self, about yearning embraces and sweaty skin, and they include lines like "If it hurts, let it hurt" or "Rein in your fear under my body" or "Stop the passage of time/And save yourself for me". However, "7 dana" is not a love song - it is about heroin addiction, and going cold turkey.

I find it oddly appropriate for these two.


EDIT APRIL 2020

My readers are the best crowd out there! An artist who was reading the story, Jen, felt inspired to illustrate this chapter, and I got an art gift, and it's awesome! Just look at the details - Rey's freckles, Kylo's bullet scar on his shoulder... But what got me squealing are the blood drops and the word "monster" written like that. I can totally imagine Rey whispering it in this moment! 💓💓💓

 


Chapter 15: Seven Days, neither up nor down - part II

Summary:

She’s forgotten there’s a world outside.

Notes:

Beta'd by KathKnight

(See the end of the chapter for more notes.)

Chapter Text

 

Seven Days, Neither Up Nor Down

part II

 

 

In the early afternoon of January 3rd, it begins to snow.

The snowflakes are large and feathery, stark white against the ashen sky. They fall to the ground with a calming laziness fit for the holiday standstill, first melting as soon as they touch the windowsill, then gradually piling up. It’s hypnotizing to observe.

The day is quiet, and there is no wind. Rey sits by the window in the kitchen, watching as the snow covers the houses across the street—the bright orange roof tiles, the antennas and satellite dishes, the balconies with rusty iron fences, the ceramic pots with brown remains of dried flowers. At this rate, soon they’ll be snowed in. At least that will give them a proper excuse not to go out.

Behind her, Kylo is washing dishes. Now and then, she glances at him, observing how the muscles on his back move as he soaps and scrubs the plates. For lunch, he made chicken marinated in soy sauce, with thin rice noodles and chewy black mushrooms whose tangy flavor was a pleasant surprise. She’d call it Chinese food, even though he passionately argued that it was nothing like what people actually eat in China. Rey smiles—that man and his cooking. No wonder that the kitchen is the only place in the apartment that actually resembles him.

Kylo is humming while he works, but it’s too soft and quiet, so she can't recognize the song. His voice is lovely, though—rich and deep and melancholy. She’s certain he’s not aware of it.

His happiness is such a rare, precious thing, Rey thinks. Fragile and difficult to attain.

And it belongs to her.

“We’re running low on groceries,” Kylo says as he’s finished with the dishes, wiping his hands with the kitchen cloth. “I need to do some shopping. The stores should be open by today. Wanna come with me?”

Rey imagines getting dressed, going out into the cold, feeling the crisp winter air and the snowflakes melting on her skin.

“No.” It’s too comfortable idling around in the overheated apartment, wearing nothing but his too-large t-shirt. She gave up on the sweatpants a while ago.

“Is there something you’d like me to buy?”

She thinks for a moment. “Chocolate. But the good one. With whole hazelnuts.”

Kylo chuckles, his eyes full of warmth. “You’ll never stop being a kid, will you?”

Rey sticks out her tongue, and he laughs louder, but then his expression turns serious.

“Um, I’ll also…” The tips of his ears redden. “I’ll also get condoms.”

She nods vigorously, feeling that she’s blushing too.

They’ve been practicing.

A lot.

Three times in the bedroom, twice on the couch, once in the bathroom.

And once on the kitchen floor.

Rey giggles to herself.

It’s getting better. She’s nearly there. He slides in with ease now, the discomfort all but gone, and he lasts longer, but he still hastily pulls out before she can reach her relief. It seems that the promise of her pleasure pushes him over the edge—just as she begins moaning aloud, letting go with abandon and angling her hips to meet his thrusts where it feels good, he’s done. Oddly enough, Rey doesn’t find it frustrating. She loves watching him when he comes. He’s beautiful: his eyes roll back, a slight frown creasing his forehead, he bites his lip and he growls, a deep sound coming from the bottom of his stomach. And then he spills, trembling and calling her name, and he’s too dizzy to get up or clean them up or even move. Whatever he feels, it must be earth-shattering. She wants it too.

She wants more.

Still, Rey enjoys it. He tells her he loves her when he’s inside of her, between hungry kisses and heavy thrusts, and Rey can’t get enough. He lets her explore his body. She adores the firmness of his chest muscles, his strong long legs, his wide hips, the trail of hair that begins below his navel and goes all the way down. The first time she touched him there, wrapping her fingers around his arousal, she was surprised by how it felt—thick and heavy, rock hard, yet delicate, the skin thin and velvety. He let out a muffled grunt that made her mouth water, pressing his forehead against the crook of her neck, and she felt powerful, and cherished, and desired. Thinking about it makes her want to do it again, to jump on him as he’s getting dressed to go out in the cold.

It’s madness what they’re doing, she knows. Madness.

Yet she doesn’t want it to stop.

In the outside world, life goes on. The protests continue into the new year—Rey hears the noise in the evening. She wonders if someone has noticed she’s missing. Finn has, for sure. He must be looking for her by now, raising the alarm bells, contacting her friends, maybe even going to the dorm to see for himself what’s happening. He’ll be raging mad once she comes back, and she still hasn’t thought of a convincing explanation where the fuck she’d been.

She’ll have to come back, sooner or later, won’t she?

But for now, this is good. Just the two of them, alone in the world, while outside it snows.

As she waits, Rey decides how they’ll spend the rest of the afternoon. She rummages through the kitchen drawers, looking for a pair of scissors—a knife would do as well, but she wants it to be symbolic. A step forward in whatever this is that they have. A change.

She places the scissors on the coffee table next to the framed photograph, as conspicuously as she can, and sits on the couch, biding her time. It takes him a while.

“What’s that for?” Kylo asks when he returns, his hands full of bags as if he’s stocked up on supplies for a year-long siege.

Rey gives him a mischievous grin. “Today, we’re going to open the boxes.”

“We are?” He puts the bags on the floor and crouches, picking up the scissors, his expression unreadable.

She kneels next to him and takes his large hand into hers, entwining their fingers.

“It’s time, Kylo,” she says patiently. “You’re changing your life, aren’t you? That means you should face the things you’ve stashed away. They’re a part of you, y’know. Besides, you can't live here like this, with nothing but the furniture. can't live here like this.”

“You want to live here?”

His eyes light up with hope, and she immediately regrets her choice of words. It's not quite what she meant.

Then again, would that really be so horrible?

“Well. It ain’t possible now. There’s school. I can’t disappear just like that from the dorm, you see, even if you pull strings. And, um, I’m a ward of the state for a few more months. Until I'm eighteen. But afterward, I don’t know, then… Then…”

Kylo leans forward and hugs her, kissing the crown of her head. He smells of winter, like snow and charcoal smoke.

“Bring out the fucking boxes.”

There’s a thick layer of dust on the pale cardboard, and the duct tape is dry and brittle. The last time he’d opened the boxes must have been when they’d been meeting at the music market, when he used to bring her things, bits and pieces of his youth. It would be easy to tear the boxes open with bare hands, but she still insists he does it with the scissors. She wants it to feel like a ceremony.

Inside, it’s a mess.

There are books, and pieces of paper with rows upon rows of his neat handwriting, and old clothes, like a washed-out Joy Division t-shirt with ripped-off sleeves. There are CDs and cassettes and even a few vinyl records, and magazine clippings, and crumpled concert tickets too faded to read the name of the band. There are postcards, and photos of a young Kylo—Ben—all lanky and slim and uncomfortable in his own skin, his hair barely reaching his ears. He's in front of the Eiffel Tower, and on the London Bridge, and standing next to a short man with a neat beard in a garden with lavish golden fountains—Peterhof Palace, 1988, it says on the back. The man seems oddly familiar, but she can’t pinpoint why. There are comics in English and French and Italian, or maybe Spanish, she mixes up the two, and a series of bizarre objects that must have curious stories behind them: a small bust of a Roman emperor Rey doesn’t recognize, a skull-shaped beer mug, a large black spider framed in glass, a piece of driftwood with a face carved into it, three elongated silver spoons with a pattern of holes in them—she can’t fathom why someone would need a spoon with holes—and is that a fucking katana?

Sorting through discarded tidbits of a past life gives her an odd sadness, like they're unpacking the belongings of a person long dead, but Rey doesn't show it. She wonders how he'd picked what he'd seal in a box, and what had wound up in the trash.

“What’s with the holes?” she asks, toying with one of the silver spoons.

“It’s for serving absinthe. Sugar cubes should melt on the spoon and slowly drip into the drink. I got it in Berlin.”

“Absinthe?” She lifts the spoon to the light, observing the ornate pattern of holes—it resembles leaf veins. “Like that green thing that the French painters used to drink and everyone went mad?”

Kylo laughs, leaning in to kiss her. “Now you know, my love. I have an excuse for going mad.”

She leaves the spoon on the table and takes the photo from the Peterhof Palace, examining it.

“This is your uncle, I take it?”

Kylo shrugs clumsily, as if he can’t explain why he kept the picture. “I really liked the place, you see. Even though it’s kitsch as fuck. And I don’t have any other photos from there, so yeah.” 

“Well, you’re not tall on that side of the family.” She sees no resemblance at all. The man in the picture is bright-eyed, with a friendly smile and self-confident demeanor, and he radiates an aura of importance, like he’s used to be treated as someone whose opinion matters. Next to him, the boy named Ben looks even more awkward. “Why did you two argue?”

Kylo tenses. “You know about that too?”

“You broke his arm,” Rey says after a long pause. “In two places. Another blackout?”

“It’s the one I’m not sorry for.”

She narrows her eyes. Does this mean he actually regrets his other moments of sanity slippage? Is he even aware of what he can do to people when he loses control, or is it like a hole in his memory?

Could he ever hurt her, if a rage fit hits the roof?

Strangely, Rey doesn’t think so.

“It was because of him,” Kylo says finally, pointing at the framed photo on the coffee table. “Our argument.” 

Rey lifts her eyebrows, confused.

“Wait, what? You broke your uncle’s arm because of your grandfather?” It sounds insane. “How does that even work? Your uncle disapproved that grandpa was a German collaborator, and it made you see red?” 

“Dammit, Rey, don’t jump to conclusions!” Kylo pouts, and surprisingly, he seems offended. “No, it’s not that. What do you take me for? I ain’t one of those creeps who get off on ‘Mein Kampf’, this was something else entirely.”

He extends his arm, and Rey knows—he wants her as close as possible, because the topic is hard for him. She dutifully slides into his embrace.

“It’s a long story, love, and quite fucked up. But okay. Okay. You have the right to know.”

The photo crinkles in her hand. There's a faint rainbow between the fountain sprinklers, faded by the years, hovering above the boy named Ben like a halo.

“I started seeing Professor Snoke shortly before the war. I told you, he’s the first person who made me feel like I shouldn’t hate myself for who I am. But my uncle and Snoke, um, they… They didn’t exactly see eye-to-eye.” Kylo sniggers like he’s made a joke. “Well. My uncle despised everything Snoke stood for. So when he found out I was interested in the First Order, he flipped his lid. Shouted, called me names. He dismissed all my arguments, everything I tried to explain. Didn’t even listen. And then he told me the story of my grandfather.”

Rey frowns questioningly. “You hadn’t heard it before?”

“Fuck, I didn’t even know that grandfather existed.” Kylo pauses, looking at the sepia portrait in the golden frame, and then back at the Peterhof photo. “My mother and uncle were adopted, you see. I didn’t know it until then. They never, ever mentioned their real father. Not even once.” He scoffs. “Anakin, that was his name. Colonel Anakin Skywalker. Nicknamed Vader by the Germans, god knows why. Yes, he was a collaborator. But he did it because he thought it was the only way to stay loyal to the king in the middle of a communist uprising, and I don’t know, love, that deserves some respect, doesn’t it?”

Rey isn’t sure that it does. There are some things that are unforgivable. But she doesn’t think she has the right to protest—not now, when she’s cuddling up in his arms.

“Rumor has it that Anakin was also, uh, prone to rage fits. He was violent, especially during the last years of the war. Did some ugly shit,” he says calmly, like he never committed anything similar. “Eventually, he was captured by the communists and shot without a trial. And my uncle told me, without batting an eye, that I was walking the same path. Not only that I was a mentally unstable piece of work, as he put it, but I was a mentally unstable piece of work about to become a ‘fascist war dog’. He actually used those words. And in the end, he said, I’d meet the same fate—erased from the family, with no one to mention my name. An old shame pushed under the carpet. Forgotten.” His voice sinks to a low growl. “Because I didn’t turn out the way they expected me to.” 

He squeezes her shoulder. His hands begin to tremble, for the first time in days.

“No one deserves to be forgotten just because they’re not who you wanted them to be. You think Anakin Skywalker was a piece of shit? Fine. But fucking say so, instead of pretending that the man never existed. Instead of threatening me with the same.”   

She hesitates, thinking about what he said. “That… That’s what made you lose it?”

He nods slowly. “I remember yelling and hitting him. I remember a crunching sound, I think it was his nose. Then it’s all blank, until I heard my mother’s screams.”

Bloody hell.

Rey doesn’t know how to react. She imagines the boy named Ben swinging his fist at his uncle, the bearded man painfully unsurprised by yet another disappointment until his bones break sharply, piercing the skin. There must have been a lot of blood. She’s horrified, she is, but she also pities the boy he once was. Would he have run to Snoke to become a war dog if his uncle hadn’t made a scene, if it hadn’t ended with a rage fit and a scandal?

Suddenly, she remembers Han’s words. She can't blame the world for Kylo’s mistakes.

But she can try to save him, can’t she?

Rey puts the photo down, flipping it so that the boy and his uncle and glitzy golden fountains are away from sight.

“You’ve never asked me about my family.”

“I haven’t.” Kylo shrugs. “I figured, you’ll tell me yourself when you’re ready. Or you won’t. That’s okay too.”

She smiles and turns to plant a quick kiss on his shaking hand on her shoulder. She’ll never be ready, she knows.

Some things never stop hurting, no matter how good you become at lying to yourself, and it fucking hurts to rip the scabs off wounds.

But the longer she waits, the more difficult it will be to start.

And she needs him to hear this.

“Well. My mother, she… She left me in the Home for Children without Parental Care when I was four,” Rey begins, her voice more resolute than she feels. “I don’t know if the man who was with her was my father. Maybe. Maybe not. On my birth certificate, the father’s name is left blank. She said she’d return to take me back, once she fixed some things that needed fixing. And we’d have a nice life. A house. A dog. All the toys I wanted. And a baby brother, she said, or a little sister.”

Rey takes a deep breath, swallowing heavily.

She’s never shared this with anyone. Not even Finn.

It’s harder than she thought.

“She did visit me a few times. Three, in total, I think. Twice shortly after she left me. Once when I was already five. She brought me a cake, I remember, even though my birthday had long passed, and I blew out the candles, trying to hide how confused I was. It hurt, but I was still happy she came. Funny how some moments stay with you.”

The image is there, when she closes her eyes: the chocolate cake dusted with icing sugar, the flickering of candles, the Home children singing the birthday song, off-key, uninterested in someone else’s happiness. Rey can't recall her mother’s face, not anymore, but she remembers what she’d smelled like—of bubblegum, and old sweat, and a cheap fruity perfume that came in a pink bottle. Strawberry, she thinks. Or cherry.

She feels Kylo’s fingers in her hair, detangling the knots, massaging her scalp. It’s soothing.

“And…?” he asks cautiously.

“And then, one day, she disappeared.”

Rey isn’t sure how long it had taken her to realize that something was amiss. Weeks? Months? Had she even noticed that things had changed, or had she just kept waiting for mother to return?

She focuses on Kylo’s touch. The warmth of his body calms her down, like a goddamn security blanket.

“On a late August morning—it was a warm day, I remember, and I was excited because soon I was about to start school—a woman came to the Home.” The words come a little easier now, almost as if she can’t stop them. “An older woman. Back then she seemed really old to me, but perhaps she was only in her forties. Skinny. Hair in a bun. Men's clothes—a flannel shirt and jeans, I found it funny. A frown on her face. A permanent one, you know the kind—like, you could really see that life had screwed her over more times than she could count. They brought me to her, and she looked at me, she looked at me really carefully, and she wrinkled her nose as if I smelled bad, and she said: ‘I don’t want her.’ Of course, I had no idea what it meant. I didn’t even know who she was.”

It’s strange—while her mother is a distant ghost, all hazy and grey, this woman is a scorching light in her memories, the kind that burns if you get too close. Rey remembers her face like it was yesterday. She’d recognize her in any crowd.

Not that it would help.

“So I spent the next few years waiting for mother to return. And I talked about her—I mocked the other kids, saying my mom did want me back. I didn’t need to impress any potential adoptive parents, I just had to wait. Only, y’know, years passed, and my mother didn’t come for me. So, yeah. I think I was nine, or even ten, when Unkar—I don’t know if I mentioned him before, he was a live-in caretaker in the Home, an awful man—told me my mom was dead. Overdosed on heroin. She was a fucking junkie, and a whore, and he was doing me a favor by breaking my delusions. That woman who came to see me, he said, that was my grandmother. Of course she didn’t want me. No one wants a whore’s daughter.”

There—she said it. In the end, it’s just words.

But for a time, that had been her nickname in the Home. The children had run wild with it, the little shits—it had allowed them to get back at her for all her tall tales of a loving mother and a house and a dog. She’d hated it, while it lasted.

Until, one day, she’d decided she would be Rey.

“To prove I ain’t just a whore’s daughter, I made a set of rules.” She raises her hands and starts counting on her fingers. “Excel in school. Stay out of trouble. Work hard. Learn everything you can. Be respectful and respectable—but not soft and spineless, you must show people there are boundaries. Never hit it off with the wrong crowd, which was fucking hard, because sooner or later, every crowd was wrong. No wonder I was friendless. And never, ever fool around with boys—for little girls from the Home, that was the quickest way to fall from grace. It wasn’t always easy to follow the rules, y’know. But I was managing, I was. Only my grandmother never came back to see what a good girl I’d become. Not even to check if I was still alive. And years went by. And then…”

Rey turns to face him, touching his mouth lightly, tracing his scar with her fingers.

“Then I met you, Kylo.” She smiles, because if she doesn’t, she’ll begin to cry, and she’s had enough of tears. “You’re the only one who ever came back to me. Remember that? Because I do. And you know what? Fuck our families that didn’t want us. want you. That’s the only thing that matters.” 

Three days into their bliss, and she still hasn’t told him that she loves him. It’s stupid, her hesitancy. She’s crossed all the other lines, consequences be damned, but these words are still stuck in her throat. 

Rey knows very well why she can’t say it. But for one afternoon, she’s already pushed herself too far.

“Fuck them,” she repeats instead. “I’ll be your family.”

Kylo’s eyes widen, glistening with that heated intensity that’s at the same time brittle and mad. And then he smiles, delighted, as if he’s finally gotten what he wanted.

“Rey,” he says solemnly. “You know I’ll never leave you.”

She nods. “I do.”

“That woman didn’t deserve you. I can find her, if you want. Just say the word, love, and I’ll bring you her head on a silver platter.”

Rey pulls back. For a moment, she can’t tell if he’s joking. It frightens her how easily she can imagine him doing it—snarling, drawing blood, shattering bones with his bare hands, giving in to self-righteous anger, his eyes glowing yellow. It frightens her more that she’s not appalled. 

But then he laughs, shaking his head like he can’t believe she took him seriously. His grin spreads wide and his sharp teeth flash in the dark afternoon. She wants them on her skin, she thinks.

“Monster.” She pushes him away playfully.

He kisses her neck. “At your service.”

Later in the evening, as they tumble in bed on freshly changed sheets and Rey pretends not to hear the sound of rattles and whistle blows coming from the outside, she notices that his kisses are different. Slow. Lazy. Sated, almost. The possessiveness is still there, which she likes, but there's no greed, no hunger. No rush.   

She tries to pull him toward her impatiently, wrapping her legs around his waist, but he resists.

“I want to try something, love,” he whispers, lowering himself on the bed, his voice husky and deep. “I want to make it really good for you.”

She guesses what he’s about to do. Her heart beats in her throat, quickening in anticipation, and goosebumps prickle all the way down her back. She’s scared.

She’s been hoping for this.

When he spreads her open, baring everything under the dim lights of the bedroom, there’s no room for shame. The first touch of his tongue between her legs makes her quiver, and she gasps—it’s wet and warm, slick, so soft, so different than fingers. It slides with ease, every movement eliciting new sensations. His breath is heavy and hot, and the tips of his ears tickle the inside of her thighs.

Rey moans too loudly, and Kylo chuckles, following her lead as to what feels good. She squirms, but he places his hands on her hipbones, steadying her. His palms are rough. She raises her head to look at him, and he holds her gaze—his eyes darkened, and lustful, and burning with need, but confident, like he’s finally in control. He’s enjoying this, she sees. She wonders how hard he is.

“Let go, love,” he pleads, nipping gently the sensitive skin of her inner thighs. “Let yourself go for me.”

The pressure builds up quickly, some of it from the flicks of his tongue, some from the sheer thought of what they’re doing. It overwhelms her, coiling tightly between her legs, spiraling up her belly, making her toes curl—it’s almost unbearable. She hears herself shout, no, scream, and she laughs—the neighbors will know.

Or they won’t, she suddenly thinks. Outside, there’s the noise, louder than any sound, and her friends march in the snow, while she’s lying in the bed of a war criminal, his mouth on her mound.

It’s in that moment that the peak hits her.

It feels like falling.

Rey clutches the crisp, clean bedsheets and grabs a fistful of his hair with her other hand, and she falls, breathless. The world melts around her, dissolving into pleasure, into nothingness, making her head spin. It ruins her. She trembles, pulling his hair hard, listening to his groans, and she lets go.

Fuck.

This, the neighbors must have heard.

Kylo climbs on top of her, his patience running low. He slides in—and god, it isn’t over yet, it ripples through her like a drowning wave as he fills her. He didn’t put the condom on, she doesn’t think so, but at this point she’s beyond caring. She just wants him there.

“Mine,” he grunts as he shivers inside of her, a heartbeat away from his own release. “You’re mine.”

“Fuck you, Kylo,” she says, raking her nails across the sweaty skin of his back. “You’re mine too.”

She smiles, satisfied, as he pulls out in the nick of time, his spend squirting all the way to her throat.  

That night, Rey lays with her head on his chest, tracing patterns on his bone-white skin. It’s calming—his steady breath, the rhythmic rise and fall of his ribcage. It allows her to feel small.

Outside, the noise has stopped.

“So much for clean sheets,” she murmurs sleepily. “And condoms.”

He kisses her forehead like she’s a child. “There’s always tomorrow.”

Is there, though?

It’s been three days that she hasn’t left his apartment, and this can’t go on for much longer.

“What are we going to do, Kylo?”

“Take it one day at a time?” he suggests. “I don’t know. We’ll think of something.”

They cuddle in silence, and she almost drifts into sleep.

“Did you like it?” he suddenly asks.

It makes her roll her eyes. Then again, there’s something disarmingly boyish in his question, insecure and eager to please—the pure opposite of the man who made her scream an hour ago. She can’t hold it against him.

“You just had to ask, didn’t you?” She touches the tip of his nose. “I thought it was obvious.”

He chuckles. “It was my first time.”

“I know.” She returns the smile. “We’re both absolute beginners, aren’t we? And we found ourselves neck-deep in shit.”

“We’ll make it, my love.” Kylo sighs, shifting to curl himself around her the way he likes. “You’ll see. We’ll make it.”

Rey holds onto his words as she falls into a dreamless slumber.

On January 4th, she spends the entire morning reading a comic she found in one of the boxes—or a “graphic novel”, as Kylo insists.

It’s as thick as a book, and it has an oddly designed cover, with a zoomed-in yellow smiley face splotched with what may be either blood or a ketchup stain. It’s in English, so she reads slowly, struggling with the slang, frustrated because too many pop-culture references fly over her head. Kylo helps her, translating entire sentences, correcting her pronunciation, explaining the meaning of words and the context of the '80s comics. Nerd. She can tell he’s having fun—just like with the music, he loves being her teacher. Until it’s time to make lunch, he sits on the couch by her side, watching her as she reads, ready to answer questions, a stupidly sweet smile on his face.

The comic is all about superheroes. The American comics usually are, from what Rey knows—though she never got further than a campy Batman flick she’d watched last summer with Finn on a pirated videotape, in which the actor who played Jim Morrison embarrassed himself for what must have been a hefty paycheck. But this is different. Serious. Cynical. Mean, even. As if it takes the fantasy idea of people donning silly costumes to fight for justice and applies brutal realism to it, until the characters are laid bare and there’s nowhere to hide from the ugliness of the world. At times, it’s painful to read, too dark, too honest, and she isn’t sure she always likes it, but it’s gripping. Rey can't stop.

“So who’s your favorite character?” she asks as she reaches the last pages.

“Rorschach, of course,” Kylo shouts from the kitchen. He paces back to the living room and starts reciting in a changed voice. “The streets are extended gutters and the gutters are full of blood and when the drains finally scab over all the vermin will drown. The accumulated filth of all their sex and murder will foam up about their waists and all the whores and politicians will look up and shout ‘Save us!’... and I'll look down, and whisper ‘No’. Fuck, after all these years, I still remember that quote word for word.

Rey laughs—she isn’t surprised. “I knew it. And I bet you hate Ozymandias.”

He wrinkles his nose. “Lying son of a bitch. How can I not hate him?”

She puts the comic in her lap. “But he made hard decisions and did ugly shit and got blood on his hands for a higher cause. Wasn’t that the right thing to do? Isn’t that what your own philosophy is all about?”

Kylo’s face darkens and he clenches his jaw, and for a moment she thinks he’ll protest. Good. Bring it on. It will be an interesting argument.

But he’s not in the mood for a debate, it seems.

“Who do you like the most?” he asks instead.

She has her answer ready. “Nite Owl. The second one, Dan. He’s kind and compassionate, and he believes in doing good for the sake of doing good. And in the end, he’s the one who gets the girl. I don’t know, sometimes I feel it’s okay to let go of the bigger picture for a piece of personal happiness.”

This makes him smile.

“Come, love. Food is almost ready.” 

After lunch, they make love on the couch. It’s hasty and he’s still half-dressed, but Rey doesn’t mind. She’s not chasing the world-stopping feeling from last night, there will be time for that. She just wants him as close as possible. Inside her. Rey mounts him this time, straddling him, his hips between her thighs like on that afternoon when she told him she wanted him. She likes this position. It allows her to watch him, and he’s quite a sight—hair disheveled on cushions, lips parted and kiss-bruised, breathless, the skin of his neck and chest blushing a light pink. He looks younger than he is, lost in bliss like that. From the way his eyes shine as he studies her naked body on top of him, she can tell that he likes what he sees too.

Rey isn’t sure when they’ll get enough. Never, probably. She yearns for more. She wants to go further, to do what he did for her. To take him in her mouth. She pictures his face as she goes down on him—he’ll be irresistible, she knows, a mess of shyness and wonder and animalistic lust. The mere image makes her clench so hard that a brief, shallow burst of pleasure catches her by surprise, and she screams again, and then he urgently lifts her from his body.

They still haven’t opened the condoms.

“You’ll drain me dry, love,” Kylo complains as he wipes her thighs clean, even though it’s obvious he’s enjoying every moment. “I’m too old for this.”

“Serves you right for seducing a minor.” Rey laughs, laying down next to him. “Cradle-robber.”

Later, as the day passes, Rey concludes it’s the little things that she appreciates the most.

For instance, he doesn’t let her do the dishes because he claims the soap is too rough for her hands. It's ridiculous, but she lets him get away with it. When she wakes up, he brings her breakfast in bed—pancakes with plum jam, her favorite, and strong black coffee, no milk no sugar, like Maz used to drink. She’s never thought she could become spoiled rotten so quickly. He asks for help to apply the wound balm to his scar. They turn it into a ritual, every morning and evening, and as her oiled fingers glide across his broken skin, Rey finds it as deeply intimate as lovemaking. The scar looks better, less inflamed, its redness fading. Soon enough, it will heal.

She doesn’t ask who’d hurt him.

So many little things make her happy. The other day, they tried to fit into the bathtub together, the way that couples do in romantic movies, but he's too fucking big, and it ended with a splash of warm water all across the bathroom tiles. She laughed so hard her cheeks hurt. She asks him to read out loud in French, from one of the old books he'd kept. It’s poetry, and Rey doesn’t understand a word, and she thinks if he were to translate she’d find it silly and melodramatic, but the sound of his voice is riveting. Like when she catches him singing. Sometimes, however, it’s the silence she enjoys, when she wakes up before him, before dawn, and it snows outside and the window panes are frozen. She caresses his face while he sleeps, tracing his crooked nose, counting the moles on his cheeks—he snores, but quietly, and she finds it sweet.

“You think that, maybe, we can get a CD player?” she asks him that night in bed, while he twirls the strands of her hair between his fingers. “You wanted to buy me one, back then. Remember? Well. Can I have it now?”

He responds promptly. “Of course.”

“I miss the music. Haven’t listened to it since… You know. Since that day.”

“You know what’s funny, love? We’ve talked about music so much, but we’ve never listened to it together.”

It’s true, she thinks. Suddenly she’s excited. She wonders what it will feel like, to listen to her favorite songs with him by her side. To kiss with the music in the background.

There are so many things they have yet to do.

“Can I… Can I also have a TV?” She pushes her luck. “For here?”

Kylo rolls his eyes, like he can’t understand why someone would want to own such a stupid device. But then he smiles. “You can have anything you want.”

She almost believes him.

She wishes this could last forever. Life would be so easy.

In the early morning of January 5th—Rey thinks it’s the 5th, she’s stopped counting—they are awakened by the doorbell.

She jerks in bed, stunned, her hair falling in her face. For a moment, she can’t quite fathom what’s happening.

She’s forgotten there’s a world outside.

“What…?”

“Dickhead,” Kylo growls, rubbing his sleep-swollen eyes.

The doorbell is loud—it’s one of those that buzz, making a continuous, hellish noise as long as it’s pressed.

“You mean it’s…?”

“Ignore it.” Kylo leans back into the pillows and drapes his arm around her waist. “He’ll get bored and leave.”

The buzzing is persistent, however. It changes rhythm, from a series of brisk staccatos to a long, drown-out clangor that lasts for what seems like minutes. If it keeps up, Rey thinks, the doorbell will give out.

She waits for Kylo to react, but he just places his hands on his ears and sinks deeper into the pillows.

But then, there’s banging on the door, thumping as if someone’s going at it with a blunt object. The paint is bound to chip. The noise is followed by shouting—high-pitched, proficiently annoyed, so loud that they can hear it in the bedroom.

“Open the door, Ren! I don’t have all morning!”

“Shit.” Kylo’s lips twitch to reveal his sharp teeth.

“Ren! There’s no use in pretending you aren’t home. I know you’re inside! You were seen in the supermarket, stocking up for the bloody zombie apocalypse! So open the goddamn door!”

“Aren’t you going to…?” Rey quietly asks.

Kylo snarls. “No!”

“Ren!” Armitage is happily yelling his lungs out. Rey suspects he’s enjoying this. “Are you so fucking drunk again that you can’t get up from that ugly couch?”

The banging repeats, as does another round of doorbell abuse. The entire neighborhood must be alarmed by now. She wonders if the people living in the building know the real identity of their moody neighbor. They must have heard rumors, at least—are they ever afraid?

“For fuck’s sake, Ren! I’ll break the door down if I have to! Don’t think your locks will do you any good—I paid the company that installed them!”

Kylo jumps up from the bed and grabs his sweatpants from the floor.

“This is it,” he sneers. “Today is when I kill him.”

Before she can pull him back to bed, he’s already at the bedroom door.

“Stay here,” he orders. “I’m gonna break his fucking neck.”

Rey can see it happening.

Her heart races. She pulls the duvet up, all the way to her nose. She’s tempted to pull it over her head.

She’s naked underneath.

Kylo crosses the living room with too-heavy footsteps, like he's purposely drawing attention to his weight, and then the door opens with such a loud bang that the doorknob must have left a hole in the wall.

“You’re a dead man, Armitage!” he growls.

But then, to Rey's surprise, a woman’s voice speaks.

“Rise and shine, Ren. I hope we can discuss matters calmly.”

Kylo sniggers humorlessly.

“Armitage, you fucking coward,” he hisses. “You’re afraid of me. Couldn’t come without Phasma to protect your sorry ass, could you?”

She hears swift footsteps as Armitage enters the room. The heels of his shoes click when he walks—an expensive beat of thin soles and real leather. It takes a special kind of character to put on shoes like that on a snowy day. Behind him, the strange woman moves slowly, heavily, almost like Kylo. Rey imagines she must be very tall.

“I’m not a coward, thank you very much,” Armitage says scornfully. “I’m just a man capable of a realistic risk assessment, so I can take the protection measures accordingly. Unlike you. What were you thinking, you dimwit? Do you really believe you can disappear just like that for five days?”

Then, a pause.

“What the fuck happened to your room?” Armitage sounds genuinely astonished. “Comics? Seriously? What is all this junk?”

“Ain’t junk.” She can hear the rage in Kylo’s voice. “And none of your business. Say what you came here to say, and get the fuck out.”

But Armitage doesn’t seem to be listening.

“Are those… Dear god. Are those scratch marks on your back?” It’s hard to tell whether he’s fascinated, or disgusted, or both. “Ren, you son of a bitch. You got laid.”

The woman suddenly bursts into a quick, unpleasant laugh, and Rey remembers Finn’s words from years ago. There was a woman among the leaders of the First Order, he’d said, a true Amazon, but a bully and a brute, and she laughed like a maniac. 

“Dammit, Ren. I’m right, I see. You blush like a schoolboy,” Armitage concludes gleefully. “But wait. She’s still here, isn’t she?”

Rey hears the brisk clicking of his heels approaching the bedroom door.

“One more step, Armitage, and I will kill you. You know very well that Phasma can’t stop me.”

The footsteps falter. Armitage is afraid, Rey realizes.

Good.

“Speak up,” Kylo spits. “And then leave.”

There’s a long pause, and then Armitage clears his throat.

“The Professor is very upset,” he finally says. “He’s demanding to see you. You had duties to attend to, Ren, and you were gone for days. You owe him an explanation, and I’m afraid that ‘I was too busy fucking’ won’t do the trick.”

“Fine,” Kylo retorts noncommittally. 

Armitage lets out a loud sigh.

“Careful, Ren.” His voice drops, and Rey isn’t sure if it’s a threat, or there’re hints of genuine concern there. “I know it’s difficult for you, but for once, don’t be an idiot. Last time you acted stubborn, it didn’t end well.”

Kylo takes his time to reply.

“This is different.”

She’s surprised by how resigned he suddenly sounds.

“That’s what you think,” Armitage declares unenthusiastically. “Provided you’re capable of thinking. However, I don’t believe the Professor will see it as any different. So don’t be an idiot. Send home that trollop who was crazy enough to bed you, make yourself presentable, and drag your ass to the office. The sooner the better. I’m tired of picking up your broken pieces, Ren.”

The silence that follows is long. Rey holds her breath, clutching at the duvet. A feather pricks her palm.

Then, Kylo finally speaks.

“Tell the Professor I’ll be there shortly.” His voice is quiet. “I must… I must talk to him about something anyway.”

Armitage waits for a few moments. Rey imagines him staring at Kylo, searching his face to see if he’s telling the truth.

“Don’t screw this up, Ren,” he sighs at last. “Be reasonable. Just this once. For your own good.” Then, he curtly orders, “Phasma, we’re leaving.”

The clicking of heels echoes away from the bedroom door, and the woman’s heavy footsteps follow.

“Don’t take too long. The Professor is quite snappy,” Armitage says instead of a goodbye. “No time for another quick fuck, I’m afraid.”

When they leave, Kylo slams the entrance door so strongly that the chandelier rattles.

He doesn’t return to the bedroom immediately. Rey decides to give him the time he needs to compose himself, but he takes quite a while—she begins to fidget as she waits.

Just as she is about to get up and go to him, Kylo comes back. He stops at the door, hesitating to enter.

He’s shaking, she sees, sizzling like a firecracker about to go off, and the tic pulsates under his eye.

Well, now.

“I need to… I need…” he stutters, as if it’s difficult to put it into words. “I need…”

“I heard.” Rey interrupts him. “Didn’t know the First Order has an office.”

He swallows heavily, passing his hand through his hair.

“Don’t look at me like that, love.”

Rey realizes she’s frowning. She tries to pull her lips into a smile, but she isn’t sure how believable it is. 

“Are you in trouble?”

Kylo shrugs. “Well. I’ll talk to Snoke, Rey. I’ll… I’ll explain. He’ll listen to me. He’ll understand. He has to.”

He sits next to her and reaches out to embrace her. Rey readily leans into his touch, inhaling the scent of his hair, kissing his stubble-covered cheek. He’s always so warm.

“Will you wait for me here?” he asks.

Suddenly, the very thought of going outside terrifies her.

Out there, there’s real life. The protests go on. Who knows what she’s missed, she hasn’t listened to the news for days. School is about to begin. Rose will return from her hometown, and she’ll be all chipper and perky, sharing stories Rey doesn’t want to hear and asking questions that she cannot answer. Finn will yell. She deserves it. She still hasn’t come up with the lie she’ll tell him—hell, she’s even stopped thinking about it for a while. Her room in the dorm will be cold, with its windows stuffed with old newspapers and walls painted grey-green like the sea bottom. Her bed will be small, too clean, uncomfortable.

Rey wonders if she’ll be able to fall asleep in it alone.

She doesn’t want to leave his apartment.

“I also have a life I must get back to, Kylo,” she says. “Finn has probably called the police by now.”

He nods. “I understand.”

“I’d call you in the afternoon to check on you, but you destroyed the phone.”

“I’ll get a new one.” He lets out a brief chuckle. “Not the first one I broke either.”

Then, he gets up from the bed and goes to the cabinet, opening the upper drawer, rummaging loudly through the clutter inside.

It’s where he keeps the gun, Rey remembers.

“What are you looking for?” she asks warily.

“This.” He pushes a set of keys into her hand. “For here. I want you to have them.”

Rey stares at the keys—they’re heavy, oddly shaped, with complex ridges and contours, and the metal is cold against her palm. A small glass figure dangles from the keychain: it’s a rabbit.

She doesn’t know what to say.

“Come to me after the protest.” Kylo leans in to kiss the parting in her hair. “I know you’ll go marching. I just want you for myself afterward.”

He hugs her then, wrapping his arms around her shoulders so tightly it almost hurts—if he were to squeeze any harder, her bones would snap.

“It will be alright, love,” he whispers. “Everything will work out, I promise. You’ll see.”

Notes:

For the record, my favorite character from "The Watchmen" is the Comedian. I have a soft spot for them layered monsters.

Chapter 16: Dancing Queen

Summary:

“I’d like to take you dancing, someday.”

Notes:

Beta'd by KathKnight

(See the end of the chapter for more notes.)

Chapter Text

 

Dancing Queen

 

 

“Where were you?”

Rey doesn’t answer.

“Look at me when I’m talking to you, sister.”

She raises her eyes briefly. Finn is frowning, but he doesn’t look angry—his expression is a mixture of heartbreak and concern and a bitter, terminal disappointment.

It would be easier if he were angry.

“I’m here now,” she says.

“So you expect me to pretend it’s normal that you vanished into thin air for five fucking days and shrug it off just because you came knocking on my door with a smile and a box of chocolates? Life doesn’t work that way, sister!” Finn finally raises his voice. “Where the fuck were you? Do you have the slightest idea how worried I was?”

Rey drops her gaze, focusing on the coir mat on his entrance porch. It’s filthy, she notes.

“Sorry.”

“Sorry? You’re sorry?” A vein bulges between the dark wrinkles on his forehead. “I kept waiting for you to call! Dragged the phone next to the bed and spent three sleepless nights staring at it, expecting it to ring. But it didn’t. So I looked for you, sister! I went to the Faculty, talked to that idiot Dameron. He told me he’d left you at the concert and hadn’t seen you since. I almost punched him right in that bruise of his for abandoning you like that. I called Rose to see if you’d gone to her hicksville in a fit of temporary insanity, but you weren’t there either. I went to the dorm every day to ask about you, but that guy, that night guard, he yelled at me, chased me off… Said it’s none of my business where you were, threatened he’d call the police if I kept coming. Can you imagine how I felt? Five days, Rey. And now what—you’re sorry? Really? What the fuck were you thinking?”  

Rey fidgets. She doesn’t know what she was thinking.

“Please, Finn. I’m not a child.”

He points his finger at her chest. “Last time I checked, you were still three months short of eighteen.”

She wants to retort—she inhales and raises her palm, but words fail her, so she just stands on the porch with her mouth open. Eventually, she shrugs. Finn studies her face, lips downturned into a pout, and then his eyes narrow like he’s come to a particularly unpleasant conclusion.  

“You’re doing stupid shit again.”

It sounds like a verdict.

The way he says it carries an unspoken I-told-you-so, as if he's always known that one day it would come to this. Resentment crawls up her spine—Rey doesn’t want to think it’s because Finn is right.

“Well, look who’s talking,” she hisses, pulling her scarf up to cover the bite marks on her neck. “As if the man who left me alone in the crowd so I could hook up with the guy that he likes has any right to lecture me about stupid shit! See, Finn, Poe at least asked for my permission to leave, while you—you simply walked away! Did you pause to consider how that would make me feel? What were you thinking? Asshole!”

Finn pulls back.

He didn’t anticipate that the conversation would turn this way, Rey sees, and his scowl falters. For a brief moment, she feels guilty.

“You… You’re angry about the New Year’s?”

“You left me in the crowd,” she repeats, cringing at the wounded sound of her voice. “You left me. What did you expect? That I’d be grateful that you abandoned me among thousands of strangers, even if I did want to try my luck with Poe, which I’d repeatedly told you I didn’t? Fuck you, Finn! How dare you call me out on stupidity?”

If he hadn’t left, Rey thinks, if only he hadn’t left, then none of this would’ve happened.

Except it would have.

Maybe not on New Year’s Eve, maybe not as quickly and uncontrollably, maybe it wouldn’t have resulted in five days of happiness and laughter and Kylo buried to the hilt inside her, but it would have happened. It was inevitable.

And it made her so happy that merely thinking about it sends a flush of heat to her cheeks.

Fuck her life.

“Where were you?” Finn asks for the third time, but now his voice is cautious, gentler.

“In the dorm,” she finally replies, surprised by how easily the lie rolls off her tongue. “I was so pissed that I asked the guard to send you away if you came looking for me. I wanted you to feel guilty. I’m sorry.”

Finn nods, and despite his frown, the corners of his eyes crease with concern.

“I thought… Sweet Jesus, sister. For a moment there, I thought that maybe, y’know, maybe he managed to find you after all these years.”

Fuck.  

They have a silent agreement never to mention the night of her fifteenth birthday. Never. Not in passing, as a slip of the tongue, not as an anecdote to impress friends, not even when they’re alone, during sleepovers at Finn’s place, when they talk about the Home and Maz and all the children that have passed through their lives. Never, as if it hadn’t happened.

She wonders what he would say if she were to admit the truth.

Finn hugs her tightly and kisses her cheek—she senses he’s trembling.

“I’m sorry, sister. I am. I’m sorry that I left you. But don’t do that again, please. If you’re angry with me, say so. I’m a big boy, I can handle a bit of yelling. Just don’t disappear.”

“I’m fine, Finn,” she sighs, closing her eyes, stroking his close-cropped curls. “There’s nothing to worry about. Everything is fine.”

She should be ashamed, she thinks, yet all she feels is a profound relief.

In the early afternoon, as the last wisps of winter sun scatter against the glistening snow, Rey catches herself looking at her watch too often.

By now, Kylo must have arrived to the office—the office, for crying out loud, as if the First Order was a preppy business corporation. She tries to picture him among polished desks and flipcharts and computer screens and swivel chairs—the sight is so absurd that she stifles a giggle. He’s already talking to the old man in golden robes, she imagines—the witch doctor who speaks like a trained actor and who has switched his trade from sending young men to the war zone to stealing money in rigged privatizations. Maybe he does need an office for that.

Will Kylo manage to keep his calm and explain what’s on his mind, Rey wonders, or will it end in yelling and a rage fit and a blackout?

Her stomach churns.

Suddenly she feels very lonely.

“Gonna hit the road, Finn,” she says, taking her coat, getting ready to step out into the cold. “The protest will begin soon. Last thing before I leave, though: your plan will never work. Poe is in love with someone else.”

“Really?” Finn raises his eyebrows, helping himself to another chocolate—it’s obvious he hasn’t had expensive sweets in a long while, and Rey is grateful that he didn’t ask where she got them from. “But… But I’ve never seen him with anyone.”

She rolls her eyes. “That’s because you don’t know how to look.”

An hour later, when she arrives at the Faculty of Philosophy, Rey finds the place deserted.

She wanders the empty corridors, disoriented, stepping over the scattered trash, staring at the newly scribbled graffiti. It doesn’t make sense.

The protests haven’t stopped, she thinks. It’s impossible. Finn would have mentioned something—with all his disdain for politics, he’s not entirely in the dark. This is beyond odd.

After a long search, in the lecture hall she finds a girl she knows by sight—she’s sitting in the professor’s chair, visibly bored, blowing bubblegum and reading the regime newspapers. There’s a picture of the president on the front page, his chin raised, looking all important, and beneath it an article in fine print: “A Small Handful of Protesters Keep Disproving the Election Results”, the headline reads. 

“What happened here?” Rey’s voice echoes too loudly in the vacant hall. “Where is everyone?”

“At the disco,” the girl responds, crumpling the newspapers and tossing them on the floor. “Left me here to keep watch. Someone has to.”

Rey stares at her for a long moment before she repeats, confused. “At the disco?”

“Haven’t been around for a while, have you?” The girl grins. “Head for the main square. You’re in for a surprise.”

Rey rushes outside, sprinting down the streets as quickly as the frozen slush allows.

She hears it before she sees it.

It’s not the usual racket of trumpets and whistle blows, nor the regular revolutionary playlist with subversive local bands, punk rock and Spanish civil war songs.

It’s fucking Donna Summer.

The music is loud, like a thunderstorm. There must be a professional sound system involved, Rey thinks, for she feels the cheerful disco beat resonating in her chest—looking for some hot stuff, baby, this evening, I need some hot stuff, baby, tonight, I want some hot stuff, baby, this evening…

Then, as she approaches, she sees the dancers.

Before her eyes, there’s an endless sea of winter coats, stuffed jackets and fur-trimmed parkas, tweed and fleece and slick polyester, jumping and swinging to the rhythm, hands up in the air, fingers pointing to the sky. The people’s faces are flushed, and puffs of their breath freeze in the cold, lingering like a thin fog. They must be sweating—who knows for how long they’ve been dancing—but in their smiles there’s nothing but cheekiness and bliss. There are hundreds of dancers, Rey counts—no, make it thousands, and they all look like they’re having the time of their lives.

Behind them, there’s a large truck, parked in the middle of the street. It carries the DJ booth, along with concert loudspeakers just like Rey has guessed, and an outsized disco ball that lazily turns, shimmering, catching the reflection of streetlights. A banner hangs from the truck’s side, hand-painted in letters that imitate the '70s groove: “Welcome to the Cordon Bleu Discotheque—the world’s largest dance club in the open.”

Rey frowns. Cordon bleu? Like that chicken and cheese dish?

What?

But then she sees it. In front of the truck, surrounding the dancers and blocking their passage, there is a police cordon.

They’re armed, Rey observes. The weapons are visibly displayed—batons and tactical rifles, black and heavy, ready to cause harm. They’re wearing helmets, their faces masked and anonymous, and their blue police uniforms are covered with plastic Stormtrooper armor.

Disco ball lights shine back from the clear riot shields.

It’s in that moment that Donna Summer is replaced by ABBA. Synthesizers squeal and high pitched vocals wish for a man after midnight, and the dancers cheer, and it’s so surreal that Rey shakes her head in disbelief.

“Sunshine!”

She almost doesn’t hear it over the music. It takes her a moment to remember it’s her nickname.

“Rey of sunshine, where have you been?”

Poe Dameron pulls her into a quick hug—cordial yet measured, lasting but a second too long. Rey wonders how guilty he feels for walking out on her on New Year’s Eve.

“Around,” she answers, hugging him back.

“Your friend came looking for you. Gave me quite a hard time for what happened at the concert. You sure you’re okay?”

“We had an argument, is all.” Rey shrugs. Then, she gestures toward the cordon and the disco dancers. “What the hell is all this, Poe?”

“Wanna go somewhere more quiet?” Poe shouts over the booming ABBA chorus. “We have a lot of catching up to do.” 

In a nearby coffee shop, as she orders a slice of cheesecake and a double espresso, Poe Dameron begins to explain. 

“You saw it yourself, sunshine, the New Year’s party was a blast. There were half a million people attending the concert. We were all over the news—the foreign ones, of course, the regime media are still playing pretend that nothing’s happening. I gave an interview to CNN.” He smiles, flashing his perfect white teeth. “It was horrible. Got so excited that all those years of language school went down the drain in a second. I butchered the Queen’s English so badly I think no one understood what I wanted to say. In the end, I wouldn’t be surprised if they decided not to air it.”

“But what’s with the disco?” Rey asks, stifling a frown—the cheesecake is tasteless compared to the one that Kylo made her. “When did that madness begin?”

“Two days later.” Poe drags the words in his Southern accent. “After the concert, the regime figured out they had to do something about the protests. Since another display of brute force was out of question, they decided to strategically place cordons along the main streets, to prevent us from marching. But then the General, bless her, fierce as she is, she raised her fist and said—‘If we can’t walk, we sure can dance. Bring me my disco shoes!’”

His impersonation of Professor Organa’s stiff upper lip is so accurate that Rey snorts, giggling.

“Ever since, it’s a never-ending party, twenty-four seven. So far, so great. It’s not only about sticking it to the police, you see. The people are actually having fun as they dance their anger and powerlessness away—and the capacity to have fun when faced with danger is what gives them strength. It’s a way to show the regime that they don’t own us. They can’t scare us. One day, sunshine, when someone writes a book about the history of civic protests all around the world, our little discotheque here will be given an entire chapter.”

“Did you rehearse those lines for an interview?”

Poe laughs heartily, slouching back in his chair. “Maybe. Just don’t make it in English, or I’ll screw up again.”

They spend the next few moments in silence, Rey struggling with the cheesecake, Poe staring through the window, observing the passersby as they walk past the coffee shop to join the dancing crowd. The music is so loud they hear it inside—it’s the '80s now, Michael Jackson and Madonna and that “you-spin-me-right-round” song that Rey hates because she’ll keep humming it for days. 

“And how are you really, Poe?” she finally asks.

He stares at the tea he ordered, holding the cup with both hands as if he’s trying to warm his palms. It takes him a while to speak.

“I don’t know what to do, sunshine.”

She sighs. “That bad?”

“My life is secrets and lies.” Poe frowns, eyes still fixated on the tea. “Making up excuses. Sneaking around. Spinning bullshit to the people I love, just so I don’t get discovered. I’m becoming paranoid, I’m afraid I’ll forget which lie I told to whom. It’s eating me away. I want to be happy, I really do, but I don’t know… It’s suffocating. On the other hand, this is the only way to go. If any of this goes public, we’re both done for.”

Rey tenses. All of a sudden, she feels too warm in the coffee shop—droplets of sweat trickle down her back, making her shirt cling to her skin. She turns her hand discreetly, trying to catch a glimpse of her wristwatch. Is Kylo still in the office?

“I can’t… Um. I can’t imagine what it feels like,” she murmurs, dropping her gaze. “But are you sure it would really cause a scandal?”

“Oh, you bet it would!” Poe raises his hand to cover his face, his gesture oddly defensive. “She’s twice my age, sunshine. And married. And a professor, while I still count as a student. Not that her marriage is thriving, or that she’s my professor, but no one gives a fuck about such details when it’s the woman who’s so much older. And we’re both among the so-called leaders of this little rebellion—which is hilarious, mind you, since we never see eye-to-eye as to how things should be handled. Always at each other’s throats.” He smiles. “Maybe that’s what started the spark.”

He takes a sip of tea and winces, as if he’s forgotten how hot it is, and then puts down the cup hurriedly, with a loud clang, almost spilling the steaming liquid across the table.

“It’s one juicy scandal waiting to happen,” he sighs, licking his burnt lip. “The regime press would have a field day—what an embarrassing way to discredit the protest leaders, just what the fucking doctor ordered. And our people? Perhaps the General would understand. Perhaps. As for the others, they'd scream betrayal. See, sunshine, at first glance, this is the kind of story that everyone hates: a highbrow ice queen having an affair with a social climber who’s young enough to be her son. Not your typical star-crossed romance.”

“But you love her?” Rey blurts.

Suddenly, the answer to that question seems very important. She doesn’t know why.

Poe inhales to speak, but stops midway, mouth hanging open, eyes wide like the proverbial rabbit in the headlights. Then his lips curve into a pained smile, like he’s apologizing for something he’s not sure he did wrong. He looks hesitant, Rey thinks, nothing like the rebellion’s rising star who knows the best camera angles for his profile, and for the first time she believes they could become friends, real friends, for life.

“Yes,” he finally breathes, his voice little more than a whisper.

“I understand.” Rey slowly nods. “I actually do.”

Strange, she feels as if a crushing weight has lifted off her shoulders.

“I’ll keep your secret, Poe—I mean, of course I will, I promised. I’m good with secrets. Hell, listen, I’ll even cover for you, if need be. Just… Just try to be a bit more discreet. I figured out something was going on long before the New Year’s.”

She pushes her half-eaten cheesecake across the table and offers him the fork, almost regretting that she has no glass to raise—a toast for secrets and lies and bullshit.

Poe lifts his eyebrows, gaining back some of his trademark charm. “You really are sunshine, aren’t you?”

“Doing my best.” Rey shrugs, but returns the smile nonetheless.

She looks at her watch again. By now, Kylo must have left the office. Maybe he’s home already.

Outside, Freddie Mercury is singing about wanting to break free.

As the afternoon turns into evening, Rey concludes that a night at the disco may not be her thing.

The music is too loud, aggressively happy with its major keys and dancefloor beats and frivolous lyrics. The light show is dizzying—disco ball sparks twirl across her face, making her head spin, and after a while she starts feeling like she’s the only person in the crowd who doesn’t have fun.

She decides to leave earlier than usual, in spite of Poe’s protests.

“If you run across your policeman friend, sunshine, ask him if he knows how long this will last.” He tries to outshout the music as they part ways. “I love showing off my dance moves, but after what happened at the bridge, it’s better to be prepared. Just in case.”

The bus ride takes too long, with all the major streets cut off by police cordons, and Rey catches herself counting the stops. It’s a childhood habit she has long abandoned, and it reminds her of the clacking of tram wagons and the cool kids at the music market—a memory she’s worked hard to suppress. Now, oddly, it makes her smile.

When she arrives at Kylo’s apartment, it takes her three attempts to insert the key into the lock. Her hands tremble, she notes. She has never owned keys to anything before.

He’s home.

She hears him swearing in the living room, his choice of words so colorful that she chuckles. But then there’s the sound of paper tearing and plastic bags rustling and a loud thud, as if he’s slammed his fist against the table.

“Monster?” She rushes inside. “Is everything alright?”

Kylo is sitting on the living room carpet, barefoot, sweaty hair stuck to his face, surrounded by crushed cardboard boxes, crumpled bubble wrap and a tangle of cables and plugs. There are pieces of Styrofoam on the floor, footprints visible on squashed white clumps, and a booklet with instructions on how to set up the stereo system lies discarded by the door, like it was flung at the wall.

“You’re early,” he says, blushing beet red as if she’s caught him doing something inappropriate.

Rey looks around the room.

Right next to Kylo, she sees a pair of loudspeakers, tall and thin and glaringly modern, their design slick and futuristic. The coffee table is swallowed up by a too-large TV screen and parts of the stereo system, wires hanging from the edge and curling around the framed photograph. On the couch, yet another device rests between the remains of torn cardboard, its casing steel grey and glossy.

“Is that a VCR?”

Kylo nods, clearing his throat.

“This was… Fuck. This was supposed to be a surprise.” His lips twitch into an anxious smile. “Ta-da.”

She crouches next to him, picking up a manual to inspect—a detailed scheme showing how to connect the CD player to the loudspeakers, colors and numbers marking the wire sockets.

“Wow,” she utters. She can’t come up with anything better to say.

“I, um… I take it you like it?” Kylo’s grin widens, but it only makes him look more miserable. “Please tell me I didn’t screw up.”

Rey shakes her head and reaches up to caress his cheek. “You’re crazy, you know that?”

He leans into her touch, lurching forward to kiss her—it’s long and sloppy, wet, sharp teeth nibbling at her lower lip, and he tastes of mint and salt, comforting and familiar. She’s missed him, she realizes. She’s fucking missed him, even though it was only this morning that she left his apartment. 

“That a problem?”

“I can live with it.” Rey pulls him closer to feel his warmth and runs her frozen fingers down his sweaty back, chuckling when he winces. “Have you been struggling with this for long?”

“The whole fucking afternoon. I can’t believe someone paid money to the idiot who wrote the setup instructions—they come in five languages, love, five different languages, and none makes sense.”

“We’ll do it together, then.” She tucks a wet strand of his hair behind his ear to trail kisses along his scar. “Or even better, let me handle the technology, and you go fix us something to eat. How does that sound?”

His brow furrows, and for a moment she fears she said something wrong, challenged him in a way that only further undermines his confidence. But then he heaves a loud sigh of relief.

“Sounds perfect.”

Rey spends the next hour straightening out cables, flipping through manuals, sorting out remote controls by the type of batteries they use. The components make pleasant clicking sounds as they snap into their slots, and the protective foil purrs as she peels it off the TV screen. She’s not quick, but she enjoys the task—it’s neat and precise, with exact answers that bring immediate results.

So delightfully straightforward.

Kylo leans against the kitchen doorway, his apron around his waist, observing her as she works. His gaze is soft, and the corners of his lips are slightly turned upward—Rey is sure he’s not aware that he’s smiling.

“You look like you could do this all day,” he says. “And I guess I’m just too stupid for this shit. Sorry.”

“You’re far from stupid. You’re just impatient, with your short fuse and monster temper. Luckily, you have me.”

They’ll need extra shelves, she concludes, surprised by how small the living room appears with the TV and the stereo and those giant loudspeakers mounted.

She doesn’t want to know how much money he spent.

“Did you talk to Snoke?” she finally asks, her gaze locked on the VCR wires.

Rey hopes that her question came across as casual, conversational, without reflecting the unease that grips her stomach.

“Yes.”

She waits for him to elaborate, but he doesn’t.

“And…?”

Kylo shrugs. “He believes I’ll change my mind. He insists on giving me time.”

She twists the wires between her fingers, takes a deep breath, exhales.

She must be careful, she thinks, or a wire may snap.

“But you won’t, will you? Change your mind?”

“Of course I won’t, love,” he sighs, turning his back to return to the kitchen. “I told you, I’m done with it.”

The way he says it sounds determined, unwavering, so she nods to herself and continues fiddling with the VCR. She wants to know everything, of course, all the little details that she kept imagining throughout the day—what Kylo said, how Snoke responded, if Armitage made matters worse with his sneering, if the Amazon woman laughed like a maniac—but she’s well aware that she won’t get a better answer for now.

She’ll try again tomorrow, she decides. Or the day after tomorrow.

When they sit down to eat—rump steak in smelly-yet-delicious blue cheese sauce, a meal well planned, including her favorite blueberry juice poured in tall wine glasses—Kylo surprises her with a question.

“Did you dance?”

She lifts her eyes from the plate, only to see him smirking.

“You know about the disco?”

Kylo raises an eyebrow, his expression shrewd as if he’s pleased to show he’s aware of everything she does when she’s not by his side. Stalker, she remembers. But then he chuckles, rolling his eyes.

“Half the city is blocked, love, the fucking cordons are everywhere.” He pours her another glass of juice. “It’s impossible to avoid the topic. You should’ve heard Armitage talk about it—he called it ‘the boogie bacchanalias of poverty and frustration.’”

“Dickhead,” she hisses spontaneously, and Kylo laughs so hard he almost spits out the food.

Rey waits for him to calm down before she proceeds with her next question.

She didn’t think she’d have the courage to raise the issue.

“Do you… Um. Do you have any idea how long this will last?” She swallows. “This cordon thing?”

“Spying for your rebel friends?”

She feels her ears burning hot, but then Kylo laughs again.

“I’d tell you if I knew.”

“You would?” Rey’s breath hitches. “Even though the protests go against your ideals?”

“I came to warn you that one time, didn’t I?” His expression suddenly turns serious, and he reaches across the table to take her hand. “It’s stupid, this cat-and-mouse game that the regime plays with the resistance. Fucking child’s play. It has nothing to do with my ideals.”

Rey entwines their fingers, pressing into his knuckles a tad too hard. It makes her ill at ease when he speaks about his beliefs—the better she understands them, the more distorted they seem, and at times she isn’t sure that Kylo himself fully grasps this strange system of values he’s built.

Good thing that the war is over, she thinks.

“I’m… I’m glad to know you’d tell me.”

Kylo caresses her palm with his thumb. “You didn’t answer my question. Did you dance?”

“No,” she admits. “I wasn’t in the mood.”

She expects he’ll ask her why, or tease her in some way—he likes teasing her, a habit he’s assumed only recently, as if before their first kiss he was afraid she’d resent him for it—but his lips pull up into a smile that Rey finds unexpectedly sad.

“I’d like to take you dancing, someday.”

“Really?”

She can picture it. Funny, it’s not a nightclub that comes to her mind, but a ballroom with crystal chandeliers and lacquered wood flooring and mirrors in golden frames mounted on the walls. He’d be wearing something black, because of course he would, and she’d be dressed in a gown with a long train that whooshes every time it sweeps across the floor. And outside, as they dance, the world would fall down. It’s ridiculous, Rey thinks, like a poorly drawn cover for one of Rose’s romance novels, and she has no idea where this embarrassingly girlish fantasy comes from, but she almost smiles.

“Where would you take me?”

Kylo sighs. “Nowhere in this city, obviously.”

“Why not?” she blurts before she can bite back the words. She knows why.

But then he surprises her.

“Because you’re ashamed of me, my love.”

Rey blinks at him.

She wants to protest, but the words stick in her throat.

She imagines them walking in broad daylight as a couple, kissing, holding hands, touching each other in that distinctively intimate manner that reveals they make love every night. Sooner or later, a stranger—or worse, a friend—will recognize Kylo for who he is. She imagines the contempt in that person’s eyes. 

Will she ever be able to tell Finn?

No, she knows. Because she does feel shame.

Poe’s words echo in her mind: secrets and lies.

“It’s okay, love,” Kylo whispers. “It’s okay. I’m used to it. Now come help me with the dishes.”

That night, she goes down on him. She’s inept, and he’s too large to fit into her mouth, and it takes her a while to figure out what to do with her teeth—but the strangled whimpers he makes and the way his hips arch up to meet the flicks of her tongue assure her that the pleasure she gives him is what he needs. She knew he’d be irresistible.

He comes in her throat, his fists in her hair, her name on his lips, and his whole body shakes, chest rising and falling rapidly, skin breaking out in sweat. His semen spills down her chin. The taste is curious—sharp, a little bitter, and not overly pleasant, but she thinks she’ll get used to it. It tastes of him.

Kylo props up on his elbows, still panting, and urgently passes her a paper towel.

“You didn’t… Fuck… You didn’t have to do this just because...”

“I wanted to.” She wipes her mouth and looks at him in awe—he’s so beautiful, undone. “Kylo, I… I…”

She can’t say it.

“I know, love.” He leans forward to hug her. “It’s okay. I know.”

In the morning, immediately after breakfast, Rey says she must leave.

“Gotta pick up stuff from the dorm—I can’t walk around forever in your t-shirts. After that, I’ll go straight to the Faculty. But don’t worry, I’ll be back soon. Earlier than you think.”

She has a plan for their evening together—she’ll drop by a video rental store on her way back and get them a movie to watch. For all his nerdery, Kylo’s knowledge of pop-culture is surprisingly thin when it comes to popular movies. It makes her happy that, for once, it’s her who can help him explore new worlds.

On her way to the dorm, she makes movie lists in her mind.

When she enters her dorm room, it looks foreign to her—almost as if she’s never lived here. It’s cold inside, her breath is showing. She forces herself to sit on the bed, her coat buttoned up, and she stares at the grey-green walls, trying not to think about the passage of time. Her little radio is still hidden under the pillow, she discovers.

She must get used to this again.

Rose is about to return, and she’ll have expectations—things to do, stories to share. With Rose around, managing her time and hiding the love bites will become more complicated.

Rey wonders if Poe will agree to cover for her, every once in a while.

She stuffs a change of clothes in her backpack and rushes out, heading to the Faculty of Philosophy. Today, she intends to volunteer to keep watch in the lecture hall and let the others enjoy their boogie bacchanalias. She’s in no mood for dancing.

Outside, there is a woman standing in front of the gate.

She’s unusually tall, Rey notes, and dressed rather oddly—a pair of cargo pants with large pockets hangs from her hips, and a puffy silver jacket, its shine blindingly metallic, makes her shoulders appear even wider. Her hair is cut short and bleached white-blond, and she’s smoking in the street, bored but patient, as if she’s waiting for someone who’s late.

When Rey approaches, the woman shifts, stepping into Rey’s way.

She narrows her pale blue eyes, studying Rey for a long moment. Her gaze is hard and determined—Rey feels like she’s judging her. Then she wrinkles her nose, looking disappointed.

“So you’re the one they call Rey,” she says, crushing her cigarette with a loud crunch of her boot. “Well. Can’t see the appeal, gotta say. Then again, who knows what goes on in that fucko’s mind.”

Rey recognizes the voice.

She feels her mouth going dry.

“Can I… Can I help you?”

“Sure you can.” The woman cocks her head, thick tendons protruding from her muscled neck. “Come with me. Someone wants to meet you.”

The woman is too big, Rey observes, and she looks like she enjoys using every advantage that her size can offer.

Rey takes a step back, quickly glancing at the dorm entrance. If she gives her best, maybe she can reach the door. Lock it behind her somehow.

Call for help.

“I wouldn’t run if I were you, little girl,” the woman sneers. “I was told you’re smart. So be smart and don’t make a scene. It will end ugly.”

The tone of her voice implies that things ending ugly is exactly what she’s hoping for.

“There’s nothing to be afraid of.” She reaches out and grasps Rey’s elbow, her grip supple but firm. “It’s just a talk. Nice and polite. Now, come. There’s a car waiting.”

The woman pulls Rey by the elbow and starts walking. Her stride is long, and Rey has to rush to keep up the pace.

She won’t be dragged, she decides.

She won’t be humiliated like that.

“You don’t scare me.” She hopes her voice sounds determined enough to preserve her dignity.

“Oh, but I wasn’t trying to scare you, little girl,” the woman replies sweetly. “If I was, you’d know.”

It’s only then that Rey feels her knees quivering.

Behind the corner, there is a large black car.

It’s too luxurious for the neighborhood, with its darkened windows and matte paint and plates displaying only a few numbers. It’s the kind of a car that, if a crime happens, people will claim that they haven't seen, even though it was parked right under their balcony.

A man is leaning against the windscreen. His copper hair catches the rays of winter sunlight, a screamingly conspicuous touch of red that contrasts with the dark cashmere of his coat.

As Rey and the woman approach, he hops up to open the car door, his gesture theatrically chivalrous.  

“Orphan child bride, what an unexpected pleasure.” Armitage smiles as if he’s genuinely happy to see her. “Who would have thought that after all these years it will be you.

 

Notes:

No, I'm not making shit up, the disco thing totally did happen - if you're curious, google "Diskoteka Plavi Kordon".

It's also where I met my first boyfriend.

Chapter 17: The Man Who Sold the World

Summary:

"If you want to play your cards right, I’m your new best friend."

Notes:

Beta'd by KathKnight

Also, I must say that writing Hux was so much fun.

So. Much. Fun.

(See the end of the chapter for more notes.)

Chapter Text

 

The Man Who Sold the World

 

 

“Where are we going?”

To Rey’s surprise, Armitage is the one driving. She expected the tall woman, Phasma, to play the bodyguard role to the hilt, but the way Armitage caressed the gearshift when fastening the seat belt made it clear that no one else was allowed behind the wheel. The car is his, obviously. It smells of him—crisp cologne and real leather seats and pine air freshener and expensive tobacco. Cigars, Rey concludes, not cigarettes.  

“Worry not, my dear,” he chirps. “It’s a short ride.”

With the main roads blocked by the cordons, the ride is anything but short. They crawl down the snowbound backstreets, tires screeching on cobblestones, and with equal enthusiasm, Armitage curses the protesters’ Saturday night fever and the road maintenance idiots unprepared for snow in goddamn January. He’s witty, Rey admits grudgingly, his sense of humor as sharp as vinegar, and Phasma diligently laughs at his jokes. Still, Rey feels the woman’s eyes glaring at her from behind, her knees poking into the back of the passenger’s seat. One misstep, Rey thinks, and Phasma will break her neck.

Armitage never gets his own hands dirty.

“You were quick to find me.” Rey changes the topic, attempting to put a stop to the pretend friendly banter.

“It’s not as if you and Ren made the job difficult.” Armitage smirks. “Him, I understand. He’s a mentally deranged brute thinking with his cock. But you? So much recklessness, child bride, going in and out of his apartment all love-struck and carefree, without checking even once if someone’s watching. Let this be a lesson, hm?”

Rey frowns—suddenly she feels like she has failed a test. “A lesson in what?”

“How to play games, of course.” He side-eyes her, lifting one hand from the steering wheel to fix the rearview mirror—Rey briefly catches the reflection of Phasma’s ice-blue gaze. “Speaking of which, a few words of advice: mind your manners. Don’t stare. Be polite—speak only when spoken to and don’t ask stupid questions. No need to be spineless, a bit of spunk might even be welcome, but do refrain from venturing into smartassery, that’s so tacky.”

Rey swallows heavily, closing her eyes, gathering the courage to repeat the question.

“Where are we going?”

“Why, the office, obviously.” He sniggers—the bastard seems genuinely amused by her unease. “The Professor said he wanted to meet the little girl who made Ren lose his mind. Not that matters of the mind were Ren’s strong point to begin with, but whatever you did to him, child bride, it made the Professor quite …” He pauses, looking for the right word. “…grouchy, so to say.”

She feels cold sweat tingling down her back, her palms clammy as she shoves her hands in her pockets.

“Now, now. No need for the long face, my dear,” Armitage consoles. “Play along, and it will be over within minutes.”

They park in front of a business center in the southern part of the city.

Rey is familiar with places of this kind. In the early '90s, in the brief window of time between the fall of communism and the onset of war, buildings such as this one were popping up all over the city landscape—modernly designed shopping malls and business centers made of glass and steel, eagerly constructed to welcome a better future that never came. With the sanctions and the misery that followed, the buildings started decaying at a surprising rate, the shine of their stainless steel dulled, their glass panes cracked, their hallways empty.

She finds it oddly appropriate that the First Order is located here, on the top floor—there is even a sticker with its logo, a red sun in a black circle, glued next to the elevator button.

The first thing that Rey notices when they enter the office is the Christmas tree in the waiting hall. Chain lights blink red and blue, illuminating the wall.

The office furniture is fashionably minimalist—dark leather and glossy metal. A woman in a smart black suit sits behind a computer screen, throwing Rey a deliberately uninterested glance. A door opens, and two young men, wearing matching red shirts stretched tight across their bulky bodies, peek inside. One carries a brown paper bag from the bakery, as if he’s getting ready for his lunch break. A calendar hangs on the wall: the image for January 1997 shows a luxury car speeding on the highway, with snow-covered mountain tops in the background.

Yet Rey is still staring at the Christmas tree, unable to grasp why such an ordinary object is present here, in the very headquarters of the wretched hive of scum and villainy.

It gives the entire place an unwelcome touch of normalcy.

“Move.” Phasma pushes her in the back.

“Don’t be afraid, you may even profit from this,” Armitage says, knocking on the heavy black door in the very back of the waiting hall. “Nothing will happen to you.”

“For now,” Phasma adds joyfully.

The black door opens, and they step inside.

Snoke’s workroom is predictably spacious, with burgundy wallpaper and tall shelves full of books, most of which he has written himself. Framed diplomas, paintings of medieval battles and icons decorate the walls—the Christian cavalry bravely charges at the Ottoman conquerors, and sad, serious faces of angels and saints stand in contrast with their golden halos. There is incense burning in the corner of the room. It smells oily, making the air stale, too thick.

Snoke is sitting behind an antique desk of dark polished wood—oak, Rey thinks. He is dressed in a dusky red jacket, its color matching the wallpaper. In front of him, there is nothing but a battered Coca-Cola can with its top sawed off, full of sharp writing pencils, and a globe.

“Welcome, young Rey,” he says. “Have a seat.”

Phasma unceremoniously pushes her into an office chair with wheels. Rey nearly trips, her bottom flopping onto the cushion without an ounce of dignity, and she has to dig her soles into the ground not to roll away.

A horrible first impression.

She won’t falter.

“Haven’t seen you on TV for a while,” she snaps, attempting to regain her composure. “What happened, low ratings?”

Armitage told her not to be spineless, yet she sees him rolling his eyes like he can't believe what she just said. It makes her realize how she sounded—a child masking her fear with lines ripped from movies.

Snoke lets out a quiet chuckle, but he cuts it short quickly, slamming both hands on the desk as if to indicate that he will not tolerate misbehavior.

“Such spunk,” he sighs, shaking his head. “Come closer, child.”

Phasma pushes the chair forward.

From up close, Snoke looks worse than she remembers—his skin is wrinkled like parchment, his scarred head covered with liver spots. She can’t assess his age. One side of his face hangs like he suffered a stroke in the years since he’s disappeared from television, and it gives a strange imbalance to his features. Only his blue eyes are stunningly clear—keen and observant. Predatory.

He reminds her of a creature from old horror movies, Rey thinks, from back in the days when vampires were not Hollywood heartthrobs in Victorian clothes—skeletal, bald, with pointed ears and large front teeth, prowling at night in search of prey to sink his claws in it and suck it dry.

Nosferatu. That’s the word.

“Now let us speak,” Snoke booms. “Where to?”

Rey twitches. “I beg your pardon?”

Her tone is involuntarily polite—to her dismay, there’s something in the old man’s posture that compels her to behave herself.

“When I was young, it was Germany.” Snoke vaguely points at the globe on his desk, his thin finger crooked. “Austria too, for some, but mostly Germany.”

At first, it sounds like he’s stressing words at random, but the emphasis gives an odd melody to his speech, making her listen and anticipate what he will say next.

Rey leans back in her chair—she won’t let him believe that he can seduce her with his words.

“It was destroyed, Germany was,” he continues. “All those beautiful old cities bombed to ashes in the grand finale of the Second War. So many lives perished, so many works of art lost to humanity. A tragedy, one could say.” 

He places his hand upon his heart, as if he’s personally mourning the loss.

“Therefore, in the years after the war, Germany needed workers to rebuild what was destroyed. And one by one, thousands of healthy young men and women from our country happily left their farms and their jobs and their families to toil in the Bundesrepublik.” A pause, to set up the punchline. “They had forgotten that Germany had bombed our cities, killed our people, wiped out our heritage, and built camps on the shores of our rivers. An easy thing to forget, when you receive your salary in deutschemarks.” 

He takes one of the pencils from the can and starts twirling it between his bony fingers, tapping occasionally against the oaken desk. The sound is brisk—a beat to his lines.

Despite herself, Rey looks at Armitage. His eyes narrow ever so slightly, as if he’s signaling her to keep her cool. Stay quiet.

"The Good Book says: ‘Blessed is the nation whose God is the Lord, the people whom he has chosen as his heritage,’—Psalm, 33:12,” Snoke recites suddenly, his songful voice resonating in her chest. “But you are not one of those who are familiar with the Good Book, are you, child? No, you aren't. I know your kind. You’re a dreamer."

He said that they would speak, but it seems that Snoke does not expect her to answer. The incense fumes are sticking to the roof of her mouth, filling her lungs, making her lightheaded.

Tap, the pencil clicks. Tap. Tap.

“You dream of the West, my child,” the old man concludes, smiling all but kindly. “Where life is rich and beautiful and easy, as seen on television. And for this dream, you have turned your back to the Lord, and you protest and you march and you dance. You care little for the injustice the West has brought upon us, you do. As selfish as the workers who went to Germany, you sell your soul for thirty pieces of silver. But it is not up to me to be your judge, no. That is God’s work.”

A tap, so loud that even Armitage flinches.

“I am here to make your dream come true.”

Her stomach sinks, and Snoke grins wryly, pulling his pale lips wide to reveal his yellowed teeth.

“What…” She won’t stammer. She won’t. “What does that mean?”

“At first, I thought France,” Snoke continues, ignoring her question. With the tip of the pencil, he spins the globe—it jangles as it turns. “I could see you there, a romantic little girl like you. But you do not speak the language, and in the proud nation of Molière and Voltaire and Rousseau, that just won’t do.”

Rey leans forward, holding onto every word, but then she catches herself and forces her body to slouch. Her hands are shaking. She clasps her palms, fingers digging into the skin until it hurts. The smell of incense is suffocating.

Armitage is watching her—she feels his gaze on her face, so intense it burns.

“The obvious choice would be Great Britain, of course, the Proud Albion, with its Queen and its cricket teams and its marvelous elite schools.” The old man smiles like a reptile. “You would love it there, my child, so many things to learn, so many adventures to be had. But the weather is foul, grey skies and rain all the time. I cannot send you to such a place. And it helped me realize another point of concern—it is close. Too close. Anywhere in Europe is too close.”

Snoke pushes the spinning globe toward her and taps the pencil against the desk.

“The United States of America then, what do you say?” He nods to himself. “Land of the free, home of the brave. You might find it interesting that the First Order has excellent connections there, even if the country itself is the spawn of freemasonry and devil-worshipers and Jews. But connections are exactly where our problem lies, I’m afraid. Too many sympathizers means too many eyes and ears. Given time, a bleeding heart will get sentimental and tell my foolish apprentice where to find his lost Lenore, and then that will undo all our hard work, won’t it, my child?”

Tap.

“So I made a decision.”

With a sudden movement, too quick for such an old man, Snoke snatches the globe and stops it from spinning, and then slowly turns it as it screeches, looking for a place on the map.

“Here.”

His nail digs into the top of the globe.

“Canada,” Rey whispers.

The old man nods dramatically.

Almost like America, but not quite,” he declares. “Stable. Beautiful nature, very picturesque, autumnal landscapes a tapestry of reds. Somewhat cold, but nothing worse than January here. True, people tend to complain it is a tad boring—uneventful, as they say. But dreamers like you are pragmatic souls, stability is what you look for in the West, isn’t it? So Canada it is, my child. Aren’t you excited?” 

His steel-blue eyes burn with zeal beneath the bushy eyebrows.

Breathe, Rey tells herself, even if the heavily perfumed air is making her sick. Breathe.

She wants to count, to ten, to twenty, to one fucking hundred, but she knows she cannot.

“You want to send me to Canada?”

She hates how her voice sounds.

Rejoice, Rey!” Snoke raises his hands and looks at the ceiling as if he’s addressing the sky. “I am making your dream come true. A life in the West. A scholarship in a good private school. All living expenses covered. All you have ever wanted. And worry not about papers and permissions—you are a ward of the state, and the state does as I advise. So, let us see a smile. ‘Make me hear joy and gladness; that the bones which thou hast broken may rejoice’—Psalm, 51:8.”

Rey presses her lips so tightly that her chin begins to quiver.

“I will give you time, I will,” the old man sighs benevolently. “But if you do not take what is offered, child, I’m afraid that there are other, less savory ways for little girls to disappear.”

He snaps the pencil in two, as easily as if it were a twig.

The crack is thunderously loud.

Rey flinches away from the desk, the wheels on her chair pushing her straight into Phasma’s hands.

“Take her away,” Snoke orders. “I can’t stand to look at her any longer.”

Phasma pulls her up, and even though her grip is unpityingly rough, it feels like a relief.

The moment they reach the waiting hall, Rey props herself up against the wall, almost falling over the Christmas tree. Her legs wobble. Everything stinks of incense—her hair, her clothes, even her very skin. She swallows, fighting the urge to vomit.

Canada.

Really?

“You need water?” Armitage asks. “Coffee? A shot of something hard, to come to your senses?”

“Fresh air,” Rey answers before she can stop herself. She doesn’t want his help.

She feels his arm wrapping around her waist to support her. 

“I’ll handle this, Phasma,” he says, pulling Rey to lean against him. “Take the rest of the day off.”

Phasma hesitates for a moment, narrowing her pale eyes—Rey can see she’s deliberating, assessing the situation. Then she slowly nods, as if they’ve just agreed on something much more important than who’d take Kylo’s girl home.

“Keep me in the loop,” she says and steps away, leaving Rey alone with Armitage.   

They exit the office quickly. Rey struggles to walk straight, still feeling like she can’t breathe, and she almost stumbles down the stairs on their way to the parking lot.

“I’ve got you.” Armitage holds her with unexpected gentleness. “Come on, child bride, it’s over. You made it.”

He helps her into the car and leaves the window half-open. The crisp winter air wakes up her senses—she inhales deeply, allowing the coolness to fill her lungs.

As they drive along the slush-covered alleys, she tries to process what just happened.

Psalms and books and icons staring at her from the wall, and an old bloodsucker chanting to put her under his spell, and a spinning globe, and fucking Canada, and now nothing will be the same any longer.

Is there a way out of a mess this deep?

She still hears the cracking of the pencil as it breaks.

“So tell me.” Armitage interrupts her thoughts. “French? Italian? Something exotic—Chinese, maybe?”

“What?”

“The restaurant, of course. I’m taking you out to lunch. Consider it a compensation for the mental anguish you’ve suffered—the Professor put on a really good show back there.”

Rey stares at him. What kind of a man can say something like that so casually, after the scene he just witnessed?

“I don’t want anything from you.”

Armitage scoffs. “See, this is where you’re mistaken. You’re allowing your dislike for me to cloud your judgment, instead of looking for solutions with a cool head.” He stops at a red light and uses the opportunity to lean toward her, lowering his voice. “Think carefully, child bride. If you want to play your cards right, I’m your new best friend. Seafood?”

She studies him for a moment.

He used too much gel, she notes. If she were to touch his hair, it would crack.

There’s a smirk dancing in the corner of his mouth, as if he knows that things will go his way in the end—it’s cocky, different than the perpetual pout she remembers him for.

“You’re not doing this out of the kindness of your heart,” Rey concludes. “You think I have something you want.”

“There’s my clever girl.” Armitage finally grins. “I knew we’d get along. Now, can we settle for seafood? There’s a new dish in my favorite restaurant, slow-grilled salmon with sweet and spicy glaze, and I’ve been dying to try it.”

He takes her to a place on the riverbank, at the bottom of the Fortress—a part of the city that Rey has carefully avoided over the years. The name of the restaurant is Italian, and through its windows she can see the snow-covered tree branches, the chunks of ice floating in the water, the thick winter mists swallowing the other shore so that only the skyscraper tops peek through. The tables are covered with brocade and decorated with silver candlesticks, and the waitress looks like she belongs on the red carpet, all dolled up even though it’s only past noon. All her life, Rey thought that if she were to walk into a restaurant like this, people would stare, judging her second-hand clothes, her cheap makeup and her lack of table manners. But as Armitage guides her towards what’s obviously his private booth, no one even spares her a second glance.

He orders the salmon without looking at the menu. Rey opts for French fries and breaded fish sticks—it sounds childish, so plain it’s offensive, and she hopes it will make him frown. To her disappointment, he merely rolls his eyes.

There is a visible ‘no smoking’ sign above their heads, but Armitage still takes out a gilded Zippo and lights a long, thin cigar. It smells like vanilla.

“You know, at first I was flabbergasted, but the longer I think about it, the more it makes sense,” he declares, closing his lighter with a loud click. “Ren and you.”

She feels her brows furrowing. “You don’t say.”

“A nutjob full of love to give and an orphan desperate to belong, both suffering from abandonment issues—you two are a textbook example of tragic codependency. But I get it, I do.” He blows out a puff of sweet-smelling smoke that goes in her direction. “I hope you’re happy together.”

Rey waves her hand in front of her nose. “We’re not here to discuss our happiness, are we?”

“Oh, but you’re wrong—that’s exactly why we’re here.” Armitage smirks. “Tell me, do you understand what happened back there in the office, or you need me to explain?”

She pauses for a moment.

“Snoke wants me shipped off to Canada because I’m a bad influence on Kylo.” Saying it out loud makes it seem more real, and she hates it. “What’s there not to understand?”

Armitage shakes his head, as if she couldn’t be further away from the truth, and Rey suddenly realizes she’s intrigued. Hopeful, even, though it’s a feeling she must be careful with.  

She remembers him talking about lessons in playing games.

“The Professor reacted a little… emotionally, I daresay. I’m not surprised. Ren is his favorite toy, almost like a trophy—‘the-nephew-of-Luke-Skywalker’ and all that. Keeping him under control is not only a matter of pragmatism, but pride too—and even before you popped into our lives, Ren had been a bit, well, difficult.” He stresses the word as if it doesn’t even begin to describe the adversity of the situation. “The plan has its merits. If you choose a life in the West over your feelings for Ren, he'll run back to the First Order with his tail between his legs, guaranteed. So the Professor acted out back there, put a little extra oomph in his performance—I was almost tempted to applaud.”

“But you didn’t,” Rey states curtly.

“No, I didn’t. Because there is another solution to our problem.”

The waitress arrives with their food. It seems too quick, Rey thinks, but seeing how the woman fusses over Armitage makes it clear he’s the most important guest in the restaurant at the moment. She wonders if someone like him tips well. He puts out his cigar, crumpling it even though it’s only half-smoked, and spreads the embroidered serviette in his lap.

The salmon smells delicious—Armitage makes an obscene groan of pleasure as he chews his first bite. Rey stares at her French fries and fish sticks, hesitating. She feels nauseous. She thinks it will taste like incense.

They spend the next few minutes eating in silence.

“How well do you really know Ren, my dear?” Armitage asks after a while. “Do you know what he did during the war?”

Drop dead, dickhead.

“Killed people,” Rey says dryly, her voice firm, her gaze downcast, her finger tracing the pattern on the tablecloth.

It’s in the past now.

“Well, that’s one way to put it.” Armitage gives a suppressed laugh. “He sure did kill people. Your traitor friend must have told you stories, but damn, you had to be there to fully grasp how glorious he was. Some called him a death god, a nickname that the Professor really liked, but personally I never found it fitting. It implied divinity, dignity, and there was nothing dignified in what he did. He was an animal.”

His pupils widen, that odd mixture of fascination and disgust seeping from his voice again.

“Covered in blood and soot, Ren stood among the ashes with that snarl of his that clearly showed he wasn’t right in the head, never losing his sense of purpose, or hesitating to pull the trigger,” he narrates, his words carefully chosen. “Others were often a bit, well, squeamish when certain things were expected. But not Ren. If it needed to be done, he’d get down to it, no questions asked. No matter how ugly it was. The shit I saw him do…”

He sighs, slicking back his gelled hair.

“There was something badass about him, I’ll give him that. Once, I remember, we were left behind the enemy lines, just a handful of us, outmanned and surrounded, bullets flying over our heads. Honest to god, I thought I’d leave my bones there in that mud. But he got us out. Led the charge headfirst. Got shot along the way, a bullet to the shoulder, bones shattered to pieces—and yet he kept on fighting. I saw him beating on his wound to stay focused. Can you believe that?”

Armitage pulls his lips into a half-smile, and surprisingly, it doesn’t come across as mean.

“He left so many dead enemies and burned villages and mass graves in his wake that I’ve lost count. Kylo Ren, the king of all war dogs—brutal and invincible. A legend. And as it often happens with men like him, it’s the peace that broke him.” 

Rey picks at her food, smearing mayonnaise across the plate.

“You… You think he’s broken?”

One of his eyebrows shoots up, as if he’s shocked by the silliness of her question.

“Have you ever seen him drunk, or is he besotted enough that he’s on his best behavior around you?”

Rey frowns.

She knows he’s been hitting the bottle lately, he said so himself. She saw it that night in the tavern, when the double shot had made him tipsy and loosened his tongue. Their first kiss tasted of liquor, she remembers, and then there was that broached bottle of vodka standing on his coffee table, which she flushed down the sink at the first opportunity, just in case.

But she has never seen him go overboard.

“Thought as much.” Armitage takes her silence for confirmation. “It’s a rather depressing sight, Kylo Ren in his cups—the poster boy for the horrors of booze. Vodka, mostly, like a true Slav, but at some point I had to hide my cologne from him, afraid he’d chug down anything with alcohol. I’m amazed his liver hasn’t given out yet. He loses it completely when he’s plastered, and then it’s fun times, since you never know how the evening will end—if he’ll slur angry tirades about fat cats and money grabbers, or he’ll beat someone to near death, or he’ll fall asleep on the floor in his own piss and vomit. Or all three. Did he tell you how he got the scar?” 

Rey isn’t sure what to say. “He had an accident.”

Armitage chokes out a laugh, snorting, and his whole face reddens as if it’s been a while since he heard something so hilarious. Suddenly, she doesn’t want to know the truth—but he mercilessly continues, stabbing his fork into a piece of asparagus. It crunches.

“A while ago, shortly before the protests began, the Professor organized a reception. It was supposed to be a magnificent event, a gathering of anyone of any influence in this country, people that you want and need to be friends with.”

He says it with such pride that Rey thinks he personally composed the guest list.

“Here’s the problem. The Professor loves parading Ren in front of the bigwigs—like a mad dog on a leash, if you want. I understand. It’s a powerful propaganda tool, showing he’s in control of the man who did all those things during the war. The only downside is that it can backfire spectacularly when said mad dog shows up shitfaced and threatens your VIP guests, calling them liars and thieves and unpatriotic scum.” He presses his lips together, the memory making him cringe. “It was quite an unpleasant moment. Poor Professor, embarrassed like that in front of everyone and forced to show he still held the leash. So he did what he had to do—he took a bottle and cracked it open against the table, wine spilling everywhere, and then he smashed it across Ren’s face.”

With a slow gesture, Armitage draws his finger along his cheek and forehead, following the line of Kylo’s scar.

“Nearly poked his eye out.” He taps on his eyelid and grins, and Rey feels a wave of toothless anger that makes her sick to her stomach. “For a moment, I was afraid that Ren would retaliate, draw his gun out and do something stupid, and then everything would go to hell. But praise baby Jesus, he didn’t lash out—he just collapsed on the floor, blood dripping on the carpet, and then he started barfing. Threw up his soul, right on my shoes. Italian, real leather. Ruined forever.”

Rey closes her eyes, remembering how the scar felt beneath her fingers when she first touched it—swollen flesh tugging at his skin, warm and inflamed, slick with balm.

He said it hurt.

She wants to flip the table and strangle Armitage with the laces of his overly expensive Italian shoes. She could do it, she believes, when Phasma isn’t around to stand guard, and the mental image almost makes her smile.

“After that, believe it or not, things did improve.” Armitage cuts a piece of salmon and covers his mouth with the serviette as he chews, his table manners the embodiment of elegance. “He did as he was told and gave me a few blessed drama-free weeks. He didn’t even drink in the open. Kept getting smashed on his couch every night, of course, but at least it was away from the public eye. But then…” He raises his fork and points toward Rey. “Then you came along, child bride. And off he goes, AWOL for five days, lost in his happy place where he got to fuck your underage ass from morning to night.”

Rey lifts her chin. She should feel offended by the vulgarity, she thinks, but oddly enough it only empowers her. Someone like Armitage will never understand how it feels to share your bed with the one you love.

Because she loves her monster, doesn’t she?

She helps herself to the fries with her bare hands, licking salt from her fingers, and she chews with her mouth open. But Armitage only smirks, as if he finds her defiance endearing. 

“Anyway. Now that he’s back, Ren’s head is full of these wild ideas. He wants to leave the First Order, he says. He wants to be left alone, live his life the way he likes and similar bullshit. Which brings us to the root of our problem.”

“What do you want, Armitage?” Rey says coldly, pushing her plate away, enjoying that her fingers leave grease stains on the brocade tablecloth. “Snoke wants me out of the picture, but I don’t think you share the sentiment, do you? So what is it?"

Armitage bites into the last piece of salmon and chews, delaying the answer as if it amuses him to put her on edge. When he finally speaks, his tone is playful.

“What do I want? I hold no grudges against you, child bride—as far as I’m concerned, I wish you nothing but the best. Now, if you ask me what I want for Ren, it would be to place him in a nice institution, with clean white walls and sunny rooms and lots of fresh air, and good people who’ll make sure that he takes his meds and paints landscapes in creative therapy and gets tied to the bed whenever he misbehaves.” He smiles, tracing the gilded plate rim with his finger. “But life’s a bitch, sadly, and we don’t always get what we want. So we must make the best of what we do have—and we’ve been dealt a rather shitty hand of cards. Do you follow me?”

She does, Rey thinks.

The mere thought of playing along makes her feel filthy.

“I’m afraid I’ve lost you.”

“Think for a moment, my dear,” Armitage huffs. “I’ve seen your school grades, you’re smart. You can do this.”

She waits for a moment before she inhales to speak. When she does, she feels the bile rising up her throat.

“If I… Um. If I were to, um, disappear, that wouldn’t be good for you in the long run, would it? It’d be a just a temporary victory that would leave you with a very frustrated Kylo, drinking, raging and ready to explode all over the First Order.” She swallows. “You can’t handle him broken. You need him cooperative and functioning, you need to give him a purpose. And for that… For that, you need me.”

“Bingo.”

He grins from ear to ear, like a bearer of good news.

“It’s annoying, you know, his holier-than-though attitude, his reluctance to play his part in the business side of the First Order, as if he’s too fucking good for it. But he’d do it for you. To provide for you, give you a comfortable life. I’ve seen how smitten he is, he’d do anything for you.”

Rey licks her dry lips. She understands too well, yet she still proceeds with her question. “You want me to convince him to stay in the First Order and help you steal money?”

“It’s not stealing, my dear, it’s financial management. And when it comes to negotiations, a certified psycho like Ren is quite an asset. You can always give people a choice: would you rather close the deal with Hux, who’s as charming as he is handsome, or would you prefer that we send over the perpetually trigger-happy Kylo Ren, so help you god?”

He laughs as if he cracked a joke, but Rey doesn’t find it funny.

“Does Snoke know?”

“Don’t worry, he’ll accept it when the time comes.” He gives her a reassuring nod.  “I told you, child bride, we’re here to discuss happiness. What I’m proposing is the perfect solution. Think of it like this: the Professor is happy because Ren acts like a good boy, Ren is happy because he gets to fuck you every night, you’re happy because you’re living life in the lap of luxury, and I’m happy because Ren is no longer my goddamn problem. Everybody wins! Now, am I a genius, or what?”

She stares in front of her, eyes locked on the silver candlestick on the table. “I don’t want a life in the lap of luxury.”

“That’s what you say now.” Armitage knowingly smirks. “But I’ll bet you love your new VCR, don’t you?”

Rey gasps, pulling back, squinting at him as if looking through a gun sight, but he just winks like he’s sure he’s won the battle.

“Let’s go, child bride. I’ll take you to Ren’s place.”

Back in the car, he gives her his card—red letters on glossy black paper with the stylized pagan sun above his name and title. He tells her to call if she needs anything, anything at all, and it horrifies her to realize that he’s the only person with whom she can actually discuss her love life.

Not that she would ever do it.

