Chapter Text
Volume One: Pale Shelter
MONDAY NOVEMBER 7TH, 1983
Bleary eyes and a clang from the door; Eddie wakes to raw ice in his chest and a gritty feeling in his mouth, like road salt. Padded bench thin and utterly uncomfortable beneath him. It takes a second for vision to meet brain and connect; he says a silent prayer for his neurons, fried by whatever Rick gave him last night, those precious little jumper cables. Maybe something really is listening, because, eventually, they spark. He recognizes the room.
“He wakes,” someone says. The guy opposite him, an older guy with a belly, baseball cap pulled down low over his eyes like a sleep mask. “Thought you were dead for a second there, kid, how much did you drink?”
Nothing, and that was the problem, wasn’t it? Drinking, Eddie could do. Easy. The new stuff– not so much. He pulls himself into a sitting position, feeling for the damp stain of drool on his cheek, checking his features are all in the right places. First time he was here it wasn’t his fault, exactly, just drunk enough to resist the usual knocking around, say something stupid, do something stupider, get his lights punched out for his trouble. At least this time there’s no break in his nose.
“Jesus, how old are you?” the guy says, squinting at him.
“Seventeen.”
The guy shakes his head disbelievingly. “Kids these days. Hell, we were all drinkin’, but not drinkin’ ourselves stupid and certainly not gettin’ caught for it.”
Eddie shrugs. “What can I say?” His tongue feels heavy and unwieldy in his mouth. There’s something sparking up his arms from his fingers, something twitchy and nervous, the way a paranoid weed high feels, though by rights he should be halfway through the comedown by now. What the fuck did he take? “Maybe I’m just stupid.”
The guy scoffs. Then the door opens, and Eddie shoots around to look at it, moves in a way that makes things tense up and zoom out sort of like vertigo. Not really a nauseous hangover, just something vaguely wrong inside his brain. Not like that’s a new feeling, really, for him.
“I catch you in the drunk tank again, kid, and you’re gonna go the way of your old man.” That’s Powell, he sorta remembers, cynical no-nonsense face under a hat that’s no match for the Chief’s own. It was the Chief who picked him up, he thinks? Khaki schmutter, not blue, so it has to have been.
“Well, considering he can’t stand me, I think that would make everyone rather unhappy.”
“Funny. You’re funny,” Powell says, face like a stone. “C’mon, your uncle’s here. I hope he chews you out for all you’re worth.”
Eddie thinks about making the quip: so not very much, then. But it’s by the officer’s good grace that he’s getting out of here at all, so he keeps his mouth shut and eases himself off the bench, not enjoying the way his heart skitters in his chest as he stands up. Why does he never remember that comedowns make him anxious? Fucking idiot. Idiot who can’t remember what he took last night. Fuck.
“Wayne,” he says, when Powell takes him out to the Corridor for Relatives Posting Bail, at least that’s what Eddie reckons it’s called, and shit, Wayne didn’t have to post bail, did he? Was he arrested? Was that–
Wayne is sitting with his hands clasped between his knees, shoulder brushing the shoulder of the woman next to him, Joyce, Eddie thinks maybe, recognizes her as the clerk from Melvald’s and something else too, something he can’t yet place. She’s hunched over and when Eddie speaks her eyes jump to him, big and wild and desperate like she’s waiting for someone, and when he’s not the person she’s looking for her eyes dip to the floor in defeat.
“Eddie,” Wayne says, getting to his feet, and oh, he’s angry. Voice mild, but Eddie can tell. The iron stiffness in his shoulders, and shit, he worked last night, didn’t he, he should be sleeping right now–
Eddie approaches him slowly. The lights are too bright overhead; it’s doing weird things to his vision, like zooming in and out. “Sorry,” he mumbles. Wayne doesn’t say anything.
“Did you see Hopper?” That’s Joyce, looking up painfully from her seat, where her fingers are curled around the edge of the plastic.
Eddie shakes his head. “Sorry.”
Her eyes drop back to the floor. She doesn’t respond. Eddie wonders idly what’s wrong, what’s the matter. She had a no-good husband, didn’t she? Lonnie Byers. He remembers he was friends with Eddie’s dad. Shit, that’s why he recognizes her, which–
He follows Wayne outside without looking back.
Outside, the sunshine is painful. Eddie squints and then thinks better of it, pressing his thumb and pointer finger into his eyes, letting Wayne’s stiff hand on his shoulder guide him to the car. He feels painfully here, is the problem. The hard asphalt through the soles of his boots, the tug of cold air at his growing-out hair. And he’s only in a fucking t-shirt, he realizes now, did he leave his jacket at Rick’s?
He’s pushed against the car, cold and solid at his back, and he opens his eyes to see Wayne’s tired, bitter face.
“Fuckin’ take it, kid, Jesus.” He’s holding out his corduroy jacket, the one lined with sheepskin, his hand still warm through Eddie’s t shirt.
Eddie stares at him for a moment. “I’m sorry,” he says again.
“Just take it.”
Eddie takes it, shrugging it on, feeling some of the ice in his chest melt at the sudden warmth, the smell of cigarettes and engine oil the fleece gives off. “Thanks,” he says, getting in the car. Across the parking lot, he glimpses the Chief’s Blazer pulling in, the guy himself getting out with a grim, hungover expression. Then he looks back at Wayne, whose hand is hovering over the parking brake. “Can we go before you chew me out? I really need a Tylenol and maybe a nap.”
Wayne sighs and begins to back out of the parking lot. “Y’know you’re supposed to be at school, right? It’s nearly nine. If they try to suspend you again–“
“Who’d suspend me?” Eddie says, grinning, and some of that ice in his chest loosens further at the twitch of Wayne’s lips.
But then Wayne is frowning again, and he does look fucking tired, is the thing, tired enough to tie Eddie’s stomach in guilty knots. He shouldn’t do this, he knows. He doesn’t know why he does it. “Look, I ain’t your dad,” Wayne starts. Which, fucking great. Great start. “I ain’t gonna– gonna go round tellin’ you what you can and can’t do. But I’m just gonna say that you–“ He flexes his hand on the wheel. His fingernails are grimy, dirt from the plant embedded up to his nail beds. “I thought you had a handle on all this, kid. I thought we had a handle on it.”
Eddie’s hands are trembling. He digs his fingers into his thighs to try to still them, their frantic jittering. “We do,” he mutters. “It’s not– it’s not like that, Wayne, it’s not–“
Wayne presses his lips together like he doesn’t quite believe him. “Sure. Okay. I just– it worries me, kid. You gotta look after yourself. I can’t watch you just–“
He stops, something weird in his voice, and Eddie can’t look at him suddenly, can’t look anywhere but out the window at the streets flickering past. He runs his hands over his jeans again, tugs on a loose thread in the rip at his knee. “I know,” he says haltingly. “I know, I’m– I’m sorry.”
“Are you gonna be good to drive yourself to school? God knows where you left the van, but you can just drive the car as long as you bring it back before my shift.”
“Yeah, yeah, sure.” Something inexplicable is crawling up his throat right now, which, shouldn’t this have happened earlier? In the drunk tank, or meeting Wayne’s eyes for the first time in the hallway? But it’s happening now, the tightening in his chest, the clamminess in his hands, the feeling like he has to get away and he should have expected this from the moment he let whatever Rick gave him dissolve on his tongue but he is stupid, isn’t he, so why would he have thought about that? When he’s not the sort of person who thinks about it? And now Wayne’s eyes are heavy on him and Eddie can’t fucking meet them because why is he even–
“Breathe, Eddie, it’s okay, breathe for me,” Wayne’s saying, and the car’s stopped, why has the car stopped, they should be getting back so Wayne can get to sleep so he can wake up for his shift so things can keep ticking over the world can keep spinning–
“You should– you should be– mad,” Eddie gets out. “Why aren’t– why aren’t you– mad?”
A silence. He becomes aware — as the ringing in his ears recedes — that that Pat Benatar song is playing faint on the radio, not really either of their tastes, not really something either of them would put on by choice. Love is a Battlefield. He listens to it as he waits. And waits. Eventually he twists in his seat and looks at Wayne, finally, who isn’t looking at him, eyes on a chip in the windshield.
Eddie bites his tongue and then says it anyway. “Y’know, hasn’t it ever occurred to you that it might just help if you– if you got fucking mad for once, if you just– if you–”
Wayne puts the car in gear and they start moving again. “It does make me mad, kid. I never said it didn’t. I just think it– shit, I think you’re probably torturin’ yourself worse than anything I could say, and I always said I wasn't gonna be like–“ He takes one hand off the wheel and scrubs it over his face. “Like my damn brother, so here I am, keepin’ my mouth shut.”
A silence. Eddie doesn’t know what to say to that. He keeps his mouth shut too.
They get back home; Wayne slumps down on the pullout and begins snoring immediately, unlit cigarette slipping from between his fingers. Eddie stands in the doorway and thinks about not going to school at all. But Wayne’s right, is the thing, about the suspension. He’s missed too much class already, and the ones he hasn’t missed he’s not doing great in, let’s be honest, and it’s only November but he’s got a plan, this year, is the thing, the plan to get the fuck out of dodge the second the year ends, and that plan involves him graduating.
So he has to go to school.
He risks a shower and it pays off — hot water, for once, it’s been on the blink for weeks but maybe today’s his lucky day — and he brushes his teeth while trying to avoid his reflection in the mirror, all sunken eyes and an unhealthy hue to his skin. He looks like he spent the night in jail.
But then again, he’s never been very good at trying to be anything he’s not, so the honesty sort of suits him.
It’s nearly ten when he gets to school, his hair still damp and beginning to frizz in the air. He takes a second in the parking lot, hanging his head before the wheel, taking a long breath in and a long breath out. Serves him right for going on a bender on a Sunday, right?
Then he cuts the engine, killing AC/DC in the middle of that recent single he’s not quite sure about, and goes inside, gets greeted by Mrs. Argus’ drawling disdain, So nice of you to join us, Mr. Munson, and slouches in his seat and tries to get his brain to focus on History, which is a losing game, really, they’ve known that for a while.
He feels eyes on him, from the back of the room. He doesn’t look round; he knows whose they are. Knows the person won’t approach him, either, won’t pass a note or whisper down the row like guys get to do to girls. Just stare, and catch him in the bathrooms when he thinks they’re empty, a little shred of privacy in the hallways where privacy doesn’t exist–
Which he does. Catch him in the bathrooms.
Eddie comes in and finds him — Tommy C., the guy from last night, the guy who was watching him in class — laughing at Steve fucking Harrington’s impression of Miss. O’Donnell. Tommy C. with his head thrown back, adam’s apple dipping as he laughs, leaning back against the shitty tiled wall, looking at Harrington, Harrington in a polo and slacks and barely glancing at Eddie as he enters, letting just enough disdain drip from the line of his shoulders to let Eddie know he’s been spotted.
“Well, see ya, man,” Harrington says, skirting around Eddie without looking at him, and the bathroom door slams shut behind him.
“Good friends with King Steve, then?” Eddie says neutrally, leaning against the wall with his arms crossed over his chest, after making sure they’re alone.
“Basketball,” Tommy C. says, checking himself out in the mirror, running a hand through his hair. (Maybe Harrington’s towering mop is making him feel inferior.) Christ, he’s a shallow prick. “You look like shit.”
“Thanks.” Eddie thinks about moving closer and then decides against it. Harrington’s presence is still hanging in the air between them, like a bad smell. “You’re gonna have to explain what happened last night, y’know, because I’m pretty sure I lost a few brain cells along the way.”
Tommy C. looks at him, finally. He’s tall, a little taller than Eddie, a lot taller than Tommy H., which really must make it grate all the more, that he has to be Tommy C., that he can’t even own his own first name. Lost the right to be surname-less to a fucking junior. “You said you were gonna walk home. Seemed mostly coherent at the time, too, but I guess that didn’t work out the way you thought.”
“Worked out with Hopper throwing me in the drunk tank,” Eddie mutters, raking a hand through his own hair, less vain than bedraggled and exhausted. “How do you not look like shit?”
“Maybe you’re just a lightweight.”
Which– okay. Eddie isn’t going to admit to that, no way, but yeah. It might be true, at least when compared to Tommy C. Eddie’s been smoking weed for a while, drinking much longer, but harder stuff? Coke? K? The psychoactive shit they did last night? He’s fairly new to it all. He’s not sure he’s enjoying it. Meanwhile Tommy C. seems old hat at it, seemed right at home the first time Eddie came over to Rick’s and found him trying to blow smoke rings from a bong, the two of them staring at each other for a moment, tall wide jock and local freak, a tacit acknowledgement that the both of them were running from something, here, and they may as well run side by side. Hence, last night.
Tommy C.’s got a weird concentrated look on his face, eyebrows knotting in the middle, kinda cute, if Eddie thinks about it, but he’s sort of telling himself not to think about it, because it’s a bad idea to go down that road. A bad fucking idea. He has half a mind to ask what the fuck are you confused about before Tommy C.’s leaning forward and pressing a shy, but deliberate, kiss to his lips, and oh, yeah, that’s what he’s confused about.
“Thought we weren’t doing that,” Eddie mumbles, looking at the tiles.
“We’re not,” Tommy C. says, grinning that grin. The one that first caught Eddie’s attention way back in freshman year when he was too repressed to even think about it.
Tommy C. claps a hand on his shoulder, like they’re jock friends, and leaves the bathroom too. And suddenly Eddie remembers last night, remembers the sheer euphoria of running off into the woods with Tommy C., the moonlight somehow tender on his skin, how could a single tab of acid make the world feel kind? And Tommy C. pulling him against a tree and kissing him there, kissing him deep, and the way that unreality made so much sense because it was only ever something unreal, only ever something they did high, only ever–
And that’s when the trip went bad, wasn’t it. Colors distorting, the deep of the lake getting deeper, pulling him in as he stood on its shore, trees bending and calling for him in the dark– the dark calling– panic choking him, as he looked at Tommy C.–
Saying, ‘M gonna walk home. How the fuck did he seem coherent?
(His only thought in that moment was Wayne, he thinks. I need Wayne. So in his fucked-up brain, walking home was the answer. Only he never got that far, because a mile or two in the bad trip deepened and it wasn’t just a feeling of horror that gnawed at him, not then, it was visions of the stuff — darkness warping around him, a rustle in the woods too large too fast to be a bear something white and sinewy and even as he knew he was tripping it felt too fucking real–
So he ran, down the middle of the road, matching his feet to the center lines like that would save him, ran for his life, ran almost directly into the hood of the Chief’s Blazer as he was backing out of the Hideaway’s parking lot.)
Maybe that’s what the kiss was about, he thinks, just now. A sort of apology. Eddie brings a hand up to his lips, feels for the ghost of Tommy C.’s touch. Shallow prick. Eddie’s fucked.
At lunch he sits with Janie and the two sophomores Janie’s picked out, Gareth and Jeff, and realizes belatedly that he hasn’t packed himself any lunch, which is fine, he’s not all that hungry, he thinks, as Janie takes a large bite of her PB&J and a glob of jelly lands on her chin.
“Where were you?” she says, pointing at him with her sandwich. He shrugs and pulls one knee up, resting an elbow on it. “I’m serious, man, you missed homeroom.”
Eddie thinks about telling her the story. Not the Tommy C. part, she doesn’t know about that, no one does, but the other stuff. The drugs and the hallucinations in the woods and the waking up in the drunk tank — but Gareth and Jeff, the sophomores, are kind of staring at him with something big and uncomfortable (he feels uncomfortable, anyway) in their eyes so he doesn’t. He just shrugs. “Had a rough night, slept late, you know the drill.”
“Sure.” She does know the drill. The number of times they’ve smoked up in the dead of night because she just can’t stand to be in the house with her mother anymore, some small-minded woman who blames her for the fact her father went back to China — not Janie’s fucking fault that Hawkins is a miserable place — and he sort of feels bad for evading the truth, with her, though he has a sinking suspicion she’s going to outgrow him. She’s not the one getting Fs because she can’t study, is she, after all. “Whatever, there are definitely at least two prime candidates for Hellfire in junior year, I scouted them out when I was tutoring that girl on Friday, plus that Byers kid, the sophomore? Do you guys know him?” She directs this at Gareth and Jeff, who shrug.
“He’s kind of a loner,” Jeff says. “You try to talk to him and he just gives you this kinda blank stare until you go away. He’s, like, weird.”
“Gentlemen,” Eddie says, deliberately, because Janie sort of likes it when he calls her that and he hasn’t quite worked out if it’s a joke or not, “Are we not all like, weird? Is that not the very essence of Hellfire?”
Out of the corner of his eye, he sees Tommy C. pull Tommy H. into a joking headlock as Carol and Harrington laugh their fucking heads off. “Yes, it is,” Janie says, stabbing her ballpoint into her notepad as if for emphasis. She’s working on her History homework as they talk, Eddie realizes, with a sudden premonition of loss. They have better colleges in China than in buttfuck-nowhere Indiana. And she misses her dad. “With any luck, guys, Eddie and I will be long gone this time next year. So why don’t we make this year a fucking great one, okay? If you get new blood in maybe Eddie will finally be convinced to write an actual campaign instead of a bunch of oneshots, wouldn’t you like that?”
The sophomores nod eagerly. Eddie buries his face in the crook of his elbow, still balanced on his knee, in an effort not to groan. It’s not like he doesn’t want to do an extended campaign, sure. For a while it was what kept him sane. But right now–
“What about her?” Jeff says, and Eddie looks up, following his gaze to the tall redhead girl in the line. “Barb. I have math with her, she seems kinda nerdy.”
But Gareth is shaking his head, so vigorously it makes his curly hair bounce off his forehead. “No way, man, she’s totally tight with Nancy Wheeler and Nancy’s dating Steve Harrington.” (Said strangely mournfully.) “No-go.”
Eddie doesn’t know who Barb or Nancy are; he does know that staying clear of Steve Harrington and his type is his only sensible course of action. (He says, after giving Tommy C. a handjob last night, but hey. Who said he was sensible.)
Janie joins him for a smoke after, in their spot behind the bleachers, and it takes only a few puffs in silence before she’s looking at him with an eyebrow raised and saying, “So, either you’ve got a drug problem or you’re fucking someone or you heard from your dad. So which is it?”
“What makes you think that,” he returns flatly, inspecting his cigarette instead of her. It’s making him faintly nauseous. He hasn’t eaten anything since a slice of cold pizza at Rick’s.
“Point one: usually you’re much better at hiding how depressed and anxious you are, unless it’s a comedown. Point two: I know what you’re like. I was there for your thing with Martin last year, remember? Point three: you’ve been weird since they put him away and you’ve been weirder this last week, so I’ll ask again, which is it?”
Eddie gives up on the cigarette and stubs it out against the wall, which is scored with similar ashy marks from all the lunchtimes they’ve spent here doing the same thing. This wasn’t their spot, this was a general smoking spot for all and sundry, until Eddie got tired of sharing and did the one thing that people might respect, rather than punish, which was take Janie’s face gently in his hands and kiss her the second someone came around the corner, that someone being Steve Harrington, who Eddie can’t seem to stop seeing.
(“Guess he’s not a fag after all,” Eddie overheard Tommy H. saying later on, and Harrington scowling, “Whatever, I don’t wanna see them sucking face every time I want a smoke, let’s just find somewhere else, okay?”)
(Eddie apologized to Janie for that as soon as he did it; they’d talked about it before, but he’d sort of assumed she was joking right up until the moment seized him and she looked like she was daring him to. She just laughed in response: “Don’t worry, I know better than to fall in love with you, man.”)
“Try all of the above,” he says finally, folding his arms over his chest and kicking his foot up against the wall.
Her eyes widen. She pushes up the sleeves of her flannel, businesslike, showing off the dark-inked snake on her forearm. “He called you? From prison?”
Eddie exhales, wishing he hadn’t thrown away his smoke. “A letter. Arrived Friday. I didn’t read it. I’m not going to.”
“Hence the…”
“Hence the stupid shit, like getting too high last night and hooking up with someone I really shouldn’t be hooking up with, yeah. Continuing to hook up with. That started before the letter.” He rubs the back of his neck, tugs on his hair, as he started doing like to reassure himself it’s all still there, all still growing out, his fucking dad be damned.
“Right.” Janie’s not really a woman of many words, when it comes down to it. She’s logical to a fault and doesn’t say a word more than she needs to; really, she’s sort of the opposite of Eddie, which is maybe why they’re friends. “If you’re not gonna read it, you should throw it in the trash. Otherwise you’re gonna keep torturing yourself over it.”
“Yeah.”
“And stick to weed. You look like shit.”
Eddie loves her. He does. But he could do with a bit of softness, couldn’t he, just now and then. Just a little bit. He nods and they don’t really say anything more, just head to class, math, which is her worst subject and even then she’s got a pretty healthy B in it which, what does that say about Eddie’s horrible grades?
That evening he has to go get his van from Rick’s, and he thinks about asking her to drive him over there, make it easy, make it quicker. But he doesn’t want her to meet Rick, or more to the point see the way he’ll twitch and flinch as they go through the section of woods where the acid showed him the monster. Shit, dude, you’re fucking yourself up more than anyone else ever could, he imagines her saying, and the way that echoes against Wayne in the car earlier, I think you’re probably torturin’ yourself worse than anything I could say, and he grits his teeth and decides to walk. In silence, because he’s been spending the little money he has on equipment to create music, more than listen to it, like a walkman.
He does buy more cigarettes on his way, when he passes the general store. Joyce isn’t working, Melvald himself is, and Eddie gets a suspicious look from him, Eddie’s tattoos and longish hair and Iron Maiden t-shirt. “Thank you,” he makes sure to say, smiling wide, and Melvald just gives him more evils until he leaves the store. Absently, he wonders about Joyce. What she was doing there, at the station this morning. Not waiting for her husband, the way she would have been a while ago, before they divorced. The way Eddie’s mom would have been waiting for her husband, if they’d been married, if she wasn’t long gone.
His efforts to convince himself not to panic, approaching the woods down Cornwallis, do little to make it not happen. He counts the loose stones he kicks and breathes out evenly and gets startled out of the whole thing by voices ahead, shouting, Will! Will Byers! and he slows.
There are police cars, parked on the side of the road. The khaki figure of the chief, in the distance, standing on the curb strip with his hands on his hips, eyes scanning the woods like he’s looking for something. Someone. Will Byers?
Eddie doesn’t really want them to see him. Not after scraping it out of the drunk tank this morning, Powell’s accusing eyes. But he’s not going into the woods itself, not until he has to, the long looming trees and shadows stretching out, so —
“Munson,” comes Hopper’s voice, when he thinks he’s gotten away with it. Fuck. “What’re you doing out here?”
Eddie turns. Thinks fuck it, he’s got nothing to lose by being honest. “Well, I left my van down here, and I didn’t exactly have a chance to get it when you arrested me, did I?”
Hopper grunts. “S’pose it’s better than you driving under the influence.” He casts another look back at the woods, eyes full of anxiety, and oh. Something real is happening here. Something new. “Go on, kid, get outta here,” he says, just as someone deeper in the woods shouts Hey, chief, we got something–!
Eddie kind of wants to stick around. Find out what the hell’s going on — Will Byers, Joyce’s son, right? — but if his dad taught him anything, he taught him to be smart, to take the chances he gets, never to look back. He’s not gonna push his luck. He’s gonna keep walking.
Half an hour more takes him to Rick’s place, the lake stretching out grey in front of it. His van is there, slotted in next to Rick’s scratched-up Merc (got it in trade, he says, when a regular had no cash left), and for a second he thinks about just driving off without saying hello but also he could really do with a joint, actually, jittery from the woods and Will Byers and he used up his stash in the first wave of oh fuck my dad sent me a letter from prison before he realized grass wasn’t quite enough to dull that particular horror hence–
He raps on the door. It takes a second, but then he hears footsteps, the unmistakable sound of a bottle being set down, and the door opens.
Rick grins wide. “Eddie. Back already?”
Eddie sees the bottle he set down was some cheap-looking red wine, half-empty, sitting on the table in the hall. Rick’s in a wifebeater and shorts, a lot of tattoo-less, middle-aged flesh on display, freckles to go with his scraggy red-ish hair. He opens the door wider to let Eddie in and picks up the wine again — “Drink?” — which Eddie thinks about, he really thinks about, but he’s eaten nothing all day and he has to drive home past a bunch of cops and Janie’s face is sticking with him, logical and cold and you’re fucking yourself up–
“Nah, man. I’ll, uh– I’ll take some grass, though, if you got it.”
Rick’s grin widens. “Sure thing, kid, sure thing.” The house smells like weed, and damp, and plasticky cheese — there’s an empty box of Mac N Cheese out on the counter — and Eddie fights that same earlier nausea as he lights a cigarette and leans back in roughly the same spot he was standing when Tommy C. first kissed him, nearly three months ago, when Rick was out for more beer.
“There’re a lot of cops sniffing around, by the way. Some missing kid, it sounds like. Down on Cornwallis and Kerley.”
“Ri-ight,” Rick says, taking a swig of wine. “What kid?”
“Will Byers, they were shouting for. Lonnie’s kid.” He tries to say the name all neutral, hates showing weakness to Rick, but it does come out sort of strangled. Because Lonnie Byers is a short hop to Bruce Munson, drinking buddies and more, Lonnie the fence for the cars Bruce stole, Bruce who later turned to drugs and became a direct competitor and Rick knows of them both, knows the jump to make, and indeed he does. Make the jump.
“Shit, Lonnie’s kid?” Rick says, after another swig of wine. “Well, Lonnie’s a piece of shit, but no kid deserves that.”
“You only say that because he–” Eddie stops. Does not want to finish the sentence.
He’s not sure whether to be grateful that Rick ends up finishing it for him: “Because he was my rival’s fence, in this salubrious business of mine? Hardly. Your dad only got into the drug scene when Lonnie’d left town, fucking idiot. Drugs aren’t cars, anyone could’ve told him that. But hey. He’s not my problem anymore, so we’re all good.”
“Lucky you,” Eddie says, under his breath, thinking of the unopened letter he’s slipped between the pages of The Shining on his nightstand, stamped Indiana Department of Correction. It could be blank, for all Eddie knows, and maybe it is. And that wouldn’t fucking matter, because the impact of the envelope is the same, the very fact of being sent something is the same.
Get out, his dad said to him, in the heat of the argument as Eddie’s dislocated shoulder shot through with pain, as Eddie spat in return I want nothing to fucking do with you–
And here it is. Something to do with him.
“So, you and Tommy have a good night after you left?” Rick says, sitting down at the kitchen table and beginning to portion out a baggie of weed. “You can roll yourself, can’t ya, kid?”
Eddie nods. “Yeah, it was alright.” He has no desire to mention the cops; Rick was blasé enough about the search for Will Byers, but when it comes to his stash…
“Now there’s a kid can roll.” Rick takes a swig of wine and a few drops of it spill from the corner of his mouth, red on his chin, like blood. “You two make a strange pair, but what can I say? Drugs bring people together.”
Eddie has never been able to work out quite how much Rick knows, about what Eddie and Tommy C. get up to. About crossfaded handjobs and kissing smoke into each others’ mouths; about the two times they’ve tried to actually fuck and the single time it worked because they had lube instead of dry-mouth saliva; about the time Tommy k-holed, and Eddie sat with him silently until he came back down. They’ve kissed sober only once before today, and that time Eddie kissed him, unthinking, and Tommy shoved him back and stared at him with so stricken a look it was like all their high, dreamlike attachments were just that, a dream. A fucking dream.
Not so this morning.
“He’s alright,” Eddie settles on saying, lighting a cigarette as he watches Rick’s hands. Finally, Rick holds the baggie out, and Eddie digs some cash out of his pockets. Fuck, he’s running low.
Rick looks at him. “Y’know, if you need any extra, I’m always looking for someone to cater to the high school market. Most of them get antsy about it, buying from someone like me. But someone they know? Easy pickings.”
Someone they know. Like ninety-eight percent of them don’t despise him; like they don’t refuse to associate with him, like there’s some kind of bad smell hanging around him, the way they call him freak and fag like they can tell, how the fuck can they tell–
“I don’t know, man, I don’t want any more trouble, y’know?”
Rick arches an eyebrow. “Your call, kid, your call. Offer’s on the table.”
He likes Rick because he’s nothing like his dad, Eddie thinks, and sort of hates it, the way even his rebellion from his dad is based on his dad. But here he is.
When he drives back home it’s beginning to rain, heavy sheets of it hammering on the windshield, and in the darkening woods he doesn’t see anything, though he keeps his eyes peeled, stupidly, because it was just a bad trip. That’s all it was.
Wasn’t it?
Notes:
— the fic's title is from the song of the same name by judas priest, released 1978, a cover of the song by spooky tooth released 1969. the song was the subject of a lawsuit that alleged judas priest's recording of the song contained subliminal messages that led to a suicide pact in 1985 — the lawsuit was dismissed.
— 'schmutter' is yiddish-originating slang for clothes.
— pat benatar's love is a battlefield, released september 1983, was climbing the charts in early november.
— the AC/DC single is guns for hire released september 1983, from the album flick of the switch, which was deemed a commercial disappointment in relation to their last two releases.
— stephen king's the shining was published in 1977.
— reefer rick's house is by lovers' lake; lovers' lake, according to the map shown in s2 (found here — it may be a useful reference throughout this fic, though i've used it more as a guideline than a rule), is south of the byers' house and steve's house, so one would have to pass that area in order to reach rick's.
— it might also be helpful to follow along with the show's timeline, found here, though it shouldn't be necessary to understand the plot.i'm so excited to share this fic with you all and i hope you enjoy it! updates will probably be around twice a week, and be sure to follow me on twitter (ohtobeinlove) or tumblr (palmviolet) for news, behind-the-scenes details, and author's commentary (!). let me know if you enjoyed this chapter below <3
Chapter 2: The Weirdo on Maple Street
Summary:
“So, what brings King Steve to my neck of the woods?” Eddie says, after ten minutes of silence, when Mr. Ryan’s left the room. Because he’s had detention a hell of a lot in his school career, and he’s shared it with Harrington only a handful of times. Stupid stuff, like cutting class to make out with his girlfriend or drink a couple beers, thinking he’s rebelling, is what Eddie imagines. He’s not unconvinced that under that pretty head of hair, Harrington’s got nothing but All the Right Moves playing on loop inside his brain.
Notes:
warnings for homophobic language, classism, referenced drug use, and referenced suicide.
(See the end of the chapter for more notes.)
Chapter Text
TUESDAY NOVEMBER 8TH 1983
“–an assembly on the football field in support of Will Byers and his family. All are encouraged to attend. Volunteer assignments for search parties are still–”
Eddie is only half listening; he still doesn’t enjoy the sound of the name Byers, even in other people’s mouths. He shoves his books into his locker and then rests his forehead against the cool metal surface, feeling the effects of his sleepless night — sleepless not because of drugs or the drunk tank, not this time, but because of the letter, because of tossing and turning with The Shining staring at him from his nightstand, the envelope poking out from inside it–
Someone knocks into him from behind, shoving him into the lockers, and when he turns he sees Tommy H. disappearing down the hallway along with Carol and Harrington and also the girl Jeff pointed out yesterday, the redhead, Barb, with a shorter brunette he works out is probably Wheeler, which, hey. Seems like a good call not to tap her for Hellfire after all.
There’s a missing poster on the noticeboard, he sees, as he passes on his way to English. HAVE YOU SEEN ME? and a cute little photo of Will Byers, this tiny kid, a thought that makes Eddie’s stomach turn, because what the hell can have happened to him? Where the fuck can he have gone? In Hawkins, of all places?
Still, he has bigger things to worry about, right now, like the way Miss O’Donnell frowns up at him — she’s tiny, scarcely more than five foot one (makes up for it in spite) — when he doesn’t have any homework to give her, passing her desk on his way into her classroom. Fuck. He didn’t even forget it this time, is the thing. Got two paragraphs into a paper about The Grapes of Wrath before something else caught his attention and that was it, the paper abandoned. Still lying there on top of the pile of sheets on his desk, he’s sure, which is one better than the piles of sheets on the floor.
“What, no excuses this time, Mr. Munson?” she says, arching an eyebrow, tapping her foot on the floor. “Did the trailer park dog eat your homework?”
He hears several people snicker. He doesn’t let his face heat up; he says instead, coolly, “Maybe it tasted good.”
She pinches her lips together. “Detention, Mr. Munson. Today after school.”
Eddie shrugs and slopes off to his seat near the back of the class, though the pronouncement makes his skin crawl. He doesn’t want to be in this godforsaken building a second longer than he has to be. Fucking shit. And he can’t get himself to concentrate, as class goes on, each word he reads sort of bouncing off his brain like there’s a protection spell cast on it — protecting it from John fucking Steinbeck, is the problem, when there are worse things that protection spell doesn’t seem to give a shit about.
Near the end of class he’s startled out of a reverie by something hitting the back of his head — a paper airplane. He follows its trajectory back to Tommy C., in the last row, whose cruel-edged smirk has something else underneath it, even as his friends laugh around him. Eddie holds his gaze as he bends to pick up the airplane. Written on it, in a slanting scrawl that isn’t Tommy’s, Eddie doesn’t think, is TRAILER TRASH.
Cute. Imaginative.
“Must’ve taken you hours to think of that one,” he says, leaning back, and watches Tommy as he says it, the way his eyes twitch over Eddie’s face, something truly fucked up in this guy’s head, Eddie thinks, but hey. Gay in a small town? He’ll take what he can get.
“Almost as long as it took you to land in detention again. What is that, the third time this month?” Another of Tommy’s friends — Nicole, maybe, not that Eddie really cares — says, and Tommy laughs.
“And it’s only November 8th.”
Eddie wonders what the consequences would be, then, of telling the truth. Standing up and telling the world that yesterday Tommy C. kissed him in the school bathrooms; that the day before that, he gave Tommy C. a handjob in the woods, got one of those rare crooked smiles from him that everyone thinks are reserved for girls and game wins — but they wouldn’t believe him. Of course they wouldn’t. Eddie ‘The Freak’ Munson? And Tommy C.?
The freak wishes, he imagines Tommy saying, standing up and laughing. He can’t even tell the difference between fantasy and reality anymore, Jesus. Got them all mixed up in his sick queer head.
“Sounds like someone’s keeping tabs,” Eddie says. Sees Tommy’s face tighten with anger. “Maybe someone likes this trailer trash a little too much, huh?”
He jumps out of his seat before Tommy can lunge for him, though he doesn’t, actually, why was that what Eddie was expecting? But he’s standing up now, and he’s already got detention, so he may as well just walk the fuck out.
“Where are you going, may I ask?” Miss O’Donnell says pointedly, when he’s already halfway to the door.
He smiles broadly at her. “Don’t worry, I haven’t forgotten my date with detention. Just thought I’d make you feel like I really deserve it, y’know?”
“Oh, don’t worry, Mr. Munson, I’m sure you deserve it.” There’s something cold and vaguely foreboding in her stare, but what the hell. He’s got less than a year and then he’s out of here, baby, so where’s the harm in provoking her a little? He flips Tommy C. the bird as he exits the classroom; behind him, he hears Miss O’Donnell saying under her breath (but not really under her breath), “That boy’s never going to get anywhere.”
But he is going to get somewhere; and that’s somewhere’s anywhere but here. Somewhere his dad doesn’t know his address.
On his way to his smoking spot, he hears the hissed whispers of two younger voices — freshmen cutting class, probably — from under the steps, laughter of a malicious kind. “Byers totally killed him,” one of them says. “Perverted freak.”
“Someone definitely killed him. I heard the kid’s a queer, too.”
Eddie surrenders to the impulse to lean over the railings and stare down at them, making his scariest face: “Boo!”
Both freshmen, two boys, shriek. “What do you want, freak?” one of them says, an arrogant-looking blond kid in a Tigers uniform.
“I want you to stop talking about shit you don’t understand, ‘kay? Why don’t you babies run off to class. I heard there are kids going missing out there.”
The other boy’s frightened squeak has him maybe feeling a little bad, for threatening two fourteen-year-olds, even asshole fourteen-year-olds, but then the first kid points a finger at him (a real I’m telling my father type) and says, “If you threaten us again, I’m calling the cops.”
“Let’s go, Jason,” the other one hisses, tugging on his arm.
“Go ahead,” Eddie says airily. Jason scoffs at him, but they scramble to their feet, heading in a direction that’s definitely not back to class but hey, Eddie couldn’t give a shit, really. He proceeds to his and Janie’s spot and smokes three cigarettes in quick succession, trying not to think about Will and Jonathan Byers, trying not to think about Tommy C. Maybe he’s making a horrible mistake, here. Maybe there’s nothing harmless about kisses in the dark in a haze of smoke outside Reefer Rick’s; maybe there’s nothing harmless about the heavy way Tommy C. looks at him, the peculiar malice in his lips as he says the things everyone else says, lips that Eddie knows the taste of. What’s that expression about playing with fire?
At lunch, he slings himself down next to Jeff, who’s saying something earnest about “...should show our support, y’know? Poor kid,” and Eddie gathers he’s talking about the assembly tonight, which, more time at this fucking school? Jesus. He may as well live here.
“Yeah, but what the hell’s an assembly going to do for him, really?” Janie, opposite, has raised her eyebrows. “It’s all just for show.”
She looks at Eddie like she’s expecting him to agree with her. Someone on another table is playing music loud on a radio, which, really? That Prince song that’s everywhere right now, Delirious. He tries to ignore it, though it’s sending his brain scattering across the cafeteria, never very good at isolating a distraction.
“Yeah, fuck the man, right?” Gareth says.
“Well, yes, fuck the man, but this isn’t the man, this is just some poor kid who could be dead for all we know–”
“So if he’s dead,” Janie interrupts, and Jeff frowns, “then to be totally honest, he’s not gonna know any different, is he? It’s just all those assholes who probably treated him like shit, trying to feel better about themselves.”
“Probably,” Eddie echoes, and Jeff nods resignedly, like that’s the end of it, which makes Eddie feel all strange and queasy inside, actually, because is the kid’s mistreatment a reason not to show up for him? “We should go anyway.”
Janie’s eyebrows climb. “Seriously?”
He thinks about I heard the kid’s a queer, too. “Seriously. We freaks have got to stick together, right? Even if that happens to be beyond the grave.”
Her lips part like she’s about to object; then she closes them again. There’s a silent little apology in her eyes, actually, when she looks at him, which he’s going to try not to unpack right now.
The song changes to something new and horribly Duran Duran. He resists a groan and thinks longingly of the safety of his van, where he might blast Dio to his heart’s content, and then realizes he’s signed himself up for another few hours at least before he can get to that bit. But still, all in a good cause, right?
He makes it through the remainder of his classes without any further incident, and then he’s slouching down in his seat in detention as Mr. Ryan stands at the front and says in a monotone, “You both know the drill, I presume, get on with your work, no talking, I got a lot of Xeroxing to do so I’m gonna be in and out but there’s only two of you so that won’t be a problem, will it?” Mr. Ryan looks between them skeptically, like he finds it hard to believe they could get into mischief together. Which, Eddie realizes, looking over at his fellow detention-haver, is pretty accurate, because it’s Steve fucking Harrington.
“So, what brings King Steve to my neck of the woods?” Eddie says, after ten minutes of silence, when Mr. Ryan’s left the room. Because he’s had detention a hell of a lot in his school career, and he’s shared it with Harrington only a handful of times. Stupid stuff, like cutting class to make out with his girlfriend or drink a couple beers, thinking he’s rebelling, is what Eddie imagines. He’s not unconvinced that under that pretty head of hair, Harrington’s got nothing but All the Right Moves playing on loop inside his brain.
“He told us to be quiet, man.”
“Oh, come on, old Ryan doesn’t give a shit. As long as he gets his Xeroxing done in peace, we’re good. So tell me. I’m curious.”
Harrington looks at him finally. “Why the hell are you talking to me?” It’s not the accusatory, don’t look at me, freak type tone that Tommy H. likes to use. It’s just a little curious, really, a little bewildered.
“Humor me,” Eddie says, leaning across the desk, propping his chin on his hand. (Fuck the Steinbeck essay he’s supposed to be finishing — starting — this is more interesting. For some reason. Harrington’s stupid big hair, a swoop of it above his forehead, his faintly stupid eyes.)
“Jesus, man, I just cut class, okay, is that what you wanna hear?”
“Not really. Where’s the panache? The pizazz? You’re a cliché of yourself, Harrington.”
“Oh? And why are you here?”
Eddie pinches his lips together. Fucking smartass. “Skipped one paper too many.”
“Original. Not a cliché at all.” Harrington shakes his head like he’s disbelieving, bending his head over his homework. “Why don’t you get on with your work, man, since that doesn’t seem to be your strong suit?”
His cruelty is sort of instinctual, softened, like shoes that have been worn over and over. Eddie lets it wash over him. “I don’t know, close quarters with King Steve, can’t you forgive my curiosity?”
“You really are weird,” Harrington says. Eddie imagines Tommy C. saying that to him, Isn’t Munson a fucking freak?. And earlier, And it’s only November 8th. Them laughing, Harrington and Tommy, and Tommy H. and Carol and all the fucking rest. Janie saying it would be funny, fond. You’re so fucking weird, dude. Tommy C. saying it, that weird mixed tone of his, half desire and half contempt: You’re a weird fucking guy. But Steve just– says it. Like it’s a fact. Like he has no interest in and no capacity for challenging it.
Eddie looks back down at his paper. He’s written seven words: In Steinbeck’s seminal novel, the sense of
Seminal. No doubt Harrington would find that amusing.
Mr. Ryan comes back in, looks between them resignedly, and then leaves again. When he’s gone, Eddie leans over to Harrington’s desk again and says, “Shouldn’t you be at basketball practice?”
“Shouldn’t you be minding your own goddamn business?” Harrington looks at him, eyebrows raised emphatically, but really he’s wearing a polo shirt so how is Eddie supposed to take that seriously? “How do you know when practice is, anyway?”
Coach Benson is gonna kick my ass on Tuesday, I know it, Tommy C. said on Sunday, Eddie remembers in a sudden flash. But what’s he gonna say, oh, yeah, the basketball guy I’m screwing told me? Not that they’re screwing, really, just screwing with the idea of screwing, messing with it. Messing around. Eddie’s only ever had real sex a couple times in his life, thus far.
“Whatever,” Harrington says, when Eddie doesn’t answer quick enough. They lapse into silence. As Harrington works on his homework, Eddie kicks back in his chair and watches him openly, because fuck it. What’s he got to lose? So he stares at Harrington, at his fine, roman profile (you can tell the guy’s rich, Christ, practically shaped by the gods to look like an aristocrat) and the way he keeps looking at the clock.
“You got somewhere to be, Harrington? Can’t get away from me fast enough?”
“Yeah, well, I don’t know what you’re expecting, Munson. I figured you’d be used to it by now.” Harrington lets this out as a sort of muttered rush, even-toned, not exactly flooded with vitriol but not a nice thing to say either, not that Eddie was expecting nice, because hey. Harrington’s right. He’s used to it by now.
He lets the silence stretch on, this time. Can’t really summon the effort to break it again — not quite sure what he’s hoping for in doing so. Harrington is an asshole. And it’s just the two of them, no one to impress, no one to protect. Just detention. Just their homework.
(And yet something about Harrington gets under his skin–)
He’s been here enough times to measure the schedule of Mr. Ryan’s Xeroxing. He returns twice throughout, Eddie knows, and the third absence lasts the longest, usually more than half an hour. So right after Mr. Ryan disappears the third time, Eddie gets out of his seat and takes his pack of Camels over to the window, hoisting himself up to sit on the sill and pulling one knee up as he lights it.
“You’re a fucking moron,” Harrington says from his desk, pausing in his work and propping his chin on his hand as he looks at Eddie. “You know someone’s gonna smell that shit on you, right?”
“They’d have to get pretty near to me for that. Wanna come up here and find out exactly how close you gotta get?”
He says it to watch the curl of disgust across Harrington’s lips; he’s not sure why that appeals to him. But there’s no such curl. Harrington just looks back down at his desk, a lock of hair falling across his forehead, and his expression is hidden from view.
Eddie smokes his cigarette out the window in silence after that, idly watching the basketball team running a frigid circuit around the track under harsh floodlights, dusk falling over them. Tommy C.’s ass looks good in those shorts.
“Y’know, I can’t believe you don’t want to be out there, freezing your butt off with the rest of them,” Eddie says after a while, not taking his eyes off Tommy C.
“Don’t you listen? It’s not up to me. Didn’t goddamn choose this. Jesus, man, do you ever do any work? I’m gonna graduate before you do at this rate.”
“Aw, anyone would think you cared.” Eddie finishes his cigarette and stubs it out through the window, sliding back into his seat to confront the looming blank page of his essay. The thing is, Harrington’s goddamn fucking right. Because of course he is. If he doesn’t get his brain to knuckle down and actually do something — anything — then he’s not gonna pass the year. Not gonna graduate. Not gonna get out of Hawkins, and fuck that.
He cranks out an eighth word on his paper, and a ninth.
When the clock reaches six p.m. and Mr. Ryan waves them off with a hand full of copied papers, they sort of walk out to the parking lot together. Sort of. Harrington a few paces ahead of Eddie, Eddie dropping back behind, hands slung in his pockets, not in the mood for a confrontation with the basketball team, who send outraged calls over to Harrington from the track where they’re finishing the last of their drills — “Harrington, what the hell, man, you missed practice!” Tommy C. says, as Tommy H. ditches the drills entirely and jogs over to Harrington with a towel around his neck.
“You ready for tonight?” Tommy H. says with a grin, slinging an arm around Harrington’s shoulders, and somehow Eddie doesn’t think he’s talking about the assembly for Will Byers.
Cold in the icy November air, Eddie shivers and slopes off to find his van. When he turns the engine over, his Holy Diver cassette blares to life and for the first time all day he allows some of the tension to deflate out of him. Something about loud music, the right music, reaches some antsy, frantic part of his brain that nothing else can reach and tells it to calm down, and it works. (He thinks that’s maybe why Wayne forgives him the metal played at hours most reasonable people don’t think metal should be played, even though it probably keeps him awake, when he’s not working nights — because it helps. For some reason. Somehow.)
He drums his fingers on the steering wheel in time to the beats of Rainbow in the Dark as he drives downtown, to Benny’s, where he’s supposed to be meeting Janie and Gareth and Jeff for food before the assembly. It’s dark, mist creeping over the road and coiling under the streetlamps, dark enough that the red and blue siren lights are visible from way off down the road.
He slows the van to a crawl. For once, he hasn’t done anything wrong; but there’s a lick of foreboding curling in his gut. A feeling like the feeling he got walking past Hopper and the cops in the woods, calling emptily for Will Byers, like the feeling he got in the dark on Sunday night, so high out of his mind he saw a monster.
Turns out it’s not his lucky day, because the lights are coming from the parking lot at Benny’s. He turns in and hovers in the van — maybe this is a sign, maybe he should just go the fuck home — but then he spots Janie, leaning against her car with a blank, sullen look as she talks to a cop. Anyone else, he would have made himself scarce, but it’s Janie, so he cuts the engine and goes out to join her.
“They’re closed,” she says when he gets near enough, cutting through whatever the cop’s saying — Callahan, Eddie recognizes, and fucking hates that he recognizes, because why does he know the goddamn cops’ names?
“What happened?”
“Suicide, it looks like,” Callahan says. “I’m afraid you’re gonna have to find someplace else to eat.”
“Shit, suicide?” Eddie looks furtively at the diner’s darkened windows. He’s been to Benny’s quite a few times, a favorite of Wayne’s, Wayne who was a friend of Benny’s — greasy fries, greasy burgers, food that’s more about comfort and distraction from the cold world outside than tasting the food itself — Benny who’s killed himself. Benny who–
“C’mon, I’ve got Gareth and Jeff in the car. We’ll have to go somewhere else.” Janie thumbs back at her car, a beaten up Ford Pinto. Eddie pinches his lips together and nods; and together they walk away from Callahan, and Jeff opens the passenger door to talk to them, and Gareth leans in and says something along the lines of “My mom can make us dinner,” which is how come Eddie ends up tailing Janie’s Cortina back uptown into buttfuck-suburbia where the houses are pretty and small and full of annoying little sophomores like Gareth and Jeff. Why the fuck is he doing this, again?
“Who are your friends, Gareth?” is what Gareth’s mom says, when they’re awkwardly hovering in the kitchen, the kitschy cute kitchen plus Janie in her leather and tattoos, plus Eddie in his leather and tattoos —
“Eddie and Janie, mom. Mom, Eddie and Janie. And you know Jeff.”
“Ooh, are they gonna be in your band? That’s exciting.” Gareth’s mom leans her hip against the counter and crosses her arms over her apron-clad chest; she’s got intricately curled brown hair and doesn’t really look like she knows anything about bands. Which, band? Since when did Gareth have a band?
“I told you, I don’t have a band, it’s just me and Jeff. They’re just– friends from school.” Gareth scuffs his socked toes on the carpet — a shoeless household, Eddie had to shed his Docs at the door — and then looks at his mom with an easy grin, and fuck, that easy grin makes Eddie’s stomach turn. “Are you maybe making mac and cheese for dinner?”
“Yep. We got plenty for your friends. Why don’t you go and show them the garage while you wait?”
So Gareth leads them to the garage. While Eddie’s skin itches, walking down this carefully-decorated hallway, family photographs, all the evidence of a perfectly nice life going on. Perfectly happy. Mother and father and son. Suburbia. Fuck. He wonders if Gareth’s mom would be so accommodating if she knew Eddie’s dad was in prison; he wonders if she wouldn’t be more accommodating, and the way that would just make it worse.
The garage is some amateur practice space, a drumkit and a couple amps and little else, save for a couple posters on the walls, Iron Maiden and Black Sabbath and Dio, and hey, maybe Eddie can work with this. Maybe he can.
“So, you’re a drummer?” he says to Gareth, who’s twitching by the door like he’s regretting showing them this. The big scary seniors. Sure.
“Yep.”
“Who’d ya wanna be? Ringo Starr?”
Gareth shakes his head emphatically. “John Bonham, man. Of course.”
Eddie lets a smile grow on his face, because okay. That’s cool. That is cool. “I sing,” Jeff interjects suddenly, and Eddie looks over at him. “And sometimes play guitar. Jimmy Page is cool. Jimi Hendrix too. But I kinda– I don’t know, I wanna be Ronnie James Dio.”
“You’re damn right,” Eddie says, allowing the smile to broaden. “So all we need’s a bassist, and we got ourselves a band.”
“Wait, seriously?” Jeff’s eyes have gone big. And yeah, maybe Eddie’s surprising even himself in this moment. Investing in something. He hasn’t felt able to invest himself in something in a while. But, like, what the hell. What the fuck. Why not? People are going missing and killing themselves out there. No time like the present.
“So I gotta find you guys a bassist, then?” Janie’s leaning against the wall, raising an eyebrow. Her socks are pink, a fact rather at odds with the rest of her dark leather, ripped denim outfit. It’s kind of a nice touch. Throws the rest of it into sharper relief. “Because I’ve had so much luck finding people for Hellfire.”
“Killjoy,” Eddie says, and she sticks her tongue out at him, but it lacks its usual bite and wait, she’s got her shoulders hunched, something uncomfortable in her face. Like she’s regretting this, bringing these two sophomores in. Like she’s feeling left out. But before he can step closer and say something — no idea what, Janie rarely lets any sort of emotion show and even rarer is the occasion she needs reassurance — Gareth’s mom is poking her head around the door, calling them in for dinner all domestic-like, all Norman fucking Rockwell and Eddie could scream. He really could.
Gareth’s mom (Andy, she tells them, Andrea but really it’s Andy) spoons out homemade mac and cheese into bowls and directs them to a cute yellow dining room, where she hovers in the doorway and says something to the extent of, “It’s really good of you kids to go to that assembly, you know, for that poor missing boy. My friend Karen, she knows the boy’s mom, it’s just horrible–”
Eddie wonders at that. At how many people are gonna start saying oh, yeah, I was friends with Will, oh, yeah, him, I had Chemistry with him, oh, he was a sweet kid– when they don’t have any right to. And the more tenuous connections, this friend of a friend of his mom. Maybe Eddie should stand up and say my dad was friends with his dad, before my dad went to prison. How would that go down, he wonders? How entitled to the homemade mac and cheese would he be then?
“You dread to think of it happening to your own kid, of course.” Do you? “I remember once we lost Gareth in a Kroger. It was like the floor dropped out from under me, you know, I just felt like I was falling… of course, we found him trying to lick up spilled milk in aisle five, but you never forget that fear, do you?”
“Mom,” Gareth mumbles, cheeks red. “I was four.”
She smiles fondly, ruffles his hair. “Oh, Jeff, how’s your dad doing, by the way? I dropped off some flowers with your mom the other day but I didn’t have the time to stop in.”
Jeff shifts in his seat. “He’s about the same. It’s–” an uneasy look at Eddie and Janie, like he’s afraid of being judged, which, seriously? “–it’s a lot on my mom, y’know, looking after him, but we’re doing okay.”
“Good, good, I’m glad. You just let us know if you ever need anything, okay?”
She smiles at him and then goes back into the kitchen, leaving Jeff studying his bowl with a concentrated, awkward expression, until finally he seems to pluck the courage to look up and say, “My dad, he’s got leukemia.”
“Shit,” Eddie says. Janie echoes it. He resists the tired platitudes — a dad in prison is different from a dad dying of cancer, but he gets the sense that the feeling is the same, of hearing I’m sorry once and never wanting to hear it ever again — and draws the kid into a conversation about Led Zep instead. And Led Zep leads to Ramble On, leads to Tolkien and The Silmarillion and stuff Janie likes too, and it’s a palpable shift in the air, actually, the moment Jeff and Gareth relax. Remember that oh, yeah, these two seniors may be seniors but they’re no more cool than we are. And fuck coolness anyway.
After dinner, they drive back over to the school, where a surprisingly large number of people are gathering in the parking lot, funneling through to the field, talking and laughing, sure, but here for Will Byers nonetheless. Some undefeatably cynical part of Eddie can’t help but believe they just want a piece of the action — the inexorable pull of notoriety. How cool is this, a kid went missing from our town! Our little town! Maybe we’ll make the Big Three!
No Harrington. No Tommy H. or Carol either, though he does spot Tommy C. over on the bleachers with a few cheerleaders. He’s not sure what that makes him feel; whatever it is, he pushes it down. Just stands with Janie and Gareth and Jeff in the cold night air, under full white floodlights, watching some teacher from the middle school light some candles and say some shit about God bringing Will Byers home safe, mostly snatched away on the wind, thankfully, really, because what the hell is God gonna do? But people around him are nodding gravely, closing their eyes to pray, including the arrogant freshman, Jason, from earlier, Eddie sees, holding the hand of some strawberry-blonde girl with a vaguely familiar face.
He closes his eyes too, but not to pray. It’s more so he doesn’t let out a fucking scream at the kid, for being here, for having the goddamn audacity. Someone definitely killed him. I heard the kid’s a queer, too. Where the fuck do they get off? Saying shit like that? And then wanting a piece of the grieving pie?
Will Byers, Eddie thinks. If you’re out there, you’d better come the fuck home, if only to shove it in these assholes’ faces.
When the assembly’s over, the crowd begins to disperse. Eddie’s walking alone back to his van when he hears running footsteps catch up with him, and he spins around with his keys in his hand (not the first time he’s been jumped) to see some nondescript senior he doesn’t really know, Jack, maybe? And Jack leans against the van with a twitchy smile and says, “How much?”
Eddie stares at him, uncomprehending. “What?”
Jack leans closer, dropping his voice. “Y’know, how much? For, like, I don’t know, half an ounce?”
Holy fucking shit. Eddie drops his eyes and runs a hand over his face, unable to resist the urge to laugh. “Yeah, uh, no. I don’t know where you got the impression I sell from, but, uh, I don’t. So.”
“You sure? ‘Cause Tommy was talking about it, and, like–”
“Tommy?” Eddie wheels around, looks at him sharply. “Which Tommy?”
“...Tommy C.?”
He slumps back against the van, all the righteous tension going out of him. Tommy C.’s been spreading that shit about him? When– when Tommy C. knows about his dad. When Eddie’s been so out of it it’s just come spilling out, the arrest, the remand, the court case and the verdict and the years he was sentenced to, not that Eddie was around for any of that but he had to hear about it anyway–
Saying it drunkenly, slurring into Tommy’s shoulder. Tommy listening and not saying much and giving him a handjob afterwards, Eddie’s face pushed tearily into the side of Tommy’s neck.
Tommy should fucking know better.
“For fuck’s sake,” he lets out softly, pressing the tips of his fingers into his eyes. “I don’t goddamn sell, okay? So fuck off.”
Jack raises his hands, backing off defensively. “Hey, just asking. Jesus. Woulda thought you’d need the cash, anyway, but hey.”
“Wanna pay me to suck your dick, too? You like that? Fuck’s sake.” Jack shoots him a disgusted look and slopes off into the dark, leaving Eddie alone by his van, staring into the night and feeling the urge to hit Tommy C., hard, closed-fist. But he’s not that sort of person. Never has been.
Maybe if he was, things would be easier. But he’s not. And they aren’t.
Notes:
— the grapes of wrath is a common set text, written by john steinbeck, 1939 - it explores class struggle and rural poverty in the great depression
— 'the dog ate my homework' was popularised as an expression in the 1970s
— delirious by prince was no. 8 in the us top 40 singles chart for this week in november 1983.
— the duran duran song is union of the snake, released 17th october 1983
— 'xeroxing' is photocopying, commercially introduced by xerox in 1959.
— all the right moves is a sports movie released october 21st 1983
— the ford pinto was on the market 1971-1980; it's the same model as joyce's car.
— ringo starr was the drummer for the beatles.
— john bonham was the drummer for led zeppelin; jimmy page was their guitarist.
— jimi hendrix has been deemed arguably the greatest guitarist who ever lived; he was active in the late 60s, until his death in 1970.
— ronnie james dio was a metal vocalist of elf, rainbow, black sabbath, and dio fame.
— ramble on is a led zep song released 1969, with lyrics referencing tolkien
— the big three are cbs, nbc, and abc, the dominating networks until 1990phew, a lot of notes there. let me say i've been blown away by the response to this fic already, and i'm so excited to see what you think of the ongoing chapters. let me know if you enjoyed this one below, and, as always, find me on twitter (ohtobeinlove) or tumblr (palmviolet).
Chapter 3: Holly, Jolly
Summary:
Eddie’s walking across the parking lot from his van when he passes Jonathan Byers in his own car, stereo blaring some Talking Heads song about washing that love away — what the fuck is he doing here? Is he seriously coming to class two days after his brother disappeared? Eddie, if Eddie were Byers, would be taking any goddamn excuse he could get. And it’s a pretty good excuse. But when Byers gets out of his car and they walk sort of adjacent to each other into the school, he soon peels off in the direction of the darkroom. Not that that’s any less weird. Photography? Now? But whatever. Who is Eddie to judge?
Notes:
warnings for referenced suicide, referenced child abuse and homophobic violence, referenced drug use and drug dealing, and referenced AIDS.
(See the end of the chapter for more notes.)
Chapter Text
WEDNESDAY NOVEMBER 9TH 1983
“You gonna open that goddamn letter, kid, or is it just gonna sit there in that Stephen King book for the rest of your life?”
Eddie looks up from pouring Honeycombs into a bowl as his uncle drops his keys on the counter, his hat on its peg, bones creaking as he leans against the counter and lights a smoke. He smells like cold and the plant, sharp chemicals and winter air, but it’s sort of a comforting smell. “Who says I haven’t thrown it out?” Eddie argues, sloshing milk over his cereal and then replacing the carton in the fridge. (Ignoring the various bills Wayne’s stuck there using novelty fridge magnets.) It’s a rare morning he eats breakfast — usually too late/hungover/deep in a comedown (choose your own adventure) — but since Sunday he’s been giving it a rest. Keeping it clean.
“I do. ‘Cause I know you, Eddie, and you ain’t thrown that shit out. So get on with it.”
He eats a spoonful of cereal. Watches the curl of smoke drift upwards from Wayne’s cigarette. “He doesn’t get to talk to me.”
“No, damn right he doesn’t.”
“But I can’t just– don’t I owe him that? At least?”
“You owe him shit all, kid, and you’d better remember it.” Wayne’s eyes are stern.
Eddie just shakes his head, trying to dodge that gaze as he rounds the counter and absently switches on the TV. It’s a news program, some reporter standing outside Benny’s, the whole place bracketed with yellow crime scene tape. “...second tragic incident to befall this usually-sleepy town. The police deny the two events are connected, but as the search for Will Byers continues, residents can only–”
Eddie turns it off again. He feels Wayne moving behind him, coming to stand beside him, eyes on the blank television screen. “I just can’t believe it,” his uncle says, voice sad and weary and resigned. “Benny– shit, he was such a character, y’know? Had time for anyone. Wouldn’t suffer fools, but had time for damn near everybody else.”
“Yeah,” Eddie allows, having been on the receiving end of the not suffering fools more than once, but hey. The guy was nice enough. And now he’s dead.
Eddie’s walking across the parking lot from his van when he passes Jonathan Byers in his own car, stereo blaring some Talking Heads song about washing that love away — what the fuck is he doing here? Is he seriously coming to class two days after his brother disappeared? Eddie, if Eddie were Byers, would be taking any goddamn excuse he could get. And it’s a pretty good excuse. But when Byers gets out of his car and they walk sort of adjacent to each other into the school, he soon peels off in the direction of the darkroom. Not that that’s any less weird. Photography? Now? But whatever. Who is Eddie to judge?
In the hallway, he passes Harrington and the Wheeler girl necking by the lockers, which, that he’s definitely allowed to judge. That’s just gross. Equally gross are Carol and Tommy H. making sex noises at the two of them in the cafeteria that lunchtime, as Eddie sits down next to Gareth, who turns to him eagerly and says, “Do you think Jeff and me should join band?”
Janie rolls her eyes. “Dude, we’re supposed to be convincing him to DM our next campaign, not distracting him with something new and shiny. Focus!” She snaps her fingers, which is a little uncalled for, maybe, though Eddie just flips her the bird in response.
“Absolutely not,” he says. “School-sanctioned music is a wheel that crushes all creativity in its path.”
“But you’re in band,” Jeff points out.
Eddie shrugs. “They won’t let me quit.” And a grin: “I’m just that good.”
“Do girls like band?” Gareth says, and Eddie wants to laugh, because who the fuck is he asking?
“They like bands. Not band,” Janie huffs. “Don’t tell me Hellfire is gonna be about impressing girls from now on; I swear to god, I’ll quit.”
“Of course not,” Gareth says, hurriedly, and great. Just fucking great. Judging by his mom (not that Eddie really believes in that Freudian bullshit, but still, he doesn’t have a mom and look at him—) he’ll be after some brown-haired suburban type, kind and cookie-cutter and just a little bit intelligent, and just like that, Eddie can track the direction of his gaze over to Harrington’s goddamn fucking table.
“You do not have a thing for Wheeler.” Eddie can’t quite believe his eyes. “Oh my god. Steve Harrington’s girlfriend. You have a thing for Steve Harrington’s girlfriend. What the shit, dude?”
“Shh!” Gareth hisses, eyes darting around the cafeteria.
Jeff rolls his eyes. “Worse than that, he thinks band is the way to her heart.”
“Oh, my friend, you’re way beyond help.” Eddie gives him the approximation of a sympathetic look. Empathetic, maybe, because can he really talk? Tommy C. Fucking Tommy C.
Which, speak of the devil–
He pushes back from the table and hurries out of the cafeteria after Tommy C., deaf to Janie’s call behind him, because he hasn’t seen Tommy C. all day and he needs a fucking minute with him, okay? So he’s standing by Tommy C. by his locker, which is not something he’s ever done, actually, not really something he’s allowed to do, here where everyone can see, but fuck what he’s allowed to do. Fuck it.
Tommy must see some of this fuck it emotion in his face, because the angry slope of his brow eases into something more like confusion. “What is it?” he says, glancing around and ducking his head, still. Asshole.
“We need to fucking talk.”
Another furtive look. “After school, okay? That spot in the woods.”
Eddie doesn’t want to say okay. He wants to grab Tommy’s chin and force him to look at Eddie, not at the hallway and the people and everyone he’s afraid of displeasing but Eddie, just look at Eddie, for once– look at him and see him– he wants to say fuck the woods, talk to me here, talk to me now, give me what I deserve–
But Eddie doesn’t know what he deserves. Won’t know, maybe, until he opens that fucking letter. So he just nods, cold, and turns away.
He’s got half an hour after school finishes before he has to play in band for the stupid fucking sports game, so he has time. The second the bell rings he gathers up his stuff and goes out past the track, ducking into the woods, gathering his jacket around him against the oncoming evening. He’s hung out with Tommy here before, here by the lonely picnic bench and a whole lot of dead silence. No one ever comes out here. That’s why they chose it.
Tommy emerges a couple minutes later, wearing his Tigers jacket with his hands slung deep in his pockets. He sits on the table next to Eddie, a couple feet away, like he’s not sure if he’s allowed to touch him or not, or else he just doesn’t want to. Which, the latter’s probably more likely, let’s be real.
“So, what d’ya wanna talk about?”
Eddie presses his mouth into a thin line, a deep breath before responding. “You’ve been telling people I sell.”
“I haven’t. I just mentioned you and gear in the same sentence, that’s all. People draw their own conclusions.”
“Right.” Eddie’s skin feels tight, ill-fitting, itchy. Faintly ill. “Just like they’ve always done, right?”
“Eddie–“
“Why the fuck are you even talking about me? Doesn’t it– I don’t know, doesn’t it make you feel weird, calling a guy a freak right after you kiss him? Isn’t that a little bit, uh, messed up? In your head?”
A silence. Eddie risks glancing over at him; he’s studying his hands, a strange, twisted look on his face. “You’re right. What we’re doing is messed up.“
“What– that isn’t–“ Eddie pinches the bridge of his nose. “That isn’t what I meant.”
“Isn’t it, though? I mean, we’re nothing alike. And you’re a guy, and this is just–“
“–your dirty little secret. Yeah, I know the drill. Two halves of your life, ne’er the twain shall meet, et cetera et cetera.”
“My dad would fucking kill me.”
Another silence. Eddie doesn’t really know what to say to that. “Well, my dad nearly did, so.”
“And how’s that working out for you?”
“You’re a fucking asshole,” Eddie snaps, pushing off the table and walking a few paces away. He hears the scuffle of leaves behind him, Tommy C. hurrying to follow.
“I just meant– he already thinks the shit I care about is pointless. Going to college, and all that. He just wants me to inherit the store and never go anywhere, never get out of this shitty town. Going hunting on the weekends is his only idea of fun, like–“
Because of course, it’s easy to forget that Tommy C. isn’t quite like Tommy H. Like Harrington, or Carol, or that little shit Jason in freshman year. Smaller house, more local ambitions. That’s the reason he’s the second Tommy, after all, instead of the first.
Maybe that’s why he’s clinging to all that crap so fucking hard. A foot in both worlds. “Can you just cut me some goddamn slack, please?”
Eddie doesn’t want to. Eddie wants to walk away and never look back, surrender to the itching in his skin, maybe scream a little bit. But who else is going to look at him like Tommy C. does? That heavy look? Who else is going to touch him? He can’t just throw that away.
Gay in a small town.
“Fine,” he says, closing his eyes as he exhales and turns back around. He feels Tommy’s hands settle on his shoulders, pulling him closer, their foreheads pushing together. He feels Tommy’s sigh of relief, breathed over his cheek. He feels the way Tommy wants him, and hates that he wants him, or wants to hate that he wants him but can’t quite manage it all the way.
Tommy kisses him lightly, furtively. He tastes like cigarettes and gum. Face rough with the hint of stubble. Eddie feels like an idiot. Maybe he is a fucking idiot. But he can’t get this anywhere else, can he? The way Tommy drags a hand through the long hair at the nape of Eddie’s neck, makes him feel held, for a sec, just a sec. Shit.
They walk back to the parking lot together, arms brushing, fingers linked for just a moment before they get to somewhere people can see them and their hands fall apart. The parking lot is strangely busy, actually, for this time of day, people milling by their cars all circling around a central focus, one car, Jonathan Byers’ car. Eddie frowns and leans back against his van, lighting a smoke, watching the commotion from a distance, watching as Harrington sends Byers’ camera crashing to the ground with an audible crunch.
“C’mon, let’s go, the game’s about to start,” he says to Tommy H., to Carol and Wheeler too, but Wheeler doesn’t follow immediately. She crouches down with Byers and helps him pick up the torn-up pieces of paper littered on the ground, glossy photo prints, the reason he was in the darkroom earlier? And Eddie has to look away, because there’s something about that, isn’t there, the careful movements of Wheeler’s hands, the way Byers is frozen on the asphalt.
“Shit, I wonder what he did,” Tommy C. says softly, behind him, and Eddie’s almost shocked he’s still there.
“What makes you think he did anything?” Eddie defends reflexively, though really he has no reason to, actually, because what has Byers ever done for him? But he went to the assembly for Will. But they’re both freaks. But that means something.
“Call it a hunch.” Tommy shrugs easily. “You coming to the game?”
“Remind me, what mindless ball sport is it this time?”
“Like you do anything mindful. It’s football.”
“Oh, how I wish I could say fuck no. I’m in band, remember?” Eddie watches the flicker of uncertain dismay across Tommy’s face, the little bit of disgust he can’t quite hide. Get the hell over it already, Eddie wants to say. This is what you signed up for. He doesn’t say this; he just gets his guitar out from the back of his van, his fucking awful uniform, and heads back into the school, feeling sort of strange about the way Tommy follows along with him, only peeling off to go elsewhere when Eddie starts plugging his guitar in.
He’s not sure anyone in band really likes him. Most of them are quieter types, hiding behind clarinets and trumpets and drums (there’s no way in hell he’s letting Gareth join band), the way he likes to hide behind long hair and the Saxon t-shirt he still wears under his uniform. Plus there’s no avoiding the contemptuous suspicion a lot of them seem to hold him in, like he’s cast some spell on the band director to let him play the instrument he wants to play. Because granted, it is unusual. An electric guitar at the halfttime show with the marching band? Who knew Hawkins could be modern? But hey, gift horse, mouth. So he just sets up his guitar, and when he’s done he wanders over to the stands to listen with half an ear to the gossip, did you see what Steve Harrington did to Jonathan Byers–
“More like what Byers did to Steve,” someone else says. “You know the creep took photos of Steve and Nancy, like, undressing?”
“Jesus, that’s totally gross.” The girl nearest Eddie is leaning back, trumpet held loosely in her hands, craning her neck as if to dive into the conversation more deeply. It’s being held between a girl with an oboe and a guy with a saxophone, both juniors, Eddie thinks, neither of whom seem to pay the trumpet girl much heed. “So what did Steve do?”
“He broke the creep’s camera,” saxophonist says impatiently, not really looking away from oboe girl. Trumpeter sort of deflates.
“And tore up the photographs,” Eddie offers her, in a low tone, as the two juniors’ conversation moves on. He recognizes someone trying too desperately to fit in; clearly, she hasn’t quite learnt she doesn’t have to yet. “Harrington did.”
“Jesus,” the girl repeats, looking at him with wide, wary eyes. For fuck’s sake, he thinks about saying. Take what you can get. “Sorry, I’m– I’m Robin.”
“Eddie.”
“I know.” She winces at herself as his eyebrows climb.
“My reputation precedes me, et cetera?”
“Something like that. I’m sorry. You– uh, you play guitar?” She nods over to his place by the sideline, where he won’t need to be until halftime.
He mimes strumming a few chords. “Sure do. Since way back in middle school, actually, I don’t know if you remember the talent show, but…”
“Oh, I remember the talent show.” Robin looks at her shoes — beat-up red converse — and then back at Eddie, a flush coloring her cheeks. “Aside from me not making a sound because there was lint in my trumpet, I had a great time watching everyone else embarrass themselves too. They never did it again, did they?”
Eddie smiles, a little gleefully. “Never again. I believe Principal Coleman called it a colossal disaster.”
She laughs. “Right. That’s funny.”
They settle into a comfortable silence as the stands fill up, ready for the game to begin. There’s something about her, something Eddie can’t really place. The clumsy awkwardness, the cynicism, the earnestness beneath it. She’s got chipped black nail polish and eyes that go wide when they find Tammy Thompson trying to talk to Harrington in the stands.
His own eyes land on Tommy C. Sitting behind Carol in the stands, watching the game intently. Not sparing a glance for the band — why would he?
At halftime, he goes down to the sideline and plays along with it all as Robin and the rest do their thing on the field; he’s glad he doesn’t have to march around with them, at least. He needs his music class to graduate — if Mr. Tapia was a little more conservative, he’d be stuck playing the flute or something, but as it is he can settle into the familiar rhythms, moving his fingers up and down the fretboard as his mind wanders. He doesn’t hate band, he thinks. Hates the uniform and the sneering looks from the people who play what they like to call real instruments, but he doesn’t hate being in band itself.
After the halftime show he rejoins Robin in the stands, because the trade-off with Tapia is that he gets to play his guitar but he has to show his support at all times, meaning he can’t just sneak off now his part is done. And when the game’s finished (Eddie doesn’t even know the score, having spent the whole thing trying to think of a way to work in a Tolkien reference to the last song he wrote, nearly a year ago), Robin glances over at him and he takes the opportunity to say, “Hey, you ever been interested in DnD?”
“The thing with the– with the dice, right?” Her eyes are bright for a moment, pleased she’s being invited to something, before something clearly connects in her mind and her smile dims. “Wait, are you inviting me to that Hellfire Club? Because, I don’t know, isn’t it all a little bit– loud?”
Keeping her head down. Willing to be a band geek, but no weirder than that, and hey. He can understand that. If he’s right about the way she looked at Tammy Thompson, he can definitely understand that, but he’s also learned that it doesn’t serve you very well, if you’re weird enough anyway. Innately. Naturally. They seek it out in you; they find it regardless. He learned that at the start of his junior year and tried never to look back.
So she declines, and mentally he wishes her luck with this whole fitting-in thing she’s trying to do. May it work out for her better than it worked out for him.
When he gets back to the trailer, his uncle’s there, smoking out front — never a good sign — and he cuts the engine, Judas Priest’s You’ve Got Another Thing Coming dying into silence, stepping out with his hands twitching nervously over each other. Never a good fucking sign. Last time his uncle was waiting on the porch like this — in hot summer sunlight, air humid and clammy and sweating — Wayne had stepped forward and said, without preamble, “It’s Bruce.”
(Wayne doesn’t like to call him your dad. Feels wrong, he says. Eddie appreciates that.)
“What’s he done now?” Eddie had said, kicking dried-up dirt off his boots as he climbed the steps, more for something to do than because they were really dirty. He’d been at the big record store a couple towns over, buying the new Motörhead album, which was wrapped in brown paper and tucked under his arm.
“They arrested him. It’s bad. Drugs, and some shit, god, I don’t goddamn know– didn’t know it was this bad, shit.”
The first thing Eddie felt then was a deep-seated relief, a relief so strong his knees went weak underneath him and he sat down heavily on the bench, holding the record in both hands. Numb, he had unwrapped it and looked at the cover for a moment, tracing the orange and blue whorls of Snaggletooth’s tusks with trembling fingers. Because he wasn’t just relieved, was the thing. He was horrified. A horror that took root in his bones and didn’t want to let go. Because this was something real. Something he couldn’t ignore. Living with his uncle, he’d been able to pretend his dad was away on business, or ill, perhaps, chronically (but not terminally) ill and would one day be better and back to scoop him into a better life — these were his dreams, his denial-filled dreams, and that his father’s Badness had been recognized by the government, now, by the law, something immutable and written down, a matter of record–
There was no going back.
This is the memory that greets him, with the sight of Wayne on the porch. But Wayne is quick to wave off his stricken, edge-of-panic look with a cigarette-bearing hand, though his uncle’s frame is still tense: “Car’s fucked,” he says, tightly. “Sorry, kid, didn’t mean to scare ya, but…”
Perhaps selfishly, Eddie’s first thought now is like fucking hell I’m taking the bus to school. His newfound confidence — start of junior year — was earned to coincide with his newfound freedom, namely, having a vehicle of his own. Not having to hunch down around the middle of the bus, getting pinched in the arm and gum stuck in his hair, which was still fairly short, then, an awkward length that hung around his ears where everyone could tell it was growing out of something worse. On the bus, he was an easy target — and no walkman, worse, so having to listen to whatever Top 40 bullshit alongside the itching, grating voices from every angle, the way it was too much sometimes and he’d have to lock himself in a bathroom stall before class to get his anxious, irritated nerves to quit screwing around. He’s far from keen to do that again.
“You dropped it off at Thacher’s?”
Wayne nods. “He says it might not be fixed til Monday; that’s if they can fix it at all. Drove there on goddamn fumes.”
It’s not news that bodes well. Eddie knows what Thacher’s like — even worked at the garage under him last summer, when he was saving up for his guitar, and had been hoping to work there again this recent summer but the news about his dad had been all over town, and Thacher wanted to run a clean business, whatever the fuck that meant, so he went jobless. The guy has a tendency to over-promise, not a great tendency for a mechanic, so if there’s doubt it’s even possible then it’s probably not possible at all.
So they’ll need a new car. Shit.
“I can– I can, y’know, drive you to work. And pick you up, and stuff?” He lets his voice rise in question at the end, hesitant about it, not wanting Wayne to turn it down out of misguided pride and also not wanting to end up on the fucking school bus. (He thinks if he has to catch that bus ever again in his life he’s going to lose it, just go completely and utterly insane. Full mental break type shit.)
Wayne looks at him for a moment. Scrubs a hand over his face, and then waves it dismissively. “Yeah, that’d probably work. We’re gonna need to–” He stops. Beckons Eddie inside, and when they’re inside he stubs out his cigarette and pulls both hands over his face and then takes the bill from the fridge, letting it fall to the counter between them. “Things are gonna be tight, Eddie. If I need a new car…”
Eddie feels hot and tight and anxious at that. Money was never really an issue when he lived with his dad, mainly because the asshole was always doing illegal things to source it, though Eddie never really had anything in the way of his own money. The one time he filched five dollars from his dad’s wallet he wound up with a black eye that stung and swelled and got worse when his dad hit him again, because he said so it’s alright when we steal from other people, but not when–
Maybe he’s just not used to it yet, the constant gnawing of worry in his stomach. Wondering what would happen, if the worst happened. Could they end up on the street? Unable to afford the rent for the spot in the trailer park? And maybe that’s why he hasn’t tried hard enough to get a job. Because he’s not used to it. If he’d argued harder against Thacher, or took the stuff he learned at Thacher’s Tires someplace else, someplace they wouldn’t deny him just because of his last name–
“Stop that,” Wayne says, frowning at him. “This ain’t for you to catastrophize over, kid. I mean it. We’ll work it out.”
Eddie takes a deep breath in, realizing suddenly that he’s gone lightheaded. “Yeah. Sure. We will.” Then he registers something. “Wait, shit, you need to be there tonight, we should–”
“I called ‘em. Told ‘em about the car. I don’t work til tomorrow night, now. Night off.”
Eddie smiles at that, pushing his nerves aside. Because it’s a rare occasion that they get to spend the evening together; Wayne working the nightshift has them passing like ships in the night, overlapping only for stupid shit like picking him up from the drunk tank. So he’s glad.
“How about you drive over to the video store and find us a movie while I make us dinner? Nothin’ too gory, you know I don’t like that shit.”
He grins wider. “So Grease 2 then, perfect.”
“Not that shit either!”
Eddie laughs to himself as he gets back in his van. The counter at Family Video is manned by some acne-ridden guy who graduated last year, maybe, who looks at Eddie with a bored, sleepy expression when he presents the VHS to pay. He’s gone for the Life of Brian, but if he was hoping for any sort of scandalized reaction from this guy, he’s disappointed. He’s amazed they’re allowed to rent it, actually, he doesn’t even have to show any ID. Though in the eyes of Hawkins’ congregation, he’d be less sinful renting an XXX rated porno.
He’s seen it before, but Wayne hasn’t; he’s toeing the line a little bit here, though he knows Wayne isn’t exactly God’s biggest fan. But no gore, right? When The Evil Dead looked so tempting from its shelf across the aisle…
When he gets back, the trailer smells homey and inviting. Wayne’s making biscuits and gravy, and frying up eggs and bacon in a pan — breakfast for dinner, which is maybe Wayne’s best skill. Eddie’s first few nights living with him he didn’t eat anything, not until the Friday night when Wayne brought out sausages and eggs and biscuits and told him to eat, no, that ain’t a suggestion, boy, and eat he did.
“You get somethin’ good?” Wayne says, without turning from where he’s stirring the gravy.
“The Life of Brian. You’re gonna love it.”
“I’ll be the judge of that.”
Eddie sets the tape down on the counter and leans back to watch Wayne cook, his easy steadiness, solid and here in a way that Eddie’s not, has never been. He doesn’t know how his uncle puts up with him, sometimes, and that’s the sort of feeling that makes his eyes sting so he puts it away as firmly as he can manage.
“So, what’s goin’ on, kid? You feelin’ better now?”
Eddie knows what he’s asking. It’s not a question about the comedown, about his nausea and dizzy head. It’s about wanting the reason for the comedown in the first place — it’s about handling things, dealing with them, and Eddie’s sick of being shit at dealing with them. “Yeah,” he says, quietly.
“Y’know you can talk to me about things. Whatever they are. Right?”
“Right,” Eddie mumbles, without looking at him.
“Like how about that hickey I caught you with the other week–”
“You said we weren’t gonna talk about it!” He pulls at his collar reflexively, though there’s nothing left to hide anymore, flushing furiously.
“We’re not, if you don’t wanna. Just wanna make sure you’re safe, is all.”
“Oh, Jesus Christ.” Eddie buries his head in his hands. “I’m being safe.”
“It ain’t just that, this– this GRID thing, I mean. I just want you to be treated right, that’s all. You’ve had a rough goddamn year and you deserve someone treatin’ you right. You do.”
He doesn’t really know what to say to that. He hunches over and fiddles with his rings, twisting them over and over around his fingers. “Thanks,” he manages to say, as Wayne starts spooning the food onto plates. Distractedly he sets their little table and then sits down, as his uncle brings the plates over and then says, “You want a beer?”
Surprising even himself, perhaps, Eddie shakes his head. Wayne sits down opposite him and draws him into an easier conversation, one where Eddie does most of the talking, as he usually does, and he winds up saying something like, “I might, uh, resurrect Corroded Coffin. Y’know, that band I had, in middle school?”
His uncle smiles. “Oh, yeah? How come?”
“These sophomores that Janie brought in, they’re into music, y’know, the drummer kid wants to be John Bonham, so. I thought– I don’t know. It could be fun.”
Wayne clearly has no idea who John Bonham is (though he did like Stairway to Heaven, when Eddie made him sit through all eight minutes of it in silence) but he’s smiling wider, genuine warmth in his eyes. “You should do it. You’re only young once, right?”
“I don’t know, I plan on being young my entire life. I’m also never gonna die.”
“O-kay, and how’re you plannin’ on managin’ that?”
Eddie shrugs, smiles easily. “Magic.”
Wayne laughs. “You’re somethin’ else, kid, I swear. One of a kind.” Then he goes quiet and serious again, something weary and afraid flitting across his face, settling there like a stone. “I worry for you. Y’know that, right? I need you to look after yourself.”
Eddie looks at his plate. “I said I was–”
“I know, I know. But, just– with all this Will Byers stuff goin’ on, the shit people are sayin’...”
“Saying? What are they saying?” he says sharply, looking up to find his uncle’s eyes tired and a little lost.
“There’s rumors, kid. Rumors that maybe– someone hurt him. Because of what they think he is. And if there’s someone like that out there– hurtin’ people for being–” Wayne breaks off, voice quiet, heavy. Eddie feels a little sick. “I ain’t sayin’ stop bein’ you. I know that’s a losin’ battle anyway. But– be careful. Please?”
“Yeah,” Eddie manages to say, throat dry, and it comes out hoarse. He looks down at his dinner and finds he isn’t really hungry anymore.
But he summons the energy to laugh along to the movie, which Wayne winds up enjoying, in the end, neither of them immune to I have a very great friend in Rome called Biggus Dickus, and when they’re sniggering on the couch together it’s easy to push Will Byers to the back of his mind. But he can’t do it entirely, and when he’s lying on his bed that evening, smoking one of the joints Rick gave him (surrendering to the impulse, a panic attack trying to claw its way up his throat and sometimes weed’s the only thing that helps), he thinks about it again. Thinks about Will Byers, about that asshole Jason, about Robin and Byers and Harrington and Tommy C.
Notes:
— honeycombs are the cereal the gang brings eddie when he's hiding out at rick's in s4.
— the talking heads song is a clean break (let's work), released 1982
— the close of the football season in indiana (according to my limited research) coincides with the end of fall, which overlaps with basketball as a winter sport, and generally you can't play two major sports at once. hence tommy c., tommy h., and steve all being basketball players and not football players.
— saxon was an english heavy metal band, formed 1977
— thank you to my wonderful beta for info on high school band — in the 80s it would have been very rare to have an electric guitar featured in the marching band, but i've relied on a little artistic licence and eddie's winning personality ;)
— judas priest's you've got another thing coming was released 1982.
— the motörhead album is another perfect day, released june 4th 1983. snaggletooth is their logo, featured on the cover of this album.
— generally people rent the land in the park from the owner to put their trailer on, and own the trailer, or else rent the trailer separately from a third party.
— thacher's tire is one of the locations in the list jason makes in s4 of places eddie is known to hang out.
— the life of brian is a 1979 british satire movie, which caused massive controversy for its ostensible blasphemy and mockery of christianity - it was age restricted in parts of the uk, and was banned in countries like ireland, norway, and italy
— AIDS was initially called GRID - gay-related immune deficiency - but in august '82 it was changed to AIDS. hawkins is a small town, and wayne isn't totally caught up with current news, but he's trying.
— stairway to heaven, released 1971 by led zeppelin, is widely considered one of the best rock songs of all time.as ever, let me know if you're enjoying the story below, and find me on tumblr (palmviolet) or twitter (ohtobeinlove). all your responses mean the world!
Chapter 4: The Body
Summary:
“You okay, kid?” Wayne says, when he comes back through. His uncle’s folded the sofa bed away, and he’s watching the news with a bowl of cereal in his hand.
“Yeah,” Eddie says, fumbling for another cigarette so he doesn’t have to meet Wayne’s eyes, but it turns out to be pointless anyway, because his uncle’s attention is soon captured again by the news: “...now, to go back to our top story this morning, the body of the missing Will Byers was discovered in Satler’s Quarry last night, by state trooper David O’Bannon. State police will be mounting an investigation into the cause of his death, but preliminary findings suggest there was no foul play involved. The coroner–”
Notes:
warnings in this one for referenced suicide, referenced homophobia + homophobic slurs, referenced child abuse, classism, a panic attack, and referenced drug abuse + derogatory views about addiction.
(See the end of the chapter for more notes.)
Chapter Text
THURSDAY NOVEMBER 10TH, 1983
Eddie wakes up painfully early the next morning, to dim dawn light filtering through the gap in the curtains, and he turns over and presses his face into the pillow and wishes for a sleep that doesn’t come. He’s had this problem as long as he can remember, wakefulness that digs its claws into him and doesn’t let go, mind spinning out with a thousand different thoughts and ideas with decreasing degrees of coherency the longer they keep him awake — at least he got a few hours, this time, he reasons. He sits up and lights a smoke.
The Shining is still watching him from his nightstand. He lets his hand hover over it for just a second. Lets himself consider taking out the envelope, unsealing it, reading whatever horrors, whatever cruelties lie inside. After the last time they spoke, an argument that never quite finished because Eddie ran away in its climax, his dad getting the final word in? Hi son, this is me officially disowning you, in case that wasn’t clear enough. Because you need my permission to be disowned. Because I’m not letting you disown yourself. Because I’m not letting you have the goddamn fucking last word, because you don’t deserve it, you [insert uncreative homophobic slur here].
Or, it could be worse. Hard to imagine worse, true, but it would indeed be worse if his dad wasn’t cruel at all. What if he was kind? What if he said something like I hate the way we parted and I hate the way I brought you up; you always deserved better and I’m sorry I didn’t give it to you. I hope you can someday forgive me.
That would almost certainly be worse.
So he leaves the envelope where it is, and goes out to the kitchen in his sweatpants, the whole place lit up in dawning orange light. There’s a saying about that, isn’t there? Shepherd’s warning, or whatever. His uncle’s snoring still on the pull-out, an arm thrown across his eyes against the light. (Crappy goddamn blinds.)
Eddie doesn’t want to disturb him, so he shrugs on Wayne’s fleeced jacket and goes out to the porch, shivering in the early morning chill. It’s a bright, beautiful morning. He squints in the sunlight and sits down on the steps, sucking in a great lungful of smoke and scanning the quiet trailer park. No one’s around yet. Too early for the respectable, and too late for the addicts who like to shoot up on the grass with regularity around four a.m.
Rick’s their supplier, Eddie knows, though he hasn’t yet presented Eddie and Tommy C. with anything harder than coke and acid. Tommy wouldn’t touch smack or meth if you paid him — cool kid with college aspirations? you’ve got to be joking — and Eddie supposes he doesn’t come across as desperate enough, not yet. And fuck no is he ever getting that desperate. Fuck no.
He sits up straighter when a car pulls in, a tired-looking Chevy Monza in a bleak matte gray. The woman who gets out is mid-sixties and has a keen look in her eye as she casts a glance over the trailer park as a whole, like she’s prospecting it. He’s trying to recall her name — he’s sure he knows her, if only vaguely — when she spots him and makes her way over, picking her way across the patchy wet grass, still damp from overnight’s rain. “Wayne Munson’s nephew, correct?” she says, and her tone sets his teeth on edge.
“Yep. That’s me.”
“You’re aware your rent is overdue.” Her voice is bored, nothing of a question in it. More like a veiled order.
“Uh, yeah, we’re gonna– just, car trouble, y’know, payday is–”
“I really don’t need to know the specifics. Just get the money in, all right? There are plenty other people who’d like your trailer pad spot, who can keep up with the rent.”
“Because this is such a desirable place to live,” Eddie mutters, digging his teeth into the inside of his cheek as she gives him a long, cold look. She sort of reminds him of Miss O’Donnell. “Is that why you’re here at six a.m., to collect late rents?”
She pinches her lips together. “No. I’m here to see what can be done to tidy the place up, ahead of the buyers’ viewing next week.” She looks over his trailer, and then back towards her car, over the grass. Eddie thinks he can see a discarded syringe. “You don’t happen to know anything about these addicts, do you? Wasn’t your father–”
“No,” Eddie says tightly. “I don’t know anything about that.”
She gives him a once-over and comes out of it looking like she’s decided there and then that his worth to her is approximately nil. “I suppose I should be grateful that your trailer’s fairly presentable. If you hear anything about these addicts or, even better, who’s supplying that crap to them, give me a call, will you? Maybe I’ll be slightly more forgiving on your rent.”
He looks at her. He could tell her right now, save everyone a lot of trouble. Send Rick to join his dad in prison. But she’s selling the park, so what good will a verbal agreement with its previous owner do? It’s empty words, nothing more than that. He stays silent.
She fishes in her handbag and produces a notebook, in which she writes a number and tears out the page, handing it to him. He takes it because it’s easier than not taking it, though really he wants to ball it up and throw it in her face. Then she turns and walks up towards the Carlsons’ RV, parked where it’s always parked, sleepy and squat in the early light. They’ve got a dog that shits all over, and they had a bonfire over the summer that burnt a black patch in the middle of the grass which still hasn’t faded. It’s gonna be tough as hell to clean this place up before next week.
“What did she want?” Wayne says when Eddie comes back in. He’s smoking at the counter while the coffee brews.
“Shouldn’t you still be asleep?” Wayne didn’t go to bed until something like four, not wanting to lose the rhythm of his night shifts. And he hasn’t got to do anything he goes to work this evening.
But he shrugs. “Gonna start lookin’ for a second job, ain’t I? I’m guessin’ that’s what she was talkin’ to you about. Money.”
Eddie bites his lip. “Yeah. Money.”
“See?” Wayne even manages to whistle a fucking tune, while he’s making the coffee and flicking ash from his cigarette — Johnny Cash, Eddie recognizes, Ring of Fire. “Not every day, y’know, but a little somethin’ just to tide us over.”
“I should go back to Thacher,” Eddie mumbles. “If I– if I just–”
“You’re gonna focus on school, is what you’re gonna do.” Wayne’s tone leaves no room for argument. “I ain’t havin’ you worryin’ about money when you should be thinkin’ about graduatin’. Absolutely not.”
Eddie opens his mouth and then cuts himself off with a sudden jolt of panic. “Oh, shit, school, fucking– fucking homework, I had math homework, how did I fucking forget again–” He dashes for his room and sifts through his stacks of papers, piles of homework he’s never handed in or never even started, mixed in with scraps of sketches and half-finished lyrics and notes for campaigns he doubts he’ll ever get around to running. The math homework isn’t here.
If it was English lit, then it would be fine. Just grab a new sheet of paper and write some bullshit about whatever novel they’re reading, that he probably hasn’t read, if he can get his brain to deem it important enough in the Hierarchy Of Things To Pay Attention To, alongside the Carlsons’ dog barking outside and the way his Judas Priest poster is beginning to fall down, that needs more tape, maybe he’ll just do that now–
And so an essay gets abandoned. But this time he can’t even abandon it, because he can’t start it because he’s lost the fucking worksheet and it’s due first period and he’s on thin ice with Mr. Connor as it is–
And his uncle’s expecting him to graduate. And he needs to graduate. And Wayne’s expecting him to graduate. And how the fuck is he going to do that if he can’t even keep track of a single piece of stupid paper–
There’s very little air in his lungs. Stupidly. Also stupidly, he does the thing where he forgets this is a thing that happens to him and he feels a lot like he’s about to die, gasping for breath on the floor in his room surrounded by fallen papers and records and books, palms sweating as he pins them between his knees. And how stupid it all feels, when he’s about to die. All the things he cares about, the guitar, the posters, the DnD miniatures — how trivial. Useless. All his theatrics, all his– when really he’s just– he’s just–
Just the junkie kid with the criminal dad, can’t afford rent, can’t get a job, can’t graduate high school. Can’t do anything except sit here on this floor and feel his own tears land damp on his t shirt. His mouth tastes like ash. Trapped. Fucking stuck. What’s even the–
the point–
Slowly, he starts to breathe again. Despite its suddenness, its surprise, he managed to hold onto his practice well enough, it seems, to keep quiet enough that Wayne hasn’t come running. Not that Wayne’s really the type. His uncle knows, moments like these, that sometimes he has to wait for Eddie to come to him. Sometimes being run to doesn’t help, because that then opens up all sorts of questions like why do I deserve someone running to help me why would they do that don’t they know that I’m– and so on. So best not to, really.
Once his hands have stopped shaking, he finds himself a pair of jeans and an Anvil t shirt. As he’s putting it on, he glimpses his reflection in the mirror and finds a pattern of bruises down his side, bruises he doesn’t remember receiving. Not that that’s new. His skin’s always taken any opportunity to mottle and bloom, purple and green a common sight edging underneath his clothes. It always frustrated his father; even a hand on his wrist would leave an array of blue fingertips, braceleting his bones. Still, his dad never really cared all that much what other people thought. Something Eddie supposes he’s inherited.
“You okay, kid?” Wayne says, when he comes back through. His uncle’s folded the sofa bed away, and he’s watching the news with a bowl of cereal in his hand.
“Yeah,” Eddie says, fumbling for another cigarette so he doesn’t have to meet Wayne’s eyes, but it turns out to be pointless anyway, because his uncle’s attention is soon captured again by the news: “...now, to go back to our top story this morning, the body of the missing Will Byers was discovered in Satler’s Quarry last night, by state trooper David O’Bannon. State police will be mounting an investigation into the cause of his death, but preliminary findings suggest there was no foul play involved. The coroner–”
“No foul play,” Wayne echoes. “That’s– shit, that’s a relief.”
“But the kid’s dead,” Eddie says quietly, something hollow and empty opening up inside him. He didn’t know the kid at all; he has no reason to be grieving. No real reason. But there’s something so inescapably bleak about it, about the death of a twelve year old, about Benny’s suicide, about–
His third cigarette constitutes breakfast, after that.
School is abuzz with nothing but the name Byers, as Eddie finds his way through the crowds to his locker and tries to think of an excuse for the math homework. Between the drama with the camera last night and Will’s body–
“We’re living in crazy times,” Janie says to him, when they’re walking to math together. No one sticks a leg out to trip them, or knocks into their shoulders as they might usually do — no one even spares them a glance, too embroiled in their hurried gossip about it all. Eddie thinks he’s heard the name Byers enough for a goddamn lifetime at this point.
“Crazy,” Eddie echoes, wondering if people are so distracted they wouldn’t notice him having another panic attack in Math.
They’re not that distracted, is the answer, though his panic doesn’t get all the way, just something tight and uncomfortable crawling up his throat as Mr. Connor stares down at him and asks where his homework is — “Sorry,” Eddie mutters, lacking the energy to make a show of it, as he usually would, and when he’s given detention that afternoon he accepts it almost meekly.
“What’s up with you?” Janie asks him, brows creasing in a frown as she leans over the desk. “You’re all– scattered, this morning.”
He thinks about the pinched face of the owner of the trailer park; of Tommy C.’s close, uncertain touch; of the body of the missing Will Byers. “I’ve just got a lot on my mind.”
“You wanna skip History later and talk about it?”
He looks at her, shocked. She’s not usually one to advocate skipping classes, too brutally efficient — detention’s a bigger waste of time than the class would be, is her line — but there’s something in her eyes, her gaze heavy on him, like she thinks this is more important. Not a waste of her time. Which he doesn’t really know how to feel about, to be honest, doesn’t know how to feel about any of it, Wayne’s concern and Janie’s concern and even Gareth’s fucking mom’s concern– “I’m already slipping behind,” he mumbles. “Can’t keep cutting class if I’m gonna pass the year.”
She looks at him for another long moment, then withdraws back to her own desk, clicking the end of her pen. “You’d better start doing your homework, then,” and there’s something tight in her voice, cold, rejected. He didn’t mean it like that, throwing back the olive branch. He just meant–
She still accompanies him to his locker, though. She leans against them with her arms crossed, hair slung over her shoulder in a long dark braid, watching as he opens it and finds a folded note.
“Assholes,” she says, reading its text over his shoulder. It says FREAK on it, in large, deliberate handwriting. But when he turns it over, he finds written on its other side meet me fifth period, the woods, and Janie must see this too, because there’s a sharp intake of breath. “Who is that?”
“No one.” He crumples up the note and shoves it in his pocket, getting his History book out of his locker and trying to act nonchalant until she puts a hand on his shoulder and pushes him back into the hard metal, eyes searching.
“Is this why you’re so freaked out? This guy you’re fucking?” She says it in an undertone but he’s tempted to shout it back to her: Yeah, it is about the guy I’m fucking, how about that, wouldn’t everybody like to know–!
“I’m not gonna tell you who he is,” Eddie says stubbornly. “So if that’s what you’re after, then–“
“If it’s one of those assholes on the basketball team, like goddamn– goddamn Tommy H. or someone–“
“Tommy H.? Why the fuck would it be Tommy H.?” Eddie asks, genuinely bewildered.
“Come on, Eddie, there’s no way that guy’s straight. Have you seen the way he looks at Harrington?” She shakes her head. He hadn’t even thought about that. “But if it’s not him–“
“I can’t tell you. He’d– he’d kill me,” he admits, quietly, and she looks at him for a long moment, her monolid eyes sharp and keen.
“Sounds like an asshole to me,” she says simply, and moves off down the hallway, leaving him to follow.
Despite Janie’s words, at lunch he goes to the spot in the woods and finds Tommy C. waiting with a joint already rolled and tucked behind his ear; as Eddie sits down, he offers it to him, and Eddie sticks it between his lips and lights it with a shaky inhale.
“Does that make up for it?” Tommy says, smiling at him. A loose, careless smile.
“Make up for what?” Eddie feels a degree of his jittery nerves decrease, with the blunting edge of the grass.
“Y’know,” Tommy says, a little uncomfortably, like he wasn’t expecting to have to explain himself. He sits sideways, stretching his long legs out on the bench. “It all.”
Eddie isn’t in the mood to be belligerent about it, so he just passes the joint over. “Careful. You show a knack for trading joints and the next thing you know you’ll be working for Rick.”
“Oh, yeah, because a criminal record’s definitely gonna get me into college.” A beat, where Tommy looks like he’s regretting saying that, because he says next, “I know it’s– complicated, and shit. With your dad. But I’d have thought that if Rick wanted someone, then you–” He stops.
Eddie looks at his hands, fiddling with his rings, instead of at Tommy. “Y’know someone nearly died in the trailer park a couple weeks ago? Drug overdose. Her friends, the other addicts, they wouldn’t let anyone call an ambulance for her, no insurance or anything and too scared of the cops, so Avni from across the way, this tiny little old woman, she used to be a nurse until they fired her for drinking — she sat with this woman through it all, cleaned her up, held her hand. Kept her alive. And Avni’s sober, now. Has been for years. It’s like– there’s this one image, of what we are, the trailer trash, drug addict scum of the earth who deserve what we get, and it’s just not–” He takes a deep breath. He doesn’t dare look at Tommy, to see what he thinks of all this. “Even the ones who are junkies, they’re junkies for a reason. And if I– if I start dealing I’m just doing what everyone thinks I’m doing, just like when they call me a fag but at least when I’m being a fag I’m not hurting anyone–”
Tommy starts coughing, choking on thick smoke, and when he’s caught his breath he looks at Eddie almost reproachfully. “I don’t think it’s worth overthinking,” he says, skirting the fag issue like the plague. “Dealing’s just something you do for extra cash, it doesn’t mean anything. Plus, it’s not gonna be heroin or anything like that, is it? Just a bit of weed, a bit of special K or molly. Harmless shit.”
Eddie looks at him suspiciously, like maybe Rick put him up to this. Pitching the job. But Tommy’s never been that devious, really, never that willing to buy into Rick’s schemes. So Eddie just takes the joint back and runs his finger over a crack in the damp table’s wood, tasting cold winter in the air. “Who said I didn’t want to go to college too?”
A silence. “Really? You never said.”
He doesn’t. The thought of a single further year of education, conformity, rules and discipline and homework– he’s never been one for all that, not really. Interested in dragons and guitar solos more than anything else. But for some reason it stings, the assumption.
Eddie takes his time going back for class, trying to let the cold breeze erase the smell of weed on his clothes, trying to let his faint high wear off. (He misses it when it goes.) Tommy kisses him goodbye, just briefly, and Eddie has to resist the urge to say What exactly are we doing here, Tommy? because he knows it’s not a question that would be well received.
In the hallway he passes Harrington, who looks strangely subdued, tired and sad and hungover, big circles under his eyes. No successful party after the game last night, then, or perhaps too successful? Should have been a good week for him, that party on Tuesday and the game on Wednesday. Eddie’d thought he’d be crowing his probable success with Nancy Wheeler from the rooftops, hungover or no, not keeping his eyes on the floor and barely responding as Tommy H. sneers by his shoulder.
(There’s definitely something in that, Eddie thinks now. The way Tommy H. looks at Harrington. Janie’s got a good eye.)
Four p.m. finds him in detention, scratching out equations as his mind wanders. He doesn’t find math that difficult, actually, all the practice with DnD coming in handy, it’s more a matter of tricking his eyes into looking at his paper long enough to write the answers down. None of which prevented Mr. Connor declaring him the least able mathematician I’ve ever had the displeasure of teaching in a moment of rage in front of the whole class last year — but you can count on Connor to go apeshit in an honest way, at least. He’s not sneaky like Miss O’Donnell. Eddie’s still sort of waiting for the other shoe to drop with her.
It’s Mrs. Argus running detention today, who’s more of a sarcastic-comments kind of teacher than a flip-their-shit kind of teacher or a cold-tricky-malice kind of teacher, so she’s easier to handle. She spends it sitting at the front reading the local newspaper, whose front page is taken up entirely by WILL BYERS: BODY FOUND IN QUARRY, alongside a disturbing shot of the quarry late at night surrounded by ambulances and cop cars. He’s squinting his eyes to read the text of the article, something like The body of missing boy, Will Byers, has been found in Satler’s Quarry. It was discovered at around seven p.m. last night, November 9th, by state trooper, David–
“Terrible business,” Mrs. Argus says, interrupting his reading. By her raised eyebrows, it’s clear the wandering of his attention has been noticed. “Poor boy.”
“Yeah,” he says, looking back down at his paper. He’s the only one in detention this afternoon.
After another twenty minutes of grinding out numbers and resisting the urge to get up, walk a circuit around the room, and light a smoke, she clears her throat and folds up her paper. “Alright, you can go. It’s too tragic a day to sit in detention.”
He doesn’t need telling twice. He shoves his stuff in his bag and goes, ducking through the hallways, eager to make his escape. As he’s passing the darkroom the door swings open and Byers comes out, followed by Wheeler of all people, and Eddie stops and stares at them for a moment, trying to make sense of the sight. Byers developing film again? On the day after he knows his brother’s dead? And Wheeler with him, after the whole illicit photos thing–?
“I, um– I’m sorry about your brother,” Eddie manages to say, and gets a distracted sort of frown in response.
“Yeah, thanks,” Byers mutters, as Wheeler tugs on his arm, barely looking at Eddie.
“Y’know, if there’s anything–”
“There’s not,” Wheeler cuts in, impatient and sharp, before she seems to remember herself and softens slightly, “thank you.”
Eddie lets them go, staring after them in the hallway until long after they’ve disappeared. What the fuck is going on in this town, honestly.
At eight, he drives Wayne over to the plant. It’s cold and dark outside and his uncle is weary ahead of his nightshift, silent as Eddie drives. He’s put on that Johnny Cash Greatest Hits cassette he got Wayne right back when he moved in, Folsom Prison Blues going along at low volume. It’s the only thing his uncle listens to, really, on his drive to and from work — Eddie could probably sing the whole album start to finish from memory, if he needed to. He can respect a bit of Johnny Cash.
At the gates to the plant Wayne sits up, frowning, like something’s off. There’s a cluster of people manning the security barrier, a big white van parked beside it, Hawkins Power and Light. Eddie rolls the window down as he approaches, and Wayne passes across his worker ID to show the group, all stern-looking people in suits and long coats.
“And who are you?” the lead guy asks, looking closely at Eddie. There’s something about this he doesn’t like.
“This here’s my nephew. He’s droppin’ me off; my car’s in the shop. That a problem?” Wayne’s tone brooks no argument, but the guy moves back to consult with his companions anyway.
Eddie takes the opportunity to look frowningly at his uncle: “What the hell is this? I didn’t know you worked in the goddamn Pentagon.”
“Neither did I, kid,” Wayne says grimly, as the guy comes back and waves them through. Eddie drives them into the parking lot, where there are more Hawkins Power and Light vans, a bunch of guys in white forensic suits walking into the building like it’s a crime scene. Thing is, they’re not even in Hawkins. Why would Hawkins Power and Light have anything to do with this plant? A town over?
“I don’t like this,” Eddie says, under his breath, because call him crazy but crazy shit is happening every direction he looks.
“You don’t gotta like it. I’ll see you in the mornin’, okay?”
“Okay.” Eddie watches his uncle get out of the van and head towards the entrance, mingling with the white suits until he’s lost from sight. Eddie doesn’t like this at all. But there’s nothing he can do, and this place — bright white floodlights and looming concrete towers under a dark, heavy sky — is giving him the creeps, so he drives back out as fast as he can. He’s driving along listening to Frankie’s Man, Johnny, tapping his fingers on the wheel to the beat, when he registers he’s running low on gas, so he pulls into the first gas station he sees, a Standard with only one other car by the pumps.
Something strange about gas stations at night in the middle of nowhere, actually, the long darkness stretching out from the painfully bright station lights. He fills the tank up and then goes in to pay, casting a spare glance at the other car, which is a sleek Oldsmobile 442. A pretty cool car, if you care about that sort of thing. Eddie doesn’t; but he began to recognize makes and models his summer working for Thacher.
The store is cold, almost colder than outside, like they’ve got the air conditioning going. A full cold breeze is wafting from the fridges, stocked with essentials like beer and milk. The presumed owner of the Oldsmobile is browsing said alcohol section, a bottle of Stoli already tucked under his arm. Eddie moves towards the counter and then jolts as the guy turns around, saying, “Hey, don’t I know you?”
No words are forthcoming. What can he say to that? What can he say to Lonnie Byers?
Because that’s who it is. Lonnie Byers. Older-looking, grayer, still with a sly look to his face. Shit. “Yeah, I do know you. You’re Bruce’s kid, right?”
Eddie can’t look at him. He stares beyond him, at the rows and rows of beer, Miller and Budweiser and Schlitz, as he answers without really hearing what he’s saying: “Yeah, I am. Eddie.”
“Eddie, damn. Look at you, all grown up.” Something contemptuous in it; he can feel Lonnie’s eyes moving over him, making note of his skinny arms, his long hair. “I heard you ran out on your dad.”
I heard you ran out on your family, Eddie thinks. I heard your son died. But he can’t say these things; he’s frozen, caught between fight and flight, remembering long cold nights waiting for Lonnie and Bruce to conduct their deals, hunched in the car fiddling with the radio getting a cuff on the ear when the rock station he’d found got too loud, watching them get drunk together watching Lonnie flirt with a blonde bartender despite the wife and kids at home– Lonnie saying shit like don’t want my kids to turn out queer, y’know, I try to be tough on them and his dad agreeing, his dad nodding fervently and saying you gotta be tough, it’s the only way–
“D’ya talk, kid?” There’s nothing fond or kind in the way he says kid. Nothing like the way Wayne says it.
“I thought you went to Indianapolis,” Eddie says finally, against the ringing in his ears, though he knows why Lonnie’s back. His face is hot. “Thought you– yeah, you left.”
“I did. Glad I did. But, well, my kid–” For the first time, Lonnie looks uncomfortable. He rubs the back of his neck with the hand that’s not holding the vodka. There’s some America song playing faint in the background, Inspector Mills. “Hell, you live in Hawkins, you probably know.”
Eddie does. He does know. He feels a little like shit, then, because sure Lonnie’s awful but Lonnie’s still the kid’s father, and the kid’s still dead. “Yeah,” he says. “I’m, um, sorry for your loss.”
Lonnie responds kind of like the way Jonathan did — a furtive glare, like he’s blaming Eddie for speaking what happened and trying to make it real. But he just says, “Yeah,” and looks closer at Eddie again. “Your dad, he still around? We lost touch after I moved.”
On some perverse level, maybe if Lonnie hadn’t moved then Bruce would never have gotten into the drug scene and wouldn’t be in prison right now. And Eddie would still have to contend with the threat of running into him in the store, in the street, in the gas station like this one. So maybe Eddie should be grateful. “No, he’s, uh, he’s in prison.”
“Shit,” Lonnie says, eyebrows climbing. “Goddamn pigs.”
“Goddamn pigs,” Eddie echoes, looking at his feet. “I’m gonna– I’m gonna go pay.”
He can’t get his heart rate to slow down. The clerk, a friendly-seeming woman of about forty, looks at him with a frown as he hands over a couple bills, her eyes careful as they meet his — “You okay, kid? He ain’t–” nodding subtly at Lonnie “–botherin’ you or nothin’?”
“No,” Eddie says, stung, resenting that he seems like he needs saving. He doesn’t. He shouldn’t. But the urge to flee is opening up wider inside him, like a cloying black well, and he’s never quite been able to shake that, not really. The aura of victimhood. He cloaked himself in it the moment he stole away from his dad’s apartment and turned up at Wayne’s in the soaking rain, the cloak now forever bonded to his skin. Please help me. I’ve got nowhere else to go.
He doesn’t say anything to Lonnie, who’s now buying cigarettes, as he leaves. He just jolts for his van and steps on the gas and arrives back at an empty trailer in the dark, the dark that feels dangerous and close, full of evils, so what he does is he drives over to Janie’s and knocks on her window like he hasn’t done since before the summer, and when she emerges she just looks at him wordlessly and seems to understand.
“I think my dad fucked me up, uh, irrevocably,” he says later, lying next to her on the roof of his van and staring up at the clouded, cold sky. “Like, through and through. Plus I think something’s wrong with this town.”
“Tell me something I don’t know,” she says, and he laughs.
Notes:
— the phrase 'red sky at night, shepherd's delight; red sky in the morning, shepherd's warning' first appears in the book of matthew in the bible
— the chevy monza was produced 1975-1980
— ring of fire was a song popularised by johnny cash in 1963
— anvil is a canadian heavy metal band, formed in 1978
— the news report in s1e4 says will's body was discovered just after dark: sunset was around 5:45 in indiana in early november, 1983
— the johnny cash album is greatest hits vol.2, released 1971
— the gas station is indiana standard oil, a corporation that changed its name to amoco in 1985
— lonnie's car is canonically a 1972 oldsmobile 442
— at this point in the story, lonnie is on his way to arrive at joyce's in the end of the episode. in this scene, they're shown to be drinking vodka; here, i'm showing him buying said vodka.
— inspector mills by america was released in 1982.as always, let me know what you think below, and you can find me on twitter (ohtobeinlove) or tumblr (palmviolet).
Chapter 5: The Flea and the Acrobat
Summary:
Eddie bites down on the inside of his cheek, hard enough to taste blood. How can he explain the feeling of foreboding, pressing down on him with the weight of stone? The way he knows something’s wrong? “No, it’s fine.” They continue walking for a moment, then, “I just– what do we think happened to them, exactly? To your dad and your uncle. Because we’re just– following them. To where they went, and didn’t come back from.”
Notes:
warnings for referenced suicide, referenced child abuse, referenced homophobia, classism, and toxicity and a moment of violence in eddie's relationship with tommy c.
(See the end of the chapter for more notes.)
Chapter Text
FRIDAY NOVEMBER 11TH, 1983
Eddie’s running on something like four hours of sleep when he goes to pick up his uncle the following morning. It’s a gray day, early, misery in the sky. He has to show his driver’s license at the gate to the plant. But at least there’s less commotion this morning, less white-suited scientists and people in vans he has a horrible feeling are deliberately mislabelled. “You sleep well, kid?” Wayne says, as he gets in, looking tired and out of it himself.
“Like shit,” Eddie returns, with a faint grin.
“Good, that’s good.” Wayne yawns, turning in his seat like he’s trying to make it more comfortable, and he’s asleep a moment later. Eddie envies that. He got to bed at something like two, and woke up with a nightmare at six on the dot, something dark and scary already receding from his mind. He turns the stereo way down and drives with more care than usual.
When he gets to school, he’s accosted immediately by Gareth, who’s twirling a drumstick around his fingers and wearing a shit-eating grin. “What d’ya say to practice, this weekend? I know we don’t have a bassist, but just you, me and Jeff would be–”
“I, um– maybe not this weekend, okay?” Eddie winces as the kid’s face falls. He wants to, is the thing. Jam on his guitar with them and forget about everything else. But Gareth and Jeff don’t know him, not like Janie does, don’t know anything about the spirals he falls into, the long late nights, the way sometimes he needs something loud to keep himself alive. And he owes Janie, for last night. Feels wrong to hang out without her. But Gareth’s looking at the floor, awkward and sullen, now, and Eddie feels a little bad so he adds, “Maybe another time, okay? When things are less– insane.”
Gareth just looks confused at that. Which, fair enough. He’s probably taking each tragic event as it comes, as abstract background noise in his otherwise ordinary life. He’s got no connection to any of it — neither does Eddie, really, but still. The cops and Benny’s Burgers and Lonnie. Maybe it’s unforgivably egotistical of him to feel involved, in some way, but it’s not like he wants to be, in whatever this is. He’s never wanted to be involved. Sort of why he ran away, to tell the truth. Oh, the official story’s the dislocated shoulder, the violent eyes, the slurs — but Eddie’s an idealist at his core, embarrassing as it might be to admit, clinging on to the hope that he can be something better than his father is, and he realized that night (cradling his shoulder, shot through with pain and humiliation and hatred) that he could never hope to make that happen if he stayed there.
A louder, defeated part of Eddie is convinced that he left it too late. Got dragged down into the muck anyway, despite all his leaving.
But Gareth doesn’t need to know that.
They’re heading the same direction, so they walk together for a while, and Eddie watches him out of the corner of his eye, seeing the kid scan each passing face — the girls in particular — and dropping his head after every disappointment, silent and sullen. “You’re looking for Wheeler, aren’t you?” Eddie says, after three minutes of this.
“That’s not what I–”
“Listen, kid, we’ve all had crushes on people we can’t have. Believe me.” He winces a little at the way he sounds about thirty-five, saying this, but it’s true — he’s no stranger to the horrors of unrequited lust. And even when it appears to be requited, it’s so goddamn murky and complicated. “Nothing to be ashamed of, right? Just a part of life, et cetera, et cetera.”
“Easy for you to say,” Gareth mumbles, head down. “Steve Harrington isn’t going to use your guts for a noose to hang you with.”
Eddie snorts. “Wanna bet?” He’s pretty sure Harrington would do worse than that to him, if he learned what Eddie’s been up to with Tommy C.
“Can I ask you a question?” Gareth says suddenly, stopping in an empty corner and turning to look at him closely.
“Uh, what kinda question?”
“About you and Janie. If that’s, like, okay.”
Eddie gets a sinking feeling in his gut. Yeah, he knows where this is going. Christ. “Yeah, okay, shoot.”
“There’s– rumors. About the two of you. And I just wondered– yeah, if you are together. Like people say. Because the people who don’t say that, they say–” and then Gareth’s voice breaks off, eyes nervous as they dart over Eddie’s face.
“I know what they say,” Eddie says, softly. “And I really don’t care, true or not true, any of it. It’s none of their business, is it? It’s no one’s business, no one’s but mine, right?”
Gareth looks at him for a moment. Eddie hasn’t exactly denied it, the allegation. Because it’s clear what Gareth was actually asking. But the complex cloud of emotions on his face doesn’t resolve itself into disgust, which is all Eddie can hope for, really, and after a moment he says, “Right.”
And then they walk on, falling into an easier conversation about The Dark Crystal, so much easier it’s like the earlier moment never even happened.
A hallway later they slow to a stop, having reached Gareth’s classroom, and Eddie grins. “Have fun in– whatever goddamn class this is, I guess.”
“I won’t,” Gareth returns, with a wry smile, and there’s something likable about the kid, Eddie can admit. Something easy to like.
The break between second and third period sees him in the smoking spot, resisting the urge to try smoking three cigarettes at once (these breaks are never long enough), and after a few minutes Janie rounds the corner, already pulling out her own pack. “You look like shit,” she says, without looking up from her cigarettes.
“So do you. Anyone would think we had a late night,” he says, and sees her grin. It’s a nice grin. Maybe in another life, it would have been Janie and him. Janie and Eddie. Jane and Edward, written all fancy on a marriage certificate. They go well together, in a way. Her all quiet and efficient and logical where he’s loud and frustrating and disorganized, benign theatrics to her cool ruthlessness. Opposites attract, so they say. Too bad he doesn’t swing that way; plus he’s never been sure what Janie likes, but he knows it isn’t him. “Gareth asked about us.”
“Oh, god, us. Will I ever live that down?”
“Nope. I left it open-ended, anyway, which is the nice way of saying I’m pretty sure he knows the truth, now.”
She looks at him finally, putting the cigarette between her lips. “Shit, Eddie, that’s– You could’ve lied. That’s brave.”
He scoffs. He’s not sure what it feels like, but he doesn’t think it feels brave. “It’s just what everyone says. I didn’t even confirm it, just didn’t deny it.”
“Still,” she says, something foreign in her face, strange. Almost– envious. And she confirms this suspicion with her follow-up: “Not everyone can do that.”
He looks at her. He’s had his suspicions, is the thing, pretty much ever since he was old enough to know what being different in that way really meant. They’ve been friends since third grade, when she arrived in Hawkins as the new girl who didn’t look like most everyone else, who loved The Hobbit just as much as he did and never came to class in a dress. They were inseparable, all through middle school, and remained that way when the people around them started to notice the opposite sex — guys watching girls in the hallways, girls giggling and talking about guys behind their notebooks. Eddie’s developing attractions were a private thing, something he knew instinctively he could share only with his own reflection and the tattered edition of Blueboy he’d found by some miracle on the sidewalk by the theater one time, which he kept carefully concealed inside a Deep Purple record sleeve under his mattress. (It’s something he’s never been able to shake, the feeling that someone out there in this shitty little town is the same as him, someone knew themselves and what they were doing well enough to know where to buy that sort of thing and brought it back here with them, like taking a walkman back to the dark ages. Even long after his father tore the magazine into fifty brightly-colored shreds.) And while he shared these attractions with Janie eventually, she never returned the favor, always one to keep herself to herself, private to the last. Still, he wonders.
“Thanks,” he settles on saying, after a longer silence. “It’s not– yeah. You know where it comes from. You know where I come from. I guess at some point you get tired of denying things that are true.”
She’s giving him a heavy look, but warm, a smile opening out on her lips as she starts to say something, but before she can get there she’s interrupted by someone else coming around the corner, tall and utterly uncharacteristically anxious — Tommy C. She goes silent and stiff.
“Eddie–” Tommy says, and there’s desperation in his voice. Eddie’s never heard him desperate before. “I need– need to talk to you–”
“See you in class,” Janie says to Eddie curtly, dropping her cigarette and giving Tommy a wide berth as she leaves. Eddie watches her helplessly, feeling something like what the fuck now–
“It’s my dad,” Tommy says in a rush. “He and Uncle Henry, they went hunting yesterday and they never came home, and Auntie Bev thought it was a drinking thing but they still weren’t home this morning and I have no fucking idea what to do–”
“Shit.” Eddie leans back against the wall, feeling the hard bricks against his back. He twitches his cigarette between his fingers. Why is Tommy coming to him, is his first question. Instead of all his friends, the ones with money and connections and–
Oh. Eddie knows why. Because Tommy spends all his time pretending, around them. Attempting to forget what he really is, which is the son of a small-town store owner who drinks too much and kills things for fun on the weekend — and with Eddie, he doesn’t have to pretend about that, because Eddie’s situation is far worse.
Maybe that’s the reason for all of this. For the stolen kisses, the fragile intimacy. Maybe Eddie makes him feel better about himself.
But today, his father is missing, so Eddie’s not gonna hold it against him. “Have you called the cops?”
“Auntie Bev did this morning, they’re gonna get back to us but they thought it was just another binger–”
Eddie winces. Tommy’s got this wild look in his eyes, manic, and he looks younger like this, less assured of himself, less tall. “What the hell are you doing in school, man, like–”
“I came to talk to you.”
Oh. Right. Something strange about that, something uncomfortable, the way the first time he’s being prioritized in this guy’s life it’s because the guy’s dad’s disappeared. But hey. “So, what do you want to do?”
“I want to go looking for him.” Tommy turns away, paces a small circle, comes back running his hand through his hair. “Come with me?”
Eddie presses his fingertips into his eyes, dizzy all of a sudden. He can’t just– he’s got English class next period. Miss O’Donnell hates him enough already. Plus he only slept four hours last night and he doesn’t want to be involved in any of this, whatever this is, it’s all dark and foreboding like the guys at the plant last night, like Lonnie’s cold eyes–
And yet. Tommy looking at him like that. How can he say no to that?
So he nods. “Yeah, uh– yeah. Okay. I’ll help you look for your dad.”
“Thanks.” Full of relief. Eddie follows him out of the school, follows him in his van down to Cornwallis and Kerley, where they were last seen, and wait, the cops in the woods looking for Will, the thing in the woods he hallucinated on Sunday–
Eddie doesn’t like this. He doesn’t like this at all.
But he parks up behind Tommy’s two-door Ford LTD, gets out, follows Tommy into the woods. What else can he do?
The woods are large and silent, trees stretching up above them, bare branches twisting and blocking out the light. Eddie shivers and digs his hands into his pockets, sparing a glance at Tommy, who’s walking with desperate purpose to his steps. “What are we looking for, exactly?” Eddie asks, skirting a fallen log and then half-jogging to catch up.
“Anything, I don’t know. A sign, evidence, or– like, if they’re injured, somewhere, caught in a bear trap or–” Tommy stops, going pale. If there’s anything in these woods, a guy trapped in a bear trap won’t have lasted the night. And the thought that they might be looking for bodies–
“Suppose it beats O’Donnell any day,” Eddie mutters, to no response. She’s probably busy devising some horrible punishment for him — he remembers last year she made him write lines, I must not disrupt the class, over and over and over again until his hand was sore, fingers numb. Still, it’s not so bad. Not worse than having your father go missing, though, again, Eddie would have a lot of complicated feelings in that case. He looks at Tommy again. “You told your mom?”
“Why would I tell my mom?” Tommy says, sounding genuinely confused. “It doesn’t have anything to do with her. Plus it’s not like there’s anything she can do, not from Boston.”
It’s almost funny, actually, the way Eddie’s life is just a worse off copy of Tommy’s, shit in the same places, sure, but still overall worse. Tommy’s dad drinks, but he’s not in prison. Tommy’s dad is homophobic, but he doesn’t know about Tommy. Tommy’s mom isn’t in the picture, but he still knows where she is. Is that what Eddie is to him? A reminder that things could be worse?
They lapse into silence again, Eddie regretting that he came. Every rustle in the leaves has him on edge, every twitch of the branches above him. After a while of this, Tommy turns to him and snaps, “If this is freaking you out so much, why don’t you just go home?”
Eddie bites down on the inside of his cheek, hard enough to taste blood. How can he explain the feeling of foreboding, pressing down on him with the weight of stone? The way he knows something’s wrong? “No, it’s fine.” They continue walking for a moment, then, “I just– what do we think happened to them, exactly? To your dad and your uncle. Because we’re just– following them. To where they went, and didn’t come back from.”
Tommy turns on him, grabbing him by the collar and pushing him hard against a tree. They don’t say anything for a moment, Eddie pinned there with Tommy’s hand so close to his throat, Tommy’s thumb digging into the skin above his collarbone, eyes wide and locked on each other, breathing into each other’s space — “I said,” Tommy grits out, “if you don’t wanna be here, then fuck off. I can do it alone.”
Eddie’s not actually sure whether he’s turned on or not. His heart is pounding frantically in his chest and he doesn’t like the way Tommy’s looking at him, all darkened eyes full of a desperation that doesn’t really see Eddie, he’s looking at Eddie without seeing him and it makes Eddie prickle with discomfort, even as he knows that someone truly seeing him would be just as scary. Maybe scarier.
Tommy’s eyes flit over his face, searching for something. He’s pressed himself flush against Eddie, trapping him there against the tree, fist tight around the collar of his jacket. You’re gonna stretch it, Eddie wants to say. You’re gonna tear it up. But he doesn’t say this.
He says, “I want to be here. I want to help. I just– think we should be careful about it, y’know?” His voice trembles a little, and he winces involuntarily. He doesn’t like this, he’s decided, but there’s nothing he can do. Tommy is strong, taller than him, something like six foot two (making him the tallest on the basketball team) and Eddie hasn’t done any exercise since his last dislocated shoulder disqualified him from gym a month ago. So he doesn’t bother to struggle. Just lets himself be held there, waiting, eyes locked on Tommy’s as Tommy takes a deep breath and then lets go.
“Shit,” Tommy says, moving a few paces away and running a hand through his hair. “Shit, sorry, I just–” He looks like he’s losing control. Like things are slipping out of his control. Welcome to the club, Eddie thinks. “That wasn’t– yeah. I know you want to help. Sorry.”
“Give a man a warning next time, okay?” Eddie pushes off the tree and picks crumbling pieces of bark out of his hair. “Let him know if you’re planning on kissing him or killing him. Just so he knows what to expect.”
Tommy doesn’t laugh. Good. It wasn’t a joke. Eddie moves to light a cigarette and finds that his fingers are shaking too badly to hold it; he drops it somewhere in the leaves and can’t bring himself to move to pick it up, not wanting Tommy to see how badly he’s affected him, how he feels weak at the knees and not in a good way, this time, not at all. He wishes he was in Miss O’Donnell’s goddamn English class.
He walks off deeper into the woods, hearing Tommy’s footsteps behind him but not turning to look. They walk for at least another hour in silence, in what Eddie slightly suspects is a circle, until they’re nearing the road again and his stomach growls and he realizes it’s past lunchtime and he didn’t eat any breakfast just as Tommy says, with the offer of peace in his eyes, “Lunch?”
Eddie nods without really looking at him. They wind up getting burgers at the other burger place in town, the place not owned by a guy who killed himself a few days ago, and eat them quickly, the functionality of it all — rather than enjoyment in each other’s company — plain.
“I’m sorry,” Tommy tries. “About– earlier. I’m just worried, I guess.”
“Yeah,” Eddie says, looking at his burger instead of at Tommy. He’s found that people rarely mean it when they apologize to him. “I’m sure he’s, um, fine. Your dad. I’m sure it’s just–“
“Are you?” Tommy returns, and when Eddie looks up he’s got his eyebrows raised.
“No,” Eddie says, maybe surprising himself. Something about how the conviction that everything will be just fine is for other people, people who don’t live in trailer parks and get asked to spy on their drug dealing friends to pay rent. “I thought I’d say it anyway, y’know, to be nice.”
“You’re not nice,” Tommy says, half a jest in it, but Eddie looks down at his hands and feels something cold move through him. Is he not nice? Is that true? Eddie’s not sure he tries to be nice; equally, he tries never to be cruel, and doesn’t that count for something? “But thanks. For coming with me.”
“Yeah,” Eddie mumbles, pushing his burger away. He’s not really hungry anymore.
They park up closer to town this time, since they started closer to Lover’s Lake. Eddie takes a minute in his van, wondering what ridiculous selfless streak (or self-sabotaging, probably) has led him here, and how much farther it will lead him still. He hasn’t bothered with a cassette this time, too distracted and frazzled and tired, so it’s some Spandau Ballet song playing at low volume. To cut a long story short, I lost my mind. Well, that’s fitting, he guesses. Even if it is fucking new wave.
He’s walking over towards Tommy, who’s leaning against the hood of his car with a cigarette in his mouth, when he hears another engine on the road behind him and turns to see Steve Harrington’s goddamn BMW slowing to a crawl as it passes them. Well, shit.
The passenger window winds down and Tommy H. pokes his head out, a wry, cruel smirk edging its way onto his face — “What’re you doing hanging out with the freak, Coe? Creepy little cult session in the woods?”
Tommy C. doesn’t even miss a beat. “Car trouble.”
Eddie feels his skin prickle with something uncomfortable at that, but he doubles down. Why not. “School’s resident mechanic. At your service,” with a mock doffed cap and all, really ham it up and they don’t know what to do with you, he’s learned.
Tommy H. rolls his eyes. Beyond him, Harrington’s in the driver’s seat, recognizable by the silhouette of his infamous hair. Bored-looking. “Suppose he’s got some use, then,” Tommy H. says, sounding annoyed that Tommy C. had a legitimate excuse. Which, are we just ignoring the real legitimate excuse he could give? What the fuck? “You going to Trish’s thing later?”
For the first time, Tommy C. looks wrongfooted. He glances at Eddie and then at his cigarette, held loosely between his fingers. “I don’t–”
Say it, Eddie thinks. C’mon, say it. I fucking dare you. Drop the act for one goddamn minute.
But Tommy C. doesn’t say it. He shrugs. “I think I have a family thing, actually, dinner with my aunt or whatever.”
“Your loss. Careful with this one, alright?” Tommy H.’s eyes are heavy on Eddie — Eddie stares back unflinchingly. “Make sure he puts everything back in the right place. Just because his brain’s wired wrong, doesn’t mean your car should be too.”
“Can we go already?” Harrington says from the driver’s seat, and Tommy H. flips him off and then waves goodbye to Tommy C., mouthing freak at Eddie with a crazed expression as Harrington drives them off. Then they’re left alone on the side of the road again, a cold breeze tugging at their hair.
Eddie should’ve expected it, really. Doesn’t Harrington live around here? When he looks back at Tommy C., he’s sort of hunched in on himself, arm braced over his middle like he’s holding his guts in. “Come on,” Tommy says, walking out into the woods without an answer, and Eddie whispers fuck under his breath and then follows him.
“Are you gonna tell me what the fuck that was about?” he says, hurrying to catch up with Tommy’s rapid, uncompromising stride. Long fucking legs.
“I don’t know what you mean.”
“I mean, acting like everything was fine back there! Supposedly, those assholes are your friends. Care to explain why you just happened to omit the part about your dad and your uncle going missing?”
A silence. Tommy stops walking, finally, which is good, because they’re never going to spot anything they’re looking for at that pace. “They wouldn’t get it,” he admits, finally, looking at Eddie, and Eddie looks back at him with something sort of angry rising in his chest.
“And I would.”
“I don’t know what you want me to say. You do get it! Like I knew you would! And that’s not– I needed someone who would get it. Obviously. They’ll– everyone will find out soon enough, if we can’t find them today.”
Eddie scoffs and turns away, dragging a hand over his face. Shit. What the fuck has he gotten himself into? “I really was just trying to be nice, y’know. When I said I’m sure he’s fine. Because it’s, uh, highly likely that he’s not.”
“What–”
“But you don’t know that, do you? Whatever you say. You’re still clinging to the fantasy that you can be like them, like Tommy H. and Carol and fucking Harrington, that– that if you don’t mention it, then it hasn’t happened, and we’ll just find them wandering in the goddamn woods and everything will be just fine and you can go to Trish’s stupid party or whatever–”
“That’s enough,” Tommy says, voice tight, furious, but Eddie’s on a roll now.
“But that’s not how it works. Not in the real world, and they don’t live in the real world, sure, but we do. We fucking do. Shit like this — it doesn’t happen to people like them. It happens to people like us.”
“People like us,” Tommy echoes, and he’s gone cold and quiet and really that’s not a good sign at all. When Eddie risks a glance at him, he’s not looking at him. He’s looking at the carpet of leaves, fists clenched by his sides. Something like a sneer in his face. “What is that supposed to mean?”
Eddie laughs humorlessly. “Take your pick. You’re in denial about absolutely all of it, so, yeah. Take your pick.”
He’s expecting it when Tommy lunges for him, shoving him back into the nearest tree with a hissed, “Watch your goddamn mouth, freak.”
And Eddie laughs and says, “See? Denial,” and then he’s not expecting what Tommy does next, which is lean in and kiss him furiously and sloppily, desperately like he’s trying to prove something but what the fuck is he trying to prove? That he’s messed up in the head? That his brain’s wired wrong? Because he’s succeeding. Showing Eddie he is indeed people like us.
Eddie pushes him away, and Tommy lets him, but something about the angle’s wrong and Eddie tries to use too much force and his shoulder pops out.
This is something he’s very familiar with, objectively, but all the familiarity of memory can’t prepare him for the subjective experience of pain as it happens, shooting down his arm and his spine, sending him to his knees on the forest floor as he lets out a yell — “Fuck, oh fuck,” he hisses through his teeth, tears springing to his eyes as Tommy backs away and stares at him with something like fear.
“Shit, are you–”
The pain brings with it clarity, however, a clarity that cuts through the fog of tiredness and the weird neediness he feels when Tommy C.’s around, a clarity that lets him look up at Tommy and say very clearly, “Please fuck off.”
“What? But you–”
“You’re a fucking asshole and really I want nothing to do with you, so just– just go.”
“Jesus Christ,” Tommy says. “For the record, I’m nothing like you.”
“Good, then we’re both agreed.”
Eddie waits until Tommy’s footsteps have receded out of earshot before he allows himself to hunch over and cry, pain and frustration alike making his throat sting, because how many months has he wasted on this? How many sleepless fucking nights? When Tommy C.’s trying so hard to be something he’s not. When this is how it ends up.
“Oh my god,” someone’s saying behind him, a girl, who the fuck is that? He lifts his head, vision blurry, and vaguely recognizes Nancy Wheeler and Jonathan Byers. Because of course, he can’t just be left alone for an hour or two. Of course not. “Are you okay? We heard a yell–”
Eddie’s in too much pain to be anything other than honest. He pulls himself up into a sitting position, leaning back against the tree, and says through gritted teeth, “Dislocated my fucking shoulder, fuck.”
“Okay, shit, we should take you to the hospital–”
Eddie shakes his head, closing his eyes. “Not necessary,” he says, with a grimace, laying his other hand on his upper arm and pushing until–
He feels the joint slide back into place; he feels a burst of pain a second later, like his brain’s only now catching up with his body.
“Fuck,” he hisses, another bastard tear slipping down his cheek. “There we go.”
“Holy shit,” Byers lets out above him, almost like he’s impressed, not that dislocating your shoulder every couple of months is a very impressive feat. He supposes he should be grateful it’s usually the shoulders; he’s heard kneecaps are far worse. He cradles his arm across his chest and leans his head back against the bark, exhaling through his nose.
“Look, I’m not sure why you kids are out here, but I’m sure it’s not to watch some guy pop his shoulder back in, so. Why don’t you run along, okay?”
Both of them frown at him, likely annoyed that he’s calling them kids, but hey. They’re sophomores, probably only fifteen, and while he definitely does not have his shit together right now he can admit very clearly that he was a kid at fifteen. Still is a kid, probably. “I still think you should go to a hospital,” Wheeler says, crossing her arms over her chest, stubborn. The action calls attention to her hands, and what she’s holding, and what she’s holding is–
“Is that a fucking gun?” Eddie says, forgetting to be nervous about it because it’s tiny Nancy Wheeler, cul-de-sac Nancy Wheeler, Harrington’s pretty girlfriend and all-around good girl, by all accounts–
Byers is holding a baseball bat. Huh. Okay. What the fuck?
“No,” Wheeler says reflexively, pushing the revolver under her arm out of view. Eddie just raises his eyebrows at her and she relents, flushing a little. “Yes, okay, it’s a gun. We’re–” She exchanges a look with Byers, who’s sullen and silent. No help forthcoming. “Look, it doesn’t matter what we’re doing. If you mind your business, we’ll mind ours.”
“What is that supposed to mean?”
“You were out here with Tommy C. I don’t know what you were doing, like, drug dealing or whatever–”
Eddie laughs. People really love to assume that, don’t they? “Listen, Wheeler, whatever you’re involved in, I want no part in it. So I’ll take that deal.”
“And the hospital–”
“No insurance,” he says, getting stiffly to his feet. His gaze catches on Byers’, and there’s something like recognition in his eyes, like he gets it in a way that Wheeler never can, which makes sense. He wonders if Byers knew Bruce Munson the way Eddie knew Lonnie.
And thinks idly, as he’s walking away, minding his own business, that a combination like Wheeler and Byers is not going to work for long. It never does.
Notes:
— blueboy was a gay men's magazine published 1974 to 2007, including lifestyle features alongside nude images. it was initially sold at adult bookshops and gay bars.
— deep purple are an english rock band formed 1968, considered to be one of the pioneers of heavy metal.
— the ford ltd was manufactured 1965 to 1986 - jonathan has a 1971/72 model
— to cut a long story short by spandau ballet was released october 1980
— in s1e5, callahan and powell tell hopper that 'bev mooney came in this morning, all upset, said that dale and henry went hunting yesterday, and they didn't come back home.' and powell adds that 'she thought they were on another binger but she's not so sure now.' these missing hunters aren't mentioned again but it stands to reason that they have family who miss them: hence, tommy c.
— as you may have noticed, eddie displays some of the symptoms of hypermobility, possibly undiagnosed hEDS or HSD, in this fic, notably easily dislocated limbs and easily bruising skin. no test exists to distinguish these conditions — you can learn more about it here.thank you for reading, and let me know your thoughts below! you can find me on twitter (ohtobeinlove) or tumblr (palmviolet).
Chapter 6: The Monster
Summary:
“Have I completely lost my mind?” Eddie manages to say, wiping his mouth with the back of his hand. The asphalt is freezing beneath him.
Byers laughs humorlessly. “Weird how we seem to be asking ourselves that a lot these days.”
Notes:
warnings for eddie absolutely not taking care of his dislocated shoulder, classism, referenced drug use, vomiting, homophobic slurs and internalised homophobia from tommy c, and a further moment of violence between eddie and tommy.
(See the end of the chapter for more notes.)
Chapter Text
FRIDAY NOVEMBER 11TH, 1983
The shoulder’s not so bad as it’s been in the past, but he knows from experience he can’t just ignore it. He swings home and doses up on Tylenol, digging out the sling he used last time, ruing the awkwardness of it and willing his joints to just work normally for once, is that so hard?
Wayne’s sitting at the table, which is covered in bills and other paperwork, a calculator before him and one hand pressed permanently to the lines at his temples. Eddie doesn’t even want to ask, really, not after the day he’s had, so instead he looks at the television, which is playing the news at a low volume. He moves closer to hear it: “...latest misfortune to befall the town, the disappearance of Henry Mooney and Dale Coe while hunting yesterday afternoon–”
Eddie turns it off. His uncle grunts, not looking up from the paperwork. “You did your shoulder again, kid?”
“Yeah. It did the thing it does, apparently, just went like that.” Eddie snaps his fingers to emphasize the point.
Wayne looks up, and there’s something heavy and tired and worried in his face. Brow pulled down low. “I’d take you to a doctor, but–”
“Doctor? Me? I’m fit as a fiddle, Uncle, you wound me.” He mimes being stabbed in the heart with the arm that isn’t in a sling, and Wayne rolls his eyes. His uncle gets a health plan with the plant — not a great one, but insurance nonetheless — but Eddie’s only been a legal dependent for a few months now, legally adopted when his dad went to prison, and he has a nasty feeling some of the paperwork got lost on the way. So — a homemade sling and Tylenol it is.
There’s an ashtray on the table next to Wayne; it’s overflowing. Shit.
“What’s going on?” Eddie asks, finally, because he knows he has to.
“We’re overdue on more shit than I realized. The car’s really, uh, puttin’ us in a tight spot. I’ll work it out, but…”
He feels a faint rise of nausea. His uncle rarely gets worried like this; when he does, it’s bad. And if they’re selling the trailer park, new owners, running a tight ship, less forgiving– and Eddie can’t get a job because of his goddamn father–
“You’re gonna focus on school, you hear me? Like I told you, this is somethin’ for me to be worryin’ about. Not you.” Wayne looks down at his watch then, frowning. “Hey, ain’t it a little early for you? Shouldn’t you still be–”
“Shoulder,” Eddie says, which covers a multitude of sins, always has. He dislikes lying to his uncle, really, but it comes strangely naturally. Automatic, almost, like a long-worn pair of shoes. Honesty hasn’t been broken in yet. “I’m gonna– I said I’d go and see Janie. I’ll be back at eight to take you to work, okay?”
“Okay,” Wayne says, returning his eyes to the stack of bills, and Eddie leaves with a queasy feeling of responsibility in his gut, like he needs to do something about this. This, the latest in a long line of what’s going on in my life? moments, increasingly frequent as of late. Maybe it’s something in the air.
He does indeed drive over to Janie’s, though the planned visit was a lie. He wants to see her, suddenly, all the shit with Tommy C. swirling around inside him and now that it’s over he can tell her, right? Tell her the whole of it, get it off his chest?
He has to take the sling off to drive, which maybe he should have thought through, but his uncle’s got no car and he has to drive at some point so why not grit his teeth and go for it now, the fierce ache lighting up each time he turns the wheel. The worst part isn’t the pain, actually, it’s the way the pain reminds him of Tommy C.’s sharp eyes and the way Eddie was just being used, the whole time, just a way for Tommy C. to reconcile the fiction of his life with the fiction he was maintaining on the inside, a way to outsource the way he hates himself.
Fucking asshole.
Janie doesn’t live that far away, this little house on the outskirts of the north of town, rundown and cheap and hardly a suburban ideal. Eddie pulls up and tugs the sling back over his head, unable to restrain a hiss of pain as he adjusts his shoulder, and is this going to be his life forever, he’s thought in the past and is thinking now — a series of injuries more annoying than dangerous, just a parade of inconveniences and sharp, distracting pains until the day he dies? Really?
It’s not Janie who opens the door, but Alice, her mom. Alice has long black hair tugged up out of her face and a slight accent; she looks at Eddie searchingly for a moment before turning and calling into the house, “Janie, your boyfriend is here!”
Janie appears in the hallway behind her, eyes narrowed and still wearing her jacket, like she only just got home from school. “Not my boyfriend, mom.”
Alice ignores her. “Living room only. I won’t have any– activity in the house.”
“Activity? Gross,” Janie protests, as Eddie only barely restrains his laugh. “Mom, can you–”
Alice looks between them, eyes narrowed. “If this means you won’t call your father tonight, then good. All your international calls, they’re costing me such a ridiculous amount and I don’t see why you have to talk to him so much when he left us–”
“Because he goddamn cares,” Janie shoots back, but clearly this is a familiar argument, because Alice just raises her hands in surrender and walks back into the house. She’s skinny, tall and willowy to Janie’s short, strong frame. “Listen, this isn’t such a good time. I really do have to call my dad.”
Eddie looks at her helplessly. “Can I just– shit, can I just drink tea on your couch for a bit?”
A moment. Then she nods, beckoning him in with a jerk of her head. Shoes off at the door like always. Then he leans against the counter in the kitchen as she prepares a teapot of oolong — her mother’s concession to where she came from, Janie’s told him in the past, though she’s discarded just about everything else, too furious with her husband’s return to China to keep it. Janie’s boombox is playing quietly, House of Salome by Kim Wilde, from the cassette Eddie bought her for her birthday last week. Strange, really. Janie doesn’t cultivate an image that would suggest she likes Kim Wilde. But then again, images can be deceiving, and Eddie knows that all too well. No point in pretending to be something you’re not.
“What happened to your arm?” she asks, as she hands him his mug.
“The usual.” It hurts to shrug, like a bitch. He takes a sip and burns his tongue. “What time is it in China? Isn’t it, like, stupidly early?”
“Like, four a.m. But he gets up early for work; it’s the best time.” She says it easily, eyes defiant, like she’s used to arguing about it. Maybe with her mother. Eddie doesn’t have the energy. He just nods, and lets her lead him over to the couch, which he’s always found wonderfully comfortable (lacking a decent couch in the trailer, really, most of the space needed for Wayne’s sofa bed) and pulls his legs up underneath him, leaning back and letting some of the tension in his muscles relax. “What happened?” he hears her ask, while his eyes are closed, and he shakes his head.
“You were right,” he says. “The guy’s an asshole.”
She snorts. “Yeah, no shit. They all are.”
He opens his eyes, traces the lines of her features. She’s got a soft, pretty profile, full cheeks to go with her clever eyes. “Wouldn’t it be so much easier, if it was just the two of us? Y’know, living a normal life. Married. Growing old, and shit. Working stupid jobs and– and dancing to Kim Wilde in the kitchen.”
“You hate Kim Wilde,” she says, voice uncharacteristically soft, strangely soft, actually, and that’s that.
She leaves him on the couch as she goes over to the phone, and he lets his eyes drift closed again as she talks to her dad in a mixture of Mandarin and English and something in between. “Mom’s doing fine,” she says at one point, which makes him feel all weird inside to hear, really, because didn’t the guy abandon them? Didn’t he move all the way back across the world? And he’s asking how his ex wife is?
The thought is an abstract one, his last before he drifts into a short, fitful sleep, where he dreams that the trailer’s being taken away and they’re locking Wayne in prison too, right alongside his dad, Callahan laughing snidely only Callahan isn’t Callahan, he’s Tommy C., hand tugging at Eddie’s belt as he says something like shoulda sold me a half-ounce, (not Tommy C. now, Jack instead) maybe then you could afford a lawyer–
He jolts awake with a sick, ugly feeling of regret in his chest, though he hasn’t done anything to regret (or failed to do anything that might save them) yet, the trailer still theirs, Wayne not in prison and everything still fixable, right now, stuff he can just click back into place like his shoulder joint–
“Are you okay?” Janie asks seriously, coming over to sit beside him. It seems she finished her phone call a while ago; it’s nearly pitch dark outside, he sees through the window. “Is it your dad? Is it–”
“It’s everything,” he says, scrubbing his hands over his face. His talkative mood, the desperation to sort things through and explain them to her, has dissolved. Maybe because what his dream showed him he has to do isn’t something she’s going to condone, and he can’t face judgment, not now. He needs a friendly ear. Someone who’ll tell him what he wants to hear. “I gotta– I gotta go. Sorry.”
“Eddie–”
“Thanks for the tea,” he says, and then he bolts. Which he’s rather good at, he’s noticed. A particular skill of his. He gets in the van and drives south, back through the center of Hawkins and out the other side, and then he gets to Cornwallis (dark and cold and threatening, now, the trees looming up) and has to pull over, breathing hard, dropping his forehead against the wheel. What is he doing? Really? Going to see his fucking drug dealer for a job? What is that going to solve, really? Just get him in more debt to Rick, more trouble. Trouble like his dad.
There’s a loose link in the chain on his jeans, he notices, as he looks down at his lap. He tugs at it impatiently, trying to bend the metal back into shape by prying at it with his nails, and succeeds only in tearing the skin open on the side of his thumb.
“Fuck,” he lets out, bringing it up to suck on it. It fucking hurts. Blood gathers in the corner of his thumbnail and he tastes it, coppery in his mouth. Today’s just not a good day, huh?
He first met Rick when he was fifteen, giving up on his year of attempted sobriety after he ran away (I want nothing to do with my dad turning into this fucking sucks and I need a way to deal with that), following a rumor and expecting some greasy teenager in his mom’s basement, not Rick’s sharp, clever operation out by the lake. Not a guy who looks like someone’s dad. Reefer Rick? he thought. Really? But Reefer Rick he was; and the only reason Eddie was let in, hovering on Rick’s doorstep with his shoulders hunched and his still-short hair stuffed under a baseball cap, all unruly curls he’d never seen before and didn’t know what to do with (The buzzcut makes you anonymous, his father saying, you want the cops to remember you? Or worse, catch you because they could grab your hair?), was because he introduced himself completely, first and last name.
“Munson’s kid, huh. Wondered what happened to you.”
And Eddie looked at the floor (his confidence taking longer to grow out than his hair) and said quietly, “Please don’t tell him I’m here.”
Rick had laughed, and waved him in, and offered him a joint: “That’s a direct competitor of mine now, kid, only reason I’d talk to him is to tell him to beat it.”
9 to 5 by Dolly Parton was playing on the radio in Rick’s kitchen, Eddie remembers that distinctly. Remembers admiring the organization of the place, the way the evidence of the business was present but tidy, discreet, save a stray line of coke on the counter that Rick snorted up as he watched, with a crisp fifty dollar bill, the kind of bill Eddie hadn’t seen for nearly a year — “Don’t usually indulge in my own shit,” Rick said, “but, hey. What’s the point in it without a few perks?”
He didn’t charge Eddie for a while, actually. Strangely. Always let him crash, when the feeling of safety at the trailer felt too safe, too strange, and he wanted some place he could be jumpy without making someone worry about him. The summer he got his job at Thacher’s, he spent his earnings on a guitar and weed.
Maybe this is what all that was leading up to. All Rick’s perceived kindnesses in the beginning, his charity, just waiting to turn his rival’s son into an employee, into something just like his father only–
Only, what? What’s the difference, really? Eddie never knew his grandfather, but he finds it unlikely that his father was treated well. No doubt Bruce Munson felt the same resolve, once: I will not be like my dad. And where did it get him?
But there’s nothing they can do about that resolve and its inevitabilities, not really. The way Tommy C. used what he was to convince himself it was what he wasn’t — the way he toys with his identity to protect himself from it, and will fail in the end, Eddie knows. They all fail to deny what they are. And what is Eddie, if not a scrawny teenager in a trailer park where dope’s as common as blades of grass, strapped for cash with nowhere to turn except back to where he started, back to where his life’s been heading all along. Back to Rick’s to ask for a job.
He lifts his head, looking out at the darkened road ahead, the woods along either side. There’s something close, daunting about them. As he shivers and moves to put the van in gear, wincing as he shifts his shoulder (gotta stop driving after this shit, really, he has to stop)–
He sees something.
Something big, moving in the trees. In the dark. The trees moving, even, like the thing’s so big and so fast it’s felling each branch in its path, unstoppable, moving, moving and coming towards the road coming towards Eddie but wait there’s people in front of it, running too, bolting desperate running for their lives and the thing it’s on the road it’s tall it’s huge sinewy white no face no face no fucking face–
He puts his foot down.
The van jerks forward — might be a piece of shit but hell if she can’t accelerate — and slams into the creature. There’s a crunch and a shriek, a shriek so loud and unearthly Eddie would reach up to cover his ears, if his hands weren’t clenched so tightly on the wheel that they’re numb. And then he blinks and it’s gone, the creature’s gone, the big sinuous white thing that shone up yellow in his headlights only a second ago–
“Holy fuck,” he whispers, taking his hands off the wheel. They’re shaking. “Holy fuck, holy–”
Someone opens the passenger door, eyes wild and serious and determined, oh, that’s Jonathan Byers, that’s– is that why he was– “We need to get out of here,” he says, tone leaving no room for argument. Behind him is Wheeler, who looks different now, actually, almost bedraggled, hair dark and dirty and plastered to her face. She looks frantic and distant. Almost hysterical, and fuck, Eddie doesn’t blame her. Byers pushes Wheeler into the backseat and then says, “If you can’t drive then I can, but we need to go.”
Eddie’s gone beyond the range of a panic attack; he thinks his brain is floating somewhere near the moon. But when he puts his hands back on the wheel, they seem to know what to do. And then they’re driving off down the right side of the road and Black Sabbath’s Heaven and Hell is playing like– like nothing ever happened, like Eddie didn’t just hit a monster without a face with his car–
“My house,” Wheeler’s saying shakily from the back. When Eddie looks at her in the rearview, she’s running a hand over a damp, sticky strand over hair glued to her cheek, and that hand is visibly trembling. “My house is– is best.”
Byers doesn’t argue. “Further away. Yeah.”
Then Wheeler looks up, stricken. “But your mom, oh my god, that thing is out there and she’s–”
“I don’t think it will come after her in the house. Last time, it was after Will. And also, Lonnie’s there, so. I’m sure she’ll be fine.” Said quietly, bitterly, and wow. Boys and their fathers. Not that Eddie could get a word out to comment on this new irony; his tongue feels frozen to the roof of his mouth. “My car, though, shit, I need my car–”
“Take us further up Cornwallis, to Furling Way.” Wheeler’s voice is coming through stronger, like she’s rallying, which, good for her but Eddie is not. “We can just drive back to my place together, Jonathan, and then tomorrow–”
“Okay, what the fuck,” Eddie manages finally, and his voice comes out all scratchy and feeble, a great rush of panicky breath. “What is– that thing had– it had no face and like what do I– I hit it, God, what does that even– and how do you– shit, oh, shit–”
“Jonathan…” Wheeler’s saying, warningly, and Byers turns sharply to Eddie and says, “Pull over,” and Eddie just numbly obeys. Then he opens the door and gets out on weak knees, sinks to the ground, maybe pukes. He doesn’t know. He does know that when he looks up it’s only Byers there, watching him warily, lit gold by the headlights in the dark. Wheeler’s nowhere to be seen, though he thinks he can hear her crying somewhere. Maybe not rallying, then.
“Have I completely lost my mind?” Eddie manages to say, wiping his mouth with the back of his hand. The asphalt is freezing beneath him.
Byers laughs humorlessly. “Weird how we seem to be asking ourselves that a lot these days.”
“But that thing, it wasn’t–” Then something dawns on him, something sick and vertigo-inducing. “Shit, I saw it before.”
“What?” Byers sharpens, staring at him.
“I saw it– on Sunday, late, I was– I was tripping, or I guess I thought I was tripping, I didn’t think it was real.”
“Did you– did you see my brother? Sunday night?”
“Your brother? What’s–”
“It took him. The monster.” Byers turns, dragging a hand through his hair, aiming a loose kick at the tires. “I don’t know what to–”
“We need to go,” Wheeler says, emerging around the hood of the van, tear stains evident in the tracks of grime on her cheeks. “The woods, we can’t just– it’s going to come back.” She looks at Eddie, at his hands, eyes lingering on the trail of blood on his thumb. Then back at Byers. “We’re close to your car, right? Steve’s isn’t far away from here.”
Steve’s? Is goddamn Harrington involved in this? Eddie stares at her. “Whoa, no, what the fuck, you can’t just– I want to know what the fuck’s going on.”
But Byers shakes his head, voice quiet. “No, you really don’t. Just trust me, okay? You’re not involved, and you don’t want to be, so just go home. Really.”
They stare at each other, the three of them, in the dark. With the woods large behind them. Fuck, what the fuck, maybe he’s still asleep on Janie’s couch and he’ll wake up with this all some horrible dream–
The thing is, he’s not the sort of person who gets involved. He’s not the sort of person who runs towards danger, instead of away from it, and he tried to help today, with Tommy C., and where did that get him, exactly?
And he has to take his uncle to work at eight. And that’s not something that goes away, when you meet a monster in the woods. That’s not something you can get around, the same way you can’t get around the bills on the fridge or the FOR SALE notice by the trailer park gate. No matter what happens. Shit like this — it doesn’t happen to people like them. It happens to people like us. But for once, it hasn’t happened to Eddie. It’s happened to someone else. Who is he to tempt the universe into realizing its error?
So he nods, shortly, and somehow finds the strength to get to his feet. “Good luck,” he says to them, and then Wheeler catches his eye — “You can’t tell anyone about this,” she says.
He laughs, a hysterical edge to it. “Who’s gonna believe me, Wheeler? They already think I’m a junkie.”
She just looks at him, big eyes wet and a little sorrowful, slightly kind, uncommonly pretty even in all the dirt and maybe Eddie can see where Harrington’s coming from. Where Byers is coming from too, probably. And she lets him go.
SATURDAY NOVEMBER 12TH, 1983
He gets so high that night, when he’s taken Wayne to work with the front of the van crushed in (a deer ran out, you know what they’re like, just desperate to get closer to my Sabbath tape) that for several hours he can’t really move, just frozen heavy in his bed with all the air weighing down on him. Plus he swears he can see a shadow moving in the corner of the room and it’s been a while since he greened out like that, dizzy and sick, and it’s fitting for the day he’s had, actually, that he can’t find any relief even in his substance of choice. Eventually he drifts into sleep, dark and fitful, and he wakes groggy and late, pale light almost mocking his fear of the dark. Aching all over, his joints, his very bones.
It doesn’t feel real, in the morning. Over a cigarette and a bowl of cereal. It feels like a hazy, distant dream. But his eyes find the cut on his thumb, an angry red slash, and when he presses on it it stings, real enough, and he remembers the way Wheeler looked at it, like it was a clue. A piece of a certain puzzle. Only this is the only piece he has, so what does he do with it?
But maybe it’s not.
He thinks about it. About the thing in the woods on Sunday, and missing Will Byers. Dead Will Byers, if reports can be believed, no foul play, but Eddie’s distrust of authority has gone absolutely nowhere and when there’s a monster on the loose…
And Tommy C.’s dad and uncle, lost in the woods. All that shit about Cornwallis, Cornwallis and Kerley, localized, like maybe the monster’s got something to do with them disappearing too–
You’re not involved, and you don’t want to be, so just go home. But the thing is, Eddie is involved, isn’t he? Just a little bit. Dragged in by Tommy C. Trying to help out an asshole, and he’s done with Tommy C. now, he knows that whole thing was a lost cause and really a bad idea to begin with but also–
He thinks Tommy C. loves his dad. And your dad, loved or not — that means something. Knowing what happened to him means something. Knowing where he is, safely out of reach or not.
He showers before he goes. No hot water this time, so he hunches over against the tiles as he waits for the cold jolt of shock to ease from his system, and after he catches a glimpse of his back in the mirror, skinny and splotched with red-purple bruises. From Tommy slamming him into trees yesterday, probably, but hey. It’s as good a reminder as any that this is not a social call.
More Tylenol, against the pain in his shoulder. Two more cigarettes. That Billy Idol song he’s got a weakness for, White Wedding, all eight minutes and twenty seconds of it. He even considers The Shining, the envelope tucked inside it. Indiana Department of Correction. Nothing like seeing a real monster to make your dad less scary, right? But in the end he decides against it. Not today, anyway. One asshole at a time.
So then he bites the bullet and goes.
He knows where Tommy C. lives only because he looks the Coes up in the phonebook: Dale and Tommy Coe, right beside the Mooneys next door. Cherry Lane. They live near Janie, actually, the northern outskirts, just slightly more suburban. Eddie drives his beat-up van past the small, tidy houses and still feels out of place, though it’s no Loch Nora. No Hagans or Harringtons to be found out here.
When he doesn’t get an answer at the Coes’ front door, he goes one house over to the Mooneys’, where a scraggly-looking terrier yaps at him from the fenced front yard. There’s a U.S. flag tacked up on the wall, too permanent-looking to be a remnant of yesterday’s Veterans Day.
It’s a woman who opens the door, thick blonde hair and red-rimmed eyes, a cross on a chain around her neck that her hand comes up to clutch at when she sees Eddie, which is a little bit offensive, Jesus. “Is Tommy here?” he asks, sharper than he means to, but hey. Not a social call.
“I’ll– I’ll go get him,” she says, giving him another wary look. But then she does go get him. Tommy C. emerges with his arms crossed over his chest, leaning defensively in the doorway and not giving an inch.
“What do you want?” he says, voice flat.
Eddie can’t help but match the tone. “Oh, I don’t know, I just had something I thought you might wanna hear, y’know, considering it’s your dad who’s gone missing, but hey, I can come back, if you’re that busy–”
Tommy takes a step forward. Eddie had promised himself, on the way here, that he wouldn’t let himself be cowed or cornered, not this time, but some treacherous instinct within him has a bent towards the cowardly and he can’t stop himself taking an equal step back. “What is it?” Tommy says, something harsh in his voice. He’s different here. He carries himself differently. Less of a proud tilt to his head. More of a twang to his vowels.
“There’s something out there.”
Tommy frowns, uncomprehending, edging closer into Eddie’s space. Eddie’s dad was taller than him, too, when he was fourteen. Liked to loom over him. Make him feel small.
He swallows, forces himself to continue. “In the woods. There’s something–” winces, thinks about the dark and the headlights and the thing without a face “–awful, out there. A kind of– monster. I think it– it took Will Byers, and I think maybe– maybe your dad and your uncle too.”
“A monster,” Tommy says evenly. “Really.”
“Really.”
“So you’re telling me — let me get this straight —” and he walks in a circle, around the yard, and comes back only a few feet away from Eddie, leaning against the chain link fence with one hand “— you think you saw some kind of monster, in the woods, and you think it took my dad.”
“Yeah, I do.”
“Jesus fuck, what have you been smoking?” Said with a half-laugh, humorless. “Or else this is just your way to fuck with me because, what, I’m not gonna go steady with you? Because I’m not a fucking queer? I can’t even give you credit for imagination, can I, because all that monster shit’s just copied straight from that nerd game you play.”
Eddie stares at him. “This isn’t a fucking joke, man, I mean I know I’m an excellent storyteller and all but really–”
“Really what, Eddie? What are you doing here? What the hell do you want from me? Because, like, I tried. Y’know, I knew you wanted more than just what we were doing. So I tried. Kissing you in the bathroom, and shit. Tried- tried apologizing for making people think you deal, which, I don’t know why you’re trying to get rid of that reputation, I know for a fact you need the cash– and it wasn’t enough for you. You wanted– what, you wanted me to hold your hand in the hallways? Tell the world I’m gay for you? Which would be a lie, by the way, because I’m not. If you stopped living in your queer little fantasy world for a while maybe you’d get that through your head.”
“You think I– you think that’s what this is about? Me and you? Me wanting there to be a me and you?” Eddie shakes his head disbelievingly. “You know, I fucking meant it, when I said I want nothing to do with you. I don’t. I’m just trying to be a decent goddamn human being, not an asshole, like you.”
Tommy shoves him back into the chain link; it hurts his shoulder, his bruised back, but he doesn’t back down. Doesn’t drop his eyes, doesn’t let himself be cowed again. Fuck that.
“I’m just here to let you know that I think your dad was taken by a monster, and, believe me, I wish this was just some part of DnD. Then I might be able to kill it with a well-developed character and a d20.”
Tommy’s grip has slackened, enough that Eddie can slide past him and away down towards his van, shoulder twinging but not popped out this time, thank fuck.
“Nice flag,” he says, gesturing to it with his thumb.
Tommy lurches forward and shouts, “Fuck you!”, as if jolting out of a stupor, and Eddie just gets into the van and drives off silently, ignoring the hammering of his heart.
Notes:
— house of salome is from the kim wilde album catch as catch can, released 24th october 1983
— beijing time is 12 hours ahead of indiana
— 9 to 5 by dolly parton spent two weeks at no.1 in march 1981
— black sabbath's heaven and hell was released april 1980
— billy idol's white wedding is a two-parter, initially released october 1982
— cherry lane is where max and billy move in to in season 2; she highlights it as not a very wealthy street.
— loch nora is famously a street with a lot of big houses on it in hawkins
— as a reminder for timeline, it's the friday night that nancy and jonathan go looking for the demogorgon in the woods and nancy goes through the tree gate. in this canon, eddie's bleeding cut draws it, and it follows nancy and jonathan out of the woods.thank you for all the love! let me know if you're enjoying it below and as ever, you can always talk to me on tumblr (palmviolet) or twitter (ohtobeinlove) (though i can make no promises as to my reply speed lmao)
Chapter 7: The Bathtub
Summary:
“I mean, if it helps, I don’t think getting chased by a monster counts as a romantic stroll in the moonlight.”
Harrington stops. He turns to look down at Eddie, bloodied, pretty face creased in confusion. He’s cleaned off most of the graffiti by now — it’s just a lone ELER that remains, in crudely painted red. “A monster?”
Notes:
warnings for more eddie being bad at taking care of himself, canon-typical violence, blood, referenced child abuse, and a homophobic slur.
(See the end of the chapter for more notes.)
Chapter Text
SATURDAY NOVEMBER 12TH, 1983
Eddie’s driving along to the tune of Iron Maiden’s The Trooper when he reaches for his cigarettes and finds the pack empty, the box folding uselessly in his hand when he squeezes it. Shit. He’s sure he probably made a note of needing more cigarettes, at some point, but like most things it drifted out of his head as soon as it went in there. His (let’s face it, not even burgeoning, just full on thriving) nicotine addiction waits for no man, much less a faceless monster, so he pulls into a parking spot near the movie theater and sits there for a moment, bracing his shoulder with his other hand, because it’s starting to hurt like a bitch again and it can only be Tommy’s fault. Fucking Tommy. You try to warn a guy, help him, and what do you get in return?
Eventually he gets out, gritting his teeth and wondering if a joint wouldn’t be a better idea than a cigarette at this point, but hey. He’s going to want a less illegal smoke eventually, so he makes his way to the store on the corner, the opposite end of the street from Melvald’s. That annoying Bonnie Tyler song is playing overhead when he enters. He drifts towards the cigarettes and then thinks again, moving towards the painkillers too before he returns to pay for both, Camels and Tylenol, a pretty hungover combination.
The clerk’s some girl who graduated a couple of years ago, maybe, he recognizes her dreadlocks — not all that common a sight, in a town like this — and she’s humming along to the song as she counts out his change. “Have a nice day,” she says vaguely, politely, as he turns to go. (He thinks he’d rather do anything, than do a job like this.)
Then someone else comes in, another twenty-ish year old, who looks at the clerk with bright, gossip-fevered eyes: “Holy crap, Tilda, did you hear about Steve Harrington–?”
Eddie’s had enough of asshole jocks for one day, he thinks, monsters or no, so he just leaves the store with a shrug–
A shrug that sends pain shooting down his arm, because shit, he forgot about that. He stands there on the sidewalk, tucking his cigarettes and the bottle of pills under his arm as he probes at his shoulder. Could it have slipped out of joint again, without him noticing? Is that a thing that can happen? God, he fucking hopes not.
His gaze drifts idly over the street, wondering about whatever Steve Harrington’s done despite himself. It’s a stupid habit, getting himself involved in the lives of assholes. An addiction. And that’s not a word he just throws around, being lightly hooked on pot himself. But what’s pot ever done to him? What’s it done that Tommy C. hasn’t?
His bottle of Tylenol slips from under his arm and lands with a rattle on the sidewalk, rolling a little way towards the parked cars. He swears and crouches down to pick it up, which changes his angle on the corner of the street, allowing him to see all the way down to the movie theater and the guy scrubbing at something written on the marquee.
The guy, who’s Steve Harrington. The something written, which is SLUT WHEELER, underneath the title for All the Right Moves. Presumably there was more to it, but Harrington’s doing a good job, scrubbing away like he’s getting paid. What the fuck?
Cursing his strange addictions, Eddie moves for a closer look. Harrington’s up a ladder with some theater usher holding the base, and he’s affording everyone on the street a healthy view of his admittedly very attractive ass. He’s got a concentrated frown on his face as he wipes at the T of SLUT and wait, he’s all bloody, too, handsome lines of his face puffed up and bruised. Is this what there is to hear about?
Eddie can’t resist. “So, what, someone slandered your girlfriend and you punched his lights out, is that the story?”
The usher holding the ladder, a scrawny guy with a smirk, scoffs and says, “No. It was this clown that ruined the marquee in the first place, him and his asshole friends. And he got what he deserved when Byers pummeled him.”
“Thanks for that, Jerry,” Harrington says, scowling down at him. “But, yeah, that’s pretty much what happened. What do you care, anyway, Munson?”
Eddie really shouldn’t care, is the thing. Really. Hasn’t he learnt his lesson by now? But also — yeah, he’s interested. And Wheeler last night, Steve’s isn’t far away from here. How does Harrington go from being involved in this monster bullshit last night to calling Wheeler a slut this afternoon? What does it mean? So he sets down his Tylenol, shoving the cigarettes in his pocket, and moves closer to the ladder. He waves Jerry off — “I’ll do it,” — to which Jerry shrugs and concedes, going back inside with his hands slung in his uniform pockets, and holds the ladder himself. “Call me a concerned citizen.”
Harrington looks momentarily disconcerted that it’s now Eddie holding the ladder, holding his safety in his hands, but then he turns back to his task. “Whatever, man.”
“So what did Wheeler do? To cause you to display your high school villainy in such a disappointingly literal way?”
“What are you even talking about? I just–“ Harrington’s hand stills, and he wipes his forearm over his face. What he says next comes out as a mumble. “Saw her with Jonathan, and I was pissed. It was– stupid. A stupid thing to do.”
“And he knocked some sense into you, huh?”
“Yeah. He did.”
“I mean, if it helps, I don’t think getting chased by a monster counts as a romantic stroll in the moonlight.”
Harrington stops. He turns to look down at Eddie, bloodied, pretty face creased in confusion. He’s cleaned off most of the graffiti by now — it’s just a lone ELER that remains, in crudely painted red. “A monster?”
Eddie almost rolls his eyes. “Yeah, y’know, the thing in the–” and then stops. Because, oh, maybe Harrington doesn’t know. Clueless Harrington, with the fine profile and widened eyes. Byers didn’t even break the fucker’s nose, which would have done them all a favor, really, because then Eddie wouldn’t find himself doing something so stupid as to say, “She hasn’t told you about it, then,” like he’s offering to explain. Shit.
Harrington stares down at him for a long moment. Like he’s sizing him up, wondering to what extent Eddie’s fucking with him, wondering if he should say something cruel and push the threat of the truth aside. Because the truth is a threat, Eddie’s learned in the last twenty-four hours. To people like this, it’s always a threat.
So he waits for his rejection.
But it doesn’t come. Harrington just nods, turning back to his nearly-finished task. “Give me ten minutes,” he says, scrubbing at the next E, and Eddie would move away but he’s sort of in this now, this holding the base of the ladder business, so he just leans there and tries to work out a way of lighting a smoke one-handed while his shoulder throbs insistently every time he moves.
Finally, Harrington’s done cleaning. He clambers down the ladder, brushing past Eddie as he goes — he smells like cologne, fuck, the expensive stuff, probably, did he really put cologne on to call his girlfriend a slut in front of the town? Maybe he thought it would get her hot, who knows how these assholes think — and then moves without speaking down the sidewalk, towards an alley. Maybe Eddie’s about to get murdered. He follows him anyway.
And, oh, surprise surprise, the cruelties don’t end there. Someone’s spraypainted Byers is a perv on the wall, with a little smiley face. Cute.
“Listen, I’m only even talking to you because what I saw back there — you cleaning off that shit you wrote — surprised me. I thought hey, y’know, here’s Steve Harrington doing something unexpected. That’s interesting. And I’m, like, totally giving you the benefit of the doubt, here, man–” Eddie’s voice has crept up at least an octave, hitching with nerves. Not that he can bring himself to feel embarrassed about that. After the week he’s had.
“Just, explain? Because I swear to god, I do not have time for any creepy little games from Eddie ‘The Freak’ Munson–”
“Nice. That’s nice.” Eddie leans back against the wall and shakes out three Tylenol; he swallows them dry. “There’s something in the woods, and it’s taking people. Will Byers, and Tommy’s dad–”
“Whoa, wait, Tommy? Tommy H.?” Harrington looks legitimately distressed at that, holding a hand up. Eddie can’t really decide whether that does him credit or not.
“Tommy C. His uncle too. But it’s not– look, whatever, that’s what Wheeler and Byers were doing in the woods last night, I think. Going after this– thing. And they mentioned your house, so I just assumed that you were in some way involved in this–”
“Wait, my house?” Harrington’s got a distant look going on, like something’s dawning on him. Like he’s remembering something. “This– thing. I– shit, I must be going crazy. Oh, this is crazy. But this thing, it didn’t– did it have a face?”
A flash of the creature in the dark; long white limbs and that evil, uncanny face. Horror worse than any movie Eddie’s ever seen. “No,” he whispers, and just like that, Harrington is willing to believe him.
Fuck, Harrington is willing to believe him. After Tommy C. not believing him, after not believing himself– just a bad trip, he told himself, just the wires crossed in your brain–
And maybe it’s not full belief, not yet. It’s not Harrington going okay, that’s terrifying, I’m so sorry you had to see it, what do we do — not that he’d ever say these things anyway, and why is that the fantasy that Eddie’s brain conjures up in this moment? Really? The two of them working together, and worse, Harrington offering comfort? Jesus. Focus, Eddie. Fucking focus.
“Okay, let’s say– let’s say there really is something out there. Something without a– without a face.” Harrington paces up and down the alley and then comes to lean against the wall a yard or so away from Eddie. He scrubs a hand over his face and then winces, like he forgot it hurts. Silently, Eddie hands him the bottle of Tylenol and watches him take a couple, watches the line of his throat as he throws his head back and swallows. “And Nancy and Jonathan, they’re– they’re after it. Or they were, I guess.”
“They were?”
“Jonathan got arrested. Maybe Nancy too, I don’t know.” Harrington at least has the decency to keep his eyes on the ground as he says this.
Eddie’s eyebrows climb anyway. “And you didn’t? What, was it your winning personality that charmed you out of the cuffs, or did you namedrop your daddy? I don’t think you’re the Chief’s type, so–”
Harrington jolts, a sharp movement that has Eddie pressing himself back into the wall. He doesn’t know why he does this. Any of this — the provoking or the flinching, like poking a fucking bear and then letting freeze win over fight or flight. But Harrington doesn’t hit him, doesn’t pin him against the wall. Just shrugs defeatedly, hanging his head. “I ran, actually. We all did. And then Tommy nearly beat me up too, so I ran away from him, and currently I don’t think I have a single person in the world who likes me, so.”
“I find that very difficult to believe.” Eddie looks over at him, feeling a little like laughing. “C’mon, King Steve? Crown prince of the Harrington property portfolio? Sure, maybe Byers and Wheeler aren’t so hot on you right now, but hey. Byers is a freak anyway, and what do the opinions of us freaks matter, right?”
“I’m trying to– I’m trying to make things right,” Harrington mumbles.
“It’s probably a little late for that.” Eddie’s lost that charitable nudge in his chest, the one that made him hold the ladder and follow Harrington over here. Instead he feels tense and itchy, hot. “You called Wheeler a slut for all the world to see because you saw her helping a guy avenge his little brother, and now you’re throwing yourself a pity party when no one’s out there looking for this monster because you got them arrested–”
Harrington’s head lifts. “You think someone needs to? Go and look for it, I mean?”
Eddie closes his mouth. “I don’t– is that what I said? I don’t think that’s what I said.”
“Yeah,” Harrington says, pushing off the wall and pacing a circle, and whatever idea he’s had has a hold of him now, it’s clear, and there’ll be no stopping it. Fuck. “Yeah, someone needs to, right? That’s what they were doing in the woods. And I can’t run from everything, right, and if I run towards this then maybe she’ll–”
He stops there, but Eddie can guess at what he was about to say. Of course he can. Something like maybe if I prove I do listen to her, prove I think what she does is important and worthwhile, worth risking my life for, then maybe I’m not so unlikable after all and maybe she’ll forgive me for–
Et cetera, et cetera. Heterosexuals are exhausting.
“Listen, man, while I’m sure this whole quest of yours is very nobly intended, very chivalrous, and all that, I’m not sure you’re quite getting it. See, this thing is huge. And terrifying. And I’m pretty sure it can teleport, because when I hit it with my van it just vanished into–”
“You hit it with your van?” Harrington interrupts, a weird note in his voice.
“Yeah, but that’s not the point, the point is you can’t just go off alone into the woods and–”
“Who said I was going alone?”
Eddie stares at him. Oh, no. No way. He’s done his good deed for the day, letting Harrington know the score, setting him on the right path like a helpful NPC, oh, no, there’s no way he’s getting involved any further, no siree–
“You can show me where you saw it.”
“You’ve lost your fucking mind. It may be in your interest to play the white knight, Harrington, but some of us don’t have health insurance.”
“You don’t have health insurance?” Harrington’s frowning at him, like he’s confused, like he’s almost– sad for him, and oh, no, Eddie’s not going down this fucking road. No fucking way.
“That’s life, Harrington, a lot of people don’t have health insurance, and they sure as hell don’t go chasing after monsters in the woods–”
“But who’s gonna stop it taking someone else? If it’s– if it’s taken all these people already, who says it’s gonna stop there?”
“No one, but–” Eddie stops. Sighs. “Do you really believe me? Because either you’re a fucking idiot with no sense of personal safety, or else you don’t really believe me.”
Harrington’s eyes are on Eddie but he’s not really looking at him, not really. “Nancy mentioned it to me. The thing without a face. And I didn’t believe her then, and now– well, we’re here. So– I don’t know if I believe you. But I want to. For her sake. To make things right.”
“Well, ain’t that a noble little gesture.”
Harrington’s face twists. Maybe because of Eddie’s little rural inflection — it just slips out sometimes. (He chooses to call it his uncle’s influence, rather than his dad’s.) He can’t imagine Harrington ever saying ain’t. “Look, man, you stopped and talked to me for a reason. God knows what it was, but you did. Clearly you’re already involved in all this shit. So just– show me where you saw it, and then we’re good. I’ll even tell Tommy H. to leave you alone.”
Eddie laughs. “You sure know how to sweeten the deal.” How to explain that Tommy H. has disappeared into a non-entity, inside Eddie’s head? That he doesn’t really care anymore about what they call him, about what lockers they shove him into. He doesn’t care. What’s a little bit of high school cruelty, to everything else?
Tommy C.’s cruelty hurt. Because he knew where to hit, because he knew where it would hurt the most. Tommy H. and the others, they’re just guessing. Swinging blindly and hoping something lands. Which is the solution, right? Not letting them get close enough to see.
And yet–
He did stop to talk to Harrington. For no real reason. For the reason that it was Harrington doing something he’s never been expected to do, something that doesn’t fit, and that appealed to Eddie, the notion that someone could still surprise him. Like maybe he looked at Harrington, after Tommy C., and thought, in what way are you pretending to be something you’re not? Is it an interesting way? Is it a way that will succeed? (The answer, inevitably, being no.)
And he’s got nothing else to do today.
So. Fuck it. “Okay, whatever, sure. I’ll show you. But I swear to god, Harrington, you get yourself killed, I am not languishing in prison for your manslaughter.”
Harrington honest-to-god smiles at him then, ridiculously, this wry little smile that even underneath all the blood has something unfairly attractive about it. (Eddie must be some sort of masochist, lining himself up to get his heart broken twice in one day.) “I’ll follow your car, then? Where’d you park?”
Eddie rolls his shoulder experimentally and gasps as it lances pain down his arm — so that’s a hard no, then. He knows when he’s pushed it too far. He digs in his pocket for the sling he took off when he drove. “Yeah, uh, great plan and all, but I don’t think I can, um, drive? Right now? Bum shoulder.”
Harrington watches him slip the sling over his head with wide eyes. “What happened?”
“Well, if Tommy hadn’t fucking shoved me into–” He closes his mouth. Remembers who he’s talking to. “It’s not a big deal. Happens all the time. Y’know, it’s a curse of mine, holding me back from achieving my full athletic potential–”
“Oh, yeah, because you’d totally be on the basketball team.”
Eddie laughs. “Yeah, totally.” He can’t really tell whether he’s being genuinely mocked or not; at a certain point, they begin to sound the same. “So, if we’re doing this–”
“My car. Right.” Harrington leads them out of the alley, towards his sleek maroon BMW, and Eddie has to take a second to wonder if this is how it all ends. If Harrington will dump his body out of this same BMW in a couple hours’ time, which is a stupid thought, made more stupid by the earnestness in Harrington’s beaten face. But, hey, he’s going out to look for a monster unarmed with a shoulder that refuses to work correctly, so maybe his night might end that way anyway, Harrington or no.
“Hey, uh, I don’t suppose you got some sort of weapon tucked into those Levi’s of yours, do you? Other than the obvious.”
Harrington turns to glare at him, which, ouch, that’s a sharp glare. “My dad has a gun,” he says. “We can pick it up on the way.”
Oh, yeah, because going to the woods with Steve Harrington bearing his father’s gun is such a good idea. But hey. When’s Eddie ever led with good ideas? “Okay, well, let’s go.”
He regrets this decision as soon as Harrington turns over the engine and Tears For Fears blasts out, the one about a mad world, which, at least it’s appropriate to the situation. Harrington turns it down a little but doesn’t turn it off. As he’s backing out of the parking space, he does the thing where he puts his hand on the back of the passenger headrest to twist around in his seat, leaning over right near Eddie, the line of his throat painfully on show, and Eddie’s only human, after all. He has to remind himself not to stare.
(Basketball player, he thinks. Jock. Asshole who doesn’t speak cruelty like he means it but speaks it anyway, and that’s enough. That’s more than enough. And yet–)
“So what happened?” he asks. “With Byers? That’s a real shiner you got there.”
Harrington takes a little while to respond, flexing his hand on the wheel. “I said some shit about his family, y’know. Called him a queer, and shit, so. I probably deserved it.”
“Yeah,” Eddie says softly, stomach turning. “Probably.”
“Anyway, guess I underestimated how hard he could throw a punch, or else, I don’t know, I was asking for it. Wanting it, or something, I don’t know.” He laughs a little at that, at himself, breathily. Eddie sort of wants to stop him doing that, stop him laughing it off. Take yourself seriously for once, he wants to say. Stop pretending. But he doesn’t say this, because who knows how Harrington would react? Who knows what he’d say in return? “I just– saw them together, last night, and after what he did to us–“
“The photos,” Eddie surmises. The music’s moved on to what he presumes is the next track on the album, another equally dire new wave song about pale shelter and cold hands.
“Right. I just don’t understand why she’d–” Harrington closes his mouth, glancing over at Eddie like he’s said too much. Maybe he has. But who’s Eddie gonna tell? “But if there’s some sort of– of monster out there, then, yeah. Maybe that changes things.”
Oh, you’ve got it bad, Eddie thinks. Hoping for there to be a monster out there? So you don’t have to hate your girlfriend? Or else so you can earn your redemption for it? Though maybe it’s about more than just the girlfriend, he wonders, looking back at Harrington over the gearbox. Maybe it’s more about currently I don’t think I have a single person in the world who likes me, and maybe that runs deeper than the shallow assumption Eddie’s made.
But he’s not here to psychoanalyze the guy. He’s here to show him where to find the monster and then get the hell out of dodge before it all goes wrong.
“Why were you out there, anyway? Last night?” Harrington says, after a silence. “The woods down by Cornwallis are way beyond the trailer park.”
“What, you know where I live now?”
“Everyone knows where you live, man.” It’s said quietly, awkwardly, like he’s trying to be nice about it. Fuck that. “I’m just asking.”
“I was–” Frankly, Eddie’s had enough with pretending for a lifetime or more, so he thinks, what the hell. Why the hell not. “I was going to visit my drug dealer, all right? I suppose that fits perfectly well with your image of me, what with you knowing where I live and all.”
To his credit, Harrington doesn’t try to deny it. That’s something, at least. Something that gets a little more astounding when they pull into Furling Way and the Harrington house opens out in all its glory before them, all gray and modern. There’s a sleek black S-Class Mercedes on the drive. “Stay in the car,” Harrington says, and doesn’t wait for a response before he cuts the engine and goes inside. Eddie’s sorely tempted to follow him, despite the order (who does Harrington think he is, anyway?) but when he opens the door he gets a blast of frigid air and it sends a fresh ache through his joints, so he decides to concede the point.
He does have a smoke out the window, though, rolling it down and hanging his elbow out. It goes some way — but not all the way — towards settling his frazzled nerves. Fighting with Tommy C. and then ending up in Steve Harrington’s car; this is certainly not how he pictured his day going. The monster’s really a side concern.
After a while, longer than expected, Harrington emerges again. He hurries across the driveway and gets in without speaking, driving off with less conspicuous safety-consciousness than last time, like he’s desperate to get out of there. Huh. It falls to Eddie to break the silence: “So, did you get it?”
“Have you been smoking in here?” Harrington says, wrinkling his nose and wafting a hand.
“Well, did you?”
“Did I what?”
Eddie stares at him. “Visit Mars! Jesus Christ, Harrington, did you get the gun or didn’t you?”
“Oh, yeah, I got it.” There’s something different about Harrington now, something distractible and nervous. “So, uh, where am I going?”
“Just– a bit further down Cornwallis. Listen, man, are you– like, are you okay?” Eddie says haltingly, wincing even as he says it. The awkwardness is palpable in the air.
Harrington barely glances at him, running a hand through his hair. “Yeah, yeah, just my dad being an asshole, it’s fine.”
What kind of asshole? becomes the question. Probably not the Bruce Munson kind, the Lonnie Byers kind — and even if it is the same kind, it’s not. Even if Harrington’s father hits him, it’s not the same. The violence engendered in a mansion and behind the wheel of a Mercedes is different to the sort in a trailer park; different to the sort that puts you in jail.
But hey. Eddie supposes he can empathize anyway. “You know it doesn’t have to be fine, right?”
Harrington laughs without humor. “Uh, no, I’m pretty sure it does.”
There’s nothing Eddie can say to that; they lapse into silence again, to the tune of Tears For Fears. What he wouldn’t give for his Dio cassette right about now. He tells Harrington where to pull over — somewhere around here, anyway, it was dark and he was half out of his mind at the time — and gets out himself, scanning the road for evidence. Blood, or something. Sure, the front of his van’s crushed in and Byers and Wheeler confirmed it but still. Alone in the woods with Harrington, the sky gray and bleak and threatening dusk above them, he feels a desperate desire to prove it happened.
“So, around here?” Harrington’s got the gun out, a Dirty Harry-style revolver, and he’s holding it twitchily, fingers loose around the grip. Not a big gun fan, then. Eddie supposes that’s something.
“Around here,” Eddie confirms, walking further down the road with his eyes on the asphalt. He hasn’t found anything yet. Maybe there’s nothing to be found — the thing just disappeared, after all. Vanished into thin air. “What are you, uh, intending to do? When you find it? If you find it?”
“We’ll cross that bridge when we come to it,” Harrington says, not turning from where he’s staring into the trees.
“Yeah, there is no ‘we’ in this situation, Harrington, in case you’d forgotten.”
Harrington doesn’t say anything. He’s screwed his face up, rubbing at the cut on his cheekbone, and his fingers come away bright with new blood. Eddie’s been beaten up enough in his life to know how much it hurts, and also how the worst thing you can do is touch it. So stop fucking touching it, Jesus.
Then there’s a rustle in the trees behind them.
It’s still daylight, so it takes Eddie a second to feel afraid. Feels wrong, to be scared in the daylight. Like nothing can get you except in the dark.
Turns out the horror movies are wrong.
“Uh, Steve?” he says, backing towards him, not taking his eyes off the woods, the thing moving in the woods, the thing coming towards them– “I know you said you wanted to find it, but, uh– it’s, uh, it’s found us.”
“What are you–”
Harrington turns around.
He has a moment to see it, as it emerges from the trees. They both do. Full daylight, now, on the edge of dusk, nothing hiding its horrors — the long white limbs, bony and sinewy and slimy, the face that’s not a face, the face that opens up into a mouth as it roars at them–
“Run,” Eddie whispers, backing up so far he knocks into Harrington’s shoulder. Harrington’s frozen up, transfixed, the gun so slack in his grip he may as well drop it, for all the good it’s doing them. “Run,” Eddie says again, louder, and when Harrington still doesn’t move there’s only one fucking thing for it and that’s grabbing Harrington’s wrist and pulling him away into a run as Harrington trips over his own feet and they nearly go sprawling but then Harrington seems to get his shit together because he starts to run faster, getting into his stride, outpacing Eddie their hands no longer linked you don’t have to outrun the monster, you just have to outrun me–
Eddie’s foot catches on a root. He lands in the dirt, hard, the ground frozen solid and cold, shoulder shooting through with pain as he tries to catch himself and fails. Monster coming up behind him. Monster nearly here, fuck, if this is where he dies–
Harrington nowhere to be seen.
“Steve!” he shouts uselessly, trying to drag himself up but he’s shaking too badly, skinned knees won’t hold him, tumbling back into the earth as the inhuman footsteps get louder behind him, the thing looming up, monstrous saliva dripping down into Eddie’s hair, he closes his eyes–
A gunshot.
Another gunshot, and then a hand on his arm, pulling him forcefully up, not giving him the option to do anything but run and that’s Steve Harrington’s hand, that’s Steve Harrington not letting him go and dragging him down the road down a track towards a barn and pushing him inside and barring the door after them — “Holy fuck,” Steve says, voice faint, sagging against the door. “Holy fuck.”
Eddie sinks down to the ground. He thinks he’s trembling all over, like with cold, but he’s not really sure. His knees are bloody and raw, jeans ripped even worse than usual, but if they hurt he can’t feel the pain. Even the pain in his shoulder is dulled. Adrenaline, he thinks, that’s adrenaline. Good old adrenaline.
“So there is a monster, then. Fuck.” Steve sits down too, beside Eddie, kicking his legs out and letting the gun fall to the floor. “Do you think it can– do you think it can get us in here?”
Eddie looks around the barn. It’s dimly lit, full of farm equipment that makes threatening shadows. But maybe that’s a good sign, because if they’re at a farm then they have to be at the edge of the woods and something about the creature suggests it likes the woods, wants to stay in the woods, so maybe they are safe here. Maybe.
Then he looks at his bleeding knees and thinks again.
“Blood,” he manages. “I think it– it goes after blood.”
“What?”
“Last night, when I hit it with the van. It was coming towards me, I mean, I thought it was chasing– chasing Wheeler and Byers, but I think it was chasing me. Because I was bleeding, I cut myself on my– on my belt. And just now, you opened up that cut on your face–”
Steve brings a hand to his face, eyes wide. “Your knees,” he says. “We need to stop the bleeding.”
Eddie nods. He stretches his legs out, wincing as the stinging pain begins to make itself known. The knees of his jeans are ripped to shreds, so all he has to do is pull the loose threads aside to expose the wounds, not deep but bleeding pretty insistently.
“We should clean them first, I mean, who knows how much forest dirt you got in them–”
“One thing at a time, Harrington. Let’s wait until we’re not being chased by, uh, by a monster without a face to worry about infection, shall we? Besides, do you see any antiseptic around here?”
Steve’s cheeks color, which is sort of cute. “Yeah, right. Sorry.”
Then it’s Eddie’s turn to blush, because what is he doing? Steve’s shrugging off his jacket, pulling his green shirt over his head to reveal a thin white undershirt, which he also takes off, and great, Steve Harrington’s now shirtless in front of the local queer.
Eddie looks away hastily, but not before he takes it all in: Steve’s long pale arms, the strength in his torso, the dusting of hair on his chest and trailing down in a line from his navel to the waistband of his jeans.
It’s nothing Eddie hasn’t seen in the showers after gym class, true, the few times he hasn’t cut it or else been forced to sit out because of his shoulder. But there’s something different about it now, in the dim stream of light in the barn as dusk sets in. On the dusty floor as Steve tears his undershirt into pieces and presses a wad of it to the worse of the two knees, hard enough that Eddie inhales sharply, Steve’s concentration unwavering.
“You know I can– do that myself,” Eddie says, though he’s rather enjoying Steve’s shirtless proximity right now. “It’s not like I haven’t patched up my fair share of wounds, Harrington.”
“I’ll be faster,” Steve says, with a pointed look at Eddie’s hands, which, oh, he hadn’t realized they were shaking quite that badly. “Y’know, they’re probably gonna start bleeding again when you walk, so I should bandage them up.”
A silence. They stare at each other; Eddie isn’t sure what he’s asking.
“So if you could take your jeans off–”
Right. That hadn’t occurred to him. His immediate reaction is no, absolutely not. Straight dude Steve Harrington getting shirtless in front of another guy is one thing — easy, acceptable, unimpeachable — but Eddie? Taking his jeans off?
There’s no way Steve doesn’t know the rumors about him. Whether he believes them or not, there’s no way he’s not aware of them at least. And Eddie has to consider for a moment — just a moment — whether he’s being stupid, here. In trusting that Steve is Steve, is the guy who saved Eddie’s life in the woods back there, make no mistake about that, saved his life, and forgetting the King Harrington bullshit. Ignoring all of that. Is he making a mistake?
He can’t forget Tommy C. this morning, after all. They’re all of a kind, these rich assholes and assholes pretending to be rich. He’d be a fool to forget that. And yet–
Steve’s looking at him impatiently. “C’mon, man, if you keep on bleeding all over the place then we’re dead. Wasn’t this your idea, the blood thing, anyway?”
Steve saved his life. Steve’s saving his life right now, actually, bandaging Eddie up with pieces of his own t shirt, so fine. Fine. Eddie lifts his hips and unbuttons his fly, pushing his jeans down around his shins, and sits there shivering in his boxers as Steve winds the strips of cotton around his knees. “Y’know, I wasn’t kidding. I can do this myself. I don’t think anyone’s cleaned up my knees for me since I was, like, five.”
Steve looks at him then, eyes dark in the gloom. “Me either,” he says softly, and oh. Okay.
So Eddie lets him do it, Steve’s big hands careful as they move over Eddie’s skin, almost gentle. (Thank fuck it’s so cold in here and Eddie’s still half scared out of his mind: no danger of a boner. Thank fuck.) Then Steve’s finished, and Eddie hurriedly pulls his jeans back up, fumbling at the fly with numb fingers. Steve pulls away and uses the last strip of his undershirt to wipe at the blood on his own face, which is dried and crusty again now, a truly horrendous shiner, and then puts his green shirt back on. More’s the pity.
The evening is stretching out into darkness, Steve’s face getting harder to find in the gloom. “We can’t sit here all night,” Steve says, picking up the gun again.
“Did you get it? When you shot it, did it–”
“I missed the first one. The second shot, I think it hit, but it only slowed the thing down. Whatever it is, it’s fucking bulletproof.”
“Great.” Eddie pulls himself to his feet, wincing at the pain in his shoulder, wincing at the pain in his knees. He’s gonna do an even worse job at running this time, if it comes to that. Hopefully it won’t come to that.
“So, what, I guess we go back for my car and hope that thing’s gone.”
Eddie opens the door and peers out, squinting across the track in the dark. He can just about make out the sign: Freeling Farm. He knows where that is; he knows where they’re near. He goes back into the barn. “The Byers’ house is closer than the road. We’d be safer going there.”
“The Byers? How do you know where–”
Eddie pinches the bridge of his nose. “My dad knew Byers senior, it’s a long story. We should just get out of here.”
They look at each other for a moment in the gloom. A silent understanding. Let’s not talk about my dad, and we won’t talk about yours.
Eddie’s never had that understanding with anyone before. It’s sort of nice.
Notes:
— iron maiden's the trooper was released june 1983
— the bonnie tyler song is total eclipse of the heart, which was released in june 1983, and was near the top of the charts in early november 1983
— the legal age for purchasing tobacco in indiana until 1987 was 16.
— mad world is off the march 83 tears for fears album 'the hurting', the same album as the next song, pale shelter. the titular song of this volume, it was described by roland orzabal (the band's songwriter) as 'kind of a love song, though more referring to one’s parents than to a girl' — a neglectful parental relationship. it very neatly expresses some of the themes of this fic.
— the s-class mercedes is quite a luxury car: the harringtons' is 2nd generation, W126 series, 1979-91
— dirty harry is a vigilante cop figure portrayed by clint eastwood in the dirty harry movies, 70s-80s, associated with the smith & wesson model 29 handgun.
— freeling is one of the farmers whose crops are destroyed by the upside down in s2 — the farms are in a ring around the lab, so in the region of the byers' house and where the demogorgon hunted.*jason from the good place voice* oh tears for fears, we're really in it now.
as ever, let me know if you're enjoying the fic below, and find me on twitter (ohtobeinlove) or tumblr (palmviolet)
Chapter 8: The Upside Down
Summary:
Eddie has no patience for nearlys and what ifs. He could have died; he didn’t. That’s what matters right now, that he didn’t. “Listen, we might be nothing like each other in every other aspect, but in this? In the– the survival instinct? I would have done the same thing. I might not even have come back.”
“You don’t know that, man. Not until it happens. And I guess–” Steve’s voice is closer, suddenly, like he’s leaning further in. “I guess I wouldn’t blame you. If you hadn’t.”
Notes:
warnings for referenced drug use, implied child abuse, canon typical horror and violence, and classism.
(See the end of the chapter for more notes.)
Chapter Text
SATURDAY NOVEMBER 12TH, 1983
The Byers’ house is a fifteen minute walk away, through the darkened woods. Eddie sticks close to Steve, because Steve has the gun. Flinching a little at every sound around them. Eddie’s worst secret is that he’s afraid of the dark, which is ridiculous, really, because how un-metal is that? To be scared of the dark? And yet here he is. And yeah, the monster came upon them in the daylight earlier but it feels so much worse when you can’t see what’s following you.
So he sticks close to Steve.
“Uh, thank you, by the way,” he says, after the silence stretches on too long and he feels too alone in it. “For saving my ass, back there. You’re a regular white knight.“
“I couldn’t just– let you die, man.” A strange note in Steve’s voice; Eddie can’t see his face in the dark, the dirt track lit only by the moon as it strains through the clouds, but he thinks it’s something almost ashamed. His next words are a whisper: “I’m sorry I nearly did.”
Eddie has no patience for nearlys and what ifs. He could have died; he didn’t. That’s what matters right now, that he didn’t. “Listen, we might be nothing like each other in every other aspect, but in this? In the– the survival instinct? I would have done the same thing. I might not even have come back.”
“You don’t know that, man. Not until it happens. And I guess–” Steve’s voice is closer, suddenly, like he’s leaning further in. “I guess I wouldn’t blame you. If you hadn’t.”
“What?”
“I mean, after all the shit we’ve done to you over the years–”
“It’s fine, Harrington. Really.” Eddie regrets starting this conversation now. Far easier to let his partnership with Steve — temporary, as it no doubt is — go unspoken. Undiscussed. Why should they unpack all the shit from the past, which doesn’t really have anything to do with Steve, let’s be honest, it’s always been more about Tommy H. and Tommy C., when no doubt they’ll go back to ignoring each other in the hallways after all this is over–
They finish the walk in silence. Which silence has fresh panic creeping up Eddie’s throat, but he’s not going to make that Steve’s problem, so he just hunches his shoulders and tries not to twitch at every creak of the branches above them. And then the Byers’ house is before them, squat and brown and empty-looking, no cars in the driveway. They approach it slowly, cautiously, like something’s going to jump out at them from the porch, from the shabby little birdbath, Jesus, no wonder Lonnie and Joyce got divorced. Eddie can’t imagine Lonnie Byers enjoying the company of a woman who buys a birdbath.
The door’s unlocked. They make it inside and Steve slams the door behind them as Eddie takes a step inside the house, staring around wide-eyed, because, uh, what?
The place is crowded with Christmas lights, strung up wall-to-wall and so dense they almost cover the ceiling, except none of them have bulbs attached — they’re all scattered on the table, a dense nest of colors. There’s also an alphabet drawn on the wall. And a raw gaping hole in the opposite wall, covered only by a tarpaulin, discarded papers and broken glass littered all over the floor.
“What the fuck?” Eddie whispers, taking a step forward into the mess. Maybe there’s more to this, than just the thing without a face. There has to be.
“We should clean up your knees,” Steve says. His eyes go wide as he takes in the state of the house, but he doesn’t say anything about it. Maybe he’s trying to be polite. That sort of makes it worse.
It’s that, that and Steve’s butchered attempt at an apology earlier that makes Eddie shake his head. “I’ll do it myself. I, uh, I’m sure they have a first aid kit somewhere.” In the barn in the dark was one thing, Steve breathing in the silence as he moved his hands over Eddie’s bare knees, but here? In the bathroom, in the glare of a lightbulb? That’s quite another.
This time, Steve doesn’t argue with him. Just lets him go.
So Eddie goes and finds the bathroom, some small tiled thing in 70s avocado green. The first aid kit he finds under the sink. Under painful fluorescents he strips his jeans off and unwinds the makeshift bandages, wincing as they unglue themselves from his drying wounds. The antiseptic is worse; he bites down on his tongue to avoid swearing, not wanting Steve to hear any sound of complaint through that paper-thin wall. Jesus, he’s a mess. He tapes gauze over his knees when they’re clean — none of the bandaids are big enough — and dry-swallows a couple more painkillers against the ache in his shoulder. Then he pulls his jeans back up and leans over the sink, staring at himself in the mirror. Fuck.
He’s in dead Will Byers’ house, which looks like it was ravaged by a light-obsessed psychic (ouija style); he’s here with Steve Harrington, who recently saved him from certain death at the hands (well, claws) of a monster without a face. And what they don’t tell you in the horror movies is that your shoulder and your skinned knees still fucking hurt.
There are deep circles under his eyes, like there have been all week, actually. Or, scratch that, all month, months, all the time since his uncle first said They arrested him, under the glaring summer sun. Which Eddie shouldn’t be losing sleep over, really. Faceless monsters are much more legitimate. And yet they’re so much more like icing on the fucking cake, and icing’s not the important part, is it? You can have too much icing. Can’t have too much cake. Cake’s what fucking matters. Fuck.
If Steve can tell he’s been losing his mind a little bit, when he comes out of the bathroom and finds Steve perched awkwardly on the edge of the couch, thumbing through some random magazine, he doesn’t let it show. He just nods to Eddie, like they’re friends and this is a normal thing to be doing, camping out in the house of the guy who may have stolen your girlfriend while you hide from the monster outside, and Eddie sits on the couch next to him.
“You think they’d mind if I smoked?” Eddie says.
Steve gestures to the ashtray on the cluttered coffee table. It’s brimming with cigarette butts, practically overflowing. So Eddie’ll take that as a no, then. He gets out his pack and lights one one-handed, mindful that the more he uses his damaged arm now the more it’s gonna bite him in the ass later. He exhales a long stream of smoke. Then he looks over at Steve, who’s staring at the words in the magazine without really seeing them, it seems, and feels that strange charitable urge rising up in his chest again. (Maybe he should see someone about that. Maybe it’s contagious.) So he offers the cigarette to him, holding it outstretched between middle and forefinger.
Steve looks at him. And Eddie realizes what it is, actually, beyond charity. Not charity at all, but a challenge. He’s challenging Steve. Scared to share saliva with me? is the question. Exactly how much do you know about me? is the question. How much do you believe in it? What will you do with it, if you do?
Steve takes the cigarette.
So they smoke in silence for a couple minutes, until Eddie leans his head back against the wall (dripping with slick black paint, really, what the fuck happened here) and says, “So, we’re, what. Just waiting for Byers to get back from jail? Because I can tell you from experience, if he’s in jail, we might be waiting a while.”
Steve glances over at him. “You’ve been arrested?”
Well, no, that wasn’t really what Eddie was getting at, but hey. He supposes, sort of. “Kinda. It’s– long story.” Silent deal, remember? Let’s not talk about my dad, and we won’t talk about yours. Eddie’s not sure why he’s finding that so hard to stick to.
“Well, yeah, I guess we just wait. I don’t think Jonathan’s gonna end up in jail, y’know, it was just– just a couple punches, and I’m not pressing charges or anything.”
Someone like Steve Harrington could probably set a cop on fire and still be home in time for dinner. Other people, not so much. But Eddie doesn’t say this, just takes the cigarette back for a final puff before he says, “I was going to ask for a job. From my drug dealer. Last night, when I hit the monster on Cornwallis.”
“Jesus.” Steve shifts on the couch, running a hand through his hair. His fucking hair. “Why are you– like, why are you telling me that, man? I mean, I could tell someone. I could do– anything with that information.”
“I know,” Eddie says, stubbing the cigarette out in the overflowing ashtray. “I know you could. Guess I’m banking on your good nature, aren’t I?”
Steve looks at him. It’s a strange look, confused, wary, like he’s saying I already saved your life tonight, man, why are you pushing it, and Eddie doesn’t know. Why he’s pushing it. Can’t he just take what he can get?
Finally, Steve looks away, burying his bruised-up face in his hands for a moment. “I’m not a narc, man. You do what you want.”
Eddie sits back, strangely disappointed. He lights another cigarette, for something to do with his hands. Steve goes back to his magazine. And the silence is heavy, stretching on too long, extending in the way that makes Eddie’s sides itch and he’s getting to the verge of breaking it again when there’s the sound of tires and an engine outside.
They both stand up, moving further apart by some unspoken understanding, though they weren’t that close together to begin with. A little guilty, almost. Like they’ve been caught doing something they shouldn’t. Strange.
“Steve?” is what Wheeler says, tone incredulous, when she opens the door. Byers is right behind her, a similar expression of startled confusion on his face. “And Eddie, what are you–”
“So, uh, we saw the–”
“I’m sorry,” Steve says, cutting Eddie off. “About what I said, and about the fucking graffiti, it was so stupid and I totally wasn’t thinking, and I wanted–”
Eddie’s had enough of this already. Fucking Harrington, wearing his heart on his sleeve. Apologizing. (Eddie’s not quite sure why that irritates him so much.) “While that’s all very heartwarming, can we wait to conduct your little soap opera until after we’ve dealt with the monster currently terrorizing the town?”
Steve shoots him a cold look. Eddie ignores it as Byers steps forward: “We need to bait the monster. Distract it. My mom and the Chief, they’re going into the Upside Down to find Will and they’re just gonna be sitting ducks for the demogorgon if we don’t do something.”
“Okay, like, twenty steps back, find Will? I thought he was– uh, I thought he was dead.”
“What the fuck is the Upside Down?” Steve cuts in. “Or the demogorgon?”
Byers shakes his head impatiently. “Will’s alive, he’s just trapped there, the Upside Down, it’s this, like–” He looks at Wheeler for help.
She just says in a low tone, “Are you sure we should be telling them all this? I mean, it isn’t safe.”
“Uh, yeah, I’m pretty sure we know it’s not safe, thanks.” Steve glances at Eddie then glances away. “That thing nearly killed us earlier. The– the demogorgon?”
“Wait, demogorgon? Like the DnD monster? That’s– kind of appropriate, actually.” Eddie wonders who came up with that. He can’t imagine Wheeler or Byers looking to the Monster Manual for guidance.
“Look, they’re clearly in this now, and who knows, maybe they can help,” Byers says to Wheeler, hushed, and then turns back to Steve and Eddie. “We need to bait the demogorgon.”
“It can sense blood,” Wheeler adds, and Eddie can’t resist a little hiss of satisfaction, “I fucking knew it,” digging an elbow at Steve, forgetting himself. Steve gives him a cool, wry look in response. “So our plan is to lure it here, and kill it.”
“Simple. Effective. I like it,” Eddie says sarcastically, because he doesn’t fucking like it. Bad enough when they were out trying to find it — now they’re wanting it to find them? “Jesus Christ. Jesus Christ.”
“How the hell are you going to kill it, Nance? I shot the thing and the bullet practically bounced off!”
“You shot it?” She sounds impressed. Eddie might puke. “We’re going to set it on fire.”
“Why is it that for the second time this evening I find myself asking who the fuck is ‘we’?”
For once, Steve seems to agree with him. “I don’t know, Nance, is this even gonna–”
“If you can’t handle it, then go home,” she snaps, and oh, that’s a different Nancy Wheeler. That’s a new Nancy Wheeler. Eddie almost wants to stand to attention. “You can be in or you can be out, but we’re running out of time and you need to decide now.”
Eddie looks at Steve. Steve is thinking about it, sure, cogs whirring behind that thick fall of hair, but Eddie already knows what the guy’ll decide. He was stupid enough to go looking for the thing this afternoon, after all. What’s a little bit of baiting this evening? How else is he going to liberate Princess Wheeler from Byers the Creep’s clutches?
Eddie has no fucking reason to be here. Eddie should just go the fuck home right now. He’s not the sort of person who does this, throws himself into danger for noble reasons, saves the girl, saves the town. He’s the sort of person who accidentally hits the demogorgon with his van on his way to see his drug dealer. That’s who he is. Someone raised in a world where there are no heroes, or if there are, they’re more like interlopers. Like they arrive on the U.S.S. Enterprise, orbiting around Eddie’s shitty trailer park planet for a while, and then they leave again, just as efficiently and inexplicably as they came. People don’t become something else.
And yet–
Steve came back for him. Steve saved his life. Steve bandaged up his knees and worried about infection and might be about to save Byers and Wheeler’s lives too, in a sec, and that doesn’t make sense with what Steve’s supposed to be. It doesn’t make sense at all. And yet–
Is he really gonna let Steve ‘The Hair’ Harrington outshine him here?
“Okay,” Eddie says, in a rush. “Fuck it, okay, let’s kill the bastard.”
“Yeah,” Steve says, and it’s only when he moves his eyes back to Wheeler that Eddie realizes Steve was looking at him. “Let’s do it.”
The plan goes as follows: hammer nails in the baseball bat, set up the bear trap, pour a trail of gasoline across the hallway. Wheeler looks at Eddie, at his arm held awkwardly across his chest, and suggests that he be their getaway driver. “You can drive with that, right?” she says, and Eddie thanks whatever’s listening that Steve’s out of earshot, reloading the gun.
“I’ll keep the engine running,” he promises, though he’s not sure at all. Hoping adrenaline will kick in, is more the idea. He gets the chance to test it when he drives Byers’ Ford around to the side of the house, over cold, slippery grass — closer to the window in Will’s room, if it all goes wrong. Fuck. He’s not sure any car could outrun the demogorgon, much less this old beat-up thing. But still. He’s in this now.
He gets out and rejoins them inside as Byers hammers the last nail into the bat; it looks evil, now, capable of more violence than any baseball player should be permitted. But hey, the only one of them who plays baseball is Steve.
It doesn’t look right in Byers’ hands. The way the Dirty Harry gun doesn’t look right in Steve’s. But what else can they do?
“This is so fucking insane,” Steve says, as Jonathan and Nancy get knives out. (Eddie’s decided he may as well call them by their first names in his head, since they might all be about to die together.) “This is so–”
Nancy looks at Eddie. “Go start the car,” she says, and he mock salutes and then goes to start the car.
And then he waits.
He’s got a view of the window in the hall and the window in Will’s room, which isn’t much of a view at all. Who knows what’s happening inside, and the thought makes his heart pound, the thought that maybe the demogorgon could turn up and massacre them and Eddie wouldn’t even fucking know until he goes inside there maybe an hour later and finds their ruined bodies–
But he’s not going to be able to drive if he’s having a panic attack, so he counts out his breathing and turns the radio on. It’s set to some moody rock station, very on brand for Jonathan, Eddie thinks. The song is that one that was on the charts for months earlier in the year, Twilight Zone, and he turns it way up for a minute or two to get his heart rate down, then thinks better of it and turns it down because what if he can’t hear them in the house? What if they need his help?
What help he could offer, he doesn’t know, but he’s in this now. Whatever that means. So he waits.
About half an hour later, there’s a flicker of light. He sits up straighter, staring hard at the windows, the bulbs blinking faster and faster in the hallway like maybe the monster’s here like maybe it’s actually happening–
Then darkness. Then silence. No flare of fire in the hallway, where the demogorgon’s supposed to be caught in the bear trap. Nothing.
He contemplates getting out, going in there, hoping to fucking God they’re not dead. But Nancy was firm about that: stay in the car. We’ll come get you. And this new Nancy Wheeler isn’t one he wants to argue with, so he stays in the car. Heart racing. Waiting.
Waiting.
And then–
The lights flicker again. Rapid, so rapid it hurts his eyes to look at the windows but he looks anyway, desperately, craning his neck to see, not that there’s anything to see, not that there’s–
Then a yell, through the open window.
“Steve!”
That’s Nancy and she’s desperate, afraid, voice cracking as there’s a crash and an inhuman shriek and a gun going off and Eddie takes a moment, just a moment, to make a decision. To decide who he’s going to be tonight. If maybe he can be someone else. Go in there, help them out, save their lives.
Roll for initiative. Go.
And then, decision made, he hurls himself out of the car and round the front of the house, throwing the front door open, bracing himself, staring at the scene finding Steve on the floor pinned by the demogorgon Jonathan thrown to the side Nancy trying to reach for her gun scattered at the other end of the hallway–
Steve’s gun lying discarded by Eddie’s feet. Eddie having one chance, and one chance only. Picking up the gun. Saving Steve’s life.
It’s two shots. The gun kicks back in Eddie’s hands, hard, sending a sharp shock through his damaged shoulder but he doesn’t let go. Can’t let go. Fires at the demogorgon and yeah, the thing’s hide seems mainly bulletproof but it still flinches, still looks up from where it’s snarling in Steve’s face without eyes and finds Eddie finds him standing there moves like it’s going after him next, swipes and sends the revolver clattering out of his hands–
Another gunshot. Nancy’s found her gun. And Steve’s rolling out from under the monster, grabbing for the fallen nail bat, springing to his feet swinging it around landing it with a crunch in the thing’s awful back the thing faltering, Jonathan dragging himself up and grabbing the fallen gun, Jonathan and Nancy and Steve driving it back together like a team, seamless, in sync, driving it back until it hits the bear trap and shrieks as the jaws close around its leg and Eddie knows what to do, knows what he has to do.
Finds his lighter in his pocket. Ignites the flame.
He throws it at the monster; the gasoline catches; the thing bursts up into fire. It screams so painfully Eddie has to cover his ears. Then Jonathan’s grabbing the fire extinguisher and putting the flame out, flooding the hallway with clouded spray, and in the time it takes to clear, the demogorgon disappears.
Disappears.
Leaves the hallway empty. Only burn marks on the carpet and a harsh, acrid smell left to show it really happened.
“Where’d it go?” Nancy says, coughing in the smoke, edging towards the bear trap.
“It has to be dead.” Jonathan’s voice is weary, desperate, catching his breath. “It has to be.”
There’s a spatter of gore on the teeth of the bear trap, melting, bubbling flesh that stinks like something rotting. Eddie stares at it, trying to catch his breath. Steve’s holding the bat like it’s just an extension of his arm — baseball player, right, as well as basketball. He’s not sure why they didn’t give him the bat before.
And Steve wields it naturally as he spins to face the trail of lights, glowing gently in a line back down towards the kitchen. He’s shoved himself in front of the three of them, Eddie and Nancy and Jonathan, even though he’s got a bat and Nancy and Jonathan have guns but hey, the bat seems like the most effective weapon against the thing anyway.
The lights take them out the front door again, until the lamppost flickers and then darkens, like the monster’s moving out of range.
“Where’s it going?” Nancy asks, and Eddie’s inclined to ask the same question. Where is it going?
But Jonathan shakes his head. “I don’t think that’s the monster.”
They all look at him, the three of them, but he’s transfixed. Something almost psychic about his eyes, which, okay. Eddie’s had enough adrenaline for one day. He really needs to sit down.
They go back inside and Eddie sinks down on the couch, head in his hands, feeling the shakes move through him again. Fucking Christ. The couch dips as someone sits next to him — Steve — and the next thing he knows his pack of Camels is being taken out of his breast pocket, the click of a lighter sounding next to him, Steve’s hand on his arm as he offers him the cigarette.
“Thanks,” Eddie mutters, taking it and breathing in, though it was his cigarette in the first place. Jonathan sits down heavily on his other side, exhaling through his teeth, and Eddie takes pity, holds the cigarette out. Jonathan takes it warily. “So, what. Is it over? Or is that thing gonna come back?”
“If we distracted it long enough for Mom and the Chief to get to Will, then maybe it is over,” Jonathan says, the cigarette hanging out the corner of his mouth.
“But it isn’t dead.” Nancy’s tone is low, furious. She’s the only one still on her feet. “If it isn’t dead, then what’s the point?”
“It’s not gonna bring Barb back, Nancy,” Jonathan says, softly, with this big gentle look in his gaze and Steve’s eyes have gone wide and Eddie’s really caught in the fucking middle of this, Christ.
Her face swims with something for a minute before she turns away, going down the burnt hallway into the bathroom, and Jonathan looks torn, like he wants to follow her, but then his eyes land on Steve and it becomes clear what’s stopping him. But Steve’s not looking at Nancy anymore. He’s studying his hands, which are bloody now, whose blood is that? And Jonathan clearly takes that as permission, because he disappears down the hallway after her and then it’s just Eddie and Steve again, alone on the couch.
“Thanks, by the way,” Steve says, after a while. “For coming back for us, back there. We nearly–” He breaks off.
“Yeah,” Eddie says. “I mean, just returning the favor, right?”
“Well, I guess, consider it returned.” Steve stretches his legs out before him and then gets up. “Y’know what I’m craving? Coffee. God, I want a fucking coffee.”
“Personally I want a six pack and the fattest joint of my life, but you do you, Harrington.” Eddie watches him cross the room towards the kitchen, out of Eddie’s field of vision. He feels strangely calm right now. Which is definitely weird, since they all very nearly died in the last ten minutes, but there’s something almost euphoric in that. In surviving. In being the kind of person who — against all the odds — survives. Because god knows he’d be one of the first to die if this were a horror movie.
After a while he gets up and wanders after Steve into the kitchen, finds him brewing a fucking pot of coffee. Jesus Christ.
“Y’know, I think you’re the weird one,” Eddie remarks, leaning against the wall and crossing his arms (more like cradling the shoulder that hurts, but hey, Steve doesn’t need to know that).
Steve scoffs. “No way, dude.”
“Uh, yes, way. Here I thought I was having a mixed-up sort of day, and then here you are, derogatory graffiti and fisticuffs followed up by risking your life against an otherworldly faceless monster not only to save Wheeler and Byers but also to save the one and only yours truly, Eddie ‘The Freak’ Munson, then in turn followed up by a goddamn pot of coffee. Shit’s weird, man. Weird.”
Steve looks at him for a moment. Eddie sort of regrets saying it, for some reason he can’t explain. It feels too true, too honest, to tell Steve how wrongfooted he is by all this. By Steve turning out to be nothing like he’d expected him to be. But then Steve gets this honest look too: “I could say the same about you, y’know.”
“What?”
“I mean, you deciding to stay and help and everything. And, like, coming back in here to save us– there’s something brave about that, man. It was cool.”
Eddie’s eyebrows climb. “Cool?”
“Just– not what I expected of you. That’s all.”
And maybe it shouldn’t, but it makes Eddie bristle. It feels strange, wrong, that Steve should have expectations of him. Ideas. That he should exist — or, rather, a version of him should exist — inside Steve’s head. Or maybe that’s not what rankles. What rankles, really, is that Steve’s notion of Eddie is too close to Eddie’s notion of Eddie. That Eddie surpassed his own expectations, too.
So they lapse into silence again, a silence that lasts the time it takes to brew the coffee and pour out four mugs and smoke two more cigarettes together. Eddie takes a sip of his coffee and burns his tongue on it, which he guesses is a sign, because coffee usually just makes him tired so really he shouldn’t be drinking it, but anyway. Special occasion.
A little while later, Nancy and Jonathan emerge from the bathroom, and Eddie wonders. Wonders if Nancy really is breaking type here, if they’re all defying expectations tonight. But Nancy looks at Steve, then, and it’s clear her decision hasn’t yet been made. Whatever. Eddie’s not getting in the middle of that shit. He leans back against the counter and casts his eyes over the stack of unpaid bills on it, a stack to match his own. Hey, Byers, he wants to say. Are you really buying this? These two?
But Jonathan looks pretty sold, so.
“So how’d the Chief get involved, anyway? Didn’t peg him for a believing in monsters sort of guy.”
“Neither did I,” Jonathan mutters, eyes on Nancy as she moves over to Steve and they exchange words too hushed to hear. There’s a dark look on his face. “I guess this week’s been full of surprises.”
“Some more than others,” Eddie says mildly.
Jonathan frowns. “How did you even end up out here with Steve anyway?”
“I saw him cleaning up the mess he made. Guess I decided to take pity on him, more fool me. Also, you guys sorta gave me the impression he knew more than he did, so, uh, thanks for that.”
Jonathan shrugs, taking up his own mug of coffee. Now he’s looking distant, unfocused, like Steve and Eddie and even Nancy are just passing concerns. And Eddie can’t say to him I’m sure your brother will be fine, because he’s not sure of that, and false hope’s never served anyone well. It didn’t serve him with Tommy C., after all. He thinks he’s learned a lot of lessons this week. He’s not sure what they are, but he’s learned them.
Eddie doesn’t get to finish his coffee (which, good, because he’s already got bone-numb weariness tugging at his limbs), because there’s the sound of an engine outside.
They all jolt into action, Steve grabbing up the nailbat, Nancy raising her gun, Jonathan holding–
Is that an axe?
Jonathan catches him looking. “Not a big gun person,” he says, quietly, and Eddie can recognize the look in his eyes. One he’s seen in the mirror, all that crap. Eddie’s gonna have to ask the question one day: does the thought of my dad scare you the way the thought of yours does me?
But not today. Today they face the door in a sort of line, the three of them and then Eddie, weaponless, shunted to the side. Which he gets. He’s not a hero; he’s also not sure he could hold a weapon without dropping it, right now. So he hunches and watches and waits, and then the door opens and it’s the Chief.
He stares at the four of them for a moment. “You can drop the weapons now, kids, it’s just me.”
Jonathan lowers the axe. ‘Will-”
“Is in the car with your mom, that’s why I’m here. She said you’d be here at the house, she wouldn’t let us go straight to the hospital without getting you–”
Jonathan sags in visible relief. Nancy’s hand winds up on his arm. “Wait, the hospital?”
“He’s in bad shape, but he’s alive. Now let’s go.” Hopper gives Eddie and Steve a strange look, but nothing more than that, like he’s used to the weirdness by now. Eddie knows the feeling.
“Jonathan–” Nancy starts, as he follows Hopper out of the house and towards the Blazer.
