Chapter Text
Sirens don’t only make humans feel “in love”, or “obsessed”. They can induce other emotions such as fear, anger, worry, shame, etc, even physical feelings. Each siren specializes in a specific sensation. I’ll also talk about what each character’s singing voice is like:
Wolfe: countertenor, brightness and playfulness, humor, incites friendship and being childish
Amelia: mezzo-soprano, brightness and playfulness, humor, incites friendship and being childish
Harmony: contralto, coldness and the feeling that something is lacking, incites insecurity and conflict/argument
Tobias: tenor, longing and loneliness, incites the need to pursue and fixation/obsession
Mattias: tenor, exhaustion and resignation, incites fatigue and sleepiness
Kaitlyn: mezzo-soprano, warmth and care, induces feelings of home and being surrounded by loved ones
Axel: bass, humor, being fed up, induces feelings of exasperation, argument
Gunther: bass, caution and accusation, induces paranoia and wariness
Luther: tenor, lightheartedness and indulgence, induces being laid-back and complacent
Jane: mezzo-soprano, daring and adventure, induces being reckless and fearless
Lucas: baritone, anger and blame, induces shame and fear
Suzie: contralto, rage and weariness, induces shame and resignation
Kiraba: soprano, persuasion and indulgence, makes people want to give in
Mr. Edburt: bass, power and control, induces fear and submission
As for mimicking other sounds/voices, it’s a high-level skill that only older sirens can sometimes master. Jane and Lucas can both do this, as well as Kiraba and Edburt.
Surviving a siren’s song leads to confusion, fatigue, and different feelings depending on the siren’s specialty. In Carmelo’s case, he’s a little “lovesick”.