“We both know you don’t want to go to Canada any more than I’m eager to babysit a drunk, violent madman for the rest of my life. So talk to him, Rey,” he says as they’re parting, using her name for the first time. “It’s your move now, talk some sense into him. This could be the last chance at happiness for the two of you. Don’t let it go to waste because of some imaginary scruples.

She watches him drive away in his matte black car, standing in the street for a long moment after he’s gone from sight.

When she enters the apartment, Kylo is not home.

It’s a relief. She doesn’t want him around for what she’s about to do.

She begins in the kitchen. She opens the cupboards and empties them item by item: the spice jars, the tin boxes with sugar and flour and rice, the bags with spiral-shaped pasta made in Italy, the cans with green beans and sun-dried tomatoes and her favorite peach halves in syrup—so much pricey, delicious food that once upon a time she never dreamed she’d have at her disposal. She climbs on a chair to reach the highest shelves. She looks behind the plates and the pots, and in the fridge, and under the sink where the cleaning products are, but to no avail. She puts the items back carefully—Kylo knows his kitchen, he’ll notice if something is amiss.

She searches the living room next. It’s still in disarray, swallowed up by the devices he bought, with all the things he kept in boxes scattered around on the carpet. She won’t find it here, she knows, but nonetheless she thoroughly examines the couch, opening the drawer underneath. In there, fortunately, there’s nothing but folded bedsheets.

She proceeds to the bedroom closet, rummaging through his clothes: black, so much black, old jeans, hoodies, sweatpants, a cardigan, one or two rumpled dress shirts discarded on the bottom. When they met, he used to dress better, she remembers—his clothes looked expensive, stylish. She doesn’t see the leather jacket he wore on that day at the Fortress—it probably went the way of the cashmere coat, thrown away since he can’t fit into it any longer. She carefully inspects the corners of the closet bottom, but finds only shoes.

She checks under the bed, just in case, and starts searching the cabinet drawer by drawer. T-shirts, underwear, socks—some folded, some merely stuffed inside in a rush. The upper drawer is a mess. She finds a broken old phone, a flashlight, more keys opening god knows what, bundles of unused sticky notes, a pair of leather gloves and his gun.

Wherever he is, he didn’t take it with him. Good, Rey thinks. But then she freezes—what if he needs it? What if his life is in danger, and he must defend himself? Could that happen?

She stares at the gun. The metal is dark, almost black, and it looks heavy. She doesn’t want to touch it, doesn’t want to think about what he did with it. She wonders if she could ever shoot, if push comes to shove.

She shuts the drawer closed and rushes to the bathroom.

It’s too much, she thinks, she won’t find it here, but she still opens each shampoo bottle and sniffs to make sure of what’s inside. People hide these things in the most improbable places. She knows that. She heard stories from the Home kids whose parents were remarkably creative.

It takes her a quarter of an hour to conclude there’s nothing in the bathroom.

The bottle of vodka that she spilled into the sink was indeed the only alcohol in the house.

Rey sits on the bathroom tiles and starts crying.

Fuck the old man and his Bible quotes and his overly dramatic threats, and fuck Canada.

All these years, she’s been waiting for the opportunity to leave this hellhole of a country, and now that she’s offered the chance, it feels like the worst thing that has ever happened to her.

And the alternative… The alternative is…

Could she do it to him, trick him into something he loathes just so they can stay together? Would she be able to live with the consequences of such choice, surrounded by the luxury she never wanted and fully aware of what he does to earn that money? Is this indeed their last chance at happiness, could they be happy living like that?

And what happens to little girls who disobey—they get snapped in half like twigs?

She’s shaking, hugging her knees close to her chest, and her nose is running.

Breathe, Rey. Breathe.

There must be a way out.

Breathe.

She wants to go back to the five days when the outside world didn’t exist.

When Kylo returns home an hour later, she’s watching TV on the couch.

“Rey?” He sounds surprised. “You’re here this early? Did you even go to the protest?”

He reeks of sweat, and a tight black beanie on his head makes his ears stick out, but she still finds him gorgeous.

She jumps up to hug him.

“Don’t, I was at the gym, I need a shower!” Even though he protests, he wraps his arms tightly around her waist, squeezing her close. “Is everything alright, love? You aren’t upset, are you?”

She should tell him, she thinks.

But then again, what if he loses his temper and does something reckless?

Can things be worse than they are?

“I missed you,” she muffles into the fabric of his jacket, reaching for the zipper to take it off. She needs to feel his skin.

She slips her hands under his hoodie, pulling it up, and tugs at the hem of his sweatpants.

“Oh.” He’s confused, but she senses his arousal hardening against her body. “Well, that’s… Wow.”

He leans down for a kiss, slipping his tongue between her lips, and his mouth tastes of sweat and salt and winter. As he moans low in his throat, she yanks his wet t-shirt so strongly that it almost rips.

“Wanna shower together?”

Kylo nods, boyishly eager, and quickly lifts her up like she’s weightless. On their way to the bathroom, they shed pieces of clothing, leaving behind a rumpled trail.

Later, she thinks. She’ll tell him later.

For now, all she needs to know is that he loves her, and that he’s happy, and that no one can hurt him as long as he’s in her arms.

 

Notes:

If you're curious to see how a Nosferatu looks like (when it ain't Max Schreck or Klaus Kinski), here's an illustration from "Vampire: the Masquerade". This is also how I imagine a real life Snoke.

Chapter 18: How You Turn My World, You Precious Thing

Summary:

"They all think I'm stupid, but I'm not."

Notes:

I owe a huge debt of gratitude to Shunak, my BFF, cosplay partner and alpha reader (is that a thing?), who helped me come up with a feasible outline for this plot-heavy chapter, and who read version after version of certain scenes until he gave his seal of approval.

Beta work by KathKnight

(See the end of the chapter for more notes.)

Chapter Text

How You Turn My World, You Precious Thing

 

 

 

Days pass.

Rose returns from her hometown, bright-eyed and rosy-cheeked, and she brings home-made jam, and cheese pie, and tangy pork cracklings that crunch and melt on Rey’s tongue. She says she misses her family as soon as she unpacks, complains about the unbearable cold in the dorm room, and asks to hear all about the protests and the disco and the city blocked by cordons. Rey answers vaguely. No, she has no idea who might be Poe Dameron’s newest sweetheart. No, that fight with Finn was just a minor squabble, nothing to worry about. No, she doesn’t know how long the siege will last.

No one knows that.

Rey spends the night in her own bed for the first time in the new year, listening to Rose’s soft breathing, staring at the water-stained ceiling unable to sleep. In the morning, she feigns a cough and blames the chilly radiators in the room, and she starts packing, saying she’ll stay over at Finn’s place until her cold recedes. It might be in the suburbs, but at least the heating works.

She calls Finn from the common room, constantly glancing over her shoulder to check if someone’s listening. She announces she’ll spend the next few days with Poe.

“Sister!” Finn whistles, and she can tell he’s smiling on the other end of the line. “Wasn’t he supposed to be into someone else?”

“He is.” Rey frowns at the receiver. “It’s nothing like that, we’re just hanging out. But please, in the unlikely case you bump into Rose, can you tell her I’m with you? You know how gossipy she can get. I don’t want any rumors about Poe and me flying around, it’s enough that I have to put up with your matchmaking.”

“Whatever you say,” Finn chirps, and he sounds so happy for her that she almost feels a pang of guilt. “Have fun. Ask him to teach you to dance.”

She shows up at Kylo’s place with her winter clothes packed in grocery bags. Her backpack is too small, she says, and she doesn’t own a suitcase. He buys her one that afternoon.

Days pass, and Rey settles into a routine. She leaves the apartment around noon and takes a long walk to the Faculty, where she keeps watch in the lecture hall while others go dancing. She becomes proficient at idling away the time: she cleans, arranges tables and chairs, prints out posters with new slogans, makes lists of items to buy and chores to do for the rebel headquarters to run smoothly. Professor Holdo nods in appreciation, patting her on the back. The Professor’s ring-adorned hand always lingers for a moment too long on Rey’s shoulder, and Rey wonders if Poe has told her anything—but Holdo just smiles, and Rey doesn’t ask.

On some days, Rose drops by to bring her lunch. She fusses that it’s unwise to go out if Rey is feeling sickly, and asks about Finn, a faintly disguised teenage crush clear in her voice. Rose stays the afternoon every once in a while, but not too often—she prefers dancing, bless her, and Rey finds it sweet that she’s always excited about the music she’ll hear and the people she’ll meet. Sometimes, it’s Poe who comes to keep Rey company. He makes her laugh with his tales about the protests—they organized a beauty pageant the other day, he says, to choose the most handsome police officer in the cordon, but it was fucking difficult to see through their helmets. Poe tries to convince her to join him at the disco, but Rey just shrugs—she insists that she doesn’t dance.

Once, the General herself comes to sit with Rey.

“I’m an old woman and my knees hurt,” she grumbles in her throaty voice. “What’s your excuse for not hitting the dancefloor?”

“Two left feet,” Rey lies, mopping the sticky linoleum.

Leia Organa scoffs. “That’s never an excuse.”

“I’m not in the mood.” Rey bends down to pick up a crumpled leaflet and shoves it in a black trash bag. “Is that better?”

The General narrows her eyes, studying Rey with a shallow smirk as if no secret can escape her.

“Things didn’t turn out the way you wanted with your old flame?”

Blood rushes to Rey’s face, so abruptly that her ears start buzzing.

“No, um… No. That ain’t half bad, actually. It’s just that life has found other ways to be complicated.”

“Ah.” The General’s sigh is packed with decades of determination and disappointments and wisdom. As she crouches to help Rey with the trash bag, her knees crack loudly, and that makes her laugh.

“How long…” Rey begins, stifling a giggle since the General’s laughter is contagious. “How long do you think this can last? This stalemate, I mean. The disco, the cordons. It feels as if time has stopped.”

Leia Organa thinks for a moment.

“We’re almost there, I’d say. The capital is paralyzed for days, and in turn, the whole country is fucked.” She swears with such unbridled joy that Rey’s smile widens. “Someone’s bound to cave, and it won’t be us. Therefore, the darksiders can either withdraw their cordons and let us march, which would mean admitting defeat, or… Or they can cut the crap and accept the election results.”

Her smirk falters slightly for what she’s about to say next.

“Or we’ll have tear gas and batons and water cannons again,” the General declares, her chin held high and her shoulders square. “That’s also an option.”

Rey’s daily shift in the lecture hall ends by late afternoon, and every evening, she calls for a taxi to go back to the apartment. (“Fuck buses,” Kylo had said, pushing crumpled bills into her hands. “With the cordons and the crowd, it’ll take you ages to come home by bus. Just get a cab.”) When she arrives, dinner is ready and the table is set. They eat together, and then they argue about the movie they’ll watch—Kylo likes obscure European cinema and despises comedies, but he always lets her have the final word, no matter how dramatically he complains. On some nights, they listen to music and read, cuddling on the couch. Kylo’s head is in her lap and her hands are in his hair, untangling the knots as she dreamily murmurs the song lyrics, and he teases her that her English sounds too Slavic and rough. Like a Russian femme fatale in a Bond movie, he says.

Sometimes, they rush straight to the bedroom.  

She screams every night now, neighbors be damned. She grips the bedsheets as his tongue works between her legs, or she clenches around him, savoring his hardness, digging her nails into his lower back to push him deeper in, and as her pleasure reaches its peak, she moans so loudly she can’t recognize her own voice. It took time, but he’s learned to read her body—now he knows exactly where to lick and suck and touch to make her see stars. “You’re mine, Rey,” he whispers against her throat each time he makes her come, his voice breathy and darkened with want, “and I’m forever yours.” She finds beauty in it, in this gradual journey, in their messy exploration of intimacy. There is no part of her body left untouched. She gets used to the rubbery smell of condoms and the harsh taste of his semen, and she still likes it the most when she’s on top, so that she can watch him quiver beneath her, strong and large, dizzy with need, looking at her through hooded eyes like she’s a wonder.

Days pass, melting into each other like snowflakes on asphalt, and it is not easy to separate yesterday from the day before.

There are moments when Rey almost forgets there’s a noose hanging around her neck.

She knows why she’s been given time. The old man wants to frame her departure as a betrayal—the longer she stays with Kylo, the more it will hurt when she disappears. 

Fucking Canada.

It’s a clever idea, though. Playing on human greed is always a safe bet. A brand new life in the country often described as one of the most welcoming destinations for immigrants is not a small gift—a lesser person would jump at the opportunity. She can almost see the old man cackling like the cartoon villain that he is, delighted by the deviousness of his own mind.

Strange, it seems that Snoke is dead certain that she will accept the offer. Someone like her is trash in his eyes, she knows. Selfish and unprincipled, that’s how he sees her—a sellout who’ll always choose her own interest over her country or the man who loves her. Still, Rey is not offended. She finds it ludicrous that the old man is so confident in his judgment that he hasn’t even considered she might tell Kylo what’s going on. It’s a huge risk on his part.

Except that he's right.

Days pass, and she still hasn’t mentioned anything to Kylo.

She’s waiting for the right moment, Rey tells herself. She has to time it properly. She must choose the right words. She can’t just take his hand and say: “And by the way, that creepy old dude who calls himself the Professor, you know who I mean, the man who sent you to war and cut your face in half, and yet you still unreasonably worship him because he’d taught you to embrace your rage, well you see, he wants to fuck you up even further by shipping me halfway across the world, but that’s how life goes, so please don’t overreact, and don’t do something violent or impulsive or stupid.”

Can she?

The longer she waits, the more difficult it is to broach the subject.

Rey wants to think it’s because she’s not ready yet, but she knows it’s bullshit.

Days pass, and more and more often, she catches herself staring at the glossy business card of Armitage Hux.

Financial management, he said. It’s just money games. It isn’t real crime, is it? Hell, as far as she knows, it isn’t crime at all—no one gets killed, and all is in line with the letter of the law.

She’s not tempted. She’s not.

It’s just that she’s never experienced this before. All her life, she had to struggle to get what she wanted—set goals and work hard to have them within reach, plan every move, pinch every penny, toil and suffer and sacrifice, and hope that one day it would pay off.

And now, suddenly, the world is at her fingertips. Money is no longer an issue—whatever she may wish for, Kylo makes it possible. Food. Clothes. A whole room full of state-of-the-art gadgets. Stupid daily expenses, such as taxi cash. He’d buy her the moon if she asked for it, Rey knows. She doesn’t need Canada—life can be easy even in this shithole of a country, even in the middle of the protests, when the city is under siege.

Privilege, that’s what it’s called.  

She’s not tempted, she’s better than that.

She just wishes some choices were easier to make.

“Kylo…” She hugs him from behind one evening as he’s washing dishes, wrapping her arms around his waist and rubbing her forehead against his naked back. “What will you do when you quit the First Order? You think you can get a job?”

He’s silent for a long moment. Plates clatter as he rinses them, lemon-smelling dish soap spilling from the edge of the sink.

“I’ll think of something,” he answers, and Rey can almost hear Armitage’s snippy voice saying that thinking was never Kylo’s strong side.

She hugs him tighter.

This can’t go on forever, she knows. They’ll have to talk, sooner or later, and then things will get ugly. Or worse, she’ll run out of time and the old man will make his move.

But as the stalemate continues, Rey stalls, trying to steal another day of this stupid domestic happiness, wishing she were a lesser person who wouldn’t hate herself for giving in to temptation.

In the last week of January, the temperature drops: the Eastern wind blows through the bones, and it’s so cold that Rey’s ears hurt, even under her favorite knitted hat. The skies are the color of steel, closing in on the city, and tree branches crack and fall under the weight of snow. The disco goers do not falter, however. They come up with new choreographies, dancing with their umbrellas, raising their hands up towards the sky to catch the twirling snowflakes. Famous DJs volunteer to play their music at the Cordon Bleu, competing against each other who’ll rouse the crowd with more energy. School doesn't start, to Rey’s relief—the beginning of the semester is delayed, as the teachers’ union supports the protests by going on strike. She tells Rose she’s having a great time spending the winter with Finn, and she tells Finn that Poe is slowly becoming one of her best friends, and every night she watches Kylo while he sleeps, thinking that in the morning she must tell him the truth. 

And then, for the first time in a while, Rey dreams of Han.

They’re on a boat, in the middle of the night. Everything is black except for the chunks of ice floating in the water, and she feels the wind on her face, the boat deck rumbling beneath her feet. She’s a child again, wearing the same beige hand-me-down cardigan she had in the winter of 1993, and she’s cold. She doesn’t know where they’re going. Han is talking to her, but she can’t hear his voice—the wind howls, and the boat engines roar too loudly. She looks away for a moment, her eyes fixated on the pitch-black waves, but when she lifts her gaze Han is no longer there. She’s alone in the night, traveling across broken ice, standing on deck boards smeared with a greasy stain that may be motor oil or blood.

“Is everything alright, love?” Kylo asks in the morning as he’s making breakfast, poached eggs and crispy bacon and toast with plum jam. “You seem a bit… off. Did you sleep well?”

No, Rey wants to answer.

No, everything is not alright.

It would be so easy, she thinks. It’s just words. A speech: “Listen, monster, time to put things into perspective, you know how I feel about you, you know I want to spend my life with you, but it ain’t that simple, we can’t live off air and we can’t keep spending your savings, we need an income, but I’m too fucking young to make money for the both of us and you can’t exactly hold a normal job, can you, so swallow your pride and talk to Armitage, it’s only money games anyway, you can’t possibly claim it’s worse than killing civilians or beating on your own wound to stay focused in the war zone mud.”

She sighs, sinking her teeth into her lower lip until it hurts.

“Love?” Kylo reaches across the table and takes her hand, entwining their fingers. “What’s wrong?”

She looks at him for a moment. His hair has grown so long, it’s almost past his shoulders now, and she loves the way it curls.

Rey takes a deep breath and opens her mouth to speak.

“I…” She pauses, exhaling sharply. “I talked to Snoke.”

Kylo freezes.

His jaw clenches, lips pressed together tightly, and then he slowly blinks, as if he isn’t sure he understood her right.

“What?”

There’s no going back now.

“I talked to Snoke,” she repeats, sounding stronger than she feels. “I was, uh, taken to him. To the office. The First Order office. He wanted to meet me.”

He stares at her, dumbstruck. A frown creases his forehead and his gaze clouds with confusion. He still can’t grasp what she’s telling him, Rey sees.

His voice is soft when he finally speaks.

“Why?”

Rey swallows. Every word she’s about to say must be carefully chosen.

“He’s unhappy that you want to leave the Order.” She realizes she’s clutching his hand so tightly it must hurt, but Kylo doesn’t flinch. “He blames it on me. He gave me a choice: I can either move to Canada on a paid scholarship, or I can, um, disappear in an unsavory way. That’s what he said.”

Kylo's eyes narrow into slits. “He wants to hurt you?”

She hesitates for a moment.

“Not really. I’m unimportant. Just a means to an end.” She grips the table edge with her other hand to stop herself from trembling—a gesture she’s learned from him. “I think he wants to hurt you.”

There. It is said.

Rey waits for him to explode, to start shaking and twitching, to call forward the darkness and give in to his rage.

But Kylo just nods, eerily calm.

“I see.”

Somehow, this is more unsettling.

“When was this?” He reaches out to take her other hand, prying the crumpled tablecloth from her fingers. “Yesterday?”

Rey squeezes her eyes shut.

“Two weeks ago.” She struggles to keep her voice steady. “Almost three.”

“And you’re telling me now?”

She feels the hair on her back standing up.

“Kylo, I… Please. I didn’t... I mean, I couldn’t… I…” Rey hiccups, gasping for air.

Kylo pulls back, and for a moment she fears he’ll think she delayed the conversation because she was actually considering Snoke’s offer. She can’t read his expression. It terrifies her—usually, his emotions are written all over his face.

But then he leans forward and startles her with his next question.

“Do you love me?”

He stares at her with the intensity she recognizes well—like she’s the only person who matters. If she says the wrong thing now, she thinks, the world will fall apart.

Her breath hitches. “You know.”

“Not good enough, Rey.” Black hair falls into his face as he shakes his head. “Say it.”

“I do.”

“You do what?”

Her last defense is crumbling before her eyes, and she digs her nails into the calloused skin of his palms.

“Fuck you, Kylo!” She lashes out. “I love you! Okay?”

She sounds like a child, her voice high-pitched and shrill, echoing in the kitchen.

She didn’t want to say it this way.

“Good.” Kylo nods. He waits for a moment, and then adds, his frown softening a bit: “You should have told me earlier.”

She isn’t sure if he’s talking about Snoke, or her feelings.

Kylo lowers his gaze, looking at their joined hands on the table. With a slow gesture, he moves his thumb to caress her knuckles, the rough tip of his finger grating on her skin. He breathes too loudly, panting almost, and for a while, his labored huffs and the ticking of the wall clock are the only sounds disrupting the silence.

The moment drags on.

“Kylo?”

When he looks up, she almost expects his eyes to glow yellow.

“They all think I’m stupid, but I’m not,” he sneers. “You said so yourself. I’m impatient, and I have a short fuse, and I never pause to think things through. But I’m not stupid.” His chuckle is brief, subdued. “I can play games too.”

Rey shifts in her chair.

“What… What does that mean?”

“It means there’s a way out of this.” Kylo bares his teeth, his chipped fang flashing sharply. “It’s okay, my love. I’ve got this. I know exactly what to do.”

His tone is resolute—Rey wants to trust him, but this sudden burst of self-confidence puts her ill at ease.

“Now I need you to start packing. Good thing we got you a suitcase.”

“Packing?” She frowns as she tries to make sense of his words. “You want me gone?”

“Just for a few days, until the dust settles. Won’t take more than a week, I promise.”

Rey tenses, clenching her fists. She won’t budge, she thinks, not until he explains what he’s about to do.

But then she feels her skin prickling, droplets of sweat gliding down her back.

Does she really want to know?

“Call the traitor. Tell him you’ll stay over at his place.”

This surprises her. “I thought you hated Finn.”

“He’s a piece of shit.” Kylo lets go of her hand to pass his fingers through his hair—a gesture meaning he’s nervous. “But he’s had military training and knows how to use a gun. And he loves you enough to defend you to the bitter end, if shit hits the fan.”

Rey nods slowly. She needs more time to process what’s happening—it still doesn’t feel real.

“Fine. I’ll... I’ll get going, then.”

Without warning, Kylo pulls her across the table, plates rattling loudly as he pushes them out of the way. He kisses her long and hard, desperate, tongue shoved in her mouth, sharp teeth nibbling at the tender flesh of her lips.

“We belong with each other, love,” he whispers, pressing their foreheads together. “We’re destined by fate. And I’ll do whatever it takes to stay by your side.”

Rey spends the rest of the morning packing in silence, pretending not to notice that her hands shake.

A cab takes her across the city to the industrial suburbs where Finn is renting the ground floor of a modest brick house. All along the ride, she keeps glancing around, checking the road, sneaking looks into the rearview mirror. No car seems to be following them, as far as she can tell.

She’s not sure she’s right, however. She doubts it’s as simple as in the movies. Life never is.

It’s quiet in the outskirts of the capital—Rey finds the tranquility strange after weeks of living with the noise in the besieged city center. The snow is thicker here, white and untrodden. She sees the skyscrapers in the distance, social housing shaping the skyline, communist brutalism at its best. The concrete buildings are the same grey color as the winter sky. A freight train passes by, its wagons covered with graffiti in vivid blue and pink—curse words in stylish block letters and feral, distorted faces cackling at the world. A dog starts barking, roused by the rattling of the railway tracks.

She asks the taxi driver to leave her a street away from Finn’s house. She doesn’t want him to know that she didn’t come by bus.

“Peanut, you okay?” Finn gives her a bear hug as soon as he opens the door. “What happened, trouble in paradise with Dameron?”

“Nah.” Suitcase wheels clunk over the threshold as she enters. “It’s just that I feel a bit funny, as if I’m about to go down with flu. I need a few days' break from the protests. I can’t keep imposing on Poe, and the dorm is too fucking cold—my breath is freezing in the room.”

Finn gives her a toothpaste commercial smile. “Will I sound like a total asshole if I say I’m happy? Not that you’re getting sick, of course, but that you came here. Been a while since we got to hang out properly, you being busy with activism and all.”

“Sorry,” Rey murmurs. She has nothing better to say. “How’s life?”

“Shitty, if you ask.” Finn’s lips curl down, even though the smile still lingers in the corners of his eyes. “While you guys are partying with the police in your disco joint, us mortal folks are struggling to live normally. It’s like you’re holding the city hostage. I’ve been working in that pizza parlor for two years, sister, and this is the worst month ever. Yesterday we had one customer for the entire evening. One. And I’m supposed to live off tips.”

She almost apologizes again, opening her mouth to offer excuses and ask for understanding. But then she realizes that this is not what she feels sorry for. If she owes Finn any apologies—and god knows she does—it has nothing to do with the protests.

“It’s for a greater good,” she says dryly. “Professor Organa said it’d be over soon.”

“Whatever,” Finn huffs. “I just hope your Professor is as good at predictions as she is at giving speeches.”

Finn’s living room is crowded with shabby furniture—a table with one shorter leg, a pull-out armchair in which Rey usually sleeps, a couch so old she sinks into the cushions when she sits, springs squealing sharply under her butt. The house smells of tobacco and laundry detergent. The walls are yellowish, in desperate need of fresh paint, covered with posters of Tupac Shakur and Bob Marley and Grace Jones posing on an orange background, with a square buzz cut and square shoulder pads, a stark white cigarette hanging from her lips. Finn’s most prized possession is an African tribal mask that he bought on the flea market, as a gift to himself for his twentieth birthday. It’s a knockoff, of course it is, for it was cheap and obviously mass-produced, but to him it means something.

“You know the drill, make yourself at home,” he says, smiling. “I’m working tonight, but I won’t stay long. I’ll bring food, and we can watch a movie when I return.”

Rey swallows, glances at her watch, hesitates for a moment before falling down on the squeaky couch.

All she can do now is wait.

She’s good at waiting, she tells herself. Waiting and fixing broken things.

When Finn leaves for work, locking the door behind him because she asked him to, Rey finally gives in and cries in silence, tears soaking the collar of her shirt until it gets so drenched that she has to change.

As hours go by, she tries to make herself useful. That’s always her first urge.

She vacuums the house, and then spends the better part of the afternoon repairing the wonky cleaner hose with duct tape. She glues the wrinkled poster edges back to the wall. She fishes out beer bottles from under the couch and empties ashtrays, counting the cigarette butts, scrunching her nose in concern. She cleans the bathroom, rubbing at the black stains between the tiles until her fingers hurt. It’s good. Work is making her tired, helping her focus.

It distracts her from thinking.

Finn returns late in the evening with cold pizza, complaining about the total collapse of public transport since the city center is barely passable. They watch TV together, snuggling on the couch under a heavy blanket that feels cozy even though it smells like wet dog. They don’t talk much, but Rey prefers it that way. She thinks she must have fallen asleep on Finn’s shoulder, for she wakes up in the middle of the night curled up on the couch, carefully tucked in, the rattling of a freight train echoing in the distance.

She misses Kylo’s weight on top of her.

The week ticks away, and Rey struggles to stay busy. For the best part of the day, she stares at the screen. She learns the TV program by heart: Bugs Bunny cartoons, news filled with lies so spectacular she sometimes laughs out loud, musical shows with too much glitter for her taste, black-and-white movies with Humphrey Bogart in a trench coat solving crimes, reruns of teenage dramas and murder mysteries and romance flicks, soap operas in Spanish with bad acting and swanky costumes and plots so silly she catches herself eagerly awaiting the next episode. She tries cooking, but Finn’s fridge is nearly empty and her skills are far from Kylo’s, so she quickly gives up. She learns to recognize each dog in the neighborhood when she hears them bark. 

And she waits, while outside it snows.

Often, she stares at the phone. It’s embarrassing, almost as if she’s trying to will it into ringing. But days pass, and nothing happens: no calls, no news, no attempts at contact.

She thinks she’ll lose her mind.

“Why did you join the First Order?” she asks Finn one night, as they’re watching a bizarre '80s horror that she can’t focus on.

Finn stiffens, clutching his beer bottle, the couch creaking under his weight.

“Are we really having this conversation?”

Rey picks at a cigarette hole in the blanket, her eyes down. “We’ve been successfully avoiding it for three years.”

He takes his time to reply, his gaze fixed at the screen where a monster in bad makeup is chasing a screaming girl down the cobblestoned streets of a Mediterranean town. He holds the bottle with both hands, gripping it tightly—if he keeps doing it, Rey thinks, his beer will get warm.

“Well. I thought it was because there’s nothing to say. The answer's obvious, sister, ain’t it?”

With a swift movement, Finn lifts his hand and rolls down the sleeve of his sweater, pointing at the dark color of his skin.

“Okay, so you say it’s obvious.” Rey reaches out to grab his sleeve and pull it up, and then proceeds to hold his hand, leaning onto his shoulder. “Fucking 1993—it was bad, I remember. The nationalist madness was really flying off the handle. It made sense for a black boy caught in the crossfire to do something dramatic, if stupid, to prove where he belonged.”

She swallows a scoff.

“But goddammit, Finn. Did you ever actually believe any of that shit? Y’know—the just cause of the war, the holy martyrdom, the need to defend our people from their people while the evil West takes sides based on what looks better in the news?”

Finn studies her, his face illuminated by the TV, that sad smile of his ghosting his lips. Then, he offers her the beer bottle and laughs when she pushes it away.

“You’ve been thinking about this a lot lately, haven’t you?” He raises his eyebrows curiously. “Why?”

Of course he won’t answer. What did she expect? His favorite method for dealing with unpleasant topics has always been to counter them with difficult questions. 

“I dunno.” Rey shrugs, her gesture a tad too quick. “I guess the protests made me ponder politics. I keep wondering how can someone who’s not, well, a bad person, just somewhat troubled, fall for the bait and end up doing horrible shit. Like support the regime. Or commit war crimes.”

“Because the message they’re selling is tailor-made for troubled people. That’s why it’s bait.” Finn takes a long swig of beer, foam dripping down his chin. “And it can work both ways, see what I’m saying? That’s why you should be careful with your activism. Keep a cool head, sister—or you’ll end up seeing the world in black and white.”

Rey frowns. She wants to argue: you can’t compare the two, jumping to the call to do nasty shit in war and peacefully protesting for human rights and democracy. You just can’t. Some things are fucking black and white.

But then she looks at Finn. He’s tired, she notes, worn out from long commutes and double shifts he’s been working lately, trying to make ends meet for the month. The bags under his eyes are swollen. She doesn’t want to raise tension, she realizes. Not now, when her world is so fragile.

Outside, a freight train rattles in the night.

Rey changes the topic.

“You think someone who’s been in war, y’know, who’s seen the things you’ve seen, fuck, someone who did those things, you think they can live a normal life once it’s all over?” She clears her throat in an attempt to stifle the anticipation in her voice. “Like, get a job? Start a family? Find, well, redemption?”

“I don’t know, Rey.” Finn waves his hand dismissively. “It’s not as if I’m in touch with my old squadmates so that we can compare notes.”

He’s silent for a long moment. Rey wants to push him, ask him more, but she bites back the words. If she keeps prying, he’ll start suspecting there’s more to this conversation.

On the TV screen, the monster has caught the girl—the camera zooms in on her terrified eyes, fake eyelashes fluttering dramatically, and then technicolor blood splashes over the cobblestones.

Suddenly, Finn begins to speak.

“It stays with you. You can pretend you’ve moved on, but it’s there.” He scoffs through a weak smile. “It’s not always bad, you see—not every dream is about burning villages or rotting corpses by the roadside. Sometimes it’s harmless. You dream of a guy you knew, someone from your squad, someone you were almost friends with—you do stupid stuff together, like go for a ride, or share a cigarette. It’s only when you wake up that you remember you watched him die.”

Finn toys with the nearly empty beer bottle, peeling off the label.

“Or you think you’re having a regular day, but bam, the sound of a tire popping reminds you of gunshots. God forbid that every loud bang gets to trigger you, but this one just did—and there we go, the flashbacks begin, and then you’re thoroughly fucked up for the rest of the week. Dammit, sister. It sticks, this shit, like stepping into bubblegum. Like a stain you can’t wash away. You never get over it.”

Rey watches the silhouette of his profile in the dark living room. She didn’t know. He never talks about it.

The silence lasts for too long, the moment as brittle as glass, and she’s afraid that whatever she may say, it will come out wrong.

“But still,” she finally murmurs. “You’re living a normal life.”

Finn gives a bitter laugh.

“I wait tables in a pizza parlor trying to charm customers for tips. I ain't got no school and no plans for the future, and at my age, I stopped believing in miracles that’d turn my life around.” He pauses.  “And trust me, I’m not the worst one out there. At least my conscience is clear. I know who I am. I know I couldn’t shoot.”

Without waiting for her answer, Finn stands up from the couch and slams the bottle to the table with such force that its shorter leg makes it wobble. Then he walks to the kitchen to take another beer—it’s not often that he has two for one evening.

“Rose is in love with you,” Rey blurts before she can stop herself.

She needs to tell him something hopeful.

“I know,” he sighs, nodding. “I’ve known for a while. I just don’t think someone like me can make Rose happy.”

In the movie, the monster in bad makeup is chewing on the plastic prop of a ripped-off female arm. And then it howls into the night, and the screen fades into black.

In the early evening of the last day of January, after a full week of no news from Kylo, the phone rings.

Rey’s heartbeat quickens. She stares at the phone, hesitating. She wonders how many times she should let it ring before she jumps to answer, hoping that her voice won’t reveal the helplessness that’s been weighing her down for days. 

It’s probably nothing, she tells herself. Maybe someone is looking for Finn—it has happened before. Or it’s Finn calling from work to ask if she needs him to pick up anything on his way back.

She braces herself and lifts up the receiver.

“Rey, baby!” Rose yelps gleefully. “How’s your flu?”

“I’m… I’m okay,” she nearly slurs, unsure if she’s disappointed or relieved. “I think I’ll be better in a day or two.”

“Well. Told you that you should’ve skipped the protests if you were feeling sickly.” Rose giggles, but it’s stiff, insincere—Rey knows that Rose is a bad actress.

Something’s wrong.

A pause follows. Rey hears Rose breathing through her mouth, cautious, as if she’s contemplating what to say next.

“What happened?” Rey finally asks.

“A man approached me this afternoon,” Rose says. “He asked about you.”

Her stomach sinks.

“A man?”

Another pause.

“Yeah. He knows you’re at Finn’s place, said he can’t reach you there.”

Rey breathes out a heavy sigh and shuts her eyes, leaning her forehead against the wall.

“Late twenties? Very tall, long black hair?”

“No…” Rose falters, noticeably confused. “A ginger. Really well dressed.”

Fuck.

Fuck.

Sweat beads above her upper lip—Rey licks it away, tasting the salt.

Her voice must not break. “What did he say?”

“He wants you to call him. He said it’s urgent.”

Rey’s knees wobble and she slumps onto the couch, rusty springs making an ugly sound under her body.

Fuck.

Rose waits for a moment before speaking again.

“Rey, are you in trouble? You’ve been kinda weird lately, that’d explain a lot.”

“I’m fine,” Rey lies promptly. “All is fine.”

She fears that Rose will want to know everything about this tall man with long black hair who first came to her mind, so she keeps talking.

“I know what the ginger wants, Rose, it’s no big deal,” she offers. “Don’t worry. Thanks for letting me know.”

Rose inhales, her breath catching as if she has something to add, but after a long moment, it seems that she changes her mind.

“Take care, Rey,” she says instead. “Please. Talk to you soon.”

Rey holds the receiver to her ear long after Rose has hung up, letting the flat dial tone reverberate in her thoughts.

She counts—ten. Twenty. Fifty. One hundred.

It’s not enough.

She sighs, her gaze focused on the posters on the wall. Grace Jones stares down at her, contempt filling her perfectly made-up dark eyes—she’s judging her, Rey thinks.

Good. She deserves to be judged. At the end of the day, she’s nothing but a foolish little girl who’s gotten herself neck-deep in shit she can’t handle just because she was chasing after a man.

A fucked up mess of a man who’s barely able to function as a normal person.

But there’s no way she’ll ever let him go, she knows.

Rey bites her lower lip and takes out the glossy business card from her wallet.

He picks up after the first ring—he’s been expecting the call.

“What do you want, Armitage?” she spits, lowering her tone to her best attempt at a growl.

A shocked gasp resounds in the telephone receiver. “Manners, Rey! Is that the way to greet a friend?”

He sounds both amused and scandalized, and Rey hates his skill to perfectly project conflicting emotions.

“Leave my friends alone.”

“My most sincere apologies if I spooked the cute little glasses girl.” He’s smirking, she hears it in his voice. “I didn’t want to risk calling you myself and bumping into the traitor—I don’t know when he’s at work. Much to my dismay, I can’t have all of you followed.”

She frowns—and here she thought there was no one behind the taxi that brought her here. “So you followed me? Is that how you knew where to find me?”

“No, my dear. Ren told me where you are,” he says as if it is obvious. “He wants me to take you to him tonight.”

Rey wrinkles her nose. This doesn’t make sense. Armitage is the last person that Kylo would confide in, let alone involve him in his plans or ask for favors.

“Why you?”

He chuckles aloud. “Because it seems that I’m the only person in this city who owns a fucking car, and your monster needs my driving services.”

He emphasizes the words as if he’s sharing a secret code, a proof that it is indeed Kylo who’s sending him, but his tone makes it clear he finds the nickname hilarious. To her annoyance, Rey feels that she’s blushing, and she’s grateful that Armitage can’t see her.

“Now that the trust issues are hopefully out of the way, I kindly ask you to get ready. I’ll be there in one hour, if gods of traffic are merciful.” He pauses, and then adds the punchline through a malicious grin that oozes from his voice. “Wear something nice. He hasn’t seen you in a week, I’m certain he’ll be eager.”  

And just like that, he hangs up.

Rey sits on the couch with the phone in her lap, chewing on her bottom lip until she tastes blood.

This is ridiculous.

Kylo spoke with Armitage, that much is certain, even though she can't fathom why they would suddenly work together. It’s beyond suspicious. And yet, it’s not as if she has a choice. If she wants answers, she thinks, if she wants to see Kylo soon, her only option is to play along.

She rummages through drawers until she finds a spare pair of keys so that she can let herself out of the house, and scribbles a note to Finn—“Had to leave urgently, revolutionary business, don’t worry, will call tomorrow.”

She hears the car arriving—all the neighborhood dogs bark to greet it.

It’s cold outside, winter pinching her cheeks, and the air smells like charcoal. The lamppost in front of the house blinks as if it’s about to give out, its orange light dim, electricity buzzing audibly. Rey looks up at the sky—the moon is full.

The expensive car sticks out like a sore thumb in the barren street. Armitage rolls down a darkened window and waves.

“Dear god, this place is a fucking dump.” He pouts. “My heart breaks for you, child bride. It must’ve been abysmal to spend a week here with no news.”

“Think of it like this: if it weren’t for me, you’d never get to discover all the charms of the capital.” Rey does her best to imitate his haughty tone. “Now be a darling and help me with the suitcase.”

For a long time, they drive in silence. It’s odd, Rey thinks. Armitage is gifted with the talent for small talk, a skill she’s never quite mastered herself, and he loves the sound of his own voice, especially if he can be derisive or mean. The situation gives him plenty of opportunities for malevolent jabs—and yet he’s quiet, eyes locked on the road.

She stares through the car window, watching the snow-covered fields shine brightly in the night, illuminated by the highway lights and the moon.

“How is he?” She finally breaks the silence.

Armitage sighs heavily. It takes him a moment to reply.

“Never been better,” he says like it is bad news.

Rey nods slowly, picking at her seat belt. Something in his answer puts her ill at ease.

“He didn’t do anything…” Violent? Stupid? Dramatic? What’s the word she’s looking for? “…radical, did he?”

He rolls his eyes. “Patience, child bride, you’re about to find out in a matter of minutes. Where’s the fun if I spoil the ending now, hm? But you’re on the right track, I’ll admit—radical is a good word to describe the situation.”

He’s withholding information on purpose, Rey sees, but this is not mere teasing. Something serious is going on. She can’t tell if he’s tight-lipped because things are indeed too complicated to explain, or he simply enjoys watching her squirm. Or both, because it’s Armitage. He throws her a quick glance, and she notices his forehead furrowing slightly, like a frown he’s trying to suppress.

She tenses, squeezing her hands into fists. “You… you’re angry with me.”

“Angry?” Armitage lifts an eyebrow. “Heaven forbid, my dear. Do not confuse me with Ren—it’s not often that I get angry. I’m annoyed, that’s what I am. And utterly disappointed.”

Rey swallows.

“Because I didn’t go with your plan?”

To her surprise, he shakes his head. “You don’t have the slightest clue what you did, do you?”

A wave of goosebumps prickles up her spine, and she feels a pang of shame she cannot explain.

“What… What did I do?” She sinks her nails into the soft leather of the passenger seat.

Armitage sighs, like he’s too tired, and fed up, and a heartbeat away from stopping the car right there and walking away into the night.

“Color me blind, Rey, I thought you were smarter. The joke’s on me—and on you as well. What a fuckery. To think we could have had it all…”

Dickhead.

She wants to confront him—stop speaking in riddles, son of a bitch, just spell it out already. She has the fucking right to know what’s going on, after a week in the dark when she had all the time in the world to come up with worst-case scenarios. He can't imagine what it feels like to drown in the fear of losing the one you love.

But then she notices.

“You… You missed the turn.”

They drive past the sign signaling the exit for the city center, staying on the highway that takes them to the other end of the capital, towards the elite suburbs.

“So I did,” he observes calmly. “I said I’d take you to Ren, not that I’d drive you to his apartment.”

Rey closes her eyes, breathing in the pine-scented air in the car, the smell of vanilla cigars.

“Am I in danger?” She feels very stupid for asking.

“You? No. Not you.”

Her throat goes dry, like sandpaper, and she licks her lips as she tries to word her next question.

“Whose side are you on, Armitage?”

“Little old me?” He smiles crookedly, and for a brief moment he resembles the charming man who took her to lunch because he was dead certain that things would go his way. “I’m always on the winning side.”

She doesn’t know how to respond to this.

As they drive deeper into the suburbs, she observes the luxury mansions, their outline vivid against the moonlit sky: vaulted roofs, brightly lit French windows, gates with heavy locks, long walls with dried vines and marble pillars and wrought iron ornaments. Snow falls in stylish gardens, glistening on sculptures of Greek gods and World War Two heroes with their rifles raised, piling up on the trees, their bare branches black and wiry.

Rey knows who lives here: the wealthy and the powerful. Old money, or what’s left of it. Politicians—dwindling communist bigwigs and burgeoning regime bootlickers. Mafia bosses, with their German watchdogs and security cameras. Celebrities who lavishly decorate their newly purchased villas, the showier the better. A few foreign diplomats who still remain in the country, to witness how the times are changing in the neighborhood. 

She’s never been in this part of the city before, not even out of curiosity. It was too different, too intimidating for an orphan girl with holes in her shoes.

Kylo’s mother grew up here, she remembers.

“Where are we going?”

“We’re almost there.”

She thinks she hears a slight tremor in his voice.

Armitage parks in front of a secluded villa with a white stone fence. She sees marble lions mounted on the gates—they bare their teeth, snarling at visitors, their claws frozen in mid-movement, their roaring muzzles silent.

“Now listen to me carefully.” He leans towards her and lowers his voice, as if they have a secret to share. “There are three things I need you to know before we enter the hornet’s nest and the show begins. One: you have my word that nothing will happen to you. Promise. Not a hair on your head will perish. Two: in order to make it possible, I need you to cooperate. No matter what happens in there, you stick with me. You don’t run to Ren, you don’t pull any stunts, you don’t try any of the stupid shit you’ve seen in movies—you don’t leave my side. Nod your pretty head if you understand.” 

Rey squares her shoulders—she doesn’t want to obey. But he’s searching her face with an intensity that doesn’t suit him, as if he expects her to understand what’s at stake even though he won’t explain, and his eyes flash with worry. Despite herself, she nods.

“Excellent. Now let us go.”

Rey stops him, pulling the sleeve of his coat.

“What’s… what’s the third thing?”

Armitage chuckles dryly. “Glad you didn’t forget. Three: I wash my hands of what’s about to happen. I didn’t want any of this.”

With that said, he turns his back and presses the intercom, and the gate slowly opens.

The brick paths are cleared of snow in the spacious courtyard. She sees a set of garden chairs, a barbecue grill with its lid closed, a swimming pool covered with a nylon sheet for the winter, and a limestone fountain with icicles hanging from its edge. Rose bushes are planted in the garden, but at this time of the year they’re nothing but a black tangle of barbs, like the wall of thorns that bars the entrance to the Sleeping Beauty’s enchanted castle. The two-story house is old-fashioned and large, with white painted window frames and a porch that imitates the dreamlike mansions of the American South. 

Whoever lives here, they’re awake and waiting: all the lights are on.

A man exits the house and comes to greet them.

“You brought the girl?”

“As you see.”

When he approaches, she recognizes him—it’s the young man with the brown paper bag from the First Order office.

Fuck.

Her pulse beats in her ears, blocking out all other sounds.

Why did she allow herself to get this stupid?

“Jesus, Hux, you’re armed,” the man says, pointing at the bulge beneath Armitage’s coat that she hasn’t noticed before. “Haven’t seen you with a gun since the war ended.”

“It seemed appropriate, given the circumstances.” He looks at Rey, his expression carefully schooled. “We should hurry inside, no time to waste.”

Rey wants to say something, but words escape her—her mouth hangs open helplessly. If she tries to take a step now, she thinks she’ll fall.

She feels Armitage’s arm wrapping around her waist, supporting her, pushing her forward.

“You know…” the man begins, hesitating nervously. “You know, I gotta confess something. I feel kinda bad about all this. Like it ain’t fair.”

Armitage frowns. “But you made your decision, didn’t you?”

“I did.” The man nods.

“Then stick to it. This is just business, now.”

She sways up the stairs, leaning on Armitage, absently staring at the rose bushes in the garden.

The front door opens and a boy appears, dressed in a carefully ironed blue shirt. His face is pimpled and he looks barely older than Rey—too young to have participated in the war, she thinks.

“That’s the whore?” His voice is exaggeratedly cocky.

Armitage presses his fingers into her waist, in a manner that’s almost reassuring.

“Don’t let Ren hear you.”

The boy scoffs. “As if he can do anything about it.”

Inside the house, the lights are so bright that she squints.

The lobby is huge, enormous—an extravagant waste of space that only the rich can come up with. A massive stairway leads to the second floor, its handrail gilded. The floor is covered with glossy black and white tiles—the contrast of darkness and light dances before Rey’s eyes, making her dizzy. The only piece of furniture is a high antique table with a porcelain vase on it, greenish-white winter roses arranged like a mourning bouquet.

That—and a chair, placed in the middle of the hall.

“Ah,” Snoke booms. “The audience is finally here.”

She hears the door closing behind her. It’s just a faint click, but she feels as if it has sealed her fate.

“Hey there, little girl,” Phasma greets her with a smile.

Kylo sits slumped in the chair, shoulders hunched, head hanging, legs bent awkwardly. His eyes are shut and his hands are handcuffed behind his back. Matted hair clings to his face, dark and wet, sticky with blood, and his nose is swollen. Broken. So deep purple it’s almost black.

The chair looks too small for him, like it’s made for a child and he’s forced to sit in it. It would be funny, she thinks, it would be hilarious, if only it weren’t so fucking humiliating for a man like him.

Stupid monster, who believed he was cunning enough to play games.

“Kylo…” Her voice cracks. “…Kylo?”

He doesn’t seem to be conscious.

Two more men—Snoke’s bodyguards, she assumes—stand next to Phasma, close to her side. They sure do believe in the strength in numbers, cowards. One of them wears a dress shirt and a tie, Rey notes, like he was getting ready for a celebration when duty suddenly called.

“We have gathered here today to discuss an important life lesson,” the old man announces solemnly, both hands raised like he’s holding a sermon. “The value of gratefulness.”

He’s wrapped in a bathrobe of golden velvet, the house clothes for idle rich people who want to look important even when they do nothing. He looks timeworn, and prideful, and so certain he holds his thin finger on the pulse of the world.

She wants to spit in his face.

“Wake him up,” Snoke barks an order to Phasma. “I don’t want my words wasted.”

She yanks Kylo by the hair, shaking his head, and he twitches in pain. It takes him a moment to crack open his bruised eyes.

Rey tenses. “Kylo?”

He doesn’t answer, as if he’s not aware that she’s there. She feels Armitage pulling her closer.

“As I was saying, we’re here to discuss gratefulness,” Snoke continues. “Children. You have disappointed me gravely, you have. Both of you. Here I was, ever so generous, ready to offer you everything you’ve ever wanted—a life with a purpose for Ren, a life in the West for Rey—and what did you give me in return? Ingratitude, that’s what. Betrayal. A stab right into my poor old heart.”

He presses a skeletal palm to his chest.

“Please.”  Rey never begs, she doesn’t. She thinks she’ll choke on her own words. “Please. We… We don’t want anything. We won’t bother you, ever. Just… Just let us go. Leave us on our own. You’ll never hear from us again.”

“Oh, is that so?” The old man’s bushy eyebrows shoot upward like he’s astonished by her proposal. “You’ll be happy with a quiet life, you say? Foolish child. But fine—I have told you once, it’s not up to me to be your judge. I wanted to give you more, I truly did, but it seems that a quiet life will have to suffice. I will let you go.”

She looks at Kylo, hoping to see a reaction on his battered face, but he doesn’t move. Is he drugged?

“You will…?”

“You, yes.” Snoke reveals his yellowed teeth. “But not him.”

It takes her a moment to understand what he said.

If it weren’t for Armitage, she thinks she’d throw herself at the old man to claw his eyes out with her bare hands.

“I gave you time, and you chose wrong.” Snoke bows his bald head as if he feels bad for her. “You could have been in Canada, child, living a happy life. Think of the opportunities that awaited you there, the goals you could have achieved. What a shame, all your potential gone to waste because you just couldn’t leave my foolish apprentice alone. Had to give him ideas. Made him conspire against me, thinking he could outwit me.”

He approaches Kylo and takes a strand of his long black hair, twirling it between his fingers almost affectionately.

“And now he has to pay the price.”

Rey feels she’s grinding her teeth. “You can’t do it.”

“I can’t?” Snoke savors the word, as if it’s the first time it rolls off his tongue. “I can’t, you say? Watch carefully, now. Watch and memorize every moment. And when it is done, I will let you go.”

He points toward the door, nodding to underline his promise.

She raises her chin. “I’ll destroy you.”

The old man gives a raspy laugh.

“Oh, you will, won’t you? What will you do? Report the crime to the police?”

Armitage tightens his grip around her waist, but if Rey were to fight, she’s sure she could fend him off. She searches Kylo’s face, desperate to see something, anything—a sliver of hope, of defiance, of merely acknowledging that she’s there for him. But his eyes are hazed.

“Go on, Phasma,” Snoke says. “It is time.”

Phasma approaches the chair, grabbing Kylo from behind and tilting his chin up. She bares his neck. Rey can imagine the woman being handy with a knife.

No, she thinks.

No.

This is not how their story should end.

But then Kylo smiles.

She hears a click, and something metallic drops to the glossy tiles. A pair of handcuffs, she sees.

Rey isn’t sure she quite believes her eyes.

Snoke takes a step back. His bodyguards stand awkwardly, as if they don’t know what they’re supposed to do.

In a split second, Armitage takes out his gun.

Rey gasps. He’ll shoot, right? Kylo is an easy target now. Or he’ll take her hostage? That would make sense. She thinks she can already feel the ice-cold barrel pressed against her temple.

But instead, Armitage shoves her behind him, and throws the gun to Kylo.

What follows is mayhem.

Time slows down, and the air becomes too thick to breathe. She sees surprise dawning on Snoke’s face, blue eyes widening in horror. The old man makes a break for the stairs, tripping over the hem of his bathrobe, and his age shows in the way he runs. She sees Phasma bending her elbow, slamming the man nearest to her on the nape of his neck. He drops to his knees, flinching in pain. She sees Snoke’s bodyguards falling back in panic, fumbling, reaching to grab their weapons. They’re too slow—it’s no use, she can tell, and they know it too. She sees Kylo grinning, enjoying the weight of the gun in his palm, and as he unfolds to his full height, she sees the darkness gathering around him. He aims at the boy in the blue shirt.

Rey shuts her eyes, squeezing them so tightly her eyelids hurt.

A gunshot follows. It’s louder than she thought it would be. It deafens her ears and makes her choke on the acrid smell of gunpowder—and something else. Something human.

Glass shatters, and heavy items crash to the floor, and grown men scream. Another gunshot resonates. There are thuds, and clangs, and painful whimpers, and then a voice begs for mercy. She hears a crack—maybe it’s someone’s bones.

“Open your eyes, child bride,” Armitage whispers into her ear. “You caused this, you don’t get the easy way out. Watch.”

She peeks through her lashes.

The floor is covered with porcelain shards and red stains and crushed winter roses, petals scattered across the tiles. Her shoes are specked with blood. The bodyguards’ guns are far from reach, kicked away to the far end of the lobby. She sees empty bullet shells—they’re beautiful, round and gold, like a child’s treasure.

The man with the brown paper bag is lying near her feet, face frozen in shock and eyes wide open. His neck is bent at an odd angle, snapped spine tenting the skin. The boy in the blue shirt is smashed against the wall, his legs spread wide and his body twisted. A gunshot wound blossoms on his face, large and gaping, and the wallpaper behind him is sprayed red. His jeans are stained between his legs—he has pissed himself before dying. It stinks.

Phasma has locked the third man in a chokehold, her smile chilling as she presses onto his windpipe. His eyes are bugging out, but he doesn’t make a sound. Kylo is standing on the man with the tie, one booted foot on his wrist, other positioned right above the chest bone. He aims with the gun between the man’s eyes—his favorite mark, Rey knows. She sees the man’s fingers twitching, face blue in pain, feet jerking uncontrollably.

“Kylo…” Red tainted spit bubbles on his lips as he tries to speak. “Kylo, please, I…”

“Shut up.”

He pulls the trigger—the gunshot blast makes Rey flinch. Blood and skull pieces splash across the tiles, and then the jerking stops.

Still standing on the dead body, Kylo turns towards Phasma.

“Have fun, fucko,” she tells him as she releases the man and steps backward.

The poor bastard tries to run to the door. It’s futile, Rey sees, stupid even, but she knows too well that people do stupid shit when they think they have no other choice. He makes only a few steps before Kylo slams the chair across his back. Wood breaks, bones break—it cracks like dry twigs, like snapping a writing pencil in two, and the man falls, screaming in pain. He tries to crawl, but Kylo steps on his spine, pressing with all his weight to make it hurt more. The man wails and Kylo grins, slowly revealing his crooked teeth. She’s never seen him smile like this before—feral and confident. Happy.

She hopes it’s a blackout, but she can tell he knows what he’s doing.

For a moment, she thinks Kylo will shoot, but he doesn’t. He grabs the man’s chin from behind and twists, neck popping loudly, and then he lets his head drop to the floor with a blunt thud.

Silence ensues.

Rey realizes she’s crying.

“The Professor’s upstairs,” Armitage indicates, dusting off his shoulder. “I think he’s trying to call for help. Poor man, he’s in for a surprise.”

Kylo nods slowly, reaching out with his gun-free hand to wipe the hair from his face. He touches the bridge of his nose, as if to check how badly broken it is, and frowns. Rey wonders if it hurts.

Then he cracks his neck, stretches his shoulders, examines his gun briefly while muttering something to himself, and starts walking toward the stairs, his gait as inelegant as always. 

“Kylo…?” Rey calls after him, her voice weak, but he doesn’t seem to hear.

Heavy footsteps echo in silence as he climbs to the second floor.

The door is locked, but he breaks it open with a kick to the doorknob.

They don’t see what’s happening upstairs, but they hear. Two shots, one after another—brisk, not as loud, not from Kylo’s gun. Then, the old man’s voice—he shouts at first, almost in control, but quickly his tone turns low, flat, devoid of theatric embellishments. He’s begging, Rey thinks. She can’t discern the words. Then, a loud slam—furniture breaks, a table perhaps, and there’s a crunching sound, and something thuds dully, like weight thrown against the wall.

And then Snoke screams.

Phasma raises her eyebrows curiously, and Armitage shakes his head, visibly disgusted.

It doesn’t last long. A thunderous gunshot terminates the old man’s cries, followed by silence.

For what seems like eternity, nobody moves.

“Fuck my life,” Armitage declares finally. His throat bobs as he swallows. “What an ending.”

Phasma heaves a sigh of relief, her body slumping, and her quiet laugh doesn’t sound as manic.

The ruined door slams open again, and Kylo emerges on top of the stairway. He grins like a wolf, all teeth, and his eyes shine mad from the darkness of his blood-covered face. A fresh wound adorns the left side of his chin, as if a bullet has grazed him, but he doesn’t seem to care. He looks at Rey.

“It’s over, love,” he says, searching her eyes, and his smile turns a tad softer. “It’s done.”

With a slow movement, he tosses the old man’s body down the stairs.

Rey swallows a cry.

Snoke tumbles down, his golden bathrobe opening as he falls. The old man’s bony legs are fully revealed, underwear on display and wrinkled skin flashing pale white, and there is something both comical and obscene about the sight. He remains stuck midway, without reaching the floor. He’s shot through the eye, Rey notes—the back of his skull is missing.

Slowly, Kylo starts descending, his pace steady and his jaw set. He’s looking away from the old man’s body, stepping over it as if it’s trash.

But then, after only a few steps, his knees buckle. He’s barely standing, she sees.

“Rey…” Kylo calls her name as he begins to shake, gripping the handrail.

She pulls back reflexively.

“Rey…?” he repeats, and in an instant the wolf in his eyes is gone. “Love?”

He rushes downward, nearly stumbling over his own feet, and he struggles not to collapse when he jumps to the ground.

“Don’t look at me like that.” His voice trembles as he reaches out a bloodied hand toward her. “Don’t. Come to me, love. Please…”

Rey winces.

He stands before her splattered with dark red stains, his knuckles swollen from the fight and his gun hastily pushed into the belt of his jeans. She knows what he is. And yet he still looks vulnerable, and needy, and so lovesick it makes her head spin.

Damn you, Kylo.

She closes her eyes and lets herself fall into his embrace.

His kiss tastes like blood, like old copper coins and bitter salt, and he smells of smoke and gunpowder and raw meat. His forehead is burning hot. He’s bleeding on her—it’s the gash on his chin, she assumes. It’s wet and warm, soaking into her shirt, sticking to her skin. His hands shake as he tangles his fists into her hair, licking her neck, squeezing her so tightly she thinks she’ll choke.

“I love you,” he whispers as he leaves bite marks on her throat.

A heavy sob makes his whole body tremble, and she realizes—it’s not just blood on her clothes.

He’s crying.

“We’re free, Rey.” Kylo rubs the tip of his broken nose against her jaw. “You understand, my love? We’re free. We’re free.

 

Notes:

So, yeah... Raise your hand if you recognize from where I snatched the chapter title :)

Time for cultural and historical notes! Pork cracklings - also known as crisps, greaves or čvarci, as we call them in our language - are a famous specialty in my region. They're savory, delicious and not exactly healthy, since they're a cholesterol-raising calorie bomb, but then again, so many delicacies are.

The DJ competition and the beauty pageant to choose the most handsome police officer in the cordon actually did happen. I told you, those protests were wildly creative.

Now, only one more chapter to go until the end of Part Two. And here's a small teaser - the last chapter of Part Two will be named after a Pearl Jam song...

EDIT JUNE 2021: To mark one year of the fic's completion, the long-delayed chapter with historical notes (that will be posted soon), 30th anniversary of the breakup of Yugoslavia, and my 40th birthday, my bestie Shunak made this glorious piece of art, illustrating Chapter 18. The dramatic perspective and odd angle really capture the nature of their relationship - the child bride and her monster indeed...

 


Chapter 19: King Jeremy the Wicked

Summary:

"Talk to me, Kylo. What did you do?"

Notes:

And there we go, the finale of Part Two.

Brace yourselves.

Beta'd by KathKnight

(See the end of the chapter for more notes.)

Chapter Text

King Jeremy the Wicked

 

 

She feels sick in the car.

In the villa, strangely enough, she managed to keep it together—but now that they’re on the road, the heating blowing blazing hot, the sweepers rhythmically clacking, the pine-scented air mixing with the smell of blood and cigars and Kylo’s sweat, she thinks she’ll vomit. Rey inhales deeply, swallowing a mouthful of thick saliva.

Perhaps Armitage does deserve to have his car ruined.

They’re sitting in the back, curled up on a thick blanket that Phasma has laid out so that the leather seats don’t get stained. The blanket’s texture is coarse, woolly—Rey is picking at it, rolling clumps of lint between her fingers. Kylo lies wrapped around her, breathing into her hair, pressing onto her ribs with all his weight. He’s heavy.

When she closes her eyes, she sees a puddle of blood spreading on black and white tiles, and crushed winter roses, and a blue shirt, and skinny, wrinkled legs sprawled across the stairway.

Kylo shifts, kissing the side of her neck with chapped lips. He’s quiet, sleepy almost, like a sated dog. Like he’s coming down after a bender.

Rey can’t stand the silence.

“What happened back there?”

Her own voice startles her—she sounds raspy and tired, and older in a way she didn’t expect.

To no one’s surprise, it’s Armitage who answers.

“You saw for yourself. A bloodbath.”

“I… I know,” she sighs. “I know. But… What happened?”

“That, I’m afraid, you’ll need to discuss with your monster. Once he’s done fucking you silly, of course. I have a sinking feeling he’s been sporting a boner throughout the entire evening.”

Kylo chuckles softly, squeezing her tighter. He’s not aroused, she doesn’t think so, but she still feels a gentle nibble on her throat, his hands slipping under her shirt.

She catches the reflection of Armitage’s face in the rearview mirror. There it is again, that slight frown, the feeling that she thought was anger but he called it disappointment.

“Armitage…?”

“Yes, my dear?”

“Why…” Rey falters. She isn’t quite sure what she wants to ask. “Why did you help us?”

It takes him a long moment to reply. When he finally does, his voice is colored with an odd touch of misery.

“I told you. I’m always on the winning side.”

Armitage takes them to Kylo’s apartment, parking in front of the building and sighing dramatically as he turns off the engine. Rey doesn’t know what she expected—that they’ll hide in a safe house, maybe, or see a doctor for Kylo’s broken nose and chin wound, or talk to a suited-up lawyer, or flee across the border with forged passports and hastily packed baggage—but certainly not this. She finds it surreal to casually return here after all that happened.

She feels like she doesn’t know anything anymore.

“I’ll call in the morning,” Armitage says as he’s getting ready to leave. “Rey, make sure he answers the phone. Have fun, lovebirds—you have a lot of catching up to do. Don’t mind me and my sleepless night of cleaning up your mess.”

It’s strange to be alone with the monster again.

As they climb up the stairs, she notices that Kylo is limping. How badly hurt is he, she wonders—worse than she has initially thought? Or, perhaps, this is just the side effect of the adrenaline rush after surviving mortal danger, pulling off a batshit plan, and killing five people in cold blood. One of whom was his mentor for years. Some of the others were probably his war comrades.

And all for her.

Black and white tiles are still there when she closes her eyes, and scattered rose petals, and the blue of the shirt.

“Are you okay?” It’s a stupid thing to ask, but she doesn’t know what else to say.

“I will be, now.” He smiles as he unlocks the apartment, and it’s his dorky grin again, sincere and sweet—the one that no one but Rey gets to see. Warmth rushes to her face, and despite herself she feels she’s smiling back.

It’s so easy for him to make her heart race.

Kylo drops his jacket to the floor, and then proceeds to peel off the t-shirt drenched with blood. It sticks to his skin—he winces as he pulls it over his head, exposing bruised ribs. The stains are changing as they dry, Rey observes: they’re no longer red but brown, the dull color of mud and rotten fruit. It looks filthy in an ugly, uninspiring way. No wonder they never make it realistic in movies.

“Gotta wash,” he says. “Get this shit off my skin. And… I got you dirty too. Sorry.”

“Do you… Do you need stitches for that?” She reaches out to carefully touch the gash on his chin. It has stopped bleeding—there’s a scab congealing on his beard.

“Nah.” Kylo leans into her hand. “You won’t stop finding me attractive if I have another scar, will you, love?” 

“I won’t,” Rey sighs, and he smiles again and plants a quick kiss on the tip of her nose.

In the bathroom, she helps him undress. She unbuttons his jeans and slips the boxer briefs down his hips—he’s not hard, far from it, and she feels an odd surge of relief. She isn’t sure what she would do if he really wanted to go all the way now. She’d let him, probably.

“Who did this?” She carefully touches the dark purple marks blossoming on his ribcage. “Phasma?”

Kylo nods. “She did a great job. Made it seem like she was beating the living shit out of me, while still pulling her punches. Had to whack the nose, though. For the show.”

He steps into the bathtub, folding his long legs as he sits, and Rey turns on the shower. Warm water splashes down his back and Kylo lets out a soft hum. 

“Did you…” Rey moves the showerhead to soak his hair. “Did you have to make it so, well… showy?”

He scowls, wincing as pain shoots up his broken nose. “Snoke deserved it. I wanted him to think he’d win. I wanted to see the look on his face when everything went to shit and he realized he ain’t in control.”

Steam rises from the bathtub. Kylo closes his eyes, letting the water glide down his face, parting his lips as he licks away the droplets. He moans when Rey starts soaping his shoulders, a low growl rumbling from the bottom of his chest. The sound is both indecent and desperately tired.  

“Sorry you had to watch,” he adds after a long pause.

Rey nods.

She discovers that it isn’t easy to wash away dried blood—it sticks to the flesh, peeling off too slowly, brown scraps coloring the water that pools in the bathtub. She grabs the sponge and starts rubbing his back, careful not to press too hard on his bruised ribs. Pale, mole-covered skin turns pink as she scrubs it clean.

“It was difficult,” Kylo suddenly says. “Doing it.”

Rey reaches for the shampoo bottle. “You mean, pulling off the plan?”

“No…” he whispers, his voice shaking slightly. “No, I mean doing it. Killing the old man.”

She says nothing as she lathers his hair, her fingertips gently massaging his scalp, prying out clots from matted strands.

It certainly didn’t look difficult.

“The Professor, Snoke… He did many bad things, I know. Many. Especially as of late.” He turns his head to catch her gaze. “He wanted to send you away from me. To hurt you. But… Fuck, Rey. He was the first person who didn’t turn his back on me. Who helped me understand myself. So… You get it, don’t you? It was difficult.”

Kylo blinks, wet eyelashes fluttering rapidly, as if he wants to keep the shampoo out of his eyes, as if he wants to bat away the tears. And then, after a heavy sigh, he growls again.

“He deserved it.”

Rey wonders how he felt after killing Han.

For a long moment, they don’t speak. The shower gurgles, the sponge scrunches as she squeezes it, and Kylo breathes too loudly, blood oozing from his nose, but they share no words. Finally, he reaches out and wraps his fingers around her wrist. Rey stops her movements.

“Come, love.” He smiles weakly. “Take your clothes off and come. You need to wash too.”

She hesitates, leaning on the edge of the bathtub. Her shirt is getting wet, she feels. Strange, they have showered together so many times, and yet now there’s something different about it. She can’t tell what it is.

“Come,” Kylo pleads.

Rey sighs, defeated, and playfully slaps his shoulder. “Up. You know we can’t fit together when you’re sitting.”

He grins, holding onto the handrail to stand up. And then Rey closes her eyes and allows him to pull her into his arms, and all she feels are his hands in her hair and his teeth on her throat, and the taste of soap in her mouth.

She relaxes under warm water when she realizes that he only wants to wash her.

An hour later, Rey is drying her hair on the couch in the living room.

She’s cold. She’s wearing sweatpants and the hairdryer blows hot air into her face, but her skin still prickles with goosebumps. Kylo is curled around her, his head in her lap. He yawns widely, lazily, not bothering to cover his mouth.

“Wanna go to bed?” he asks.

“I don’t think I can sleep.”

Rey looks at her watch—it’s almost four in the morning. She thought it was later—or maybe even earlier. It’s hard to tell the time.

She feels as if she’s lost the beginning of the night somewhere, and the morning will never come.

She places the hairdryer on the floor and lays her hand on Kylo’s cheek, carefully avoiding his new wound.

“Monster…” she finally begins, suddenly finding the nickname uncanny. “What happened back there?”

Her voice sounds coarse, and tired, and too old for her age.

The silence is long before he answers. She notices the wall clock ticking, rhythmic clicks rapping in the dark.

“I killed Snoke,” he says matter-of-factly.

Rey grits her teeth. “You know that’s not what I asked.”

She waits, holding his gaze.

If she’s patient, she hopes he’ll finally explain what the fuck she witnessed a few hours ago, why they’re not on the run. But Kylo just presses his lips together. It’s childish, she thinks—as if he believes that if he doesn’t speak about it, it didn’t happen.

Rey clears her throat before continuing.

“You, um, you killed an important man. A big player. Like, one of the regime’s best-known… warlocks. And four of his goons.”

Four, they were four. The boy in blue, the man with the paper bag, the shirt-and-tie man who dressed up for his own death, and the poor bastard whose neck Kylo snapped at the very end. She still hears the sound.

“But then we waltzed out of the crime scene like it was nothing.” Rey exhales through her teeth. “And now we’re here—sitting in your fucking apartment, discussing when to go to bed. Goddammit, Kylo.” His head bounces in her lap as she fidgets. “You… You’re protected somehow, aren’t you? You had the green light to do what you did.”

He blinks slowly, confirming what she just said.

Shit.

A wave of shivers travels down her spine. She wants to pull him up, to make him face her properly, but she’s afraid that if she pushes him, his wounds will hurt.

“At first I thought that Armitage helped you because now he’ll take over the First Order, but he… He was against this, he told me so. And he doesn’t look like someone who just won the game—he’s miserable, even if he did play for the winning side. So how the fuck did you get him to cooperate?” Rey swallows the lump in her parched throat. “Who has your back?”

Kylo shrugs, still not speaking. She feels the pressure of his weight on her thighs—he’ll crush her. She’s trapped.

The wall clock ticks.

“Talk to me, Kylo.” She caresses his face, tracing his mouth with the tip of her finger. “What did you do?”

He sighs and finally sits up, leaning away from her, slumping onto the cushions on the opposite side.

Rey feels like she can breathe again.

“I…” There’s a new kind of anxiety in his voice, and it terrifies her. “I made a deal.”

She takes a lungful of air, sitting tightly on her half of the couch. Their bodies don’t touch.

“What kind of a deal?”

There’s a long pause before he opens his mouth to speak. “With the regime.”

“With the regime?” Rey repeats.

She feels stupid, but the only way to process his words is to say them aloud. Kylo nods, the movement of his head deliberate.

This is crazy. Snoke was the regime’s favorite.

She must have misunderstood.

“How? You’re not making sense.”

Kylo pulls back, sinking into the shadows.

“I’m not?” He cocks his head curiously. “What do you think, love, who’s more valuable to the regime—an old man hungry for money and power, or me, who’s willing to fight in war?”

Rey blinks.

What war?

The war ended over a year ago.

“There is no war, Kylo,” she says very slowly.

But then he smiles, and she knows.

She knows.

Life slips through her fingers. She almost feels it physically.

“While you were busy with the local elections and marching and all that human rights bullshit, reality happened behind your back.” Kylo’s expression is strange—part triumphant and part sad. “I told you the protests were irrelevant. A waste of time.”

Rey licks her dry lips. “What war?” She hears herself through a filter, like it’s someone else who’s speaking.  “Where?”

“Nowhere yet, but soon,” he answers too calmly. “The province. Down south.”

Bloody hell.

The southern province has always been the soft underbelly of their country.

Rey knows that—it’s an often repeated fact. On one hand, the place is sacred: the cradle of their national identity, the blood and soil, the holy land where the first Christian kings had built their monasteries, one more spectacular than the other, to buy off their souls for the afterlife. It’s on the cover of every history book since Rey has started going to school. But on the other hand, the south is a black hole—the moonscape of poverty and barren dirt, long abandoned by anyone who’d ever wanted to accomplish something with their lives. Moving into the deserted lands, the neighboring ethnic minority has gradually become the majority population there—speaking their own language, bringing their own customs, spreading their beliefs and playing their own games.

Rumor has it they actually wish to establish a state for themselves there, but none of Rey’s friends take it seriously. The southern province is simply a known powder keg, impoverished and underdeveloped, prone to unrests every once in a while—the place that everybody knows to show on the map, but no one wants to go there.    

Isn’t it?

“The separatists were piling up weapons for a while,” Kylo explains. “Years, probably. Decades. They’re using this… this mess now, with all the former republics splitting from the old country, to try for independence. But we can’t have that. This isn’t a former republic—it’s a province. Our ancestral land. The cornerstone of our history. They want something that ain’t theirs.”

His voice gets progressively stronger as he speaks, and he shakes his head vigorously, as if he personally won’t allow such insolence. Strands of hair fall onto his swollen nose.

“The regime needs someone with a firm hand to go down south and put some order there. They need me.”

He pauses, waiting for Rey to acknowledge what he said, but she doesn’t.

“That was the deal,” Kylo concludes, his tone wavering slightly. “So I could do what I did tonight.”

Rey won’t close her eyes. Winter roses and blood-splattered tiles are waiting for her in the darkness.

She counts.

One, two, three, four, five… Ten, eleven, twelve… Eighteen, nineteen...

Twenty.

Tick-tock, the wall clock clicks.

“You’ll go south?”

He nods. “Soon. But don’t worry, love, they’ll let me come home. I’ll have regular leave. Hell, I’ll probably spend half of the time here with you. And you can live in the apartment while I’m away.”

She wants to think that he was forced.

Gambled with the only thing he had and played a bad game. Got tricked into a deal he couldn’t avoid.

“You don’t have to do this, Kylo. We can still flee.” She points at the phone, almost jumps from the couch to fetch it. “Call Armitage. I’m sure he ain’t eager to go to another war. Maybe he’ll help us get across the border. We’ll think of something to offer him.”

But Kylo remains still.

“You don’t understand, do you, Rey? My country needs me.”

Fuck.

And to think that for a moment she was hopeful.

“You… you want this?”

“It’s not about wanting.” His upper lip twitches, tugging up to reveal his fangs. “It’s about doing the right thing.”

Seeing him snarl brings back images.

A body trembling under steel-toe boots, a voice begging for mercy, stripes of red saliva dripping down from thin lips. A wound splitting open a pimpled face, crumbled skull shards in pools of blood. Kylo’s wolfish grin, savage and happy, and the golden bathrobe flying open as the old man’s bone-thin body falls down the stairs.

“No.” Rey’s entire body quivers as she shakes her head. “No, no, you can’t do that. Don’t do that.”

“This is not a choice, my love.” He shrugs like he's apologizing. “I have to. It’s my duty.”

She imagines him covered in brown grime that may be dried blood or trench mud, sharp teeth flashing from the shadows of his dark hair. He pulls the trigger confidently, with no second thoughts, and people who are not Snoke’s goons fall dead beneath his feet.

Villagers. Shitting themselves as they die.

“You… You’re going to kill civilians again.”

Kylo rolls his eyes. “I told you once, there are no…”

“…civilians in a civil war, yes. But it’s… It’s wrong, Kylo!” Rey starts shouting, her voice shrill in the dark room. “It’s all shades of wrong! Do you realize how insane it sounds?”

He pulls back, offended. A frown creases his forehead—it looks painful on his bruised face.

“What, you think I’ll go there and randomly slaughter women and children on a whim? The fuck you take me for?” He waves his hand sharply. “It’s not like that, love. These people are separatists. Terrorists. Do you even understand what the word means? Do you think there’s another way to deal with them?”

Rey gasps—he isn’t even trying to deny it.

“You’ll kill people. I… I can’t even… Fuck, Kylo. Don’t do it.”

He begins to shake.

She hasn’t seen him tremble in a while—unless it’s the shudders of pleasure when he’s inside of her. His lips quiver, and his fingers twitch, and the tic under his eye pulses wildly. He sizzles, like a crackling livewire, like fireworks ready to rip apart the skies.

Like something about to explode.

“You have no right to say this to me!” His voice is a low hiss. “I’ve never once asked you to stop doing what you believed in, Rey! I was happy that it made you happy, no matter how stupid it was—be it spending time with the traitor, or protesting, or seeing my mother…”

For a moment, Rey thinks she hasn’t heard him right.

“Your… Your what?” she interrupts.

His shoulders slouch. Despite the scowling and the ruggedness, he suddenly looks like a boy. 

“My mother,” Kylo repeats. “Leia.”

There’s a glint of misery in his eyes, and she knows he regrets what he just said.

“Leia Organa is your mother?”

She can’t wrap her mind around his words.

It’s simply too much. Too many coincidences. Things like this don’t happen to normal people in real life.

She remembers noticing the fire in the General’s eyes the first time she met her, how the passion and the intensity seemed strangely familiar, and she couldn’t pinpoint why.

Shit.

It takes an effort to breathe.

“I told you, love, we’re destined by fate.” Kylo’s tone softens and he reaches out to take her hand, but she pulls it back. “I’m yours and you’re mine. Don’t you see? Everything that happens in your life is connected to me in some way. It’s there to bring you closer to me.”

He holds her gaze, his breath hitching and his eyes ablaze with longing and pain, and she feels it, she feels the pull—the need to touch him is so strong that resisting it makes her sick to her stomach. Damn him, and damn the blood on his hands, and damn his family secrets—he’s offering her the absolute belonging she’s been dreaming of ever since she was a little girl in the Home, crying herself to sleep and spinning fantasies to survive. They’re wrecked, both of them, but their broken pieces fit together into a new whole, and she feels complete only when she’s in his arms.  

Is it really fate?

She almost, almost leans forward to take his hand. 

But then Kylo makes a mistake.

“Can we stop arguing now and go to bed?” he says. “Please. It’s late. We’ll talk in the morning.”

Rey freezes.

No.

He can’t act like this is just a spat.

They won’t sleep it off. This is not something that can be easily dismissed. It will still be there tomorrow, and the day after tomorrow, and the day after that, like a rift between them, like a pit of darkness swallowing her alive, like the image of blood on glossy tiles she sees whenever she closes her eyes.

Some things are black and white.

“Kylo, this… This thing you’re about to do, I…  I can’t accept it. I can’t.”

It’s only when she says the words out loud that she realizes what they mean.

“I can’t,” she repeats. “I can’t live with it.”

Kylo watches her from the shadows, quiet. His jaw clenches and unclenches.

The wall clock ticks—it sounds like a countdown.

“What are you saying?”

He holds back, frighteningly patient, as if he wants to give her time to change her mind.

Rey doesn’t answer.

That’s when he understands.

“You can’t do this, love.” His eyes harden, the pain in them mixing with bone-chilling fury. “You can’t leave me twice!”

The last word lands like a blow. Rey flinches, wrapping her arms around herself.

“You’ll kill people,” she whimpers.

His nostrils flare and his throat bobs as he swallows—she can tell it takes him every effort to stay in control.

“You… You knew who I was.”

He extends his hand toward her again, but quickly lets it drop, as if he remembers she doesn’t want his touch.

“You knew what I did. You knew. And still, you said you wanted me. You promised you’d be my family. You said you loved me, Rey. You did! No one has told me that before, not like that. You’re my first love—and my last. My only. Do you understand what I did to stay with you? Do you realize this is all for you? Do you?”

His voice shakes, shouting too loud in the night.

“You can't leave me!”

It hurts to hurt him.

She doesn’t want to do this, she doesn’t, she swears on her mother’s grave that she doesn’t—but she can’t follow him down this path.

“You’ll kill people,” Rey spits through clenched teeth, “and you see nothing wrong with that!”

He stares at her, eyes wide, vulnerable, but without a trace of remorse. Tears are gliding down her cheeks, she feels.

“Goddammit, Kylo. You are a fucking monster!”

She sees the exact moment when he snaps.

His muscles tense and he leaps. He won’t hurt her, Rey wants to believe. He’d never hurt her, not her, he’d never do it, but he’s quick and big, so fucking big, like a whirlwind of darkness and rage, and the look in his eyes is blank, as if he’s not truly there.

She bends down, covering her head with her hands.

She hopes it will be quick.

But instead, Kylo jumps away to the other end of the room, far from the couch.

His back hits the wall.

“Out,” he hisses.

Rey peeks through her fingers.

He resembles a cornered beast: eyes narrowed, mouth in a snarl, glaring at her like she terrifies him. He’s a monster, she sees it clearly, he is, he takes lives without blinking—but he’d never hurt her.

The look of betrayal on his face breaks her heart.

“Get out!”

Rey winces, too dumbstruck to move. Tears flow down her neck, salt drying on her cheeks. It’s a struggle to draw in air.

Kylo makes a step forward.

He grabs the VCR from the table, ripping cables from the wall sockets, and smashes it against the floor with a thunderous bang.

“Get the fuck out of my life!”

Rey’s body reacts before her mind.

She jumps from the couch, stumbling, her knees giving out as she tries to keep her balance. She rushes to the door. It’s at the other end of the room, only a few feet away, but the distance is hard to cross—like in a nightmare when she has to run for her life, yet every step she makes brings her closer to the monster.

She hears him crying behind her back.

She grabs her shoes, and snatches her coat from the hanger, and she lingers for a moment too long before pressing the doorknob, waiting for god knows what.

Kylo doesn’t chase after her. 

When she closes the door behind her, Rey screams.

Ugly sobs shake her body, choking her as she breathes, and she leans against the wall in the cold hallway—she’ll wake up the neighbors, but she doesn’t give a shit. Let them suffer.

Kylo can hear her too. Rey knows he’s falling apart in there, the sick fuck. He’s in pain, alone in the dark. She imagines him on his knees, clenching his jaw, whispering her name through tears. And when he’s done crying, he’ll demolish the apartment—all those pretty things that he bought for her will end up crushed to bits. He needs to vent.

It had to go this way, Rey tells herself. It had to.

Still, if he were to open the door now, she thinks, if he were to spread his arms to invite her into the warmth of his embrace, she isn’t sure what she’d do.

She’s grateful that he doesn’t.

Rey shambles down the stairs, holding onto the handrail, and exits the building.

A gust of cold winter wind blows into her face, ruffling her hair. Tears almost freeze on her cheeks. It feels strangely good—it numbs her mind.

She hails a cab, digging out some money from the pockets of her coat. The driver gives her a long look and wrinkles his nose in concern.

“Rough night?”

“None of your fucking business.”

If he asks a single question more, she thinks she’ll claw his eyes out, but the man fortunately doesn’t, letting her cry in silence. She tells him to keep the change when he leaves her in front of the dorm.

It’s almost morning—the sky lightens to a murky steel blue, feeling like a cage above her head. The pathway to the door is frozen. She wobbles on the ice, the soles of her shoes gliding, and for a brief moment she wishes to let it all go and fall, crash down with all her weight, break something. Make the hurt tangible. She quickly chases away the thought—it’s not in her nature. That’s something Kylo would do.

Rey stops, hesitating to make the final few steps.

He won’t do something stupid to himself, will he?

He won’t, she concludes. His country needs him. If the mighty Kylo Ren loses his wits over a broken heart, there’ll be no one to kill terrorists and burn villages down south, claiming it’s for a greater good.

The night guard lets her in without a word, but his heavy sigh tells her he isn’t surprised.

She’ll wake up Rose, she thinks. She has no idea what she’ll tell her. Not that it matters—nothing matters anymore.

But when Rey enters her dorm room, there’s nobody there.

She slumps on the bed, her coat and shoes still on, and for what seems like hours she stares at the water stains on the ceiling, looking for patterns and shapes, feeling the pillow under her head get soaked with tears.

Rey jerks up when Rose noisily opens the door.

She isn’t sure if she was sleeping. Her eyes are crusty and dry, her lips chapped, and her nose so clogged she can barely breathe. It’s bright outside, an oddly sunny day, but she has no clue what time it is.

“Rey…? You’re here?” Rose takes off her fogged up glasses, mouth open in surprise. “You look like shit. Is everything alright?”

“Where were you?”

Rey’s voice croaks. She shivers—she knows this voice, she remembers it well. This is what her mother sounds like in her dreams. 

“Out with Paige.” Rose cautiously approaches the bed, glancing at Rey’s shoes. “You sure you’re okay?”

Rey props up on her elbows. “Why were you out with Paige until morning?”

“You… You don’t know?” Rose sits on the edge of the bed and wipes her glasses with the hem of her shirt. “You didn’t watch the news last night?”

Rey chuckles—as if she gives a fuck about the news. She must have made an odd expression, for Rose frowns, taken aback.

“The president gave a speech,” she explains slowly, pushing the glasses back on her nose.

Ah. So it happened.

It’s sooner than Rey thought.

“When…” She clears her throat. “When does the war start?”

Rose’s eyebrows shoot upward in almost comical disbelief.

“War? What war? Rey, are you on drugs?”

Rey can’t help it—she bursts into a hiccupped, uncanny laughter that only deepens the crease between Rose’s brows.

“I’m in a bad mood, nothing more. If I were doing drugs, I wouldn’t be all miserable here,” she sighs, licking her lips. Her mouth tastes like ash. “So tell me, Rosie. What is it?”

Pushing aside her confusion, Rose finally beams and leans forward to touch Rey’s hand.

“The president announced that he’d accept the election results.” Her smile widens. “It’s over. We… We won, Rey.”

With a loud giggle, Rose stands up from the bed and draws open the curtains, letting the sun shine through their newspaper-filled window.

“Can you believe it? We won.”

 

*

 

Two days later, the night guard brings Rey her suitcase.

Along with her clothes, she finds a few unexpected items carefully packed inside: the CDs of Bauhaus and Killing Joke and the Cure, the book of French poetry, the superhero graphic novel that she enjoyed discussing so much, and one leaf-shaped silver spoon with holes—it clangs loudly as it drops to the floor, falling out of the pocket of her favorite jeans.

She knows that this time everything else went to trash.

Rey cries under the shower until her fingers prune up, and the water runs cold, and the girl waiting behind her in line threatens she’ll call the management. And then she stashes the items away into the same box in which she keeps the Sisters of Mercy album, the broken mixtape and the angel pendant, shoves the box under her bed, and tries to forget that it has ever existed.

It doesn’t work like that, but she tries.

The celebration of victory is grandiose.

Concerts are organized in the seven cities liberated from the regime. People cheer, and rock bands play, and politicians give speeches about justice and perseverance and democracy, calling these elections a historical turning point—the proof that one day the country will become a part of united Europe. Pinwheels pop as they sparkle, and fireworks explode coloring the sky in gold and red, and confetti rains down like a shower of glitter, shimmering like stardust. Everybody around Rey laughs, triumphant, disgustingly joyful, dancing in slow motion and shaking the glitter off their hair—but Rey realizes that fireworks remind her of one thing only, and she watches the celebration from the sidelines.

The mood is odd at the Faculty of Philosophy—it feels like waking up after a long dream. The student strike was ongoing for weeks—for three fucking months—and now, the protesters are supposed to tidy up, pack up the banners and the posters, wipe away the graffiti and go home, only to return once the classes begin, when actual lessons replace the political speeches in the lecture hall. “We won,” Rey hears them say in the corridors, patting each other on the back like they need a reminder that it is time to return to normal life. “We won,” they repeat like a mantra, like a spell to be cast to make sure that what happened stays real. “We fucking won.”

There’s never been a victory more important since the end of World War Two, some of them claim—a pretty idea, Rey thinks, if only it were true.

The picture of Poe Dameron appears on the cover of the nation’s biggest opposition magazine. The article calls him the country’s future, the best and the brightest of a new generation of leaders. Rey reads the interview and laughs out loud—it’s easy to see when Poe is being honest, and when he’s reciting frilly lines he’s learned by heart just to make an impression. Still, he looks good in the picture—solemn, handsome, inspiring—and at the end of the day, she guesses that’s what counts.

In early February, on the very last day of the protests before the Faculty closes down to prepare for normalcy again, Rey bumps into the General.

She looks at the woman, really looks at her, and a lump clenches her throat. Leia Organa radiates strength and hope, but suddenly Rey finds it unwelcome.

She’s so tiny, Rey observes. So unlike him.

“Getting ready for school, Rey?” the General asks. Her hair is braided tightly again—all regal, like a crown around her head. It’s difficult to imagine her young, with hippy hairstyles and flowy white dresses.

Rey nods. “We start on Monday. That strike is over as well.”

“Hooray for normal life,” Leia scoffs. “Don’t be fooled, however. The politicians are all self-important now, but these local elections, this is but a small victory. A step on the way. We won’t be truly free as long as these fuckers from the regime still hold the power.”

Rey notices she’s keeping a safe distance from the General—if she gets too close, she feels like she’ll catch fire.

“So…” she begins, even though she has no idea what she’s aiming at. “So, I, um… I hear you have a son?”

Leia Organa tilts her head and narrows her eyes suspiciously, a slight pout curling her full lips. In that moment, the resemblance is so obvious that Rey thinks she’ll scream.

“I had a son,” the General corrects her, as blessedly unsentimental as always. “He died.”

Rey isn’t sure if she admires the woman, or envies her, or hates her like she’s never hated anyone in her life.

The General walks away with a confident smirk, waving at students and snapping instructions for the right way to fold the banners. Rey waits to see if she’ll slow down, look back perhaps, but she doesn’t.

Well, then.

Time heals all, Rey tells herself. It should become easier as days go by. Maybe, one day, she’ll also turn into that.

Only it doesn’t stop.

Every morning, she still wakes up sick.

She wants to cut it out of her body, to cauterize the wound with a flaming sword and leave behind nothing but scorched earth—but it doesn’t work that way.

You can’t switch off a button and make it disappear. It stays—love and lust and yearning, and fucking plans for the future, and the way someone smiles in the morning, sleepy and boyish, and how his hair smells, curling when it grows too long, and how his skin is warm and his ears are flap and his lips are soft, and how his muscles tense under your nails when you sloppily make love before breakfast.

It stays.

She begins dreaming of the Fortress again.

When she wakes up, she’s haunted by a fear that he’ll drink himself to death, and it’ll be her fault, and then she cries until there are no tears left, feeling stupid and angry for worrying.

He doesn’t deserve it.

Rey wonders if he’s stalking her again, if there’s someone who follows her footsteps and records her every move. She doesn’t think so, not this time. There was something final in his last words, like he really wanted to cut ties. Like she’s dead to him now.

It’s better like that, she knows.

Once, Rey sees a matte black car near the Faculty, driving suspiciously close to the pub that she frequents with her friends. She runs out to the street, almost shouting Armitage’s name, but then the traffic light turns to green and the car drives away. For a long moment, Rey stands in front of the pub, dumbstruck, her coat still inside, and it’s only when Rose comes out to see what’s wrong that she snaps back to reality.

Rose is a good friend, bless her, even if a bit exasperating at times. And Finn is her brother, the only one she’ll ever have. But Rey doesn’t feel comfortable with either of them lately—they read her too well, and she’s not ready to answer their questions.

So she spends her time at Poe Dameron’s place.

Poe lets her sit on his couch, and fill his fridge with junk food, and surf the channels of his TV, not complaining even when she watches soap operas in Spanish. He sees that something’s amiss, he’s not a fool, but he doesn’t ask what—and that’s all that Rey needs at the moment.

What she likes the most, however, is when Amilyn is there.

Amilyn smells like cinnamon and sunflowers, and has a quirky sense of humor that Rey doesn’t always understand, and dresses nicely even when they don’t do anything but sit on the couch all evening, and carries a strange sadness deep within her, behind the rose gold shimmer of her pearly eyeshadow. Rey didn’t notice it at first, when she was Professor Holdo who ruled the rebel headquarters with an iron fist, but now she sees it clearly. She feels drawn to it. It’s an odd brand of sadness—nothing crippling or destructive, just a constant melancholy simmering in the background, like a lifelong companion without whom Amilyn can no longer do. There’s longing for youth in this sadness, Rey thinks, and a quiet disappointment that life didn’t turn out how it was supposed to be—but there’s also resilience and strength and stability, of all things.

Amilyn teaches Rey to do her makeup, and gives her rings and bangles she claims she no longer wears, and treats her like an adult when they talk. She never says anything about Poe, and Rey doesn’t ask, but there are days when she does share her feelings. Lately, she says, she has this impulse to do something really crazy, really inappropriate—something that everyone will see, that cannot be kept secret or covered up by lies. Like dye her hair purple.

“So tell me,” Amilyn begins one evening when Poe isn’t sitting with them in the living room, too busy typing an article for the student newspapers on his recently purchased computer. “What happened to you?”

“Nothing,” Rey replies promptly.

Amilyn raises an eyebrow and swirls the wine in her tall crystal glass. “Best conversations always begin with a juicy ‘nothing’.”

Rey digs her nails into the soft fabric of the couch. Behind her, she hears the soft clicking of the keyboard and Poe murmuring to himself as he types.

“I, um…” She can’t believe what she’s about to say. “I loved someone. And he… He loved me.”

It doesn’t feel right.

“Okay, scratch that. Present tense: I love someone, and he loves me. But… He’s fucked up. Like, seriously fucked up. And he’s doing horrible things.”

Amilyn takes a sip of wine and patiently waits for Rey to continue. The glass looks so elegant in her perfectly manicured hand.

“I thought that… I thought my love would help him change. Get a grip on himself. I thought I could save him. I… I honestly believed that what we had was strong enough to make him live normally. Find redemption and all. But…” She swallows. She won’t cry, not in front of Amilyn. “But it all came crashing down.”

Amilyn sighs and places a hand on Rey’s shoulder, her bracelets clanging.   

“Rey, honey, you’re young. You’ll learn—life’s a bitch.” Loose curls bounce around her face as she nods to emphasize her words. “Tropes are for fiction. Love fixes problems only in romance novels. Redemption doesn’t come overnight. You can’t change a man just by loving him, and you certainly can’t save anyone who doesn’t want to be saved.”

She smiles, and the sorrow she carries in her soul flickers brightly in her blue eyes—the grief for Rey, for herself, for the world in which love doesn’t get to win.

“It doesn’t make it hurt any less, I know.” She gives Rey’s shoulder a brief squeeze. “But in real life, love simply isn’t enough.”

Rey leans into Amilyn’s touch, bowing her head, inhaling the smell of cinnamon and sunflowers that she will forever associate with sadness.

In early April, a few days before her eighteenth birthday, Rey goes for a walk with Finn.

It rains, but it’s a warm spring drizzle—the kind that makes the grass grow, giving it an impossibly intense shade of green. She smiles: the color is perfect, just like in children’s drawings.

“Do you feel stupid?” Finn suddenly asks.

Rey sneers, giving him the side-eye. “All the time, Finn.”

He takes a pack of cigarettes from his pocket and flicks open the lighter with a loud click. Rey scrunches her nose in disapproval, but Finn ignores it.

“You know what I’m asking,” he says, deeply inhaling the smoke.

She waits for a moment before answering.

“You want me to admit you were right. I won’t. You weren’t right.”

Finn laughs, raising his palms in disbelief while the cigarette hangs from his lips.

“Sister, you guys protested every goddamn day for three months, be it snow or rain. You didn’t give up until you finally had it your way. And then these assholes fuck it all up in… how much time was it, again? Four weeks?” He blows out an impeccably round smoke ring, just like Maz used to do. “I’d feel stupid if I were you.”

Rey scoffs. He does have a point, she knows.