But Steve’s right behind her, saying, “I can drive us to the hospital,” and she turns and smiles at him but then she says, “Wait, we should go to the school first, for the kids,” which is how Eddie winds up driving Jonathan Byers’ LTD to Hawkins fucking Middle School, following Steve Harrington’s taillights, thinking to himself, what fucking kids?
Notes:
— twilight zone is a 1982 hit by dutch band golden earring. it spent 27 weeks in the charts in early 1983
— caffeine can make some people with adhd sleepy, rather than more alert
— the byers' house is on the way from the lab to the hospital. jonathan and joyce sensed each other across the dimensional divide, which is how come she knew they could swing by the house to pick him up without putting will in danger by taking too long.
— i can't believe that's all our notes for this chapter. wow.anyway! as you may be able to tell from the lack of the 'END OF VOL.1' note, we are not yet at the end. the volume will be extending some weeks beyond the end of the season (christmas excluded), so we've got a way to go yet! as always, let me know if you're enjoying it below, and find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 9: Synchronicity II (The Police)
Summary:
“Do we need to, like, think up a story together, or something?”
“I think he just wants us to tell the truth.” They’re so close together that Eddie can see the spattering of moles over Steve’s cheek, running down the side of his throat. “Deep shit, right?”
“Deep shit,” Steve echoes, eyes on the doorway where Nancy disappeared.
Notes:
warnings for abuse of prescription medication, law enforcement conducting some very dubious interview practice including gaslighting, classism, and the brink of a panic attack.
(See the end of the chapter for more notes.)
Chapter Text
SATURDAY NOVEMBER 12TH, 1983
The kids turn out to be a sleepy bunch, two of them at least. Eddie’s sitting with his hands knotted between his knees, too anxious to drift off right now, envying them hugely as his gaze sweeps the room. Henderson and Sinclair, he thinks they were introduced as. Next to them is Nancy’s brother, a lanky kid with something desolate about him. But Eddie isn’t gonna go over there and say anything to him because Mr. and Mrs. Wheeler are also here, just on Steve’s other side — so two chairs away from Eddie — and they’ve already given Eddie several suspicious looks.
It’s not his fault it’s fucking hot in the waiting room, so he had to shed his jacket to reveal the shirt with Motörhead’s Snaggletooth on it and push up the sleeves to show off the bat tattoo. That’s not his fault. But hey.
There’s also an oppressive stillness, heavy in the room. People lost in their thoughts, all that shit, which, great, but when Eddie’s lost in his thoughts it generally involves a lot more pacing and smoking and listening to loud music. Stillness doesn’t really do it for him. Puts him on edge. Plus the Chief’s here, just gone to find a vending machine, and the memory of the drunk tank is too raw to enjoy that very much.
So.
“Will you quit twitching, man? Jesus,” Steve says, after a while. His arm is brushing Eddie’s.
“Well, sorry that I’m finding it difficult to believe that we’re suddenly not in danger anymore after we nearly died, like, an hour ago–”
“Why don’t you go for a smoke, okay?”
Despite the close stillness of the room, Eddie’s strangely reluctant to leave it. These are people — Mr. and Mrs. Wheeler excepted, of course — who know what’s going on. Who’ve known what’s going on, this whole time, even the kids. As Eddie was made aware when they went to pick them up, Wheeler junior already with his parents but Sinclair and Henderson brimming with the story, about some girl called El destroying the demogorgon with her mind (“She was totally gonna be our mage, but then– I guess–” with a downcast look, and Eddie suddenly understood why the demogorgon got named the demogorgon).
But Steve’s right. He needs some air.
He thinks about inviting him, Steve. Offering him another cigarette. But Steve’s eyes are on Nancy, that soft hopeful look in them, so Eddie leaves on his own.
And walks straight into Hopper, because when has he ever been lucky?
“Munson,” Hopper says, voice gruff tonight in a way that sounds deliberate, like he’s covering up how raw it is. Which is fair. Eddie’s not going to blame him for that.
“Chief,” Eddie says, offering a sardonic salute with the hand holding his pack of Camels (the other in the sling across his chest again).
“Can we talk?”
Eddie’s stomach sinks. But he nods and follows Hopper out the nearest fire exit into the dark. It’s freezing outside, and he shivers, pulling his sleeves back down, and then stiffens in surprise as he feels something heavy settling over his shoulders, the fabric rough and smelling of cigarettes but still warm against the chill.
Hopper leans back against the wall, now jacket-less, and lights a smoke, cupping his hand against the wind. Eddie pulls the jacket tighter around himself warily, like any second the offer of warmth is going to be snatched away, or else he’s going to have to give something in return.
Which, maybe he will. He doesn’t know what this is about.
“It wasn’t me who busted your dad,” Hopper says. Whatever Eddie wasn’t expecting, it wasn’t that. “Back in the summer. It was a DEA operation out of town; they busted him and his supplier at the same time. I’m sure you know that.”
Eddie didn’t know that. He lights his own cigarette with numb, trembling fingers.
“I guess I’m just trying to say, kid, that you don’t– you don’t have anything to prove. Okay? Not to me, not to anyone. Now, whatever happened on Sunday night, that’s another story. I’m not having you go the same way as your old man, you understand? It’s a waste.”
“A waste of what,” Eddie mumbles, tasting ash on his tongue.
Hopper looks at him. “Jonathan, he told me what you did back there, y’know. Both times. I mean, crashing your van into the monster? Jesus, kid. You got a pair.”
Eddie doesn’t see it that way, but he doesn’t really want to argue with the Chief, so he keeps his mouth shut.
“What happened to your arm, kid? I find it hard to believe you were involved in all that shit over Wheeler. If there’s something else going on– if you need to get it looked at–“
“I don’t,” Eddie says tightly. “It was nothing.”
Hopper looks at him closely for a moment, then takes another drag of his cigarette. “Look, I know what your old man’s like, and I know you’ve been having a rough time, so I need you to listen to me when I say this: they know that too. I don’t know how much you know, with Hawkins Lab and all that mess, but they’re gonna come and ask each of you a bunch of questions and get you to sign a big thick NDA at the end of it, but that’s the worst they can do to you, okay? I need you to remember that, because they’re gonna give you a really hard time about all this shit. Kid, they’re gonna have you wondering if you know what’s real and what’s not, thinking that you’re crazy, thinking that your friends are lying about you. They’re just trying to intimidate you. It’s all about power.”
“Why are you telling me this? Why not–” Eddie gestures back at the door with his cigarette “–any of them?”
Hopper exhales through his teeth. “Because the kids are kids, they’re not gonna get that treatment. And Wheeler, her parents are here, and she and Harrington, well. Harrington’s got a lot of money, and when you’ve got that much money you tend to feel less like the government might black-bag you and dump your body somewhere. Which is a stupid assumption to make, ‘cause they can do that to anyone, but it’s an assumption that sticks. And I think they’d have a hard time telling Joyce and Jonathan not to believe in each other, don’t you?”
Eddie looks at the ground. “So, what, I’m the odd one out. Most likely to be brainwashed by the government, Jesus. D’ya think they should put that in the yearbook?”
Hopper snorts. “You got an uncle, right, kid?” Eddie nods. “Call him.”
Hopper drops his cigarette and goes inside, without asking for his jacket back. Eddie digs the hand that’s not in the sling into the pocket, against the chill, and his fingers wrap around something plastic and rattling — a pill bottle.
He takes it out. It’s prescription Tuinal, but the name isn’t Hopper’s. There’s no name on it at all, in fact, and huh. That’s interesting. That’s very interesting. Rick’s the only major dealer in town — Eddie wonders if that’s where Hopper gets it, the Tuinal. Or if he’s got a thing going on with some quack doctor or something. But, whatever, it’s not Eddie’s business. He shakes a pill out, removing the cigarette from his lips to swallow it dry. Hopper will probably notice the missing pill, but hey. Consider it payment for all the shit Eddie had to do today.
When he goes back inside, the Tuinal’s already kicking in. Less itching in his skin, less churning in his gut. Briefly he spares a thought for how nice it might be to get prescribed something like this himself, and how that’s a distant dream until he can get himself added to Wayne’s insurance. He’s calm enough to sit back down next to Steve and stay still for a while, avoiding the eyes of Mrs. Wheeler, who’s moved to sit next to Nancy opposite. Then Jonathan emerges, says, “He’s awake,” and the three kids jump to their feet, rushing out into Will’s hospital room, and Nancy follows, leaving Mr. Wheeler and Mrs. Wheeler and Eddie and Steve.
Okay, that’s weird.
Mr. Wheeler’s asleep; Mrs. Wheeler’s examining her handbag with what looks like great interest. Eddie reckons it’s safe enough to lean closer into Steve and say, “Hopper thinks we’re gonna be questioned, by the, uh– by the government.”
“Shit, really?” Steve’s eyes have gone wide. “Do we need to, like, think up a story together, or something?”
“I think he just wants us to tell the truth.” They’re so close together that Eddie can see the spattering of moles over Steve’s cheek, running down the side of his throat. “Deep shit, right?”
“Deep shit,” Steve echoes, eyes on the doorway where Nancy disappeared.
Eddie supposes it’s as good a time as any (meaning not at all) to call his uncle, so he digs a few loose coins out of the Chief’s jacket pocket (again, compensation) and finds a payphone. It takes a couple rings, but then Wayne’s picking up the phone. There’s the edge of worry in his voice already. “Wayne Munson.”
“Hey, Uncle Wayne. It’s me.”
“Eddie? Where are you?”
“I’m, uh, I’m at the hospital. It’s not for me,” Eddie adds hastily, before Wayne can start to worry about the insurance thing again, “It’s, um, a long story. I just–” He thinks about what Hopper said. About the way he is the odd one out here, neither rich nor well-supported, just him and his uncle who already has enough to worry about. Hopper’s implication that he should call Wayne and get him to come here, come be here for him. Except fuck that. And how would Wayne even get here, with the car in the shop? “It’s for a friend. So I don’t know when I’ll be home, y’know, so don’t wait up?”
“Eddie,” Wayne says, and there’s a question in that. Are you okay? What happened? Y’know you can talk to me about things. Whatever they are. Right?
“Wayne,” Eddie says, and that’s that.
When he heads back towards the waiting room, he passes the vending machine, where the kid with curly hair, Henderson, he thinks, is violently punching numbers into the keypad. “Son of a bitch,” the kid mutters, aiming a kick at the base of the machine.
“You know, those things don’t generally respond well to shows of brute force.” Eddie comes up to stand beside him, raising an eyebrow down at the kid.
“What do they respond to, then? Because I’ve already tried asking politely.”
He leans down and pushes the flap up hard, letting it fall back down with a snap, and when he’s done this a few times, Henderson’s 3 Musketeers bar comes clattering down with it. “My liege,” Eddie says, bowing as he presents the snack. “You: hammer. Me: scalpel.”
“Holy shit,” Henderson says, taking it from him. “Who are you, exactly?”
Eddie supposes he doesn’t blame him for not really remembering. It was chaos in the school parking lot a couple hours ago — ambulances, worried parents, dead agents. Jesus. “Eddie Munson, at your service. Senior, head of the Hellfire Club, and I guess recent inductee into whatever we’re gonna call this screwed-up little group. Survivors of the Upside Down, or some shit.”
“What’s the Hellfire Club?”
“Just happens to be Hawkins High’s only redeeming feature, of course. It’s my DnD club.”
“Hawkins High has a DnD club? Holy shit, oh my god, I thought all high schoolers were totally boring and lame–”
“Oh, they totally are. Most of them, anyway. Not me. I’m cool.”
Henderson actually looks like he agrees with that assessment, and maybe for the first time all week Eddie feels on an even keel. Because this is what he knows how to do — getting people to believe in what he says when he’s spinning a story, sitting at the head of the table behind his screen and creating a world, getting people to look up to him for a moment. He has missed that, actually. DMing. Maybe Janie’s right; he should do a campaign again.
“Now, a little bird told me that our entire understanding of what happened this week is based on DnD, so if you want to give me a rundown–”
Henderson jumps at that, eager, and talks almost incessantly all the way down the hallway until they’re back at the waiting room and realizing very rapidly that there are suddenly a lot more people in it. People in dark suits and inscrutable looks, cold. The government.
Eddie contemplates taking another Tuinal.
“Eddie Munson?” one of them says, a man with graying hair and a face as blank as stone. Eddie sort of wants to throw up. He nods. “We’re interviewing everyone who was involved in this week’s events separately. We can do this at your home or we can do it here, or at a third, secure location; which would you prefer?”
None of them. He looks over at Steve, who’s talking to another agent; beyond him, the Wheelers are getting ready to leave with someone else, Henderson and Sinclair trailing along with them. “Here’s good, I guess.”
The agent smiles. “Excellent.”
So Eddie’s led to a little doctor’s office. There’s a radio on the desk, playing quietly even though no one’s here — some Police song Eddie doesn’t know — and the agent reaches to switch it off, forcing them into cold, uncomfortable silence.
Then the agent sits down behind the desk and Eddie has to sit on one of those lower visitor’s chairs like the agent’s about to tell him he’s got cancer or something, which. There’s definitely some weird irony in that, but he doesn’t have the strength to unpack it, not tonight. He settles for worrying at the edge of the surgical tape where it’s poking up through the holes in the knees of his jeans.
“First, let me introduce myself. I’m Agent Faraday. Now, this is going to be a very informal interview, Eddie. That’s what you prefer to be called, isn’t it? Eddie? Not Edward?”
“Yeah, Eddie,” Eddie says. Edward makes something inside him shrivel up.
“Okay, well, Eddie, like I was saying, you’re not a suspect or anything like that, I’m just trying to ascertain a few facts. It’s been a very troubling time for all of us, and we’d all like to see everything resolved as cleanly as it can be. With that in mind, it’s important that you tell us everything you remember, leaving nothing out. Do you think you can do that?”
“Yeah, I– yeah.” Eddie’s really wishing he’d taken that extra Tuinal. Too late now.
“What happened on Sunday evening?”
Eddie looks at Faraday. Would they arrest him for the drugs? You can never be sure. But underage drinking is probably way below this guy’s paygrade, right? “I was, um, drinking with a couple friends by Lovers’ Lake. I knew I was over the limit, so I, y’know, decided to walk home. But there was something in the woods. I didn’t–” He looks at his hands. “Didn’t think it was real, for a while.”
“You thought you were hallucinating?” Faraday’s eyebrows climb. “Because you were drinking?”
“I– yes.”
“Which friends were these?” The agent’s got a notebook out, pen twitching over it. Shit. Some of Eddie’s hesitation must show in his face; Faraday shakes his head. “That’s okay. Did any of them see the creature? Or just you? I need you to be honest with your answer.”
“Just me,” Eddie says, relieved he can answer honestly.
“Okay, good. Now, when did you next see the creature?”
“Um, Friday night. Last night.” It feels like a fucking lifetime ago.
“And did you again think it was a hallucination, or–?”
“No, I knew it was real this time. I hit it with my van.”
Once again, Faraday’s eyebrows rise. He notes something down on his pad. “When did you see the creature again?”
“This afternoon. In the woods.”
“And again you believed it was real.”
Eddie nods.
“And what was the difference between these occasions and the first, that made you think it was a hallucination the first time, and real the next?”
Eddie just looks at him.
“You say you hit the creature with your van, but can you be certain of that? Are you concerned about your mental health in some way, that you so readily assumed it wasn’t real the first time?”
“I– I don’t–”
“Your family has a history of encounters with the Drug Enforcement Administration, doesn’t it?”
Eddie closes his mouth. Of course they know that. Isn’t that what Hopper said? They know everything, and they’re more than willing to use it against him. Still, it makes him feel small. Alone. “I wouldn’t consider Bruce Munson my family, so, no, actually.”
“But wouldn’t you say it’s interesting that the very center of all the chaos this week, Will Byers, is the son of one of your father’s close friends? In fact, not only a friend, I believe, but a business associate. It’s curious, isn’t it, that you just happened to find yourself in the woods on three separate occasions, when the creature just happened to be nearby? I’d say that’s curious.”
“Yeah, well, unfortunately I didn’t just happen to be in the woods each time,” Eddie snaps. “The only reason I saw it the third time was because Steve fucking Harrington wanted to go looking for it–”
“Oh? And how did he know about it?”
Eddie swallows. “Because I told him.”
“So, let me get this straight. You felt firm enough in your conviction that it was real to tell people about it, even though you’d previously believed that it was a delusion? Who else did you tell?”
“I didn’t tell anyone else.” The lie feels heavy on his tongue, and Faraday looks at him sharply.
“Think carefully, Eddie. It’s not in your best interest to lie to me. No harm will come to whoever you told; they’ll be required to sign an NDA, same as you.”
Eddie drops his head. “He didn’t believe me anyway,” he mumbles. “Tommy Coe.”
“The son of Dale Coe, and nephew of Henry Mooney?” Faraday’s pen scratches against his paper. “Thank you for your honesty. It does leave me wondering, though, why you would tell Steve Harrington and Tommy Coe about this. Are they close friends of yours?” He says this skeptically, like he’s already spoken to them and discovered this is not the case. Maybe he has.
“No, I– I told Steve because I thought he already knew. And Tommy, I mean, we already went out looking for his dad in the woods yesterday, I couldn’t just– sit on that information–”
“When you’d decided it wasn’t a delusion.”
Eddie swallows. “Yeah.”
“So, if you and this Tommy Coe aren’t friends, why were you looking for his father? The search parties for Dale Coe and Henry Mooney didn’t begin until late last night.”
Eddie bites down on the inside of his cheek; the pain is grounding, somehow. “He asked me to help him.”
“And why is that, do you think?” Faraday sits back in his chair, something proud and satisfied about him, like he’s good at his job. Fuck him.
“I don’t know.”
“You don’t know. I find that difficult to believe, Eddie.” Something almost gentle in his tone, patronizing. “Was Tommy one of the friends you were with on Sunday night?”
Eddie smiles bitterly. “No comment.”
“You don’t have to do that here; we’re just having a conversation, aren’t we? When Tommy didn’t believe you about the creature, do you think that was for the same reason you doubted yourself on Sunday night? Does he, too, have doubts about your mental state?”
His brain’s wired wrong. That’s what they say about him. What he says about himself, sometimes. Forgetting all his homework, brain scattering off somewhere else whenever he needs to focus. Panic attacks eased only by loud music and drugs. Wired wrong enough to be delusional? Maybe some people think that. Shit. “He’s just a prick,” Eddie mutters, and Faraday smiles.
“A prick who asked you to help him find his father. Was there anything else he asked for?”
And suddenly Eddie gets it, the insinuation. Referencing the DEA, all that bullshit about his mental state. It’s not about that. It’s about the drugs — and more than that, it’s about ensuring that Eddie knows exactly who’s in charge here. Exactly what will happen, if he refuses to cooperate.
“How about this, then? Did you tell anyone else about what you saw?”
Eddie shakes his head.
“No? Not even your uncle?”
He feels a sudden rise of nausea. “No, I didn’t– my uncle’s got nothing to do with this.”
Faraday notes something down. “You’ve been driving him to and from the Icex plant this week, haven’t you?”
“I mean, yeah, but how did you–”
“Seen anything unusual, on your journeys? Or perhaps at the plant itself?”
Something strangely casual in Faraday’s tone, eyes on his notes, and oh. Oh. Eddie thinks about the Hawkins Power and Light vans, the men in white suits, all congregating in the plant’s parking lot. The way they checked his ID. Something was going on there, wasn’t it? Something related to all this.
But Faraday’s eyes are sharp, watching him intently. Waiting to see how he’ll respond. Waiting to see how he’ll interpret this, how he’ll understand it for what it is after everything else he’s said — a threat. See anything unusual, on your journeys?
And the answer he’s expected to give is no.
But instead he says, “What, Icex is in your pocket too?”
Faraday smiles humorlessly. “That isn’t what I asked.”
“No. It’s not.” Eddie studies the floor; he wants to flip the desk. Wants to shout and scream and say fuck you, you think I’m helping you? You think I approve of anything you’ve done here?
He’s always had problems with authority, after all.
But he doesn’t say this. Can’t. Can’t say anything at all, something crawling up his throat, and clearly Faraday feels the need to hammer the point home.
“Icex is your uncle’s only source of income, isn’t it?”
Eddie nods dully.
“Your friends, they don’t understand that, do they? Tommy Coe or Steve Harrington or Nancy Wheeler. They don’t understand what’s at stake. They could say–“ Faraday waves a hand “–anything, about themselves, about you, without understanding the consequences. But you understand the consequences, don’t you, Eddie?”
Eddie digs his fingernails into his palm and tries to breathe. Could they really do that? Take his uncle’s job away? If he does the wrong thing, says the wrong thing, if Steve says the wrong thing–
“Don’t you?”
His ears are ringing again. He can’t really focus on Faraday’s face, things beginning to blur, and his hands are going clammy. Fuck. Fuck. God, he needs to– he can’t– he needs– Wayne–
“You’re going to stop this interview right now,” someone says, a woman, hoarse and unyielding, and he turns. Joyce Byers is standing in the doorway, arms folded over her chest, the sleeves of her turtleneck pushed up. “He’s just a kid. Did you even offer him the chance to have an adult present?”
“Mrs. Byers–“ Faraday starts, and Eddie registers distantly that Joyce has entered the room further and laid a hand on his uninjured shoulder, fuck, it’s weird to have someone do that– a mom–
“Enough, for God’s sake. He’ll sign whatever you want him to. Just– enough. Of all of this. For all of us. Haven’t you done enough?”
Joyce’s hand on his shoulder is weirdly steadying. He finds himself able to look Faraday in the eye as the agent shrugs, cowed, and says, “I’ve gotten what I needed, anyway. Wait ten minutes or so, and we’ll bring you the NDA to sign.” He puts his notebook away and stands up, straightening his tie, leaving with a cold smile, and then it’s just Eddie and Joyce. Which is weird.
“Thanks,” Eddie says, shrugging off her hand, lighting a smoke.
“Jonathan says you saved his life. His and the others’. Twice, actually.” She leans against the wall and drops her head into her hands, like she’s allowing herself to be tired for a moment, only a moment, before she straightens up again. “I should be thanking you.”
He doesn’t know what to say to that. He takes a drag from his cigarette and tries to shake the deep-seated dread coming to rest in his bones, the feeling that he didn’t say what he was supposed to in the interview, that he said it wrong, that that’s going to fall on his uncle and there’s nothing he can do about it now. But you understand the consequences, don’t you, Eddie? He’s been trying to understand the consequences all his life. Trying to avert them, do the best he can. Maybe he hasn’t succeeded.
“Have you got someone coming for you, Eddie?”
Her voice is unbearably soft. He can’t look at her. “My uncle’s at home.”
“Are you sure he shouldn’t–”
“I don’t want him involved in this,” he says. “This shit isn’t exactly family-friendly, is it?”
“You’re not allowed to tell him any of it,” she says, with the tone of realization. Something dull in it. “God.”
“Yeah. God.”
“Well, listen–” She steps forward, businesslike suddenly, shaking the exhaustion off. “If you ever need anyone to talk to, we’re here, okay? Me, and Hop, and if you want to talk to someone your own age, then Jonathan–”
“Okay,” Eddie cuts in. He can’t imagine himself going to her. He can’t imagine himself going to anyone, but especially not to her. What could she give him? A reminder of everything he never had?
“Okay,” she repeats, and then Faraday comes in with a stapled document half an inch thick, still warm from the fax machine, and Eddie skims it before he signs it but he’s too jittery to really register anything it says but they’re not going to let him leave until he signs it so he does — E. Munson, in rushed unpracticed scrawl. He’s not often asked to sign his name.
Then he goes out into the hallway, and finds Steve by the vending machine, taking out a fucking New York Seltzer of all things. It’s enough to startle Eddie out of his strange, anxious fugue: he stares at Steve for a while and says, “What the fuck is that, Harrington?”
“This?” Steve holds up the bottle. It’s fucking cherry flavored. “It’s seltzer.”
“You nearly died today and you’re drinking seltzer? Oh, you’re so definitely the weird one.”
“All right, what would you choose?” Steve wrinkles his nose like he’s offended, but he can’t really be offended, because he gets another coin out of his pocket and holds it out to Eddie like a challenge. Eddie takes it and slots it into the machine, choosing a perfectly respectable Coke. “Jesus, you act all mysterious, but really you’re just a square.”
“Ah, but the things I’m pretentious about are worth the pretension. That, Harrington, is just a fucking seltzer.”
Steve rolls his eyes. There’s something habitual about the action, proud, like he knows he looks good doing it, like it’s more an affectation than anything natural. He uncaps his seltzer and takes a long, deliberate swig, Adam’s apple bobbing at his throat as he swallows.
“Whatever,” Eddie says, looking away. “Where’s everyone else?”
“Nance went home with her parents and her brother. So did the other two kids. I guess Jonathan and his mom are staying here all night– I don’t know about the Chief–”
“So just you and me, then,” Eddie says, just to see what Steve will do.
He doesn’t do anything. Just shrugs, and then in an even more shocking turn of events, says, “Your van’s still by the movie theater, right?”
“Right,” Eddie says slowly. Unsure where this is going.
“I’ll give you a lift, if you want.”
Eddie can’t stop himself from questioning it. Gift horse, mouth, you fucking idiot, he thinks to himself, even as he says, “Isn’t that, like, the opposite direction from your house? Don’t you just want to- I don’t know, go to fucking sleep after all this?”
“Sure,” Steve says easily, infuriatingly. “But somehow I don’t think it’s gonna be that easy, do you?”
Shit. Eddie looks at him for a moment, then nods. But it takes a second for his limbs to catch up with his brain, a second for him to actually register that oh, they’re leaving now. That they’re allowed to leave. That the world hasn’t ended, and he’s survived, and he has to go back to school on Monday.
What the fuck.
“So how was your interview?” Steve asks, as they’re walking out to the parking lot.
Eddie shrugs. “Well, they threatened to get my uncle fired from his job and turn me in to the DEA, so wonderful.”
Steve stops walking, staring at him. “Shit, they really said that?”
Eddie smiles humorlessly. “Let me guess what they said to you, then. Hmm, I don’t know, something to the effect of don’t you worry about a thing, darling boy, we’ll make sure the peasants take the fall for it.”
“Jesus, man, I do you a favor and you just throw it back in my face.” Steve’s eyes have turned nasty, which is a relief, almost, that Eddie hasn’t been utterly wrong his whole life.
“I’m sure you’ll survive it.”
“No wonder they say you’re never gonna get anywhere.”
Eddie’s face twists. “Yeah, handouts from people like you are really gonna get me out of the trailer park. Jesus, you’re a prick.”
“You’re not so nice yourself,” Steve snaps, and there it is, the Tommy H. in him. The Tommy C.
Eddie’s almost pleased to see it. “There you are,” he says, standing back, smiling bitterly again, and Steve falters.
Steve falters? What?
He’s looking at the ground, something conflicted crossing his face, cheeks flushed under the white parking lot floodlights. He runs a twitchy hand through his hair.
“They threatened my family,” he whispers eventually, and Eddie stops. Shit. “Not like I have a big family, or anything, just my– just my parents. And not like they’re the greatest parents in the world, right, but they’re– yeah. My parents.”
Eddie wouldn’t know about that. About the love you feel out of obligation, tradition. He cast off those impulses when he ran away at fourteen. But he guesses he gets it, a little. “Shit. I’m, um, sorry. I shouldn’t have just assumed–“
“I shouldn’t have said you weren’t gonna get anywhere,” Steve says quietly. “It’s okay, man, it’s been a day.”
“Yeah. Some day.”
Notes:
— tuinal was a sedative barbiturate used to treat insomnia and anxiety in the 60s-80s - was discontinued due to being highly addictive
— in s3e4, mayor kline implies that hopper was addicted to tuinal in s1 and did not have a prescription for it
— the police song is synchronicity ii, released october 1983, which gives the chapter its title
— new york seltzer was produced from 1981 to 1994, and then revived again in 2015.if you enjoyed the interview scene in this chapter, you should read the wonderful fly_agaric's satsuma, which deals excellently with the idea in a post-s4 context.
thank you for all the love! i'm so excited to take this fic beyond canon and then into s2. buckle up, folks, we've still got a long ride ahead of us!! as always you can find me on twitter (ohtobeinlove) or tumblr (palmviolet).
Chapter 10: Heartbreaker (Free)
Summary:
Eddie wonders what it’s like, in a vague sort of way, to have lived your life so casually. Not to have to cling onto each good, nice moment because you know just how easily they can be stripped away. Not that Eddie’s very good at that. He can’t shake the tendency to let the bad moments consume him. Steve’s right, in some sense: what good is a party, after what they’ve seen? What good is a grounding?
So.
“Wanna share that joint with me?” Eddie says, his next offer of charity that’s not charity at all.
Notes:
warnings for recreational drug use, homophobic slurs and bullying, and derogatory references to mental illness.
(See the end of the chapter for more notes.)
Chapter Text
SUNDAY NOVEMBER 13TH, 1983
At some point earlier Steve must have switched out the Tears For Fears cassette, because now they’re listening to that rockabilly style Queen song as Steve maneuvers out of the parking lot. Doing the thing he did before, hand on Eddie’s headrest, profile lit in the glow of the headlamps. Eddie tries not to stare and fails miserably.
Because Steve’s hot, okay. He can admit that to himself. Hates that he’s admitting that to himself, Mr. Bouffant Hair And Polo Shirt, fuck’s sake, but still. He has a type. Knows he has a type. Martin, Tommy C., Steve?
Not that this Steve thing is going to go anywhere. Not that it’s a thing. But hell, they nearly died together, didn’t they? That counts for something. Means something.
Means Eddie can’t stop staring at Steve’s profile in the dark.
When Steve pulls up by Eddie’s van, they sit there for a moment. Eddie feels some inexplicable reluctance to leave; Steve doesn’t tell him to go. They look at each other.
“What are we supposed to do now?” Steve says finally, no more than a whisper. “Now that we know that there’s– there’s–”
“Monsters in the woods?” Eddie raises an eyebrow. “Another dimension? A conspiracy by our government?”
“A girl who can move things with her mind?” Steve adds, and they don’t laugh but the air lightens anyway. It’s ridiculous. God, this whole thing is ridiculous. Nothing more ridiculous than Steve Harrington sitting here next to him, not looking like he wants him to leave.
“I meant it, y’know. I’m smoking a fat joint when I get home. What are you gonna do?”
Steve shrugs. “Try to explain to my parents why I’m home so late, I guess. I’m technically grounded.”
“Shit.”
“Yeah, the beers, at the– at the fucking party, Jesus. Jesus. I feel like nothing’s mattered less in my entire life.”
Eddie wonders what it’s like, in a vague sort of way, to have lived your life so casually. Not to have to cling onto each good, nice moment because you know just how easily they can be stripped away. Not that Eddie’s very good at that. He can’t shake the tendency to let the bad moments consume him. Steve’s right, in some sense: what good is a party, after what they’ve seen? What good is a grounding?
So.
“Wanna share that joint with me?” Eddie says, his next offer of charity that’s not charity at all.
Steve looks at him. “Yeah. Okay.”
It’s not until Eddie’s slipping into the trailer — in and out, he doesn’t want his uncle to see who he’s with — that he thinks about this. About sharing a joint with Steve, finding a common interest in running away from something, the way he found it with Tommy C. And look how that ended.
But, hey, Steve’s not a closeted queer, so. Maybe things will go differently this time.
“You goin’ out again?” Wayne asks, from his position on the couch with a beer.
Eddie halts in his movement down the hallway and says, “Yeah, Janie’s having, uh, kinda a rough time.” The lie feels thorny and uncomfortable inside him, not least because his uncle has so few nights off and Eddie’s choosing to spend this one with Steve Harrington.
Wayne frowns at him. “You okay, kid? You look– different.”
“Different how?”
His uncle peers at him for another moment, then shakes his head. “Nevermind,” he says, never one for putting his thoughts into wordy prose; he says what he means, and sometimes doesn’t say it at all. Eddie says far too much and he means most of it but that counts for little. “Your friend okay? From the hospital?”
Eddie bites the inside of his cheek. “I can’t really talk about it,” he admits, honesty at last. “But I think they’re gonna be okay.”
“That’s good,” Wayne says, taking a sip of his beer, and Eddie smiles at him and then goes through to his room. He finds the little case he keeps his joints in and grabs a couple of cassettes for good measure, stuff that King Steve might not resent too harshly. Possibly. Then he goes back outside and half-jogs out to the entrance of the trailer park, where Steve’s BMW is idling in the cold. He’s half surprised that Steve’s still there.
But he is, so Eddie gets into the car and lets Steve drive him to some park or other, frigid and empty in the early hours. They’re near Loch Nora, Eddie thinks, which is why the park is clean and well-maintained.
“Iconic as Freddie Mercury might be, I refuse to listen to Queen while we do this, so. Take your pick.” He fans out the three cassettes he chose, and Steve frowns at him before choosing the Pink Floyd album, Wish You Were Here. Eddie’s almost impressed. Then he tugs Hopper’s jacket tighter around himself and sits on the hood of the car next to Steve, slipping the first joint between his teeth and cupping his hand against the wind to light it. After a long, healthy drag, the earthy smoke warming his throat, he hands the joint over to Steve.
“Thanks,” Steve says, as the opening notes of Shine On You Crazy Diamond (Parts I–V) sound out behind them. He takes an expert pull, a long inhale, a long exhale of thick smoke. Doesn’t cough.
“So where’d you learn to do this, Harrington? Smoking like a pro, choosing an album that was practically made just for getting high.” Eddie pulls his legs up to sit cross-legged, wincing as it stretches his skinned knees.
Steve hands the blunt back. “Tommy C. smoked us out last year. He keeps us supplied.”
Eddie takes his time answering, inhaling deeply and letting himself grow lighter. He’s not thinking about Tommy C. now. He’s not thinking about everything Tommy C. did and said, because what does it matter? After everything else? Fuck Tommy C. Tommy C. wouldn’t have come back for him in the woods, probably, and Eddie might not have come back for him in the house. You’re not nice. “Are you gonna be doing much more of that, d’ya think? With the Tommys and the basketball lot? This schism, I mean. Are we talking a week’s time out or a total divorce? Irreconcilable differences, and all that?”
“Why do you talk like that, man?”
“Like what?”
“Like, constantly making everything into something else. Making it bigger than it is. Giving it big words, like you’re narrating something. Like everything’s part of your weird– weird game.”
“You know there’s a game. Consider me flattered.”
“C’mon, dude, answer the question.”
“Dude, wow, you get so intimate when you’re high–”
“Eddie–”
“Technically your question was only asked so you could avoid my question, so I think I’m entitled to wait for your answer first.” Eddie passes the joint over and feels the warmth of Steve’s fingers against his own.
Then Steve lies back against the windshield, looking up at the darkened sky as he answers. “I don’t know, man. Everything’s– changed. Like maybe if it was just the Nancy thing, we could– Tommy H. and me, we could work it out. But now I can’t even see a point in that. In, like, anything. Going to school on Monday, basketball practice on Tuesday. But we– we fought for our lives today, and– and I don’t even know what life is supposed to mean, now–”
He breaks off. Eddie twists to look back at him, surprised by this show of vulnerability. “Whoa, already at the meaning of life stage? Careful you don’t green out there, Harrington.” Steve flips him off loosely, his hand flopping back down to his side afterward. Yeah, he’s getting very high. “I don’t think we can separate what happened today from life in general, is the thing, man. For those of us who bad shit happens to, that’s what life is. The bad shit. Alongside the good, I guess.”
Steve looks like he’s thinking very hard about this, as he puffs on the joint. “But this isn’t the usual bad shit. Is it?”
Eddie’s not sure whether he’s pleased or not that Steve doesn’t deny it, the us vs. them dichotomy. That Steve is very firmly one of them. “No. That’s true. But I don’t know how to rationalize it otherwise.”
“Jesus Christ. I guess I just can’t– like, what the fuck would Tommy H. even say to this? What would Carol? I don't think they're capable of taking anything seriously.”
“Who said I was taking this seriously?” Eddie says, finally surrendering to the impulse to lie back next to Steve. It’s the kind of thing he imagines doing on a date, lying back on the hood of a car and staring at the stars, passing a smoke between them. He’s never really been on a date. “I don’t know, Carol seems the type to be very handy with a can of hairspray. You set that shit on fire and everyone gets out of your way pronto, and I’d bet that’d include the demogorgon.”
“She’s not the only one,” Steve mumbles, and Eddie turns his head to stare at him.
“What?”
“The– hairspray.” It’s too dark to see, but Eddie, through some self-indulgent impulse, imagines that Steve’s blushing.
“Seriously? Am I seriously hearing this? I mean, I don’t know why I’m surprised, of course Steve ‘The Hair’ Harrington maintains his luscious locks somehow but the fact that you’re admitting it–”
“You tell anyone that and you’re dead, Munson.”
“Oh, I know,” Eddie says, and it doesn’t quite sound enough like a joke for either of them to laugh. A silence comes over them.
Steve breaks it, eventually, when they’re on their second joint. Eddie is pleasantly high by this point, eyeing Orion as it rises in the sky. (He likes putting constellations in his DnD campaigns, extra detail that really makes the world come alive, that’s the only reason he knows them.) Steve says, “I don’t know how I’m ever gonna sleep again.”
And Eddie says, “Me either.”
“That really happened, right? All of today?”
“I don’t know why you’re asking me. I’m widely known to have a couple wires crossed.”
Steve looks at him. The cassette’s made it to Wish You Were Here now, all mellow beats that make Eddie’s head feel light and spacy. “You know I don’t think that, right?” Steve says, tone serious. “I think you’re– you’re fucking weird, and you’re different, and maybe some of what they say about you is true but this? I don’t– you’re not insane. Or crazy or loony or whatever they say.”
“Loony,” Eddie tries out. It feels loose and weird on his tongue. “We’re all loony now, Steve, didn’t you know? They called Joyce Byers crazy and look where it got us.”
“So you’re saying we should be crazy.”
“Something like that.” Eddie closes his eyes and lets the second half of Shine On You Crazy Diamond wash over him. The first time he got high to this song he was fifteen trying to drown out everything else, thinking about funerals, thinking about how Shine On You Crazy Diamond would be a great funeral song, thinking about death. It was a bad high.
Not that this is a good one, necessarily, but it’s better. Lying here next to Steve Harrington in the cold. Someone else here, at least, someone who’s been through what he’s been through, for once. At least today. The rest of the shit excluded.
He thinks he drifts off for a minute, as Steve’s talking some shit about how nice the stars look. Apparently grass makes him wax lyrical. It just makes Eddie sad and thoughtful and tired.
When the high’s worn off, a couple hours later, and Eddie can feel the chill in his very bones, Steve drives him home. Something like three a.m. at this point. They’re listening to another one of the cassettes Eddie brought, Heartbreaker by Free, the deep thrumming notes of Wishing Well filling the silence as Eddie drifts in and out of sleep in the passenger seat.
“You gonna be okay?” he wakes to, when they’ve pulled up by the trailer park and Steve’s cut the engine. It’s a strange question. Sounds strange coming out of Steve’s mouth.
“Are you?” Eddie asks, and Steve shrugs.
“Might never be able to swim in my pool again, but yeah. Sure.”
“Sure,” Eddie repeats, and opens the door. “See you at school on Monday, then. Or tomorrow. Fuck, I guess it’s tomorrow now.”
“Jesus, man, why’d you have to remind me how late it is–“
“Oh, I’m sorry for assuming party king Steve Harrington could handle a late night or two.”
“Shoulda known you were nocturnal.”
Eddie raises his eyebrows; Steve is smirking at him, like he’s proud of himself for holding his own. Fair enough. Eddie salutes him and then shuts the door, hurrying across the trailer park and keeping his head down as he does it, skirting the circle of people on the grass whose hands are twitching over syringe plungers. In the trailer, Wayne’s already dozing on the sofa bed, lights turned off, a note on the fridge that says HOPE YOU GOT HOME SAFE KID, which has Eddie pausing as his eyes begin to sting. What does his uncle know? More than Eddie’s told him, that’s for sure. He’s never written a note like that before.
Sleep, surprisingly, does arrive. Fitful and anxious, has Eddie waking in starts with heart pounding, but it’s better than none. He’ll take what he can get. (Sleeping with a light on, that’s true. He was already scared of the dark. There’s no way he’s toughing it out tonight, no siree. Tonight he’s allowed to be cowardly, after so much out-of-character bravery.)
His uncle works Sunday night, but he’s around and awake all morning, so they watch The Wrath of Khan over eggs and toast with sun filtering through the blinds. Wayne didn’t even make a caveat about gore this time, so Eddie could have chosen something really out there, but somehow–
Not today. Not after yesterday. Not after–
He still has to pause it halfway through to go breathe for a while in the bathroom when he can’t keep the image of the demogorgon at bay any longer. What do you do, the day after you nearly died? What does anyone do? Watch Star Trek and pretend it didn’t happen? Get high and abstract it so much that it feels like it doesn’t matter that it did?
He considers going to Rick’s for only a second. Because after everything that happened, everything bad– he also got something good out of it. The tentative conviction that maybe he can do something right, in his life. Something his father wouldn’t have done. The way Steve did something Tommy C. and Tommy H. wouldn’t have done. And he can’t just let that conviction go to waste, not yet. Not for a while. So he leaves his dad’s letter where it is and his van too, spends the day at home until he has to take Wayne to the plant and then doesn’t take a detour on the way back, just goes home and goes to bed early and drifts in and out of feverish insomnia all night.
Doesn’t even take anything for it.
MONDAY NOVEMBER 14TH, 1983
He finds himself looking for Steve in the hallways at school, the next day. He can’t help it. For exactly a day they were a team. A unit. Working together, not exactly seamless, but as good as they could be, given the situation. They did what they needed to do.
And it’s sticking with him, what Steve said late the other night. You know I don’t think that, right? And sure, he was high, they were both high. Rick provides good weed, what can Eddie say? But weed isn’t like alcohol, it doesn’t blur shit in the same way. He can’t help but believe it, what Steve said. Maybe that’s stupid. But he can’t.
His distraction lasts all the way through History and Music and Biology until he’s sitting in the cafeteria as Janie frowns at him, something unsettlingly seeing in her eyes. “What is with you today?” she says, leaning forward on her elbows as Gareth and Jeff dive into a conversation about the guitar solo in Highway Star, like two normal teenagers who didn’t face a monster this weekend. “Is this about–” And she raises her eyebrows emphatically, shorthand for The Guy, and Eddie almost wants to laugh.
“No,” he says. “Actually, it’s not.”
“Really? Because–”
He stops listening when he sees Steve walk into the cafeteria, all big hair and healing cut-up face. He’s wearing a fucking yellow sweater. And he looks around the room, looks at Eddie for a moment, just a moment, and Eddie thinks about what it would be like to invite him over. Hey, come sit with us. What a stir that would be. There would be a riot, probably, people standing on tables and throwing food everywhere. He’d pay to see that shit. But Steve wouldn’t accept, probably, and Eddie won’t ask, probably, so Steve’s eyes sweep over where Tommy H. and Carol and Tommy C. and Jack are smirking together on their usual table and then he leaves the cafeteria again, alone, the way people like Jonathan do.
So maybe he meant it. Everything’s changed. That it really fucking has.
“Is it Steve Harrington?” Janie hisses to him, voice so low he can scarcely hear her.
“Is what Steve Harrington?” he says, turning back to her with a frown, and she frowns back.
“The guy you’re fucking.”
He stares at her. He’s more confused than anything else, really, because the possibility just seems so absurd. Even more absurd than Tommy H. “Whatever you’re smoking, it’s totally not cool that you haven’t told me where you got it, because–”
“Jesus, it’s just a question. You’re looking at him really weirdly.”
He opens his mouth to say Yeah, well, how else do you expect me to look at a guy who saved my life the other day? But then he remembers he can’t say that. All the paper he signed tells him he can’t say that. Can’t say anything. So he just shakes his head, putting an extra hit of drama in it to really get the point home: no, I’m not fucking Steve goddamn Harrington. If only that was the weirdest thing in his life.
When he goes outside to smoke she follows him, that determined look in her face that tells him he’s not getting away with it so easily. Fuck.
“So what is it, then? Did you open the letter finally?”
“What’s it to you?” he returns tiredly, leaning back against the wall. His shoulder still feels tender and achy, and the prospect of bearing any weight on it sends the memory of fear and pain through him again. He hates this bit, when he can’t trust his own body for a while afterwards. Or, scratch that, he can’t trust it ever, really. The same way he can’t trust his brain to remember his homework.
“Excuse me for fucking caring.” She gets her cigarette out and doesn’t look at him, smoking it in the other direction. “I really don’t get you, man. Half the time you’re showing up at my house, asking for tea, saying shit like if only you were straight or whatever and then half the time–”
“That’s not what I said.”
She turns and looks at him, eyes sharp. “I don’t know what to do with you. I don’t know what you want from me. I’m trying to be here for you but some of us have shit lives too, it’s not only you–”
“That is not fair,” he says quietly, and she shrugs.
“Maybe not. But it’s true. And I gotta focus on applying to college, I gotta keep my GPA up and my mom on my side so she lets me visit my dad in China and I don’t have time to keep asking you what’s going on, if you’re not gonna tell me. I’m sorry. I don’t.”
He can’t stop himself from laughing, then, emptily and cruelly. He hates being cruel. It makes him feel a little sick, even as he does it. “If you only knew how much bigger everything else is–”
“Jesus Christ, you’re pathetic. Fuck the guy or don’t, I don’t care. And open your fucking dad’s letter, since it’s apparently the biggest thing in the world.”
She walks away before he can say anything, before he can look her in the eye and try to let that speak for him, the weight in his gaze, the truth behind his words. How sorry he is he can’t explain. How furious he is with himself for saying the wrong thing, for fixating on the things he shouldn’t be fixating on and letting her own issues pass him by, for being selfish. For doing it wrong. How furious he is with the world.
But he isn’t furious at all, and that’s his problem, isn’t it? Letting the world walk all over him.
In the wake of everything else, cutting class doesn’t seem like such a big deal anymore, so he finishes up lunchtime heading in the opposite direction to his next class, towards the bleachers instead with the plan to sit out all of shop and then return in time for O’Donnell’s English. But when he reaches them, crouching down to fit into the comforting, safe-feeling gap, someone’s already there.
Crying. Nancy Wheeler. Crying. Shit.
It’s too late to back away; she’s looking up at him, blinking away the tears even as more form in the corners of her big eyes, biting down on her lip and wiping at her wet cheeks. “Hey,” she says, the evenness of her voice at odds with her appearance. “Sorry, I should go to class anyway, you can–”
“Hold on,” he says, making the decision as he speaks. He lowers himself down and sits opposite her in the space, looking at her carefully. “What’s going on, Wheeler?”
She looks at him for a moment, like she doesn’t want to say it. He can understand that, sure, but from where he’s sitting it’s clear she needs to talk to someone, and hey, maybe he’s the best person for the job. He’s not an interested party, after all. Who knows what sort of bias Jonathan and Steve have going on.
Finally, she waves a hand. She’s wearing rings, like he is, but they’re dainty, delicate things. Expensive, probably. “Just– being back in school, after everything. It’s hard. Without Barb.” This last part emerges as a whisper.
“Yeah,” he says quietly in return. “I mean, I get it. Feels the same for me. And I, uh, I didn’t even know her.” He pauses. “How come you’re even in school? Like, surely–”
She shakes her head. “I have to be here. Focusing on something. If I stop doing things, then–” She closes her eyes. Yeah. He gets that. “The world looks different now. It’s like– someone just turned the lights on. And I turn around and she’s not here anymore. And in that light, I get to see how suddenly– suddenly alone I–”
She stops. There’s self-reproach in her eyes, a crease between her eyebrows. He doesn’t get the sense that she enjoys talking like this, or that she does it very often. He supposes he’s honored. “You’re not gonna be alone for very long, I don’t think, not if Harrington and Byers have anything to do with it.”
She flushes. “I don’t know what you’re talking about,” and her tone sounds more like an eye roll than any coy girlishness.
“My mistake, being told how attractive she is never cheers a girl up, how could I be so foolish–”
Nancy snorts a laugh and then rapidly closes her mouth, like she didn’t mean to do it. Her eyes go wary. “If that’s you throwing your hat in the ring, I’m really not–”
“Oh, trust me, Wheeler, you’re not my type.”
She looks a little offended at that. Maybe she’s not the rumor-believing kind. “I don’t know what to do about that,” she admits quietly, stretching her legs out in front of her. “About– about Jonathan, and Steve. Every second I’m not thinking about Barbara I know I should be thinking about her, and yet I can’t stop–”
Another abortive sentence. He gets the gist. “I’m far from the expert on guilt-free hookups. Or guilt-free anything,” he adds reflectively. “I guess it’s about who you want to be. Who you are, if there’s a difference. If you want to be a cul-de-sac girl for the rest of your life. Or if you want a life that’s gonna be far from a walk in the park.”
“What does that mean?” Her voice is sharp.
“You know what it means,” he says, holding her gaze, and eventually she looks away. Because she does know what it means. Of course she does. And unlike Steve, she had the temerity to try to deny it.
“He might not ask me,” she whispers. “Jonathan. But I know Steve will.”
And that’s the thing, right? She knows her own kind. She doesn’t know his. Her friend might be dead but Jonathan’s got problems in the here and now: his brother’s hospital bills, his family’s trashed house, his father. His slimy piece of shit father. It takes a lot out of you, all that crap. Eddie knows from experience. If she’s waiting for Jonathan, she’s probably gonna be waiting a while.
He doesn’t have any homework to give Miss O’Donnell, when his lit class comes around, and the scariest thing about it is the way she just nods coldly, like she’d expected nothing better, and waves him off to his seat. Like maybe she’s given up on him. Or else is devising some long, convoluted punishment to spring on him when he least expects it. But he had a really weird weekend, okay? Jesus.
He’s walking back to his locker after classes finish, desperate for a smoke and still searching for Steve in the crowd, when the hallway narrows into a clot of people and no one’s moving. He peers over their heads and– oh. Because of course.
It’s Tommy H., face manic and alive with something almost desperate as he stands in the middle of the circle of people, holding someone’s book away from her as she tries to reach it, and that someone is Robin from band.
Robin’s taller than him, by a little way, but he’s quick and she’s clumsy and with a deft movement of his foot he sends her sprawling to the ground, where the crowd parts around her and doesn’t protect her from his laughter. He holds the book up in the air for all to see, then leafs through it scathingly. “The Well of Loneliness, Jesus, what is this? Some book for sad dykes?”
It’s a baseless comment, an aimless guess designed to hit her where it hurts (Tommy H. couldn’t get that just from a few skimmed pages), and it does. Hit her where it hurts. She tenses up and her face goes red and blotchy, eyes swimming with the start of tears. Tommy smiles triumphantly. He’s not usually so loud and reaching about his cruelty, is the thing. It’s almost like he’s got something to prove.
Eddie doesn’t have something to prove. He thinks he proved it on Saturday night, coming back for Steve and Nancy and Jonathan, doing the thing he never expected of himself. And it’s this, knowing he’s already done it, that makes him brave enough to push his way through the crowd and snatch the book out of Tommy H.’s hands.
He’s taller than Tommy H. By a good few inches. He can look down at him as he hands the book down to Robin, who’s getting to her feet, rubbing angrily at her eyes. “What, you want some of this too?” Tommy H. snarls, shoving at Eddie, and it jostles his shoulder but he doesn’t back down. He’s in this now.
“Some of what, exactly? Last I saw you were stealing a girl’s book like we’re in third grade.”
Tommy H.’s face twists, and his eyes land on someone in the crowd beyond, someone who steps forward to reveal himself as Tommy C. Because of course it is. And Tommy C. looks directly at Eddie as he says, “Shoulda figured. Queer sticks up for queer.”
You would know, Eddie thinks, and knows Tommy C. sees him thinking it. But bravery only goes so far, right? There’s no way he can say that. No way he can make that accusation here, in the throng of people, people who’ll jump on him the second he confirms they’re right about him, Tommy C. or no. He can’t do that. So he’s opening his mouth to say something else, anything else, not sure what, but he’s cut off by another voice.
“Just leave them the fuck alone, man.”
It’s Steve.
Steve emerging from the crowd, all tall and world-weary in his yellow sweater and beaten-up face, and Tommy H. swings around to smirk at him, ready for a challenge: “What, coming back for round two, Steve? Byers didn’t beat the shit out of you hard enough?”
“Aren’t you just tired of all this shit? Because I am. Why don’t you just let people live their lives, huh?”
Both Tommys look at him for a long moment, as Steve looks at Eddie. Which is strange. Tommy C. following Tommy H. and Steve following Eddie. Where did that come from? How did that happen?
Then Tommy H. shrugs. “If you want to side with the queers, Harrington, then be my guest. I’m not gonna stop you.” He stalks off into the crowd, Tommy C. following close behind without looking at Eddie. Good. Don’t fucking look at me. Coward.
Because he feels like he can do that now, on some level. Call out other people’s cowardice. Now that he’s confronted his own.
“You okay?” he asks Robin, who’s staring between him and Steve, bewildered.
“Thanks,” she says, almost wary. “That wasn’t– I mean, my book, that isn’t–”
“It’s okay.” Eddie looks down at the book in her hands and then back at Robin, her reddened eyes, her lips pinched together. “I get it.”
Her eyes widen, like she understands what he’s saying. Good. He nearly died this weekend; he doesn’t really care if people know he’s gay. But if it helps–
“What was I saying about a white knight?” he says to Steve, whose eyes dart over his face and then away again, running a hand through the hair at the nape of his neck. They look at each other for a moment; when Eddie looks back to Robin, she’s gone.
Notes:
— the queen song is crazy little thing called love, released 1979
— wish you were here by pink floyd was released 1975. let me tell you, listening to the entirety of this album while high is a transcendent experience.
— heartbreaker by free was released 1973. with regards to all the more classic rock in this chapter, i believe eddie has a soft spot for it as the forerunner of a lot of the later metal he likes, and it's just objectively great. plus it would be more palatable to steve than a megadeth tape.
— the wrath of khan is the second star trek feature movie, released 1982. ironically, it's a bit of a tragic one, so not the greatest to cheer yourself up following the weirdest night of your life.
— highway star is by deep purple, released 1972. it's got arguably one of the best guitar solos ever in it.
— the well of loneliness is a lesbian novel published 1928 by radclyffe hallthank you for all the love thus far, and as always you can find me on twitter (ohtobeinlove) or tumblr (palmviolet).
Chapter 11: Break My Stride (Matthew Wilder)
Summary:
He hasn’t seen Steve since Monday, since the circle of jeering teenagers in the hallway and Robin on the floor, like he’s been keeping his head down. Like maybe he hasn’t been in school at all. The bruises on his face have mellowed into a discolored green, the swelling around his cheekbone beginning to go down. He’s starting to look more like King Steve again. But his eyes aren’t, is the thing. His eyes are hesitant as he looks at Eddie and beyond, to the Byers’ trashed living room.
“Thought maybe you’d fled the country,” Eddie says, leaning in the doorway instead of doing the sensible thing, which would be letting him in and then leaving himself. “After you stuck up for the freaks the other day.”
Notes:
warnings for implied child abuse, class issues, parental illness (jeff's dad), referenced drug use and addiction, and eddie referring to tommy’s kiss a few chapters earlier as non-consensual.
(See the end of the chapter for more notes.)
Chapter Text
THURSDAY NOVEMBER 17TH, 1983
That irritating upbeat song about breaking my stride is playing overhead in Melvald’s when Eddie stops in for a greeting card. Well, no, scratch that, he’s not here for a greeting card. He’s here for milk, because he forgot to buy it when he meant to buy it last night, when he got distracted by the cigarettes and bought a pack of Camels instead. He came in here for milk and then he saw Donald Melvald’s frowning face and thought about Joyce Byers and remembered that Will’s out of the hospital today and wait, he should probably buy a greeting card, hence why he’s now leaving Melvald’s without milk but with a cute little card with a rainbow on the front of it, because he just couldn’t resist.
The milk can wait, he reasons. He doesn’t really drink much of it anyway. So he drives over to the Byers’ with his Screaming For Vengeance cassette blaring — much better, thank you — and scribbles a message inside the card in their driveway with a shitty ballpoint he found in the dashboard. Or, more like hovers over the card for a while, not knowing what to say. What do you say? To a kid who died but didn’t die, who had a fake funeral while he was running for his life in a hell dimension?
Metal. That’s pretty fucking metal.
That’s what Eddie would say, but you can’t really put that in a card. Not one the kid’s mother will probably read, anyway. So he settles on sketching out a dragon, since he knows these kids like DnD, with a sweet little get better soon, from eddie in the corner. It will have to do.
There’s still a hole in the wall, he sees when he approaches the porch. Which shouldn’t be surprising — they’ve spent the last six days in the hospital, of course they haven’t had time to fix the wall — but it gives him pause anyway. He shakes it off and knocks on the door, shifting his weight from foot to foot. He doesn’t know how Jonathan’s standing it. Living here, after everything. Just standing on this porch is making Eddie itch.
It’s Joyce who opens the door, looking tired and grim with a cigarette between her fingers, which are trembling faintly as she leans against the doorframe. But she smiles warmly when she sees him, gesturing for him to enter: “Eddie, hey, it’s nice to see you.”
Well, that’s something no one’s ever said to him before. He decides to move straight on past it, following her into the house. There’s music playing somewhere, Age of Consent by New Order, muffled through the wall. “I, uh. Have a card. For Will.” He holds it out awkwardly, the cheap yellow envelope, the cheap rainbow card inside. Get Well Soon! He may as well have gotten one of those unhappy cat pictures, Hang In There, Baby! Christ.
But she smiles again. “That’s really sweet of you to do, I’m sure he’ll love it.”
“How’s he doing?”
She shrugs, smile falling away into something that (perhaps unfairly) looks more natural on her, the lines of stress around her mouth and eyes. “Better than he was. I think he’s glad to be out of the hospital. I mean, we all are.”
Eddie knows the feeling. He’s been in the hospital a couple times — the first few dislocated limbs, before his dad decided it clearly wasn’t worth the bother, a few broken bones, a bout of bronchitis. Never since running away. Since running away, he’s patched himself up. He’s not gonna put that shit on Wayne. That shit being the way he gets in the hospital, even more antsy and on edge, and that’s without considering the cost.
“Do you want cocoa? I was making some for Will.” She’s already moving over to the kitchen, which is the only area that’s been cleared of all the mess. The rest of the place is still cluttered and chaotic: the Christmas lights are gone, but the alphabet’s still painted large on the wall.
He doesn’t get the chance to say no as she lifts the saucepan and begins pouring it into mugs, four mugs. She offers him one with the old Chee-tos Mouse on it, and he smiles a little, reminded of his uncle’s collection.
“I’ll bring this in to him,” she says. “He’s sleeping, but he drinks it cold.” She wrinkles her nose as she says this, fondly disgusted by it in that way he guesses mothers are, though he doesn’t know. Then she disappears down the hallway as he sips his cocoa, sort of wanting to escape. He’s not sure he was expecting to be invited in. He’s not the kind of person who gets invited in.
“Oh, hey, man,” Jonathan says, emerging out of what’s presumably his bedroom with a burst of louder New Order before he closes the door behind him. “Mom made cocoa?”
“She did.”
Jonathan moves to take a mug and then leans back against the counter, running a hand through his hair. It’s far from the practiced, vain way that Steve does that same movement. It’s unconscious, anxious. Like it’s another way to cover up his face, the few moments his hand is there in the way. “Have you seen Nancy?”
Jonathan’s voice is carefully neutral, but Eddie can hear the desperate curiosity behind it. “I feel like I should be asking you that.”
Jonathan closes off. “What’s that supposed to mean?”
“Oh, I don’t know, just the, um, weird love triangle bullshit the three of you seem to have got going on.”
“There’s no love triangle.” Jonathan ducks his head behind his hair. “I’m just wondering, that’s all. How she is.”
“She’s doing okay,” Eddie says, relenting. “I mean, as okay as she can be doing. As anyone can be doing.”
“Yeah.”
“You’re really telling me you haven’t talked to her?” he asks, though he’s not actually all that surprised. Different worlds, different problems. When would Jonathan have had the time?
“She hasn’t spoken to me either.” A little note of defensiveness there? Interesting. “I’ve been busy. I mean, it’s not like my brother’s been in the hospital or anything.”
Eddie finds himself startled into a laugh at that, at Jonathan’s unexpected spikiness. “Touché, Byers, touché. You got bigger fish to fry than your little love triangle.”
“Yeah, I do.” Jonathan’s looking at him a little warily, a little defiantly.
“You work at the movie theater, right?” At the look on Jonathan’s face, Eddie shakes his head and adds, “You do realize I live in the trailer park? If anyone’s gonna judge you, it’s not gonna be me.”
“Oh,” Jonathan says, cheeks coloring. “Right. Yeah. I know.”
“And, I mean– we have shit in common, right? Shitty dads, and all.”
His eyes narrow again. “What do you know about my dad?”
Oh, shit, Eddie’s going to regret bringing this up. But he forges ahead anyway, keeping his voice quiet: “My dad, your dad, I don’t know, they– uh, worked together, for a while. Before your dad left town.”
“That’s not–”
“Yeah. He did.” That’s Joyce, returning to lean in the doorway, looking tired and resigned to this conversation. “Your father was Bruce, wasn’t he? Bruce Munson?”
Eddie nods, not trusting his voice. He shouldn’t have brought this up. Stupidly thought he could handle it. Can’t even handle throwing a stupid fucking envelope in the trash.
“Yeah, they knew each other. Your dad got Lonnie into a lot of trouble, you know. I had to bail him out more times than I care to remember.”
Eddie smiles thinly. “Yeah, he’s good at that. Getting people into trouble.”
“He wound up in prison, didn’t he?” Joyce’s voice is soft but her words are unyielding; there’s no escape from that, from those words. Eddie nods again. “I spent a while thinking Lonnie would end up there too. Sort of wanting it, maybe. At least then he’d be out of our lives.”
“Fucker deserves it,” Jonathan mumbles, burying his face in his mug, and Joyce looks at him but doesn’t say anything about his language. Is that what mothers are meant to do? Pull you up on your language?
“So does mine,” Eddie says lightly, and that’s the end of the conversation. He’s not sure he’s glad they had it. He feels all weird inside, all tense and hot like he’s wearing too many layers. But Joyce lays a gentle hand on his arm for a moment and that makes him feel sort of better, which he’s not going to think about, the way her hand on his arm makes him feel lighter. Is that what mothers are for?
He wouldn’t know.
When he’s finished his cocoa and thanked them for it, he opens the door on his way out and nearly collides with Steve Harrington.
He hasn’t seen Steve since Monday, since the circle of jeering teenagers in the hallway and Robin on the floor, like he’s been keeping his head down. Like maybe he hasn’t been in school at all. The bruises on his face have mellowed into a discolored green, the swelling around his cheekbone beginning to go down. He’s starting to look more like King Steve again. But his eyes aren’t, is the thing. His eyes are hesitant as he looks at Eddie and beyond, to the Byers’ trashed living room.
“Thought maybe you’d fled the country,” Eddie says, leaning in the doorway instead of doing the sensible thing, which would be letting him in and then leaving himself. “After you stuck up for the freaks the other day.”
Steve shrugs. “I haven’t got a passport.”
“Really? I thought rich people traveled. Aren’t you a citizen of the world, Steve?”
Steve snorts. “Sure, if Palm Beach counts.”
Of course Steve’s been to fucking Palm Beach. Eddie shakes his head and steps aside to let Steve in, since there’s a chill in the air that has them both shivering. “What brings you here?”
Steve takes on what’s almost an embarrassed look, as he glances around the room with his hands in his pockets. “I wanted to see if there was– y’know, anything that needed doing. Anything I could help with, I guess.”
Eddie stares at him. “Every fucking day, Harrington.”
“What?”
“Every goddamn day you do something more surprising.”
Steve sighs, like he’s tired of having this conversation. Eddie’s tired of it too, of being amazed by the guy, but he can’t help it. He finds himself following Steve back into the kitchen, where Joyce smiles at them and Jonathan looks up warily. “Hey, Mrs. Byers. Uh, how’s Will doing?”
“He’s doing okay,” she says. “Do you want cocoa? I can make some more.”
“No, that’s okay, I was just wondering if– if you, uh, needed anything doing, y’know, around the house.”
She looks at him evenly. “Well, y’know, I think everything needs doing around the house, but I’m not going to ask you or anyone else to do it for us. It’s our mess.”
“Technically I’m the one who set your hallway on fire,” Eddie says, and everyone looks at him. He winces. “Sorry about that.”
Jonathan snorts and then looks away like he’s pretending he didn’t. A smile twitches over Joyce’s mouth. “I guess it wouldn’t hurt to have someone tear up the carpet. I need to buy some first, though, so come back on the weekend.”
“Sure,” Steve says easily, immediately, and because Eddie’s a– well, he doesn’t even know what he is at this point, but he says, “See you then.”
“See you then,” Joyce allows, and great. So he’s signed his weekend over to doing DIY with Steve Harrington, just great. The weirdest part is how that sounds almost appealing.
When he gets home, Wayne’s sitting at the table with the calculator out again and Eddie’s heart sinks — the way he’s been ignoring this, the way he hasn’t been to see Rick, hasn’t wanted to, thought maybe they would get by — until Wayne looks up, and he’s smiling.
“Hey, kid.”
“Wayne? What’s–”
“Thacher called. I can pick up the car tomorrow.”
Eddie stares at him. “It’s– it’s fixed? He fixed it? How much did that–”
“A lot,” Wayne admits, “but not so much we can’t afford it. It’s gonna be okay, Eddie. Against all the odds, it’s gonna–”
He’s cut off with an oof as Eddie launches himself at him, flinging his arms around Wayne’s neck, exhaling a trembling breath of relief into Wayne’s smoke-smelling flannel. He doesn’t hug his uncle very often. Eddie didn’t like to be touched at all, not for a long while after he ran away from his dad, and then when he found he needed someone to touch him — a kind hand on his shoulder, soft arms to fold himself into — he didn’t know how to ask. How to say to Wayne, yeah, I know you’ve been keeping your distance because that’s what I wanted and you don’t know any better, neither of us do, what the fuck do you do in this situation, but could you maybe–
He couldn’t say that. But the message got across anyway, somehow. His uncle’s still hesitant about it, but less so: a hand on his shoulder, a ruffle of his hair. It’s enough. It gives Eddie permission to do this, pull Wayne into a hug so tight Wayne grunts in surprise, a hug full of relief and the release of tension.
“Hey,” Wayne says, voice rumbling in his chest — Eddie’s cheek still pressed against his flannel — “You okay?”
Eddie becomes aware that he’s trembling. That he wants to cry. Maybe it’s something like the relief that he doesn’t have to be what everyone’s been saying he is — what his life might have been drawing on to, naturally. He doesn’t have to go down that road. Down to Rick’s. He can do something else, the way Steve is doing something else, turning up at the Byers’ to tear up their carpet.
He can do that.
“Yeah, I’m okay,” he manages, pulling back and wiping at his eyes discreetly, but not discreetly enough.
Wayne frowns at him. “I told you this is my problem, kid, if I’d known you were gonna– I don’t know, take it on yourself–”
“I already live here for free, you think I’m gonna–”
“Now, enough of that already. You live here ‘cause I want you to live here.” His voice is stern. “Besides, you already paid me back more than enough by drivin’ me to work every night.”
Eddie opens his mouth to protest, but his uncle’s glare silences him. So Eddie lets it go, withdrawing and wiping his nose and trying not to be too embarrassed by the whole thing. His good mood is enough to override it, really, the sheer elation of the news, so he puts music on while he makes them both dinner, the Jefferson Airplane record he knows Wayne’s sort of fond of, when he’s not listening to Johnny Cash. He hums along and smokes a cigarette and drives Wayne to the plant for the last time with a light feeling in his chest, a feeling like maybe things will be fine.
Thinks about the things that are going strangely well, this week, as he’s driving back: the warmth of Joyce Byers’ smile, the tentative friendship from Jonathan and Nancy, the way he’s sort of looking forward to DIY on the weekend with Steve. Steve who came back for him in the woods. Steve who stood up for him and Robin in the hallway, Steve who volunteered to fix up the Byers’ house. That Steve.
Huh.
FRIDAY NOVEMBER 18TH, 1983
But he hasn’t seen Janie for a while.
This is an issue that weighs down on him, puts a damper on his good mood. He knows he needs to talk to her, apologize, but she avoids him at school like the plague. Sitting across the room in their shared classes, dodging him in the hallways. He doesn’t get the chance. He sits with Gareth and Jeff at lunch, Janie nowhere to be seen. (Steve nowhere to be seen.) Gareth launches straight into it: “What do you say to a jam session tonight? Just, like, seeing if it works?”
Eddie opens his mouth to say no and then stops himself, because why is he saying no? What reason does he have to say no? He’s not a drug dealer. Not a monster hunter. Not even someone’s queer fuckbuddy. So he has time to be a guitarist, doesn’t he? Just a guitarist. “Yeah, okay,” he says. “Why not?”
Gareth’s face lights up. Jeff’s conspicuously silent, picking at his food, and Gareth nudges him and says, “Jeff?” and Jeff looks up.
“Uh, yeah, I mean–” He pushes his tray away from him, voice a quiet rush. “My dad had a bad night last night. Chemo’s really, y’know, taking it out of him. I think my mom and him just want me out of the house.”
“Shit,” Eddie says, as Gareth gives Jeff one of those close, heavy looks that don’t need words, they’ve known each other for so long. The kind of look Eddie usually gives Janie, except Janie’s not here. “If you’re not feeling–”
“No, no, I want to. Something to take my mind off shit, right?”
“Right,” Eddie agrees, knowing it all too well. He gives Jeff a contemplative look. He doesn’t know all that much about the kid, beyond that he likes DnD and metal and singing and his dad’s got leukemia, but it’s something that Eddie gets, the need for distraction. These aren’t half bad, these kids that Janie picked out. If only she wasn’t avoiding him.
So after school he goes to collect his guitar, and then drives over to Gareth’s cute little suburban neighborhood, trying to drown out how quaint and clean it all is with his Motörhead cassette. His beat-up van looks so out of place next to the Westleys’ pristine Ford Escort, God help him. He runs a hand through his tangled hair as he rings the doorbell, wondering how long he’d have to be standing out here for someone to call the police. Not all that long, probably. Then Gareth’s mom, Andy, he remembers, is opening the door with a widening smile and beckoning him in and saying, “Isn’t it wonderful, about Will Byers? Really gives you some hope for the world, doesn’t it?”
And Eddie smiles privately and thinks no, not really, since it was our government that faked his death but hey. You’re right. He did survive.
Jeff’s already here, setting up with Gareth in the garage, picking out a few notes on his guitar. The creases of worry haven’t eased around his eyes, but he seems to be doing a good job of ignoring them, so Eddie resolves to ignore them too. No one wants their shit brought out when they’re trying to think about something else, right?
Both guys’ eyes go wide when he gets out his guitar. His baby. He’s affectionately named her Narsil. She’s the most expensive thing he owns and he hasn’t really touched her lately, not in all the upheaval with his dad, lost in the mire of feelings about what Bruce is and what Eddie might turn out to be — didn’t want to contaminate her with that, in some way.
But hey. He’s proved he’s a lot of things he thought he wasn’t, this week. He reckons she’ll be okay.
“Jesus, dude, that’s a cool guitar.” Gareth’s twirling a drumstick around his fingers, eyes wide in admiration, and Eddie likes that, the admiration. Likes the way these sophomores look up to him.
“A guitar is only as cool as the songs you can play on her,” he says, and then smirks. “But yeah, she’s pretty cool.”
They fool around for a while, cutting together various slices of Led Zep songs, until Eddie gets them trying to work out the harmonies for a song he wrote a couple months ago, back when he still wrote songs. Jeff’s got a good voice, he recognises. Eddie can sing too, sure, but there’s not much range to his voice, not much of interest beyond the lyrics and the guitar he’s playing behind it. Jeff’s actually got something going on. And Gareth applies himself to the drums with the same tenacity with which he applied himself to defeating the owlbear in the one and only campaign they’ve played together, a oneshot Eddie wrote high out of his mind a couple weeks ago.
So, all in all, this might actually go somewhere.
Jeff’s plucking out the chords to some song by that new metal band, Metallica, when Eddie cuts through it and says, “So, I’d say we need a bassist, right?”
Gareth jumps up from his stool. “Does that mean–”
“Hell yeah it means.” Eddie grins. He unhooks his guitar from around his neck and stretches his shoulder out, wincing at the pain that thrums through it but really that pain is secondary, irrelevant. “I’m in, all the way in, signing away my soul to the satanic cult of heavy metal, et cetera et cetera. Do you guys have a band name? Or will Corroded Coffin do?”
“Holy shit, that was your band in middle school,” Jeff says, snapping his fingers. “I knew you played!”
“Band is a loose term, let’s say. It was me and my acoustic guitar plus Drew Payne on the drums and Janie with the fucking triangle, but the name was a good one, at least. I can’t think of a more worthy subject for its resurrection.”
Gareth grins wide, as Jeff starts talking practicalities: “I know a girl who plays bass but I don’t think she’s into metal. She wants to be, like, Kathy Valentine.”
“What, the fucking Go-Go’s? Jesus, there’s no taste in this town.”
“Is there anyone in band?” Gareth says, tucking a drumstick behind his ear. Again with the fucking band. Eddie is not letting this little sheepie anywhere near that soul-sucking clusterfuck (the sports part, he means, since the actual music isn’t so bad), thank you.
He shakes his head. “I don’t think anyone who’s ever worn that uniform is interested in metal — myself excluded, of course.”
“What, those frilly little ruffles don’t scream Dio lover to you?” Jeff smirks. Eddie flips him off, but he’s smiling. Because Jeff seems lighter, now, after the session, forgetting his troubles in a bit of loud music. Never fails.
“We’ll find someone,” Eddie says, waving a hand. It’s something he feels optimistic about, for once, the way he’s never once doubted that he’d find people to play DnD with, when the guys who introduced him to it graduated. Freaks don’t go away, not even when society really really wants them to. Granted this feels easier to believe in when it’s about metal and tabletop fantasy, rather than something more personal, something more innate to Who You Are, but still. “Robin from band owes me after I saved her ass on Monday, maybe I can make her learn the bass.”
“Wasn’t it Steve Harrington who saved both your asses, more accurately?” Gareth has wrinkled his nose, like the thought is vaguely repulsive. Eddie gets the weird half-panic, half-thrill jolt in his chest that Steve’s name tends to cause these days (that’s what happens when you fight a demogorgon together, he guesses) and thinks, you’d be surprised how often that seems to be happening to me.
“I really don’t get that, like, at all,” Jeff says. “Did he and the Tommys fall out, or something?”
“Something like that,” Eddie says evenly, very aware that both sophomores are looking at him like he holds all the secrets of the universe inside his head. You don’t want these fucking secrets, he wants to say, thinking about Tommy C. pushing him against the tree, against the fence, kissing him a way he didn’t want to be kissed. About Steve pinned to the floor by a thing without a face. It’s easy to pretend it was all a dream, a nightmare, and sometimes he’ll forget about it entirely. Then something will trip him up and he has to take a second to remember how to breathe again.
“Your mom wants to know if your friends are staying for dinner,” someone says, Gareth’s dad, presumably, coming into the garage. He’s in a brown suit with the tie loosened, like he just got home from work, and he looks like Gareth. A nice, friendly smile that’s slightly too wide for his cheeks. “Hi, Jeff. And you are…?”
“Eddie,” Gareth cuts in, eyes darting between them like he’s worried about the impression each will make on the other. Like Eddie’s gonna judge him because his dad isn’t cool, or something. “Yeah, do you– do you guys want to stay for dinner?”
Eddie would rather die than sit at the Westley family dinner table, mom and dad talking about their day, how was your day at school, dears? And Jeff shuffles his feet and says awkwardly, “I don’t know, I should probably get home and make dinner for my parents, my mom won’t have time to–” He closes his mouth.
“I can drive you home, if you want,” Eddie says, the offer only formulating as he says it. He doesn’t know where the kid lives — it could be miles out.
But when Jeff tells him, it turns out to be only about fifteen minutes away, so Eddie loads his shit back into his van — Jeff leaves his guitar and amps at Gareth’s, apparently — and then he drives them off, turning (We Are) The Roadcrew down but not off. “Damn, I wish I had a car,” Jeff says, looking around the van enviously, admiring the furry d20s hanging from the rearview (Eddie’s prized possession, after his guitar). “We used to live on the same street as Gareth, which, like, it was so much more central, but now–”
He goes quiet. Eddie glances over at him, letting the silence stretch on.
“Medical bills, y’know?” Jeff says finally. “My dad, he was diagnosed two years ago. He couldn’t work when he was having the chemo the first time, and it was so expensive–”
“You don’t have to justify it, man. Not to me.”
Jeff sags back against the seat, tension going out of him. “Yeah, yeah, I know. I guess it’s just– Gareth and his parents, they’re nice about it, like, really nice, but they don’t really get it. What it’s like. My mom has to work all the time and when she’s not working she has to take care of my dad, and my sister has to come back from college every other weekend and it’s just–”
“Yeah,” Eddie says, not getting it and getting it all at once. “You’ve known Gareth for a while, huh?”
Jeff nods. “Since we were kids. Grew up on the same street, y’know?” That’s something Eddie doesn’t know. Kicking about in a quiet suburban street, living next to your friends, moms sharing casserole dishes at potlucks. Not in his neighborhood. “Yeah, they’ve been great, like, before and– and now, I’m not gonna say they haven’t been, but when we had to move away–”
“It’s different,” Eddie offers. “Makes you different.”
“It does.”
“Listen, man, if you ever need– I don’t know, to talk or some shit, or just to get out of the house, you can hit me up, okay? I live in the shittiest trailer park off Kerley, you can’t miss it.”
“It’s also the only trailer park, so that makes it the best one too,” Jeff says, smiling, and Eddie smiles too. Okay. He can work with these kids.
When he gets home, he finds his uncle on the porch with Avni from across the way, her iron gray hair pulled out of her face and her eyes sharp and bright against her weathered brown skin. She’s smoking, and she lifts the hand holding the cigarette in greeting as Eddie approaches, not breaking off from her conversation with Wayne.
“...shifty-looking, you know? Creeping around the place, taking their notes. Gawking at us like visitors to a zoo. Like we’re living in a fucking zoo.” She shakes her head and flicks ash to the ground. Her accent is steeper than usual today, like it gets when she’s agitated.
“What’s going on?” Eddie says, climbing the steps and leaning against the door.
Wayne huffs out smoke. “Avni’s tellin’ me about the viewin’ they had today, people comin’ to buy the park.”
“And there’s nothing we can do about it. That’s what stings, right? Fucking Diane Jonas decides she wants to sell and boom, we all just have to go along with it. It’s enough to drive a woman to drink.” She smiles wide, sharp teeth, to show she’s joking. In Eddie’s limited experience of the woman, it’s a common joke. Somehow she maintains her sobriety by treating it flippantly — whatever works, he guesses.
“She said she wanted to clean up the place before the viewing.” Eddie glances around; it doesn’t look very clean to him. “Think it’ll sell regardless?”
“Oh, sure. There’s a lot of money to be made out of us, you know? The dirtier the better. It just makes us more desperate.”
“Jesus,” Wayne says, stubbing out his cigarette. “I guess you didn’t see who it was, thinkin’ of buyin’?”
Avni shakes her head. “I saw, but I didn’t recognise any of them. Just some realtors, I guess. We’ll find out who actually owns us soon enough. Should have a few months, though.”
Eddie feels a little sick at that, but she’s right: there’s nothing we can do about it. Nothing at all.
He tries to keep a hold of his good mood that evening, the liberation of playing his guitar as loud as it would go in Gareth’s garage, the prospect of tearing up some carpet with Steve on the weekend. Tries to focus on all that more than Janie’s avoidance. The way he misses Tommy C. sometimes, misses the way they’d touch each other even if they didn’t talk about it, even if they couldn’t. The pinched look between his uncle’s eyes.
Notes:
— break my stride by matthew wilder was released october 1983
— screaming for vengeance is a judas priest album, released 1982
— age of consent by new order was released may 1983
— 'hang in there baby' was first published as a poster in 1971 - a stock motivational poster trope featuring this phrase with a cat hanging off something
— 'chee-tos' had the hyphen until 1998; the mouse was the brand's mascot from 1971 to 1979. the mug is from this period.
— the phrase 'citizen of the world' was first recorded about diogenes, 412 BC
— the jefferson airplane album is surrealistic pillow, released 1967 - the band was a pioneer of psychedelic rock, formed 1965
— the ford escort was sold in the us from 1981; the best-selling car of most of the 80s, it's a solid compact car, the update to joyce's pinto.
— eddie naming his guitar 'narsil' is a tolkien reference - narsil is the sword of elendil broken by sauron and used by isildur to cut the ring from sauron's finger.
— metallica released their debut on july 25th 1983, hence their 'newness'.
— the go-go's are an american new wave rock band formed 1978. kathy valentine is their bassist.
— (we are) the roadcrew is by motörhead, released 1980thank you for the wonderful response, as ever. let me know what you think below, and you can find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 12: Second Hand News (Fleetwood Mac)
Summary:
Steve frowns at him. “I said it was fine, didn’t I?”
Eddie leans back against the wall, waving a hand exaggeratedly. “Well, yeah, I heard that, but it’s kinda hard to believe from a guy whose favorite pastime was, until very recently, shotgunning beer and watching Tommy H. give nerdy freshmen swirlies.”
“He hasn’t done that since sophomore year,” Steve says defensively, and Eddie just raises his eyebrows. “Listen, man, I’m just trying to– trying to do everything I wouldn’t have done, like, a week ago, so can you just let me do it?”
Notes:
warnings for homophobic slurs + fear of being outed, and classism.
(See the end of the chapter for more notes.)
Chapter Text
SATURDAY NOVEMBER 19TH, 1983
Saturday morning, early, Eddie drives over to the Byers’. He’s antsy and on edge, dosed up on painkillers against the ache in his shoulder and twitching after dreams filled with the thing without a face. He turns up Iron Maiden’s Children of the Damned almost loud enough to drown out his mind (but not quite) and tries to do the same to the heating but it’s acting up, leaving his fingers numb on the wheel, fingernails tinging blue. When he pulls up in the driveway he sits there for a second, rubbing his hands, looking at the house. So innocuous, in the gray daylight. Squat and brown. Hard to believe they nearly died there.
(Hard to believe Jonathan can still stand it.)
He’s still trying to get circulation back in his hands when someone knocks on the window, and he jumps practically out of his skin. He opens the door, heart still pounding; it’s Steve.
“Jesus, man, you okay?” Steve says, leaning with one arm against the roof of the van. The position has his sweater creeping up, under his jacket. A red one this time. There’s a strip of skin on show above his belt — isn’t he cold? Eddie thinks. He must be cold.
“On edge,” Eddie says, getting out of the van and lighting a cigarette. He’s getting little white spots on his tongue, yellowing fingertips. He needs to cut down. “Aren’t you?”
Steve shrugs. There are dark circles under his eyes. When Eddie’s taken a puff of smoke, Steve’s hand reaches out and plucks the cigarette from between his lips, placing it between his own and–
Eddie looks away, feeling the sting of contact at his mouth, the lingering warmth of Steve’s fingertips. Kinda queer, right? Taking a guy’s cigarette? he thinks, but doesn’t say it. Of course he doesn’t say it. His shoulder’s still too tender to get shoved around.
“Nice morning,” he says eventually, exhaling a breath that fogs in the cold morning air. The sky is breaking into sunny blue past the thick gray cloud, and he has to squint against the glare of the light.
“If you say so,” Steve says, handing the cigarette back. “It’s fucking cold.”
“Let’s go inside, then.” Eddie leads the way, knocking on the door with only the slightest vein of hesitation. Jonathan opens it, looking tired and pissed off in that fucking horrible uniform from the movie theater. “Hey, man,” Eddie says, and Jonathan just grunts, opening the door wider. He looks at Steve and Steve looks at Jonathan and whoa, Eddie is not getting in the middle of that, so he ducks inside and stubs his cigarette out in one of the myriad ashtrays he finds, scattered on pretty much every surface. The place is still in a state of mess, though the Christmas lights have been cleared away.
Joyce appears in the hallway, fussing with a satchel slung over her shoulder — she’s in the blue work smock they wear at Melvald’s, a little nametag fixed to the front pocket. “Oh, hey, you’re here,” she says, looking up, something anxious and frazzled about her. Eddie knows the feeling. “I thought since you– since you’re gonna be here, both of you, it’d be okay if I picked up a shift while Jonathan was working but if that’s not–”
“That’s fine,” Steve says smoothly, appearing behind Eddie. Eddie wonders at the way a short hour fighting a monster can make Joyce Byers trust them with her son — but desperate times, he thinks. Desperate measures.
Some of the tension sags out of Joyce’s shoulders; she scrubs a hand over her face and then nods. “Okay. Well, I’m going wallpaper shopping with Hop after my shift, so I won’t be back til late afternoon, probably.”
Eddie allows his eyebrows to climb. (Because, c’mon, he’s not immune to the rumor mill.)
“Don’t you look at me like that,” she says, though there’s color in her cheeks. “He’s helping us out, that’s all. The same way you boys are.”
Jonathan makes a sound behind them, like a derisory snort. Eddie tries to imagine how he’d feel if his mom was around and started seeing someone new, and fails resoundingly. It’s too far beyond the way his life actually is.
“Jonathan…” Joyce says wearily, like this is an argument she’s had many a time before.
He shrugs at her and then opens the door again: “I gotta go. Have a good shift, Mom.”
“You too.”
Eddie feels a spike of something anxious in his gut at that, though he doesn’t know what or why. Why Jonathan having a mother makes him feel slightly sick. But whatever: he watches Joyce gather her shit together and then head towards the door herself, eyes darting anxiously back down the hallway — “You’ll– you’ll call me, right? If anything– happens?”
“We’ll call you,” Eddie promises, and she hesitates in the doorway for a few seconds longer, fingers worrying at the strap of her bag, before she takes a visibly deep breath and goes.
And then it’s just Eddie and Steve, alone in the house with Will Byers asleep in the other room.
“Is it fine?” Eddie finds himself saying, because apparently he can’t keep his big mouth shut.
Steve turns to him with a confused look. “Is what fine?”
“You said it’s fine. That, y’know, we’re gonna have to stay here until one of them gets home. That we’re babysitting, though that’s not what we signed up for.”
Steve frowns at him. “I said it was fine, didn’t I?”
Eddie leans back against the wall, waving a hand exaggeratedly. “Well, yeah, I heard that, but it’s kinda hard to believe from a guy whose favorite pastime was, until very recently, shotgunning beer and watching Tommy H. give nerdy freshmen swirlies.”
“He hasn’t done that since sophomore year,” Steve says defensively, and Eddie just raises his eyebrows. “Listen, man, I’m just trying to– trying to do everything I wouldn’t have done, like, a week ago, so can you just let me do it?”
“The anti–King Steve,” Eddie muses. “King Steve’s evil clone. Or good clone? Yeah, good clone. Looks like you just stepped out of the Mirror Universe, Steve.”
“I don’t know what any of that means,” Steve says, shaking his head, a little strain of annoyance in his voice. Good. Eddie doesn’t know what to do with him when he’s not annoyed.
“Just be glad you don’t have a little goatee,” Eddie says, and laughs, a little out of relief, because the thought of Steve with a goatee suddenly makes him markedly less attractive, and he needs that, for Steve to seem less attractive. “Okay, whatever, we should probably get on with whatever needs getting on with, right?”
“Right,” Steve says, suddenly uncertain, even as he takes his jacket off and pushes up his sleeves. “The carpet first?”
“Sure,” Eddie says, and they go through to the hallway, Eddie ignoring the way the acrid smell makes his heart jump in his chest. Joyce has left a toolkit on the floor for them and he finds a pair of pliers in it, which he digs at the corner, but the thing won’t budge, stuck too firmly down. So Steve passes him the knife from the toolbox and he cuts an admittedly messy slice out of it, enough to get a handhold, and together they peel it back, slicing as they go, until they’re rolling it back in strips and the big black stain is long folded away.
“Shit,” Steve says, sitting back on his haunches after an hour or so, wiping the sweat from his forehead with his elbow. It’s that strange temperature where objectively they know it’s cold in the house, but the labor they’re doing has them uncomfortably hot without relief. Eddie’s already stripped down to his Dio t shirt, arms bare, which feels strangely vulnerable, actually, though Steve’s already seen him without his jeans on. “D’you think we’re supposed to lay the new carpet too?”
“I’m not sure Mrs. Byers is gonna trust two seventeen-year-olds to lay a new carpet in her hallway, even two seventeen-year-olds who did fight a monster last weekend.”
“Sixteen,” Steve says.
“What?”
“I’m sixteen.”
Eddie stares at him. Sure, objectively, that makes sense. Steve’s a junior — why wouldn’t it make sense? But mentally Eddie’s been tallying him with the Tommy C.s of this world, a senior older and taller than Eddie, if only by a few months and an inch or two. Something strange about it, like it puts them on more even ground. “When’s your birthday?”
“December.”
“Wow,” Eddie says. He’s nearly a year older than Steve. That shouldn’t feel as weird as it does.
“Wow? I don’t get what’s wow about that, man.”
Eddie shrugs. “I’m just shocked that our ruling monarch is but a child, a wee boy with the weight of the kingdom of his shoulders– heavy is the head that wears the–”
Steve shoves at his shoulder. It’s light and jokingly meant, sure, but it doesn’t feel joking when pain shoots down the joint and Eddie slumps back with a hiss, trying not to look at Steve as Steve’s face changes immediately from a light-hearted glare to something deeply concerned, which is more unbearable than any malice would have been. He grits his teeth and probes at his shoulder, relieved to find it hasn’t gone anywhere this time.
“Shit, I’m sorry, I didn’t even think–” Steve is saying, eyes wide and apologetic, fuck, Eddie preferred Mirror Universe Steve. King Steve. Steve who wouldn’t care.
“It’s fine,” Eddie gets out, consciously forcing his limbs to relax so some of the tensed-up pain falls out of him. He wonders if Rick has any codeine going. “You didn’t know, man.”
“So, like, your shoulder– it still hurts?”
He exhales through his nose. “It, uh, takes a little while to feel normal again. Plus at the slightest opportunity it’s gonna do it again, so. Gotta be careful with it.”
“And that’s just– a thing that happens to you?”
“Yep.”
“Shit,” Steve says, running a hand through his hair. “Well– yeah, dude, I’m sorry.”
“‘S okay,” Eddie says, dragging himself to his feet. He needs a fucking break. He goes outside to smoke on the porch, shivering in the chill breeze. The brief sun from earlier has disappeared again, swallowed by unyielding gray. There’s the smell of snow in the air. He remembers Nancy saying something about salt, they used road salt for the girl’s sensory deprivation tank. Maybe they’ll cancel school.
When he goes back inside, the house’s close silence has dissolved into music, Fleetwood Mac drifting out from the boombox laid on the kitchen counter. Steve’s working on the carpet again, nodding his head and singing quietly along to the music, I’m just second hand news.
“Really?” Eddie says.
“What?” Steve returns, without looking up. “I’m not gonna hear a word against Fleetwood Mac, man. Plus I think it’s Mrs. Byers’ cassette, so be nice.”
“I didn’t say anything.” Eddie rolls his shoulder experimentally, feeling out whether it can take another hour tearing up carpet. It twinges, but doesn’t make him want to cry, so that’s progress. He’s about to kneel down beside Steve when a door in the hallway opens and Will Byers comes out.
He’s a tiny kid, skinny, huge eyes in a sunken pale face. He reminds Eddie of himself, actually, back when he was that age, except it’s a bowl cut instead of a buzzcut and he’s got a mother who loves him, at least.
“Hey, kid,” Eddie says, straightening up again.
“You’re Eddie and Steve, right? Mom said you were coming today.” Will picks his way across the bare floorboards in socked feet, and Eddie winces, thinking of all the tacks that could be sitting there waiting to stab him, but the kid makes it across unscathed. “I don’t think she likes that you’re here.”
“What?” Steve says, sounding offended. He sits back on his haunches.
Will shrugs. He’s wearing a blue turtleneck so big it reaches nearly to his knees. “I know she’s grateful, sure, I think she just hates depending on people.”
Eddie can understand that. Steve makes a little noise, looking back at the floor like he’s embarrassed. Eddie brushes past it: “How are you faring, young Will? Did you like my card?”
The kid’s face lights up. “That dragon was so cool, you’re such a good drawer–”
“Your friends told me you were into DnD. Will the Wise, right?”
“Will the Wise,” Will says, beaming, and they occupy the next ten minutes with a in-depth conversation about campaigns and hit points and nat20s, as Steve’s face gets more and more confused, which gives Eddie a perverse sort of pleasure, he has to admit. Then Will’s brightness fades: “The demogorgon. That’s what got me, in our– in our campaign, and in real life.”
“Yeah, I know. We saw it too.” Eddie glances at Steve, who’s picking at the end of the duct tape roll. “Pretty metal, kid, surviving in that– other world, so long. It’s cool.”
Will smiles, looking at his feet. “Jonathan said it was cool too. It was mostly just scary.”
“Yeah, I’ll bet,” Steve mutters. “It was scary on this side.”
Will disappears into the kitchen, mumbling something about making toast, and Eddie watches him go with a strange feeling in his chest, like he’s just gone back in time. Like he’s watching himself from a different angle.
Not exactly the same, sure, Eddie at twelve liked to externalize everything wrong inside him, kick and scream and shout until his father showed him it wouldn’t get him anywhere, quite the opposite, actually. He’d steal things and get into fights and generally make an ass of himself because his dad didn’t want him to call attention, and by God was he going to do the opposite of what his dad wanted, and that’s not Will Byers. But there’s something in it anyway.
“Help me with this last section?” Steve says, bending back over the carpet, and Eddie nods, moving to join him. It’s a small area, so he has to get close to Steve to do it, Steve who smells like sweat and Eddie’s cigarettes and probably expensive cologne. His watch glitters on his wrist.
The cassette’s made it to The Chain now and Steve hums along, nodding his head as he works, strong hands tugging at the strips of carpet. Eddie needs to stop looking. Eddie needs to get this through his head: Tommy C. was gay, and it still turned out like shit. How much worse would it be with Steve Harrington?
At one point Steve pricks his thumb on a tack sticking up, drawing a spot of blood, and he curses, bringing his hand up, sucking on the wound. Jesus fucking Christ. Eddie swallows and looks away, thinking about how if Steve knew what he was thinking they wouldn’t be sitting this close on the floor, wouldn’t be sitting on this floor at all.
Steve and Tommy C. look alike, in some ways. The same structure to the jaw, the same pride in the eyes, though Steve’s hair is dark where Tommy’s is fair. Eddie can’t keep doing this.
And yet–
“There,” Steve says finally, sitting back on his haunches again and surveying their work. He runs a hand through his hair and smiles. Something dumb about that smile. Genuinely pleased, and isn’t it strange, that Steve Harrington should genuinely be pleased by tearing up a carpet?
“We’ll make a pauper of you yet, Harrington,” Eddie says, grinning. He sits back and lights a cigarette, holding it out to Steve almost habitually now. Steve takes it. “Ripping up carpets yourself? Whatever next? Changing your own oil?”
“Fuck off, man,” Steve says, an edge to his voice, and that edge makes Eddie’s hackles rise, because what right does he have to be offended? Really? What right?
“Jesus, if the idea of doing shit for yourself is so offensive to you–“
“I guess you’re making the most of your chance to mock me, right? Get one up on King Steve.” Steve shakes his head, not looking at Eddie, rubbing his jaw. The cigarette held loosely between his fingers.
Eddie sort of wants to say yeah, that’s exactly what I’m doing, and who are you to resist it? Who are you to say I can’t say what I like, after everything? After it all?
But Steve’s gone quiet and cold, sullen. Eyes on the floor. And Eddie regrets it, like an idiot. Regrets losing the easy camaraderie they shared, when the task wasn’t yet done. The way he’d regret every sharp comment that pushed Tommy C. further away from him, and oh, no, stop that right there. For fuck’s sake.
“Sorry,” Eddie finds himself saying, voice quiet. You’re not nice. Maybe Tommy was right about him. “You’re helping out, and I shouldn’t be so–”
“You’re right,” Steve says, surprising him. “I don’t know how to change my own oil.”
“To be fair, I was a mechanic the other summer, so.”
“At Thacher’s, right?”
Eddie’s eyebrows climb. “What, you keeping tabs on me, Harrington?”
Steve shrugs. “You fixed Tommy C.’s brakes one time. He told everyone about it, like he was trying to embarrass you, or whatever.”
Oh. Yeah. Eddie remembers that, remembers Tommy C.’s faintly unsettling stare as he got the job done in his grimy overalls, grease smeared over his cheek. They weren’t anything to each other back then, not beyond a little asshole jock-queer freak rivalry. Little did they know. “Woulda been more embarrassing if I’d done a shit job. He put his life in my hands that day, right? Brakes are no joke.”
“So you’re saying he owes you.”
“Yep.” Eddie reaches out and takes the cigarette from between Steve’s fingers, deliberately not focusing on the warmth of his skin. “I’m saving it for a rainy day.”
“I don’t know what Tommy C. could offer you, man.”
Eddie looks at Steve sharply. Is this it, then? Steve deriding Tommy C. because his dad runs a local store and his house isn’t a mansion? “What do you mean?”
“I mean, you seem pretty resourceful, I don’t know. He’s great at basketball, but that’s about it.”
“Well, that’s it right there. I can’t do anything more strenuous than a jog without fucking up my joints.”
“So get other people to do that shit for you. Not Tommy C.”
Eddie looks at him. There’s something strange in his eyes, something Eddie can’t read. He takes a drag of the cigarette because otherwise the silence feels unbearable, the weight of it. He doesn’t know what to do with it. The silence. What Steve just said.
Steve breaks it by getting up, grunting as he moves, running his hand through his hair again. Eddie moves to follow him but his knees complain and he wavers for a moment on the way to his feet, until Steve’s hand closes on his arm and tugs him up.
“Thanks,” Eddie says, suddenly out of breath. “Guess you jocks are good for something after all.”
“All part of the service,” Steve says dryly, as they go through to the kitchen.
Will’s sitting at the table, eating toast with one hand and coloring in a drawing with the other. It’s a good drawing, knights facing off against something like a wyvern, and Eddie grins. “Shit, kid, that’s great. It looks like my tattoo.”
Steve gives him a mild glare, presumably for swearing in front of the kid, which he ignores. With Lonnie Byers for a dad Will probably heard a lot worse in his time. Will’s eyes, meanwhile, have brightened with curiosity, and Eddie takes that as a sign to twist his arm to show it off, carefully, though it’s not the one that hurts. You never know.
“Oh, that’s so cool!” Will enthuses, eyes round.
“That’s, like, actually good,” Steve says, eyes on Eddie’s arm, again that foreign look in his face. “I can’t believe you found someone to do that in Hawkins.”
Eddie snorts. “I didn’t. Had to go to Indy for this baby.” He and Janie went together, both times, for both their tattoos. Her for the snake and the crossbow on the nape of her neck; him for the wyvern and the bats. He has plans to get more, lots more, but he’s running out of cash. Rick probably knows someone who’d do it for cheaper — all the underground types in Hawkins seem to know each other, or at least of each other — but Eddie’s trying to exercise some separation in his life, right now. And he doesn’t really want to die of sepsis because he couldn’t afford a classier sort of criminal. “Why? Have you ever been tempted, Harrington?”
The look on Steve’s face makes him laugh. Will laughs too, and Eddie reaches over and ruffles the kid’s hair. Steve makes them sandwiches for lunch, with turkey ham out of the Byers’ fridge, and while they eat Will wheedles them into putting on his brother’s London Calling cassette, which is to neither of their tastes, really, but who are they to deny the kid? Then they turn their attention to the wallpaper in the living room. There’s no denying it — those huge dark letters, in slick black paint — it has to come off. So they set to spraying it with the old homemade stripping solution Will finds for them in the shed, scraping at it until it starts to come off in sheets, and by the time they’re finished for the day the house looks like more of a mess than it did when they started.
Steve lets out a dissatisfied sigh, wiping his wrist over his forehead and putting his hands on his hips as he surveys their work. Eddie smirks.
“Trust the process, man. Mrs. Byers will come home with new wallpaper and tomorrow we can stick it up, and voila. Good as new.”
“If you say so.” Steve huffs out another breath and then allows himself to smile. “Same time tomorrow?”
“What, you mean the asscrack of dawn?”
Steve snorts. “Yeah.”
“Great. Can’t wait.” Eddie pushes sarcasm into his voice but really it’s true — his fraught, anxious mood from the morning is almost entirely burnt off, like fog by the rising sun, and he’s not sure what to do with the fact that he enjoyed himself. DIY with Steve Harrington. There are stranger things out there, but Eddie has yet to meet them. And that includes the demogorgon.
It’s only a little while later, when Steve and Eddie are watching reruns of M*A*S*H on the couch because it’s the only thing on, that Joyce returns, Hopper in tow. Her eyes take in the progress they’ve made, wide, all different sorts of emotion in them like gratitude and relief and worry.
“Shit, you kids did a good job,” Hopper says, lifting up the trashbag full of discarded wallpaper.
“You’re back early,” Steve says, frowning at his watch.
She rolls her eyes at herself. “I forgot my wallet before work. I need it to buy wallpaper.”
“No, you don’t,” Hopper mutters, and she twists around to glare at him. Eddie would not want to be on the receiving end of that glare. He turns his attention back to the television as she searches through the mess on the coffee table, and then he freezes.
“Listen, Doc, I’ve watched you around the hospital. You care about people.” The character whose name Eddie thinks is George says, and Hawkeye, sharp as ever, responds: “Some of my best friends are people.”
And Eddie’s seen this episode before. Another rerun, back in the summer of ‘80 when he was new to living with Wayne and spent hot, listless days lying on the couch and forgetting how to move, the television his only company when his uncle was at work. The way he sat up and stared at the TV as it said the words, and one homosexual, flinched and pulled his arms around himself like he was expecting a blow.
He doesn’t show it this time, keeps it buried deep within, but inside he’s feeling the same. All panicky and afraid. Heat rushes to his cheeks and he keeps himself very still, aware he’s tensed every muscle, eyes fixed on the TV. And George says it again, homosexual, and Eddie can’t look at Joyce or Hopper. Can’t look at Steve.
Perhaps he’s imagining the sudden tension in the room. He hopes he is. But he can’t help but feel it, the weight of it, like they know. Like they’re making the connection. George on the TV and Eddie on the couch. His tongue is glued to the roof of his mouth, throat dry.
“Found it!” Joyce says triumphantly, holding up her wallet, and her voice unfreezes him, allows him to say, “Change the channel.”
“What?” Steve says, not moving to touch the remote, which is balanced on the armrest beside him. He’s not looking away from the television, and Eddie can’t bring himself to decipher whatever it is that lies in his face.
“Change the channel. I want to see what else is on.” Eddie tries his best to keep his panic out of his voice; he’s not sure he succeeds. Steve glances at him, frowning.
“We tried that, remember? There’s nothing else.”
“Nothing wrong with a bit of M*A*S*H, kid,” Hopper says. “There’s not that many shows out there that try to show war for what it is, which is a goddamn nightmare, and M*A*S*H is one of them.”
He fought in ‘Nam, Eddie remembers abstractly, in the only corner of his brain that isn’t screaming at him to escape. He doesn’t understand why they’re not reacting to this, like maybe they haven’t heard it, but the whole episode’s about George being gay and how some people hate him for it and some people try to save him, there’s no way they can miss it, not if they keep watching. It’s going to click. And he can’t be here when it does.
He gets up, knees suddenly wobbly, and moves to the door, getting his smokes out with shaking fingers when Joyce questions him — he doesn’t trust his voice to say Just going for a smoke without trembling, without giving him away. Why else would he be so freaked out, after all? If he’s not a homosexual too?
Outside it’s freezing, and immediately he misses his jacket. But he just braces himself against the cold, blowing warm air into his hands before he lights his cigarette. All the peace of the afternoon, the easy working dynamic between him and Steve —
It feels stupid, now. To have enjoyed it so much. When Steve doesn’t seem to know what Eddie really is. (Or he’s pretending he doesn’t, which– why? And is that worse?) When whatever– friendship they’ve got going on is based on a truth no one else knows, sure, the truth of Steve bandaging up Eddie’s knees in a darkened barn, the truth of Steve saving Eddie’s life and Eddie saving Steve’s, but it’s also based on a fiction. The fiction that Steve’s maintaining, pretending, ignoring the reality, which is that Eddie’s a queer and Tommy H. seems to know that so why doesn’t Steve?
He remembers Will, then, in a sudden flash of panic. Sort of stupidly, because he doesn’t actually know that about the kid, that he’s gay, and he’s only twelve — he probably doesn’t know that about himself yet, if he is — but he worries anyway. Where’s Will, while that episode is showing? With his mother and Steve Harrington and the police chief in the room?
But he’s in his room, Eddie remembers. He got tired in the afternoon and went back to sleep, which he probably needs, after a week in an alternate dimension. So he’s safe.
Eddie’s breath trembles as he exhales smoke, and then he jumps as the door opens behind him, and he doesn’t need to look to know it’s Steve.
“You okay, man?”
Eddie shrugs, looking out at the patchy grass instead of at Steve’s eyes, because who knows what he’d find in them. “My nicotine addiction was calling my name, you know how it is.”
“It’s not like you couldn’t smoke inside. Somehow I don’t think Mrs. Byers would mind.”
“I just needed some fresh air, okay?” Eddie snaps.
“Jesus, man, I just can’t work you out. Like, fuck, what’s your problem?”
“What’s my problem?” Eddie laughs. “I’m me, right? Isn’t that my problem, according to you and your friends?”
They’re staring at each other now, angry. Eddie feels like something’s trapped under his skin. “Maybe your problem is a fucking chip on your shoulder,” Steve says, tilting his chin up, and Eddie wants to say do you realize you do that, man? Literally look down your nose at other people? But he doesn’t say it, because he’s sure Steve knows.
“Oh, yeah, and I wonder fucking why.”
“I saved your life.”
“I’m so glad you’re not holding it over me or anything.”
They glare at each other mutely for a moment, before a car pulls into the driveway — Jonathan’s Ford LTD. He gets out, frowning at them, and Eddie tries to take a breath to calm down. “What’s going on?” Jonathan asks, looking between them suspiciously, still in his theater usher’s uniform.
“Nothing’s going on,” Steve says sharply, and Jonathan looks at him with equal sharpness and Eddie isn’t letting that escalate, oh no.
He slides in between them easily and says, “I didn’t want to watch M*A*S*H. Harrington’s a big fanatic, so we had this spat–”
“I am not a M*A*S*H fanatic,” Steve mutters. “I’m not, like, forty.”
“Don’t let the Chief hear you say that. He loves that shit.”
“What’s he doing here, anyway?” Jonathan says, indicating the Blazer parked up behind him.
Steve shrugs. “Your mom forgot her wallet.” And on cue, Joyce and Hopper emerge from the house. They say another goodbye, something about dinner to Jonathan, and then Hopper drives them off in the Blazer, while Jonathan goes inside. Leaving Steve and Eddie alone on the porch again. Great.
“Sorry,” Eddie says haltingly. “Just, um, on edge. After everything. I feel like I– I fucking don’t know what to do with myself, man. I feel like the whole world’s moved a couple inches to the left.”
“Yeah,” Steve says. He runs a hand through his hair and sighs hard. “I’m sorry too. Like, every time you provoke me, I rise to it, and I– I shouldn’t do that, y’know? It’s not gonna make it better.”
“It’s hard to make it worse.” Eddie says this quietly, so quietly it’s barely audible.
Steve looks at him for a long moment. “But the carpet and shit, that helps, right? We helped. It’s– things can go back to normal. Right?”
“It’s gonna take more than a carpet, Steve,” Eddie says, because c’mon. It is. It’s so–
It’s so Steve. So Harrington. To think erasing a few marks, a few stains, will erase what happened. Make it okay. It might never be okay. Will still went missing; Will still died, legally, and sure now he’s un-died but you can’t erase that people went to his funeral. You can’t. You simply can’t. Carpet or no carpet; wallpaper or no wallpaper. There’s another world out there and it’s bluer and colder than their own, and now that they know it exists there’s no going back. None.
But still, they’ll put up the wallpaper, because what else can they do?
And it will help. The wallpaper will help.
“I’ll see you tomorrow, man,” Eddie says, and Steve nods, and Eddie goes.
Notes:
— iron maiden's children of the damned was released 1982
— the mirror universe is an alternative universe featured in star trek: the original series, wherein most characters were the antithesis of their usual selves, often evil. to demonstrate their parallel-ness, they had beards.
— the titular fleetwood mac song is second hand news from rumors, released 1977
— tattooing wasn’t legal in indiana until 1997. before then it operated on a sort of speakeasy basis, very underground, with no age limits or regulation
— london calling is by the clash, released december 1979
— the m*a*s*h episode is 'george', s2e22, which first aired in 1974. it was groundbreaking in its overt depiction of a gay soldier, and its happy ending involves hawkeye preventing frank from outing george and having him dishonourably discharged. if you decide to watch the episode — you should, it's great — be aware that it's very of its time, and so features now-outdated notions of sexuality and racial terms.my masters degree is kicking my ass, hence the slightly slower posting schedule, and there might be a short hiatus when we get to the end of volume one, but rest assured we will get there and indeed beyond! i'm very excited to share where this fic goes next. thank you for reading as always, and you can find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 13: The River (Bruce Springsteen)
Summary:
“C’mon, Harrington, don’t fucking do that.”
“Do what?”
“Pretend like you don’t–” Eddie feels his voice about to break, a fault line spreading out along his next words, and stops himself before it can. Something masochistic about being here, Steve’s clueless eyes. Steve’s clueless fucking eyes.
Notes:
warnings in this one for classism and the threat of homelessness, referenced child abuse and neglect, panic attacks, and canon-typical drug references. eddie's not having a fun time here, folks.
(See the end of the chapter for more notes.)
Chapter Text
SUNDAY NOVEMBER 20TH, 1983
Eddie wakes with a jolt to someone knocking on the door. It’s far off enough to be the front door, rather than the door to his bedroom or the side one to the porch, but it sends a thrill of urgency through him anyway and he sits up. Agent Faraday, he thinks blurrily, he fucked up somehow and Agent Faraday’s come to take his uncle’s job away, come to–
When he gets to the hallway, still shrugging a sweater over his t-shirt (it’s freezing in the trailer today, probably linked to the hot water problem), it’s not Agent Faraday, and he manages to take something of a breath. This breath doesn’t last all that long, though, because then he sees it’s Avni, it’s Avni with a pinched, worried look on her face and Eddie’s always liked her but he’s growing to dread the sight of her.
“They sold it,” she says. “They fucking sold it.”
“What does that–”
“The park, the goddamn park. Someone new.”
Eddie feels a rush of vertiginous panic, the same thing he’s felt every time this shit has been mentioned, because god. God. How can his life be so subject to the whims of other people? Of another person, whoever this person is? “Shit,” he says in an exhale, already reaching for his smokes. Only yesterday he tried to still the trembling in his yellowing fingers and decided he ought to cut back — now that feels like it lacks a point.
“Is your uncle here?”
Eddie shakes his head. “Work. He should be back around eight.”
“Okay, well, I’m calling a meeting.”
He raises an eyebrow. “What, of all the residents? When the hell did that last happen?”
“It didn’t,” Avni says grimly. “C’mon, go and get dressed and then you can help me get everyone together.” She leans in the doorway as she lights a smoke, the intent to wait for him clear, so he tries to shake the lingering tiredness off and goes back to change into jeans and an old turtleneck of Wayne’s, big and wide knit and soft from years of wear. It’s too cold for anything else, the grass frosted outside his window, and more than that–
He doesn’t feel like being so much of himself today. The guy who ran away from home and calls his uncle Wayne, who wears t-shirts with names on them that make Hawkins’ general congregation flinch. He doesn’t want to mark himself out, not today. Today he just wants to be a kid, his uncle’s kid. Someone who’ll listen when they tell him what he should do.
Avni sends him over to the Carlsons’, the Winnebago squat and grimy in the early daylight. He knocks on the door, already bracing himself, and still has to take a jumpy jolt back when Mel Carlson slams it open and sends him the full force of her glare. “Do you have any idea what fuckin’ time it is?”
“Yeah, I do, actually,” he mutters, dragging a hand through the hair by his ear and casting a rueful glance back at Avni, who got the more enviable task of waking up nice old Mr. Harris. “Listen, I’m just the messenger, ‘kay? Don’t shoot me.”
“Don’t tempt me,” she snaps, and yeah. Okay. Dumb thing to say. Everybody knows Barry Carlson keeps a shotgun loaded in the back.
“Avni says we all need to talk. About the trailer park sale? Well– yeah. Apparently it sold, and we need to, I don’t know, discuss what we’re gonna do?”
She shrugs. “What is there to do? ‘S out of our hands, kid. Just gotta get on with it.”
“It won’t take long.” Eddie has no idea how long it will take; he only knows Avni will be furious with him if he doesn’t get everyone to come, and he has no desire to visit that upon himself. “C’mon, you guys can come to the meeting and have a great time looking down on the rest of us who are panicking instead of just getting on with it.”
Mel looks at him through narrowed eyes for a moment. She’s considering it, at least. He’s always surprised at his own ability to convince people. “Not long, you say?” He nods, holding his breath. “We gotta be at church at nine sharp, y’know.”
Pretty sure you won’t go to hell for being five minutes late, Eddie thinks, but then again, he’s already going to hell for a myriad of things, so he has no reason to care. Maybe Mel Carlson’s a saint. “I know.”
“Yeah, okay. Where’re we meetin’?”
He breathes a sigh of relief. “Avni’s trailer, in ten minutes.”
She nods and closes the door; he sags against the side of the RV for a moment as he lights a smoke. Avni only told him to get the Carlsons, perhaps anticipating they’d be a challenge. They’re not bad people, really. No one here is. Despite the reputation. Despite the state of the grass, the loose syringes, and the way Charlie Neil got taken to Pennhurst when he knifed the electrician because he thought the guy was there to spy on him. Despite all that.
And still they’re passed off from rich person to rich person, none of whom want to get their hands dirty but are plenty happy to accept their money. Because that’s what matters here. The money. Nothing else.
A couple minutes later he heads over to Avni’s. Her trailer is pretty similar to Wayne’s, small and cluttered and cigarette-smelling. There are photos of her daughter everywhere, old photos, her daughter as a pretty sixteen-year-old before, as Avni’s told him, the drugs really started to kick my ass and it was decided she shouldn’t live with me. They haven’t seen each other since, apparently. Something like twenty years.
“Eddie,” she says, waving him in. There’s a loose circle already formed in the front room, old Harris and Edna V. and Maria and a bunch of people whose names Eddie should know but doesn’t because his memory’s always been a little bit shit. He drops down on the floor, cross-legged, though there’s room on the couch next to Maria. He likes being lower down. Likes feeling small, feeling like he doesn’t know what’s going on but that’s okay because the others are in charge, so it’s okay. So it’s fine.
Avni clears her throat. “It’s Harrington.”
So it’s not fine.
Eddie unfolds his legs and pulls his knees up to his chest as if he’s in a dream; his ears are ringing, her next words coming distant and muffled. “Fucking John Harrington and his little — large — portfolio, he’s collected us. Profiting off the rich wasn’t enough for him. Apparently he’s seen there’s also money to be made out of those of us who don’t have any.”
“And this is a problem why?” Mel Carlson says. Eddie looks at her without seeing her.
“Why? Because the first thing someone does when they buy a trailer park is hike the rent. I talked to my friend over at Oak Walk, they got bought out a couple months ago and the rent jumped by fifty bucks one month to the next.”
“But we knew this was happenin’.”
“We didn’t know it was happening now, so goddamn soon. They only viewed it on Friday.”
We didn’t know it was happening because of him.
Eddie doesn’t know Steve’s dad, has never once met the guy. But he’s got a reputation around town. The same way Steve’s got a reputation. Rich, significant, rich, ruthless, rich again. Rich because he knows how to spend his money, and isn’t that a funny thing? Ain’t it? Spending money to make money? What are you supposed to do if there isn’t any money in the first place?
An asshole to Steve, maybe. Eddie’s not totally clear on that score yet. But what Harrington senior most definitely is is a problem to the residents of Forest Hills trailer park. Because now he runs it. And he can do what he likes with their futures, their lives. (And it makes Eddie feel all mixed-up inside.)
They’re still talking above his head but he’s not really listening. Stuff about a rent strike, moving someplace else, challenging the sale with a lawyer. Nothing that’s gonna work. Nothing that’s gonna prevent this from happening.
He puts his head between his knees and knots his fingers together at the back of his skull, through his tangled hair, greasy because he didn’t get a chance to shower and the water would have been fucking freezing anyway. He thinks about putting up wallpaper with Steve today. He thinks about helping someone else out, someone who has a house. Someone who owns her house, Mrs. Byers, and wouldn’t that be nice, if he and Wayne owned something. Somewhere. Because a trailer’s useless if you’ve got nowhere to put it.
Steve and his father. Shouldn’t Eddie have known?
He wants to ask, suddenly. Ask if he was so wrong to believe in Steve for a moment, believe that Steve isn’t like his father, in the wake of so sharp a reminder of what said father really is. Like a test, even. A test of what Eddie’s trying to believe in.
So after the meeting he gets in his van — how long will he have a van, he wonders? How long can he and Wayne afford both vehicles? — and drives over to the Byers’, like he was supposed to. Only there’s none of yesterday’s warmth in him. Only a cold weight, the reality of fear. Steve, he imagines himself saying. Steve, did you know about this? When we were laughing together yesterday? When you asked me what my problem was? Did you already know? Are you just always one step ahead?
“What happened to the asscrack of dawn?” Steve says when Eddie comes in. “You’re late.” Steve’s got a mug in his hand, the smell of coffee strong, and Eddie’s taken back to that dreamlike night, Steve getting up off the couch with his face all bloody and surprising Eddie yet again. What is he doing here? Really?
“Well, we had a bit of a trailer park emergency, so. Y’know. Poor people.”
Steve frowns, but he doesn’t get it, not yet. Or else he’s playing dumb. Eddie doesn’t know. Eddie feels dangerously close to crying, actually. A lump in his throat, sting in his eyes. He tries to swallow the feeling down but Steve’s just looking at him, standing there and looking at him and fuck–
“C’mon, Harrington, don’t fucking do that.”
“Do what?”
“Pretend like you don’t–” Eddie feels his voice about to break, a fault line spreading out along his next words, and stops himself before it can. Something masochistic about being here, Steve’s clueless eyes. Steve’s clueless fucking eyes.
He doesn’t know what he’s going to say next. No idea what he can say, and it’s a sick, lost feeling, the way he believed one thing and then started to believe another and now has no idea what to believe at all. Who is Steve Harrington, really? The guy with the fine profile and strong arms, who saved Eddie’s life and patched him up afterward? Or the guy everyone else thinks he is? The rich douche everyone loves, sexy and popular and cool and made of nothing so much as unearned charisma?
The guy whose father bought the trailer park. Or the guy whose father doesn’t like him?
Then there’s a knock on the door, and they look at each other for a long, tense moment, a frozen one, before Steve goes to answer it. It’s one of the kids from the hospital — Henderson, a mop of curly hair and missing front teeth. He frowns up at Steve: “You’re not Jonathan.”
“Really? I hadn’t noticed,” Steve snarks, with maybe more bite than necessary, and he looks down at the floor after he’s said it like he’s disappointed in himself. Huh.
“Whatever. I’m here to see Will.”
Steve stands aside and lets the kid in, who has a nervous-looking mother waving him off from her car. Everyone’s on edge after Will, Eddie guesses. If only they knew. “What about all the rest of your little brood?” he asks, somehow managing to keep his voice even.
Henderson rolls his eyes. “Mike and Lucas are at church. My mom is agnostic, and Will’s mom is non-practicing Jewish, hence, we can do fun stuff on Sundays instead of listening to a bunch of bullshit about God.”
“Cool,” Steve says absently, and Henderson takes that as his cue. He disappears down the hallway and Eddie looks at Steve, that prickly feeling hot under his skin.
“Not a churchgoer then, Harrington?”
“What’s that supposed to mean?”
“Just what I said.”
“Jesus– no, I’m obviously not a churchgoer. Like, I used to be, my parents– but they stopped caring.” Steve says this last bit quietly, the proud tone dropping away, and Eddie doesn’t know what to feel, he really doesn’t.
“You know much about your parents, Steve? Involved in your dad’s business?”
“What?” Steve frowns at him, like he doesn’t get it. “I’m a high school junior, man, it’s not like I work for him.”
“But still. The family money, and everything. You know where it comes from, right?”
“What the hell are you getting at, man?”
Eddie feels his heart stutter in his chest at the thought of coming out with it. Asking it, just like that. Do you know what your dad is doing? He doesn’t know why it terrifies him so much, the question. The potential answer. But Steve is looking at him sharply, unyieldingly, and in a rush Eddie ends up saying, “I’m getting at the fact that your dad’s about to make my life a hell of a lot fucking worse and you don’t even seem to know. Or, uh, care.”
Steve sets his coffee down. It’s a deliberate motion, careful. Like he doesn’t want to break one of Mrs. Byers’ mugs.
It’s that, actually, Steve’s care with it, his deliberation, that makes what’s been churning in Eddie’s chest all morning tighten around his lungs until he can’t breathe, and he feels the narrowing of his vision into a sick horror and the room shifting around him and Steve looking concerned and Eddie isn’t fucking handling that, the concern, he isn’t– he isn’t–
But he has to. Because he’s not doing this in front of Steve. He’s not.
So he fixes his gaze on the fucking shelves, cluttered with random objects his eyes refuse to make sense of right now, fixes it there and tries to count in his head — one breath, two. Three, and four, and he feels a tear slip down his cheek and his hand shakes when he reaches up to wipe it away but it’s something, it’s better than nothing, he’s still in control. Still in charge of some element of his life.
“Eddie?” Steve says cautiously. Eddie forces the panic down. It feels like a fucking spider in his throat, is what it feels like, something crawling around in there and he can’t get it out. “Are you– okay?”
Eddie inhales sharply through his nose, which is beginning to run, alongside another tear. Fucking snotty, messy, greasy hair because no hot water because trailer park because money because–
And Steve always so put together. So clean.
“What, does it– look like– I’m–?” Fuck. He can’t even get the words out. He takes another breath and says, “I’m fine.”
Steve’s staring. “What did you mean? About my dad?”
You watch a guy pull himself back from the brink of a panic attack and you immediately ask him about the thing he’s freaked about, nice. “Your dad–” Eddie backs into the couch and sits down, pinning his hands between his knees in an effort to stop them trembling. C’mon. Get the fucking words out. “Your dad is– he bought the–” Another breath. It gets easier, actually, the more he talks, the way he has to focus on the words instead of the breathing so the breathing sort of tags along anyway. “Your dad bought the– the trailer park. We knew it was– selling, but in a couple months or– something, not now. And the, uh, the first thing they do is– is raise the rent, and we can’t–”
Steve doesn’t sit down. He’s got his arms crossed over his chest, and Eddie can’t read whatever’s in his face. Fuck. Fuck.
“Did you know?” Eddie asks, closing his eyes as he says it. Like if he closes his eyes it won’t be real.
“I didn’t know,” Steve says. His voice is quiet and neutral; Eddie thinks he believes him. He thinks. “So you said– it was gonna be bought anyway? Eventually?”
Eddie opens his eyes and looks at him. “I mean, yeah, but you don’t understand how–”
“And how do you know he’s gonna raise the rent? Like, did he say something? Was there a notice, or–”
“Because that’s just what fucking happens, Harrington! It’s how the world works! It’s how this fucking town works! I guess you’re either, um, naive, or you’re just being a prick.”
“Jesus, I’m just trying to understand, like, if my dad didn’t do it then someone else would have, right?”
“That’s not the point!”
“Then what is the point?”
They look at each other for a long, silent moment. Eddie feels like the naive one, now. Eddie feels like the fool. Because of course this is Steve’s reaction, whether he knew or not. Of course Steve doesn’t understand. A guy can save your life but it doesn’t make him get where you come from; it doesn’t make him nice about it.
But equally–
What is the point? Why is Eddie so worked up by this? Oh, the money, sure, but it’s feeling like more than that. It’s feeling like he shouldn’t have driven over here, shouldn’t have started this conversation, shouldn’t be so deeply upset that it’s Steve. Why is it Steve?
“The point is–” and Eddie has to make a deliberate effort to prevent his voice breaking “–the point is that it’s your fucking dad. And I thought– I thought you–”
“What did you think, man? What, that I’m gonna convince my dad not to raise your rent? I can’t do that. And it’s business, right? It’s not–”
“Don’t you fucking finish that sentence, Harrington, I swear to god. I swear.” It’s not personal. But it doesn’t fucking matter, personal or not, it doesn’t. Because the outcome’s the same. The fucking consequences are the same. “God, I can’t believe–”
Can’t believe what? What is he going to say? I thought you were different. I thought you could be something else. And I thought if you could be, then I could be too. And instead–
Instead, he’s gonna have to go to Rick’s for that job after all, and all of this was for nothing.
This is what you turned me into, he wants to say. What I guess I’ve been all along.
“I’m sorry,” Steve says, but he doesn’t mean it. Not really. Eddie knows. “Y’know, I wish I could do something, make it different, but I can’t–”
“I know, Harrington. I know you can’t.” And Eddie’s not sure he’s ever felt so defeated. He looks around the room, the stripped wallpaper, the stripped carpet down the hallway, their work. The work they did together. Steve probably could have paid someone to do it. But he did it himself, and it feels like a lie, now, that he did it himself. That they did it together. It feels empty and hollow because Eddie’s still going to wind up a drug dealer and Steve’s still going to wind up working for his father — making deals, hiking rent, ruining the way Eddie believed in himself for just a week of his life.
“Eddie–”
Because they fought a monster, sure, but some people are too different. Some people it just doesn’t work.
“Where are you–”
Eddie doesn’t turn from where he’s heading to the door. “See you around, Harrington,” he says, and he goes.
He’s not sure where he goes. He drives aimlessly, in a sort of fog. He doesn’t really feel like he’s living inside his body right now. There’s some Springsteen song playing on the radio, The River, and he feels bizarrely the same way he did driving away from Tommy C., a week and a bit ago. Disjointed and meaningless, in the grand scale of the world. Without the definition of Tommy or Steve to shape himself against.
All he knows is suddenly he’s parked up outside Rick’s place, the lake cold and still out in front of him, van slotted next to Rick’s old Merc and getting out of the van going up to the door knocking and not really feeling real as he does it–
“Eddie,” Rick says, with a broad smile. Like he knows. Like he’s been waiting. “Come in, come in.”
Eddie goes in.
“So, what can I do for ya, kid?”
Eddie’s tongue is glued to the roof of his mouth; he can’t get a word out. Doesn’t know what he’s planning to say.
Rick shrugs, eating a spoonful of cereal from the bowl in his hand. Fuck, it’s still pretty much breakfast time. Fuck. “You know your options. Grass, oxy, special K, acid, coke — you name it, pal. What are you after?”
Eddie imagines himself giving the same pitch. What can I getcha? Like the girl in the store near the theater, a lifetime ago, ringing up customers for cigarettes and painkillers, a lighter sort of drug. Like that.
“Eddie?” Rick says, looking closer at him, a crease appearing between his eyebrows. “What’s up?”
“You know your–” Eddie tastes bile at the back of his throat. He swallows it down. “Y’know what you said. About– maybe wanting someone to deal– at the high school.”
Rick smiles. “Sure do. You interested?”
No.
I thought I’d gotten away from this. I thought I was free, I thought in saving Steve and being saved by Steve I was free, I freed myself from all this. I thought it could be different. I thought–
“Yeah,” Eddie says softly instead, tugging at the baby hairs at the nape of his neck. “I am.”
It’s a simple enough process, really, as Rick explains it to him, though Eddie’s not really listening. Attention skittering across the room, to the Big Country record on the radio, to the lapping of the water on the shore, to the numbness in his fingers, his hands, all over. What is he doing? He doesn’t know what he’s doing.
He knows exactly what he’s doing.
He makes it home, somehow. He doesn’t know how. He lies down on the couch with shitty daytime TV on low and every time the memory of that morning reoccurs to him he feels himself flinch, a physical jolt of his shoulders back into the cushions, one time his cigarette slipping from between his fingers and landing to burn a scorch mark in the laminate floor until he collects his mind together enough to reach to pick it up. What is he doing, what is he doing, the constant stream of thought in his mind–
And no answer, none except the one he thought he didn’t have to give.
But he keeps it together. Mainly.
Keeps it together until Wayne comes home. Until Wayne comes in laden with groceries in crinkling brown paper bags, hey, kid, I think I found a second job, I think we’re gonna–
“Uncle Wayne,” Eddie manages to say, as his breathing picks up. “Wayne–”
Wayne sets the bags down. Comes over to the couch. Sits down next to Eddie and lays his hands on Eddie’s knees, gingerly, like he doesn’t want to scare Eddie off. Wise. Eddie kind of wants to run and never stop running, the way he ran from his dad, the way he– the way he–
“Breathe for me, kid,” Wayne says, hands warm and firm on Eddie’s knees, he smells like smoke and cold and outside, Eddie thinks about going outside and flinches again and wants to run at the same time as he wants to stay here forever, warm next to Wayne in the trailer park they can’t afford but they own the trailer at least the trailer’s theirs it’s–
Hot tears slide down his cheeks, can’t catch his breath, can’t get past the soggy lump of dread in his throat can’t breathe–
I I thought he was he was okay I thought Steve was I thought and he and he could be I could be better I could be I could help and they and Rick I’m sorry I’m–
The words spill out of him, halting and wild between frantic breaths until the breaths slow down and it’s more about the tears, more about his uncle folding him into his arms and letting him cry there into the rough warmth of his uncle’s jacket, the crook of his uncle’s shoulder, crying until he’s snotty and tired and his head hurts. And Wayne just sits there through all of it, letting Eddie make a mess of his jacket, letting Eddie cry out all the horrors inside him. Because that’s what this was about, Eddie recognizes now. The way something inside him got twisted up the night he saw the demogorgon. Wires crossed.
“Eddie,” Wayne says softly, eventually, when Eddie’s still and quiet against him. That’s all he says, but Eddie can recognize it for what it is: a question.
“Can’t– talk about it,” Eddie manages. “Can’t.”
Wayne sits up a little then, so Eddie has to sit up too, and Wayne looks deep into Eddie’s eyes. “Eddie– I don’t wanna guess about your life. It’s your life. But everythin’ lately, and your shoulder, not talkin’ about it– what’s goin’ on? Is someone hurtin’ you? This Steve?”
Yes, Eddie wants to say. This Steve is hurting me very much. But it’s not even true, is the thing. It’s not Steve. It’s everything Steve is, everything he represents — it’s Steve saving his life and that changing nothing, Eddie saving his and that also changing nothing. A monster still not being worse than the prospect of being homeless. “Something– bad happened. Not– to me, really. But it happened. And I can’t tell you anything else.”
“Not to you,” Wayne repeats, like he doesn’t really believe him. That’s fair. After the whole– thing, Eddie’s eyes swollen and stinging still, Eddie wouldn’t believe himself. “I’m here, kid. I’m always here.”
“I know,” Eddie says, and it comes out faint and scratchy. He shifts down again, closer into his uncle’s hold.
“I ever tell you about your aunt Carolyn?” Wayne’s voice rumbles against Eddie’s cheek where it’s pressed into his uncle’s chest. He has told Eddie about his aunt Carolyn, they both know that, but it doesn’t hurt to hear it again. Helps, maybe. So he doesn’t say anything — can’t, he finds — and so Wayne continues. “I met her a couple years after I moved here. It was the goddamn library, of all places, can you imagine that? Me, in a library? I was returnin’ a lost book. Found it lyin’ around at Benny’s, thought, hell, why not do a good deed? And she saw me, asked me if I’d read it. It was some Austen book, that one with Prejudice in the title maybe. Obviously I hadn’t. Didn’t bother to lie, neither, and for some reason she liked that. Me not lyin’. And sure, hell, I’d had relationships before. Nothin’ serious though. Nothin’ special; not until her. Her, she was… I’m no good with my words. You know what she was. You can guess it. She was a schoolteacher, taught at that school you hate so much. Better teacher than yours, I’m sure. And she thought you were the cutest kid anyone’d ever seen, when Bruce’d leave you with us for the night. Big goddamn brown eyes, y’know? She loved you. Loved you like hell. Just the most amazin’ lady I ever–”
Wayne’s voice wavers, as much as it ever does, which isn’t much. There’s a silence. Eddie nudges his head closer into his uncle’s shoulder, like it will help.
“She never took any shit. A schoolteacher, a pretty middle class one at that, back then? Seein’ a worker from the plant? No one liked it. But she didn’t care. Didn’t care I was some hick could barely read. Didn’t care whatever shit my damn brother got into, didn’t care whatever he–”
He breaks off again, arm tightening around Eddie like he’s afraid to let him go.
“I’m sorry, kid. That I let it completely take me over, when she passed. And that I didn’t– take notice of what was goin’ on. What was happenin’ to you.”
And oh. Eddie feels cold. Despite the warmth of his uncle’s arms, he feels cold. Because does Wayne think that’s why– why Eddie’s like this? Why there’s something wrong with him? Does Wayne blame himself for that?
Maybe that is why, deep down. The way Eddie’s father treated him. The way he’s not sure he’s ever felt safe since. But that’s not on Wayne. That’s not Wayne’s fault. It isn’t. It isn’t.
But what can he say? How can he convince his uncle of that? How can he– when–
“It was him,” Eddie says quietly. “Not you.”
“Yeah,” Wayne says. “But still. Someone coulda put a stop to it. I coulda. It didn’t have to happen.”
Didn’t it? Eddie feels he’s lost all perspective of what is and isn’t right, what is and isn’t real. What’s inevitable and what’s earned, and what’s neither and happens anyway. Maybe Steve’s dad was always going to buy the trailer park. Maybe the demogorgon was always going to come out of the woods. Maybe Eddie’s dad was always going to hurt him.
Eddie doesn’t have the answers to any of these things.
Any but the last, actually. Because he doesn’t know what lies in that envelope, Indiana Department of Correction, but it might tell him something.
Notes:
— eddie 'likes being lower down' - notice in many, if not all, of the group shots in s4, eddie's sitting as close to the ground as he can get, in a high-stress situation. compare this with his antics in the cafeteria, standing on the table, which is how he displays confidence and bravado that maybe he doesn't feel.
— the river by bruce springsteen was released in 1980. writer tobert hilburn described the song as "a classic outline of someone who has to re-adjust his dreams quickly[, facing] life as it is, not a world of his imagination." just for fun, here's a post about the potential of steve loving springsteen.
— the big country record is in a big country, released may 1983. it was high in the charts in nov 83.
— the austen novel is pride and prejudice. let me just say it's very influential for the arc of this fic.
— for reference, here's the article i linked earlier, discussing the sale of trailer parks and the landlords who run them for profit.ridiculously busy as usual, so i'll reply to comments on ch12 in the morning <3 thank you as ever for all the love! you can find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 14: Separate Ways (Journey)
Summary:
“So, how was your weekend?” Jeff asks, sitting back and focusing fully on his lunch now that his homework’s not a problem. “Better than mine, I hope.”
Eddie thinks about stripping wallpaper with Steve. The line of bare skin where Steve’s top rode up. The way Eddie enjoyed it, for some reason, the work. The companionship.
And after. When he realized there was nothing to enjoy — just an illusion. Nothing real.
Notes:
warnings for classism, eddie being treated poorly in class due to neurodivergence, referenced drug dealing, and implied child abuse.
(See the end of the chapter for more notes.)
Chapter Text
MONDAY NOVEMBER 21ST, 1983
So Eddie carries the envelope around with him, is what he does. Which is stupid. The thing tucked into his fucking jacket pocket where it could get lost, fall out, someone else read it. Maybe one of these things is what Eddie’s hoping for — that the letter will be taken away from him. That he’ll have no choice in the matter, knowing or not. But he does have the choice. And he chooses to carry it around fucking school.
His morning goes something like this: waking at five-ish with heart racing, shadowy corners of a nightmare lingering behind his eyes, cigarette in the freezing pre-dawn as he runs the fingers of his other hand over the letters on the envelope: Indiana Department of Correction. And his name and his address. The address that might not be his for much longer, if John Harrington has anything to do with it.
His cigarette turns into four.
These cigarettes suffice for breakfast, and he drives to school with his hands tense on the wheel. The radio gets two-thirds of the way through Separate Ways (Worlds Apart) before he changes the station and gets some Quiet Riot instead, which still doesn’t satisfy him, still doesn’t erase the feeling of the envelope burning a hole through his jacket, his shirt, right through to his ribs and heart and hurting him there, not that that’s a cliché or anything, fuck, he’s all tied up in knots–
He sits through Mrs. Argus’ History class and doesn’t even attempt to pay attention, just scratches drawings into the margins of his paper and looks at them later to realize they’re of nothing that has a shape, just indefinable shrouds of darkness, the one discernible figure lacking a face. Fuck.
“Confused about the class we’re in, Mr. Munson?” Mrs. Argus drawls, when she passes by his desk and her eyes catch on the doodles. Eddie hears a titter from behind him — Tommy C. no doubt — and he doesn’t look around. He’s used to this, the humiliation in front of the class, (even Tommy’s scorn isn’t new) but today he feels unbalanced and afraid and it makes his cheeks burn. “See me after class, Mr. Munson.”
He thinks about his aunt Carolyn. Better teacher than yours, I’m sure. He wants to say fuck this; he wants to say I’m not staying in this fucking class a second longer, don’t you know what I’ve seen? Don’t you know what I’ve done? Don’t you know it didn’t matter at all?
But he doesn’t say this. He just nods, bending his head back over his paper and forcing himself to scrawl out the title written on the blackboard.
As Tommy’s leaving the room, Eddie lingering back with something churning in his chest as he awaits Mrs. Argus’ pronouncement, Tommy drops something on his desk. A folded note, small, too small to have anything of substance written on it. Eddie contemplates throwing it in the trash. Probably just reads FREAK, right? Like they usually do. Since Tommy’s so firmly positioned himself back where he wants to be.
Instead, he opens it. Funny how he can bring himself to open this one and not the other, right?
It reads Nicole wants ½ oz grass. woods after school?
Has this so easily become his life again? Sure, the dealing is new. Making the implication a true one. But meeting Tommy in the woods? Propositioned with a note in terse, degrading script?
And the worst part of it, really, is the way Tommy looks as he’s leaving the room. Over his shoulder, a little magnanimous smile, like he’s doing Eddie a favor. Like he’s forgiving him. Forgiving him for what, Eddie wants to know, but then again, everything about the last few weeks is so twisted up inside his head. He can barely remember why he and Tommy were so mad at each other.
And how does Tommy know?
He must have seen Rick last night, Eddie realizes, and feels cold and betrayed at the realization. Because Rick has always been shared, is the thing. Never private, never something Eddie could keep to himself, his own escape from the worst of the world. He and Tommy were always running together, remember? They’re still on parallel lines.
“Eddie,” Mrs. Argus says, when the room’s empty. “What’s going on?”
He stares at her. She’s got graying red hair, swept big over her shoulders in an approximation of what’s fashionable. It makes her seem washed out and pale, ghostlike, which is ironic, since he feels like the dead one this morning. Worse than that, she suddenly looks concerned.
“God knows you’re usually distractible but today was particularly bad, and if you tell me why, maybe we can work on it.”
Eddie bites down on his tongue and shakes his head mutely, twisting a ring around his finger, the one he didn’t take off when he fell exhausted into sleep last night. It’s somehow more confusing to him when someone like her is kind; it leaves him off-kilter, off-balance. He moves his fingers to his wrist and scratches at it.
“Because not letting me help is going to do you so much good,” she says, something terse coming into her voice. “You and Janie have had a falling out, haven’t you?”
“How do you know that?” Eddie says, startled.
“He speaks.” Mrs. Argus crosses her arms over her chest and leans back against her desk. “We’re not idiots, you know. Teachers. We notice things. We notice the way people treat you, and we notice that little note Tommy Coe just left on your desk. What did it say? More of the same?”
“It’s nothing,” he mumbles, folding it over again until it’s barely the size of his thumbnail. “Look, if you’re– um, if you’re gonna give me detention then just give me detention, okay? I really don’t care.”
She sighs. “If you’re that eager.”
He’s not eager. He wants to do what she’s asking — explain what’s going on, explain what’s so fucked up in his head right now, or else not be fucked up in the first place, just concentrate on class and do his homework and graduate, he wants to graduate — but he can’t. He’s been shown he can’t. And talking to her makes his heart pound, something about the way she looks at him, standing above him at the desk, What’s going on? Something about it like — though nothing like — What happened on Sunday evening? And Do you think you can do that? And you understand the consequences, don’t you, Eddie?
And he does. Understand the consequences.
So he shrugs, digging his fingernails into his palm hard enough to hurt as he swallows down the lump in his throat. She looks at him searchingly for another moment, before she nods briskly and turns to note something down, something that probably reads NB: Eddie Munson is a lost cause. But hey.
He doesn’t see Janie at lunch. He does see Jeff, who looks tired and wan as he scratches out numbers into his math homework in the cafeteria — “No time to do it this weekend,” he explains, around a mouthful of food. “We were at the hospital the whole time.”
“Shit,” Eddie says, sitting down beside him and glancing over the questions, spread open in the textbook. “You missed the minus sign.”
“What?”
“There, you missed–” Eddie closes his mouth. He’s probably not helping.
But Jeff frowns at his page and then turns his pencil over, rubbing the answer out with the eraser and tapping the lead against the paper as he thinks. “So what should it be?”
Eddie pulls the textbook closer to himself. It’s sophomore math, so it’s not all that difficult, and he’s hardly a prodigy but he can work it out. So he spends a couple minutes trying to explain to Jeff what to do with the minus sign, which he manages, actually, no diversions or digressions or distractions, who knew talking it through would work? And Jeff nods along and seems to get it when they’re finished, and Eddie feels a little more at ease in his own skin. Which.
Who knew?
“So, how was your weekend?” Jeff asks, sitting back and focusing fully on his lunch now that his homework’s not a problem. “Better than mine, I hope.”
Eddie thinks about stripping wallpaper with Steve. The line of bare skin where Steve’s top rode up. The way Eddie enjoyed it, for some reason, the work. The companionship.
And after. When he realized there was nothing to enjoy — just an illusion. Nothing real.
What did you think, man? What, that I’m gonna convince my dad not to raise your rent? I can’t do that. And it’s business, right? It’s not–
“Pretty terrible, actually.”
“Shit, dude, it sucks when the weekend’s bad. School’s garbage anyway.”
Jeff’s eyes are wide, empathetic. Eddie thinks about taking the letter out. Because this is what he’s been searching for, right? Why he brought the letter to school. So he might have someone to read it with.
But how can he lay that on Jeff? Jeff who spent the weekend in the hospital with his dad, who loves his dad, who doesn’t have any of the awful mixed-up complicated feelings about his dad that Eddie holds about his own? Just the grief of watching him suffer and the hope that he’ll get better — Eddie doesn’t feel that. Eddie doesn’t know what he feels.
He can’t put that on Jeff.
So he lets the moment pass.
It’s Janie he really wants to talk to, he thinks, when he spots her by the lockers after lunch. She’s got her hair pulled back in a knot on her head, revealing the crossbow tattoo on her neck, which earns her a few wary glances from the people passing — glances she ignores, the way she always has. He wants to go over there, suddenly, desperately. Wants to tell her everything. Wants to tell her sorry. Wants to tell her what’s in the letter, the letter he hasn’t opened yet.
But she glances down the hallway and her eyes catch on his and there’s almost a question in them, as they look at each other: have you sorted your shit out yet?
And he can’t say anything, because hasn’t. So she just looks back at her locker and then moves off down the hallway, swamped in an old denim jacket he’s pretty sure was once his. The thought is strange, though it shouldn’t be. They’ve been sharing clothes since they were small.
He gets nearly to the point of opening the letter when he passes the bathroom — lock himself in a stall, rip the band-aid off, get it over with — but when he opens the door he finds Steve at the sinks, so that’s a no-go. They stare stricken at each other for a moment. Eddie’s cheeks are hot again.
“Eddie,” Steve says, taking a step forward, shaking water off his hands.
“Nope,” Eddie says. “Nuh-uh, not doing this, sorry–”
“Eddie, for fuck’s sake–”
What the fuck do you want from me? he wants to say. Want me to open this fucking letter with you? What are you going to say then?
He can imagine what Steve might say. What were you expecting, man? C’mon, everyone knows he’s not a good guy. I don’t know why you were thinking any different.
“Just get on with your fucking life, Harrington, like the rest of us are trying to do.” Eddie’s voice comes out in a rushed snap; he turns around and walks back the way he came, letter unopened, itching underneath his skin. Maybe he’s being unfair to Steve. But when’s life ever been fair?
Fuck.
He’s late to detention, because of course he is, but it’s old Ryan again so it doesn’t really matter. He slumps into his seat and taps his fingers on the desk and only notices who’s sitting next to him when the guy leans over — “Hey, man,” — and it’s Jonathan.
“Shit, hey,” Eddie says. (Mr. Ryan’s already left the room.) Jonathan looks tired and drawn, bored out of his mind to be in detention, which Eddie guesses is better than the permanent lines of stress he’s been carrying around otherwise. “How come you’re even in school, dude?”
Jonathan shrugs, tilting his head so his hair falls into his eyes. “Have to come back sometime, right?”
“What did you do?”
“I punched Jack Ogden.”
Eddie stares at him. “Shit, you know, you’re making a habit of that.”
Jonathan ducks his head and hunches over in his seat. The knuckles on his right hand, where he’s gripping his pen, are raised and red. “He said some shit about my mom,” he mumbles. “I’ve had enough of all of it.”
“Yeah, uh, I got that from the state of Harrington’s face the other week.”
Jonathan’s face does a strange thing then, twisting into something like a grimace, like a flinch. “I shouldn’t. Hit people. It’s– what my dad would do. And I don’t–” He looks at Eddie and then away again. “I’m just tired of fucking taking it.”
“It’s not what my dad would do,” Eddie admits, and Jonathan looks at him sharply. He keeps going. “My dad would– fucking, I don’t know, way overblow the situation. Bring a gun to a knife fight type of deal. So he wouldn’t have any danger of losing, I guess, though look where that got him–”
“I asked Mom about him.” Jonathan’s voice is quiet. “Your dad, and mine. How they knew each other.”
Eddie’s throat feels hot and tight; he doesn’t say anything. Just waits.
“He’d be with my dad, when she went to see him sometimes. She didn’t like him. Thought he was getting Lonnie into trouble, which–”
“–he was,” Eddie finishes for him.
“She said she knew your mom too,” Jonathan says, and Eddie sort of goes blank for a moment, because oh. Oh, he didn’t know that, and he should have known that, but he didn’t. Didn’t cross his mind. Because his mom lived here too, for a little bit. Just a little bit. Not long enough to matter — but long enough to count.
Weird to think he ever had a mom at all.
“She said–” and then Jonathan doesn’t get to finish, because Mr. Ryan walks in and fixes them both with a silencing glare and sits there for the next hour just watching them, like he didn’t when it was Steve, which tracks, actually, because someone like Steve can get away with anything. Of course he can.
But after, they walk out to the parking lot together, shoving their hands in their pockets against the cold and the dark, and Eddie leans against Jonathan’s car and offers him a smoke.
Jonathan accepts it, warily. Does he ever do anything otherwise?
“I, uh. Got a letter. From my dad.” Eddie lights his cigarette and huffs out a breath, not looking at Jonathan as he says it. Who else is he gonna tell, right?
“Jesus,” Jonathan says. “I’d throw it in the trash.”
“Would you?”
A silence. “I don’t know.”
Eddie digs it out of his pocket and holds it up in the glare of the parking lot lights. “Well, I, um– didn’t. So.”
“You’re gonna open it now?” Jonathan’s voice is faintly incredulous. Eddie hadn’t really planned on it, not really, but now he’s being asked the question he finally finds that the answer might be yes.
So he opens the envelope.
It’s underwhelming, really. An anticlimax. If this was one of his campaigns, Eddie thinks, it would have been a far more exciting reveal — a ten-page long tome, regrets and recriminations and relief, or else something would fall out of the envelope, a cursed amulet, a lost treasure, a shiv. Nothing like that. The real world’s not like that. The real world’s like this:
-
Eddie,
You should come visit. Visitation Saturdays 8-1. Write back to address on envelope and they’ll add you to the list.
Dad
He stares at the note for a moment — note, not letter, he can see that now — as the words struggle to align themselves inside his brain. It’s so matter of fact, is the thing. So taken for granted. Why should it be that easy? It shouldn’t. It’s not.
And yet–
“He wants me to go see him,” Eddie says faintly, abstractly, like his voice is coming from far away. He feels absurdly like laughing.
“Fuck that,” Jonathan says, and then goes quiet. “I mean, I guess– unless that’s what you want?”
“I don’t fucking know what I want.” Eddie takes a long drag of smoke and reads the note again, traces the rushed scratch of handwriting with his gaze. He didn’t see his father’s writing very often. It’s not all that familiar — only slightly, with the haze of a half-forgotten memory. I don’t want to be like him.
I’m not sure I want to be like myself, either.
“Fucking anticlimax, right?”
“I don’t know, man. I think that’s a pretty big deal.”
Eddie huffs a humorless laugh, looking at the ground. “Yeah, I know, and I’m trying to act like it’s not, and you’re really not helping, so, uh–”
“Mom asked me to find out if you were okay, y’know.”
Eddie looks at him. “What?”
“Yeah, she, uh– she was worried when you didn’t stay yesterday. To help Steve. And she heard about the sale, so–”
He feels himself stiffen in the cold, shoulders going tense. Tearing his gaze away from Jonathan before it can go sour and furious, though it’s not his fault, not really.
“I told her you wouldn’t appreciate it. Us digging into your business like that, y’know? But she worries.”
“Thanks,” Eddie mutters, not sure whether he’s grateful or not. Not sure what he’s feeling at all.
Dad. What gives him the right to put it like that? To say that, when– when–
“Hey! Munson!” someone calls across the parking lot, and Eddie jerks up from where he’s leaning on the LTD, a jolt of hypervigilant panic coursing through him — always easily startled, but more today, maybe — and sees the guy crossing the asphalt, tall, unmistakable silhouette. Tommy fucking C.
Is he ever going to catch a break?
“What the fuck do you want, man?” Eddie says, dropping back loosely against the car.
Tommy looks at Jonathan and then back at Eddie, dismissal in his eyes. Like Jonathan’s a nothing. Like it doesn’t matter what Tommy says in front of him, and fuck that. “We were gonna meet. In the woods.” Another sideways glance. “For Nicole.”
“For Nicole. You’re such a goddamn liar, Coe. Jesus.”
“Hey,” Tommy snaps, and then Jonathan steps in between them. Tommy laughs disbelievingly. “Christ, you freaks really do stick together.”
“Well, he’s already punched Jack Ogden and Steve Harrington, so. I’m sure he’d love to add you to the collection,” Eddie drawls, with more confidence than he feels. The note is still clutched tightly in his fist. “If Nicole wants something, she can ask me for it herself.”
“So you do sell.”
Eddie bites down on the inside of his cheek. “Not to you.”
If Jonathan’s reacting inside to this new information, he doesn’t show it. He just glares daggers at Tommy, like a fucking attack dog, and usually Eddie would chafe at being protected like this (by a sophomore! But a sophomore who nearly beat Steve to a pulp, so) but not this time. Not today. Not by Jonathan.
“Eddie–” Tommy tries, and Eddie’s had enough of goddamn fucking basketball players.
“I said no, okay? Go back to not talking to me, please. I preferred it that way.”
Tommy goes silent but doesn’t move away, eyes on Eddie, desperate. Desperate?
Because, oh. Yeah. Tommy lost his dad. And that’s something Eddie sort of forgot about, in the shuffle. The grief of that. The chaos. But Eddie’s got chaos of his own, hasn’t he? And he’s not crawling back to Tommy. He hasn’t sunk that low, at least.
And what does Tommy think Eddie can do? Distract him? Forgive him?
Not anymore. Because Eddie may have been wrong about a lot of things, in the wake of everything that happened. Wrong about how much it shook up the world, like how different he or Steve could become in the face of it when they couldn’t really change that much at all, but he’s not wrong about this. About realizing he doesn’t want a thing to do with Tommy C. anymore, after it all.
Tommy must see some strain of this decision in his eyes, because he scoffs and turns away and that’s it, Eddie thinks. That’s that.
“I don’t even want to know,” Jonathan says, when Tommy’s walked away.
Eddie looks at him. “Really?”
Jonathan shakes his head, taking a last drag of his smoke. “No way. You think I don’t have enough to worry about?”
It’s a nice change, actually. Refreshing. Eddie offers him a thin smile and there’s nothing more to say, really. So Eddie walks away too.
But he doesn’t go home.
He intends to. He gets behind the wheel and turns up his In Through the out Door cassette as loud as it will go and then turns right instead of left on the intersection at the end of the road — it’s a stupid idea, he knows, but he’s read the letter (note) now. He’s done what she asked. So why shouldn’t he try?
And then he’s standing before Janie’s front door, the note still crumpled in his fist.
“I’m sorry,” he says, when she opens the door.
She looks him up and down. He can’t read her expression. “You read it.”
He swallows. “Yeah. I did.”
She beckons him in with a jerk of her head. This time they don’t go through to the living room, but further along, into her room. She gestures for him to sit on her bed, which he does, underneath a new poster of Debbie Harry in Videodrome. She stays standing, arms crossed over her chest. Fair enough.
“I’m sorry,” he says again, and she shakes her head.
“Just stop. What did it say?”
He holds it out. She takes it and reads it, a crease deepening between her eyebrows. Then she hands it back, and for a second he doesn’t want to keep it. Wants to leave it between her fingers, let her throw it in the trash where it belongs. But he doesn’t do this. He takes it from her and folds it up again, pushes it into the pocket of his jeans.
“What are you going to do?”
He looks at the carpet. “I don’t know.”
“I’ve got no solutions for you,” she says, and her tone is warning. A little frosty.
“I’m not asking for solutions,” he says in a rush, words coming out like a hurried sigh — “I just, uh. Fucked up. And it’s been a fucked up week — couple of weeks — and I need you to– I need us to–” He stops. “School’s fucking boring without you.”
She laughs. “Yeah. It fucking is.”
“So– I’m sorry. I didn’t mean, um, what I said. About things being bigger than you. And I shouldn’t have said it.”
“You’re a goddamn fucking drama queen sometimes, you know that, right?”
“Yeah, I know.”
Something changes in the air. The line of her shoulders softens, and she runs a hand through the loose strands of hair around her face. “It has been a fucked up couple of weeks.”
He resists saying you have no idea. The truth is bubbling up inside him, hot like acid, but he can’t let it out. He can’t tell her. He’s not allowed.
And as much as he chafes at authority–
As much as he trusts her–
(As much as he can trust anyone–)
So he just lies back on her bed, eyes catching on the Joan Jett poster on the ceiling, and says, “It was Tommy C. The guy I was sorta fucking.”
He feels the mattress dip as she lies down next to him. “Shit,” she says, sort of speculatively.
“He’s a fucking asshole. And he has no way of comprehending how not to be an asshole, really, it’s a stupendous combination. But he– his dad. Y’know. And my dad, and– fucking– your dad too, Jesus, what is it with this town?”
“Men,” she says. “They’re the problem.”
“Truer words never spoken.”
Her voice goes quieter, almost hesitant. “Every time I talk about it, y’know, me visiting him, he clams up. My dad. Goes all– weird about it. He’s said I can, like, he said you should come and see me! And I thought, great, yes, I’ll go and see him, when I’ve saved up and Mom lets me and all that shit. But now that I’m actually talking about it, trying to sort it out, he just– gets weird. Like maybe he doesn’t want me to.”
“Shit,” he says. “That’s an asshole thing to do.”
“No kidding. But I just– want to see him. I really want to see him. It’s been years.” Then she looks at him, face inches from his own. “You don’t feel like– you miss him? Your dad?”
The question catches in his throat, makes it difficult to breathe for a second. It takes him a few beats to get his voice back. “Yeah,” he ventures. “I guess. But not– not him as he is, y’know? Just him as I, um, wanted him to be.”
“But how do you tell the difference?”
A long silence. Eyes on the ceiling. Fingers worrying at the outline of the note in his pocket. “I don’t know.”
They lie there for a while, not saying anything. The feeling is familiar, the angle of the ceiling familiar. The way the bedspread feels underneath him. He’s done this countless times before, lying here next to Janie, always when her mother’s out because she doesn’t let them go in Janie’s bedroom unchaperoned. He had his first real, grown-up panic attack here, he remembers, a scrawny twelve year old curling up into himself insisting he was dying feeling like every touch burned — and she didn’t freak out, didn’t panic too, just sat with him until he could breathe again and the world felt a little less painful.
(A little.)
“So, Tommy C., huh? Was this a Martin type situation, or…?”
He turns his head and rolls his eyes at her. “You’re never gonna let that go, are you?”
“Nope.”
He sighs. “Painfully similar, actually. Jesus Christ.” Because it is, now he thinks about it. The smoking, the unspokenness of it all.
He met Martin on the school tennis courts, late evening in September ‘82. Eddie was sixteen and stupid enough to believe he could smoke out there without anyone finding him, which resulted in Martin’s eyes staring down at him through a dusk-tinted haze, eyebrows raised, You’re stinking the court up, man.
And Eddie had jerked to his feet, not knowing where to look — Martin had never spoken to him before, never so much as glanced at him, though Eddie had been nursing a wistful attraction from afar for months now — and settling on the sharp corner of Martin’s jaw, too nervous and at the same time just high enough that he couldn’t say anything, didn’t have anything to say, just stared and waited for the inevitable beat-down.
But Martin’s face had eased, something almost amused in his eyes, when Eddie finally found himself able to look at them. “Yeah, okay, I won’t tell. Go do that shit on the sideline and don’t get in my way, okay?”
Eddie had obeyed. So he sat there, abandoning the idea of a second blunt in favor of watching Martin practice his serve, over and over and over again. Long brown arms — a tennis tan, shoulders paler (though not white) where his sleeves rode up — arcing gracefully through the air, sweat sticking at his back, his polo turning translucent against his skin. Eddie was transfixed.
Worst of all, Martin had offered him a smile upon departing. An hour or two of drills, the guy’s dark hair damp and tangled in his eyes, beads of sweat dripping down his skin — a warm evening, September still aflush with the remains of the summer, a similar flush high on Martin’s cheeks–
And fuck. Eddie was fucked.
“Major problem,” he’d admitted to Janie later, after a week spent trying to strangle that wistful affection as it threatened to turn into full-blown gay obsession, for Martin who seemed above it all, Martin who floated magnanimous over all the high school drama who wore his tennis whites everywhere and didn’t smoke because of sports — Martin who was the latest reason Eddie wasn’t getting any sleep. She’d let him talk through this major problem and not really offered much in the way of sympathy, because she had been even less forthcoming then, just gave him this startled wide-eyed look a couple days later when Martin had come into their newly claimed smoking spot and handed him the lighter he’d been looking for all week.
“You left this on the court,” Martin had said, easily, like he’d been waiting this long. What the fuck? And suddenly Janie had disappeared and Martin was in his space tall and dark-eyed saying “I won’t tell anyone, if you want to smoke out on the court again. When I’m around, of course. So you don’t get in any shit for it.”
Martin was a couple inches taller than him; Eddie had looked up at him like he couldn’t believe his ears, which he couldn’t. And he’d agreed. Of course he’d agreed.
And he’d gone over to Janie’s that weekend, flopped down on her bed next to her like he is now, trying to do his best to ignore her Laura Branigan cassette as he’d said well, it’s a different sort of problem, now, and there’d been something weird in her eyes as she’d taken this in, the hickey he showed her below his collarbone, the way Martin had known what he was doing (more than Eddie did, though it still wasn’t much) and was almost nice about it.
Didn’t last all that long, of course. Shit happens — it always does. Martin’s parents got divorced; he went to live with his mom in the city, where the tennis teams were better and he might actually get a scholarship and Eddie never heard from him since.
They didn’t talk about it, what they did. Four times in all. They just let it happen, and let it stop happening. Didn’t even say goodbye.
So–
Was Tommy C. a Martin type situation?
Yes, but Martin was never such a prick.
“I can’t keep doing this shit with– with guys in Hawkins. It’s a terrible place to be gay.”
Janie snorts. “Where isn’t?”
Eddie turns his head to look at her again. “Y’know what we talked about, before? Going to the city?”
She looks at him too. “Indy?”
“I mean, Chicago’s probably, um, better, but Indy’ll do. Right?”
“We’ll need fakes. I guess Rick can do that for us, right?” There’s an edge to her voice as she says this. Right. She’s probably heard. Or maybe she can just guess.
But he nods. “It might take a couple weeks.”
“A couple weeks, then. Hey, we can get more tattoos in the bargain. Two birds, one stone, yeah?”
He feels the first flutter of nerves in his gut. So they’re doing this.
He thinks about his dad — You should come visit. Fuck that. He’ll go to a gay bar for the first time instead.
Notes:
— separate ways (worlds apart) is a journey song released january 1983
— quiet riot's heavy metal album metal health dethroned the police's synchronicity at the top of the billboard 200 in november 1983
— in through the out door is by led zep, released 1979
— videodrome is a sci fi horror released february 1983
— joan jett is a rock singer associated with the runaways and joan jett and the blackhearts.
— the laura branigan cassette is branigan, released march 1982thank you for the love, as ever! you can find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 15: A Girl Called Johnny (The Waterboys)
Summary:
“Thank you,” Janie shouts in his ear. He looks at her uncomprehendingly. She’s tied her hair up again; she looks boyish and carefree. “For making us do this.”
“I didn’t make us–” he tries, but the music’s too loud and she shakes her head.
“I would never have done it on my own!” she yells at him, and then without further warning grabs his wrist and tugs him through the crowd towards the bar.
Notes:
warnings for referenced racism, homophobic slurs + referenced homophobic bullying, panic attacks and ptsd, and referenced child abuse.
(See the end of the chapter for more notes.)
Chapter Text
FRIDAY DECEMBER 16TH, 1983
Janie declares herself as the driver before he can get a word in edgeways, so it’s her choice of music. Which means a mainstream-ish radio station, which means that fucking Waterboys Christmas song, December, polluting the inside of Eddie’s van. His van, because it’s snowing and neither of them trust her Pinto in this weather. He still hasn’t fixed the heating, so it’s freezing — her hands are clad in fingerless gloves as they grip the wheel — and she didn’t bother to pull her hair out of her sweater when she pulled it on earlier, sending him shivery death glares, so it’s bunched up loose around her face.
He’s drumming his fingers on his knee, pulled up to his chest. Antsy and nervous for reasons he can’t explain. He’s got the fakes in his bag, ready to go; he’s also got a load of beer and a couple joints. He was considering bringing something stronger, too, something more appropriate for the club, but Janie wouldn’t like it and he doesn’t want to push it. They’re cool now, things are casual and easy and nice, and he knows she disapproves of the whole Rick thing he’s been doing the last few weeks but she hasn’t said it, not yet. He doubts she will, not if he doesn’t bring that shit out right in front of her.
Hence, just weed and beer. Which is why he didn’t really argue when she said she wanted to drive. She’s better than him, more careful. He does not want to risk getting pulled over.
“I don’t suppose there’s any use in me telling you to stop twitching?” she says, without taking her eyes off the road.
He smiles thinly. “None.”
She snorts. He looks out the window and for a moment his eyes catch on a bimmer parked up on the side of the road, a dark red one, fucking Christ. Steve’s car, he thinks, though they pass it too quickly in the snow to see. What’s Steve doing all the way out here, near the Leaving Hawkins sign? A romantic date by the Eno River in the snow?
It’s a pretty spot, true. Though he hadn’t thought of Nancy as the outdoors-y type.
To make matters worse, the song has changed to fucking Gold by Spandau Ballet, which only makes him more convinced that that is indeed Steve’s car and the universe is fucking with him tremendously. He hunches down in the seat and tries not to grind his teeth.
He hasn’t really spoken to Steve since that painful Sunday morning, the Sunday morning he feels like broke him apart. Something that dramatic, definitely. Eddie’s always had a flair for it but it feels a little wrong, right now, a little to the left. Like why should the drama have taken a week to catch up with him? Why should he have had a meltdown over a property sale, versus the utter alteration of the world as he knew it?
But it happened, the meltdown. So. Now he’s off to Indy with Janie and Steve’s on a date with Nancy and it feels like everything and nothing has changed at once; it feels like, watching Steve tracing the inside of Nancy’s wrist by the lockers on Wednesday, everything that happened in November was a dream, just as it feels like, meeting Steve’s eyes and then tearing his gaze away like he’d been burned, he’ll never be the same again.
Eddie had asked Jonathan about it, one time when they were smoking in the school parking lot. So Wheeler went back to her prince, huh? And Jonathan looked at him unreadably and shrugged and said some variation of it’s none of my business, or else I hadn’t really noticed. Whichever it was — Eddie’s been distracted and forgetful, lately — it was surely not the truth, but he didn’t push it.
“Can you change the station, dude?” Eddie now says, not even bothering to push something casual into his voice. He’s tired of lying to Janie. He already has to do it too often.
She glances over at him with a frown. “What, Spandau Ballet not doing it for you?”
He just raises his eyebrows, and she reaches to change the station. They get a fucking Dolly Parton Christmas song instead — I'm barely getting through tomorrow — but hey, at least it’s not a Steve Harrington Special. So he settles back down and tries to let the tension go out of him as they leave Hawkins far behind.
Wayne had looked at him strangely, when he’d said he and Janie were going to Indy together. Eddie doesn’t like to lie to his uncle — again, he’s been doing enough of that lately — but it wasn’t something he could say out loud, exactly. Hey, just so you know, we’ve got fake IDs and we’re going to hook up with people of the wrong gender in a big, strange city. Bye!
(He’s not actually sure if hooking up is a part of Janie’s plan. It’s only loosely part of his — a vague, hazy idea that Hawkins boys are godawful and he needs something from someone else, someone who isn’t going to make him question his entire place in the world just by looking at him.)
So, he didn’t say that. He and Wayne aren’t usually explicit about it all anyway, save when Wayne gets all close and serious and anxious about this GRID thing. Eddie just said some shit about seeing Janie’s friends in the city, staying the night with them, getting a new tattoo because suddenly he’s rolling in it (not that he said this to Wayne either, though he’s been putting extra bills in his uncle’s wallet, creased and grubby from high schoolers’ hands), and Wayne had looked at him strangely.
“You are lookin’ after yourself, ain’t you, kid?” his uncle had said, haltingly, like it wasn’t quite his place, which– well. If it’s not Wayne’s place, it’s not anyone’s, and isn’t that a little sad?
Eddie had looked at the floor, not knowing how to answer. Tugging on the hair at the nape of his neck. He isn’t really sure what he’s been doing, this last few weeks. Or how he’s been doing. A month since the world got turned upside down — the problem being, his world was on an uneasy kilter already.
They pass the turning for the Icex plant, which startles him out of his thoughts. He watches it rush past in the snow and feels something strange uncoil within him, though nothing about his uncle’s job seems to have changed. But still. Icex is your uncle’s only source of income, isn’t it? He’s never going to forget that.
“Your dad used to work at Icex, right?” he finds himself saying.
Janie’s lips twist. “Half this town has worked at Icex at one point or another,” she says. “But sure. He did. They treated him like shit, though. He comes in with an Engineering degree but because his transcript’s not in English he’s working the plant floor — it’s fucking unfair. That’s why he went back home.”
Eddie did know that. He glances at her, feels out the fault lines in her expression. His uncle Wayne works the plant floor. But his uncle Wayne doesn’t have a degree in Engineering — doesn’t have a degree at all — so what do they do with that? With the fact that she so clearly believes her father was meant for better, and with the fact that that’s probably true?
And yet they’re stuck where they are, all of them.
“The weird thing is they were gonna give him a decent job initially,” she says. “A whole interview, he even had his first day of work, he told me. And then suddenly– boom. I guess maybe they checked out his credentials later, or thought his English wasn’t good enough, or whatever. He gets all quiet and weird about it. Why do you ask?”
He shrugs. He doesn’t really know. A half-formed thought, disappearing as fast as the Icex sign in the rearview mirror.
An hour or so later, they’re pulling into Indianapolis (to the tune of some Stevie Nicks song), and Janie’s parking up and wrapping a hand around his wrist and tugging him up the shitty apartment building’s staircase — not usually a touchy sort of person, she must really be excited — and rapping her knuckles on the familiar door and who opens it but their tattoo artist, Victor, who grins broadly at them and beckons them inside.
It’s a cramped, cluttered apartment, to match the guy’s skin, which is crowded with dark ink. One of the tattoos is slung right across his collarbones — VICTOR RUEDA, it reads, the guy’s own name. Eddie guesses it’s better than getting someone else’s name put there. No one owns the guy but himself.
“We’ve got a couple hours to kill before shit gets lively,” Victor says, lighting a cigarette and then gesturing with it between his fingers. Eddie follows the movement unthinkingly, really: it’s sort of a habit of his, to watch the movements of men. Victor’s not unattractive — rich dark hair tangling around his jaw, warm brown skin, a smattering of freckles — though he’s probably at least five years older than Eddie. He’s got a faint Spanish accent and a soft, tilted lisp to his voice, the kind of lisp you’d hide in a town like Hawkins, which is how Eddie and Janie sort of knew.
Well, knew in the sense that Eddie ignored it, sure he was wrong, until Janie said something like maybe Victor will know the best place to go in Indy and Eddie cursed himself for being so wilfully blind. Because another queer person? Right here? Older, sure of himself?
It feels strange, though. Like Eddie’s uncomfortably seen. Maybe that’s why he was in denial about it.
“Dinner for the kids?” Victor finishes, and Janie rolls her eyes.
“I think after you’ve tattooed us you can no longer call us kids.”
“I think I can call you whatever I want to, niños.” He grins around his cigarette. There’s a gap between his two front teeth. “I’ll take that as a yes, yes?”
It is indeed a yes. So he takes them to a pizza joint around the corner, where they get a pale imitation of deep dish glory, according to Victor, not that Eddie’s ever been to Chicago. Victor talks a blue streak about a client of his who thought an infection almost certainly caused by a hot tub justified getting a switchblade out, moving his head emphatically, a lock of hair falling incessantly in front of his ear before he reaches to tuck it back again. He’s got a long silver earring dangling from his right earlobe.
Eddie eats and listens, mostly. Not sure quite what to do with someone older than him, everything he is but wiser about it. Sophomores, Eddie can handle. Freshmen. Fucking middle schoolers like that Will Byers and that Henderson kid. But Victor? No way.
(He’s beginning to realize, in an uncomfortable flash of self-awareness, that it’s not just parents that freak him out. It’s anyone with even a smidge of authority. Which, for fuck’s sake. It’s like he walked right off the page of one of those psych textbooks he hates so much.)
“You like the earring, huh?” Victor says suddenly, and Eddie flushes, aware that he was staring. “Could do one for you, if you want. It’s quick, easy.” Victor clicks his tongue against the roof of his mouth, sharp, as if to demonstrate just how fast it would be. “Painless.”
It’s not the pain Eddie minds. He’s well accustomed to it.
Victor must read some of his doubt in his face; he raises his eyebrows. “Let me guess. Left is right, and right is wrong. You know no one knows what they’re talking about with that shit, right? If they’re gonna call you a fag, they’re gonna call you a fag.”
Despite these bold words — words that make Eddie jolt, in the quiet hum of the pizzeria — Victor keeps his voice low, as he says this. Like to go that far would be tempting fate. “Sure, I know,” Eddie says, just as low. “But I’ve, um, I’ve had enough trouble lately. I’m kinda looking for a quiet life, y’know?”
Victor looks at him speculatively for a moment. Janie’s silent by his side, watching the conversation with narrowed eyes, and Eddie doesn’t like the incisiveness in them. It’s been a fucked up week — couple of weeks, that’s what he told her, all he was allowed to tell her, and how far did she read the truth in it? She couldn’t possibly guess at the whole of it. No one could. It’s too much to be believed. But still. He feels open, naked, under her gaze.
At length, Victor shrugs and goes back to his pizza. Which, hey, he doesn’t owe Eddie anything. Quite the opposite, actually. Eddie owes him. But still, maybe Eddie was hoping for more. A question he wouldn’t be allowed to answer. Some fragment of curiosity, at least.
(He’s never going to ask for these things; he should stop being disappointed when he doesn’t receive them.)
After dinner, they go back to Victor’s and start drinking with some salsa record spinning away on Victor’s turntable — “Grupo Niche,” he tells them. “Their new album is to fucking die for, and don’t even try to argue with it because I will throw you out on your asses for disrespecting my home country,” with which, of course, they don’t argue.
The alcohol has a loosening effect on Eddie. Some of the tension inherent in his shoulders eases; he begins to have a good time. Janie, who’s always been somewhat of a lightweight, bobs her head along to the music as Victor changes into a shirt that’s made of what can only be described as fishnets. Eddie’s wearing his tightest pair of jeans and an old Judas Priest shirt with tears in the sides, but now he feels overdressed. He drinks a little more to compensate, and lets Janie drape her arm around his shoulders as they walk to the club.
Club. Gay club. Fuck.
It all — Hawkins, Steve, Tommy C. and Tommy H., the thing without a face and the stack of NDAs and the letter from his dad — feels fucking light years away, as they walk in. As some fucking Freeez song pounds so loud it drowns out his heart, under rich red lights, Victor immediately recognizing a whole group of people and dancing himself into their circle, hips swinging to the music, one of them bearded and seven feet tall in heels and makeup and–
“Thank you,” Janie shouts in his ear. He looks at her uncomprehendingly. She’s tied her hair up again; she looks boyish and carefree. “For making us do this.”
“I didn’t make us–” he tries, but the music’s too loud and she shakes her head.
“I would never have done it on my own!” she yells at him, and then without further warning grabs his wrist and tugs him through the crowd towards the bar. She dithers over what to order until some girl with an afro and a wicked grin leans over to the bartender and shouts three B-52s, which turns out to be some insanely sweet shot that the bartender sets on fucking fire — “That’s fucking metal,” he says, to an audience of approximately no one, he realizes, since Janie’s bent her head close to the girl’s in yelled conversation. But he’s not alone for long, the sweet orange aftertaste still burning on his tongue, as Victor sweeps him into the circle and tries to get him to dance along to Donna Summer and he’s drunk enough that he sort of does.
Dance, that is. He dances alongside Victor until Victor starts kissing some guy with white-blond hair, taller than him, and then he dances with Victor’s friends and across the room he sees Janie leaning ever closer to the girl and as he’s looking away from them his eyes catch on someone who’s looking at him — a guy.
Broad shoulders, fluffy hair. A sort of look in his eyes, the way Tommy C. would look at him when they got high together, when he wanted something. When Eddie wanted it too.
He draws closer, weaving through the crowd. He wants this. This is what he’s here for, isn’t he? I can’t keep doing this shit with guys in Hawkins. It’s a terrible place to be gay.
The song’s changed again. Something ABBA, he thinks, which ordinarily he’d hate but. But. The one about the man after midnight, take me through the darkness to the break of the day–
The guy looks a little like Steve, he thinks, as he pushes through the crowd and faces him lips only inches from another at the same time as he realizes the lighting’s gone from smooth red to something blinking white and dark and he can’t see Janie anymore can’t see Victor only this guy whose hair is like Steve’s silhouetted in the dark in the light in the like the flickering of like bulbs like the the–
Eddie has the presence of mind to get himself outside, at least, before it all totally consumes him. Chest tightening and mind going blank of any thought but panic, any feeling but panic, panic made worse by drinking like it always is but he never learns, of course he doesn’t, and maybe it was naive to think this wouldn’t happen think it was over think he would be okay after it all–
The wall is freezing and wet when he leans back into it. This, the sudden cold shock, is enough to jolt him into a more physical awareness. Freezing because it’s snowing. Hands shaking as he raises them, watches snowflakes settle and dissolve into his palms. Something idly therapeutic about it. Like watching something inevitable. Something no one can take away. The snow doesn’t care about the Upside Down, doesn’t care the entire world is something different from what they thought it was. It falls and melts anyway.
He fumbles for a cigarette, holding the other hand splayed out over his chest to feel his heartbeat slowing down. Shit. Shit.
His numb, shaking fingers can’t get the lighter to ignite. He tries for several seconds, unwilling to give it up, until someone offers a spark of flame into his field of vision, a large hand with long painted nails. He lets it light his cigarette.
“Jesus Christ, honey, you look drowned.” The voice is deep, at odds with the high painted brows and long lashes. Lipstick on the lips that show through the beard. “What, someone pour their drink on you? Or is it snowing just that much?”
Eddie looks weakly up at the sky. It would probably qualify somewhere between a snowstorm and a blizzard, at this point. He looks back down at his hands and takes a deep breath around the knot in his chest.
“How long you been out here, baby?”
Eddie shakes his head. Not quite sure he can speak just yet. He also doesn’t know.
“That’s okay. C’mon, stand under this– I don’t know, fucking– alcove, whatever.”
He feels himself being led across the alley, into some alcove, whatever. He smokes his cigarette and realizes the drag queen — because that’s what this person is, a drag queen — is a full foot taller than him, wearing a hot pink dress and somehow not looking cold.
“I’m Stevie, by the way,” the drag queen says, and Eddie chokes on his inhale. Stevie continues on like Eddie hadn’t made a sound. “It’s not the drag name, but I don’t think you’re in a drag sort of mood, are you, honey? Pretend the makeup’s not there. We’re just two guys, right?”
Eddie snorts, something loosening in his chest. Stevie grins. “Eddie,” Eddie says, and finds his voice rough but usable, finally.
“Nice to meet you, Eddie. I mean it, did something happen in there? I know the guys on the door, they’re angels, they’ll kick anyone out I ask them to.” Eddie doesn’t say anything. Stevie tilts his head, studying him. “Just got a little too much?”
“Yeah,” Eddie says, looking at his cigarette. And suddenly the words are forthcoming: “Which is, y’know, fucking stupid, since I’m also generally known as too much and it’s fun, I’ve had fun, I just– the fucking lights and I was– I was back there–”
He closes his mouth. Even drunk, dizzy on lingering adrenaline, he knows he can’t talk about this.
And he can’t even talk about it with Janie. And he burnt his bridges with Steve. And Jonathan’s got enough to worry about– Nancy doesn’t get it–
He drags a hand through his hair, damp with snow and sweat from the club, and feels horribly alone.
Stevie sighs. “Okay, Eddie, well. I’m about to tell you a very big, horrible story, on the condition you understand it happened a very long time ago, because I’m very old, and I’m over it now, I’ve moved on, so I don’t need any of your sorry’s and oh no's, okay? I’m telling it because it might make you feel better.”
Eddie looks at him, wide-eyed, and nods.
“My parents were the sort that loved each other in a really nasty way, y’know? Maybe you do, maybe you don’t. But they would fight, get violent, mainly about their pudgy effeminate son, and when it would get violent they’d lock me in my room so I couldn’t see. Or hear, though I could definitely fucking hear. Either way. Problem was, my room was in the basement. Pipes through the ceiling, through the walls, and they’d creak. Drip. A goddamn nightmare if you were trying to hold in a piss. I digress. One night, a long night, stormy, the power went out. I was locked in my room — the basement — with nothing, no light, just sound. Just my parents yelling, throwing stuff the floor above. And the dripping pipes. All night, until the yelling and the throwing stopped, until it was the pipes and nothing else, me and the pipes until dawn when my mom opened the door and said my dad was gone.”
“Shit,” Eddie lets out, and Stevie raises his eyebrows. Eddie shuts up.
“There’s lots wrong with this situation, of course, but this isn’t even about my parents. It’s mainly about the pipes, actually. See, a couple years later, I was a horribly gay teenager whose voice broke months before everybody else’s and I still sounded gay, tell me, is that fair? But anyway, locker rooms, you’re a kid, you know what it’s like.”
“Fucking awful,” Eddie mutters, and Stevie nods.
“Bingo, baby. So there’s this kid, this– I don’t even remember his name. Let’s call him Phil. So Phil’s the last to finish in the showers, we’re all getting dressed, I’m keeping my eyes studiously to myself. And he leaves the shower dripping.”
Oh. Eddie might know where this is going.
“At first– I ignore it. It’s not like it’s a sound you don’t hear, right? Dripping water. But something about it, there, around all these kids who took any opportunity to tear me apart– I couldn’t take it. I asked Phil to turn it off.” Stevie smiles humorlessly. “And Phil says no. He looks at me, dead in the eyes, he’s fucking naked and I’m trying not to look at his cock because the moment I do I know I’m dead– he says no. And it feels like the dripping sound’s getting louder. And I could fucking scream, suddenly, I’m all wired like an electric shock and he won’t turn the shower off and I’m a big kid, wider than him. So I hit him. And he gets a concussion. And I get suspended from school. And I can’t listen to a faucet dripping without losing my fucking mind, not for a couple years, anyway.”
Stevie laughs, then, suddenly and unexpectedly. And it’s a genuine sound. Not ironic, not scathing, and it’s weird, actually, weird to hear someone laugh without irony.
“But now I can. Because I talked to people. I found myself a new fucking family. And I don’t hit people anymore, and I’m as well-adjusted as a man in a dress can be. So if you think you’re going crazy, I’ve been there, sweetheart. I don’t need to know what you went through to know that it was awful, and also that you’ll survive it. Because everyone does.”
Because everyone does. It sounds so simple, when he puts it like that. This drag queen whose name is a syllable from Steve Harrington’s, and like him in absolutely no other way at all. Is it really that simple?
“But you do need to reckon with it. Face it. Whatever happened. I beat up– what did we call him? Phil? I beat up Phil because a part of me was still a fucking seven year old in that basement, locked in, and I didn’t ask anyone for the key. So, find your key, honey. Get out of your basement.”
Eddie takes in a great lungful of cold, sharp air. He nods. And Stevie laughs again, and takes the last drag of Eddie’s cigarette, and Eddie follows him inside.
They dance to Sylvester and Janie emerges from the crowd, holding the girl from earlier’s hand; Eddie feels less mixed-up about that now than he did half an hour ago. Victor’s circle of friends has yet widened. Eddie sticks close to them and tries not to get lost in the crowd, and he succeeds all the way back to Victor’s place, where Victor cracks the windows open despite the snow and puts some salsa mixtape on as Eddie reaches for his joints. And then he’s sitting on the window ledge, Eddie is, one leg dangling out over the white-blanketed street, relishing the warm burn of grass in his lungs as Victor coaches the girl Janie was with — Monique, she said — into a gentle, drunken salsa.
“Watch the edge,” Janie says, coming to sit next to him with her legs planted firmly on the right side of the window. She reaches out for the blunt and he gives it to her.
He surprises himself by laughing, the way Stevie laughed, careless and free. “Don’t worry,” he says. “I still plan on living forever.”
She smiles at him, but there’s a distance in her eyes. Maybe it’s drunkenness. Maybe that’s what that is. But he’s been noticing it coming, approaching from far off on the horizon, like a slow-moving train. A train has to leave the station, doesn’t it?
“Monique’s cool,” he says, and watches her reaction. She looks away, at her hands, at Monique, whom Victor is twirling under his arm, then back at Eddie. She looks pleased but she also looks tense.
“Yeah. She is,” Janie says, noncommittally. “What about– what about you? Did you, y’know…” and she trails off. Usually so forthright. If Eddie hadn’t had such an exhausting evening, and wasn’t on his way pleasantly crossfaded by now, he’d be feeling a thrill of unease.
“No,” he says. “I, um– I don’t know. I think I need a break from all that, actually. My head’s all fucked up.”
She looks at him for a moment. Maybe she’s startled by this — a show of maturity, whatever. He feels like he’s aged about ten years. For her, it’s been four weeks.
At length, she goes back to Monique, who pulls her into a teasing, smiling kiss, and Eddie looks away. Like they’ve switched places, almost. It feels strange to be here alone, on the outside, on the threshold. Janie all the way in.
But that’s the thing, isn’t it? Eddie knows things now. Knows there’s a boundary to the world. Knows something lies beyond.
The room is hazy and full of smoke; Monique and Janie are dancing slowly together, Victor’s friends draped languidly over the furniture and the floor. Victor himself comes to lean against the wall beside Eddie, smoking a cigarette with one hand and drinking a glass of wine with the other.
“You and Janie–” Victor starts, after a long silence. Eddie doesn’t say anything. “Now, are you sulking over here, or–?”
Eddie stares at him. “I’m gay, you do, um, realize that, right?” (Even in the haze and the high, the words still make his heart jolt within his chest.)
Victor shrugs. “I didn’t want to assume. Some people like both, you know? Like Janie.”
Eddie frowns. He didn’t know that about her. He didn’t know any of it about her; she never said.
And Victor catches the frown. “Oh, god, I don’t want to get myself in the middle of all this but– okay. Let’s just say, if you’re not sulking, then it’s a good thing she’s moved on to Monique.”
“Moved on?” Eddie asks, something sinking inside his chest. That shrinking in Janie’s eyes suddenly making sense.
Fuck. Fuck.
And Janie doesn’t even know everything about him. Didn’t even before November, and now–
He doesn’t deserve it. Doesn’t feel like he deserves it. What has he done to warrant this, whatever this is, whatever this means– why would she– when he’s not even– when she knows–
“She didn’t say anything,” Victor says. “It’s a guess. I was wrong about you, right? Maybe I’m wrong about her.”
Maybe he is. Eddie hopes he is.
But what will that change?
Wrong or right, he’s feeling increasingly like he’s lost her. Like things will never be the same. Like they’ll get to next year, to June, to graduation, and she won’t be around anymore.
And will he even graduate? After it all, the way he can barely even read without itching out of his skin, the way he forgets things, the way the sight of the back of Steve Harrington’s head does something strange to his chest. All the things Janie doesn’t understand. Will he graduate? Make it out? Get out of the basement?
“Maybe you are,” Eddie allows, finishing his joint. He leans further from the window, ducking his head out to feel the snowflakes settling on his cheeks. When he looks back into the room, Monique and Janie are gone.
Notes:
— december by the waterboys was released january 1983. the album also includes a girl called johnny, the titular song of this chapter, and also the end credits song - listen to that song now for the full effect.
— 'bimmer' is slang for a BMW car. 'beemer' and 'beamer' actually only refer to a BMW motorbike, though 'beamer' was used for the cars as well in the early days.
— the eno river is shown on the map in the north west of hawkins, on the way to indianapolis
— gold by spandau ballet was in the charts the week of the 10th december 1983 - released november 1st 83 in the us.
— the dolly parton christmas song is hard candy christmas, released late '82 and popular in 1983. it's a song from the musical the best little whorehouse in texas; the title is a reference to poorer families only being able to gift their children 'penny candy' at christmas. the metaphor is a suggestion that life can be tough and sweet at once (and therefore relevant to the themes of the fic)
— the stevie nicks song is blue lamp, released 1981
— 'niños' is spanish for 'children'.
— the pierced right ear was known as the 'gay ear', conveyed by the phrase 'left is right, and right is wrong'. it was both a method of signalling — some report right meaning gay, left meaning straight, and both meaning bi — and a homophobic assumption.
— the grupo niche album is directo desde new york, released sept 23rd 1983 - they're a colombian band founded in 1978.
— the freeez song is i.o.u., released june 1983
— a b-52 is a shot cocktail invented between 1970 and 1977 - very popular in the 80s. it consists of a layer of kahlua, a layer of baileys, and a layer of grand marnier (cointreau in later variations), which is then set alight.
— the donna summer song is hot stuff, released 1979
— the abba song is of course gimme! gimme! gimme! (a man after midnight), released 1979
— the sylvester song is you make me feel (mighty real) released 1978
— for a flavour of the salsa mixtape, listen to la murga by héctor lavoe, willie colón, and yomo toro (1970) and el nazareno by ismael rivera (1975)
lots of notes this time, phew. thank you for all the love! this is the penultimate chapter before the final one of the volume, though rest assured there will be more chapters posted in this same ao3 fic for volume two. let me know what you think below, and as ever you can find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 16: Wild Life (Wings)
Summary:
They look at each other across the island in silence. They’re alone in the kitchen. The music’s changed to the fucking Beach Boys, which is probably what happens when Steve’s left unsupervised. No sound but the Beach Boys and the electric drone of the mixer, its whisk hitting the side of the bowl. Again. And again.
And Eddie and Steve looking at each other.
Notes:
warnings for referenced classism, referenced homophobia, implied drug use and addiction, referenced child abuse, referenced violence causing miscarriage, and eddie having some unhealthy thoughts with regard to his father.
(See the end of the chapter for more notes.)
Chapter Text
SATURDAY DECEMBER 24TH, 1983
Eddie wakes up painfully early on Christmas Eve. He needs to — he’s got a fuckton to do today — but it happens more out of tense anticipation than anything else. Something churning in his gut, pulling him into wakefulness. He runs through his routine, cleans his tattoo, the new one Victor gave him the morning after the club in Indianapolis, smokes a cigarette. When he goes through to the other room, Wayne’s nodding his head along to his old Johnny Cash Christmas album as he stirs up eggs in a pan, a cigarette hanging out the corner of his mouth.
“You got off early?” Eddie says, thrown for a moment.
Wayne shrugs. “Christmas Eve. Maybe they’re feelin’ charitable.” But there’s an edge to it, something else in his voice. “You sleep well?”
“I slept okay,” Eddie says, though he slept like shit. He leans back against the counter and tries to run through in his head all the shit he has to do today. He should have made a list. Like a gift list, fuck, he has to buy gifts as well–
“Oh, yeah, I forgot to say, some kid called askin’ for you yesterday? Dustin something? Wants you to help out with some sorta settin’ up this morning, at– let me see, the Wheelers’? That mean anythin’ to you?”
Eddie raises his eyebrows. Henderson’s started pestering him semi-regularly, now that Will’s well enough to play a campaign again. Which the Wheeler kid, their DM, fucking hates, apparently, and Eddie wouldn’t usually want to tread on another DM’s toes — bad etiquette, and all that — but Will deserves to have the best time with this one, he really does, so. It’s for the greater good.
“Yeah, I guess I’ll drop by,” he says, mentally adding it to his list, the middle two items of which he’s already forgotten. He really should write this down.
His uncle being home early means they can get a headstart on the first task, which is driving over to O’Dell’s Christmas tree farm in the bright, chill morning and choosing a tree that will fit in the corner of their cramped little trailer, the trailer they still have, the trailer that’s theirs. Eddie walks down the rows, chin buried in the scarf Wayne foisted on him as they were leaving the trailer. That piece of shit leather jacket of yours ain’t worth a damn against thirty degrees. His knee’s acting up, for some reason; he can feel himself limping slightly, his body unconsciously protecting itself against the twinge. It was worse a couple days ago, until he smoked so much grass all the feeling fell out of his body entirely.
“How about this one?” Wayne says, a couple yards behind. He’s examining a tree about his own height with a critical eye.
“It’s a bit, y’know. Rotund.” Eddie pulls his hands from his pockets to gesture at the tree’s size — he places them ridiculously far apart, for emphasis. Wayne laughs. “What about that one?”
Wayne follows the direction of his point, and shakes his head. “Too short.”
“Too short? Need I remind you, uncle, that we live in essentially two rooms?”
“I’m the one who’s gonna be sleepin’ in the room with this thing. If I wanna have it loomin’ over me all the time, then I get it loomin’ over me all the time. That’s my choice. Besides, it’s only a week or two.”
Eddie shrugs, conceding the point. They wind up choosing a middling one, tall but not too wide, and he stands back to let Wayne swing the axe at it. (Because Eddie’s not sure he trusts his shoulder to bear up under the challenge, and his uncle wouldn’t hear of it anyway.) Then they drag it back to the van and load it up, shedding pine needles over all Eddie’s shit in the back but it’s for a good cause. Then they decorate the thing, a string of lights and some tinsel, nothing extravagant, slightly Charlie Brown but they make do.
It’s been a tradition of theirs since Eddie moved in. Since longer, actually, since the days Eddie was small and would spend warm, confusing Christmases with Wayne and Carolyn because his dad was off somewhere the way Eddie grew to like it. Christmas tree on Christmas Eve, not a day earlier, mainly because Wayne never had the time otherwise. Eddie feels fairly ambivalent about the holiday as a whole. He likes it because Wayne likes it; he hates it because it means driving through the richer side of suburbia and watching loved kids in precious little nuclear units enjoying a better class of Christmas, which, surely that’s not what it’s about? Vis a vis Jesus, and all?
(Not that Eddie would know.)
When the tree’s done, he hugs his uncle goodbye — not something he does all that often, but it’s Christmas, and there’s something heavy in his chest — and drives over to the Wheelers’. He parks a street away, like he usually does, because it’s ingrained within him to be nervous in respectable surroundings (and he wishes he could say fuck it to their sneers, to their rules, but today he can’t) which means he’s already walking up the driveway when he sees Steve’s car.
Oh.
He really doesn’t need this today.
There’s no snow settled on it, so it wasn’t parked here last night for the snowfall. That’s something, at least. Though even that thought feels strange to him, because why should he be relieved? Should he have expected Henderson to warn him? It’s not like Eddie hasn’t seen Steve around, the last few weeks. Mainly with Nancy. It’s not like they can’t be civil.
So he ducks his head and shoves his hands into his pockets right after he knocks on the door, and watches Mrs. Wheeler’s face as she opens it, the spark of confusion and suspicion and eventual recognition, because they were at the hospital together, waiting for Will. Waiting for the NDAs. Waiting for–
“Oh, Eddie, hi, Dustin said you were coming. Come in, come in. Are you having a nice Christmas Eve?”
“Hey, Mrs. Wheeler, uh, yeah, it’s going okay.” It’s only eight thirty. The Wheelers’ house is decorated to the nines: they pass a twist of fake foliage wound around the bannisters on the stairs, mini Christmas trees glowing on every other surface. Some sixties Christmas album is playing jauntily from the kitchen. It figures, Eddie thinks — it all figures. Figures worse that Steve is in the kitchen.
He’s got his sleeves pushed up, leaning one hip against the counter and humming along to Rockin’ Around the Christmas Tree as he rolls out fucking pastry for a fucking pie. He looks good, face all clean and healed, hair a little longer. He’s wearing a fucking Christmas sweater. He’s taken his watch off, like he doesn’t want to get flour on it.
“Oh, that’s great, Steve, thank you for doing that!” Mrs. Wheeler says, going over to take the rolling pin from him, and Steve gives her a smile as he turns and then he sees Eddie and the smile sort of drops.
Eddie feels disheveled and out of place. The way he always does when he’s in a room with Steve — Steve who looks so fervently like he belongs here, making pastry cases for Nancy’s mom and nodding his head to sixties music. Wearing a sweater with fucking reindeer on it.
“Hey, man,” Steve says, warily. Is that a hickey on his neck, or is it just shadow?
“Hey,” Eddie mirrors, worrying at his palm with the nails of his other hand.
Mrs. Wheeler looks between them with a wry expression. Teenage boys, she’s probably thinking. Equally no idea how to talk to each other. But really that’s not it at all; really, they all know which side she’s on. She lays a light hand on Steve’s shoulder and says to Eddie, “The boys are in the basement.”
So Eddie, dismissed, goes.
He does indeed find the boys in the basement — Wheeler and Sinclair and Henderson, at least, Will isn’t here yet — and Wheeler greets him with narrowed eyes and a begrudging, “Dustin said you’re a really good DM, so. I mean, I know what I’m doing, but–”
“We wanna make this as amazing as possible for Will,” Sinclair cuts in, voice firm and eyes sharp on Wheeler’s sullen form. Maybe he’s just a sullen kid, Eddie thinks, or maybe– wasn’t there a girl? Who never showed up again?
Eddie spreads his hands and offers a curtsey. They all laugh, which is sweet. Give them a few years and they might not find it so funny. “Consider me at your service, gentlemen.”
He lets Sinclair and Henderson talk at him about their characters for a while — a ranger and a bard, respectively, which latter is usually Eddie’s go-to, solidifying his fellow-feeling with the kid to a full-blown fondness, until Wheeler ushers them out of the room so he can talk to Eddie about the campaign.
And the kid’s all right, it turns out. He’s creative and sharp, animated when he really gets into it, bright and enthusiastic about what he’s doing despite the way the world most likely beats him down for it, the way it beats down everyone.
“Y’know, they’re gonna be furious with you for this,” Eddie says, when Wheeler’s done outlining. The kid frowns at him. “You’ve left a lot of it hanging. What about the lost knight? And the flowers in the cave, people always pick up on that kind of shit. Unless you’re planning on extending this into a full campaign–”
“I want it to be a win,” Wheeler argues. “Like, surely it’s nicer to defeat the thessalhydra and then have the medal ceremony and just–”
“Nicer? My dear Michael, DMing is never about being nice. When I say give young Byers a good session, I don’t mean make it easy. Give them a challenge! Make them feel like they’ve earned it!”
Wheeler sighs. “My mom won’t let us play after seven. Christmas Eve dinner, it’s like this thing in my house, and for some reason Steve’s staying for it–”
Eddie’s mouth goes dry. He swallows and forces the thought away. “So make it bigger. Have today be one episode of many. The flowers, that’s a mystery right there, if you get some lore going then they’ll eat that shit up.”
“Yeah, I guess– yeah.” Then Wheeler’s fragile smile dims, and he looks at his hands. “It’s the lost knight, is the– is the problem.”
Eddie senses that this isn’t a plot sort of problem. He sets the kid’s notes down and looks at him. “In what way?”
“In the way that I–” Wheeler’s gaze flickers to a corner of the room, a blanket fort by the back door. “The knight, they’re based on Eleven. The one who saved us, who killed the demogorgon. And she hasn’t, um, come back. And I can’t just– let them find the knight, when we can’t find her. I can’t write her story and make it up when I know she’s out there, I can feel it, I’m sure, and I can’t just write over that when she’s going to come back and everything’s going to be different.”
The kid’s words are halting, sure, like he’s hesitant to tell all this to Eddie, but his voice doesn’t waver. He’s convinced. Sure of himself, sure that this girl is going to come back from wherever she’s gone, and it’s endearing. Even if it’s naive. Eddie sort of misses being naive. “Yeah,” Eddie allows. “I get that. But I think you can, uh, y’know. Have a few ongoing mysteries. Reveal everything else slowly, ongoing through each session, and then keep that one back. Wait until Eleven comes back. And you can write the real ending then.”
Wheeler smiles. “Yeah. I can.”
When Eddie goes back upstairs, Steve’s still in the kitchen. He’s beating eggs in a mixer looking stupidly fucking domestic and Eddie can’t resist it, can’t resist saying, “I never figured you for housewife material.”
Steve looks at him with his eyebrows raised. “I’m just helping out.”
“You and not your lady wife? Where is she, anyway?”
“Helping her mom wrap gifts.”
They look at each other across the island in silence. They’re alone in the kitchen. The music’s changed to the fucking Beach Boys, which is probably what happens when Steve’s left unsupervised. No sound but the Beach Boys and the electric drone of the mixer, its whisk hitting the side of the bowl. Again. And again.
And Eddie and Steve looking at each other.
Steve shuts the mixer off; he opens his mouth to say something; Will comes in and says “Hi, Eddie!” and the moment is broken. Steve goes back to his baking. Eddie smiles at Will and shakes the tension off. And when he’s done saying hi, Steve’s back is turned resolutely towards him, and there’s nothing more to say.
But the trials in the Wheeler household don’t end there, it seems, because as he’s walking out to the door Nancy appears, hair half-up in a sweet yellow sweater. She looks as far away from November’s revolver-wielding badass as she’s ever been — the same way Steve, in his reindeer-adorned knitwear, seems different from the guy who bore a nail bat.
“Hey,” she says, and even her voice is soft. “You’ve been–”
“Missing in action?”
“Hard to find.”
He looks at her. She’s folded one arm across her middle, a vulnerability to her stance that he’d begun to think of as uncharacteristic. “What’s going on, Wheeler?”
“I feel like we’ve–” She pinches her lips together. “The four of us, we went through this thing and now–”
He doesn’t say anything.
“No one else knows what happened to Barb,” she says, voice low. “No one but you, and Jonathan, and Steve. And the kids and Joyce and Hopper and that’s it, no one else, and I just wish–”
“What did you think, that we were all gonna have sleepovers and talk about our fucking trauma together? Come on, Wheeler, I know you’re smarter than that. It’s you and Steve, one side, and me and Jonathan, the other. All the demogorgons in the world aren’t enough to bridge that gap.”
She sighs, like she’s tired of this argument. Where has she heard this before? From who? “But Jonathan–”
“Jonathan’s been just as absent as me recently, right?” Her face flickers; he knows he’s right. “Look, I don’t know whatever goes on behind the scenes of your royal little power couple. I don’t really care. I just know that it’s–“ He bites the inside of his cheek. “Nothing you can get away from. Nothing any of us can get away from.”
She looks at him carefully. He wonders what she’s thinking — whether she’s heard the rumors, had classmates talking about it, hey, I can hook us up for the party this weekend, Munson does a good deal. He can’t imagine perfect princess Nancy Wheeler approving of all of that. Of course not. But it’s what he does, who he is. Who he has to be. And she doesn’t know anything about it and that’s her problem, her blessing.
Her privilege.
“So you’re saying– what. Everything else, we can get away from? What happened to Barb? To Will? None of that matters?” She shakes her head. “I can’t just forget about it. I won’t.”
Must be nice, he thinks, the edge of bitterness sharp enough to cut himself on. But that’s not really what he’s thinking at all. Because it’s a cruel thing, right. To envy her. He doesn’t envy her. He doesn’t envy what she lost; he doesn’t even envy what she still has, exactly. Just resents how little he has by comparison.
“None of us should,” he allows, and she nods, once, blunt. Like maybe they’ve reached an understanding.
She touches his arm again, long slender fingers wrapping around his wrist for a moment before letting go. “Don’t be a stranger?” she says, and he smiles just as thinly.
“I’ll do my best.”
She looks at him for another moment. “Merry Christmas,” she says, and then she turns and moves past him to the kitchen, to Steve, to where she’s supposed to be. He can’t blame her. He’s got somewhere he’s supposed to be too.
But first, one more stop.
He drives over to the Byers’ to the tune of Thunder Road, one of the last songs on the old Judas Priest cassette that he’s been neglecting in favor of the more recent Screaming for Vengeance, and idles in the driveway for a moment. He knows Will is at the Wheelers’; Jonathan’s car isn’t here. It’s only Joyce’s tired little Pinto, a fond little deathtrap of a car he ought to be discouraging her from driving, mechanic’s code of honor and all, but hey. He knows how it is.
He’s sort of afraid to see her. Ridiculously. Maybe he thinks she’s going to talk him out of this. Maybe that’s what he wants, wants and doesn’t want, and he’s sitting here because he doesn’t know. Paralyzed by indecision: all that shit.
But he can’t keep doing this. Can’t sit here forever. So he gets out, lighting a cigarette as he goes because he knows she won’t mind, and knocks on the door.
When she opens the door, her eyes are wide and a little frantic, hand grasping at her collarbones. “Eddie,” she says, slightly breathless. “Shit, I– sorry. Come in?”
He steps inside warily. “You, uh– you okay?”
She smiles self-effacingly, closing her eyes. “Never better, y’know, I just– um. Haven’t let Will out of my sight since– it all, so. I’m just– on edge.”
“Yeah.” He takes a drag of the cigarette and feels it calm his own nerves; he wonders if it’s a Hawkins thing. A poor-people-in-Hawkins thing. A faced-a-monster-and-won-but-not-quite thing. “I didn’t mean to, um, just turn up, or anything. I just wanted to– I guess, wish you guys merry Christmas? Not that– I mean, you probably don’t even celebrate it, I just–”
She waves a hand. “We do, sorta. Lonnie was very into all the Christian holidays, we brought the boys up that way. It stuck, y’know? I’m trying to get more in touch with who I was before I married him, but– it’s hard.”
Her frankness puts him at ease, even as he doesn’t quite know what to do with it. He lets his shoulders drop, and he rubs his wrist over his forehead, the hand that’s holding the cigarette. “Shit, well. That’s not even the reason I’m here. I don’t know why I said that.”
She looks at him kindly. “Go on.”
“I just–” The words come out in a rush. “Jonathan said you knew my mom.”
“Oh, honey.” She moves to sit down on the couch — the room all clean now, clean and tidy, no Christmas lights, though a tasteful little tree in the corner — and makes it clear with a look that she wants him to join her. He doesn’t want to. He wants to stay where he can get out, close to the door. This house still has him tense and itchy, after all.
But he does join her. He sits down on the couch a couple feet away and twists his hands together between his knees.
“I did know your mom, for a while. We worked together, the summer of ‘65. Hilly’s Diner, I think it was called back then. It’s the Hideaway now. I was trying to earn some money so I could try to go to college; she was just working to pass the time, I think. She had all these ideas. She was a big dreamer, y’know, your mom. All these plans: Hilly’s was just a stopgap, I knew. I mean, sure, it was the same for me, but she was so joyful about it. Had this sense of life about her. She wasn’t gonna let Hawkins tie her down.”
“What–” He swallows. “What was her name?”
Joyce looks at him for a long moment, like she’s trying not to disclose any pity or surprise. She succeeds, sure, but Eddie can feel it anyway. lingering in the air. “May,” she says, eventually. “May Kettering.”
May. It’s a nice name, he thinks. Too nice. And suddenly he can’t listen to any more; suddenly he can’t hear it. Not from Joyce. If he’s going to learn these things he has to learn them from the right person — from the person who knows the whole story, the good and the bad.
“I’m going to see my dad.”
“Oh, honey,” Joyce says again. “Are you sure that’s–”
“A good idea?” Eddie laughs hollowly. “Nope. But at this point I’m not sure what else, um– what else there is to do. So. I’m doing it.”
She doesn’t say anything. She just looks at him, eyebrows creased together, like she’s worried for him. Like she cares. But he’s got shit to do today and he can’t afford to fold; he considers her look for what it is, an offer of kindness, and gently but firmly turns it down.
Hasn’t she got enough to worry about, after all?
In the van, the Judas Priest cassette loops over to You Say Yes and he lets the whole B-side play out again as he drives out of town. He’s got his paperwork on the passenger seat; he’s cleaned out his van, stashed away all the joints and scattered baggies he’s been collecting, thrown out all the trash. It’s clear and empty and still reeks like cigarette smoke, which isn’t a smell he’s ever going to shed, he knows that much, even as he sticks one between his teeth and lights it one-handed, the other on the wheel as he cranes his neck at the road signs. He’s never driven here before. It’s not a long drive. When the cassette finishes for the second time he switches it out for Wild Life by Wings, one his uncle bought him right in the beginning not really knowing what metal was but trying his best anyway. Eddie still listens to it, for sentimental reasons. Comfort.
Paul McCartney’s crooning They think that having love is like having money in the hand when he pulls up in the parking lot and cuts the engine, hanging his head over the wheel and catching his breath. Already having shown his ID at the gate. Already looking up at the big red brick building and thinking– oh.
Fuck.
Indiana Reformatory.
My father’s in there.
It’s not too late to turn back, he knows, just like he also knows he was looking for Joyce to stop him. But she didn’t, and he didn’t let her anyway, and–
And.
He went back for Steve and Nancy and Jonathan. He went in there and saved their lives even as his every fiber was screaming at him to run, to get out, to go–
He didn’t go. He stayed. And sure, he was wrong about a lot. About who Steve is, about how much that can extend to who Eddie can be. But it happened. He did it. And if he can do that, then–?
So here he is. Here he goes.
They search him on the way in, as he was warned to expect. They scrutinize his ID (the real one this time) and look critically over his long hair, tied in a knot at his nape, his all-dark clothes. He’s gone for the plainest shit he owns, just jeans and a black t-shirt under his leather jacket and Wayne’s scarf. No jewelry. But there’s something about him, right? Something everyone else seems able to pick out anyway, and these officers are no exception. They look at him hard and cold as they tell him the rules and he listens as best he can with a ringing in his ears, jumpy and nervous in the face of all this authority, half afraid they’re going to arrest him too.
But they don’t. They just direct him down the hallway until he’s by a bank of phones like you see in the movies, glass grimy and smudged with fingerprints, the ghosts of past inmates and their visitors and current inmates and visitors sitting there now–
The place feels exposed. Violently open and public, crowded with despair and boredom and cigarette smoke, and Eddie can feel his hands shaking. He digs them deeper into his pockets and finds his seat. Plastic. Hard, difficult to get comfortable. It’s cold in the visitation room. His fingers tremble as he lights a fresh cigarette, since that’s what everybody else seems to be doing.
The seat opposite him, behind the glass, is empty.
And doesn’t that just make sense? Half of him — perhaps the whole of him — is expecting it to remain empty. He can’t imagine his dad moving through the hallways towards him right now, existing and alive and breathing in the same building, the same county, the same world. Like he winked out of existence the moment Eddie ran out into the night. Which of course he didn’t, that’s not how it works, but maybe Eddie was hoping–
And yet he’s here. Why is he here?
His cigarette slips from between his fingers. He bends to pick it up, cursing under his breath as his back pops (like a fucking old man) and when he straightens up his dad’s looking at him from behind the glass.
Gesturing to the phone. Holding his end already, impatient, and in a haze Eddie picks it up.
“Ed,” his dad says. Voice crackling down the line. Smiling. “You came.”
It’s a strange smile. It’s a smile Eddie knows better than he knows his own and yet it’s a strange smile — always small and wry like he thinks he’s being clever, this time with a pull to his lips where there’s a bumpy red line cutting down to his chin. A scar that wasn’t there before.
“You’re startin’ to look like me, y’know. You got a nose like mine.”
“Eddie,” Eddie finds himself saying, voice distant to his own ears. His heartbeat jerks and stutters in his chest. “It’s Eddie, not Ed.”
A flash of something across his dad’s face — irritation? Sure, maybe, who fucking knows — and then a deeper smile. “Okay. Well. I got your address right at least, didn’t I? Since you’re here, and all. Still livin’ with my brother.”
“Yeah. I’m still living with Uncle Wayne.”
“Y’know, I tried to get him to visit too — not a word. Knew I could count on you, kid.”
Eddie laughs disbelievingly. “Did you? Really? Because– shit, you do know I ran out on you, right? For a goddamn reason? Y’know, I ran into– into Lonnie, the other day. Lonnie Byers. He knew all about it.”
“Lonnie still kickin’ around? He didn’t wind up in some other shithole like this one too?”
“Nope,” Eddie says, and finds his voice quiet and sullen like he’s fourteen again, after a cuff on the ear or worse, like he’s falling back into the old ways of living like he never even left, like no time passed at all. “How come you’re–” He gestures to the phone, to the glass, to the guard watching them boredly by the wall.
“In max? This shitty state prison? Don’t fuckin’ ask me, Ed, I did what my damn lawyer told me to do. Kept my head down, behaved all nice around the judge. Where does it get me? Where that fuckin’ rat wanted me, I tell you.”
“Rat?”
His dad rolls his eyes and brings his hand up to pick at the scar on his chin, fingers twitching with the unconsciousness of a habit. Like maybe he’s itching for a fix. “You left me in the goddamn lurch, y’know. When you left. You were gonna be a huge part of it, my plan. We coulda made it big. We woulda gone legit in the end, kid, it was the money in the drugs was gonna lead us to better things–”
“You dislocated my shoulder.”
“Like that didn’t happen to you all the fuckin’ time. Anyways, if you’re so goddamn sore about it, what the fuck are you doin’ here?”
Eddie pulls the mouthpiece away from him so he can breathe without his dad hearing it down the line. “Good question,” he says, where his dad won’t catch it. He never could stop running his mouth; he just learned to turn the volume down. Then he says over the phone, holding his breath so it comes out strained, “Why did you want to see me?”
A silence. His dad contemplating him, fingertips tapping on that scar. He looks pale and thin in ugly orange, strung-out. Eddie finds his eyes tracing his dad’s arms, searching, but he doesn’t find anything. Though it’s irrelevant, really, since there are plenty other ways to be an addict. Eddie should know. “You know much about prison, Ed?”
Eddie shakes his head.
“Yeah, well, good. It’s fuckin’ boring. The others, they’re all talkin’ — when they let us talk — talkin’ about their wives, their kids, waitin’ for ‘em on the outside. Figured I’d get myself somethin’ to talk about.”
Eddie looks at him disbelievingly — but hey, more fool him, right? And the surprise is more a distant bitterness than anything real, just an empty feeling of back here again, like I never left. “What about your wife?”
His dad laughs. “You know damn well there ain’t no wife.”
It’s Christmas Eve, Eddie registers vaguely. The girl next to him, maybe only fourteen, she’s opening some gift, nose and eyes red, like she’s had to give it to herself, the man behind the glass beyond her reach. Thank you, she’s saying tearily. I love it. It’s fucking Christmas Eve.
“What was she, then? My mom? You never even told me her name.”
“That’s really what you want from this?” His dad shakes his head. “Kid, it’s a lost cause. She wanted nothin’ to do with you or with me. I never told you about her ‘cause there was nothin’ to say.”
Eddie thinks of Joyce this morning, the whole story she was going to come out with until Eddie stopped her, warning to hear it from someone else. Or not hear it, maybe, since on some level he knew his dad wouldn’t give him what he wants. Wouldn’t give him anything at all.
“You been keepin’ your nose clean, I guess, since they let you in here. No juvie or nothin’?”
Eddie doesn’t respond. He knows what his father is asking. The family tradition, and all that. What Eddie was taught to do: first the cars, a hotwire and a surface refit and pass them on to Lonnie to fence; then the drugs, cut out the middle man, make a shitload more money until–
His dad isn’t asking if Eddie’s breaking the law. He’s asking if Eddie’s being smart enough to get away with it — if he can be proud of his son. For that.
Like it’s a given. Because how did he know? That Eddie would fall into that pattern, easy as breathing? That the things he was taught just won’t go away?
Because it was inevitable? Because it happened to Eddie’s dad with his own father, too?
“I’ve been arrested a couple times,” he admits. It feels sort of good, good and horrifying, like the jerk of adrenaline when you run down a slope and the momentum overtakes you, to say this to his father. To reject the urge to please him. “I’m hardly a criminal mastermind.”
“What, not like your convict dad?” His dad grins, sort of shark-like, more scathing than humorous. Sharp. “You had to make yourself recognizable, huh? Couldn’t do something so easy as cuttin’ your hair. You look like a mess.”
“They didn’t catch me because of my fucking hair, they caught me because I was high in the street,” Eddie snaps, and watches the way his dad’s face changes at the word high, the muscles around his mouth tightening, pulling on that scar. Withdrawal, then. “How the hell did they catch you in the end, if you’re so anonymous?”
His dad’s face twists. “Fuckin’ rat.”
“Rat, what rat?”
“You didn’t hear?” He snorts a cold laugh. “Guess they got it sealed up good.”
“What?” Eddie feels cold, unbalanced. He’s missed something. What has he missed?
His dad gets that sharp, annoyed look he always used to wear when he thought Eddie was being stupid. Less to do with his terrible grades and his inability to concentrate (he got plenty of disapproval for that elsewhere) than not being street smart enough, not being canny enough, not taking an advantage when it was offered. “You not even curious about your old man? You didn’t look me up, didn’t ask around when it happened?”
“When what fucking happened?”
He shakes his head. “A girl got knocked up, her family hated it, she hated her family, she hated the people she wound up with too. Enough to rat.”
“A pregnant girl? You– what does that even–”
“You asked me why I’m here, right? State, instead of federal? That’s fuckin’ why. That girl.”
Eddie tastes bile at the back of his throat. “What the fuck did you do?”
His dad rolls his eyes. “Give me some goddamn credit, son, I ain’t some sorta predator. I tried to help her. She decided she didn’t like my business; she lost the kid. She’s probably in fuckin’ witsec now.”
Eddie can’t help but imagine it, as his ears begin to ring. The girl, anonymous, faceless, just a small, almost androgynous shape on the ground, curled around her middle as Eddie’s father aims a kick–
He doesn’t say anything. He’s not sure he can say anything. His dad hasn’t told him all that much, sure, could mean anything to anyone else listening, but–
But.
Eddie knows his dad. Knows the reason he left that house, out into the evening dusk, nothing but the clothes on his back and hand trembling over his shoulder, his father having graduated from sending him to the doctor to ignoring it to inflicting it himself–
Knows what his dad has done.
“So that’s why you’re here,” Eddie says, voice dull. And why is Eddie here? Because he wanted to wallow in it? Take a look at what he was going to turn into, what he was born into? What he can’t help but become? “Because you–”
“Because it’s a state crime, not federal. The drug shit, they had less evidence for that, she backed outta tellin’ ‘em much after. They got me good for her kid though.”
Eddie wishes he’d brought something in. Smuggled it in. Strong, like his dad’s clearly craving. But not for his dad. Anything to fucking– get rid of what he’s just heard. Erase it. In all the ways he imagined this going–
Not this way. He never imagined it this way.
God, he wants a fucking joint. A beer, or a half of vodka. A tab of acid or a key of ket or a–
His dad’s itching at his wrists, eyes darting around the room, desperate, not caring what Eddie now knows, acting like he was stupid for not knowing it already the way he always acted like he was stupid and worse, pretending like that night didn’t happen, pretending like it’s all okay and Eddie will show up which he did anyway but that’s before he knew what his dad did–
His dad has opened his mouth, he’s saying something, but Eddie can’t hear it. Not because his ears are ringing, which they are, but because he’s set the receiver down. Muffled through glass, Eddie can’t hear his voice anymore. Eddie doesn’t want to hear his voice ever again.
A thud on the glass: his father’s fist. Trying to catch his attention. Was that what it was all about?
Yet, no. Eddie’s still pushing his chair back, getting up, moving away from the glass. Like it’s that easy. Like it was that easy before.
The way it’s easy to get out — easier to leave than to come in. He winds Wayne’s scarf around his neck in the parking lot and breathes a breath of fresh, clean air, free air, because he’s not in prison yet.
And he’s never going to throw anyone down, kick them, cause them to lose a child. Never going to get into fights, have his chin split open. Never going to have a kid and raise them to hate themselves. Never going to hurt anyone.
So maybe he never will be.
And maybe it’s as easy as that.
So he takes another deep breath, lets his lungs fill with air, deep and slow. He feels a flake of snow land on his cheek and he lets it melt. Then he gets back in his van, turns the engine over — Wild Life flares to life, rich and mournful and bleak — and starts the white, wintry drive back to Hawkins.
END OF VOLUME ONE
Notes:
— o'dell is one of the farmers hit by the crop poisoning in s2
— a charlie brown christmas tree is a notably sparse tree featured in 'a charlie brown christmas', 1965, now archetypal
— the sixties album is christmas with brenda lee, released 1964
— there's a pie on the counter at the wheelers' when jonathan picks will up in the evening on christmas eve
— speaking of, the stranger things wiki lists the epilogue to s1 as taking place on the 8th of december. this makes absolutely no sense to me, since will is going through his presents at the base of the tree. hence, christmas eve.
— the beach boys song is little saint nick, the first song off the beach boys' christmas album, released 1964
— the old judas priest cassette is point of entry, released 1981
— their screaming for vengeance was released 1982
— joyce's car is a 1976 ford pinto; in 1978, the model was recalled, due to increased risk of explosion if the car was rear-ended. it's a clever signal of the byers' poverty - they can't afford a safer car. eddie, as a mechanic, would be aware of this.
— wild life by wings was released 1971
— the first song is a cover of love is strange by mickey and sylvia (famously featured in the dirty dancing soundtrack)
— indiana reformatory is in madison county, just outside indianapolis - a max security men's state prison, it was renamed pendleton correctional facility in 1996a reminder of the playlist for this volume, found here. it features every song mentioned in this volume in order, plus a bunch of other period-typical songs at the end for the vibes.
thank you for reading!! we're going to dive into volume two (also published in this ao3 listing) after a short hiatus of a couple of weeks, just so i can get more chapters written to keep the updates regular! i'm very excited to get there and i hope you stick with me throughout <3
as always, you can find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 17: VOL II: MADMAX
Summary:
Will followed the direction of his gaze without really seeing, it seemed, and Eddie looked closer at him. He was pale, shivery. Thin, like he’d lost some of the healthy weight he’d put back on since last November. That couldn’t be a good sign.
“You, uh– you okay?”
Will withdrew into himself and mumbled something like yeah, I’m fine, which, Eddie knows that trick.
Notes:
'a few weeks' hiatus', she said. well, two and a half months later, i'm back with volume two! it's been a very hectic few months but i've written a lot and i'm extremely excited to share it with you all.
don't forget to listen to the soundtrack to volume two while you read.
warnings for drug use + dealing, referenced homophobia, and classism.
(See the end of the chapter for more notes.)
Chapter Text
Volume Two: Heartbreaker
TUESDAY OCTOBER 30TH, 1984
He can sense each drop of rain as though it’s landing on his skin like a stone; it feels louder than his own heartbeat. It’s gray-green-blue in the air. He can see it through his high open window, feel the cold damp settling over his face, becoming his face, the water soft and welcoming and alive. Is he out in the rain? he wonders. He’s not sure he knows.
It’s six thirty-three in morning (the clock seems to be floating somewhere in the upper right hand corner of his vision) and Eddie’s never been this high in his life.
Which, at this point, is actually a notable record.
He began with a blunt to help him sleep around three a.m. — when that, and a second one, didn’t kick it (having developed a pretty high tolerance now) he started on the Special K. Which he has a sort of fondness for. It doesn’t last too long, doesn’t fuck him up too bad if he doesn’t take too much of it. There are worse drugs out there.
He tries not to deal them. Don’t push your luck, kid, Rick said to him, early on when Eddie didn’t really know what he was doing. The lighter stuff, no one cares. They look the other way. But some rich junior dies overdoing it on crack? No one’s gonna let that shit go.
So, the K. It’s already wearing off, and the way he feels vaguely disappointed by that is enough to tell him he hasn’t overdone it yet. When it gets to relief — relief his limbs are working again, relief he’s able to climb out the hole he put himself in — then he’s in trouble. Because soon enough that feeling would swing right around to disappointment again, disappointment he hasn’t yet buried himself completely, and that’s a road he’s not particularly keen to go down.
He’s trying this new thing, see, of recognizing his limits.
A ten year old girl on a street corner, goes the Rolling Stones song spinning away on his record player. (He’s divided his music into two kinds — driving and taking drugs. Interesting 70s shit like this goes in the latter pile.) Sticking needles in her arm, she died in the dirt of an alleyway. Her mother said she had no chance, no chance!
The guitar riffs lead his eyes over to his own guitar and with an effort he gets himself up off the floor, reaches out for it, thinks, wait, shit, shouldn’t wake up Uncle Wayne–
Remembers Wayne’s at the plant, called in for a rare Sunday night shift–
(Rare now because Wayne put his foot down, now that there’s more money coming in, not that Eddie’s told him where it comes from, not that Wayne doesn’t know anyway–)
His fingers are numb on the strings, not quite working how they should. He picks out a few chords and sags his head back against the wall, wondering in a high sort of way if Gareth and Jeff and Aaron would object to being called up and brought over here to jam this feverish, uncooperative energy out of him. They could finally finish the song Eddie’s been writing for months, the song he’s got no chorus and no title for, the song whose meaning he doesn’t quite know.