As early as in March, the coalition of opposition parties that had won the local elections fell apart spectacularly. The politicians started squabbling over the spoils of war—titles and trophies, board memberships, management positions in city-owned companies, well-paid jobs that were just perfect for someone’s daughter or nephew or neighbor or old friend from school. Soon enough, the parties started playing games, voting against each other in the city council, obstructing the parliamentary work. It became a sad, embarrassing parade of backstabbing and sabotage, in which the only real winner was the regime.  

“Still,” Rey grumbles. “It proved that changes are possible if we fight for them.”

“Peanut, please.” Finn rolls his eyes. “The sun will rise in the west and rivers will flow backward and skies will turn green before any actual changes can happen in this country. But enough with the politics. What do you wanna do for your birthday?”

Rey shrugs. She’s silent for a long while, enjoying the April breeze in her hair, the smell of rain-drenched grass everywhere around her.

“I dunno. I’m not sure that I care.”

“Of course you do.” Finn pulls her into a half-hug. “You’ll finally be legal!”

Rey chuckles unexcitedly. “Hooray.”

She leans into Finn’s hug as they walk, nodding her head absently while he goes on about the plans for the party.

Despite the rain, it’s a lovely spring day. A flock of seagulls screeches above their heads. A boy plays with a dog on the meadow next to the path—the boy’s jeans are stained with green on the knees, and the dog is completely wet from rolling in the grass, but neither seem to care. An elderly couple passes them by—grey-haired, hunched, walking with canes to support their wobbly knees, but still holding hands. She wonders how many decades they’ve spent together. There’s a faint scent of gardenias, coming from the flower beds nearby.

Everything is so calm.

Rey closes her eyes, waiting for another war to begin.

 

 

END OF PART TWO

 

Notes:

Well.

Unlike Phasma, I don't pull my punches.

I told you before how frighteningly easy it is to transplant the plot of Star Wars to our local history - sometimes the parallels fit so well that it gives me the chills. This includes a very ominous (and a very real) reason for Kylo to stay on the dark side - just like at the end of TLJ.

Part Three - the conclusion of the story - will bring another time skip. It will deal with the aftermath of the southern war, the last year of the regime, and the Skywalker family drama. But most importantly, it will examine if redemption is possible for someone who has made too many bad decisions and crossed too many lines - and, well, what does redemption even mean in the real world?

Since I know that some of you will stress over this, here we go: no, it's not over between Kylo and Rey. She most certainly won't run straight to Poe Dameron's arms, there won't be any love triangles whatsoever (we hates them, precious), and many, many things need to happen before the prologue scene becomes clear.

Chapter 20: All Your City Lies in Dust

Summary:

God, please let me be normal for a day.

Notes:

Welcome to Part Three, the last narrative arc of the story! As you’re about to see, the opening chapter has a slightly different structure, setting the stage for plotting and character development that will pick up soon. It wasn’t easy writing it, because the chapter deals with a painful period in our recent history.

Therefore, guys, we’re about to go to some dark places. I wrote this as sincerely as I could, without sugarcoating anything (by now you should know it’s not my habit to sugarcoat), but just to be safe, it is time I point at the trigger warning again. Also, it’s the most personal chapter so far – while writing, I relied heavily on my own experiences and memories of what it felt like being there.

For many of us, the spring of 1999 was rock bottom, and I lived through it.

 

Beta’d by KathKnight

(See the end of the chapter for more notes.)

Chapter Text

PART THREE:

F I R S T   A N D   L A S T   A N D   A L W A Y S

 

 

All Your City Lies in Dust

 

 

 

The Capital, April 1999

 

 

“Again?” DJ asks, his voice crackling over the phone. The lines are horrible these days. “That’s like the third time?”

Strange, whenever the conversation concerns the prospect of spending money, he doesn’t stutter.

“It’s the third time, yes.” Rey nods into the receiver, staring at the glass shards scattered across the floor. With the way they catch the reflection of the orange sky, it feels like her living room is on fire. “In less than two weeks.”

A pause, as if he isn’t sure how to respond. She hears him chewing on his mouth, his curses too quiet to discern what he says. She could have waited until the morning to call him, Rey thinks. Then again, it’s not as if she woke him up.

No one is asleep. Not now.

“W-w-what do you want me to d-do?” He sounds annoyed. “I c-can have the panes replaced t-tomorrow, but it’s a matter of time before they get blown to b-b-bits again. These f-fuckers won’t stop any time soon.”

They won’t, Rey agrees, but she doesn’t comment.

“You’re the landlord,” she says too calmly. “I’m paying you the rent. You should do something about the goddamn windows.”

DJ huffs through his teeth. 

“The only way to do something about the goddamn windows is to bring down the goddamn planes!” he yells without stuttering once. “And that ain’t g-gonna happen, is it? So, you can either p-pack your things and stay with friends until the shitstorm’s over, or you c-can get used to living without windows!”

Rey clenches her jaw. At Finn’s place, it’s even worse. His house is near the military airport, a primary target—the panes are long broken there, with plywood sheets nailed to the window frames and plaster falling from the ceiling each time the ground shakes. When they spoke earlier that evening, he said he’d noticed cracks in the walls, and she barely heard his voice over the blasts in the background. She could stay with Poe, she knows she’s always welcome there, but with Amilyn and him arguing about everything lately, his place feels like a war zone. And on the very day this mess had begun, Paige put Rose on a bus to their hometown, protecting her little sister from the danger and the stress.

Rey can’t think of anyone else she could impose on.

“I’ve nowhere to go,” she says, twisting the phone cord.

“T-t-tough luck.” DJ chuckles into the receiver. “I’ll drop by tomorrow, see what we c-can do about them windows. B-b-but I wouldn’t get my hopes up if I were you. Instead, I’d be grateful that the weather is nice.”

Rey slams down the phone and curses quietly, a flood of creative profanities rolling off her tongue.

She met DJ a year ago when she responded to his rental ad, after deciding she no longer wanted to live in the student dorm with its curfews and squeaky bunk beds and roommates she could not choose. From the first moment, she knew the man was a scoundrel. His speech impediment, laidback charm and hobo fashion were carefully cultivated to make him come across as harmless. He’d be a bad landlord, she could tell—eager to collect the rent, but never there to help with the maintenance.

The problem was that she really liked the apartment. 

It was small and rundown, located on the fifth floor in a building with no elevator, with hallways reeking of cat piss and walls covered by graffiti—names and hooligan slogans and song lyrics mostly, though one did stand out, reading “God, please let me be normal for a day. The neighborhood was humble, blue-collar, close to the railway station, and greyish in tone as if the sun never truly shone there. Its shops were cheap, its bars shady, its streets crowded by people who were only passing by, perpetually looking tired. Yet it was in the city center, a few bus stops away from the main square. From the balcony, Rey could see the round rooftops of the capital’s fair, and the skyscrapers of the financial district in the distance, across the rails, on the other side of the river.

She liked the imperfections—it made the place seem real, like something that could actually become her home. Most importantly, the rent was affordable. She could cover it every month, combining her student allowance with the salary from her part-time job at the copy store. 

That’s how she found herself here.

A year ago, when she signed the rental agreement, Rey didn’t know what living here would mean one day—but now she does.

It feels like a bad joke.

She’s in the fucking middle. A few blocks from her apartment, up the street and to the right, there’s the Government building, as pretty as a postcard with its dome roof and stained glass windows. Next to it is the Ministry of Defense, its extravagant palace of red stone one of the capital’s landmarks. The Ministry of Interior is on the left, down the block and across the park—a huge building, dark and monumental, worthy of housing the striking fist of the regime. On the other side of the street, there’s the Police Administration, with paddy wagons and armored cars stationed in front. 

Targets. All of them, targets.

Bombed day after day after day.

And there’s more, Rey thinks.

The fair and the railway station and the financial district are all walking distance from her home—she fucking sees them from the balcony. But they’re not priorities, or so she’s told: rest assured Rey, all is fine, those are civilian buildings, they’re not on the to-bomb list. Not yet, at least. Maybe later, if the bombing drags on for too long, and they run out of priority targets.

She thinks she hears the buzzing of airplanes, a mechanical hiss swishing above her head, but perhaps she’s imagining it—these super-stealthy NATO bombers are supposed to be undetectable. The explosion that follows is loud and clear, however. The ground shakes, and the glass shards jingle on the floor, and the window frames tremble, but there are no panes left to shatter.

Rey laughs. At first, each blast would make her fall, but now she’s used to it. She’s learned to walk like a drunken seaman, always keeping her balance.

Smoke rises, thick and black. Its smell is sharp, acrid, like burnt plastic and molten metal and coal dust. It stings her lungs and makes her eyes water. She breathes through her mouth. Outside, the sky is crimson—fire climbs up to the clouds, flames illuminating the night, and everything burns, crumbling down in ashes.

It’s just another Tuesday.

Rey kneels to the floor and starts picking up the glass shards, waiting for the flat sound of the all-clear signal.

 

*

 

It began on March 24th—a lovely spring day. The weather was warm enough to go outside without a coat, a welcome change after a long, stifling winter. Plum trees were in bloom, fluffy specks of white in the city’s parks, and the air smelled of pollen, and sunshine, and fresh grass. Not that any of that would matter soon enough. At 7 PM sharp, every TV channel in the country interrupted its regular programming and started broadcasting the government’s news. A thin man in a grey-brown suit—not one of the regime’s favorite anchors, surprisingly—stood in front of a digitally rendered national flag and announced, his voice lilting as if reciting poetry, that the country was at war.

Except that he didn’t say it like that. Not in those words.

Their country was the victim of an aggression, the thin man explained, a cowardly display of violence committed by the devious NATO forces. The North Atlantic Alliance finally revealed its criminal nature by attacking a sovereign nation without the approval of the UN Security Council. It was the death of the international law, the man lamented, the birth of a new world order, the beginning of a long night that would cast its shadow in the years to come, in which the strong and the mighty would always find excuses to trample upon the just and the weak, if it suited their interests.

It sounded fucking insane.

Rey had a satellite dish on the balcony of her apartment—a banged-up old thing covered in bird shit and rotten leaves. She didn’t watch the foreign programs often since the image was blurry, lines crossing the screen, but now she was grateful that she could receive CNN in any form. When she switched it on, a group of experts were gathered in the studio. All men, Rey observed, serious and solemn, with double-breasted jackets and narrow ties and glasses in golden frames. They nodded their heads, speaking about the southern province, underlying how the regime overused the force there—ethnic cleansing, as they called it—and then they applauded the initiative for a noble, humanitarian intervention. It would be the crown jewel of modern warfare, they said, a targeted bombing of strategic goals that would break the country’s willpower and bring the dictator to his knees. In the end, they cheered as the cameras showed the bomber planes taking off from a military base somewhere in Italy, near a city whose name reminded Rey of a mineral water brand.

“Did you see this?” She called Finn immediately, the TV screen still flickering in the background. “Are you watching the news?”

“Peanut, they’ve been talking about the bombing for months, it was a matter of time.” She heard the restraint in his voice, as if he was forcing himself to sound more collected than he felt. “But if they strike, I’m sure it’ll be in the south only, down in the province. Y’know, where the shit actually happens. Even the goddamn NATO ain’t crazy enough to bomb a European capital just like that. They’re civilized folks.”

Rey agreed, because Finn sounded reasonable, and pretended she felt better after hanging up the phone.

One hour later, however, the howling of the air raid siren ripped apart the sky above the capital for the first time.

And then the first bombs fell in Rey’s neighborhood, and she spent her first sleepless night crying, listening to the news, cleaning up the shards from the shattered window panes, and wondering what the fuck he had done down there in the south to make them deserve all this.

 

*

 

“My windows broke last night,” she tells Finn when she calls him in the morning. “Again.”

It takes him a while to process what she said.

“Third time, eh?” Finn sounds tired, distracted—obviously, he didn’t get any sleep either. “Is that stammering hippie gonna do something about it, or…?”

Rey sighs. “There’s no point in fixing them now and you know it.”

He pauses for a moment, huffing into the receiver, looking for a solution.

“I can come and close them with plywood, like I did at my place.”

She shouldn’t have told him, she thinks. Now he won’t let it go.

“I don’t want to live in the dark.”

“Sister.” Finn’s tone is firm, like she’s a child again and he’s about to give her a lesson in avoiding stupidities. “You can’t live without the fucking windows. It’s dangerous. Debris is flying all over the place, it can kill you. It’s true: a girl died like that here in my neighborhood. A bomb fragment flew in and killed her on spot in her own bathroom, and all because the window was open.”

“Finn, if I get in the way of a bomb fragment, no window can save me.” Rey almost laughs as she imagines the scene—pieces of rubble rotating toward her in slow motion as she bravely stands behind a thin layer of glass, both hands in the air, arms wide open like a welcoming embrace. “And I really can’t stand living in the dark. Don’t worry, I’ll take care of myself. I just called to hear your voice. I need to get ready now, or I’ll be late.”

When she hangs up, Rey fixes herself a second cup of coffee, extra black. Then, she takes her time with the makeup, opting for reddish eyeshadows. It brings out the hazel in her eyes. She chooses her outfit carefully—ankle boots and form-fitting jeans and her favorite cold-shoulder top, a flawless combination for such a sunny day. She’ll walk to work, she decides. She has time, and the weather is too damn nice to waste an hour on public transport.

Little things, Rey repeats to herself. In the end, it’s always the little things that get you through the day. 

As she walks down the street, she tries not to stare at the charred leftovers of bricks and steel and concrete that still smolder in the corner of her eye.

On top of the Government building, there is a hole where the dome used to be, and shards of stained glass windows are scattered all over the sidewalk.

 

*

 

They always bomb at night.

The days are normal—as normal as circumstances allow. Rey goes to work, the copy store being busier than ever. Her college operates under a strange schedule—there are no daily lectures, but once a week the professors receive students to give them homework and arrange for tests and exams. She meets her friends, hangs out with them in pubs and coffee shops. She sits in parks on fresh grass peppered with daisies and forget-me-nots, and goes window shopping in the pedestrian zone. There are sales in every major store—suddenly, Rey can afford things she’s been admiring from afar for too long. She purchases a pair of bulky over-ear headphones, guaranteed to shut out any outside noise. She needs those.

The days are normal—enjoyable even, with life being slow, and the spring so riveting.

When the night falls and the sirens howl, all hell breaks loose.

It’s like living in a fairy tale, Rey thinks. Once upon a time, there was a city under a curse. By daylight, its inhabitants could live as they pleased—some of them even genuinely believed they were happy. But when the sun would set, the monsters would come out, and they snatched people at random, tearing down the city bit by bit.

Rey can no longer stand the TV. The government’s propaganda is all lies—it always has been, but now it’s unbearable. In between chunks of news, children sing patriotic songs and weird-looking old men spin batshit conspiracy theories—Snoke would have thrived here, she thinks. The president gives a speech every other day, assuring the nation that they will endure this unwarranted aggression. Hearing his voice makes her skin crawl. She tries switching to CNN, hoping to learn what’s really going on, but it doesn’t help. They show her city in ruins, flame and smoke everywhere, lone walls where buildings used to stand, and then they gloat, pert and optimistic, congratulating themselves on precision and efficiency and battle spirit. They air footage shot in the cabin of a bomber plane. The pilot flies above a railway bridge somewhere in the south, on their side of the provincial border, close to Poe’s hometown. He releases the missile by pressing a button, as if he’s playing a video game, and when the bridge explodes, he laughs.

He laughs.

So Rey spends her nights marathoning movies, her new headphones protecting her from the mayhem outside. She stays away from action flicks, sick and tired of things blowing up, and even the best drama films can’t hold her attention—she can’t empathize with someone else’s pain. But romantic comedies? Bring them on, the stupider the better. Her favorite ones are when the heroine is sassy and independent, but secretly waiting for the right man, whereas he’s a jerk with a heart of gold, ready to change himself for his true love.

She doesn’t even hate them for getting their impossible happy endings.

 

*

 

“Happy birthday!” Finn chirps, crushing her in a bear hug. Rey hasn’t seen him in weeks, even though they talk on the phone several times a day. Feeling his warmth again makes her eyes fill with tears. “I brought champagne!”

Rey doesn’t drink, has never even tried. But after one look at the bottle wrapped in bright, bubble pink foil, she decides it’s the perfect moment to be adventurous.

“It’s Hungarian bootleg, fresh from the black market.” Finn opens the bottle—it pops, but not as loudly as in the movies. “Probably tastes like rat piss, but hey, it’s champagne.”

The taste is odd indeed—fizzy, like soda, sugary and sour, and in truth nothing special, like grape juice past its expiration date. They drink from coffee mugs, sitting on the sofa in Rey’s living room with no window panes. She feels lightheaded after a while, a pleasant buzz whirring in her mind. It dulls her senses and makes the world a little less scary. She sees how it can become addictive.

Never again, she promises to herself as she gulps down the sparkling wine, never again—but tonight, it will do.

When the first bombs drop, making the entire sofa shake, she giggles. 

“Fuck you, people, it’s my birthday today!” she shouts at the ceiling. “I’m twenty at last! Can’t you give me a break, just for one day?”

Explosions rumble in response, echoing against the clouds like a summer thunderstorm.

“Well.” Finn raises the coffee mug as elegantly as if he were holding a champagne glass. “One day, you’ll brag to your children that you celebrated your birthday with fireworks.”

She laughs out loud, and then she cries, but just a little, and then they hug, as the room fills with smoke and dust.

“Seriously now, sister,” Finn grumbles, tucking away a strand of hair from her wet face. “Gotta do something about those windows.”

 

*

 

Sometimes, she has these thoughts.

It’s foolish, she knows. Irrational and wrong—so very wrong. And it won’t do her any good, except to torture herself. 

But she can’t stop it, when the thoughts come at her at night.

If only she were a lesser person, she thinks, greedy and selfish and without scruples. If only she were someone unprincipled, willing to go along with shady plans. Then, she would have listened to Armitage before it became too late. Snoke would have been alive, and Kylo would’ve done as he was told. The First Order would have remained a suspicious business corporation, not a paramilitary force sowing death, and there wouldn’t have been anyone to commit carnage in the province. The NATO forces would have no excuse to man their airplanes.

And none of this would have happened.

It’s stupid, she tells herself. Stupid.

Stupid.

The province was a time bomb with or without Kylo, she knows. He wasn’t the regime’s only war dog. They would have found ways to wage war without him, and the outcome would’ve been the same—the overuse of force and ethnic cleansing. Nothing would have changed, nothing—once again, the NATO would’ve been all too happy to put their country in its place.

No matter what she did or did not do, Rey tells herself, it would’ve ended with the bombing anyway.

But sometimes, she has these thoughts.

 

*

 

The regime starts organizing anti-war protests.

Concerts are held in the city’s main square—indie rock bands and pop celebrities perform together from morning to night, their music louder than the air raid sirens, and thousands of people gather to sing along in the crowd. They all have the same sign on them: black and white concentric circles stylized like a target, printed on paper and pinned to their clothes. They carry banners with funny slogans and cartoons mocking the NATO and its almighty leaders—Bill Clinton’s Lewinsky affair is a popular theme, with drawings that leave little to the imagination. Children ride on parents’ shoulders, waving the target sign in their tiny hands, and teenagers climb to the nearby trees to hang the national flag. People sing and dance, jumping to the beat, shaking their fists at the sky.

It reminds Rey of their protests, and she hates it.   

It’s as if the regime has appropriated something beautiful and authentic, rebellious, and then rebranded it by twisting its purpose, making it sleazy and vulgar, turning it into that. Watching these concerts makes her feel violated.

To make matters worse, many people she knows—coworkers from the copy store, friends from college, neighbors from her building—normal, reasonable people who have never supported the regime, now go to protests every day, to carry the target sign and yell angry slogans at NATO airplanes.

“I don’t get it,” she complains to Amilyn one afternoon, when they meet for coffee. “How can they? It’s as if they’re directly backing the president!”

Amilyn slides a pair of designer sunglasses down her nose, their shape carefully selected to flatter her oval face.

“You don’t think it’s understandable they’re angry at someone who’s dropping bombs on their country for five weeks straight?”

She arches an eyebrow curiously, and Rey fidgets, wrapping her arms around herself, trying not to stare at the people with paper targets who pass them by in the street.

Then Amilyn smiles, but it doesn’t reach her eyes. “You fell into the same trap as Poe. You think that if you say out loud that the bombing is wrong, it means that you approve of what the regime did in the south.”

It’s not a compliment to be compared to Poe, given how much they’ve been arguing lately. Rey opens her mouth to protest, but says nothing. She feels a rush of blood to her cheeks—she must be beet red in the face.

“They’re asking him for interviews, you know.” Amilyn pushes back her sunglasses to cover the sadness in her eyes. “The foreign press. They call almost every day. But he gets completely paralyzed—speechless, even. As if he doesn’t know what are the right answers he’s expected to give, and that drives him insane.”

Rey pauses to think, chewing on her bottom lip.

“Do they even exist? The right answers?”

Amilyn chuckles humorlessly. “I’m afraid all we have at the moment are the right questions.”

They walk in companionable silence for a while, pushing through the crowd that rushes to the concert. There are so many people, Rey thinks, more and more each day. Looking at the black-and-white target signs that surround her makes her head spin, like a hypnotizing wheel, and she lifts her eyes up toward the clouds.

The weather is so nice—a perfect day for early May.

“The southern province is a complex problem, no matter how you look at it. And what the regime did there was brutal. Despicable. Never doubt that,” Amilyn suddenly says, adjusting her glasses again. “And yet, over the years, the West had many opportunities to prevent that from even happening. They could’ve supported the local forces that opposed the regime, for instance, helped them become a more viable political option. But they didn’t. Instead, they chose to do this.

She points to the sky.

“Just because they could. And they wanted to. So it’s perfectly normal to feel confused right now. Betrayed, if you will. And, well, angry.” She nods sharply to underline her words. “Very, very angry.”

Rey tilts her head, looking away from the protesting crowd.

She needs coffee, she concludes, they should urgently find a place to sit. A generous nip of caffeine will help her get her thoughts straight.

“How’s Leia?” She changes the topic.

Amilyn frowns, her palm raised, inhaling to speak. But she doesn’t answer right away.

After a long moment she exhales loudly, looking resigned and tired. And then she arches her eyebrows and shakes her head, clearly unsure where to begin.

 

*

 

There’s a court in the Netherlands.

It’s a special court. It was established with only one purpose: to investigate and prosecute the war crimes that took place during the conflicts in their country. The big, old country, that is—the one that Han used to love so much.

As the bombing enters its seventh week, the court in the Netherlands presents a new set of indictments. They cover what happened in the south before the NATO decided to intervene.

At first, Rey is surprised to see that the local newspapers are even allowed to report about the indictments. But as she reads the article, she realizes she should never doubt the regime’s creativity to turn everything into propaganda: they frame it as a proof of conspiracy against their country, because the heroes who fought against the terrorists in the province are now accused of being war criminals.

The president himself is one of the indicted, the first on the list, along with the prime minister and half of the government. The top of the military is also wanted by the court: generals, colonels and majors, looking solemn and important as they pose in their parade uniforms.

And then, there’s him.

Ben Solo, Rey reads, known as Kylo Ren, born in 1969, commander of the First Order. Charged with crimes against humanity, as the court formulates it—murder, deportation and persecutions, and violations of the customs of war.

Well, now. It’s not as if she didn’t see it coming.

There’s a picture. He has aged, Rey thinks. His hair is neatly combed, still long but the wild curls are gone, and his goatee is trimmed so short it looks like stubble. His two scars are but thin lines, as if someone has drawn them on to make him appear more villainous, like an escaped convict from the old-fashioned wanted posters. He stares at the camera, grim and uncomfortable, and frown lines cut deep between his eyebrows. 

He’s not happy, Rey can tell.

She rips out that page from the newspaper and puts it in her drawer. She tells herself it’s a reminder that he’s a monster, nothing more.

She certainly didn’t do it because it’s the only picture of him that she has.

 

*

 

In the second half of May, the rules change. They start bombing the infrastructure.

Bridges. Roads. A hospital too—but it happens only once, and NATO blames it on having outdated maps. Factories. A pharmaceutical plant is razed to the ground because supposedly it can be used to produce chemical weapons. One night, they focus on an oil refinery on the outskirts of the capital. It is bombed methodically, to the fullest extent, and on the next day the entire city stinks. It smells like burned gasoline, Rey thinks, but maybe she’s just imagining it.

They also bomb the building of the national television. The NATO promptly declares it’s a strategic target—it spreads the regime’s propaganda, they explain, encouraging bloodshed and warmongering. Many people die that night. Technical staff, mostly—cameramen, sound engineers, a makeup girl. Many others are trapped between the crumbling walls, and firefighters burn to death as they struggle to set them free. The building hasn’t been evacuated on time, the NATO says. The regime is to blame.

Rey hopes that the president will yield already and stop this madness, but in his next speech, he promises only more perseverance.

They use all kinds of missiles. The so-called cassette bombs—which should be prohibited by a number of international treaties, as far as Rey knows, but it seems they’re still around. She’s learned to recognize them by the sound they make. Then, allegedly, there’re the depleted uranium bombs, but Rey isn’t really sure about those. She thinks it’s just gossip. It’s too dramatic, too crazy to be true—yet rumors run wild, saying that in twenty years everyone will die of cancer.

And then, there’re the graphite bombs. The non-lethal ones. Their only purpose is to disable electrical grids, and lately they fall more and more often. They’re beautiful, Rey observes—brief discharges of purple light, like horizontal lightning bolts—but the power blackouts they cause are a pain in the ass. She can’t go to work any longer. The machines in the copy store need electricity to run.

It’s a shame, the copy store was working at full speed. For the past few weeks, Rey’s been making photocopies of people’s personal documents: birth certificates, marriage licenses, bank statements, medical files, papers confirming real estate ownership. The bigger the pile, the better.

They need those copies for a single purpose, she knows—to apply for an immigrant visa. Every day, hundreds of buses leave the capital and go up north, to Hungary, where people wait in lines in front of embassies, their papers neat and ready, hoping that a country would deem them good enough to let them move in. Doesn’t matter which country, any destination in the West will do. Not many of them make it, rumor has it—the majority get stuck in Hungary, spending their savings and withering away as they wait in lines.

She could have been in Canada, Rey thinks.

The only bright side of power blackouts is that the regime can no longer hold the goddamn concerts.

 

*

 

Rey stares at the phone for minutes after hanging up. Maybe even a full hour, she isn’t sure. She’s lost the track of time, she only knows it’s getting dark. The sirens will blare soon.

Bloody hell.

She crosses her legs, sitting on the floor, and places the phone in her lap.

These things happen to people you read about in the newspapers, not to someone you know. A person you care about shouldn’t end up as a statistic. There’s even a word for it: collateral damage, it is called. An error. Oops, we didn’t mean it.

She should cry, that would be the proper way to react. But oddly enough, now that it’s actually serious, her eyes feel dry, like they’re full of dust.

She has to tell Finn.

“Sister!” He’s happy to hear her. “A bit early for our regular nightly call, ain’t it?”

For an instant, she thinks she should prepare him for the news, make an introduction. Soften the blow before she delivers it.

But she just can’t.

“Rose called,” she says flatly. “Paige is dead.”

There’s a long pause on the other end of the line, and she’s grateful for it.

It’s normal not to know what to say.

Outside, the traffic noise is slowing down. People are rushing to get to safety before the bombing resumes.

“What?” Finn asks at long last, his voice shaking. “How?”

Rey inhales, hiccupping for air. “She was in that train that got hit. Maybe you’ve heard. This afternoon. She was going home, to her town, and normally she’d take a bus, but she heard people saying trains were safer. That’s what she told Rose before leaving.”

She waits, picking at the phone cord. The moment lasts. Shadows dance in the room as the sun goes down.

“It was an accident. Allegedly. The train was delayed, the tracks were supposed to be empty at the time. And no one expected they’d bomb the railway in mid-afternoon. So, yeah.”

There’s nothing more to add.

She hears Finn breathing into the receiver. Slow and steady huffs resonate rhythmically.

Minutes pass.

“How’s Rose?”

“Fucked up,” Rey sighs. “Big time. She’s barely able to speak.”

Another pause follows.

Rey can tell that Finn is thinking. There’s gravity to the moment: it’s solemn, game-changing, and she feels she won’t like what he’s about to say.

The hair on the back of her neck stands up.

“I’m gonna go pack now,” Finn finally declares. “And first thing tomorrow morning, I’m gonna take a bus to that fucking hicksville. Rose shouldn’t be alone now. Someone should hold her hand. And… Fuck, sister. It should be me.”

Rey’s stomach twists into knots. She wants to think it’s because she’s afraid for him.

“Finn.” Her voice rasps. “It’s dangerous to travel.”

He gives a bitter laugh before beginning to shout.

“Yeah? And you know what else is dangerous? Living next to primary targets in a place with no fucking windows!

He spits it out so loudly that Rey’s ear begins to buzz. She lowers the receiver, waiting for him to calm down.

It’s almost eight o’clock, she sees. The show will begin any moment now.

Breathe, she tells herself, just like when she was younger. In and out. Breathe.

“Finn?”

“Sister,” he responds, his tone suddenly soft. “Promise me you’ll get the fuck away from there. Promise.”

Rey swallows.

She should try convincing him it’s a bad idea to travel across the country. She should offer to go with him.

But she doesn’t have the strength for any of that.

“Promise me,” he repeats.

“Fine,” she says. “I promise.”

His sigh of relief is what finally brings her to tears.

Long after the conversation is over, she sits on the floor in the dark, blowing her nose in a soggy handkerchief and wiping her eyes with the back of her hand. When the sirens finally go off, she doesn’t even flinch.

God, she thinks. Please let me be normal for a day.

Rey laughs. This is the new normal now.

 

*

 

When she inserts the key, her first thought is that this will never work. He must have changed the locks.

But then the key clicks and the door opens, and Rey stumbles inside, almost caught by surprise.

Until a day ago, she thought she’d never set foot in this place again.

She was prepared for a full panic attack—tears, flashbacks, shaky breaths and trembling hands. However, she feels oddly calm. Serene, even.

It’s not like coming home, she tells herself. It’s not.

She enters the living room. Nothing has changed and everything is different.

He's kept the old furniture, she sees—the couch, the coffee table, the beige carpet. The walls are as naked and white as ever. Expectedly, all the devices are gone: the TV, the loudspeakers, the CD player. She firmly believes he smashed them on the night she’d left him, broke them all up, trampled on the parts. The boxes are thrown out too, just like she’s assumed. There’s nothing in the corners of the room but shadows and cobwebs.

It’s sad, Rey thinks. Grey. Lonely.

The framed sepia photo is no longer on the coffee table, and it’s the only thing that strikes her as odd. He must’ve taken it with him. He wouldn’t throw it away. Not that.

Rey expected that the place would smell of him, but it doesn’t. All she feels is stale air, as if it’s been a while since the windows were open, and a faint scent of dust.

She checks the bedroom to find that the wardrobe is mostly empty, and she opens the fridge—there’s nothing inside. Even the cupboards in the kitchen are bare, except for plates and pots. And spices. He hasn’t been home in a long time, she concludes—a full year, perhaps.

Good. She knew he wouldn’t be here.

He’s still in the south, he must be. That’s where he’s needed. That’s where the real war happens.

Or perhaps he’s dead. Blown to bits by a NATO bomb, body parts ripped apart and burned, flesh turned to charcoal, nothing left for a proper burial. As simple as that—just like Paige. Someone should inform the court in the Netherlands there will be no trial.

Rey chuckles. Would she feel it, if he died? A disturbance in the force? A special kind of pain for losing her soulmate?

She remembers Amilyn’s words from years ago: tropes are for fiction.

When the sirens howl in the evening and the power goes out, Rey is happy to note that here she’s tucked away. It’s a good part of the city. The ground doesn’t shake with the explosions and she barely hears the blasts. The windows are intact. Firmly closed.

She puts on her headphones, just to be fully soundproof, and slumps on the couch, pulling a blanket over her head.

This is fine, she thinks. It is safe. It will do.

She can’t make herself go to bed, however. Not where they slept together. The couch is more than good enough.

 

*

 

Days pass. It is June.

The power blackouts are permanent now, and the water supply is gone—the pumps can’t operate when there’s been no electricity for that long. When Rey turns on the faucet, there’s nothing but the gurgling of pipes. She gets fresh water from a tank truck that comes to the neighborhood once a day, and she cleans herself with wet wipes. She smells like cotton flower and lemongrass. It could be worse.

The phone lines aren’t dead yet, but it’s nearly impossible to get through. Finn is still with Rose in her hometown—last time they spoke he didn’t know when he’d return. She told him she was staying with a friend from work, and he seemed pleased. Poe and Amilyn are not on speaking terms, again, but Rey knows it won’t last long. DJ said she wouldn’t have to pay the rent for that month—how very generous. He didn’t mention anything about the windows.  

She listens to the news on her old radio, the small piece of junk she got when she was in high school. She must change its batteries too often, and the sound always crackles—but it’s working. It’s difficult to figure out what’s happening, however, except that the bombing won’t stop any time soon. The president won’t yield. There are rumors about carpet bombings of the capital if this persists, or a land invasion, but no one knows what tomorrow will bring.

The early summer is beautiful. Sunny but not too warm, with a light breeze carrying the scent of linden trees in bloom.

Rey reads. Sleeps. Works out in the living room—simple crunches and squats and jumping jacks, just to make her body move. She goes out, but never stays long. In the evening, she lights candles. She sits surrounded by dozens of tiny flames that flicker like fireflies, and the sight is so pretty it takes her breath away. She can admire it for hours, feeling the candlelight reflect in her eyes.

Little things. They’re important. They get you through the day.

She sleeps too much.

She should feel uneasy for living here, but she doesn’t—and ironically, that makes her uncomfortable.

Sometimes, she imagines him returning home. Filthy, reeking of sweat, in a camo uniform, fresh from the war zone, unlocking his door just to find her curled up on the couch, staring at dancing candle flames. What face would he make? Would he yell at her, kick her out? Or would he be happy that she found safety in his home, of all places?

And what would she do? Talk to him, calm and collected? Smile that he’s still alive? Explain everything reasonably—she had nowhere to go, except for here? Or would she scream at him, spitting all the insults she never got to say—you sick fuck, you murderer, you nutjob, this is all your fault, your fault, the sirens, the blasts, the smoke and the orange sky, the fucking windows that keep breaking, it’s your fault! You’re to blame for concerts and target signs, for buses going to Hungary, for power blackouts and lines for drinking water! It’s because of you that Rose had to bury an empty coffin!  

But days pass, and he does not return.

She begins sleeping in the bed. It’s more comfortable after all.

 

*

 

The bombing ends on June 10th, early in the morning. It lasted for 78 days.

Rey listens to the news on her radio that crackles, holding it close to her ear. After too many failed attempts, it seems that the last round of negotiations did bear fruit—or, perhaps, everybody’s fed up, and they all just wanted to see this finished. Some sort of a compromise is achieved. An agreement is signed, and a Security Council resolution is passed. As far as Rey understands, according to the deal, the army, the police and the civil administration must leave the province, which will be placed under direct control of the United Nations. On the other hand, the province will not be granted independence—not officially, at least. Not yet.

And that is all.

In his speech, the president proclaims a historical victory: a small nation successfully resisted the vicious aggression of the world’s largest military power for 78 days—he really likes repeating the number—proving that justice, grit and courage are indeed rewarded in the end, and that David will always triumph over Goliath. Rolling her eyes, Rey switches to a radio station in English, which broadcasts the NATO’s press conference. It’s a historical victory for the North Atlantic Alliance, the spokesman says, an outstanding achievement of modern warfare. It brought peace to where it was dearly needed, saved lives, and showed that humanitarian interventions are indeed honorable and just.

Medals are about to be shared left and right, and everybody congratulates themselves.

What an extraordinary war, Rey thinks, if both parties can happily claim they have won.

Whatever.

She feels too tired to care, even though lately she’s done nothing but sleep, tucked in the bed, a pillow over her head. The only thing that matters is that it’s over.

It’s over. Over. Over. She has to repeat it several times, say the word out loud to make it feel real.

Now what?

She calls Rose’s number. It’s long-distance and the lines are still a mess—it takes her too many attempts to break through. When the phone finally rings, it’s Rose’s mother who answers. After clumsily murmured condolences, Rey asks to speak to Finn.

“You heard the news?”

Rey knew she wouldn’t sound cheerful, but the overly flat tone of her voice still startles her—as if she’s forgotten how to feel joy. She’ll have to work on that.

“Yeah,” Finn answers curtly, and then he falls silent.

She clears her throat before continuing.

“You coming back?”

It takes him a moment to answer, and Rey’s stomach sinks as she waits.

“Yeah, um…” He hesitates. “Rose and I will return together. In a few days.”

There are several layers of meaning in his words, and Rey can hear them all. One: he’s not alone in the room over there. There are things he wants to tell her, but he cannot now. Two: they seem to need him, because he’ll stay longer even though he doesn’t have to. Or maybe they just like him, and they want him to be around the family. Three: Rose.

So it has happened.

She should feel happy, she’s been rooting for this for years, and yet her lower lip starts trembling as if she’s about to cry. Fucking bombing, it messed her up so much.

“Sister?” Finn breaks the silence. “Are you okay?”

“All is fine,” she whispers. “Say hi to Rose. Call me when you can.”

She hangs up, and then looks around her as if for the first time she’s truly realizing where she is. She should get the fuck away from this place.

Rey packs her clothes, cleans the bathroom and the kitchen with wet wipes, makes the bed and neatly folds the covers. For a moment, she contemplates leaving a trace that she was here: melted candles on the coffee table, food in the fridge, her sleeping shirt crumpled on the floor. Dirty plates in the sink—he never let her do the dishes anyway.

But she decides against it.

She locks the door behind her and shoves the keys in her pocket. She’ll keep them. Not that she’ll ever need them again, but she’ll keep them.

The light outside is strong—she squints, blinded by the sunshine. She feels the warmth on her skin, lets herself enjoy it for a moment. Soon enough, her nose will be covered by freckles.

Rey takes a deep breath.

It’s over.

The future seems so uncertain now, unpredictable and without any goals ahead, and it fills her with dread.

Slowly, Rey starts walking home, her suitcase rolling behind her.

It’s time to get those bloody windows fixed.

Notes:

I’m not sure what to say in the end – except that, for my family, the little things really got us through the day, that it felt fucking odd doing the research for this part of the story (I clicked on an air raid siren recording on YouTube, and it gave me literal war flashbacks), and that red eyeshadow is indeed the best thing ever for hazel eyes.

Many things I wrote about happened. My aunt lives in Rey’s street, and boy did she struggle with the windows. The birthday conversation between Finn and Rey took place between my mom and me – I turned 18 during the bombing. As for the facts, among other things, one of the first victims of the bombing was indeed a girl in her own bathroom, the building of the national television was bombed as a strategic target, and there was a “collateral damage” incident with a train full of passengers. I did shuffle the timeline a bit for some events – for instance, the train accident took place in April, not in May – but even with some dramatization, I did my best to stick as close to the facts (and rumors) as I could.

Also, “God, please let me be normal for a day” graffiti actually existed.

That said, the purpose of this chapter was not to give a comprehensive picture of the bombing, and especially not to go political – but to focus on Rey’s experience as one person living through this shit, framed in her particular worldview and emotional context.

Thank you for reading, this was an important episode to share with you.

Now, the plot will thicken in the next chapter – Luke Skywalker will make his first official appearance, and some other characters I know you guys like will return to the stage.

Chapter 21: A Veteran of the Psychic Wars

Summary:

Don't let these shakes, don't let these shakes, don't let these shakes go on.

Notes:

Here we go, this is where the plot of Part Three really begins.

Beta'd by KathKnight

(See the end of the chapter for more notes.)

Chapter Text

A Veteran of the Psychic Wars

 

 

 

The Capital, August 2000

 

 

Rey hears footsteps in the courtyard, echoing from the other side of the fence. They clunk sharply on the stone path, as if someone’s wearing wooden clogs.

“Coming, coming,” the man shouts, noticeably annoyed. “No need to go wild with the doorbell, I ain’t deaf.”

She glances at her watch: it took him twelve minutes to answer the door.

The heatwave that chokes the capital has only just begun—the forecast for upcoming days threatens that the temperature will keep rising. Rey finds it unbearable already. The skirt of her polka dot sundress is sodden with sweat, sticking to the back of her thighs. She must look awful, after traveling here for more than an hour in an overcrowded bus. She takes out a paper tissue and dabs her face, careful not to smudge the makeup.

The white summer sky presses down, sunless but scorching hot, and the buzzing of crickets in yellowed grass makes her head spin. Warm, muggy air fills her lungs—it feels like breathing soup. Pressure builds in her temples. She won’t faint, Rey tells herself. Not like this. He will invite her inside.

Rey looks around. She’s never been in the northern suburbs before, a notoriously underdeveloped part of the city. Almost every house in the street looks unfinished, brick walls bare and roofs half-tiled, but families live in them nevertheless. Toys are scattered in courtyards, bicycles rest tied to grid fences, clothes dry on ropes. A pair of shoes hangs from the wire between two utility poles covered with layers of faded paper. It's old ads—people selling land, looking for lost dogs, reading fortune from tarot or tea leaves or palm lines, offering lessons of English and math, suitable for school children. Patches of grass grow between the cracks in the sidewalk, and the air has that distinct stench of zoo, like musk and dung and matted fur. Farm animals, Rey guesses.

Why would anyone choose to live here if they didn’t have to?

The door opens with a loud screech, and Rey is suddenly faced with a stained t-shirt, a bushy beard, and a pair of squinting blue eyes.

The man takes a step back, bemused, examining her from head to toe. The pin on Rey’s overstuffed bag catches his gaze—his forehead creases as he lifts an eyebrow curiously. He must recognize the Resistance logo, she’s certain of it, he can’t be that much of a hermit. The raised fist symbol is everywhere these days. 

But just as Rey opens her mouth to speak, the man rolls his eyes.

“Fuck off!”

And as simple as that, the door slams in her face.

The bang is so loud it makes her flinch. Rey blinks, holding her breath.

Oh no, you won’t.

“Mister Skywalker!” She presses the doorbell again, letting it buzz for a while. “Mister Skywalker, please!”

The wooden clogs thump away from the door. Rey hears a litany of curses—he’s quite imaginative, based on the tidbits she discerns.

“Mister Skywalker?!”

She knocks with all her might, tempted to kick the door. A dog starts barking in the neighboring yard, and a woman peeks over the fence to see what’s going on.

“Please! I’ve been standing for a while in this heat! Can you at least give me a glass of water?”

The clanking of clogs stops.

“A glass of water and then I’ll fuck off!”

There’s a pause. Rey can tell that Luke Skywalker is deliberating what to do. She lowers her hand from the doorbell—annoying him further will do her no favors. The neighbor arches her eyebrows in expectation, clearly enjoying the show, and Rey must count to ten not to shout at the woman to take a hike.

Finally, the door opens again.

“Shame on you for pulling the ‘poor-soul-dying-of-thirst’ card,” Luke Skywalker grumbles. “That’s cheap and manipulative. But fine. It is fucking hot.”

He moves aside, gesturing with his chin toward the stone path leading to the house.

Rey hesitates, surprised that she actually made it. Then, before he changes his mind, she quickly steps inside.

The courtyard is messy, but she expected nothing less. Dry grass grows tall, speckled with puffy dandelions turned white, and all she sees on the lawn are filthy plastic chairs crooked from the heat. Leaning on the wall, there’s a discarded garden parasol, and next to it a tin bucket, suspiciously banged up. God knows what he did with it. As she walks toward the house, at the bottom of the courtyard, Rey notices a wooden fence, like a barn of sorts. How odd. It’s then that she realizes—the stench of zoo comes from here.

A goat sticks its head between the bars of the fence.

White. Scraggly.

A fucking goat.

It’s a male, Rey concludes. Or at least it reeks like one. Its horns are large and its glare is unpleasantly intense, disapproval seeping from its horizontal pupils. Patches of fur on its head resemble frowning eyebrows. It raises its ears in wonder, as if it doesn’t quite trust her, and its wiry beard moves rhythmically as it chews.

Rey can’t look away.

“That’s George,” Luke Skywalker explains. “Don’t stare at him like that, it’s rude. He might take offense.”

She nods, unsure how to react.

This is going to be more difficult than she thought.

“My name is Rey,” she says as she follows him into the house.

“Your name doesn’t matter.” Luke Skywalker shrugs. “I know exactly who you are.”

She almost stumbles over the doorstep. “You do?”

Luke points at the pin on her bag.

“You’re my sister’s project.”

Rey feels her jaw tightening. “I beg your pardon?”

The beard conceals his self-satisfied smirk, but she can tell it’s there—a fucking family trait.

“You’re one of the pretty kids she finds brilliant for one reason or another, so she mentors them to become the future leaders of this democratic utopia she thinks she’ll have here one day.” He gives a dry chuckle. “Right?”

Leia had tried to warn her, she had. “You’ll see, he’s a bit of an ass,” she'd said. “Living there did things to him.” Rey had nodded like she believed her—admittedly, it was easier to blame the suburbs for someone’s difficult temper.

She wasn’t prepared for this, however. Luke’s words are oddly specific.

And they sting.

“Like that Dameron boy,” he carries on, savoring her discomfort. “What a pretentious prick, that one, thinking that his big smile will open every door. It felt really good to tell him to fuck off.”

He grins smugly, waiting for her response, raising his chin in challenge.

This is bait, Rey thinks.

Her first impulse is to protest—if a goddamn goat can take offense, she can too. She’s no one’s project.

But then she makes herself remember: for years, this man was the only person who could tolerate living with the boy named Ben.

Jug-eared, freakishly tall, charmless and irreparably unhinged, little Ben wasn’t exactly the material for a future leader of a democratic utopia, was he? Still, Uncle Luke took him in. Put up with Ben’s tantrums and blackouts and insecurities, showed him the world from New York to Japan.

Until the day he called the boy a mentally unstable piece of work who'd repeat his grandfather’s downfall.  

Rey studies Luke’s nose. Its tip is slightly bent to the side, like it’s been badly broken once.

“Well,” she says. “There are days when I wish I could tell Poe Dameron to fuck off.”

Luke Skywalker laughs—the sound is rough, rusted from lack of use. But the corners of his eyes crinkle, and Rey knows that she scored a point.

“Come in.” He opens the front door.

Inside, the light is dim. Heavy curtains are drawn over the windows and the wallpaper is darkened from years of smoking. Not cigarettes, no—the smell is sweetish, stifling. Pipe tobacco, probably. Perhaps not just tobacco. As Rey walks into the living room, her feet sink into a thick carpet. Its exotic pattern is mesmerizing—Persian warriors on horseback swirl across the floor, waging war amidst brown and burgundy flower vines. He must have brought it from an old journey, she thinks, paid for it dearly. She wonders if the boy named Ben was with him.

A ceiling fan rotates above her head, spinning dust, and the TV is on. Inside of a spaceship, a pointy-eared man with a bowl haircut greets an alien with a rubber forehead by raising his palm and parting his fingers: live long and prosper. Rey swallows a chuckle. Based on what she heard, she’d never have pegged Luke Skywalker for a space opera fan.

“How is she?” Luke asks, his clogs clunking as he proceeds to the kitchen.

“Same.” Rey shrugs to herself—there’s nothing else to say. “Stubborn.”

He returns quickly, bringing a glass of ice-cold water still cloudy from the tap. Rey gulps it down so greedily that her throat aches, and a wave of goosebumps ripples down her back. The water leaves the metallic aftertaste of suburbs and bad plumbing.

“Okay, project girl.” Luke raises his wrist to look at the watch. She notices an ugly scar on his forearm, left from a surgery to piece together a gravely fractured bone. “I’ll give you thirty seconds sharp to convince me that doing my sister’s bidding is a good idea.”

Rey stifles a frown. What?

She wasn’t ready for this. Thirty seconds? They were supposed to have a conversation—not Rey reciting unrehearsed lines as if she’s trying to sell him something he doesn’t want.

Luke rolls his eyes, making it clear that her time is ticking.

“Mister Skywalker,” Rey begins, suddenly aware she’s about to blow it. “You know we came to a decisive moment in our combat for a normal life in this country. The presidential elections this September will give us an opportunity to change things for real, peacefully and legitimately, and everyone’s united around this cause. But for that, we need a proper candidate, and a strong campaign, and your sister thinks…”

“No.”

He reaches out his hand to take the empty glass.

“You didn’t let me finish,” Rey says flatly. “I have ten seconds left.”

“I ain’t gonna waste ten precious seconds of my life on your propaganda bullshit.” Luke Skywalker grins, all teeth. “And I know very well what my sister thinks. Time to fuck off.”

Rey narrows her eyes. Fuck him, and fuck his beard, and his unfinished brick house, and his goddamn goat.

Especially the goat.

She didn’t volunteer for this just to watch herself fail.

Panicking, she glances around the room, looking for anything that would prolong her stay.

Behind her, there’s a large shelf. The first thing she notices is that it’s free of dust—Luke really cares for whatever he keeps there. Rays of light that peek through the curtains fall on thin objects crammed together so tightly that the board is curved under their weight. Those aren't books, she sees.

Records. Rows upon rows of vinyl records.

Of course.

“You’re a collector?”

“No.” Luke walks to the door, expecting her to follow him, but hesitates when he sees she’s still staring at his shelf. “Collectors are pretentious assholes who spend a shit-ton of money hoarding stuff they never use, with the sole aim to impress other collectors. I happen to love music.”

Rey nods, cocking her head to read the names of artists and albums.

There’re a lot of classics—Bob Dylan, whose songs she knows mostly from cover versions; the complete discography of the Rolling Stones mixed with a few albums of the Beatles; Led Zeppelin and Genesis and Pink Floyd; the Ziggy Stardust phase of David Bowie, even though for her he’ll forever be the Goblin King in obscene leather pants. A whole row is dedicated to jazz. She’s heard of Miles Davis, it rings a bell, but there’s a bunch of names she’s not familiar with—they sound American, African, Indian even. Paco de Lucía. The flamenco guy, right? Some cardboard sleeves are badly damaged, she can barely decipher the retro-styled letters, some album titles are unexpectedly imaginative. “In the Court of the Crimson King” makes her think of a horror movie, not a rock project. 

And then she sees it—Blue Öyster Cult.

She remembers the story about them. She laughed like an idiot when Kylo first mentioned the band’s name—who the fuck thought that calling themselves Blue Öyster Cult would be a sure gateway to success?

“I know these guys.” She slides her finger down the jagged edge of the album. “That fantasy author who hated Tolkien wrote lyrics for them. Right?”

Luke Skywalker observes her with narrowed eyes, as if he sees her for the first time.

The silence lasts for a while. The ceiling fan flaps, setting a beat to the moment.

“Michael Moorcock,” Luke finally says. “And he didn’t write for them, it was an occasional collaboration. Also, before you dismiss him as the jerk who blasphemed against the father of fantasy, try to get familiar with Moorcock’s work. Poor man really didn’t deserve to be referred to as ‘that guy who hated Tolkien’.”

To her surprise, Rey bursts into a giggle. The corners of Luke’s eyes lift a little, and she can tell he’s struggling to maintain a stern expression.

“You have his books?”

“Maybe.” He huffs through a smirk that for once isn’t mean. “But for a moment there, I thought you were more of a music person.”

Suddenly, Rey doesn’t know what to say. She feels her smile faltering.

Once upon a time, when she was a little girl living in the Home, she thought that music was one of the most important things in life. It had a soul-defining, life-changing power, it brought the right people together, and no one could take it away from her.

Now, she doesn’t even own a stereo in her rented apartment. 

“Did I say something wrong?”

There’s a speck of concern in Luke’s gruff voice. It’s funny how, of all the preposterously wrong things he’s been sniping at her from the moment he opened the door, this is where he thinks he crossed the line.

“Yes.” Rey chooses blunt honesty. “You reminded me that life’s a bitch.”

Luke Skywalker isn’t the one to apologize, not when it matters—again, a family trait—but at least he has the decency to step away from the door.

“But that’s fine,” she adds quickly. “Reminders are useful, every now and then.”

He nods, as if they’ve reached an understanding of sorts.

Then, he fetches the remote from the table and shuts down the TV.

“Have you ever actually listened to Blue Öyster Cult?”

“Can’t say I have,” Rey answers carefully.

“Sit down.”

The couch squeaks under her butt, and for a split second she has a flashback to happier times—it’s gone before she can process it properly. Luke takes the album off the shelf, smiling as he looks at the cover. Slowly, he pulls the record out of the sleeve and proceeds to wipe it with a soft cloth he keeps next to the gramophone. His movements are deliberate, ceremonious, as if he’s about to begin a ritual.

“Let me tell you something: CDs are crap.” He places the record on the gramophone and raises the needle. “That thing never gets the bass right, and we can’t have that. Bass is the fucking heartbeat of music.”

Luke puts the needle down. The vinyl crackles as the synthesizers begin playing a moody melody. 

“Relax, project girl. Close your eyes. Let yourself feel.

Taking a long breath, Rey shuts her eyes and sinks into the music.

Two hours later, she leaves the bare brick house in the suburbs with her bag full of books in English. A silver-haired, white-skinned young man glares from the dust covers—his eyes are shell-pink, his dark sword is decorated with rubies, and he almost looks like a girl. The books are heavy. The strap of her bag cuts into her sunburned shoulder, but still, it’s a victory. A trophy.

Rey promises she’ll return the books in a week. She’s welcome to drop by any time she likes, Luke says, as long as books and music are the only topics of conversation—she’s prohibited to mention the Resistance, the presidential elections, or Leia Organa’s political games.

Well. It’s a start.

To be honest, she actually had a good time. She almost forgot there was a reason she went all the way to the suburbs to seek out a man who’d retired from public life a decade ago. 

Rey keeps sweating during the bus ride back to civilization, her hair sticking to her forehead and neck. All until they reach the city center, she thinks she can feel the lingering stench of zoo.

The first thing she does when she gets off the bus is to fish out the cell phone from her bag—her chunky Nokia, an old model she inherited from Amilyn, always falls to the bottom. Its buttons beep as she scrolls down to Poe’s number on her list of contacts.

“Sunshine!” Poe Dameron picks up immediately—ever since he purchased a cell phone, he strolls around carrying it in his hand. “Did you make it?”

Rey keeps walking as she talks, holding the phone between her chin and shoulder, careful to avoid bumping into the clammy skin of people in the street. 

“Well, unlike someone, I got invited into the house.”

She smiles—hopefully, Poe can hear it in her voice.

He doesn’t answer immediately. Poe is in the Resistance office, Rey knows, so he must be looking for a place where he can talk in private. The fewer people who know, the better, Leia had said.

“So?” There’s an echo when he speaks again—the sound reverberates against the tiles, like he’s in the bathroom. “Do we have him on board?”

She hesitates before replying. "No.”

A disappointed scoff resounds on the other end of the line. At least he isn’t surprised.

“Poe, are we sure this is a good idea?” Rey rushes on before he can come up with more questions. “The man lives in the middle of nowhere with a fucking goat, watching ‘Star Trek’ reruns all day. He doesn’t seem to be into this. He really doesn’t. We should leave him alone, if that’s what he wants.”

Poe gives a quiet sigh, suddenly sounding tired. “The General said…”

“Leia is not always right, you know,” she interrupts him.

“Rey.” His voice is soft, almost sad. “Don’t.”

Rey bites her lip. Fine, she thinks. Fine.

She won’t.

They don’t speak for a while, even though he’s still on the phone. Rey hears his even breathing. She hurries across the street, her heavy bag hitting her hip as she walks. She stares at her feet on the zebra crossing, averting her eyes from the white skies and the sunlight reflecting from cars.

She should get sunglasses.

“Sunshine?” Poe finally asks. “You coming to the office?”

“I can’t.” She contemplates whether she should explain why. “I’m meeting someone.”

“Ah.” Poe’s voice regains some of its trademark playfulness. “Someone special?”

This almost makes her laugh—if only he knew.

“You can say so. Someone very special.”

“Have fun, then,” he concludes with a chuckle. “See you tomorrow. I’ll find a way to let Leia know, so we can figure out the next steps.”

Rey hangs up, shoves the phone into her bag, feels it drop to the bottom.

She observes the city as she walks—indeed, the raised fist is everywhere. The sign is stenciled in black spray paint on walls and gates, scaffolding fences and park benches, tram wagons, newspaper stands, trashcans and bus stop covers. Occasionally, the word “Resistance!” is written next to the fist, always in Cyrillic letters—as advised by a marketing agency, to give the movement a stronger sense of national ownership. Rey finds the added exclamation mark endearing, as loud and angry as it is.

It’s the youngest members who’re tasked with covering the city with the fist symbol. With their hoodies and bandanas and fingers stained with spray paint, they harbor a battle camaraderie that makes them act like a tribe. They remind Rey of the cool kids who used to hang out at the music market, once—young and defiant. Too young, perhaps. Still in school. When the elections come in September, they won’t even have the right to vote. Still, their role is important—turning them into graffiti squads was a shrewd move on Leia’s part. If the police pick them up for vandalism, they won’t be arrested. They’re minors.

Just kids.

Rey turns left, taking the street that goes straight to the riverbank. She looks at her watch: there’s enough time, no need to rush. Slowing her pace, she passes by the ruins left by the NATO bombs. The headquarters of the regime party used to stand here, she remembers—now they’re in a new building, of course. She smiles when she sees that even the charred walls are covered with stenciled fists.

In the year after the bombing, the Resistance grew from a group of protest veterans who gathered in a pub every Wednesday afternoon to badmouth the regime, into a registered movement that rented an office downtown, hired a marketing agency to design its campaign strategies, and had members all over the country—hundreds of thousands of people wearing the fist pins. It became a “force to be reckoned with”, as Poe would say in interviews—the voice of democracy and the vehicle of change, above any kind of political partisanship. And now, with the presidential elections approaching, the eyes of the world are on the Resistance, expecting it to play a crucial role in the efforts to topple the dark side.

That’s a lot of work, Rey thinks.

On her way to the restaurant, her voice quiet and off-key, she keeps humming the Blue Öyster Cult song about psychic wars and shakes going on, fully aware she’s mixing up the lyrics.

The river has a specific color in the summer—cloudy brown, like rye bread or bruised apples. It stinks of oil spills and dry mud. The smell isn’t pleasant, not in the least, but there’s something comforting in its familiarity. Rey almost likes it. She sees a few men fishing, leaned against the river fence, straw hats pulled over their eyes and rods held firmly in calloused hands. Patience embodied, they wait for the fish to take the bait, putting up with the heat. She wonders if they’re fishing just to while away the time, or they actually eat what they catch in the murky water. Make it into a stew, perhaps. Add enough chili and anything goes.

She gets there fifteen minutes too early. Good. 

The restaurant hasn’t changed much over the years. Heavy brocade tablecloths, silver candlesticks and fashionably dressed waitresses are still there—perhaps only the color of the walls is slightly lighter. But as a stylish young woman guides her to the private booth, Rey feels less out of place than the last time. 

She sits down, closes her eyes, enjoys the air-conditioned coolness around her. The bag has left an ugly red stripe across her shoulder, she hopes it will pass soon. She takes out her pocket mirror and studies her face—her eyeliner is smudged and the tip of her nose is shiny, but she has enough time to fix everything. Add a coat of lip gloss, too. She needs to look perfect for this.

Makeup can be armor and weapon both, Amilyn has taught her, and it often puts men ill at ease. 

He’s late.

When she finally sees him, strutting down between tables like he owns the place, Rey’s breath hitches. Three and a half years have passed, but he hasn’t changed one bit. He’s dressed in a summer blazer, rocking long sleeves in spite of the heat—the light blue linen goes well with his pale skin. There’s not a drop of sweat on his brow, as if the summer can't affect him, and he doesn’t take off his elegant sunglasses, even though the light in the restaurant is dim.

He smiles when he approaches the booth, giving her a slight nod of approval.

“Long time no see, Rey. You look like a grownup.”

She smirks. “And you still use too much hair gel.”

Armitage laughs, and she knows he’s rolling his eyes behind the dark sunglasses. He slides into the booth, sitting opposite her. Rey won’t admit how many times she has imagined talking to him in these three and a half years.

Now that he’s here, she isn’t sure how to begin.

The waitress comes to take their order. Rey can’t eat, the heat has killed her appetite, so she hurriedly agrees when Armitage suggests nothing but lemonade with mint and cucumber. Her throat is dry, it feels like sandpaper when she swallows. A glass of something cold will soothe her. They chat lightly while the waitress is there, commenting on the dog days and the parking problems downtown, almost like old friends—but the moment the woman leaves, they grow quiet.

Armitage pushes the menu aside and leans back in his chair, waiting for Rey to speak.

She lets the silence last.

“You won’t ask how he is?” He takes out a thin cigar from the pocket of his blazer and taps it against the table.

“If I wanted to know how he is, I would’ve called him, not you.”

An arched eyebrow peeks above the sunglasses frame.

“So that’s the game we’re playing?”

“Jesus, Armitage.” Rey scoffs. “As if I ever cared for your games.”

He nods, clicking open his Zippo with a proficient flick of the wrist. Ember sizzles, and Armitage takes a lungful of the vanilla-scented smoke. When he blows it out, a ring-shaped puff floats straight into Rey’s face.

Some things never change.

“He’s still a violent nutjob, but his current position forces him to control his temper the best he can,” Armitage begins. “He can even pass for normal, when he tries—you’d be amazed. He still lives in that awful two-room apartment, even though he could afford so much better, and still has that ugly couch on which he fucked you more times than you can count. He’s still painfully, miserably alone—you know him, ever the bachelor. And last but not the least, he still doesn’t want to see you.”

He points the cigar at her, his gesture strangely accusatory.

“I tried, over the years. Told him: ‘Let’s send someone to check on our dear friend Rey, a courtesy call for old times’ sake, maybe take a few pictures, if they turn out nice you can carry one in your wallet.’ But the way he’d scowl every time I mentioned your name quickly taught me that if I wanted to keep breathing, I better avoid the topic.” Armitage spreads his palms theatrically. “So there you have it, my dear. A comprehensive overview of things you didn’t want to know.”

Once a dickhead, always a dickhead.

Rey nods slowly, takes a sip of her lemonade, watches as ice cubes clunk between cucumber slices and mint leaves. Nothing he said comes as a surprise. She knew it, in a way. She was prepared to hear it.

An image invades her mind: she’s curled up on the couch, candles lit around her like constellations while outside the city burns, and she waits to hear the front door opening, to know he’s still alive, to hurl insults to his face. Only he never comes.

“Does he… Does he drink?”

Armitage sneers. “What do you think?”

The tone of his voice makes her flinch, but she doesn’t show it.

“It’s getting better, however.” A whiff of bluish smoke whirls in front of his face, and he waves it away. “Baby steps, true, but it’s progress. Now it’s what they call functional alcoholism. That means he can down a whole bottle of vodka and still walk straight, or carry a conversation, or shoot someone right between the eyes with perfect symmetry.”

Rey swallows, holding his gaze beneath the sunglasses.

His grin broadens, pale lips tugging up, and she can tell—he’s not so different, is he, if he’s wielding this carefully nurtured smugness like armor and weapon both. She wonders why he agreed to meet her. To tell her everything she didn’t want to know, maybe.

Maybe because he missed her too.

“And how are you?” she asks.

It takes him a moment to answer.

“You know me, darling. Enjoying life to the fullest.”

Slowly, he takes off the sunglasses and Rey realizes she was wrong. He has changed.

There are wrinkles in the corners of his eyes, crow’s feet cracking the skin. Blond eyelashes stand in contrast with red-rimmed lids. His blue eyes look tired and dry, as if it burns when he blinks—chronic insomnia, it seems. Perhaps something more. He doesn’t drink until he loses it, Rey thinks, he’d never give up control, but she bets that lately he’s been taking more than a nip of whiskey before bedtime. To cope, to survive, to play for the winning side.

“What was it like down there, during the bombing?”

She didn’t mean to ask this, but here she is.

Armitage gives a bitter chuckle. “Better than a vacation in the Bahamas. Best three months of my fucking life.”

Her eyes downcast, Rey twirls her glass, making the ice cubes click.

“It wasn’t my fault, you know,” she says too quietly.

Armitage shifts in his chair, wood creaking beneath him, and puts the sunglasses back on his nose as if he feels naked without them.

“Rey, darling, as the bombs were falling on my head and Ren had us carry out orders that grew more gruesome by the day, there was one thought alone that kept my poor heart all warm and fuzzy. See, no matter how I felt, I knew that you and Ren had it worse.” He sniggers, vanilla smoke oozing between his teeth. “The two of you, you did what you did because you thought it was the only way to stay together—you told him about Snoke, he went on and made that deal. Yet it’s exactly what you did that ended up breaking you apart. Made you lose everything. Now, isn’t that just glorious? Fucking irony at its finest.” 

He takes a long drag, drawing the smoke deep into his lungs to savor the taste, and then exhales through his nose.

“To think we could have had it all…”

He’ll never stop rubbing it in, Rey realizes.

A part of her thinks she deserves it. She did blow their one chance at happiness.

The other part knows that no matter how cunningly designed his plan was, it would have never worked out in the long run—not with Kylo, not with her, not in this fucking country such as it is. Because life’s a bitch, Armitage said so himself once, and we can’t always get what we want.

There’s no more lemonade in Rey’s glass, but her throat is still parched.

“So, what can I do for you, my dear?” Armitage expertly breaks the silence, before the mood gets too uncomfortable. “I presume you want something.”

Rey licks her mouth, feeling the strawberry taste of lip gloss.

When she rehearsed this in her head, it seemed easier. She thought the words would flow.

But if she starts reciting the lines she’s prepared now, they’ll ring hollow, weak—and that’s not the game she wants to play with Armitage Hux.

“Come on, Rey, you can do this,” he teases. “I doubt you called me out of the blue after all these years just because you’ve been missing my charming company. You have a request.”

He leans across the table and lowers his glasses just enough for Rey to see the gloating in his bloodshot eyes.

“Let me help you: start with a ‘please’. That one’s always nice to hear.”

Rey looks at him for a long moment, resisting the urge to reach out and grab the fucking sunglasses.

“Please,” she says.

This takes him by surprise.

He pulls back and squishes the cigar in the ashtray, rolling it slowly. Rey fears he’ll burn his fingers.

But then he smiles again, just a soft tug of lips. She can’t tell if it’s malice she sees in his expression, or if there’s a touch of concern there, mixed with a weird kind of sadness—or all of that at once, because it’s Armitage.

“I… I have a message.”

He gives her a curt nod. “Of course you do.”

Rey puts her bag on the table and opens it.

“I know he doesn’t want to see me. That’s fine. I prefer it that way, too. Actually, if possible, I’d like to keep communicating through you. That’s why I called you.”

A frown pulls at his eyebrows, but he schools his face before it becomes noticeable.

“What happened?” His voice is almost gentle as he whispers the question.

Rey rummages through the bag—she should have prepared it earlier, taken it out while she was waiting, but then again, she didn’t want him to spot it before the right moment comes.

Amilyn would probably understand, she thinks. She’s open to pragmatic solutions if they’re given a reasonable explanation. Poe wouldn’t get what the fuck is going on—not that she’s counting on him, he’s out of touch with these things anyway. But Leia? Leia would kill her.

Good thing she doesn’t have to know.

And someone had to do something.

“Here.” Rey finally takes out a piece of paper from the bag and slides it across the table. “It’s a list.”

Armitage cocks his head curiously, hesitating before he reaches for the paper. He unfolds it with a rustle and starts reading, his lips moving silently as he articulates the long, complicated words.

Then his face darkens.

“We, um… We’re not without connections,” Rey begins to explain. “We pulled every string we had. Only this time… This time it ain’t enough. You can’t find this stuff here, we turned over every stone—but it’s available abroad. We checked. Even in Hungary. Now, we could ask someone to bring it, or go fetch it ourselves, but… It costs a fortune, and… Well.”

She clears her throat.

“The problem is, we need a steady, long-term supply. And that’s currently possible only with the regime connections.”

She waits for him to snipe something awful and condescending, but he doesn’t.

“Are these meds?” he finally asks.

Rey nods.

“Tell him…”

Her voice almost cracks, but she won’t allow it.

Rey pauses, inhales deeply, leans over the table and takes Armitage’s glass. Cool droplets trickle down her chin as she finishes his drink.

And then she’s ready. 

“Tell him that his mother is dying.”

 

Notes:

Cultural note: my mother tongue is a unique case worldwide, because it can be written in Cyrillic and Latin alphabets both - and both options are considered equal, and in official use. Still, there are "cultural" and "emotional" differences between the two. Being the old, original alphabet specifically created for our language, the Cyrillic one is the "national" alphabet, preferred by those who lean toward traditionalist views on language and culture. On the other hand, the Latin alphabet is imported and universal, and typically favored by those who're more globalist in their worldviews (and lately, in the age of Internet, it's becoming dominant). This is a very simplified explanation, but I hope it clarifies why, in marketing, it's important to know when to use one or the other.

If you're curious, this is how the raised fist logo of the Resistance looked like.

A big shout-out to my alpha reader Shunak for doing a thorough research on what kind of music Luke Skywalker would have on his shelf. In addition to albums and artists mentioned in the story, let's say that you can also find Emerson, Lake and Palmer, Rush, Osibilisa, Yes, David Sylvian and Robert Fripp, Mike Oldfield, Manavishnu Orchestra, and Brian Eno in Luke's collection.

Also, when I started writing this, I would have never thought that the saga of Elric of Melniboné would end up playing the role of the Sacred Jedi Texts, but there we go.

Chapter 22: I Think I Thought I Saw You Try

Summary:

"Shit's about to get real."

Notes:

Thanks for your patience, guys! I hope that a plot-heavy installment with a hefty dose of feelz can make up for the wait.

Beta'd by KathKnight

(See the end of the chapter for more notes.)

Chapter Text

I Think I Thought I Saw You Try

 

 

 

“What the fuck are they doing?”

It’s odd to hear Amilyn use a swear word.

Rey lifts her gaze from the press clippings she’s been organizing, cut-out articles covering her entire desk. Amilyn is flipping through a magazine, her expression hidden behind the covers—it seems that the comment is about something she has read. On the front page, there’s a dark silhouette of a male figure, with a stark white question mark where his face should be.

“Fucking fucktards.”

A fan rotates in the office, making the magazine rustle each time it blows in Amilyn’s direction. It’s set to the maximum speed, vibrating against the wooden floor as it rolls, and Rey has to put pebbles on her cutouts so that they don’t fly away. She doesn’t complain, though. It’s too hot, and Amilyn is nervous.

“Are you okay?” she asks, trying to sound casual.

“A bunch of Goldilockses, that’s what they are.” Amilyn tosses the magazine aside, shaking her head. “This one is too young, this one is too old, this one swings too much to the left, this one went too far to the right, this one is an old communist, this one is a known monarchist… Sweet Jesus. The elections are next month, and the goddamn opposition still can’t come up with a joint candidate!”

“Maybe we’re in the wrong fairytale,” Poe chirps behind his computer screen. “Cinderella would be better. Then, at least they’d have a glass slipper that contenders could try on until the dream president-to-be is found.”

Amilyn narrows her eyes, lips tightened in a wine-red line.

“You’re not funny, Dameron.”

Years have passed, and he’s still 'Dameron' in public.

Rey expects him to retort, but he bows his head instead, keyboard clicking as he resumes typing—only a slight line between his eyebrows shows that her words have affected him. Maybe they’ll argue when they return home, Rey thinks.

Or maybe he understands that Amilyn is not having it easy these days.

Until the day her illness made her too weak to sit straight, no matter how tough she pretended to be when people were watching, Leia Organa ran the Resistance with charm and wit and fire in her eyes. Alliances were created effortlessly, donors opened their pockets, and everyone nodded their heads when the beloved General gave her orders—the graffiti kids and the office volunteers and the political hotshots alike. The woman was—and still is—a living legend.

Rey knows better, however. It’s disappointing how things can never be the same once you see the person behind the symbol. But she’s not naïve, not after everything—she understands the importance of legends.

And Amilyn is not Leia.

Still, the Resistance is a formidable, self-sufficient machine. It follows a well-organized campaign toward a clear goal, with enough manpower and money that pours in from private donations, or diaspora, or international friends, as they’re told. It is the backbone of popular anger—a catchphrase often repeated in the year after the bombing. But the rules have changed. Sitting at her desk doing paperwork, Rey finds that nowadays activism boils down to marketing and strategies, public opinion polls and carefully curated trademarks. Branding—that’s the word.

All throughout the summer, the Resistance office is visited by people Rey hasn’t seen around before. They have blazers and Italian shoes and laptops with a shiny apple logo, and they say things like 'intellectual capital' and 'grassroots movement' and 'viral content creation'. It’s necessary, Leia explains when she’s strong enough to use the cell phone in hospital. This is a now-or-never moment, every resource must be employed. The D-Day is in September. If democracy doesn’t triumph over the regime then, what will follow will be another decade of tyranny and isolation, until their country is erased from the global map forever, like the black hole that it is.

It’s working, the raised fist campaign, Rey thinks. It is. It gives people hope.

But too often, she catches herself missing the mess of the old protest headquarters at the Faculty of Philosophy: the sleeping bags in corners, the squashed beer cans on sticky floors, the graffiti on the walls, the camaraderie. The times when Amilyn was Professor Holdo, whose only duty was worrying about the logistics, and not dealing with marketing moguls or swearing like a sailor because the coalition of opposition parties can’t produce a joint candidate.

Fuck a perfect campaign if the people don’t have a person to vote for, in the end.

“Amilyn?” Rey asks, headlines of cut-out articles dancing in front of her eyes in a blur. “Did it ever occur to you that Leia wants her brother involved because, well, in theory, he might run for office?”

Poe stops typing, raising his eyebrows in a mixture of disbelief and amusement. It does sound stupid when she says it out loud, she agrees.

“I know he’s, um, special, but from what I gather he was a cult figure in 1968,” Rey carries on, trying not to feel like an idiot. “And the fact that he withdrew from public life when the war began is good, right? He didn’t give any embarrassing statements, didn’t get entangled in political games, didn’t have corruption scandals… He’s a clean slate. An ideal candidate, of sorts. You think that’s what she has in mind?”

Amilyn is silent for a moment, lost in thought, tucking a stray curl that the fan has ruffled behind her ear. Rey is grateful she’s not instantly told to get real—she sees Poe’s eyes narrowing like he’s actually considering the idea.

But then Amilyn sighs. “You met the man. Would you vote for him?”

Rey doesn’t know what to say.

“Well. Suppose you would. Suppose that many people would, since they’d rather vote for the devil himself than for the president. The problem is, that’s not enough, according to polls. The joint candidate must be someone who’ll give hope to non-voters, who’ll make them believe a change is possible even if the elections are rigged, so they come out and do something. That is the path to victory—that’s why the opposition asshats are struggling so much to find the right person. And with all due respect to Luke Skywalker, 1968 was thirty years ago.”

She frowns, and Rey notices a new shade of blue to the sadness in her eyes.

“Our people, we have the collective memory of a goldfish,” Amilyn continues grudgingly. “We’re repeating the same mistakes over and over and over again—that’s our curse. If there were justice, the future of this country would never depend on the bloody Goldilockses again, not after their spectacular fuckup in 1997. But they’re the only opposition we’ve got, and beggars can't be choosers, so we have to wait for them to make up their minds. And in the meantime, well, we must keep fighting for every vote.”

“Fucking end of times,” Rey concludes. The words spill out spontaneously—it's been a while since she last heard them.

To her surprise, Amilyn bursts into laughter. It's contagious—Poe quickly joins in, pushing away the keyboard. The fan rotates, whipping up stale air, and as it blows toward the desk, the discarded magazine swishes and falls straight into the trashcan. Amilyn snorts, covering her mouth, but it only makes her laugh more, and Poe’s eyes gleam with tenderness as he observes her. There’s an odd intimacy to the scene, fleeting and fragile, and for a moment Rey actually feels good.

It is then that Poe’s cell phone rings.

“Unknown caller.” He frowns as he picks up, interrupting the ringtone, a mechanically rendered Bon Jovi song that everyone but him finds annoying. “Dameron speaking. What can I do for you?”

Rey glances at her own phone, tucked under the stacks of newspapers she’s been cutting. No new messages. Armitage said he’d text if he had news.

“Come again?” Poe jerks up. His chair rolls backward, banging as it hits the wall, and Amilyn stops laughing. “Slow down, slow down. Can you repeat, please? And try to speak louder. I'm barely hearing you over the siren.”

Poe’s Southern twang grows thicker, like every time he doesn’t think about how he speaks. Rey feels the back of her neck prickling—the heat in the room is unbearable, but the sweat beading above her upper lip runs cold.

“How bad is it?” Poe asks.

She hears a muffled voice through the phone—high-pitched, boyish, making squeaky, breathless pauses, stuttering as he speaks. Whoever it is, he doesn’t seem to be in the best shape, and it takes him a while to explain everything.

“Where are you?” Poe leans over the desk, takes a pen, scribbles something on a piece of paper. “I see. Are they still there?”

Amilyn raises her hand, gesturing questioningly, but Poe waves her away—not now. And then his face turns pale. On his tanned skin, it’s the color of ash.

“What?” He grabs his wallet from the desk drawer, folds the paper he wrote on into the pocket of his shirt. “I’m taking a cab. I’ll be there in a few. Do not let them take you to the precinct before I arrive.”

When he hangs up, Poe takes a deep breath like it’s an exercise—in and out, to regain control. Then, he bolts straight for the door. There are dark sweat stains on the back of his shirt that weren’t there a moment ago.

“Care to explain what happened?” Amilyn asks.

“It’s Temiri,” Poe says.

Rey vaguely remembers the boy: wide-set eyes, a button nose, a Batman cap worn backward. Small, shorter than her. Talks too fast. Still in school.

“A group of men attacked his team an hour ago while they were putting up posters. Beat them black and blue, used baseball bats. Temiri lost two front teeth, can’t move his left hand, can’t breathe properly. Broken ribs, he thinks. Another boy seems to have a concussion.”

The room shrinks around Rey.

The graffiti kids. All of them minors.

“Are the police there?" Amilyn asks too calmly. 

“Of course the pigs are there, you heard the sirens!” Poe snaps. “And they want to arrest our people—battery charges, believe it or not. They won’t let them go to hospital.”

With a huff, Amylin picks up her purse and shoves her feet into a pair of heeled sandals she kicked off under her desk as soon as she came to the office. The fan ruffles her hair as she stands up—it blows around her head like a halo, like a special effect in a movie scene.

“You’re not going alone.”

Poe hesitates. “Amilyn…” His voice shakes, and Rey thinks he wanted to call her something else—something personal, a nickname that only the two of them know. “It might be dangerous.”

“Exactly.” She nods. “That’s why you’re not going alone.”

Rey expects him to protest, but he doesn’t. Poe’s eyes twinkle again—it’s pride, she thinks, paired up with a boyish adoration that simultaneously makes her feel happy for them and sick with envy. And then he smiles, his white teeth on display like for a fashion shoot.

“Let’s go,” he says.

Amilyn follows him—she almost reaches out to touch him, but they don’t hold hands, they never do. They look odd next to each other. Incompatible. Rey wonders if people who don’t know can ever guess the truth, even if all that squabbling and long gazes and secret touches when they think no one’s watching make it glaringly obvious.

Probably not. People see only what they want to see.

“Rey?” Amilyn says, looking back. “You coming?”

Rey doesn’t need to be told twice.

Shoving the phone into her bag, she hops on her feet and hurries out of the office, rushing to keep up with the clicking of Amilyn’s heels.

In the taxi, Rey sits next to the driver, staring through the window as they race down the streets. Amilyn calls someone, phone buttons bleeping as she dials the number, and then she speaks in a low voice like she's forging conspiracies. It’s a lawyer, Rey assumes—she hears her mentioning criminal proceedings and underage clients and being on standby until further notice.

Someone should tell the boy’s parents. Rey waits for Amilyn to call them, but she doesn’t.

The sun is setting, twilight coloring the sky in red and purple and indigo blue, and a neon shade of pink that slowly bleeds across the horizon. The colors reflect in the windows of concrete buildings, breathing life into the greyness of social housing—it looks like a postcard. Were the sunsets always this stunning? Rey remembers reading it’s the air pollution that enhances the colors by changing the way the light refracts. Well. At least the toxic dust left behind by the bombing serves a purpose—apart from causing cancer, that is.

“…don’t twist my words, I’m not saying this is good,” Poe quietly argues with Amilyn in the back seat. “I’m saying that if the regime is getting violent, it shows they’re afraid. And that is good. They’ve been quiet for too long.”

“Children got hurt, Poe.”

“I know. I know.” There’s a hint of guilt in his tone. "But if they’re scared, it means they're taking us seriously. It means we actually stand a chance”

Rey hears Amilyn scoffing, and then they sit in silence. Minutes pass.  

“Back then, I was right,” Poe says after a while. “The bridge incident allowed us to keep protesting without police brutality. And that gave us victory.”

“Oh sweetie,” Amilyn sighs. “Back then, the regime actually cared what the world thought of them. Now, they have nothing to lose—and everything.”

Poe doesn’t answer. Rey’s stomach sinks, and she tenses in the passenger seat, pretending she didn’t hear anything.

When they arrive at the scene, the first thing she notices is the patrol car. Its light blinks red and blue as it spins, illuminating the street, clashing with the colors of the twilight sky. Thankfully, the siren is off. The car is parked next to a wall covered with half-glued posters with the raised fist—'Keep Resisting', the slogan says. There are more posters in the street, crumpled, scattered like leaves. Glue leaks from an overturned bucket, milky stains glistening on asphalt, and it mixes with something dark and congealed and not quite red.

Blood.

A boy—Temiri—jumps up to greet them when they exit the taxi, but a police officer stops him with a hand on his shoulder. The boy’s face is twisted by bruises, his eyes so swollen he can barely keep them open—if she didn’t know it was him, Rey wouldn’t have recognized him. His hands are cuffed. Behind him, there’s a girl sitting on the sidewalk. Her knees are scraped, torn jeans clinging to the cuts on her skin, her cheeks are striped with traces of tears. Another boy is in the police car, crouched on the back seat. He doesn’t move, doesn’t appear to be conscious.

There are two police officers, uniforms stained with sweat and guns on display, and they both look bored.

“Poe!” Temiri wheezes. When he opens his mouth, Rey sees that his teeth are smashed.

Poe winces, eyebrows pulled in a pained frown, and Amilyn clutches her purse tight to her chest. Rey doesn’t react, however. She’s seen worse.

She still dreams of crushed winter roses, sometimes.

“You’re that Dameron dude,” the officer says, tightening his grip on Temiri’s shoulder. “Saw you on TV. Must be tough for you, really. All these years in the capital, and you still speak like a redneck.”

“All these years in the force, and you still have a beer gut,” Poe retorts, his accent thicker than ever. “What, arresting children doesn’t burn enough calories?”

No one laughs at the joke.

The officer's knuckles turn white on the boy’s shoulder, and Temiri whimpers. Poe almost steps forward, but then the other policeman assumes a menacing pose, legs apart, both hands hooked to the belt next to his gun, and Amilyn clears her throat. Rey shivers.

This began badly.  

“What happened here?” Amilyn asks, her voice not betraying emotions.

“We were… We were putting up posters over there and then… these assholes appeared. Four of them, they were four, with baseball bats. And then they… shit. I already told Poe…” Temiri stops, cut short by coughing. Was his voice always so childlike?

“They hit me a few times. Stopped when I fell,” the girl carries on, rubbing her cheek with the back of her palm. “Beat the shit out of the boys, though. As you see. Then, they called the police, and these fuck—the officers, I mean… They got teleported here within a minute. Like they’d been waiting.”

“Lying little shits.” The policeman grins.

“I assume you have a different version of the event?”

Amilyn is too composed as she speaks, dignified even—shoulders squared, chin raised, makeup flawless while everyone around her shines with sweat and caked blood. The policeman squints as he studies her, his gaze lingering on designer sandals and blow-dried curls. She’s taller than him. His face hardens, even if he keeps grinning.

He hates her, Rey realizes.

It has nothing to do with the situation—this is a different kind of hate.

“These little shits here were vandalizing the state property when a group of concerned citizens kindly asked them to stop,” the policeman begins, his voice lilting like he’s having fun. “But instead of obeying, these hooligans viciously attacked the citizens. Poor people, they were forced to defend themselves—the kids acted wild. Probably drugged out of their minds. So here we are now, about to take the little shits to jail. Battery charges. My favorite.”

Rey almost laughs. Is he for real?

But then Temiri trembles, violent shudders shaking his body. The handcuffs rattle, and Rey wishes to leave bloody scratch marks on the officer’s face.

“You can’t arrest them,” Poe says. “They’re underage.”

“That’s what the juvie's for.” The second policeman finally speaks, his tone far from playful. “Battery charges are serious business.”

The girl makes an odd sound—a swallowed whimper, like she won’t let them hear her cry, and Rey suddenly regrets not knowing her name. Amilyn steps forward, towering above the talkative officer with her arms crossed.

He doesn’t flinch.

“These children need medical help,” she says. “You’re putting their lives in danger by holding them here. Will you be able to live with yourself if something happens to them?”

The policeman shrugs.

“They chose their own fate, stupid little fucks. Because people like you filled their heads with fairytales.” He raises his palms like he’s apologizing. “So, ma’am, if something happens to them, we’re not to blame. You are.”

Rey gasps. Shit.

Amilyn clenches her jaw, long earrings swinging as she shakes her head in disgust, but Rey can tell—his words have shaken her more than she will admit. She hopes that the policeman doesn’t notice.

It’s then that she realizes: this is all staged.

It has to be.

The patrol car came too quickly to the scene. The officers allowed Temiri to call Poe, but then instead of taking the kids to the precinct, they calmly waited for the Resistance to arrive. And now, they're about to arrest two beaten up boys and a traumatized girl right before the eyes of the people who encouraged them to fight for a better future. This is a fucking show, a lesson to be learned. A message—even if you’re the leaders of the Resistance, at the end of the day you’re powerless, and there’s nothing you can do to stop two low-ranking policemen from doing as they please.

Damn them and their uniforms.

Amilyn seems to have understood as well, for she shifts uncomfortably, balancing on high heels.

“Your names and badge numbers, officers.”

It’s the other policeman, the less jovial one, who speaks. “You’re really looking for trouble, ma’am?”

“Names and numbers.”

The talkative officer laughs, taking out his badge, but the smile doesn’t reach his eyes. “If our lady here wants adventure, her wish is my command.”

Poe fidgets nervously. For a moment, Rey thinks he’ll try to do something brave and chivalrous and stupid to draw attention to himself, but he doesn’t. He looks oddly young, standing lost like that.

“What… What will happen now?” Temiri asks, swollen eyelids fluttering. He’s talking to Poe, but it’s Amilyn who answers.

“You’ll go to the precinct with these fine gentlemen here.” She scribbles down the badge number into the notebook she took out of her purse. “We’ll be there shortly with a lawyer. And an ambulance. We’ll contact your parents, too. We’ll raise hell.

She shoves the badge into the policeman’s hands with such force that the man steps back, and then she smiles, white teeth sharp against her dark lipstick.

“You think that we’re helpless, but we’re not. Just keep pushing us, and you’ll see. We will strike back. And when we do, you won’t like it.”

He nods, hatred and spite burning in his eyes. “Good luck with that, ma’am.”

Amilyn turns on her heel and starts walking away, not looking back, sandals clicking on hot summer asphalt.

“Hey!” Poe runs after her. “Are we really leaving?”

“Sure we are,” she spits. “We have a rough night ahead, and we’re done here.”

Rey looks at the girl again—the officer pulls her to her feet, snaps the handcuffs around her wrists. The girl holds his gaze, all youthful defiance, but doesn’t say anything. How old is she—sixteen, seventeen? Younger maybe? As young as Rey was when she'd met him?

Did she also lie about her age so they would allow her to take part in street actions?

“Courage,” Rey says, realizing how trite it sounds. “Keep calm. We’ll be there for you shortly.”

She doesn’t stay to watch the policemen push the children into the patrol car.

In the taxi, on their way back, Amilyn calls the lawyer again, this time speaking loudly, making plans, spitting out promises. Rey has never heard her use so many swear words in one sentence. She glances at the back seat—Poe is looking at Amilyn as she shouts into the phone, his face scrunched in concern. Their hands are almost touching. Now’s the moment, Rey thinks. He should hold her hand, no one will see.

He doesn’t, though.

“Rey, sweetie, we’ll drop you off at your place.” Amilyn reaches out to squeeze Rey’s shoulder. Her fingers are eerily cold. “Try to get some sleep.”

Rey frowns. “You don’t want me to go with you?”

“There’s no point, sunshine,” Poe adds like he’s apologizing. “Amilyn and I will take care of this. You come to the office first thing in the morning. We’ll need someone well-rested to help us handle things tomorrow when the show begins.”

He sighs, drumming his fingers against the car seat as if he isn’t sure what to do with his hands.

“Shit’s about to get real.”

When they leave Rey in front of her building, the sky is dark. Streetlights illuminate the city in pale neon, but in her neighborhood, it’s not enough—there are black holes where the bombed buildings used to stand, spreading shadows and loneliness and an odd smell of decay, like crushed bricks and long burned wood. Rey watches the taxi as it drives away, and then takes out the phone from her bag. She unlocks the screen.

No new messages.

She’s dizzy, filthy from the heat, sweat mixing with stale deodorant, dust sticking to the sunscreen on her shoulders. Her stomach rumbles, but she doesn’t feel like cooking, not tonight. She’ll take a chocolate from her stash, she decides. With hazelnuts. And then she’ll read the books she borrowed from Luke. She isn’t sure that she even likes the albino prince and his soul-sucking sword—it’s too flamboyant, too dramatic, and in the end he always ruins everything he touches—but tonight, all she needs is a tale that will take her away from life as it is. She’s fucking bone tired.

She feels like crying, but not quite.

Rey drags her feet up the stairs. The stench of cat piss tingles in her nostrils—it always gets worse in the summer. It takes her a moment to fish out the keys from the clutter in her bag—her hands are shaking. Thinking about the chocolate makes her mouth water, and she licks her chapped lips.

It is then that she notices: the door is unlocked.

She should have seen it coming.

There’s light in the living room, warm and dim, with a reddish glow. Her reading lamp is turned on, her favorite one, carefully chosen to make the rented apartment feel like home. He’s sitting in a wooden chair, head cocked to the side, long legs crossed, all massive and dark and out of place. The room appears too small for him—the shadow he casts swallows up the entire wall. He’s dressed in a grey shirt with a crisp collar, its sleeves rolled up to his elbows—an oddly elegant choice. It suits him, even if it looks like something that Armitage made him wear.

He’s reading.

His lips are parted and a frown splits his forehead, but he doesn’t appear annoyed, no. Dreamy, perhaps. Pensive. Absorbed in the book. A hint of a smile dances in the corner of his mouth—barely there, but Rey knows how to recognize it. He turns the page, and his eyebrows arch in wonder. There’s something disarmingly sincere in his expression—so painfully young. A lost little boy finding refuge in the fantasy books his uncle has given him.

Rey wonders what he thinks about the prince who ruins everything he touches, bringing nothing but death in the end.

But then he lifts his gaze, and the boy named Ben is gone. All that’s left in his stead is the scarred war criminal wanted by the court in the Netherlands.

“I thought you didn’t want to see me,” Rey says.

Her heartbeat picks up—she hates how his smell makes her feel.

Kylo closes the book and puts it aside, large fingers tracing the cover as if he’s unwilling to let it go.  

“I, um… This thing we have to discuss. I thought it was better to do it in person.”

Rey’s knees sway. His voice is nasal, deeper than she remembers, and he sounds tired.

“Don’t blame Armitage,” he adds quickly. “He’s an ass, but this is not his fault.”

She nods.

“How did you…”

She needs to sit. She pushes her rumpled clothes off the nearby chair and plops down, folding her legs, crossing her arms.

This is fucking surreal.

“How did you get in?”

Kylo hesitates for a moment.

Rey isn’t sure if she sees strands of grey in his hair, or it’s just a trick of the light.

“Your, uh, friend, DJ… He's pretty easy to persuade, when presented with the right arguments. But I think it’s only fair. You still have the keys to my place.”

She feels a rush of blood to her head, so sudden it makes her ears buzz.

“I know you were there during the bombing," Kylo sighs. "You… you fold the bedsheets in a distinct way. Very tidy. Must’ve learned it in the Home.”

Fuck.

He smiles weakly, a clumsy tug of lips, and it horrifies her to see that after all these years, the yearning in his eyes hasn’t waned.

“It’s okay, Rey. I’m not mad.”

She can’t tell if he’s drunk.

She’ll kill DJ for what he did, even if she isn’t surprised.

Kylo has opened the windows while he was waiting. A light wind blows the curtains—they float, thin sheets of cheap lace hanging in the air, like sea foam, like ghosts between them. A group of girls giggle below—Rey often hears them passing by on their way to the nightclubs by the river. She’s never been there herself. Outside, it smells of wet asphalt, freshly washed by street sweepers, and fruity perfume mixed with coconut sunscreen, and river mud, and the last days of August, when you can feel the summer slipping between your fingers.

“You like it here?” Kylo gestures at the room, his tone barely a whisper.

“Well.” Rey shrugs. “It’s mine. I mean, it isn’t, but… You understand, don’t you?”

He gives her a brief nod, lips pulled in that non-smile of his.

“You live alone?”

He knows the answer, of course he does. He just wants her to say it.

“I… I considered getting a pet,” she replies instead. “A dog.”

“You want a dog?”

To her surprise, this makes him grin—crooked teeth flash in her dimly lit room, his chipped fang a dent in the sharpness. Rey looks away, fixing her gaze on the carpet stains.

“A cat would be more practical, I know,” she says too softly. “I spend too much time away from home. But, I… I just think I’m more of a dog person.”

In truth, from what she knows, cats are independent, capricious creatures, and Rey doesn’t want that. She wishes for a pet that’s loyal, openly affectionate and eager to please. And dogs are needy.

But she can’t tell him that.

Kylo’s grin widens—even in his thirties, he still smiles like a dork.

“I can see you with a dog,” he says.

Now this, it hurts in a way she didn’t expect.

It implies things. It makes her think of a life that was never to be.

They could have had a fucking dog.

Damn you, Kylo.

“I’m not…”

Rey isn’t sure what she’s trying to say, and she needs to pause before her voice breaks.

“This. Us.” She gestures between them. “I’m not doing it for a third time.”

Kylo blinks, visibly taken aback. His smile withers—for a moment, he almost looks offended.

“I know that.” Black hair falls into his eyes as he nods—once, she would have tucked it behind his ear. “That’s not what I’m here for. And I agree. I… I don’t want it either.”

Rey believes him. He’s always been a bad liar.

Suddenly, she regrets saying it out loud, and she wraps her arms around herself, feeling the stickiness of her sweaty skin. She needs that shower.

“It’s okay, Rey,” Kylo repeats, slurring ever so slightly. “I only want to talk.”

He is drunk, she concludes.

Maybe he can no longer be sober at all.

He falls silent for a while, chewing on his lip, staring at the curtains that blow in the wind. Rey observes him. He does seem calmer indeed, quieter—no longer like a firecracker about to explode. She can see why Armitage said he could pass for normal. Perhaps it’s the vodka that dulled his edges, she thinks, now that he has learned how to function with it. She doesn’t like it.

There’s a deep wrinkle cutting between his eyebrows—serves him right for frowning all the time. It makes him look older. The wound on his chin has healed well, it’s almost invisible, like a mere fold in his skin. Like it’s not from a bullet that almost claimed his life. It’s the other scar, the one Snoke gave him with a cracked bottle, that still splits his face in two. It’s so convenient. The laziest way to describe a villain is to make his face disfigured.

His eyes haven’t changed, however—but she has already noted that.

“You’re in college?” Kylo asks after a while.

“Mechanical engineering.” Rey points at her textbooks on the shelf behind him. “Third year.”

“Ah.” He turns around, glances at the books, nods. “You’ve always been so smart. And you had a knack for those things. You…you’ll be a brilliant engineer.”

He says it like he’s proud of her, and Rey feels that she’s blushing.

Fuck you, you sick fuck. You sad drunk. You won’t make me cry.

“How’s the traitor?”

She narrows her eyes—of all things, this is what he wants to know?

But the question makes her pause, and she hates it. When was the last time she talked to Finn—four weeks ago? Five?

She should give him a call, one of these days.

“He’s doing well, thank you.” Rey chuckles dryly. “Want me to give him your best regards?”

Kylo smirks and shakes his head, waving dismissively with his hand. In a different life, she would have found these clumsy attempts at small talk endearing, sweet—but their circumstances are what they are.

Maybe she’s supposed to ask him about his life.

Then again, all she needs to know is in the cut-out article she keeps in her drawer. Crimes against humanity, it says—murder, deportation, persecutions, and violations of the customs of war.

A flurry of laughter echoes from the street. This time of the year, in the dead of night, she can hear every word said beneath her window, even on the fifth floor. The girls are in an exceptionally good mood tonight. Ready to party. Not giving a fuck about anything—be it war crimes, or the upcoming elections, or the fact that this very evening, two boys and a girl got beaten up and arrested for putting up posters.

May they choke on their giggles.

“Been a while, eh?” Rey says, because she has to say something.

“Too long,” Kylo agrees.

Three years, she thinks. Three years and five months. Give her a moment, and she’ll calculate the exact number of days since the last time she saw him.

And here they are, talking about dogs, ignoring the unasked questions that hang between them.

He doesn’t mention the Resistance, for instance. He’s not curious where the books came from—although it’s obvious that he knows, he knows it well, he'd read them before, he could barely let go of them now. She wonders if any of the stains she saw on the yellowed pages were left there by the boy named Ben.

He doesn’t ask about his mother.

And he even broke into her home with the fucking excuse they had a thing to discuss.

"Will you do it?" Rey breaks the silence. "Will you get the meds for us?"

Kylo frowns, the line between his eyebrows deepening, and he swipes the hair away from his face, exposing the scar.

"And why would I do that, Rey?"

She gives him a sad smile. He really wants her to explain?

Because it's your mother, for one.

Because it's the right thing to do.

Because you weren't there for it—the long waiting hours at the doctor's office, the tests, so many tests, the hospital nightgowns, ugly, always striped, the surgeries, one worse than the other, the never-ending cycle of remission and relapse, all the times she said “I'm-fine-stop-fussing”, all the bad jokes about shopping for wigs they still diligently laughed at, all the doctors who shook their heads sadly because the basic therapies were no longer available, because the fucking meds became luxury goods, you were away, Kylo, you weren't there to see it.

But that's not what she says.

“Remember that night?”

His throat bobs as he swallows. It’s not as if either of them will ever forget.

“You… You said, ‘my country needs me’. Those were your exact words.” Rey huffs. “I still remember the tone of your voice when you said it. And the look on your face.”

Kylo leans forward, his eyes glinting, glossy with vodka. He’s so close she can smell his cologne. A small movement, and she could touch him, reach out and close the distance, feel how puckered his scar is against the sweat on his skin.

Not that she’ll ever do it.

“Well. This country…  It needs your mother, too.” Rey nods, as if to assure herself. “You of all people, you should understand.”

There—it's in the open. She wonders how he’ll take it.

Kylo grins again, but his expression doesn’t reflect joy. He inhales to speak, lifting his palm.

“Rey, love, I…”

He freezes, realizing what he said.

Fuck.

“Forgive me. Force of habit.”

He doesn’t finish the thought.

Rey looks away. She hugs herself tighter, knees tucked into her chest, heels on the edge of the chair, and she blinks rapidly, feeling that her mascara begins to run. She won’t rub her eyes in front of him.

The laughter outside finally stops.

“Armitage will make arrangements,” Kylo says after a long pause. “He’ll call you. Or text you. I don’t know how you communicate, now that you’re friends.”

An amusing touch of jealousy colors his voice. She shouldn’t pay attention to it—it doesn’t matter.

What’s important is that all is settled now, isn’t it? She wonders why he agreed to it so fast, without the discussion he’d promised, but she doesn’t ask.

Kylo pulls a cell phone from the back pocket of his jeans. It looks ridiculously small in his hands, and his thumbs fumble as he types.

The Nokia in her bag buzzes.

“That… that’s my number. Save it. In case you need something directly.”

Rey nods slowly.

“Are you gonna leave now?”

“Do you want me to?”

She doesn’t answer.

Kylo waits for a moment, sitting tense on the wooden chair, eyes downcast, hair hanging in his face. He expects her to say something, she sees, anything—to kick him out or ask him to stay or continue their awkward conversation about college and pets and friends that once were. She keeps her mouth shut. She doesn’t trust her voice if she begins to speak.

Finally, he stands up.

He wobbles slightly, and Rey wonders how much vodka he had for the night.

“I’ll be going, then.”

He pauses, hesitating as if there’s something he wishes to add. He hasn’t said a word about his mother’s illness, she notices. Did it upset him at all? Will he help them get the meds for Leia’s sake, or because it’s Rey who asked him?

Monster.

Her monster, after all these years.

Kylo’s hand hovers near her shoulder. For an instant, she thinks he’ll touch her, but he doesn’t.

“Take care, Rey.” Weighty footsteps echo in the room as he walks away. “Call me if Armitage gives you trouble.”

She doesn’t turn back to watch him leave.

When the door clicks behind him, Rey rushes to the kitchen.

Her hands shake as she rummages through her stash of sweets. She rips away the foil and bites into the chocolate, hazelnuts crunching under her teeth, and sugar explodes on her tongue so strongly her salivary glands hurt. The taste is sharp, rich, it almost makes her gag, but she keeps chewing, her mouth open, her body leaning against the wall.

His smell still lingers in the room.

For the next hour, or two, or longer maybe, Rey stands by the window, lace curtains dancing around her like veils. She thought she’d read but she can’t stand the idea of touching those books now, so she observes the dark street—the silhouettes of bombed buildings, the closed shutters of stores, the dull, blinking light of lamp posts, the rare passersby who go home from nightclubs, swaying drunkenly. She's waiting for the girls to pass on their way back—she's sure she'd recognize them—but it seems they're having a late night. Tears have dried on her cheeks, along with melted mascara and chocolate stains, and yet she keeps postponing the moment she'll go wash.

She doesn't even notice when the dawn comes—only that the sky is suddenly bright.

Well, now.

So much for being well-rested at the office tomorrow, when shit becomes real.

 

 

Notes:

Temiri Blagg is the name of the so-called broom boy from "The Last Jedi". Yes, I also had to look it up on Wookieepedia :)

Chapter 23: Dance the Ghost with Me

Summary:

The definition of insanity is doing the same thing over and over again and expecting different results.

Notes:

I apologize for the longest break between chapters since I started posting the fic.

That said, the chapter is extra-long and filled with mutual pining, so hopefully you’ll forgive me at least a little bit.

Beta'd by KathKnight

(See the end of the chapter for more notes.)

Chapter Text

Dance the Ghost with Me

 

 

“Come again?” Rey shouts into her phone. “You gotta be louder, I can’t hear shit!”

She bends down in her chair, trying to take cover from the noise, but it doesn’t help. It’s a madhouse at the Resistance office. Phones are ringing, keyboards are clicking, the radio is clattering in the background, and two TV sets are on—one shows the government’s news, the other, CNN. Activists come and go. Spunky high-schoolers mingle with free-spirited housewives who bring food and politicians who sweat in their shirts and ties, and someone in the room next to Rey’s yells in English, all cuss words and name-dropping. It’s impossible to keep track of who’s who.

It’s been like this for days.

“I’m asking, did you read the article?” Rose repeats, straining her voice to speak louder.

Rey blinks. Is this a trick question?

“Rose, sweetheart,” she says very slowly, “I was there when she wrote it.”

“Oh.” Rose sounds genuinely surprised, bless her. “Wow. I only got to read it today.”

Rey doesn’t mention that she was there when it happened, too. Rose might ask for details, and now is not the moment. She can’t focus on chitchat with all this noise around her.

She isn’t sure how to talk to Rose anymore.

“So what do you think?” Rose proceeds. “It’s so powerful, it made me cry. I barely managed to finish, my eyes were full of tears.”

Rey shakes her head, glad that Rose can’t see her grimace, and takes a deep breath before replying.

“Amilyn has her way with words. She wanted to pursue a writing career, once,” she explains. If Rose were still around, working with the Resistance, she’d know these things.

Rey doesn’t blame her. It’s not fair, not after Paige. Not after Rose had dropped out of college to get a job so she could help out her parents back in their hometown, not after one hobby after another had to be abandoned, not after all personal ambitions ended up sacrificed for this thing called adulting.

But Rose is happy, she is. She moved in with Finn, barely three months after they’d officially started dating. She exchanged her coke bottle glasses for contact lenses. She giggles aloud, and blushes, and tosses her hair in a way that’s both girlish and seductive, and she jokes about babies—nothing serious, of course, it’s all in good taste, but it still drives the point home in no uncertain terms. 

And it makes Finn smile.  

“So what happens now?” Rose asks. Rey presses the phone to her ear so strongly it hurts.

“Now we wait,” she shouts. “Listen, Rosie baby, I’d love to talk, but I’m kinda busy here, and the noise is insufferable.”

There’s a pause, and a sigh so heavy that Rey can hear it despite the clamor. 

“I understand. Well. Tell Amilyn she kicks ass. And, uh, Rey…?” Rose hesitates for a second, but it’s enough for Rey to feel a sudden weight on her shoulders. “Come to dinner, one of these days. When you have time. Please. Finn will be really happy to see you.”

“Will do,” Rey says, and she wants to believe she truly means it. “Take care. Say hi to Finn. Gotta go now.”

She hangs up and flings the phone to her desk—the old Nokia clunks as it hits the wooden surface. Then she turns back to her computer screen, browsing through websites in search for mentions of the Resistance.

Unsurprisingly, the internet is all about the article that Amilyn wrote.

The Resistance spent the first day after the arrest in a panicked haze—angry, sleep-deprived, in a frantic search for a solution. The children’s parents cried, the phones in the office rang all day long, and suited up lawyers frowned, talking about the police state and human rights and how to reduce battery charges from felony to misdemeanor. Raise money to pay a fine, they said, and the kids would be free to go. But by the end of the day, nothing happened. They didn’t even know if the children were taken to jail, or still detained in the precinct.

Then, on the second day, Amilyn came late to the office. She wore a flowy dress in a strange color that was neither brown nor purple nor dusty pink, and wide silver cuffs bought in an Indian store that made her look like a warrior queen. She opened a bottle of wine—well-chilled rosé, her favorite—filled an elegant crystal glass to the brim, and told Rey that, if someone came looking for her, she had her permission to tell them to fuck off.

And then she started writing.

Her story was about a country that destroyed its youth. A whole generation grew up in this decade of madness. Too young to remember happier times, their education marred by teachers’ strikes and shortened school hours, these kids had never been abroad and had no idea what normal life felt like—and yet, they survived three rounds of civil war, even if the only official conflict was the one with NATO. She wrote of boys taken to the front by force, kicking and screaming, and boys who volunteered because the state told them it’s their duty, or a friend of a friend said the quickest way to get rich was to loot burning villages. She wrote of parents too busy with survival, leaving it up to TV to bring up their kids; of erosion of values, brainwashing, propaganda; of girls taught that motherhood was the only worthwhile goal, girls turned into gold diggers, girls who went across the border chasing their dreams, only to end up sweeping floors in Vienna, or smiling down at tourists in the red-lit windows of Amsterdam. As for those kids who did try to play by the rules—go to school, get a job, grow up and live a life—there was no future for them, she wrote. Not unless they had connections. Their only way to fight for their rights was to do it in the street—fuck the country in which every regime had to be overturned by a revolution.

The article was well written, evocative, passionate, and yet nothing but another think piece about why everything sucks—until the last paragraph.

There, Amilyn described the incident. She brought the scene to life with vivid precision: dramatic colors of the sunset, crumpled posters, wine-red blood on hot summer asphalt. Temiri’s toothless mouth, his left hand limp in the handcuffs. The girl—her name was Arashell, Rey had learned—crouched on the sidewalk with her knees scraped. The other boy lying in the police car. Two officers, signed with their names and badge numbers, ready to put children behind bars just to make a statement: your fate is in our hands. This is what happens to those who resist.

In the end, despite an army of lawyers, the kids were still under lock and key. They could be your children, Amilyn wrote. Your boys and girls.

They could be you.

Well, fuck that.

Cut the crap and show the bloody regime that it can’t scare us. Things must change in this country. Rise up. Resist. Rebel.

You are the spark that will light the fire that will burn the dictator down.

You have the right to a normal life.

Fight for it.

Amilyn’s nail polish got chipped while she was typing, and her voice sounded hoarse when she read the lines out loud, taking breaks to stretch her neck and crack her fingers. By the time she finished, the bottle of rosé was gone. Rey watched her send the document to a few selected e-mail addresses, and then sink into her chair, shoulders slumped, a curse on her lips—“Fuck…”

And that was it.

By the next morning, the article was published in every opposition newspaper, shared on the internet, and quoted on the radio. By the afternoon, it was translated to English, French and German. Amilyn was giving interviews, surprisingly fiery in front of the cameras, and opposition politicians started waving with the newspapers, asking for justice for the arrested kids. By the evening, a group of protesters gathered in front of the precinct, carrying raised fist signs and “Fight For It” slogans, and the Ministry of Interior even issued an official statement, saying that it had nothing to apologize for, because it was the duty of the police to protect the citizens from vandals and hooligans desecrating the streets.

But the people wouldn’t have any of it.

The Resistance doubled in members in a matter of days, and Amilyn became a star. There were even suggestions that she should run for president as the joint opposition candidate, and while it made some people chuckle in disbelief, many nodded their heads.

Still, the office feels like a battlefield now. Like a military staff. Rey doesn’t know the names of half of the people who hang out here, and Amilyn is too busy to even take a proper coffee break.

Not to mention that she started smoking again.

“Hey, sunshine…” Poe Dameron knocks on the doorframe, leaning against it with his arms crossed. “I’ve got good news.”

Rey lifts her gaze from the computer. Poe’s posture is slouched, and he hasn’t shaved for days. If he didn’t announce he was bringing good news, she would’ve thought that someone died.

“I talked to Leia’s doctor,” he says. “A miracle happened. The meds, well… The hospital managed to find them somehow. Everything from that list. So, um… The therapy can continue.”

“Wow!” Rey raises her eyebrows as convincingly as she can, placing her hand to her heart. “That’s the best news of the day!”

Poe gives her a clumsy nod. She’s used to seeing him without his mask by now, but it’s still strange how lost he can look when he’s not wearing his lady-killer smile.

“Does it mean that Leia could make it?” she asks.

Poe thinks for a moment, then swallows, biting into his lower lip. “I don’t think so. That thing she has is damn serious, and she’s been without therapy for too long. But she can get a few extra weeks, a month even. Maybe she can make it to the elections. That would be something, you know—to have her around when we claim victory.”

He smiles, but it comes across as sad.

They should go visit her one of these days, Rey thinks. Buy some flowers. Something large and fragrant that will suppress the hospital smells—irises, for instance. They’d go well with the General.

Would he send flowers to his mother, if Rey asked him to? Would Leia throw them in the trash?

Rey clears her throat. “Speaking of which, do we have that joint candidate?”

Poe gives her a dramatic eye-roll.

“The Goldilockses are still at it, I’m afraid.” He points to the room next door. “Half of them are here right now. You can ask them yourself, if you want.”

She looks in that direction, and for a moment she’s tempted to take a peek and see what’s going on, but then she shakes her head vigorously and starts laughing. Poe joins in, but his laughter is quiet, weary.

“What’s wrong, Poe?” she finally says.

“Everything’s pitch-perfect,” he lies.

Rey sighs, resting her elbows on the desk, cocking her head.

“I’m here for you, if you wanna talk.”

“I know.” Poe nods. “I know, sunshine. Thank you for that.”

When he leaves, she’s alone amidst the noise again. Voices and ringtones and litanies of news clamor around her like an angry sea, and the air in the office is stuffy, stale—it’s too small for this many people. Someone is smoking on the balcony. Whiffs of tobacco enter her room, and the rotating fan does little to help with the heat. Rey suddenly finds it unbearable.

She catches herself staring at her phone.

No, she thinks. She shouldn’t do it.

It’s shortsighted.

Stupid.

Even unkind—in a reckless, selfish way.

And yet her fingers are itching.

She takes the Nokia, unlocks the screen and scrolls down the list of missed calls from a few days ago. She didn’t save the number, didn’t want to. She convinced herself she wouldn’t need it.

But life never goes according to plan, does it?

Rey holds her breath for a moment, giving herself time to change her mind, but she doesn’t.

It’s Rose’s fault, she decides. An odd restlessness has been gnawing away at her since she hung up that call, a foolish sense of guilt, and she wants it to stop.

Fuck it.

She licks her lips and begins to type.

Thank you.

The phone key beeps as she presses 'send', and a pixelated envelope sprouts wings and flies away irrevocably. And then it dawns on her what she did.

Rey, you idiot.

For the next hour, she fidgets in her chair, rolling on wheels and twirling in circles, and she stares at her computer unable to work, colors on screen melting into each other like a passing smoke. When a volunteer drops by to ask if she wants pizza for lunch, she chases him away. She can’t eat.

But then nothing happens.

Time passes, and there’s no reply—no matter how often she checks her phone.

In the evening, when her shift in the office is done and she’s free to go home, Rey starts thinking she’s gotten away with it.

Good.

The sky is already purple with twilight when she returns to her apartment. She turns on the TV, skips the news, flips through channels until she finds a soap opera in Spanish. She barges in just in time to see the heroine clutching her pearls, eyes full of tears, ready to throw herself at the slick-haired male lead. It’s a show she doesn’t watch, so she has no clue what the drama is all about, but she still leaves it on. She’s gotten used to the sound of the language, and it makes her feel less lonely when it twitters in the background.

Her feet bare on floor planks, Rey pads to the kitchen to make dinner—nothing complicated, just scrambled eggs with cubed tomatoes. Done in five minutes. She sweats standing above the stove. One of these days, she’ll ask DJ to install air conditioning in the apartment—after that majestic fuckup from last week, it’s the least he can do to make amends. She briefly contemplates whether to dig into her chocolate stash but decides against it, and concludes that the perfect end for the evening would be to play a movie. Something stupid—a comedy, preferably. Something she’s watched before.

But then she hears the message alert tone.

Three mechanical notes bleep like a fire alarm, their sound stabbing directly into her nervous system, and Rey’s hand jolts. She almost burns her fingers on the hot oil in the frying pan.

Of course it’s from him. She knows it even without looking.

Rey takes her phone, scrolls to the envelope icon in the corner of the screen, opens it. Her eyebrows shoot up.

Really?

I didn’t get to ask you the other day, the message reads, how do you like Elric?

She won’t laugh, she thinks. It’s so silly, it’s sad.

Her fingers fly across the keys as she furiously types her reply. She should have guessed that the boy named Ben would find his idol in the doomed albino prince.

He’s a moping manchild who fucks up everything and then blames the gods for his fate, Rey writes. What’s there to like?

She holds the phone long after sending the message, staring at it even as the screen darkens. Then, a sudden smell of burned eggs stirs her from her reverie—it reeks of charcoal and hot metal and bad memories from the Home.

She’s ruined her dinner.

Her Nokia bleeps again—the reply has arrived too quickly.

That was cruel.

Well, maybe it was. But it’s the truth.

Rey pockets the phone and proceeds to scrape the blackened remains of tomatoes and eggs into the trashcan. The thick smoke makes her eyes water. Opening the window, she stands briefly to observe the dark street—she’ll have to go down and grab a bite in one of the fast food joints. Chocolate is no dinner.

It’s only when she sees her reflection in the windowpane that she realizes she’s grinning.

Fuck her life. She doesn’t write back, and Kylo sends no new messages after that.

A day passes in silence, and then another one.

Rey is busy. There are many things that need to be done in the office, and she volunteers for every task available. Idle hands are the devil’s workshop, she firmly believes, and with all the cleaning and scrubbing and emptying ashtrays and organizing timetables for protests in front of the precinct, she has little time to think.

But then on an impossibly hot day in the last week of August, as she’s having her second cup of coffee sitting in front of the fan that makes her hair fly and her skin prickle, Rey’s phone pings with three mechanical notes. She almost chokes on the coffee—she just knows who it is.

Where are you?

What the hell…? Rey needs to read the message twice to make sure it’s not a trick of her mind.

She throws a quick glance at the wall clock: it’s only past lunchtime. Way too early to get shitfaced.

Then again, it’s him.

The phone bleeps again in a matter of seconds, vibrating in her hand.

Seriously, where are you?

Her Nokia shows correspondence with an unknown contact. Just a string of figures. Rey still hasn’t saved the number—she doesn’t want to.

She contemplates whether she should reply, tell him it’s none of his business. It’s the only right answer. But then she pauses. Maybe something is about to happen, she thinks—something terrible, and he’s trying to warn her like he did that one time.

A third message arrives in less than a minute—she’s surprised by how quickly he can type with his thick fingers on that tiny phone.

Ah. Of course you’re THERE.

Rey swallows.

She lifts her gaze, looks around the room. A group of kids are sitting in the corner, three girls and a boy. They occupy office chairs, wearing t-shirts with the Resistance logo, and every once in a while, they laugh. The boy seems delighted to be the center of attention. Poe is typing, walled up behind his computer screen, his face scrunched in concentration. In the room next door, someone’s replaying the interview that Amilyn gave to the foreign press. Her heavily accented English echoes down the corridors, volume pumped up to the maximum, and all Rey hears is how people should resist, and rebel, and fight.

There’s nothing out of the ordinary.

Is Kylo stalking her again? Is there a mole in their ranks, is that how he knows?

It’s possible. Probable, even—too many people have joined the Resistance in the past few days. They can’t trust them all.

On the other hand, maybe he simply assumed where she’d be. It’s not difficult to guess.

Her phone bleeps for the fourth time, rumbling against the desk as it vibrates.

Saw some dogs playing in the park. Made me think of you.

Rey huffs and shakes her head, unsure if it’s relief or anger that she feels, or both.

The sick fuck truly gave her a scare.

Stupid questions come to her mind. Why is he in a park, this time of the day? It’s too hot for a stroll, the August sun will be merciless to his pale skin. Besides, monsters are supposed to be nightly creatures. It makes for a poor impression if he’s simply out for a walk.

What does he do now, anyway?

From what Rey gathers, he’s still working for the regime—he has money and power and connections. But the wars are over, the curtain call has long passed, and in the aftermath there’s been no need for a mad dog such as Kylo Ren to unleash upon the enemies.

So what does he do?

She could ask Armitage, she thinks.

The only problem is that he’d tell her.

It takes Rey more than two hours to grab the phone and type her reply.

In case you’re wondering, your mother responded well to therapy and she’s feeling better.

There.

For the rest of the day, her phone is quiet.

Kylo’s answer arrives in the evening, when she’s already home, eating cold pizza she brought from the office and watching a random episode of that soap opera in Spanish she denies she’s gotten hooked on.

I’d rather talk about dogs, he says.

She doesn’t write back.

In the morning, Rey decides that she won’t go to the office. Time to pay Luke Skywalker a visit.

The heat is excruciating in the suburbs—thick, humid, sticky, the rhythmic chirping of crickets only making it worse. Hot air dances above cracked asphalt, refracting the rays of blazing white sun, and everything stinks of manure and tire rubber.  

When he opens the door, Luke carries a shovel and reeks of sweat, and there are dark brown stains on his wooden clogs—it seems that he was cleaning the goat pen when she interrupted him.

“Project girl!” He rolls his eyes, but doesn’t seem unhappy to see her. “What brings you this time, music or books?”

Rey takes out a magazine out of her bag. Amilyn’s picture is on the cover, looking glamorous and fierce—it’s almost impossible to notice the sadness in her blue eyes.

“Actually, I’ve brought you something to read.”

She’s aware she’s breaching their agreement to avoid politics at all costs, but this, he has to know.

“Ah.” Luke throws the magazine a dismissive glance. “I’ve read that already.”

She frowns. Wasn’t he supposed to be a hermit, uninterested in the real world and daily news?

“You have?”

“Yup.” Luke shrugs.

She follows him through the yard into the goat pen, where George patiently waits, absorbed in chewing. Blades of dry grass stick from his mouth. He gives Rey another gaze filled with disapproval—she wonders if indeed she has done something to offend the goddamn goat.  

“And…?” she asks cautiously.

Luke wipes the sweat off his forehead as he resumes shoveling the droppings into that banged-up bucket—Rey finally knows its purpose.

“Amilyn has always been proud of her writing, bordering on vanity, but it ain’t up to my standards. Not really.” He wrinkles his nose like he smelled something bad. “Too much theatrics, if you ask me, with bits of purple prose—all those adverbs piled up like that… But fine, I guess it works for what it is. She’s sure drawn attention to herself with it.”

Rey schools her expression, trying not to scowl as stone-hard droppings clink against the tin bottom of the bucket.

“That’s all? You… You’re not moved by what she said?”

Tobacco-stained teeth flash beneath Luke’s bushy beard. “Why would I be?”

And to think that for a moment she believed that this man might be the one who’d unite everyone around a just cause.

“Are you really so unaffected by what’s happening around us?” Rey’s voice comes out quieter than she intended.

Luke stops, leans against the shovel handle and sighs. All of a sudden, he looks tired—a messy old man who’s stepped into goat shit, crushed by the heat that makes it difficult for him to finish his task.

“This… This fight for democracy, whatever you wanna call it,” he begins, “it’s not going to go the way you think.”

He pauses, letting his words resonate.

Rey takes a step back. She searches for a sign that this is nothing but bait, yet Luke arches his eyebrows almost like he’s apologizing, and she sees that he actually means it.

“What makes you say that?”

“Because the definition of insanity is doing the same thing over and over again and expecting different results.”

He reaches out to scratch the goat behind his ears. For a moment, George stops looking so awfully judgmental, closing his eyes as if he enjoys the attention, but then he lifts his tail and shits, covering the floor with a fresh load of droppings.

Luke gives a dry chuckle.

“I’ve been in your shoes, project girl. Thirty years ago, I tried. I thought I won. I thought that things would be better. And yet look where we are now.”

“But we stand a chance now,” Rey insists. “We do. If the opposition comes up with a good candidate, we can win, for real.”

“The opposition?” His forehead scrunches. “You mean the same guys who did such a splendid job after the local elections four years ago?”

She swallows, fidgeting with the strap of her bag. “It’s different this time. We have international support.”

“Oh you do, don’t you? Because what, people will rush to vote for your candidate just because Bill Clinton told them to? The very same Clinton who bombed the shit out of us for 78 days, if memory serves me well?” Luke laughs, sounding genuinely amused. “Go ahead, brag with that one. Put it on a poster. Your candidate will be wiped off the map faster than the regime can say ‘depleted uranium’.”

Rey narrows her eyes. “You’re one bitter old man, aren’t you?”

“Bitter?” He waves his hand curtly before he continues shoveling. “Nah. Ain’t bitter. Just realistic.”

She doesn’t want to think he might be right.

“Leia feels better, y’know.” She changes the topic.

The shovel screeches against the pen floor, and he grips the handle so tightly his knuckles turn white.

“I’ll visit, one of these days,” he whispers.

Rey nods as if she believes him.

He’ll come when he’s ready, she thinks. Or he won’t.

Cutting off things they’re not willing to confront seems to be a family trait.

“I, um… I heard she has a son,” Rey begins, carefully observing Luke’s reaction. “You think we should let him know?”

Luke freezes, clutching the shovel. He doesn’t meet her eyes.

“Who told you about him? Leia?”

“No.” She shakes her head. “I heard.”

When he finally lifts his gaze, he doesn’t look angry, to her surprise—just sad and defeated, like he’s never truly recovered from a battle lost too long ago.

“That guy is nothing but bad news.”

“Why?” She already knows the answer, but she asks.

“Because he keeps making one bad decision after another, and then blames everyone else when it bites him in the ass.” Luke starts scratching the scar on his forearm, clipped nails leaving red stripes across wrinkled skin. Rey is certain that nothing really itches. “A master of ruin and self-pity, that one. He did horrible things, unspeakable, things you can’t undo. Shit that taints the soul. Trust me, you don’t wanna go near him.”

He resumes cleaning, his movements quick and brisk, and sweat starts beading on his furrowed forehead. George bleats.

“And…” Luke raises his index finger like he has one more thing to add. “And he doesn’t deserve to know.”

With that, he is done.

What a clusterfuck.

One day, she’ll gather up the courage and tell him, Rey thinks. She will tell him everything.  

But today is not that day.

When she returns home, she can’t shake off the feeling that everything reeks of goat.

That night, Rey can’t fall asleep. It’s so hot that sweat trickles down her legs, and she has to cover the couch with a towel before she can sit on it—she loathes the feeling of rough woolen fabric against her skin. She opens all the windows and doors in the apartment, hoping to create a draft of air, but it doesn’t help. The curtains aren’t moving. At past four in the morning, when the sky turns a shade lighter and the smell of fresh bread starts spreading from the bakery across the street, Rey is still wide awake, wet hair plastered on her forehead, her t-shirt drenched. 

Her own skin feels like a layer she can’t shed.

She tries watching a movie she rented from the video store that afternoon. She asked for something different, and the boy working there recommended it with unbridled enthusiasm, gushing about how smart and creative it was. She was going to love it, he promised. One hour into the movie, and Rey can agree that it’s different, but she isn’t sure that she fully appreciates its uniqueness.

It’s then that her phone pings.

Can’t sleep. Too fucking hot.

Well.

She isn’t surprised, not in the least. He always seemed to radiate heat—his skin so warm, his breath scorching hot like he was burning from the inside. The dog days must be taking their toll on him. Rey wonders what it would feel like to sleep next to him on sweat-drenched sheets, when outside the air is too muggy to breathe. Would she be able to stand it, or would she crawl to the opposite end of the bed?

Then she realizes what she’s thinking about.

Another message arrives too quickly. He’s picked up this habit to keep writing, even if she doesn’t answer.

You awake?

For a moment she thinks she should pass, pretend that she’s sleeping—he’ll never know. Maybe in the morning she’ll devise a snippy comeback. But despite herself, Rey pauses the movie and responds with a question.

You drunk?

Kylo replies immediately—he surely types fast.

Maybe. Hard to tell nowadays.

Then, before she can properly process what he said, there’s a new message.

Haven’t slept for two nights. Don’t know what to do.

Rey can picture him, she can. Hair matted from sweat, bags under eyes swollen, that ugly frown splitting his forehead, he’s lying on wrinkled bedsheets he hasn’t changed for too long, breathing through his mouth, bottle of booze in one hand, phone in the other. He’s waiting for her to answer.

Is it really just the summer that gives him sleepless nights? Does he ever dream? If he does, what is it about—the orange sky in the war zone, the mass graves in frozen soil? The father he killed? The old man’s golden bathrobe and skinny legs sprawled across the stairs?

Does he dream of Rey?

He deserves every nightmare.

If you had anything else there but bare walls, she types, maybe insomnia would be more bearable.

Kylo doesn’t reply right away. Rey almost goes back to her movie, her hand hovering above the remote, but then the phone bleeps.

You didn’t mind the bare walls during the bombing.

Fuck you, Kylo. That was a low blow.

It almost makes her throw the phone across the room.

He writes again immediately, with urgency, as if he feels that he’s crossed a line he shouldn’t have.

Why aren’t you sleeping?

So it seems he wants to keep the conversation mannerly. Not below the belt.

Fine.

Too hot, as you said, Rey answers. I’m watching a movie.

One of your shitty comedies?

She switches off the tone on her Nokia. She’ll see when the messages arrive, and the mechanical bleeping is too sharp for this hour of the night.

Nope. She decides to elaborate. A Japanese cartoon. They have motorcycle chases and then they blow up Tokyo.

Ah. That’s a good one.

Rey chuckles. Of course that he immediately recognized the references, nerd that he is. And the movie seems like the exact kind of pretentious shit that he loves—she can see him smiling as he types.

But then the next message makes her breath hitch.

Wish we could have watched it together.

Fuck you, Kylo, she thinks again.

She knows how it would go. He’d pause the movie often to talk, and explain, and paint the wider picture for her—Tokyo in the '80s, post-apocalyptic themes, the fear of the bomb, the Japanese animation. He’d tell her what it felt like to be there back then, when this movie was fresh in theaters. He’d elaborate on its place in pop-culture. It would take them twice the time to finish the thing, but by the end credits, Rey would’ve understood what made this movie so unique. Maybe.

She won’t cry.

In another life, she types.

After that, Kylo doesn’t write back, and Rey falls asleep on the couch, the towel terrycloth leaving red imprints on her skin.

She dreams of a dark forest again, and the boy in the blue shirt having Temiri’s face, and that woman with a stern bun, in men's clothes, who had once said she didn’t want her.

Rey feels dizzy in the office the next day. It’s like there’s a filter around her, like she’s moving through water—like the cacophony of voices is coming from a distance, and she sits all alone, drowning in cotton wool. There’re too many people in the office, too many—they’re all sweating, it’s agonizingly hot. She’s slow. Poe must explain the daily tasks twice before Rey understands what she’s supposed to do.

It’s around noon, as she’s downing her fourth cup of coffee, that she gives in and takes out her phone.

Had a shitty dream last night, she writes. I’m barely functioning today.

Oh, Kylo replies instantly. How very eloquent. But a new message appears within seconds. I’m sorry.

As if it’s his fault.

Then again, maybe it is.

The coffee makes her hands shake and her heart beat faster. She finds refuge in manual labor—vacuuming the carpets, throwing out the trash, asking people to lift their feet so she can wipe the floor beneath their chairs. Poe tells her to stop, insisting they’re paying a cleaning lady to do that, but she doesn’t. She ends up alphabetically arranging the books on Amilyn’s shelf. 

There’s a calendar hanging next to the bookshelf—it’s almost September, she sees. Four weeks to elections. The kids are under arrest, whereabouts unknown, and the opposition still doesn’t have a joint candidate.

A single-word message arrives in the afternoon.

Better?

Rey replies with no hesitation. Keeping myself busy. It helps.

You always did that when you were upset.

She smiles, realizes she’s smiling, and then presses her lips in a tight line.

What do you do? Hit the gym?

The answer comes promptly, as if he had it ready.

The gym, yes. The bottle too.

Fucking sick fuck. He knows she disapproves.

Rey doesn’t take the bait.

He’s silent for the rest of the day. Maybe he’s busy, whatever it is that he’s doing nowadays.

In the evening, Rey lies slumped on the couch again, a towel beneath her butt, terrycloth itching her skin. She has no patience for Japanese cartoons—she’s watching her soap opera in Spanish. She begins to catch up on the plot: the mean rich lady is actually the heroine’s real mother, since the babies were swapped in hospital, and the hero has an evil twin, so there’s this sweet, marriage material version of him, as well as a dark, cutthroat counterpart. The audience knows all the twists, but the characters have no clue, and it’s fun in a sadistic way to watch them suffer.

She’s waiting for Kylo to text her, but he doesn’t.

Perhaps he finally fell asleep. Or he’s too plastered to type.

She remembers: you’re mine even when you’re not mine, he told her once, like putting a spell on her. A curse. Over the years, she’s gotten used to it, learned to live with it like it’s a chronic disease—quiet and persistent and essentially non-deadly. She thought she could handle it. But now?

Fuck you, Kylo.

She purposely leaves the phone in the living room, still on silent, and goes to sleep, even if she spends the better part of the night staring at the ceiling.

In the morning, she forces herself to make breakfast and drink her coffee before she goes to check her phone. A pixelated envelope blinks in the corner of the screen.

She shakes her head—of course the silence didn’t last long. But what he wrote takes her by surprise.

When are you getting the dog?

Rey frowns. What’s with this fixation on dogs?

Not soon, she replies. Then, she adds, I’m never home, you know.

And after a minute, she types again.

I don’t wanna fuck up. Dogs need attention.

She realizes she sent three messages in a row.

Kylo doesn’t answer.

It’s a mess at the Resistance office that day, worse than usual. The marketing moguls are back, laptops in their hands, and there’s a film crew around—the corridors are blocked by clunky spotlights and oversized umbrellas with silver-white lining, and Rey must step over bulks of coiled cables to reach her desk. They’re shooting a campaign video with Amilyn, Poe explains. A man with mutton chops orders everyone around, yelling at volunteers as if they owe him obedience, asking them to move furniture and arrange posters so they look just right for the camera—it’s the director, it seems. Poe doesn’t like him.

“Asshole thinks he’s Spielberg,” he grumbles. “He should just let Amilyn do her thing. All the fuss is making her nervous.”

Rey lifts an eyebrow at him. “I thought you’d be the first to appreciate well-made publicity material.”

“Yes, but this…” He fidgets with his hands, his accent slipping. “It’s different.”

Rey sees Amilyn only once that day, from afar—she uses a break in the shooting to sneak out to the balcony and have a smoke. She seems tired, Rey observes, leaning on the fence, rolling a lipstick-marked cigarette between her fingers. She also looks more dazzling than ever.

When the evening comes around, Rey is all too happy to rush home.

At first, when she unlocks the door, she doesn’t notice that anything’s amiss. She kicks off her shoes, lets her hair down, peels off the soggy dress and leaves it lying on the floor. She pads to the living room to open the windows, let some air in, even though there’s no wind outside. The clouds are heavy, lead-grey, like there’s a summer storm rolling on the horizon, and everything is quiet.

That’s when she sees it.

It’s on the coffee table.

For a moment, she thinks it’s a figment of her imagination. He’s not that crazy, is he? Rey closes her eyes, counts to ten, opens them—and it's still there.

A goldfish.

The glass bowl is small and round, its bottom covered with stark white pebbles. The fish isn’t quite gold, no—its color is a burning orange, like the sun when it sets, and its scales catch the light of Rey’s dim world as it lazily swims in circles. Its fins are nearly transparent, threads of silk floating in the water. The whole scene is surreal, too perfect, like a picture from an interior design magazine, like a memory from someone else’s childhood. 

It’s fucking beautiful. 

A note stands next to the fishbowl, handwritten in unusually elegant cursive.

“Until you get that dog,” it reads. “Hope it keeps the shitty dreams at bay.”

Rey slumps down to the floor, folds her legs, wraps her arms around her knees.

Breathe, she tells herself. Breathe.

Breathe.

There we go.

The first drops of rain are already sprinkling on the windowsill when Rey spills the entire contents of her bag to the floor and picks up her Nokia.

You’re insane.

Kylo answers fast, as if he was waiting with the phone in his hand. Didn’t we establish that a long time ago?

Rey’s laughter resonates in the dark room, louder than the drumming of rain against the roof gutters. Thunder roars through the clouds.

Are you out in the storm? she asks.

I’m home. Though it’s tempting to go out. Feel the rain on my skin.

She laughs again—if he’s drunk enough, the sick fuck might actually do it.

You’ll catch a cold.

There’s a pause before the next message arrives. Can I call you?

Rey takes a deep breath and holds it, rubbing her temples. She looks at the screen—she still hasn’t saved the number under his name. Maybe she should. Not as Kylo, though—just K. It’s enough.

She decides she’ll call him first.

“Hey,” she utters, because she doesn’t know what else to say.

“Hey.” She hears the smile in his voice. “Do you like the fish?”

Rey looks at the red-gold creature swimming around in circles. Is the bowl too small for it?

“I do. I really do. Very much.” She doesn’t thank him. “How did you get in?”

“Made a spare set of keys, back then.” He stifles a chuckle. “Did you give DJ a hard time?”

Rey approaches the window, watches the rain as it falls. The smell outside is fresh—like ozone and wet grass. “Actually, I haven’t mentioned it at all.”

This time, Kylo’s laughter is slightly louder. “Poor guy. His head must be brimming with questions.”

She reaches out with her free hand through the window, feeling the weight of raindrops on her fingertips. They’re pleasantly cold—a wave of shivers rushes down her spine.

“What do you want to talk about?”

“I dunno,” he whispers. “Anything.”

His voice is hoarse, raspy. Too quiet. This isn’t just the vodka.

“You sound tired.”

The phone crackles as he huffs into the receiver. “It’s my fourth day without sleep.”

Rey observes the rain trickling down her fingers, and then slowly brings her hand to her face. The strawberry taste of lip gloss mixes with the rainwater she licks from her palm. When she was a child, she loved to catch raindrops on her tongue. “Get some rest. Open the windows, listen to the rain.”

“I will.” There’s a long pause. She hears him breathing—long, heavy breaths, a full lungful each time. “Don’t hang up, not yet. Please.”

“I’m here.”

He doesn’t say anything after that, but his breathing slows down, becomes steadier. Rey cuts the call only when she’s certain he’s asleep.

Fuck you, Kylo.

She sleeps tight that night, without dreams, and wakes up only to get a blanket because outside it has actually turned cold.

In the morning, she feels well-rested for the first time in weeks.

The kids’ parents are in the office when she arrives. Temiri takes after his mother, Rey observes—the same small stature and wide-set eyes. A whole room is full of journalists—it’s foreign press, mostly, fidgeting with their microphones and cameras as they wait. Amilyn and the parents are about to give a joint statement. Poe closes the door of the room in which Rey works, attempting to secure a quiet zone, but it doesn’t make a difference. Rey frowns at the pile of newspapers on her desk—the Resistance gets so many media mentions lately it’s difficult to keep up.  

She puts her back into the task, doing her best to focus. It doesn’t last long.

“Poe?” Rey peeks behind her computer screen. “Where does one buy fish food?”

Poe blinks, visibly puzzled. “I don’t know. A pet store?” He cocks his head. “Since when are you into fish?”

Rey scoffs. “Don’t ask.”

She wishes she could tell him. She needs to talk to someone, before this gets out of hand.

The definition of insanity is doing the same thing over and over again and expecting different results.

Kylo at least admits he’s insane.

Rey grabs her phone. In another life, she would’ve called Finn—but it’s not his number that she dials.

“It’s me.” Her voice is insecure when he picks up the call, and she hates it. “You free for dinner tonight?”

Armitage cackles for what seems like a full minute, before he says yes.

Not even half an hour later, Rey’s phone buzzes.

Tell Armitage he’s a dickhead.

She bursts into a giggle, rolling in her chair, and she laughs until she snorts, her mouth open, her cheeks tingling.

“Was that the special someone from the other day?” Poe quirks an eyebrow.

Rey freezes. “Why do you think so?”

A shrug, as if the answer’s obvious. “I’ve known you for years, sunshine, since you were a lanky teen, and I’ve never seen you giggle like that.”

She suddenly finds herself at a loss for words.

“No, I… It’s… No. It’s complicated.”

Poe seems happy with the explanation. “Life’s complicated.”

His face darkens, thick eyebrows pulled together in a frown, and he sinks behind his screen. The keyboard rattles as he resumes typing.

Rey pushes away the pile of newspapers and walks over to him, her chair spinning behind her.

“Talk to me, Poe. It’s not in your nature to sulk.” She sits on his desk. “What’s wrong?”

He sighs, eyes locked on the keyboard. His fingers hover above a set of keys on which the letters have worn off. Then he suddenly lifts his head and looks around, like he’s afraid that someone might be listening.

They’re alone in the room—everyone else is at the press conference.

“It’s just that… I mean this whole situation… Shit.”

He’s not used to struggling with words, so he waves with his hands as if that will help him get the meaning across.

“The spotlight on Amilyn. On one hand, I think it’s great. She deserves it. She has it in her. If anyone can push us through this madness, it’s her. But on the other hand, it… It does things to her. And, well… Well. She insists on being extra discreet.” Poe scoffs. “We barely see each other these days.”

He lowers his gaze, bites into his bottom lip so strongly Rey’s sure it hurts.

“And I’m fed up with secrets and lies.”

This, she can relate to, she thinks. Rey reaches out and squeezes his shoulder, and he leans into her touch. His muscles are tense, she feels the knots.

“I know, we’re a shitty country. Conservative values and whatnot. Some things will always be frowned upon,” Poe continues, placing his palm over Rey’s hand. “But it’s different than when we started. She’s separated from her husband, and I graduated a long time ago, and… Dammit, sunshine, I’ll be thirty in two years—and she still thinks she’ll be ridiculed as a cradle robber if this goes public.”

Well, now. What do you say to that, Rey wonders—what kind of comfort to offer?

“Maybe there’s a reason for discretion,” she begins gingerly. “You know there are people who think she should be the one?”

It takes him a moment to answer. He squeezes Rey’s hand tighter.

“I do.”

He doesn’t elaborate, letting the silence last.

“What do you think about it?” Rey asks finally.

“It doesn’t matter what I think.”

Poe brushes off her hand and gets back to typing, and it’s clear to Rey that the conversation is over.

In the evening, she meets Armitage in a Chinese restaurant near the main square—a delightfully kitschy joint that takes pride in its shiny red curtains and dragon statues and cheap calligraphy prints hanging crookedly on the walls. There’s a bamboo forest in the middle of the hall—plastic green stems are covered with a fine layer of dust. Armitage insisted they needed a change, they’d been in that Italian place too many times, but Rey is sure it’s just an excuse for a new dish he wanted to try.

She remembers what Kylo had said, once—the food served in restaurants here has nothing to do with what people actually eat in China.

Armitage doesn’t wear his sunglasses, thankfully, but the wrinkles around his eyes stand out under the neon lights of electric lanterns. He looks distracted, tired, as if he has a headache—a victim of dog days and weather changes and the violent, drunken madman he’s forced to babysit. He orders sweet-and-sour dumplings, saying the dish name in Chinese—the waiter’s lips twitch almost unnoticeably, and Rey is sure he didn’t pronounce it right. She settles for chicken with black mushrooms. She’s missed their tangy taste.

Using the chopsticks isn’t as easy as Rey thought. She struggles to catch the noodles that keep gliding around her plate.

“How’s it going, being on the winning side these days?”

Armitage shakes his head, smoothing down his overly gelled hair in a compulsive gesture.

“My life is an acid trip. A black abyss. I fell down the rabbit hole.”

Rey swallows a chuckle. “That bad?”

“You have no idea. Whenever I look at Ren, he’s on his phone. Typing, always typing. I’m sure he doesn’t send you half of the shit he writes. He types so fast—did you notice? I have no clue when he got to practice, he never sent me a single text in his life. Or, he scrolls through old messages, blushing like a schoolboy, all the way to his ears. And then he giggles. Have you ever heard him giggling? It’s creepy as fuck!”

The mental image is at the same time disturbing and sweet. Rey presses her lips together, careful not to smudge the makeup.

“Why do I have the feeling you think it’s my fault?”

“Oh, please.” Armitage snatches a black mushroom from her plate. “I know why you asked me out, Rey.”

A noodle slips off her chopsticks, soy sauce splashing on red tablecloth. “You do?”

There’s a pause, and then a grin flickers between his sauce-stained lips. “You want me to talk some sense into you.”

Rey doesn’t answer—just raises an eyebrow.

“You count on me to be an asshole and say something atrocious that will be the wakeup call you need.” Armitage puts down his chopsticks and pushes away the plate. “Give me a moment, I’ve got this.”

He cracks his fingers, clears his throat and leans across the table, a smug smirk twisting his entire face. And then, he begins reciting.

“For fuck’s sake, child bride, enough is enough, third time’s no charm, you had your chance and you blew it, an alcoholic war criminal won’t turn into a Disney prince if you’re patient enough, you know who he is, don’t make me remind you, you saw with your own eyes what he’s capable of, so get away, get a life, go raise revolutions, do whatever it is that you’re doing, just stay in your lane, stop with the texting, flush the goldfish down the toilet, because this is it, I’m sick and tired of going through the same shit again, for the third fucking time, and goddammit, you should be too.”

Fuck him and his hair gel.

Armitage spreads his palms, his grin widening, and Rey almost expects him to bow.

“How was that? Too harsh? Do I get an applause?”

Rey squints. She’s tempted to give him a dramatic, slow clap, but she doesn’t.

He picks up his chopsticks and raises his hand, showing her how to hold them properly. Then he heaves an exaggerated sigh, as if he’s done with playing games.

“But that’s bullshit. If you really want my opinion, I say, go for it.”

Rey stiffens.

“What?”

“You two fucktards, you deserve each other.” Armitage looks at her with a mixture of concern and disgust and pity, and she hates holding his gaze. “I told you once, you’re a textbook example of tragic codependency. Even now, after everything, you can’t let go of what you had—and you never will, not until the world burns down to the ground.”

He helps himself to more rice, licking a drop of sweet-and-sour sauce from the corner of his mouth.

“Ren's transparent, his heart is on his sleeve. On the other hand, you, darling, you’re much better at simulating normalcy—the rising star of the Resistance, the hard-working girl that everybody likes. The million-dollar smile. And yet on a Saturday night, instead of being out with friends, having fun, here you are with me.

Chopsticks click, and he steals another black mushroom from her plate, smirking like he’s only getting to the point.

“Why don’t you have a boyfriend, Rey? A nice young man your age, a rebel, one who wants to be Che Guevara when he grows up and thinks that fighting for his country means stenciling that godawful fist logo all over the city.” He points at the Resistance pin on Rey’s bag. “Who designed that ugly thing, by the way? It looks so tacky—kind of Bolshevik, I daresay.”

Rey observes him, her lips firmly pressed in a line. Fuck the makeup.

“You’re a dickhead, Armitage.”

This makes him chuckle—but it’s a weary, dry laughter, like he knows he’s so much of a jerk that sometimes he can’t stand himself either. For a man who claims to be on the winning side, he looks a tad defeated.

“Tell me something I don’t know.”

Armitage drops her off at her place, promising that next time they’ll try sushi—life is strange, and new restaurants are popping up in their war-torn, bombed-out, impoverished capital. For those with deeper pockets, there’s everything—even the Japanese raw fish on rice.

“That professor of yours, she really ruffled some feathers with what she did,” he says as they’re parting. “A beautiful woman. Not exactly my type, but I admire a person with such a consistent sense of style.”

Rey smiles and rolls her eyes, careful not to bang the car door.

“You think she’ll run?” Armitage squints as he asks this. For a moment, she can’t tell if this is mere curiosity, or there’s something else behind his question.

She goes for the truth. “I… I don’t know.”

Of all people, Armitage Hux is the only person she’s never lied to.

“Say hi to Phasma.”

She slams the door so strongly that Armitage winces.

Alone in her apartment, Rey feeds the fish, carefully following the instructions on the box, changes from her sundress to a baggy t-shirt, and plops down to the couch. She takes out her phone and fiddles with it, going through messages.

Nothing new from K.

She thinks she could call him, but she doesn’t.

Rey ends the evening with her soap opera—in the final episode, the mean rich lady apologizes for everything she’s done, her makeup impeccable despite the tears, and the heroine chooses the evil twin, because he falls to his knees and weeps and promises he’ll change.

Go figure.

She falls asleep on the couch, the remote on her belly, and she doesn’t dream.

It’s Sunday the next day. The city is quiet, its streets deserted, but the Resistance knows no rest. Another hectic workday passes—more newspaper cutouts, more internet articles to read through, more people whose names Rey doesn’t know, more clicking of keyboards and ringing of phones.

At least it’s no longer insanely hot.

Rey waits, but Kylo is strangely silent—no texting, no calls. He’s having a busy weekend, it seems.

To her annoyance, she isn’t relieved.

Late in the afternoon, Rey brews a cup of coffee, adding cinnamon and cream and a spoonful of sugar. This one isn’t for her.

Amilyn’s room smells of tobacco and sunflowers—the perfume is strong, dizzying, as if it’s been freshly sprayed. A pack of thin, ladylike cigarettes rests on the desk, only half-smoked. It could be worse. There’s a pocket mirror, and next to it an open palette of eyeshadows—pearly greys and pale purples, shimmering like dragonfly wings. Rey finds the colors oddly melancholy.

The coffee mug clinks as Rey places it on the desk. She sees three empty cups that Amylin hasn’t returned to the kitchenette, but no plates.

She’s lost weight, Rey thinks as she observes her.

Amilyn is alone in her room, a rare sight these days. She’s holding the phone, as if she’s just hung up on someone.

“That was the lawyer,” she says, her voice hoarse. “We made it. The charges are reduced, from felony to misdemeanor. All that’s left is to pay a fine—and hope that the kids haven’t lost their wits while they were in jail.”

Rey smiles. This is great news, isn’t it? A victory. Something to celebrate.

But then she looks into Amilyn’s eyes. The sadness is there, it always is—an old friend, deep blue like the ocean. However, it’s no longer quiet. It has come to the front, eating away at her.

“Why… Why aren’t you happy?”

Amilyn shrugs. “Because, with this regime, every victory comes at a price.” She takes a long sip of coffee. A blood-red lipstick imprint stains the mug rim. “I’m scared, Rey. Don’t tell anyone, though.”

Rey lingers in the room, clutching the tray to her chest. Slowly, she picks up the empty cups. Pottery jingles.

It takes her a moment to gather the courage to ask.

“Will it be you?”

Amilyn’s lips curve, as if she can’t believe Rey’s words, but she immediately understands the question.

“Sweetie, I’m a horrible candidate. Statistically, I fail in every aspect. I come from academia, with no political background. I’ve never been a member of any party. I’m a woman—the kind of a woman that rubs many people the wrong way. And then, there’s…”

She doesn’t finish the sentence.

“It’d never work,” she adds at last.

Still, Rey hesitates to leave.

“But if they ask you to… Will you do it?”

“They won’t ask, Rey. It’s just rumors. They need someone who can win these elections—and that’s not me.”

Rey nods and heads to the door.

Tropes are for fiction, she repeats to herself.

In the evening, when Amilyn announces their victory, the whole office applauds. Hooray. A bottle of champagne is popped open, just enough for everyone to take a sip, and there’re talks of throwing the kids a welcome party when they return. Smiling faces are everywhere: Poe and Amilyn and all these politicians who came running. It doesn’t even look fake—only cautious, as if they know that winning this one battle means more hard work and uncertain prospects.

They’re exhausted, and the election campaign hasn’t even begun properly.

Night has fallen when Rey returns to her neighborhood among the bombed ruins. She has no idea how she’ll while away the time—she’s not sleepy, and her soap opera has ended. Thinking about the fish makes her smile. It’s dumb as fuck, swimming in circles, repeating the same motions over and over, but at least there’s a living creature waiting for her at home.

She should name it, one of these days.

Rey inserts the key into the lock, only to realize the door is open.

Ah.

To be honest, it was a matter of time.

She finds him in the kitchen. All the cupboards are open, jumbled up, as if he struggled to find the right pots for what he’s cooking—it shouldn’t be funny, but Rey chokes back a laugh. He’s barefoot, like he always is at home, and his shirt lies discarded on the chair. The wife-beater top he’s wearing makes his arms look thicker. Maybe the sick fuck really spends every spare moment at the gym, when he isn’t too plastered for bench-pressing. His goatee is trimmed really short, the way he knows Rey likes—she can’t tell if it’s on purpose. Whatever he’s making smells delicious.

He looks tired, but these days everybody does.

“You can’t keep breaking into people’s homes, y’know.”

Kylo lifts his shoulders dismissively, his gaze locked on the frying pan.

“I didn’t break in. I have the keys.” He glances at her quickly and almost smiles, before he resumes stirring the food. “Besides, you started it first.”

Fuck you, Kylo. It’s not the same.

She should tell him to leave, she thinks. She should say aloud all those insults she’s saved up over the years—stalker, murderer, creep. You shouldn’t be here. Get the fuck away from my home, and my life, and take your goldfish with you. Whatever you’re hoping for, it’s not going to happen.

But Rey just shrugs and starts setting the table for two.

She hesitates only when she isn’t sure what kind of a glass she should give him. “You can’t drink here.”

“Don’t worry. I took care of it before coming.”

He doesn’t seem under the influence, but it only makes her more concerned.

It’s sautéed veal that he puts on the table, in a thick sauce with mustard and garlic and another spice Rey can’t recognize. Her mouth waters—this is different than scrambled eggs or always the same takeout. There are steamed vegetables too, fresh and crunchy, she admires him for making cauliflower taste good. Rey chews vigorously, to hell with table manners, and Kylo gives her a non-smile, soft lips tugged to the side.

He doesn’t look happy, however. He wouldn’t be here if he were.

“Bad day?” Rey asks.

“Very bad day,” Kylo agrees. “You?”

“A good thing happened today, actually.”

She wonders if he knows about it. She’s never sure where exactly he stands on the scale between doing what he thinks is right and helping the regime stay in power at all costs.

“But it’s strange,” Rey continues. “As if it’s hard to be happy about it.”

Kylo sighs through his teeth, nodding like he understands too well. He starts cutting the bread, but loses patience quickly—instead of a neat slice, he passes Rey a torn-off handful.  

“How is… Um. How is she?”

It’s a question Rey didn’t expect. She searches his face for any sign of emotion, but he stoically stares at his plate.

“Better.” She shouldn’t give him false hope. “It won’t end well, though.”

“Nothing ever ends well.”

Rey wants to protest—that’s not true. Happy endings are possible, every once in a while. It’s important to keep believing.

But saying it to Kylo would make her a hypocrite, wouldn’t it? Ultimately, the two of them are not rooting for the same outcome. The victory of democracy would mean the downfall of all his ideals.

She chooses not to respond.

“I’ll visit her next week,” Rey says instead, dipping the bread into the sauce. “I can call you afterward, if you want.”

To her surprise, he nods.

When they finish, Kylo carries the dishes to the sink. He winces when the tap water runs too hot, curses, and then rummages through cupboards in search of dish soap. Rey doesn’t tell him where it is. The scene is disarmingly domestic—she forces herself to walk away, heading to the living room.

Rey turns on the TV, flips through channels until a documentary catches her attention. An old man with gold-rimmed glasses and posh British accent explains the birth of a supernova, and the screen fills with stars.

“I wanted to be an astronaut when I was little,” Kylo says when he enters the room. “A space pilot.”

Rey smiles. “You never told me that.”

He doesn’t sit on the couch, but plops down to the floor, next to her feet. “Because it’s silly. And unoriginal.”

“When I was little, I wanted to fix broken machines and build new ones,” she sighs.

 Kylo looks up at her, and from this close, she can see—there are indeed traces of grey in his dark hair.

“You should be proud of yourself, then. Not a lot of people get to live their childhood dream.”

Rey huffs—if only it were that simple.

She studies him, crouched at her feet like that. His face is wet—he must have touched it while doing the dishes, rubbed his eyes. A droplet of water falls from his eyelashes and glides down his cheek, leaving a glistening trail, and Rey wishes she could wipe it away. He’s too close, the fucker. She can feel the smell of his hair, the warmth of his skin—he truly does radiate heat.

If she were to shift in her seat ever so slightly, her knee would touch his shoulder.

Rey stands up from the couch and straightens her skirt.

“All that food made me sleepy,” she lies. “And it’s been a difficult day. Gonna go to bed.”

Kylo watches her for a long moment, eyes focused, unblinking. She realizes she’s holding her breath.

“Okay,” he says at last. “I’ll tidy up the kitchen before leaving.”

Rey nods, a quick jerk of the head, and then rushes to the bedroom. She tries not to slam the door behind her, but the clunk of the knob is still somewhat too loud. Kylo remains on the floor—of course he doesn’t follow her. With all his blunders, there are things he’d never do uninvited, and fuck her life, she still trusts him.

She changes into her nightgown quickly, and pulls the comforter up to her chin even if she’s not cold, and thinks she won’t be able to fall asleep until she hears the entrance door clicking, a sure sign that he’s left. But it doesn’t go that way. It has been a difficult day, and soon enough Rey finds herself drifting into a shallow sleep, drool seeping on the pillow.

For what happens next, she isn’t sure if she’s dreaming. Perhaps it’s just wishful thinking she’d never admit to when awake. Perhaps. Or maybe it’s all real, it is, and the only way to stay true to herself is to label it a fever dream.

Late in the night, Rey thinks she feels the mattress shifting. He’s heavy, the sick fuck, thicker and more muscled than the last time they slept together. The bed dips in under his weight, rusty springs squealing, and he wraps himself around her like he used to, large, warm, so fucking comforting. Steady breaths huff into her hair, making the back of her neck prickle with goosebumps. It feels good. Safe. He snores—he always did. It’s probably even worse since Phasma broke his nose, but Rey finds the sound reassuring. She shimmies in her sleep to fit better into his arms, her back to his chesthe’s warm, he’s so warm—and she thinks she entwines their fingers. The skin of his gun hand is as calloused as always.

It’s a dream. It has to be.

There’s no other way to accept it.

When Rey wakes up on Monday morning, he’s gone. 

 

Notes:

The first time I heard Einstein's famous quote about the definition of insanity, I was a teenager, and I didn't quite get it. The older I am, however, the more sense it makes.

Also, it occurred to me that the relationship progress between our two idiots is something like Friends to Almost Lovers to Enemies to Lovers to Enemies to It's Complicated. The definition of insanity indeed.

Chapter 24: Seventh Symphony, Movement Two

Summary:

"It's okay if it's you."

Notes:

Lo and behold - a timely update! I hope you guys are ready for plot development! ;)

Beta’d by KathKnight

(See the end of the chapter for more notes.)

Chapter Text

 

Seventh Symphony, Movement Two

 

 

 

On the first Wednesday in September, Poe Dameron comes to the office late, with a cheesy grin and a twinkle in his eyes, humming a tune Rey recognizes as an anti-regime song that’s become popular in the streets. He’s painfully off-key. A half-melted ice-cream drips from his fingers, threatening to stain his shirt, but he pays it no heed. He slumps to his chair, wheels rolling across the wooden floor, and lifts his legs to his desk, nearly crushing the keyboard. The ice-cream cone crunches as he chews.

Rey can almost believe he’s in a good mood.

“You’re doing this on purpose.” She gives him a proficient eye-roll. “You want me to ask what happened.”

They’re alone in the room, she observes—a perfect opportunity to talk about Amilyn. Maybe the things between them have turned for the better.

But Poe cocks his head and spreads his arms and grins even wider, camera-ready, and Rey suddenly knows that whatever he has to say, it’s important.

“The Goldilockses did it, sunshine,” he announces. “We have a name.”

Rey lifts her eyebrows. “Oh.”

She shouldn’t be surprised, she thinks. They were running out of time, it’s fucking September. It had to happen.

Still, she feels as if the news has knocked the wind out of her chest.

“So, uh… Who is it? Do you know?”

Poe’s grin dwindles. “Not yet. They’ll reveal it at a press conference this afternoon. I only received a message to get ready for a more intense campaign.”

Rey quickly nods, picking up the cut-out articles from her desk and shoving them into the drawer. The mere thought of a more intense campaign makes her want to sit on the floor and scream, but she schools her expression into a smile, feeling her lips stretch.

This is good news, she tells herself.

Good news.

“What does Amilyn say?”

“I have no idea.” Poe wipes his hands from ice-cream stains, rubbing the tissue against his skin so roughly that his knuckles turn red. “She’s avoiding me, you know. Doesn’t answer my calls. I tried more than a dozen times this morning, but she won’t pick up. She didn’t even come to the office today. I think she’s with the Goldilockses.”

Rey sees it in his eyes—he’s jumping to conclusions. He’s wrong, though. What he fears won’t happen, Amilyn was adamant about it. It will not be her. Just grit your teeth, Rey wants to say, and brave through the storm. Soon it will be over. You’ll go on with your lives.

But she isn’t sure.

With a loud sigh, Rey walks over to Poe’s desk and snatches the tissue away from his hands. She rolls it into a ball and throws it to the trashcan, but misses, and for a brief moment, it makes them laugh.

“Did you argue again?”

“We argue all the time.” He shrugs, biting his lip like he always does, and Rey can tell he’s a step away from falling apart. She’s never seen him like this. “But it doesn’t matter. None of our personal shit matters. What’s important is that we have that name, and we’ll soldier on with the campaign, and we’ll be true and brave and unstoppable, and we’ll win. We fucking have to.”

She gives him a soft chuckle. “You’re much better when you don’t rehearse your speeches in advance, but I’d save the big words for the rallies if I were you.”

Poe grins again, a flash of porcelain teeth against tanned skin, and he rubs his chin, wiping away the last droplets of ice-cream.

“You tired, sunshine?”

“Don’t get me started,” she huffs. “I haven’t slept normally in weeks.”

She doesn’t say why. It's better if he thinks that the Resistance work is running her into the ground. 

“Why don’t you go for a walk, then?” Poe points at the window—the sky is blue outside, she sees. “There’s nothing much to do until that press conference anyway, and then we’ll need every ounce of strength. It’s a lovely day, go to a park, sit on a bench. Buy yourself an ice-cream. That parlor across the street ain’t half bad, I recommend banana chocolate chip.”

Rey makes herself laugh, straightening her dress. “Will you be okay on your own?”

The office is full outside their room, volunteers camping in corridors, yet she feels like she’s leaving him all alone.

“Please.” Poe is still grinning—with all the practice, it even looks convincing. “I’d love to join you, god knows we could all use a break, but someone has to stay. Besides, I’m waiting for Amilyn.”

She nods, grabbing her bag, and her heels click as she walks out of the room. Fifteen minutes later, Rey finds herself on her way toward the neighborhood park, walking slowly so that her ice-cream doesn’t drop because she’s stuffed too many scoops onto the cone.

The day is lovely indeed—she's always been fond of early September, when the summer is over and horse chestnuts cover the grass in the parks, falling from trees, bright auburn and slippery to touch. They smell of earth and wood and the first days of school. She plops down on a bench, feeling the melted ice-cream drip down her chin—caramel and vanilla and lemongrass, and banana chocolate chip. It’s sticky. From where she’s sitting, she sees the playground—children laugh, climbing the ladders and tumbling down the slides, and mothers buy sugared apples and shiny balloons from an old man standing in the corner. She looks up at the treetops above her head—the leaves are rimmed with brown, she notes. Soon they’ll begin to fall.

As if the fall has sneaked behind their backs while they were busy complaining about the heat.

She doesn’t blame Amilyn for not coming to the office. Victories can be wearing. After handling too many press conferences in the aftermath of the kids’ release from jail, it’s normal to wish for a getaway.

Careful not to stain her bag, Rey takes out her phone. No new messages.

Great. She should be relieved. For once, Kylo is behaving like a rational adult, giving them space instead of rushing into madness.

She still isn’t sure what happened that night. She searched for signs when she woke up—sniffed the sheets to see if his smell still lingered, looked for strands of black hair coiled on the pillow cover. She found none.

Maybe it was a dream.

And yet his silence annoys her more than she’s willing to admit.

Rey starts typing, her fingers sticky on phone keys, but she doesn’t know what to say, so she ends up deleting every line she begins. 

Fuck you, Kylo.

A chestnut falls right in front of her bench, scaring a flock of pigeons that’s been pecking crumbs on the path. Wings flap, and Rey watches them fly against the clouds, ready to shit on the monuments of very important historical figures that stand guard above the park.

Hours pass, but she’s not looking at her watch. The luxury of wasting time feels like the guiltiest of pleasures.

There’s a new group of children at the playground. Chains squeal as they swing, wooden seats rushing toward the sky, and Rey thinks they laugh too loudly.

And then, her phone vibrates in her hand.

Finally.

She wonders what the sick fuck has to say after two days of radio silence.

Rey unlocks the screen and clicks on the envelope icon. As it opens, however, she sees that the message is not from K.

The sender is Larma D’Acy.

She blinks. It takes her a moment to put a face to the name. She remembers a quiet woman with pale, droopy eyes and a patrician nose, a member of the rebels’ team of lawyers. Amilyn’s friend from high school or something. Rey has saved the number only because she’d been told it might be crucial one day, if the regime went on with the arrests.

Come back to the office immediately, the message says, it’s urgent.

Her lips move as she reads the words out loud.

Well, fuck. So it is Amilyn, in the end? Must be.

Rey jumps up from the bench, her overstuffed bag hitting her on the hip as it swings. She picks up the pace, walking so quickly that the straps of her sandals cut into her toes, and sweat trickles down her thighs even though the summer is gone.

She sees it when she turns the corner, approaching the office.

In front of the entrance, right in the middle of the pedestrian zone, there's a police car. Lights rotate, blue and red, coloring the fist logo that hangs above the door.

Is someone getting arrested? If so, why did Larma D’Acy ask her to come?

But then tires screech, and another car enters the pedestrian street—a press van.

Rey swallows, pushing open the heavy door, and rushes up the stairs.

“She’s here!” a volunteer shouts the moment she enters the office. “Larma, she’s here!”

The girl grabs her by the elbow, pulling her toward the main room. Rey sees puzzled faces of people whose names she doesn’t know, and old comrades sitting on the floor, their heads in their hands, and blue police uniforms. Office chairs and Amilyn’s bulky fan are thrown outside the room, cluttering the corridor. Someone’s crying.

What…?

“Thank god, Rey!”

Larma D’Acy wraps her arms around her in a long hug—it feels weird, coming from someone that Rey has met but a few times. She puts her hands on Larma’s bony shoulders, only to discover that the woman is shaking.

“He’s in the bathroom. Locked himself in.” Larma takes a step back and Rey sees that her droopy eyes are glassy, red-rimmed. “Go to him, I’ll handle the mess.”

There’s a familiar buzz in Rey’s ears, and her stomach churns. The last time she felt it was in the room with black and white tiles.

She thought that, after that night, nothing will ever push her over the edge.

“What happened?”

Larma D’Acy opens her mouth to answer—her lower lip trembles as if she’s about to break into tears. But booted footsteps echo through the corridor, and a police officer comes, clearing his throat as he approaches.

“Ms. D’Acy, ma’am? We need your statement.”

Larma nods, her movement jerky, and gently pushes Rey away. “Go.”

People part as Rey walks down the corridor—some of them avoid her gaze, others shake their heads or offer sad smiles. She realizes she’s holding her breath. Whatever happened, she thinks, it has nothing to do with the presidential candidate.

She knocks on the bathroom door.

“Poe?”

There’s a pause. She hears rustling inside, clothes shuffling, like someone’s crawling up from the floor, and then a long, strangled sound resonates against the tiles, muffled by the closed door. A wail?

Rey knocks again. “It’s me.”

The lock clicks and the door squeals open.

Fuck.

He’s barely standing—for a moment, Rey fears he’ll lose his balance and fall. Wet hair is plastered to his forehead and tears run down his cheeks, dripping from his neck. The collar of his t-shirt is drenched with dark stains. He inhales sharply when he sees her, breath wheezing, but can’t form a sentence—his lips quiver, and it turns into sobs. There are pale red stripes across his chin, as if he cried so badly that his nose began to bleed.

Pieces fall together, and everything starts making sense, and Rey wishes she could slam the door shut instead of facing what happened.

Every victory comes at a price.

Poe reaches for her and pulls her inside, and the doorknob clunks behind her.

His whole body shakes as she hugs him tightly. He won’t stop crying, Rey sees, he can’t, but that is fine. At least he has someone to hold him. He hiccups into her neck, gulping like a child, and she thinks he tries speaking, but only sobs come out.

“Shhh, it’s alright,” Rey lies, because everything is wrong. “Hush.”

She pulls them to the floor, it’s easier to sit if this will take a while. The bathroom smells of bleach and lemon air freshener, and she sees that someone has scribbled on the walls—song lyrics, and slogans with exclamation marks, and a badly drawn fist logo. Poe’s nose is running. With one hand, Rey rummages through her bag until she finds a pack of tissues, and he winces when she wipes his face. She wants to smile, but she can’t.

The tiles are cold against her bare thighs.

She has no idea how long they sit on the floor like that. She has stopped paying attention to the noise outside.

She wishes she could cry too, but her mind is working too fast.

Slowly, Poe’s breathing calms down.

“When?” Rey asks finally, but then realizes it's the wrong question.

She needs to know.

“How?”

Funny, a premonition stirs in the pit of her stomach, and she’s almost certain where this will go.

When Poe speaks, his voice is a barely audible rasp, and the one line he says feels like pulling teeth.

“It was quick.” 

He falls silent. She should leave it at that, Rey thinks—no more questions. She’ll hear the rest from the police, or Larma D’Acy will give her the details. If not, she can wait for the press, they’ll jump to it. They always follow the blood.

But she needs to know now.

“Go on.”

Poe rubs his eyes and wipes his nose with the heel of his palm. It takes him a while to continue, but Rey waits, stroking his back in encouragement.

“At least that’s what they said. That it was quick.”

He sniffs, and then pauses, breathing through his mouth. The moment lasts.

“It happened last night, I think…? They found her in the morning, right there on the path. Left like roadkill for everyone to see.” The sound he makes is both a shriek and a chuckle. “A fucking message, Rey.”

“The path?” Rey asks, her voice too calm.

Poe gives her a nod. “The jogging path in the park. She used to run there, late at night, when there was no crowd. Said it helped with the stress. I… Shit. I shouldn’t have let her go alone, I should have known, it was careless, stupid, but I… we…”

He sobs again, but Rey barely hears it. Her heart starts beating too fast, hammering against her ribs like war drums.

Breathe, Rey.

Breathe, you idiot.

Or you’ll choke.

“The path in the park,” she repeats. “Are there… Are there dogs in that park?” 

Poe lifts his eyebrows, confused by the question. He shrugs vaguely, doesn’t know the answer perhaps, but it’s alright.

Rey knows.

There’s one last piece of the puzzle that she needs.

“You didn’t tell me.” She hugs him closer, hoping that her tone isn’t too stern. “How?”

His mouth trembles again, and she sees he isn’t ready to talk about this, not really. Rey wishes she could give him more time. But she meets his gaze and lifts his chin up, her grasp firm.

“Execution style,” he whispers at last. “A bullet between the eyes.”

She almost laughs.

All is crystal clear, so predictable it’s pitiful. There’s her answer to what he’s doing now, when there are no more wars to wage, but the regime still needs a mad dog.

He can’t do anything but kill, can he?

Fucking sick fuck.

To think it was so easy to give in and fall back into old habits.

“…Rey?”

Rey’s body jerks like it’s a sleep twitch—she hasn’t even noticed that Poe was talking to her. “I’m sorry.”

He nods understandingly and blows his nose in the wet tissue. “I said, we can’t stay locked in here forever. Even though, y’know… I really don’t feel like going outside.” 

She ruffles his hair, careful not to reveal what she feels. “You think you’re ready?”

“I’ll never be ready.”

Poe gets up, joints cracking as he wobbles on his feet. When he sees himself in the mirror above the washbasin, he flinches.

“But I have to man up and face the music.” He opens the faucet. “Go to the police. Give a statement.”

Rey dutifully proceeds with what she’s expected to say. “Do you want me to go with you?”

For a moment, Poe thinks. He leans over the washbasin, and Rey fears he’ll fall down headfirst.

“No,” he says finally. A sickening surge of relief crawls down her spine. “No need for you to get exposed, sunshine. Larma will be there, the other lawyers as well. I’ll bet the Goldilockses will come too. And the press—all of them, like the vultures they are.” Poe chuckles dryly. “Holy shit, it’s going to be hell.

Water splashes as he washes his face, droplets catching onto his eyelashes, and he blinks them away.

“They’ll ask me to say a few words about her. I’ll have to give them something. Play by the rules.” He licks the water off his upper lip. “And it’s going to be a bunch of bullshit—commonplaces about sacrifice, promises we’ll never give up the fight. Eulogies that she was the best of us all. Nothing…” His voice shakes again. “Nothing personal.

Rey gets up from the floor and hugs him from behind. She sees his reflection in the mirror—mouth twisted in a scowl, an ugly frown between the eyebrows. He’s breathing deeply, in and out, a stress relief trick he’s mastered. Rey isn’t sure that it helps—the cameras await as soon as he leaves the bathroom.

“Poe?” She hesitates as he trembles against her. “Is it okay if I… Well, if I disappear for the rest of the day? There’s something I must do.”

He looks up, catching her gaze in the mirror, and she’s afraid he’ll ask her what it is.

But then he closes his eyes and nods. “Go on, disappear. Do what you must do.”

She kisses him on the cheek before squeezing his shoulder one last time, and turns on her heel to leave.

“Sunshine?” Poe asks when she almost reaches the door. “Do you, uh… Do you remember how she and I, we were always fighting about whether it was a good sign if the regime resorted to violence?”

His Southern twang sounds different somehow, melancholy like a melody, and it gives Rey the shivers.

“Well. What they did was stupid, when you think about it. They created a martyr, and now they’re gonna lose support in spades.” New tears start gliding down his freshly washed cheeks, and she can tell he’s not going to leave the bathroom anytime soon. “But… Shit, Rey. I… If I knew this would be the price, I’d rather live in tyranny.” 

Rey nods, because there’s nothing to say. She stands at the door for a long moment before slipping away, clumsily waving goodbye.

Outside, it is indeed hell. The corridor is so crowded she can barely walk through—cameras click, flashlights bursting before her eyes, and boom poles hover above her head, hitting the chandelier. A group of journalists surround Larma D’Acy, yelling questions, to which she mostly replies with firm no-comments, all serious and dignified. Near the entrance, there are more cameras, barely fitting into the hall. They’ve ganged up on someone, Rey sees—it’s Temiri, to her surprise, so small that his head barely peeks above the microphones pushed into his face. The traces of the beating he took are still visible, bruises turning pale green, and he’s crying.

Rey’s hands clench into fists. She kicks open the entrance door with brute force, almost hitting a journalist who was on his way in, and rushes down the stairs without looking back.

Fresh air startles her in the street—it’s cooling, vitalizing, but instead of calming her down, it makes her heart race.

She needs to sit, she realizes.

She needs a moment to think, if she wants to do this properly.

Rey spends the next hour in the same park in which she whiled away the afternoon. Chestnuts fall on the path around her, but she doesn’t hear them clink as they hit the sidewalk. When she finally musters the will to take out her phone, she expects her hands to shake, but they don’t. Her movements are confident. 

It must be because she knows that things have finally come to their place.

She breathes in, caressing the phone keys with her thumb, and then she makes herself dial that number she had learned by heart at the age of fourteen.

No one answers.

Rey lets it ring until the call disconnects, a sharp click echoing in her ear. Then she promptly presses the redial key—the phone rings into the void again.

He’s not home.

Good.

On the count of three, she tells herself, she’ll get up and start walking.

She throws one last glance at the park—children play on swings, young mothers gossip, covering their mouths as they giggle, shiny balloons fly high, blue and green and gold, catching the evening light. Soon, it will be time to head home.

One, one thousand. Two, one thousand. Three, one thousand.

Go.

Rey walks to his apartment. There’s something soothing in the sound of her heels hitting the cobblestones, click after click, like a beat to a trance. It’s empowering, and she can’t slow down. People in the street make way to let her pass, their backs against walls and parked cars, but she barely notices them. She keeps the phone in her hand, dialing the number from time to time—there’s no answer, he hasn’t returned.

In front of his building, she pauses for a moment, staring at the entrance door.

The shape of her reflection in the dusted glass is blurred, just an outline. Her hair is a mess, she observes. She smooths it down, not knowing why, and then takes the keys out of her bag.

She’s been carrying them around since the bombing. 

The door screeches heavily as she enters. She doesn’t check if there’re security cameras around, or if some of the neighbors have seen her—she doesn’t give a damn. Toying with the rabbit keychain, she climbs the stairs, and shakes her head when she sees that after all these years, it’s still “Tarkin” at the name plaque.

The apartment smells of him.

He’s left the windows open, but it doesn’t change much—she can feel his aftershave, amber and musk, mixed with the tang of his sweat and the sharp reek of booze. Her knees buckle, but Rey grits her teeth and marches into the living room.

She will be strong for this.

The grandfather’s sepia portrait is back in its place on the coffee table, and the floor is covered with rumpled dress shirts. Lately, he seems to be fond of dark grey. There’re empty bottles in the corners, too many of them—glass rattles as Rey walks by. Smirnoff. He must be going through his stash rather quickly, she thinks, or he hasn’t thrown out the garbage for way too long. She doesn’t know which is worse.

Rey enters the bedroom—the bed is unmade, with sheets so disheveled they’re pulled from the mattress. She can picture him tossing as he can’t fall asleep, dark eyes locked on the ceiling, head too woozy from vodka to think straight. Not that thinking was ever his specialty.

Monster.

Strange, there’s a knot in her stomach, but she doesn’t feel distressed, or hesitant. Just calm. She has a purpose. 

He always used to say that it was fate that brought them together. Maybe it did, in the end.

She approaches the cabinet and opens the upper drawer.

It’s there.

A lifetime ago, she remembers, as she rummaged through his apartment looking for hidden booze, she spent a full minute staring at the gun nested between all the junk that cluttered the drawer. She wondered if she could ever shoot, if push came to shove. Funny how things have come full circle.

Rey takes the gun out, savoring its weight in her hand.

It’s heavier than she thought. Cold. The checkered grip is rough against her palm. It's well used, she sees—the black paint is chipped around the edges, revealing dark metal, and it smells of oil, rubbery and pungent and a little sweet. She lifts it, pointing at the wall, just to test how it feels.

It can’t be too difficult to shoot, can it?

She will be strong for this.

All that’s left now is to wait.

Hours pass, and outside it is night. Rey sits on the unmade bed in the dark, holding the gun so tight that her palm bruises. She counts: from zero to one thousand, and then backward. And again. Odd numbers, even numbers, prime numbers. Repeat. Focus. Don't give in, don't overthink.

Her own breathing is too loud.

The moment is frozen in time. Rey doesn’t move, not even to brush away the hair that sticks to her sweaty brow. She tells herself this is something that only she can do. Every so often, she fears she may change her mind, and it is then that the gun slightly trembles in her hand—she squeezes it tighter. As the hours slip away and the numbers roll off her tongue like a litany, she is more and more certain that there is no other way.

It is fate.

The wall clock ticks, resonating from the other room, and somewhere in the street, a dog barks.

The monster arrives home after midnight.

The door clicks and he enters, clunky steps thumping on wooden planks. Then he abruptly stops. He must see that something is amiss, Rey thinks. She didn’t bother to cover her tracks—the door is left unlocked, the lights are on in the living room.

She hears his breath catch.

“Rey?”

Fuck her life, there’s joy in his voice.

How dare he?

Footsteps approach, and she gets up from the bed.

She will be strong, she will. She will.

“Rey…?”

She sees him in the doorframe, so large he’s blocking the light. There’s a flicker of a smile—she won’t look, won’t notice how his chipped fang glints in the corner of his mouth—and then he sways, holding onto the wall. The sick fuck got shitfaced after a job well done, didn’t he? Obviously. She needed to see this, a proof that she is right—it makes her clench her jaw and square her shoulders and revel in righteous anger. After everything he had done, after all the shit that taints the soul, this ending is what he deserves. Mad dogs must be put down.

Rey lifts the gun.

Kylo freezes. For a few breaths, they just stare at each other.

Then, slowly, he takes a step back.

It’s not fear she reads on his face, no—shock, maybe. He’s stunned. That’s good, Rey thinks. Good. She wants him to know how it feels.

Never had someone hold you at gunpoint, did you, creep?

She pulls back the hammer the way she saw him do, and feels her finger trembling on the trigger.

But in that moment, Kylo's expression softens.

“Go on. Do it.”

He nods, almost like in encouragement, and a sad non-smile tugs at his lips. 

The gun is heavy, it’s an effort to keep it raised. She fears her hands will start shaking. Kylo cocks his head slightly, a calm acceptance in his eyes, and as his smile widens, she can’t stand the emotions she sees in there.

“Here.” He taps at the center of his chest. “Aim for the heart. If you don’t, I may not die, or it’ll take too long.”

All of a sudden, Rey tastes salt—her cheeks are wet, she notices. She hasn’t realized she started crying. She licks her lips—it’s bitter, like seawater—and makes herself think how Amilyn had felt looking down the barrel, tired, stressed, pushed into a role she never wanted, her eyeshadow shimmering like dragonfly wings. Fuck the victory that comes at such a price.

The gun rattles as Rey’s hands begin to shake.

“Was it you?” She doesn’t even know why she asks. “Did you do it?”

“If I say yes, will it make it easier?”

Rey blinks, eyelashes heavy with tears. Her eyes begin to burn. She feels her aim dropping, but she bites her lip and lifts the gun, pointing at his chest. Kylo smiles again, nodding like he understands—he looks so sad it makes her want to scream.

It was him, wasn’t it?

“Do it, Rey,” he whispers, and it sounds like a plea. “It’s okay if it’s you.”

The gun clunks when Rey drops it to the floor.

She remembers Finn’s words from years ago—there are people who can shoot, and those who can’t. Her eyes clouded, she looks up at Kylo. He doesn’t reach for the gun, but just stands in the doorway, unnervingly calm.

Breathe, she tells herself. Breathe. The spell fails, however—she’s choking.

It takes her a moment to register that the sound that she hears is her own wail.

Fuck.

Rey folds onto herself and curls up on the floor. The carpet wool is rough against her knees, coarse. Her skin’s aflame. The tears pool on her upper lip, salt dripping into her mouth, and she’s screaming, she thinks. How the fuck can she be so loud, when she’s struggling to breathe?

Then, the floor creaks. Light surges into the room as Kylo kneels by her side, warm arms wrapping around her shoulders, pulling her close. Her nose brushes his neck—his scent is overwhelming. She feels his heartbeat thumping against her chest, mad, frenzied, but he’s still so firm.

Rey inhales a noisy gulp of air.

She wants to push him away, but grabs his shirt so tight the fabric rips at the seams.

“It’s alright, love,” Kylo whispers, and she isn’t sure if there’s a soft touch of lips on her forehead. “Let it all out, I’ve got you. I’m here.”

She can’t remember the last time someone held her while she cried.

“It… It wasn’t… It wasn’t you. It wasn’t.” His shirt is silky under her palm, slipping between her fingers, and Rey grips it, claws at it. “It wasn’t.”

“No.”  Kylo shifts her in his arms and she whimpers, enveloped in his warmth. “Wasn’t me.”

A sob shakes her body.

“But… Everything made sense… It did!” Rey shivers. She feels stupid, stupid. Irrational.

Ashamed.

“Fuck, Kylo… There were dogs in that park!”

It’s only when she says it out loud that she understands how ridiculous it sounds.

A calloused thumb caresses her cheek, wiping away the tears, ghosting across her jawline.

“There’re dogs in every park, love.” He hugs her tighter. “And I’m not the only one doing dirty work for the regime.”

She knows that. She should have known that.

Not every act of unspeakable evil is his deed—it can’t be, no matter what she may think, what she wants to think. No matter how badly she wishes to be free of him. 

And still—he would have let her go through with it without a word.

It feels like waking up from a dream. Rey shrieks again, drowning.

“I’m sorry. I… I don’t know what I was… I’m sorry, I’m so sorry, I’m sorry.”

She can't remember if she has ever apologized to him.

“Hush, my love. Hush.”

He kisses her hair, she feels it this time. She’s sitting in his lap, she realizes, his long legs folded around her as if to shield her from the world. Or cage her.

“I told you, it’s okay if it’s you. It would’ve been a good way to go.”

Rey huffs, but it makes her nose run, and she thinks she could almost laugh.

“You… Fuck you, Kylo. You’re one sick fuck, do you know that?”

Something akin to a chuckle rumbles in his chest—the sound is familiar, comforting. It brings back memories. Rey presses her forehead into the crook of his neck, and wants to say something more, but doesn’t know what. The tears are drying on her face, trails of salt tightening the skin.

She breathes.

It’s cold outside, September breeze blowing through the open windows, and Rey suddenly feels exposed in her summer dress. Goosebumps prickle up her shoulders. She cuddles up to Kylo, craving warmth, but he pulls back. Why?

Rey tilts her head to meet his gaze, and he cups both her cheeks, holding her firmly.

Time stops.

“Kiss me,” he says.

And there it is.

She’s never hated him as much as she does in this moment. She knows why he’s giving her the choice.

May you rot in hell, Kylo.

Rey closes her eyes and leans forward.

At first, the kiss is chaste, tentative. Almost childlike. It lasts but a heartbeat, however—Kylo grunts and rakes his fingers through her hair, pulling her closer, and then there’s tongue, and teeth, and hunger. It tastes of tears and vodka, of the last remnants of strawberry lip gloss. Of him. His kisses were never soft. He licks into her mouth, chipped fang grazing her bottom lip, and Rey struggles for air again.

It’s been so long.

“I may be a sick fuck, my love,” Kylo moans, “but you’re still mine.”

The room is spinning around her, and she’s sinking. Her hands roam—she touches the rough denim of his jeans, the silk of his shirt. Rey pulls at the fabric—the shirt rips loudly, buttons falling to the carpet, and Kylo chuckles against her throat. He bites into her skin, and then licks the bruise, and Rey hopes it will leave a mark. It’s all so fucking familiar.

Her mouth waters when she senses the bullet scar beneath her fingers. It’s round, puckered, bone fractures bumpy under the skin. She digs her nails in, and Kylo’s shoulder erupts in goosebumps. He groans, a low growl coming from the pit of his chest, and when he grinds his hips against the thin cotton between her legs, she feels it. He’s hard.

It’s been so long, so long.

She won’t stop to think what she’s doing.

It’s okay to take comfort in the familiar.

It’s okay.

It’s okay if it’s him.

Fabric rustles, and Kylo hikes up her dress to her waist. She feels a brush of fingers across her inner thigh. Rey wraps her legs around his hips—he’s so hard, her monster, so impatient—and Kylo lifts her up to the bed. The wrinkled sheets are soft under her skin, they smell of him. His belt clicks, and he rushes to unbutton his jeans. Rey reaches out to help him, but he’s fast, and suddenly she feels the hot, velvety skin of his arousal against her palm.

He groans at the touch.

“I’ve missed you, my love.”

She’s missed him too, Rey thinks as she closes her eyes, but she won’t say it. She slips the panties down her thighs and spread her legs, pulling him on top of her, and her breath hitches when she feels his weight pressing her into the mattress.

“Monster,” she whispers in his ear.

Kylo shivers as he sinks into her.

It hurts, at first. It’s been too long, she’s lost the habit, it’s uncomfortable. For a brief moment, she even enjoys that it’s awkward—like their first time, vulnerable and intimate. But he knows her body well. He slows down his thrusts the way she likes it, heavy, needy, fire spilling out, his teeth sharp against her throat, and fuck, it’s there—she feels it coiling up between her legs, blossoming in the depth of her belly. The moan she lets out is obscene. The muscles of his back ripple under her palms, sweat making his skin slick, and Rey drags her nails down his spine, digging in deep. Kylo shudders—good. She hopes she drew blood.

She wants to tear him apart.

The world shatters when she comes, squeezing his waist between her thighs, and she presses her heels into his bottom to push him in deeper.

“Mine.” Kylo bites her, kisses her, whispers into her hair. “Always mine.”

He pulls out, trembles above her, and strings of hot liquid burst on her stomach. Rey remembers the taste. She reaches out to touch his face—he’s beautiful, she thinks as she caresses his scar, he’s always been beautiful when pleasure made him gasp.

Kylo collapses on top of her, his semen sticky between them. She feels it gliding down her ribs, dripping on the sheets. He’s heavy. Rey hugs him, tangles her fingers in his hair—it’s so thick, raven-black in the dark. He shifts, and the belt of his jeans clicks. He didn’t take them off, just pushed them down to his knees.

Her dress must be stained, she thinks.

“Are you okay, love?” he breathes against her neck.

Rey nods—she can’t speak.

They lay like that for a while.

She keeps waiting for the guilt to kick in, the horror of realizing what she’s just done to shake her, but nothing happens. She feels peaceful. Sated. And he’s so warm.

“Will you stay?” Kylo asks at last, his voice barely a whisper.

It takes her a moment to answer.

“We have no future, Kylo.”

She hears a scoff—he doesn’t like being reminded. “I know that. But still. Will you stay?”

Rey pauses to think.

It’s September, three weeks to elections, the event that will change the fate of their country. The Resistance is shaken to the core. Amilyn is dead, dead, shot like a dog and left for everyone to see, Poe is crippled with pain, and Leia lies in hospital. All that the opposition has is a name that the politicians may or may not have revealed that afternoon, if there ever was a press conference, considering. A terrible fight is ahead of them.

And here she is, spiraling into insanity headfirst.

“I’ll stay,” she says. “For now.”

 

Notes:

Historical note: Certain elements of this chapter are partly inspired by a real life incident.

In late August 2000, several weeks before the presidential elections that would indeed change the fate of our country, a man went for a jog. He was an old enemy of the regime and, rumor had it, a possible joint candidate of the opposition - although there weren't any official statements that he was interested in running for office. He never came home from jogging. They found his body in 2003, buried in a lime pit near the capital. Murdered execution style. And even if some people were tried and convicted for the crime, to this day, the full circumstances of his assassination haven't been clarified.

So yeah, these things used to happen.

 

EDIT SEPTEMBER 2019:

My dear reader Riri19911 has surprised me with the most amazing gift a fic author can hope for - she commissioned the super talented Clara Gemm to illustrate this chapter, and the artist made TWO pieces of magnificent artwork! I am so touched and honored and happy and all kinds of aaaAAAaaaAAAaaAAAAAA ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤

 


 


 

EDIT MARCH 2023:

I can't believe this is still happening three years since I posted the last part of the story, but hey - the wonderful CardHoldesCat has made art inspired by this chapter, and it's amazing! She truly captured the turbulent emotions of the scene with their poses and expressions, and with black-and-white characters on the dramatic red background, and I love the attention to detail - like Rey's polka dot dress. It's such a privilege and honor when your words inspire talented artists to turn them into images! ❤️❤️❤️

 

Chapter 25: If Only Tonight We Could Sleep

Summary:

She fears what the world will look like when she wakes up.

Notes:

I learned a valuable life lesson in between the last two updates.

Namely, last week, my laptop experienced a blue screen of death. The good people from the computer repair shop managed to bring it back to life, but alas, all data created after June 30th ended up permanently gone. This meant that I lost around a week worth of writing - roughly one third of the chapter, which was almost finished by the moment the laptop decided to die on me.

Now, I managed to piece it back together, mostly from bits and passages I'd been sending to my alpha reader. However, reconstructing the chapter took a few extra days of work, and therefore, the update is late. I am so very sorry.

Moral of the story: fuck word processors, from now on, I'm writing in Google Docs only.

Beta’d by KathKnight

(See the end of the chapter for more notes.)

Chapter Text

 

If Only Tonight We Could Sleep

 

 

 

At some point in the night, they get up from the bed to remove their clothes.

She lets Kylo undress her. The act carries a meaning for him, she can tell—he treats it as something sacred, ritualistic. Like a ceremony. His lips curve as he fumbles with the zipper and peels down the polka dot fabric that clings to her skin, and there it is at last, his happy smile, fragile and difficult to attain. The one that belongs to her. Rey traces his mouth with the tip of her finger, savoring the smoothness of his kiss-bruised lips. They’re dark against his pallor, red almost, like crushed berries.

The dress drops to the floor and she’s naked before him.

Kylo takes his ripped shirt and starts wiping her skin, gently rubbing away the dried trails of his semen. The silk ruffles, tickling her, and goosebumps prickle down her ribs. Rey chuckles quietly. He likes that—his smile widens into a grin, crooked teeth sharp against soft lips, and suddenly Rey feels shy. She can’t explain why.

A few hours ago, she believed she could shoot.