He doesn’t do this: luckily the phone seems insurmountably far away. He just lets Narsil go loose in his hands as the record moves on to Angie, the last song before he has to turn it over, which also seems like the most difficult task in the world. Sometimes he regrets getting high alone.
Which makes him think of Tommy C., idly, briefly, and he laughs to himself. He hasn’t seen Tommy since Tommy graduated, not even smug-looking like the rest of the graduates (Eddie not included, left behind another year, as he knew he would be) walking the hallway for the last time. Just bitterly relieved.
(The place he lost his dad, is what Eddie’s last thought was as Tommy’s back turned, never to be seen again. This fucking town.)
So he doesn’t turn it over, when it gets to the end of the song. Just listens to the crackling pop, rhythmic and comforting, until his eyelids drift closed.
This isn’t how he was intending his night to go. He had a productive Monday night, did his homework, even, after band, before arriving only a couple minutes late for his scheduled meeting around the back of the arcade at eight. Selling pimply Keith Parrish a quarter ounce and receiving a couple bills grimy with Chee-to dust in return. Eddie would have preferred to do this at school but a lot of people don’t like that, don’t like being seen with him in the context where it matters. Not that Keith is cool. Very uncool, very slimy in the way he watches Nancy across the cafeteria. Not stupid enough to do anything about it, of course. Steve’s arm around her shoulders is enough of a deterrent for anyone.
But Keith is one of the hopeful types. Real American dream type situation, faith that things will get better for him, that this time the girl will choose him and not the basketball player, that this shift will be the one that earns him the cash to get out of this town. Trying for a better life than he’s ever going to get — hence avoiding people like Eddie like the plague.
Except, of course, when he wants something.
So Eddie was standing there after the deal, smoking a cigarette and listening with irritation to the Sparks thrumming through the arcade wall, mind on yesterday’s Corroded Coffin practice, when someone walked out the side door and stood there staring into the sky and Eddie straightened up because he recognized Will Byers.
He opened his mouth to call out to the kid — and then closed it again. Unsure why, exactly, just something weird about the whole thing. Will’s frozen form, just staring. Rigid, as if with fear — not even a panic attack, because Eddie knows what those look like. Knows what to do with them. No, this was something else.
So he held back. Hesitated. Until the kid seemed to startle himself out of it, looking around bewildered and trembling, eyes wide and scared and that’s when Eddie made his presence known, approaching slowly like you’d do with a wounded deer.
“Hey, kid,” he said softly, and Will jumped about a foot in the air.
“Eddie,” he said, when he’d sort of caught his breath. “What are you– what are you doing here?”
Eddie shrugged easily. Dealing drugs, he imagined himself saying, and just as quickly buried that thought. Leave these kids innocent as long as possible, right? Like his dad didn’t do for him. So he said instead, “Renting some tapes,” nodding his head in the direction of the newly opened Family Video the next storefront over.
Will followed the direction of his gaze without really seeing, it seemed, and Eddie looked closer at him. He was pale, shivery. Thin, like he’d lost some of the healthy weight he’d put back on since last November. That couldn’t be a good sign.
“You, uh– you okay?”
Will withdrew into himself and mumbled something like yeah, I’m fine, which, Eddie knows that trick.
He sighed and put his cigarette out. “Speaking as the expert on weird shit, my friend, that was weird. Now, I don’t know whether we’re talking Upside Down freaky monster weird or, I don’t know, whatever normal problems a boring eighth grader has weird, but I do know you don’t look fine to me.”
“Boring?” Will was frowning. Maybe that didn’t come out right.
“Well, yeah, whatever– um, whatever problems some preppy blond kid who listens to Huey Lewis has. Y’know, a boring kid.”
“So–” Will looked like he was thinking very hard about this. “I’m not boring?”
Eddie was startled into a laugh. “Byers, you’re Will the Wise. I wouldn’t call that boring.”
“But that’s just–” Will dug his hands into his pockets and scuffed the asphalt with his shoe. “I’d rather be boring than whatever I am now.”
Eddie couldn’t really blame the kid for that. He lowered his voice and asked carefully, “And what are you now?”
“I’m–” Will looked over his shoulder, at the spot of sky he’d been staring at so intently. It was dark and clear, stars peering out faintly from behind cloud. “I don’t know,” he finished lamely, sullenly, a strain of Jonathan in his voice now and Eddie was pretty sure he’d reached the limit of his powers.
“Well, if you ever want to, uh, talk– or, not so much talk, I’m not great at that but what I can do is make your problems into monsters in a DnD campaign so you can beat them up, y’know, metaphorically. Or, like, offer you music that isn’t Bauhaus.”
Will almost smiled. “Jonathan doesn’t listen to Bauhaus,” he protested, and Eddie shook his head.
“Like hell he doesn’t. You wanna know why he doesn’t smile? It’s because he’s got Peter goddamn Murphy singing in his ears about death all the time.”
“Isn’t metal about death too?”
Eddie grinned. “Only maybe fifty percent of it.”
“Eddie? What are you doing here?” Mike had emerged from the arcade, concern in his eyes as he looked at Will turning to something warmer as he turned to Eddie. For some unknown reason, these kids actually liked him.
“Tapes,” he said, pointing.
“Cool. You wanna help us win Dig Dug? There’s some interloper who totally thrashed Dustin’s high score and he’s losing his mind about it–”
Eddie raised an eyebrow. “Michael, you vastly overestimate my fine motor skills. Besides, another person beating Henderson just doubles the defeat, right? Every man for himself.”
Mike shrugged, like that was fair. “Will, you want a turn?” he said, and Will looked quickly at Eddie before looking away again and then nodded. Eddie waved him off, watched them both go back inside, lit another cigarette since he wasted the first one. Went and rented The Thing, since he was here, and watched it that night over a sad grilled cheese.
But he couldn’t get it out of his head, was the thing. The way Will looked at the sky. The emptiness in his eyes before he came back to himself, the strange fear that shook through him. I’m fine.
“Like hell you are, Byers,” Eddie muttered to himself as he lit his first joint of the night, failing to find any other way of getting his mind to stop racing around and around it, which joint turned into two, and then the K, and then the haze of sleep as he began to come back down again.
He wakes to Wayne’s knock on the door — “Eight thirty, kid, you’re gonna be late,” — and has to drag himself out of the corner he’s folded himself into, limbs and neck stiff and aching, the room flooded with cold from the window he left open, listening to the sound of the rain. He ties his hair in a loose knot and finds himself jeans, a t-shirt, drags it over his head, moves with the care he knows he has to when he’s pushed his body like this.
(Sleeping against the wall with the window open — is that really all it takes?)
When he goes out, Wayne’s watching him tiredly by the counter, cereal already poured into a bowl and waiting for milk — or else waiting for Eddie to reject milk, since he has a thing about eating it dry. There’s a smudge of something on Wayne’s cheek.
“You sleep okay?” he asks, and Eddie shrugs around a mouthful of cereal. Okay doesn’t really mean anything. “You gotta start settin’ an alarm, kid, you’re gonna miss school one day if I’m runnin’ late on the way back from work–”
“I know.” Eddie sets the bowl down and his eyes catch on his palm, where he’s written in large black sharpie DND WEDS — PLAN. Right. What he was supposed to be doing last night, or rather what he could have been doing all the hours he was in that altered state halfway between awake and asleep. “Has the car been doing that thing again?”
Wayne grunts. “Whatever you did, it worked for a hot five minutes.”
Turns out Eddie’s a better drug dealer than mechanic. He shrugs and washes his bowl, feeling habitually for the temperature of the water — hot again, like it’s been hot the last few months, like some minor (major) miracle. Maybe John Harrington did something right with all the money he took when he raised the rent. Then he turns back to his uncle and says, “Long night?”
Wayne rubs his forehead and his hand comes away greasy. “You could say that, yeah. How’re we lookin’ to pay Thacher’s?”
“It’s not a very friendly bill, put it that way.” Eddie knows this off the top of his head, from both the months he spent at Thacher’s and the income he pulls in now, scattered deals around school and beyond. He’d wanted to work at Thacher’s again this summer but hadn’t quite been able to face asking the question, after the rejection the year before. Because of what his dad did. Now that he knows what his dad did. (Now that he knows it’s– well, fair enough.) “Y’know, enough people in this town work for that place. Can’t they put on a, um, a bus, or something?”
“That’d require a little bit of common sense,” Wayne says dryly, and Eddie smiles. “Okay, well, have a good day, study hard, all that.” Wayne sits down and begins to pull his boots off, face set in a grimace, which Eddie takes as his cue to leave. It’s something his uncle’s started saying, study hard. It makes Eddie feel sort of cold inside, given it’s only a recent development, only the last few months since he started senior year again.
But whatever. He goes.
He blasts Slide It In on the way to school, pulls into the parking lot to the tune of Love Ain’t No Stranger and ignores the scathing looks he gets from permed, pastel sophomores. Getting out of his van he nearly leaves his homework behind, until his eyes catch on the sticky note he’s attached to the rearview and he reaches back over to get it. His new system, writing things on his hands, sticking little notes everywhere he looks. Maybe that’s what will get him to graduation this time. That and a fucking miracle, like getting Miss. O’Donnell to like him, like getting himself to concentrate more than two minutes at a time…
With the result that he’s a little distracted, walking through the parking lot, and it takes Aaron stepping all the way in front of him at the entrance to get him back to his surroundings.
“I talked to the guy at Lucky Bicycle,” Aaron says, without preamble. “He said he might be able to convince the manager but only when we’re all eighteen.”
Eddie’s been over eighteen for a long while; Aaron, Gareth, and Jeff less so. He sighs. “Shit, I really thought they’d be our best bet, y’know? They’ve definitely done worse than let minors in there to play some fucking music.” He knows this firsthand, from watching Lonnie and Bruce treat the place like their personal criminal playground. “We’ll work something out.”
“Oh, and we need to play some W.A.S.P. You’ve listened to them, right? Their song Animal is insane–”
“Yes, Aaron, I’ve listened to them,” Eddie says, an edge to his voice. He likes Aaron, he does, their newest recruit, a junior who moved here from Seattle in September — long way to come for not much, Eddie thinks — but there’s something. Like maybe they’re too similar, highly strung, pretentious. They haven’t quite got the measure of each other yet.
“Jeez, well, anyway. We should play some. And we should…” but then Aaron trails off, gaze moving further off down the hallway, and Eddie rolls his eyes, already knowing what he’s looking at. (Or rather, who.) It’s a girl in Eddie’s history class, Heather, all dark hair and doe eyes and daddy’s wealth. Rich enough to give Steve a run for his money, probably. Not that she flaunts it in the same way as Steve does (did?), but you can tell. You can always tell.
“Still pining, I see.”
“I gave her a pencil last week. She recognized me, I think, but she didn’t say anything.”
“Dude, I don’t know what to tell you. Your mom being her dad’s secretary might just be too tenuous a connection.”
Aaron shakes his head stubbornly. “Office Christmas party, I’m telling you. Her family’s hosting and we’re going to talk, I just know it.”
“I believe you.” They reach Eddie’s locker and he begins unloading his books, half an eye on the hallway, so he catches a glimpse of Steve’s head over the crowd, taller than the girls around him. Which girls aren’t there because Steve’s deliberately collected them, unlike last year. He’s a whole new man. Settled down, studious, the socialite fallen from grace. Or so Eddie hears. He hasn’t really spoken to Steve in months.
“Have you heard anything from Jeff?” Aaron says, tone shifting so fast Eddie gets whiplash.
He shakes his head. “No, you?”
“Nothing. You think he’s, like, okay?”
Eddie closes his locker and rests his palm on the cool metal surface for a moment, strangely graffiti-free, the way it has been since the year started. Like maybe Tommy C. and the rest graduating, Steve relinquishing his crown, changed something around here. Like the freaks are being left alone. “I think it’s, uh, it’s probably pretty hard to be okay with something like this, right? I mean, not that I would know. I’d probably be glad if my old man keeled over. But, hey, special case.”
Aaron looks at him guardedly, warily. Like he doesn’t get Eddie yet, which, Eddie doesn’t get him, so. Whatever. It’s not fair to hold that against him: it’s not fair to hold his not being Janie against him.
And yet.
“Well, homeroom. Enjoy the trials and tribulations of your day,” Eddie says, with a flourish and a bow, and Aaron cracks a grin, loosens up a bit. So there is hope.
His first class of the day is fucking biology, but he’s decided to spend this year keeping his head down and getting on with it, so he finds his seat and hopes for a quiet day, avoiding Tommy H.’s eyes as he sits down.
But no such luck. Barely five minutes in, the door opens and a new guy appears. Tan and muscular, from what Eddie can tell under the denim, with a curling mullet and wispy mustache and what already feels like a bad attitude, the way he tilts his chin up and glares around the room like a dare, the way he takes them all in, takes Eddie in, and curls his lip.
Eddie’s run drugs and seen faceless monsters: he likes to think he knows trouble when he sees it. So he thinks shit, as he meets the guy’s stare, as he tries to work out how to play this, as inevitably he will have to.
“Class, this is Billy. Billy’s joining us from sunny California. Must be nice.” Mr. Ryan, practically an old friend at this point, sounds thrilled by all this. He gestures to the empty seat at the front and Billy slouches into it, eyes still scanning the room with a look that Eddie knows well — the sharp tension to his shoulders, the curl of his fingers into unconscious fists. A look half vigilant, half proud. A look spoiling for a fight.
The worst thing about all this?
On the other side of the room, Tommy H. is perking up. Or rather, leaning back, lifting his chin, trying to look cool. Like this Billy is the new King Steve, which, how can the mood in the room have shifted so fast? How can everyone tell? Are they really so bound to the cliched little rhythms of high school life, dictated to them by movies and crappy TV, that they accept their fate without a word? Their new supreme leader, come to rule among them?
Eddie pulls his hair out of its knot, letting it fall in its usual tangled curls around his face, but takes care to push it out of his eyes. He can feel himself being watched, by Tommy or Billy or no one, who cares, and he refuses to look up.
Roll for initiative.
Let’s go, fuckers.
The other shoe refuses to drop quite yet, however, so he makes it to lunch without incident. Sits down next to Gareth and pulls one knee up on the chair, surveys the way the mood in the cafeteria has changed. No sign of Billy yet, like he’s too cool to eat with them. But something different in the air anyway, and they can all feel it, even if they don’t know what it is. Gareth keeps twitching, tapping his fingers on his tray. Aaron’s wearing a frown.
Eddie hears his name called behind him and nearly jumps out his skin before he turns, finds Robin standing there instead of a tan jerk with muscles choked up on roids. Robin in eyeliner, hair cut to her shoulders, a smile on her face combating her simultaneous eye roll. “You dropped these in band last night, dumbass,” she says, holding her hand out. It’s his fucking D20s — he is a dumbass — and he takes them gratefully. “You just carry those around all day?”
“Lucky charms,” he says, grinning. She shakes her head. “Hey, did Mr. Tapia say anything about–”
“Don’t worry, he moved the practice on Wednesday. I think even the popular kids care about Halloween, so he was sorta overruled. Your nerdy little game is safe.”
“You’re a godsend, Buckley.”
She raises an eyebrow. “Just the messenger.” Then she walks away again, not exactly defiant but not hiding who she’s been talking to either. Eddie likes the way she’s grown into herself, into who she is. Not narcissistic enough to say it’s his influence, but–
It’s nice.
“What’s the deal between you and Buckley, anyway?” Aaron says, drawing Eddie’s attention back to the table. He’s looking meaningfully at her departing form, like there’s some larger significance to this interaction in the school’s social ecosystem.
“There is no deal,” Eddie says, and lets his lips twist into a smile at the private joke. Robin’s never bought from him — never bought from anyone, as far as he’s aware. It’s strange, having such a window into his peers’ recreational lives.
Gareth laughs, looking between Aaron and Eddie like Aaron’s being an idiot. Which– yeah, if he means the question like that. Maybe the rumors just haven’t reached him yet; maybe they’ve died down without self-hating Tommy C. to spread them. Whatever. Eddie will tell him one day.
“So what–” Aaron starts, and then gets drowned out by a clatter and a crash, some blond sophomore (Jack? Jason?) sneering over a scrawny kid with glasses who has somehow ended up face down in his tray.
“Say that disgusting thing you said about Patrick’s sister again. Go on, I dare you,” Jason says, voice icy cold and authoritative, like he isn’t just a kid. Like this isn’t just a high school pot boiling over.
“I just said– she was– lucky to be–” the kid gasps out, from where Jason’s got his foot planted on his back, and Jason leans in but then one of the other basketball players is going over there and steering him away, talking to him quietly, talking him down, and someone else picks the scrawny kid up and everything is as it was.
“What the hell was that all about?” Gareth says, pinching his lips together.
Eddie shakes his head. He’s not going to say anything so cliched as There’s a new King in town, clearly, even though they’re all thinking it, even though he can see Steve sitting quietly in his corner with Nancy and a couple of her friends on the cafeteria’s other side.
After lunch Eddie goes to his locker, tucking a cigarette behind his ear, and he’s opening it to get his math book out when he catches a flash of orange and finds a slip of paper tucked down the side.
TINA’S HALLOWEEN BASH, it reads, with a crude little drawing of a ghost and a bottle of wine. Come and get Sheet Faced.
He snorts despite himself, even as he’s wondering if this is some prank or else it’s been put in his locker by mistake. But then he turns it over and sees an additional note, handwritten: bring stuff for lots of $$$.
“Jesus Christ,” Eddie says under his breath. He feels sleazy, a little like a hooker, but hey. She’s not lying. All the moneyed kids of Hawkins will be there, most likely — Carol and Tommy H. and Heather and Tina, Nancy, Steve too. A lucrative business opportunity. So he folds the invite into quarters and slips it in his pocket before going out to smoke, staring out at the pitch in the cold air and thinking about money. $$$. Maybe that’s how they’ll fix Wayne’s car.
“Hey, man,” Jonathan says, as he steps up beside Eddie against the wall. Eddie hands him a cigarette habitually, almost without looking at him — because he doesn’t need to. He knows where Jonathan stands, where he stands, the exact width of the distance between them. They’ve got it down to an art.
“Hey,” Eddie says, exhaling smoke. “Good Monday evening?”
He sees Jonathan shrug out of the corner of his eye. “Mom was freaked about Will going to the arcade, so, nothing new. She’s taking him into the lab today.”
Eddie blinks, thinks about Will’s frozen, unnerving form. A shiver runs through him. “Is that really, um, the best idea, since, y’know–”
“Yeah, I fucking know,” Jonathan returns darkly. “Trust me, I’ve tried. But I told you, she thinks it’s the only option.” He kicks at the ground, jaw set in a line. “Whatever.”
“Has she–”
“Can we drop it?”
Eddie looks at him. “Yeah. We can drop it.” He considers it a miracle he’s got this far with Jonathan at all, from terse cigarettes smoked in silence starting in January to– whatever it is they do now. Eddie doesn’t really know. He just sort of goes along with it, the way they share snippets of whatever’s pissed them off lately. He thinks maybe it’s Jonathan’s way of preventing himself from punching things. “Have you heard about the new guy?”
“Billy, right? The girls were talking about him in the darkroom just now. The new Steve, or something.”
Eddie puts his cigarette back between his lips so he doesn’t have to answer that. When he’s taken a satisfactory drag he says, “Is it just me, or is there, uh, a general sense of doom hanging over us all today?”
Jonathan scoffs. “There’s been a ‘general sense of doom’, if that’s what you want to call it, since this time last year. Scratch that, maybe since we were born.”
Eddie knows that feeling. He watches a bird wheel around overhead and thinks about what it would feel like to leave. To get out of here. Graduate, go someplace else, the way Tommy C. got out, the way Janie got out. He’s not sure he can quite imagine it for himself.
He has to see Rick after school but he goes home first, pulls up outside the trailer to find a flatbed truck alongside his uncle’s car, and he frowns. It’s rare Wayne has visitors — a solitary sorta guy, outside of his occasional trips to the Hideaway when he has an evening off and an old friend to catch up with.
But Eddie distrusts a flatbed truck (dusty and speckled with mud) far less than he would a gleaming black sedan, so he goes inside with only a little tension in his shoulders. He finds Wayne sitting at the table, the truck owner on the couch — a guy older than Wayne, dark-skinned and graying in a denim jacket. He stops talking as Eddie comes in and looks him over critically.
“Eddie, this here’s Eugene. Eugene, my nephew Eddie,” Wayne says, and Eugene nods gruffly. Eddie nods in return and moves over to the kitchen in search of a snack. He keeps one ear on their conversation as it continues:
“I’m tellin’ you, Merrill needs talked to. He keeps goin’ around accusin’ the rest of us of shit, he’s gonna be the only farmer left in this place, and we’re havin’ enough trouble already. Have been ever since this place became more about goddamn steel than crops back in ‘65 when Brimborn opened.”
Wayne sighs. “Yeah, well, speakin’ as somebody who moved here for that plant–”
“Oh, I ain’t blamin’ you. It’s good work. More reliable than the farm, sure, ‘specially when what happened to Merrill happens.”
“What happened to Merrill?” Eddie cuts in, despite himself.
Eugene looks at him. “He’s got rot in his pumpkin field, and he’s accusin’ me of sowin’ it with poison. Which, just ‘cause he stole my idea doesn’t give him the right to go makin’ accusations like that. I was with Jenny all night, I told you,” he adds, turning to Wayne almost pleadingly. Eddie wonders idly how his uncle managed to get involved in this.
“I know you were. I don’t know, I think you can’t rise to it. He ain’t got no proof, right? It’s gonna make everythin’ worse if you make the situation bigger than it already is.” Wayne’s voice is slow, tired, but calming somehow. “Like you said, the industry’s gonna die if you all don’t stick together, you’ll get big farmin’ giants comin’ in–”
Eugene makes a hacking sound of disgust. “You know he went to the goddamn cops about me? Accusin’ me? Tell me, what kinda solidarity is that?”
Eddie imagines Hopper dealing with this dispute, farmers coming into his office to complain about pumpkins, and restrains a snort. Maybe it makes a nice change, after last year’s chaos. Maybe that’s what Hopper wants.
He goes through to his room and spends a couple minutes trying to focus on his math homework before giving it up as a problem for later and deciding he may as well go see Rick now. He’s got to hand over some of his profits, receive his next batch of product, maybe talk the guy out of antagonizing his neighbors again. They like to go fishing on the lake, see, and Rick takes great pleasure in throwing things at them when he’s drunk. Which seems sort of weird, that Eddie is to some degree his impulse control, Eddie who can’t graduate high school and has to snort ketamine to sleep, but hey.
The pay’s pretty good and it gets him out of the trailer park for a while.
He rolls the windows down as he drives over there, feels the cold woods air rush over his face. Hard to believe what happened in these trees a year ago, in the daylight now with Scorpions on full volume–
And yet not that hard to believe at all, when he considers the shadows under the clouds, the shadows under his eyes, how empty and eerie Will seemed last night. Like a year isn’t so much time after all.
Then he passes someone running on the road — and he realizes it’s Steve. Only a glimpse, but Eddie sees him clearly as the van rushes past: t-shirt, shorts, long limbs damp with sweat. Headphones attached to a walkman probably playing that new Wham! album. A wild look on his face, like something’s catching up with him.
Notes:
– the rolling stones song is doo doo doo doo doo (heart breaker), released 1973 - it intertwines two stories set in new york city, of a boy killed by police brutality, mistaken for someone else, and a girl who dies of a drug overdose. (this volume we get to play a fun game called 'spot how many times anya uses a song with the title of the volume in it).
– the sparks song is cool places, released 1983 - their second single to hit the billboard hot 100
– huey lewis is the frontman of pop rock band huey lewis and the news, active from 1979
– bauhaus is a dark, gloomy goth rock band formed 1978. peter murphy is their vocalist.
– the thing was released 1982
– slide it in is a whitesnake album released april 1984, their breakthrough in the us
– w.a.s.p.'s debut, self-titled album was released in august 1984
– eugene is the farmer who comes into hop's office in s2e2 claiming merrill poisoned his crops.
– the construction 'needs talked to' is a grammatical feature of midland american english, meaning 'needs to be talked to'
– brimborn is the abandoned steelworks seen in s3
– scorpions is a german metal band - their album love at first sting was released march 1984 - featuring rock you like a hurricane, it cemented their international fame
– the new wham! album is make it big, released october 23rd 1984.and we're back! i've missed posting these updates and interacting with you all and i hope you enjoy this new volume <33 let me know what you think, if you're still here, and as always you can find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 18: Trick or Treat, Freak
Summary:
Just the fallen King of the high school, who barely gets a glance from anyone else in the room as he ladles out two cups of punch and hands one of them to Nancy, who’s dressed as the hooker in Risky Business to — you guessed it — Steve’s Tom Cruise.
Point one: of course he’s Tom fucking Cruise. Point two: of course he uses the fucking ladle instead of scooping up some punch with the cup like a normal person, Jesus Christ, Eddie’s driving himself insane over here and he’s only had a beer and a quarter.
Notes:
warnings for drug dealing and referenced drug use, underage drinking, referenced vomit, and referenced period typical homophobia.
(See the end of the chapter for more notes.)
Chapter Text
WEDNESDAY OCTOBER 31ST, 1984
Perhaps he’s got a death wish; perhaps it’s just Halloween. Either way, Eddie decides to wear eyeliner to school the next day, unable to resist the feeling of fuck ‘em, and I may as well push my luck. But nothing really happens, no real consequences for his bravado: he gets some strange looks, some sneers, but everyone that matters is wrapped up in conversations about Tina’s party and they must dismiss it as a Halloween thing rather than a this is who I am thing because no one even says anything.
No one except Gareth, who grins at him crookedly over lunch and says, “Cool costume, dude,” knowing full well it’s no such thing. “You got a party we don’t know about?”
Eddie shrugs. The intention had been for them to hang out on Halloween, him and Gareth and Jeff and Aaron. But Jeff’s sort of out of the picture right now, and it didn’t seem right to celebrate without him. Hence, no plans. “I’m DMing this oneshot for Jonathan’s brother and his friends, if you’ll accept that definition of ‘party’.”
“Since when did you become a babysitter? But also, hell yeah, that’s my kinda party.”
“They’re sweet kids,” he says, though he’s surprised at himself too. The arrangement arose out of Henderson pestering him for tips all the way through spring, and gradually letting slip that Wheeler wasn’t really interested in running any campaigns anymore — in that he still did it, but with less enthusiasm each time, lazier plot twists, underdeveloped NPCs. Eddie remembers talking to him last year, telling him to keep it going, keep it exciting, wait for the girl to come back but don’t let the adventure die in the meantime–
But it’s been a year, with no sign. And Eddie had his own off period last year, sure, scarcely able to put together a character sheet he was so wrapped up inside his own head — so, yeah. He gets it. And was willing to step in, a little bit, on a casual basis. Oneshots only. Hellfire’s still expecting him to put on campaigns for them too, after all.
“And if we didn’t accept that definition of ‘party’?” Aaron asks, sounding more curious than hostile, though Eddie still turns to look at him. “Not saying I don’t.”
Eddie sighs. “Tina invited me to the quote-unquote Halloween bash tonight. Not to enjoy myself, you understand. Business only.”
Aaron raises his eyebrows. “Damn, it’s alright for some. Heather will probably be there, right?”
“Probably,” Gareth agrees, setting his fork down and resting his chin on his hands. “Wittle Aaron with his wittle crush.”
“Fuck off,” Aaron says, going red. Eddie smirks as he remembers the time it was Gareth fawning over a girl who’d never looked at him twice, before said girl got herself involved in a monster conspiracy and nearly chose Jonathan Byers over Steve but didn’t, in the end, for reasons that everyone can agree make sense. The thought makes Eddie look over the cafeteria by habit and his eyes find Nancy and Steve in their corner, Nancy looking listless and distracted and not really eating, which makes Eddie frown, and maybe think about trying to talk to her, see what’s up, but the thing is he gave up that relationship early in the year when he didn’t reach out to her and she stopped reaching out to him — in a sort of cold January haze, processing too much personal shit and too lost in the truth about his dad to want to remember everything else that happened the way she wanted him to so–
So. He looks back down at his lunch.
The kids are going trick or treating at seven thirty sharp, so they start DnD as soon as school finishes — congregating in Mr. Tapia’s music room, since Eddie’s earned himself some favors continuing to show up to band for so long. He doesn’t put his costume on but they show up in theirs, four little Ghostbusters all ready to take on Eddie’s worst. (Or, that’s what they think. Really, he goes easy on them.)
“Amazing commitment, my friends. Surely the best costumes at the middle school?” he says as they sit down.
But Henderson just looks glum. “The only costumes at the middle school.”
“No shit. Really? What a boring place.”
“Super boring,” Henderson agrees, “except for this girl, Max, we invited her trick-or-treating with us–”
“You what?” Wheeler says sharply, folding his arms over his chest under the embroidered VENKMAN label. “You didn’t even ask me–”
“Oh, you’re not in charge of us, Mike.”
“This is a democracy! You can’t just–”
“Will agreed. That’s three against one, so, because it’s a democracy, we win,” Sinclair cuts in, and everyone turns to look at Will, who’s pale and wide-eyed and non-confrontational as ever. (His costume, Eddie notices, is less polished than the others. A hand sewn logo, a slightly different color.)
He decides to intervene. “As thrilling as it is that you’ve discovered that girls also go to middle school, shall we begin?”
They all nod, chastened, and Eddie begins. It’s a good campaign, worked out mainly in the early hours last night with Led Zep’s Carouselambra on loop (his go-to DnD song, since something about how repetitive it is scratches a constantly-distracted itch). He sends them into a catacomb situation and watches them scramble to find their way out; he lets them accept a witch’s offer of help to escape until she turns around and demands they find her mother as payment, which mother turns out to be a dragon.
It’s a pretty metal oneshot, if Eddie does say so himself. He’s got a deft hand at writing a twist.
“Holy shit, dude, I can’t believe it wasn’t a banshee. I totally didn’t see any of that coming!” Henderson enthuses when they’ve wrapped it up, totally earnestly.
“You thought it was a banshee, Henderson, because I wanted you to think it was a banshee. A little skillful misdirection. Watch and learn.” Eddie taps the side of his nose and can’t restrain his smile as he snaps his binder shut. “You looking forward to swindling Hawkins’ wealthy out of their hard-earned candy?”
“It’s gonna be awesome,” Sinclair says, then turns to Will. “Hey, didn’t you say Bob was gonna lend you his JVC?”
“Oh, yeah, but I’m not gonna have time to get it because of the campaign,” Will returns, looking like he’s surprised to have been asked.
“Can’t Jonathan just–”
“Okay, you’ve lost me,” Eddie interjects. “JVC?”
“Bob’s video camera,” Will says, turning to Eddie with something like relief in his face, like he doesn’t want to confront the Jonathan question. Like Jonathan’s support is getting grating. “My mom’s boyfriend.”
Joyce’s boyfriend. Huh. Jonathan hasn’t mentioned that, in their weird close-not-close talks around a mouthful of smoke. Then again, there’s a lot Eddie doesn’t mention either.
He walks out with them to the parking lot, where — speak of the devil — Jonathan’s LTD is idling in the twilight. As the kids squabble over who gets which seat, Eddie leans in to talk to Jonathan: “You’re driving them to– let me guess, Wheeler’s house?” It’s a decent neighborhood to hit up, if you’re serious about candy. Affluent enough to buy the good stuff.
Jonathan makes a sound between his teeth. “Going around with them too.”
“Seriously?” Eddie raises his eyebrows. “What, no Tina’s Halloween Bash for you? Come and get sheet-faced?”
Jonathan snorts. “Nancy told me to come to that,” he admits. “But mom gets so–” And then he stops, and looks away, jaw working. Nancy invited him? Eddie feels a sudden surge of deja vu, like last year’s playing on loop in the same patterns, same mistakes.
“Well, if you change your mind and want to talk to someone who isn’t a total airhead, I’ll be there. Y’know. Peddling the wares.”
Jonathan nods, looking distractedly out the windshield. “Yeah, uh, sure, maybe see you there.” Then Eddie steps back and he drives the kiddies off, leaving Eddie to get ready for this goddamn fucking party.
He sort of hates parties.
Not necessarily the basic concept of them: the drinking in a room with music and the people you like, that sounds good to him. But it’s the people you don’t like, the people who like partying the most, who crank up the Madonna and spill sticky sweet punch on each other’s perms from solo cups as they shout at each other inanities like they’re the most profound statements in the world–
It’s insufferable, most of the time. But whatever. He’s got a business to run; while the kids are off taking advantage of the rich folks’ candy, he’s doing the same with their money. All in the spirit of Halloween.
So he gets there and dons his mask — made primarily of duct tape — and his cloak, sticking a cigarette between his teeth as he gets out of his van and lighting it leaning there, hesitant for some reason. It’s hardly the first party he’s dealt at since he started selling last year, but it might be the biggest. (He got invited to deal at the class of ‘84’s graduation party; he turned it down. He had no interest in watching Tommy C. and the rest go and celebrate getting on with their lives.)
The new guy, Billy, is also an unknown element here. Everyone else Eddie knows and has the measure of, mainly to what extent he can push them before he risks bodily harm. Billy? Who knows.
There’s some recent Frankie Goes to Hollywood song drifting across the driveway — Are we living in a land where sex and horror are the new gods? — and Eddie’s fairly early but there’s already someone throwing up in Tina’s mom’s rose bushes. Nice. The scene’s a little better inside, where most people are still upright and they’re actually dancing instead of discreetly trying to fuck each other. Eddie takes a beer from the six pack on the counter — consider it advance payment — and nurses it as he waits for the inevitable approach.
He doesn’t have to wait long. Soon enough some girl in a Siouxsie costume is coming towards him, a little sideways like she’s not quite sure she’s got the right person. He tilts his chin up to help her out a little.
“Nice costume,” he says, because it’s better than the dozen greasers, vampires, and Playboy bunnies he walked past on his way in here.
“Thanks,” she says, narrowing her eyes through the makeup. “What’s yours?”
He makes a show of bowing, spreading the cape out behind him. “You’re telling me you haven’t seen the best film of all time, ‘74 classic Phantom of the Paradise?”
She wrinkles her nose. “Isn’t that a musical?”
“It’s a musical and so much more. I’m Winslow. Or, if you prefer, the Phantom.”
It’s a little ironic, perhaps. He’s aware that it’s ironic. Winslow framed for drug pushing because the cops thought he was a queer — maybe it’s meta, huh, Eddie’ll take that. He just likes how spooky he looks in all black, cape, mask over half his face. It’s Halloween.
“What can I getcha, Siouxsie?” he says at length, recognizing that she’s not gonna ask for it if he doesn’t offer. The music’s changed to something from the Scarface soundtrack, which Eddie is surprised he remembers, actually, since he and Jeff watched it stoned out of their minds.
“Nothing insane,” she says. “I don’t usually– but parties like this, y’know, I’d rather be outside taking the edge off than–”
“Say no more,” he returns smoothly, producing a single joint from his cigarette case. (It’s a slim, dainty thing he found in the back of a drawer at the trailer when he realized he needed a way of transporting a lot of them at once — he has a sneaking suspicion it belonged to Carolyn, but he’s never going to ask.)
She pays him and disappears back into the crowd, saying over her shoulder, “Thanks, Winslow,” which is nice, he guesses. He finishes his beer and reaches for another and that’s when Steve arrives.
The thing is, Eddie can’t stop making a note of that. Spotting Steve whenever he walks in a room, keeping subconscious track of where he is in that room until he leaves it again and then feeling the subsequent absence rather more keenly than is fair. Because it’s just Steve Harrington. Just the kid of the guy who owns the trailer park — what kind of connection is that? — and many more properties besides. Just the fallen King of the high school, who barely gets a glance from anyone else in the room as he ladles out two cups of punch and hands one of them to Nancy, who’s dressed as the hooker in Risky Business to — you guessed it — Steve’s Tom Cruise.
Point one: of course he’s Tom fucking Cruise. Point two: of course he uses the fucking ladle instead of scooping up some punch with the cup like a normal person, Jesus Christ, Eddie’s driving himself insane over here and he’s only had a beer and a quarter.
Steve says something in Nancy’s ear and she laughs, taking his wrist and leading him over to the dancefloor — kind of to the side, where before he’d have been in the thick of things, but looking entirely unbothered by it. They look right together. Like they make sense together. And Nancy seems to have perked up since lunchtime, laughing again as Steve puts his sunglasses on her face like neither of them have any cares in the world, like they aren’t coming up on a year after the thing that was meant to change their lives.
Whatever. Eddie turns away and swigs his beer.
Turning away has the advantage — if you could call it that — of a view out the kitchen window to the driveway, where there’s suddenly a much bigger crowd than before. Tina, in a typical Madonna outfit, is one face among many, all circling round a beer keg someone brought — Tommy H. probably, who’s got a manic look in some costume from Karate Kid as he urges someone over who just arrived–
That Billy guy. Shit.
He’s shirtless under a leather jacket, his costume (the Terminator?) probably a very thinly veiled excuse to show off muscles that look as hard as iron. Eddie would consider him attractive, is the thing, if he wasn’t trying this new outlook called if someone seems like an asshole then they probably are and that’s not a good thing, actually. So he ignores the muscles and the hair and focuses on the way Tommy H. seems to have found himself a new god.
As Billy bends over the keg a new song comes on, which improves Eddie’s mood a hundredfold: Mötley Crüe’s Shout At the Devil. It’s not his favorite off the album — Helter Skelter takes that spot — but it’s an immeasurable improvement on the pop rock garbage it replaces.
Everyone else doesn’t seem to think so, however, since suddenly there’s a veritable queue of people leaving the dancefloor and approaching him for substances to make them feel better. He sells several blunts and a smaller quantity of other stuff, mainly ket and coke. He didn’t bring anything more exciting, like acid, figuring it’s a pretty boring crowd. The coke goes to Heather Holloway, which shouldn’t be surprising — she’s got the money, after all — but it has him thinking about Aaron and what he’d make of that. Which again is a problem of them not knowing each other all that well, is the thing. Eddie knows Janie would hate the idea; he knows neither Jeff nor Gareth really have a problem with it.
“...really letting him sell that crap in your kitchen?”
He turns. That preppy sophomore, Jason, has got his arms crossed as he glares at Tina by the counter, who tosses her hair and shrugs. Neither of them are looking at Eddie, though they’re clearly discussing him, but hey, he’s used to that.
“I invited him, Carver, and I invited you too, so maybe pipe down a little. It’s not every day a sophomore gets to come to a senior party.”
“You invited that freak? How is that–”
Like Eddie said. A storm’s brewing.
Tina steers the kid away and lets Eddie deal in peace, but he feels less comfortable in it now, handing the goods over discreetly with no small talk. He knows he’s not welcome here; he’s known it all his life, since he first turned up at school in clothes that didn’t fit with a bruise on his cheek and an attitude that didn’t understand why he shouldn’t be entitled to the space he took up, because he didn’t know better, not back then.
He still has that attitude today, of course, but it’s in full understanding of what it means. It’s defiance, now, not innocence. Hence, when Jason’s turned away, Eddie hops up on the counter and takes a third beer and refuses to let the kid disrupt his profitable night.
Billy seems to be carving swathes through the crowd, he observes. Girls fawning, guys squaring up and then shrinking back like the mangy stray dogs in the trailer park do, and continuing the dog simile, Tommy H. is behaving like a fucking Shih Tzu. Following Billy around, passing him fresh drinks, hyping him up for no ostensible reason. Something a little queer about it, maybe, though equally maybe Tommy’s just missed having someone to validate his superiority complex, since Steve refuses to do it anymore.
He’s so intent on observing this little dynamic — to the tune of Prince, When Doves Cry — that he almost misses Nancy pulling herself up next to him. Swaying a little into his shoulder. A few drops of punch spilled down her white shirt, red like blood. Steve nowhere to be seen.
“Hey, Lana,” Eddie says, when she doesn’t say anything. She’s looking fixedly at the kitchen tiles in that way you do when everything’s spinning and you’re trying not to puke. “You doing okay?”
“Aren’t you gonna dance?” she says, voice low and messy where she’s usually so refined. “Aren’t we– aren’t we all supposed to dance?”
“If I’m gonna dance anywhere, Wheeler, it’s not gonna be Tina’s Halloween Bash.”
She bites her lip and looks crestfallen. He hates that. He opens his mouth to say something more but then there’s a girl, Ashley, maybe? approaching them, fingers twitching over her pocket in a way that says she wants something, and that something is stronger than weed, turns out.
“Tempted?” he says, watching the way Nancy’s eyes follow Ashley away again, the baggie between her fingers.
Nancy looks at him. “Does it help?” she asks, softly.
“A little bit.”
She looks down again. “That doesn’t sound like enough.”
“Enough for what?”
She doesn’t say anything. He knows what she’s after. Knows he was wrong in his earlier assessment, that she’s moved on, that she’s not feeling the anniversary just as keenly as he is if not worse. Because what happened to him, really? He saw a scary thing, set it on fire. No one died. No one except Barb and Tommy C.’s dad.
“Wheeler–”
“But isn’t that the point of all this? Just– doing what we don’t want to do? Not– not wanting to do it and doing it anyway?”
He looks at her for a long moment. Is it Steve? Is that what this is? Did she make the wrong choice because it was the only way she could handle it, pretending it didn’t happen?
“‘S’all a fucking joke,” she mutters, before he can say anything else, and she pushes herself back off the counter and moves back towards the punch bowl. He watches her helplessly — because she needs someone to talk to, that’s plain, but he’s not sure it’s gonna be him. Not sure they have much to say to each other. Because there was accusation in her eyes as she walked away — the accusation that he’s pushing everything down in favor of forgetting it ever happened. But it’s a luxury to remember. One he doesn’t have.
Steve appears by her side, trying to stop her getting another cupful. Bad idea, Eddie knows that firsthand, getting between someone trying to drown out the world and what they’re drowning it out with — and sure enough she struggles with him, sends the punch all down her front, Carrie-style. The crowd goes silent under the Duran Duran.
“What the hell,” she hisses, syllables slurring, and stumbles past Steve into the bathroom. Steve follows her and Eddie feels strangely like he’s watching people ruin their lives from the outside for a change.
He’s sort of losing the will to be here. He doesn’t want to watch Nancy and Steve emerge from the bathroom, either cold and silent and furious with each other or else happily reconciled, the golden couple once more — he doesn’t want to see that. He’s tired of their joys. Tired of their sadnesses too.
But by the door he spots a familiar face, talking to the Siouxsie girl from earlier — Jonathan. Costume-less, but that’s to be expected. Eddie grins and lays a hand on his shoulder: Jonathan turns sharply and then smiles an uneasy smile too. “Hey,” he says. “Well, this sucks.”
“Tell me about it,” Eddie returns. “Does it beat trick-or-treating with the kiddiwinks? Uh, probably not.”
Siouxsie girl’s looking between them with her brow furrowed, lingering closer to Jonathan than to Eddie, and– interesting. That’s interesting. But Jonathan doesn’t seem all that intrigued, craning his gaze over the crowd to try to spot Nancy as soon as she emerges from the bathroom. What a strange picture they make: the school creep, the school freak, and Siouxsie Sioux.
(Robin would probably like that, Eddie thinks: she likes Siouxsie, anyway.)
“Who are you supposed to be?” Jonathan says eventually, when no Nancy is forthcoming.
“He’s Winslow from Phantom of the Paradise,” Siouxsie cuts in, and for a second it’s difficult to tell who she’s trying to impress.
Jonathan raises his eyebrows. “Isn’t that a musical?”
“That’s exactly what I said. The cape is kind of cool though.”
Eddie shakes his head. “No taste, Byers, no taste. What the fuck are you dressed as, then?”
“He’s someone who hates parties,” Siouxsie supplies, and Jonathan grins awkwardly.
“Yeah.”
If Eddie had any sense, he’d leave them alone, but equally Jonathan doesn’t seem to want that and Eddie’s having too much fun watching this little exchange try to work itself out. He wonders if Siouxsie’s high yet. “That’s a garbage costume, man, if I were Tina I’d kick you out.”
“Maybe that’s the aim.”
Eddie laughs and then watches Jonathan’s eyes dart to the bathroom door as it opens and Steve comes out alone, hand held up over his mouth and nose, looking at the ground as he pushes his way through the crowd — and Jonathan doesn’t say anything else, doesn’t hesitate, just slips through the path Steve carved and enters the bathroom.
Leaving Eddie and Siouxsie awkwardly alone. Leaving Siouxsie to drift off, spurned, into the dancing throng; leaving Eddie, lacking anything better to do, to follow Steve outside.
The night air is freezing, full of weed smoke and beer. He finds Steve lighting a cigarette with trembling fingers, leaning against the wall around the side of the house, face hidden in shadow. Eddie takes the mask off and approaches him slowly, carefully, out of practice for this. For talking to Steve. How did it work, again? How did it go?
(Why is he doing this?)
“Can I bum one?” he settles on, though he has a few left.
Steve doesn’t look up. “Aren’t you–”
“The font of all substances? Yes, but even a drug dealer runs out of cigarettes.”
The music, muffled now, pounds through the wall: smoking guns hot to the touch, would cool down if we didn't use them so much. Steve takes his time getting another cigarette out, his own still unlit between his lips. Hands with a tremor Eddie’s not sure he’s ever seen in Steve’s hands, only his own.
Finally, Steve passes him one and lights his. The quick spurt of flame illuminates his face, flickers and shines in the tear running down his cheek.
Shit.
“Are you–”
“Why are you even talking to me, Eddie? Why do you even–”
Eddie takes his time lighting his own cigarette, waiting for Steve to finish the sentence. Go on, he thinks. Say it.
“We’ve barely talked for a year. Now suddenly you’re at this party asking me to–”
“I’m not asking you to do anything,” Eddie says. He takes a long drag of smoke and tries to let it clear his head. His next words come out as a mutter: “Jonathan’s talking to Nancy, so. That’s why I’m talking to you.”
Steve wipes his eyes and stares at him. “What does that even–”
Eddie doesn’t know what it means. But it felt right as he said it, so he lets it sit there in the widening silence, holding his cigarette between his lips as he rubs his hands together in an attempt to warm them. Fucking bad circulation.
“She said I’m bullshit,” Steve mumbles, at length. “Said that she– or, like, our love, that’s bullshit too. I don’t know.”
“People say stupid shit,” Eddie says. “Shit they don’t mean when they’re sober. Trust me, I know.”
“Yeah, but that’s not– not what it felt like. This morning, y’know, she said we should tell Barb’s parents what happened. And I told her we couldn’t, told her what they’d do to our– to our families, if we did that, but she’s just so convinced that we–” Steve exhales. “That it’s our fault. That we killed Barb. And I can feel it, y’know, I can feel her thinking about it when she looks at me and I’ve just been– because it goes away, right, that feeling? Things go back to normal. They have to.”
He sounds vaguely desperate. Eddie’s answer isn’t one he’s going to want to hear. “Nothing has to do anything. The world owes us shit all.”
“But that’s–”
Eddie laughs without humor. “That’s not what your fucking father taught you? Great, I’m so glad for you. I can’t say the same about my own.”
“That’s it, then? Why you stopped talking to me? Because of my dad?”
Eddie stares at him. He’s little more than a silhouette in the dark, illuminated dimly by the glow of his cigarette. “What the fuck do you care?” Eddie says, and it comes out less harsh than bewildered.
“You just– disappeared, man, there was that stuff about the trailer park and then it’s like you went somewhere else.”
“That doesn’t explain why you care,” he insists, though he’s feeling a bizarre sting of guilt — why? Why should he be guilty, when it was Steve’s fault? When he couldn’t see past the ivory tower he’s sitting in? “And I, uh, I didn’t go anywhere. I’ve been here this whole time.”
“Not until tonight,” Steve says, and they look at each other in the dark, at an impasse. Like maybe Steve’s focusing on this to distract from the real thing, the big thing, the Nancy’s had enough of him thing. Like maybe Eddie’s doing what Tommy’s doing, seeking out the comfort of a familiar social structure, reminding himself why he stopped talking to Steve in the first place.
Maybe.
“What the hell are you dressed as, anyway?” Steve says eventually, with a strange discomfort to his voice like he intended to say something else. He still sounds a little choked up.
“I’m a songwriter whose music about selling your soul to the devil is stolen by a man who sold his soul to the devil.” Steve seems blank. “It’s from a movie, man.”
“Oh,” Steve says, and there’s silence again. Silence until, “What if she’s right?”
“What?”
“Nance. About– us. About what we did, and not– not being able to forget about it. About, like, not deserving to move on.”
“I don’t know whether it’s about, um, deserving, y’know? If you’re totally over it then fine, we can talk about that, but are you? Is anyone? You’re really gonna tell me you don’t wake up– soaked in sweat, losing your fucking mind because you thought that thing–” Eddie breaks off, his own nightmares inescapable.
“Yeah,” Steve whispers. “I do.”
“So why don’t you focus on what you can do? Instead of what you should do.” Eddie doesn’t know if this is good advice; he doesn’t know whether it’s a policy he’s even following. But he’s trying, at least, has been trying since he left Indiana Reformatory in Christmas Eve snow and resolved never to return. “And if you can’t look back–”
“Can you? Look back?”
Eddie shrugs. “Don’t ask me, Harrington, I spend most of my time high as a fucking kite.”
Steve takes a shaky breath in. Eddie wonders if he’s about to ask Does it help? the way Nancy did. Poor little rich kids, lost in a world they’re only just realizing is bigger than them. But instead he says, “If Nance and me weren’t seeing each other, then Barb wouldn’t have been at my house. Right? And she wouldn’t have died. We both know that. We don’t talk about it, but we know it. And I feel like that’s– what she sees, when she looks at me.”
“If you and Wheeler weren’t seeing each other,” Eddie says slowly, “maybe it would’ve been you.”
Steve doesn’t say anything, just scuffs his shoe on the asphalt and stubs out his cigarette. Eddie wants to talk to him more, suddenly, wants to forget the last year’s silence and remember instead what it felt like to laugh with him on the Byers’ ruined floor — but would that be too much like looking back? When the only reason they ever knew each other was the thing they’re trying to forget?
“Sorry I disappeared,” Eddie says suddenly, surprising himself.
Steve smiles thinly in the gloom. “Sorry for being a dick,” he returns, and then they go their separate ways home.
Notes:
— in the show, the kids' trick or treating starts at 7: it's half an hour later here because of dnd.
— carouselambra was released 1979, one of led zep's longest songs at 10:34. it contains oblique tolkien references.
— the frankie goes to hollywood song is two tribes, released june 1984.
— the girl in the siouxsie costume is samantha, whom jonathan talks to later on in the night. he mistakes her costume for KISS, which is criminal, since jonathan definitely knows who siouxsie sioux is.
— phantom of the paradise is a rock musical comedy horror. it's extremely camp, about a songwriter whose magnum opus — a rock opera about faust, a man who makes a deal with the devil — is stolen by a sort of dorian gray esque figure, who himself makes devilish deals. this songwriter, winslow leach, is framed by the cops and goes to prison; when he escapes he is disfigured while attempting to destroy the record company, and so goes about his revenge in a mask and cape. the movie is often spoken about in the same breath as rocky horror, as the precursors to heavy metal horror among other things - here's a cool article about it.
— the song from scarface is she's on fire by amy holland. scarface was released in december 1983, with a full soundtrack album to go along with it.
— carolyn was wayne's partner, referenced in ch13.
— steve and nancy's costumes are from risky business, released august 1983. nancy's character is called lana, hence eddie calls her that.
— tommy h is dressed as johnny lawrence - the first karate kid movie was released june 1984
— the terminator was released october 26th 1984. the poster would have been out for a few months beforehand, however, so even if they haven't yet seen it the characters would recognise the attempt at a costume. i doubt billy really cared either way.
— shout at the devil by motley crue was released 1983: featured in the actual episode.
— when doves cry was released may 84
— girls on film by duran duran, released 1981, was playing in the moment nancy spills the punch in the show
— the song when steve and eddie are smoking outside is out of touch by hall and oates, released october 4th 1984.thank you for reading, and let me know if you're enjoying it below!
as always you can find me on twitter (ohtobeinlove) or tumblr (palmviolet).
Chapter 19: The Pollywog
Summary:
After class, he goes to take his usual shortcut across the gym and then realizes very rapidly it’s actually a Thursday — basketball day — so he can’t. But he stands there by the door for a minute anyway, eyes picking out Steve as he jogs across the court, shorts and a shirt plastered to him with sweat, and then Billy — shirtless, as anyone could have predicted — swooping around him and knocking him to the ground with a crash that echoes around the gym.
Notes:
warnings for classism and generally gross messaging around the reagan campaign, mentioned drug use and dealing, educational discrimination against neurodivergence, bullying, referenced cancer and death of a parent, referenced homophobia, and implied child abuse.
(See the end of the chapter for more notes.)
Chapter Text
THURSDAY NOVEMBER 1ST, 1984
When Wayne gets back from the plant the next morning he bustles around the kitchen like he’s getting ready to go out again. Eddie watches him from the couch, smoking a cigarette with the news on in the background — more shit about the election, Reagan greeting the adoring middle classes wherever he goes, and something about an assassination in India. “You going somewhere?” Eddie asks, flicking ash into the novelty ashtray on the armrest.
“Goin’ to see Eugene again, he’s brought all the farmers together.”
“You’re not a farmer.”
“Really, kid? I hadn’t noticed.” Wayne gives him a look and takes a last bite of toast before putting his hat on again — “The idea is, we plant workers help them out, and they help us out, when the time comes.”
“Solidarity,” Eddie notes. “Isn’t there a song about that?”
“Knowin’ you, you could find a song for anythin’.”
Eddie smiles and lets Wayne ruffle his hair on his way back out. The time is fast approaching when Eddie should leave too, should get his shit together and get in his van and not forget his homework, but the prospect fills him with unreasonable dread. Last night’s party, maybe, the way the room felt like it was simmering with a threat that didn’t materialize. Like maybe that threat will make itself known today.
Or maybe it’s just talking to Steve for the first time all year last night, and not really knowing what to do with that. Because he doesn’t. He doesn’t know why it twists him up inside, everything Steve says, even seeing him across the hallway. There’s no reason for it. No reason beyond what’s happening on the TV: Mondale derided as a wimp who would give away the earnings of hard working Americans to lazy welfare queens driving Cadillacs.
And yet.
In the end, Eddie bites the bullet and goes. He chooses Judas Priest to soundtrack his drive, pulling into the parking lot just as The Sentinel finishes, and when he cuts the engine he becomes aware of a competing stereo blasting metal across the asphalt — Van Halen’s Hot for Teacher, if he’s not mistaken. He frowns and spots the unmistakable source, a blue Chevy Camaro with its windows rolled down and Billy fucking Hargrove popping pills in the front seat.
What kind of pills they are, Eddie doesn’t know. Could just be Tylenol for the inevitable hangover, depending on whether those muscles are natural or not, since a guy who genuinely commits himself to protein and push-ups isn’t gonna use chemicals to get his kicks– but, whatever. None of Eddie’s business.
(Exactly Eddie’s business.)
Billy gets out of his car and stalks past Eddie’s van, while Eddie makes the mistake of watching him go. He gets a violent glare in response — “What the fuck do you think you’re looking at?” — and Eddie shakes his head, looking down at his hands, since he’s not interested in getting beaten to death in a near-empty parking lot today, thank you very much.
What an asshole. Maybe it’s the hangover — but no, Eddie has a sneaking suspicion this guy is just like that. Which, great way to set the tone of the day. Just perfect.
He’s late to English class, which has the typical effect of Miss O’Donnell staring him down, cold and unimpressed, eyes saying what she’s stopped bothering to voice: another toe out of line and it’s — you guessed it — detention. Oh, also, not graduating again, because I can do that to you, no matter what mitigating reasons you might have for being fucking stupid.
This is what he’s focusing on, the imagined threat of having to sit here another year after this one and so the urgent need to catch up on what he’s missed, instead of the rest of the room. So it takes him a second to notice the buzz all around him, the hive of gossip: did you hear about Nancy Wheeler and Steve Harrington last night?
I heard they broke up.
I heard he threw his drink on her–
No, she threw up on his shoes–
No, they–
For fuck’s sake. Does no one have anything better to talk about? “Actually,” he says, turning to look at the loudest of the gossipers, “she broke up with him because she’s a Soviet spy, and she loves her country too much to be with him. Real star-crossed lovers type shit.”
The gossiper in question gives him a disgusted look and turns away, but the chatter quiets down. If nothing else, Eddie finds it impossible to concentrate on two things at once, so at least now he has a better shot at working — but also it makes him prickle with discomfort, the way they’re all talking about shit they know nothing about. If they knew the real story–
Then it wouldn’t be very different, would it? Because people are fucking stupid, and the immensity of the situation is far too serious for high-schoolers like these to comprehend. He remembers something Steve said once, last year, about how Tommy H. and Carol can’t take anything seriously. Then he curses himself for remembering it.
But that’s where Nancy’s wrong, about telling people. The fewer people get sucked into this shit, the better.
After class, he goes to take his usual shortcut across the gym and then realizes very rapidly it’s actually a Thursday — basketball day — so he can’t. But he stands there by the door for a minute anyway, eyes picking out Steve as he jogs across the court, shorts and a shirt plastered to him with sweat, and then Billy — shirtless, as anyone could have predicted — swooping around him and knocking him to the ground with a crash that echoes around the gym.
Eddie feels a hot flash of adrenaline at the sight. Because it’s hard to unlearn that, right, even after all these months — the fear for yourself and the guy standing next to you when you’re facing down death. Billy’s no demogorgon, and the rules of engagement are different, and yet–
He takes these feelings as his own cue to leave.
Still no sign of Jeff when he sits down at lunch. Eddie frowns at Gareth and says, “Still no word?” Gareth shakes his head.
“We gotta– give the guy time, right?” Aaron says uncertainly, which Eddie will credit him for, the recognition that he doesn’t know what he’s talking about.
“I don’t know, man, if it were me I’d probably need someone to remind me the outside world existed. Y’know, just, like, decaying in my room.” Gareth says this easily, like it’s that simple to imagine what you’d do if your dad died. Like his uncomplicated grief is something he can take for granted.
(Eddie has no idea what he’d do.)
Aaron’s in the middle of a response when there’s a stir in the cafeteria and he stops, looking around warily — learned habit, apparently, Eddie gets the sense he was bullied back in Seattle — and it’s the basketball team, so fair enough. Tommy H. is crowing and whooping, getting everyone’s attention, and then he grabs Billy’s arm and jerks it into the air: “Ladies and gentlemen,” he shouts, “we got ourselves a new MVP! This guy right here is gonna win us the championship — Billy Hargrove, everybody!”
Billy sneers, which is probably the closest he ever looks to happy. Eddie doesn’t spot Steve in the mix, as most people in the cafeteria start cheering — go Tigers, or whatever — like he’s well and truly been supplanted. Aaron hunches his shoulders and looks at the table, Gareth too, and actually all around the cafeteria people are doing the same, if they’re not celebrating with the rest. Robin is looking blankly at Billy under heavy eyeliner from her seat with the band kids, though when one of her friends catches her eye she gives a broadly fake smile.
So Eddie looks around at all this submission, this worship and appeasement, and thinks, fuck that. So he tilts his chin up. So he says loudly to his table — loud enough that really it’s for the cafeteria as a whole — says “Funny how they think we care about their stupid game, right?”
Aaron stares at him, makes a what the fuck are you doing stop it before they murder you face, which only makes Eddie double down harder. Because fuck this. What gives these assholes the right to fill the cafeteria with fear?
The room has fallen silent. Everyone is looking at him, including Billy and Tommy, who slowly walk towards him.
“You wanna say that again?” Tommy snarls, but Billy raises a hand. It’s a false mercy, however, Eddie can tell, even as Gareth makes the mistake of letting his shoulders drop.
“And who the hell are you?” Billy stares Eddie down and Eddie stares right back. There’s something off behind his eyes, the unsettling quiet before something utterly uncontrolled and brutal, a fucking cyclone. Eddie remembers the look well from watching it across a kitchen table, across a gearbox, across a phone and a screen of glass designed for his own protection. Just his luck, right, to find a double of his father in this goddamn fucking high school.
Eddie looks at Tommy instead of answering. He raises his eyebrows, lets his face say what he’s too good a drug dealer to speak out loud: you sure you wanna fuck over the guy who fuels your party drug habit?
Tommy’s fury dissipates a little, and he glances sideways at Billy. “He’s a nobody. Not worth it.”
Billy catches the look, and some of that dark anger deepens in his face, which has Eddie sitting up ramrod straight, hot sparks of adrenaline coursing through him. The instinct to talk and talk, let his smart mouth take over and give these people what they want — something tangible to destroy — rather than the stonewalling silence they hate, the silence that makes them all the angrier in the end, is nudging at him insistently. But he won’t give in. Not to this guy.
“A nobody, huh? And what makes you, a nobody, think you have the right to an opinion on what we do?” Billy’s got a lot of natural menace in his voice; maybe Eddie’ll try to imitate it for his villains in DnD.
“Well, if you’re going to come in screaming about it to the cafeteria where we’re all sitting peacefully trying to enjoy our little lunches — what are we supposed to do? Not listen? You probably wouldn’t like that, right?” Eddie smiles crookedly, waiting for the other shoe to drop.
“You think you’re fucking smart?” Billy leans over him, something alive in his eyes like this is just what he’s been waiting for, these three days since he first got here–
“Not particularly, since I, y’know, failed senior year the last time. Second go around, baby — nothing you say can surprise me.”
“I wouldn’t be so sure of that,” Billy hisses, teeth clenched together, glare going wild, hand on the back of Eddie’s chair and Eddie waits for it, waits for the inevitable crash of the floor rushing to meet him, fists in his face and a kick in his ribs, something dislocated in the process, it’s always what happens–
It doesn’t happen, though. What happens is Coach Benson shows up and calls “Hargrove!” across the cafeteria, and Billy stops and looks up and lets some of the rage (because it is rage, now, and Eddie’s heart is pounding) clear from his face.
Lucky escape, the tiny little logical part of Eddie’s brain tells him, as Billy walks away because the incentive of making the basketball team is clearly greater than whatever primal joy he might get out of beating Eddie to a pulp — Eddie matters less. He slumps forward in his seat and rests his face in his hands, breathing through a sudden jolt of panic. Shit. What is he doing?
“What the fuck are you doing?” Gareth hisses, genuine fear and upset in his voice. “You’re fucking crazy.”
“I know,” Eddie says, as the pounding in his chest begins to retreat. He feels cold and off balance. What is it about guys like that? People like that? “Fuck me, I know.”
Aaron’s looking at him with a strange glow of– awe? Eyes wide and admiring? What the fuck? He doesn’t say anything, but it’s there. That sense. And Eddie doesn’t know what to do with it, because he doesn’t want to lead these people into darkness, doesn’t want to take them where no man should follow. His own death wish isn’t for imitating.
“I’m getting the fuck out of here,” he says breathlessly, pushing back from the table and standing up. He can feel eyes on him again. He’s getting used to it.
“You’re fucking cool, man,” Aaron blurts out, and Gareth digs an elbow into his side, hissing don’t encourage him, not that their approval or otherwise is why Eddie does these things. He doesn’t really know why he does these things. It’s his general opinion that he’s a healthier person than he was this time a year ago, all things (faceless dimension-shifting monsters) considered — but times like this, he wonders.
In the parking lot, he spots Jonathan and Nancy sitting atop the hood of the LTD. She’s got a fierce, sharp look on her face, and Jonathan’s nodding along like he’s fully game for whatever scheme she’s cooking up and Eddie just hopes he’s still looking out for himself in all this. He showed restraint last year for a reason, after all, the way Eddie did.
But he tries not to think about that. He doesn’t want to think about any of it, any of the shit that might have screwed him up in a way he’s been ignoring; he wants to remind himself he’s a decent, normal person, who looks out for his friends. So he drives to Jeff’s.
He hasn’t been there often. More often lately, when Jeff’s dad was really sick and they all tried to help as best a couple teenage boys who don’t know what the hell they’re doing could. It’s nice, if small, not that Eddie can really say anything, since pretty much anywhere is larger than his own place. He pulls up a street away out of habit and walks down with his hands in his pockets, resisting the urge to light a smoke. (Jeff’s mom doesn’t like it.)
He rings the doorbell and it’s her who opens it, looking tired and sad and ground down by the world in general, her brown skin dull, her eyes empty. But she musters the energy to smile at him in greeting: “Hi, Eddie. You’re here to see Jeff?”
He nods. “Yeah, thanks, Mrs. Grant. Are you, uh– how are you holding up?”
The smile dims. “Michelle,” she reminds him, and, “Probably best not to ask, y’know? We’re doing okay. Best we can do.”
He nods, knowing the feeling and at the same time not knowing it at all. He wouldn’t know what to do with all the sympathy, for a start. A quick look around the hallway evidences cards, flowers, empty casserole dishes. An outpouring of community sympathy, how are you holding up, and god, that question must be exhausting. Eddie regrets having asked it.
She leads him to Jeff’s room, where he’s curled on his bed reading Dhalgren, Samuel R. Delany. Eddie smiles a little — it’s his own copy, battered and ink-stained with doodles, given to Jeff when he was complaining about the long boring shifts in hospital waiting rooms. It kept Eddie company the last time he had to wait for them to pop back in his dislocated shoulder — the last time he thought it worth going to the doctor at all for that shit. A couple years ago now.
“Hey,” he says, and Jeff looks up with a glazed expression that says he wasn’t really concentrating on reading.
“Hey,” Jeff returns, and closes the book. “Shouldn’t you be at school?”
Eddie sits down on the floor, folding his legs and twisting a ring around his finger. “Probably. But so should you.”
Jeff shrugs listlessly. “Higgins gave me as long I need, whatever that means. I don’t know if I can deal with everyone being so fucking–” He stops, something bitter and sharp in his voice. “No one takes anything seriously. And, y’know, when something serious has happened to you–”
“Yeah,” Eddie says quietly, swallowing the taste of bile. “I know.”
Jeff looks at him. “You ever hear from your dad?” There’s something strangely open and desperate in his eyes, as he asks this question he knows better than to ask, but he’s asking it anyway like he needs to hear the answer. Like he needs to know Eddie’s doing better than he is — or worse.
“No.” Eddie picks at a loose thread in a hole in his jeans, a bad habit of his he’s been trying to kick. It’s not that he regrets coming. Perhaps this is what he was looking for, the same way he was itching for a fight in the cafeteria. Things have been too good, too calm, and last night he talked to Steve and he feels like there should be some consequences to that. Like he doesn’t deserve it to be that easy. So he’s here, letting Jeff’s words sting at him the way he knew they would.
“I don’t know how to talk to Gareth about it,” Jeff admits, pulling his knees up to his chest. “He wouldn’t get it, y’know?”
“What makes you think I do,” Eddie says flatly, tiredly. “Gareth can probably, uh, imagine it, at least. Feeling the way you probably do. Me? I got no fucking clue.”
They stare at each other for a moment. Jeff almost looks angry — nostrils flaring, eyes dark — but then the look softens, and drops away. “Yeah,” he mumbles. “Sorry. I forget people’s lives are shit in different ways from mine.”
Eddie hasn’t had that luxury since he crashed his van into a monster in the woods; it’s all he’s been thinking about, over and over, how shit comes in different levels, now, different dimensions of shit. All hitting the fan at once.
He shakes this thought off with an effort. “How’s Dhalgren going?” he says, after a silence. “It’s fucking weird.”
Jeff laughs hollowly. “Yeah, you’re telling me. I just got to the bit where Kidd and Tak have, um, have sex? I think?” He sounds a little amazed at himself to be saying it out loud. Eddie looks at him steadily — but there’s nothing weird about his voice beyond his own embarrassment. Which is fine. Eddie’s never told him about the gay thing but he probably knows, the way everybody knows, and he’s never said anything either way. Like he doesn’t care. Which is cool.
“Right, yeah, well, trust me, it gets even harder to figure out what the fuck’s going on. If I ever write a campaign that confusing, please shoot me.”
“With pleasure,” Jeff says, rolling his eyes, and Eddie settles into the comfortable back-and-forth like earlier’s moment of tension didn’t happen, except it did, and that’s why Eddie feels better now. Which is fucked up, he knows. Knows deep down he gets a soothing, calming kick out of the things that make his heart twist. Hurts in a good way, somehow. A way it shouldn’t.
“I love it, though. It reads like an acid trip.”
“I wouldn’t know,” Jeff says, and something about the way he says it prompts Eddie to say in return, “Well, if you ever want to find out, you know where to find me.”
Jeff stares at him. “Seriously?”
Eddie shrugs. “Yeah, man, why not? If you’re gonna drop acid with anyone it’s gotta be with a friend.” The first person he did acid with was Tommy C.: it felt friendly at the time. Friendly in the way that they felt each other up beforehand, hands twisting under waistbands and teeth bruising at throats — friendly. But Eddie hasn’t had a really bad trip, not unless you count the one where he saw the demogorgon and really that wasn’t the acid’s fault, was it?
“Cool. Thanks.” Jeff smiles to himself in the vague, guilty way you do when you know you shouldn’t smile because the world is too shit to smile but you’ve found something tiny to be happy about anyway — and Eddie smiles too.
“Also, please come back to school soon. Aaron’s driving me insane and I, uh, I might get myself killed without your calm, mediating influence–”
“What does that mean?”
“There’s this new guy, Billy Hargrove, he always looks about half a second from succumbing to roid rage and tearing your eyes out with his bare hands, he’s been totally adopted by the fucking basketball assholes, and, yeah, because there’s something, uh, deeply wrong with me–” Eddie swallows, feeling himself getting too close to truth. “Well, I decided to stand up to the guy.”
Jeff’s eyebrows climb. “And you’re alive to tell the tale? My god.”
“Stop looking goddamn impressed, okay, why does no one seem to understand that this is bad–”
“Oh, it’s unquestionably bad, man, like, a total suicide mission. But it’s metal at least. You’ll go out in a blaze of metal glory.”
Eddie groans. “That’s the worst part, the asshole was playing Van Halen in his car this morning–”
“Shit, well, we gotta kill him then.”
He snorts a laugh. He’s missed Jeff at school — his dry, no-bullshit presence, the way he nonetheless keeps this wide-eyed enthusiasm that Eddie feels like he grew out of before he even quit the womb — and he means it when he says he needs him there. To balance out Gareth and Aaron. To make Eddie feel a little less insane.
He heads out about half an hour later, when Mrs. Grant — Michelle — calls up the stairs, “Jeff! Your uncle Andy’s on the phone!” and Jeff drags himself up off his bed to answer. Eddie waves goodbye and then walks back to his van, taking a deep breath of cold November air and looking up at the sky, which is bright and clear. There’s a Mondale Ferraro sign on the Grants’ lawn, one of the few Eddie’s seen in this town.
(He knows the Westleys support Reagan. The Hagans and the Wheelers and the Vance-Taylors — Aaron’s family — too. Harringtons go without saying, though they don’t have a sign out front.)
The cassette player in his van’s been screwing around, so he gets halfway through Some Heads Are Gonna Roll, driving through the woods, before it cuts out and sends him to radio, some horrible song by The Fixx which it refuses to let him change so he’s stuck with it — and this is what he’s trying to fix–
–when a girl steps into the road and he screeches to a halt so he doesn’t flatten her.
She falls back into the asphalt, more likely out of shock than anything else, but he scrambles out of the van to help her up anyway — only he finds her already getting to her feet.
She stares at him; he stares right back. She’s got wide dark eyes and brown curly hair, shorter than any girl’s hair he’s seen in this town since Janie cut hers right before graduation, and some strange open fear in her face. She can’t be older than fourteen.
“Shit, kid, I nearly ran you over,” he says, dragging a hand through his hair and letting out a shaky breath. She doesn’t say anything, though her hand twitches over her own hair, like she’s mimicking him. “You okay?”
The question seems to ignite some urgency in her, or else a flight instinct. She tenses up and her eyes move behind him, to the van, gaze focusing in a way he can’t quite make sense of — then there’s a pop, the sound of shattering glass.
He turns to find one of his headlamps blown out. His brain stutters over the sight, trying to make sense of it, and when he looks back at the girl she’s racing towards the treeline.
And several things align themselves very quickly inside his head at once.
“Eleven!” he shouts.
And she stops.
“Eleven,” he says again, quieter, suddenly breathless. Holy shit. Holy shit. No way, right? No way it can be her. She’s dead.
But the headlamp– and Wheeler’s quiet assertion that she’s still out there– and the way she stopped, and is turning around even now, a small trail of blood running down to her lip–
He finds himself laughing stupidly. “Shit, I think I just made Wheeler’s year.”
But she comes forward, eyes raw and desperate suddenly, says, “No. You cannot tell him you saw me. You cannot tell anyone you saw me.”
He looks at her searchingly. She doesn’t look like she’s been hiding out somewhere in the woods, exposed to the elements, stealing food from people’s kitchens. She looks healthy, well-fed. In clothes that fit. “But you’re–”
She does that weird thing with her eyes again, the focused, intent look, the scary look — all Kubrick stare like she’s Jack fucking Nicholson — and he feels faintly like he’s being threatened. “No,” she says again, fiercely. “No one can know I was out. No one can know I was–” and then her voice cracks, and she drops the stare, and she looks like nothing more than a sad, frightened teenager again. “It’s stupid. And he doesn’t need me.”
He bites down on the inside of his cheek. “Okay, kid. I won’t tell him, or anyone else. But can I, uh, at least give you a ride wherever you’re going? So you don’t step into the road again?”
“Sorry,” she says quietly. “I have not been– out much.”
“I’m also notoriously a, um, a terrible driver, so. Sorta my fault too. About that ride?”
She looks at him carefully for a moment. “You know Mike?”
“Shit, sorry, I know so much about you and you don’t know anything about me at all. Eddie Munson, at your service. I play DnD with Mike and his friends sometimes, y’know, Dustin and Lucas and Will? I, uh, was there last year, with Mike’s sister and Will’s brother, when they fought the demogorgon.”
“DnD,” she repeats, eyes narrowing, like it’s a word she’s heard before but never quite understood. He’s almost overcome by the urge to explain it to her, this nervous, earnest girl with hair he now realizes is just growing out of a buzzcut. He knows the feeling. Knows the weird half-stage where it’s springing into curls you didn’t know you had and you don’t know what to do with it because you’ve never had this much agency over your hair before, or your appearance in general. Maybe it’s this that has him so suddenly concerned with her welfare.
“It’s the game all your friends play, with dice and character sheets and things. I DM — that means I create the story and run the game, throw all sorts of horrible monsters in their path. All fantasy, of course,” he adds, as her eyes widen. “Wheeler may not have told you this, but you’re an honorary member of his party. Their mage, right? It’s a great class.”
She smiles a little at the mention of Mike and then her eyes dim again, like she’s remembering something. She steps past him without saying anything and climbs into the passenger seat of his van.
Well. He guesses that’s happening, then.
He gets into the driver’s seat and glares at the radio, which refuses to let him switch back to cassette mode no matter how many buttons he presses. He’s stuck with Bowie’s Blue Jean, which isn’t the worst of songs, but still it grates on him as El watches his struggles curiously. Eventually he gives up and turns to her. “Where to, then, O magical one?’
She frowns at him like she doesn’t understand him, but gives an answer anyway: “North. The woods. By the river.”
He interprets that as the Eno, which is the only river to the north of Hawkins if you’re not going miles and miles away, which they’re not, since she clearly walked. He starts turning around as she settles into the passenger seat, looking around the interior like she’s trying to puzzle him out — like a study of the objects in his life will help her do that. She’s probably right. The D20s hanging from the rearview, the sticky notes on the visor, the cigarette butts piling up in the ashtray he keeps in the passenger footwell. Christ, that’s not a good look. To distract from that, he occupies himself with saying, “So, am I allowed to ask where you’ve, uh, where you’ve been? All this time?”
“Hopper,” she says, and he tries very hard not to react to that the way he wants to, which would be to shout what the fuck. Because, what the fuck? Hopper? He’s been hiding Eleven?
No wonder he’s sort of disappeared, this past year. And he’s not the only one — at least it turns out he had a valid excuse. “Um, okay. And am I right in thinking you’re not actually allowed to be out?”
She nods tightly, staring out the window at the woods flashing past. “I went to see Mike,” she whispers. “But he doesn’t need me.”
“El, that’s not true, the kid’s practically quit DMing because he doesn’t want to finish his campaign without you–”
“He was with a girl,” she says, turning to look at him, face miserable. “And that means he’s–” her voice takes on a strange, artificial quality, like she’s imitating something she’s heard or seen on TV “–moved on.”
“What are you–” He can’t imagine Wheeler with a girl. Not in that sense or in any sense, actually. He would have heard about it. And the only girl the kids have mentioned is this Max they invited trick-or-treating, and Wheeler did not seem pleased about that at all. “Are you–”
“I don’t want to talk about Mike,” she says, leaning her head against the window.
“Okay. Sure,” he says. He can’t argue with that.
They drive in silence for a while, long enough to hear the song change, and Bowie is replaced by Pat Benatar, Heartbreaker. It’s not exactly what he likes but it’s got a great guitar line and he’s not immune to something he can bang his head to. So he taps his fingers along to the beat on the wheel, and out of the corner of his eye he sees El lift her head, listening intently. He turns it up a little. And on the next chorus he gives in and sings along, an octave lower at least and his voice rough and untrained and slightly out of tune but it seems to make El smile, which he’s heavily invested in encouraging all of a sudden, for reasons he doesn’t really understand.
“You like Pat Benatar, huh?” he says, when the song’s finished (moving to Rebel Yell, Billy Idol) and he’s turned the radio back down a bit.
El nods shyly.
“Well, you’ve got okay taste, I’ll give it to you. But just wait until you hear some real guitar. Some Black Sabbath or Led Zep will totally rock your world.”
She smiles at him, though it’s clear she doesn’t know what he’s talking about. Then she’s directing him to pull over and he does, in a stretch of woods that looks like any other stretch of woods. She gets out and when he moves to follow she stares at him again, like it’s a habit she can’t kick, but nothing happens. He stays in the van.
“Don’t–”
“I won’t tell anyone, kid. Promise.”
“Friends don’t lie,” she says, strangely, like it’s some golden rule the world isn’t allowed to break. He doesn’t have the heart to tell her it’s rarely true.
“I promise,” he repeats, and she nods, satisfied.
Then she gives him a closing look and walks off into the woods, and he watches her go, suddenly queasy in the early dusk.
Notes:
– the election was mondale vs reagan, november 6th 1984
– indira gandhi, prime minister of india, was assassinated on 31st october 1984
– the solidarity song is solidarity forever, a traditional workers' song first written in 1915, famously covered by pete seeger in the fifties
– the sentinel by judas priest is from defenders of the faith, released january 1984
– van halen's hot for teacher was released the week ending 27th october 84
– dhalgren was released 1975. it's an expansive sci fi novel about an apocalyptic near-abandoned city in the midwest where strange things happen and time moves differently; he's known for his engagements with queer and racial themes and his subversion of cultural norms.
– some heads are gonna roll is by judas priest; from defenders of the faith
– the fixx song is are we ourselves? released august 1984; spent 15 weeks on the billboard top 40, until the first week of november 84.
– at this point el hasn't been around anyone with long hair except nancy. her hair is a source of insecurity for her and i imagine she'd be fascinated by eddie's hair, especially as a guy.
– stanley kubrick directed the shining starring jack nicholson, which featured the 'kubrick stare' - read about it here.
– david bowie's blue jean was released september 1984. it was no. 8 in the billboard top 40 the week ending 3rd november 1984
– pat benatar's heartbreaker (remember what i said about spot the songs sharing the volume's title...) was released 1979
– rebel yell by billy idol was released october 1983as always, let me know what you think below, and you can find me on twitter (ohtobeinlove) or tumblr (palmviolet).
Chapter 20: Will the Wise
Summary:
“Will’s in his room,” Joyce says. “I don’t–” She looks at Bob and then looks away tightly, like she’s regretting asking him over. “He’s had a rough day. And Jonathan’s out, I don’t know where, but Will said he wanted you to come, so–”
She sounds apologetic, so Eddie says, “I offered, actually. That he could talk to me. If anything– y’know, if he needed to.”
Notes:
warnings for referenced homophobia, drug dealing, implied prostitution, and classism.
(See the end of the chapter for more notes.)
Chapter Text
THURSDAY NOVEMBER 1ST, 1984
The phone is ringing when Eddie gets back home. It’s shrill, still startling to Eddie though they’ve had it a few months now — Wayne muttered vague things about contacting his coworkers, working out a rideshare if the car croaks, things Eddie didn’t really know how to respond to — and he frowns over at the sofa bed, where his uncle sleeps. He usually leaves the phone off the hook when he’s sleeping. Which is why Eddie considered it pretty pointless, since he sleeps most of the hours any reasonable person might call. But Wayne’s not here, and the phone is ringing.
Eddie answers it with a vague twinge of unease. Which unease deepens at the voice on the line: Will Byers. “Hi, um, Eddie?”
“The one and only,” Eddie says, leaning back against the table and worrying at a notch in it with his finger. Will’s voice sounds small and empty and alone.
“Sorry, I know– you were probably just kidding, when you said– that I could talk to you. But–”
And he stops, and doesn’t say anything else. Eddie wonders how he’s been roped into babysitting two sort-of-supernatural kids in one afternoon. “No, that’s, uh, that’s okay. What did you want to talk about?”
A silence. “Could you just– come to my house? My mom gets stressed when we’re on the phone too long.”
So it’s going to be a long conversation, then. Which with a kid who spent a week in another dimension–
Not a great sign.
And yet– there’s always the other thing. The thing Eddie has a pretty strong suspicion he’s right about, a suspicion that only gets stronger each time he talks to the kid, especially around his friends, who are different, sure, but not different in exactly the same way.
So he reserves judgment.
And if nothing else, it’s actually convenient, since Eddie’s got a deal to do with Robbie Freeling, who can’t get away from the farm long enough but is willing to pay however much it takes. Idly Eddie wonders what his uncle, in the newfound plant worker-farmer alliance, would make of Eddie selling his wares to Pete Freeling’s son. But it’s the reason they’re still afloat, so. So.
His van’s cassette player is officially broken, it seems, so he’s stuck with Rod Stewart on his way over to the Byers’, the woods now dark and cold around him in a way that makes him unwilling to look at them too closely. He hunches over the wheel and lights a cigarette one handed (something he’s pretty good at, now, with the amount of time he spends with one arm out of commission) which he hasn’t quite finished when he arrives, pulling into the driveway to find Joyce’s Pinto tucked in next to an almost-as-small Toyota Camry. Eddie struggles to place it for a moment — did Jonathan get a new car between now and lunchtime? — before he remembers– right. Joyce. Boyfriend.
He knocks on the door with his cigarette still between his lips, taking a final few puffs, and the guy who opens the door seems to be the boyfriend. He’s a short, stocky guy, vaguely familiar, like Eddie’s run into him in town before. He takes in Eddie’s appearance — long hair, ripped jeans, leather jacket, the cigarette hanging out his mouth — and a crease appears between his brows. “Uh, hi,” the guy (Bob?) says. “Can I help you?”
“I’m Eddie,” Eddie says, resisting the twitchy, nervous feeling he’s getting under the gaze of someone so obviously made of dad material. “Here to see–”
Joyce appears beyond Bob’s shoulder and cuts him off. “Oh, Eddie, hi, sorry– Eddie, this is Bob, Bob, this is Eddie. Eddie– uh, Eddie babysits Will sometimes.” She looks frazzled, eyes large and tired, hand resting on Bob’s shoulder for a fraction of a second before twitching away again.
“Oh, okay,” Bob says placidly. “Come in.”
“Will’s in his room,” Joyce says. “I don’t–” She looks at Bob and then looks away tightly, like she’s regretting asking him over. “He’s had a rough day. And Jonathan’s out, I don’t know where, but Will said he wanted you to come, so–”
She sounds apologetic, so Eddie says, “I offered, actually. That he could talk to me. If anything– y’know, if he needed to.”
She bites her lip and nods, eyes drifting to his nearly-done smoke. She grabs an ashtray from the table and he stubs the cigarette out in it; then she directs him to Will’s room. Past the hallway where they set the beartrap, where Eddie and Steve tore the ruined carpet up afterwards, something heavy in the air they didn’t know how to name.
Will’s sitting cross legged on his bed, staring into space as Jonathan’s boombox plays from his desk — Somebody Got Murdered by The Clash, so loud it nearly drowns out Eddie as he speaks. “Hey.”
Will looks up, a distant shadow shrinking away in his eyes. He seems to shake something off. “Hey,” he says. “Can you–” He gestures to the boombox.
Eddie turns it down, and then sits in the desk chair backwards, resting his arms on the back. “So what’s going on, O Will the wise one?”
Will scratches at the back of his neck. He looks different, somehow. Something eerie about him that Eddie can’t quite place. A stillness, maybe? Not in the way he moves and fidgets, which is the same as always, but in his face. His eyes. “I feel like I’m going insane.”
Eddie looks at him closely. Now that, he’s an expert on. “There are many ways to feel insane, kid, which way are we talking?”
“The way where I– where I’m feeling something that isn’t really happening, because it’s all in my head, but I can’t stop feeling it and I don’t know how to get rid of it and I–”
He stops again. Eddie takes a deep breath. “Have you talked to your mom about this?”
“No. I– I can’t. Because she already knows about the episodes and if she knows they got worse–”
“So why are you telling me?”
Will hesitates. He hesitates and twists his fingers in the sheets, biting down on his lip. “Because– because you’re not like them, like Mom or Jonathan. Because you’re not so invested but you’re also not so–”
“Yeah,” Eddie says quietly, because he doesn’t really need to say anything else. Eddie understands it already. “I know what you mean. But why don’t you tell me more about it anyway, huh?”
Will takes a visibly deep breath. It’s strangely cold in his room, and when Eddie looks to the window he sees the closed curtains fluttering in a faint breeze, like the windows are open. “I’ve been seeing the– the Upside Down. Just– for a moment, sometimes, but it’s like I freeze out of the world, the right-side up, for a second. And I’m caught between both. On a– on a threshold. And there’s this thing, this– shadow–”
Will shudders, tone going shaky and thin. Eddie leans forward in the chair.
“Bob told me to stop running. He said– if I could just tell it to go away– like he did with Mr. Baldo–”
Eddie frowns, not understanding the reference, but Will continues on anyway.
“But it didn’t go away.” His voice is barely a whisper. “It got me. It got– it went– everywhere–” He’s visibly trembling now, and Eddie can’t help it now, he gets out of the chair and sits down on the bed beside him and lays a hand on his shoulder. “Is it because I kept running? Because I didn’t– didn’t confront it sooner? Because I was just a– a coward?”
“Will,” Eddie says, voice serious enough that Will looks up, eyes wide. “Running isn’t– it isn’t like that. It isn’t, uh, something that deserves punishing. Sometimes it’s what you have to do. Sometimes it’s what keeps you alive, what’s the– the bravest thing to do.”
“Really?”
Eddie thinks about his dad. Thinks about running into the dark to the life it now feels like he was meant to have all along, he was just a little late to it. Thinks about leaving his dad behind in Indiana Reformatory and never looking back. “Really. So don’t go blaming yourself for running.”
“But I stopped running. And that didn’t work either.”
“Whatever’s after you — whether it’s some fucked up monster thing or else it’s just inside your head — a lot of the time that shit doesn’t care what you do. It just comes after you anyway. And overthinking it– acting like it’s about deserving it–”
Eddie stops. He’s not sure he’s qualified to say this. Not sure he should be saying it, as a notoriously bad example, as someone who nearly got Billy Hargove to kill him this morning because he talked to Steve last night. What does that say about deserving? What does that say about blame?
But Will looks a little less miserable, around the eerily dead look in his eyes. Eddie doesn’t know what to do about that. But he smiles at the kid, and engages him in a conversation about Ghostbusters — one that doesn’t involve Sigourney Weaver, which is what most boys who’ve seen the movie seem to care about the most — and even lets him put on the theme song, from a goddamn Ghostbusters: Original Soundtrack Album cassette (Lucas’, Will explains, with an abashed look that probably has more to do with money than taste in music).
But there’s something strange about him anyway. Like he’s a step removed from the conversation the whole time, a step removed from his body. Eddie leaves the room that evening with a sense of grave alarm ticking away at the back of his mind, a threat his body doesn’t really know how to respond to because it’s neither real and immediate nor totally imagined — just something in the air.
“How is he?” Joyce says immediately, when Eddie emerges into the kitchen, where she’s sitting at the table smoking what must be her tenth cigarette of the night. Bob’s sitting next to her, doing a goddamn Number Place.
Eddie doesn’t say he’s okay, because he’s not sure it’s true. He settles on, “He’s feeling, uh, weird. Do you think it’s–” And then he stops, because Bob is here, and that’s rule number one of the NDA, right? Random well-meaning strangers, boyfriends or not, can’t know what happened.
After all this time, the rule feels a little like relief. Because Eddie wouldn’t know how to say it to someone now, if he had to. And no one could understand it. Not if they didn’t go through it — so really it’s better this way all around.
Joyce exhales smoke and pinches the bridge of her nose. “I don’t know,” she says quietly, spreading her hands. “I called Hopper and he wouldn’t pick up.”
“You called Hopper?” Bob’s voice is mild — probably terminally mild — but by the way he says it Eddie can tell this has been a point of contention before.
Joyce’s face pinches. “I told you, he was involved in what– what happened last year, he’s comforting to Will–”
“Okay,” Bob says, suddenly soothing, and Eddie supposes he can get why Joyce likes him, after the harsh impatience of a man like Lonnie. “Do you want some tea, Eddie? I was just making some.” He gets out of his chair and the way he’s switched it up, the difference from his unfriendly presumption at the door — the way one word from Joyce changes his mind completely — has Eddie prickling with discomfort, so he shakes his head.
“No, I, um, I should get back. Thanks.”
Joyce follows him to the door. When they’re out of Bob’s earshot, she says softly, “Thank you. Bob’s doing great with him but– I know it means a lot to have people he can really talk to about the, y’know, the whole thing.”
“Yeah,” Eddie says, looking past her back to the kitchen, where he can just glimpse Bob boiling water, moving like he knows his way around. “So, Bob?”
“Don’t you start.”
Eddie raises his hands in submission: “I wasn’t gonna say a word. Just– like him better than Lonnie, that’s all.”
Joyce ducks her head. “That’s not hard,” she mutters, and then looks at him. “Have you– have you talked to Bruce at all?”
He knew the question was coming; it still twists something up in his throat. “No. And I’m not going to. I don’t– yeah.”
He recognizes it in her, the same thing he’s trying to do. Choosing a Bob rather than a Lonnie; choosing not to return to the prison, at the cost of learning more about his mom.
(His mom. He hasn’t thought about her in a long while — has been burying the thought, mostly. The idea that she’s out there or otherwise, alive or dead, only a name to go on. But he put that behind himself too, when he left Indiana Reformatory in the snow.)
“Good for you,” Joyce says, smiling thinly, though the smile quickly fades into the usual jittery worry. “God, I wish Hopper would pick up the goddamn phone.”
Something connects in Eddie’s brain. El, saying Hopper’s the one hiding her — Joyce, who doesn’t have a clue. That’s where Hopper’s been all this time, and indeed Eddie knows exactly where to go: that patch of woods up in the north of Hawkins near the river. But he can’t tell Joyce this. He promised.
So he just nods, and goes.
He’s got half an hour to kill before the drug deal with Freeling, so he lights up a smoke in the van and sets to fixing the cassette player before he goes. He coaxes out a few strains of Night Comes Down before it cuts out again, sending him to Talk Talk, and maybe this is the real punishment for talking to Steve last night, huh? Cursed to listen to Steve Harrington Music for all eternity. For fuck’s sake.
He hasn’t been to Freeling Farm since last year. Since the chase, the skinned knees, the hushed closeness of the barn. Steve taking his shirt off. It’s a weird feeling to drive back over there in the dark with drugs in his dash and no monster behind him — though, by the way Will Byers is acting, maybe there is. He parks in the woods a little way down and hesitates to get out, even though they’re meeting around the back of the barn. A little further down the woods break open into wide, bare fields, looming cold in the dark. He’s not sure if he prefers that or the trees, which rustle with every movement and make him tense.
Eventually, he gets out. He digs his hands into his pockets and walks through the woods, the barn a dark, solid shape ahead of him. It’s not unnatural to feel afraid of these woods. Not after what happened, is what he tells himself. Spine prickling with unease. Heartbeat loud in his ears — he could go for a joint right about now, if it wouldn’t blunt his reflexes and make him unable to run, if he needs to. Which is something you have to consider in Hawkins. Dulling your fear but not to such an extent that you can’t do anything about it.
There’s no one in the spot by the back of the barn when he gets there, so he stands there and lights another smoke and tries to breathe around the lump of fear in his throat. Scared of the dark, Munson? he imagines a voice saying, but he’s not sure who the voice belongs to. Tommy H.? Billy? Tommy C.? Steve?
Each one casts it in a different light, but perhaps not different enough.
“Oh, great, you’re here,” someone says out of the dark, and he jolts, stepping back, cigarette falling from between his fingers. Then he wrinkles his nose and lifts his foot, the ground soft and sticky somehow beneath his boot. What the fuck? He becomes aware of a smell, musty and off, like decay. Like something rotting.
“You burying bodies out here or what?” he says, voice shakier than he’d like it to be.
The someone laughs, drawing closer to reveal himself to be Robbie Freeling — short, stocky senior-age guy who isn’t actually a senior because he dropped out to work on the farm. “No bodies,” he says. He’s got a faint lisp that he covers up by deepening his rural accent — or more like distracts from, really, since the lisp hasn’t gone anywhere. “Some kinda contamination, I don’t know, it’s why I couldn’t get away from the farm to come meet ya. Thanks for comin’ all the way out here.”
“It was on my way,” Eddie shrugs, which it kind of was. “You wanted weed, right?”
“You got any meth?”
Eddie stares at him. Freeling looks totally serious, slightly stupid eyes under a thicket of blond hair. “Like hell do I have any fucking meth.”
“Why not? I heard you sell ket, coke, acid — what’s a little meth?”
What’s a little meth. Eddie doesn’t know, exactly. All he knows is Rick doesn’t sell it, at least not around Eddie, and that means Eddie doesn’t sell it either. Rick gets his supply from bigger dealers in the city; meth is something homegrown. Something people like Robbie Freeling make in their barns themselves, or at least get some enterprising friend to make, someone who vaguely knows their way around a chemistry set. “You want anything else? That’s fine. You want meth, my friend, you’re gonna have to look someplace else.”
“What if I did want somethin’ else, then? And the weed too.” Freeling gets his wallet out and counts out a few bills in the gloom, looking sideways at Eddie. Eyes crawling over him slowly. Eddie gets a bad feeling.
“...what?”
“I know I don’t go to that school no more, but I still hear things. About you. I heard you deal, right? I heard somethin’ else, too. So, that’s what I’m askin’. For somethin’ else.”
Eddie feels a little shudder of revulsion run through him. It isn’t what Freeling is asking for that revolts him, necessarily, nor that it’s Freeling who’s asking. It’s more that a year ago, Eddie might even have said yes.
A year ago, strung out unpracticed on acid and Tommy C.– that letter from his dad burning a hole in his nightstand–
He takes the baggie of weed out and hands it over; takes the right amount of cash. “That’s it,” he says, somehow keeping his voice even, if cold. “All you’re getting.”
“Alright,” Freeling says, raising his hands. “Just thought I’d ask.” He slopes away into the dark and Eddie feels his knees go weak; he leans back against the wall of the barn and tries to catch his breath, tries not to throw up. What a fucking night.
FRIDAY NOVEMBER 2ND, 1984
Friday finds him in school again, trying to dodge the basketball team’s watchful eyes. Clearly he’s been calling too much attention to himself, if someone like Robbie Freeling’s been hearing things. Unwanted attention. So he ignores the way Billy Hargrove looks at him, when they have chemistry class together. Ignores the burning stare which is contemptuous and sort of- obsessed, in equal measure. What is it about Eddie that incites this in guys like these? Tommy C., Tommy H., this fucking clown.
But again, Billy doesn’t do anything. Eddie ducks out of class as fast as he can and then gets stuck in the crowd in the hallway, cringing in expectation of a hand on his shoulder, tugging him around, where do you think you’re going, freak? but no such touch arrives. Billy pushes through the crowd past him like he doesn’t even see him, face full of a sneer. Well, it’s better than what he was expecting, though it fills him with unease, like he’s still left waiting for the next shoe to drop.
So he doesn’t go to the cafeteria at lunch, but eats in his van, tormented by Dionne Warwick on his still-broken stereo. It makes him think of Eleven, and he wonders what she’s doing right now. Up somewhere in the woods. Hidden away, and that can’t be healthy for a kid that age, right? Or any age. Kids need friends, teachers, parents. Not that he can really talk.
And who knows, maybe Hopper is dad of the year.
He watches the parking lot idly. It’s populated mostly by kids like him, trying to avoid the wrath of their social betters or the stigma of sitting friendless in the cafeteria. Not that Eddie is all that friendless, or does this very often. It’s the coward’s way out, the acceptance of an oppressive social norm under which Eddie refuses to bow, thank you very much, but sometimes–
And sometimes, someone unexpected joins them. (‘Them’ being the losers in the parking lot.) Someone like–
Steve Harrington?
Eddie straightens up as he watches Steve come out of the building. His hair is damp, flatter than usual, and he’s walking with his head ducked and his arms crossed over his chest, gym bag over his shoulder. Curiously despondent, though perhaps not so curiously, since the school is aflame with the rumors. Nancy and Jonathan skipped class yesterday and haven’t been seen since. Somehow Eddie doubts they’re on some sexual marathon, though really who knows. Maybe Byers has a few surprises in him.
It’s starting to rain. Fat, slow drops hitting the windshield, the sky drawing in gray. Not an appealing day. The sort of day that makes Eddie want to drive home and smoke a bowl or snort a key while listening to the rain pattering down outside, the safety of indoors. A safety he no longer takes for granted, even if it’s an illusion.
But Steve’s outside. Scanning the parking lot for his car, like he’s forgotten where he put it in a daze this morning. And Eddie feels sorry for him. And Eddie’s got cigarettes, which always cheers him up, so it might work on Steve too.
He opens the door and leans out — breaks the cover of the parking lot losers — and calls across the asphalt, feeling rain land in his hair, “Hey, Steve.”
Steve looks over. And Eddie can feel him considering it, the pros and cons. Weighing it up. Be seen with the latest guy to hit Billy Hargrove’s shitlist, no matter the way his social status has been inching up ever since he started dealing. That’s a con. But a little company, a guy who gets it, who knows exactly what Nancy Wheeler possibly dumping him means, vis a vis otherworldly monsters and NDAs and general trauma — that’s got to be a pro, right?
Finally, Steve walks towards him, and climbs into the passenger seat of the van. Eddie hastily turns the radio down, but not before Steve raises an eyebrow: “I feel like I should be worried that you’re listening to Rockwell. You been replaced by an imposter, man?”
“The fucking cassette player’s broken,” Eddie mutters. “Don’t make me regret inviting you in.”
“Why did you invite me in?”
“Cigarette?” Eddie says, offering him the pack, instead of giving him the real answer, which is something sappy like you looked sad.
Steve takes a cigarette, just the way Eddie knew he would. “I can’t work you out man, really I can’t.” He says this quietly, lowly, voice exhausted. Leans his head back against the window as he lights his smoke, the way El did the day before. “Am I– what. A game to you?”
Eddie lights his own cigarette and speaks around it: “The jocks really did a number on you, huh? I’m not playing a– a fucking game with you, or whatever. In case you hadn’t noticed, I’m far too self-centered for that.”
“So what are you doing?”
“Offering you someone to talk to.” A silence. “Because I heard about what happened with Nancy.”
Steve scoffs self-deprecatingly. “What, worried I’m gonna graffiti the Hawk marquee again? Nancy ‘can’t let go of the past’ Wheeler?” Then he frowns at himself, looking at his cigarette. “Shit. I gotta stop saying shit like that.”
“Yeah,” Eddie says. “So it’s true, then.”
“I don’t goddamn know, do I? Tommy and Billy have been holding it over my head all morning but they’re dicks, they’re just–” Steve exhales slowly. “I don’t know what I should think. Or do, maybe I shouldn’t do anything, I don’t know. I don’t know how to make it better.”
“I’m really not an expert on this, I gotta say.”
Steve looks at him, eyebrows creased together. Does he get the inference? Is he thinking, an expert on women? Or an expert on relationships in general?
If Robbie goddamn Freeling knows, then surely Steve does too.
So instead of talking more about that, because Eddie really doesn’t want to, suddenly, he says, “There’s something weird going on with Will.”
Steve’s face drops further, if such a thing is possible. “Shit, in what way?”
“I don’t know, exactly. He’s just– acting weird, and having these episodes, and he talked about this shadow monster thing but no one else can see it so he thinks he’s going crazy, which, maybe he is, but–”
Steve breathes out shakily. “Great. That shit really– y’know, puts things in perspectives, huh? Like if there’s a fucking demogorgon out there again and I’m worrying about my relationship with Nance–”
“We don’t know if there is,” Eddie says. “But– yeah. I know.” It’s sort of why he hasn’t done anything, felt anything, for this long fucking year. He’s noticed Steve’s fine profile in the hallways, sure, admired the line of Tommy C.’s jaw in their last class together before the guy graduated. But it’s felt so goddamn trivial. Pointless, and he’s been telling himself he doesn’t need any more trouble than he’s got. Because it is trouble for him.
“Like, even my dad, who gives a shit about my dad, really, when–” “What happened with your dad?” Eddie asks, curious despite himself.
Steve sighs, closing his eyes as he speaks like he’s bracing himself. “He’s trying to develop what used to be O’Dell’s farm for, y’know, housing, but they’re having all these issues with the groundwork because of this rot problem in the soil–”
“Rot problem?” Eddie thinks of the ground by Freeling’s barn. Its mulchy, sponge-like texture. It can’t mean anything, can it? Right?
So preoccupied with this, he almost misses what Steve actually said. He’s trying to develop what used to be O’Dell’s farm. O’Dell, the nice guy who sells the Christmas trees, gone. Maybe he died and his relatives sold the place; maybe he sold up himself, and moved away. Maybe he ran out of money. Either way, suddenly it makes sense in Eddie’s brain why Wayne’s been spending so much time with the farmers — why solidarity is a word they’re using. Steve’s dad. Why is it always Steve’s dad?
“They can’t work out what’s wrong with the area, apparently, and the crews are making noise about contamination. Of course, my dad’s spitting blood, since he and my mom are supposed to be in Denver this weekend.”
“Shit luck,” Eddie says neutrally. Shitter luck for the people who actually have to farm those lands; shit luck too for the building crews who will no doubt be forced to work on it anyway.
“It’s mainly him being an asshole,” Steve says, and Eddie blinks. “Like, if the farms are contaminated we’ve got bigger problems than his project running late and it’s gonna, y’know, affect people, right? But he doesn’t care about that. He’s a miserable asshole.”
“Shit,” Eddie says, and can’t restrain the creep of appraisal in his voice. Because– yeah. Shit. “You’re a whole new man.”
“A year’s a long time,” Steve says. Even and expressionless, and Eddie can’t tell what that means. His heart does a little jump in his chest.
“Steve–”
“I’m gonna go,” Steve says. “Get out of this fucking school for the day, god, I can’t stand it. Hargrove and the assholes like him acting like any of this matters when it just–”
“Yeah,” Eddie says, and can’t quite bring himself to read it as an invitation. Which he’d like it to be, suddenly, wants those days back when they’d get high together on the hood of Steve’s car with Pink Floyd in the background — misses that, such as it was. But he’s not sure Steve would feel the same. “No, I, uh, I know the feeling.”
“Well,” Steve says, glancing out at the rain and then back at Eddie: “I’ll see you, I guess?”
There’s an awkward thread of tension stretching out between them. He can’t quite work out what it means. “See you,” he agrees, and then Steve goes.
Notes:
– the rod stewart song is some guys have all the luck, a cover of the song by the persuaders, released july 1984 - was no. 14 on the top 40 for the week ending 3rd november
– bob's car is a 1983 toyota camry liftback
– when joyce was calling bob about the video tape that revealed the mind flayer, he mentioned doing something that evening but she hung up on him. without the video tape in the picture, i imagine him calling her to arrange this and her not being too busy to do it.
– somebody got murdered by the clash was released 1980
– a reminder that in the show's s2, will took bob's video camera trick or treating and so, playing back the footage, joyce saw the mindflayer on the tape and knew it was real. so she convinced will to talk about it. here, she doesn't know it's real, so will hasn't talked to anyone.
– number place is an original version of sudoku, began in the late 70s - sudoku as we know it didn't exist until 1988. here's an interesting article about it.
– night comes down is the song after some heads are gonna roll on the defenders of the faith judas priest album he was listening to earlier
– talk talk is by the band talk talk, a remix released in october 1982 which peaked at 75 in the us charts
– the dionne warwick song is heartbreaker, released 1982, because it had to be.
– the rockwell song is somebody's watching me released january 1984as always, let me know what you think below, and you can find me on twitter (ohtobeinlove) or tumblr (palmviolet).
Chapter 21: Dig Dug
Summary:
“Eddie,” the person on the other end of the line says, a girl, confident and declarative. Then she gets less confident, voice halting as she goes on: “Five fifteen Larrabee. Can you take me?”
And he recognizes it then, the voice. From only a couple days ago. “Eleven.”
Notes:
warnings for referenced drug use + addiction + overdose, classism, referenced racism + xenophobia, referenced child abuse, and referenced parental death.
(See the end of the chapter for more notes.)
Chapter Text
SATURDAY NOVEMBER 3RD, 1984
Saturday morning, early, Eddie walks out to the mailbox at the front of the trailer park. It’s bright and mild outside, the rain having washed away the clouds and the cold air. He digs his hands in his pockets and averts his eyes as he walks past what used to be old Mr. Harris’ trailer, sitting there waiting to be sold. The guy died of pneumonia, apparently, only a couple weeks ago. Couldn’t afford the hospital so he just wheezed out of existence quietly. Only a hundred or so yards from everyone else in this trailer park, and nobody knew.
This while the place is cleaner, the grass greener and healthier and less scattered with used syringes. This while John Harrington got what he wanted, a profit-spinner to be proud of — profit because people like Mr. Harris were forgoing their insurance payments to afford the rent.
There’s three envelopes in their mailbox — two for Wayne, and one addressed to Eddie. He recognizes the handwriting, and it’s marked Shanghai, China, and there’s only one person he knows in Shanghai, China. Janie.
He goes back to the trailer to read it, lighting a smoke and sitting on the porch cross-legged. Eddie, it starts — she’s never been one for formalities. Things are about the same as they were the last time I wrote. My dad spends most of his time working, so I barely ever see him, though he makes me dinner sometimes which is nice. He has a new girlfriend and she’s convinced he’s going to marry her, which I wouldn’t trust him with, to be honest. Not that he doesn’t like her. He’s just so aimless, I guess. Weird and hot-and-cold. I don’t really know what he’s doing out here. He doesn’t seem any happier than he was when he lived at home.
Shanghai is cool, though. I think you’d like it. China as a whole feels so much broader than Indiana, so much less provincial, if you see what I mean. Not that it doesn’t have its own close-mindedness, of course, but it feels like there’s more opportunity here. Fuck the American dream, right? Maybe that’s why my dad came back.
I met someone, too. He’s a student at the University — which is good and bad, apparently, I’ve been hearing all about it, maybe I will come back to America for college after all — and his name’s Xiaoping. Maybe it’s weird for me to tell you this. I don’t know. But he’s cool, and you’d like him. He’s really smart, studying Engineering, and he loves cooking. I’m in his kitchen right now, actually, as I write this. He’s practicing his jiaozi for Chinese New Year, though I keep reminding him it’s months away. He’s from a province in the north, anyway, and apparently there they eat them all year round. He’s a total perfectionist about the stuff he does but he’s also chill about everyone else? Which is nice. Like, he holds himself to a high standard but he’s not a snob. I get the feeling his family’s very traditional, though, like sometimes he says stuff about me being so ‘American’ and I mean yeah I am very American, I was born there, but it’s a weird thing I guess. I thought I’d feel so at home here but I’m not quite at home anywhere, almost. I keep turning around to make pop culture references to you, only you’re not there and no one else really gets it.
Anyway. Aaron sounds interesting. I’m glad the band’s going well. You should think about performing somewhere — like, if a tree falls in a forest with no one around to hear it, does it make a sound? That, but for your band. You’ve got to have an audience. What does Wayne think? Has he heard you guys yet?
I should probably ask how my mom’s doing. So: how’s my mom doing?
Also, there’s no point in sending me your homework questions. If I answered them you’d only receive it about five weeks too late. Though, judging by your usual organization, that might be right on time.
I hope Hawkins isn’t too dull without me.
Love,
Janie.
He folds it in half again and looks up at the sky, sharp blue in the fresh of the morning. Funny, how she can be so much more open in a letter than she ever was in person. Or perhaps it’s not a distance thing, more of a time thing. Time heals all wounds, as they say, and as much as it pains him, Eddie’s pretty sure he was a wound to her. Back when.
Not so much anymore.
He does actually have an answer for her regarding her mom, however. A couple weeks back Wayne came home with the surprising announcement that Alice Qu is seeing the foreman of the steelworks — surprising because everyone knows that Icex and its poor treatment of her husband is the reason he left Hawkins in the first place. Eddie wonders how he might put that in a letter. Your mom’s dating the racist bastard who ruined your life. Because that would go down so well.
The last time he saw Janie, she was disappearing into the departure gate at Indianapolis Airport. He drove her there, since her mom wouldn’t. He even allowed her to put her own music on in the van, the debut album of some band called The Bangles which had only been out a month or so. Feet on the dash, elbow hanging out of the open window, she rode shotgun with her now-short hair blowing around her head, a wide grin on her face, I’m finally getting the fuck out of here, look at me go, and he couldn’t quite swallow the knot at the back of his throat. He was hungover, too — they’d spent the evening toasting her departure, their first gesture towards the friendship they used to have since the end of ‘83, too little too late, or perhaps that was the point — and he couldn’t quite distinguish the cold feeling in his chest from that or from the knowledge that in an hour or two, Janie would be gone, and she wouldn’t be coming back any time soon.
“Good luck with your dad,” he’d told her at the gate.
She’d smiled at him dryly. “Thanks. Don’t fucking listen to yours.”
And then she was gone, and he drove back to Hawkins alone.
Now he makes himself some toast and eats it standing up with the radio on, some local thing about crop failures. It’s couched in vague, inoffensive language — like it’s something ordinary, like a drought, a simply bad year. Contamination, Eddie thinks, remembers Steve saying. A slow current of suspicion runs through him. A suspicion he’s beginning to learn, after the seamlessness of the cover-up last year. Not that he’s got any proof, of course, or any facts. Just a vague, hard-to-shed fear. Like what if all Wayne’s unionizing won’t do any good? What if it just makes it worse? Agent Faraday last year is hard to forget, after all. The cold, abstract threat. And if–
But no. He’s not doing this today.
He’s drowning out the loudness of his thoughts with a blaze of Motörhead — Killed By Death — thinking how nice it is to have control of his own music again and contemplating how he might go about fixing the van’s cassette player, when the phone rings. A bit early, he thinks, until he registers the clock and realizes he’s been drifting about the place for nearly two hours and it’s already ten a.m. So he can forgive it, he supposes, despite today being a Saturday.
“Munson residence,” he answers it, in his best butler voice. (Wayne gets pissed if he cheeses it up too much, sure, You’ve reached the humble abode of the Munson clan, how may I direct your call? but he said nothing about tone.)
“Eddie,” the person on the other end of the line says, a girl, confident and declarative. Then she gets less confident, voice halting as she goes on: “Five fifteen Larrabee. Can you take me?”
And he recognizes it then, the voice. From only a couple days ago. “Eleven.”
“Can you take me?” she repeats, impatience creeping in. Because of course he couldn’t have a normal weekend. Of course.
“It’s probably–” he reaches for the local map on the shelf by the table, opening it up and scanning it “–five one five, kid, not five fifteen. Is it in this county?”
“County?”
“Y’know, Roane County. The place we live.” He finds it difficult to believe he’s found himself in this position — explaining the geographical facts of life to someone, since usually they’re explaining them to him. He pinches the bridge of his nose and finds Larrabee in the index. It’s not so far away after all, only an hour or so. Desolate in the middle of nowhere, with not even a convenience store for ten miles or so. “Why’d you want to go there?”
“Mama.”
Eddie sucks in a breath and tries very deliberately not to react to this on any real emotional level. The kid’s looking for her mother, okay, sure. Fine. He can help her do that. Nothing to do with his own failure to do the same; the way he gave up on trying. “And she lives at 515 Larrabee?”
“Five fifteen.”
Eddie laughs despite himself, a little breathlessly. “Okay, sure. Five fifteen. You want me to drive you there? Why can’t Hopper do it?”
“He’s not here.” A silence, then, “He doesn’t want me to go out.”
“So surely–”
“I have to see her. He told me she was– gone. But she’s not. Friends don’t lie so I have to–”
“Okay,” Eddie says, very rapidly making a decision. What the hell else is he going to do, anyway? Get high and ignore his homework? Plus there’s that same iron conviction in her voice that he saw in her eyes the other day, a conviction that tells him she’s going to go to 515 Larrabee with or without him, if she has to fucking hitchhike. Which he’s not letting her do, so. “I’ll come pick you up, are you–”
“I’m at a– phone. In a box. By a playground.”
“A payphone?” He raises his eyebrows, a little incredulous. “How did you even–”
“A nice lady. She gave me– money, and showed me how. I found your number in the book.”
“You found my number in the book,” Eddie repeats distantly, feeling rather out of his depth. The girl can’t simply have superpowers, can she? She has to be resourceful too. “Well, I guess you walked from that spot in the woods, right? By where you’re living? So, uh, go back there and I’ll come pick you up?”
“Okay,” she says, and immediately hangs up.
Eddie paces a circle around the room, hands twitching — what the fuck, what the fuck, this kid is on the run from the government, this kid is– she kills people with her mind– how is this is problem this is way above his paygrade this is–
But it’s only an hour’s drive. How dangerous can it be?
He finds her by the side of the road as arranged; she hops in the van and hugs her satchel to her chest, all naive and sweet-looking like she couldn’t make a man’s brain bleed by looking at him. Eddie wrote a campaign like that once. A demon in the shape of a child his players thought they were rescuing — a demon that very much did not need rescuing at all.
Still, El isn’t a demon. There are far worse things than her out there.
He’s turned the stereo way down in an attempt to prevent mainstream radio’s assault on his ears, but it seems to catch El’s attention; without asking, she reaches over to turn it up. But hey, he signed himself up for this, right? For Laura Branigan, Self Control, a song he unwillingly knows all the words to, since Janie was obsessed with it from the moment it was released. El nods her head along and mentally he begins a list: Branigan, Benatar, okay, there’s a pattern forming. He can work with it.
(Something he finds himself doing, around new people. Using music to understand them. Steve’s slotted neatly under New Wave Second British Invasion, for example; Eddie resents that Billy shares the category he calls his own. Couldn’t the fucker be into country or something instead?)
“So tell me what we’re, uh, what we’re walking into here? You said your mom lives at this place, at 515 Larrabee?”
“Yes. But she is– something is wrong. I must speak to her.”
“How’d you even find any of this out?”
“A box. Under the floor. While I was cleaning up. Then I visited her, and she was–”
“You visited her?”
She looks at him impatiently. “Yes, and she saw me. No one else can see me when I do that. But she disappeared and now I have to find her. In– real life.”
Eddie remembers someone — he can’t recall who — telling him about that, last year. El lying down in a kiddie pool full of salt, sensory deprivation or whatever, finding Will with her mind in the Upside Down. So she can just– do that for anyone? Find anyone?
But he’s not going to go down that road — not right now, anyway. He’s already thought of his mom twice today and that’s twice too many. So he just nods and tries to ignore the way his mind is jumping at him like a dog straining on its leash.
515 Larrabee turns out to be off a truck stop, big white trucks lined up like slumbering beasts down the little road towards the house. It’s got a red door, a cute little lace curtain in the window, even the name sort of sweet and inviting, like the gingerbread house in Hansel and Gretel. Larrabee.
He looks at El as he cuts the engine. “Do you want me to– um, come in with you, or–?” He’s really hoping she’ll say no, actually, since this is the part he’s not at all good at. Adults, mothers. Christ. But she nods, taking a visibly deep breath before getting out of the van, and, well, looks like he’s in this now. So he follows her out.
She rings the doorbell as he loiters behind her, unable to really look — for a starter, what if she’s got the wrong house?
No answer. El starts hammering on the door, which, Eddie’s really not keen on getting escorted off the property with probably a bunch of truckers watching–
The door opens. “Look, I don’t want your Thin Mints, alright, kid?”
“Thin Mints?” El says, in that innocent sort of way.
“Or your religious mumbo–” The eyes of the woman behind the door catch on Eddie and she falters, eyebrows drawing together in a worried frown. What? he thinks about saying. I don’t look like a Jehovah’s Witness to you?
El senses a gap in the woman’s resolve and she presses forward. Says, “I want to see Mama,” with that intensity to her gaze, and the woman swallows and her eyes dart back to El and she says weakly, “I don’t know what you’re…” but can’t even finish it, like she doesn’t have the strength to lie.
Inside, the house is homey, cluttered in a way that’s more about nice objects and day-to-day living than real disorder, like the mess of Eddie’s floor. He lingers awkwardly as the woman introduces herself — Becky Ives, she says, El’s mom’s sister. And she shows El through and Eddie has little choice but to follow so he loiters in the doorway with Becky as El–
El approaches her mom.
Becky, a foot or so away from him, reeks of cigarettes. He could really do with one about now. El’s mom is vacant-looking, sickly, rocking slowly in her chair with her eyes on Family Feud: “Visit with other employees,” Richard Dawson says on the screen, as El says, “Mama,” and her Mama doesn’t seem to say anything at all, just random words, just rainbow, three to the right, four to the left, breathe, sunflower, and over again.
“What’s wrong with her?” Eddie says, despite himself, unable to look away. El draws closer, moves to kneel in front of her mother, who doesn’t even look at her. Not one glance.
“This government program she was in,” Becky says tiredly. “They gave her all these drugs, fried her brain up good. She doesn’t have any idea what’s going on around her, y’know, I wouldn’t want to call her a vegetable but–” She stops herself, eyes on El even as she speaks to Eddie. “Sorry, who are you?”
“Eddie,” he says. “I’m, uh, babysitting.”
“Sure you are,” she returns, sounding like she doesn’t believe him at all. Which is fair. He’s not sure he’s very convincing.
“Why won’t she answer?” El says, looking back at them from the floor. Eyes wide and plaintive like a fucking kitten. Eddie sort of wants to run away. “Why won’t she–”
“C’mon, sweetie,” Becky says, gesturing to the kitchen. Her face is twisted up like she’s trying to hold some emotion in, though her voice comes out steady. When she sits down, she looks sad and strung-out against the red gingham curtains, fluttering in the breeze of an open window.
“She hasn’t been responsive for years,” Becky says. “Ever since she– well, she lost you–” Her face twists again and she looks at her hands. “She said you were alive. But no one believed her.”
“I’m here now,” El says. “But– she won’t get better. Will she?”
Becky looks down. “They don’t think so, no. But she’s not in any pain. She’s just stuck, they think. Like in a dream. A long dream.”
“A good dream?”
Eddie hunches down in his seat, something tight in his chest like he can’t quite get enough air. They gave her all these drugs, fried her brain up good. Some CIA program, isn’t that what they said? But all he hears is drugs, can’t get the word out of his head. Of course he can’t. It’s his trade, his dad’s trade, and this is someone’s mom–
“I’m gonna go for a smoke,” he mumbles, pushing his chair back and making for the door. They let him go. He doesn’t look at Terry Ives on the way out; can’t bring himself to. This is more than he signed up for. He signed up to drive the kid somewhere, not– not this–
The nicotine is a little calming, though not as much as it was when he first started smoking. He’s worn his body’s tolerance down, or something, the same way he has with the drugs. An amount of Special K that might have had him comatose last year is now what he’d term the sweet spot, just right for dulling what misfires in his head.
He wonders if he could ever end up like her. Like Terry Ives. Drooling in a rocking chair with nothing behind his eyes. It’s a sobering thought, sure, but he knows his limits. Right? He’s in control of his limits. Not like Terry, not like the government sticking needles in her arm. Fuck the government. Eddie’s going to manage his own destruction, if it has to happen. A vegetable on his own terms.
There’s another rocking chair on the porch. A well-kept blanket draped over it, marked by signs of frequent repair. A house with care and attention in it; a house that contains love. It reminds him of Joyce’s porch, a little. He’s not going to be so lazy as to call it a feminine or maternal touch. It’s something both deeper and less innate than that. It’s a sort of– hope in the world. Or in people in the world. Or else a fuck-you to it, look, I’m here still caring about things, still surviving, despite everything you did to me–
Eddie smiles a little around his cigarette. He likes that idea.
He spots movement across the way. A big guy, bearded, a baseball cap on his head, moving towards the line of trucks. There must be a diner or even a public bathroom somewhere around, unless he was pissing in the woods. He seems to notice Eddie, because he raises half a hand in greeting, then lowers it again with a frown. Eddie can’t deny his own incongruity. Rural, working idyll; he can’t exactly pass for an electrician, or whatever. Just here to fix Ms. Ives’ circuit breaker.
“I ain’t seen you around here before, kid,” the guy says, approaching. He’s got his keys in his hand, jangling as he swings them around his finger. “You visitin’ Miss Ives?”
Eddie exhales a cloud of smoke. “Something like that.”
“Somethin’ like that?” The guy is frowning. Eddie’s suddenly very aware of how much taller and wider the guy is, how many pounds he’s probably got on Eddie. All the better to do something violent with.
Eddie shifts, light on his feet, getting ready to run. He’s always getting ready to run. “I’m, uh, a friend of a relative of hers, y’know? I drove the kid here to see her aunt. Thirteen’s a little too young to get behind the wheel, right? I’m just helping out.”
A silent moment. Eddie wonders if the guy has a gun; wonders if he’d even need it to totally ruin Eddie’s day. But then the guy smiles. “I don’t know, you gotta get ‘em there early, make it feel natural. I know I was raised on drivin’ my old man’s ‘47 Chevy pick-up truck round rural Kansas roads. Sure, I totalled the thing on a goddamn chughole, deepest one I’ve ever seen, like a grave, it was, an open goddamn grave in the middle of the road, but I sure am good at dodgin’ those little shits now.”
“I bet your old man liked that.”
“Oh, yeah, he was thrilled to pieces. But my brother ruined his tractor the followin’ week, so really I got out of it pretty quick. He always loved the tractor more.” The guy regards him speculatively. “That a Kansas twang I detect in there, son?”
Eddie frowns at himself. The Munsons hail from a little town south of Topeka, not that he’s ever been there. It’s an accent learned from his dad and his uncle simply by proximity. And he doesn’t have much of it at all, except when he’s truly out of it or, apparently, around strangers from the same place. “Kinda, yeah. My dad was from Kansas.”
“Shit, kid, sorry.” The guy gives him a sympathetic look, and Eddie realizes what he said. “Losin’ your dad, it’s tough.”
“Yeah,” Eddie mumbles, scuffing his foot on the porch floor. The thing is, it doesn’t feel all that wrong. To put his dad in the past tense. To say, that part of my life is over now, thank you. Chapter closed. To imagine his dad dead and buried. “So, you, uh, you know the Ives, or–?”
“Yeah, I drive this route pretty regularly. Miss Ives offered a cup of coffee and a place to piss when the bathrooms were out of order one time, and I’ve had a few more cups since. Nice lady.”
Eddie looks over his shoulder through the door, though El and Becky are nowhere to be seen. He wonders what El’s thinking. If she’s glad to be here. If she’s beginning to consider it home. “I guess.”
“Which is why I came to check on you, I guess. Make sure you ain’t makin’ trouble for her, y’know? But you seem like a good kid. I get instincts about people, good and bad, and I can tell you’re a good one.” Eddie doesn’t really know what to say to that. He ducks his head. But the guy continues: “Whereabouts in Kansas you from, kid?”
“Verona County,” he says, flicking ash to the ground. “But I’ve never been. Don’t even know which town it is.”
“Verona County,” the guy repeats. “I’ve driven through it a couple times, it’s nice. You should go back.”
Eddie feels his mouth twist in a humorless smile. What could he possibly find there waiting for him? Some cousin he’s never met? The grandmother Wayne doesn't talk about? The lingering ghost of his father’s bad reputation? “Maybe.”
“I’m from closer to Wichita myself, near the Oklahoma border. Born, bred, and married in the same town, how about that, huh?”
“How about that,” Eddie echoes, as he hears movement behind him and Becky emerges from the house. She’s got her arms crossed over her middle, mouth set in a nervous line.
“Hey, Earl,” she says, and the guy nods.
“Miss Ives. You okay?”
“I’m fine, thanks. You want– uh, you want a cup of coffee?”
“No, no, I should get on the road. Thanks, though. You’re a gem.” He gives her a little salute, and nods to Eddie, then heads back up the path to his truck, clearly having determined Eddie to be no real threat. Eddie watches him go, wonders if anything lies behind the satisfied, peaceful surface he puts out. How about that, huh? Are there really people so at ease with their provincial circumstances? With their circumstances in general?
“Can I talk to you?” Becky says, when Earl’s disappeared from view. Eddie turns to her and has to force himself to take a breath, rolling the tension out of his shoulders. He nods, and she leans back against the wall, lighting her own cigarette. “Who exactly are you two, really?”
“What do you mean?”
“I mean–” a shaky inhale, like something’s got her freaked out, “kids don’t just appear like that, with– with secret powers, y’know, she’s saying she can talk to Terry inside her head and that isn’t even– how is that even possible?”
He laughs. “Believe me, it’s possible. And she’s exactly who she says she is. So am I. I mean,” and he looks closer at her, discerns some strangled thread of doubt in her eyes, “if you’re asking me to drive her back home, well, I don’t think she’s gonna let me.” He closes his eyes and takes a breath. “She wanted to find her family.”
“And she has,” Becky says suddenly, voice sharp. “I just–” She deflates again, scratching at her forehead with her cigarette held loose between her fingers. “It’s a lot to believe in, isn’t it?”
No more than mending and mending that blanket on the porch, like it matters, like Terry can even feel its warmth. Becky believes in that, right? Becky believes in that as a kindness, as a hope. She’s not the tough, stringy recluse she made herself out to be at the door — Earl’s concern is testament enough to that. Eddie feels the bite of something strangely like longing. The feeling that maybe there are other people in the world who are better than they make themselves out to be, people maybe like his mom. (Certainly not his dad.) The desire to trust in that feeling, to let it thaw him out. That’s the thing that’s a lot to believe in. “Maybe it is. But you gotta let her try, right? You owe her that much.”
Becky takes an audibly deep breath. “Yeah,” she says. “I do.”
When they go inside, El’s sitting at the kitchen table, eyes bright with impatience. “I’m going to talk to Mama,” she says to Eddie, as Becky pulls a kitchen towel out of a drawer and folds it into a blindfold.
“Don’t you need a– y’know, a pool, or whatever, for that?”
She shakes her head. “I am stronger now. And Mama is right here, not Upside Down.”
Eddie looks sharply at Becky, but she doesn’t react. Maybe she’s passing it off as just another of the cryptic, weird things El says that don’t make any rational sense. Which, hey, that’s exactly what it is, so. But he can’t prevent the thrill of adrenaline through his veins anyway. If she calls someone– if they’re listening–
It wouldn’t be totally unreasonable to think they’ve got this house bugged, right? Would it?
Which means–
God, Agent Faraday would have expected him to turn El in. Right? As soon as he saw her, alive and breathing and very much rightside-up? Government property, and all? Which, Eddie would never do that. Not on his fucking life. But this isn’t on his life, it’s on his uncle’s life, and it’s very much in his interest to ensure he and El remain under the radar on this one. Then again, if he tells Becky her niece is wanted by the government she’s going to flip her shit, which is sort of fair, since who wants a kid on the run under their roof? But this is El’s family. Her home, even, if she wants it. So if he’s going to break the news, he’ll need to do it gently.
El leads them through to the other room, where she turns the television to static and kneels before Terry again. Eddie’s not sure he can watch; he’s also not sure he can look away. She puts the blindfold on and faces her mother. Is this how she found her, too? he thinks. Is this how it works?
And would it work for someone else?
Notes:
– the phrase 'american dream' was coined by james truslow adams in 1931
– jiaozi are chinese dumplings eaten at chinese new year throughout north china and all year round in the northern provinces
– the bangles album is all over the place released may 23rd 1984
– the motorhead song was released september 1984
– laura branigan's self control was released april 1984
– the second british invasion was the surge in popularity of british musical acts in the early to mid 80s in the us - tears for fears being a prominent example
– 'chughole' is a word for pothole in south midland american english aka east kansas, northern oklahoma, southern indianawhat a night. just got home from the maya hawke concert, shoutout to the most amazing jo (beetlesandstars) who came with me, i adore you <33
hope everyone enjoys this chapter! sorry it's a day late. as always, let me know what you think below, and you can find me on twitter (ohtobeinlove) or tumblr (palmviolet).
Chapter 22: The Spy
Summary:
But there’s the whole wanted by the government thing, which he hasn’t quite got around to explaining yet, and he’s willing to bet El hasn’t breathed a word of it. She probably doesn’t quite understand it, actually, and he, being the responsible adult of the two of them, is in charge. “El, what if the– y’know, the government people, what if they’re watching this house?” He thinks about the trucker who came over to talk to him. Earl. Friendly enough, acting like he was just concerned about Becky, but maybe it was more than that. Maybe he was too curious. “She doesn’t know anything about it, does she? She can’t protect you if she doesn’t know what you’re running from.”
Notes:
warnings for referenced addiction + parental death, referenced child abuse, referenced homophobia, and reference to AIDS.
(See the end of the chapter for more notes.)
Chapter Text
SATURDAY NOVEMBER 3RD, 1984
El surfaces out of whatever trance she’s in with a ragged gasp, tugging the blindfold down her face as blood drips from her nose and Becky makes an awkward sort of move to comfort her. Eddie takes a step forward too, unable to help himself. Unable to shed his curiosity.
“She showed me– so many things. Over and over again,” El gets out. “She showed me– the hospital. And– a baby– and the sunflowers– she broke into the Lab, she had a gun, she– she shot someone, and she got into the rainbow room and there was another girl there and then they took her away and they–”
El’s face crumples. Eddie doesn’t even want to imagine what she might have said. Becky meets his eyes as she hugs El from behind, a heavy, apologetic look in her gaze. Like, yeah, it’s a lot to believe in, and now she’s believing in it.
They make it to the kitchen, where Eddie gets the job of brewing tea. He heats water on the stovetop while listening to their conversation behind him: “And it just kept repeating?”
“Repeat?” El questions, the way she often does.
“Like a circle? Just showing you the same image over and over?”
“She kept showing the girl in the room.”
“The rainbow room?” A silence. Eddie turns around and they’re staring at each other like they’re trying to read each other’s minds, like maybe that would be easier. Maybe it would. Eddie has enough trouble communicating with his own uncle, and he didn’t have his language stunted by growing up in a lab. “What did the girl look like?”
“Different.”
“Different than you?”
“I think this is why Mama wanted to talk.”
“To show you the girl?”
A pause. “I think she wants me to find her.” El almost whispers this, like it’s too profound to disturb the peace of the room. Like this is what it’s all been about, and oh no, Eddie did not sign up for this. He signed up for a short hop to Larrabee and back, two hours on the road and that’s all, this girl could be in fucking Canada for all he knows.
But then Becky’s going through to the study and rifling through a filing cabinet and when Eddie says, “Now, wait a second–” no one listens to him. Who’s not believing now? he thinks to himself, with a twist of bitter irony in it. But this has very rapidly gone from cutesy family reunion to–
To the kind of shit he got involved in last year, and he’s not here for that. He’s signed stacks of NDAs and kept his head down and tried to forget a girl called Eleven ever existed, not that he met her back then, and now–
But this is happening with or without him, it seems. El’s found the girl among all the files and she’s holding the picture up, tracing it with a wondrous finger. “I can find her with this,” she says, and Eddie’s heart sinks.
He doesn’t watch her do it this time. He goes outside for another smoke, breathes in rapidly cooling air, finds the sky deepening into the last half of the afternoon. He isn’t sure why he’s so mixed up about this, exactly. Perhaps something to do with the fact that El uses photographs to find people, apparently, and he hasn’t got a single one of his mom.
It was a hope that lasted perhaps an hour. Really, he should know better. Where would it have led him, anyway? A crack den? A cemetery? Better not to know.
After a little while, El comes outside. She looks downcast, wiping blood from her lip, her face cast in a soft rose color from the sunset. “I didn’t find her,” she says.
Eddie takes a breath. “So, does that mean we’re–”
“I want to stay.”
“Uh, okay.” His hands twitch; he doesn’t know quite what to do with them, now he’s finished his cigarette. “I mean, I should probably get home, y’know, if you’re okay with me, um, leaving you here–”
Is that an okay thing to do? Becky’s her aunt, right, surely that’s okay–
Ah. But there’s the whole wanted by the government thing, which he hasn’t quite got around to explaining yet, and he’s willing to bet El hasn’t breathed a word of it. She probably doesn’t quite understand it, actually, and he, being the responsible adult of the two of them, is in charge. Fuck. “El, what if the– y’know, the government people, what if they’re watching this house?” He thinks about the trucker who came over to talk to him. Earl. Friendly enough, acting like he was just concerned about Becky, but maybe it was more than that. Maybe he was too curious. “She doesn’t know anything about it, does she? She can’t protect you if she doesn’t know what you’re running from.”
“Running,” El repeats, and her face twists. Eddie gets a strange sense of deja-vu.
“El–”
“This is important. I know it’s important. I have to keep looking for the girl.”
He sighs helplessly. “Okay, well, why don’t you, uh, why don’t you try again.”
She looks at him for a moment, then nods. But she doesn’t go back inside; she just sits down in the rocking chair, holding the photograph tight in her fingers as she closes her eyes. He crosses his arms over his chest and waits, fidgeting with the sleeve of his jacket. It’s getting cold out. His breath is misting in the air, the trees rustling around them. It’s getting fucking creepy again, he thinks, as he watches a trail of blood slide down El’s lip. Why does it have to be creepy again?
Her eyes fly open; she jolts upright. “I found her,” she says, and then jumps to her feet, rushing into the house to tell Becky this too and he follows, only Becky’s on the phone. In the other room, but they can hear her clearly: “...gave me this number, and he came here looking for her. I thought maybe he could help me. Yeah, Jim Hopper, he came here with some woman named Joyce Byers?”
Eddie freezes. Just ahead of him, El’s done the same, her shoulders tensing into a hard line. Right, because she’s running away from Hopper too. But that’s not what Eddie’s worried about. Eddie’s worried about Becky talking on the phone — talking about El, referencing her, connecting her with other names the government knows, names they’ll be looking out for in the haze of phone chatter across the lines–
Shit. Oh, shit.
“We gotta get out of here,” he says lowly, urgently to her. “If they’ve tapped your aunt’s phone–”
She nods. So quietly, carefully, they creep back out of the house and to his van. He doesn’t check his wing mirrors to see if Becky comes out after them; he sees El looking back, out of the corner of his eye, and when she turns around her cheeks are wet.
He clears his throat. “Y’know, surely you’ll be safest in Hawkins–”
“I have to find her,” El insists, her voice steady despite the tears. “Chicago. She’s in Chicago.”
“So you want to– to go to Chicago? Tonight?”
“Yes.”
He takes a deep breath. Moves one hand off the wheel to pass it over his face with a grimace. “It’s gonna be pitch dark soon, kid, it’s gonna be–” But then he thinks about the alternatives. Her sneaking off and catching a fucking Greyhound, or else not letting him turn around at all. Using her magic powers on his stick shift. It’s not like he’s really got an option. And the government men might expect her to go to Hawkins; they wouldn’t expect her to go someplace else. So — “Okay. Okay, fine, whatever. But I gotta call my uncle when we pass a payphone, tell him I won’t be home.”
“Thank you,” she says, and for the first time her voice wavers. “I can’t– go back to Hopper. I can’t.”
He looks sideways at her. “That have anything to do with Hopper not being home this morning?”
“We– fought. I broke the windows. But he broke the TV! And he wouldn’t let me see Mike!”
Eddie flexes his hand on the wheel and, not for the first time, wonders how the hell he got here. It’s not like this is really a thing he knows, guilt after a fight with his dad. More likely the ache of whatever joint had been jostled out of place in the process — nothing so complex as remorse. Fuck remorse. But then again. “Y’know, I– I live with my uncle. Because my dad, he was a prick. Just– a total piece of shit. So, I left. But getting used to being around my uncle — it was tough. We didn’t know how to handle each other. We’d fight sometimes and I’d just, uh, I’d just get so angry, completely disproportionately angry, like I was reacting more to the memory of something else than what he was actually saying to me. Do you ever– y’know, feel like that?”
A silence. He remembers he’s in the car with a bad-tempered psychic thirteen year old — that so transparent an attempt at empathizing with her isn’t likely to go well. But then she nods. “Yes. Sometimes. I– I said he was like Papa. But he’s not.”
“And your papa, he was the prick, right?”
“Definitely. A–” she tries it out “–total prick.” He grins, despite himself. He couldn’t get this far without teaching the kid to swear, after all. Then she looks at him with a frown. “What happened to your dad?”
He thinks about saying it. (Lying.) He died. It feels true enough, in the back of his brain. What might my dad be doing now? he can ask himself, and he can’t even picture it. Eating lunch off a prison tray, sleeping in his cell. Picking a fight with another inmate. These are ideas that occur to him abstractly, as things that happen in prison. Not necessarily to Eddie’s dad.
So yes, in some sense, he may as well be dead.
But Eddie doesn’t say this. He says, “He’s in prison, actually. Has been for– I don’t know, a year and a bit?”
“For– being a prick?”
He laughs. “Pretty much, actually, yeah. I suppose he got his just desserts.”
“Just desserts?”
“Like, he got what he deserved. That’s what just desserts means.”
“Papa got just desserts. He died.” El doesn’t sound very happy when she says this, though; her face is grim, her voice quiet. “It wasn’t me.”
He glances at her, trying to conceal the shock in his tone: “You wish you’d, uh, killed him?”
“Maybe.” She doesn’t say anything else, just stares out the window at the night fields rushing past. He swallows and tries to think rationally.
Because, yeah. He thought about it himself, once or twice. How much easier it would be if he could just–
But he was a kid. Skinny with joints that didn’t work — don’t work — and it was never a realistic possibility, for him. Just something he’d daydream about, and be able to daydream about simply because it could never happen.
But El is different. El can do whatever she wants. Which is her right, really, when someone’s treated her that way — but it feels oily and dark, queasy in his stomach as he thinks about it.
About an hour later he spots a gas station with a payphone by it; he parks up and turns to tell El to stay in the van, but she’s got her head knocked against the glass, mouth slightly open as she sleeps. It only brings it home quite how young she is, and he bites down on the inside of his cheek to prevent himself from just turning around and driving them both home. She needs this, he tells himself.
Wayne picks up after several rings, so many Eddie’s half given up hope. He sounds sharp and busy: “Wayne Munson.”
“Uncle Wayne, hey. You in the middle of something?”
“Just got back from a meetin’ with Pete Freelin’. What is it?”
Pete Freeling. Eddie thinks idly back to what Robbie Freeling asked of him and gets a little shudder. “Just letting you know I’m not gonna be home tonight. You’re not working, right?”
“No, I ain’t workin’. Are you– what, you goin’ to the city, or…?”
Wayne’s tone is hesitant, a little awkward, because they both know what going to the city means. Not that he’s done it in a while, or even did it that regularly when he did. A few weekends here and there, until they gradually petered out over the summer. He got bored, he tells himself. It just began to feel cold and lonely, especially without Janie. “Yeah, I am. Sorry I didn’t tell you earlier.”
“No, that’s okay. You– uh, you be safe, okay, kid? You look after yourself.”
“I will,” Eddie says softly, and hangs up. He looks around the gas station lot carefully, remembering they’re sort of on the run right now — could they be followed? Who’s that in the red sedan? The cashier in the store, under ugly fluorescent lights, is he looking at them funny? Is Eddie being paranoid?
He swallows the sudden jolt of anxiety down and gets back into the van. El’s blinking awake, eyes luminous in the dark. “You called your uncle?”
“Yeah, I told him I wouldn’t be home. Don’t worry, I didn’t mention you.”
She smiles at him, a small, warm smile, and then tucks herself back against the window to sleep. He keeps on driving with the radio down low, some The Fixx song he’s gritting his teeth to because it’s better than driving in silence. And then soon enough he’s spotting signs for Illinois, for Chicago, and he says, “El,” gently, but enough to wake her again. She looks around with wide eyes, the city taking shape around her — she’s probably never even seen a city, he realizes — and then directs him (apparently more out of instinct than anything like concrete knowledge) towards a sketchier area. He drives not uneasily, exactly, since he’s been to plenty of neighborhoods like this before, but he keeps his eyes open. Stays watchful. It’s a natural instinct, something he slips into as easy as a well-worn sweater. A cloak he wears, as he parks up somewhere out of the way and follows El down an alley.
“You sure you know what you’re doing?” he hisses to her, as he skirts a couple used syringes. (Then again, also not a sight he’s never seen.)
“Yes,” she says in return, so firmly and earnestly that he has no choice but to believe it. Then eventually she halts opposite a derelict warehouse, covered in graffiti. A visible deep breath. “Here,” she says. “My sister is here.”
Eddie stares at the building, wondering what the fuck he’s walked himself into. But hell. He’s here now.
“Hello?” El calls out as they go in, before he can stop her. Best not to draw attention to themselves before they know what they’re dealing with, in his experience, but hey. She’s the one with superpowers. Inside the warehouse it’s cool and damp-smelling, water dripping in puddles on the floor. Nice place to live, huh.
He finds himself wishing he had a weapon. Not that he’d be any good at using it, but– just something there. Then again, something else he learned in the years he ran schemes with his dad — never escalate the situation yourself. Never turn a fistfight into a knife fight; any weapon you have can be taken and used against you. And would be, since he’s about as strong as a newborn foal still finding its legs.
El doesn’t really have that problem.
“Hello?” El calls again, rounding the corner, and there, there they are. ‘They’ being three punky figures in dark clothing, huddled around a trashcan bonfire — two dark-skinned girls and a white guy with a mohawk, which guy stands up as soon as he spots them, a switchblade flicking out from his sleeve.
“Now, who the fuck are you?” he says, stepping closer with the knife pointed at them. He’s got an inch or so on Eddie and a manic sort of look in his eyes, the kind of look Eddie’s seen in these circles before. But there’s also something predatory, strangely piercing, in the way he scans Eddie up and down.
“I’m looking for my sister,” El says.
The two girls shift by the fire, one of them scoffing. “Get them the hell outta here, Axel, couple loonies walked in off the street.”
“Like we’re any different,” the other girl says sharply, standing up. She’s tiny, barely five feet tall, but the intensity of her gaze has only one match — El’s. She comes forward and pushes Axel’s arm down, pushes the knife down. Eddie releases a breath he was only half aware of holding. “What do you mean, sister?”
El, without moving a muscle, snatches the knife from Axel’s hand and lets it float in the air between them. Eddie feels a change in the atmosphere — certainly he, himself, is unable to speak. Because sure, he’s heard about it. Not really seen it, not until now, not beyond a smashed headlamp and a psychic mother. And now Axel is backing away, shaking his head, and the other girl by the fire has sat up straight and the girl in front of them– she’s not backing away, she’s not cowed or awed or anything she’s just–
–curious. Interested. And Eddie doesn’t even need to hear what she says next to think okay, yeah, maybe this is her.
“What is your name?” the girl says, moving in a circle around El. Eddie feels himself ignored, shunted to the side, and really he’s quite happy with that.
“Jane,” El says. Eddie glances at her, wonders if that’s what he should call her now, or if it’s some deliberate plan. Protection.
“How did you find me?”
“I saw you. Mama showed me you, in her– dream circle.”
“Dream circle?” Axel scoffs, but a glare from the girl silences him. She stands directly in front of El and reaches for her arm; El lets her. They compare bare skin, and when Eddie leans forward he sees what they’re looking at: matching tattoos. 011 and 008.
Like they’re in a fucking James Bond movie.
“Sister,” El whispers.
“Sister,” the girl says in response. “I am Kali. It’s so good to meet you.” She draws El into an embrace and El returns it, the tension sliding out of her like everything’s suddenly okay. Eddie wonders what it would be like, idly, for a puzzle piece to slot into place that way. For the world to just make sense in one smooth movement.
And then they’re looking at him. “Who are you?” Kali says, and her tone is even but distinctly icier than before.
“Eddie,” he says. “I’m just the driver.”
“He’s a friend.” El’s voice is fierce. “He helped me find you.”
Axel rolls his eyes. “Great. Oh, great. So we’ve got Shirley Temple and Black fucking Sabbath over here, that’s gonna do us so much good–”
“Okay, Johnny Rotten, who the fuck are you to talk?” Eddie snaps, and Axel stares at him as Kali and the other girl begin to laugh.
“He’s got ya there, Axel,” the other girl says, coming over. “I’m Mick. Bullying Axel like that, you’ll fit right in.”
“Hey, we don’t even know who the fuck these people are yet,” Axel hisses, “you’re gonna–”
“Yes, we do,” Kali says, in a tone that brooks no argument. “Jane is my sister. She comes from the same place I come from, and she belongs with us. I’m going to go and talk to her a little more, okay? Why don’t you ask Eddie what his intentions are, if you’re so worried?”
Eddie sets his shoulders and hopes that that amounts to nothing more than a polite conversation. El looks at him worriedly: “No one can hurt him.”
“And no one will. Right?” Kali looks at Axel and Mick in turn, then back at Axel, eyes stern. Axel has to be older than her, though maybe only by a couple years, but he seems to obey her orders pretty much without question. So then Kali and El are disappearing off upstairs, and it’s just Eddie and Axel and Mick in the drafty, damp warehouse.
“You a city boy?” Mick says, settling back into her chair by the fire. He draws closer hesitantly.
“No fucking way, man, he’s as country as Shirley Temple, just hides it better.” Axel sits down too, shaking his head in disgust. “The people we associate with, honestly.”
“What, because I grew up knowing what the color green looks like?” Eddie shakes his head too, getting out a cigarette and moving to put the pack away — then thinking better of it, and offering it out to the pair of them. Mick shakes her head; Axel takes one, eyes mapping Eddie’s face as he does it.
“Green’s overrated. And yes, before someone gets smart, I mean that in the recreational sense too. Now, give me a nice shot of horse, that’s the stuff…”
“I thought you were sober,” Mick says, with careful carelessness.
“Doesn’t mean a man can’t daydream, all right? ‘S about the only fix I get these days, except the jobs, and let me tell you, the horse was better for my blood pressure.”
“So what are you doing it for, then?” Eddie asks, and receives blank looks in return. “The ‘jobs’. It’s pretty obvious what you mean. You got Halloween masks over there–” he nods to the table where they lie discarded in a pile “–and somehow you guys don’t seem the, uh, the trick-or-treating types. The warehouse, the trashcan fire, isn’t it a little, I don’t know, cliche? You’re robbing places, right? I’m guessing smash and grab, maybe you’re hitting low- to mid-profile banks. My question is, what are you doing with the cash? Because you’re not exactly blowing it on rent.”
Axel jumps to his feet but Mick grabs his arm — “Kali told us to play nice, remember?” — and he slowly sits back down. “You seem awfully knowledgeable for a hick, asshole.”
“You think there’s no crime in rural Indiana?” Then Eddie smiles crookedly. “But the bigger stuff happened in the city, I’ll give you that. You, uh, you haven’t answered my question.”
“Because you were wrong,” Mick says. Eddie frowns.
“We’re not after money,” Axel continues for her. “As nice as it might be to eat something better than artery-rotting takeout all the time, that’s not the point. Wealth of the soul, rather than the wallet, et cetera. We’re not actually hitting banks or department stores or whatever. Or, if we do, it’s not to empty the register. That’s just a bonus. What we’re really doing–”
“–is taking something else that we’re owed.”
They all turn: Kali is standing at the top of the steps, El a little way behind her. She looks elated, steady. Like she belongs.
A dramatic pause. (Eddie can respect that much, a little melodrama — it goes a long way.) “Revenge.”
He feels a strange foreboding creep through him. “Against who?”
“Anyone,” Axel drawls. “Anyone who hurt us. Though money would be nice.”
“Axel is deeply concerned with material possessions,” Kali says. “The rest of us, not so much. It’s simple. We track the people who hurt us, find them, and kill them. It’s only what they deserve.”
“Just desserts,” El whispers, and it echoes in the large space. Fucking no, Eddie thinks, she’s not doing this, she’s not doing this to herself–
But it’s not up to him.
“We’re going out tomorrow night. Jane–” and then Kali looks directly at Eddie “–and Eddie, too, are you with us?”
El doesn’t say anything, but her jaw is set in a hard line. Like she wants to, or else feels like she has no choice but to. Eddie, for his part, takes a shaky breath and tries not to look weak even as he says, “I don’t–”
“Aw, baby’s never killed anyone,” Axel says.
Eddie thinks about setting the demogorgon on fire a year ago. The thing’s sinewy limbs going up in flames; the way it screamed. Granted, he doesn’t think it died, but does that count? What about the drugs he’s pushed, the cars he’s hotwired, the cash he’s stolen? How many lives did he ruin, how many people did he inadvertently kill doing that?
But actually kill?
“Fucking criminal know-it-all hasn’t even gotten his hands dirty. Jesus.”
“Relax, Axel. We don’t need him too. Unless he’s got some magic ability he’s not telling us about?” Mick says, and Eddie shakes his head. “Yeah. So he can just– go home, I guess, or hang around, I don’t know. It’s up to Kali.”
“It’s up to everyone, Funshine and Dottie too,” Kali says. “But you would have to earn your keep some other way, if you did not come on jobs.”
“No, that’s– that’s okay,” he says hurriedly. Doesn’t even think about it, even though perhaps a few years ago he would have been leaping at the opportunity, a life he was familiar with but on his own terms, nothing like the harsh awakening of shelter and kindness at Wayne’s–
He’s different now. Softer, maybe, that’s true. Maybe that’s not a bad thing.
“I, uh, I’ve gotta get back at some point, but I’m gonna hang around for– Jane for a little while. Make sure she’s okay, y’know?”
“What, when we’re such a cute and cuddly bunch.” Axel grins, showing off bad teeth — a brush with meth, too? — and then waves acceptance. Mick and Kali nod, and then that’s that. Eddie staying for the night, not sure what he’s doing here (trying to talk El out of it?) and then leaving tomorrow. Like the whole thing was a fever dream.
The two other members of the group, Funshine and Dottie, appear a little while later, bearing bags of Chinese takeout. They’re clearly the junior members of the group, in terms of a pecking order, since they don’t raise much of a fuss or even ask many questions about the presence of Eddie and El. They just pass them a box or two of noodles.
Later, they’re shown places to sleep. Eddie tosses and turns on a low spare mattress for a while, with a spring digging into his back (found it on the side of the road, if you can believe it, PLEASE TAKE, like, what kind of lucky is that?) and feeling acutely aware of the whine of sirens in the distant night. He could use a joint, but El’s sleeping on the other side of the room, in a real bed, and he’s not gonna disturb her with that shit. So, when his racing heart refuses to slow for the second hour in a row, he rolls out of bed and quietly creeps back down the stairs to the main warehouse, where the fire is burning low. There’s already a figure sitting by it, recognizable by the tall tower of his hair. Axel.
Eddie rolls his eyes but doesn’t retreat; he’ll have been spotted by now anyway. But he also doesn’t get his joint out. Axel’s sober, right? It would only be rude.
“Quitting while you’re ahead?” Axel’s voice echoes in the space, breaking the damp silence. “Don’t blame ya. It’s not for everyone.”
“Here for a smoke, actually.” Eddie lights one and offers the pack to Axel; again, Axel takes one. Maybe a little cowed apology in his eyes, flickering in the lighter’s flame. “You on the night watch?”
“It’s my shift,” Axel says, grinning crookedly. He picks up a bottle of beer from the floor beside his chair and holds it out. “You want a swig of this?”
“Thought you were sober,” Eddie says, not yet moving to take it.
“I am. Of drugs and heavy liquor,” Axel adds. “I mean, beer and cigarettes, you gotta have a reason to live, right?”
“Right.” Eddie shrugs, thinks what the hell, and takes the bottle of beer. It’s lukewarm and somewhat flat, but on a stomach empty but for half a box of noodles, it begins to take the edge off. “There a story there, or…?”
“Not much of one. Same thing that happens to everyone, really, you take shitty adults with no money who don’t want a kid and you give them one and you sorta expect it to go wrong, don’t you? You expect it to lead you someplace like this. At least I got my own back.”
Eddie doesn’t say anything; he refuses to parse that sentence for the meaning he already feels he knows in his chest.
“Tried NA for a minute or two, not that it did a bit of fucking good. You know it’s all about God? Hitting your knees to pray every night. Please, God, don’t let me succumb to the substance today. Please, God, forgive me if I do. Problem was, I was too used to hitting my knees for a different reason, one all those church-y types didn’t approve of, funnily enough.”
Eddie looks at him. Tries to work out if he’s saying what it sounds like he’s saying, and then decides that yes, he is. It’s strangely easy to say in return, “They never do.”
“Nope. They never do. And the ones they don’t approve of, we gotta stick together, right?” Axel’s eyes on him are heavy, then. Suggestive. The same way Robbie Freeling’s eyes were suggestive. But, even though Axel must be at least five years older than Eddie, it feels like they’re on more equal terms. Because Axel’s not hiding anything away, is he? Not making payment or exchange. Just– offering.
And Eddie thinks about it. Truly considers it. It’s been a while. And it’s not like he likes Axel all that much, he’s abrasive and cynical and whatever might be handsome in his face is tempered by the erosion of hard drugs, but did he like Tommy C. that much? Did he like Martin?
(Though actually he did. Like them. Which was his problem, really. Liking people who didn’t deserve to be liked, and Axel’s a different sort of beast. Look fouler, feel fairer, some shit like that.)
He inhales deeply from the cigarette and then takes out of his mouth, replaces it with the beer before passing the bottle back across. Not tonight, he thinks. It’s been a long day — a long year — and he’s mindful of what his uncle said on the phone, you be safe, okay, kid? Because it’s a risky endeavor. No matter who he does it with, but here? In Chicago, with a guy who’s probably shared needles in the not-too-distant past?
No. Not tonight. Even as he feels a sting of ugly guilt at his own assumptions. Can’t be too careful, right?
So he stubs out his cigarette and gets to his feet again. “I’m gonna give sleep another go, y’know, we’ve got a, um, a big day tomorrow, right?”
“We do,” Axel says, raising an eyebrow. “Not sure about you. But sure, nighty-night, sleeping beauty.”
Eddie mock salutes and then goes back upstairs, finds El exactly where he left her, curled up like a child. Because she is a child. And she shouldn’t be doing this.
But he’s not sure he can stop her.
Notes:
– the fixx song is reach the beach released 1983
– in the original episode, we first meet dot and funshine too, and kali isn't with them yet. but because this takes place earlier in the night, with them having left earlier and not having to wait for a bus, the configuration is different.
– the james bond reference is that bond is 007
– shirley temple was a child star of heartwarming family movies in the 1930s - with curly brown hair. axel canonically calls el this.
– johnny rotten was the lead singer of iconic 70s uk punk band the sex pistols
– horse is slang for heroin
– NA is narcotics anonymous, founded 1953. a lot of its principles are centred around a 'higher power', which doesn't necessarily have to be the christian god, but both NA and AA have come under fire for this religious focus.
– look fouler, feel fairer is a reference to the lord of the rings in which frodo decides that strider isn't working for the enemy because a servant of the enemy would 'look fairer and feel fouler'thanks for reading, as always, and let me know what you think! i can be found on twitter (ohtobeinlove) or tumblr (palmviolet).
Chapter 23: The Lost Sister
Summary:
Right before they’re about to go, Dottie sits El down and decides, in her own words, to dirty up that Shirley Temple sweetness, which involves slicking her hair back and dusting black makeup around her eyelids — “Bitchin’,” Dottie says, when she’s finished. El in an oversized black blazer over her jeans. Eddie might laugh hysterically; he settles for filching some of the eyeshadow for himself, in the interest of feeling a little bolder.
It’s this boldness that enables him, when they’re walking out towards his van, to say without ceremony, “I’m driving.”
Notes:
warnings for referenced canon-typical violence, referenced drug use, and class struggle.
(See the end of the chapter for more notes.)
Chapter Text
SUNDAY NOVEMBER 4TH 1984
The room is cold when he wakes up. El is still asleep in the bed, snoring softly with her mouth open. She’s kicked the sheets off to leave her legs, in borrowed sweatpants, open to the cool air, so he eases himself up and tugs them back over her. She doesn’t stir.
Pale gray light is seeping in through the gaps in the boarded-up windows, early still. He’s come to accept his own status as a terminally early riser. It makes no fucking sense with anything else about him — his chronic tardiness, his general scattered disorganization in every direction — but he’s living with it. Doesn’t mean he goes to bed any earlier, he just sleeps less.
“–don’t even have a new ride yet, Kali, what am I supposed to–”
“So we swap plates. We have plates, right?”
Eddie slows his step as he draws nearer to the group, though they’re clearly indifferent as to whether he hears. Kali and Mick are staring each other down by the table; Dottie is sitting cross legged on it, picking her teeth. Funshine and Axel are nowhere to be seen, like maybe Axel’s catching up on sleep after his late night.
“Or,” Mick says, “we don’t take stupid risks and use someone else’s car.”
Eddie realizes, belatedly, that she’s looking at him. And then so are Dottie and Kali. He stops.
“I mean, you drove here, right?”
“I did,” he says, calmly, though his mind is sort of screaming at him bad fucking idea bad bad not a chance no fucking–
“So. We switch out your plates, put our spare ones on, different vehicle, different plates, no one will be able to catch us. Then we get back here, change the plates back over, and you’re clear.”
He doesn’t exactly know how to say no — if he can say no. He’d be aiding and abetting fucking murder, here, if he gave them his van. More than he is already. But it would take nothing more than a moment, a flick of El’s head, for the keys to float out of his pocket and the choice to be made for him anyway. Not that he believes it of her, necessarily, but of the rest of them? Axel’s got his knife, Funshine’s broad and tall. Kali’s probably killed more people than Eddie has fingers. So.
“I’m not going to force you into this,” Kali says, slicing through the sudden tension in the air. “Just think about it. Is Jane still asleep?”
He nods, moving forward warily to sit by the table and pull out his cigarettes again. There’s no breakfast in sight, so this will have to do. His mouth tastes sour and ashen already, and his fingers ache with cold. Strange, now, how he can’t imagine living like this. When before–
“This guy thinks too much,” Dottie announces, to the room at large. She’s studying him with her eyes narrowed. “I don’t like people who think too much.”
“Well, someone has to, or we’d never get anywhere.” Mick produces her own cigarette and lights it, pulling one leg up on her chair. “If we’re gonna fucking do this, Kali, we gotta get this show on the road.”
“Let her sleep for a moment,” Kali returns. “She’s tired.”
Eddie looks at her without saying anything. It’s a bold claim, on her part. She’s tired. Which, it’s a reasonable guess, but it’s not her place to make it. To decide what’s best for her, when she’s the one putting the kid in this position.
“We’re all tired,” Mick mutters, crossing her arms and puffing on her smoke. “You know the last time I drove anywhere and I wasn’t being chased? Just me and the road and a Heart cassette. You know how fucking long ago that was? Jimmy Carter was still president, that’s how long ago it was.”
“Heart, not bad.”
She turns to look at him suspiciously. “Huh,” she says, and he can’t tell whether she’s reevaluating him or just a bit pissed off. He’s not going to push his luck, so he doesn’t dive into the conversation he’s always itching to have — it goes down better with some people than with others.
“I miss New York,” Axel declares as he strides into the room, mohawk still defiantly sticking up like he didn’t sleep on it or else he’s spent the morning grooming it back into place.
Mick rolls her eyes. “We were in New York for five fucking minutes, what’s so great about that?”
“Exactly. It felt like a vacation. This–” Axel waves a hand around the room, including Eddie in his assessment “–doesn’t feel like a vacation.”
“Axel,” Kali says, that’s all she says, and he shuts up. Like she’s got him on some kind of tight leash. Eddie sits there and resigns himself to never quite understanding the dynamic going on here. He’s sort of glad about that, on some level. That he doesn’t move, think, in the same patterns as they do.
An hour or so later, Kali disappears to wake El up as the rest of them, Eddie excluded, finish up their crappy poker game, using matchsticks as chips. From what he’s worked out they don’t bet actual money, just random crap they have lying around, which is how Dottie winds up winning four elastic bands, a lighter, a photograph of Funshine’s mother (which she then gives back), nine cigarettes, a filched library copy of The Bluest Eye, and a roll of film. She’s crowing over her winnings when Kali and El come down, El still blinking sleep from her eyes but something taut and alive in the way she moves, the way she stands.
Eddie feels taut too, itching and fidgeting, but for a different reason. For the reason that poker sort of makes his skin crawl and he’s certain his dad plays a lot of it in prison. For the reason that he’s been in rooms like this before, seedier and uglier, sure, but still smelling like damp and cigarette smoke and beer and people doing things they aren’t supposed to.
Maybe he isn’t suited to all this, this life. Maybe he should go to Rick and say you’ve got the wrong guy.
But he’s proven to himself that he’s good at it, that part at least, the cowardly part, so hey. Whatever. Here he is.
Here becomes out in the biting November air, watching across a railroad track as El strains to move a train car with her mind — he hasn’t been here before, though it tracks with the general weirdness of his life as it accelerates into overdrive. “This is fucking insane,” Mick says beside him, as El lifts her head from where it’s bowed to her knees, surveying the magnitude of her success. “This is so fucking–”
“Are all you hicks like that?” Axel says.
Eddie can’t read his face. “Nope. Just her.”
Axel laughs. “I thought so.”
Eddie catches El, when they’re going back inside. The others are chattering to each other about the plan, about what to do next, so Eddie takes her wrist — dimly aware his hands are trembling — and tugs her into a corner. “Maybe we should think about this,” he says.
She looks at him. “I have thought about this.”
“But what she wants you to do–” He stops. Rubs a hand over his forehead, exhales through his nose. “That’s shit you don’t come back from.”
“But I’ve already done it.”
“What?”
Her voice is, as ever, earnest. “Killed people. I’ve already done it. I killed the bad men at the school, when they came for us.”
“That’s– that’s different.” He looks at her helplessly. “There’s gotta be a better way than getting yourself involved in this. I can’t, um, I can’t believe this is what your mom wanted when she sent us here.”
“Me. She sent me here.”
He bites the inside of his cheek. “Right.”
“The bad men need their just desserts.”
He feels a great rise of frustration, then, frustration and desperation, and he says louder than he means to, “That’s just something people say, it’s not– it’s just something I said, it doesn’t mean anything, it doesn’t mean you have to be the person who gives it to them or anything like that–”
“So who will?”
He throws up his hands. “Sometimes no one! Sometimes–” And he stops. Like he’s been running as fast as his legs will carry him and now suddenly he’s reached a cliff: the drop stretches out below him. Like shit, maybe she’s right. And he’s doing the cowardly thing not only by bowing out of this before it gets hard but also by trying to prevent her doing it at all — which he told himself he’d stay out of it, told himself he’d– and now he’s–
She’s looking at him intently, eyes wide. In a sort of haze he wants to reach out to her and say you’re just a kid and I don’t know how to handle that maybe because you remind me of me but that just makes it worse, because back then he could have done with some revenge. It would have made him feel better.
And isn’t that the point? Why he’s still here, to look out for her, to make sure she gets out of this alive?
She’s opening her mouth to say something but then Axel reappears around the corner, lips pinched together, saying snappily, “Come on, get to it, we don’t have all day,” and she glances at Eddie then him then Eddie again before going back into the warehouse — and the moment ends.
He follows them inside.
They’re arguing about plates again, about routes and money and maps but mostly plates, and it’s almost painfully unthinkingly that he steps up and says, “You can use my van.”
They look at him. Axel’s eyebrows climb, like he’s scathing, or else impressed. Kali is impassive. She just nods, says, “Good. Mick and Dottie, switch the plates out. Funshine and Axel, get our weapons together. I’ll find them masks.”
“He’s coming?” Mick says disbelievingly.
Kali doesn’t look at her, just looks at Eddie. “Is he not?”
He swallows. So maybe he is.
Right before they’re about to go, Dottie sits El down and decides, in her own words, to dirty up that Shirley Temple sweetness, which involves slicking her hair back and dusting black makeup around her eyelids — “Bitchin’,” Dottie says, when she’s finished. El in an oversized black blazer over her jeans. Eddie might laugh hysterically; he settles for filching some of the eyeshadow for himself, in the interest of feeling a little bolder.
It’s this boldness that enables him, when they’re walking out towards his van, to say without ceremony, “I’m driving.”
Mick starts. “No fucking–”
“You’re driving,” Kali repeats, holding a hand up with an edge to her smile and Eddie’s not sure but he doesn’t think she’s doing him a favor, somehow. Still, he gets to drive.
And when he turns the engine over he gets Paul Engemann’s Scarface song, because of course he does, because the cassette player’s still fucking broken and Axel starts to laugh as Mick flips him off and says, “Hey, I fucking like this song,” and then Eddie just concentrates on driving instead of the pounding of his heart. What a story he’ll have to tell, he thinks. What a story he’ll never tell to Wayne. This time two days ago he was in class, twitching in his seat as he waited for the inevitable crash of Billy Hargrove’s fist. If he returns to Hawkins having killed someone–
He’s not going to do that.
(Isn’t that what he’s doing?)
Kali directs him to pull into some convenience store, Oscar’s Gas N Go. “Stocking up,” she says, by way of explanation, and with the ease of self-preservation he lets his own muscle memory take over. He knows what this is, after all. Ducking any security cams (not that Oscar’s Gas N Go is any sort of Fort Knox), subtlety on the entry, speed when the guy’s distracted. Kali makes him think his bathroom is flooding and then they set to the shelves; Eddie finds himself grabbing his go-tos, like cigarettes and lighters and painkillers, which maybe he’s embarrassed about until he spots Dottie’s sunglasses and Tampax and El’s box of Eggos.
Axel goes for the till. Eddie, right next to him, sets the cigarettes down and helps him fill his brown paper bag, speed over haste, catching grubby bills between his fingers and willing the adrenaline to still their tremor. It’s easy. It’s always easy.
Right up until–
“Hey!”
And the sound of a cocking gun.
“Put that back or I’ll blow your heads off. You hear me, freaks?”
The cashier, having overcome the bathroom’s distraction, advances. Gun pointed right at Axel, then Eddie, then Axel. Then Eddie again. Perhaps he can’t decide which subculture is worse. Punk or metal, take your pick. Both will steal your cash. Eddie almost smiles, wryly, privately, with the feeling that he’s not entirely inside his body right now. Hasn’t been since he made the decision to drive.
“Put the gun down,” Kali says, rounding the aisle.
“Stay back. Stay back!”
“Darrel, your money is insured. We’re only stealing from the war criminal billionaires who own this place. You won’t even lose a dime.”
Oscar’s Gas N Go, Eddie thinks, really? Billionaires? Everybody’s gotta have a cause, he supposes, and it takes a hell of a lot of mental effort to stay at war with the whole world in general.
“I said stay back.”
“We’re on the same side. I promise.”
“Stay. Back.”
Then El jumps out and raises her hand and flings the guy back into a display; he clatters to the ground and Axel whistles, “Damn, Shirley,” and they all look at each other with more triumph than relief.
They’re back on the road in short order, Eddie clinging on to his residual adrenaline like a lifeline, stay with me you bastard, knowing if it slips away he’ll have to drop out onto the berm and dry heave. He wraps his fingers tight around the wheel and focuses his mind on the directions: left turns, right turns, highway exits. “You’re a good driver,” Axel says to him at some point, voice curiously free of sarcasm. “Better than Mick.”
“Asshole,” she grinds out, flipping him off without looking at him. Eddie keeps his eyes on the road, though he can feel Axel breathing over his shoulder.
“My driving’s been called many things,” Eddie says. “Never good.”
Axel laughs. “Good in my vocabulary probably means something different than what it means in everybody else’s, then.”
In that this is what he’s good at. In that he’s never been good at anything else.
Eventually, they pull up on some nondescript street in the nondescript darkness. Eddie cuts the engine and Mick clears her throat: “Alright, we should case the place, stick to the routine. We have time.”
“We also have her,” Kali says, without even glancing at El, but it’s clear who she means. “Can you look?”
El closes her eyes. They wait only a moment before she opens them again. “He’s watching television.”
Mick shakes her head. “Is he alone?”
“I saw him. No one else.”
“Good enough for me,” Kali says, and Eddie gets hit by a jolt like a suckerpunch. Good enough for me. Like his dad’s saying it, though he can’t remember why or when. Just the words, the tone of voice. Lackadaisical enough to get them all caught when it matters the most to be diligent, but maybe that’s what makes them right for it, the carelessness. The lack of concern for your own life.
He wonders if that’s what sent his dad to prison. Checking the deal out, thinking it was fine. Good enough for me. But a sting nonetheless, and Eddie wonders how he knows that. If he knows that. He can picture it so clearly, his dad’s narrow face, a warehouse just like this one, smoke curling out of his mouth as he smiles crookedly behind the scar he doesn’t yet have — “Good enough for me,” he says, and it all goes to shit.
So clearly it’s almost like Eddie was there. Though of course he wasn’t.
He’s shaken out of the not-real memory by Funshine saying, “Let’s do this,” which — as he seems the most levelheaded — is the deciding factor.
“Keep it running,” Kali says, eyes sharp as they meet Eddie’s.
“We’ll meet you round back,” Mick says, tone brooking no argument. So she doesn’t trust Eddie on his own — that’s fair. You gotta trust your getaway driver. You gotta trust your crew, gotta believe they’re not leading you someplace bad. Someplace you can’t get out from.
He watches El go with a sinking feeling deep in his chest, cold like a stone in icy water.
And then–
Well, then it’s a matter of waiting. Like always. Like it always is.
“You do this before?” Mick says, studying him from the passenger seat. He wonders if he’s got a tell. If maybe it’s the fidgeting — though actually he’s not fidgeting, not now, more eerily still in a way he never is.
“Something like it,” he says. The words feel angular and unwieldy in his mouth. How does he even explain it to her? Because he can, right, like he’s already facilitating a home invasion and a probable murder, what’s a little broken NDA? Logically, he can, but in practice? In words? “It was actually more dangerous than this, believe it or not.”
She scoffs, like she’s choosing not. He doesn’t blame her. Maybe envies her. He’s far less scared of the law than he is of the dark things creeping out from the woods.
But still, it has a similar feeling to it. The waiting, the watching. Not knowing what’s going on inside, just hoping and praying they all make it out alive, souls included. Fucking souls. Honestly, he doesn’t know who the fuck he is anymore.
Then — distant, far off, but getting closer — the sound of a siren.
They look at each other in the dark. Eddie nudges the van forward even as his pulse spikes, craning his neck to look for them in the stairwell. Fuck, what the fuck’s his uncle gonna say when he gets arrested in Illinois? How the fuck’s he gonna pay bail? What’s gonna happen to El? What’s gonna–
“Alright, that’s them, that’s them!” Mick shouts, and Eddie floors it, lining up the doors with the exit just in time as the other five pile into the van, panting and twitching and dragging their masks off — Eddie doesn’t need to be told. They go.
“What happened?” he says urgently, swerving to avoid a trashcan and keeping his shoulders hunched low over the wheel.
No one responds, but in the back Kali is speaking, low and furious: “If you wanted to show mercy, that is your choice. But don’t you ever take away mine. Ever. Do you understand? Do you understand?”
El doesn’t say anything. Eddie hardly dares to hope, even as he tries to catch her eye in the rearview mirror. Hope that maybe, just maybe, she didn’t do it after all.
“What happened?” he asks again, because he can’t not ask. Again, no one answers. “What–”
“Slow down!” Mick shouts suddenly, and he brakes hard as flashing blue lights and a siren sweep past, a cop car racing back to the scene of their crime. What crime it is, he doesn’t yet know. He’s still speeding for another couple of yards and he takes a deep breath, tense as he waits for that cop to realize who he’s missed and turn around to come after them — but the lights disappear into the dark, and the road goes silent once again.
“It doesn’t matter what happened in there,” Mick says. “What matters is, they’re after us anyway.”
“It does matter,” Eddie returns. “It matters because they’re gonna get away with a lot more if murder’s their excuse for it. You kill someone, especially someone no one wants dead, and that’s an X on your back forever.” He knows that much from visiting his father, when he finally got the truth out of him. The reason he’s in a state max security prison instead of a lighter federal place, which is where the drugs would have put him. The reason everyone spits his name with such disgust.
“Like children,” El says softly. “People no one wants to be dead.”
His heart stops. “You–”
“He had children. They were there. We didn’t kill anyone.”
He exhales, long and shaky. Fuck. Fuck. Thank fuck.
No one speaks the whole way back to the warehouse.
When they get there, he follows El upstairs, stands with his arms folded over his chest as she hunches down on the edge of the bed, hands twisting in the sheets. She looks small and tired and totally unsuited to this, like a kid who needs to go home.
“I feel like– two things at once,” she admits eventually, voice miserable and raw. “There’s Kali and the– the bad men, and Mama wanted me here.”
“You don’t know what she wanted,” he says, keeping it quiet, like she’ll startle. “She did her best to talk to you but it was tough, y’know, she’s sort of beyond being able to tell you what she wants, and I, um, I find it hard to believe she’d want you to–” And then he closes his mouth. Because he’s not exactly an expert. “What’s the other thing? You said there were two.”
“There’s also you, and Mike. And Dustin and Lucas. And Hopper, too, and I–” Her face scrunches like she’s trying not to cry. “I want to go home.”
“So let’s go home.”
“But they don’t need me.”
Eddie thinks about Will’s unfocused eyes, the cold chill sweeping through the Byers’ house. Mike’s angry desperation, the general feeling of darkness descending on the town as he left. “How can you be sure of that?”
She looks at him. Then, as though that’s all he needed to ask, she takes out her blindfold from Becky’s house and ties it over her eyes, like she’s going to find out. Eddie exhales through his teeth and waits.
And doesn’t have to wait long, because soon enough she’s tearing the blindfold off, eyes wide and startled and afraid, eyes that meet Eddie’s as she says, “Something’s happened.”
Because of course it fucking has.
They go back downstairs together, find the others playing poker with real money this time, no doubt the money they took from the gas station. Axel’s the first to look up, and his face goes hard and flinty with what he must see in their eyes. “Going somewhere?”
“My friends are in danger,” El says. Something apologetic in her voice. Eddie’s done with being nice to these people.
“Boy, you sure do have a lotta friends. I thought we were your friends. Aren’t we in danger too?”
“Axel,” Kali warns, stepping out from the corner, eyes fixed on El as her voice softens. “What about your mother? What about avenging her?”
El glances up at Eddie, then back at Kali. “She can’t tell me what she wants. If she would want that. But my friends– I have to help them.”
“We belong together. Your mother, she can’t tell you, but she showed you, remember? She showed you we belong together. You’re meant to be here. There’s nothing for you back there, they cannot save you, Jane.”
“No,” El says. “But I can save them.”
A silence. For a long moment, Eddie wonders if they’re going to be allowed to leave. They might not be, right? Kali might choose to take this weird sister bond she’s managed to forge and hold onto it tight, grasp it like it’s the only thing she has, and she doesn’t have much. Axel’s got a gun, Funshine’s huge. El might be able to take them but would she want to? Would she really fight her way out, when half of her doesn’t want to leave at all?
Then–
“Go,” Kali says, voice breaking on the single syllable. “I cannot make you stay.”
“Sister–”
“You have made your choice.” Then her eyes thaw a little. “You have a home to return to. A living family to protect. If I still had these things, maybe I would do the same.”
El takes a step forward. Tugs Kali, stiff and unyielding, into a hug. “Thank you,” El whispers into her shoulder. And then they go.
The interlude feels increasingly dreamlike, the further they drive from Chicago. Their journey played out in reverse, the return to a life where he’s not a getaway driver for rogue assassins, a life where he’s just a small town drug dealer, a queer with something wrong with him but no murder to his name, at least.
“You okay?” he asks into the silence (the radio turned way down) when they’re nearing the Indiana border. The road is dark and mostly empty.
She takes her time to answer, uncurling herself from her stiff huddle against the window. “Yes,” she says, voice thick with the red-rimmed aftermath of tears. “I think– what you said. About your dad. Leaving him behind, letting him be– in prison. That’s better.”
“Better than what?” His voice is barely a whisper.
“Than– making it worse. Making the hurt worse. The bad man, he said Papa was alive, but he was lying. Papa is dead. And I should let him be dead.”
Eddie feels some strange tension drop out of his shoulders. Like this was his dilemma at all, which it wasn’t, but still. He feels the relief. “That’s, uh, a good way of thinking about it,” he says. This is her walking-out-of-Indiana-Reformatory, her breathing-in-the-snow and knowing-things-can-be-better — this is her making the right decisions five years earlier than he did.
“Thank you for coming with me.”
He glances at her. “No– no problem, kid. No problem. So, uh, where are we going now?”
“Hawkins. Mike and Hopper are in trouble.”
“What about everyone else?” He can’t help it. He can’t help the way suddenly awareness of Hawkins slams into him like a brick wall, the memory of everything he’s conveniently managed to put out of his mind — Steve and Nancy and Jonathan, the kids and Joyce and Hopper and a threat a whole lot less tangible than the police. Steve. He hasn’t thought about Steve in what seems like years; now his throat constricts and Steve’s face is all he can see.
“I will see,” she says, closing her eyes. He turns the radio to static.
When she opens them again, there’s the now-familiar trail of blood running from her nose. She wipes at it and he has to restrain himself, has to flex his hand around the wheel to keep himself from hissing what’s happening are they okay is there what’s–
“Lucas and Dustin and another boy, Steve? And a girl–” her face dims “–they’re setting a trap. For the monsters. But it’s too dangerous, it isn’t–”
“Monsters? What– where are they?”
“The junkyard.”
“Where’s everyone else?”
“Mike and Hopper and Will and Joyce are at the Lab.”
He thinks. “The junkyard’s on the way to the Lab. We’re not too far away, we can– we can make good time, if we hurry, we can go to the junkyard first and then–”
He doesn’t really know, and then. And then what? And then El waves her hand around and makes it all go away. And then they all live happily ever after. It doesn’t mean anything, does it? It doesn’t change a whole lot.
But Steve. Lucas, Dustin, the girl (Max?), and Steve. It’s too dangerous. They have to try.
Notes:
– heart is an american rock band formed 1967
– jimmy carter was president from 1977 to 1981
– the bluest eye was toni morrison's first novel, published in 1970.
– the paul engemann song is scarface (push it to the limit), released 1983 for the film's soundtrack
– in the episode, they have to scram from the gas station because they hear sirens — because a cop recognised their van, despite the switched plates. driving eddie's van, there's no such issue.
– 'berm' is the indiana word for vergegoing abroad for a couple weeks so my wifi might be spotty, but fingers crossed updates will remain weekly! thank you for reading, let me know what you think, and as ever find me on tumblr (palmviolet) and twitter (ohtobeinlove).
Chapter 24: The Mind Flayer
Summary:
“How the fuck do you have her?” is the first thing Steve says to him. “If that’s– I mean, if that’s who I think it is, what the hell are you– holy shit, man.”
“Holy shit,” Eddie agrees. “Nice to see you too, Steve.”
Notes:
warnings for implied child abuse, canon-typical violence, blood, and referenced drug use.
(See the end of the chapter for more notes.)
Chapter Text
SUNDAY NOVEMBER 4TH, 1984
They blast down the I-65 in what Eddie is tempted to call record time. But he’s not gonna push his luck, and he takes his corners nice and easy when they come off the freeway, like the very fact that they’re driving into danger makes the road more dangerous too.
Still, it doesn’t take them too long. Soon enough the Welcome to Hawkins sign is flashing up before them and he turns the radio down again — quieting some Kim Wilde song Janie fucking loves — in a sudden burst of nervous adrenaline. Craning his neck over the wheel like he’s gonna spot Steve at the kids around every corner, though of course he won’t. They’re still at the junkyard, El confirms. Has been confirming every ten minutes for hours.
“When we get there–” he begins, eyes flickering over the road and her face and the road again.
“I will protect them,” she promises, like somehow she knows exactly what he was asking. She’s not telepathic too, right? Not that anything would surprise him at this point.
“Okay. Because, uh, just so you know, I’m not exactly the, um, the best in a fight. Screwed up joints and shit, so. Not so great at fighting off–” he shudders “–monsters. Demogorgons, et cetera.”
“I will protect them,” she repeats. “I will protect all of us.”
Great. So glad that’s clear. He’s going to be protected by a thirteen year old girl, which, sure she’s got psychic powers but she’s also got a shitton of issues and he’s not convinced he’s not adding to them, here, but–
Trauma comes after, right? Surviving happens first.
“Just what the hell are we walking into, anyway?”
“You’ll see.” Her voice is soft and maddeningly unhelpful. He’s never been very good with trust.
But on some level–
Well. Maybe it comes easier when it’s a teenaged girl with superpowers, and not a violent middle aged man.
So– then. Then he’s pulling into the junkyard in the dark, creeping mist drawing over the scrap metal, ruined cars like skeletal husks that could be hiding anything, anything at all, cutting the engine and they get out of the van and round the corner and then he spots–
He spots Steve.
A solitary figure in the fog. Holding the bat in his hands, the one with the nails in it, from last year. Suddenly it’s like Eddie hasn’t seen him in years — the way he’s so focused, so determined, ice cold and immoveable. Like he’s seen some shit in the last few days. Or maybe just the way Eddie’s seen some shit, the last few days. Maybe it’s changed the way he looks at things. Looks at Steve.
El creeps forward. Eddie wants to call out to Steve, Steve, are you safe? What are you doing out here? What are you– but he doesn’t want to break his concentration. If there is something out here. Something Eddie can’t yet see.
He’s speaking, Eddie realizes. Steve is speaking, lips moving quietly, too low for Eddie to hear, eyes fixed on something in the middle distance. Swinging the bat slowly.
Eddie draws nearer, and begins to hear the words.
“...Come on, buddy. Come on. Dinner time.”
Dinner time? What does that–
Then, he hears something else.
A low, chittering growl. Foul and unearthly. He feels it running up his spine, like something knocking on his vertebrae. Like something that doesn’t belong here. Something with sinewy limbs and a face that’s not a face that opens up like a flower into thousands of rows of fangs–
He doesn’t need to look to know what he’s going to see. But he looks anyway. Turning slowly, breath caught between his teeth. Maybe if he stays still it won’t leap, maybe if he pretends it’s not there it won’t–
But it is there.
Smaller than the other one, the one from last year, that’s true. On four legs, rather than two. With strange patterns on its oil-colored back, visible in the faint shine of moonlight. Looking at Eddie. Standing there and looking at him, as Steve looks at another one, as El looks at–
Everything happens very quickly after that.
There’s a crack, the sound of the demogorgon’s spine breaking, as El’s head jerks and blood drips from her nose as she whips around to deal with the other ones as Steve swings his bat hits one sends it flying Steve’s shoulders sharp and strong as he moves as he turns meets Eddie’s eyes opens his mouth to yell as El moves again and something else falls dead behind him–
Then the night is still.
Steve takes a step towards them, face full of slack, open shock. There are dead monsters on the ground, swallowed by mist. El is breathing hard with blood dripping down her face.
Then the door to the broken-down bus opens with a clang and out pour Lucas and Dustin and a girl, the girl hanging back as Lucas and Dustin race towards El and grab her into a hug, shouting to each other like they’re throwing out their adrenaline and speaking of adrenaline Eddie’s knees go weak.
He leans against the grimy hood of a nearby car, cold and wet with frost through his jeans, and tries to catch his breath.
“How the fuck do you have her?” is the first thing Steve says to him. “If that’s– I mean, if that’s who I think it is, what the hell are you– holy shit, man.”
“Holy shit,” Eddie agrees. “Nice to see you too, Steve.”
“Who are you?” the girl says, before Steve can say whatever he was going to say, something poised in his look which Eddie has no way of decrypting. Her face is sharp and discerning, witty. Eddie likes her already.
“Eddie,” he says. Lacking the energy for his usual theatrics. She doesn’t seem like she’d have much time for them, anyway.
She folds her arms over her chest and glances back at Lucas and Dustin and El before saying, “Max,” short but with a softness in it, like it’s been shaken out of her by the fucking nightmare she’s just witnessed. Eddie doesn’t blame her. “Is that–”
“The girl with superpowers? Yep.”
“How the hell did you know we were here, anyway?” Steve says, suddenly sounding drained. The bat’s still held loosely in his hand by his side, shoulders slumped. “How did you–”
Eddie nods at El. “She knew.”
“Stupid question,” Steve mutters, passing a hand over his face. “I don’t suppose you’re gonna tell me where, or– or why, or how–”
“Or what the fuck,” Max supplies helpfully. Eddie definitely likes this kid.
“It’s a long story. What are you guys doing out here? What– um, those demogorgons–”
“It’s a long story,” Lucas supplies, coming over to join them, Dustin and El in tow. El, Eddie notices, is studiously not looking at Max. He tries to reason that out for a moment and then gives up. He can think about it some other time. It’s been a fucking day.
Dustin’s babbling. “That was so cool, Eddie, the way you guys just came in here– and Steve, ohmygod, going out there just with your bat to fight them off–”
Eddie reaches over and ruffles his hair. It’s not like Eddie did much, really, but the appreciation–
Well. It’s sort of nice.
“So what now?” asks Steve, the question on all their lips, the one they don’t know how to answer. Eddie shivers in the chill air and waits for someone else to speak. Hey, he’s just the getaway driver.
“The lab,” El answers. Her voice is thin, more hesitant than he’s yet heard it. Right. It’s a bit like asking him to go back to his dad’s house, kind of. Not somewhere he’d go in a hurry. He puts a hand on her arm, just lightly, letting her know he’s still with her. She sends him a quick, unreadable glance. “Mike and Hopper and Will and Joyce, they’re there. Something is happening.”
“What?” Lucas sharpens. “Why are they at the lab? What’s–”
Max frowns. “The lab? You mean the–”
“The super-secret evil lair conducting highly illegal experiments on kids with psychic powers that we’re not allowed to tell you about? Yeah, that lab,” Dustin says, snappy, and Eddie looks down at him, wondering what he’s missed.
“It’s gotta have something to do with those dogs, right? I mean, no way is that place not involved in all this.” Steve’s crossed his arms over his chest, leaning the bat against his leg. Still within easy reach, of course. “Well, if superpowers girl says we should–”
“She has a name, you know,” Lucas retorts.
Steve blinks. “I know,” he says, mildly. Looks at El, and then — unbelievably — says, “I’m sorry. El.”
El looks at him for a second, like she’s accepting his apology, then back to the group at large. “We need to go.”
So they go.
They pile into Eddie’s van; Eddie concentrates more on backing out of the tangles of snarled, rusting metal than on what’s going on around him, until he turns and finds Steve in the passenger seat. Eddie stares at him.
“What? Privileges of not being a child.”
“Age before beauty, you mean!” Dustin yells from the back.
Steve scoffs and tosses his head back, like he’s subconsciously disproving it. Which, well. He sort of is. But Eddie doesn’t say this; he just turns his eyes back to the road. “Doing a real good job of acting like one, though,” he says.
“Hey, I had to deal with these assholes while we tried to trap a monster in a junkyard. I think I’m allowed to act how I want. Where have you been, anyway?”
“Chicago.”
“Chicago? What? Why?”
“Annual lowlifes convention. You know how it is. Gotta keep going, otherwise they won’t renew my membership.”
Steve makes a sound, a little scoff. Almost (if Eddie’s ears aren’t deceiving him) a laugh. “You’re not half as funny as you think you are, y’know.”
“Considering I think I’m, um, hilarious, that means I’m still pretty funny.”
“Asshole,” Steve mutters, turning his gaze out the window to watch the woods flashing past. Eddie turns his tone over in his head and decides that yes, that was friendly, though he can’t always be sure. He looks in the rearview and finds Max looking at him, a frown creasing her forehead. God knows what that’s about. Lucas and Dustin and El are talking to each other rapidly, as rapidly as El ever speaks, catching each other up on what they’ve missed, and maybe that’s Max’s problem. The odd one out.
(Eddie certainly knows that feeling.)
No time to dig into it, though, because then they’re hurtling down the road towards the lab, towards the very solid fence gate with the guard to let people in except there’s no guard and the place is dark, the whole lab looms up dark ahead and where is everyone? What the hell is this?
Eddie slows the van but he doesn’t need to. The gate slides back seemingly of its own accord, though not, because he knows better by now. In the rearview, he catches El wiping the blood from her lip. Then he drives on, and keeps it slow, because they have no way of knowing what they’re walking into.
“Anyone else have a really bad feeling about this?” Max says into the silence. No one answers her.
They’re all craning their necks up at the building as they pass beneath the bridge towards the entrance, huge and dark and concrete, unforgiving, El quiet in the back, they’re all staring at it in that way you do when you’re watching a horror movie and a silence goes on just a second too long and you know something’s gonna jump out at you, any second now, you know it but still it scares you–
That’s what happens when the lights come on.
Bright, startling, all at once. Several of them let out yells of surprise. Eddie almost jumps out of his seat, screeching the van to a halt. Steve’s left hand slams the dashboard; his right grips the handle of the bat, held loosely between his knees; Eddie feels inexplicably safer at the sight.
“What the hell was that?” Dustin demands, leaning through the gap in the seats to crane his neck up at the building, shoving his shoulder past Eddie’s and getting in the way of the stick shift.
“I don’t fucking know, do I?” Steve mutters, pushing him back. “Give Eddie some space to drive, jeez.”
Then Eddie’s eyes catch on the wing mirror and there are headlights behind them, who the fuck else is here tonight, who the fuck else is–
And those headlights resolve themselves into the shape of Jonathan’s LTD, and really he should have guessed.
The LTD stops; Jonathan and Nancy jump out and appear, breathless, alongside the van. “Steve? Eddie? What are you doing here?” Nancy says, furious and more than a little confused, Eddie can tell, simply by the harshness of the line of her jaw (she hates being confused).
“What are you doing here?” Steve returns.
“We’re looking for Mike and Will.”
“So are we,” Lucas says grimly from the back.
Jonathan peers into the van, his face freezing as he spots El in the shadows. “Is that–”
“Hi,” El says softly.
Nancy lets out a gasp. “Steve? Where the hell did you find her?”
“I didn’t,” Steve says, gesturing at Eddie. “He did.”
“It’s a long story,” Eddie says, with the funny feeling that he’s gonna be saying that a lot tonight. “Shouldn’t we– y’know, whatever’s–” He waves loosely at the building high above them. As if on cue — as if they’re in a fucking DnD campaign — there comes a piercing, unearthly shriek, echoing around the concrete, and they all look at each other and Eddie takes a deep breath and latches his hands onto the steering wheel to stop them shaking; and Nancy nods.
“We should,” she says, and without saying anything else she hurries past the van towards the entrance.
Jonathan follows, and Eddie nudges the van forward until it’s right by the doors as Steve starts to get out and then stops, glaring around at the kids: “Stay here.”
They all begin to protest. El and Lucas get out anyway; Steve shouts at Lucas but not at El, his face sort of lost when it comes to her, like how do you even handle a kid like this? What is he even supposed to do? Is she a fighter, or a kid?
These are the questions Eddie still doesn’t have an answer to, after two days with her, but he’s erring on the side of kid.
Still, she marches after Nancy and Jonathan without another word.
Eddie begins to get out too, but Steve shakes his head. “If things go south we gotta get out of there quick, right?”
“Right,” Eddie says, and they look at each other for a moment. The thread of deja vu between them thin and yet unbreakable.
Then Steve goes.
“This is so goddamn unfair,” Dustin says, as Eddie feels a shudder of panic catch up with him and bends his head over the wheel. Which, like, yeah. In the grand scheme of world justice maybe it is unfair, that they’re the kids and he’s the one who can’t do anything but drive. But that is the world. Who’s he not to live with it?
What he’s finding harder to live with — this place. The sounds, the night. The sense of everything that happened last year, Agent Faraday and the threats and the NDAs, the demogorgon and the lights and the dark–
“Hey, are you okay?” Max says quietly, hesitantly. Like she’s not sure she’s allowed to ask.
He doesn’t look up. Takes a deep breath in and then says, “Sure, y’know, mental breakdown a day keeps the doctor away. Look where the fuck we are, Jesus.”
“Hey, you’re supposed to be looking after us, shouldn’t you be keeping it together?”
Eddie drags his head up and sends a glare around at Dustin, who becomes even more irritating under pressure, it seems, though his face is white, so Eddie sort of relents. “Steve’s the one looking after you. I’m just the driver.”
How many times has he said that this weekend?
“Look!” Lucas shouts, leaning out of the van’s open door. Eddie looks. There’s movement at the building’s entrance, people running out, Mike and Nancy and Steve, Steve carrying someone’s limp form over his shoulder, a hospital gown, is that Will? And gunshots behind them, the creatures’ screams, Jonathan running out too with his hand on Joyce’s arm, Bob close behind them (what the fuck is he doing here?) trying to keep some other middle aged guy upright– then Hopper backing out still firing what looks like a fucking machine gun, El next to him with blood streaming down her face–
They pile into the van. Eddie’s got one job and he’s actually pretty good at it, turns out, since he doesn’t hesitate. Just floors it. Just gets them the fuck out of there.
MONDAY NOVEMBER 5TH, 1984
“We gotta drop Owens off at the hospital,” is the first thing Hopper says.
“Who the fuck is Owens?”
“That’s me,” the unknown middle-aged guy says, voice weak and wheezing. Eddie glances in the rearview and sees a fair quantity of blood pooling all over his belongings, so he grits his teeth together and keeps his eyes on the road. Don’t think about it, don’t think about it. Jesus.
“We’ve got to get somewhere before Will wakes up,” Mike says, voice fast and urgent. Before Will wakes up? What the fuck does that mean?
“It was a– a pretty big dose, I think. He’ll be out for a while.” That’s Joyce, her own voice only slightly wavering. Beneath that a core of iron. “Hopper’s right, Owens is bleeding out.”
“But still.”
“Hold on, hold on, Hopper’s car is here, right?” Bob interjects. Eddie sits up a little as the seismic shift in his attitude. “Why don’t we–”
“So’s my car,” Jonathan cuts in. Not looking at Bob. So nothing’s changed there, at least. “I can take Will back to the house and you guys get Owens to the hospital.”
A silence, then, “Okay. Good. Let’s–”
Eddie jerks the van to a halt right by where Jonathan left the LTD. Like– fortuitous timing, or whatever. He’s not thinking about mythic fate bullshit. He’s just trying to survive. Jonathan and Nancy and Joyce and Bob and Will, held in Jonathan’s arms, pile out; Hopper gets out too, then stops, looking at Eddie.
“We can’t move Owens,” he says. “Or– we shouldn’t. So I’ll drive your van, get him to the hospital–”
“We can’t all fit in your car,” Dustin points out, mind ten steps ahead as usual. “Some of us will still have to come to the hospital.”
“Look, we don’t have time to–”
“It’s okay,” Steve cuts in. “Eddie and me, we’ll take him. You take the kids back to the Byers’ house and we’ll meet you there.”
Eddie glances over at him. It’s a good plan. Maybe he shouldn’t be surprised.
“Five kids still can’t fit in the Blazer,” Hopper says, eyeing the two of them like he doesn’t trust them with this, which maybe he shouldn’t but this guy is literally dying in Eddie’s backseat and he’d rather not drive a corpse around, thank you–
“You really gonna haggle over traffic laws when this guy’s about to– uh, about to bite the big one?”
Jonathan cuts in. “We have my car, remember?”
It takes Hopper a millisecond to agree. A millisecond, but really it feels like eternity. Then he’s jerking his head back towards the parking lot and the kids are clambering out of the van and Owens is letting out a groan as the person whose knee he was leaning on — Lucas’, it seems — leaves. Steve gets into the back to prevent him bleeding out, or whatever, Eddie doesn’t want to think about it too hard. He hits the gas again.
“What a fucking day,” he says.
“I think my day–” Owens hisses in pain “–has been pretty categorically worse than yours, actually.”
“Wanna bet?” Eddie mutters, but doesn’t push it, just eyes him worriedly in the rearview.
“What do we do if he dies?” Steve says, even though the guy’s right there listening. Probably won’t remember this, if he survives. Blood loss and all that. “Like, if we’re driving a fucking dead man around Hawkins–”
“Hey, this was your idea, man, not mine.”
“It was the only thing I could think of!”
“What happened in there, anyway?”
A silence. Steve exhales through his teeth. “It was a fucking– horror movie, man. Jesus. We went in and we found this guy, Owens, they were– attacking him. Eleven stopped them. Then Hopper and Mike and Joyce come running around the corner, with Will just, like, unconscious– a goddamn ragdoll– and Hopper and me, we manage to get Owens up and we get out and the other guy, Bob, they nearly got him but El and Hopper stopped them in time. But there was–” Eddie glances in the rearview. He’s looking away at the wall like he can’t bear to watch his own hands pressing a bloody ball of cloth into the mess of Owens’ leg. “There was so much blood. Jesus. So many dead people.”
“How the fuck did we get here?” Eddie says, biting down the edge of hysteria so it comes out as a sort of croak. “Once, sure, I can let it slide, but twice?”
“It’s like– once you know about it, you’re in it, y’know? And you can’t do anything but be involved. Because you know what’s happening. And ignoring it would be–” Steve breaks off again.
Eddie doesn’t look at him this time, is a little afraid of what his face might look like. Or maybe it’s more like recognizing that this is Steve Harrington saying this would just be too much to bear. And he’s borne a lot already this weekend.
“Owens! Hey, man, c’mon, look at me, Owens!” Steve’s suddenly saying, panic accelerating in his voice. “C’mon, wake up, Owens–”
There’s a weak splutter behind Eddie. “‘m awake,” the guy slurs.
Eddie takes a deep breath. “Steve, you gotta talk to him, man, you gotta keep him talking and awake.”
“Uh, okay, okay, um– Owens, you married? You got– I don’t know, you got a wife?”
“Yeah,” Owens gets out.
“Great, great, okay, what’s her name? Tell me about her. C’mon.”
“Cathy. Name’s Cathy. Makes– meatloaf. Best goddamn meatloaf. And she–” He splutters again and Eddie wonders if tonight’s gonna be the night he learns what a death rattle sounds like. But then Owens seems to rally, finds the strength to keep going: “Smokes pot. Thinks I don’t know Peter got her– into it in the– in the seventies.”
Steve laughs helplessly. “Who’s Peter?”
“My kid. Just turned– thirty. Teaches–” a pained wheeze escapes “–teaches scuba in Florida.”
“Teaches scuba in Florida. Damn, that’s gotta be nice,” Eddie contributes, catching Steve’s panicked eyes in the rearview. “He like it in Florida?”
“Who wouldn’t,” Owens murmurs, like he’s slipping back into sleep, and not a moment too soon Eddie catches the sign for the hospital and swings the van around the corner into the parking lot with hands that tremble around the wheel. Grinds the van into park with a jolt and leaps out to help Steve carry Owens between them, Christ he’s heavy and Eddie’s not at all strong, Steve carrying most of the weight over the emergency room threshold as nurses come running towards the trail of blood dripping over their linoleum–
Then Owens is being wheeled away on a stretcher. Then it’s just the two of them in a sudden bubble of quiet, of calm. Looking back at his van, Eddie very rapidly realizes he could just drive off back home. Just get out of this shit. He doesn’t owe them anything; he’s done more than enough to help them already. He could say fuck no and get out while he still can.
“Back to the Byers’?” Steve says, though his voice is tired, though he’s swaying slightly and there’s blood all down his front.
“Back to the Byers’,” Eddie agrees, and they go.
They drive back in a strange, exhausted silence. Owens’ blood is still pooled in the back, drying and flaking off Steve’s hands. He’s picking at it, Eddie sees out of the corner of his eye. Scratching his nails into his palms with his jaw set tight. Something uncomfortably tense in the way he studies his skin.
“How’d you even get involved this time, anyway?” Eddie offers, in an effort to distract him. Break this horrible silence.
“Henderson,” Steve says, like that explains everything, which it sort of does. “He tried to adopt one of those things. It ate his cat.”
“It ate his cat? Oh my god. Of course it did.”
“And, of course, because absolutely nothing is ever simple in this goddamn stupid town, now we’re here. Wherever here is.”
“Still Hawkins, my dude. Unfortunately.”
“Really?” Steve mutters. “Doesn’t feel like it anymore.”
On the contrary, Eddie thinks. Otherworldly horrors aside. Hawkins has been a place to survive, rather than live, all his life.
When they pull into the Byers’ crowded driveway, Eddie takes a second after cutting the ignition. Just a second. He breathes and lets his hand drift to his battered pack of cigarettes, nearly empty, though he knows there’s no time. Maybe he can smoke inside. A lot of kids around, sure, but it’s dire circumstances. Extremis, et cetera.
“You okay?” Steve says, startling him. His hand twitches back to the wheel on reflex. Driving to school is gonna feel nightmarish for weeks.
“Yeah. Sure. I’m okay.”
They look at each other for a moment in the dark. Steve doesn’t believe him, which is fine, because Eddie doesn’t believe himself. But that’s pretty much baseline right now, right? Not being okay. How can any of them be? This is worse than one monster in the woods, one kid on the underside of the world. This is a whole fucking army.
“Let’s go,” he says, steeling himself, swallowing back the lump of fear in his throat. Together, they walk inside.
It’s a scene of chaos. Everyone’s rushing about the house with random materials and tools in their hands, disappearing out back then coming back for more. Eddie and Steve just stand there a moment, aimless, out of place, before Nancy grabs Steve’s arm — “You’re tall enough to help me with the tarp, come on,” — and Steve lets himself be pulled away with a wary, vague look of surprise.
“What’s going on?” Eddie asks Max, who’s on the floor in the kitchen messing with a roll of duct tape.
“Will’s gonna tell us how to defeat the– uh, the Mind Flayer. But he can’t know where he is when we wake him up, so we’re covering the whole shed to make it unrecognizable.”
“What? Why not?” He elects to ignore the DnD reference, knowing by the name alone he’s not going to like it.
“He’s, like, possessed, or something? I don’t know, I’m new to this.”
“Yeah, you are,” Mike says, from where his head is buried in a kitchen cupboard. Eddie hadn’t even noticed he was there. Then he pokes his head out and looks across the kitchen, smiling almost dreamily at–
El. Yeah. Of course.
She’s sitting on the counter eating a sandwich. Which is the most incongruent thing Eddie’s pretty much ever seen, this kid with the psychic powers in the punk outfit with blood on her nose, eating an overstuffed turkey ham sandwich and getting mustard on her chin while the rest of them prep for fucking doomsday around her–
She smiles back at Mike. Then she waves.
Soon enough they’re ready, as ready as they can ever be to question a possessed kid about how to prevent the end of the world. Hopper’s carrying Will’s limp form out to the shed and Eddie sits down at the kitchen table to wait with all the others, scattered listlessly across the house, his knee jumping beyond his control and his stomach twisting. Every so often he finds his gaze dragged unwillingly towards the hallway, the clean, unmarred carpet he and Steve laid down where before there was fire, and blood, and a nightmare he’d thought was over–
“Feels like yesterday, huh?” Steve says lowly, from his position leaning against the counter behind Eddie. Eddie blinks. He hadn’t realized Steve was there. “Feels like nothing’s even changed.”
Eddie turns to look at him. His face is in shadow, eyes unreadable. Eddie wonders how the talk with Nancy went. If they’re back together again — but then he looks to Nancy, too, who’s leaning against the wall by the phone with her arms crossed and her eyes on the middle distance. Not on Steve. And she arrived with Jonathan to the lab, right, and he’s gotta ask them what they were doing but it doesn’t feel the way it felt last year.
They sit in silence for several more taut minutes. Then Steve pushes off the counter and goes into the other room, bat held loosely in his hands, and starts to swing it through empty air. Eddie watches the line of his shoulders, the skilful arc of his arms. Steve’s a good baseball player. He hits his fair share of homeruns; Eddie’s seen enough games to know that. Usually in a band capacity, sure, but there were times in April and May, breezy, when Eddie would do his deals behind the bleachers and then linger, eyes on the guys at practice. Eyes on Steve. Twitching with a shiver of adrenaline each time Steve wielded that bat, nailless, the way some sights just come to mean something no matter how different the context.
Then the lights flicker above them. Eddie jerks out of his seat; everyone rushes to the window, like that’s going to tell them anything. Then the flickering stops, and they’re back to waiting. Long silent time that stretches like taffy; Eddie bites the bullet and lights a cigarette.
He’s nearly finished smoking it when the door opens and they come striding in, Hopper and Joyce and Jonathan and Mike and Bob, Hopper dropping into the seat opposite Eddie at the table and hastily scribbling something down.
“What happened?” Dustin says, voice sharp.
“I think he’s talking, just not with words.”
Eddie leans over, finds him drawing a series of dots and dashes on the back of an envelope. “What is that?” Steve asks, leaning over Hopper’s shoulder.
“Morse code,” Lucas and Dustin and Mike say at once.
“H-E-R-E,” Hopper spells out.
“Here.”
“Will’s still in there. He’s talking to us.”
“Like Mama,” comes a small voice from the corner of the room. El. Everyone turns to look at her and she bites her lip, eyes darting between them. “She couldn’t talk, not normally, but she made the lights flicker. So I knew she was there.”
Hopper’s staring at her. “Uh, yeah, well, I guess like that,” he manages. With a sudden flicker of wry nerves, Eddie wonders what he’d make of the Chicago interlude.
“So what can we do?” Nancy says, pulling the focus of the group back to the matter at hand.
Hopper passes a hand over his mouth. “We gotta draw him out.”
Joyce nods. “Somehow we have to tell him we know he’s there, keep him anchored with us.”
“What about music?” There’s a silence; everyone looks at Eddie. Eddie refuses to surrender. He speaks to Jonathan: “You share music with Will, right? The Clash? There’s gotta be an album, a song–”
Jonathan snaps his fingers. “I got it,” he says, and pushes his way through the group to go down the hall.
“You can radio us what he’s saying,” Dustin says. “And we can transcribe it from here.”
Hopper nods. “Okay, let’s do it.”
Then they go back out there, the four of them, nearly five until Joyce tugs Bob aside and says, in a heartbreakingly soft undertone that Eddie probably shouldn’t be listening to, “I don’t want to crowd him.”
Bob’s face dims. “I mean, I feel like I’ve been– I’ve got a connection with him, I think, but, uh, sure. Okay. I’ll wait here.”
“Thank you,” she says, leaning forward a little like she’s about to kiss his cheek but then she stops herself, and turns away. Goes back outside and Eddie snaps his gaze to the table when Bob turns around, not wanting to be caught eavesdropping.
They position themselves around the table, all of them, Eddie and Nancy and Bob sitting down as Steve and the kids lean over them. Eddie lets Nancy and Bob do the work of listening and transcribing, watching with twisting nervousness as the word begins to form in rough red crayon. CLOSEGATE.
And that’s when the phone rings.
“Shit. Shit!” Dustin lets out, running over to the phone and slamming it back into its cradle. Eddie jolts out of his seat, moves abortively towards him.
It rings again.
Which is when Nancy tears it out of the wall and throws it down the hallway; Eddie blinks. He’s sort of forgotten who Nancy actually is, this past year.
“Do you think he heard that?” Max asks, eyes wide.
“It’s just a phone. It could be anywhere. Right?” Steve’s voice is adamant, carefully blithe, like even he doesn’t believe that.
Sure enough, Bob shakes his head. “Actually, ringtones can be pretty diverse. Most people would recognize the sound of their own phone ringing.”
“Most people,” Eddie echoes, with a shudder of unease rippling through him. He’s tempted to light another smoke — god knows he fucking needs it — but what if they’ve gotta run? What if–
A sound outside. Distant, sure, but that doesn’t mean anything. The demogorgon moved fast. (Eddie’s knees sting a little, as he thinks about it.)
“What was that?” Bob says quietly, hardly a question in it, like they all know it doesn’t need an answer.
The door opens again; they all bolt inside, Will held carefully in Jonathan’s arms. Jonathan takes him down the hall as Hopper emerges with two guns, Jesus, a shotgun and that fucking automatic, Eddie backs himself against the wall though it’s a cowardly thing because what’s he gonna do? In this situation? What can he possibly do? Too many of them to play getaway driver right now. No time.
“Can you use this?” Hopper insists at Jonathan, when he comes back in, and he goes twitchy and quiet as Nancy says, “I can,” and then–
“Wait.”
The simmering tension in the room doesn’t go anywhere, but Eddie feels less like his skin’s crawling with fire ants as El steps forward.
“Whatever is coming, I can stop it. I don’t want you to be hurt.” She looks around the room, eyes lingering a second on each of them, even Max. “Anyone.”
“You can’t get hurt either!” Mike lets out, voice wobbling, “You can’t–”
“We don’t have time for this,” Nancy says. Holding that rifle in expert hands, where the hell did she learn to do that–
Eddie’s found himself right behind Steve, who’s holding onto the nailbat the same way he did last year, a gallant fucking knight, Christ how the hell are they in this situation again–
“Holyshitholyshitholyshit,” Dustin’s whispering under his breath. Holy shit doesn’t even begin to cover it. Eddie’s aware only of his hands, not the rest of his body, just his empty hands, tingling and clammy and numb and useless in a fight, useless if El and Hopper and Nancy and Steve aren’t fast enough–
Crash of glass. Something dark through the window. Sinuous and agile and quick but El’s quicker, Hopper’s quicker, he’s unloading sharp ear-shattering rounds into the thing as El’s head jerks and–
Just like that, it drops to the floor. Dead.
No one dares move. Like any second there might be more; like any second it might jerk to its feet, reanimated, zombie-like, are there zombies in the Upside Down they called Will zombie boy Eddie knows that but that’s got nothing to do with–
He breathes. Safe. For now.
Notes:
– the i-65 is the highway connecting chicago and indianapolis
– the kim wilde song is water on glass released 1981
– here they manage to kill the demodogs in the junkyard before they're called away back to the lab. we're running on a very slightly earlier schedule here, since eddie driving el would be much faster than the bus.
– notice no drawings in the byers' house; without the video camera, they weren't aware of the mind flayer, so joyce didn't prompt will to make the map. they ended up at the lab anyway because the lab men still commenced the burn while will was connected to the tunnels - joyce's only response to him collapsing in agony could be to take him to the lab. bob was at joyce's house at the time, and she needed the support.thank you for reading! let me know your thoughts below and find me on twitter (ohtobeinlove) or tumblr (palmviolet).
Chapter 25: The Gate
Summary:
The rev of an engine outside. A sports engine, obnoxious. Proving a point. Eddie gets a sinking feeling in his chest, though really it could be anyone, but it’s not just anyone, is it. Their luck’s not that good.
Notes:
warnings here for canon-typical violence, and implied racism and homophobia.
(See the end of the chapter for more notes.)
Chapter Text
MONDAY NOVEMBER 5TH, 1984
“Nancy’s going with them?”
Eddie regrets speaking as soon as Steve looks over his shoulder at him, arms crossed as they stand on the porch watching taillights disappear into the dark. Something distant, resolved in Steve’s face. Like this is a little interlude, a sojourn now they’ve made up and everything is fine, like he’s saying a goodbye to her that really means hello–
“Yeah, she is,” Steve responds. Half a challenge in his voice, and then it dies. “I told her it’s okay. I told her we’re–”
Oh. Oh. And Eddie doesn’t know quite what to make of that, as Steve moves past him back inside. Of being wrong, and maybe really wrong. Maybe wrong for good. (Though he thought before–)
“I don’t wanna hear anything else about you and my sister,” Mike mutters, pushing past Steve into the kitchen. Eddie catches him wiping his eyes when he thinks no one’s looking.
“What do we do now?” Max says, crossing her arms. Eddie would love to tell her. He kind of wants a nap, and a coffee to knock him into that nap, and maybe a cigarette (or twenty, or scratch that a joint, or make it a bump) to top it all off. He can’t do any of those things, except maybe the cigarette or the coffee; all he can do is wait.
Wait while El and Hopper head off into danger, into the depths of that place they only just escaped to close the gate. Wait while Joyce and Jonathan and Bob and Nancy, apparently, try to burn the Mind Flayer out of Will and what a fucking sentence that is, huh? What a sentence.
“We need to preserve this,” Dustin says, from the other room. Eddie doesn’t even want to know.
Lucas does, apparently. “Preserve what?”
“The demodog. It’s a specimen. We have to keep it cool, to slow the decay. Steve?”
Steve lets out an honest to god groan. “What.”
“Can you help me put it in the fridge?”
Eddie rounds the wall and stares at the kid, who’s not even looking up from the carcass, oozing fascination. “You want to do what to the Byers’ fridge?”
“Relax, if we keep this we’ll all be rich and then I’ll buy them a new fridge.”
“That doesn’t just happen overnight, you know,” Lucas rejoins. Eddie shakes his head, lost for words (and that doesn’t occur often, mind you) as Steve finds a blanket and wraps the thing in it and then picks the thing up. Like he’s cradling a goddamn baby.
“Jesus Christ, did you, uh, did you lose your mind this weekend while I was away, Steve? What did I miss?”
Steve grimaces. “You have no idea how annoying this kid can be. No idea. Henderson, open the fridge.”
Dustin opens the fridge; the problem very rapidly becomes apparent. No room. Which, of course Dustin’s immediate solution is to start dumping the contents on the floor, jars clinking together and plastic packets falling open. Eddie decides it’s time for that cigarette.
The last of the shelves lands on the floor with a clatter and Dustin turns. “Alright. It should fit now.”
“Is this really necessary?” Steve says. Eddie thinks about saying you’ve already got the fucking thing in your arms, Steve, it’s a bit late to ask that.
“Yes, it is, okay? This a ground-breaking scientific discovery. We can’t just bury it like some common mammal, okay? It’s not a dog.”
“All right, all right, all right. But you’re explaining this to Mrs. Byers, all right?”
Eddie watches in sardonic disbelief as the two of them manhandle the thing into the fridge, leaving its sticky blood in a trail over the floor and the fridge’s off-white surface. When it’s done, Steve reaches over and makes a move like he’s ruffling the kid’s hair, except the kid’s wearing a hat.
Dustin moves through into the other room and Eddie says in an undertone, “Jesus, you actually like the kid, huh?” half expecting a laugh and a swift denial in response.
But Steve just shrugs, rinsing his hands under the tap. “He’s not bad. He’s annoying as hell, sure, but it’s kinda– I don’t know. Endearing.”
“Endearing? My oh my, do my ears deceive me? I did not just hear Steve ‘The Hair’ Harrington call some nerdy middle schooler endearing–”
“Yeah, yeah, yeah, whatever, man.” Steve’s voice is flat, weary. Eddie looks away at that, wondering where it went, that ease between them — and holds out his cigarette. Peace offering. Steve, after a moment, takes it. He closes his eyes as he inhales, exhaustion slumping his shoulders. Tilts his head back to breathe out smoke. Eddie watches the line of his throat without thinking about it, and then thinks about it and looks away again.
The kids’ conversation drifts in from the other room: “...swarming with hundreds of those dogs.”
“Demodogs!” Dustin corrects at a yell.
“The chief will take care of her.”
“Like she needs protection.”
Steve hands the cigarette back and moves closer to them, still holding the tea towel he used to dry his hands. “Listen, dude, a coach calls a play in a game, bottom line, you execute it. All right?”
“Okay, first of all, this isn’t some stupid sports game,” Mike snaps. “And second, we’re not even in the game. We’re on the bench.”
“Right- uh, so- so, my point is…”
Eddie decides to take pity on him. “There’s nothing we can do. Spinning plates, my friends, we can’t get in the way.”
“Spinning plates?” Mike repeats, wrinkling his nose.
“C’mon. It’s better than the sports metaphor.”
“There might actually be something we can do,” Dustin says, slowly, in the tone he uses when he’s about to do something particularly brilliant (and annoying, as the DM who has to react to it) in DnD. “I mean, these demodogs, they have a hive mind. It’s all connected.”
Lucas picks up the trail. “So if we get their attention…”
So do the others: “Maybe we can draw them away from the Lab.”
“And clear a path to the Gate.”
“Yeah, and then we all die,” Steve snaps, spreading his hands with the tea towel slung over his shoulder. Eddie eyes it, but keeps his mouth shut.
“That’s one point of view.”
“No, that’s not a point of view, man, that’s a fact.”
“The guys in the Lab,” Mike says slowly. “They said there were tunnels. Extending for– for miles, underneath Hawkins. And they were burning them, that’s why Will collapsed, because of the hive mind. The tunnels are connected.”
“What are you saying?” Max asks, bright hair swinging as she looks at him pacing up and down.
“I’m saying — what if we burn them? The tunnels?”
“Oh, yeah? That’s a no,” Steve says. Everyone ignores him.
“The mind flayer would call away his army.”
“They’d all come to stop us.”
“And then we get out again and–”
“Guys,” Steve tries again.
“By the time they realize we’re gone–”
“El would be at the Gate.”
Steve claps his hands together. “Hey, hey, hey! This is not happening.”
Eddie’s inclined to agree with that assessment. “We don’t even know where the fuck these tunnels are, we’re not just gonna walk out into the night looking for them on some blind hope with, I don’t know, a bunch of gasoline–”
“Exactly. Look, I promised I’d keep you shitheads safe, and that’s exactly what I plan on doing. We’re staying here. On the bench. And we’re waiting for the starting team to do their job. Does everybody understand?”
“This isn’t a stupid sports game!” Mike snaps.
Eddie shakes his head. “Actually, it isn’t a game at all, so why don’t you sit down and listen to what the adults tell you, ‘kay?”
A mutinous silence.
“Okay?” Steve takes up, voice hard.
Still no one says anything. Steve takes a step forward, maybe to press the issue — and then.
The rev of an engine outside. A sports engine, obnoxious. Proving a point. Eddie gets a sinking feeling in his chest, though really it could be anyone, but it’s not just anyone, is it. Their luck’s not that good.
Max runs to the window, peering out at the driveway. There’s the faint hint of metal battling with that engine, metal Eddie subconsciously finds himself trying to pick out, as Max hisses, “It’s my brother. He– he can’t know I’m here. He’ll kill me. He’ll kill us.”
“Brother? What–”
“Fucking Hargrove,” Steve mutters, eyes wide and alert like he’s making a plan. Billy is Max’s brother? Jesus Christ. Jesus Christ, this guy isn’t just gonna go away and it’s not like Steve can use the nailbat on him– (right?)
The music is Quiet Riot, Sign of the Times, Eddie realizes, just as the guy cuts the engine and it all goes silent and dark. Just as Steve goes out there, alone.
(A quick, hissed conversation: I’ll go out alone, tell him to fuck off. Just me, he’ll think it’s weirder with anyone else. Steve’s eyes on Eddie, like he thought Eddie was going to argue. Which, maybe he thinks Eddie’s nobler than he actually is. Braver.)
Eddie’s heart is hammering against his ribcage. He listens; he can hear their conversation through the window, Billy’s arrogant voice against Steve’s measured, weary one.
“Am I dreaming, or is that you, Harrington?”
“Yeah, it’s me, don’t cream your pants.”
Eddie feels a smirk twitch across his lips unbidden, despite everything, despite the way he’s having to fist his hands in his pockets to keep them from trembling. Nice one, Steve.
“What are you doing here, amigo?”
“I could ask you the same thing. Amigo.”
“Looking for my stepsister. A little birdie told me she was here.”
“Huh. That’s weird, I don’t know her.”
Max glances back at Eddie from her position hunched by the window. There’s something pinched, pale in her face, strung like a taut wire. Guilt? He’ll kill me. He’ll kill us. Eddie’s stomach turns; he wishes, for one violent moment, that he was someone else, someone who could go out there and–
No. He doesn’t. He just feels empty, empty and sad at that girl’s pinched face.
Their conversation’s gone inaudible outside. When Eddie crouches a little he can see through the window, see the way they’re squaring off at each other, Billy gesturing with his cigarette, his red fucking shirt open all the way down his chest. It’s fucking November, asshole, put some clothes on. Billy’s face twists at something Steve says; Eddie hopes it was a gut punch. Then–
Oh. Then Billy’s looking right at them. Through the window. Pointing with the glowing hot end of his smoke.
“Shit! Did he see us?” Dustin says, panicked, as Eddie looks back up through the window to see–
Shit. Steve’s on the ground.
The door slams open; Billy stalks his way in like he’s muscling through a crowd, shoulders swinging. Max is somehow closest to the door, somehow, fuck, how did Eddie let that happen–
“Well, well, well,” Billy says, in that fucking evil voice of his. He slams the door shut behind him. “Lucas Sinclair. What a surprise. I thought I told you to stay away from him, Max.”
Lucas? What’s he–
It clicks. Eddie feels a violent stab of loathing towards Billy, then, loathing strong enough it has him striding forward and placing himself firmly between Billy and the kids. “What, harassing us all in the cafeteria isn’t enough for you, asshole? You make house calls now?”
Billy stops. Stares at him, like he can’t quite believe what he’s seeing. “Jesus, what a sorry collection of fucking freaks.”
“Apparently, you’re not hearing me. Go. Begone. Fly.”
Billy’s rage-dark eyes flicker over him. Sizing him up. Wondering– what. Wondering if he’s worth it. If he’ll make a real fight. Are you man enough? Will it be easy or will it be a challenge? And these guys, really, they’re looking for both.
So Eddie’s in trouble.
A strong, heavy hand on his shoulder wrenches him to the side, shoves him into the wall, head knocks against it, slumps down a little dazed but not the target just a distraction — easy, Eddie thinks dizzily, Billy decided he’s easy — shoulder running through with pain though not the bad sort, not the jerking it back into place sort, not yet, anyway, Eddie’s never been a guy for a physical fight though really he was born to them–
Billy’s slammed Lucas into a cabinet, yelling into his face, Eddie tries to drag himself up but he’s slow, aching, awkward–
“So dead, Sinclair! You’re dead,” Billy snarls, reeling back from Lucas’ well-aimed kick.
And then Eddie can only slump back and watch as Steve passes in a blur down the hallway, grabbing Billy’s arm and forcing him back around: “No. You are.” And he lands a punch.
Good punch, Eddie thinks, great punch, but it’s gonna take more than that to keep a guy like this down. He finally manages to get himself to his feet as Billy begins to laugh like a fucking madman: “Looks like you got some fire in you after all, huh? I’ve been waiting to meet this King Steve everybody’s been telling me so much about.”
“Get out,” Steve says. Two fingers lightly prodded into the guy’s bare chest.
Eddie flinches. Sees the shift in Billy’s eyes at that, the sudden darkening into fury, knows a lighter touch will always go down worse than a punch. Guys like these, they don’t know what to do with that light touch, except kill it.