“You… you want a shower, maybe?” He leans forward to plant a kiss above her navel.

“I’m fine.”

Kylo nods, his forehead pressed against her stomach. His hands ghost across her waist and the curve of her bottom, calloused thumbs grazing her hipbones, a caress both rough and tender. Then he lowers his head, and she feels his warm breath between her legs, followed by a brief, tentative lick—soft, wet, just the tip of the tongue. Like a promise.

Kylo sits back and looks at her with hooded eyes.

“Wanna go to sleep?”

For a moment, she thinks it’s not sleep he has in mind, but then she sees the fatigue on his face. The light is blue in the room, the first hour of dawn brightening the sky, and shadows creep into their world, dancing across his creased forehead and the hollow bags under his eyes.

Rey touches the tip of his nose, like he used to do to her when she was little. “Yes.”

He chuckles and picks her up like she weighs nothing—the sick fuck is genuinely happy, even after what she has tried to do—and when he lays her down on the bed, he wraps himself around her like all is right with the world.   

Maybe he knows her better than she does, Rey thinks. Maybe he knew she’d never pull the trigger. Or maybe he was really ready to let her do it, because he’s mad and this is all wrong, and there are no simple answers, only tradeoffs that become more and more complicated.

Fuck her life.

Kylo falls asleep quickly, steady snores huffing into her hair. No insomnia after getting laid, it seems. His eyelids flutter like he’s dreaming, and Rey hates that she finds it sweet. She has marked him well, she sees as more light penetrates the room—his shoulders are striped with scratches. At some places, she even broke the skin. With the tip of her nail, Rey traces the pink web of bruises she has created, resisting the urge to kiss the marks, or dig in deeper.

He looks younger when he’s asleep. 

Outside, it dawns: the birds chirp in staccato. Blackbirds, probably. They should be around, Rey sees them in the parks, specks of darkness in the grass, orange beaks glistening like gold. Or could it be nightingales? Are there even nightingales in the city? It’s a miracle there’re any songbirds at all in this neighborhood, with all the stray cats lurking to strangle them. All that remains are feathers scattered on the cobblestones.

Rey shifts and cuddles up to him, her hands wandering across the firm planes of muscle, looking for new scars. She finds none—it appears that the war in the south was merciful to his body. Or perhaps he wasn’t in the hotspots, now that he’s in command. But no—the sick fuck takes pride in getting his hands dirty. Of course he was there to personally carry out the horrors that made sense in his head. Crimes against humanity, Rey recites: murder, deportation, persecutions, and violations of the customs of war. She studies his profile, reaching out to gently trail the shape of his nose. Once, she used to find joy in touching him like this, like a special kind of intimacy that only the two of them could share.

It’s the little things she liked the most, Rey remembers.

She can’t sleep. She fears what the world will look like when she wakes up.

The birds have flown away and outside it is bright, a lovely sunny day. Someone is trying to start a car right below their window—the engine stutters, and it takes three attempts to get it going. She hears children laughing, yelling, chanting the same anti-regime tune that Poe sang yesterday—they make it sound like a nursery rhyme. It seems they’re on their way to school.

She tries counting, but loses focus quickly, numbers trailing off, slipping away like smoke. She breathes. She can’t keep her eyes closed.

She listens to his heartbeats, her palm resting on his chest, right on the place where he told her to shoot him. 

The room is getting too warm, like it’s the first day of an Indian summer, and Rey finally drifts into a shallow slumber. She dreams, of course she does, but it’s vague and slippery and she can’t grasp the meaning—a series of moods rather than images. There’s shame and arousal and anger, she thinks, anger so strong she shouts at someone but doesn’t know whom, and she’s too young again, and she’s told a lie, but can’t remember what.

“Love?” Kylo presses a soft kiss in the corner of her mouth. “It’s past noon.”

She feels like she’s fallen asleep just a breath ago.

Rey sits up in the bed, her head spinning. She touches the sheets—they’re damp with sweat. Her heartbeat picks up as if she’s startled, even though she isn’t. There’s food, she realizes after a moment: she smells bacon, and toast, and freshly brewed coffee—black, the way she likes it. Her mouth waters. The last thing she ate was the ice-cream, yesterday.

“You have pillow lines on your cheek.” Kylo caresses her face. “Come. I got hungry waiting for you to wake up.”

She stares at him. Fuck.

It’s strange to be naked like this, awake in broad daylight, with everything on display.

Rey sways as she gets up from the bed, an odd headache building up in her temples. The carpet feels rough beneath her soles, and her joints pop as she stretches. The gun is no longer on the floor, she sees—that’s the first thing she checks—and she wonders if he returned it to the drawer, or stashed it away somewhere where she can’t find it. Her stained dress lies discarded by the bedpost. She glances at it, doesn’t feel like putting it back on, but Kylo readily hands her a large grey t-shirt.

The memories of back then hit her like a fucking gut punch.

She wants to say something, a good morning at least, but she can’t find the words.

“I think I made too much food,” Kylo says as she pads behind him to the kitchen, the hem of his t-shirt reaching her mid-thighs. “But it’s okay. It’s late. It’ll be like lunch. And we can eat later, too.”

Of course there’s a later. She said she’d stay.

“Don’t you…” Her voice rasps—Rey pauses to clear her throat. “Don’t you have to be somewhere? Do stuff? Take care of the, uh, First Order business?”

The unasked question of what the First Order is doing these days hangs between them, but Rey isn’t sure she wants the answer—not after everything.

“I called Armitage. Told him I wouldn’t be around today.”

“Did you tell him why?”

He doesn’t say anything, but grins too widely, and all of a sudden there’s something cocky in his posture, a swagger she’s not used to seeing. She finds it unbearable.

“We’re not in a relationship, Kylo.”

He rolls his eyes. “You’re getting repetitive, y’know.”

The bacon is gone within seconds, and the toast crunches when Rey bites into it. Crumbs fall from her chin—she’s always been a messy eater, she can’t help it. A loud slurp escapes her lips as she licks the melted butter from her fingers, and Kylo swallows a chuckle. He likes watching her eat, a smile for every bite she takes. Rey understands. In part, it’s because he’s the one making the food—the bastard’s proud of his cooking, and he feels good seeing it’s appreciated, cherished, especially since he knows too well how she grew up in the Home. On the other hand, he simply likes watching her. She should find it unsettling, but she doesn’t.

Rey glances at the plum jam on the table, reaches out to turn the jar and check the label. It’s her favorite brand. The sick fuck was well prepared, it seems. She wonders when he bought it—before or after the goldfish?  

She can’t sit in silence.

“Did you know?”

Funny, of all the things she could have asked, he understands exactly what she means.

“Not directly, no,” Kylo says, and proceeds to pour himself more coffee. He takes it with sugar. “I knew she made them uncomfortable.”

He doesn’t meet her eyes, staring at the table in front of him, stirring the coffee. The metal spoon jingles as it hits the ceramic, rhythmic chinks continuing even after the sugar has melted. It’s a new mug, Rey sees: glossy, big comic book letters spelling out a cheesy slogan—Do I look like a fucking people person? A gift from Armitage, she’ll bet.

She doesn’t expect him to go on, but he does.

“They were afraid of her, y’know. Thought she might win, if she ran. I’ve heard rumors, people saying something had to be done, but nothing, well, official. For lack of a better word.” Kylo takes the spoon out—brown stains blossom on the tablecloth as he throws it among the plates. When he lifts his gaze, his eyes are wide open. “To be honest, I was surprised too.”

With a nod, Rey picks up the spoon. The metal is warmed by his hand. She waits for his words to sink in, but he’s not finished yet. Whatever he has to say, it seems to be difficult to articulate, and he opens and closes his mouth several times before coming up with a sentence.

“I knew her. She was my mother’s friend.” He licks his lips, presses them together the way he always does when he’s stressed. “I’m sorry.”

Ah.

It rings true, Rey must admit. She can almost believe he feels bad about it.

Almost.

“But if you knew, would you… Would you have told me?” she asks. “Given me a warning?”

And just like that, all traces of this thing akin to remorse disappear from his face.

“If the regime loses, love, if they fall, that’s it for me.” Kylo snarlsthe uncontrolled twitch of his upper lip makes him look like a wolf. He points to the sky when he says they, as if he’s talking about some vicious pagan gods living in the clouds. “I’ll be done for. Arrested. Shipped off to the Netherlands for a sham trial.”

It feels strange to hear him acknowledge it.

All this time, the war crimes indictment had an abstract quality to it, like a symbol of sorts, a scarlet letter proving he’s a monster. It has never crossed her mind that there could be an actual trial, with judges and lawyers and witnesses and a verdict, and all that comes after.

Is he afraid?

“You think the trial would be rigged?”

Kylo frowns as if he’s frustrated she’s asking something so stupid. “What do you think it’d be, love, a fair process?” He huffs. “I don’t believe in the Western justice. They’ve decided a long time ago who’re the villains in this story. They must keep holding onto their lies, or this bullshit narrative they’ve built will fall apart. The trials will be just for show, so they can publicly pronounce us guilty.”

Rey squeezes the spoon so tight she thinks she might bend it.

“But aren’t you?” She looks up into his eyes. “Guilty?”

Kylo’s face darkens.

“I did what had to be done.”

There it is, his favorite excuse. It had to be done.

“If you were doing it for the good of the country, you did a shit job.” Rey holds his gaze, doesn’t flinch when she sees his jaw clenching, the tic under his eye pulsating in rapid flutters. “What had to be done got us bombed.”

Kylo jumps up from the table, nearly kicking over his chair. The plates rattle as he storms by the counter. He lifts his palms in the air, a gesture of resentment and exasperation, and for a moment she sees it again—the red hot flames of rage flickering through the cracks in his façade. Rey squares her shoulders, expecting him to flip over the furniture and break something—he’s always enjoyed the feeling of things losing shape, snapping between his hands when the anger was too difficult to handle.

He doesn’t scare her, she thinks.

But then Kylo stops, breathes in, suddenly too calm. When he speaks, he sounds sad.

“Fuck, Rey. Years later, and you’re none the wiser. Still buying the bullshit.”

He rubs his temples, his movements measured as if to practice patience, and then he exhales loudly, struggling to choose the right words for what he’s about to say. Rey already knows she won’t like it.

“The West bombed us because it served their interests,” he declares. “Your precious Resistance, it’s the same. You exist because they want you to.”

Rey stiffens, shifting in the chair.

What?

“That’s not true.”

“Yeah?” Kylo sneers, visibly pleased with her reaction. “Ever wondered where the Resistance funds came from? Brand new computers, an office in the pedestrian zone, all those PR dipshits who cost a fortune. You think the money fell from the sky, or are those dollars dripping in because the Americans need you to play a role?”

So he’s talking about the money. 

Rey knew that—Leia had said that the majority of funds were coming from international donations. That is fine. Without the support of the global community, they can never succeed in their goal.

It’s all fairly transparent, right?

She frowns. “Well, at least it’s a good role.”

Her words make him laugh—he breathes out a guttural rumble not unlike a growl, both amused and unhappy.

“Good, eh?” A dramatic pause. “Remember how, years ago, you mocked me when I told you that all I’d done was for good?”

Fucking sick fuck.

“How dare you compare the two?”

Heavy footsteps echo as Kylo crosses the kitchen. He leans above her and grabs her by the chin, rough fingers stroking her jaw as he’s holding her. But despite his size and strength and the darkness that makes his hands shake, the gesture is nothing but gentle.

“Look at me, love. Look me in the eyes. Do you really believe I’ve never done anything good?”

His pupils are dilated, Rey observes—she can almost see her reflection in them. He breathes through his mouth, lips parted, and the muscle under his eye tics even though he is calm, waiting for her response.

She doesn’t know what to say.

“You think I’ve never saved lives, defended people? Bled for them?” he continues. “Stopped the terrorists from burning down our villages, from killing everyone who isn’t them?”

Goddammit, Kylo.

If this is the good he has in mind, it means that after all these years he hasn’t changed one bit.

“And you did that by burning down their villages and killing everyone who isn’t us.”

Kylo scoffs, letting go of her face. 

The absence of his touch feels odd, like she’s suddenly cold, even though it’s a hot, humid day outside. He walks over to the counter and opens a cupboard, taking out a glass.

“Why so naïve, Rey?” He doesn’t look at her, his eyes locked on the empty glass as if it’s holding answers. “No one got away from this war with their hands clean, love. No one. You should know better, you were here—fuck, you were right here—during the bombing.”

Kylo points at the room, waving with the glass, and Rey crosses her arms, elbows on the table, chin raised high.

“You know the West was dropping cassette bombs on civilians. You do. But I’ll bet you’ve never seen what it actually looked like, they weren’t showing that shit on TV. It’s bad for any propaganda.” He gives a bitter chuckle. “I’ve seen it, my love. More than once. Good luck identifying a body after it’s been blown to bits.”

Suddenly, she thinks of Paige.

She remembers Rose crying on the phone, the sound distorted by the bad connection, half crackling, half teary hiccups. They couldn’t hold a proper funeral, Rose kept saying. They couldn’t.

There was no body to bury.

But Kylo keeps talking.

“And yet, no court in the Netherlands will hold the fucking West accountable for the crimes they did. That’s not how the world works, my love. That’d never fit the narrative in which they’re the heroes and we’re the villains.”

She’s afraid to examine what he says—if she tries thinking through his words, who knows what she may find, and now is not the moment.

She wants to make him shut up.

“You’ve always been good to me,” Rey admits. “Always.”

And you got the meds for your mother when I asked you, she thinks. You did. She doesn’t say it aloud, though.

“But I watched you kill, Kylo. I saw. I know how you smile when you take a life.”

The line between his eyebrows deepens and he shakes his head, suddenly looking older, too tired to keep arguing. He stares at her with narrowed eyes, as if he’s waiting for her to change her mind or clarify her words, but Rey doesn’t. Then, finally, he scoffs and opens the upper cupboard to take out a bottle, one of many that look just alike.

The cap creaks as he twists it open, and he fills his glass with clear, sharp-smelling liquid. Fucking Smirnoff.

“Don’t do that,” Rey says.

Kylo lifts the glass like he’s toasting.

“I don’t think your opinion counts. We’re not in a relationship, remember?”

Shit.

Yesterday, when she held him at gunpoint, tried to shoot him for fuck’s sake, he seemed less upset. The disappointment in his eyes hurts, and Rey hates that it can still affect her.

“I didn’t mean to argue.” Her voice is soft as she whispers.

“Oh yes, you did.” Kylo shrugs and downs his vodka in a single gulp. “Now come, love. Help me with the dishes.”

Rey leaves him hunched above the sink, the open bottle at hand, shimmering dish soap foam spilling over the counter as he scrubs the plates a tad too vigorously. She makes her way to the living room, plops down to the couch, lifts her legs up and crosses them—her limbs are still stiff from the lack of sleep.

If she wants to go home, this is a good moment. He’ll let her leave without lifting an eyebrow.

But she promised she’d stay.

Rey picks up her bag from the floor and takes her phone—she hasn’t checked it since yesterday, left it on silent, too scared of any distractions that could’ve made her think about what she was doing. She shakes her head when she unlocks the screen. Two missed calls from an unknown number, plus four from Rose and eleven from Finn; three texts from Poe—one that he’s doing okay, other to call him when she can, the third something about t-shirt prints that she doesn’t quite understand; and finally a short message from Armitage—You’re an idiot, it reads.

Well. They agree on that.

Rey sighs, holding her breath to the count of five, and then she starts typing.

Can’t talk now. Will call later. What’s with the t-shirts?

Poe doesn’t answer right away—for a moment, it makes her feel guilty for leaving him yesterday, alone and in pain among all those cameras. She shouldn’t have done that. It was stupid and selfish, a base impulse disguised as rambling about purpose and fate. She should have recognized how insane her thinking was.

Who knows where Poe is now or how he’s coping, and she’s exhausted from being worried.

But then her phone vibrates.

I’ll explain. You’re with your special someone?

Rey peeks behind the couch armrest, glancing at the kitchen door—the dishes are still clunking, the rattle louder than usual. It’s a wonder he hasn’t broken anything yet.

Yes, she replies.

Take your time, sunshine. Enjoy every moment of happiness you can :)

She smiles, rolling her eyes at the silly emoji sign, but when she reads the message for the second time, she feels the tears building up in her throat.

Fuck her life.

Rey chuckles wryly—the words have become her personal mantra.

The noise in the kitchen stops, and the silence feels odd, too sudden, like an echo of her headache that’s increasingly getting worse. She can hear her own breathing—she had no idea it was this loud. Then, Kylo enters the room. He smells of dish soap: lemon and chemicals and cleanliness, and a bright shade of green. She expects him to say something, but he doesn’t. He stands near the door, hesitant, wiping his hands with a checkered napkin and chewing on his bottom lip. He’s wet, she sees—the soapy stains make the wife-beater top cling to his skin.

Rey moves to the side and folds her legs, freeing up space for him to sit.

The couch creaks as Kylo drops down next to her, and she wonders how a man so awkwardly inelegant can sometimes move his body with such precision—when he kills, or when he makes love to her.

“Kylo?” She caresses the scratch marks she’s left—his skin is burning hot, inflamed, and she’s certain they hurt. “Uh, I… I didn’t… I… Well.”

She has no clue what she’s trying to say, but Kylo nods nonetheless. His hair falls across his face, strands of grey visible against the pitch black, and Rey tucks it behind his ear. She lets her hand linger there for a moment.

She missed the shape of his ears.

“I still love you, y’know,” Kylo says suddenly. “Sometimes I wish I didn’t, because life would be easier, but I do. And I… Fuck, Rey. I don’t regret it.”

It’s not a surprise, not in the least—she’s known all along, the sick fuck has always been shamelessly open about his feelings. Still, hearing him say it makes her breath hitch. Blood rushes to her cheeks—her whole face must be turning red. How painfully girlish of her to blush.

How vulnerable.

If there is a right answer to this, it eludes her. Everything that comes to her mind is too simple to describe how she feels, too fucking definite. But Kylo is looking at her sideways, tense, on tenterhooks—he wants her reaction, she sees. All of a sudden he seems sheepish, hunched over like he’s expecting a blow, but his eyes still glow with hunger and yearning and need—how does he do that?

“Come here.” Rey wraps her arms around his neck to pull him closer. “Come. It’s okay. You’re still my monster.”

The taste is sharp when he kisses her, spicy, with an undertone that makes her think of roasted almonds—it’s the first time she senses the vodka so directly on his lips. Kylo hums, a deep purr that’s at the same time sleepy and aroused, and she glides her hand across his chest, feeling his breath shake under her palm. His top is still wet. With the tip of his finger, Kylo touches her throat, feather-light, as gentle as he can—it’s where he left the bruises. Rey saw them in the mirror, in passing: dark purple and deep red, swollen, impossible to cover. She didn’t dare to take a closer look. 

People are going to ask. 

Rey breaks the kiss to hug him tighter, inhaling the scent of his hair. 

“I tried,” she says. “Others.” 

Kylo tenses in her arms, suddenly going rigid, too heavy as he lies on top of her. His weight bears down on her breasts. It takes him a moment, but when he speaks, his voice is strained—it’s the reaction she has expected. 

“You did?”

Rey nods.

“A boy from college, from my study group. He used to copy notes from me, so his excuse for asking me out was to pay me back,” she begins. “Then, a year later, there was a guy I met at the anniversary celebration of the student strike. We sang karaoke to ‘Ay Carmela’ together, both hopelessly off-key.”

Kylo’s breathing becomes louder, but he doesn’t say anything. She keeps stroking his hair.

“The third guy was a friend of Poe’s, that was the last attempt. I met him at Poe’s birthday party, the month before the bombing, and the poor dude was scared shitless of what Poe was gonna say if he learned we were dating.”

She remembers him the best: blue-eyed, baby-faced, her height, only a year older. Accented speech—the Northern singsong, typical for the part of the country that the Hapsburg Empire had whipped into civilization through centuries of conquest. He seemed like a nice guy. Mild-mannered. Good boyfriend material.

“Only we weren’t,” Rey clarifies. “Dating, I mean. We, uh… We never really got to that stage.”

A scoff—Kylo’s effort to stay quiet is palpable. He does relax a bit, however. She likes his possessiveness, it’s so unique. He’s always been quick to claim her—all those bite marks, all the strangled whispers of “I-love-you-you’re-mine-don’t-you-ever-forget” as he made her come against his tongue, writhing in his bed. But he never forced her to do anything she didn’t want—not even once. She was free to go whenever it pleased her.

That’s how he trapped her, she thinks.

“I tried to be normal, Kylo. I… I had to.” This is what she wants to say—to explain, to justify herself. To make him understand how thoroughly he fucked her up. “But it didn’t work out.”

He leans into her touch as she caresses the stubble on the crooked line of his jaw, but he still doesn’t speak.

“There’re too many rules to what a normal relationship should look like. How it should begin.”

Not that he would know, Rey remembers. The sick fuck has never been in one. As for her, she found it confusing, learning the rules.

Her friends were keen to explain the basics—Rose and poor Paige and the girls with whom she used to spend the coffee breaks between lectures. The rest, Rey figured out along the way. You have to show you’re interested, but you mustn’t be overeager, or you’ll look desperate. The needier you are, the less desirable you become. You have to pretend it’s casual, keep it cool, because strong feelings scare people away. Don’t be pushy, don’t expect too much, respect personal boundaries. Play hard to get—don’t answer every phone call, say you can’t go out even if you’re not busy, make it seem as if you have a life.

It worked, from what Rey could tell. It resulted in a few evenings of light flirting and shallow conversation, pleasant and polite and oddly rehearsed.

But at the end of the day, all her suitors were forgettable—no crazy coincidences, no mentions of fate, and no one was ready to offer the absolute.

“It felt fake, you know. Calculated,” Rey says.  “And… well, like a game, of sorts. And it felt wrong. Unnatural.

She kisses him—butterfly-soft, a whisper of lips across his hairline, and she sighs as his grip around her tightens, thick fingers digging into the skin of her back, crawling up beneath the t-shirt he gave her.

“I couldn’t. I tried, but I couldn’t.” Rey shakes her head adamantly. “Not… Not even a second date. Fuck, Kylo. I couldn’t even kiss them.”   

“And?” His voice vibrates like a growl, husking against her throat.

Rey pulls up the t-shirt, static crackling as it glides up her body. It ruffles her bun that fell apart last night. She feels the weight of his gaze on her bare breasts, on the thatch of hair down there she didn’t bother to shave. There’s no shyness left—not now, when she’s displayed like this in the afternoon sun, older, wiser, knowing what each little gesture means. Not when he’s touching her like she’s made for him. His tongue slithers across her nipple, damp breath eliciting a wave of goosebumps, and Rey whimpers, a moan she knows he’ll like. She recognizes the greed that stirs between her legs. The fire is familiar—it’s comfortable to burn.

“It’s always been you, monster,” Rey breathes into his lips. “Only you.”

Even if sometimes all she wishes for is to be free.

Kylo pushes into her with tenderness and urgency both—her first impulse is to dig her nails into his back when she feels him filling her, sinking into her heat, but she doesn’t. She hurt him too much last night, the scratches are swollen and sore, so Rey raises her arms above her head, resting them on the cushion. He seems to like it. He grunts between kisses, wraps his gun hand around her wrists, pins her to the couch. It’s almost too much, but it isn’t.

“You’re mine too, Kylo.” She trembles, squirming beneath him, falling down, down, losing herself as she burns, and she has no idea how she’ll crawl out of this pit. “Mine.”

He grows harder when he hears it, the bastard.

Rey comes with a soft whimper—she clenches around him, a wave of shallow pleasure curling her toes. It’s good, she thinks, it’s enough. She hopes he feels it. Kylo keeps going, his groans louder, lower, more wolfish—he’s getting close. The couch squeals rhythmically as he grinds into her hips—a silly noise, yet so empowering—and the rough fabric chafes against the naked skin of her back. Rey doesn’t mind, though. She barely notices. She’s watching him.

This is when he’s beautiful.

When he pulls out, she reaches down to wrap her fingers around his length, feeling it pulsate as he spills onto her hand, across her stomach and breasts. He calls out her name—he always liked that, as if the name itself belonged to him—and he shudders, one last grunt shaking his body. And then it’s over.

Kylo kisses her forehead as he lies down next to her, and he grows quiet, his lips parted, catching his breath.

There’s too much light in the room, on a day too hot for early September, and the couch is too small for the both of them.

“Was I… Was I too rough?” He takes her hand, examines her wrist, plants a kiss there. His tongue darts across her pulse, licking the blue stripes of veins.

“No.”

He was rougher last night, but he didn’t notice.

“I’m sorry. It’s just that… It’s been a while, my love, and I’m… Well.” Kylo chuckles quietly, and the tips of his ears blush red, sticking out through his hair. “Next time, we’ll take it slow. Do it properly.”

He’s looking at her, wide-eyed and grinning, all disheveled—the wife-beater top is stained, rolled up, his sweatpants hang past his hips, and sweat glistens on the flushed skin of his chest. He’s still hard. Rey wipes off her hand on his top—he rolls his eyes, but laughs again. It’s so easy to make him happy.

Of course there’ll be a next time. This is going to keep happening. They should buy condoms. Or she can ask him to get her the pill, but something proper, licensed, not some bootleg shit that may mess up her hormones. She’s heard horror stories about those.

“It’s okay.” Rey shifts under his weight so that he doesn’t crush her ribs. “It was… It was good. We’ll get back in shape quickly. You’ll see.”

She tries to imagine what her life will look like in the upcoming days. 

There’ll be the funeral, and the public outrage around it: people who’ve never met Amilyn Holdo will weep as if they’ve lost a family member, and a sea of wreaths and garlands will spread across the cemetery, drowning the statues of bereft angels and communist war heroes. She’ll bring sunflowers, Rey decides. There’ll be the campaign—show must go on, no way around it. There’ll be posters and slogans and leaflets, and rallies too, all over the country, pushing hard for this mysterious candidate whose name she still doesn’t know. Then, there’ll be the voting day, September 24th. Already now, rumor has it that the regime plans to cheat—double-bottom ballot boxes, forged electoral rolls, crazy techniques to rig the counting of votes. The Resistance should be vigilant. And if, by some miracle, they do win—which they have to, they must—there’ll be a fight. The dark side won’t throw the towel just like that.

And in between days, she’ll be sleeping with the enemy. 

This is not a relationship, Rey reminds herself as she strokes his bristled cheek—he gives her a dorky smile, kisses the side of her neck. This is taking comfort in the familiar, while they both still can. 

Three more weeks.

Rey looks at the clock on the wall—it’s four in the afternoon. Time passes so quickly when she’s with him, as if there’s a power to this place, a mystical force that stops the world from spinning when they’re together. A pipe dream in which they’re happy—they’ve been there before. But things have changed. She’s no longer seventeen, and she can’t disappear for five days.

Life can’t be put on hold.

“I, uh… I think I need a shower.” Rey moves in his arms, tries to get up from the couch. “And then I have to go home.”

Kylo blinks, and his grin disappears. 

“Why?” The tone of his voice is the same as if he said ‘no’.

She wants to keep it light-hearted. “It’s your fault. I gotta feed the fish.”

“Bring the fish here. Bring the TV too, for all I care. I know you like having it around. And we can watch movies together.”

“Kylo.” She stresses his name like a warning. “I do have a home now.”

There’s more to her words, and he understands—his face falls and his mouth sets in a hard line. All of a sudden, she feels like they’re in the trenches again, on opposite sides, eyeing each other on the line of fire. If they hadn’t argued over breakfast, she’d be tempted to stay. 

But Rey knows better. 

She lists the things she has learned from Amilyn. Makeup can be armor and weapon both. Tropes are for fiction. You can’t save anyone who doesn’t want to be saved.

And love isn’t enough.

“I can go with you,” Kylo offers. “We’ll take a cab.”

Rey doesn’t answer, but he reads her silence and shakes his head in disappointment.

“Funny how you have no problem when Armitage takes you out all over the fucking city, but the very thought of being seen with me in public makes your blood run cold.”

In different circumstances, she would have found this misplaced jealousy hilarious. She can picture the scene—Armitage giving overly detailed accounts of their gastronomic adventures, every word carefully picked, a shit-eating grin wide on his face as he’s waiting for Kylo to explode. But now, the humor eludes her. Rey cups his cheek gently to tilt his head, and then she leans forward to kiss him. She wants to let him know that there will be a next time.

“It’s not the same,” she whispers as her thumb grazes the scar on his chin. “You know it’s not. And I… I need a moment alone.”

Kylo doesn’t relax, but he does kiss her back. “As you wish, my love.”

He’ll drink when she’s gone, Rey knows. 

She washes quickly, rubbing her skin raw with the sponge soaked in the same shower gel he keeps using over the years—the one that smells like generic male fragrance, clean and cool and piney. With a damp towel, she scrubs the crusted stains from her dress—it isn’t ideal, but it will work. A glimpse in the mirror tells her she looks as horrible as she’s thought: fuzzy hair, pale, bare face with smudged traces of mascara she couldn’t wash off, neck covered with love bites, wet dress clinging to her chest.

What a walk of shame this will be. 

The straps of her sandals cut into her toes when she buckles them, and as she paces over to the couch, the clicking of heels resonates too loudly. 

Kylo hasn’t moved.

“I’ll see you later,” Rey says, unsure what ‘later’ means.

He doesn’t answer, but he hugs her, stone-hard arms wrapping around her body, squeezing so tight it almost hurts. It’ll never cease to amaze her how warm he is, the sick fuck. He needs a shower too—he smells of sweat and booze, and sleepiness, and sex, but she isn’t repulsed. It feels soothing. 

They stay like that for a long moment before he lets her go.

Outside, Rey is blinded by the afternoon sun, and crowns of ash trees rustle in the breeze, brittle leaves falling on the cobblestones. She chuckles—in these seven years, she's had too many dramatic exits, leaving his apartment under circumstances that were progressively becoming more twisted, each time swearing she’d never set foot in this place again. When she stormed in here yesterday, she really believed that it was the last time, the end of their story, that she’d be taken away in handcuffs. 

Look at her now. 

A group of girls are staring at her, pointing at her neck as they whisper to each other, snickering with hands on mouths. They’re coming back from school, Barbie backpacks full of books hanging from their shoulders. It’s the worst age, Rey thinks, eleven or twelve—no longer little girls, but too young to understand how the world works. She sticks out her tongue, and the giggling stops. Good. 

They’ll be in her shoes, one day.

After a long wait on the street corner, Rey manages to hail a cab, and she ignores the driver’s knowing smirk as he takes her home. At least he doesn’t ask if she had a good time last night.

The first thing Rey does when she enters her apartment is to take off the dress and shove it in the washing machine. She’s tempted to switch it on immediately, sit and observe through the glass door as the laundry tumbles in circles, but the machine is half empty and that would be a waste of detergent. She goes to turn on the TV, leaving a cop show on in the background. Two detectives, a tall blonde and a black man with his head shaved, argue if it’s acceptable to plant evidence on a suspect if you’re certain that the son of a bitch did it, but can’t prove it. The black guy is a smart one, principled, Rey knows. She’s seen this show before, he’ll end up quitting the force in the upcoming episodes. 

Padding around barefoot, she proceeds to feed the fish—shrimp pellets, the box says. She observes the brownish grains falling to the bottom of the round bowl. The fish is happy—if fish can feel happiness, that is. It nibbles at the food, mouth popping open rhythmically, and then it continues swimming around, always the same movements, filaments of red gold whirling in the water. Rey did some internet research on how to take care of goldfish. Supposedly, she should give it green vegetables, mixed with the store-bought food—salad and peas and broccoli. All the shit that only Kylo can make tasty.

She should really name the stupid creature.

Finally, with a large cup of black coffee in her lap, Rey sits on the couch and grabs her phone. It’s time to face the music. 

Thirteen missed calls from Finn now. Fuck.

She’s tempted to call him back, but doesn’t know what to say, where to begin. “Sorry for disappearing on you, Finn, I’m fine, no need to worry, it’s just that the closest thing to a mother figure I’ve ever had ended up murdered in cold blood in order to break our spirit and stop this democracy thing we’re fighting for, and yesterday I believed I could shoot a man—you know the guy, they called him the death god, tall, skulking, anger management issues, tried to kill you twice, remember?—because I thought it was his fault, but actually it wasn’t, so I ended up fucking him instead, more than once, lots of hickeys, but you should see his back, and it’s gonna happen again, and I have no clue what I’m doing with my life, but it’s not as if I can actually talk to you about it, since you and Rose and all lovey-dovey and I can’t stand how looking at you makes me feel.”

Rey types. It’s a mess here, as you can imagine. I’m too busy. I’ll get back to you soon.

After a minute, she adds: Tell Rose I’m okay.

There, that should do it.

Rey leaves the Nokia on silent, in case Finn decides to call after all. Then, she walks over to the landline phone, sits on the floor and puts the old thing into her lap—her favorite position for long conversations. This one will take a while, she thinks. No need to pump up the cell phone bill. 

Poe Dameron doesn’t pick up immediately, and when he finally answers, his voice sounds so hoarse that for a second Rey thinks she’s dialed the wrong number.

“Hey. Are you alright?”

“No,” Poe replies matter-of-factly, and she doesn’t know what to say to that.

A long pause follows. Poe’s breathing is heavy, as if his nose is clogged, and she’s certain he’s chewing on his lip. It must feel good, however, to have someone you trust enough to freely admit you’re not alright. It must be liberating.

She lets him take his time before he continues. 

“The funeral is tomorrow. They’re going to turn it into a major political event—the campaign kickoff, basically. Everyone of any importance will be there.” He gives a chuckle—a sharp, stiff sound she hasn’t heard from him before. “And goddamn them all to hell, sunshine, I won’t even get to be in the front row. Behind the casket. I ain’t family.”

Rey shakes her head as if he can see her. “It doesn’t matter, Poe.”

“It doesn’t, but it hurts.”

She changes the topic, hoping to prevent another pregnant pause. “Did they reveal the candidate? Will he be there?”

“They did. It’s all over the news.” The phone crackles as Poe huffs. “And of course he’ll be there, he will be in the front row, all prettied up for the cameras.”

“So who is it?”

Rey frowns when he tells her the name—she didn’t see this one coming. 

It’s not Luke Skywalker, that’s for sure. 

She knows the man, of course—he’s been a part of the political landscape for more than a decade. She thinks she’s even seen him, once or twice. Leader of one of the smaller parties in the coalition, an old-school champion of democratic ideas, centrist, moderate conservative, the favorite politician of the so-called urban traditionalists. Not really charismatic, but known for his integrity and uprightness, or so the story goes. A dissident in the times of communism. Bland, but inoffensive—acceptable for both the left wing and the right. 

To think that the entire dramatic search for the perfect candidate would end with him. 

“Wow.” That’s all that she can say. Poe doesn’t comment.

It’s so anticlimactic she almost appreciates the irony.

“Can I do something for you?” Rey offers after the pause has become too long.

He hesitates like he’s afraid he’ll ask for too much. “Just, well, just be there tomorrow. I’m gonna fall apart like a cheap suit, sunshine, I can promise you that, and fuck me bloody, it’ll be easier if I’m standing next to someone who knows.”

“Of course.” She nods into the receiver.

Then, Rey remembers the third message he sent that morning, the one about the t-shirts—it made her shake her head and shrug and worry for his state of mind. 

“I didn’t get it. Why do you hate the new t-shirt prints?”

Another dry chuckle, before Poe clears his throat. “Haven’t seen them, have you?”

No, Rey thinks. When? She woke up past noon, and afterward her day was all about Kylo, for better or for worse. And upon coming home, she carefully avoided the news when flipping through the channels—she can’t stomach that shit at the moment. Bring on the reruns of cop shows. 

Besides, it’s not as if the press would pay heed to the Resistance t-shirts. Would they? 

“It’s her picture,” Poe continues. “The one that was on the cover of that magazine. Remember?” 

Sure she does, it’s one of Amilyn’s most beautiful portraits—glamorous, pensive, brave, strong enough to tear down the regime with her bare hands. But how is the picture related to the t-shirt prints?

Then, suddenly, it dawns on her what happened. Fuck.

The marketing moguls they hired do work fast. 

“She looked really good in that photo. It’s even better when it’s turned black and white, with the slogan—‘Resist!’ Thousands of t-shirts are being made as we speak,” Poe says as if it’s a bad thing. “They’re gonna be purple. She liked purple.”

“What… What’s wrong with that?” Rey asks cautiously.

“Nothing. Actually, it looks very powerful. It does. And I know it serves a higher cause.” He stops, and when he resumes talking, his voice nearly cracks. “But it turns her into a symbol, a brand of sorts. A logo. And, well… She’ll stop being mine.”

Something in the way he says it makes her heart clench, and Rey blinks rapidly, her eyelashes fluttering. She can’t cry, not now—she refuses to. 

She’s too tired, and her head hurts.

“No one can take your memories away from you, Poe.”

Even though she means it, the words sound like a shallow inspirational quote. 

“I know, sunshine. I know. But fuck… It’s messed up.” 

Indeed it is, she agrees.

They both fall silent. The moment lasts, with nothing but the crackling of breath over the phone. Rey starts thinking that the conversation’s over, that this is all there is until the big day tomorrow—but then, Poe speaks again. 

“Leia will be back, by the way.”

Of all the things he's told her, this one shocks her the most.

“What?” Her voice is too loud, stern in a way that isn’t quite appropriate. “How?

“She’s out of hospital, says she’s recovered enough to march into battle. Ready for a last dance, as she puts it.” 

Bloody hell. 

She should be happy, Rey thinks. This is a precious piece of good news in a sea of misery and complications and underwhelming twists. Especially since it’s Rey’s deal with the devil that made it possible—this country needs your mother, she’d told him, no other arguments but that, and then the monster went and procured everything from that list, every single thing she’d asked him for. 

Still, she isn’t sure how she feels about the news. 

She wonders what Luke will have to say about it. 

“Good to have the General back,” she concludes, all chipper as if everything is under control. “Get some rest, Poe. You need it. Take a sleeping pill, if necessary. Gotta be strong for tomorrow.”

He takes a deep breath before replying. “You too, sunshine. Go be happy with your special someone.”

Long after she hangs up, Rey sits on the floor, gripping the phone receiver. 

She won’t let her mind wander, she decides. There are things to do.

In the next few hours, Rey tidies up the bedroom, vacuums the carpets and sorts her jewelry by color. She takes her college books off the shelves and places them by the TV, so that they’re always in front of her eyes. The semester will start soon, she better get prepared—her studies will go on with or without a new president. Then, she digs out the warm clothes from the bottom of the wardrobe and tries on sweaters and thick jeans and long-sleeved blouses, turning in front of the mirror. It all still fits, she hasn’t gained weight. A skirt she suddenly doesn’t like anymore ends up put away in a plastic bag—she’ll give it to someone, at some point. 

She has no idea what the fuck she’ll wear at the funeral tomorrow so that the bruises on her neck don’t show. 

From time to time, Rey glances at the fish, swimming in its circles, round and round and round. She finds the repetition reassuring. There’s comfort in predictability.

Outside, it is getting dark.

She’s in the middle of manically ironing her college clothes when she hears the click of the lock. The front door screeches as it opens. 

The sick fuck has failed to make through a single day without her.

A part of her is glad. There’s something disarmingly domestic about the scene, spontaneous and normal no matter how surreal it is—like he’s coming home after a long day at work, and she’s a lonely housewife who’s been eagerly waiting, and now they’ll cook together, and laugh, and talk about friends and TV and daily chores, and then they’ll make love until they pass out, falling asleep in each other’s arms. They can play pretend. 

But on the other hand, he has the keys to her home, and he can come and go whenever he wants. 

There’s no escape.

“You’re making dinner?” Rey asks when he enters the living room.

Plastic crinkles as Kylo lifts his arms, showing her the overstuffed bags from the grocery store he’s carrying.

“I got you chocolate with hazelnuts,” he says. “Whole, not chopped. The way you like it.”

She thinks she smiles. She feels her lips stretch. “Go on, then. You already know your way around the kitchen. I’ll come to help when I put away the ironing board.”

After dinner, Rey takes him by the hand and guides him to the bedroom. 

It is odd to have him here, now that’s she’s wide awake and certain this isn’t a dream. She feels raw, exposed in ways she hasn’t been before. Her room is so girly, she realizes—ruffled curtains, pillows with loose sequins that rattle as she throws them off the bed, trinkets she bought at the flea market to give this place a semblance of home, like old toys and a blue butterfly mounted in a frame and shiny statues of Indian gods whose names she doesn’t know. Maybe he does. Clothes fall to the floor as Kylo undresses, his pale skin glowing like marble under the dim light of the bedside lamp, and suddenly the entire room is gone, overwhelmed, swallowed up by his presence. Sometimes, when she looks at him, the only thing she notes is how fucking large he is. Rey switches off the lamp, and the light dies with a sharp click.  

They take it slow.

He’s eager to please, the monster, covering her with kisses, licking his fingers before he reaches down between her legs, but Rey doesn’t let him. Not this time.

She needs to be in control.

Pillows rustle when she pushes him onto the bed, and he obeys, lays still, lips tugged in a soft non-smile that’s neither shy nor self-satisfied. The black of his hair strikes a contrast against the stark white sheets, an alluring sight, even in the dark. Rey trails wet kisses down his body, stripes of spit shining on his shivering skin, and as she goes lower, he breathes a needy grunt of anticipation. She chuckles—good. It’s been a while, but she knows what she’s doing. She will make him shatter.

For a moment, she regrets switching off the light.

Short bristles prickle the tip of her nose—he’s trimmed the hair down there, she sees. It’s endearing, this effort to make himself more presentable before coming to her. It pleases her in a way she didn’t expect. The smell is musky, thick, with a faded hint of that piney shower gel of his, and the thin skin of his arousal is even hotter than the rest of his body.

When she takes him in her mouth, the moan he lets out makes the world stop.

She is the one who’s doing this to him, Rey thinks. The death god, the fucking king of the war zone, lies at her mercy. She can do whatever she wants, and he’ll let her.

It’s arousing, and sickening, and it makes her heart swell with an emotion she’s not quite ready to process.

Her jaw tingles after a while, and her tongue tires, but Rey doesn’t stop—she keeps sucking as he writhes beneath her, breathless and undone, growling in a low voice, squirming as if the pleasure is too much to bear. Maybe it is. Maybe that’s how it should be, always, and this is what he sees when he licks her until she can’t recall her own name.

What a twist of fate, she thinks as his erection throbs in her mouth. Bound to him in ways that make her ruined for normalcy, yet unchained.

Fuck her life.

He comes with a burst of salt and tang across her tongue, creamy, sharp, so thick that she almost gags. Lasting long was never one of Kylo’s strengths, bless him, but she doesn’t mind, not in the least. He shudders, and sinks between the pillows, and when she reaches out to touch his face, he bites the heel of her palm.

Rey swallows.

“Can I… Can I stay?” Kylo whispers, catching his breath, wiping his spend from her chin with the back of his hand.

The sick fuck sure knows when to ask.

“Yes,” Rey says as he pulls her up to kiss her, impatient to taste himself on her lips.

As if there ever was a different answer.

“For tonight, I mean,” she urgently clarifies. “And for your information, I have things to do tomorrow. I must get up early.”

Kylo nods—he knows, of course he does. He knows everything. But he doesn’t comment.

“Do you… Do you want me to…?” He touches her down there, his fingers brushing between her folds.

“No. Not now. Perhaps in the morning.”

He gives a sharp sigh, disappointed, but refrains from protesting.

Her bed is smaller than his. They barely fit. She lays on top of him, her ear against his chest so she can listen to his quickened heartbeats, and he hugs her tight, one hand tangled in her hair.

“Monster?”

“Yes, my love?”

“This is so fucked up.”

She isn’t sure what exactly she means—the country, the situation, the two of them. Or all of that together.

A soft chuckle huffs against the top of her head—he doesn’t care, being fucked up is his natural state. That’s why he is who he is.

“Maybe.” Kylo shifts, pulls her closer to plant a kiss in her hair. “But I still love you.”

His breathing slows down soon after, and he falls into a deep sleep, quiet snores rumbling in the dark, fingers entwined in her hair. When a twitch makes him jerk, his hand snaps up, yanking her tresses, and for a brief moment it hurts. Rey rolls down next to him, still cuddling up close. There’s barely enough room in the bed. She has no idea how they managed to make through the night that one time—maybe it was indeed a dream.

She should rest, Rey thinks. Tomorrow will be a difficult day.

But as hours go by, and shadows swallow up her room, and Kylo tosses next to her, moaning softly as he dreams, Rey can’t sleep.

Notes:

When I started writing this, the idea was to finish by the end of 2018. Then, I pushed the deadline to the one year anniversary of publishing Chapter 01, making it May 2019. The current goal is to have it done by the time TROS hits the theaters.

Perhaps I'll make it - only 6 chapters left to go.

Wish me luck, guys. Love you all.

Chapter 26: Carnival of Rust

Summary:

There’s a storm coming. If they don’t talk now, maybe there won’t be another chance.

Notes:

Happy August, people! I'm back from vacation with an XXL chapter - one full of moody Kylo, cornered Rey and long overdue conversations. The story's reached the last week of September 2000, and it's possible that the next update will come exactly for the anniversary of the game-changing events teased here. Couldn't have timed it better.

Beta’d by KathKnight

(See the end of the chapter for more notes.)

Chapter Text

Carnival of Rust

 

“So?”

Rey chews.

The flavor is milder than she expected, the silky texture of uncooked flesh melting on her tongue, gliding down her throat. It’s almost creamy in its smoothness. There’s a sweetish undertone—must be something in the rice, Rey presumes—and it contrasts pleasantly with the tang of soy sauce that drips down her chin. She swallows.

“I, um… I think I like it.” Rey dabs away the droplets of sauce—the napkin is pretty, stylized dark blue waves swirling across the soft cloth, and she regrets staining it. “Doesn’t taste like fish at all.”

“That’s my girl,” Armitage purrs, his lips stretched in a predatory grin. “Just go easy on the wasabi. It looks like plasticine but I assure you it’s strong as fuck, and if you overdo it you’ll cry a river and spit fire out of your nose, and everyone will stare, and I’ll be more embarrassed than usual when I take you out.”

She studies the food before them—it’s beautifully presented. White rice, pink and red and pale grey fish, and that bright green paste she must be careful with lie arranged in a pattern on a glossy black plate, decorated with fresh flowers. Yellow dahlias. Expensive stuff, that. Everything in this place screams luxury—from the silk tablecloths and the revoltingly polite waiters, to the ceramic tiles in the restroom, minimalist and tasteful and oh so Japanese.

With a swift click of chopsticks, Armitage snatches a piece of sushi that was right in front of her. The meat on the rice is white, with purplish suckers on one side, and Rey realizes it’s a thinly sliced tentacle.

“I advise you to stick to salmon and tuna, my dear, that’s beginner-friendly.” He covers his mouth and chews with vigor, as if the octopus flesh is particularly tough. “There’ll be time for adventure later.”

“Have you ever been to Japan?”

She hopes her voice doesn’t betray why she’s asking, but Armitage knowingly raises an eyebrow.

“No. The farthest I’ve ever traveled to is Vienna.” He pauses, apparently needing a moment to dig through his memories. “An odd city, I must say. Trapped in its past. You can see it was built to be the center of a vast empire, with everything so glorious, so monumental—but whoops, shit happened, and now it’s the capital of a country of little importance, whose name people routinely mix up with Australia. Also, the Mozart balls were a disappointment. So loaded with sugar that a single one can give you diabetes.”

Another pause—Armitage frowns slightly, his chopsticks in mid-air as if he isn’t sure what to take next.

Empire. Such a special word. Has a ring to it, doesn’t it?”

Rey shrugs. “I’ve never been abroad.”

“I know.” He opts for a deep red slice of tuna, licks the corner of his mouth as he dips it in soy sauce. “And yet, you crave to be part of the world. Wasn’t that even your slogan, a few years back, on that banner you used to carry during the protests? I remember finding it so cheesy and retarded it was even cute.”

Sometimes, she doesn’t know why she keeps seeing him.

“Don’t give me that look, I’m not here to nag.” The smile he offers could pass for an apology. “Not about that, at least.”

Rey pushes around a piece of salmon-topped sushi, generously smearing it with the green paste—she already knows it’ll be too much.

“You have something to say?”

He nods. “You should have shot.”

She gulps a mouthful of half-chewed food, her eyes widening in shock.

“He… He told you about that?”

Armitage tilts his head—the gesture comes across as resigned, helpless, like he can’t defend himself from too much information.

“I would have helped you cover it up,” he continues. “With all the crazy shit that Ren has put me through over the years, I dare say I’ve become an expert on the matter.”

It’s hard to tell if this is just teasing, or he’s serious.

“I, um…” The green spice burns through her nose, makes her eyes water, and she doesn’t know why she’s answering. “I couldn’t.”

He looks at her with pity and understanding and scorn, and then he calmly takes another piece, pushing the decorative flower toward Rey’s side of the plate.

“Couldn’t or wouldn’t? Not the same thing, my dear.”

Fucking dickhead.

“I’m… I’m not like him, Armitage. I could never shoot a person in cold blood.” The flower shakes as Rey picks it up with her chopsticks and places it on the table between them—she’s getting better at it, she hasn’t dropped anything today. “Not everyone can kill—you should know. Legend has it you’ve never gotten your own hands dirty.”

A bone-deep sigh of fatigue heaves from his lungs—they’re all on the verge these days, edgy and quick to anger—and then Armitage rubs the bridge of his nose like he misses his sunglasses.

“I admire you, darling. How do you do that? Can you teach me?”

Rey doesn’t understand.

“What?”

“Self-deception.” He shrugs like it’s obvious. “Lying to yourself. With the upcoming storm, a skill like that can come up useful, and I’m open to everything that’ll make my life easier.”

“I’m not sure what you mean,” she says, even though she gets it perfectly well.

Armitage huffs. “My dear, have you ever asked yourself—all this hard work for the Resistance, this obsession of yours with democracy and human rights, is it really because you genuinely believe it’s the right thing to do, or are you trying to prove that you’re better than your nutjob lover who drinks like a fish and kills people at the drop of a hat and feels that he has a purpose only when there’s a war around him?” He divides the remaining sushi pieces, letting Rey have an extra slice of salmon. “That’s what I would wonder, if I were you.”

Rey’s fingers clench around the chopsticks so firmly that she fears the wood will crack. A twitch of his eyebrows reveals he’s noticed, the perceptive son of a bitch, but he doesn’t comment—the smile that ghosts his lips is melancholy, as if he’s actually capable of such a feeling.

“Now don’t frown, darling, that’s why you keep coming back to me. I tell you shit no one else will.” His tone is less arrogant than usual. “And I think you need it.”

Rey nods, taking a deep breath before she scoops up the last piece of sushi, a ball of rice with a pearly white fish on top. She has no idea what it is. Mackerel, maybe.

“It goes both ways, y’know,” she says. “Back when we met, I thought you were some kind of a master manipulator, always on the winning side, ready to get rich or die trying, three steps ahead of everyone in the game. Years later, and here you are, tired and miserable, working for the madman you despise, spending a fortune on a lavish dinner with me, just so you can tell me what I need to hear. I wonder what happened there.”

To her surprise, Armitage laughs—it’s a hearty sound, almost vulnerable in its honesty. In a different life, it would make her believe that they’re friends.

“Touché. Life has screwed us over, hasn’t it, my dear, both of us, bareback and without lube.” He can’t stop grinning. “Are you sure I can’t interest you in sharing a bottle of wine? Getting tipsy would do us good, and I promise not to drive afterward.”

“You know I don’t drink.” Rey smiles back weakly.

With a dramatic eye-roll, Armitage takes the menu and opens it on the page with desserts before handing it over to Rey. So many things with green tea, she sees. Ice-cream, milkshake, mousse, even the fucking cheesecake.

“How’s the campaign going?”

It’s a question she didn’t expect. To be honest, she’d rather talk about anything else.

“Will you vote, Armitage?”

“Maybe.” He points at the picture of a pale green cake, and Rey nods at the suggestion. “Haven’t decided for whom, though.”

“Really? I thought all you First Order people voted for the regime by default.”

His smile disappears and Rey suddenly has the impression that the entire room grows darker, quieter, the air too thick to breathe. Even the unobtrusive oriental music in the background is gone.

“I told you, there’s a storm coming.” He sounds sad when he says it. “So go home to your monster and fuck his brains out, while you can still enjoy your tragic codependency. Who knows what tomorrow may bring, and we’ve long established that life is short and fragile.”

They avoid thorny topics after that.

Later, when Armitage pays for their meal in cash, crispy banknotes rustling as he counts them, Rey says she prefers to walk back home.

She needs a moment alone, she thinks, to clear her head. She wants to feel her body move after a dinner like this, lavish and heavy in more ways than one.

“As you wish.” Armitage shrugs, going to his car. “Just be careful, darling—don’t talk to strangers, don’t cross the street without looking both ways. Ren will kill me if something happens to you, and I’m too young and handsome to die.”

Rey takes the long road home, walking with no rush, passing through the streets clogged with tables and chairs—it seems that every bar in the neighborhood decided to profit from the unexpected Indian summer. The night is lovely indeed, warm but fresh, the weather just perfect for a light jacket and a sleeveless dress. There’s comfort in the way her skirt swirls around her thighs as she walks—she doesn’t know why, but she needs to feel pretty. The bars are full—people are sitting outside, smoking, laughing, chatting with friends. Beer bottles clink together as they toast, and from somewhere far away, she hears Latin music, one of those obnoxious earworm songs that make her roll her eyes and sway her hips and daydream of the sea.

It’s been years since the last time she danced.

Some bar-goers are wearing the t-shirts, Rey observes. The purple ones. Good. They will definitely vote.

Right in front of the ruins of the old Ministry of Defense, there’s a campaign billboard of their candidate—a dramatic close-up of his face against a safely beige background. The slogan is spot on—Who speaks for all of us?—but the photo makes Rey raise an eyebrow. The man scowls at the world, all solemn and grave, like he’s incapable of joy. She can’t picture him telling a joke. Poe was in the studio when they shot the publicity material, she remembers—they couldn’t make the man smile, he complained, no matter how hard they tried, much to the despair of the marketing team. But if the polls are to be trusted, it’s his seriousness exactly that makes him acceptable for the voters they previously couldn’t reach.

Go figure. They’ll be saved by a man who doesn’t smile.

It’s past midnight when she returns home.

The TV is on, she hears it when she unlocks the door. A female voice with a pleasant American lilt recites the news: the Burmese opposition leader is under house arrest, the United Nations conference in New York ends with a declaration on how to make the world a better place, the Palestinian statehood is postponed yet again, South Korea wants the U.S. troops to stay, the crude oil output shall be increased by 800,000 barrels daily.

Not a single mention of their part of the world.

“You’re watching CNN?”

The screen glows bright in the room, bluish light dancing across Kylo’s face as he lies slumped on the couch, his shirt unbuttoned, a carton of orange juice at hand. He’s sticking to their deal—no vodka in her apartment.

She wonders what he hoped to see in the news.

“I was bored. It’s late. I thought you’d come home earlier.” He must realize how petulant he sounds, for he instantly gives her a clumsy smile. “How’s the dickhead?”

“Being a dickhead, as usual.” Rey paces around the room, takes off her clothes, picks up Kylo’s unlaced boots he’s left by the couch and shoves them into the shoe rack. “The food was good, though. But I imagine you’ll say it’s far from the real sushi they serve in Japan.”

Surprisingly, he doesn’t make any snide comments.

“I fed the fish,” he says, the tone of his voice as if he expects to be praised. “I also bought groceries.”

“Do you have any laundry?”

“I’ve already put it in the machine.” He flashes a bratty grin full of teeth—such a sweet sight on a grown-ass man. “Sorted it first.”

Chuckling, Rey leans over the couch to press a kiss on his forehead. Kylo reaches out readily, wraps his arms tight around her naked shoulders.

“Are you tired, my love?”

She is, Rey thinks. She’s so bloody tired she feels it in her bones. She wants to go somewhere far away, where no one will know her, and dance, dance, fuck the world that needs saving.

“I’m fine.” Rey kisses the side of his neck. “Come. Let’s shower together before bed.”

He makes love to her in the bathroom, as if he can’t bear to wait a minute longer—from behind, up against the wall, hot water splashing on her back, feathery bath foam trickling down her thighs. It’s a new level of urgency. Rey must stand on her tiptoes so that he can fit, the sick fuck, as long-legged as he is. The ceramic tiles are cold against her forehead as he pushes into her, lustful, desperate, always so needy—it’s never enough for him these days—and when she feels his teeth sinking into the back of her neck, Rey whimpers. It sounds louder in the bathroom. Lewder. It makes him moan.

Kylo pulls her wet hair with one hand and cups her mound with the other, and his fingers press between her folds, rubbing her there. Fuck. Everything spirals down, spinning, falling as quickly as running water, and soon Rey screams as she clenches around him, angling her hips so that he can thrust deeper, harder, more.

“Say it,” he grunts. “Call my name.”

“Kylo,” she whispers, but it doesn’t sound right. “Monster.”

Rey feels when he pulls out, but the sensation of hot spend across her skin is lost as the shower water keeps raining down on them. She misses it. At least the love bites will be on the back of her neck, easier to cover.

The bathroom is a mess. There’s water everywhere.

“It’ll dry by the morning,” Kylo says.

Rey just shakes her head. “Help me clean up.”

Afterward, they lie in the dark wrapped around each other, squeezed in a tight space, naked skin to skin. Kylo is caressing her hair, twirling the wet strands through his fingers—it’s gentle, soothing. It helps her ease her mind.

“We should get a bigger bed,” he says like it’s the most normal thing in the world.

Rey swallows a chuckle. We.

It was supposed to be a temporary arrangement. Nothing more than scratching an itch. How the fuck did they end up like this, in a matter of days?

Then again, was she really so naïve as to believe that this would not happen?

Her home is not hers anymore, it’s under siege, an occupied territory. The bag with his gym clothes rests by the shoe rack, a corner of the closet is freed up for his jeans and jackets, and there’s a second toothbrush in the bathroom. They divide the chores: the kitchen is his space, while she irons his shirts, collars always crisp the way he likes it. She makes the lists, he does the shopping. They both clean—he can dust the highest shelves without standing on a stool, and it makes her laugh. It’s so easy, so natural. So fucking bizarre. The only thing that’s missing is the grandfather’s sepia portrait—Rey almost expects that one day it will appear on the bedroom cabinet, between the Indian gods and the books she borrowed from Luke.

“You don’t miss your apartment?”

She feels a shrug in the dark. “I like it here.” Kylo kisses the corner of her lips. “Home is where you are.”

He doesn’t ask about the Resistance, and she never mentions the First Order.

Sixteen days to September 24th.

At the Resistance office, Leia moves into Amilyn’s old room—it was hers to begin with, but she hadn’t occupied it for long before the illness took its toll and she had to withdraw. Now that she’s back, some people are confused—young members and new recruits who still quote Amilyn’s article and don’t understand why they should suddenly owe loyalty to this small, frail woman in a puffy wig. Rey shakes her head—Leia has been away for too long. These people have never heard her give a speech.

It feels odd to see the General every day, and then go home to him when the evening comes. They look so much alike, mother and son—the eyes, the curve of the lips, the way they both pout when they don’t get what they want—but Rey doesn’t allow herself to think how she feels about it.

Thinking will only make it worse.

Leia can’t drink coffee, the doctors have forbidden it, so it’s mint tea that Rey prepares for her every afternoon. The tea isn’t the best—a cheap brand that makes the finely ground leaves look like dust in a satchel—but it’s Leia’s elegant teacup that Rey finds fascinating. Made of thin porcelain, with a gilded rim and hand-painted ladybugs hidden among roses and vines, it feels like something out of a costumed movie, where everyone speaks with a British accent and goes for long horse rides, and the worst fear is remaining a spinster. Rey wonders if the teacup is a relic of bygone days, when Leia was a Communist Party princess growing up in a mansion with a swimming pool and a residential chef. Was there ever a set?

Did the boy named Ben break any of the precious teacups, as lumbering as he was—or on purpose, perhaps? She can see him, eyes too dark, forehead scrunched, snarling as ladybugs on porcelain shards crack under his boots.

Carrying a steaming cup of tea, Rey knocks on Leia’s door.

“Rey, dear, you’re as punctual as a clock.”

Leia looks elegant in the purple Resistance t-shirt paired up with an '80s jacket with big golden buttons that rattle when she moves. The old-fashioned shoulder pads hide how bone-thin she’s become. She’s watching the video of a campaign rally, the volume raised so high that Rey suspects she might have hearing problems. She has been doing that for hours lately—staring at the screen, sometimes taking notes, sometimes just watching. It’s difficult to tell if she’s studying the material to provide feedback, or she regrets that she’s not part of the campaign tour—the traveling circus, as she calls it.

Poe is with them, touring the country. Left the day after the funeral. From time to time, in the early hours of the morning, he sends Rey a message—thoughts about bombed-out roads and impoverished towns and angry people desperate for a change but unsure what they want. Everything is grey and covered with rust, he writes, planting emoji signs between the lines, and ‘justice’ is the word that garners the loudest applause. That, and the promise that the president and his bootlickers will pay, as soon as the good guys win.

Leia takes the remote and presses pause—the video freezes, cutting off their candidate mid-sentence.

“Do you like cats, Rey?”

For a moment, Rey thinks she’s misheard.

“Cats…?” she repeats cautiously. “No, uh… I’m more of a dog person.”

The teacup rattles on the saucer as Rey tries to place it on the desk without spilling, and the whole room smells of artificial mint. Leia reaches out to steady her hand, ignoring the green droplets that trickle across the papers.

“Mr. Frowny Face here likes cats.” She jerks her chin at the paused video. “Has several, actually.”

Rey looks at the screen, unsure what she’s supposed to see. “I don’t think I understand.”

Leia’s drawn on eyebrows shoot up. “The regime has started a smear campaign. They’re trying to paint him as a crazy cat hoarder who doesn’t give a fuck about fellow humans and can’t possibly lead the country.”

“Oh,” Rey comments eloquently—it makes Leia snicker.

“It’s hilarious, when you think about it. Did they dig out old shames and corruption affairs? Did they accuse him of being an American spy? Did they find something actually problematic that could wreck our campaign? No. The worst they could come up with was that the man likes cats.”

She lets out a loud, throaty laugh, as if she can’t believe how funny this is.

“Fucking hilarious.”

“So, uh, you… You actually like our candidate?”

The laughter stops. Scoffing, Leia blows at the tea steam, and then proceeds to scratch the skin near her ear, careful not to shift the wig. It must be insufferable to wear that on your head all day long, Rey thinks. Rough and coarse and tickling.

“Can’t stand the guy. Never could. But he’s our best chance.”

Rey nods—in the end, it all comes down to one thing.

“How are the polls looking?”

“It’s a tie. For now.”

Leia takes a piece of paper from her desk: a shabbily printed chart that Rey can’t quite interpret, with columns and figures and lines spreading in all directions—five candidates in total, only two who matter. Then she points to the screen, where lines dance across the paused video. Mr. Frowny Face, an established cat lover, stands frozen in time, his palms raised as he speaks.

“The traveling circus is doing fine, so that’s good. They stop by every village, shake hands, kiss babies, the whole shebang. Every vote counts. The rallies are a blast, huge crowds everywhere.” Leia pauses as if she’s about to reveal something important. “Poe is a star, by the way. I’ve trained him well.”

There’s a twinkle in her eyes as she says this, and a playful, suggestive tone to her voice. She tilts her head, studying Rey’s reaction.

She doesn’t know, Rey thinks.

She doesn’t know anything.

Suddenly, Rey wishes she could explain, spill it all out, no holds barred. Poe can’t sleep at night, for one, doesn’t eat unless someone reminds him, can’t look at those goddamn t-shirts even if he keeps smiling for the cameras. Besides, Rey is taken—there’s someone waiting for her at home every night, table set, dinner served, bed unmade for what we’re about to do in the dark. Can you guess who?

Do you know why you’re still alive?

But the timing is poor, and Rey is better than revealing secrets just to wipe off someone’s smile.

“Will you speak?” she asks instead.

Leia taps her bony fingers against the table. If she’s disappointed with her response, she doesn’t show it.

“Yes, at the final rally here. I can’t quite travel, Rey.”

Of course she can’t.

With a deep sigh, Rey turns to leave—but then, Leia surprises her with a question.

“Will you visit my brother these days?”

Rey stops at the door. “Soon. Gotta return some books.”

Her eyes downcast, Leia nods, picking lint off her sleeve—the bulgy buttons clack as she moves her hand. Here comes a request, Rey thinks. Deliver a message to Luke Skywalker. Convince him to ditch the goat, come out and play, do the right thing.

But Leia doesn’t say anything—just shrugs and presses the remote. The video resumes, and once again the room is filled with big words, righteous anger and promises of a better future, all followed by thunderous applause.

On some nights, when Rey returns home late, Kylo asks about his mother. Nothing too personal, or god forbid political—just a simple ‘how is she?’ to which Rey nods, and that is all. She doesn’t know what to add, and he has no more questions.

Sometimes, she has the impression that they make love more than they talk. He reaches for her as they’re watching movies on the couch, or bends her over the kitchen table while the dishes rattle around them, or pushes her up the bathroom tiles, water splashing everywhere. And then, in her bed, they do it again—slower the second time, gentler, sloppy kisses rather than urgent thrusts, flicks of tongue in all the right places, messing up the sheets, teasing each other with who will last longer. This craving for physical intimacy is as strong as a burning hunger, Rey thinks—she can’t keep her hands off him, doesn’t want to. She wonders if this is how her mother felt tying the tourniquet around her arm, watching the veins pop up and the needle disappear into the skin.

Still, they do talk.

“You’re beautiful,” Kylo says one night as he kisses the freckles on her shoulder, smears his semen across her breasts. The pearly liquid glistens on her nipples.

They left the lights on this time.

Rey giggles quietly. “Where did that come from?”

“I don’t know. I’m thinking… Well.” A deep blush spreads across his face—it amazes her how shy he can still get at times. “I’m thinking, I’m not telling you that as often as I should. That you’re beautiful.”

“I am?”

“Yes.” He gives her a toothy grin that shouldn’t look so vulnerable. “Sometimes, I look at you, y’know. Like when you do your makeup and you’re all focused. Or when you read. Or sleep. Or when I hold you. I look at you and all I can see is how fucking beautiful you are, and you’re mine. Mine. You gave yourself to me. And I’m thinking I’m so happy I can’t bear it.”

Rey props up on her elbows, reaches out to brush the hair out of his face—his eyes are open wide.

“Even if…” she begins, but Kylo presses a finger to her lips.

“No, love, no. Not now, don’t. Let me be happy.”

In the dark, while he calmly snores, Rey wonders if she’s happy too. There are moments when she almost believes she is, when she can forget—yet they last but a heartbeat, popping like soap bubbles against her palm.

Fuck her life.

Too quickly, the Indian summer is over and the season of rain begins. The sky is thick and layered with clouds, and fallen leaves cover the sidewalk, floating in puddles. The nights get cold, the city smells of wet dog and rubber raincoats, and the world becomes brown and grey and a dim shade of orange. Rey doesn’t mind, however—there’s an odd joy in watching the school children splash in rainwater, dancing with their umbrellas like in that cheesy old musical she’s seen too many times, driving their parents mad. She packs away her sleeveless dresses—she won’t need them anymore this year. Now there’s more room for Kylo’s things in the closet.

Every morning, she wakes up with stiff joints and an ache in her lower back, struggling to remember her dreams, feeling as if she didn’t get enough sleep. It passes as soon as she eats, though—Kylo always gets up earlier to fix her breakfast with a pitch-black cup of coffee, just the way she likes.

They do need a bigger bed.

Twelve days to September 24th.

On a drizzly Tuesday afternoon, after she returns earlier from the office, Rey sits in the kitchen watching the raindrops glide down the window panes. There’s a film of steam on the glass, like when a child breathes out to draw smiley faces or write profanities with the tip of the finger. Asshole. Cunt. Indecent words that adults will have to wipe away. She contemplates what to do—not that she’s bored, but the only things on TV are political shows, it’s too cold and wet to go outside, and it will be a while before Kylo comes home. Tuesday is a gym day.

In that moment, the doorbell buzzes, interrupting her thoughts.

Rey jolts up—this is not normal.

She isn’t expecting anyone. DJ never drops by without phoning first, and Kylo always uses his keys—the sick fuck makes a point of having them.

She tries to laugh. Fuck the world in which something as simple as a doorbell can make her heart skip a beat.

The bell buzzes again, its sound chopped and impatient.

Rey walks over to the door, but stops a few feet away, listening, hesitating.

“Who’s there?”

Maybe it’s just a neighbor, she hopes. Came to collect the money for the broken lightbulb in the lobby.

“Who the fuck do you think it is, when you’re answering with that tone of voice?”

Rey peeks through the peephole.

“Finn?”

He’s standing too close to the door—the fisheye lens deforms his face, making his forehead wider, his nose longer and his chin grotesquely pointy. It would look like a scene straight out of a comedy, if it weren’t for the frown that casts a shadow across his brow. This is not mere annoyance, no—he’s pissed. Rey can’t remember the last time she’s seen him this angry.

Except that she can.

January 1997, when she'd shown up on his doorstep unannounced, carrying a box of chocolates and hoping he wouldn’t give her a hard time because she’d been missing for five long days.

Fuck.

Finn storms into her apartment the moment she unlocks the door.

“You should’ve called.” Rey steps aside, folds her hands, curbs her tone into something that can almost pass for cordiality. “What if I wasn’t home?”

“You mean, you’d actually pick up instead of sending me yet another half-assed message about how busy you are?” He plops down on the couch and lifts his legs onto the coffee table. “Besides, I knew you were home. I looked for you in your office first, you see, went there to that lair of hotheads and zealots, but I was told you’d left early today. Which is a pleasant surprise, by the way. Almost gives me hope you ain’t a total lost cause, sister.”

He’s gained weight, Rey observes. The flannel shirt he’s wearing fits too tight across his belly—one sudden move, and a button may fly off. Domestic bliss can do that to you, she thinks, if you aren’t careful. Plus he’s quit smoking, Rose made him, and now it’s beer and French fries more often.

Not that it matters. She should be happy that he’s happy.

It feels odd to have him intrude in her space, after being absent for months.

“What’s that?” Finn asks, animosity almost gone from his voice.

Rey looks at where he’s pointing.

“A fish. First time you’ve seen one?”

His frown softens a bit, conveying confusion and concern rather than wrath.

“No. It’s just that it’s… Well. Took me by surprise, peanut. A pet goldfish, really?”

“That a problem?” Rey sits on the other end of the couch, spine upright, keeping her distance from him. “Maybe I grew tired of living alone.”

The moment she finishes the sentence, she realizes it was the wrong thing to say.

His expression oddly distrustful, Finn looks around the room, taking in the details. A pair of jeans lies across the chair, Rey suddenly notices, too big and obviously men's, with a thick leather belt and a sturdy buckle.

Shit.

Finn’s eyes narrow, but he doesn’t say anything.

“What do you want?” she asks too curtly.

“What, now I have to want something in order to reach out to you? Seriously?” The question seems to offend him—for a brief moment, Rey feels a pang of guilt. “Fuck, sister, did it ever cross your mind I could be worried for you? You don’t answer your phone for days, you spend all your time with politicians and spin doctors, all this horrible shit is happening around us, and I know how attached you were to Amilyn Holdo.”

His frown finally softens, only to be replaced by a look that Rey knows too well. It’s disappointment, mixed with a strange touch of sadness—trying not to be judgmental, certain she’s doing stupid shit again.

“Talk to me, sister,” Finn says more gently than she deserves. “You alright?”

“Never been better.”

He clicks his tongue, and there, the resentment is back. “Are you angry with me? Did I do something to piss you off?”

There are three answers to this.

The first one, she can picture herself saying it out loud: it’s because you’re sitting on your ass doing jack shit, Finn, while the rest of us, we fight and bleed and die to ensure a better future, and then you have the audacity to barge in here and act as if I’m the one doing something wrong.

The other is shamefully petty. They’re a sweet couple, Rose and Finn, they really are, but she feels restless in their company, wishing to shut them up the moment she hears them calling each other pet names.

The third answer, well. Rey clenches her jaw, careful not to glance at the jeans again.

“I’m just very busy, Finn.”

To her surprise, her words make him sad.

“Peanut. Please don’t do that to yourself, you’ll burn out. Trust me.”

He leans across the couch, reaching out for her hand. His palms are warm, if a bit clammy, and Rey suddenly realizes she missed his touch—laughing together, cuddling under that scratchy old blanket as they watched movies all night long, popcorn spilling on the floor, savoring the joy of a found family. It takes an effort not to pull back her hand.

“Remember, sister, I’m the crowned champion of doing stupid shit because I believed it’d give me a sense of purpose,” he continues. “Only it didn’t. It never could. You can’t fill this emptiness in you by working yourself to the bone for the cause, no matter how important you think it is. You’ll destroy yourself, and I can’t bear to stand by and watch.”

It stings.

Rey’s hand tenses between his palms, the tips of her fingers digging into his knuckles. Her nail polish is the same color as his skin—a warm brown, wholesome like earth and wood, suitable for the fall.

“Will you vote, Finn?”

This earns her an unamused chuckle. “Really, sister?” He shakes his head. “You’re as stubborn as a fucking mule. Yes, I’ll vote for your crazy cat hoarder. I ain’t that out of touch with reality, I know it’s a now-or-never moment, and every vote counts. Does that make you feel better?”

Rey nods, her gaze still locked on their joined hands.

“But please, promise me you’ll take better care of yourself. You, uh… You don’t look good. Have you been getting enough sleep?”

She hasn’t, Rey thinks. Not since that night.

But she doesn’t answer.

“Why don’t you come over for the weekend? Rose misses you too, y’know. We can have a moment together, like in the old days,” Finn carries on. “Bring him as well.”

He lets go of her hand to point at the jeans on the chair. Rey freezes.

“I don’t know who he is, but I wanna meet him, see if he treats you right. The only thing I can tell is that it ain’t Dameron, those jeans are way too large.”

Finn laughs as he says it, his teeth striking a perfect contrast with his dark face, and for a moment Rey hopes he’ll leave it at that. She almost smiles.

But then he stops, as if he’s just put two and two together.

His eyes narrow again.

Fuck.

She can picture the scene: the jingle of keys as Kylo opens the door, the thud of his gym bag as he drops it by the shoe rack, booted footsteps thumping down the hallway, louder and louder as he approaches the room, and then...

And then, what?

A part of her almost wants to get caught. It would be a relief.

She holds Finn’s gaze, unable to tell what he’s thinking.

“I’m very busy,” she repeats.

Slowly, Finn nods. “Gotcha, sister. I’ll be leaving soon, then. Just go easy on the stupid shit.”

There’s no way he has figured it out, Rey thinks as she locks the door behind him. It would make no sense.

There’s no way.

But the thought did cross his mind.

Late in the night, lying in Kylo’s arms sweaty and sated while the lights are off, Rey realizes she can’t leave it be.

It’s not in her nature to talk about things—years of piling up secrets upon lies have made her turn to other venting out methods. But this, it itches. It feels final in a way she hadn’t perceived at first, but the more time passes, the more obvious it seems. For the past year, she’s had the impression that her friendship with Finn has been put on hold, like pressing the pause button on a video—even if they weren’t spending time with each other like they used to, even if he annoyed her and she was avoiding him and obviously she was driving him insane too, one day things would miraculously work out, Rey believed. Everything would fall into place, and they’d be able to resume their bond as if they’d never grown estranged.

This afternoon, she realized that it would never happen.

It hurts, but it disturbs her more that it doesn’t hurt as much as it should.

“Finn came by today.”

To his credit, the sick fuck acts as if this is the most appropriate topic of conversation.

“How’s the traitor?” Kylo asks, his tone laid-back.

Rey hugs him closer—it’s another habit she’s picked up from him. Whenever there’s something difficult to put into words, she needs to feel his skin against hers.

“Good, I guess? Gained weight. Stopped smoking. He’s living with my friend Rose, they’re together now. Remember Rose? The glasses girl. I think you stalked her too, at some point.”

He did, she thinks. Back in the winter of 1996, he had them all put under surveillance.

“Armitage gave her a good scare, once,” Rey sniggers. “On the day when you killed Snoke.”

Funny how easy it is to call things for what they are when enough time has passed.

Kylo lays silent for a while, apparently unsure what to say. He’s been drinking, she senses the remnants of vodka on his breath, but true to their deal, he didn’t do it at home.

“So, uh… Are you happy for them?”

“No.” This is the first time she admits it—it’s liberating, to feel the word roll off her tongue. “I’d like to think that I am, but fuck, Kylo, I ain’t that noble. They were my friends, you see, my two best friends, and now they have each other and I’m left hanging.”

“You have me.”

True, Rey thinks. She has him. The monster is the only one who’s always been unconditionally hers.

But this is not a relationship, it never will be, and the elections are in eleven days, and there’s a storm coming, dark clouds rolling over the horizon.

Rey shifts to press a kiss on his collarbone, rubbing her nose against his neck—she likes how his stubble scratches. Perhaps she should tell him that. Kylo chuckles quietly, a low rumble in the dark, and wraps his arms tighter around her.

“I think they’ll get married.” Now that she’s started talking, Rey can’t stop. “They have that mood around them, y’know, a perfect couple: met young, but just in time to spend all their lives together. I’ll bet babies will come soon, too.”

It’s only when she says it that she realizes she’s opened another topic they’ve been avoiding with success. A can of worms, as the saying goes.

For the most part, Rey gets by, controls herself, quells any wayward daydreams or fears before they get out of hand.

But there are moments when that is the only thing occupying her mind.

“Kylo, uh… You think… You think we’re careful enough?”

“Yes.”

He knows what she means and answers too quickly, and Rey is surprised by the certainty in his voice.

“Accidents happen.”

She isn’t sure if it’s her biggest nightmare or, conversely, a fucked up plot twist she secretly hopes for.

Sometimes she catches herself wondering—would it really be so bad? A child. A boy—for some reason, in her mind it’s always a boy—with big eyes and flap ears and a head full of soft black hair. She’d raise him well, she thinks, she’d raise him with love and patience, and he’d be curious, and kind-hearted, and smart, if a bit quick-tempered and prone to brooding.

And she’d teach him not to be a monster.

But then Kylo speaks.

“I won’t do that to you, love. I may be crazy, but I’m not that far gone. I’d never put you through that.”

His heart starts beating harder, she feels, and he takes a deep breath and holds it before speaking again, his voice shaking faintly.

“The world… The world doesn’t need another me. And you don’t deserve to go through hell and back like my mother did.”

Such a mess of contradictions, her sick fuck—all stubborn zeal laced with self-loathing. Rey doesn’t know what to say.

With an urgency she tries to hush, she kisses his neck, nuzzles his jaw with the tip of her nose, inhales his scent. Kylo chuckles again—she thinks it’s laughter, she can’t see his face in the dark—and pulls her on top of him, shifting a bit so she can lay on his chest comfortably.

There’s more room in the bed when they sleep like this.

“It’s raining outside,” Rey whispers through a yawn.

Kylo sighs into her hair. “It’s raining all the time.”

A day goes by, and then another—it’s mid-September now, and the rains don’t stop. The mornings become chilling, a sticky, damp cold that makes the skin prickle, and Rey struggles to get up for work. Kylo starts bringing her breakfast to bed. The time for walks has passed—she goes to the office by public transport. People huddle in crowded buses, prematurely worn winter coats still smelling of mothballs, wet umbrellas dripping on the floor. She listens to them talk—the only topic on everyone’s lips is the elections.

Poe texts from somewhere down south—the traveling circus will reach his hometown soon, he says, and it makes him nervous. He still can’t sleep. As for Leia, in between cups of mint tea, she keeps gushing about the final rally in the capital. She promises it’ll be spectacular, as if she’s the one making it happen, but Rey isn’t sure she’s in a position to promise anything to anyone.

In the suburbs where Luke Skywalker lives, the rains have turned the unpaved streets into mud.

Water flows between the stones of Luke’s courtyard path and pools in the plastic chairs that still lie discarded on the lawn, and George the goat looks miserable as raindrops drum against a thick sheet of plastic that covers his pen. With his fur all soggy, he reeks even worse.

“Fucking season of snails,” Luke grumbles.

It’s cold in his house, and a faint trace of mold mixes with the smell of pipe tobacco that lingers in yellowed wallpaper. Rey takes off her shoes before going in, no need to leave muddy footprints on that nice Persian carpet. The curtains are drawn open, but it doesn’t do much—with all the clouds covering the skies, the room remains wrapped in shadows. The TV is on, as always, muted and left on some black-and-white movie, and Luke is listening to jazz, fast and noisy and happy. Bebop, Rey thinks it’s called. The lively beat of trumpets contrasts with the greyness outside.

“I’ve prepared something for you,” Luke says holding a thin book, a forest under a starry sky on its cover. “Since you complained that Elric was all about the manpain—where did you even pick up such a word?—this should be more to your liking.”

Rey takes the book—it’s in English, a pocket edition at least two decades old, with brittle paper damaged by too much reading. “The Word for World is Forest”, the title says, by Ursula K. Le Guin.

“It’s not as good as her other works—the characters are flat and the tone is far from subtle—but there’s a moral to the story,” he continues a tad too gravely. “And I’m not talking about the hippie environmentalism or the anti-Vietnam War crap, but something else, quite relevant for here and now. I don’t expect you to get it right away, but one day you will.”

Rey opens the novel to a random page: a character who’s obviously an alien talks to a man with a Russian-sounding name, explaining the importance of dreams. She wonders if Luke had given the same book to the boy named Ben, once upon a time—expecting him to figure out its less obvious message, ending up disappointed when he didn’t.

“Thank you.” She puts the book in her bag, the couch creaking under her butt as she fidgets.

The music slows down, it’s saxophone and piano now, a moody melody more suitable for the rain. On the TV screen, an actress with shiny curls and impossibly high cheekbones stares at the horizon—there’s something in her stance that reminds Rey of Amilyn. The monochrome film makes her lipstick look almost black, and Rey is curious what color it was in real life, half a century ago.

“Will you vote, Mr. Skywalker?” she asks cautiously.

“What, for the Catman?” Luke wheezes out a laugh, delighted by his own pun, but he doesn’t answer. Rey isn’t sure what she hoped to hear.

“Will you at least come downtown, one of these days? Leia asked about you.”

“With all this rain? I’m a delicate snowflake, I’m afraid that I’ll melt.” He scratches his bushy beard, angling his head to reach under the chin. “Besides, my sister annoys me.”

Well. Rey knew this, she could sense it, but she never thought that Luke would go so far as to admit it openly. She wants to ask him why, but hesitates.

Luke walks over to the gramophone, the clunking of his wooden clogs swift. For a moment, Rey expects him to pull up the needle and stop the music, but he doesn’t. He just stares at the record as it spins, crackling faintly, and the jazz goes on.

And then Luke clears his throat.

“My sister was given this gift, you see, this amazing gift—extra time,” he begins. “More life. A month even, or two. Or five. You never know. Do you have any idea what can be done with that time, what can be experienced, accomplished? How meaningful it can be to leave this world in peace with yourself?”

He scoffs, waving his hand like he’s chasing away unpleasant thoughts. In the shadows of his room, he looks fragile, monochrome, as if Leia’s fading drains away his life force too.

“But then she chose to waste this gift,” he carries on. “To sit in an office all day long and squander everything on a stupid fight in which she can’t even participate properly. So, yes. My sister annoys me.”

It’s a pretty phrase, leaving this world in peace with yourself, but Rey wonders what's actually included in Luke Skywalker’s tying up of loose ends.

“You know, it’s her right. Choosing how she’ll spend her last days.”

“It certainly is.” Luke nods, rolling his eyes. “But she’s still a stubborn idiot.”

On her way out, leaving the courtyard, Rey glances one more time at the goat pen. George has stuck his head through the bars of the fence, as he often does—raindrops fall from his horns. For once, though, he doesn’t look all snooty and disapproving like he’s holding a personal grudge against Rey. It says a lot about Luke, she thinks, that he chose a fucking goat for a pet. As if he can’t do without stubborn idiots in his life.

Rey curses when the wind flips her umbrella inside-out, and waits for the bus to the city center longer than normal. When she finally comes home, she feels like her very bones are soaked with the rain.

It’s mushroom stew for dinner—a cure against the cold, Kylo says. The kitchen smells of garlic and ginger—last week, she had to rearrange the shelves for all the new spices to fit—and the sizzling sound of heated oil makes Rey’s mouth water. She sits next to the counter, lifting her heels on the chair, wearing Kylo’s old sweater, one of the first things he left in her apartment. It’s too big and the wool prickles her skin, but it’s warm, and it carries his scent. She watches him cook.

Sometimes, she can’t get enough of watching him.

“There’s something you don’t know that I know,” Rey says.

Kylo glances back, flashes a smile, stirs the pot with a wooden spoon. “Surprise me, then.”

“I know why we met.”

The wrinkles on his forehead deepen as he arches an eyebrow. “It’s not a secret, my love. It was fate.”

“That’s not what I mean.” Rey twists the hem of his sweater, digs her nails into the wool—it feels softer against her fingertips than on her skin. “I know why you were at the music market on that day when you came on to me. I figured it out a while ago, but now I’m sure.”

She has his attention—the sick fuck removes the pot from the stove so that the mushrooms don’t burn, and turns to face her. He doesn’t look alarmed, however—just curious, and perhaps a little drunk.

“You are?”

Rey nods. “Back then, I thought there was a girl you were, well, stalking. An ex or something. I came up with all these fantasies about who she was and what she looked like, you see, and you have no idea how much I hated her, Kylo.”

Shaking her head, she chuckles—a brittle laugh aimed at her teenage self. Kylo’s lips tug into that non-smile.

“But there never was another girl, I know that now. And I’m pretty certain it was your uncle you were hoping to see. Luke Skywalker, buying records for his collection.”

Kylo freezes.

For too long, he doesn’t say anything, just leans against the stove, his jaw clenched, the tic under his eye fluttering. His grip on the wooden spoon tightens—perhaps he’ll break it. She dismisses the thought that she should’ve kept her mouth shut. There’s a storm coming. If they don’t talk now, maybe there won’t be another chance.

“You visited the old fart again, didn’t you?” he finally asks.

To her surprise, he sounds soft—it’s a simple statement, not an accusation.

“Yes.” Rey points at the book on the kitchen table—he didn’t notice when she took it out of the bag. One glance at the cover, and Kylo rolls his eyes.

“Ah,” he says like it’s supposed to end to the conversation. “Never liked that one much.”

Of course, Rey thinks. She reaches for the novel, wondering if he genuinely didn’t enjoy it, or it bothered him that it came with expectations.

“There’s one thing I still don’t get, though.” Pages rustle as she flips through the book—despite the sautéed mushrooms, she feels the distinct smell of old paper. “Like, why? If you’d wanted to talk to him, for whatever reason, you could’ve gone to those fucking suburbs, knocked on his door. Ain’t a secret where he lives. Why the charade?”

Kylo gives a half-shrug, passing his fingers through his hair in a gesture Rey knows too well, and she fears he won’t answer. Then he turns to the stove, all business again. The stew bubbles as he puts it back on the burner, and for a while he stays silent, breathing slowly, focused on the task.

“If… Uh. If I’d gone there and knocked on his door, as you say, that would’ve meant that I… Well. That I cared.” He stirs the pot—the spoon clanks against the metal.That I wanted to see him. Like this, at the music market, it would’ve looked like a chance encounter.”

“But you did want to see him.”

Kylo grins—it’s the wolf snarl. “No. I wanted him to see me.”

In a flash, he does that thing again, when he straightens his spine and squares his shoulders, swallowing up space until there’s nothing but his shadow across the entire room, and he looks dark, and wild, and not all there in the head.

“I wanted him to see me, y’know, to take a good, long look at me and see what I’d become. Who I had become,” he spits. “I wanted to watch him shake with fear and piss his pants and run away like the fucking coward that he was. A weakling. And then, I wanted him to tell my mother what he saw.”

He waves with the spoon—in his hand, it suddenly looks like a weapon, like something he can use to stab a person through the eye, crush their windpipe, break a bone.

“So that’s why I was at the music market all those years ago.”

And then, like all is right with the world, the sick fuck smiles.

“But it wasn’t in vain, my love. Fate brought you to me on that day.”

The chair creaks as Rey stands up. She rolls up the sweater sleeves, walks over to the stove, takes the spoon from his hand and puts it in the stew, switching off the burner. The dinner is as good as it gets. Then, she lifts herself on tiptoes to press a kiss on his cheek. The monster wraps his arms around her immediately, picking her up to slip his tongue into her mouth—his hug smells like sweat, and spices, and home. Rey lets him kiss her until he breaks for air.

Fuck fate and what it did to them all.

“Luke talks about you when asked, y’know. Says you’re nothing but bad news. Leia claims you’re dead.”

Still holding her in his arms, Kylo presses his forehead against hers.

“Why do you do this, love? Taking care of my mother, visiting the old fart, letting him push his bloody books onto you… Why?”

Rey kisses him again and offers the only answer that makes sense.

“Because you can’t.”

They make love on the kitchen floor, woolen sweater scratching the skin of her back, while on the stove the mushroom stew gets cold.

One week to September 24th.

As the final rally approaches, a propaganda war begins in the streets. Posters come up in the most incredible places: glued onto tree trunks, car roofs, shop windows. The two candidates stare at each other—the non-smiling cat lover who’s supposed to save them from certain doom, and the president, the embodiment of evil, who has corrupted everything he’s touched during the decade he’s been in power. The message is clear: replace the latter with the former, and life will be beautiful again. The Resistance recruits give out leaflets and pins, and anti-regime songs blast from the loudspeakers of their office, their lyrics cheeky, mocking the president and his lovely wife, a Lady Macbethian shrew who’s allegedly to blame for all his bad deeds.

There is optimism, Rey thinks as she looks from the office window. It should feel like a carnival—and yet somehow it doesn’t.

“Don’t get me wrong, but I think I liked it better before the campaign,” Rey confesses to Leia over a cup of tea. “When the only task was to cover the city with fists. I felt more involved."

“That’s because the only task of the Resistance was to cover the city with fists.” Leia nods curtly—she’s changed her wig, the new one has strands of grey in the auburn, looking more natural. “Our job was to lay the groundwork for the campaign, and it was done the moment Mr. Frowny Face popped up. All we have to do now is to make sure the politicians push this through.”

Rey huffs a laugh. “The Goldilockses.”

Cocking her head, Leia blinks, obviously not getting the joke. But she doesn’t ask, and Rey isn’t in the mood to explain.

Just in time for the final rally, Poe Dameron returns to the capital.

What strikes Rey the most is how thin he looks: his eyes suddenly seem too big for his face, and his cheeks are hollowed, covered by dark stubble. In the articles she’s been cutting out, she’s seen him described as “charmingly rugged”, but those are not the words she’d use. Unkempt suits him better. Haunted, even. Still, someone who doesn’t know him wouldn’t notice a thing, Rey thinks—Poe has mastered the skill of wearing a mask.

“How’s life, sunshine?” he asks when he returns to the office, his Southern drawl thick and his voice cracked from weeks of shouting on stage.

Rey gives him a half-smile. “I believe you have more interesting stories than I do.”

Poe hops up to sit on her desk, lifting an eyebrow at the song playing in the background—the band calls the first lady the hostess of a vampire ball. That’s imaginative.

“Well. The good news is I’m positive we’ll win the elections.”

Rey frowns—his tone is off. “Why do you say it like it’s bad news, then?”

Warily, Poe glances around the room. There are things he’ll talk about only if he’s certain they’re alone. When he carries on, his voice is but a whisper, even if there’s nothing to hide.

“It’s fucked up out there, sunshine. You have no idea. We had it easy in the capital—the countryside, the smaller towns, they’re wrecked. The sanctions, the poverty, the layoffs, the corruption, everything, even the goddamn bombing—it was ten times worse there. The people are fed up, you should see their faces, hear them shout. They don’t give a shit about democracy, they just want to live better, regardless of who’s in power.” He scoffs. “And that’s why they’ll vote for our guy, not because of the values we stand for.”

Sometimes, Rey isn’t sure that a coalition of so many different parties can stand for any values, but she doesn’t comment.

The only important thing is that they win.

“My hometown’s full of refugees,” Poe adds suddenly.

This takes her by surprise. “Refugees?”

A brisk nod. “From the province. It’s the biggest place down south when you cross to the mainland, so they get stuck there when they flee. Thousands of them.”

“What are they running away from?”

“Retaliation.” He shrugs, picking at a crack in plywood as his feet dangle from the edge of the desk. “Our police and the military, they had to leave the province the moment the bombing was over, and then the other guys, well, they struck back. And they struck hard.

“Fuck.”

A tad too quickly, Poe gives her another shrug—that’s the way life goes, sunshine, that’s the cycle of violence, don’t think about it too hard, maybe some of it was deserved—but she can tell from the way he frowns he’s not at peace with the situation.

She wonders if Kylo knows.

Then again, of course he does—he can’t not know.

Poe isn’t done, however. Plywood creaks as he keeps picking at the crack.

“Sunshine, I… This life… I’m not sure this is what I want.”

Rey takes his hand, pulls it away from the desk before he cuts himself on a splinter. “That bad?”

The gesture he makes is odd—as if he’s trying to nod and shake his head at the same time.

“For as long as I’ve known, with Leia, with the Resistance, I was groomed to become a political leader. Like a project, of sorts. But now I’ve watched how politics works from up close, and it… It’s a fucking quagmire.” His mouth curls in disgust. “You should’ve seen it. Tradeoffs. Deals. Backstabbing. A bunch of self-centered bastards playing games with each other, while the people just want to survive.”

She waits for Poe to continue, but it takes him a moment. A new song begins, the same one he was humming on that day when he came to the office late, his fingers sticky with half-melted ice-cream.

“If I stay in that world, I’ll never get away from secrets and lies,” he finally says. “But if I let go of a political career, what am I to do with my life?”

Rey doesn’t know the answer—the same question is on her mind too, and she isn’t any smarter about it. Once the storm is over, what the fuck is she going to do with herself?

“I miss her,” Poe whispers after a while, and she hugs him without uttering a word.

When Rey returns to her apartment late in the afternoon, Kylo is already home. Skipped the gym, it seems—his bag is by the shoe rack. Raindrops fall on the floor as she takes off her coat, and her boots leave wet footprints. It hasn’t stopped raining for weeks—if this goes on, she thinks, the final rally won’t be half as spectacular as Leia hopes.

She finds him on the couch, reading the book he was so adamant he never liked. On the coffee table, arranged in a salad bowl because obviously he couldn’t find a vase, there are flowers.

That’s a first.

“What’s the occasion?”

“No reason.” Kylo shoves the book under the cushion, blushing like a boy caught reading porn. “Felt like it.”

The bouquet is untamed in just the right way: someone has spent hours fixing up every petal to make it look like a real meadow in the spring. There are daisies, and lavender, and thistles, and these big yellow flowers she’s seen growing in parks but has no idea what they’re called, and even a few roses—that’s cheating, putting them among the wildflowers, but their pale pink goes well with the patchwork of colors, grounding the arrangement, giving it class. The room suddenly smells of early May—sunshine and honey candies and windy walks by the river—and Kylo tenses on the couch, the expression on his face stupidly panicked.

“It’s the fucking rain,” he says. “It’s killing me. Everything’s grey. I just… I just wanted to brighten up the room. You don’t like it?”

Rey kneels by the table to breathe in the smell of flowers—the sweetness of it makes her head spin.

“Also, uh, I sorted the laundry, and fed the fish, and vacuumed your room because I know how sensitive you are about it, and I hope you’re okay with an early dinner. It’s pasta. I was in the mood for something light.”

Passing her fingers through flower petals, Rey shakes her head. “You’re an idiot.”

When Kylo finally smiles, his chipped fang sticks out, and she thinks she’ll melt, tainted by this happiness that makes her want to cry.

“And you have pollen on your nose,” he says.

Fuck her life.

Days go by, slipping through her fingers too quickly, and the rain still falls. Rey hears so many cat hoarding jokes they stop being funny, and starts making up excuses to leave the office earlier. She doesn’t go home immediately, but whiles away the time walking the streets, her fingers numb as she grips the umbrella, observing the city around her. A monument stands at the street corner, its pedestal covered with campaign posters. The lights in a restaurant are off—“lamb chops served on Fridays” says a handwritten note on the door. A black dog peeks through the curtains of a first-floor window. A school has its fence freshly painted—yellow and blue and red. Raindrops ripple in puddles, turning the schoolyard into a shallow lake, and there are no children at play.

Sometimes, she just wishes for the wait to end, for the storm to blow over, but then she gets afraid. It’s not nervousness, but a crippling fear that squeezes the breath out of her lungs and makes her want to sit in the street and weep. When this is over, what will happen to them? Will she pack his things and kiss him goodbye and thank him for the memories? Is she even able to do that? Or will she break down and beg him to stay, or come up with some ridiculous plan to elope together? And then what? Their problems won’t magically disappear.

What if he doesn’t want to leave?

Rey catches herself wishing they’ll lose the elections, because then nothing will change—but the moment she realizes what she’s thinking, she bites the inside of her cheek until she tastes blood.

Four days to September 24th.

On the eve of the final rally, Kylo isn’t home when she returns from the office.

It happens, sometimes. He has things to do—horrible things, she’s certain, but they keep him busy. Rey changes into his sweater—lately, it has become her favorite piece of house clothing—feeds the fish, turns on the TV only to shut it down in haste. She can’t stand any more propaganda. Curled up on the couch, she tries reading the book Luke gave her—it takes her a while to realize she’s been going through the same passage over and over, with words melting into a meaningless background noise. She stares at the ceiling.

How did she live before the monster invaded her space?

Around nine in the evening, her stomach rumbles in hunger, and Kylo still isn’t home.

That’s when the message arrives.

I’ll come late, it reads. Don’t wait for me for dinner.

Then, less than a minute later, her phone buzzes again. I’m sorry.

The sick fuck and his apologies. Quick to say them, but always for the wrong things.

Rey waits until ten before she puts on her boots and her raincoat, and crosses the street to the fast food joint she hasn’t visited in weeks. The slice of pizza she buys is cold and greasy, but it fills her up. For a while, she sits in the shop’s window, hesitating to go out in the rain again, watching the neon streetlights as they blink in the dark. Maybe she’ll meet Kylo on his way home, she thinks, so they can go back to the apartment together. But time passes and he’s nowhere to be seen, and Rey returns alone, the pizza roiling in her belly.

At half-past eleven, she caves in and sends a text—Are you coming soon?but there’s no reply.

She goes to bed, tries reading to no avail, checks the time too often—midnight, quarter to one, one-ten, one-twenty—types messages that she doesn’t send, switches off the light, turns it back on, pads to the bathroom and sits on the toilet even if she doesn’t need to go, returns to bed, pulls the comforter over her head, pushes it down, kicks it off the mattress, turns to the side, flips to her stomach, curses. All of a sudden, the fucking bed is too big.

She looks at her phone: it’s two-fifteen, and no new messages from K.

Maybe he’ll never come back. The thought fills her with horror and relief in equal parts.

It’s almost three in the morning when Rey hears the jingle of keys.

The sound is followed by footsteps, thumping too loudly even for a man with a lumbering gait. Then there’s a thud, a crash, a large object rolling across the floor—the salad bowl with the flowers, perhaps—and it all ends with a profanity stuttered in a voice that’s supposed to be hushed, but in fact it’s shouting.

She rolls her eyes. The sick fuck is plastered.

When he opens the bedroom door, his hair is in his face, his eyes are glassy and red, and he’s barely standing. The reek of booze makes her stomach coil.

“To think I believed when Armitage said that now you’re a functional alcoholic.” Rey folds her legs, moving to the corner of the bed. “Are you gonna be sick?”

Kylo loses balance when he tries to shake his head, reaches for the doorframe for support, almost knocks down the Indian god from the cabinet as he stumbles deeper into the room.

“I ain’t… I ain’t drunk.” He laughs—it’s a stiff, unpleasant sound. “Well. Maybe a bit. But it’s not bad, I can talk.”

The mattress creaks under his weight as he falls to the bed, and Rey flinches. It takes him a moment to shake off the haze, and then he lifts his palm like he suddenly remembers what he’s come for. When he catches Rey’s gaze, his eyes are wild and open wide, but not as mad as she expected.

“We need to talk.”

Rey swallows. “We do?”

“I, uh… I have to leave tomorrow. I’ll be gone for a few days. I was… I was given orders.”

Her first impulse is to pull back, but Rey doesn’t move. “What kind of orders?”

A beat passes before he gathers up the resolve to carry on.

“Hopefully, it won’t come to that, but I… I have to be ready. On standby, y’know. In the barracks,” he slurs. “It’s for after the elections. In case there’re riots.”

Shit.

It’s not a surprise—in truth, the turn of events is embarrassingly predictable. She’s not naïve. What the fuck did she think would happen? There aren’t many roles that men like him are expected to play in circumstances like this, when history unfolds. Still, Kylo’s words make her breath hitch, and for a moment Rey hates that somewhere deep down, a part of her has hoped that things would not go this way.

“Let me see if I got this right,” she begins. “If there’s an uprising after the elections, the First Order is supposed to put it down. Is that it?”

He nods, and then buries his face in his palms because apparently the movement made his head swim.

“What does Armitage say?”

Kylo clears his throat before answering. “He wasn’t there today.”

Of course he wasn’t. The last time the sick fuck carried out negotiations unsupervised, they ended with this horrible deal he agreed to take—to keep doing the dirty work for the regime, so that he could live the life he thought he wanted.

And he did it for her.

“So you… You’ll do it? If they ask you to, you’ll do it?”

For once, Kylo raises his voice. “Dammit, Rey! It’s not as if I have a choice, and you know it!”

Fucking monster.

It’s never his choice, it’s never his fault, he’s never the one to blame for the blood on his hands.

“How does it feel, to be used like that? Must be humiliating.”

Kylo cocks his head—this has him confused. Good. The springs squeal as he shifts on the mattress, crawling up closer to Rey, and his breathing comes out in loud snorts. He’s thinking how to answer.

“No one… No one’s using me, my love.”

What a fanciful lie.

“I remember, once, you used to care about principles,” she says, sounding less stern than she wanted. “Even with your fucked up logic, all you talked about was the good of the country. Protecting the people and all that. You were so fucking high on your values that Snoke’s financial affairs pushed you to drinking. Because he lied and stole, instead of serving the nation.”

Cautiously, Rey reaches out to touch him—his hair is wet, oily beneath her fingers, soaked from the sweat and the rain, sticking to his brow. Kylo closes his eyes as her fingertips brush his scar.

“And now, you’re nothing but a mad dog who helps the regime to stay in power.” She pulls back her hand—Kylo gasps at the loss of touch. “The country is in ruins. Have you been out of the capital recently? Do you know about the refugees? These guys, the guys who’re giving you orders, they did it. They’re to blame—and you, for helping them along.”

Kylo opens his mouth—he’ll protest, he always does, “it-ain’t-that-simple-love-it’s-all-an-American-conspiracy”—but no words come out. He just stares at her, unblinking. Perhaps he’s too drunk to argue.

Perhaps he knows she’s right.

The rain dribbles against the windowpanes as the moment lasts.

“So what will you do, Kylo? If the people rise up against the regime, you’ll shoot as you’re told?” She pauses, gives him the chance to respond, but he doesn’t. “What happened to your principles? Since when are you defending the assholes who lie and steal, instead of the people you swore to protect?”

His face goes pale, his eyes blur and his throat bobs as he swallows—once, twice, mouthfuls of thick saliva. He will be sick, Rey thinks. He’ll vomit all over the bed. She’ll have to wash him clean.

Then again, it won’t be the first time she’s scrubbed the grime off his skin. On the night he killed Snoke, she rinsed away every speck of blood.

But when Kylo speaks there’s not a trace of drunkenness in his voice.

“I can ask you the same thing, you know. How does it feel to be used?”

Her jaw clenches. The sick fuck has some nerve.

She inhales to retort, but Kylo leaps forward, caging her with his body and pushing her into the pillows—the monster's fucking quick for someone that large and dead drunk. His thumb presses into her mouth, cutting off her words, and then he rubs her lips, prods deeper to touch her teeth.

“Remember this conversation, love, one day when you wake up in a fucking joke of a country and realize that you never actually fought for democracy, but to replace one group of assholes who lie and steal with another group of assholes who lie and steal.” The pad of his thumb is salty against her tongue. Rey wants to bite him, but she doesn’t. “Only this second group is more to the Americans’ liking, since they’re obedient and happy to follow orders, so you’ll have your international support. Crumbs of mercy when you’re being good.”

Well.

Better a joke than a war-torn ruin.

Rey grabs him by the wrist and pulls his hand away from her face.

“So you think… You think we’ll win?”

The sick fuck collapses next to her, a mass of wet clothes and warm muscle underneath.

“I’m not thinking anything, I don’t know anything, I was just told to be ready,” he growls. “Maybe nothing happens.”

“If… If stuff does happen, and we win, or the regime steals the elections again and there’re riots, I’ll be in the street.” She’s not looking at him as she says this—her gaze is locked on the ceiling. “That’s where my place is. Will you shoot at me?”

She feels him stiffen next to her.

“How can you even…? Never. I’d never hurt you, my love. Fuck. I’d rather die.”

“Then don’t do it!” she screams as she turns to face him. “Fuck orders, Kylo!”

When he shakes his head, he doesn’t look annoyingly self-righteous, or angry, or even drunk—just resigned, in a stupidly sad way. Like he’s made peace with the facts and there’s nothing she can do about it.

“You don’t understand, love. You don’t say no to these people. When they ask you to get ready, you get ready.” A moment passes before he carries on. “But you’ll be safe. No matter what happens, you’ll be safe.”

Shit.

There’s something he’s not telling her, and she’s too afraid to ask. If she does, who knows what she may open, and she isn’t sure she’ll be able to look herself in the mirror if she finds out the truth.

The monster cuddles up next to her, and she lets him—fully clothed, lying on the comforter while she’s almost naked underneath, he wraps his arms around her, rubs the tip of his nose against her cheek.

And then, there’s a whisper in the dark.

“You should’ve shot.”

Silence follows.

Perhaps he wants her to agree—yes, monster, all this would not have happened if only I’d put a bullet through your heart—but Rey can’t say it out loud. Her eyelids flutter to keep the tears at bay, and she reaches down to take his hand, entwining their fingers.

A kiss tickles the side of her throat. Kylo’s breath smells of vodka and his beard prickles, but his lips are soft.

“You’ll catch a cold if you sleep in wet clothes.”

He chuckles—it’s his first laugh for the night. “I don’t care.”

He makes no effort to get up, so they lay like that for a while, holding hands.

The rain has stopped, it seems. She can’t hear the drumming on the sill, the wheezing of the wind. Tomorrow will be a beautiful day.

“I… I’ll leave early. In a few hours,” Kylo sighs at last. “I won’t wake you up. You’re always such a sleepyhead in the morning.”

She knew that whatever this was between them—this non-relationship, non-domesticity, non-family—it had an expiration date, but still, there’s a sudden lump in her throat. What is she supposed to say—thank you? Goodbye, and lock the door on your way out? When do I see you again?

“Will I ever see you again?”

Another chuckle, followed by a kiss, butterfly-soft. “You’ll never be rid of me, my love.”

Rey can’t decide if she finds the thought comforting or horrifying.

“Will you… Will you vote?”

It’s the most absurd question that she can ask, and she doesn’t even know why she lets it roll off her tongue.

But then he surprises her with the answer. “I never vote.”

The monster falls asleep soon after—either the vodka has knocked him out, or he just needs Rey’s presence for the insomnia to go away. For a while, she thinks she won’t follow suit—her restlessness seems to be of a more resilient kind—but she’s exhausted, and the sick fuck is warm. His snores huff gently into her hair, his heart beats against her chest, and when he’s curled around her like this, the bed feels just the right size.

When she opens her eyes, the room is bright and the bedsheets next to her are cold.

The rainclouds are gone indeed—it’s a picture-perfect fall day, crisp and coppery orange like the scales of her nameless fish. Rey gets up, stretches, walks over to the window. The curtains rustle as she draws them open. There’s so much light outside: the sun glistens on balconies and treetops and parked cars, even on the switched-off neon sign of the joint across the street, and the colors are clear, clean, fresh like she’s seeing them for the first time.

It’s blinding.

The gym bag is no longer by the shoe self, and half of Rey’s closet is empty. The only thing he’s left behind is the prickly woolen sweater, carefully laid in bed by her side.

Rey puts it on as she pads to the kitchen to make coffee.

Forty-six hours to September 24th, seven in the morning, when the polling stations all across the country will open their doors.

Notes:

Believe it or not, the crazy cat hoarder smear campaign was a real thing. The regime tabloids kept publishing photos of the opposition's candidate surrounded by badly photoshopped cats, their number higher in each article. Yes, it's hilarious. It's absurd. I don't know even what to say about it - like, the same guys who had a man killed just because he might have run, all of a sudden started attacking the actual candidate for his love for cats.

Almost 20 years later, I'm still trying to make sense out of it.

 

EDIT APRIL 2020:

 

I'm one lucky girl, to be blessed with readers who're talented artists! Kayurka made me an art gift - a scene from this chapter, perfectly capturing the mood between Kylo and Rey in this fragile, intimate, desperate state of their relationship. And Rey is even wearing Kylo's sweater! ❤❤❤

 


Chapter 27: Putting Out the Fire with Gasoline

Summary:

On October 5th at dawn, it begins.

Notes:

Okay, so first things first: I have the best readers in the world!

The amazingly kind and supportive Riri19911, who deserves a medal for recommending this story left and right, has given me the best gift a fic author can hope for. She commissioned Clara Gemm, one of the most talented artists in the Reylo community, to illustrate Chapter 24 of “Hiraeth”, and I got not one, but two - two - scenes from the story brought to life.

Two weeks later, my reaction to this remains equally collected and eloquent as when I first saw the art: aaAAAAAAAAAAAAaaaaaaaaaaaaaAAAAAAaaAAAAAAAAAaaaaaaaaAAAAthankyouthankyouthankyou!!!
❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤

You can check out the artwork on Twitter and tumblr, or you can go back to Chapter 24 where you’ll find it embedded in the end notes.

That said, yes, I totally timed this update to be published on September 24th - happy 19th anniversary of the elections!

Beta’d by KathKnight

(See the end of the chapter for more notes.)

Chapter Text

 

 

Putting Out the Fire with Gasoline

 

 

 

This is how it happens.

On September 24th, around ten in the morning, Rey goes to vote. The polling station where she’s registered is just across the street from the Home for Children without Parental Care. It’s been a while since she last visited the neighborhood—six years, in fact. Once she’d left, she never looked back. It hasn’t changed much: the benches in the nearby park are still broken, the grid fence of the Home is still painted orange, color peeling off as if it can never look new, and children play in the courtyard, skinny-limbed, hungry-eyed and dressed in second-hand clothes that never fit.

They stop playing when they notice her looking at them. A little girl smiles.

Rey hurries away. It’s cruel to give them hope, to let them believe that you have come for one of them.

She votes quickly, the ballot paper screeching under her pen as she circles the right name, and her hands shake only a little when she drops it in the box. It doesn’t even take fifteen minutes. She goes to the Resistance office afterward, but finds it nearly empty—Leia isn’t around, Poe went to vote in his hometown, and most recruits seem to volunteer as monitors at polling stations. It feels odd to be by herself in this place that was nothing but crowd and noise in the past weeks.

And then, Rey waits.

The city is eerily calm.

As the day goes by, more people flock to the office, but the silence perseveres. News is traded in whispers—it’s all good, rumor has it, the turnout is high in the places where they’re going strong, there is hope, fingers crossed, everything will end well. But no one says it aloud. Leia arrives late in the afternoon, barely greeting anyone, and closes herself in her room—Rey can’t tell if she’s pallid because of her illness, or she’s scared stiff. She leaves her be. The TV flickers in the main room, but it’s not the political shows—a group of teens are watching an action movie, the volume low. A hushed explosion blows up a pricey sports car, and for a moment the screen fills with fire, but the main character gets away unscathed, dusting off the shoulder of his immaculately pressed tuxedo.

At eight in the evening, the polling stations close.

The next hour is the worst. It’s the time it takes for the preliminary results.

Leia marches into the main room at ten minutes to nine. She raises her cell phone—it’s on speaker. A man is shouting in excitement, babbling almost, but the line is bad and it’s not loud enough to discern the words. There’s a content smile on Leia’s lips, a tight slash of cherry red across the pallor.

Good. That’s good. Fuck.

Rey wonders how she’ll articulate the news.

“Pop the champagne, kids, it is done,” Leia declares with her arms spread theatrically. “The fuckers are history.”

There’s a pause, and someone gasps in shock—it sounds like a yelp, a comical hiccup in solemnity. And then, a thunderous cheer erupts in the room, loud enough to rip open the sky after hours spent in silence. People roar, and laugh, and slam their palms against the table in a celebratory beat, and Rey’s skin tingles and her head swims and she needs to sit before her knees buckle down.

Is it really over?

Leia lets the moment last before she raises her hands again. She must be very pleased she got to play this role tonight, Rey thinks.

“It’s a sweeping victory, above fifty percent in the first round. The president is below forty.”

“The former president!” someone yells, and the crowd cheers again.

“Is it official?” Rey strains her voice to speak over the noise.

Without a word, Leia shakes her head. Well.

On her phone, the man is still hollering, but his tirade is lost in the clamor.

Still, the celebration doesn’t stop, even if there’s no champagne but beer and home-made moonshine in plastic Coca-Cola bottles shared from hand to hand. Soon enough, everyone’s tipsy—they sing and scream and wave the Resistance flags, white canvas with giant fists rustling in the night. “He’s done for,” people shout. “Tonight goes down in history!” The euphoria spills over to the streets—the pedestrian zone gets crowded too quickly, and strangers hug and kiss, toasting to victory and other big words that are on everyone’s lips. The city smells of cheap liquor and firecrackers that pop toward the sky. There’re so many people, so many, and everyone sings.

They must know it’s far from over, but it’s cathartic to play pretend for one night.

Rey returns home well past midnight, miserably sober, feeling like she spent the day wobbling through someone else’s dream.

On September 26th, at noon sharp, the Republic Electoral Commission announces the official results.

They watch the press conference together at the Resistance office. Cameras roll: a man in a grey suit and remarkably ugly thick-rimmed glasses reads from a piece of paper that trembles in his hands. It’s a tie, he declares solemnly. Both candidates have around forty percent, and there must be a second round, somewhere in mid-October, in which the definite winner shall be elected.

The rest of his words are drowned in a torrent of boos, and someone throws crumpled newspapers at the screen.

But no one is surprised.

“What’s the word?” Leia asks Poe when he returns from the campaign headquarters of the opposition. Ever since he came back from his hometown, he’s been there with the Goldilockses.

“We fight.” He shrugs. He doesn’t look good, Rey thinks—this angular gauntness doesn’t suit him. “The second round can’t happen. Playing the game by their rules means giving legitimacy to the fraud, letting them get away with their bullshit. We can’t have that. Besides, after this, you can bet they’ll rig the second round.”

Rey’s heart hammers against her ribs, beating so hard she feels the pulse in her throat.

“What does it mean, we fight?”

“Protests, strikes, rallies, marching. You know the drill,” Leia asserts, looking tinier than ever behind her desk covered with stacks of paper. “We did it before.”

Poe shakes his head.

“With all due respect, Professor, it’s different now. We don’t have three months to waste.” He walks over to Leia’s desk, gives a gentle squeeze to her shoulder. “This time, it may mean that we fight.

Leia doesn’t say a word, just stretches her arms across the table and sighs as she leans forward, her joints popping. Poe stands above her, wriggling his hands, unsure if there’s something he should add. Both look like they’d rather be anywhere else.

Rey leaves the room, the door clicking behind her, and she struggles to walk straight as she paces down the corridor, telling herself to breathe, breathe, breathe.

On September 29th, early in the morning, the general strike begins.

The whole country freezes. Schools close down and offices remain empty and shops don’t open their doors—even if some bakeries keep distributing the food for free. Doctors receive only emergency patients. The public transport doesn’t run—the city looks deserted without trams and buses, a vision of the apocalypse, and trash piles up on the sidewalk, since even the neon-clad street sweepers have joined the fight. Fallen leaves and nylon bags roll across the asphalt carried by the wind, a whirl of orange and brown and bubblegum pink, and everything stinks of mutiny.

Then, the protests start.  

Whistles and rattles and banners are dusted off, and thousands of people rush to the streets to shout and hoot, calling for justice, carrying a puppet of the former president dressed in a striped jail shirt.

“There shall be no second round,” the cat lover yells into the microphone while the crowd cheers. “The will of the people must be acknowledged! This country won’t be held hostage by the whims of a dictator!”

That day, the miners go on strike too. Without the coal mines functioning properly, nothing can work—the country is cut off from its lifeline. The regime sends the police to intervene, but it doesn’t end the way they hoped.

“Never mess with the miners,” Poe chuckles, and for the first time in weeks his smile seems genuine. “They chased away the Stormtroopers with shovels and pickaxes. The poor bastards had to run for their lives!”

Rey diligently goes to protests, blows into the whistle until her cheeks hurt, hands out the leaflets that explain the electoral fraud in simple words, with many jokes—it’s important that people laugh at the regime, the marketing moguls say. Laughter is the cure for fear. At night, she watches movies, pirated blockbusters fresh out of Hollywood, still in cinemas across the globe. The quality of rented videotapes is shit—someone had sneaked a camera under the movie seat and filmed the screen with shaky hands, subtitles in an Asian language flashing at the bottom. Rey doesn’t care as long as she can tell what’s going on: Mel Gibson reads women’s minds, Tom Cruise does his own stunts, and as he lies dying in the gladiator arena, Russel Crowe promises freedom for the enslaved.

She finishes the book she borrowed from Luke. In the end, the dreaming aliens manage to liberate their planet, but their lives will never be the same because they’ve learned how to kill.

On October 2nd, at three in the afternoon, there’s a meeting at the Resistance office.

The main room becomes so crowded they have to bring in extra chairs. It’s an important event: Rey recognizes almost everyone present. The marketing moguls are in minority today, crouched in the back row in folding chairs, while the star guests are the Goldilockses themselves—the leaders of the coalition in crumpled suits and loosened ties, the bags under their eyes swollen from worry. Coffee is served in thin plastic cups that burn Rey’s fingers as she puts them on the table, and soon enough the ashtrays fill up, the room drowning in swirls of bluish smoke. No one points at the no-smoking sign, not even Leia who sits in the corner and discreetly swallows a cough every now and then.

Rey opens the window.

“It’s not the police I’m worried about,” a mustached man says—from what Rey knows, he’s rumored to have connections in the Ministry of Interior. “Not all of them are blindly loyal to the regime. We had contact with a few highly ranked police officials, they said they won’t have their men follow any extreme orders. In fact, some of them even support our cause.”

The topic of the day is security: what to do if the regime does not budge and the protests turn violent. The more days go by, the more likely it seems.

“So, it’s true then?” a woman from the marketing team asks. “The First Order is on standby?”

Moments pass before the mustached man nods, and a discomfited murmur echoes around the room. Chairs creak as people shift in their seats. Rey bites the inside of her cheek.

“Fucking Kylo Ren.” A man with rimless glasses shakes his head, his mouth curled in disgust mixed with fear. “That guy… Jesus fucking Christ, that guy.”

“Shit,” someone spits.

Rey looks at Leia—the General stares straight ahead, gaze locked on the ladybugs on her teacup. Not a single muscle on her face moves.

The man with rimless glasses keeps talking. “They say… They say, back in 1998 when he got the order to go down south and crush the riots there, he took a map of the province and started crossing out villages, just like that, with a red marker. And he simply said—done.”

Another wave of disapproval booms. Her hands clenched into fists, Rey keeps studying Leia. The woman is indeed the master of poker face, something that Rey could never learn, no matter how hard she tried.

The coffee is getting cold, looking like muddy water in plastic cups, and the smoke irritates her eyes.

“This will be difficult,” an older woman chimes in. With her knitted sweater, she looks like someone’s grandmother rather than a politician. “Kylo Ren, he… He’s dangerous. He really enjoys violence, from what I hear. Likes to kill people up close and personal. They say his motto is ‘why waste a bullet, when you can snap a neck.’”

A sound cracks in Rey’s memories. Images flash: the tips of her shoes specked with blood, broken spine tenting the skin, a feral grin of crooked teeth, rose petals dancing across black and white tiles until everything starts spinning. She wishes them away.

“Ugly motherfucker, too,” the first man huffs through his mustache. “Have you seen his mugshot?”

It’s the photo from the article published during the bombing, Rey knows. The one she keeps in her drawer. Kylo looks like a Disney villain there, dark and scarred and big-nosed, wanted for crimes against humanity.

“Even in the photo, you can tell he’s not right in the head,” the grandmotherly woman comments. “I’ll bet he’s an abuser too. Beats his wife, if he has one. Men like him are always the same.”

Rey jerks up in her seat.

Fuck you and your knitting and your fucking stereotypes. Fuck. You.

How dare you make assumptions about things you know nothing about?

He would never.

Leia taps her fingers against the table, her movement light, inaudible. She’s still fixating the teacup, her gaze so intense that Rey almost expects the porcelain to break.

“Remember Snoke?” the glasses guy asks. “I think he went by Professor Snoke?”

To Rey’s surprise, Poe joins the conversation. “Old guy, bald, wrote a bunch of books, used to have a TV show back in the early '90s—that Snoke?”

The glasses slide down the man’s nose as he nods. “He got murdered, I think in ‘96 or ‘97, in a burglary gone wrong. Rumor has it, it was a cover-up. In truth, it’s Kylo Ren who killed the guy, squashed him like a bug because of something Snoke had said and Ren took it personally, and then the regime had to protect their golden boy.”

A young politician clicks open his lighter, the flick of his wrist dramatic, demanding attention.

“You think that’s the worst?” The tip of his cigarette glows red as he takes a deep breath. “I’ve heard Kylo Ren killed his own father and got away with it.”

Silence falls for a moment. The faces around the table go pale: a tableau of wrinkled noses and gaping mouths and people in important positions suddenly looking lost, filtered through a whirling curtain of smoke.

Rey blinks. If she rubs her eyes, she’ll smudge the makeup.

“Enough.”

The porcelain teacup rattles as Leia Organa slams both her palms against the table. She stands up, short and emaciated, the style of her wig too fluffy for her thinned face, but fire flickers in her eyes. Rey remembers the speech she had given once, in the lecture hall, the first time she’d met her. About monsters.

“If the regime wants to unleash its vilest killing machine upon us, so be it,” Leia says, and everyone listens. “Kylo Ren is but one man. The First Order has only a handful of active soldiers. We are more than a million.”

The man with the mustache tilts his head, and the row of chairs behind Rey’s back squeals. The woman from the marketing team gasps loudly. Rey hears a whispered question—“Is someone filming this?”

“Let him shoot.” Leia waves her hand in a dismissive gesture. “Hundreds may die, yes. But one man and a handful of his henchmen can’t stop a million. We’re not the ones who should be scared—Kylo Ren should tremble in fear from us.”

Bloody hell.

The General’s words are met with an awed quiet. Rey can’t decide if they’re madly inspirational, or ruthless, or just a desperate lashing out against the banished son who has ruined everything he touched.

She glances at Poe, hunched uncomfortably in the chair next to her—he’s picking at a cuticle. It bleeds.

“I agree with the Professor there.” The man strokes his mustache, giving Leia a slight bow. “Kylo Ren or not, this isn’t the end of the world. If things indeed resort to violence, we won’t be helpless.”

Everyone nods slowly, and soon after the meeting is dismissed.

When Rey returns home, she throws up, crouched on the bathroom tiles, her forehead pressed against the plastic of the toilet seat. It’s bitter: countless cups of black coffee laced with bile. She must eat better, she thinks. She must make herself chew those sandwiches they give them at the office. Food has no taste when Kylo isn’t the one cooking.

She changes into his sweater. She’ll have to wash it one of these days, but she’s afraid it’ll lose his scent.

For a while, she just sits on the couch and breathes, looking at her goldfish trapped in its round world of glass. It swims, up and down, back and forth, silky fins trailing in the water. Its existence must be gloriously simple.

At the count of one hundred, Rey takes out her phone and dials the contact she has saved as K. The keyboard bleeps a mechanical melody as the connection gets through.

“The number you have reached is not in service,” a recorded message says. The woman’s voice lilts like she’s apologizing.

Shit.

It is then that Rey breaks down and starts crying.

She can’t believe he’d open fire on the masses just like that. She can’t—she won’t.

The sick fuck is not that evil.

But she knows what he did and she watched how he killed and she can picture him with a red marker, crossing out villages on a map.

On October 4th, the Republic Electoral Commission annuls the elections.

That’s it—game over. It is time for the protesters to go home. Pushing those ugly glasses up his nose, the man in grey announces that new presidential elections will be held in six months, or in a year, or at some point in the future. Promise. In the meantime, life should resume as normal—it goes without saying that the regime will stay in power.

Of course, the protests don’t stop. With each passing hour, there are more people in the street.

“What happens now?” Rey asks Poe the moment he enters the office, shouting over the noise that comes from the outside.

He doesn’t answer right away, but walks over to the window and leans against the pane, pressing his forehead to the glass. Rey peeks over his shoulder—it’s a sea of purple t-shirts down there. Someone in the crowd is carrying a makeshift picket sign with Amilyn’s picture.

“They say…” he begins, but his voice cracks. He must clear his throat to speak louder. “They say we have to act immediately. Take over the power before it’s too late. The D-Day is tomorrow.”

Rey swallows. “Tomorrow?”

It’s too soon, she thinks, too soon. Too fucking soon.

She doesn’t want it.

Poe sighs, the glass fogging up from his breath. “It’ll be a coordinated action, as they’ve put it. People from all over the country will come to the capital in the morning. We must be a million, or more. The aim is to storm the Parliament, that’s the seat of the Republic Electoral Commission. They keep the ballots there. We need to show the world the real results.”

Cautiously, Rey reaches out and squeezes his shoulder—it’s sinewy, tense, sticky with sweat underneath the shirt.

She inhales to speak, but she can’t. Her lips tremble. She doesn’t know what to say.  

They stand by the window for a while.

“Did you…” Rey breaks the silence. “Did you know that Leia had a son?”

Slowly, he nods. “Horrible thing, that. Losing a child.”

“How did he die?”

“An accident. Somewhere far from home—New York, I think? He wasn’t even twenty.” Poe huffs through his teeth, his shoulder shaking beneath her palm. “No wonder Leia’s crazy dedicated, this fight is the only thing she has left.”

Rey follows his gaze—he’s still staring at the picket sign in the crowd.

“And you?”

“Ask me again another day, sunshine.” He spits out a brittle laugh. “If I make it out in one piece.”

In the evening, when she comes home, Rey calls Armitage.

She should have done it days ago, she knows. She stared at her phone more than once. But every time she tried, her courage wavered in the last moment—Armitage always says things as they are.

He picks up as soon as the phone rings. Fuck.

“Darling!” He’s in a public place, there are voices around him, but it’s not near the street—she can’t hear the clamor of the protests. “How’s the revolution going?”

Rey takes a deep breath before she proceeds.

“In fact, that’s what I wanted to ask you.” She waits, giving him time to reply, but Armitage says nothing. “How is he? Is he there with you? Can I talk to him?”

There’s a faint cough on the other end of the line. “Not sure I can help you there, my dear. Can’t tell you things I don’t know. And he isn’t with me.”

A knot twists her insides.

So much on counting on Armitage to prevent the sick fuck from doing the worst.

“Where are you?”

She thinks she hears a toast in the background, a crisp chink of glasses and the rattle of cutlery. Is it a restaurant?

“Let’s say I’m on a long-deserved vacation.”

Someone speaks loudly, and Rey focuses on the voice—it’s a foreign language. Shit. It isn’t English, no, nor German, she’d recognize German, nor Romanian, because it’s not melodic and it doesn’t resemble Spanish. Still, she’s certain she’s heard it before. It’s from a neighboring country. Hungarian?

“Are you in Budapest?”

Armitage laughs into the receiver. “I’ll be back in a week, if all goes well. Have fun with the uprising, don’t do anything I wouldn’t. I’ll take you out when I get back, wherever you want. You pick a place.”

When she hangs up, Rey flings the phone across the room—it clunks as it hits the wooden floor. Then, she rushes in panic to see if she’s broken it. There’s a small crack in the screen, but the old thing still works—praise be to baby Jesus, as Armitage would say.

Dickhead.

She opens the most extravagant chocolate she has in her stash: made in Switzerland, wrapped in golden foil, with caramel chips and crunchy grains of sea salt that melt on her tongue. She’s been saving it since her birthday for a special occasion. Sitting by the window with a blanket draped around her shoulders, Rey looks at the night sky—it’s a crescent moon, a sliver of grey among the clouds. An omen, perhaps? What does the moon even symbolize when it looks like this, a perfect sickle from a child’s drawing?

She licks the chocolate off her fingers and goes to bed early, only to turn in cold sheets and sleep less than two hours.

On October 5th at dawn, it begins.

Rey picks out her clothes carefully: a pair of sturdy boots she can run in, stretchy leggings for the freedom of movement, a quilted jacket too warm for the early fall, but its thick padding is bound to soften any baton blows. She adds a scarf—a gauzy thing with tassels and glittery beads she bought in a thrift store, its density perfect to wrap it around her mouth and nose if need be. Even if the police said they wouldn’t obey any extreme orders, some tear gas is inevitable. She does her makeup slowly, the way Amilyn had taught her: dark colors for today, bronze and bolt gun grey and shimmery black, winged eyeliner, two coats of mascara. It feels like war paint.

She’s not ready, she never will be, but she grits her teeth and soldiers on.

The streets are already crowded in the early hours of the morning.

These people are not here to merely vent out their rage—they move with a purpose, a river of heads flowing toward a goal. Rey sees teenagers with the Resistance pins and their parents who walk holding hands; men with field caps carrying communist flags and men with bushy beards donning the sigils of the monarchy; intellectuals with noses wrinkled like something smells bad and construction workers with faces leathery from the sun; the leftist youth with Palestinian shawls and the football hooligans in striped jerseys; fists and five-pointed stars and two-headed eagles; a group of priests, their gowns black, carrying an icon of Virgin Mary who looks like she’s about to cry; women and men, young and old, from the capital and from the countryside, crippled and able-bodied. They have only one thing in common: they all want justice. A bulldozer crawls up the street—people stand on it, chanting slogans, waving the national flag. As she exits the building, Rey nods to her neighbors who join the crowd, and then she starts walking in the opposite direction, toward the Resistance office.

The sky is impossibly blue, and the air smells like gasoline and sweat.

To her surprise, the office is transformed into an improvised infirmary. Volunteer doctors in bone white coats huddle in the main room, setting the stage. The table is swallowed up by bandages, gauze pads, medical tape and cotton wool, and there’s a row of shiny instruments of stainless steel. Tweezers. Scissors. A scalpel.

Better ready than sorry.

Poe Dameron is already on his way out when she meets him in the corridor.

“Going to the Goldilockses?”

He nods, his teeth sunk into his bottom lip. “They’ll tell me what’s expected of me for today.”

He’s well equipped, Rey observes. Combat boots, cargo pants, a too-large padded vest he must have borrowed from someone.

“I saw a bulldozer on my way here.”

This makes him chuckle. “Plenty of those today, sunshine—bulldozers, loaders, tractors. People are using them to pass the roadblocks. Though the police mostly stand aside, for now. There’ve been a few minor incidents, but no shitshows. Not yet.”

Poe gives her another nod, rubbing his palms as if he’s unsure how to continue the conversation—it feels awkward to part ways now.

“Godspeed,” Rey says, because that’s what one says in moments like this.

“Take care, sunshine. Please.” Poe smiles, but it’s an unconvincing stretch of lips. “It’s okay… It’s okay if you decide to stay here. I’m sure the doctors will appreciate every pair of helping hands.”

He doesn’t look back as he walks away.

For the next few hours, Rey drifts in the office.

She helps with the sorting of first aid kits—disinfectants, face masks, splints. She talks to a foreign journalist, who seems equally well-informed and lost—his intentions are good, but the questions he asks are mind-boggling. How does it feel to be a freedom fighter? Do you think that young people like you are the future of your country? Where did you learn English? She watches TV for a while—the national television is airing cartoons like all’s right with the world, and Wile E. Coyote can’t catch the Road Runner. She contemplates joining Leia in her room, but quickly abandons the thought. Not now, not today.

She waits.

At one in the afternoon, her phone vibrates in the breast pocket of her shirt. It’s an unknown caller.

Nearly tripping over her feet, Rey rushes to the bathroom and locks herself in a stall.

“Monster?” The hope in her voice makes her cringe.

A brief pause—her breath catches.

“I have no idea what I’ve done to deserve that ghastly nickname, but I’m not sure I appreciate it.”

Rey blinks. “Mr. Skywalker…?”

“You thought it was someone else?” Luke clicks his tongue loudly, and then carries on before she can answer. “I don’t hear any noise around you. Why aren’t you in the street? Missing out on the revolution?”

It’s then that she notices—a faint clamor of whistles and singing on the other end of the line.

He is outside. Fuck.

“I’m in our office,” she replies. “Where are you?”

“Just came downtown. Took me a while to pass the roadblocks, but I made it. Currently I’m in the lobby of a building, came in here for a bit of quiet so I could give you a call. It’s lonely business, marching into the revolution on your own.”

Rey frowns—what a change of heart. She didn’t see it coming.

Does he know that his war criminal nephew might be the one to crush the uprising?

“Why?”

“Maybe because today is too fucking important to stay home,” Luke grumbles. “Or maybe I’m indeed that much of an asshole that I want to watch with my own eyes how everything goes to shit.”

He coughs out a laugh, very satisfied with his sense of humor.

“Will you come here? Do you want me to tell Leia?”

“No.” For a moment, he’s silent—Rey imagines he’s scratching his beard. “I can pick you up in half an hour, so we can watch the shitstorm together. Or I don’t know, despite all the claptrap about fighting the good fight, perhaps you prefer to stay in the office.”

Her mouth goes dry and her heartbeat picks up and the buzzing in her ears makes the bathroom spin around her. It’s a trap—he knows she can’t refuse.

Fuck you, you obnoxious old fart.

She counts.

Ten. Fifteen.

Twenty.

“I’ll meet you downstairs,” Rey agrees at last. “Wait for me in front of the building so we don’t lose each other in the crowd.”

Her hands shake when she hangs up.

This is it, then. The beginning of the end.

And of all people, she will share it with Luke Skywalker. She can’t decide if it’s ludicrous, or on the contrary, oddly appropriate.

Without saying a word to Leia, Rey excuses herself from the infirmary, waves goodbye to the journalist and his gnarly questions, and leaves the office not knowing if she’ll ever return, hoping her knees won’t give out as she walks down the stairs.

It takes longer than half an hour for Luke to reach the Resistance.

He’s trimmed his beard, Rey observes. In an old leather jacket with oversized lapels and aviator sunglasses pinching his nose, he looks like an aged rock star—a true veteran of the psychic wars. Almost as if he cares about the impression he’ll make at the last stand.

“Compliments for the makeup,” he shouts over the crowd. “Too bad it’ll get ruined the moment we’re hit by tear gas.”

Rey shakes her head. “You sure you wanna do this, Mr. Skywalker?”

He doesn’t pause to think, as if his answer is long ready.

“Don’t you worry about me, I’m experienced.” The jacket crinkles as he shrugs. “Been a while since the last time, but raising a revolution is like riding a bike: you never forget. Now let’s go, before the party starts without us.”

She takes a deep breath before joining the masses, like she’s about to actually plunge into water.

The river of people is thicker than in the morning—the way it moves is merciless. It’s impossible to slow down or walk in a different direction. The crowd chants: anti-regime songs and slogans and endlessly repeated yells of “Vic-to-ry! Vic-to-ry! Vic-to-ry!” Rey feels something crunching under her soles—a beer can, perhaps—but she can’t look down to see what it is. Someone pushes her, a bump to the shoulder—she sways and Luke reaches out to take her by the hand. His palm is dry, only slightly rough, it doesn't feel as awkward as she thought it might. A few yards ahead, a band of young men walk with snare drums around their necks, beating tirelessly, and the crowd crawls to the pace they set. It sounds like something between a military march and an execution drumroll.

Drum-ta-ta-tum. Drum-da-rum-da-rum.

She notices the police—armored cars, water cannons, men in plastic breastplates walled up behind riot shields, helmets hiding their faces—but they’re not pushing against the crowd as hard as they could. No matter how frantically she looks around, however, she sees no trace of the First Order.

Where is the sick fuck? Still in the barracks? Or somewhere nearby, ready to strike with deadly force the moment they order him to?

He told her she’d be safe. He did. What does that even mean?

Drum-ta-ta-tum.

Drum-da-rum-da-rum.

Helicopters circle above their heads like hawks at prey, and in the distance the green dome of the Parliament peeks through the trees.

Luke asks her something. She sees his lips moving, but the question is lost in the noise.

“I beg your pardon?”

He bows down to shout in her ear. “I said, what do you hope to get out of this?”

She gives him a quick shrug. Is this a trick question? There’s a long litany of right answers she has learned by heart—peace, freedom, democracy, to live a normal life in a normal country because they have the fucking right to it.  But the more she repeats these words, the more they lose their meaning.

“An ending,” Rey yells her reply. “I just want this to be over.”

Luke’s eyebrows shoot up—this seems to surprise him. Then, he slowly nods, and a small smile flickers under his beard, like it’s the first time she said something he doesn’t find childish.

She isn’t sure if she should take it as a compliment.

The square in front of the Parliament has turned into a human sea—Rey has never seen so many people in one place, and they keep coming from every corner of the city, the nearby streets clogged with the crawling masses. They are indeed a million. For a moment she stops, the crowd is getting too thick, but Luke keeps walking, slithering between the protesters, guiding her by the hand—the old man is surprisingly agile. Flags flap above her head and hoots pierce her eardrums, and she feels too hot in her quilted jacket.

There’s a large truck parked in the middle of the crowd, serving as an improvised stage. The politicians are there, standing on the trailer like it’s a life raft, giving speeches. The cat lover is surrounded by broad-shouldered young men, it seems that he needs bodyguards now, and there are the grandmotherly woman, and the glasses guy, and Poe Dameron in that borrowed vest. She can’t see his expression from afar, but his shoulders are slumped and he’s standing to the side, on the very edge of the truck. One step further and he’ll fall.   

The Parliament is guarded by a double police cordon stationed at the bottom of the stairs. The fucking Stormtroopers. They don’t stand at attention, however—they shuffle on their feet, Rey observes, stealing glances underneath their helmets. Their shields are raised too low, their formation is jumbled.  

They don’t want to be here.

Rey lifts herself on tiptoes, but it’s not enough—if the First Order forces are indeed somewhere behind the cordon, she can’t see them.

“You are the people! You are our brothers and sisters!” The loudspeakers crackle as a politician shouts from the truck—it seems he’s addressing the police. “Don’t defend the dictator! Drop your shields and join us!”

If the words have any effect on the policemen, it doesn’t show—crooked as it is, the cordon stands.

Time goes by. A full hour, maybe. More protesters arrive at the square. 

The politicians take turns with the speeches, but soon it becomes an endless rehash of things already told. It’s awkward. The stalemate drags. An inexplicable aura of calm drifts in the air, but it’s a dangerous calm, a tense one, like a coil wound too tightly, ready to snap. Rey feels the back of her neck prickling.

This is lasting too long. These people, the Goldilockses, they have a plan, don’t they?

“They’re gonna lose control over the crowd any moment now, just watch,” Luke grumbles into her ear. “Fucking amateurs. Get ready to run.”

A minute later, the first stone is launched at the police.

At least that’s what Rey thinks has happened. She doesn’t see the missile, doesn’t know who’s thrown it, isn’t even sure if there was a stone, but that’s what people around her are shouting. The masses ripple, bodies moving like a wave that will snatch her away, tugging at her jacket, stepping on her toes—she squeezes Luke’s hand. “Chaaarge!” someone howls and the crowd presses forward. “No violence,” a man screams into the microphone—is that Poe’s voice? “Stop now! No violence!” But no one is listening.  

The police strike back.

There’s a popping sound, and rounds of tear gas fall into the crowd. Grenades, they’re called. They look like spray paint cans and make a metallic chunk as they hit the ground—or someone’s head.

Everybody starts running.

A lungful of gas bites Rey’s throat and stings her tongue and makes her nose run, and her sight is blurred with tears. When she coughs, it feels like her own spit burns her lips. She can’t slow down, or let go of Luke’s hand, or tell in which direction they’re pushed by the crowd—it takes her several attempts to pull the scarf over her mouth.

Someone next to her falls down—a woman, Rey sees. She tries to get up only to stumble again, land on the ground, but when Rey rushes to her aid Luke pulls her back, mouths a ‘no’. You don’t run the other way in a stampede. The veil of tear gas is as thick as a fog, milky white, and for a while all she sees are outlines. She hears screaming, swearing, begging, the crunching sound of blunt force, she steps in a puddle of vomit—it’s slippery. There is blood: gashes on foreheads and noses bubbling red and someone’s teeth are knocked out. How did that happen? The tears still cloud her eyes, the air smells like vinegar and piss, the scarf is damp on her mouth as she breathes, and Rey thinks she’ll be sick.

And then, everything stops.

The crowd has pulled back. The police don’t give chase.

Her stomach churns as the white curtain of smoke slowly dissipates.

“You okay?” Luke is holding her hand so tightly that her palm hurts, but Rey doesn’t mind. She nods. He’s lost his sunglasses in the mayhem—his eyes are bloodshot, painfully puffy. “Told you your makeup would get ruined.”

Rey almost laughs.

Trails of bolt gun grey eyeshadow smear on her fingers as she wipes her eyes. She looks around, trying to assess where they are.

The masses have dragged them close to the entrance of the Parliament—the stairway is only a few yards away. The police cordon regroups at the bottom, their batons out and shields lifted high. The improvised stage on the truck is empty—she can’t tell if the Goldilockses were taken to safety, or if they’re down here with the others. She’s sure that Poe is still in the crowd. Around her, the protesters rub their eyes, cough and sneeze, spit out blood, curse. They did withdraw, but they’re standing their ground now. Someone calls for a bulldozer to “push through the pigs and clear the entrance” and the people nearby clap.   

This is far from over.

The sky is no longer blue, Rey sees—it’s murky, charcoal grey, closing in on them from above. It’s not just the tear gas. This smoke is thick and dark, with a different smell, and it keeps spreading even though no more grenades are being launched.

That’s when she understands: the Parliament is on fire.

It’s burning from the inside, somewhere in the back—she can’t see the flames, but pillars of blackness are swallowing up the dome, unrolling across the sky. It looks like ink in water, only there’s no beauty to it. Who the fuck has set it ablaze?

Why would they even do that?

“The ballots are in there!” a voice shouts. “They’re burning the evidence!”

Shit. Can they control the flame?

A new rush of tension surges through the crowd—a flood of panic and resolve and righteous anger, a reminder that time is ticking away, that the moment is now. There’ll be another charge, Rey senses. The wave is about to pull her up, lift her to the sky before it crashes against the rocks. She grits her teeth and readjusts the scarf around her mouth, and she gives Luke a quick nod, her legs tense, her knees slightly bent.

She’s ready to run.

But time freezes in that moment, and nobody moves an inch.

There’s a commotion at the bottom of the stairway. The cordon is withdrawing, Rey sees. The police stand aside.

They’re not going away, however. They’re being replaced.

She can’t tell where the men in dark armor have come from, but suddenly they’re there, guarding the entrance to the building, their uniforms as black as the rising smoke. Their faces are covered by gas masks with round, bug-like lenses and filters that hang like mandibles, making them look alien, like the sight from a dream gone wrong. There’s something chilling in the way they move—it’s a practiced march, quick but unrushed, too confident for a day in which everything is spiraling out of control. They’re not carrying shields. It’s automatic rifles she sees in their hands, gloved fingers on triggers, positioned to shoot.

A round symbol is embroidered on the sleeves of their uniforms, indiscernible from afar, but Rey knows what it is.

The pagan sun of the First Order—red on black.

Fuck.

The sky turns darker and the masses fall back in a daze, and then he enters the stage.

She recognizes his gait. It’s as graceless as always, he doesn’t walk, he stomps, but as he goes down the stairs, thick smoke twirling around his feet, it seems deliberate, thunderous, like he’s moving in slow motion. His face is covered too—a helmet, a gas mask. He’s dressed in all black. A rifle hangs across his shoulders, its barrel catching a stray ray of light, but it’s not his weapon of choice—in his right hand, he’s holding his gun, enjoying its weight, how it feels against his palm. He doesn’t look human. What stands before the crowd is a creature in a mask, carved out of smoke and shadows, so large that his presence swallows up the sun.

Kylo Ren, king of the war zone. The death god.

A legend.

Everyone around her is screaming, but all Rey hears is silence.

The masses stop in their tracks—it’s strange, all these people acting like one organism, a shared heartbeat, the same reverberating voice they let out, the same fear keeping them frozen in place. A million souls scared shitless of one man. Will they withdraw now, when it’s obvious that this is not a drill? Those automatic rifles are ready to shoot, and the regime is proficient at spinning propaganda to make it seem like a heroic act of defense against the angry mob. Or will Leia’s words come true, and the First Order will give in?

Luke’s grip around her hand tightens. He knows who’s behind the mask.

Rey wonders if he feels guilty.

Kylo steps in front of the First Order. He’s studying the crowd. She observes his chest heaving rhythmically—it must be difficult to breathe through the mask, too hot, stuffy, only made worse with his broken nose. He clenches his gun, lifts it slightly, and the front rows of protesters move, pull back, hands in the air, eyes on the ground. It’s obscene, and so fucking terrifying it makes her sick to the stomach. How many people have just pissed themselves hoping no one will notice?

He must know she’s in the crowd. He must.

Everything depends on what he’ll do next, and he said he’d rather die than hurt her.

With his left hand, Kylo unties the straps of his mask and pulls it off. His face is pale underneath, sweaty, strands of hair sticking to the skin—he wrinkles his nose as he inhales the gas-drenched air. A collective gasp echoes through the crowd. Perhaps it’s worse knowing he’s human: it’s a perfect villain they see, with his crooked features and scars and a wolfish snarl. It’s easy to believe he’s capable of the vilest cruelties when backed into a corner—or simply because he enjoys it.

The Parliament is burning behind his back, windows shattering as the first flames lick up the walls, bright orange against the green of the dome. Kylo glances up, stretching his neck, ghostly pale in all that smoke, and then he looks down at the gun in his hand like he’s suddenly remembered he’s supposed to use it. The masked men in dark armor stand at attention, waiting for his order. Rey bites the scarf that binds her mouth—it’s salty, drenched with tears that aren’t only from the gas.

Don’t do it, monster.

Don’t.

You’re better than that.

Even if you’re a butcher and a fuckup and all that the court in the Netherlands says about you is true, you aren’t completely heartless.

Don’t let them win.  

Kylo lifts his head and stares into the crowd, right in her direction. Does he know she’s there? She can’t tell from this distance but she thinks his frown softens slightly, turns into an expression of acceptance and sorrow, just like when she held him at gunpoint—or perhaps she’s imagining it. People around her are howling, but no one dares to move. The moment lasts.

She wants to close her eyes, but decides against it. She’ll watch.

Fuck her life.

And then Kylo pushes his gun into the belt of his uniform and barks an order, motioning to the cordon to retreat.

At first, everyone stands still, and a strange silence falls over the crowd. It’s dreamlike, watching the First Order withdraw, the men in dark armor stepping aside to give access to the stairway. Kylo leans against the marble balustrade, arms folded over his chest, but it’s not a gesture of defiance or defeat—it feels like he’s welcoming destiny. He’s still looking in her direction.     

But it’s over too quickly. A rumble of joy and unbridled fury explodes across the square, and the masses charge.

Her first instinct is to run to him. Push through the protesters, step over their bodies, kick and claw and bite her way to the stairs so she can hug him, yell, slap him so hard that his ears will ring, kiss the sweat and ashes off his face, and ask—did you do it because it was the right thing to do, or did you do it for me?

Does it even matter?

She can’t move, however. A river of people is separating them, and soon the monster becomes nothing but a speck of darkness in the crowd, drowned down in flags and slogans, and then she can no longer see him.

Luke’s grip on her hand is strong and her screams are muffled by the scarf.

The door of the Parliament cracks open and the protesters storm into the burning building, throwing stones at windows, pushing aside the remaining policemen. Here and there, someone shouts, a desperate cry to establish order—“don’t do this, people, don’t destroy public property, this is your Parliament too!”—but the masses are unstoppable. This is no longer about saving the evidence from the clutches of the regime, Rey understands—it is a fucking revolution, in every sense of the word. And if Kylo hadn’t stepped down, it would have turned into a full-blown civil war.

She looks up at Luke, only to find him observing her, his swollen eyelids narrowed. He asks something, but she can’t hear him. Then he tugs her hand in the opposite direction to the masses. Rey nods.

They start walking as far away from the square as they can.

The old man is good at this—he navigates through people with proficiency, knowing when to move and when to let the rabble pull them along. They advance slowly, every yard a challenge, crawling their way to the back streets, stepping across shattered glass and knocked down traffic signs and lost pieces of clothing that trail like roadkill. The protesters bump into them, high on righteousness and rage, but the crowd no longer feels like a single-minded creature. Not everyone is rushing into the Parliament—Rey can see the sidewalk where until a moment ago there was nothing but the human sea. Some groups seem to carry on with the attack, directing their wrath to the nearby building of the national television—the fucking bulldozer is there, its caterpillars leaving ugly dents in the asphalt, and the people standing on it wave with bottles of something yellow. It’s not booze, Rey knows. It’s the mix named after that Russian guy from World War Two. Wasn’t he Stalin’s minister who had signed the pact with Nazi Germany?  

What was his name again?

To hell if she remembers. She can’t focus, can’t follow what’s going on, isn’t sure that she cares. There’s only one thing on her mind. Did the monster manage to get to safety before the mob crushed everything in its way?

They had no reason to hurt him, not after what he had done. Thinking back, she’s certain she even heard some people calling his name as he stepped away, cheering him on. They applauded, didn’t they? And yet, it only makes matters more complicated.

What the fuck do you do with a wanted war criminal who has become the hero of the day?

She wants to talk to him. She’s sick with the need to touch him.

She can’t tell if she’ll ever see him again, and the thought makes her want to scream.

Luke stops, and Rey notices they’re in a park.

She has no idea how much time they’ve spent walking—could be minutes, could be a lifetime.

“You alive?” The old man coughs and spits to the ground, letting go of her hand. It’s odd, being separated all of a sudden. Rey stares at her palm—there are bruises from Luke’s fingers, red imprints pressed into her skin.

“I… I think so.” She pulls down the scarf and winces as she feels the stench of smoke and lingering tear gas. “Is… Is someone going to put out the fire?”

The rasp of Luke’s chuckle is mixed with another croaky cough. “They better do. Rebuilding the Parliament from scratch would cost a fortune, not a good way for the Catman to begin his rule.”

Rey looks around.

The park is strangely calm. People sit on trampled grass, among disheveled bushes and discarded riot shields, dead tired, filthy, flagpoles stabbed into the ground by their feet. Still, they’re all smiling—that’s new, Rey thinks. Smiling. Today has been a horrific day, tense and uncertain, too many twists, too much violence, and smiles have become a rare commodity. It’s reassuring to see them, a reminder that there’s reason to celebrate. A girl is wearing a police helmet—a trophy snatched from god knows where. It’s too big for her, she looks like a child playing war with a saucepan on her head, but it’s sweet in a stupidly human way. Underneath her hoodie, Rey notices the purple t-shirt with Amilyn Holdo.

In that moment, a new sound resonates against the clouds, scaring off a flock of pigeons that have just found peace in the nearby tree.

The church bells are ringing. Were they always this loud?

The metallic clangor announces to the world that a decade of shit has come to an end. It’s officially over, the bells chime, job well done—just like she has hoped for. All that’s left is victory.

Vic-to-ry.

It doesn’t feel real.

Luke clears his throat, wiping his beard with the back of his hand. And then he drops a bomb.

“That man in front of the Parliament… You know who he is.”

It’s not a question.

“It’s Kylo Ren.” Rey swallows, wishing her scarf still covered half of her face. “Everyone knows that.”

The old man gives her time, stretching, dusting off the grime from his leather jacket like a goddamn action hero, but she says nothing more.

“That’s not what I meant,” Luke adds at last. “I’ve been watching you, now. I saw you lose your mind out there. You know him. You know who he is.”

Fuck.

She meets his gaze, the piercing blue of his eyes peeking between the swollen lids, and she hates the old fart for pretending that he’s cynical and distant and oh so above it all.

“What if I do?”

“Rey.” He uses her name for the first time, his voice rasping over the church bells like a warning. “I think we need to talk.”

 

 

Notes:

In spite of tensions and rumors of possible armed violence, the uprising of October 5th – which went down in history as the Bulldozer Revolution – ended up being blessedly bloodless. There were only two casualties in total: a woman who accidentally fell to her death from a truck, and a man who perished from heart attack in the crowd. The reason for this is indeed because the key people in the police and the military chose not to follow extreme orders.

While tense and exciting, the storming of the Parliament wasn’t as movie-like as described here – during the second charge, the protesters managed to break into the burning building, and that was it. Still, the fic is again partly inspired by history. There was this man – a rather dark figure in the 90’s, a former French Foreign Legion soldier, commander of the Special Operations Unit, a mobster and a war criminal, heavily involved in the worst kind of dirty work for the regime – who made quite a public show of his refusal to use lethal force against the people, even though he was ordered to. His reasons for doing so remain debatable – they weren’t romantic, and they most certainly can’t be interpreted as a step toward redemption given what happened with him afterwards – but it is a fact that he didn’t intervene in the moment when he was supposed to. As it happens, however, in time the word-of-mouth history evolved, resulting in the popular narrative that “the revolution would’ve been crushed if only he had decided to shoot.”

See you soon – the next chapter will be named after a Nick Cave song!

Chapter 28: Jesus Alone

Summary:

"You know why, my love."

Notes:

Welp. This took, like, forever.

The thing is, my writing process turned kinda slower. The closer to the ending I get, the more time I need to work on a scene until I’m satisfied with it. While this seems to be a normal thing for writers when they enter the very last phase of working on a project of this scale, it may mean that my plan to have this completed by the time TROS hits the theaters is just wishful thinking by now. I deeply apologize, but I’m afraid I can’t help it. The important thing is that I will finish the story.

So, um, I want to thank y’all for your patience and encouragement and kind words, and for reassuring me that you’ll stick with me no matter how long it takes me to bring this to an end. You guys rock. I love you.

Beta’d by KathKnight

(See the end of the chapter for more notes.)

Chapter Text

 

 

Jesus Alone

 

 

 

The smell of freshly brewed coffee fills Rey’s kitchen, and dark liquid foams up as she pours it in the mugs. The aroma is sharp and homey, awakening her senses—a pleasant contrast to the gas stench that lingers outside. Carefully, Rey picks up one mug and offers it to Luke, its handle turned toward him. It’s rare to meet someone who likes coffee the same way she does—two heaping spoons, no milk, no sugar. Black and bitter. Like life, she used to joke.

Luke takes a sip and winces.

“Too hot?”

“Nah,” he scoffs. “The fucking gas killed my taste buds. This may be the best coffee in the world, but my tongue’s numb and everything feels like warm piss.”  

She chuckles, her laughter too loud and noticeably forced. Luke smiles back, gives her a nod, but the humor doesn’t reach his eyes. It’s awkward, this deadlock between them. As if they’re both delaying the inevitable.

How the fuck do you begin a conversation after which nothing will stay the same?

Her apartment is stuffy, the air thick with coffee fumes and smoke-drenched clothes, but she keeps the windows closed. Outside, the people are celebrating. She hears a faint echo of singing, and whistles, and an occasional applause—god knows what the crowd is toasting to now. All the big words have been repeated too often to still hold any meaning.  

“What gave me away?”

“Really?” Luke lifts his eyebrows. When he realizes she’s waiting for an answer, he continues. “The way you casually mentioned Leia’s son that one time—it was suspicious as fuck. Not many people know the story, and certainly not random college girls. I didn’t prod back then, but maybe I should have.”

He pauses to gulp down the coffee whose taste he can’t feel.

“Then, this afternoon, things became crystal clear. Is that… Is that why you insisted on getting to know me? Because of him?”

Yes, Rey thinks.

“No. I was simply following instructions. Leia said it’d be good if someone could spend time with you, to talk you into getting involved, so that’s what I did.” She licks her lips—they still burn from the gas. “I tried, that is.”

Luke nods, but she can tell he doesn’t quite believe her. Still, he refrains from protesting.

She sips the coffee—it has no taste indeed, just a vague bitterness she feels in the back of her throat, like bile.  

“So what’s your story?” Luke leans against the counter, crossing his arms a tad too defensively. “How come you know my nephew?”

Rey clutches the mug with both hands. The ceramic is smooth under her palms, but her thumb finds a small crack near the handle. She picks at it—her nail screeches across the glaze. This is real.

Where to begin?

There were times when she fantasized about getting caught—the weight coming off her shoulders, the secrets spilling out so they no longer fester in her bones. She even had the lines ready. “I am his and he is mine. Call it fate. Or a tragic codependency, if you prefer.”

But when she inhales to speak, she cannot form words.

The longer she hesitates, the more Luke squints.

“I, um… For the past few years, I’ve been in an on and off relationship with him,” Rey admits. “Well. More off than on. But you get the point.”

There. 

It sounds so trivial when said aloud. Normal, almost. Like something that people do.

For what seems like eternity, Luke doesn’t speak—just stares at her, eyebrows furrowed in a scowl.

“You’re in a relationship,” he finally repeats, stressing the word as if he needs to ascertain its meaning. “With Ben.

“Don’t call him that.”

With a brisk headshake, Luke lifts his palms and almost knocks down the coffee pot from the counter. His mouth hangs open and he wheezes as he breathes—he still hasn’t recovered from the gas, it seems. Or his age has caught up with him.

Outside, the crowd breaks into applause again: “Vic-to-ry,” they chant.

“This… Fuck me blind. I didn’t think it’d be… You’re with him.” Luke’s voice croaks. “Do you have any idea what he did?”

Rey nods. “Broke your arm in two places.” She points at him. “That’s why you have that scar. From the surgery. You scratch it whenever you’re nervous. You called him a fascist war dog and threatened he’d be erased from the family, and he responded by beating you black and blue. And that’s one of the least horrible things he did.”

Luke’s eyes go wide—it looks grotesque on his swollen face. She’s laid bare a secret, she realizes, something he hoped no stranger would ever know. With his right hand, he touches the sleeve that covers the scar.

She shouldn’t pity him. Not now.

“He also prevented a civil war,” Rey continues, “when he stepped aside this afternoon.”

The old man’s jaw snaps shut so loudly his teeth clack. 

“So that’s what you think happened today.”

“You saw for yourself,” Rey confirms. “You and a million people.”

With a chilling slowness, Luke smiles.

“What I saw was a man backed into a corner, doing the only thing he could to save his sorry ass.” Compulsively, he reaches for his pocket, taking out a pipe and a tobacco pouch that rustles as he opens it. “Not to mention that the little show he pulled off is the perfect way to hit it off with the new government. Buying himself favors.”

Rey’s teeth clench. “He’s not that calculating.”

“Oh, he isn’t, is he now?” Luke rubs a pinch of tobacco between his fingers, and the kitchen starts smelling like his house—sandalwood and dust. “Believe me, Ben knows very well how to push people’s buttons to get the reaction he wants. Especially when it’s about hurting someone, he’s really good at that. A fucking expert. Likes to look you in the eyes when he tears your world apart.” 

He stuffs the pipe a tad too vigorously, and Rey doesn’t tell him he can’t smoke inside.

A song bursts from the street. Everyone is off-key, too drunk by now, too happy—the melody is lost, the lyrics jumbled, it sounds like a dragged out howl interrupted by laughter and clapping. Will these people never tire?

When do you stop celebrating the fall of the dark side?

“You think it’s a coincidence he fell in with Snoke, of all people?” Luke strikes a match he picked up from the counter—it crackles as it lights up. “That man, that fucking charlatan, he stood against every value we believed in, every principle we tried to teach Ben. No decency, no sense of morality, just cunning and greed. A goddamn witch doctor who was allowed to spin dangerous bullshit because the regime needed bullshitters. Ben ran off with him out of spite—he knew exactly how it’d make us feel. Ended up championing an ideology so fucked up the only way to stop it was a bloody revolution!”  

He breathes in the smoke, holds it for a moment, and then puffs it out with a cough. His face scrunches up—it seems that tobacco has no taste either.

“Perhaps…” Rey’s voice is small and she hates it. “Perhaps, if you hadn’t had all those expectations, if you hadn’t made him feel inadequate, and ugly, and unhinged, he wouldn’t have done it. He hated himself. He said Snoke was the first person to accept him as he was, without trying to fix him.”

“So that’s why he killed him, out of sheer gratitude?” Luke sneers. “Not so he could take his place?”

She sniffs. The fucking gas is still making her nose run, and the sweet-smelling smoke doesn’t help.

“He… He did it for me. He killed Snoke to protect me.”

Blood drains from Luke’s face and his shoulders stiffen.

Rey squeezes the mug, grazing the crack with her nail. If she were to drop it, it would shatter into a dozen shards, splitting open like a gunshot skull, coffee spilling everywhere. She bows her head, eyes locked on the kitchen tiles.

“Snoke wanted to break us apart. He planned to send me away, threatened he’d hurt me if I didn’t comply. Said he’d make me disappear. And then, well… Then Kylo solved the problem. Not that it did us any good.”

She lifts her gaze. Luke is observing her with an unreadable expression: his eyes are narrowed, but the tilt of his head is curious, encouraging her to talk like he’s actually willing to listen.

She can’t tell his thoughts.

“He loves me, you know,” Rey says like it’s the only thing that matters. “He truly loves me. You can’t… You can’t imagine the lengths he’d go for me. I know what he did. I know how fucked up he is. I… I met Han, Mr. Skywalker. I know. But all these years, Kylo’s been nothing but good to me. He never abandoned me. He never hurt me—hell, he kept coming back to me even when I was the one hurting him. I held his life in my hands. Literally, I did! And he never forced me into anything. Never. You think he ever tried to control me? You think he said a word about my work for the Resistance, even if he disapproved? He loves me, Mr. Skywalker. He does. Unconditionally. And trust me, as terrible as he is, he’s more than capable of feeling love.”

The longer she speaks, the more she’s aware of how she sounds: hysterical, convoluted, young. Painfully immature. It’s like adulthood is stripped off her skin, like she’s regressed to a child who made a mess she can’t hide, and now she’s trying to avoid punishment by calling up feelings.

She’d spit on herself if she could.

But then Luke’s frown softens.

“What he did this afternoon… You believe he did it for you.”

There’s a glint in his eyes that can almost pass for compassion, and it makes her stomach churn. She pulls out a chair, its legs screeching across the tiles as she drags it, and then plops down unceremoniously, the wooden seat wobbling under her weight. Outside, the people are still singing, celebrating freedom and vic-to-ry, and all she wants to do is open the window wide and scream at them to shut up, shut up, shut up.

The coffee has turned cold.

“Does the reason make any difference?” Rey whispers. “He didn’t shoot. Today wasn’t a disaster. That’s all that matters.”

“You can put it that way,” Luke agrees, breathing out smoke with a sound that can be both a cough and a strangled chuckle. “But fine. Let’s suppose he did do it for you. Let’s go even a step further, and say he didn’t shoot because he realized it would be wrong. What does it mean? Does it change anything? He’s a war criminal. It’s not as if his past will miraculously disappear because for once in his life he chose not to do something horrible. Or that the people he’s hurt should forgive him because he loves a girl. For fuck’s sake, Rey. Reality is more complicated than that.”

She shakes her head instead of answering. Tropes are for fiction, she knows.

And we all live in the narratives we create, cherry-picking facts, running in circles of our subjective truths.  

They sit without speaking for a while, the old man puffing his pipe, Rey sipping the cold coffee, swishing it in her mouth to savor the taste that isn’t there. Gradually, the smoke fills the kitchen, sweet and thick, giving her a weird buzz—or perhaps she’s just tired. She needs to shower, she thinks. Her clothes and hair reek of gas and sweat and god knows what else, and her face is black with melted makeup.

She needs to buy a new mug.

The noise outside grows quieter, reduced to sporadic cheers when handfuls of people walk past her window. It seems that the party is coming to an end. Some of the protesters have a long way to travel, going back to their towns and villages, taking their bulldozers with them. They won’t return home before morning. Maybe they’ll just spend the night in the parks, sleeping in the grass. It isn’t cold.

Rey looks at the wall clock—it’s midnight. Where did the time go?

“I…” Luke begins but then pauses, his voice wavering as if he doubts what he’s about to say. “I’d like to see him. Can you arrange that?”

The request should come as a surprise, but there’s something sadly predictable about it.

“I don’t know,” Rey utters. It’s an honest answer. Weeks may pass before Kylo finds a way to crash into her life again—weeks she’ll spend waiting for the phone to ring, for the keys to jangle in the night. “Are you… Are you sure it’s a good idea?”

“No.” The old man smiles, all yellowed teeth. “It ain’t. But it’s been ten years since everything went to shit between us, and, well. Ten years is a lot of time. I want my closure, the same way you wanted your ending today.”     

Rey nods—she thinks she understands. “I can ask. No promises, though.”

“Fair enough,” Luke says, and they both fall quiet.

The sudden silence in the street almost makes her miss the clamor. She can hear the clock ticking now, the faucet leaking, droplets of water hitting the sink with rhythmic drips.

“Did you really mean it?” she asks after a while. “That you’d erase him from the family?”

A beat passes. Luke sighs, scratching his scar underneath the flannel shirt. He doesn’t want to answer, Rey can tell. 

“Does it matter what I meant?” His voice is soft and his eyes seem bluer than ever—the gas effect is wearing off. “The outcome is the same. In the end, he wound up erasing himself.”

There’s nothing to talk about after that.

As the night goes by, the crescent moon shining on them through the window, Rey is tempted to offer the old man to stay, sleep on the couch—god knows how he’ll return to his suburbs at this hour. But when Luke says he should leave, she doesn’t stop him. He smooths down his beard and puts on his leather jacket, yet the glamour of the aged rock star is gone—all Rey sees are wrinkles and battle bruises and an air of uncertainty, as if he feels less confident now than this morning when they marched together into the revolution.

He’s not angry with her, though. That much is obvious.

It only makes her feel worse.

“Call me when you have news,” Luke says as they’re parting. “And what happened with the book I gave you? Did you even read it?”

“I did. And I figured out the message.” Rey leans against the doorframe and lifts her palm to wave goodbye. “Even if we win, we lose.”

She showers for too long, rubbing her skin with the rough side of the sponge, lathering her hair until her scalp tingles. The water runs cold after a while, but she doesn’t stop, watching with fascination how goosebumps rise on her skin. The bathroom smells of honey and French vanilla, her favorite shampoo scent—it’s clean, like sunshine, like cupcakes.  

She doesn’t cry.

The clock shows quarter to three when Rey stumbles into bed. Sinking into linen sheets, she falls asleep quickly, but it’s shallow—as if a part of her stays alert to listen, waiting for the thud of heavy footsteps coming home.

The first days after the revolution pass in a frenzied cleaning. It takes time to pick up the trash cluttering the streets, replace the broken windows and smashed planter boxes, rinse away the reek of piss from back alleys, replant the trampled grass. The Parliament still stands—in the end, only a few rooms were damaged by the fire. It was robbed, though. Rey hears stories about people running away with paintings in golden frames, and antique chairs, and sofas so large that three persons had to carry them. The national television building didn’t fare so well: the lobby was wrecked by the bulldozer and burned down by Molotov cocktails, and the general manager was beaten so badly that some protesters intervened to save his life.

But it’s normal. That’s what happens in revolutions.

The cat lover is sworn in at a ceremony that feels equally rushed and solemn, becoming the first democratic president of the country. As October goes by, the cleaning continues, going from public spaces to public life—on all TV channels and radio stations and magazine covers, there’s nothing but the Goldilockses, patting themselves on the back for a job well done, promising a bright future, with steady jobs and foreign investments. They make the global news too: the footage of protesters storming the Parliament is shown around the world, and CNN calls it an uprising against tyranny. Still, it’s just a slice of information sandwiched between the Palestinian riots and the Ebola outbreak in Uganda, and soon everyone’s too busy with the first debates between Al Gore and Bush Junior.   

They were more popular during the bombing.

Every day, on the front page of newspapers that used to be the old regime’s main propaganda tool, the word ‘freedom’ dominates the headlines, printed in block letters. Rey isn’t sure why she finds it repulsive: it should be a good thing, a sign of change, and yet it feels like trying too hard. At the Resistance office, thousands of new people show up, patiently waiting in lines to get their membership cards—it’s beyond her why the fuck they want to join now, when there’s nothing left to resist. The movement has done its part. Soon enough, they’ll pack up and vacate the premises, moving into history.

Leia stops coming to the office. Rey sees Poe only in passing—he’s too busy, too frantic, still too thin, his stubble turning into a beard and his eyes glassy from the lack of sleep.

“You look like you need rescuing,” she tells him one afternoon when they meet in the corridor.

“Maybe I do.” Poe gives her a real smile, not the one he puts on for the cameras. “I thought it’d be finished once we win, but the party has no end in sight.”

“You can always quit, you know.”

“I can,” he draws out with his thick accent. “You’re right. But fuck my life, sunshine, I’ve no idea how.”

Among the articles she cuts out, there’s one she folds and slips into her pocket. The Mystery of Kylo Ren, the title reads. Who Is the Man Who Didn’t Shoot?

They featured the same photo from before—maybe they don’t have other pictures of him, Rey thinks, or this one is simply too illustrative. The tone of the text is sensationalist, but despite striving for juicy details, it reveals nothing new. Real name Ben Solo. Known for his brutality and efficiency during the war. Took part in crimes against the civilian population. Allegedly orchestrated a string of unsolved murders that shocked the capital. Wanted by the international court.

A few lines explain the origins of the First Order, but Snoke is omitted—in the end, the old man with his golden robes and Bible quotes isn’t even a footnote in history. It’s the last passage that catches Rey’s attention, however. “Unlike some other bad boys in service of the old regime, Kylo Ren is notoriously private: he never enjoyed the capital’s lush nightlife nor did he date singers and actresses, and his public appearances were rare and always brief. Rumor has it that he comes from a well-known family that had renounced him, and that he’s in a long relationship with a young woman from the capital.”

No names are mentioned, even if Rey is sure that someone out there, someone other than Armitage, knows very well how many nights Kylo had spent by her side. She can’t tell if this is a veiled threat or bad journalism, and it disturbs her how unconcerned she feels.   

The article doesn’t say where he is now.

She listens to the chitchat around her. Some people call him a hero—it’s his move that made the revolution bloodless. Some shrug—god knows what went through that guy’s mind, you’ve read the papers, he seems to be a bit on the weird side. But there are those who firmly shake their heads—a man like that, who did all that shit, he’d never retreat out of the goodness of his heart. Besides, the scum that served the old regime should be either arrested or banished from society.

Two weeks go by. A new government is appointed: almost every Goldilocks has a ministry now. Foreign ambassadors return to the country, marking the end of isolation.

Rey washes the sweater.

The fall turns cold soon, trees going bare and drizzle floating in the air, but she finds it soothing—it’s easier to stay home, pull the covers over her head and sleep. These days, she struggles to stay awake. Rey dreams, but the older she gets, the more elusive her dreams are: gone are the telltale metaphors for real life fears and wants, all that’s left are flashes of imagery she can’t recall when she wakes up. There’s a face, she believes, but she never sees it clearly.

Perhaps it’s Han. She doesn’t quite remember how he looked like any longer.

On a late October night, with the sky starless and milky like it’s about to rain in the morning, Rey sleeps curled into herself under two sets of blankets. It’s warm. Cozy. The blankets are hefty. Through the haze of sleep, she thinks she hears the floor creak, and perhaps the mattress shifts, and she rolls over to the corner of the bed like she did so many times. But then, there’s a surge of heat engulfing her, and rough leather drags against her sleep-warmed skin, and there’s that scent, like amber, like sweat, and the bed squeals as she feels his weight pressing into her body.

Rey’s eyes snap open—the monster is on top of her.

The relief that overwhelms her makes her want to slap him.

“Where were you?”

He shuts her up with a sudden kiss. Their teeth clash.

She tries to pull back, push him away, but to hell with it when his tongue slips in her mouth and he rolls his hips against her, the blankets thick between them. His beard prickles—he hasn’t shaved for days. Her hand reaches for his hair, long curls sliding through her fingers. She expects it to smell like fire, like smoke and ash, like the last time she’s seen him, a black figure in front of a burning building, separated from her by a human sea. He kisses her jaw and licks her throat, and his teeth sink into the crook of her neck—he wants to leave a mark.  

“Fuck you, Kylo, you don’t get to do this.” Rey yanks his hair so strongly that he yelps. “Where were you?”

The monster leans back, lips parted as he gasps, and his eyes shine in the dark.

“I’m here now,” he breathes. “Rey. Love. I’m here.”

She stares at him. She can’t see well, but there seems to be a bruise on his cheek.

“Not good enough. Where were you?”

“Shhh.” Kylo presses a finger to her mouth, rubs the spit along her bottom lip. “I’m here. That’s all that counts.”

His arm catches in the sleeve of his jacket as he rushes to take it off—Rey frees him, and then proceeds to unbutton his shirt. She doesn’t want him clothed. It’s chilly in the room, the heating season hasn’t started yet, so she pulls him under the blankets. His skin is cool but she feels his inner heat, and the taste of salt melts in her mouth as she trails her tongue across his neck, feeling his pulse flutter. She bites him there.

She’s angry with him, she realizes. She didn’t think she would be.

“I was sick with worry, you fuck.”  

“I told you.” Kylo’s hand slithers under the t-shirt she wears for sleep, and his voice is husky with desire—or exhaustion. “You’ll never be rid of me.”

Rey kisses him the way he likes, drags her nails across his back, feels the skin tear—there’ll be blood on the sheets. When she marks him like this, it’s like she owns him. The first time she comes, it’s on his tongue, caressing the tip of his ear as he licks her between the legs; the second, her knees are on his shoulders, and she feels him deep, each thrust sending shivers until she clenches around him and screams. Kylo takes longer. He’s louder than usual, growling a mixture of moans and stuttered I-love-yous, slamming his hips into her with a greed she’ll never get enough of, like he’s about to lose control, and for a moment Rey fears, hopes, he’ll finish inside. But he pulls out as he shudders, and hot liquid pools in her navel, trickles down to the hair on her mound. 

It’s so quiet when they’re done.

He plants a kiss on the tip of her nose and curls himself around her, his leg across her thighs, his breathing raspy. It comforts her to feel his weight. The room smells like sweat and semen and new leather—she doesn't remember seeing this jacket before—and outside it’s still dark. These days, it’s like it never dawns.

“Can we talk now?”

“I was away,” Kylo says without waiting for her to repeat the question. “Back in the barracks, for a while. Then, away. And home, too, for a week or so.”

This takes her by surprise. “Why didn’t you come earlier?” 

The monster holds a long breath before answering.

“Things have changed, Rey.” The calloused tip of his thumb caresses her throat and his hand trembles only slightly. “I’m no longer… Uh. You know. I can’t… I didn’t wanna draw attention to you. Especially after that fucking article.”

Her stomach sinks. Was it really a veiled threat, then?

“Should I be worried?”

“For yourself? No. They said they’d leave you out of this.”

It’s ‘they’ again. It must be a very different group of people now—Rey has a good idea who ‘they’ might be—but the way he stresses the word is the same. There’s always a ‘they’.

“And for you?”

“They, uh… They don’t know what to do with me.”

Suddenly, Kylo laughs—it’s a soft sound, low and rumbling, huffs of air against her throat. It makes her think how much she’s missed him, even if the humor eludes her.

“It’s kinda funny, when you think about it. Like, they have to prove they’re better than the old guys so they must cooperate with the international court, but half the country thinks I’m a hero now, so they can’t arrest me just like that. Besides, there’re people out there who’re still loyal to me, and those people have guns.” He chuckles again. “Bloody hilarious.”

Is it, though?

She should shake him—for god’s sake, there’s nothing comical about the matter. Or perhaps she should finally admit how proud she is that he chose right for once, even if it only fucked things up further, because now it’s all muddled and grey and far from over, despite the church bells celebrating the end.

But she just hugs him closer. 

“Why did you do it?” She strokes his hair as she asks. “Step aside like that?”

Kylo kisses the corner of her mouth. “You know why, my love.”

Fuck you, monster. Fuck you and your non-answers and your fear to put some things into words.

Rey isn’t sure what’s worse—if he can’t say it aloud, or if he did it on a whim and now doesn’t know how to explain.

Still, he did do it. Perhaps that’s why fate had brought them together, she thinks, and all this had a purpose, and their madness and love and hurt and need were there to culminate in one perfect moment. If she could choose, that’s the truth she would pick.

“You made quite a show.”

“I’m sorry. It wasn’t… It wasn’t on purpose.”

There he goes again, apologizing for the wrong things. She decides she’ll believe him. “You’re such a drama queen.”

It must be close to morning, because there’s a faint light in the room—bluish, pale, the kind that makes the shadows look longer. On the cabinet, the silhouette of her Indian god stands stark against the window, his many arms frozen in time like a movement in slow motion. A fleck of sunshine catches on his bejeweled head. It occurs to her that perhaps it was never a real god, but just a cheap bronze statuette made for people who needed something decorative to put in their homes. Like that African mask that Finn had bought at the flea market.

She sees Kylo’s face now. He does have a bruise. He’s looking at her with the same yearning in his eyes, as if she were the light.

“I can’t stay,” he whispers. “And I can’t come every day. My, uh, freedom of movement ain’t what it was.”

“Is there a way I can contact you?”

He clicks his tongue, like it’s his turn to find the joke unfunny. “My cell phone’s dead and my landline is tapped and I’m under constant surveillance. The guy who’s tailing me doesn’t even pretend to be discreet. I guess it’s a message of sorts.” Then, in the same breath, he rushes to add: “But I’ll think of a way. Promise. I won’t disappear on you.”

Well. It was to be expected. No matter his role in the revolution, the old regime’s vilest war dog should not be allowed to roam free in the new world—they can’t predict what he may do if they leave him to his own devices.

But he’ll never abandon her, Rey knows. He’ll cling to her like a ghost, and she’ll keep waiting for him.

Fuck her life.

She caresses his shoulder, following the pattern of red stripes she’s left there—she sees them in the faint light, droplets of bright red gliding down his dotted skin. It’s dawning indeed, soon it will be time to get up. Make breakfast. Will the monster stay to eat together, bring her coffee to bed and roll his eyes at the morning news, or must he run off as soon as the sun shines behind the rainclouds?

Did he get any sleep at all?

“Luke wants to see you,” she says.

Kylo stiffens in her arms.

She doesn’t expect him to yell, but a protest seems likely. A tirade. He’ll rant about his family and call Luke an old fart and insist on knowing how the hell he found out, how much she had told him. Rey has no idea how to explain. She’s tired of picking the right words for tricky truths.

But Kylo just nods. “Okay.”

She must have misheard. “Okay?”

“Yeah.”

The way he says it makes her think he’s had the answer ready for a long while. 

“Are you… Are you serious?”

His heart pounds against her chest and he hugs her like he wants to crawl into her.

“I am. It’s… Well. It is time. I think.”

He thinks.

Maybe he’s right. Maybe the moment is now, and if they miss it they’ll never get whatever it is they’re hoping to gain out of this. A closure? Forgiveness? A shouting match of blame-shifting and finger-pointing that she’ll be forced to witness, praying it won’t turn violent?

She wonders, if that woman with a stern bun ever called and asked to meet for whatever reason, would she hang up on her, or would she put on her best dress and rush to show what a good girl she’s become?

“Um…” Kylo shifts against her, his semen sticky between them. She’s learned to draw an odd pleasure out of lying like this when they’re done. “I… I want my mother to be there too.”

Rey’s breath hitches.  

“Leia claims her son died in an accident somewhere far from home before he turned twenty.”

“She can keep her fancy tales for her rebel friends,” he growls, but there’s no real anger in his voice. “I want to see her. It’s time. I’ll bet she can feel it too.”

This is surreal, Rey thinks. Ridiculous, even. It’s like the plot of a telenovela, in which everything ends in family reunions, tearful confessions and a wedding—mushy and predictable, yet strangely satisfying.

“I don’t know,” Rey sighs. She can’t picture herself talking to Leia about this. “I can ask.”

“Please. Like… Like, it’s now or never, love.”

A soft kiss tickles her neck, and Kylo inhales like he wants to say something more, but he stays silent, stroking her face, touching her lips. She can smell herself on his fingers.

It takes him a while to speak again.

“I have to go.”

The moment he slips out of bed she feels cold and light, like she’s shapeless without his weight upon her. She watches him get dressed: the zipper of his jeans hisses as he pulls it up, and he trips when he tries to put on his boots without sitting down first. It makes her chuckle. The jacket is new—in the morning light, she can tell it’s not black, but burgundy brown. It fits too tight across his shoulders.

She imagines the indiscreet secret agent standing across the street with a good view on her building, bored out of his mind as he waits for his target to finish fucking and come out.

“I’ll contact you.” Kylo leans down, traces the length of her nose. “I’ll think of a way, my love.”

“I’ll be here,” she offers, because there’s nothing else to say.

Long after he’s gone, Rey lays in bed wrapped in blankets, her naked skin covered with love bites and dried spend. She can’t make herself get up, do her makeup, go to the office like all is fine. She tries to play in her head the conversation she should have with Luke and Leia, but it fills her with dread.

Small joys, she thinks. At least the sick fuck wasn’t drunk.

It's past noon when Rey arrives at the office, but punctuality is of little importance in the Resistance as of late. She still does her tasks, no one has told her to stop. Ironically, the workload is higher than before—with the free press, everyone sings praises to the “fist movement”, so her desk is surrounded by scrapped newspapers and her scissors have gone blunt. Rey wonders for how long this perpetual motion will keep going. And really, what will happen with their downtown headquarters, with all these computers and TV sets and fancy chairs, once the Resistance is dissolved? No one seems to know.

She glances at the calendar: her college is about to begin. Life goes on, marches forward without waiting, and the normalcy of it gives her the shivers. Soon, she'll have to find a new job, restructure her habits—the moment has come. Things will fall into place, whether she's ready or not. She feels like screaming.

Late in the day, as the office grows quiet, Rey locks herself in the bathroom and makes a phone call.

“I saw him. He came to my place last night. He, uh… He’s okay. Well no, he isn’t, not really, but…”

“That took a while,” Luke interrupts her. “They tightened the screws on him?”

“It seems so,” she confirms. Before the old man can say that Kylo deserved nothing less, she continues. “He wants to see you too.”

A pause follows. It lasts long, just breathing in the receiver—Rey wonders if Luke has secretly hoped the monster would turn him down, but at least his conscience would be clear for trying.

“Ah,” he finally says.

What an expressive sigh.

“There’s more. He’d really like if Leia could be there.” Rey thought she’d trip on her tongue, but the words come out smoothly, determinedly. “He asked for his mother.”

Another pause, and then Luke clears his throat—it sounds like he’s choking on his own spit.

“Well. That’s, uh… I’m afraid that will be a bit complicated.”

No shit. She almost laughs—to hell with blood ties if that means nothing but expectations and misunderstandings and spite, and this stubbornness that seems to dominate every decision in their lives. Fuck them all—and her too, for allowing herself to become a part of it.

When she closes her eyes, she imagines a slow winter day, fat snowflakes piling up on the windowsill, and it’s warm in bed, the sheets soft and snug, and outside doesn’t exist—it’s just the two of them, alone in the world.

Sometimes she wonders if it had ever really happened.

“Can you talk to Leia about it?”

“Me?” Luke seems surprised, like a boy caught not paying attention in class.

Rey leans against the cold bathroom wall. “I’ve nobody to blame but myself for this thing I have with Kylo, I know that. But Mr. Skywalker, if you want to see him, if we’re in this together, it ain’t fair that I bear the brunt on my own.” Her voice echoes when she speaks too loudly. “Besides, I think you owe your sister a call.”

She remembers the first time she saw them together. They looked like characters from a fairy tale: a warrior princess and a mage. How did they become so estranged?

“Life ain’t fair,” Luke grumbles with a sigh. “But fine. I… I’ll talk to Leia. God help us all.”

When she hangs up, she doesn’t fling her phone across the tiles. She’s learned her lesson—the screen won’t survive another crack.

Days pass, and normalcy creeps up on Rey in surprising ways.

Every other day, the city center is closed off because foreign statesmen come to visit. They lay flowers on historical monuments and take pictures shaking hands with the new government, and blue flags with golden stars flap from the lampposts along the main alleys. Rey walks to work and rolls her eyes when politicians say that their country will become a part of the European Union as soon as in 2007—it seems so far away. The shops are full. She can’t tell if it happened gradually or overnight, but suddenly she finds herself standing in front of shelves upon shelves of different brands of dish soap, bewildered which one to buy. In the end, she still opts for the cheapest.

Then, the theaters reopen. True, they were never closed, but for the first time the movies they show are new. As often as she can, Rey buys a single ticket and a bag of popcorn in which she puts too much salt, and she sinks into a creaky velvet seat, waiting for the movie to begin. She doesn’t even care what she’s watching—the sequel to “The Blair Witch Project” is as stupid as everyone says, and Kevin Spacey’s newest film ends on such a sugary note that she almost boos—but the darkness in the theater, the sheer size of the screen, the way she can melt into a story while around her teenagers giggle and couples kiss like no one will know, that’s novel. That’s magic.

It’s frightening how easy it is to get used to normalcy. Not a month has passed since the revolution, and she already struggles to remember how life has worked before.

She cooks her scrambled eggs or eats pizza from across the street. She still wears the sweater around the house, even if now it smells like her French vanilla shampoo. She spends her evenings studying, or texting with Poe who replies with too many emojis, or tapping at the round aquarium of her goldfish, in hopes she’ll teach it some simple tricks.

It takes Luke a full week to call back.

“I’ve talked to my sister.” The way his voice quivers makes it clear it was a long and unpleasant conversation, with a raised tone and well-honed use of curse words. “She says no.”

Of course.

Rey isn’t surprised—a different answer would actually make her gasp—but the disappointment stings. She wonders how Kylo will take it.

“That’s a definite no?”

“You know Leia,” Luke grumbles like no further explanation is needed, and it isn’t, not really.

A memory comes to Rey’s mind—the General walking away after a protest that ended in triumph, a smirk on her lips, never slowing down or looking back as her heels click into the distance.

“So, that’s it then. Just the three of us.”

Luke hesitates before speaking again. “Well. No. She, uh… She wants to see you.”  

Fuck.

“As soon as possible,” he continues. “Today, if you can. Or tomorrow. She says she’s waiting.”

Fuck.

Of all the ways this could have gone wrong, this one hasn’t crossed her mind.

“Did you tell her?”

“You thought I wouldn’t?”

Rey has no idea what she thought, but her knees buckle, and she drops onto the pile of dirty laundry she was in the middle of shoving into the machine when the phone rang.

Secrets and lies. They either come spilling out, drowning everything in their way, or they make you rot from the inside like cancer. No third options.

“Fine,” Rey agrees, hoping she sounds braver than she feels. “I’ll come tonight. I just need to finish some chores and I’m on my way.”

Long after she hangs up, she stays sitting on her office clothes that smell of tobacco—fuck that ‘no smoking’ sign if no one will ever observe it. She breathes, she counts, she reaches two hundred and starts going backward, but then she stops.

It’s a waste of time.

Rey gets up and wobbles to the bathroom mirror. She lets the water run cold before splashing her face, and when she wipes it clean, she grabs the eyeshadow palette—her favorite one, with shades of red that make her eyes look brighter.

She won’t go into this unarmed.

A cab takes her across the city—the streets are clogged with traffic, a usual sight as of late. The driver complains that with the sanctions lifted and the fuel easily available, everybody and their uncle has dusted off their cars. The city isn’t designed for such jams, he says—it was easier to drive before. The drizzle drifts in the air, neon streetlights reflecting in the wet sidewalk. Half the passersby walk with their umbrellas open, while the other half have given up, letting the damp mist catch onto their hair. Kylo’s locks always curl up when the weather is like this.

The closer they are to the address, the more Rey’s nails sink into her balled-up fists, until her palms are numb.  

You won’t get hurt, she tells herself. There’s nothing Leia can say that you don’t already know. You’re being responsible for once, facing the storm instead of avoiding it.

It’s a grownup thing to do.

Leia lives in the old part of the city, near a greenmarket famous for its flower stalls and a church that’s supposed to become the new symbol of the capital, even though its construction hasn’t been completed for half a century. The cab stops in front of a house built between the two world wars, with a fence of wrought iron and Greek gods on plaster window frames. It amazes her how close this is to Kylo’s apartment—not even ten minutes’ walk. Funny how, over the years, they’ve never met in the neighborhood, mother and son. Or perhaps they have, but it was easier to pretend to be strangers and cross to the other side of the street.

A wreath of dried flowers hangs on the entrance door: dahlias and pinecones and yellowed daisies and muddy brown roses that were probably red once. The doorbell is old-fashioned, melodic—it dings pleasantly when Rey presses it. Swift footsteps echo from the inside, and then the lock rattles. It seems that the General was expecting her indeed.

“I didn’t want to keep you waiting,” Rey says.

Leia smiles, but it’s a humorless curve of the lips. “In my condition, waiting is all I have.”

The General is wearing a house dress, flowy and off-white, buttoned up to her neck. Her head is wig-free, but her hair has regrown. It’s salt-and-pepper, styled like a fashionable buzz cut. It suits her better than her braided updos—she looks timeless, resilient. Leia steps aside so Rey can enter, but her posture is stiff. Could be nervousness, Rey thinks, could be resentment. Both are justified.

“Sit, dear. Would you like tea?”

Rey glances at the chair that Leia pulls out for her.  “No, thank you.”

“Shame.” Leia shrugs. “My personal stash is far better than that sad excuse for mint we served at the office.”

The house is opulent. There's no other word for it.   

Antique furniture clutters the room, all in sharp angles and curved lines and rosebuds carved in thick wood. Springs creak under the striped brocade when Rey sits on the chair—it’s meant to look pretty, not to be comfortable. There’s a low table, presumably for serving refreshments, but she’d be afraid to put anything on it, lest she stains its lacquered surface. The walls are covered with paintings: landscapes so dark Rey can’t discern the line between the mountains and the sky; still lives with ripe pears and red apples and perfectly round globules of grapes; two portraits – a young woman with a feather in her hair and beaded tassels on her flapper dress, and a mustached man with a bowtie and too many medals on his jacket. Rey sees no family resemblance—could they be Leia’s adoptive parents? A dust-covered piano occupies the room corner, its fallboard left open. It is probably out of tune. Rey wonders if the boy named Ben was ever expected to play it.