And then the fight begins.
Eddie’s frozen, useless on the sidelines. Kids yelling encouragement as they tussle across the kitchen, crashing into the table, the counter, plates clattering on the side, plates–
Eddie sees it coming before Steve does. “Steve!” he shouts. Too late. Plate smashes into the side of Steve’s skull; Steve goes down. Can’t go down in a fight like this, this guy’s not gonna let up, can’t roll over and show your belly you gotta be strong–
For the second time in five minutes Eddie lunges in without thinking. Grabs another plate from the side and crashes it into Billy’s back, maybe Steve won’t fight dirty but Eddie certainly will, shards all over the floor and blood through Billy’s shirt as he turns with a snarl curling his lip like a dog, an animal as he grabs for Eddie’s collar and slams him sideways back into the table–
Eddie feels something break. Or, he’s aware of something breaking.
Strange awareness of a little crack inside his torso and he’s huh, that’s– what’s that? right up until the floor and the pain hit all at once and he lets out a yell, “Fuck,” fuck, oh, fuck, that’s a rib, that’s a broken rib right there as he curls around himself and tries not to breathe because each breath suddenly feels like a knife right there in the side of his lung–
He can hear yelling, muffled, as if from very far away. But he knows it’s not far, knows it’s– knows it’s Steve, it’s Steve, he has to do something, he has to– has to–
Drags himself up again. Hands on the table, all his strength as his insides scream at him, wills his adrenaline to kick back into gear come on you fucking prick of a body let’s go–
By the time he makes it to the other room, Max is sticking a needle into Billy’s neck.
Billy stands up from where he’s straddling Steve’s hips, Steve who’s all but passed out, Steve whose arch, finely boned face is a mess of blood– Steve–
Billy sways. Staggers, then falls. Lands heavily on the floor, where he keeps on laughing, fucking psycho, fucking–
Max grabs the nailbat from the corner. Holds it up over Billy’s splayed legs. “From here on out, you leave me and my friends alone. Do you understand?”
“Screw you,” Billy slurs.
Max doesn’t hesitate. She slams the bat into the floor just inches from the guy’s crotch. “Say you understand! Say it. Say it!”
“I understand.”
“What?” Max demands.
“I understand,” he repeats, louder, and Eddie tries to find some sick satisfaction in that but he’s coming up empty. Billy’s eyes slide shut. The fight is over.
“Holy shit,” Dustin whispers, eyes darting between Max and Eddie and Steve, Steve who’s prone on the floor. Steve. Eddie moves stiffly, hand clutched to the spot on his side no doubt blooming purple and red, the spot underneath which a rib is broken, moves stiffly and then drops to his knees by Steve, almost afraid to touch him.
“Steve?” he says. “Steve, c’mon, man, wake up.”
Steve’s eyes flicker open then closed again, or at least the one that’s not swollen shut does. He groans something unintelligible. His face is a wreck, swollen and puffy and way worse than this time last year when it was Jonathan’s fists that ruined it. Maybe Jonathan was pulling his punches. Maybe Jonathan’s not a fucking sadist. Steve’s breath is rattling through his mouth, nose too broken to breathe through, but hell, at least he’s breathing at all. He doesn’t make any effort to get up.
“I think he needs a hospital,” Eddie says, and is ignored. The kids are talking at each other, fast and urgent, making plans to go find somewhere to get into the tunnels to burn them– “Hey!” he snaps. “Still here, y’know.”
“You won’t be if El doesn’t make it to the Gate,” Lucas says, voice dark and serious. “None of us will be. We have to help her.”
“And I don’t wanna be here when this asshole wakes up,” Dustin adds, making as if to nudge Billy’s prone form with his foot and then freezing at the last second. “Do you?”
“All we have to do is work out where to go.”
Eddie stares at them, feeling small and out of his depth on his knees by Steve, who shifts on the floor and then lets out a groan, eyes still swollen closed. He imagines a hundred of those dogs bursting in here, tearing them all to shreds, defenseless. Having torn El and Hopper to shreds first, in the cruel depths of that place. That place El looked so pale at the thought of going back to. This whole weekend has been about protecting her, right? That’s what it’s been about. Going to Chicago, driving her and her scary friends around in his van. Can he really stop that now?
“I think I might have an idea,” he says slowly, the realization forming in his mind even as he speaks, even as he wonders if he’s going to regret this. “About where we can get into the tunnels.”
“Where?” Dustin demands.
“First we gotta– um, we gotta clean Steve up a bit, we can’t just leave him here when he’s– like, what if he chokes on his own blood or something–”
“Okay,” Mike says immediately, rushing from the room and then returning with a first aid kit, like he knew just where to find it. He and the other kids probably grew up in and out of this house, and for a second Eddie feels the unease of dissonance, the knowledge that this was a house of violence while Lonnie was around and warmth when he was not, but that maybe the two overlapped and he’s not sure how to reconcile with that, their ability to coexist.
Eddie takes the kit from him, dabbing at the worst of Steve’s cuts with the antiseptic wipes and biting down on the inside of his cheek as Steve hisses, semi-conscious. “I know, man, I know it hurts.”
This can’t be a good idea. Taking Steve with them? It can’t be. But they’ve got no choice, not really, and Eddie’s certainly not leaving him in a heap right next to Billy, Billy who’s a lot bigger and stronger than Will and will wake up from the drugs soon enough. So–
He manages to get Steve awake enough to support him, limping, into the back of the van. Halfway through his head lolls onto Eddie’s shoulder, weight going dead and slack as he passes out again, and Eddie grits his teeth against the sudden strain in his side and the surge of panic both, heaving him into the back with Lucas doing his best to help. “This is a terrible fucking idea,” Eddie mutters, surveying Steve’s awkward sprawl of limbs. “We should be driving him to the hospital.”
“We don’t have time,” Dustin calls across the driveway, where he’s hurrying to grab cans of fuel. Max appears behind him with shovels in her hands, ready to dig, because they’re going to need to.
Jesus Christ, this is stupid.
But here they are.
The radio flares to life with Billy Idol as he turns the engine over and backs haphazardly out of the driveway, wincing at every bump, knowing what a head wound feels like and kind of wishing he didn’t–
Because it’s Billy Idol, no one comments, for which he’s grateful, because if he’d had the misfortune to be landed with Tears For Fears or Madonna or something he’d never hear the end of it, which is a stupid thing to be thinking about now of all times, honestly he’d be glad to be teased by the middle schoolers forever if it meant they were all alive to do it–
His rib twinges. He ignores it.
It’s not a long drive, which seems out of place. Shouldn’t it take longer to race towards certain death? A long, painful journey during which they have time to contemplate the gravity of their choices, the inevitabilities and the tragedies that led them here — that’s how he’d write it, if they were in DnD. They’re not in DnD.
So when Steve stirs in the back, slurring, “What’s goin’ on?” Eddie’s already swinging the van onto the dirt track to Freeling Farm.
“You have to be cool, Steve, you’ve got a concussion,” Dustin says soothingly, not that it’s going to help.
“Okay, we’re here,” Eddie says, jerking the van to the side of the road and cutting the engine. He looks over his shoulder. “Steve, maybe you should–”
“What the fuck,” Steve grits out, “are we doing.”
“Steve!” Eddie snaps. They don’t have time for this. He’s made a decision here, and by God he’s gonna see that fucking decision through. “Are you with us, or do you need to stay in the car?”
A silence. Steve, through all the blood and swollen mess, looks taken aback. A little pissed, maybe, to be spoken to like that by Hawkins’ resident nobody. But they’re all nobodies here. A demodog doesn’t know Steve’s famous hair from Eddie’s ratty own.
“I’m with you,” Steve mumbles thickly, finally, spitting out a glob of blood. Eddie doesn’t want to know where it landed, but equally there’s enough blood in his van already, what’s a little more?
He gets out and rounds the back, helps the kids carry the shovels, the canisters of gasoline, the various scarves and goggles they collected to protect them from whatever sick air they’re going to find down there. Each movement hurts, side ablaze with pain and breathing an effort, but he can handle it. He’s handled it before.
Then they set off towards the barn, dimly visible through the dark trees, trees Eddie isn’t going to think about right now. What could be lurking in them. Fuck that. They have a job to do.
The idea is one that came to him with almost supernatural ease: the memory of the mulchy, foul-smelling dirt by Freeling’s barn, almost forgotten in the weight of what Robbie Freeling asked of him there, but remembered now, remembered when it matters. They said it was all connected, right? The contamination of the farms, the growth of the tunnels. This has to be a way in.
So then, setting his jaw tight against the pain, he swings the shovel into the earth.
The kids all join him, Steve too, when he’s finally made it over from the van, swaying a little. Somehow, he manages to wield the shovel, more efficient than any of them except maybe Lucas, who has a little bit of jock in him, Eddie thinks, not that he’s annoying about it like the other jocks are, just quietly digs alongside them until–
Lucas’ shovel hits something. Not solid, necessarily, but ropey and firm and–
“Ugh,” he says, wrinkling his nose in the gloom. “It’s, like, slimy.”
“This is it,” Dustin says, peering down the hole. They’re all covered in grime already, but he clearly takes this as the moment to add, “Let’s cover up our faces, okay?”
They do. Eddie’s through arguing with the kid, at least for now. Then they bash their shovels at the eerie, crawling tendrils until all at once they give way and reveal the empty darkness beneath–
They each look at each other over the pit. Eyes masked by goggles, breathing hard through damp scarves. Eddie really thought being the getaway driver for an assassination would be the craziest thing he did this weekend. But, hey, it’s technically Monday right now, so it’s a whole new ballpark.
“Let’s get this fucking over with,” Steve says, muffled, and jumps down into the tunnel.
He helps the rest of them get down, or at least offers a hand that most of them reject, Eddie included. He’s not sure he could take it, Steve’s touch right now. Ever, probably, but that’s something to think about when they’re not in a subterranean hellscape about to fucking die. It’s cast in sickly blue, the walls glistening with some viscous, foul-smelling substance, tendrils creeping over the ground like roots.
“So let’s find someplace big where we can attract the most attention,” Mike says, and starts off down the tunnel without waiting for an answer. Eddie’s heart is hammering against his ribs but he’s trying not to think too hard about breathing, since anything beyond a shallow wheeze sends great burning pain all around his chest, fucking hell is he really doing this–
He follows them down the tunnel. He’s doing this.
“You okay?” Steve says, in a low tone, like he wasn’t the one totally passed out about ten minutes ago. “When Billy threw you into the table–”
“It’s fine,” Eddie says, concentrating on his feet, concentrating on the weight of the gas canister and the way the kerosene sloshes around inside it. “Why don’t you focus on not passing out again, man? And maybe not letting Wheeler get us lost?”
“No need,” Dustin calls from behind them, where he’s unspooling a length of fucking string. Isn’t there a Greek myth like that?
“Talk about through the fucking looking glass,” Steve mutters, turning back to the path ahead, and Eddie stares at him.
“Was that a goddamn literary reference, Steve?”
“Shut up. I’m concussed.”
“Yeah. No shit.”
But Steve’s not listening anymore. Mike’s disappeared up somewhere ahead and Steve quickens his pace: “Hey! Hey, Wheeler! Any of you little shits die down here, we’re getting the blame, dipshits!”
He rounds the corner and doesn’t come back; Eddie swallows the acidic bite of fear and follows. He finds them clustered together in a larger space, like a burrow, almost, for some huge and horrible creature, like the sandworms in Dune. At least a dozen tunnels all branching out from this one space — perfect for attracting the most attention.
They’re already dumping gasoline on the vines. The harsh acrid smell competes with the musty decay already filling the air, noticeable even through Eddie’s bandana. He hurries to join, moving stiffly to uncap the canister, biting down on his tongue as the action of pouring it jolts the muscles down his side. It’s hard, quick work, done all too soon because then they have to do the real job. Fuck.
They move to the side of the hub, the place where Dustin’s line of string is visible disappearing into the dark. They crouch ready, muscles wired like springs, knowing they’ll need to run. By god, will they need to run. Steve at the front. It’s gotta be Steve at the front. Even concussed, he’s the fastest.
“Alright, you guys ready?” he says, getting the lighter from his pocket. Weighing it in his hand.
“Ready,” they all say, even Eddie.
Dustin looks at Steve. “Light her up.”
Steve sparks the flame. “I am in such deep shit,” he says.
And he throws it. And the place bursts into fire.
Tendrils lift from the ground, wave and writhe in apparent pain, a shrieking emanating from the very walls like the whole place is crying out its agony, its furious agony, Steve jumping to his feet and grabbing Eddie’s arm and tugging him along, running back down the tunnel, running until Mike falls, something caught around his ankle pulling him down and Eddie grabs at it, tries to pull it away but Steve’s there swinging the bat down and it lets go and they run again–
A growl. A shadow, darting into their way. Sinewy and awful and no telekinetic girl to save them this time, no, just Steve and his bat, just Eddie and his bum shoulder and a bunch of kids from middle school.
Dustin steps to the front. Holding his arms out protectively — why does Dustin step to the front? Why is Steve letting him do this? Why is–
“Dustin,” Eddie says, and Dustin holds up a hand to stop him.
“Dart,” Dustin says. What the hell?
The thing just looks at him. Looks as much as it can, anyway, without a face.
“Dustin! Get back!” Max shouts, but Dustin raises his hand again.
“Trust me. Please.” He moves forward. The demodog does too. Slowly, slowly, like they’re two wary animals approaching each other on a territorial border. “Hey. It’s me. It’s me. It’s just your friend, it’s Dustin. It’s Dustin, alright? You remember me?”
It chitters. Is that a good sign?
“Will you let us pass?”
It snarls, face opening up to all those goddamn fucking teeth and Eddie jolts, grabs at whatever’s in reach, which is Steve’s shoulder, tense as a wire as he raises the bat–
Dustin’s voice has gone inaudible, maybe because he’s speaking quietly or maybe because Eddie’s hearing has whited out into panicked static. Dustin tosses something to the creature, a fucking– a fucking 3 Musketeers– feeds it pieces– beckons them past–
Eddie doesn’t need telling twice. He scrambles towards their exit, nearly tripping on a vine but catching himself before he can, hearing something in the distance like the thud of his heartbeat but it’s not it’s coming from out there it’s coming from further off and it’s–
Steve rushes to his side. Starts pushing the kids up the rope, one by one, all of them until it’s just Dustin left with the two of them, Dustin and Eddie and Steve, and there’s a shadow on the wall fuck it’s too late to too late to get out they’re coming they’re–
The dogs run right past them. So close they brush against Eddie’s jeans, the rank smell overwhelming, the air so close he can scarcely breathe — they run past them.
They’re safe.
When the tunnel is empty again, Eddie feels a tension around him ease, and realizes Steve had grabbed onto him tight.
Notes:
– quiet riot's sign of the times is from condition critical released july 1984
– dune has been described as the best selling sci fi book ever - frank herbert, 1965and there we are, the end of s2!! rest assured we've got several more chapters before the end of vol.2, at least six more. as always, let me know what you think below, and find me on twitter (ohtobeinlove) or tumblr (palmviolet).
Chapter 26: It's My Life (Talk Talk)
Summary:
“We did it,” Dustin says. “Right? Did we do it?”
“We did it, dipshit,” Steve says, tone almost fond, and he’s the first to start towards the van. And it’s this — his easy calm, his steady walk — which relaxes them. Which catches them off guard, stops them reacting, when his legs fold and he hits the ground.
Notes:
warnings for hospitals, class issues, referenced parental death, referenced drug use, and implied abuse.
(See the end of the chapter for more notes.)
Chapter Text
MONDAY NOVEMBER 5TH, 1984
They know it’s over when the van’s headlamps flare into bright, blinding light, illuminating all the barn and the woods around, Eddie leaning heavily on a shovel as he tries to catch his breath without breaking any more ribs — bright, golden light, El’s light, and then a soft slide into darkness, into peace.
Over. Over again.
Eddie breathes. Clamps a hand over his side, where the rib is stabbing at him, and passes the other hand over his forehead, damp with sweat where the plastic band of the goggles lay. It’s running into his eyes and making them sting, though he can’t be sure he’s not also crying, just a little bit. Just out of exhaustion and fear and relief.
“We did it,” Dustin says. “Right? Did we do it?”
“We did it, dipshit,” Steve says, tone almost fond, and he’s the first to start towards the van. And it’s this — his easy calm, his steady walk — which relaxes them. Which catches them off guard, stops them reacting, when his legs fold and he hits the ground.
“Steve!” several people yell, Eddie among them, he thinks, he’s not sure where his voice has gone, and he dives to Steve’s side what did he miss what did he miss did the demodogs hit him after all–
Steve blinks his eyes open in the gloom, dull confusion in them. “Why am I on the ground?” he mumbles, attempting to sit up, getting pretty far before they gather their wits together and push him back down.
Eddie’s about two seconds away from panic. “Holy shit, okay, holy–”
“He needs a hospital,” Max says, tone brooking no argument. Yeah, he loves this kid. “There could be damage we don’t know about–”
“Right, right, yeah, okay, let’s– uh, let’s try to get him up–”
Steve takes that as his cue, apparently, because he shrugs off their hands and gets to his feet, not even swaying, somehow steady, how did that even–
Then he begins to slide again, toppling to one side, and Eddie’s just about quick enough to catch him, head landing heavy in the crook of Eddie’s good shoulder, Eddie’s muscles screaming at him for taking the weight until it lightens with Lucas’ and Mike’s support too. They stand there awkwardly for a moment, more of Steve touching Eddie right now than there’s ever been, the smell of sweat and grimy Upside Down gunk and, underneath that, hair product.
“Eddie?” Steve says after a few more seconds, shifting his head back up, and Eddie knows they have to move before he passes out again so they do, the four of them uncomfortably together, propping Steve up between them until they reach the back of the van. Eddie feels a little like passing out himself, lightheaded, knees trembling, but he’s gotta drive back to the fucking hospital first and Jesus Christ could this weekend (week) give him a break maybe–
“Everyone get the fuck in, let’s go,” he says, no patience left. They get in.
What does he get on the radio? Fucking Talk Talk. He nearly crashes into a tree reversing, saying over his shoulder, “Hey, Steve, you gotta stay awake for your shitty music,” then realizes where the rear is headed and slams the brakes hard enough the whole van jolts and shakes–
The music cuts. Silent for a few seconds, whirring, then, when they’re steadily on the road again–
The first rich drum beats of Judas Priest, Heavy Duty. Sweet, sweet metal. He could cry again. It’s bizarrely uplifting, though Steve’s going through whatever he’s going through in the pool of Owens’ blood in the back — or grounding, at least, since there’s some hypnotic effect to the repetitive beats that matches up with Carouselambra, in a way, and there must be something really screwed up in his head if the only thing can set it right is a monotonous bass and guitar.
“How’s he doing?” he says, glancing in the rearview.
“I’m fine,” Steve says, though he doesn’t sound fine, and he doesn’t look fine either, sitting up beside Dustin and then very rapidly sinking back down. Is this how concussions usually go? Eddie’s had a few, he doesn’t really remember them, maybe this is why, but still–
Plus Steve’s an athlete, right? So he’s probably had his fair share. And they get worse every time, right, cumulatively? So what if–
“If you start panicking, then Max drives, so calm down,” Dustin says, suddenly by Eddie’s ear. Eddie calms down.
And somehow, they make it to the hospital. They get Steve out the van; they get him into the emergency room; they let him be taken away, though it makes Eddie’s pulse jump to do it, hands trembling into fists by his sides. Any relevant medical history, allergies, underlying conditions? Eddie could only shrug helplessly. Antiseptic smell sharp in his nostrils. Hub of sound going in and out, machines beeping, people talking but what if it’s not safe. What if it’s not over what if something else what if they can’t just what–
“Eddie?” Dustin says, approaching him under bright white lights like he’s talking to a wounded deer, talking to Eddie the way he was talking to that demodog and really Eddie can’t do this now, he can’t, he really physically can’t because every breath feels like a knife to the chest except breathing’s all he can seem to try to do right now and it hurts–
He thinks he expresses this. Maybe. Cries out, or something, with the pain of it, because then there are hands on him, clinical, sanitized hands, hands he nonetheless doesn’t want but he’s in no shape to argue, not now. Steering him into an examination room and doing their best to help except–
“Stop,” he says, interrupting the doctor in his speech. He looks a little taken aback, but he waits. “I’m fine, okay? I’m just gonna–” keep a lid on this fucking panic attack until my broken rib has healed, great, what a stellar idea that is “–take a painkiller, okay, I’m fine. Thanks anyway.”
The doctor looks at him. He knows what that means; Eddie knows he knows what that means. Must see it, hear it, all the time. No insurance. Dime a dozen. It’s Reagan’s America; and come tomorrow (fuck, it’s tomorrow), it might still be.
The doctor lets him go.
“That was quick, are you okay?” Lucas says, jumping up from the bank of seats by the desk as he emerges. The other kids stand up too, and for a moment Eddie takes in the picture, the four of them covered in otherworldly grime with scarves still slung around their necks and adrenaline still racing behind their eyes, just children but with so much more weighing on them than anyone else in this room–
He sits down heavily, tightening his jaw against the pain. “I’m okay.”
“What about Steve, what do we–”
“They should come out with news,” Mike says. “Does anyone have any cash? I’m hungry.”
They all look at each other blankly. Fucking middle schoolers. Eddie must be a damn fool, because he gets his wallet out of his beaten-up, dirty jeans and hands him a dollar. “Get something we can share,” he says to Mike’s already retreating back, lacking the energy to raise his voice. Everything fucking aches.
Lucas flops back down beside him, and Max takes the next seat over. They both seem perfectly content to doze off, Max’s head slipping onto Lucas’ shoulder (patently adorable), and Eddie can only envy them. Strung tight like a fucking tripwire, just like the last time he was sitting waiting in a hospital, the last time they dealt with this shit.
Dustin is pacing up and down, shoes squeezing on the linoleum. Eddie raises an eyebrow at him tiredly. “What’s your problem, man?”
“My problem? Steve just passed out on me eleven times and you’re asking what my problem is? What’s your problem?”
“Fond of him now, are we?” Eddie crosses his arms over his chest and attempts to lean back in his seat. His back groans at him but there’s some new ease in stretching his legs out in front of him, especially when Dustin has to step over them. “My, uh, my problem is I don’t think I could express a single emotion right now if I tried. Tired to the goddamn bone, dude. How you have the energy to freak out and pace, I don’t know.”
“I–” Dustin starts, then stops, hands falling to his sides, dropping into the other chair. “I don’t, really. But it felt like someone should.”
“He’s gonna be okay, Henderson,” Eddie says. How sure he is of that, he doesn’t know, but it sounds good. Sounds like the right thing to say to a kid. “Right as rain. Give him ten minutes and he’ll be bounding out of there humming some ridiculous British new wave song–”
“He does love Tears For Fears.”
“Damn right he does. It’s heinous. What about you? What do you like?”
Dustin shrugs. “I don’t know, stuff. Michael Jackson.”
“Michael Jackson? C’mon, man, I know you’ve got something more interesting in you than that.” It’s painfully transparent as an attempted distraction, but Eddie’s got nothing else, and the kid’s face is thoughtful, so maybe it’s even working.
“I don’t know! I just listen to, like, what other people like. I like– what’s that song about ice?”
“Uh, Cold As Ice? Foreigner?”
Dustin snaps his fingers. “Yes. That one. That’s cool.”
“Hmm, you’ve got some promise. It’s kinda theatrical, actually, you into theater?”
Dustin’s cheeks color. So that’s a yes, then, and Eddie supposes he should be flattered Dustin thinks him cool enough to be embarrassed by it.
“Y’know–” Eddie says, thinking. “You should check out Supertramp. If you like that sorta– melodramatic feel, edging into prog rock. Crime of the Century, that whole album, it’s great, though Breakfast in America’s a bit lighter to start, probably, less me–”
Dustin’s eyes have gone wide. A little– well. Sad, and shit, what’s Eddie done now? “I will,” he says slowly. “But that’s– it’s just weird, don’t look at me like that, it’s just– my dad liked Supertramp.”
“Liked?” Eddie repeats, equally slowly. No idea what ground he stands on right now.
Dustin shuffles his feet and shrugs again, more forcefully flippant this time. “Yeah, I mean, I don’t really remember, I just remember my mom bought him that album with the snow on the piano on it for his birthday once.” And then, quieter, “He died. When I was seven.”
“Shit,” Eddie says.
“Yeah. I haven’t really talked to anyone about him much, except my mom. I don’t even remember much.”
“Do you, uh– do you miss him?”
“I guess I miss the idea of it more than anything else. Since I don’t really remember him all that much. Did you know children’s long term memory begins between the ages of two and seven? Meaning some of the stuff I do remember about him, I might have just extrapolated it from photos, so they’re not real memories at all.”
“You can’t– um, you can’t value them that way, though. Right? Like whatever you feel you know about him, that’s what’s real.”
“Well, I know he liked Supertramp. That’s real. So maybe I will listen to them,” Dustin says, a sudden resolve in his voice, eyes meeting Eddie’s, and it’s Eddie who has to look away, because these kids whose dads have died — they seem suddenly so much braver than him. So much stronger. And acting like his own dad is dead is the cowardly way out.
Mike reappears at the end of the hallway, waving a bag of Skittles and a box of Runts bought with Eddie’s hard-earned (drug) money, but hey, at least he bought things they can share. Eddie’s now realizing the last thing he ate was a bag of chips one of the gang shoplifted from the gas station, and before that leftover Chinese in the early hours, so he’s fairly ravenous. He sits up a little and watches Mike come down the hallway — and then Eddie’s eyes drift beyond him and with a jolt he recognizes someone else.
Painfully, he gets to his feet and hurries down past Mike, who frowns at him but doesn’t say anything, until he’s close enough to call out, “Uncle Wayne?” and Wayne, who’s leaning against the wall lighting a cigarette with deep tiredness etched in his face, looks up.
“Eddie?” His expression flickers through a dozen different things, too fast to read, but Eddie catches a hint of relief, and he sags with guilt. Because it’s been a day longer than he said it would be, right? Just a night in the city, that’s what he said. Now he’s in the hospital with pain written all over his body and otherworldly dirt on his cheeks.
“I’m sorry I didn’t call, I know I– I’m sorry. It’s been a–” He sucks in a deep breath and immediately regrets it, pain flaring up in his side. All he wants, suddenly, is to fold into Wayne’s arms, cry into his cigarette-smelling sheepskin. “It’s been a fucking weekend.”
“Eddie, what are you doin’ here? In the hospital?”
Eddie almost laughs. Remembers last year, remembers calling Wayne from this same fucking hallway, here for a friend. “My friend, he’s, uh, concussed. Our friend,” he adds, indicating the ragged bunch of kids behind him. Then he sharpens, realizing: “What are you doing here?”
Wayne sighs, exhaling smoke and pinching the bridge of his nose. “Andy O’Dell. He was checkin’ out his old place, seein’ what sorta mess the groundworkers were makin’, except–”
“What happened?”
“It ain’t him, he’s okay. But there was this big hole in the ground, nothin’ to do with groundworks at all, and one of the workers was still stuck down there like he’d been there all damn weekend, couldn’t get out, all bloodied up from the fall so O’Dell called me and we managed to get him out, but Jesus. I knew there was somethin’ wrong with the site, problems gettin’ crews to work it, safety issues, but goddamn Harrington had to keep ‘em on schedule, right? And now there’s a man here might never walk again. And the worst about it is there ain’t nothin’ to be done, not legally, anyway, ‘cause O’Dell shouldn’t have been there at all, Trespassin’ on what used to be his own property, and you can bet Harrington’s gonna come down hard on that.”
Eddie stares at him, chest hurting something worse than the pain of his rib. Contamination at the farm, a hole going through to the network of catacombs underneath — all too familiar. And once again, it’s the name Harrington coming up. Suddenly he doesn’t want to tell his uncle who the friend is. “Can’t the guy just claim he got out himself? Someone else stumbled upon him, or something?”
Wayne shakes his head. “I don’t know, kid, I ain’t no lawyer, but– I don’t know. This world’s got no reason to treat any of us fairly.”
And ain’t that true. Even if they did get to court — what would they say the guy fell into? A network of otherworldly tunnels manifested by some evil fucking being of another dimension, all the fault of the government except we’re not allowed to talk about that, about any of it, and the court transcript would come out as nothing but a series of redacted black lines, and the verdict would be resounding: no fault, no blame, not guilty. That’s how this works.
“Where’s O’Dell?” Eddie says.
“Callin’ the guy’s family. We finally managed to work out who he is. We ain’t gonna leave ‘til they get here, so–”
“Yeah.” He looks at the floor, a sudden flush of pride coloring his cheeks, pride he doesn’t know what to do with. “I need to make sure my friend’s okay, and if they let him go I should probably take him home–”
A sharpening in Wayne’s face. “This friend — I know him?”
Eddie shakes his head, scuffs his feet. “No. No one you know.”
And that could mean anything, really. He knows what Wayne might take it to mean, and maybe that’s a better assumption than the truth. The truth being that John Harrington might turn up here in this waiting room at any moment; that this situation might yet explode even further, and Eddie’s not sure he wants to be in the middle of it.
“Okay,” Wayne says, his eyes loaded with his misunderstanding, and Eddie lets it sit there. He lights his own cigarette and they trade idle talk until O’Dell returns, at which point Eddie goes back to the kids, taut and hesitant to interact with O’Dell and his big frame and his wide hands. The Skittles are gone, though they’ve saved him a couple Runts.
“Who’s that?” Dustin says, looking at Wayne. He doesn’t say is that your dad? Like he knows better.
“My uncle. Jesus, this town is way too small.”
“Steve!”
Eddie looks up with a jolt. Steve’s wandering out from around the corner, face all cleaned up and held together with surgical tape, one eye swollen shut. A doctor by his elbow, and they all hurry forward. “Are you the family?”
They glance at each other. Weighing up the cost of saying yes: probably not wise, in the long run. “Kinda,” Eddie supplies.
“Well, Mr. Harrington here has a concussion. He’s going to need monitoring for the first 24 hours: he should be woken up every four. Is there someone at home who can look after him?”
Eddie thinks about this hallway, thinks about his uncle and O’Dell waiting with this unnamed groundworker just because, thinks about how there’s still no sign of Harrington senior. “Yeah, I’ll take him home and keep an eye on him.”
“It’s very important he doesn’t hit his head again for a while, at least a month, okay? Which means no contact sports, no risky activities. He’s going to be foggy for a while, and he might pass out again, but that’s normal, so long as there’s no further head trauma and you’re able to wake him up.”
Risky activities. Well, hopefully those are over for now, though with Hawkins, you never know, right? Meaning someone else will have to wield the baseball bat, and fuck, it’s not gonna be Eddie. Eddie’s just the driver.
“C’mon, man, I’ll drive you home,” he says, as the doctor leaves.
“My house?” Steve says, something weird in his tone, which dips and slurs more with tiredness than anything else.
Eddie looks at him, then at the kids. Makes the decision. “No, let’s, uh, let’s go back to the Byers’. Make sure everyone’s okay, debrief and shit. Sound good?”
“Good,” Steve says, his eyes sliding shut. Eddie tenses, ready to (try to) catch him if necessary — but Steve stays upright, shoulders slumped, all the adrenaline finally gone out of him and ready to fucking sleep. Eddie knows the feeling.
Somehow, they all make it back to the Byers’. Everyone’s alive, everyone’s in one piece. That’s all that matters; Eddie finds himself unable to focus on anything else, eyes blurring when he keeps them open too long, assisting in the rearrangement of furniture and mattresses with deadened, painful limbs. Billy’s gone from the floor, the Camaro gone from the driveway. Good riddance.
He tells someone Steve needs to be woken up every four hours, though he’s not sure who, and the next thing he’s aware of is bright morning light streaming in through a gap in the curtains as he blinks groggy sleep from his eyes, every muscle aching, the sleeping mat under him not nearly thick enough to defend against the solid floor. He’s half under the dining room table, pushed up against the wall to leave room for the mattress where Lucas, Dustin, and Mike are still sprawled out, dead to the world.
His watch tells him it’s just past nine: not nearly enough sleep, not after the weekend he’s had. But wakefulness has the downside of awareness of his body, and the slow insistent stabbing in his side every time he so much as breathes, and it’s not gonna let him roll back over to sleep again, so–
With an effort, he drags himself up to his feet.
The house is still. Quiet, save for faint snoring and rustling, the sounds of a dozen other humans sleeping peacefully in the aftermath of the storm. He looks over to the front room and sees Hopper laid out on the couch, feet hanging quite a way off the end, while Max and El share another mattress, looking more at ease with each other now than they did in wakefulness.
Steve. Where’s Steve?
Hand on his ribs, he edges his way down the hallway, peering into each doorway, left slightly ajar. (Deliberately, he thinks.) Jonathan’s room is empty, though the bed is rumpled, slept in. In Joyce’s, he finds Will curled up beside Bob, a gap between them whose previous occupant doesn’t take much guessing. And then in Will’s room–
Eddie releases an unexpected tension. Steve’s there, ruined face smushed into a blue pillow, each breath a rattling snore since he probably can’t breathe through his nose.
Eddie draws closer and lays a hand, feather-light, on his shoulder. “Steve?”
He doesn’t wake, so Eddie tries a little harder with a fresh surge of worry, before Steve shifts and groans, blinking one eye open owlishly in the dim morning light. “Ugh.”
“Still alive?”
“Yeagh.” He turns his head, burying himself back in the sheets.
“Need more than that, Steve. Alive: check. Vegetable…?”
“Not a vegetable,” he says, voice muffled. “Fuck off, Eddie.”
“There we go. Okay, you can go back to sleep now.”
Steve doesn’t respond, probably asleep again already, and Eddie lets a tired smile twitch across his face as he limps back out to the hallway, making a beeline for the bathroom, where he shakes out a couple Tylenol into his hand and swallows them dry, hoping that will tide him over until he can go home and really take the edge of. Jesus, he’s daydreaming about ketamine. But he’s not sure he can be blamed for that, not today.
But, hey, he’ll settle for a smoke. He grabs a coat from the peg by the door — some heavy brown corduroy thing that probably belongs to Jonathan — and shoves his hands in the pockets against the cold as soon as he’s outside, since it’s a bright, frigid morning, and he’s not in it alone.
Joyce is on the porch swing, face drawn and hollow, a half-full ashtray balanced on the seat beside her and a fresh cigarette between her slender fingers. He looks at her for a moment, debating going back inside, but then she’s looking at him too and he has no choice but to join her.
He sits down with a creak, of the bench and of his bones, and he can’t restrain the hiss of pain.
“Are you okay?” she says, frowning at him.
“I’m fine,” he says. (How many times has he said that in the last twenty-four hours?) She doesn’t look like she believes him, but maybe she’s saving that battle for another day, because she just offers him her pack of smokes. Camels. Good taste.
“Seems silly, doesn’t it?” she says, at length. Looking out at the driveway, dusted with frost, and the cool, still woods. Everything dappled in sunshine. “A morning as nice as this. After everything that happened.”
“I don’t know, I’ve, uh, I’ve learned not to put too much stock in how nice or otherwise the days are.”
Her face twists into a smile. “Smart.” Her voice is hoarse, and as he looks at her, her hand comes up unconsciously to her throat, covered by a high blue turtleneck, and when she turns her head to the side he gets just a flash of deep purple bruising.
“What’s that?” he says, unthinkingly.
Her eyes snap to his. But she doesn’t reply, just keeps looking at him, like she doesn’t know how to say it. Like there are no words for saying it, and suddenly he knows what they are. What her son was turned into, for one night only, the echo of everything she thought she’d banished a year ago–
The echo of violence. The echo of Lonnie.
“Yeah,” he says, on an exhale, which hurts. “It does seem silly.”
They smoke in silence for a while. They watch a rabbit dart across the grass, ears back, determined but not frightened, and Eddie wills it on. It disappears among the trees without looking back. Something about the peace of a morning, after it all. Maybe not silly. Maybe just right.
“So,” he says, wincing as he breaks the silence. “Bob knows everything now, huh?”
Joyce sinks her face into her hands, pressing her fingertips into her eyes. “Yeah. Something like that.” She looks up again, sinking resolve into her voice. “Y’know, he saved our lives. In that– place. The Lab. If he didn’t know that coding-thingy language we couldn’t have got the doors open, and then–”
“Lucky he was there.” Eddie keeps his voice nice and even. He doesn’t even know where he’s going with this, really. Bob seems nice. Perfectly nice.
She sighs. “I wouldn’t have wanted him to be. No one else should have to be involved in this– in this shit. But. Here we are.”
“Here we are,” he echoes, flicking ash from his cigarette. When he looks up, it’s to the crunch of tires and Jonathan’s LTD pulling into the driveway, Nancy in the passenger seat. Eddie sits up straighter as they get out. Jonathan makes a beeline straight for the front door, barely stopping to nod at Eddie and his mom — checking on Will, most likely — but Nancy slows, her arms full of newspapers, eyes large and dimmed.
“Catching up on the, uh, the news? Any interesting stories?” Eddie says, gesturing.
She smiles thinly. “No. No interesting stories.” Then a sigh, “Not yet, anyway.”
“Not yet?”
She glances between Eddie and Joyce, fingers curling around the thin pages. “We went to see a journalist. Jonathan and me. Or– well, an investigator. He used to be a journalist. I managed to get them admitting it on tape, that they were at fault for what happened to Barb, so we took that to this guy and– well. It might not come to anything. It might take a while. But I needed to check.”
Eddie stares at her. “You’re taking down the Lab?”
Her cheeks color a little. “Trying, at least. It’s not as easy as it sounds.”
“Well, it doesn’t sound particularly fucking easy, I gotta say, so. Jesus, Wheeler, you’re impressive.”
“While that sounds very dangerous, I’m inclined to agree with Eddie,” Joyce says, voice soft and mild, the edge of a smile tugging at her face. Eddie surrenders to the same impulse, lets the thing take over despite the exhaustion, the pain, the hankering for something stronger — he just smiles. Because maybe good things are happening too.
Joyce and Hopper, the unofficial parents of whatever the fuck this is (Bob as some weird, benign uncle), seem to have made the executive decision of no school today. So they spend the day in various stages of wakefulness, talking in quiet corners, playing half hearted games of cards or Ludo, beginning the tiresome process of cleaning up the house. Turns out Jonathan and Nancy bought groceries, too, good thing, since Steve and Dustin dumped out the contents of the fridge for the dead rotting thing which is now in its rightful place, buried in a shallow grave at the back of the yard. Hopper and Jonathan come in from this task sweating despite the cold, faces grimy but decidedly happier now that the monster’s no longer in sight. No longer in the fucking house. (Despite Dustin’s complaints.)
Eddie wakes Steve up again after lunch, bowl of Mac N Cheese in hand in the hopes of placating him. It takes a lighter touch on his shoulder this time; he stirs immediately, forehead creasing as he squints at Eddie and then hisses as it stretches the wounds on his face. Which is more swollen than yesterday, probably due to get worse before it gets better. “What time is it?” Steve says thickly.
“Like, half past one. Did you sleep well?”
“Like the fucking dead,” Steve says, moving to sit up. Eddie realizes his hand is still on Steve’s shoulder and promptly pulls it away. “Is that–”
“Mac N Cheese? Yeah. Thought you’d be, y’know, hungry. Sleeping all day while the rest of us clean up is hard work.”
“Hey, I did my fair share last night,” Steve says, reaching for the bowl, hanging his head with his hair flat and his back pressed against the headboard and Eddie isn’t sure what’s gotten into him but he finds himself saying, “Yeah, you did, man. You really did.”
And Steve looks at him sharply, like he’s waiting for the other shoe to drop. But there is no other shoe. No strings attached, whatever the fucking metaphor. Eddie hands him the spoon.
After a moment, Steve drops his eyes again, and begins to eat. Slowly at first, then ravenously. “Damn, this is good.”
“What can I say, I’m a man of many talents–”
“Really?”
Eddie laughs. “Fuck no. This is straight out of a box, and I sure as hell wasn’t the one who cooked it. Thank Bob for that.”
“...remind me who Bob is again?”
“A little foggy, are we, Steve?” Eddie looks at him closely. It’s normal, right? A bit of memory loss. Plus last night was such chaos anyway– “Joyce’s boyfriend. He’s all involved now, supposedly, knows everything we know. I can’t quite tell if she’s pleased about that or not.”
“Well, it fucking sucks to know, right? I’m sure they’ll be over with a stack of NDAs as tall as we are soon enough.”
“Not if Nancy’s got anything to do with it,” Eddie says, half to himself, and doesn’t miss the little flinch that runs through Steve at the name. “But, yeah, it does suck, but I don’t know if that’s why Joyce is being so, y’know, weird about it.”
Steve looks blank, like he’s never once considered the intricacies of Joyce Byers’ love life. Which, fair enough, but Eddie’s sort of caught up in this family dynamic, right? After Lonnie. Shit.
“Just eat your fucking macaroni.” Obediently, Steve goes back to eating. Eddie figures this is as good a time as any to broach the major question. “I don’t know if you remember this, but, uh, last night, the doctor asked if you had anyone at home to look after you. And I just said I’d bring you here, that you’d be fine, which, y’know, you are, so you’re welcome, but–”
“You want to know why my parents weren’t there.”
They look at each other. Steve quiet, resigned. Eddie regrets asking.
“They’re in– Detroit? I think? Work. My dad’s work, anyway. Mom’s got nothing better to do. Since the summer they’ve just been traveling, like, all the time. I don’t think it’s going as well as he wanted it to, the expansion of his portfolio in Hawkins. He’s trying to get into bigger markets elsewhere.”
Eddie swallows. Fights the thing inside him that’s trying its goddamn hardest to take this personally, because–
Because. Asshole gets to buy the trailer park and buy the farms and kill the residents, kill the workers, and just– move on? Because he’s bored? Because he’s–
But it’s not worth it. What was it Wayne said? This world’s got no reason to treat any of us fairly. And it doesn’t. And it’s not personal, and that’s what fucking stings.
But Steve–
It is personal for Steve. Steve whose dad this is. Steve whose dad couldn’t come to the hospital because he was a state away, and might not have even if it was just a street. So–
“Asshole,” Eddie says softly. “Wait til he hears you’ve been adopted by the town crazies.”
Steve smiles, though it looks like it hurts. “Kidnapped, maybe. Pressganged.”
“Shut up. I made you macaroni.”
“I mean, you literally didn’t, but–”
“Just eat it,” Eddie says, smiling as he walks away.
Notes:
– it's my life by talk talk was released february 1984
– judas priest's heavy duty is from the same album he was listening to when the cassette player broke, defenders of the faith.
– the presidential election was november 6th, the tuesday. mondale advocated increased social support spending and healthcare cost containment, against reagan's more conservative policies as the republican candidate.
– cold as ice by foreigner was released 1977
– supertramp's crime of the century was released 1974
– supertramp's breakfast in america was released 1979
– the album with the snowy piano is even in the quietest moments, released 1977thank you for reading, and as ever, find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 27: Which Side Are You On? (Pete Seeger)
Summary:
He wakes slowly, dragging himself up into awareness like swimming through molasses. His first thought is fuck, it’s been over four hours, need to check on Steve — until he remembers where he is, the trailer, and where Steve is, the Byers’ house, where they decided it would be best for him to stay until he could face his parents coherently — Eddie not in the equation, because of course, why would he be? What’s Eddie got to do with it?
Notes:
warnings for class issues, referenced parental death, implied child abuse, and discussed chronic pain.
(See the end of the chapter for more notes.)
Chapter Text
TUESDAY NOVEMBER 6TH, 1984
Monday night Eddie’s sleeplessness catches up with him; he crashes on the couch before Wayne’s even left for work, and wakes up disoriented and stiff some time after midnight. Tired enough still that he can drag himself through to his room and sleep in his own bed for the first time in what feels like fucking years.
He wakes slowly, dragging himself up into awareness like swimming through molasses. His first thought is fuck, it’s been over four hours, need to check on Steve — until he remembers where he is, the trailer, and where Steve is, the Byers’ house, where they decided it would be best for him to stay until he could face his parents coherently — Eddie not in the equation, because of course, why would he be? What’s Eddie got to do with it?
He’s tempted to call, though. Just in case. But no news is good news, isn’t that the saying? They’ll tell him if Steve is worse. Someone will tell him. So for now–
He finds himself fresh jeans, his old Saxon t-shirt. Getting it over his head is a struggle, every muscle lighting up with pain as he tugs it down, a quick glance in the mirror showing a great purple horror shrouding his side — he’s always bruised easily, true, but this is a little way beyond that. He thinks of Billy’s crazed eyes and winces.
Going down the hallway, he finds his uncle watching the news with a cigarette, a half-full ashtray balanced on the sofa arm beside him. It’s an update on the election — a reporter outside a polling station, figures in red and blue flashing up at the bottom of the screen — and Wayne’s leaning forward to stare at it intently, elbows balanced on his knees.
Eddie feels as though he’s stepped through the looking glass for a moment. Like this is the weird sight, and everything that happened over the weekend the norm — like watching Reagan’s numbers creep up is the real horror story.
“There’s not gonna be any real news for a while, right?” Eddie says, stretching and then immediately regretting it. Wayne looks at him suspiciously.
“No, sure, but we gotta keep in the loop. When you gonna go vote?”
Eddie weighs his options, most of which involve skipping today’s most undesirable class, which is probably biology — fuck, definitely biology, because Billy’s in his biology class and that is not a confrontation he wants to have, particularly, today, with a broken rib and nerves fried from everything. “I might go pretty soon, actually, then just go to school afterwards.”
Wayne nods. He’s big on Eddie going to class, doing his homework, passing the year, of course, but he can be relied upon to keep the political in mind as well. Now, anyway. The development of his political ambitions has been sort of recent. “I’ll come with you. No sense passin’ out on the couch and wakin’ up when the polls are closed.”
Once he’s agreed to this, the notion of going to wait in line with his uncle, assimilating himself among Hawkins’ all and sundry who have no fucking clue about what nearly happened to all of them this weekend — the idea gets less appealing. He felt a little like this last time, he thinks. This weird cold sweat down the back of his neck at the prospect of an oblivious crowd.
The middle school gym is serving as the polling place, which means the middle school is closed for the day, lucky bastards. Eddie drives them there without issue, strangely enough, a close calm settling over him the second he climbs into the driver’s seat, as though it’s there and only there he can tap into a reserve of battle-ready adrenaline and easy preparedness. When he pulls up in the parking lot and cuts the engine, he feels Wayne’s eyes on him.
“Somethin’ different about you today, kid. Your drivin’, maybe.”
“In a good way?”
Wayne laughs. “Any change to your drivin’ is a good change, in my book. Somethin’ more careful about it, maybe, though you could still stand to go a hell of a lot slower.”
Eddie shrugs, smiling a little sheepishly, the way he only does around his uncle. He uses that feeling, the young, soft feeling he spent so long suspecting and rejecting, to overcome the sudden rush of panic he gets at stepping out onto the busy asphalt, towards the queue forming by the entrance, red and blue voters alike all waiting their turn–
He’s never voted in a presidential election before. It feels paradoxically trivial, more so than the primary in May, the first thing he’d ever voted in and somehow so goddamn world ending, like if he chose the wrong guy then the other side would win and life would get only worse, like it was down to him to make the world better–
Now, it feels like punching a hole in a card. All the less important because if a Gate to another dimension doesn’t change anything, why should this? If this still happens after that, then–
“Hey, Eddie,” someone says behind them in the line. He turns: it’s Joyce. Looking tired and drawn, still in a high green turtleneck.
“Hey.”
Wayne looks between them, a little question in his face, resolving itself into an unhappy understanding. He was aware of the connection between Bruce and Lonnie, after all, so maybe he thinks this is some sort of solidarity thing — which, sure, it is, but not for that reason. For something probably worse. “Mrs. Byers,” Wayne says, nodding his head politely.
“Joyce, please.” She pinches the bridge of her nose and closes her eyes with a deep breath. Her fingers are trembling, Eddie notices, and there’s a cigarette in her other hand. “I can’t believe I’m here.”
Her words are quiet, likely not intended for them, but Wayne answers anyway: “Doin’ our bit for democracy, huh?”
“Democracy,” she repeats softly, and meets Eddie’s eyes. Some democracy, she’s thinking. Some government we’re voting for. He knows this because he’s thinking the same; and they can’t tell Wayne a thing. “Hopper’s home with Will. He thinks I’m crazy for being here, y’know, but I thought– well, and Bob can be convincing.” Bob. Eddie looks around for him; Joyce adds, “He’s parking the car. Told me to save a place in line, so we wouldn’t have to wait so long.” She closes her eyes again and smiles, though maybe it’s more of a grimace. Eddie’s not sure he can tell.
The hard, resigned look in Wayne’s face gets a bit easier at the mention of Will. Like maybe he’s revising his idea of their knowing each other — because Eddie plays DnD with the kids. That’s something a lot easier for the mind to handle.
“How’s–” Eddie starts, with a furtive glance at his uncle, then continues anyway, the urge unbearable, “–Steve?”
“Oh, he’s okay. A little tired, confused, his short-term memory’s shot to shit but it shouldn’t last too long. I’ve seen plenty of concussions in my time. He’ll be fine.”
He doesn’t doubt she’s seen plenty of concussions. It’s not exactly something he enjoys hearing her say out loud. He can feel Wayne’s eyes on him. “I might, uh. Drop by? After school?”
“Oh, sweetie, you’re welcome any time.”
Eddie looks at the ground. He hates that tone of hers. But there’s no time to wallow in this feeling, because then Bob arrives, looking the same as he always has, the everyman in the Radioshack shirt who slings his arm around Joyce’s shoulders like he belongs there, though it looks less possessive than hopeful, like he’s hanging off rather than surrounding her. “Oh, good, the line’s not too long. Hi, Eddie, you okay?”
Eddie feels his fingers twitch. Feels his rib stab at him. Presses a hand to it, as subtly as he can manage, and nods. Though he wants to scream. Though he wants to yell, right here in front of the Republicans and Democrats and blank open sky, how the fuck does this not change you? How the fuck do you stay the same?
The problem isn’t that the world has turned upside-down; it’s that it remained rightside-up, with him now walking on the ceiling.
After they’ve voted, Eddie catches up with Wayne smoking a cigarette outside, eyes distracted and vague. “Y’know, I overheard some guys in front of us, while you were talkin’ to Mrs. Byers and Newby. Talkin’ about the construction work goin’ on up in North Hawkins. A mall, they’re sayin’. Wonderin’ why they’re wastin’ their time on some asshole who cares more about the Ruskies than anythin’ real that affects them, like the corrupt guys at the top underpayin’ and overworkin’ and not givin’ a shit about real lives in this town. Can’t say I blame them.”
Eddie lights his own cigarette and leans back against the wall. Not that he wants to hang out by the polling station, particularly, but clearly Wayne has something to say. “But voting’s good, right? I mean, the laws, they come from the top down. If there’s, uh, a better guy at the top, then surely–”
Wayne shakes his head, smiling humorlessly. “It ain’t so simple. That’s how Reagan thinks it works with the economy, this trickle-down thing where if the rich are richer then so’s everyone else, as if more coins will fall outta their pockets and the poor can pick them up and that’s fine. But the ones with the power and the money, you think they’re interested in changin’ much for us? Really? Sure, we’re here, and I voted and you voted and we can’t not exercise that right, it’s important, but really? Our own lives? The big shit ain’t gonna happen to us. The Ruskies ain’t a concern to us, not unless they actually launch somethin’, in which case we don’t gotta worry about anythin’ at all much longer. We ain’t got the luxury of considerin’ a bigger picture.”
Eddie receives this without reacting, without responding, without even having much of an opinion on it. Because he understands it, where his uncle’s coming from. The way last year they defeated the monster and still the car was broken at the end of it; that didn’t go away. The trailer park didn’t go away. But equally, well, he’s not in a smaller picture frame of mind right now. Not yet.
“This Steve,” Wayne starts, in an apparent digression. “He the same one you talked about last year?”
“I don’t think I, uh, I talked about him. Did I? I just–” Eddie closes his mouth, already in too deep. There are plenty of Steves in this town.
“He’s stayin’ at Mrs. Byers’ place? With a concussion? I guess he’s the friend from the hospital, huh?”
“Wayne,” Eddie says quietly, tapping out.
Wayne looks at him. His worn face tight and unreadable. “I sure hope you know what you’re doin’, kid.”
“So do I.”
And that’s the matter closed. But Eddie doesn’t feel the relief he expected, more a cold weariness. It settles over him and isn’t disturbed even by the fresh flush of panic he feels as Wayne takes the driver’s seat to drop him off at school — why is someone else driving I should be driving what if he can’t what if something I need to I need.
The music’s on radio again, some Huey Lewis song, and Wayne’s gotta drive back home to this so Eddie makes the effort to change it, finding something a little less current, a little less pop — Which Side Are You On, Pete Seeger. Certainly fitting, though hardly appropriate for radio. Maybe the DJ is feeling political. Wayne doesn’t say anything about it, just shoots him a glance over the stick shift. Then they’re pulling up to the high school and Eddie feels another flurry of panic, but fuck it. Big picture, small picture. He can handle high school.
And he can. He makes it through his classes til lunch, matches O’Donnell’s evil stare with a neutral, not-quite penitent one of his own. There’s little buzz in the hallways, all the drama of Steve and Nancy and Jonathan having cooled off over the weekend. Thank god. Eddie’s not sure he could take it; as it is, he’s doing a pretty admirable job of not retreating into a bathroom stall and hyperventilating for a couple hours, or else smoking a joint.
When he sits down for lunch at their normal table, there’s a pleasant surprise, at least: Jeff in the usually-empty seat beside him. “Hey, man,” Eddie says, sitting down loosely and pulling a knee up, then regretting it at the last second because fuck does that stretch his side.
“Hey. You hit by a truck this weekend or what?”
“What?” Eddie says, letting a little playful offense into his voice.
“You look like shit.”
“Thanks, man, always great to hear from you.” Eddie does indeed look like shit, however, he’s aware of this even without looking in the mirror. Lines of pain pulling taut in his face, from suffering the broken rib with the as yet sole help of his good friend Tylenol. Not to mention the stress. Jesus, he deserves compensation money. “Were you here yesterday?”
“Nope. First day back. Mom was coming to the middle school to vote, so she dropped me off.”
“I didn’t see her, I guess she was earlier than we were.”
“Shit, I forgot you were eighteen. That’s so cool.”
Eddie’s halfway through constructing a denial when he closes his mouth and just accepts that, yeah, to Jeff, it is so cool, and Jeff is entitled to find it cool, and just because Eddie’s whole perspective on the world has been totally ruined doesn’t mean anyone else’s has to be. “It’s mainly just standing in a line, but yeah. Kinda cool. Feeling like you have a choice in the way the world works, y’know?”
“You said ‘we’?”
“Yeah, I went with my uncle.”
He watches Jeff’s eyes dim. Right. Like he’s asking himself, who’s gonna take him to vote when it’s his turn?
His mom, of course, and that thought brings with it its own sourness, for Eddie this time. He pushes it down and offers a smile to Aaron and Gareth as they arrive, setting their trays down with a clatter and grim looks. He lets the smile slide off his face. “What’s going on?”
“Hargrove’s a prick, is what’s going on,” Gareth says, and his glare is directed entirely at Eddie. Right. That is sort of his fault. “He tripped me in the hallway and nearly punched Aaron for standing too close to his locker.”
“I’m amazed the guy even knows he has a locker. I believe he’s of the opinion that nice pecs and a wispy mullet will get him into college.”
“You think that guy wants to go to college?” Gareth says, shaking his head.
“Maybe the college of being a fucking asshole,” Aaron mutters, also glaring at Eddie. Nursing a grudge, maybe. Small concerns, big concerns, interdimensional concerns. Eddie tries to keep this in mind.
“I swear, it’s like he’s given some of his steroids to Tommy H., too, the guy’s gone completely insane–”
“We had such a nice balance going on, us freaks and those assholes, we had a mutual respect for the order of things. Someone like Hargrove comes in–” Eddie shakes his head. Then he thinks of Max with the bat in her hands, her warning. Even the threat of castration can’t change a guy’s nature, not really.
“Someone like Hargrove comes in and it sets you off. Provokes something, I don’t know. I wish Janie were here. She could talk some sense into people. Into you.”
“Janie was your friend last year, right? Who graduated?” Aaron hasn’t yet touched his lunch. Eddie feels a pang of hunger at the sight and wonders if they’re too mad at each other for Aaron to give him some.
“Yeah. She lives with her dad in China now.”
“Janie aside. What are we going to do?” Jeff says, speaking for the first time all conversation, leaning in. Eddie blinks at him.
“It’s the same old. There’s nothing you can do.” Aaron’s voice is glum. He pushes his tray away from him; Eddie takes the opportunity to steal a forkful of carrots. Aaron lets him. “At least some people don’t like him. I saw Heather giving him a really scornful look when we were by my locker.”
“I think that was probably wishful thinking,” Gareth says, as Jeff says, “Really?”
Aaron scowls. “She’s not like the rest of them.”
Eddie thinks about the coke at the party. Not that he’s one to really talk. But still. “At this point, my friends, I’m going to elect to be a flying-by-the-seat-of-my-pants kinda guy. And no more provoking the beast. Hand on heart.”
They each frown at him suspiciously, Jeff’s eyebrows raised. But there’s nothing larger they can extract from him, promise-wise, so they’ll have to be satisfied with that. And the conversation moves on, and in the hallway he catches Nancy and pulls her aside, says, “Anything?” and she shakes her head.
“No one’s talking about anything but the election,” she says, “And the mail, it won’t have–” She stops herself. Exhales. “But soon. It has to be soon. I’m gonna buy all the papers every day until it happens.”
“Y’know, I might have already said this, but, uh, what you did, getting Owens admitting it on tape, taking it to the investigator, that’s pretty fucking metal.”
She has a rather sharp-edged smile, he thinks. Her real smile, not the fragile pretty one she puts on to get what she wants. “Thanks. How are you doing, after the fight? I know Steve is–”
Her tone is loaded, of course it is, syllables skirting around Steve breathlessly like she can’t get the name out of her mouth fast enough, but there’s also no upset in it. Something about this makes him feel honest. “Cracked a rib, I think, but other than that. Y’know. Peachy.”
“A rib? Have you seen anyone?”
“It’s a rib, Wheeler, there’s nothing they can do. Just let it knit itself back together on its own.”
She studies him carefully. He wonders what she’s thinking. If she’s remembering the time last year he pushed his own shoulder back in because he didn’t have insurance, a problem that remains to be solved, in that they have to think about things like deductibles anyway, healthcare or no, and so–
But she nods. And he smiles crookedly at her.
She’s walking off into the crowd when he feels a hand on his shoulder and he jolts, which of course sends a flare of pain felt too often to really be worth mentioning again down his side, alongside the customary spike of panic. But it’s just Robin, wry look and all. “You’re friends with Nancy Wheeler now?”
The honest spell hasn’t quite worn off, so he shrugs. “Somehow, god knows how, I think yes?”
She laughs disbelievingly. “Nancy Wheeler. Really.”
“She’s not quite what she seems.”
Robin looks unconvinced. She could interpret that in a drugs way — what most of his interactions entail, when they’re not with Hellfire or Robin or Jonathan — or in an earnest way, and she doesn’t seem to be capable of settling on either. “You look sick.”
“Jesus, what is with everyone today? Did I wake up in a universe where the concept of, uh, manners and decorum simply doesn’t exist anymore–”
“Sorry. But you know what I mean.”
He sighs. “Unfortunately I do know what you mean. Should I just skip the afternoon?”
“You’re asking me that question? You’re asking me that question. Well, from what I’ve heard all your teachers hate you, as do some of your friends when you ditch them among all the horrible boring band-lings–”
“Oh, shit. Band. Last night.”
“Yup.”
He winces. “I’m sorry, Buckley, I– y’know, I am actually sick. Death’s door, y’know. Couldn’t make it to band.”
“Oh, sure. Well, Mr. Tapia’s pissed, and if he revokes your guitar privileges and you quit I don’t know what the hell I’m going to do.”
“Quit yourself. Come join Hellfire.”
“And sit in a room rolling dice for hours? Without getting to play the trumpet? My mother hates when I practice in the house. Playing with band is the only chance I get.”
“It’s not entirely dice, y’know. Just… mostly. And your mom doesn’t let you play? But you’re pretty good, surely–”
“I think she’d prefer I made zero noise, good or otherwise. Children are supposed to be seen and not heard, don’t people say that? I think she read one Victorian novel and decided that was how life was supposed to be. She’s just pissed she can’t send me to the workhouse.”
“Please, sir, may I have some more?” he quotes, and she smirks.
“More? You want more?”
They laugh. “And what does your dad think of your mother’s Dickensian values?”
“I think he’s just glad she read a book so they have something to talk about. He must have every book Dickens ever wrote, and Trollope, and Fielding, and Swift, and Eliot. He’s impossible to have a conversation with if you haven’t read Middlemarch. You know, one time I really made the effort because it was his birthday and I didn’t have the money to buy him anything so I just decided to read one of his favorites, it was Tom Jones–”
“Like the singer?”
“No, not like the singer. Well, yes, like the singer, but not actually the singer. Like, two hundred years older than the singer. Anyway, I read Tom Jones, I mean I actually read Tom Jones, all one thousand twenty-three pages of it, it was flying by by the end — so on his birthday, I gave him his gift, which was his own dog-eared paperback, and I said to him, So this dude Blifil’s an asshole, huh? and you should have seen his face, he got so excited, we were talking for ages until my mom came in and she just looked so– I don’t know. Pissed. Bitter. Like she’d sucked on a lemon. And she said you have better things to do than sit here talking for hours about things that aren’t real. I’ve told you you talk too much, Robin, and Joseph, you shouldn’t be encouraging her.”
Eddie looks at her. “Shit.”
“Yeah, well. It’s not even like he’s some great academic, or whatever. It’s just the only way he knows how to relate to people. It’s why he likes the big social novels, I think, the ones with lots of characters and this whole detailed historical world behind it. He can live in it, I guess, and all its relationships make so much more sense. I kinda see what he means.” She shrugs, looking away from Eddie, like maybe she’s said too much for the middle of day in the high school hallway. He wonders what he’d be like, if he had a mother and his mother was like hers. Sour and unforgiving.
“So do I,” he allows. “DnD’s a bit like that, y’know. I really think you’d have fun.”
She opens her mouth to respond, probably a denial, hopefully not, and then someone knocks into her shoulder, causing her to stumble into the wall.
“Seems like someone needs a visit to the eye doctor, buddy!” Eddie snaps on impulse, then freezes as the guy turns around. It’s Billy Hargrove. Of course it’s Billy Hargrove.
He looks unchanged, though the last time Eddie saw him he was as prone as a tranquilized horse on the Byers’ floor. Shirt unbuttoned, mullet curling around his neck even as his hands curl into fists, staring at Eddie. Glaring. No doubt those hands remember how it felt to throw Eddie into a table; Eddie’s side certainly hasn’t forgotten.
Billy won’t forgive being called buddy, not by Eddie. He won’t forgo the chance of a rematch. No way. Eddie braces himself, regrets starting this, regrets putting Robin in yet more danger (his promise to Hellfire a short-lived one, apparently) — and Billy doesn’t move.
Billy doesn’t move.
He just looks at Eddie, something muted in his eyes like he’s pulling at an invisible leash, and then turns and walks away. Walks away. Jesus. Eddie feels the urge to look outside and check Hawkins High hasn’t suddenly moved to the moon.
“What was that?” Robin whispers, coming out of her corner. “He looked– I don’t know. Scared of you.”
“I’m reasonably convinced he’s a psychopath. And I don’t think psychopaths are scared of anything. But I’ll, y’know, I’ll take it. Whatever it was.”
Perhaps the threat of a nail-studded bat to the balls is an effective deterrent after all.
He’s still riding this high of disbelief as he drives over to the Byers’ that afternoon, having dragged himself through his afternoon classes. His side hurts. He’s pushing himself, but is he pushing himself? He no longer knows. After so long spent with intermittent pain, like a stranger who passes in and out of town so often they’re no longer a stranger and more of a friend, he’s capable of anything. Of doing anything, no matter what his body says. But should he be? Should he be capable of this? Is it damaging him further? You can bleed internally with a rib, he thinks, but he has difficulty applying the abstract mechanics of his body to the fact of its pain, which is always surmountable with a little chemical help, and if the pain should be surmountable then so should everything else. Right?
So he continues to push himself.
Still, he feels tired and strung-out as he pulls into the Byers’ driveway, and doesn’t let himself hesitate after he cuts the engine, hang his head over the wheel and just ache, the way he wants to. Instead he gets out and knocks on the door. It’s Will who answers it.
Eddie looks at him for a long moment. He’s pale and drawn, the way Eddie feels pale and drawn, but otherwise he looks utterly normal. Nothing at all like he spent the weekend possessed by an eldritch horror. “Hi,” he says. “We just ordered pizza.”
Eddie drags a hand through his hair and shakes his head. Of course the middle schooler is handling this better than he is. “Steve’s up and about, then?” Will opens the door wider to reveal Steve on the couch, limbs slung everywhere as he watches TV through swollen eyes. Eddie steps inside and grins. “Steve, man, I have your homework.”
Steve flips him the bird without looking at him, eyes still on the television, though nothing about his position suggests he’s actually paying attention. Inability to focus, isn’t that something concussion does?
Still, Eddie can’t resist: “Murder, She Wrote? Showing your age a bit, there, Steve.”
“Angela Lansbury isn’t even in this scene,” Steve says. “Which means you also watch Murder, She Wrote, if you can recognize it that fast.”
“I’m older than you. Practically a senior citizen. Ergo, it’s acceptable for me to watch Murder, She Wrote.”
“It’s not acceptable for anyone to watch Murder, She Wrote,” Jonathan says darkly, coming out of the kitchen to lean against the wall with his arms folded. “There has to be something else on.”
“I haven’t even heard of this show,” Will says.
“It only started like a month ago,” Steve says, still fixed on the television, and maybe he is actually watching it.
“How can you all have such strong opinions on a show that’s only been airing for a month?”
“There’s not a lot to do in Hawkins, Byers, in case you hadn’t noticed.” Eddie sits down on the couch next to Steve, letting some of the tension drop out of his muscles as he leans back in the cushions — and feels his head touch something that’s very much not a cushion, namely Steve’s arm. Steve glances at him but doesn’t move his arm away, and it would be weird for Eddie to move again, right? It would make it obvious what’s going on here, which is that Eddie’s heart rate has picked up.
Jonathan, despite his professed hatred for this show, sits down in the armchair. Perhaps he’s in the mood to talk. And indeed he says, clasping his hands together between his knees and leaning forward, “Mom’s out buying a new fridge with Bob.”
“A new fridge?” Eddie says, with a look at Steve.
“Turns out putting a hundred pound monster in it wasn’t great for our old fridge’s hinges, or whatever. Hopper says there’s gonna be compensation money, for what happened to Will, not that–” Jonathan looks up at Will and then back down again. “Not that I think we should take it. But with the fridge and the window–”
Eddie’s not sure if he’s forgotten Steve’s in the room. In that the fridge is sort of Steve’s fault (and sort of Eddie’s, and sort of Dustin’s) and Steve isn’t the kind of person they have these conversations with. But maybe Jonathan’s just stopped caring. “Hush money,” Eddie says. Carrot and stick. He remembers that from last year.
“Something like that. To keep us from suing, or whatever, not that we could sue. One word to a lawyer or a judge and it’s, I don’t know, prison? Funny how we just signed those NDAs without really thinking about what they’d do if we broke them.”
“Probably best not to think about it,” Steve says without much emotion.
“I saw your mom and Bob at the middle school today, to vote,” Eddie offers. “She said Bob talked her into it.”
“Funnily enough, I actually sorta agreed with him. No one tell him that.” Jonathan sits back in his chair, pinching the bridge of his nose. “He’s just trying very hard right now to be– I don’t know. Something he’s very much not, to us. Like we need a man of the house, a– a dad, or whatever, right now, because of what we’ve been through. Because of what happened. Like Mom can’t handle going out to vote or buy the fridge on her own.”
“I’m pretty sure your mom could handle literally anything the world threw at her at this point and she, uh, she has. But yeah, y’know. I guess it’s kinda nice?”
“I think, after everything, it’s pointless to care about nice.”
Eddie shrugs, conceding the point. They watch TV in silence for a couple minutes, before he says, “Where’s Nancy?”
He feels Steve’s arm tense behind his head. What’s life without being a little thoughtless now and then? No one answers for a second, like they’re jostling for position. Once it would have been Steve; now it’s probably Jonathan.
Indeed, it’s Jonathan. “It was Holly’s birthday yesterday, but she missed it, because she was here, so they’re doing something today. She’s supposed to be at home all evening.”
“Holly being…?”
“Their little sister. Mike’s there too,” Will cuts in.
“Feels weird, doesn’t it?” Steve says. “Not being together with everyone anymore.”
It’s a strange prospect, when few of them have any reason to coexist in the same ‘everyone’ at all. It’s also true; it does feel weird. But is Steve saying this because Nancy is part of that ‘everyone’, now, for him? Because ‘everyone’ is the only context in which he might still see her?
Steve’s arm still hasn’t moved from behind Eddie’s head.
Notes:
– as a reminder, the presidential election of 1984 took place on november 6th. mondale advocated increased social support spending and healthcare cost containment, against reagan's more conservative policies as the republican candidate.
– the huey lewis song is walking on a thin line, released as a single october 9th 1984 - it's about the thoughts of soldiers in vietnam
– which side are you on? was written in 1937 by activist florence reece for the united mine workers in harlan county, kentucky, recorded by pete seeger in 1967.
– the please sir, may i have some more moment is a reference to oliver asking for more gruel in oliver!, the musical of oliver twist released in 1968
– middlemarch was written by george eliot, published 1871 - famously a long, complex social novel.
– an edition of tom jones by henry fielding was published in 1975 by wesleyan press with 1023 pages. it's a similarly long, complex social novel, first published 1749. it's here because i actually really love it; i haven't read middlemarch.
– murder she wrote started airing september 30th 1984thank you for reading! as always, let me know what you think below, and you can find me on twitter (ohtobeinlove) or tumblr (palmviolet).
Chapter 28: Canary In a Coalmine (The Police)
Summary:
He’s already beginning to slow down and pull over, the cop car stopping behind him on the side of the road, his hand reaching out to cut the radio automatically, when he realizes what city he’s in and what his van was used for the last time he was here —
And that he didn’t change back the plates.
Notes:
warnings for police abuse of power in a traffic stop and arrest situation, referenced drug dealing and drug use, a panic attack, and classism.
(See the end of the chapter for more notes.)
Chapter Text
SATURDAY NOVEMBER 10TH, 1984
“What, you’re into horses now too?” Eddie says, as Rick hangs up the phone. “Drugs not a risky enough business on their own?”
“If you’re good at it, it’s not risky. Anyway, it’s this new Breeders’ Cup, it’s gonna be the biggest event in racing all year except the Triple Crown or all that European crap. If you’re gonna bet on anything, you gotta bet on that.”
There’s some Police song playing on the radio, Canary in a Coalmine. Rick’s sitting on the counter next to it, eating a PB&J. Weak morning light is filtering across the kitchen and the whole room smells like weed. Eddie’s dad was never a betting man; he had his vices, but not that. The same couldn’t be said for Lonnie. He had a big win, so they say, in 1976 on Bold Forbes in the Kentucky Derby, and he splashed out his winnings on a new car and a lot of booze and nothing at all for his family. It’s still remembered fondly in Hawkins, a success story of the prodigal son, an inspiring reminder that things like that really can happen to people from here.
“You want a PB&J?”
Eddie shakes his head. He’s tired, still sore, sullen from a week of fraught tension after Reagan’s win. His uncle had reacted to the news in just the way Eddie would have expected, by sighing calmly and lighting a fresh cigarette, a hand rubbed over his forehead the only sign of any real distress. The following days have been spent in conference with farmers, construction workers, his peers at the plant; Eddie’s begun to suspect he no longer sleeps. When his uncle switched from uneasy indifference — this here’s our lot, and we gotta deal with that the best we can — to revolutionary ringleading he’s not sure.
“How’s it been going, then, the selling? Your clientele still reliable?” Rick cracks a grin.
“Rich high schoolers enjoy ketamine just as much as ever, if that’s what you mean.” This is the right answer; Rick’s grin deepens, and he puts his sandwich down and goes into the other room, returning with a fresh bag of supplies. The assorted favorites: coke, ket, ecstasy, acid, a fuckton of weed. Eddie knows it’s his turn. He digs in his pocket and comes up with a wad of bills, which he places on the counter.
“Ah, Eddie, you’re the best employee a guy could hope for.” Rick takes the money; Eddie reaches for the bag, but stops as Rick speaks again. “I got another task for you, kid. It shouldn’t be very difficult, especially for a smart guy like you. It’s more a matter of driving somewhere.”
Driving somewhere. Well, Eddie’s good at that. “Where?”
“Chicago.”
Eddie feels a little shudder run through him. He does not want to go to Chicago. He wants to forget Chicago ever happened. He doesn’t want to look up on the street and see Axel’s grinning face, Kali’s unsmiling one. He lights a cigarette. “Why?”
“The guy I get my stuff from, he can’t get into Indianapolis this week and I can’t go to Chicago myself, so if you want to keep it coming, then…”
Eddie’s no fool. He can hear the wily shiftiness beneath Rick’s tone, his sly persuasion, the hint of some other reason he wants Eddie to go. The question that remains is how benign or otherwise that reason is. If it’s going to do to Eddie something worse than no stash would — than no income would.
With the car acting up, with Wayne making waves his employers aren’t going to like–
Well.
“When do you want me to go?”
Rick writes down an address, circles a spot on a roadmap. Sends him off for the day, and Eddie lights a further cigarette before he pulls out from the driveway, the lake glittering beyond the trees. Nice spot. If this is what drugs and horses get you–
Eddie drives past Furling Way on his route out of town. He slows only fractionally, only a little habitually, leaning forward over the wheel to catch a glimpse of Steve’s house. Steve’s parents are back in town, and he’s grounded for the week, since a black eye and a broken nose can only ever be a sign of trouble in their book, it seems. So Eddie hasn’t seen him since Wednesday, when he dropped by the Byers’ on his lunch break and Steve was getting his shit together to go back home. I think they’ve got, y’know, bigger things to worry about than me, Steve had said, something Will did earlier, I don’t know, I can’t fucking remember what it was — concussions are so fucking annoying — but it’s got Mrs. Byers all freaked out again.
Eddie had felt a further dose of alarm at that, but Bob was around and Hopper was not, which was a reasonable indicator that the trouble wasn’t interdimensionally serious, not this time. Just mentally.
The point being that Eddie can’t go see Steve today, which makes him feel a little like he got out of the wrong side of bed.
Instead he blasts the recent Iron Maiden album, Powerslave, and tries not to think about how much gas he’s using driving to Chicago twice in a week. It doesn’t take him too long, not much traffic on the roads. In the daylight he can more clearly see the billboards flashing past, one after the other, WHAT WOULD JESUS THINK OF PORNOGRAPHY? followed directly by one advertising a sex store, JESUS IS LOVE & JOY & MERCY preceding a thinly veiled promotion for antidepressants. There are surrealler ones too, HELL IS REAL and THOU SHALT BE SAVED and IF YOU DIED TODAY, WHERE WOULD YOU SPEND ETERNITY? He’s fairly inured to them, living in a town like Hawkins, but one of them particular sets his teeth on edge: if you’re looking for a sign, THIS IS IT.
It’s the lack of God or Jesus or sin that makes it disturbing, he thinks. The simplicity of it, almost jokey, but cruel, like the joke’s on the person looking at it. THIS IS IT. All very well, if you know what you’re looking for.
He lights another cigarette one-handed and is flicking its last ash out the window when he reaches the sign for Chicago city limits, and he leans over to check the map. He’s onto Accept’s Balls to the Wall, now, and he taps his fingers on the wheel in time to the beat. So nice to have a functioning cassette player again. So nice to–
Behind him, the sudden shrieking whine of a siren.
His heart begins to pound. Automatically he revs the engine, puts on a burst of speed before his brain catches up with his body and he registers quite how bad an idea that is. Because either they’re not after him, and some van speeding away will make them suspicious, or else they are after him and, well–
He’s already beginning to slow down and pull over, the cop car stopping behind him on the side of the road, his hand reaching out to cut the radio automatically, when he realizes what city he’s in and what his van was used for the last time he was here —
And that he didn’t change back the plates.
Somehow he manages to restrain his urge to panic. Instead, a strange calm settles over him. He cuts the engine and lays his palms on the wheel, deep breath in, deep breath out.
“License and registration?” the cop says first, standing a little way back so Eddie has to crane his neck to look at him.
“They’re in the glove box,” Eddie says. He’s not really sure what his voice sounds like. The cop nods permission and Eddie reaches in, finds the documents. He’s suddenly hyper aware of all the evidence they could find in this van. Shreds of loose weed, grains of ket trodden into the floor. That’s not to mention Owens’ blood, which Eddie did his best to clean up, he really did, but blood’s a tricky one and there was only so much face-to-face with the stuff he could stand–
He’s also aware of the cop’s tension behind him. Whole body rigid, arm lingering by his side, hand on his gun? Like Eddie is dangerous. Eddie couldn’t hurt a fly.
He hands over the documents and waits. He could make a break for it now, if he wanted, but he wouldn’t get very far. Cops radio in about traffic stops, he thinks, and indeed he can see the guy’s mouth moving as he sits in his vehicle a couple yards behind. And now he has Eddie’s license so he knows where he lives so–
He has to sit there. Waiting.
Finally, the cop returns. “Sir, I’m gonna need you to exit the vehicle.”
“Why? What’s–”
“Get out of the van.”
Eddie complies. He can do nothing else. The cop’s hand is on his gun again.
“Turn around.”
And oh, yeah, he should have expected this. Expected the hard click of cuffs on his wrists, the way putting his hands behind his back wrenches his already-stiff shoulders and sends a shooting pain through his side. Expected the shit they always say, you have the right to remain silent, anything you say can and will be–
Except the cop doesn’t say it. Why doesn’t the cop say it?
He just steers Eddie back towards the cop car, pushes him into the backseat and closes the door firmly on him, though now Eddie’s heart is racing and he might throw up. No Miranda rights. Not even the vaguest pretense of a regulated system, no, he’s not in Kansas anymore.
The cop gets in the front, radios a bunch of unintelligible codes out, says something about a search. Searching Eddie’s van. Fuck. Then he does something again stranger; he drives off, leaving Eddie’s van where it is, until he spots a payphone. They pull over again, and he gets out and uses the payphone. Eddie’s decent at lipreading, but the cop turns away, like he doesn’t want Eddie to see. And Eddie’s found himself strangely sharp in these situations, sharp enough to connect a secretive phone call and an illegal arrest to the NDAs he hasn’t yet been given to sign and last year’s cold eyes of an agent in a doctor’s office — sharp enough to know that he’s a problem which transcends this cop’s paygrade. Shit.
He thinks he must quit his body for a second there, because he’s next aware of a cold, hard room with a mirror and a table and his wrists cuffed to that table; maybe he was read his rights sometime during that blankness, but he doubts it.
Everything aches. His bad shoulder particularly, jostled by the cop who cuffed him, with the looseness that tells him it’s not totally dislocated but also not quite right either plus his side hurts and really he’s so fucking tired of feeling like someone put him down a garbage disposal.
But hey. He’s in a police interrogation room. So his body’s the least of his problems.
He waits for a while. This part is not unexpected; they’re probably enjoying watching him sweat. Except he’s not. Sweating, that is. He feels strangely icy cold. An image flashes across his brain: his father in a chair like this, at a table like this, in a room like this. Finally brought to account by a higher authority than himself, except he’d never respected that authority and — maybe his fault — neither had Eddie.
Eddie just waits, aching.
As all things must, eventually the waiting comes to an end. The door opens and he looks up coolly, though his hands want to twitch over each other, though his breath jumps in his chest and sends a spark of pain through his rib. It’s an anonymous-looking guy in a suit. Of course it is.
“Hello, Edward,” the man says, pulling out the other chair but not yet sitting down. “My name is Agent Blass.”
“Your first name is Agent?”
Blass regards him dispassionately. “My first name isn’t in discussion here, Edward.”
“Eddie.”
“Neither is yours.”
They look at each other in stalemate. Or, what Eddie would like to believe (positive attitude) is stalemate. It’s probably more something like Blass sitting there like a stone while Eddie itches. “I wasn’t read my rights,” Eddie says eventually, cringing as he does it, knowing he shouldn’t be breaking the silence and knowing also he sounds petulant, like a child.
Blass raises an eyebrow. “The officer wasn’t arresting you.”
Eddie stares at him, not breaking eye contact as he rattles the cuffs attached to the table. “These would, uh, beg to differ.”
“The officer wasn’t arresting you; I’m arresting you.” Eddie shuts his mouth. “Your vehicle, a vehicle registered to your name and place of address, was intercepted bearing the license plates of a vehicle involved in a burglary and attempted murder, which vehicle matches the description of your vehicle. There are also traces of illicit substances and of blood in the vehicle. Can you explain this? Can you explain the fact that your van bears different plates to those registered to it? Or that your vehicle was seen fleeing the scene of the crime?”
“You still haven’t read me my rights,” Eddie manages, throat dry. Blass doesn’t say anything, so he adds, “I want a phone call.”
“I don’t think you’re quite understanding what’s going on here,” Blass says. “You’re in the jurisdiction of the Department of Energy. I am under no legal obligation to read you any rights nor provide you with a phonecall.”
Eddie feels a surge of panic, overriding the calm, splitting him apart. It’s going to hurt if he breathes too much but there’s nothing he can– is this really happening? After they solved the Department’s fucking problem for them now he’s stuck here with–
“If you answer my questions, this will go much more smoothly than it otherwise can. It’s up to you.”
Eddie takes a deep breath, rejecting the pang it brings with it. “Sam Owens. You know him?”
Blass’ face changes, just a little bit. Enough that Eddie can push the panic down.
“I, uh, I saved his life on Sunday. My friends and me. If you call him up, he’ll remember me.”
“Dr. Owens is currently indisposed.” But Blass’ voice has gone stiff — stiffer than before, at any rate. “Am I to take it you were involved in the incident at Hawkins National Laboratory last weekend, then?”
Eddie doesn’t know whether this will save him or make it worse. But it feels better than sitting there in silence, so he leans forward on his elbows and nods. “Owens will tell you. I’m not gonna tell you anything until you talk to Owens.”
“Like I said, Dr. Owens is–”
“In the hospital? Yeah, I know, I fucking drove him there, that’s why there’s traces of blood in my van.”
Blass stares at him. For the first time maybe ever, Eddie feels a little powerful. “I will talk to Owens,” Blass says, standing up from the table. His chair screeches on the floor. And then he’s gone, not another word, and Eddie sags back and wonders if they’d give him painkillers.
Probably not, what with the illicit substances in his van. Thank fuck this happened before he met with Rick’s supplier and not after. Which, the supplier’s gonna be mad, and Rick’s gonna be mad, and maybe Eddie won’t be able to sell again–
These ideas occur to him distantly, as though far off figures on a darkened horizon. One problem at a time, he’s been taught. Has had to learn. He thinks about Steve instead.
Steve’s damaged face, still well-constructed and magnetic, somehow, despite all the puffiness and bruising. Steve somehow doing a 180 in Eddie’s head, turning warm where before he was something cold and arch to be kept at a distance — things are different this time. Somehow, they’re different.
He’s not sure how many hours he whiles away staring into the blankness and rehearsing the events of the past year, but it must be several, because when the door next opens it’s Owens himself.
Not so indisposed, then. He’s white-faced, leaning heavily on crutches as he maneuvers awkwardly into the room. The door shuts behind them and leaves them alone, though Eddie’s not naive enough to believe no one’s listening. He watches as Owens folds himself into a chair, wincing, and says, “I discharged myself for you, kid. I owe my doctor a nice bottle of apology whiskey.”
Eddie shifts and regrets it, every muscle having stiffened up in the hours he’s been here. The pain must show in his face, because Owens digs in his pocket and pushes a pill bottle across the table: Eddie allows himself to get his hopes up until he reads the label and finds it’s only aspirin. He pushes the bottle back across the table without taking one. “I’m allergic.”
“That’s too bad. I’d give you a codeine, but I’m not sure how wise that’d be, huh?”
Eddie’s throat feels dry and itchy. He hasn’t had a drink of water in however many goddamn hours it’s been. “So that Blass guy, he, uh, he told you what’s going on?”
“He did.”
They look at each other. Eddie isn’t getting out of this for free.
“I told him what you did for me, you and Steve, was it? I’ve explained how helpful you’ve been to us, in containing this mess. He understands that there’s no need to be antagonistic with you.”
“So I can go?” Eddie says, with the edge of a humorless grin, faintly desperate.
“Unfortunately, Eddie, and I know you understand this, there’s the problem of Eight. Or Kali Prasad, as I believe you know her.”
“I don’t know what you’re talking about.”
“Come on, kid, these people–” Owens gestures to the mirror “–they think they’ve got you dead to rights. The thing with the plates on your van, it looks bad. If you deny it, you’re letting these people out there say whatever they want about you. I can help you, but only if you tell your side of the story.”
“I saved your fucking life, man, this isn’t–”
“Eddie,” Owens says, and Eddie closes his mouth. Because there’s something behind his eyes, the way he looks at the mirror. Emphasizes it a little, like he’s making sure Eddie knows they’re being watched. “Tell me about Kali and her friends. How many of them are there?”
Something tells him Owens already knows. “Five of them. Including Kali.”
“So six of you altogether?”
Eddie blinks. So either he doesn’t know about El, that she was in Chicago, or he does, and– “I wasn’t– I just came across them. I wasn’t part of their, uh, their group.”
“No, of course you weren’t. We’ve been aware of their activities for some time, though they’ve proved very difficult to track. We believe they’ve left Chicago; do you know where they might be headed?”
Eddie remembers Axel’s fondness for New York. He says, “I don’t know, I think– I think they were headed west? Vegas would probably suit them.”
Owens chuckles, a full jolly-uncle type chuckle, then looks like he’s painfully regretting it as he says, “No doubt it would. We’ll alert our people out west. Now, if you could just tell me your own version of events, starting from why you were in Chicago at all last weekend?”
And so the lies begin. A curious way of lying, in that they’re both aware he’s lying, like they’re performing theater with each other. Owens nods thoughtfully at Eddie’s responses, probes at the stronger lies and skims over the flimsier ones with such skill Eddie’s a little unnerved. He thinks Owens is on his side. A little bit on his side. He’s protecting El, certainly, so they’re allies for now.
Eddie’s a good liar. A born criminal, they might say. Rick might say. But he hurts, and he’s tired, and his answers get shorter and sloppier until finally Owens sits up straighter, looking a little drained himself, and says, “You know the drill regarding confidentiality by now, I guess? I’ll send Blass in with an NDA that covers both the events in Chicago and the situation with the lab, and then you’ll be free to go. Thank you for being so cooperative, kid, and thank you for saving my life.”
“Uh, you’re welcome?” Eddie watches him hobble out, and then drops his head into his hands, the sudden surge of relief overwhelming his last reserves of energy. When’s the last time he ate? What time even is it now? The room is dim, windowless. It could be midnight for all he knows.
Blass comes in a few minutes later, face cold and pissed-off, probably because on the face of it Eddie doesn’t deserve to be let go. Not on the evidence, not the way this government works, but apparently the good deed he committed with Owens is going to be rewarded, not punished, so he just lets Blass uncuff his wrists and signs his name on the NDA.
Standing up is a challenge. His body’s not designed to bear the stress of– what. Sitting in a room, apparently. Each one of his joints aches and his shoulder seems to be mocking him with its precarity: it will be the most innocuous thing, he knows, that finally makes it give way. Walking wrong. Moving in his sleep. He folds his arms across his chest in an effort to cradle the shoulder and says in his head, I swear to god, you fucker, wait until I’m home.
So there’s this.
There’s also the sudden bone-tiredness that hits him as he’s walking out into fucking dusk, of all things, how is it already getting dark? And he hasn’t eaten all day. And it’s not that he’s hungry, just– faint. Stretched thin.
And the third thing. The everything. The traffic and the wind and the voices of the cops talking in the parking lot — the sudden presence of life and sound where before he was in a hermetically sealed box for ten hours, where before he had too much silence and now there is too little, now the jumble of noise makes no sense, makes his head spin, makes–
He drives back, somehow. Black Sabbath’s Paranoid on as loud as it will go certainly helps. Takes his mind out of his painful body for the hour or two necessary, and then he’s passing the Welcome to Hawkins sign and the panic slams back into him full force.
It’s not necessarily a logical decision he makes, as he’s gasping over the wheel and knowing he needs to go somewhere to ride this out — though it makes logical sense when he’s justifying it to himself later. Can’t talk to his uncle. Doesn’t want Joyce to know the extent of what he’s been doing. Can’t really talk to anyone else who isn’t familiar with it so–
He breathes again, and in all that time, he’s made it to Steve’s.
Now that he’s here, he has to start thinking again. He parks a ways up the street — the Harringtons would never accept his beat-up, now criminal, van in their driveway — and walks down, keeping his head low, hands dug in his pockets. The ache in his shoulder remains, but the pain has a stabilizing effect, trying to spark some life into his frayed neurons. The Harringtons’ driveway is empty, save for Steve’s bimmer, and there’s only a couple lights on.
He doesn’t have enough left in him for caution. He just rings the doorbell.
After a little silent while, in the dark cold of evening, Steve opens the door. He looks tired, bruised face beginning to pale into splotches of yellow and green, cuts scabbed over. Still swollen, but it’s starting to melt back away to reveal the fine bones beneath. Eddie’s had these thoughts before. He still doesn’t know what to do with them.
Steve looks at Eddie dully for a moment, like he’s unsurprised, then the surprise catches up with him and he grabs Eddie’s arm — the good one, thank fuck — and pulls him into the house, hissing, “What are you doing here? I’m grounded, dude, and if anyone sees that it’s you–”
Eddie laughs. “Right. Of course.”
“Eddie–”
The laughter does something inside his chest, like he’s tripped over into it and now he’s just in freefall, lungs straining to catch up. He sucks in a breath that’s too shallow and leans against the wall. “Your parents here?”
“No, no, they’re out at a business dinner, what’s–”
“Good,” Eddie manages. “How about–” breath “–painkillers? You, uh, you got any of those?”
“Do I have painkillers,” Steve says darkly. He starts climbing the stairs; Eddie mutely follows. He’s getting fractured little shards of awareness, details about Steve’s house — the rich softness of the rug, the grandeur of the chandelier, the weird fucking checked wallpaper in Steve’s room — and Steve’s room, Steve’s carpeted floor as Eddie lets his legs fold, lands heavily with his back to the bed and balances his arms on his knees as he breathes in, and out, and in.
“You can thank Hargrove for those,” Steve’s saying, holding out a palm with pills in it, and Eddie’s still got mind enough to ask, “Those aren’t– aren’t aspirin, right?”
“They’re naproxen.”
Eddie takes them out of his hand and swallows them dry. Then he goes back to hanging his head between his knees and letting his whole body shake, like he’s cold. Funny, he thinks in some distant corner of his brain, this time last year he was running away from Steve at the first hint of this. And now–
“What’s going on?” Steve says slowly, and Eddie appreciates that, the slowness.
“I’m kinda– having a panic attack. Kinda– it’s not– actually there yet. Or, I’m trying not to– let it get there–”
“Shit, uh, what can I, y’know, do–?”
“You can’t– can’t do anything, Steve, just sit there and– look pretty.”
He’s not looking at Steve when he says this, so he doesn’t know if there’s any reaction. It just slips out. Which, maybe he should be more worried about that, what he might say, what he’s already said, what Steve still hasn’t acknowledged that he knows about Eddie and therefore is a kind of elephant in the room, the room being Steve’s bedroom, Steve’s awfully decorated bedroom–
Eddie laughs again. This time, it seems to have the opposite effect, in that it shocks his lungs into a more regular rhythm, slows his heartbeat down. Stills the shake in his shoulders, his hands. The pain comes back but hey, small mercies.
When he finally looks up again — takes his time, gotta be cautious — Steve’s staring at him from across the floor, leaning against the wall opposite Eddie, his legs kicked out. “I thought you were having a panic attack,” Steve says.
“I was.”
“So what’s so funny?”
“Please tell me you didn’t choose this wallpaper.”
Something in Steve deflates, some tension, and is that a hint of relief Eddie sees before he rolls his eyes? “I’m not answering that question.”
“Pleading the fifth, I see,” Eddie says, then the smile slides off his face at the reminder of the fucking day he’s had. “I got arrested. That’s why–” He gestures to himself loosely.
“Who the fuck arrested you? Hopper wouldn’t–”
“In Chicago. Because of what happened with El last weekend.”
Steve sits forward. “What happened with El in Chicago?”
So Eddie tells him all of it. And it strikes him, as he’s telling it, that they’ve never really done this. Actually hung out, not been together out of chance — but been together because they wanted to be (or Eddie wanted to be), and talked about the shit. It makes the telling easier, this realization. It keeps the choke of his lungs at bay.
When he’s finished, Steve sits back again and passes a hand over his ragged face. “I honestly don’t know which of us drew the short straw there, y’know. El’s a good kid, I think, but– shit.”
“So’s Dustin,” Eddie offers. “So are all of them, really.”
“Yeah. They are.”
A silence. Eddie can feel the minutes ticking by, imagines the painkillers dissolving in his stomach. They don’t tell you this, he thinks. They never tell you how much this shit hurts. He’s not sure how he’s ever going to get up off this floor. “Uh, thanks, by the way. For, y’know. Letting me in.”
Steve blinks at him. “That’s okay, man, I wasn’t gonna–” His voice goes a little flat. “I wouldn’t have just left you outside.”
“Yeah, I know.”
They’re silent again. Then Steve says, “Why’d you come here, though? It’s not exactly, um, on the way, if you were coming from Chicago.”
One coldness is answered with another; Eddie tries to find a way of answering that. “Who am I supposed to talk to about this, y’know? Who are any of us supposed to talk to? I couldn’t talk to my uncle, or my friends. Not allowed, remember? And you’re–” He stops, embarrassed. He could have gone to Jonathan. To Nancy. “I guess you just felt like the right choice.”
Steve doesn’t say anything. Eddie risks a glance at him, and finds his face slack, shaken into some complicated expression of surprise, of disbelief. Is that so outrageous a thing to say? Isn’t Eddie entitled to try to be friends with him, even now, even after last year? Can’t they try it again?
“Well–” he says, attempting to get up and halting at the last second as his stiff muscles complain.
“Thank you,” Steve says in a rush. “For, y’know, coming here. Instead of anywhere else. I’m glad you did.”
They look at each other. There’s the feeling that some boundary between them has been irreversibly broken through, and Eddie doesn’t yet dare to enjoy that.
Notes:
– the first breeders' cup was in 1984, on november 10th
– the triple crown of horseracing is comprised of the belmont stakes, the preakness stakes, and the kentucky derby
– canary in a coalmine by the police was released 1980
– bold forbes beat out honest pleasure in the kentucky derby of 1976, who was the favoured winner.
– powerslave by iron maiden was released september 3rd 1984
– accept's balls to the wall was released in the us in january 1984; it stirred controversy around 'gay metal' in the us, due to its perceived homoerotic title, lyric content, and album cover, which resembled gay photographer robert mapplethorpe's patrice n.y.
– owens would have been discharged with a much stronger painkiller, such as codeine, but codeine works more effectively alongside a milder painkiller as well and owens is too responsible to share his codeine with eddie.
– black sabbath's paranoid was released 1970
– most people who are allergic to aspirin are also allergic to NSAIDs like ibuprofen and naproxen, but there are rare exceptions, and eddie is one such exceptionthank you for reading! as ever, let me know your thoughts below, and find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 29: This Charming Man (The Smiths)
Summary:
“I don’t know where you get this goddamn superiority from. Isn’t all the music you like just, like, drums and screaming?”
“Drums and screaming and guitar,” Eddie corrects. “Don’t forget the guitar.”
“How could I? I remember that fucking talent show, y’know.”
Notes:
warnings for referenced child neglect, classism, body horror, referenced child abuse, and implied parental death.
(See the end of the chapter for more notes.)
Chapter Text
SATURDAY NOVEMBER 10TH, 1984
“Okay, where the fuck did this come from?” Eddie says, holding up Steve’s The Smiths cassette. They’re still on his bedroom floor, and Eddie’s making a close examination of his music collection — vinyl records and cassettes alike. They’re mostly the expected duds, British new wave in an alarming quantity, scattered with a few more acceptable albums like Bowie’s two most recent, and tempered by the absolute horror of the Footloose soundtrack on vinyl.
Steve smiles an awkward smile. “Nance got me into them. Mainly I think because Jonathan got her into them,” and ah, that is a little awkward. “This Charming Man’s probably, like, my favorite song.”
“What, it isn’t Holding Out for a Hero? Let’s Hear It for the Boy?”
“Let’s not,” Steve says, flipping him off. “I don’t know where you get this goddamn superiority from. Isn’t all the music you like just, like, drums and screaming?”
“Drums and screaming and guitar,” Eddie corrects. “Don’t forget the guitar.”
“How could I? I remember that fucking talent show, y’know.”
Eddie stares at him. Of course, he knows that he and Steve have been in the same school since they first knew what school was; that they’ve lived in the same town all their lives, and known each other’s names for most of that time. Still, it’s odd to reconcile Harrington, preppy rich boy and the person to know from even the youngest age with Steve, sitting cross-legged on the carpet with his beat-up face and his loose, casual smile.
Though perhaps not that odd. He remembers Steve’s entry in the talent show, another musical thing — at that tender age before all the voices broke and parents stopped indulging their children’s whims to sing — in a group with Tommy H. and Carol, Tommy H. and Steve singing Queen’s Another One Bites the Dust while Carol did a sort of routine which involved some very age-inappropriate dancing. Tommy H. wasn’t a great singer, made worse by the way he’d intentionally deepened his voice to match his friends’, theirs having broken and his having not. But Steve–
“You were pretty good, y’know,” Eddie says. “Did a good job of being Freddie Mercury for a couple minutes.”
Steve raises an eyebrow. “I’m amazed you remember that. What song did we–?”
“Another One Bites the Dust,” Eddie says immediately, then adds, “I’m a music guy. I remember these things. Nah, you were good, Tommy H. and Carol were decidedly not.”
It’s an understatement. At fourteen, Eddie had been a distractible, jumpy kind of kid, prone to fixating on things and people and then casting them aside when their proximity frightened him — so he noticed Steve’s easy grace, even as a kid, the way he embodied rockstar charisma and for a moment, singing, just a moment, it wasn’t endowed with the habitual shroud of meanness. It was just Steve.
Steve as he’s now, he thinks, come to know him.
‘Thanks, man,” Steve says quietly, tone colored by surprise. “I can’t say I really know what good means, when it comes to the, um, drums and screaming and guitar, but Principal Coleman hated it, so I can say I’m a fan of that.”
Eddie laughs. “I’ll take it.”
“So I’ve told you my favorite song. What’s yours?”
“Oh, Steve, what a question. What a question. An impossible quandary for a musical expert like me–”
“You’re doing it again,” Steve says. “Where you talk like that. Just– be a human being.”
Eddie’s a little stung by that. He reads a tacit apology in Steve’s eyes, in the silence, and eventually responds, “Babe I’m Gonna Leave You. Led Zep. Stairway to Heaven’s a close second, I guess I’d have to think about bronze.”
“Hey, I’ve actually heard of Led Zeppelin. Not too bad.”
“Well, now I’ve got Steve Harrington’s glowing stamp of approval–”
“I’m just interested, man. That’s all.” Steve’s voice is dim. Eddie looks at him curiously, opens his mouth to respond, and then hears a sound downstairs.
Keys in the door. The door opening.
They’ve been here for nearly two hours, Eddie registers, as he looks at the clock by Steve’s bedside and then back at Steve’s face, which is pinched, stricken. “My parents,” Steve says, getting to his feet with a wince. “Stay– stay here.”
Eddie has no desire to meet with John Harrington, the proprietor of Forest Hills Trailer Park, so he nods and doesn’t move. But then Steve disappears downstairs and very shortly afterwards there are raised voices, fury in deep male tones that still make Eddie flinch, and, well, he’s only human. He can’t help it. He nudges the bedroom door open and peers out, just catching a glimpse of the hallway, where no one’s visible except a tall, proud-jawed woman with honey-brown hair and a studied distance to her eyes, Steve’s mom; she folds her arms over her chest as someone, Harrington senior, bites out, “If you didn’t get yourself into such a godawful state–”
“Oh, great, because getting a concussion is so totally my fault–”
“Knowing you,” Steve’s dad says, and ouch. A little touch of recognition. Eddie feels like he’s been here before.
“Steven, this is a pivotal time for your father’s portfolio, and getting into trouble like this will jeopardize our position in an already unstable situation.” This is Steve’s mom; she’s soft-spoken, Eddie registers with surprise, a tone at odds with her sharp jaw and cool eyes. “You know how important it is to present a good face.”
“Right,” Steve says, a reckless laugh to his voice, and Eddie pictures his bruised face, the fierce abandon in them, the way he looked facing the demogorgon, the demodogs, the fire in the tunnels. “The portfolio. Because we’re the ones in an unstable position.”
“What’s gotten into you? What–”
“They say concussion induces personality changes,” Harrington says. “Don’t worry, Helen, I have faith he’ll be right as rain soon enough.”
Steve’s mom — Helen Harrington — presses her lips together and doesn’t say anything. There’s a country club, Westchester sort of vibe about her. What are you doing here? Eddie thinks. God knows there are enough rumors about John Harrington’s fidelity, or rather the lack of. She’s not short of reasons to leave, and isn’t that what mothers do?
“If you want to be anything but grounded anytime soon, you’re going to keep your head down and work on your college application and try to remember what exactly keeps you in this comfortable lifestyle, okay?”
“That’s why you grounded me, isn’t it? Not because I’ve been getting into fights, or whatever. You don’t care about that, you know I haven’t been fighting with anyone who actually matters, for the sake of appearances and all that shit.”
“Steven.”
Steve continues, voice rising with disbelief. “It’s because I missed the stupid goddamn early application deadline, isn’t it?”
“It wasn’t a difficult deadline to meet. It shows a blatant lack of effort and attention–”
“I didn’t miss the deadline.”
A silence. Eddie finds himself leaning forward, but he can only catch the back of Steve’s head.
“I didn’t miss it. I deliberately didn’t put the application in.”
“Why on earth would you do that?” Mrs. Harrington says, some of the hardness in her face going slack and soft. There are lines around her mouth, and they could be smile-lines or grimace-lines, Eddie can’t tell.
“Because it was crap. It was bad, and I know it was bad, and I don’t–” Steve sighs, a great heave of frustration. “I don’t think you’re understanding the problem here.”
“You’re a slacker, that’s the problem.” Harrington’s voice, by contrast, has not lost any of its sharp edge. “You didn’t put in the work, of course it was going to be bad.”
“Why won’t you ever listen to what I’m trying to goddamn–”
Eddie slips back into Steve’s room and closes the door. He knows, with a hot, itchy feeling, that he’s heard enough. Too much. Perhaps because if he had parents, instead of an uncle, then this conversation would be all too familiar.
He sits back on the floor and flicks idly through the photo booklet from A Night at the Opera’s vinyl sleeve, admiring Freddie Mercury’s long hair and the expanse of hairy chest exposed by his plunging white jumpsuit. Eddie’s only interest in Queen is a gay interest, and would be recognized as such; Steve’s the kind of guy who’s in it for the music. Straight people do like the gayest bands.
Eventually, Steve comes back in, looking pinched and tired and upset. He says, “They’ve gone to bed. They won’t see you if you leave now.”
It’s a dismissal if ever there was one; Eddie doesn’t take it personally. He slides the booklet back into its sleeve and gets to his feet with a grimace. Steve leads him downstairs, glancing over his shoulder at the landing like he thinks his father’s lurking there, just waiting to catch him with an unsavory influence. Eddie laughs a private laugh.
“Sorry,” Steve whispers, when they’re outside. “If my dad knew you were here–”
“I think I might be crossing a picket line, being here, what with my uncle, so the feeling’s, y’know, mutual.”
“A picket line?”
Eddie looks at him in the dim porch light. His honest, clueless eyes. “You should ask your dad more about that unstable position you’re in.”
Something in Steve’s face changes as he realizes he was overheard; then that tension drops just as easily as it arrived. “Maybe I will,” he says, and Steve of a year ago wouldn’t have said that, which makes Eddie feel a little better as he turns to go.
SUNDAY NOVEMBER 11TH, 1984
That night, Eddie dreams strange dreams.
He dreams he’s in the prison again, by that bank of glass and telephones, except on the other side it’s not his dad but a woman, a woman in orange scrubs with a face he can’t quite catch, like something just glancing out of the corner of his eye. The woman picks up the phone and he goes to do the same to find he’s already holding it; and her voice isn’t her voice at all but the prison warden’s, the warden who says come quick, there’s been an accident, and when Eddie gets up he finds that the booth along has been turned into a door. He walks through the door into something that turns out to be an IHOP and the woman is there again, serving pancakes, deliberately skirting around the collapsed form of a man he recognizes to be his father on the floor.
Clean this, his father says, holding out his liver with both hands. It’s slippery and dark. Clean it. It’s infected.
Eddie tries to clean it. But the napkins turn to sodden mush when they touch it, and it’s hard to keep a hold of, slick and unwieldy in his hands, and with the certainty of dreams he knows his father’s going to die because he can’t clean the organ in time.
It’s Bob Newby who takes the liver from him and lays it in a little coffin of its own.
Eddie wakes up with a sick, cold feeling to dim morning light and the sense that he’s forgotten something, maybe even something that hasn’t happened yet. It takes him a while to convince his limbs to move, his muscles stiff and aching as usual, and he lights a cigarette, ignoring the pitiful tremble of his fingers. He’s had weird dreams. Everyone’s had weird dreams. None perhaps so close to home, not in a while, anyway, and it sets his teeth on edge. He’s been dreaming in more straightforward ways lately — demogorgons and gates and blood in his van, that sort of thing. Not his father’s liver in an IHOP.
His first sight of Wayne, smoking a cigarette while reading the paper in a strip of yellow sunlight, stirs up the memory of the day before, and guiltily, tightly, Eddie disturbs the peace of the morning with no preamble: “I think we’re, uh, about to have money problems.”
Wayne lowers his paper, looking at him evenly. “How’d you mean?”
“I’ve, well. I’ve been earning, y’know, and I think I’m about to be not earning for a while, at least until I can– um. Get the job back.”
His uncle knows very well what he’s been doing, Eddie is sure, but he can’t bring himself to come out from the cover of the euphemisms. He thinks about Rick’s certain cold anger when he learns of the failure of the task, the way he’s going to refuse to supply him anymore, and a shudder runs through him.
Wayne doesn’t say anything. He finishes his cigarette and immediately lights another, scratching his forehead with the smoke held between his fingers. Eddie can’t bear the silence and lights another of his own; the room reeks of it, a smell that they’ll never get out.
Finally, Wayne says, “Well, if that’s the way of it, then that’s the way of it. Half the reason for partnerin’ with the farmers is we have each other to fall back on, if things don’t work out, or if somethin’ like this happens. We’ll get by.”
“Why aren’t you mad?”
They look at each other. Those words don’t seem to come as easy as they used to. “Ain’t nothin’ to be gained by bein’ mad at you. It’s better to be mad at the reason you needed to do that job in the first place, since then we actually stand a chance of changin’ things. If we direct that anger in the right place.”
Eddie exhales, the familiar tobacco taste a source of comfort. “When’d you get so political?”
“You gotta do somethin’ to survive. I got tired of bein’ economical. Bein’ political feels less like you’re bailin’ out a boat with a hole in the bottom. More like– I don’t know. Patchin’ the hole.”
His uncle, never given to metaphor, flicks his paper back up and returns to stoic silence. Like that’s the matter closed. It’s enough to jerk Eddie out of his anxious post-dream fugue, such that he even feels a jab of hunger and makes some toast. He nearly burns it, but catches it just in time, and scrapes a few grains of blackened carbon off into the sink before adding butter and taking the plate over to the table, to sit opposite Wayne. Wayne sets his paper down and looks at Eddie with that even, faintly nostalgic half-smile he gets, like the happiness he feels is always sourced out of something in the past.
“So how’s it going?” Eddie says, taking a bite of his toast. “The peasants’ revolt.”
“Don’t let anyone hear you callin’ it that,” Wayne warns, with an easy look. “It’s a matter of gettin’ people to sign the authorization cards, at the plant. If we get enough, we can form a union and they can’t say no. Or, they can say no, but then we strike.”
“What happens if you strike?”
“Well, obviously we ain’t gettin’ paid to strike. But with the farmers on board, we got money to keep it goin’, and the more people get involved–”
Eddie thinks suddenly of the Hawkins Power and Light vans, the ID check at the gate to the plant. Agent Faraday’s cold eyes as he asked about Icex. It’s involved with the Lab, it has to be, and these people — it’s beyond a strike. It’s dangerous to strike. “Are you– y’know, is it, uh, safe?”
“Safe? Why wouldn’t it be safe, kid?”
Eddie bites down on the inside of his cheek. He feels it as a pain in his side, his shoulder, that he can’t tell his uncle the truth. “Just– the government’s got– got shit in Hawkins, and probably in Icex too. There’s all that secretive shit with the Lab. I’m just–” He swallows. “I don’t know.”
“I ain’t gonna sit back on the threat of what they might or might not do to us. And this country may be damn messed up in a lotta ways, but we got the right to a union, and I mean to exercise that right.”
Eddie looks back at his plate, knowing that’s the best he can do, and nods. They pass the rest of breakfast in a comfortable silence, Eddie tugging the paper out of Wayne’s hands when he’s done with it and frowning over the crossword — Robin likes crosswords, he recalls, while Eddie hasn’t quite got the hang of them yet. He tries it a minute before his attention wanders off and then he’s flipping back through the pages, searching, scanning the headlines, slumping back when he doesn’t see it.
“What’re you lookin’ for?”
“Something Nancy told me to look for, I don’t know. I’ll know it when I see it.”
“Nancy?”
Eddie registers his mistake immediately. Somehow Nancy has integrated herself seamlessly into his awareness, like all the rest have, like Steve has. He decides to double down. “Yeah, uh, Nancy. Nancy Wheeler. We’re friends now, I guess, since she’s dating Jonathan.” Another slip — he doesn’t know for a fact that she’s dating Jonathan. Though really it’s obvious to anyone with eyes.
“Wheeler, huh? Her dad’s Ted Wheeler?”
Eddie nods.
“Of Warr, Wheeler and Riverton?” At Eddie’s frown, Wayne expands: “Practically the only law firm in these parts. Your friend Jonathan’s done well for himself.”
There’s a coolness in Wayne’s voice, and Eddie frowns. “That’s not the point.”
Wayne looks at him for a moment, then softens. “Yeah. It’s not. That was a stupid thing for me to say.” He scratches the side of his cheek and then adds, “But- I know you know this, you’re a smart kid, but– be careful around those people. It ain’t their fault what they’re born to, no more than it is ours, but it still makes them different from us.”
“Yeah,” Eddie says. “I know.”
After breakfast, he drives to the Byers’, more out of habit than anything else. Bob’s Toyota is nowhere to be seen, which fills Eddie with irrational relief, and there’s a pile of bikes by the door, so the kids are here. Good. Eddie could do with the distraction of being annoyed for a couple hours.
Jonathan opens the door, offering Eddie a wary smile. Behind him, the kids — Dustin, Max, El, and Will — are sitting on the floor in a circle, playing Go Fish. “No Wheeler or Sinclair?” Eddie says, dropping onto the couch.
“Church,” Dustin says, examining his hand of cards with probably far more concentration than a game of Go Fish has ever been granted in history.
“I’m supposedly sick, or else I’d be there too,” Max says, lounging back with her cards held loosely by her knee. “Guess I’m gonna burn in hell for that, huh?”
“Well, considering none of the rest of us are there, either–”
“There’s a lady on my street who thinks atheists are devil-worshippers,” Dustin says. “Ie. because they don’t worship God they still have to worship someone, so the devil it is. It’s such a binary that makes no allowances for the huge multitude of religious ideas out there–”
“Fuck church,” Max says.
“Fuck church,” El agrees amiably, having apparently made her peace with Max since last weekend.
Eddie laughs and says, “Stop teaching her bad words. Hopper’s gonna think it was me.”
Max smirks challengingly and says, when Will asks for nines, “Go fucking fish.”
“Henderson, where’d you find her? She’s way cooler than you.”
“That is so unfair and in fact grossly– Hey!” Dustin splutters as El lays down four aces. El just smiles winningly.
“We’ve discovered she’s a baby card sharp,” Jonathan says, coming to sit next to Eddie with two mugs of coffee, one of which he hands to Eddie. “Good week?”
“Well, I got arrested yesterday, so. That’s up for interpretation.”
Jonathan chokes on his coffee; the kids look up. Eddie somewhat regrets saying it, even if he did enjoy the melodrama for a moment, because now he has to explain — and he does explain, eyes on El as he tells them about his intentional misdirection, I think they were headed west. And he concludes by saying, “I don’t know if you have some, uh, some weird psychic bond type way of contacting your sister, but it might be an idea to, y’know, warn her.”
El nods, eyes wide. “I can try. But only Mama has ever been able to see me when I visited.”
He thinks about it, then, the thing he’s been trying not to think about. El in Becky Ives’ living room, the newspaper photo clutched in her hands, the way he doesn’t have a photo of his mom. But El doesn’t even know what she’s capable of.
But really, Eddie thinks, remembering the faceless woman in the IHOP of his dream, maybe it’s better not to know.
“Where’s your mom?” Eddie asks Jonathan, suddenly itching under the attention. He’s not quite ready to convert his time in Chicago into a heroic adventure narrative just yet.
“She’s–” Jonathan makes a face “–getting breakfast with Bob. He’s trying to be all romantic, or whatever, like that’s gonna make what happened not have happened. Like they can go back to normal at all.”
Eddie watches him, the stiffness in his shoulders, the dark look in his eyes. Eddie says, “You wanna go out for a smoke?”
“Sure.”
They step outside into the chill sunshine. There’s a horseshoe ornament hanging on the back door, supposedly lucky. Idly Eddie wonders if Rick won much of anything in the Breeders’ Cup. He hands Jonathan a cigarette and his lighter, then lights his own, inhaling and ignoring the yellow in his fingertips and the permanent background taste of ash in his throat. “Bob continues to be around, huh?”
“Bob continues to be around.” Jonathan flicks ash and sighs. “I don’t know what she’s doing. I don’t know what he’s doing. He wants us to move to Maine.”
“Maine?”
“Apparently the weather isn’t bad enough here, we gotta go someplace even worse.”
“She’s not actually thinking about it?”
“I don’t know.” Jonathan slumps back against the wall, like all the energy’s gone out of him. “I don’t know what she’s thinking. She’s not really handling it, I think. Like, she’s eating, sure, but I don’t know how much she’s sleeping, and she’s smoking a lot, and I think burying herself in this thing with Bob is the easiest way she can pretend like nothing happened.” A silence, then, lower, “She did the same with Lonnie. When her dad died.”
Eddie doesn’t dare breathe. Jonathan’s never been this open with him, not ever. “Yeah?”
“Yeah, she– I mean, she doesn’t really tell the whole story, but I can put it together. She went to college, left Lonnie behind, had to come back because her dad got sick. Got back with Lonnie when he died. And Bob’s not Lonnie, like, I’m not that stupid, it’s not about some sort of chip on my shoulder, I just– worry. Am worried. About her.”
It must be exhausting, Eddie thinks, to worry about your mother. “I mean, she’s, y’know, she’s a lot older now than she was then. She probably knows what she’s doing.”
Jonathan smiles grimly. “She’s better at all this Upside Down shit than her relationships, is all I can say.”
“Weirdly, I think that goes for most of us.”
“Maybe.”
“Speaking of, how’s the lovely Miss Wheeler?”
Jonathan’s smile goes a little smaller, a little warmer. “I haven’t really seen her that much. But, yeah. She’s good. She’s still buying all the papers.”
“It will take a bit of time, right?”
“Yeah. She said to me last night–” Eddie raises his eyebrows. Jonathan’s cheeks color, but stalwartly he continues, “She said to me she could see herself doing that. Y’know, reporting, journalism. Later on.”
“Not the family trade, then? Law?”
“She said it’s all very well, y’know, getting justice in the courts. But the story’s got to get to the courts. So that’s what she wants to do.”
Eddie thinks of Wayne, and wonders. If perhaps there are common goals here after all. “And what do you wanna do?”
“Photography.”
“Oh, yeah, ye whose realm is the darkroom.”
“In fact–” And Jonathan moves further down the side of the house, reaches up through his own open window, brings out a camera from the sill. “The light’s great out here.”
Eddie’s not sure what it is, perhaps the earlier conversation about atheists and devil-worshippers, but something makes him put his hands up by his head and give himself devil horns as Jonathan snaps a picture. Devil horns, his Sabbath t shirt, it’d give religious types a field day. The thought makes him smile.
“You’re such a weird guy,” Jonathan says, putting his camera back on the windowsill.
Eddie smirks. “Us freaks gotta stick together, right?”
“If you say so.”
When they go back inside, Max is checking Dustin’s watch, a little color gone from her cheeks. “I need to be home before they get back from lunch,” she says, by way of explanation to Jonathan and Eddie. “Dustin biked me here–”
“I’ll drive you,” Eddie says easily. “Where d’you live?”
“Cherry Lane.” It’s said with perhaps less defiance than it would have been in the presence of Mike or Lucas, or Nancy or Steve; she’s in good company. (Dustin, Eddie thinks, is somewhere in the middle.) “I mean, you don’t have to.”
“I’m not doing anything else. C’mon, that’s apparently all I do around here, drive people places. I don’t mind.”
Hesitantly, she nods. Eventually, he thinks, he might even have to accept he likes being nice to these kids. He takes her out to his van and they head off, to the tune of Judas Priest’s Jawbreaker, until he sees the cold, distant look in her eyes and turns it off. Billy likes metal too, he remembers with scorn.
“Your brother playing nice?”
“He’s not my brother,” she says reflexively, then adds, “well, kinda. I guess. He’s been okay.”
“He backed off from me at school the other day. He’s being a shit to my friends, sure, but not to me.”
“I couldn’t, y’know, fucking change him completely. No one can, I don’t think.”
“Yeah. Guys like that–”
“I wonder,” she says suddenly, seriously, and he can feel her eyes on him as he drives, “y’know, what makes them like that.”
It’s not speculative or curious; it’s cold. Inward-directed, he considers, not towards him. He tries to think before he speaks. “It’s, uh, hard to know, I guess. Sometimes, for some of them–” And he stops himself. He can’t say that, can’t say violence is all they know, not if she’s asking this for the reason he suspects she’s asking it.
She seems to catch it anyway. She looks back out the window. “He always hits Billy where no one can see it. Billy doesn’t do that. Billy hits where–” She stops abruptly.
He. Eddie knows his shit; he doesn’t need to ask. He already knows who he is. “Maybe that’s why. Like, he’s trying to prove to himself — Billy, that is — something about what he is and what’s been done to him. I don’t know what that something is. And that’s, like, the point here, Red.” The nickname just slips out. “We don’t know about this shit. None of us know what we’re doing, and if– if someone’s hurting you, that doesn’t make you bad. Doesn’t, y’know, make you likely to hurt someone too.” Is this true? He doesn’t know if this is true. He’s just talking. “You can’t think about that, you just gotta– think about yourself. What you’re doing, not what people are doing to you.”
“Really?”
“Really.”
There’s a silence. “Sometimes I wish–” And then Max’s voice closes off, choking a little, and he’s not going to push her to continue. He has a sick little feeling of what she might have said, the same thing he thought before, the same thing El had a chance of making real only last week. It doesn’t need to be spoken. It shouldn’t be spoken; why let these people make them say it?
So they don’t say it, and he drives her home.
He’s thinking about his dream on his way back. He’s thinking about passing an IHOP, though of course he doesn’t, since there’s no IHOP in Hawkins. He’s thinking about Max, and Jonathan, and Steve — he’s thinking about how fathers must be the worst thing in the world, every single one. The sky is brightening into clear sun; it suddenly feels unseasonably warm. He rolls the window down and takes a great breath of fresh air. Turns Judas Priest back up.
And then he pulls up on the patchy grass by the trailer and he sees his uncle on the porch; and his uncle stands up, squinting in the sun, a hand held up to frame his worn, grief-blank face, and Eddie doesn’t need to be told what’s happened. He knows. He already knows.
Notes:
– the self-titled smiths album was released february 1984
– bowie's two most recent were let's dance released 1983 and tonight released 24th september 1984
– the footloose soundtrack was released january 1984
– another one bites the dust was released 1980, was big in the charts 1980-81, when the talent show would have been held
– babe i'm gonna leave you was a cover of a folk song released by led zep in 1969. a producer commented that 'The strange quality [and power] of the song is that the narrator inwardly desires exactly the opposite of what he will do, and is torn by the prospect of his self-imposed departure."
– stairway to heaven was released 1971, generally considered to contain the best guitar solo of all time
– queen's a night at the opera was released in 1975 with a 12 page photo booklet; the mercury look i'm describing is this one.
– queen's i want to break free was released in april 1984, and its music video, featuring the band dressed in drag, caused massive controversy in the us market and is considered to have seriously impacted the band's american reputation.
– IHOP was founded 1958
– judas priest's jawbreaker was released 1984 on defenders of the faithas always, thank you for reading, and let me know what you think below. you can find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 30: Babe I'm Gonna Leave You (Led Zeppelin)
Summary:
He doesn’t mean not to tell anyone. He’d say it, if it came up in conversation. But somehow it never does. Jonathan, smoking with him outside, talks about the strike and the newspapers. At lunch they’re all full of music ideas, Jeff and Gareth and Aaron are, songs they can cover and venues they can play, and Eddie drifts through the day, like the knowledge he carries apart from everyone else has made him slip anchor.
Notes:
warnings for parental death from illness, classism, references to drugs and drug dealing, referenced child abuse, referenced panic attacks, references to the AIDS crisis, and reclaimed homophobic slurs.
(See the end of the chapter for more notes.)
Chapter Text
TUESDAY NOVEMBER 13TH, 1984
The warm spell continues into the next week. It’s a blessing, really, because heating has always been a contentious thing in the trailer, despite Harrington senior’s improvements. Eddie sleeps the first night on top of the blankets, dreaming again of an IHOP, only his father’s not there anymore.
It was his liver, apparently. Hepatitis A. It’s common in prisons; they’re starting to vaccinate inmates for it en masse, except they haven’t gotten around to Indiana Reformatory yet. A yellowing of the face and eyes, like nicotine stains. A collapse of the digestive system. The first day after, the Monday, Eddie goes to the library and looks it up. Hepatitis A. Serious, rarely deadly. This being the rare deadly exception.
The fact of his father’s death is something he’s aware of only abstractly. Bruce’s absence from the world is the same as his absence from Eddie’s life — prison or dead, they add up to the same. This isn’t even something Eddie is telling himself, pushing real feelings down. Perhaps he would like to feel real feelings. Currently, all he’s feeling is empty.
His uncle cries once. It’s late at night on the Sunday, the early hours, and it’s quiet. Eddie only knows because he hears him moving around on the porch and sees his reddened eyes in the morning; Wayne doesn’t meet his gaze, guilty, almost, like in being sad he’s betraying Eddie. Eddie doesn’t feel betrayed. He feels numb. He didn’t say much in response, when Wayne told him. I, uh, I got a call. From the prison. They said- well. It’s your dad.
Your dad, then. Bruce all other times. Did that mean Eddie has to feel sad? Like, it’s his filial duty, whatever the guy did, however little the guy feels like a father otherwise (felt)–
Eddie said, “He’s dead?” like he already knew.
And Wayne said, “Yeah, he is,” like Wayne knew he knew too.
Monday morning Eddie appears early, schoolbooks under his arm, and Wayne looks at him carefully and says, “Y’know, you don’t have to go to school. Not today. People will- they’ll understand.”
“Will they?” Eddie says. Then he adds, “Higgins gave Jeff a month off, yeah, but I’m not Jeff. And Bruce wasn’t Jeff’s dad.”
So he goes to school. And he doesn’t tell anyone.
He doesn’t mean not to tell anyone. He’d say it, if it came up in conversation. But somehow it never does. Jonathan, smoking with him outside, talks about the strike and the newspapers. At lunch they’re all full of music ideas, Jeff and Gareth and Aaron are, songs they can cover and venues they can play, and Eddie drifts through the day, like the knowledge he carries apart from everyone else has made him slip anchor.
Hepatitis A. It feels too neat: the prison called, your father’s dead, it was Hepatitis A. Not B or C. A. Details are important.
He doesn’t know a single other detail about his father’s time in prison — who his friends were, his enemies, the fights he got in, the food he ate. They say you turn gay in prison. Wouldn’t that be ironic. No, all he knows is this: Hepatitis A.
And even then, as simple as it is, he struggles to put it in words.
Except–
One time, late on Monday afternoon. He’s leaving school, getting his shit out of his locker, when he feels a feather-light touch on his shoulder and jumps about a foot in the air to see Nancy, her eyes wide and serious, hair tucked behind her ears. “I’m sorry,” she says, “about your dad.”
He stares at her. “How did you–“
A silence, like it’s taking a second for their parallel tracks to cross. “Oh, yeah, I– I saw it in the paper. Buried way down, it’s not a big article. Because I’ve been taking them, the papers, every day. You can read it if you want, I’ve got it in my locker–“
“No. Thanks. I, uh–“ He casts a glance down the hallway. “Have you, um, told anyone?”
“No. I didn’t think it was my place.”
“Right. Um, well, I’d appreciate it if you, y’know, continued not to tell anyone.”
She’s frowning. Perhaps she doesn’t understand his rejection of the efficient solution: let the word spread, and you never have to say it yourself. But he can’t. Not like that. “Okay,” she says. “I understand.”
She doesn’t, but he appreciates it anyway.
The first few days sweep by. On Tuesday he catches Steve in the school parking lot — the ban on their talking to each other in public apparently wordlessly lifted — and when Steve says, “Hey, man, you okay?” Eddie just shrugs and says, “Same old, y’know,” not quite sure why.
Steve shrugs too. “Yeah, I feel that.”
“Your old man still giving you a hard time?” Jesus, Eddie must be a masochist. Perhaps he’s checking to see if he can still feel anything at all.
“The usual. Still grounded til Friday, like I’m really gonna go out partying when my head is still killing me.”
Steve does look better. The swelling’s gone down further, and he’s back to styling his hair. He’s in a red sweatshirt, tactically chosen, since it diminishes the alarm of the red in his cut-up face. “Oh, yeah, no wild nights for us,” Eddie says, touching his side and miming a wince. His rib and his shoulder have both calmed into a numb fog, small mercies, not that he’s grateful. A little pain might shock him into a normal way of responding to this, whatever that might be.
“He’s kinda forgotten about me, anyway. It’s all hands to prevent a sort of Hawkins general strike, from what he’s yelling on the phone.”
Eddie smiles privately, says, “Jesus, we really are princes of opposing sides, huh?”
“Isn’t there a play about that? Some Shakespeare thing?”
“Romeo and Juliet,” Eddie says slowly. “You’re talking about Romeo and Juliet.”
“Yeah, that one.”
He stares at Steve, who looks back blankly. Maybe not blankly. Maybe unreadably — or maybe Eddie’s reading too much and it is blankly after all. “You know they’re– you know it’s– um. A sorta star-crossed lovers type situation. Romeo and Juliet.”
Steve doesn’t blink. “Yeah, no, I know. I’m just talking about the vibe, y’know?”
Jesus, and isn’t this guy a wonder. Eddie doesn’t have the space in his brain to reckon with that. “Sure, whatever.”
“My parents are going to Duluth for a couple days tomorrow, you want to get high?”
“What happened to all hands on deck for the brewing storm of workers’ liberation?”
Steve shrugs again. “Duty calls. My dad’s very good at delegating.”
Of course he is. Eddie takes his time to respond, feeling himself involuntarily pulling away from the notion that now, here, finally, is a reason to say it. Actually, I’m not around tomorrow, I gotta drive to Indianapolis for my dad’s funeral because his mom — who’s a total bitch, by the way — wouldn’t let the prison just quietly bury him and let us forget he ever existed. He says instead, “I would, I really would, believe me, but I gotta do something with my uncle tomorrow.” At Steve’s surprisingly crestfallen expression, he hastily adds, “I’ll be back Thursday? Or Friday, if they’re, uh, still away?”
“Yeah, I mean, we don’t have to. I don’t want–“ Steve looks down, awkward. “I don’t want you to think I’m just– asking because. Y’know. You sell.”
Ah. Eddie’s been so caught up in everything else he hadn’t even made that inference; it’s a nice look on Steve’s face, that hesitance. Nevermind that he might not be selling much longer, if Rick drops him, which he probably will. It’s been a long, suspicious silence from that quarter. “I’ll smoke you out, Harrington, and I won’t even charge you. It was fun last time, right?”
Steve smiles, a loose, casual smile. “Yeah, it was. Feels like fucking ages ago.”
“It really does. I’ll, uh, I’ll call you when I get back? Thursday afternoon?”
“Sure,” and the smile stays easy, and honest, and Eddie finds himself mirroring that smile except it feels stretched over his face, false. He’s not certain if Steve notices that falseness. They just say a friendly goodbye to each other and then Eddie drives home, where he has his first panic attack about the whole thing, though certainly not the last.
WEDNESDAY NOVEMBER 14TH, 1984
Eddie doesn’t own any funeral clothes. This becomes immediately apparent as he’s getting dressed in the morning. No pants that aren’t jeans, some of them ripped; no collared shirts except Wayne’s old flannels and the one he wears with his band uniform. He chooses his only black jeans without tears in them, and in the end a black t shirt whose only insignia is a very small zeppelin where a breast pocket would go — his nod to the music that kept him alive the years before he left. Babe, I’m Gonna Leave You. Well, someone certainly did.
This is what he chooses for the journey. Wayne riding shotgun, in his own stiff shirt and pants, his corduroy jacket over the top because he hasn’t had to wear a suit jacket in so long his only one is full of moths. Eddie, in his leather, feels a little more comfortable at that. He turns on his Led Zeppelin cassette and cranks it up loud, knowing today of all days Wayne won’t protest. He winds the windows down and they smoke while he drives, both of them, and it feels a little like that moment people talk about when you first realize the parent you always considered a god is actually just a fucked-up human like you. Wayne weary and silent and letting himself be taken somewhere he didn’t want to go.
“Shelley, she wants us at the funeral. Apparently there’s gonna be a funeral. Fuckin’ why, I don’t know–“ Wayne had said, hanging up the phone on the Monday morning. He’s called his mother Shelley for as long as Eddie’s known him, the same way Jonathan calls his father Lonnie.
Eddie just said in response, “Okay.”
“What? You know we don’t have to go. This is her sick goddamn way of blamin’ us for all this, I know it–“
Maybe it is our fault, Eddie thought, though the thought didn’t gain any traction in his head and the feeling of guilt slipped off him like water. He had nothing. He was an empty cup. “It’s the end of it. It makes the end of it, right? Don’t people talk about, y’know, closure?”
“That’s a thing they say when you’re rich and payin’ for some asshole to sit there and tell you why you’re sad anyway, even though you got money. It ain’t real.”
Eddie thought about the new purchase he’d felt he had on his life after leaving the prison last year. That was probably something like closure, right? And he needed something, anything, to make this a real thing. And short of dropping acid — making the world so unreal this became real by comparison — the funeral would have to do.
So here they are.
The sun doesn’t let up, even as they’re entering Indianapolis itself. It stays warm and bright and stubbornly nice, a nice day, and Eddie has to squint as the sun reflects off windows and cars, sending the glare into his eyes. He should be unhappy about this; it should feel like another cruelty of the universe, that it seems so gleeful in the absence of his dad. He should feel as though it’s being rubbed in.
Instead, he just blinks tiredly at the signs, leaning forward over the wheel to see where he’s going. He gets them to the funeral place, parks in the parking lot, lets Led Zep die. Then he sits there, unmoving.
“Like I said–” Wayne starts, but Eddie shakes his head. “Eddie–”
“I need a minute.”
“Okay. You got all the time you need.”
Eddie lights a cigarette compulsively. His hands are still. The funeral place is a squat little building, turning dull beige under the sun. Kind of a church but not really. There’s a laundromat next to it. He’s not sure how much he likes cities — Indianapolis in its gray provincialisms, the gay bars just small spots of color in a dreary picture, Chicago in its dark anonymity and nervy potential. Hawkins sucks but Hawkins– well. Eddie knows who he is in Hawkins.
Wayne hasn’t gone anywhere. He’s still sitting in the passenger seat, watching a couple dark-suited people drift towards the entrance. More mourners than Bruce Munson ever had a right to. Eddie wonders if Lonnie’s going to be there, and it’s this — this, more than anything else, loyalty to a living family more than bitterness towards the dead — that makes him realize he isn’t going to do this.
“Y’know, I– yeah. Maybe you’re right. I might just, um. Go.”
Wayne looks at him. “Okay, kid. Do what you gotta do. I’m gonna go in, I think, but–”
“It’s okay,” Eddie says, reading the line of guilt in his uncle’s eyes. “You do what, uh, what you gotta do too. I’ll come pick you up from the wake?”
“Yeah. Thanks.” A silence, then Wayne reaches over to ruffle Eddie’s hair. “You’re a good kid, Ed. I hope you know that.”
Eddie feels a hot itch at the back of his throat, a sudden sting in his eyes, and wonders at this, that this is the closest he’s so far come to crying about the whole thing. Even his panic attacks have been abstract, felt more as a physical closing-in than any sense of emotion. Then Wayne gets out of the van and goes inside, and Eddie does the only thing he knows how to do in this city, which is drive to a gay bar.
Midday, it’s a very different atmosphere from late nights. They’re playing low, mellow pop overhead, some Barbra Streisand song. The dance floor is mostly taken up by extra tables, which he’s only ever seen pushed to the side, and there’s only a couple of patrons, mainly older guys nursing bottles of beer, some of whom give Eddie a slow, appreciative look as he comes in. He ignores them and heads for the bar, where he buys his own bottle of beer, and sits there feeling not at all out of place, like he’s just stepped into his own future: Wednesday daytimes in the bar where he spent his midnights twenty years earlier. He’s come here with Victor before; Victor said to him then, in a haze of flashing lights and heavy music, this place has a whole Jekyll and Hyde thing going on, daytimes it looks almost like any normal bar, except for the cruising that goes on in the bathrooms.
He turns and his eyes find the bathroom sign. Imagine. Baby’s first real grown-up cruising adventure, while they’re putting his dad in the ground. Just imagine. What a fuck you that would be.
He looks back to his beer and takes a long swig, intending to just get on with it. The bartender’s disappeared somewhere, so much for getting a second drink. There’s now some song about fading to gray playing, more new wave than the Streisand. Steve would probably enjoy it.
Then the bartender comes back, except it’s not the same bartender. The guy’s tall, brown-skinned, with hair bleached to white-gold. Eddie eyes him with distant interest, watches him as he bends over to restock Bud Lights. Then the guy turns around, and– oh.
It’s Martin.
Martin, whom he remembers only as a blur of soft skin and tennis whites, crooked grin and the first guy he ever–
Before Martin left, without saying goodbye.
Their eyes meet; for a moment they’re frozen, looking at each other in the contention of surprise. Martin breaks first, leaning forward on the bar on his elbows with an easy grin. “Eddie goddamn Munson. You’re a sight for sore eyes.”
“Do they pay you to say that? Is it part of your job description, bartender with all the cliches?” Eddie says reflexively, automatically, while he’s taking all this in. Martin’s got a nose piercing now, a little hoop through the side of his nostril, and two further hoops in his right ear. A tight dark t shirt, his dyed hair a bright spot in the darkened bar. He looks good.
“Something like that. What the hell are you doing here, man? You’re not exactly our usual Wednesday daytime clientele.”
Eddie smiles thinly and lets the truth speak through him. “Dodging my dad’s funeral.”
Martin looks at him. Takes him in, then says, “The next drink’s on me.”
He takes two glasses and pours out two measures of whiskey, small, but not too small. Eddie watches the expert tilt of his bare forearms — he’s only human, after all — and says, “What happened to the big tennis career? Thought you didn’t drink.”
Martin sips his whiskey and shrugs. “I fucked my knee, first match of the semester. Tennis is more of a hobby now.”
“Shit, didn’t you go to college on a–”
“On a tennis scholarship? Yep. You think a tennis star has to work in a gay bar to keep a roof over his head?” Martin doesn’t look especially put out by this, really. Perhaps he’s simply gotten used to the idea. “Can’t say my mom was pleased, but hey. I like it here. You meet a more interesting class of people than the repressed fucks on the tennis court.”
“And you’re not, uh, you’re not among them anymore? The repressed fucks?”
Martin smiles. “Not anymore. Fully blown fag now. Oh, if Hawkins could see me now. Cleaning up semen in the bathrooms.”
“Glamorous,” Eddie says, taking a pull of his own whiskey. It’s harsh, acrid on his throat. Cheap. But hell, it does the job. The silence lengthens; overhead the song changes again, something Soft Cell now. Martin keeps looking at him. Eddie remembers what his skin tasted like. He doesn’t know why this makes him say, “I nearly went to the funeral. Hence the– y’know. Black clothes.”
“I had the impression this was what you usually wore,” Martin returns archly.
“Jesus, the gays made you feisty, huh?” Martin just shrugs. Eddie looks down into his drink. “But– couldn’t go through with it. In the end. I guess.”
“Closure’s overrated.”
“They pay you for truisms too?”
“I mean it. I didn’t say goodbye to a single person in Hawkins, y’know that? Not my friends, not my grandma, who I’m not actually supposed to talk to but I did anyway, sometimes, and I didn’t even say goodbye to my dad, not really. And you know what? It feels fucking fine.”
“Does it?” Eddie says softly, dragging his fingers through his hair then resting his chin on his hand. “When’s that supposed to start?”
Martin just gives him an enigmatic look. This is turning out exactly like most of Eddie’s DnD tavern interactions. (He’s fond of a cynically attractive, wise and frustrating barkeep.) “So, what. You decided to give cruising a go instead?”
“Suppose I did.”
Martin finishes his whiskey, downing it with his chin tilted up to expose a long brown throat. Then he moves across the bar and opens the glass washer, takes out a martini glass, begins to polish it with a dishcloth. “It’s slimmer pickings than it used to be. So I’m told. I don’t have to tell you why.”
And yet somehow–
Martin did have to tell him why. Eddie feels as though he’s missed a step in the dark. As though he’s forgotten a vital facet of his own identity, the innate presence of Death dogging his every move close to catching up the second he lets his guard down, and here he is, letting his guard down. And he forgot. Or he didn’t forget. Or coming here, it wasn’t so much of a fuck-you as a–
He finishes his own whiskey and lays his palms flat on the bar, a little sticky. Look, officer, I’m unarmed. He wonders if Martin knew what he was saying, when he said what he said. If, even after all these years, he still knows Eddie’s self-destructive streak well enough to want to get in its way.
Martin watches him, as he polishes a highball glass and then sets it on the shelf. Says, with unreadable eyes, “So what are you doing now? Post-graduation?”
Eddie’s startled into a laugh. “Dude, haven’t you heard? I, uh, I wasn’t enough of a loser already. I’m a super senior now.”
“Shoulda played tennis. They’re willing to overlook all manner of sins if you’re good with balls.”
And yes, Martin’s ridiculous smirk says that innuendo was intentional. “Implying you had sins that needed to be overlooked.”
“My math grade was totally abysmal. I couldn’t add for shit, I could only count from love to fifteen to thirty to forty, which isn’t exactly what they’re after. Plus I was letting lowlifes like you smoke weed on the tennis courts.”
“What, you associated with more than one lowlife? I’m offended.”
“No, you aren’t.”
“No, I’m not.”
They look at each other over the bar, an edge to it. Like this is any safer than cruising. Maybe it is safer than cruising.
There’s a new song playing, what seems to be a synth blues version of that Moody Blues song, It Ain’t Necessarily So. Eddie listens along for a second, then says, “What happened to good honest guitar?”
“You’re not one of these old bears, so don’t act like one,” Martin says, pointing at him with the dishcloth. It reminds him bizarrely of Steve. “And I won’t hear any Bronski Beat slander, not in my bar.”
“Bronski Beat?”
“Yeah, they released their debut like a month ago, there’s all this buzz for them, and deservedly so. They’ve got this one song–” and Martin stops, and looks at Eddie analytically, and then continues, “You might like it. This song called Smalltown Boy, it’s about running away from all the ignorance in your hometown, finding a new life away from your parents someplace else, where you’re, y’know. Yourself.”
“I don’t think I’m gonna like any song with a synthesizer involved,” Eddie mutters, and feels like he’s covering for something, though he’s not quite sure what. Martin was never this perceptive back in high school, was he?
Maybe that’s what they’re paying him for.
They talk for a while longer, not about anything serious, just casual things like Martin’s college hook-ups and the dull trivialities of life in Hawkins still. Eddie feels time ticking on and wonders if his father’s in the ground yet. Closure’s overrated. So why is he even here?
Time ticks on, and he makes no move towards anyone else in the bar. That’s something, he supposes. Even as he feels Martin’s gaze as something purposeful, deliberate. Loaded with intent. Eddie’s not exactly opposed to that intent.
But he has to pick up his uncle; he promised. Stranded at that wake with Mama Munson, Jesus, is there any fate worse under the sun? So the hours pass, and Eddie feels the alcohol fade out of his system, and eventually pushes back from the bar. “I gotta go pick my uncle up from the wake.”
“Eat some of those little sandwiches for me,” Martin says. “I mean, they always look nicer than they are, but eat some anyway.”
The thought of eating anything — but especially a couple triangles of egg mayo sandwich — makes Eddie’s stomach turn. He shakes his head, shrugging his jacket over his shoulders. “It was, uh, good to see you.”
“It was.” Then, “I get off at five. If you’re around after you rescue your uncle.”
Eddie’s opening his mouth to decline, but something holds his tongue. He just smiles crookedly. “Daytimes at the gay bar. They really got you working the graveyard shift, huh?”
“That’s your opinion. The bathrooms might disagree with you.”
Eddie rolls his eyes and waves goodbye as he leaves. Then he gets in his van and has to reckon with the fact that he’s driving back towards everything he decided not to face in coming here — but hey. There won’t be any Bible shit going on anymore, which is what counts, right? He regrets the solemnity of his outfit now. What he wouldn’t give for a Judas Priest t shirt today — that would really shake them up.
Still, he’s hiding behind his leather jacket and his hair as he goes in. Keeps his head down, digs his hands in his pockets, searches out Wayne through the shroud of his bangs. There are a reasonable number of people here, actually, faces Eddie recognizes but only hazily, and he won’t look at them long enough to place them. Doesn’t really need to.
Then there’s a hand on his shoulder, turning him around, and he’s looking at a short older woman, face lined and hair black with wide streaks of gray. Something familiar about her, the way there’s something familiar about everyone here, but more about her. Her yellowing teeth and sunken cheeks, a grim twist to her lips. He knows that fucking grim twist: Bruce wore it often. Wayne wears it still, in his more sardonic moments.
“Edward, yeah?” she says. She’s got a deep Kansas accent, and Eddie knows who she is.
“Eddie,” he corrects, and his grandmother doesn’t smile. “Have you seen my uncle?”
“You weren’t at the goddamn funeral. You ain’t got the right to come in here like you’re–”
“I’m picking my uncle up. Where is he?”
She steps forward and takes his jaw in her hand, too sharply fast for him to pull away, like a striking snake. Her hands are cold and firm. Her eyes search his face; he’s not sure what she’s looking for. At length, he pulls away. “You look like him. You ain’t got the right to look like him, neither.”
“It’s not exactly, uh, my choice. Trust me.”
She sets her jaw and scowls. She’s sun-browned, though not freckled, like she spends a lot of time outside. Verona County, it’s a farming area, right? Not that he’d fucking know. “I wanted you at the funeral. Not showin’ up like you’re just the goddamn taxi driver after. You owe your father that much.”
“I don’t owe him a goddamn thing and he died knowing that,” Eddie snaps.
“And maybe that’s why,” she snarls in return. “Maybe this disrespect from his only son, maybe it–” She stops, working her jaw. Her voice drops, and it’s like she’s not talking to Eddie anymore. “You ain’t supposed to die from it. What he had. So there was somethin’ else.”
This is her sick goddamn way of blamin’ us for all this, isn’t that what Wayne said? And Eddie ignored him. Because Eddie didn’t know his grandmother. But now he does. He feels a great rise of fury and says, “What, you’re expecting me to believe my darling dad, famously a sensitive character, of course– you’re saying he died of a broken fucking heart?”
“Don’t speak that way to me.”
“I’ll speak whatever way I–”
“Eddie,” Wayne says, appearing by his shoulder and brooking no argument.
“Keep your nephew under control, Wayne,” she says, and next to Wayne Eddie can see it, the matching thinness in their faces, the large shadowed eyes. The soft crease between Wayne’s eyebrows against the bitter line between Shelley’s.
“We’re leavin’, Shelley.”
“Thank you for comin’,” she says, not sounding thankful at all. They stand looking at each other for a moment, the three of them, each waiting for the other to speak again. Then Eddie notices Wayne’s hands, twitching by his sides. And the only thing he can do, the only thing he knows how to do, is walk away, and hope Wayne follows.
Wayne does follow.
They make it outside, into the gray sunny parking lot. Wayne doesn’t follow him into the van immediately; he leans back against the wall instead, looking down at his hands as he lights a cigarette. Hands which are trembling.
Eddie leans beside him, watching him carefully, wondering idly why his own hands don’t shake.
“So, that’s my– my goddamn mother,” Wayne says on an exhale. “Charmin’ woman.”
“How was the funeral?”
“It was a funeral. Shelley said some pieces from the Bible, glared at me the whole time. I’m glad you didn’t come.” He inhales audibly and scratches at his jaw, the side of his beard. “Woulda been– woulda been hard for you. It was hard for me.”
“Uncle, are you–”
Wayne waves this off with a hand. “You come to expect it, y’know? She’s been like that since we were kids. Woke us up with Bible passages, like Jesus would have somethin’ to say about oversleepin’.”
Wayne’s never really spoken about his childhood, his and Bruce’s. The words have a rough edge to them, like he’s never had to find a shape for them before.
“Our dad–” he says, and grimaces. “Well. Shelley didn’t get in his way, when he was– whatever he did. Knew better than to get in his way, maybe. This thing with Bruce, where she’d– she’d overlook whatever he did, whatever fucked up shit it was, it was the same as what she did with our dad. But I kinda made it worse.”
“How’d you make it worse?”
Wayne laughs, then, and Eddie’s so startled he drops the cigarette he was getting out. He leans over to fetch it as Wayne says, “The day Bruce was born, our dad was in a rare good mood. Didn’t happen often, but that day, he was happy. And Shelley, she wanted to call him somethin’ from the Bible, somethin’ like John or Peter or Joshua. But our dad, he was a spiteful sorta guy, and when he was up, Shelley was down. So he said no, and you know what he said?”
Eddie shakes his head.
“He looked at me, and he said, what do you wanna name him, kid?”
“No way.”
“Yeah. And I was a five year old kid, and the thing I loved most in the world, though I didn’t really understand it yet — it was Batman.”
And suddenly, Eddie understands. And he laughs too.
“Ungodly bullshit, Shelley considered it, which is why my dad agreed to it. Bruce would be Bruce, to my Wayne, and together–”
“Bruce fucking Wayne. I did think, y’know, that was a weird coincidence. Jesus Christ.”
“Ain’t a coincidence at all.” Wayne smiles thinly. “But, yeah, it meant Shelley always had this weird sympathy with him, like I’d somehow cursed him by givin’ him this awful name, and he became her fuckin’ angel even though I was– y’know, I was a kid, and if it was anyone’s fault it was my dad’s, but she didn’t–” The smile drops. “She didn’t see it that way.”
“Shit,” Eddie says. “That is, uh, remarkably fucked up.”
“Yeah. Remarkably.”
“You should’ve got up there and said that at the funeral. Better than all the Jesus shit. Read out a quote from the Batman comics instead.”
“Yeah. She might’ve tackled me to the ground to stop me doin’ that, but yeah.”
Eddie smiles narrowly and doesn’t say anything.
“Where did you end up, instead of the funeral?”
“I, uh, met up with an old friend, actually. Someone who used to go to Hawkins High.”
“Oh, yeah? Anyone I know?”
Eddie just lets it out. “Martin. Martin Hall, he was a big tennis star, moved to the city for that. He’s fucked his knee, though, he can’t play anymore.”
“Avni’s grandson?”
Eddie looks at him. Remembers my grandma, who I’m not actually supposed to talk to. Avni’s estranged from her daughter, right? So, yeah, it makes sense. Though strange, in a way. The idea of Martin visiting with Avni in the trailer park — Martin in the trailer park’s context, without Eddie involved. “Yeah, I think so.”
“Small goddamn world, Hawkins, huh?” Wayne shakes his head and drops his cigarette, grinding it into the asphalt with his shoe. “You don’t wanna stay in Indy for the night, see him again?”
“I said I’d drive you back to Hawkins.”
“I’m going that way,” says another voice, emerging from the building, and Eddie turns with a little jolt, like an electric shock. It’s Lonnie. Of course it’s Lonnie. “If Eddie wants to stay here, and you need a ride.”
Both Eddie and Wayne regard him suspiciously. Lonnie’s never been known to do anything out of the good of his heart, the same way Bruce never was.
“I’m going to see my kids. Visitation, y’know. Stuff like this, it just reminds me how short life is. How you gotta make the most of it.”
Somehow, Eddie doubts that it will be well-received. He says, “I’m not sure Joyce–”
“You want a ride, or not?”
“Yeah. Thanks,” Wayne says, cutting Eddie off, and Eddie looks at him sharply. “You goin’ now?”
“Wayne–”
“Yeah, if you’re ready to go. Said your goodbyes, and all that.”
Wayne nods, like there were any real goodbyes to say, and then claps Eddie on the shoulder before following Lonnie towards his gleaming black Oldsmobile. Eddie watches him go, biting the inside of his cheek, frustrated by feelings he struggles to name.
Notes:
– hepatitis a is a viral form of hepatitis, prevalent in places where sanitation is poor, such as prisons. it's rarely fatal, though is more often so in people with compromised immune systems. if you'll recall, bruce was implied to be an addict when we saw him in prison at the end of vol.1, which may have damaged his health.
– led zeppelin's self-titled debut album was released in 1969, featuring babe i'm gonna leave you
– the barbra streisand song is woman in love, released 1980
– fade to grey by visage was released 1980
– the soft cell song is insecure me released 1981
– it ain't necessarily so is a song by the gershwin brothers from their 1935 opera porgy and bess, sung by a drug dealer expressing his doubts about the bible. the moody blues' cover of it was released in 1965; the bronski beat cover was released on their album the age of consent, october 15th 1984
– smalltown boy by bronski beat was released as a single in june 1984
– the first batman comic was published in 1939 — in this canon wayne was born in 1938, and bruce in 1943thank you for reading and let me know your thoughts below <3 as always, you can find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 31: Smalltown Boy (Bronski Beat)
Summary:
Martin shakes his head, like he’s impatient, like he’s not interested in that. “Forget your friends. I mean, you buried your dad today, this is your fucking day. What do you want to do?”
Eddie thinks. Takes a sip of his beer, and thinks. Then he says, without much thinking at all, “I want to– like, forget I have a body. Just– totally numb. In a good way. Y’know?”
Notes:
warnings for referenced homophobia, drug use, references to the AIDS crisis, emetophobia, and referenced child abuse.
(See the end of the chapter for more notes.)
Chapter Text
WEDNESDAY NOVEMBER 14TH, 1984
He’s got nothing else to do, now, if he doesn’t want to stand here waiting for Shelley and the rest of his father’s friends to come out, so he gets back in his van and drives over to the bar. Checks his watch and discovers it’s half past four, so he sits there and lights a smoke, instead of going in there and looking stupidly eager. He’s absorbed in changing the cassette — Led Zeppelin to Stay Hungry by Twisted Sister — when someone knocks on the window and he jumps nearly out of his seat.
There’s a woman standing there. Maybe in her late thirties, with dull blonde hair tucked into her coat collar, despite the warm weather, and a disarming softness to her features, like she hasn’t quite grown up yet. She mimes rolling the window down.
Could she be an agent? She could be an agent, right? They probably employ the most unlikely-looking people, just to deflect suspicion. But why would she be–
Despite the way it reminds him of the traffic stop, of the cop and Agent Blass, he rolls the window down.
“Hey, I hope you don’t mind. I thought I recognized you, back at the wake. You have something of your mom about you, I don’t know, maybe it’s the nose. You have a nice nose.”
“I’m sorry, what–”
“I hope you don’t mind. I followed your van here, it’s–”
“You–” Eddie takes a deep, shaking breath, feels a pang of his rib, tries not to whip around to check the bar’s facade and make sure it’s not too obviously gay. Tries to keep the sudden panic out of his voice, learned, since this is a woman who knew his dad and his dad– well. “Why the hell would you do that?”
“My name’s Ciara Malone. I knew your mom.”
Things are moving too quickly; it takes a second for his brain to catch up. Then he stares at her. “You knew–”
“I saw you, at the funeral, and I thought, y’know, he’s right there, I’m not going to get another chance to talk to him, so why not now? And then you left, so I–” She has the grace to look a little shamefaced. “I followed you.”
“But why do you, uh, why do you want to talk to me?”
She stares at him, like the question hadn’t even occurred to her. Like it was inevitable, obvious that she would talk to him. Without even any idea what they might talk about. “Because– I knew your mom. Don’t you want to know about her?”
Eddie can’t think about this now. He can’t. Not after the way Wayne’s hands shook, Shelley’s cold voice, and Rick and the funeral and patterns and faults and–
You ain’t supposed to die from it. What he had. So there was somethin’ else. And Martin’s mom, pissed he lost his tennis career. Max’s mom, doing nothing to prevent–
He’s been offered this already. Joyce, too, knew his mom. Told him her name. But he cut that off, decided he’d hear it from his dad or no one at all, and now his dad’s dead, which leaves no one at all–
(Terry Ives, an empty husk in a rocking chair.)
Maybe that’s better.
He can’t think about this now.
He shakes his head. “She left. That’s what I know about her.”
Ciara doesn’t seem to have a response to that. She looks at him helplessly. No excuses, at least, he’ll give her that. No fucking excuses. “Well– I don’t know. If you do ever want to talk about her, you can call me,” she says, and pulls out a notebook. She tears out a page and scrawls a phone number on it, handing it over. He doesn’t want to take it, but his limbs won’t obey his brain and he slips it into the dashboard.
Then he watches her walk away in the side-view mirror.
At five, he goes into the bar, where Martin’s switching places with his replacement and offers Eddie a broad grin as he finds them a table. He gets free drinks, he says, courtesy of being an employee, so there’s no point going anywhere else. They order and sit down and ease into mindless conversation, Eddie’s head somewhere else, until he says into a lull, words distant to his own ears, “So, you’re related to Avni?”
Martin smiles, running a finger round the salted rim of his cocktail glass. He’s drinking a margarita. There’s some song about West End Girls playing overhead, another synth nightmare. “Yeah, she’s the grandma I’m not supposed to talk to. Because my mom, as a teenager, she wasn’t allowed to live with her. My grandma.”
“Because of the drugs.”
“Because of the drugs. My mom was, what, sixteen? And my grandma, she got fired from her nursing job because she was drinking, and then she just got worse, got into worse shit, and child services found out, and– well. But she’s sober now. Doing well.”
“I know. She’s my neighbor.”
A silence. Martin doesn’t look as thrown by that as Tommy C. would be; as perhaps Steve would be. He searches Eddie’s face. “I keep her surname, now. My mom’s surname. I took it when we moved to the city, I guess trying to keep in touch with my roots, whatever the fuck that means. Agarwal. I’m Martin Agarwal now. It’s easier to be him in the city. I mean, people can tell I’m brown when they look at me, but Hawkins was a whole– I don’t know. What a fucked-up place, man. I didn’t need to give them any more ammunition.”
“It’s a totally fucked-up place,” Eddie agrees, sipping his own beer. (Martin had rolled his eyes, repeated his spiel about you’re not one of these bears.) “Agarwal,” he tries, testing it on his tongue. “It’s nice.”
“I’m glad it meets your approval,” Martin says, raising his eyebrows, a little edge to it, but then it fades. “How is she? My grandma?”
“I haven’t seen her a lot. She did a lot of, uh, organizing, last year, when there was this uncertainty about who was gonna own the trailer park. She was great. But, I don’t know, lately my uncle’s just been so caught up in this stuff with the farmers and the plant, and I’ve been–” The words die in Eddie’s throat, if there even were words to start with. He can’t begin to say what he’s been doing. “But she’s okay, I think.”
“Good,” Martin says, taking a sip of his drink, leaning a little closer over the table. “Better than your grandma?”
“Unaccountably better than my fucking grandma. Jesus. What a dragon.”
Martin tips his drink and doesn’t say anything, just smiles. Fucking enigmatically.
“So, you wanted me here. What are we, uh, what are we doing?”
“We’re having a nice drink together.”
“Martin.”
“Jesus, you’re tough to please. What do you want to do? You’re pretty familiar with the scene in this city, right?”
“Kinda,” he says. “I mean, I have friends who–”
Martin shakes his head, like he’s impatient, like he’s not interested in that. “Forget your friends. I mean, you buried your dad today, this is your fucking day. What do you want to do?”
Eddie thinks. Takes a sip of his beer, and thinks. Then he says, without much thinking at all, “I want to– like, forget I have a body. Just– totally numb. In a good way. Y’know?”
“I do know,” Martin says. “Yeah. I think we can achieve that.”
Something in the way he says it — vaguely suggestive, just firmly confident above all — sends a shiver of something through Eddie. They order a second drink each, and drink it fast. Then another. And then Martin disappears behind the bar and calls someone, Eddie doesn’t know who, his eyes lingering on Eddie as he talks into the receiver, and then immediately they’re leaving the bar, Martin’s hand snaking around Eddie’s wrist as they cross the floor then slipping away as they go outside, a sly grin on his face disappearing into the dark.
Eddie’s already a little drunk. He gets drunker. They go to an apartment, where Martin knocks on the door with the casual ease of someone who knows he’s going to be let in, and they are let in, by a tall bearded guy who leans his hip against the counter as he goes back to mixing a drink and says, “If you’re after a party, honey, even drag queens take Wednesdays off.”
Eddie frowns; the voice is vaguely familiar. He’s trying to place it as Martin rolls his eyes and says, “Sure, but Eddie’s here dodging his homophobic dad’s funeral, so I think we’re obligated to show him a good time.”
The guy turns around. “Well, in that case.” He looks Eddie up and down. “Don’t I know you?”
The realization hits. Makes the ground feel a little unsteady, actually, that he and Martin have been moving in the same circles for so long without a single clue about it. “Stevie, right? We met at some club last year? I was, uh. Well.”
“Having a little wobble,” Stevie supplies, with a grin. “I’m impressed you recognize me in my Clark Kent get-up.”
“You know my uncle named my dad ‘Bruce’ because he was called ‘Wayne’?” Eddie says, through an alcohol-weakened filter.
They both stare at him, then Stevie starts laughing. “Oh, it’s like you’re living in a novel. That’s too good. So what am I doing? Am I calling up the usual crowd?”
Out of drag, Stevie appears less ageless, less otherworldly; he looks like an average guy, probably in his thirties. There’s a tattoo edging out from the sleeve of his t shirt, indiscernible at this distance, and it’s this that makes Eddie say, “Do you know Victor Rueda?”
“Do I know Victor Rueda,” Stevie repeats. “Honey, I’ve fucked Victor Rueda.”
“Jesus, is this city really that goddamn small?”
“When you’re gay, it is. Tell me you’ve fucked him too, then we’ll really have a party going.”
Eddie laughs. “No, he’s, uh, he’s just my tattoo artist.”
“You’re a lucky kid; he’s incredible. Take a look at this, this is one of his.” Stevie pulls his sleeve up and shows him the tattoo, which is a crisply detailed hyena, spanning the width of his bicep.
“Holy shit, I love that.”
“There’s this passage of the Bible where they say you’re not allowed to eat hyenas, because they’re lecherous, and change their gender around all the time. Hence, the hyena.” Stevie smiles, rolling his sleeve back down. “What did he give you?”
Eddie takes his jacket off, revealing his bare forearms — the bats on one, the tattoo he got a year ago on the other. Stevie and Martin both inspect the latter with interest, and Eddie looks at it too: for something permanently inked on his body, he doesn’t look at it often. Painful memories, maybe. Because it’s a demogorgon. Not what they’ve started calling a demogorgon, the single-headed sinewy thing with a face like a ravenous flower. No, a good old DnD demogorgon, two-headed and baboon-faced with a reptilian body, snarling at the onlooker from his blue-veined skin. Something about taking control of it, whatever. He’s not sure it worked; but he likes the way it looks. “It doesn’t really, y’know, mean anything. It’s just pretty metal.”
Martin reaches out and traces a finger over it, a light, insistent touch. Eddie knows where this evening is going to go. He’s known since the moment Martin turned around, dimly lit, in the empty bar. He’s okay with that.
Stevie invites a few people over, some of whom Eddie recognizes, some of whom he doesn’t. He stays on the couch beside Martin and gets progressively drunker, as people keep handing him drinks with vodka in them and everyone’s singing along to Radio Ga Ga by Queen, himself excluded; Martin introduces him to people at a shout, since apparently all it takes is a phone call from Stevie to get a party together, even on a Wednesday. When the song changes to the next on the album, he starts to enjoy himself a little more, nodding his head along to the heavy rock chords, as Martin drifts ever closer to him, until their shoulders are pressed together and Martin’s got one long leg slung over Eddie’s knee. Martin’s drunk too; there’s a flush high in his cheeks, and his movements are sloppy, disorganized. It’s a stark contrast from the usual tennis-player’s poise, the deliberation in every economical shift. Eddie’s not sure whether he likes it or not.
Then Stevie’s ushering them out, urging them down the street — “I chose this apartment because of the gay club on the corner, and I’m not ashamed to admit it,” — and just as quickly Martin’s tugging him into a dark, red-pulsing room, some dance hit overhead, and it’s a question of readjustment. Of reconciling himself to the fact of being here, after being there — at the club, after being at the wake. Of being this version of himself now, after being another, and being here with Martin, who was only ever tennis whites and joints on the court and lazy fucks in Eddie’s bedroom in the trailer, Martin who’s now dark sweaty crowds and wry comments about cruising, Martin who knows Stevie and Victor and kisses Eddie here, openly, for anyone to see.
It’s a short kiss, at first. Like it’s another readjustment. Getting used to the new way they fit together. Then they kiss again, longer, and the music and the crowd and the lights disappear around them, for a while, at least, until Martin pulls back with a grin and shouts, “More Bronski Beat, listen!” and Eddie, unwillingly, does.
The night unfolds rather as expected after that.
They dance for a while; they drink a bit more; Stevie passes around a little amber bottle, a sniff of which gives a sudden rush of lightness that has Eddie leaning on Martin’s shoulder, tilting his head back, laughing. “Are you numb in a good way yet?” Martin says into his ear, and Eddie grins up at him, says, “Yeah, just what the doctor ordered.”
They go back to Martin’s apartment.
They have sex in close, heavy silence, nothing but traffic outside and their own labored breaths. More practiced than before, though clumsier, since they’re both drunk and Eddie’s feeling a keen desperation that belies the way breathing still sort of hurts — a desperation that isn’t lust, exactly, but he’s not gonna think about what else it might be.
But the silence, at least, is familiar. All Martin’s sly teasing disappears, when it comes down to it; naked, he’s uncommonly serious. And afterwards, much the same: Martin lies back, brown skin gleaming with sweat, a cigarette between his fingers, the other hand absently tracing through Eddie’s hair, and says nothing, just exhales smoke and looks at the ceiling.
Eddie lights his own cigarette. Martin smokes Marlboros; their respective packs clash together on the nightstand. Clothes strewn across the floor, a tied-off condom in the trash — all the evidence of what they’ve done. All part of a picture, intelligible to anyone who looks.
Eddie’s rib hurts.
Unexpectedly, Martin breaks the silence. “I know a guy. Or, I knew a guy. He died a couple months ago, died of the thing everyone’s dying of. And you know what he’d say? Before he got it, or knew he had it, people would ask him if it was safe, sleeping with him, letting him suck their dicks. And he’d say are you interested in living in a world where it’s not?”
“Shit,” Eddie says.
“Yeah. I think about that everytime, afterwards. How close I might have come to death, in doing what I just did.”
“Morbid,” he says lightly, another cover. Because really, well. Now he’s thinking about it too. And death, death in general, the idea seizes somewhere in his throat. Let’s talk about something else. Anything else.
Martin seems to sense this. His hand stills in Eddie’s hair. “Too much death today, huh?”
“I get the sense it’s all about death,” Eddie says softly. He gestures to the room with the hand holding the cigarette, though really he’s gesturing to more than that. “All this.”
“I can’t speak to what it used to be like. But now–” Then Martin stops. “Well, not even now. The point is we don’t let it be about death, even though death’s, like, everywhere.”
“Yeah,” Eddie says, inhaling and exhaling slowly, feeling all too in his body again. The dancing, the sex, his body’s making its complaints known, but it’s more than that. It’s beyond that.
“And that’s what people like Bronski Beat are singing about, y’know? Like–” And Martin shifts beneath him, gets out of bed. Eddie lays his head on the pillow and watches sideways as Martin digs through his record collection, comes out with a silver 12” single. He slides the record out of the sleeve, places it carefully on his record player. Then he comes back to the bed and lies down next to Eddie, fetching an ashtray off the table and laying it on the mattress between them. “Now, listen to this. This is Smalltown Boy. The long version, because it’s better.”
“Jesus, you’re really on the Bronski Beat agenda. They paying you for this?”
“If only. Now shut up and listen.”
Eddie listens.
It’s not his thing, he’s standing by that. He’s never going to be a new wave, synth-y sort of guy. It’s lacking that nice sense of fury that takes him out of his own head for a while — quite the opposite. Humiliatingly, he feels his eyes stinging, and he wipes at them before Martin can see. Music is so much to him, is the thing, and music that’s designed like this, no matter what it sounds like–
It feels like everywhere he’s been. Perhaps everywhere he’s going. And maybe this feeling, it’s because of everything that’s happened today, everything that’s happened in the past week, two weeks. Year. Years. Maybe this — the first tear he’s shed, really, since his dad died — is about his dad. Or maybe it’s not. Either way.
The song, all nine minutes of it, fades out. The crackling sound of the record skipping replaces it, and Eddie leaves his eyes closed, waiting for Martin to get up to turn it over. Martin doesn’t move. So they listen to the fuzz of the record’s blank emptiness, dead sound. Martin’s hand lands in Eddie’s hair again, fingers tugging at the curls, tugging him closer, and Eddie lets himself be tugged. Lets himself be drawn into another kiss, which deepens, and they shift closer together across the mattress–
And then there’s the distant sound of the apartment’s front door opening, and loud laughing voices, two of them, a man and a woman, clear despite all the walls between them.
“–never do fucking tequila again, I swear, and it’s like my ancestral drink– and that Billy Ocean song? That’s enough to make me sick on its own,” the woman says. The guy laughs, and then the door to the room next to them opens, and closes, and there’s the sound of the toilet seat, and someone retching.
Eddie wrinkles his nose and looks at Martin, still half on top of him, nose to nose. “Roommates?” he whispers.
“Yeah,” Martin whispers back. “Just one, Maria. She’s okay, just brings annoying guys back really late every night, and there’s no fucking soundproofing here at all.”
“Oh, and you’d never bring annoying guys back.”
“Annoying straight guys.”
Eddie smirks. But he shifts back on the mattress, further away from Martin, the moment having passed. He’s not sure what he feels like now. Cold, and out of sorts. Perhaps a little embarrassed, skin ill-fitting, though he doesn’t know why. The idea of the room as evidence of their encounter feels only worse, now, with someone else in the apartment to witness it.
The toilet flushes; the faucet runs; whoever it is goes back out and continues their conversation — Maria, it seems, and some guy. And Eddie has to lie there, listening, with Martin, who seems to be falling asleep.
The whole thing feels a little less appealing now. He kind of wants to go. But he’s still drunk, he recognizes this, so he can’t drive back to Hawkins, and he has no desire to run into Maria and the guy in the hallway–
So he lets himself drift into sleep.
THURSDAY NOVEMBER 15TH, 1984
He wakes to the bed empty, the room empty, the record no longer spinning on the record player. He’s cold and stiff, his side full of fresh pain from the previous day’s exertions, his head heavy and dull. It’s an effort to think about things, so he doesn’t, though there’s a nudge of anxiety in his chest. He doesn’t let it grow and sits up to find his clothes.
He doesn’t want to see the roommate, but he’s got no choice but to go out into the kitchen, since there’s no sign of Martin. They’re both there, Maria and Martin, Maria short and Hispanic with thick hair and wide-set eyes, which light up when Eddie emerges groggily into the morning light.
“Oh, he’s cute, you didn’t say he was cute,” she says, leaning on her hand to inspect him. She’s in sweatpants, a baggy The Who t shirt, the circles under her eyes uncovered by makeup.
“I didn’t say much of anything,” Martin says from the stove. He’s frying eggs. “Egg?”
“I’m okay,” Eddie says, easing himself to sit down opposite Maria. She goes back to what she was doing, which was fiddling with the radio, a frown of concentration on her face. Eventually she produces strains of glam rock, some T. Rex song, which elicits a large smile on her face. She’s got a chip in her front tooth.
She catches Eddie’s frown. “What? I like T. Rex. I can be Cuban and like T. Rex.”
“I’m, uh, I’m not saying you can’t. You’ve just got better taste than your roommate, that’s all.”
“Oh, I like him,” she says to Martin. “I don’t care what you do, I want to keep him.”
“Be that as it may,” Martin says. “You want an egg? Shut up and go eat it in your room.”
“Ugh. Fine. If you two have kitchen sex, I’m not cleaning up the mess.” She folds her arms and hums along to the song as Martin finishes cooking, plating up the eggs and handing her one with a meaningful look. Eddie’s not sure he wants her to leave. Not sure he wants to be left alone in a heavy, meaningful silence with Martin, Martin who seems to expect something now. No idea what.
Maria salutes him and disappears down the hallway. Martin comes to sit where she was sitting, opposite Eddie, and cracks a window open as he lights a cigarette. “How are you feeling?” he says. “Hungover?”
“Only a bit. I’m okay.”
“Yeah. You said that.” An evaluative look, and a long silence. Eddie lights his own cigarettes, the last of his pack. He’ll have to buy more on his way back to Hawkins. “You went somewhere, last night. Where did you go?”
“What?”
Martin waves his cigarette about, sending curls of smoke into the air. “I know this isn’t really something to you, or to me, and that’s okay, that’s not what I’m talking about. I just– am aware that yesterday was a day for you. Like, a rough day. And we– y’know, we talked about death and shit afterwards, which I’m sorry about, it was sorta insensitive. And you– went somewhere. I don’t know where you went.”
Eddie exhales. “I’ve just, um, got a lot going on. I didn’t think I–”
A silence. He’s not quite sure how to finish that sentence. Martin looks at him. Voice serious, soft. “This isn’t something, is it?”
Eddie looks at his hands. Thinks, unaccountably, of Steve. “No, I, uh. I don’t think so.”
The little shiver of disappointment in Martin’s eyes vanishes as soon as it arrives. “Yeah, I mean. I could see it, y’know. In your eyes.”
It’s a strange feeling, being the one to pull away, the one to disappoint. Eddie’s never really done that before. Martin pulls himself up and eats his eggs; he makes jokes about tennis and gays and even makes Eddie laugh. They sit there for an hour or so, drinking coffee, Martin making more eggs (athlete’s diet, I’m not out of the habit yet) and then Eddie getting to his feet, saying, finally, “I should get going.”
“Yeah,” Martin says, taking him to the hallway. “It’s been good to see you.”
They’re not old friends running into each other at a roadside diner; they’re kind-of-exes who spent the night committing sodomy. But there isn’t a polite way of expressing that, so Eddie just nods. “Yeah, strange twist of fate, huh?”
“You believe in coincidence?”
Eddie thinks about everything. Everything that’s happened. He shrugs. “Jury’s out on that one.”
“Well–” Martin kisses him, just lightly, a parting kiss. “I’ll probably see you in Indy again, since we apparently know all the same people.”
“Apparently.” Eddie feels strangely reluctant to leave, suddenly. Because this isn’t something, and that makes it easier than going out in the world to face things that are something, his dad and the Upside Down and Steve. Steve, whatever the hell that means, and why should he look at Martin and think of Steve? But he does. And so–
And so, he leaves. And drives back to Hawkins.
The Welcome to Hawkins sign emerges out of gray cloud, a dull day, but still fairly mild. He feels every jolt and chuckhole like a rattle in his bones, muscles and joints and ribs aching, and all of this cumulative agony means it’s a blessing to pull into the trailer park and limp into the trailer, slump down on the couch. His uncle’s not there. Probably out unionizing, best of luck to him. Eddie just wants to sleep for a thousand years. (He’s not good at sleeping in a bed with someone. Has only ever done it with Janie, and Martin the once, before last night. It makes him tense, nervous, that there’s someone there to touch.)
He dozes on the couch, neglecting the possibility of school. Fuck school. His father died.
Eventually, he registers it’s late enough that Steve might be home, so he drags himself out of his half-sleep and reaches over with a wince to dial, finding the number in the phonebook, blinking a weary haze from his eyes. Steve doesn’t take long to pick up. “Harrington residence,” he says on the other end, voice tired and orderly. He’s probably been coached.
“Hey, uh, Steve?”
“Oh, Eddie, hey, man.” Is it an illusion that Steve’s voice has brightened? “You called.”
“I called,” Eddie allows, leaning back on the arm of the couch and twisting the cord idly around his finger. “Still want to get high?”
“If you’re offering.”
“Tomorrow sound good?”
“Tomorrow sounds good,” Steve says, tone touched with relief. Why should he be relieved? What, that Eddie’s not standing him up? Has the world turned upside-down? “After school?”
“School, Jesus Christ. Right. Yeah. After school.”
“I know, it feels stupid, doesn’t it?”
“It always does. But particularly stupid right now, I’ll agree.”
“I still gotta work on my college application.” Steve’s voice goes grim on those words, the way it did when he was arguing about it with his father. “But, yeah, anyway. Come over to my place at, like, six? I’ll buy us a pizza.”
“What a gentleman,” Eddie says, with a sudden rush of vertigo at the confirmation of the plan, at the something unfolding before him. It’s not in the Martin league, of course. It’s smoking weed and eating pizza with a straight guy who’s moping about his breakup. But Eddie’s taking what he can get. “See you then.”
They hang up; Eddie looks at the dull ceiling, the dim room. The place where so much has happened and yet so little. Just the same, always. The same for years. The same mugs, hats, photo frames. None of Bruce or Shelley or Eddie’s grandfather, whose name he doesn’t even know. None of Eddie’s mom.
He realizes, in a jolt, that all these people who’ve mentioned his mom, Joyce and Bruce and Ciara, they’ve never said–
–whether she’s alive or not.
Which, she probably isn’t. Let’s face it. The state of things, in Eddie’s life, in the context of his surroundings — he finds it easy to picture her in a gutter somewhere, veins pitted and dark, eyes unseeing as a fly crawls across her swollen cheek. This, he can imagine. But alive? Her alive?
Even the image of the waitress in the IHOP, faceless, remains just that. Faceless. Stubbornly vague behind a veil. Which, a dead person can’t hurt him. A faceless ghoul can’t hurt him. His self-imposed measures of distance, they’re what protect him, he knows this. He knows there’s a reason he had to turn Ciara away; a reason he had to turn away from the funeral. Running away. Smalltown fucking boy.
He’s still not feeling it yet, whatever pain he’s meant to feel, now his father’s dead. So all his running — maybe it’s working.
And yet, the IHOP. He passed one on the way back.
Notes:
– stay hungry by twisted sister was released may 1984
– west end girls is by the pet shop boys; the original version released april 1984
– the bible story about hyenas is in the epistle of barnabas
– the traditional dnd demogorgon looks something like this. it replaces the master of puppets tattoo eddie has in that spot in the show.
– radio ga ga is the first song on the queen album the works, released february 1984
– the second song on that album is tear it up, with a more rock-y feel to it.
– the dance hit in the club is don't go by yazoo (known as yaz in the us), released 1982
– the club bronski beat song is why?, released september 1984
– the bottle stevie passes around is poppers, a popular legal high that originated in the gay community in the seventies
– the quote are you interested in living in a world where it's not is taken from the 90s movie love and human remains which deals with urban queer life with a genre of kind of urban fantasy alongside slasher - it's a lot of fun
– the referenced billy ocean song is caribbean queen (no more love on the run) - was in the top of the charts for many weeks in october-november 1984
– the t. rex song is metal guru, released 1972
– 'chuckhole' is the east midland/indiana word for 'pothole' — you'll notice that earl, in an earlier chapter, called them 'chugholes', being from kansas ie. south midlandthank you for reading! as ever, let me know your thoughts below, and find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 32: Beyond the Realms of Death (Judas Priest)
Summary:
A strange flutter of nerves in his gut, though this is Steve. Probably because it’s Steve. Probably because, well. It’s better to tell your own story. Which means– he’s gonna have to fucking tell it.
Still. He puts on a brave face, ringing Steve Harrington’s doorbell.
Notes:
warnings for referenced parental death, referenced drug dealing and use, and referenced child abuse.
(See the end of the chapter for more notes.)
Chapter Text
FRIDAY NOVEMBER 16TH, 1984
The news comes bright and early Friday morning; Eddie’s blearily making his way down the hallway just as the phone rings, and Wayne appears, holding the receiver out: “It’s for you,” he says, looking grim and dirt-smudged after a night at the plant.
Eddie takes it. “Yeah?”
“Eddie, my friend, I’ve been trying to get a hold of you.”
It’s Rick, because of course it’s Rick, and Wayne may know about Eddie’s little job but he still turns away to face the window, dropping his voice. “Rick?”
“That’s me. I expect you’ve been waiting to hear from me for a while.”
“Yeah, I- uh, I can explain. About Saturday.”
“Oh, shit, no, explain? It’s all in the past, kid, forget about it. I certainly did. You know I won enough money on Saturday I could get out of the business for life?”
“The, uh, the Breeders’ Cup?” Eddie’s casual tone is forced; he finds it difficult to believe he’s gotten away with it.
“Yep. Thousands I won, Eddie, thousands. Those horses are almost enough to make you believe in something, huh?”
“Huh.” Eddie looks sideways at his uncle; he’s writing something in a notebook at the table, tapping the end of the pen on his teeth.
“Almost. So, y’know, I thought I’d let you know the good news, which is that I’m phasing out of the business. Aiming for a carefree life, such as it is. So unfortunately our little business connection’s gonna have to end here.”
“Oh.”
“Yeah. Sell what you got, and give me the same cut as always, but after that, I’m afraid the well’s run dry.”
Rick’s tone is always unreadable; over the phone, he may as well be a computer, for all the real emotion discernible in it. Eddie can’t tell if he’s telling the truth or not. If he really did win big or not; if he’s getting out of the business or not; if Eddie’s being fucked over or not. He doesn’t have the strength to question it. “Okay. Well, uh, thanks for everything.”
“You’re welcome. And hey, give my regards to that Tommy kid, if you ever see him. Damn, that kid knew how to smoke.” With a click, Rick hangs up, and that’s that. Eddie’s brief career as a drug dealer, such as it was, is over.
It doesn’t feel quite like a relief.
Wayne’s looking at him as he sets the receiver down. Eddie waits, but whatever he’s expecting doesn’t come. Wayne just says, “You sleep okay?”
“Sleeping’s more of an abstract concept to me, personally.” Then he catches Wayne’s deepening frown and adds hastily, “Which means I slept fine, thanks.”
“Good, good. I got a meetin’ this afternoon, I’m gonna crash out until then, if you’re–”
Where did this sudden hesitance to leave him alone come from? “I’m fine, Wayne. Get some rest.”
Wayne looks at him for a moment, then nods, and takes his jacket off. Eddie lights a cigarette and pours Honeycombs into a bowl as quietly as he can, as his uncle begins to snore on the sofabed. The mundanity of breakfast isn’t a refuge, exactly, since he’s never been one to eat it regularly anyway, but he can admit it’s nice to focus on the simplest of tasks. Bowl, spoon, cereal. A few spoons dry, then adding milk, because, yeah, okay, it’s kind of psychopathic behavior to eat them dry. Then he finds a jacket and his homework, which is admittedly a pitiful excuse for homework, but hey, he’s had a rough couple of weeks.
And, like nothing ever happened, he drives to school.
He listens to the latter half of Stained Class on his journey; Beyond the Realms of Death is just closing out as he pulls into the parking lot. Fitting, he thinks, with a wry smile that stays internal. Somehow he can’t summon the energy to make his lips twitch.
He coasts through his first couple of classes, or perhaps treads water. Chews on the end of his pencil when he craves a cigarette and tries not to stare out of the window too much. There has to be a threshold of weird shit you’ve been through where you can’t tolerate something so ordinary as school anymore. There has to be a limit, right? Owens coming in here, saying, Oh, yeah, there’s been a mistake, Eddie here doesn’t have to come to school anymore, on account of his dad dying and his drug boss firing him and him and his friends saving the town. He’s having prophetic dreams: he shouldn’t have to focus on pre-calculus.
There’ve been no more of them, the prophetic dreams. Such that he’s beginning to doubt his recollection. Was it really his father’s liver in the IHOP? Was it really his father at all? Perhaps these are things he imposed upon the dream afterwards, looking at it in hindsight, trying desperately to make sense of this thing he could otherwise never have seen coming —
He doodles a stack of pancakes on the side of his worksheet and then scribbles it out. It would almost be nice to feel sad. Then he would have a name for it, for this mess he’s feeling. Or not feeling. Jesus.
He dodges Jeff in the hallway and decides to eat lunch in the parking lot. Because he can keep lying, sure, or he can tell the truth, but making that choice? In front of Jeff, who’s genuinely sad? It’s not something Eddie knows how to do. So he puts his books in his locker and heads down the hallway towards the exit, fingers running over the reassuring edge of the fresh pack of Camels in his pocket. The hallways are fairly empty, most people already in the cafeteria, or doing whatever lunchtime extracurricular pursuits people who are going to college do. He peers curiously through the door to one classroom he passes, where freshmen look to be rehearsing Shakespeare soliloquies, and then snaps his head back around when he hears a yell around the corner.
Because he now apparently runs towards danger, rather than away from it, he follows the sound. Rounds the corner to find Jonathan. Jonathan pushing Tommy H. up against the wall, cornering him, hissing fury as Nancy tries to pull him away in some weird echo of last year, Jonathan strong anyway but made stronger by rage, apparently, and Eddie’s pretty content to let him murder Tommy H., since if that’s what he wants to do, hey, that’s what he wants to do, and there’s not much Eddie can do about it.
“–always knew you were a fucking psycho,” Tommy is snarling, voice coming out a little strangled, a little wobbly, like he’s aware of the precarity of his position. “And Wheeler, well, were you screwing them both all year or–”
“Fuck you,” Nancy says. “Jonathan, c’mon, someone’s gonna come by any second–”
Jonathan bares his teeth. “Did you hear what he said?”
“Do you really want detention again?” Nancy says, “For this asshole?”
“Ouch,” Tommy says, as footsteps sound around the corner and they run out of time.
“Incoming,” Eddie hisses, jolting forward to grab at Jonathan’s arm, tugging, “Byers, you fucking idiot, come on–”
Eventually, not a moment too soon, Jonathan relents. He lets Eddie and Nancy drag him down the hallway and out into the sunlight just as Miss O’Donnell rounds the corner, which wouldn’t have gone well for anyone. Then they catch their breath by the parking lot, Eddie once again longing for something to take the edge off. It’s getting boring, hurting all the time. He thinks he only managed Wednesday night on alcohol and sheer force of will.
“What was that about?” he says, leaning back against the rough brick wall.
Jonathan scuffs his sneakers on the ground and shoots the school building as a whole a venomous look. “Fucking asshole.”
Nancy sighs and looks at Eddie, hair swinging around her face. “Tommy H. had some things to say about my breakup with Steve.”
“And I– lost it.” Jonathan throws his hands up, then inspects them critically. “There’s something wrong with me.”
Nancy reaches out to him, like this is an argument they’ve been having for a while. “Jonathan–”
“There is. There’s something wrong with me. That’s just what my fucking dad would have done–”
Oh, shit, Lonnie’s back in town, isn’t he? Eddie somehow managed to forget about that along the way. He offers Jonathan a cigarette. Jonathan takes it but doesn’t light it immediately, a rattled, distant look in his eyes. Eddie decides to take it slow. “Your dad?”
Nancy shoots him a look, which he ignores.
“Yeah, he’s– y’know, he’s back in town. Or was yesterday, anyway. Mom didn’t let him stay very long. He turned up saying some shit about how life is short and he wants to be in our lives, which is total fucking bullshit, and then Bob turned up at the house and you can imagine how that went–”
“Not well,” Nancy intones tiredly, running a hand through her hair and then leaving her palm on her forehead, as though she’s got a headache. Her satchel is overstuffed with books, the strap digging into her shoulder.
“So it was a totally pointless five hours, really, like a total waste of everyone’s time, just like he always is, he just traumatized Will a bit more for the fun of it, and of course Bob had to sweep in at the end like he’s trying to be dad of the fucking year–”
“Jonathan,” Nancy says, a little bit of warning in her voice.
He looks at her. “What?”
Then Nancy looks at Eddie, and oh, no, he isn’t having this conversation. No matter how upset or otherwise he should be by what Jonathan is saying — fuck that. They look at each other in silent stalemate for a moment, a long moment, as Nancy’s eyebrows draw together and she stares at him like she can’t understand him, which, good, because she can’t. Eddie’s not giving her the satisfaction of saying anything, just stands there. Stonewalling. He sticks a cigarette between his lips and tries to light it; the flame won’t catch.
Eventually, with a twist of her mouth that says she’s not pleased, she says, “Eddie gets it, okay?”
Jonathan frowns at her. “Well, yeah, I know he– but what–”
“Fuck’s sake,” Eddie says, as the lighter slips from between his fingers and lands in the dirt. He crouches to pick it up and it’s only down here, where he can’t quite see their faces, that he feels at all able to say, “My dad died.”
All the energy leaks out of him at that. He shifts so he’s sitting down, back to the wall, knees up to his chest, and he breathes out a shaky breath, the unlit cigarette held between his fingers. Digs the fingers of his other hand into the earth, closes his eyes. They buried his father. It’s done.
When he opens them, Jonathan and Nancy are both on the ground too — Nancy in her nice blue pants, leaning on Jonathan’s shoulder to steady herself as she gets comfortable — in some sort of circle of misery. “Sorry,” Jonathan says, at length. “For, y’know, going on–”
Eddie smiles a little. “Hey, complain about the living all you like. The dead aren’t coming back.”
“Are you– uh, are you okay?”
“I don’t fucking know, honestly. I don’t know.”
“Yeah. I get that.”
He’s glad it’s Jonathan, suddenly. Jonathan, who he’s fucking bonded to for reasons beyond the human and reasons beyond the supernatural. Jonathan actually looks at him like he gets it. “I haven’t, uh, been able to talk about it. Haven’t talked about it, whatever. No one really knows.”
Jonathan looks at Nancy then. “You shouldn’t have–”
Her eyes go sharp. “Well, you were saying all this stuff that can’t have been nice for Eddie to hear and what was I supposed to do?”
“Let me say it,” Eddie says, knowing full well he wouldn’t have said it, not unless forced. So it feels a little unfair. “It’s my fucking dad.”
“I know it’s–”
“You don’t know.”
She sets her jaw. “I know it’s hard. But you can’t just keep this to yourself for the rest of your life. It’s in the papers, Eddie. And I’m sure Hopper knows, and he’s not gonna think you’re not telling people, so it’s gonna get out and when it does–”
“What?” he bites out. Jonathan’s gone silent and grim.
“It’s better to tell your own story. Isn’t it?”
He looks out over the grass, the parking lot beyond. Not the most fitting of places to be having this conversation, but then again, nowhere in Hawkins ever is. He scratches at the back of his neck and says without looking at her, “It doesn’t give you the right to– yeah. It’s my story. My fucking life.” It comes out meaner than he intends. He’s all out of sorts.
“I didn’t–” she starts, then stops. “Yeah. I’m sorry.”
There’s another silence. Eddie drags a hand through his hair and looks at Jonathan. “You said Lonnie upset Will?”
Jonathan grimaces. “The usual, really. Will still– y’know. Misses him. Wants him to be around. So when he turns up for a bit and things don’t go the way they’re supposed to–” He shakes his head. “As if our family wasn’t fucked enough. I think this might be Bob’s last straw.”
“You think, or you hope?”
“At this point, I’ll just settle for us not moving to Maine.”
“I’d rather you didn’t move to Maine,” Nancy says lightly, and Jonathan turns and puts his face close to hers, and that’s a little too much romance for today, thank you. Eddie painfully gets to his feet and leans a hand against the wall, contemplating the entrance. Class. Does he want to go to class? Is he going to go to class?
Jonathan and Nancy, diligent students as they are, disappear back into the building before the next period. Leaving Eddie to think fuck it and go back home.
His uncle’s gone already when he gets there. He settles on the couch with The Left Hand of Darkness, plucked off his shelf at random since he hasn’t read it in a while and maybe something absorbing will do him good. But he can’t get his mind to snap into focus; it wanders, itches. He leafs through the bills on the counter and turns the TV on and off and designs a fifth of a DnD campaign for the kids before he’s read five pages. He wonders if Hopper would let him visit El. He even considers calling up one of the other kids to ask, before realizing it’s still school hours and no one’s home.
Eventually, he brews a cup of coffee and knocks himself out on the couch. He dreams of the feeling of sinking, like quicksand in the movies. A darkness closing over his head. And he wakes with a start, a gasp that jostles all his bones, and he squints in the trailer’s sudden dark — Steve. He’s supposed to see Steve at six. If he’s missed it–
He hasn’t missed it. It’s a quarter to six; he’d intended to shower, but he doesn’t have time. He just throws a different t shirt on, a trusty Judas Priest one, and ducks out of the trailer with the weed in his jacket pocket. And his Ritchie Blackmore’s Rainbow cassette, to add to the collection of metal in the van, in case they’re short on music. Knowing Steve, they’ll be short on music.
A strange flutter of nerves in his gut, though this is Steve. Probably because it’s Steve. Probably because, well. It’s better to tell your own story. Which means– he’s gonna have to fucking tell it.
Still. He puts on a brave face, ringing Steve Harrington’s doorbell.
Steve answers the door without much delay, a smile spreading on his face. “Hey, man, come in. Oh, god, what are those?” He’s looking at the cassettes in Eddie’s hand.
“This is good music, Steve, I’m not surprised you don’t recognize it–”
Steve flips him off. “Pizza first? Or pizza when we’re baked?”
“That’s up to you. You’re the lightweight.”
“I’m not the– okay, well maybe I am the lightweight, of the two of us, but I don’t smoke very often, okay?”
Eddie smiles and pulls himself up onto the kitchen counter. “Order the pizza, dude. We’ll put it to the test soon enough.”
Steve gets on the phone and makes small talk with the guy on the other end, asking how his day’s been, how busy they are, all that shit that makes him charming, the kinda guy you take home to meet the parents. When he hangs up, pizza ordered, he sits in a chair — house-trained, too — and says, “Did you ditch school today, too? I didn’t see you around.”
“Oh, I was, uh, I was keeping a low profile. I ran into Nancy and Jonathan, though. Jonathan was about three seconds from beating Tommy H. into a pulp.”
“Jesus,” says Steve, examining his hands. “Any particular reason?”
“Does he need a reason to beat Tommy H. into a pulp?” Then Eddie relents. “It was, um, about Nancy. People are saying bad shit about her, I think.”
Steve scrubs his hand over his face. “Yeah, I mean, I knew that. I’ve been trying to stop them saying it, but– well. I’m not exactly in the social graces either.”
“Welcome to the club. Wait, you should join Hellfire. That would really clinch the deal.”
“Yeah, uh, no. Not happening.” There’s an edge to his voice, a little thread of the old contempt, and Eddie eyes him warily. But it’s gone as soon as it appears, and Steve’s face rearranges itself back into this new softness he’s found, a sort of dumb-puppy look Eddie can’t help but consider to be genuine. They’ve nearly died together twice, saved each others’ lives. It has to be genuine.
“But yeah, I ditched the afternoon. I just– can’t really bring myself to do it, right now. Too much is– um, too much is happening.”
“Yeah. I get that. My dad’s so set on me going to college, so I need to do this application, and get the grades for it, but I just–”
Eddie could be cruel here, if he chose. Could take his pick: actually, that’s not what I’m talking about. The strike, or the funeral. Either one. But he doesn’t; he just says, “You don’t have to go to college, y’know. If you don’t want to.”
Steve’s brow furrows, like the concept isn’t even conceivable. “Well, no, I kinda do. It’s what my dad wants, and if I don’t go, I’ll end up working for him anyway, so better to get out of here for a couple of years while I still can.”
“Do you always do what your dad wants?”
Steve shakes his head, though it seems a pointless gesture. “I’m not high enough for this conversation.”
“You can say that again. Where are we smoking?”
“Upstairs, there’s a spot on the roof. Do you wanna, uh, roll them, or–”
“Already rolled, baby. I’m a professional.” Eddie gets out his little cigarette case and opens it, showing off the joints.
Steve looks at the case with interest. “Where did you get that?”
“It was my uncle’s– well. Girlfriend, I guess you’d call her, Jesus. I’m pretty sure it was hers, anyway. I haven’t asked. She was the kinda woman to have something like this, I think. I don’t really remember her. More through my uncle’s stories, which, if you believe Henderson– children’s memories begin between two and seven, so who knows what I actually remember, and what I’m just inventing.”
“It’s nice,” Steve says. “Did you like her? In these– I don’t know, half-fake memories?”
“I think so. I like what my uncle says about her, anyway. She was called Carolyn, she, uh, she died of cancer when I was six.” He remembers warm arms, soft dark hair. He remembers books, too, would it be overly romantic to imagine that’s where he got his interest in reading? “Jesus, this got morbid.”
Steve shrugs, ducking his head behind his hair. Eddie’s not sure he’s ever seen him do that before. “I don’t know, I think it’s nice. Carrying a nice piece of your childhood around with you.”
“Yeah, I guess.” Eddie feels the prickle of discomfort and guides the conversation somewhere easier — and soon enough the doorbell rings with their pizza, and they take it upstairs, out to the flat section of roof outside Steve’s window, where the night spreads out even and mild before them. Steve puts his own cassette in his music system, against Eddie’s protests, and soon enough there emerge the opening beats of Springsteen, Born in the U.S.A. “When will I know peace?” Eddie drawls, sprawling himself over the roof with a dash of customary melodrama.
“C’mon, it’s better than Wham!. I know you think it’s better than Wham!.”
“Damn right I do. But only because Springsteen is the people’s hero.”
“Well, whatever, he makes good fucking music.” Steve lays out beside Eddie, putting the pizza between them, taking a slice as he nods his head along to the song. “Ugh, this is just what I needed.”
Hesitantly, Eddie takes his own slice. It tastes greasy and like nothing but cheese, the way all cheap pizza tastes, perfect for combining with an illicit substance or two. They eat a few slices each; then he slides the first joint between his lips and lights it, cupping his hand against the wind. Takes a long, burning drag, then hands it over to Steve. Steve takes his own drag and sighs.
“This, too. God, I needed this.”
“You have no idea,” Eddie says, taking the joint back and sinking into the faintly rising high. “No fucking idea.”
“My dad’s convinced I already do this anyway. Y’know, getting high out here every night. Weed and much worse. So I figured, why not make it true? If he’s so fixated on it?”
It just slips out. “My dad’s dead.”
A silence. Steve lifts his head. “Shit, I didn’t–“
“It isn’t, like, a competition thing. I’m not trying to, y’know, trip you up, or whatever, I’m just– Nancy said I should tell people, so–“
“Oh.” Steve exhales audibly. “You– because you do that, sometimes.” Voice quiet. “When you’re telling someone something serious, or someone’s telling you something serious– you trip them up, man, you– it’s like you’re trying to stay a few steps away.”
“My dad dying isn’t about you, Harrington.”
“Yeah, I fucking know that, I’m just saying you–“ A silence. “When did he die?”
Eddie can’t lie about that. “Sunday.”
Steve takes the joint but doesn’t inhale, just stares up at the sky for a moment. Then he looks at Eddie. “Do you trust us?”
Another silence. Eddie stares at him. “What kind of question is that?”
“Do you trust us? Because– I don’t know. You didn’t tell us.”
“I can’t believe you’re taking this fucking personally. This isn’t– what the hell are you even–”
“Hawkins is a dangerous fucking place. All right? We can accept that?” Slowly, Eddie nods. “And if we’re accepting that, then we have to accept that trusting each other– telling each other our shit– it’s the only way to survive. Right? The good and the bad. Everything. You have to know we’d be there for you, right?”
Do I? Eddie thinks. Would you? But it feels naive to say that. Like he’s falling into Steve’s little trap. Being tripped over himself. “You’re gonna sit there and say we’re– what. Gonna bare our hearts to each other, huh? That you’re gonna bare your heart to me? Confessions under the moonlight? Come on, Steve. We’ve both changed, but not that much. Survival be damned.”
“I’m not saying that. I’m just saying– I don’t know what I’m saying.” Steve goes quiet for a moment, stretching into a while. His face is in shadow, lit only by the glowing end of the joint as he inhales. “It’s not about telling each other everything. But it’s about– y’know, not lying, either.”
“I’m not a liar,” Eddie says, feeling false even as he says it. Perhaps he is a liar. Perhaps it’s a skin he wears, habitual as the first smoke he lights up when he wakes up in the morning. Perhaps he does lie.
“How about this, then? Thanks for telling me.”
Eddie inspects his profile for sarcasm, and finds none. “You’re welcome.”
“Do you want to– I mean. Context clues, you probably don’t, but I’ll ask anyway. Do you want to talk about it?”
“I don’t know. Jesus, I don’t know, people ask you that but you just don’t know. I should be sad, but I’m not sad, but actually I can’t really tell if I’m sad, and then on the flipside maybe it might be nice to feel relieved but I’m not feeling that either. Nice in the sense that, y’know, it’s a more, uh, pleasant feeling than this– this dull sort of nothing I’ve got going on right now. Not nice in the sense that it would make me a good person.” Eddie laughs thinly. “I don’t think anything about this is making me a good person.”
“Would a useless saying make you feel better? I’ve got tons. These things take time. Healing is a process.”
“Jesus, did you swallow a self-help book?”
“My mom has some lying around.”
Eddie takes the joint back and takes a long, numbing drag. “Keep ‘em coming, man, it might even be helping.”
“There’s a remedy for everything except death. That one’s Italian, from my mom’s side.”
“Can you say it in Italian?”
“No.” Steve smiles lopsidedly, like he’s oblivious to the loss he betrays when he says, “My grandma was Italian, so my mom can speak it but she doesn’t, really. Trying to fit in and seem more American, or whatever. She never taught it to me.”
“Not a word?”
“Not a word.” Steve’s smile dims a little. “How about we are not in the grave, the grave is on us?”
Eddie feels a little shudder go through him, as that sits there in the silence. “What does that one mean?”
“I don’t know, really, I think it’s sorta about– death not being you. Death just being something that sits on top of you.”
Like it’s a way of returning the dead’s identity to them, a person still, but Eddie’s not sure he’s really capable of seeing it that way. It puts him in mind of his dream. The sense of sinking below a dark surface, closing over his head, like death is something that drowns you, puts its hands on your shoulders and drowns you, grinning all the while. “I think that’s enough proverbs for today, huh?”
“Probably,” Steve agrees. “Let’s just get really fucking high instead.”
Eddie likes that idea. And he’s pretty good at it, when he sets his mind to it. One of his limited talents. They spend several hours on the roof, ability to use their limbs going in and out, the sky stretching out above them starry before it dissipates into dark cloud. They listen to the entirety of: Born in the U.S.A., Bruce Springsteen; Tonight, David Bowie; Ghost in the Machine, The Police; and Heartbeat City, The Cars, when Eddie’s tired enough he can no longer protest. Then Steve plays the first song off Heartbeat City again, Hello Again, and though Eddie’s coming down the lyrics seem to elongate about his head — when there's nothing, nothing left to lose, you leave it all to fade to blue. Maybe it’s pointed.
Finally, they’re left in nighttime silence. The weed is long finished. Eddie comes back to his body with a strange feeling of disappointment, but it brings with it his awareness of Steve as a body, too, just across the roof from him, only a couple feet. Thinks of Martin saying this isn’t something, is it?
And neither is this.
Sex and death, it’s all tied up together, Eddie knows this. The point is we don’t let it be about death, even though death’s, like, everywhere. But we’re not in the grave, the grave is on us. It’s fucking there, waiting. And his father caught an infection and died.
When he’s sober enough, he drives home. His uncle’s long since left for work. The trailer is dark and cold, and he’s not in the grave, the grave is on him, and he’s got to run from that the only way he knows how. So he gets high again.
Notes:
– whether rick actually won the money or not is up to interpretation. the biggest race at the breeders' cup is the classic, which was won in 1984 by 30-1 longshot 'wild again', so unexpectedly large winnings might have been more likely.
– the album stained class by judas priest was released 1978
– the left hand of darkness by ursula k. le guin was published 1969, considered one of the most influential sci fi novels ever written. it explores sex, gender, and androgyny.
– ritchie blackmore's rainbow is the 1975 debut album of metal supergroup rainbow, which featured ronnie james dio and ritchie blackmore, previously of deep purple.
– springsteen's born in the u.s.a. album was released june 1984 - see this post for a great meta on steve's connection to springsteen.
– the second two proverbs were found here; the last one is an irish proverb.
– bowie's tonight was released september 1984
– the police's ghost in the machine was released 1981
– the cars' heartbeat city was released march 1984thank you for reading, as ever, and let me know what you think below! you can find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 33: Since I've Been Loving You (Led Zeppelin)
Summary:
“Steve,” Eddie says again, feeling a wave of unnecessary panic. Panic that thrums through his chest and has him hunching deeper against the wall, half longing for half dreading that sweeping tide of dark distance–
“Eddie,” Steve says, voice sharpening. “What’s wrong?”
Notes:
heavy warnings in this one for drug overdose, implied suicidal thoughts, referenced child abuse & domestic violence, and panic attacks.
(See the end of the chapter for more notes.)
Chapter Text
SATURDAY NOVEMBER 17TH, 1984
It’s two a.m. He’s not intending it to go this far, necessarily. He’s intending a couple lines of ket, enough to tip him over back that sweet, sweet edge into comfortable oblivion. It’s a painkiller. People are always telling him to take painkillers: he dislocates his shoulder, bam, you should take something, Eddie, pain puts stress on the muscles, and isn’t this the same? Relieving stress. Making it all go away. He said to Will, didn’t he, that it’s okay to run. It’s okay to run away from what’s inside your own head.
He starts with Steppenwolf, listens the whole album through as he lets the first few bumps settle through his body. Which body fades to a hazy knowledge just outside of his awareness, which isn’t far enough, so he snorts some more. Plucks out a few chords on his precious guitar, reflects on quite what a shame it is he’s been barely able to touch her lately. She deserves better than that. But his fingers are numb and uncooperative, cold, and he’s not doing her justice, so he lets her go. Puts her back in her case.
After that, he goes back to the ketamine.
He starts to feel like he’s playing brinkmanship with his own life when he reaches the end of the album and every movement feels like wading through molasses. It’s not like he hasn’t been here before; but he also hasn’t been here and kept on going. Tonight, fuck it, he’s going to keep on going. When you’re going through hell, keep going, isn’t that the phrase? That’s the fucking phrase.
So he puts on Led Zeppelin III, with all the dexterity he has left, and gets even higher.
And for a while, it’s just right. It’s floating on an inky surface, a long way from shore, where he’s left his body far behind — it’s detachment from the reality of death, the reality of the grave. He can regard his trailer with nothing but curiosity, all the things that usually have such sentiment attached — the Stephen King book he kept his dad’s letter in, the letters from Janie on the desk, the total absence of anything relating to his mom — each of these things becomes another discrete item in a list of things, a universe of things, and what use are things to him, in this great big nothing?
Then, he’s calm. He feels good. He feels as though his dad and Martin and Steve are organizing themselves into the correct perspective in his head; he feels as though they finally make sense. He likes the way this surface feels.
It’s at this point, of course, that the surface begins to suck him under.
Since I’ve Been Loving You is playing, desperate, mournful. He’s aware of that, even if he’s aware of increasingly little else. Shadows getting wider. Things opening up in empty space before him, a void in front of and behind him, the sense that he’s falling back through the couch and yet forwards too, all at once, forwards into the imagined light of sunshine and snow in a place he’s been, the prison parking lot, and this is where the grief comes from — not in the inky lake, not in the trailer, not in his body, really, but in this parking lot, in cold white flakes spotting damp on his cheeks and the sense of leaving someone or being left by someone behind — the knowledge that here, this is where the sadness lies, not anywhere else, but here that sadness remains and does exist, though he’d thought it didn’t —
Then he’s not in the parking lot. Then he’s in his old bedroom, still, aware of his body not as a body but as a blotch of angry pain, like a stain in the air, and the knowledge of the reason for that pain just outside the door, fresh and ready to inflict yet more of that pain, and there’s nowhere he can go — he’s just there, in that room, existing with the bitterness and none of the grief. It hurts. Ketamine’s not supposed to make it hurt.
He surfaces again, shaking, after an unaccountable amount of time. He’s trembling all over. Sweating. Nausea rising in his stomach, a great dead lethargy weighing his limbs down. His heart is racing like he’s got an energy with nowhere to go, frozen within this dark mire of paralysis and he doesn’t want to do this anymore, he doesn’t– he can feel it swooping over him, the dark surface, sucking at him like the sinking in his dream–
He drags himself across the floor, with what little control he has over his limbs. Crawling, like a child. Everything dull and blurring, his sense of reality going in and out. Too much, he thinks, taken too much, and then as he’s thinking that he’s already by the telephone, how did that happen?
He sinks against the wall. Grabs for the telephone, clumsily, sends it clattering out of its cradle. Takes it up and dials, through the shakes running through him. He knows the number. He remembers the number.
“Steve,” he whispers into the phone.
Steve breathes into the phone, tiredly, like Eddie’s woken him up. Sounds unnaturally loud. “Hello? Who–“
“Steve,” Eddie says again, feeling a wave of unnecessary panic. Panic that thrums through his chest and has him hunching deeper against the wall, half longing for half dreading that sweeping tide of dark distance–
“Eddie,” Steve says, voice sharpening. “What’s wrong?”
“I’m– I’ve–“ Eddie can’t get his tongue to match his words to match his thoughts. Everything feels slow and muddled. “Too much. I’m–“ He rides another jolt of panic, feels distinctly like he’s going to throw up, covers his mouth and says with all the energy he has left, muffled, “Fuck, taken too much. ‘M– scared.”
He’s not sure what Steve says to that. He thinks he passes out. He drifts through that dark surface and the depths beneath it, echoes of what he saw before but with less clarity, now, more creeping shadows and horrors just outside his plane of vision, the separation between mind and body less calm and more threatening in that anything can get in between–
The second time he surfaces, there are lights on and people talking and someone’s moving him, shifting him onto his side, he’s not sure, numbness is going in and out, and he tries to look up at them but he can’t quite make his head lift all that way and he doesn’t know who they–
“Steve,” he says, and he can’t really hear his own voice over the viscous way the room spins and he thinks maybe he’s dying; his chest hurts. “Steve.”
“I’m here,” Steve says, voice so sweet so soft-sounding Eddie could sink into that and fall asleep and he thinks he does for a second before his head jerks up and heart pounds so hard he’s afraid it’s going to leap right out of his chest and run off somewhere, fuck, he can’t chase after his own heart– “Shit, Eddie, does he– should we keep him awake–?”
“Keep him awake, keep him breathing, don’t let him choke on his own vomit,” someone says, a woman, as if from very far away. Who’s him? Eddie wants to say. Who’s Eddie? He doesn’t think he exists anymore. There is no him, only some pitiable creature melting into the carpet, into the walls, disintegrating even as someone grabs him by the arm and hauls him up, dizzy, his limbs aren’t working the way they should–
He really feels like he’s dying. He says as much, slurred, because he can’t get his jaw to do what he wants and then the person holding him up lets him go and the room tilts as he sags to the floor in the bathroom, tiny bathroom, tiles he cleaned last week so why is there dirt crawling out of the grout why is there oily dark seeping out towards him–
He thinks he cries out. He’s not really sure. Sure only that then there’s hands on his arms someone’s eyes Joyce Byers why is Joyce Byers here and why is she saying “Shh, Eddie, listen to me, sweetheart, you’re safe, okay? You’re safe here, you’re with us, you’re safe. It’s gonna be okay,” because it’s not gonna be okay he thinks he’s losing his mind he feels like he’s not even here–
He throws up, a little bit on himself, a little bit in the toilet bowl as Joyce holds his hair back and rubs circles over the line of his spine, “You’re doing so good, you’re okay, sweetheart, you’re okay,” and that has to be proof that this isn’t really happening, right? That this isn’t really him? Because that’s something people say to other people and people don’t say to him?
His first concrete awareness of sensation is the cold hard rim of the toilet bowl pressed against his forehead. He pushes into that feeling and becomes aware, too, of the trembling in his hands, so forceful his fingers are rattling against the tiles, kneecaps aching on the floor — and all these awarenesses do nothing to prevent the catch of air in his throat and the panic attack that follows. A hand on his back, all the way through it all. Soft, gentle voices. He cries, finally. He cries. Tells someone, he doesn’t know who, that his chest hurts. In his head, though he manages to keep this in, he means more than that.
Eventually, the surface slides on into morning.
He wakes in his bed to a strip of gray light. It’s cold in his room; there’s gooseflesh running up his arms, bare in his t shirt. He smells bad. Smells like sweat and sick. He doesn’t move for a moment, half afraid he won’t be able to, half unsure why he’d even need to bother. Just lies there under the weight, this morning, of nothing but what happened the night before.
“You’re awake, then?”
He turns. Relieved to find his muscles still work, though they ache with a wintry cold, like he slept outside.
Little old Avni from across the way is sitting by his bed, in a chair dragged in from the kitchen, reading his battered copy of Firestarter. She’s not looking at him, her eyes flickering across the page, as she says, “That was a fucking rough night for you, I’d imagine, but you’ll live. You did have a seizure, which is something you should keep an eye on, and I’ll let your uncle know. I gotta be honest, I was expecting worse. I brought my naloxone kit and I’m damn glad I didn’t have to use it.” She looks at him; there are deep, grim lines in her face, worry and resignation and irony all at once. “That isn’t to say this isn’t bad, Eddie. What did you take? Ketamine?”
He nods silently.
“Okay, well, it’s unlikely to kill you on its own, but you mix that shit with anything and all bets are off.” She pinches her lips together. “This isn’t a happy road to go down, kid, and I think you’re aware of where it ends. You’ve had a rough life but don’t make it any rougher, okay?”
She makes to get to her feet. He says, unthinkingly, “I saw your grandson in Indy a couple days ago.”
She stiffens. “Martin? How is he?”
“He’s– he’s good.” There’s nothing really else to say.
She nods and stands up, the book still in her hands; she holds it up. “Mind if I borrow this?”
“Go ahead.”
She smiles narrowly and goes out. Like he can be trusted to be on his own, now, like he’s not going to slip into a coma spontaneously or else take more drugs. He stares at the ceiling and unfolds his aching limbs from their cramped position curled up; he’s all too aware of his body now, which was sort of the point, avoiding it, and where has it got him? His head hurts. His mouth tastes sour and vile. There’s a glass of water left for him on the nightstand; he reaches for it with hands that won’t quite cooperate and spills half of it on the floor before he gets it to his mouth.
But it helps, enough that he finds the strength of will to get out of bed. Cold, he reaches for Wayne’s sweater, left on the back of Avni’s chair. He tugs it over his head, breathes its cigarette smell in, pulls the sleeves down over his hands. Then he goes through to the other room, following the quiet hum of the television.
Avni’s gone. Joyce and Steve are side by side on the couch, both slumped back tiredly, a half-full ashtray balanced between them as they watch TV, what looks like an old Good Times rerun. They’re not really laughing, though Steve lets out a little snort occasionally, like he’s making an effort.
Eddie drags a hand through his hair, overcomes the sudden tide of dread to say, “Hey.”
They turn to look at him. Steve looks tired, his hair flat. Joyce’s eyes are deep in shadow. But she says, “Hey,” voice impossibly soft, and Eddie has to take a great gulp of air to keep his eyes from tearing up.
“Hey, man,” Steve says, like they’re just passing each other in the hallway on their way to their lockers.
Eddie looks at the cigarettes on the table. “One of those going?” he says, and wordlessly Steve passes the pack up to him. He starts smoking in silence. It’s rare he’s left without anything to say; but today, this morning, he’s coming up empty. More that he doesn’t know what to say to them, because really, if he wasn’t out of his mind like he was last night and he had to choose–
He wouldn’t have chosen them. Wouldn’t have chosen anyone, really, but wouldn’t have chosen them. He had a fucking seizure, for Christ’s sake. They shouldn’t have had to see that.
“I need some air,” Joyce says finally, standing up. “Eddie, come keep me company outside?”
It’s not a request. Eddie follows her outside, feeling Steve’s eyes on him as he leaves, but he doesn’t look back. Just blinks in the dull light as he leans against the wall beside Joyce, watching her light another cigarette, the trailer park damp and gray with dawn before them. It must have rained last night; not that he’d really know. Her Pinto is parked next to Steve’s Bimmer, a contrast that on another day might make him smile, and there’s few people around. It’s nearly seven-thirty. His uncle will be home from the plant in an hour or so, his car joining theirs. Fuck.
“Steve called me,” she says eventually, “after you called him. He was worried. Really worried. And I called Avni.”
“How’d you know Avni?”
“It’s a small town, Eddie. She–” Joyce squeezes her eyes shut, looks at the ground, opens them again as she looks back up. “When Lonnie was– at his worst, I couldn’t, y’know, afford to– and right after he left, too, my health insurance was all screwy so if anything happened– Avni was who we went to.”
Another connection, threading across Hawkins, which is a small town but not that small, not really. Not small enough that this can mean anything other than what it means, which is that they’re both poor, both victims of violent men. “She’s pretty good.”
“Yeah, she is. Eddie–” Joyce is smoking with the other arm held over her chest, fingers hooked onto her collarbone, like she’s holding fractured pieces together. It strikes him that she’s probably having just as bad a week as he is. Still, he braces himself for it — the lecture, the put-down, the inevitable disappointment. Instead, she says, “I’m sorry about your father.”
“Are you?”
She smiles tiredly. “Not really, no. I’m sorry for you, that you’re hurting. I know it hurts, even when you don’t think it should.”
He opens his mouth to deny this; to say no, actually, the problem is it doesn’t hurt — only that’s not quite true, is it? Last night he found the hurt within himself, and it’s there, lingering, peering out of that door he left open, the one he didn’t even know he’d closed. “Thanks,” he says, in return. “Fucker doesn’t– um, doesn’t deserve this. Me, y’know, me doing stupid shit and losing my fucking mind over it, like I didn’t make the choice to leave that behind. Leave him behind. Like he’s still fucking me over from the grave.”
“That’s what they tend to do.”
“Yeah.”
She puts her cigarette to her lips, inhales. When she takes the cigarette out of her mouth, she says, “I know what it’s like, Eddie. I know what you’ve been through, and you’ve been through a lot. I’m not gonna condemn you for not handling it, okay? But this thing with the– with the drugs, that’s got to stop. It’s not safe and it’s not fair.”
He looks at the ground. “Yeah.”
“Your family and my family, they’re somehow– I don’t know. We’ve got a lot in common, and Will– he recognizes that. He’s perceptive. He can see it, he sees himself in you, he wants to be like you, and I’m worried that–” She sighs. “I don’t want him seeing you and start dealing with it all–”
“–the way I’m dealing with it,” Eddie finishes for her.
“Yeah. God, this fucking situation, it just–” She presses her hand to her face, thumb and forefinger to her eyes. Then she looks at him again. “Maybe take a step back, okay? Just until you’ve cleaned yourself up. I mean they’re tough kids, all of them, but I’m his mother and I just–”
“Yeah,” he says, softly, looking at his hands, which are still trembling. He gets it. He wouldn’t think himself a good role model either.
Her hand lands on his arm. “It’s gonna be okay, honey. I know it doesn’t seem like it, but it’s gonna be okay.”
His eyes sting again. This time, he can’t prevent the tear that slides down his cheek, and Joyce makes a shushing sound as she pulls him into her arms, slight and short but strong as she holds him close, warm, and good at the soothing nothings he’s heard other people’s mothers say, but never his own.
“You’re gonna be okay,” she whispers. He’d love to believe her.
She leaves fairly soon after that, citing her Saturday shift, and Eddie goes back inside, where Steve’s still watching TV. He looks up as Eddie comes in, eyes flickering over him with attention that feels all too unbearable now, right now, after last night. Eddie sinks into the chair and puts his head in his hands to avoid looking at Steve.
“You okay?” Steve says, turning the TV off. So he wants to talk. Great.
“I’m fine, Steve.”
“What did she say?”
“She was nice.”
“Eddie–”
“She said some shit I already fucking knew, okay, you think when someone takes too many drugs they don’t know it’s a bad thing? You think I did this for my own fucking health?”
A silence. Eddie looks up and finds Steve staring at him, eyes wide, unreadable. His voice is quiet when he says, “So what did you do it for?”
“I–” Eddie leans back, lets the chair catch him as he loses the energy to hold himself up. “I don’t know.”
Steve’s face twists. ‘I– I’m sorry, if I– getting high with you, saying we should– if that–”
“This isn’t anything to do with you, Steve.” It comes out cold and drained. Eddie hasn’t got anything left; he doesn’t care whether it’s true or not. Maybe he is a liar. “If you’re just here because you feel, uh, guilty, or whatever, then–”
“I’m not.”
“So why are you here?”
They look at each other. The moment stretches out, until Steve breaks it, looking away as he scratches the side of his jaw. “Because you asked me to be, man.”
Oh. And Eddie did, come to think of it. Maybe not in so many words, but he called Steve, he remembers calling Steve, and what else could that mean? “Well. I– thanks, I guess.”
Steve looks like he wants to say more, but he settles for, “You’re welcome.”
“Fuck,” Eddie says, rubbing his forehead. “Just when you were beginning to wonder why people always warned you to stay away from me, here’s, uh, here’s a reason right on a silver platter–”
“Don’t say that. I’m not thinking about that.”
Eddie drops his hands, spreads them. “What are you thinking about, Steve? I mean, I can’t– I can’t get a fucking read on you, man. I never can, not really, but today? Last night you, uh, you saw trailer trash, super senior, Eddie ‘the freak’ Munson at his most pathetic, and, what, you’re just gonna– sit there? Just– like that?”
“I guess so,” Steve says. “I guess I am gonna sit here. I mean– what are you even trying to say? You did too much ket so now I’m just gonna fucking– go back to Carol and Tommy H. and forget we were ever friends?”
“I don’t know what you’re gonna do. You’re a– you’re a fucking mystery to me, man, really.”
“Well, you’re a goddamn mystery to me, too, Jesus, every time I think we’re actually getting somewhere it’s like you want me to be what I’m trying not to be, King Steve, or whatever–”
“I don’t–” Eddie drops his head into his hands again, the headache surging up. “God, I don’t fucking know. I don’t want you to be that. I, uh, I like this Steve.”
“Well–” Steve sounds a little wrongfooted by that, though Eddie doesn’t lift his head to check. “Good. Thanks.”
“Nothing about this is fucking easy, is it?”
“No,” Steve agrees. “It isn’t.”
Steve goes soon after that — my parents will be home in an hour or so, technically I’m still grounded — leaving Eddie to await his uncle, from whom he can’t really hide this, not really. Avni will tell him, anyway, so he’s going to have to–
But he doesn’t think about that now. Now, he sits down to write a letter.
He hasn’t written to Janie in a while. It’s hard, putting pen to paper. Harder still when there are monsters trying to kill you. But here he is; and if he’s going to talk to anyone, he has to talk to her. So he writes.
Hey, Janie.
It’s been a long time, right? Or, I don’t even know how long it’s been, maybe only a few weeks since I got your letter, but those weeks have been big weeks. For me. For America, too, you know Reagan got reelected? Asshole. And things are kicking off with the workers in town.
He considers writing about the contamination more explicitly, but decides against it; who knows who might read this letter. Agents Blass or Faraday would love to nail him on that, he knows.
Wayne’s getting involved a lot. Organizing meetings and shit. They’re all calling the trailer, like he’s the one they look to for advice. O’Dell — you remember O’Dell, the guy who sells the Christmas trees? Or used to sell the Christmas trees — had an incident with a worker who’s doing the construction on his old farm, and who did he call to help? My uncle. For some reason. Not that Wayne isn’t capable, he’s fucking capable, but still. It’s strange that the revolution’s being run out of my own house. Or trailer. I guess that’s the point.
Writing all this, I realize I’m delaying what I’m really writing to tell you, so here it goes: my dad died. In prison. I didn’t see him — I haven’t seen him since that time at Christmas. We found out from a phone call, the prison called us. He died of Hepatitis A. Writing this, I’m also realizing it’s easier to write it down than say it. Or maybe it’s easier to say it now too. I’ve been having trouble with that, and people are getting mad at me for it. It’s just complicated. And you know me, complicated instructions always twist me around. I think I somehow got lost on the way, A to B. A being him dying and B being me dealing with it like a healthy, rational adult.
Instead, I’ve been dealing with it the way you’re probably afraid I’ve been dealing with it, having read this far. Yeah. Sorry. I think you saw this coming, last year, with all the Tommy C. and the Rick stuff. I started working for Rick because I felt like I had no option, and now I still have no option but that’s over, really, I don’t have a choice anymore about that. Maybe that’s a good thing. Less tempting, fucking whatever. You know I had this conversation with Max the other day, she’s friends with the kids I DM for — her brother’s a total piece of shit, because his dad’s a total piece of shit, and she was trying to reckon with the whole cycle. She’s convinced she’s gonna turn out to be a total piece of shit too. And, you know, I tried to do the whole ‘it gets better’ thing. Think about yourself, not what you’re afraid you might turn into. And here I am, and I just couldn’t help myself. And now I’m someone who gets ‘tempted’. Jesus fuck. Maybe the whole world is nothing but a cycle.
I don’t even know why I did it, really. It wasn’t that I was trying to numb my grief, or whatever, because I’m still not convinced I’ve got all that much of it. Before last night I thought I was feeling nothing, and I kind of was feeling nothing, and then last night I somehow saw inside myself, like back to my own memories and I was in those memories but not in them either, and it was like I could see the grief in that memory? And in another memory, I could see the anger? And they were separate but also together, since they’re both part of me, and I mean I know it sounds like hippy-dippy crap but I had this sense of myself not as ‘myself’, exactly, but as something made up of lots of other things, bigger and smaller than me, and the whole nightmare of it was trying to make sense of that mess. I still don’t know what it means, or what I feel about it. If it’s a good feeling or not. It’s hard to think it should be a good feeling, right? And yet.
I don’t know what I’m saying, really. I guess it’s mainly guilt. In that everyone’s telling me to be honest and you told me that too, last year, so this is me righting my wrongs, or whatever. You don’t have to read this. (It’s a bit late to say that, sorry.) I guess I just want you to know you were ahead of the curve.
I hope you’re doing well, you and your dad and Xiaoping. He sounds cool. It might not be so bad to be away from American pop culture for a bit, though maybe that’s the hangover talking. Everything feels very gray and unappealing right now. I saw Martin a couple days ago, which was interesting, though it sort of accelerated whatever spiral I was going down. Everything’s about death here. Death and class, that’s the true American dream. What a happy letter for you to read over your breakfast.
I haven’t really been thinking about the band. It would be fun to perform, if we can find somewhere, but as you can imagine my mind’s a bit all over the place. Plus I think Aaron is pissed at me, and Jeff’s obviously got shit to deal with too.
Your mom’s doing okay, I think. I don’t really know. I hear she’s dating someone new, who might be the Icex foreman, but that could be a vicious rumor. You didn’t hear it from me.
Hawkins is, unfortunately, not at all dull without you. Dull would be nice. Come back and make it dull again, in a good way. Maybe I wouldn’t have gone quite so insane if you were here.
Love,
Eddie
Notes:
– steppenwolf's self-titled debut album, steppenwolf, was released in 1968
– led zeppelin iii was released 1970
– firestarter is a stephen king novel published in 1980, featuring a father and daughter on the run from the government; the father and the girl's mother participated in lsd experiments and consequently the pair have telepathic and pyrokinetic powers respectively. undoubtedly was an influence on el's story in stranger things.
– naloxone is a drug that can reverse the effects of opioids such as heroin and methadone; ketamine is a dissociative. kits were issued to medically untrained people starting in 1996; avni was once a nurse, so i'm imagining she'd have readier access.
– good times aired 1974-1979, a sitcom about a poor family in the chicago projects, the first sitcom to feature a two-parent black familythank you for reading, and let me know if you're enjoying it below!
as always you can find me on twitter (ohtobeinlove) or tumblr (palmviolet).
Chapter 34: This Is the Day (The The)
Summary:
Eddie spots headlights coming up through the trailer park, and the low hum of bass, cut through with saxophone that reveals itself to be, as the Bimmer draws closer, Wham!’s Careless Whisper.
“Should I be worried?” Eddie says, uncurling his legs but not standing up as Steve gets out of the car, the music cutting into silence. “That’s a pretty heavy breakup song.”
Notes:
warnings for classism, referenced drug use, referenced child neglect, and an implied reference to the AIDS crisis.
(See the end of the chapter for more notes.)
Chapter Text
SATURDAY DECEMBER 21ST, 1984
There’s Madonna playing overhead in Melvald’s, Like a Virgin. Eddie wrinkles his nose as he and Jonathan come in, the bell ringing on the door, Joyce looking up from the counter in her navy smock with a warm smile. “Hey,” she says, rounding the counter. She looks better than she did, a little less gaunt. “Are you in for your photos?”
“Yep,” Jonathan says, with a roll of his eyes. Eddie’s heard a lot of complaints from him on the way — it’s so much better to develop my own, I hate not having that control over the process — because they’ve temporarily closed the school darkroom after two juniors were caught having sex in it.
“Coming right up,” she says, playing up the customer service voice (shoot Eddie if he ever works somewhere like this) with a grin. She disappears behind the photo counter and Eddie leans over it, tapping his rings on the surface.
“This Madonna song,” he says, “it’s a conspiracy. To ruin all our eardrums.”
“Tell me about it,” Jonathan says, leaning beside him. “Give me some Joy Division any day.”
“Oh, Christ, I should know better than to empathize with a new wave fan.”
“Yes. You should.”
Joyce reappears, an envelope of photos in her hand. She pushes it over the counter and says, “There had better not be too many of me in there.”
“They’re just going into the album, Mom, and it’s nice to have photos of everyone.” He picks up a couple more rolls of film and she rings him up.
“If you say so,” she says, as the bell dings again and another customer comes in. “Okay, shoo, you two, I gotta work.”
They go back outside to Jonathan’s car, where Eddie slides into the passenger seat and peers with interest over the stick shift as Jonathan opens the envelope and sorts through the photographs, glossy in the light. Lots of the kids, playing cards and Clue and sword fights in the autumn-swept yard. Nancy, a lot of Nancy. One particularly close, soft one, warm-toned against bedsheets, her shoulders bare, and Jonathan flicks past it quickly with a flush rising on his cheeks. Some of Joyce, mainly in the kitchen. Bob and Hopper flicker in and out of these pictures, ephemeral presences in the constant of the family life. And then there’s Eddie and Steve, background but sometimes subject, Steve posing for the camera where Eddie mocks it.
They’re good photos. It softens something inside him, seeing them. The way their images all sort of belong together, now. Slotted together in an album.
“Look at that light leak, Jesus, this is what I get for not developing them myself.” Jonathan’s frowning at a picture of Will and Max, with a great blur of blue light swallowing half of Max’s face.
“It’s abstract. Arty, whatever crap. It’s cool.”
“Thanks,” Jonathan says vaguely, slipping the photos back into the envelope and then sliding it into the dashboard. “It still feels weird. Someone else’s grubby hands all over– I don’t know. They’re just photos, but they’re not.”
“We used to get people like you at Thacher’s, when I worked there. Really nice cars, muscle cars but not always, sometimes it would just be a dependable Ford, but they’d be so precious about them. Make me promise I’d take good care of their baby, whatever, even though I was mainly just the guy who did the intake and operated the scissor jack.”
“You’re saying my camera’s a dependable Ford.”
“I’m saying it’s, y’know, an expensive piece of heavy machinery.”
Jonathan rolls his eyes again and turns the engine over. The cassette player clicks into life with that The The album, This Is the Day cutting in loud where it left off on their journey here. Eddie shakes his head as Jonathan puts the car in gear, backing out of the space without half of the attention Steve gives it, but, hey, Eddie shouldn’t be thinking about Steve’s profile right now. Focus.
They had breakfast together early, he and Jonathan, eggs and coffee in the town’s remaining diner, since Benny’s still doesn’t have new management. It’s a thing they do now, alongside smoking on their lunch breaks. The same way Steve’s stopped inviting him to get high; everyone seems to have developed healthier habits, just for him. It grates even as it’s nice, because yeah, breakfast feels better than cold spitting rain stinging his cheeks as he puffs on acrid hash. Fucking of course it does. Doesn’t mean he likes being coddled.
“Mom says Melvald’s worried,” Jonathan says. “I mean, the mall’s not even open yet, and business is already falling off. Who knows what it’s gonna be like in this town in six months.”
“Worse than usual?” Eddie guesses. “It would be nice if we could stop living in a, uh, a Dickens novel anytime soon. Off to the fucking workhouse we go.”
Jonathan grunts in response, tapping his fingers on the wheel. Everyone’s muttering about retail, now, the death of downtown, whatever — less Wayne’s area, so Eddie isn’t so involved anymore. It changed almost overnight, with a single newspaper article and then suddenly a flood: Nancy and Jonathan’s story reaching national news. The buzz of it all over Hawkins; Barbara Holland’s funeral the talk of the town.
They can’t resist us now, Wayne said, when it first hit the news. That’s proof of contamination in the ground. They can’t deny it now, so all the farmers they’ve been turnin’ away– they’re gonna get their due. And it was true, as far as Eddie’s understanding of the union went; the farmers were vindicated, and so their support meant more, went further, and the plant workers grew bolder too. All this only suspected until a dark-suited man knocked on the door of the trailer and came in, grave, to sit on their shitty little couch with an offer of terms:
“Mr. Munson,” the guy began, “you and your colleagues may appreciate a bus service to and from the plant for each shift.”
And so it went. The Lab closed; Icex announced it would be hiring. Pay increased and pressure lessened. Eddie’s loss of income began to feel less like a catastrophe and more like an inconvenience — not solely because it limited his access to drugs, a disappointment he’s firmly denying is a disappointment. It’s not a disappointment.
And things keep turning; and the strike ends. Death by a thousand cuts, the expression goes, and it doesn’t obviously apply here but Eddie’s got it in his head anyway. The memory of Hawkins Power and Light vans at the entrance to the plant, Faraday’s eyes cold as he mentioned it. Something worse going on and all of them just pawns in a larger game. It was always going to be like this. Foolish to think it could be different.
“What Christmas presents are you buying?” Jonathan says, voice blunt and utilitarian.
“Aw, shucks, I guess I can’t give everyone drugs this year,” Eddie says, grinning crookedly just to see the vague twitch of discomfort across Jonathan’s face. “God, I don’t know. Wayne, obviously. But– y’know. I haven’t bought for anyone but him for years, not even Janie.”
“Yeah,” Jonathan says, frowning. “I– y’know, I usually just do Mom and Will, but Nancy gave me a camera last year and I feel like– I mean, I gotta get something for her. But then there’s everyone else.”
Everyone else. There is the strange sense of obligation, now, that because they’ve nearly died together twice (once being just a fluke) they owe it to each other to at least purchase some gifts. Fucking gifts. It’s a rich people’s holiday, Christmas, the way most holidays are. Problem is, he can’t even begin to conceive of what he’d give to people. To Steve. (Steve being, as is increasingly regular, his first thought.) “Didn’t we all, like, save each others’ lives? Isn’t that gift enough?”
“You’d think.” But Jonathan’s pulling up into a parking spot on Main Street anyway, stopping the car and draping his arms over the wheel as he examines the storefronts. It’s busy today. All and sundry are out, huddled in coats and scarves and doing cute shit like holding lots of shopping bags and each others’ hands. “I am actually gonna do my Christmas shopping now, if you don’t mind.”
“Go ahead,” Eddie says, waving a hand. “I guess I should, uh, do the same.” They get out of the car and join the goddamn throng. Eddie’s never been good at shopping; the whole thing sets his teeth on edge. He trails around after Jonathan, eyes drifting listlessly over the shelves. “Isn’t this the kind of thing you should be doing with your girlfriend?”
“Nancy did her shopping with her mom yesterday.” Jonathan stops in the middle of the aisle, so suddenly Eddie nearly crashes into him, and drags a hand through his hair. “Also, it’s not– it’s easier not to shop with her.”
“Ah.”
“Yeah, she just–” He shakes his head. “Her attitude about it is a little different.”
It’s not surprising. Eddie can imagine it, the ease of someone who grew up knowing that all this — the festively decorated storefronts, the artful arrangement of goods — was meant for them. Eddie and Jonathan, they’re interlopers here. “Well, I’m an excellent second choice. Y’know why? Because I have shit all idea what I’m doing and will make you feel really good about your own ability to shop. Like, you’re gonna feel talented at it by the end of today.”
Jonathan smiles. “Let’s get it over with, then.”
There’s a mournful sense to it this year, Eddie decides, as they walk down the icy sidewalk. A dim, hazy quality to the light, snatches of Christmas music escaping each store when the door opens. Perhaps it’s because everyone is aware, on some vague level, that Hawkins won’t be the same next year. The joke’s on them; Eddie’s known that for a while.
Things get vaguely more interesting when they go into the music store. Jonathan spends a while examining things, pulling out records and then putting them back again (snobbery, maybe, Eddie can respect that), while Eddie reluctantly pulls himself away from the metal section towards the regions of folk, blues, country, et cetera. Music is always a reliable gift, after all, and if Eddie can expand his uncle’s repertoire from solely Johnny Cash then that has to be a good thing. He ventures into the extensive Bob Dylan collection and picks out Desire, since it’s got Hurricane on it, and that’s a cool song. Then someone behind him says, “Hey, Eddie,” and he turns and it’s Robin, grinning at him as she taps black-painted nails on the record she’s buying — Siouxsie and the Banshees, Hyæna — along to the Sparks Christmas-not-Christmas song playing overhead.
“Christmas shopping?”
“If buying for myself counts,” she says. “Is it totally selfish of me to look at the dwindling funds in my stupid little piggy bank and want to spend them on, I don’t know, nice things instead of some stupid chintzy knickknack my mom won’t even display even if she likes it because it came from me?”
“Definitely not.”
She smiles at him. “Good. Because that’s what I’m doing. What are you doing?”
“Christmas shopping,” he says, holding up the Bob Dylan cassette. “For my uncle.”
“Nice. Nice of you, nicer than me.”
“C’mon, Buckley, give yourself a break.”
She shrugs. “I’m gonna need a job this summer if my mom’s expecting anything beyond a lukewarm hug for Christmas next year. Maybe the mall, if it’s open in time.”
Me too, he thinks grimly, though the pressure’s off, but the pressure won’t be off for long. It never is. America will forget about Hawkins’ chemical spill and it won’t mean anything anymore, meaning they’ll all be back to square one. At least Barbara got her funeral.
Jonathan waves by the door, indicating he’s going out. Eddie sticks around talking to Robin for a little while longer, until a tall russet-haired woman appears in the doorway, face brooking no argument, and Robin says with a sigh, “My mother,” and follows her out. Leaving Eddie to pay for his cassette and go outside, where the crowds are unfamiliar and suddenly overwhelming. He rounds the corner into the sidestreet, the kind of street where Tommy H. wrote BYERS IS A PERV last year, and lights a cigarette. One vice he’s certainly not going to kick anytime soon.
“Hey!”
He turns. He was followed: this is his first awareness. They followed him. It isn’t as surprising as perhaps it ought to be. He tilts his chin up and sets his jaw as he takes them in, just two of them, juniors, he thinks, he’s seen them hanging around that blond prick in sophomore year, and hanging around Billy and Tommy H. too. One of them might be called Patrick. He doesn’t fucking know.
He keeps his voice even. “Sorry, business is closed for the holidays. It’s a family time, you understand.”
“You’re goddamn sick,” the one who’s not called Patrick hisses, lunging forward, and Eddie’s never unlearned his startle reflex so he flinches back flat against the wall. “Jesus, even now, he’s saying stuff like that, did you hear that, Patrick? And would you look at this coward, he can’t even stand by the things he says. Can’t even stand his ground.”
Patrick’s staring at him hard. Not the usual glance, the contemptuous sneer that slides off him like he’s not worth more than a single moment’s attention — no, this is a real stare. Like this Patrick kid’s actually feeling something here, instead of enacting the usual shitty social rhythms. “He deserved it,” he says suddenly.
Eddie’s lost. “What?”
The other guy grabs him by the collar and shoves him back into the wall; Eddie lets himself be pushed around. Not that he could do much else, but it’s a self-preservation thing. That way his joints might stay where they’re supposed to. “Don’t pretend like you don’t know. Your piece of shit father, that’s who. Got exactly what he deserved.”
“Oh, yeah, I’m fucking aware of that, believe me. I agree with you.”
Patrick’s face twitches, like he’s got a stray nerve not behaving, or else like that isn’t what he wanted to hear. “Andy, let’s just go, he isn’t worth it.”
Andy turns to stare at him. “Seriously? After what his dad did? That was this guy’s dad, he’s the one who–”
“Leave it,” Patrick says tightly. “C’mon.”
With a grunt of disgust, Andy releases Eddie. Shoots him another dark glare before following Patrick back out of the alleyway, throwing his hands up and already saying, “I thought you wanted to–” as they disappear out of view.
Eddie sinks down to the damp, cold ground, his legs refusing to hold him. A little dizzy, a little rush of nauseous ache, fuck, fuck. It’s not like that kind of thing hasn’t happened before; it’s not like he’s not used to it. He’s even getting good at it. But something about that–
Maybe because it felt like they actually meant it.
When he’s recovered enough energy, he pulls himself to his feet and walks in the direction of his van, left at the diner several blocks away, but he can’t face going back into the crowd to look for Jonathan, not now. It takes him something like half an hour; he’s not really sure. More like he blinks and then he’s in the parking lot. He drives home and tries to keep ahold of himself. Tries not to think, oh, wouldn’t a little bump of something go down so nicely right about now. Wouldn’t it help. Because it would help, and that’s the problem, so he’s been told. Not even because he’s an addictive personality — he’s not sure he is — but because his life’s just the wrong side of shit so he ought not to risk it.
When he gets home, Wayne’s sitting at the table staring at a Christmas card. A shitty cheap one, with Mary and Jesus on the front. He hands it over to Eddie wordlessly. It doesn’t have much in it, just the standard printed greeting and then, at the bottom, in cold cramped script, Shelley.
“Did she send it to us by accident?” Eddie says, setting the card down. “I mean–”
Wayne spreads his hands. “No clue. If that’s her attempt at us all bein’, I don’t know, friends again– it ain’t gonna work.”
“Well, good.”
“Yeah.” But Wayne’s staring at the card, eyes dark, tapping his fingers absently against the table. Eddie lights a cigarette to replace the one he didn’t get to smoke. Wayne looks up again, face clearing, and says, “You okay?”
That, too. His uncle asks if he’s okay now. He’s fucking okay. “I’m fine. Full of festive cheer, you know me.”
Wayne huffs out a laugh. “Yeah, we’re all just brimmin’ with it in this town.”
“The important question is, where the hell are we gonna get our Christmas tree?”
“That’s the important question. I saw an ad in one of those papers back there–” he gestures to the messy stack on the kitchen countertop, “–if you wanna take a look. We might need to go further out, away from Hawkins. It’s a godawful crop this year, they’re all sayin’, though at least now we all know why.”
“Yeah,” Eddie says, with the familiar dryness that accompanies a lie. “Any other mail?”
“Oh, yeah, there’s this.” Wayne digs out another envelope, brown, and hands it over. Eddie turns it over in his hands for a moment, brain refusing to catch up with what he’s reading on the front. It’s his own letter to Janie, her address in his scrawny handwriting, his own address on the back, and a big red stamp all over it: UNDELIVERED. “You get the address wrong, or somethin’?”
Eddie shakes his head. “I don’t know, I– maybe, I guess. Maybe she, uh, she moved.” His words sound empty to his own ears, matching a growing emptiness in his conception of the world. It doesn’t feel right that he doesn’t know where Janie is. Feels like another tip in his sense of balance. And he needed her to hear those things he told her. He needed her to know them, just so someone else would. So he wouldn’t just be talking to himself.
They sit on the couch together watching corny Miracle on 34th Street, because it’s on, and then Wayne has to get ready for work, since they’re pulling extra shifts before the holidays — but it ain’t like last time, not yet, anyway, Wayne made sure to say, when he was telling Eddie about them; they’re payin’ us overtime.
“You got any plans for the evenin’?” Wayne says, as he shrugs his jacket on. It’s always been a loaded question, first the gay thing, now this.
Eddie shrugs. “Some friends are chaperoning that Snow Ball thing at the middle school, I might hang out with them after.”
“Sounds good. Look after yourself, okay?”
“I always do,” Eddie says, and regrets it, because Wayne’s smile tightens and Eddie can’t hold his gaze. The way all their conversations have gone, since Wayne got back home that morning in November, the morning after the night before. A new strained heaviness, to the thing, to his eyes, like for the first time Eddie was something difficult. Which isn’t to say he wasn’t difficult before. When he first ran away, arrived on Wayne’s doorstep, he was difficult then. Flinching and snarling, feral fucking cat. It wasn’t so much parenting he needed as patching up. Coaxing, maybe. Wayne knew what to say then.
Now–
Well, maybe, now, Eddie’s finally gotten to be a little bit too much.
Then Wayne goes. And Eddie’s left in the dull, dust-mote silence, and the stillness makes him itch, so he goes and sits on the porch to wait for Steve.
He had to be careful with the timing. Checking when Steve was dropping Dustin off; making sure he’d only be later than that, not early. Can’t have him running into Wayne, Jesus, what a bust-up that might turn into. And it feels a little like running a secret life. A secret life on a smaller scale from the big one, i.e. the whole interdimensional fucking monster thing.
Sure enough, it’s a close-run thing. Not long later, Eddie spots headlights coming up through the trailer park, and the low hum of bass, cut through with saxophone that reveals itself to be, as the Bimmer draws closer, Wham!’s Careless Whisper. Fucking hell.
“Should I be worried?” Eddie says, uncurling his legs but not standing up as Steve gets out of the car, the music cutting into silence. “That’s a pretty heavy breakup song.”
“Well, I have recently been broken up with, so y’know what? I’m allowed to listen to it. Plus, it’s fucking great. Seriously great.”
Eddie rolls his eyes. Steve comes up onto the porch, looking down at him in the gloom, their breaths misting in the air.
“It’s cold out here, Jesus, why are you sitting here?”
Eddie shrugs. “I get– twitchy. Sitting still inside too long.”
“Well, I don’t really want to freeze my ass off, so I’m gonna go inside.”
“You win.” He follows Steve inside, curls into the corner of the couch as Steve sprawls out all long-limbed and proud. But there’s something in his face, something despondent about the line of his mouth. “You okay?”
“Yeah, sure, I’m okay. I just– well. Have recently been broken up with, is all. Which is fine when I forget about it, which isn’t often but I’m pretending like I’m forgetting about it, which kind of works, but then I remember it again and– yeah. Less fine.”
“You saw her tonight,” Eddie guesses. Steve nods, passing a hand through his hair.
“Yeah, just through the– Jesus, this sounds pathetic. Just through the doors. All dressed up nice, and everything, and I really– y’know, I thought we’d go to prom together. Stupid as that sounds, at this point, given everything that’s happened. Like, why do I still care about prom? And I don’t, really, I just– wanted to go with her.”
Eddie’s really got nothing to say to that. Their frames of experience are so wildly different it’s laughable. “Yeah,” he says. “So, what, you’re not gonna go to prom at all now?”
“I don’t really know why I would.” Steve’s voice is low. “Y’know, like, who do I even like in my year? There’s a couple decent guys left on the sports teams, people I sit next to in some classes, but I’m not really friends with them. There’s you, but you’re not going to prom, right?”
“Nope,” Eddie says automatically, as he catches up with what Steve just said and then has to look at his hands, a stupid little flush rising on his face at the barest of compliments. “So don’t go.”
“It feels wrong not to go, I don’t know. But yeah. Maybe I won’t go.”
A silence descends. Eddie shifts and says, “How was Dustin?”
“He was good,” Steve says, with that same tone of fondness he always gets when he’s talking about Dustin. “I showed him how to– how to do his stupid fucking hair, and he did it and he looked, y’know, pretty cute, even though his hair type’s completely different from mine–”
“Am I about to learn a Steve Harrington trade secret?” Eddie says, raising an eyebrow.
Steve scowls. “No. But, yeah, he was pleased with it. Nervous, though.”
“And what did you say to that? I’m, uh, I’m imagining that’s not a problem you’ve had.”
“You’d be surprised. I just– y’know, gave him some advice. Fake it til you make it type shit. Just act like you’re above it all, and you will be.”
“But then you’ll be above it all,” Eddie points out. “Not actually in it.”
“It’s a figure of speech, Jesus.”
Yeah. Eddie knows it’s a fucking figure of speech. But that’s the difference between them, isn’t it? That Eddie lets the crazy fly, talks before he thinks and thinks as he talks and does all of that a little wrong, just a little to the left all the time, and all that weird miasma he carries around is something he gets used to, and people get used to, but it never stops being strange, that little disconnect, that little moment of tense gap where there’s someone normal and there’s him and it’s like someone spliced Black Sabbath and Wham! together, which is actually exactly what it’s like.
Eddie scratches the back of his neck and says, “Beer?”
“Yeah, please,” Steve says, with only a little suspicious hesitation. It’s not about the alcohol. Eddie’s told him that. It’s about the drugs. The ketamine more specifically, he can handle weed, but he’s playing nice. Keeping to his limits. It’s about the drugs, and he can drink a fucking beer.
Eddie gets two out, cold as he hands one to Steve. Steve takes it; somehow their fingers don’t touch. Then he sits back down and says, “How’s the college application?”
Steve takes a long swig of beer and his face draws down into a scowl. “Let’s just say I’ll probably be very around next year.”
“Nah, I’m getting the fuck out of this town. If I graduate. That’s not a certainty with me, as we know.”
Steve grimaces and then looks at his hands, says softly, “I don’t know. I’d feel– bad, leaving. Just in case.”
“You mean, if all that shit started happening again?” Eddie shakes his head. “Shouldn’t we want to be as far away as physically fucking possible, in that case?”
“I mean, probably. But it feels wrong, y’know? Knowing about it, and walking away. Even if nothing else happened. There’d just be this– history here, that no one else knows about, if we all leave. No one will know what really happened here.”
“No one’s gonna know what really happened here anyway, Steve.” Eddie’s voice comes out unexpectedly gentle. “No one’s ever gonna know. We’re not allowed to tell them.”
“Yeah,” Steve says heavily. “No, I– I know. Fuck. All that time with Nance, I kept telling her we couldn’t tell anyone, I was so focused on keeping things the way they were I wasn’t even hearing her. She wanted justice. She wanted people to know what happened and I didn’t even care, and now– I get it. Too little, too late.”
“What she did, it’s really, uh, it’s really done something, y’know. You and her aside, that’s– that’s something we can all be proud of. If the news hadn’t come out when it did, then the strike–”
“Yeah. That’s true. Anything that pisses my dad off has gotta be a good thing.”
“Really? Wouldn’t he be more pissed if there had been a strike?”
“I don’t know. I just know he’s– well, he’s not a nice person to work for, so people aren’t doing it anymore. There’s more opportunity in this town now, with the mall, and Icex starting up the bus route and paying better, and they don’t have to put up with my dad. He’s barely been here all month. I wouldn’t be surprised if they just, y’know, went away and stayed away one day. At least then I’d have the house to myself for real.”
“Steve–” Eddie says, and stops, helpless. He doesn’t know how to fix Steve’s relationship with his dad, of course he fucking doesn’t, look at the now-permanent state of his own. He sips his beer and longs for something, he doesn’t know what, something like a different time, a different place, a different world. Steve seems so close and so fucking far away. And Eddie can’t take drugs anymore and he’s been trying not to think about what that might mean next time his body flares into pain; and people are dying, queer and not, all over the world, supernaturally and not, and something about his dad’s death makes him feel acutely alone.
Steve lights a cigarette, inhales deep, takes it out of his mouth; the line of his throat, the curve of his lips, a face Eddie could look at for days. Eddie plucks it from between his fingers and takes a drag. It doesn’t taste of anything but ashy nicotine, a little damp with Steve’s saliva. Eddie supposes that’s the closest he’ll ever get.
END OF VOLUME TWO
Notes:
– madonna's like a virgin was released october 31st 1984, it was top of the charts on december 21st 1984
– the game 'cluedo' was devised in 1943 (called clue in the us)
– the 'the the' album, featuring this is the day, is soul mining, released 1983
– bob dylan's album desire was released 1976: hurricane is arguably dylan's most famous protest song. read about it here.
– siouxsie and the banshees' hyaena was released june 1984
– the sparks christmas-ish song is thank god it's not christmas, released 1974
– miracle on 34th street was released 1947
– careless whisper was released july 1984, on the wham! album make it big — in the us it was credited to wham! featuring george michael, while in the uk it was solely to george michaeland there we have it — the end of volume two. it won't be so long a wait for vol 3 (starcourt! scoops! russians!) this time — i aim to begin posting it in july. in the meantime, enjoy the playlists — vol. i, vol. ii, and vol. iii — and find me on tumblr, where i hope to post some writer's commentary/behind the scenes stuff (palmviolet) or twitter (ohtobeinlove). let me know your thoughts below, and thank you so much to everyone who's stuck with me so far — see you in a few weeks!
Chapter 35: VOL III: Suzie, Do You Copy?
Summary:
“Shouldn’t you be, I don’t know, selling Bauhaus records to goth sophomores?”
“Touché,” Eddie returns, subconsciously matching Steve’s posture. There’s no one lining up behind him to buy, anyway, so what’s the harm? “I see you two are getting along like, uh, like a house on fire.”
“Yeah. Totally. The fucking– floors are collapsing and everything, the whole thing’s filled with smoke.” Steve grins. “You want a free U.S.S. Butterscotch? People go nuts for that shit, so it feels even better to screw the company out of getting paid for it.”
Notes:
welcome back! it's the last day of july, but it is still july, so i'm on schedule. a reminder to check out the playlist for this volume, which will feature every song referenced, found here.
warnings in this one for referenced drug dealing and use, and referenced homophobia.
(See the end of the chapter for more notes.)
Chapter Text
Volume Three: The Working Hour
SATURDAY JUNE 29TH, 1985
Eddie wakes up with Baba O’Riley still ringing in his ears to a silence unnaturally loud, still a little bit drunk, still swallowed up in the hangover of amped-up crowd euphoria. He’s sweating, the air close and hot. He kicks the blanket off and sits up. He’s achy and stiff, probably from the way Maria dragged him into dancing with her for at least an hour after the set was finished, and there’s a low rawness in the base of his throat that says he shouted at the crowd too much, because he’s not the singer or even part of the band but he had to get his two cents in while he could, right? And they seemed to like it.
There’s bright, ebullient sunlight pouring across the room. His hair’s damp at the back of his neck, when he runs a hand through it, and he tugs it up into a knot on top of his head just to keep it out of the way. He’d love to shower, but a check of his watch tells him it’s early still — only seven — and he knows from experience this apartment is not in any way soundproof. And he feels like being courteous, today, towards the people who gave him what he might consider the opportunity of his life, if he were so inclined.
He lights a cigarette and leans back into the cushions, wilting in the heat. He’d enjoyed it last night, sitting cross-legged on the asphalt in the alleyway sharing a smoke with some guy who called himself Ashley who Eddie didn’t go home with, in the end, though he considered it. In just ripped jeans and a loose vest with the Highway to Hell album cover on the front, arms bare and not even shivering, though he runs cold. This after their set, sweaty and frantic, fingertips ringing with the thrum of rock through his guitar strings. Everything he’s ever wanted, really, which is what he’s come to realize — that this is something he wants. He’s not very used to wanting. More like needing.
His stuff’s strewn over the room, amps and guitar case and spare clothes, since Maria’s concerned about the reputability or otherwise of her own neighborhood and advised him not to trust his van wouldn’t be broken into. He gets up stiffly, cigarette between his lips, and maneuvers his way across to the bookshelf. It’s a weird mix of titles, pulpy stuff and books about music and a couple Steinbecks (which he had enough of in the school year he just failed, thank you), so he chooses some book called The House of the Spirits, which sits proudly next to La casa de los espíritus, this being a dual-language household. He reads a couple of chapters and smokes a few more cigarettes and the next time he looks up it’s eight thirty. There’s the sound of movement in the apartment, above the rising din of outside traffic, and he stretches and puts the book down, sliding a scrap bit of paper between the pages to mark his place. It’s not long before Maria emerges, blinking. There’s mascara dusting her cheeks and a tired smile on her face.
“You’re up early, Jesus,” she says, going into the kitchen and taking a carton of juice from the fridge. She holds it up and he nods assent. “Thought for sure you’d have totally knocked yourself out for the night, the way you were throwing yourself around the stage.”
Eddie grins, coming to lean against the counter as she pours out four mugs of juice. “Hey, can you blame me? My first fucking crowd? God, that was fun.”
“Well, you coulda fooled me. And the rest of them,” she adds, glancing back to her bedroom. “Tay, he’s totally into your vibe, he thought you did great. Hell, if Magnus leaves the game or dies of pneumonia or whatever I bet they’d let you take it permanently.”
Eddie winces. “A dead man’s shoes. Nice.”
“I just mean–” She shrugs. “Magnus is a fucking creep, thinks because I slept with him once I owe him shit and I’m gonna suck his dick whenever he asks, which I’m not gonna suck anyone’s dick, thank you, since me and Tay are solid. So, yeah, if he dies, you should be their guitarist. I like you way better.”
He slings his arm around her shoulders and tugs her into a sideways hug, exaggeratedly kissing the top of her head. She smells like yesterday’s perfume and Tay’s cologne, and the sweat of the show, too, and when Tay comes in behind them and says, “Should I be worried about this?” Eddie flips him off before letting go.
“Good morning to you too,” Eddie says, taking his mug of juice — one with The Who’s logo on it, since Maria seems to collect every item of merch they offer — and sitting down at the table.
Tay sits opposite him, running a hand through his thicket of hair and pondering out loud, “Who’s gonna wake Martin up? I could do with eggs.”
His voice is sleep- and concert-hoarse; a year ago, Eddie might have been all over him. Maria rolls her eyes from where she’s hopped up on the counter, fiddling with the radio. “You could make them yourself, y’know. You don’t actually live here.”
“Hence,” Tay says, “I am a guest.”
“Maybe you should be worried about me and Eddie, since he’s so much politer than you. I bet Eddie would make his own eggs, if I asked him to, right, Eddie?”
Eddie makes a show of thinking about it. “I mean, y’know, I gotta rest my hands, they’re a guitarist’s most precious tools–”
“See? He gets it,” Tay says, as Maria shakes her head with a playful scowl, which drops away as soon as she finds the station she’s looking for and cranks it up, Sunny Afternoon by The Kinks, humming along in her soft, untrained voice. She’s pretty good. Would add a little flavor to the band, Half-Dead Humbug being a fairly masculine affair as it stands, but Eddie hasn’t dared to get into it. Not looking a gift horse in the mouth, et cetera, et cetera. No doubt Magnus will be up and about soon enough, and they’ll be back to their regular scheduled line-up; Tay singing, Archie on drums, Jake on bass, and creepy Magnus on guitar. A guy with a name like Magnus is never gonna leave the game.
But still. It makes Eddie burn without something unknown. Want. It’s kinda nice, this want. Feels like coming out of a spring thaw into a long, green summer.
He stands up and goes to the stove, having visited often enough in the last six months to know where to find the pan, the oil, the eggs. Maria claps her hands and says, “Now, that’s what I’m fucking talking about.”
“I can’t promise they’re gonna be any good. Like, at all. What I should really be making you is, uh, is biscuits and gravy, or some shit. Bierocks maybe. Which I also can’t make.”
“Damn, he’s regional.” Tay says. “Did you know the guitarist you brought me was regional?”
“Oh, Jesus, Tay, you’re as corn fed as the best of them, Mr. Iowa fucking City.”
“Iowa City,” he says meaningfully, then smiles to say he’s joking, showing his teeth. “He’s a damn good guitarist, wherever he’s from.”
“I’ll take that and, uh, and fucking run with it, man, thanks.” Eddie cracks eggs into a bowl and whips them up; tenses as someone brushes past his hip, Martin, but yeah, it is just Martin, and he’s just getting a spoon out of the drawer.
“Sorry, dude,” Martin says, smiling at him. He doesn’t look sleepy at all. Well-rested and bright, like a fucking athlete, which he was, and still is, on a casual, non-knee-ruining basis. Smokes less and doesn’t do drugs. They’re all living nice clean lives now.
“You’re good,” Eddie says, mumbles more like. It’s not weird between them, exactly; they’ve been friends since November, made out a couple more times, blown each other, though that all tapered off towards January, when Eddie’s skin began to crawl at the thought of being touched as the other thing got worse, the thing he’s refusing to name. Martin asking last year, This isn’t something, is it? And the way his thoughts turned in response, of course they did, to Steve. So.
He makes eggs.
There’s a certain casual ease he’s supposed to inhabit, as a gay guy, is the thing. He’s come to learn this in the city. Dropping sloppy kisses to each others’ lips in greeting, fucking your friends and your exes and your enemies, cruising. You’re not supposed to nurse a six-month long thing for someone that precludes you really touching anyone else. It’s sad; it’s pathetic. It’s so totally him it makes his teeth ache. He who always needed more than he was getting, from Martin, from Tommy C. He who sits at the table wound tight as a wire as Martin’s arm brushes his own reaching for the pepper.
After breakfast, Martin spoils the mood by changing the radio station, and dances along to an older Madonna song as he washes the dishes. Tay stretches and lights a cigarette, eyeing it loathsomely as he removes it from his lips. “Fucking bad habit for a singer, right?”
“That’s why I stick to the guitar,” Eddie returns, lighting his own.
“I just can’t quit.” Smoke curling out from the corner of his mouth, Tay looks at Martin by the basin, the way he’s swaying his hips along to Madonna. “Eggs were great, by the way, man. Martin’s got a rival, for sure.”
Eddie smiles and privately considers the look, the neutral, deliberate purpose to it, a careful lack of judgment that is itself entirely judgmental. Two gay guys and a metalhead walk into a kitchen together, or two metalheads and one gay guy do. It’s like a logic problem, or a bad joke. It seems Tay hasn’t quite worked out yet it’s possible to be both.
“You did great on the whole thing, actually. Like I said, last night fucking rocked. So if we need a spare guitarist again, I’ll give you a shout, yeah?”
Eddie lets the smile deepen. “Yeah. Thanks. That sounds, uh, that sounds great.”
He loads his shit back into his van and then says a light goodbye, drawing Maria into a tight hug and a kiss on the cheek and then Martin a looser, more restrained one — Tay a manly (huh) handshake, the standard heterosexual clap on the back. Then he gets in his van and starts the drive back to Hawkins, like it’s that easy, which it is. He puts his new Mötley Crüe cassette on, Theatre of Pain, which he was able to pick up day of release, staff discount and all, and winds the window down to feel the warm breeze on his face, the gasoline city smell, the rich brightness of the summer.
He flips off the Welcome to Hawkins sign as it flashes past.
Swings easily onto the dry, patchy grass in front of the trailer. Mel Carlson’s sitting in a shitty garden chair by the RV, smoking and watching him through narrowed eyes, their scrawny breed-unknown dog tugging at the chain that ties it down. Eddie gives her a mock salute as he carts his shit inside, passing a “Hey,” over his shoulder to Wayne as he walks through the trailer, Wayne sitting at the table with a marker in his hand.
Wayne hums in response and when Eddie’s unloaded the guitar and amps &c., he comes to stand by Wayne’s shoulder and see what he’s doing, which is writing GREED KILLS COMMUNITIES on a sheet of cardboard. He’s folded the cardboard over itself and taped the edges, to make it stronger when he holds it up in a crowd.
“You have a good time in Indy?” Wayne says, shading in the final S.
“Yeah, yeah, it was good. Played a fucking awesome crowd, which, I know what you’re thinking, Eddie ain’t played any crowd so how would he know what an awesome crowd is, but trust me. I could just tell.”
Wayne looks up at him, a smile edging onto his face. “I bet it was an awesome crowd. They gonna invite you back?”
“They might. I might have to, uh, kill their original guy, some prick named Magnus — imagine naming your kid Magnus, Jesus — but, yeah. Maybe.”
“Magnus. Jesus.” He shakes his head, but there’s a wry edge to it, like he’s aware he’s not in a position to cast any stones. “There a lot of– partyin’, too?”
A silence. Eddie lets his teeth graze the inside of his cheek, feels his hands twist over each other of their own accord. He’s not an addict. He’s not a fucking addict, and–
“I’m just askin’, Ed.”
Eddie looks away. Takes a deep breath, shallow suddenly, and then looks back. “Yeah, no, I know you are, but also– you’re not, really. Like, if you’re gonna ask, then, y’know, ask.”
“Okay. Sure. You keepin’ clean?”
Somehow, though this is what Eddie asked for, it feels worse. He swivels a ring around his finger and scratches at his neck with the other hand. It’s hot and stuffy in the trailer, dim, since they’re keeping the curtains shut against the heat of the sun. Also, he has to answer the question. “Yeah. I am.”
He holds his uncle’s gaze for a second. They watch each other evenly, Wayne not doubting him exactly but not letting him get away scot-free either. It’s like this, now. The same way Wayne turned into a guy of picket lines and protest signs last year — he’s also turned into someone who, like, wants to demonstrate he cares. And he does care, always has cared, but this? It feels ill-fitting. Feels a little tight.
“Okay, well, good. You gonna come to the protest tomorrow? Recall the Mall?”
“They got a name for it now? Jesus.” Eddie shakes his head. “I got a shift at Thacher’s tomorrow, he reckons all of Hawkins is gonna want their cars fixed in time for the fourth. I don’t get the logic, y’know, but, hey, it’s free money.”
“You gotta love free money.”
Wayne looks back at his sign, tilting his head to inspect it. He can’t honestly think it’s gonna change anything, can he? If it were Eddie, he’d have written FUCK YOU and be done with it. Eddie’s creative energies go on his campaigns, his songs, nothing like societal goddamn progress. And the songs, well, that’s a different sort of progress. The progress that actually means something to him, in the way that means maybe even getting the hell out of dodge someday.
He shakes his head and goes back into the bathroom, showers in water whose cool temperature is kinda nice, for a change, and then dresses in his work jeans and a Black Sabbath Master of Reality t shirt. Tugs his damp, curling hair up into a knot at his nape, since he’s only human and it’s fucking hot, and then heads out again.
“Have a good shift,” Wayne calls after his retreating back. Maybe there’s a little edge to it. Maybe Eddie’s not sure.
Everyone on the roads seems to be driving in the same direction, like the mall’s great neon shape is a locus of attention in this town, a fucking homing beacon in the beehive. Saturday, of course, and it’s busy. Eddie parks up and goes in the service entrance. It’s unsettlingly cool, a dim retreat from the June furnace outside, and he’s got a twitchy feeling from the crowds in a way that doesn’t match his euphoria the night before. Something about being the deliberate star of the show feeling very different to being an unknown, oppressed sheep within it.
He passes the backdoor to Radioshack on his way down the hallway. Bob’s there, the door cracked open, talking to some guy handing him a box from a cart. Eddie slips past, gaze flitting back only briefly as Bob calls out a nice, polite, “Hey, Eddie!”
Eddie waves a hand in greeting as he walks on, shoulders hunched. Traitors all of them, right? Working here, moving with the tide. At least Eddie didn’t start out downtown. No, he’s new, but Bob? Letting Radioshack move itself and him to this neon goddamn birdcage?
But Eddie’s sick and tired of thinking about all these things. He leaves it to his uncle and ducks into the backroom at Sam Goody, finding his work smock with its nametag — Eddie, here to help — and running his fingers regretfully over the edge of his Camels. Larry fucking hates when any of them smoke in here, which, yeah, the mall is technically smoke-free but so fucking what, right? How else are retail-burdened employees supposed to cope?
Instead he grits his teeth and goes out into the store with his too-sharp, ill-fitting smile and flings himself into thinking about music, which is what he does all the time anyway, on no one’s dollar, so at least now it’s on company time. Nods his head along to the Cult record overhead, stacks cassettes, tries not to stare too judgmentally at the girls in the Phil Collins section. He directs a white-haired woman to the opera section, weathering her raised eyebrows (tattoos on full display in his t shirt, he’s realized, but Larry hasn’t said anything yet), and answers with incredulity when she returns to the counter ten minutes later with Heaven 17’s Penthouse and Pavement. It’s got dignified-looking businessmen on the front, sure, but its first track is titled (We Don’t Need This) Fascist Groove Thang.
He weighs up saying something. Settles on, “Which, uh, which section was this in?”
“The new wave section. You didn’t have a great opera selection. Would you like me to go home empty handed? Because I can, if you’d like me to.”
“No, no, I’ll ring you up,” he says hastily, to her blank, cold look. Who’s he to judge, he thinks, though really nothing about his own appearance makes his music taste surprising. He’s an utter cliche. Who’s terrible at his job, apparently, and he slumps over the counter when she’s gone, fingers halfheartedly miming the chords he played last night to an audience flaring with adrenaline, nothing like the dull soupy chatter of the mall, nothing like the turgidity of a warm Saturday afternoon. He hates this place.
The next person to come to the counter, however, has him standing up a little straighter. It’s Robbie Freeling. Stocky, sun-browned, very patchy attempts at stubble reluctantly growing in. He offers up Huey Lewis’ Picture This and a toothy grin.
“Hey, man,” Eddie says, taking it warily and ringing him up.
“Hey. Listen,” and Robbie leans closer, lowering his voice, “I know you’re outta the game, sure, but you got any contacts left? Or, y’know, any stuff? Personal use, maybe, but I wanna– since Rick got arrested, it’s been–”
“Rick got arrested?” Eddie says, feeling his eyes go wide despite himself. “When?”
“Oh, you didn’t– you didn’t know? Damn, it was, like, last week.”
Eddie puts the cassette in a bag and hands it back. Cringing even as he says it — terrible idea, this guy doesn’t need any encouragement — he says, “I can’t talk about this here, but I gotta know what happened. My break’s at three?”
Robbie looks at him curiously, perhaps evaluatively. Eddie has sometimes wondered whether the hick dullness behind the eyes is really a sharp front, the way the consciously rural accent is, making him seem ordinary-weird, stupid-poor-weird, instead of queer. “Yeah,” he says finally. “I was gonna get a corndog anyway. You wanna meet by the fountain?”
The fountain. There’s a manicured sense of something uncanny about the mall, like a midwest strip mall fucked a Vegas hotel and the lovechild was transplanted right here into Roane County. That’s Eddie’s crass opinion, anyway. He could go the other direction and describe it as a falsely manicured eldritch monster, a honeytrap, all sweet and alluring up top but really spreading its creeping tentacles all the way through town underneath.
He’s got no evidence of this, of course, he just fucking hates the place.
“Sure,” he says, already regretting the loss of five precious break minutes he could otherwise be spending draping himself over furniture at Scoops Ahoy! (incapable of conceiving it without the exclamation mark, it’s just too fucking funny). He whiles away the time under various music he doesn’t like, such as Men At Work (Everything I Need) and the Eurythmics (Sisters Are Doin’ It For Themselves) — though the latter he knows Robin is into, so he won’t begrudge it too much — and at three he lets Jerry take the register, an acne-strewn junior pretentious about, of all things, doo-wop fifties music. Eddie sheds his smock and sidles out across the forecourt, ducking his head habitually, the mall not generally being a friendly place for people like him.
Robbie’s there by the fountain, chewing on the stick that held his corndog with a bored expression. He looks up as Eddie approaches, taking the stick out of his mouth and grinning again. He used to wear braces, Eddie seems to remember, except they took them off too early — stopped paying for them? — so there’s a permanent half-corrected crookedness to the set of his jaw.
“So you wanted to hear about Rick?”
“Yeah, uh, let’s go somewhere I can smoke.”
Robbie shrugs easily, follows him outside. It’s muggy, oppressive; two minutes and Eddie’s shirt is sticking to his back. Harbingers of the storm on the horizon, if the local news is to be believed. He leans against the wall and lights a cigarette.
“I guess I’m surprised you don’t know,” Robbie says, lighting a smoke of his own. “Ain’t you and him friends?”
“Not really.” Eddie doesn’t feel any compulsion to say more than that; it’s his own business.
Robbie doesn’t press him. Just says, “Well, I don’t know exactly what happened. But there’re rumors, y’know? Like, he got busted with a brick of cocaine in his trunk, some shit like that. Either way, he ain’t around anymore. They raided his place. Now it’s just sittin’ there busted open with nothin’ worth stealin’ inside.”
“Shit,” Eddie says, mouth full of smoke. He’s not sure how he feels about that. “What, so no one’s, uh, no one’s selling anymore?”
Robbie shrugs. There must not be, not if he’s coming to Eddie for his fix when everyone knows Eddie got out of the game six months ago. But Eddie did indeed get out of the game six months ago, so there’s nothing he can do.
“Hey, power vacuum like that? Someone’s bound to step up. I wouldn’t sweat it, man, it won’t take long.”
Robbie nods glumly, tapping the filter of his cigarette against his lower lip, like a nervous tic. “Can’t just go around askin’, though, can I? This town’s gone fuckin’ screwy ever since the spill last year, what with the mall, and my dad–”
“I’m asking this with the greatest politeness, Robbie, but what are you asking me to do about it?”
He looks at Eddie sharply. “I just thought, y’know. We’re in a similar position. Supply cut off, all that. You don’t get it? I thought you’d get it.”
“Well, bad news, dude,” Eddie says, voice tight, “I don’t smoke. So I don’t, uh, get it, and I also don’t have anything to give you. But thanks for the news.”
“Jesus. Whatever.” Robbie pushes off the wall and walks away, shaking his head, as Eddie exhales smoke and stares at the hot, bright sky. What he’s supposed to do with this information, he doesn’t know. It reaches his brain all scrambled up, smeared with resonances like the trailer porch and Wayne, They arrested him, Bruce’s face behind prison glass–
Wires crossed. Hasn’t he always said that?
After he’s finished his cigarette, he goes back inside and into Scoops Ahoy!. The familiar shitty sailor music, the shouts and laughs of kids eating stupidly branded ice cream, it’s like a fucking circus. Eddie sidles up to the counter and Robin grins at him, some of the sullen fatigue melting out of her face. “What can I getcha, O valued passenger on this voyage of flavor?” she says.
He smiles in return. “Just the pleasure of your company, my lady.”
She rolls her eyes. “Oh, you’re too kind.” She casts a glance over her shoulder to the backroom, hair flicking out under her hat. She’s been creative with the whole– uniform thing, edges of punk to it, like her necklaces and black nails. “Steve, by the way, has been a total fucking menace all day and it’s really annoying to witness, so, I know you told me to give him the benefit of the doubt but the benefit and the doubt are both sort of waning? Right now? So if you could make him stop failing at hitting on customers–”
Eddie suppresses the hot flare of discomfort at that. “Oh, Buckley, you know I can’t make him do anything. That man is a free fucking agent and a major menace.”
Robin sighs dramatically. “At least having something to laugh at makes the boredom a little less grating. Like, it doesn’t go away, but I’m very slightly less aware of it.”
“See? He has his benefits.”
“Aw, man, was that a compliment I just heard?” Steve’s peering his head out through the window to the back room, hat discarded, hair big and soft around his bright-eyed face. He may hate this place, but the blue suits him. Makes him look all rosy and sweet. Jesus fucking Christ.
“Fuck off, Harrington, just because compliments are being thrown around doesn’t mean they’re being thrown at you. Big headed, much?” Robin snaps back immediately, then tempers it with a rapid, uncomfortable smile. “I’m kidding, of course.”
Eddie raises his eyebrows. Robin’s version of being nice to Steve seems to involve a natural instinct for meanness followed by a false application of manners, like too late she’s masking who she really is. He looks beyond her to Steve, who’s folded his arms on the window sill to lean out. “Shouldn’t you be out here, y’know, slinging ice cream? Peddling the wares?”
“Shouldn’t you be, I don’t know, selling Bauhaus records to goth sophomores?”
“Touché,” Eddie returns, subconsciously matching Steve’s posture. There’s no one lining up behind him to buy, anyway, so what’s the harm? “I see you two are getting along like, uh, like a house on fire.”
“Yeah. Totally. The fucking– floors are collapsing and everything, the whole thing’s filled with smoke.” Steve grins. “You want a free U.S.S. Butterscotch? People go nuts for that shit, so it feels even better to screw the company out of getting paid for it.”
“Wow,” Robin deadpans. “He’s a revolutionary now.”
“Totally Marxist. All property is theft, right, Steve?” Eddie watches Steve as he says this, Steve’s little narrowing of his eyes, the smile that reads like a challenge, because, sure, these words have weight to them, said by Eddie to Steve. Weight that Robin doesn’t know about but can probably sense, hanging in the air. It’s nice to mess with that. A little like walking on the edge of a knife.
“Oh, sure, he’s a regular Lenin,” Robin adds, “disregarding the differences in their political ideologies, I mean, like, I’m all for the joke but let’s be accurate about that–”
“Are you outing yourself as a communist, Buckley? I’m shocked.”
She rolls her eyes again. “I read a lot. I’m just as patriotic as you are.”
“I bet,” Eddie returns, and they look at each other, knowing how little that means. Then someone clears their throat behind him, a customer, and Steve beckons him past the counter into the back room as Robin deals the service shit and Eddie, he gets the little hot glow he always gets, alone in a room with Steve.
“How was the concert, dude?” Steve says, climbing down from the counter and sitting in a chair.
Eddie replaces him on the counter, pulling one knee up. “Fucking incredible, Jesus Christ. I already knew this town sucked but you don’t really register it until you’re someplace else, y’know, doing something so cool you could never do it here. I can’t wait to get out of this town.”
“You and me both,” Steve says, suddenly glum. “I feel like I’m gonna be scooping ice cream for Hawkins middle schoolers until I’m eighty. But I’m glad the concert was good, man, really. That’s cool.”
“C’mon, Steve, chin up. In two years you’re gonna be a New York yuppie doing coke off hookers’ midriffs and you’ll look back and think huh, I can’t believe I used to pay my lowlife friend Eddie for this shit when now I get it for free–”
Steve pinches his lips together, looking mildly pained. “Yeah, uh, that’s a no to, um, all of that, thanks. I’m thinking I’m gonna be a shithead working for my dad or else, uh, a nobody working for, well, a corporation that may as well be my dad so really it’s not looking promising.”
“Big deal. You fucked up school. Welcome to the club, genius, you gotta fuck up school at least once more to be as cool as me.”
Steve shakes his head and looks at his hands, a little smile growing on his face it seems despite himself. “Yeah. I guess.”
“You fucking guess. Yeah, you do.” Eddie grins too. They sit in a comfortable silence for a moment, Steve picking his horrendous hat up and spinning it around on his finger idly, before Eddie says, “I saw Bob earlier. That was weird.”
“Yeah,” Steve says, smile turning into a grimace. “I see him around too, y’know, he really, like, tries. I don’t know what he’s trying to do, but he’s certainly trying it.”
“I guess there’s this– y’know. Fucking bond, or whatever. Us all knowing about what happened.”
“Yeah.” Steve casts a glance through the window, then, towards Robin. They can see the back of her head, the way she nods and tries to seem friendly as some kid asks for his third taste of the mint choc chip. “Fuck, I don’t know. It’s weird. It’s weird with her. Maybe it’s because–” He looks down again. “Well, I’m kinda short on, like, friends. Right now. I guess my social life is mainly based on the end of the world? And she’s not the end of the world. Also, she’s hyper. And weird. And–”
“And I’m, uh, I’m all of those things you’re about to say, I’m sure, but I am the end of the world, so it’s okay?”
A silence. “Well, y’know. When you put it like that.”
Eddie finds himself staring too long; he looks away. Always looking away. He wonders if Steve’s nervous desire to be liked is something emphatic, something more than just being short on, like, friends. If maybe Robin is the next stage in his evolution from cool jock dating permed blondes with big houses (or sharp brunettes with, nonetheless, big houses) — and sure, Robin reads The Well of Loneliness and looks at Eddie with alienated urgency like they understand each other but also, that doesn’t mean it’s just girls. Could be guys too.
And Eddie, the masochist, is trying to convince them to get along.
Notes:
– baba o'riley by the who was released 1971
– highway to hell by AC/DC was released 1979
– the house of the spirits by isabel allende was first published in spanish in 1982 and in english in april 1985; it follows multiple generations of the trueba family alongside political upheaval in chile, incorporating elements of magical realism
– sunny afternoon by the kinks was released 1966
– a bierock is an eastern european pastry pocket sandwich, introduced to the us in 1870; commonly associated with kansas, which is where eddie's dad and wayne are from.
– the madonna song is burning up, released 1983
– motley crue's theatre of pain was released june 24th 1985
– black sabbath's master of reality album was released 1971 — this is the logo on the t shirt
– sam goody was a chain of music stores that was ubiquitous in malls in the 80s - founded in 1951, closed most of its stores in 2006
– the cult record is she sells sanctuary, released may 13th 1985
– phil collins is an english musician, part of genesis but embarked on a solo career across the 80s - his song sussudio, released january 1985, was at the top of the charts in june-july 1985
– heaven 17's penthouse and pavement was released 1981
– huey lewis's picture this was released 1982, including workin' for a living, which was featured in the show's soundtrack for s3
– men at work's everything i need was released may 1985
– the eurythmics' sisters are doing it for themselves was a duet with aretha franklin; released april 1985 on the album be yourself tonightand we're back with a shitton of endnotes, as usual. as always, let me know if you're still around and if you're excited for vol 3 below, and find me on twitter (ohtobeinlove) or tumblr (palmviolet).
Chapter 36: The Mall Rats
Summary:
“You’re friends with Nancy Wheeler and Steve Harrington,” Jeff says, shaking his head. “You’re, like, totally ruining your metalhead freak street cred with that, you realize that?”
Chapter Text
SUNDAY JUNE 30TH, 1985
Eddie has never enjoyed the idea of a nine to five — if Dolly Parton hadn’t dissuaded him, the sheer drudgery of routine would have — but here he is, Sunday morning, smoking his eight a.m. cigarette as he gets ready to drive to Thacher’s. A bright, hot day again, humid. As he walks out to his van, he spots Avni hanging laundry out, a cigarette pinched between her own teeth, her graying hair pinned up out of the way. She spots him and gives him a nod, cursory, like when you see your doctor across the diner from you ordering a shake and fries. Or that’s how Eddie imagines it, anyway, not having a regular doctor, just a guy who confirmed his shoulder was fucked (subluxation; does this happen to you often?) like they didn’t already know that, thank you, when the plant caved and the paperwork went through and Eddie got health insurance.
He lifts a hand in greeting, unsmiling, back, and gets in the van. He finished up yesterday’s Sam Goody shift by treating himself to the new AC/DC album, Fly on the Wall, so he cranks that up on his way across town, doing his reputation no favors with the windows down. But, hey, how much further can he fall?
Thacher’s in the office when Eddie arrives, at the desk with a cigarette between his fingers and a frown on his face as he taps numbers into a calculator. The radio’s playing loud in the shop beyond him, that horrible Duran Duran song from the new James Bond movie, and Eddie has to clear his throat to get Thacher to look up. Then he does, pushing his big seventies-style glasses up his nose and fixing Eddie with a distracted smile. There’s a smear of grease already on his chin.
“You’re early, Eddie, I’m impressed.”
Eddie shrugs in answer. “We got anything big to do today?”
Thacher rattles off a list of tasks. He’s an efficient guy, a decent boss, direct about what he wants doing and how he wants it done. An honest guy, too, in his own words: I’m running a clean ship here, okay, and I like you, kid, so I’m willing to try this out again. Apparently Eddie’s dad dying was all it took. But gift horse, mouth, so he keeps quiet and does as he’s told and brings home the big bucks, as he needs to, with Rick’s cash a far-distant dream.
Thacher’s got a wedding ring and a cute picture of his kid on his desk, a ten year old with frosting around her mouth, and he closes up shop every day on the dot of five; he only works weekends when there’s a holiday; he has a small house with a pretty fence and all this seems to be working out for him, really, which is as good a reason as any to stay in this business. Eddie’s cleaning engine oil off a winch when Thacher, messing with someone’s catalytic converter, says unprompted, “Ellie wants to join the choir.”
“Oh, yeah?”
“Yeah, it’s, uh, some thing all her friends are doing, I don’t know. You’re into that stuff, right? Music?”
“Well, y’know, sure, but–” Eddie passes a hand across his forehead and regrets it, feeling the slick drag of grease. He wipes his hand off on his overalls instead, conveniently covering up his Saxon t-shirt, and looks at Thacher. It feels like a loaded question. It’s not a loaded question, right? But it’s also sort of a loaded question. “Not really choir material,” he settles on. “Is this with, uh, with church?”
“Kinda, I don’t know. They sing religious stuff but it’s not tied to one, I don’t think. It’s a youth club thing, I guess, kids whose parents don’t go to the same church go too, which is how come all her friends do it. I’m just asking ‘cause– I don’t know. It feels like a long time since I was a kid.”
Eddie smiles to himself. “I’m not sure I was ever the kind of kid you’re thinking about, man.”
Thacher looks at him speculatively. “Yeah, well. Maybe not.”
The silence then goes cold, long. Every time they skate close to the subject of Eddie’s father, family, childhood, Thacher quails away from it, and Eddie’s not gonna push the envelope. He’s perfectly content to live in the guy’s mild, God fearing suspicion. Easier to let him talk about himself most of the time, benign chatter about Ellie’s school and hobbies and friends, who include one Erica Sinclair, the Sinclair kid’s younger sister. One hard-ass of a ten-year-old, apparently. “So her friends like that stuff?”
“Yeah, it was the Sinclair girl got them all into it. I just don’t get it, really. Never been able to carry a tune in my life.”
Eddie shrugs and turns back to the winch. If Erica Sinclair and Ellie Thacher are into that sort of music, then good for them, though it’s hardly Eddie’s idea of an ideal Sunday morning. He’s fairly incapable of contemplating religion as anything to celebrate.
The day passes through to the heat of midday, which has Eddie uncomfortably damp with sweat, despite the industrial fans Thacher has set up around the workshop. At twelve thirty, Thacher’s wife, Jean, a mousy brunette with big seventies glasses to match her husband’s, drops by with lunch for both of them, homemade sandwiches carefully wrapped in wax paper. She kisses Thacher on the cheek and says, “Ellie’s gotten very into decorating for the fourth, just so you know.”
“What does that mean?” Thacher says, accepting his sandwich and unwrapping it at his desk immediately. Eddie’s more hesitant about it, taking it but not doing anything with it.
“It means every drawing of hers is in red, white, and blue, and she’d like us to cover the house in them.”
Thacher chuckles, taking a bite of his sandwich. With his mouth full, he says, “I don’t know, maybe we should let her. Patriotic spirit, right?”
With an unhappy twist of his lips, Eddie quietly withdraws. Finds somewhere to sit outside, beyond reach of the still-blaring radio (All She Wants To Do Is Dance, Don Henley) and eats his sandwich. PB&J, the good ol’ American way. Sweet and sticky and he swats away flies, buzzing in the heat. He doesn’t know quite what to do with Mr. and Mrs. Thacher. Picket fence where the engine oil’s a testament to the good old fashioned hard work that got them where they are now. Is that where Eddie will end up? Small town auto shop owner with a wife? He remembers what he said to Janie, so long ago now. Wouldn’t it be so much easier, if it was just the two of us? Y’know, living a normal life. Married.
If all he can do is fall for unattainable straight guys, then perhaps a wife isn’t such a bad idea.
Only, Janie’s disappeared off the face of the earth, and the clerk would laugh him out of the office, and all he wants to do is get out of this town. So.
He lights a cigarette when he’s done eating, the hot ashy taste mildly unpleasant under the summer sun, but the idea of quitting is laughable. He watches the road with it pinched between his fingers. Then he hears something, a loud, wounded, mechanical sound, and a second later the blue Camaro limps around the corner towards the shop.
Eddie can’t help it; he jolts to his feet. Sudden flare of learned panic, though the last time Billy was a problem was something like seven months ago. Watches as the guy cruises to a halt and gets out of the car, walking in without so much as a glance at Eddie. Eddie follows him.
“I need my car fixed,” Billy says to Thacher, who’s come out of the office with his arms crossed. “This afternoon.”
Thacher moves to inspect the damage — a crushed fender, smashed-up windshield, like it hit something at speed — while Eddie keeps his eyes fixed on Billy. He looks strangely ragged. Hair frizzing in the heat, the way Eddie’s is, but that itself is strange, since the guy usually seems to have some sort of product in it. Tan skin with a faint clammy tone to it, eyes intense but shadowed. Like he’s got fucking heatstroke, or something. He’s not looking at Eddie at all.
Finally, Thacher straightens up. “This won’t just be an afternoon job, I’m afraid. I’ve got a lot of customers coming in before the holiday. Is it still driveable?”
“Like a piece of shit.” Billy’s face twists with fury, before smoothing out again curiously. “I need it fixed.”
Thacher hesitates a moment, then sighs. “Give me a minute.” He disappears back into the office, leaving Eddie alone with Billy. Billy, who still won’t look at him, just stands there still with a drop of sweat slipping down his forehead. The silence is hot, slowly becoming more oppressive the longer it stretches on.
Finally, Eddie snaps. “Hey, asshole. You get a touch of the sun or something?”
Billy’s gaze slides over to him slowly, eerily. “You should be polite to your customers, right? As someone who works here.”
Eddie shakes his head and takes an involuntary step back, scoffing to cover it. “In case you hadn’t noticed, I think my boss is in the process of doing you a massive favor.”
A silence. A moment wherein Eddie thinks this moment is going to be the same as all the other moments have been, across these seven months. Offering a challenge and then having it ignored, brushed off, deliberately de-escalated. He’d think it was mature, if he hadn’t witnessed Max threatening to castrate the guy with the nail bat. It’s somehow a disappointment.
And yet–
This time, Billy steps up. A sudden flare to the darkness in his eyes, black as pitch. A step forward to match Eddie’s step back. And a fury. A hiss between his teeth and then he pounces, fast as a fucking snake, shoves Eddie back and Eddie’s head cracks into the wall and he feels a stab of raw trapped animal fear–
“Hey!” someone shouts, Thacher, grabbing for Billy and dragging him away. Billy responds with a snarl and a swipe and for a moment Eddie’s sure he’s going to witness a full-blown fistfight in the workshop. His hand searches behind him, finds a wrench. He won’t make the mistake of thinking Billy doesn’t fight dirty, not this time.
And then, just as suddenly as it started — the fight stops.
Billy steps back, drawing himself up, cold and calm again, though he’s visibly sweating. He doesn’t say anything to explain himself, and neither does Eddie — he wouldn’t know where to start — and so Thacher exhales, pushing his glasses up the bridge of his nose.
“Get the hell out of my shop,” he says. “I won’t have violence here, understand? I don’t know who you think you are, but if you come back here again, I’ll call the cops.”
Billy looks at him for a long moment. Like he’s evaluating him, summing him up. Then, with a slight jerk of his chin — respect or contempt, it’s impossible to say which — he gets back in his damaged car and drives painfully away.
Eddie exhales, rapidly weak and trembling all over. Flushed and dizzy himself, as though Billy’s fever of rage is catching. He sets the wrench down. Remembers, too late, that he’s got a pocket knife on him — and then wonders if he’d truly be capable of stabbing a person, even Billy. He catches Thacher looking at him and ducks his head, runs a hand over his face. “I don’t know what that was,” he says preemptively.
“Yeah, well, I sure hope you didn’t. I meant what I said to him. No violence here, no dirty business. I find out you’re anything like your father and–”
“I’m not,” Eddie bites out, voice tight. “Hargrove’s just a prick. Had it out for me all year.”
“Yeah,” Thacher says, looking him up and down. “Yeah, okay. If you swear that’s all it is–”
“I swear.”
“Okay, then. He gives you any more trouble, you let me know, okay, Eddie? You’re a good worker. I’d hate to lose you, either because you got mixed up in that shit or because that guy put you in the hospital.”
“I will,” Eddie mumbles, with no intention of doing such a thing. All this is too tangled up for Thacher’s clean, straight-laced life. PB&Js and their kid doing church choir.
When his shift ends that afternoon, Eddie changes out of his overalls in the shitty bathroom off the office, spotty yellow light and engine oil-streaked faucet, and splashes water over his face. Then he drives over to Gareth’s house. Gareth’s mom is sunning herself in a chair on the dry yellow grass out front, an American flag already hanging up above her head. She raises a sun-limp arm in greeting and points to the garage. Eddie salutes her then rapidly wishes he hadn’t, what with that fucking flag.
Gareth, Jeff, and Aaron are already there, picking out chords, plugging in amps. The sun’s at that point in its arc of the sky that it trips in through the open garage door, illuminating the whole space in blinding light. Eddie gets out his precious guitar and squints at them, frowning at the way Aaron’s attempted to comb his tightly curled hair to the sides in some weird choirboy curtain-effect, with a quantity of product definitely involved.
“Don’t say a fucking word,” Aaron says, clearly catching the look. His voice is glum. “I’ve had enough shit from these two already.”
“Is it– I mean, are you going for something specific, or–?”
“It’s The Breakfast Club,” Jeff says, cuttingly. “He’s trying to be Bender.”
“Seriously?”
“He went to the pool and didn’t even go in the pool because he didn’t want to ruin his hair,” Gareth adds, smirking at Aaron as he flips Gareth off. “Plus Heather didn’t even notice.”
“Too interested in Billy fucking Hargrove,” Aaron mutters. Eddie looks away for a second, catching his breath. Billy fucking Hargrove. And they’ve had such a peaceful few months. “I wish she’d just say something. Like, hey, I know we got milkshakes a couple times and kissed at that party but I’m seeing the worst guy in our grade now because we lifeguard together and that makes everything else okay, apparently–”
“We don’t know she’s seeing him. Have you tried to talk to her?”
“Not since the end of school, remember? And she told me she’d see me at the pool. Which, well, I’ve been going to the pool.” Aaron shakes his head and Eddie resists the urge to say something like welcome to the fucking club. In that people do this, right? Not least people like Heather Holloway and Tommy C. He remembers Aaron, flush with giddy delight after that office party at Christmas, when Heather’d offered him some filched wine and a kiss in the snow — the way it had seemed almost too good to be true, like a movie Aaron had fallen asleep watching and confused with reality. Damn, maybe there’s even some hope for the rest of us, Gareth had said, a little awed, which had felt strange, since it was usually Eddie who was the subject of awe.
Still. Now they’re here.
“Plus my mom says her dad’s being a total asshole to his interns at the paper, though Heather kept on telling me what a nice guy he is–”
“Nancy and Jonathan, right?” Eddie cuts in. He’s heard of this from Jonathan, in the brief snatches of time they’ve seen each other. Frustrated cigarettes and tired smiles. A job which means something for his college application which means better chance of scholarship which means getting out of this town, finally, something they’re all trying to learn how to do.
“Shit, I keep forgetting you know them,” Gareth says.
“Yeah, them. Jonathan’s doing okay, apparently, he’s just their photo guy, but they’re really hard on Nancy. I don’t know, she wants to be a reporter or whatever but she’s being treated like a secretary? Which, well, she’s an intern, I don’t know. My mom’s been working for Mr. Holloway since he took over at the paper fifteen years ago. Being his secretary isn’t so bad. It’s just kinda– entitled, y’know? Like, she swans in expecting her stories to make the front page, but my mom says that’s just naivety and it doesn’t mean they should be pricks to her about it, I don’t know.”
Eddie frowns, tapping his fingers on his guitar case. “Nancy’s nothing if not ambitious. Y’know, sometimes I, uh, I envy that.”
“Yeah, I guess. It just– the whole thing makes me feel weird, Heather and her dad and Nancy and my mom involved in this whole mess, and Heather going out with Billy now–”
“We don’t know that, man, remember?” Jeff insists, and the conversation spirals back into its earlier circle. Eventually, Eddie gets them back on track, playing through a couple of songs by that new band Megadeth, released earlier in the month, and then some of the original stuff Eddie’s tentatively working towards, essentially just DnD campaigns set to music (if Led Zep can do it, why can’t he?) and long, indulgent guitar solos. But there’s a mythos around him now — there has been for a while, strangely, but especially now. They listen to his stories of performing in Indy (just the once, mind you) with reverence, like there’s something new and untouchable about him. So they let him have his indulgent guitar solos.
When they’re done, a final resounding crash of sound fading out into silence, Gareth’s mom, Andy, pokes her head around the door and says, “Are you boys staying for dinner?”
There’s that typical holding-out of silence, where they each look at each other and try to gauge the group response. In that they all look at Eddie. But Eddie shakes his head, smiling sideways. “Sorry, I can’t, I’m meeting someone for dinner.”
Andy raises her eyebrows. She’s pretty in a dull suburban way, a well-adjusted housewife sort of way. “Am I allowed to ask if it’s anyone special?”
You’re allowed to ask, he thinks, but I’m not sure you’re gonna want the answer. He lets the smile grow fixed, uncomfortable, as he says, “Nah, just a friend. Steve,” he clarifies to the others, knowing they’re going to ask. They always ask.
When Andy’s disappeared again, they round on him. “That is so fucking weird, y’know,” Aaron says. “You hanging out with Steve Harrington, just– like, for fun. For fun! I can’t think of a single thing I’d want to do less.”
“It is fun,” Eddie says, shrugging. Keeps his tone light, like that’s going to disguise the depth of feeling behind it. “I don’t know what to tell you. We’re friends.”
“You’re friends with Nancy Wheeler and Steve Harrington,” Jeff says, shaking his head. “You’re, like, totally ruining your metalhead freak street cred with that, you realize that?”
A year ago, maybe two, Eddie would totally have agreed with him. Cast ye out all preps, party-goers, and god-fearing jock fiends! But he should have graduated a year ago and he’s seen more shit in that time than any of these friends of his will see in their lifetimes — and so it bores him, now, the arbitrary social distinction of street cred. He shrugs again. “Be that as it may. Nothing can shred my hell-for-leather attitude, and the, uh, the world’s a whole lot bigger than Hawkins High.”
“Sure,” Gareth says, with his own shrug, and it’s this easy acceptance that is somehow the least accepting of all, because it comes from a place of no idea what this guy’s smoking, but, hey, sure thing. In that none of these guys went through what Eddie did with Steve — nor should they have to, nor should anyone — and so– well.
There’s no getting it.
“Yeah, so I, uh, I should probably get going. But good practice, guys, and if that Hideaway lead checks out–”
“Yeah, about that, I think you should come to meet the guy? Since you’re the oldest, and–”
“Sure, uh, just let me know when.”
Gareth exhales, running a hand through his hair. “Okay, cool. I’ll try to set something up, maybe next week, now, since this week is the fourth and everyone’s busy.”
“Sure, dude. Go for it.”
Eddie wonders at that, at the relief in Gareth’s eyes. At, what. Pinning Eddie down? Fixing him into a commitment he can’t break? It’s true, Eddie’s got ambitions. Places to be and people to see. Doesn’t mean, necessarily, that all this is just a stopping-point on his way up the road.
Still, Eddie walks out the door and drives over to the diner. Slides into a booth — early, surprisingly — and lights a cigarette. It steadies the incipient nerves, itching at him from the inside the way they always do when he’s about to see Steve. Which is stupid. It’s just Steve. And yet.
He looks out of the window, spots Steve’s big hair in the growing rosy dusk. A little jolt in his heart rate, fine, and then another head appears, too, shorter, curly. Dustin. Fuck. Eddie puts his cigarette out and his head in his hands, for just a moment. A moment to regroup. Then the bell dings by the door and they’re coming in, Steve’s eyes searching Eddie out, alighting on him (lighting up?) and the two of them heading forwards and sitting down.
“Hi, Eddie,” Dustin says immediately, giving neither of them a chance to speak. He’s wearing some baseball cap, Camp Knowhere. It’s kind of cute, in a shitty, cheesy way. Eddie’s no stranger to nerdy branded merch.
“Hey,” he says, warily. Looks at Steve with a bit too much purpose, a real what’d you have to do this for? look. Which is maybe unfair. Steve smiles, far too innocent, and flips up his menu so Eddie can’t see his face. Smug prick. “So, Henderson, how, uh, how was camp?”
Dustin doesn’t need any more convincing than that; he launches himself into a lengthy description of all the various mechanical shit he built, the people he met, the girl he’s fallen in love with.
Eddie raises his eyebrows at that last. “You said she’s a goddamn Mormon?”
“Well, yeah, but it’s her family, really, that’s why she can’t just call me. That’s what Cerebro is for. But– I don’t know what was going wrong with it last night, maybe she was just busy, maybe they confiscated her radio or something, because she promised she’d answer. She did.”
“I’m sure she did,” he returns, keeping any skepticism far away from his tone, since he’s not exactly in a position to cast stones.
“This isn’t even the most shocking part of the story,” Steve cuts in. “Wait till you get to the part about the Russians.”
“Yeah,” Dustin says, eyes bright, leaning on his elbows across the table. This is, of course, when their server comes over, and they have to break to order three burgers and three sets of fries and some ungodly milkshake for Dustin, a coke for Eddie, a root beer for Steve. Then she disappears again, eyeing them like they’re exports from an alien planet — she’s in the year below Nancy and Jonathan and Robin, Eddie thinks, now the year below him too — and Dustin clears his throat, drops his voice. “So, after all my friends totally ditched me–”
“Not cool,” Steve supplies.
“Right, not cool. So after they did that, I stayed up there listening just for a bit, just in case, and instead of Suzie, do you know what I heard?” Dustin pauses for dramatic effect. Which would be more dramatic if Steve hadn’t spoiled the ending already, but Eddie’s willing to play ball. He waits. Then, “I intercepted a secret Russian transmission.”
Eddie stares at him. “What did it say?’
“Well, I don’t know, Eddie, since I don’t speak Russian. We’re working on that part. Robin’s helping.”
“Robin’s helping?” Eddie repeats, looking at Steve, gauging what that might mean. If it means anything. “So you two are finally getting along?”
“We were getting along before. Kind of, I don’t know, it’s weird. But she’s helping us out. Good with languages, or whatever.”
“So, like, what are you doing with this? What’s the, uh, what’s the goal here?”
“American heroes? Patriotism? Steve wants to get laid.”
Steve swats Dustin’s head. “That is so not what I said, asshole, that’s not even in the ballpark of what I– maybe I’m just being a good American. For, y’know, the sake of altruism.”
“Because patriotism and altruism go oh so well together,” Eddie says darkly, and watches Steve’s expression go a little dark too. They’re both aware of what roads not to go down. Steve knows better, too, he does know better. So that’s not really what this is. Eddie has enough faith in him, now, perhaps misguidedly, to believe that. More likely it’s a Robin thing. Which– well. Eddie’s not going to think about that.
“Regardless,” Dustin continues doggedly, “and despite the way you’ve totally disappeared since our last crisis, I thought you’d want in on this. Hence I’m here.”
“Hence,” Steve mutters, shaking his head fondly.
Eddie twists a ring around his finger, studying his hands instead of Dustin’s earnest, bright face across from him. “Well, yeah, secret Russians are totally my bread and butter, let’s get into it, let’s fucking– phone up Reagan and say we bagged the bad guy like in Scooby Doo.”
Far from being deterred, Dustin and Steve just lean further across the table. “Not Reagan,” Steve says, “but we know Owens, right? It’s always useful for a guy like that to owe us a favor.”
Yes — Eddie thinks of the van in Chicago, Agent Blass, the cold cuffs on his wrists — it is. “I don’t know how wise it is to get involved. Like, no one’s gonna– no one’s gonna nuke Hawkins, y’know?”
“Why not? They’ve done just about everything else to it. Feels only fair for the Reds to get their piece of this fucked up supernatural pie, and for us to stop them. Like we usually do.”
“Wait, what?” Eddie says, sharpening. “You think this has something to do with Hawkins?”
“Oh, yeah, didn’t I mention that? Steve, like, literally just figured out that the code’s coming from inside the mall. There’s music on the transmission, that stupid Indiana Flyer horse thing kids pay like a dime to ride, so it must have come from here.”
Eddie puts his head in his hands, drags his fingertips over his forehead and eyes and resists the urge to groan. “You’re fucking kidding me.”
“Nope,” Dustin says, popping the ‘p’. He’s buoyed up, practically vibrating out of his seat on the sticky, uncomfortable booth.
Eddie looks at Steve and finds a matching excitement in his eyes, if tempered by a little fashionable cynicism. So Eddie makes a decision: “Hey, Steve? Can I, uh, can I talk to you a minute? Outside?”
“You can’t seriously be having a conversation about this without me,” Dustin complains, as Eddie gets up, stare locked on Steve, I fucking mean it.
Steve, slowly, gets up too. “We’ll be back in a sec. Don’t eat all our food if it comes while we’re gone.”
“No goddamn promises, asshole!” Dustin calls, after their retreating backs. Then they’re outside, in the warm night air, Steve turning to face Eddie as Eddie lights another cigarette and leans back against the wall.
“Yeah, so, uh, this–” he says, gesturing loosely to Dustin inside and then back to Steve with the hand holding the smoke, “this isn’t fucking happening. You do realize that, right? Like, wanting to save the world when it’s about to end is one thing, sure, but this isn’t that, this is us poking our noses into the business of, y’know, international spycraft and shit and I don’t know about you but I’m no James Bond, and neither is that kid in there.”
Steve pinches the bridge of his nose. “That kid is excited.”
“Oh, he’s excited? Well, that means the KGB will load their machine guns with– I don’t know, fucking bubble mixture. Jesus. This is real shit here, Steve. You’re gonna get yourselves killed.”
Steve shakes his head. “Look, something’s up, okay? Russians? In Starcourt Mall? That’s not fucking normal. That doesn’t just happen. And we’re, y’know, like it or not, we’re used to dealing with the shit that isn’t normal. That’s kind of our role, here, in this town. I’ve got shit else to my name, so, yeah, that’s my role. And you know Dustin, there’s no way of putting him off the scent of something once he’s in it, and he’s totally in it now. He’d just– go and learn Russian on his own, somehow, it might take him longer but he’d still do it and then there’d be no one to jump in front of the bullets.”
Eddie looks at him a beat. He’s cast in a dull white glow from the lights in the diner, against a sky richly purple as it fades into black. He looks like a fucking dream. As he usually does. “That’s the–” Eddie tries, throat dry. “That’s the point. No one should be taking bullets for anyone, here, that’s very much not what we should be doing–”
“But you know I’m right.” A silence. “Or, I don’t know, maybe you don’t know. It’s been a while since you saw the kid.”
“Okay, Jesus, way to–” Eddie exhales through his teeth. Did he ever tell Steve what Joyce said to him, that cold morning outside the trailer when the dew matched the clag in Eddie’s lungs? Never in so many words. Maybe take a step back, okay? But Steve probably knows anyway. “That’s not the point of this.”
“Really? Because I saw your face, y’know, when I brought him in. You’ve got this real way of looking like a deer in headlights, sometimes, at the most– it’s okay. You know it’s okay, right?”
Okay — was there ever a more loaded word? Eddie shakes his head, though he’s not exactly saying no. He doesn’t know what he’s saying. He thinks about saying, Billy Hargrove nearly killed me today. Wonders how that would land. “It’s weird, Steve, it’s weird with those kids now and I’m not– I’m not cut out for this shit.”
Who knows what that shit refers to. Anything. Steve sighs and makes a little move, just a tentative, abortive one, hand already retracting as it’s reaching out, and Eddie watches it with something like dull disbelief. “We’re gonna keep him safe, okay? It’s better that we’re with him, right? So we can keep an eye. Make sure there are no bullets.”
“Jesus Christ,” Eddie mutters, puffing on his cigarette. “Yeah, okay, I guess. No bullets. I see a bullet, Steve, and I’m fucking shooting you myself.”
Notes:
– subluxation is the partial dislocation of a joint; occurs often in people with hEDS
– ac/dc's album fly on the wall was released june 28th 1985
– pocket-sized calculators became available in the 1970s
– duran duran's a view to a kill - was number 2 in the charts the week ending 6th july 1985, the theme song for the bond movie of the same name, released in may of that year
– catalytic converters began to be fitted in 1975
– all she wants to do is dance by don henley was released 1984
– the breakfast club was released february 1985. john bender, played by judd nelson, is the 'criminal' archetype; his character ends up with molly ringwald's claire standish, the 'princess'.
– the megadeth debut album killing is my business... and business is good was released june 12th 1985
– scooby doo was originally launched 1969thank you for reading! let me know your thoughts below and as ever find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 37: The Case of the Missing Lifeguard
Summary:
The familiar woods that rush past; there, the turning to Furling Way and Steve’s house, there, the turning to Freeling Farm and the barn where Steve bandaged his knees. There, the spot where Eddie hit the demogorgon with his van. Sickening crunch and otherworldly blood on the fender.
Notes:
warnings for referenced drug use and drug dealing, class issues, and outdated notions of bisexuality (ie. 'liking both').
(See the end of the chapter for more notes.)
Chapter Text
MONDAY JULY 1ST, 1985
In a dream — something Eddie has a lot of, these days — he sees Billy Hargove standing in a dark room with slick black gasoline pouring over his head. Sliding painfully, inevitably, down the guy’s hard tan muscle, the planes of his stomach (bare-chested, as always), collecting in rivulets in the creases of his shorts. It smells the way Thacher’s does, machinery and engine oil, Billy’s face twisting into hatred as he lunges with a snarl–
Eddie wakes, sweating. Billy’s face reminded him of his dad’s. There’s a ringing in his ears; it takes him a while to sit up, to run a hand through his sweat-damp hair and turn to look at the clock. It’s five fifty-three a.m.
Dull pre-dawn light is inching through the gap in the curtains; his heart is still pounding, even after a sip of tepid water and a hand laid on his chest to feel it go, rapid, frantic fucking animal trapped beneath his sternum. He gets nightmares now, more often than before. His dad, the Upside Down, his dad. Ciara Malone — the woman who knew his mom — leading him down some dark passage with no end in sight. Various configurations of death. Rarely Billy, though, so this is a new one. A grimy, ugly new one.
Cigarette. Long drags that fill his head with static in a pleasant sort of way, as he looks out at the lightening sky and the heavy shapes of clouds overhead, a stormy day, didn’t they say that on the weather report yesterday? It doesn’t bode well for his sudden realization of the day’s plans, the way he knows instinctively where he has to go today, all the way past Lover’s Lake to Rick’s old place and really assess the damage. He’s got the day off from Thacher’s, a shift at Sam Goody’s in the afternoon, time enough to nip down to south Hawkins and maybe beat the rain. He’s used to waking up early now; used to making plans, trying to trick his brain into measuring time the way normal people do. It’s working in the sense that he made it to Indy the other night. Not so much the sense in which at some point, eventually, it might be useful to have graduated high school.
Still, that’s a problem for future-him. Now-him finds clean jeans and a t shirt and hums Back in Black to himself, wordlessly, through his teeth. What he’d really like to do is crank it up loud on his stereo, or else play it himself, hands itching for the comforting weight of Narsil again — but he’s been told that peaceful summer mornings, pre-seven a.m., aren’t the time or place. Nor has he ever been the guy sitting quietly in the corner with headphones on.
And this year he’s been starting to realize where he gets that from: when he goes through into the other room, Wayne’s stewing on the couch, wide awake and eyes passing furiously over the same page of some disturbingly thick book, brow creasing in evident frustration. Eddie’s not sure he wants to approach his uncle when he’s like this, particularly, but just as Eddie comes in, Wayne puts the book on the floor with perhaps a little more force than necessary and rubs his forehead before turning to look at Eddie, eyes bloodshot.
“Mornin’,” he says, voice hoarse and pissed-off.
“Morning,” Eddie returns cautiously, moving towards the fridge. “Doing some, um, light reading?”
“Fuckin’ legal volume. I don’t–” Wayne exhales audibly through his teeth. “Don’t know what I’m goddamn doin’ with it. This all ain’t for folk like me, that’s for damn sure. I’m just watchin’ the letters swimmin’ around like minnows and givin’ me nothin’ for my trouble but a headache.”
Eddie stops and looks at his uncle, carton of milk held loosely in one hand with the fridge yawning open behind him. He’s never really seen Wayne read, is the thing. “What’s this for, exactly?”
“Protest law.”
“Protest law?” Eddie raises his eyebrows. “Jesus, Wayne, what are you–”
“Shut the fridge, kid, will you?” Eddie presses his lips together and obeys, as Wayne pinches the bridge of his nose. “Yeah, protest law. Recall the Mall yesterday, Kline called the cops and got us shut down because we didn’t go through the proper channels. That’s the shit Hopper said, arrestin’ half of us.”
“Not you?” Eddie cuts in, sharpening. God knows enough Munsons have passed through the police station to last a lifetime.
“No, the rest of us had the sense to pick our battles. But ain’t it a sign of the times, that Jim Hopper’s doin’ the mayor’s dirty work? I used to have respect for that guy.”
Eddie scratches at his neck and doesn’t say anything. His own respect for Jim Hopper is based pretty exclusively on the guy’s ability to fight supernatural monsters with a machine gun. Anything else, well. Hawkins has been divided into honest workers and scabs for a while. Eddie’s just keeping his head down and dreaming of someplace better. “So, you’re– what. You need a permit, or something?”
“Somethin’ like that. I got this outta the library but it’s gettin’ me nowhere, not without–” Wayne stops, looks down at his hands. “Carolyn, y’know, we used to read together. I ain’t been to the library since.”
“Oh.”
A silence. Then, because Eddie’s fucked in the head, he thinks of the times this year he and Steve went to a diner and did their homework together. A plate of fries between them, or else shitty coffee, cigarettes, math worksheets or essays about Moby Dick. They didn’t do it often, just on occasion, when Steve didn’t want to be in the house and Eddie’s deadlines had gone from scary to terrifying — the two of them on sticky booth seats, heads bent over the table, laughing at their own crappy answers.
He doesn’t meet Wayne’s eyes. Feels like a shitty human being, for a moment, though he’s fully aware of what this (having a crush, it’s having a fucking crush, not that he wants to admit that to himself) turns people into. Turns him into, specifically: someone with single-minded and taut, painful focus, trapped in the imaginings of his own head. Like the idea of reading with Steve here, on the couch, Eddie’s legs slung across his lap, or else Eddie’s head tucked into the crook of Steve’s shoulder–
“Anyway, there’s this Save Our Downtown meetin’ tomorrow, 6pm at Town Hall. Might need a permit for that, too, I don’t know. You gonna come?”
Wayne’s gaze has turned expectant. Eddie goes back to his bowl of Honeycombs and says, pouring milk over them and not looking around, “I don’t know, Thacher may wanna keep me late. I’ll, uh, I’ll see.”
An edge to the silence, now. Eddie risks a glance over his shoulder; Wayne’s lighting a cigarette, the same crease to his forehead, eyes unreadable. In that somewhere along the way Eddie started fucking struggling with that, actually, reading his uncle’s face. He’s rarely felt so acutely alone in this shitty little trailer as when Wayne leaves it to go somewhere Eddie doesn’t know how to follow — and Eddie sits there in the dark, most times, thinking about someone he doesn’t know how to stop thinking about.
“Well, okay,” Wayne says finally. “I’ll be there, if you can get away early. We need all the support we can get.”
Eddie hums noncommittally, finishes his breakfast, escapes out into his van under a muggy heat that makes his shirt stick to him, the van airless and oppressive until he winds the windows way down and gets going. He chooses Deep Purple, Perfect Strangers, nods his head along to the beat. Anything to keep from thinking about where he’s going. The familiar woods that rush past; there, the turning to Furling Way and Steve’s house, there, the turning to Freeling Farm and the barn where Steve bandaged his knees. There, the spot where Eddie hit the demogorgon with his van. Sickening crunch and otherworldly blood on the fender. Crazy fucking world, right? He’s been abstracting it into phrases like that. Fucking wild, man. So insane that that happened to us last year. All his DnD-led imagination, all the shit he likes to put in songs, it’s a little too visceral for the issue at hand. Easier to wake up sweating from a night terror and say to himself, well, that’s fucked, than to get his notebook out and delve into what it might have made him feel. Fuck that. He’s on a fast-moving interstate, speeding away into the sunset; if he drives fast enough, what happened won’t catch him.
And yet. Here he is, pulling into Rick Lipton’s driveway, the lake gray beyond the trees.
When he gets out of the van, Deep Purple shut off and the trees’ summer-green leaves not stirring in the hot, still air, the silence is conspicuous. Rick would usually be playing music from the radio, talking on the phone, maybe watching those stupid Cheech and Chong movies. And there’d be sounds from the lake, at least — fishermen, bathers, maybe some ambitious guy in a canoe. Not so much today. Eddie steps towards the shoreline, frowning at the dull sky, the endless quiet expanse of water. It disquiets him a little. He’s a decent swimmer, true, never afraid of water, just mildly unhappy in it, but it’s like Rick’s absence has destabilized the place, shifted the soil, let the lake creep in. It feels closer than it did before.
With a shudder, he turns back to the house. It’s dim and vacant-looking under the storm-gray sky. Ugly and squat, if big, if attached to a boathouse. Rick’s fucking drug money. A lucrative prospect, if you’re smart about it. Neither Eddie nor his dad were ever smart about it. And now–
Eddie tries the door. It’s unlocked.
Not exactly unlocked. More that the lock is broken, forced in by whoever raided this place — the DEA? Did Rick really tangle with the fucking DEA?
Eddie steps into the house gingerly. He’d like to say the smell is the same as it ever was — beer and weed and pizza grease, sweat, Tommy C.’s cologne. The taste of Tommy C.’s skin, too, that time behind the sofa. But that isn’t what it smells like. It smells instead like damp and rot. It smells like– an empty house. A place left to die.
He looks around. There’s broken glass on the floor, shards of beer bottles and windows mixed together. Some discarded cups and further bottles, vodka bottles, like a bunch of kids snuck in here and had a party. Rick’s shit is mainly still here, his couch, his random scattered knick knacks and the coffee table he’d cut lines of coke on. Like he’s just gone out for a pack of smokes, and he’ll be back any second. That sly smile, scraggy reddish hair, grease stains down the front of his wifebeater from the time he got so high he let a whole slice of pizza slide down his chest. What the fuck happened to my floor, huh? Condition of you guys getting high here is that you don’t take it out on my shit, y’know? And a roll of his eyes, the hiss of a new can of beer.
But no one turns up. The house, a carcass of a life Eddie used to lead, which is funny. The past being so irretrievably dead. Rick’s probably not in Indiana Reformatory, right? It’s federal prison for drug offenses, not state. Not that Eddie would visit him: what would they say to each other? What do you say, across the glass, the telephone greasy with the fingerprints of each dour relative who’s touched it in the past? Eddie’s not even sure what he said to his father, that time. It’s the kind of memory he’s been glad to let slip through his fingers like water.
So–
No more Rick. No more drugs. It’s done.
It occurs to him, standing in the doorway, about to leave, that he didn’t tell his uncle where he was going. Not that he tells him much, these days, his life being a mess of supernatural secrets tangled up with one Steve Harrington, Hawkins’ young prince and firmly, in Wayne’s eyes, on the side of the pigs and the scabs. The instinct to share has long been repressed. And yet, well. Maybe there’s an extra reason here. A reason like what might be stashed beneath Rick’s floorboards, undiscovered by the DEA.
Eddie stands there, inhaling mildew and wondering. He’s kept it clean, for the most part. Had a few drags of other people’s blunts in crowded rooms, once sat on someone’s floor while they hotboxed the place. Nothing concerning, if nothing he’s going to tell Wayne about. He’s been handling it. Hasn’t been tempted to anything else, though guys in clubs have offered him lines of coke off their hands, though he thinks about ketamine, in an idle way, every time his shoulder flares up.
He could be tempted now, though. He could be. Just for–
Just in case, right?
Then he looks at himself — imagines himself from the outside, long-haired metalhead jonesing in his dealer’s broken doorway, tweaker-skinny and fucked in the head and contemplating topping up his stash just in case — and thinks no, fuck no. What the fuck is he doing? Who is he trying to turn himself into?
He gets a jolt of panic in his chest, a little like freefall, and scrambles out of there without looking back. Christ. Jesus Christ.
He drives nervily fast, all the way past the lake. Drives until there’s no more water dull through the trees and he’s back to the turnings to the farms, to Steve’s, to the old Brimborn Steelworks where Wayne used to work back when he first moved here–
A shadow on the road. Like an animal darting across the asphalt, something small and furry, like a rat. It does nothing to quench the sick feeling in Eddie’s chest. Last time he glimpsed something on the road it was something bad, and his brain thinks in patterns like that now, how could it not? Shadow on the road means demogorgon means world going to shit again and Eddie never getting out of this town–
Shadow on the road means a rat. Eddie’s seeing ghosts. Rick’s empty house, ghostly, and Brimborn, the ghost of the reason he was born in this town. God, there’s too much past here. He feels as though he’s paddling upstream, arms growing tired, borne back ceaselessly into history. Isn’t there a quote about that?
In an effort to stave off the tide of memory for a couple hours longer, he punches it all the way north to Starcourt until the depressingly comforting pink neons are glowing out of the distance, undeterred by the now fat drops of rain landing heavily on Eddie’s windshield. He parks and breathes over the wheel for a moment, lights a cigarette and smokes it with damp, humid air wafting through the window. It hasn’t been one of his better mornings. It could have been worse — they can always, invariably, be worse.
Then he stubs his cigarette out and goes inside.
Starcourt has a strangely eternal quality to it, liminal, the kind of place Eddie would send his DnD players if he wanted to confuse them, get them twisted around on a time-critical quest. There’s daylight, sure, big skylights in the roof above the main drag, but if you’re inside the stores then it’s fluorescent twilight nine to late, baby, and you’re not paid enough to complain. And the sky, even through the skylights, is dark with rain.
He works a couple loathsome hours at Sam Goody. He’s sharing this shift with Alicia, Larry’s girlfriend (i.e. the manager’s girlfriend), and she won’t let him forget it. She leaves most of the work to Eddie, pointedly tugging on an earring — neon green lightning bolts — whenever he opens his mouth to complain. She’d come in wearing them a few weeks earlier, said unprompted (because Eddie was never going to ask), look what Larry bought me for our six month anniversary! Aren’t they so rad?
With the result that when she holds up two albums — Hunting High and Low by A-ha and Songs from the Big Chair by Tears for Fears — it’s not a question of absolutely not but instead only which one. He points to the Tears for Fears resignedly, injecting more contempt into his face than he feels, really, because he’s got to do something to cover up the flush on his cheeks. Bad enough Steve likes this music; worse that Eddie’s starting to want to listen to it, like it’s a glimpse of Steve’s soul, a little shred of his personality accessible nowhere but in grooves of vinyl.
Shout flares to life overhead and Eddie, the fool, smiles to himself in the stacks. Six months of this and no sign of slowing.
They’ve moved on to the A-ha album — The Sun Always Shines on T.V. — when Eddie looks up to find his imaginings have come to perfect, ridiculous life, in that Steve’s standing there in the aisle in his stupid sailor shorts and hand running back through his hair. Eddie straightens up slowly, this being a thing that doesn’t happen all that often, not wanting to frighten the mirage off.
“Good album,” Steve says, nodding his head along. He’s ditched the hat.
“Man, I’m convinced you say these things just to piss me off,” Eddie returns, shaking his head, mentally filing the information away for later. “What’s up?”
“Well, we were looking for the Russian spy–”
“Jesus Christ, Steve, could you say that any louder?”
Steve has the good grace to look shamefaced. “Yeah, sorry. Dustin had us following this guy who turned out to be some Jane Fonda workout style dude, which was, y’know, insane–”
“Dustin?”
He rolls his eyes. “Okay, yeah, but he was blond and had a duffel bag, so sue me.”
“You really think it’s gonna be that obvious? These guys infiltrate communities, right? It’s gonna be, like, Principal Coleman, or Nancy’s dad, or someone. People you wouldn’t, y’know, suspect.”
“Well, okay, but then how are we supposed to suspect them?”
Eddie shrugs. “This whole spycraft thing was your idea, not mine.” He wonders if he’s been looking at Steve too long in this conversation; he looks away to the nearby records, King Crimson, in an effort to even it out. “Where’s Buckley in all this? She’s gotta have some bright ideas.”
“Yeah, I don’t know. We left her manning the counter. Gonna get shit for that later, mark my words.”
“I’m sure you’ll deserve it.”
Steve leans against a shelf and sighs, crossing one ankle over the other. “I mean, I probably will. I get the sense she’s sorta– punishing me? For how I was in high school? Not that I really talked to her much, y’know, but still. And she doesn’t have the advantage– well, horrible fucking misfortune, really, of all the bullshit we went through to kind of– make her see past that. Which, I mean, if I deserve that–”
“Steve,” Eddie says. “Stop tying yourself in knots.”
“Yeah. Yeah. I just– I want her to like me. Y’know?”
With a sinking feeling, Eddie nods and says, “Yeah, I know.”
“Hi, can I help you? I’m sorry about my coworker here, he’s a little distracted today.” This is Alicia, smiling her best customer-service smile (the one that reads as a deliberately-directed fuck you at Eddie) and acting like she doesn’t know who Steve is, though she was two years above him in school. She’s chewing gum, also not allowed in the store.
Steve straightens up. “Nah, it’s okay, he’s been pretty helpful actually. Showed me right to what I needed, which is– uh, Beat, by King Crimson.” He takes a record out from the stack, offering his own winning grin, the one that makes Eddie sick with fondness. Then Steve peers deliberately at Eddie’s nametag: “Thanks, uh, Eddie, you were great. Employee of the month for sure.”
“Um, okay,” Alicia says, looking between them with narrowed eyes. “Shall I ring you up?”
Steve, the idiot, doesn’t break character for a moment. Fingers tapping on the record’s blue cover, he follows her over to the counter. Pays for his King Crimson record with a placid look, like any King Crimson fan has ever looked that placid, or ever worn a goddamn fucking sailor uniform.
“Come by Scoops on your break,” Steve says in an undertone, brushing past Eddie on his way out. He smells like hair product and cologne. He’s wearing cologne to the mall now?
The little jolt it gives Eddie in his chest is superseded almost immediately by the awareness of who he’s probably wearing it for. And won’t that be a fucking situation and a half.
Still, come his break, Eddie heads over to Scoops.
It’s practically empty; apparently the rainiest day of the summer doesn’t entice people to buy ice cream. As a result, there’s no one at the counter — but he knows the looks he’s going to get if he just vaults over it into the back room, so he settles for ringing the bell and slouching over his elbows, twisting a strand of hair around his finger. Steve pokes his head out (cue the heat in Eddie’s cheeks) and smiles.
“I hear you sell ice cream,” Eddie says.
“Any particular flavor you’re after?”
“Oh, I don’t know,” he says, pretending to inspect them, “got any of the Soviet conspiracy variety?”
Steve scrunches his face up. “Hmm, let me check in back for that one.”
You’re such an idiot, Eddie wants to say, among all manner of irrepressibly fond things, like you look stupidly good and what would it be like for you to be, like, my idiot? Of course, none of this gets any further than his throat before he chokes it back, and he just follows Steve into the back room, where Dustin’s sitting at the table and Robin’s sitting on the table, knees pulled up to her chest as she taps the end of a pencil against her lip.
“Eddie, oh my god, get a load of this,” Dustin says, practically jumping out of his seat at the sight of Eddie, who bears this enthusiasm with a healthy dose of discomfort. “Robin’s totally a genius.”
“I plead the fifth,” Robin demurs, grinning, “but yeah, I kind of am.”
“It is, yeah, pretty smart,” Steve adds, arms folded over his chest, some sort of begrudging smile passing from him to Robin, and Eddie’s eyes flicker down to his hands.
“Thank you, dingus, your praise is well deserved. So, this code, I worked out that it corresponds to the places in the mall — tread lightly is Kaufman Shoes, a trip to China sounds nice is Imperial Panda, et cetera, et cetera. And blue meets yellow in the west is–”
“The clock,” Dustin finishes, puffing his chest out, full of perhaps unearned triumph. “The second hand is yellow, and the minute hand is blue, so when they meet in the west, that’s–”
“Like, eight forty-five. Right?” Eddie says, carried along despite himself. He likes a code, okay? A puzzle, a riddle, whatever the fuck. It doesn’t hurt that Steve straightens up a little as he says it, directs a little piece of that warm smile at Eddie for a change, and Eddie’s only human, or else Pavlov’s fucking dog, because all that smile does is make him say, “So what’s the plan?”
Robin raises an eyebrow. “Oh, so you’re interested in a plan now? According to shitbird number two over here, you were a real naysayer last night.”
“Relax, Buckley, someone’s gotta keep you guys from getting yourselves killed. I assume you do, y’know, have a plan. Henderson’s definitely got, uh, fifty of them under that hat of his, which, if he’s not sharing then they’re absolutely illegal–”
“We’re saving America, no one’s gonna arrest us for that,” Dustin protests.
Eddie shakes his head. “You have too much faith in this country, young hero. But go on. Lay it on me.”
“So–”
So. Dustin tells him the plan; Eddie, like a fool, sticks around the mall long enough after his shift to execute it. They eat leftover noodles after hours at Imperial Panda, because Robin knows the line cook from soccer, and Eddie sits there with one leg pulled up on his chair, trying not to watch too obviously the gesturing movements of Steve’s long, shapely hands. There’s hair creeping across the backs of them, like he’s growing into his own maleness. The neon lights throw interesting shadows across his face.
Then it’s a quarter past eight, all of a sudden, (time flies, looking into Steve Harrington’s stupid doe eyes), and they’re heading outside into a tropical fucking downpour. Eddie’s soaked to his skin within minutes, denim and cotton doing nothing to protect him from the weather, hair plastering itself unpleasantly to his scalp. The others are better prepared, Robin and Dustin in raincoats, though Steve’s bomber jacket is next to useless. Still, they arrange themselves on a roof overlooking the service entrance, Eddie then Robin then Steve then Dustin, all lined up, Dustin ready with a pair of binoculars.
“This is insane,” Robin says to Eddie in an undertone, as Steve and Dustin are bickering over who gets to use the binoculars first. “Like, totally fucking batshit. Right? Russians? And Steve Harrington?”
“Totally batshit,” Eddie agrees, thinking something like if only you goddamn knew. He rubs rainwater out of his eyes. “Got anything, uh, anything better to be doing?”
“Nope.”
He grins, leaning on his elbows over the lip of the roof. They don’t have to wait long; soon enough there’s a delivery truck pulling up, raincoat-clad figures unloading it, guys in darker clothes standing by the entrance. Guarding it?
“Look for Imperial Panda and Kaufman Shoes,” Robin says, as Dustin scans the entrance.
“They’re with that whistling guy,” he says, “ten o’clock.”
They watch the guy in question move out of the downpour, his boxes no more suspicious than the rest.
“What do you think’s in there?”
“Guns, bombs?”
“Chemical weapons?”
“Wouldn’t that be nice,” Eddie bites out, passing a hand over his soaked denim sleeve and wincing as the sodden material offers no traction at all, his fingers sliding right off, arm itching underneath. “What a fucking night for it.”
“Whatever it is,” Dustin says, ignoring him, “they’re armed to the teeth.”
Eddie looks closer, forgetting the rain. The darker figures, standing motionless by the doors, they’ve got guns held coolly across their chests. Slack but ready, the way real soldiers hold them, the way he’s seen Hopper hold a gun, versus the nervy tension of Nancy’s skinny hands on a shotgun. No, these guys know what they’re doing. These guys don’t belong in this town.
“Great,” Steve says, dragging a hand over his face. “That’s great.”
They open a new door, beyond the rain, a room with more boxes in it. Eddie’s not sure he wants to know what’s in them, suddenly. Live and let live, right? This isn’t James fucking Bond. But Steve’s eager to know, stupid goddamn hero that he is, and he goes for Dustin’s binoculars but Dustin won’t hand them over and they fight like kids until–
The binoculars clatter to the ground. Audible even over the rain.
A slice of pure, hot panic — Eddie freezes for a moment, long enough that Robin’s grabbing for him and tugging him down below the parapet, hissing duck, hearts pounding as they hide from the range of a bullet–
And Eddie looks over, and Steve is clutching Robin’s hand.
Ridiculous, really, at a time like this, but it makes him feel as though he’s falling, like vertigo, like what he was afraid of happening is indeed happening, just as inevitably as he thought it would. He’s not often wrong about these things, he’s found. Maybe Robin does like both. Maybe she does like guys, too, maybe she likes Steve, and maybe Steve likes her too, and maybe Eddie’s the one who brought them together–
It’s a distant feeling, far-off, like he’s not quite in his body. Lightheaded, he follows them back into the mall on shaky legs. “Well, I think we found your Russians,” Robin’s saying, leading them down the hallway, as Eddie watches the back of Steve’s head the way you’d watch a car crash, incapable of looking away. His hair’s all flattened by rain, sticking in odd, spiky angles. Eddie kind of wants to throw up.
“That room,” Dustin says, “we’ve gotta get into that room.”
“Did you or did you not see the machine guns, shitbird?” Robin says. “Unless you met a guerilla army at that Camp Knowhere of yours, we’re not gonna get into anywhere.”
“There’s got to be a way we can–”
Dustin’s voice grows fainter, moving down the hallway; Eddie becomes aware that he’s stopped walking. Steve has stopped walking too, standing there dripping with a strange, indiscernible expression on his face.
“It’s too soon to be seeing a machine gun again,” Eddie says, trying for levity. “I feel like I should be at least, like, forty before I see another machine gun. There’s gotta be a quota for that.”
“Yeah, I– yeah.” Steve runs a hand through his hair, tangles his fingers in it, tugs in something like agitation. He looks at Eddie, and for a split, awful second, Eddie thinks he’s about to talk about Robin. The way guy friends do, y’know, not that Eddie would really know. Hey, what do you think of this chick? Or even something more appropriate to whatever the fuck’s going on here, like I’m feeling weird about Robin, like, maybe in the good way?
But he doesn’t say anything. Just closes his mouth, and turns back down the hallway.
Notes:
– back in black by ac/dc was released 1980
– the deep purple album perfect strangers was released october 1984
– cheech and chong were late seventies to mid eighties stoner comedies — the movies by which robin identifies rick at family video in s4
– hunting high and low was the debut album of a-ha, released in the us on june 1st 1985
– songs from the big chair by tears for fears was released february 1985
– prog rock band king crimson's album beat, inspired by the beat literary movement (which included writers like jack kerouac and allen ginsberg), was released in 1982
– eddie's 'live and let live' reference to james bond refers to the 1973 movie live and let diethank you for reading, and let me know what you think below! as always, you can find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 38: The Sauna Test
Summary:
“It’s for you. Steve Harrington, apparently. How come you know him?”
“Oh, just– school,” Eddie hurries to respond, straightening up and wiping off his greasy hands on his overalls. He goes through into the office and takes up the phone. “Steve?”
Notes:
warnings for discussions of classism and misogyny, and implied drug abuse.
(See the end of the chapter for more notes.)
Chapter Text
TUESDAY JULY 2ND, 1985
The next day finds Eddie at Thacher’s bright and early, touching up the paintwork on a scuffed Mercedes. He’s tired, his movements sluggish, his throat itching. Maybe he caught something. Don’t stay out in the rain, you’ll catch a cold, is something he imagines people’s mothers saying to them, in weather like yesterday’s weather. Calling them in from the storm with a healing bowl of soup and a warm smile. It’s enough for a moment of longing, just a moment. Because Eddie, on his few and far-between attempts to picture his mother, can never imagine her that way. Soft, with an apron around her waist, a steaming bowl of soup in her hands. The way maybe Gareth’s mom looks. No, that’s not what May Kettering looks like, pretty name be damned. He’s sure of it.
The storm did nothing to freshen up the air; it’s still hot and damp outside, Thacher’s industrial fan doing little to prevent the beads of sweat crawling down Eddie’s nape. To add insult to injury, he’s stuck listening to Howard Jones, Like to Get to Know You Well, and as much as he’d love to change the station or even crank up one of his own cassettes, he remains on thin fucking ice in this place, and metal won’t help. Not with churchgoing Rod Thacher, not with his daughter in the choir.
Come lunchtime, he can’t quite tell if he’s feverish or just hot. He leans against the wall in the shade with a cigarette, coughing on the exhale, and curses himself for being built like an artist’s mannequin dashed against the wall one too many times. On his second cigarette, Jean Thacher comes by with her husband’s lunch, same as ever, pulling up in her reliable family car, which swings around to give Eddie a glimpse of the kid, Ellie, braiding a Barbie’s hair in the backseat. Jean leaves her in the car as she gets out, coming over to Eddie with a smile, in a sensible skirt and a cream top with big shoulder pads, her concession to the day, to the age. She’s carrying a tupperware box.
The smile fades as she approaches. “You okay, honey? You’re looking kinda– pale.”
Eddie shrugs, tilts his head back against the bricks. “Got caught in the rain yesterday, so. God knows it would be my, uh, my luck to come down with something.”
“Just in time for the fourth, too, that would be such a shame. Would you like me to heat you up some lasagna?” She gestures to the tupperware. “Leftover from yesterday’s potluck. It went down a storm — quite literally, I guess! — and even Helen — Helen Harrington — had some, which really made my day, she eats like a bird, no wonder she’s so wonderfully thin– but anyway, yes, we had far too much food in the end, so this is what’s left.”
Helen Harrington. Huh. Steve hasn’t mentioned his mother in a while — not that he does that habitually, but still. It’s also curious that Jean Thacher occupies those circles. Maybe it’s a church thing.
Jean must catch the curiosity on his face, ashen though it may be (really?). She hurries to add, “Helen and I aren’t all that close. It was a church event, really, and we’re all so grateful she came.”
“Sure, uh, that’s nice,” he offers. “Um, lasagna, okay, if it’s going, that’d be nice.”
She smiles again, pushing her glasses up the bridge of her nose, then turns to the car. “Ellie! Come out, you’re going to overheat if you sit there too long.”
The girl gets out. She’s blonde and unsmiling, the flush of sunburn high on her cheeks and nose. She turns a speculative, vaguely suspicious look on Eddie before glaring back at her mom. “I thought you were dropping me off at Tina’s.”
“We’re just making a little detour, okay, sweetie? Your father and Eddie are hard at work, so I’m just gonna heat up their lunch for them.”
“Fine,” she says, crossing her arms, “but I’m not coming inside. It stinks.”
“Suit yourself.” Jean goes inside, leaving her daughter with Eddie, who’s still finishing his second cigarette.
They stand in awkward silence for a moment — what’s Eddie supposed to say to a ten year old? — until the kid says, “You have a lot of hair.”
“Uh, thank you?”
“All my friends’ parents make the boys keep their hair short. My friend Ben, his mom measures his hair with a ruler to know when she needs to cut it again.” She tosses her head, lets her own blonde curtain of hair fall down her back, as if to emphasize her own superiority. The movement exposes a healing scab on her chin, and Eddie finds a matching one on her knuckles.
“How’d you get that?” he says, never one for burying the lede.
“How did I–” She looks at her hand, then brings it up to touch the scab at her chin, like she’d forgotten it was there. For a moment, the condescension melts away, and he worries that he’s stepped into a territory darker than it should be. “Oh, that. Yeah, I’m not supposed to tell people.”
“What are you, uh, what are you not supposed to tell people?”
She rolls her eyes. “I punched someone.”
Oh. Eddie deflates, relieved. “Did they deserve it?”
“Yes. It was Ken Barrymore, who thinks that just because his dad’s the pastor he can say who’s better than other people, or worse, and he decided that we’re worse, just because my dad’s a mechanic and he called my mom a social climber.”
Eddie laughs. “I don’t know that I should be, uh, condoning violence on the playground, or whatever, but. Good for you, kid. That’s pretty metal.”
“If metal means badass, then, yes. It was metal. And then Erica spat at him.”
“Erica Sinclair?”
“Yep. It was awesome. And–”
“Okay, here’s your lasagna, Eddie,” Jean says, coming back out of the garage, plate microwave-hot. “You let me know if you need anything, okay? I mean it. You are looking under the weather.”
They disappear; Eddie sits down and eats his lasagna, wincing at the new soreness in his throat (maybe he is feeling goddamn under the weather). Then he goes back inside, rinses off his plate in the little kitchenette (microwave and sink) off Thacher’s office, and gets back to work.
That doesn’t last long, however. Soon enough there’s the noise of another engine outside, a pretty unhappy one, by the sound it’s making, and Eddie ducks his head out to see Jonathan’s beat-up Ford LTD grinding to a halt on the sidewalk.
“That thing finally given up the ghost?” Eddie calls, as Jonathan gets out.
Jonathan shakes his head, head ducked, tension in his shoulders. “I wouldn’t blame it if it had.”
“Jesus, that bad, huh?”
He drags a hand through his hair and down over his face. “You got a second for a cigarette?”
Eddie looks over his shoulder. “Gonna take a quick smoke break, man, okay?”
Thacher waves him off without looking up; Eddie follows Jonathan around the building to the side, where they stood before, the last and only time Jonathan came here for a smoke. He was here to complain, that time, something about Nance, at work, getting coffee spilled all over her hand and being treated generally like that was what she deserved, and Jonathan trying to help and getting nowhere and really the whole thing reeking of a mess that Eddie doesn’t want to go anywhere near–
Judging by Jonathan’s stormy expression, today will be more of the same. They light their cigarettes, exhaling smoke into warm air, and Jonathan slumps back against the bricks. “We got fired.”
Eddie stares at him. “Uh, is this a– am I laughing right now? Is this, y’know, is this–”
“Nope. We got fired.”
“Why?”
“Because Nancy–” And there’s the edge of frustration there, even in her name. “We were interns, we were fucking interns, Jesus. And she acts like she was gonna win a Pulitzer if only she could just do this stupid story about the rats when it was never about a fucking Pulitzer, it was about–”
“What?”
“Just– our lives, y’know? Like, sure, we were being paid shit all but that’s the kind of job that can lead somewhere else, y’know? Connections, and all that. Maybe if we’d impressed Tom he’d pass us on to some guy he knows at the Tribune, or something, and it would all snowball from there, maybe she’d get her Pulitzer eventually. It’s just, like– she thinks the world has to look the way she wants it to look right now, and I was gonna write about this in my college essay. That’s it. It’s– yeah. That’s it.”
“Shit.” Eddie takes a long, speculative drag of his smoke. “I mean, I guess they wouldn’t have been so tough on her if she was someone else, right?”
“Yeah.” Jonathan scuffs his shoe on the asphalt.
“Equally, uh, if you were someone else too. Like, this is a shitty town. Maybe if you’d kept your head down, not gone for that Pulitzer, then, yeah, maybe they wouldn’t have fired you. It’s shitty, Jesus.”
“Yep.”
“But, like, I don’t know. Fuck ‘em, right? If not this, maybe they woulda found something else. You think a guy like Tom Holloway cares what happens to a guy called Byers?” Eddie thumbs over his shoulder, drops his voice. “Thacher, he, uh, he refused to hire me right after my dad got arrested. Munson was a dirty word, still is a dirty word, though they say it with sympathy, now, as well as disgust, which is just so unbelievably nice of them. Above and beyond.”
Jonathan smiles, dry. “Yeah, I don’t know. Some people around here still like my dad, for whatever reason. Not Tom Holloway, though, you’re right about that. We’re a different sort of people,” he adds, with a mocking twist to his tone. “Right? I don’t know. Like, fuck them, yeah, but people like that are dime a dozen and I’m gonna need to hold down a job one day–”
“Yeah. I know.” Eddie understands that much, though he hates it. Hates nodding and smiling, obeying his teachers, listening to Thacher. But there’s nothing else to do. “So what happened? With you and Nance?”
“We fought. It was– it was bad. I was kinda– I was mean about it, the story. Dismissed it like they did. And she called me Oliver Twist–”
Eddie inhales sharply through his teeth. “Shit. Pulling no punches there, huh?”
Jonathan looks at him unhappily. “I don’t know if we’re– I don’t know if it’s gonna work. Y’know? Like– like, Mom will offer to have her over for dinner, and I just– I feel weird about it, the idea. Nance sitting there at the table while Mom serves her runny potatoes and damp drips down the wall. Which– our house isn’t that bad, I know that, and Nancy’s seen it, y’know, completely trashed, like, twice, but– it’s different. Dinner is different. I’ve been to her place for dinner, and her mom is so nice about it, and she, y’know, she drinks wine and nags at Nancy’s dad and plates things up nicely and it’s just– yeah. I don’t know. It’s different. I’m scared that maybe it’s too different.”
“I– I don’t know, man, I got nothing for you. It was always gonna be difficult with her. When she’s been dating–” Eddie swallows, tries not to speak in a rush “–people like Steve, y’know. It’s, uh, it’s another world.”
“Yeah. Ugh. And she’s thinking about college, the way we’re all thinking about college next year, and I don’t even know if she wants to be anywhere near me, which is New York, NYU, I want to go to NYU but I’d have to get a scholarship and she’s just– yeah. It’s hard to talk about that stuff with her. And Mom gets so excited about it.”
“Have you talked to your mom about all this?”
“No. I don’t want to worry her, y’know. Things are weird with her and Bob, and it’s just–” Jonathan waves a hand, cigarette between his fingers. “This is the kind of problem that’s on me, right? Like, I’m dating Nancy Wheeler, anyone could have told me it would be– y’know, picket fences, not picket lines.”
“That’s good,” Eddie offers, with a tired smile. “You should use that. Or I will.”
“Go ahead.”
“I mean, yeah, anyone could have — and would have, and probably did — told you that about Nancy. But that’s– that’s just the thing, right? What everyone says about her, and about us. Like, it’s not true. From our experience, which is why you’re, uh, why you’re dating her, and why I’m friends with her, she’s a picket line kinda girl. And I don’t think that goes away, it’s just– harder, when everything’s normal.”
He doesn’t say what else he’s thinking, which is that Jonathan has it backwards, in some fucked-up turned-around kind of way, in that Nancy’s going too hard for her picket line and not caring what happens to the guy who has no choice but to cross it — but he’s not sure how he’d put that in words. Not here and not to Jonathan.
“Yeah. Maybe.” Jonathan shakes his head. “You’re right about that, though. It does feel like everything’s harder, now that it’s normal. Like, with Mom and Bob– I don’t know. I don’t know what she’s doing with him. I get the sense she’s just– waiting for the other shoe to drop. Like she can have his little slice of normal only for as long as it takes for that normal to wear thin, y’know? I heard them talking the other night, him saying what he said about moving — he’s been talking about that this whole time, she gets all weird about it when I ask — he was saying it again, and she just said all this shit like I can’t think about this right now, or something, and then he was like, but when are you gonna be able to? and she didn’t have an answer to that at all.”
“Yeah, I don’t know, I get the– uh, the impression that he’s always been pretty sold on your mom, y’know? Like, devoted.”
“Devoted, yeah, that’s the word. Mom– she doesn’t really get like that. I mean, she hasn’t really dated anyone seriously since Lonnie, and there was this whole period of time where– where he’d come back, and they’d try it again, and it never got better but they kept on doing it, y’know? And it wasn’t even, like, devotion, or whatever, she just seemed– resigned to it. Like a guy like Lonnie was her fucking fate, or something. And now she’s dating someone totally different and– it’s like she’s scared of that. Of him being devoted.”
Devoted. Eddie takes the final drag of his cigarette, heat singeing his fingers, feeling his hair drag against the rough bricks behind him. “It sure as hell takes devotion to go through what we went through last year and not run screaming for the hills. Y’know, like, whatever else we can say about the guy, he’s ballsy.”
“A phrase no one, inside or outside this town, has ever said about Bob ‘The Brain’ Newby.” Jonathan smiles. “I got that one from Hopper, he calls Bob that when he thinks no one who’d care is listening.”
Eddie snorts. “Of course he does.” Then he gets a distant feeling, and the smile fades. “You see Hopper a lot?”
“Yeah, sometimes. He brings El to our house, sometimes, when all the kids hang out. Why?”
“No, nothing, just–” Eddie shakes his head. “How’s El doing?”
It comes out easily, casual, though there’s still a little crease between Jonathan’s eyebrows as he answers. Because, yeah, it’s easy to forget that little interlude where Eddie was El’s designated responsible adult, for a moment, the longest he’s been considered responsible perhaps in his life (and he still couldn’t do anything to stop her nearly murdering someone–!) — Eddie forgets it all the time. That small window of time in which he dealt with someone’s problems other than his own, before he fucked everything up and became someone who had to take a step back. “Yeah, she’s okay,” Jonathan says. “She and Mike are, like, totally obsessed with each other, which Will’s been feeling weird about, I think, it’s changed the way the group works. Like, the dynamics, or whatever. Plus Hopper gets so fucking mad about it.”
It all comes back to that, doesn’t it? Who’s seeing who, who’s devoted to who, who’s distancing themselves from who. Strange thought, to consider a world in which Eddie, too, is a part of these conversations. Eddie’s totally devoted to Steve, isn’t that something? Poor guy. The little shiver of pride at having his own name alongside Steve’s; and the inevitable tragedy that follows. Summer of fucking love.
“So what are you gonna do?” Eddie says, eventually. “About the Nancy thing?”
Jonathan exhales between his teeth. “Wait for her to call, I guess. I spend, y’know, a lot of time waiting for her to call. And it’s okay, it’s just– yeah. Everything’s easier when everything’s worse, right? There’s no arguing about the world ending. There’s a lot more to say about getting fired.”
Eddie peers around the corner into the workshop, where Thacher’s still got his head buried in an engine. “Tell me about it. I’m walking on fucking eggshells around here. Mrs. Thacher did give me a piece of lasagna earlier, though, heated it up and everything.”
“Nice. Yeah, I should probably go home and eat something depressing like a turkey sandwich. Don’t want to keep you from your work too long, y’know, better not get you fired too.” Jonathan rubs his eyes. “Thanks for the talk.”
“Anytime,” Eddie says, and finds he means it. “Let me know how it goes when she calls.”
Jonathan nods, waves him off, leaves. Eddie feels the drag of feverish boredom the second he’s gone, like there’s some miasma in the workshop that makes his limbs heavy and throat scratchy, all of it miserable despite the faint improvement of Journey’s Wheel in the Sky replacing Howard Jones on the radio. He works on two cars and mops sweat off his forehead.
Then, nearing six — closing time, thank fuck — the phone in the office rings, shrill, and Thacher goes out to answer it. He comes back frowning: “It’s for you. Steve Harrington, apparently. How come you know him?”
“Oh, just– school,” Eddie hurries to respond, straightening up and wiping off his greasy hands on his overalls. He goes through into the office and takes up the phone. “Steve?”
“Hey, man, I knew you’d still be at work.” (Little flutter of warmth of that, stupidly, like Steve’s paying attention.) “When are you gonna be done?”
Eddie looks at Thacher, surveying the workshop. “We’re gonna be closing up shop soon. Like, next ten minutes. Why?”
“We found a way into that room.”
“Uh, okay, so–”
“So, if you want in on this, you gotta get down here. Dustin’s all ready to get on with it without you but I told him–”
“Why?” Eddie cuts in, not quite sure what he’s asking.
There’s a silence. “Why what?”
“Nevermind, it’s just–”
“Why am I calling you? I didn’t have to call you, okay, sure, would you rather I didn’t?”
“Steve–”
“Are you in or are you out, man, I can’t do this with you today. I really– for fuck’s sake.” Another pause. Eddie feels clumsy in these conversations, has done all along, though it’s getting worse. Something about Steve makes him trip over his own tongue. “Are you sitting this one out?”
Eddie bites his lip. He remembers Steve, glorious in the Byers’ hallway, that bat held proud in his hands. Making the decision to stay and then just doing it, easy as that, and never once going back on that decision in all the time since then, all the crises, all the moments death came knocking on his goddamn door. If Eddie sits down and thinks about it, really, then that’s probably why he likes Steve so fucking much, deep down. It’s no question at all. “I’ll be there.”
Steve exhales on the other end. It feels strangely, temptingly close. “Good. Yeah, that’s– good. See you soon.”
“See ya,” Eddie says, and regrets the carelessness of it as the line goes dead. Like Steve had offered him something, though he doesn’t know what, and he’d casually thrown it away. But then again, he finds himself feeling the hot panic of regret more often than not after his conversations with Steve. What did he say, what didn’t he say, what could he have worded better. What magic configuration of sentences could change the situation they’re in, the world they’re in, the person Steve is, the person Eddie likes him for being. It’s a losing game. It’s made the last eight months feel like one prolonged anxiety attack.
Then he helps Thacher close up shop, changes out of his overalls, and drives to the mall.
It’s on its way to closing as he gets there, the road leading up to it packed with cars going the other way. He parks up and ducks into the employee entrance, knowing his way to Scoops by heart, not giving his racing pulse time to delay him as he knocks on the service door —
Robin opens it, grinning wide. “He convinced you, huh?” she says, beckoning him inside. Steve’s sitting at the table, inevitably drawing Eddie’s eyes as he always does, one leg pulled up. Dustin opposite him, and next to Dustin–
“Who the hell is this?” says the girl, no older than ten, narrowing her eyes. “I didn’t sign up for more–”
“You signed up for a lifetime’s free ice cream and the chance to serve your country, and you’re going to get both of those things,” Dustin cuts in. “Eddie, meet Erica. Erica, meet Eddie.”
“Sinclair’s sister?”
“Oh, of course my nerdy ass brother knows you. This is typical.”
“Erica–”
“Is she a part of the plan?” Eddie demands. “She’s, like, ten.”
“Do you want to try fitting through that vent?” Steve gestures to the air vent, set high in the wall. “Because that’s our way in, and even Dustin couldn’t fit. He doesn’t have goddamn collarbones.”
“You don’t have collarbones?”
Dustin rolls his eyes. “It’s called cleidocranial dysplasia. It’s why people called me Toothless until, like, a year ago. It’s also irrelevant, because I still couldn’t fit, hence our newest, smallest spy.”
“It’s not gonna be dangerous,” Robin adds. “Erica will go through the vent, and I’ll be on the radio with her the whole time, and she’ll get to the room and open it from the inside and then boom, we know what’s in there and we stop the Russians and we save the town.”
Like it’s that easy. Like it’s a fucking– action movie, or whatever, and they’ll finish up with a kiss and a cool one liner, and it’s only the disposable characters that get killed, Eddie himself feeling pretty disposable right now with the climbing desperation of knowing he can’t do anything to stop them, anything at all.
“I hope you realize how insane this is,” he says, faintly, leaning back against the wall.
“Trust me,” Erica says, brash. “I do.”
Still, they kit her out with a headset, flashlight attached, kneepads, a crash helmet. It all seems childish and surreal over her bright blue overalls. Then the four of them leave her behind, going back up to the roof they were on before, overlooking the service entrance and the men with the guns (fucking insane this is fucking insane)–
Eventually, the delivery finishes, the men disperse, and the night is silent. Eddie can hear his own heart pounding in his ears; next to him, Steve is conspicuously still.
“It’s all quiet here, so you’ve got the green light,” Robin is saying in an undertone into the radio.
“Green light, roger that,” comes the crackling response. “Commence Operation Child Endangerment.”
“Can we maybe not call it that?”
“She’s got a point,” Eddie offers, and receives a glare in return.
“See you on the other side, nerds.” She goes quiet; on Steve’s other side, he and Robin share a nervous glance. Their shoulders are pushed together. Eddie looks at his hands, takes a deep breath, draws comfort from the sheer obliviousness of Dustin next to him. His uncle probably just got home from the Save Our Downtown meeting; now Eddie’s on a rooftop, fucking with Russian spies.
It takes a while, a long, silent while. Eddie’s head is foggy, pounding with a dull ache; eventually he caves and takes a Tylenol out of his pocket, swallows it dry. He feels Steve’s eyes on him as he replaces the bottle, the kind of look he’s used to, now, so he doesn’t humor it. Just stays staring resolutely ahead, regretting the loss of the sight of Steve’s fine-boned face.
Finally–
“Alright, nerds. I’m there.”
Robin leans forward. “Do you– do you see anything?”
“Yeah, I see those boring boxes you’re so excited about.”
“Any guards?”
“Negative.”
“Booby traps?”
“If I could see them, they’d be pretty shit traps, wouldn’t they?”
“Thank you for that,” Robin says, as Steve rolls his eyes, giving Eddie this get a load of this kid look that they’ve been accustomed to sharing, now and then. It gives him a stupid little thrill.
“I’m in.”
“Oh, god,” Steve lets out, running his hands through his hair and sitting back, shoulder bumping Eddie’s shoulder. “This is insane.”
A moment later, the doors slide open and Erica emerges, hands on her hips. “Free ice cream for. Life.”
“That kid is gonna be the fucking death of me,” Steve mutters, as they all hurry down the stairs and back outside.
“I thought that was Dustin,” Eddie returns, earning an amused look over Steve’s shoulder. Then they’re at the room, which is just a room, really, a button control panel and stacks of cardboard boxes marked Imperial Panda, and Steve grabs one and slices the tape open with an easy, competent hand. There’s another box inside it, metal. Military-looking, or whatever, and Eddie’s opening his mouth to say wait a minute as Steve turns the handle and pulls the lid off.
Inside, four more handles, and a strange smoke coming off them, like dry ice. “That’s definitely not Chinese food,” Steve says, casting the lid aside.
“This is so not a good idea,” Eddie feels compelled to say.
Steve nods. “Yeah, I mean, uh, maybe you guys should, y’know, stand back.”
Eddie looks at him for a moment, pinching his lips together, thinks about saying that goes for you too. But it’s the image of Steve with the bat, Steve in the flashing dark facing a monster, Steve never backing down, and he can’t say anything at all. So he just steps back with Robin and Erica.
Dustin, meanwhile, is having some sort of face-off with Steve, refusing to move. Idiot kid — idiot kid who’s going to get himself killed, but hey, there’s only so much Eddie can do. “If you die, I die,” he declares.
Steve shrugs. “Okay.”
He draws out a tube. It’s heavy, glowing with some strange green liquid, some magical fucking swamp material, for all Eddie knows, it could be straight out of another world–
A sinister sort of phrase, in this town.
“What is that?” Robin says, the question on all their lips, but no one else gets a chance to say it because the room– shakes.
The room shakes. Fuck. And Eddie’s eyes flash immediately to the control panel, buttons, buttons like a fucking elevator–
Dustin’s also looking around, Steve frozen with the tube. “Was that just me, or did the room move?”
“Let’s get the fuck out of here,” Eddie says, turning to the door, hitting the DOOR OPEN button — and nothing. The door doesn’t move. The room does, though, shaking again, a whirring sound around them. “Shit, oh, shit–”
Dustin shoves him aside, going for the control panel himself, arguing with Erica and then Steve as they both get involved. Eddie lets him, running his hands through his hair and breathing through a sudden wave of nausea, claustrophobia, if this is what he thinks it is.
Which– yeah. A clang. A red wall descends over the door, shutting them in. The lights flicker. (Lights flickering in the dark Eddie’s been here before–)
The room, the whole fucking room, the elevator, falls.
Notes:
– like to get to know you well by howard jones is from the album dream into action, released march 1985
– barbies were originally launched in 1959
– journey's wheel in the sky was released in 1978; it marked their turn into a more hard rock soundthank you for reading! as always, you can find me on tumblr (palmviolet) or twitter (ohtobeinlove), and let me know what you think below!
Chapter 39: The Flayed
Summary:
They fall.
Eddie doesn’t remember much of it, actually. People are screaming, Steve is screaming, Eddie’s just holding on for dear life and thinking actually hey, there’s some kinda symmetry to this, though he doesn’t know how or why. Just closes his eyes, and when he opens them next, they’ve stopped falling.
Chapter Text
TUESDAY JULY 2ND, 1985
They fall.
Eddie doesn’t remember much of it, actually. People are screaming, Steve is screaming, Eddie’s just holding on for dear life and thinking actually hey, there’s some kinda symmetry to this, though he doesn’t know how or why. Just closes his eyes, and when he opens them next, they’ve stopped falling.
He’s on the floor, limbs bruised and jarred but not — thankfully — dislocated. He knows better than to grab for things as he goes, now, just lets himself go. His ears have popped; the others’ groans feel distant, muffled, his head aching. He pulls himself to his feet with a grimace, a wince, has to hold onto a shelf as the room spins momentarily. Yeah, okay, he’s feeling fucking terrible. Nothing whatsoever to do with a however many hundreds of feet fall, no, utterly unrelated.
“Is everyone okay?” Robin offers, voice soft, startled. It strikes Eddie that she’s never experienced anything weird before. Weird as in fucked up monsters crawling out of walls weird, the big leagues weird, to which this doesn’t even come close but still–
Still, Robin plays soccer and likes band, and has never had to think about anything else.
“Yeah, I’m great, now that I know that Russians can’t design elevators!” Steve snarls, going for the control panel again with a wild, hysterical look.
“Good luck with that, Harrington,” Eddie says wearily, taking a step away from the shelf and then regretting it as his knees wobble.
“Yeah, I think we’ve clearly established that those buttons don’t work,” Robin adds.
“They’re buttons, they have to do something.”
“Yeah, if we had a keycard!”
Eddie tunes them out, fumbling through his pockets for his cigarettes. If there was ever a moment for one– He sticks it between his teeth and goes to light it, then flinches back as Robin snaps her fingers in his face.
“You’re not seriously gonna smoke in here, are you? Who knows how long we’re gonna be trapped here.”
He bites down his frustration, putting the cigarette away, knowing she’s fucking right. And also, ten year old. Loud, abrasive ten year old who’s currently saying something like, “–supposed to be spending the night at Tina’s, and Tina always covers for me. But if I’m not home for Uncle Jack’s party tomorrow, and my mom finds out you four are responsible, she’s gonna hunt you down, one by one, and slit your throat.”
“I don’t care about Tina, or Uncle Jack’s party. Your mom’s not gonna be able to find us if we’re dead in a Russian elevator!”
Eddie blinks at Steve, this particular hysteria being new, strange to witness, though of course — of course, even in these fucking circumstances — not offputting. Hair wild and askew, cheeks flushed. Eddie looks away and says, with an effort, “What did I– what did I say about child endangerment?”
“Exactly,” Erica snaps up. “See, this nerd may look like a fool but at least he’s got his head on straight. Doesn’t mean I won’t be suing you too,” she adds, looking at Eddie, “but you’re right.”
“So noted.”
“Hey,” Dustin cuts in. “What if we climbed out?”
They find a panel that opens in the ceiling, some sort of trapdoor, Eddie supposes, not that he likes the connotations of that word. Dustin climbs out; Steve follows him up. Eddie’s not quite capable of trusting his knees just yet. He waits with Erica and Robin, hands twitching over each other, wishing Robin wasn’t so reasonable and didn’t loathe cigarette smoke so much. God, but it would take the edge off.
A minute later, Steve clambers back down, all long limbs and pinched lips. “Yeah, so, uh, that’s a no go.”
“What do you mean?”
“I mean–” He throws his hands up, catches his hair between his fingers. “We’re, like, a mile deep. Literally. Unless Erica has a goddamn– jetpack, I don’t know, in that My Little Pony backpack of hers–”
“Sadly no,” she says, with a tight smile.
“Yeah, so. We’re fucked.”
“Fucking– great. Fantastic. Peachy. Welcome to fucksville, everyone,” Eddie says, leaning back against the wall and sliding down it until he can pull his knees up to his chest, curling his racing heart away from everyone else in the room. “Fuck.”
“Fuck,” Erica agrees, sitting down too. “What do we do?”
“Uh–” Robin’s voice shakes, a little, and as Eddie looks up at her she flaps a hand and then presses her fingertips, thumb and forefinger, into her eyes. “Let me– let’s just, uh–”
“Hey, Buckley?” he tries, soft. “You okay over there?”
Steve scoffs. “Of course she’s not fucking okay, we’re trapped, like, a mile underground and there are Russians up there and probably down here too–”
“Yeah, you’re really making me feel better, thanks, Harrington,” Robin says, voice muffled behind her hand. “Yeah, this is– oh, god, we’re trapped a mile underground.”
“Claustrophobic?” Dustin asks.
“No, just– just a reasonable human being, I guess, like, most reasonable human beings have little to zero desire to die like Floyd Collins, right?”
Steve frowns. “Who’s Floyd Collins?”
“He’s–” Robin takes her hand away from her face, looking relieved to have something else to focus on. “He was a cave explorer, he got trapped in a cave in 1925 for eighteen days. He died of exposure. Y’know he had a dream, the day before he went into this cave, that he got trapped there, and angels came for him?”
“We could do with some of that,” Eddie mutters.
“And then, after he was dead, they displayed his body in this glass casket in the cave where he died, and people paid to come see it, which is totally morbid and awful and obviously won’t happen to us, but–”
“Well, they keep Lenin’s preserved body on display.” They all turn to look at Dustin, who shrugs. “What? I’m just saying, the Russians do that.”
“Helpful, Henderson, thank you,” Eddie says. His voice sounds wavery and unnatural to his own ears, hearing still not quite right.
“We’re not– this is not a Floyd Collins situation. Okay? This is a–” Steve closes his mouth. “Right. Let’s keep it together. Keep it together.” He sounds as though he’s talking more to himself than anyone else.
“You do that, Steve.” Eddie runs a hand through his hair, exhaling carefully, thinking about the townhall Wayne wanted him to go to — if he’d gone, well, things would be rather different right about now. A lot less like running out of air at the bottom of a mineshaft. Perhaps his uncle, with all his union sympathies, might find a sort of poetry in that. “Does anyone– anyone care if I go smoke up there?” He points up at the ceiling.
Robin gives him a long, narrow look, then nods. “If we’re that deep, that’s probably– what. A lot of oxygen to burn through?”
“Comforting,” he says, as he clambers up to the trapdoor, joints aching. The first puff of smoke eases the tension in his spine; the second makes his eyes water, like some layer of disbelief gets stripped away and his body starts to reckon with where he is. Which is here. Staring up, he looks up, under all the weight of nothingness above them — the mall, a mile or something to the surface. He swallows the realization down and concentrates on his smoke.
He’s nearly done with it when Steve’s head appears by the trapdoor, climbing out, jaw set but eyes less wild with hysteria. He crouches down beside Eddie, leaning back against the wall. “You think if the elevator suddenly moved, we’d get, like–” He mimes the squashing of a bug between his two hands.
Eddie looks at him dryly. “Gee, you’re a bundle of fucking laughs in a crisis.”
“Just– preparing myself. Worst case scenario. Let’s maybe not sleep up here.”
He snorts, stubs his cigarette out. “I, uh, I hate to say I told you so–”
“Yeah, I fucking know. I’m trying not to think about that.” Steve looks hard at the wall, head someplace else. “It’s not like we don’t know how to survive this kind of– shit, right?”
“I’m not sure you should be talking about that,” Eddie says slowly, quietly. “Not where other people can hear, and not–” he snorts again “–not anywhere near the fucking Russians. That’s, uh, that’s gotta be a case of treason, right? Snitching to the enemy camp. Reds learning about all that–” He can’t even say it aloud; the words won’t come out. Survival instinct too strong, or whatever.
Steve looks at him, resting his wrists on his knees, loose but not casual. Ready to spring up and fight in a moment. “What if–”
A silence, broken only by the low hum of machinery, electricity. Could be anything. “What?”
“Russians. Hawkins. This is a big fucking country, y’know. What if it’s–”
“Related?”
“Yeah.”
Eddie exhales through his teeth. “I don’t know if I can– if I can think about that right now, man, I mean– we’re trapped under the fucking earth and those Russians have real fucking guns, this isn’t– I don’t know how to think about both of those things at once. Easier when it was our own fucking government, y’know? At least then you know the assholes you’re dealing with. I don’t think fucking– Owens, or whoever, I don’t think they can get us out of this one.”
Steve shrugs. “I don’t know, I feel like maybe– it makes everything simpler, right? America versus the Reds. Like, the enemy of my enemy is my friend.”
“It might be your friend,” Eddie mutters. A moment, and the silence lengthens, taut. Steve’s gaze prickles on his skin. Right, because he’s not supposed to say shit like that about Steve anymore. Because they’re friends, and because Eddie’s obsessed with the idea of him as something more than that to the point that he doesn’t really think these things anymore at all, what might be called development of character, except it’s entirely selfish and perverse. He might be your friend. And yet sometimes it’s too blatant to ignore. And yet sometimes, Eddie slips back into old habits.
“I guess what I’m saying is– maybe they’d help us. The government. If we could get word to them. Dustin’s got his radio, and the mall opens again in the morning. If anyone’s listening–”
Hope, then, where before there was hysteria. Eddie doesn’t know what to do with Steve’s pragmatic shifts in mood. He settles for a nod: “Yeah. Sure. That could work.”
They smile at each other thinly in the gloom. Eddie’s head hurts; still, it’s not far out of reach to think the words I’m glad it’s Steve I’m stuck here with, and he reasons at that point that he should probably get some sleep.
They do. They curl up in the elevator, among boxes and crates, using their jackets as pillows. Steve sitting up against the wall like a careful, snoring sentry. Eddie’s bones hurt; his final thought before sleep is that his occasionally prophetic dreams have done nothing to warn him of this.
WEDNESDAY JULY 3RD, 1985
He wakes to steady fluorescent light and a dull ache in his neck. He slept awkwardly, he registers as he uncurls himself, like there’s any other way to sleep on a hard metal floor. It’s cold, too. He shudders as he pulls his jacket on and registers the positions of the others: Dustin talking quietly to Erica in the corner, Robin and Steve slumped guilelessly over their makeshift cardboard mattresses. Steve in sleep looks nothing like he does when awake. He’s softened, pliant, all loose limbs and lack of expression in his face. Together in their sailor uniforms, he and Robin look like cut marionettes. It’s not a thought Eddie enjoys, particularly, and he makes no effort to be quiet as he sidesteps the boxes and moves closer to Erica and Dustin.
“Scheming our daring escape?” he says, folding his arms over his chest. The stuffiness in his head has gone nowhere. Luckily, he’s always been of the opinion that a symptom isn’t a symptom if you can ignore it.
“Well, since you nerds have been asleep all this time–”
“Please tell me you slept, Sinclair, Jesus.”
Erica scowls. “I did. A little. Funnily enough, I’m not used to sleeping on a floor that literally feels like ice.”
“Maybe you’re just not, uh, worldly enough.” Eddie’s fingers reach towards his cigarettes out of habit; he stops himself just as the worn, comforting cardboard is within reach. “So, plans?”
“The mall should be opening soon,” Dustin says. “I’m gonna go up there and try to hail someone on the radio. It’s a long shot, but it’s all we’ve got.”
“Maybe you could get them to throw us down some breakfast,” Erica says, brows pinched together in that permanent sarky frown. “Pancakes and maple syrup and bacon, now, that would really make all this worth it–”
“How you’re thinking about food right now is beyond me,” Dustin returns. Eddie doesn’t say anything, doesn’t feel hungry at all. He glances back at the others to see Steve stirring, blinking his eyes open, stretching out his shoulders. Eddie averts his eyes. It’s the kind of sight you’re not entitled to, right? The kind of sight you’re not supposed to watch without titular permission.
“What are we doing?” Steve says as he comes to join them, voice low with sleep. Dustin outlines his plan; Steve shrugs. “Okay, I’ll come up with you.”
They disappear up through the trapdoor. Eddie rubs his eyes and imagines his uncle coming in from the night shift, half-smiling in that crooked, vague way he gets when he’s tired. Lighting up a smoke and lacking the energy to finish it. There have been times when Eddie’s had to pluck it from between his fingers, put it out in the ashtray (or else smoke it himself) so it doesn’t set fire to the furniture. That half hour of crossover, before Eddie’s left and after Wayne’s arrived. Funny how twelve hours of peril can mellow all arguments.
“Have we been rescued yet?” Robin says, blinking her eyes open, tone heavy and dull.
“Nope,” Erica says, popping the ‘p’. “I know you were giving it your best effort, too, being asleep all this time-”
“Hey, shitbird, Steve and I were awake for a while last night, trying to figure out a way to open up that fucking door, so-”
Eddie feels that hot flash of something, the world slowing into what he could probably call jealousy, the way it often (without any right) does. He doesn’t remember that. He must have fallen asleep earlier than the others did; it stings, even as on a more logical level he’s glad. Witnessing Steve and Robin getting along is beginning to be torture enough. He watches Robin uncurl herself from the corner she’d found, wincing at the stiffness in her legs, making a further face at the no doubt stale taste in her mouth. They haven’t had anything to drink in hours; come to think of it, the last thing Eddie consumed was a coke at Thacher’s, and Jean Thacher’s lasagna before it. How long can the human body last without fluids? He’s got no idea, and it’s not like he’s starting out in peak condition.
“I assume you didn’t get anywhere,” he says. Robin looks at him uncomprehendingly; he adds, “With the door.”
“Nope. There’s only so far improvised Russian and high school shop class can get you, apparently, and I didn’t even take shop, just swapped Barb’s homework for mine sometimes in freshman year when we got bored.”
He sharpens. “You were friends with Barb?”
She ducks her head, scratches at the back of her neck. “Yeah, y’know, we were in band. So were you.”
“Yeah, but-” There’s nothing really to say to that. He can’t explain why he ended up friends with Robin, why Barb wasn’t around to get that far. Maybe if the town hadn’t gone to shit, briefly, a couple of Octobers ago. “But you were never friends with Nance?”
“Nance,” Robin repeats, raising her eyebrows. “I swear to god, I’ll never understand you, Eddie goddamn Munson. No. I’ve never yet, to this day, been friends with Nancy. Despite the absolute catastrophe that is me being stuck in a fucking Russian elevator with Steve ‘The Hair’ Harrington. Which I’m blaming you for, by the way. If you hadn’t told me to play nice with him-”
“You’re a curious mind, Buckley, there’s no way in hell you’d have kept your hands off this whole Russian conspiracy bullshit the second you heard them talking about it. I like to think I just- y’know. Eased the transition. Reduced the tension.”
Robin glances up at the ceiling. “Okay, whatever. If you say so.” As she looks, a trickle of what appears to be Steve Harrington’s pee runs down the wall. “Ugh. Can you redirect your stream, please?” She looks back at Eddie pointedly, which, okay, that was certainly inopportune timing. Eddie’s point still stands. Eddie doesn’t even find himself particularly grossed out, which is surely the worst part of all.
Then Robin’s eyes catch on Erica behind them, bashing one of the glowing green tubes into submission. She rushes over to Erica, trying to take it from her: “Hey, hey, be careful, careful, careful! We don’t even know what that is.”
“Exactly. It could be useful.”
“Useful how?” Eddie is suddenly acutely aware that they’re trapped in here with a ten year old. And whose fault is that, again?
His own, inevitably, on some level. Since he and Steve have had this weird- whatever-thing, going on since the beginning. Steve looking at him before saying Yeah, let’s do it, Steve waiting for Eddie’s own Fuck it, okay, let’s kill the bastard. Not that Eddie’s naive enough — like a schoolgirl waiting for the guy to ask her to the dance — to think Steve’s actions depend in any way on Eddie’s. This isn’t a partnership. Eddie doesn’t know what it is. But he has this- feeling. Beyond the way Steve’s smile makes his stomach do cliched fucking somersaults.
Nice to think he shares in Steve’s decision-making, even as a passing idle thought. Not so nice to believe- well.
That they might all die down here.
Then- a sound outside. Voices. An engine? Robin and Erica’s bickering subsides; Robin moves to the wall and listens, eyes narrowed. Then she straightens up, jaw set in a harsh line. “We’ve got company.”
“Come on!” Dustin hisses, appearing in the trapdoor. “Before they-”
They don’t need telling twice. The three of them scramble up to join Dustin and Steve, crouching in the gloom. The door to the elevator opens; two guys, in workmen attire (no military fucking uniform, thank Jesus, but still, this isn’t just Reds Under Our Beds, this is more like what Reagan would call an invasion-). They speak in rapid Russian, eyes scanning the room as they load boxes into their truck — truck, Jesus, what an operation this is — and Steve holds a finger to his lips, eyes alighting on Erica, who’s still clutching that glowing green tube. He grabs it from her wordlessly, watching through the grate in the ceiling.
Then, as the door begins to slide shut, he vaults down into the room, effortlessly athletic, and launches the tube between door and floor, wedging it open. “Let’s go,” he hisses, pushing first Erica then Dustin through the gap. Robin next, panting for breath in an army-crawl, and Steve turns to Eddie–
“Just fucking go, Steve, I’m right behind you,” Eddie hisses, because he’s slower, he’s less agile, he’s achy and sore and if they’re sending a ten year old out into a secret Russian lair, better she’s got Steve with her than Eddie, right? So he urges Steve on.
Steve hesitates, just for a millisecond. Long enough that the crack in the glass tube is audible in the silence. They’re running out of time. Eddie leans down and shoves at Steve’s shoulder, nerves alight with the adrenaline of the touch, and Steve darts forward, limbs disappearing under the door, Eddie kneeling down to follow–
The tube splinters. Glass, everywhere, and a splash of that green stuff as the door comes slamming impenetrably down–
The liquid eats into the floor an inch away from Eddie’s nose, like the acid blood in Alien. He jerks back. The elevator door is once again heavily, unshakably closed. He can hear fists pounding against it, muffled, and their voices, made distant by the thick metal, calling his name. He goes for the control panel, hits the button again, knowing it won’t do him any good. Nothing. He’s trapped; alone, this time.
At least now he can smoke.
“Go!” he shouts, after a minute of their yells with no sign of stopping. “Go and fucking– find out what’s going on. I’ll be– I’ll be okay here.”
“Eddie,” comes Steve’s voice through the wall. Strangely desperate.
Though maybe, Eddie thinks, looking around the room as their footsteps recede, not strange at all. Just a couple boxes left, the cart the workmen used, the built-in shelves, nowhere to hide. Nowhere to fucking hide.
It smells like Ruskie cigarettes, what is it they smoke? Eddie’s not sure, but it makes his nose twitch, and he slumps against the wall with a cigarette of his own. Takes the edge off a little, at least. The edge of being stuck alone in a Russian goddamn elevator while Steve and Robin and two children wander off into enemy territory — that edge. Jesus Christ.
On his third cigarette, he starts pacing. With less boxes in the way, it takes six paces to walk the room end to end. Six more in the other direction: wall to wall, wall to door. By the second hour his heart rate is spiking and his hands are clammy — and he’s still, he’s still, got a fucking headache.
He takes another Tylenol, empty stomach be damned, throat so dry he can barely get it down, and then he hears movement in the hallway outside.
For a moment, just a moment, he’s opening his mouth to shout I told you to go and–!
Thankfully, there’s still some fragment of impulse control left in his head, because he stops himself. Stupid fucking idea. Instead, he clambers up through the trapdoor again with an effort, easing it shut just as the elevator door rises again, clanking, inevitable. Two men come in, the ones from earlier, poking around the shelves. They speak in Russian, harsher than before, accusatory. One of them gestures to the room and then shoves the shoulder of the other, like ordering him to do something, or else passing off some higher order to the weaker of the duo. This weaker one grumbles and drops into a crouch, peering at the bottom shelf, as the other one disappears off down the hallway with the sound of the truck driving off. You can fucking walk back, Eddie imagines is what the Russian meant.
Either way, this is Eddie’s only chance.
He slides the trapdoor open again, soundlessly as he can. The guy doesn’t look up, crouched on his haunches directly below. Looking for the missing green tube, maybe. He’s not going to find it.
Eddie tenses, preparing himself, thinking through his joints — what might give, what might hold. Not often he has to jump someone, after all. But he’s got know other option if he’s gonna make it out of this elevator anytime soon. So–
So. He jumps.
Things happen blurrily, rapid. He lands awkwardly on the guy’s back, sending them both to the floor. The guy shouts in surprise. Shifts around, grabs for Eddie, tries to twist him away but Eddie–
For once, Eddie is faster. He’s got his pocket knife out, held ready, one hand grabbing at the Russian’s collar and pulling him back to expose his throat — and then he presses the blade there, not so hard as to draw blood, but hard enough. The Russian goes still.
“Yeah, yeah, don’t fucking– don’t move. Knife’s a knife.”
The Russian makes a sound, uncomprehending; Eddie hisses through his teeth; the Russian shuts up. He stinks of cigarettes and vodka, like a cliche.
“Keycard,” Eddie says. Nothing. He points at the control panel with the hand not holding the knife, then returns it to the Russian’s collar, since the guy is bigger and wider than him, stronger undoubtedly, and it would take only one slip of concentration–
He witnessed his father do this, once. Outside some warehouse in Indy, late, the street slashed with strips of orange light, his dad coming up on the guy fast, too fast to blink, knife flashing, key produced, warehouse unlocked. Easy money, Bruce had said, grinning as they carted out the car parts they were there to steal. Eddie far too skinny and small to be of much help — but his dad liked him there anyway, for reasons Eddie likes to forget. There had been a moment, there, the blade flashing in the gloom, where he’d been afraid his dad would slash the guy’s throat. He didn’t. Just choked him out, laid him down on the asphalt neither roughly nor gently, though Eddie knew he was more than capable of something worse.
Now, the Russian reaches to his pocket — slow, Eddie makes sure of that — and detaches the keycard. Eddie snatches it from him and then thinks — now what. Now what. He can’t follow through on his threat, no fucking way, but he can’t just let the guy go– so. Now what?
He hovers, grip slackening as he thinks. The guy must feel this, fuck, because then he’s surging away from Eddie, arm coming up to shove Eddie’s hand away, other hand going for something, maybe a gun–
Eddie can’t let him do that. He lunges, shoving the guy back, knife still held, and it slashes across the Russian’s outstretched hand — blood spurts, the guy staggers, Eddie’s carried forward by his own momentum and crashes into him, sending him down, sending him back into the shelves where his head knocks into a corner and–
He slumps to the floor, unconscious.
Eddie breathes, hard. There’s blood on his knife; blood on his hands. He wipes it subconsciously on his jeans, winces when he realizes what he’s done. He’s never really won a fight before, never even bothered to try. And here he is.
He considers the guy’s clothes. Big blue jacket, functional, over overalls. It’s worth a shot, right? If Eddie can tie his hair up, hide his skinny arms under the baggy clothes, make himself look a little less twitchy and more– presentable. Maybe. It’s gotta be better than his torn jeans and leather jacket. So he puts the guy’s pants on, his jacket, leaving his own t shirt on underneath. Pulls his hair into a loose knot at his nape, low enough to be tucked into the collar of the jacket. He adamantly ignores the loose itch of discomfort it gives him, to be stripping this guy’s limp body, leaving him in his shorts and undershirt. A pat down of the jacket reveals a pack of cigarettes in the breast pocket, some Soviet brand with a dog on the front. He smokes one for good measure. He could do with some water; he finds instead a flask of vodka, acrid-smelling and half empty. He takes a fortifying swig anyway. It burns on the way down, settles weirdly on his empty stomach. Maybe gets him some way towards courage, courage enough to walk out of the elevator, close the door behind him using the keycard, and begin the trek down a very long, very empty blue-lit hallway. Cowardly fucking lion. Let’s see what we find.
Notes:
– read more about floyd collins here
– alien, featuring aliens with acid for blood, was released 1979
– the soviet cigarettes are laikas, discontinued with the fall of the soviet unionthank you for reading! let me know what you think below, and as always find me on twitter (ohtobeinlove) or tumblr (palmviolet).
Chapter 40: E Pluribus Unum
Summary:
“Holy shit,” Erica says immediately. “How did you get out of the elevator? Why do you look like that?”
Eddie ignores her questions. “Where are Steve and Robin?”
Notes:
warnings for referenced drug use and referenced infidelity.
(See the end of the chapter for more notes.)
Chapter Text
THURSDAY JULY 4TH, 1985
What he finds — ducking into a room off the main drag as a truck approaches, a while into his walk, mouth tasting only of vile ash and vodka, having put nothing else in it for what’s probably twenty-four hours at this point — is a barracks. A mess hall, mostly empty, and doors leading off to what Eddie can only assume to be sleeping quarters. He ducks his head as he enters, knowing he’ll raise suspicion if he turns back now, reasoning a couple off-duty workmen are better than a truckload of uniformed soldiers–
As he’d hoped, no one looks up. He slinks across the room, and then stops, wondering how to make himself look purposeful and as though he belongs here. His only option is to sit down at the table and light a cigarette. Which is what everyone else here seems to be doing, smoke curling to the ceiling in thick clouds — there’s gotta be good ventilation down here, somehow, this far below the surface, they’d all suffocate otherwise — so he fits right in. Hunched on the cold bench trying to still the ever so slight tremble of his fingers on the cigarette as he lights it. Quick dart of flame, using the absent Russian’s lighter to maintain his cover. He’s gonna have holes in his lungs by the end of this.
Then the guy nearest him shuffles over so they’re opposite each other. Shit. He’s young, maybe a couple years older than Eddie, clean-shaven and hair clean-cut. Military style. Not in uniform, sure, but anything could go over that undershirt. There’s an unlit cigarette poking out from between his lips.
He says something in Russian. Eddie looks at him with the dumb awareness that he’s about to get shot in the head. The guy repeats whatever he said; he brings his fingers up to pinch his cigarette. Eddie suddenly thinks he understands. Hopes he understands, anyway. He doesn’t put the lighter away but instead slides it across the table, unable to hide the tremor in his hand as he does it. What a place this would be to die.
The guy takes the lighter, lights his cigarette, and hands the lighter back. Says what Eddie presumes to be Russian for thank you, and Eddie nods shortly, tucking the lighter into his pocket. There doesn’t seem to be anything else to say; they smoke together in silence, Eddie with the distinct impression he’s been granted a subordinate’s reprieve, like he is indeed a workman and this is indeed an off-duty soldier — speak only when spoken to, that sort of shit. Maybe the guy figures Eddie’s just scared.
(He’s got that part right.)
Eventually, the soldier moves off, cigarette finished, and disappears into one of the sleeping quarters. Eddie glances around the room, figuring he’s stayed long enough to cast off suspicion — a workman having a smoke break — and spots another door, one leading towards an office. Not that he can read Russian, but, hey, it’s worth a shot, right?
As he watches, some guy with a clipboard comes out of the office. Clipboard and white labcoat, which is in itself concerning, because Eddie’s only associations with labs in this town are negative ones. Hawkins National Laboratory. High school chemistry class.
The guy closes the door behind him, walking off towards the main concourse without a look behind him. Eddie takes his chance. He slips into the office, reasoning, well, if they’re not going to lock it, they can’t get that mad about some workman taking a look. It’s more of a file room than an office, upon closer inspection. An empty desk and a load of filing cabinets, stacked against walls. Eddie crosses to the desk first, makes short work of the drawers. Nothing except stationery. Then the filing cabinets. The first few he tries are locked, the next few filled only with long, wordy reports in an alphabet he has no way of deciphering, let alone a language. He drops his head against the cold metal surface, calming to the throb of his headache, and tries to put off the feeling of hopelessness. Because– what is he doing, really? Steve and Robin and Dustin and Erica are loose somewhere in this Russian base — Russian base! — and so is he, so is he, just wandering around blindly in a stolen fucking uniform like he’s in a movie, a DnD campaign, actively seeking out the danger now where before he just tried to fight against it–
Lost in a labyrinth underground.
“Pull yourself the fuck together,” he mutters, shaking off the tide of dread. What’s Steve doing right now, he might wonder, and it’s not difficult to imagine — upright and bold, leading the group somewhere stupid but doing it bravely anyway, with a dose of vocal cynicism even as he lets Dustin persuade him otherwise — all too overcome by those kids, Steve is, and for a moment Eddie considers the world in which he’s overcome by those kids too. A world in which his father didn’t die, probably, and he never showed Steve his self-destructive streak and he and Dustin continued to be friends.
Still. He pulls himself the fuck together.
And the next cabinet, he finds something. A bunch of personnel files, they seem to be, all written in Russian with photographs attached. A stack of photos of people he doesn’t know isn’t going to be much help, sure, but it’s more encouraging than reams and reams of words he can’t understand, so he flicks through them anyway. Soldiers, before the Soviet flag, faces alternately proud and stern, young and old. Workmen, including the one Eddie knocked out earlier.
Then he reaches what must be the scientists. White labcoats, faces unhardened by combat or labor. Scared-looking, in some images, and Eddie can well imagine the cause of that, if the stories about the USSR are to be believed. Not that he can’t imagine it of his own government too — indeed, of the Lab a couple miles up and thataway, the one that does the human experimentation, yeah, that one. It’s all the fucking same. He flicks through the photos idly, until–
Huh.
He recognizes this face. Why does he recognize this face?
The guy is middle-aged, maybe, thin and still dark-haired, Chinese. Next to what is presumably his name in Russian is his name in Chinese characters, which Eddie also can’t read, so they’re no help at all. Still, he recognizes the guy. Something about the set of his jaw, squared off, his ears wide-set. It nags at Eddie, as he scans the rest of the file for clues. Nothing. Nothing he can decipher, anyway. He could really do with Robin right now. With that thought, he slides the first page of the file out, photograph attached, and folds it to fit in his pocket. Just in case. He’s begun to learn to trust his intuition, now, since it’s started to lead him bizarrely right.
And sure enough, following the feeling that tells him to keep looking, in the next cabinet he finds more files of a different sort. Still with photos attached, but the photos are furtive, covert, taken through windows and across the street. Benign at first — Mayor Kline’s right at the top of the stack, of course he is, leaving his office with a fat cigar hanging out of his mouth. There are more photos of him in his file, what appears to be blackmail material. Eddie lets a wry smile twist on his lips as he looks at Kline in turn accepting a bribe, kissing a woman who’s not his wife, and doing a line of coke off his office desk. (Idly, Eddie wonders where he’s getting it from; probably way cleaner stuff than Rick used to deal. Only the best for one of the richest guys in town.) There are other Hawkins faces too: Harry Warr, the lawyer who works with Nancy’s dad; a couple of the property guys who worked on the mall deal; Steve’s dad.
It shouldn’t surprise Eddie, really, given the context. Hawkins’ elite, arrayed alongside their dirty laundry in a Russian file room. And, turns out, Steve’s dad has laundry along with all the rest. A woman — more than one woman, Eddie sees, as he turns the pages. Bars and motel room doorways, one loathsomely passionate kiss against a car. Steve’s alluded to it absently before, his mom’s suspicions of his dad, his dad’s general sleaziness, as sleazy as a guy in a well-tailored suit can be. Steve’s always a picture of neutrality about it. Shrugging his shoulders, casting it off like a well-rehearsed anecdote. Just par for the course. Just what happens in a big, glass house.
Not for the first time today, Eddie wishes he could read Russian. Wants to know desperately if there’s anything more to these people’s inclusion here, if they’re actually involved in this– conspiracy, if this blackmail material has been used and if so what for–
And how on earth he’d tell Steve.
Slowly, this thought slips to the back of his mind. Because he keeps turning the pages, gets to the next file, feels a sudden rush of nausea —
It’s Will.
A photo of Will taken recently, in the last six months at least. Hair shaggy and eyes crinkling into softness as they look at someone out of frame, in the middle school parking lot, totally unaware of some Russian spy standing there with a camera and a notebook, watching, maybe listening too–
In his file, there are the newspaper clippings, THE BOY WHO CAME BACK TO LIFE. More photos, too, Will with his family, with the party–
And there, in the background of one shot, El’s dark head.
Eddie has to brace himself against the filing cabinets against the flare of panic that makes his knees go weak. Shit. He thumbs through the rest of the files frantically, afraid of what he’ll find, but there’s no dossier on El herself. One on Hopper, expectedly, and ones on the people killed in 1983, including Barb and — Eddie swallows — Tommy C.’s dad. Distant fucking memory. All too easy to forget, and when he does, it’s easy not to feel bad. Easy to hate the guy. But Eddie’s no stranger to complicated emotion, and this, too, he’s been reckoning with. El’s the bigger problem. Because even if they don’t have a file on her now–
They will eventually. And these are scary forces, governments. Russian or American. Eddie remembers it all too vividly, sitting on that hard chair at that hard table with Agent Blass’ cold eyes unforgiving, Eddie’s wrists cuffed and his shoulders aching. Blass digging, then Owens, both of them after the project the government just wouldn’t let go–
El’s in danger. Is what he registers, looking at this file. That’s all that matters.
He thinks he’s probably reached the limits of his usefulness in this office, alongside his grace period, so he slides the files back into place and closes the cabinets. Darts his eyes around, in case there’s anything else he’s missed, but there’s nothing. No handy map, no English instruction manual. Meaning he has to go back out there. Meaning–
Well, he still has no fucking idea what’s going on. Absolutely perfect.
He sidles out of the office, lights a further cigarette as he walks. The mess hall is still practically empty, which means it can’t yet be lunchtime, or else lunchtime passed while he was in there. (He must have broken his watch in the fall; it reads 03:47, like it’s ticking away at half speed.) And then it’s back onto the main drag, the endless fucking hallways, blue-lit and oppressive all the way underground. Five days ago he was plugging his amp in to scream heavy metal at drunken Hoosiers, beer in hand, eyes bright with all the excitement of his real life finally about to begin. He wonders what Maria’s doing now. Working, maybe, or making Tay listen to The Who. And Martin, maybe he’s playing tennis. Out there in the sunshine. Far-off in a less dangerous sort of world.
Maybe it was naive to think he could enter that world too.
An hour into the walk, his feet beginning to hurt, he slows. Reasons it’s about time for another slug of vodka and another cigarette. Method acting, or some shit. He can’t be blamed for attempting to deal with the situation. And then–
He hears voices. Quiet, but just around the corner. And he stills, hardly daring to breathe, certain he’s going to be faced with the cold barrel of a gun and the short trip into his grave — until he listens closer, and recognizes English. English spoken by a snide kid and a know-it-all, and it’s with great relief that Eddie rounds the corner into a new room, full of those glowing green tubes, and sees Dustin and Erica.
“Holy shit,” Erica says immediately. “How did you get out of the elevator? Why do you look like that?”
Eddie ignores her questions. “Where are Steve and Robin?”
“They’re–”
“Shit went down,” Dustin cuts in. He’s got keys in his hand, keys that most likely correspond with the truck parked conveniently right by the exit. His eyes dart over Eddie and away to Erica, then back again. Something unfamiliar in his face, like– guilt?
“What does that mean, Henderson,” Eddie grinds out, hands twisting over each other.
“They bought us some time, okay? We got cornered, and they had to hold them off so we could escape into the vents. We’re gonna go up to the surface and get help, and then everything– everything’s gonna be fine.”
Eddie’s still holding his cigarette. He takes a furious drag and runs a hand over his face. “Shit. Fucking shit, Henderson, they’re probably being– being tortured by the fucking KGB right now–”
Dustin pales. It’s not his fault, Eddie needs to remember that, needs to remember the different frame of conditions they’re operating under — end of the world priorities, not real life priorities.
“Okay, do we– do you know where they took them?”
“No, but I doubt it was far from where we were. We were at, like, the center of this whole place, they’ve got this device they’re using to open a new gate, that’s why they’re down here–”
Eddie stares at him. Then looks at Erica sharply, the memory of all those stacks of NDAs he signed vivid in his mind — and she shakes her head. “Dustin told me all about your weirdass interdimensional issues. The girl with superpowers and the gate and all of that shit.”
“I– uh, okay. Well–” He tries to think. Paces up and down a couple times, then thinks better of it, since he should probably be conserving his energy. He sits down on the step and presses the heels of his hands into his eyes. “They’re seriously opening a new fucking gate?”
Dustin doesn’t hesitate. “They’ve already done it. This is– we’ve got to talk to Hopper. Owens, probably, too. This is way bigger than geopolitical incursions into Hawkins. We’re talking interdimensional incursions. And that’s–”
“That’s not something we can, uh, we can handle on our own. So noted.” Eddie takes a last puff of his cigarette and then stubs it out, folding his arms on his knees and looking over them at Erica. “What the fuck are you holding?”
She’s got some long, wicked staff in her hands, like a cattle prod, and indeed when she demonstrates, it crackles with electricity. “I thought it could be useful.”
“Fucking hell.”
“That’s what the Commies will say. When I attack them with it.”
Eddie shakes his head helplessly. “I don’t– we’ve fought monsters from other worlds, and somehow this– this is the weirdest one yet. Jesus Christ, Henderson, why’d you have to get a ten year old involved?”
“Hey!” Erica snaps. “I seem to be the only one providing anything useful around here, so.”
“You should be– oh, I don’t know, you should be in goddamn choir right now, right? Not down here with us. This isn’t, uh, this isn’t your problem.”
She narrows her eyes. “The hell do you know about choir?”
Oh, of course. He lets himself smile tiredly. “I know your friend Ellie. She’s my boss’s kid. She said you spat at a guy who was being shitty to her, is that true?”
She stands up a little straighter, cattle prod still clutched tight. “Yeah. It might be.”
“That’s– that’s metal, kid, I’m contractually obliged to tell you that.”
“Well, great, Erica spat at someone, that’s cool, but how does that help Robin and Steve?” Dustin demands.
Eddie holds a hand up. “It helps, Henderson, because–” he inhales, breath hissing in between his teeth, and looks at Dustin, dead in the eyes, Dustin looking back “–and you know this, right? You’re thinking the same thing I am, you just know it’s, uh, it’s stupid, which it is, but I don’t see what other option we’ve got. Given we’re dealing with the KGB. And our ten year old is a ten year old but she’s got a cattle prod and she spat at someone.”
“Eddie, surely–”
“The bigger picture, that’s not us, right? Or– or not just us. It’s everyone’s problem. But right now, down here, Steve and Robin?” Eddie closes his eyes for a moment. Tries not to think about what the Russians could be doing to them right this very second, every variety of awful thing anyone, inside and outside Hollywood, can imagine– “That’s kinda on us, right?”
He wasn’t wrong about the guilt on Dustin’s face earlier. It twists there now, uncomfortable and strange, heavily felt. The kind of feeling that defies logic, defies reason. Yeah, it might be a better idea to go for backup. But how long would that backup take to arrive? How long would it take them to convince someone, Hopper, Owens, they haven’t gone completely insane? Long enough for Steve to have his fingernails removed with pliers, one by one?
And so–
“Yeah,” Dustin says slowly. “I don’t– maybe you’re right. We can– I think I can work out where they’re holding them. If we keep the cattle prod thing, and we’re sneaky about it–” He glances around the room. “These glass tubes, they’re full of acid, right?”
“Right.”
“So– what if we could use them as a diversion?”
“Yes!” Erica’s grinning, far too widely for the situation at hand, but, hey, it makes Eddie feel a little better. “I can’t believe this nerd wanted to go for help and leave them behind–”
“I didn’t– want to leave them behind,” Dustin mumbles, tugging his hat down over his eyes. It reminds Eddie suddenly of a time in a hospital waiting room, Dustin whose dad died when he was seven, insecure and a kid again expecting bad news.
“No one, uh, no one wants to leave anyone behind,” Eddie says, and hopes that’s enough. He doesn’t know what he’s doing with these kids. Maybe it’s good they got taken away from him, back in November. Maybe he’s not built for shit like– being a good role model, or whatever. Maybe that’s Steve’s job. Steve and Robin. Steve and Robin, who–
Robin, who shouldn’t even be involved in this at all–
And Steve–
He sucks in a breath, sharply, against the sudden closing-in of his lungs. He can’t panic this far underground. Maybe they really will run out of air. Instead, he holds his hand out. “Keys.”
“Oh, but I wanted to–”
“Keys, Henderson. Three people here, and only one of them has passed a driving test.”
“I find that hard to believe,” Dustin mutters, but hands the keys over. Then they get into the truck, and Eddie drives them down the hallway. Drives carefully, more carefully than usual, since they haven’t got seatbelts and this thing, despite lacking in gears other than forward and reverse, like a fucking golfcart, is pretty punchy. Still, the further they go, the faster Eddie’s heart begins to race. Driving them towards a fight. Two guys whose bodies don’t quite work the way they should and a ten year old. Driving them towards–
“We’re nearly here,” Dustin hisses. “We should get out of the way, so no one sees us coming.”
Really? Eddie thinks. Any other bright ideas, Henderson?
But he’s trying out this new thing, here, where he behaves more like someone who can be responsible for these kids, so he keeps his mouth shut. Just directs the truck down a different, smaller hallway, an offshoot, and then they ditch it furtively, creeping down to the edge where it opens out onto a larger room, full, Eddie sees, of soldiers, armed–
A hand on his arm grabs him back. He crouches behind the wall with Dustin and Erica, heart pounding, as some highly decorated general or other strides past, speaking rapid Russian to his subordinates. God, they could do with someone who speaks Russian.
“Shit,” Dustin whispers beside Eddie, a little tremble to his voice. “This is–”
“Yeah, kid, yeah. I know.”
“But–” And this is when Eddie looks at the kid, truly looks at him, and sees he is just a kid after all. “What do you think they’re doing? To Robin and Steve?”
“We so do not need to be thinking about that right now,” Erica hisses. She’s right. They don’t.
“Dustin–”
Dustin shakes his head. “If it wasn’t for that stupid code–”
“Don’t think about that right now, okay, kid? Just– this isn’t, uh, this isn’t your fault.” Dustin doesn’t say anything, looking at his hands. Eddie tries for a joke. “This isn’t like you, Henderson, I’m gonna need to you start being obnoxious again at your earliest possible convenience–”
“I’m not trying to be an asshole here, Eddie, but how would you know what I’m like?”
A silence. Beyond that silence, Russian voices, and the sounds of machinery, but Eddie’s not listening to that now. He’s staring at Dustin, trying to gather some form of response that isn’t the honest shreds of the way he sort of, just for a minute, ruined his life back there. “That isn’t the point.”
Dustin doesn’t drop his gaze. “No, it’s not, but– I don’t know. It’s kind of hard to trust you when you tell me this isn’t my fault when I don’t even know where you’re gonna show up, or why, or if you’re gonna disappear again. I know you’ve been friends with Steve all this time, and Jonathan. Which doesn’t– it’s just not cool, man. And, like, Steve’s convinced the sun shines out of your ass and you’ve got a perfectly reasonable explanation for all this which, maybe you do, I don’t know your life, but it’s just– now we’re underground in a goddamn Russian lair with Lucas’s sister and Robin and Steve are being tortured and it’s–”
“I’m not your ideal company,” Eddie suggests. Doing his best to ignore the comment about Steve, this not being the time.
Dustin glares at him. “I didn’t say that, I’m just–”
“Listen, kid, I’m sorry. It was shitty of me to split like that. I– I’ll explain more when there’s, y’know, more time. In a more appropriate setting. Maybe when I’ve got a chance to smoke. But, for the record, I think I’m objectively pretty correct when I say this is not your fault. Okay?”
Dustin glances at Erica, who shrugs. “He’s right, nerd. Let’s just get on with it.”
A hesitation. Then Dustin nods. “Yeah. Okay. Let’s get on with it.”
So. They sneak past the central room, past the guards, past the machine guns. Eddie covers them, not only the responsible (ha!) adult but also the only one of them who could possibly look like he belongs, in his workman’s attire, his hair tucked back, his reek of cigarettes, nothing like the kids’ bright t shirts. Plus he’s pretty sure there’s something Prussian or Eastern European on his dad’s side, down from Shelley’s parents, not that he inherited anything so useful as a language. So he covers them. Dustin checks hallways and rooms, searches with a strange methodology that Eddie can’t work out, but at this point he’s learned to go along with it, so go along with it he does. Until–
They hear laughter. Steve and Robin’s laughter.
They stare at each other, in the dim blue shadows. What the fuck? Eddie mouths, and the two of them shake their heads. But whatever’s going on — that’s a problem for later. For now–
For now, Eddie sneaks back to the truck. Takes out the glass tubes, a box of them, heavy and unwieldy in his arms, and begins to unscrew their lids, as Dustin figured out on the drive over. God, he loves that kid. Then–
Then, he sidles towards the central hub. Lies low for a moment, biting his lip, hardly daring to breathe as a troop of soldiers goes past. When there’s a lull, he darts forward — darts forward and pours out the contents of the tubes. Doesn’t wait to admire his handiwork, just hears the tell-tale hiss of metal dissolving, a sound he could recognize anywhere, thanks to Alien, and runs.
Runs down the hallway. Thinks, what the fuck am I doing here. But this thought isn’t as loud as it has been, other times like these. Right now it’s Steve and Robin and Steve, it’s oh god oh fuck what if we weren’t quick enough–
An alarm goes off overhead, right on cue. He ducks into an alcove as a door further down bursts open — the door behind which they heard the laughter. Out strides the guy who’s probably the head of this place, face like iron, and Eddie spots Dustin and Erica diving into the room behind him from a hiding place further down the hall. Shit. Eddie can’t let them go in there alone–
By the time he’s made it in there, they’ve tased a guy in a black apron, sent him clattering to the floor by his table of tools, wicked tools Eddie isn’t gonna stop having nightmares about, now he’s seen them. Then he looks at Steve and Robin. Steve and Robin who are staring at them like they’ve all stepped through the looking glass, vacant childish wonder, Steve’s face puffy and beaten and red–
Steve, oh, Steve.
“Eddie,” Steve says. Eddie’s too amped up on adrenaline to even begin to discern what his tone means. He drops to his knees (again, to be processed later) and rips away the bonds tying Steve to the chair; Dustin does the same for Robin.
“The fuck happened to your face, man,” Eddie says, trying to keep it light. Failing.
“The usual.” Steve’s smiling way too hard for what’s happening right now. Eddie wants to do something stupid to snap him out of it, like maybe kiss him. Like that would help matters.
“Get ready to run,” Dustin says, voice hard and urgent. Steve stands up, sways, and Eddie catches him, letting Steve’s arm fall naturally around his shoulders. It shouldn’t be that easy. It feels wrong that it’s that easy. “Can you run?”
Steve makes a noncommittal sound.
“I can run,” Robin says. “I’m a great runner. I play soccer, y’know.”
“I know, Buckley. I hear you’re great at it,” Eddie says, in the hope that indulging them might go some way towards encouraging them to move. “Steve–”
“I can run,” Steve says. His arm tightens around Eddie’s shoulders. He’s warm, all too physical of a presence all of a sudden. Strange, after so long a carefully maintained distance. Eddie doesn’t know what to do with it. Doesn’t have time to do anything with it, because Dustin–
Dustin opens the door. Shouts, “Run!” and they run.
Notes:
no end notes for this chapter! apparently there's no culture when you're stuck in an underground russian base!
as always, thank you for reading, let me know your thoughts below, and find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 41: The Bite
Summary:
“I’m always the fucking getaway driver. Which, uh– you can ask anyone and they’ll tell you how ironic that is. Always the getaway driver.”
“Yeah, well, I think there’s a time for a good driver and a time for a lunatic driver,” Dustin says, twisting around to see if anyone’s in pursuit. “Right now is definitely the time for a lunatic driver.”
Notes:
warnings for referenced drug use and dealing, referenced overdose, violence, and a homophobic slur.
(See the end of the chapter for more notes.)
Chapter Text
THURSDAY JULY 4TH, 1985
They run. Steve and Robin run clumsily, drunk, and Eddie has to wonder what the fuck the Russians did to them, other than the obvious, other than the dark swelling around Steve’s eye and the blood welling in one finger’s nail bed — nothing to make them laugh like that, light like they’re floating on air. It’s insanity, is what it is. But that’s just life in Hawkins at this point.
Somehow, they make it to the truck. Eddie and Dustin shove the two of them in the back with Erica, no time for niceties, the alarm blaring overhead. Then Eddie slings himself into the driver’s seat and they shoot off (the truck being, he notes gratefully this time, punchy).
“Jesus, slow down!” Steve slurs from the back, voice nothing like his usual confident cool but something more like how it was when Billy smashed a plate over his head in November.
Even more alarmingly, Robin joins in. “Yeah, what is this, like, the Indy 500?”
“It’s the Indy 300.”
“No, dingus, it’s 500!”
They continue to bicker, as Eddie concentrates on swinging them around a corner, and then burst out laughing simultaneously. If he wasn’t convinced there’s something seriously wrong with them right about now–
Well, maybe he’d be jealous.
“What is wrong with them?” Erica says, even more scathing than usual, but there’s a current of worry beneath it.
“No fucking idea,” Eddie says, except, well, that’s not quite true. He caught a glimpse of Steve’s pupils, hustling him into the truck, and they were blown wide as fucking bowling balls. Meaning they’ve been dosed with something. Meaning they’re high, and Eddie by rights should be an expert at this, except he’s never been the one doing the babysitting, always just been babysat. Hair held back and hand held, et cetera. There’s no time to hold Steve’s hand.
“I mean, I just don’t understand. There’s no way they’d be acting like that in their right minds, not after–” Dustin cuts himself off. “Although adrenaline can do strange things to you, cortisol too, and maybe they’re hysterical–”
“Okay, Dr. Henderson, why don’t you save the diagnosis for when I’m not hitting warp drive in a Russian fucking golf cart, Jesus Christ–” Eddie has no idea if they’re being chased. They probably are. But there are no bullets flying, at least, which is something. He’s also not sure if he can stop all that fast. He lets out a laugh of his own, a little bit hysterical himself.
“What’s so funny?” Erica demands.
“I’m always the fucking getaway driver. Which, uh– you can ask anyone and they’ll tell you how ironic that is. Always the getaway driver.”
“Yeah, well, I think there’s a time for a good driver and a time for a lunatic driver,” Dustin says, twisting around to see if anyone’s in pursuit. “Right now is definitely the time for a lunatic driver.”
Eddie laughs again. “I’ll take that,” he says, as Robin’s voice comes cooing from the back: “Luuunatic. That’s fun to say. Eddie’s a luuunatic.”
“Hey, that’s not nice,” Steve says. “Eddie’s– Eddie’s not a lunatic. Eddie’s cool.”
Eddie’s finding this excruciating to listen to. He closes his mouth and tightens his grip on the wheel, pushes the gas down further. Steve high, while Eddie’s sober, is not a Steve he wants to deal with. Not ever, not now. Too much like wanting what he can’t have and too much like learning the extent to which he can’t have it. So–
“We’re here!” Erica shouts, and Eddie grinds the truck to a screeching halt. They leap out and around it to the back, where Steve and Robin remain slumped, totally out of it, limbs sprawled over each other. Eddie ignores the twist in his stomach the sight gives him and goes for Robin’s wrist, tugging her upright.
“We gotta go, come on.”
“Jesus, we’re coming, we’re coming,” she mutters, as Steve follows, and they variously crawl towards the elevator as Eddie takes out the stolen keycard and opens the door.
“How’d you get that?” Erica says, eyes narrowed.
“Oh, yeah, Sinclair, I, uh, I forgot to mention, I’ve actually been a spy for the KGB this whole goddamn time and–”
“You guys can be sarcastic with each other later,” Dustin cuts in, pushing between them to get into the elevator. “We have to move.”
He’s got a point. Together, they manage to get Steve and Robin into the elevator. Then Eddie swipes the keycard again and hits the button — and the elevator shoots into ascent. He slumps against the wall, pinching the bridge of his nose as the rapid pressure change makes his ears pop and his headache bloom back into painful life. But they’re out. They’re fucking out — not that that means much, since the whole mall is probably the Russians’ hunting ground, this whole place rigged from the start–
Steve is standing on the workmen’s cart, letting it roll him around like he’s on a fucking skateboard, arms up for balance. Eddie thinks, Jesus, man, haven’t you had enough head injuries in your life already? But he knows better, too, because he’s been that idiot, high out of his mind and running down the center of the road in the dark. Venturing into the woods and leaning over the lake. He moves forward, holding his hands out: “Hey, Steve, do you wanna get down from there?”
“Why?” Steve says, letting out a whoop, like he’s having fun. Robin cheers him on.
“They seem drunk,” Erica says.
Oh, they’re more than that. Dustin is shaking his head: “Why would they be drunk?”
“I’m a natural, check it out, man!” Steve crows, as Robin grabs the cart handle and yanks it out from under his feet. He goes flying into a pile of boxes and Eddie tenses — he’s already cut up and bleeding, how much more– but then he rolls and sits up, easy, fluid, feeling the nice warm no-pain you feel when you’re high. God, but Eddie misses that feeling.
“Wipeout!” Robin shouts, grinning.
Dustin gets on the floor beside Steve and lays a hand on his forehead, checking his temperature. “He’s burning up.”
“You’re burning up,” Steve retorts immediately.
“Nice, mature comeback there,” Eddie mutters. “Dustin–” Dustin moves to check his pupils. Eddie hurries to say, “Dustin, stop, you don’t need to, I already saw. They’re both high as fucking kites.”
Dustin takes his hands away from Steve’s cut-up face. Eddie lets his shoulders drop. “Steve? Did they drug you? Steve?”
Steve snorts and says, “No, Dad, I don’t do drugs, and anyway, my dealer’s right over there and he’s out of the business.”
Erica and Dustin both look at Eddie, who screws his eyes shut and says, “Steve, for fuck’s sake, what did they give you?”
“Yeah, like, are you gonna die on us?” Dustin says, turning his attention furiously back on Steve.
“We all die, my strange little child friend. It’s just a matter of how and when.” Robin’s got some manic look about her in the corner. Steve’s behaving more normally, sure, like a five year old, but an ordinary one; Eddie wonders if Robin’s ever done anything before. If maybe she’s got a lower tolerance, or whatever, which would lead him to think whatever they’ve been given is some relation to what Steve’s done in the past, which is just weed, he thinks, though he can’t be sure, who knows who his customers gave their shit to–
Then again, Steve’s taller than Robin, broader, so that lead’s no lead at all.
“Eddie, you drove here, right?” Dustin says. He nods. “They’re gonna be looking for us up there, so we’re gonna need to make a quick getaway.”
“My van’s parked right near the front of the lot.”
Steve’s bloodshot eyes light up. “Oh, Eddie’s van, I love Eddie’s van. It’s so beat-up and fun and has horrible music.”
Eddie doesn’t know what to say to that at all. Turns out he doesn’t need to: Steve keeps on going.
“Can you drive us to get food? Eddie? Eddie, man, take us to the diner, I could kill for a milkshake and fries. Oh, you remember that time we got it to go and I spilled my milkshake all over Tommy H.’s car in the parking lot and it was sort of an accident but also not really–”
“No way, seriously? I bet that was so funny,” Robin says, falling over herself. “Oh, food, I could murder a burger. Or– or a hot dog on a stick. I could kill for that. They do them in the food court– ooh, can we stop in the food court?”
“We’ll get fries and milkshakes and hot dogs on sticks, as many as you want, once we’re safe and out of here, okay?” Dustin says, placatingly, like he’s speaking to a small child, or else a dog. The two of them nod, wide-eyed, pleased.
“Jesus fucking Christ,” Eddie says under his breath. He can’t take the way Steve’s looking at him. This open, slack-jawed look, limbs all boneless on the floor. Endearing, maybe, and equal parts disturbing, because that’s not Steve. Not Eddie’s Steve. Eddie’s Steve is wound tight as a wire fighting a monster without a face; Eddie’s Steve is sharp saying the wrong thing and clumsy in the apology. And it makes Eddie think–
It makes Eddie think, fuck, Steve’s seen me this way.
The elevator jerks to a halt. The door opens; they’re treated to a rush of warm but blissfully fresh air. Eddie sucks in a great lungful of it as he steps outside, closing his eyes for just one moment, long enough to pull himself together and straighten out the tremor in his hands. Then there are men coming out of the dark towards them, men with guns, didn’t he say this place was rigged? Dustin and Erica grab for Robin and Steve and they dart into the mall’s side entrance, back down the service hallway, under nauseous white fluorescents and dry air conditioning. Eddie’s tired, suddenly, painfully tired. That burst of adrenaline can only do him so long, right?
“I’m figuring we lose them in the movie theater,” Dustin hisses as they walk. “We can sneak in the back way, and then go out to your van through the service exit. If they can’t find us in there, maybe they’ll be looking somewhere else and we can escape.”
Maybe. It’s a long shot. But what isn’t? In these times, really, what isn’t?
Eddie nods. “Yeah, okay, sure.” So they slip through the door into the theater complex, watching the hallway to check no one sees them come in. The coast is clear. They hurry past a Back to the Future poster and, indeed, when Dustin opens the doors to the screen, that’s what’s playing, the mad scientist blown up big saying, “What did I tell you? Eighty-eight miles per hour!”
They sit Robin and Steve down at the front, ignoring their complaints about the proximity to the screen (these seats suck, dude, why’d we have to sit here?) and duck into spare seats on the other side of the theater, hearts pounding as they hear the doors opening again at the back of the room. Eddie’s got to hand it to the kid — he’s full of smart ideas. Laughing along to the movie with everyone else, they’re indistinguishable from the crowd. The doors swing shut again. They’re granted a brief reprieve.
Dustin shifts in his seat and whispers, “Okay, if we give it a few minutes then maybe we can sneak out to the parking lot.”
“Right,” Eddie says, and then checks his pockets.
Shit.
He’s still wearing the workman’s clothes. Meaning his jeans and his jacket are still in the elevator, meaning the keys to his van, meaning their goddamn way out of here–
Inaccessible. Not unless they want to go near the Russians again, and somehow Eddie doesn’t think that’s a good idea.
“Yeah, so, uh, I don’t have the keys. We’re gonna need a new plan,” he says, at this point not particularly caring how his voice trembles.
Dustin and Erica stare at him, eyes wide in the dark. The movie sends flickering lights over their faces. They’re so stupidly fucking young.
He sets his jaw. “Okay. New plan. I’ll hotwire something.”
“You’ll hotwire something?” Erica hisses. Someone from behind shushes her and she sends them a glare, but drops her voice. “How the hell are you gonna hotwire something?”
He smiles without humor. “It gives me no pleasure, Miss Sinclair, to live up exactly to everyone’s fucking expectations and tell you that I’m, uh, I’m something of an expert.”
Dustin shakes his head. “What if it– I don’t know how hotwiring works. What if you can’t?”
“Trust me, Henderson. I can. I just need a pair of wire cutters, and I know where I’m gonna get those. So you guys– you guys stay here, and meet me in the parking lot in, um, let’s say thirty minutes.”
“Eddie–” Dustin’s voice has gone high, desperate, the way it did when Robin and Steve had been taken by the Russians. Eddie’s not sure what to make of that. He settles for ducking out of his seat and back up the aisle, ignoring Dustin’s furious whispers behind him. This is the plan. It’s a good plan. It’s kind of like freefall, sure, with Robin and Steve incapable of making any decisions with him, but he’s done this before. Went to Chicago with El, for fuck’s sake; he can sneak across a mall on his own and get these kids out alive.
And he wonders, as he keeps his head low in the service hallway, glancing almost constantly over his shoulder, where the fuck his own government is. Not that he’s a patriot of any description. But they’re watching Hawkins, right? Watching them. All those stacks of NDAs they signed, all the threats against their families. And yet the government let the Russians build a mall complete with its very own interdimensional gate right under their fucking noses and– what. Eddie’s not supposed to find that suspicious?
He stops outside Radioshack. Maybe Bob’s here — a crazy prospect, suddenly, how did they forget there were adults here all along far more capable of handling these things? How did they forget they’re just three idiots, a genius kid, and a ten year old? — which would make everything quicker, but when he knocks it’s some scrawny guy in glasses, who frowns at him and says slowly, far too slowly, “Listen, dude, I’m closing up shop, so–”
“I need wire cutters.”
The guy squints at him suspiciously. Andrew, from his nametag. “And who are you?”
“I’m– I’m Eddie, I work in Sam Goody down there. You got wire cutters?”
The suspicious look deepens, moves up and down. Right. Because Eddie’s not dressed like he works at Sam Goody. He’s dressed like a Soviet workman and reeks of Russian cigarettes. I can put on an accent for your amusement, if you fucking like, he thinks, because there’s no making this situation any worse. He glances over his shoulder. There might be movement at the end of the hallway, a dark shape opening a door. The glint of a gun.
And that decides it: he pushes past Andrew, ignoring his sound of protest, and shuts the door behind him. “Wire cutters. Please. I’ll– I’ll pay you, I don’t know, just– c’mon, man, do a guy a favor?”
“I’m not gonna ask you to pay me,” Andrew splutters, but makes no move to find them. Eddie really doesn’t want to pull out the knife again. Doesn’t want to do it so badly, in fact, that the very thought makes something sick rise in his throat and he has to take a fortifying breath, closing his eyes and wishing for that sweet hit of adrenaline to come back and carry him through.
He starts towards the drawers himself, rattling through them desperately as Andrew watches stock-still, frozen. Nothing in the drawers. Eddie casts his gaze around, and his eyes alight on a poster: Bob Newby, employee of the month, with a sweet little photo. Bob Newby would find him the wire cutters. Bob Newby would know what was going on, he would help, and it makes Eddie’s knees go weak, because how could they have been so stupidly irresponsible? And now–
“Here.”
He turns. Andrew’s holding out the wire cutters, eyes wide, hand trembling a little. It occurs to Eddie he might be afraid Eddie’s here to kill him. Which, sure, Radioshack’s not a bad target, if you’re robbing a place. Lots of mid-value electronics, small enough to be secreted on one’s person. Discrete, easy, in and out. Eddie’s thinking in circles, thinking about casing the joint and exit strategies and how not to get himself killed, so before he can distract himself any further he grabs the wire cutters, mutters a quick, “Thank you,” and moves to the front of the store, thinking to lose himself in the crowds. The movie’s got to be nearly over by now, and with the stores closing there’ll be a big move towards the exit. He thinks. He hopes.
But then he spots figures by the escalators. Dark-eyed and dark-clothed. They’re not brandishing their guns around, no, too many people for that, but the threat is clear. And Eddie’s all too aware he’s not dressed like an ordinary mall-goer. Which makes his only option diving into J. Riggings.
They’re shutting up shop here too, and he has no money, since his wallet was left with his shit in the elevator. So he keeps his head low and grabs the first shirt he can find, some hideously patterned red and blue thing, and shrugs off the workman’s jacket to replace it. Then it’s as simple as walking out like he’s done nothing wrong. And oh, if stealing doesn’t come stupidly naturally to him. In his fucking blood. Thanks, dad, he thinks, hefting the wire cutters in his pocket and engineering his way out.
Which goes swimmingly, for the most part. In that the Russians don’t seem to recognize him, hair pulled out of its knot and ridiculously garish shirt blinding them to his face, so he’s scot free until he’s sidling towards the side of the parking lot, selecting a car further from the entrance to prevent people hearing the smash of glass. Hasn’t got anything to jimmy the lock with, after all, so his elbow’s the next best thing. He’s enjoying the warm night air and thinking maybe this might work after all when–
He gets this feeling. Slick sinking fucking feeling, a jolt of dread like a blow, and he whips around just as that blow catches up with him. Something heavy and hard against his head, the butt of a gun, the butt of a fucking gun, and the spot bursts into pain as his legs fold and he careens against the car opposite as the person grabs for his shoulder–
But he turned as it hit, and that was enough. Stunned but nothing worse, and he’s got that fucking knife, remember, his knife, knife that fits easy in his fist as a rough arm closes around his throat and drags him back with the gun coming up any second now to be way too fucking close to his head and there’s nothing to do except–
He shoves the knife into the guy’s thigh.
The guy cries out, sags back, hands still grappling for Eddie but grip weakened, such that Eddie can shrug him off and push him down to the ground. There’s blood on Eddie’s hands. Slick and hot and red, glinting in the neon glow from the mall. He stumbles away from the guy, who takes a step forward, puts weight on the leg — still with the knife in it, fuck, blood running down his pant leg — and then crumples to the floor as it folds.
Eddie stands there. Eddie fucking stands there, shaking, sweating. “Don’t– yeah, uh, don’t fucking– don’t take it out, you’ll– you’ll just die of blood loss–”
He knows this from his DnD campaigns. He has no idea if the guy can even understand him. He’s muttering something in Russian, hand twitching around the blade buried in his thigh, grabbing for the car to pull himself up again, and the gun’s on the asphalt by Eddie’s foot.
The gun’s right there.
They both come to this realization at once, it seems. Their eyes connect in that feral mutual awareness, base animal instinct, transcending all language barriers. They both know what they’re going to do.
Eddie dives for the gun. So does the Russian. Their hands collide; Eddie gets there first and earns the painful scratch of nails against his skin for his trouble, fingers curling around the cool foreign metal, heavy, weighty. He drags himself back from the Russian and points it at him.
And then–
Well, then they’re in a standoff. The Russian raises his hands slowly, a gesture of submission, though there’s something mocking about it. They both know Eddie’s not going to shoot. His hand is trembling as it holds the gun, aim appalling. He brings up his other hand to support his grip and risks a glance over his shoulder. How long has it been? Has it been thirty minutes yet?
He doesn’t want Erica and Dustin to see him holding a man at gunpoint. Come to think of it, he doesn’t want Steve and Robin to see it either. Steve and Robin who are completely out of it, the worst trip of their fucking lives, probably, Steve’s face all bruised and swollen and beaten by a guy like this, probably, a guy just like this.
Eddie feels an alien burst of fury. His grip evens out.
And the Russian’s eyes, they go wide. The faintly mocking twist to his lips disappears. Backed against the car — some all-American family station wagon, an ‘84 Buick Skyhawk, Eddie’s frazzled brain supplies — with blood running down his leg, pooling on the asphalt, not as much as there would be if he’d taken the knife out, if it had hit an artery, if if if– none of which really fucking matters at all because Eddie still stabbed a guy.
Eddie still stabbed a guy.
The gun trembles in his grip again. He’s not made for this shit. You’d think he was, what with the case history, the family history. Not even dealing anymore and he’s still putting himself in situations where he has to act like his father to survive.
He remembers the time at the diner with Steve, when Steve poured his milkshake on Tommy H.’s car. It was a Saturday, bright and fresh with spring morning light, and Steve was hungover. Not because he’d been out with his friends — what friends, was and is his popular refrain — but because there had been some big dinner with his dad, investors and lawyers and all the big business assholes that come hand in hand with the Harrington name. He’s grooming me to take over, Steve had said glumly. That’s what that was about. Except Steve had felt cold and slow and spiteful, and drank more wine than he should have, acted like more of an idiot than he really is, got his father to shout at him and his head to hurt in the morning. Hence the milkshake — my throat feels like a swamp in the middle of a drought, like, gross and muddy but also dry as a fucking desert — which he doesn’t normally get, Eddie knows, being stupidly aware of Steve’s every whim.
And they were sitting in a booth, Eddie smoking, Steve dissecting an omelet. Smooth Operator was playing overhead. And then Tommy H. came in, laughing with those basketball guys, Patrick and Andy. He didn’t give Eddie and Steve a backwards glance, not until Andy made a hiss through his teeth and said, “My god, you’ve fallen in the world, Harrington, don’t you know what this freak’s dad did?”
Patrick had grabbed Andy’s shoulder, the way he did back in December. “Don’t tell the whole fucking diner,” he muttered, trying to pull Andy away, but then Tommy looked over too, with a different sort of cruelty: emptied out and impersonal, like he’d eliminated Steve from his personal belief system entirely.
Tommy had shrugged. “Don’t even bother talking to him, man, he’s lost all sense. If he wants to hang out with the fags of this world, that’s up to him.”
A moment of icy silence as the three of them moved on, Eddie’s face hot, the sticky vinyl tabletop suddenly absorbingly interesting. The jig is up, he thought to himself; the house of cards today comes tumbling down. Only Steve, he just said, “I’ve had enough of this shit. Texture’s gonna make me hurl,” and pushed away his omelet. “C’mon, let’s go outside.” He picked up his milkshake.
Eddie still couldn’t look at him directly. The awareness of what had been said — of what should be, by rights, known — was excruciating. He just followed Steve dumbly outside. Into the parking lot, into the sunshine, as Steve flung his arms up and said, “Now, where the hell did I park my car again–”
The milkshake splattered over Tommy H.’s shiny new Ford Escort. White and soggy and obscene all over the shiny blue hood. Eddie caught a little smirk just disappearing from the corner of Steve’s mouth as he turned away; and they never spoke about it again.
Not until today. Not until Russians and drugs and a beaten-up face; and Eddie tried not to think about it, not until today, not until now, when the guy is still staring at him from beneath the barrel of the gun. Some kinds of vengeance are more child-friendly than others, Eddie thinks to himself idly. There’s still no sign of them coming out of the mall. And that is enough on its own to frighten him; anything could have happened, anything at all.
He still doesn’t know what to fucking do.
He still doesn’t–
“Is that Eddie? Hey! Eddie! Eddie!”
He jolts nearly out of his skin, whipping around to find the source of the voice — Nancy’s voice, what the fuck is Nancy doing here, what is — giving the Russian ample opportunity to snatch the gun from his slackened hand, raise it, aim–
And then some invisible, cosmic force jerks the Russian’s head back against the car, hard, hard enough to dent the bodywork, hard enough he slides to the ground, unconscious, maybe dead. Eddie swallows the rise of nausea and turns, her name already on his lips. “El.”
El, emerging out of the darkness, waves.
Then she sways, and leans on Mike, and he registers she’s bloody and haggard as are they all, actually, all of them getting out of Nancy’s mom’s car (no sign of Nancy’s mom herself, thank fuck) — Nancy, Jonathan, Will, El, Mike, Max, Lucas. Eddie pinches the bridge of his nose, headache suddenly returning, and says, “Something’s fucking going on, isn’t it? Other than the Russians.”
“Russians?” Nancy demands. She’s got her own gun out. Eddie feels absurdly grateful at the sight. “What Russians?”
“That’s– well, that’s the problem with the mall. I’m– I’m supposed to be getting us the fuck out of here, what are you doing here?”
“Dustin radioed. Seemed like he was in trouble, but he got cut off,” Mike says.
“Shit, well, yeah. We, uh– Jesus fuck am I glad you guys are here. Because, yeah, the KGB is also here, and I don’t think they, um, like us? Very much? If at all?”
“The KGB,” Lucas repeats slowly. “Oh, man, you are so not gonna like what we’ve got to tell you.”
Eddie lets a pained grimace grow fixed on his face. “How about you wait to put me out of my misery until we’ve rescued your sister and the others, okay?”
“My sister? What the fuck is Erica doing here?”
“That, my friend, is a great question.”
“Let’s go,” Nancy says, brooking no argument. They go, leaving the bleeding Russian behind them in the dark. And whatever else is now fucking chasing them.
Notes:
– j. riggings was a young men's clothing retailer, purchased by edison brothers in 1987
– the buick skyhawk was produced in two generations from 1975 to 1989: the second generation were available as station wagons
– smooth operator by sade was released in 1984, and was high up in the charts in spring 1985thank you for reading! as ever, let me know your thoughts below, and find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 42: The Battle of Starcourt
Summary:
Mall guys. What a fucking accolade. Stupid games and stupid prizes, right? Eddie and Steve share a glance, the sort of glance they’re used to sharing, at this point, and then Steve looks beyond Eddie to Robin, and gives her the same kind of glance.
Notes:
warnings for blood and canon-typical body horror, and minor character death.
(See the end of the chapter for more notes.)
Chapter Text
THURSDAY JULY 4TH, 1985
All their explaining doesn’t get very far when El hits the floor.
It’s simple until then, right? As simple as Russians and monsters and malls can be. Eddie and the others sneak back into the mall just as it’s emptying into a neon ghosttown — just as dark-clothed guys with guns are closing in on Steve and Robin and Dustin and Erica, surrounded in the food court, and with a jerk of her hand El sends the showroom car flying, sweeping the Russians away in a tide of cosmic fucking power, Jesus, Eddie’s missed this girl.
Greetings, hugs, amazement ensue. Steve and Robin turn out to be painfully sober, limbs drooping wearily and eyes shadowed but nothing of embarrassment on their faces — plenty of time for that later, Eddie supposes, or no time at all.
“You were supposed to be hotwiring a car,” Dustin says, when the jubilation has died down, and Eddie shrugs, pointedly casual, refusing to think about the easy sink of knife into flesh and the crunch as the Russian hit the bodywork: “Figured this was more useful,” he quips, and that’s that.
Dustin turns on Steve again, “Well, everything worked out, didn’t it, Steve?” as Steve argues back, “We almost died,” and Eddie lets the routine sounds wash over him, exhausted, gaze on El. El who strays away from the group, going somewhere distant behind her eyes, like she’s not really there. Eddie takes a step towards her.
“Hey, El? You okay?”
Blood is pouring down her face; she doesn’t seem to notice it. Nor does she hear Eddie’s question. She’s limping heavily, and her eyes skitter over the storefronts unseeing, breaths picking up.
“El?”
Then she covers her ears and hits the floor.
Eddie’s the first to get to her, being closest. He drops to his knees and hisses, to the room at large, “What the fuck is wrong with her?”
She makes a pained sound, the whimper of a wounded animal. “My leg. My leg.”
The others are crowding around, all of them, making the air hot and difficult to breathe. “Give her some goddamn space, okay?” Eddie snaps, and the others draw back as Nancy and Jonathan pull her pant leg up and peel away a bandage, revealing a truly gruesome injury, dark with congealed blood and swollen as if with the early signs of infection. And then, as they look–
Something moves in the wound.
Under her skin, something moves, small but definitive, a fucking parasite in her leg what the fuck what the fuck did this–
El’s letting out broken wails of pain as the group looks on, making sounds of disgust and horror and fear, none of which are really helping, not at all, not until Jonathan jumps to his feet, saying, “Keep her talking, keep her awake, okay?” like he has any idea what he’s fucking doing in this situation. Then he runs — fucking runs — across the food court, making a beeline towards Tepanyaki Japanese.
Eddie snaps his eyes back to El as she moans again, drifting out of consciousness. Mike clutches her hand: “Hey, hey, hey, stay awake, stay awake. Let’s– let’s get her on this side, get her on this side.” He makes to turn her over; Steve snaps to attention and together they ease her onto her side.
Robin begins to stammer, face gone gray. “It’s, uh, it’s– y’know, it’s not actually that bad, there was, uh– the goalie on my soccer team, Beth Wildfire, this other girl slid into her leg and, like, the whole bone came out of her knee six inches or something, it was insane.”
“Robin,” Steve says.
“Yeah?”
“You’re not helping.”
“I’m sorry,” she says, easy, immediate, responding to Steve’s slow voice in a way that says she trusts him implicitly. Being trapped in a Russian torture chamber must do that to people.
Jonathan comes running back, knife in hand, vinyl gloves. Eddie stares at it. “Have you– have you fucking sanitized that? Like–”
“Yes,” Jonathan says, eyes on El. “Okay, El, this is gonna hurt like hell, okay?”
“Okay,” she grits out, tears running down her face. She’s so fucking young. It’s inescapable, knowing she’s that young, when she sounds like that. And Eddie was trapped under a mall. He could have done something, anything, protected her, the way he tried to in Chicago, but instead he was trapped under a mall and now–
“Need you to stay real still. Here, you’re gonna want to bite down on this, okay?” Jonathan passes up a wooden spoon. His voice is steady. Where’d you learn to do this? Eddie thinks about asking, but doesn’t want the answer, not really. On some level he already knows.
Jonathan raises the knife, and this is when he hesitates. He looks around at them, eyes meeting Eddie’s for a moment in the silent understanding of this thing that Eddie already knows — couldn’t ask Steve to do this, couldn’t ask Nancy — and then Mike says, “Do it,” so. He does it.
The cut’s easy, too easy. It makes Eddie think of his knife in the thigh of the Russian and he rides a wave of nausea as El screams, as everyone cringes, as a hand lands on Eddie’s shoulder — Steve’s, he realizes, glancing around in distracted shock, Steve not even looking at him as the touch goes on — and then Jonathan digs his fingers into El’s leg.
Her scream is beyond almost anything Eddie’s ever heard. She screams, and it goes on, and Jonathan can’t get it, can’t get it out, can’t–
“Stop,” El pants. The spoon drops from her teeth. “I can– I can do it. I can–”
Mike helps her sit up. She stares at her leg like she’s going to her death, pistols at high noon. Then she raises a hand. Steve is still touching Eddie’s shoulder; his grip tightens almost imperceptibly, as though responding to the tension.
That focused look comes over her as she strains. Even her scream has direction, now, purpose of the sort that awes Eddie, a queasy horrific awe, and the storefront behind them shatters into a million pieces, showering them with glass, as she drags some awful fucking thing out of her leg and flings it across the floor.
It lands wetly, splattering blood. Makes a chittering noise and then moves, crawls across the linoleum like nothing on this earth, like nothing of this dimension moves–
A boot lands on it, heavy, squelching it into nothing. Eddie’s frozen, feverish with adrenaline, but he follows the eyes of the others to find shapes emerging from the shadows — friendly shapes, familiar shapes, shapes that should have been here all along. Two guys he doesn’t recognize, and Joyce and Hopper.
Joyce–
Well, Joyce doesn’t look great. Namely, there’s a great smear of blood down her front, all over her orange t shirt, which can only go so far in disguising that quantity of red. Her face is hollow, hands trembling as they pick at each other, something gaunt and desperate in her eyes. Something’s happened. Something’s happened, and it can only be–
“Where’s Bob?”
Jonathan’s voice trembles. Now, it trembles, where it didn’t before. Joyce’s haunted eyes fix themselves on him and she takes an abortive step forward, shaking her head, voice hard and hoarse and all kinds of wrong as she says, “He’s dead.”
“He’s dead?” This is Will, eyes round. “But how–”
“Your mom, she figured out there was something screwing with the magnets in this town, some kind of–” Hopper looks at Joyce for help. There’s something lost in his face, like he doesn’t know what to do without the easy stability of his dislike.
But it’s one of the other guys who intervenes, balding with a dark beard, glasses, voice incurably dry: “Magnetic field. It’s the magnetic field, it’s– look, regardless, dear clever Bob Newby, R.I.P., took a bullet to the chest in the interest of saving our lovely Russian friend here, so we could close the gate.” He points to the second unfamiliar guy, younger, also with glasses. Eddie senses Steve and Robin stiffening behind him. He can’t really blame them for that.
“What the hell are you even doing here, Murray?” Nancy’s voice is sharp. Murray, huh, Eddie knows that name — the guy they went to last year, to get the story about Barb out to the papers. It’s a great question.
“I speak Russian. Which apparently no one else does.”
“How do you even know about the–”
“And what are you–”
Hopper slices through the flood of questions with a couple brief strides, bringing him right to El’s side and breaking the tension around her prone form, meaning they all dissolve into anxious little huddles of chatter, Will and Jonathan making a beeline for their mom, whose gaze has a sort of thousand-yard quality to it. Eddie watches them over Steve’s shoulder, Steve now dragging a hand through his hair and wincing at the realization of his own injuries. Joyce lets Jonathan hug her, spine ramrod straight, face drawn, like she’s not letting herself fold until this is done.
“Is that El’s blood?”
His eyes snap back to Steve. “What?”
“Your– your hands. You’re covered in fucking blood, Eddie, I’m asking if that’s El’s blood.”
Eddie takes a shaky breath in. “No. No, it’s fucking not, I don’t– some guy attacked me in the parking lot. Another Russian. I–” He looks at Steve. His puffy, ruined face — how does he always get in such a mess? — and the fresh blood sliding down his bottom lip. Eddie’s throat tightens. “I stabbed him.”
“Fuck, Eddie, Jesus.” It comes out soft, weary. “Like– how bad?”
“It was in the leg. But– yeah. Bad enough. I don’t, uh, I don’t think I got an artery or anything. El knocked him out. But– I don’t know. It feels a little different, right? These people have– have fucking faces. Jesus.”
“Yeah, that’s, like, new for us, right?” Steve shakes his head. “Fucking Russians.”
“Right, c’mon,” Hopper calls, from where the group is slowly gathering in the center of the food court, by the fountain. “Mall guys, we need to know what the hell’s been going on.”
Mall guys. What a fucking accolade. Stupid games and stupid prizes, right? Eddie and Steve share a glance, the sort of glance they’re used to sharing, at this point, and then Steve looks beyond Eddie to Robin, and gives her the same kind of glance.
But Eddie isn’t going to deal with whatever that means now. Instead, they all move towards Hopper, congregating in a loose circle around the bench where El lies with her head pillowed in Hopper’s lap, Mike holding her injured leg. Joyce is standing next to her, arms folded over her chest. Her own hands, too, are bloody. Christ, it’s a lot of blood. Too much blood for the way a guy like Bob Newby should have died. Not that he should have died at all, but like that–
Employee of the fucking month at Radioshack. It comes to them all, doesn’t it?
Eddie’s not really capable of comprehending everything that’s happened, this past week, it turns out. A gate created under the mall by the KGB was quite enough. Hopper and Murray talk magnets, machines, gates, which is where Dustin picks up the thread of what it actually looks like. Then Nancy launches into an explanation of the monster — the fucking monster, thing made of flesh, rats and Billy Hargrove–
“Hey, he was– he was acting fucking weird the other day,” Eddie cuts in, and the others look at him.
“You saw him?” Max says sharply. She’s pale, cheeks pinched. Can’t be easy, having a possessed fucking demon for a brother. Mixing all that personal shit up with the shit that’s everyone else’s business, having to share that evil with the group, give him an excuse to be bad–
“Yeah. I saw him. He came into Thacher’s, he was– he nearly fucking killed me, actually, but, y’know. All in a day’s work.”
“Well, he probably wouldn’t have killed you,” Nancy says. “He would have– he would have taken you to that place, Brimborn, and made you into one of them.”
“Just– let’s keep it moving, okay?” Hopper cuts in. “How big is this thing?”
“It’s big,” Jonathan offers. “Thirty feet at least.”
Lucas nods. “Yeah. It sorta destroyed your cabin. Sorry.”
“How do we– I mean, how the hell do we stop this thing? If it’s made of people, that’s–” Steve, next to Eddie, looks distinctly nauseous.
“We close the gate again,” Will says.
Max joins in: “We cut the brain off from the body–”
“And kill it,” Lucas adds, with finality. Like it’s that easy. “Theoretically.”
Murray says something in Russian to the other guy, Alexei, and Alexei talks back. Eddie tries to swallow his shiver of unease — just a language, nothing wrong with a language — and he catches Steve and Robin doing the same. Then Murray says, in English, “Alexei’s confident he can get us down there to close the gate. So, yes, theoretically, poof goes your flesh monster.”
Joyce pinches the bridge of her nose and says, voice ragged, “I don’t like theoretically. Can we– can we kill this thing or not?”
“Joyce–” Hopper starts, then stops. Whatever passes between them then, Eddie’s not sure he can decipher. Something that speaks to a hell of a lot of history, and more recent disasters besides. Like Bob bleeding out into Joyce’s arms while Hopper couldn’t do anything about it; like Joyce choosing Bob and not choosing him, all at once, which is how they got into this situation at all. And now– “Yeah. We can certainly try.”
It’s enough. It has to be enough. She nods, sharp.
“So you know where you’re going down there?” Dustin cuts in. “Because, let me tell you, it’s a bit of a maze.”
Murray and Alexei have another little Russian exchange; then Murray nods. “He’s confident he knows the way. He goddamn built the place, so, I should hope so. Not that I put much faith in Soviet infrastructure.”
“So– what. That’s it? You guys just– go down there and save the day?” Steve’s voice sounds strange. Maybe he’s still slightly high.
Murray smiles dryly. “That’s about the size of it, random beaten-up teenager. Who are you, exactly?”
“Uh, Steve.”
The guy’s eyes widen slightly behind his glasses. Whatever the fuck that means. “Steve. Interesting.” He looks at Nancy, and at Jonathan, then back at Steve. “That is interesting.”
“Enough, Murray, Jesus,” Joyce says. “Let’s just fucking go.”
“Right. Let’s go.”
The plan resolves itself like this: the adults will go down beneath the mall, while the rest of them drive off to Illinois, of all places, to Murray’s place, like a flesh monster can’t cross state lines. But driving is better than sitting waiting, sure, so Eddie doesn’t argue. Just sits slightly dazed as the kids say their goodbyes, Joyce clinging to Will in a hug as Jonathan says, softly, “I’ll keep him safe, okay?”
There’s a distance to Joyce’s gaze, the same hazy absence of pain that Eddie saw in El’s. But she nods, firm, and touches Jonathan’s cheek. Her hand doesn’t shake. God, and if Eddie had a mother. If Eddie had a mother, he thinks, idle and vague with lingering adrenaline, he’d want her to be something like Joyce.
But he doesn’t, and so.
Joyce moves over to Hopper, who looks at her blankly. She sets her jaw. “What? I’m coming with you.”
“It’s a three man operation, Joyce. Three. Go and keep the kids safe–”
“Hopper,” she says. Her tone is hard as rock. “Hopper, if you don’t let me kill this thing– I have to do this.” Her voice cracks. “I have to do this.”
All his tense lines go soft then, gentle. He reaches out a hand and puts it on her shoulder, looking like he wants to do more, looking like he wants to draw her closer into an embrace — but she holds herself stiff away from him, like too close and she’ll shatter. Eddie knows the feeling.
And then–
Well, then it’s time to go.
By some unspoken and unexplained decision, the group splits off differently this time. Steve and Robin and Dustin stride ahead towards the exit, the three of them in sync like that’s how it was always supposed to be. Eddie makes to follow them but then, behind him, El lets out a pained gasp, supported between Mike and Max: “Eddie, wait, can you–”
They look at each other. Her gaze doesn’t waver, despite the pain she must be in. Chicago. It comes back to Chicago, doesn’t it? And it’s Steve, he feels that irrepressible magnetism drawing him after Steve, they’ve done all this together before, after all — but it’s also El. And Steve can look after himself. But El, Eddie hasn’t seen her in months. Kept his distance. And still she looks at him like maybe she’d feel safer with him around, which makes him feel all sorts of weird, and slows his step enough that Erica and Lucas overtake him on the way towards the parking lot.
“You doing okay, kid?” Eddie says, dropping into step next to Max.
El, her arm slung around Max’s shoulders, makes a face halfway between a smile and a grimace. “Where have you been?”
“Great fucking question.” He suddenly wants a smoke. They reach the parking lot, blue-lit and all but empty, now, where before it was teeming with cars. No sign of the incapacitated Russian. Steve, ahead of them, has vaulted into the driver’s seat of a creamy yellow Cadillac convertible; he turns to look at Eddie over his shoulder as though waiting for him to get in, even as the others fill the seats up.
“C’mon, my mom’s car’s over here,” Nancy says, starting across the asphalt. Eddie hesitates again, feeling some foolish cosmic wrongness at the separation from Steve and, worse, the fact that he isn’t the one driving. He’s gotta be the one driving. That’s just how it works.
They get into the car, El and Max and Mike, Will, Jonathan in shotgun, Nancy driving. Eddie hesitates, looking out across the dark asphalt, waiting for something. He’s not sure what. Steve’s Cadillac shoots off, headlamps illuminating a fragile path through the night, and it’s that that makes Eddie start to get into the car– until.
Until.
Another engine in the distance. An engine he could probably recognize in his sleep: a ‘79 Camaro. Dull blue. Lights appear, and the ragged roar of an engine. Eddie suddenly thinks of Thacher, of Billy’s cruel eyes pinning Eddie to the wall, of what they said about Heather and the flesh monster, and thinks, fuck, what if he got Thacher too?
But this is an idle thought, because he’s got other things to worry about in the here and now.
“Nancy,” he says, rapid. “Let me drive.”
“What?”
“I’m a lousy fucking driver, yes, can’t obey a traffic law to save my life, but when it comes to speed–”
“Eddie–”
“Billy Hargrove’s got his Camaro and he’s going to fucking chase us. Let me drive.”
She looks at him, then across the asphalt at the car roaring towards them, then back at him. Sharp conflict flits across her face; then she nods. “Okay.” She jumps out of the car; Eddie slides in to replace her. The second she’s shut the door, he floors it.
“Holy fucking shit,” Jonathan says, undertone, from the passenger seat, as Billy’s Camaro comes shooting towards them and they all feel it graze the rear fender. Eddie keeps his foot down and feels the engine jump, a cumbersome fucking car but powerful enough, til they’re racing out towards the road and Steve’s Cadillac’s taillights and Eddie thinks thank god, thank god I’m not enough of an idiot to have left El and the others behind–
In the rearview, he can see Billy’s Camaro jolting to catch up. Right, possessed guy has no sense of personal safety, makes sense, and all they can hope for is that he killed Thacher before Thacher could actually fix his car.
“Hold the fuck on,” Eddie grits out, swinging around a corner so hard his head nearly knocks against the window. “Illinois, you said we’re going to?”
“If we can make it that far,” Jonathan says, sounding not at all optimistic.
“We can make it that far.”
“Remember there’s a fucking flesh thing out there as well, it’s not just Billy, and if Billy knows where we are then so does that,” Max says. Her voice trembles a little on Billy’s name.
“All the more reason to get the fuck out of this town.”
It’s a car chase. That’s what it is, a car chase, and remarkably Eddie’s found he’s good at those. He’s got another life in him as a bank robber’s getaway driver; another life still as a Hollywood stuntman. He can take corners and stay on the road, lose no speed even when haring past the police station because, well, the police chief’s currently underneath the mall. Then through and out and Hawkins is behind them, Billy behind them too, but not quite catching up. Didn’t fix the Camaro, then. Small mercies. Small mercies, Eddie’s thinking, as the Camaro disappears from the rearview entirely.
“Where’d he go?” Mike says, twisting in his seat. “Did we lose him?”
Eddie flexes his hand on the wheel and doesn’t slow down. “I don’t know. Maybe that, uh, that fucked up car of his finally broke down for good.”
“No,” Max says. “No, it’s something else.”
And just like that, as if it’s his cue, Will’s hand moves to his neck, a vague expression of horror drifting over his face. “The monster. It’s coming.”
Eddie wants to ask how the fuck do you know that, kid? but really it’s a stupid question. He settles for keeping his foot on the gas and his eye on the road behind them, just in case.
He doesn’t have to wait long.
Soon enough, fucking– soon enough, Jesus fucking Christ–
It’s huge. Biblically huge. Horribly spider-like, somehow, yet fleshy and monstrous, towering in the dark, bounding towards them with faceless, nightmarish energy–
“Still think we can outrun that?” Jonathan says grimly.
“Shut up, man, let me– let me fucking drive and we’ll find out.”
“It’s after me,” El says, voice weak. Eddie catches a glimpse in the rearview of her struggling to sit up, pushing Mike’s hands away, like she’s trying to go somewhere, which, oh, no, she’s fucking not. Not a chance. Eddie swings around another corner, out of the woods, furious, and then–
Oh. That’s where Billy went.
It’s a fork a little way outside Hawkins, flat fields beyond the Eno, means they can see the road for miles. Means they can see Billy’s headlights racing towards the intersection, car like a fucking battering ram. They’ll be run off the road. They’ll be run off the road straight into the monster’s waiting maw, or else have to brake, brake and wait for the monster to catch up with them–
“Keep driving,” Nancy hisses from the back.
“What–”
“Keep fucking driving.”
Max lets out a little sound, and that on its own is enough to clue Eddie into what Nancy’s about to do. But they don’t have any choice, do they? Awful fucking monster on their tail and awful fucking monster up ahead. He hears Nancy wind the window down.
He just thinks: gas pedal, wheel, road. Nothing beyond that. Nothing like what she’s doing with her finger on the trigger, nothing like how close the Camaro comes as they hit the intersection and a shot rings out and the Camaro careens off the road, out of control, its driver slumping down limp over the wheel–
“Oh, god,” Max gasps, something broken and wet in her voice. “Oh– oh god, oh, god, Billy–”
“Keep driving,” Nancy says again, but her voice has lost its hard adrenaline. She just sounds tired. Eddie can’t help but look in the wing mirror, watch as the Camaro buries itself in a ditch, finally finished with–
And Nancy putting her gun away, hands not shaking, not yet.
Still, the monster is chasing them. And that’s what matters right now. If Eddie can keep on driving–
He keeps on fucking driving. With Max sobbing quietly in the back, and Nancy’s eyes cold as ice, and El making pained sounds every time the car jolts too roughly– the walking fucking wounded, they are, on four wheels in Karen Wheeler’s stupid Ford Country Squire. Chased by a monster made of flesh, in the dark on the road towards Illinois, the thing gaining by a foot or so every few minutes–
Yeah, they’re not gonna make it to Illinois.
Eddie becomes aware that he’s sweating. His hands are damp on the wheel, beads of sweat running down his forehead, his cheek, nestling somewhere in his collarbones. He winds a window down like it’s just the fucking weather. Just the fourth of July, hey, what can you do? What can you fucking do?
“Nancy–” Jonathan says, abortive, desperate. “What are we–”
The thing is so close it’s almost on top of them. In the middle of nowhere. The dark stretching out for miles around. So close–
“Fucking brace yourselves,” Eddie shouts, and brakes.
The car skids to a halt. The monster goes over their heads, carried by its own momentum, and he’s screeching the car back into gear before it can gather itself up, hurtling them in a rough, muddy circle as he bolts back the way they came–
Rearview, again, he sees the monster prepare to strike. And then–
Then, something collides with it. One of its many fucking legs. A car, another car, the Cadillac, the fucking Cadillac, Steve and Robin jolting distantly with the impact, no one else in the car, they must have got Dustin and Lucas and Erica somewhere safe–
Two cars against a giant monster. It’s laughable; it’s something out of a comic book. Hell, Eddie should put cars in his next DnD campaign, or his next song. They’re underrated fucking heroes.
“We’ve got fireworks,” Will gets out from the back. “Lucas and I, we brought some fireworks, we thought maybe–”
“Do it, just fucking do it,” Mike hisses, still holding tight onto El. Eddie swings the car around while the thing is still distracted because– because fuck if he’s letting Steve and Robin die here, that’s what. And Will tumbles out of the car with a fucking rocket in his hand, and Eddie throws his lighter over his shoulder, watches it get passed down until Will can light the thing and send it hurtling towards the monster where it explodes in a shower of light–
And Eddie has an idea.
It’s a stupid idea. Reckless. Meaning they’ll all be stranded if it fails. But fuck, if it works–
“Get out of the car. Everyone, get out of the– get out of the car.”
They stare at him for a moment. They don’t have a moment. The monster is coming.
“Get out of the fucking car and we’ll blow this shit up,” Eddie snaps, and finally they get it.
“Do it,” Nancy says, and they all get out of the car. All of them except Eddie, who’s driving. Someone’s gotta be driving. The impulse is insistent and comes almost out of nowhere, that this is the right thing to do. Watching Steve crash that convertible into a thing without a face. This is just what they do. And Steve–
Eddie’s got his lighter back, somehow. He can’t remember who handed it to him. He feels its familiar grooves in one hand as he swings the car into a three point turn with the other, this is what they do, this is just what they do–
He almost doesn’t remember to throw it, the lighter. Barrels towards the creature without thinking about it and only near the end, near one gruesome, fleshy leg, does he think, lighter, catch, door.
He throws the lighter over his shoulder. Opens the door. Dives for the ground, rolls, jars something in his joints. He manages to gather himself to his feet, to run a couple more yards before–
The force of the explosion throws him to the ground, rough, stippled with grass. Deafened, aching. He drags himself up. Turns.
The thing is still alive. Barely damaged, though the car is aflame beneath it. Well. They tried. He looks over his shoulder to where the others are standing, El supported between Max and Mike, Nancy huddled close to Jonathan’s shoulder, Will with this wounded ice behind his eyes–
And then.
And then, something happens. The creature trembles, as though struck by some invisible current. Its awful limbs flail. It shrieks, ear-ruiningly, and gives one final shudder. A death rattle. Because, sure enough, it collapses. Sinks to the earth and doesn’t get up again. A lump of flesh in the dark.
There’s a silence.
This silence stretches over the fields, disbelieving, broken only by the wind. Eddie’s not quite sure he can stand yet, so he lies there, shoulder wrenched probably out of joint, head stuffy and dull, a singed smell coming off his stolen shirt. They did it. Or– Joyce and Hopper did it, Joyce and Hopper and Murray and the Russian, whoever the fuck, someone did it. Someone ended this.
There’s some thin, reedy voice coming from somewhere, getting closer. He struggles up to see Steve running towards him, face bloody and ruined as before, mouth moving to make the shape of Eddie’s name–
Right. Eddie’s a bit deaf right now. That’s not the wind, that’s his ears ringing, and he blew up Karen Wheeler’s fucking car, Jesus Christ–
Steve reaches him. And suddenly that’s Steve’s hand on his shoulder, trying to help him sit up, and he must make some sound of pain because Steve withdraws, face pinched into worry, which is unnecessary, really, this happens all the time, and he thinks he says that out loud because as his hearing fades slowly back in Steve is saying, “–mean it’s not fucking serious, I swear, Eddie, you gotta–”
Before he can think about it too much, Eddie places a hand on the ball of his shoulder and wrenches the joint back into place. Lets out a scream as he does it, yeah, and he can hear that now. Hurts like a bitch. The way it always does.
He can hear it, too, as Steve says, “What the fuck, man, I thought you were going to fucking die doing that–”
“I didn’t,” Eddie says, breathlessly. His voice sounds wrong to his own ears, pain-thin and muffled. “And you, you– you drove into the fucking thing’s leg, how do you think I feel?”
Steve looks at Eddie. Eddie looks at Steve. Has he said something wrong? He’s too out of sorts to register it, if he has. Steve shakes his head. “I just did what I– what I had to do. Couldn’t let it get you guys, could I?”
“Eddie!” someone else is shouting, Robin, and all of a sudden she’s there too, eyes bright with adrenaline, truly one of them, now, monsters and dislocated shoulders and all, and then it’s Nancy and Jonathan and Will, Dustin and Erica and Lucas appearing over the crest of the hill, Max and El and Mike limping over slower than the rest–
Eddie sags, adrenaline beginning to disperse. Fuck, he hurts. Everything hurts. Steve looks down at him, squinting through that black eye. “You okay?” Steve says, and it’s loaded somehow, but Eddie’s too pained to work out how.
“Yeah. I’m okay.”
Notes:
– the reason nancy's car starts here is because they're setting off earlier, so billy hasn't had time to mess with the engine, because with alexei now in the picture there's much less sharing of information that needs to be done. and alexei's in the picture because bob took the bullet at the fair instead. sorry, guys, he had to die at some point.
thank you for reading! we'll be heading into our usual post-canon chapters now, i'm estimating about 8-10 before the end of this volume, so a way to go yet. let me know your thoughts below and find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 43: Heart of Glass (Blondie)
Summary:
“I can’t believe you just– popped your shoulder back in,” Robin says. She’s sitting on the floor too, legs pulled up to her chest. “Like, that’s totally not what you’re supposed to do, right? Like, what if–”
“Robin,” Steve says tiredly.
She — Eddie can scarcely believe his eyes — smiles at him. “Just because you guys get curb stomped by– by monsters from other dimensions every year, does that mean I can’t, y’know, be worried about him?”
Notes:
warnings for internalised ableism, referenced torture, referenced drug use, class issues, and period-typical homophobia.
(See the end of the chapter for more notes.)
Chapter Text
FRIDAY JULY 5TH, 1985
Early hours in the hospital are always something nightmarish. Eddie’s fairly used to it by now. Long hallways and hushed, beeping silences, pristine white surfaces — except not so pristine this time, making it only worse. There’s a whole floor closed off, after the bloodbath with the monster, the one Jonathan explained in a low distant voice on the ride over here, while Eddie wasn’t really listening. His shoulder fucking hurts; that headache hasn’t gone anywhere; Steve’s face is bleeding again and they all nearly died. Were the things preoccupying him, rather, so when a very harried-looking nurse directs him to sit and wait, we’re a little short-staffed right now, sorry, there’s been all this–
He sits down.
Something he doesn’t fail to notice, however, are the official-looking guys milling around, the big SUVs in the parking lot, the firmness with which the guys driving the ambulance told them to get in. Order’s been restored, he thinks, with bitter irony. Good ol’ US of A back in charge.
Steve sits next to him, staring at his hands. There’s nothing really to be said. Besides, Eddie’s jaw feels taut with pain and he’s not sure he could get a word out. They’ve taken El into surgery already, and the kids are pacing the corridor, all of them antsy with leftover adrenaline except–
Well, except Max, who’s sitting on the floor with her face hidden behind her hair. Nancy’s on the other side of the room, leaning against the wall with her arms folded, watching Max. Occasionally she shifts, like she wants to go over there, but each time she seems to think better of it. Eddie thinks, good. He’d go and tell her it’s not a good idea, if he was capable of standing up. Still, Jonathan seems to be communicating that just as well with his eyes, sitting on the floor by her legs and every so often meeting her eyes. He looks beaten-up too. Each time he shifts it sends a spasm of pain across his face. Eddie wonders– well, he wonders if Jonathan’s got health insurance.
“I can’t believe you just– popped your shoulder back in,” Robin says. She’s sitting on the floor too, legs pulled up to her chest. “Like, that’s totally not what you’re supposed to do, right? Like, what if–”
“Robin,” Steve says tiredly.
She — Eddie can scarcely believe his eyes — smiles at him. “Just because you guys get curb stomped by– by monsters from other dimensions every year, does that mean I can’t, y’know, be worried about him?”
Eddie attempts his own smile. “Welcome to the club. You’re gonna hate it here. But, uh– but thanks.”
He keeps his hand on his shoulder, like it’s going to slip out again, like the different pieces of himself might drift off into space if he isn’t fucking careful. Dustin’s got no collarbones, huh? And yet there’s Steve, physically perfect specimen who finds it all so fucking easy, who Dustin can call on for whatever he needs because he didn’t have to take a step back.
As if the thought summoned her up, there’s a commotion at the end of the hallway, and he looks up to see Joyce coming towards them, face drawn, hair matted with blood at the side of her head. They had trouble, then. Behind her, Hopper and Murray, and with them–
Owens.
Eddie feels a surge of fury at the sight of the guy. Moved around like fucking pieces on a chessboard, the Cold War brought to Hawkins, and now he’s here? After everything?
But the anger dissipates as soon as it arrives, because if Owens didn’t know, then Owens couldn’t do anything, and they didn’t tell him. They heard the code and cracked it and didn’t tell him; they went down in a Russian elevator and by then it was too late. There’s some sweet irony in the government’s incompetence, letting a Soviet invasion fester and sprout under their own very noses, but it’s a poor reward. Bob is dead; Steve and Robin were tortured; Eddie aches.
“Alright, listen up, everyone,” Owens says, moving to the center of the room. He nearly died in the back of Eddie’s van; it took several days of scrubbing, elbow grease and bleach, to get the stains out. “Obviously the situation here is a little different from how it has been in the past. I’d really appreciate everyone being patient and cooperating as much as you can, okay? I know you’re all tired and it’s been– well, it’s been a long week, I imagine.”
“How’s El?” Mike demands.
“Your friend Jane is doing okay,” Owens returns, emphasis on Jane, like someone’s listening. Anyone might be listening. And a hospital’s a dangerous place for her, right? A hospital crawling with soldiers, a hospital in this town. “I talked to the doctors, she’s out of surgery and she’s resting under sedation now. You can go see her once we’re finished here, okay? That sound good?”
Mike lowers his eyes. He understands the danger. As do they all, except Robin, who must sense something of the atmosphere, because she keeps her mouth closed.
“Right, well. Mrs. Byers, Mr. Bauman, and the Chief here did a damn heroic thing, blowing up that machine and closing the gate.”
“Alexei too,” Joyce says quietly.
“Yeah. Our Russian friend too. So that danger has passed, and the Russians are being rounded up as we speak. As for the biologics in the field–”
“You mean the melted people,” Steve says.
“The- yes. The melted people.” Owens looks a little gray at that. “We’ll be identifying the victims, and taking the samples for analysis, but obviously there can be no question of anything of what happened being made public. I’m sure you all understand that.”
His voice is hard; he’s looking at all of them, but mostly at Nancy and Jonathan. Nancy lifts her chin and meets his eyes without blinking, incapable of not rising to a challenge. Not a good idea, Eddie thinks again. She doesn’t know what these people can do. “So what’s the story?” she says.
“Well, the mall can’t remain open, not now we’re aware of what’s underneath it. The Russians’ connections throughout the town, we’ll be investigating those, seeing how deep this conspiracy really runs — so the working plan is two birds with one stone.”
“It’s Kline,” Hopper grits out. “It’s all the way up to Kline.”
“We’ll be dealing with that. But the story we’re going to go with, and you’ll see it in the papers soon enough, is a fire. The mall burns down; thirty-plus people are killed, including Bob Newby and Billy Hargove–” both Joyce and Max flinch “–and the town comes together in mourning. People build communities out of this kind of thing, y’know. Moments of crisis. It’s awful, but your town will survive.”
“Hooray for that,” Robin mutters.
“Communities,” Joyce repeats, dead-eyed. “You’re talking to us about communities–?”
“Joyce.” Hopper moves forward, lays a hand on her shoulder, but she shrugs him off, face a storm. “Joyce-”
“No. No, I have– I have given so much to this town. Haven’t we all? At this point? Will, he was– my son was taken from me and you know what this town did? In that moment of crisis. It called me crazy, and it didn’t fucking care. It didn’t care, Hopper, and now Bob’s given his life to this place and for– and for what, exactly? Some stupid goddamn war fought way over our heads? His–” And she points a finger at Owens, her hand trembling. “His fucking war, his ambition and all the ambition of people like him, to– to harness something we were never supposed to understand, and now–”
“Mom,” Jonathan says, dragging himself up from the floor, letting out an involuntary gasp of pain as he does it.
Joyce’s face hardens, like it’s evidence, which, really, it is. “No. I’m not fucking doing this anymore. I’m not.”
She turns on her heel and walks back the way she came. One of the soldiers in the hallway moves to stop her, but Owens raises a hand. “Let her go,” he says. Like she’s harmless.
Jonathan makes to go after her, but lets out another hiss, body held taut, like his spine’s seized up. Nancy puts a hand on his shoulder. “You need to get checked by a doctor,” she says firmly. He sags back, bringing his hands up to scrub over his face.
It’s Will who goes, all gangly limbs and awkward silence, now, in the time since Eddie last talked to him. He goes and Owens clears his throat. “I’ll send some doctors in, get you guys checked out. Then– well, most of you know the drill. NDAs and whatnot. It’ll be like none of this ever happened, I promise.”
Somehow Eddie thinks he preferred it when they were being threatened, when the guys who came to silence them were clear about it, unabashed by their own power. Owens just can’t shed the whole kindly uncle thing he’s got going on, and the dissonance feels worse. “But it did,” Max says dully from the floor. “It did happen.”
Owens has nothing to say to that.
Eddie gets seen by a doctor, who tells him nothing he doesn’t already know — that his shoulder’s fucked, that his joints are fucked more generally, that for now it’s just the shoulder but it will probably get worse. This is what the goons at the plant are paying for? he thinks, watching the doctor fill out something on his health insurance form. He guesses they’re also paying for the codeine prescription he gets, little pills rattling around in their bottle. He doesn’t give himself a moment to think about it before he swallows one dry. He feels as though he’s been tossed in the washing machine, spin cycle.
In the hallway, he finds Robin pacing up and down. She rounds on him as soon as he emerges: “Listen, you’ve gotta– NDAs. That’s a lot, right? Like, that isn’t– I’m not gonna be signing my entire life away, am I? What if I refuse? What are they gonna do to me if I refuse?”
“Let’s–” He pinches the bridge of his nose. “C’mon, let’s go sit somewhere and talk about this.”
She follows him obediently over to a couple chairs out of the way. That in itself isn’t a great sign, her nervous silence, and as they sit down she wipes at her eyes with the back of her hand. They don’t say anything for a moment, until, “It was– bad down there. It was really bad.”
“Yeah.” He fumbles for his cigarettes, one-handed, the other strung across his chest in a sling. He should be more practiced at this — it’s happened enough times — but his fingers are still trembling with fright, with fatigue, and he can’t quite–
She takes the pack off him, sliding one out and handing it over. “Let the record show I’m only doing this because you’ve had a really bad day. Though I think mine and Steve’s was– I don’t know. Maybe worse.” He puts the cigarette in his mouth and lights it gratefully. By the time he’s put his lighter away and taken it out of his mouth, she’s speaking again, an inevitable tumble of words. “I just– I could do it at the time, y’know? It was all happening and it was okay, it was– not exciting, but– and then it was Steve and me. Just Steve and me. Which felt totally wrong, I can’t die with Steve Harrington, that was what my brain kept saying to me: I can’t die with Steve Harrington. But I think I– I think I get it now, the way you are with him.”
The way she says it makes Eddie’s face go hot. “What?”
“I mean– you’ve been through all this shit before, right? Maybe not the Russians, but stuff like this. With him. And he’s– surprisingly not, y’know. An asshole. Not when it counts, and he– so. I get it. And we had this talk in the bathroom when we left the movie, after we’d both finished puking our guts out — I am never voluntarily touching a drug in my life, I swear to god — I don’t know. He was talking about how he was– how he was an asshole in high school, and how none of that shit he cared about matters anymore, and–”
He’s getting a sinking feeling. “Robin–”
“No, I know– I know this isn’t what I should be focusing on. Right? Given the– the NDAs, and the flesh monster, and the Russian torture chamber. But if you just let me try and– and distract my head a little bit then maybe I won’t lose my mind, okay?”
“Okay.” He gets that.
“So I’m just– reevaluating. Y’know, foolish high school preconceptions and– and ideas of heroism in the face of–” She closes her eyes. “Fuck, Eddie, I think he might like me.”
Oh. Fuck.
Eddie chokes on his inhale, coughing out smoke and leaning away from Robin as he does it, knowing she doesn’t like the smell. “You– you think–”
“Jesus, I feel like I’m on a carousel at the circus. It is insane that this is what I’m thinking about right now. You think the CIA guys are listening to this?” Her voice wavers. “Having a good old laugh at–”
“Did he say something?” This comes out too quickly. Robin doesn’t seem to notice.
“No, I don’t know, it was just– he was talking about– about moving on from Nancy, and maybe realizing that all that, everything she, I don’t know, represents to him in a high school context and, like, a social context, maybe realizing that that isn’t what he wants anymore. And– he didn’t say what he does want. But. Fuck.”
The codeine has kicked in; he feels light, a little distant from this hallway, where Robin’s face is making his heart pound. “And you, uh, you–?”
She stares at him. “You– Eddie. We, uh. You know.”
He gets the sense he’s playing a precarious game of chicken. But fuck if the nicotine and the codeine don’t make him braver — and he’s tired, and he nearly died, and he’s not sure he’s got the constitution to keep playing this awful, longing game. “Okay, for fuck’s sake, okay. I’m gay. And I figure, um, I figure we understand each other, on some level, but I don’t know what that level is, and I don’t, y’know, I don’t want to–”
“I’m gay too.” She says it in a rush, desperate, all the tension departing her face in one sudden sweep of relief. Her cheeks color; she smiles. “I– yeah. I knew we were alike.”
He lets his head sag back against the wall. Something unnameable goes through him, something warm, tempered by the sick feeling of I think he might like me but there nonetheless because, well. When has he really said it out loud before? And when has she?
“I’ve never told anyone that,” she says. “I’ve never– it’s like it’s not even real to me, most of the time. It’s something I am but it’s not something I can do, not something that– that exists in the world. Except when– when this happens. And I don’t know what to do.”
He reaches the end of his cigarette, all the way down to the filter. There’s an ashtray on the abandoned desk opposite them; he gets up and stubs it out, returning to bump his uninjured shoulder against Robin’s. “It’s gonna work itself out, Buckley.”
“You’re not supposed to be an optimist,” she says, dropping her head into her hands. “You’re supposed to say some shit like if he hurts you I’ll kill him, except I know you like him too much.”
“I’ll still kill him,” he says, lightly, then his tone goes serious. “But– yeah. I don’t know, y’know. How he’d react. I wish I could say I did, but– I’m not sure about anyone. About anything. I’m, uh, I’m not gonna advise you to tell him, not unless you have to or, y’know, want to. But I’ll say I will like him a hell of a lot less if he goes back to his Tommy H.-style ways.”
“Yeah,” she says, bringing her head up, smiling a little tearily.
“Y’know, Buckley, there’s more to that story about the milkshake on Tommy H.’s car. If you even remember him talking about that in the– in the elevator. It was right after Tommy called me a fag. And to this day, y’know, I’m not sure if Steve did it deliberately. So. Maybe there’s hope.”
“Maybe,” she says, and well. Maybe. Eddie still hasn’t worked out if Steve knows that it’s true, what they say about Eddie. If he does know and doesn’t care; if he does know but chooses to suppress the knowledge, and will react with disgust when confronted with more than just a lazily discarded slur by a guy he hates anyway. It’s not something Eddie wants to dwell on. Still, he can’t help it. His brain, it likes to circle. Sharks in a bloodthirsty sea. Every part of him spends a great deal of time trying to tear him apart, and his mind worries at the image of Steve like a loose tooth. Robin’s a lesbian; Robin doesn’t like Steve; but Steve might like Robin.
And they still have a stack of NDAs to sign.
At some point through all of this Eddie gets twitchy, the fuzz in his head compounded by the recent exertion of adrenaline and a nice tasty codeine, so he takes himself outside to sober up, forgetting of course it’s hot as the devil’s fucking armpit outside. He stands in the muggy air for a moment, feeling like he wants nothing so much as an ice-cold shower (something the trailer park is good for, hallelujah), and then spots Joyce sitting on the steps by herself, a cigarette dangling between her fingers.
Right. Because he’s feeling all mixed-up about everything, permanently but especially now, and she’s probably having the worst night of her life. So he makes to back away, return to the stuffy hospital hallways, but before he can she looks up and says, “Oh, Eddie. Hey.”
“Hey,” he says warily.
“You wanna–” She gestures vaguely. He gathers it to mean she’s offering for him to sit down.
He’d really rather not, but his body is moving before his brain can catch up and he lands heavily on the step beside her, the concrete sun-warmed still, even at this hour of the morning. Who knows what fucking time it is. They sit in silence for a moment, a silence that stretches on. He’s never been very good at those, so he finds himself breaking it: “How are you– y’know. Are you–”
“Fine,” she says absently, and then her face twists into a grim smile. “Oh, I’m totally fine, why do you ask?”
He passes a hand over his mouth and smiles too. “Fuck. Sorry. Stupid question.”
“I don’t think there are any stupid questions, not at a time like this. God. Have you– have you signed your–”
“My NDAs? Not yet. Meaning technically I can, uh, I can go tell the world right now. Run right down the street and shout it to them, tell them there were Russians under the mall who opened a portal to another world and that portal possessed Billy Hargrove and made a monster out of melted people– but. They’d think I was high.”
A silence again. This isn’t one he’s going to break; he’s going to wait to hear what she has to say. Not that he’s done this deliberately. It just sort of– came out.
“Yeah,” she says finally, heavily. “I– how are you doing, Eddie?”
It’s not what he wanted. He scrubs a hand over his face and says, “I’m doing fine. Actually fine, not– y’know. Since everyone’s so worried about it.” She doesn’t reply. He’s feeling spiteful, now, so he adds, “Sorry, by the way. For, uh, overstepping my bounds, going down a fucking Russian elevator with the kids and– well, and potentially getting them killed, not that that’s because of me and the drugs but just me being an irresponsible adult in general, I guess–”
She blinks, eyes slow and distant, like she’s struggling to keep up. There was a lot of blood on her face, he realizes. Perhaps she’s concussed. Still, she says, “No one’s blaming you for anything, honey, I don’t–”
“Right.” He scratches at the back of his neck. He can’t seem to keep his hand still, the one that’s not in the sling. “No. But you– Dustin doesn’t get it. Seems like he was actually hurt by it, which, well, kid’s got shitty judgment and a death wish, nothing I can do about that, which has been made pretty evident this week–”
“What are you saying to me?” It comes out tired, tired and a little prickly.
“I just– I did what you said. Kept my distance. And it didn’t–” He’s swallowing some unnameable emotion here, something he doesn’t understand. He’s not angry at her, exactly. He’s not sure what he’s saying at all. “It didn’t do anything. They still ended up running for their fucking lives, and– and El had to go into surgery, so. It didn’t do anything.”
“What I said? What–”
“After the goddamn ketamine.”
“Oh.” She looks at him for a long moment, eyes wide and dark. “Oh, Eddie, I didn’t–”
“Don’t,” he bites out. After saying all of this he finds he doesn’t want to hear it; she looks small and lost here on the steps in the dark, nothing like someone who might have answers, and while he’s never looked to adults for answers it sort of stings when they lack them anyway. He gets up painfully, sweat creeping down his spine under his t shirt. Her boyfriend was just killed, he thinks; they can’t have this conversation now.
But then–
“Eddie.” Something about her tone makes him turn around. “Thank you.”
“For- for what?”
“For going down there with them and trying to keep them safe. Trying’s all we can do. I mean– Bob tried, he– he tried and that’s the best you can do in this fucking town, and it killed him. And each time you try, you’re putting yourself in danger too. Along with all the rest of us. So– yeah. Thank you.”
He doesn’t know what to say to that. He looks at her for another moment and then goes back inside, the whole thing beyond him, thinking about it beyond him. He wants a shower and his bed. He wants this to be long past him in the rearview; he wants to be on Maria’s couch, ears thrumming with last night’s crowds and guitar chords. Not built for this. Not fucking built for this.
The first people he finds are Steve and Nancy, Nancy twisting her hands together in a chair, Steve cross-legged on the floor. Someone’s patched up his face. Held together with medical tape and a prayer again; it would be endearing, if it didn’t make Eddie’s guts twist. He drops to sit in front of them, noting with absent surprise how now he holds absolutely no fear of third-wheeling. Not with them, at least.
“Nance, you okay?” he says, after watching her for a moment. Her teeth are worrying at her lip, fingernails digging into her skin.
“What? Yeah, I’m okay.”
Eddie shares a glance with Steve, whose eyes read I don’t know either. He seems to have found a radio, which he’s propped by his knee, and it’s playing Blondie, Heart of Glass, at an undertone. It’s somehow startling to hear music again, after so long under the earth without. Nancy likes Blondie, right? It’s the kind of gesture that makes Eddie surge with inappropriate feelings — Steve finding a radio station to make her feel better, Steve remembering and caring and trying, right, trying’s all we can do — even as it’s directed towards Nancy, because, well. C’mon.
“Where’s Jonathan?” Eddie says.
“He’s being seen by a doctor.” There’s a slant of worry to her tone, beyond the dullness in her face. Eddie wonders if they worked out their differences — and it’s that, more than anything else, which suddenly puts him on edge.
“Y’know what I just realized?” he says. “With them burning down the mall?”
“What?” Steve says distractedly.
“We’ve lost our fucking jobs.”
No one says anything for a moment. Then Steve starts to laugh. “Fucking Scoops Ahoy!, oh my god, they’re burning it down. Oh my god.”
“Yep,” Eddie says, except he can’t quite find it in himself to laugh. “As much as we all complained about it– God. My uncle, he’s gonna celebrate for maybe, uh, two minutes, and then he’s gonna go right into worrying about the state of unemployment now that all the smaller businesses have gone bust so there’s nowhere for people to go.”
Steve’s smile fades. “Shit. I hadn’t thought about it like that.”
No, it’s plain he hadn’t; but Eddie can’t bring himself to recall the same anger this used to inspire. He’s just tired, and Steve’s just making some sort of effort. “Guess I’ll have to ask Thacher for extra shifts.”
“Oh, fuck.” This is Nancy; Eddie looks up at her sharply. She’s brought a hand up to cover her mouth, and she’s looking at him with an expression of horror. “Thacher, oh my god, no one told you.”
“What is it?” he says slowly, though he figures he already knows.
“Thacher, he– he’s one of the people Billy took. He was flayed. So he’s–”
“Part of the fucking monster, right.” Eddie closes his eyes. He remembers that day in the workshop, remembers Billy’s placid silence and the way Eddie had provoked him, urged him on until there, just there, that primal rage showed itself–
And Thacher had pulled him out of the way.
So on some level, well. Maybe if Eddie hadn’t caught Billy’s attention–
“The Byers got compensation money,” Nancy says suddenly. “Hush money, or whatever. Not much, but something. And now– there’s gotta be a way they can do that for you.”
Eddie hunches down, not liking the way she says it, though an us would be misplaced since, of course, neither Nancy nor Steve would need it. “Maybe,” he mumbles, though the idea of taking that fucking money–
But at this point. At this point, well. It’s about getting out of Hawkins and getting beyond this point. Moving into a different, brighter world. Instead of running in circles around his own mistakes. So, yeah. Money. It might be nice. It might mean he doesn’t have to go back to Rick’s, doesn’t have to search under the floorboards and call up people like Robbie Freeling, asking if they want to buy. He wouldn’t like to do that.
“I’m going to ask him,” she says, standing up. She’s moving stiffly too, he notices, though she’s shed some of that shellshocked dullness, like she’s got purpose again. “It’s the least he and his people can fucking do.”
Before they can say anything, she stalks off down the hallway. Eddie watches her go and then rests his head against her vacated seat, temples aching. God, he could sleep. Another codeine would knock him right out, he thinks, and he’s moving his hand towards his pocket instinctively when he realizes where he is, who he’s with, and stops.
Still. Steve must recognize something, because he’s looking at Eddie carefully. “You okay, man?”
Eddie closes his eyes. “I think we’re beyond those questions, don’t you?”
“Right. But–” Eddie can hear him shifting on the floor, like he’s playing for time, trying to work out the words in his head. Always a bad sign. “I wanted to say, y’know, with– with the Russians, and what they drugged us with. I’m sorry about that, about the elevator, and–”
Eddie opens his eyes. Steve’s face is twisted into something uncomfortable. “Steve. What are you saying? Are you– are you seriously trying to apologize for getting tortured and drugged?”
“Well– I don’t know. It must’ve been weird for you, is all.”
Eddie stares at him a moment longer; then the penny drops. “Oh. Because I– okay. Fucking hell, Steve. Why are you– y’know you’re making this about me, right? That’s, like, a masterclass in avoidance right there.”
“Pot, kettle, black,” Steve says lightly, a moment of relief from his godawful concerned tone. “I just–”
“Don’t. Please don’t. I already had this– terrible fucking conversation with Joyce, it’s like she didn’t even remember what she said to me–”
“What did she say?”
“Y’know. Last year. About– me, uh, me stepping back from the kids. After the– the ketamine incident.” He injects a flourish into his tone — may as well lean into it, right?
Steve pinches his lips together. “And what did she say tonight?”
“Nothing much, really. Thanked me for trying to help the kids, which, guess it means I’m forgiven, I don’t know, I just– I did try. Set so much store by– by this idea of being clean, whatever that means, and, y’know, I’ve mostly done it but not even– you play stupid games and you win stupid prizes, right? It’s like I’ve been playing the wrong fucking game all year. All my goddamn life, maybe, and the prize I get is this fucking shoulder and you looking at me like– like I’m the one you should be worried about, after the Russians. It makes no fucking sense and now I don’t have a job and Robin–”
“What about Robin?”
Eddie shakes his head. “Of course that’s the bit you focus on.”
Steve sits up straighter, eyes wide. “What do you mean? What–”
“Once again, Steve Harrington, I have no idea what you want from me. Any of you, really. I mean, what do we all have in common except some evil fucking dimension trying to kill us? And it works, and you’re my– my friend, but I just– I wonder if you haven’t gotten me wrong.”
His eyes have gone sharp, but his voice is quiet. “I don’t think I have.”
“No?” Eddie laughs hollowly. He can’t have gotten Steve wrong; he has no idea who Steve actually is. What he’s thinking, under there. Sure, he’s stupidly pretty, stupidly brave, a guy who is predictable in all senses except when it comes to Eddie, in that around Eddie he seems to become someone else, and Eddie can’t work it out.
The radio has changed to Queen, Good Old Fashioned Lover Boy. But there are footsteps coming down the hallway, an agent collecting them for their NDAs. Steve stands up without touching the radio; it’s Eddie who leans over to switch it off.
Notes:
– blondie's heart of glass was released 1979
– queen's good old fashioned lover boy was released 1976thank you for reading! as ever, let me know what you think below, and find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 44: Hurricane (Bob Dylan)
Summary:
Wayne says, “There’s this charity memorial barbecue happenin’ today, five p.m. Rememberin’ the victims of the fire, collectin’ donations for the families, tryin’ to get the town together since we can’t all go to every funeral.”
“Oh, yeah?”
“Yeah. Well, that’s the idea, anyway. I’m fairly sure it’s a grab for good PR, since it’s John Harrington and his wife hostin’ the thing.”
Notes:
warnings for classism, implied child abuse, internalised ableism, and emetophobia.
(See the end of the chapter for more notes.)
Chapter Text
MONDAY JULY 9TH, 1985
Eddie’s sick over the weekend. It’s not exactly a surprise, when he rolls over on Friday morning and discovers he can’t get out of bed. He drifts back into fitful sleep and doesn’t really do anything else, rising only for bleary-eyed trips to the kitchen for water and toast. His uncle makes him soup on Saturday, watches him eat it from the doorway, the television in the background talking in grave, distant terms about the lives lost in the mall fire. Bob Newby, Rod Thacher, Billy Hargrove, Heather Holloway, Tom Holloway; these are the names Eddie recognizes. There are many more. Eddie thinks, as he sniffles and coughs up a lung, that this doesn’t feel particularly like a victory at all. Then again, it rarely does.
Still, the weekend passes. On Monday he pulls himself out of bed with only a lingering ache and the weakness in his shoulder. He gets colds easily, he’s figured — eating like crap and living in a wind-beaten trailer does him no favors there — but he can also shake them off, like a dog drying itself of river water. He goes through into the kitchen. A cursory glance in the fridge has him even hazarding to make eggs, since there’s a carton sitting ready. Wayne comes in as he’s frying them off, cutting through the muggy haze of the trailer with a warm, tasty smell and a glug of juice taken straight from the carton. Wayne sits down at the table and lights a cigarette, propping his chin on his hand, and says, “You feelin’ better, then, kid?”
“Yeah, I am. Can’t keep a good man down, right?”
“Right.”
“You want eggs?”
“Sure. Over-easy and–”
“And runny yolks, I know.” Eddie looks sideways at his uncle, smiling at him from under a mess of curly hair. The humidity has it frizzing around his face. It was a summer like this when Bruce first decided he needed it buzzed, Eddie remembers, though he doesn’t dwell on the memory. He moves the eggs around the pan and says, “So the mall, huh.”
“Huh’s about right. It’s– god, what a fuckin’ tragedy. I heard they’re investigatin’ the whole thing, the shortcuts they made in construction, all the safety guidelines they didn’t follow. It all goes right up to the mayor’s office, apparently.”
“Is that right,” Eddie says softly, turning the eggs over with his back to his uncle. It figures; it’s the most convenient way to get rid of the major players, right? All the people whose photographs Eddie saw in the files. Blackmailed, but that doesn’t matter to the government, does it? Only getting them silenced, discredited, out of the way. Cleanup, no mess. It never fucking happened.
“‘Course, it doesn’t explain what the hell’s gonna happen with downtown Hawkins now. All the good folk whose businesses went bust because of the mall, they can’t afford to reopen just because it’s gone. But people need jobs, right? We’re probably gonna get flooded by a bunch of chain stores lookin’ to make a cheap buck off our situation, not carin’ one bit about what’s actually happenin’ in this town. That’s what’ll happen.”
“That’s fucked,” Eddie says, surprising himself with his own vehemence. Wayne looks surprised too, though pleased. Eddie brings the plates over, winces as he rolls his shoulder, drops down into the seat opposite Wayne and lights his own cigarette. The codeine has made his sickly weekend into a dizzy sort of dream; but the codeine’s running out, and he has to face the world again at some point.
“So, you– uh.” Wayne clears his throat. “There was a couple days, back last week, where it didn’t look like you’d been home.”
Eddie smokes and looks at his plate. “Yeah, I– um, yeah.”
“I’m not, y’know, I’m not tryin’ to push you, kid. I’ve always said you’re free to do what you want under this roof, I ain’t tryin’ to be like my damn brother. I just– get concerned, is all. You see?”
He does see. He sees so clearly he hates himself for it; hates sitting here lying, even though he’s not saying anything, lying even in silence. Lying with the money he’ll bring home from the government when their check comes in, the way he was lying when he was earning it from Rick but at least then–
It felt dirty in an honest way, then. Now it’s just dirty.
“I know. I’m okay, uncle. I swear. Just– keeping busy.”
“Well, good. You been seein’ your friends?”
Oh, has he been seeing his friends. Not friends of the sort his uncle would like to hear about, he’s sure. Nancy Wheeler and Steve Harrington. But he nods yes. Makes up some cock-and-bull story about Corroded Coffin rehearsals and the prospect of performing at the Hideaway.
At that, Wayne lets some rare nostalgia onto his face. “Y’know, the Hideaway used to be a diner called Hilly’s? Back in the sixties, that was. You probably hadn’t heard that. There’s somethin’ strange there, I don’t know, some nice circularity to that.”
“Because my mom worked there,” Eddie says, voice quiet.
Wayne looks at him sharply. “How’d you know that?”
“I asked Joyce– Mrs. Byers about her. A year and a half ago now, back– back around Christmastime. Back when I was having a, uh, a godawful year, you remember?”
Wayne nods. It’s hard to forget. “What did Mrs. Byers tell you?”
“Nothing much. Her name, May Kettering. That she used have– fucking dreams, or some shit, probably totally sucked out of her by my dad, right? Working at Hilly’s was just– a stopgap. Like she wanted to do something better.”
“That she did. I don’t– I don’t know how helpful it is for us to be talkin’ about this.”
“You brought it up.”
Wayne lowers his eyes. “I did. So– if you wanna talk about it, we can. But otherwise, I’m gonna– I’m gonna shut my big mouth.’
A silence. Eddie taps his fingers on the table, a restless pattern. Finally, he decides, “We don’t have to talk about it. Past’s the past, right? I’d rather not, y’know, make it two for two crappy parents, maybe just one crappy one and one we don’t have to talk about at all.”
Wayne looks relieved. Eddie’s not sure what he should be reading into that, if he should be reading anything into it at all. He settles for finishing his breakfast, finding himself strangely with an appetite after the beating his immune system’s given him, and he’s lighting his second cigarette, plate pushed away, as Wayne says, “There’s this charity memorial barbecue happenin’ today, five p.m. Rememberin’ the victims of the fire, collectin’ donations for the families, tryin’ to get the town together since we can’t all go to every funeral.”
“Oh, yeah?”
“Yeah. Well, that’s the idea, anyway. I’m fairly sure it’s a grab for good PR, since it’s John Harrington and his wife hostin’ the thing.”
Eddie nearly chokes on his cigarette. It’s on the tip of his tongue to ask if there were any calls for him he missed while he was in bed, because surely Steve would have told him about this, complained down the line or fretted or raged (even if he has Robin to do that with now–), but knows better than to show himself so plainly. He says instead, keeping his voice painfully even, “How come you wanna go? Thought you hated the guy.”
“Oh, I do. But we can’t let these big property guys, the ones who are at fault for the whole thing– we can’t let them take this grief away from us, y’know? We gotta show up to represent the ones they don’t want to represent. Oh, sure, they’re memorializin’ Tom Holloway and his family. But there’re others who died in that fire, people whose names show up further down in the news article. It’s only right we show up to remember them.”
Eddie feels himself strangely moved, though his uncle’s speech is based wholly on the government’s lie. “Not a little bit of spite in there?”
Wayne smiles grimly. “Only a little.”
“Right, well. In that case, I’m all the way in.”
That earns him another vaguely surprised smile, and a hand reaching over to ruffle his hair. Nothing to do with Steve’s no doubt mandated presence at this thing; nothing to do with the flush of guilt that feeling itself produces, because fuck. People died, and here he is–
People died, and he’s so used to it he can spend this time thinking of something (someone) else.
They drift around all day, alternately changing the television on and off the news. Eddie doesn’t want to hear it, all the government’s lies, all the shit that didn’t really happen, or happened a little way to the left. But Wayne likes to know what’s going on. (The irony there is inescapable.) Eddie smokes his cigarettes and sits listlessly on the sofa until it’s five, and Wayne is changing into a nicer button-down shirt with a cigarette still between his lips, and Eddie looks at his own attire and decides to go as he is, because changing his shirt is a real fucking effort in the post-dislocation ache.
“The Harringtons are gonna hate this,” Wayne says, as they get in his car. It’s hanging on by the skin of its teeth, has been all year, a patch-up job by Thacher having extended its life just a little bit longer. Someone brought Eddie’s van back from the mall, he doesn’t know who, but he’s been having nightmares about driving and his shoulder hurts. So he sits shotgun as the radio flares to life — Object of My Desire, Starpoint — and Wayne backs out of the trailer park, concentrated frown. It was Bruce who taught Eddie to drive, in essence, twelve years old behind a stolen wheel, which is maybe where the recklessness comes from. Haring around corners like something’s chasing him which, at this point, is often more true than not. Wayne tidied him up before his driver’s test. Told him what not to do in quiet, even tones, so careful with him back then, like Eddie was some frail, brittle thing he’d picked up in the wild. Maybe not so far off.
Eddie leans forward and looks in the dash, sifting through stray cassettes, mainly Johnny Cash. But he finds Bob Dylan’s Desire, the one he bought Wayne for Christmas, and slides it in. The corners of Wayne’s mouth lift at the first opening strums of guitar: Hurricane.
“Y’know, this song is genius,” Eddie finds himself saying, after the opening lyrics have been sung. “He says barroom night, sure, and then the next line, enter Patty Valentine, you’d expect that one to rhyme with the first one, right? You’re listening out for it to rhyme. But it doesn’t. Enter Patty Valentine from the upper hall. And he could easily have made it upper right, that’s what your brain’s expecting, but — upper hall. It’s, like, all at once, just with those lines, he’s telling you off for expecting something from the song. He’s setting the scene, like in the theater, where upper right’s kind of a stage direction and everything just works all together and makes sense with the, y’know, the structure that rhyming gives you. But he says hall instead, and it means we’re not in the theater where things make sense and we’re– we’re safe in fiction. We’re in the real world with that word, y’know? It’s like he’s saying right off the bat that this guy’s suffering isn’t just some neat entertainment. It’s poetry that’s a fuck you to poetry.”
Wayne looks at him over the stick shift. His eyes, hard to read, are wide. “Kid–”
“Sorry. We missed, like, half the song while I was talking about how, uh, how genius it is. Which it is.”
“No, don’t– don’t apologize.” Wayne was shaking his head. “How they’re gettin’ away with holdin’ you back another year, I’ll never fuckin’ understand. Smarter than me and my damn brother put together, you are.”
“I don’t know about that,” Eddie says. He keeps his tone light but his eyes on his hands, not knowing quite what to do with them, or with Wayne’s compliment. “Pretty sure song lyrics aren’t on the pre-calc syllabus.”
“Nah, but it’s literature, right? Poetry.”
“Sure, but that’s not any, uh, any use when I can’t sit down to read even a chapter of The Grapes of Wrath in one sitting. Pretty sure Steinbeck didn’t intend me to read his masterpiece two sentences at a fucking time, and Miss O’Donnell definitely doesn’t want me to.” He feels hot and out of sorts having this conversation. There’s no room in his head to be thinking about school right now; there’s always an adjustment period, he’s found, right after the high of apocalyptic adrenaline. Plus, with the cold he’s had, the world is still feeling vague and surreal like he’s still underground.
This is old ground. His uncle’s been disappointed by this for a while, Eddie knows, and he’s regretting letting the conversation go down this path. In that it was so nice there, for a second, when Eddie was letting his interests flood out of him and Wayne was earnestly listening.
But Wayne just says, “I know, kid. It ain’t easy for me either, readin’. That school, I don’t think they give a shit about actually helpin’ anyone out with it. Keepin’ you back ain’t helpin’ no one.”
“Nope. I have–” Eddie swallows. “I have, y’know, I have considered calling it quits. I can just stop, y’know. Quit while I’m ahead, or I guess just not so far behind as I could probably get. I’m a decent mechanic for–” He stops. “I was a decent mechanic. And the music, in Indy, I don’t know. I just feel like–”
“You can’t give up.”
“I’m not giving up.” It comes out sharper than intended. “I’m not– it’s not giving up. I guess I’m, y’know, exploring my options. Thinking about getting out of this shitty town.”
A silence. He risks a glance at his uncle, whose eyes are steady on the road, his hand tight on the wheel. He and Bruce came to Hawkins for work; for better lives than they’d had in Verona County, Kansas. Is Eddie spitting on some legacy here, saying he wants to leave, saying he hates it?
Maybe, but he’s a legacy that hasn’t gotten them anywhere. The trailer park; prison then the ground. Some better life.
Furling Way is thronging with people when they pull up to it. People heading towards the Harringtons’ house in the summer heat, dressed soberly and formally, most likely their church best. Eddie doesn’t own church best. He hasn’t been to a church in years. And he and his uncle are rangy and skinny and perform little regional accents with each other, even Eddie, who was born here but still lives in a trailer that reflects Kansas back at him.
“This isn’t a carry-in, is it?” he says.
“If it is, they’re gonna be mighty disappointed I didn’t bring my famous casserole.” Wayne grins. If he ever held a kowtowing respect for the elites of this town, it’s long since been cast off.
“I’m sure we’re all the better off for it,” Eddie returns, and then together they approach the house.
They’re not alone for long. They’re joined by Andy O’Dell, among other faces Eddie recognizes but couldn’t put names to — working class families, the ones John Harrington isn’t going to want eating his canapes and drinking his wine and spilling their uglier grief all over the manicured lawn. Wayne makes the head of this column. Eddie hangs back, watches them all go in through the open side gate (welcoming, but not really), and thinks of his uncle one day, this shit is going to get you into trouble.
Still, that doesn’t erase the sting of pride he feels, watching John Harrington’s face grow pinched at the sight of them. Yeah, damn right that’s his uncle; and himself, skulking by the wall, watching everyone gather in solemn little circles. They’ve set up a board with pictures of the victims, up by the pool. Another irony there. Eddie lights a cigarette, lets out a residual cough, and scans the yard.
Steve’s not difficult to spot. He’s standing next to his mother, face still a patchwork of bruises, looking tired and only half listening as Helen Harrington talks to some other big Hawkins socialite. No sign of Mayor Kline or his wife, though that’s to be expected. Eddie thinks of the file he found, the photographs he saw. Now that everything’s over again, there are reckonings to be had. But he’s so fucking tired.
“Eddie.”
He turns. It’s Jean Thacher. Oh, fuck, it’s Jean Thacher. Her eyes are puffy and red; she’s clutching Ellie’s hand. Eddie feels the weekend’s headache rise up again and he can’t help but pinch the bridge of his nose. “Hey, Mrs. Thacher. I’m, uh, I’m sorry for your loss.”
Stupid fucking words. No one really wants to hear that, do they? I’m sorry for your loss. It doesn’t mean anything. It means someone’s feeling out the faultlines in polite conversation, looking for easy escape. Except Eddie is sorry; he’s so fucking sorry. Because if he hadn’t antagonized Billy in the workshop–
If he hadn’t done lots of things.
But she gives a wobbly smile. “Thank you. I, uh, I wanted to say, we’re selling the workshop, we’re– we’re moving on. Leaving town. I couldn’t stay here, not after–”
“Yeah, that’s– that’s fair.” He wonders why she’s telling him this.
He doesn’t have to wonder long; “So– maybe whoever buys it, there will be a job for you there, but. I’m sorry we couldn’t help you more.”
Eddie’s face twists against his control. He looks at the ground and grinds his teeth together; he can’t look at her when she says things like that. Charity, or whatever the fuck, like Thacher went from reviling his father and his past to pitying it, to offering it a job. That’s not what Eddie wants to be known for. That’s not what Eddie wants to be doing here, in Hawkins, the kid who carries named baggage everywhere he goes; and Jean reheated a slice of lasagna for him, because he looked sick, and Eddie got her husband killed for it.
“That’s okay,” he mumbles, hating this place. Hating what he’s doing here. This memorial barbecue was a mistake; he seeks out his uncle in the crowd and finds him talking to Hopper, of all people, by the edge of the trees. Hopper could be telling him anything, or in fact very little, because he signed the same NDAs they all did.
“Jean, how are you doing?” Helen Harrington has appeared by Jean’s shoulder, placing a manicured hand on her arm and steering her away from Eddie. It’s elegantly done. Mrs. Harrington doesn’t have to look at him once in order to do it, nor to convey her absolute contempt. It would be funny, if Eddie felt capable of finding anything funny today. She’s pressed and perfect and has something of Steve about her profile, as she sticks her nose in the air, though Steve’s face is currently a mashed-up mess. He’s talking to his dad now, over by the pool. The fucking pool.
Eddie turns in the opposite direction, towards the treeline, towards his uncle and Hopper. Hopper’s still a little beat-up himself, red blotches on his face healing into blue-green bruises. He spots Eddie coming and gives him a nod.
“Hey,” Eddie says. He lights another cigarette. Hopper and Wayne are already smoking theirs.
“Eddie. We’re talkin’ about the fire, the situation with Kline. They’re gonna remove him from office, apparently, and good goddamn riddance.”
“Believe me,” Hopper says, voice gruff, “I agree with you. Couldn’t say anything back then, but I’m not a crony for that guy. He’s a sleazebag, between you and me.”
His confidential tone is working to mollify Wayne on some level. Hopper’s got a steady presence, steadying Eddie, too, where he can still feel Ellie Thacher’s eyes burning into his back. “How’s, uh, how’s Mrs. Byers?”
Hopper drags a hand over his face. “She’s– y’know. It’s tough. Jonathan’s looking out for her. He’s a stand-up kid, I can say that. Where you been this weekend, kid? I think people–” a glance at Wayne “–people have been wondering where you are.”
“He’s spent the weekend coughin’ up a damn lung,” Wayne says for him. “Happens sometimes, when you shower in cold water. Talkin’ of. I should be havin’ a word with Mr. Harrington over there, since that’s his responsibility, the park bein’ his park, after all.”
“Wayne–” Hopper looks over at Harrington, then back at Wayne. “I don’t know if now’s the time.”
“It ain’t never the fuckin’ time. Time works weirdly in this town, ain’t that right? Do I gotta submit an advance permit to see him? Wait three to five working days to get it approved? Jesus Christ, Chief, I ain’t gonna fight the guy. I’m just wantin’ a little fairness in this town. I don’t think that’s totally out of pocket.”
Eddie lets his uncle’s voice wash over him. It’s nothing he hasn’t heard before, though it makes his lips twitch, time works weirdly in this town. He looks out at the trees — trees that held a demogorgon, two years ago, how Steve continues to live here he’ll never understand — and then he hears something.
Nothing in the league of what something usually means. No, it’s the sound of someone retching, just beyond the sightlines of the gathering in the yard.
Eddie leaves Wayne and Hopper behind and creeps through the trees, the sounds of the people behind him fading into a background hum. It doesn’t take him long. He finds her on her knees, bracing herself with one hand against a tree, the other hovering near her mouth: Nancy.
“Nance?” he says.
She whips around, eyes wild. Nor does she especially calm down upon seeing who it is; she’s gone somewhere else inside her head, he sees, somewhere distant behind her eyes. She wipes her mouth with the back of her hand.
“Nancy,” he says again, holding out his hands. “It’s just me. What’s going on?”
She slumps back against the tree. Her tone is faraway as she says, “Eddie, what are you–”
“What am I doing at the Harringtons’ fucking ego project party? That’s a great question.” He sits down in the dirt beside her. Not too close, not wanting to scare her off. “Is your family here?”
“Yep. My mom, and– and they just think it’s so– it’s sad. They think it’s fucking sad.” She laughs thinly. “It’s some sick fucking joke, putting their faces up by Steve’s pool. Like this didn’t all start with Will and Barb, like that wasn’t where all this started and now we just have to deal with that. So many people fucking died and the people who know, the people who did this, they’re just watching us all try to cope with it like– like kids who don’t really understand what death even is. They’re letting us– it shouldn’t be like this. It shouldn’t be allowed.”
“World’s got no rules, Nance.” Eddie runs a hand through his hair and takes a codeine out of his pocket, swallows it dry. He’s only got a couple left. And his shoulder still hurts, and it’s all a tangled mess. “It’s got no– no obligation to be, y’know, fair or just or anything, really, it just is the way the people at the top have made it and we’re down here right in the ditch at the bottom.”
“I’ve just been– I’ve been trying to help. Get people out of the– out of the ditch and– I really thought I could do something. Make some sort of difference. But I got us fired and I said some– some awful, horrible things to Jonathan, and I don’t know if he’ll forgive me or even if I deserve that from him, even though I was– I was just trying. And I killed someone.”
She did. She did kill someone. Eddie should talk to Max about that. But for now–
“And it’s not even– this happens. I make this happen. Steve and I, we killed Barb, we– and now Billy–”
“This isn’t on you,” he says. “It isn’t. If you’re gonna blame someone, keep on blaming the assholes at the top, playing with our lives and not giving a shit about the consequences. You can’t– you can’t do everything, y’know? You’re not in charge of everything. Okay, you fucked it up at the newspaper and that– but that’s okay. I don’t know that there’s really gonna be much of a newspaper left.”
“Yeah. Well. If we– if I think about it too hard, I think Jonathan and I, we– we killed Bruce and Tom. They were flayed already, but– I don’t know.” She sets her jaw. “It’s not even– guilt about that, I don’t know. I don’t know if I feel guilty at all. But I did– I did kill someone. I keep dreaming about it.”
Eddie’s been having dreams too. His knife in the Russian’s thigh. A little to the left and that’s the femoral artery, slick red all over the place. Life leaking out onto asphalt. A killer, suddenly, just like his dad.
“How the fuck did we get here,” he says. “I was talking to my uncle about goddamn school in the car. Miss O’Donnell’s English and The Grapes of Wrath.”
“That kind of fits, though.” Her voice is weary. “Everything works against them at once, the system and the weather. It’s a losing battle.”
“We’re not quite losing it, are we?”
“No. But I don’t– I don’t know if we’re winning it either.”
With an effort, he gets to his feet. He holds out a hand to help her up; she takes it. “You don’t have to stay at this stupid thing, y’know. You can go.”
But she shakes her head. “My mom, she’ll say something. And I can’t– I have to try to be normal about all of this. Because if she asks, I’ll want to tell her, and– I can’t tell her. Because of the fucking NDAs.”
“Because of the fucking NDAs,” Eddie echoes.
So they go back to the yard.
Steve’s finally talking to someone who isn’t his parents, which apparently grants him enough freedom to excuse himself and approach Eddie and Nancy, looking tired and yet effortlessly polished in a button-down, unbuttoned enough to expose a few strands of chest hair. Eddie averts his eyes.
“Where’ve you been?” Steve says immediately. “This weekend, you– you just disappeared.”
“I was sick.”
It comes out pathetic; it is a little bit pathetic. Steve narrows his eyes and looks like he’s debating arguing that point. Nancy says, “Steve, don’t–”
“What? It was– I don’t know. I could’ve done with you being around. The mall, my parents, it’s been– it’s been a fucking trip. And– I don’t know.” His eyes are shadowed; not sleeping well, probably. Eddie feels that same ache in his bones. “Are you okay, man?”
“Yeah. Better now.” The codeine’s kicking in, lightening his head, making the oppressive air just a little more bearable. “So this– what the fuck is this, exactly?”
Steve shakes his head. “I think they’re– they’re trying to get ahead of the issue. Since the government’s blaming the deaths on a fire at the mall, and faulty construction, and so anyone involved in that construction–”
“It’s a convenient way of cleaning up the mess,” Nancy says darkly.
“Yeah. And my parents, I don’t know. I don’t know how much they knew, but– yeah.”
Eddie thinks of the file in the Russian lair. “Hey, Steve, uh, about that, when we were down beneath the mall, I saw this–”
He’s cut off by a shout somewhere behind him. He turns. He sees a face he hasn’t seen in a while, mere glimpses in the grocery store at best all year since last summer, when Janie left, because it’s Janie’s mom. Alice Qu. Long dark hair swept up behind her head, face drawn and thinned-out, the way most people’s are today. She’s the one who shouted. She doesn’t seem to be aware of the crowd quietening down, listening to her as she snaps to the man with her, a white guy with dark hair thinning on top, “–not making a scene. I am asking for people to recognize that justice–”
“Alice,” he says, cutting her off, “please.”
Wayne steps towards them. “Mr. Teller–”
Teller. He’s the foreman at Icex, Eddie remembers; the one Alice is seeing. The one who employed Janie’s dad and then promptly demoted him. Teller looks at Wayne, like warding him off. “Munson, please, let me–”
“No one is acknowledging what’s happened,” Alice says. Her voice trembles. She throws an arm up, gesturing at the pictures of the dead. “You’re acknowledging them, but you won’t acknowledge–”
John Harrington cuts in, low and furious. “Get her out of here,” he says. Somehow, as though his very word can ordain the universe, someone gets her out of here. Eddie watches the crowd fill the space in which she’d been and can’t shake off the feeling there’s something wrong. Something somewhere beyond the crushing weight of everything that has happened already.
Notes:
– object of my desire by starpoint was released march 1985
– 'carry-in' is the east midland term for 'potluck'thank you for reading! as ever, let me know your thoughts below and find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 45: The Boys of Summer (Don Henley)
Summary:
Midmorning, since he hasn’t got a job any longer, he calls Steve. But it’s not Steve who picks up, it’s Steve’s mom, her voice polished and quiet and cool as she says, “Helen Harrington.”
“Oh, uh, I’m calling for Steve?”
“Who is this?”
Notes:
warnings for referenced emetophobia, referenced underage drinking, class issues, drug use, and a panic attack.
(See the end of the chapter for more notes.)
Chapter Text
TUESDAY JULY 10TH, 1985
Eddie can’t get Janie out of his mind. She’s felt like unfinished business ever since his letter was returned, marked undelivered; a loose end out there in the universe, a mystery likely far more mundane than all the shit he’s used to, but hey. A mystery nonetheless. The way her mom pulled away from Teller, Teller’s placatory and inevitably suspicious look. Because that kind of niceness in this town, well, it’s either false or it gets you killed, right? Given what happened to Bob. Given–
Midmorning, since he hasn’t got a job any longer, he calls Steve. But it’s not Steve who picks up, it’s Steve’s mom, her voice polished and quiet and cool as she says, “Helen Harrington.”
“Oh, uh, I’m calling for Steve?”
“Who is this?”
“It’s, uh–” He has to take a quick-thinking gamble that Helen Harrington isn’t up to date with her son’s social life. “It’s Jack Ogden.”
A moment of silence. Then she says, “Oh, Jack, I didn’t know you were back in town. Here, I’ll pass you over. One second.”
One second passes; the next voice to come over the line, reassuringly familiar though equal amounts confused and pissed-off, is Steve’s. “Jack? What do you want, man?”
“Oh, just reconnecting with my old basketball pals,” Eddie drawls.
Steve laughs, color coming back into his voice. “Jesus, man, why’d you say it was– well, okay, stupid question. How’s, uh, how’s college? Indiana State, right?”
His mother’s obviously still listening. Eddie takes the initiative: “Oh, y’know, it’s all good, I’m playing beer pong every night and vomiting into people’s belly buttons–”
“What?” Steve gets out, laughing again. “What the hell, man, that’s totally gross–”
“Just living the college experience. This is what my loan is paying for, dude, it’s totally value for money. Like, they say you’re supposed to drink the shot out of the belly button but they’re so wrong, it’s absolutely for sure the other way around–”
Will he ever get over the sound of Steve’s laugh? Probably not. Steve says, “Jesus, that’s funny. Not sure I want to go if it’s like that every night.”
“Are you kidding? You’d have the debauched time of your life.”
A silence. “Yeah. Well. Not this year, anyway.”
Eddie winds the phone cord around his finger and says, “Yeah, me neither, so. Enjoy our merry little club. I might even get you to play DnD with me this year, huh, Harrington, how’d you like that?”
“I take it back, get me to the beer pong table right goddamn now.”
Eddie finds himself laughing too. Easy to forget the urgency of the morning — and the week, and the year — in the warmth of Steve’s voice over the line. But there’s something, isn’t there? There’s always something. “Listen, can we– can we meet up? There’s, uh, there’s something I don’t really want to say over the phone. Plus something I’m– I’m fucking suspicious about, because it never ends in this godforsaken town, so if we could–”
“Sure,” Steve says immediately. “Where do you want to go? The diner?”
“No, this, uh, this probably shouldn’t be talked about in, like, a booth, y’know, where other people can hear. Forrest Hills Park? If it’s busy we can– we can go somewhere else.”
It’s vaguely unfamiliar that they can’t just hang out in Steve’s house — though Steve’s house is probably bugged, by Russians or Americans or both. Steve says, “Sure,” again, and, “Eleven thirty?”
It’s a deal. (Not a date.) Eddie hangs up and it’s then, only then, that his uncle comes back inside and says, “You were talkin’ to Steve Harrington?”
They stare at each other. Wayne must have been on the porch bench, smoking and soaking up a little of the sun after his shift; Eddie always forgets that the trailer isn’t at all soundproof.
Wayne crosses to the kitchen, leans against the counter, lights another cigarette. Eddie still doesn’t know how to respond. Wayne says, “I didn’t mean to eavesdrop. I’m sorry for that. But I gotta ask you, kid– and I saw you talkin’ to him and to the Wheeler girl yesterday–”
It comes out in a rush. “Yeah, Steve and I are friends, not that there’s really anything wrong with that which means I should be– should be admitting it, or something, he’s just– and he’s not the way you think he is, he’s not what he should be. I mean, I get it, you hear the last name and it’s– but he’s not. He’s not like that, not anymore.”
Wayne scoffs, rubbing his chin. “Next you’re gonna tell me– you’re gonna tell me some shit about how we’re as bad as they are, judgin’ a guy based on what he comes from. That ain’t how it works, Eddie, he might be– he might be nice to you now but these things always get in the way. They always do.”
“Yeah, you say that but that’s not even– you don’t know. I’m sorry, uncle, but you don’t– you don’t know. All the shit that’s happened–” He closes his mouth. He can’t say that. He can’t tell his uncle anything of the shit that made Steve into someone Eddie wants to know — more than that. He’ll have to take it on trust alone. And, well, the trust between them has been degrading steadily for a while. “Trust me, two years ago I was exactly on your side, thought he was totally a douche, and he was, but–”
“Two years ago?”
Eddie scrubs a hand over his face. “Things have changed, okay?”
Wayne shakes his head, expression pinched. “It ain’t none of my business. I know that, and I’m sorry I’ve made it mine, but– I worry about you, kid, I worry about you fuckin’– constantly, I do, and gettin’ mixed up with the Harrington boy–” There’s something deeper in his face. The look he gets when–
Oh. Oh, right.
“It’s not like that,” Eddie mumbles, looking at the floor. His hand finds the back of his neck; he twists his fingers into his hair, an old habit he’s been growing out of. “It’s not– you don’t gotta worry about that.”
Wayne’s eyes, when he risks a glance up, are steady. Concerned, but steady. “Really?”
“Wayne, c’mon, just–”
“I know you, Eddie.”
“I know you do.”
They stand in silent stalemate for a few moments. Eddie can’t bring himself to say anything more — what is there to say? — and maybe Wayne can’t either.
So, at length, Eddie just says, “I’m going out. I’ll, uh, I’ll see you later.” He doesn’t wait for a response, just goes. Stomach queasy and heart pounding, some irrational part of him afraid he might not be welcome in the door when he gets back–
Stupid, ridiculous thought. This is Wayne, and Wayne tries his best, but still. Eddie gets in his van and cranks up last year’s Dio album, The Last in Line, high enough to drown out the skin-crawling awareness that whatever he feels for Steve, Wayne just saw written out pretty clearly across his face. He can’t let that happen. No one can fucking know, despite the way it bubbles out of him, demanding to be heard.
He suppresses the thought — the stiffening pain in his shoulder helps, out of codeine and feeling the sting — and drives the short hop over to Forrest Hills Park.
Steve’s already there, his Bimmer parked up on the side of the road beneath a tree, Steve himself leaning against it with his arms folded over his chest. Eddie parks behind him and gets out, slipping his arm back into the sling — healthy habits, he’s doing healthy habits — as he walks over to Steve. Steve gives him a small smile of greeting and nods to an empty patch of grass. “Over there?”
Eddie follows him over to the grass, eases himself down to sit cross-legged, skin already warm under the sun. Steve stretches out, leaning back on his hands and tilting his chin back. If not for the bruises, he’d look like a model in some summery advertising campaign, all long legs and big hair falling just so.
“Fuck, I’m gonna burn in this sun,” Eddie mutters, looking away from Steve’s thighs, exposed in high-cut shorts.
“Oh, hold on,” Steve says, scrambling to his feet and jogging back over to his car. Eddie watches with idle curiosity as he rummages in the glovebox and then comes back to sit on the grass, dropping a bottle of sunblock by Eddie’s knee.
Eddie picks it up disbelievingly. “You are fucking kidding me.”
“What? Max is ginger, she burns really easily, so I carry it around for when they inevitably make me take them to, like, swim in the quarry or whatever.”
Eddie applies some to his exposed arms, shaking his head. “You’re something else, I swear.”
“I’ve spent enough time with Robin lately to call that a compliment, so. Thank you.”
Robin. Right. Eddie squints across the park instead of answering that one, checking there’s no one nearby — only a couple juniors just out of earshot, a radio beside them carrying Don Henley’s The Boys of Summer distantly across the grass.
“So, uh, what did you want to talk about?”
Eddie looks back at Steve. Steve’s looking at him sort of strangely, holding himself with some tension in his arms despite his relaxed position, like he knows what’s coming. Eddie bites down the part of him that wants to talk about something, anything else, and says, “When we were in the Russian base and I– and I got separated from you guys, I found a file room. And I went through some files, couldn’t understand most of them, but there were some photographs.”
“Oh. What–” Steve, for some reason, appears wrongfooted by this, like he was expecting something else.
“Yeah. Of– of Mayor Kline, and a bunch of the people involved in the mall deal, which includes–”
Ah. Now Steve sees where this is going. “My dad. Shit. Okay, what– what were the photos?”
“Steve–”
“C’mon. I know what he’s like. Whatever it is, it’s not gonna surprise me all that much.”
“It’s him with– other women. Women who aren’t your mom. In, uh, in motels, and–” Eddie closes his eyes and waves a hand. It doesn’t need any more description.
Steve is silent for a moment. Then he says, “So the Russians were blackmailing him?”
“I don’t know. I don’t know what they used the photographs for, if they were blackmailing everyone into this, or if it was just– insurance, in case they tried to back out of a more legitimate deal.” Legitimate. Eddie can’t resist a dry, sardonic smile at that.
“Right. Okay. Well. That’s–” Steve runs a hand through his hair. “Yeah. I don’t really know what to do with that information. Like, yeah, I know, we all know, what he does. My mom– I mean, I’d say she’s keeping their marriage together with spindly thread and a dream but she’s not, really, their marriage is set in stone and if she even wanted to leave I’m not sure she actually could. I mean– I don’t know. Maybe it makes me feel a little better, actually, if I can tell myself he wasn’t working with the Russians just because he wanted to. Not that I’m some big patriot or whatever–” with a loaded glance at Eddie, “–but maybe if he– I don’t know. God. Well, thanks for– thanks for telling me, man.”
“Yeah. Of course.”
The sunlit morning has taken on a dull cast, though it’s still bright and warm; Eddie occupies himself picking at the grass, wondering what Steve might say next, if he says anything at all. It takes a little while. And it’s unexpected; he says, tone light, “I love this song.”
Eddie glances over at the kids with the radio. The song has changed to Freedom by Wham!, which, of course it has — but he can’t help the edge of a smile. “Yeah. I know you do.”
“Is that all you found in the files?” Steve says, voice turning professional.
Eddie blinks, surprised. “Yeah, pretty much, just some– just some personnel photographs as well. The rest was just a bunch of words in a language I don’t read, so.”
“Should have had Robin there.”
“Yeah,” Eddie says, the smile slipping a little. “Yeah, I should have.”
“And you said– you said you were suspicious about something else?”
The smile drops entirely; Eddie remembers his tension of dread from the morning. “Yeah. Yeah, you remember yesterday, with Alice Qu and the foreman from Icex, Teller?” Steve nods. “Mrs. Qu, she’s– uh, she’s Janie’s mom. Janie who was my friend at school, before she moved to China.”
“I remember Janie,” Steve says, an edge to it. “I walked into you guys making out in that smoking spot one time.”
“I– what?”
“What?”
Eddie shakes his head. He remembers it, sure, but it’s faded into utter irrelevancy in his head, the touch of Janie’s lips on his own just for the sake of a corner in school to call theirs, away from all the chaos and drama of the cafeteria and the bleachers. Takes on a different slant now, of course, after the realization that Janie really was interested, and now that she’s gone– “Anyway, I’m– I’m worried. I sent her a letter a while back, months ago, and it got returned marked undelivered. Which, y’know, that happens, but what with what her mom was saying–”
“You think something might have happened.”
“Yeah. I don’t know. And maybe it’s not– weird like the usual weird, but– we didn’t think the Russians were weird like the usual weird at first either. And apparently this is what we do now, right? According to you.”
“According to me,” Steve echoes. “So you want to go over to her house? Talk to her about it?”
Eddie nods. “I– uh, I would go alone, but Teller is my uncle’s boss, and I feel like you–”
“I’d add some– what. Social credibility?”
He winces. “Yeah.”
But Steve doesn’t seem that put out; he shrugs. “Okay. Yeah. I’ll come with you. You want to go now?”
Which is how Eddie’s van ends up leading Steve’s Bimmer up north towards the outskirts of town, towards the rundown little cul de sac Eddie drove up so many times a couple years ago, the route still etched into his muscles. They park and go to the door, exchanging a glance before Eddie, taking a deep breath, rings the doorbell.
Janie’s mom doesn’t take long to answer. Her hair is long and loose around her face, which is drawn. Her eyes skitter over Eddie and then over Steve, standing solidly behind him. For a moment, Eddie thinks she doesn’t know who they are.
“Uh, Mrs. Qu, I don’t know if you remember me, I’m, uh, I’m a friend of Janie’s?”
Her eyes liven. “I know who you are,” she bites out. “Both of you. What do you want?”
What do they want. Well, Eddie’s really not sure. He glances at Steve and then back at Alice, knowing they’ll have to earn their invitation in, pay for it in honesty. “I sent Janie a letter, a bit before Christmas. It got returned marked undelivered. And yesterday, you– she’s still my friend, Mrs. Qu, and if– if something’s happened, y’know, I’d like to know.”
The tension goes out of her narrow frame. She sags against the doorframe and says, voice dull, “I guess you’d better come in.”
The house is unchanged from when Eddie was last in it, when he’d come to pick Janie up to take her to the airport, that bright day in June. They follow Alice down the hallway to the kitchen, where Alice pushes a hand through her hair and says, “You want– you want tea?”
Eddie glances at Steve again and says, “Sure.” They sit at the table and watch Alice move around the kitchen, dispiritedly preparing a pot of oolong, whose herby scent fills the room and takes Eddie back to another time. Then they’re sitting facing each other, the two of them and Janie’s mom.
“I shouldn’t have made a scene yesterday,” she says. “Ronnie, he’s right about that.”
“Ronnie Teller?” Eddie guesses.
She nods. “He’s good to me, you know, but he doesn’t understand it. He refuses to understand it. Not that she ever talked to me that much anyway, we didn’t call all that often and I certainly never wrote, but–”
“What are you saying, Mrs. Qu?” Steve’s voice is soft and careful. He’s good at this, Eddie realizes. Good at being the golden boy, the one you take home to your parents.
“I’m saying– I haven’t heard from Janie in eight months. And I’ve tried, I tried calling her, but she never answered. At first I thought her father had poisoned her against me. It didn’t surprise me, and I told myself– I told myself she’s a smart girl. She’ll come back to me when she’s ready.”
“But she didn’t,” Eddie says quietly.
“But she didn’t. And now– I tried to contact her father. I heard nothing back. I think he’s gone too, and I don’t know what to believe — if he’s taken her somewhere, if he’s not letting her contact me, if something’s happened to both of them–”
Eddie takes a sip of his tea. It burns his tongue and he looks down into the glassy surface, the mug not feeling real, the kitchen not feeling real. Janie, missing. Actually missing. Missing a whole world away and there’s not anything they can do about it, is there?
Steve’s hand lands on his arm. He startles at the touch, staring at Steve, whose cheeks color, but he doesn’t retract the hand. Alice doesn’t seem to notice.
“Can I– um. Can I go up to her room?”
Alice blinks at him. “If you like. She cleared most of her things out, but I haven’t touched it.”
Eddie and Steve go up to Janie’s room. It’s not even like a place haunted, exactly, more like a place long dead and never to rise again. An empty husk of a life he lived, once upon a time, before a monster took Will Byers and a different sort of life began. Most of Janie’s things are gone, though she’s left a couple photos and her Joan Jett poster on the wall, like something defiant.
“This is fucked,” Steve says, leaning in the doorway. “This is– I’m sorry. Jesus.”
“Yeah,” Eddie says. It gives him vertigo, standing in the middle of this skeletal, deconstructed room, but he can’t bring himself to turn his back on it just yet. Maybe now, he thinks, maybe now that I know you’re missing, you’ll have to come back. That has to be how it works. “You know she– it turns out she liked me, back in the day? Which feels, y’know, it feels totally ridiculous, given–” He falls silent. “But she was never a dick about it.”
Steve doesn’t say anything. His quiet is impenetrable, inscrutable, totally fucking strange and Eddie wishes he could understand it, just this once. But he can’t. Instead, he moves further into the room and looks at the photographs. There’s a couple with him in, shots taken of Hellfire for the yearbook and otherwise, just for fun, often Gareth’s pretty mom with that suburban proud-parent readiness with a camera. There’s one just of the two of them, taken at a candid angle in someone’s city apartment in Indy. He’s smoking out the window, directing her a sideways grin. He doesn’t remember it being taken, and he’s never seen it before. She kept it for herself.
The thought makes him feel worse, and he flicks his eyes away to another photograph. Janie and her dad, taken before he left. He peers at it, her dad’s face familiar, his arm draped easily around Janie’s shoulders, his face familiar, his face familiar–
“Holy fuck,” he says.
“What? What is it?” Steve says sharply, coming to join him by the wall. “What are you–”
“Holy fucking shit, this– oh my god. Oh my god.” Eddie digs a hand into his pocket and fishes out the crumpled file he took from the Russian base. He’s taken to carrying it with him, in the paranoid-not-paranoid fear that anyone could be spying on the trailer, anyone could go through his things. “Look.”
Steve’s eyes move from the personnel photograph to the family photograph and back again; his own jaw drops. “Is that–”
“Janie’s dad? Yes. Yeah. It’s Janie’s fucking dad.” Eddie lets out a breathless, bitter laugh, and runs a shaky hand through his hair. “I really don’t– fuck. Fuck.” He feels his knees go to water beneath him; he lets them fold him to the floor. His heart is racing, ears threatening to ring. He’d rather not have a panic attack in Janie’s abandoned childhood bedroom, but then again he’d rather not have them anywhere, and Steve is kneeling before him and he looks so kind, even with that beat-up, pretty face. Eddie chokes down the rise of nausea in his throat and breathes through the clogging pain in his chest. He gets out, with an effort, “I can’t decide if this is– if this is better or worse.”
Steve frowns. “What?”
“This being– this being what it usually is. What everything strange in this town is. Her dad– her dad’s involved with the Russians, right, so that has to be why she’s– why she’s missing. And I don’t know– I don’t know if that’s better or worse. Because it means it’s bad. But it also means it’s– the kind of thing we’re, for some ungodly reason, good at.”
“I don’t know if we’re good at it,” Steve admits, passing a hand over his face. “But– yeah. I guess– I don’t know. Fuck, Eddie, it doesn’t ever end, does it?”
“No. I guess it doesn’t.”
They sit in silence for a while as Eddie gets his breathing back under control. There’s still a burning behind his eyes, the urge to cry, but he pushes it back down. He can cry later, maybe. Not in front of Steve.
Eventually, Steve says, “We need more information. If we’re gonna do anything about this. Right? Like, all this–” He gestures to the writing on the file, all in Russian. “It might give us more information.”
“So we need someone to translate it.”
“We can take it to Robin,” Steve says immediately.
Eddie could have seen that coming a mile off. He says, “Yeah, I mean, she can help, but it might be, uh, it might be faster if we just go to someone already fluent.” Steve’s face dims. “I don’t– Steve. She’s a genius. I know she’s a genius. I’m just saying we’re– we’re all in over our heads here, and we’re just kids, really, and the last time we tried to do everything by ourselves you got tortured by the KGB, so–”
Steve’s eyes cloud over at that. At length, he nods. “Yeah. Okay. You– you want to go to Bauman? I think he’s still in town, hanging around aimlessly at the Byers’ house. Says he’s helping out, or whatever.”
“Yeah. That sounds good. And maybe– I don’t know. God, the idea of trusting anyone like Owens with this, I don’t–” Eddie laughs thinly. “But it’s not like we can go to Russia, right?”
Steve laughs too. “I don’t know, I can imagine us parachuting down, wearing all black. Drinking Vesper martinis in a Soviet cocktail bar.”
“Shaken, not stirred.” Eddie lets his smile wane. “I mean it, about Robin. She is a genius, I just– I need this to be–”
“It’s okay,” Steve says quietly. “I get it.”
When they go back downstairs, they hear voices from the kitchen. Teller, Eddie recognizes, talking in a low, insistent tone. He’d rather just leave, but it would feel like one cruelty too far, so he lingers in the doorway, unable to help overhearing their conversation: Teller, chiding, saying, “It’s no good for you, always worrying about her. You said it yourself, she’ll get in contact when she’s ready.”
“How many times do I have to say it, I don’t believe that she’s just not answering me anymore? That has to be something else. There has to be something. And Eddie, her friend Eddie–”
Teller seems to sharpen. “What–”
Eddie has no desire to hear what Teller might say about him. He clears his throat and enters the kitchen. Teller’s eyes land on him with a cool, speculative look. Then he looks beyond Eddie, at Steve, and his gaze does something Eddie doesn’t want to understand. “Thanks for the tea, Mrs. Qu, we’re, uh, we’re gonna head out.”
She nods distantly. Teller is sitting close to her at the table, a hand on her knee. Something about the position puts Eddie in mind of a spider. Perhaps there’s more to be learned, but this is enough to make his nerves — already shot — ring with unease, so he gets out while he can still hear anything above his pulse in his ears.
“You okay?” Steve says, catching up with him by his van. “That guy– I don’t know. He’s–”
“He seems like a creep,” Eddie says distantly, eyes on Janie’s (not Janie’s anymore) house. “But I can’t– fuck, all this shit has my intuition shot to pieces. I can’t tell if he’s really– really just a creep, like, an ordinary creep, the way men in this town often are, or– something worse. Y’know?”
“I know.”
Eddie exhales through his teeth. “Okay. The Byers’?”
“The Byers’.” It’s become something of a common refrain. They each get in their vehicles and drive off; Eddie follows Steve this time, to the tune of the first of the Dio album’s b-side, One Night in the City. And then they’re pulling up outside the Byers’ squat brown house, a place Eddie hasn’t been since ‘84, he realizes with a strange twist. When he’s hung out with Jonathan, it’s invariably been elsewhere. Diners, parks, parking lots in their cars when the weather was cold and they couldn’t afford to buy anything. It looks about the same. Jonathan’s dying Ford LTD is parked in the driveway, but Joyce’s Pinto is nowhere to be seen. If Bauman’s in, he doesn’t have a car.
It’s Jonathan who opens the door. He looks between them tiredly and says, “What’s happened now?”
“How I’d love to say, for once, nothing,” Eddie says. “Unfortunately–”
Jonathan opens the door wider and lets them in. The front room is empty, though there are sounds coming from the kitchen, plates and pots banging. Eddie sits on the couch without prompting, still weak, head a little fuzzy, and lights a cigarette. Steve sits down heavily beside him and Jonathan crosses his arms over his chest. “Where’ve you been?” he says.
“I’ve been–” Eddie waves a hand, cigarette pinched between his fingers. “I’ve been sick.”
“He’s not kidding,” Steve adds. “Don’t worry, I’ve had the argument with him already.”
“Hey, being sick isn’t his fault,” Jonathan says, almost reflexively, like it’s just second nature to disagree with Steve.
“No, but not calling us to help is.”
Eddie looks at Steve, who’s got this perfectly innocent, again inscrutable expression on. Whatever it means, well. They’ve got bigger things to worry about right now. He takes out the file again and says, “We need someone to translate this.”
Jonathan frowns at it. “More Russian? Why?”
“I don’t know if you, uh, if you remember Janie–” Eddie breaks off.
Steve takes over. “Eddie’s friend Janie, she graduated last year and went to China but then she disappeared, along with her dad. And that’s her dad.”
Jonathan’s eyes go wide. “Shit, okay, uh, Murray?” he calls, and Murray pokes his head out from the kitchen. He’s wearing an apron and holding a wooden spoon. “Russian translation required?”
Murray steps out of the kitchen and doffs an invisible hat, twirling the spoon in the air as he mock bows. “At your service, as usual. What seems to be the problem?”
Notes:
– forrest hills park is the park jonathan and nancy suggest to barb's parents when they're trying to entrap owens in s2
– dio's album the last in line was released july 1984
– don henley's the boys of summer was released october 1984
– eddie and janie's platonic kiss is referenced in the very first chapter of this fic
– vesper martinis are james bond's drink of choice, first introduced in casino royale, published in 1953thank you for reading! as ever, let me know what you think below, and you can find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 46: Everybody's Gotta Live (Love)
Summary:
There’s a silence. Eddie’s concentrating very hard on his cigarette. Steve says again, “What the hell are you talking about, man?”
Murray raises his hands. “Nothing that’s any of my business whatsoever.”
Notes:
warnings for underage drinking, class issues, and internalised homophobia.
(See the end of the chapter for more notes.)
Chapter Text
TUESDAY JULY 10TH, 1985
Murray takes his time examining the file. Squints through his double bridge glasses at it and gives an overall convincing impression that he can’t speak Russian at all. Just when Eddie’s on the brink of getting up and snatching it out of his hand, he looks up and smiles grimly. “You said this is your friend’s father?”
“Yeah.”
“Well, I can say your friend’s got herself into quite the sticky geopolitical situation.”
“What does that mean?” Steve says, leaning forward on the couch. His shoulder brushes Eddie’s as he does it.
“It means, resident jock in our midst, that I believe she and her father currently reside under the protection of the KGB. That’s the Komitet Gosudarstvennoy Bezopasnosti, the–”
“We know what the KGB is,” Eddie bites out. “How do you know that?”
“This file here, it tells me three things. It tells me that Qu Qiangguo — or Qiangguo Qu, depending on how you anglicize it — first worked for Brimborn Steelworks, until it closed in 1981. Why it closed, the file doesn’t say; it also doesn’t say why, when he interviewed and was employed at Icex, presumably Brimborn’s replacement, his employment was terminated again only a few days later. Secondly, it tells me that the Russians appear to have been watching him ever since. Which, third, signifies that whatever’s so special about Hawkins to attract nightmares of the interdimensional kind, Mr. Qu had something to do with it. Meaning the steel industry thing was probably a cover. Maybe he was associated with the Lab; maybe the Lab had its sticky tentacles in Brimborn and Icex too.”
“The Mind Flayer used Brimborn as its base this time,” Jonathan says slowly.
“My uncle works at Icex,” Eddie says. His throat is dry. “One time, back when Will was missing in ‘83, I drove him over there and there were a bunch of Hawkins Power and Light vans, guys checking people’s IDs. They locked the place down.”
The room settles into silence. No one wants to hear that, he understands, but he had to say it anyway. That the conspiracy might go beyond the Lab, a known quantity in its menacing isolation in the woods. Icex still operates; people like Eddie’s uncle still go to work there every day.
“Jesus Christ,” Steve says, scrubbing a hand over his face. “This fucking town.”
“This fucking town,” Eddie repeats, letting himself slump back into the couch cushions. Jonathan goes into the kitchen, shaking his head, which, fair enough. They’ve all had a big fucking week.
Murray settles back into the other chair and steeples his hands beneath his chin. “I’ll talk to Jim and Joyce about this. But it probably bears waiting until things have calmed down a little bit more, vis a vis funerals and general small town wellwishers.”
“And Janie?”
“I’m afraid the KGB is rather beyond my own powers of espionage.” For what it’s worth, despite the snide cast to Murray’s voice, he does sound genuinely apologetic. “If he’s as significant to them as the evidence would indicate, they’ll be well taken care of. Oh, they’ll be freezing cold because Russia is an icy death pit that repels invasion simply by snowing a lot, and they probably won’t be allowed jeans, and they’ll drink only vodka, but, hey, you can’t beat Russian vodka.”
Eddie laughs a little hysterically. “Jesus Christ. I can’t believe this. Y’know the one thing I was grateful for? When Janie left? It was that she wouldn’t be involved in all this shit. And now she’s been kidnapped by the Commies. Fuck.”
“Well, that’s certainly left me in need of a drink. Anyone else?”
Steve blinks. “It’s the middle of the day.”
“Yes. And in Moscow, it’s just about cocktail hour.”
Eddie digs his fingertips into his eyes and then shakes his head. “Yeah. Fuck it. Jesus Christ.”
Murray goes into the dining room, returning only a second later with an unopened bottle of Stoli. At Steve’s raised eyebrow, he says, “Worry not that I am plundering Mrs. Byers’ liquor stores. I bought this myself this morning to replenish the supply, after we finished the Smirnoff and the Southern Comfort last night.”
“‘We’?”
“Myself, Joyce, Jim, and Jonathan.” Murray leans towards the kitchen: “Jonathan, would you like some vodka?”
Jonathan replies in the negative, sounding a little green at the thought. “Southern Comfort,” Eddie echoes with disgust.
Murray shrugs, fetching three glasses. “Beggars, as they say, cannot be choosers. It got the job done. The job being alleviating this general state of misery we find ourselves in.”
“I can’t believe Joyce allowed–”
Murray’s mouth pinches. “I believe Joyce currently has larger worries than the state of her underage son’s liver.”
Steve waves a hand. “Fuck it. Give me some vodka.”
“And now, Steve Harrington, we are talking.”
Murray shares out the glasses. It’s viciously strong, its rough kick throwing Eddie into a momentary fantasy that right now Janie could be drinking the same stuff, standing in some cold Soviet apartment watching the same sun set.
“So. Commies.”
“What?”
“You said,” Murray says, looking at Eddie, “Commies. Your friend has been, and I quote, kidnapped by Commies.”
“I mean, yeah, isn’t that what happened?” Steve says. Eddie doesn’t say anything, watching the devious, clever thing behind Murray’s eyes.
“Well, no, not quite. All depends on terminology, doesn’t it? Now, from what I know of our friend Eddie Munson, here, if you’ll forgive my momentary voyage into McCarthyism, of anyone, he’s the least inclined to use such a derogatory diminutive for the politics of the great or not so great USSR of all of us, am I correct? Since your uncle’s beliefs are well-documented, and I can’t imagine your own diverge all that much, unless it’s a teenage rebellion thing. Or do you use the term Commies affectionately?”
Eddie looks into his glass, swills the vodka around. “How do you know my uncle?”
“I’m a journalist. Well. Was a journalist. Also a private detective. And last year I made it my business to discover exactly what went on in this town in November 1983; not that your uncle was involved then, but I’ve been keeping an eye on this town ever since. And his name has come up, hasn’t it?”
His name has come up. And it makes Eddie feel ill, suddenly, and he sets his glass down to light a smoke. Steve says, beside him, “What’s the point of any of this?”
“Ah, see, that right there is precisely the point.”
Eddie and Steve both look at him, sitting there in the armchair with an empty glass of vodka. Cultivating some mysterious, all-knowing look beneath his glasses and beard and bald head. Eddie’s not sure he likes where this is going; whatever Murray recognizes in him, it’s not going to end well.
Murray tops up his glass and smiles. A drop of vodka sloshes onto the coffee table. “Come now, must I be treated to ignorant oblivion day after day…”
“What is that supposed to mean?” Steve says. He’s drained his glass too, but he pulls it back when Murray offers him some more with a wave of the bottle.
“It means, you’re Steve. Nancy told me about you, y’know. Steve Harrington. The respectable one. The moneyed one, the one who benefits from being the trickle, rather than the down, of Reagan’s trickle-down economics, the one in whose parlance the word Commies really belongs.”
There’s a silence. Eddie’s concentrating very hard on his cigarette. Steve says again, “What the hell are you talking about, man?”
Murray raises his hands. “Nothing that’s any of my business whatsoever.”
No. It’s not. And yet Eddie feels uncomfortably seen, uncomfortably noticed, anyway. When he risks a glance at Steve, Steve is looking into his empty glass, expression unreadable. There’s no way he understood it from that, is there? No fucking way. Not with Murray talking in enigmatic half-sentences like a madman.
Still. Something’s gone curdled in the air, and after a moment Steve twitches to his feet. “I should probably get home,” he says. “My parents–”
“Of course,” Murray says airly, waving a hand. “Mustn’t disappoint the parents.”
“Eddie–”
“Thanks for coming with me to Janie’s,” Eddie says, like that covers it. Steve gives him a searching look — again, not one he understands — and then leaves. Eddie stays sitting where he is, though Murray’s look is burning a hole in his skin and anything he is, if he is anything, he thinks Murray already knows.
Indeed, after a moment, Murray says, “Don’t worry, if it helps, you’re not so transparent as you fear you are.”
Eddie holds his glass out. Murray tops it up with vodka. “No?”
“No. You’re intelligible to me, of course, but that’s only because of my superior powers of deduction and also because I know what I’m looking at. You’re not the first gay guy with a hankering after something he doesn’t believe he can possibly have, you know.”
The words are spoken quietly, but they ring out in the Byers’ living room anyway. Have they ever been spoken in this house? Not that Eddie’s aware. He remembers a time, years ago, sitting here on the couch and watching M*A*S*H, the episode with George who said the word homosexual on television and made Eddie feel like the walls were caving in. How far has he come since then?
Far. Not far enough.
“How did you–”
“I told you. Brilliant powers of deduction.” Murray grins. “Cheers to that, then, huh?”
Eddie numbly raises his glass. He hopes Jonathan didn’t hear that. But then again — well. He feels strangely confident that Jonathan, of anyone, won’t actually care. Jonathan who’s got bigger problems. He wonders if Jonathan’s having dreams about killing Bruce and Tom, the way Nancy is. If they’re dreaming the same dreams in different beds.
After a while Murray goes into the kitchen to finish baking his cookies. He’s playing what could be one of Joyce’s or one of Jonathan’s cassettes, Reel to Real by Love. Jonathan’s reading Vonnegut at the table, Breakfast of Champions, back hunched. Every so often he shifts, like it’s causing him pain. Eddie leans in the doorway and smokes for a while, until the front door opens and Will enters the house, not stopping to talk but going straight to his room and closing the door.
“He okay?” Eddie says.
Jonathan shrugs gloomily, then winces. “I don’t know. He’s been– quiet, ever since everything happened, not that I blame him. It’s weird with his friends, with Mike, I don’t know. I’ve tried to talk to him, but–” He seems to sense something in Eddie’s face. “Go on, give it a try, I don’t know. I don’t know what any of us are doing.”
Eddie nods and goes down the hallway to Will’s room. His first knock gets no response; his second, accompanied by a hey, it’s Eddie, gets him a quiet, “You can come in.”
He goes in. Will’s sitting on his bed, turning a cassette over in his hands — it’s the mix Jonathan gave him in ‘83, Eddie recognizes, the one from the hospital. He looks at Eddie with this world-weary expression that no fourteen year old should bear, an expression far too old for his face.
Eddie sits on the carpet and says, “What’s up, kid?”
Will sighs and picks at the corner of the label on the cassette. “It’s not important.”
“Really? ‘Cause I think, out of, uh, out of all of us–”
“That’s just it. That’s just– because I’m the one who can sense him. I’m the one with this weird awareness lingering at the back of my mind all the time, I’m the one who caused all of this by getting lost in the woods a few years ago.”
“You didn’t– you didn’t cause this, Byers.”
“No. I don’t– that’s not even the point, anyway.”
“What is the point?”
“The point is– it’s stupid. Because of all of that. Because I’m all of that, and also–”
Oh. Eddie gets a dawning realization, one that has him wanting to inch a little closer across the floor, though he doesn’t, reluctant to scare Will off. Funny that the same conversation should happen twice in this house today.
“Also–” Will looks down at his hands.
“Will,” Eddie says seriously. “You know– you know it’s okay, right? You know it’s okay to worry about things that aren’t– that aren’t the end of the goddamn world. Things that you don’t want anyone else to know about and they, uh, they seem to know fucking anyway, for reasons you can’t understand.”
Will looks up at him, eyes wide. He doesn’t say anything for a moment. Then he lies back on the bed, staring at the ceiling, and says, “Mike said to me– Mike said to me, it’s not my fault you don’t like girls.”
A silence. “Shit,” Eddie says.
“Yeah. Shit. And I don’t know what– I don’t know how he knows, if he knows at all, if it was just some stupid comment that I’m being stupid about because that’s– that’s all I can think about right now, the stupid shit, even though Bob just died and I hear my mom crying at night and the thing’s still there, waiting for me, in the back of my head. I just– see Mike and El together and–”
Aware of his own hypocrisy, he says, “Yeah. I know, uh, I know how that feels. Jesus. Shit, Byers, you’re allowed to think about this. You have the right to think about whatever you want.”
“Am I?”
“Yeah. You are.”
Will sits up and looks at him. There’s a little flush coloring his cheeks. “Thank you. For– uh. Noticing. I guess.”
“Nothing to it. Just know what I’m looking at, that’s all. Gay in a small town, huh? You– uh, I mean, I know you’re into actually good music, when you can get away from your brother’s depressing infatuation with post-punk, but have you heard of Bronski Beat?”
“A little. Not much, I don’t know.”
“Smalltown Boy?”
“Maybe.”
“Well, yeah. Check out Smalltown Boy. Not my scene musically at all, but it’s got this– energy about it, this feeling, I don’t know. You’ll like it. Hell, I’d say I’d buy it for you with my Sam Goody employee discount, but–”
Will smiles for the first time. “Right. Burnt down in flames, et cetera, et cetera.”
“You’re a good kid, y’know. Though you may not feel that way right now.”
Will ducks his head and looks at his cassette again. “Thanks,” he says again, with another soft smile.
WEDNESDAY JULY 11TH, 1985
Bob’s funeral takes place under a sun so scorching Eddie feels faint, standing there in ratty funeral black close to the back of the crowd. Joyce is up at the front with Bob’s parents, come all the way from Maine, short people with faces that appear more suited to cheeriness than grief, but hey, desperate times. There’s a eulogy involving a painful summary of his ‘heroic’ actions in the mall fire and the senseless tragedy of his death. It’s almost true. And that, the almost truth, is what makes Eddie curl his hands into fists and dig his fingernails into his palms, what makes Joyce’s face, pinched and stony and tearless, into a cold, furious mask. She looks hollow. Washed out by her black dress, probably the same one she dug out for Will’s funeral, before.
Steve’s standing next to Eddie at the back. He keeps scratching at the back of his neck, like he’s uncomfortable, or else just hot. Eddie can feel the sweat running down his own nape, under his thick mess of hair. He tried to tame it for the occasion, really he did. He’s got Thacher’s funeral tomorrow.
When they’re done standing in the sun, and they’ve done the cursory chewing of tasteless sandwiches at the wake, they all go back to the Byers’ house by default. Will pours out some lemonade, while Murray — whose eye Eddie can’t really bring himself to meet, from where he’s sitting on the floor next to Steve — busies himself with pouring burningly strong spirits for the adults into mugs and glasses as Hopper stands at the head of the room and clears his throat.
“This isn’t gonna feel like the best of times for me to be saying this,” he says. He looks at Eddie and Eddie swallows, bracing himself for the oncoming guilt. “But Eddie told me about something he found in the Russian base last night, and while we’re all together I think it’s a good idea for me to let you all know about it now.”
“What is it?” Max says. Her eyes are dull, her hair unwashed. She’s got Billy’s funeral to go to, hasn’t she?
Eddie looks at El, sitting in the chair next to her with her leg propped up. She looks tired, resigned. So Hopper’s told her, then — told Joyce and Will and Jonathan too, by the looks of things. Eddie hadn’t wanted to go to Hopper first. Didn’t seem fair, when it affected El and Will the most, but Hopper had come into the house right as Eddie was leaving yesterday and, though his head was full of Janie, he knew he couldn’t let it go.
He says, “I found, uh, I found surveillance photos of Will. El was in the background of some of them.”
“What the fuck?” Nancy says, sharp. “So that means–”
“The Russians have been interested in the Upside Down for a while.” Hopper rubs a hand over his chin, where his beard is beginning to grow back in, prickly, and glances at Joyce. “Which includes Will. And now that the mall’s been destroyed, they may want to try something else.”
Something else. Well. They all have an imagination; to some degree, it doesn’t need an imagination. The silence rings in Eddie’s ears. On some level he’s known what this means since he first saw those photographs, way down underground.
It’s Joyce who says it. Hoarse and weary. “We have to leave town.”
“What?” Mike’s voice climbs in pitch. “You can’t– what do you mean?”
Hopper takes over. “I’ve talked to Owens. There are ways we can keep ourselves safe, leaving here, some sort of witness protection. Keep El and Will safe above all. We’ll leave together, safety in numbers, and go somewhere the Russians and the government can’t find us.”
“The government? But Owens is–”
“Owens is working alone.”
Eddie remembers Chicago, remembers the interview room and Blass’s frozen face. Owens was working alone then, too, wasn’t he?
Steve, next to him, looks fraught and grim. Robin’s in front of him, knees pulled up to her chest. She lays a hand on his shin and then takes it away just as quickly, eyes darting to Eddie with a brief look of panic, something like fuck I forgot I’m supposed to not be giving him the wrong impression–
No one says anything for a long time. There’s nothing to say, really, just the renewed awfulness of their situation. Hopper, El, and the Byers have to leave. It’s as simple as all that.
Eddie’s been running on autopilot, numb, for a good while, even though the codeine ran out a day ago and his aches are realer now. Pain, he can focus on. Pain’s easy. But this–
The group disperses into taut little corners, muttering, chattering, desperately trying to stave off the obvious and inevitable. When no one else notices — no one but Eddie — Max sidles out the back door, screen door banging behind her in a way that only Eddie picks up on, of course, because at any given moment his brain is three places across a room at once.
He picks himself up and follows.
He finds her picking her way through the woods, not looking back once, like she has no intention of returning. Maybe she’s going to walk to Illinois, the way Hopper and Joyce and Bob (!) did. Her hair a bright fiery spot in the woods’ lush green.
“Max,” he calls. She doesn’t turn, but she stops walking. She’s got her hands buried in the pockets of her jacket, though it’s unpleasantly hot outside, the air damp with humidity. The action reminds him of his own jacket, the one he left in the Russian elevator. Burned, probably, in the fire the government set. Along with his keys and his wallet and the patches he sewed on it — another loss that will hit him hard, probably, when he’s got time.
“What,” she says. Voice hard.
He walks around her and leans against a tree, facing her. Lights a cigarette. He realizes belatedly as he’s tasting it down his throat that it’s the Laikas that he brought out, the two that were left in the pack. “I don’t know that you should, y’know, be out here on your own.”
“No? Everything’s over, haven’t you heard? And no one’s in danger except El and Will, so.” She stares furiously at the ground. “Can I have some of your cigarette?”
“I don’t–” He stops. Balances what he knows about being a responsible babysitter (from, like, television. God knows he’s never had a good role model in that respect) with the way he had his first cigarette at ten. “I mean, that’s not really–”
“I have my own.” And, sure enough, she’s taking out a pack of cigarettes from her pocket, Marlboros. At his look, she says, “They’re Billy’s. Were Billy’s. I just thought maybe you’d be less weird about it if you thought it was, like, my first one.”
Eddie watches with distant dismay as she lights up her cigarette. Her finger fumbles the catch of the lighter a few times, but it’s hard to tell whether that’s inexperience or just because her hands are shaking, which they are. Shaking. He can’t say he blames her. “Feeling– what. Nostalgic?” he says. It’s the wrong word. He can’t think of any other way to put it.
She takes the cigarette out of her mouth, coughing a little on the smoke, and says, “Something like that.”
“How is it? At home?”
“I think Neil’s gonna leave.”
“Neil being–?”
“Billy’s dad.”
“Ah.”
“Yeah. I mean, we only moved here because of– because of this shit that went down with Billy, in California. He beat this kid up, like, really badly, sent him to the hospital, and I– I mean, I just wanted to help, I didn’t want this guy to die, so I went and told a teacher, got someone to call an ambulance– and then he got kicked out of school. So the idea was we needed a– a fresh start. Whatever the fuck that means. Of course, he blamed me for that. Billy did. I guess on some level if I hadn’t told–” She shakes her head. “I don’t know. But Neil has no other reason to be here, really. Like, I think he loved my mom at some point, but I don’t know. Things are so fucked.”
She delivers all this in a dull, dry monotone. The tone that means she’s reckoning with the thing in the only way she can, which is not at all. Eddie knows the feeling. He says, “Don’t blame yourself for this. Please. Life’s shit enough already, right?”
“Yeah. It is.” She shakes her head. “And Nancy–”
It comes out before Eddie can stop it: “Don’t blame Nancy either.”
“I’m not,” Max snaps. Then she closes her eyes, tone weakening. “I mean– I’m trying not to. I’m trying to think about all this logically, in terms of, like, what actually happened and why that happened and all of this– chain of cause bullshit, but sometimes when I see her, y’know, around town, or at stuff like this, all I can see is her– her with her gun, doing the thing she had to do but the thing that made– that made everything worse. Even though he needed to be dead. Even though he–”
The cynical veneer cracks. She hides her face behind her hands, the cigarette held absently. He’s half afraid she’ll drop it on herself, burn her clothes. He says, “I mean, I think what’s so fucked about this situation generally is all the shit that needed to happen. Right? Like, it turns us all into people we– we don’t want to be.” He thinks of the stab of his knife into the meat of the guy’s thigh. Painfully easy, easier than expected. It’s different when it’s people. It’s very different.
“That’s the problem,” she says. Voice barely audible. “I don’t know what Billy wanted to be, exactly, but what the– what the Mind Flayer turned him into, I don’t know that that’s– yeah. I feel like it wasn’t that different, in the end. Jesus Christ. And I hate myself for that, y’know, because it sounds like I’m making it okay that she killed him– and saying that, too, she killed him, like, how do I even have the right to say that, I don’t, and it’s so– god. It’s so fucked.”
“It’s so fucked,” he agrees. The Russian cigarette is rough on his throat.
“And El’s leaving. El and Will are leaving. And I don’t want them to leave.” This comes out small and plaintive; her cheeks color at the sound of it (ginger, blushes easily) but she says nothing to correct it. It’s true. It sucks. It’s kind of Eddie’s fault, too, if they’re going to get into the whys and wherefores of the thing. So much is so many people’s fault. He’s never felt more powerless and also more responsible.
“Yeah. I know, kid, I know. Who knew we’d be right in the middle of the Cold War, huh?”
She smiles thinly. “Who knew.”
At length, they go back inside. There’s little else to say. (Eddie’s been finding that a lot, lately.) The group disperses, with a vague plan to congregate the next week to help with clearing out the ruined cabin. Eddie’s eyes are on Steve when he agrees, remembering the time nearly two years ago when he got roped into DIY and things went sideways, even as the same carpet they laid down is still evident on this house’s floor. Even if it feels like this time they’re not repairing something but rather preparing it to be broken anew — because they can’t leave, can they? They can’t leave. That’s not something that’s fair. That’s not how this goes. Not now, when Eddie’s only just pushed past what he was so sure Joyce had told him, when he’s remembered what he can be for kids like Will and El despite being pretty much nothing else — when he’ll miss Jonathan.
He’ll miss Jonathan.
He hangs back as everyone’s leaving. Jonathan leans against the wall with a cigarette in hand, staring at nothing, and he looks through Eddie when Eddie comes to join him. Blank and lost and resigned.
“This is happening, isn’t it?” Eddie says, voice quiet.
“This is happening.” Jonathan pushes a hand through his hair, shoulder moving stiffly. Eddie knows the feeling. “Things just keep getting worse, huh?”
“Things just keep getting worse.” That’s all they can do, it seems, just go around in circles repeating each other. Eddie watches Nancy disappear out the front door without a backward glance and says, “You and Nance, is that–?”
“Oh. I don’t know. I don’t know what we’re doing, she’s so– not that I can blame her. Really. For pulling away, needing some– some space. After what happened. And, like, it’s not like we were on the best of terms anyway, so. But space, well, we’re about to get a hell of a lot of it. I don’t know. I don’t know how that’s gonna work. I mean, I was listening in to Hopper and Murray last night, and from what it sounds like, they’re not even gonna trust Owens with the location. Which– it makes sense, I guess. The government’s been out to screw us from the beginning, even if Owens isn’t that bad. But if they’re not even trusting Owens with it–”
“Then contacting you guys is gonna be impossible,” Eddie finishes softly. Fuck. He hadn’t thought about it. This is a modern world, after all. Everyone’s only a phone call away. Except–
Except now. Except them.
Notes:
– southern comfort is a notoriously controversial whiskey liqueur, invented in 1874
– mccarthyism was the persecution of suspected communists in the us from the 1940s to 1950s
– reel to real by love, including a cover of the song everybody's gotta live, was released in 1974.
– kurt vonnegut's breakfast of champions was published in 1973, dealing with themes of free will and socioeconomic oppressionthank you for reading, as always! let me know your thoughts below, and find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 47: Rock and Roll (Led Zeppelin)
Summary:
Thing is, Gareth doesn’t really know what it’s like, and he knows he doesn’t know, and that’s disregarding all the supernatural bullshit they can’t tell anyone about — it’s more the painful realities of a one-bed trailer and a protest-loving uncle who works nights. Even his accusation, here, is leveled with a fair balance of guilt.
“I’m sorry, man, I don’t wanna– I just. I miss how it was before, y’know? When Janie was still around most of all.”
Notes:
warnings for classism, drug use, discussions of AIDS and its stigma, referenced panic attacks, period typical homophobia, and emetophobia.
(See the end of the chapter for more notes.)
Chapter Text
FRIDAY JULY 13TH, 1985
Friday 13th. It’s a bad omen, isn’t it? Friday 13th sees him stunningly late swinging into the parking lot of the Hideaway, Wasted Sunsets by Deep Purple up mournfully loud. The day before, Eddie went to Thacher’s funeral. Stood under the baking sun and weathered the stares at the back of his neck. He had a right to it like any other, in the eyes of the town. Not so much in the eyes of someone who knows the truth, which was that Thacher only died because Eddie goaded Billy — possessed, evil, devilish Billy — that day at the workshop and made everything worse. This is what happened. An innocent bystander died and Eddie couldn’t stop it; Eddie was quite literally underground at the time.
The town doesn’t know this. The town let him stand (suffering stares) at the funeral.
And now here, the Hideaway, looking for all intents and purposes like he’s here to drown his sorrows, which, hey, who could blame him? He runs a hand through his hair, sweaty to the roots, and goes inside. Gareth’s already there, waiting for him, perched on a chair by the pool table with something precious as a glass of water. He offers Eddie a weak smile of relief and a wave, though Eddie’s twenty minutes late and doesn’t deserve any such kindness. He hasn’t spoken to any of Hellfire in over a week, now, and has offered little to explain his absence apart from a general look at the state of the town.
Which is fair enough.
But, hey, life goes on, and Eddie lights a cigarette as he sits down next to Gareth, looking around the dismal space. It’s a combination of booth seating and barstools, with the pool table squarely in the center. A stage in the corner. Maybe they push the pool table aside for events, maybe they don’t. The floor is sticky and it’s the sort of place a disgruntled husband goes to watch the game away from his wife — not the sort of place teenagers cover Metallica. Not the sort of place Eddie played in Indianapolis.
“I brought that tape we made,” Gareth says, running his finger around the rim of his water glass, glancing at Eddie periodically and then looking away. “Y’know, in case he wants to hear us play.”
“Yeah, uh, good idea.” Eddie puffs out smoke and frowns at the Huey Lewis track playing overhead, Power of Love. “Jeff and Aaron aren’t coming, or–?”
“No, they’re, uh, they’re not. I think– Jeff was busy? And Aaron, he’s–”
Gareth breaks off as the guy comes towards them, the manager of this place, this dive. He’s unassuming, hovering around middle age, which is showing in his thinning hair and thickening middle. He sits down on the third chair and says, “Hey, guys, I’m Larry. I run this place. Which one of you is Gareth?”
“That’s me.”
“Right, yeah, we spoke on the phone. And you’re–?”
“Eddie,” Eddie says. Defiant about it the way he always is, always has to be, even without the surname. Still, it seems he doesn’t need the surname. Larry’s eyebrows twitch. Hell, maybe Bruce was a regular. Maybe Eddie looks like him.
“Okay, well. Well.” Larry scratches his forehead like he’d had a speech planned out and now he can’t remember it.
“We’re good,” Gareth cuts in. “I swear. We can show you. I brought a tape.”
“That’s– I’m sure you are, kid. It’s just that’s the issue, isn’t it? That you’re kids.”
Eddie clears his throat. “I’m nineteen.”
“Yeah, I– I know. I just mean–”
If his dad’s about to cost him something else, Jesus fucking Christ. Eddie can’t take it any longer. He says, sharply, “Listen, man, we might bring in a younger crowd, and if we don’t, then at least we’ll be up there buying chips and sodas all night, okay?”
Larry scrubs his hand over his chin and then nods. “Yeah. Well, yeah. That’s true. I know my friends at the Lucky Bicycle, they can be assholes about this stuff, but I think maybe I can swing it here. Y’know, since I don’t feel like it matters all that much. I mean– well. Chief Hopper does drink here sometimes, though, so–”
“He’s moving.” Delivered dully, Eddie hiding his eyes behind the smoke from his cigarette.
“Really? Huh. Well. In that case– yeah. Why not. Give me your demo and I’ll have a listen, and then maybe we’ll have you in for a weekly slot. It’s not gonna be anything good, I warn you. Tuesdays, or maybe Wednesdays, I don’t know yet. Nothing you can call primetime billing. But I’ll pay you some, if you’re good.”
‘We’re good.”
Larry cracks a grin and then offers a hand to shake. Eddie shakes it, suspicious of his luck, not believing his luck. Shit like this doesn’t happen. Even if it’s sticky floors and a bunch of drunks with eyes on the game.
He and Gareth walk out to the parking lot together, Gareth talking rapidly about setlists and rehearsals and soundchecks, until they stop by Eddie’s van and Gareth cuts the tirade to say, seriously, “You’re in this, right?”
A silence. “What does that mean?”
“It means– fuck, man, it means you haven’t exactly been around, have you? Like– we were gonna do all this shit. All these DnD campaigns, and things, and this– I mean, it’s been like pulling teeth to make this happen. And now me and Jeff and Aaron, we’ve only got a year left at school, same as you, if you don’t fail the year again, and I’m intending to get out of here as soon as I possibly can. We’ve kinda– we’ve kinda run out of time, is the thing. Is what I’m talking about. So I’m asking if you’re gonna– y’know. Waste any more time on the way.”
Eddie scratches at the back of his neck. Well. He’s not sure Gareth’s ever spoken to him this frankly before, not about something between themselves, not like this. Oh, his parents, girls, sure, but Eddie? About Eddie? “I don’t– shit, man, this is– I know I’ve been all over the place.”
“Yeah, you– you kind of have.”
Thing is, Gareth’s looking at the ground, scuffing his sneakers on the asphalt. Thing is, Gareth doesn’t really know what it’s like, and he knows he doesn’t know, and that’s disregarding all the supernatural bullshit they can’t tell anyone about — it’s more the painful realities of a one-bed trailer and a protest-loving uncle who works nights. Even his accusation, here, is leveled with a fair balance of guilt.
“I’m sorry, man, I don’t wanna– I just. I miss how it was before, y’know? When Janie was still around most of all.”
Eddie smiles tightly. “Yeah. I miss that too.”
“So we’re– we’ll do this? We’ll come here on– on fucking Tuesday nights, and play our songs with no one to stop us?”
“Someone might stop us. If we’re– obscene. This town’s getting weird, I’m telling you. This is only the beginning of it.”
“Yeah. But we’re doing it?”
“We’re doing it.”
The relief in Gareth’s face is almost too much for Eddie to stomach. He looks away, lighting another cigarette, and allows himself to plan out their setlist himself on his way back home. Thinking through originals and covers, Black Sabbath and Judas Priest and Led Zep. Rock and Roll, that could be a fun one to start with, right?
Despite himself, he begins to feel excited.
And then he gets home, and the phone’s ringing, and when he picks it up it’s Tay’s broad, casual voice on the other end of the line: “Eddie?”
“Tay.” Eddie twists the cord around his finger. “What can I do for you?”
“Magnus is a fucking prick, so, come play for us tomorrow night?”
He doesn’t need asking twice.
SATURDAY JULY 14TH, 1985
Maria opens the door with a grin wide as anything, a grin that allows him to imagine for a moment that nothing else has happened, nothing at all, and he can fall into her embrace with only residual stiffness in his shoulders. (You sure you should be playin’ guitar, with your shoulder the way it is? Wayne had said, possibly quite reasonably, and Eddie had waved a hand and tried to keep the set frustration out of his voice in response. He was fine. He would be fine.) He says, “Hey,” in a voice that comes out normal, and her eyes are bright and the knowledge that his guitar and his amps and his van are downstairs is a comforting thought. Things are as they were. Things are as they should be.
(Steve and Robin are on their way, supposedly, but he’s not going to think about that before he has to.)
Martin’s in the kitchen, sipping beer and nodding his head along to the radio — Physical, Olivia Newton John — with his limbs carrying his body into a smooth, half-tipsy sway. Attractive, if Eddie cares to dwell on it. That feeling’s never gone away. But Martin’s eyes, soft and dark, don’t dip or sharpen on Eddie as they look at each other, don’t do any of the classic things they used to do, meaning, well, perhaps Martin’s finally getting over it after all.
The disappointment that realization brings with it is more like failure than loss.
“Tay’s so excited to play with you tonight,” Maria says, grabbing her own beer off the counter and offering one to Eddie. He accepts it. “I told him, get rid of Magnus and Eddie’s all yours, and you’re so much better than that creep anyway.”
“Magnus, right.” If it comes out strange, that’s okay, because Eddie usually comes across strange. Not at all because he’s managed to forget certain things in the blank of a different sort of two weeks. “So, how is everyone?”
That’s enough to earn him a weird look, though a brief one. Sure, it hasn’t been that long. Not in the scale of people who don’t live in the same city. But hey. Maria launches into some digression about the structure of the band and her own fraught friendship with some girl called Hannah; Eddie can let it wash over him as he drinks his beer and tries not to imagine how Steve’s face will look under the lights in the crowd. He won’t be able to see Steve anyway. Lights in his eyes. Doesn’t stop his brain from imagining it, constantly, imagining Steve’s eyes following his fingers up the fretboard. Imagining it like something loaded.
He carries this imagining with him, against his own will, as they head to the venue and get set up. Tay’s delighted to see him, clapping him on the shoulder and crowing something to the extent of Fuck Magnus, the real guitarist’s here now–
They play through a loose, casual soundcheck, with Maria sitting cross-legged on the sticky bar floor watching them. Eddie makes his own suggestions, and at the end Tay swings them, unprompted, into a ragged rendition of My Generation, The Who. Maria crows in delight and jumps to her feet, blowing Tay a kiss as she does. The things they do, Eddie thinks, the things people do. The things he does and the things he’d like, maybe, someday, for people to do for him.
When they’re done setting up, Archie and Jake both clap him on the back the way Tay did before they disappear off stage. Eddie lights a cigarette and wanders towards the bar, where Maria and Martin are standing, Martin leaning in to talk to the bartender, who turns out to be a tall girl with an Afro, vaguely familiar. Eddie gets himself another beer and lets himself be drawn into conversation, though he’s only half listening, until the girl turns to him and says, “I think I got with your friend one time, y’know. Janie? She still around?”
He stills. “Uh, I– no, she moved away. Sorry, you’re–?”
“Monique.” She grins, baring white teeth, and suddenly he remembers. That cold December night in ‘83, entirely not in the mood, body separating itself from brain for a while. “That’s a shame. We had fun.”
“Eddie,” he says in return.
“Oh, I know. Think I have a better memory for names than you do, huh? Though I’m not gonna blame you. We were all a bit fucked up that night, I think.”
In more ways than one. He picks at the label on his beer and tries to think through the tripping of nerves inside his chest — not ordinary pre-show nerves, not the adrenaline high of actual violence, but something somewhere in between. Maybe something more like his constant feeling of anxiety as it relates to Steve. Steve coming here, Steve intersecting with all these people that form the trappings of Eddie’s other life, Eddie’s real life.
“Nervous?” Martin says.
Eddie shrugs without saying anything. Maria looks over from where she was leaning over the bar to read the labels on the spirit bottles and says, “I think Jake might have weed, if you want it, or else some Xanax.”
“Shit, I’d take a Xanax,” Monique cuts in, polishing a glass. “My manager is on my ass about clean-up after gigs like this and he said he’s gonna come supervise this time, whatever that means, probably something like staying in this place until four a.m. when he knows I should be studying.”
Eddie seizes on this. “What are you studying?”
“I’m starting law school in literally, like, two weeks and I told myself I’d get a head start. Since my scholarship isn’t really enough to live on while also being totally contingent on performance, which is fun.”
“Shit. Not fun.”
“Precisely.” She stops the steady movements of the dishcloth and says, suddenly, “Shit, have you heard?”
“Heard about what?”
Maria and Martin have both gone strangely still and silent. Monique bites her lip and sets the glass down, eyes heavy. “About Victor.”
“What– what about Victor?” He knows, though. He already knows. Doesn’t he? In the same way that sinking feeling he gets sometimes is never the herald of anything good, and he knows how the world works, and it doesn’t often offer him anything good.
It’s Martin who says it. Scratching at the side of his neck but not looking away, tone even, like he’s used to this now. “He’s got it. The virus.”
The virus. Stupidly, Eddie has to take a second to remember what they’re talking about. Not that it hasn’t been on the periphery of his awareness for a while but that he’s simply had other things to worry about, things that are more immediate than god’s general punishment for the sin of being the people they are, doing what they invariably do. He doesn’t say anything.
“I thought you should probably know,” Monique says. “I think he’s coming tonight, and he doesn’t– you know, he doesn’t look great. He’s got the– the sarcoma thing–”
“Kaposi’s sarcoma,” Martin says, and then goes all cold and dull with horror at his own knowledge. The Billy Idol track overhead — Hot in the City — feels surreally inappropriate.
“Yeah. That. He’s doing okay, I think, like, in terms of actually being sick– it’s an immune system issue more than anything else, means he just needs to look out for himself, but– yeah. He looks different.”
The guy with his own name tattooed across his chest, another signifier of his identity blooming across his skin, one he didn’t choose this time, one he wouldn’t want seen. Eddie feels dizzy in nausea and says, distantly, “Should he be– I mean, if it’s a, y’know, an immune system thing? Should he be coming to things like this?”
Martin clenches his jaw, muscles standing out. Says, “That’s not the way he sees it. I can’t say I really blame him for it, either.” And Eddie remembers the moment last year: are you interested in living in a world where it’s not? Nothing’s changed here, has it? Nothing’s really changed. Eddie’s gone through three sorts of hell and Martin’s still watching people die, skirting the edge of death himself, and Victor’s got the virus.
Soon enough, it’s time for Eddie to go backstage as the bar begins to fill up. A decent crowd, by the sound of the hum and chatter, not that he’s remotely in a celebratory mood anymore. He downs his beer and takes up Jake’s offer of a few puffs from a joint, not asking for a Xanax though he’s dying to. Dying for something to ease the rapid stutter of his heart. He has to go outside to the alleyway for a second, a few minutes before they go on. He stands in hot blue dusk and counts cigarette scorch marks on the brick in the interest of avoiding a panic attack, though he feels like something is watching from behind but when he turns around there’s nothing there. Ordinary feelings. Things he knows.
(If he went to a doctor, he’d get a bottle full of Xanax, and his uncle’s insurance would even pay for it, ignoring things he doesn’t understand like deductibles and premiums.)
Then he goes back inside and plays the set.
It’s a good set, with his whole dissociative deal taken into account. At one point he trips into the wrong chord and Archie glares at him from behind the drum kit, and he spends the whole thing looking into the blank anonymity of a dark crowd with fragile hope, half wishing for Steve not to be here at all. Then they get into the song Eddie had suggested and it’s like something out of a movie, the way his fingers span the fretboard and pick out the tune carelessly, automatically. He’s heard it enough times, after all. Mostly blasting out of Steve’s car.
“I’m never gonna dance again,” Tay drawls into his microphone. The crowd roars as it recognizes the song. Recognizes Careless Whisper, amped-up and ground into something ragged and metallic, Steve framed through Eddie, if he’s going to get fucking poetic about it. He doesn’t get poetic about it. He just concentrates on making it sound somewhere approaching good. He’s not sure what possessed him to suggest it — or, rather, he knows exactly why he suggested it, except it seems thin and foolish now, that idea of impressing and connecting with Steve in the audience who doesn’t know or understand any of what’s actually going on here, not at all.
They play through a couple of Tay’s original songs and finish up with another cover, this time The Trooper by Iron Maiden. All the same set they did the last time, since Eddie hasn’t had the time to learn anything new, and the crowd surges to the tune and sings along — as best anyone can sing along to Iron Maiden — and cheers as they finish up with a final riff. Eddie’s not sure he’s in his body at all. He’s sure later he’ll notice his fingers stinging, his weak shoulder (pushed too hard again) aching. For now he’s just got a ringing in his ears and a sense that the room’s too small.
He pulls the strap of his guitar — precious Narsil, who doesn’t deserve the way he’s dazed out of his head right now — back from over his head and sets her down backstage, trusting perhaps foolishly to Tay and Jake and Archie’s honesty. Then he goes back outside and smokes three cigarettes alone in the dark.
“You know, you’ve got a talent.”
He can’t fail to recognize the voice. Rising and falling with the edge of a Spanish accent, a soft lisp, Victor who comes out of the shadows not looking all that different, actually, despite the warning, practically the same except for the smattering of dark red blotches rising from his neck to cross his jaw. Skinnier, too, tired-looking but still handsome.
“Really.” Victor leans against the wall next to Eddie, a studied distance away, like he’s learned to be careful, and lights his own cigarette. “If I was a record producer, I’d sign you, niño. Unfortunately for us all, I’m not.”
“Shit, dude,” Eddie says.
“Come on, thank me for the compliment. It’s the least you can do.”
“Thanks.”
“You’re welcome.” Victor grins. Loose, casual, Eddie doesn’t know what to do with it. He studies his cigarette and wishes he’d asked for that Xanax. “Are you getting out of that shitty small town of yours yet?”
“Not quite yet,” Eddie says. Mouth thick and cottony with the things he’d wanted to do, the things he’d wanted to be, like someone who got out of places and didn’t have obligations to small town metalheads like Gareth Westley. “I don’t know– I don’t know. It’s like one sort of death versus another, right?”
“Right. But this death is more fun, you know?” But the grin has gone fixed, a little bit, more of a grimace, and it occurs to him that Victor’s in pain right now. Pain from something so ordinary-extraordinary (rather than extraordinary-extraordinary) as to be unbelievable.
“How are you– uh, how are you doing?”
“Oh, you know. Fucking terrible. It doesn’t help that people can read what I am and what I’ve got off what’s happening on my skin, right here, not that that’s new, and I can’t decide whether I’m dying on my own terms or not.”
“What do you mean?”
Victor shakes his head in the gloom. There’s bass thumping through the wall, Queen, Under Pressure. “I don’t know what I mean. I’d say it works better in Spanish, but you’ll have to take my word for it if it does. You know–”
“Eddie!”
Eddie turns and Victor stops talking. It’s Steve, Steve and Robin. Emerging from the side door with mismatched, oblivious smiles. The familiar twist at the sight of Steve is tempered, now, by the thrill of panic, the intersection of too many worlds at once. And Victor doesn’t turn his face away. Lets them see it, lets them see the creep of death upon his jaw, and says, “Friends of yours?”
“Steve and Robin, Victor. Victor– Victor, Steve and Robin.” His voice comes out faint.
“How do you guys know each other?” Steve says. Perfectly innocently, the way he says most things. His hair is big and sweat-frizzy, his t shirt clinging to the lines of his shoulders, the planes of his waist.
“I’m in Indy a lot,” Eddie says lamely.
“He is,” Victor says. “He is in Indy a lot.” With a sideways smile, a look of knowing. “God, I need a drink. I’ll see you inside.”
With that, he disappears, leaving Eddie alone with Steve and Robin in the hot night air. Eddie runs a hand through his hair, tangled and salty at his nape, and catches their look, the heavy lengthening of their silence. Uncharacteristic. All their jubilation — like they’d actually been happy to see him, happy to hear him play — has melted away someplace else. Eventually, he says, “I know you want to ask. So, uh, so ask.”
Robin glances at Steve. The briefest of glances, loaded maybe with what she knows or what she suspects, and what he doesn’t. It sounds like it’s coming from a place of physical pain when she says, distant and quiet, “What’s wrong with him?”
Though he wanted them to ask, said they should ask, it still grates at him. Turns into bitterness when he responds, “The virus, the fucking virus. You know what that means?”
He’s looking at Steve when he says that. Steve’s eyes have gone unfocused, faraway. But he nods. He knows what that means. Small wonders, Eddie thinks cruelly, and then thinks, that was cruel. But he’s not feeling anything other than that right now — cruel, out of sorts, ears buzzing with microphone feedback. He shouldn’t have invited them here. Shouldn’t have invited them to the place that holds a different sort of death, but a death all the same.
He says, “I’m gonna– I need a drink too.”
He moves back towards the door. Steve, behind him, says, “Eddie–” but Eddie ignores him. Just goes inside and gets himself a drink. Fuck.
He doesn’t see Steve and Robin come in for a while. He leans by the bar for a long time, drinking steadily with Monique more than willing to hand him another beer, the ashtray beside him filling up. Maria, drunk, attempts to lead him into a dance, and he lets her only briefly, swaying half-heartedly to the drone of bass and synth before returning to the safety of his drink. He gets pretty drunk. He has no idea what time it is, no idea how long he’s there. Martin’s dancing with some guy, Monique’s taking a second Xanax. Steve and Robin are nowhere to be seen. Where are they? Why haven’t they come back inside? Perhaps they’ve left, his drunken brain supplies. Perhaps Victor was the last straw — for Robin, a figure of everything people point to and hate them for, a reminder of why she shouldn’t be doing this, and for Steve–
For Steve, a point, and reminder, of disgust. Surely. Certainly. And if Eddie hadn’t outed himself already by the stupid, unthinking Careless Whisper stunt then now there’s no getting away from it, not at all. Now it has to be known, what he is. Who. I’m in Indy a lot.
He drinks until the corners of his vision narrow into blur, and Monique’s pushing him gently in the direction of Maria and Tay: “Maybe you should go home, huh?”
“Maybe I should,” he says loosely, and of course that’s when Steve and Robin come back in.
Robin’s been crying. He sees this much, even in the distance of his state. (Still no extra weed, still no Xanax. He can hold himself to that.) Steve’s next to her and she’s smiling at him — she’s been crying, but she’s smiling at him, but her eyes are red and jaw all trembly but she’s smiling at him. A thing that refuses to make sense in his brain. Drunk brain. Too out of it and skittering beyond a real place, a real reckoning of the things that are actually happening here, too taken with his own misery. Victor’s dying and Steve’s dancing with Robin to The B-52’s overhead.
He doesn’t go over to them. Just lets Maria and Tay take him home, where he throws up in the bathroom and spends a long time kneeling on the tile afterward. When his eyes find his face in the mirror, he looks shell shocked. He looks like someone who faced an eldritch monster and barely made it out alive. He looks like a gay kid from a small town confronted with AIDS for the first time: and Robin’s handling it, but Eddie is not. And so.
Notes:
– i am choosing to assert that the hideaway and the hideout are the same bar, because continuity, am i right?
– wasted sunsets by deep purple was released in 1984
– power of love by huey lewis was released in june 1985 for the back to the future soundtrack
– rock and roll by led zeppelin was released in 1971
– physical by olivia newton john was released in 1981
– my generation by the who was released in 1965
– billy idol's hot in the city was released in 1982
– the trooper by iron maiden was released in 1983
– kaposi's sarcoma is a type of cancer that causes distinctive patches on the skin, commonly associated with HIV/AIDS.
– under pressure by queen and david bowie was released in 1981
– the b-52's song is dance this mess around, released 1979
thank you for reading, as ever, and let me know what you think below! you can find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 48: You're So Vain (Carly Simon)
Summary:
He skims through the first few articles, library microfilm print-outs, mainly, before a floorboard creaks behind him and he feels, rather than sees, Steve’s presence looking over his shoulder. “What’s that?”
“Shit to do with Hawkins Lab. I figured– I don’t know. I figured now’s my only chance to actually know anything real about it, since Hopper won’t ever tell us.”
Notes:
warnings for panic attacks, referenced drug use, and referenced and internalised ableism.
(See the end of the chapter for more notes.)
Chapter Text
TUESDAY JULY 16TH, 1985
There are flies buzzing across the stains on the floorboards, collecting in the scent of death. Dust motes spinning in the air totally ignorant of everything else, some image of closeted peace like there’s not blood on the floor. Like they’re not here to collect El’s things to move her away, to move her somewhere safe, move her somewhere maybe better or maybe worse.
Eddie considers the space and says, “Could do with a spring clean.”
“Really? You think so?” Lucas shakes his head and starts forward into the space, grabbing a splintered hunk of wood with proactive gusto. Eddie hangs back as Steve joins him, leave it to the ones with the functioning shoulders, leave it to the ones who know what they’re doing. It’s just the three of them and Erica, who’s making up the rear assessing the remains of Hopper’s booby traps. Figures that she’d like that sort of shit.
“So he said to start with clearing the floor, right?” Steve’s already stripped his outer layer off, a bomber jacket totally redundant in the humid sunshine like he chose it only with the intention of taking it off again. Underneath he’s wearing a tight yellow polo. “If we get some of this debris out of the way–”
“Yeah, you jocks get on with that.” Eddie spots a broom fallen to the floor and picks it up, beginning a halfhearted attempt to sweep away some of the debris nearest the entrance. Just the three of them, because everyone else is somehow otherwise engaged. Family obligations or clearing out someplace else. Hopper and Joyce have got work, of course, which is a distant dream for Eddie and not something he envies, exactly, but something he could probably do with having anyway.
He spent Sunday floating hungover around Maria’s apartment, trying to muster up the courage to drive himself back home. He didn’t talk to Steve or Robin all the rest of the weekend, nor the day after. Stuck in his own-mixed up head until the call came in Tuesday morning, early, Steve asking him to come to the cabin and help clean up the mess.
It’s not like Eddie can say no to him, right? So he came.
When Erica appears, she takes a long look at the chaos and turns her nose up. Says sniffily, “Well, this mess isn’t my damn problem.”
“Erica. You said you’d help.” Lucas has a specific long-suffering tone he takes with her. Something between siblings, right? Eddie wouldn’t know.
Erica rolls her eyes. “I know, nerd, I’m gonna help, I just don’t have to be all sunshine and rainbows about it, do I? Not like any of this is going somewhere fun.”
No. It’s not. Eddie winces at the reminder and feels his eyes drift towards the patches of blood on the floor. Inexorably drawn there, some sick magnetism the human brain just likes to enact.
After the first few chunks of roof have been carried out to the dumpster — ordered by Hopper over the weekend, forgoing all pretense of secrecy about the location because, hell, El doesn’t live here anymore — Steve straightens up with a grunt and says, “Like hell am I doing this shit without music.” And without any further ado, he goes out to his car and returns with a boombox all of his very own, absurdly prepared as always, which is how come they end up listening to the entirety of Songs From the Big Chair all the way through without any chance of protest. Slowly, the cabin gets a bit cleaner.
Around lunchtime, they break for Steve to go fetch the sandwiches he left in a cooler in his car. Sandwiches! In a cooler! In his car! Eddie watches him return with dull incredulity. Long bare arms, sun-browned, passing out sandwiches. They sit on the porch with the sunlight dappling through the trees, listening to the next cassette Steve’s brought out, No Secrets by Carly Simon. The sandwiches are PB&J. Eddie feels like he’s stepped into a Norman Rockwell painting.
“Where’d you get this tape, man, this is, like, straight out of the Mrs. Byers’ collection,” Lucas says, when they’re on the second track, The Carter Family.
“It’s not actually mine,” Steve says. “Though I won’t hear a word of slander against it, okay? You can’t beat Carly Simon. But no, I just found it lying around. Hopper’s got a whole music collection back there, I think, mostly records, but there were one or two cassettes.”
“This is Hopper’s?” Erica snorts. “No goddamn way.”
“Well, if Mrs. Byers likes it…”
Eddie raises an eyebrow. “Are you implying what it sounds like you might be implying, Steve?”
“I’m just saying.”
“What, you think– the Chief? And Mrs. Byers?” Lucas shakes his head. “That’s too weird to think about. Plus, like, there was Bob, and all of that–”
“Well, yeah, but now they’re leaving town together, right? And they gotta have a cover story.” Erica’s voice has gone speculative. “You know, I bet they’re gonna claim that Jonathan and Will and El are actually siblings. It’s neater, right? That’s what I would do.”
“That’s what you would do,” Steve says slowly. “If you were in the position where you had to go into witness protection with two of your kids and somebody else’s.”
“Yes.”
He shakes his head. “I don’t even know. Maybe. I guess maybe that’s what they’ll do.”
Eddie receives all of this in silence. Hopper having a Carly Simon cassette — well. It’s like if Eddie had a Wham! cassette, right? And Eddie, tipsy, did play Careless Whisper for Steve on Saturday. So.
“You think–” Lucas starts, and then stops. He’s sitting with one leg pulled up, balancing his elbow on his knee. More defensive a posture than maybe Eddie would expect. They all wait patiently: eventually he says, “I’m worried about Max. Y’know?”
They do know. Eddie says, “What’s going on?”
“Well– I don’t know. I haven’t really seen her.” Lucas risks a glance at Erica, like he’s waiting for her to mock him, but she’s just listening quietly. Fine. Good on her. “I just feel like– I’m just waiting for her to break us up again, pull away, I don’t know, and I feel like– if she does that, then I can’t reach her. And I want to be there for her. You know?”
“Yeah.” Eddie does know. Not in the context of some real relationship, some kind of thing where each person actually cares about the other, but in the sense that he’s been on one end or another before. “You gotta, y’know, you gotta give her some space, though. If you push it she’s just gonna– lash out.”
Steve leans forward. “Well, yeah. But sometimes people don’t ask for what they need.”
A silence. Lucas looks between them. “Uh, okay, so what should I do?”
“Maybe don’t let either of these idiots meddle,” Erica cuts in. “I mean, seriously, they just gave you totally opposite advice, and I don’t think either of them are that successful in their love lives, right?”
Steve scowls.
“Right. I don’t know. I mean, Dustin says you gave him good advice, and he’s dating Suzie now– who, well, if she’s even real, I guess, but if she is–” Lucas shrugs. “But I don’t know what I should do. This isn’t, like, a high school prom king type thing. This is– something bad that happened, and reckoning with that– I don’t know. I mean, my parents give good advice–” at this, Erica apparently can’t restrain her snort “–but I can’t ask them about this, can I?”
“No,” Steve says, “you can’t.” He glances at Eddie. “No, but Erica’s sort of right, like, Eddie and me — we’ve had different experiences, which means we’ll say different things about each situation and, like, that’s just how this whole thing works. There’s no one right way of approaching it. You know Max better than we do. And if she really does like you, which I’m pretty sure she does, then she’ll let you help. She’ll want you to help. And if she does want space, she’ll say that, and you can back off.”
Eddie sits in quiet wonder at this for a moment. You’re So Vain is playing softly in the background, over the rustling of the trees. Lucas looks struck by Steve’s words too. Like it could be that easy — like Steve, in the process of the most chaotic two years of their lives, could have become someone totally new and even kind of wise.
It makes him hard to look at. Eddie studies his hands and finishes his sandwich.
Then they get back to work, in the heavy heat of the dim cabin. Eddie has to pull his hair back into a knot at his nape, sweat collecting in his roots, and when he lifts his head again he finds Steve looking at him across the room, a strange smile on his face.
Eddie shakes his head. “If you’re gonna mock the hair, don’t. It’s a work of art.”
“I wouldn’t dare,” Steve returns, the smile going nowhere, though what they’re here to do feels more than a little like digging a grave. At length, they get back to it, focusing on the smaller stuff now, the leaves and bits of trash that have collected in corners. There’s something pleasantly mind-numbing about it. A warm breeze is coming in through the open front door, bringing with it the scents of summer and the occasional fly. These flies circle lazily above their heads until Steve swats at them with a rolled-up magazine he found, the cover of which he’s determinedly not letting Erica or Lucas see. They’ve moved on to cleaning out the fridge — to various sounds of disgust, since the flesh monster knocked out the electricity and it’s been a fucking hot two weeks — and Eddie’s sweeping the final bits of grit from the floor, smiling idly at the voices from the kitchen, when he spots a candy wrapper trapped in the grove between two floorboards. He frowns and bends down to pick it up. There’s a gap there, a suggestion of something underneath.
Before he can think better of it, Eddie digs his fingers into the gap with the intention of prying up a single loose floorboard. It surprises him, then, when a whole trap door swings up to reveal a crawlspace full of boxes. He surveys them for a moment. The others are still busy in the kitchen. It would be impolite to snoop, right? Hopper hasn’t asked them to do anything other than what a couple of contractors might otherwise be paid to do.
But they’re not only contractors, are they? They’ve seen shit and done shit and Eddie, well, Eddie feels on some level like he has a right to know.
He leans down and grabs a box. Not the one labeled New York, or Vietnam, or Dad, (those are Hopper’s own business) but instead the one with Hawkins Lab scrawled on it in careless black marker. This must be what El did last year, he thinks, as he sets the lid aside. Its corners are reinforced with layers of flimsy, yellowing masking tape. Truth comes in the crappiest of packages.
He skims through the first few articles, library microfilm print-outs, mainly, before a floorboard creaks behind him and he feels, rather than sees, Steve’s presence looking over his shoulder. “What’s that?”
“Shit to do with Hawkins Lab. I figured– I don’t know. I figured now’s my only chance to actually know anything real about it, since Hopper won’t ever tell us.”
“You sure he won’t–”
“Mind? Oh, he’s sure as hell going to mind, but, y’know, I’ve gotten in trouble with the cops enough in my time. I can handle it.” Eddie smiles tightly, cynically. Steve crouches down beside him with a little nervous smile of his own. The first time they had a real conversation was in Mr. Ryan’s detention. They didn’t listen to figures of authority then; why should they do it now?
They leaf through the files together. There’s nothing revelatory in them, since they’re mostly things they could have found in the library, if they’d bothered to look. Eddie sits back on his haunches, disappointed, as Steve pulls out a sheet of group photographs with a morbidly fascinated expression.
“Jesus, look at this. These must be the test subjects from the– from the shit they were doing with LSD. El’s mom is in these, right? Yeah, look.” Steve’s finger taps the caption to one of the images, points to the name Terry Ives. But Eddie isn’t looking at that name.
He’s looking at another name.
“Eddie?” Steve says, or Eddie thinks he says, anyway, since a static fog has descended, a ringing in his ears. Numbly he swallows and reads the name again, not sure whether he’s hoping for it to have changed or not.
May Kettering.
His mom.
He stumbles back and stands up, raking his hands through his hair as he turns away and paces a half circle around the room. Steve’s watching him, the photographs still held in his hand. Waiting for him to explain. Eddie doesn’t want to explain, particularly. There isn’t much of anything to explain at all. What does he know about why his mom’s name is there? Shit all. And his mom’s name being there means–
He lurches back over to Steve and snatches the paper out of his hand, turning it to study the faces in the photograph. Not the one with El’s mom in it, but the other one, by the caption with his mom’s name. There are too many faces to know, at least ten, all narrow and cash-strapped-looking. She had dreams, didn’t she? His mom. Dreams of getting out of Hawkins. What if this was her way of doing that? What if–
“Fuck,” Eddie says, slowly on an exhale. He’s settled on one woman, dark-haired with a nose that looks vaguely like his own. That other woman said that, didn’t she? Ciara Malone. That he has his mom’s nose. And as for what it means–
“What?” Steve says. He’s gone strangely soft, like he’s afraid of startling Eddie, wounded feral animal.
Eddie says, “That’s my mom.”
A silence. Dust spins in the air. He doesn’t know where Lucas and Erica are, can barely bring himself to think about anything beyond the paper in his hand. The photograph with Terry in it is dated 1970. But the one with his mom in it, the one with Martin Brenner all front and center and brunet, that’s from 1965.
The year before he was born.
And so–
“Your mom was– was a part of this project? MK Ultra?”
Eddie shrugs loosely, twisting in a circle, feeling manic and frenzied and like he has to tear his way out of his own skin just to breathe. “I don’t– yeah. I don’t know. I guess that’s what it fucking looks like, this is– fuck. Uh. Fuck. I need to– I just need to– I’m going to–”
He stumbles outside, skin crawling with this new revelation, not knowing where to go or what to look at. Eventually the feeling overwhelms him and he runs, he has to run, bolting through the trees and scarcely avoiding tripping in the undergrowth but somehow momentum carries him forward, forward, until he’s left the cabin far behind.
He catches himself against a tree, panting for breath. The afternoon’s still hot and sunny. This means something. His mother’s face — large dark eyes, narrow, long nose like his own — that means something. Does she look like she did in that dream he had? The faceless woman (not faceless anymore, he realizes, she’s going to look this way in his dreams forever now) in the IHOP, the one where his dad was bleeding out on the floor and holding out his liver for Eddie to clean.
That dream, with the liver, that wound up coming true.
Because–
And let’s think about this, okay. Terry Ives was pregnant with El when they conducted those experiments on her. Pumped her full of drugs, for the most part, though there was probably other shit too. Meaning El came out a little bit different. And Eddie was born in 1966. February. Premature, late, or on time, he has no idea, but February, there’s not a wide window. And his mom was at the Lab in 1965.
And Eddie’s been having, it turns out (Billy’s shirtless form dripping with shadow), prophetic dreams.
It’s startlingly easy to reconcile himself to this fact. Shouldn’t be this easy. There’s a line between DnD and real life, right, except that line was crossed a long time ago and now no hold seems barred. No stone left unturned, whatever, he’s mixing up his metaphors and he doesn’t know what he’s doing. Doesn’t know if this is true, even as he’s rapid-cycling through his own memories to support it, like that time Steve had passed out and Eddie nearly crashed the van into a tree but didn’t and in the process fixed — somehow, magically fixed — his van’s cassette player. Through force of will or coincidence or else — some other thing. Some other thing.
This is how Steve finds him, his back to a tree, clutching the photograph in his hands. His mom. A photo of his mom. Steve approaches him slowly but there’s no need, there’s no– when Eddie’s finally starting to understand.
“I think this means something,” he says, when he’s found his voice. “This– I need to find her. I need to– I need to find my mom. And I know it’s not, uh, it’s not a good idea, it’s gonna– but I have to do it.”
“I know,” Steve says. Eddie looks up at him sharply. Perhaps he was expecting resistance. Certainly, others would resist it. Joyce and Wayne for sure. But he doesn’t have to rely on Joyce or Wayne, does he? Because he’s got a photograph now. And that’s all she needs.
“Will you– will you come with me?” Eddie says. “To see El, and try and– try and work this thing out?”
Steve, standing above him, has this brief moment where his face twists with some emotion Eddie doesn’t understand. Doesn’t have the capacity to understand right now. Maybe rejection, maybe he’s swallowing rejection or else preparing to give it — but then he nods, eyes steady and certain as ever. “Yeah. I’ll come with you.”
They leave Lucas and Erica with dull, narrow excuses. But no one sounds like they’re speaking truth these days, not in the haze of grief and loss and empty suspicion, so Eddie’s pretty sure they get away with it.
El’s staying at Hopper’s trailer until they move, blinds drawn and door remaining firmly closed until they loudly and firmly declare themselves. Sun beating down. Eddie scratching at his nape and squinting away at the sparkling water, afraid of what he might see in El’s eyes, afraid of what might look back at him in the sense of a mirror. A fucking mirror.
She opens the door manually, slowly peering through the crack at them before opening it all the way. “No one followed you?” she says.
“Nope. We made sure,” Steve says, and breezes inside. Hopper isn’t here, though they knew that already, with the lack of the Blazer parked outside. Steve’s version of ‘making sure’ was some circuitous route that must have looped around Hawkins at least twice before settling here by the lake — but Eddie was content to let it happen, following in his van, or else just dazed enough to ignore it. He follows Steve inside uneasily. It’s dim and cool, decorated a great deal more sparsely than his own trailer. You don’t get the sense that the Chief was intending to return to living here, or liked himself very much when he did.
El’s not wearing her colorful mall clothes anymore. She’s in an old flannel, probably Hopper’s, with the sleeves rolled over and pushed up to her elbows. She sits down on the couch and pulls a knee up to her chest. “What are you doing here?”
It could read as hostile, but Eddie knows her. He fucking knows her, he realizes, and he knows that’s not what she means. That’s just her way. He sits down, the photograph still held tight between his fingers, and says, “You know how you, uh, you found Kali? With her photograph, when we were at your mom’s house last year?”
El nods, chewing on her lip.
“Well, I’ve got– I’ve got a photograph of my mom. I never knew her, see, and now I’m thinking maybe–” He halts. He can’t tell her about it, about all of it, not until he’s cleared up the facts. She’s just a kid and she’s got other things to worry about, like leaving town and all her friends behind. “Could you maybe look for her, the way you did with Kali and with– with your mom?”
He holds out the photograph, flimsy between his fingers. His only hope. But she doesn’t reach out to take it. She sits there, and this look comes onto her face, a look he hasn’t seen there before. Something guilty, and apologetic, and unbearably sad.
“I’m sorry,” she whispers. “I can’t.”
“You can’t?” Steve cuts in. He hasn’t sat down. His arms are folded over his chest and he’s pacing a line behind the couch. “What do you mean, you can’t?”
“I mean– my powers. Hopper told me not to tell anyone. He thought it would make it worse. People would– panic. But my powers, they’re– they’re gone.”
“They’re gone?”
She nods. Her eyes are huge and dark in the gloom, welling with something that turns Eddie’s stomach. Pity? Or else empathy, and empathy, well, their misfortunes were already discomfitingly similar. Why’d the universe have to go and put a cherry on top of that cake, huh?
“Fuck,” Eddie says. He drops his head between his knees and says it again, long and dull, “Fuck.”
“I’m sorry, Eddie, I know– I know what it’s like. To want– your mama. And not to be able to find her.”
That isn’t even it, is the thing. He wants to tell her that’s not it. He’s not looking for his mom to satisfy some long-buried desire for maternal comfort, approval, advice, god no. All he wants is to solve a mystery. That’s what they do, isn’t it? Solve mysteries?
“It’s okay,” he says eventually, dragging his head back up. “I mean– I don’t know what that means for, uh, for everything else, but with this–” He takes the photograph back and slides it into his pocket. “It’s okay.” His voice sounds foreign and far away. She looks at him like she doesn’t believe him, which is fair, since he’s not sure he believes himself. But what else is there to say? It isn’t her fault. It’s no one’s fault.
He walks out of there with this same distant feeling, the buzz of insects from the lake louder than the thoughts inside his head, drowning them out, a ringing in his ears. He barely hears Steve as he says, “You okay, man?”
If he can’t find his mom, he’s just gonna be stuck like this forever. Halfway between some sort of awareness of who and what he is, maybe, if this Lab thing really is what he thinks it is — and also the dead emptiness of his existence as it currently stands. Watching Steve across hallways and driving in circles around a useless town, a town that hates him. Dodging death every few months and never quite knowing why. Janie, Icex, the Lab — what’s another piece in the puzzle? What’s this final step of knowledge, if not the thing that might fit it all together?
“I’m sure we can work something else out,” Steve is saying. “I mean, El not having her powers, that– that sucks, but people find each other all the time, they don’t need superpowers to do that. Didn’t Murray say he’s a private detective? We could get him to–”
“Steve,” Eddie says, voice weary. “I need to–”
“What?”
“I don’t know.” He swallows and looks at the dirt, scuffs the toe of his sneaker in it. “Fuck. Fuck’s sake. Can’t possibly be normal, can I? Can’t possibly be–”
There’s a silence. Steve’s staring at him sort of urgently, sort of helplessly. Eddie feels like everything inside him is trying way too fucking hard to get out and he can’t let that happen in front of Steve. He can’t. Who knows what he might say.
“I’m gonna go home, I’ve gotta– I’ve gotta go home. Maybe I can, I don’t know, maybe I can talk to my uncle about this. Fuck. I’m sorry, I know it’s– I don’t know.” Eddie shakes his head. Hides his face behind his hair. “Thanks, anyway. For trying to help.”
“Eddie–”
“Yeah. Just, thanks.”
It’s a dismissal if ever there was one. Or, it’s intended like one, but it comes out drawn and desperate, and Steve stares at him like it was something else entirely. So. Eddie just gets in his van and drives off before he can think better of it. Cranks up Led Zep, Immigrant Song, as loud as it will go and screams along to the vocals. His voice comes out more pained than anything else.
And it’s as he’s pulling up in front of the trailer than he remembers again, with the hot spark of realization, that woman called Ciara Malone.
Dull blonde hair in the sun outside the funeral parlor. A nervous smile: I knew your mom. Don’t you want to know about her? And, and, and. A slip of paper, torn out of a notebook, and a phone number. A fucking phone number.
He bolts out of the van. Runs past Wayne, who’s clearly just woken up, lighting himself a cigarette in the kitchen. His room is a fucking mess like usual, like worse than usual, since he’s had all sorts of things to worry about this week. Bigger things. And yet now–
He searches through all the crap on his desk. Books with homework stuffed in them, old DnD character sheets, scraps of sheet music from band. Onto the floor, more books, comics, records. A tangle of cables with his amp, a few mugs beginning to grow interesting textures where once they held tea. And no phone number. No fucking phone number.
This realization catches in his throat somewhere on the way down. He thinks, fuck. Fuck. He had the one opportunity, just the one, and now that opportunity is slipping out of his fingers like water because he couldn’t remember where he put the fucking phone number he couldn’t possibly organize his life the way his teachers the way everyone’s constantly telling him to and he shrugs it off because he can’t, he just can’t, and he fucking can’t and now he’s here he’s he hasn’t got the number it’s all gone to shit and he hasn’t got the fucking number because he’s so fucking incapable so and now and so this is all–
With an effort, he brings himself into counting things. Things he can see, things he can touch, the old trick he’s not too proud to use, now and then. He heaves deep breaths and then, when he’s no longer so dizzy, grabs one of the moldy mugs and hurls it at the wall. It breaks into neat, satisfying quarters, and then Wayne’s in the doorway, staring down at him on the floor.
“What’s goin’ on, kid?”
“It’s– nothing’s–” He’s still getting his breath back. Voice all wavery and false between gasps. Fuck’s sake. “I’m okay.”
“Well, it sounds like you just smashed a mug, a nice one, too, so I don’t know if I’m gonna believe that. C’mon, come sit with me.”
“I don’t–”
“Eddie.” It’s a rare tone, that. Firm and authoritative. Eddie, being someone who hates authority, feels the instinctual urge to disobey. Duck out the side door, or something, but Wayne stays there until Eddie uncurls his trembling limbs and gets up. Follows him through to the other room and sits on the couch with him, looking at his hands.
“I’m sorry,” Eddie says. They’ve been here before.
“That’s not– for god’s sake, Eddie. For Christ’s sake. I feel like I’m always sittin’ here askin’ you to talk to me and you won’t. You never do.”
“That’s not– that’s not true.”
“Ain’t it?”
Eddie lights a cigarette. His fingers hold a tremor and it takes him a few goes to make the flame catch. “I don’t know what, uh– what there is to say.”
“Eddie.” Wayne shakes his head. “I know there’s somethin’ goin’ on. And I don’t know if that’s– to do with this Harrington kid or not, or you havin’ to retake the year at school-”
“I don’t.”
“What?”
“I don’t have to retake the year. Not if I don’t want to. Remember? I said that, I don’t actually have to do it and I feel like maybe I’m– maybe I’m wasting my time. I said that.”
Wayne’s voice comes out tired and pissed-off. “Yeah, I know you said that. I’m askin’ if you wanna talk about it. Talk about anythin’. Because it– it can’t go on like this, y’know? The way I came home in November to Avni waitin’ on the doorstep, tellin’ me shit about how you’d overdosed, had a seizure on the goddamn bathroom floor like that was just– like I was just supposed to accept that. And I know you’ve been– you’ve been tryin’. I know that. And I don’t wanna–” He shakes his head again. “I don’t know. I feel like there’s gonna be a point, maybe, where I can’t just let whatever’s happenin’ keep happenin’ without at least talkin’ to you about it.”
Eddie looks at his cigarette. Thinks about maybe doing what he says, telling him what’s going on. Not all of it, not the things — most things — he legally can’t. NDAs being what they are. But his mom, well, he could ask Wayne about his mom.
And yet–
And yet. The last time he asked. I don’t know how helpful it is for us to be talkin’ about this. That’s what Wayne said, the last time they tried to have this conversation.
“I’m safe, Wayne, okay? I’m– I mean, I’m as safe as I can be in this fucking town. And I’m not taking anything. Haven’t taken anything since my fucking codeine ran out for my useless fucking shoulder a week ago, and you don’t have to worry about me, okay? You– you don’t have to. I’m fine.”
A silence. Wayne’s eyes are drawn and distant and for the first time in a long time, the first time in years, it occurs to Eddie that his place here is contingent only on Wayne’s goodwill. Wayne didn’t have to take him in back then, scrawny and desperate with hair growing out of a buzzcut. Wayne didn’t have to take him in, but did anyway, and now Eddie’s nineteen and not a kid and not his responsibility. Not his problem.
What would it be like, then, to ask? Do you know where my mom is? Forcing Wayne to give him a straight answer? Maybe even–
It’s then, as he’s opening his mouth to ask the question, that he remembers where he left the slip of paper with the phone number on it.
He runs out of the trailer with some mumbled excuse to Wayne. Dives into his van and roots through the dash, a totally chaotic mix of empty cigarette packs and cassettes and old baggies that once contained weed or ket. Evidence he should probably have disposed of a while ago, but that’s not how his brain works, is it?
And there. Creased and hanging out of a cassette (Judas Priest, British Steel) by its corner, the scrap of notepaper, and Ciara Malone’s number.
Notes:
– songs from the big chair by tears for fears was released in february 1985, featuring the working hour, this volume's titular song
– the album no secrets by carly simon was released in 1972, featuring of course the classic you're so vain
– norman rockwell was an american painter active in the mid 20th century, famous for faintly over-the-top depictions of ordinary american life
– led zep's immigrant song was featured on their album led zeppelin iii, released 1970
– judas priest's british steel was released in 1980thank you for reading! as ever, let me know what you think below, and find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 49: Better To Have Lost In Love (Eurythmics)
Summary:
“I’m coming with you,” he says.
“No, Steve, you–” Eddie starts, and doesn’t get any further. Because he has nothing to say. No reason Steve can’t come with him, none except the thoughts he’s not allowed to have, the things he can’t possibly ever say. They look at each other for a moment, silent in the sunshine. Then Eddie bites his lip and says, “For fuck’s sake, fine. Fine.”
Notes:
warnings for referenced domestic violence, implied ableism, referenced drug use, reclaimed homophobic slurs, implied disordered eating, and referenced torture + aftermath.
(See the end of the chapter for more notes.)
Chapter Text
WEDNESDAY JULY 17TH, 1985
There’s no response when he calls the number that evening. It’s an Ohio area code, 614, so probably Columbus. Right? And there’s no going there right then, not with the way Wayne’s silence went cold and uncomfortable before he left for the plant, something in his eyes that said there remained a conversation to be had. And so. Eddie passes the night in sleepless anxiety, smoking too many cigarettes and waiting for the acceptable hour to call the number again. Finally there’s sun filtering through the trailer and he leans by the phone to dial: Hi, you’ve reached Ciara and George, we’re not here right now, so leave a message after the tone. If nothing else, the answering machine is confirmation that the number’s still the right one. Beyond that–
Well, beyond that it’s a matter of going to Columbus and flipping through the white pages.
His choice, then, is between waiting for his uncle or writing a note. His uncle who’s at Icex right now, another place linked to all this mess, another link in the chain, and it’s that, right? That’s why he has to do this. Find out how he fits in here.
He writes a note and pins it to the fridge with a novelty Kansas magnet. Then he’s out of the door, early sunshine overhead, turning the keys to his van over in his hand — and looks around at the sound of an engine.
The Bimmer, coming down the road through the trailer park towards him.
He’s helpless to it, really. As much as he might want to gun the accelerator and speed out of the way — well. He wants to talk to Steve. He always wants to talk to Steve.
Steve is wearing sunglasses, and he gets out of the car slowly, like a model. Leans back against the hood like he’s giving Eddie space, okay, sure, they can work with this. Though Eddie’s stomach is in knots and his hands are twitching.
“Where are you going?” Steve says.
“I’m going– I’m going to Columbus. Columbus, Ohio. To find– well, to find someone who might know how to find my mom.”
“Eddie–”
“What?” he snaps. He doesn’t mean to. It just comes out that way.
Steve seems undeterred. “Shouldn’t we– I don’t know, shouldn’t we slow down a bit on this? Talk to someone, maybe? I mean, they were Hopper’s files, maybe he knows more about what happened with your mom. Or your uncle, won’t he– I mean, he might know something too, I know we can’t break our NDAs, but–”
“I’m not talking to my uncle about this.” Eddie takes a deep breath. “I don’t– I just can’t. It’s already dangerous enough, don’t you think? And, like–”
“Nancy, then. Robin. Dustin, even, I don’t know, just someone with a little bit of– of perspective–”
“There is no perspective.” Eddie brings up a hand to pinch the bridge of his nose. “There’s no– it’s my mom, Steve, it’s just my mom. And– and me, whatever the fuck’s going on with me. Whatever’s wrong with me, it started with her, I mean– I thought it started with my dad. It would, right? Jailbird and all, but no, it turns out no, and I can’t– I can’t have anyone else involved in that. Really I can’t.”
A silence. They’ve never done this before, not really. Oh, they’ve gone off into the woods together in search of a monster, they’ve resolved to break a code and explore a secret Russian room but they’ve never done this. Never looked at each other in the frankness of something personal, personal, it’s personal, and resolved–
Well. Whatever Steve’s about to resolve.
Sure enough, he takes his sunglasses off, folding them neatly to go in his pocket. The care of the gesture, that’s what Eddie notices. What he always notices. Steve, he’s clumsy and he’s brutal but he’s also so goddamn soft. A gentle sort of person. Not made for this situation.
“I’m coming with you,” he says.
“No, Steve, you–” Eddie starts, and doesn’t get any further. Because he has nothing to say. No reason Steve can’t come with him, none except the thoughts he’s not allowed to have, the things he can’t possibly ever say. They look at each other for a moment, silent in the sunshine. Then Eddie bites his lip and says, “For fuck’s sake, fine. Fine.”
“Let’s take my car,” Steve says immediately.
“What? No. Why?”
“Because your van rattles like hell, plus we’re crossing probably multiple state lines and you’ve already been arrested in it once.”
“They’re not– the police departments are not that synced up, man, I’m sure it’s fine.” But Steve’s look doesn’t waver. Eventually Eddie sighs and scratches the back of his neck. “Jesus. I can’t believe I’m letting you talk me into this.”
“You can even drive it some of the way, how about that?”
“You’re not afraid I’m gonna scuff up your precious, expensive paintwork?”
Steve shrugs easily. “It’s just paint.”
And isn’t that a wonder.
The Bimmer has soft leather seats and a smell faintly like Steve’s cologne. Eddie’s been in it before, of course, but back then it didn’t feel quite so important. When Steve turns the engine over, some Eurythmics song starts playing, one from that album Robin likes. Then they just start driving. Without any preamble, like it could be as easy as that. Like they’re doing this, easy as that.
“A Eurythmics fan, huh?” Eddie says, in an effort to take his mind off things. Well, off certain things, onto others. God, what a fucked-up week.
“Huh? Oh, yeah, they’re growing on me. Robin left this in my car on Sunday, driving back from Indy.” A silence. He can feel Steve’s eyes on him, moving between him and the road. “Y’know, I’ve been meaning to say–”
“What?” It comes out with more bite than necessary. Eddie can’t restrain anything right now, it seems.
“We just never really– talked about it, is the thing. Like, afterwards. You were fucking great. I mean that, I know it’s not my kinda thing but you were just–” Steve shakes his head. His hair falls across his forehead. “You were great.”
Eddie stares at him. “That’s– that’s what you’ve been meaning to say?”
“Yeah? What’s– what’s wrong with that?”
“Nothing’s wrong with that. Nothing’s, uh, nothing’s wrong with that.” He hunches down in his seat and ducks his head. It’s too much. It’s all too fucking much. And Robin’s music is playing, after they looked so cozy and content after the show, and his lasting memory of that night is the blotches on Victor’s cheek and the cold press of the porcelain toilet bowl against Eddie’s jaw.
They drive in silence for a little while after that.
But it’s three hours to Columbus, and neither Steve nor Eddie have ever been ones to enjoy stewing in their own silence, so eventually they end up talking again. Nonsense, really, Steve relating some ridiculous story of Dustin’s from camp. Which has Eddie laughing despite himself. Because of course it does. And Steve looks at him sideways, under that hair, with the curve of a smile, and Eddie’s only human, isn’t he? His insides flip and he has to look away, mouth dry. God, that smile.
Think of something else. Think of something else. He winds up saying, “Y’know, Dustin and me, we talked. In the Russian base while you guys were– well. Having a totally shit time.”
Steve doesn’t even blink at that. Doing some effective compartmentalization, huh? “Yeah? What did you say?”
“Well, he was– he was mad at me for how I sorta ditched him. Ditched them all, after last time, after– which I did. Ditch them. But I don’t even– it’s not about me at all, I don’t think. He was feeling pretty guilty about the way things went down with you and Robin.”
“Shit, really?” Steve takes a hand off the wheel and runs it through his hair. “I mean, that’s not– that’s not on him, you told him that, right? Like, it’s really not on him.”
“Yeah, I told him that. But shit, man, I mean, if it’s on anyone–”
“We shouldn’t have taken them down there,” he agrees softly. “Yeah. I know. I’m gonna– I’m gonna be carrying that around with me, I think. Next time–”
Eddie laughs with a touch of hysteria. “Fucking hell, that we can say that. Next time. But yeah, next time, we’re gonna do it differently.”
“We are,” Steve insists. Glancing over at him as if to make the point. “We will.”
You’re too fucking good, Eddie wants to say. You’re too fucking careful, and hopeful about it, putting your sunglasses away like that’s gonna make any difference. Like we aren’t all fucking clumsy when it actually matters.
In Columbus, Eddie tells him to pull over at the first phone booth they see. He fumbles for coins with trembling fingers and tries dialing Ciara’s number again. It doesn’t ring out this time, but beeps busy. So she’s at home. To the phonebook, then, conveniently placed, as he knew it would be, right by the telephone. Malone, Ciara, right? Unless she’s married to the George on her answering machine, married recently enough to have changed her name, he thinks with a sinking feeling (the sort of feeling he can’t help but wonder about, now) — but there she is. Malone, Ciara. Listed alongside her number. And her address, her Columbus address, meaning they’re in the right place and they can find her and then they can find–
Eddie slides back into the car and tells Steve the address.
“Grab that atlas, then,” Steve says, pointing over his shoulder. True to form, there’s a thick atlas in the pocket behind Eddie’s seat. He grabs for it and flips to Columbus. Directs Steve street by street from the passenger seat and ignores the way it makes him feel warm, to be partnering in this way. Fucking pathetic, is what it is. Still. He’s been in an enclosed space with the guy for three hours now. Sue him for getting a little queer about it.
And then it’s not the time for that anymore. Then, they’re pulling up outside Ciara Malone’s nondescript apartment building, and Steve is saying, “Do you want me to come in with you?” and Eddie’s nodding numbly, not thinking about it, just doing what he can’t stop himself from wanting himself to do. Needing Steve here, well. That’s a whole new slippery slope.
Still. It’s nice to have him by Eddie’s shoulder as he presses the buzzer.
“Hello?” It’s a woman’s voice, Ciara’s voice, he thinks. Crackly and faint over the intercom.
“Hey, um, my name’s Eddie Munson? We met, uh, we met outside my dad’s funeral last year, you said you knew my mom?”
A silence.
“I’m sorry for– I’m sorry for just turning up like this. There’s just– things I need to know, and I thought–”
“Yeah, okay, come in.” The door unlocks.
He glances at Steve. Steve looks at him steadily. For some reason, it helps, and Eddie sets his shoulders and leads the way inside.
It’s a walk-up, four flights up. An old building, so it’s cooler inside than out, but Eddie can still feel sweat running down his nape. He pulls his hair back and swallows the leaden feeling in his throat. And then he’s knocking on the door of the apartment and someone’s opening it, a woman, not Ciara Malone at all but a tall woman with warm brown skin and hair cut short, and she studies Eddie suspiciously.
“Ciara?” she calls behind her. “The kid’s here.”
She stands aside to let them in, still watching them critically through narrowed eyes. The apartment behind her is homely, cluttered, and Ciara’s there too, moving a stack of magazines off the couch to make room for them to sit. She ushers them in, looking utterly unchanged from when Eddie last saw her, which wasn’t all that long ago, not really. Soft features and dull blonde hair pulled back from her face.
“Tea?” she says. Like it’s as easy as that.
Steve glances at Eddie. When Eddie doesn’t say anything, he says, “Uh, sure. Thanks.”
“George?” Ciara says, looking at the other woman, and oh. That’s George.
It makes sense to Eddie with all the suddenness of a light switch. Ciara and George. Sharing the answering machine message, it’s almost sweet. Steve’s eyes betray no hint of recognition — he probably thinks they’re just roommates. Which is likely the fiction they put out.
George looks between them with a raised eyebrow and then goes into the kitchen, leaving them alone. They sit down. Strange, to sit down here and wait for tea.
“So, you– you want to know things about your mom?” Ciara tucks a loose strand of hair behind her ear with a twitchy hand.
“Yeah. Uh, yeah, I need to– I mean, when did you know her?”
“I met her about a decade ago. I– well, I knew her for a long time, until about four years ago, actually. We haven’t spoken since.”
“Why? What–” Somehow it’s easier to focus on the specifics of this, the smallest of things, than his mother as a person, his mother as a real human being with an interior life he’s never been privy to. Never even known existed.
Ciara presses her fingertips to her forehead and says, “We fell out. Badly. Not– I mean, your mom, she had a lot of problems. Has, I don’t know. I doubt they’ve gone away. And I wanted to help her, really I did, but at a certain point she stopped allowing me to.”
Eddie moves to light a cigarette. There’s an ashtray already on the coffee table, so he reasons she won’t object. It gives him something to do with his hands, and something to do with his face, where he can’t help but feel it twitching into vulnerable expressions he doesn’t agree with. His mom has a lot of problems? The way Terry Ives, maybe, has a lot of problems? “So you knew her for six years.”
Ciara nods. Her eyes are miserable.
“And you– I mean, did she tell you about her– about her life? Like, what she was doing and where she was before she met you?”
“A little. Why? Is that what you’re looking for?”
“Did she ever mention the Hawkins National Laboratory? Or– or a guy called Martin Brenner?”
He’s skirting the NDA here. Maybe breaking it. Probably breaking it, if the way Steve’s knee kicks into his own is any indication. They weren’t sitting that close before, Eddie thinks, but now their knees are touching, and he can’t even think about it.
George comes back in, carrying a tray of mugs. All cute and domestic. She’s brought tea for Eddie, too, though he didn’t ask for it. Then she sits down beside Ciara and deliberately reaches for her hand. Ciara doesn’t hesitate before letting her take it, the sort of action that speaks of nothing if not familiarity. Softness.
Eddie can’t look at Steve. Can’t bear to see what his face might say at that. Ignorance, still — women hold each other’s hands, right? — or recognition, which might be worse. So.
Ciara’s face is blank. “No, she never– she never said anything about that.”
“Nothing about–” he winces “drugs? Or this– or this sense that she might have been, uh, been in danger? In Hawkins?”
“Hawkins was where she was with your dad, right?” Eddie nods. “Well, I don’t know about– about drugs. I mean, I do, but not back then. She never mentioned it. Your dad, though. He was a danger. I know that much.”
“You were at his funeral,” he realizes slowly. “But you didn’t even– you didn’t even know him.”
“No. But she told me enough. And I wanted to– well. I knew she had a kid out there somewhere. And I guess I wanted to see it for myself, this family she’d attached herself to for such a brief moment that had had such a huge impact on her.”
“An impact? How–”
“I told you. She had problems.” Ciara shakes her head, looking down. George squeezes her hand. Eddie stares at their interlaced fingers, unable to look away. “I really don’t say that to be horrible. She was– God, she meant a lot to me, for a while. For six years. And I figure you deserve to know things about her, know what she’s like and that people have loved her, even if those people– well. Even if she wouldn’t let you be one of those people.”
Because that’s the crux of this whole thing, right? That his mother, technically, abandoned him. And now here he is, trailing after her like a lost puppy, seventeen years late.
Steve’s knee knocks into his again. Eddie looks at him sharply, but there’s no expression in his face, nothing to show what he’s thinking. For a puppy-eyed jock of a guy, Eddie thinks, he’s always strangely inscrutable.
Maybe it’s that, the touch of Steve’s leg against his own, unintentional as it probably is, that gives him the courage to say, “Where is she now?”
Ciara’s eyes go wide. “You want to–”
“What did you expect he would want to do?” George cuts in. She’s shaking her head. “Of course the kid wants to find her, isn’t that what you were suggesting when you offered to tell him about her?”
“I– yeah. I suppose. I just– it feels weird, I guess, that she’s still out there, living her life out in the world.”
“Where?” Eddie repeats, leaning forward.
Ciara sighs. She presses the heels of her hands into her eyes for a moment and then says, “Buffalo, New York. That’s where I last saw her and as far as I know she hasn’t moved.”
Buffalo, New York. It seems very far away. But he’s in this now, so he gets her to write down the address. She might have moved, true, but it’s a starting point, and Eddie’s got shit else to do right now.
Then George gets up with the mugs, empty except for Eddie’s, too twitchy to drink, scared he’d spill it, and says, looking at Eddie, “Kid, come help me wash up before you go.”
Eddie, for all his distrust of mothers and parents and authority in general, follows her into the kitchen. Because George has got this easy way about her, this thing that reminds him of Victor and Stevie and the other queer people he’s known, real queer people who know what they’re doing and have been doing it for quite some time now. So he follows her into the kitchen.
And she leans back on her hands against the counter and says, “Listen. Believe me, I get the fucking impulse. I never knew my dad and my mom’s a fucking battleaxe, not in the cool dykey way but in a truly awful way. You want to find the better parent, right? Grass is always greener, something like that?”
“It’s more complicated than that,” he mutters, scratching at his nape. The old habit returning.
“Well. Whether it is or not, I’m not gonna thank you for coming here out of the blue like that. Ciara– she shouldn’t have approached you last year. She worked hard on getting over what happened with May. She was a fucking mess when I met her four years ago. She worked hard on getting over it, and we don’t need you coming back here and stirring shit up. And it’s gonna– I mean, you do realize this, kid, it’s gonna be the same with your mom. She left you behind and didn’t look for you.”
Eddie twists his fingers into his hair and tugs on it, hard enough to produce a spark of pain. “Yeah. I do- I do know that. Funnily enough.”
George shakes her head. “I can see when someone won’t be dissuaded. I’m just trying to help.”
“Well, thanks.”
“And I hope that boy in there is as supportive as he looks. ‘Cause you’re gonna need it.”
It takes him a second to realize she means Steve. Then he flushes red, inordinately and inappropriately pleased, because he has no right to be pleased. Feels like he’s getting away with something to be pleased.
There’s little else to be said. He and Steve leave amid awkward goodbyes, the address clutched in Eddie’s fingers. Outside, as they’re getting in the car, Steve says, “You want to drive to Buffalo, don’t you?”
“I mean– yeah. I do. How long is that?”
Steve reaches for the map. He stares at it, concentrated frown appearing between his eyebrows, and says, “Like, five hours, six hours. With no traffic, maybe we’d get there by seven p.m. With traffic– and then there’s the matter of finding your mom’s place, probably in the dark, hoping she’s home, finding a motel if she’s not–”
“Jeez, man, where’s your can-do attitude?”
Steve stares at him. Eddie can feel the edge of a faintly hysterical smile tugging at his mouth, but Steve doesn’t return it. Steve just looks serious and slightly fucking concerned. Ridiculously. “Look, Eddie, if we’re doing this–”
“You wanted to do this,” he finds himself saying. Petulant somehow. “You said you– you asked to come.”
“Only because I didn’t want you driving off into– into fuck knows where, chasing some–” Steve takes an audibly deep breath. “Let’s do this the right way, okay? Let’s drive like three, four hours now, find a motel, and maybe actually have some energy left to face this thing in the morning.”
He sounds so fucking reasonable. Eddie hates that he sounds so fucking reasonable. He’s got no choice but to agree, despite the manic itch he’s getting to floor the accelerator and take himself off into the east as fast and as far as he can go — he has to agree.
Steve lets him drive this time.
Four hours later, his feet ache from hitting the pedals and he’s heard enough British new wave to make his ears bleed, and he says as much, flexing his hand on the wheel and glancing over at Steve, who’s been looking idly out of the window.
Not so idly, maybe, because then Steve says, “There’s a motel in half a mile, look.”
The sun, dipping towards dusk, has turned the sky into burnished gold; the asphalt ahead of them is dry and dusty and capable of taking them a lot further than this. But Steve’s right. Steve is right — and so Eddie turns off half a mile later, somewhere between Ashtabula and Erie. The Discount Inn. It’s not the worst motel he’s ever seen. Red doors and a clean, if cluttered, reception area. Their room is dim and not uncomfortable — two single beds, a dark carpet, a small TV. Eddie chooses the one furthest from the door.
There’s a diner just across the way, like something out of a movie, all the Middle American cliches located together at once. They head over there fairly soon, hungry after the drive. Eddie’s head feels dull and heavy, eyes itching from staring at the road so long. He orders a burger and then stares at it when it arrives, the glistening meat of the patty, the powdery softness of the bun. He feels a green twist of nausea and pushes his plate away.
“You okay?” Steve says, voice soft.
“If this is real,” Eddie says, in lieu of an answer, eyes on the table, “if this is real, and I really am– if my mom really was involved. In all the shit El’s mom was involved in. And I’ve got some kinda– I don’t know, some weird ability beyond the, beyond the world the way she does. How did I get away with it? They–” He lowers his voice. “They kidnapped her from her mom, and fried her mom’s brain for her trouble, like, this isn’t– and I didn’t even leave Hawkins. My mom did, but I didn’t.”
Steve takes his time in responding. Eddie can’t bring himself to look in his eyes. He’s got some wires crossed, isn’t that what he’s always said? The same way Joyce is generally considered crazy. And she was right, when she said something ridiculous. And so is Eddie, he’s sure of it, but doesn’t make it not ridiculous. Doesn’t make it something Steve has to believe.
“I don’t know,” Steve says eventually. “I mean, isn’t that the point of this? To find out what actually happened with your mom? I feel like– I feel like speculating isn’t gonna help. It’s just gonna make you panic about it more.”
“Who says I’m panicking?” Eddie raises an eyebrow with a dry, arch smile.
Steve rolls his eyes. “Okay, dude, sure. You’re cool as a cucumber. Now eat your burger.”
Eddie doesn’t eat his burger, but he does pick at his fries and a half of Steve’s grilled cheese, pushed towards him in no uncertain terms. Steve makes him laugh again and for a little while, just a little while, he stops speculating.
But that night, on a hard single bed, he twists and turns and can’t get to sleep. The room is stiflingly hot. Steve is snoring gently in the other bed, a proximity that feels torturous, and more than that Eddie’s mind is racing. Ciara’s face circling round and round, the things she said and the things she didn’t. What he might learn. She had problems. He knows about problems; he’s got more than a few of his own. He can handle that. Everything else–
Somewhere around the two a.m. mark, with not a wink of sleep in sight, Steve makes a different sound from across the room. A soft intake of breath, disrupting the even rhythm of his snores. Eddie turns over to look at him, in the dim hope that maybe he’s woken up too. But he’s still asleep, eyes screwed shut in the gloom. Breaths catching up with each other. Shoulders gone a little rigid, too, and Eddie thinks, nightmare. Oh. He’s having a nightmare.
Strange, really, to think of Steve having nightmares the way Eddie does.
Eddie lies there for a moment, frozen. Where before they felt far too close together, now the distance between them seems insurmountable. Uncrossable. If Eddie goes over there, sits on the side of the bed or even stands over it, a tentative hand on Steve’s shoulder, trying to wake him–
It’s crossing a boundary he’s not at all allowed to cross.
But Steve’s rigid, twitching, painful to watch. Eddie’s just made the decision to get out of bed — cross the Rubicon — when Steve’s eyes fly open and he lies there perfectly still for a moment, breaths whistling through his nose.
“Steve?” Eddie tries carefully, still on his own side of the room.
Steve doesn’t say anything for a moment. He brings a hand up and scrubs it over his face, keeps it there as he makes a ragged sound in his throat. Halfway to a sob. Eddie’s never been on this end of things before, has he? Oh, sure, he’s seen Steve hysterical, high, concussed and passing out all over the place, but this — this is nothing but the plain rational irrationality of what they’ve been through following them around again. It’s been chasing Eddie for a while.
“Steve?” Eddie says again.
“Can you– can you turn the light on?” Steve’s voice is muffled behind his hand. Eddie leans over and switches on the lamp. It sheds warm yellow light across the room, a beacon, a nightlight. Steve slowly takes his hand away from his face with his eyes fixed on the ceiling. “Fuck,” he says, sounding slightly out of breath.
“You okay?”
“Well, I don’t know, I just had to watch–” He shakes his head. “It doesn’t matter.”
“What? What did you–”
“It was the fucking Russians, okay?” He drags himself up, sitting cross-legged under the sheets and balancing his elbows on his knees as he runs trembling fingers through his hair. A whole new side of him, Eddie thinks, uncomfortably — or maybe just strangely — intimate. “I saw– I mean. They were gonna tear my fucking fingernails out, so. That’s what I’ve been dreaming about. My mind’s not all that imaginative.”
“Fucking hell.”
“Yeah.”
“You– I mean. You can talk about it, y’know?”
Steve looks at him. “Yeah. I know. There’s just not– there’s not that much to talk about, not really. Just the fucked up shit we went through, and the way– the way I don’t think I’m ever gonna be able to get high again, which, I don’t know, maybe that’s a good thing.”
This isn’t about him, of course, but it still makes Eddie look at his hands. “You talk to– you talk to Robin about this shit? Since you, uh, you went through it with her. Shared trauma, or whatever the fuck.”
“I went through it with you too. Not– I mean, not the Russian torture chamber, but the rest of it– the rest of it you were there too. And Robin–”
“What?”
Steve shakes his head. “It doesn’t matter. I’m just– fuck, I don’t know. I’m here with you, right? And I– I’m talking to you. So.”
Whatever that means, Eddie doesn’t fucking know. He stares at Steve for a moment, the way his hair is mussed on one side, eyes sleep-bleary and reddened. It’s not a sight reserved for Eddie. Not a sight given to him at all, really, simply snatched by chance. They’re here, but that’s not why they’re here.
When Steve doesn’t say anything else, Eddie turns out the light.
Notes:
– the white pages are the local listing of phone numbers and addresses — he could have called directory assistance for the address, but he's understandably not thinking all that clearly right now.
– the eurythmics album is be yourself tonight, released april 1985thank you for reading! as ever, let me know what you think below, and find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 50: Barbarism Begins at Home (The Smiths)
Summary:
He looks at the cigarette as he says, “I never– I never thought I’d be here. I mean, finding my mom– I didn’t even know if she was alive for a while. And now I’m here with you. With Steve ‘The Hair’ Harrington, speculating about a fucking tattoo–”
Notes:
warnings for discussed alcoholism, a reclaimed homophobic slur, referenced domestic violence and child abuse, referenced drug use, references to the AIDS crisis, ableism and referenced mental illness, and underage drinking.
(See the end of the chapter for more notes.)
Chapter Text
THURSDAY JULY 18TH, 1985
Steve plays The Smiths as they drive to Buffalo the next morning. He’s behind the wheel again, though there are deep shadows beneath his eyes. They listen through all of Meat Is Murder in tired silence and it’s only near the end, on Barbarism Begins at Home, that Eddie says, “Man, Jonathan’s really corrupted you, huh?”
Steve glances at him. “Yeah, well, maybe. It’s good.”
It’s pretty fucking far from the jangly British pop he usually favors, though he crosses the border with new wave fairly often. Eddie shrugs and says, “Hey, it’s better than fucking Wham!, so. Go right ahead.”
This is apparently encouragement, because Steve follows it up with that new New Order album, Low-Life, a real Jonathan special. As its penultimate song, Sub-Culture, is drawing to a close, they begin to spot signs to Buffalo. It spreads out before them, large and slightly Canadian in the dull reflection of Lake Erie. Somewhere here is Eddie’s mom, he thinks. And not just somewhere.
He gets the atlas out again to direct Steve to the address Ciara gave him. He can distance himself from what he’s doing that way. Following the line of the road up through the city with his finger, concentrating more on place names and street signs than where they might lead.
But finally, finally, they’re only a street away, and he can no longer ignore it. And the awareness of where he is — the sheer physical awareness — slams into him with the force of a train screeching on its tracks and fills his ears with the buzz of static. Because he is here. And up there, in one of those apartments, is his mom.
“I can’t,” Eddie says, when Steve stops the car.
“You can’t– what. You can’t go up and see her? Eddie–”
“I know, okay? I know. I just–” he shakes his head mutely. Hunching back into the seat. “I don’t think I can–”
There’s a silence. Steve turns the music down. Facing Eddie, he says, “Okay. Then you don’t have to.”
“But–”
“I’m so fucking hungry. Let’s go find some food, huh?”
It’s as easy as that. Steve drives them a couple more streets, enough that it feels like there’s a distance between them and what they’re supposed to be doing here again. They find a deli and sit on the bench outside it with two beef on wecks, a local specialty, apparently, salty soft bread, tender beef, bitingly strong horseradish. At the first bite, Eddie realizes he’s hungry too, and wolfs the rest of it down. Steve’s not far behind him, and then they sit there in the sun, looking across the street at a tattoo parlor and a laundromat. There was a laundromat by his dad’s funeral place, he thinks, and doesn’t that mean something? The way the IHOPs meant something in his dreams. Everything wound together and everything meaning everything else.
“Maybe I should get a tattoo,” Steve says.
Eddie looks at him in surprise. “What?”
“What? Can’t picture it? I mean, I think my dad would disown me and my mom would have a literal aneurysm and I’d never be allowed in the house again, but I think it would be cool.”
“What would you get?”
Steve smiles lopsidedly. The sun’s coming down on him at an angle, tripping gold across his face. It glints in his hair and Eddie thinks, fuck. And he thinks, we’re here together now, at least, and that’s something, but fuck. “I don’t know, probably something obvious and not, like, symbolic at all. Just the bat with nails in it or something, y’know?”
“That’s metal.”
“But predictable, right? I don’t know. I’d have to think about it.”
Eddie shrugs. “Nothing wrong with predictable. You’ve, uh, you’ve never thought about it before?”
“Nope. I feel like I– I tend not to think about things I don’t need to think about. Things that are kinda– outside my field of vision, y’know? It’s never gonna be an option so why consider it at all.”
“You don’t have an imagination?”
“I have an imagination.” Steve looks down. “Of course I have an imagination. I just– I mean, I’ve been a jock and a square all my life, you gotta cut me some slack, right?”
“Ah, and finally he sees it. What a moment for self recognition.”
A year ago, the comment would have frozen into ice between them. But Steve ducks his head and continues to smile. “Tell me about it. Y’know, people like you and Jonathan and Robin are doing a– a public service here. Telling me what an asshat I was.”
“You were.” It’s Eddie who looks away, then. “But you’re– y’know, you’re not anymore. You’re here, you’re, uh, you’re here. We’re here.”
There’s a moment in which neither of them say anything. Then Steve looks up. “Whatever you wanna do, you know that, right? Don’t say some shit like, but we drove all this way. Because yeah, we did, and even if you don’t go up there and you never meet your mom it won’t have been a waste, okay? It’s a fun road trip, if nothing else. Means I get to force you to listen to my music.”
“God, don’t I fucking know it.” Eddie takes out a cigarette and lights it, noting absently his yellowed fingertips and the way they tremble. He’s been getting ulcers on the inside of his lip again, too, a further sign he needs to cut down. He looks at the cigarette as he says, “I never– I never thought I’d be here. I mean, finding my mom– I didn’t even know if she was alive for a while. And now I’m here with you. With Steve ‘The Hair’ Harrington, speculating about a fucking tattoo–”
“Yeah.”
He takes a deep breath. “Okay. We’re here, so, fuck it. Let’s go talk to her.”
He stands up. Then he thinks about it again, thinks about Steve and who Steve is, who Wayne thinks him to be, who Eddie thinks he knows him to be but isn’t, deep down, all that sure. And his mom–
“Do you mind if you don’t–”
“I can stay with the car,” Steve says easily. Understanding as fucking always. God, this whole thing has been a trip, hasn’t it? And Steve’s been entirely too nice to him. It’s a strange feeling. “Or, hell, maybe I’ll– I’ll walk along the waterfront, take in the sights. That’s what tourists do, isn’t it? Some shit like that? Maybe I’ll find a museum.”
“Really.”
“Really,” Steve says, edge of a smile, and it’s easy. It’s too easy.
Less easy to confront his mom’s apartment building. Squat and non-descript, the way Ciara’s was. There’s some traditional Irish pub on the corner, The Lucky Shamrock, and another laundromat opposite. They seem to be following Eddie around.
Steve, in the car, watches him at the door. All encouraging. Eddie wishes he would leave. Then it might be simpler to do this, which is press his finger on the buzzer next to her name, May Luxemburg (married? Changed her name? She’s the only May on the list, so he has to assume it’s her), and wait.
And wait. And wait. After around two minutes of this he realizes he’s not going to get a response, and he presses it again, just for good measure. Still nothing. Still just silence.
She’s not here, then, though she lives here. It’s a moment of panicked relief before his brain kicks into speculation. Kicks into something like intuition, maybe (the reason he’s here?), and before he can think about it too closely he’s walking down towards the pub on the corner, with its swinging green sign.
Inside it’s dark and fairly dingy. They’ve made some effort towards tradition, which is probably edging more into national cliche than realism, vis a vis leprechaun artwork and grimy tankards, but in the fundamentals it’s just a bar, the way every bar, even a gay bar, is just a bar. Eddie moves towards the bartender, who eyes him vaguely suspiciously. The place is practically empty.
“Do you, uh, do you know a woman called May Luxemburg?”
The bartender frowns. “Yeah, why? You related to her or something?”
“Why do you say that?”
He shrugs. “You just look a bit like her, is all. Same hair, though yours is longer than hers.”
“Right.” Eddie exhales, not knowing at all where to go from there. “I guess, uh– do you know where she is? Or where she’d be, around this time?”
“Well, Fridays and Saturdays she works here, and most of the rest of the time she’s in here drinking, so do me a favor and tell her she owes me for last night’s tab, okay? The only nights I don’t see her are AA nights. Daytimes, I got no idea.”
The ringing in his ears returns. Is this even a good idea? “Uh, okay, well, um, thanks anyway–”
The bartender’s eyes have gone wide. “Shit, kid, I didn’t mean– I guess I thought you knew.”
“What, you thought she was in contact with a kid she just happened never to mention despite spending– apparently spending literally all her time here? You thought she didn’t fucking–”
He doesn’t finish the sentence. If he had finished the sentence, it would have gone something like you thought she didn’t fucking abandon me decades ago? So his mom’s a drinker. He should have figured, really. It’s the missing ingredient in the fucked up equation.
There’s nothing to do but go outside again. Steve hasn’t gone anywhere. He’s leaning against his car with his arms folded across his chest, jawline stark as he looks up and down the street. When Eddie comes out alone, a line creases between his eyebrows.
“No idea,” Eddie says, preempting the question. He has no idea.
“Fuck. Well, I guess we could– we could just wait? She’s gotta come back sometime.”
Being a drinker, she’s probably accustomed to doing whatever whenever she likes. But Eddie doesn’t say this, he just nods, and this is when Steve’s face changes.
He’s looking back up the street, behind Eddie, and it’s this strange look, somewhere between recognition and alarm. Eddie turns and feels the same look come over him. Because she does look like him, is the thing.
They’re right. They’re right about her nose, and her hair, dark and curly and cut into a loose, shaggy mullet. She’s tall, about as tall as Eddie. Worn jeans, boots, a pale yellow shirt that dips at the collar, revealing the edge of a tattoo. Tattooed, he thinks. Curly-haired and tattooed and struggling with things she can’t control.
“May?” he says, stepping towards her. Mom a bridge too far.
She stares at him. Her head tilted, like she’s trying to place him. She says, “Sorry, do I–” And then stops, because apparently she does. Her voice is low, smoke-hoarse. She looks between Eddie and Steve and runs a hand through the hair at her nape, the way Eddie does, and it makes something inside him sink. “I guess you– fuck. Well. You wanna come up?”
Eddie glances at Steve. Steve nods at him, encouraging again, and Eddie wants to snap. Wants to give in to the sudden irrational urge towards anger, why should he be angry?
But he’s wanted to be angry for a while, and so.
May’s apartment is small and sparse, undecorated, like it’s only temporary. Surprisingly clean. She drops her bag, which clinks, onto the floor and drops herself into a chair, lighting up a cigarette with practiced fingers. He stands there awkwardly for a moment before she gestures to the other chair. What they’re doing here, he doesn’t know. What the fuck is he doing here?
“So,” she says. Any hint of surprise has been erased from her face, from her tone. There are threads of gray springing up at her roots, evidence of all the years she’s lived without him. “To what do I owe this pleasure?”
He puts his hand on the table and runs his finger over a scratch in the laminate. To smoke with her would feel like surrender. “There’s, uh, there’s some shit I need to know.”
“Is there?”
Looking at her closely, she doesn’t look drunk. But the apartment smells rich and harsh with alcohol, and if she drinks so regularly she’s surely high-functioning. Eddie being the sort of person who knows the terminology of addiction, now. “Yeah. There is. Such as this shit.” He takes out the photograph he found at Hopper’s and pushes it across the table.
She stares at it for a moment before picking it up, inspecting it with idle interest. “This. Okay. You wanna talk about this.”
“I want you to explain.”
“Edward–”
Though he was in no doubt that she knows who he is, this does something to his insides. “It’s Eddie.”
“Right. Nice. Okay, well, Eddie, if you want me to explain, we’re gonna be here a long goddamn time.”
If she’s got an accent, he thinks, he can’t place it. Maybe because it’s the same as his own. “You don’t seem all that surprised to see me.”
He watches for her reaction. Wonders if maybe there really is something here — the thing El shares with Terry, the thing this photograph implies. Something like prophetic dreams and a certainty about your own place in the world, or what the world will do to you. She looks at the end of her cigarette and says in return, “I figured you might look for me one day. You’re about the right age for it now. I bet your dad couldn’t wait to tell you all the thorny details.”
He frowns. “My dad’s dead.”
Her gaze goes unfocused. She’s looking at a spot just over his left shoulder, he realizes, not directly at him. “Oh. Yeah. I did know that. Still. All that shit seems so far away. So how did you find me, then?”
“Ciara.”
His mom looks at him. A dry smile breaks upon her face. “Jesus. Ciara’s still kicking around, huh? Where’d she end up?”
“Columbus.”
“Ohio. Of course she went back to fucking Ohio.” She shakes her head. “All alone out there? Or has she found some other dyke to shack up with and listen to her bullshit?”
A silence. Oh. Eddie hadn’t quite put the pieces together, not until now, and now–
Her smile goes arch. “What? Didn’t realize your mom’s a dyke too?”
His mind stutters. “But you’re–”
“Fuck’s sake, kid, it’s 1985. I was attracted to your dad once but I’m afraid he put me off the male species entirely. Not that I haven’t been hit by women too.”
So his mom’s gay. Just another thing they have in common, right? And it troubles him how he’s not really angry anymore. Because how could she stay in Hawkins like that? How can he blame her, when he’s also so utterly desperate to leave?
He lights his own cigarette.
“The photo,” he says, after a moment spent catching his breath. “I need to know what happened with the Lab.”
“How do you know about the Lab?”
He shrugs. “Shit happens in that town.”
She lifts the corner of her mouth. “Yeah. Shit does. Well– I mean, I’m under NDA, but I already broke some of their rules not checking in after I left town, changing my name and shit to disappear, so what can they do to me?”
So many things. They can do so many things. “You changed it to Luxemburg, right? From Kettering. Why did you–”
That smile again. Maybe it’s a symptom of the drink. “You ever heard of Rosa Luxemburg? She was a Polish communist, tried to overthrow the German government and start a socialist revolution. It was my own little joke, y’know? Being half Polish and running from the government as I am.”
“I didn’t know that,” he says quietly. “So I’m a quarter Polish?”
She nods. “And the rest. You’re of some Russian Mennonite extraction, so your dad said, not that I think even he knew what that means. Means in the end you’re not that American at all, right? Not that any of us are. We stole this country, did you know that? Landed here and fucking stole it. Maybe that’s why your dad liked it out in the Midwest so much. Land of liars and thieves, he fit right in.”
Eddie has nothing to say to that. He flicks ash in the ashtray and waits for her to answer his question.
“Well, the Lab, then. I just wanted to get out of town, can you believe that? I mean, I was a kid working in a diner for cash. I wanted to study history and politics and change the world someday, and that wasn’t gonna happen without a serious injection of money. And then Brenner, he was advertising for test subjects. Experimental work at extremely high rates of pay. This was– what. 1965? I was only nineteen. But old enough to sign the forms and get on with it.”
So it’s real. He’d feared, somewhat, that it was not.
“He did all sorts of weird shit, Brenner did. Mostly mapping my brain waves while I took psychedelics, hallucinated all sorts of things. Eventually they decided the drugs were getting in the way and they took to shutting me in a completely dark room for hours on end, days, a few times, no stimulus at all, just my own fucking thoughts, which got pretty awful pretty quick. Each time they’d open the door afterwards and seem sort of disappointed, like they’d been waiting for me to do something, but I couldn’t do anything except see things that weren’t there and lose my mind.”
“And they were testing you for– I mean, they thought they could give you some sort of, uh, some sort of powers?”
“I guess so. It was batshit. Like, totally batshit.”
“So you didn’t– they didn’t find anything? And they just let you go?”
“I attacked one of the orderlies.” Her voice is matter-of-fact. “I couldn’t tell imagination from reality anymore, and I attacked him, and nearly scratched his fucking eyes out. Plus there was this kid around, just this ghostly pale teenager, maybe Brenner’s kid, I don’t know, and who knows what damage I could have done to him, given half the chance. I had to go. So they made me sign a bunch of shit, basically made it so I could be declared medically incompetent if ever I tried to talk, and turned me loose.”
Eddie stares at her. “They didn’t– they did all that shit to you and then just– abandoned you?”
“Welcome to the US government, kid. Land of the brave and home of the free. Still. It meant I still had my own life.”
“And– and since then?”
“What?”
“Have you had any– like, has anything weird happened?”
She laughs. “Man landed on the moon, we impeached Nixon, and gays are dying of the plague. We’re living in weird times.”
“But personally. Seeing things, doing things, having dreams.”
A silence. He’s aware he couldn’t hide the strain of hope in his tone. Searching desperately for a thing that might make sense of him. Something in her face changes, softens, and for the first time she looks the way he might have imagined a mother to look. She says gently, “Sure, I see things, but they’re not really there. You know they’re not really there, right? Fuck, if I’d known this was gonna be a genetic thing–”
His face feels hot, eyes threatening to sting. He says, as if from very far away, “It’s not– that’s not what’s happening. I’m not– seeing things in that way. I just thought–”
“But you got issues, huh? You want– you want a nice tidy explanation for those issues. I know. You want them to be real somehow.”
He looks hard at the table, so he doesn’t have to see what her face is doing. He thinks he preferred it when she was rough and aloof and nothing but a soak who’d left him behind. “But it happened to someone else that way. She– her mom was in the Lab, experimented on like– like you were, while she was pregnant, and then they stole her baby when she was born. They took her away and it meant–”
His mom shakes her head. “Eddie, I wasn’t pregnant yet. I met your dad right afterwards.”
Oh.
Oh. And it doesn’t mean everything but it does mean something, doesn’t it, it means he’s not the same as El after all and his dreams are just dreams and whatever else is wrong with him is just what his mom was carrying around with her already, what his dad was carrying around with him. His troubles are entirely ordinary.
“He swept me up pretty much off the street, y’know, I was in such a fucking mess. Not thinking clearly, of course, and we drank a lot. He gave me a lot to drink. He had this friend, Lonnie, who was dating a friend of mine, Joyce Horowitz, and they were bad news, both of them, but Joyce had issues of her own and it was nice just to be wanted. Even if it’s not for the right reason, right? It’s nice to think someone wants you. But it goes so horribly fucking wrong. I mean– I’m not gonna say I wish it didn’t happen. I’m not gonna wish you out of existence. But–” She shakes her head again. “I was stupid. I was so fucking stupid.”
He lights another cigarette. These facts are occurring to him abstractly, distant in the way someone else’s life would be. His parents lived a damaged and damaging life; it’s like something out of a novel, or a DnD campaign. There’s nothing beyond that.
“Do you want, uh, do you want some lunch?” she says eventually. “I’m not much of a cook, and I don’t have all that much in the house, but I could do– eggs, maybe.”
“That’s okay. We– we ate. Beef on weck.”
She smiles. “You did? How’s that for a local specialty? Better than Buffalo wings, in my opinion. They’re vastly overrated.”
“Yeah, it was good.”
“Coffee, then? Or– or tea, or, well, you’re welcome to something stronger.” She scratches at the side of her jaw. “As you can probably tell, AA isn’t working on me.”
“I should–” He feels itchy, uncomfortable. “I don’t know if I should stay. I need to–”
“That’s okay. But you could– I mean, you could call me. Or write, or whatever. I’m glad you came here.”
His vision swims, the threat of further tears. That she should be nice to him, after everything–
And then it’s her hand on his shoulder. Slender fingers, yellowing like his own, another tattoo creeping out from under her sleeve. She smells like whiskey, this close, whiskey and cigarettes and stale horrors she’s still living out in the back of her head.
Hesitantly, he covers her hand with his own. She leans down and kisses the top of his head, just lightly, the way a real mother would, like a motion that’s been rehearsed a thousand times and could never possibly go wrong. Then she moves away again. “I’ll just– I’ll write down my number for you, my number and this address, in case you– in case you lose it. The address.”
She fetches a scrap of paper and writes on it. Her number, and her address, with MAY LUXEMBURG scrawled at the top. Nothing so presumptuous as MOM. But it’s better this way.
And so. He can hear his heartbeat in his ears as he leaves, walks down the stairs, leaves his mom behind. Only fair, right? Just desserts.
Steve’s still parked outside, the windows rolled down, more new wave drifting through the air. King, Steps In Time, Eddie sees, as Steve moves the empty cassette case from the passenger seat back into the dashboard. Eddie gets into the car with a numb distance from his own body, and doesn’t say anything, even as Steve looks at him expectantly. It’s only 1pm.
Finally, Eddie manages to say, “Let’s just– let’s just get out of here. Go to another fucking motel and then go home. And a liquor store, I need to– I just need not to think tonight, y’know?”
A measured silence. Then Steve nods. “Yeah. Okay. We can find a liquor store.”
They do indeed find a liquor store, a small outlet just within the city limits. Eddie’s still carrying a fake ID and he uses it to buy a bottle of Smirnoff, plus a couple cartons of orange juice for good measure. Then Eddie takes over driving, despite Steve’s dubious look — driving something innate, something he doesn’t need to think about — and they drive four hours to the outskirts of Cleveland, where they find another crummy motel with two further hard single beds and nauseous yellow lighting. They put the television on low, background noise, and Steve collects the plastic cups from the bathroom in their crinkly cellophane wrapping. A generous pour of vodka into each, a splash of orange juice. It’s enough.
“That bad, huh?” Steve says, after a while of drinking in silence.
“Depends how you qualify bad. Bad as in– as in I think my mom’s probably schizophrenic, not even because Brenner gave her superpowers but just because she is, and it’s genetic, or she was acting like it’s genetic, which means that– I don’t know what it means. She wasn’t even pregnant with me when she was at the Lab. She met my dad after. So all of this was just for– just for nothing, really.”
Steve frowns into his cup. “Shit, dude. I mean, the– the schizophrenia thing, that’s–”
“Yeah. I know.”
“What was she like? Other than– other than all that?”
Eddie exhales. They’re sitting on the floor opposite each other, leaning against the beds with their legs kicked out. “She was– I don’t know. Nothing like how I expected. She was a real person, y’know? Like– she drinks. She tries to go to AA but it’s not working, and she– I mean, she’s accepted that fact. She’s kinda defeatist about it. But then she knows shit, too, she used to have dreams of changing the world and she– her new name is based on this communist in Germany and she talks about America in a way I’ve never heard anyone talk about it before, I don’t know. And she said I should call her.”
Steve raises his eyebrows. “Are you gonna call her?”
“I don’t know. Fuck, I don’t know. I just– we just left, and my uncle, he– I thought I’d have some grand answer when I got back. I thought–”
Steve runs a hand through his hair. Then he picks up the bottle and fills up their cups again. Eddie’s definitely drunk already, nothing but the beef on weck to line his stomach. Steve says, “We’ve gotten this far without any goddamn answers, right?”
“I don’t really know where this far is.”
“No.”
“And my mom– fucking hell, it just happens, huh? It’s everywhere I fucking look. Because she’s– I mean, how can I blame her for leaving Hawkins? Hard enough being gay there now, and with my dad–”
A silence. In the fluid haze of drink, Eddie’s only abstractly aware of what he’s said. It’s easy when he’s drunk. It’s easy.
Steve says, “Your mom– what are you saying?”
“My mom’s gay, Steve.” And, with a rush of clarity, “Just like me.”
“Oh.” Steve is silent for a moment. He takes a long sip of his drink. “Is that– with Ciara?”
“Yeah. Funny how all the clues are always there, huh? It’s never that difficult, not if you know what you’re looking for, not if you’re– not if you’re smart about it. People clock people all the fucking time. And with someone like Victor–”
Someone like Victor. Someone like him. And then there’s Steve, there’s Steve sitting there perfect and whole and unharmed, molded by the gods out of divine fucking clay to be far too nice to Eddie, on occasion, and all it gives him is this sinking feeling, because Steve shouldn’t be here.
“I never thanked you, y’know,” Steve says.
Eddie blinks at him. “What are you–”
Suddenly, Steve’s eyes aren’t very far away. “For Saturday night. Careless Whisper. I know you don’t like Wham!.”
Eddie shrugs helplessly. The world’s gone blurry around the edges. But Steve, well, he can see Steve. Steve for whom he’d do anything, and it’s scaring him a little, that he’d do anything. “You do, though.”
“Yeah. I do.”
And then, easy as anything, easy as a dream, they’re kissing.
Notes:
– the smiths' meat is murder was released in february 1985
– new order's low-life was released in may 1985
– a beef on weck is a roast beef sandwich on a kummelweck roll, native to buffalo, new york, thought to originate sometime in the 1860s
– here is rosa luxemburg's wikipedia page
– russian mennonites are anabaptists from areas of russia and ukraine; many of them emigrated to america in the late 19th century, particularly to kansas
– the first moon landing was in 1969, and nixon was impeached in 1974
– king's steps in time was released in november 1984...well. things are finally happening. only took us 50 chapters and 250k+ words. be warned, things aren't going to be smooth sailing just yet.
thank you for reading, as ever. let me know what you think below and find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 51: Stand By Your Man (Motörhead)
Summary:
Images of the night before occur to him in abstract flashes. The acrid hit of vodka on his tongue, the ashy burn of cigarettes. The scratchy rub of Steve’s five o’clock shadow against his skin.
Notes:
warnings for referenced underage drinking and addiction, referenced cancer, referenced torture, internalised ableism, referenced child abuse, AIDS references, and referenced parental death.
(See the end of the chapter for more notes.)
Chapter Text
FRIDAY JULY 19TH, 1985
Eddie wakes up early, startling out of sleep and the feeling that he’s falling. It’s hot and stuffy in the motel room, the covers thrown off, a dull pounding emerging at the back of his head. He lies there a moment, feeling out his hangover, before he looks over to the other bed and sees Steve curled on his side, still asleep.
Steve.
Images of the night before occur to him in abstract flashes. The acrid hit of vodka on his tongue, the ashy burn of cigarettes. The scratchy rub of Steve’s five o’clock shadow against his skin.
He’s not quite sure who kissed who, is the thing. If he kissed Steve or if Steve kissed him. Each renewed memory sends a strange shiver through him, something close to excitement but closer to panic. Because if he kissed Steve, then he’s fucked. But if Steve kissed him–
If Steve kissed him, it doesn’t bear thinking about, and Eddie’s not capable of thinking it.
He pulls himself out of bed as quietly as he can manage. Goes into the bathroom to swill water around his dry, foul-tasting mouth, and then takes himself and his cigarettes outside. He leans over the railing and watches the highway, which holds only the occasional car flashing past. Beyond, he can glimpse the shine of Lake Erie in the early morning sun. It was all a dream, he imagines. And his dreams, as he’s learned, hold no weight. They don’t mean anything, and Steve–
Steve knows things now. That’s okay. He knows Victor is gay, and he knows Eddie’s mom is gay, and he knows Eddie is gay. These are awarenesses he has and can hold. As for everything else–
It’s nice to think someone wants you. But it goes so horribly fucking wrong.
What is Steve, really? Nothing like he used to be, that’s true, and that’s the thing. That he’s changed, become the kind of person to drive Eddie seven hours east in search of his gay alcoholic mom. And what is he doing, except offering Eddie something else to take from him, something else to steal? Land of liars and thieves. Eddie’s been lying so long, and now–
Eddie doesn’t know who started it, but someone did, because they were kissing. And it was more than Eddie had imagined, had been capable of imagining. Steve’s mouth was hot on his own, a little messy, a little forceful with his tongue, the way guys who are used to kissing girls often are. His hand wound up in Eddie’s hair and he tasted like vodka and orange juice. He was a physical presence, strong and masculine and heavy, and Eddie had never been quite this aware of it before.
They kissed loosely, drunkenly, for a while. Eddie was content to let it continue on like a dream. But then eventually Steve pulled back, lips swollen, pupils blown, and started to say, “Eddie–”
“You’re so fucking hot,” Eddie said, and then they were kissing again. But there was a threshold there, they knew, and it was unspoken that they wouldn’t be crossing it. Everything was unspoken. Eddie wasn’t thinking about anything anymore, nothing but the way Steve’s fingers felt clutching at his nape, the way their teeth clacked when they changed angle. Then Eddie tried to shift position, tried to get somewhere closer with better balance, except he was drunk and his hand slipped from Steve’s shoulder and his next awareness was the floor, Steve’s legs warm underneath him.
“Shit, I’m sorry,” Steve said, but he didn’t move to help him up, just pulled himself back.
Eddie straightened up and took in the look. Then he said, “I’m sorry too.”
“Can we– can we talk about this?”
Eddie, unsteady, got to his feet. He dragged a hand through his hair, tangled, now, from where Steve had run his fingers through it, and said, “Yeah, uh, in the morning. I’m fucking– I’m so drunk, man. I’m so drunk.”
“In the morning,” Steve agreed, and, “Me too.”
And here he is. Lips still sore, cheeks still pink with stubble rash. Steve probably looks the same. And isn’t that a wonder? That Steve looks the same for the same reason and what they did they did together–
But Steve was drunk. And Eddie was pathetic. So.
A couple of cigarettes and a walk around the parking lot. Drifting across the asphalt he finds a stray copy of yesterday’s New York Times, and he picks it up idly. Flicks through it until he finds something that catches his eye: Soviet Spokesman Rebuffs Questions on Reagan Health. Reagan’s cancer surgery has been background news somewhere above his head all week, something he hasn’t had any cause to think about, whereas the Soviets–
We do not think it is justified in terms of ethics to make any kind of speculation around the bed of a sick person, says one of the Soviets in the article. No, but the world’s full of fucking speculation, isn’t it? And the Russians were going to torture Steve. And if Eddie hadn’t mentioned it to him in the very beginning, walking up to him cleaning off the marquee at the movie theater — if he hadn’t gone up to him and said, like provoking something, I don’t think getting chased by a monster counts as a romantic stroll in the moonlight — then he wouldn’t be in this mess, would he?
Janie, he thinks. He wishes he could talk to Janie. Because she’s somewhere with the Soviets as well, and it’s not Eddie’s fault, exactly, but it’s adjacent enough, and besides all that she knows him and she loves him and maybe she’d know what to do. And he hurt her as well.
He doesn’t go upstairs immediately. Instead, he goes to the payphone. He dials the number he knows inside out, holds his breath as it rings. It’s still early. His uncle might not be back from work yet, might be showering, might be asleep. Perhaps he’s hoping not to get an answer.
But then his uncle’s there, tired voice crackling over the telephone: “Wayne Munson.”
Eddie doesn’t say anything for a moment. Just breathes.
“Eddie?”
Fuck. “Yeah. Uh, sorry. Yeah, it’s me. Shouldn’t you be at the plant?”
“Teller let me off early. I don’t know why. What’s– where are you, kid? Are you okay? You just– leavin’ me a note like that, Jesus–”
“Buffalo, New York.”
A silence. “Why’re you all the way out there?”
“Teller let you off early? Are you– I mean, you gotta be careful around that guy, he’s–” Eddie cuts himself off. He’s getting close to things he can’t say, and besides, who knows who’s listening? “I came to look for my mom.”
“You– what? You’re there to–”
“And I found her.”
“You found her? Fuckin’ hell, Eddie, what even– how did that even go?”
“It was–” A lot. Too much. Something overshadowed by the other thing that happened yesterday, and yet still something that overshadows everything in its turn. Including the other thing that happened yesterday. Fuck. “Whatever she’s got– do you think it’s– y’know, do you think I have it too? The thing that’s wrong with her?”
“Eddie,” his uncle says. It’s not a yes, exactly, it’s just something measured, something telling him to calm the fuck down. “Did you go out there alone?”
“No.”
The silence lengthens. They both know who he means. “Listen, kid, you got– you got a lot of shit goin’ on. You got a lot of shit to think about, and don’t– I don’t want that boy to mess with your head, okay? I don’t want you tyin’ yourself in knots over him or takin’– or takin’ anything your mom said to heart. You’re gonna be okay, kid, I swear, I just need you to focus on yourself, huh? Think about yourself, don’t think about him, and just get home, okay? Just do one thing at a time.”
It’s a little late for that, he thinks, but his uncle’s not wrong. Focus on himself. Strange to consider, really, since his focus for going on a year now has been Steve and only Steve, Steve the end of all things, Steve the beginning. Steve whose lips were warm on his own, Steve who doesn’t deserve any of the shit Eddie’s bringing to his doorstep and the road he’ll get dragged down, inevitably, if this goes the way Eddie’s own soul wants it to go —
In that. Well.
Eddie has never allowed himself to imagine what a relationship with Steve might look like, is the thing. And now he can’t quite manage it. It’s too alien, too beyond his reach. Because Steve is an unbearably decent sort of person and what’s brought them to this point is horror, inorganic, and perhaps a certain lust–
(Steve as a queer, too, is something that doesn’t quite compute.)
Martin and Tommy C. They weren’t relationships, but they’re the closest Eddie’s ever had, and in this world? This time, this place, this world where people like him are dying of something people like Reagan (sick himself) call consequence–
Is there anything else? Can there be? Or is cutting his losses the only–
“Eddie?”
He turns. It’s Steve, looking down at him from the walkway, looking tired and hungover, hair a mess. His face betrays no clue as to what he’s thinking. As to what he thinks about what happened last night, and what they’re going to do now. What are they going to do now?
“Uh, yeah, I’ll–” Eddie exhales, waves a hand, ducks his head. “I’ll come up.”
He’d take his sweet time about it, but Steve’s watching him from up there, lips pinched together, squinting in the sun. His eyes feel like something unbearable. Eddie’s cheeks go hot and he walks up the stairs without meeting Steve’s look, without knowing what he’s walking into — a thing he can’t know, being an ordinary guy after all — and goes past him back into the motel room, dim, still, with the blind pulled down.
They could have had sex in this room, Eddie thinks, if they’d been a little drunker. If they hadn’t both known it would have been a bad idea.
“Eddie,” Steve says again, and Eddie scratches his hand across his jaw without looking around and says, “What?”
“Where were you?”
Steve’s voice is uncharacteristically, strangely quiet. Almost small. Eddie turns. Steve’s not looking at him either, just staring at the floor, mildly abandoned. Eddie didn’t do that. Eddie didn’t abandon him, did he? “I was– I just needed some air. I’m, um, I’m hungover. Y’know? Aren’t you?”
“Yeah. A bit.”
“Yeah. Well.” As is his compulsions in these situations, in any situation, Eddie lights a cigarette. He watches Steve watch him put it to his lips, watch his lips, maybe remember what they felt like, and fuck. Fuck. They really did that, didn’t they?
And all Eddie wants is to go over there and do it again. It’s all he wants, suddenly, so badly he can scarcely breathe. God, he wants to kiss Steve. And maybe Steve would even let him.
Or maybe he wouldn’t at all. Maybe he was doing that thing some straight guys do, pushing it to the edge just to see how far they can take it before they snatch themselves away back to their girlfriends — people do that. Some people do.
“Listen, man, um– I’m sorry if I– if, y’know, I made you uncomfortable.” This is Steve. Steve says this. Steve says this, and Eddie stares at him, and the whole feeling is one of bewilderment, because really? Really? And yet Steve continues: “Because I’m– I’m thinking about all this shit, y’know, just constantly– and I know you’re dealing with other things, bigger things, fuck knows you’ve got other shit to worry about and I didn’t mean to– I’m sorry. Okay? I shouldn’t have–”
Eddie bites down on the inside of his cheek and tastes blood. Spins in a half circle so he’s not facing Steve anymore and presses the heels of his hands into his eyes. Steve’s still talking but it’s gone distant, muted. Eddie cuts in without turning around and says, “Yeah, I am, uh, I am pretty goddamn fucked up right now, you’re right, and I’m not gonna– I’m not gonna stand here and make you talk in circles about something you don’t wanna talk about. I’m not.”
“Eddie–” Steve’s hand lands on his shoulder. Eddie turns, shrugging it off, and then they’re standing pretty much nose to nose again.
Painfully, desperately close. Eddie wants to kiss him. Eddie almost does. Their eyes are darting over each other’s faces, each detail vivid and not a dream at all, this time, all too here and all too real, and Eddie almost kisses him, but he doesn’t. There’s a great lump rising in his throat and his eyes are stinging. He tries to swallow the lump down but he can’t manage it; and he turns his face away, but he doesn’t step back.
“Eddie? You okay?”
The lump emerges as an ugly half-sob. He feels frozen, feet glued to the floor even as he wants to take this somewhere else, somewhere far away from where Steve can see him, from where Steve can see him and hear him and touch him, which he does, Steve touches him and brings him into his arms, lets him bury his face in the crook of Steve’s shoulder, hiding the tears in his t shirt. He cries. It’s fucking wrong and obscene — last night they were kissing, for fuck’s sake, last night they were– and now they’re–
Eventually, he pulls back. Eyes blurry, swollen, his nose snotty. He wipes at it and realizes he’s let his cigarette burn out, a long drip of ash falling to the shitty carpet. Here he is, in a motel. Here he is, ordinary, miserable, queer. And to say anything more than that — to say something like I want this, I want you, you have nothing to apologize for — feels like asking for too much, doesn’t it? Feels like presuming something.
On other sides of the room again, the distance feels insurmountable, the way it did before. Though they’d been so close to crossing it, and had crossed it, and now they were back where they ought to be as though nothing happened at all.
Steve isn’t looking at him. Steve’s looking out somewhere through the window, out towards Lake Erie. Jaw in a taut line and some glimpse of pain in his profile, why is that? Why should he be in pain, when–
Well. Eddie’s not going to follow denial that far down the garden path.
“Steve?” he tries.
Steve closes his eyes and visibly exhales. He says, “Fucking hell, Eddie, just tell me what to do. Tell me what I can– because I’m doing the wrong thing. I’m always doing the wrong fucking thing and I just– I’m sorry I’m making things worse.”
“You’re not making things worse.” Said barely louder than a whisper. “You’re not– I’m just. God, man, everything’s so fucked and I’m so sick of– of finally wanting things I don’t or I can’t have and then realizing I don’t even have the things I took for granted either and I just need–”
“What do you need?”
For you to be able to come over here and kiss me without context, without consequence. Without me being who I am and you being who you are; without my uncle waiting for me at home, without his trailer being that home because I ran away from my dad who dislocated my shoulder because I was gay and gay people are dying, now, all over the world, and despite this my dad died of something infectious too; without a mom who might have given me some legacy out of a horror movie but instead gave me the genes for sickness and addiction. Who gave me her number, too, and asked me to call.
And here, now, a motel in the American Midwest. Cigarette dispensers with the Marlboro Man pasted on them. A lake to drown in and a land to get lost in, except not really, because they signed their names and they’re watched all over town.
“I just need to go home,” Eddie whispers. Something about it with the taste of defeat.
Accordingly, Steve drives him home.
It’s a few hours of awkward silence and Steve’s horrible music, way down low, almost drowned out by the rush of air through the open window. Eddie smokes and tries not to get ash on the seats, though Steve hasn’t actually said anything about it.
It’s not simple, is the thing. It’s not a whole I thought I was special and now I’m not situation, though that is sort of what it is as well. It’s more the further complicated layer, the idea that he might continue to hold delusions that may not be delusions about his own role in the world ongoing, since his mother has been told she’s crazy and maybe she is but who would they be to trust the ones who tell her that? And so he might be special in a dangerous way. And he smokes and watches the Welcome to Hawkins sign flash past, and he wishes, well, he wonders. Shitty fucking timing, right?
When Steve pulls up in the trailer park, Eddie sits there for a moment, not getting out. The grass is dull, sun-bleached, the trailers glinting gray. He says, “Thanks. For coming with me, for– for enduring all this fucking shit. And I don’t–” His eyes map Steve’s face again, find Steve’s lips.
But Steve looks away. “Yeah, it’s– of course. Literally whenever, I’ll– it’s okay. I was glad to help. I’m always gonna be glad to help.”
Really? Eddie wants to ask. Because if you’re so glad to help–
But falling back into whatever drunken lust isn’t gonna help either of them, not really, so he doesn’t say anything. Just nods, awkward smile, and gets out of the car. Watches him drive away. Standing back here again like he never fucking left, and nothing fucking happened, like the last few days were only a dream and the idea that he might ever have been anything more than this–
“Eddie?”
Wayne’s come out of the trailer, looking tired and worn in a soft old flannel. Eddie knows just how that flannel would feel against his cheek, how it would smell, dry his tears. He wants only to bury himself in Wayne’s arms and imagine himself the way he was at fifteen, when everything was shit and everything was easier.
He doesn’t do this. He says, “Uh, hey, Wayne. I’m, uh– I’m sorry.”
“Sorry for what, kid?”
“Sorry for not– for not talking to you. For just letting myself–” he waves a loose, twitchy hand “get so carried away. That’s what I do, right? I get fucking carried away.”
“Eddie.” Wayne’s voice is soft. “Come inside, yeah?”
Eddie swallows the itch and comes inside.
They sit together in the front room, smoking, light dim with the shades pulled against the summer heat. Eddie’s not even sure what he needs to say. He’s told his uncle a lot, in distorted fragments, all twisted up so they’re not really clear. He’s also told his uncle very little.
“There’s– there’s something big here. You know that, right?” He scratches at his cheek, looks away as he speaks. “There’s something– it’s a thing I can’t tell you about. I won’t tell you about it. But just the fact that– I need to you to be aware that there’s something bigger happening and if I’m acting totally fucking insane–” His mouth goes dry. “Well, maybe it is me being insane, all evidence taken into consideration, but it’s also– I mean, even that is fucked up on a grander scale I can’t talk about.”
“Your mom?”
“Yeah.” Voice low, a whisper. “My mom.”
“How’s she doing, anyway? I mean– shit, I barely knew her, but she just upped and left in a hurry and I didn’t know–”
“She’s okay.” Something stubborn descends over him. “She’s– I mean, she has these things. And she drinks. But she left– she left because of my dad. She left him the same way I left him, because she couldn’t fucking stand it anymore, because he was awful and she was tired of it and she was gay.”
Wayne blinks. Takes his time in answering, not that Eddie blames him for that. “Shit. You– shit, really?”
“Yeah.” Eddie rubs his eyes, inescapably tired. “Fuck, Wayne, it’s all so– y’know she looks like me? People kept knowing who I was without even asking. Steve recognized her instantly, just because she looks like me.”
“Steve.”
“Yeah. Steve. Please don’t– I get it, y’know, really I do. I get that you’re trying to– trying to help, or whatever, and you know what this town is like and what the Harringtons are like and– and I know that too. But can you just– please, just let me handle Steve on my own.”
Wayne looks at him for a silent moment. Then he says, “Yeah. Okay. Did somethin’– did somethin’ happen?”
“Between me and Steve? You could– uh, you could say that. You could also say nothing happened, because he doesn’t– I mean, he was apologizing to me. He doesn’t get it at all. And I don’t get it either and– and talking to him, I don’t know. I don’t know what he wants and I don’t know what I want either. Not even– not anymore. I mean, a few weeks ago I would have given anything for–” The words die in his throat. Because he would have given anything for Steve’s lips to touch his own. He would have done, and now they have, and it hasn’t fixed anything, just brought Eddie to a place of further confusion, further dismay. He doesn’t want them to hurt each other. He thinks they might.
“I trust you, Eddie. Now that you’re talkin’ to me– thank you. For talkin’ to me. And god forbid I scare you off from doin’ it the next time, but if the Harrington kid hurt you, or does somethin’ to hurt you in the future– my damn brother won’t be the only one goin’ down for murder.”
Delivered in Wayne’s soft, round-edged tone it’s less threatening than bizarrely fond, and for the first time Eddie feels a little of the anxious storm inside him begin to calm. In that Wayne’s still here. He can feel relieved that Wayne’s still here.
The thing won’t leave him alone, though. He drifts through the afternoon, smoking and staring blankly at the television, opening books and then closing them again. He takes the note with his mom’s phone number on it out and stares at it, then puts it back in his pocket again. He paces a circle around the cabin and then throws out, towards evening, “I’m gonna go out. Back in a few hours.”
Wayne looks at him for a moment but doesn’t say anything advisory, like maybe whatever he saw in Eddie’s face earlier has satisfied all his doubts. Great. Eddie doesn’t feel like he holds anything but doubts. He’s jittery as he gets in his van, drives across town with his fingers gripped tight around the wheel as Motörhead blasts loud, Stand By Your Man. Thinking idly of the way Steve would bitch and moan about how the Tammy Wynette version is better. One problem at a time, isn’t that what Wayne said? One problem at a time.
The Blazer’s parked outside Hopper’s trailer, warm light spilling out from the windows into approaching dusk. Eddie parks and crosses the grass to knock on the door before he can talk himself out of it — thinks on some level, as Hopper opens the door, that everything that’s happened (Steve in particular) must be visible on him.
But Hopper just looks him up and down and says, “You’d better have a goddamn good reason for coming here, kid. It isn’t safe.”
Nevertheless, he stands aside to let him in. El’s on the couch, hugging a cushion to herself as she watches some Western on TV. She looks up and offers Eddie a faint smile, inviting him to sit on the couch with her, even as Hopper stays standing there with his arms folded over his chest. There are boxes newly stacked up against the walls, hallmarks of the preparations to move. The reminder is another hit of vertigo and Eddie sits down.
“I, uh, I wanted to talk about this.” He takes out the photograph of his mom — the thing that means very little, now — from the Lab. Hopper leans over and looks at it, a frown appearing beneath the bushy mustache. “My mom. My mom was in the Lab, not that it– I mean, it doesn’t mean anything, not for me. I checked.”
“You checked?” El frowns.
“Yeah, I–” He looks at his hands. “She wasn’t pregnant with me yet, when she was in the Lab. But she was in the Lab. And it just got me thinking, y’know, this was a big operation. They had a lot of people going in and out, a lot of people they experimented on. There’s gotta be a lot of other people linked to it, right? People maybe with kids. I don’t know.”
Hopper scrubs his hand over his jaw and says, “Yeah, it’s worth thinking about. Jesus. Your mom, she– she got away?”
“Yeah. Changed her name. Disappeared.”
El lets out a little sound. Eddie finds a fissure of grief in her face and remembers Terry, still and unresponsive in her chair. An empty husk, where his mom gave him a phone number. He reaches over and drapes an arm around El’s shoulders, pulling her close, and she softens under his touch. “So you’re– like me. But you’re not– like me?”
“Something like that. I don’t know. This thing comes in degrees, I guess, and so I’m, uh, I’m as useless as ever.”
“Useless,” she repeats unhappily. “You’re not–”
He just shrugs, looking back up at Hopper. “I guess the other thing it proves is that– it works. Changing your name and getting out of town. No one’s found her, no one but me. What you’re doing, it’s gonna– it’s gonna work.”
“Yeah. Yeah, kid, I think unfortunately it is.” Hopper sighs, lighting a cigarette. “I’m gonna follow up on this, the other years they had experiments on at the Lab. It can’t hurt to know more about the place. Maybe start somewhere other than the back foot for a change.”
“And Icex? Janie?”
“I don’t know what to tell you. They’re goddamn good at cleaning house, I can say that. All this shit with the mall is an excellent excuse for them to cover their tracks, and I can’t just walk into the place, asking to see what they’re up to. I’ve got no excuse and they’re watching me anyway. It’s best we don’t attract any more attention, huh?”
Another sting of disappointment. One among many. All Eddie can do is nod and light his own cigarette. He hangs around for a while, watching One-Eyed Jacks at low volume, appreciating in an idle way the line of Marlon Brando’s jaw. El stays curled into the crook of his shoulder, a welcome if unfamiliar weight, and Hopper doesn’t comment. They’re all just taking what they can get.
Notes:
– here is the new york times article about reagan's health
– the marlboro man was a marketing campaign by marlboro cigarettes that began in the 50s; it primarily featured cowboys smoking cigarettes, associating smoking with a sense of rural masculinity and manifest destiny in the west
– motörhead's cover of stand by your man was released in 1982; it was critically panned and is cited as the reason the guitarist 'fast' eddie left the band
– one-eyed jacks is a 1961 western starring marlon brando; the villain is named 'dad'thanks for reading! let me know what you think below and find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 52: Heartbreaker (The Crystals)
Summary:
“What? You got some messy, fucked-up romance storyline of your own?” Some of the old cynicism is back in her voice, a dry humor he’s glad to hear.
He smiles self-deprecatingly. “Something like that. There’s someone I have to go talk to, actually.”
Notes:
warnings for classism, referenced alcoholism and drug addiction, and referenced child abuse.
(See the end of the chapter for more notes.)
Chapter Text
SATURDAY OCTOBER 5TH, 1985
Eddie wakes up cold. Dim morning light falls across his room and there’s the smell of fall in the air, stronger as he gets out of bed and pulls the window shut. The movement sends a dull ache through his bad shoulder — in pain again, seems to be the hallmark of his life — and he contemplates simply curling back into the sheets and letting the day pass him by. But he can’t do that today. Today, he has to go across town and say his goodbyes.
He swallows down nausea at the thought and gets dressed. Wayne’s smoking in the kitchen, nodding his head along to the radio — Highwayman, by that country supergroup with Johnny Cash in it, not that Eddie’s surprised — and he offers Eddie a tired smile. “You sleep well, kid?”
“Do I ever?” Eddie returns, plagued by dreams. He contemplates breakfast and decides against it, hollowed-out, knowing from experience it will probably make him feel worse. He lights his own cigarette and squints out of the window across the way at the trailer that used to belong to Edna V., once, before she was melted down into a monstrous puddle of flesh. Maria Machado, too, is gone, not because she died but because she just couldn’t take it anymore. Broke her lease and upped and went somewhere else. There’s an increasingly ghostly feel to the town.
And yet people are arriving, too, not from other towns but from other areas in Hawkins, areas where you have to pay a mortgage for a house and people can’t afford it anymore. For John Harrington, their illustrious landlord, business is booming. For everyone else–
“I’m gonna go see how Max is doing,” he says. Wayne hums an assent and Eddie goes outside, wincing at a sudden gust of unseasonably cold air. The sky is clear and richly blue. The clarity of the morning only serves to remind him of the oncoming winter and all the oncoming seasons after that — the passing of time in a way that slips through his fingers without permission. It’s happening, he thinks, and it will continue to happen.
He knocks on the door of Max’s trailer and then shoves his hands back in his pockets, skinny with blood that circulates poorly and so prone to getting cold. It’s her mom who opens the door. Her red hair is pulled back from her face and there are deep shadows beneath her eyes, which, well, he can’t really blame her.
“Eddie,” she says, still a little caution in her tone. But Eddie has been trying, at least. When they moved in a week ago he brought over a couple cans of soup, not because he didn’t make a casserole but because the casserole he did make turned out to belong nowhere but the trash. It’s the thought that counts, right?
“Is Max in?”
Mrs. Hargrove (Ms. Mayfield, he supposes, now) turns and calls for her. Max appears only a moment later, hair in a messy sleep-braid over her shoulder but already dressed for the day, jeans and a t shirt. She doesn’t say anything, just grabs a jacket and pushes past her mom to join Eddie outside.
“Can we, like, drive someplace? I need to– not be here.”
He shrugs. “Sure.” They walk back over to his van. He gets them going and then, when they’ve comfortably left the trailer park behind, says, “What’s going on, Red?”
“The usual.” Out of the corner of his eye, he can see her picking at her nails. “I don’t know.”
“How’s your mom doing?”
“Bad. I mean– I don’t know. It’s not obvious. But she’s been drinking, just in the evenings, but she buys beer the way she used to when Neil was around except he’s not around, so it’s just her drinking it. She never used to do that. And my dad–” She hesitates. “My dad, I don’t know. I was young when they divorced. I don’t know much about it, but I know he had a problem. And I know what it– what it felt like, sometimes, in the house, when they’d make up and he’d say shit to me like things are gonna be better, I’m gonna be better, and there’d be that honeymoon phase where it was better, until things started to creep up again. That’s what’s happening now. It’s just– the beginning of something again.”
“Shit. Yeah. That’s kinda– I mean, that could apply to what’s hanging over all of us, right? I’m having dreams about the whole thing happening again and it probably will. It probably fucking will.”
She exhales through her teeth. “I try to be there for her, y’know? She was in love with Neil. I mean, she was in love with Neil, some head over heels type romantic crap that I don’t even– despite all the shit he did. She saw the shit he did, and she let it go, and– I don’t know. People talk about how it’s this pure, beautiful thing, but when it makes you do that–”
“You’re pretty youthful for that sorta disillusionment,” he says lightly. Then he lets his tone go serious. “It makes people act totally irrationally, y’know, it– it’s weird like that. I mean, I feel like assigning moral value to anything is just gonna end fucking badly, but love especially, I don’t know. What’s got you thinking about this?”
She sighs, takes her time in answering. They’re just driving in circles at this point, not that either of them seem to have any particular destination in mind. It’s about the journey, right? “Lucas.”
“Yeah? What about him?”
“I– I don’t know. I guess– the last few months have been so busy. Helping El and Hopper and the Byers get ready to move, and starting high school, and my mom and the divorce and the trailer park, like– it’s been easy just to get on with things. But when they’re gone…”
“Yeah.” He knows the feeling. Knows the reason today in particular feels heavy: because it’s the end of the road. El and Hopper and the Byers disappearing off somewhere west, or east, or north or maybe south, they have no fucking idea where. Best not to know. For everyone’s safety. “So you and Lucas–?”
“He wants to help. I know he wants to help. But he’s– I don’t know.” She stares out of the window at the bright fall countryside. “I don’t know if I–”
“It gets to be too much?” he guesses. She nods. “And you feel like you’re– you’re dragging him down with you.”
“I feel like– I don’t know what I feel like. I feel like I’m going to scream.”
“Yeah. I get that.”
“I’m just scared that I’m gonna– y’know. I’m gonna ruin it. Without even meaning to. Because it’s all tangled up together, Billy and Nancy and the Upside Down, so that means Lucas too, and– yeah.”
“You’re, uh, you’re scared you’re gonna ruin it? So you don’t want to?”
She shakes her head.
“Tell him that, maybe. I mean– if you need him to back off, just, like, tell him that, and you won’t have ruined anything. He’ll get it.”
Her face twists. “But what if I don’t know what I need?”
Yeah, well. He knows that fucking feeling. “I don’t think it could hurt to tell him that too. Y’know? Like– you know he likes you, he wants to be there for you, so just stay on the same page and–”
Maybe she senses something in his tone, because she looks at him sidelong, brows creased together. “What?”
“Nothing, I just– I feel like I’m casting stones in a glass fucking house, a little bit, right now. Fuck.”
“What? You got some messy, fucked-up romance storyline of your own?” Some of the old cynicism is back in her voice, a dry humor he’s glad to hear.
He smiles self-deprecatingly. “Something like that. There’s someone I have to go talk to, actually.”
“Ooh, mysterious. Maybe you’ll have better luck than me.”
“You’re not doing so bad, Red. Really.”
She settles back into her seat. “Sure.” But there’s a little smile edging onto the corner of her mouth, tentative, and despite the sudden rush of anxiety he’s getting, he feels strangely like he’s done something good here.
He drops her off back at the trailer park and then drives across town, up towards middling suburbia, Gareth’s family’s sort of region. The Buckleys’, too. Their house is fairly similar to all the rest, and he knocks on the door with a sense of trepidation, the awareness both that he doesn’t fit in here and of the conversation ahead. It’s a man who opens the door, Robin’s dad, probably. He’s tall and narrow-faced, coming up somewhere bizarrely close to handsome under a graying goatee. Nothing at all like the professorly type Eddie had pictured based on Robin’s description. This is the man obsessed with eighteenth-century literature?
For everyone’s sake, he pushes the thought down. Robin’s dad takes him in and says, “Uh, hi, how can I help?”
“Is Robin in?”
“Who’s that?” someone calls from deeper inside the house, most likely Robin’s mom.
Her dad turns and shouts, “Some friend of Robin’s!”
There’s no reply, a response made cold by its absence. Her dad turns back to him and says, “Why don’t you come in? Robin’s just upstairs. Her mother would probably thank you to keep the door open.”
Eddie shrugs and steps inside. If that’s what it takes. The hallway is blandly wallpapered and decorated with family photographs, and there’s some sixties girl group pop drifting down from another room, something like the Ronettes or the Crystals. Robin emerges at the top of the stairs and her eyes widen at the sight of him, flicking between him and her dad and the doorway to the room her mom’s in, he guesses, before she beckons him up.
Her room’s a blessed oasis of quiet away from her mom’s godawful music. She’s decorated it by sticking her vinyls up on the walls — Sparks, Devo, XTC — in combination with a rather telling poster of Sigourney Weaver in Alien, clutching Jonesy to her chest. She sits down on her bed and gestures loosely to her desk chair. He sits down, carefully avoiding looking at the stack of homework, already complete, sitting on her desk.
“What is it?” she says. “Do you need– is it the English homework? I can pull out some quotes for you if you want, though I’m not gonna write the essay for you, if only because I’m told, and I quote, I have a remarkably distinctive voice and there’s no way in hell I can write like anyone else.”
“No, it’s not– it’s not that. But thanks,” he adds.
They’ve developed a sort of mutually beneficial relationship, these last several weeks since school started again. Robin pushing him towards better grades and Eddie, in return, putting on a little of his old social flair and allowing her to belong, even if it’s in the freakish cult that is Hellfire. The kids, too.
To delay the inevitable, he says, “Your dad seems nice. Not, uh, not what I expected.”
She rolls her eyes. “Oh my god, not you, too. I swear, every person who meets my dad– Steve, especially, is just the worst about it.” Then she gets a self-recriminating little moue, like she’s said something she shouldn’t have said. Right. That.
“I thought he was a bookish type. Your dad.”
“Oh, he is. Massively. Which my mom hates, I probably told you that, but she was– I don’t know, blinded by his– apparently good looks–” She shakes her head. “This is gross. I refuse to talk about my dad’s attractiveness or otherwise any longer. If it’s not homework, then–?”
He takes a deep breath. “I, uh, I was just talking to Max this morning, and– well, she’s having a pretty shit time of it, no surprises there, but she was talking about Lucas, and it just made me think–”
“Lucas? Are they, like, okay?”
“I don’t know. Maybe. I just– I’m just getting this feeling, y’know, like there’s things I don’t know and I should know but I don’t because we haven’t talked about it–”
“Eddie, what are you saying?” Her eyes are totally blank. She doesn’t know what he’s saying. Right. He does that, doesn’t he? Gets somewhere way ahead of himself.
“I’m saying–” A deep breath. “I kissed Steve. Or– or Steve kissed me, I don’t know, and that’s the problem at hand, really, that I don’t fucking know–”
She doesn’t look surprised. Right. Because Steve’s told her. And that makes sense, suddenly, that the strange entanglement between them should end up like this. Robin knowing Steve’s mind in a way that goes beyond the simple stupidities of romantic love. “You guys haven’t talked about it, huh?”
“I mean, we have. We did. Kinda. He– he fucking apologized, which, I don’t know– and then I fucking cried on him. So. Super hot, right?” She doesn’t say anything, just looks at him with an expression somewhere close to empathetic. He shakes his head. Doesn’t meet her eyes. “Has he, like– y’know, has he said anything?”
She sighs. He knows what’s coming before she says it. “Eddie, I can’t– I don’t want to get in the middle of all this. I really don’t. Like, it wouldn’t be fair to anyone. God knows I want the two of you to sort your shit out but anything I say probably’s just gonna make it worse, y’know, like, my word vomit problem? I just don’t– you gotta talk to him. Not me.”
He scratches at the back of his neck. “Yeah. I know. Shit. I don’t know if he even– I mean, maybe that was it, y’know, maybe there’s nothing to say.”
Robin scoffs. “I’m not saying he thinks that, but if hypothetically he does think that, then I think he’s being an idiot. God, both of you just need to–” She visibly stops herself. “I said I wouldn’t get involved. I’m not gonna get involved. This is, like, totally some shit out of Jane Austen, y’know?”
“What does that mean?”
She looks at him for a moment, then looks away. “Nothing.”
There are other things he could ask. Like, is it totally outside the realms of possibility that Steve might actually be interested in me beyond a hetero pity kiss after one too many screwdrivers? Robin’s not a good liar, and the tell would show on her face. But equally Eddie’s not sure he wants the answer to that question, good or bad. So he doesn’t say it, just turns back to the desk and says instead, “Go on, then, give me a few fucking Steinbeck quotes for this godforsaken paper.”
She jumps up and grabs her copy of the book, reading out passages marked by scribbly underlines and dog-eared page corners (where Nancy would probably use color-coded sticky notes) as he copies them down. In the end he has something resembling the basis of an essay plan. He’s sort of grown used to the idea that he’s not going to graduate by traditional means, not when he can’t start an essay more than a day before the deadline or finish a full fucking book. But the notion of graduating is the only thing left to his name — considering his mom, who never went to college — and so. He’s going to try.
It also has the added benefit of distracting him and filling up his time. He’s barely seen Steve at all. And their few interactions have been fine, he’d say: cordial, friendly, fine. They haven’t brought up what happened and Eddie has the suspicion they never will, not unless they’re forced to, not unless Eddie forces them to.
He hasn’t read any Jane Austen.
After a while, he checks his watch and says, “We should probably, uh, probably go over to the Byers’ now. Right?”
Robin’s face deflates. “Yeah. I guess we should. God, this is so fucking awful. I hadn’t even– I’ve been trying not to think about it.”
“You and me both.”
As they leave the house, the Crystals are still playing at fairly loud volume. Robin rolls her eyes as she gets into Eddie’s van. “My mom, she’s obsessed with reliving her youth or whatever right now. You go in the bathroom and it’s full of all these anti-aging creams, wrinkle removers, pore cleansers, it’s like she’s an Avon lady. It extends to the music of her twenties as well. And she keeps sizing me up for her old clothes like I’m supposed to– live out this fantasy of what she used to be, I don’t know, though I’m taller than she was, and she blames my dad for that too.”
“Jesus,” Eddie says. He doesn’t know what else to say.
He drives them over to the Byers’ with the feeling like maybe if they don’t get there then the Byers won’t ever be able to leave; they’ll be stuck waiting, and so they won’t be gone.
But that isn’t how it works, and if they arrive too late they’ll miss them.
There’s already a moving van in the driveway, and a pile of furniture stacked up beside it, waiting to be loaded in. Plus Steve’s Bimmer. But he should have expected that. He cuts the engine — killing Deep Purple’s Child In Time mid verse — and gets out already lighting a cigarette, knowing he won’t be useful for much except labeling boxes and carrying trash bags of clothes. When Jonathan emerges from the doorway, struggling with a chair, it’s Robin who runs to balance the load.
Inside, the house is starkly empty. It smells lemony-sharp, baking soda and bleach, nothing like the comfortable warmth of a house well-lived in. But there’s no stillness; no, that will come later. Now, everyone’s here, rushing to and fro with boxes and bags and miscellaneous items held in their hands, calling out for instructions or advice. Where should I put this? Should these get packed together? Can I have another box? He spots Steve hefting a bedside table in his arms, bare without a jacket, and tracks his path across the room.
“Oh, hi, Eddie, I’m glad you could make it.” Joyce appears behind Eddie, looking frazzled and tired as usual.
“Hey. Is there, uh, is there anything specific you want me to do?”
“Why don’t you go help Nancy in Jonathan’s room? He left it to the last minute and now we need him for the heavy lifting, so you guys will have to do it.” A rapid, distracted smile; he nods and moves away. It seems to go unquestioned that he won’t be doing any heavy lifting. It sits with him uneasily, just a little, though it’s not like he should be surprised. He should surely be grateful. (And yet–)
Nancy’s on the floor of Jonathan’s now nearly empty room, stacking photo albums into a box. Her movements are brisk, practical. He’d expect nothing less. She looks up as he comes in, offering a smile functionally closer to a grimace. “Hey.”
“Hey,” he returns. He sits down beside her and starts gathering up the remaining loose photographs, the ones with mounting putty still clinging to the backs. Images of Nancy and Joyce and Will and the other kids. Steve and Eddie appear a couple times too. The things that Jonathan chose to decorate this room with — the things he’ll decorate his next room with, no doubt, wherever that may be. Eddie slides them into their envelope and hands it to Nancy, unable to shake the weight off from his chest.
“It’s crazy that we’re doing this,” she says under her breath. “It’s just– god.”
“Tell me about it.” He leans back against the wall and passes a hand over his face. Then he looks to his right, at the closet, which is still stacked with loose records, books, shoes. “Jonathan didn’t, uh, he didn’t pack up?”
“No. He didn’t. Made every other sort of preparation, but didn’t–” She waves a hand, taut, frustrated.
“What do you mean?”
She takes her time in answering. She’s not become different, exactly, these last few months, but there’s a renewed guard there, a distance he’d maybe once been capable of crossing. “We can barely talk to each other while he’s gone, so. He’s treating that as more or less final.”
“Shit, he– he called it quits with you?” Eddie wonders somewhat where he’s been the past couple of weeks. He’s talked to Jonathan, sure, smoked with him on lunch breaks and sat next to him in class, but they’ve each held their problems close to their chests.
“Not quite. Said–” She presses her fingertips into her eyes, thumb and forefinger. “He said, I don’t want to tie you down. When we might not ever– and I made him stop right there, because I don’t want to believe that, right? That we might never see each other again. And yet it’s all I’m thinking about. So he wants me to– to see other people. Whatever the hell that means.”
“Fucking hell.”
“Yeah. And I don’t know if– I don’t know. Because there’s no way this can last forever, is there? There has to be some way of getting around it. Some way of– I’m gonna be eighteen in two weeks. Jonathan’s gonna be eighteen in February. This can’t be it.”
“You’re– y’know, you’re gonna go to college, right? And so is he? Maybe then–”
“That’s what I said.” She shakes her head. “But he’s so– I don’t know. Defeatist about it. And I can’t make him commit to something he’s not– something he doesn’t think is gonna work. So. And if he doesn’t think a letter every month is gonna cut it–”
“A letter every month?”
“Oh, yeah, didn’t Hopper tell you? He’s–” She hesitates. “You should talk to Hopper.”
Right. Whatever the fuck that means. They continue sorting records and photographs for a while, her mood suffusing the room. He has nothing really to say. No way of making her feel better, exactly, because if someone decides the conversation’s done then who are you to argue?
A little while later, he spots Hopper moving past the open door and he hurries to follow him, catching up to him outside, where he’s picking up a box full of the contents of the shed. “Hey, uh, Nance said I should talk to you?”
Hopper turns, squinting into the sunlight. He looks haggard and suddenly gray. “Yeah, there is something, actually, kid.” He sets the box back down and passes a hand over his face. “I’ve been talking to Joyce, and she told me– well, she’s been worried about you. This past year, y’know. Plus I know with your dad, and the shit you were getting yourself into–”
Eddie bites down on the inside of his cheek. “Where are you– where are you going with this?”
“Nowhere bad, kid, don’t look at me like I’m about to cuff you. I was talking to Joyce, and I remembered what you said a couple months ago, about feeling useless.” Eddie opens his mouth to deny it but Hopper keeps talking over him: “You’re a smart kid, y’know. Maybe too smart. Not smart in the way they like at that school, I know that for sure, but smart in a way that’s probably more useful in the world this is turning out to be for us.”
“Useful?”
Hopper sighs. “Have you heard of a dead drop?”
He shakes his head.
“Well, it’s this– it’s a technique in spying. You choose a hiding place, somewhere no one’s gonna come across by accident, and you put whatever you want the other party to have in that hiding place and leave it there. Usually there’s some way of signaling, but since you can’t know where we are it’s just gonna have to be a periodic thing. I’ve worked it out with Murray, it’s gonna be a two-drop system. We’ll put our letters in a drop somewhere each month, and he’ll pick them up and put them in another drop for you to collect. He’ll tell you where.”
“Why can’t I just get them from him?”
Hopper pinches the bridge of his nose. “Because he’s moving, apparently, and he doesn’t want anyone to know where he lives. But anyway, listen, this is gonna be your task, and we’re gonna pay you for it. Alright?”
“You’re– no, you can’t–”
“Kid. Enough. This isn’t some act of charity, or whatever. Someone needs to do it, it’s a job, and a job means payment. Okay?”
Eddie falls silent. The talk about the shit he was getting into — well. This is that, right? Making it so he doesn’t have to deal again.
“We’re– I hate that we’re doing this. Putting all this on your shoulders. You’re just goddamn kids, and now the nearest adult who knows about all this is gonna be Murray, and you’re not gonna know where he lives. But we don’t have a choice, y’know? So I’m talking to each of you, you and Nancy and Robin and Steve. Trying to make sure there’s some sort of plan.”
“What did you tell them?” Eddie says, almost involuntarily.
“They can tell you that. We don’t have a lot of time. But we have faith in you, okay? The dead drop– that’s a failsafe. And I’ll be keeping an eye on Hawkins, even from far away. I know it feels like you’re gonna be alone now, but you’ve got each other, alright? You can rely on each other.”
Eddie looks at the ground. Mutters, “Yeah, I know.” Hates the way they’re talking like this, like it’s going to happen again, because of course it’s going to happen again, and here they are, Eddie the eldest of them left–
Hopper ruffles his hair. It’s a strange, unfamiliar movement, not to Hopper and not to Eddie but between them. Eddie ducks but doesn’t cringe away, and Hopper doesn’t look like he regrets it.
Well, then.
When he turns, he finds Joyce watching them from the back doorway. Her hand is up, fingers lodged against her collarbone, a well-worn stance of defense. She gives them a soft, tired smile, and Eddie thinks of the year before, thinks of seizing on crappy laminate tiles and Joyce’s horrified eyes, Maybe take a step back, okay?
And this. The way it’s something of an offering. An apology.
As he passes, he pulls her into a hug. She’s tense and small in his arms, but she hugs him back, and says into his ear, “It’s gonna be okay.”
He’s not sure he believes her. But he’ll take what he can get.
And then it’s back to packing. Sorting and labeling the last boxes; loading them into the van. Emptying out the trappings of a life lived if not well then at least persistently, perseveringly. Joyce was married to Lonnie in this house. Lonnie drank with Bruce in this house, more than once, Eddie thinks. Slices of history with nowhere to go.
He stands watching Steve and Lucas load a table into the van with his arms folded, clenching his fists against their tremor. He feels, more than hears, Jonathan come up by his side.
“This is it, huh?” he says.
Jonathan exhales. “This is it. Fuck. I’m gonna have no friends wherever we end up, y’know that?”
“What, is that your attempt at saying you’re gonna miss me?” Eddie digs an elbow at him.
Jonathan shoves him lightly in return. “Something like that. Not gonna miss all the Judas Priest though, oh my god.”
“Oh, fuck off, you evil Bauhaus fan.”
They grin at each other, a melancholy grin, one they both feel to be a closing sort of smile. “I am, though. Gonna miss you. Gonna miss all of this, despite how much I hate it.”
“There’s probably a Vonnegut quote for that.”
“Probably.”
And all at once, there’s nothing more to say to Jonathan either. Just like that, huh? Just like that.
When it’s time to go, they all line up in a strangely formal send-off. The ones who are leaving go up and down the line in tearful sequence, hugging, laughing raggedly, holding onto each other with desperation. It doesn’t feel quite real. Eddie winds up next to Steve in the line, who’s staring ahead with a fixed expression, his voice stiff as he says goodbye to Will.
Will, who tugs Eddie into an embrace, tears sliding down his cheeks.
“Give ‘em hell, kid,” Eddie says. “Don’t let anyone tell you you can’t be what you are.”
A trembling, sad smile; he moves off. And then El. El who pulls him into the same kind of hug, just as fierce, and promises him solemnly, “I’ll try to find you. Even– with my powers– I won’t stop trying. It will be okay.”
Eddie feels his own eyes sting. “Don’t go– don’t go running off anywhere, okay? This time you won’t have my criminal know-how to help you in a sticky situation.”
“I have my own know-how.”
He shakes his head, fond. “I love you, kid. Keep yourself safe, okay?”
“I’ll try.”
She’ll try. That’s all he can ask. And so–
And so. They get into their vehicles — the moving van with Joyce’s Pinto hitched to the back, Jonathan’s LTD, and some truck Hopper’s gotten hold of, strange to see him driving something other than the Blazer — with a journey of unknown length ahead, full of evasive turns and feints. Eddie isn’t all that clear on how the plan will proceed but Hopper knows about things like dead drops; he’s sure it will work.
They get into their vehicles, and that’s it.
They drive off.
A mild breeze washes over them; the sun smiles. Hawkins (dubbed Hell by the Big Three) laughs at them. Lined up there: Eddie, Nancy, Robin, Mike, Dustin, Lucas, Erica, Max, Steve. Left to fend for themselves.
“Fucking hell,” Steve says, walking some way towards the woods with his head down. Eddie looks after him for a minute and then feels a tap on his shoulder — Robin — nudging him in that direction. Okay. So Eddie follows him.
“Steve?”
A little way into the woods — the woods Will ran through, all those years ago, on his way to going missing and starting up a whole load of shit that has defined their lives ever since — Steve turns to look at him. His eyes are red. “This is so fucking unfair.”
“Yeah. I know.”
“You– I mean, I’m not even that close to any of them.” Steve sits down heavily on a fallen log. “It’s just– but you’re close to Will and El, right? I didn’t really realize that before.”
Oh. Eddie didn’t realize he was looking. “Yeah. I am. I guess– somehow closer to them than the others, except maybe Max, right now. Dustin, I– I fucked things up with Dustin.”
“No, you didn’t.”
Eddie looks down. Scratches at his neck. “Hopper said some shit about us all– us relying on each other. And apparently he gave us each, like, tasks to do?”
“Yeah. Something like that. I just– god, man, it’s so much. It’s all on us now. It’s all fucking on us. And what if– I mean, we’ve already fucked it up with those kids enough. Getting them involved when they shouldn’t have been involved. And we promised we wouldn’t do that again, but now–” Steve shakes his head. “I don’t know what to do. It’s like we’re– in a war, or something. Like in those movies where when you care too much about the soldiers you’re commanding, it means– it means you can’t be objective about them, and you put them in even more danger because of that.”
“What, like the Jedi?”
Steve looks at him tiredly. “I’ve seen, like, half a Star Wars movie. But sure. Like the Jedi.”
“So you’re thinking– you think you’re the captain here? The Jedi Grand Master? Because I hate to break it to you, man, but that role definitely goes to Nancy.”
Finally, a little bit of a smile. “Yeah. Maybe. But it does feel like that, right? Like we’re in wartime? Like there’s no space for anything else, like we can’t– like we can’t forget what we are. What happened to us. Because forgetting it for a moment means it can come back.”
A silence. Eddie sits down beside Steve, a few feet away. A healthy distance. He thinks he can read Steve’s words for what they mean. “Yeah. I guess it does feel that way.”
“Shit. And I– I’ve been learning things, y’know. About myself. And wanting to–”
Eddie closes his eyes. The heat of rejection is already cold in his chest. “Yeah. I know. I’ve been wanting– too.”
“I am sorry, y’know? My timing isn’t usually this bad.”
He looks at Steve. Steve’s face is soft, apologetic, a little tortured. That fine profile, hard nose, sharp jaw. Artful wave of his hair. Nothing gold can stay, isn’t that what they say? “We’re okay, right? Like– despite all of that. We can– y’know, we can rely on each other?”
“Yeah. Of course we can.”
END OF VOLUME THREE
Notes:
– highwayman was released in may 1985 by the supergroup the highwaymen, which consisted of kris kristofferson, johnny cash, waylon jennings, and willie nelson.
– robin's dad is, of course, ethan hawke.
– jonesy is the cat in alien, released 1979
– deep purple's child in time was released in 1970
– the big three were cbs, nbc, and abc, the dominating networks until 1990
– the phrase 'nothing gold can stay' comes from the poem of the same name published in 1923 by robert frostthank you for reading! as usual, there'll be a break of a month or so before i start posting the next (and final) volume. i will, however, be posting one or two interludes in the break, attached to this fic series, so make sure you subscribe to that to get updated when those go up (since a subscription just to this fic won't notify you!)
in the meantime, listen to the volume playlist, which covers every song mentioned in this volume + some more period typical ones at the end, and let me know what you think below! you can find me on tumblr (palmviolet) or twitter (ohtobeinlove).
Chapter 53: VOL IV: The Hellfire Club
Summary:
“Thanks, man,” Steve says, puffing out smoke, handing the lighter back. The distance between them is studied, careful. They both know what happens when they cross it.
Notes:
welcome to volume four, the final instalment of this epic of a fic! don't forget to check out the playlist for this volume, which will feature each song referenced.
all the usual warnings apply — referenced drug use and addiction, mental health issues, a reclaimed homophobic slur, and classism.
(See the end of the chapter for more notes.)
Chapter Text
Volume Four: Holding Out for a Hero
FRIDAY MARCH 21ST, 1986
Cigarettes and the open road, just the way Eddie likes it. Judas Priest cranked up on the stereo, Stained Class, the song, not the album, though it’s playing out of the album too. He’s got the window rolled down and his elbow hanging out. It’s the road, the interstate, diners and motels flashing past like a real road movie, like if he kept on going he’d end up nowhere but Hollywood, the only place anything about this might make sense.
It’s barely dawn. That’s another thing. Stupid of him, maybe, to get up so early, but it’s more like he didn’t fall asleep. Racked with nightmares as soon as he closed his eyes, meaning sleep was more an exercise in keeping himself awake, keeping himself sane. Felt like cutting his losses to walk out to his van — not bothering to keep quiet, since Wayne still works nights at the plant — and drive a state away. It will save him time on the weekend, is what he reasons, though what he’ll do with all that spare time he’s really not sure. Drive around someplace else. Blast metal to raise eyebrows and keep himself twitchily in the vicinity of the town, loathing it, knowing he can’t go anywhere else. They have a job to do, don’t they? Protecting the place. That’s what Hopper assigned them to do when he left and they do it, it’s all they cling to, that they have to do it.
Welcome to Hawkins. The sign comes into view. The streets are blue and empty in the sunrise, the wind cold as it sweeps over his face. What would it be like to keep going? Drive right on through and keep going. He’d hit Ohio; he’d hit New York. He’d hit that quiet, clean apartment with the bottles in the trash and the woman who looks like him, inevitably looks like him, the one thing he’s got left.
He doesn’t keep going. He swings into a parking spot outside what used to be Melvald’s and isn’t Melvald’s any longer, though everyone still calls it Melvald’s, creatures of habit as they are in this town — swings into a parking spot and ducks into the store to buy a carton of milk. It has a missing kid on its side. They all do, a whole wall of plaintive eyes looking out at him from the fridge cabinet, and he shudders and turns away. Simple Minds is playing overhead, Sanctify Yourself. A real Steve special. Eddie lets his lips twitch at the thought, wry, as he grabs a newspaper too and hands a couple coins over to the clerk, who looks amazed to be serving anyone this early, amazed and a little suspicious. What does he think Eddie’s been doing all night? Eddie with his long hair tangled by the wind and Anthrax-emblazoned t-shirt. Showing up in here all skinny and smoky not like he got up early but like he never went to bed. There’s distrust in this town now. Everyone’s gotten meaner, not like the way they say crisis pulls people together in books. No, the Harringtons and the Holloways might have rallied, but as for everyone else–
“Thanks,” Eddie says. Puts some effort into his smile. The clerk just nods dubiously and Eddie doesn’t push his luck. Goes back outside with the milk and the newspaper and exhales in the sunshine, tilting his head back, feeling its weak attempts at warmth on his face. He has to take what little pleasures in life he can get, after all.
Then he’s back in the van and driving to the trailer. There’s a paper bag of envelopes folded carefully into the dashboard, envelopes and a slim wad of cash, but he can’t just go around dropping them off, not when he’s so conspicuous. Eddie Munson putting mail in the Wheelers’ mailbox? The neighbors would be tittering, the eyebrows would be raised. No, he’ll take them back to the trailer and let the others know he’s got them, have them come collect their respective mail throughout the weekend, if he doesn’t catch them at school.
It’s become something of a routine. Eddie drives to Illinois, to the abandoned shack a little way into the woods off the road, and replaces one bag of letters with another. Then he drives back. He doesn’t look over his shoulder so much anymore as he does it, though the first few times it had his heart racing, certain there’d be government goons bursting from the trees with guns pointed, sharp, give us the letters or we’ll shoot–!
But it’s easy. No one has stopped him and no one will; they have bigger problems. He doesn’t know what those problems are yet, but they have them, of course they have them, the next supernatural crisis is sure to be brewing on the horizon, how long has it been now–?
At the trailer, he brews decaf coffee in preparation for Wayne’s return and flicks through the newspaper. Nancy’s given him the habit. Staying abreast of what’s going on out there in the world, or something, since they’re all actors on the international stage. Eddie may or may not have killed a Russian (knife, thigh, a whole lot of blood, part of the reason sleeping’s gone difficult) and what does that make him, a combatant? A soldier?
His eyes catch on an article about SmithKline drug tampering, threats about poison, and he turns the paper over. His pills are out on the counter, harmless-looking little orange bottles, two of them, Ludiomil and good ol’ Xanax, the kind of thing Rick had him slinging two years ago, only now he gets them prescribed and Wayne periodically examines the bottle to see how many he’s had. They’re addictive, after all. And poisonous, maybe, though the article was talking about allergy meds and appetite suppressants. Who knows what they’re putting in pills these days? Who knows what they’re putting in anything?
The thought reminds him to take his Ludiomil like a good little patient. Pill, swill of water, grimace as it goes down more performative than anything else, though there’s no one watching. He’s been taking them for months. He’s used to it. Then he checks his watch, 7:36, time enough before his uncle gets home. Goes to the phone and leans against the wall, twisting the cord around his finger as he waits for it to ring, playing up the stereotype, it’s all one big stereotype.
“Eddie?” she says, voice dry on the end of the line.
“Sorry, did I wake you up?” And then, “How did you know it was me?”
“Who else is calling me so early? Who else is calling me at all?”
“Right.” He concedes the point, studying his hands, propping the receiver between ear and shoulder as he lights a smoke. “Listen, I just–”
His mother seems to be smiling. It always surprises him, her smile over the line, like she’s genuinely pleased to hear from him, like she wants to. “You don’t need to have a reason, kid. Though if you do, I’m all ears. What’s up?”
What’s up. So much, as always, and yet nothing, only the agony of waiting. The agony of nothing being up. He says, “You reading this shit in the papers about poisoned medication?”
“And that surprises you somehow?”
“I guess not.”
“How’s it working out for you? Doing what a doctor tells you to do?”
Eddie picks up one of the pill bottles and studies it. The pills rattle around against the plastic. “I mean, I can, uh, I can get out of bed.”
“Always a positive.”
“I don’t know. They’re watching me anyway. Figures I should get at least a little bit of good out of it, right?”
“Yeah. I get that. Just don’t want them using it against you, is all. Because they will. At the slightest opportunity.”
He takes a drag of his cigarette. “How are you doing?”
“Okay. Had AA last night. Same old God shit as an undercurrent, but I didn’t drink all this week so, hell, maybe it’s working. More incidental than anything else. Is this what moms talk about with their sons?”
“You tell me.”
She laughs. “You asked. I’ll tell them you asked, when they come holding me to account for being an utterly shitty mother. Sorry you got landed with me. Still. I’m glad you call.”
“Me too.” They both go quiet, either end of a long-strung distance. He’s been calling her every week or so, starting up about around the time he first went to the doctor for everything going wrong inside his head. Health insurance and this, it’s all a process of galvanization, all a process of getting him through high school. He hasn’t gotten around to calling her mom. Hasn’t told Wayne about it, either. Like it comes under the NDA, which maybe it does, this weird secret bond he’s got with a woman who somehow knows everything about everything all the way from Buffalo, New York, a lesbian from the Lab and his nebulously schizophrenic mother to boot.
He likes to call her. It makes him feel less insane.
“How’s Steve?” she says, apropos of nothing, the way she usually does.
His lips tighten and he concentrates on his cigarette. “Fine.”
“Fine, huh, okay.”
“May–”
(Strange, May and Mom. How, if only for a twist of the mouth, they’re the same word.) “What do you call me for? To make small talk? I didn’t think so. Come on, Eddie, let’s hear it. What’s the news?”
“There is no news. We’re stewing in the same bullshit soup as we have been all the way since October. I catch him on his smoke breaks outside Family Video and he always waives my late fees even though I’m pretty sure I lost Rocktober Blood, like, three months ago. I make fag jokes and then we stare at each other awkwardly for a moment, you know how it is. Robin thinks we’re knuckleheads. I kind of hate him. The usual.”
She laughs. “Yeah. Nice. And Wayne?”
“Wayne doesn’t know shit and never will.” It comes out glum. He’d kind of like Wayne to know, really — or he’d kind of like there be something for Wayne to know. Maybe he’d hate it. Maybe he’d shout at Eddie and kick him out of the house (trailer) but at least there would be something there. Instead of a mild disapproval whenever Eddie says he’s going to see Steve; instead of a loaded hesitation in the air every time Wayne mentions the Harringtons and their scandal, ongoing, still somehow clinging to their rung of the social ladder even after the mayor’s downfall.
“And everything else?” Her voice has gone serious.
Right. The other thing Wayne doesn’t know shit about. Eddie says, “Nothing to report. All quiet on the Indiana front, whatever the shit, I guess that does qualify as western for you, right?”
“Good. I’m glad.”
She doesn’t know everything. She couldn’t know everything, because he hasn’t had the opportunity to tell her. The phones are tapped, that’s a reasonable assumption to make, and so all their talk happens in coded allusion, and she doesn’t know what’s actually out there. Only that there is something. And the Lab has everything to do with it, only the Lab’s closed, so then it was the mall but the mall’s gone too and throughout all this there’s been Icex, whose mystery none of them yet understand. Still. She tries to let him know she cares. It’s nice. There’s been the times he called her and she was drunk, slurring her words snippy or else all too soft and times like those are why he doesn’t tell Wayne he’s talking to her.
They talk idly for a couple more minutes. Then there’s the sound of an engine outside — Wayne’s car — and he says a hasty goodbye as he hangs up the phone. Lights another cigarette and tries to look nonchalant, folding one arm over his middle and leaning back against the counter.
Wayne comes in with a waft of mild air and chemical plant smell, face carved into weary lines. He puts his coat on the stand, takes off his boots, sighs. “That coffee I smell?”
“Sure is.” Eddie pours him out a cup and watches as he drains it in only a few gulps. “Bad shift?”
“They’re all bad. I don’t do it ‘cause it’s good, now, do I? Teller’s up my ass and the safety measures are gettin’ lax, like they forgot exactly what happened the last time they treated us like shit.”
“You’re gonna threaten to strike again?”
“If we have to.” Wayne presses his fingertips into his eyes and sighs. “God, but I’m fuckin’ tired. You got any of those antidepressants to share?” Then he stops and looks up, eyes wide, like he shouldn’t have said that. Maybe he shouldn’t. On many levels, right? Eddie looks back, daring him to apologize. He doesn’t, just shakes his head. “I’m gonna crash out. Have a good day at school, okay?”
“Always do,” Eddie returns, with something of a smirk. Wayne rolls his eyes and ruffles his hair; the routine continues, just with that little bit of edge to it, the things they can’t say to each other and the things they’ve said already.
Wayne lies down to sleep and Eddie sorts through envelopes before crossing the patchy grass and knocking on Max’s trailer’s door. She opens it immediately, like she was waiting for him. Her hair is in two braids over her shoulders and she’s got her headphones slung around her neck. “What you been listening to, Red?” he asks, as they walk out to his van.
She shrugs. “Kate Bush, mainly, you heard of her?”
“Yep. You forget I used to work in a music store.”
“That doesn’t mean you’ve got good taste.” And accordingly, she wrinkles her nose as he turns the engine over and chooses a cassette. He goes for an old Thin Lizzy album instead of his more recent favorites — Metallica, Master of Puppets, or Dokken, Under Lock and Key — and cranks up Bad Reputation with a grin at Max’s exaggeratedly unhappy expression, which breaks into a smile easy enough. He likes driving her to school. Feels like he’s putting some good into the world.
Still. The song also makes him sad. If Janie was here, she’d rib him about the other song with the same title that is far superior, being by Joan Jett, except Janie isn’t here and he has to settle for his thin imaginings of what she might say and look like, rolling her eyes at him from the passenger seat.
As luck would have it, he spots Nancy across the parking lot, climbing out of her (her mom’s) Mercury Grand Marquis and bitching at Mike as she does it, face cold and jaw tight, as she tends to look these days. Eddie doesn’t really want to disturb her foul mood but then again he’s used to weathering it; and she’s dealt with worse from him by now, so. Max says a rapid, taut goodbye and disappears across the lot as he jumps out of his van and hurries towards Nancy, envelopes tucked into his jacket.
“Hey,” he says, interrupting an answering tirade from Mike, who’s sprung up into an alarmingly gangly beanpole of a human, teenage attitude to match. They both glare at him. “Jeez, way to shoot the messenger, guys, I come bearing gifts.”
He doesn’t take the envelopes out yet. He knows better than that. Still, Nancy glances around furiously. “We can’t let–”
“Anyone get suspicious, yes, I know. Mike, fuck off, I’ll give you yours at lunch.”
Mike wears an expression uncannily similar to his sister’s. “I want it now.”
“Do you also want to be interrogated by the US government? Because you will be.”
“Mike, go,” Nancy says. Mike shakes his head and walks off, hiding his face behind his shaggy hair. When he’s gone, Nancy visibly relaxes, passing her hand over her forehead. “God, I’ve already had a morning.”
“You okay?”
“I’m fine,” she says automatically. Holds her hand out.
He hesitates. “Are you sure? ‘Cause–”
“Because you think whatever’s in this letter is going to interfere with that. My feeling fine.”
“Well. Yeah.” He shifts his weight. She hasn’t lowered her hand; and around them the parking lot is emptying, people going in for homeroom. In a battle of wills, it’s always been evident which of the two of them would win. Nancy always wins. He hands the envelope over.
“Thank you.” She runs her fingers across her initials on it — just N.W., better for the sake of secrecy — and says, “How are you doing?”
“I’m okay.”
They smile at each other, the shared irony of a lie. Then together they head into class.
For once, Eddie has homework to turn in for Miss O’Donnell; she presses her lips together and says nothing either way, which he’ll take as a win, slinging himself into his seat near the middle of the classroom. Times are gone where he’d skate by at the back, doodling and staring out the window. No, he has to concentrate. Has to graduate. It’s the only thing he has left.
Gareth offers him a dour stare from his seat the next desk over. Right. Because Eddie’s managed to piss him off, too, him and Aaron both. He feels a prod in his back and turns to look at Jeff, who smiles at him lopsidedly. “Chilly as a fucking freezer, man,” he says. “When’re you gonna sort this shit out?”
Eddie exhales through his teeth and says, “Fucked if I know. I’ve got shit on my mind, y’know.”
“Oh, yeah, the great Eddie Munson, man of mystery, he’s always got shit on his mind.” Jeff raises his eyebrows. “I’m serious, dude.”
“Yeah. We’ll see.” Eddie bends his head over his desk and tries not to think about it, the strange rushing feeling of too much to contend with at once, a faint sting of anger that Jeff is making him consider this, too — Gareth and Aaron’s feelings! — when at any single moment the ceiling might crash in on them and a monster might crush everything in its path with one single swipe of a fleshy, dripping leg–
Fuck’s sake. He flexes his hands, which have gone clammy, and takes a deep breath in. He can’t be seen taking a Xanax in class. That really would be the limit. The old bullies have graduated, yes, but there’s a whole new alpha crowd to contend with, Andy and Patrick and Jason fucking Carver, and what’s worse is Eddie doesn’t have that personal relationship with them, the one that spoke of a healthy social ecosystem and the good ol’ seller-consumer bond no amount of derision could deny, because at the end of the day they wanted their coke, they wanted their weed. No, Jason Carver is clean as a whistle. His friends, maybe not, but Eddie simply doesn’t have that reach anymore.
At lunch, Gareth and Aaron purposefully sit away from him, a statement that does not go unnoticed by the cafeteria’s social milieu. Not that it’s particularly new. Eddie sits next to Robin and flicks glumly through his math textbook, since that’s what’s coming up next, some new teacher brought in to replace old Mr. Connor, who reportedly had a mental breakdown on the six month anniversary of his wife’s Mind Flayer-related murder. Dustin and Mike are discussing Lucas’s basketball game and it’s a side effect of the Xanax, sneakily taken when he ducked into the bathroom right before lunch, that he feels spacey and somewhat disconnected from everything around him. Like none of this is really real. Like none of this really matters.
“What happened between you and those two, anyway?” Robin says, nudging him with her elbow. She’s looking out across the cafeteria at Aaron and Gareth, who have their heads bent close together in conspiracy.
Dustin and Mike fall silent, like they’ve been wanting to hear the answer to this too. He rolls his eyes. “Nothing huge. They’re being dramatic about it.”
“Being dramatic about what?”
“Just, like–” Eddie sighs. “There’s the band, right, and the whole Hellfire thing, which I haven’t run in months now, maybe a year, and then we were supposed to start performing at the Hideaway, Tuesday nights, and we, uh, we did a few practices and even recorded some shit, just on cassette, totally unprofessional and everything but, I mean, I just couldn’t focus on it. Can you blame me?”
“But that’s so cool,” Dustin says. “You should–”
“Absolutely not. I am not taking advice from the kiddiwinks, okay? I am handling this in my own mature adult manner.”
“You’re twenty and still in high school,” Robin says.
He shoots her a look. “Seriously, I’m, uh, I’m handling it.”
Mike leans forward over the table. “That was ages ago though, right? Like, why are they only mad at you now?”
“I guess they just got sick of me,” Eddie says. It’s not quite a lie. He catches Aaron’s eye across the room and Aaron scowls, turning away. Robin watches the interaction with a frown, like she’s trying to piece it together. Well. She can keep trying. “So, who’s going to help me with my math homework?”
“You’re literally good at math, Eddie, do it yourself.”
He sighs, tapping the end of his pencil on the page. Drags himself painfully through his homework just in time for class. He lays it on Mrs. Barkley’s desk and averts his gaze just as she looks up at him, smiling, why do they smile the first few months of knowing him, it’s only setting him up for disappointment–
He spends the class twitching in his seat and trying to let the Xanax do its work while also not acting too spacey and otherwise high; they probably shouldn’t have prescribed him Xanax at all, too open to abuse, but things were getting out of hand. He doesn’t put his hand up and Mrs. Barkley doesn’t call on him. It’s only as he’s packing up his things at the end that she calls over to him, the words he’s learned to dread: “Mr. Munson, would you mind staying behind, please?”
He packs his shit up anyway. Lingers, then shifts his weight one foot to another by her desk when the classroom’s empty. “I, uh, I gotta go to chemistry.”
“I’m sure Sam won’t mind,” she says. “How are you doing, Eddie?”
He bites down on the inside of his cheek. “I’m doing just fine, thanks. Amazing, actually.”
She doesn’t raise her eyebrows, but he can tell she’d have liked to. She’s young, younger than most teachers at this school, ten years older than him at most and probably a lot less than that. It’s disconcerting, somehow, to be confronted by his own adulthood on the other side of a divide. She’s got fashionably styled dark hair and some intelligent softness to the cast of her eyes. “You can be honest with me, y’know. I’m not like the rest of them.”
“No?”
“No. I mean it, Eddie, whatever’s on your mind.”
“What– uh, what makes you think something’s on my mind?”
She looks at him a beat longer, and then looks down at her desk. She’s got his homework out in front of her. “Did you work hard on this?”
“I don’t–” His cheeks heat up. “I don’t know. I guess.”
“You didn’t, did you?” He opens his mouth to protest but she holds up a hand. “I’m not here to judge you, Eddie. All I’m saying is I can tell you did this in the cafeteria right before class. You forgot about it, right? Had other things on your mind?”
He doesn’t say anything. Studies her warily. This warmth, this sympathy, he’s learned to suspect it.
After a while, she sighs. “I can’t help you if you won’t communicate. Maybe not to me, but maybe Ms. Kelley? I know she’d be more than willing to–”
“No. I don’t need to– no.”
“Listen. You have potential. I know you do. And I imagine you’ve been told otherwise your whole life, right?” She lets that sink in. He’s looking at the floor. “Think about it. If you don’t reach out for help then there’s only so much help I can give you.”
“That’s not–”
She smiles at him again. The smile thing, it unsettles him.
He shoves his hands in his pockets and says, consciously rude, “Can I go?”
She waves him off. He goes. Scrapes it into chemistry just in time, sits there for another hour fidgeting without even the prospect of relief after school because he’s gotta hang around for Lucas’s fucking basketball game. Which, fine, Lucas’s basketball game, but less fine, Jason Carver’s basketball game. His aim is to keep his head down and stick by Steve’s side like superglue.
At least he’s seeing Steve.
And on the dot, 4 p.m. sees Steve’s Bimmer pulling into the parking lot opposite where Eddie and Robin are standing, Robin a couple yards away because Eddie’s been chain smoking the last fifteen minutes. Robin only has time for a brief hug before she’s disappearing back into school to change into her band uniform, since there’s that, too, fucking band. Eddie’s glad he quit. He stands there in the blue afternoon and offers Steve a cigarette.
“Thanks, man,” Steve says, puffing out smoke, handing the lighter back. The distance between them is studied, careful. They both know what happens when they cross it.
“How was work?” Eddie ventures.
Steve snorts. “How is it ever? Boring except when people surprise you, like when Principal Coleman came in to rent Annie–”
“Doesn’t he have kids?”
“Oh. Right. Yeah. That’s probably why. But anyway–”
“I feel like no one ever really has the capacity to surprise you. Right? Like– like people are what they are. Y’know?”
“I don’t know about that.” Steve shakes his head. He gestures with the cigarette when he talks and his hair is pushed artfully back. “How come we always end up having these conversations, anyway?”
“What do you mean?”
“I mean, like– the state of the world. Human nature and that shit.”
Eddie raises his eyebrows. “We’re not talking about the state of the world. You want to talk about the state of the world? I can talk about the state of the world. Even better, I can give you a direct line to my communist uncle who’ll tell you all the fuck about it–”
“You know what I mean,” Steve says, shaking his head. Is he annoyed? Eddie can read him pretty well but still there are moments, still there are lines that now, after everything that happened, the hot brush of Steve’s lips amid the taste of vodka orange, cannot be crossed. “Anyway. How was school?”
“How was school. Fuck. I’m too old for this shit, y’know?”
Steve smiles. “Yeah. You are. Nearing retirement, isn’t that about right?”
“Fuck off,” Eddie says, and breaches the barrier just enough to nudge Steve with his elbow. Steve nudges him back and that contact, warm, is all he’ll ever get.
Eventually, Steve goes serious again. It doesn’t take him long these days. “Any– any news?”
“I got the mail from the dead drop. Not that– I mean, I haven’t read any of my stuff yet. I gave Max and Nance their letters this morning, Mike and Dustin at lunchtime. They haven’t said anything about it, and if there was something urgent it would have been flagged up on the envelopes.”
Steve’s features have closed down a little, a sort of distant look he gets whenever they talk about this. Compartmentalizing? Or maybe, Eddie reasons, maybe it’s that he rarely gets any letters of his own.
“Everything’s okay,” Eddie says, voice coming out more sure than he feels. Some part of him feels desperate to reassure. “Right? I mean, everything’s fine. Nothing’s happened.”
“Yet.” Steve’s voice is tight. He smokes the last of his cigarette and then stubs it out. “C’mon, we should–”
“Yeah.” They stand there for a moment, each waiting for the other to move first. Eddie clings to moments like these. Staring at each other in the gloom, each passing second a snatch of the time they could have had, if things were different. I still know what you taste like, Eddie thinks. Not that it makes any difference.
At length, they go inside to watch the game.
Lucas is relegated to the bench for the first two quarters, luck of the freshman, and Eddie stands there enduring Steve’s critical commentary throughout, a fucking expert in the subject and Eddie, the fool, still likes to listen to it. So he listens. Makes faces at Robin across the top of the crowd. Steve does the same.
Eddie holds out until half time, at which point he’s gasping for a smoke, so he ducks out the side entrance with the false confidence that anyone who might jump him is too busy right now right there on the court. Heads outside and inhales two cigarettes to turn his head to static, and it’s when he’s heading back down the hallway that he realizes there’s someone standing there waiting for him.
He slows. Bites down the rise of apprehension — not a Russian, not a soldier, just a skinny girl in a cheerleader’s outfit. Chrissy, if he remembers correctly. She’s biting her lip and twisting her hands together, nervous, glancing over her shoulder. He looks around too, checking for the jocks waiting around the corner, checking for a trap. None is evident. But that doesn’t mean–
“Chrissy?” he says slowly.
She startles. “How did you know–”
“You’re kinda, uh, kinda a big name in this school, y’know. The queen of Hawkins High, right? You took the title off Nance. I’m impressed.”
She bites her lip again. He steps closer unwittingly. Right, because he’s drawn to wounded animals. Because they remind him of himself. Her eyes dart over his face and she says, hesitant, “Do you ever feel like you’re– losing your mind?”
He doesn’t say anything for a moment. Stares at her. On the other side of that wall, the game is starting, the smack of the ball against the floor, the cheers of the crowd. “All the goddamn time,” he says, matching her tone.
“Okay. Because– I mean. I’m sorry.”
“What is it?”
“I was told–” She looks over her shoulder again. “Someone told me you could help me.”
Oh. Right. “Listen, I don’t– where did you hear that?”
“They said– they said they saw you giving Nancy Wheeler an envelope earlier. That you used to– you used to sell more openly, but now that your– your supplier’s been arrested you’ve had to go underground, but if I went to you directly you might–”
“What, because your boyfriend might beat me up if I don’t?” Eddie laughs, suddenly cold. “For fuck’s sake.”
“So– you don’t?”
“No.”
“Because I really– I don’t know what else to do. No one else can help me.”
Something about her tone is off. Her voice trembles; her hands do too. She’s genuinely scared, he realizes, and what is he supposed to do with that? “Help you with what, Chrissy?”
She doesn’t answer. She’s staring somewhere beyond him. He whips around, sure he’s going to see Jason and Andy and Patrick descending upon him with baseball bats and meat cleavers but–
But there’s no one there. Only the dark shadows of the school hallway.
He looks back at Chrissy. She’s still not saying anything, still staring beyond him — not staring at all, in fact. Her eyes have rolled up into her skull. Her eyelids are twitching like she’s having some sort of seizure except she’s not, she’s just standing there, she’s frozen still with her eyes twitching rolled up somewhere beyond this world and everything inside him sinks–
Everything’s okay. Everything’s fine. Nothing’s happened.
“Chrissy,” he says. It comes out ragged. On some level he already knows.
Notes:
– stained class by judas priest was released in 1978
– throughout the 80s, photos of missing children were printed on milk cartons in the us as a way of raising awareness.
– simple minds' sanctify yourself was released in 1985 and was no. 14 in the singles charts in this week in 1986
– here's the headlines from this day in 1986
– ludiomil is an antidepressant introduced for medical use in 1974
– xanax was approved for medical use in 1981
– it might have benefitted eddie greatly to be prescribed adderall or ritalin alongside everything else, but in the late 70s until the 90s there was something of a mass hysteria around over-prescription of stimulants and adhd research mostly focused on children, meaning eddie slips through the cracks
– rocktober blood was a horror movie about rock stars, right up eddie's street, released in 1984
– metallica's master of puppets was, of course, released on march 3rd 1986
– dokken's under lock and key was released in november 1985
– bad reputation by thin lizzy was released in 1977
– joan jett's bad reputation was released in 1981
– annie was released in 1982well. three jobs, two hyperfixations, two musical genres (90s hip hop and country), and a pair of cowboy boots later, i’m back. i'm sorry it took so long! it's been a wild year and it's only april. i'm reasonably set on updating this once a week until it's finished, which i estimate to be around 16 chapters. i'm very excited to get into it. do let me know if you're still here in the comments, and as always, you can find me on twitter (ohtobeinlove) or tumblr (palmviolet), where content these days is mostly related to true detective.
Chapter 54: Vecna's Curse
Summary:
He managed only to mouth it at Steve as they dragged him away. Hands cuffed cold behind his back. Upside Down, he’d mouthed, which would be gibberish to anyone not privy to the secret but to the rest of them–
Notes:
warnings for referenced panic attacks, classism, and referenced drug use.
(See the end of the chapter for more notes.)
Chapter Text
FRIDAY MARCH 21ST, 1986
The cuffs pinch his wrists. He remembers that well. It’s not my first rodeo, he thinks, somewhat hysterically, though the hysteria is deadened by his second Xanax of the day. He convinced Callahan to let him take one by having a panic attack right then and there in the back of the police car, not that it was deliberate, not that he chose to have it or would have been capable of reacting in any way differently, because Chrissy’s bones snapping were still at the brink of his imagination and behind his eyes he could still see her own bleeding, squeezing out of her skull, her feet lifting off the floor as some marionette whose strings were invisible, whose master was invisible–
He’s thinking himself into another one. He drops his head down on the table and lets the cold metal seep through his forehead. It sort of helps.
An interrogation room again. No Owens to save him, not this time. He’s constitutionally allowed a phone call but he doesn’t know Owens’s number, and he can’t call Hopper, he can’t call Murray. He can call Wayne but Wayne doesn’t know shit about any of this. Wayne could find him a lawyer but what would the lawyer do? Who could have killed Chrissy but Eddie himself?
Eddie who’s been acting weird all day. All year. Withdrawing from his friends, handing people envelopes in parking lots. Taking pills in the bathroom and refusing to see the counselor. What would Aaron and Gareth say, if interviewed about him? That he’s changed? That he’s become someone they don’t recognize? Someone who could-
He swallows down a rise of nausea. His throat is dry, acid tasting. He could do with a glass of water but he’d probably only throw it up again. Chrissy’s bones, snap–
He shudders. Puts his head back on the table again. Remembers Steve’s eyes, staring at him from the back of the half-circle that formed, Chrissy’s broken body splayed in the middle, it was like they’d heard the final crack and then, only then, they all chose to appear, they came out of the hall and found him standing there at the scene of the crime–
Steve and Robin and Dustin and Mike. Lucas, lagging behind, panting like they’d finally allowed him off the bench. Max’s pale face. What do they think of him? What do they believe?
He managed only to mouth it at Steve as they dragged him away. Hands cuffed cold behind his back. Upside Down, he’d mouthed, which would be gibberish to anyone not privy to the secret but to the rest of them–
Because it could only be that. Of course it’s that. Weren’t they saying it earlier, waiting for the other shoe to drop? And now–
The door opens. Clang. How does he always end up here?
“Munson. You feeling better?” Eddie lifts his head. Powell’s looking down at him, lips pressed together in a frown. The tone totally belies the words of concern; Powell doesn’t particularly give a shit. Eddie can’t really blame him. He comes to sit down opposite Eddie without waiting for a response. Callahan takes the other chair and Eddie supposes he’s grateful it’s not Agent Blass, Agent Faraday, but they at least might have some inkling of what’s going on. They’d intimidate him and make him think he’s crazy but they wouldn’t consider him a sadist; they wouldn’t consider him a killer.
Queer lowlife addict graduates to murder. The headlines write themselves.
“I didn’t kill her,” Eddie says, like it’s going to do him any good. His voice comes out raw and not-quite-right, like it’s an actor saying his lines transmitted across a shitty radio frequency. “You gotta– you gotta believe me.”
“Hmm. Well, who did kill her then?” Callahan says. He pushes his glasses up the bridge of his nose with his middle finger; immediately, they begin to slide back down again. Eddie stares as he repeats the gesture. “It’s an earnest question, Eddie. I’m asking you what you saw.”
“I didn’t–” Eddie closes his mouth. He tells them everything and gets branded a lunatic; worse, the Department of Energy arranges some poison crushed into his prison food, gives some heavy a shiv and directs him to stab. And Wayne? “I didn’t see anything. I don’t, uh, I don’t know who did it. I just– found her like that. Like–”
He feels himself go gray. Swallows a new surge of nausea. Blood in tears down her cheeks–
Powell clears his throat. “Let’s start from the beginning, okay? You were attending the game?”
“Yeah.”
“That doesn’t seem like your style.”
“My– my style?” It crosses his mind to laugh. He suppresses it just in time. “I don’t know what you– I was there to support Sinclair. Y’know, Lucas– Lucas Sinclair? I’m kinda, y’know, like, friends with–”
How to justify the twisted complexities of his social circle? How to tell them, without telling them, exactly, what he’s been through?
Powell’s frowning again. “So who were you watching the game with? You didn’t go alone, right?”
“Steve. Uh, Steve Harrington. And, y’know, Dustin Henderson, Mike Wheeler, Max– Max Mayfield.”
“Right.” Callahan’s writing something down. “So you watched the game, then what? When’d you leave?”
“I– I stuck around for the first two quarters. Then I needed a smoke.” Eddie takes a slow breath in, some attempt to steady himself. It doesn’t work. “I went outside at halftime for a cigarette. I smoked a couple, I was–” He stops himself from saying a nervous fucking wreck. Somehow he doesn’t think it would help his case. “Then I went back inside, and that’s when–”
The words fail him. He hears his heartbeat pounding in his ears. They’re looking at him, both cops, saying something else, asking something else, writing things down and studying his body language for guilt, his voice for guilt, and maybe he is guilty because he didn’t recognize the signs of what was happening early enough, not that he knows what happened even now but he should have done something, Chrissy was reaching out for help and instead he got fucking offended because she thought he was a drug-dealing lowlife which is in fact exactly what he is, what he’s always been, and he couldn’t even give her an ounce to deal with her pain just watched instead just watched as some invisible force dragged her up off the ground and snapped her bones one by fucking one–
“Breathe, kid,” Powell is saying. “C’mon, just–”
Snap. He chokes on a ragged inhale and digs his fingernails into his palm, looking wildly about the room, too frazzled to focus on anything long enough to count it, not even his breaths.
“Phil, get the kid a glass of water,” Powell says. Callahan stares at him, sort of betrayed-looking, but stands up and leaves anyway. Eddie puts his head in his hands and tries to exhale around a sob. Does this make him look innocent or guilty? Does it matter? Does it really, at the end of the day, matter?
He told Steve. He mouthed it at Steve, Upside Down, and that has to be enough. They know this town, they don’t have a responsible adult anymore (they are the responsible adults–) but they know this town. It has to be enough.
“That’s it,” Powell says. Eddie had sort of forgotten he was there. “Breathe, kid, all you gotta do is breathe. Breathe and tell us the truth, okay? No matter how you think it’s gonna sound.”
Voice artificially soft. Slow, patronizing. He thinks Eddie did it. More than that, he thinks Eddie’s gone totally fucking insane, he thinks something’s snapped inside Eddie’s head, finally snapped, and he’s gone insane and killed someone in the worst way anyone could possibly die–
There are worse ways, some sick voice in his head tells him. There are always worse ways, not that he’s seen them, but he knows. He knows things can always get worse.
“I didn’t do it,” he says.
“I’m sure you believe that.”
“You have to–”
“Kid, kid–” Powell raises a hand. “Don’t get upset again. We’re here to find out the truth, okay? Someone killed that poor girl and we’re just trying to find out why. Did you know Chrissy at all?”
Callahan comes in, sets a styrofoam cup of water on the table. Eddie takes a wary sip and struggles to get it down, tepid, metallic-tasting. Callahan takes his seat beside Powell and together the two of them stare him down.
“I didn’t,” Eddie says. “Know her, that is. She’s just– she was just a girl at school, y’know. I don’t– I’m not all that popular.”
They exchange a glance. “We know.”
“You– you know. Right. Okay. Who have you been, uh, who have you been talking to, exactly?”
“People do talk to you, though, right? The popular kids. They talk to you for a very specific reason.”
“I don’t know what you’re–”
“You knew Reefer Rick, didn’t you?”
“Reefer Rick,” Eddie repeats. “Is that– is that supposed to be some kind of joke?”
Callahan smiles thinly. “Do you find it funny?”
“Of course I don’t– what the fuck are you implying here, exactly? That I– what, that I was selling Chrissy drugs? Is that what you’re implying? Because drugs didn’t do that to her.”
“No. They didn’t.”
Powell leans forward. “Do you take drugs, Eddie?”
“Do I–”
“Remember, we’ve been in this town a while. We were there when Hopper arrested you, when the DEA got your old man.”
“He went to state prison,” Eddie mumbles.
“What?”
“My dad. He went to state prison for murder. Not federal for drug charges.”
They look at each other again. Like it’s something significant. Eddie registers, a beat too late, what he’s said. Like murder runs in fucking families, which, well, everything else does and Eddie stabbed a Russian in the femoral artery because that’s where his dad would have told him to.
“Do you take drugs?” Powell asks again.
Eddie says, “No,” and they stare each other down for a while. Because it’s still a lie, right, even now. Eddie’s nerves are deadened by a Xanax and he took his Ludiomil this morning like a good little patient; he smoked two cigarettes outside before Chrissy came up to him, which adds nicotine into the equation, and then there’s everything else he’s smoked and swallowed and snorted over the years, there’s weed and coke and ket and acid, there’s molly and speed and things he doesn’t even remember taking, things he couldn’t name if he tried. Saying no, he’s a liar, but he’s a liar about everything. He has no choice.
“Right, well–”
“I want a lawyer.”
This time, the cops’ shared glance is pained. “I gotta say, kid, we’re just having a friendly chat. It’s not gonna look good if you–”
Eddie drags himself up to sit straighter in the chair. Gathers up some momentum. “I want– I want you to talk to Dr. Owens at the Department of Energy. Sam Owens. Dr. Sam Owens.”
“Is that– is that the lawyer you want? ‘Cause–”
“He’s not a lawyer. He’s– listen, if you, uh, if you just charge me with murder without talking to him first you’re gonna regret this whole thing, I promise.” Eddie tries not to cringe at his own voice, coming out narrow and weedy, plaintive. “Contact him. You might have to call around a few state secretaries first–”
“Okay, I’m confused. You want us to call this Dr. Owens or you want a lawyer? ‘Cause, kid, you only get one phone call, and we’re not here to act as your personal call center, okay?”
“Well, I want that one phone call.”
Powell pinches his lips together and shoots Callahan a glance, like a mistake has been made. Right. Cops don’t like rights, do they? Wayne could have told him that. Wayne might even be proud of him, sitting here jutting his jaw out, stubborn, except Wayne probably thinks he killed someone. Apple and tree, right? Powell says, “Okay. Come with me, and we’ll get you that phone call.”
In the end, he calls Steve.
Of course he calls Steve. He calls Steve at home, and maybe eyebrows would be raised, him calling the Harringtons from the police station, or maybe they wouldn’t. Maybe they’d view it as a plea for philanthropy. Still, he holds his breath for a moment as the call connects. Wonders what he could say, if it was Helen Harrington picking up the phone.
It’s not. It’s just Steve. He forgot Steve’s parents are away for the week. “Harrington residence.”
“Steve.”
That’s all he needs to say; Steve’s voice goes vivid and complicated and unimaginably soft. “Eddie. Shit. What happened? Are you-”
“I’m still under arrest. If that’s what you’re asking. I’m, uh, I’m–” Eddie exhales shakily. Words fail him. He listens to Steve’s breathing over the line and matches its rhythm, matches its tenor. “I need you to call our friend, um, Bald Eagle?”
“I thought we didn’t–”
“We don’t. I do.”
They all call Steve an idiot, but Eddie’s always found him strangely perceptive. Sharp. Or maybe they just understand each other, because Steve doesn’t waste a second in saying, “Okay, where?”
“Go to the trailer. Tell Wayne what happened, what–” Eddie pushes through the wobble in his voice. “The phone number is on a letter inside, uh, inside Jailbird by Vonnegut.”
“Jailbird? Seriously?”
“Let no one say my life is not a comedy of fucking errors.” He sniffs and rubs his nose on the back of his hand. “Listen, just– obviously don’t tell Wayne everything, just tell him enough. Tell him– tell him what you have to. And talk to Bald Eagle.” He takes a breath, hesitates. Hopes Steve measures the weight in his words when he says, “I don’t care what they told us, what we signed.”
“Eddie–”
“I don’t care, okay? They arrested me for something I didn’t do. If I’m gonna go to prison for this, I may as well–” Steve has to understand what he’s really saying. Has to. “I tried to– I tried to get the cops to talk to Owens. But they think I’m schizophrenic, not that that’s– I mean, delusions of grandeur, right? Makes sense. Plus the mom thing. But if we can get– Bald Eagle to–”
“I get it,” Steve says. “I’ll work it out, I promise, okay? I promise.”
Eddie doesn’t say anything. He lets his forehead slump against the wall and relives it again, Chrissy’s bones, snap. Shudders to open his eyes and realizes he’s panting down the line; realizes he’s running out of time.
“Eddie,” Steve is saying. “Listen to me, Eddie, okay? I’m gonna work it out. You’re gonna be– you’re gonna be okay.”
“You didn’t see it,” Eddie whispers. “You didn’t– this is something new, man, this is something totally beyond– I don’t know if you can fight this with a nail bat. I don’t know if you can fight this at all.”
“Well, I’m gonna fucking try.”
It shouldn’t comfort him at all; it should make him only more afraid, that Steve is so brazen in going after this thing, that Steve is full of bravado and seems to show no fear. But that’s not right, is it? Because Steve’s no stranger to fear. Steve knows it well, just like the rest of them, and what is he doing right now? He’s putting on a brave face, and he’s doing that for Eddie. Only so Eddie doesn’t hyperventilate over the phone.
The phone call has one immediate benefit; it reminds Eddie that he does in fact have rights here, and he says to Powell when he hangs up, “I’m not talking to you again without a lawyer.”
So he waits for a lawyer.
He’s expecting some rumpled, tired public defender. Like they show in the movies. Then he realizes he’s in Hawkins, town with one major law firm, and that law firm is named Warr, Wheeler and Riverton, meaning he’s got a one in three shot of Ted Wheeler showing up here to be his attorney, is that how it works? Though Eddie hasn’t got deep pockets. Though it seems ridiculous in many ways. Is that how it works?
He waits. He buries his head in his hands. He tries to forget, snap, how Chrissy’s eyes looked bleeding out of her skull.
SATURDAY MARCH 22ND, 1986
It’s some time in the early morning that the door opens again. In a state of sleepless delirium, he’s expecting Ted Wheeler to walk in bold as brass, pushing his double-bridge glasses up his nose and shuffling Eddie’s criminal record around in his hands. It’s not Ted Wheeler. It’s Powell, lips pinched together, holding the door open with an arm extended, as if to let someone duck beneath it: “You can go.”
“You– what?”
“You can go. Go on. You’re free to go.”
“I don’t understand.”
“No, well, neither the hell do I. You got friends in high places, I can say that, I guess.” Powell’s face is grave, faintly furious. Genuinely outraged. Of course, because Eddie is the killer who’s lost his mind and doesn’t believe he’s done anything wrong — the worst sort of killer, one who would feel remorse if only he knew what he’d done. One who could easily, for no discernible reason, do it again. “Seriously, Munson. Get out of here.”
Eddie sucks in a breath. Then he stands up and Powell unlocks the cuffs. They look at each other warily for a moment.
“We’ll be watching you. You don’t– you don’t put a foot wrong, you hear me? I swear to God, if you hurt anyone–”
“I didn’t do anything,” Eddie says dully. Hollow words, now, though he still means them. Though they’re still true. But are they? How can he be sure he didn’t attract some sick supernatural force to Chrissy by his sheer proximity? How can he be sure it wasn’t after him?
Still. He didn’t do anything. It’s true, because he didn’t do anything, he just stood there. He didn’t save her, didn’t help. Stood there and watched as though all his action in the past has meant nothing, as though all of it added up to exactly zilch, to him just standing there watching passive and frozen and more pathetic than any of the children they’ve involved in this sick fucking circus–
Outside in the chill night air, he bends double and pukes on the asphalt. Throat stinging with bile, he wipes his mouth on the back of his hand and stays hunched for a moment. The cold wind bites the nape of his neck and he can feel someone watching him, probably Powell and Callahan, maybe someone worse. Friends in high places. So they were listening on the line; so they heard what Eddie said, and acted on it, just like he knew they would. And now they’re here, watching him across the parking lot.
A woman, short dark hair and dark pantsuit, is leaning against a long black sedan car with her arms folded. Watching him. He straightens up and swallows the foul taste in his mouth. She doesn’t look armed. But she might be, right? Or she might tase him, or jam a hypodermic into his neck, stuff his prone body into the trunk and drive him some place to shoot him in the head and dump him in a river.
Still. If the government wants to kill him, he’ll be dead before the sun rises anyway, whether he runs from this woman or not. So. He walks towards her and lights a cigarette.
“Mr. Munson. I’m here to drive you home.”
He blinks at her. All at once, he’s utterly exhausted. “Fuck it. Sure.”
She opens the door to the passenger seat. He gets in. Her car is warm and smells new; he doesn’t put his cigarette out. She guides the car out of the parking lot and says, looking at the road, “My name is Agent Stinson. You worried a lot of people with that phone call, Eddie.”
He doesn’t say anything. Just winds the window down and smokes into the night, letting the tension seep out of his body. Not because he’s out of danger but because his panic is only sustainable for so long — because his heart might give out if he doesn’t force himself to breathe.
“I can only assume you did it deliberately. That’s what Owens assumes, which is why he sent me.”
The instead of someone else goes unspoken. Eddie hears it anyway. “So Owens knows what’s going on?”
“I don’t think anyone knows what’s going on yet,” Stinson says, with the edge of irony, but smooth enough that Eddie can read it to be a lie. Her profile is shadowed against the dark town flashing past, stern, handsome in some abstract way, as much as any FBI agent can be handsome. “But we were correct, right? That you said it deliberately? Knowing we’d be listening?”
“What, that I threatened to tell someone about everything that happened? Break my fucking NDA? Yeah, I said that deliberately. I don’t–” He bites the inside of his cheek. Snap. Feels curiously cowardly. “I have my goddamn priorities in order, don’t worry. I’m just not all that eager to sit in a cell while there’s some– some unknown fucking thing out there killing– somehow killing–”
His voice breaks again. Great. He stares at her instead like it can erase the horror behind his eyes, which it can’t. She’s a careful driver. Hands neatly positioned on the wheel, eyes on her mirrors. Eyes a little too close on her mirrors, actually.
He can’t help a dry laugh. “You think we’re being followed?”
She casts him a cursory glance. “You didn’t learn anything from last year?”
He’d like to say he instantly dislikes her. But it’s more that he doesn’t know what to do with her; that his experience with women the age of his mother has been strained and strange, to this point, and here she is as a vehicle of everything else as well. “Owens sent you,” he says. “But it could’ve been someone else?”
“You’re sharp. Yeah. There are other factors at play here, other factions. You know where Eleven is, don’t you?”
He blinks. His mind stutters to a blank before he collects himself, performs his lie, which is actually the truth: “No.”
“Who’s Bald Eagle?”
“Who’s– I don’t–”
“Maybe Bald Eagle isn’t relevant. Maybe they are. Either way, I’m not going to ask you to tell me where Eleven is. Not now, anyway. Owens will need to know fairly soon, if only to protect her, because there are other factions out there looking for her right now and they’re gonna think she did this, they’re gonna think that what happened to Miss. Cunningham–”
Snap. He shudders. Cringes into his seat. His cigarette trembles between his fingers but he doesn’t drop it, thankfully, since he has no idea what she’d do if he ruined the upholstery. And he has no idea what makes him say, “Why would they think it’s El and not me?”
Stinson looks at him again. “Was it you?”
“No. But– I mean–”
“No one has examined Miss. Cunningham’s body in any great detail yet, let alone a pathology report, but the preliminary findings seem cut-and-dry to the sort of people we’re dealing with. In that what was done to her was done telekinetically. And to them, the principal example of telekinesis is–”
“Eleven,” he finishes for her. “Right. But Eleven’s mom and my mom–”
There’s a silence. Stinson has the radio muted, which is a great shame, Eddie thinks idly, does she always drive like that? To the sound of nothing but the world outside? “You’ve been to see your mother, Eddie.”
Of course they knew that. But then why–
“Why did we let her go free? Why haven’t we picked her up to continue our dastardly experiments?” Stinson shakes her head. “The same reason you know your mom and Eleven’s mom aren’t the same. What your mom told you. That it didn’t take; that whatever powers Eleven possesses, you don’t. You’re ordinary. You couldn’t have done this.”
Ordinary. Has he ever, once, in his entire life, been called ordinary? If there’s a category, he defies it. If there’s a box, he doesn’t tick it. He’s allotted himself the label of freak so long it’s sort of disorientating — just the way it was nine months ago, being told all the visions and nightmares and coincidences were just that, just in his head. “So that’s why you bailed me out.”
“Bailed you out is a loose term. But yes. We know you didn’t do this; we know we need your help to find out who did. Not Eleven, but someone else. Eleven, too, can help us.”
Eddie feels like he’s heard this before. Why has he heard this before? And why is it suddenly so crushing, if the words are well-worn, if the words themselves are nothing new? “Someone? Not something?”
Stinson’s still looking at the road, but something about her face goes tight. A slip. It was a slip, and she wasn’t supposed to say that, and it makes all the difference. He files it away amongst all the other things he has to know and remember and add up, in this shitty little equation of a town of theirs. And then they’re pulling into the trailer park, which is quiet and dark like nothing happened at all, except it did, Eddie knows it did, and that fact is made evident as they round the last corner and Wayne’s trailer comes into view.
MURDERER is sprayed out large and red on the side near the door, lines heavy and immutable like they took their time with it, they stood there and took their time knowing no one would stop them. MURDERER. It’s not even Eddie’s trailer.
“They didn’t, uh, they didn’t waste any time,” he says.
“There might be a lot of that. Just so you’re aware. We have influence with the police, but with mob opinion?” Stinson shakes her head. “You’re on your own there.”
“I can’t help you if I’m dead.”
She raises an eyebrow and says, “Do you want to remain in custody?”
He wants to explain to his uncle what’s going on. He wants to see Steve. So he says, “No.”
“Okay. Well, we’ll be in touch, okay? We’re working on this. Believe that we’re working on this. But don’t trust anyone coming up to you and offering that out of the blue, okay? There’s– there’s a lot going on.” She looks in the rearview again. “A lot of people are convinced that Eleven is involved in this, and that if you and your friends don’t give her up you’re protecting her. They’ll try to trick you into helping them in any way they can. But they’re liars.”
“How do I know you’re not a liar?”
She smiles thinly. “We’re all liars, that’s true. But I’m on your side, kid. Who else are you going to trust?”
She’s got him there. Apparently no more needs to be said; she drops him off and he goes inside, ducking his head, glancing around in case whoever graffitied the trailer is still around. They’re not. But his uncle’s sitting on the couch in the dim light of a single lamp, his cigarette a glow in the dark, and he looks at Eddie silently as Eddie comes in, expression obscured by the dim shadows.
“Hey,” Eddie says. And cringes, because it sounds obscene, his voice all cracked and hoarse and his eyes swollen, snap–
“Kid,” Wayne says. He also sounds bad. He clears his throat, gestures with his cigarette, seems to realize his fingers are shaking and stubs it out. When Eddie takes a step forward, he sees that Wayne is holding an axe across his knees.
“Wayne, tell me someone didn’t–”
“They hammered on the door. I turned the lights off, pretended like I was out. I ain’t afraid of them, Eddie.”
“Still. You axe murdering someone isn’t gonna– isn’t gonna make me look any better–” Eddie presses the heels of his hands into his eyes. “Fucking hell, Uncle. Who–”
“It doesn’t matter who. It could be anyone, kid, somethin’ like this happens and it has the whole town out for blood, you were in the wrong place at the wrong time and now it’s your head they want on a plate. This is just their excuse.”
There’s more to it than that; there’s everything else, and the way Eddie’s not sure he was in the wrong place at the wrong time at all. He says, “What am I gonna do?”
“Are they droppin’ the charges?”
“I mean, yeah, I’m not– they let me go. But that, uh, that won’t stop everyone else, will it?”
“Okay. Well, it’s good they don’t think it’s you, the cops, that’s somethin’.” Wayne scrubs a hand over his face and then studies Eddie in the dark. “I ain’t gonna ask you what happened. Talkin’ about it now, whatever you saw, whatever happened to that– to that poor girl, it’s just gonna make you feel worse. Why don’t you get some sleep, huh?”
Eddie’s knees go weak. Relief, maybe, gratitude. It dawns on him he honestly did not expect his uncle to believe him. And he hasn’t even had to say it; it’s gone unquestioned, this dubious truth that he didn’t do it. He leans against the couch and feels another sob rise in his throat. He wants to call his mom, talk about insanity and the things you see that aren’t there, and the things you don’t see that are. The things beyond imagining. What killed Chrissy could be anywhere; it could go after any of them next.
And on the outside wall of the trailer, MURDERER is dripping down in vivid red paint.
“They’re gonna come back,” he says quietly.
Wayne wraps a hand around the handle of the ax. “I’m gonna be ready for that.”
Eddie pushes off the couch in a sudden burst of energy. “No, that’s not– I’m not letting you do that. I’m sorry, I’m not. These people will have guns. And if you– if you get an ax out to fight them, they’re gonna use their guns and they’re gonna–”
“Eddie–”
“No. No, I can’t– if I’m not here, you’ll be okay. People, they respect you in this town. They– despite the name. No, I’m gonna go hide out somewhere. Just until–” He swallows. Feels strangely final about it all. “Just until all this blows over.”
Wayne sets the ax down and moves towards him. It feels final, yes, but also so unfinished. There’s so much Wayne doesn’t know; they’ve been dancing in circles of ignorance for years, that first honesty (this GRID thing) also the last. “Eddie–” Wayne says, reaching out his hands, but Eddie steps away.
“It’s not safe. Not for– not for me and not for you. If I’m, uh, if I’m out of sight then maybe I’ll be out of mind and people will move on. People won’t–” Eddie thumbs over his shoulder, nervous twitch of his hand.
“Where are you gonna go?”
It’s not only the mob that wants to find him. The government, the agents, Stinson’s cold face — they said they needed him, they weren’t finished with him, but Eddie needs space to think. He needs–
“Was Steve here?” he says in a rush.
The corners of Wayne’s mouth turn further down. “Yeah. He was. Said– said you’d called him, he needed to find somethin’ in your room. I didn’t believe him at first. Thought he was–”
“But you let him in.”
“Yeah. I kept an eye on him. But I let him in. What did he–”
Eddie shakes his head. Glances furtively around the room, suddenly conscious of whoever could be listening, their lives not their own, not anymore, had they ever been? He can’t tell Wayne where he’s going. It would make things only more complicated, and besides, they might hear.
So he just grabs some clothes, stuffs them into a bag. Hugs Wayne goodbye, tight, inhaling his metal-smoke smell and refusing to let it linger — refusing to look at him and say, I’m sorry for everything, or, thank you for putting up with me for so long. His voice would come out thin and labored, and he’s not ready for that yet, so instead he just says, “I’ll see you soon, okay?”
“Okay,” Wayne says, staring at him heavily. Looking like he, too, has more he wants to say, but he doesn’t say it.
Then Eddie walks down the road to the payphone and calls Steve to pick him up.
Chapter 55: The Monster and the Superhero
Summary:
“People see what they want to see. They’re happy to dismiss anything that doesn’t– anything that doesn’t cohere with their worldview. They’ll tell themselves I’m your dealer before they register I’m your friend.”
Notes:
warnings for referenced drug use and general vecna-related horrors.
(See the end of the chapter for more notes.)
Chapter Text
SATURDAY MARCH 22ND, 1986
“Y’know, my house is probably bugged too,” Steve says, as he turns onto Furling Way. There’s some horrible British Invasion song playing on the radio, Nik Kershaw, the lyrics of which seem to make no sense at all, and it’s driving Eddie a little crazy, actually, staring out the window at four in the morning as Steve has his hand gripped tight around the wheel. “So I don’t really–”
“I’m, uh, I’m more worried about the mob, I gotta tell you. No one would expect to find me at your house.”
“People have seen us together, though.”
“People see what they want to see. They’re happy to dismiss anything that doesn’t– anything that doesn’t cohere with their worldview. They’ll tell themselves I’m your dealer before they register I’m your friend.”
Steve still doesn’t look happy. Was it that, that Eddie called him his friend? It felt wrong as he said it, somehow, but there’s no other word. Not one he’s allowed to use.
“Listen, if you just don’t want me coming back to your place–”
“It’s not that,” Steve says in a hurry. “No, it’s– my parents are away all week and the house is– the house is plenty big enough. I’m just rattling around a shitton of empty rooms, it would be– it would be nice. For you to come stay. I’m just thinking about– I’m just thinking about things, y’know. Like if you’re–”
He cuts himself off. Eddie can’t imagine where that sentence was going. Nik Kershaw has been replaced by some other British trash about the politics of dancing, like this is what people need to hear at 4am. “Sorry I woke you up.”
“That’s not–” Steve glances at him, eyes wide. “Shit, man, that’s not what I’m– I was awake anyway. You think I could sleep, after seeing you get arrested? After what happened to–”
Snap. Eddie’s never going to get that out of his head, is he? He’s too tired to panic again; his eyes are itching, his mouth dry, and it takes effort to drag himself out of the Bimmer and onto dry land. Steve’s driveway. Long and blank in the moonlight, the dull orange streetlight, the whole street dead and quiet. Good. They hurry inside.
The house is quiet as the grave, a labored comparison that Eddie can’t stop himself from making. Quiet as the fucking grave. “I tried to get the others to come back here,” Steve says, gesturing a loose hand at the emptiness, “but, y’know, their parents–”
“Didn’t want their kids running around at night with a murderer on the loose, huh?” Eddie smiles dully. “Or, I guess, not so on the loose back then. There’ll be hell to pay in the morning.”
“We’ll handle that as it comes.”
That strangely solid tone, like Steve knows what he’s doing. Like it’s only natural that Eddie is here, being shown to the first of the Harringtons’ three guest rooms, like it makes perfect sense that Steve is carefully laying a neatly folded towel at the end of the bed.
“We’re not really overlooked here,” Steve says. He’s got a hand at the nape of his neck like he doesn’t know what to do with it. “So, like, you don’t have to– we don’t have to keep the curtains closed all day or anything. I’ll get the others to come over tomorrow and we can discuss what we’re gonna do.”
“Did you talk to Murray?”
“Yeah. I did. Is that what– was it Owens who sprung you?”
Eddie shrugs. “Yeah, but not because of Murray. It was– uh, it was what I said on the phone. I knew they’d be listening. Turns out threatening to break the NDAs sends agents to your door pretty sharpish.”
Steve scrubs a hand over his face. “Right. So– me calling–”
“Thank you. For calling. I’m not– I’m not saying you didn’t help. It wasn’t–”
“You could have called anyone else. It wouldn’t have made any difference. I thought you wanted me to–”
“But I called you.”
They look at each other. Steve looks the same as always. He always looks like that. Put-together and warm, even at four in the morning, hair not sleep-rumpled because he didn’t sleep, he was telling the truth about that. Eddie doesn’t know how he’s supposed to sleep now. How they’re both supposed to sleep, separate sides of the house, distance enough it doesn’t matter they’re under the same roof. Snap. Eddie wants Steve to hold him; he’s wanted that for a while.
He clears his throat. “Thanks,” he says, and, “Goodnight.”
“Goodnight,” Steve repeats, lingers for a moment, and then disappears, closing the door behind him. Eddie sinks down onto the mattress, feels soft multi-ply sheets beneath his fingers, breathes in the bland clean smell of the Harringtons’ chosen laundry products. Feels somewhere close to a dream. He wants to call Steve back in; he wants to ask him to pinch him. He wants to wake up in his own bed in 1983 somewhere before he started down the inevitability of this road — and yet he doesn’t, because then he wouldn’t know Steve. That’s the worst part. He tortures himself with it as he lies down in the dark. He can’t fully regret any of this because he can’t imagine his life without Steve in it, even twisted and messed-up as their dynamic has become. And that’s the most monstrous thing of all.
Snap.
He’s not expecting to be able to sleep, but he does. Sleeps in fitful starts, thankfully dreamless right until the very end, when Chrissy stares at him as her eyes melt into blood and she smiles without teeth–
He wakes gasping, tangled in fancy sheets that aren’t his own, and smells coffee.
He goes downstairs warily. Perhaps Steve’s parents made an early-morning surprise return; perhaps they’ll see him lingering on the stairs and draw a thousand wrong conclusions, call the police, kick Steve out in the bargain. But when he rounds the corner there’s some Naked Eyes song playing at low volume and Steve is breaking eggs into a bowl, hair mussed, eyes carved into sleepless shadow. He turns to Eddie waving a spatula and says, “Coffee? Eggs?”
Though it only ever makes him tired, Eddie accepts a cup.
The floor is cold and he regrets coming down in only socks; he rubs his bare arms and in the same moment Steve says, “Sorry, the underfloor heating gets turned off whenever I’m here alone. My dad says it doesn’t make sense to heat the whole house when I’m basically never here anyways.” And then, even more unbelievably, he grabs a sweatshirt from the back of a chair and thrusts it at Eddie.
Eddie takes it hesitantly. It’s a dark red sweatshirt, soft and warm, and when he tugs it over his head he gets a waft of Steve’s cologne. “Thanks,” he says, and then regrets acknowledging it at all, since Steve looks at him with this long, loaded expression, something wounded about it. It’s with a sting, then, that Eddie adds, “Did you sleep at all?”
Steve looks down into the coffee pot. “No. You?”
“Actually a little. Not that– I mean, that’s crazy, right? Like, the whole town’s baying for my blood and– and there’s some new fucking monster out there just waiting to–”
“And I’m making eggs,” Steve says. “I think we’re past the point where we do the whole– commenting on the absurdity of our lives thing, y’know? Now, d’you want eggs or not?”
They eat eggs to the tune of that Pat Benatar song from The Legend of Billie Jean, which makes Eddie think of El and Heartbreaker and then he goes back upstairs to fetch the letters he still hasn’t read. And his meds, which he also forgot about. He swallows a Ludiomil and looks at the first envelope, instead of Steve, still not knowing what he’d see if he did, though Steve has known about the meds since he started taking them.
“Which one’s that?” Steve says, after Eddie’s scanned the loopy scrawl.
“El. She’s– y’know, she’s fine. Supposedly. Doing bad at math and hates most of the kids at her school, but she says not to tell Mike that. Apparently she’s telling him everything is rosy.” He frowns at the paper, searching out what she’s lying to him about too. There’s always something. Letters are an exercise in deception, he’s found, self and other. And there’s people looking for her.
He skims through Will and Jonathan’s letters as well. Will expresses concern for his adopted sister, amusement at Hopper’s fruitless attempts to seem less conspicuous as a mall security guard, and a generalized queer frustration that wherever they’ve ended up has afforded no new opportunities that Hawkins was precluding — small towns, if they are indeed in a small town, are all the goddamn same.
Jonathan’s letter is mainly preoccupied with Hopper and his mom. They’re enjoying pretending to be married too much; it’s getting weird. It feels weird. Okay, not enjoying it, necessarily, but it’s happening naturally and it’s happening fast and when she cries about Bob it’s Hopper who talks her out of it, which I don’t know what to do with at all.
And then a final, tentative paragraph about Nancy: how’s Nance doing? Is she okay? I kept wanting to write but I know it’s not a good idea. The same way I keep making mixtapes and having nowhere to send them. I should be over it by now, it was my idea, etc. etc., and it’s not like I haven’t made a few friends out here, there’s even been this girl dropping hints, but I don’t know. Me and Nance are so tied up together because of everything that happened and I don’t feel like there’s really gonna be an end to that until everything else is over. Like in this Vonnegut book, Cat’s Cradle, there’s this concept called a karass. It’s the word for when a group of people are cosmically linked. Like our purposes are intertwined or something. I don’t believe in anything particularly cosmic but that’s not really how Vonnegut’s using it, and it’s not how I’m using it either. That’s just how it feels. And we won’t be done with each other, any of us, until our purposes are done. Which means maybe never.
Eddie’s eggs are congealing on his plate. He doesn’t particularly want to eat them. The words sit heavy on his chest and when Steve makes a polite gesture towards the paper he lets him take it; he watches the lock of hair springing across Steve’s forehead as he reads, remembers what Steve’s lips tasted like. There’s no coming back from that. Karass: and they’re stuck in it together, all of them.
“Shit,” Steve says when he’s finished. Too late, Eddie remembers Steve and Nancy used to date and there’s more than one type of weight in this room — but Steve doesn’t look particularly disturbed. Not by that, anyway. “Leave it to Byers to get profound on us, huh?”
Eddie also fetched his cigarettes from his jacket. He opens the pack now. “D’you mind if I–?”
Steve considers the kitchen for a moment, then shakes his head ruefully. “Maybe go outside. My mom smokes in here all the time, but if I put a foot wrong while they’re gone–”
Here is where Eddie would offer some knowing commiseration on maternal hypocrisies. Instead, he just goes outside. It’s bitingly cold and the deck is just damp enough to get his socks wet; nevertheless, he stands by the pool and puffs out smoke into the bitter air. He’s standing in another murder scene, he registers dimly, but the morning’s settled over him numb and if he really tries not to think about it (snap) he can almost push the sights and sounds of death from the very forefront of his mind.
When he goes back inside, everyone else has arrived. Almost everyone. Nancy, Robin, Max, Mike, Dustin, but no Lucas. No Erica, either, but Erica remains a child. Eddie folds his arms over his chest and tries not to meet anyone’s eyes, though there’s a desperate air to the room, like each of them wants to rush forward and say something, do something, things he’s not sure he really warrants or is entitled to.
“Where’s Sinclair?” he says, before they can. He sort of regrets the intrusion on his and Steve’s domestic peace, like they had any right to that peace, like things aren’t happening out there that make the consumption of coffee and eggs wholly ridiculous.
“He got dragged off with the basketball team,” Max says. “Y’know, like, Chrissy being Jason Carver’s girlfriend and everything. He’s– he’s losing his mind, apparently. I think Lucas is trying to keep the peace.”
“Good luck with that,” Steve mutters. Really, he should know better than most.
They lapse into uncomfortable silence. Someone has to say it, someone has to come out here and say it and in the end it’s Nancy, thin and drawn and pinched, it’s Nancy with her arms hugged across her chest stepping forward and saying, eyes wide, “So what happened?”
Eddie takes a fortifying breath in. He’s had a Ludiomil and a smoke; he goes for his cup of coffee and hides his face behind it as he says, “She, uh, she was coming to find me in the hallway. She wanted to buy– she was having a rough time or something, I don’t know. She wanted– well, you know what she wanted.” He doesn’t look at Max or Mike or Dustin as he says this. Regrets picking up his coffee, because it’s making it obvious how his hand is shaking. “We talked about it for a bit, I wouldn’t– uh, I wouldn’t give her what she wanted. Being out of the game and all. So then– then she just stopped responding. And her eyes rolled up in her skull and she–”
He feels, more than sees, Steve draw closer. Like some offer of comfort — like there’s any comforting him about what comes next.
“Something, like, lifted her up. Like a fucking marionette, I don’t know, and she just, like, hung there, in the air, and her bones– uh, she–” Snap. The words tangle themselves up in his throat; he trips over them; he wants to throw up again. But he forces them out. “Her bones started to snap. Her eyes, man, it was like there was something– like, inside her head– pulling–” He sets the mug down. It sounds out strangely loud in the silence, a clatter, since he’s still trembling. “And that’s when people came out to see what was going on. I guess they heard me screaming.”
“Eddie–” Robin says softly, face drawn into horror, taking her own step forward, but Nancy beats her to it. Ever pragmatic.
“But the police let you go,” Nancy says. “Right? So we don’t have to worry about you getting arrested again?”
Steve cuts in. “No. But he did– I mean, he had to get Owens involved.”
“Fucking hell.”
“I don’t– I mean, that’s a good thing, right? Like, we’re not gonna be totally on our own like we were with the Russians–”
“But the government are fucking assholes,” Mike spits, a sentiment apparently common to the Wheeler family. Eddie lets the talk wash somewhere over his head, just like always.
It’s Dustin who gets them back on track. “But there was nothing– it wasn’t a gate or anything, right? You didn’t see anything like the Upside Down?”
“No, man, nothing. I tried– I tried to wake her. She couldn’t move. It was just– she was in some trance or something.”
“Or a spell.”
And then something crystallizes inside Eddie’s head. A thing he was toying with way back when, one of many campaigns he thought about and then abandoned because the interest, the obsession, it just wasn’t there anymore, not when there was so much horror to be found everywhere outside of the board and the books–
“Vecna’s Curse,” he says. “We like– we like DnD analogies, right? There’s your fucking analogy.”
Steve frowns, stepping somehow closer. Their shoulders are brushing now. “Who’s Vecna?”
“An undead creature of great power,” Dustin supplies.
“A spell caster.”
“A dark wizard.”
“A wizard,” Steve repeats slowly. “A wizard. That’s great.”
There’s a silence. No one seems to want to ask the next question, no one until Max: “So how do we stop a wizard?”
“A wizard sounds easier to kill than a shadow monster,” Nancy says. She doesn’t really look at Max as she says it; the temperature of the room gets noticeably cooler anyway. “We kill it.”
“But this is just a theory. Like, we don’t know anything at all yet.”
“If we had El to help–” Mike starts, and Max rolls her eyes.
“El can’t help anyway and you know that. She doesn’t have her powers. And we can’t put her in danger by trying to contact her.”
Eddie looks at Steve. It’s not that they asked Murray to call Hopper directly, after all, but it was close, too close for comfort, and if he wasn’t feeling guilty about the whole thing already–
Dustin clears his throat. “But it’s related to the Upside Down. We know that much, at least. It has to be. And maybe Vecna, he’s doing the bidding of the Mind Flayer or maybe he’s not. We can work with that.”
“But whether he’s doing the Mind Flayer’s bidding or not,” Robin says, “why Chrissy? Why not– I mean, the Mind Flayer last year, it was targeting El, right? It had a victim in mind. Why would it go after Chrissy this time?”
“Maybe it wasn’t after Chrissy,” Eddie says, voice thin. “Maybe it was after someone else.”
They all stare at him. Because it makes sense; it makes more sense than Chrissy, certainly, Chrissy who was an innocent kid who did her stupid cheerleading at the middle school talent show one time, years ago, which for some reason Eddie still remembers, Chrissy who didn’t know anything, Chrissy who didn’t want or deserve it.
It’s Max who meets his eyes, the reassurance of the skeptic. “You think a supernatural dark wizard aimed his evil curse and, what, missed?” She shakes her head. “No. No, there has to be a reason he went after Chrissy.”
Dustin sharpens. “You said she was having a rough time? Chrissy?”
“I– yeah. She said–” Eddie was absurdly relieved they’d decided to brush over the drug dealing issue. And now he’s raking it back up again. “She wanted to buy something to, like, take the edge off whatever was bothering her. She said something like she didn’t know what else to do. She, uh, she said– No one else can help me. That’s what she said. And then Vecna got her.”
“Serial killers stalk their prey before they strike, right?” Robin leans forward over the counter. Outside, it’s gone bright and sunny, faintly mocking. “So maybe Chrissy saw this Vecman–”
“Vecna,” Mike and Dustin correct simultaneously.
“I don’t know about you guys, but if I saw some freaky wizard monster, I would mention it to someone,” Steve says. Like who, Steve? Eddie wants to ask. Because Steve has — like they all have — a network. A karass. People who won’t think him insane for it, and, sure, people like Steve and Chrissy come from a better starting position on that front, less liable to be called high or insane or a liar but still, who did Chrissy have to tell, really? Her Bible-thumping boyfriend who wouldn’t have believed her?
But Nancy says, “Maybe she did. I saw her leaving Ms. Kelley’s office at lunchtime, like maybe she’d had a session. And that’s who you’d talk to, isn’t it? If you were–” She visibly bites down on something, holds it back. “If you were Chrissy, and you were seeing some monster, you couldn’t go to the police, but if you didn’t have anywhere else to turn–”
Robin picks up the thread. “You’d talk to your shrink.”
“So we need to talk to Ms. Kelley,” Dustin says.
“Hold on, it’s not– it’s not gonna be that simple. She’s not just gonna tell you about another–” Eddie winces. Doesn’t say the word patient. “Talking isn’t gonna work.”
Max smiles thinly. “So we steal the keys to her office.”
“Are you fucking kidding me?” Steve’s shaking his head. “No way. No. We’re committing crimes now?”
Eddie’s patience snaps. “You want me to list the crimes we’ve already committed, Steve? Because it’s long. We’ll be here a while.”
“I just mean–”
“But someone has to talk to her to get the keys anyway,” Mike cuts in. “And it can’t just be any of us, it has to be someone with a reason to go talk to her at her house during spring break.”
A hesitation. Right. Who’s gonna out themselves?
When no one speaks up, it falls the way it usually falls. More than ironic. Eddie clears his throat and says, “Mrs. Barkley said I should go to see Ms. Kelley yesterday. That’s reason enough.”
“Uh, how about the fact that the whole town thinks you murdered someone? Also, conveniently, yesterday? There’s no way she’s gonna let you in the door.”
“All the more reason I need someone to talk to, right? Like, I’m pretty sure she’s professionally obligated to talk to me.”
Robin shakes her head. “Not out of hours. And she’s not a clinical psychiatrist or psychotherapist or whatever, she’s just a school counselor, she’s not actually obligated to do anything except report you if you’re gonna– y’know.”
“Well, is, uh, is anyone else volunteering? Because–”
“I’ll do it,” Nancy says.
They all stare at her.
It’s Dustin who says, dumbly and impatiently, “But you have to have a reason to go see her, remember? That’s why Eddie said he could go.”
“Yeah. I’m aware of that, thanks, Dustin.” She smiles tightly. “I have a reason too.”
“You mean you–”
“Hey, dipshit, if she doesn’t want to talk about then she doesn’t want to talk about it, okay?” Steve says, snapping back into life. Nancy shoots him a grateful look over Dustin’s head and for some childish reason it makes Eddie’s stomach twist. Though Eddie’s the one wearing Steve’s sweatshirt, and he should be grateful that no one has commented on it but he can’t bring himself to be, somehow, even as he tugs the sleeves closer down his wrists.
In the end, Nancy drives off with Max and Dustin and Mike, who insisted on going with her, if only to wait in the car. This leaves Eddie alone with Steve and Robin, who glances between them with a wry, tired look and says, “Well, here we are again, huh?”
“Here we are again,” Steve agrees. He crosses the room to the cassette player and pauses So in Love (Orchestral Manoeuvres in the Dark) mid-lyric. “Hey, Rob, you want something else?”
Eddie splutters. “Are you fucking for real, man? You’ve had me listening to all that crap all morning and the second Buckley gets here–”
“That’s because I make polite and fun choices that are good for everybody,” Robin says. “Have you still got that Oingo Boingo cassette?”
Unhappily for everyone involved, he does indeed still have that Oingo Boingo cassette. It’s not the worst of their albums, Nothing to Fear, but Eddie’s still bracing himself.
Then Robin says, “Unless you wanted me to suggest something a little more tone-appropriate for the occasion, y’know, since everything’s fucked and Eddie was arrested and this thing could probably come for us at any moment–”
“Anything’s better than the silence,” Steve says. “Like– yeah, I don’t care about the tone. I just can’t have it be silent. I play music all the time when I’m here alone. Which is a lot.”
He puts the cassette in. Robin was right; it’s utterly discordant, brash, but in the way that takes Eddie out of himself a little bit and he can be grateful for that, at least, even if it’s not to his taste.
They sit there talking about nothing until the album hits Wild Sex (In the Working Class), at which Eddie raises his eyebrows and says, “You think these walls have ever heard the like, huh, Steve?”
Steve shrugs. “I play a lot of Springsteen, so. Kinda.”
Eddie smiles at that, lets his head tilt back against the couch cushions. Steve’s outstretched arm is close to his head, nearly close enough he could sink back and touch it. He doesn’t. Just quietly enjoys the proximity and tries to allow the music to drown out the snapping chaos of his thoughts.
Still, he startles when Nancy’s car pulls into the drive an hour later. The three of them hurry to the hallway, where Nancy flashes them a sharp, factitious grin as the keys to the counselor's office dangle from her fingers. Still, she’s not quite looking at Max, and Max isn’t quite looking at her.
“Well, let’s go,” Steve says, and the group moves towards the door and Eddie finds himself trailing at the back of it, still in stocking feet, clenching his jaw.
“I don’t know if I–”
They turn to look at him. “What?”
He opens his mouth but nothing comes out. Then Nancy moves towards him. “No, I– he’s right. The school’s still a crime scene. We can’t just go there now, we have to wait for dark. And even then, it could be crawling with cops. They let Eddie go, but isn’t there that thing about serial killers–”
“They come back to the scene of the crime,” Robin says. “Right. Yeah. Eddie, maybe you shouldn’t come with us.”
Some of the tension goes out of him. He drags a hand through the hair at the nape of his neck and tries not to look too relieved; he doesn’t think it works, as Mike gives him an awkward clap on the shoulder and Steve brushes him with an elbow as they all go back into the living room.
It then becomes a game of useless waiting. Eddie’s itching with nervous energy and nowhere to put it; Dustin somehow gets control of the TV remote and flicks through the same three channels, comprising the news, a Western, and a daytime quiz show. He settles on the quiz show until his know-it-all answers become so insufferable that Steve grabs the remote off him and they’re back to the Western, Once Upon A Time In the West.
Time passes. People shoot people. Steve orders them pizzas and they eat draped over various surfaces, like this is a sleepover. Like Eddie can’t still feel the pinch of cuffs around his wrists. He watches Steve wipe a drip of sauce from the corner of his mouth and can’t quite breathe for a moment, not only because of the endearing, thoughtless grace of the gesture but because why is he thinking about that right now? Why can’t he stop?
Eventually, night falls, and the others get up to leave. Surprisingly, Nancy doesn’t move. “Someone has to keep Eddie company, right?” she says, which makes Steve frown, but he doesn’t comment. He takes the office keys and leads the rest out of the room. They hear the front door close a minute later.
They sit in silence for a few moments. Eddie shares Steve’s horror of the quiet, but Nancy apparently doesn’t mind it. She stares at the ceiling with her teeth worrying at her lip, thickly permed hair curling out around her face. When he can’t stand it any longer, he jumps up and paces a circle around the room. Thoughts emerge unbidden; now it’s only him and Nancy, he can’t repress them any longer.
“It couldn’t have– I mean, it couldn’t have been me, right? Like, they think I have the strength to break a girl’s bones one by–” His voice cracks. “I’d probably dislocate my shoulder if I tried.”
“You’re applying logic,” Nancy says tiredly. “These people don’t operate on logic.”
“I guess not.” He reaches for his cigarettes and then drops his hand, remembering. On the couch, Nancy looks worn-out, shadowed. Hollow somehow. “Are you okay?”
“I’m fine.”
He comes to sit beside her again. “Really?”
A pause. She pinches her lips together and says, “You said Mrs. Barkley told you to go to the counselor?”
“Yeah. Something about– my shitty homework, or whatever, like it was some symbol of my troubled backstory, I don’t know.”
“Yeah. Well. I was also told to go to the counselor. My grades were getting worse — not bad, I still have that ridiculous drive to do well despite my every effort to the contrary — but a little bit worse, and they told me to go to Ms. Kelley, the teachers, more than one of them. So I went. I didn’t think she could help, but I went. I told her basically nothing. But she– she was making notes. The whole time, she was making notes. And those notes are in her office.”
“Oh. Shit.”
“Yeah. Shit.”
“Nance–”
She’s in flow now. “I guess I just didn’t– I didn’t want to be there. When they read the notes. None of them even knew I was seeing Ms. Kelley, and everything else–”
“Everything else?”
She shakes her head. “I should be handling it. It was my choice. It was what I had to do, right? I made the choice and I knew what the consequences would be. And still it–” Her voice drops to a whisper. “I can’t stop dreaming about it.”
“Billy.”
“Yeah. And the nightmares, they’ve been getting worse, and every time I touch my gun I feel sick–”
“Have you talked to anyone about this? I mean, like, really. Not just– not just vague shit to the counselor.”
“Who would I talk to? My mom? Steve? Jonathan?” She laughs hollowly. “I don’t mean this in a bad way, Eddie, but you’re the best I’ve got.”
He accepts this without comment. He gets it. “How are things with Max?”
“We don’t really talk. It’s– it’s better than it was. We haven’t talked about it. I don’t know what she wants from me, if she wants anything. I guess it’s one of those unbreachable horrors, y’know? One of those things that will sit between us until the day we die.”
He doesn’t like to think about that, them dying. Any of them dying. Snap. He swallows the jolt of fear.
They hear the front door open.
Notes:
– the nik kershaw song is the riddle, released 1984
– the politics of dancing by re-flex was released in 1983
– the naked eyes song is i could show you how, released 1983
– underfloor heating began to become widespread in the 80s
– cat's cradle by kurt vonnegut was published in 1963.
– the pat benatar song is invincible, released 1985
– so in love by orchestral manoeuvres in the dark was released in 1985
– oingo boingo's second album, nothing to fear, was released in 1982
– once upon a time in the west was released in 1968early update this time because i'm on the move — updates might be weirdly timed for the next few weeks (and indeed maybe the foreseeable, but i do aim to keep them on sundays). thank you for reading, as always! let me know your thoughts below and find me on tumblr and twitter.
Chapter 56: Dear Billy
Summary:
“Shit, in Hawkins? There hasn’t been a murder in Hawkins since–”
He senses something in her broken-off silence. “Since what?”
She sighs again. He hears something clink, something being poured. “You ever heard of Victor Creel?”
Notes:
warnings for referenced suicide, implied classism, implied racism, and referenced drug abuse.
(See the end of the chapter for more notes.)
Chapter Text
SUNDAY MARCH 23RD, 1986
None of them sleep all that well that night. It’s inevitable, really, from the moment the others come home with a laundry list of symptoms to watch out for — headaches, nosebleeds, nightmares — and instantly each one of them manifests some or all of these symptoms, convinces themselves they’re next. They have to be next. Because Chrissy still doesn’t make sense, right? Chrissy doesn’t know anything. Chrissy wasn’t there.
Those that can convince their parents stay the night; those that can’t go home. With the result that Eddie still has to tiptoe downstairs, early, to use the phone. None of the rest know about his mom, save Steve, and he’d like to keep it that way, if he can. It all gets too complicated otherwise.
She’s slow to pick up. Right. He’s gotta stop calling early. He stands by the phone in the hall — he’s sure Steve has one in his bedroom, but that would be all kinds of awkward — and twists the cord around his finger. The floor is cold again. He’s still got Steve’s sweater.
“Hello?”
He pushes the receiver closer to his mouth. “Hey, uh, it’s me.”
“Eddie? You okay?”
“I’m okay,” he says automatically, and then laughs. “Okay, no, I’m not okay. Fucking hell. Shit has hit the fan.”
“What does that mean?”
“It means– it means I got arrested on Friday night. And the police think I had a psychotic break. And that I, uh, killed someone. Which I didn’t, by the way, just– just putting that out there–” She doesn’t say anything. He feels compelled to fill the silence. “I’m not like my dad, if that’s– like, and everyone is thinking that. I can just tell. They don’t want to say it because they believe they’re better than that but they’re thinking it anyway, apple from tree, et cetera, and I don’t know what to do because I got the police to let me go but that doesn’t convince the mob, does it? So I’m fucked. Because of my dad and I live in a trailer park and I’m a queer dealing drugs and acting weird all the time because– because of whatever shit–”
“Hey,” she says, on a time delay. It occurs to him she’s been drinking. “Where are you?”
“I’m– I’m at Steve’s.”
“And no one knows you’re there?”
“No one who’d tell anyone. I’m, uh, I’m safe, if that’s what you’re asking.” He trips over the words, closes his eyes. Has the sudden, strange urge to hang up the phone. “I’m not calling so you can worry about me.”
Her tone shifts. “Why are you calling, then?”
“I–” His throat closes up. He digs his fingertips into his eyes. “I guess because I thought you might, uh, you might be able to relate. To, y’know, to how it feels. And maybe–”
“You believe them?”
“What?”
“You said they think you’re crazy. Do you believe them? Do you think you’ve lost your mind?”
“I don’t– I don’t know. No. I know what I saw. Maybe in a more loosely general, kinda overall brain health sense I’m not, uh, I’m not sure, but–”
“Then that’s all that matters. Right? That you know what you saw. You can–” She sighs. “I’m not gonna tell you that’s proof you’re not crazy. Delusions are delusions for a reason, and I know how they work as much as anyone, but you can’t start second-guessing yourself when the whole town’s after your head. You can’t.”
He inhales through his teeth. “I know.”
“So what happened? With this person who died?”
“She– fuck, I can’t talk about it. It was awful. I mean, the kinda thing no one can possibly consider an accident. Not suicide, either. No, it’s the kind of murder I was gleefully inventing for my DnD villains to commit a year or two ago–”
“Shit, in Hawkins? There hasn’t been a murder in Hawkins since–”
He senses something in her broken-off silence. “Since what?”
She sighs again. He hears something clink, something being poured. “You ever heard of Victor Creel?”
“Who’s Victor Creel?”
“You’re telling me Wayne never told you that story? Or your dad? I guess I can understand Wayne not telling you, but that’s just the shit Bruce liked. Something to scare you. A sign that the fat cats and the pigs, they’re just like the rest of us or worse, he always was mean-spirited and selfish about his social action. Anyway. Victor Creel. It was 1959, I was– how old was I, 13? Wearing jeans to school and getting reamed out by my teachers for it, maybe not giving as much of a shit as I should have, studying-wise, because I wasn’t all that practical as a 13 year old. The Creels were new to the town, wealthy, and I didn’t pay much attention. Society affairs always flew somewhere way above my head. I don’t think I’d even heard of them until the murder hit the newspapers.”
“What happened?”
“He killed them. His wife and his young daughter. Broke their bones, squeezed out their eyes. The son was injured too, I don’t remember how, but he escaped with his life. Nice, right? Imagine living after something like that.”
Eddie’s hearing has sort of faded out. Replaced by ringing, ringing and snap, the constant refrain. Bones and eyes. There’s no fucking way. “Victor Creel?”
“Yeah. What–”
“Fuck. Um. I’m gonna– I’ll call you back, if that’s okay.”
“Okay,” she says, sounding confused. A little concerned. He doesn’t blame her. He hangs up the phone and passes a hand over his face, trembling, swallowing around the lump in his throat. He has to tell people, right? He has to formulate some way of dragging what she told him into words, words they’ll do something about, words that matter. He’s long since stopped being good at that. All the crowd-controlling energy — band, metal, DnD — it’s sunk out of him, the way a carcass might dry out in the desert.
“What was that?”
He turns. It’s Nancy. Of course it is. She’s biting her lip, cheeks sunken in, and she looks like she can’t take any more bad news, but of course she can. She always can. He rehashes it in as few words as he can manage. And he watches it in real time — her face sharpening, her defeated slump turning into something solid and practical and defiant, the investigator’s pose, the gladiator’s. It’s hard not to believe in her. Hard not to believe in a coincidence as anything but, as something more, because it has to be, it’s all he has to cling to, all they’ve got left in this shitty little town, the reliability of the non-coincidence.
“Is he still alive? Is he– I mean, did they execute him? Or can we talk to him?”
Despite himself, Eddie smiles thinly. Trust Nancy to pose those as the only two options, no matter how many walls and locked doors stand between her and her subject: if he’s alive, she’s getting to him. “I don’t know.”
“Okay. Well– that’s gotta be in the newspapers, right?” Her hand twitches through her hair; her lips twist. “I’ll go to the library. See what they’ve got.”
“What–what day is it, is it a Sunday? Is it even open on a Sunday?”
She shrugs. “Guess I’ll find out. Eddie–” she adds, as he’s opening his mouth to say something stupid like are you sure this is safe shouldn’t someone go with you just in case — “Look after the others, okay?”
“What are you–”
“I’ll be fine. I won’t be long.”
She’s already dressed to go out, he realizes, though she slept here last night. Like maybe she was leaving anyway. To go where, he doesn’t know — and now he only watches her leave. The door closes in a rush of cold air and that’s when he feels someone watching him, heavy, loaded look, the kind they haven’t been able to shed all year.
“Please don’t be weird about this, Steve,” he says, pressing his thumb and forefinger into his eyes.
When he lowers them, Steve is holding his hands up in defense. He looks tired, hair mussed and flattened on one side, like maybe he spent all night tossing and turning and barely keeping his eyes closed. “I didn’t say anything.”
“So you, uh, you don’t feel weird about Nance going off out there on her own while there’s a– maybe a serial killer on the loose–”
Steve looks at him for a moment. “What do you want me to say, man? I don’t like that. Of course I don’t like that. I wish you’d delayed her long enough for me to come down and go with her, or whatever, isn’t that what this is about? Keeping everyone safe?”
Eddie’s head feels thick, foggy. He’s got a headache starting behind one eye. Imagines it as a lobotomy, imagines some long nail stabbing right behind the socket into the brain. Shutting off all the trouble once and for all. “I don’t– it’s too early for this, man, I just–”
“We don’t have time for weird. Right?” It’s a warning, gentle as anything, but a warning nonetheless. Eddie remembers last year. Remembers sitting on a log with Steve as Steve looked him in the eyes, all fucking gentle-like, let him down with so much common sense it made his face hurt. Like in those movies where when you care too much about the soldiers you’re commanding, it means you can’t be objective about them, and you put them in even more danger because of that. And, it does feel like that, right? Like we’re in wartime? Like there’s no space for anything else, like we can’t– like we can’t forget what we are. What happened to us. Because forgetting it for a moment means it can come back.
And yet it’s come back anyway. Maybe Eddie wasn’t paying enough attention. “It’s all fucking weird. But I– yeah. I know. Sorry.”
“You don’t have to–”
Steve’s lips were searing hot. Eddie remembers that if nothing else, through that night’s drunken haze. He remembers what Steve tasted like. And the memory burns with that heat, too, burns like a brand, hurts to recall, so he doesn’t. Pushes it back down. He clears his throat. “C’mon, let’s rustle up some breakfast. We got hungry kids to feed.”
They feed the hungry kids. Eddie himself doesn’t eat anything, just sips a burnt-tasting decaf coffee, unable to bring himself to question why Steve has decaf in his house. Mike bitches at Max and Max bitches back and he lets the chatter wash over him, lets the day wash over him. Thinks about going back to bed.
That’s when Steve turns the television on.
“...further student from Hawkins High has been found murdered…”
Someone else. It got someone else. The room goes cold and still and Steve turns the volume up, fingers twitching over the remote, Dustin and Robin went home last night, Lucas wasn’t here at all, it could be any of them, what if it got Nancy in the fucking driveway–
Fred Benson, the report finally announces, in breaking news. Promising and bright student Fred Benson, known for his involvement in the high school newspaper. Eddie probes at his emotions and doesn’t like what he finds, rejects and reviles the idea of relief while being so, so tired of horror. Numb. So he goes outside and smokes a cigarette in the cold and then when he comes back in Lucas is there, panting for breath in the kitchen like he ran all the way here, forehead shining with sweat and eyes widening as they alight on Eddie like maybe he’s the only one who has yet to be convinced.
“They’re looking for you,” Lucas says. Eddie wants to return, no shit. “The basketball team, Jason and Andy and the others, they’re after you. I managed to lead them away, sent them out into the woods, but I don’t know, man, they’re mad. They’re really fucking mad.”
“He didn’t even do anything,” Dustin snaps. “The cops didn’t even charge him–”
Eddie cuts in. “Only because the– because the Department of Energy was listening to my phone call. The cops– they’re convinced I did this too. I mean, what other explanation is there, right? It’s gotta be me. It was always going to be me.”
The room goes silent. Eddie digs his fingernails into his palm and wants to go back outside. Max has drawn herself closer into Lucas’s shoulder, which he’d find sweet if he were capable of thinking about anything other than massive impending doom. He thinks he tells them about Victor Creel. He’s not sure. Only suddenly he’s outside again, fingers trembling on his lighter until he drops it, lands cold in a damp patch of deck, right by the pool where Barb died only Steve never got hauled into the police station, never got accused of murder for it, and why was that, exactly? Why didn’t Steve take the rap?
He jumps as the glass door slides open and shut behind him. Says, “Steve, I don’t wanna–”
“It’s not Steve.” He turns to see Robin, hugging her jacket close to herself, studying him with wide eyes. “Just me.”
“Hey, Buckley. What’s up with you?”
“Nothing at all, like literally nothing at all, there’s nothing like all this shit to put your own tiny problems into perspective, right? Like, two days ago I was bitching at Steve about– about my own social ineptitude and his own shitty way of handling things and now it’s like caring about that is just–”
“Right.” He bends to pick up the lighter, fumbles with the catch. “You, uh, you mind if I–”
“I’m out here bothering you, not the other way around. I’ll just stay on the other side of the pool.”
Her eyes somehow go wider. She looks like she regrets saying that, the pool, mentioning it at all. Does she know it’s where Barbara died? Probably. And they were friends. He manages to light his smoke and wonders how long he’s been here, at Steve’s house, feels like years. No time at all. “I shouldn’t have let Nancy go to the library on her own.”
“She’s Nancy. She’ll be fine.”
He shoots her a look. She’s fidgeting with her sleeve. “I really do not have anything left in me with which to understand that tone, Buckley, so work with me here.”
She throws up her hands. “It just feels different this time. I don’t know. I’ve only done this once. But this– this hiding out here, this sense that– that there’s something stalking us, some old murderer, some monster– and the government’s coming, and we can’t do anything except wait to get nightmares and nosebleeds and we don’t even have El or Hopper to help us and it just feels like–”
“Like what?”
“Like punishment. You– do you, um, do you ever feel like that? Like this is–”
“Punishment for–” She looks at him miserably. He shakes his head. “I’m not doing this, we’re not– c’mon, we can’t be thinking like that. You know we can’t.”
“Your show in Indy, last year, that guy we met–”
“Victor.” He closes his eyes, turns a cold half circle. “It isn’t like that. All this shit, the murders and AIDS and the end of the world–”
“Isn’t it?”
He can’t look at her because then she’ll know he’s lying; because then she’ll know he doesn’t believe in anything good at all. “No. And you can’t think about it. You just– you get through shit, y’know? We get through shit. That’s the way Victor lived his life.”
“Lived?”
His throat tightens. “He died. A month or so ago. I only found out a couple weeks back.”
“Shit, I’m– I’m sorry.”
It’s Janie, disappearing off the face of the earth; it’s threat in the clubs, in the streets, in the air. And now, here, there’s something coming after them.
And because things are different this time, they spend the day waiting, idling, smoking and flicking through movies on the television, Steve’s stack of tapes. They’re a week to the day from the Christian resurrection and Eddie wonders idly if he’ll be dead by then. Not for any particular reason. He just has a feeling.
MONDAY MARCH 24TH, 1986
Eddie dreams. Dreams of Chrissy’s broken jaw, snap, now slack and drawing down into something that sags and stretches, comes alive like the flesh monster last year, gathers itself up off the ground and begins to give chase–
He jolts awake to a hand on his arm, tries to breathe though his vision’s gone whiteout with panic and he can’t quite get his lungs to cooperate. He shoves the hand away and covers his face, breathes some more. “Fuck,” he says, each inhale coming out like a whine.
“Nightmare?” Nancy says, sitting on the edge of the bed. Something weird about her tone.
He reaches over to switch the lamp on, pulls himself up to sit against the headboard, narrows his eyes at her. “What are you doing in here?”
“I need to–” She bites her lip. She came back from the library with grand plans to do with Pennhurst and impersonation, like they have to talk to the homicidal maniac who gored out the eyes of his wife and child to really understand what’s going on — and now she’s here on the edge of Eddie’s (the guest room’s) bed, cheeks hollowed-out by the shadows in the dark. “I need to tell you something. And you can’t freak out, okay? You can’t– you can’t tell any of the others, not yet. Not until I’ve worked out–”
“Tell them what?”
“Tell them–” She drops her head into her hands. Her voice comes out muffled. “Tell them I’ve been having nosebleeds. And nightmares. And just now I had–”
A wash of vertigo. “You had a vision.”
She nods in the gloom. “I saw– I saw a clock. This old grandfather clock. And it was strange, I thought it was strange, Steve’s parents never had anything like that when I was here before but maybe– maybe it was new, I told myself. But it didn’t look new. And it was– there was something about it. Something alive.”
“Fuck,” he says. There seems little else to say. He’s beyond panic. Things catch up with them; he’s known this for a while. Only so long you can keep on running. “What are we gonna– what are we gonna do?”
“Maybe there’s a way to stop this. I don’t know. I’ve got a gun and I’m going to be ready, but it won’t be that easy. If we can talk to Victor Creel–”
“There’s no fucking way. You know there’s no fucking way, Nance, even if I thought it was okay I think Steve would have an aneurysm–”
She just looks at him.
He shakes his head in disbelief. “You have to tell them. You have to– why the fuck did you tell me? Why is it me?”
“You get it.”
“I get it.” He laughs humorlessly. “I fucking get it, yeah, I always get it, you know why? Because I’ve had a really terrible fucking life and everyone fucking knows it, people like coming to me with their problems because mine are so much worse and it makes them feel better. I’m like a fucking avatar of other people’s despair. You’ve got it bad, right? But at least you’re not on the run from the rest of the town, which wants to kill you.”
She draws back. “Eddie–”
“None of this is fair. It’s not– it isn’t fair on you, you don’t fucking deserve it.” He doesn’t know what he’s trying to say. He’s half asleep and his nightmare is still circling around in his mind and he wants Wayne, suddenly, Wayne who doesn’t know anything but might on some level understand. “You need to tell the others.”
“Yeah.” She looks at her hands. “I know.”
“Okay.” He sucks in a breath and closes his eyes. “Shit. Robin was right. It’s different this time.”
He feels the mattress shift as she lies down tentatively beside him. He doesn’t invite closeness, doesn’t broadcast that he needs it or wants it, and yet it seems to find him anyway. He thinks of Steve’s kiss and wonders if he should tell her about it, if secrets hold the same weight as lies, if any of that matters. If anything matters at all. She might die tomorrow. They both might die. And he told Robin not to think about things in the manner of consequence and result but he can’t help it, his life is a cycle and things are getting worse. He lies beside Nancy in the dark with their arms just touching and thinks, when will it come for me too?
When he next wakes, the bed beside him is empty and the room is gray with morning light. He drags himself up, goes downstairs, finds Steve, Robin, Max and Mike looking pale and drawn in a circle around the Harringtons’ kitchen island. Nancy, in the middle, meets his eyes with a thin smile that tells him she did what he said.
“Sorry, man, we’d have waited, but Nance said she already told you,” Mike says. His voice has a hollow quality, like he’s putting on a show. Steve’s turned away from the group, jaw set in a hard line. Eddie wants to go to him, wants to put a hand on his shoulder and feel that line of tension solid under his fingers, ease it a little, but he doesn’t move.
“What’s, uh, what’s the plan?”
“I can still go to Pennhurst–” Nancy starts, and Steve snaps, “Absolutely not.”
“We can go,” Robin cuts in. “Me and Steve. It’ll be fine. Steve can– Steve can use his famous charm.”
“On the guy who runs an insane asylum,” Max says flatly. “Right.”
Steve shakes his head. “I don’t give a shit. Nance, you aren’t going anywhere near this guy. What if that’s what he wants?”
Nancy’s jaw juts out, eyes hard, but Steve’s right and they all know it. And so they watch Steve and Robin pull out of the driveway in Steve’s parents’ clothes. Max and Mike follow soon after on their bikes, going to tell Dustin and Lucas, who haven’t been allowed out again now that Hawkins is the site of two murders, not just one. And Nancy folds her arms over her chest and says, “I can’t just sit here all day waiting for something to happen to me. I can’t.”
“What do you want to–”
“Who do we know who’d talk to us? Who’s lived here long enough to know more about the murders, stuff that wouldn’t be in the papers I looked at yesterday? I know your mom–”
He shakes his head. “She said she didn’t– she didn’t pay much attention.”
She pinches her lips together. It’s not that he doesn’t want Nancy talking to or about his mom, exactly, only that’s exactly what it is, his mom living in Buffalo and the sense of distance that provides like a physical remove, like a barrier that protects one of them, him or his mom, he doesn’t know which.
“I mean, Wayne might know,” he offers. “Though I don’t know if he and my dad had moved here yet when it happened, they’re from Kansas. There’s– uh, there’s my neighbor, Avni. She’s been here fucking forever.”
That’s all Nancy needs. “Let’s go,” she says, already palming her car keys, and despite the six hundred ways in which this a fucking suicidal idea, they go.
When she turns the engine over he’s waiting for Blondie, the Pretenders, maybe T. Rex. Instead it’s a full hit of Patti Smith, like a shot of heroin. He blinks and catches her baleful look.
“What?” she says. “Jonathan recommended– after. Well, during. When we were breaking up. It’s kind of a twisted move, right? Providing the soundtrack to your own breakup?”
It would have been an Eddie kind of move, if he’d ever broken up with anyone. He shrugs. “Clearly you, uh, you liked it.”
“Yeah,” she says. There’s so much more to it than yeah. But he lets it slide.
It feels like years since he was last at the trailer park, years since the early hours of Saturday morning in the dark and the quiet with MURDERER emblazoned on the side of the trailer. It’s still there, like proving a point. A warning sign. Eddie wants to go over there and talk to Wayne so badly he aches but he knows better; and he points out Avni’s trailer, double checks that he’s still got the radio, hopes they’re still in range if something happens, if Steve and Robin manage by some miracle to find a solution–
Nancy’s out of the car before he can say anything like asking her to be careful. Figures. Steve will kill him if anything happens to her. And maybe that should make him feel twisted up inside but all that jealousy’s gone cold and calcified inside him, irrelevant. He hurries after her.
Nancy raps on the door to Avni’s trailer twice. The sound rings out in the silence, across the patchy grass, and Eddie tugs his jacket closer around himself, digs his hands into his pockets. They’re both being hunted by something or other, after all. And Avni seems to know it: she looks between them sharply when she opens the door, dark brows drawing down, and tugs them inside.
“What are you doing here?” she says. “You realize there’s almost nowhere else you’d be in more danger from those morons who graffitied your trailer?”
He exhales, runs a hand through his hair. “So you don’t think I did it.”
She laughs, a hard laugh. Her hair’s now more gray than black and she looks tired, small, sunken. Sometimes he can catch a fragment of Martin’s face in hers, a little thread of resemblance, but here, in the dim light of her trailer with the world closing in around them, he can’t. “No,” she says. “Why, are you gonna claim you did?”
He shakes his head. Nancy steps forward and Avni looks her up and down, eyes narrowing. Nancy doesn’t flinch. Got nothing left to lose, Eddie supposes, or else she was never the sort to flinch in the first place. She says, “We need to talk to you about Victor Creel.”
Avni looks at her for a still, silent moment. Further down the trailer there’s music playing, some old Marty Robbins song about an outlaw and a gun. “Why don’t you kids sit down, huh.”
They sit down. Avni lights a cigarette and so does Eddie. He remembers sitting here in the worst of it, what seemed the worst of it then, the solid grounds of their foundations revealing themselves to be nothing more than sand. Steve’s dad bought the trailer park and nothing particularly changed, in the end, just got slightly shittier like everything else.
“Victor Creel,” Avni says slowly. Something drawn out and loathing in her tone. “Why’d you be asking about him?”
“Shouldn’t it be obvious?” Nancy’s leaning forward, legs crossed, hands clasped around her knee. “Two kids die in this town the same way he killed his family. The exact same way. There’s no way that’s a coincidence.”
“What is this, exactly? You two trying to solve the mystery, clear his name? Why you?”
Nancy blinks. “What do you mean?”
But Eddie knows what she means. Knows Nancy’s recognizable by her dark curly hair and pushy, journalistic manner, and Avni’s opinion of the Wheelers ranks little higher than her opinion of the Harringtons. He cuts in, “She’s helping me out, okay?”
“Really.”
“Yeah. Really. So anything you can tell us–”
“You aren’t gonna solve this one, I can tell you that for free. The cops let you go and didn’t charge you, I’d take that and run with it.” Avni gestures with her cigarette, the end glowing in the gloom. “I mean that literally. Get the fuck outta here and lay low for a while. I’ve seen what a town does when it gets on its moral high horse about someone, they did it to me. Helps that you’re white but not much. Go someplace else and let all this blow over. It’s spring break, right? You don’t even gotta worry about school.”
“I can’t do that,” he says. Voice near a whisper. His own cigarette tastes ashy and foul in his mouth, which is dry. “I know– I know you’re right. But I can’t. I have to at least try to find out what’s really going on.”
She shakes her head. “Then you’re a fucking idiot, kid, brave but stupid. And I don’t know how I can help you.”
“You were living here back then, right?” Nancy says. More cautiously now.
“I was. I gotta tell you, though, I don’t think I was sober a single day of ‘59, nor either of the years either side. Got particularly into horse that year, if I recall correctly.” She turns her arm over and pushes up her sleeve, shows them the collection of pallid little scars at the crease of her elbow. “I do remember the news story, though. I was coming down and utterly depressed with it, turning up to work like a zombie — this was before I got fired — and everyone was talking about it, this thing beyond imagining that had happened in such a nice part of town.”
“What do you remember?”
“He said he was innocent.” Avni leans back, looks away at the wall in memory. “I mean, it was insane. Everyone thought he was insane. That’s why he went to Pennhurst, not the death penalty. He was talking about a demon, he’d had a priest come to perform an exorcism on the house, for all the good it did. He said it was a demon that killed his family.”
Eddie swallows. Thinks of Chrissy’s feet lifting off the floor. “And they–”
“They didn’t believe him. Why would they? Why would anyone? This rich white guy claiming– well, claiming insanity. It kept him alive, at least. I wonder which clever lawyer told him to do that. I guess your dad’s probably too young, Miss. Wheeler.”
Nancy’s jaw tightens. She opens her mouth and then closes it again, glances across at Eddie. He can read it in her eyes, that she’s having the same thought he’s having, that there’s no way they’re wrong about this one.
“Thanks,” Eddie says, with a sudden itch of urgency. The radio’s still silent but that doesn’t mean anything, could mean anything at all. “Uh, don’t– maybe don’t tell anyone you saw me?”
“Your uncle worries,” Avni says. “But I won’t. Think about what I said, huh? Get the fuck outta here as soon as you can.”
He nods. He remembers her dry clinical stare the morning after the overdose; he remembers how she continued to wave at him over the grass afterward, like she had no right to judge. He wants to hug her but he already knows how it would feel, brittle and strange, so he doesn’t. Just hurries Nancy out of the trailer again and into the cold, overcast air.
“There was more I wanted to–”
He shakes his head. “I don’t want to stay here too long. The demon stuff’s the important shit, right? Proves we’re on the right track.”
“Yeah.”
They move towards the car. He thinks of the urge to hug Avni, the urge to go over to his uncle’s trailer right now. “Y’know, you– you’re handling all this like–”
“Like what?”
“You aren’t saying goodbye. To anyone. I mean– this morning, Steve and Robin, Mike–”
Her look is hard. “Because I’m not going anywhere,” she says, hand on the door of the driver’s side, and that’s when Jason Carver’s ‘84 Jeep Cherokee swings around the corner.
Flare of noise and engine and screech of tires–
Eddie meets his gaze behind the wheel. They stare at each other for a minute, frozen. Jason’s eyes widening in surprise. Hadn’t expected to find him here, really, and it’s always interesting what violent people do when faced with the prospect of real violence.
Jason floors the accelerator. Eddie runs.
Notes:
– the death penalty for first degree murder with aggravating circumstances is legal in indiana, and has existed under the same conditions since 1977, including if 'the murder was especially heinous, atrocious, cruel or depraved (or involved torture)'
– the patti smith album is radio ethiopia, released 1976
– the marty robbins song is big iron, released 1960
– nancy and robin originally find the information about the 'demon' at the library — however, because nancy went to the library alone and didn't think to look in the same periodicals, she didn't find it herself.as always, thank you for reading! let me know your thoughts below and find me on twitter and tumblr.
Chapter 57: The Nina Project
Summary:
He doesn’t tell Nancy to follow him but she does anyway. And she’s fast, nearly as fast as him, though he’s only fast because he’s used to having to run away from things. If he falls there’s no Steve to patch his knee up, not within striking distance, and if he falls his shoulder might slip out.
Notes:
warnings for classism, referenced, child abuse, referenced miscarriage, and referenced drug use.
(See the end of the chapter for more notes.)
Chapter Text
MONDAY MARCH 24TH, 1986
He doesn’t tell Nancy to follow him but she does anyway. And she’s fast, nearly as fast as him, though he’s only fast because he’s used to having to run away from things. If he falls there’s no Steve to patch his knee up, not within striking distance, and if he falls his shoulder might slip out. They dart through the gap between Avni’s trailer and what used to be Harris’s, a corridor narrow enough the Jeep can’t follow. Eddie risks a glance over his shoulder and sees them jumping out, Jason and Andy and Patrick, sneers and fury and not the sort to be reasoned with. They won’t be reasoned with. That’s okay.
When Nancy slows, he grabs her arm and pulls her sideways, up the back of the trailer park and towards the woods. “No use talking to them,” he gets out. He can hear them crashing through the grass behind him. What kind of fucking timing–
But he knows these woods like the back of his fucking hand. Found himself lost out here too many times to count, running from whatever lay inside his still close-shaven head. He swings them around a cropping of rock and then they’re in the thick of the trees, parallel to the road, thighs burning and knees loose like they’re threatening to give way right when he needs them most but hey, when has his body ever done what he’s wanted it to do–
They’re crashing through the undergrowth behind them, loud. Gaining. It had to be the fucking basketball team. Only it sounds too familiar for that, sounds just the way it did three years ago, running with the conviction that Steve would overtake and leave him behind and that would be that, sinuous monster looming behind them like something fucking inevitable like death itself, inevitable, and Eddie tears a glance over his shoulder just to prove to himself it’s three kids and not the demogorgon only that was a mistake because his foot catches on a root and again, uncoordinated, he goes fucking sprawling.
Hard impact with the cold dirt. It forces the breath out of him and he’s frozen for a second, winded. Then Nancy’s there, shouting, “Eddie!”, grabbing for him, trying to drag him up, but she’s not as strong as Steve and he’s trembling. He’s stumbling to his feet again squinting desperately against the glare, sun’s overhead and getting in his eyes through the trees, Nancy a stark silhouette, but still he sees it, the moment she decides they’ve run out of time to run.
She gets her gun out of her handbag.
He makes it to his feet and she shoves him behind her. The three basketball players stop running, meet them in a wary half-circle. Jason in the middle with his teeth bared. Eddie’s still trying to get his breath back. Circle like wolves and they’re eyeing him like a fucking meal, Jason and Andy are, Patrick’s just sort of standing there with his hands twitching around his baseball bat.
Baseball bat. Fuck.
“Stay back,” Nancy warns, voice like steel. “I mean it.”
Jason doesn’t move. “What’re you doing with this freak, Wheeler? You know what he did, right?”
“He didn’t do anything. The cops let him go.”
Andy barks a laugh. “Right. Just another injustice after many in this town. They’re probably corrupt just like Mayor Kline was. What did you do to convince them, huh? You get her dad to say something, Munson? What about Harrington? You spend a lot of time with him. Was it his dad, getting them to turn a murderer loose?”
Eddie flinches at Steve’s name. Sets his jaw but it’s too late, weakness like blood in the water in fucking Jaws. Jason takes a step forward and Nancy jerks the gun at him. “I said stay back.”
“It runs in his blood,” Jason says. There’s something unhinged, hollow, about his face. His girlfriend got killed by a demon from another dimension and Eddie might even feel sorry for him, if not for the tire iron. “He can’t help it, right? His dad was a murderer and now he’s a murderer too.”
“Jason–” Patrick says. Voice thin. Eddie barely glances at him, eyes fixed on the tire iron, heavy and unyielding in a fist. Jason’s probably never beaten anyone to death before. Probably. There’s always a first time.
“I will fucking shoot you,” Nancy says.
Jason looks at her like she’s nothing, like she’s frivolity in frills and a perm, like she’s prom queen and the kind of girl who dated the kind of guy Steve Harrington was, way back when. “No, you won’t.”
She clicks the safety off. It’s audible in the quiet clearing. She’s all sharp lines and desperation, and something’s hunting her and she didn’t say goodbye to anyone which means Eddie really has to keep her alive, doesn’t he? “Eddie hasn’t killed anyone,” she says. “But I have.”
Jason looks at her for a long moment. Deciding whether or not to believe her, only it’s not a choice at all, or else it’s a choice he’s already made. It’s stubborn pride and a flush high on his cheeks, a flush that’s deepening into something like fear.
And then the crucial decision: he takes a step back. Eddie doesn’t breathe a sigh of relief but some of the sprung tension eases, the choking grasp of panic at the base of his throat, still staring at the tire iron, still on some level imagining how it might feel, crashing into his skull. But Jason takes a step back. And Andy follows. Nancy begins to edge towards the edge of the clearing, back in the direction of the trailer park — smart, if they can get back to the car then they’re free, Eddie’s as good a getaway driver as anyone — and she walks backwards with the gun held out in front of her, they edge their way through the undergrowth, Eddie guides her so she doesn’t trip and then they’re out in the trailer park again under a bleach-white sun.
“What now?” he hisses.
She tosses him the car keys, barely glances at him as she does it, eyes on Jason and Andy and Patrick, who are hovering somewhere just beyond the treeline. “We get in the car and drive away.”
Simple enough, but it seems too easy. No way are they skating away on Nancy Wheeler’s sheer nerve — though if it were to be anyone’s nerve–
They’re by the car, rounding the hood, when Nancy stops.
Lowers the gun. Eddie halts too, sending a nervous look over at the woods, where the basketball players are still lurking, watching, waiting for their moment. “Nance?” he says. “C’mon, let’s– let’s go.”
She doesn’t move. Something accelerates inside him. He repeats her name and there’s nothing, only the wind, only the Carlsons’ laundry fluttering on its line.
Here it is.
He grabs for her shoulder. “Nancy! Fucking– Nancy, wake the fuck up, please, just–”
“What’s going on?” someone shouts. Lacking distinctly in real concern. Andy. He’s stepping out from the trees, weapon in hand. Jason’s slower, more cautious. Patrick isn’t moving at all. But they’re seeing, sensing that something has changed, and without thinking Eddie grabs the gun from Nancy’s slack fingers and points it tremulously in their direction.
“You all think I’m a fucking murderer, well–” The panic is slick and hot in his chest, oily. His hands shake. Nancy isn’t fucking waking up. He rounds the car and grabs the Supercom from the backseat. Hisses into it — with the gun still raised — “Steve, Robin, do you– do you copy? Kind of in a– a fucking emergency here. Code red, whatever–”
Nothing, just the crackle of silence. Jason and Andy and Patrick are staring at him, hostile and a little afraid, yes, but who knows how long that’ll last. Nancy might be capable of pulling the trigger but Eddie is not. He’s certain of this, certain as the gun is cool and heavy in his hand.
“Hello? Come on, fucking please, I really need something here–”
“Eddie?”
It’s Robin’s voice, crackling but unmistakable. “Thank fuck, Robin, oh my god, please fucking tell me you have something–”
A silence. Then, haltingly, “Music. We think it might be– as, like, a lifeline back to reality or something–”
Music. Fucking music. That’s Eddie’s ballpark, right? Only they’re not talking Eddie’s music. They’re talking Nancy’s. And Nancy was once a Blondie girl but not so much anymore, went through something that turned her dark and dramatic, though she still carries Blondie tapes in the car — and her cassette player, well, it’s locked and loaded already.
He turns the engine over. Cranks the volume up. And there it is, Pissing In a River. Loud enough the bass vibrates through the windshield and Jason, Andy, and Patrick all take a step back.
“What the fuck are you doing, freak?” Andy shouts, barely audible over the music. Sounding genuinely unnerved. Fucking good, Eddie thinks, and keeps the gun up even as he moves desperately back over to Nancy, who–
Nancy, whose feet are beginning to lift into the air.
“Fuck, no, fuck, Nance, don’t– don’t fucking do this–”
The gun goes slack in his hand. He staggers back. Jason and Andy aren’t coming for him anymore, they’re just staring, loose-jawed. Patrick has disappeared back into the forest. Good, Eddie wants to say. Cut your losses. Get away from this as fast as you possibly fucking can, because it’s too late for us. And it’s racing through his head, snap, Chrissy’s jaw and Chrissy’s bones, Nancy’s jaw, Nancy’s eyes, it’s coming for Nancy, it’s going to kill Nancy–
Come back, Patti Smith begs, and Eddie begs too, under his breath, hands shaking around the trigger, Jason somewhere beyond shouting what are you fucking doing to her and the world closing in, if Nancy dies now then that’s the end of everything, the world will have torn itself in half–
“Nance,” he pleads, and like she hears him, her eyes come back clear and she drops to the ground like a stone.
He grabs for her shoulders, hard. Stares her in the face and tries to convince himself this is real, she’s alive, it worked, it fucking worked– and she’s shaking, eyes huge and watery, breaths coming in little gasps, the great Nancy Wheeler, finally falling apart–
“Hey!”
He flinches. He’d almost forgotten the basketball players were there. “Nance,” he says. “Nance, we gotta– we gotta go, they’re gonna–”
She grabs at him, drags herself to her feet. Silent tears are tracking down her face and she’s trembling too hard even to catch hold of the gun. Patti Smith still blaring out into the dull, silent air. Someone shouts, “Hey!” again, louder this time. Closer. Eddie pushes Nancy into the car and then runs around to the driver’s side, twitching, points the gun at flinching random–
There’s a shot. Cracks through the air, louder than thunder. Eddie flinches away from his own hand, did he pull the trigger by accident? Did he kill someone anyway?
Then a voice: “Get the fuck on outta here, assholes, or the next one won’t be a goddamn warnin’.”
He lifts his head. It’s Mel Carlson out of the RV, striding across the patchy grass with her husband’s shotgun pointed steady and true right at Jason Carver’s head. Jason’s gone somehow paler. He lifts his hands and takes a step back. Andy, too.
“Yeah, that’s right. Get the fuck gone.” She jerks the shotgun at them; this unfreezes their hesitant stupor and they break into a run, falling over themselves to scramble into the Jeep and floor it out of the trailer park. Eddie wilts against the hood of the car, though Mel Carlson’s never been particularly friendly to him and he’s not expecting her to start now, being an accused murderer, after all, but he’ll take her shotgun over Jason’s tire iron any day–
And she comes to face him, shotgun slung loosely in her hands. “Can you turn that shit off?”
He reaches into the car, turns the music down, not off. Nancy’s halfway to hyperventilating in the backseat and he wants to hold her hand, let her cry on his shoulder, but for now–
“What the fuck are you doin’ here, kid? You tryna get fuckin’ killed?”
He shakes his head. “Just had to– had to talk to Avni.”
Mel eyes him up and down. “The shit on the news, at church, they’re callin’ it Satanism. You a Satanist?”
Eddie laughs. Too frazzled for anything but honesty. “I don’t– uh, I don’t believe in anything, Mrs. Carlson, heaven or hell. And I didn’t kill anyone.”
“No. They all say you did, but–” She takes a hand off the shotgun, waves it around. “You’re a kinda shitty neighbor but your uncle, he’s a decent sort. No way his nephew did something like that.”
“Thank you. For– for chasing them off.”
“Kids like that need reminded of things sometimes. Think the whole damn world belongs to them.”
“You sound like my uncle.”
She shrugs. “Got good ideas, your uncle. Barry and me, we didn’t wanna listen to them back when Harrington was buying the place but then Barry lost his job and things got shittier for us, for everyone. What’s all this murder shit if not another excuse to tread us down?” She shakes her head. “You gotta get outta here, though. Those kids are gonna call the cops and they might not let you go the second time. Plus it gets a hell of a lot worse for me the longer you’re standin’ there talkin’ to me. Implicatin’ me.”
He nods. He gets that. He casts another look over his uncle’s trailer, hopes to fuck he’s asleep. That he didn’t see anything, because if he saw anything–
The threats of years past echo constantly in his mind. Agents Faraday, Blass, and Stinson, each with their own agenda but sharing that authorized methodology: separate, threaten, contain. Eddie’s weak points are well-documented and so Wayne’s, by extension, are too. And Eddie doesn’t trust himself to go in there without blurting the whole story, not with Nancy still shaking in the passenger seat, not with his heart still jolting out of his chest and Patti Smith still drawling from the stereo.
So he gets in the car and drives them out of the trailer park.
He leans forward over the wheel as he goes, scans the woods on the side of the road, in case the Jeep’s lurking, in case Jason’s minded to attack with the best weapon at his disposal, four thousand pounds of metal and flammable gas in the shape of an expensive four by four. He doesn’t see the Jeep. What he does see–
He slows the car. What he does see is Patrick, standing stock still at the edge of the treeline, staring at nothing. Same sort of look he saw on Nancy. On Chrissy, too.
“Why are you stopping?” Nancy gets out. She’s holding her hands close to her chest, all of her small and folded together in the front seat.
“I think–”
“What?”
“Patrick. I think he’s– I think he’s the next one.”
“Eddie–”
Eddie gets out of the car. There’s always been something different about Patrick. Cornering him in an alleyway, all serious and grave about it. He deserved it. Back then Eddie wasn’t a murderer, alleged, Eddie was just a loser in his second go-through of senior year. He crosses the road and edges towards Patrick, bracing himself to run, checking his periphery like any second Jason and Andy might jump out of the undergrowth–
“Patrick?” he says. Wary. Waves a hand, like that’ll help. He remains several yards away, just in case. Patrick doesn’t move. His eyes haven’t rolled up, that has to be a good sign, but he’s still staring into the middle distance or else another dimension — staring until Eddie wanders closer, snaps a twig beneath his boot, and Patrick goes hazy and disoriented, blinking at Eddie like he’s never seen him before. Eddie has to get in there before he realizes who Eddie is. “Man, you– you okay? What did you see?”
“I saw–” Patrick’s face pinches. Some hollow, nightmarish look in his eyes. “There was this clock–”
“Anything else?”
“Fucking spiders, man, hate spiders–” Then he blinks. Looks at Eddie. Takes only a second, but the look sharpens. The air does too. “What the fuck did you do to me?”
“What?”
“You– you did something. You fucking did something! You– something in the air, a drug or something, you– you trying to kill me the way you killed Chrissy and Fred? You trying to kill me and Nancy Wheeler?”
“I didn’t fucking kill anyone,” Eddie snaps. “I’m trying to help you, man, let me fucking help you. Tell me what you saw.”
“You–” Patrick stumbles back, shakes his head wildly. He lost the baseball bat somewhere back there, thank fuck. “It was your dad. That was–”
“Yeah, well, I like to think the apple falls a little way further from the fucking tree than everybody says it does.”
That seems to catch him. He stands there, face open and slack, staring at Eddie. Looking like he wants to say a thousand things but doesn’t know where to start.
“And what does everyone fucking mean about my dad, anyway? He caused some girl’s miscarriage. I know. Old fucking news, been living under the weight of that one for–”
“It was my sister.”
Give me some goddamn credit, son, I ain’t some sorta predator. I tried to help her. She decided she didn’t like my business; she lost the kid. She’s probably in fuckin’ witsec now.
Eddie’s ears are ringing. His dad hadn’t even spent that much time in Hawkins towards the end, flitted between Indy and Muncie and Lafayette whenever he inevitably pissed somebody off, and whatever anonymous girl he’d imagined in the grim telling of the story–
“You didn’t know,” Patrick says.
“No. I didn’t– I didn’t fucking know.”
“My sister, Josie, she– she’s older than me. Got big into drugs. Started dating some guy who knew your dad, and they moved to the city together, and she got pregnant and scared and then–”
It comes out rehearsed, like a story he’s told before. And then. And then she tried to tell someone, tried to get out, only Eddie’s dad wouldn’t let her. Fuckin’ rat.
“And my dad–” Patrick shakes his head. “You really didn’t know about this?”
“Not that it was you. Not that it was– so fucking close to home. Fuck. But that’s not– we can talk about that later. Right now you’re gonna want to come with me.”
“What? I’m not–”
“Yeah, you are.” That’s Nancy. Her voice has hardened again and she comes to stand beside Eddie, folding her arms over her chest. “We know what’s going on with you. The same thing that’s going on with me.”
“But that’s him, Jason says it’s–”
“It’s not him.”
Patrick looks pained in the afternoon light. Surrendering something in his worldview, scrubbing a hand over his fade as he says, whispers, “So what is it?”
“You’re not crazy,” Eddie says. Like he’s one to talk on that subject. “I swear, you’re not crazy. We haven’t worked out, uh, we haven’t worked out much of this for ourselves yet, but we know– we think we know where this is coming from.”
Nancy shoots him a sideways glance. Says, “Are you sure we should be–”
Eddie doesn’t respond to that. Keeps his eyes on Patrick. Something about the way his hands twitch, something about the way he said And my dad. Eddie can work with this. And he hasn’t had to convince anyone to do anything in months, now, hasn’t written a campaign or put on a voice or even got up on a stage, Narsil sitting neglected in her case back at the trailer the window of which someone might well throw a molotov through, someone like Patrick, someone who thinks he knows who Eddie is. But Eddie clears his throat and says, “My dad was a fucking asshole. I ran away from him after he dislocated my shoulder and I’ve gone to– I’ve gone to great pains not to be like him, in the end. Some ways that’s worked out, some ways it hasn’t. I haven’t killed anyone and I’m not going to. No one wants to be reduced to the worst parts of their lives.”
Patrick’s eyes are watery. Held together by a thread. He nods.
“Jason’s wrong about me. He’s– he’s grieving, and I get it, but he’s got all this twisted up. The cops let me go, and god knows those assholes have got it in for me, so doesn’t that say something? There’s something else– there’s something else going on here, and if you come with us we can tell you about it. About what’s hunting you.”
“Hunting me?”
“It stalks its prey,” Nancy says. “Like a serial killer. Only it’s– it’s something else.”
The whites of Patrick’s eyes have got wider, whiter. Wilder. Prey. That’s what they are, the three of them, and on some irrational level Eddie would take the demon over the tire iron. But there’s no choice in the matter. Only this: only Patrick nodding again, more final this time, and getting in the car, where Patti Smith’s looped over to the first track of the A-side again.
“What do you listen to?” Eddie says, when they’re moving. Words bitten out like they’re just as intense as all the rest, which they are, only Patrick’s not to know that, and he blinks, confused, in the rearview mirror.
“I don’t–”
“What music do you like? Not even– not like, necessarily. Resonates with you. What gets you out of your head?”
“Uh– hip hop. Run–DMC, they’re my favorite. What the fuck are you even– why?”
Nancy takes over. “Do you have it on cassette?”
“Yeah. I– yeah, I do. At home. Why?”
She glances at Eddie across the front seat. “Okay, let’s go pick it up before we go to Steve’s.”
“Steve’s? Steve Harrington? Are you fucking serious?” Patrick leans forward. “This is just– please fucking explain, someone.”
“The music helps. You saw what happened to me, right? It was–” Nancy’s face has gone white with the memory. “I was stuck in this vision, this thing it made me see. But I heard the music. It was like it gave me a way out.”
Patrick shakes his head, the look of denial. But he doesn’t say anything and he doesn’t demand to be let out of the car. Eddie says, ‘Where’d you live, man?”
“Loch Nora.”
Loch Nora. Of course he does. Eddie swings the car west and keeps his head bent close over the dashboard, then thinks better of it and ties his hair back, elbows guiding the wheel, ignoring the way Nancy glares at him for it. Paradoxically less recognizable: maybe his dad was right all along, about cutting his hair. And maybe it would have been easier to go into town and buy a fresh cassette but Eddie can’t stand the thought of itching there in the car on Main Street while some kid he used to work with at Sam Goody, Alicia, maybe Larry, rings them up. So they drive past pristine McMansions, vivid verdant lawns and marble columns, even the sun brighter on this side of town, and Eddie realizes he’s safer here than anywhere else only because it’s the last place they’d expect him to be.
He pulls up on the curb outside Patrick’s house. A little smaller than some of the others, maybe, but nothing to sniff at. Patrick jumps out and while he’s gone, Nancy says, “Is this a good idea?”
“If we don’t want him to die,’ Eddie returns, matter of fact. She works her jaw and looks out of the window.
They drive back to Steve’s mostly in silence. They hardly have anything in common, after all, and it doesn’t feel the time for small talk. If Eddie looks over the stick shift at Nancy, he sees her hands curled into fists, nails digging in hard enough to draw blood, so he doesn’t. Then they’re pulling into the Harringtons’ driveway and Eddie doesn’t get out for a moment, just cuts the engine. Leaves the keys in so the music keeps playing.
“Hey, man, you think there’s a chance– think you can call them off? The basketball mob?”
Patrick’s eyebrows draw together. “No. I– man, they don’t fucking listen to me. They don’t listen to anyone. They’re good guys, but something like this–”
Eddie looks at Nancy. A heavy look. And she looks back; and she knows what the look means.
“We gotta leave town,” she says, accordingly, when they’re safely inside and through with spilling their guts out on Steve’s nice clean kitchen counter. And this time there’s no big fight about it, no furore of objections. Steve’s still in his dad’s shirt and slacks, the sleeves rolled up to the elbows, the top buttons undone. Chest hair peering through. Eddie watches his forearms, watches his hands curl with frustration. Nancy goes on, though no one’s arguing. “Eddie’s in too much danger right here and if there’s any chance Vecna’s curse is geographically limited, we have to take it. He’ll be coming after Patrick too, soon enough, and–”
“Yeah,” Mike says. “You’re right.”
“But if they leave– if Vecna can’t get to them somewhere else–” Robin’s back in her ordinary clothes. Couldn’t stand to wear Helen Harrington’s powersuit for longer than she had to, not that Eddie blames her for that. “What if he chooses someone else?”
Max says, “How is he choosing them? If we knew that–”
A silence. Eddie looks around at them, wondering if they’ve worked it out. Wondering if maybe he’s lost his mind. But there are things that align. Ms. Kelley, the hunted look in Chrissy’s and Patrick’s and Nancy’s eyes. He doesn’t know what was wrong with Chrissy or Fred; but Patrick, And my dad, and Nancy–
Well. Nancy killed someone.
So, as for who’s next, in the scale of mental liability and all-around fucked-up-ness–
Hence why Eddie’s so sure he needs to get out of town.
No one voices the answer to Max’s question. They seem to know it anyway. Steve says, “Where are you gonna go?”
“Murray’s. You still got the number, right?”
He nods. Holds Eddie’s eyes, something twisting behind them. Desperate, maybe. Somehow. “I should come with you.”
This is the point at which Dustin would cut in and say how very chivalrous of you, Steve, but we need you here. Only Dustin isn’t here because his mom is too scared to let him come out and honestly Eddie can’t blame her, that on some level she doesn’t trust her son not to get into trouble of the Eddie Munson variety. So it’s Robin who says, “Steve–”
“What if something happens on the road? What if– if Jason and– and what if the government people–”
“I need you to look into the old Creel house,” Nancy says.
“What?”
“I’ve been trying to piece it together, what I saw. In the– in that place. Vecna’s fucking dreamscape. And there was a staircase, and bits of– brickwork and things, floating around in the red air. I think it was the same house I saw in the newspaper articles, the Creels’ house. That house. I think it’s all about that house somehow, and you guys need to check it out.”
Steve looks between them, Nancy and Eddie, strong lines of his face pulled all taut and unhappy. Eddie doesn’t want to leave town without him. Eddie wants to take his hand and maybe never let go; Eddie wants to solve this together, or not solve this at all. But sappy things like that won’t get them anywhere. And Steve won’t like to watch him die.
Nancy can’t get away with taking her mom’s Colony Park without good reason, so they execute some complicated logistical maneuver involving Steve following her to the Wheelers’ house, her dropping off the car, getting back in the Bimmer with Eddie and Patrick. Then Steve takes them to where he hid Eddie’s van. Eddie had expected to find it just where he left it, parked in the school parking lot, graffitied to high heaven (or hell) with the windshield smashed in, but he didn’t realize that Steve palmed the keys off him, put it down a side road where no one would think to look. It twists up strange in Eddie’s gut and makes Steve hard to look at. The same old smell, the same old shitty gray-brown paint job, scuffed and hardly the best vehicle for crossing state lines but hey, needs must.
Patrick, who’s taking to all this rather well, all things considered, gets in. Eddie stands there, leaning against the hood with his hands shoved in his pockets, as Nancy and Steve hug. It’s an awkward hug. She tucks her face into the curve of his shoulder like it’s muscle memory, habit, and his hand comes up to touch her hair and then drops away again, like he’s not sure it’s allowed.
Then Steve turns to Eddie. Steve looks at Eddie’s lips in the fading afternoon light and Eddie wishes with a violence that this were a different time, a different place, that they were different people. He settles for grasping him tight in their own hug, inhaling his piney cologne-and-hairspray smell, wondering if perhaps they’ll never see each other again.
“As soon as we’ve got something,” Steve says, mouth close to Eddie’s ear, “as soon as we’ve been to the Creel house and know what we need to know, I’m coming to find you guys. I swear.”
“Okay, Steve,” Eddie says.
“Eddie–”
Eddie pinches his lips together. Tries to smile and doesn’t manage it; eyes stinging, he’s more inclined to cry. He doesn’t do that either. Just says, “We’re gonna be fine, Steve.”
They start driving. As they hit the Leaving Hawkins sign, Nancy turns her face away and says, dark undertone, “Feels like we’re just running away.”
This being what Eddie’s best at, he doesn’t say anything, just drives a little bit faster.
Chapter 58: The Dive
Summary:
“Fuck,” Murray says eventually. Glares at Nancy. “Haven’t had a moment’s peace since you came to see me two years ago, you know that? It’s one of those things that totally and unnecessarily tangles up the entire trajectory of your life. A great cosmic accident. God laughing down at the fools from above. For fuck’s sake.”
Notes:
warnings for underage drinking (in the us) and implied alcoholism, referenced torture, referenced child abuse, period typical homophobia, and classism.
(See the end of the chapter for more notes.)
Chapter Text
TUESDAY MARCH 25TH, 1986
“Can you possibly be so idiotic that you don’t know the meaning of the word dead drop? Dead. Drop. It means I’d rather you’d dropped dead than you were standing alive on my doorstep right now, but unfortunately killing you would probably attract even more attention to my compromised location, so here we are.”
“Nice to see you too,” Eddie says, pushing past Murray into his cramped, dark hallway. Murray lets him. He’s holding a shotgun loose in his hands, only not with any intention of using it, because Eddie’s become intimately acquainted with what it looks like for someone to hold a weapon with the intention of using it in the last few days. Nancy’s got her gun; Eddie’s thought about finding a weapon of his own, something a little bolder than his pocketknife, but it wouldn’t make him feel any safer. Only more dangerous.
“And who the fuck are you?” Murray demands of Patrick, who’s loitering on the threshold, shifting foot to foot.
He says, “Um.”
“He’s with us. He’s– one of the targets. Vecna’s targets. Like I am.” Nancy rushes this out, following Eddie inside. Leaves out the word victim, though that’s what they are. “We couldn’t just leave him in Hawkins.”
“So you brought an interloper into–”
“Take a fucking breath, man,” Eddie says. “I’m the one whose head they all want on a– on a spike. Steve told you what happened, right?”
“He told me as much as I allowed him to before common sense dictated that we get off the fucking phone.” Murray stalks past them, slamming the door behind him, grabbing a half-empty bottle of Stoli from a cluttered shelf. “Well, welcome. I hope you’re not expecting miracles. I can offer vodka and the opportunity to shoot you in the head so the government doesn’t torture you when they inevitably come knocking because you, being good, helpful little citizens like you are, brought them right to my door.”
“Is he fucking for real?” Patrick says in an undertone, like forgetting he wanted Eddie dead a few short hours ago. They spent the car ride mainly in silence, Eddie checking his mirrors with neurotic frequency and playing Anthrax, Spreading the Disease, on a low enough volume that Patrick and Nancy could still listen to their Walkmans.
“He’s harmless,” Nancy says. “Really.”
“How come you moved to fucking Missouri, man?” Eddie says. Murray acknowledges this with a wave of the liquor bottle. “It couldn’t be anywhere else?”
“Would you have preferred Louisiana? Alaska? Hawaii? These were all options, you know. But I thought– hell, I thought, why not do a good deed, why not act like a responsible member of this fucked-up conspiracy and stay where the kids might need me, stay where maybe I could make a difference–”
Murray is red-faced, abstract. Skin sallow with booze. His manic paranoia is unflattering and also somehow like looking in a mirror. Eddie says, “Hopper gave you a task too, huh?”
Murray scowls. “Not so much a task as a three line fucking whip.”
It’s casually said, but Nancy startles. Eyes going wide. “Fuck.”
“What?”
“What Hopper told me to do when they were leaving — well. He told me not to tell anyone about it. But if I’m gonna–”
They all go quiet. There’s some Bill Withers song playing low on the record player, Better off Dead, which is gently and furiously ironic. It’s Patrick who says, “What did the Chief want you to do?”
She sets her jaw. “We went to the army surplus store, me and him, right before they all went. We bought– well, a lot of things. Hid them out in this abandoned root cellar in the woods. He told me to maintain it, make sure no one found it, add to it if I could, if I thought we might need it. I mean, it’s– Hopper was in Vietnam. It’s insane. But he knows what he’s doing, and he thought that if it came down to it, if they were far away somewhere across the country and couldn’t get to us in time, the least we could do is be capable of defending ourselves.”
Her voice comes out faint, somewhere towards nauseous. Eddie says, “He told you about that, just you? Why would he–”
“Said it would be irresponsible to tell anyone else. That I’d proven I could handle myself, that I wouldn’t use them without–” She shakes her head. “Because I fucking killed someone and I guess that makes me the only person for the job.”
“I’ll say one thing about him.” Murray thrusts the bottle of vodka at her. She takes it, uncaps it, swallows one long swig. “He certainly lives by the proverb to know thine enemy. Fucker took all that special training from ‘Nam and decided to use it on teenagers.”
That’s the essence of the thing, isn’t it? That Hopper never left ‘Nam, not really, brought it back with him, carried that war-ready stance into a civilian zone and a good thing, too, because where would they be without it? Without Nancy polishing the barrel of a shotgun?
“What are we actually doing here?” Patrick says, as they lapse into silence. “I mean– I know we think it’s safer further away. But, like–”
“If anyone knows where the others are, it’s you,” Nancy says, staring at Murray. “All the dead drop stuff aside. We’re running out of time here and if nothing else we need to warn them, because–”
“Because the government’s trying its utmost to find them,” Eddie finishes.
Murray looks between them, working his jaw, hands propped on his hips. He seems to have surrendered the vodka to Nancy and her fingers are wrapped tight around the neck. They wait, both with the instinct that no one can get Murray to do anything he doesn’t want to do. Murray in a league of his own. And they left Steve and the others somewhere far in the dust behind them, with the vague notion that it would help, that it would keep them somehow safer, which can’t be how it works and yet it has to be because if they were wrong to come here then–
They can’t have been wrong to come here.
“Fuck,” Murray says eventually. Glares at Nancy. “Haven’t had a moment’s peace since you came to see me two years ago, you know that? It’s one of those things that totally and unnecessarily tangles up the entire trajectory of your life. A great cosmic accident. God laughing down at the fools from above. For fuck’s sake.” He crosses the room to the phone, glances around at them, then begins to dial. “I swear to God–”
“You had the number the whole time?”
“Of course I had the number the whole time. I used to be a reasonably good journalist.”
“A reasonably seedy journalist,” Patrick mutters. Eddie glances at him in surprise, and he lifts his head, says, “He was hanging around when everything happened with my sister. Trying to talk to my parents about it, trying to talk to her about it. I only just realized who he is. He’s a parasite.”
Murray smiles sardonically. “Always nice to meet a fan.”
He finishes dialing before Eddie can say anything, before Eddie can stare at him and wonder, did you know? Did you know who my dad is? Did you know who I am? They’d talked last year, got somewhere close to an understanding, even, You’re not the first gay guy with a hankering after something he doesn’t believe he can possibly have, you know.
And now Murray is twisting at the cord of the phone, biting down on the inside of his cheek, not looking at them as whoever (whoever–) is on the other end of the line picks up and he says, “Is that J.J.?” An indistinct reply. Murray says, “Well, it’s Crew. Yeah. How are you doing?”
They trade more meaningless pleasantries over the line. Murray’s got this fine, concentrated look, jaw set, eyes honed. Some of the ridiculous abstraction having fallen away, and that’s what they have to do when it comes down to it, don’t they, when they get to crisis. But he’s not only sharp; he’s fidgeting with the cord, shifting from foot to foot as he talks. Hunching his shoulders in his mustard yellow dressing gown.
Finally, he hangs up the phone. Turns to look at them. Passes a hand over his bearded jaw, eyes lost somewhere far away, and Nancy snaps, “Well? Who’s J.J.?”
“J.J. Cole. That’s Jim, what he called himself. A reference to J.J. Cale. I’m Crew Sharp, if it matters. We had a difference of opinion over what makes a good codename.”
“So you– you spoke to Hopper? Just now?”
“Yep. He’s– fine. They’re all fine. They haven’t heard anything or seen anything or experienced anything to imply that anyone knows where they are, that anyone’s coming for them. I can tell you he didn’t appreciate the call.”
“El’s okay?” Eddie says. The words tremble out of him. On some level he’s been convinced it had come to her too; he only realizes this now, now he has to trust Murray, Murray who’s sad and manic and a liar in equal measure. “So El’s not–”
“Any danger she’s in has increased only because I just called her.” Murray says this quietly, not like how he says everything else. He takes his glasses off and rubs the bridge of his nose. Holds his hand out for the vodka; Nancy gives it to him. “Am I getting cups?”
Patrick nods fervently. Eddie isn’t sure what he should be doing now. Isn’t there something to do? Isn’t there always something to do?
But there isn’t, and he knows this, being the one invariably left behind, the one with hands poised over stick shift and wheel, keeping the engine running. Getaway driver drove his own getaway, left the others behind, so what use does that make him?
They sit in a loose circle among Murray’s clutter. He doesn’t have a TV, but he cranks up his record player, fills the space with hoarse, bluesy sound, Tom Waits and Shuggie Otis. At intervals, Patrick and Nancy put their Walkmans back on. None of them really talk to each other. Eddie’s eyes are itching with tiredness; they drove the night through, hit Joplin sometime near five am. Sleeping feels like conceding to something, to his dreams and his nightmares, but that’s what he does, lets the dark thrums of Purple draw him into oblivion.
He does dream. He dreams of his mom, curls shorn down to her scalp and eyes dark and wide, sitting heavy in her face. He dreams of hospital gowns and numbers getting tattooed — he dreams of the electric drone as they shave his own head, as his dad shaves his head, as his dad leers above a fallen shape with Patrick’s jawline and aims a square, solid kick–
He jolts awake. Reaches out, in the bleary haze of sleep, for Steve, like he’s ever been permitted to do that before, like Steve’s ever even slept beside him. Steve is across two states and even if he wasn’t, even if he was right here–
“Nightmares?”
Murray’s still sitting in the armchair, balancing a mug of vodka on his chest. Patrick and Nancy are nowhere to be seen. Eddie has the idle thought that Murray has murdered them and buried their bodies in the backyard; then he has the slightly less idle thought that maybe he dreamed them up and they were never here in the first place. He sits up, feels the ache in his shoulders, the ache in his neck. That’s real enough.
“They went upstairs to sleep,” Murray says, like guessing his thought process, a thing he likes to do disconcertingly often.
Eddie rubs at the top of his spine and tastes the flat dryness of his mouth, vodka on an empty stomach at six in the fucking morning. When’s the last time he ate? The last time he took his meds? “You, uh, you shouldn’t have let them go up on their own,” he says, instead of any of that. “It’s not– I mean, what if something happens?”
“Sounding like a certain someone there, Eddie. A certain Steve?”
Eddie scowls. “What the hell would you know about it?”
“Oh, touchy in the mornings, are we?”
“Fuck you.” He rubs a hand over his face and gets painfully to his feet. “What time is it?”
“Nearly midday.”
Eddie rounds on him. “And there isn’t any–”
“There isn’t any news, no. I’d have woken you if there were news.” Murray peers at him owlishly. “Kitchen’s through there, if you want water or coffee or some other unappealing beverage in this trying time that so clearly calls for vodka alone.”
Eddie goes through and gets himself a glass of water. Swallows half of it in one go, though it’s tepid and coppery, and then fills it up again. Goes back out to the main room, takes his Ludiomil under Murray’s prying eyes. Then he sits back down and lights a smoke and says, into the shadowy silence (since Murray hasn’t opened the blinds, small wonder), “So you know who my dad was.”
Murray pinches his lips together. “Not really. I was fishing.”
“But you did know. Like– you were trying to get involved. Talking to Patrick and his parents, his sister–”
“Tragic case, all that. It was a terrible thing, and would you believe me if I said I was trying to help?”
“No.” Strange to be talking like this, Eddie thinks, so close to the border with Kansas. So close to Verona County and the town he’s never been to, the town his grandma lives in still.
“Well.” Murray lifts one shoulder, not quite a shrug. “I was. I was a legitimate reporter once, you know that? I worked on the fringes but I had my press pass, I had the thing that said Jim and the rest had to talk to me. And here’s the point where you ask what my story is, what unhappy accident, what malicious malpractice I committed to lose my stellar career — I’m afraid I’ll disappoint. My paper folded and no one else was hiring; no one else was hiring me, at least, queer conspiracy nut with a nose for an unprofitable story and a bad goddamn attitude.”
Eddie shakes his head. “But my dad–”
“I talked to your dad once. Back in those days he was giving out interviews dime a dozen, you probably remember that, I think he wanted to hit the big leagues, the Big Three, but it was a provincial white trash story and they were never gonna go for it. So I talked to him. Got the same story as all the rest. I mean, you know.”
Eddie doesn’t say anything; Murray leans forward.
“Or maybe you don’t. You never got curious? Never looked him up in the news archives, never– hell, never asked anyone? Your uncle?”
“I asked people. I just– I went to see him too, I guess I was curious, but he told me everything I needed to know, that he was an– an ordinary person who did a fucked-up thing and there wasn’t anything– y’know, nothing destined about it, nothing mystical, just a choice he made. A fucked-up choice.”
Murray studies him. “I’m not sure I believe you.”
“What?”
He spreads his hands. “You got a lotta shit behind those eyes, kid, I remember that from before. You’re not a happy person. And it’s not just the queer thing, is it? It’s your dad. And your mom.”
Eddie exhales through his teeth. Flicks ash into the ashtray; remembers his anger. “My friend had gone missing. You expected me to be– to be a happy person then?”
“You mean the one with the Russian connection, with her dad.”
“Janie.” He hasn’t spoken her name in a while; why is that? That isn’t fair. And it’s too heavy for this room, for this moment, it’s too much at once. He says instead, “Why didn’t you say anything? About– about my dad. When we met, when we were talking last year, when you were trying to do some messed-up, I don’t know, honesty thing, trying to get me to talk about myself–”
Murray shrugs. “Journalistic habit.”
“Why didn’t you say anything? If I’m so– if I’m so fucked-up about my dad. Surely that’s your way in, right there. That’s how I’d write it if it were a campaign. We get talking about my dad, the way you tell it, that’s a whole new– that’s a whole new fucking level of my psyche for you to unpack right there, access granted.”
A silence. Murray must have turned the music off while Eddie was sleeping, which is a knowledge that makes him itch. He works on his cigarette and waits as Murray, usually so verbose, chews over his words. Finally settles on: “Jim told me not to.”
“What?”
“This whole thing–” Murray waves his hand again. “I’m not a sadist, you know. I’m not– I’m working through my shit same as anyone. And Jim pulled me to the side and told me– told me to be nice to everyone, really, but told me not to pull that shit with you. That you’d been through enough.”
Eddie wants to laugh. He wants to throw his head back and laugh, or cry, or scream; he wants to shout at the ceiling, down the phone to J.J. fucking Cole, what gives you the right? What gives you the goddamn fucking right?
He wants to pretend like it wouldn’t have affected him, if Murray had brought it up there and then. He wants to pretend like in 1985 he was more stable than in 1984, than in 1983, but his life thus far has been a trajectory like an electrocardiogram, a mountain range, a rough fucking ocean. He can’t pretend anything. But he’s sick of wallowing in his own sickbed, sick of staring at walls and his own wounds. He says, “You said something interesting, though.”
“What did I say?”
“About– about being gay, and wanting something you couldn’t have.”
Murray shifts back in his chair. Steeples his hands in front of his face. “You have a good memory.”
He shrugs. “DnD. Music. I gotta.”
“Still, it’s an irritating quality. Half of the shit I say should be thrown straight in the trashcans of everybody’s minds the second it’s out of my mouth.”
Eddie just looks at him. Waits.
Murray heaves a sigh. “I suppose I deserve this. Yeah. That’s one of the things I’ve said that I actually, unfortunately mean.”
“Who are you–”
“I’m not fucking telling you, am I? My God. I was attempting to offer you a moment of solidarity in a trying time, not spill my secrets like we’re braiding each other’s hair on a sleepover.”
“Right.” Eddie lights another cigarette.
Murray’s eyeing him suspiciously. “I mean it. It’s none of your business.”
That’s never stopped you, Eddie thinks, but doesn’t say, because there’s something about Murray’s loosely folded frame in this cluttered, dark little house, a place no one knows about, a place no one visits. There’s something about the empty vodka bottles and the overflowing ashtrays, the vinyl collection so well-thumbed it’s like a best friend, like a lover. There’s something about spinsterdom and loneliness. All the anger is gone, dissipated like smoke. Eddie says, “Whatever, man. I’m not that interested.”
WEDNESDAY MARCH 26TH, 1986
The next morning, early, Patrick fries up actual real french toast, using up all Murray’s limited supplies of bread and eggs and milk, plus some suspicious-looking cinnamon found at the back of a cupboard. Eddie leans smoking against the counter as he does it, watching his head dip to the beat of his Walkman.
“Run-DMC, huh?” Eddie says. “Hip hop shit?”
Patrick lifts one ear of his headphones, nods cautiously. “Kind of thing you don’t get on local radio.”
“I’ve got respect for that.” Eddie considers him idly. “You’re taking to all this really fucking well, y’know. I definitely had more of a mental breakdown and I wasn’t being hunted by a– well. Whatever it is. I mean– okay, well, the thing started because I hit the monster with my van and then it chased me and Steve through the woods, but, like–”
“You’re pretty close with Steve, huh?”
Eddie can’t read that tone. He doesn’t know this guy at all. He says, “I guess. Happens, in a situation like this. Right?”
“Right,” Patrick says, dubiously.
“Where’d your parents think you are, anyway?”
“Chasing you around town with Jason and Andy. My dad’s a big fan of vigilante justice. He’d have killed your dad if he could. Instead he–” Patrick’s face closes off. He pushes the slices of toast around the pan, jaw working. “It’s easier for everyone when I’m out of the house.”
Eddie watches him. “Your dad, he, uh, he takes it out on you?”
“Yeah.”
Didn’t think about it happening to anyone else, Eddie thinks, couldn’t have imagined it, but that isn’t even true. He remembers Steve’s pinched face every time his dad’s name comes up, not in the same measure of bruises and violence but bad, still, bad in the way that belies the glass doors and the family Mercedes. And there are the Jonathans of this world, and the Patricks, and a million more besides, because the world doesn’t revolve around Eddie, it’s been adamant about that for a while. He says, “Shit, well, it fucking sucks, huh?”
Patrick narrows his eyes. Looks unsure as to whether he’s being mocked or not. “My dad isn’t–”
“Like mine? No. But I’m not– I mean, I’ve been trying to be less self-involved, y’know? So I’m not gonna say some shit like you’re lucky he’s not, like, your dad hits you but he didn’t cause someone’s miscarriage and he didn’t die in prison, that’s lucky, right? Because it’s not lucky. And I can’t even say I get it because we’re not– we’re not the same, just because our dads are assholes. Wrong side of the tracks and all that shit and the things that have been hard for you in this town aren’t the things that have been hard for me.”
“It’s not lucky,” Patrick repeats. He looks down at the pan and then back at Eddie. “Man, I’m so tired of all that shit, you know? Like– the wrong side of the tracks stuff. I mean, when Jason was talking about going after you, he was– he was talking about that cult thing you used to run, Hellfire, he said it like you have some– devil worship thing, I don’t know. Andy wasn’t in it for that. Andy was in it because he thinks people from the trailer park can’t help themselves. That it runs in your blood.”
Eddie finishes his cigarette. Contemplates another, but the kitchen smells like frying and warm cinnamon, and he ought not to kill his appetite before it even gets a chance out the starting gate. “Because of my dad.”
“Because of everything. Shit, dude, maybe I’m taking all this so well because it’s better than the alternative.”
“What?”
“That– that there’s nothing strange about it, only that it’s inevitable. That we wind up turning into who we don’t want to turn into. The world turning upside down means we get something like a choice in the matter.”
Eddie shifts against the counter, reconsiders him. “Shit. You jocks can say smart shit sometimes, I’ll give you that.”
“Jocks plural?”
“Steve.”
“Right. Yeah.” Patrick looks like he still doesn’t know what to make of that. Good; neither does Eddie. Patrick stirs the toast again and then says, “You think he’s got plates?”
Murray does, indeed, have plates. They sit at Murray’s kitchen table, once he’s cleared the ashtrays and the bottles and the newspapers off it, and they eat like some fucked up family. Nancy brings her notepad with her to the table, where she sits passing fork from plate to mouth with idle distraction, attention honed on the rapid scribble of her pen. Eddie doesn’t ask what she’s writing. He finds he doesn’t want to know.
But then, when she’s putting a final period at the end of her paragraph, she looks at Patrick and says, “Maybe you should be doing this too.”
“What are you– what are you doing?”
She runs her finger up the spiral spine of the notepad. “Writing a will.”
Eddie stares at her. “Nance–”
“It makes sense, right? I mean, we’ve outrun it this far, but eventually, if we’re just stuck here waiting for it to get us–” She shrugs. “It’s going to get us.”
“But we’re away from Hawkins,” Patrick says. Something bleeding into his voice. “Right? Like, it hasn’t got us because we’re– you said that that was–”
“So we’re going to live on Murray’s shitty spare mattresses for the rest of our lives?”
“Hey. I provide luxurious accommodations,” Murray snaps. When Nancy turns her glare on him, he raises his hands and gets up, starts cleaning the empty plates away. “I’m not getting involved in this.”
Patrick glances between them, eyes wide. “I just mean if we can– if you guys can, I don’t know, somehow solve this–”
“We kill Vecna,” Eddie says. Looking at Nancy. “Like you said, right? We have to kill him.”
“But we don’t know how.” She presses her fingertips into her eyes, and her voice comes out ragged. “We don’t know how. And we haven’t heard anything from Steve and the others in Hawkins, and we haven’t heard anything from El and Hopper, wherever the fuck they are, and there’s nothing on the radio but there wouldn’t be, they wouldn’t ever let it make national or even local news, not that we’re close enough to Indiana to get it here — so who knows what’s really going on? Who knows how safe we are or what we do next?”
Eddie stares at her. At the defeated slump of her shoulders, the anxious twitch of her fingers on her notepad. This all started because she killed someone; and now they have to kill someone to finish it. Strikes him as unfair. He starts to say, “Nance,” again, but before he can go any further with whatever bullshit he was intending on spouting, there’s the drone of the buzzer from the front door.
They all freeze. Murray sets a plate down and moves towards the door, takes up the shotgun from where it’s propped in the corner. Nancy, too, is moving for her gun. It’s not clear who they think is on the doorstep. Eddie himself isn’t sure. Jason, maybe. Vecna in the flesh. He follows them out to the hallway, lurks in the shadows just out of sight as Murray scans his homemade security system, says, “It’s a fucking spy.”
“What?”
“I don’t think I’ve ever seen a lady looking more like a spy than she does right now.”
“A lady?” Eddie says, sharpening, pushing past him to look at the camera feed. It’s Stinson. It’s fucking Stinson, hands tucked in her pockets, jacket sleek and well-ironed. With a great sense of vertigo, he covers his mouth and stumbles back. “Fuck. Fucking hell.”
“I am not opening my door to that woman.”
“She isn’t just gonna leave.”
“I am not–”
“Mr. Bauman?” she calls through the door.
Murray grinds his jaw. “Does one of you want to tell me how the fuck she knows my name?”
“Mr. Bauman, I’m not here to detain you. I just need to speak with your guests.”
“Not here to detain me.” Murray rubs a hand over his face. “Heard that one before.”
Nancy’s eyes, beyond him, are dark and vivid in the gloom. “Maybe we should let her in.”
“Wonderful, so you’ve lost your mind as well.”
“I mean– we haven’t heard anything, like I said. What if there’s news? What if something’s happened, and they can’t– no one’s been able to contact us?”
“Did I not fucking say this would happen?” Murray snarls. “Did I not fucking say someone would follow you, that you’d bring them right to my goddamn door?”
Eddie holds Nancy’s gaze. He wishes Steve were here, not because Steve would know what to do but because he always wishes Steve were here. Steve isn’t even something solid to lean on half the time, Steve is reactionary and snide and hysterical, Steve is difficult in ways different from Eddie but difficult nonetheless, Steve is good in a crisis the way an ex-prom king jock with a nail bat is good in a crisis, not like a soldier, not like a general. Steve helps.
“We don’t have a choice,” Eddie says eventually. “We need to know what she wants to tell us. Plus she, uh, she knows you live here anyway. There’s no getting out of that.”
“Fuck,” Murray bites out. “I’m holding you personally accountable for this shit if I get thrown in a CIA blacksite, okay?”
Then he opens the door.
Notes:
– the album spreading the disease by anthrax was released in october 1985
– bill withers' better off dead off his debut album, just as i am, was released in 1971
– j.j. cole is a reference to j.j. cale, a tulsa sound guitarist active from 1958
– purple by shuggie otis was released in 1971thank you for reading! as ever, let me know your ongoing thoughts below and find me on twitter or tumblr.
Chapter 59: The Massacre At Hawkins Lab
Summary:
“Right. The good ol’ US of A.” Eddie presses the heels of his hands into his eyes, cigarette burning into ash between two fingers. Here his uncle would say something about Cuba, the Bay of Pigs, or Korea, or ‘Nam. But all of those were failures, and the government doesn’t seem likely to fail, not here. The Department of Energy invariably gets what it wants. “Why bother telling us this? Why even–”
Notes:
warnings for referenced sexism, referenced torture, and referenced homophobia.
(See the end of the chapter for more notes.)
Chapter Text
WEDNESDAY MARCH 26TH, 1986
Stinson doesn’t think much of Murray’s place. She picks her way across stacks of newspaper, records, bottles, with a pinched look, shoulders taut beneath her jacket. Murray’s in his dressing gown and grubby wifebeater, looking her up and down with heavy suspicion. She perches herself on the edge of the couch by one of the ashtrays, takes out a cigarette of her own, which gets both Murray and Eddie smoking too. She says, “We’re better at our jobs than you give us credit for.”
Nancy leans forward. “I’m sorry?”
“Your counter surveillance techniques are amateurish at best,” Stinson continues, eyes level on Murray, whose cheeks are reddening; “We’ve known your location for a while now.”
“So it wasn’t– uh, it wasn’t us? You didn’t follow us?” Eddie’s leaning forward too. Because, man, fuck Murray, but also–
“We followed you, yes, but we knew where you were going.”
Murray slumps back into his armchair, all the fight gone out of him. He raises his wrists together. “Well, go on, then, clap him in irons. Put a bag over my head and take me away.”
Stinson raises an eyebrow, arch. “Why would we do that?”
Murray doesn’t say anything. At length, Stinson seems to determine him irrelevant, and turns her eyes on Eddie and Nancy. Patrick’s hovering somewhere against the back wall, but she doesn’t seem to care about him, either. She says, “Yesterday, you contacted Eleven.”
Eddie’s stomach drops. His vision goes white at the edges, flare of sheer panic, maybe they didn’t lead Stinson to Murray but they led her somewhere else–
“You remember I told you about the other factions in our government, the ones working against us, against Eleven?” Eddie doesn’t have the wherewithal to nod. Stinson continues anyway, lines of her face hard. “I wouldn’t feel too guilty about leading us to Eleven. It’s a good thing you did, because if we hadn’t found her then that other faction most certainly would have.”
“What does that– what does that mean?”
“They think she’s responsible for this. For Chrissy Cunningham, for Fred Benson. But we think she’s the solution. And we think we’ve found a way to return her telekinetic ability to her, with the proviso that she uses it to stop what’s happening in Hawkins.”
Nancy shakes her head. “But how did you– I mean, how do you even know about that? That she lost her powers?”
“Again, you underestimate us.”
“Right. The good ol’ US of A.” Eddie presses the heels of his hands into his eyes, cigarette burning into ash between two fingers. Here his uncle would say something about Cuba, the Bay of Pigs, or Korea, or ‘Nam. But all of those were failures, and the government doesn’t seem likely to fail, not here. The Department of Energy invariably gets what it wants. “Why bother telling us this? Why even–”
“I was advised not to. But Owens, he disagrees, he thinks you’re going to do something stupid if you don’t know that help is coming. And help is coming. This thing with Eleven, it’s going to work.” For the first time, Stinson displays an ounce of passion, leaning forward herself, the couch creaking. “We are going to fix this.”
“That’s what they always say,” Murray intones, snide.
Stinson ignores him. “There are going to be agents coming to protect you, since the other faction has a vested interest in wielding Eleven’s loved ones against her–”
Loved ones. Strange, that, though maybe it shouldn’t be. They went to Indianapolis together and she writes him letters.
Murray splutters his protests at the idea of an agent in his house; Nancy and Patrick and Eddie stand mute, figuring it not worth the effort, which it isn’t. Nevermind that they’d considered themselves marooned here until Hopper or Steve called — now, Eddie meeting Nancy’s eyes, they know it’s not an option. Arguments aside. They’ll escape or they’ll die trying. And there’s the other silent conversation: there’s the acknowledgement, between all three of them, Nancy and Patrick and Eddie, that they won’t mention the Vecna thing, the nightmares thing, the music thing. It’s a one way ticket to labs and dissections and pathologization; it’s a one way ticket to the thing Eddie and Eddie’s mom only narrowly escaped.
“Don’t call anyone again,” Stinson says, as she stands up. She looks at Nancy. “I know what you’re all thinking. I know I don’t seem like a sympathetic face, I know none of us do. I can’t help that; I’m only doing my job. I’m not here to seem friendly or like someone who’s going to solve all your problems, because I won’t. What I am here to do is fix this situation as best I can. And I do know what it’s like. I started at Quantico in ‘72 and I was hated on both sides, the assholes who thought I was only useful on my back or making coffee and the women burning their bras both. It’s been hard for me to get where I am.”
“Is that supposed to make us feel better?” Nancy returns, voice hard.
“No. But I thought you might find it relevant.”
“I don’t.”
Stinson shrugs, a gesture at odds with her pressed formality, and then leaves. Having done nothing to help them at all; having only made it worse. But maybe that was inevitable. Maybe that was precisely the point, to scare them, to loom large and indomitable, impassive, impotent in the face of what was actually going wrong.
Someone takes Stinson’s place in the doorway — hard lines and a hard face, a face Eddie knows. Agent Blass. He smiles grimly at Eddie, says, “Hello again, Edward.”
“Eddie,” he snaps.
“Right. Eddie.”
“I can’t fucking believe this,” Patrick says, slumping back into the couch. “You– you know this guy?”
Eddie shrugs. “I got arrested a few years ago. He was there.”
Blass’s lips tighten. Maybe he doesn’t like being reduced to passivity; maybe he thinks he’s important. They can use that. But Stinson is leaving, and Murray is drinking, and Eddie’s lighting another cigarette, wanly considering the wall and the records and the empty circulation of this house, a house like any other, a den of conspiracy with a thin veneer on the outside and nothing at all to prevent the forces of authority finding it, rooting it out. Blass has a gun strapped to his hip and really, really, they’re beyond the edge of the map now. And Steve still hasn’t called.
Any escape plans don’t materialize, not for a while. They sit in passive silence — silence broken by Murray putting on the b-side of a Rory Gallagher record, Top Priority — and Blass doesn’t seem to have any interest in conversation, which is a sort of boon, since Eddie has to flinch every time he looks the guy in the face. He can only recall You’re in the jurisdiction of the Department of Energy. I am under no legal obligation to read you any rights nor provide you with a phone call.
Eddie can’t sit still for long. He never can. He gets up and browses Murray’s collection, flicks through battered blues and jazz and Tulsa sound. Whatever else you can say about the guy, he’s got taste. Not Eddie’s taste, sure, but Eddie can respect discernment, whatever form it takes. Whatever idiosyncrasies it carries. He’s inspecting Cheap Thrills, Big Brother and the Holding Company, ignoring the way Blass’s gaze makes his skin itch, when the buzzer goes.
The fucking buzzer. Again?
Again. And it’s Blass who gets up, gun drawn, which is comical for some reason, it shouldn’t be comical but it feels comical. Eddie got the better of him once. But only by appealing to his sense of authority, only by appealing to a higher rung on the ladder. You can work within these organizations or you can work outside of them, and he wonders again what Wayne would advise in this situation. What he would say. Because, hell, Wayne couldn’t imagine any of this at all.
They creep towards the door. Blass scans the security camera feed, like he already knew it was there, and then lets out an audible and uncharacteristic sigh. “You kids just love to keep getting yourselves in more trouble.”
“What does that–”
Blass opens the door. And standing there, in the vivid white daylight, hair imperfect and eyes dark and desperate, a dream, looking like a dream, rescue manifested from Eddie’s deepest fantasies — looking a vision, it’s Steve. Nail bat slung loose in his hand at his side.
“Holy fuck,” Eddie says, and it comes out a gasp, an exhalation of trapped, stale air, the realization that maybe he hadn’t expected to see Steve ever again. Steve with his eyes like pools, fathoms deep, inviting something. “Steve.”
“Hey,” Steve says, just like that.
It’s Nancy who tugs him inside. Pushes past Blass to do it, good on her, except then it’s Nancy with her hand on Steve’s shoulder, demanding he tell her what’s going on, Nancy with her whole frame drawn into tense frustration leaning into Steve, letting Steve take the weight, swallow the burden, keep her upright. Eddie can’t be jealous of that. Eddie kissed him more recently than she did; and yet. And yet in the sick mire of everything else that’s what he’s thinking about, that he kissed Steve more recently than she did, and doesn’t that make him awful? Doesn’t that make him something bad?
“What are you doing here?” Nancy hisses, when she’s drawn back from his embrace. It’s only been a day and a half and it feels like years.
“Had to–” Steve gestures helplessly. “I couldn’t call. Calls wouldn’t go through.”
“What? But–”
“Ah,” Murray says, further down the hallway. Slowly, they all turn to look at him. He looks less guilty than maybe surprised, disconcerted he’s been found out, though they don’t know that yet, that he’s guilty, that he’s been found out, but Eddie can just tell. Murray is raising his hands in surrender. “Listen–”
“What did you do?” Nancy bites out.
“I simply– I mean. You know how easily they found us? Imagine how much faster it would have been if I hadn’t–”
“What. Did you do.” She repeats.
Murray sighs. “I disconnected the phone, okay? I disconnected the fucking phone. After I called Jim, I couldn’t– there was no way I was opening us up to more risk from either end.” He directs a poisonous glare at Blass. “Turns out we’d already been exposed to plenty, but–”
“You’re fucking kidding me,” Patrick says. “See? Didn’t I tell you he’s always been an asshole?”
“Yeah,” Eddie says, like his own voice is coming from far away. “You did.”
Murray says, “Listen–”
“I don’t– I don’t fucking care anymore, oh my god. Steve–” Eddie turns to Steve. Takes Steve in. Releases a breath, because Steve is here, Steve is really here, not a figment of his corrupted imagination but finally, really here, and it’s only been a day and a half but it feels more than a lifetime. “What are you doing here?”
Steve looks warily at Blass. Blass, who looks keen to take fucking notes. And he’s right, Eddie doesn’t want to have this conversation in front of him. Eddie grabs him by the wrist and tugs him towards the stairs, up the stairs, into the cramped, grubby-tiled bathroom, ignoring the way Steve’s pulse thrums under his touch, ignoring the brush of hair and warmth of skin. Blass’s footsteps are on the stairs coming after them but Eddie closes and locks the door, sets the shower running. They face each other in dim light. They’re so close the air feels strange and precious between them, fraught. Soon it’s humid and hot and, too late, Eddie reaches in to turn the shower to cold, getting his sleeve wet, so he takes his jacket off and catches Steve looking at his forearms, his tattoos.
“What are you doing here?” Eddie repeats, and it comes out a little breathless. Quiet, too, so Blass doesn’t hear.
“Who is that?”
“Blass? He’s– he’s this agent guy, we had– uh, we had a visit. Stinson, the one who– the one who got me out of jail. They’re still watching us, man, they’ve been watching us this whole time. They found El.”
“They found– shit.” Steve rubs his hand over his jaw. “Fucking shit.”
“Yeah. I mean– they keep saying some shit like there’s two factions, there’s other players in the game, it’s good they found her first because they can get her powers back but, like– shit, Steve, I’m scared of them.”
Steve looks at him. Really looks. Right, because that came out wobbly and not like he intended it to. Like he intended anything; really, it just slipped out. “Eddie–”
“They can do anything to us. Anything they want. Blass, he didn’t– I’ve met him before, but it wasn’t him who– in ‘83, you remember that? Agent Faraday. After all the shit with the demogorgon and Will. He threatened my uncle and I’m, um, I’m afraid all the time that they’re gonna– because they would. You know they would.”
“Yeah.” Steve breaks eye contact, looks down, sends a lock of hair over his forehead, not so ironed back with hairspray. “I’m scared too.”
“And who knows what they’re doing to El, who knows what they’re– and Murray, he’s insane, and he’s saying all this shit that I just– I can’t–” Eddie takes a deep breath. “Your turn.”
“My–?”
“What are you doing here?”
“Oh. Yeah. Shit. Uh– well, we went to the Creel house, like Nancy said. And it was– you remember the thing with the lights, when Will was missing? How Mrs. Byers put an alphabet up on the wall? It was like that. Our flashlights would light up like something was there. And Dustin thinks– well, it was a group effort, but Dustin thinks — I talked to him on the phone, his mom’s still scared to let him out, I think maybe because of the fucking cat a few years ago, remember that? — Dustin thinks maybe Vecna’s just Upside Down. And for something to– to, I don’t know, affect our world like this from the other side– all the last times, it’s because there was a gate. So there has to be a gate. So all we have to do–”
“All we have to do,” Eddie repeats.
“All we have to do is find the gate, go through it, and kill him. Because we know where he is.”
The rattle of the shower, gentle white noise except the head is broken and the spray comes out in uneven jets, is making it hard to think. And Eddie can’t pace, because there’s nowhere to go except closer to Steve, pinned in between bathtub and sink. He lights a cigarette and, at Steve’s look, leans over to open the window. “Why are you telling us this?”
“What?”
“I mean–” Eddie waves the cigarette. “We, uh, we left town for a reason, right? Because it was safer to get out. And Nancy and Patrick are okay for now, nothing’s– it hasn’t got them yet. Are you asking us to come back?”
It’s unfair of him to be asking this. He knows. After he and Nancy already made the silent decision they couldn’t stay here, not under Blass’s watchful eye, not when the government could be doing anything to anyone and they’re sitting there mute, waiting, sitting fucking ducks. No. But Steve has a loaded gaze that’s making him itch and he drove here, he drove all the way here because he called and they didn’t pick up.
Steve runs a hand through his hair. It fluffs up between his fingers, gives him this messy, kind of distraught look. Eddie feels incurably soft towards him and it’s that that pushes him further, makes him say shit like, “Steve. Are you asking us to–”
“No,” Steve bites out, suddenly harsh. “No, I’m fucking not, okay? I don’t want you– I want you as far away from this as possible. As far as the fucking moon. You and Nance and– and everyone else too, I wish we could all just–”
“But we can’t. You said we can’t.”
“I– what?”
Eddie doesn’t know where this is coming from. Words just slipping out. “We could have run. We could have run last summer, we could have just– we could have just gone. The way El and the others went. The way– because my mom, she just disappeared, and I asked them, Stinson, I asked her when she bailed me out with the cops — I asked her why my mom was allowed to escape when El’s mom wasn’t, and she said it was because my mom didn’t matter. I didn’t matter. I don’t. And that’s– that’s a fucking strength, Steve, that could have been a fucking–”
“You do matter,” Steve snaps. “You–”
“That’s not the fucking point. We could have gone. We could have been gone, you and me and the rest, we could have–”
“No, we couldn’t. We couldn’t and that’s why you didn’t even suggest it. Because we– we had a job to do. Right? We were– we’re soldiers. Hopper turned us into– whatever, I don’t even– someone had to be there to stop this happening again.”
“Fucking exactly, Steve.” Steve stares at him, eyes going wide, but Eddie can’t stop now. “You don’t even– we didn’t stop this happening again. It’s happening right now. It’s happening to us, so I’m asking, why are you here? Because you don’t– you don’t want us to come back but you weren’t gonna leave us here either–”
“I’m here because I’m fucking scared,” Steve hisses. “I’m here because there’s all that shit on one side, the fucking– the soldier side, the saving the goddamn world side, there’s everything I have to forget about everytime I wake up in the morning like– like how it feels to know a girl died in my fucking pool and my parents don’t even know about it, and how it feels to be tortured, and the fact that if my dad wasn’t involved in the mall shit maybe I wouldn’t have been tortured at all and of all the things– of all the things my dad doesn’t know about none of that shit would even top the fucking list if he knew what I am. Because I’m fucking scared, Eddie, because if I lose you along with everything else then I’m gonna–”
His voice breaks. He stops.
It’s Eddie’s turn to stare.
Doesn’t say anything, because he can’t. He can’t say anything. What is there to say? It occurs to him maybe Vecna’s got him too. Maybe he’s hallucinating. Maybe–
The silence stretches on. Drone of the overhead extractor fan, linked to the light switch; soft spray of the showerhead. Steve’s eyes, dark and large and uncertain, afraid. He’s afraid. Oh. Eddie had thought it was just him.
“I don’t need– I don’t need saving,” Eddie says. It comes out hoarse. He doesn’t know what he’s saying, it’s thin and insipid, maybe he doesn’t mean it, but he has to say something. Anything. Because otherwise–
And Steve is so close. Steve is so very close.
“I’m not saying you do,” Steve returns. He doesn’t mean it either. He wants to save Eddie, has wanted to save Eddie all this time and that’s what this has been, Steve picking him up off the ground when he fell, Steve bandaging his skinned knee in the darkened barn with his jeans pushed down around his ankles, Steve with the nail bat and the hair and the glow around him that says all the things Eddie loves him for, the thing that doesn’t need any words.
Like in those movies where you care too much about the soldiers you’re commanding.
Eddie swallows. There’s a lump in his throat, and an itch, and he’s leaning closer despite himself, leaning in. “So why are you here?”
Steve’s eyes dart over his face. His cheeks are flushed, the air humid, the air close. He says, “I don’t know.”
Eddie moves his hand like he’s in a dream. Draws it up to Steve’s shoulder, to the side of his neck, feels the throb of Steve’s pulse against the side of his thumb, and Steve lets him, Steve lets him touch him more deliberately than they’ve ever touched each other, intent that isn’t drunk or panicked but intent that–
Well. Neither of them seem to know.
“Steve–”
Steve’s eyes drop to Eddie’s lips. In a rush of memory, blurry and drunk, Eddie once again remembers what he tasted like. What it felt like to kiss him. How easy it would be–
Someone bangs on the door. Steve hisses and steps back, knocking into the sink, and Eddie grinds his teeth together, wants to scream, not at Steve or whoever’s outside but at himself, at his own frozen inaction, his own stupidity. He can’t tell if kissing Steve would have been a good idea or not. He’s losing the ability to judge his ideas in general.
“Hey, I got an idea,” someone says through the door. Voice unfamiliar until Eddie places it — Patrick. He’d almost forgotten about Patrick. He goes to the door and opens it, tugs Patrick in. The bathroom becomes an even tighter squeeze.
“What is it?” Steve says, running a hand through his hair again, not looking at Eddie.
“You guys need to go, right?”
“We– what?”
“That’s why you’re here. Because you’re gonna end this, so you need to go back to Hawkins. But that agent guy isn’t gonna let you just walk out of here. So I was thinking, me and Murray, we can distract him while–”
Eddie stares at him. “While what? While you– you’re telling me you’re happy to stay here, stranded with that fucking guy? After–”
“After what?” Patrick returns, voice measured. “I told you, man, I don’t have much of anything to go back to, and I’m just gonna get in the way, and I’d rather not– I’d rather not die. And it seems like going back there, you’re increasing your chances of dying.”
“Probably,” Eddie says, as Steve intakes an audible hiss of breath. “But you’re– I mean. You’re sure?”
“Yeah. So, like, if you guys– I mean, Murray’s plenty capable of occupying the guy, but the agent’s gonna wanna keep an eye on the door anyway, right? So what I’m thinking is I get into some kinda– bust-up with Murray, y’know, the agent will try to break it up, that’s your window.”
“He might, uh, he might just let you kill each other.”
Patrick shrugs. “I can take Murray.”
He’s tall and strong and sporty, where Murray is wiry and paunchy and drinks too much. He can definitely take Murray. So Eddie says, “Okay. And I’ll slash his tires on the way out.”
Both of them open their mouths to make token objections, but the objections don’t come. There’s nothing to object to. They’re doing what they have to; they’re in extremis; Eddie would be happy to slash that asshole’s tires any day.
Patrick leads the way out of the bathroom. Steve and Eddie glance at each other, hesitation in the air, the sense of something unfinished, before Eddie leans over to shut the shower off and follows Patrick downstairs. Maybe it — whatever it is — will remain unfinished forever. Maybe all this will end tomorrow.
Blass is waiting at the bottom of the stairs, eyes narrowed into a cold, stony stare. The kind of look that says they’re not going to get away with this, whatever they’re planning, only that doesn’t perturb Eddie particularly, since he hasn’t been getting away with much in a while. You get used to it. And he’s running back to Hawkins, not away, he’s not running away — he’s running towards. He’s running to the place Janie left from, yes, but also the place his uncle is waiting with an axe in the dark and he can help him there, Eddie can, he can help him better there than here. He can’t stay here.
Steve’s hand lands on his arm. Grip tight. He looks less certain about any of this, still looks afraid. If I lose you along with everything else then I’m gonna. Gonna what. Does it matter what?
Nancy looks at them sharply. She’s put her jacket on, only in a casual way, sitting with one leg crossed over the other on the couch. Murray’s swigging from a bottle and flicking through his records without a care in the world. Like maybe it’s an act, or else it isn’t an act, this guy who disconnected the phone in an act of pure stupid selfishness like they didn’t need to know what was going on, like it didn’t matter at all–
“It’s, uh, it’s a really shitty thing you did, y’know,” Eddie says. Can’t stop himself from saying. “What if–”
“What if,” Murray drawls. “The whole world’s made of what-ifs. What if you hadn’t come crying to my door asking for refuge? Then maybe we wouldn’t be in this mess today at all.”
“I’m here for your protection,” Blass says, from his position by the wall. No one spares him a glance.
Nancy says, “I’m sure Hopper didn’t tell you to do that. Disconnect the phone.”
“He might as well have. He told me to keep you all safe; that’s what I was doing. That’s what, for my sins, I’m always goddamn doing, because he told me to do it. You think it pleases me to sit here totally in the dark? I’m a fucking journalist, Nancy, keep up. Sometimes we have to make sacrifices.”
Nancy’s face twists, her cheeks going blotchy with anger, but Eddie feels that same anger far away, distant and remote as he looks at Murray and studies what really lies in his face. What all this really means. The way he’s still turned half away from them, standing by the stack of records, battered and long-kept, he kept the records even in his frantic move across the country, fleeing pursuit and surveillance with his tinfoil hat in tow — he kept them. And he kept the one right at the back, the one he’d been staring at before this conversation started. The white one with the arch on the front: the one called You Don’t Mess Around with Jim.
You’re not the first gay guy with a hankering after something he doesn’t believe he can possibly have, you know.
With that, the realization, Eddie’s anger deflates. Steve’s still got a hand on his arm and it itches, the way in which he and Murray are the same, so he shrugs the touch off. Says, before any of this can get out of hand, “Well, this fucking guy’s here now, so I guess we gotta deal with it.”
There’s intent in his voice. Murray’s eyes snap to him and, miraculously — because on some level they’re the same — he understands. He says, snide, “Yes, about that, excellent point. I’m nearly out of milk. Whose problem is that, exactly? Is it yours?” He rounds on Blass. “Does that mean you have to go get a carton of milk for me? Or am I permitted to go out myself? Must you accompany me, like I’m a child that needs minding in the grocery store?”
Eddie shakes his head. Says performatively, “God, I’m not in the fucking mood for this.” He moves towards the kitchen. Towards the front door. Doesn’t look back, it has to seem casual, but he can feel Steve moving after him. Murray and Blass arguing in the back, and then, the kicker, Patrick’s tired, dry voice piping up, Not sure you got the right to complain, man, like, after everything you–
In the kitchen, Steve bends his head close to Eddie’s and says, “Now?”
Eddie shakes his head. “Nancy will get away. She’ll– we gotta wait for Nance.”
Steve, eyes tortured. He doesn’t want Nancy to get away. He wants her to stay right here, where she’s safe, the same way he doesn’t really want Eddie to come back either. But they’re in this now. And then Nancy is there, hovering in the doorway, drawing her jacket closer around herself, and they hear Murray’s voice at a greater volume: “–my own fucking house, you piece of fascist scum–”
“Let’s go,” Nancy hisses. They go.
Race out of the front door. Eddie drops to one knee and slashes the first tire of Blass’s solid black ‘84 Chevrolet Celebrity. Ne’er was a more spy car seen. Steve’s already in his car, Nancy shotgun, pulling out of the driveway. Second tire; the front door opens again; something twinges in Eddie’s knee as he stands up again, the awareness like a bolt that he isn’t a healthy person and likely never will be, that running won’t hold him for long–
Two tires will have to be enough. He dives for his van and floors it out of the driveway just as Blass slams his hand on the hood, trips out into the street, stands there furious with a gun in his hand in Eddie’s rearview mirror.
Eddie drives.
His knee aches and his head pounds, adrenaline dissolving into tiredness, though he slept the night through. Sleep gathers in bad dreams and sometimes he wishes he didn’t have to surrender to them, wishes he could sit each night awake, waiting for the bad thing to happen, instead of only lingering like a warning in the corners of his eyes. He drives and tries to forget the image of Blass with his gun, though it means something, though it forebodes something. He stares at the Bimmer’s taillights and follows them when they pull into a gas station lot; he gets out to smoke beside Nancy as Steve fills up with gas, goes into the store, comes out with a lemonade and a New York Seltzer and a coke, which he passes to Eddie, and Eddie gets a little shudder as he does it, as their fingertips brush, remembers a hospital corridor and a vending machine so many years ago it may as well have been a dream itself. He can’t seem to stop remembering.
Then they drive again.
It takes them ten hours all told; they go right back to Steve’s house, like nothing has changed. Hover in the hallway, the three of them, with the sense it would be absurd simply to go to bed. But they drove ten hours and if they’re going to fight this thing–
Steve gives Eddie a long look by the door to the guest room. Eddie gives him the look right back, the desperation of a divide, but there are things they can’t yet do. Maybe never. And besides–
And besides, Eddie lying in bed cold and alone, he dreams of the darkness coming for Wayne and it wakes him in a sweat before 7 AM, dim light stretching out across the room. The house is still and silent. Steve and Nancy are still asleep, probably, which means–
It means they’re not doing anything, and somebody has to do something, he decided this yesterday. He decided this with Steve’s eyes flickering over his lips and the sense of fuck it all to hell that comes with the end of the world. At the end of the hallway, Steve is asleep in his bed, and Eddie could go to him, Eddie could slide into bed beside him and maybe he’d even be welcome. If I lose you–
Eddie doesn’t go into Steve’s room. Eddie shrugs his jacket on and slips out of the house in gray semi-dawn, walks half a block to where he left his van hidden halfway into the woods. When he turns the engine over, he lets it go to radio, some hard rock station playing Golden Earring, She Flies On Strange Wings. Then he drives to the trailer park, because at this point–
Still. He parks up on a sideroad backing into the treeline, cuts across the grass with his head ducked down. MURDERER is still emblazoned on the side of the trailer, vivid red, like blood. Avni would tell him this is unimaginably stupid. Maybe it is. And Wayne wouldn’t be back from his shift yet, even, but maybe Eddie can sit and wait.
He lets himself into the trailer. It’s dark, cloistered-feeling, musty. There’s a strange smell of rot. His skin prickles; something sinks down inside him.
The ashtrays are half-full with cigarette butts, all cold. Wayne’s bed is folded away. Scattered papers on the counter, bills to pay, a newspaper. The photograph of them carrying Chrissy’s body out, covered by a sheet, is emblazoned on the front. Eddie swallows down a sudden jolt of panic and opens the fridge, immediately gags on the smell. Old milk. Surely the source of the smell, only it doesn’t put him at ease. Where the fuck is his uncle? Where–
“Eddie?”
He turns. Catches the dark eye that is the barrel of a pistol, first of all, has to push down the threat of death to look further, to look at who’s holding it. A wash of vertigo. Maybe there’s a reason he’s been remembering things; maybe he’s just stepped right back into the past.
“Janie,” he says. She widens her eyes behind the gun.
Notes:
– women were excluded from joining the fbi as agents until j edgar hoover's death in 1972
– top priority by rory gallagher, more rock than blues, was released in 1979
– cheap thrills by big brother and the holding company was released in 1968
– you don't mess around with jim by jim croce was released in 1972; hopper plays the song of the same name when he and el are renovating the cabin in s2
– golden earring's she flies on strange wings was released in 1971 on the album seven tears. it was a golden earring song playing, twilight zone, when eddie waited with jonathan's car as the getaway driver during the demogorgon incident of 1983300k words, oh my god. insane. as always, thank you for reading and let me know what you think below. you can find me on twitter or tumblr.
Chapter 60: Papa
Summary:
“Uh, Steve,” he says. “You– you remember Janie, right?”
Notes:
warnings for implied alcoholism and referenced torture.
(See the end of the chapter for more notes.)
Chapter Text
THURSDAY MARCH 27TH, 1986
They stare at each other. She’s holding the gun level, like she knows how to use it. The way Nancy holds a gun. And she looks different but also the same, she looks how Janie was supposed to look, three years down the line, not that Eddie knows what was supposed to happen, where they were supposed to be now. Her hair is long again, tied back out of her face; her soft cheeks have gone harsher, like she hasn’t had enough to eat. She’s Janie but she’s not. She’s holding a gun.
“Eddie,” she says again, and her voice wavers, like she didn’t expect to get this far.
“Janie– what the– what the fuck. Can you– can you put the gun down–”
“No,” she says. Shakes her head. “No, I– there are things you have to tell me. Things you have to explain to me.”
He can still smell the spoiled milk. And his uncle isn’t here — where is his uncle? Did Vecna get him too? Did–
“Eddie,” she snaps. “I need you to fucking concentrate on me.”
He digs his thumb and forefinger into his eyes. Says, and it comes out strained, “Jesus fuck, Janie, if you knew the shit that’s been going on–”
“Yeah, well, fucking exactly. You need to tell me what you know.”
“What I know.” He moves his hand, looks at her. He doesn’t have the energy to be scared of the gun. He’s been held at gunpoint before. He drops into the couch and lights a cigarette, exhales smoke with his head tilted back. “Did the Russians send you?”
“Did the–” She lowers the gun, maybe in surprise. Starts to say, “How did you–” and then stops herself. Every part of her is held tense like a sprung wire, like something liable to snap. What happened to you, Janie? he wants to ask. But he doesn’t. He figures he’ll get the chance soon enough. “I need you to tell me everything that’s happened in the last two years. Including the mall. You were there, right?”
“How about you, uh, you tell me where Wayne is?”
Her brows crease. “What?”
“So you– so you’re telling me the Russians brought you in here and gave you– gave you a fucking gun, which kinda defeats the point of you being a, y’know, a friendly face, get me to open up to you about all the shit that they’re really involving themselves in again? Really? You’d think after last time– but you’re telling me, that doesn’t have anything to do with Wayne not being here? Wayne not– not having been here for days, it seems like?”
“He’s your uncle,” Janie points out, with a touch of her old dry self. “Shouldn’t you know where he is?”
“I’ve been on the run for my life all week. So, no. You didn’t, uh, you didn’t see it says MURDERER on the side there?”
“That’s–”
“You know about that? Of course you– of course you know about that, that’s why they sent you now.”
“Why are you so certain that–”
“Because you’re holding me at fucking gunpoint!” he snaps, composure going with the integrity of his voice, something wobbling behind his eyes like tears. He’d never expected to see Janie ever again, thought she was lying dead buried behind some Soviet gulag, but here she is. Here she is. “Or are you just really mad I still haven’t graduated high school?”
“You didn’t graduate yet?”
He sinks his face down into his hands. “No.”
“Fuck,” she says, and then, nearer, “What the fuck am I doing here?”
He feels the couch shift. Feels the warmth of her shoulder brushing his, and he holds it there for a moment, revels in it, a thing he never thought he’d have again — realizes he’s been watching Steve and Robin with a jealousy the whole fucking triangle can’t account for — and watches her drop the gun on the table. It sits there next to Wayne’s Garfield mug and an overflowing ashtray. Sits among tea stains and cigarette stains and old beer can stains, dark and heavy and somehow not Russian-looking at all, though it’s probably a Russian make, right? Eddie doesn’t know shit about guns. No, here it looks well and truly American. Completes the whole shitty picture just the way Mel Carlson’s shotgun does.
“What are you doing here?” he says softly. Her hands tremble and she presses her fingertips to her eyes. “I mean, really. Because I don’t know shit, I’m making it up as I go along, it’s like a fucking DnD campaign run at breakneck speed, like we’re sitting around a table on top of a fucking bullet train, countryside rushing past and I don’t have any notes or anything and instead of dice we gotta count the trees going past, gotta count the goddamn clouds in the sky. It’s like that. I don’t know what I can give you, man, like– and why are you asking me?”
“Something. You can– you can give me something.”
“Why?”
She drops her hands. Looks at him, deathly quiet. “Because they’ll kill my dad if you don’t.”
Her dad. Her dad who was in Shanghai, her dad who stared out at him from a photograph in a file in a Russian base way underground, her dad who worked at Icex and got fired within a day. Her dad who has been somehow tangled up in this from the beginning. “What are you–”
“They didn’t– I’m not wearing a wire or anything, so I can tell you, I guess, but you gotta– I mean, these people, they don’t fuck around. They really don’t.”
“Why aren’t you wearing a wire?”
“I– what?”
He shakes his head. “I know about these people. Maybe not the Russians so much, but the others–” He looks up at the ceiling, around at the corners. The trailer’s probably bugged too but he figures maybe it wouldn’t hurt for the agents to know about the Russians. A war played out somewhere over their heads will have consequences, rubble and crossfire and debris fields, but it will distract attention. Enemy of my enemy or whatever the fucking saying is. “I know what they’re like. Why wouldn’t they bug you?”
“They said they can’t. I don’t– I picked up a little Russian, y’know, in our time in– in Kamchatka, there wasn’t much else to do but try to learn it, but I couldn’t work out what they were saying about why. Like, some sort of– some sort of magnetic field? But that isn’t how science works, y’know, and they kept referring to this one thing but I couldn’t work out what it was, it wasn’t in my shitty little Russian to English dictionary.”
He’s figuring dimension, maybe, and maybe it was in her dictionary but she just didn’t want to believe she’d heard it right. “They let you have a dictionary?”
She lifts one shoulder, pinches her lips into the ironic ghost of a smile. “We had some privileges. Not exactly political prisoners, but–”
“Okay, you gotta–” He sucks hard on his cigarette and exhales away from her. “You gotta take me through this one. From the– from the beginning. Fuck.”
“Yeah. Fuck. Okay. Well–” She gestures broadly, empty hand, and then takes his cigarette. “So I went to Shanghai. I wrote you about that, remember? How things were different. My dad, he was working a lot, stuff he wasn’t supposed to talk about, but I think it was probably China’s space program, y’know, getting ahead in the space race. Maybe they got too good at it, too far ahead on the track, found out something the USSR didn’t want them to find out, I don’t know, even though they’re supposed to be allies. ‘Cause then that’s when they started watching us.”
“Watching you?”
“Yeah. I’d be– I’d be going places with my friends, with my dad, with Xiaoping–” Something resolutely even in her voice on his name. The guy she was seeing, Eddie remembers that from her letters, remembers the uneven sort of regret he’d felt not that she had moved on, that he’d missed an opportunity, but that it meant he was finally irrelevant from her life in that sense as well. A selfish sort of regret. “And I’d see people on the street, people tailing us, weird sounds on the phone line. All the bullshit you’d get in a– in a le Carré novel, or something. Only it was real. Only it was– it was happening to us. And my dad got weird about it, too. Told me to be careful about who I talked to, where I went. I mean, I’d already had issues with– with my tattoos, and things. I wasn’t really thinking about traditions or any of that when I went out there. So I kinda stopped going out, and so did he, except when he was at work, and if he got home and Xiaoping was there he’d freak, kept calling Xiaoping a spy, an agent, saying he was working for them–”
She shakes her head miserably. Inhales another third of Eddie’s cigarette all at once.
“I didn’t know who they were yet. But I– I was scared. I listened to my dad. I stopped seeing Xiaoping, told him not to come by. He didn’t get why and neither did I, really. I just– I pushed him away because I was sure we were in danger. I felt like we were in danger and I didn’t want to get him into that danger too.”
“Shit,” Eddie says, quiet. He knows the feeling.
“And then one time my dad came home and it wasn’t just him. He was with these two guys, and one of them was white. Russian. And he said– my dad said, we were going with these guys now. That I should pack a bag and I didn’t have time to say goodbye to anyone.” She shakes her head again, recrimination of her own memory, her own past self. “The Chinese guy watched me as I put my shit in a bag. My whole life packed up again and I didn’t even know where I was going. I didn’t even know what clothes I needed, but I took warm ones, because of the Russian. Sweaters and turtlenecks and shit. And the guy watched me the whole time so I didn’t try to escape or call anyone.”
“When– when was this?”
“Like– November. Two years ago, ‘84. They took us to Russia, like I thought they would, but they didn’t tell me anything. They set us up in this little apartment in a village in Kamchatka and my dad– they made my dad work. Or, I don’t know. My dad told me it had been his choice. Like– like they were going to offer us a better life, better than we had in China. But I’d– despite everything, y’know, I’d liked our life in China. I missed xiao long bao and Xiaoping’s jiaozi. Russia was cold and I don’t like vodka, though I ended up drinking a lot of it. No one would tell me what was going on. No one, not even my dad. The shit I had to comfort myself with– you know the shit I had? There must’ve been some kinda smuggling situation going on, because there was all this shit that isn’t allowed in the USSR. American shit. Jeans and fucking Jif. Crazy, right, that it took me getting abducted by the KGB to taste Jif again.”
“So you– you were actually in Russia. And your dad was working on the science shit with the soldiers that–” He closes his mouth. He sort of knew all this already.
“Something happened last summer. I don’t know what it was, but my dad got fucking nervous. Started drinking as much as I was, maybe more. Smoking and drinking and not sleeping at night, anything to cope with whatever had fucking happened, I don’t know. I caught him when he was drunk, once. Thought maybe I could ask him what was going on, and I did, I asked him, and he started to say something about Hawkins before he realized what he was doing and went kinda– gray, got this awful fucking haunted look, grabbed me by the shoulders. Said that knowing things was dangerous. Death. That’s what he said, that knowing things was death and he couldn’t do that to me. And then he mentioned you.”
“What?”
“I don’t– he was barely making sense. But he said to me, like your friend Eddie, he knows things and now they’ve got their eyes on him. Now he’s in danger too.”
“How did they even–” But then his eyes settle on the middle distance and he remembers it, everything that happened last summer, the chase through the mall tunnels and the knife held to a Russian’s hot, fleshy throat, the battle jacket shed in the elevator and never retrieved, the one that held his wallet and his smokes and his keys–
And his driver’s license. Face and name and fucking address. How did they know who he was? That’s fucking how.
“Shit,” he says, long and slow, drawn-out, the way his uncle says shit when things are really hitting the fan. “Fucking shit.”
“He wouldn’t tell me anything else. No one would, not for a while. I figure whatever went wrong for them last summer, whatever it had to do with you and Hawkins, it was bad enough that they had to lay low for a bit. But then– a couple months ago, things started to change again. Just a– just this sense, around the village. I wasn’t allowed onto the compound where my dad worked but after so long they’d relaxed the rules for me, let me walk around the village at least, try to talk to people in my very limited Russian. And a lot of these people were families of the people who worked on the compound, wives and daughters and shit, and they pick things up. They listen. They knew something big was coming, something that didn’t have anything to do with what they were working on in the sense that they’d planned for it, that they’d caused it, but that it would be good for them. Talking about the dirty Americanskies biting off more than we could chew.”
Eddie ground his teeth into his lip. Snap.
“Then a few weeks ago, they came to me. The same Russian guy who came before, the one who was with my dad. He wasn’t with my dad this time. He told me, he said– he said they needed my help. That I had a job to do, and it was the last job either of us would have to do, me or my dad, before we were done with it all and could have the better life we’d been promised. They’d set us up somewhere nice, he said. Not Siberia. All I had to do– all I had to do was do what they said. Come here. Talk to you.”
“But– why you? Why didn’t they just– fucking– kidnap me, or something?”
“I think they’re scared. I think whatever’s happening here, the US government’s involved too, and Russia doesn’t want a war, not really. At this point I think they’re curious. I’m less conspicuous, and I’ve got leverage. They know we were friends. They know you’d want to help me. So when I tell you my dad’s gonna be killed if you don’t–”
“Fuck,” he says. “Right.” He swallows down bile. “And this– this all isn’t why Wayne’s not here?”
She shakes her head. “I’m sorry, Eddie, I have no idea where he is. Which– I don’t know, I guess I’d been hoping to see him. It’s been weird, man, you have no idea. Feel like I’ve lived thirty different lifetimes since the last time I was here. And it hasn’t changed at all.”
“It’s changed a little.”
“Not enough.”
Or maybe too much, but he doesn’t say that part. To live in a small town is to live in a fishbowl, static except for the hand of an anonymous and occasionally malevolent god. “So what do we do?”
“I believe them. When they– when they say they’ll kill him if I don’t do what they want. And they don’t– I mean, they’re flying blind in this, as far as I can tell. They had to pull a bunch of their agents out with whatever happened last summer. You’re the only connection they’ve got. And I’m supposed to–”
“What?”
“To bring you with me.”
He stares at her. “They want to take me to fucking Russia?”
“Something like that. I’m not– you know I’m trying here, Eddie, right? You know I’m– I mean, I’m fucking keeping it together but I drink too much and I don’t sleep at night and you think I want either of you to die? You or my dad? I missed you, man, I can fucking admit that. I’m not taking you to Russia. But I figure if you– if you tell me something, something I can use–”
“This is– this is insane. You– uh, you gotta have a handler or something, right? Somebody like– like a sleeper agent. Like Mr. Tapia or Melvald or somebody, the person you’d least expect.”
She shakes her head. “I told you, they’re terrified of starting a war. They pulled everybody out. I have someone to report to, yeah, but he’s– he’s holed up in a motel a town over. I’ve got this thing on me–” She digs a little radio out of her pocket. “I have to check in with him tomorrow. It only works in a certain radius, which means I can’t run. Not that I have anywhere to go.”
“Fuck,” he says. Steeples his fingers, thinks of enemy of my enemy. “What if you–”
“If I told somebody important? Hell, I don’t know how I’d fucking find someone important to tell. Not here, not anywhere. You think I could ring the CIA front desk and tell them? They’d think it was a hoax. But more than that, you think they give a shit about some Chinese scientist way out in the USSR, not even a US citizen? If I go to the government and tell them I’m here to spy–”
“They’ll kill you,” he finishes softly. She nods, brusque. He sits there for a moment, letting all the panic wash through him, drain away — something about Janie’s own ignorance, the way she’s here without knowing any of the real picture just the way the Soviets are, mission of fucking curiosity, like there’s anything at all to be gained by knowing about this shit, knowing things is death, isn’t that what Janie’s dad said?
He stands up. Crosses to the phone. He can’t call Hopper, because only Murray knows Hopper’s number and Hopper’s probably gone into hiding again, taking El and Will and Jonathan and Joyce with him, that’s best case scenario. Most likely the government’s got ahold of them, keeping them in some dank cell far from the sun–
He can’t call Hopper. But that isn’t even the first name on his lips, the first number at his fingertips as he hovers by the phone, because at this point it’s them against the world, him and Steve and Nancy. Robin, too. He dials and he’s just waiting for the call to connect when someone knocks on the door.
Janie snatches up the gun. Wayne’s axe is nowhere to be seen, not that Eddie would be handy with it anyway. More likely to do damage to himself than to anybody else. He hangs up the phone, ducks down, hurries across the room to the window, peering carefully through a gap in the curtains. Gestures for Janie to lower the gun. “It’s okay. It’s just Steve.”
“Steve–” she starts, but he’s already opening the door.
Steve hustles inside and says, with venom, “Where the fuck did you go, man? Why the fuck did you just–”
“I came here.”
“I know you fucking came here, I knew you would, that’s why I’m– do you have any idea what it was like, waking up and you weren’t there? I thought you’d been– I thought maybe they’d– after what I fucking said to you, Eddie, come on–”
After what he fucking said. Right. Eddie clears his throat and looks at the walls, at the floor, anywhere but Steve’s wide and somehow fractured eyes. Strange how it creeps up on you, this whole thing, inches you over a cliff until suddenly you’re in freefall and you can’t look down. “Uh, Steve,” he says. “You– you remember Janie, right?”
Janie’s holding the gun loosely by her side. She eyes Steve with suspicion, and Steve stares at her right back. “Didn’t you– aren’t you missing? Isn’t she missing?”
“Kidnapped by the KGB,” Eddie says. “She’s here to kidnap me too.”
“She’s– what?”
“She’s not,” Janie snaps. “Look, Eddie, what the fuck is Steve Harrington doing in your house?”
Steve and Eddie stare at each other. It would take fathoms of time to answer that question, context and conclusions that they just can’t provide, because even if Janie knew everything the way they do, not even they understand it. Not even they can make sense of it. Eddie says, “All the shit that– all the shit that happened, what I got mixed up in, Steve’s mixed up in it too. We’re– uh, we’re in this together.”
“You’re in this together,” she repeats. “Right.”
“Listen, Steve, she– the Russians are holding her dad. Say they’re gonna– they’re gonna kill him if I don’t tell her about everything. I don’t– I mean it sounds like they’re just– just curious. Y’know? Because apparently they had to pull back all their spies when shit hit the fan with the mall. So–”
“We can’t tell them anything, Eddie. You get what that fucking means? We tell them anything, we’re traitors to our country and they can– they can do whatever they want to us, to our families. Forget breaking the fucking NDAs, this is–” Steve’s voice comes out fast, a little torn-up with panic. “They’ll kill us, Eddie.’
A silence. No one seems to know what to do with that. Janie’s face is taut, tense with the awareness of what she’s done, coming here. On impulse, Eddie reaches for her, grabs her by the shoulders, folds her into his arms. She smells the same as she did before. She’s his answer, the Robin to his Steve, puzzle piece he’s been missing since ‘84 and here she is, a herald of bad news, but at least she’s here.
“Eddie–” she says, muffled. Cast to her voice indiscernible.
He looks at Steve over her head, tucked under his chin. “Listen to me. We’re gonna– we’re gonna work this shit out somehow, I don’t know how, but we will. We’re– we’re kind of fucking good at that now, all of us. We’ve had a lot of practice. And we know– we know a guy who speaks Russian, who knows shit about– about the KGB, about all of that, and we need to–” He lets his words trail off, tripping over themselves. Lets go of Janie and misses her warmth immediately, but if they’re gonna do something about this– “Steve, can I, uh, can I talk to you in my room?”
Steve nods, then glances at Janie. Janie’s mouth twitches into a hollow smile. “Go on. I get that I’m fucking– radioactive right now.”
Eddie nods. Then, without thinking about it, he grabs Steve’s wrist and tugs him down the hall into the bedroom. Cramped, dark, messy, with a musty smell, slight decay, from the mugs he’d left moldering on the floor and the desk and the bedside table. Everywhere the reek of cigarette smoke. It’s the room of a person who doesn’t particularly care how they live, the room of a person who isn’t particularly interested in its particulars anymore, and it makes his cheeks burn with embarrassment for Steve to witness it, Steve who despite it all always seems to have it together.
But Steve doesn’t comment, just leans against the wall with his arms folded as Eddie thinks fuck it and lights a fresh cigarette. He smokes for a moment in silence, regardless of the way Steve’s hands are twitching, the way every second spent here in the trailer park is a second longer the basketball goons have to find him and tear him apart, limb from limb, that’s without the problem of the psychic serial killer and the missing uncle.
“Where’s Nancy?” he says eventually.
“With Robin. I dropped her off. I didn’t– I lied to her about where I was going. Said– said I had some shit to do for my dad, I don’t know.” Steve shakes his head, a bitter, self-recriminating look in his eyes. “Weird what it turns us into, right? All this– all this shit. Wanting to keep each other safe. If I’d told her I was coming to the trailer park she would have demanded to come with me and I couldn’t– not with everything else. Not when it nearly got her here before.”
“Yeah,” Eddie says. “She can handle herself, man. But I– I get it.”
Steve chews on his lip. “I know she can. But I’m freaking out, like, Jesus, you and her and– and what the fuck is this? With Janie? With–”
“I think we need to tell her.”
“Didn’t you fucking hear what I said? If we tell her anything we’re totally–”
“We tell her, and we don’t let her tell her handler. They’re not due to check in until tomorrow. If we can somehow run– run interference, find out where this guy is, while–”
“While dealing with everything else.”
“Right. But– shit, Steve, that’s her dad. I can’t– I can’t let them kill her dad.” Eddie’s voice breaks a little, just a little. Because there’s the other thing. There’s a tawdry little gravesite, regulated and unpretentious round the back of the state penitentiary, with a name Wayne picked out as a joke stamped out on it. There’s Patrick’s haunted stare, that was my sister. There is always the other thing.
“Yeah,” Steve says quietly in return. Looking deep into Eddie’s eyes. “Okay. We tell her something. Maybe not all of it, but enough that she– that she feels like she can trust us to help her too. We keep a lid on things. Delay the– the fucking KGB, Jesus, think up some kinda– some kinda plan to–” He shakes his head. “I’m not good at this part. We need Nancy and Robin. Hell, Dustin and Max and Mike and Lucas too.”
“If they’re being kept at home by their parents– they’re probably safer there. Right? Like– they don’t wanna be hanging around with me. Not with the mob. And– y’know. Vecna. And the fucking Russians.”
“And the fucking Russians,” Steve repeats, tint of irony that hinges on that nightmare he had in a motel outside Ashtabula, fingernails and I don’t think I’m ever gonna be able to get high again. “But Nancy and Robin–”
“Steve, Wayne’s missing. My uncle’s missing.”
“What?”
“There’s– there’s old milk in the fridge, gone off, there’s– he hasn’t been here in a while. Maybe a week or something, I don’t know. And I think– Janie’s dad, he, uh, he worked at Icex. Worked there for, like, a day before they fired him, or he left, I don’t know. And in ‘83, when Will was missing, I drove my uncle to work there and they were checking IDs at the gate, there was– there was a Hawkins Light and Power van, all the same shit. Like, it’s linked, right? We decided it’s linked last year and now–”
“You think something’s happened to your uncle? Something that’s linked to– to everything else?”
“Yeah. I need to check it out, man, I can’t just– I need to find him. What’s happened to him. If–” Eddie’s voice cracks. Steve reaches out a hand, lays it on Eddie’s arm. All the invitation he needs; Eddie folds into him, lets his warmth come naturally around him, the easy entanglement of two nervous bodies. Steve strong and solid, that for some reason a comfort. They’re pretty much the same height, so Eddie just buries his chin in the crook of Steve’s shoulder and breathes against his neck, feels Steve shake against him, wonders who’s really comforting who. If I lose you along with everything else then I’m gonna–
“Let’s go to Icex,” Steve says. Eddie can feel his voice rumbling through his throat. “Let’s– fuck it. Let’s go. I’ll call Robin and Nance, tell them to keep working on the Vecna shit.”
Eddie pulls back. “Robin’s good with languages, right?”
“Yeah. Fucking brilliant. She’s been learning Russian, like, really learning. Why?”
“If we drop Janie off with them, maybe they can help her out too. Right? Because, man, I don’t fucking– I don’t know. Shit.”
“No, that’s a good idea. We’ll do that. We’ll– we’ll do that.” Steve clears his throat, darts his gaze over Eddie’s face. “Listen, man, I don’t–”
“Steve,” Eddie says. Steve stops. Stares at him. “Whatever you’re gonna say, whatever bullshit you’re gonna– about saving me, or– you don’t gotta be that guy, y’know? You can just– you can just be you. I just want you to be you. That’s why I’m– and you don’t have to come with me. It’s probably gonna be fucking dangerous. It’s probably– but you don’t need to come with me. I’m only saying I want– it’s just you. Steve Harrington. Not all that bullshit about soldiers and not– not King Steve either. Just you and me. Can we do that?”
Steve looks at him. Working his jaw, something intense and desperate riven across his face. “Yeah,” he says at length. Voice hoarse, almost tentative. “Yeah, we can.”
Chapter 61: The Piggyback
Summary:
Steve seems unsettled too, working his jaw, taking the nail bat out of his trunk.
“Just like old times,” Eddie says. Steve smiles thinly.
Notes:
warnings for referenced child abuse, homophobia, and ableism.
(See the end of the chapter for more notes.)
Chapter Text
THURSDAY MARCH 27TH, 1986
Icex looms up large above them, stark against a hard gray sky. Eldritch somehow, spidery, a structure created by man that seems entirely beyond him, a thing no one should go near. Eddie’s getting a bad feeling. Steve seems unsettled too, working his jaw, taking the nail bat out of his trunk.
“Just like old times,” Eddie says. Steve smiles thinly. They passed the barrier at the gate no problem, because no one was manning it. Of course no one was manning it. Really, it seems obvious. Like they’ve always been coming down this road.
Walking across the parking lot. It’s almost empty, like everybody got a day off. Walking towards the doors. Steve stops and puts a hand on Eddie’s arm, a touch that burns. “Whatever we find in there, Eddie–”
“I’ve seen shit, man, same as you. It’s okay.”
“Your uncle,” Steve says. “You haven’t– if something’s– you haven’t seen that.”
No, he thinks, he hasn’t. But still, he collects up his losses the same way Wayne collects mugs and fucking baseball caps. He counts things and he holds them close to his chest: Tommy C.’s dad, the one who began this shit; Bob and that Russian guy, Alexei, lost in the grand scheme of crossfire; Billy, Nancy and a bullet. Victor like an omen of something.
His dad.
“C’mon,” he says. Though there’s cold in his chest, the graven conviction that he isn’t gonna like what he finds just the way Steve is telling him he won’t. Though any and all signs point to: Don’t do this, turn back, go someplace else. He isn’t carrying a weapon because it wouldn’t help. And Steve’s fingers tighten on his arm, eyes flickering over his face, before he nods.
They go inside.
Which, again, suspiciously simple. Nothing barricading the doors, nothing to keep anybody out or indeed in. Anything. Whatever’s here–
Steve’s shoe crunches on broken glass. Shards, scattered in the entrance hall. No discernible source, though Eddie looks up and around, squints in the gray gloom. One of those days when it’s like the sun doesn’t exist at all, like the sunrise they saw that morning was the last sunrise anyone will ever see — like millennia of precedent carry no weight, hold no water, with the reaching of some arbitrary and unlucky deadline. Anything could happen. Eddie’s learned that over the years.
Steve had a flashlight in his car, which came as no surprise, and Eddie shines its beam up at the ceiling, dimly far above them, the whole space echoing with silent nothing. There’s a desk and a gate and nobody watching it. This is where Wayne clocked in, day after day, punching the clock and showing his ID, a thing the people who run this facility, the Department of Energy, always the Department of Energy, note down and remember. Wield against Eddie — Blass and Faraday and Stinson, too — and maybe something else. Maybe it means something else as well.
“What are we fucking doing here,” Steve says, undertone. Not really to Eddie. “Like, I remember when my dad was consulting on the contracts for this place. Something big and new and shiny to bring jobs to Hawkins, some shit, not like my dad actually cared or cares about that. And now we’re–”
“Your dad’s involved in a lot of this shit, huh.”
Eddie says this evenly and immediately regrets it. But Steve just looks at him in the dim light, says, “Yeah. It seems like that. And, like, sometimes I wonder if I’ll wind up somewhere like this looking for him. Y’know? Because he’s so– because he’s so involved. And it isn’t fair that it’s your uncle we’re looking for. He doesn’t have anything to do with this. Right? But my dad does. But then I wonder it, I try to imagine it, coming somewhere like this to find him, and I can’t see it. Makes me a bad son, or whatever. And, like, I’d probably– because I’d do it. I know I would. Like, intellectually I know. But I just can’t picture myself doing it.”
Eddie doesn’t say, I’m trying to stop picturing anything to do with my dad. He doesn’t say, it leads you nowhere good, leads you to IHOPs and livers and places you don’t wanna go. He doesn’t say, I can picture you doing anything that’s right, Steve, anything at all, and it drives me insane that you’re just that kind of guy. No matter who your dad is.
Eddie says, “You’re a good guy, Steve.”
And Steve looks at him sharply. Opens his mouth like he’s going to disagree, which, Eddie isn’t gonna stand for that, but then there’s something else.
A sound. That sort of something else.
Eddie can’t describe exactly what sort of sound this is. Or even if it is a sound, more than some sudden awareness reaching out towards them from the dark — some sudden urge that has their feet moving before they can think better of it, flashlight beam jumping as they break into a run.
Towards, not away, but Eddie isn’t thinking about that right now. He’s thinking only of the rightness of it, the logical sense of Steve falling into step beside him, running towards whatever this is because that’s what they’re here to do, that’s why they never left this fucking town even when Hopper took El and the others away, that’s why–
Why.
Why is he doing this, exactly? Like, who fucking thought this would be a good idea, July evening sun beating down on the back of his neck and sweat running everywhere, making him itch, idling across town with a slouch and a hand kept cradling, ineffectually, his loosened-out shoulder. Meaning he pushed it back in right there under his dad’s furious eyes. Might’ve wanted not to give him the satisfaction of crying out as he did it, wanted to grit his teeth and fucking take it like a man, only it hurt. So he cried out. And his eyes stung. And it was through tears that he spat I want nothing to fucking do with you. And then, vision blurred, he made for the door.
The sun’s tipping down towards trees, rooftops, telephone wires. Eddie has no idea how long he’s been walking. His soles ache in shitty, falling-apart sneakers, and if it wasn’t so humid he’d be cold in his shirt and jeans, but it’s hot like fucking hell. And nice things are supposed to happen in the summer and this isn’t a nice thing and the question returns, why has he done this, exactly?
Because he can still turn around. Because it’s a gay thing but it’s not, he thinks, maybe, because maybe his dad would’ve killed him if it was the gay thing, not only pulled his shoulder out of joint the way he does fairly often. This isn’t even arguably worse than some things. Worse is a relative term and where, really, does he think he’s going?
Get out, his dad said, but again, he says that shit too. His dad’s always wanting him to go places. Look out over the parking lot as he’s twitching two wires together, ripped out of the dash of a prime silver Merc; fuck off outta the house for a while, your dad’s got some pussy on the hook. Eddie rubs a hand over his close-shaven head and does what he’s told, most of the time.
Still. Tattered pieces of the torn-up Blueboy magazine, no longer carefully hidden inside Deep Purple In Rock, still litter the floor of Eddie’s room and if he went back there he’d be made to clean it up. Among other things. He doesn’t know how his dad found it but he doesn’t know much, he’s finding, treated as a dullard at school and good for nothing that isn’t lifting things out of other people’s pockets.
And he could go to Janie’s house but Janie would tell him he’s being stupid and he doesn’t want her mom to have to drive him to the ER, because that’s what she’d want to do, eye him up grudgingly and drive him to the ER like this has never happened to him before, though it happens all the time.
His feet hurt. He digs his hands into his pockets and discovers he’s got a pack of his dad’s Marlboro Reds, doesn’t even remember stealing them. Doesn’t remember much of the evening, actually, if he sets his mind to it, which is yet further evidence that something’s gone fucked behind his eyes. He takes a cigarette out and lights it. He’s fourteen and this is far from his first smoke, which means he’s good at it, it’s one thing he’s got going for him. Sucking it down on a smooth inhale, holding it there in his lungs, not coughing. Skill inherited from his father. Not his mom, whom he doesn’t know, and his dad likes to say he gets his crazy from her and of course Eddie doesn’t want to fucking hear that so he’s been telling himself that biology and genes have nothing to do with it. He’s here and he’s like this because his dad made him like this; because his dad wants him to be like this. Even the queer thing. Because the queer thing, see, the queer thing is only evidence. Like, his dad wasn’t wrong to treat him like that all the way through. There was always something wrong with him and his dad was just trying to help. And now his dad knows he was trying to help and he can point to that on a good day, say, see, I was only tryin’ to help you out, kid, I was only trying to make you better. Make you a man. Don’t you want to be a man? All I was doin’, kid, calm the fuck down about it already. Where’d you go? Why’d you go?
Why’d he go?
Why’s he here, walking down this dusk-glow street, quiet suburbia with no place for him and no thanks? Suburbia that hates him? Going someplace maybe he’ll be welcome but maybe he won’t, and if there’s anything he knows himself to be it’s a burden. He’s difficult. His dad has to shave his head for him every couple of weeks because he’s difficult, and his body is difficult too, his body reacts with violence to any suggestion of where and how it should go. No. Wayne won’t thank him for this. Wayne who’s been alone since Carolyn died and doesn’t need some kid turning up with joints all fragmenting out from each other, queer as a fucking fruitbowl and not even delicate about it. Wayne who’s got his own problems.
Eddie, in the growing dark, keeps walking.
Thing is–
Thing is. It’s always the thing. And who knows what awaits him down this dark corridor of time? Who knows who and where and what– Wayne. Who the fuck is Wayne, anyway? What is this leading thing, this going thing, this leaving thing? His father behind. His uncle ahead. And his mom, his mom nowhere, where is his mom?
You ever heard of Rosa Luxemburg?
Eddie blinks. Thinks, or sees, dark curly hair, rangy skinny arms. Clink of bottles. And that’s not something of now, that’s something of then, of later on, a thing he can’t place in this dark street where his feet hurt. His feet hurt. Will his uncle welcome him in? Will his uncle–
You’re of some Russian Mennonite extraction, so your dad said, not that I think even he knew what that means.
His dad doesn’t know what anything means. His dad looked at him across prison glass and it was Eddie who turned him away, just like he’s turning him away right now, he’s doing a thing that’s inevitable as the sun rising again in the morning, but who says that’s guaranteed? Who says it’s not sheer dumb fucking luck?
Wayne. He’s looking for Wayne. Where’s Wayne?
The sun has set. Summer sun gone dipped behind the trees and there’s not even a post-dusk glow, nothing rosy, nothing golden. No blue twilight, just the dark, and Eddie grips his flashlight, but the bulb’s gone out. Blown out, maybe, only he doesn’t remember that part. His feet hurt. Chafing in his boots, damp, not just damp, wet, he’s wading in water–
I just wanted to get out of town, can you believe that?
The water’s up past his knees. Something noxious about it, oily. He can taste chemicals at the roof of his mouth. He’s not really going anywhere, can’t tell if he was moving before, before when he was–
And half of him is still there. That dark-lit street running away interminably from his father. But he’s not there; he’s here. He’s standing in thigh-deep water, toxic chemical run-off, hallucinating? And there is someone behind him, but it’s not his dad.
“Steve,” he says. His voice sounds strange. Deeper than it ought to be, aged six years in the last thirty seconds. He swings the flashlight about but the bulb’s still out. So he can’t see Steve, only hear his breathing in the pitch black. He thinks it’s Steve’s breathing. He thinks he’d know Steve’s breathing anywhere; but he can’t be sure he knows anything. Only a minute ago he was living memory like it was life, and who’s to say that isn’t the state of things, life a recursive loop of everything they’ve done and everything they’ll do. Maybe they’ll be in this ruined chemical plant forever. Maybe Wayne’s stuck here too.
Steve does not reply. Eddie takes a step forward, water sucking at his legs. He can’t waver or he’ll fall. And he doesn’t like to think what he might see if he puts his head under. If he breathes that oily blackness in.
“Steve,” he says again. Reaches out blindly. Meets empty air — but another step, one more step, and there’s something warm under his hand, warm and solid and soft. Steve’s arm in his sweatshirt. Unmoving and unresponsive like Nancy was, which is what this is, Eddie thinks, what this has to be, but he can’t let that be what this is. He runs his hand down Steve’s arm, grabs roughly for Steve’s wrist.
Tugs.
Steve comes willingly enough, docile, eerie. Puppet with Eddie at the helm of the strings. And Eddie doesn’t know where the fuck he’s going, has half the fairytale instinct to kiss him out of it, only of course he isn’t going to do that. He splashes through the water with Steve stumbling behind him, other hand held out to ward off whatever the fuck they might run into, what if there’s something here with them? What if they’ve run right into Vecna’s lair, it wasn’t the Creel house at all but this place, this shadowed awful place at the heart of so much trouble, Department of Energy fucks checking IDs at the door, Icex is your uncle’s only source of income, isn’t it?
“Steve,” he says helplessly. He’s not hitting any walls or doors. Like they’ve arrived in some cavern, some void, nothing but darkness and water. Isn’t that how El described the thing with her powers?
Endless dark. It becomes something awful. Something irrepressible, like horror, like a movie you can’t turn off or look away from, a movie with your hands tied down and your eyelids pinned back. Clockwork fucking Orange. And maybe they’re stuck here forever, Steve struck dumb, nothing more than a body, a shell, Eddie trapped eternally somewhere inside his own head. Overabundance of thought and too little of it. Steve’s the one who does things. Eddie just follows along and occasionally drives them on the getaway. But now–
But now, his hand hits a wall.
He nearly sobs with relief. Still something out there in the dark. Something he can follow with his hand, the wall, a line of pipe ridged across it, water dragging at their steps as he propels them towards–
Towards a door. And a handle. A handle that turns.
It’s a step up. Out of the water. Eddie drags Steve after him and maybe wrenches something in the socket of his shoulder but hey, it’s practically tradition, the pain of a subluxation that seems almost a good omen in that it coincides with them getting out of things — they step up out of the water. Door swings shut behind them.
And the flashlight flickers back into life; and Steve coughs, like breaking out from submersion, looks about wildly with a heaving chest and breaths that rattle against some line of tears deep in his throat. Eddie grabs at him, his arms, his face, laughs near hysterically.
“What– what the fuck just happened?” Steve drags out. “What are you– I was– my dad was–”
“Your dad too, huh,” Eddie says.
“What? I–”
Eddie’s got the flashlight held near Steve’s face, heel of his hand still in touch with the line of Steve’s jaw like any loss of contact would mean a loss of everything else as well. Steve’s dark eyes wide, alert, seeing. Seeing him and knowing who he is. In that fathomless dark there wasn’t nothing for Steve, there was everything else, and Eddie’s vision might have been of a worse time but what if Steve’s was better? What if he didn’t want to leave?
“Fuck, you– you okay? What happened? I mean, Eddie, that was–” Steve’s shaking his head. “Was that Vecna?”
“Maybe,” Eddie says. “But we– we got out. The water, maybe. I think maybe the water–”
“Eddie?”
He jolts. Keeps one hand on Steve’s shoulder, half leaning on him, Steve half leaning on Eddie. Turns with the flashlight held unsteady. The beam skitters across the room, some sort of control room, all switches and buttons and panels. All dark. Power somehow cut, which maybe (Eddie’s frantic brain supplies) maybe it’s a Russia thing, maybe this isn’t anything to do with everything at all, but what about the water–
“Eddie,” the voice says again, and the flashlight beam lands on Wayne.
“Oh, fuck,” Eddie says, and his knees give out.
Steve staggers to catch him. Falling into each other, and Wayne propels himself forward, something shadowy to his eyes, to his face. Starved-looking. There’s someone else in the shadows behind him but it’s Wayne, it’s only Wayne, Wayne whom Eddie — in the rot of spoiled milk and old cigarettes — had been sure he’d never see again.
Wayne’s hand lands on his shoulder, helping him up. Away from Steve, but Eddie can’t think about that now. He thinks about how haunted his uncle looks. The light of the flashlight’s shitty bulb is cold and unforgiving. He’s in his civvies, not work overalls, and he smells like damp, but cigarettes still. The cigarettes remain a comfort.
“Fuck are you doin’ here, huh?” Wayne says, low. Drawing Eddie into an embrace. “Fuck are you– I mean, you shouldn’t be here, kid, now you’re trapped here too.”
“Trapped?” Steve says. Still hasn’t quite caught his breath, meaning the word comes out wobbly and tentative. It’s freezing in the gloom and Eddie can feel shudders beginning to run through him. His feet, boots and socks soaked through, are numb. “What does that– what does that mean?”
“That dark you went through,” says a new voice. Eddie raises the flashlight. It’s the foreman, Teller, picking his way across a floor — he now sees — strewn with debris. Teller of Alice Qu, Teller of Janie and Janie’s dad, Teller of It’s no good for you, always worrying about her. You said it yourself, she’ll get in contact when she’s ready. “How did you do that?”
“What do you mean, how did we–”
“You came from the outside. You made it here. What we’ve been calling the eye of the storm.”
“Eye of the– eye of the what?”
Wayne sets his jaw. Eddie keeps close to him, shivering, though he wants to be close to Steve as well, Steve who’s drawing into himself against the wall, rubbing his hands over his damp knees. “We’ve been stuck in here for days, maybe. Came in here wantin’ answers and instead I get–”
“The system destabilized. I don’t know exactly what happened. Only everything–” Teller shakes his head. “I can’t be talking to you about this.”
“Yeah, and this asshole’s been like this the whole fuckin’ time. Talkin’ about the shit he can’t talk about, instead of just talkin’ it.” Wayne shakes his head. “You know somethin’ about all this, Eddie, don’t you? What’s been happenin’ this whole damn time.”
Eddie tries to breathe around the tightening in his throat. Wayne can’t know. Wayne can’t know, can he? That’s the crux of this, that Wayne can’t know. And yet Eddie’s been bringing it inevitably to his doorstep this whole fucking time, taking steps down a long dark corridor with only one exit. Only one way to go.
“This place,” Steve says. “It’s all about this place, right? That’s why Janie’s dad–”
Teller’s lips thin out. “Knew you kids would try to get involved in that shit somehow.”
“Well, the way I– the way I fucking see it is that maybe we’re here to save you,” Eddie snaps. “Right? Because we got through the– the fucking storm. Whatever the shit that was. Some kinda psychic Vecna storm, which means he’s here, something about it is here. So you need to tell us why Icex matters. And why Janie’s dad knows so much about the Upside Down and the gates and why he’s working with the Russians.”
Teller passes a hand over his face. “Fuck. The Russians. Knew Qu would have something to give them, they’d sweep him up.”
“Russians. Vecna, the Upside Down,” Wayne repeats. “What the fuck are you–”
“Let Teller explain first,” Eddie says, edge of hysteria bleeding out into his voice, but, hey, if he was ever going to tell his uncle any of this, he doesn’t want to do it here. Here, in the dark and the cold, here with water lapping against the door like trying to get in and the plant riven through with some ageless supernatural power that wants them — wants them for what, he doesn’t know, but wants them for something. Something bad. “Teller.”
Teller looks between them, face hollowed-out in the glare of the flashlight. Looks less imposing than pathetic, another cog in a larger system of wires and wheels. Finally, he nods. “Okay. Yeah. You remember Brimborn?”
“Brimborn Steelworks?”
“I moved here for that damn plant,” Wayne says. “Me and my brother both. You’re sayin’–”
“Brimborn wasn’t intended to be anything other than what it was, a steelworks,” Teller interrupts. “A lotta people moved to Hawkins for it, same as you. It was a big boost to industry in the area, labor stuff, but that’s not what the Department was interested in.”
Steve says, “The Department of Energy.”
“Right. It was 1979. September. And I don’t know what happened, exactly, if anything happened, but something changed. And somebody up there, the higher-ups, they took notice of that change. Something chemical. Waste material that had different properties, magnetism, a new element. I’m not gonna go into the science of the thing because you’re not gonna understand me if I do, are you?”
Eddie can’t even find it within himself to be offended by that. “Magnetism. Like with the gates?”
“Yeah. Like with the gates. And the Department’s interests in Hawkins only deepened. They couldn’t study this run-off at HNL and Brimborn wasn’t fit for purpose. It was built in 1965, for god’s sake, and if nothing else people’d have noticed a bunch of white-coats running around the place, taking samples, measuring shit. So they closed it. Built Icex instead.”
Wayne shakes his head. “I only ever–”
“You saw what you were chosen to see. It’s a rigorous hiring process. You gotta be good at your job but you gotta be incurious, too. We focused on folk living hand-to-mouth, folk who needed the job more than they cared about what they were actually doing. All your unionizing bullshit a couple years back? You were allowed to do that. Permitted. The higher-ups figured it made a good cover story, a diversion. With everything happening with HNL at the time, they couldn’t afford anyone looking at what they were actually producing here. It was a misdirect and you played right into their hands.”
Wayne looks away, down at his boots, grip going tighter on Eddie’s shoulder. Eddie knocks into him like some attempt at comfort, whatever that means. More like solidarity. Like, hey, welcome to the shit show, they take things away from us all the time. They’ve been doing it forever.
“But Janie’s dad,” Steve says. “Wasn’t he–” He looks at Eddie for confirmation. “You guys fired him, right? Pretty soon after he started.”
“Janie always thought it was racist,” Eddie says slowly. “But– well, that was probably fucking part of it, huh, but it wasn’t just that.”
Teller shakes his head. “Actually, kid, that part wasn’t any great conspiracy. He was starting probation with us, getting brought onto the Department side of the work with Icex’s new opening. They — we — were testing him out. Because a lot of people were worried about his Chinese connections, that he was a Commie, that he’d feed shit to our enemies. And in the end they decided he was too much of a risk. So they terminated his employment, told him to pack up his things. Got him to sign NDAs and all that shit, threatened him. I guess you kids know more about that than I do.”
“What’s he talkin’ about?” Wayne says, sharp. Eddie bites down on the inside of his cheek and doesn’t say anything.
“But this Soviet thing– turns out he wasn’t easily cowed. He skipped town. Went back to China, Shanghai, and we only found out he’d taken a couple files with him when he was already long gone. So they got me to watch his wife, Alice. His kid, too, and when you got involved in everything that was happening in ‘83, well, let’s just say Janie’s lucky you didn’t tell her anything.”
Eddie takes a deep breath. Thinks of Janie, pictures Janie right now, at Robin’s house with Robin and Nancy and trying to work out some solution to the geopolitical fix they’re all tangled up in — Janie as she is now, tired and sad and angry but still alive. Not dead, because he didn’t tell her anything in ‘83, nor in ‘84 when she was leaving, nor in his letters after that. Not that those letters would’ve made it. Because they’re watched, they’re watched all the fucking time, and it makes him wonder, he wonders what else they know.
Some reason it makes him think of Murray. Murray, paranoid and drunk, twitchy in the knowledge that at any time and any point they could come for him, break down his door, put a bag over his head. The way that that, somehow, intersects with the Jim Croce thing, and the do you ever feel like this is punishment? thing, Robin’s face drawn and pale with the question he can’t ever tell her the real answer to, the answer he’s struggled with ever since shoulder and evening and torn-open sleeve of Deep Purple–
“And what’s happenin’ now?” Wayne demands. “With everythin’ else, somebody runnin’ around committin’ murder, framin’ my boy for it–”
“Oh, it’s related. You bet it’s fucking related.” Teller’s got some wanton abandon to his tone, now, like confession. Like throwing it all to the wind. “I don’t know how yet. Latest communications were inconclusive, just that something was coming. And then that something came and we’ve been stuck in here ever since, huh? You and me. I wonder who’d have eaten who, if it came to that.”
“Where’s everyone else?” Steve asks. He’s come a little closer to Eddie again, like braving Wayne’s proximity. It hadn’t occurred to Eddie that maybe Wayne cuts an intimidating figure, some of the time, especially wiry and shadowed in a broken-down control room, cornered, and you never approach a wild animal that’s cornered.
Teller lifts a shoulder. “Stuck out there, I imagine. In that fucking dark. We tried, you know. We tried to get out. But the things I saw–”
“The things I saw,” Wayne echoes. A strain in his voice Eddie’s not sure he’s ever heard from him before. A shudder like a chill in the air, a layer of ice beyond the damp gloom. “Wasn’t even supposed to be here, huh? ‘Cause you told me not to come in. On account of Eddie.”
Eddie turns. “Because of me? Why?”
“The reason it was easy to give was that you were a suspected murderer. Are. Too much stress for your uncle to handle, give him some time off.” Teller smiles tightly. “But you’re a troublemaker, Munson, and with this shit connected to your nephew and something threatening to hit us anyway, destabilize our systems, stop the output, we couldn’t have you sniffing around. Digging. You were useful, for a while. Only for a while.”
Useful for a while. Eddie’s skin crawls; the words jump around his skull. But there’s also another word: “Output.”
“What?”
“Output. What do you– what do you mean, output? Like– like profit, or some shit? Is that what you’re saying this is?”
Teller looks at him expressionlessly. “You didn’t think it was about honest scientific exploration, did you? What, like the space race?” He laughs, dry. “Come on, your uncle can’t possibly have let you grow up that goddamn naive. All of this is about the Commies, and the thing with the Commies isn’t anything other than a certain way of life, a way of life that gets gold-plated, has heads of state wiping their ass with good old green bills. That’s what this is. And we’re making them money.”
“How the fuck are you–”
“It’s not about steel. It’s a property of one of the run-off materials. A byproduct. It can be used in other things. Manufacture, putting the US back on the map, ahead of China or anyone else. Technology will hit a boom and it will be home-grown, right here in the fucking Midwest. Bread basket no longer. Sometimes I feel proud of that. We’ll be keeping lights on, ventilators working, surgeries refined and promoted. We’ll be doing everybody good.”
Wayne shakes his head. “And there’s a fuckin’ catch, huh. Same as there’s always a catch.”
Teller spreads his hands. “This here’s the catch. The dark void right outside that door. The way this whole place is probably set to collapse pretty soon, given what I’ve seen in the schematics, given the warnings they gave us before. The reason you’re on the run for your life with a mob behind you because they think you killed an innocent little schoolgirl, a promising young journalist. There are always consequences. Like listing side effects on the side of a pill bottle. Consequence is, there’s always gotta be some touch with the nether dimension. Gates, no gates, the veil’s gotta remain thin. That’s been the Department’s project ever since they discovered what MK Ultra could really do right at the start of all this.”
“They need the Upside Down,” Steve says slowly.
Teller looks at him. “I recognize you, y’know. I know your dad.”
Eddie lurches for Steve, doesn’t think about it, grabs at his arm like maybe Steve’s about to lunge at Teller, which he isn’t, he isn’t hotheaded, not in that sense, anyway, maybe just a little hysterical — but Steve sinks into his touch and goes quiet, closes his mouth. Eddie doesn’t really want to know how exactly John Harrington figures into all this. He figures Steve probably doesn’t want to either.
“We’ve gotta get outta here,” Eddie says, lowly, mainly to Steve. Like calming another feral fucking animal. Looks over his shoulder at Wayne, who’s looking back, brow furrowed. Wayne whom he’d never expected to find alive; Wayne who might well be a figment of some fucked-up imagining, a further layer in the onion of shit that is this dark black lake. That is Vecna’s fucking web.
Steve says, “Yeah. We do. And the others–”
“The other workers, we gotta– yeah. Yeah. We gotta get everybody out.”
“There’s that lake out there,” Wayne says. “I don’t know what the fuck it is, what it does to you, but– I mean, it’s just leakin’ coolant. Can’t be trapped in here by goddamn leakin’ coolant, only I don’t know any way around it.”
“I, uh, I made it through. I brought Steve through.” Eddie looks between them, registers strange looks on their faces. “I can do it. I think. I can–”
“We tried,” Wayne says. “Eddie, we tried more than once. You think I– fuck, you think I wanted to be stuck in here with this asshole, starvin’ to death, eatin’ missin’ workmen’s lunches outta that little fridge, waitin’ for the day the bottled water’d run out and we’d have to drink the shit out there? I tried. But I kept seein’-”
“I can do it,” Eddie repeats, not even knowing where the words are coming from. When has he been a person to say he can do it? A person capable of doing it? And yet. In all the lack of conviction he held, treading down the sidewalk in summer dusk with a buzzcut and a dislocated shoulder — in all the uncertainty that carried him to Wayne’s doorstep anyway, now, he stands here and he knows. There are things you just have to try.
Notes:
– metal/rock band deep purple's deep purple in rock was released in 1970
– the film of a clockwork orange, directed by stanley kubrick and featuring the iconic image of the 'ludovico technique', in which the subject is strapped to a chair with their eyes pinned open as they watch a video to brainwash them, was released in 1971thank you for reading! as always, let me know your thoughts below and find me on twitter or tumblr.
Chapter 62: Wouldn't It Be Nice (The Beach Boys)
Summary:
“I’m not gonna wanna come with you,” he says. Steve says. “As in, out there, I think there’s a reason I wouldn’t wake up. Because what it shows me–”
Notes:
warnings for classism and period typical homophobia.
(See the end of the chapter for more notes.)
Chapter Text
THURSDAY MARCH 27TH, 1986
Eddie figures it’s not simple, exactly, and his mind has never been all that easy to control, but he wasn’t controlling it when he walked through the flood last time either. He let it wander where it wanted and it wandered right back to his mom and his dad behind bars, behind glass, meaning something about the present and the recent past just grab at him more than what happened before, which, Vecna might recognize that at some point but for now he’s got to roll with it, since it’s all he has to spare.
Wayne rolls out a blueprint in dim flashlight. Damp is crawling down the walls and it feels less a control room than a subterranean prison, a foxhole. Reminded hazily of the mall — Steve and Eddie glance at each other, wry, at that — they watch as Wayne draws lines over it in red marker pen. The red color disappears in a certain cast of light, goes inky black, which serves as a probable metaphor that Eddie lacks the strength to unpack, right here and right now. There’s a framed photo of a little girl by one worker’s empty console. Girl stares out vacant, print already discolored and gray, a thing looking out of the past. Eddie doesn’t turn it over, because that would be a bad omen of some sort, but he thinks about it.
And then–
“It’ll be simple,” he tries. Taking Steve’s hand.
Wayne, crossing his arms, leaning against the wall under Teller’s suspicious look, pinches his lips together. “Fuckin’ hope so, kid.”
One at a time: recipe for a disaster or their only possible decision? Eddie’s not liking this sense of making his own choices. He’s just the getaway driver. He wants to call somebody, Nancy or Robin or maybe his mom. Hell, even Patrick might have some fucking idea. And Murray would shout at Teller, which would be satisfying for all involved. But no phones and no nothing, not until they cross to the other side.
(What was it the chicken did–?)
“Eddie,” Steve says softly. Eddie looks at him. His hair’s gone lank, falling damp over one eye, and his skin gleams unhealthy in the flashlight glare. Still, Eddie thinks, still–
“What?”
“I’m not gonna wanna come with you,” he says. Steve says. “As in, out there, I think there’s a reason I wouldn’t wake up. Because what it shows me–”
“What are you– you’re saying, uh, you’re saying it was a good memory? It showed you something good? Because– mine, it wasn’t a good memory.”
“Maybe that’s why,” Steve says. “Though maybe not– good, I don’t know, it’s complicated. But it’s all fucking complicated. I’m just saying, don’t–” He takes a deep breath. “Don’t let go of my hand, man.”
Eddie interlaces their fingers. Steve’s hands are large, not all that callused, not all that soft either. Hands that wield a nail bat; hands that patched his knee up, once upon a time, in a barn with a horror movie outside as twilight closed in. “I won’t.”
And so–
Eddie doesn’t let go of his fucking hand.
He’s more aware of the water, going into the water, this time. Something slick and viscous about it, freezing but somehow thick as well. Sucking at his boots, mud you’d get in trench warfare. Quicksand. Other such metaphors Eddie could introduce in DnD, and wouldn’t that be nice, if he woke up out of some supreme dungeon master trance to discover he’d been DMing this whole time, constructing so intricate a narrative as to fool even himself. Wouldn’t that be nice. Wouldn’t that be–
“Hey, Steve,” he says, and his voice echoes in the dark. Blind, he’s following only the thread of his memory, one boot in front of the other. The sound of his own voice somehow helps. “You like the Beach Boys, huh?”
Steve is pliant but not entirely cooperative. Lost in his own head. Eddie takes this as affirmation enough: he starts to hum. He doesn’t know the fucking words, so he won’t sing, but there it is: Wouldn’t It Be Nice. Not out of tune exactly but Eddie isn’t a singer, resigns that to people like Tay and Jeff. Knows only that maybe this will help, this terrible fucking song will help, and somehow — maybe in his imagination — somehow it helps. In that Steve gets a little easier to steer. Doesn’t wake up, doesn’t snap out of it with eyes open wide like a miracle like Nancy did, like Patti Smith and Pissing In a River, but he gets easier.
Eddie pulls him along. Tries not to let his breathing pick up in the dark. Humming helps only so much as he’s got enough air in his lungs, and he’s not afraid of the dark, necessarily, just the things in it. A rational thing.
He follows the line his uncle drew inside his head. The water splashes around them. He follows it in the black and then–
And then, a wall. He feels his way along it. There, another door, another step, like going right back in a circle. He opens it. Half expects to find Wayne and Teller and no escape, just like they told him, how could he be so bold and so stupid as to imagine he’d be the one to get them out of this?
No Wayne, no Teller. No escape either. It’s a blank room, a store room, some shit. Eddie looks around it and then pulls Steve back out into the dark before he can think about it, one hand glued to the wall, his left. His right holds Steve’s hand. Don’t let go.
The next room, the same, only there’s somebody in it. A guy with dirt smudged across his cheeks, work coveralls stained and damp, eyes blinking owlishly in the beam of the newly revived flashlight. The man stammers, “You ain’t– you ain’t here. You ain’t real.”
“We’re as real as you are,” Eddie says. How many of these little pockets might he find? How many workers trapped, losing their minds, starving? All in the pursuit of–
And he can’t take two people at once. He can’t take– he can’t take his hand off the wall. Not if he’s going to find the way out.
Steve is blinking, coming out of some fever dream, passing a hand over his forehead. “Eddie?” he says. Eddie stands, stricken. Everything inside him screaming at him: take Steve and run. Take Steve and fucking run, do the thing you’re good at. And the man is staring between them, fingers trembling where they’re held up to shield his eyes.
“I can– I think I know the way out,” Eddie says. “But I can only, uh, I can only take one person at a time. I think. If you stay shut down like you were–”
“I held your hand, though,” Steve says. Voice faint and far-off. Eddie doesn’t like the look on his face. Look like there’s someplace he’d rather be, or someplace he still, on some level, is. “I didn’t– I didn’t let go, right?”
“You didn’t–” Eddie shakes his head. Steve didn’t let go. Eddie didn’t let go, but Steve didn’t let go either.
“If we– we make a sort of chain. I’ll hold onto him. It’ll be okay.”
“Steve–”
The man is nodding. “Yeah, yeah, I can– whatever you want, man, I can’t– can’t go through there alone. Can’t fuckin’–” Something fragmentary, lurking in the pits of his cheeks. What did he see, Eddie wonders? What does everyone see?
So Steve takes the worker’s hand. Says, “What’s your name, man?”
The worker says, “Elmer. Elmer Coe.”
“Nice to meet you. I’m Steve. This is Eddie.”
“Eddie Munson, yeah, I know who he is. Know who his uncle is. Kid–”
“Let’s just fucking do this,” Eddie says, between his teeth. He wants a cigarette and his jeans are heavy, sodden, the water foul-smelling and beyond understanding. He takes Steve’s hand again.
Then there are no more doors; there are no more steps, no more false starts, only a gentle, almost imperceptible incline and a lightening of the void-dark. Eddie squeezes Steve’s hand, and Steve doesn’t answer, but in the echo of the water he thinks he can read that Elmer’s still here too.
Elmer’s still here too. And there’s a familiarity to the shape of his face, somehow, the way the bones work together even stretched out and wan with stress, but Eddie can’t think about that right now. He can only think about the slope and the dark graying out into daylight, twilight, long past dusk, maybe closer to nighttime —
How long were they in there?
— and they’re not in the same hall as they were before, not in the entryway but a different tall-ceilinged room, only that ceiling is ragged, blasted-apart, comprised mainly of sky. They’re looking up at the sky. And he hears Steve take in a great gasp of air, real air, dry and away from the chemical fugue, and beside him Elmer sinks to the ground, some dull happy smile on his face, relief, relieved to be out, Eddie did that, Eddie brought them out–
“You got us out,” Steve says. Leaning his head close to Eddie’s. They’ve got an audience, Eddie thinks, Elmer’s half delirious but he’s there, he’s got eyes, and yet Eddie doesn’t care. Steve’s expression all twisted up with something, that feeling he’s being drawn back to in there, even now, and Eddie wants to kiss that look off of his face, so he does.
He does.
Kissing him like this is different from the first time. Kissing him like this–
They’re sober, sure, but Steve’s trembling a little, and their faces are cold, their lips, their noses. Eddie’s mouth is still dry with panic and his hand is clammy, grasping Steve’s shoulder, Steve’s shirt, which is damp too — and Steve huffs out something, maybe a laugh, as they break the kiss, dropping his forehead to the crook of Eddie’s neck.
Steve says, muffled, “You got us out.”
Eddie strokes a hand up the back of Steve’s neck. “I gotta– I gotta go back in.”
“You can’t just– you can’t just kiss me and then go back in there. That can’t be how it works.” But he says this with no real bite to it, only tired resignation, a humor that Eddie catches and even manages a smile at, which says it all, really, the thing that’s somehow fixed itself between them across three states and another dimension — the thing that doesn’t need words after all.
“Call somebody,” Eddie says. “I don’t know how, uh, how time works in there, if we’re– because it shouldn’t be dark now, right? It shouldn’t be evening, we only got here at, like, lunchtime. So if time works differently in there–”
“I’ll call somebody. I’ll call–” Steve looks up. “If I call Stinson–”
“You might have to call Stinson,” Eddie bites down his own rise of fury. “This shit is their mess, their problem, they can’t– but they’re gonna have to help. Help us get people outta here. Get an ambulance, at least. I don’t know. Fuck. I’m not the one supposed to make the fucking plans.”
“Neither am I.”
Eddie feels himself smile a little again. Maybe he’s hysterical. He pushes his face into Steve’s, just holds it there for a moment, catches what little warmth he can get. Is it this easy? Is this still another part of the dream?
“Go,” Steve whispers. “It’ll be okay. I–” something tortured in it “–I’ll be okay. You’ll be okay too. I trust you to get them out.”
Eddie kisses him again, because he can’t help it, and then turns away. Catches Elmer’s eyes as he goes, Elmer watching them in the dim twilight, face expressionless, and Eddie thinks a cruel thought like fuck you if you got a problem with this, I fucking saved you, I’d have left you back there if–
But really, Elmer’s not saying anything, and Eddie has a job to do. So. He goes.
Goes back into the dark. Crosses the lake and feels something tugging at his brainstem, wanting in, but he thinks of his mom and he doesn’t let it. Rosa Luxemburg and Ciara Malone, Buffalo and cigarettes. These thoughts will save him; these thoughts will carry him across. And they all thought his meeting his mother would be such a bad idea. Crazy recognizes crazy, maybe; crazy helps.
He takes Wayne and Teller out with their hands linked. Wayne’s fingers wiry, a little tremulous, between Eddie’s. And Teller with all the desperation of the corrupt middleman blaming the higher-ups, needing saving from his own project. Teller following on.
They move silently through the dark. Silently until Eddie remembers what worked the first time, digs up something in his memory, sings out a little rendition of Johnny Cash, Cocaine Blues. Wayne’s hand tightens on his own. That shit about music, they were right about that shit, he’s thinking, they were right about Patti Smith and Johnny Cash and the Beach Boys, Led Zeppelin, if it came to it, Led Zeppelin and Black Sabbath and Judas Priest, he’s thinking–
He’s thinking as there’s a great splash behind him, somebody tripping over or else getting pulled down, falling, sinking. He can’t see anything and he keeps his hand tight on Wayne’s as he searches the water but it’s Teller, it’s Teller sunk down in the water, it’s Teller gone without trace.
Gone.
Eddie takes in a breath and finds there’s nowhere for him to put it, something clogging up his throat, itching at his insides, heartbeat racing, gone, just fucking gone, did something come for Teller, is it coming for them too–?
Nothing from Wayne. Wayne is sunk deep into the dark just the way Steve was, and Eddie doesn’t have the space in his brain right now to puzzle out what that might mean, only that he has to take Wayne and get him the fuck out of here.
He gets him the fuck out of there.
Sinks to his knees, panting for breath, on the outside. Steve’s hand on his shoulder and lights, lights emerging around them, flashing red and blue, how long was he in there?
Long enough to lose somebody. Even somebody like Teller.
“Eddie?” Wayne says. Somewhere above him. Doesn’t get to say anything more before somebody’s bustling him off into an ambulance, draping a shock blanket around his shoulders, Eddie, too, there are hands on him, chiding him onto his feet, guiding him someplace else–
“Steve,” he says. He’s not sure Steve is there but then Steve is there, eyes wide and dark and steadying. “I lost somebody. I didn’t– fuck, I should’ve–”
“Hey,” Steve says. “Hey, you did fucking great, okay? And they’re gonna–”
“How are they gonna go in there? How are they– without me, they can’t–”
“Eddie.” His tone drops, goes serious, deadly serious. “I don’t think it’s a good idea they know that you were immune like that.”
“I wasn’t– I wasn’t immune. I still saw something. The first time, I still– and I could feel it there, what it wanted to show me. I just– I just pushed it aside.”
“Right. Maybe– maybe focus on that. I don’t know, man, I got a–” Steve looks over his shoulder. There are ambulances but there are also soldiers, also men and women in suits coming out of long dark sedans. “I got a bad feeling about this shit.”
“You, uh, you called Stinson?”
“Yeah. And, listen, Eddie, I think it’s– I think it’s Friday.”
“What?”
“Yeah. I think we were in there a whole day.”
“How does that even–”
“Like you said, right? It messed with time. Our, like, perception of time, or whatever. Even yours. And whatever’s different about you, whatever–” He shakes his head, runs a hand through his hair. “You think maybe it’s linked to the thing with your mom? The experiments? I know when we went to Buffalo–”
“I didn’t find anything,” Eddie says slowly. “I didn’t learn anything, because there wasn’t– there wasn’t anything to learn. Because I’m fucking ordinary, sub-ordinary, in that I’m just a little bit fucked up like her. That’s what she told me. And that’s what Stinson confirmed, that I’m– that there was no point in them keeping track of my mom, or me. Because we’re not assets.”
“That’s what I’m fucking saying, Eddie. I don’t want you to be treated like– like an asset. Like a thing. Because you’re–”
Eddie remembers the touch of his lips in a racing memory, a flash that burns. They’ve moved a little way away from the ambulances, but not far enough. There are people swarming all over and soon they’ll want to talk to him, he knows, soon — Steve’s right — soon they’ll be poking and prodding him, if he doesn’t make this seem like an accident. If he doesn’t work this out on his own. “Because I’m what?”
“You’re more than that. You mean– fuck, I think by now you probably know what you mean. To me. What you mean to me.”
Eddie stares at him. In this flashing dark, red and blue and white, fucked-up American flag really encapsulating the crux of the problem, here, only he’s not thinking about that, not thinking about the problem. Only thinking about how starkly pretty Steve’s face is, modeled under that glare. Emerging out of the night.
“Steve–”
“Mr. Munson,” somebody says, the way somebody always does. “Can we have a word, please?”
And so.
FRIDAY MARCH 28TH, 1986
They drive back into Hawkins. Eddie and Steve and Wayne in the backseat of an SUV, Stinson riding shotgun, smoking out of the open window. Her face is set in taut lines of stress and occasionally she looks back at them, narrowing her eyes. Right. Because they’ve fucked her over already, but the way Eddie sees it, he’s done her favor since then, Teller aside–
Teller aside. He feels a little spark of nausea and knocks his knee into Steve’s, tries to feel the warmth of Wayne’s shoulder against his own, something grounding. Tries to consider it something grounding. Rather not devolve into hysteria as they’re driving through town — town, where there are military trucks parked on suburban streets and things seem to have taken some sort of turn.
“What the fuck happened here?” Wayne says. His voice, outside that cold damp room, comes out gritty and quiet. Though maybe that’s everything that’s happened since.
“Martial law,” Stinson says, on a kind of exhale. “Things have happened, Mr. Munson, since you’ve been away.”
“Away,” he scoffs. “Fuckin’ martial law. Gotta be kiddin’ me. You think martial law’s gonna deal with whatever the fuck’s goin’ on here? Which, Eddie, you gotta talk to me about–”
“Your nephew has signed a stack of NDAs thicker than his forearm. He won’t be talking to you about anything, not until he gets clearance.”
“He was– he was trapped in that place for days, you’re saying he can’t know the truth about what’s fucking going on?” Eddie snaps.
“What’s going on, Eddie, is none of his business.”
“You– you made it his business. Making Icex into your own personal moneymaking project. Using him as– using him as a convenient distraction–”
Stinson’s lips thin out. “You talked to Teller.”
“We talked to Teller,” Steve says.
“Well, I’m not authorized to confirm or deny anything that Teller might have–” The SUV stops with a screech and a jolt. Eddie and Wayne and Steve are all sent forward, knocking their heads near into the seats in front, and by the time they gather their bearings and look out the window Stinson is already readying her handgun. “Stay here,” she says. Exchanges a glance with the driver, who gets his own gun out but doesn’t move. Then she gets out of the car.
“What the fuck is happening now?” Steve says, leaning into Eddie to peer out of the windshield.
“Blockage in the road,” the driver says. “Agent Stinson will–”
It’s not just a blockage in the road. It’s an army of people, civilian people, not soldiers, maybe more accurately a mob but hey, Eddie doesn’t hold any such respect for the division of crazy and law. Citizens of Hawkins gathering in a crowd, angry, shouting. Ignoring the trucks and the guns in the dim orange flood of streetlamps. They’re near Main Street, like maybe Stinson’s base is right in the center, good for operating a nucleus but bad for getting hemmed in. And oh, are they getting hemmed in.
Eddie recognizes faces. Jason Carver, Andy. Others of their jock friends, and their parents, too, stiff-haired churchy types with eyes gone wild. He recognizes the lady who serves him his prescriptions at the pharmacy; he recognizes the guy who takes his money when he goes to get gas. He recognizes that they’re here for him.
“The police have failed to do their jobs!” Jason shouts. Clambering atop the hood of somebody’s Ford LTD. It makes him think of Jonathan, but of course, Jonathan is far away and Ford LTDs are dime a dozen. This one isn’t even brown. “The police have failed, and now the army is here, but even they couldn’t prevent this Satanist working his dark arts in our town! Another girl is dead, and what are they doing about it? What is this proud nation, this military that your hard-earned tax dollars pay for — what is it doing about it?”
The crowd likes this part. Greet it with a cheer, an angry jeer, real torches and pitchforks type moment, medieval township in a fantasy. And Eddie — “Another girl?” he gets out. Flare of panic, panic that Steve shares, passes between them like a current. “What other girl?”
“Compliance is getting us nowhere. We’ve been victims of corruption in this town for far too long — first, Mayor Kline and the mall, then the police, who are refusing to do what we pay them to do. Don’t you want to take ownership of your lives in all this? Aren’t you tired of being pawns of richer men?”
Richer men. Wayne’s hands are curling into fists and there’s a dry, loathing smile appearing on his face, a dangerous smile. “That Carver kid wouldn’t know bein’ a pawn from his own fuckin’ ass. I swear to–”
He makes to open the door. But the driver’s locked them in; and the driver says, turning to look at them almost apologetically, “I can’t let you go out there.”
They watch as Stinson wades into the fray. Stinson, in her pressed black suit and neat lipstick. She’s tucked her handgun away, holding her hands up in surrender, appeasement, saying, “I’m here to mediate with you. What is it you want, exactly?”
Jason Carver, incensed, points a finger at her. Standing on top of a car in his letterman jacket — that he should be the hero, here, that he should rally the town and say, “We want Eddie Munson brought to justice. For Chrissy. For Fred Benson. For Samantha Stone.”
Samantha Stone. Eddie racks his brains and comes up with an arty girl, dark hair, quiet at the back of O’Donnell’s English class — usually wearing a Siouxsie Sioux t shirt. And there, he remembers her at a party, too, dressed up as Siouxsie, flirting with Jonathan–
Stupid to think Vecna wouldn’t choose a new victim, with Patrick out of reach. With Nancy, hopefully, defended. Stupid to think–
“Eddie Munson is innocent,” Stinson says. Kind of gratifying to hear, sure, but it makes no fucking difference. The crowd hisses and broils. Jason’s less controlling the tide than directing its flow, and right about now he’s turning it towards Stinson, though Stinson’s got a gun and soldiers gathering behind her besides.
“This is gonna turn into a goddamn fuckin’ massacre,” Wayne says. “You gotta let me out there.”
“Sir, I can’t–”
“You know who this guy is?” Steve cuts in. “This is the guy who fucked with your labor at Icex, nearly led them all out on strike. This guy functions as the mayor for, like, half of this town, the half that aren’t up our own asses in big houses on Loch Nora. Let him try to talk them down, because otherwise you’re gonna have to start shooting civilians. And you don’t– you don’t wanna do that.”
The driver hesitates. Looks between them. Wayne’s got his brow furrowed, eyes considering Steve like he’s something new and unexpected, and Steve shifts under the look, hand grazing Eddie’s knee.
Then the driver says, “Fuck. Okay. Shit. Sure, you, but not him.”
Eddie shakes his head. “Oh, I’m not fucking going anywhere near that shit, don’t you worry about me.”
Wayne gets out of the car. It takes a second for the crowd to notice him; when they do, some of the shouting ceases. Some of the faces turn towards him; some of the metaphorical pitchforks get lowered. Only some. He cups his hands around his mouth and calls, “My nephew is innocent.”
“You would say that!” Andy jeers.
Jason holds up a warning hand at him. Turns back to Wayne, balanced on the hood of the Ford with all the ease of the jock. “Mr. Munson, I understand your pain, really I do. Nobody wants to see their loved ones revealed to have done such horrible things. It’s a thing you’ve experienced before, right? You know what this is like. You know how it goes.”
“Eddie ain’t like Bruce Munson, and I defy anybody to say that shit and actually mean it. No, and you listen to me, now. Eddie is a good kid and this– this witch-hunt–” Wayne waves a desperate arm. “This ain’t helping nobody. You know where I’ve been, these past few days? I was stuck in the Icex plant. Trapped, because of some– some coolant leak, some chemical, I don’t know, I been trapped along with a bunch of others and it was Eddie, it was Eddie and his friend Steve, who came to save us. That’s the Harrington kid I’m talkin’ about, by the way. John Harrington’s boy. Now, I don’t give a damn what weight John Harrington’s opinion holds, nor his kid’s neither, but I can tell you this: I can tell you those two boys came to help without thought for themselves. They did what was right. You think Eddie’s a killer? No. He’s a goddamn hero.”
Silence. It rings around the street, carrying the murmur of whispering, frowning hissed discussion, people who know and trust Wayne and yet need someone to blame, right? They always need somebody to blame. And Jason scoffs. “I told you. Munson’s got some trick up his sleeve, some– I don’t know what he did. But you can’t trust that he’s got people like Harrington on his side by honest means. He’s a liar. And I’m sorry, Mr. Munson, I know people respect you in this town and for good reason, but you’ve gotta admit, your family’s track record, it doesn’t look good.”
More mutters. Eddie’s hands have tightened into fists such that his fingernails are digging into his palms, bright crescents of pain. Grounding nothing, offering him no distraction. Steve’s working his jaw, staring out the window, saying, “I should go out there, I should–”
“Absolutely not,” the driver says, as someone new walks past his window. Coming from the SUV stopped behind them.
Eddie sits up straighter. Workman’s overalls and hair still lank and stringy from time damp in the ruined plant — it’s Elmer. Elmer they saved. Elmer who saw.
(Elmer whom Eddie recognizes, now, recognizes for his name and the shape of his face, related somehow to Tommy C. and all the bullshit karmic consequences that follow.)
“Fuck,” Eddie says.
“What?” Steve returns urgently, Steve who doesn’t know that Elmer was watching when they kissed, Elmer whose voice will hold weight here, next to Wayne, supporting or diminishing Wayne, a worker with evidence or a worker with a grudge–
Elmer claps his hand on Wayne’s shoulder. “It’s true,” he says, in a voice that carries. The whispering quiets. “I was there. Eddie Munson rescued me too.”
Eddie’s ears are ringing. He can’t really hear the response. Only that suddenly Steve’s getting out of the car, tugging Eddie out after him, why is he doing that, doesn’t he know they’re going to get torn apart, doesn’t he–!
A hand on his wrist, raising his arm. So they’re literally tearing him apart, medieval torture style, dismemberment done manually, if only he could live to write this out in DnD–
“My nephew is a hero!”
That’s Wayne’s hand. Lifting his arm in celebration, jubilation. Pride. His uncle’s proud of him. And the roaring all around them, that isn’t the hounds baying for blood, that isn’t the mob gone old-fashioned — it’s cheering.
“You did good, kid,” Wayne says into his ear, undertone, as the crowd surges and the soldiers move to push them back. Jason’s still standing on top of the Ford, but he’s shuffling his feet, glancing about uncertainly. All momentum carried away from him in one sweep — the sweep of Wayne Munson and the thing the Department used as cover, as distraction, the thing Pete Seeger sang about as solidarity.
Solidarity.
It has a strange taste. Tastes like–
Not victory. Not when there’s so much fucking else going on. Not with soldiers and guns and Stinson walking towards them, lips pursed, hand hovering over her own gun in its holster. Not with her saying, “This is all extremely touching, and I’m glad we won’t have to fend off an angry mob from now on, but we need to get moving. And you came perilously close to breaking–”
“We didn’t say anything,” Steve says. “It was Mr. Munson. And he hasn’t signed anything yet, right?”
Her face, if possible, sours further. “Right.”
“Steve–” Eddie says, turning to him, hand grasping at his shoulder. At this point it’s a touch he needs; at this point, he doesn’t care who sees. “Samantha Stone. The third victim. Vecna’s not– he’s not stopping. Which means–”
“Nance,” Steve says. Funny how even a week ago it might have killed Eddie with jealousy to hear him say it like that, all soft and fractured, Nance. Funny how now Eddie’s about ready to say it just the same way.
Stinson clears her throat. “There have been developments with your friends. They’re at our base of operations, all of them, including Nancy Wheeler. So if we could get moving–”
Eddie swallows the panic down. Holds on to Steve’s shoulder. Ignores the way Wayne’s looking at them, if he’s looking at them at all, and nods. They get moving.
Chapter 63: The Staircase (Siouxsie and the Banshees)
Summary:
Glances over his shoulder to find Steve’s eyes on him, drawn after him, the way Eddie’s are usually drawn after Steve. He flushes under the look despite himself. There’s something like a veil, he’s realizing now, some strange screen he hadn’t noticed before that’s now being drawn incrementally back. A thing that blocked his view of Steve — not of who Steve is, tall and strong and soft-eyed — but of what Steve does, what Steve means. What Steve wants.
Notes:
warnings for internalised ableism and referenced period typical homophobia.
(See the end of the chapter for more notes.)
Chapter Text
FRIDAY MARCH 28TH, 1986
Stinson’s itching to talk to him, Eddie can just tell. As much as a person like Stinson ever itches for anything. They drive all the way up into the underground parking lot at the hospital, the place the ambulances usually go, which, the hospital’s a base that makes sense but also makes Eddie’s skin crawl. They always seem to end up at the hospital at one point or another when shit hits the fan. In the back of the SUV his leg is still pressed against Steve’s and he hasn’t talked to Wayne about it, and he won’t, won’t get the chance, not if Stinson has anything to say about it. Stinson, who looks at him meaningfully as they get out of the SUV. Soldiers all bustling around.
“Eddie, if I could–”
But then there’s somebody else. Somebody running full tilt towards them, grabbing for Steve, nearly pushing him over with the force of her hug. Robin. She hugs Eddie next, and her eyes are red-rimmed, face pale and taut with whatever the fuck’s happened now. “Thank fucking Christ, oh my god, you guys don’t even–”
“Robin,” Steve says. Gentle but firm. “What happened?’
She shakes her head. Wordless for once. Presses her fingers to her mouth, and there it is, a frail thin line behind her eyes, something threatening to snap. Guilt. “You’d better just–”
“Mr. Munson,” Stinson says.
Eddie rounds on her. “Are you– are you serious? C’mon, I’m in your fucking– base of operations, whatever, you know where I am. Can I just–”
“It’s Dustin,” Robin says. Steve goes very silent and still. Eddie feels a matching panic begin to rise, tips of his fingers up.
“What’s Dustin? What do you– what do you mean, Robin? What’s Dustin?”
“You’d better just–”
Eddie glares at Stinson so hard he’s almost surprised she doesn’t take a step back. Almost, because she’s a battle hardened FBI agent and what is he, exactly, just a scrawny 20 year old whose shoulder is beginning to ache again even as he faces another flood of adrenaline — it’s Dustin — and he can’t do anything if she wants to force him to talk to her, that’s what these people do, they cuff you to tables and they threaten you into doing what they say.
But Stinson shakes her head, like giving something up. “Fine. Go with your friends. But we’ll need to talk, and soon. There are things coming, Eddie. Those factions I talked about–”
He bites back something like you and your fucking factions. You and your fucking politics, you and your fucking money. Why we’re in this mess in the first place. He just takes this as the grace it is, and follows Steve and Robin — with a glance over his shoulder at Wayne, who nods him off — up a cold stairwell.
Into a brightly-lit, oppressive hospital hallway. How many of these has Eddie waited in? How many has Eddie turned himself away from, knowing there were things he couldn’t afford, things even that fragile safety net, the plant’s employee insurance plan, hard-won except not really because it was all just a diversion tactic, it was the Department messing in his life again, things even that safety net wouldn’t cover.
And so. Steve’s holding onto Robin’s hand this time, shoulders set and face dark with something that doesn’t really need words. Eddie tries to push his dread aside with the awareness that they’re in a hospital, not a morgue, and they couldn’t have known they’d lose a whole day in the steelworks but really, really, they should have known that something would happen anyway. Because something always does. And it’s worked out for them until now but now–
Now, it’s Dustin lying in a hospital bed, awake but wan but awake.
Eddie’s knees go weak. He doesn’t go any further into the room, just leans against the far wall, crosses his arms over his chest. He can’t smoke in here though he desperately wants to. Dustin’s got a bandage on his head, leg propped up in a cast, some inscrutable machine hooked up with a multitude of wires. Everybody already there, Lucas and Max and Mike and Erica, even, though Erica shouldn’t be around this, Erica shouldn’t have been around this the first time and that was Eddie and Steve’s mistake.
Like this is their mistake too.
“Hey, guys,” Dustin says. Voice comes out thin but forcefully cheery. “You missed all the fun.”
Nancy and Janie aren’t here, Eddie registers vaguely, something strange about the new compatibility of Janie with this fucked-up life of his now. Steve moves right to the bed and says, “What the fuck happened, man? Jesus, what did you–”
“We had a plan,” Lucas says, dropping his hand from where it’s covering his face. “We had a plan and it was going to work, if not for the fucking bats.”
“Bats?”
“Yeah. Fucking bats,” Max says venomously. “The gates were guarded. We never even made it a few feet.”
They’re all a little worse for wear, actually, now that Eddie’s really looking. Max has a long angry scrape across her cheek; Mike’s hand is wrapped in gauze; only Lucas looks undamaged, which doesn’t mean he is. Erica, thankfully, looks like maybe she wasn’t involved at all. She catches Eddie looking and tilts up her chin. “They made me stay behind,” she says, sounding peeved.
“Good,” Steve snaps. Eddie feels a rush of something inappropriately fond. “So what did you– I mean, this plan, what the fuck were you even–”
“Every time Vecna kills somebody, it opens a gate,” Mike says. “That’s what we worked out. He’s in the Upside Down, right? And we need to kill him, but we didn’t know how to get to him. But we reasoned there had to be a gate somewhere, that’s how it works, so we followed our compasses just like before, and they took us–”
“They took us to Fred Benson’s house,” Lucas finishes. “There’s still crime scene tape up.”
“And there was a gate,” Dustin says, painfully shifting to sit up in the hospital bed. “Which means the gates are connected to the killings. So we decided if we could go in there and scout out Vecna’s lair on that side, then maybe we could–”
“But there were these demon bats. They attacked us.”
“Hence,” Dustin says, of course he fucking says hence, it’s making Eddie’s chest all tight, and gestures to his supine form. “But I stand by the principle of the plan. We just needed a diversion of some kind as well.”
A diversion. “Fuck that,” Eddie says, voice coming out unexpectedly sour, and they all look at him in surprise. “This was– we should have fucking been here, Jesus. They always split up in– in horror movies, and we all know how that ends, and we still split up like we’ve got no awareness of genre at all, which is fucking stupid, because we all watch movies.”
“This isn’t a movie,” Robin says. “I wish we could just turn it off. Wind back the tape.”
“It would still play out the same,” Max says darkly. No one has much to say to that. It’s often Max with the pronouncements of doom; Eddie has a vertiginous moment of looking at her and wondering what Vecna would see, if Vecna went after her too. But then they’ve all got things, all of them in this room, all of them wake up with night sweats and terrors and fears of things lurking in the dark. Guilt about what they’ve done and what they haven’t. People they haven’t saved. It could be any of them; it could be anyone. It could be someone unrelated to all this entirely, like Samantha Stone, who only wanted to work on her portfolio in the corner of every classroom, listening to Siouxsie Sioux. Someone made special only by awful cosmic coincidence, accident. Bad luck.
“If we had a diversion–” Dustin tries again, and Steve shakes his head.
“No. Absolutely fucking not. Are you insane? You think we’re putting anybody else in danger right now? There’s–” He glances at Eddie. “There’s other stuff going on now. Stuff we gotta– we gotta think about. We have to plan what we’re gonna do carefully. We can’t just go marching out there and–”
“Well, obviously I’m not marching anywhere.”
“It’s a figure of goddamn speech, Henderson, you drive me up the–”
“Mr. Munson?”
Eddie grits his teeth. Stinson’s in the doorway. Arms folded over her chest, lips characteristically pressed together. Right, because she reasons he owes her something, some explanation to all of this, like–
“Wait,” Max says. “Can I– uh, can I talk to you first? Before you go anywhere?”
Eddie says, “Uh, sure.” With a further glare at Stinson, who’s bound to lose patience at some point, but hey, he doesn’t owe her shit, actually, because he saved a bunch of the lives she was so convinced were worthless, her and all her people, profit centers and nothing else, just assets. They’re not assets.
“Ten minutes,” Stinson says, voice hard, as Eddie follows Max out of the room. Glances over his shoulder to find Steve’s eyes on him, drawn after him, the way Eddie’s are usually drawn after Steve. He flushes under the look despite himself. There’s something like a veil, he’s realizing now, some strange screen he hadn’t noticed before that’s now being drawn incrementally back. A thing that blocked his view of Steve — not of who Steve is, tall and strong and soft-eyed — but of what Steve does, what Steve means. What Steve wants. He’s looking in Steve’s eyes and maybe, well, maybe he still doesn’t know what Steve wants but they kissed, they kissed again, and Steve said something like I think by now you probably know. So.
Max finds a utility closet, tugs Eddie into it behind her. Turns with something breathless in her throat and says, “I saw something.”
“What? You mean– did Vecna–”
“Yeah, Vecna, but not like that. You’re not getting it. This is why I didn’t want to say it in front of everybody else.”
“Why are you– why are you saying it to me?”
She rolls her eyes. “Seriously? You’re– c’mon, Eddie, Jesus, I go to Steve when I want food and sunscreen and somebody to bitch about my love life to, but Steve doesn’t live in the trailer park.”
He rubs a hand over his forehead. The space is tight, cramped, corners drawing in. Not helping his headache or his heart rate. Plus he’s still damp, grimy, cold from the plant and the chemical fucking lake. “Um, right.”
“Yeah. So. I saw something. Vecna showed me something. But it wasn’t like everything the others have been seeing, it wasn’t a clock or anything like Nancy saw. He showed me stuff about– about himself, I guess, like taunting me. There was this–” She shudders. Her face is pale, drawn. “I just had this sense the whole time like he was saying, this could be you. You’re lucky I’m not choosing you. He showed me– he showed me Billy, Nancy killing Billy, and then I– I don’t know. I think he’s just gloating. Because he thinks he’s going to win.”
“Win?”
“He’s not just a monster. He’s– he was this kid, Henry Creel. You know how it was all based at the Creel house? How it was– everybody thought it was Victor Creel, and Victor Creel wound up in the asylum claiming it was a demon? It wasn’t a demon. It was the kid. Henry Creel.”
The headache intensifies. Eddie wonders on an idle level what his uncle would make of this, of the centerpiece of the disaster being nothing more than a rich kid from the posh side of town.
“And he had these– powers. He’d use them to hurt things, animals, people’s pets. He’d make his family see things, hallucinate, you know the way–”
He thinks of Icex. “Yeah. I know.”
“And then when they tried to do something about it, his mom, I mean, she knew there was something wrong with him from the start– he killed them. And he framed his father. Only there was somebody who knew about this. Somebody who wanted to harness those powers for his fucking country.”
Teller: You didn’t think it was about honest scientific exploration, did you? “The Department. Brenner.”
“Yeah. Brenner. Vecna is 001, Eddie. He’s like El. He’s the– he’s the fucking original. I don’t think we can do this without El.”
“That explains why Stinson was so happy we let them find her,” Eddie mutters, half to himself, but Max sharpens.
“Yeah, Nancy mentioned something about El, but what–”
“They’re giving her her powers back, I guess, I don’t know. But they only found her because of us. Because we– because we called. We had to try. To check. To see that they were–”
“They found her because of you,” Max says faintly. “Is that what you’re– is that what you’re saying?”
Eddie swallows, dry. “I think so. I don’t know. That’s what Stinson implied, but Stinson– Stinson’s a liar. Still. Murray warned us, told us it was dangerous, but– and I just– I can’t help but think, if something goes wrong, if we’d just stuck to the plan-”
“It was a stupid ass plan.”
He looks at her, startled. “What?”
“It was stupid. Everyone separating, us not knowing where they went. I mean– yeah, I’m saying this because I miss El. Will, too, and Jonathan, hell, I even miss Hopper and Joyce. I kind of needed them to be around, if only to reassure myself I wasn’t going crazy, that– that Billy died because he– because he needed to die. Because there was no choice. And no one else knows about that, everybody talks about the accident and only we know it wasn’t an accident, and I have to cling to that, that– that it wasn’t an accident. That there was no choice. And with them around–” She shakes her head. “But that’s not why it was a stupid idea. It’s just– when has it ever fucking helped, y’know? Being apart from each other?”
“Yeah. I guess. That doesn’t–”
“Yeah, it doesn’t mean we’re not totally fucked if the government, like, locks El up forever and doesn’t let her out. Will, too, I mean, weren’t the Russians interested in him? Isn’t there–”
“God, I don’t want to hear about that,” Eddie says, groans, though he’s the one who found the photo of Will in the Russian lair in the first place. “Fuck.”
“But if they’re getting her powers back– I mean, shit, I think we’re going to need her. Because Vecna showed me– he showed me something else. His plan, or whatever.”
“His plan? Why would he show you–”
“I told you. Gloating. Because he thinks he’s going to win. And there’s something– I don’t know, some reason he’s not coming for me, I can’t work out what it is. Maybe because I’m–” She shrugs. “I’ve been doing okay, y’know. Better than I thought maybe I should be, people asking me how I’m doing, mainly I just can’t look Nancy in the eye. I talk to Lucas and I graduated counselling, whatever the fuck. So maybe he’s not coming for me because of that. But he wanted to fuck with me anyway. But his plan– four deaths. That’s his plan. One more person dies and it opens another gate, he needs– he needs four. And then those gates will, like, join up, make one huge gate like a– like a mouth, and out of that gate he’s gonna send these– he’s gonna send everything. It’s like war.”
War. Where’s Eddie heard that one before? He pinches the bridge of his nose, incapable of receiving anything more to panic him; he’s all full up. “Well– shit. Okay. You really– you need to tell the others about this. Just– talk to them, and we can come up with a plan. A plan that doesn’t, uh doesn’t involve bait or diversions or– or getting anybody else injured or maimed.”
“Dustin isn’t maimed.”
“Let’s keep it that way, huh?”
Max scowls performatively, then the look drops away into quiet, terse tension. “Eddie–”
“Yeah?”
“What if this is it? What if we don’t– what if we don’t get out of this one?”
Endgame; final boss; Eddie can think of multiple narrative conceits. Max as the final girl. He says, “This isn’t a movie, like Robin said, y’know? Which means, yeah, we’re not guaranteed a happy ending. But it also means we’re not in a tragedy or a slasher either. Like– we can just try. See what fucking happens.”
He’s not sure if he believes this; but she nods. Unbelievably brightens a little bit. “Okay. Do you need to–”
“Yeah, I need to go talk to Stinson now. Tell the others, okay?”
“Yeah. I will.”
She pulls him into a hug, tucking her head into the join of his good shoulder, and he tries to breathe in a steadier rhythm. Tries to take things as they come.
SATURDAY MARCH 29TH, 1986
When he comes out of the office, Stinson walking behind him with everything in her drawn tight like a bowstring, it’s a wonder she doesn’t snap, Wayne is waiting in the hallway. Sitting on one of those hospital chairs with his elbows propped on his knees, head slung low. He lifts it when Eddie approaches, offers a wan smile. “Hey, kid.”
“Hey,” Eddie says. He’s warm now at least. Kitted out in spare fatigues, of all things, spare army boots too. They chafe and hang awkwardly around him, too skinny and unathletic, like the extra fabric doesn’t know what to do with all the room it’s got, but hey. At least now he doesn’t smell like mildew and chemical rot.
Wayne, also in spare clothes that look like they fit him just a little better, eyes Stinson, standing with her arms folded. “You talked to– you talked to this lady about everything?”
“Yeah.”
Stinson clears her throat. “Mr. Munson, we’re granting you a certain security clearance on a need to know basis. That means–”
“Not sure I really care what the fuck it means. Something’s been goin’ on in this town for a long time now, and my nephew’s been mixed up in it from the start, right? So I reckon I’m entitled to know.”
“You’re not entitled to know anything. Under the laws for classified information–”
“Laws. Like you give a shit. Like those laws ain’t designed to–”
“Those laws–”
“Please,” Eddie says. “Can we not argue about– about politics right now. Especially given this lady has the power to lock us in jail and– and throw away the key. Right? Wayne, Stinson’s the one who sprung me when they arrested me for Chrissy. So.”
Wayne shakes his head. “Yeah. But these people, Eddie-”
“Oh, believe me, I know about these people. Believe me. I just–”
“I’ll leave you to explain things to your uncle, shall I?” Stinson says, with a tight, cold smile. “You know what you can and can’t say, I trust.”
Eddie knows, but doesn’t really give a damn. Need to know is essentially carte blanche and boy is there a lot of fucking blank paper. He digs through his pockets and finds his Camels, mercifully dry. The ache in his shoulder is waxing and waning and the headache’s settled somewhere in the vicinity of his left eye socket. Which, headaches are a symptom, right? And maybe his immunity down there beneath the plant was just that, some umbrella effect of Vecna, not allowing him to be taken before his time–
He lights a cigarette and tries not to think about it. He told Stinson the minimum he could get away with. That he and Steve had walked in there, drawn by some invisible force to that lake where reality dripped from the walls as mutable as water — he and Steve walked in there, and each saw something, a vision. He hasn’t asked Steve what he saw and Steve, by that glazed, hypnotized look, might not want to tell. Eddie told Stinson his own vision was about his dad, the truth, in the barest of terms. He said he woke up somehow and managed to get Steve to safety. He could feel it coming for him, it wasn’t like he was doing direct psychic battle with Vecna or whatever the fuck they’d like him to do, judging by the way she’d fidgeted with her fingers, looked at him searchingly, leaning over the desk. Because he’s only ordinary. And whatever this is, hell– (he said) I’m on fucking Ludiomil, maybe that’s it. It makes me feel weird sometimes, like I’m distant from myself, so maybe that’s it. Vecna just couldn’t quite reach me the way he could reach everybody else.
At which Stinson nodded seriously, and wrote down the name of the drug, and what dose he’s on, and all these things like she’s considering making of all things a fucking vaccine to Vecna, an antidote based on Eddie’s half truths and occasional lies. The lie being he forgot to take it this morning. Thursday morning. And a whole day passed in there besides.
Which could also be the source of the headache.
“You gonna tell me, then?” Wayne says. Reaching his fingers out — Eddie gives him a cigarette. They smoke in silence for a moment, facing each other in the hallway.
Then Eddie takes a deep breath. “You, uh, you remember a guy called Tommy Coe? And the time Will Byers went missing in the woods?”
Wayne’s brows crease together. “Yeah. Why? What’ve they got to do with each other?”
“Well–”
And there it is, the sorry tale. Laid out under glaring hospital fluorescents and the smell of antiseptic and the bustle of military command ongoing just beyond the next set of doors. There it is. And Wayne reels back against the wall as Eddie talks, passing his hand over his face, whistling, letting out little my fuckin’ gods whenever the moment calls for it. Eddie, when it’s over, sags back himself and treats himself to a third cigarette.
“Eddie–”
There’s a lump in his throat, which is dry from talking so long. He exhales smoke. “Yeah? Gonna– gonna tell me what I coulda done differently? What I coulda– you gonna tell me I should’ve told you earlier? Sooner? Because I know that. I should’ve told you the first fucking time, the first fucking time I saw the demogorgon in the woods and I thought I was just tripping, because I was, I was tripping, and it meant I didn’t believe it. I didn’t believe myself. And I– I still don’t, really, and you warned me about the drugs, and you warned me about people like Tommy C. too, and now here I am with Steve–” He waves a trembling hand in the vicinity of Dustin’s hospital room, where he’s sure Steve is now, still kneeling beside Dustin’s bed with a gentle look and a gentle way of being, that’s where he is, while Eddie’s out here. “And you warned me about my mom, too. That it would only make me feel more insane, which, you didn’t, uh, you didn’t say that, but you were right. I do feel insane. More insane, somehow, because everybody’s been telling me that I’m not important here and the Lab didn’t do anything and that’s why we were allowed to live in whatever shitty peace we could find in– in Ohio, in Buffalo, me with my dad, me with you in the trailer park– they let us do that. The same way they let you cause trouble around town with the strike and shit, because it’s all a part of their fucking plan. But this– this isn’t. Y’know? Like, this–”
Wayne’s not saying anything, receiving all this with a stare that Eddie can’t read. Eddie waves his cigarette somewhat maniacally at his own head. Cuckoo motion.
“This is something else. This is– I don’t fucking know. What happened down there under Icex– I can’t explain it. I can’t. Because I’m not like El and I know that, I know that, and I’m not like Kali or this– this Henry Creel, Vecna, 001, whatever the fuck, I’m not like him either. But there’s– there’s something. Something about it, Wayne. It scares me. Because it’s just–” He takes a shuddering breath in. “It’s just another way I’m– not like the others. Y’know? And Robin, she’s been talking about– about fucking cosmic punishment, or some shit, and I never believed in god and I certainly don’t now, after all the Upside Down bullshit, there’s no reasonable god that would create monsters like that but then– I don’t know. I get to thinking–”
“Hey,” Wayne says, taking a step forward. “Hey, no. None of that shit, Eddie. Don’t go thinkin’ like that.”
“How can I–” Eddie’s voice cracks. “How can I not? I say all this shit to everybody and for some reason they– I don’t know, they listen to me. People come to me like they come to Steve, Max says she– she relates to me, or whatever that means, and I try to help but really I’m just out there in the fucking dark. I don’t know. I don’t know what this is.”
“Hey,” Wayne says again, and lays his hand on Eddie’s shoulder, and that’s all it takes. Eddie folds into him, chest heaving with the sobs he hasn’t cried in a while, actually, maybe it’s the Ludiomil, maybe it’s the Xanax. Maybe it’s that he hasn’t had the fucking time. He cries into Wayne’s shirt, which is grimy and smells like cigarettes and mildew but that’s okay, Eddie will take what he can get. Wayne strokes a soothing hand down his back, whispers soothing nothings into Eddie’s hair, and Eddie cries.
“Fuck,” he says, when he’s all out of tears. Eyes swollen and red. He steps back and rubs at them, realizes he’s let his cigarette burn down to a nub of ash. He flicks the ash into the ashtray by the chairs, the ones you sit in to wait for news, good or bad, except he’s past the point where news is good or bad, it’s just news. Always more fucking news.
Which is when, like he called her up, Janie clears her throat behind him.
He turns. Her eyes sharpen as she looks at him, takes in his puffy eyes, but he’s cried in front of her a lot of times before and even a few years and a whole different continent can’t erase that. She says, “Eddie, can I– can I talk to you?”
Eddie glances at Wayne. Wayne waves a hand. “I’ll be here, kid, go do what you gotta do.”
So Eddie follows Janie down the corridor. Hears himself saying, dull and dry, “You’re not kidnapping me right now, are you?”
“No,” Janie says, without much humor. “I talked to my handler, told him it’s gonna be trickier than he thought. Maybe he bought it, maybe he didn’t. I gotta say, Eddie, I can only stall him for so long–”
If what Max saw is true, if Vecna’s got a master plan and some irascible power to execute it, then the handler won’t have long to wait at all. He knows, idly, that Russia won’t do anything to help but they won’t do anything to hinder either. They’ll watch as America, all the impulses of America drawn into a few sharp points directed to oppose each other, collapses right here in Roane county. Strange that he can know these things and yet hold limitless uncertainty about others. “What did you want to–”
“They’re helping me out. Nancy, Robin. Which is weird, I mean, Nancy Wheeler? That’s fucking crazy, Eddie, do you realize how crazy that is? Not to mention Steve–”
His face goes hot. He resolutely ignores this and says, “Do they have a plan? I mean, the guy to talk to is Murray, probably, but he’s– he’s probably disconnected his fucking phone again. Unless Patrick’s in charge. Patrick might be–”
“Patrick?”
“Patrick McKinney.”
“No fucking way.” Janie looks at him for a long moment. They’ve come to another bank of chairs and now they’re sitting side by side, her chin propped on her elbow. “How have you been, though?”
He blinks. “That’s what you–”
“Well, apparently we’re all just fucking waiting, so. I thought I’d get to know you a bit again, before I get sent back off to Russia to watch my father get murdered, or else get murdered myself over here. How are you doing?”
He can’t help it; he laughs. “Shit. I’m doing shit, man, thanks for asking. Yeah.”
“Shit how?”
“I’m medicated now. You could call that a good thing, I guess, only I don’t know if it’s helping. It’s easier to think but also, uh, also harder? If that makes sense. And then, I mean, the trailer park, it’s the trailer park. Wayne’s job, which turns out to be just a fucking conspiracy just like everything else in this town, like the mall, like Steve’s dad–”
“Steve again,” she says, quiet, neutral.
“Yeah. Steve.”
“Huh.”
“Okay, Janie, just ask me what you– ask me what you want to ask me.”
She shifts in her chair, drops her hands between her knees, spread wide. “Okay. You asked for it. What the fuck is the deal? Because– I mean, mooning at him doesn’t fucking cut it, it doesn’t even come close. You look at Steve fucking Harrington like he’s your own personal hero. Like he’s– I mean, I’ve never seen you like that. Not with Martin and not with Tommy C. either, though Tommy C. was always bad fucking news, I could tell that from the start. No, you’re looking at Steve like– did you turn Steve Harrington? Is Steve Harrington your boyfriend now?”
“No.”
“No– no what. No you didn’t turn him, or no he isn’t your boyfriend?”
Eddie pushes a hand through his hair. “He’s– Janie, I don’t know. I don’t know what he is.”
“So you did turn him.”
“I’m not a fucking vampire.”
She smiles, honest-to-god smiles, and he finds himself smiling too. She says, “Okay. But please, man, I mean, I’ve been sitting in literal Siberia reading shitty propaganda and talking in broken Russian to soldiers’ wives, the least you can do is give me some real gay drama to take back with me to the snow and the ice.”
“You’re not gonna go back to Russia, Janie, I’m not gonna let that–”
“Eddie.”
He huffs out a breath. “Yeah. Okay. Me and Steve. I guess– he’s been involved in the thing from the very beginning. Like– he’s saved my life. More than once. And we look out for each other. And he came with me last year when I was trying to find my– my mom.”
“You found your mom?”
“Yeah. She was– fuck, man, she was cool. But it was weird. And she’s a mess, and it made me feel like a mess, like, you know the wires-crossed thing? And she’s gay too.”
“Wait, fuck. Seriously?”
“Yeah. Seriously. And Steve came with me, and we shared the driving and listened to music and stayed in motels like a– y’know, like a real road movie. And then after we saw my mom, it kinda– it fucked me up. Even though she’s cool. So we got drunk together, me and Steve, we drank screwdrivers on the floor of our motel room and then– we kissed. I kissed him. He kissed me. I don’t know, actually. I remember some of it but not everything.”
“You kissed Steve Harrington.”
“Yeah. I guess I–” Eddie rubs the back of his neck. Further heat coming into his face. “I did. More than once.”
“More than–?”
“I guess we’re– I don’t know what we’re doing. We haven’t talked about it. Like, we talked about it last year, and it became this whole thing of, like, because of–” Eddie waves a hand at everything. “I guess we both thought it was too complicated. It would get too complicated. Because being gay here, Janie, I mean– all the shit with the gates and the mall and the monsters, sometimes you take that shit personally. Y’know Victor died?”
“What?” Her hand comes up to cover her mouth. “Fuck, man, I didn’t–”
“Yeah. I found out a while after it happened. And it just made me think– I don’t know. There’s the virus, and the government not doing shit to help with that, and then there’s all this bullshit, which is the government’s fault, and this whole country — this whole world, maybe — it’s just– it’s just, like, what the fuck are we doing? Really?”
Her gaze goes unfocused. “Yeah.”
“But I guess I just– I don’t know. This, uh, this thing with Steve, it seems to be happening anyway. So. It just feels– right. It feels fucking right, and I don’t have the energy to worry about it right now. It’s making all this feel easier. He makes it feel easier.”
She puts her hand on his knee. She’s never been one to touch him much, and he always took what he could get, just the way he takes this, now, and puts his hand over hers. “I’m happy for you,” she says, a phrase that would sound corny from anybody else’s lips but from hers, hell, he gets the sense she means it. “Even if it is– I cannot believe I’m saying this. Steve Harrington. You remember that time we kissed to get him and Tommy H. and Carol to leave us our smoking spot?”
“Yep. How could I forget?”
“God. The way our lives look now–”
“Back then, we’d have laughed our future selves right out of the door.”
“Steve Harrington and Nancy Wheeler. Fuck.” Janie shakes her head, then pulls her hand away. Smile only now fading from her face. “Speaking of, I think Nancy has a plan.”
Chapter 64: Running Up That Hill (Kate Bush)
Summary:
“If you say some shit like life isn’t fair, well, I know it isn’t fair, and I know– I know who I am, too, if you’re going to go down that road, and there’s this thing Robin’s been saying, about– about taking it personally somehow, like this is– on us somehow, which– how does that even work? If this is on us but also we can’t do anything about it.”
“On us,” Eddie repeats softly. “What do you mean?”
Notes:
warnings for referenced homophobia, internalised and otherwise, and ableism.
(See the end of the chapter for more notes.)
Chapter Text
SATURDAY MARCH 29TH, 1986
Nancy has a plan. Well, Eddie doesn’t like her fucking plan. Janie talks him through it like it makes eminent sense, and Eddie–
“No. Absolutely fucking not. No. Are you serious? Like–”
“We have to do something. Nancy has to do something. She’s adamant about this, man, and you know we have to do something. Like, I don’t even understand half of what’s happening here and even I get that. That we gotta do something. People are gonna keep on being targeted by this– whoever the fuck it is, and people are gonna keep on dying, and with what your friend Mayfield said about– did she really have a vision?”
“The visions are the least of it.”
“Well, yeah. So that’s why. We’ve gotta stop that– mega gate happening, or whatever the fuck. We’ve gotta do something and Nancy thinks–”
“You and Nancy, you’re, uh, you’re getting on well,” Eddie says, snide.
“Don’t fucking start that shit with me.”
He runs a hand through his hair, passes it down his face. “You’ve gotta be kidding me, though, I mean– you know how batshit Steve’s gonna go when he hears about this?”
This. This, meaning Nancy’s foolproof, foolhardy fucking plan: to offer herself up as bait. To stand there and take her headphones off, switch Patti Smith to silent, discard all defenses and open her arms and say Vecna, here I am, come fucking get me. While the soldiers go in through the gate and blowtorch Vecna to oblivion.
“That’s why I’m talking to you first,” Janie says, like this is obvious.
“Fuck. Because you think I can– I’m not convincing Steve of anything, Janie, because I don’t think this is a good fucking idea. When Vecna kills Nancy–”
“He won’t.”
“Oh, because now you have so much faith in the US fucking military? In the government, the Department? They don’t give a shit about Nancy’s safety. They only care about their bottom line and really I don’t think it’s in their interests to– to eliminate this threat. Because Vecna is 001. Vecna started this whole thing, he’s the– the root of the whole program, and now–”
“That’s where the Russians come in.”
“That’s where the– what?”
She shifts forward, looking at him intently. “I can leverage the Russians. Because think about it. If they knew the Russians were watching, just waiting for everything to collapse right here, for the whole American project to just–” She mimes an explosion with her hands. “Nobody wants a war, exactly, but there’s opportunity on the horizon. The Russians can smell opportunity. Weakness. And so if the Department doesn’t deal with this shit right now, before it all blows up and the Russians get involved–”
“What happened to–” He shakes his head. Mind spinning. “What happened to them killing you if they knew you were here to spy?”
“That’s why I’m not the one talking to them right now.”
“Right now?”
For the first time, the coolly confident veneer drops. Something even a little like guilt comes into her face. “Yeah. Nancy’s talking to Stinson right now.”
“So–” He moves in his chair, pulls back a little bit. Stung. “That’s why you’re talking to me. So I wouldn’t have the chance to– to intervene with Stinson. To stop this.”
“Nancy thought you might try.”
“Because this is fucking insane!” His voice has risen against his will; it takes effort to pull it back down. “Janie– this is fucking– this isn’t gonna work. This is only gonna get you and her in more danger. Why would you even– what about your dad?”
She pinches her lips together. “If I die here because we didn’t– because we didn’t do anything to stop what’s about to happen, the shit with the super gates and the other dimension and all that shit that I even– I don’t know, I didn’t suspect it, I couldn’t ever have imagined it, but there was always something. I always knew there was something. If I die here, man, then they’re gonna kill my dad anyway. And if we’ve fixed it then I can tell the Russians what happened and it won’t even matter, because there won’t be anything for them– anything for them to exploit. It will be over. Don’t you want it to be over?”
He grits his teeth. The words ring hollow in his head. “Yeah. I want it to be over. But, Janie, I mean– shit doesn’t just happen. Like, there’s sacrifice in the movies, there’s heroism, there’s being the last girl fucking standing but– I’m really trying here. I’m trying to stop turning this shit into my own personal DnD campaign. Sometimes–”
“Sometimes what, Eddie? Sometimes what? Because we’ve been off the map of ordinary for a long fucking time. You know what it’s like in Siberia? You know how boring it is? How cold it is? It’s just– yeah. And I’m not saying I’m on board with this because I’m bored but I’m also– I’m not going to deny that I’m a person who can do something, right here and right now, the same way Nancy is. The same way Nancy knows herself to be. Because she’s not giving up. And I’m not either. So what are you going to do?”
“Janie–”
She’s looking at him furiously. Utterly different from how she was before but also the same, because Siberia likely changes someone, but not that much. She’s still the girl who talked him through his first panic attack on the floor of her bedroom; she’s still the girl who watched him across rooms and for some reason, a reason he still doesn’t understand, wanted him to be hers. And now he isn’t hers and she’s moved far beyond that frame and it’s not contempt he reads in her eyes, exactly, but it’s a strange thing like sadness. Close to sorrow. Maybe pity.
“Fuck, Janie, I can’t stop this, can I?”
She shakes her head. “I don’t think so. Because, like you said, the government doesn’t give a shit about Nancy. They’re not gonna blink at offering her up as bait. Which means the wheels for this are already in motion, you just gotta get on this train.”
He doesn’t want to get on this train. He wants to stay on the platform, watching as it treks away off west, left behind to go someplace else, a train going to a different destination, but, fuck, he doesn’t really know how trains work. Indiana is the land of stolen cars and Greyhounds. Likely he’d be stuck waiting in the dust forever.
“Janie–”
“Eddie,” someone says, and he turns. It’s Nancy. Coming down the hallway with Stinson by her shoulder, a couple more military-looking guys behind them. A determined set to her jaw, but, hell, when isn’t there a certain set to her jaw? When doesn’t she look like this — like an avenging angel, like a crusading knight, like a person on a mission, even when that mission leads her nowhere good?
“Nance–” He starts, and his voice is drawn out, thin. “Would you ask Patrick to do this? Would you ask– because you can’t–”
“I’m not asking anybody to do it,” she says. “It’s me. It’s my choice. I knew you wouldn’t be on board with this, and Steve–”
“Have you told him?”
“Dustin has, probably.”
“Dustin? So the others are–”
She lifts one shoulder, a shrug. “There are mixed feelings. We all agree it needs to be over. Max–”
He watches her eyes tighten on the name. He says, “Max?”
“I talked to Max. She agrees we need to do something. Robin does too. And I’m going to be fine, because they’re going to kill Vecna, and Robin’s going to be with me the whole time just in case–”
“You can’t– you can’t just say it’s gonna be fine. That you’re gonna be fine. What if–”
“Eddie,” she says, her voice firm. “I’m doing this. It’s happening. I just wanted to–”
Even she can’t say it: say goodbye. Because it’s true, because it’s what’s happening, what’s going to happen, Nancy thrown forever beyond the frame of the world and that world broken apart because of it? Or because Nancy’s just not the kind to say goodbyes? He remembers her writing her will at Murray’s kitchen table. He wonders what it says.
He swallows painfully and gets to his feet. Meets her in the middle and folds her into a hug, feels her slight and trembling ever so slightly in his arms. She smells indelibly like a floral, girlish perfume. At odds with the guys with guns, the set to her shoulders as she steps back, gives him a resolute smile. “Look after Steve, okay? Just until I get back.”
Something loaded in her voice there, like she knows, which, she probably doesn’t know, but somehow it comforts him to imagine that she does. And then he watches her walk off down the hallway with the soldiers, and Stinson beckons to Janie, even though they’re not supposed to know about Janie, isn’t Eddie supposed to be protecting Janie?
And Stinson beckons to Janie, and Janie goes. So.
Eddie wanders away like in a dream. Feels himself to be tripping over something, though there’s nothing there, just like the hallways have tilted into strange angles and rises, hills, a new topography — which makes him smile darkly, bitterly, because nothing new has been showcased in the last hour of his life, hell, the last couple of years. What has he learned that he didn’t already know? Or should have known, if he wasn’t walking around with some wilful blindfold on, attributing misfortune to his father and his own fucked-up cognition, ignoring and neglecting the real thing, the real deal, the looming hand of an uncaring state and a world designed to make people like Nancy tilt their chins up and say Okay, I’m not worth saving, not at the cost of everybody else.
And he doesn’t know anything about worth. And Steve’s going to lose his fucking mind.
Eddie finds himself in the hospital cafeteria, which is empty, ghostly, haunted-feeling. It’s some indiscernible hour of the early morning and there’s still a sanitized smell stuck in his nose. There are a lot of people he could and should be talking to, probably, but right now the silence holds a hum that whines in his ears and makes his fingers tremble, lighting a cigarette, though his lungs ache. No one has looked at his shoulder and he can’t say it’s stopped hurting, exactly, more that he’s integrated that feeling into all the others.
He sits in a chair and smokes. Pushes his forehead into his hand. Reasons out the places of everybody around — tries to imagine that the hospital’s a map, a DnD tabletop, an organized scheme he can hold behind his screen and manipulate at will. Nancy, gone with the soldiers. Janie too. Robin involved somehow, Robin and Max both, which means–
Eddie can’t think about what it means. Dustin still in his hospital bed, Steve probably with him. Lucas and Mike, what’s Mike’s stance on all this shit? How does Mike feel about his sister taking her life in two hands, open, palms raised, here, take it, I’m giving it to you, just take it–
Erica. Erica still too fucking young to conceptualize any of what’s going on in the way kids have, like, she will be and has been traumatized by everything they put her through but also it isn’t three dimensional to her, not yet. When you’re a kid life just occurs around you. And he’d say he misses that, only he feels it still, sometimes, life occurring around him, frowning at him with moral and narrative weight.
He misses Gareth and Jeff. Which is a strange thought, born out of nowhere, though it’s true, he does miss Gareth and Jeff. He misses holding court at their regular cafeteria table, misses picking out a scorching note on Narsil, which, she’s lying neglected in the trailer even now, easy prey to be vandalized when Jason Carver can’t handle the turn of the mob’s tide any longer. He even misses Aaron, though Aaron likely doesn’t miss him, but it isn’t Aaron’s fault he arrived right on the heels of Janie being gone and Eddie being gone in a different way, sort of mentally gone, vacant and checked-out.
Is he here now? Is he checked-in? Is there any such thing, when all things occur with or without him and he’s less dungeon master or even player than disintegrated observer, little better than wind?
“Eddie?”
He lifts his head, hidden in his hands with the cigarette drooping. It’s Steve and it somehow surprises him that it’s Steve. “Steve.”
Steve pulls the other chair out with a dull scrape of linoleum, makes him wince. “Are you–”
“Don’t fucking ask me if I’m okay, man, because you’re– I mean, you’ve heard, right?”
Steve digs his fingertips into his eyes; when he lowers them, it’s like pulling away a mask, and the customary hysteria reveals itself. He’s in borrowed fatigues too. “Yeah, I’ve fucking heard. They told me like it was– like it was a done deal, like it wasn’t even– like we don’t have any say in any of this. Like I don’t have any say. Which is just– like, is this fucking crazy? This is fucking crazy. That’s– someone said that’s the definition of it, of crazy, doing the same thing over again and expecting a different result. But I have to believe there’s going to be a different result if they’re doing this, if they’re– but they can’t do this. We have to stop them from doing this.”
“Steve, I tried. She’s already with Stinson. And Janie– I mean, she was distracting me, stopping me from– I tried. I don’t think there’s anything we can do.”
“That isn’t fucking fair.”
“Steve–”
“If you say some shit like life isn’t fair, well, I know it isn’t fair, and I know– I know who I am, too, if you’re going to go down that road, and there’s this thing Robin’s been saying, about– about taking it personally somehow, like this is– on us somehow, which– how does that even work? If this is on us but also we can’t do anything about it.”
“On us,” Eddie repeats softly. “What do you mean?”
“I mean–” Steve glances up, around the cafeteria, like checking that they’re not overheard, or else checking they’re not going to be interrupted, which is a feeling Eddie has some sympathy with, being that they do always seem to get interrupted. Feels impossible when no one barges in and no one cuts Steve off as he says, “With– you. Not just you. But you’re the– I guess the reason for it, the reason it started. I mean, I had– thoughts before, y’know, but I told myself they were just–”
“Thoughts about–”
“Thoughts about– guys. Y’know. I’d be– like, in the locker rooms, and shit, and people like the Tommys would just walk around completely naked, dicks hanging out, I mean, we all did, right? But there was just this whole– most of the guys seemed to know where to look. It just made me panicky for some reason. But I wouldn’t think about it.”
Eddie risks meeting his eyes. The terror’s transmuting into some sort of compulsive confession, which, maybe it’s not the time but Eddie’s not gonna stop this roll. He waits.
“But now– now I’m thinking about it, right, now I’m– I’ve been thinking about it for fucking years, now, Eddie, since before the motel in Ashtabula. And I guess I’m just– I don’t know. I realized shit about myself because of you and it scared me, it scares me, and when Robin says–”
“Robin’s not– I keep saying shit to people I don’t exactly believe. I guess, uh, I don’t know. I don’t practice what I preach. But I’m gonna say it anyway, Steve, that this isn’t– Robin’s wrong. About punishment. Because god knows I’m fucked up enough and I’ve fucked up enough but the gay thing–”
“The gay thing,” Steve repeats, almost experimentally. “Yeah. The gay thing.”
“So you’re–” Eddie stops. Hesitates. “Are you–?”
“Robin tells me there’s a word for it. Y’know. Bisexual? That. I think I’m that.”
“God, why the fuck we’re having this conversation right now–”
Steve’s face breaks into some kind of painful smile. “I know. Yeah. I know.”
“So you– you told Robin?”
“I told Robin. I told Robin a while back, actually, right after we– y’know, after we made out. The motel. I haven’t told anyone else. And is it– it’s fucked that I’m thinking about this right now, as well, right? With Nancy– but I’m thinking about Nancy. About what she’d think about this.”
“Nancy’d-” Eddie halts again. He can’t make any statements or predictions about Nancy, Nancy being somebody who defies description and lives somewhere utterly beyond it but also Nancy being a person alive still, a person who needs help. And them being helpless. “It’s not fucked. I mean, it is, the whole thing is fucked, but not– not you. Not this. Steve–”
“All the shit I said. Y’know, last year, when Jonathan and Hopper and everybody were leaving. About– about it being too complicated. And– being soldiers. I just–”
“Steve,” Eddie says again. “You don’t have to– there’s timing and there’s timing. Really. Can we just–”
Steve colors. Ducks his head. “I told you it was fucked. I guess I’ve just got this– this thing in my head, where– everything that happened with Nancy, with Nancy and with Barb Holland in ‘83, with Barb dying in my pool– I just– and I didn’t listen to Nancy. I fucked things up. And I kept on fucking things up all that year. Because it’s– it’s all tied together? Like– this shit–” he waves a hand between them, like that covers it “–and the Upside Down shit. And I feel like I’m always doing the wrong thing. Because you– god, everything that happened with you, it just feels like I– I couldn’t get it right. And now Nancy’s out there and I couldn’t stop her and I can’t protect her and I don’t know what I’m fucking doing, and my dad–”
Always his dad. Eddie can’t even pretend not to understand that, though they’re coming at it from different sides of a stratosphere. He says, “Yeah,” and puts his hand on the table. After a moment, a fragile moment, Steve takes his hand. Their fingers lace together. Steve has wide palms, callused in the way of a sportsman, a batter. Warm and dry. Eddie traces idle circles on the back of his hand with a thumb, feels it as the tension seeps out of Steve’s body, feels it as something like the eye of the storm with all hell breaking loose everywhere else.
“What can we do?” Steve whispers eventually. “Because– they’re right. We have to stop this. But I can’t let Nancy–”
“I don’t know.” Eddie puts his cigarette to his lips with his other hand; Steve reaches out for it on the exhale, and then they’re doing that practiced, unfairly intimate routine, Steve sharing his filter and saliva and smoke. That smoke blurs Steve’s face for a moment, curling gray-white haze; when it clears, there’s someone behind him, but it isn’t anybody who’s actually there.
Right? Because she can’t be there. She just can’t.
And yet–
And yet. El takes a step forward, running a nervous hand over newly (newly?) shaven hair. Looking at him with that wide-eyed innocence that’s never really been innocence, because she’s killed, she’s fought and she’s killed and when they say they’re trying to protect her it always comes out hollow and self-serving because she’s more than capable of protecting herself.
And yet. He remembers her writhing in pain on the floor of the mall, remembers the fractured confusion as Kali pushed her into revenge and Eddie, just the babysitter, just the getaway driver, couldn’t help but founder for words, say shit like just desserts that she only ended up repeating because what else did she know, other than what they told her?
“El?” he says, rising, fingers loosening around Steve’s.
Steve gets up too. Looks around, eyes blank, “Eddie, what are you–”
“Eddie,” El says. “You can– you can see me? I’ve been trying to– I thought–”
“You got your powers back?”
“Eddie,” Steve says again. “What the fuck is happening right now.”
“I might’ve completely lost my mind,” Eddie says, hardly looking away from El, whose hair is shaven, true, but she looks older than she ever did, more grown up. “Or else El’s standing right there talking to me in– I guess, in my head? Is that what’s happening?”
“Yes,” she says.
“She says yes, that’s what’s happening.”
“Holy fucking shit,” Steve says, scrubbing his hands over his face. Eddie’s acutely aware of how this must look. The same way his mom looked, eyes occasionally glancing up and to the right, past Eddie, like there was somebody else unseen and unheard in the room. “Holy–”
“Get him to stop,” El snaps, though not unkindly, just in that direct way she has, the way Eddie’s missed and hasn’t even realized he missed, all the little details of a person that make up the whole.
“She’s telling you to shut up.” This comes out somewhat wry. Steve looks at him disbelievingly — though not disbelievingly. He shrugs. Makes a face like, well, shit, this may as well happen too, and sits back down.
It’s somehow almost too much, that fragile admission of trust, it’s like some great web caught around Eddie’s heart and throat has just untangled itself, revealed itself to be the coil of one single long line. He shakes this feeling down and says to El, “Your powers, you–”
“I got them back. It was Dr. Owens and– and Dr. Brenner. They helped me.”
“Dr. Brenner,” he repeats. “Dr. Brenner who–”
“Yes. He– it was all for me. They created this place, in the desert. They showed up at the door and Hop wouldn’t let them in, he packed us up and tried to make us run away but then Dr. Owens said that you were all in danger and I said no, I said we couldn’t run. We had to help. And Hopper, he didn’t agree, he was– none of them did.”
He thinks of Nancy. Hard not to, really. Says, “But you went anyway.”
“I went anyway. And I learned– I learned awful things. About Henry Creel and about– about what happened before, at the Lab. Why there aren’t more test subjects, people like me. Henry killed them all.”
“Vecna.”
Not expecting her to understand; but she nods. Like maybe she’s been listening, that way she has with the blindfold and static. “Yes. Which is why I’m here, Eddie, you have to stop it.”
“Stop what?” he says, though he already knows.
“Nancy. You need to stop Nancy. Henry, he doesn’t– he doesn’t just kill. He consumes. He takes everything from his victims, everything they are, everything they will ever be.” She says this like rehearsing something, the words of somebody else. “You can’t let that happen to Nancy. And they can’t kill him, the soldiers. It won’t work. So you need to–”
“I tried to stop them. I– I tried. How do I stop them? How do I prove you’re even–”
“We were attacked.”
“What?”
“The base, Nina, it was– soldiers. Other soldiers. They wanted to kill me. Because they thought it was me, killing people in Hawkins. They thought I was Henry. Brenner is dead.”
Intimately familiar with the vagaries of that particular grief, he tries to reach out a hand to her, and his fingers pass through air. He can feel Steve watching but not really watching, trying to look like he’s not watching. Not reacting, either, which is a thing Eddie doesn’t know what to do with.
“Hopper, Joyce, Will, Jonathan, they all came to find me. Because they didn’t trust Owens. Because they thought I’d need help. So I escaped, we escaped together, but the soldiers, they know where I’m going. They know where to find me. In Hawkins.”
“You’re– you’re coming to Hawkins?”
She nods.
“And Owens, what– what happened to Owens?” Because he remembers, after all, the brown-red stain of Owens’s blood drying tacky in the back of his van.
“I don’t know. We left him there. We– I killed some of them. Most of them. I brought down their helicopter. But Eddie, there are more of them. And they’re coming.”
He thinks of Stinson’s pinched face, more pinched than usual? Like maybe she hasn’t heard from Owens in a while. And maybe, just maybe, that’s why all systems are go on a guy they’d previously considered an asset, not to be touched: maybe Stinson’s just a little bit sensible after all.
He says, “Okay. Fuck. Okay. Uh–”
“I can try to help Nancy. I can piggyback.”
“Piggyback?”
“I got into Mama’s head. I can– I can get into Nancy’s. And fight Henry from there. I fought him before, and I won. But I don’t know if this time–”
“Right. I’ll, uh, I’ll stop them. We’ll stop them,” with a glance back over his shoulder at Steve. “Before it gets to that point.”
She smiles, then, tremulous but earnest and wide. She’s always been able to carry some brightness that goes against everything else, exists and persists despite it all, and somehow he envies her that. “I’m glad I can talk to you.”
“Yeah, on that, I don’t fucking know how–”
She shrugs. “I don’t know how it works. Brenner might, but Brenner’s dead now.”
Brenner’s dead now. It’s final; it feels final somehow, like they’re approaching the end of the game. He wants to hug her but knows that he can’t. He settles for an answering smile, grim, and says, “You– you say hi to the others, okay? And– I mean, fucking hurry up, if you’re coming to Hawkins, because shit’s going down.”
“Shit’s going down,” she repeats seriously, and then she’s gone.
The air feels cold and empty, the cafeteria desaturated, less real. He reels, has to lean on the nearest table, brings a hand up to his nose but it isn’t bleeding, like maybe it isn’t a thing that actually happened, like maybe all of this is his fucked-up imagination and he’s well and truly cracked. Wouldn’t that be ironic?
Then Steve’s touching his elbow. “Eddie, man, you gotta talk to me about what the fuck just happened.”
“What just happened,” Eddie echoes. Sinks into Steve’s touch, lets Steve guide him into a chair, keeps his eyes on Steve’s as Steve drops into a crouch before him. “El’s in trouble, is what just happened. She told me. She also, uh, she also told me that we’re in a lot more trouble. Which all could be– like, my brain could just be– man, I mean, if it’s Vecna doing this–”
Steve searches his face. Brings his hand up to lay over Eddie’s again, which is nice. Warm. “I don’t know. I can’t help you with that, man, I mean– it’s no secret people think you’re-”
“People think I’m crazy.”
“But people think Joyce Byers is crazy too, and look what happened with her.”
“Right.” Eddie pinches the bridge of his nose. Flips his other hand to tangle their fingers together again. “My mom told me it was all in our heads. Like– not to lose sight of what’s real, but then when I called her she said I shouldn’t start second-guessing myself, that if I know– like I’m– and maybe I’m crazy. Maybe I’ve got whatever she’s got, but I don’t know what that is, what she’s got. I had the dreams, the fucked-up dreams that started this whole thing, and the photo from the Lab that sent us to Buffalo in the first place and then whatever the fuck happened back there at Icex–”
“Eddie.” Steve’s voice is wondrously steady. “If you believe yourself, then I believe you.”
Eddie shudders a breath. “I don’t fucking know, man, I don’t know.”
Steve’s grip tightens. “I know you when you don’t– when you don’t know something. I know you. And this isn’t– don’t just say that.”
Another deep breath in. Eddie tugs Steve closer, folds into an awkwardly layered embrace but he’s comforting, soft. Makes up for everything the way he always does. So Eddie says, whispers, into Steve’s shirt, “I think it’s real. I think we have to do something about it.”
They have to do something about it. Steve pulls back, puts his hands on either side of Eddie’s face. Thumbs just brushing his cheeks. Almost unbearably close — almost unspeakably tender. He says, “Okay. Then I believe you.”
He kisses Eddie, just lightly, briefly, because they’ve got to go. And then they go.
Chapter 65: Call Me (Blondie)
Summary:
Then Eddie guns the engine and they’re shooting off down the street towards the school, a thing that seems regressive and somehow bizarre, like moving backwards in the annals of time. There, Main Street and the Hawk marquee where Eddie came across Steve and roped him into it in the first place. Melvald’s, where Joyce used to work; the music store, where he and Jonathan and Robin shopped for Christmas presents. They cut across town and Eddie feels the strange urge to laugh.
Notes:
warnings for vague reference to the AIDS crisis, gun violence, referenced alcoholism, and internalised ableism.
(See the end of the chapter for more notes.)
Chapter Text
SATURDAY MARCH 29TH, 1986
Eddie lets Steve do the talking. He’s a charmer, after all, and when a put-together guy with John Harrington’s jawline betrays urgency and panic it puts the fear of God in a lot of people in this town, a power Eddie can’t ever hope to imitate simply because there’s a rightness to his own appearance of anxiety. It makes fucking sense.
Steve talks some agent into telling them where Stinson went. Radioing ahead, even, which the agent tries to do and then puts the radio down again, brow creasing, “Shit, I forgot about the radio blackout.”
Which has them looking at each other, nervous. Eddie wonders idly what the fuck Janie’s Soviet handler is doing right now. Then he follows Steve down the hallway and out, out into the early morning light, how the fuck is it morning? All blue-gray and chill, the sun peering bleak from behind shreds of cloud like proposing the idea of summer and Eddie wants to tell it don’t you fucking dare, not yet. They have to do this first.
The nearest gate is the school — Chrissy, snap — and it takes only a look from Steve for Eddie to tune into a different mode of being, the mode that has him jimmying the lock on the nearest car door and snatching the pair of pliers, pliers!, from Steve’s hand.
“Why the fuck do you have these?” he says, tearing the wires down from the dash and beginning to snip.
Steve, passenger seat: “Remembered you’re handy with them. Thought it might– might come in useful.”
“Jesus, I could kiss you right now.”
“No time,” Steve says, but he’s smiling. Then Eddie guns the engine and they’re shooting off down the street towards the school, a thing that seems regressive and somehow bizarre, like moving backwards in the annals of time. There, Main Street and the Hawk marquee where Eddie came across Steve and roped him into it in the first place. Melvald’s, where Joyce used to work; the music store, where he and Jonathan and Robin shopped for Christmas presents. They cut across town and Eddie feels the strange urge to laugh.
But he tamps the hysteria down and swings into the parking lot, anticipating but still shaken by the jolt of panic he gets standing there, the squat wide roof under which he watched a girl die and couldn’t do anything to stop it–
“Hey,” Steve says. “C’mon.”
Eddie takes a deep breath. Follows him across the asphalt. There are military trucks and long black sedans both, a cordon stretching across the parking lot to barricade off the entrance but at the sight of them, Steve and Eddie, the eyes of the guy manning it, with a long, brutal-looking gun in his hands, go wide.
“We have to talk to Stinson,” Steve says. “It’s– it’s life and death.”
“So is this, I’m told,” the guy says. “I got orders. I can’t let anybody in. Especially not civilians.”
“You’re about to be dealing with a lot worse than, uh, than civilians.” Eddie’s voice comes out breathless.
“What does that–”
“There’s something else coming. There’s other soldiers coming and they’re going to–”
It’s weak, narrowly delivered, but for some reason it makes the guy blanch, and Steve stops talking. “Fuck,” the soldier says. “Okay, I’ll take you in to Stinson.”
Down into the school. A different entrance from the one– the one where Eddie was smoking during the game. A week ago now that feels like a fucking age. They skirt around the gym side of the building and proceed down another hallway, past the place Eddie used to have homeroom, past Miss O’Donnell’s English classroom. He wonders idly if he’ll ever come back to school again.
He shares a glance with Steve. A glance that says: that was too easy. Because they’re wielding this thing like it’s going to save them, save Nancy, at least, but not anybody else. Enemy of my enemy is all well and good, but who’s the enemy? Who’s the friend?
It’s just some ordinary classroom they’re using as a base, it turns out, not that they’re allowed to go in and see what they’ve done with it — Eddie has a horrible imagining of Nancy drifting towards the ceiling in a loose circle of impassive, faceless white-coats — because the soldier stops them, raps on the door, hefts the gun in his hands like it’s getting heavy.
He says in an undertone to somebody, “Need to see Stinson.”
“Your orders–”
“It’s Sumter.”
A beat. The guy in the doorway looks at them, shadowy — they’ve turned the lights out overhead, or else the power’s out, or else it’s some other Vecna bullshit messing with the environment, driving them into fear and despair — and then withdraws. A few seconds later it’s Stinson, folding her arms over her chest, face white.
They walk a little way down the hallway together. The guy with the gun follows. “What is it?” she says. Urgent and maybe close to a little strained.
“There are soldiers coming. Here. They’re coming here.” Steve glances at Eddie, continues. “That other– y’know, other faction you talked about, people who were after El, well, she’s on her way here and that means they are too. And they might get here first.”
Stinson reaches into her pocket and takes out a packet of Marlboros. She lights one with slow, deliberate movements that seem to last an age but really it’s that Eddie’s pulse is going like a goddamn jackhammer. When she’s taken it out of her mouth, curling smoke towards the shitty foamboard ceiling, she says, “Fucking Sullivan. God fucking damn it.”
“Sullivan?”
“Criminal Investigation Command, in the U.S. Army. He’s taken it upon himself to designate Eleven a threat to national security. And, by extension, Hawkins, when he learns more about what’s going on here. Which it sounds like he has, or he will very shortly.”
Eddie says, “Brenner’s dead.”
Stinson’s lips pinch, a characteristic gesture, he’s learning. He can’t read it for displeased or simply unsettled. “And Owens?”
“I don’t know about Owens.”
“How do you know about any of this, Eddie? Not that I don’t believe you. I’m at the point at which it would be considered an unwise career move to disbelieve anything I hear that seems improbable.”
Eddie just looks at her. Thinks of electrodes and the buzz of shavers close to his scalp. She drags on her cigarette and lets that silence pass, though there’ll be a reckoning later, maybe, if there gets to be a later.
Steve says, “What’s Sumter?”
“Armageddon,” Stinson says, seemingly having developed a sense of humor in extremis. “You’ve heard of Fort Sumter, right? The start of the Civil War. Codeword Sumter is our worst case scenario. It’s the final contingency in the event of the nether project going south, shit hitting the fan: nuke it off the face of the fucking Earth.”
“Nuke it?”
It’s beyond even hysteria. Steve’s voice has gone faint. He might not be able to believe it but Eddie’s having a difficult time imagining any other scenario, suddenly; they’ll all die in the firestorm and maybe it will kill Vecna too, maybe not, maybe they’re doing it deliberately because it won’t. Because Vecna alive means all isn’t lost; means they’ve still got a chance of preserving some sort of bottom line. No witnesses. Just ash.
“Nuke it,” Stinson confirms. She looks up and down the hallway, inhales so hard on her cigarette the filter squeaks, and then stubs it out against the wall, half-smoked. “If you’ll excuse me. I’m going to need to abort this operation, because it’s looking like we might need our soldiers to fight someone else.”
The calm in her voice is almost impenetrable — almost. Eddie recognizes the faint tremor in her hand as she smoothes down the top of her hair. Then she goes back into the classroom and the calm shatters; some great clamor arises, shouts and cries of outrage, terror. Professionals or agents or soldiers or whatever, the reaction to the threat of a nuke is the same, it turns out, only Eddie’s feeling little except a distant numb tingle in his fingers, a ringing in his ears. Panic overflowing the cup.
“Did we do it?” Steve says. Voice still thin and barely there. “Did we – because if Nance, Eddie, if Nance doesn’t make it and we’re–”
“El will save her,” Eddie says, grabbing for his wrist. His thumb brushes Steve’s pulse point and it’s running frantic and hard and that shouldn’t be comforting but it is, Steve’s aliveness right here and now, both of them still alive, though maybe not for long. “El will–”
Steve’s eyes dart over his face and then he tears away out of Eddie’s grip, pushes his way into the classroom, and he doesn’t get shot, and neither does Eddie going in to follow him. Following him into a space that’s curiously dark, blinds drawn down and soldiers in a loose circle just like he imagined it, does he imagine things or see them as they are? Does he see Nancy lying broken and bleeding or does he–
He sees Nancy, choking on sobs in Steve’s arms. Crumpled and clawing at him like trying to get away but not really, just trying to convince herself she’s still alive, which she is. Still alive. And Eddie sags with relief, terrible, mind-bending relief, relief that they made it in time, relief that whatever cataclysmic end all this draws on to, at least they might face it still together.
Janie and Robin are nowhere to be seen. Which is the way all this works, divide and conquer. So even if they changed their minds about helping Nancy–
Nancy, sitting up, gasping out, “Why’d you– El was there, she was going to– why’d you pull me out?”
She’s snatched the headphones of the walkman from her head. Not Patti Smith at all this time, back to Blondie. Good old Blondie. Steve, practically holding her up, has some ready stance about him like he’s tensing to push them back at her if necessary. When it becomes necessary. Will Vecna try again? Yes, Eddie thinks, but really in the balance of things–
Stinson’s directing people, voice low and urgent. Nancy’s still repeating the refrain, more to herself than anyone else: why’d you pull me out why’d you pull me out why’d you–
“Nance–”
Then Stinson’s there, standing, looming, saying, “We have to move. Back to the hospital, it’s a better position for defense.”
Nancy claws at Steve’s arm to drag herself up. “Defense? What do you mean, defense?”
“The Army’s coming,” Eddie says. “The– the other side of the Army, I guess, since we’re a country tearing ourselves the fuck apart, apparently, not that it was ever that whole to begin with.”
“Vecna’s going to try opening another gate come hell or high water. You’ve gotta let me–”
“No,” Steve snaps. “He’s too powerful. El told us he’s too powerful. He’ll kill everyone in this town before he–”
“El? How did you speak to El?”
A silence. Eddie grinds his teeth. “She spoke to me.”
“How does that even–”
“We need to go,” Stinson repeats. “Save it for a secure location.”
A secure location. Eddie’s pretty sure there isn’t a nuclear bunker underneath Hawkins General, but, hey, stranger things have turned out to be true. They gather Nancy up and move towards the hallway, and in the hallway they’re met by Janie and Robin, one furious, the other desperate: “What the fuck happened?”
Eddie’s energies are waning. He lets Steve explain, Steve who seems to sense he’s needed to explain. Steve explains and Robin goes paste-white, that point beyond panicked rambling where she loops right back into silence, the silence — eyes on Eddie — that broadcasts what she’s thinking clearer than any words could. Because, yeah. He can admit there’s a certain irony to the thing, though it’s Criminal Investigation Command threatening to nuke them, not the FDA or the CDC. And maybe it’s not even her thought, maybe the punishment thing was a passing admission of a deeper, wider fear but for him, for some reason, he’s thinking about it. He’s always thinking about it.
“Oh, the Soviets are going to fucking love this,” Janie says. “They’re gonna–”
Soviets. Handler. Fuck. He says, “Janie, there’s a– you know there’s some kinda radio blackout going on? I don’t know–”
“Yeah. I know. Stinson’s orders, I think she– she didn’t want anyone hearing what’s going on. Russians or anybody else.”
Good idea or not, they’re in a web of a lot of other people’s making. He drags a hand over his face and tries not to flinch as they round a corner to see a squad of soldiers dressed for combat, night vision goggles glowing, machine guns slung in their arms casual but nonetheless ready. The squad that was going in to kill Vecna; the squad that now has another purpose, the collapse into civil war.
“We’re in such deep shit,” Steve says, low, and everyone’s silence transmits agreement.
Outside, soldiers are piling back into the trucks, the Jeeps. Stinson’s checking her own handgun, practiced, deft fingers not betraying a tremble this time, like adrenaline’s well and truly taken hold. She looks at them and says, “You’ll be safer in the hospital. I’m going to have to negotiate; in fact I’d prefer to negotiate, because it’s a lot better than the alternative.”
“The alternative in which we all get wiped off the face of the fucking earth.”
“Yes. That alternative. If Owens was here–” She cuts herself off, seemingly consciously. “No. I’m going to do my utmost to protect your town, I promise you that. I won’t see it wiped off the map if I can help it.”
“If you can help it,” Eddie repeats, can’t help but repeat, disbelievingly. “And you’re, uh, you’re not just gonna take these soldiers and ride off into the sunset, leave us behind to get vaporized so there aren’t any witnesses?”
“You’re very like your uncle, you know,” she says. Dry. “I suppose I can’t guarantee you anything. You’ll have to take it on faith that I’m working on your behalf, here, the same as I have been all along. I have sympathy for Eleven. I joined the Department far too late to prevent what happened at the Lab and her situation there, but I was horrified to learn of it. Myself and Owens have been trying to protect her ever since.”
“And Brenner?”
“I don’t have time for this. Really, I don’t. And neither do you. So if you’ll get in the– how did you even get here?”
“We drove,” Steve says, guiltlessly.
Stinson doesn’t comment. “Fine. Well, either drive yourselves back or else get in this–”
Again, she’s cut off, but not by Steve. There’s another sound coming from the school, a clamor like the sudden screech of voices but it isn’t voices, it’s something deeper and older than that, something like the very ground being riven apart and screaming with the pain of it — something Eddie and Steve and Nancy have heard before.
“Holy fucking shit,” Steve says, as Eddie says, “Run.”
“What are you–”
“I need a fucking gun,” Nancy gets out, too late, deafened by the screech as it gets louder, gets closer, thunder to a lightning strike until there–
There, the sinuous limbs of the thing, the claws. The face opening up into hundreds and thousands of teeth. The doors to the school shatter; it bursts through them; it tears through a line of soldiers, too slow to raise their semi-autos, like paper. Blood splatters across asphalt, school asphalt, Eddie dealt drugs on this asphalt, Eddie swung his guitar case around and smoked countless cigarettes. Eddie grew up here and every part of it the set of a horror sequence, every part of it–
The demogorgon rears its faceless head and bears down on them. Like it knows.
Stinson, less easily surprised. Her gun kicks back in her hand, shots so loud Eddie can’t even really hear them, and the demogorgon doesn’t slow. It slashes; she crumples; Eddie’s already running. Eddie’s halfway to the woods before he thinks better of it, swings around towards the car they stole slung careless by the exit, the way out, the fucking way out–
“Over here!” he shouts, over fucking here, there’s gunfire and the death-call of something unearthly and wrong, there’s somebody screaming, a lot of people screaming, it’s daylight and even almost sunny–
Looking back over the parking lot, two things become apparent. There’re more people here than there were before, people who aren’t in fatigues, people who are civilians who shouldn’t be here who are going to get torn apart, because that’s the other thing that’s apparent, that it isn’t just one monster coming out of the gate.
We provoked him, he realizes, we provoked him and they all do his bidding, as someone collides with him from behind and grabs on, Robin, eyes wide and frantic, “I lost the others, I don’t know, there’s too much–”
They’re by the car but they can’t leave without the others but they can’t drive through the fray because they’d mow down as many people as they would demodogs, and the demodogs would get back up again but the people wouldn’t. Eddie searches the fray and finds Nancy aiming someone else’s gun, standing strong and immovable above Stinson, who’s crumpled on the asphalt, bleeding — Steve swinging another gun like a bat, clubbing something indescribable in the head, the two of them the picture of fantasy heroism, really, Eddie could write a campaign right here and right now, maybe even a song–
And over there, a flash of blond hair and pinched white face, all arrogance thrown out of frame and into terror, only terror. What the fuck is Jason Carver doing here, Eddie has only a second to think as the demodogs tear into him, tear him apart. Eddie stares and can’t stop staring, though Robin’s tugging at his arm, though all around them it’s all going to hell and he might die if he doesn’t move, die like Jason Carver, die like the guy who was just a kid, really, Eddie remembers him as a kid, before he started climbing up on cars and talking about Satanists.
“Eddie!” somebody else shouts, and he turns, he manages to turn.
Not a voice he’s expecting to hear. Almost imperceptible over the din. He whips around and it’s Gareth, of all people, it’s Gareth backing away from one sinuous dog, faceless jaws slathering, advancing on Gareth but also Jeff and Aaron, what the fuck are they all doing here, what the fuck are they–
What the fuck are they doing here. Eddie doesn’t know. Eddie takes a step forward and his foot hits something, a person, a dead person. Bile rises in his throat, copper panic and bile, the dead person is a soldier and the soldier had a gun–
He reaches for the gun. Levels it at the demodog. Shoots.
It kicks back in his arms so hard he’s sure it pushes his shoulder out again, brief flare of pain swallowed by the sound of the shot and the sight of the demodog reeling back, not blasted apart and not slowed all that much either but it’s a moment, it’s a single moment of reprieve–
He drops the gun like it burns. Jeff and Aaron and Gareth run and he follows. Towards the car, they go somehow towards the car but Eddie can’t leave without–
“Look!” Robin shouts, somehow by his ear again, and he looks, finds Steve and Nancy and Janie all piling into a Jeep, soldier holding back the canvas and taking the pin of a grenade out with his teeth. “We gotta– we gotta go, Eddie, we gotta– we have to follow them–”
Eddie hurls himself into the driver’s seat and points the car after the Jeep, as the soldier throws the grenade and the Jeep starts to move, as they all race down the road with hot fire burning out by the school behind them–
“What the fuck what the fuck what the fuck,” Aaron is saying, breathless, mantra maybe to regulate his breathing, which is unsteady. Jeff’s staring rigid out of the window and Gareth’s shaking his head, grinding his fingers into the tear in the knee of his jeans.
“Jesus fucking Christ,” Eddie manages. “What the– what the fuck are you guys doing here?”
“What are you doing here, man?” Aaron’s face, wild. “I mean–”
“Trying to fucking help,” Jeff spits suddenly. Eyes sharp on Eddie’s in the rearview. “We were trying to– because of the murderer shit, I mean, I couldn’t fucking handle that any longer, none of us could, you know how insane it is that they were accusing you of that? And all this shit going on with the town, the thing with the Icex plant and the soldiers, we knew it had to be connected to what happened at the school with Chrissy Cunningham, at the game. We just wanted to–”
“We wanted to help,” Aaron says.
Eddie nearly laughs. He doesn’t, but it’s a close run thing. Hysteria boiling up inside him. “You wanted to– fuck, you were trying to, like, clear my name?”
“Among other things. And then we saw Carver was following us–”
“Holy shit. Holy fucking shit.”
“I like you guys,” Robin says, apropos of nothing. She cranes her neck to look out behind them, running a nervous hand over her face. “Eddie, we’re not being, uh, we’re not being chased, or anything like that, right? Because I feel like– Vecna’s not just gonna give up. And didn’t you say the demogorgon, back in ‘83, it could– it could teleport?”
Eddie doesn’t have anything to say to that. Nothing horrified or otherwise clever; he’s all out of reactions. Wants to light a cigarette but driving, possibly being chased, it isn’t a good idea, even one-handed. The Jeep ahead of them maintains a steady course back over towards the hospital, which even Eddie can tell is a stupid fucking plan, being too close to the school by far but hey, if Stinson’s dead she’s not in charge anymore and who knows what idiot’s next on the ladder?
“Eddie,” Gareth says. “What’s going on?”
It rings out ominous, also a little surreal. “So much fucking shit, Gareth, man, I couldn’t even– it would take all fucking day.”
Robin turns to him like she’s realized something else. “What if– if Stinson’s dead, and the soldiers are– what do we do about the nuke thing?”
Aaron leans forward. “I’m sorry, the what?”
“Always did hate this fucking town,” Eddie mutters, knuckles nevertheless going white on the wheel. “You guys just need to– I can’t believe you came out here. Go home. Try to– try to barricade yourselves at home, wait for– actually, fuck that. Get the fuck out of here. Take your families and fucking run.”
“Run where? Run from–”
“If you say run from what, Westley, I will fucking brain you with your own drumkit,” Jeff snaps. “Did you or did you not see what I just saw back there?”
“Oh, I fucking saw it, it killed Carver and nearly tore us limb from limb and did you just say demogorgon?”
Eddie catches Aaron’s gaze in the mirror. “Yeah. Uh– for some reason the kids named them after DnD monsters. Like, the Mind Flayer, the demogorgon, Vecna–”
“Vecna. The evil wizard Vecna.”
“He is kinda an evil wizard,” Robin contributes. “It fits. But this isn’t even– Eddie’s right. You guys need to get out of town. I mean, we all need to get out of town, but for some reason we’re, like, incurably wedded to the idea of fixing all this shit when really it turns out we’ve never fixed it, only put a band-aid on it, sealed it up nicely just for the next time shit hits the fan and then we’re still here, trying to–”
Eddie looks at her sideways. “Is that why you let Nancy do what she was– what she was gonna do?”
A pause. “Yeah. I guess. I don’t know, Eddie, I couldn’t– it would be fucked up to say to her, like, no, Nance, you can’t be in control of what happens to you, you can’t– you can’t try to do the right thing. I don’t know. She wants to fix this. She’s wanted to fix this since the very beginning and I can’t– I can’t blame her. Hence we’re stuck in this stupid fucking apocalyptic nightmare of a town. And there’s– there’s a radio blackout, not the phones but the radio and the radio’s the important part, so I can’t even do my own– the thing Hopper told me I had to–”
“Hopper gave you a task too, huh?”
“Yeah. Because of the thing with the Russians, the code, I was good with that– he said I had to keep an eye on the radios. Newspapers and television and shit too, but, y’know, anything covert. Anything in Russian or Russian-seeming. Not that there was anything. And then Janie turning up, it’s like I just didn’t even– I didn’t even notice. I didn’t do my job.”
“It’s not your fucking job,” he snaps. “This shouldn’t have to be any of our– and these guys, I mean, you guys shouldn’t have been at the school. You shouldn’t have had to be. You shouldn’t have had to clear my name and you shouldn’t– it shouldn’t have needed clearing. This is all fucked.”
“You’re telling me,” Jeff mutters. “Fuck.”
It’s Gareth, now, sitting forward. “So you can’t– you can’t tell us anything? Because– is this why you’ve been so fucking weird all year? Longer than that? Did you say– you said ‘83, right? You’ve been weird since ‘83.”
“Yeah, I guess. Along with– along with my dad. But I can’t– I’m not gonna explain it all away based on that. I’m not. I’ve been shitty, man. I know I’ve been shitty. I’m sorry about that.”
“You have been shitty,” Aaron says. “But you did– I mean, you did just save our lives.”
Eddie’s hands, tight around the wheel, traces of gunsmoke and cordite, things he’s imagining, like Macbeth and the bloodstains; he didn’t kill a person, but he still raised a gun, and he’s never shot anybody before. He didn’t think he had it in him and he doesn’t think he could do it again, not now that he’s done it, not with the way it kicked in his hands and gave him a suggestion of why everyone’s so fucking het up about these things, guns, because they’re like another sort of link to a different world. A world where that ruined shoulder doesn’t matter, where the fragmentary relation of dissolute joints doesn’t matter, only the trigger, only the gun.
He thinks maybe that’s why Nancy’s so fucked up about it all.
At the hospital, he bolts out of the car and nearly collides with Steve by the Jeep, Steve who grabs him into an embrace, face into his shoulder, so tight it hurts. Nancy, on shaky legs; Janie squinting in the sunshine, because it’s still fucking sunny. There’s no sign of Stinson and he feels a sting of something at that, not grief, exactly, Stinson being the face of everything as much as she tried in equal measure to fix it — but Stinson, at least, had a cool fucking head.
The sky, cloudless blue; the town, in the distance across the streets, ringing with inhuman shrieks.
“What the fuck do we do,” Steve says, into the loose circle forming around them.
Eddie pushes Gareth towards the stolen car again. “Go on, I mean it. Get yourselves the fuck out of here.”
“But what about–”
“Please. If you’re gonna– if you’re gonna listen to your DM anytime, one last time, listen to him now. Get the fuck gone.”
A moment, the three of them staring at him in the parking lot. He’s aware of Janie slinking behind a truck, hiding her face behind her hand; he doesn’t blame her. What do Gareth and Jeff and Aaron know about Shanghai or Siberia? What do they know about surveillance devices and labor camps and Russian vodka? What do they know about the end of the world?
But Eddie, finally, can’t find it in himself to hold that against them. So he hugs each of them tight, and then they go.
They’re all talking at each other, Nancy and Robin and Janie and Steve, when he comes back over towards them but it’s already set in his mind what he needs to do now. So he just says to Steve, quiet towards his ear, “I’m gonna go check Wayne’s okay.”
Steve nods, takes brief hold of his wrist, lets it go again. A quietly concerned look that Eddie brushes off. He goes inside, one hand bracing his shoulder, trying not to look down at it, the hand, one that held the gun–
He doesn’t find Wayne. Instead he finds a phone.
The number’s still at the forefront of his mind, even as everything else slips and slides, and she picks up on the third ring: his mom. It’s a Saturday morning and he has no idea what state of sobriety she’s in, but her voice comes across clear, and he says, “I think you were wrong.”
“Wrong about what, kid?”
You want a nice tidy explanation for those issues. I know. You want them to be real somehow.
“The Lab. Brenner. You think it didn’t do anything to you, or to me. You think– you think the dreams are just dreams, and maybe they– maybe they are, maybe I’m crazy, maybe we’re both crazy, and maybe it’s genetic or maybe it’s because we both had the same kinda shitty childhoods but maybe it’s also– maybe it’s also the key to all this. Because things have been– things have been happening, May. And whatever this shit is, not a power but maybe just, like, an inkling– it’s part of it.”
“You sound different. Something different about you.”
“I’m at the end of my fucking rope and they might be about to drop a nuke on us, so really I’ve just stopped caring exactly how they define the word crazy or not. Living like this would make anybody crazy.”
She laughs, dry, somehow still warm. “Yeah. You got that shit right. What are you gonna do? Because I’ve never heard you like this, kid, it’s the sound of you about to do something. I’m afraid I’m maybe parentally obligated to ask what you’re about to do.”
Parentally obligated. For some reason he doesn’t mind that. “I don’t know, exactly. I just get the sense like I actually– I actually can do something. And maybe I have to find out what that is, what I can do.”
She doesn’t say anything for a moment. Then, “For some reason I believe in you, Eddie. Maybe not that there’s something more to all of it, because I do see things and I know they’re not there. My brain does a number on me and I can’t handwave that, but like I said, if they got an agenda in calling you crazy then you’ve gotta cling on to the fact that maybe, just maybe, you’re not. At least you gotta wonder why.”
“I’m wondering why,” he repeats, a whisper, and he feels her smile across hundreds of miles and the crackle of the line.
Chapter 66: Lungs (Townes Van Zandt)
Summary:
You are every person you will ever be: Eddie’s pretty sure he’s just this.
Notes:
warnings for implied child abuse, referenced drug use, and referenced cancer.
wrote this while blasting the interstellar soundtrack, if you'd like some context lmao
(See the end of the chapter for more notes.)
Chapter Text
SATURDAY MARCH 29TH, 1986
It’s not that he runs into Nancy; it’s that Nancy is standing there with her arms folded over her chest, watching him hang up the phone. There’s something beady and calculated about her eyes, she always knows what she’s doing, he thinks, but really that’s the problem, because no one knows what they’re doing here, not even her.
“How are you doing?” he says.
She rubs a hand across her eyes. “I’m tired, Eddie. Waiting for this to be over is like– because we can’t wait for it to be over, can we? It won’t just finish. It isn’t a movie running out the tape.”
“Yeah. I guess I– I don’t know, I’ve been feeling that way this whole time, like it’s a movie. Like we’re in some fucked up movie and most of the time there hasn’t been anything I can do, I’m just stuck to my script the whole time, I’m just– but there’s something. Out there, there’s something.”
Maybe she senses it in his tone. She looks at him sharply. “What are you talking about?”
“I’m talking about this– this vision thing. Why is it that? Why is it the worst shit, why does he show us the worst shit, and how was it me that could– that could get out of it? Because I did, back there. At Icex. I didn’t need music or anything, I just– snapped out of it. And Steve–”
“Steve,” she repeats, soft. “Eddie, Steve– he told me what he saw back there. And it wasn’t like– it wasn’t like what I’ve been seeing. I don’t think it’s the worst shit at all.”
“So it’s different.” Said like confirming something; it feels like it’s confirming something. Somehow Icex is different. The runoff element, the fucking byproduct, the thing the Department’s been doing this for the same way they’ve been doing it for 001– somehow it’s different. “Yeah. So I need to–”
“You can’t be thinking of–” She stops. Laughs, bitter. “Things change pretty quickly, huh? I mean, an hour ago it was me at the center of all this. You and Steve begging me not to go off on my own.”
“This isn’t– it isn’t the same.”
She sucks in a breath, audible. Looking somehow smaller, deflated, just a girl who should be sending out college applications, twisting the cord of a telephone around her finger. Was she ever a girl who twisted the cord of a telephone around her finger? “No,” she says. “It isn’t the same. I know. Because I– after Billy, after I killed Billy, somehow I just– there was this idea, and I had to cling to it, this idea that I had to be– I had to be the one to fix things. It had to be me. And it didn’t matter how, right, because I’d already killed somebody, I’d already done the thing no human being is supposed to do but I did it because the alternatives were worse, I did the worst thing I could have done, so how could my own life be separate from that? How could I say Billy’s life wasn’t worth saving, but mine is?”
“Nance–”
“No. That’s what I thought. That’s what– I’ve been thinking, this whole time. Because I knew it would come back. And I was prepared for it. I didn’t– I didn’t care, Eddie, if it killed me it killed me, I just had to fix things in the process. It had to matter. But just now, with El– you guys pulling me out–” She shakes her head. “It felt pointless. Death is pointless. Out there it’s just– it’s just nothing, it’s just the void, and it wouldn’t have helped because El couldn’t kill Vecna anyway. And now he knows she’s coming.” She looks at him, eyes wide, dark, all-seeing. “I’m not at the center of this thing. I can’t– I’m realizing it now, that I can’t fix things. Not on my own and not by– not by dying, either. I just have to– I have to let other people try. Because El isn’t the center of this and neither is Will and neither are you, no matter what– whatever you find out there, at Icex, you’ve gotta remember that, that it isn’t your fault and you can’t fix it alone.” Dull-edged smile. “But you already think like that, right? Because you’ve never been able to fix things. Because you’ve had a shitty life, and we all rely on you for that and it’s not fair, but we do it anyway. And maybe we’re relying on you for that now. Because it means– it means you’ll try to come back.”
He stares at her. Takes this as it comes, as it rings in the hospital corridor silence; as she delivers it, like a prophet. “Fuck, Nance, I don’t–”
“I trust you,” she says. “I trust you to come back. And I’ll try to fix shit for Janie with the Russians in the meantime.”
He can’t accept this, whatever fucked up gift she’s giving him, not a gift at all but it’s a weight, it’s a promise. It’s like he’s making a promise. He pulls her into a hug, fits her bony frame to his, looks over her shoulder and sees Max leaning against the wall, watching them silently.
“Max,” he says. Nancy looks around sharply, flinching in Eddie’s arms, but Max’s eyes are clear and hold something closer to–
Well, Eddie isn’t the person to speak to what Max holds in her eyes, but she comes forward, says to Nancy, “It’s okay, y’know. I heard what you said, and it’s– I know you had to do what you had to do. I know. And maybe– maybe I would have done it too. Because it sucks that it was you.”
“It sucks,” Nancy repeats, voice coming out wet. Fragmentary. Eddie senses this moment isn’t for him and he begins to creep away, hand on his cigarettes, watching the floor. As he turns the corner, he sees them come together into their own embrace, maybe not forgiving but agreeing, mutually, to forget.
Some things you need to forget.
So he puts a cigarette in his mouth and thinks about Steve, thinks about telling Steve. Where he’s going, what the plan is. It’s been them in sync for a while now, an uncountable blur of days and Eddie has no way of measuring them, only that it’s for some reason Saturday and tomorrow might be the day of the Christian goddamn resurrection. Was it Sunday? Or Monday? He doesn’t know. Maybe if his father had sent him to Sunday School he wouldn’t be in this position now; but if his father had been the Sunday School sort, he probably wouldn’t have been born.
“Eddie.”
That’s Wayne. Eddie halts with his cigarette halfway to his mouth, feels a cold tide of panic rise and sweep over his head, not that Wayne should induce a feeling of panic, but there’s so much riding on everything now, there’s so much Wayne knows and Wayne shouldn’t know and Eddie’s been trying, on some subconscious level, to protect him ever since the first showing of ID at the Icex gate.
“Wayne,” he says, turning. Wayne’s holding a fire axe, the kind installed in public buildings like this one, bearing it just loose by his side but nonetheless ready for whatever might come through those doors and, well, he must have heard the news. Some of the news. “You, uh, you’re gonna–”
“I ain’t goin’ down without a fight, if that’s what you’re askin’. That what you’re askin’?”
“I don’t need to ask you that question.”
“Right.” Wayne smiles tiredly, pinches the bridge of his nose. “This how you been feelin’ all these years, doin’ it alone? Like– like each new thing may as well happen, ‘cause it’s only a little bit crazier than the last?”
“Something like that.” Eddie leans back against the wall, feels some of his nervous energy recede. That’s what Wayne is: a calming breath of air. A light summer wind. “I didn’t, uh, I didn’t do it alone, though.”
“Right. Steve.”
“Steve. Uncle–”
“You know what I saw, down there under the plant? In that– that fuckin’ lake of chemicals? I saw Carolyn. I was– it was the time I was drivin’ her to her appointment, that first appointment, the one where they told us about the cancer. Years ago. We were– we had the windows rolled down, just tryin’ to enjoy a bit of the summer breeze. Listenin’ to Lungs by Townes Van Zandt on the radio. She liked that, a little bit of country, but there was somethin’– y’know. Fuckin’ ironic about it. We were drivin’, and I was so fuckin’ nervous I smoked about a pack of Camels on the way over there, and she was scared shitless too, I could tell, but she was puttin’ on a brave face. For me. That’s what it showed me.”
“Fuck,” Eddie says. “That’s–”
Wayne shakes his head. “I don’t know what that is. I don’t know what that’s supposed to be, what that means. Just– I guess I been thinkin’ about it. Relationships, things like that. You and Steve– I know something’s been goin’ on for a while, Eddie. I ain’t stupid. The way you talk about him, the way you look at him– the way he talks about you. Shit, I mean, when he came over to the trailer that night it all went to shit a week ago–”
Only a week ago. A week and a day. That doesn’t seem fair, somehow.
“He was frantic. Hysterical, nearly. Had to calm him the fuck down, tell him to take a breath. And I thought– y’know, ‘cause John Harrington, he ain’t no good. And his kid, the way he raised his kid, I was certain–” Wayne shakes his head. “I don’t know. I’m gettin’ older and I’m gettin’ more stuck in my ways, the way I swore to myself I wouldn’t, I swore I wouldn’t hold anything against anybody and here I am, holdin’ his goddamn name and actin’ like it means something more than just a couple syllables. Nah, Eddie, I don’t– I’m sorry. If I made you feel like you couldn’t tell me.”
“Fuck,” Eddie says, a burn in his throat threatening more tears. “That’s– Wayne–”
“It’s okay, kid. But I’ll say this, it’s only okay so long as he treats you okay. ‘Cause he’s on thin ice and the second he fucks you over–”
“He won’t.”
A speculative look. “Y’know, I reckon you might be right about that. Even if love does make you crazy.”
Eddie freezes up. Right. Because there’s a word for all this, a word he isn’t and hasn’t even dared to think about, a word that makes this–
“Shit, gettin’ ahead of myself, huh?”
“I don’t know,” Eddie manages. “We don’t really– I don’t know what we’re doing. We only– we only accepted that this was, uh, that this was a thing that’s happening, y’know, like, at Icex, pretty much–”
“He came with you, right? To find me.”
“Yeah. He did.”
“I get the sense this kid wants to save you, Eddie. Feels like it’s on him to save people, the people he loves, and that includes you. That right there, that goes beyond words.”
Steve wants to save him. It makes sense, suddenly, crystallized into a sentence like that. Like in those movies where when you care too much about the soldiers you’re commanding, it means you can’t be objective about them, and you put them in even more danger because of that. Nancy and Steve, blowing up into smithereens because Steve didn’t listen when she said something was wrong; Steve ever since then, stringing himself out into shreds because they need him, they all need him, they always need him. And in the motel outside Ashtabula: I’m always doing the wrong fucking thing and I just– I’m sorry I’m making things worse. Just tell me what to do. Tell me what I can do. What can I do?
It sinks like a stone, that feeling. That knowledge. The realization that maybe the thing Eddie needs to do here, the thing that would be an offer of love more than anything else could be, that thing is going without Steve. Not even asking. Seeing that need, itself the desire to fulfill others’ needs, seeing that desperation to save and turning away from it.
Saving Steve instead.
“Thank you,” Eddie says.
Wayne blinks. “What’re you realizin’, kid?”
“I don’t know, exactly,” though there is that, that Wayne is right, that maybe he is in love. He is in love.
He will leave Steve behind.
And he does, easy as that. He doesn’t say goodbye to anybody because he’s coming back; this isn’t Vecna, somehow different, he’s hardly placing himself into some bear trap or lion’s den, he’s not a target anyway–
He lights a cigarette as he drives a somewhat-stolen Jeep and fiddles with the radio, produces Veteran of the Psychic Wars, Blue Öyster Cult. Figures, well, it’ll do. And he doesn’t think about much, just lets the music blur out into the afternoon, windows rolled down, roads empty. Ominously empty, though the reason for that becomes clear when he shoots past Loch Nora and hears the prerecorded voice on loudspeaker: THIS AREA IS UNDER MILITARY CORDON. STAY INDOORS AND AWAIT FURTHER INSTRUCTIONS.
It can’t only be Loch Nora, because the streets are empty everywhere, but it makes a sick kind of sense.
And it was easy, too, to get out of the hospital in the first place; didn’t need to hotwire anything, even, because someone’d left the keys in a shiny black Jeep. No Stinson, soldiers decimated, threat of nuclear hell raining down on their heads, lockdown seems a slim and shoddy notion. Military cordon a joke. Because Icex isn’t in Hawkins, and yet Eddie flies down the road past the sign, LEAVING HAWKINS, like there isn’t a care in the world.
Still. He slows his roll coming up to the plant, peers out at it dubiously. The radio turned back down. He’s on his second cigarette but he puts it out without finishing it, suddenly nervous of an open flame. He doesn’t drive in, just pokes the car down a side road and then hikes his way up the hill towards a great tear in the chain-link, wire-topped fence. Which tear doesn’t exactly encourage him. There’s a chill breeze but the sun overhead is unaccountably warm, not that either polarity is comforting, fall and summer ruined both. He’s walking into the site of a disaster and there’s no one here, no whitecoats measuring outputs or soldiers warding him off. That same breeze whistles over scattered bricks, brings with it the hiss of a distant pool of water, and he swallows that eerie feeling down, reminds himself of all the shit he’s been telling everyone, regarding horror movies and the mollifying fact that none of them are actually in one. None of it is actually true.
Hefts his flashlight, not that it will do him any good. Thinks ruefully he maybe should have brought a pair of waterproof boots. And then he walks into the plant, ducking around the side away from the parking lot, though there’s no one here, he can feel its emptiness, its isolation; there’s no one here. He’s utterly alone.
Strangely, that relieves him.
And the relief–
Well, there’s the relief of Tommy C. still meeting his eyes, even after what happened behind Rick’s couch last night. Tommy C. in the hallway, meeting his eyes, that wry secret look that says, Just between us, that says, That was fun, that says, or doesn’t say, Let’s do this again. Eddie doesn’t know about that part. Eddie’s tripping over his own feet and hungover like death, coming down, is there a word for that? Hungover but on substances they wouldn’t only get a slap on the wrist for, substances Hopper might call the goddamn DEA for, maybe, Eddie doesn’t know how that works. His dad would know, of course, but Eddie isn’t fucking asking him.
Tommy C., hair falling in a curl across his forehead, color of sunshine or whatever the fuck poetic metaphors Eddie’s capable of coming up with, hungover in the school corridor and hankering for more than just a little eye contact, but he can’t get greedy, he’s gotta console himself with what he’s got. Last night Rick cut them lines of coke on a hand mirror kept special for that purpose, it seems, and while it sent Tommy C. into something like rabid, frantic mania it only made Eddie appreciate the clarity of his thoughts like something crystalline, clear-cut glass, and fragile, too, fragile as Tommy worked the button on his fly, fragile as the floorboards creaked and they didn’t know when Rick was coming back and if Rick came back while they were–
Then Tommy would patently never speak to him again.
But he didn’t, Rick didn’t, and now Tommy C. is looking at him in the hallway and everything’s okay, though Eddie’s pretty certain Wayne could identify his comedown a mile off, watching him leave this morning, coffee and cigarette and frown. Kicking up his Judas Priest cassette loud, despite the headache. And pulling into the school parking lot, spotting Steve Harrington leaning by his Bimmer with a smoke hanging out the corner of his mouth, not saying anything to Tommy H. or Carol though Tommy H. and Carol are both looking at him kind of expectantly, waiting for the dirt on Wheeler though he doesn’t have the dirt on Wheeler, Wheeler isn’t a slut like Tommy insists she is, or more like has the ability to be, like, Tommy’s got this fucked-up theory that the people we are are just waiting inside us to come out, all it takes is the right provocation and boom, butterfly out of a chrysalis, which, Steve’s not sure he likes that theory, in terms of environment and provocation, because he’s fairly satisfied being himself, right, now, the version of himself that will exist on the prom king ballot and will exist on his report card at the end of the year when finally, finally, his dad looks at him with something resembling a smile.
That’s what he’s satisfied with. And he’s hungover, too, which doesn’t help, because his parents were away last night, if only in the next town, some event for the plant, anniversary of opening or whatever bullshit Steve doesn’t listen to, though his dad frowns at him for it, the not listening. Because he might work at the company one day.
Steve is hungover, tasting the ash of the cigarette in his mouth. He inspects it with a grimace and stubs it out; it makes the nausea turn over in his stomach. Carol is now bitching about Ally, who won’t ever share her notes. Tommy H. is looking at him like he’s hiding something and Steve thinks about that true selves thing, shudders.
“Let’s just go,” he says, pushing off the hood of his car. Let’s just go, Steve, says something or someone else.
He looks around the parking lot, suddenly cold. Carol and Tommy, expectant: he shrugs it off. He moves towards the school, twisting his car keys in his hand, turns his mind to his homework, homework he finished and has in his bag right now, sure, but is it any good? He knows it isn’t any good. And when he spots Nancy across the hallway she smiles at him a little shy, a little coy, but not like she’s hiding who she really is, surely, surely they’re all old enough now that what they’re doing is what they’re doing and no more, also no less. Surely they’re just–
He remembers his dad’s eyes on him, cold, that very morning. His parents got back late and he was already in bed, which is how come he could get away with drinking, with doing what he’s not supposed to. He heard them coming in, keys clattering on the bureau, his mother’s heels making a similar if lower-toned sound. His mother’s voice, a little hoarse with smoke. I do worry, you know. Leaving Steve on his own like this more often in the future. I mean, we’re supposed to be parents, aren’t we? What are we even–
He’ll be fine, Helen. He’s got to learn these things sometime. It’ll give him a sense of independence.
Steve turning over in bed, pressing his face into his pillow. Didn’t want to hear it. Didn’t want to know. His mother fighting for him only shallowly, his father insistent; neither of them quite understanding what it means that his face gets hot in the locker rooms and he himself doesn’t know why yet.
Nancy tosses her head in the hallway, sends long curls falling down her back, and beyond her he can see Eddie Munson, piling books out of his locker, hair a tangle and shadows under his eyes. Also hungover, maybe, if he was cool enough to go to parties, but he isn’t. Though he is probably a stoner. That’s certainly a rumor going around. And Steve, in this social economy, knows that some rumors hold weight enough to be listened to, rumors their own sort of currency. There’s the rumor that Steve’s parents don’t love each other, after all, and that’s the most valid of all.
Let’s just go.
He twitches, suddenly anxious, thinks about his American History class. Can’t afford to flunk anything. Everybody will be mad. He tugs on the strap of his bag and looks, for some reason, back across the hallway; Munson isn’t looking at him, just at Tommy C., who’s striding down the hallway like he’s in a fucking double-page surfing modelling spread. Steve watches him too and by the time he’s moved down through the crowd, Eddie has turned his face away.
Eddie has turned his face away into the dark. Eddie is–
Eddie is alone in the dark again, and he isn’t Steve anymore, and he’s alone in the dark and he isn’t Steve anymore, which is the insane part, that he was Steve in the first place, how the fuck was he Steve, how the fuck was he–
Water around his ankles. His knees are wobbly, weak, but he can’t sink down because of what happened to Teller. What he can’t let happen to him, because Steve–
Steve has to be here somewhere. That’s surely how it works. That this great dark void opens up the boundaries of their minds, real LSD shit, MK Ultra shit, heightens the permeability of certain psychic barriers and now Eddie’s inhabiting Steve’s consciousness part-time, reading and feeling his terrors about his grades and his parents and his loathsome locker-room boners like they’re Eddie’s own, which they aren’t, or they are, but just a little to the left. And then there’s the thing about being people, becoming people, the people that they are–
Eddie doesn’t want to touch that shit. Thinks maybe he has to be inventing it. Imagining some twisted complexity behind Steve’s deceptively easy, soft brown eyes. Because it can’t be–
He’s heard idly of ego death, Rick scoffing over a handful of tabs of acid, one each, held out benevolently — he’s heard of it, but maybe that’s what this is. Maybe that’s all this is. Maybe it’s everything.
He stands in the lake, full and blank and dark, and tries to breathe.
So Steve is here. And he’s learned nothing only that Steve is here, which is the problem, he can’t concentrate if Steve is here. Wherever Steve is, in that place he’s all that matters. Which is what happens when you love someone. Eddie’s been reliably informed.
He turns about in the water. It ripples around his legs. So Steve is here somewhere, which means he drove here, but Eddie didn’t see the car because Eddie went in the side entrance so he wouldn’t be seen. And Steve is here somewhere, which means he came here, and he came here because he didn’t want Eddie to be here alone. Because he must have known. He must have overheard, or guessed, done that strange thing where he can tell what Eddie’s thinking about doing before he does it, how does he do that?
He must have known. And now he’s here. Trying to save him again, when the point of all this–
Eddie closes his eyes. Not that it makes any difference. Clenches his fists and tries to– tries to get back to where he was. To the urgent dismay of Steve’s own head. He feels out the darkness, the faultlines in the darkness, imagines he’s El in a blindfold with static and that all of this is malleable, transient, an easy referent to his own power–
“Eddie.”
He turns. Opens his eyes, hesitant, one then the other. Because maybe he really has lost his mind, wading in here like he can fix things, maybe he’ll just waste away in the halls of his imagination and no one will ever know any better — but it’s El.
El, again, like he called her up. He sags with something like relief. “El, fuck, what are you doing here? Are you– are you doing the– the piggybacking thing again?”
“I’m actually here.”
“You’re–”
“There’s something different about time here.” She takes a step forward. They’re in the gloom together, but there’s a strange light on her, some shit like she’s glowing. “We drove from Nevada. I came here as soon as–”
“There’s a– isn’t there a, a fucking cordon, or some shit? Aren’t they– they’re after you. Right?”
“They’re after me. But Hopper, he knows– he knows this area. The backroads. He knows how to avoid the soldiers.”
He looks closer at her. He hadn’t seen any soldiers on the road, which doesn’t mean there weren’t any, further out, but also all this feels far too good to be true. Feels like maybe–
“Are you actually here, or are you– are you in my head?”
She looks at him for a moment. She’s grown up immeasurably in the last few months, baby fat falling out of her cheeks, that short-shorn hair giving her a strangely unearthly look. Wise again, wiser by far than she should be. Than she should have to be. She says, “I don’t know. What could I say to make you believe I’m–”
“Oh, I believe it,” he cuts in. “That’s the problem, I guess. But just– okay. For the sake of argument. You guys drove all the way here and it’s already been, like, thirty hours since the last time we talked, which–” He swallows. Thinks of demodogs and nukes. All the people he left out there, and somehow he didn’t think about it, the distortion of time. The interruption.
“Okay. I’m here because I knew you were here. I knew that here– because I nearly didn’t beat him last time, Henry. With Nancy, when he was in her head and I was too, he nearly–” She shakes her head in the gloom. “I’ve got my powers back, but I’m not strong enough. Not on my own. But here, there’s something about here, can you feel it?”
He nods. He can feel it.
“I think here– I think this is where we beat him.”
“But how?”
“I don’t think the Upside Down is bad.”
“You don’t think–”
She just looks at him again, like waiting for him to read her thoughts, which, hell, anything’s possible at this point, but he can’t. What he can do is think about it himself, the thing he’s been beginning to suspect, that whatever parallel dimension Vecna got sent into it’s one he turned to his own uses, one that was just minding its own business, and here it is, this great overspill lake, probing at their heads because it doesn’t know how to do anything else when they come trampling into its territory, stopping it from minding its own business. Maybe the Upside Down isn’t bad. Maybe–
“Steve,” he says, for the avoidance of saying anything else. “Steve is– Steve is here somewhere. Somehow. I don’t– I should’ve told him not to come, but he’s here, and I need to– it’s not good that he’s here. I’m scared he’s going to–”
“I’ll help you find him again.”
He smiles at her queasily. Steps towards her in the water, drawn on by instinct — “Can we– this time–?”
They can. Her flannel is worn and soft, smells like the outside, smells somehow the way he imagines the desert to smell, not like he’s ever been. He folds her into his arms and thinks of Chicago, thinks that once you’ve done anything like this with someone you’re bound to them inextricably for life.
Then he takes her hand and moves forward in the dark, thinking out like he can broach Steve’s psyche by just imagining it again, simply by thinking about his parents (his parents–!) fighting downstairs, Helen tired and John assertive, simply by thinking about Nancy’s long curls and his own tangled mop — that Eddie should have a role in Steve’s memories, surely that’s evidence he’s not lost to the past entirely, surely that’s–
“Here,” El whispers, and he looks at her first, surprised and a little frightened by the new smallness of her voice. He looks at her first and so sees her reaction first, the widening of her eyes, the creasing between her brows. Then he looks too.
There’s Steve. Alone in the dark, for the first moment, standing there blank and sort of devastated, not even an emptiness in his eyes but a hollow sadness, a longing, all these hundreds of words for his face that Eddie is only now beginning to be able to sort through, and if he loses Steve now–
Maybe it’s El, or maybe it’s him, or maybe it’s neither of them, just some cosmic, bemusedly-considered mercy from the great void all around them, but the veil lifts. Then Steve isn’t silhouetted against the black anymore; he’s standing in the school hallway, now empty and dark and awfully, horribly familiar. Eddie can even hear the cheers from the basketball game just across the hall.
“Steve,” he says, stepping forward, but Steve doesn’t hear him. Steve is looking ahead, looking at a familiar slight figure in the shadows of the hallway, Chrissy slight and slender and about to fucking die–
Only Steve wasn’t here for this part. Only — when Eddie steps closer, heart pounding — it isn’t Chrissy at all. It’s Nancy. And Steve is staring, frozen, a tear sliding down his cheek, not even reaching out like he’s afraid he’ll make it worse, afraid of the things he can’t help, the things he can’t touch–
You did this, Steven.
The voice echoes around them, so deep it rattles through the walls and windowpanes and up Eddie’s spine. He shivers.
Nancy’s going to die, because you didn’t listen to her. Because you didn’t help her. Because you were so preoccupied with maintaining your ordinary life, that life you wanted to live, the life your parents–
“Steve,” Eddie snaps. “Don’t fucking listen to–”
Steve doesn’t hear him. But something else does. Stepping out of the shadows, tall, tortuous twisted limbs, skeletal and somehow covered in growths like fungus, like something out of the woods, like something out of another world, but a person, too, shaped like a person and with two glowing eyes that fix on him with malice.
And who are you? it asks. The person-shaped monster asks. Vecna asks. Right. Because of course he doesn’t know.
“Get the fuck out of Steve’s head,” Eddie says. He’s not sure where El is but he doesn’t look around to find her; best to keep attention on him. He steps in front of Steve, in front of Nancy too, though he’s fairly sure Nancy isn’t actually here. “Get the– get the fuck out.”
His voice breaks but he ignores it. Vecna takes a step forward. Vecna looks awfully like he’s smiling. Interesting. You interest me. There’s something familiar about you.
“Get–”
Where did you come from?
Where did he come from. He thinks of Wayne’s trailer, thinks of MURDERER dripping off the side and Wayne holding an axe in the dark. He thinks of that sunshine summer evening, dusk, shoulder throbbing out of its socket. His father, snarling at him to get out; Shelley, at the funeral, lips pinched thin. And his mom in a dull, sparse kitchen in Buffalo: Means in the end you’re not that American at all, right? Not that any of us are. We stole this country, did you know that?
He did know that. He does know that. And he knows, too, that it’s not him inciting all these memories, it’s not him going through his own head like it’s a filing cabinet. He hisses through his teeth and steps back, pressure in his skull something he tries to push away: he’s not only saying it about Steve when he says, “Get out.”
I remember your mother. I remember she lost her mind.
He sees it, then; he sees the blank white tiles, sees hospital gowns and shaven heads and a kid, just a kid, blinking balefully at these people to whom he was the blueprint —
And his mom. Eddie’s mom. Eyes dark and huge, face pinched, face narrow. She looks so much like himself it hurts for a moment, and that’s what Vecna wants, for it to hurt. Twisting the knife.
“Steve,” he says, and the Lab flickers and dissolves into the high school corridor again.
Why Steve? Vecna says. He’s not looking at El and Eddie has to keep it that way; Eddie has to believe she’s doing what she needs to do back there, hiding in the shadows, bringing this to its end. Steve doesn’t know, you know. Steve doesn’t understand it at all.
“Steve doesn’t–” Eddie isn’t sure what he’s asking, if he’s asking anything. Vecna won’t give him answers. Vecna will give him this: Nancy, frozen still in the hallway, melts away into a new shape, taller, darker-eyed. Tattoos and leather jacket and–
Himself. He’s looking at himself.
“Steve,” he says urgently, moving forward, grabbing Steve’s shoulder, but Steve doesn’t react, can’t seem to see or feel him. “Steve, that’s not– that’s not me, man, that’s not–”
And the himself that is not himself opens its eyes and looks cruelly at Steve; has Eddie ever seen himself look that way? Has he ever looked like that except perhaps at himself in the mirror?
And he says, the Eddie that is not Eddie, waxy-skinned and carrying some sick, ruinous glow of another world: this Eddie says, “You could’ve– you could’ve saved me, man, why didn’t you save me?”
Steve’s eyes go wide. “I tried, I’m here to– I’m trying to save you right now, I’m–”
“It’s not enough. It’s not enough, Steve. You can’t undo what you’ve done to Nance, what you’ve done to me.”
Nance. Eddie’s stomach turns. “That isn’t me.”
Vecna, a matching cruel smile. But he wants to save you, Eddie. Don’t you want him to save you?
Eddie used to have daydreams like that. That someone — in the early days a parent, soft warm arms and a loving look, taller and wiser and more responsibly positioned in the world than his father or his uncle, even, because his uncle lived in a trailer and hadn’t left his bed for two weeks after Carolyn died — in the later days, as he grew into his body and his hormones and the sense of the things he wanted and wasn’t allowed to want, a knight, a boy whose arms would be strong, not soft, who would carry him out of all this and into someplace better — that someone would save him. Tommy C. or Martin or Steve. All the shittiness of his life would be negated because someone would see it and accept it and then make it all better: it would go away. It would go the fuck away.
But he took Steve to Buffalo and it did not go the fuck away. His mom told him she was like him, more ways than one, and Eddie got drunk and kissed Steve and then cried in his arms, and it didn’t get better, because things don’t get better, they only lead to here and this is where he’s always been headed. The door at the end of a windowless corridor. Tommy H.: the people we are are just waiting inside us to come out. Always have been. You are every person you will ever be: Eddie’s pretty sure he’s just this.
Don’t you want him to save you. Crawling across the floor in sick drown of overdose, reaching for the phone: Steve. Searching him out across the aether, calling him, always calling him, asking him for help. Don’t you want him to save you?
Eddie hesitates. Stands there staring at Steve, Steve and not-Eddie, the thing that isn’t Eddie or maybe is, on some level, some fragment of Eddie drawn up out of what Vecna can see inside his head. A bastardized copy, a bootleg. What is Eddie, really? What does he matter in this grand spinning scheme, if not seen and touched by Steve? Doesn’t he want Steve to save him?
No.
No, he thinks, and grabs for Steve’s hand. Puts the force of everything into it, all the nothing of the black inky dark and the water, sucking Teller down maybe only because it didn’t like the look of him — didn’t like what he did to it. What he used it for. And maybe they can get it to do that to Vecna, too. Maybe–
He thinks about the water and the hallway disappears. He is standing next to Steve in a plush mahogany study, John Harrington’s study, Eddie’s seen this room before, if only through a door left ajar: he knows this room. He doesn’t know this Steve, smaller, maybe fourteen. Knows him only by sight across the cafeteria, a grade between them and Steve still in middle school now, for now, this Steve.
Steve is crying. Fourteen, he doesn’t like to be crying, old enough to recognize he shouldn’t be, believe he shouldn’t be, so he’s swallowing them back and scrubbing at his eyes with the heels of his hands. He’s alone in the study and the air is full of reproach. Like a bad smell, it’s the aftermath of an argument — Eddie knows the taste well enough. Vecna isn’t here and the memory has a dullness to it that speaks of reality. In that Vecna’s visions, from what he’s beginning to understand, are heightened, vivid, nightmarish: this is just life.
Life, as Steve chokes down a sob and slams his hand down on the desk. Jumps at the sound, looks over his shoulder like his father’s only just slipped out of the room, threatening to come back, ream him out again, maybe do worse. Eddie can’t get the measure of this, a relationship strung out by the violence of a language, father and son and a language, he barely remembers most of the things his dad ever said to him. Steve, he gets the sense, remembers it all.
“Steve,” he says, but Steve doesn’t seem to notice. Steve’s flexing his fingers on the fine mahogany desk, grinding his teeth, little convulsions running through his shoulders. Pushing it down. He squeezes his eyes shut and then opens them again. A tear slides down his cheek; this time he doesn’t brush it away, stubborn, pretending it’s not there. Wishing it away. Oh, Steve. You know that doesn’t work. All the things they’ve tried to wish away, these months, these years — living in Hawkins an exercise in wishing to live someplace else — living as the son of a father an exercise in wishing for something different — living at all —
Fourteen year old Steve spots something on the desk.
He stops crying. Reaches for it, the thing on the desk. Just a slip of paperwork, a fax addressed to Steve’s father, outline of an acquisition plan and details on land deeds, all the things Steve has long allowed himself to ignore, and then the kicker, the thing that’s maybe at the heart of all this, something he, at fourteen, being only a fourteen year old in the real world that isn’t Stephen King or the fucking Goonies, doesn’t understand yet.
Under the planned incorporated title ‘Icex’, we intend to use this plant to grow the local economy, providing jobs and promoting Roane County as the home of significant industry. These stated upsides will work in tandem with our scientific aims in the area. As discussed, we would like to reiterate the importance of the Roane County plot to our project, and to reaffirm the role of discretion in our dealings with you, as provided for by the Non-Disclosure Agreements. We look forward to–
And the letterhead, of course, could be nothing else. Hawkins National Laboratory and the U.S. Department of fucking Energy.
Steve looks at the paper blankly and then pushes it away from him. He’s fourteen; he will regret this moment forever. He will turn it over in his head at night. He will not know where the guilt comes from, when he looks at Eddie and wants; he will not understand what the guilt means, when Nancy begins to destroy herself because of a dead girl in a pool.
He won’t remember it, but here it is.
“This isn’t your fault,” Eddie snaps. Surprises himself with the force of it. And Steve isn’t going to hear him, he’s sure Steve isn’t going to hear him —
But Steve looks up. Eyes wide. “What?”
“This isn’t your fucking fault, Steve, it’s your dad and not even him, it’s everything messed up together and it’s not you. This isn’t you. You didn’t do any of this and you couldn’t– you couldn’t have stopped it.”
Steve looks down at the paper again. Fourteen, but his eyes are older, tired, sad. The real Steve retreating behind who he used to be. “But–”
“And you still can’t. You can’t stop it, Steve.” Eddie rounds the desk, takes his wrist. “You’ve– you’ve always been trying to undo this moment, right? Undo all the moments. All the things that went wrong. And you can’t. So stop trying.”
Steve stares at him. Stop trying. Give in. It’s the prayer of the coward, the vagabond, the pessimist. It’s a call towards the dark. But in the dark there’s memory; in the dark, there’s something awful that likes to defend itself, and if they don’t provoke it, enemy of my enemy–
“We’re not soldiers,” Eddie whispers. Steve is Steve again, not fourteen but grown, face pressed close to Eddie’s, forehead to forehead. “We’re not soldiers. We’re barely fucking adults. All this happened on the– on the cosmic scale around us and now we’re just– we’re here. We’re just here.”
“We’re just here,” Steve repeats, and they’re here. They’re in the dark. El is here too; El is breathing hard, wiping blood from her lip, more blood sliding down her neck from her ear, and she’s looking somewhere beyond them like gearing up for another fight, tired, agonized, haunted — Vecna, too, picking himself up in the water, inky dark water that swirls around him but doesn’t otherwise move, doesn’t react, doesn’t help. A silence like despair. The problem with the cosmic scale, the problem with the stars: why should they give a shit? What does it matter?
Wayne, driving Carolyn to her consultant’s appointment. Steve, at school a few days before everything changed, watching the fall of Nancy’s long dark hair, wondering how the fuck to please his dad.
Eddie running away.
All of them the commencement of something, the precipice, the moment of change. There’s shit about the future, right, the future and time, how it forks and diverges and how beyond this one there are equal and opposite worlds that are different, different in every way possible, different in every way that matters. These moments before the storm, before fate hits. Before time laughs its cosmic laugh. And Eddie thinks–
Eddie thinks, please. Because we’re just people. We’re just people doing people things and this should never have started, you know this should never have started, we messed with things we shouldn’t have messed with and now there’s a game being played beyond our imagining so please, restore to us the balance of time. Let us work out our shit on our own.
Steve, tangled up with Eddie in the water, is dragging himself upright, muscles tensing, getting ready for a fight. Indefatigable, even when all hope is lost; Eddie can’t help but love that about him. El is raising her hand. There’s no sound, not even the ripple of water, like they’re cut off into the void; Eddie can only hear the ringing in his ears. They will die here, and the army will nuke the town, and the world will burn as a consequence because all that greed, all that violence, it will rip a hole in the fabric of fate and that hole a gaping maw, a mouth, hungry to eat.
It’s hungry.
It’s hungry, the dark is hungry, and it– it surges, somehow, water rising like a tidal wave, a tsunami, a riptide dragging at them but not them, not all of them, only one. Only Vecna. Vecna who was a person, once, might be a person still. Shudders and claws at the air. Screams, a voice like a person, a person’s voice, Vecna screams and his illusion is gone and there’s only this and the dark, only the dark, only this —
Vecna, swallowed by the formless void.
That void turning its gaze on them. El on her knees, panting for breath, Eddie and Steve sinking down together, this the place everything can be lost, everything can be won, this the eye of the storm —
“Please,” El whispers. Asking. Not fighting, not holding her hand up and twisting the world into the shape she needs it to be, the shape in which she’ll fit, the way she did when Eddie nearly ran into her that day on the road. Not demanding but asking, because that’s all they can do, the sentient void its own maltreated ecology and how can they complain when the wildlife fights back? How can they blame the frontier?
The dark stalks around them. Eddie sucks in a breath and pushes his face into Steve’s chest, instinct, Steve curling towards him, Eddie reaching a hand out to El, El reaching back and taking it–
He imagines the nuke, imagines the column of fire. Imagines the end of the world. Here, they’ve sailed right off the edge of it. Over onto the blank side of the map. And the dark–
The dark rises up. Washes over their heads. The wave is blinding, all-consuming, void without end, night without stars–
And then the tide goes out, and together they fall back into a wild field of grass under a clear sky and a fading moon and, out there on the horizon, the sun’s coming up.
Notes:
– lungs by townes van zandt was released in 1969. it's pretty thematically relevant — read about it here.
– veteran of the psychic wars by blue oyster cult was released in 1981and there it is. only the epilogue to go. please do let me know your thoughts below, stay tuned for next week's final chapter, and find me on twitter and tumblr.
Chapter 67: Epilogue
Summary:
Eddie keeps waiting for the curtain to come down. Audience to clap. There it is, folks, your dream happy ending, now move along. Back to your real lives.
Notes:
warnings for classism and implied homophobia. also, the end.
(See the end of the chapter for more notes.)
Chapter Text
THURSDAY APRIL 3RD, 1986
When Eddie wakes, there’s a gentle warm breeze tugging at his hair, touching his face. He can smell cigarettes and light spring air; like the last two mornings, he hesitates a moment before opening his eyes, sure that this is the time that will turn out to be the interminable enclosure of a dream, this is the time that it won’t be real.
He opens his eyes; Steve is looking at him across the pillow. This is real.
“Morning,” Steve says.
“You were, uh, you were watching me sleep? I look hot or something?”
“Or something.” Steve smiles, reaches out to run a hand through Eddie’s hair, a hand that still feels somehow out of place because they get to do this, now? How come they get to do this? And Eddie sinks into the touch, shivers a little, remembers he left all his clothes scattered in piles across the floor, while Steve’s now at least in a t shirt, and there’s the smell of coffee, too, and his long bare arm is a little cold.
“Wayne up out there?” Eddie says, moving to sit up.
“Yeah, he’s, uh, he’s up.” Steve sits up too, reaching for the mug of coffee on the nightstand, handing it to Eddie before reaching for his own. Which makes something inside Eddie melt, and other such sickly sweet metaphors. There’s a flush on Steve’s cheeks. His shirt is one of Eddie’s shirts, Judas Priest-emblazoned, and Eddie thinks, if they could see you now. Hair mussed and a hickey just creeping up the column of his neck, which is maybe why he’s flushing, if he ran into Wayne out there. “He knows what he’s doing, man, your uncle’s a scary guy.”
“Nah, he’s a teddy bear,” Eddie says. A sip of his coffee burns his tongue. He hisses. It’ll make him tired, but he doesn’t have anything urgent to do today. Which, yeah, they’ve got shit to do today, but in the grand scheme of things–
He sets his coffee down on the floor and pulls Steve closer again. Tucks his head into Steve’s shoulder. Steve hums, something like satisfaction; Eddie keeps waiting for the curtain to come down. Audience to clap. There it is, folks, your dream happy ending, now move along. Back to your real lives.
“Hey, you okay?” Steve says. Looking a little less satisfied.
Eddie makes a sound through his teeth. “I’m okay. Are you okay?” Said stubbornly, with emphasis, and Steve’s face colors again. He looks down.
“Right. Yeah. Sorry.”
“I don’t mean– I don’t mean you can’t ask me if I’m okay. Fuck. I just mean– I don’t want you, y’know, doing that thing where you can’t see past what you– what you think you ought to be worried about. Because it’s not, uh, it’s not about that. Right?”
Steve looks at him for a long moment. They haven’t talked about what happened at Icex, not in so many words, but it sits clear between them anyway. That Eddie saw directly into Steve’s head, a window through his eyes and into his past, into his guilt, and it wasn’t absolution so much as understanding, which, Eddie’s the first to admit they haven’t had a lot of that over the years. So Steve says, “Yeah. It’s not about that.”
“It’s just about–” Eddie leans closer. Steve does him the huge favor of not flinching away from his morning breath. Eddie kisses him just lightly on the lips and Steve’s hand curls around his arm, keeping him close. “Y’know? Leaving all that action-adventure shit behind?”
“You and your thinking about fucking genre. You ever thought– y’know, you ever thought about being a writer, or something?”
Eddie can’t help a snort. “What part of my abysmal record in school, my inability to finish reading Moby Dick, or Miss O’Donnell’s utter loathing of me gives you, uh, gives you the impression I’d make a good writer?”
“Don’t need to read to be a writer. Besides, you read. Just not– y’know. The turgid stuff.”
“Turgid. Maybe you should be the writer.”
“Oh, fuck off, I’ve been spending way too much time around you and Robin.”
“There ain’t no such thing,” Eddie drawls, and then swings his legs out of bed, hunts out his jeans. “How is Robin, huh? She’s been spending a lot of time with Janie, right? Helping out?”
Steve raises an eyebrow. “What’s that supposed to mean?”
“Does it have to mean something?”
“No, but I know it does when you say it like that.”
Eddie pulls his jeans up over his hips. Feels the weight of Steve’s eyes and has a moment of vertigo, though not as bad as he got last night, Steve kissing a line down his navel like he was really here, like they were both really here and that was a thing they did now, Eddie having to take a moment just to breathe, Steve with a flirtatious grin: yeah, this is really happening.
Steve says, “I don’t know, man, I think– Robin thinks Janie’s cool. She used to think that back in school, when Janie was still around, and I don’t think– I mean, recent events haven’t made her any less cool, right?”
“Right.” Eddie pulls a shirt over his head and only then realizes it’s not his own shirt, it’s Steve’s henley in soft blue-green, which, hell. If they’re doing this then they’re doing this. “Well, I’ve never, uh, I’ve never really been able to get what Janie’s thinking, like, ninety percent of the time, I only realized she had a thing for me because someone else told me about it, so I’ve got no clue.”
Only he does have a clue, kind of. When they came stumbling back into town and there was Nancy, there was Robin and Janie standing next to each other and looking at each other but not really, letting Nancy lead the explanation, we did it, we got them to back down, we told them people would blame the Soviets so then they’d have to retaliate on the Soviets and so they’d start armageddon — Robin and Janie standing next to each other, hands just brushing.
Steve’s shirt is a little big in the shoulders, a little long in the arms. Eddie tugs at the sleeves around his wrists and Steve watches him, runs a hand through the mussed-up front curl of his hair. “I feel so weird about this.”
“About what?”
“About– about having this conversation. Any conversation. When, like, two days ago–”
“Yeah. But that’s, y’know, that’s the thing, right?” Eddie moves closer again, puts his hands on Steve’s waist. “Out the other side, whatever the fuck that means.”
“Means I can do this.” Steve ducks in and kisses him, which kiss Eddie isn’t interested in breaking off anytime soon, so they kiss for a while, held in this suspended pocket of air — only his bedroom in the trailer, with all its familiar sounds and smells, somehow transformed and not only because of the roughly cleaned graffiti on its side — until Steve pulls back and says, “Your uncle, y’know, he’s gonna wonder where we are.”
Let him wonder, Eddie wants to say, but he takes the point. When they go out to the main room, Wayne’s sitting smoking on the couch, watching the news, which is as per usual displaying a sanitized rendition of chaos: nothing about Hawkins proper, but detail on an accidental explosion at the Icex plant, chemical run-off, the area put in quarantine. It’s a convenient enough explanation, if they can plot out some reason why people like Jason Carver were anywhere near it. Because, of course, there are things they won’t say: they won’t say the psychic killer who murdered three Hawkins teenagers perished in a dark lake between dimensions, because Eddie and El and Steve asked for help from a nameless entity beyond this world; they won’t say dozens of soldiers and agents and Hawkins residents were killed in an attack of otherworldly monsters, but those monsters are gone now, because when Henry Creel died all the gates closed. And what they’d say about Icex, really, Eddie doesn’t know, because the quarantine holds, and whatever lies there has betrayed no interest in reaching out to talk to him.
Wayne is shaking his head. “This bullshit. Y’know they ain’t said a single word about what happened right here in the center of town? Just shit about a military cordon for the sake of quarantine, like the whole place is radioactive. Anybody who knows anything knows shit like that’s got nothing to do with a steelworks.”
“This is just what they do,” Eddie says, lighting a cigarette to match. “It’s Owens, right?”
“Yeah.” Steve sips his coffee, standing with a hand on his hip. “Kinda– I mean, I don’t feel sorry for the guy, but it’s gotta be an insane job to have to do, right? With– with all these people dead, and the Sumter thing–”
Wayne just grunts. He’s dealing with the fact that they all nearly died in a nuclear explosion the same way he’s dealing with most of this: bitter resentment and fury. Which beats resignation, acceptance, or depression in Eddie’s book. He himself is mainly grateful they got out alive.
When the news channel cuts to the road out of Hawkins, a line of cars piled high with their occupants’ worldly possessions, Bimmers and Mercs and Cadillacs to be flashy and then the solid, expensive station wagons in tow, those leaving only really the ones who can afford to, Wayne turns the television off. Then he looks between them, elbows balanced on his knees.
“You kids sleep well?” he says. Some wry look curling behind his cigarette.
Eddie’s face goes hot. He tries very hard not to look at Steve. “Uh, sure we did, thanks.”
“Right. Because–”
“Please don’t.”
“Wasn’t sayin’ a word.” Wayne smiles. He gets up, moves into the kitchen, where he picks up the pad of paper he keeps by the phone. “This lady called for you, Eddie, Sarah Barkley somebody? Said she was a teacher, said she wanted to let you know about what’s happenin’ with Hawkins High.”
“Hawkins High,” he repeats. “She wants to talk about– fucking school?”
Wayne shrugs. “I don’t know, kid, told her you’d call her back.”
Eddie moves forward, takes the pad in his hands. It’s nothing but a number, in his uncle’s messy scrawl — a number and a name, Sarah Barkley. He barely remembers that class, the one where she urged him to reach out for help, whatever the fuck that means. Like he’s supposed to treat that with anything other than suspicion. Still. He picks up the phone and dials.
It takes a second to connect; in that time, he answers Steve’s raised eyebrow with a roll of his eyes, that exaggerated shorthand he’s reveling in like all this is new, which it is, being the first relationship he’s ever had, if that’s what they’re calling it, he’s not entirely sure. Then his attention snaps back to the telephone as she picks up: “Hello?”
“Uh, Mrs. Barkley?”
“Yes, who is this?”
“It’s Eddie. Um. Eddie Munson.”
There’s a single, sick moment in which he registers this might be a trap, a joke, some asshole friend of the late Jason Carver seeking puerile revenge over the telephone line. But she clears her throat and says, “Oh, Eddie, you called me back, good. I’m glad. I just wanted to talk to you about– you know, about school.”
“Why would you– don’t tell me you’re calling everybody at home. Your phone bill must be insane.”
She laughs. “No, no, you’re right. Just you. I just thought– because you’ve had a tough few weeks, right?”
“I think, uh, I think a lot of people have.”
“Yeah. But I just wanted to– because a lot of the rest of them are moving away already, with their parents, or they’ve got connections to– to the school board, or they’re– y’know.”
“Not quite as alone as I am.”
“Right. Not that–”
“I do have my uncle, though. You heard of him?” He catches Wayne looking at him, warm, gratified. He colors.
“Yeah. I don’t think there’s a soul in town that hasn’t heard of your uncle. But what I wanted to tell you about — they’re sending the kids from the high school over to the school in Walden to finish the year. Because the high school’s– out of bounds right now, and will be for the foreseeable future. I wanted to make sure you weren’t lost in the shuffle, being that you’re retaking and you’re over eighteen–”
“So I don’t have to go to school at all.”
“Eddie.” Her voice sharpens. “I know it’s– it feels like it’s easier, like this is a natural break point. But you can get a clean start over in Walden, just a town over, if that’s what you need, and you can finish the year in good stead. You can get out of here with a high school diploma. It’s just a few months.”
A few months is make or break; Sarah Barkley has no idea how much can change in a few months. But he finds, in a weird, long-buried way–
He says, “I’ll think about it.”
“That’s all I can ask. So, please do.”
He hangs up and scrubs a hand over his face. Says, before Wayne can ask, before Steve can ask, hell, he doesn’t want a repeat of this morning’s you okay?, “Let’s, uh, let’s go. Said I’d catch up with Jonathan when we got there, and I wanna– we can, y’know, get breakfast on the way.”
“Okay,” Steve says easily. Easy enough. So they go, taking Steve’s Bimmer — meaning they’re subjected to Bruce Springsteen, Hungry Heart off The River — and Eddie looks out at the wasted town, the streets, the trees, scattered debris, scattered suitcases from those who left in too much of a hurry to come back for what they’d dropped. Ghost town: the phrase occurs to him not so much in its emptiness as in its heaviness, its weight as a sort of memorial to years and years past. Thacher’s and Sam Goody’s; Reefer Rick, Tommy Coe. Radioshack and Melvald’s. He’s caught himself wondering, more than once over the last few days, what he would find if he went back to Icex. If he slipped under that cordon and into that dark — what would it show him? What would it offer him?
Because the past hasn’t been kind, that’s true. But it seems innate to human nature, not just his own, to long for it anyway.
There’s been a barrier erected between the two schools, middle and high, intersecting the parking lot right through the middle. Real E.T. type shit, this long white wall with checkpoints quarantined, armed by guards in hazmats with heavy black rifles. Like they’ve learned shit all from this enterprise, again, unsurprising. Steve swings them right past all this, barely a care in the world — not like they aren’t used to this sight by now — and into a parking spot by the entrance, pretty near to where Jonathan is slouching against the big red pickup Hopper’s taken to driving, cupping a cigarette against the wind.
When they get out, each carrying a box for donation taken from Steve’s the night before, he looks up and smiles, thin but genuine. “Hey.”
“Hey, man,” Steve says. “How are you– how are you doing? I mean, I feel like it’s been fucking– when we talked the other day, I feel like I was so out of it.”
“Yeah. Me too. No, I’m good, I’m okay. We’re okay. Didn’t think–” Jonathan gestures with the cigarette. “Didn’t think we would be, y’know, with El. When they came to take her. I mean, Mom was spitting blood, Hopper too. He’s staying back with her now, making sure no one– y’know. Comes to kidnap her.”
“Yeah. Probably wise.” Steve gestures to the gym. “Listen, I’m gonna–”
“Yeah, yeah, sure. See you later.”
Eddie smiles him off and leans against the truck beside Jonathan, lighting his own cigarette. “Look at that, a buried hatchet.”
“Something like that. I don’t know.”
“Missed you, man. Really.”
Jonathan glances at him. Something like surprise getting smaller in his eyes. “Yeah. Me too.”
“What, you missed yourself? Damn, that’s kinda egotistical of you, Byers, I’d have expected–”
“Oh, fuck you.”
Eddie grins around his smoke. “So things are okay?”
“Things are okay. I– uh, I spoke to Nance, she told me about the Russian stuff. It’s kinda– working in our favor, actually. El’s favor. Because we’re pretty much Cuba in 1962 right now. The government can’t– they don’t have a lot of room to maneuver. Leverage, or something. That’s what Nance says.”
“Nance, huh?”
Jonathan lifts one shoulder, shrugs. “I don’t know, if that’s what you’re asking. I mean, I– I don’t think we’re staying here. But neither is she. So I don’t know.”
“Hell, you don’t have to know. We’ve got–” Eddie spreads his arms theatrically “–all the time in the world, right?”
Jonathan smiles again. “Yeah. Right.”
“How about Will? How’s he doing?”
“He’s okay. He’s fine. He’s– y’know. It’s been a weird year.” The smile persists stubbornly for a moment, then fades. “Can I, uh, can I ask you something?”
Eddie studies his cigarette. “Sure.”
“You and Steve–”
Him and Steve. It’s somehow gratifying, to hold those two words together. “Me and Steve.”
“Are you– Jesus, this is weird. I’m only asking because Will– I feel like Will would appreciate– y’know. Knowing he’s not– alone. So alone as he thinks he is.”
Eddie smiles faintly. Meets Jonathan’s eyes. “Where’d you get the impression there’s a me and Steve?”
“Well, Nance, and, like–”
So people know. They’ll probably have to deal with that. But for now Eddie just claps him on the shoulder, a strangely masculine move that makes them both laugh a little, awkward, and says, “Will’ll be okay. It turns out okay, y’know. And there are more of us than he’d– than he’d think.”
With that, Eddie goes inside. There are other things they could say to each other right now, things about the dark and the past and the well that is lost time, that is wishing things were different. They could say a lot of things.
But Jonathan isn’t going anywhere, not for a second, anyway, though eventually they’ll move away with the inevitability of all things: there’s time yet.
In the gym, he finds Steve folding donated clothes like a regular good citizen, Nancy next to him looking tired and yet less wrung-out, less high-strung. More cord than wire. Eddie watches them for a moment, how they work around each other, seamless and with none of that awkwardness of exes who each traumatized the other — Eddie could be jealous, but he finds he isn’t, because their ease documents an end of it. Simple as that.
No one gives him a second glance as he walks through the makeshift crisis center, a change from the first time a day ago, when they’d all stared like they were seeing a ghost, and Hopper, it had been Hopper to clasp him around the shoulders and say, “Alright, there’s nothing to see here.” And Eddie had awaited recriminations, maybe violence — Jason Carver was dead, but surely they’d find a way to blame that on him too — but instead people had approached him hushed, awed, Did you really save everyone at the plant collapse?
Eddie had to tell them, Not everyone, but that wondrous look in their eyes didn’t go anywhere.
And there’s a little of that today, but they’re keeping their distance. He spots Avni sorting through first aid kits in a corner, and when he catches her eyes she offers him a wry salute. Or, hell, not even wry; he flushes and looks away, because there’s something genuine to it, something like pride.
He spots a lot of faces he knows. The Wheelers have left town, taking Mike with them kicking and screaming with oaths to be back, the Sinclairs and Lucas the same; but over there is Dustin, bracing himself across the floor on a pair of hospital crutches. Max is watching him through narrowed eyes, alternately mocking and making sure he doesn’t fall. On the other side of the room, Joyce is directing people making sandwiches, looking much the same as she did six months ago, face hollowed-out but determined, hair pulled back out of her eyes. With her are Janie and Robin, spreading peanut butter and jelly, stacking sandwiches, talking at each other in sort of bitchy, fond tones, and Eddie smiles a little and resolves to leave them to it.
He’s turning towards the donation table when Janie leaves her post and comes to touch his shoulder, smiling maybe the truest smile he’s seen on her since she left for Shanghai that long-ago summer. “Hey, man,” she says.
“Hey. You’re, uh, you’re getting pretty cozy with–”
“Shut the fuck up,” said lightly, teasingly. “I just wanted to tell you that, uh, you know that Murray guy you talked about? Well, he’s got this contact in– in Alaska, someone who knows someone in Kamchatka, and they’re gonna–”
Eddie stares at her, drops his tone. “They’re gonna get your dad out?”
“Uh huh. I mean, I hope so. Not that I’ve really dared to hope for a long fucking while, but. I hope so. Man, that Murray guy’s an asshole, though, right? Weirdly enough, it was Patrick who helped me wrangle him. Patrick’s a decent guy.”
“Patrick is a decent guy,” Eddie says, following her gaze across the gym to the guy himself, Patrick, boxing up canned goods; it’s another nod, another recognition of something they could talk about but really goes beyond words. “So you’re–”
“So I’m not going back to Siberia. And maybe–” Janie glances back at Robin. “You, uh, you should talk to Steve. There’s some sort of– plan, maybe? I don’t know how much you’re–”
“A plan,” he repeats, unable to put off the sinking feeling, though they’re beyond the time of plans and promises, the end to the thing somehow, for some reason, feeling different this go around. Feeling like it really makes an end. That’s what the nameless dark offered him: relinquishment. A finale.
“Don’t look at me like that. A plan meaning– y’know. Get the fuck outta dodge, like we always talked about.”
“Don’t you want to– I mean, you always wanted to be in China.”
“Yeah. But that was about my dad. And, like, I don’t know. China isn’t going anywhere. I’ve got time, right?”
He smiles. Reaches down to hug her, which surprises her, he can tell by the rise and release of tension in her spine. But she hugs him back, warm and solid in his arms, a person who made it all the way across the ocean and back again, a person who’s sticking around.
When she pulls back, he opens his mouth to say something, maybe to rib her further about Robin or else ask her more about this plan, this fucking plan, but she’s looking out across the floor with a frown creasing her brows together. He turns to follow her gaze and–
Ah. Right.
It’s John and Helen Harrington, beeline towards their son, who doesn’t seem to notice them for a moment, with the effect that they stand there, waiting, arms crossed over their chests, glacially tall and pristine in a hall full of mess. All the families like theirs are long gone now. Rats from a sinking ship: welcome to the bottom of the ocean, mom and dad.
“What are you doing here?” Steve says. Eddie draws closer, despite himself, to listen, though there’s really no need, because there’s a circle of hush growing wider, that perimeter of awe and uncomfortable fear. John Harrington in a long dark coat, urban and hard-cut, hair slicked back. Helen, smiling her distant country-club smile, Italian tan washed out by the winter.
“You weren’t at the house,” Mrs. Harrington says, as her husband says, “We thought maybe you were dead, so we came to check.”
“You came to check,” Steve repeats. “Huh. Okay. Well, I’m not dead, so. Hey.”
“That’s all you can– that’s all you can say? Steven, really, the things that have happened in this town–”
“Oh, you wanna talk about the things that have happened in this town?” Steve’s face has gone hard. Harder than Eddie’s ever seen it, maybe, certainly the most fury ever directed at his parents. “You wanna– you wanna talk about that? Because we can talk about that. Dad, you wanna talk about that?”
Mr. Harrington’s lips thin out. “Steven–”
“For fuck’s sake.”
“You’re making a scene,” Mrs. Harrington says. “Please, let’s just–”
“Let’s not. You’re the ones– what are you doing here, really? I’m alive, so let’s just–”
“Are you coming with us?”
He stops. Stares at them. “What? Coming– coming where?”
“We’re getting out of this town. There’s nothing left for us here. We thought you might like to come with us.”
Mr. Harrington shoots his wife a sharp look. “What your mother means to say is that we’re going to assist with the recovery efforts from a more stable location, where I can coordinate with–”
“Oh, for god’s sake, John, enough. Enough of all this.” Mrs. Harrington shakes her head. “I’m not– I’m not talking about that. I’m talking about you. Would you like to come with us?”
Steve looks at her for a long moment. Eddie can see him turning it over in his head, that coaxing voice, the tired edge to it, the way she’s holding herself away from her husband. And the other thing, the longing thing, the desperation of a time before, when it was easy to resent his dad but not hate him, not fear him, because he didn’t know what his dad had done. The thing the nameless lake had given to him. The thing he hadn’t wanted to surrender.
And here–
Here, he says, “No,” and surrenders it. “I’m gonna– I’m gonna help out here for a while. Then I think I’m gonna move to the city. I’ve got the money, I’ve been working, and I just need to– y’know. I’m gonna move to the city with my friends.”
Mr. Harrington opens his mouth, face darkening, but Mrs. Harrington beats him to it: “Well, okay. I’d rather you didn’t, god knows what sort of trouble you’ll get into, what sort of people you’ll meet, but– you can always call us. You know that, don’t you? You can always call. Let us know where you are. If you need–”
“Yeah. If I need anything. I know.”
Mr. Harrington finally cuts in. “Steven, this isn’t– this isn’t acceptable. You have responsibilities. We have responsibilities.”
“Right, like–”
“There a problem over here?”
Eddie sags with relief. It’s Wayne, picking his way across the gym with his hands in his pockets, casual as anything, meeting people’s eyes and offering them little smiles like he’s the goddamn mayor.
“This doesn’t concern you,” Mr. Harrington says. Then he looks around the gym, notices all the eyes on him, the loose circle of pissed-off faces. He addresses his next words to the hall at large: “When I’ve settled my affairs outside of Hawkins, my company will be arranging a package of aid that will–”
“We don’t want your fuckin’ blood money,” Wayne says, voice still even.
“Excuse me?”
“I said, get fuckin’ gone. I know what you did. What all you’ve been involved in. No, we don’t want it here.”
“Is that what all of you think?” Mr. Harrington turns in a circle, scans each upturned face. “Does this man speak for all of you?”
Wayne doesn’t say anything; neither does anyone else. The silence is more telling than any word, any sound. Something collective and altogether more audible to a man like John Harrington, who doesn’t tend to listen.
Mrs. Harrington smiles tightly, looks only at Steve. “We’ll be packing up the house all week. Clearly you haven’t been sleeping there, but at least come see us off when we go.”
And there, that’s an end of it. They cast fleeting looks around the gym, at the volunteers, the donations, the people wounded but not wounded enough to warrant government attention, or else unable to afford it. They take all this in — king and queen quitting a degraded, collapsing empire — and then they leave.
“You okay?” Eddie says, drawing close to Steve, who’s pinching the bridge of his nose.
Steve opens his eyes. “Smoke outside?”
Eddie follows him outside. They go around the side of the gym, the place Eddie used to hide out when he didn’t want to play sports and he didn’t have a fucked up shoulder as an excuse, back in middle school where everything was, despite it all, somehow more simple.
He lights a cigarette and then passes it to Steve, who inhales with a grimace. “I don’t know about these anymore, man.”
“Well, rumor has it you’re moving to the city, so you can reinvent yourself however you want when you go. You could live like a monk, no beer, no weed, no smokes. Run ten miles every morning and bench press twinks in the gay bars.”
Steve doesn’t really smile. “Eddie–”
“This isn’t– this isn’t me being mad, by the way, in case that’s what you’re– I know it’s not really a plan yet. Just an– idea. And I, uh, I got a shitty opinion of myself but somehow I think there’s enough evidence to convince even me you’re not gonna leave me behind.”
“I’m not gonna leave you behind.”
Eddie lights his own cigarette. It strikes ash at the back of his throat, hoarse, raw. Maybe Steve’s right; maybe they’re both outgrowing it. Rare for him — maybe he’s running out of words, too — he doesn’t say anything immediately.
And then Steve says, “You know how– uh, how Hopper gave us each a task to do? When he left town last year?”
“Yeah,” Eddie says, slow.
“He, y’know. He admitted this was shitty, but he said– I was in the right position for it. Because of my dad. Just to– keep an eye on things. With my dad.”
Desk and Department of Energy branded stationery; Eddie understands in a flash how shitty it is. How Steve couldn’t possibly have said no. So he just leans a little closer. Says, “Man, fuck your dad.”
“Right. Yeah. Fuck my dad.” Steve shakes his head, not like he’s disagreeing.
“So what are we doing here, Steve? Because Jonathan, he, y’know, he asked me what we’re doing. People are asking. And I want to tell them–”
“What do you want to tell them?”
Eddie holds his gaze for a moment, then drops it. “You know.”
He’s surprised by Steve’s hand on his cheek, sudden, tilting his head back up. “Tell it to me anyway.”
“Jesus, fuck, you know, man, it’s–”
Eyes darting, they fucked last night, Eddie laid kisses against Steve’s bared throat as they worked their hips together and they fucked, flayed each other open and learned each new curve and sound — and, more than that, Eddie’s been in his head, Eddie knows. Eddie knows him. He knows Eddie. And still this is difficult. Still this is everything.
“I fucking love you, or something, I don’t know.”
Steve looks at him for a moment. Lips curving up. “Or something.”
“Fuck you.”
“Yeah, fuck me, okay. I love you too.”
“You– what?”
“Yeah. So I guess that’s what we’re doing.”
“That’s not– Harrington, that’s not a thing we can be doing, I can’t believe I’m– I’ve never– I’m the one who’s never been in a real relationship. You’re a real take home to the parents kind of fucking guy, why am I the one asking you to just–”
“Okay, come live with us in the city. Be my–” And at this, the cocky bravado slowly falters. “Come be my boyfriend.”
“Your boyfriend.”
“Yeah. Is that– people do that, right? Guys can do that.”
Eddie finds himself laughing. A little hysterical. “Yeah. Guys can do that.”
“And why am I Harrington again?”
“Because. Sometimes I forget who you are.”
Steve’s face closes down. He moves to pull away but Eddie steps forward, touches him at the strong join between shoulder and neck, doesn’t let him.
“That’s not a bad thing,” Eddie says, soft. “You’re– you’re everything you used to be, the same way I’m everything I used to be. Everything that happened to me, everything that happened to you. We’re fucking– carrying it around with us, right? You used to be King Steve and I used to sell coke to sixteen year olds. I don’t know about fresh starts, man, I don’t know about– I don’t know about moving past things. I don’t think I’ve ever moved past a single thing in my life. I just think– it’s okay. Y’know? For the past to just, like, be there.”
“Yeah,” Steve says after a moment. “Yeah, I guess.”
“All of which means–” Eddie waves an extravagant hand. “I accept.”
“You–”
“I’ll be your goddamn fucking boyfriend, Steve. I’ll wear your matching corsage and you can hold my hand on the way to prom.”
“God, can you imagine–”
“Absolutely fucking not.” They smile. These last few days, despite it all, a town devastated and a government department split in half, Stinson dead and Owens forever nebulous, unreasonably reasonable, Eddie’s cheeks have been aching from smiling so much. “But listen, I, uh, about moving– I don’t know. I think– the thing with school, going over to Walden to get my diploma, I think– maybe I want to do it. Finish high school. It’s been that thing this whole time, the thing no one expects me to be able to do, and I just–”
“Yeah. Okay. I get that.”
“And I can– I can come join you in the city after. A few months, that’s all. You think we could do that?”
Maybe his voice wobbles; Steve looks at him seriously, steadily. “Yeah. We can do that. It’s okay, Eddie. It’s– it’s smart, maybe, I mean, this thing is just–” He takes a deep breath, audible. “I don’t want to fuck this up. And if I’m constantly worrying about, like, fucking it up, fucking you up– then yeah. A few months to, y’know, convince myself that you’re okay. That this is real, that we can– we can carry the past around with us, and that’s okay, whatever the fuck that means. You’ve got a real way with words, you know that?”
“Oh, trust me, I know.”
“And there’s always the weekends.”
“There’s always the weekends,” Eddie says, and feels the ache of a sort of promise, the hopeful kind, not the oathkeeping kind, though there’s that too, blossoming in his chest. The ache that says: okay. We’re doing this.
Steve kisses him right there beneath the cordon, like not caring if anybody sees.
And later that day, when Steve’s gone home to his parents to say a loathsome, cold goodbye, Eddie considers his bedroom. All his posters, his books, his guitar. Fragments and debris of a life not lived, exactly, but raced through, torn harbor to harbor with the screech of brakes and the panic of stereo metal: the getaway driver, finally getting somewhere.
Narsil sits lonely in her case. He gets her out, dusts her off. Gets her to gleam. Strums out a few tangled opening chords, working it out as he goes: Bronski Beat but not really, Smalltown Boy if it was metal and ragged and learning something. Thinks about maybe taking Steve back to Buffalo, introducing him to his mom. Thinks about maybe finishing goddamn high school, Jesus. Running a campaign for the kids who look at him like for some reason he’s the sun. And then the city; an apartment with Steve, maybe Robin and Janie too. Waking up in the morning to dark eyes and soft smiles, something that’s real, a crazy little thing. And in the nights, maybe, going out on stage and tearing the world up. Letting the light in.
He smiles. Yeah. Maybe.
END
Notes:
– bruce springsteen's album the river was released in 1980
and that's all she wrote, folks.
reminder to check out the soundtrack for each volume (period accurate to the week of each season) here: vol.1, vol.2, vol.3, vol 4.
what a ride it’s been. two years and i’ve moved twice, finished a master’s degree, written a novel and 525k+ words of fic besides, had a sexuality crisis, and worked out that writing is what i want to do for the rest of my life. this fic has been with me through thick and thin and i could never have imagined how it would grow when i started it on pretty much a whim two years ago, almost to the day. i want to thank televisionbodies, beetlesandstars, and witchjeons for getting me over the line with this when i just didn't have the time or the energy — the discord writing sprints really saved my proverbial bacon. also the biggest of thank yous to shdwslk, my beta. thank you for tirelessly picking me up on my britishisms and the little spots of research i didn't even know were needed — who knew mailboxes were such a controversial topic? and i still don't know the difference between different from, different to, and different than, and i probably never will.
and thank you, of course, to all my readers, who've kept me going like nothing else could with all your comments, theories, and excitement. it's been such a fun journey <3
so for the last time, let me know your thoughts below, and i'm on twitter and tumblr. i tend to live in true detective land these days, so if you're interested in that at all do come find me there.
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