She searches for any sign of him—a family photo, a child’s drawing in a frame, forgotten picture books on the shelves—but she sees none.

“I’m not going to yell or lecture you on lying and betrayal, because that would be a waste of time, both mine and yours,” Leia says, sitting in the chair next to Rey. “I’m going to ask straight ahead. Did you tell that man that I was sick?”

Rey freezes. “How did you…?”

“Don’t offend my intelligence, dear.”

Rey fidgets in the chair, suddenly regretting she passed that offer for tea—a cup and a saucer would’ve kept her hands busy. Leia observes her, her eyes narrowed in judgment, and Rey senses a contempt she didn’t feel from Luke. It’s suffocating, the way she looks at her. It makes her believe she deserves it.

When Leia smiles, it isn’t kindness—it’s an attempt to stay civil.

“I don’t believe in miracles,” she begins. “The only way to get my medications was with strong regime connections, and the only one to have them was that man. But I didn’t exactly advertise my condition, he had to find out somehow. With you, it all makes sense. You were the missing link.”

Rey digs her fingers into the brocade of the chair. “He did it for you.”

She’s tempted to add it was her idea—for the cause, because it was the right thing to do—but she doesn’t.

“No, dear.” Leia shakes her head with a sadness that seems genuine. “He did it to make himself feel better.”

Well.

Rey wants to protest, to explain—and yet, Leia Organa would have never become the General if she hadn’t believed that her version of the truth was the only right one. For the people who change the world, there is no in-between, she thinks—they don’t doubt, they never look back, and Rey hates them for it.

“You won’t change your mind?”

“No.”

She feels her cheeks burning—her face must be beet red, scrunched in exasperation.

“But he’s… He’s your son. And he did right. That day, in front of the Parliament, he did right.”

Leia lifts an eyebrow. “How thoughtful of you to remind me.”

If Rey had that teacup, this would be the moment when she’d smash it against the wall.

Fuck families.

All of a sudden, Leia leans back in the chair, heaving a sigh—it’s an oddly vulnerable sound, intimate, like she realizes she has gone too far.

“You must think I’m a sad old bitch with a hole where her heart used to be, but there’s something I’m not sure you understand.” Her throaty voice is curiously soft. “I hope you will, one day, for your own good.”

She extends her hand, and Rey thinks she’ll reach out for her, but the movement ends in a sharp gesture of a trained public speaker. The General is not a tactile person.

“See, there are limits. A mother will go far for her child. You can’t imagine how far. And I did all I could for Ben. He put us through hell with his needs and disorders and the fucking violence that was always his go-to answer—and yet I grit my teeth and kept trying. Put up with his shit for years. But there are limits. There are things that can’t be repaired, or forgotten, or forgiven. Once the limits are crossed, you have to let go. Amputate it like a rotten limb so it doesn’t poison your blood. That’s the only way to go on with your life.”

A brisk huff concludes the speech, like the words have strained her physically, but the fire in Leia’s eyes does not waver. She looks good with her hair this short, Rey thinks. Like a statue.

She can’t bear to look at her.

Rey lets her gaze wander across the room. Whoever painted those portraits must have been a master of his craft—a simple touch of white on the tip of the brush makes the flapper woman’s smile glisten, the pearls on her dress come alive. Then, she spots an oddity: strings of beads dangle along the painting, hanging from the corner of the frame. It seems that’s how Leia prevents her necklaces from getting tangled in jewelry boxes.

How stupidly human.

“Maybe you don’t remember, but you gave me an advice, once,” Rey says. “We met for the New Year’s Eve of 1997 at that big concert in the main square. I was miserable because I had no idea what to do about Kylo, and you said… You said that the worst regrets are not for the things we did, but for the ones we did not do.”

A touch of humor creeps into Leia’s sigh. “That sounds like something I would say.”

“You don’t have much time. Hell, he doesn’t have much time either, god knows what will happen now with the new government.” Rey lifts her eyes, catching Leia’s gaze. “Are you sure you want to keep this regret?”

For a long moment, Leia just studies her, head tilted in contemplation. She’s stroking her own hair, like she enjoys the feeling of bristles under her fingers, like she needs a reminder it is there.

And then her steely smile tightens.

“I’m impressed, dear. That’s a good one. Well played.” She gives a curt nod. “And yet, even if I accept to meet that man, even if it all goes well and I sit through an hour of polite conversations about nothing, because that’s what these meetings usually boil down to, nothing, whenever I look at him, I’ll be seeing only one thing—the soulless piece of work who took out his gun and shot his own father in cold blood.”

It burns like a slap.

Rey gasps, as if the wind was knocked out of her lungs.

Breathe, you fool. Breathe.

Do not crumble now.

“Han, he… He was a shitty husband,” Leia carries on. “And a lousy father. And I don’t think we were ever a match, not in the long run.”

Her eyelashes flutter, too rapidly for a mere blink, and for the first time Rey thinks she’s seeing cracks in the General’s mask.

“But he was a good man—better than me in some aspects. More emotional. A sentimental fool, I daresay. He never knew when to let go—not with that garbage of a car, not with me, not with Ben. That’s what got him… That’s what…” She can’t finish the sentence. “Well. There are limits.”  

When she’s done, silence reverberates in the room.

Rey sits with her hands folded in her lap, picking at her chipped nail polish, feeling the poison hum in her bones as it pulsates through her bloodstream, comforting and warm, like Kylo’s skin.

“I see,” she says.

She wants to scream at Leia, but her voice comes out quiet.

“I don’t know what my brother is trying to accomplish with this, but reunions of this kind, they never go the way you want them to,” the General concludes, her strain to keep the tears away palpable. “I hope… I hope he won’t end up too disappointed.”

Rey nods.

“I think I should go now.”

Leia smiles in agreement. “Yes, dear. You should.”

Standing in the doorway, Rey throws one last glance at the tiny woman with steel in her spine whom she admires and hates, thinking that this is probably the last time they meet. Good.

She sees it when she turns to leave.

It’s faint, barely noticeable at first—just lines in pale blue marker faded over the years, measuring a child’s height against the doorframe. Ben, age four, almost reaching the knob. Age five, an inch taller. Age seven, the first year of school, a growth spurt—but still small, still his mother’s boy. Then the gaps between the lines get bigger. She pictures Leia climbing on a stool to draw the marks, Ben grumbling, complaining it’s stupid. Puberty hits: age fourteen, six feet two—the marker is a deeper shade of blue. Fifteen, taller still. The last line marks the age of seventeen, even if Ben kept growing.

But he was no longer Ben.

“My son is dead,” Leia says, following the line of Rey’s gaze. “I mourned for him. I buried him in my heart. That man, dear, that man you’re so in love with—I don’t know him. And I have nothing to say to him.” 

Rey walks home, umbrella-free. The drizzle has turned into a proper rain—heavy drops soak her hair, making the wet strands stick to her forehead. Passersby shake their heads as she strides by, huddling under their umbrellas, pulling closer the hoods of their raincoats, and a cab honks, slowing down as it approaches. Rey waves at it to keep driving. She’s not cold, no. She doesn’t feel angry, or sad, or even humiliated, though perhaps she should.

She just wants to get home and sleep.

What was this about anyway? Did Leia call her to insist she won’t change her mind, despite knowing about the meds? Was it to talk about limits, for Rey’s own good? Was it, perhaps, an attempt to justify herself?

All that combined, probably.   

She wants to talk to someone, but Poe doesn’t know and Finn isn’t an option, and she has no idea if Armitage came back from wherever the fuck he’d disappeared to. Her phone is in the breast pocket of her blouse, under the coat, right above her heart, and she’s waiting for it to buzz. The monster said he’d find a way.

All she wants is to hear his voice.

When she comes home, Rey sits in the bathtub until her fingers prune up and the perfumed bubbles melt away, and she pretends she’s a fish. It’s a meditation of sorts. Her mind is blank and she has no name and she’s too stupid for simple tricks, and her world is a glass jar of endless repetition.

This can’t go on, she thinks. It can’t.

Can’t.

She needs that fucking closure too.

Wet footprints glisten on the floorboards as Rey pads to the living room, drying her hair with a towel. She stops in front of the aquarium.

“We’re going to get a bigger tank,” she announces, pointing at the fish, and it sounds like a threat. It almost makes her laugh. “A square one. With plants. And a sunken castle, to explore. And that little treasure chest that opens and closes, we’ll get that too. You’re gonna love it.”

The fish keeps swimming in circles, indifferent to her words, and yet somehow, Rey feels better. She falls asleep quickly. When the alarm rouses her for work, the bedside lamp is still on and the book she’s been reading lies open on her chest, but she is well-rested.

On an evening in early November, as Rey is raiding the fridge in an attempt to concoct something edible before she indulges in a premature marathon of shitty Christmas movies, her Nokia pings.

She can’t explain why she’s certain it’s him. The alert is the same for every message, and yet she knows.

Her hands shake as she unlocks the screen.

I can come tomorrow, the text reads.

It’s an unknown number—a burner cell phone, probably. Or maybe he’s borrowed it from someone. She smiles, imagining him approaching random people in the street to ask for a favor, hoping they won’t recognize his mugshot.

Not even a minute later, her phone bleeps again.

It wasn’t possible earlier. Sorry.

Of course he’s sorry.

Before she can come up with an answer, the third message arrives—the sick fuck and his quick typing.

I think about you all the time.

Rey huffs a laugh.

He does, she knows he does. He’s all alone in that empty apartment, his every move scrutinized and his mind hazy from the vodka, and he thinks about her.

For a moment, she wants to keep him for herself. Ask him to cook for her when he comes, tease him as they watch TV together, make love until they’re breathless and sore and too tired to move. But that’s not what she has agreed to.

I’ll call Luke, she types.

She stares at the screen when she sends the message—the words seem overly cold, too down to business. She wants to add something, but deletes four different attempts to articulate “I miss you too.”

Finally, she writes: I’m trying to make dinner but my cooking sucks and I have no inspiration.

The reply comes right away, split into three consecutive texts.

Grilled cheese. Can’t go wrong with that.

I’m certain you have both cheese and mayo in the fridge.

Use the big skillet I bought and butter, not oil.

After that, her Nokia goes quiet.

Perhaps he returned the phone to whomever he’d snatched it from, she thinks.

Rey walks back to the fridge and fetches a block of cheese, and as she cuts it into slices, for the first time in weeks she blinks away the tears.

The next day, she leaves the office immediately after the lunch break. It's early afternoon when she returns home—an odd hour, too quiet, with everyone away at work or in school or wherever it is they live their lives. The light outside is brittle, like the night will fall too soon. Rey likes this absence of verve. It gives her the peace she needs to tidy up the apartment.

She dusts the shelves and polishes the floorboards and straightens the carpets, moving the furniture so that the old cigarette burns don’t show. She washes the water stains off the windowpanes, listening to the distant rattle of trains as the cloth screeches across the glass. Briefly, she contemplates decorating, buying a bouquet—it would lift the mood—but she changes her mind. Flowers would mean trying too hard, like the fucking headlines in the newspapers.

When she’s done, Rey sits on the couch in her room that smells like carpet cleaner and crisp November air, and she waits.

How bad can this go?

Her teeth chatter, but she blames it on the weather—she shouldn’t have left the windows open for that long. A glance at the wall clock informs her it’s six in the afternoon. She told Luke not to rush—Kylo hardly ever comes before nightfall, and she doesn’t feel like sitting alone with the old man, talking to pass the time. God knows what topics they may tackle.

Still, at six-twenty five, the doorbell rings.

“I brought this.” Luke lifts a carton of blueberry juice—she isn’t sure if she’s ever mentioned it’s her favorite, or it’s another quirk they share. “A bottle of wine would’ve been more fitting, but you said no alcohol.”

Rey moves to let him enter. He’s dressed neatly, she observes: a clean pair of jeans, a navy turtleneck that makes him look younger, new shoes. She can picture him shuffling in front of the mirror, picking out what to wear.

“Are you nervous?” she asks.

“Nah.” Luke rolls his eyes. “I’m the embodiment of tranquility. Zen master all the way.” 

He walks over to the kitchen, opens the cupboard, takes out two glasses. The juice carton squeals as he twists it open. There’s something equally domestic and jarring about the sight—it’s only the second time he’s been here, and he’s already making himself at home. Another family trait, it seems: crossing boundaries, not giving a crap about good manners.

The artificial aroma of blueberries fills the air, making her mouth water. Luke hands her a glass, offering a conspiratorial smile.

“You can sit there.” Rey points at the armchair by the TV. “The couch, well… It’s Kylo’s place. When he comes around, it’s usually where we…”

Before she finishes the sentence, Luke plops down on the chair with a noisy cranking of springs. Rey sighs and sits on the couch, folding her legs as elegantly as she can. She takes a sip of juice—it’s too sweet, but she doesn’t mind.

The old man studies her, swirling the juice in the glass as if it were wine.

“Leia told me you’re an orphan.”

He says it like it explains everything, and Rey’s jaw tightens.

“How is that relevant?”

Luke shrugs, his expression soft in a way she doesn’t quite like. “Sure enough. It isn’t.”

He doesn’t sound convinced.

That’s another trait they have in common, she notes. Orphans. Rey wonders if he’s pondering the difference between living with an adoptive family and growing up love-starved in the Home. Do they share that very special fear too—that one day they’ll turn into their biological parents?   

Well. Luke has watched someone else go down that path, and Rey avoids thinking about her weak-willed self-destructive drug addict mother.

“Did Leia tell you about the meds too?” she breaks the silence.

A nod. “She did.”

“And?”

The old man lifts his eyebrows, holding his breath before answering.

“Fuck me if I know.”

In that moment, the front door rattles.

Luke seems startled—he didn’t expect that Kylo would have the keys. He tenses in the armchair, ready to bolt like a cat with his hair standing up, and his hand jolts to cover the scar on his forearm. He looks small, all of a sudden. Like Leia.

Heavy footsteps approach.

“Monster?” Rey stands up, positioning herself between the old man and the door. “Your uncle’s here.”

A beat passes, a dash of hesitation, and then Kylo enters the room.

It happens again. The space around him disappears, becomes too tight like there’s nothing but his presence—vast and predatory, yet pitifully awkward. She hates that it makes her smile.

“Hi,” Rey says.

Behind her, the springs of Luke’s armchair squeal.

Kylo nods. He’s trimmed his beard and his hair is washed—soft, neatly combed, the ends curling around the collar of his grey dress shirt. It’s badly ironed, Rey observes. As if he tried to do it himself but gave up halfway because his patience faltered.

“Hi,” he answers. His lips twitch like he isn’t sure whether he wants to smile or press them in a tight line. He doesn’t look at Luke, but holds Rey’s gaze in a stifled panic.

The sick fuck has no clue how to behave, she realizes. Their world was always the two of them alone—they’ve never presented in front of someone as a couple. And of all people, it’s Luke Skywalker.

The old man speaks first.

“Monster, eh?”

Rey shrugs. “It’s a nickname that stuck.”

She takes Kylo’s hand and guides him to the couch—his walk is stiff, she almost has to drag him. When they sit, he entwines their fingers and puts their joined hands on his knee—like an anchor, she thinks. The couch is positioned opposite the armchair. She didn’t do it on purpose, she merely rearranged the furniture to make the room look better, but now she sees the mistake. It feels formal, like the neutral ground for ceasefire negotiations.  

“Hi,” Kylo repeats, giving his uncle a nod.

If either of them has prepared any opening lines, the words can’t seem to flow—they just stare at each other, dumbstruck. The room is so quiet she can hear them breathing. All those years ago, when the sick fuck fantasized about meeting Luke at the music market, Rey is certain that this is not what he had in mind.

It’s strange, at the same time underwhelming and too much.

“Ben…” Luke begins.

The monster tenses. “Not Ben.”

The moment is strained, fragile like November sunshine. This can go to shit in a matter of seconds, Rey thinks, and there’s nothing she can do to prevent it.

But then the old man leans back, attempting a smile. “Fine. Not Ben.”

“Luke and I were together on October 5th, in front of the Parliament,” Rey blurts. Anything is better than the silence. “It was quite a day, but your uncle was there for me. We survived a stampede. Got a shit ton of tear gas in our faces. Luke lost his sunglasses. And we saw you.”

“We did,” the old man confirms, but his tone doesn’t reveal what he thinks of it. “You’re… You’re bigger than I recall.”

Kylo’s crooked teeth flash in a wolf-like smile. “I have a hell of a workout routine.”

She isn’t sure if he wants to sound menacing or can’t help being a sick fuck, but Luke starts fiddling with the sleeve of his turtleneck, scratching the scar underneath.

“You also watch what you eat,” she adds helpfully. “Homemade food and all that. Luke, did you know that Kylo is a great cook? He can make cauliflower taste good. The blandest thing in the universe, and I lick the plate whenever it’s on the menu.”

Luke narrows his eyes. “I remember when he started. Burned his first frying pan. It was quite a sight—a charred stain on the wall, fire alarms blaring, fucking smoke everywhere. The housekeeper yelled his lungs out that we weren’t allowed to cook in the hotel room. Where was it, Stockholm?”

“Oslo,” Kylo says.

“Ah. Funny how some details remain vivid, but others melt away like April snows. Sometimes I feel like all these cities are one big place where the sun sets too early and the sky’s too close to the ground.”

How oddly poetic. Rey remembers Kylo saying something similar once, when she was a child listening to his stories in awe, and he recounted of Nordic nights and winter lights and the clouds you thought you could touch if only you’d reach out far enough.

She wonders how embarrassed the old man had felt as he apologized to the housekeeper for the ruined hotel room.

“Did you… Did you re-read Elric perhaps, while Rey had the books?” Luke asks.

Kylo squeezes her hand. It’s a question he didn’t expect.

“A bit. Just skimmed through it, really. No time for reading.”

“Elric was always your favorite. The drama, the blood, the fucking Byronic hero all alone against the world…” The old man chuckles. “Holy shit. You’re the one who told Rey about Moorcock and Blue Öyster Cult, aren’t you? To think she couldn’t remember the man’s name, but knew all about that anti-Tolkien article.”

Rey fakes a frown. “Hey! At least I could hold a conversation about it. And you were damn happy to have someone to talk to.”

It’s a raspy sound when Luke laughs, as if his lungs aren’t working right, but there’s nothing malicious about it. She feels she’s grinning too. Kylo pulls her closer, planting a kiss in her hair, and his shoulders slacken like he no longer needs to pass for a brute. His lips stretch against her cheek—she’s happy he’s smiling. 

So far so good.

“Do you still collect records?” Kylo asks.

“I try to.” Luke spreads his palms. “Ain’t easy finding what I want, you know. The market here’s dead—it was oversaturated in the early ‘90s when everyone was selling everything to make it through the inflation, but after that, it crashed. And I haven’t traveled much in the past ten years.”

Kylo nods, like he’s contemplating the answer. Rey kicks off her shoes—it was ridiculous anyway, sitting at home with her highest heels—and when she folds her feet on the couch, the monster grabs her ankle. He does it without thinking, but now they’re wrapped around each other like they always are. She has no idea what it looks like to someone else. Sweet? Possessive? Is it something people even notice?

Luke stares at them. If he’s disapproving, it doesn’t show on his face.

“How… How did you…?” He points at Kylo’s scar. “Wait. Don’t answer that.”

“I like the scar,” Rey says. “Well. I mean, I don’t think it’s bad. It didn’t… It didn’t disfigure him.”

And just like that, the spell ebbs away. 

She can’t explain why it happened. The brittle normalcy they’ve managed to establish fades, as does Luke’s smile as he folds his arms across his chest. The room itself grows dim, shadows darkening their faces. Frown lines twitch on Kylo’s forehead. He swallows thickly, and the tic under his eye flutters in rapid pulses. Rey knows what it means—she has seen it before.

Hell is about to break loose. 

But then Luke speaks again.

“I have a goat.”

Kylo blinks. “A goat?”

The glass clinks as Luke takes his blueberry juice and sips it with a slurp. “Yes. A billy goat. He’s six years old.”

He pauses like he wants to give time for his words to sink in.

“Did you know that goats were one of the first animals to be tamed by humans? They can be taught their name and to come when called. My goat’s name is George. Cool, ain’t it? Only he ignores me whenever I call him, pretends not to hear—flaps his ears and looks the other way, because he’s a bloody-minded asshole.”

Kylo’s frown twists into a stupefied rise of the eyebrows. Calmly, Luke takes the carton and pours himself more juice—the purple liquid sloshes in the glass, drops of it dripping on the old man’s clean jeans. 

“He stinks,” Luke carries on. “And he shits everywhere. And he climbs stuff—I found him on the roof once, almost gave me a heart attack. Had to build him a new pen afterward. And you know those tales that goats will eat anything—cardboard, tin cans, clothing? That’s bullshit. He’s a picky eater if there ever was one. Won’t eat hay that’s been walked on or lying around loose for too long. Also, he burps. Have you ever heard a goat burping?”

The monster cocks his head in puzzlement, but plays along. “Can’t say that I have.”

“Sounds like an angry boat horn with a sore throat. Hell is that noise.”

Kylo lets out a burst of laughter, boyish and raw, making his shoulders shake. His hair falls across his face—Rey wonders if Luke has noticed the grey strands. The old man observes him, too calm in a way that betrays he’s jittery deep down, but his eyes crinkle. In a different life, she’d think he’s pleased that he managed to make his brooding nephew laugh.

There’s something about the moment that makes her heart ache.

Luke sighs then, a sharp huff through his teeth, and Rey knows this isn’t over.

“You, uh… You told me once that I’d never be able to tolerate anyone or anything that didn’t give me absolute obedience. Remember that?”

The monster shifts. He clings to her—she can tell he remembers very clearly.

“Well.” Luke shrugs like the conclusion is obvious. “I have a goat and he’s terrible. Stubborn. Judgmental. But he enjoys cuddling—there’s a spot behind his ear that he really likes scratched. He’s a good listener, when he wants to be. And he’s a happy goat. I take good care of him.”

Rey feels Kylo’s breath catching. 

She turns back to look at him. Emotions flicker on his face, keen and shamelessly open, and his eyes are big, pupils wide, eyelashes restless like there’s something roiling inside his soul. In moments like this he used to tremble, to fizzle like livewire, but this time he doesn’t. He squeezes her hand—she thinks the bones in her palm will snap. But it’s alright. This is what he needs.

Kylo licks his lips before speaking.

“I’m… I’m glad for your goat.”

He says it like he means it.

The silence that settles between them is odd, weighty, like they’ve reached an understanding that Rey can’t quite grasp. Luke takes another sip of juice, his blue eyes sparkling with a tranquility that wasn’t there an instant ago, and Kylo breathes loudly through his broken nose, holding her from behind. His heart beats against her back, but it’s a steady sound. Soothing. It matches her own.

The moment lasts, but it doesn’t drag—it’s elongated like the shadows in the room, like the endless loop of traffic outside, as if the pain of the past is temporarily put on hold and the future won’t come at them tomorrow. There’s nothing but here and now.  

Is this what closure looks like? 

“Leia is late?” Kylo suddenly asks.

Fuck.

“Your mother isn’t coming,” Luke says. To his credit, his gruff voice wavers like he’s genuinely distressed. 

Rey expects the monster to react, but he doesn’t.

“I see,” he whispers, and that is all.

Once again, the magic dies away. 

With that one line, they revert back to what they are—a couple with no future and an old man faking cynicism, sitting in a dark room in a city that’s been through a revolution, in a country desperate for hope.  

Kylo’s palms are sweating. She feels them stick to the skin of her ankle. 

The armchair squeaks as Luke leans forward. 

“In fact, I think I’ll hit the road too. Leave you two lovebirds alone.” He slaps his knees like he’s ready to go, and the softness of his smile takes her by surprise. “I don’t want to trample upon your stolen moments. Not now.”

Luke’s joints crack as he stands up, hesitating for a moment. Then, he picks up his empty glass and carries it to the kitchen in an unexpected display of domesticity, gesturing at Rey to stay sitting. When he returns to the room, he takes his jacket from the chair and dresses in silence. A focused frown splits his brow as he carefully tucks away his beard so that it doesn’t catch into the zipper—the sight is both funny and sad, and there’s something final about it, though she can’t figure out what.

“Alright, then,” Luke sighs.

He doesn’t say goodbye.

Kylo moves on the couch, clearing his throat. Rey can’t see his face, but she feels the sudden need that weighs down his body—a hunger as deep as a tar pit, sticky and black and lethal.

“Will you tell me I did right?” he asks.

Luke stops in the doorway.

“Jesus Christ, Be… Not Ben.” He shakes his head with vigor. “How can I possibly tell you that?”

The old man stands still, the resolve on his face cracking. His nose wrinkles and his eyes glint a wetter shade of blue. It lasts but a second, however—Luke regains his composure fast, and then he shrugs.

“But I guess you could’ve fucked up worse.”

The click of the lock echoes as Luke slams the door behind him.

They’re finally alone in the room, the monster and her.

Tucked amidst the shadows, on the couch on which they’ve made love so many times the scent of it still lingers, their world rapidly spins back into the suffocating conundrum of devotion and want. She’s aware of his body pressing against her, one hand still wound around her ankle, other creeping up under her blouse to lay flat on her chest. He’s listening to her heartbeats.

“That didn’t go so bad,” she says.

It is then that Kylo starts shaking.

Tremors twists his body, making him grip her stronger, clutch her so tightly it hurts. He bites into the back of her neck as if that will keep him stable, but it doesn’t, not for long. Soon, he hiccups for air. Rey turns to face him, and then his mouth covers hers, kissing her like he wants to consume her. She tastes his spit. It’s mint and something bitter, tea maybe, he didn’t drink before coming. Good—and yet she doesn’t know why his sobriety makes her heart clench. He keeps kissing her, all hunger, melting into her, his hands knotting her hair, and all the while he shakes, like electricity, like flickering flames.       

She can’t breathe.

“Stop it,” Rey grunts between kisses. “Kylo, stop.

It takes him a moment to calm down.

His hold on her body remains too tight, but it no longer feels like choking. The trembling dies down, turns into soft, fever-like shivers, and goosebumps rise on his skin, underneath her palms. He hides his face in the crook of her neck and doesn’t speak.

“Look at me.”

With a shudder, Kylo lifts his head.

He’s as beautiful as always, breathless and kiss-bruised. Her monster. Rey tucks his hair behind his ears, cups his cheeks with both hands, presses her lips onto the mangled flesh of his scar. She sees her reflection in his eyes—the lampshade behind the couch is giving her a halo.

And then she says what she must say.

“I can’t give you what you want.”

Before he can reply, she shushes him a finger on his mouth.

“It’s not up to me to forgive you the unforgivable. I can’t do that. I refuse to do that.”

Slowly, Kylo nods.

“I know.”

“Your mother has her reasons for not coming. I may disagree, but I can’t pretend I don’t understand.”

He closes his eyes and nods again. “I know that too.”

The touch of her fingertips is feather-light across the moles and the bumps and the crooked lines of his face. The shaking resumes, making him cramp up in waves—Rey wants to console him, kiss it all away, but fuck her life, she won’t resort to the comfort of lies.

“Look at me.” She traces the curve of his jaw. “You live with what you did, Kylo. All of it. The shit you did in the war, which I know you don’t regret—you’d do it again in a heartbeat, because that’s who you are. But the things you regret, too. The things that make you drink and stay awake all night and come here to me. You live with all that. Your ghosts.”

She holds his gaze, forcing a smile, and then she presses their foreheads together.

“Like I live with you.”

A sharp gasp huffs against her lips—Rey waits for an answer, but he stays silent. His arms wrap around her again, but it is different, gentler, like he’s suddenly aware she might break. She smooths her palms down the silk of his shirt—it’s crumpled, the sick fuck can’t iron for shit, he’ll never make it as neat and crispy as she does—and waits for his shoulders to stop shaking.

They stay like that for a while, breathing each other’s breath.

The neighbors below are watching television. Commercials prattle through the walls, muffled children’s voices wanting something so badly it makes them squeal. Rey can’t discern what.

“I… I’d like you to do something for me,” Kylo whispers at last, his chapped lips grazing her cheek.

“What is it?”

“That night when… When I killed Snoke. We came back home, and the first thing you did… You took me to the bathroom and washed me. Do you remember?”

Of course she does. Lately, she’s been thinking about that moment a lot. The scrunching of the sponge, the swoosh of the shower, dried blood flaking off his skin, spiraling down the drain.

Funny how it’s on his mind too.

“Yes.”

He hesitates like he’s afraid she’ll deny him. “Can you do that again? Please.”

With a slow nod, Rey slides off the couch and takes him by the hand, and they patter to the bathroom like thieves.

She takes her time undressing him—his belt swishes when she pulls it from the loops and the shirt buttons pop as she unfastens them. He’s wearing a wife-beater underneath, dorky and attractive and so very him. She rubs her nose against the cotton: it smells like sweat and a hint of pine. Warm. Her mouth waters.

Boots clink against the tiles, jeans rustle as he kicks them off, the wife-beater crumples in a pile by the bathtub. He’s naked before her, but she doesn’t take off her clothes.

Rey leaves aside the sponge—she’ll do it with her hands.  

“Come here.” She turns on the shower, tests the temperature on the inside of her wrist. “Sit.”

He barely fits in the bathtub, and she kneels beside him on the tiles.

The shampoo oozes in her hand, honey and French vanilla, milky-white like semen. She rubs it across his shoulders in a soft caress. He’s all knots and sinews, grunting when she soaks his hair with warm water and presses her thumbs in his tense flesh. It takes him time to relax. Droplets catch onto his eyelashes, drip across his face like tears, glide down his skin, glistening along the scars—the faint pink scratches still stand in contrast with the pallor of his back. She had marked him well. She lathers the hair in his armpits and reaches between his legs—he’s thick and heavy and slippery against her palm as she washes him there.

Now he’ll smell like her.

“Rey?”

“Yes, monster?”

He licks the droplets off his upper lip with the tip of his tongue.

“All these years, you, uh… You said that you loved me only once. When I asked.”

Her fingers stop in their tracks. For a long moment, Rey just holds his gaze, red-rimmed and greedy and so intense her bones burn.

“But you know it.” She leans forward to kiss his forehead like he’s a child. “You do. Just like I know why you didn’t shoot in front of the Parliament.”

Kylo reaches for her with wet hands. She bends over, letting him pull her into the bathtub, and hugs him as close as she can, her clothes growing heavier as they soak. Fuck it.

Steam rises in the bathroom. Rey watches it condense on the tiles, slither down the cracks in the ceramic. Slowly breaking the embrace, she combs his hair with her fingers and kisses the tip of his ear. It tastes like soap.

“Come now, monster.” Her voice is gentle. “We’ll run out of hot water.”

Kylo fidgets, but doesn’t look like he’s ready to move. Is he allowed to stay the night?

She doesn’t want to let him go.

The indiscreet agent will lose his mind as he waits in the street until dawn, she thinks, smoking cigarette after cigarette and shuffling on his feet to put up with the cold.

“What will happen with you?” she asks quietly. “Do they have a plan?”

A beat passes before the monster replies.

“I have no idea,” he says.

But he’s always been a bad liar.

 

Notes:

Nick Cave dedicated the song “Jesus Alone” to his dead son. A few years back, I had the privilege to hear him perform it live, during his European tour. I can’t describe how beautiful and harrowing it was. The mourning in Cave’s voice, the power of his lyrics, that sharp, humming sound in the background that had a hypnotic effect – it literally felt like he was calling for the dead. It rendered me speechless – to this day, Nick Cave’s “Jesus Alone” remains one of the most goosebump-worthy live music experiences I’ve ever had.

Also, moar art! My BFF and alpha reader of this story, Shunak, drew quick portraits of “Hiraeth”’s Kylo and Rey. He really nailed the characterization for both:

Chapter 29: ...but I'm no longer there...

Summary:

"I dreamed I had a red bird."

Notes:

When I started writing this back in May 2018, I never thought that I’d be dropping the last chapters well after Episode IX hit the cinemas, but here we are.

Usually, I reveal my musical inspiration in the end notes, but this time we’ll do it differently. The chapter is named after a line from Cveta trešnja, a local folk song with particularly poignant lyrics. You can play it when you finish the chapter - or if you want to listen to it while reading, wait for the scene with Kylo to begin.

A million thanks to TazWren, a good friend and a gift to the Reylo fandom, for saving my ass by jumping in as a last minute beta. She did an amazing job.

So, that’s it, people – grab some chocolate, open a bottle of wine, and have a box of tissues at hand, just in case. See you on the other side.

(See the end of the chapter for more notes.)

Chapter Text

 

 

...but I’m no longer there...

 

 

 

“Do you want one?”

“They’re ridiculously expensive.”

“Do you want me to buy you one?”

“No.” Rey frowns. “Geez.”

“Then, why are we still standing here?”

She can’t take her eyes off the Christmas tree in the shop window.

True, she’s seen lavishly decorated trees before, but this is something else. The balls are pastel gold and matte white and a dusty red like dried roses, covered with beads and glitter, and drawings of chubby angels. The lights are shaped like snowflakes. Then, there’re the figurines: birds with gemstone eyes and tails of real feathers, violins and harps and instruments Rey isn’t sure she can name, golden monkeys frozen in mid-movement as they’re about to slam cymbals, ballerinas in shimmery pink tutus with one leg on pointe and the other perfectly stretched in the air, fat snowmen, old-fashioned ice skates, and an owl, placed in the center, so heavy that it bends the branch it hangs from. It all looks too perfect, Rey thinks, like a scene from a Hallmark movie. The ornaments are for sale, but the prices are obscene.

If she takes a step back, she can see their reflection in the windowpane: a girl with dramatic makeup and a sharply dressed ginger, standing with their arms hooked on a cold December afternoon.

Her breath freezes in the air.

“Back when I used to live in the Home, we couldn’t afford a proper Christmas tree,” Rey explains. “So to cheer up the younger kids, I made ornaments out of paper. I drew them in striped notebooks and cut them out and hung them across the walls with thread. Reindeer, and Santa, and those cartoonish red-and-white lollipops, and even a goddamn Mickey Mouse.”

Armitage rolls his eyes.

“So now what, darling? You plan to decorate your home with paper Mickeys? You’ve never struck me as the nostalgic type.”

Rey shrugs. “I don’t decorate.”   

She turns away from the window and starts walking. Armitage follows, clicking his tongue just loud enough she can hear it.

“Where do you want to go?”

Rey thinks for a moment. “Nowhere special. Just for a walk.”

“Sweet baby Jesus, you want to go for a walk? It’s so cold my balls are about to freeze and fall off, and we can’t have that—contrary to popular belief, one day I’d love to have a house full of little Huxes, red-haired and obnoxious and too smart for their own good.” With his free hand, Armitage raises the collar of his coat. “Is this revenge, Rey? Are you punishing me for not being in touch for two months?”

She doesn’t answer, just smirks in a way that’s open for interpretation—she’s learned it from him. The street is crowded: women in fur coats, men carrying overfilled bags with rolls of gift paper sticking out, girls laughing too loudly into their phones, beggars pulling at people's sleeves—“spare a coin, missus, it’s for good luck”, children admiring the lights, and a whole brass band occupying the corner, blowing in their trumpets until their cheeks burn, with songs equally suited for weddings and funerals.

Fucking holidays.

“How was Budapest?” Rey asks.

Armitage swallows a chuckle devoid of humor and releases her arm, reaching into the pocket of his coat instead. His leather gloves crackle as he takes out a thin cigar, and soon the artificial aroma of vanilla mixes with the smell of roasted chestnuts and the scent of impending snow.

“Productive,” he answers at last.

“Did you get what you wanted? You’re the leader of the First Order now, aren’t you?”

The smoke he blows out freezes in front of his face like a puff of fog. “Darling, please. There is no First Order.”

Rey raises an eyebrow. “But… But you’re still on the winning side?”

Slowing his pace, Armitage slides his gloved hand down his gelled hair and smiles like he means it. The tip of his cigar glows red as he takes a deep drag.

“Are you worried for me?”

She feels a rush of warmth to her face. She doesn’t know why she’s blushing.

“Dear god, you are. You’re worried for me. I am touched.” He hooks his hand around her elbow again. “There’s no reason for concern, my dear. People like me, we always land on our feet. Like cats.”

The way he grins is cat-like indeed, cool and carnivorous, and Rey is certain he’s not telling her everything. She should hate him—she wants to, really—but the spark in his eyes reveals that behind the walls of douchebaggery, there could lurk something genuine. Like a ghost of goodwill that she’s been chasing for years.  

A flake catches on Armitage’s blond eyelashes. She isn’t sure if it’s a speck of ash, or if the first snow has begun to fall.

“Do you have news from Kylo?”

He breathes out a lungful of vanilla smoke. “Rey, my dear, do you really think that now we’re no longer in the same line of business, Ren and I have any reason to socialize? What can we possibly talk about—the quickest way to beat a person bloody, the cheapest booze to get you under the table, the most reliable method of fucking up your own future? Or, god forbid, his sexual fantasies about you?”

With a curt gesture, Armitage points at her with the tip of his cigar.

“And before you vilify me for not giving him a real chance, let me remind you that this Awkward Nerd hidden persona of his was never my cup of tea. If you find it sweet, it doesn’t mean the whole world should go gaga because Europe’s most-wanted warlord has a soft spot for comic books.”

If she were younger, she’d want to claw his eyes out. However, life has taught her she shouldn’t always take at face value what people say, and also that Armitage is too often miserably right. She gives his elbow a squeeze—his wool coat is fluffy under her frozen fingertips.

“Do you have any news?” Armitage asks.

Rey nods. “He texts me, sometimes.”

Every now and then, a message pings on her phone. It’s always from a different number, or it just says “Restricted Caller” across the screen, and even if she rushes to reply, there is never an answer. Often, the texts are mundane: I had salmon for dinner, or Did you notice that now you can buy fucking everything in the fucking shops? or The neighbor from across the street is throwing a party, followed by His taste in music sucks. Once, he wrote, If you look outside you’ll see the moon is so round, like someone drew it with a compass, after which she went straight to the balcony to stare at the sky for hours. Some messages are more intimate—when there’s no one peeking across his shoulder, Rey assumes—like Miss the way you laugh at stupid comedies, or Sometimes I think I can smell your hair on the pillow but I guess it’s all in my head, or Do you know that you have 362 freckles on your left shoulder?

The sick fuck always was a bit of a stalker.   

One text made her throw the phone across the bed—My tolerance’s turned to shit I had two thirds of a bottle and I’m fucking wasted haha no punctuation—but in retrospect, she concluded it was good that it only happened once. And then, there was that long message. It arrived clipped into three parts: two successively, the third one an hour later.

I dreamed of a red bird last night, you know the kind, the red bird you imagine when someone says ‘a red bird’, with a small crest and a black beak. It was minethe birdbut I couldn’t remember where I’d gotten it from, even though some people said I’d had it forever. I’d saved the bird, they said, picked it up when it had fallen from its nest, healed its broken wing, something clichéd like that, and now it was mine. The bird sat on my shoulder, and cuddled under my chin, and picked at my beard, and it made this funny chirping sound, repetitive, like a car alarm. I ain’t stupid, I know it was probably an actual alarm I heard in my sleep, but its feathers were warm and soft, and I could feel its tiny heartbeat, and it was mine. And then I woke up and the bird was gone.

“He texts,” Rey repeats. “But I haven’t seen him in a while.”   

A little boy stops in front of her, so suddenly that she almost runs into him. His jacket is dark blue, the fur of his hood is patchy, and he’s hugging a plastic dinosaur, its snout open in a roar. For a moment they hold each other’s gaze, and Rey thinks the boy is about to ask her something—but then a woman rushes to snatch at his hand, smiling clumsily like she’s apologizing. Armitage shakes his head.  

Rey wants to wave the boy goodbye but she doesn’t.

“Do you know what will happen with him?” Her voice is quiet when she asks.

“Not really,” Armitage says, and she knows he’s breached the main principle that has sustained this non-friendship of theirs over the years.

He’s lying.

The brass music is getting louder: trumpets and horns and helicons, and a large bass drum whose low beat she can feel in her belly.

“Are you sure you don’t want to go somewhere?” Armitage sneers as he observes the crowd. “Frankly, this is ridiculous. It’s as if these people have only seen Christmas on television, and now they’re trying to mimic what it’s supposed to look like.”

When she swallows, there’s a lump in her throat, and she can’t explain why.

“I, uh… I just wanted to go for a walk.”

Armitage stops.

“Hey.”  

He reaches out, and for a second she thinks he’ll ruffle her hair, but his fingers only lightly brush across her forehead. He’s shaken off a snowflake, she sees. It seems that it is snowing indeed.

“Hey.” His pale eyes are kind in a way that doesn’t suit him at all. “It will be alright, you’ll see. And I’m not saying this to comfort you, my dear, I’m too much of a dickhead for that. We’re cats, Rey. You may think you’re a dog person all you want, but at the end of the day, you land on your feet and keep going, even if you’re not aware of it. Self-sabotage is chic, darling, I get the appeal, but there’ll come a moment when you’ll have to cut the dramatics and remember what I taught you.”   

She almost smiles. “Life’s a bitch and we never get what we want?”

“Yes, that.” He bites on his cigar so that both his hands are free. “But there’s a second part to that saying.”

Cocking his head, Armitage straightens her scarf and fastens the last button of her coat, before he narrows his eyes to admire his handiwork. Thick snowflakes swirl between them, melting as they touch his shoulders.

“We must make the best with what we do have,” he says, wisps of smoke falling from his lips. “Never forget that, child bride.”  

In the end, she lets him buy her an ornament: a green-gold pinecone with glitter that rubs off on her fingers. She hangs it on the lampshade in the living room, like the sole reminder in her home that a new year is about to begin.

December ticks away. Rey quits her job at the Resistance, saying it’s because of her studies. Poe protests, but it’s obviously just a formality, for his eyes are warm when he says he expects nothing but straight A’s from her this semester. Larma D’Acy pays her the last salary in crispy dollar bills. Rey splits it into three envelopes: for food, for rent and for superfluous shit, the latter growing thicker as she saves up for a new fish tank. She spends most of her time at the university now, taking up new subjects: Mechanics of Fluids and Numerical Methods and Aerodynamics. It feels healing to lose herself in the laws of physics—precise, reliable, with exact solutions instead of ambiguity. After lectures, Rey hangs out with her classmates. She partakes in small talk, nursing blueberry juice while everyone else is having a beer, laughing at the jokes and nodding her head at all the right moments—and then she walks home alone. It’s snowing. The heels of her boots click on the icy sidewalk.

Two weeks into the month, she goes back to her old job at the copy store. The salary isn’t in dollars, but it will pay the bills.

On a dull Wednesday afternoon, slow and grey like the shallow sea, as waves of sharp snowflakes billow down the streets and Rey sorts the pages of a photocopied schoolbook to punch in holes for spiral binding, Poe Dameron calls to share the good news.

“What?” She sits down, knocking the book over and cursing under her breath when the pages scatter across the floor. “Say that again?”

“MTV, sunshine!” Poe repeats. “You know! As in, Music Television? Fucking MTV!”  

He giggles. She hasn’t heard him giggling in ages.

“What does that mean?”

The first thing that comes to her mind is a picture from her childhood—stolen moments of Nirvana’s videos on a channel that aired pirated television back in the early 90’s, here we are now, entertain us, until Unkar Plutt got ahold of the TV set and switched it back to government propaganda. She can’t bring herself to process what Poe has just said.

“MTV—well, MTV Europe, that is—has this special award, called Free Your Mind,” he begins explaining. “It’s for accomplishments in the area of human rights and social issues and world peace and all that. Strange as it may seem—actually fuck that, it ain’t strange at all—the winner for this year is the Resistance. We’ll be on MTV, Rey!”

“Wow,” she says, sounding so stupefied that Poe laughs.

The thought is surreal, slippery, and Rey struggles to give it shape in her mind. True, the Resistance has been on foreign television before, too many times to count, but it’s one thing to appear in the evening news, and something completely different to be acknowledged by the pop-culture powerhouse, sandwiched between blocks of Madonna and Ricky Martin and whatever that bleached blond white rapper is called.

Fucking unbelievable.

“Where’s the ceremony?” She can feel she’s grinning. “Will you attend?”

“Stockholm. It’s for the MTV Europe Awards. And yes, I’m supposed to be there.” An oddly uncomfortable pause follows. “That is, if the goddamn Swedes take mercy upon my soul and grant me a visa. Fuck, sunshine, you wouldn’t believe the amount of paperwork I had to submit.”

Actually, she would. Rey vividly remembers the piles of documents she photocopied for people who were trying to flee the country during the bombing: marriage certificates and employment records and tax receipts, all to prove they’re eligible for entrance into more civilized parts of the world.

“You need a visa? But I thought that with the new government and all, the EU would axe visas. We’re a free country now. There’s no need to keep us in isolation.”

“Well. Apparently, that’s not how the world works.” Another pause drags, and Rey can picture him chewing on his lip as he fiddles with the phone. “But it should be okay. I gave them all the papers they asked for and triple checked the application form.”

He huffs, like he doesn’t know what to say next. Somehow, Rey feels like the good news has suddenly been tarnished, and she liked hearing Poe laugh. He’s been walking around with that camera-ready smile plastered on for far too long.

“Anyway, it’s fucking amazing,” she chirps as heartily as she can. “I can’t wait to watch the broadcast. I know you, Poe Dameron, you’re gonna charm their pants off. Madonna won’t know what hit her.”

When he chuckles, Rey exhales in relief.

“I’ll bring you something nice from Sweden.”

“Chocolate always works.” Then, a moment later, she adds, “With hazelnuts. Whole, not chopped.”

Their conversation finished, Rey crouches to pick up the schoolbook pages—she’ll have to sort them again, but this was worth it. Motherfucking MTV. And here she thought that nothing could surprise her nowadays.

Smiling, she takes a bright yellow marker and circles the date of the awards show on the calendar that hangs in the shop. Her coworkers will wonder what it is for, but let them. Stockholm, Sweden, she thinks, in late December—Nordic lights and winter nights and a sky so close you can touch it. Hopefully, Poe will have a moment to notice all that.

Two days later, he sends a text saying that his visa was granted.

When the date of the ceremony finally arrives, Rey feels giddy right from early morning. She sings while she works, trying to be quiet, and laughs when the manager tells her she can’t carry a tune in a bucket. On her way home, she stops by the supermarket to buy potato chips and puffed corn snacks. Shit food, she knows, and the price makes her wince, but she can allow it on special occasions. She changes into the sweater when she gets home—it’s hers now, even if she still thinks of it as Kylo’s. Either it has stopped prickling, or she’s gotten used to the rough wool. Briefly, she considers inviting Finn to come over—they used to share moments like these, once upon a time—but as she scrolls through her call history, she sees that their last conversation was over two months ago. Let him enjoy a quiet evening with Rose, she thinks. Perhaps they’ll watch the broadcast on their own.

The ceremony is aired on national television—funny how overnight the goddamn MTV has become a state affair.

Cocooned on the couch in her favorite blanket, nibbling on chips that crumble in her lap, Rey waits for the broadcast to start, her heart beating faster as the hour approaches. 

The ceremony opens with the shot of the Stockholm arena: a round building shaped like a globe, its dome resembling a man-made planet from a Sci-Fi movie. A Death Star, maybe—though the voiceover explains it’s supposed to symbolize the sun. Inside, the stage is enormous, all flashy chrome and matte black. The hosts, dressed in an odd mixture of street fashion and red carpet glam, promise the best party in the world and the audience roars in a thunderous applause—and then the games begin.

Indeed, the show is superb. There’s smoke and glitter and pyrotechnics, followed by a parade of smiles and thank-yous and questionable fashion choices. Some celebrities are there to receive their awards in person, others phone in from the States, shouting “Hello Stockholm!” as the connection crackles. The lights change color and new sets are built in the blink of an eye, and the pop stars of the moment perform live: Robbie Williams sings a duet with Kylie Minogue, U2 promote their new single, the actress-turned-singer Latino diva descends on stage from the ceiling. When the hosts announce Madonna, Rey almost chokes on the chips—she was half-joking when she teased Poe about her, but the old lady’s actually there, presenting the award for best male act. Poe must be having the time of his life in the backstage.

She still can’t believe that the Resistance will be a part of this.

One hour into the show, the hosts welcome the French actor who played Leon the Professional: tall, eagle-nosed, with small round glasses and a raspy voice. Rey smiles—she’s always been fond of him. The Frenchman will present the Free Your Mind award, they announce. He raises the trophy for everyone to see: a metal head mounted on a rusty spring that wobbles, like a bizarre modern sculpture whose artistic merit isn’t quite clear.

The lights in the arena dim, and the camera focuses on the screen. A video begins.

The first thing it shows is a map of their country—now the viewers will know where it is, Rey thinks. It’s replaced by a glum portrait of the former president, zoomed in so close that the lines of his face become abstract, just dark brushstrokes on a grey background. Then, a male voice with a cockney accent starts narrating about the last tyrant of Europe whose deeds resulted in the death of thousands, and a montage follows: men in camo uniforms, villages swallowed by fire, convoys of refugees with children in their arms and furniture loaded onto tractors. The music is ominous, the image is filtered through blue to make the faces paler and sepia for the flames to shine brighter, and when the footage finally shows the NATO bombing, it is in slow motion. The Ministry of Defense blows up like a big budget movie effect, a blazing mushroom blossoming in the sky, and Rey wonders if that’s when her windows broke for the third time.

Abruptly, the music changes: an uplifting piano tune plays. The angular fist logo covers the screen—Armitage was right, it does look a bit tacky—and the narrator relates the story of a handful of brave young people who stood up against tyranny and launched a movement that would end the oppression. There are shots of the student strike and the protests against police brutality and, for a brief moment, the cordon blocks the main square again, while people disco dance. Close-ups show beautiful faces with bright smiles—Rey doesn’t recognize anyone. The scene switches to the Parliament next, with smoke and chaos and fire—had she really been there?—and the narrator explains how the Resistance fought to have the election results acknowledged. She waits to see the moment when Kylo will step away from the stairway, but the footage cuts short just before that. It all ends with the cat lover taking oath, one hand on the Constitution, the other on his heart.

It’s emotional, Rey can’t deny that, and inspirational, and it makes her hold her breath, the corners of her eyes prickling with tears. But at the same time, it feels foreign.

This is not how it was, not really. Things were never this simple.

The French actor solemnly says “Never again, tyranny in Europe,” and invites Poe to join him on stage, struggling to pronounce his last name.

When cameras focus on Poe, she sees that he’s been sitting in the audience all along, waiting for his turn. How odd. He takes his time to pass between the seats and walk over to the stage—for a moment, Rey thinks he’s being deliberately slow. As he steps into the spotlight, she notices he’s not as elegant as usual, dressed instead in a pair of jeans and a dark blue hoodie that doesn’t flatter his frame. But that’s not the only thing out of the ordinary.

He’s not smiling.

Poe hops onto the stage, bows slightly to the cheering crowd, shakes hands with the French actor—he’s a great deal shorter than Leon the Professional, and Rey hates that she imagines how he would look next to Kylo. He takes the Free Your Mind trophy with both hands, the metal head bouncing ridiculously on the spring, and when he turns to the microphone, the arena grows quiet.

The camera zooms in on his face. He frowns as if the lights are too strong.

“Thank you, MTV, for this important recognition,” Poe says in English. His accent is cartoonishly Slavic—it always is, when stage fright gets the better of him. “I hope you won’t mind, but I’ll switch to my mother tongue, because I know a lot of people back home are watching the broadcast.”

There’s a brittle applause, faint as if the audience isn’t sure what they’re supposed to do, and the French actor arches his eyebrows. Rey feels her heartbeat picking up.

What the fuck is Poe trying to accomplish?

“This is for you, guys,” he begins with his Southern drawl, lifting up the ugly trophy. “For you who’re not watching this for the music and who can’t say that the nineties were the best decade ever. This is for you, who grew up in isolation, who were arrested, beaten, threatened and assassinated, who sacrificed your youth for politics, playing the games of patriots and traitors, unsure after a while which was which. For you, who thought that all that was normal, who were told that being bombed was deserved, and who can’t be here tonight, because traveling is still a privilege, not a right.”

He pauses, making a perfect applause break, but the audience doesn’t respond. Perhaps it’s better they don’t understand what he’s saying, Rey thinks.

“We made it, guys. We did it. We’re free.” The zipper hisses as Poe opens his hoodie, revealing the very special purple t-shirt he’s wearing underneath. “This is for you.”

Fuck.

The crowd is silent. They can tell that something big has just transpired, but the meaning eludes them. A beat passes before one person starts clapping timidly—the scene is almost comical in its absurdity. Poe doesn’t seem to care. He smirks, wincing at the bright lights.

“Thank you.” His voice is a bark when he spits out the words in English, and it doesn’t sound like ‘thank you’.

The French actor rushes to shake his hand and the audience finally applauds in earnest, as if they’re relieved the situation is back under control. Poe leaves the stage, jumping down two steps at a time in a spiteful display of swagger, but the cameras stop following him. The smiling faces of the hosts grace the screen again, reminding the viewers that true heroes never stop fighting for the right values, and that soon enough the Spice Girls will perform live.

Rey changes the channel.

For the rest of the evening, she watches a bizarre black-and-white movie where a hostage crisis in a small town diner turns into a melodrama about self-sacrifice. It all ends with hard moral choices and a high body count, and the poetry-reciting waitress gets the insurance money for her dream life in France. When Rey tears up, she tells herself it’s the movie’s fault.

Poe texts her the very next day—immediately after his plane has landed, she assumes.

I have your chocolate. Come pick it up before I eat it all myself ;)

When her lectures finish, Rey informs her classmates that she’ll skip their nightly pub ritual. They nod, but she doubts they’ll even notice her absence. She works the evening shift at the copy store, and it ends at a late hour, barely giving her time to catch the last bus that will take her across the river, to the part of town where Poe lives. The bus is nearly empty—there’s just Rey and a woman with her boots wet from the snow and her grey roots showing through mahogany-dyed hair. She looks tired, Rey observes. The woman’s bag is filled with groceries, but Rey thinks she sees the edge of a pink box peeking through celery leaves. A doll, perhaps. A gift for a little girl. She averts her eyes, focusing on the dance of snowflakes outside.

If Poe Dameron is that eager to see her, she’s certain it has nothing to do with the chocolate.

“Sunshine!”

He has shaved—it’s the first thing she notices when Poe opens the door. When he hugs her, he’s all bones. It’s too warm in his apartment, and the radio loudly plays a power ballad from the '80s—Poe’s taste in music has always been simple. Rey takes off her boots and pads inside, the wall-to-wall carpet soft beneath her socked feet.

“Here.” He offers her a bright red bag with ‘Duty Free’ written on it in block letters. “Whole hazelnuts, not chopped.”

The bag is heavy and full to the brim—Rey’s afraid to think about how much money he’s spent.

“Maybe you should keep some,” she says, rummaging through the bag. “You’re as thin as a rake. If you keep losing weight, your public image will suffer.”

Poe shrugs, and for a moment she thinks he has something to add, but he just takes out a bar of chocolate and tears open the foil wrapping. The scents of cocoa and roasted hazelnuts fill the air. Rey notices the Free Your Mind trophy on the coffee table—its design is even more hideous up close.

“What an ugly thing,” she comments.

He sighs, nodding. “I’ll take it to the office. They can use it as a paperweight.”

On the radio, Dire Straits sing about money for nothing.

“How was Stockholm?”

“A nice city, from what I’ve seen.” Poe breaks the chocolate, round hazelnuts shining like bones in the earthy brown. “The visa I got was for three days only, so I couldn’t stay longer to do any sightseeing.”

She expects him to bite into the bar, but he just stares at it in silence, watching it melt between his fingers.

“This whole MTV thing…” Rey begins cautiously. “It wasn’t what you thought it would be.”

To her surprise, Poe laughs.

“So you noticed, eh? Frankly, now I’m embarrassed I was so excited about it.”

There’s nothing embarrassing about it, she almost says, but she reaches out to take his hand instead. She’s proud of him, she thinks. All these years—and perhaps unfairly so—she’s been seeing his Resistance work as an elaborate role he was given. But what he did the other day, while all the cameras of the world were pointed at him, that was something else.

That was the right thing to do.

“They didn’t let you backstage, did they?” she asks quietly.

Poe shakes his head.

“No. And I wasn’t invited to the after-party, either. It was in this super exclusive nightclub called Canto Bright or Blight or something. All the celebrities were there—but I was told my pass wouldn’t get me inside.”

He pauses, unsure if he should keep talking. Rey uses the moment to reach for some chocolate, the foil rustling as she breaks off a piece. When Poe continues, his voice is oddly strained and the words come out in a rush.

“I didn’t think it’d go this way. I was stupid enough to believe that now that we’re a free country, the world would truly welcome us with open arms. Don’t get me wrong, sunshine, I actually don’t give a shit about the party, I really don’t, but fuck that message. What—we’re good enough when they need to demonstrate their solidarity with the less fortunate regions of the world, but we ain’t worthy of breathing the same air as Madonna?”

Hazelnuts crunch under her teeth. “Fuck ‘em.”

She means it.

Poe laughs again, this time louder. “Yes. Fuck ‘em. Fuck them all.”

He finally bites into the chocolate, and Rey can’t explain the surge of relief she feels.

“See, sunshine, I thought my skin would get thicker as I go on.” He chews as he speaks. “I thought it’d help me forget. And deal with… you know. But goddammit, the deeper I sink into this shithole, the more disgusted I feel.”

A squeeze crushes her hand where their fingers are entwined, and he waves with the chocolate bar like it’s a baton, the gesture equally ridiculous and endearing.

“I, uh… I can’t be this charming rebel leader anymore. I can’t. I’m no one’s project.” Poe spits out the word like it’s a curse. “It’s fucking tiring, playing roles and meeting expectations, and all with this fear that one day I’ll turn into someone I’ll hate. I’m done with politics. Fuck it. I quit.”

He frowns and smiles at the same time, like he can’t believe what he just said. There’s a glint in his eyes, and it feels like he’s broken a spell.

“I quit.

She wishes she could hug him, but she doesn’t want to disrupt the moment. It’s filled with magic. Poe grins, open-mouthed and camera-unfriendly, very much surprised by his own act. He looks like an idiot, she thinks, but she’s never found him more appealing.

“So what will you do now?” Rey asks after a while.

“I’ll figure out something.” He gives a half-shrug, and his smile tightens like he’s slowly regaining control. “Let me know if there’s a vacancy in that copy store of yours.”

Rey spends the night sleeping on his couch, in borrowed pajama bottoms and a t-shirt still smelling of fresh laundry. Through closed doors, she can hear the muffled music—Poe seems to be listening to the radio in his sleep. Indie ballads replace the '80s hair bands, and from time to time, there are blocks with talk. Someone’s reading the news, she assumes. Or the listeners are phoning in to rant.

As she drifts into slumber, a part of her wonders how Leia will react to the change.

But then she decides she doesn’t care.

Life goes on. December is almost gone. The new year approaches.

More and more often, newspaper articles and TV shows clarify that, in fact, the 21st century did not begin with the year 2000. It’s a nice number, 2000, and people like round figures and dramatic changes, but according to experts, the celebration of the new millennium was premature. Science says that 2000 is the last year of the old century—it’s January 1st 2001 that will mark the real beginning of a new era.

Rey likes it. They will enter the millennium liberated—whatever that means.

There will be a big concert in the main square on December 31st, the new government promises. They claim it will outdo the one held during the protests of 1996, and for days, the city center is jammed with stage parts and crowd barriers and trucks carrying equipment. The list of performers is impressive: there are some legendary names on it. Foreign bands, even. Rey is sure they’re not volunteering their services, but it doesn’t matter—the new government has all the money now. Still, she doesn’t want to be there. Fuck fireworks. When a girl from college invites her to a house party, Rey accepts—she’s familiar with most of the people who’re expected to attend, and more importantly, it is within walking distance of home.

On the last day of the year, Rey picks out a dress with copper sequins bought in a thrift store, still faintly smelling of mothballs, and she does her makeup in brown and gold and a shade of orange her palette calls ‘Barcelona Sunset’. She studies herself in the mirror—Amilyn would be proud. A bouquet of carnations is a suitable gift for the party hostess, she thinks. She’s one of the first guests to arrive, while the parents are still home, and along with the other early comers, she promises they’ll behave.

It takes only a few hours for the house to reek of cheap booze and the skunky sweetness of pot. Long before midnight, everybody’s drunk. Couples make out on piled up jackets and coats, and a line stretches in front of the toilet—there’s a person vomiting inside. The music isn’t bad, Rey will give them that, even if not a single song is allowed to finish before someone messes with the playlist. The countdown to midnight is done in haste, like an item that needs to be ticked off, and as everyone screams “Happy New Millennium” Rey avoids strangers trying to kiss her on the lips. She notices a dark splotch on the living room wall—someone must have spilled red wine. The hostess’ parents will flip their lids when they find out. A boy tells her she looks like a goddess. His eyes are bloodshot and he’s leaning against the wall for support, and Rey is certain he’s used the same line on every other girl at the party. When he slurs that it’s bad luck to start the new year without getting laid, she decides it’s time to go home.

Outside, it smells of snow and charcoal and the sulfur of firecrackers, and confetti mixes with the frozen sludge under her feet. The streets are more deserted than she’d expect at this hour—it isn’t even two. Rey types as she walks, her fingers trembling of cold as they fly across the keyboard of her phone: Happy New Year. She sends the message to Poe, Armitage and Finn, and after a moment of hesitation, she adds Rose and Luke Skywalker.

She’d send it to Kylo too, but she doesn’t know how.

If this is indeed the beginning of a new millennium, Rey thinks, it sure doesn’t feel like it.

Her heels click as she climbs the stairs of her building, and the soles of her feet hurt. One of the neighbors seems to be throwing a party—she hears laughter and music through closed doors. The fluorescent tube in the corridor blinks, electricity buzzing as the light flickers—no matter how many times they repair it, it never works properly. The keychain jangles as she searches through her pocket.

She inserts the key into the lock, but the door just swings open.

Her breath catches.

“Kylo…?”

There’s nothing but darkness inside—the apartment is just like she left it, lights off, curtains drawn. It is silent, except for the faint hum of the new fish tank. The air is stale with the metallic smell of heated radiators. Rey looks down: there are no unlaced boots by the shoe rack, no wet footprints of melted snow.

She rushes to the living room.

“Kylo?”

Indeed, the monster is there.

He’s sitting by the window in a chair that’s too small for him, the outline of his face illuminated by the pale neon of the fish tank: the slope of his jaw, the crooked nose, the shaggy curls of his hair. The sight is surreal—like someone has drawn a sketch with silver lines on black paper, glowing strokes messily forming a shape too familiar. It looks like an imprint from the past, she observes, like a dream you’re afraid you’ll forget upon waking up. Like a memory.

Her fingertips itch to trace it before it disappears.

“Happy New Year, my love.”

When he smiles, his chipped fang catches the light.

She wants to hug him, but a sudden movement seems inappropriate.

“Why are you sitting in the dark?”

“No reason.” Kylo shrugs, and then he falls silent, like he isn’t sure what to say.

He dreamed he had a red bird, Rey thinks. And then he woke up and the bird was gone.

“I like this.” He points at the fish tank. It is large and square and filled with plants. On the bottom, instead of a castle or a treasure chest, there is a human skull, not entirely realistic but still skillfully sculpted. The fish enjoys hiding in the eye socket, which Rey finds delightfully morbid.

“Thanks.” She grins. “It cost a fortune but I think it was worth it.”

Kylo gives a slow nod. “Did you have a good time?”

“Kinda.” Rey unbuttons her coat and kicks off her heeled shoes, frozen toes in nylon stockings cramping on wooden planks. “Actually, hell no. It was a lesson in why I should avoid parties: stupid people doing stupid shit in the name of stupid fun. I get it why it’s good—now that essential issues are out of the way, there’s finally time for stupidities. But still. If that’s what people my age are supposed to do, count me out. I can pretend to fit in, but I can’t be like them.”

You’re to blame for that, she thinks.

Well. At least in part.

“Where were you when it struck midnight?” Rey asks, before he can comment on what she said.

“I was right here.” The neon glow shifts as Kylo shrugs his shoulders. “I, uh… I can stay the night.”

She can’t see his eyes in the dark, but she feels the weight of his gaze: the need, the craving. He’s like a black hole of heat and hunger—he always was, though she thinks now he’s reflecting some of her own feelings, too. As her coat rustles around her feet, she realizes she’s unzipping her dress next, coppery sequins gliding down her hips. She hears him swallow.

Her hands stop before she unhooks her bra.

Is this what it will boil down to, from now on? A fuck in the dark every once in a while, between messages she can’t answer and a life she can’t go on with?

“Rey.” Kylo stands up, his boots thumping gracelessly as he crosses the room in a few swift steps. “I missed you.” His voice shakes. “I missed you so fucking much, my love.”

When he kisses her, it’s on the forehead and not on the lips, and his hands cover her exposed skin, the brush of calloused palms making her shiver.

He smells of aftershave and vodka.

“Are you drunk?”

“A little, maybe.” Kisses land in her hair and between her eyes and on the tip of her nose, and then there’s tongue, a lick across her lipstick. “Do you mind? This… It’s okay, my love, isn’t it?”

“Yes.” She tilts her head to meet his lips, bites into the soft flesh of his mouth. “It’s okay.”

The way he makes love to her is different. He’s never been this patient.

There is no rush, no urgency. He pulls the cover off the bed and lays her down on the sheets, cold and crispy beneath her back. The lamp clicks when he turns it on and she winces from the sudden light, but then she sees him: his beard is messy and his eyes are hollow, yet they shine with a glint that’s more softness than lust. With the tip of his finger, he traces her breast over the lace of her bra, chuckling lightly when goosebumps rise on her stomach. He caresses the freckles on her shoulder—362—and rolls down the stockings from her hips. The nylon crackles as it falls on the floor.

And then, for a long moment, he just looks at her.

Just looks.  

“What is it?” Rey asks in a whisper.

A smile tugs at his lips, boyish and so faint it might be a trick of the light.

He’ll call her beautiful, Rey thinks.

But he just drags his fingertips along her skin, like he’s committing to memory the curves of her body.

“I…” Kylo gulps, reaches out to touch her throat. “Uh. I want to take my time. We have all night.”

Rey arches her neck, exposes that spot where her sinews meet and her pulse beats. He likes leaving bite marks there.

“Come.” She leans forward to unbutton his shirt. “It’s cold in the room. Come warm me up.”

He’s tender in ways he hasn’t been before. Slow. Shaking with the need he’s trying to rein in. A part of her wants him to lose it so they can revert to bites and scratches and thrusts so deep she senses them in her bones—but this feels good, gentle, sizzling with an odd kind of innocence that reminds her of their early days, when they were inexperienced and eager to explore each other’s bodies. She squirms at the first flick of his tongue between her legs, and reaches out to touch him as he licks her, brushing the hair away from his forehead so she can look at him. Her cries dissolve into laughter when she comes.

He sucks on the thin skin of her inner thigh after she’s done. She hopes he’ll draw a bruise.

Kylo smiles when he pushes into her—a silly expression of awe. Watching him disappear into her body gives her a new shiver of pleasure. His lips are soft, he tastes of salt and the acid tang of her cunt. She knows he won’t last long, and she doesn’t care—the bed creaks, the headrest bangs against the wall, firecrackers detonate in the distance and his sweat drips on her face, but all Rey can think of is how nothing matters but the here and now and the two of them. It’s like a dream, fleeting even before it’s over. She digs her fingers into his shoulders to make sure he’s real.

“Say it,” Kylo whispers against her throat like he always does. “Please.”

“Monster.” She wraps her legs around his hips to lock him in place. “You’re mine, monster.”

It makes him spill in a heartbeat. He shakes in her arms while hot spend squirts on her belly, and Rey suddenly feels empty, clenching against nothing as she hugs him closer. The scent of semen fills the air, pungent and thick—her mouth waters. Kylo collapses onto her, breathless.

“You’re my all,” he grunts.

A sharp burst of fireworks explodes beneath her window, coloring the bedroom ceiling in flashes of red. Car alarms go off and a dog begins to bark.

Happy New Millennium, Rey thinks.

The monster pulls her in an embrace, her head on his shoulder. She touches the bullet scar, traces its round shape with her thumb, pressing into the bone beneath. His breath is still ragged. He smiles when she leans forward to smooth down his beard—he really needs a trim—and kisses her fingertips as they ghost over his lips.  

And then he gives her that look again.

It’s not the usual mixture of neediness and greed, no—this is different, even if his eyes still gleam with yearning. Rey doesn’t like it.

“What’s with you tonight?”

A beat passes before Kylo huffs instead of answering and hugs her tighter, planting a kiss on her forehead.

“Are you happy?” he whispers.

The question takes her by surprise.

Rey opens her mouth to speak, but doesn’t know what to say.

Really. Is she happy?

Sometimes she feels like happiness is a skill, one she has never quite figured out. All her moments of joy were temporary, polluted, spent waiting for the inevitable.

Like now.

Kylo seems to read her silence, for he shifts to face her, brushing away the sweaty hair from her forehead, tucking it behind her ear.

“You got what you wanted.” He makes an effort to smile wider. “The revolution and all. Is it working out for you?”

It’s worded like a trick question, but there’s no bitterness in his voice. He sounds quiet, and perhaps a little sad—and curious, like he really wants to know.

But what is there to say?

Things are better than they used to be—imagine that. And yet, they’re far from what she expected—assuming that at any point she’d actually had a clear idea of what life would look like once they won.

At the same time, it’s too different and not different enough.

She gives him the only answer that isn’t a lie. “It’s a start.”

Kylo nods, pleased with her words—his shoulders relax, and something akin to relief crosses his features. For a while, he doesn’t speak. Rey observes him. His eyes stay shut longer every time he blinks, eyelids swollen and heavy. She has no idea how much vodka he had—with the sick fuck, “a little” may mean half a bottle—but sex and booze and fatigue seem to catch up, for he looks like he’s about to fall asleep. She’s missed this, Rey thinks: the comfort of intimacy, his weight on top of her, the rumbling of his snores.

The fucking bed feels small again—she has gotten used to sleeping alone.

“I never got to take you dancing,” Kylo suddenly says. “That’s something I really wanted to do.”

Rey lifts her eyebrows.

Where’s this coming from?

“We can do it now.” She pokes on his shoulder in a playful gesture. “Get up, get dressed, put on some music or find something decent on TV, and off we go, we’ll dance until we drop. You said we had all night.”

He bursts into laughter—it’s more of a giggle, really, oddly childlike for his low voice, but the sound makes her heart flutter. Still, he doesn’t move. It is too comfortable, lying like this, skin to skin under thick covers, his hand in her hair, his semen drying slowly on her belly.

“How come they allowed you to stay?” she asks.

Kylo shrugs like the answer is obvious. “It’s New Year’s.”

But then he tenses. The corners of his mouth fall, and his smile melts away. He inhales hesitantly, eyes locked on the ceiling, parted lips moving without words. When he finally starts speaking, his voice is strained with the effort to sound like all is right.

“It’s kinda symbolic, when you think about it. Our first kiss was also on New Year’s Eve. And the first time we made love. Four years ago.”

In that moment, finally, Rey understands.

“You came to say goodbye.”

Strange, she expects the realization to choke her breath and shake her world to the core, but it doesn’t. All she feels is the quiet calm of inevitability.

Kylo turns to look at her, his eyes glassy, too big, a shade lighter from the tears he’s trying to fight back. They’re almost amber now. He swallows thickly, pressing his lips tight so they don’t tremble, and then he nods.

Well, now.

Outside, another round of fireworks echoes, like gunshots in the night.

Rey shifts, sitting up against the wall so she can pull him closer. He clings to her like a child, but he doesn’t cry. His breath is slow, loud, nose clogged, mouth open. She caresses his face—his skin is feverishly warm. The bed creaks as she leans down to kiss his scarred cheekbone and twirl his hair. It’s slick but pleasant to touch, the few strands of grey wiry among the soft raven curls—she’ll miss this, she’ll miss it so bad it already hurts.

Once upon a time, she thought she could protect him from the world.

It hadn’t lasted long, but she still remembers the feeling.

“When?”

“Tomorrow,” he whispers. “As soon as I leave from here.”

Rey closes her eyes. “Will you be arrested?”

She can picture the scene: his hands cuffed behind his back, cameras flashing as they drag him out of a police car, the media gloating, photos taken from a weird angle to make him look contorted, uglier, more monstrous.

“No.”

This takes her by surprise. “No?”

He holds his breath for a long moment before answering.

“I, uh… I’ll surrender.”

Her fingers slip away from his hair—she didn’t see this coming.

“You will?”

Kylo leans back so he can hold her gaze, and there’s a flash of rage in his eyes, breaking through the veil of unshed tears.

“Don’t get any funny ideas, Rey. I haven’t changed my mind, I still believe the trial will be a sham, and I don’t regret a thing I did,” he hisses. “Not in the war, at least.”

Easy, monster, she thinks.

No need to argue now. The time for righteous anger has gone—you don’t have to justify your decisions with callous words.

But she doesn’t say it aloud.

“Then why?” Rey asks, as gently as she can.

The question seems to give him trouble—his jaw clenches and his nostrils flare and his lips twitch upward for the wolfish snarl. And yet, when he speaks, his tone is unexpectedly soft.

“Because, uh… Shit. Because that’s the only way out, my love.”

The monster takes her hand, kisses her knuckles, raises it to his face to rub his cheek against her palm.

“The new government can’t arrest me without a shitshow, I told you that already. But if they don’t ship me off to the Netherlands in due time, they’ll be branded as uncooperative—and then the country will face another wave of sanctions and isolation and god knows whatnot,” he growls out the last words. “Don’t think the fucking West will pull its punches with ideas for punishment—they won’t stop until they get what they want.”

Are they wrong, though?

You are guilty, Rey thinks. It’s all out there—murder, deportation and persecutions, and violations of the customs of war. You’re guilty and you know it, and they’re within their rights to hold you accountable for what you did.

But after everything, should they take the whole country hostage because of you?

“Actually, it’s hilarious,” Kylo continues. His eyes shine too bright and his blinking quickens. “Armitage thinks I’m too stupid to understand irony, but I get it, I totally do. I’ve always wanted to do something good for my country—and, well, here’s my opportunity.”   

The monster looks scared and stupidly brave at the same time, and a lump rises in Rey’s throat.

She doesn’t know what she’s supposed to do.

“What happens now?” Her hand is still cupping his face, and she cherishes the moment, the prickling of his beard against her palm.

Kylo shrugs.

“I’ll surrender tomorrow. They’ll take me into custody, but they won’t hold me here for long—it’s too risky. I’ll bet I’ll wind up in the Netherlands by the end of the week. Then, I’ll be in this place called Scheveningen—I dare you to pronounce that. It’s like a detention center. Located on a beach, with a view of the North Sea. Must be pretty. I’ll wait for the trial there, but I’m told these things can take a while—a year, or two. Maybe more.”

A single tear finally glides down his cheek. Rey wipes it away, the movement of her thumb soft like a caress.

“And then they’ll try me, and convict me, but it will all be for show, because everybody knows what sentence they’ll give me.” His voice shakes, but he bites his lip and keeps talking. “Life without parole. I don’t know if it’s a blessing or a curse that these Euro fuckers believe that the death penalty is inhumane.”  

She wonders—did this ever have a different outcome?

This is how things should be. Men like Kylo Ren of the First Order—the butcher, the death god, the king of the war zone who claimed there were no civilians in a civil war and burned down the villages he’d crossed out with a red marker—they get life without parole. That’s what they deserve, even if they do make the right choice at historical crossroads, or if they love a girl.

They aren’t cats, to land on their feet.

“Rey.”

She doesn’t know what face she makes, but the monster scoops her up in his arms, wraps himself around her, hurries to press quick kisses into her hair.

“Rey, love, don’t look at me like that. Don’t grieve. This is something I must do.” He leans back to give her a smile. “Be brave for me. Can you do that?”

If she speaks, she’ll cry, so Rey just nods.

“I know you understand.” He touches the tip of her nose, the gesture holding the same affection like the very first time. “So be brave, my love, like you always are.”

They don’t speak for a while, hugging under the covers, holding hands, palms pressed together and fingers entwined. The room is cold, she shivers when the blanket falls off her shoulders, but Kylo pulls her closer, engulfing her in his warmth and the scent of his skin. She feels so small. The streets are quiet, no more fireworks. People must have grown tired of celebrating. It seems to be snowing again—the silence has that muffled quality to it, like it’s absorbing sound and shielding them from the outside world.

Her phone pings from the living room—someone has responded to her New Year message.

“What do you want me to do?” Rey’s voice is hoarse when she speaks. “Do you want me to stay with you?”

She wonders if she could do it.

It wouldn’t be too different from the life she has now, would it? Lawyers instead of shallow friendships, conjugal visits instead of clandestine meetings. Conversations through Plexiglas windows, while bored prison guards roll their eyes. Handprints on plastic, left in place of a touch. A barred view of the beach—they could play pretend it’s a honeymoon resort. Her loneliness growing as the press hounds her steps, until enough years go by, and no one remembers their names anymore.

And in the meantime waiting, waiting, waiting.

It wouldn’t be too different and it’d be a nightmare—but fuck her life, she might as well try.

“No,” Kylo says.

The word makes her stomach sink, and she can’t tell if it’s relief, or a disappointment so harsh she wants to scream.

Before she can pull back, the monster hugs her tight, the hold of his calloused hands both gentle and firm. When their eyes lock, he pulls his lips in that dorky smile. Dimples crease his cheeks and the chipped fang glints, too sharp, too crooked.

“You need to move on, Rey.” He sounds calmer than he looks. “Please. Do something with your life. Be happy—someone has to be.”

The wider he grins, the more his eyes shine, tears catching onto his lower lashes.

“Finish your studies, get the job of your dreams. Fix broken machines and build new ones. Travel the world—you wanted that, right? Learn to cook. Actually, you could begin with that one, it’s kinda urgent.” He chuckles when she finally manages a dry laugh. “Keep watching shitty comedies I wouldn’t touch with a ten-foot pole, and keep laughing. Please. Live. Find more stupid causes you’ll get excited about. Go dancing. Get that dog. Start a family, if that’s what you need. Just be happy.”

His voice breaks, and the tears finally start gliding down his cheekbones.

“And I’ll know, I’ll always know that whatever you do, wherever you go, however you live, you’ll… uh. You’ll still be mine.”

The way he holds her is crushing, strong arms wrapped around her ribs, his chin resting in the crook of her neck. His tears soak her hair. It feels like drowning—she can’t breathe—but Rey doesn’t ever want to let go.

“And that’s enough,” the monster whispers against her skin, more to himself than to her. “That’s enough.”

 

 

 

Notes:

Facts versus fiction: in late 2000, the Resistance did win the Free Your Mind MTV Europe award. The ceremony was in Stockholm, the presenter was indeed Jean Reno, Madonna was really there, and the young man who received the award on behalf of the Resistance did switch languages in the middle of his speech. It is also true that the Resistance people weren’t allowed backstage, nor were they invited to the after party. However, the name of the club most certainly wasn’t Canto Bight – I just couldn’t resist the analogy. And Poe’s words are written by me, though they’re inspired by some elements of the actual speech. In reality, the young man from the Resistance was way more excited and enthusiastic than Poe is presented here – it’s only later that he started recalling the experience in a more cynical light.

I’m certain that, after TROS, for many of you this chapter wasn’t an easy read. Well. TROS didn’t have any influence on what happens here – this was all planned from the start – though I’m surprised that in the end there is this sort of a parallel between my story and the canon, for better or for worse. And full disclosure – fuck, I cried my eyes out while writing this, partly because of what happens, partly because I’m so close to finishing a project that’s been such a big thing in my life for the past year and a half.

Only one more chapter and the epilogue left until the end - dealing with the aftermath, concluding the story’s themes, and framing the entire experience for Rey. Thank you for sticking with me, and may the Force be with us all.

Chapter 30: Le vent nous portera

Summary:

"I'm learning to be happy."

Notes:

And here we are, almost at the end of the journey. Welcome to the last full length chapter of “Hiraeth”.

For those who don’t speak French, the title means “The wind will carry us away”. It comes from a song originally performed by a band called Noir Désir – but I think the cover version by Sophie Hunger fits the story better, with its melancholy mood, understated elegance and a female vocal. If you can, I advise you to look up translated lyrics.

Beta’d by my guardian angel TazWren

(See the end of the chapter for more notes.)

Chapter Text

 

 

Le vent nous portera

 

 

Rey is in bed when her phone pings with a message.

It might have rung before, she isn’t sure—she’s been filtering out sounds. It’s fascinating, she thinks. A person can go acutely numb just like that, blocking away distractions like they aren’t there.

But a message alert? She’s conditioned. It will always get her attention.

Her hand crawls out from under the covers—she’s been lying with the blanket pulled over her head, but it’s good, being tucked in the dark, it’s safe, walled off, like resting in the womb—and feels around on the nightstand to pick up the phone.

She winces when the green light of the screen illuminates her shrouded lair.

You okay, kid? the message reads.

It’s from Luke Skywalker.

Rey huffs, covering her upper lip with snot. Her eyes are swollen and crusted with tears, her head hurts, her temples pulsating red, and when she tries clearing her throat, all she manages is a raspy, gulping sound that doesn’t even sound human. The world tastes like bile and salt and yesterday’s sweat. She rubs at the sweater she’s wearing, presses it into her skin, but it doesn’t prickle enough.

Really, what kind of an answer does the old man expect?

He knows. He must have seen the article too. They waited until today to release it—two long weeks, Rey thinks. Just enough for the holidays to blow over, for life to return to normal and this to become something you’d publish on page four, as an afterthought, when all is said and done and there are more pressing matters to cover.

“Kylo Ren extradited to the International Court,” the title boasts, in letters that aren’t even that big. “The wanted war criminal surrendered after the state guaranteed a fair process, becoming the first citizen of our country to await trial in Scheveningen. His action creates a gateway for further collaboration with the global community, particularly concerning the other indicted officials of the old regime—such as the former president, who is on the very top of the Court’s most wanted list.”

No pictures of Kylo illustrate the article, not even the scarred mugshot that’s been reprinted so many times. A photo of the Dutch coast is published instead: a stony beach, led-colored waves, seagulls like flecks of white against the misty clouds. She can almost hear them screeching.

It’s pretty indeed.

Rey can’t even cry anymore. It’s just that her face scrunches up and her throat keeps cramping and she’s making that noise again, that mewling, drawn-out whine, and she can’t stop.

Her thumbs fumble as she begins to type.

I don’t know.

She surprises herself that she actually musters a reply. A moment later, she sends another message.

I don’t think I am.

Luke Skywalker doesn’t write back immediately. Rey can’t blame him—she wouldn’t know what to say either.   

She keeps lying in the dark, the phone buttons pressing into her palm, the blanket getting damp from her breath. She’s sweating—she must stink. She should drag herself to the bathroom and wash, brush her teeth and comb the knots out of her hair, but moving requires an effort.

When her phone bleeps again, she twitches.

Come over whenever you want. I’ll give you some books you’ll like.

Rey laughs—a mirthless, gurgling sound that turns into a cough. 

Fuck you and your books, old man. You should have learned by now that it won’t help much.

But she just types, Will do.

 

*

 

She observes the bruise on the inside of her thigh. The last bite mark.

At first, its color is dark purple, black almost, like an ink stain, dotted with gooseflesh of unaffected skin. Like a galaxy. It turns indigo, then a deep blue framed with green—and then it fades, loses shape, its tanned edges bleeding into the color of her skin. By the time the article is published, it’s but a barely visible shade of yellow. By the time she gathers the will to get out of bed and shed her sweat-drenched clothes, it is gone.

She never thought she’d cry over losing a fucking bruise, but here she is, sitting on the floor with her mouth open and her leggings pooled around her ankles, telling herself to breathe as she chokes on the spit and the snot and wave upon wave of tears.

When she’s done, she feels empty—truly empty. She’s a hollow space, she thinks. A vacant cave devoid of even cobwebs. It’s not exactly good, but Rey can’t deny the relief.

She forces herself to eat. The milk has gone bad, the tomatoes are wrinkled bags of gunk, and there’s a layer of mold on the cheese—so she chews dry cereals. They taste like sawdust, but it’s nutritious enough. She bathes. She studies her knees, sticking out of the bathwater: her legs are hairy. Not that it matters. It does feel a tiny bit better, though—smelling like vanilla, her skin tight from scrubbing, her scalp tingling from the shampoo.

With a towel wrapped around her head and a thin bathrobe clinging to her shoulders, Rey walks back to the bedroom and kneels on the carpet. Her spine cracks as she bends down to fetch the box from under the bed.

The box.

It’s been a while since the last time she’s opened it. She blows a thin film of dust from the cardboard, rubs the grime between her fingers—this could as well be ashes from the bombing. Sitting on the floor with the box in her lap, she caresses the lid with a slow gesture and holds her breath before pulling it open.

There they lie, her forbidden treasures.

A mixtape that no longer works. A leaf-shaped silver spoon with holes. A superhero comic book bought in New York. A collection of poems in French—she’d promised herself she’d learn the language at least well enough to know what they were about, but she never did. A novel with jungle trees swallowing a city on its cover, in which grand plans turn to shit no matter what and family curses last one hundred years to a day. CDs she has never played: Bauhaus and Killing Joke and the Cure, and the one she’d received as a gift on a misty afternoon in November 1993. The Sisters of Mercy: “First and Last and Always.”

I hear you calling, Mari-a-a-an, across the water, across the wave

I hear you calling, Mari-a-a-an,

Can you hear me calling you to save me save me save me

…from the grave.

On the bottom of the box, there's a thin silver chain with a small pendant, barely the size of her fingernail. Rey hasn't seen it in years. She's surprised by its abstract design, the shape of an angel hidden between angular lines and twirled curves.

Funny, she never actually got to wear the necklace, not even for a single day. Putting it around her neck seemed like admitting how fucked up her life was. Now, however, when the curtains have fallen and the bruise has faded from her skin, the meaning it carries is different.

Like honoring a memory.

The metal is cold, and it takes her three attempts to fasten the chain, but when the pendant drops between her collarbones, Rey is at peace for the first time in weeks.

She takes a slow breath, waits for a moment, then lets it out with a chuckle.

Tomorrow, she must go back to work, she thinks. Asking for sick leave wasn’t exactly a lie, but she can’t keep prolonging it. Also, she’s running low on fish food.

Life goes on, it seems. Fuck it, but it does.

 

*

 

The knife clacks on the cutting board as white cubes fall over the edge, rolling across the counter.

“Cauliflower, eh?”

“Yes,” Rey hisses, sounding comically determined.

Poe picks up a bite-sized chunk and raises an eyebrow.

“Don’t give me that look,” she protests. “I can make it taste good—I’ve been practicing. It’s all about how you cook it: for flavor, you shouldn’t boil it in water, but in chicken stock. See?”

She points at the pot on the stove, a yellow broth cube melting among bubbles of steam.

“Also, you mustn’t let it simmer for too long, it should stay crispy and fresh. And some herbs go a long way for the taste—like dried chives. Nothing too aggressive, but still savory. Oh, and you should cut the damn thing properly. Like what I’m doing now.”

She drags the knife across the wood, feeling the spongy tissue split. Poe gives her a lopsided smile.

“When did you become such a cooking expert?”

A long moment passes before Rey answers, filled with the rhythmic clacking of steel.

“I ain’t no expert. I’m still practicing. Thank god for the internet,” she finally says, her gaze locked on the perfectly even white cubes. She’s good at this, she thinks. She has a mathematical precision that Kylo lacked the patience for. “Besides, you can frown all you want, but cauliflower is good for you. It’s nutritious. You still look like shit, Poe Dameron. You need vitamins.”

The sound of Poe’s laughter is both hearty and hollow, and he tosses the cube in the boiling broth.

“I’m not complaining, sunshine. I’m really grateful for what you’re doing, worrying about me like that, coming here to cook.” His grin fades, turning into an odd expression of uncertainty. “But, don’t you, um… Uh. Don’t you have something better to do with your time? Like, I dunno, being with your special someone?”

Rey doesn’t raise her eyes from the cutting board.

It's late February. The southeastern wind has been blowing for days, carrying away the last remains of melted snow, making window shutters rattle like passing trains. There are patches of grass in the parks, vulnerable bits of green on frozen earth. Spring will come soon.

“It didn’t work out,” she says.

“Oh.”

She waits for him to comment further, but he doesn’t—he just squeezes her shoulder in a quick gesture of affection, and starts setting the table. Poe never pries, she observes, never asks stupid questions, never pushes for more than she’s willing to give.

She likes that about him, Rey thinks.

 

*

 

The plums are in bloom, pale pink petals standing in contrast with the nearly black tree bark. The air smells sugary, like honey candies, at the same time too faint and intoxicating. The meadow is peppered with daisies, growing so thickly that it looks like the grass is covered with snow. Stony ruins rise from the flowers—an archway, a wall, the round remnants of something that might have been a tower. When she was little, she’d believed them to be Roman, but according to the newly placed tourist sign by the path, this is all that’s left of the castle of the last Christian king who died of a heart attack while hunting in the year of our Lord 1427, shortly before the whole country fell under the Turks.

It’s been a while since the last time Rey visited the Fortress.

She walks leisurely, looking around, trying to appraise how much has changed. It’s cleaner. There are new benches and garbage bins every few yards, and graffiti has been washed away from the bronze Austrian cannons. The signs are everywhere, in English and German—an odd choice of languages—but she doesn’t see any tourists. The ramparts are under scaffolding. “Reconstruction works: 2001-2003,” Rey reads on a board when she approaches. “Project of National Importance. Managed by the Ministry of Culture. Funded by the European Union.”

Good, she thinks. If the ramparts are properly restored, it will be easier to descend them.

She still has that dream, sometimes.

Not often, but she does.

Rey closes her eyes and inhales the scent of spring, feeling the sun draw freckles across her skin.

 

*

 

In the early summer, around the time when schools break up for the holidays and Rey spends her nights color-coding notes for the upcoming exams, the former president is arrested. A few weeks later, he’s sent to the Netherlands. All TV channels broadcast the same footage: a helicopter flying across an orange sky, and then three silhouettes walking toward a fortified building—two men in black coats with the former president between them, his head held low, his hands cuffed behind his back. He sure doesn’t look like the once-emperor of the dark side.

The reactions are mixed.

Some people consider it a victory—a shameful chapter of history is finally closed. Others shake their heads. No matter his crimes, the man was the president once and we shipped him off in chains, it’s all about the country’s sovereignty, do we really need foreigners to judge what should be our own affairs—besides, they bombed us, they’re biased, no trial will ever be fair. Finally, there are those who protest, carrying the former president’s picture, declaiming his innocence, blowing whistles and chanting slogans. There are many of them. The society is still divided, Rey thinks, watching from her balcony as the protesters attempt to block traffic. The new government prevents them from marching by setting up police cordons.

She isn’t surprised—some things will never change.  

On TV, experts in dark suits debate on what the relationship with the International Court means for the country’s future. Is it blackmail, they wonder, that collaboration became a condition to avoid sanctions? Is it pragmatism, perhaps—trading war criminals for development funds? Or, essentially, is it justice? At the end of the day, all these men do have blood on their hands and skeletons in their closets. The experts can’t seem to agree. The story of Kylo Ren of the First Order is mentioned as a case study—see, they say, it’s possible to surrender and handle the entire matter with dignity and without fuss.

No pictures are shown. Rey is used to it by now.

As the experts keep arguing in the studio—but what about the other side and their war crimes, will anyone ever acknowledge that?—a video plays. The camera pans across the prison with the unpronounceable name. With its turret towers and wooden gates, it looks medieval, surreal—almost like something out of a movie. He’s in there somewhere, Rey thinks, behind one of those windows, looking out at the sea.

Wondering if she’s happy.

 

*

 

There are moments when Poe falls silent in a very specific way.

His face darkens, he bites into his bottom lip so firmly that Rey feels a shiver of pain, and his eyes go glassy—he obviously doesn’t see what he’s looking at. Minutes can pass before he speaks again. Hours, even. Once, she kept time: between lunch and the eight o’clock evening news, he didn’t utter a word.

He usually does it when they’re watching television, or when she comes over to study and he pretends that he’s reading, or over dinner—though she notices he’s fighting it when they’re at the table. It’s endearing how hard he tries to show that he appreciates the food.

Rey wonders if he’s aware that she knows. Then again, she must be the only person that he’s not hiding this from.

“Do you think it will ever go away?” she asks him one night as they’re sitting in silence. An action movie prattles in the background, an infinite car chase through a city she can’t recognize, with windows shattering and tires screeching and pedestrians running for their lives, even though miraculously no one gets hurt.

Poe frowns, confused, like stirring from a dream. “What?”

“This, uh…” She isn’t sure what to call it. She gestures vaguely, trying to describe the notion with her hands. “Um. You know. This. You think it will ever go away?”

He gives her a long, calm look.

“You mean, the grief?”

Rey blinks, before nodding slowly.

Yes. That’s the word.

Poe’s eyes venture to the ceiling, as if he isn’t sure where to begin.  

“Allegedly, it gets better with time,” he says, his accent thick. “Well. Maybe it’s true, sunshine. Maybe it’s just that not enough time has passed for it to get better. And I’m still looking for something to do with my life, and I have way too much time to think, and right now, that’s all I’m thinking about.”

The way his face twitches makes her remember the afternoon they spent locked in the bathroom, their voices echoing against the tiles while he cried so badly that his nose bled.

“But to tell you the truth, I uh…” Poe hesitates, staring at the screen. The hero’s car rushes off a bridge, splashes as it hits the sea. “Fuck, Rey. This… this grief, it’s… It’s a part of me now. An important aspect of who I am. And I don’t think I want it to go away.”

He freezes, realizing what he’s said.

“Jesus. That must have sounded so messed up.”

“No,” Rey shakes her head, feeling a relief she can’t quite explain. “I understand. Believe me, I totally do.”

 

*

 

On the day when she graduates—a blissfully sunny Thursday in late September, with the breeze carrying the smell of chestnuts and the first fallen leaves—Rey finds a bouquet of one hundred and one roses waiting for her on her doorstep.

She has no idea how it was delivered so quickly. Her exam ended less than an hour ago. She didn’t tell a soul—not even Poe. She wanted to have a moment for herself before texting everyone the good news.

The roses aren’t red, but a pastel yellow, their petals lined with a shade of orange like someone has dipped them into paint. The bouquet is minimalist—nothing but roses, neat and garden-grown. Their scent is faint, but their elegance makes her think of lace gowns and British accents, and witty conversations over gourmet food.

There is no card, and yet Rey knows who sent them. He hasn’t called for months, dickhead, but apparently he’s still keeping an eye on her.

 

*

 

With the first October rains, Rey starts looking for a job that will launch her career.

She cuts her hair to a tousled bob, tones down her makeup, and purchases a pantsuit that makes her shoulders look square. Her CV is polished to perfection, with an orderly list of her subjects and grades and language skills. She practices her smile—approachable and polite, but not goofy. She circles newspaper ads and takes screenshots of websites, and then she sorts her findings by employment probability. Foreign companies. Newly privatized local corporations. Government agencies, with words like “development program” and “strategic cooperation” and “sustainable planning” in their names.

And then Rey does the interviews.

Sometimes, they inform her right away that they’d prefer someone with more experience—in the end, she’s grateful when they do that. One woman tells her she’s overqualified, sighing sadly as she reads through her CV. A few times she’s offered an internship, but the working hours are long and there’s no salary, so Rey can’t afford it. Usually, however, the smiling panel of interviewers assure her they will call—and then they never do.

“That’s because those ads are bullshit,” Poe says over dinner, helping himself to a second serving of salad. “They’ve already hired someone, y’know—someone’s niece, or a friend of a friend, or a member of whichever party was given monopoly over that company. But since the law now requires that every vacancy must be advertised, they have to go through this charade, a fucking dog and pony show, just to demonstrate that all’s in line with the EU standards.”

Rey picks at the food in her plate, letting the fork screech across the porcelain.

“And how’s your job hunting?”

A pause, and then Poe scoffs. “No one wants to hire the guy who managed to piss off every single politician in this country. When I quit, the Goldilockses really took it to heart. You wouldn’t believe it.”

She gives a dry laugh, too loud to be appropriate. “We’re fucked, eh?”

“There’s always the copy store.” Laughing along, Poe raises his glass in mock salute. “I was totally serious about that.”

“The man who was on MTV ends up photocopying schoolbooks for a living.” Rey shakes her head. “What a time to be alive.”

 

*

 

In this part of the city, when she goes out onto the balcony, Rey has a good view of the fireworks. They’re exquisite this year: swirling blossoms of light exploding across the sky, loud and thick, shaped like those flowers with dense petals and a summery scent, whose name she struggles to recall. Peonies? Some sparks change color as they twinkle and fall down, going from fiery red to silver before they fade. Each new blast illuminates the city’s rooftops, reflecting in the river like molten gold. It looks expensive. 

Happy 2002, Rey thinks. 

It’s been one year to a day.

She presses the pendant into her skin, feeling the angel’s sharp wings prick, and breathes slowly, puffs of air freezing in the winter night.

Poe is snoring inside—he fell asleep on the couch in the middle of a movie. She’ll have to shoo him off to bed at some point, or he’ll wake up stiff-limbed and stay tired the whole day. Besides, the couch is her territory. 

But for now, Rey lets the moment last.

The monster is thinking about her. She can feel it.

He thinks about her all the time.

There are days when she feels like a haunted house, with her very own ghost lurking in every corner of her soul, eager to scare away intruders. But it doesn’t disturb her. Quite the contrary, his presence offers comfort.

Rey takes a long swig of the drink that Poe bought her—faux champagne, alcohol-free, tasting like apple juice with bubbles. It’s obviously made for children who want to party in style: the bottle is bright yellow, with teddy bears in bow ties clinking glasses, laughing as they celebrate.

It’s been one year to a day, and she still hasn’t fully cracked this happiness thing.

She studies the teddy bears. They’re preposterous in their silliness, and they grin like they’re on drugs, and it’s so gloriously stupid that she feels her lips pulling in a smile.

Little things, Rey thinks.

You start with the little things and build from there.

 

*

 

In March, Rey meets her first group of tourists.

They’re a mishmash of Hawaii shirts and baseball caps and long camera lenses, pale, middle-aged, huddling together like a flock of birds who chirp in their language. Swedish, she assumes. Or maybe not. She sees them at the street corner on her way home, right in front of the bombed ruins of the former Ministry of Defense. Their expression is awed as they photograph the site: horrified and fascinated in equal measure, mouth ajar, cameras held high.

A slim, tall woman is their guide. Rey hears her speaking English, waving her hands as she explains—her fingers are long, wine-red polish sparkling on manicured nails. She gestures toward the ruins, and Rey takes a close look for the first time in years. The building resembles a carcass: charred bricks, gutted walls, floors butchered in half, wires and burnt logs and melted metal spilling out like entrails.  

The woman’s hair is short, and she’s wearing jeans and a leather jacket, an outfit both rebellious and socially acceptable. Still, Rey recognizes her with ease. It’s the makeup that gives her away—even if the lipstick is no longer black.

“Long time no see.” Rey approaches the woman during a break, when the tourists wander off to inspect the ruins.

“Dear god.” Asaji-hime frowns, taking a step back—her burgundy lips curve in a smile. “Little Rey, is that you?”

Rey shrugs, as if for a moment she isn’t sure what the right answer should be. She certainly doesn’t feel little anymore.

“Good to see you’re doing well.” She nods to the woman. “I’ve always known you’d accomplish something with your English.”

Asaji-hime—if she still goes by that name—rolls her eyes.

“Yeah, well. A job is a job, and these fuckers do tip nicely.”

With a jerk of her chin, she points at the tourists. Cameras click as they pose in front of the ruins, twittering in their maybe-Swedish.   

“Did you take them to the Fortress?” Rey asks.

“I did. But all over Europe, fortresses are dime a dozen. It’s this shit they’re interested in.” Asaji-hime looks up toward the bombed building. “It’s exotic. They can see it here and nowhere else.”

A man with a straw hat waves, calling her to come over—it seems the tourists want her to take a group picture of them. Asaji-hime clicks her tongue and smiles, a tad too widely.  

“Also, remember those inflation banknotes, with a zillion zeroes and shitty portraits of historical figures?” She says as she turns to leave, rubbing her fingers together like she’s counting money. “Those are a hit. It’s their favorite souvenir from here. You wouldn’t believe the price one of those can fetch, as long as it has enough zeroes.”

Rey watches her walk away, gravel crunching under her boots. Even though she looks nothing like the loner from Rey’s memories—this woman doesn’t call herself after a Japanese villainess, she is sure—there’s gravity to the scene. As if a chapter of her childhood is finally closed.  

“Do you still listen to the Sisters of Mercy?” she suddenly asks.

“No.” Asaji-hime stops and looks back, passing her hand through her hair with a clumsy movement, like she expected to touch a bald head. “Goddammit, Rey. I’ve grown out of that phase. Do you?”

Rey waits for a moment before answering.

“No,” she lies.

 

*

 

“Will you do it?” Finn asks, toying with the paper umbrella he’s plucked from his ice cream sundae.

Rey leans back in her chair. “I don’t know, Finn. I’m not sure it’s a good idea.”

He huffs, the umbrella crackling under his fingers. “For what it’s worth, I also think it’s bullshit.” The word resonates as he spits it out. “But it means a lot to Rose’s parents, so I’m playing along. And we talked about this at length, and both Rosie and I think it should be you.”

She taps her fingers against the table, trying to imagine the scene: a crowded church with the thick smell of incense and candles flickering under icons, a bearded priest chanting in Old Slavic, a baby squirming in her arms, crying its lungs out as its hair is shorn before it is dipped in cold water.

A baptism should be a happy event, she knows, but icons and incense and Bible quotes bring nothing but bad memories.

“I don’t think I have it in me to be a godmother,” she grumbles. “And I ain’t big on churches. Besides, Maz despised organized religion, remember?”

Finn waves with his ice cream spoon. “Yeah, well, Maz didn’t depend on her in-laws.”

To his credit, he doesn’t pressure her further, digging into the sundae instead. It’s a lovely day for early May, springtime sunshine, perfect for jeans and a cold-shoulder top. They’re sitting in a café, a vase with daffodils on the table and a striped awning above their heads, and Rey still fiddles with the ultrasound pictures—stiff sheets of black plastic with a silver triangle in the middle, framing the silhouette of a baby. A big, round head. Folded legs. Little fingers.

It’s a girl.

“Do you have a name?” Rey asks, her voice gentle.

Finn gives a slow nod.

“Rose wanted it to be Paige. But it’s bad luck, naming a child after someone who died young. So, um…”  He beams—it’s been a while since the last time she saw him grinning like that. “We agreed on Maz.”

That’s bad luck too, Rey thinks.

Never name your child after your idols or mentors or good friends. It’s a trap. It comes with expectations, and that seldom ends well.

But Finn looks so fucking happy and proud as he glances toward the ultrasound pictures that Rey can’t help but smile back.

“That’s a good name,” she says.

They fall into silence—it isn’t companionable, not really, but at least there’s no tension. The spoon clinks against the glass as Finn fishes out marinated cherries from the whipped cream. Rey takes one last look at the pictures before she folds them back into their yellow envelope—negative imprints of a soon-to-be little girl. For a brief moment, she wonders if this reluctance to be a godmother is rooted in something deeper than her disdain for the church, but she strangles the thought before it is fully formed.

She studies the people in the café. At a nearby table, a young man makes a loud comment and the girl sitting with him bursts into a giggle. The man blushes—it seems that he surprised himself with how funny he can be. They look like they’re on their first date, Rey observes. So eager to impress each other.

When he finishes the ice cream, Finn takes out a pack of Lucky Strike from his pocket.

“Didn’t you quit?”

His lips twitch as he rolls a cigarette between his fingers. “Don’t tell Rose.”

The lighter clicks, and the sharp smell of tobacco mixes with the sweetness of daffodils. Finn holds the smoke before exhaling, his eyes closed, savoring the feeling like he’s missed it. But then, his whole body stiffens—Rey can’t explain why.

The mood shifts. She no longer notices the commotion of the café.

“I, uh…” Finn begins, staring at the table. “Okay. This is more difficult to say than I thought.”

She feels goosebumps rising on the back of her neck. Finn picks up the paper umbrella again, twirling it in one hand, holding the cigarette in the other. He doesn’t look her in the eyes as he struggles to find the right words.

“See, a few weeks ago, I was approached by these people,” he finally continues. “The Dutch. Representatives of the Court.”

Ah.

Rey thinks she should be surprised, but she isn’t. Plastic sheets of ultrasound crackle as her grip on the yellow envelope tightens.

Finn takes a deep drag, biting into the cigarette butt.

“They’re building the case against Kylo Ren.”  

All these years, he’d never said Kylo’s name out loud—the monster was just he, the word always stressed as if they were dealing with an otherworldly force. It’s uncanny, hearing it roll off his tongue.

“And?” Rey asks, even if she knows where this is going.

“They want me to testify. Tell them everything I saw.”

Finn lifts his eyes. His gaze is piercing, and Rey can’t tell if he’s asking for advice, or waiting for her to confess to something he’s been suspecting all along.

 “So…” Her voice doesn’t waver. “Will you?”

He puts out the cigarette, crushing it under his thumb. The embers sizzle in the ashtray.

“No.”

The moment of tension ebbs away.

When he speaks again, Finn sounds tired and annoyed, but not upset with her. If he indeed harbors any doubts, it seems he has chosen to let them go.

“All this time, sister, I’ve worked so fucking hard to leave that shit behind,” he grunts. “To bury it somewhere deep, lock it in a basement and throw away the key, make it disappear like the bloody bad dream that it was. I have a child on the way. My wife will need support when the baby is born. I must be strong for both of them.” He shakes his head slowly. “Kylo Ren is a monster, yes, and he deserves everything they have in store for him, but I ain’t reliving that shit on a fucking witness stand for any cause in the world.”

Clicking his tongue, Finn reaches for another cigarette, but his hand just hovers above the pack before he squeezes it into a fist.

“Besides, they don’t need me,” he adds. “They already have their star witness.”

Something in the way he phrases the line sends shivers down her spine. “They do?”

Finn spits out a humorless laugh. “The sleazy bastard gave them everything and then some—he practically handed them the entire case. In exchange, he’ll get away unscathed. Not even a slap on the wrist.”

“So you know him?” Her expression is schooled, her heart is racing, and she thinks she can guess the answer.

“Yeah.” He shrugs, shoving the cigarettes back in his pocket and reaching out to take the yellow envelope from her hands. “Actually, you know him too. That night, on your fifteenth birthday, he was there. Not sure if you remember him since it all turned into a shitshow so bloody quickly, but he was with Ren in the street. Armitage Hux.”

Of course.

She should’ve seen it coming, Rey thinks.

She waits for anger to kick in, or disappointment, or even betrayal—it would be fitting, after all they have been through. But to her surprise, she barely bites back a laugh.

It’s perfect. It makes so much sense, like a confirmation that all is right with the world. Well played.

Dickhead.

 

*

 

There’s a sadness to her, Rey discovers.

She notices it in the mirror, in the morning, when she does her makeup. She proceeds to draw her eyeliner extra sharp, hoping it will change her expression, give her eyes a twinkle. It doesn’t.

At first, Rey believes she’s simply too tired—for months, she’s been working double shifts, commuting between the copy store and her home and Poe’s place, sleeping on the couch with dreams she couldn’t quite remember by morning, even if they gave her melodies she’d hum as she made breakfast. But this is not fatigue—it’s sadness. It persists, discreet yet constant, simmering behind her gaze, ossified in her bones. 

And then Rey recognizes it.

Once upon a time, Amilyn used to carry the same sadness deep within her soul.

It’s an odd brand of sadness, Rey observes—quiet, peaceful, nurturing. It doesn’t crush, but gives anchor. It is a lifelong companion she has gotten used to before she’d even noticed it was there—and now she thinks she can’t imagine existing without it.

It makes her happy, this sadness.

Rey smiles to herself in the mirror, deciding to start saving money for a perfume that smells like sunflowers.

 

*

 

“You need h-h-help with that?” DJ asks, pointing at the cardboard box in her hands.

“I’m fine.” Rey shrugs. It’s not heavy—just clothes and pillows, and bronze statues of her Indian gods, clinking melodically as she carries them.

Poe has already transported the bulkier things with a moving van he rented—the fish tank, the dishes, the few pieces of furniture that she owned. This is the last round now. The remainder of her belongings packed in one box.

DJ is leaning against the doorframe, looking at her sideways—there’s a smirk on his lips, like he wants to tell her something but postpones the moment for sheer theatrics.

Rey can guess what it is. There’s a conversation they’ve never had—DJ didn’t ask, and she wasn’t eager to volunteer explanations.

“G-going far?” he stammers at last, scratching his head. With his squinty eyes, a mop of shaggy hair and the face of a wrinkly pug, Rey still can’t decide if she finds him charming or repulsive.

“Just across the river. I’m moving in with a friend.” The statues jingle as she shrugs. “It’s one of those streets that have recently had their name changed. I keep forgetting what it’s called now, I’ll have to memorize my own address.”

DJ chuckles like he finds it funny. “Because renaming the streets is the m-m-most important thing for every r-regime. Don’t get at-t-tached to the new name, though. I give these sods t-ten to fifteen years before they screw up, and some new f-f-fuckers come along and rename everything from s-scratch. Or old fuckers, just rebranded.”

“Ever the optimist, eh?” She narrows her eyes.

“I just k-know how the world works.” He spreads his arms. “You blow them up today, they b-blow you up tomorrow. Rinse and repeat.”

Rey shakes her head, balancing the box on one hip as she takes out her cell phone to call a cab.

“We’re living in a shithole, baby. It’s a fact. You can’t change it, you can only adapt,” DJ continues—whenever he gets carried away, he speaks without stuttering. “If you thought that on October 6th you’d magically wake up in Switzerland, think again.”

Shoddy asshole. He definitely isn’t charming.

Even if she’ll admit that his words ring miserably, uncomfortably true.

“K-k-keys?” DJ extends an open palm.

Trying not to frown, Rey shoves the keys in his hand—they clink as he wraps his fingers around them.

And then she swallows.

“The other pair, uh… I never managed to get them back.”

DJ cocks his head, the smirk turning into a wide grin.

“Oh, I know who has them,” he says. “But he won’t be using them any time soon, w-w-will he?”

She waits for him to comment more, but he doesn’t—he just keeps smiling. She can’t tell if he’s amused, or indifferent, or there’s a threat lurking in there somewhere, or he simply enjoys stirring the pot, knowing he can get away with everything.

This one is a cat, Rey thinks. 

“Have a nice life,” she sighs, walking past him to open the door, ready to leave without looking back.

As she stomps down the stairs to the cab that waits in the street, slamming the shutters on yet another phase of her life, Rey concludes that there’s one thing she’ll miss about this old building. It’s on the wall, located next to the rows of post boxes, and it has faded with time, bits of it peeled off, covered with chewing gum and stickers of soccer players. But it’s still readable.

“God,” the graffiti says, “please let me be normal for a day.”

 

*

 

“Did you understand, or I need to repeat?” Luke Skywalker grumbles, smoothing down his beard. “Or should I write it down?”

“Mr. Skywalker, I’m not an idiot.”

The moment she says it, she realizes how it sounds. The old man quirks an eyebrow—Rey laughs, covering her mouth with her hands as her shoulders shake.

The ceiling fan circles above their heads, and the sound of cicadas echoes from Luke’s yard, screeching into the sunset. August trickles away. She sees a patch of the sky through the window: it’s pink and purple, seeping into a deep blue dusted with stars. They shine brighter in this part of the city, she observes.

“Let’s see.” Rey counts on her fingers as she speaks. “Use only the fresh hay that’s stored in the barn, make sure he always has water, clean the pen regularly or he’ll get upset, give him his monthly antiparasitic pill on the 25th, and don’t let him roam the yard unsupervised because he’ll try to climb stuff and then I’m fucked. Is that all?”

Luke nods, his attempt to stifle a smile visible. “You can pet him, too. He likes to be scratched behind the ears.”

Rolling her eyes, Rey grins. She’ll survive a week with George the goat.

Luke is going on a trip.

He won’t say where, insists it doesn’t matter. The only detail she figured out is that he needs a visa—he couldn’t stop complaining about the excessive paperwork, lamenting that back in his days he’d been able to travel to Italy or France or America on a whim.

His suitcase rests packed by the door: a gruff old thing made of worn out leather, stuffed to the brim and held together by straps. It’s been a while since the last time that suitcase had been on a plane, Rey thinks.

“How’s the Dameron boy?” Luke suddenly asks.

Rey’s smile withers. “I thought you hated Poe.”

“He gained my respect when he quit politics the way he did. Never thought he had the balls.” The old man’s shrug is odd, stiff and too casual at the same time. “Is he treating you right?”

For a moment, she isn’t sure how to reply. Luke is holding her gaze, his blue eyes intense.

“We get along well,” she begins tentatively. “He’s easy to live with. We’re compatibly fucked up—but, uh, not in a bad way. It feels good, y’know, almost like group therapy. We don’t have to pretend, and I’m calmer when he’s around. It’s healing, if you will.”

“So you’re happy with him?”

What a bizarre question. In nearly two years, Luke has never nudged her to talk about her private life—not even once.    

She doesn’t know what to say. Happy is a strong word, special, one she hesitates to use—and besides, she and Poe are not a couple. Maybe she should explain.

However, something in the way the old man looks at her makes her think he needs a reassuring answer.

“As close as it gets,” she utters at last. It’s not a lie—not quite. “How’s Leia?”

Lifting his palms, Luke turns on his heel, remarkably agile for his age. “Can’t say she’s doing well, for obvious reasons. But her condition is unchanged.”

Rey gives a slow nod. She hasn’t met the woman since that day—and the next time she sees her, Rey has decided, Leia will be in a coffin. The last thing she heard was that the General was writing a memoir. It will be an important book, Rey knows, insightful, inspiring, a testament for the generations to come—even if it won’t tell the whole truth.

“It’s strange.” Rey leans against the window frame, picking at the wood, listening to the cicadas outside. “Two years ago exactly, they were giving her but a couple of weeks.”  

“Well,” Luke grunts. “Life is strange. Sure, for the most part it’s crap. We all know that too well. But sometimes… Sometimes, there’s magic to it, and miracles happen, and you find comfort and beauty and purpose in places where you expect them the least.”

Rey chuckles. “Have you been smoking something other than tobacco, Mr. Skywalker? It’s not like you to be so sentimental.”

“I ain’t sentimental!”

A frown splits the old man’s forehead, and he pouts like he’s taken offense. It makes her want to laugh louder, and Rey barely swallows a guffaw.

“Yeah, sure, take it as a joke,” Luke grumbles, a small smile dancing under his beard. “I actually mean it. Life’s worth living, kiddo. You never know when it’ll award you with opportunities for things you thought were long lost.”

And then he screws up.

Rey is certain he didn’t mean to give himself away, but his eyes dart toward the shelf on which he keeps his library collection. There’s an empty space there, full of shadows and free of dust. It’s wide enough for six thick hardcover books to fit. Rey has been here enough times—she knows Luke’s shelves by heart, she can tell what’s missing.

The saga of Elric of Melniboné.

Well. That suitcase is too crammed to contain only the clothes of one ramshackle old man.

You do need a visa for the Netherlands, isn’t that so?

Rey’s mouth goes dry.

“Where are you travelling, again?” she asks.

Luke’s face falls—he realizes that she knows.

“Don’t you dare,” he growls.

Silence ensues. They look in each other’s eyes without speaking.

The moment is pregnant with feelings Rey is afraid to name—at the same time, it’s a relief and a burden. Cicadas scream. The ceiling fan whooshes through the air, and somewhere in the hallway, the cuckoo clock chirps. It’s dinner time.

“Here’s how we’ll do it,” she says at last. Her throat tightens, but her voice comes out calm. “I’m learning to be happy. It’s a process, it doesn’t come overnight, and it’s fucking difficult. Especially here. You were right, Mr. Skywalker, the fight for democracy didn’t go the way I thought—even if it was worth every sacrifice. But I understand. Despite all the shit, life is a wonder. You can find comfort in unexpected places. Poe Dameron is a kind man, and patient, and he’s good to me—and I’m doing my best to be good to him. God knows we both need it. And I’m not leaving things the way they are—I’ll work harder to make it better. So yeah, I’m learning. I’m getting there. I won’t give up.”

The corners of her eyes tingle, but she blinks the tears away before they fall.

“Did you understand, or should I write it down?”

Huffing through his beard, Luke Skywalker nods, and under the sunset lighting, his wrinkles make him look as ancient as time. “Message received.”

“And tell him I’m wearing the pendant,” Rey adds. “He’ll know what it means.”

The old man’s lips move, even if his answer is lost to the summer noise.

For what seems like minutes, they stay quiet, the sky growing darker outside. Shadows fall across Luke’s Persian carpet—warriors on horseback wage war, clashing swords with rose vines. In the yard, George the goat burps.

“Coffee?” Luke asks after a while, breaking the silence.

Rey sighs. “Yes, please.”

 

*

 

On October 5th 2002—the second anniversary of the revolution, even though no one seems overly enthusiastic to celebrate the date—Rey receives a phone call. It’s from a certain Moden Canady—or Kennedy—attorney at law. At first, her spine prickles. For two years, a part of her was dreading that one day a lawyer would call, asking her to come out and share all she knows. But Mr. Canady speaks politely, gently, expressing his condolences before he explains the matter.

A woman died.

He has to repeat the name twice before Rey understands who it is. He thinks she’s bereft, apologizes even, but Rey is merely bewildered—she doesn’t immediately connect the name she knows from her birth certificate with the image from her memories. She had met the woman only once, a lifetime ago, even if she still remembers every pin in her bun and the tartan of her men’s flannel shirt.

She wonders if she’s supposed to feel anything. She doesn’t.

Mr. Canady keeps talking: it seems that Rey has inherited property. A two-story house by the village road, somewhere in the southwest of the country. Needs refurbishing. A field overgrown with weeds, suitable for wheat, barley or rye. A henhouse. A pickup truck from 1983, but still running. Some gold coins. In a country in which regimes change so often and wars tear everything down in regular intervals, people still have the habit of keeping their gold under the mattress.

For a moment, Rey thinks she should hop onto the next bus and go see it—her ancestral home. The first house she actually owns. The place from which her mother ran away at the age of sixteen, to die a few years later in the big city, with a child she abandoned and a needle in her veins.

The moment doesn’t last long.

“Sell it,” she says. “I’ll sign the documents to authorize you, just sell everything. I don’t care about the price. Wire me the money when it’s done.”

Three weeks later, for the first time in her life, Rey has a bank account with some capital on it.

In the grand scheme of things, the amount is ridiculous—a village house and a field and a handful of gold aren’t worth much in this day and age—but it’s her money. Hers alone. She can do whatever she wants with it.

She shushes the voices in her head that tell her that she didn’t earn it, that it’s underserved, that money that falls from the sky should be used with caution. From a karmic standpoint, she decides, this is fucking perfect.

A sign.

Rey knows exactly how she will spend her inheritance.

 

*

 

“We need to talk.”

Instantly, she regrets her choice of words. Poe’s eyes go wide, and his knuckles turn white as he squeezes his tea mug. She waited until after dinner to open the conversation, but perhaps that was a bad call—it makes the moment tense, solemn.

“Is something wrong?” he asks cautiously, the tone of his voice implying he fears that he did a bad thing.

“No.” Rey reaches out, places a hand on his knee. His eyes follow her movement. “Well. Not really.”

“You want to move out?”

Yes—but she doesn’t say it. She needs to make a proper introduction, explain everything and reveal her cards, and yet she has no idea how to begin. First lines are always the most difficult ones.

“I have a plan,” she recites, looking at her hand on Poe’s knee. “I’ve been working on it for a while. As you know, I’m thorough, and organized, and methodical as fuck, and I did my homework, and I have every reason to believe it’s a fucking good plan.”

Her hand begins to shake. The tea mug clinks against the wood as Poe leaves it on the table, and rushes to entwine his fingers with hers.

“Sunshine…?”

“Let me finish.”

She can do this, Rey thinks. She’s brave. She saw and survived and did things more twisted and intimidating, and still landed on her feet.

She’s a cat.

“Nowadays it’s done through agencies, y’know,” she continues, fully aware that it sounds like rambling. It will make sense soon. “That’s good. The agency handles everything, guides you through the process, helps with the paperwork. It costs a fortune, but saves you a lot of trouble. I, uh… I spoke with them. With the agency people. They say we’re good candidates—perfect, almost. Young, healthy, fluent in English. My profession is in high demand, and you, with your experience, you could find a job in no time. Marketing, for instance. I think you’d do great in marketing. That’s also sought-after.”

“Sunshine…” Poe’s voice is strained, and she senses he’s on the verge of panic. “What are you talking about?”

Rey lifts her chin to look him in the eyes.

“Come to Canada with me.”

There.

A beat passes, and then two. Poe stares at her, his mouth open and his expression stunned. He doesn’t pull his hand from hers, though—good, that is good.

Her heart beats in her throat, but she holds his gaze.

When Poe finally speaks, it’s not the question she expected. “Why Canada?”

Because it’s fate, Rey thinks, that’s why. Fucking Canada.

“It’s a clean slate. It has good immigration programs. It offers opportunities,” she lists rationally. “And I believe that’s what we need. We’re stuck here. Bound by memories and shit, but without anything real to keep us in place. We must find a way to move on. Get unstuck. And, uh, this… this is the first step toward a solution.”   

Poe chews on his lip. He’s contemplating it, she can tell. He’s serious. Good.

She isn’t sure if she’s thrilled or terrified.

“And the money…?”

“I have the money,” Rey counters quickly.

He nods—it’s an odd movement, slow, like he’s moving through a dream. It's obvious that he’s still not processing the situation. Perhaps it’s unfair to pressure him like this, she worries, but she can’t stop now.

“Okay,” Poe chuckles. “Wow. Okay. Shit.”

He drops his gaze, one hand still wrapped around Rey’s, the other resting on his knee. He stares at a stain on his jeans. Fabric rasps as he scrapes it away with his thumb.

Rey gives him time.

“And, uh… When you say you want us to go together, you mean like…?”

Here comes the tricky part, she thinks.

“Yes. If you want me to go down on one knee and officially ask for your hand in marriage, I’ll do it. Fuck, I’ll even buy you flowers, but you’ll have to wait for a bit, I think the florist has closed.”

Poe laughs—an awkward huff through his teeth, quiet, incredulous, both joyful and sad. He keeps rubbing the stain, pressing into the jeans with such force that it must hurt.   

But then he stops, narrowing his eyes.

“It’s a visa thing, right?”

Rey takes a deep breath. This is the moment when she can change her mind.

She cuts it short.

“No.”

Poe freezes, all traces of his smile gone. Color drains from his face, and his lips tremble like he’s unsure what he’s supposed to do—but he’s still holding her hand.

“Sunshine. Rey.” He pauses, visibly struggling to choose the right words. “I, uh… How to say this. You know that I…”

“I know,” she interrupts him. “It’s me, Poe. Of course I know.”

That’s why you’re perfect, she thinks.

You won’t play games. You’ll never ask for more than I’m willing to give, and you’ll expect me to do the same. And we’ll take it slow, and support each other like we already do, and fuck it, we can build something good from there.

“In life, we don’t always get what we want,” Rey carries on. “I know that. You know that. But we must make the best of what we do have. And we have a fucking great partnership, you Southern oaf.”

He laughs again, this time a little louder. When his eyes crinkle, she knows that she has won.

“Say yes?”

Poe opens his mouth to speak, but his voice comes out as a wheeze, so he hurriedly nods instead. He’s grinning like an idiot and cringing like he’s on the verge of tears, and it’s hilarious and heart-wrenching at the same time. Rey smiles, reaching out to take his other hand.

Well, now.

She’ll cry later, she knows. She’ll close herself in the bathroom and let the water run, the splashing of the shower masking every sound, and she’ll sit on the tiles and cry, for hours maybe, for as long as she can stay inside without raising suspicion, until the last of her tears dry out and she feels ready to grab life by the horns.

But in this very moment…

Fuck, in this very moment, she thinks she’s kind of happy.

 

*

 

The highway rolls ahead of them, a slash of asphalt across the greenery of summer, a grey line stretching into infinity, framed by fields of crops. Rey stares through the cab window. They pass by defunct bus stops, and paint-flaked ads for restaurants long closed, and freshly put-up signs for European capitals: Budapest, Bratislava, Vienna. A shopping mall grows by the roadside—cranes are lifting construction blocks, and a poster already advertises the brands that will be available there. Electrical towers line up on the horizon. With a sharp turn, the cab takes the airport exit, the luggage in the trunk rolling. A young woman smiles down at them from a billboard for the National Tourism Association, her hair braided with flowers: “Have a safe flight, and come again!”

Rey is trying to memorize every detail, fearing that if she closes her eyes, all of this will disappear.

In the months before their departure, as she was working with the agency on gathering documents and filling out forms—the most stupidly complicated thing turned out to be transporting a goldfish across the Atlantic—she has resumed a habit from her childhood. She started roaming the city again, aimlessly strolling down the streets, watching the passersby, going back to places that used to matter. The music market no longer stood near the old Fine Arts Academy—it was closed as part of anti-piracy efforts. The plane trees in the Boulevard were cut, and the squawking of crows fell silent. The riverbank has turned into an oasis for joggers and cyclists. The stray cats still lurked in that cobblestoned street, and the name Tarkin was still on the door plaque, but the shutters were down and there was dust on the threshold, and it was clear that no one lived there anymore.

All along, Rey felt like she was moving through water, a glass filter between her and reality.

Like she was the ghost, chasing memories in a city she haunted.

And now it’s time to let go.

“You sure have a lot of luggage,” the cab driver observes. “Going somewhere nice?”

Poe doesn’t answer immediately, like he’s giving her the chance to explain if she wants, but Rey stays quiet.

“We hope so,” he offers at last, before the silence becomes awkward.

She looks up at the sky—it is perfectly blue. An airplane roars above their heads, aiming for the clouds. It’s a thundering sound, vibrating in her belly.

Shit. She’s about to fly for the first time.

“You okay?” Poe asks quietly, giving her hand a gentle squeeze.

Toying with the pendant around her neck, Rey licks her lips. “Yes.”

She watches her reflection in the car window—she’s smiling. It’s pensive and melancholy, her sadness roiling in the background, and yet the smile she sees carries hope.

She’s fucking ready for a new life.

“Yes, I think I am.”

Notes:

We’re almost done – all that remains now is the Epilogue, which will take us back to Toronto in October 2009, and frame Rey’s entire experience. Thank you for sticking with me, y’all.

Chapter 31: Epilogue: We Were Once Young and Blessed with Wings

Summary:

"You're mine even when you're not mine."

Notes:

Here it is, people. The epilogue.

Before we proceed, however, a big thank you to Kayurka for her surprise gift – she created a lovely artwork illustrating Chapter 26, with an atmospheric scene that conveys the intimacy and tenderness between Kylo and Rey. You can see it on her Tumblr and Twitter, or embedded in the End Notes of Chapter 26. ❤❤❤❤❤

Beta’d by TazWren

(See the end of the chapter for more notes.)

Chapter Text

 

Epilogue: We Were Once Young and Blessed with Wings

 

 

 

                                                                                                                                                                  Toronto, October 2009

 

The neighbor from across the street walks out to her lawn, wrapped in a woolen poncho. She gives Rey a small wave, and then brushes fallen leaves off the garden chair so she can sit down. Nylon crackles as she peels open a fresh cigarette pack: she’s about to have a smoke. It’s prohibited to do that inside the house—bless the Canadian nanny state and its regulations that try so hard to save you from yourself.

The sharp scent of tobacco cuts through the air that smells of wet leaves and wood, and the neighbor looks up at the sky, lost in her thoughts. She’d come to Toronto about fifteen years ago, Rey knows, from a town in central Iran whose name sounds all mysterious and melodic, like the setting for a “One Thousand and One Nights” fairy tale. Isfahan. Rey likes how it rolls off the tongue.

Sometimes, when the mood is right, they sit together on the patio. Rey drinks coffee and the neighbor smokes, and they talk about home, and life, and Canada. The neighbor shares a similar blend of love and disdain for the country she’s left behind, and has a talent for imitating the voices of her Canadian coworkers when they ask ill-considered questions. “I say I’m from Iran, and they go ‘oh but you don’t look like those people,’” she’d told Rey once. “Like it’s supposed to be a compliment.” Rey had nodded—she could relate.

Tonight is not the time for smalltalk, however. Rey waves back and leaves it at that.

A gust of breeze rustles the treetops above her head, and the birdhouses she’s hung among the branches clack like wind chimes. It’s a hobby she’s taken up lately—building birdhouses. It’s rewarding to use her hands like that, to feel the wood take shape as she carves it, to create something beautiful and useful and unique.

Her eyes still itch and the skin on her cheeks feels tight from the dried tears. But she breathes, and the chill October air soothes the wildfire under her skin, and she no longer feels like screaming.   

That is good.

She wasn’t prepared, she thinks. With the years going by, the monster had become a part of her like a sliver of her soul, a constant presence pulsating in her bones, a comfort deeper than love and more vivid than memories of youth. She wasn’t prepared to see him, to witness the passage of time on his face, the physicality of real life. No wonder she reacted the way she did.

She doesn’t miss him. She can’t miss him if he’s always with her.

And in the end, all is fine. Things are in their place. She kept her promise—she moved on, and did something with her life, and her world is normal now, glorious in its banality, with a tranquil happiness and ordinary problems and a partner who supports her the same way she supports him.

Poe walks out of the house, holding a blanket and a mug of freshly-brewed coffee.

“Better?”

Rey nods, reaching out to take the mug. The coffee is too hot, the ceramic almost burning her fingers, and the woolen blanket prickles her skin as Poe wraps it around her shoulders, but this is what she needs.

“Is it over?” Her voice rasps as she asks.

Poe sits next to her on the patio. “Yup.”

A moment passes before she finds the strength to continue. Birdhouses rattle above them, wooden clacking echoing softly, and dark red leaves fall onto the grass.

“Is it life without parole?”

Slowly, Poe gives her a nod. He looks confused, she observes, puzzled by her sudden fascination with a war criminal from a lifetime ago. He wants to know more, but it’s not in his nature to pry.

Still, he asks, “You don’t think he deserved it?”

“Oh, he did.” Rey almost laughs, slurping a sip of coffee—it’s black and bitter, just the way she likes. “He did.”

Poe hesitates. “Then… why did you say there’d never be justice?”

“Because, well... Well.” She forces a smile and reaches up to touch the angel pendant under her clothes. “Sometimes I’m not sure I understand what justice means anymore. If it even exists as an objective truth, y’know? Like something real. Simple. Black-and-white.”

Her sigh is lost in the rustling of the wind, and she clings to the blanket, pulling it closer around her shoulders.

“Or if it all boils down to the way we see it in our heads,” she concludes.

Like redemption.

Poe chews on his lip—he’s contemplating.

She takes his hand, his fingers cold against her palm. A brief pang of guilt crawls up her chest—it wasn’t fair to him, making a scene like that, pushing him toward his own demons. After everything they’ve been through, she doesn’t want her husband to have doubts, or feel defeated.

“I see,” he huffs through his teeth. “Okay. Well. Maybe you’re right.”

His mouth quivers, but he gives her a wide smile.

“Maybe justice doesn’t exist as an objective truth. Maybe it is defeat that back home it’s still a shithole, and we ended up here. And that fucking translation will never stop being awkward, and I hate it, and I have no idea how to turn it off. But you know what, sunshine? Fuck it.”

Poe pulls her into a hug, the stubble on his unshaved cheek grazing against the wool of the blanket, and Rey closes her eyes. He smells like pine.

“Sometimes it’s okay to admit you can’t change the world,” he says, his voice quiet as if he’s reassuring himself as much as Rey. “It ain’t the end of times. Nothing wrong with minding your own business and building a good life—and you did that. We did that. We’re good.”

She nods, swirling the coffee in her mouth, savoring the bitterness.

It’s quiet here in the suburbs. Back when they’d first moved in, Rey had found the absence of the city ruckus odd, unsettling even—but then she’d gotten used to the wind in the trees in a matter of days. Across the street, bamboo creaks as the neighbor shifts in her chair, studying the sky. Perhaps she’s watching the stars.

“How did he take it?”

Poe tenses. He still doesn’t understand what’s happening and probably doesn’t quite like it, but she knows he’s doing his best to act normal.

She’ll tell him one day. Maybe.

“Stoically,” he finally answers. It’s taken him a while to choose the right word. “I half-expected a rant or a shitshow of some kind, you know how these guys are. But there was none of that—he was really calm. I think he even smiled.”

Rey swallows a gasp, her fingers clenching around the too-warm coffee mug.

He knows, the monster.

He knows.

He must feel it the same way that she does—in his bones, when he breathes, this link as thick as blood and as forceful as stars. He can sense she’s happy.

A birdhouse swings among the branches, and a chirp resonates into the night—a string of slurred whistles, sharp and loud and not quite melodic. She can’t see it in the dark, but Rey knows what it is. A cardinal, its color the same as the Canadian fall. The red bird you imagine when someone says ‘a red bird’. She’s discovered they’re common in this part of the world.

Their song isn’t too pleasant, their shit smells sour, and it’s fucking difficult to clean it off the garden chairs, but Rey makes sure to build them birdhouses, filling the feeders with the oily sunflower seeds they like. There’s symbolism to cardinals, she has learned. They represent the absent loved ones, showing up when you need them the most.

“I want a dog,” Rey says.

Poe chuckles softly—a laugh of confusion, too stiff, bewildered by the sudden change of topic, but she thinks she hears a hint of relief in his voice.

“Where did that come from?”

“I’ve always wanted a dog.”

He pauses, takes a deep breath. The way he’s quiet makes her wonder if he’s worried for her, but over the years he’s gotten used to her occasional mood swings and odd requests, and he knows how to play along.

“Did you think about a breed?”

“I don’t care about the breed, I wanna adopt.” She finishes her coffee and leans against Poe’s shoulder. “I want us to go to the shelter and pick up a dog that’s been waiting for a forever home for too long. Because he’s ugly. And big. And not the kind of dog that people usually go for. We’ll take him in and bring him here—he’ll like it here, with the garden and the trees. I’ll teach him tricks. He’ll be well behaved, you’ll see. But please. Promise me we’ll spoil him rotten.”   

Poe doesn’t speak for a while, mulling over her words, playing with the tassels of the blanket that he twirls between his fingers. The wool is rough but warm against her skin. Rey shivers—Octobers are chilly here, the season of wind begins, it’s different from the fall in their home country. She misses the smell of chestnuts.

Soon, they’ll have to go inside.

She’s grown good at interpreting Poe’s silences. He won’t deny her, she thinks.

“You’ve been planning this for a while, haven’t you?” he says at last. “Okay. We’ll get a dog.”

Rey’s laughter is brief, not entirely joyful, but honest and loud, and laced with hope. In her garden chair, the neighbor cocks her head—she’s curious to know what has happened. She’ll see soon enough. The cigarette glows red in the night as she takes one last puff, and then the gravel screeches when she crushes the butt under her shoe. She keeps sitting for a moment longer, like she’s counting perhaps, and then she stands up, and sighs, and crouches to pick up the litter.

“Tomorrow?” Poe asks.

Rey nods, listening to the chirps of the cardinal bird, pressing the pendant into her skin.

“Tomorrow,” she agrees.

Notes:

And so it's over. Two years and 200K words later, here I am at the end of my most ambitious writing project so far, where I managed to frame the turbulent years of my youth as a Star Wars fic about love, passion, fate, duty, ideals and life choices. And, well. Well.

AAaaaAAAAAaaaAAA…!

I’m excited. I’m scared. It seems done, but also it kinda doesn’t. I feel accomplished and proud, but also more insecure than ever. I wanna scream with joy. I’m on the verge of tears. Shit. Was it also like this for the writers among you, when you completed your big, life-altering stories?

As always when megalomaniac projects come to their end, some acknowledgments are due. So, A MAJOR THANK YOU to the following folks:

To Shunak, my best friend, partner in crime and alpha reader, for helping me shape the story, assisting with plot and outline and characterization, being honest when things needed improvement, and telling me all's right when I struggled with my perfectionism and insecurities. He’s the person who made this possible – “Hiraeth” would've never happened without his support, and I’m grateful that he made me feel like a real writer.

To Spamushka, my Padawan and adopted baby sister, for being with me every step of the way, and coming up with the perfect name for the story.

To my beta TazWren, for being my fairy godmother in the Reylo fandom and helping me navigate through the pitfalls of English grammar, and to Kath, who did the early beta work.

To the good people of the Graveyard – you know who you are. Our sprint sessions, shares, feedback and discussions are a gift that has immensely helped me with my writing, and I’m grateful for the friendships we've forged.

To all you readers – I can’t thank you enough. Really. Thanks for sticking with me despite knowing you’re in for a story that isn’t a feel-good romance, for digging on your own through endless Wikipedia articles and YouTube videos about the Yugoslav Wars, for your encouragement and kudos and essay-like analyses that you so passionately wrote, and for recommending the fic to anyone willing to listen. Thanks for your patience with the month-long breaks between chapters, and the artwork you've gifted me, and the meaningful discussions that have turned the comment section into a work of art. And finally, thanks for allowing me to get to know you, the same way you say you got to know me. Some of you have become close friends, even if we live far away from each other and maybe we’ll never meet – and some of you I got to meet in real life, and share amazing memories with. I feel blessed for those moments of shared truths, and that experience alone has made this whole endeavor worthwhile. So whenever someone complains that writing fanfiction is a waste of time – tell them to fuck off.

And last but not the least: a big thanks to my husband, who’s supporting my writing like a true cheerleader. He rooted for this fic even when he didn’t quite get the Reylo appeal, and he’s currently encouraging me to seriously consider a professional writing career, because he believes that I can. I’m grateful for having such a partner by my side – and let me tell you, he was excited about your comments as much as I was, reading them aloud to me and celebrating each new one.

And I think that’s it.

IMPORTANT: There will be TWO more updates to “Hiraeth”. One will feature links to the complete "OST" (the songs that the chapters were named after) and Shunak’s magnificent Reylo art. The other will be sort of a “Making Of” – a compilation of real-life photos and facts and stories about historical figures who've served as the inspiration for “Hiraeth”. For you history geeks out there, I hope that one will be a treat.

So this is it: the journey ends. As for my future projects, we’ll see. I think I may have found the confidence I needed for venturing into original fiction. Maybe. For starters, I need to rest for a while – completing such a big project is a major life event, and winding down is the first step I need to take.

Stay safe and sane in these difficult times. Love you. And thanks for everything.

EDIT FEBRUARY 2021: My beloved Reylo sisters - Cecilia, SavingWhatILove, Semperfidani, Everren, MyJediLife, koderenn, AnEnglishBreakfast, Littlemistake, spacey_gracie, roadlesstravelled, Nancy, NewerConstellations, LadyRhi and TazWren - have commissioned art from the talented aidelonn who gorgeously captured the mood of the epilogue ❤

 


Chapter 32: Bonus 1: Art and Music

Summary:

The story's "official" playlist and the glorious poster artwork by the amazing Shunak

Notes:

Hey y'all - hope you're doing well in these difficult times. As promised, here's the bonus chapter with music and art. But before we go there, I have some squealing to do: I got more art gifts and it's aaaaAAAAAaaaaaaaaaaAAAAAAAAAAAAAaaaaaaAAAAAAAAAAA 🖤🖤🖤 Jenniferladybug illustrated a Very Special Scene from Chapter 14 - you can find it on her Twitter or embedded in the Chapter's End Notes, though be careful, it's NSFW. Also, dashalle drew a very expressive doodle of Kylo sitting under the linden trees from Chapter 3, complete with the "First and Last and Always" CD in his hands - you can see it on her Twitter.

Thank you, people, you're the best!

Now, on to business: alas, I wasn't able to make you a proper Spotify playlist with all the songs - the drawback of living in the Wild East is that many apps still aren't available to us - so I had to use the good ol' YouTube. Hope you won't mind. Also, can I admit it makes me ecstatic to hear some readers say that this story helped them discover new music? That's awesome. If you want more recommendations for the local stuff, by the way, don't hesitate to ask - I'll be happy to share more Balkan music in the comments.

As for the art, well, daaaaaamn, what can I say, my jaw dropped too when I saw what Shunak did with these posters. It's... Shit, it's exactly what the doctor ordered, in the spirit of Star Wars posters but true to "Hiraeth"'s characters. And it's beautiful. I mean, just look at it. It's all I could have hoped for. Shunak is also the alpha reader for this story, so no wonder he nailed the characterization so well, showing the passage of time on characters' faces, combining it all with the history we've lived through. Please check out his Instagram - among a bunch of super creative stuff, you'll be surprised to discover that he's actually the man behind that viral baby platypus thing.

Cheers, and see you for the last bonus chapter!

(See the end of the chapter for more notes.)

Chapter Text

 

 

PART ONE:

 

B L O O D F L O W E R S

 

 

 

I              Prologue: Lost in Translation

               Air

               “Alone in Kyoto

               Lost in Translation OST, 2003

 

II             A Sea of Faces, a Sea of Doubt

               The Sisters of Mercy

               ”Marian

               First and Last and Always, 1985

 

III            Bright City Lights

               Gary Clark Jr.

               “Bright Lights

               The Bright Lights, 2011                

 

IV            I am the Son and the Heir (of a shyness that is criminally vulgar)

               The Smiths

               ”How Soon Is Now?

               Hatful of Hollow, 1984

 

V             In Between Days

               The Cure

               “In Between Days

               The Head on the Door, 1985

 

VI            The Man with the Moonlight in His Eyes

               Đorđe Balašević

               “Čovek sa mesecom u očima

               Jedan od onih života, 1993

 

VII           The Rite of Spring

               Igor Stravinsky

               “Весна священная

               First performed in 1913

 

VIII          No Room for Error in a Balanced House of Cards

               Diorama

               “Champagne for All

               Amaroid, 2005

 

IX            Blind in Darkness

               Diary of Dreams

               “Rumors about Angels

               Music from the Succubus Club, 2000

 

PART TWO:

 

H U N K Y   D O R Y

 

 

 

X             Seimeni

               Haustor

               “Sejmeni

               Bolero, 1985

              

XI            And Fools Don’t Run Away

               Depeche Mode

               “Fools

               Love, in Itself, 1983               

 

XII           Sorrow in My Footsteps

               Ljubiša Stojanović-Luis

               “Ne kuni me, ne ruži me majko

               Ne kuni me, ne ruži me majko, 1981             

 

XIII          Velocity

               Diorama

               “Velocity

               The Art of Creating Confusing Spirits, 2002

              

XIV-XV    Seven Days, Neither Up nor Down - part one and two

               EKV

               “7 dana

               Ljubav, 1987

             

XVI          Dancing Queen

               ABBA

               “Dancing Queen

               Arrival, 1976

 

XVII        The Man Who Sold the World

               Nirvana

               “The Man Who Sold the World

               MTV Unplugged in New York, 1994

               

XVIII        How You Turn My World, You Precious Thing

               David Bowie

               “Within You

               Labyrinth OST, 1986

 

XIX          King Jeremy the Wicked

               Pearl Jam

               “Jeremy

               Ten, 1991

 

PART THREE:

 

F I R S T   A N D   L A S T   A N D   A L W A Y S

 

 

               

XX           All Your City Lies in Dust

               Siouxsie and the Banshees

               “Cities in Dust

               Tinderbox, 1986

                              

XXI          A Veteran of the Psychic Wars

               Blue Öyster Cult

               “Veteran of the Psychic Wars

               Fire of Unknown Origin, 1981

                

XXII         I Think I Thought I Saw You Try

               R.E.M.

               “Losing My Religion

               Out of Time, 1991

   

XXIII        Dance the Ghost with Me

               The Sisters of Mercy

               “Lucretia, My Reflection

               Floodland, 1985

                 

XXIV        Seventh Symphony, Movement Two

               Ludwig van Beethoven

               “Symphony No.7 in A major, Op. 92

               First performed in 1813

               

XXV         If Only Tonight We Could Sleep

               The Cure

               “If Only Tonight We Could Sleep

               Kiss Me, Kiss Me, Kiss Me, 1987

               

XXVI        Carnival of Rust

               Poets of the Fall

               “Carnival of Rust

               Carnival of Rust (Lost Stories Remix), 2006

                 

XXVII       Putting Out the Fire with Gasoline

               David Bowie

               “Cat People

               Cat People OST, 1982

                  

XXVIII      Jesus Alone

               Nick Cave

               “Jesus Alone

               Skeleton Tree, 2016

              

XXIX        …but I’m no longer there…

               Anica Dobra and Zoran Simjanović

               “Cveta trešnja

               Sabirni centar OST, 1989

                 

XXX         Le vent nous portera

               Sophie Hunger

               “Le vent nous portera

               1983, 2010

               

XXXI        Epilogue: We Were Once Young and Blessed with Wings

               VNV Nation

               “Beloved

               Futureperfect, 2002

                

Notes:

I'm working diligently on the historical material - for the past couple of weeks, I've been compiling references, taking pictures and making notes. Hopefully it won't take too much time before this project is officially completed!

Chapter 33: Bonus 2: The History behind "Hiraeth" (Not a History Lesson)

Summary:

May you live in interesting times.

Notes:

So, um. This took a while.

I wanted to publish the bonus chapter on history and memories way earlier, but then real life happened. 2020 was spectacularly shitty for most of us, as I’m sure you know – but with how the covid crisis developed in my country, the second half of the year turned to hell for me, the last few months in particular, and I’m still in the process of processing the blows and losses. This means that for a long while I wasn’t in the right headspace to do anything creative, or interact with the readers, or be as chatty in the comments as I once was. Forgive me for that.

But I also couldn’t leave the story “unfinished”, because this very last chapter is the final stop of the journey that writing “Hiraeth” was for me. At first I tried to make this chapter less personal, only to realize that I couldn’t – and besides, the point of all this is that it IS very personal, isn’t it, so here we are. Posting it symbolically on June 25th 2021, on the 30th anniversary of the official breakup of Yugoslavia.

There was new art in the meantime – by Shunak in Chapter 18 and by aidelonn in Chapter 31 – so please take a look before digging into the historical notes. It’s gorgeous.

I should also warn you that the text that follows discusses real life things such as war and living under a dictatorship, so if you find those topics too heavy or disturbing, please click away. Also, my deepest apologies for any possible formatting hiccups (getting all these pics and links right was quite a task), and another small warning - this is unbeta'd, so you'll be all alone with my English.

Now, without much ado, on with the curtain call.

Chapter Text

BONUS: THE HISTORY BEHIND “HIRAETH”

 

(Not a History Lesson)

 

 

The world: So how complicated is your history?

The Balkans: Yes. 

A comment under a YouTube video about the breakup of Yugoslavia

 

 

As you can probably tell by now, “Hiraeth” takes place in Belgrade, Serbia. This is where I was born, where I grew up, and where I currently live. To a large degree, the events described in the story reflect my own experiences (not the romance, of course, or the characterization—but Rey growing up in all that chaos, with her path from being an anti-regime activist to getting disillusioned with politics, that’s me, and my friends, and friends of my friends). I’ve said this many times, but please allow me to repeat: this is a very personal project. Writing “Hiraeth” has helped me process my memories of those turbulent times, and I’m very grateful to my readers for all the love and support I have received along the way.

At the end of the day, the decision not to explicitly name Serbia as the center stage is not because I wanted to conceal where the story takes place, but rather a stylistic choice. In order to adapt the narrative to the Star Wars canon and provide historical roles to the characters I’ve borrowed, I needed artistic license, and not naming the country gave me the liberty to have Poe appear on MTV or Kylo play the crucial role in front of the Parliament. In turn, relying on readers’ knowledge of Star Wars, its lore and its characters gave me this precious opportunity to relate my experiences without over-explaining the setting, to avoid politics and focus on emotions, to stylize and use shorthand and talk about things without talking about things. (Though, for the record, we kinda did refer to the regime of Slobodan Milošević as “the dark side” and called the armored police “the Stormtroopers”—the power of pop-culture and all that). 

All that being said, the last thing I want with this bonus material is to provide a history lesson—if I were to start explaining everything now, it would defy the very purpose of the fic. Please use the information and links given here as the starting point for your own research—and be curious, dig, study, contemplate and analyze, read between the lines, bear in mind the subjective truths and beware of booby traps, until you reach a kaleidoscope of insights that satisfies your need for understanding this part of our recent history. 

And as the old saying goes: “Those who don’t know history are doomed to repeat it. Those who do know history are doomed to watch in horror while others repeat it.”

 

 

I N T R O D U C T I O N:

 

THE MAKING AND BREAKING OF YUGOSLAVIA

 

 

If someone were to ask me about the most interesting take on the history of Yugoslavia that I have seen, my answer might come as a surprise. It’s a book called “How We Started Singing” by Ivan Ivačković. It tells the tale about the rise and the fall of a country by analyzing its popular music—from the boy bands of the ‘60s that performed The Beatles covers, to the dark and witty rock scene of the ‘80s, and the notorious, sleazy turbo folk that marked the lost decade of the ‘90s. The book is bitter and brilliant, proving that understanding the pop-culture of an era can tell us so much about its values, trends, and yes, even politics. Alas, to my knowledge, it hasn’t been translated into English.  

As for the easily available English language resources, if you’re YouTube-inclined, this video offers a solid breakdown of how shit hit the fan. Among the written stuff, there’s the official Wikipedia entry, as well as an array of short articles that discuss the causes and the flow of the war. If you keep googling, you’ll fall into a true rabbit hole of facts, opinions and conspiracy theories. Personally, one of my favorite digest articles can be found, of all places, on TV Tropes—its cynical, snarky tone conveys rather well how messed up it all was. 

For this chapter, I did my best to come up with a brief and concise timeline of the breakup of Yugoslavia—adapted from here, expanded with elements from here, and slightly contextualized for the purposes of the story. Maybe now’s the moment for a full disclaimer: the vast majority of links I’ll share below is Wikipedia stuff. In part, that’s because it’s fucking difficult to find long, detailed articles on the subject matter in English—but also because the Wiki, with all its issues and limitations, tends to be factual and dry, with a balanced view on things, and it’s an absolute goldmine for further clicking and reading.  

 

1918  

As an outcome of World War I, the Kingdom of Serbs, Croats and Slovenes is formed. Croatia, Slovenia and Bosnia-Herzegovina had been part of the fallen Austro-Hungarian Empire, whereas Serbia and Montenegro existed as independent states, liberated from the Ottoman occupation in the late 19th century. Macedonia was then part of Serbia. 

1929  

The monarchy’s name is changed to Yugoslavia. 

1945  

After World War II, the monarchy becomes a communist republic under the leadership of Josip Broz Tito, its new name being the Socialist Federal Republic of Yugoslavia. It is composed of six republics: Serbia, Croatia, Bosnia-Herzegovina, Macedonia, Slovenia and Montenegro, as well as two provinces, Kosovo and Vojvodina, both part of Serbia. 

1948  

Yugoslavia cuts ties with the Soviet Union, embarking on its own version of communism, which is softer and more cosmopolitan than in the Soviet-dominated countries of the Iron Curtain. This is one of the reasons why the communist times are often remembered fondly in the region. 

1968  

Global unrest is echoed in Yugoslavia too: months of student protests end with Tito agreeing to slightly extend social liberalizations. However, this doesn’t open the door to modern democracy, as some had hoped. 

1980  

On May 4th, Josip Broz Tito becomes one with the Force. Tito’s tight rein on Yugoslavia kept the ethnic tensions in check until his death. Without his policy of brotherhood and unity, ethnic and nationalist differences begin to flare. 

1990  

With the fall of communism, the first multi-party elections are held. Nationalist options win in all six republics. Serbia’s president Slobodan Milošević is set on his path to become Sheev Palpatine of the Yugoslav Wars. 

1991  

In June, Slovenia and Croatia each declare independence. With 90% of its population ethnic Slovenians, Slovenia is able to break away with only a brief period of fighting (the so-called Ten Days War). However, because 12% of Croatia’s population is Serbian, rump Yugoslavia fights hard against its secession for the next four years. Cities are shelled, villages are burned, war crimes are committed. As Croatia moves towards independence, it evicts most of its Serbian population, who come to Yugoslavia as war refugees. 

1992  

In January, Macedonia declares independence. It breaks away quietly and without fuss.

In April, Bosnia-Herzegovina declares independence. As the most ethnically diverse of the Yugoslav republics, Bosnia is 43% Muslim, 31% Serbian, and 17% Croatian (according to the 1991 Yugoslavian census). Ethnic tensions strain to the breaking point, and Bosnia erupts into war. Heinous war crimes take place: thousands die and more than a million are displaced. By the time a strained peace is achieved in 1995 (see below), the country has been divided into ethnically homogenous partitions, with an institutional structure that’s often called the world’s most complicated political system.

Also in April, Serbia and Montenegro form the Federal Republic of Yugoslavia, with Slobodan Milošević as its leader. The new government, however, is not recognized by the United Nations as the successor state to the former Yugoslavia. 

1995  

In November, Bosnia, Croatia and Serbia/Yugoslavia (it’s complicated) sign the Dayton Agreement to end the war in Bosnia. After Dayton, Milošević is branded “the main factor of stability in the Balkans” and a brief period of respite begins. 

1996  

In the southern Serbian province of Kosovo, the Kosovo Liberation Army begins taking up arms and attacking Serbian policemen. The goal is dual: fight back against police oppression, but also campaign for an independent state of ethnic Albanians.      

In November, a coalition of opposition parties wins the local elections in Serbia, gaining control over Belgrade, Novi Sad, Niš and a few other major cities. This is the first blow that the regime of Slobodan Milošević suffers since 1990. He refuses to concede, resulting in months of protests

1998  

Milošević sends troops to Kosovo to quash unrest in the province. An all-out guerilla war breaks out, with war crimes being committed.           

1999  

After peace talks fail, despite serious legitimacy issues, NATO carries through on its threat to launch airstrikes on Serbian targets. The bombing lasts for 78 days and ends with the UN Security Council Resolution 1244, according to which Kosovo is placed under the UN control, but formally remains a part of Serbia. Faced with retaliation, many non-Albanians are forced to flee the province.       

2000  

Crushed by the bombing and years of sanctions, the Serbian economy continues to deteriorate and dissent spreads. For the first time, Milošević starts massively losing support.

The joint opposition candidate Vojislav Koštunica wins the presidential elections held on September 24th. Once again, Slobodan Milošević does not concede, insisting on a second round. In October, a popular uprising begins. It culminates on October 5th, when protesters raid the Parliament. This date marks the official breakup with a decade of warmongering and nationalist policies. 

2001  

In late March, Slobodan Milošević is arrested for war crimes. A few months later, he is delivered to the International Criminal Tribunal for the Former Yugoslavia (ICTY) in the Netherlands, where he died in 2006 without receiving a final verdict. 

2003  

Yugoslavia is no more: it becomes the State Union of Serbia and Montenegro, a loose confederacy. 

2006  

After a successful independence referendum in Montenegro, Serbia and Montenegro part ways for good—the last remains of the old country are officially dismantled.                                          

2008  

Kosovo proclaims independence that Serbia still does not recognize to date. If Kosovo is counted as an independent state, exactly 90 years after it was founded, Yugoslavia is broken down into seven separate countries.

The word “balkanization” becomes a widespread geopolitical term for the process of fragmentation or division of a region or state into smaller regions or states that are often hostile or uncooperative with one another.

 

 

H I S T O R I C A L   E L E M E N T S   I N   P A R T   O N E

 

THE SANCTIONS  

The sanctions against Yugoslavia—imposed as a response to the role that the Yugoslav National Army played in the onset of wars—were introduced as early as November 1991. The sanctions gradually became stricter until, by May 1992, they turned into a total embargo on everything, including all international trade, scientific and technical cooperation, sports and cultural exchanges, air travel, and travel of government officials. In November 1993, when the story begins, the sanctions are at their peak.

A picture of an empty store in 1993. The photo is particularly iconic because the boy is wearing a šajkačathe Serbian national hat.

 

Top row: lines for food and fights for food. Bottom row: how we bought gasolinesmuggled into the country, then sold in plastic bottles.

 

THE HYPERINFLATION 

Known as the third worst hyperinflation in the world’s economic history, the madness was a direct consequence of the sanctions. It started in March 1992, culminated in the winter of 1993 with the daily inflation rate of 62%, and ended in early 1994 with drastic monetary reforms that are valid to date.

The price rise of Politika, Serbia’s oldest daily newspaper, illustrates how quickly our money was losing value: Sunday, December 26th: 4,000,000,000 dinars per copy (yes, that’s four billion dinars); Monday, December 27th: 8,000,000,000 dinars per copy; Tuesday, December 28th: 15,000,000,000 dinars per copy;  Wednesday, December 29th: 40,000,000,000 per copy

 

The banknotes from the inflation period. It’s true: today, they are a popular tourist souvenir. The price of those with enough zeroes may reach between 20 and 50 €.

 

THE MUSIC MARKET 

Hunting for the visuals for this chapter made me realize something—our memories are fucking fragile. Namely, I failed to find a single picture of the music market, a beloved place for alternative youth to hang out in the sanctions-ridden Belgrade. I googled to no avail, even contacted a friend who used to run a booth there—he was surprised himself to discover that he didn’t keep any photos. Sure, the times were different then, we didn’t have the habit of endlessly documenting our daily lives, this was all before the era of smartphones. But still—it's as if some things now exist only in our minds. 

When it comes to the stuff I did find, it's scarce but better than nothing. 

Bootleg CDs and cassettes from a private collection, bought at the music market once upon a time. The homemade, burned CDs started appearing in the mid-‘90s. They all had the same ugly black-rimmed case that was quick to break, and a photocopied album cover instead of a proper CD booklet.

 

From an early 2000s article about anti-piracy efforts—the pic above shows an average booth, while the title of the text below reads: “Inspectors Seized CDs and Cassettes”

 

The music market was closed for good somewhere around 2002. Today, the place where it used to be is transformed into a parking lot.

This is where Kylo and Rey had met, under the linden trees, almost three decades ago.

 

The only thing that still remains, as proof that the place was very much real, is graffiti carved into the concrete—the archeological footprint of the cool kids.

Band names, A for anarchy, nicknames and dates—mostly 1994.

 

THE WAR 

The “war across the border” referenced in this part of the story is the War in Bosnia. By November 1993, it had been ongoing for 19 months. The Federal Republic of Yugoslavia did not participate officially, but it supported the Bosnian Serb side. Numerous paramilitary organizations with volunteers from Serbia traveled to the war zone to take active part in the conflict. 

The tagline for the fic summary is quoting a legendary Bosnian graffiti from 1992: “Welcome to Hell!”

 

I don’t think it’s up to me to try to explain this war here. I’m not sure I could do it even if I wanted to, I have no wish to appropriate the Bosnian experience, and I’m positive that if you dig a bit, you’ll find first-hand testimonies that’ll give you an insight into what kind of a brutal clusterfuck and humanitarian disaster it was. But to better understand how people my age in Serbia perceived this war, I can offer you a movie.

Pretty Village, Pretty Flame” is a cult 1996 film about two childhood friends who become mortal enemies in rural Bosnia, and a platoon of Serb soldiers who get stuck in a tunnel under siege. Known for its dark humor, vivid characterization, and pulling no punches in its depiction of the atrocities of war, the movie gives an honest portrayal of the human drama of ordinary people who got lost in armed conflicts and bad politics. It’s considered to be one of the best movies about the Yugoslav Wars, and its pop-culture impact is enormous, as it helped shape the war imagery and the antiwar attitudes of an entire generation here. One sentence in Chapter 6 of “Hiraeth” is a direct tribute to it.

You can watch it here with English subtitles.

 

THE FORTRESS 

The Fortress where Kylo and Rey go to their first “real” date in Chapter 7 is obviously Kalemegdan, Belgrade’s most important historical landmark. It’s located at the exact place of the confluence of the Sava river into the Danube—actually, when you look closely, you can see the waters of the two rivers mixing together. For centuries, it was the symbol of power for everyone who held the territory of today’s Serbia. There’s loads of stuff to see at the Fortress—Roman sarcophagi, remains of the Serbian medieval court, Turkish tombs, Austrian ramparts, World War II tanks, take your pick, it’s like the junk drawer of local history. It’s also the place where I had my first kiss, and where I take my dog for long walks every day. 

A collage of Kalemegdan that doesn’t even begin to show how big and intricate the Fortress is. On top, there’s the statue of the Victor the symbol of Belgrade, a.k.a. the naked man with a sword and a bird. The story of how he wound up there is quite a funny one, but we’ll leave it for another time.

 

The church where Kylo takes Rey is Ružica—the Church of the Little Rose, a real hidden gem, one of Belgrade’s oldest and most romantic monuments of history. First built in 1403, it was demolished and reconstructed too many times before getting today’s look in the mid-1920s. 

The Church of the Little Rose is a part of the Fortress, and indeed, it’s considered to be a warriors’ church, but made to pray for peace rather than conquest. You can see here the famous bullet chandelier, while the two statues by the church door were made of melted cannons in 1929, in hope that there would be no more need for arms. Welp.

 

Kalemegan’s highest and steepest wall. Feel free to imagine Kylo standing up there, in a black leather jacket and hard lace-up boots, looking all lost like Bambi on ice.

 

SNOKE’S TV SHOW

While “Professor” Snoke is a character borrowed from Star Wars—obviously—his position in 1993 as a prime-time TV star is very much inspired by some real people. Namely, in the early ’90, the regime had this army of prophets, preachers and tale-tellers who flooded the media to promote “the patriotic cause” by upholding this bizarre mixture of hardcore nationalism, pseudo-history, Orthodox Christianity, skewed science, mysticism, conspiracy theories, astrology, “white magic” and all kinds of esoteric bullshit. It was as insane as it sounds, but many people fell for it. The “batshit brigade” went out of fashion in the mid-’90, when they transferred from the mainstream media to some more specialized outlets, and after the Bulldozer Revolution, they became forgotten, or seen as a source of cringy entertainment rather than proponents of serious ideas. They aren’t entirely gone, however—you can still find some of them in the depths of the internet, spinning the same ol’ tales. 

A few selected representatives: Milja Vujanović, the actress-turned-astrologist known for her TV show in which she prophesied the Serb victory over the world and the downfall of the United States (she’s probably the biggest inspiration for Snoke, since I vividly remember her shows); Jovan I. Deretić, an engineer specializing in the alternative history of Serbs and author of many books; Lav Geršman, an eccentric white mage known for his fashion style; and Ljubiša Trgovčević, the notorious TV prophet who, for many, symbolizes the bleak hopelessness of the ‘90s television.

 




H I S T O R I C A L   E L E M E N T S   I N   P A R T   T W O

 

THE PROTESTS 1996/1997 

With their relentless optimism, spontaneity, bravery and carnival atmosphere, the protests of ‘96/’97 remain a stuff of legends in the history of civic activism in Serbia. The protests happened in the pocket of respite between two wars—after the Dayton Agreement and before the Kosovo shitshow—when the sanctions were slightly alleviated, so the overall mood was kind of lighter, filled with real hope. I was fifteen at the time, and it felt like pure magic—this belief that you can actually change things for the better and beat the dark side, and even have fun while doing it.

The documentary “Whistle Blows Are Stronger Than Police Batons” explains the election theft and conveys rather well the mood of the protests. It’s without English subtitles, but maybe you’ll still like to skim through it to see some footage. 

The crowd in Belgrade’s main square when the protests were at their peak.

 

Indeed, the protests had two sides. There was the political aspect, led by the coalition of opposition parties, where the citizens fought against the election fraud—and there was the student strike, free of partisanship, where students and professors advocated for democracy, human rights and more autonomy for the university. The two sides often marched together and collaborated with joint activities. The political protests ended in February, when Milošević acknowledged the election results with a lex specialis—but the happy ending never came, since the coalition dissolved in record time and everything quickly turned into an ugly power squabble. The student strike lasted until March, when it ebbed away quietly. For dramatic purposes, in “Hiraeth” I had both sides of the protests finish at the same time.

Students marching during the protests. They’re carrying their famous slogan, BELGRADE IS THE WORLD, which served as the inspiration for Leia’s banner in the story.

 

Screenshots from recently discovered footage of the student strike. As a friend said, this happened 25 years ago, yet it’s uncanny how modern it looksthese young people could be protesting today, anywhere around the world.

 

While searching for bonus material for this chapter, among my old notes and souvenirs from these times, I found an article I had cut out of the opposition newspaper Danas in December 1996, with the wittiest and funniest slogans from the protests. Most of the slogans make no sense without fully understanding the context, or they’re untranslatable puns that lose their edge once you translate them to English. But some are still really funny—and topical—all these years later.

A few translations: “I think, therefore I protest” – “Let’s create a new world” – “Even Tito said in 1968 that the students were right” – “We love each other” – “Protesters, I’m selling sore feet balm” – “Even worms have more rights than we do” –  “Look, mom, I’m here too!” – “Police officer, sir, listen to your ❤  not your orders” – “You can’t win against your own children” – “Please keep protesting, I almost found a girlfriend”

 

THE BRIDGE INCIDENT 

There were two violent incidents during the protests. The first happened on December 24th—the so-called “counter-protest” when the regime’s supporters confronted the protesters while marching, resulting in a brutal conflict with one man beaten to death and another shot in the head, handicapped for life. (I advise you to read the Wiki entry about it, the whole story is heart-wrenching, yet with an oddly uplifting outcome.) The second was the bridge incident, which took place on February 2nd, unfolding more or less exactly as you’ve read in “Hiraeth”—unexpected, inexplicable and cruel, with police beating the shit out of the protesters. In order to avoid explaining the messy details of the counter-protest, in its place I had the bridge incident happen in December, and framed it as the central confrontation in this part of the story.

A newspaper photo of Brankova Street, which leads to the bridge—the cordon was stationed there, preventing the protesters from marching. When the journalists asked the regime’s spokesman why the police used water cannons when it was barely 20° F outside, he said: “What, were we supposed to spray them with warm water?”

  

THE NEW YEAR’S 

Officially, the grandiose celebration of New Year’s Eve had around 500,000 people in the crowd. Legend has it that there were more than a million protesters throwing a party. In any case, it was the biggest street event in the history of Belgrade to that day, and it was glorious.

I’m somewhere in the crowd. I still remember the stage lightseverything was red.

 

THE CORDONS 

While some snippets of it can be seen in the documentary movie linked above, I’m sorry to say that even after thoroughly combing the internet I haven’t found any photos of the Cordon Bleu Discotheque, showing once again that sometimes it’s fucking hard to come up with physical proof of things that we remember so vividly and fondly, as defining moments of our lives. What I did manage to dig out is—lo and behold—a book in English called “Humor and Nonviolent Struggle in Serbia”, in which the disco is lovingly mentioned. In real life, the “boogie bacchanalias” lasted for only 8 days, not several weeks, but fuck, I couldn’t resist prolonging that period and making it the backdrop of Kylo and Rey’s sweetest, most hopeful time together. 

On the other hand, while there are no photos of the disco, the cordons themselves are very well documented.

Here they are, our Stormtroopers, keeping the city under siege and preventing the protesters from marching. 

 

The cordons became such a landmark of the protests that even postcards were made. The caption here reads: “Greetings from Belgrade”

 

SNOKE’S OFFICE 

The First Order’s transition from a paramilitary group to a “business” organization indeed reflects some social changes of the ‘96/‘97 period. Given that it was a time of break from the wars, many regime parties and satellite associations shifted their focus to the economy—which quickly turned into a shameless parade of money-grabbing, corruption and thievery. (In fact, some explain Milošević’s defeat at the local elections in 1996 as the people’s reaction against this rampage.) So under such circumstances, it was perfectly normal for the First Order to need an office. 

The paintings hanging on Snoke’s walls are reproductions of real works of art. While these artworks do have absolute artistic merit—hell, UNESCO rightfully considers the frescoes to be part of the global cultural heritage—the 1990s had seen them reproduced ad nauseam, often in poor quality, and displayed everywhere, from grocery stores to mansions of the nouveau riche and tattoos of Belgrade’s bad boys, until they almost lost their meaning.  

First row the icons: portrait of Emperor Dušan the Mighty, Serbia’s most powerful medieval ruler, and the White Angel of Mileševa, one of Europe’s most beautiful frescoes, dating from the mid-13th century.  Second row depiction of the Battle of Kosovo by Adam Stefanović, and the famous Maiden of the Blackbird Field by Uroš Predić, illustrating a scene from an epic poem. Third row the works of Paja Jovanović, the legendary realist painter: Migration of the Serbs and The Proclamation of Dušan's Law Codex (yes, it’s the same Dušan from above).



 

H I S T O R I C A L   E L E M E N T S   I N   P A R T   T H R E E

 

THE BOMBING 

“All Your City Lies in Dust” is by far the most personal chapter of the story, and between what I described there, the links you’ll find in the timeline above, and a bit of googling I’m certain you’ll do on your own, I don’t think any additional commentary is needed. In fact, I wouldn’t know where to begin, since my own feelings on the matter wildly fluctuate between “what doesn’t kill you makes you stronger” and “what doesn’t kill you still tried to kill you,” and I’ll bet I still have a whole lot of suppressed emotions to unpack there. Which is why, well, writing this thing was so cathartic.  

Now, I would like to show you some things.

This Facebook photo album circulates the Serbian social media each year on March 24th. It contains some pretty graphic images that may be distressing for sensitive readers, so I advise clicking with caution (the ones that always get me are women’s shoes in a puddle of blood when a cluster bomb hit the farmers’ market in Niš, and the Belgrade Zoo tiger who got so stressed out by the bombs that he chewed off his own paw). You may also see some pretty passionate comments from people who promise they’ll never forgive or forget.

Also, this is what the air raid siren sounded like. It’s an authentic recording. I still can’t quite listen to it—I had to mute the video as I was inserting the link. And that kinda takes me back to the point above, about being unsure how I feel about everything. See, no matter how horrific it was, no matter the orange sky and the blasts and all the gut-wrenching incidents of “collateral damage”, I don’t actually remember the bombing as a traumatizing, life-altering experience that made me lose my mind and fear for my life. In fact, when I think about it, what I recall the most is how blasé we were, how quickly we adapted to the new normal, and pushed the entire ordeal under the carpet once it was done, rushing to go on with our lives.

So, twenty-something years later, why do I freak out so badly when I hear the siren? 

Serbia’s counter-air defense missiles, aiming at NATO airplanes. They did resemble fireworks. This is what the sky looked like on the night of my 18th birthday.

 

In the story, Rey’s apartment is indeed located in one of the worst places to live in Belgrade during the bombing. 

She’s living in the street parallel to Kneza Milošahere marked as E-70which had four major targets: the Government, the Ministry of Defense, the Ministry of Interior, and the Police Administration. In contrast, Kylo lives in deep Vračarone of the safest neighborhoods at the time.

 

This video is recorded in Kneza Miloša, documenting the exact moment when a second round of bombs fell, the people’s reaction, and the fucking orange sky. They were bombing three out of four targets that night. You can imagine that this is when Rey’s windows broke.

For the most part, they did bomb the city only at night, and there was indeed this bizarre, surreal duality of existence. Our days were almost normal, business as usual, whereas our nights felt like something out of a movie.

The bombing of Belgrade, an overview. First row: the skyline on fire—the headquarters of the regime party were in the burning skyscraper. Second row: the building of the National Television. Third row: Hotel Jugoslavija in flames—there’s something eerily iconic in seeing the very word Yugoslavia burning like that, and a photo of the orange sky.  Fourth row: the ground floor of the party headquarters, and the back studio of the National Television where the missile hit. You’ll see firefighters trying to extinguish the flames while the bombs are still falling around them.

 

There was a running joke during the bombing that’s the epitome of Serbian gallows humor—I’m not sure if it translates well to English, but I’m gonna give it a try anyway. How does a very successful man feel when he wakes up in the morning in Belgrade? Like a man of missed opportunities.

The ruins on the morning after. First row: the Government and the Ministry of Interior. Second row: the badly damaged back studio of the National Television. Third row: the Ministry of Defense. Fourth row: the skyscraper with regime party headquarters, and I’m not really sure what the last picture is, since whatever it was is thoroughly unrecognizable—I think it may be the Police Administration—but that Yugo over there looks gloriously symbolic.

 

Photos of the so-called Target protests against the bombing. Like with many other things, I have mixed feelings about them. On one hand, it was perfectly legitimate to express anger, because fuck them bombs. Seriously. Fuck. Them. Bombs. (Especially the depleted uranium ones—years later, experts still debate about their long-term consequences.) On the other hand, the regime was quick to appropriate these protests, framing them as a show of support. And that’s… yeah.

 

Once the whole bombing shitshow was over, some buildings were repaired relatively quickly—the Government, for instance—whereas others were left in ruins for years, like cavities in the city's landscape. Today, 22 years later, here is what we have:

The skyscraper that used to host the regime party's headquarters is turned into prestigious office space, with Belgrade's most popular shopping mall attached to it. The second tower was built in 2019.

 

The former Ministry of Interior stood like this for the longest time—long enough that trees have started growing from the ruins. It's only in 2016 that a land developer bought the building, demolished it, and in its place started constructing a luxurious condo complex that bears the fancy name of Belgrade Skyline.

 

The bombing of the National Television was a highly controversial incident that stirred strong emotions—yes, the TV did broadcast shameless state propaganda, but NATO still used strained arguments to prove that a civilian building was a legitimate military target, blasting the downtown headquarters and killing 16 workers. Today, the back studio is deliberately left unrepaired, turned into a memorial for the victims of the bombing.

 

The other ruin that remains in the city center is the former Ministry of Defense—once considered a masterpiece of post-WW2 architecture. According to rumors, due to its protected status as a monument of culture, the Government can’t sell it to a developer to demolish it and turn it into luxury condos—but it also doesn’t have the money to restore it to its former glory. So the ruin just… stands there. At least the tourists love it.

 

THE RESISTANCE

If there ever was a moment when I thought “fuck it, it’s fate, the similarities between Serbia in the ‘90s and the sequel trilogy are unbelievable, and this thing writes itself,” it was when I realized that the movement crucial for toppling Milošević was also named the Resistance in Serbian, Otpor (or Отпор in Cyrillic). I mean, really.

Really.

Our Resistance was founded in the last years of the ‘90s. With its focus on youth and the credo of fighting the regime without supporting any specific opposition party, it was indeed very close to the spirit of the student strike of ‘96/‘97. The movement had one goal—to free the country from Milošević and the atrocities of his regime. While I did my best to truthfully describe the atmosphere in the Resistance office (I was a member, of course, though unlike Rey, just a low-ranked volunteer), its portrayal in “Hiraeth” is vastly simplified for dramatic purposes, so that I could keep the focus on the main characters. In reality, it was a much more complex political beast, with several leaders and several currents, and way messier showdowns with the regime than depicted here. 

An authentic leaflet of the Resistance from sometime in late 1999. The text reads as follows:

 

THE RESISTANCE IS THE ANSWER! 

 

That is the only way. 

It will be too late 

When someone you love starves to death,

When they start killing us

in the streets, 

When they shut down all the lights 

And poison the last spring... 

It will be too late.

This is not a system, 

This is a disease. 

Sink your teeth into the system! 

Get a hold of yourself, 

l i v e 

RESISTANCE!

 

The Resistance was notable for its brilliant marketing and communication strategies. Its design of the raised fist logo—a symbol long used by various human rights movements around the globe, as I’m sure y’all know—became a recognizable brand. The movement’s main political request was that the opposition had to be united around one presidential candidate in order to get more votes than Milošević. It relied on the principle of active but peaceful resistance (strikes, boycotts, marches, protests, non-cooperation with the regime), and its main platform were the streets, with all kinds of activities that employed humor to lift the people’s morale. The logic was—if you laugh at something, you stop being afraid, and if you aren’t afraid, you can fight. At its peak, the Resistance counted tens of thousands of members.

The Resistance in action: protests, campaigns, branding.

 

At the 2000 MTV Europe Awards, the Resistance indeed received the Free Your Mind acknowledgment, resulting in a passionate speech to a confused audience—a moment that, instead of being triumphant, felt awkward and alienating. I remember cringing as I watched, as if it made me understand there was still this gap between us and the world. It was also the movement’s swan song. After the fall of Milošević, the Resistance tried to reinvent itself as a watchdog NGO that would monitor the new government and hold it accountable, but that didn’t work out. Next, in an attempt to stay relevant, in 2003 it transformed into a political party and pushed to enter the Parliament, focusing its campaign on anti-corruption, but that didn’t work out either. Finally, the Resistance quietly dissolved, without anyone even noticing it was gone. Some of its leaders became professional politicians with various degrees of controversy, some turned into professional revolutionaries (“revolution consultants”) exporting the Resistance blueprint from Latin America to the Arab Spring with various degrees of success, some seized new business opportunities under the new government, becoming moguls with various degrees of notoriety, and some completely retired from the public eye, giving interviews only around the anniversary of October 5th, with various degrees of bitterness.

Oh, and Kylo was right—the Resistance was totally funded by the Americans

The building where the Belgrade office of the Resistance—the movement’s headquarters—used to be, in Knez Mihailova Street, in the prestigious pedestrian zone.

 

Today, in the old office of the Resistance, there’s a Thai massage parlor.

 

It’s been 20-something years, and most of the stenciled fists are long gone from the walls of Belgrade, scrubbed away and painted over and faded with time. But if you know where to look, you may still encounter a few.  Like these two—still on the façade of the Fine Arts Academy.



THE 2000 PRESIDENTIAL CAMPAIGN

The Democratic Opposition of Serbia—the incongruous coalition of every single anti-Milošević party, ranging from the far left all the way to the far right—indeed took its sweet time to find their one presidential candidate, though it didn’t happen as late as it did in “Hiraeth”, where the timeline is slightly tweaked. Vojislav Koštunica wasn’t to everyone’s taste—I still remember my mom’s sigh when he was revealed, followed by a defensive “Hey, the polls say he has the best chances!”—but as a conservative centrist and moderate nationalist with a critical view on the West, he was the sole candidate capable of attracting the disappointed Milošević supporters, which was crucial to achieve victory. And so a crazy campaign began, where most people out there weren’t going to the polls to vote for Koštunica, but rather against Milošević .

The campaign posters for the 2000 presidential election. Top: Koštunica and his slogan “Who always dares to look you in the eyes?” Bottom: Milošević and his simple motto “For Yugoslavia”

 

The poster war in Serbian streets. The winner is “Discount Prices of Alcohol Drinks”

 

Fun fact: in one of its many clumsy attempts to defame Koštunica, the regime claimed that on the poster photo it wasn’t him, but Al Pacino. Yes, Al Pacino. No, I’m not making this up. I wish I were. Also, the cat thing? The cat thing was real. The regime failed to find any actual dirty laundry to air, so they attacked Koštunica with the “crazy cat hoarder” smear campaign, which was as ridiculous as it sounds, and resulted in Photoshop masterpieces like this: 

I’m very sorry you had to see this.

 

Now think for a moment. Just a few weeks before this insane propaganda with Al Pacino and cat hoarding began, a man was murdered. Ivan Stambolić was one of the crucial figures of the Serbian political scene before the ‘90s, a former friend of Slobodan Milošević who turned into a bitter opponent, openly resenting Milošević’s nationalism and warmongering. By 2000, Stambolić was living a quiet life, but rumors started to spread that he might be the ideal candidate of the united opposition. He never confirmed those rumors. On the morning of August 25th, Stambolić went out for a jog and never came home. His body was found three years later in a quicklime pit, executed with two bullets in the back of the head, on Milošević’s orders.

And all of that was our batshit reality in the summer of 2000.

Ivan Stambolić, the field in which he was buried, and his running shoe found in the quicklime grave, which became the visual symbol of this crime. This, I’m not sorry you had to see.



THE GOLDFISH

This is unrelated to real life or history, but I think you deserve a small break. Namely, in a late season of “Girls”, there’s a scene when Adam Sackler walks around carrying a goldfish in a plastic bag. I didn’t know this as I wrote the storyI gave up on the show somewhere around season 3so stumbling upon these screenshots came as quite a surprise. But here:

You can imagine it’s Kylo carrying the nameless goldfish to Rey’s apartment.



OCTOBER 5th  THE BULLDOZER REVOLUTION

Similarly to the bombing chapter, “Putting Out the Fire With Gasoline” (Bowie’s song is actually named “Cat People”, which gives an extra layer of meaning in this context) is heavily based on historical facts and my real life experience from that day. I described the elections, the regime’s reaction, and the countdown to the revolution as accurately as I could, so any additional explanations are redundant, methinks. If you’re up for a bit of YouTube-ing, there are a couple of pretty decent documentaries out there, elaborating on what was happening behind the scenes (alas, again, no English subtitles). Also, here is some barely edited footage of the whole day, filmed with a hand-held camera, so you can really feel the mood, the buildup, the tension, the shifting of the masses, the tear gas, the mess, and the moment when the crowd pressed forward, crushing the police resistance, which was purely symbolic by then anyway.

My personal timeline on October 5th is quite close to Rey’s, with the exception that I wasn’t in front of the Parliament at the very moment when it was stormed (my mom was, thoughshe was so badly swollen from the gas that she couldn’t open her eyes). I spent the better part of the day volunteering in the makeshift hospital (in real life, it was located in the headquarters of the Democratic Party, not the Resistance), where we mostly provided first aid to people hurt from tear gas and police batons. Later, after the Parliament had already fallen, I toured the streets with a French journalist, given that my language skills meant that a lot of my activist duties consisted of translating for foreigners. Unsurprisingly, it eventually became my profession.

But on with the photos.

The money shot of October 5th the most iconic photo of our little revolution that made it on front pages around the world, and the image that comes to mind whenever this event is discussed.



The crowd in front of the Parliament. There were more than a million people, coming to Belgrade from all over Serbia.

 

The legendary bulldozer that gave the name to the uprising wasn’t actually a bulldozer, but a wheel loader—yet alas, the Wheel Loader Revolution simply doesn’t have the same ring to it. It was operated by a man named Ljubiša Đokić, known as Joe the Bulldozer, whose fate is quite a symbol of what happened to our dreams and hopes in post-revolutionary Serbia. But more on him later.

 

The tear gas. To this day, I remember the sting and the smell.

 

The Parliament on fire, shortly before it was robbed, as it happens in revolutions. I’m almost positive I recall two young men running down the stairs with a white leather chair in their arms—when I close my eyes, I can see the scene—but fuck me, I’ve no idea if I witnessed it myself, or saw a photo of it somewhere, or it’s a story someone told me so now it feels like it’s become a memory of my own.  

 

Raid on the building of the National Television, which was absolutely detested by the people, as the symbol of Milošević’s propaganda and media control. First, the building’s lobby was slammed open with Joe’s bulldozer (i.e. wheel loader), then it was set on fire by Molotov cocktails, and then the protesters beat the living shit out of Dragoljub Milanović, the general manager, who was held accountable for purposely not evacuating the technical staff from the building before it had been bombed in 1999. Mob justice is never a good thing, sure, but that guy, well… Well.

 

The day after October 5th : probably my favorite photo document of the Bulldozer Revolution, proving that a picture is worth a thousand words. Workers of the City Sanitation—most of them belonging to the Roma ethnic minority—are cleaning up the mess. Because this is what everything boils down to in the end, doesn’t it? Someone has to clean up the mess.



THE MAN WHO WASN’T KYLO REN

Given that “Hiraeth” is a blend of Star Wars and history, many characters are both borrowed from the Skywalker saga and based on actual, real life people, whose roles they assumed for the purposes of the story. Connoisseurs of the Balkan politics have doubtlessly recognized echoes of Srbijanka Turajlić in Leia (a university professor known for her opposition activities and steel-strong integrity, one of the founders of the Resistance), or Čeda Jovanović in Poe (a leader of the student strike in ‘96/‘97, once considered the hope of the Serbian political scene, until he became just another disgraced career politician). Similarly, Kylo’s path is a partialbut only partial—reflection of one Milorad Ulemek Legija, a grimdark figure from Serbia’s recent history.

A small time criminal who served in the French Foreign Legion to avoid prosecution (hence the nickname), Ulemek rose to notoriety during the Bosnian War, as the padawan of the infamous warlord Željko Ražnatović Arkan, whose paramilitary group was known for being particularly brutal. Then, in the late ‘90s, Ulemek became a state employee within the newly formed Special Operations Unit, doing all kinds of dirty work for the regime, from violently cracking down on Albanians during the Kosovo War, to committing political assassinations. It is true that on October 5th  he didn’t follow orders to use force against the protesters, which may have ensured the success of the revolution, but witnesses say that he tended to exaggerate his role in the matter. After October 5th and a brief honeymoon period, Ulemek had a fallout with the new government (allegedly concerning a potential war crimes indictment), and found himself as the main organizer of the assassination of Zoran Đinđić, Serbia’s Prime Minister, in March 2003. He was arrested in 2004, and convicted to the maximum prison sentence that the Serbian legal system allows. But life is stranger than fiction—while in prison, Ulemek discovered his hidden talents and embarked on a brand new career: he became a romance novelist.

Lemme say that again: he became a romance novelist. 

Ulemek and a few selected titles from his literary opus: “The Legionnaire”, an autobiography, “Dust and Ashes” and “Boys from Brazil”, adventure novels, and “Love Doesn’t Trust Tears”, “Secret of My Heart” and “The Magician”, his best-selling romances

 

If you ever wondered how Kylo is spending time while serving life in prison, there’s an idea. 

 

 

AFTERMATH

Our collective moment of harsh awakening was the above-mentioned assassination of Zoran Đinđić, who was seen as the pillar of democratic changes in Serbia (an event that I tried and failed to incorporate into the story, endlessly beginning passages and deleting them, until I realized that “Hiraeth” isn’t a documentary but fan fiction, and it was okay to focus on those historical episodes that made sense for the plot). The bubble burst, and we discovered that we never had our symbolic October 6th and we didn’t magically transform into Switzerland. What followed were years of political squabbles, makeups and breakups of coalitions, renewed regional cooperation, sometimes enthusiastic and sometimes wobbly (if you want to know what happened to the ICTY and its impact on post-conflict reconciliation, here’s a rundown), small successes and big disappointments (Serbia still isn’t a member of the European Union)until DJ’s prophetic words came true, and old guys (or what was left of them) came back to power. But they are rebrandedor so they sayand apparently focused on other priorities. Besides, the world in the 2020s definitely isn’t the same place it was in 1991. 

Serbia of today is kind of a typical post-communist East European country, riddled with systemic problems such as a poorly handled transition, deeply rooted inequalities, poverty and corruption, but also keeping afloat with developing fields like IT and creative industries and organic agriculture. To be honest, though, it’s still kind of a shithole—but it’s my shithole and I love it. If you have the means, it can be a very nice place to live—but god help you if you don’t. It’s lovely to visit, though. Beautiful. Come see for yourselves, I’ll be happy to show you around.

*

With the way I designed this last Bonus Chapter as I was finishing the story a year ago, it was supposed to end here. But there’s more.

 

AND NOW WHAT?

In early July 2020—about two months after I posted the last chapter of “Hiraeth”—there was a wave of anti-government protests in Belgrade. The reasons were multiple: the recently held parliamentary elections that were perceived as rigged, the mismanagement of the covid crisis, the pent-up resentment from living in this weird limbo for decades, the government being who they are. What came as a surprise was that the police responded with unbridled brutality: tear gas, water cannons, heavy beatings, the whole shebang. I haven’t seen that level of police violence since the bridge incident in 1997.

I have a nephew. He’s in his early 20s and quite a hothead, busy with activism as one should be at that age. He came to visit in the middle of the kerfuffle, to talk about the protests and compare notes on how we did it “back in the day”. And this is what he said to me, grinning from ear to ear, as I was closing the windows to keep the tear gas stench out of the apartment: “Y’know, police brutality is a good sign. We should be happy about it. It shows that the regime is afraid.”

My jaw dropped. I didn’t invent this argument, of course—it’s something I’d heard from protest leaders once upon a time, which is why Poe used it in the story—but, like, shit. It’s been almost a quarter of a century, and we’re on a merry-go-round: there’re still protests against the regime, and the police are still beating the crap out of people, and young activists are still using the same fucking arguments. 

I said we’d go back to Ljubiša Đokić, or Joe the Bulldozer. After his wheel loader was used to break open the building of the National Television, the new government sentenced him for damaging public property, and imposed a fine according to which one-third of his (very meager) monthly pension would be deducted as damage compensation. He withdrew from public life, appearing only for the 10th  anniversary celebration of the Bulldozer Revolution, when the top photo was taken. Then, in July 2020, he came to the protests to support the young people in “finishing what his generation started” as he put it—but apparently the excitement was too much, and he passed away from heart failure only a few days later. Since he died in poverty, having a third of his pension taken away for 20 years, people had to fundraise for his funeral. In the bottom photo, you can see toy bulldozers left on the stairs of the Parliament, as a memento for Joe.   

 

So the question of all questions is—and now what? I don’t know. I can’t even speculate. I guess we’ll have to push through the plague and survive, before any answers start taking shape.

From June to December 2020, I watched people I love getting sick and succumbing to covid-19: beloved celebrities, an old childhood friend, a neighbor, a distant relative, some dear acquaintances, and eventually, my mom.

I’m still processing the loss. I can’t quite talk about it. All I know is that it left me changed.

Among many regrets that I have, one is that I didn’t let mom read “Hiraeth”. She knew I was writing something and that it was set in the ‘90s since we were discussing those years a lot as I was outlining certain chapters, but I hesitated to admit it was a shipping Star Wars fanfic—even if she was a big Star Wars fan herself, even if Luke’s characterization as a disappointed revolutionary and bitter old geek was largely inspired by her. But maybe I should have. Because apparently, I had this story brewing in me for a very, very long time—the story of our lives, of our traumas and divisions, of our hopes and disappointments and healing, of trying to understand better whatever happened to us—I just needed the right motivation to start writing it. (Even if the whole thing began as a joke. After a glass too many, I discussed with some friends the craziest AU fanfic ideas we could come up with. Mine was “What if Reylo but Serbia in the ‘90?” and we all drunkenly laughed.)

Which brings me to my personal question—and now what?

Many of you have encouraged me to turn “Hiraeth” into an original work. At first, I wasn’t comfortable with the idea—the Star Wars backdrop provided me with a shield from the messiness of the Balkan politics, where people still get into bar fights over their perceived truth of the Yugoslav Wars. But taking into consideration everything that happened since I posted the last chapter, I may have changed my mind. And I may have already started working on a standalone version.

Until that is ready—in a few months, in a few years, at some indefinite point in time, god willing—”Hiraeth” is my take on my youth.

Works inspired by this one: